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I had been working on a fairly in depth discussion of this film to post on the IMDB, but I decided to just shorten my lengthy diatribe to one word: RUN! I don't want to give away ANY of the plot, because the less you know the better. And all you need to know is that this is the BEST serial thriller to come along since The Silence of the Lambs...it's better than Seven, it's better than Copycat, and it's even better than The Crimson Rivers. In fact, I would rate this top notch film on the same level as Dario Argento's Deep Red and Tenebre...and for those of you fortunate enough to have seen those classic films..yes, it really is THAT good! Yet whereas acting and even the screenplay are secondary to classic Italian thrillers, this gem boasts an exquisitely constructed screenplay (the ending will surely take you by surprise!) and two outstanding lead performances by the commandingly handsome Suk-kyu Han and the breathtakingly beautiful Eun-ha Shim. Sadly, Tell Me Something has yet to get a US release (outside of all too rare arthouse screenings from time to time), and after two years it remains unreleased on VHS or DVD. So I would HIGHLY recommend that you all purchase the code-free NTSC Hong Kong DVD. The A/V transfer is stunning, and the English subtitles get a surprisingly accurate translation. I have no idea why none of the Hollywood studios have yet given this film a theatrical release, but like the equally brilliant Japanese horror film RING, I'm guessing it's because they are first planning an American remake...so before that dark day comes, experience for yourself the film that I consider the Best Movie of 1999 (besting even The Matrix), and one of the Top 5 Horror/Thrillers of the decade! My Grade: A+ | -1no label
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] |
Some of my old friends suggested me to watch this movie but I got chance only recently. I had high hopes of seeing something interesting from Kamal Hans, what I saw was bunch of garbage camera angles mixed at high speed. I could not understand what was the message except demeaning Hinduism. I am more like many religion type but I felt Kamal Hasan is a man low character to have orchestrated this kind of thought. He could have made a horror movie than this crap. He tried to add Hollywood genre of viruses and god forbid he did not convert that guy into a mutant and ultimately going to go for world domination. This is a much befitting movie for a film school vs regular public. Shame on him for not holding up to the talent he has. Starting of story tried Chaos to borrow ideas from Butterfly effect, then in between little religious harmony at the cost of insulting Hinduism (Once again I insult Hinduism more but this movie has no equal and my insult is same for religion in general which may have made this movie intellectual one.) | 0neg
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] |
What made me track this movie down was the viewing Vampyres, I thought I have to get the other movies this guy (Larroz) has made, I was sorry I tracked this down,it is a weak attempt at an occult/satanic type movie laden with sex and only sex(with ugly actors and actresses, this is an excuse for sleaze. The only redeeming factor was the setting and atmosphere, avoid this one, too much hype surrounds it, not worth the effort of finding it, this refers to the welcome to the grind house edition. I hope he has some other movies which lives up to Vampyres, Oh and the goat scene was very boring, I understand that this is what carries the hype. | 0neg
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] |
It's cheesy good fun in this blissfully goofy Italian romp 'starring' the amazingly untalented younger brother of Sean Connery, Neil. I love the fact that in this spy film they refer to his brother as the greatest agent of Britain, but they're referring to Sean Connery, not James Bond! That's because they couldn't get the rights to use the Bond name in the film, although Sean seems to have been amenable to his own name used. Probably thought it was a good joke. Neil's a plastic surgeon, of all things, who gets drawn into a spy caper because of his work with hypnosis. One of his patients apparently knows too much, and so is kidnapped by the (almost exclusively female) agents of an organization called THANATOS. Also starring in this amusing pastiche is the fleshy guy who played in Diabolik as the crime lord who utters the memorable words:"Is that Stud, coming?" while on his boat. he plays another fleshy crime lord in this one, and the most unappealing part of this film is watching the beautiful young women who surround him on his yacht(a yacht again? What's with this guy!) massage him and wait in him hand and foot. The theme song is a hoot, proving once again that Morricone is the King of Corny. The addled plot line never quite comes up to scratch, but that's o.k. The real reason for the movie is displayed about three quarters of the way through, when the stunning boat babes get into a wrestling match/fight with the male sailors on board the yacht. The movie just goes to show you that a movie is all about the details-which this one manages to get all wrong, but in such a way as to leave you gasping with laughter. Thank God for cheap Italian films, which have provided us with so much mirth over the years. Oh, and Clint Eastwood, of course. | -1no label
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] |
Deceived rests totally on the weight of Goldie Hawn's shoulders and she delivers. Goldie plays Adrienne Saunders, a happily married restorationist with a young daughter. Her husband, Jack, is an artifacts dealer whom she met by happenstance years before. Things start going badly for Adrienne when a curator is mysteriously found dead at a museum, and it is revealed that a piece Jack bought for the museum for millions of dollars is a fake. Jack then suddenly dies, and Adrienne comes to find out that her seemingly dead husband was not who he said he was. There are numerous plot holes in the movie, but Hawn works very well with what she has, and shows that she can more than handle serious drama. John Heard does seem miscast, as he goes from charming to psychotic without ever really establishing what makes his character tick, and why he has done what he did. All in all, a decent movie. | -1no label
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] |
I had seen this film way back in the 80's and had nearly forgotten it when I noticed it was on tv again and watched it. I remembered having liked this little sleeper when I first saw it, and I liked it even better on second viewing. All of the actors, especially Robert Duvall, Glenn Close, Wilfred Brimley, Frederic Forrest, and Jason Presson (as the twelve-year-old boy who feels responsible for the accidental shooting death of his older brother), are superb. The film has a very genuine feel to it--an understated, quiet, deeply moving story of a family aching with grief. The dialogue is sparse but telling, and the nonverbal acting is outstanding. Sort of like a simpler, rural version of Ordinary People sans psychiatrist but equally impressive family dynamics. The Stone Boy is well worth the time and emotional energy involved in watching it. | 1pos
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] |
This film was better than I expected. Just a delightful film. The acting was top notch. Aunt Claire was a demented, unhappy lady that was left with very little after her husband passed on. Perhaps the most unlikely demographic for a serial killer.. The rules were changed. Along came Aunt Alice. Geraldine Page and Ruth Gordon as Aunt Claire and Aunt Alice respectfully, had a chess match for most of the film that was simply brilliant. In the style of Hitchcock this film flowed from start to finish. The intensity through out this film was constant. Twists upon twists, made for an energetic, entertaining film , that one had to pay close attention. The side characters were OK for the most part; Make no mistake , Page and Gordon were the whole film. There was a wonderful dog in this film that truly was an important cog. Overall, a very good film but housekeepers might want to watch their backs. | -1no label
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] |
an excellent, thoughtfully produced historical drama--well played, artfully written, shot in ways that convey accurate visual images of the congo, and with more than a few moving moments, especially for those who care about the history of Africa and imperialism. however, a fair amount of worthwhile content gets lost in translation, and because names, acronyms, and so forth are hard to follow. so i would strongly recommend checking a neutral source such as wikipedia to get a basic sense of the story being depicted (and the subsequent history) before enjoying the film. if you have the DVD version, there is also some useful historical background. there is a point towards the end of the film where the name of a character who then speaks with an American accent is actually beeped out--a simple google search of "lumumba film censor" or something similar will reveal a truly fascinating (and perhaps disturbing) twist regarding the production of this important film. this film, if coupled with a little outside research, helps contextualize dozens of other films relating to central/east Africa and/or imperialism, e.g. hotel rwanda, shake hands with the devil, various adaptations of conrad's heart of darkness, and even "ali" when mohammed ali visits kinshasa. | 1pos
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] |
I heard that Ikki Tousen was a great anime and that it was based off of Romance of the Three Kingdoms. So I thought, "Hey, it can't be this bad, can it?"...Big mistake there. Plot: The show is about a girl named Sonsaku Hakufu, a total stupid spoiled whore, who has the spirit of Sun Ce. Anyhow, she's destined to unite the school just like her counterpart seven centuries ago. Lastly, every kid is an expert fighter. No joke. EVERY. SINGLE. KID. And the fight scenes...don't get me started. All they do is just fight, sudden attack, girl loses 99% of her clothing, someone wins. And the characters are laughably bad. There's Ryofu (who has the spirit of Lu Bu) and is a total SLUT. No joke. Nearly every girl in the anime has boobs the size of a house...seriously, what the hell? And not to mention Hakufu has a worthless cousin named Shuuyu Koukin who says he can fight, but he can't. And the dub sucks. By sucks, I mean Mortal kombat annihilation sucks. Really, everyone in the dub sounds like they are either on crack or are unemotional. Really, it has three seasons, but it's not worth watching. And also, it makes even ROTK and DW look bad. I swear, this anime is just simply Mortal kombat meets hentai. I wish I could give this a -10 out of 10, but I can't, so I'll give it a 1/10. | -1no label
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] |
It's true that this is not an action movie. And as much as I love all that stuff, this is something so much more affecting. True, I did see this movie on the big screen, which in my opinion, could be the only way to see it. Not for spectacular cinematography, explosions or effects, but because this is one of a rare breed of movie that captures life... -real- life in such a way that you are -there-. This is a yakuza movie about human beings. Tattooed iron men and sullen street punks, and the violence that defines their life gradually gives way to a sense of renewal of human spirit. Sure, we've all seen those movies about how gangsters laying low at the hide-out get all paranoid and irritable, and as the ugly side of their nature emerges, they manipulate and eventually kill each other. How often do you get to see one about how they all start to loosen up, learn about and begin like one another, and eventually start to act like human beings again? This is a movie about the time that takes place between all the events in other action movies. Discreet indigenous sounds, and quiet vistas draw you in. The slow parts are as empty of event as they are full of reflective atmosphere, and violence is as sudden, intense, and shockingly brief as reality, and thus has a real weight. All of this almost camoflages the fact that this movie is also full of subtle but brilliant humor. You'll find yourself grinning at the boyish antics of the marooned Yakuza. Kitano has the tight-lipped charm of all the great leading macho men; a stout, Japanese Clint Eastwood, whose quiet , unflinching exterior conveys his tainted, tired soul. This makes it all so much more worth it when we finally see him smile. That said, while not as acrobatic, Kitano shoots people with all the detached cool Chow Yun Fat wishes he had. In many ways Sonatine is a totally Japanese piece of work; sparse, simple, unadorned, a little repressed,... and elegantly beautiful beyond all words. Oh, and if you hate the beach, this movie is probably not for you. | -1no label
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] |
This was an interesting movie...half-comedy, half-political thriller. It had a lot of good elements, although it was a little predictable. Robin Williams stars as Tom Dobbs, a popular comedian with a hit show in which he gives political commentary. Think Daily Show With John Stuart. During the taping of one of his shows, a female in the audience tells him he should run for president. That, followed by a few jokes taken seriously, were all that was needed to get the ball rolling and start Dobbs' political career. He runs independently, and opposes democrats and republicans equally. He is straightforward and honest, and becomes increasingly popular--but maybe not popular enough to actually win. He's clearly the underdog in this election. Meanwhile, a corrupt software company has created a program to make voting much quicker and easier for the common people--but there is a glitch. The glitch is discovered by a young lady named Elanor (Linnley) who is appeased by the software developer with a lie that he fixed the glitch before the upcoming election. Election day comes around, and lo and behold Dobbs is declared the winner. (Big Surprise!) Elanor knows that he is not really the president--he didn't win legitimately--She decides to tell the president...but complications arise. Her company went as far as poisoning her in order to silence her. In addition to that, she quickly takes a liking to Dobbs. The plot takes a few twists and turns, before reaching it's slightly predictable conclusion. But, it never got boring. Robin was great as usual, and Christopher Walken often stole the show as Dobbs' manager-turned-political-adviser and best friend. It's an entertaining film, and it has a good message. I recommend it if you're in the mood for dark satire, or something that makes you think. Overall I give it a 7/10. | 1pos
