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At the time of writing this review it would seem that over 50% of IMDb voters had given this film a rating of either a 10 or a 1. I can only surmise then that those giving it a 10 were either cast or crew members. They say that given enough monkeys and enough time and enough typewriters, those monkeys, just by random proddings at the keyboard, would eventually type out the complete works of Shakespeare. However, I seriously doubt that given the same number of monkeys and time, you could find a single one to give this movie a rating of 10. I patiently watched the first half, foolishly assuming that the film would, on some level, develop either the plot or the characters, or maybe make some kind of social comment or provoke barely intellectual thought. Failing that, I was quite prepared to accept action, suspense, comedy, horror or even gratuitous sex as a way of holding my attention. Ultimately, I was disappointed and consequently, much of the second half was viewed at double speed as I searched in vain for some small snippet of cinematic redemption. Sadly, there was none. If "The Choke", was put up against an episode of Scooby Doo then I'm afraid the cartoon would win hands down in terms of mystery, intrigue and unpredictability. And speaking of cartoon characters, the acting abilities of the various cast members varied between acceptable (at best) and embarrassingly poor with Brooke Bailey's portrayal of the freaky, death obsessed pseudo goth, London, being so bad I almost felt sorry for her. I would have liked to have finished on a positive note but even the soundtrack, a second rate feast of contemporary punk rock, failed even to entertain, let alone serve to enhance a very poor flick. | 0neg
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] |
In my opinion the movie overall was just kind of embarrassingly bad. While it had some educational value that was about the only value it had. Other sci-fi movies can't even compare for example Gattaca. It's not that the movie wasn't entertaining when it was supposed to be serious, it was just trying to be too serious of a movie with a very low budget, it seemed. The quality of acting was awful for several reasons. One it was just the actors were way to into it being really serious and stuff so it made just really easy to laugh at it. Secondly these actors obviously haven't had much experience, it just shows. The flow of the movie was alright. It made sense but it could have gone a little faster. There were some moments when it just got too long because it was supposed to be "intense" but instead it was just aggravating. The science of the movie seemed alright to me but the plausibility of something like that happening on a massive scale just doesn't seem real. It definitely could happen, like the anthrax through the mail event but it seems very unlikely to me. The ending was way too cliché. You knew that president of course was going to live and that everyone else lived happily ever after. It was just too perfect. | -1no label
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] |
This was my introduction to the ever lovely, the captivating and totally enchanting Ms. Mundae. Seduction Cinema has quite a few of these erotic parodies, and most, fortunately for them, star the incredibly irresistible Misty Mundae. Production values are of the B-movie variety, (do people still really say B-movie anymore?), but once you get past that, it is very entertaining and erotic in a very down to earth kind of way. The best thing about any of these films is Misty, as she is able to carry off this witty, charming on-screen persona that just blows you away, time after time. She delivers most of the lines with tongue planted firmly in cheek, and metaphorically winks at the audience with every cheesy line and action she goes through....Misty Mundae is able to pull off something very few other actors could, and her commanding presence and on-screen charisma suck you in, and intrigue you in ways that endear you to her character and her portrayal, and simultaneously enable you to overlook the overall quality of the material, and whatever other shortcomings the film may have. Misty delivers a few one-liners that will make you ROFL if you are able to experience this film is the right spirit, and she along with this film, will inspire you to catch her other Seduction Cinema films, that I'm confident will surely delight on the basis of Misty's appeal alone. I enjoyed this film as well as Play-mate of the Apes, and her others strictly because of her beguiling, overwhelming and underrated talent as an actress. In the end, Lord of the G-Strings succeeds in part because it doesn't take itself too seriously, but mostly because it has the appeal of the "real deal", a true diamond in the rough, with the multi-talented, naturally beautiful and irresistible charming; Misty Mundae! | -1no label
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] |
Picked up this movie because the trailer's looked good and was not disappointed. Maybe just a little long, but the movie flows well - the lead character is likable and you care what happens to him and Hidalgo. Strange that they don't flesh out the other racers before the start though. We were interested in the story and did a little research - the basic facts appear true (he did indeed take part in this race) although there is a liberal amount of poetic license, of course. Thought Omar Shariff played a very good part and the rest of the cast gave good support. All in all, a good movie to curl up and enjoy with your chosen loved one ! | -1no label
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] |
Following an unnamed disaster, a mother and her two kids joins a group of people hoping for a train to come by at a station. That's the extent of the plot in this film. I was bored out of my skull. I've seen some indulgent "art" films, but this is one of the best examples I've seen. Five minute shot of family chewing on cookies, five minute single take of the family walking along the road and five minute shot of a burning building...on and on. One can make a point about seeing beauty in everyday "things"...yes, but after an hour and forty minutes of it, all I saw was gray. Performances were good, but everything was so stripped down and bare that I just couldn't connect with any of the characters. Ending was sort of an interesting one, but it is basically a slight escalation in the continuously desolate situation the characters are faced with. Nothing is resolved, and the desolation and despair will continue on. It has some interesting views on society and human nature, but again, so few and far between that whatever message this film tries to make falls to pieces. | -1no label
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] |
I know that in this episode there's other stuff apart from what I am going to discuss, and in fact I think it has some virtues; for example, the fact, after we had been given a very negative opinion of Jin from seeing Sun's flashbacks in "House of the Rising Sun", we get to see Jin's side of things and get a new, more balanced understanding of his life. But there is an element in this story that made me so deeply uncomfortable that it greatly dampened my enjoyment of the whole episode. Before now, in the scene where Jin appeared with blood on his hands and shirt, it had been hinted that Sun's father was someone who was getting rich through shady, illegal methods. I thought maybe he was a mob boss, even; mobs operate in Korea, just like in almost every other country in the world, so it was a reasonable possibility. However, in this episode we learn that Sun's father is in fact the boss (or a top executive) of a Korean automotive company, and that what Jin had been doing was physically attacking a government official (who was actually going to be murdered) on his behalf. I may be especially touchy about this because I happen to work in the automotive industry, but I would say it is SPECTACULARLY offensive and racist to even suggest that this kind of thing goes on in Korea; that huge, serious companies like Hyundai or Kia (which must be the model for this fictitious car company, as they are the only ones that actually exist in reality) operate with these mafia-like methods, instead of like any normal automotive company of the West. it is just unbelievable to me that the writers would have the gall to write something like that into the story, and that there hasn't been an uproar in Korea over it. It feels like extraneous "Buy American!" propaganda, portraying foreign car companies as criminal, untrustworthy, third-world outfits. | 0neg
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] |
The deceptive cover, title and very small hidden print of Power of Prayer tricked me into renting this movie. It started out really well and pulled me in. I REALLY liked it. Between 1/3 and 3/4's of it, the film started throwing in things that were not set up and made no sense. My first thought was, "This is not written by someone who knows how to tell a story." I ended up re-watching parts of the movie, thinking I had missed something. By the time I reached the last 1/5 of the movie, it was all BORING, ANNOYING, RELIGION THUMPING DIALOG that made no sense, said nothing, and was annoying to listen to; I turned off the sound and did a fast forward to the end. Don't waste your time with this flick. Beware of DVDs labeled Whitlow Films and Level Path Productions. And I'm a practicing Catholic. | 0neg
| [
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] |
In my top ten movies list. Brilliantly captures the feeling of the voyage through adolescence. The excitement and anticipation of "the first time" (first kiss etc) is beautifully expressed by Madeline "The best part's before you taste it..." This movie is not for viewers who require explosions to satisfy their entertainment criteria but if you wish to relive the joy, the sweet pain, the magic and the limitless possibilities of your adolescence let Billy Forsyth transport you. There are so many elements packed into the film that I love. Seeing a glimpse of Phil Menzies alone but happy in his garden adds an unexpected depth to his character. What I enjoy about the film is that on the surface it may appear to lack depth but the depth is there if you want to find it and admirably Forsyth leaves profound moments like Madeline's words of wisdom understated and ,for me, only joyfully discovered after repeated viewing. I hope this movie takes you to a similar beautiful place as it has me. | -1no label
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] |
Yes there are great performances here. Unfortunately, they happen in the context of a movie that doesn't seem to have a clue what it's doing. During the first 45-60 minutes of this all the music takes place as realistic performance. Suddenly, about an hour in, the characters who, until this point, had always spoken to each other, suddenly start singing to each other. To further confuse things, a little further in, out of nowhere, they actually do about 15 minutes of sung-through dialog, then seem to drop that idea and move on to other things, such as a number that begins in a jazz club with a drummer and two electric guitars suddenly turning into a fully orchestrated piece with a massive unseen string section. On top of all this inconsistency in how the music is used, is the composers' clear inability to actually write music in the style that is supposedly being portrayed. While the first couple of pieces do sort of mimic the 1950s Motown sound, the rest of the film is just (bad) Broadway show music. Then there's the pure silliness of snippets of a group doing a bad Jackson family imitation and Eddie Murphy morphing from Little Richard to James Brown to Lionel Richie. When he started channeling Stevie Wonder I couldn't help laughing out loud. This was clearly one of those films that make me appreciate how little time I have on earth and resent that I wasted two hours of it watching this film. | 0neg
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] |
I think this movie was probably a lot more powerful when it first debuted in 1943, though nowadays it seems a bit too preachy and static to elevate it to greatness. The film is set in 1940--just before the entry of the US into the war. Paul Lukas plays the very earnest and decent head of his family. He's a German who has spent seven years fighting the Nazis and avoiding capture. Bette Davis is his very understanding and long-suffering wife who has managed to educate and raise the children without him from time to time. As the film begins, they are crossing the border from Mexico to the USA and for the first time in years, they are going to relax and stop running. The problem for me was that the family was too perfect and too decent--making them seem like obvious positive propaganda instead of a real family suffering through real problems. While this had a very noble goal at the time, it just seems phony today. In particular, the incredibly odd and extremely scripted dialog used by the children just didn't ring true. It sounded more like anti-Fascism speeches than the voices of real children. They were as a result extremely annoying--particularly the littlest one who came off, at times, as a brat. About the only ones who sounded real were Bette Davis and her extended American family as well as the scumbag Romanian living with them (though he had no discernible accent). It's really tough to believe that the ultra-famous Dashiel Hammett wrote this dialog, as it just doesn't sound true to life. The story was based on the play by his lover, Lillian Hellman. And, the basic story idea and plot is good,...but the dialog is just bad at times. Overall, an interesting curio and a film with some excellent moments,...but that's really about all. | 1pos
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] |
