text
stringlengths 494
2.57k
| label
class label 2
classes | attention_mask
sequence |
|---|---|---|
When I think 'Women in Prison', my mind often goes to sleazy Italian/Spanish productions by directors such as Jess Franco and Bruno Mattei; and while these films are often very sleazy, they're also very samey and once you've seen one; you might as well have seen them all. I have to admit that these types of films generally aren't my favourites; but in fact the idea of women behind bars has been done very well on several occasions outside of Italy and Spain; and Roger Corman's New World Pictures is responsible for some of the best of them. Caged Heat is the directorial debut of Oscar-winning director Jonathan Demme, and it's a well done little flick with plenty of entertainment value! Naturally, the film centres on the story of a girl who is caught committing crime and sent to a women's' prison where she is introduced to a host of violent inmates. This prison is ruled over by the stuff wheelchair bound Superintendent McQueen; and she takes offence to a play put on by the girls; leading them to plot an escape. This film is much lighter on the sleaze than I'm used to in a women in prison flick; but this is more than compensated for by some great action scenes and dialogue and that's what ensures Caged Heat entertains throughout. It does have to be said that the plot is not particularly original or ambitious and basically follows a structure similar to many other women in prison films that came before it; but that's not such a big problem. The film never gets boring and is peppered with standout scenes; including an escape attempt while out working in a field and a bank robbery. The film is helped along by assured direction from the man who would go on to helm the masterpiece The Silence of the Lambs and a great cast with plenty of standouts; including best of all the legendary Barbara Steele in the role of the head prison warden. Overall, Caged Heat may not leave the viewer with much to think about by the end; but it's a brilliantly entertaining little grindhouse flick and anyone that enjoys this type of film will surely want to track it down. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Dreadful sci-fi entry from Germany, which features invaders from space who want the emotion of love from the people of Earth, even if they have to kill them for it. So what better strategy to initiate this cosmic onslaught than to place the vanguard of the invasion force in a dead woman's body disguised as a substitute high school teacher--pretty clever!! This lady certainly intimidates the little brats into doing what they should do, as well as pull the wool over the eyes of the stupid parents in the community. She's on her way to conquering the earth, smashing every human in her path, maybe even becoming the high school principle! The kids know what's going on though, 'cause they've seen the invader eating live chickens in the barn. So, naturally, they have to plan on getting rid of the outer space boogie-sub by themselves. So it goes....not much in the way of a gripping plot or special effects either. And there you have it! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Ninja Hunter (AKA Wu Tang vs Ninja) is pure entertainment from start to finish due to its outrageous characters, nonsensical plot and lack of any pretensions whatsoever. The makers of this film have given us a truly OTT masterpiece which has to be seen to be believed. The plot centres around Wu Tang villain, Abbot White, who wants to destroy the Shaolin monks and become supreme martial artist. In order to do so, he teams up with a clan of Ninjas, led by three masters gold lamé ninja, white mustachioed ninja and black ninja and succeeds in destroying the Shaolin temple and most of its inhabitants. However, there are some survivors. It is their job to pass on the knowledge of the Shaolin finger jab to a new generation, who must defeat the ninjas and Abbott White if peace and order is to be restored. Unfortunately, Abbott White is a difficult foe to beat, since he is able to make himself virtually indestructible by sucking the life force out of hot naked chicks (an excuse for some welcome gratuitous nudity!). Other treats in store for viewers include loads of very impressive fighting (despite some of it being speeded up), some really amazing outfits (the aforementioned gold lamé ninja, Abbott White's Yin Yang suits, and even some assassins wearing Swastika tunics), a ninja turning into a flying carpet, plus some cheesy gore for good measure. And I nearly forgot to mention the really impressive eyebrows on display in this movie surely a good reason not to pass up on this gem. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Alex Winter and Keanu Reeves return as the two dopes from San Dimas who get sent on another trip of a lifetime as someone from the future feels exactly the opposite the way it was presented in the first movie. The only difference is that their trip is "somewhere" between Heaven and Hell and ends up being both. When they meet the Grim Reaper, they get the chance of an after-lifetime to play him for a chance to return and stop two evil robots from ruining what future they were supposed to have. Besides playing roles they have...er...perfected, they also play (and revive a couple of extra sales in the process) some classic games (I even have my original copy of Battleship in the closet). The reason I liked this movie better than the original is because it deals with "what it might be like" instead of "what was." Without spoiling the movie, I can't give you anymore information about this (I guess you'll just have to watch them both and decide for yourself! 8 out of 10 stars. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I hated this film so much that I don't even feel like writing an intelligent analysis...how about, horrible acting, shaky camera, shove reality in your face kinda movie? avoid at all costs....I am not a big fan of movies that re-enact real life events...I thought Munich was an absolute piece of garbage movie...this one is right up there...maybe they could have filmed the cast being taken out back and beaten once the film was over for such an abysmal performance.... Now I upset myself...toss this one on the fire, along with House of Sand and Fog...and quite frankly, even if I were a journalist with heroic delusions, I would definitely stay out of a hellhole country like this couple was in....Angelina has done nothing to ever recommend her as a good actress...without her looks she would be nowhere, like this movie... | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I was working a film festival this past weekend and got to see this movie where it was playing at and I so loved it. Me and my friend loved it very much. We hope for it to get into theaters and on DVD. Jensen and everyone are great in it. Its funny and very real. LOVED IT!!!! I loved how every time we saw his character his shirt said something funny. There where also a lot of things in that movie I could relate too as well along with making me laugh. Sometimes with a movie its hard to be real serious and mix it with comedy with out ruining it, it was done very well. I thought each character in this movie was casted very well. Me and my friend loved it so much we watched it twice at the festival. I seriously hope this makes it to the theaters and especially...especially on DVD. If it goes on DVD me and my friend will be buying the day it comes out. If anyone reading this is going to a film festival and see this on the list, it is very much a MUST SEE!!!!!! Everyone is great in it and Jensen is so funny in it. If your a big Supernatural fan, you will love Jensen in it, it shows his comedy side as well:) | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Down to Earth is about Lance Barton, a black comedian who gets hit by a truck. He goes to Heaven and he gets to get another body. Lance gets the body of Charles Wellington, a white guy. So Lance does a few things in the body of Charles. The movie has a few laughs, but it's nothing special. It's a good movie if you're a fan of Chris Rock. Madagascar, the 2005 animated comedy, is better. This is a good movie, but Chris Rock has done way better things than this. It will only make you laugh about 4 times the whole movie. And it's not really laugh-out-loud funny. You'll laugh to yourself and you might giggle, but you definitely won't be rolling on the floor laughing. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I must say I wasn't expecting much from this when I bought the DVD, but ended up having an absolute blast. Matthew Nelson gives a surprisingly sympathetic performance. I found myself feeling so sorry for the character, and wanted things to work out for him and his love interest. Suffice it to say he finally slips all the way into madness, and seeks bloody retribution on his numerous tormentors. The best moments in this film come from Nelson really showing the characters pain. Nothing goes right for him, and literally every single person in his life is abusive to him in one way or the other. The dark humor here is hilarious, although some may find the side characters who torture Monty, to be way over the top. Still that makes all the more amusing when the movie goes all out slasher in the final 20 minutes or so. One negative a couple kills showed the films' low budget. Most of it is actually quite effective, but the sprinkler scene for example doesn't quite work. Still Delivery caught me off guard, and entertained the hell out of me. Definitely check this one out. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I really liked this Summerslam due to the look of the arena, the curtains and just the look overall was interesting to me for some reason. Anyways, this could have been one of the best Summerslam's ever if the WWF didn't have Lex Luger in the main event against Yokozuna, now for it's time it was ok to have a huge fat man vs a strong man but I'm glad times have changed. It was a terrible main event just like every match Luger is in is terrible. Other matches on the card were Razor Ramon vs Ted Dibiase, Steiner Brothers vs Heavenly Bodies, Shawn Michaels vs Curt Hening, this was the event where Shawn named his big monster of a body guard Diesel, IRS vs 1-2-3 Kid, Bret Hart first takes on Doink then takes on Jerry Lawler and stuff with the Harts and Lawler was always very interesting, then Ludvig Borga destroyed Marty Jannetty, Undertaker took on Giant Gonzalez in another terrible match, The Smoking Gunns and Tatanka took on Bam Bam Bigelow and the Headshrinkers, and Yokozuna defended the world title against Lex Luger this match was boring and it has a terrible ending. However it deserves 8/10 | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Along with "Aparadektoi, the best Greek Comedy series ever ! Lefteris Papapetrou writes and Antonis Aggelopoulos directs in a magnificent way Soso, Alekos, Flora, Achilleas, Grandpa Aristides, Machi, Johnnie, Corrina and Michalis ! In a few words, Alekos, a butcher living in a district around the center of Athens is married to Soso. One day he meets Flora, an old date of his, who now is married to Achilleas and lives along with her father-in-law and his caretaker, Machi. Machi also has a son named Johnny who appears at the end of the first period and the entire second one. the rest main characters are Michalis, Alekos's assistant at the butcher's and bi-sexual and Corrina, Achilleas's lost sister who has turned up to be the best prostitute in the entire Athens. The main story of the series is Soso's attempts to kill Alekos, because he is cheating on her, but everything else happening in that are not of lower importance. Brilliant screenplay, with an excellent plot, poisonous quotes, awesome performances and a great directing. Original idea and especially the shootings were something that was done at the Greek television, for a series of the Greek television, for the first time, e.g. scenes shot under water ! Surely a serial you will never stop enjoying ! | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Pakeezah has a very interesting history (which is well documented in the 'Trivia' section) about how it came to be. It seems as if destiny conspired to test Kamal Amrohi (the director) while at the same time secretly desiring to see him complete his masterpiece. Pakeezah rides on metaphors, poetry and visual elocution. As a result the intensity with which emotions come out achieve a dimension which may not be very real but are very effective and leave an impact on the viewer. Meena Kumari lives the tragedy of Nargis and Sahib Jaan like her own. The other stars of the film, besides her, are Ghulam Mohammed (the music director), Lata Mangeshkar, Naushad (background score) and Joseph Wirsching (the d.o.p). Their music and cinematography leaves you spell bound. Pakeezah is a classic in world cinema. It reveals new layers to you every time you watch it again. Kamal Amrohi is one of the rare poets of cinema and he left us all a gift. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I saw Peter Watkin's Culloden and The War Game a few months before this and was very impressed. The technique is essentially the same, or at least very similar, in this film detailing on the one hand a trial of dissidents in California in the (apparently) near future, and on the other the attempts of a group of convicted "criminals" to slog through 50 miles of desert to win their freedom in a government-run "punishment park" as an alternative to prison. Watkins films everything in a documentary style, which causes for more than a little awkwardness or required strong suspension of disbelief: how is it that the camera crew is with the group of starving and parched prisoners over 2 days without either offering help or sharing in their misery? And that's merely the most obvious example. But questionable storytelling aside, this packs a punch; no question you have to be interested in political film-making to really get involved, but the film really isn't like anything else of its era: it pulls no punches, offers no simple solutions. The leftist political figures are certainly painted broadly at times, but they aren't all alike; the right-wing government functionaries seem a little more cartoonish, but even they are allowed to show at least a little humanity. Overall, the film gives much to think about and leaves an indelible taste.....8/10 DVD rental | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I almost went to the pictures to watch this one but due to some reason I could not and just caught up with the video release. I expected `the hole' to be another basic slasher teen movie. I was wrong. It actually deserves much more attention than those. The acting was quite good unlike most teen flicks and Thora Birch (the little girl from `Patriot Games') was excellent, she succeeds in carrying the movie alone. The plot is quite complex and gruesome and the director managed to shoot some scenes with a lot of cleverness which brings about nerve racking situations and very tense moments. The film starts a bit slow with some pointless scenes but it got better and better as it went along. The last scene is extremely well shot and acted, there's no dialogue actually just gazes and stares but it's so well acted and done that we are able to guess exactly what's going on in the characters' minds. In addition to this, the score suits perfectly to what's happening on the screen. I give it an 8 but it could well deserve a 9 in comparison to other teen horror flicks. It looks like a nasty version of Big Brother (there is even a shrink !) but unlike Big Brother the film is entertaining, very impressive and worth watching although the twist is plainfully obvious. However, I would not recommend this one to any person who suffers from claustrophobia ! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This is Christmas time! A nativity in terms of rebirth, or at least this is what can be hoped regarding the Italian cinema. It was something like 30-40 years that the Italian cinema didn't craft an art piece of this size. This is an absolute contemporary film that can be also regarded at the same level of quality as the Italian masterpieces of the past, needless to quote any name. And finally this is also a big production for Italian standards of the time. In this movie there is a rare balance of different elements, all of them understandable and enjoyable at different levels of fruition. Real poetry, real humor, real tenderness, real drama, real beauty. No rhetoric, no easy surreal shortcuts, no typical touristic Tornatore-like picturing, no over acting, no director autoreferentialism. There is also a cool use of two heartbreaking Nina Simone's songs, whose music, I reckon has never been used in a proper way for a score. So if this will not be a real reviveing for the Italian cinema it is an extraordinary evolution for Emanuele Crialese after his 'Respiro' another definitive beautiful film. 'Nuovomondo' is not to be missed, it is that kind of 'medicine film' helpful to enjoy movie-making, movie watching, helpful to enjoy and understand life. Francesco Cabras | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
For me every piece of art is to be judged by these criteria: Form, Function and Meaning. Guernsey seems to be dedicated to forms: nice shots and sometimes interesting acting. The long close ups suggest a function that the viewer may fill in by himself. Because of lacking texts the story becomes a quiz. An introvert person suggests to have depth, but sometimes it turns out he has nothing to say. This film acts like an introvert person. If you have not read the synopsis you cannot see that it was the suicide (and the unanswered question Why?) that changes Anna's view on life and makes her suspicious. 'Why don't you speak to me?' asks Sebastiaan. Anna doesn't answer, she only starts looking a long time at him without saying a word. What is the function of that shot? What does it mean? My question is like Sebastiaans: What has this film to say? What is meant by this movie? The answer for me: It shows us a handful of persons with the passion of a glass of water. The story of their lives is simple and boring. Motives behind their actions are not shown. The rest is: skins, residences, landscapes. Nice and artistic done, but meaningless without having disposal of 'instructions for use'. In my opinion this film is made for fellow artists, not for the common viewer. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Liu Jian (aka "Johnny") is a top level cop from Bejing on temporary assignment in Paris to aid French police in a sting operation to take down a Chinese heroine kingpin. But things go bad and a double-cross ensues, leaving Liu Jian framed for murder and running for his life. One is thing certain, though, our hero won't be taken without a fight... a really good fight... and a few more after that. Luc Besson's screenplay isn't exactly creative, but given the genre, it's pretty darn good. I know I sure sighed with relief that Liu Jian (played with subtle excellence by Jet Li) wasn't driven by some emotionally haunting past, like the death of a wife and child, as is so typical in super-cop action films. In fact, we get just the opposite--a man who simply loves his job and does it very well, but is still human enough to make mistakes, feel pain and make realistic choices (well, mostly). The story isn't without its flaws, however. Mindless thugs do play their part and there is an utterance of the most over-used villain line of all time: "Bring him to me alive; I'll deal with him myself" (or something to that affect). But somehow, it doesn't sound quite so corny coming from actor Tcheky Karyo (as Inspector Jean-Pierre Richard), who manages to play the heartless villain with a great deal of intelligence. Rounding out the cast is Bridget Fonda's Jessica, the prostitute with a good heart and, yes, a young daughter in jeopardy. But despite its few formulaic shortcomings, Kiss of the Dragon still delivers. What really stands out in this film is the way the fight sequences flow with the rest of the story, unlike so many other movies that seem to be constructed around a few preconceived action scenes. It's a martial arts action film done right. Thanks to the superb direction of Chris Nahon, Kiss of the Dragon is classy, well paced and gives us a near perfect blend of drama and levity (no ridiculous one-liners here, but definitely some laughs along the way). Best of all, Nahon engages the audience and makes the story work to a reasonable level of believability. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Total utter crap! It isn't even unintentionally funny, like Independence Day. Only good thing is the special-effects in the end when the meteor strikes. Unfortunately that constitutes only about 3 minutes of the movie. The rest is just an seemingly endless stream of over-emotional "farewell, i love you"-scenes. One big tedious, cheesy soap opera about how heroic and unselfish (american) people are when facing certain annihilation. All accompanied by a never-ending symphonic orchestra. This is one of the most surprisingly crappy movies i have seen i my life. A good example on how you can't trust the ratings on this site | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
As far as fake documentaries go (fakumentaries anyone?), this one is up there with the best! It looks very real and that is what it aims for. In recent light of events (Guantanamo) this movie is even scarier, so you could say it was ahead of it's time, when it was released in the 70s! One can only hope that a government like that doesn't exist! Looking for terrorists and interviewing people just like that? Of course the people interviewed all seemed to have the same (70s mentality): Screw the politicians and politics in general. Maybe that wasn't so clever one might think ... but hey, don't forget: It's only a movie! ;o) | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Often after a movie, I will sit to myself and think, "Was there anything redeeming at all about that movie, or did I just lose 2 hours of my life that I'll never get back?" In this case, it was the latter. Despite commendable acting from the films actresses, Harvey Keitel looks embarrassingly like an amateur in a high school drama. Although the plot has potential, the movie has the maturity of a 7th grader making farting sounds under his armpit. If only the movie was animated, it would be a perfect Simpsons satire of the stereotypical bad movie. Another major problem with the film is that it tries to mix humor with seriously sad problems. Imagine the success of a comedy based on 9/11 and you get the picture. Obvious attempts at humor completely fail in canned, painfully predictable sequences directed with the subtlety of a mack truck. Add to this the fact that the director clearly cannot differentiate between what to shoot and what not to shoot. Other various problems were the irrelevant and distracting Neil Diamond soundtrack, the irritating, obstructed camera shots somehow meant to be creative I guess, and the token gay characters who have nothing to do with the plot. Although the movie supposedly took place in Australia, only one person actually had an Australian accent, the rest of them being vaguely British which is confusing during the entire story. The movie culminates in a transsexual, surrealistic fantasia which can only be described as the work of a deviant, hallucinating pervert. If nothing else, this film realistically demonstrates why you would never want to go to India. And really the only way I can figure that it came about is that Kate Winslett must have owed a debt to the teenage son of some guy who got her career going. Unfortunately, someone gave him a camera. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Two great comedians in a great Neil Simon movie based on his hit play. Great combination, especially when the comedians in question are Matthau and Burns. Small wonder why Burns won an Oscar for this; he's as sharp and as funny as ever. And Matthau is every bit his match, if a tad more crotchety. This is familiar Simon territory: two old vaudeville partners reunite for a TV special but still can't stand one another after all these years. It's a delight to watch these two pick at each other, their scenes together make this film an absolute delight. Myself, I especially enjoyed the "knock, knock, knock / ENTER!" scene. And if you're a fan of either Burns or Matthau, you'll enjoy it, too. In fact, you'll enjoy the whole movie. Ten stars. Put a little "Sunshine" in your life. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This is a sad film made for sad people. I was sitting in theaters tearing my hair apart, wanting to break the chairs in front of me as the movie spitted out one cringe-inducing scenes after another. And there were people roaring with laughter behind me, which made me wonder what kind of films these people must be watching to actually enjoy this horse-s**t. Nikkhil Advani has six stories with no plot and no interesting characters. The screenplay is dull, probably he was drunk when he was writing this film. There is no strong hold on any of these stories. Nothing new , nothing to hold the audience and filled with dialogs which you would have heard a million times before. One of the stories is about this couple not being able to have sex because of series of disasters taking place every time they want to do it. I mean seriously is this story really required? Its not funny, not creative but only proves that Advani has no sense of comedy. Another of the stories (which was probably the only story I was interested in) is based on a man's infidelity and that too ends in a lame age-old sati-savitri pati-parmeshwar crap. I have no idea what the Salmaan-Priyanka plot was all about. There was no issue in the plot for it to be a plot. She can't take Karan Johar's film because she has to marry Salmaan ?? Why can't she marry him and still take the film ?? or does Advani and Priyanaka just want to prove the world that it is in fact true that female actors cant be successful if they are married or that they should not act in films once they are married?? With six actors in the film obviously Advani cant produce the film all by himself. So he makes full use of sponsors like the Times group, shamelessly promoting their Filmfare magazines. And also some jewelery brand which the women in the film absolutely seem to adore!! I come to IMDb to give it the worst rating and i am shocked to see posts praising the film. It just goes to show the sad state of bollywood and how star struck the fans are. With fans like these, movies like Salaam E Ishq will be continue to be made and worse probably be a hit. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Why the crap is this movie rated so low?! I've seen this movie over 25 times, I know EVERY line to this movie. It's obvious that I love this movie. Trey Parker and Matt Stone (creators of South Park and the new puppet masterpiece Team America) star as the main characters Joe Cooper, or Coop "Airman" Cooper, and Doug Remer, or "Sir Swish." Mainly they're just referred to as Coop and Remer throughout the movie. Right as the movie starts it reminds us of the money hungry corrupt world of overpaid sports starts, they even go as far as to make one up called "Townsell." I must quote this portion of the movie since it is true with some sports starts: "And after playing for New England, San Diego, Huston, Saint Louis, a year for the Toronto Arganauts, plus one season as a greater at the Desert Inn I'm happy to finally play here in the fine city of Miami." His agent leans over: "Minnesota." Let us not forget this important piece of the movie. So it starts that Coop and Remer are at a high school reunion party and realize they are still nothing as they talk to their old classmates. Outside they create the sport BASEketball after being challenged by what probably was high school basketball heroes. After shaming them the sport goes pro in about a year. During this time they manage to recruit their third team mate Squeak, which is actually a day after they invent the game. As the movie follows we find out that Coop, Remer, and Squeak are the only virtuous sports heroes left. The story follows with zany blackmail, the Milwaukee Beers cheerleaders, and humor so absurd it'll leave you crying for more. Watch it dude, it's hilarious. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