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] |
I am of the opinion that Abel Ferrara's movies have been steadily declining since "Ms45". Way too much symbolism, religious guilt, and boredom have invaded efforts like "The Funeral". Might as well add a good dose of confusion on top of everything else. This one drifts back and forth in time almost as randomly as a doodlebug puddles about on a pond. The cast is excellent, Walken, Del Toro, Penn, give it their all, but the script is so muddled the whole thing just sort of collapses into a void of smoke and mirrors. The ending especially is less than satisfying. I mean an innocent Del Toro is killed, only to end with a crazed Penn lighting up the family and then blowing his brains out? Who cares? I certainly didn't. - MERK | -1no label
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] |
Tearing down a coastal lane, Arthur flies out of the bend only to open his eyes again in hospital. While he was out cold, his unconscious spoke, revealing his hidden self as an emotional Pandora's box. In a dreamy, confused state he battles absurdity to unravel a lingering, youthful trauma. Visually stunning and cut at video-clip speed, you are in for quite a rush of a film. Oscillating between captivating and horrific, "The Black Box" is really well made. There are countless little examples of beautiful attention to detail scattered around. No doubt because of this attention to detail, the imperfections reveal themselves as well, but they are forgivable. But not all missteps are. Most importantly, the story-line is not good enough. The film can get away with a somewhat flimsy story for a good hour because of the captivating presentation, but towards the end, it is almost impossible not to be disappointed by the simplistic wrap-up. A real shame, considering the effort which went into this production. Do not hesitate to watch it none the less, as you will be rewarded with plenty an attentive detail and good use of imagery with the unfortunately paranoid José Garcia stuck in the middle. | -1no label
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] |
I bought this film from e-bay as part of a lot of about twenty horror flicks, all about a dollar a piece. When watching this, my first impression was that it probably was from the late 80s. Later on I began thinking - the Linkin Park posters on the wall and everything else seemed to hint that I was dealing with a more recent film. Realizing that, the flick became an unbearable torment. The last 3 minutes were the longest in the movie history - the film just refused to end. Is there a genre such as "horror for children"? In that case this film is definitely it. If there are parents, perverse enough to want to introduce their offspring to horror, I suggest this would be perfect for kids of about 6-8. The only thing I really liked was Greg Cipes who was much too good an actor for that kind of nostalgic retro bottom part of a drive-in double-bill. | 0neg
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] |
This is a mildly enjoyable flick which attempts to be a serious political thriller but in my opinion falls very short of the mark. This is mainly due to the exceedingly annoying Hollywood need to always create some romantic chemistry between the lead male and female characters. OK in this case it is not taken too far but it still feels false and as though it has been added in just to keep the lady's in the audience happy (or rather the Hollywood executive's idea of what will make lady's in the audience happy). In trying to be serious and political the film comes off at times as just being confusing. And the there's the plot holes, oh my god, there are just too many to mention. Some of the action and suspense sequences are great like the magnificent bit with the bus. Kidman is as usual very good but Penn at times feels very one dimensional, too much cowling at the camera. | -1no label
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] |
I Love this show (although I was a baby when the second series was aired) All the characters are so cool especially Tucker, Garvey, Nancy and Donna. The show so deserved the awards it got it is amazing how the stories in the lives of loads of individuals in army life can be portrayed in such amazing detail. I also like Ultimate Force which is also about army life, but Soldier Soldier tells the stories of the lives of the wives and girlfriends as well as the stories of the actual soldiers. This was an amazing TV Show, is is a shame that i couldn't watch it when it was first televised. (Does anyone know if it is TV on a Sky/ cable channel?) | -1no label
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] |
Michelle Rodriguez is the defining actress who could be the charging force for other actresses to look out for. She has the audacity to place herself in a rarely seen tough-girl role very early in her career (and pull it off), which is a feat that should be recognized. Although her later films pigeonhole her to that same role, this film was made for her ruggedness. Her character is a romanticized student/fighter/lover, struggling to overcome her disenchanted existence in the projects, which is a little overdone in film...but not by a girl. That aspect of this film isn't very original, but the story goes in depth when the heated relationships that this girl has to deal with come to a boil and her primal rage takes over. I haven't seen an actress take such an aggressive stance in movie-making yet, and I'm glad that she's getting that original twist out there in Hollywood. This film got a 7 from me because of the average story of ghetto youth, but it has such a great actress portraying a rarely-seen role in a minimal budget movie. Great work. | 1pos
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] |
Eccentric young man has chance to mend errant ways when guardian angel pays a concerned visit. The role of Bevis is pivotal to this half-hour and calls for the acting skills of someone like the late Hans Conreid, who specialized in humorous eccentrics. Unfortunately, Orson Bean's performance demonstrates all the skills of an earnest teenager placing second in a high school audition. You would think with a name like 'Bean", he could bring off a nutty character who likes 'zither music' and broken-down old cars. But he doesn't, and with him goes the episode. There are two possible redeeming features-- Henry Jones as the delightfully smug guardian angel, and the story's subtext, which appears to be an unflattering comment on businessman conformity during the button-down 1950's (a recurring concern of Serling's). With better central casting, this could have been a whimsical and revealing half-hour, instead of the flat-liner it is. | -1no label
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] |
Steve Carrel Proves himself to be a great leading man in this wonderful, original, raunchy breath of fresh air. I about wet myself at how geniusly hilarious it was. Basically the movie's title says it all: Andy Stitzer is a 40 Year- Old Male who works at an electronics store. He is a bit of a nerd who loves videogames and Comics, and has the biggest collection. His Peers that work in the store with him find out that he's a Virgin during a rather sex dialogue filled poker game, and then Andy has to go through a rather funny as hell Odyessy of rude sexual awakenings, but always screwing up which leads to him not losing his virginity, but he eventually gets lucky in the very end. Leave the little ones at home, But Take the entire family to see This awesome Romantic Adult Comedy. It will have you hooked and cracking up from the very beginning, and by the time it is over, you will be wishing you wore your extra thick absorbent undergarments. Only other thing I can say about it is Too bad Steve Carrel wasn't recognized as a leaving man 20 years ago. He is definitely gonna win best breakthrough male performance in next years MTV movie Awards. You can bet your hard earned dollar on that, people! I Give this one a perfect 10! | 1pos
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] |
I went to see the Omega Code with a group of other Christians totaling about 15 people. We all expected a good piece of Christian film-making. What we got was an excruciatingly painful, drawn-out, and pretty boring attempt at a film. It has good looking production values but also has poor acting, a weak script with lousy dialogue, and no real sense of direction. From the first 15 minutes we all knew it would be a long night. We all hated it, and some people in our group placed this movie as reeking of more cheese than "Anaconda." None of us could believe that the movie lasted less than 2 hours. Flashy effects and crisp looking cinematography can't save this bad, bad movie. I'd give it a 3 out of 10, and the rating is only that high because I rented the abominable "movie" Werewolf (1996) the night before I saw this movie. | 0neg
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] |
TOO MARVELOUS FOR WORDS is the one reason for seeing this very mediocre WB musical. The song is sung many times during the course of the film and used for a somewhat silly finale, where Ruby Keeler and Lee Dixon dance on typewriter keys (a really tacky set). It was obviously a swan song (she'd only make three more musicals in the later thirties) for her career and a typical "B" picture of the period. The plot dealing with mistaken identities and misunderstandings is simplistic and rather dumb. There are three songs (in addition to the classic TOO MARVELOUS FOR WORDS, there's HANDY WITH YOUR FEET and JUST A QUIET EVENING)but only the one is worth mentioning. It inexplicably was Oscar nominated for Choreography (decidedly undeserved) but did not receive a Best Song nomination. Ross Alexander (the lead) appeared in 18 films for Warners but did not click with the public. This would be his last - he took his life the year of its release. Lee Dixon (a gawky, untalented amateur and rather obnoxious) appeared in only eight films and had his sole hit in creating the role of Will Parker in the original Broadway cast of R&H's OKLAHOMA! - a part he played as long as the show ran and toured. He was to die an alcoholic bemoaning the loss of the one part he seemed right for. Louise Fazenda is rather a hoot as Keeler's mentor, Jane Wyman has a bit as a snappy secretary, and Lorenz Hart's brother, Teddy, has a bit as a stage manager. Wini Shaw made 19 films, this was to be her second to last. The film is totally forgettable, both as a film and as a musical, but there are enough "bits" of fun in the above observations of performer personalities to pass the time. | -1no label
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] |
I got lured by the title... I was expecting an insightful and intriguing journey into alcoholism, instead I got a rather boring and uninspiring story about a rowdy Scot. The leading character isn't given much psychological depth, unless you are willing to classify cheesy teen-like poetry as psychology. It was a shame, because the core of the story could have been good, with a better effort to depict the inner feelings of a man who had to live with alcohol and violence since his youth. Sadly, the general idea seems to be more like "I'm the way I am because that's the way I am". And the laughingly bad attempt at giving some sort of poetic edge to a lower-class man makes things even worse. Resorting to the overused cliché of the "poète maudit" reeks of a quick fix, a cheap way to make a dull movie seem smart, artsy and meaningful. But "16 years of alcohol" isn't much smart, artsy or meaningful... The leading character doesn't evolve at all, and the feeble attempt of changing fails without a good explanation. Just like the initial attempt happened rather out of the blue. The movie borrows heavily from classics such as A Clockwork Orange and Trainspotting, but it ultimately fails to recapture their greatness, not even for a few seconds. Jobson put too much emphasis on the artistic side of the story, and neglected the rest, giving us a movie which is pleasant to the eye but insipid to the brain. | 0neg
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] |
In this "page from the history and lives of the most bloodthirsty pirates who ever infested the southern seas," the title cards explain, "it was the custom of these pirates to subdue their prey, loot the ship, bind their captives, and blow them up." That's exactly what happens to seafarer Douglas Fairbanks and his father, as the film begins. But, you don't mess with Doug. Mr. Fairbanks survives the attack, and infiltrates the offending ship (as "The Black Pirate"), vowing revenge, particularly due to the death of his father. Fairbanks also finds romance on ship, with kidnapped princess Billie Dove (as Isobel), whom he saves from gang rape. Colorful entertainment, from Fairbanks and company. Notable for the early feature-length color photography, by Henry Sharp; and, for Fairbanks' typically robust performance. Mrs. Fairbanks (aka Mary Pickford) stands in for the kissing long shot, near the film's end. Donald Crisp and Sam De Grasse are among the entertaining supporting players. In hindsight, the use of color probably hampered the production somewhat, as it looks more restrictive than other Fairbanks films of the 1920s. Still, it's a classic. | -1no label
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] |
Fair and nifty little science fiction/horror fantasy thriller about a well-known video game designer, Allegra Geller (Jennifer Jason Leigh) whose latest game - "eXistenZ" not only draws the attention of people who volunteer to try the game, but one who nearly kills her (and her game, too). Since she forced to stay out of sight, Allegra is stuck with Ted Pikul (Jude Law), a marketing trainee ("P.R. nerd") to be her bodyguard even though he only has a gun that's made out of flesh and bone and the bullets are teeth. Director David Cronenberg has, well, used some bits from his earlier films ("Videodrome", "Scanners", "The Fly", etc.) and placed it into certain parts of the story with some good timing. Law and Leigh are fine here and so are some of the supporting cast (Ian Holm, Willem Dafoe, Sarah Polley, Christopher Eccelston, and so on) that has an international twist to it. Dafoe is anything but devilish as Gas, a deceiving garage mechanic. One of the movie's best scenes is witnessing Ted eat (fish and frogs) and construct a gun and admit to Allegra - " I can't help myself." "eXistenZ" manages to show that he (Cronenberg) is up to his old tricks and it still works like a charm. | 1pos