Okay...this is not a perfect movie, and it is hard to categorize because it is not violent enough for today's action movie label, funny enough for today's comedy tag or serious enough to earn the drama moniker. We also have to realize that this is early in the career of some of the performers. Helen Hunt, liam Neeson, Ben Stiller and Bill Paxton are big today, but you cannot measure this movie by today's standards. What a lot of people seem to have missed here is the theme about family and friendships. You had the hillbilly vs. the mob family -- hard to compare -- not really. The movie accented that their were more similarities than differences. There are too many examples to be worth singling any of them out. You also had the loyalty/friendship theme. Think of how Michael J. Pollard, living in the basement of society, had high morals, or how the guys in the hillbilly bar could family up. You could measure that to the members of the bosses crime family against the character of Adam Baldwin. All in all, this is not a great movie...good at best. But there are some interesting points worth pondering. And seeing an Irishman, Liam Neeson, playing a classic redneck hillbilly is worth seeing it all by itself. Finally...another overlooked part of this movie is the excellent soundtrack. It is among my small collection of movie soundtracks, that should sum it. | -1no label
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] |
Here's another film that doesn't really need much of a recommendation. It's a classic comedy, very funny and entertaining and which, of course, ultimately inspired a successful television series which many would say was even better (I enjoy both, personally). For some, it's hard to warm up to Jack Lemmon and Walter Matthau as Felix Unger and Oscar Madison when they were were weaned on the TV show starring Tony Randall and Jack Klugman (or perhaps vice versa). But what we've got there in both cases are four good actors who in real life seemed so much like their film counterparts that they managed to make these characterizations their own. It's Neil Simon's humorous material that's key, and where the laughs really originate from. For those who have somehow never heard of THE ODD COUPLE, it's the story of a neurotic and fussy neat-freak (Lemmon) who is thrown out of a 12-year marriage by his long-suffering wife and takes up residence in the Manhattan apartment of his sloppy and totally irresponsible buddy (Matthau). Pitting these two unlikely roommates together within the same four walls makes for some hugely funny predicaments. | 1pos
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] |
This movie was terrible. You couldn't fast forward fast enough to get to the end of this movie. It came down to the last 20 minutes of the film and I literally hit the eject button right in the middle of the scene. It was one of the worst movies I have ever experienced. Worse than all Dean Cain films combined. To start, the acting was terrible. I realize that the main actors were from the cast of survivor, but one would think that any TV experience would have given them a little more talent. The movies other main problem was the campy visual effects and the poor film quality. In the movies defense, the theme of the show was well intentioned and the story was all right. | 0neg
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] |
When I first saw this movie, I only caught the first half hour of it, but it was enough. I had seen enough of these formulaic, made-for-TV movies to know how it was going to end. Two months later, the curiosity of the accuracy of my predictions got the best of me, so I rented the movie and finished it this time. And I can say that with my guesstimation abilities, movie companies should hire me to write formulaic, made-for-TV movies. Everything happened that I anticipated: the progression of the plot, the introduction and killing off of characters, the role each character plays in the movie, it all was there. If you've seen one of these movies, you've seen them all. Movies like this one, Marabunta, The Fury Within, Nightscream, Burial of the Rats, they are all the same. Watch one movie, replace the aggressive animal with a different animal, and enjoy. Scott says: For a movie of silent rattlesnakes, the snakes sure broke script a lot. | -1no label
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Firstly, I'll give an outline of the show in a few words (spoilers: maybe). A bunch of people live on fictional Ramsay street who all suffer a whole bunch of of tragedies from breakups to deaths. There... that's it. When I first started watching it I didn't mind it at all, it wasn't to bad, then it started getting crap. How many times can you come up with the same storyline? To demonstrate... I'll just show some of the story lines that are repeated a couple of billion times a year. Consequently, this can also give a general outline of the plots for several years to come from now. If you wanted to know what happens with neighbours next year, this is it! 1.someone accidentally gets pregnant. 2.a young teenaged couple get together generally followed by a messy and horrible breakup (as an example, Goodrem/ and that black haired dude whose name I can't remember). 3.someone gets married... followed by some tragedy and/ or death. 4.or... my favorite... someone dies! Still... occasionally there are some original story lines that pop up in the show, none of which made me continue watching. You can only do the same story so many times. I agree with one of the reviewers when they said that the most interesting characters are the pets. I think my favorite at the moment is the scully dog (if he is still there). They are more interesting than the actors, most of which are not very good (there are a few exceptions) and make me want to laugh at the show every time I accidentally come across it. well... just to finish off and to put it in a nutshell, the show would be more interesting if it weren't shown 364 out of 365 days of the year. (I might be over exaggerating that number, but I'm sure it comes pretty close). | -1no label
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] |
This was by far, the worst movie I was ever conned into watching. This movie is degrading to such classics as Baller Blockin', The Monkey Hustle, and I'm Gonna Get You Sucka. It makes our people appear as if we were pale. This was obviously an attempt by the man to keep us down. I do suppose, in the end, we all have to dance to the man's music. Shout out to my wardies, Tre-B and Mookie. Check out that new janx from State Property ... "Still Public Enemy No. 1 Mixtape" You will then have a better understanding of what we actually endure. You see, da thang is this...The acting was awful...you could tell that it was not written by those of blessed with color. Anyways, Check me out wardie...im out. | -1no label
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] |
If you like films about school bullies, brave children, hilarious toddlers and worm eating, then How to Eat Fried Worms will appeal to you. The film is about a boy named Billy, who when arriving on his first day at a new school, discovers that some of his classmates have played a prank on him by putting worms into his lunch. The school bully, Joe and his "team" of friends start teasing Billy and calling him "worm boy". Billy decides to play along by saying that "he eats worms all the time". Joe and his friends don't believe him but Billy assures them and bets Joe that he can eat ten worms in one day otherwise he will come to school with worms in his pants. The boys take Billy up on his bet, leaving the weak stomached child with a mission to gain respect from his classmates by eating worms cooked, fried, or alive. The film may sound gross but there are a lot of messages in it. For one, it portrays true friendship and how to accept people for who they are. It also shows you why some bullies resort to bullying other children. The film's protagonist, Billy is a strong minded and brave person who all of us can relate to. It is easy to empathize with him as we silently cheer for him to reach his goal, even though we might not always agree with what he's doing or the choices he makes. The children in the film are portrayed exactly how children are in real life and the film deserves a lot of credit for that. The child actors are the stars of this show, showing true emotion and feeling than most other children's movies portray. Some adults may not enjoy this film but kids will, perhaps even teenagers. There are hardly any other good movies on circuit at the moment, so if you're not in the mood to see snakes on a plane, try worms on a plate in How to Eat Fried Worms. It is a feel good fun film and not just Fear Factor for kids. | 1pos
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] |
"Like Mother, Like Son" is a study in the degeneration of the potential of a child due to the influence of a narcissistic and soul sick parent. We have to believe that even if the son Kenny had exhibited some personality problems at an early age (I believe that initially he was as normal as any other kid), they need not be cemented into his character as they would eventually be under the misguidance of the psychopathic Sante. Sante is a master at manipulation, which to quote the Bible: "....is as the Sin of Witchcraft",bending husbands too, to her will. You wish that one of her unlucky lovers could have really cared enough about the sons to try to free them from her grasp. The elder son does eventually break free; it comes at a point where he is mature enough to discern that Sante's endless scheming guarantees that a productive life is impossible for anyone connected with her. Mary Tyler Moore has clearly shown us her true range as an actress here because in this film SHE IS Sante Kimes in all her ugly glory. Good acting all around in this disturbing film based on the real like Kimes and her unlucky, lost son. | -1no label
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] |
First of all: I like this type of film very much! I was surprised by many comments that talk about a 'foreign film'. As if films from other countries than the USA should have to prove themselves extra... No way! On the contrary! Living in Europe, this isn't a foreign film for me! I was brought up in the sixties, and enjoyed the film-noir genre, the character movies, the French and Italian philosophical movies, the black-and-white films, the films made by the actors, the director and the plot together. So, Swimming Pool is a film that makes me sit on the point of my chair for more than 1 hour and a half. It is an intriguing story, the entire atmosphere is inviting, makes you feel good and being with Sarah/Charlotte all at once. The interference with Sarah and Julie is ambiguous. The continuing layer of lesbian love lays upon their relation, no matter what they do to each other in the beginning of the story. It's a kind of hidden suspense... Ludivine (who plays Julie) is a beautiful, well shaped young girl, with a marvelous body, but even Charlotte Rampling is outspoken and gave herself to the film and to the director, Francois Ozon. A great movie. Just absorb what you see... | -1no label
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] |
This movie is a haunting telling of the life of the author and poet, Mishima. It jumps around through his past, through his last day, and through some of his stories but is expertly constructed as it moves from section to section. It captures the flavor of the man, his work and of his times...the difficult 1960s. I think the most wonderful parts (literally, full of "wonder") are the excerpts from his works. The sets (especially designed to work with the camera) are amazing....stylized, beautiful and effective. They could be used as exemplars for any set designer. I woke up at night dreaming of the Golden Pagoda. The stories were powerful explorations of the nature of man and of art. After watching this film, I wanted to learn more about the works of this artist. I highly recommend this movie for anyone interested in art, poetry, theater, politics, or Japanese history. | 1pos
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] |
Longford was a bit of a twit wasn't he? Or at least in this movie, no? He's made to say: "She has enriched my Spiritual Life" and "No matter how evil (one is), one can be redeemed." Oh really? By whom, one may ask? Isn't that someone else's job? Lady Longford is made to say (shaken to her core): "I had no idea (about prison conditions)". It reminds me of 19th century upper-class mad house viewing but modernized for progressives. Its really about their own feelings. The kids? The real victims? Oh, yeah. Well, whatever . . . We have people like Longford in the States. They are called ACLU lawyers and they are definitely not trying to find God through slumming. There's a French phrase for this, three words that begin with NdB, but I can't get IMDb to accept. I did like the camera work and thought the acting superb. Cheers, everyone. | -1no label
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] |
Renting this direct-to-video film, I was not expecting an amazing piece of cinematography. (Not to say just because a film is in cinema it will.) Only very loosely following the story retold in the epic poem, this film provides a unique take on the tale of monsters and super humans. The general photography can be summarized as conflicted, with its mixture of mediaeval and post-apocalyptic (reminiscent of Mad Max). With a rock and techno soundtrack to boot, one comes away feeling a bit off. The fight scenes, though unbelievable, are entertaining, and Christopher Lambert possesses some of the most interesting weapon combinations I have ever seen on film, though often a tad unfathomably inefficient. The special effects used for the monster Grendel are surprisingly effective and are one of the few highlights. Christopher Lambert delivers an average performance as Beowulf. It will be nowhere near as memorable as Highlander, but at least it wasn't as poor as Fortress. The supporting cast is rather neutral. If you're looking for a good action-adventure story with a complex and engaging plot, I would not suggest this film. However, if you want a flick that is of little substance, full of campy battle scenes, and a somewhat predictable plot, find a copy of this. | 0neg
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] |