That was one of the lines in a trailer about this film and for once the publicists did not exaggerate. All six of the featured players here are on the screen 99% of the time, so they have to be good. It's always fascinating how certain plot premises can be worked for either highballing comedy to a deadly serious situation. Mary Boland of the ditzy and Charlie Ruggles of the henpecked play their usual characters who are planning to motor all the way to California. To share expenses they advertise for someone to share the ride. They get Burns and Allen and a monster of a dog. That same premise was a deadly serious one several generations later in Kalifornia. Of course if you're traveling with Gracie Allen you know you're going to be going absolutely nuts trying to figure her Monty Pythonesque reasoning about the whole world. And if that ain't enough you get to run into W.C. Fields, part time sheriff and full time pool hustler who's living in sin with Alison Skipworth. But back then we didn't delve into such things. A real classic comedy from the thirties, not to be missed. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
1st watched 12/7/2002 - 3 out of 10(Dir-Steve Purcell): Typical Mary Kate & Ashley fare with a few more kisses. It looks to me like the girls are getting pretty tired of this stuff and it will be interesting what happens to them if they ever decide to split up and go there own ways. In this episode of their adventures they are interns in Rome for a `fashion' designer who puts them right into the mailroom to learn what working hard is all about(I guess..). Besides the typical flirtations with boys there is nothing much else except the Rome scenario until about ¾ way into the movie when it's finally revealed why they are getting fired, then re-hired, then fired again, then re-hired again. This is definetly made by people who don't understand the corporate world and it shows in their interpretation of it. Maybe the real world will be their next adventure(if there is one.). Even my kids didn't seem to care for this boring `adventure' in the make-believe. Let's see they probably only have a couple of years till their legal adults. We'll see what happens then. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This film is wow. Just wow! I don't know how to describe ?, but its like nothing I've ever seen in Canada or during my vacations to the US. Its funny as hell, but outrageous. It might disgust you. It might shock you. Or it might make you think a lot. It made me do all three. This is no date movie that's for sure and not one for your grandparents or younger sister. I was captivated by the live scenes. They seemed a little different at first, but then they seemed just right by making their points to the story. I loved these twists to the film. Definitely unique and one of a kind. Anyone who wants to laugh at something different has to see ?. Buy, rent or borrow it as soon as you get a chance, but beware! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I think American Desi is simply a collection of outrageous stereotypes. Let's put aside the cue little acronyms ABCD (American Born Confused Desi - anyone of Indian descent) and NRI (Not Resident Indian) and look at in my opinion the fundamental flaw with this movie. With the exception of the two females characters- Nina and Priya, nobody is likable in this movie. Both Nina and Priya are charming, sweet and people you want to be around. Unfortunately, they are only supporting characters in this flop. Everybody else is either a total fool, idiot or dork. I don't know any person let alone an Indian, or Pakistani who behaves anything like the men (or should I say "immature boys") in this movie. It seems the creators of this movie want to copy the American screwball comedy formula but, that's not a good idea unless you have good writing, interesting characters, etc. This movie lacks in heart and doesn't deliver on a fascinating idea - a film exploring the lives of American born Indians. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
OK, anyone who could honestly say that this movie was Great or even Good is either delusional or knows the Director, Writer and Producers and is trying to boost the buzz on this film. I watched the movie because a friend of mine worked on it and it was Horrible. I'm an actress and have worked in the industry for a while now on big films and even independents and this movie bored me to tears. The reason I'm being so harsh is because this film was clearly a different take on "Of Mice and Men" and they should sue because it is such a horrible rip-off of the story. In an industry where Hollywood seems to be creatively bankrupt...for someone to take a classic book and film "Of Mice and Men" and destroy it with a new spin bugs me so much. The actors, the accents, the dialog and the direction were amateurish and the writing was dismal. I mean if your going to take a new spin on an existing story make sure its just as good or better than the original to make the new spin justified. Did not like this movie at all. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
A family is traveling through the mid West. There's widower Ben (Charles Bateman), his girlfriend Nicky (Ahna Capri) and Ben's little daughter K.T. (Geri Reischl). Then hit a town named Hillsboro where everyone acts more than a little strangely. Their car breaks down and they're forced to stay. They soon find out a witches coven has a spell over the town and is up to incredible evil. The story is not that good. People just figure things out of nothing and they just happen to find out where the witches are at the end. Also there are a lot of loopholes left dangling at the end. The acting is pretty poor too. Bateman and Capri are bland and everybody else is about the same. Only old pros Strother Martin and L.Q. Jones give good performances. Still this movie does work. It forgoes blood and gore (there's some but this is PG) and manges to work with some very creepy visuals and atmosphere. The acting hampers a lot of it but it still works. Martin especially chews the scenery in his role. I can't explain exactly why I (sort of) like this movie but it did work on me. It's a quiet kind of horror that isn't made anymore. Hardly a masterwork but this deserves to be rediscovered. A 7. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This is the kind of film that, if it were made today, it would probably star Sandra Bullock and Hugh Grant; actually, now that I think about it, this one is quite liable to be remade one day. It's pleasant, but with no depth whatsoever. It suffers from the almost fatal miscasting of James Stewart in a role he is about 20 years too old for, and as a result there is no chemistry between him and the beautiful Kim Novak. Ernie Kovacs, in the small supporting role of an aspiring writer, is the only actor in the film whose performance approaches what you might call "wit". (**1/2) | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Really, I mean that this is a self-contained movie; it sets up a premise, a backdrop, characters... and manages to deliver. The grainy/gritty look of this film is really commendable, and instead of just saying "Killer robots!" and putting it on autopilot the filmmakers kept throwing little bits and pieces of creativity out there. Peter Weller is perfect for his role and develops great repartee with the greenie who tags along with him to... some pretty nice matte paintings. Budgetary constraints aside the movie looks good, the spaceships look good, the robots look good, and this is simply the kind of unified enterprise that doesn't get made with $100,000,000 and Bruckheimer producing (what is it with the Germans? I mean, Devlin and Emmerich and Bruckheimer?). So watch it, it's enjoyable and competent until the last 15 minutes. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
When I've seen Brat, I thought it was pretty silly. I just didn't like it. Though this spring we got another part of Danila's (this cute lovely guy) adventures. I thought this would not be better, so I haven't seen it... But recently we had it on the TV and I just watched it, because I heard people liked it. So I did. And I must tell ya that this is good done job. I don't even know what is so amazing there for me. Maybe I just liked the idea, because it really seemed great. And all those jokes. Damn, only Russians can understand it (well, the movie is Russian. For us.). One Bagrov-older bro (Sukhorukov) is big joke. I mean, almost everything he says is funny. No, you better know what the joke is about... Oh, yeah, forgot: maybe Americans don't like it. But don't they always make Russians "monsters that are going to destroy the world" in the movies? We have our own opinion, so sorry, guys! :)) | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Superb comic farce from Paul Mazursky, Richard Dreyfuss, plays Jack Noah a fairly successful actor- who is On location shooting a film in a fictitious Latin American banana republic Parador,Ruled by the Fascist, Alfonse Sims who unfortunately has succumbed of a heart attack after indulging in too many local cocktails! Raul Julia plays the oily chief of police who forces the reluctant Noah To impersonate the Just deceased dictator who Noah bears a remarkable resemblance, Sonia Braga plays the dictator's glamorously lusty mistress, who gives Noah a few lessons in how to 'act' like a dictator, Jonathan Winter's literally rounds off the cast as a CIA man In Parador posing as a hammock salesman. Can Noah win over the people of Parador? and hold off the rebels? And give the performance of a lifetime without losing his in the process? Sammy Davis Jnr,has a cameo as himself who amusingly croons the national anthem of Parador as well as Begin the Beguine, Frog Number one(Fernando Rey pops up as a kindly servant, Charo is also on hand as A busty maid, The score by Maurice Jarre,is excellent. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I own a Video store with hundreds of documentaries. I have seen loads of them and love all of the great info out there. Only a small handful though even come close to offering info as important as this one. I have been reading through other peoples reviews of this film and can't help but notice that the main things people are criticizing are irrelevant. Such as "It is very one sided" Such a pathetic criticism, every where in society that you look you will see the other side, and if you still need help go to globalpublicmedia.com. "It is the same people over and over" Uh one might be led to believe that these people are the experts, so maybe they are the best people to interview. "filming style is all the same, head shots with few exceptions" If you want flash and dazzle watch Micheal Moore if you want info watch real docs such as this one. As you can plainly see none of these complaints have any relevance to the information contained. My guess is that these people are just missing the point and don't wanna give up there SUV's. My recommendation: Watch it. Learn from it, and continue your education about such subjects. It is very important stuff for EVERYONE. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
How to round up every possible cliché and stereotype existing in the genre of horror and then subsequently stuff them into one massively lousy movie? The answer: "Camp Blood". This is amateurish slasher nonsense made on a micro-budget and a little bit too obvious inspired by "Friday the 13th". Four of the most intolerable teenage characters you'll ever see they're like a combination of ugly, stupid and annoying go camping and quickly find themselves pursued by a homicidal maniac in a clown suit. Don't even ask me what the killer's motivations were or even who he/she was, because if it did feature in the film, I totally missed it. This is one of the worst movies ever made, with no inspiration or craftsmanship whatsoever. The production values were so pitiable that there are actors playing multiple roles without even bothering to make them unrecognizable. The only half-decent and worthwhile sequence throughout the whole of "Camp Blood" is the opening in which the impressively voluptuous Meredith O'Brien has sex in the woods with her geeky boy scout. Yes, I'm fully aware that this is a totally shallow remark to make, but then again this is a juvenile and retarded film, so who cares? | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This film predates the Australian films Road Warrior and Priscilla of the Desert, and its influence on them is obvious: in the dialogue, locations, photography, direction and political philosophy. The photography is notably confident. The direction is stylish and for the most part well done. If you liked the early Australian films by Bruce Beresford, Peter Weir and George Miller then you'll love "Oz". The direction also reminds this reviewer of Edgar Wright's contemporary work. That similarity suggests that "Oz" was far ahead of its time. The critics of 1967 hated it and the public stayed away - 1960s Australia, like 1940s USA, was in some ways the sort of place where conformity was important, whereas this film is very different to what those viewers would have expected, especially after reading the promotional posters. This film will most likely have more appeal to contemporary audiences: it's still quirkily awkward and self-conscious, but in a contemporary European way rather than a 1960s Australian way. Joy Dunstan (who later appeared in the Australian TV series 'Prisoner') plays her role with less raw passion than her contemporary Jacki Weaver might have done, instead Dunstan's character in this film conveys some of the rather whimsical strength of Australian women most famously represented by Kylie Minogue playing Charlene Mitchell in the Australian TV series Neighbours and further developed in later roles in her career. Men will also enjoy this film, which presents various masculine issues in a different way than most other mid-sixties films from the USA or even Australia. In particular, Bruce Spence (who later went on to play Tion Medon in 'Star Wars III', the Trainman in the 'Matrix' films, and the chopper pilot in the 'Road Warrior' and 'Thunderdome' films) plays a central and sustained role which solidly supports the rest of the cast. This film is worth seeing for Bruce Spence's performance alone. 7/10 for some minor continuity problems. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I would consider myself a fan of Dean Koontz; having read a number of his novels and liked them all, but unfortunately I never got around to reading Watchers so I'm left with no choice but to rate this film on it's own merits rather than comparing it to the book that I haven't read. I went into this expecting something awful, and while I didn't exactly get a brilliant horror film; I am lead to believe that it's fans of the book that are rating it down because as a film in it's own right, Watchers is an entertaining and somewhat original little horror movie. The plot obviously takes some influence from Predator and begins with an explosion at a research lab. It's not long before a rancher is killed by some strange beast and the boyfriend of the dead man's daughter has picked up an ultra-intelligent runaway dog. A secret Government agency is soon on the case, as the murders continue. The boy continues to be fascinated by the dog's intelligence, but it somehow ties in with the murders and the agency is soon on his tail too. The script for this film was originally written by Paul Haggis, who later disowned it. I don't know why the writing here is nowhere near as ridiculous as his 2004 hit Crash! Anyway, the main reason this film works is undoubtedly the dog, who aside from being rather cute, is also the best actor in the film. Corey Haim, hot off the success of The Lost Boys is the human lead and actually has a rather good chemistry with the dog, although it is a little bit ridiculous seeing him talk to it most of the way through the film. The plot is rather convoluted and as such the film is more than a little bit messy; but the ridiculousness of it all pulls it through during the more awkward moments. Michael Ironside also appears in the film and does well as the 'bad cop' side of the Government agents. The monster is, of course, one of the most interesting things about the film and the way it goes around killing people is always entertaining and gory; although unfortunately we don't get to see a lot of it and when we finally do it's rather disappointing - obviously the filmmakers had seen Bigfoot and the Hendersons! Still, this is the sort of film that can be easily enjoyed despite the numerous problems and I'd recommend to any undiscerning viewer of eighties horror. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