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] |
A stunning film of high quality. Apparently based on true events which, as told, has the clear ring of truth about it, this movie is highly emotional and deeply moving. An abused and neglected child often becomes wayward in adulthood, as one of life's failures, be it as a gangster, drug addict or burden on society. Antwone Fisher as a young adult in the navy, is troubled. He is on the brink of being a loser. He is counselled in therapy by a psychiatrist and it is that relationship which takes center stage in the play. In flash-backs and therapy the source and remedies to Antwones angst are revealed. Outstanding performances from the whole cast. The story is in effect a family tragedy with emotional and physical torment. All the actors give full blooded performances with conviction and realism. One message from the movie is the importance of raising children decently. The real Antwone deserves success. To have endured wickedness as a child but to rise above that, shows a magnificent character. And to all those out there who have endured such torment but to have survived and succeeded: you are all winners. 10 out of 10. | 1pos
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I greatly enjoyed Margaret Atwood's novel 'The Robber Bride', and I was thrilled to see there was a movie version. A woman frames a cop boyfriend for her own murder, and his buddy, an ex-cop journalist, tries to clear his name by checking up on the dead woman's crazy female friends. It's fortunate that the movie script fixes Ms. Atwood's clumsy plotting by focusing on the story of these two men, victims of scheming women... Heh. Okay, you got me. If these guys are mentioned in the book, and I'm pretty sure they're entirely made up for the movie, I'll eat the dust cover of my hardback copy. Apparently, the three main female characters of the novel aren't enough to carry the movie. Zenia's manipulations aren't interesting unless we see them happen to a man, and a man's life is screwed up. Roz, Charis, and Toni tell their stories -- to a man. Because it's not important if a man doesn't hear them. I liked the characters in the book. It hurts to see them pushed off to the side for a man's story. I normally do not look for feminist angles on media, and I tried to enjoy the movie as is. If I hadn't read the book, I might have enjoyed the movie a lot more. So if you like the cop and the ex-cop, and you want to read more about them, you're out of luck. Read the novel, if you want to enjoy luscious prose and characterization subtly layered through a plot. It's the same plot: the movie excavated it, ironed it, and sprinkled it with male angst. It's like Zenia's revenge on Margaret Atwood. | 0neg
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] |
Spoiler Alert I have to say that when I first saw the movies Rocky 1-3, I was in bliss. The story's were brill. Something that made you never want to see the end of it, went away wishing the film had another half hour left or so. Rocky 4 was 50/50. Stallone wanted to make a movie about change, hardly see any change apart from the gloryhunter fans at the end going from Drago's to Rocky's! Dunno why they had to kill Apollo off, could've just sidelined him with injury or something, but in my view the pace and energy of the fight made up for it, and one more thing, no mention of Mickey??? Apart from the flashback sequence. And then, Rocky V. Another Rocky is always a pleasure in my view, but the movie could've been better! Stallone stated that originally Rocky was supposed to die in his last fight with tommy gunn, but changed weeks prior to production, claiming the film is about recovering from a disaster, which is a great plot to go by, but why did he have to have a street fight? I like the idea of the sadness that he ignored his son by paying loads of attention to Tommy, then tommy went awol with george duke, but at least he could have had Apollo or Creed's manager(I forget the name) train him for one last fight in the ring, and then beats tommy gunn, wins the title, and wins back his fortune. Or even he died in the ring after he beat him, and had millions cheer him on or mourn him as he went. Rocky VI???? nnnnnnoooooo! sly's too old, fat, slow and lost his talent in writing. 5 is enough. His career's going down the crap shoot, he should just relive his past glory and call it day. Oh yeah, the actor who plays Gunn should've been the one who really retired! haha. | -1no label
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] |
Recently was traveling in Norway from Bergen, Norway and stopped in the small town of Voss, Norway and there was a monument in honor of Knute Rockne who was born in Voss years ago. The people all know about Knute to this day and tour guides are proud to stop at his monument. This film is a great history of this great man and his great love for Notre Dame Never realized that Knute has such great talents in chemistry and laboratory science and also taught chemistry for years and at the same time coached the football team. Ronald Reagan played the role of George Gipp, (The Gipper) who was an outstanding football player; Reagan had a short role, but gave a great supporting role in this film. Donald Crisp, (Father John Callahan) was outstanding as a priest who always had great faith in Knute during his entire life at Notre Dame. This is a great Classic film and will be viewed by many generations to come. Enjoy. | 1pos
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] |
...or maybe not. Pirates have always been a shaky element in films, until 'Pirates of the Caribbean'. But back in 1939, not even the roller-coaster ride was in anybody's mind, and film portraying pirates might have looked ridiculous even then. What is surprising about the fact that this film is outdated is that it's a film by Hitchcock, whose films never quite seem to out date, apart from his silents. Yet, it's the pirates that are to blame. Even a master like Hitchcock feels must have felt awkward in making this film, and as a result, nothing works. It becomes a dark comedy thriller with drama and romance, none of these genres ever quite mixing in. Charles Laughton is not the one to blame, he's possibly the best thing in the film. However, Maureen O'Hara definitely has no idea of what she's doing, she doesn't even know what accent she's doing! Still, the viewer must remember not to count this as a true Hitchcock film. Though the elements are there, particularly the 'runaway' element, it's very weak. Again, it is Hitchcock's fault, but it's mostly the fact that this is a film with Pirates in them, and they rarely make for believable actors... | -1no label
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] |
The movie is terrible. I saw it thinking it would be an action movie (nothing to think about, just relax). Unluckily, I found my self annoyed by the bad production of this movie. Bad effects and acting. It looks like a low-budget one-shot production. Casting is regular (except maybe for the hot ladies that perhaps are a must in this kind of movies). For the rest, I watch movies from beginning to end, and if this is a spoiler: The intro is kind of cool, however, the subject could be better explored and attacked. The lack of script starts showing up after that first scene making the movie a pretty bad cliché. A tough guy beating bad guys, in the same way a kid beats bad guys in Home Alone. It is sad that a good project and a good plot is poorly abstracted to the screen. | -1no label
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] |
Ugly shot, poorly scripted and amateurishly paced sequel to Joe Dante's 1981 classic. "The Howling" is one of the two or three ONLY good werewolf-films ever made and yet it got 'rewarded' by a series of obnoxious and unendurable sequels like this one. If it's any consolation, "Stirba" is a sequel in name only and there's absolutely no connection with the characters or events that were introduced in Dante's film. The plot here revolves on a bloodthirsty cult of Transsylvanian werewolves primarily female ones led by Stirba. Stirba is played by Sybil Danning who transforms from a curvy old lady into a blond super-babe (with impressive bosom) in the blink of an eye and becomes all hairy when sexually aroused. Her arch-enemy is played by a seemly fatigue Christopher Lee. His character Stefan Crosscoe is an occult investigator who travels to Stirba's kingdom, accompanied by an American couple who lost their friend to the werewolf cult. In case you're exclusively looking for filthy gore and gratuitous nudity...this is your film. Even the smallest killing is shown in great detail and we're even treated to exploding eyeballs and the vile image of a dwarf who gets pierced on a pointy fence. However, if you want a little substance or depth, you'll be sorely disappointed. The dialogues are embarrassing and there's absolutely no tension to detect anywhere. The scriptwriters constantly seem to confuse werewolves with vampires (the Transsylvanian setting, garlic, wooden stakes...) and Danning's gorgeous balcony is shamelessly exploited as the film's only gimmick. During the end-credits, a shot in which she rips off her top, is re-edited repeatedly (according to my fellow reviewer Dr. Gore, no less than seventeen times!) which is pretty pathetic and pointless. The music is okay and some of the scenery is rather beautiful. I'm talking about the fierce-looking statues during the opening credits and the dark dungeons of Stirba's castle. The directing by Philippe Mora is a giant mess and as far as I'm concerned his only worthwhile film remains "The Beast Within", released three years earlier. | 0neg
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] |
Paul Hagas's "In the Valley of Elah" follows carefully and closely all the long held and well affirmed standards of any good murder mystery. For anyone who really enjoys this Genre you won't be disappointed. That being said I believe the performances also strengthen this story. Tommy Lee Jones hands in a subdued yet internally complex performance the like I've never seen him do before. He is tough and yet has the sensitivity necessary to drive the character along to where it needs to go. Susan Sarandon gives a strong performance as the mother of a missing soldier. She is placed in the position of an actress having to create a great role from a small part and pulls it off by tapping what must be very heartfelt emotions. Ms. Theron is good and carries off her part well. She is once again not afraid to look bad in order to carry a role. It is a good performance...that's all. I'm not writing home to Mom over it though. The rest of the cast is very strong and gives me great hope for the future of Film making in this country. The cast works well together and makes a compelling story. The part of this film that is the Star and center piece is Paul Hagas's script. He sets up the characters and situations in a direct and fast manner. The storyline is consistent and flows well and as I mentioned he follows the correct direction that any good murder mystery should. He also makes us aware of the growing struggles of our soldiers and what is going on as a result of this war in Iraq. Please see this film and look at it for what it is...a good mystery with great performances. | -1no label
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] |
I tend to favor your typical bubble-gum pop and classic movies and had very little interest in INDI films. Those that I HAVE seen were either blatant political propaganda disguised as "art" or had such a narrowly focused target audience that I didn't empathize with the main characters. This film, however shatters all those preconceived notions! The plight of a romantic man in this day and age is so perfectly laid out in this short foray into irony. I just wish it was available to purchase! I have a number of friends and family members who would get a kick out of the irony, the dry humor, the only-slightly-overplayed stereotyped characters. You're not a fly on the wall in a real scenario, but so very close that it forces you to ask questions of yourself. This is an exemplary piece of film, and if you get the chance to catch it DO! If you have plans, then set your TIVO... it is completely worth it! | -1no label
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] |
This movie is not for those expecting a martial-arts extravaganza. As for historical accuracy, I will leave that issue to those better informed on that subject. I thought the performances were wonderful. Gong Li never disappoints as the resourceful and (initially) loyal consort of the King of Qin. Fengyi Zhang showed a lot of flexibility portraying a ruler descending into madness. He chose the "Hannibal Lector" route, rather than resorting to ranting. For me, the best performance was from Zhiwen Wang as the supersmooth Marquis. The character came across as very oily, but in a subtle "Sir Humphrey Appleby" - Yes Minister kind of way. The cinematography is the standout feature of this film. The scene when the Marquis and his men stormed the palace was breathtaking. There are also a number of wonderful battle scenes. Therefore, this film is highly recommended on the big screen. | 1pos
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] |
another film from robert flaherty (nanook of the north and man of aran). the other two films i've seen from him are documentaries, whereas this one is pretty much a straight film (though it won an academy for best documentary). an argument could be made for man of aran as a documentary, but i don't think that this one qualifies. i think that flaherty works better within the documentary confines. perhaps this is because he needn't worry about developing a story or script - that comes naturally given the genre - and so he can focus more on the editing process and capturing the humanity of the characters. it's also possible that his venture into feature films came after he reached his peak. nanook of the north and man of aran had the similar theme of man's struggle to survive within nature. while they followed rather simple people using simple tools (harpoons and fish hooks mostly) this film introduces industry as man's tool in conquering nature. i must admit that this turned me off of the film a bit; it just didn't seem as pure. it's a beautiful film - the black and white photography really looks good (it was restored by the ucla film archive) and the shots are well composed. the story is told through the eyes of a young boy who wanders around the louisiana swamps on his canoe. he comes to admire the crew of the oil rig that has come to his part of the swamp to drill for oil as part of a deal his father has made with a business partner. the oil people's presence is given much more of a positive portrayal than i would have expected from flaherty. as i perused some of the dvd extras i discovered why this is...it turns out that standard oil commissioned the production and requested a film that showed the beauty of humanity and positive impact oil can have while being entertaining all the while. it's flaherty's best looking film and, again, the score is a highlight, but i think it's kind of a shame this had to be his final picture. B. | -1no label