I have no idea how anyone can give this movie high marks. I didn't rent it thinking it was the next great horror flick, the next great horror spoof, or the next great low-budget horror spoof. Obviously, this isn't meant to scare, but one fatal flaw with the production entirely sapped the joy out of the viewing experience. The sound editing was horrible. I had to work the volume control the entire movie. You can imagine how difficult it is to get into something - even a low-budget spoof - when you're either turning the volume up or down, or trying to anticipate the next time you have to do so. The regular dialogue is very low, and all screams, noises, etc., are VERY loud. We're not talking about toggling between 5 and 7 on the volume control, finding a happy medium at 6. We're talking toggling between 2 and 9 on the volume where it is virtually impossible to leave the volume alone. Again, this movie might be a decent example of what it is meant to be, but you're going to be spending so much time adjusting your volume control that you'll never have the chance to enjoy it. | 0neg
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] |
Wow...I can't believe just how bad ZOMBIE DOOM (aka VIOLENT SH!T 3) really is. I'd heard the rumors, read the reviews - but had to make my mind up for myself. Well, let me tell ya - IT BLOWS!!! The worst acting of any film ever made, dubbing that must have been done while everyone involved was completely wasted, inept and laughable gore FX, no discernible plot, "cinematography" that looks like my grandma filmed it with her camcorder, weapons props that are no joke - made out of tin-foil - the list goes on and on... Three guys get stranded on an island where a bunch of weirdos run around with plastic and tin-foil swords. Two of the captives are freed along with a rebel of the island freaks, and are given a day's head start before they are hunted down by the rest of the "tribe"...that's pretty much it... Honestly - this is one of THE WORST films I've ever had the misfortune to subject myself too. The budget had to be about $200 and was spent entirely on the gore FX (which actually may not have been a bad idea...). There is NOTHING to ZOMBIE DOOM other than strung-together ridiculous looking gore scenes with lots of HORRIBLY dubbed dialog. This film makes other no-budget outings like PREMUTOS: LORD OF THE LIVING DEAD look like TITANIC. Some may rank ZD in the "so-bad-it's-good" category - and I guess if you're REALLY drunk or high and watching it with a few friends MST3K-style - I guess it could be looked at that way. But not by me. I hated pretty much everything about it. If ZOMBIE DOOM or ZOMBIE 90 (which is equally appalling and is included as a "bonus" on the Shock-O-Rama release of ZD) is indicative of Andreas Schnaas' other works - then he should be banned from ever having anything to do with making a film ever again under penalty of death. There is one amusing kung-fu battle in the latter half of the film, and a lot of blood - so I'll grant this one a VERY generous 3/10 - Do yourself a favor and skip this. | 0neg
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] |
Being stuck in bed with the flu and feeling too rough to get up to find the remote, I actually watched this abomination from start to finish (how many people can say that? And for any who can - what's your excuse?). My God, has there ever, EVER been such a total mess released by a major studio? There is not one second of genuine tension in a supposed "thriller"; the script is inept and ludicrous; the sets look like they were leftovers from a low-budget TV movie; and the cast ... WHAT WERE THEY THINKING?!!! Sally Field gives what is without doubt the worst and most embarrassing performance of any Academy Award winner in history. Her irritating nasal whine and stupidly perky behaviour in what is meant to be a life-threatening situation are truly asinine. It's a wonder she didn't use all her future earnings to buy up and destroy every print of this turkey. Michael Caine, who now pontificates endlessly on the art of screen acting - even running master classes for would-be thespians - should be taken out and shot (preferably by one of Telly Savalas' henchmen). Angela Cartwright, an actress I usually like (and whose name isn't even in the opening credits, poor soul), is ten years too old for her role, and her horrible matronly yellow prom dress must haunt her nightmares to this day. Slumming it are Karl Malden and Shirley Knight - hopefully they collected a big pay packet to assuage their involvement. The whole film is a series of bad scenes, but one that especially sticks in my mind is the explosion which results in the "ceiling" (if an upside-down ship's deck can be termed as such) collapsing and a load of empty cardboard boxes falling through! Ooh, how scary! Really, really, terrible. | 0neg
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] |
Louise Randall Pierson lived a wonderful life. Mrs. Pierson was a woman ahead of her times. Her biggest accomplishment was a total dedication to her family. The film, based on her own autobiography, clearly shows why this woman was so unique. Michael Curtiz directed with his usual flair. Louise Randall Pierson went from a childhood of privilege to almost poverty after her father died when she was still a girl. Louise pursues a career as a typist and joins a firm where no women had been employed. Her friendship with Alice Abbott brings her to New Haven where she meets and marries a man that never amounts to anything, but who leaves her for another woman without any qualms, leaving Louise to do whatever she can with four small children. At this point in her life, she meets Harold Pierson, a lovable man who had big visions, but who never was able to have the recognition he deserved. Louise and Harold were made for one another. Their love will get them through some rough patches, but they manage to keep their spirits and give all the children careers of their own. Rosalind Russell makes this film come alive. Ms. Russell was such a lovable actress that no matter what she appeared in, she always managed to please us. Jack Carson, an underrated actor, was perfect as her second husband Harold Pierson. Mr. Carson and Ms. Russell seem to be having a great time while making the movie. Ann Doran is the loyal friend Alice and Ann Todd plays the young Louise. "Roughly Speaking" is one of the most positive films that came out of Hollywood in the forties because it shows us a determined woman with a great heart who raises above of what life gave her. | -1no label
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] |
This was the eighth and final Columbia Whistler film and the only one without Richard Dix who had retired from movies and was to die the following year. It's still a competent thriller, the machine carried on without him perfectly, but something was missing: Dix! The stories in the Whistler series were always interesting, sometimes brilliant, the screenplays often noir always atmospheric, but it wasn't only the Whistler himself that hung it all together on screen, Dix did too. Young couple stepping out for a whole fortnight get the urge to marry in the pouring rain but are thwarted when the potential bride first disappears then is discovered to already be married before she apparently goes mad. Is the potential groom put off, even when the private dick he's hired to find her suddenly slugs him and lams, or is love blind? Who's twisting who is the question. Michael Duane in his penultimate film is OK if a bit of a wimp, lovely Lenore Aubert's finest moments came next film in Abbott & Costello Meet Frankenstein, and Richard Lane was wonderful as ever on loan from Boston Blackie. Also the only outing where the Whistler himself must have got wet from slouching about in the rain, unless he got sprayed with sea foam in Voice. A lot happened in this last hour, well worth watching over and over again as usual to fans of the genre like me. The Whistler radio series begun in 1942 carried on until 1955 clocking up nearly 700 half hour shows, nearly all of which are available on mp3 and based upon what I've heard so far nearly all of which are well worth listening to as well. | 1pos
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] |
A sweeping and deeply moving love story featuring powerful performances from Ralph Fiennes,Willem Defoe and Juliette Binoche. It tells the story of a badly burned man(Ralph Fiennes) who gets pulled out of a plane wreak during World War Two and tells his nurse(Juliette Binoche)his story. Just before the war he fell in love with the beautiful Katherine Clifton(Kristen Scott Thomas)however she is married to Jeffery Clifton(Colin Firth)and the two begin a passionate and forbidden affair. A very haunting and tragic story of love and desire set against some absolutely gorgeous locations in the desert.A must see especially if your a fan of Anthony Minghellas work but be prepared to shed a lot of tears its very moving especially at the end. | 1pos
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] |
Like some other people wrote, I'm a die-hard mario fan, and I loved this game. This game starts slightly boring, but trust me, it's worth it. As soon as you start, your hooked! The levels are fun and exiting. They will hook you 'till your mind turns to mush. I'm not kidding. This game is also orchestrated, and is beautifully done. To keep this spoiler free, I have to keep my mouth shut about details. But please try this game! It'll be worth it! Story: 9.9 Action: 10.1 (It's that good!) Hardness: 10 Attention Grabber: 10 Average: 10 | 1pos
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] |
The basic storyline here is, Aditiya (Kumar) is the spoilt son of a millionaire, Ishwar (Bachan) who owns a toy industry, in Ishwar's eyes his son Aditya can do nothing wrong, Aditya's mother Sumitra (Shefali Shah) warns Ishwar to bring his son to the responsible path before it is too late, for Ishwar is a patient of lung cancer and has only 9 months to live, when his son elopes and marries Mitali (Chopra), Ishwar readily forgives Aditya, but when the happy couple Aditya and Mitali come back from a honeymoon, Mitali is pregnant, and this forces Ishwar to kick Aditya out of the house to make him more responsible, Aditya doesn't know his father is suffering from lung cancer, and he also doesn't know that his father has kicked him out of the hose to make him more responsible, Ishwar cannot bring himself to tall Aditya that he is about to die, with a hungry and pregnant wife. it is a race against time so Aditya does all he can to prove himself to his father, and the climax comes when Aditya gets his big break in the movie industry and his father tells him that he is about to die. This movie is absolutely brilliant, this is the breakthrough in Indian cinema that was needed for the Bollywood industry, Shah's directing is almost flawless, but which movie doesn't have flaws? The best part if this movie is the father son relationship which is a tearjerker. the song interludes is just placed at the right time, the scenery is good, the only part where this movie fails is where the jokes between Boman Irani and Rajpal Yadav the jokes are too long and after a bit they are annoying, but overall this is a brilliant movie, i advise anybody Reading this review to go and watch it regardless of other reviews. 9/10 | 1pos
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] |
This movie has got to be the biggest disappointment I've ever experienced with a film. The acting is horrific, the suspense build up minimal, and the plot overall is ridiculous. I found myself rooting for the victim to just hurry up and become a victim, because she obviously needed to be put out of her misery. Anyone with rudimentary knowledge of how the world works will immediately be disgusted at the leaps we're asked to make in logic, and the so-called suspenseful buildup would be lucky to get a 3 year old to be mildly worried. I'm dismayed that a sequel is planned, because it means they'll be asking us to once again swallow a sub par plot line. If this is an example of Raw Feed's work, I think I'll be avoiding any and all future films by them. | 0neg
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At last this gem of gem's will be on DVD with the debut of the Joan Crawford Collection Vol 2. One can only hope that this is released in its original widescreen format and has been remastered. The VHS print is a little worn and I can hardly wait to the see the extras. This movie is so bad its a must see, this movie is Joan in color and on steroids as she bulldozes her way through the film. This is camp at camps best. Who else can order "Lobster Newberg and Coffee" for lunch at the studio cafeteria with a straight face other than Crawford... For die hard fans of Joan's more camp later years this one will keep you in stitches. | -1no label
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] |
The Lion King is a great film and the whole family was keen when I rented Simba's Pride. We thought this could match the first. But we were wrong. The story was so predictable and instead of develop the father-daughter concept the crew choose to develop the dull and typical authority father - rebel teen thing. Simba character was completely changed. Nala's too. Simba was carefree, funny, spirited, gentle and was changed into a mean and authority dictator who does not know anything about love. Nala was strong, disobedient, loyal, provocative and was changed into the typical quiet, calm mother who is blindly loyal to her husband and doesn't say nothing at all. Her character is useless in the film. Their love doesn't exist. Their daughter is stupid, spoiled and just cares about herself. Her love scenes with that idiot are just a cheap copy of her parents beautiful and innocent love scenes from the first film. The design and sets are so poor. Nala seems to be wearing contacts and Simba turned fat and orange. Timon and Pumbaa are not funny in this. Some actors had been replaced. The soundtrack is awful (Hans Zimmer is not in this) and the songs are just a copy of the ones from the previous film. And bad copy! (Elton and Tim are missing too). The whole story is just a bad try to imitate the first one. There is a fire, a big fight at the end, a stampede, same dialog, same scenes, even Kiara saying "Ewwww gross!" to grubs just like Jonathan Taylor Thomas. Some aspects aren't clarified and I hope they don't make a follow-up to this with the stupid Kiara who disrespects her own parents and don't has punishment. This film is pathetic and a way of stealing money from Disney fans pockets and just a waste of time. Disney should be ashamed. | -1no label
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] |