If you watch this movie be sure you are able to mute the sound. Not only that Mos Def only talks about opening up a bakery and baking cakes for children's' birthdays he does not even stop talking about it throughout the whole film. If I was Bruce Willis in this movie I would have shut him myself just to make him quiet. Apart from that the film contains lots of illogical behaviour from different characters. To sum up one can say that the flick was good in the first twenty minutes. Then Mos Def begins to fall on ones nerves what makes the the film worse and with the beginning of the bus kidnapping it loses any existence authorization. I wasn't as angry after watching a film as I was after watching '16 Blocks' for a long long time. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This film was so bad that it was worth watching just to see how bad it could get! Seemed like it was going to be alright until Nas a.k.a. Det Fuzzy Rice dies, i thought maybe he was deliberately making his acting horrendous in order to trick Steven Segals character into thinking he was about to dye, BUT then he died!!! His last words i believe were "i'm so cold, cough cough, don't let your daemons defeat you! errrrrrrrrrk!". The "Don't let your daemons defeat you" line comes up a few times in the film but not much is done explain what these daemons are, why Steven Segal has them, or to push the fact that he is supposed to be a man suffering emotionally. It's all just mentioned in passing, so the lines just seem over-dramatic! I cant really remember what goes on in the rest of the film because the story line is muddled and i lost interest. What saves this film is the state of the art cutting edge special effects. ha ha no not really the effects are absolutely chronic too!! I especially like the bit when the car brakes and the blue screen background stops instantly, that was a corker, look out for that bit!! The director was terrible, the action wasn't worth remembering and the script was pants. The only reason it didn't get a 1 is because it was so bad it was comical! Think Segal should go back to big budget movies like Exit wounds and if he's getting to old or out of shape to fight as much, add a sidekick who can to his films to increase the action. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Although this film looks like a Crime Thriller Noir, the plot is actually a bit simplistic and with very few surprise twists or turns at all - and those that do appear, are not exactly shockers. However, if you slip out of 'intense action thriller' mode and into 'mindless entertainment,' then this is really quite a fun movie, with several hilarious moments. Most of these can be attributed to the witty dialogue between Alan Rickman and Emma Thompson's characters - but that said, Sadie said it all in her hilarious opening greeting to Friedman, and it left very little else for anything else to develop between these two characters. I didn't find these esteemed british actors version of the southern accents that bad (Ok, Thompson sounded like she was rolling marbles in her mouth as she tried to spoke southern, but Rickman was surprisingly rather good with very few minor lapses into his customary english accent) - if you want to critique accents - lets discuss that of Coco - she only spoke southern periodically! | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
You see there's a pattern now in the film industry - Hollywood does action films, because they cost so much to make, and the Brits do comedy or drama. The strength of the Brits is that they produce gritty, real life films that contrast with the Hollywood approach where everyone's wealthy and attractive. Downtime is a worthwhile attempt at a British style action film. Incidentally the location is Newcastle, not Liverpool as stated by the chap from Norway. I realise that I'm in a minority but I liked it and could relate to the characters and the situation. It was a nice touch to have a hero who, as well as climbing liftshafts, is asthmatic. The ending in the hospital is fine too. I love the part where Paul McGann asks the gunman to wait a moment while he discusses his relationship with the mother. It's not the best film ever made but its a 6 or 7 out of 10 and doesn't deserve its current average score of 4.2! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This interesting documentary tells a remarkable tale of an expedition to take blind Tibetan children trekking in the Himalayas; but also of a personality clash between two remarkable people. On one hand, there is Erik Weihenmeyer, the first blind man to climb Everest, and the team of (sighted) mountaineers who are guiding the kids. On the other, there is Sabriye Tenberken, a blind woman who runs the first school for blind Tibetans, who agrees to the expedition but subsequently has doubts about how it is progressing. At some level, Sabine simply doesn't understand the mountaineer's philosophy (with it's emphasis on summitting); she is probably right in identifying the mismatch between the mountaineers goals and the desires of the children but her certainty in her own correctness makes her a hard person to sympathise with, especially as she has an effective veto. In the background to this (reasonably well-mannered) clash, we get an insight into the lives of the children themselves. I enjoyed the film, although it delivers a message clearly designed to be uplifting - even though it details the quarrel, the film somewhat relentlessly asserts how amazing all those who feature in it are. But it's hard to argue with that assessment, even if it is presented to the viewer somewhat unsubtly. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Election marks the 2nd trial society theme movie directed by Johnnie To. To marvellously casted Simon Yan and Tony Leung Kar Fai as Lok and Big D, as the two trial members who were chosen as candidates for the position of chairman for Ho Sing society, a 100 year old trial society. While Lok is a man who keeps his cool at all times, Big D is not only impatient, but also thinks that he is on top of everything. Lok was chosen as the next chairman for 2 years. To have the total control of the gang, the newly elected chairman must be passed down with a Dragon Baton, which represents power and authority. Big D was extremely unhappy with the results that he was not chosen to be the next chairman after paying a handsome figure of bribes to the council members. He ordered his man to get the Baton before it falls onto the hands of Lok. While Big D is getting the Baton, Lok has other plans for him. This is one of the trial society theme movies where not much bloodshed is needed. Johnnie To puts the greed of the human beings in the movie, where bloodshed is commonly used in other trial society theme movies to show how the greed of human beings can caused the death or the downfall of one. However, no single bullet is used, hardly any gangfights are involved in Election. It's the battle of the wits that makes Election stands out of the rest. Apart from Maggie Shiu, the only actress in Election with less than 5 lines to talk in the whole movie, masculinity rules the whole movie. Louis Koo and Nick Cheung, who was seen in To's previous film, are casted as an undercover cop and a gangster who sold his life to the gang respectively. Together with some of the veteran actors making their appearance in the film and the excellent script, it makes the only HK movie to represent Cannes Fil Festival 2005. Election has hardly failed any critics who wants an different trial society theme movie. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
You know, I was looking at IMDb's database on romance and was pretty stricken to see that not only 'Vertigo' was rated a romance(!), but five of the top twenty were written around and before fifty decades ago. Ghost? Nope! Dirty Dancing? Ha! Try 5.3. Titanic? 9100 votes gave it a 1. Ever After? Female votes have scraped it up to a 7! Wedding Singer, Pretty Woman, GREASE of all movies. Modern romance has been beaten to a pulp, but even though the same conventions of romance movies exist in The Bodyguard, I'm not one of those people who hated it. After missing out on Reagan's assassination attempt, bodyguard Frank Farmer is now working for-hire. When a singer hires him after she gets death threats, conflicts begin but feelings follow. The Bodyguard plays out your basic romance and resists the urge to jerk any tears. I don't think the actors could pull it off though. There's a point in the movie, when they realize their romance, when their reactions don't make any sense, but afterward everything about the movie plays out like it should and it's well made! Although I believe people are rating the movie on what has happened to Whitney Houston in recent years, they should judge it for the performances themselves and that means it's not bad. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
"A Guy Thing" may not be a classic, but it sure is a good, funny comedy. The plot focuses on Paul (Jason Lee), who wakes up the morning after his bachelor party with no memory and Becky (Julia Stiles) lying naked in his bed. Before he can figure out what happened, he rushes Becky out of his apartment because his fiance Karen (Selma Blair) is coming. After that, as you could imagine, chaos ensues. Almost every single scene in "A Guy Thing" delivers loud laughs. The funniest moments come from when Paul imagines what could happen if he tells Karen. Selma Blair is a truly talented comedian, and the worst thing about this film is that she goes underused. Although, she turns out to be more funny than Stiles' character, who actually isn't that interesting. Of course, not every comedy is perfect. As I said, "A Guy Thing" is no classic, but it's not bad either, 7/10. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This is a pretty bad movie. But not so bad as it's reputation suggests. The production values aren't too bad and there is the odd effective scene. And it does have an 80's cheezoid veneer that means that it is always kind of fun. Watch out, too, for Jimmy Nail's brief appearance - his attempt at an American accent is so astoundingly rubbish it's fantastic. Fantastic too are Sybil Danning's breasts - they make a brief appearance in the movie but the scene is repeated umpteen times in the end credits in what can only be described as the 12" remix of Sybil Danning's boobs. Has to be seen to be believed. As a horror movie it isn't scary, the effects are silly and Christopher Lee turns up to sleepwalk through his performance. I guess he was buying a new house and needed some cash for the deposit. The two central characters - the man and the woman - were so negligible that I have forgotten almost everything about them and I just watched this movie earlier tonight. The werewolves are noticeably less impressive than in the original movie, in fact, bizarrely, they sometimes look more like badly burned apes. The eastern European setting is quite good and the music provided by the new wave band Babel, while being pretty terrible, does at least give the film some added cheese. Overall? Good for a laugh. Not good quality but did you seriously expect it to be? And, at the very least, you've always got Sybil's knockers. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This Film was a real experience of what can go on inside the police force. Beautifully presented with Kareena Kapoors best acting so far made it a film to watch. The film which depicts the tortures of muslims and hindus in India was really heartfelt and the film has a message which films seldomly give. The mistreating of hindus and especially muslims in the film really makes your eyes water. The films gives a message of justice (Insaaf) and how people should fight for their right and freedom till there last breath. Amitabh is as always a terrific performer. Not to mention the film does have some emotion and controversy between Kareena and Fardeen but we have all seen that before and it's nothing new. This is the One FILM THAT shouldn't be left out! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