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] |
When this was released, I thought this was one of the most profane films ever made. However, thanks to Martin Scorcese and a few other filmmakers like him, there have been mainline films worse, language-wise, than this....but this is a pretty brutal assault on one's ears. Hey, I can take a lot of it, but this got ridiculous. In the first six minutes alone, I heard a half-dozen usage's of the Lord's name in vain plus an untold number of f-words. I wonder how many people walked out of the theater watching this in 1990? I couldn't have been the only one. Not surprisingly, some of the feature actors included Jennifer Jason-Leigh, Burt Young, Jerry Orbach and Rikki Lake. Since this film, Stephen Lang seems to have improved his image, at least playing the Godly "Stonewall" Jackson in "Gods and Generals." Lang's role here is just the opposite: perhaps the worst trashy person in the film and a character who falls in love with a transvestite by the end of the film. Depressing, gloomy, semi-pornographic, repulsive: these are just a few of the adjectives people used - even some Liberal critics - in describing this story, which is painted even worse in the novel. Of course, some of the better-known critics, all extreme Libs, praised the movie. However, they were the only ones. Most critics were disgusted, as well almost all of the paying public. It's unbelievable that anyone could praise filth and garbage like this. Trust me on this: there are no good, likable characters in this entire movie. This is a mean, sick film: one of the worst of the "modern era." That is, unless you enjoy seeing child abuse, drug abuse, teen prostitutes, on and on - two straight hours of nothing but atrocities and just plain evil people. No thanks. | 0neg
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I don't know if this movie could have been any worse if it tried. My two roommates and I were totally pumped up to see this film, we set a timer on the TV and all ran into the living room when the timer went off and sat attentively on the couch like dogs about to be fed. When it was over, we slowly got up and walked out of the room without saying a word to each other. The movie was so bad it left us speechless. This farce of a film was nothing more than a way for John Leguizamo to live out his boxing fantasies. I recommend avoiding it at all costs. | -1no label
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Having loved Stephen King's novels and short stories for many years, I, like most reviewers, have been consistently disappointed in the adaptations to film from his printed works. A few notable exceptions are "Stand By Me" from "The Body", "Carrie" from the novel of the same name, and "The Shawshank Redemption" from "Rita Heyworth and Shawshank Redemption". This movie is by far the worst thing that has ever been produced with Stephen King's name attached to it in any way. It is no surprise that Mr. King has pretty much disavowed any connection with it. I feel the thing that most offended me about this poorly acted, cheaply filmed, hideously directed piece of garbage is that they had the audacity to COMPLETELY change the ending Don't waste your time or money on this amazing bow-wow of a movie!! | 0neg
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This is going to be my first review on IMDb and I'm glad that the standard rating is 1 out of 10 because then I don't have to change anything... First there are awful movies. Movies you can make a laughter out of, like Island City, Battlefield Earth or Conan The Destroyer. That is totally acceptable. They makes a great party enhancer. Then there are the worst movie ever. I cannot believe how utterly crappy this steaming pile of dog turd was. I found it on a second hand store on VHS and bought it quickly because I like sci-fi, Terminator, post-apocalypse and stuff like that. Everything on the box art was very promising. Then I loaded in the tape quickly when I got home and the first thing that I noticed was... WHAT? There was maybe 10 minutes (or more) of switching between present clips and flashbacks in a very annoying blue effect, with sounds that makes you puke. And it just continues over and over. Then some "acting" kicks in and you wonder why you were ever born in a world, where this abomination of mankind actually exists... And then I realized, THERE ARE ACTUALLY TWO PREQUELS. I didn't think about it first, but the title says "3" in it... And I was horrified. But as I actually in great pain and agony watch it to the end, I thought nothing could ever make me feel worse about myself and this universe... But then a little text showed up saying... "Next..." and... NEMESIS 4?!?!?! NO PLEASE NO!!!!!!!! | 0neg
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"Ripe" is one of those awful indies which manages to get into circulation and give indies a bad name. Telling a stupidly incongruous tale of pubescent twin sisters who crawl from a firey car crash which kills their parents and then hit the road while happily shoplifting, making goo-goo eyes at some guy, and ending up on an Army post so dilapidated no Army would want it (yeah, right!). An apparent attempt at a coming of age flick, "Ripe" is an almost complete loser which wanders aimlessly as the players drift in and out of character finally ending clumsily with nary a shred of credibility to be found anywhere. Not recommended for anyone. | 0neg
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Where's Michael Caine when you need him? I've seen most of the many seasons of MST3K, but this rare pre-1st season flick (episdoe K-20) is easily one of the worst movies ever made. Three "stars", Lee Majors, Chris Makepeace and Burgess Meredith, struggle through the worst batch of cinematography ever, delivering lines which must have been written by a secret Dick Cheney-style workgroup composed of Exxon and GM lawyers trying to cut funding for mass transit and energy efficiency research. Looks like it was filmed in almost total darkness, possibly on Super 8. Makes Logan's Run look like the cinematic Sistine Chapel crossed with Shakespeare. I can't imagine watching it without the commentary of Crow and Servo since it's unwatchable even with it. Clearly what's needed in Hollywood is some sort of 401K which prevents the need for actors to take on bad movies like this in order to pay for their health care. With its "rights to pollute and drive" theme, by the end, I'm half expecting to see a Charlton Heston cameo where he delivers his "cold dead hands" speech. Lee, I could have forgiven you for this in 1989, but 1981? | 0neg
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Saw "Captain Invincible" last week at a Bad Movie Night event and it was the worst -- and funniest -- musical I have ever seen. This movie makes "Plan 9 from Outer Space" look like "Citizen Kane"! It's meant to be a spoof and is purposefully bad, but I don't think the makers of this film intended it to be quite as awful as it really is. The musical numbers are completely lame, plenty of gratuitous nudity a la Benny Hill, there are evil punk rockers with half-mohawks, bondage clad new wave hooker chicks, attack vacuum cleaners, crazed Nazis with Yoda-like sidekicks in bad prosthetic makeup. What more could you want? Oh, yeah, a discernible plot might be nice and actors who could sing and dance would be a real bonus. If you want to throw a boffo Bad Movie Night, I highly recommend "Captain Invincible" -- it will have your guests in stitches and explains why we're glad the 80s are long past. | -1no label
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The summary say it all. This was the 2nd worst movie I have seen to date. #1 being I heart huckabees. This film has no redeeming qualities. The sex scenes are flaccid at best. The score overpowers the crappy dialog but not enough that you do not hear it. The "character development" was lame, and went on way too long. Felt caught between wanting to see a naked Nave and the desire to scratch my eyes out. Just like with Huckabees I kept waiting some the film to get better but alas it didn't. I have seen softcore porn with better plots, and at least most of them get you a little turned on by their sex scenes. Not worth the time even if the movie is for free, and someone else buys your popcorn, candy and drink. | -1no label
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i wasn't a fan of seeing this movie at all, but when my gf called me and said she had a free advanced screening pass i tagged along only for the sake of seeing eva longoria and laughing at jason biggs antics. overall it was actually better then i expected but not by much. this was like a hybrid of how to lose a guy in 10 days and just like heaven. a typical romantic comedy with its moments i guess. the movie was quite short though (around 85 min.) but it was enough to tell the whole story, build some character development and have a decent happy ending. the whole idea of a ghost haunting its former husband was a interesting plot to follow. eva did a good job of keeping up the sarcasm and paul rudd and the rest of the supporting cast (especially jason biggs) kept the laughs coming at a smooth pace. overall i liked the movie only because it had a good amount of laughs to keep me going otherwise i would have given this movie a lower rating. hey its a chick flick and i'm reviewing this movie from a guy's persepctive alright, it would be more of a fair fight if females reviewied this movie and gave there thoughts about it. | 1pos
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] |
Easily the best known of all the Shakespeare plays, it has been seriously let down here. Shoddy direction, stagnant studio work and erratic performances spoil a fine tragedy. In the town of Verona, the Capulets and the Montagues have been feuding for centuries but tragedy is imminent when Romeo (Patrick Rycart), a Montague, falls in love with Juliet (Rebecca Saire), a Capulet. Bloodshed soon erupts... The studio work, especially in daytime scenes, seriously stagnates the energy of the play. It's a story that, with it's energy, deserves to be shot outdoors. Coupled with this the costumes are hideous, with too many tights and ludicrous codpieces. The stage fighting looks horrendous, with far too much stretching and running around to be engaging. Patrick Ryecart is too lightweight to be a truly effective Romeo. He manages the character's intensity when the plot gets going but his stately accent and bland, often inexpressive eyes limit his range. It is very hard for the audience to relate to this Romeo. Rebecca Saire is too youthful to be a good Juliet - she captures the character's naiveté but a little more sassiness would have been welcome. The supporting roles don't fare much better. Joseph O'Connor's Friar Laurence is fine but too many of his best lines have been cut. Anthony Andrews' Mercutio belongs on stage and not on camera. He gurns and gesticulates excessively and looks rather ridiculous as a result. Alan Rickman, underplaying his role, has virtually no presence as Tybalt. He did develop an edge and intensity to deliver some fine screen performances in later years, but that isn't in evidence here. The Prince can be a fine role with his brief appearances but actor Lawrence Naismith fails to give the part any authority on camera. Only Micheal Hordern, in probably his best role in this series, comes out of this with any dignity. His Capulet is well-played and a joy to watch. See one of the other versions of this story instead. | 0neg
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] |
Legendary pop star Steve Alaimo ("Don't Let the Sun Catch You Crying") stars as an unlikable stock car racer whose career has hit the skids (ha ha) because he constantly crashes his car (or as he laments, "I'm tired of being run down by every grease monkey that gets behind the wheel"). He falls into a bad crowd of humorously inept Nazi bikers, improbably named Jeeter, Banjo, Fats, and, er, Linda. Fats is the most likable of the bunch; he took a surfboard to the back of the skull and now only communicates through grunts, sort of a Harley Davidson Leatherface. Anyway, Steve is fooled by the cops into catching the dastardly crooks in the middle of one of their bank robberies. The gang only robs banks for "kicks, man". I guess they give the money to charity. Steve fails constantly, the bikers get greasier, and the whole thing never comes off as daring because it's so dull. This movie looks like it was filmed through a grease-soaked paper towel. Not since "Necromantic" has a movie so trampled my soul. The guy who played Fats went on to direct "Deranged", the Ed Gein biopic starring Robert Blossom. Anyway, in summary: Wild Rebels: Hilarious on MST3K, dreadful everywhere else. | 0neg
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] |
Much said without words. This is an excellent movie. It was made in color-not color as in today's films, but a special mono-color use (with shadings) that portrayed meaning, mood, sense and time. It should be seen in color, as it becomes an entirely different film. The story, by Nobel prize-winner Selma Lagerlöf, is effectively presented. One never has a clear sense of real, memory or phantom. Changes going on in Swedish society at the time are subtly layered. Most highly recommend. Try to rent it or find it on-line. I saw it in a Swedish film class and I want to add it to my film library. | 1pos
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] |
The technical aspects of the movie was flawless. Govind took a storyline that would usually not appeal to many and made it engrossing throughout the whole duration of the movie. The performances were brilliant, it is questionable why no nominations were offered. Kareena was brilliant as a Muslim riot victim, showing particular prowess in the confession scene. Her deglamourised look only emphasized the strength of her performance.Fardeen and Kareena's chemistry was impeccable and they give one of bollywood's memorable kiss sequences. Fardeen Khan was surprisingly good, flitting through all his scenes well. This was one of Amitabh's best performances and given his track record, you know how good it must have been. Om Puri too was excellent in his role as a villain. The songs were nice and did not interrupt the plot. Kareena's singing of "Jab nahin aye the thum" only enhanced the movie. The other songs "Rangdini " and "Allah allah" have the correct emotional nuances in them. Dev was flawless. | -1no label