I was not only an extra in this movie, I got to see it in Boston to a sold out cinema. Over a thousand Boston Red Sox / Farrelly fans jammed themselves into a movie theater near Boston Common to watch a comedy....about them....Red Sox fanatics! Drew Barrymore and Jimmy Fallon star is this cute comedy about love and lust. The love is between the two young lovers. The lust is for the Red Sox winning the world series. Although Fallon is not a great actor, he is the best actor for the role. He is funny enough and gets the most laughs. Barrymore on the other hand is the same old Barrymore. At times, I felt supporting actress Ione Skye would have been a better actor for the role. All in all, all Boston Red Sox fans will love this movie. For the rest of the world, this is just a funny movie. | 1pos
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] |
I´m from germany so please excuse my style of writing. As I´ve seen Chucky 4 for the first time I was a bit surprised, I knew Chucky as a usual 80s scarymovie, but Bride of Chucky was very different from the old ones. First there is the artwork of the very good director Ronny Yu, who we still have in mind from A chinese ghost story. His visual style is in a wired kinda way comparable to Francis Ford Coppola. Also the voices of Chucky an Tiff are very impressive. I´ve also liked the screenplay very much, especially the scene in which Tiff throws the Champaignbottle in the ceilingmirror. I give it a 9.0 vote for funny, gory and progressive entertainment. If you have any comments on my opinion, just send me an E-Mail. MFG Schawez | 1pos
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] |
I have just watched the movie for the first time. I wanted to watch it as I like Drew Barrymore and wanted to see one of her early movies. The movie is about a girl (played by young and beautiful Drew Barrymore), who moves from NYC to LA in order to get over her recently troubled loss. Short after moving to a guy who falls in love with her, it becomes obvious that she has an evil twin=doppelganger, who haunts her. The movie is quite poor and lousy. Both the dialogs and the acting make the film not really worth seeing it. Summing up it is just something for the fans of Drew Barrymore. | 0neg
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] |
When I first heard about this film, I didn't have terribly high expectations. I had high hopes, but... that was about it. Still, I made the effort (and yes, going from the Sierras to Phoenix WAS a lot of effort) to see this film. And I'm very glad I did. First, the script. Betsy Morris shines in her first script. Her plot is not overly dramatic. The situations the characters face are all very real. They happen every day, but it's the common quality of their issues that makes them important. As you're watching the film, it's less about watching characters, and more about watching the lives of people you already know, that you see everyday on the street, as they unfold. Second, the cast. Yes, some of the names and faces are very recognizable from the WB/CW. This shouldn't be held against them - because not only did each perform solidly, but they definitely played off each other. I will say, though, that Jensen Ackles stole every scene in which he appeared. His character Priestly is very different from any other character I've seen him play before and is, in a way, a visual representation of many of the film's themes - that people are often not who and what they appear, that they are more than what we assume them to be, and that we need to look beyond the immediate. (The tampon scene and the checkout scene are VERY reminiscent of some of the 80's and 90's comedies.... great!) Third - visuals. I must admit that I saw this film on a digital projector and the image was somewhat murky (I blame the projection on that), but it was still immediately apparent that this film holds a wealth of visual potential. There are a number of shots on location on the California coast that made me ache with homesickness and yet, in others, you feel like you're standing in this familiar town, walking down familiar streets. My one complaint had to do with a scene that I felt was somewhat gratuitous (and those who have seen it probably know exactly which scene I mean), but if that's my only complaint, I think they're doing pretty well. Okay, so maybe this film won't ever be an Oscar contender, but it's solid and entertaining and given some of the schlock coming out of Hollywood of late, I'll take a small, solid film over an overdone, trite "blockbuster" any day. | -1no label
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] |
Great film. No gratuitous gimmicks like in most Hollywood films. Everything supported the suspense of the plot. B&w gave it a basic, no-frills feel also. In short, it was visceral in its simplicity of cinematography and cast. Following serves as an interesting contrast to Memento. Characters in both used manipulation and subterfuge extensively. In that sense, both reminded me somewhat of "In the Company of Men," also highly recommendable. One difference between Nolan's two films is that Memento was a little easier for me to follow, given that the b&w scenes progress in a constant chronological direction, and so do those in color. I don't think that was true of Following, where scenes seemed to be shown at random. If you have the choice between VCR and DVD, I'd highly recommend DVD, since that gives you the option of watching the movie a second time in chronological order, not just in the scrambled (albeit ingenuous) order presented by Nolan. It also makes it easier, upon a second viewing, to piece the order together for yourself, if you want to. As another viewer noted, one of the best things about both this movie and Memento is that none of the cast were famous. They were characters, not big-name actors who brought in personas developed in other movies. Given certain similarities in the plots, I wonder if Memento is sort of a remake of Following, but intended to reach a bigger audience, like Edward Burns made She's the One in the mold of -- and with largely the same cast as -- The Brothers McMullan. | 1pos
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] |
Having hoped this would of turned out to be a low grade trash gem along the lines of Giallo a Venezia.I was sadly let down as its barely even a thriller,its purely a shot on the road location skin flick with a few crimes thrown in our pair come across on their travels like a knife wielding guy.The plot as it is,vaguely resembles a cross between Mario Bava's Rabid Dogs and Thelma and Louise with a very slight Russ Meyer feel of lets just get naked because we've got a few ample sized lead actresses. Its gotta be noted that this was directed by Roberto Mauri who made Le Notti della violenza/Night of Violence one of the very 1st Italian giallo films.Which makes it even more sad that he ended up making crude junk like this.That said there's lots of sex to keep exploitation fans happy just hope they wasn't expecting anything from the plot,A tiring travelogue of sex and crime,something that shouldn't be this boring but it is.I gave this a below average [3 out of 10] | -1no label
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] |
I just saw this cartoon for the first time and recognized the caricatures of famous black entertainers... Cab Calloway, Bessie Smith, (not Josephine Baker or Sophie Tucker, who was white), Thomas "Fats" Waller, Bill "Bojangles" Robinson, Stepin Fetchit (notwithstanding) Louis Armstrong and the chorus girls are out of the famed "Cotton Club" in Harlem. True... stereotypes are there, but this was the way it was... and these cartoons were meant as adult entertainment at your local cinema before the main feature. Harmann & Ising cartoons tended to be more "cutesy" and more upscale, (after all... we are talking about M-G-M) than the standard animated short done over at Warners, Paramount, Universal, Fox, RKO or lowly Columbia. Even Disney's very early Mickey Mouse had loads of barnyard humor before Uncle Walt cleaned him up just before he went "Technicolor". Disney had some cartoons with caricatures of black entertainers as well... for example, 1937's Silly Symphony "Woodland Cafe". But we have to remember that these films are part of a certain time and place. 50 years from now... clips of the Simpsons, Family Guy, and South Park will be also scrutinized, analyzed... and even vilified by future viewers. | 1pos
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] |
What can you expect from a B-grade sequel to a movie that, in spite of Mira Sorvino and some nifty special f/x, still failed to deliver a minimum of excitement? Not a lot - so you will be somewhat pleasantly surprised watching Mimic 2. Having seen ARRIVAL II and SPECIES II, I was prepared for the absolute worst, and I could not believe my eyes when this sequel turned out to be... well... decent. While not as pervasive as in the first movie, the f/x seem really high quality, and definitely don't give you that dreadful 'cheap' feeling. The story is predictable, including many of the most common cliches of the horror genre, but the photography and lighting do provide a nice ambiance, and manage to sell the story. Bruno Campos is absolutely awful as he tries to transplant (lamely) his character from Jesse, but Alix Koromzay (the female heroine) who comes back from the first Mimic to provide an appearance of continuity does a pretty good job carrying the movie on her own. Sure, it is not a highlight of American cinema, but it's entertaining eyecandy. | -1no label
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] |
I couldn't believe that the Adult Swim guys came up with this character. I laughed for days just thinking about this show. Having finally seen the pilot I guess I will stick around for a few more episodes. Assy is pretty funny and the whole crew of police show characters are around, but Assy is hard to understand and that was a little frustrating. Most of the humor revolves around the fact that the title character is literally a walking ass with nothing else but legs that sport socks with garters and feet with traditional wing tips. Assy drinks too much and "plays by his own rules" as you might have guessed. The only other funny moments are Assy shooting many,many people and spending time at home - in the bathroom. It is not Squidbillies funny, but it is worth a look. | 1pos
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Lackawanna Blues is a moving story about a boy who is raised in a house by some pretty unusual people. It's editing and soundtrack really pulls you in to the story and lets you experience the film the way the writer really meant for it to be seen. The music really tied into the story, which made the characters come to life. The editing made the story more progressive and captivating. I was also surprised by some of the performances of the cast, most notably S. Epatha Merkerson's. I can't wait to see the one man show featuring this films writer, Ruben Santiago-Hudson. | 1pos
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] |
An American trying to make an alternative comedy with more sophisticated humor. ... and that's where it went wrong. A fine idea to do something different with comedy ended up in a nightmare. Can't blame him for trying something fresh though. Looks like the director hit the ball totally wrong here so I think he'd better stick to brainless Hollywood comedy. It's even better to have some lame old jokes than. Watched the movie with six people who love love all kinds of comedy from Hollywood to British comedy, from satire to black comedy. This film But after 50 min we just stopped watching in order not to lose our good mood. .... too bad | -1no label
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] |
I love oddball animation, I love a lot of Asian films, but I didn't love this particular product of Japan. The Fuccons are supposedly an American family (they're all mannequins) who have moved to Japan, and they're somewhat a 50's sitcom type family, with slightly more modern sensibilities at times. The DVD features several very short episodes (like less than 5 minutes each?) and I did not find it to be either funny or entertaining, not even in a weird way. I'm not sure what the appeal is of this. I did pick up on some satire here and there, gosh, who wouldn't, but satire is usually somewhat humorous, isn't it? And nothing I saw or heard rated even a little smirk. I picked this up used and it certainly SOUNDED appealing, but I guess either I'm missing the point or it's just plain LAME. The box even says it's Fuccon hilarious, right there on the front, but I beg to differ. 2 out of 10. | 0neg
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] |
Space Camp, which had the unfortunate luck to be planned around the time of the Challenger accident, deserves such luck. The "stars" make a mockery of acting, Lea Thomson actually being turned sideways, when asked for more than her usual wide-eyed innocent smile, presumably to mask her risible attempts. The movie is at times hilarious, when it begins to ask far too much of you. A small boy keeps a multi-million dollar robot in his closet which breaks when given too many commands by the hordes of cliched dorm-mates. This hackneyed and unlovable machine, "Jinx", is a major player in the ridiculous premise of the movie, which seems part Short Circuit, part 2001 by the Airplane team. I shan't bore you with this, suffice it to say you can only laugh when faced with it. Having said all of this, it is enjoyable to watch, in a SeaQuest, Saved by the Bell kind of way. The romance and technology, beware, are as unbelievable as each other. Also, if you're an eighties freak, its unmissable for the amusing performances of Kate Capshaw (Willie from Temple of Doom) and, obviously, Lea Thompson. Also, Joaquin Phoenix puts in a dodgy turn as a sort of wannabe Goonie who befriends Jinx. Do not go near this movie if you are not a fan of trash. | 0neg
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] |
The DVD box made it look like a watchable flick, but it was terribly misleading. It was a piece of crap. We get to watch some dope get led around by the nose for an hour or so by some terrorist wannabe on a cellphone. They want his money, they want him to blow up a building, and they will cut off pieces of his mother and sister to make it happen. The guy is told to close his bank account and give the bad guys the money. They couldn't get into the bank to film, so we get to watch a little kid eating a happy meal. How creative. The explosion at the church/mosque/whatever was equally impressive. Fast forward though a few phone calls and long walks and we get to the end. Same kid, same happy meal, sharing with grandma. How sweet. They couldn't bother to have an explosion sound effect and shake the camera a little? Then he goes home, talks to his cheating girlfriend, and curls up in bed crying....the end. What a waste of time. I got it as a freebie from Blockbuster, and I still feel cheated. | -1no label