"One Crazy Summer" is the funniest, craziest (not necessarily the best), movie I have ever seen. Just when one crazy scene is done, another emerges. It never lets you rest. Just one thing after another. The soundtrack is great. The songs are the right ones for the scenes. It is also a clean movie. Little that is dirty in it. Of course, it has the story of the guys you wouldn't trust with your lunch money, taking up a challenge, and winning over people with more resources. Who'd want to see it if they failed? There is a serious side, in that parents and children do not live up to each others' dreams. One should always have an open mind, and weigh all the options. This applies both to parents and children. In "One Crazy Summer", the parents are wrong. This is not always the case. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I live in Marin County where this flick was filmed and was an extra in it. I remember watching Jonathan Parker direct his actors and thinking, "This is gonna look better in the finished product. It HAS to." Because what I was seeing looked laughably amateurish. If not for the presence of name actors like Noah Wylie and Illiana Douglas, I would have assumed I was watching the production of a student film. Well, when this baby finally hit screens at the Mill Valley Film Festival, I was surprised to find my suspicions had been correct: no amount of editing or re-packaging was gonna polish this turd. What's too bad about all this is that, at its core, the movie had some good ideas. The ongoing battle between slick, greedy developers and aging, environmentalist hippie boomers is a very real one here in the Bay Area, and there's ample hypocrisy and fodder for satire on both sides. But Parker gets lost in a sea of tired clichés and labored, talky dialog and in the end can't decide what kind of movie he wants to make. Is it a satire of the tug-of-war between progress and preservation and the colorful players involved? Or is it a sappy, love-triangle romance? Or how about the tale of a short-sighted man's redemption by way of a flighty young songbird? The Californians tries to be all these things (and more) and ends up being nothing more than a muddled, uneven mess. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I'm a Mexican..and I'm a big fan of the Mexican cinematography./..but this movie really really blows it!! the scenes are too long!! there are like 15 minute scenes..!! the movie is slow..real slow and the acting is awful!! id rather watch this film with subtitles..though the artistic expression of the body and a way to reflect Mexico's problems. but yet the movie has no point!!! there's a scene where the driver is taking the passenger home (i cant remember her name now) and the scene is from Mexico airport to her home! thats like a 40 minute trip!! half of the movie goes there!!! now the nude scenes are great! though the idea of this film was good they didn't know how to put it together..one minute you're watching the entire process of putting gas to a car,walking the entire Zocalo DE Mexico. the reason why I'm giving it 2 stars are because this film is based in a non-Hollywood ideology. the sexual content in this flick is pretty strong and that makes it great!...unfortunately once you see it you wont find it that exciting | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
A definite film of the macabre again proving that there was no one like Geraldine Page for these neurotic, vicious parts. In this one, Ruth Gordon takes a job as a maid in Page's home under false pretenses. It seems that Gordon had a disagreement with her long time domestic, played by Mildred Dunnock. In a huff, Dunnock walked out and went to work for Page. Seems that Page has quite a history. Once she finds out that her maids have no family, she does them in quite neatly. Throughout the film you constantly are hearing Page yelling Mrs. Dimmock to maid Gordon, as she begins to suspect that Gordon is no usual maid. The film takes place in the desert of Arizona which seems to place a peculiar and effective aura to the film. The ending is an absolute knockout. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
'Renegade' belongs to the classic series, a original story that is well carried out by fine actors who really are fit to do so, Reno Raines/ aka Vince Black is a great character, always looking for justice with his own unique style... This series really represents something, it's a pity it's so hard to come by these days, it's certainly under-valued, it's actually a great series, but the most people doesn't realize that. Over here in The Netherlands 'Renegade' was on TV for only a short while, but it has appealed many people here... There is only one thing i don't like about this series, Reno's deep voice is getting one-sided after some time if you mix it with that overdone good and bad talk of him (example):'Yeah, but we must get the bastard, i can't allow that he gets away with this, we must stop him' (really deep voice) But that's the only thing i can think of, besides that, it's a real cool series, the way he escapes again and again and the way he figures things out and takes matters into his own hands, is great too watch. Renegade has good stories, but all of them fit into the overall story. the action is well worth watching, if there was a 'Renegade' Box that i could buy here i would buy it instantly. I give it a 8 out of 10 star rating for it and that is entirely justified, no matter what others say... | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I have never seen the first Killjoy film, and I have also never heard a good thing said about it. So I see Killjoy 2 in the local Blockbusters and pick it up and look at the back. Starring Trent Haaga and Debbie Rochon it boasts. Now being the massive Troma fan that I am there is no way I'm not going to rent this film out, how can it possibly be bad with these two in it? Oh how wrong I was. Even Trent and Debbie cant save this excuse of a film from being as bad as it truly is. Trent quite frankly stinks as Killjoy although this probably is more the fault of the writers giving him some of the worst one-liners in the history of film. Debbie does put a solid performance in but it isn't enough. The kills are terrible as are the gore effects. For example check out when the guy is supposedly impaled on something or other. And just to top it all off the ending is just amongst the worst I have ever seen in movie history. The film doesn't even work on a so bad it's good level. Avoid like the clap. 2/10 | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
The Sopranos is arguably the greatest show in Dramatic Television history. Its hard to think of another series that boasts so much intelligence, sublime writing or first rate performances. Across its epic scope it produces fresh and iconic characters and a constant level of high quality. Centering around the life of one Tony Soprano, a man who lives in two families. One is the conventional wife and two kids nuclear family the other a huge New Jersey Mafia group, of which he is the boss of both. Played by James Gandolfini, of True Romance and The Mexican fame, Tony is a fascinating, scary but also likable guy. Full praise must be given to Gandolfini for making a womanising and horrifically aggressive brute a genuinely identifiable and perfect leading man. Contemporay American drama has never had such an arresting and iconic figure as Tony. The cast of hundreds never boasts a flat performance and such stand out characters like Paulie Walnuts and Ralph Cifaretto will stick in your memory for ever. The true genius of this tale however, is the creator and writers bravery and revolutionary take on a conventional drama series. Twenty minute long dream sequences, powerful and original use of symbolism and metaphorical imagery and truly shocking scenes of violence. Yet all this style is met by truly touching themes of love, honour and respect for family. The series never becomes cold hearted or gratuitous. With TV now competitive and often poor The Sopranos stands tall above the rest as America's most original and compelling drama. Forget Family Redifined. This is Television Redifined. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
People seem to be expecting Citizen Kane here! The Planet is a B-monster movie and as such is good fun and different enough to be enjoyed. The director clearly has something to offer - not so sure about some of the cast. As for the effects? £8000 ain't a lot of effects budget.I for one would happily recommend this outing to a sci-fi head or anyone who doesn't take monster movies too seriously. If so? Watch 3colours blue instead.I noticed one review saying it had ripped off Alien. Like Alien didn't rip things off. The best thing about the film? The director. The worst thing about the film? The cast. Maybe it's time for the Director to move from Glasgow to London and find some talent. In the meantime - well done. At least you're trying to do something. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This movie used to be played constantly on the Disney Channel when I was a bit younger, and I really remember liking it. However, I didn't have great taste back then (not to say that I do now) so I can't vouch for my nine-year-old self too well. The movie was probably a 7/10 but it had some good music so I gave it an extra point. Yeah, worth watching. I know that some fans of this movie are wondering what a certain song is - the one that appears when she is in the car crash. The song is "Play a Love Song" by the Jaguars and it is VERY hard to find and obtain. In fact, this movie is, too. I can't find it anywhere online or on DVD or on VHS. I'd like to see it again so I can gauge if it was actually a good movie. Oh well. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Too bad I can not assign a 0. This mind-bending garbage has Loni Anderson, Dom Deluise, and Jennifer Love Hewitt in a steaming pile of a kids movie. The pitch was clearly "ET meets Gremlins, but without the scary gremlins." They even stole the scene where ET flies in front of a full moon. Munchie is ancient, grants wishes, but doesn't really do anything cool besides fly a pizza into the kids room when he is denied dinner. Loni Anderson shows off fine plastic surgery work, there is the requisite mad scientist neighbor, and the evil stepdad figure and "i wish my dead dad was here to see this" type writing. What I love about this movie is that there are all these C-List actors in what is just a totally botched Z-grade kids movie. The writing is terrible, the puppet is literally a teddy ruxpin rip off with no facial expressions, mouth that just opens and closes, and eyes that only move horizontally. Mystery Science would have had a field day with this vomit. Truly terrible. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I enjoyed The Night Listener very much. It's one of the better movies of the summer. Robin Williams gives one of his best performances. In fact, the entire cast was very good. All played just the right notes for their characters - not too much and not too little. Sandra Oh adds a wonderful comic touch. Toni Collette is great as the Mom, and never goes over the top. Everyone is very believable. It's a short movie, just under an hour and a half. I noticed the general release version is nine minutes shorter than the Sundance version. I wonder if some of the more disturbing images were cut from the movie. The director told a story and did it in straightforward fashion, which is a refreshing change from many directors these days who seem to think their job is to impress the audience rather than tell a story and tell it well. Do not be sucker punched by the previews and ads. It is not a Hitchcockian thriller. See The Night Listener because you want to see a good story told well. If you go expecting Hitchcock you will be disappointed. My only complaint with the movie was the ending. The director could have left a little more to the audience's imagination, but this is a minor quibble. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Before I continue forth with the new millennium, I will go back in time once more because I had completely forgotten about these gems!!!!! In 1987, Disney, while still a "low" company in the 80s, was able to start a series of films on television called "Not Quite Human," about a geeky teenager who, like in "Inspector Gadget," looks like a human but is really a robot!!!!! Now this SCREAMS 80S, along with other films like "Tron" and "Honey, I Shrunk The Kids" because it combines everything of yesteryear with the technologies of tomorrow!!!!! My parents remember seeing this on the TV back then, back when I was just born or something. However, my very first encounter with this film was on the Old Disney Channel (one time, I've seen this, and the other parts, on my 12th B'day in May of '99!!!!!) "Not Quite Human" is a very good series of films to watch, if you can ever find these movies again. Has this been shown recently? If so, give me an e-mail or personal message. 10/10 | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I love movies. I love independent efforts and major studio productions. I love films with stars and I love those featuring unknowns. I love dramas, comedies, action-adventures, science fiction, mysteries, westerns, any genre except horror. I love foreign films as well as those in English. I love good movies and I even love bad ones, because almost no film ever fails to entertain or amuse on some level. Except for "Even Cowgirls Get the Blues." When I attended a late-night showing of "Cowgirls," I joined an audience of around 10. Less than halfway into it, I alone remained. Soon not even I could tolerate the disturbing mess unfolding before my eyes, and I left as well. To this day "Cowgirls" remains the only movie I have ever walked out of. I don't quite know how to describe this incoherent, vacuous, trashy, meaningless film, or how to adequately convey its lack of redeeming value. Suffice to say that it ranks as one of the worst major films of all time, preposterous and inexcusable on every level. It tries to be clever, but its conception of feminism seems hopelessly anachronistic. It tries to be funny, but its humor is coarse and cringe-worthy. This is one of the few films which manages to profane its own ethos, by depicting protagonists in so off-putting a manner that you revolt against them and their values. If you want to watch a movie, watch "Waterworld," "Ishtar," anything but this. Except for the new "Alexander." If you're choosing between that and this, read a book instead. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This isn't quite the best Canadian film ever, IMO. I won't get off track and name 3 or 4 better. Just a couple of nights before I'd seen "The Bicycle Thief", the highly rated Italian classic, and there are some parallels. Both filmmakers shot their film in a specific time and specific place, with minimal resources in terms of sets and cast. And the result in both cases is fascinating and a joy to watch for the realistic setting and characters alone. The lingering shots over faces and landscape almost make this worth watching on its own. That being said, this one isn't quite in the same league as the Italian classic. The movie is shot in a frigid, barren Quebec asbestos mining town. That frigidity is contrasted with the warmth of the people and the eye of the filmmaker Claude Jutra. Basically, what you get is a series of vignettes that are likely nostalgic recollections of Jutra - not ha, ha funny - but poignant, and probably sometimes difficult at the time, but now warmed over with the patine of nostalgia. The movie meanders; there is little tension. Somewhere around half to two thirds way through the story begins. Everyone you've met to this point is involved, and you've gotten to know these characters rather well; so have a little patience at the outset. The story is a good one; it will leave you thinking, and it involves sex, love and death, all the basic elements. If you like Bergman, Godard, Truffaut, all that kind of stuff, you won't be disappointed by this. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Just finished watching, can't say I was impressed. It starts of quite good, the visual and the atmosphere gives a creepy feeling as this type of movie should. But it all ends when the first lordi monster appears. Not only do you recognize them from the band lordi, but they are seriously malplaced in the movie. Doomsday monsters with leather jackets and piercings are so 80's. As for the storyline, it starts of as similar horror movies, people trapped inside a hell hole. But there is no clear story on why and what is happening. The viewer is thrown some lines on possible reasons, but the lines never meet and end up to anything but a mess. With all the money spent on this film, with an intriguing start and some good effects, I had thought someone would have taken better care of the product. I wonder if lordi made this movie just to prove that their show costumes could be scary (except they aren't). So the movie gets cred for the visuals, i guess the money had to go somewhere. But the rest is an embarrassing attempt from a rock band to make their on-stage monster aliases scarier. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
When my wife and I decided to watch this movie we thought it couldn't fail. I love Billy Crystal, my wife loves Julia Roberts and everyone we talked to said they loved it. We were misled, in spades. On my part, I felt Billy Crystal's character was extremely one-dimensional and did very little for the film. Sure, he cracked a couple of good jokes, but as a character he did nothing but take up space. And poor Julia Roberts. In past shows she plays well as a strong-willed, self-determined lady. In this flick, she seems completely repressed and had very little fire. This is not the Julia Roberts that my wife enjoys watching. OK, if I were to find one good thing, it would have to be Christopher Walken. Now that's entertainment. But, just like Billy Crystal, hardly anything is shown of his character. If you're looking for a night of mindless laughs with very little redeeming value, go see it. But if you're looking for a smart, romantic comedy, this is not your film. It's none of the above. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I suppose I shouldn't have expected any more, but I did. The animation was good, sometimes really good, though not nearly as good as the pre-release hype built it up to be, but the story was weak. Really weak. Then there were the truly insipid and lame jokes (fart jokes? why would ROBOTS even understand fart jokes. That sort of humor was very distracting. And those may have been the high points of the script. The cast worked hard with it, tried to give it some sort of freshness, but the script was so weak and dated that it just never had a prayer. The material was old and tired, and the sight gags were even older (did they resurrect Moe Howard to choreograph). All in all, I was bored and disappointed in this movie and hope to never see its like again. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I joined this site to see what comments people would make about this absolute disaster of a film. I wasn't drawn in for even a second. The characters were all one-dimensional. They threw every topic they could think of hoping something would stick. I would bet (and hope) that everyone involved in Teachers looks back with embarrassment. There are some great actors here but you would never know it. Thank God it didn't destroy Morgan Freeman's or Judd Hirsh's or Nick Nolte's or Laura Dern's careers. There was no vision, no labor of love here, only a horrible effort gone wrong. BTW I don't think the writer ever set foot in a real school. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Nothing like this was seen on TV at that time and probably never will again. From the first image of that police light blinding you and from there you heard the words: "Police Squad - in color", you were schocked to see that this in no way was an ordinary sitcom. Also to kill off a "Guest Star" and then never refer to him again, where had you ever seen that before. Then the actual show started and if you did not pay attention, you would miss several jokes in the background. Don't pay too much attention to one thing or you would be sorry. This was the show that video recorders were made for, way before Married with Children or The Simpsons. The stories did in no way make sense and the dialog was sometimes so weird that you had to think about it for 5 minutes before realising that it was a joke. The characters Frank Drebin and Ed Hocken came right out of Dragnet and they were absolutely straight (no funny accents or expressions) but instead there were puns and twisted sentences played absolutely deadpan. Only once as I can remember, were there a segment played for silly laughs - a scene involving a trip to a dentist, suction and a whole lot of saliva. There were some tedious moments - like the informer Johnny and an appearance by some celebrity. That was strictly a one-joke moment but they had to use it in all six episodes. Oh, well. Everything can't be perfect. The important thing is that the rest of the time you were knee deep in tears of laughter. Leslie Nielsen was fortunate that this revived his career when they put the Frank Drebin character in 3 features but it must have been an Achilles heel as well. Can you remember seeing him in anything except Naked Gun type work since? And don't count the awful Mr. Magoo reworked for live action. He probably made a lot of money, though. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Very stupid sci-fi film about a future amusement park where you can live out your fantasies in a simulation, either in a Medieval world, a Roman world, or Westworld. The two main characters of the film choose Westworld, although we check in from time to time on the other two parts of the park. In these simulations, there are tons of robots with whom you can interact. They look exactly like people, and you can pick fights with them, screw them, or kill them. Within the first five minutes of the heroes' vacation, they blow away a robot played by Yul Brynner. The next day, he comes back and they shoot him again. The next day, well, the robots kind of defy their masters and refuse to obey. The story makes little sense. Plotholes a'plenty, let me assure you. The idea itself is pretty stupid. I find it hard to believe that anyone would want to pay $1000 a day to be at this resort. Sure, you might point at the rampant sex, but let me point this out: the guns in Westworld don't fire at human beings because they are warm-blooded. Yet they fire at robots, presumably because they are not warm. That means all the tail you get is nothing but cold fish! I realize this film was conceived and made in a hurry, but it's hard not to scoff the results. The only pleasure is watching Yul Brynner die multiple times. Crichton would have much better luck with Jurassic Park twenty years later. 4/10. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This is a typical low budget 1970's mess. It's supposed to be a docudrama about a crew hunting Bigfoot through the Pacific Northwest. Every character is a stereotype, from the Native American to the cynical cowboy. The acting and narration are a complete joke. If you're hoping to see a lot of bigfoot footage - keep hoping. There won't be much, and what there is you could do in your backyard with a cheap costume and a camcorder; it would look better than this movie. It's not that I don't like 1970's low budge fare; I do. It's that this is such a mess of bad acting, bad characters, lousy story and no thrills that you just can't enjoy it. It does not fit into the "so bad it's good" category, nor can you get a laugh out of how bad it is without the help of illicit substances. It's mostly a lot of boring footage of the people camping, hiking, riding horses, and watching wild life. There is a bigfoot attack which is completely stupid; supposedly our friend Sasquatch is throwing rocks down on the campers from above while they fire their rifles back at him. By that point you are rooting heavily for bigfoot to drops some rocks on the filmmaker's heads and stop the whole thing. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
A previous comment indicated that "Terms of Endearment" (1983) ended present-day for that time and that with this one picking up in 1988, why was Melanie so grown? Well, what I understood was that dates were not necessarily expressed in "Terms" and that Debra Winger's character had actually died in 1973 - with fifteen years added to Melanie's age of three when her mother died, that would account for her being a college freshman in 1988. Marion Ross was NOT in the original movie - another actress had played Rosie. Nor was Miranda Richardson. But I was annoyed that Ms. Ross was not even nominated for a Supporting Actress Oscar for her portrayal in this film - she deserved it and then some! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I've just seen the movie today, and enjoyed it a lot, even if I won't range it among my Resnais favorites. The story in itself is simple but full of allusions and "non-dits". It reminds me altogether of "Smoking/No Smoking", without the narrative twist, and "On connaît la chanson", without the songs. I like the way Resnais creates a whole universe, half realistic, half dreamlike, with only six characters, limited sets and omnipresent snow. These six characters struggle with loneliness, butting against various obstacles : wrong match, bad luck, lack of will or perverse manipulation. The general atmosphere is kind of sad, but in a cool and soft way (snowy if I may say so), and with humorous touches, especially all that relates to videotapes and an invisible but perfectly audible grumpy old man played by Claude Rich (which makes seven characters actually). The acting is impeccable, with a special note for Sabine Azema, André Dussolier and Pierre Arditi. And an interesting cast for Lambert Wilson (playing against type). | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
"Strike Force" or "The Librarians" is a fun action movie that doesn't it take itself too seriously. William Forsythe stars as Simon, who is looking for a missing daughter of a wealthy client. He meets up with Sandi (Erika Eleniak) who is also looking for someone-her sister. But there are evil bad guys afoot. The most evil of them all is Marcos Canarious (Andrew Divoff). Marcos likes to kill people. So now, Simon and Sandi have to team up to bring down the villains. The whole cast is great, with Divoff stealing the movie. There are also cameos by Ed Lauter and Burt Reynolds. If you are looking for a good action film, watch this and have a good time. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Audiences will groan at the character of Mary Donnell. Bette Davis is normally looking out for number one--and she's definitely her good old self in the first half of the movie. The widow of a gangster, Donnell has become a super-competent legal secretary for a respected attorney in a big firm. She fends off unwanted press attention and generally handles herself quite well as a tough single girl in the big city. She becomes the mistress of her married boss at the law firm (although the Hays Office undoubtedly required the removal of any breath of sexual content here, it should be pretty obvious to all what is going on). In the second half of the movie, which focusses on Jack Merrick (Henry Fonda), whom Donnell has always loved, she achieves peaks of self-sacrifice that will send you staggering to the bathroom to throw up. This is the sort of film that gives soap opera a bad name. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This movie seems to suffer from a low budget. The writing is okay. The plotting was okay. The actors are okay. The special effects are weak. All could have been better. This movie could be compared to Anaconda, but replace the snake with a killer crocodile. Swap out South America and see Africa instead. Unlike Anaconda, Primeval makes a social statement about the political unrest in Africa. In the back drop of filming a crocodile documentary, political unrest and murder is happening all around them. Where this movie suffers is the pacing. It starts out slow and isn't even interesting until the crocodile appears. Once the crocodile appears, that's really all you may care to see. Unfortunately, the special effects are too obvious and the crocodile acts fake and looks fake. It's only at this point that the movie even gets up to the quality of Anaconda which also had fake looking effects. Orlando Jones as Steven Johnson brings a welcome light touch of humor to an otherwise serious movie. Brooke Langton as Aviva Masters brings a welcome touch of beauty to a dirty and unattractive African setting. The other characters aren't quite as appealing. This movie is worth seeing, but just barely. Wait for the DVD. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Don't waste your money with this piece of "work". Boring, underdirected, overplayed, overdramatized, inconsistent -- these are just a few words that come to mind when watching this garbage. The movie promises to keep you in suspense until the very end, however, half way through you realize that you are no longer interested in finding out what's going on. The dialogue is so bleak and uninteresting, you will find yourself nodding off after about 40 minutes. The producers have tried to combine suspense, horror, intrigue, sci-fi, gore, and romance, and they failed miserably. The actors' plays leave you wishing for Pauly Shore's return. To summarize: if you want to see a bad, yet somewhat entertaining movie, watch Biodome. Don't waste your hard-earned money with this garbage. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This movie is a piece of the time in which it was made..... Realistic. Movies were not candy coated during the late 60s and early 70s. The producers did not try to create some happy ending that didn't exist. The lack of a happy ending would create agitation in the audience that, hopefully would spur them on to action. At least that's how it seemed at the time. In today's movie world this movie would probably not be done. There would, definitely, not be this ending, however realistic. The sad fact is that the movie depicted a situation which could not be improved upon without action from the improvement of the relationship between the white southern traditional thinking and the progressive movements of that time. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Out of 15 people I loaned this movie too.. NO One finished it.. It was so Awfully.???????? Not good... Just awful. She sits in a chair the whole movie. She's in a Closet. The Chair she's sitting is nice. I can't think of anything more to say. But 10 lines of text. To print this up. My friend Nick thinks this is a great movie.,, because,,, he can give it to his friends,, and not have to worry about THOSE calling him back. He's passed it around as a gag movie for 10 years. Which is how I got it.. Then.. I tried to get my friends to finish this extremity's awful awful piece of crap... To no aval.. no one could finish it.. Takes boredom to a whole new level. They could use this in Iraq INSTEAD OF WATER BOARDING... PLEASE SEND COPIES Guantanamo BAY CUBA. Makes great Xmas gift. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I first saw this anime at the "Bad Anime Festival" at Ohayocon '06 in Columbus, OH. The show was not misplaced. The plot is all action and nudity, which is an asset for many viewers. The animation and sound were at best mediocre. The English dub features Bob Buchholz in an early role I imagine he'd sooner forget. The plot is disjointed and odd, with underdeveloped characters and incest. So if, like the previous reviewer, you are not looking for another Akira or Ghost in the Shell, this could very well be on your "to rent" list. However, if like me you appreciate Japanese art and good movies in general, I highly suggest that you give this one a miss. Happy viewing, everyone. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This movie scared the crap out of me when I was a little boy of just 8 years. My mother had to come into my bedroom and check under the bed every night for at least a week. The plot was unique too. I mean, a gangster (where was Edward G. when they made this?) employing a crazed/mad scientist (I guess there were a lot of them left over from the Los Alamos days) to make nasty looking dead old men crawl through tunnels made of industrial plastic wrap and go kill people. The fact that the scientist could talk to the 'dead guys' and make them do his bidding was the thing that scared me most (Kinda like conglomerate broadcasting of today). These guys were real 'working stiffs' and walked like it too. Excellent blank stares, unsuspecting victims, the 50s-ish people... I guess looking at this movie now, it would seem kind of funny, but in those days, it was a horror movie! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I'm a big fan of horror flicks, and zombie films are a particular favorite of mine. That said, Zombi 3 is one of the absolute worst films I have ever seen. So needless to say I really enjoyed it, it's the best bad movie I've seen in a long while. The story has some similarities with Dan O'Bannon's "Return of the Living Dead", but whereas that film was intentionally funny, this one is the opposite. It has some of the most laughable acting I've ever witnessed, especially from the main scientist character. His scenes with the General were just hysterical. Also, the effects are subpar and in many cases sloppy, and the death scenes are often just downright stupid. This, of course, makes it all the more fun. POSSIBLE SPOILER - The worst is the scene where the guy opens the refrigerator door and sees the severed zombie head, which then opens its eyes and somehow FLIES OUT OF THE FRIDGE (obviously pulled out ineptly with a bit of string), latching onto the guys neck, killing him. Zombie heads have the ability to float in the air now? It defies every law of physics known to man, and it's one of the most absurd things ever filmed. That's just one of many really goofy moments in the idiotic mess. I can't believe it's gotten so high a rating here. If you are a fan of bad movies, do yourself a favor and rent this sucker. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Other than cop rock and that show where the kid dies from eating a spoiled hamburger he found under the bed, this has consistently been the worst and dumbest show to survive prime time. If not for Jason Lee's unjustifiable success in film, this show would have never made it out of conception if pitched with a relatively unknown as the lead. The concept is TERRIBLE. Moron redneck hick spends his lottery winnings to redeem himself with the white trash of his past. Is it funny? periodically but not consistently. Is it stupid? Each and every single episode. I've seen a lot of great shows come then go before their time yet this blunder has survived longer than I ever could have imagined. The dialog is incredibly unfunny as are the episode themes. Every episode for someone with an IQ over 100 is an absolute struggle. And the icing on the cake? Jason Lee's annoying voice narrating each episode. If it weren't for the state's Southern culture and rednecks of the south, this show wouldn't have an audience. If you're a moron and need a show completely lacking humor yet overflowing with bad taste, bad dialog and dimwit characters failing at life...well then you're probably an actor on this show. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I watched the movie The Flyboys in Mesquite Nv. where part of the film was made. I truly enjoyed the entire movie. The humor, adventure,family settings where wonderful. First movie I have seen for awhile that I didn't get bored by the same plot,same outcome as so many movies and TV series have set themselves in. Wonderful exciting,and down to earth without the sex and horrors of so many movies out there. Get this movie out to the public and you'll see why I think it will be a best sell. The boys show maturity in their relationships with each other as their adventure unfolds, their honesty to each other and their courage to win over their fears was done so well. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Kristy Allen was very good on the show. Paul Michael Robinson who played Haffron Williams didn't appeal to me too well. I think the series would have called "Emmanuelle's Sex Trek". If Haffron Williams is a captain of the ship this person should be young in his mid 20's & is very sexy. Tiendra Demian who played Tasha was very good. With the same Sci-Fi series, she meets with a Spanish guy & makes love with the background of the bull fighting. In this series when Emmanuelle was making love to Haffron, the camera was spinning around & around the bed. Making me feel dizzy. I didn't enjoyed that at all. I hope that there will be more Emmanuelle series in the future with more fantasies to come. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Peter Weir's first film and, looking back to when I originally saw this on general release, this could be described as my first exploitation movie. I always had a soft spot for it and later recognised elements from such video treats as, 2000 Maniacs. Not overlong, it still seems a little slow now at times but it's probably because unlike in the mid 70s when this was considered unique , so much else has been seen. Even so it's well worth watching and whilst in my memory this was all about dressed up cars battling it out, this is , in fact, much more a cynical view of the director's homeland. The mayor who at first seems protective and halfway decent turns out to be the 'fascist' for whom this whole enterprise is run. Paris, Australia, of course, not France although the enigmatic finale will have you guessing. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Jamie Foxx is my favorite comedian. However, I feel that he sold out in order to gain his first big budget lead role. Foxx follows in the footsteps of the likes of Chris Tucker, Martin Lawrence and Dave Chapple, who have all seen their talents wasted by stereotyping producers who think black males who commit pretty crimes is a funny concept (See: Money Talks, Blue Streak). Okay I laughed a few times and granted all of these comedians continue to pick up hilarious roles, but I would love to see these guys branch out ala Marlon Wayans portrayal in Requiem to a Dream. Or In Living Color's Tommy Davidson and Damon Wayans moving performances in Spike Lee's satire Bamboozled. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Stu Ungar is considered by many to be the greatest poker / gin player of all time - an extraordinary self-destructive force of nature - tiny in stature, but a huge heart for the game. What we have here is a kind of Hallmark film about the dangers of gambling. Sure, he wins, he loses, he blows it all on sex, drugs, and more gambling we get it, but where is the real play - where is what made him the greatest card player of all time. Much too flat, and frankly boring in places, this gets a four because we get to learn something about Stu the man, but Stu the card player, nada. Nicely shot and presented up to a point this is the perfect example of how not to make a film about cards: honestly, ESPN's coverage of the World Series is more watchable than this. A waste of a great chance. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
While not quite as good as A Murder is Announced, which was not only delightful but almost surpassed the book, this is an excellent adaptation. And you know what, it is a huge improvement on the Geraldine McEwan version. Now I don't take pride in bad mouthing the Geraldine McEwan adaptations, two or three of them were surprisingly good, but others started off well but ruined by either a poor script, a confusing final solution or both. The Geraldine McEwan version suffered from a plodding pace, and both of the above problems, and I would consider second worst of the ITV adaptations, worst being Sittaford Mystery, which even on its own merits turned out dull and confusing. This adaptation of the book Nemesis is a huge improvement, it not only respects the book, despite a few liberties, but it pretty much rectifies the problems the ITV version had. Despite the added character of Lionel coming across as rather irritating, more to do with how he was written than how he was acted, and one or two moments of sluggish pacing, this is solid as an adaptation of a decent book. It is beautifully filmed, with nice photography and period detail, and the music as always is excellent. The performances are wonderful this time around, and make the most of an in general well-done script, with Joan Hickson brilliant as always as Miss Marple, and solid turns from Liz Fraser, Helen Cherry, Joanna Hole and Anna Cropper. Margaret Tyzack is outstanding though in a chilling and moving performance as Clothilde. Overall, well worth watching, better than the recent version in pretty much all departments. 9/10 Bethany Cox | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
For years friends expressed amazement that I had never watched "Nip/Tuck" -- just my kind of show, they insisted. And so, spurred by the recent assault of pre-season publicity, I decided to pay a first-time visit to Nip/Tuck last night. I was expecting sly and witty satire. What I found instead (in repeat episodes that focused on a serial mangler and a deranged racist) was a puerile, unrelenting torrent of violence and sadism. Robotic and/or hysterical acting, moronic plot contortions, and enough deep shadow (in Miami, yet) to make Edgar Ulmer spin like a top. It was like watching Joel Schumacher direct Ricky Martin as Hannibal Lecter. Nice to know what my friends think of my taste. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