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Having heard the rumblings and grumblings from people who had seen the sneak previews, saying things like "typical Disney fare" and "mediocre", I had very low expectations of Dinosaur even if it was the big Diz's "most ambitious endeavor". I am happy to say I was wrong. I loved it. It was NOT cookie cutter Disney. There were NO songs, no gimmicky sidekicks placed purely for plush toy marketing. The plot had a points on several levels, the most prevalent of those being simple survival, the most elusive being the qualities of leadership. I left the theater thinking to myself, "That... was a nice story all around." Notice I didn't mention the graphics. There's a reason for that: They speak for themselves. Go see it. | -1no label
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] |
When I began watching this movie I believed that it was supposed to be a parody movie, such as Scary Movie. But after a few moments I came to the realization it wasn't. The acting is terrible, the script is worse than the acting, and the plot was worse than the script. What really got me was the back cover description, which had in one part: Who is the killer? Is he cute? Will they ever make it to the dance on time? That was the worst. ...Wait, no. The worst was their reaction to the killings of their best friends. They give out a really fake, bad scream with little facial expression, then make some witty remark. Like when The cute virgin is pulled apart by whatever, the two friends find her and says "now that's just stretching it." What the hell! Wouldn't you be freaking out that A) your friend was stretched that far and B) is still talking and C) her arms haven't ripped off. Oh, and the kid and teacher having relations is just disturbing. "Something's leaking." "That's supposed to happen." ... "I'm on fire." "Me too, I'm so hot." "No, I'm really on fire!" *camera moves to her foot, which is on fire* If you are bored and want to laugh at such a terrible piece of work, rent this movie and watch it with some friends. | -1no label
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] |
This is a low budget stop motion monster movie from Brett (A Nymphoid Barbarian in Dinosaur Hell) Piper... and it delivers just what I'd expect from such a production: light-hearted (though cheesy) dialogue, some cute actresses and lots of stop motion critters. That's why I've given the film 10 out of 10 - because it delivers what I expected it to deliver... and a bit more: Brett doesn't penny-pinch when it comes to putting his critters on screen. He hurls lots of bugs at his cast for the finale. And, anyway, I LOVE stop motion monsters which, compared to CGI critters in bigger budgeted movies, just seem to be that much fun to watch. | 1pos
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] |
In spite of its impressive cast and crew pedigree Gingerbread Man crumbles early and often. The plot is unrealistically convoluted, the actors sport bad accents and director Robert Altman's participation amounts to collecting a pay check. Once again he has assembled an impressive cast (Like Woody Allen, everyone wants to work with Altman)that this time around to the letter is miscast. But that's only part of the problem. Kenneth Branagh is Rick Magruder a high powered Georgia lawyer who in the film's heavy handed opening scenes manages to get himself preposterously seduced by a mysterious catering company waitress who convinces him she is in grave danger from an ex-husband and a loony dad. With red flags everywhere the astute lawyer plods on even managing to get his children in harms way. Fights of gun and fist follow along with a requisite car chase and if that's not enough there's a hurricane thrown in for the ridiculous finale. Branagh plays MacGruder with a mealy and unconvincing Southern accent. Running around in a trench coat in all kinds of weather he's blind to the obvious in order to keep the story going. Hipster Bob Downey Jr. is every bit as bad as a P.I. but with a little more emphasis on the bad accent. Robert Duvall as the old man is Boo Radely all growed up en crazier than a bed bug serving some thick slices of ham but at least his twang is plausible. The female leads (Embeth Davidtz, Darryl Hannah, Famkhee Jansen)are lean leggy and unemotive. Even the celebrity lawyers doing cameos (Vernon Jordan) are wooden with the few throw away lines they have. In addition to paying little attention to his actors, Altman's mise en scene dripping with Spanish moss is murky and shapeless, his action scenes comic book. It lacks his offbeat touches and observations (he does inform the viewer that the Stars and Bars still wave in Georgia)that make a well done Altman so unique. Unfortunately, Gingerbread Man is Altman at his worst, even if the pay is the same. | 0neg
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] |
This show is great - pure entertainment. It's updated and different and has beautiful women and a good story line. The sets and costumes, for a small-time TV sci-fi show, aren't bad. The characters from the various cantons show imagination and allow for varied stories. This show is s-o-o-o-o much better than Battlestar. OK, Flash is a little dippy, but, hey, look at the old Buster Crabbe movies. Could there have been a worse actor? I don't know who was worse Flash, Zarkov, or Ming. Yet they have endured the test of time, and clearly set the stage for the various Star Trek series. (If you look closely William Shatner as Captain Kirk copied Buster Crabbe's "shoulder run" - he ran with his shoulders.) I TiVo the Friday episode and can't wait until Saturday morning to watch it. It's like a trip down memory lane. Give Flash a break! | -1no label
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] |
How sad to see the beautiful and talented Tina Louise reduced to making this horrible excuse for a film. Tina still looked fit and attractive, but for some reason seems truly frightened. I can understand her fear; fearing that this 3rd rate stinker would somehow be released to the general public. Also, I'm a fan of the likable Adam West. Again, as with Tina, Adam looks good and in great shape for a man his age. His acting here is passable, but the script is so bad, that it's difficult to even listen to the dialog. The movie is a rip-off of the classic Brando biker flick, The Wild Ones; out-law biker gang is out-of-control in a small hick-town. The bikers here look like a motley group and I sure wouldn't want them to date my sister. The acting is stiff and wooden, and the story-plot is as old as sand. Hellriders is hell to watch! | 0neg
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] |
In this Chabrolesque psychological thriller, Francois Ozon, poses some difficult questions about the nature of the creative process through the character of successful English crime writer Sarah Morton,played brilliantly by Charlotte Rampling. Unable to find sufficient motivation to pen her latest crime book, her editor and ex-lover, John Bosload (Charles Dance) leases his French country house to her in the Luberon region to reignite her creative urges. At first the change of scenery does Sarah good until John's unknown French daughter, Julie (Ludivine Sagnier), rudely interrupts the idyllic atmosphere. The film then explores the tense relationship between the uptight Englishwoman and the free-floating but sex-mad Julie but things are never quite what they seem. We are constantly lulled by the seductive scenery and the sly camera-work sometimes suggests a hidden agenda is at play - well not so hidden in Franck's case! The film is nearly perfect. The acting is excellent and the music is haunting and evocative. Unfortunately, the film loses focus in the last third where a convoluted "murder" disrupts proceedings. Although the end might be a shock for many it was, in my opinion, an audacious turn on Ozon's behalf rather than a cop-out. I can understand it might annoy many viewers but the film's teasing scenarios, I believe, predetermined the ending and any careful viewer would not have felt robbed by the fact Julie was not real after all. The end, though, throws more questions than the film answers. If there is a puzzle to be solved, I do not think repeated viewings would achieve this; rather, it feels like an open-ended mystery. A mystery to savor rather than solve. | -1no label
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] |
The Sunshine Boys is a terrific comedy about two ex-vaudevillians who reluctantly reunite for a TV special despite the fact that they despise each other. The comic genius of two masters at work, George Burns and Walter Matthau are stellar! Some of the best scenes are when the duo is fighting over the silliest little trivial things! The material is fast-paced and witty, appealing to all ages. MILD SPOILER ALERT: There are some mildly sad moments toward the end of the movie that deal indirectly with the affects of aging that gives the film a soft, sincere, tenderness that shows to this reviewer that what the pair really need the most for success, are each other. If anyone loves The Odd Couple, you'll adore this movie. An excellent film! | 1pos
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Another movie that makes the story of The Beach Boys worse than it is. I especially remember the scene when Brian says he's to quit touring and the other Boys calls him traitor. I didn't happen like that, and like the movie indicates in the beginning is that some scenes are over-reacted. A movie about The Beach Boys doesn't have to be that way because a lot of things happened anyway. The sad thing is that this movie gives the wrong picture about the boys to those who ain't so familiar with the group. Hard-core fans like myself knew that this isn't the entire true story and that's why i gave it a low rating 3. However it is the best movie about The Beach Boys I've seen so far, that says quite a bit about the other movies. If you want the truth I recommend the documentary Endless Harmony. | 0neg
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] |
I picked up this movie because it caught my eye as movie with a Jewish comedy focus - something I had not seen before. I approached this film with an open mind, and was interested in the way it began. The opening is well put together, and the first half of the film gave me many reasons to laugh, and this is good. However, the humor soon became repetitive, the plot became confused and strained, and I realized I was no longer enjoying the film. I have tried to avoid saying this, but the movie became rather "cheap" - not a bad thing for a comedy if the humor holds up, but it didn't. I confess that I may have missed some of the humour, not being Jewish myself, and having little experience with Jewish culture. However, considering how heavily telegraphed the bulk of the humour was in this film, it's unlikely I missed much. The idea is a good one, and perhaps if a little more thought was put into it the film would have been watchable all the way through. I wish I could give the movie a higher rating, but strictly speaking it would have been better as a TV series or as a series of skits. There was just not enough worthwhile fresh material for a full-length movie. One thing to say about the casting - the lead role looked as if it had been designed with Ben Stiller in mind, but I don't think the movie would have been any more worthwhile if he had been in it. | 0neg
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] |
I thought this movie was pretty good!OK, so maybe it had a few scenes that could make people think of other horror movies, but i have seen a lot more pathetic movies that got much higher ratings than this! Many movies nowadays are remade to a more modern version and there's nothing wrong with that, it keeps the story alive. i don't think this movie was pathetic at all and i'm not just saying that because i'm a major Chad Michael Murray fan, but because i enjoyed it. i was on the edge of my seat for most of the movie and my friends and i really enjoyed it and we were talking about it the whole way home! I would tell my other friends to watch this movie. i'm not saying it's the best movie that's ever hit the box office but it's a lot better than some people are describing it to be. Everyone has their own opinions so if you really want to know whether it's good or bad, watch it and then decide. | 1pos
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] |
I hated this movie when I was a teenager and I'm so pissed at myself because of that. Looking at this movie now in my 20's I can appreciate what a fun-loving view of life this provides. All the songs are of at least decent quality but three of them in particular are just amazing. This is hands down one of the better musicals out there. The choreography can't be more well done than shown here. It's funny because I liked "Saturday Night Fever" better when I was younger but now I don't care for that movie and the exact opposite happened with this one...go figure. Olivia Newton-John is just gorgeous, why she didn't star in many movies afterward I'll never understand and god what a voice!!! John Travolta was great, and everyone else (especially Stockard Channing) were all fabulous. Oh and if you ever go to a Karaoke night make sure you do the "Grease Megamix" sometime throughout the night as it'll get the crowd pumped guaranteed. Final Synopsis: Movies : I did see this when I was in high school because it was re-released in the late 90's in theaters but stupid macho me back then didn't care for it. This is one you can view easily on the silver screen and enjoy it just as much for a lot cheaper. DVD Purchase : Couldn't resist for only $9. Rental : This could easily be a once a year habit. | -1no label
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] |