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] |
Oh Geez... There are so many other films I want to see out there... I got stuck with my nephew for the weekend and this is what he wanted - Yeah... I used to watch this show when I was in college...it was mindless, kinda fun, and somewhat action-oriented. The show had a good heart tho...and the characters were cute; no one ever got killed or even hurt badly... it was like a cartoon come to life. Cut to 2005...What happened? This one doesn't work. As others have said, there simply isn't a cohesive story and the performances are weird...almost annoying - definitely not faithful to the original characters...the whole thing is a like a Mad TV skit and it lasts over 100 minutes! This was one of the few times I've been EMBARRASSED watching a film. What were they thinking? As best I can tell, must've been for the product marketing, toys, etc. All I can say is, let this one die a quick death. It makes the original Dukes of Hazzard seem like Masterpiece Theater... I think the only remake left to do from TV is Gilligan's Island... Good Luck! | 0neg
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] |
The worst movie ever?? HARDLY!!! This is one of the BEST animated movies i have ever seen! It has appearances from all the great characters from the animated tv series Rainbow Brite. Very safe for small children and the colors capture their attention like no other! There is an evil Princess trying to steal the diamond planet Spectra, which would in turn cause all life on Earth to cease. This tells the tale of how Rainbow Brite and her new friend Krys are able to stop the Princess' evil plot and restore life and color back to Earth. It's proof that kids can make a difference! Rainbow Brite will live on forever. | 1pos
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] |
I've already watched this episode twice, and love it. It's great to see the creators still know how to have some fun with these characters...especially the interplay between Brass and Doc Robbins. My favorite, by far, has to be casting James Whitmore (see also The Shawshank Redemption, Them!, several episodes of The Twilight Zone, and the narration of Ken Burns' Lewis & Clark documentary, among many other credits) as the old man no-one takes seriously. I know it's not the exact line, but when, after completing the "I Shot an Arrow Into the Air" poem, Sara tells him to "Keep the Faith," I was almost hoping for her to call him Brooks - again see Shawshank. | -1no label
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When I watch something that is listed as a comedy, I want it to be good and funny. What's this? It's not good. It's not funny. So what is it Fez? What is this thing you call a television program? Hey Fez guess what: YOU SUCK! And That 70's Show have lots of really bad episodes too. So as far as I am concerned, you are retarded and dumb! Go kill yourself now. Nah don't do that, but seriously, your show blows chunks man. "Yo momma so fat she really fat!!!" OK you see stupid bullcrap like that is what's ruining America. Unless you wanna be responsible for ruining the Americas, then please stop with gay shows like Your Mother. | -1no label
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Let's see, here are the "highlights" of The Brain Machine: 15 establishing shots of a pool and a house; 15 establishing shots of a nondescript office building; 5 countdowns by a bland technician; 7 close-ups of a menacing guard; and a myriad of technical babble to show us this is a high-tech experiment. Various posters have commented on the discrepancy between the copyright date of 1972 and the release date given on the DVD box of 1977. That's an easy one to explain. This dog simply sat on the shelf unreleased for five years, until someone dusted it off, thinking it fit in perfectly with the post-Watergate mood of distrust in government. After seeing The Brain Machine now, my only wonder is that it ever got released at all! | 0neg
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This is a pretty well known one so i won't get too deep into it. The basic story is about two teens who find out about a slimy alien blob of goo that arrives to earth via meteor. Human contact with this slime ball burns through flesh like acid. It also absorbs human bodies making it grow bigger. Nobody believes the teens (Steeve McQueen and his girlfriend) and when they finally do it seems that the blob can't be stopped. It's really well done for it's age and unlike a lot of other 50's flicks the pace is pretty fast. The story is very unique making it and a must see for any fan of old sci-fi and monster movies. If you can dig the gooey gore of 80s horror be sure to check out the remake from '88 as well. | 1pos
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The number of goofs in this movie almost had me laughing. The fantastic doomsday device is "Tesla's Death Ray." In this movie, the device consists of some electrical apparatus and a set of headphones, which is crammed into a wooden box that can fit under an airline seat. After Tesla journeyed to a remote part of Siberia in 1908, to test his death ray, he found its destructive potential is so great that Tesla never spoke of it again, so say the characters in this movie. Despite a wealth of information available about Tesla's inventions and his notes, the makers of this movie plod onward with this fantastic device and numerous goofs. A geiger counter is used to track down Tesla's electrical device, earphones are used to control and direct its destructive force, Tesla installed a self-destruct mechanism but hid the device in a cave, and Tesla tested the device on "the 13th day of June in the year of our Lord, 1908." Unfortunately, the Tunguska explosion occurred on June 30th, 1908, (not the 13th). Anyone expecting any facts about Tesla, his death ray, or the Tunguska explosion should look elsewhere. This hodge-podge doomsday device is the only excuse for what follows, and with the exception of "Bongo the Bear," I must rate this movie a pointless zero, (no stars). | -1no label
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] |
Some movies can be adapted from stage-plays successfully, but this one is a good example that even if a play wins a Pulitzer, some stories need a stage. I was pleased when I found this Kinnear/Quaid movie on the Sundance channel, but that didn't last long. Their acting is solid, but their characters are far too effeminate and unbelievable. This must have worked better on a stage, but it doesn't work in this movie. I don't need them to be tough macho guys, but during key conversations, these two straight men discuss life, marriage, and cheating in a manner that is wimpy and boring. The dialog, gestures, and comments like "If you were really my friend you would just listen", could all have been performed more believably by two women, two gay men, or one of each. When they discuss sex & needing even simple physical affection, Quaid pulls a pillow to his lap. Later, when Kinnear tells Quaid about great sex, Quaid's character asks whether they ever talk. These aren't believable men with wives and established families. The sloppy production quality was distracting too: non-wet coat after coming in from a downpour, children who sleep through screaming arguments, bad hair-aging on Kinnear, and ... was that water in the beer bottles? Halfway through, the turmoil is side-tracked by a long 15-minute flashback which includes a bandaging device as a flimsy transition for two incompatible people to warm to each other. Due to the weak men, two women who are often cold, snotty, and unlikeable, and several talking scenes that merely provide information without advancing the character arcs or plot ... I doubt that many people agree with the high rating it receives on IMDb. | -1no label
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] |
This movie was not the greatest movie I have ever seen. This movie was below average, it had its lame acting moments and random scenes that didn't make the movie flow. The acting I think could have been a lot better, I mean one of the main characters, Dr. Landis, couldn't even cry she looked as though she was in pain with a two tears. The flow of the movie was pretty good, however; it had some random parts. The storyline I thought was believable. I only hope that someone doesn't take the movie's idea. The ending of the movie was OK, but it was predicable in my opinion of Dr. Landis and President Howard. Overall the movie was decent however it isn't a number one blockbuster. The actors and all who were involved did a very good job making this movie. | -1no label
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Here in Rijeka this month we've got a month of Spanish movies and on Friday night it was great choice to watch one Spanish movie. I love Spanish movies so I had great expectations from this one and first time directors Corbacho and Cruz did great job in my eyes. Their story is so real and very simple. We're actually watching 4 stories about lives of ordinary people in suburb of Barcelona. Lolo is owner of the main restaurant in town and his wife (cook in his restaurant) left him because he never really paid any attention for her, only for money. So Lolo hires Mao, Chinese who is a great cook. Raquel is middle-age woman who is very lonely (because her husband left her), so she keeps some sort of relationship with one man on internet. Doña Conchi and Don Mariano are one old couple, that are hit with news that Don Mariano is dying of cancer. Doña Conchi tries to make his life beautiful by selling low drugs to others. She gets money so she can buy him everything he needs. César and Opo are two teenagers who only wants to have some good time. Their conversations about sex, Bruce Lee and life are great. Main message of this movie is love. Cause love connects every character in this story. "Tapas" is drama with elements of comedy and I really recommend it to everyone who wants to hear stories about life and love told in beautiful simplicity. | -1no label
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Having not seen season one, I was unsure of how I would react to Hex. I didn't have to worry though, as I found Hex season two to be absolutely brilliant. After the first episode I was hooked, tuning in every Sunday to see the next episode. In my opinion it is one of the best series on TV at the moment. It has humour, suspense, horror and can sometimes be plain shocking. Much darker than Buffy and seemingly made for a more mature audience it also deals with the problems of teenage life. A great program to watch on those dull Sunday evenings. Jemima Rooper is superb as Thelma and was easily my favourite character from the first episode. The characters are likable and can be very easy to relate to. You just don't see shows like this very often anymore and it is a real breath of fresh air. Bring on season three! | -1no label
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] |
This film stars, among others, "SlapChop" Vince Offer (who also wrote, edited and directed) and Joey Buttafuoco--not exactly names that scream out "quality". And with such uplifting skits as "Supermodels taking a dump" (it's exactly what it sounds like), a guy who robs a sperm bank (the "Rhymer"), necrophilia with a rotting corpse, black market fetuses (featuring a guy scooping what are supposed to be them out of a jar), lots and lots of gay jokes, a skit about a giant phallus who is a superhero and forced abortions. The skits are painfully unfunny (such as "Batman and Rhymer"), the acting not good enough to be considered amateurish and the film is crude just for the sake of being crude...and stupid. I truly believe a group of 8 year-olds could have EASILY made a funnier film with the same budget. Apparently this film resulted in a lawsuit by "Slap Shot" Vince against the Scientologists. Frankly, I wouldn't know who to root for in this case!!! Apparently, he alleged that somehow Scientologists destroyed his reputation and sank this film. No matter that the film is repellent junk from start to finish and 99% unfunny (by comparison, Ebola is funnier)...and these are the nicest things I can say about the movie. By the way, that IS Bobby Lee (from "Mad TV") wearing a diaper and participating in the dumb fake porno film. It's amazing his career could overcome this. | 0neg
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] |
I have always loved The Muppets. Though most children's entertainment then wasn't that likable, The Muppet's was. The Muppet's are very, very funny. They are probably the most likable children's characters ever. Not only did The Muppets have their own show. They also have starred in many films. from The Muppet's Christmas carol to The Muppet's treasure Island. The first Muppet's movie, The Muppet movie, was also, like the show and the other films, excellent. The Muppet movie is about how they all got started. Kermit the frog used to live in a swamp. Until one day a movie executive tells him that there are auditions for frogs in Hollywood. So Kermit takes off for Hollywood. Along the way he runs into lots of people such as Fozzie Bear, Gonzo the great, and Miss Piggy. Also, an evil man is trying to capture Kermit. All of the Muppet films are highly enjoyable. I mean they are all very funny. This film has many film appearances. Such as Steve Martin, Mel Brooks, Elliot Gould, Carol Kane, Richard Pryor, and Orson Welles. The Muppet films are all very enjoyable. I hear that Jason Segel is going to star in one soon. I can't wait to see it. | 1pos
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] |