The script for this TV soap opera is so bad that even A. Hopkins at some point had to play like an undergrad drama-student so as to bring some life in his script-dead character. I do not know whether this was the purpose of the director, but Hopkins' Ciano reeked nothing but vanity, fear and lack of self-esteem. The real Ciano possibly was all that but then, why make a movie about him? Mussolini was a bit more convincing, and his long way down was as if closer to the truth. Edda Mussolini was plain ridiculous (not because of Sarandon, but because of the impotent script), while she had to be the central character of this alleged familial drama. Watch it only if you enjoy Venezuelan soap opera. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Worry not, Disney fans--this special edition DVD of the beloved Cinderella won't turn into a pumpkin at the strike of midnight. One of the most enduring animated films of all time, the Disney-fide adaptation of the gory Brothers Grimm fairy tale became a classic in its own right, thanks to some memorable tunes (including "A Dream Is a Wish Your Heart Makes," "Bibbidi-Bobbidi-Boo," and the title song) and some endearingly cute comic relief. The famous slipper (click for larger image) We all know the story--the wicked stepmother and stepsisters simply won't have it, this uppity Cinderella thinking she's going to a ball designed to find the handsome prince an appropriate sweetheart, but perseverance, animal buddies, and a well-timed entrance by a fairy godmother make sure things turn out all right. There are a few striking sequences of pure animation--for example, Cinderella is reflected in bubbles drifting through the air--and the design is rich and evocative throughout. It's a simple story padded here agreeably with comic business, particularly Cinderella's rodent pals (dressed up conspicuously like the dwarf sidekicks of another famous Disney heroine) and their misadventures with a wretched cat named Lucifer. There's also much harrumphing and exposition spouting by the King and the Grand Duke. It's a much simpler and more graceful work than the more frenetically paced animated films of today, which makes it simultaneously quaint and highly gratifying. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This film made a huge impact on me when I saw it as a child. The relationship between the two protagonists was realistically portrayed and helped me have a more mature attitude to love and the sacrifices it may involve, as I was growing up. The beautiful songs 'Sunshine on my Shoulders' and 'My Sweet Lady' (sung by John Denver) stayed with me long after the film vanished off circuit. Many images from the film persist in my memory too. It was an authentic representation of the effect of a terminal disease on loved ones, and although a tear-jerker, ended with hope. I also learned that cats can sense death - a useful fact I guess. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I actually own this movie which is the MST3K version called "Cave Dwellers" which is really the only way anyone could really watch a movie like this. If it weren't for Joel, Crow, and Tom Servo constantly making wisecracks, it wouldn't be possible to sit through this piece of crap. You have a hero called Ator who looks a lot like Jeff Spigoli in Fast Times at Ridgemont High and appears only slightly more intelligent, just without being stoned. He takes on cavemen (the cave dwellers?) invisible guys, a giant snake (with a bunch of anal retentive snakes that like to line up all the skulls to face the same way), invents a hang glider which suspiciously looks like a modern aluminum one with some cheap vines wrapped around it, and then does battle with the evil John Saxon-looking dude. Then he rides off on his horse across the tire tracks where someone's been four-wheeling. Yes, I got most of that from MST3K, which as I said is the only way to watch this turkey of a movie. If it weren't for that, it would get zero stars. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I rented this one again after having remembered enjoying it when I was a kid. Man... I don't know what I was thinking back then. Although there are some very interesting concepts discussed in this film (and moreso in the book), this is just an example of a good idea poorly executed. Horrible special effects (the blue creatures are especially laughable) are one of the films biggest flaws, but the absolute biggest flaw of them all is Walken's portrayal of Streiber. I almost couldn't watch the movie because his character was so annoying and, as another poster mention, goofy. Someone smack that stupid hat off his head, please. Maybe it was just the writing, but I actually found most of the performances, Walken's included, pretty bad... Again, I think this is probably just do to really poorly written dialogue. It'd be nice to see someone redo this one. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Legend of the Demon Womb is one Japanese animated feature which is far too stupid, ridiculous, and removed from reality to be either offensive or misogynistic. In the movie's infamous beginning scene, a cyborg Nazi mad scientist operates a monstrous "death rape machine" for a bizarre Satanic ritual in which naked women are hooked up to a gigantic engine and systematically raped with metallic dildos over and over again until they climax in a final orgasm of death - to summon a demon from another dimension called the Evil King to Earth! Years later that scenario is replayed again, but conducted by the late scientist's now grown son who has become an evil sorcerer. STUPID enough for you? This is a continuation of the first film, Legend of the Overfiend while bearing little in actual continuity (wasn't the earth being destroyed at the end of the first one?). But like the first one, the graphic depictions of demonic rape is rampant throughout, but now with mechanical rape added on. Graphic violence, blood, and gore is generously splashed across the screen. This film belongs to a category of adult anime called "erotic grotesque" in which sex and violence are combined and played out to the most absolute mind numbing and shocking extreme. We basically get a front row seat to view the twisted sexual perversions of Satanists, demons, man-beasts, and other supernatural beings. The film is beautifully animated, insanely imaginative, and incredibly disgusting. Storywise, this film is like the fevered wet dream of a perverted lunatic. To sum it up, Legend of the Demon Womb is a lot of extremely ridiculous, sadistic, soft core porno nonsense in the guise of fantasy anime, but basically harmless if viewed by sane adults (as it should be). | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I liked some parts of this film mostly because of its Chicago location shots, But I thought the film's production values were very low budget for a Hollywood film. It really looks reminiscent of a made-for-TV movie. The overlaid 80's Casio keyboard soundtrack for example, made this film seem (well what it is) very very 80's cheese. Watching it i couldn't help think immediately of "About Last Night" a GREAT film! How can two films both shot in Chicago, the same year (1986), and both films a Tri-Star production look so completely different!?! In a nutshell my favorite actor in this film was Eva Marie Saint who indeed gave a saint of a performance - The scene of her talking to her husband (Gleason) in the hospital, spilling her guts "What Happened to us Max? I cared, I know I cared" and Max's reply was a self-centered cold, "Bullshit". God I felt her pain. It ripped my heart out. Don't rent this film but if it comes on TV on a Sunday afternoon you may get thru it but then go out immediately and rent "About Last Night" to cheer you up. This one is a BIG DOWNER. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Back in the '30s, the studios made dozens of movies that were set in Europe to give Americans during the Depression a sense of fantasy and other world glamor, and to keep their foreign market. "The Emperor's Candlesticks" starring William Powell and Luise Rainer is such a film, with supporting roles featuring two young stars, Robert Young and Maureen O'Sullivan. Powell and Rainer are opposing foreign agents who each hide their documents in a pair of candlesticks to be brought to Russia as a gift to a noblewoman. The candlesticks were to be delivered by Powell, but Rainer talks the Austrian who has given him the task to let her do it. They are stolen by her maid and her boyfriend, and both Powell and Rainer try to be the first to recover them. Powell and Rainer are delightful in this crazy story. Rainer, with her small face and enormous eyes, is gorgeous, playing the part of a spy with charm. Powell is always good and plays off Rainer very well. Robert Young and Maureen O'Sullivan portray a prince and his kidnapper's accomplice, respectively, who meet at a masquerade ball, he dressed as Romeo and she as Juliet. Their last scene together is very sweet. This movie is odd for one reason. The stars all lived for a very long time, and in fact, Rainer at this writing is still alive at the age of 96. Young lived to 91, O'Sullivan to 87, Powell to 91. Must have been something in the water on the set. Wish it had been present on more films! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This film started out with a humorous, well-written screenplay that had potential, but this was wasted by the incompetent direction of its writer, Jordan Hawley. This film is Hawley's directorial debut and it couldn't be a better illustration of his complete lack of directorial confidence, creativity, or thoughtfulness. The dialogue is delivered in a forced, emotionally false way. There are many comedic cheap shots and the humor has a needlessly mean spirit. On a technical note, the cinematography is pretty good with some vibrant colors and a few of the supporting performances, notably Fred Willard's, are funny. However, the film panders to the lowest common denominator and follows a predictable formula. Despite its low- budget, this film has none of the wit and edge you would expect of an indie. It is "mainstream comedy" in the worst sense of the term. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
This is a very good, under-rated action/drama/and slightly historical movie. The basic story concerns Rob Roy's borrowing of 1000 pounds, its theft, and the problems it causes for his family and indirectly his clansmen. Cunningham( Tim Roth) is an amazing villain and character in this story. Brutally cold and if you watch his face he seems to be able to turn his eyes off and look completely evil. Rob Roy (Liam Neeson) is excellent too, but i think the writers used the word "honour" 1 too many times. The rest of the cast is strong, and the whole movie is very well acted and filmed. The Action is exciting and the sword play very realistic, but not too gory. The story is good and you really want Rob to win. All in all just shy of a classic. | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I don't want to write too much about the film but basically it's an action/comedy with a little bit of romance thrown in about two men who come together in unlikely circumstances and become highway men together. Fantastic performance by Robert Carlysle and everybody else involved. A brilliant 'baddy' who really makes you hate him. Some great comical lines - actually laugh out loud, amazing action and a great plot. Choice of music and ambiance all fantastic, basically brilliantly directed and brilliants written. I recommend this film to anyone who likes a good British movie or a good bit of action, i don't know why the film never took off, i thought it got no where near as much recognition as it deserved. If for nothing else, watch this film for one of the greatest finale's of all time. Not to give anything away, but this one really get's the heart beating! | 1pos
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Watching Floored by Love one thought comes almost immediately to mind, "My god this looks like a really bad sitcom." Sure enough, it turns out that FBL is a pilot for a series that may start this fall in Canada, poor poor Canada. Cara (Shirley Ng) and Janet (Natalie Sky) are a lesbian couple living in Vancouver. Janet has come out to her mother already but Cara's parents are still in the dark about their daughter's homosexuality. The pressure is on to out herself though when the parents come from Malaysia for her younger brother's wedding. That same week British Columbia legalizes gay marriage. With Janet wanting to wed, Cara has to decide whether or not to tell her conservative Chinese parents that's she's gay. Will she? Would she? Could she? Cara's situation is contrasted with that of Jesse (Trent Millar). Jesse has just declared his homosexuality to the world at the age of fourteen. His biological father Daniel (Andrew McIlroy) is coming for a visit soon. His stepfather Norman (Michael Robinson) fears that his chances of finally being fully accepted by Jesse are harmed by the fact that Daniel is gay and he is not. Will dialing 1-800-Makeover help? The dialogue and delivery come straight out of a lesser 1950's program along with the overdone physical emoting. The Full House-style melodrama is enough to make you wince from time to time and the attempts at comedy largely fail. McIlroy, Millar & Sky are the only performers that approach competency in this miscalculation but given the material they have to work with, it's no surprise that none impress. It's possible that the campiness was purposeful. It often seems like there is no way the performers are really that bad, that they must be trying to mimic the inferior sitcoms of days yore. If this is indeed the case than this review should probably be rewritten. The rewrite would focus on Floored by Love being a poor and ineffective send-up of old sitcoms. Writer/director Desiree Lim has put together a by-the-numbers bland-fest that's entirely forgettable. There was a time when merely having an openly homosexual protagonist was enough to make a mark on the screen. That time is gone. In this day we need quality as well. | 0neg
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
I am a fan of Dodie Smith's book and thought that this movie complemented the book very well. The style and look of the movie was brilliant. From the clothes to the scenery, it was a visual feast. The best part of this movie was the casting. The casting was perfect! Every actor fit their character beautifully. Romola Garai was great as the naive Cassandra. Henry Cavil is wonderful in his quiet, intense way (and of course he's gorgeous!), and Marcus Blucas and Henry Thomas were utterly charming as the Cotton brothers. The only thing I can say negative about this movie is that the conclusion was made very obvious. The relationships between characters was given away at the very beginning, lessening the impact of the ending. (It's more subtle in the book.) I highly request reading the book first, before seeing the movie! It will allow you to make your own assumptions about the characters before the movie reveals all! If you want to see a smart, romance I suggest this film! | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
First off, I must say that this is a fun game show. Also, I haven't if I've seen every episode. However, I do know the show fairly well. Every time I've watched it, I've had a lot of fun playing along and watch. The thing I like most about it are the questions. Despite the fact that I don't know that many answers, I still have fun playing along. I hope the Game Show Network keeps it on so I can play along and watch again. If that happens, I will be really happy. Before I wrap this up, I'd like to say that I'll always remember this show in my memory forever. Now, in conclusion, I hope that you catch it one day before it goes off the air for good. | -1no label
| [
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.