I went on a visit to one of my relatives a while back, and we popped by a theatre, so we'd thought we'd go in and give this film a go. What a mistake! This film is awful in every department. I'd never heard of the film before, and literally everyone still hasn't. No wonder, this is as rank as it gets. It's a comedy, so it says, well the only thing funny is the ability, or lack of it, of the director to make such a film. Getting so close to Christmas, this should be titled how to under-cook a turkey in nearly one and a half hours - or however long it was, as I walked out. At the end of the film, you'll come out feeling as though you've been food poisoned on a sick turkey, and regret you wasted your time on such dribble. Who knows why such things get made. Some people had walked out from the theatre before the film was well over, and I blame myself for not walking out a lot earlier. It really annoys me that you pay good money to see something decent, and all that you come out and see is a poor TV movie that should be showed at 2 o'clock in the morning, in fact, it's that bad, day time TV shouldn't be showing it. What else can a say...probably not enough bad words could do it justice. | 0neg
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] |
When will people learn that some movies are made for fun and are not necessarily out to change the world? If you realise this then expect to have heaps of fun while watching "Bill and Ted's bogus journey." This is a movie that is heaps of fun to watch, Keanu and Alex make a great on screen team reprising their characters from "Bill and Ted's excellent adventure" with even more 'style' then they had in 1st movie. It's not rocket science but it's great for a laugh, the characters being extremely like-able and the story-line being so radical you have to laugh. Don't expect 'deep-and-meaningfulls' just expect pure fun! | 1pos
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] |
"Clubbed" is yet another 'will-this-do?' entry into the Brit fisticuffs genre and is sure to keep punters who aren't expecting too much moderately entertained for ninety minutes after a few beers. However, for anyone seeking intelligent, quality entertainment it's really best avoided. There are so many misnomers in the appalling script that even an actor of the calibre of Colin Salmon is left looking daft. The action is set in the 1980s, but it's never clear why, especially when they haven't been able to pull off any convincing feel for that decade - it takes more than a few 80s soul records on the soundtrack, the occasional zoot suit and a handful of 30-year-old cars. Then we see central characters studying texts such as Sun Tzu's "The Art Of War" and speaking about how violence should be a last resort, while the same characters seem only too willing to start doling out punches with all the testosterone-fuelled, unthinking abandon of a bunch of chavs fighting over a bag of chips. Character development does not exist in "Clubbed". Nor does irony, subtlety or pathos. This is a film which trades on fond memories of Guy Richie's early gangster films, which despite their flaws certainly had much more wit, better editing, snappier dialogue and packed more emotional punch than this limp little saga. They're a decade old now, anyway - isn't it time we moved on from trying to emulate them? | 0neg
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] |
Every other commenter has covered almost every aspect of this movie, so I'll focus on the part that cheesed me off the most. When the male lead finds out that the woman he was chasing and the woman that was helping him had been stringing him along for *MONTHS* to see if he was worthy. They humiliate him, get him arrested, label him as a pervert in his neighborhood and almost kill him with a flower pot among other injuries. When they are finally forced to revel their treachery and the one he has been pining for declares him worthy of her love, he says "Okie Dokie" and forgets about getting his penis crammed into a Chinese finger trap then pushed out front of an audience. Yeah, right. A real person would have given up on both of those women since they are obviously defective. | -1no label
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] |
Terrible English language title but what do you do if you have the delectable Edwige Fenech featuring in a fairly ordinary gangster movie, in which she strips several times - to great effect? The film actually begins well and it is a surprise just how violent is her mobster lover towards her. Beginning with real passion and some swirling and effective film-making it is rather a shame that the last section has to rely upon the dubious interest of her and her child and her doctor lover. Nevertheless the shootings at the very end are impressive and surprising and there can be little mistake that this is 70's film drama Italian style with all the mixed emotions that was bound to stir up. | -1no label
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] |
There are times when finishing a film one wishes to have a refund for the time just spent. This was one of those times. I almost gave up with only 15 minutes left to endure... and I wish I had... The pace that a man goes from a straight-laced, controlled life to one of complete spinelessness and irresponsibility could never be this rapid. From a graduation celebration to the predictable ending Tristan Price (Jesse Metcalfe) man of privilege and culture allows himself to be seduced by a woman, by violence, and by mind altering substances. Of course, the woman part is understandable when observing the talents of the beautiful April (Nathalie Kelley). But the in for a penny in for a pound aspect of the drugs, violence and dedication to a person he has just met is impossible to understand. Frankly, besides being able to stare at Nathalie Kelley and Monica Keena, this film has no redeeming qualities. Save your money, save your time... do anything else... | 0neg
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] |
Islam Empire of Faith is about the political side of the religion of Islam. Great leaders of every nation and period practiced some form of religion, but many of these pseudo documentaries tend to bring the religion to the forefront rather than the politics of the era. Case in point, Americans wouldn't call Franklin Delano Roosevelt a great Christian leader. FDR is simply a great leader that practiced Christianity. I was hoping to learn more about the religion itself. In the end, Jews, Christians, and Muslims all believe in the same God, but kill each other in the name of that same God. I don't think that this is really what God had intended so it must be the people who pervert the religion; it is more a sin to conquer in the name of God than it is righteous. Most religions would have you believe that their spread is bloodless, but this is rarely the case. Changing people's beliefs is the hardest thing to accomplish without exercising some kind of force. It is always good to get every side of historical events, so this definitely has some value. | -1no label
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] |
About the baby: Why wasn't big brother assuming he'd be hungry for a bottle or some nourishment or a diaper change? He should have been screaming non-stop after that many hours without care. Definitely stupid to take the baby from a safe place when he didn't need to. And why was the road miraculously clear whenever anyone wanted to drive somewhere? Didn't any uprooted trees fall on the roads and block them? I can't imagine the cops at the roadblock not immediately following after any young person who would crash it, especially when they said it was dangerous to go there. That being said, it was nice to have a movie children could safely watch, for a change. | 0neg
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] |
Second in the Tom Conway Falcon series. Without much merit, but passable watching if you have not much else to do. It just does not seem like the actors had their hearts in this project. Tom Conway delivers his lines and not much else. Amelita Ward as the Falcon's female sidekick from Texas is simply too annoying and thankfully is shipped off to her former fiancé Buck Thompson at the end of the movie never to be seen again in the series. Two damsels in distress keep the Falcon off balance but their rivalry is just not credible. One of them, Jean Brooks, makes appearances in multiple Falcon movies but never again as part of a "crack the whip" at a roller rink. Clarence Kolb does a good job as the missing wealthy industrialist. Interestingly, in this entry, the policemen do not stand out and are more part of the woodwork then important characters. The plot is reasonably fair but viewers today will have to make allowances for the unexplained events such as blackouts, German-accented heavies, and gambling dens being converted to dining rooms which may not be quickly understood by a modern audience. Some of more important the scenes pass too fast to hear the words being said and understand their significance to the storyline. There is a critical clue that should allow the viewer to identify the true culprit before the end of the movie. As usual, the Falcon attracts your pretty women. | -1no label
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] |
I first saw this when they showed this around easter time 1993/4 and didn't think much of it then, I bought this on DVD last summer when I started getting into Michael Jackson (I liked his music before) and enjoyed it more now I am older. It is a good film but it won't be this classic film like The Sound Of Music, West Side Story, The Wizard Of Oz etc. Michael Jackson as an actor was good and so were the other cast members. There were a disturbing scenes like the little girl Katie getting slapped by the gangster Frankie Lideo who was played by Joe Pesci. The scene that frightened me when I was younger was when Michael turns into a robot. My favourite song on the film was Smooth Criminal I think it was better than Thriller in my opinion. | 1pos
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I have read all the "Jump On The Band Wagon** It's a lousy episode reviews here and what I have read makes the posters sound like idiots. This is not the best Trek Episodes but the reviewers here are citing "Charlie X", "Wink Of An Eye", "Spectre Of The Gun" and "Spock's Brain" as bad episodes. I think you guys are idiots!! I will cite a few problems with this episode. #1: In one scene Lazarus #1 or #2 you don't know which has a goatee that goes from thick to thin #2: The dilithium crystal assemblies fit into Lazarus's ship like they were designed for it #3: He falls off cliffs even though he is disoriented and off balance. The episode could have used more detail and the whole universe being annihilated thing is basically "The same matter can't occupy the same space at the same time" The fact that they were in the same universe at the same time has no bearing!! | -1no label
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] |
I really liked Get Shorty, but this movie was completely disappointing as a sequel. First of all, Travolta does not in any way resemble the Chili Palmer from Get Shorty. He merely half-assed this performance as he has done in all of his more recent movies. He totally isn't smooth or have the mobster presence about him that makes you kinda root for him throughout the movie. It just seems like Travolta rolled out of bed and decided he was good to go for acting in this movie. The plot just wasn't exciting or clever, there really aren't any highlights that happen, the only thing that resembled entertainment was watching Christina Millian perform and The Rock was funny. But anyways, long story short, this movie was trash and I had to force myself just to get through it. | 0neg
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] |
I found this movie boring, monotonous and quite uninteresting with a hurried, shallow "upbeat" ending that didn't ring true to the overall story. Following these characters through a weekend of awful events, unfriendly attitudes and bad news just isn't my idea of a watchable, interesting movie and I got very tired of its "one note" theme and couldn't wait for it to end--in fact I almost stopped about halfway through. The whole movie just seemed pointless and wandering, and the characters were for the most part depressing and unpleasant, though the acting was good. A small movie with small ambitions and small appeal--sorry, but it just didn't make it with me, and I love good, small films! This one just didn't jell, though I kept watching it hoping and trusting that it would. I was disappointed, especially after two local reviewers put it on their "Year's 10 Best" list. I'd strongly recommend watching "The House of Sand" instead--now there's a good, small film! | 0neg
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] |
David Yallop's "Let him have it" was riddled with inaccuracies and half - truths,consequently I approached "Chicago Joe" with some trepidation only to find that here he has got most of the facts right only for the entire movie to fall victim to the 1990's fad for faux 1940's retro,failing to grasp the most elementary fact that people during the second world war neither looked,spoke nor behaved anything like they would half a century in the future.Mr K.Sutherland is,brutally,nothing like a G.I deserter,rather he is a time - traveller visiting the past and trying to fit in to avoid discovery.Miss E.Lloyd, given the crutch of an accent to assume,does rather better as his moll/muse. In truth there was a good - sized community of American deserters centred around London and they would quickly have given "Chicago Joe" up to the Old Bill in order to divert interest away from themselves. Many of them were engaged in the second oldest profession with the sideline of rolling drunks and the less- hazardous "badger game" and the presence of an obvious psycho in their midst would have been bad for business. As "Joe"'s sad,pathetic sidekick,Miss Lloyd fulfills the promise shown in "Wish you were here",hiding vulnerability under a thin veneer of cynicism.Although perhaps not quite star - crossed lovers,they were certainly an ill - met couple,each egging the other on to further depravities until they take the final,irrevocable,step. As film makers grind their way through "Notable British Trials" they might care to study one or two of the well - known cases where subsequent investigation has given cause for concern rather than ones where the defendants richly deserved their fate.Take Dr Crippen for instance,there is absolutely no evidence that the remains found in his fireplace were those of his wife.....now that,surely,would be the starting point of an interesting movie... | -1no label
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] |