I have seen this film but it was many years ago, when myself and a friend used to rent videos from the local store and there were certain ones we would rent again and again. This film (Along with "Trick or Treat" & "Killer Clowns from Outer Space") was one of the few that we could watch umpteen times without getting sick of it. It may have been the "implied" vampirism, as we were big horror fans, or just that at the time we were into war films ("Platoon", "Jacob's Ladder", "Full Metal Jacket", that sort of thing) I have been wondering if I could get a copy of it from somewhere. I loved it, and would love to know if it has ever been released on DVD. Would anyone with information about it being released on DVD please contact me. Thanks. | -1no label
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] |
Okay first i want to say even if i'm a Turk i don't like these type of movies but still i wanted to say a few things.The first movie 'Dünyayı Kurtaran Adam' was a total disaster everyone in Turkey makes fun of it because it was made seriously as a sci-fi movie and they stole many things from Star Wars.But the second movie is a comedy.Now the MOST important thing in a world class comedy film is to make EVERYONE on the planet laugh,but it doesn't mean that you have to make everyone laugh to make an ordinary comedy movie,i read that one commenter said that its not even close to funny,now i'm from turkey and believe me there are MANY European and American movies people from here don't laugh at and there are many movies you people don't laugh at,this films aim is Turkish population because Turkish sense of humor isn't same with the others,actually EVERY countries sense of humor is different with other countries so MY OPINION is that it doesn't make sense to say 'not even close to funny' to a 'comedy' movie that isn't in your country because it may not suit your sense of humor but people here liked it not very much but still they liked it,so please make your comments on comedy movies according to these things..i'm sorry if my English was bad.. | -1no label
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] |
I'm a huge fan of the first movie. And watch it every chance i get on cable. And had no idea there was a sequel till i saw it on AMC recently. I said to myself, what the heck. I'll give it a lookover. I noticed from the IMDb profile that they got the original Hanson brothers to play there roles. And they really look the same. I didn't recognize no one else from the original. Baldwin and the rest of this cast are terrible. There's nothing funny or even interesting here. Its a terrible movie in every way and form. And Stephen Balwin as the captain? You could of cast Pauly Shore and make it more believable. If there was going to be a sequel it should of been done right after the original. Maybe have them moving to Florida like the Newman made up in the first movie. When was this in the theater if at all? I keep up on new movies, whether in the theater or made for cable. This one must be thee old- straight to video cat. | -1no label
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] |
Before watching this movie/ or whatever u call it. My no 1 alien movie was in confusion between these few titles i will mention. War of the worlds(2005) , Altered(2006), Contact(1997) Close encounters of the third kind (1977). I love complicated/hanging (sort of unfinished business type) endings in a movie. But after watching this 1, i fear meteors and the possibility of an intergalactic war far more worse now. Giving me the creeps and chills every now and then when i go to bed (it just wont go off). This 1 is very well done.So bold, so direct, the fact that everything was happening so fast in the movie without breaks was So SCARY!. Forget about the acting.. this movie took me on a deep journey that i felt acting wasn't necessary anymore in alien movies. The story and the idea deserves an Oscar. Came across it a little bit late as it was released in 1994. But well worth it in the end. Therefore this is my no.1 alien encounter movie undoubtedly for now and for a long time to come. Didn't even need fancy CGIs or Alien costumes. Nowhere to be seen yet so disturbing. Wud recommend this to any sci-fi fan. 10/10 | -1no label
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] |
The very first time I heard of Latter Days was when I was renting DVD's and I was interested as I am a member of the LDS Church. I found this movie very heartfelt and in several areas it made me cry. The reason for this is that too many years ago I knew a young man who went through what Aaron (played by Steve Sandvoss)does in Latter Days, but unlike Aaron this dear young man did not survive the ordeal. He ended up taking is life after his church, his friends, and his family disowned him because he was gay. There have been many people who do not think that the things that are shown in the movie really happen in this day and age, but the sorry and sad thing is they do. For those of you out their who are gay and young you need to see this movie and if you are a gay Mormon you really need to see this movie. Plus if you get the DVD there is help for you listed in the DVD. Teenage suicide in the gay world is very disturbing and this movie touches it but that part is hidden to a degree. The acting and the music is excellent. This movie sold out every movie house that it showed but it only showed in major cities and had a very limited release, so for those who would like to see this movie I would recommend the DVD release. The only people that I know who did not like the movie are members of my own church and they did not see the movie because of the subject matter gays and the LDS Church. See the movie, experience the story, and feel the emotions that are showcased in this movie you I feel will not be disappointed. | 1pos
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] |
I'm a big fan of the movie serials. I never watch even the best of them with the same critical eye as I do "real" movies. But even by those lowered standards, this film is a big bore-fest. People commenting on this list seem eager to use "worst movie of all time" to describe anything they happen to dislike, but I hesitate to use the phrase here, even though I am sorely tempted. I'm certain that there are other films that are worse than this, but I'm just as certain that I don't want to see them. The movie is clunky and stereotypical, rather demeaning of Asians and women. That's actually par for the course for an action film of this vintage and is understandable even if not really forgivable. What is not really understandable is why an action thriller has only sporadic, stilted action, a cliffhanger has no real cliffhangers and something designed to bring you back to the theater week after week only makes you want to hurry ahead to the comedy. The plot--trying to keep the tourists out of Chinatown--is a ludicrous as the Monty-Pythonesque spike in the telephone gag used in the film. I saw the film on two DVDs; I bought the second part by accident and was confused a bit by it. I figured that starting at the beginning would help. It didn't. Try not to watch the film alone. It screams for MST3 treatment! | -1no label
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] |
Actually, I didn't have high hopes for this film. Usually when a film stars a professional wrestler, more often than not it is going to be junk. These guys aren't just that good of actors. This one, however, was a little better than most. First, it truly ridicules the awful cultural phenomenon known as "reality television". Secondly, it has some interesting moments. The scenes where the producers of the show actually start to have reservations about what they are doing. The scenes where Austin tries to act with some humanity when everyone else around him is murdering with impunity. It's not Shakespeare. It's not Lawrence Olivier. It is good entertainment for a few hours. There were some parts where I thought were stupid, like giving the ankle bracelets 10 second fuses, allowing someone to pull the pin on an adversary and kill him/her ten seconds later. Or the black guy (characer names are hardly worth remembering) who says he will never trust another woman and then realizes the female contestant just pulled his suicide pin while she runs away. | -1no label
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] |
This was a major disappointment for me. I have always been a fan of Walter Matthau and Robin Williams and director Michael Ritchie, but not even the three of them together could breathe any life into this dry film. Williams' character, Donald, is a neurotic, bumbling idiot who is unforgivably paranoid, and his relentless struggle to make some sense out of his life simply isn't funny nor interesting. Sonny Paluso (Matthau) is a sour old fart who, of course, eventually warms up to Donald (aaaaaaawwwwwwhhhhhh). I went to see this with a friend, and , aside from two other people, we were the only ones in the entire cinema--not a bit surprising. The World According to Garp is a much better representation of Williams' early '80's efforts. As for Matthau and Ritchie, stick with The Bad News Bears. | -1no label
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] |
This is an absolute gem of a series. Everything is spot-on with the acting, sets, stories. If you watch one comedy show this year then this is the one. I remember watching really bad horror series and films in the 80's and this recreates it perfectly. The characters are perfect, Dr Lucien Sanchez has got to be the best character on the small comedy screen for a while. Get the DVD as it's got all 6 episodes plus some really sketchy and random extra scenes. All I can say is get this now if you like your comedy a little weirder than normal. You won't regret it traveller. | -1no label
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] |
I loved this movie when I was a teenager. LOVED it. It hasn't grown up with me, though. Maybe that's because it's a melodramatic load of old rubbish, full of macho posturing, cheesy dialogue, overwrought slo-mo and characters saying 'Goddammit' a lot. The lumpy narrative blobs gracelessly from one character to another, one plot strand to another, without ever bringing it all together, and it doesn't help that William Baldwin's mono-expression of a performance is wet enough to put out every fire in the movie's overlong runtime. Robert DeNiro and Donald Sutherland are worth watching, but no one's really at the top of their game here, and the women folk get particularly short thrift. The only real impact comes from the impressive firefighting sequences, and Hans Zimmer's majestic score, which remains one of my all-time favourites. | 0neg
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] |
2002's undeservedly popular "I Love the 80's" is an inane, idiotic, offensive and downright disgusting pop-culture mess of a show that was the first in a long-line of horrid television programming that ultimately spelled out the end of VH1, which was at one time the only real music-oriented channel left on TV! I used to practically live on VH1 up until the spring or winter, I forget which one now, of 2002 when garbage like this started to appear for absolutely no reason whatsoever. Out of sheer morbid curiosity (I'd guess that's what you'd call it) I had decided that I would go ahead and give it a look-see anyhow the first night it came on even though the advertisements looked like complete crap. At least I can honestly say that I wasn't a bit disappointed by it because my expectations were obviously bottom basement-level to begin with. The emphasis of this show I found out within the first 5 minutes was less on each year of the 1980's and what was and wasn't culturally significant or popular (which is what I was expecting to see), but instead more of an impromptu platform for a whole slew of really god-awful no-name comedians to display what they more than likely think is their comedic skills *rolls eyes*...more like lack-thereof if you ask me! It's pretty easy now to see why no one had ever heard of any of these idiots before they appeared on this show because they are all so terribly unfunny and pathetic in their attempts at so-called "humor" that I swear I could feel my intestines knot up with each and every rancid one-liner they shot off one after another! Altogether, I have no problem in saying that "I Love the 80's" was/is trash of the lowest denominator, and one of the main reasons why I almost never watch VH1 anymore. | 0neg
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] |
This is a weird movie about an archaeologist studying the culture of the ancient Hohokam Indians. She takes a (really fake looking) mummy out of a burial cave and brings it home to study it. Well, pretty soon she starts acting weird and talking to this mummy. And shortly thereafter her son becomes possessed by the spirit of the mummy. Even stranger events take place as the spirit then tries to destroy the woman's family. This is actually REALLY BORING, overall, and it will make you fall asleep the first couple of times you try to watch it. But if you keep at it, you may just make it to the end. Ahah! What is the secret of the mummy? Is the mummy's spirit angry that it has been removed from the cave? You may not be able to ascertain what the spirit's motivation is, but if you like spooky shenanigans on a low-budget (and 70's hairstyles!) this will have a certain comforting appeal. The way I have described the story is much clearer than the jumbled, boring way the film lays the story out. Can a boring movie really be fascinating? Well...somehow this one achieves that. Maybe this is a good movie at heart but executed in a rather awkward way. I don't know. What I do know is that I enjoyed it quite a bit, despite its dullness. Fans of "Spider Baby" will be interested to know that a couple of music cues from that film are used in this one (including an instrumental version of the theme song). Featuring one frightening and fairly well-done sequence showing possessed boulders and rocks rolling around by themselves and eventually attacking some people in a camper. Other scenes in the movie are merely spooky or quirky; but this one scene is actually pretty scary. See this! It's weird and it's worth your time. You might even want one on your shelf. | 1pos
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] |