Steven Spielberg is a genius. So many great films he has directed. The Man who created "Jaws" "Saving Private Ryan" and "Schindlers List" is back for more. In one of his best pictures yet. It's 2054. A new method of crime prevention "pre-crime" allows the police to look into the future and see the horrific results of murder and rape as they unfold. After a quick introduction to this process, were straight into the big and bold; main man John Anderton (Tom Cruise) is accused of a future murder- to a man he's never heard of. So he's on the run, from a harsh detective (superbly played by Colin Farrell) as he uncovers some horrible truths and has to go back to the unwelcoming past. Minority report is very good, but also very disturbing- the fact that this film was a PG-13 or a "12" in England is shocking. Parents, a note: if your child is under 12 at least I would strongly recommend you watch this film first. It's dark, compelling, and disturbing- particularly in a scene where he has to exchange his eyes for protection... This is a fantastic film however that should be viewed and loved by everyone bold enough to come in its path. Never fail to believe: Spielberg has come up with yet another masterpiece. Overall: ****/ out of ***** (4 and a half out of 5) | -1no label
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] |
Eager electronics whiz Brian Foster (a likable performance by Wesley Eure of TV's "Land of the Lost") creates a computerized watchdog called C.H.O.M.P.S. (an acronym for Canine Home Protection System) for his boss Mr. Ralph Norton (nicely played by Conrad Baain), whose home security business is floundering. A rival company hires a pair of inept criminals to get their grubby hands on C.H.O.M.P.S.; said task proves to be easier said than done. Director Don Chaffey relates the endearingly dopey story at a constant brisk pace, maintains an amiably silly and lighthearted tone throughout, and stages the goofy slapstick gags with considerable flair. Moreover, the game cast mug it up with infectious aplomb: the adorable Valerie Bertinelli as Brian's sweet fiancé Casey Norton, Chuck McCann as klutzy crook Brooks, Red Buttons as McCann's equally bumbling partner Bracken, Jim Backus as evil CEO Mr. Gibbs, Hermoine Baddeley as nice old biddy Ms. Foster, and 60's AIP exploitation feature regular Larry Bishop as smarmy, duplicitous suit Ken Sharp. Best of all, the titular pooch is a cuddly delight: C.H.O.M.P.S. jumps through fences, walls and windows with amazing agility, performs acts of exceptional strength, runs faster than a deer, and even does a few nifty martial arts moves. A subplot about a hulking neighborhood hound named Monster supplies a few extra belly laughs (Monster is voiced by some uncredited guy with an appropriately deep, growly voice). The groovy animated opening credits sequence, Charles F. Wheeler's glossy cinematography, and Hoyt Curtin's funky, pulsating disco score are all solid as well. A cute little kiddie flick. | 1pos
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] |
As much as I love trains, I couldn't stomach this movie. The premise that one could steal a locomotive and "drive" from Arkansas to Chicago without hitting another train along the way has to be right up there on the Impossible Plot lines hit board. Imagine two disgruntled NASA employees stealing the "crawler" that totes the shuttles to and fro and driving it to New York and you get the idea. Having said all that, it's a nice try. Wilford Brimely is at his Quaker Oats best, and Levon Helm turns a good performance as his dimwitted but well-meaning sidekick. Bob Balaban is suitably wormy as the Corporate Guy, and the "little guy takes on Goliath" story gets another airing. | 0neg
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] |
Having watched this film years ago, it never faded from my memory. I always thought this was the finest performance by Michelle Pfeiffer that I've seen. But, I am astounded by the number of negative reviews that this film has received. After seeing it once more today, I still think it is powerful, moving and couldn't care less if it is "based loosely on King Lear". I now realize that this is the greatest performance by Jessica Lange that I've ever seen - and she has had accolades for much shallower efforts. A Thousand Acres is complex, human, vibrant and immensely moving, but surely doesn't present either of the primary female leads with any touch of glamour or "sexiness". I don't think this is well received in these times. Perhaps one reason for this film's underwhelming response lies in the fact that the writer (Jane Smiley(, screenplay (Laura Jones), and director (Jocelhyn Moorehouse) are all women. I know that, in my younger days, I wouldn't have read a book written by a woman. I didn't focus on this fact until years later. If you haven't seen this movie or gave it a chance in the past, try watching it anew. Maybe you are ready for it. | 1pos
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Absolutely awful. Don't say its for kids. A 9 and 6 year old had me turn it off when I got sick of it, and very lightly suggested we watch Toy Story or Monsters Inc. instead! Usually they say "NOOOOO!", but in this case, in unison, they said "Yeah!!!!". I will admit it was a good 10 - 15 minutes after the public transportation scene, which they did like, but yuck!!!! What a trite useless bit of un-entertaining fluff. I like ENTERTAINING fluff, but PC take no chances we don't want to offend anyone and use jokes and clichés that were old when Atok made his first comic cave drawing is a colossal waste. Everyone in the "normal" world of this movie smiling and low key but no true warm feelings or bonds are anywhere to be found. For example: Why was the father running around town disrupting everyone's life who were strangers just because he was having a baby? I live in a big city, but if I was having a baby, I KNOW all the vendors and store keepers on my path to work and would bask in their EARNED friendships, their daily lives that interact with mine- the countless relationships that everyone (who is human anyway) has in their daily life. While a stranger looking incrediuosly at the antics of another can be funny, as a rule, people shouldn't be used as mere props to somehow squeeze humor from a situation- unless you are a rich actor or movie executive who has no clue what life and real relationships are _really_ all about. Tell me, where in the film does it get fun? Or funny? With babysitting over, maybe I'll try to watch it again. Maybe I was in a bad "mood", but really, please, SOMEONE go to where they make this stuff and shake them up! Sorry, I'm ranting. But still.... | -1no label
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] |
SPOILERS Edgar Rice Burroughs's famous character was adapted thousand of times for the screen til one's thirst is quenched, notably during the thirties and the forties by Hollywood. Its productors made Tarzan one of the most successful cinema characters. Several years later, Hugh Hudson decided to make a more ambitious version of the monkey-man and it's a more natural, more wild and more down-to-earth Tarzan that he gives away here. Hudson skilfully avoids the clichés that you usually grant to Tarzan such as his famous scream or his friendly pet, Cheetah. Not only, are we far from the designed and invented character made by Hollwood but we are also far from the film set used to make his stories. The movie was partly made in Africa (more precisely in Cameroon). The movie introduces two obvious parts: the first one which takes place in the jungle where Tarzan lives among his adoptive friends, the apes and considers himself as their lord. But he ignores his real origins. The second one in England where Tarzan discovers the English society. Ian Holm epitomizes the link between the two parts and Hudson avoids all that could make the movie falls into the ridiculous thanks to a clever screenplay. Indeed, Holm teaches Lambert basic rules of manners so as to behave correctly in the English society and the result works. Moreover, in the second part, no-one ever laughs at Tarzan and he's even really appreciated. As far as the end is concerned well it's a both bitter and happy end. Happy because Tarzan comes back to the jungle and meets again his adoptive close relatives. But bitter too, because this homecoming means that the Greystoke line won't be ensured and is condemned to disappear... Christophe Lambert finds here, his first (and last?) great role. Sadly, he'll never equal the achievement of his performance in this movie and he'll play in poor and insipide action movies. Nevertheless, as I said previously, a clever screenplay, a performance of a rare quality, some impressive natural sceneries (both the jungle and the English country and we get a gorgeous movie. It's also an excellent rereading from a popular novel. So why is it only rated barely (6/10)? | 1pos
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] |
Words like "vile" and "reprehensible" don't even begin to express my contempt for this movie. Russ Meyer is just a filmmaker with a quirky sense of humor and a fetish for big breasts, right? Well he's also got a mean misogynistic or maybe just plain misanthropic streak in him from what I can tell. Despite all the busty women this film is not the least bit sexy. It is, however, definitely obscene. In interviews Meyer has put down hardcore pornography but I've seen scores of porn flicks and not a ONE of them has anything in them as disgusting (and disturbing) as the brutal stomping and electrocution a young woman receives in this movie. Anyone who argues this is fantasy violence has some pretty sick fantasies. This was made during an "anything goes" era, the 1970's, but I have to wonder what the participants really thought of this twisted vision. It should be avoided at all costs by anyone with a sense of humanity. | -1no label
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] |
After watching the rather sloppy WW1 spy thriller, Madam Lili (1969)starring Julie Andrews on tv this afternoon, I suddenly thought I had seen a far superior WW1 spy thriller. All I could remember was that it was produced by Dino De Laurentis. It only took a short search on IMDB to find Fraulein Doktor. Once I recognised the title the memories came flooding back. It is, for its time, a reasonably well crafted story revolving around true events such as the death of Kitchener and the German offensives of 1918.It also has a female spy who is much more believable than Julie Andrews! As with other reviewers the first and strongest memory was of the well produced battle scenes and of men and horses in gas masks. If you have an interest in war films and particularly WW1 it is a film well worth seeing if you have the opportunity. | 1pos
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] |
Midnight Cowboy is not for everybody. It's raw, painful, and realistic but very entertaining. The lead actors Jon Voight and Dustin Hoffman who would go on to become Oscar winning actors deliver amazing performances. Voight as the Texas hustler, Joe Buck, who migrates from small town Texas to New York City to become a hustler. He does not apologize for his chosen profession but it is not that easy. The New York City women like the rich lady played by Georgeann Johnson and Cass played by Oscar nominated Sylvia Miles are different than Texas women. Sadly, Buck is trying to escape from his past life in Texas. He was raised by his grandmother, Sally Buck, played by the wonderful actress Ruth White who died in 1969 from cancer. The locations in New York City are wonderful to watch as is the relationship between Fatso played by Hoffman and Buck's characters evolve into a moving male to male friendship. The men are struggling to survive the New York City life by not playing by the rules like getting a real job. As the film evolves, Buck's past comes to the surface and it's haunting but not clear. The film is not for children but compared to today's films and television programming, Midnight Cowboy might be more tame. I can't forget a young Brenda Vaccaro and a party that you can't forget. It's also a tearjerker of a film, so get your hankies out too. | 1pos
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] |
An off beat but very delightful performance by John Travolta sets off this very funny comedy. His interpretation of the archangel is as a scuffy, womanizing, overweight, ladies man. And, he certainly has a mesmerizing effect on the women he encounters on his trip to Chicago. John Hurt is very low keyed in his role as chief reporter for Chicago Tabloid owner, Bob Hoskins. Angie MacDowell plays role much as she did her role in "Four Weddings and a Funeral." Maureen Stapleton is neat in a cameo. Her comment, "Michael doesn't suffer fools," is just one of many memorable moments. Bob Hoskins is the only one of the lead performers who fails to connect, a little to off the wall. Mainly you're there to see Michael take on a bull, mesmerize the waitresses and lady dancers at a western style restaurant, and fully demonstrate that he is complete free soul. It is a memorable comedy that is worth more than one viewing. | 1pos
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] |
This is by far the worst movie I have ever seen. What were they thinking. Stop preaching to me already! This is why all of us watch Walker Texas Ranger and wont admit it to our friends. Terrible acting and a extremely phony plot. While the movie is unfolding the story stops and the actors start preaching to the audience. The director somehow believed the two meshed well. It looked like crap! When I saw the title at my local blockbusters it looked interesting. Their should have been a warning on it saying it was religious instead of the false advertisement of an action / adventure. First time in a long time I stopped a movie and couldn't tolerate finishing it. | 0neg
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] |
I decided to watch this film because I love Cary Grant and eventually I want to see every film he made. Unfortunately, this one isn't even nearly one of his best. Far too much of the humor relies on the audience buying into those wonderful 1950's female stereotypes. I mean, we have female army officers, nurses, acting like silly little girls. It's quite revolting. In other words, far from being a classic, the film feels like an unintelligent, unenlightened piece of pop trash. Compare this to another Cary Grant film that came out the same year, North by Northwest; or Tony Curtis's Some Like it Hot which also came out in 1959. On an intellectual and artistic level, Operation Petticoat doesn't begin to come close. | -1no label
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] |