"Priscilla, Queen of the Desert" is always being trotted out as a masterpiece of Australian cinema. I found it quite disappointing. The lead actors are great - Terence Stamp is aging beautifully, Guy Pearce should do more comedy instead of the dour roles he chooses and I've been a fan of Hugo Weaving since I saw him play Oberon eons ago. The cinematography is great, but if you've ever been to the Australian outback, you'd know that the air is so clear and the light so brilliant that they could have shot it on the movie equivalent of a Box Brownie and it still would have looked spectacular. So what's my problem? Well, three things. First, there is not a sympathetic female character in the whole film. A woman who has to earn her living shooting ping pong balls out of her privates in a roadside pub deserves our sympathy. Tick's wife doesn't get much better treatment. Second, the scene when they sing "I Will Survive" to a group of Aboriginals is offensive. To try to draw any sort of parallel between the struggles of drag queens and trannies and the almost total destruction of Aboriginal culture, which is what I assume the scene is supposed to do, shows a level of historical understanding worthy of Paris Hilton. Last of all, and the greatest defect of the film is that it just isn't funny enough. Did Stephan Elliott actually talk to any drag queens when writing the film? Anyone who knows a drag queen (or three or four) knows that most of them have rapier-like wits and they're not afraid to use them. Now, I can understand that a lot of drag queen banter probably would have got the film refused classification but Elliott should have been able to gather enough "fit for the kiddies" material to complete his film. So, all in all, a waste of a good idea and a great cast. | 0neg
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] |
''Wallace & Gromit in The Curse of the Were-Rabbit'' is the same type of animation and from the same creators of ''Chicken run'', but the story now is other: Wallace, a inventor who loves cheese and his smart dog Gromit who is always helping Wallace in his problems,are trying to keep the rabbits away from everybody's vegetables,since there is in their town, an annual Giant Vegetable Competition. But when Wallace tries an invention he did, to make the rabbits avoids vegetable, the one who is going to be cursed is him. Before watching this movie I didn't knew that these two characters already existed and were famous.I loved Gromit, and I think he is one of the coolest dogs I already saw. aka "Wallace & Gromit-A Batalha dos Vegetais" - Brazil | 1pos
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] |
I believe that there is an industry-wide conspiracy to deny theatrical access for independent films, particularly those with multi-cultural casts and themes. Blue Hill Ave. reinforces this suspicion in my mind. Of course, I've seen better movies, but I've certainly seen much worse movies in theatrical release and I cannot believe that Blue Hill Ave. could not merit at least a moderate theatrical release on about 500 screens. I would have certainly paid $8 to see this film rather than to see "Soul Plane", "You Got Served", "Baby's Daddy", etc. Perhaps the Justice Dept. needs to step up their investigation into the anti-competitive practices of the mega conglomerate-owned film production and distribution entities. This was supposed to have been resolved in U.S. v Patamount back in 1948! Anyway, I digress. I though Craig Ross, Jr. and his cast and crew did an exceptional job with this film, especially on such a low budget! If films like Cappuccino (an earlier quality film from this same writer/director) and Blue Hill Ave. can't make it to theaters and the previously mentioned vapid works are able to, why should intelligent Black folks pay $8. at the theater? I hope Mr. Ross' investors were able to profit on this one! | -1no label
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I think it was a pretty good film. It shows how someone grew up in an environment that created a rich and powerful man but unfortunately because of his ambition and the people around him it led to his destruction. It shows that you can't trust anyone especially in a world that deals with a lot of money and envy.The character that I mostly liked was Sebeva. She was another ambitious, powerful and ruthless woman in a man's world who loved and respected Kilo. She also knew that business was business and a dangerous one. Everything she did was risky but got the job done. She helped Kilo become rich with her connections. Overall, I really liked this film and have it in my collection and waiting for El Padrino 2. | 1pos
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] |
I picked this DVD up at Hollywood Video with some hesitation. I truly enjoy the genre but have seen some much less than good "Exorcist" ripoffs. Not only was I surprised to find this one entertaining...but I enjoyed it a heckuva a lot more than "Emily Rose"! The film makers took a low budget and worked extremely well within those confines, finding innovative ways to create "demonic possession" type F/X resulting in a truly entertainingly frightening little film! This film delivers a series of good old fashioned exploitation shock effects as opposed to lengthy boring dialogue sequences followed by a mediocre "bang" for your four bucks. The Asylm Video company is consistently releasing better and better direct to DVD fare, many of which eclipse the lackluster theatrical releases that these lower budget films are counterparts to. I only wish that I'd seen this one sooner...as it would have made great Halloween party movie entertainment! | -1no label
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] |
After nearly two decades of avoiding kung fu movies, a copy of this one was pressed into my hands by a very dear friend... who then extracted a promise from me that I'd take the time that night to sit and watch it. I was less than enthusiastic when I tossed it into the drive of my Athlon, but a promise is a promise, after all. Five minutes later, a nuclear strike warning in my town couldn't have torn me away from the screen, and it's been watched a dozen times since. There's always been a certain cheesiness to Hong Kong cinema, but on rare occasions a writer or director will directly tap a nerve and somehow weave that directly into the story: 'Kung Fu Hustle' is one of those films. This piece isn't simply a 'standard' kung fu movie; it's a romance, a sweeping portrait of good-versus-evil, and a moral lesson on the use of power. The comedic bits are so well integrated into the story that it flows smoothly from one tone to another. The fight choreography is stellar, and special care was taken to make sure that every character in the piece is human. There're no 'perfect' people or places, and it somehow makes the wire fighting that appears in parts seem believable. The acting is excellent and the camera work is all rock steady. Feeling jaded? Burdened? Wonder if it's possible for one person to make a difference? Settle in with a copy of this film, and believe... | -1no label
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] |
What is this ? A low budget sex comedy ? Anyway it describes perfectly the people in Spain. They could come up with a better idea, I mean they do this kind of movies since the 60s.. and people like them ! This is neither a teen comedy nor a family one (you can't let your 12 year old watch 2 guys in bed kissing, he'll never want to go to Spain). This should be rated "R", because only people 35+ seem to laugh watching :S I'm truly disappointed, maybe I don't like gays (which is quite an important part of the movie). Foreign humor is awful in films (except Kusturica), stick with doing dramas! If you want a new comedy try Talladega Nights | 0neg
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] |
"May Contain Spoilers* "All Dogs Go to Heaven" is a great movie. I saw it in 1989 when I was two years old. I didn't understand it that well but as I saw it more and more times I started to love it. I love the songs in this movie. My favorite songs are "Let Me Be Surprised" and "Soon You'll Come Home". Those are beautiful songs. The only thing that bothers me about the movie is Charlie dieing. When I was little my sister couldn't even watch that part. Other than that this movie is wonderful. My favorite part of the movie is when Annabelle and Charlie are flying around heaven. Heaven is beautiful in the movie and the "clocks" are very clever. I also love Itchy, in fact I have 3 dachshunds of my own. They are so cute. Overall I love this movie and suggest everyone should see it. I give this movie 10/10 stars. | 1pos
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] |
Horror movie??really???? i cant believe how bad this movie was,what the point of this movie??? the movie almost 1h and 30 min and the first 70 minutes of it,is just lena walking around with this stupid look on her face after she had an accident....not much talking at all,not even much actions at all.. i have to say tho,the last 20 minuets it got little tiny action.. and was still stupid....... and the end oh my god,i don't know where to begin,it also end up with this stupid look on lena face lol.. don't get me wrong i love Lena Headey,i think she is great actress,but i don't know what got into her to do this movie.. don't waste your time and watching it,because this movie has no story,has no acting ..and has no point...not to mention how slow this movie goes and it feels like you been watching it forever. | 0neg
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] |
This is truly Abominable! I did an independent test asking a few non sci-fi nerds "What is the 1st word you tend to associate with Abominable?" and almost all of them said Yeti. Where as this film is more about Sasquatch and he is nothing even close to the Abominable Snowman or Yeti. Having seen the cast list as the opening credits rolled, I wondered why Jeffery Combs And Lance Henrikson were so low on the billing. Jeff gets about 10 or so minutes screen time, Lance gets even less and both get killed. Basically this is the old "There's something nasty in the forest" plot. The ending is quite a fun twist and possibly the only surprise the whole movie has to offer. Watch it if you must, it's fairly harmless. | -1no label
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] |
Kudos to the writers of this film for creating a supremely engaging drama. The curious character development is indicative of a nuanced and well schooled writing team. The audience member cannot but help but to feel that (s)he must make wrenching emotional decisions pitting the cerebral against the libidinal. The viewer has an opportunity to develop the character herself, though her predictions are rarely validated. Credit is also due to the filmmakers for breathing life into the setting. The wood-shop is transformed into a unique persona as the film unfolds, with its own traits, faults, a variety of highly charged relationships, and of course a fate inexorably tied to that of the other principals. Make sure to catch this one at your local art-house. | 1pos
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] |
In my reading experience Timeline is one of my favorite books, the story is great. You'd never know that if you watched the movie. The only thing I like in this movie better than the book is the time machine, it looks pretty cool but the rest is horrible. I could guarantee you I, myself, in my limited acting experience could portray any of those characters, even the female leads better than how the actors portrayed them. And although the time machine looks pretty cool the time travel sequence is horribly lackluster to the special effects it deserves. DON'T BUY IT. DON'T EVEN RENT IT. Ladies, if you want to see Paul Walker in a film rent Varsity Blues. | -1no label
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] |
There is nothing more painful than an unfunny comedy, and Skid Marks is a perfect example. Unlike a terrible horror or drama, where at least some enjoyment can be gotten out of unintentional humor, a god-awful comedy is just ....humorless. The acting here, aside from Dianna Agron, and maybe Tyler Poelle, is uniformly awful. If your main reason for watching it (as was mine) is to see San Diego locations, forget it, because in the 45 minutes I lasted before walking out, I saw none (and I never walk out of movies). I viewed a lot of bad movies during my time as a video store clerk, but this one may just be the worst (and at least those I hadn't paid for). | -1no label
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] |
Chuck Jones's 'Scaredy Cat' is the best of the few pairings of Porky Pig and Sylvester. Casting Porky as Sylvester's owner (Sylvester is more cat-like than usual, remaining silent for the whole cartoon), 'Scaredy Cat' finds the pair moving into a spooky mansion which terrifies Sylvester from the outset. Rather than ghosts, however, the mansion is populated by murderous mice who ritually execute their victims. Somehow this makes 'Scaredy Cat' all the more frightening. And it is frightening! There are several morbid sequences including a scene of a cat being carted off to his death by a mousey executioner and a moment in which Sylvester attempts suicide rather than being sent out to face the vicious vermin alone. Most terrifying of all though, is an infamous sequence in which the mice take Sylvester to the basement. We never see what they do to him but he emerges nearly three hours later, a pale white zombie scared rigid by what he has experienced. It's a classic example of the human mind conjuring up far worse scenarios when the details are left to the imagination. All in all, 'Scaredy Cat' is an indelibly creepy and extremely well staged cartoon which relies on horror as much as laughs to achieve its impact. | -1no label
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] |
Surprisingly well-acted, well-written movie about hard rockin'-but-decent young man getting that much-hoped-for ticket to stardom: his favorite heavy metal band wants him to replace their lead singer. Not far-fetched, the film tries keeping things in perspective and doesn't go over-the-top; it certainly makes you think twice about those lingering adolescent fantasies about being in the music business. But the script, despite solid dialogue, follows a tried-and-true, formulaic pattern, and gets bogged down by its own clichés in the final act. I enjoyed it much more than the sugary fluffball "Almost Famous". It has a nice, bitter edge to go with its heavy metal decadence, but a stronger finish might've made it more memorable. **1/2 from **** | 1pos
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Wow -- What a gem -- I wonder how Sadler (director) managed to elicit such performances from the entire cast -- I kept waiting for an awkward or flat note from one of the actors, but it never happened. Completely convincing characters, and the accents are right on. Dialect coach and director deserve accolades. I was particularly impressed with how the Merill character turned out-- she could have SO easily been the stereotypical vampy-sexy-screwed-up character, but she was so fragile and so NOT in charge of herself while still remaining appealing-- and with Cherry Jones, of course ("Sit down, Shelly"), and Sean Hatosy is heartbreakingly dear -- could he possibly be anything other than a small-town cop searching for stronger self-esteem? I also am amazed that a movie with such seemingly humble and unglamorous themes has such a breathless pace -- no one could ever fault this sleeper/swimmer for being "slow." I am eager to see who is smart enough to pick up this film -- this young writer/director is going places, and some fortunate and talented people are going along for the ride/swim. | -1no label
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] |
An in-name-only sequel to John Carpenter's Vampires, this movie takes place in Thailand and involves a sect of bad vampires, who enjoy killing people, and a sect of good vampires who do not. While it's an interesting idea to set a vampire film in Thailand, the writers don't seem to do a lot with the exotic locale. This film could just as easily have been set in Los Angeles. Which brings me to my next point, which is that this seems a lot like Blade Lite. We've got the rock soundtrack, the martial art battle scenes, a dance club bloodletting and, of course, lots of sharp objects going through vampires. What we don't have is the budget and talent. Yes, the hero is a good martial arts fighter, too bad his acting wasn't as good, and there's plenty of decent wire work, and tons of revved up fight sequences, maybe too many. The problem is they just don't have the same impact as the ones in any of the Blade films. Perhaps it's just that the film has a "been there seen that" feel to it. However, for me the biggest problem was that the filmmakers didn't take enough time to establish the relationship between the lead, played by the buff and bland Colin Egglesfield, and his girlfriend. She gets snatched at the very beginning of the flick after a whiny exchange with her boyfriend. We have no vested interest in her welfare at this point and no reason to believe that her boyfriend would be willing to risk his neck to save her. Now that's a major drawback when that's the major thrust of the plot. In the end, you could do worse than waste 85 minutes of your time with this, but I can think of a lot better things to do with your time, like renting any of the Blade movies. | 0neg
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] |
I saw this film 2 weeks prior to going on a snowboarding holiday, so for me it was really just to get my mind in mode for my holiday. The film boasts some sweet snowboarding skills, throughout the films in the action scenes. These moments were great, a bit like watching extreme sports channel. Sadly the story was quite honestly awful, the acting was generally alright, with a fairly small cast. This film is apparently comedy, at least it tries to be comical, but it seems like the comedy and the storyline was written by a teenager. The story lacks any depth or purpose and the comedy struggles to be anything more than a small snigger a few times during the movie. It might be worth renting just to see the snowboarding action, but then again there are plenty of movies out there that are totally devoted to snowboarding stunts and don't feature a UN-funny badly written story. | 0neg
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] |
This movie was great, it had wonderful scenery, music, actors, the whole lot. It's very moving too: very sad and depressing. I saw it with 4 of my friends, and towards the end I could not stop squeezing my friend's hand. I was in a state of just *awe* for 1+ days after seeing it. It made me feel a lot like how i felt after "Escape from Sobibor." I predicted how the ending would play out (and i was right) even though I did not want it to. Very moving, very good, very sad...go see it unless you are the type who likes uplifting, comical films. | -1no label
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] |
Wolfgang Petersen (Das Boot, Air Force One) gives us an exciting film where the accolades go to the supporting actor, John Malkovich. His criminal attempting to assassinate the President was first-rate and credible. That is not to diminish the efforts of Clint Eastwood and Rene Russo, or even Fred Dalton Thompson, who plays a real jerk of a White House Chief of Staff. Eastwood was great, and I love any film that Russo is in. The movie feature original music by five time Oscar winner (Malèna, Bugsy, The Untouchables, The Mission, Days of Heaven) Ennio Morricone. That alone makes it worth your time. | 1pos
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] |
I have always been keen on watching Hong Kong movies, but all of them failed to meet my expectations...until now! BURNING PARADISE doesn't contain the flat humor most HK movies have, nor a second rate story line that has been dragged into the film. The story is not complex, but there are never scenes that are just there to fill some "intelligent" space (the only truely intelligent martial arts film I have seen is CROUCHING TIGER, but since Hollywood is involved it is no true HK movie for me). There are some incredible fight scenes in this movie, from the first one(which is one of the coolest I have ever seen, yet so short) to the last main scenes! But mind, there's also a lot of blood that flows (people cut in half, decapitated, etc). The production is pretty good and the special effects show that the fantasy of the writer can be fulfilled even though some shots must be pretty technical (notice: the sheet of paper that he throws and got pinned into a wall!). Yep, it's not Tsui Hark or John Woo that made my favorite Hong Kong film, it's Ringo Lam! And I'm sure as hell going to check out more from this director! Ace. | 1pos
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] |
I recently had the good fortune to see this movie for the first time in a Paris movie house. I'm surprised to read a recent post about the poor film quality on the DVD release, because this film showing in Paris was absolutely pristine! Anyway, I'd put The Awful Truth right up there with the best of the screwball comedies of the era. (I think it's much funnier than the overrated (IMHO) Bringing Up Baby (which also stars Grant).) Irene Dunne really busts out of her more ordinary characters and shines in this film with humor, intelligence and, in the wonderful final scene, even sexiness! Grant, plays a fairly unsympathetic character, yet remains charming as hell. ***SPOILER*** My one problem with the story is the fact that by the end, Grant never suffers the consequences for the affair he apparently returned from at the beginning of the film. ***END OF SPOILER*** Special kudos for skillfully incorporating the dog. In far too many films featuring animals, the action momentarily screeches to a halt to accommodate an inserted shot of the animal's "humorous" reaction; The Awful Truth avoids this trap, and the dog (Asta from the "Thin Man" series) contributes seamlessly to the humor and the plot. | -1no label
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] |
The film was disappointing. I saw it on Broadway with Bernadette Peters and she was outstanding. Maybe as she, herself graps on to the end of her musical career, her condtion of desperatation lands her in role that she flaunts, re-invents and triumps as her own. Bette's singing is always belted, always flat and lacking to show her ability as an actress. To be entertaining, this performance was dying for a stronger lead and a stronger cast, so that the others would be memorable in Bette's absence. Another criticism: she smiles directly into the camera every time she start singing! I know it is musical theater, but please leave some grace sociale-- Middler cannot perform like Liza or Streisand might in a retrospective tour - out of character and out of context. | 0neg
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] |
There is nothing I hate more in a movie than pretentiousness, and this is one of the most pretentious films ever made. It's self-consciousness is obvious in every frame: "see what a profound, sophisticated film we are making," the director and screenwriters seem to be saying to us, and to themselves they say, "lets's see how we can bore and confuse the audience even more." I would rather watch the worst film by Ed Wood or Edgar G. Ulmer than something like this. At least they were giving us honest trash, and at least their films, in their own atrocious way, were entertaining. This film is about as entertaining as a root canal without anesthesia, and thus is tantamount to torture. Have these screenwriters ever heard the word 'story?' It doesn't appear so. They have a concept, they are able to create an atmosphere, and they were able to assemble an excellent cast and elicit good performances from them. And for what? To bore us for an hour and 45 minutes? Nothing really happens in this film. The only exciting part, and this lasts only about two minutes, occurs when one of the soon-to-be-evicted homeowners starts shooting at the state employees who come to tell him he has to leave. But nothing comes of it. Too bad he didn't keep shooting until he hit the screenwriters. The only redeeming features of this film are the acting and some beautifully photographed scenery toward the end. 3/10 | -1no label
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] |
this one of the best celebrity's reality shows a ever saw. we can see the concerts we can see the life of Britney, i love the five episodes. i was always being surprised by Britney and the subjects of the show i think that some people don't watch the show at all we can how a great person she his. she his really funny really gentle and she loves her fans and we can see how she loves her work. i just don't give a 10 because of k-fed he his a real jerk he doesn't seem to like Britney at all. I they make a second season of this great show because it shows at some people how Britney really is. Go Britney your the best and you will never leave our hearts. | 0neg
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] |
Just saw it....the story, the plot, the script makes absolute no sense!! Its Samvise the brave part 2(without the RING), its characters showing up out of the blue(for no reason),its Hercules hated by everyone(no one knows why), its Leelee Sobiesky showing her true talents(two of them), its crappy special effects, its a few good actors wasting their talents(did I mention Leelee's two talents??)... do I have to say more??? ITS JUST AWFUL, even for NBC-TV standards!!! Its just the lowest....what a waste! by the way: how can you people give this mini-series so many stars????? Its beyond me!.... Shame on you! Have to make 10 lines, so this is my final word: AVOID, AVOID, if u are considering buying it! | 0neg
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] |
Thank God I recorded this film when PBS broadcasted in 1987. I did this for my two girls, then 5 and 7, they absolutely loved this movie. They are now 27 and 25 and this VHS cassette tape is now my treasured possession... About 2 months ago, a cable station broadcasted a 1995 version of 'A Little Princess' which I have never seen before, I watched it and thought the content was a little different; therefore, I took out my recorded copy from PBS and wanted to compare the difference. It was 20 years ago that I watched this film. Twenty years of busy life will make anyone forget certain details about any movie, but one thing I remember vividly is that Sara's father was not alive at the end. Yesterday was a rainy day in California so I decided to watch this movie while my memory of the 1995 production is still fresh. I have to say this to the readers, if you haven't seen the 1986 version yet, you are missing a lot! I was in tears for at least 3 to 4 times. I have not read the book nor seen the Shirley Temple version. I do not intent to because I have already seen the best; but will read the book when I find time so to confirm what everyone have said. My comment to writer 'hhy203': I strongly recommend you watching this movie again (after 20 years). I am sure you will agree with what I wrote. I am, like everyone else, longing for the DVD to come out and will be disappointed if it does not. I sincerely hope that the comment 'Linda' wrote about the splicing of the scenes will not be repeated on the DVD production. I am glad to have at least a completely perfect version to watch because I dubbed it from the PBS broadcast, but VHS will not last forever and I would like to own a DVD copy for my grandchildren someday... | -1no label
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Wow, what a racist, profane piece of celluloid garbage, and what an insult to the great genre of Westerns. Exploitive? Sex scenes abound, profanity abounds, violence and gore abounds.....everything that gives modern movies such a good name, especially among those who prefer classic-era movies. This is the kind of sleaze that gives the old folks ammunition against today's films. Somehow I just can't picture nude male bathing scenes in Randolph Scott or Gene Autrey films. Nor can I picture hearing "motherf---er!" exclaimed here and there. I sincerely doubt that word was even around over 100 years ago. Yet, the f-word is so prevalent here you'd think you were watching a story centered in today's urban areas, not the old west of the 1800s. Prejudice? Well, what if all the white characters were good guys and every black person was the nasty, brutal villain? Do you think someone might complain about a racist movie? Home come we don't hear an outcry when the reverse - as demonstrated in this film - is shown in hundreds of theaters across the country? Mario Van Peeples wrote, directed and starred in this bomb. Remember that name. Apparently, he is the "Ed Wood" of today's filmmakers. Even Spike Lee wouldn't be this racist. You can't get much worse than this movie. | 0neg
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] |
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