We sat through this movie thinking why is this or that scene in the movie, what does this have to do with the plot? We hoped that by the end everything would be slightly more clear. It was not to be. I think the director in a fit of pique threw the script up in the air and then some minor (and vengeful) underling reassembled it randomly with no regard to the scene being filmed (possibly with scissors and glue-stick). The film's motifs include: Communism bad? Nihilism bad? Poor parenting bad? Threesomes bad? TV bad? Coherent scripting bad? Deconstructionism good? It's really not clear. Finally, no German water taxi would EVER have an unchained staircase that would let passengers fall in to the water. The abundant quantity of "achtung" signs everywhere is testament to this fact. | 0neg
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] |
Like many religious movies and TV shorts that the industry makes, the industry seems to be confused in regards to God and His Will. Such was the case with "The Soul Collector". I was enjoying watching the movie till it was implied that the soul collector or angel had sex relations outside of marriage. I don't know of any religion that condones sex outside of marriage, but they would probably say that it was that sin that greatly contributes to the population in hell. This movie was sacrilegious and greatly disrespectful to the Angels of God, by implying that any messengers of God would perform any act that is strictly against God's law. I am surprised that the movie was recently shown on "Lifetime (Original)" on Cox cable,if I am correct? If the movie or TV industry cannot make a religious movie without showing the messengers of God having teenage puberty sex outside of marriage, then they should not make any religious movie, because they do not know how to make a religious movie. Sincerely, Craig. | -1no label
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] |
Far from trying to be smarter than it is, this beautiful little film actually achieves to be more honest and lyrical than most of the films on the market. It is a nostalgic, outstanding opera prima of its authors; an honest and caring photograph of a certain neighbourhood and its people. Although not neutral nor indifferent, it accomplishes to be non judgmental, and tells a story of people in different stages of life; the hidden secrets we all carry within and the solitude that accompanies us all. I highly recommend this film that is funny but never lightheaded, melancholic but never pretentious, humble but never loses its love for its characters with their imperfections and secrets. Like life itself. A joyful example of new European film making with heart and soul. 10 out of 10. | -1no label
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] |
I have been viewing the great detective on film as a progression, through the years, since the early part of the 20th century. I'm sure it was fascinating for readers of the stories to watch our hero develop, and there have since been countless literary expositions on Holmes and anything accompanying him. It has likewise been a lot of fun watching different portrayals on the screen. I have enjoyed the Eille Norwood productions immensely, and of course can strongly recommend Messieurs Rathbone and Brett in the role. Other commendable cinematic or televised Sherlocks include Charlton Heston, Peter Cushing, Christopher Plummer, Nicol Williamson--a lot of good men have played Sherlock Holmes. But this one is the very worst one I've seen, except for a short burlesque by Douglas Fairbanks Sr. Mr. Barrymore shows zero intellectual processing--that's right, none. He is in a daze. Can you can imagine Sherlock Holmes in a daze? I understand he was intoxicated for most of the production, and it shows. If he was a great actor, he was a pitiful interpretor. I would doubt he ever read a Holmes story. The film has some good features, as delineated by Mr. Morris in the review above this one. It is of some historical interest. It might even be a fairly good movie of its day. But, when laid beside The Hound of the Baskervilles starring Jeremy Brett, you have a turkey. | -1no label
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] |
I really enjoyed this movie about the relationships that sometimes developed between American servicemen and Japanese women in post-war Japan--as well as the obstacles that prejudices created for them. Brando goes from having contempt for the Japanese (which is natural considering WW2) to falling in love with a Japanese woman and wanting to marry her. His performance is okay (I am not a major fan of his acting style) and the movie is marvelous throughout. Red Buttons received an Oscar for his touching performance of another GI who falls in love in Japan (though the Japanese women who plays opposite him also did a remarkable job). I don't want to spoil it but the movie is a good one to watch with a box of tissues. This movie manages to say SOMETHING and be entertaining at the same time. A mostly underrated gem. | 1pos
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This movies was very compelling. It's one that sticks. The screenplay, camera-work & casting are all fantastic. I'm already looking forward to future work of Frank Cappello. This movie is up there with Memento, seriously. Be sure to check out some of the explanations of this movie on IMDb. It has more layers than you would think. Very, very clever movie and not easy to film because it's situated in the realm of psychology. Christian Slater certainly wasn't one of my favorite actors but he's truly brilliant in this one. I wish he was always this picky of his roles or that there were more scenario's like this one. | -1no label
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] |
It took me a long while to rent out this film due to the fact that I suspected it to be a "in it for the money" release. Basically, the film studios knew they had a good license here and wanted to milk it for all its worth, regardless of quality. A good example of this kind of capitalistic thinking would be the Highlander or Robocop movies. But, when after reading the credits in back of the case I realized it had been written by the same author of the first film (Ringu). This was enough justification for me to shell out my hard earned £3.75 and take a risk on it. I had expected (in true Ring formula) , dark claustrophobic sets, classy underplayed acting, a slow forbidding plot line, intermingled with sudden jarring frights to keep you on your toes, that eventually build up to terrifying climatic end. What I didn't expect to watch was a tragic love story of the person we had all feared in the first two film encounters (sadako). Don't get me wrong, this is still a creepy film and throughout there is always a sense of dread and fatality especially with the romantic plot line. While watching I had a fear that it was just going to be a Japanese "Carrie" clone. But although there are similarities this is still very much a unique film. As a prequel should , it answers questions and fills in gaps that lead the audience perfectly into Ringu with a greater understanding of the characters and events that are to take place (George Lucas should take notes). All in all a very well directed film with a talented cast and a great story. | -1no label
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] |
"step aside for hollywood veterans?" (the wayan brothers were 'asked') thats what hollyweird demanded and thats what it got. However, like so many of its recent decisions this one was a stupendous mistake. The director is SO out of touch with todays audience, attempting to bring back physical pratfalls and gags in place of funny dialogue is just a DISASTER. I knew it, the audience knew it and the CAST knew it. What a shame, why did they EVER consider changing directors? Not only that but the two Wayan brothers played as two of four primary characters, without them its just a farce and a sad one. SP | 0neg
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] |
The Princess of Thieves is a family movie and as such we enjoyed it for its lack of blood, less than fearsome fight sequences, and general lightness. As the director says on the DVD, 'this is melodrama.' Since Robin Hood is a legendary character, it seems appropriate that any film about him not take itself too seriously. Anyone over the age of twelve will deem this film banal and simplistic, but for young movie viewers, this film is perfect fit to their sensibilities. We saw many parallels with 'The Princess Bride', another charming melodrama with more comedy. Watch this film with three unjaded, young girls and see how charming this film can be. The plot is not too complicated. The production values are good enough. Plenty of action while the story never drags. Granted, 'The Princess of Thieves' is not as memorable as 'The Princess Bride', but the intended audiences are different. We could use more good, light family movies like The Princess of Thieves. | -1no label
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] |
Not only was he invariably annoying to listen to, but he had NO jokes. I swear, some fobby Asian guy telling yo momma jokes would've been funnier than Leary's crap. (Well, maybe funny for a couple minutes but at least I'll be able to laugh at least once!) Leary claimed he stopped taking drugs during one of his "jokes"... apparently he was still high on something; he was just some crackhead imprecating rants mostly drug related. One of his jokes was something like, 'I wouldn't use crack, especially having the same name as between my ass' - Oh man, how did he come up with that one?! I swear the only guy that needs to shut the f**k up is Denis Leary. Thank god I didn't have to see him live. This guy totally sucks. If you're easily amused by swearing, and "jokes" where you can come up with yourself, then waste your time with this junk. | 0neg
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] |
Bill and Connie Filler (Jack Benny and Ann Sheridan) have to movie out of their NYC apartment. Connie wants to move to the country--Bill doesn't. Connie buys a dilapidated house in the country and convinces Bill to move in and fix it up. Naturally everything goes wrong. VERY similar to the later "Mr. Blandings Builds His Dream House" with one exception--this is funnier! I found "Blandings" more depressing than funny but I found this very funny and quick-moving. Benny tosses out one liners with ease left and right and most of them are hysterical. There are a few bad lines but Benny's dead pan expression while saying them actually make them amusing. Sheridan is beautiful as his wife. She seems uncomfortable doing comedy (she's mostly the straight person for Benny's jokes) but she's not bad. Also this is historically important as one of the first movies to deal with people moving from the city to the suburbs. However it does have its bad points--Hattie McDaniel plays a stereotypical cook, a VERY annoying little kid is thrown in towards the end and the anti-war speech was a bit much. Still, this is fast, funny and worth seeing just for Benny alone. I give it an 8. | -1no label
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I might be exceptionally stupid, but I didn't understand this movie at all! The plot had something to do with serial killers, cloning and genetic engineering, but the main thing might have been something else. I don't know, since I couldn't follow for longer than the first couple of minutes. The characters weren't properly introduced and there were too many of them (plus their clothes and hairs looked ridiculous). Most of the characters seemed out of place. They were quirky, but no reason was given for their quirkiness. Sooner or later they died, so one didn't have to wonder about them anymore. The main characters were the dullest characters in the movie, which was very annoying. They too were apparently genetically modified, but that seemed to be a completely irrelevant subplot (though I probably missed something important concerning that...) My advice, don't watch the movie! | -1no label
| [
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Well, now that all of the director/ productions company's friends and relations have posted their shill reviews after seeing this at various festivals, I guess it's time to show reviews written by people who actually paid 10 bucks to see it. Like the director's "Dear Jesse" (the only other one of his films I have seen), "Loggerheads" suffers from a lack of focus and too many ideas crammed into an indie budget. I swear, this guy might have better luck doing miniseries. I kept waiting for the various plot threads to come together, but they only intercepted at points blatantly forshadowed in a way obvious to all but the most dense viewer. It was like watching a season of Lifetime made-for-TV movies crammed into one, long (did I say LOOONG) sketch on the old "Carol Burnett" show. Maybe an enterprising male suitor could take his girlfriend to see this and then exclaim "Hey...remember all of the chick flicks we went to last year...the one about the adoptive mother...the one about the gay guy...the one about the Christian housewife. We went to THREE Chick Flicks last year; so now we have to go see Terminator 4!" I guess one has to do anything to cast a familiar actor to get funding, but what oh what is Bonnie Hunt doing in this flick? She isn't exactly known as a dramatic actress, and this attempted "performance" won't be sending Mr. Oscar to her door. I mean (speaking of Lifetime Original Movies), wasn't Valerie Bertinelli or Farah Fawcett available? Ms. Hunt has always come off to me as cold, maybe she should have played the other mom? I wish I would have chosen "Capote" to fill my weekly Gay-themed Indie Allowance..oh well, maybe next week. I think there is a good reason why Capote is playing at tons of theatres all over the NYC area and this one is playing at only one; let the distributors faith in this flick assure to to run in the opposite direction if you don't trust this review! | 0neg
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] |
I read the book and the book was fascinating. This movie, it's direction, the screenplay, and the acting were totally insufferable. I cringed at the lack of a screenplay that could not follow the novel, a novel that has all the action, simplicity, and courage to illustrate a temerity of a great possibly fact based story. I can see why this movie was not released to the general public in most cities. Would not ever recommend this film to anyone I know. Simply, one of he worst adaptations I have seen transformed into a plot less exploration of heaven on earth. The cinematography was indeed the only highlight. But, how could that fail when filmed in an beautiful country such as Peru. To prospective viewers, do not waste your time or energy on this flop. | 0neg
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