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One of those beautifully intense movies that draws us so intimately far in, it ends much to soon! Than were left looking at the screen like, "No they didn't!", lol. Good performances all around! The acting is marvelous with Emily Blunt simply outstanding! I knew she would give a solid, convincing performance catching young Victoria's regality, temper, and vulnerability through out the entire movie. Also, the production is outstanding in every way: style, substance and sensitivity. A remarkable glimpse at a remarkable time in Britian's history told via a very personal and touching biography of the school age princess until her reign as Queen, later marrying Prince Albert, than ending with the birth of their first of nine children. It had a well written screenplay and flawless editing. Rupert Friend as the ever so patient and compassionate young Prince Albert vying to win the young Queen's attention, than securing her love, before Lord Melbourne(Paul Bettany), was engrossing to watch. Just as engrossing was the relationship between the teenage Victoria and her mother, which was fury at times, as with her mother and King William (whom also disliked her mother). The acting and scenes were captivating, highly emotional. I would recommend this to anyone interested in the historical and political situation existing in that era, and indeed, anyone who loves a compelling true romance story | 1pos
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Shintarô Katsu gained tons of fame playing the wonderful character, Zatoichi. The Zatoichi films had a weird and unbelievable concept--a blind guy is the greatest swordsman in Japan and spends each movie righting wrongs and exacting retribution on evil doers. He's a heck of a nice guy and the films are exciting and addictive (I've actually seen every movie). It is because of this I saw this final installment of the Hanzo the Razor series, as I assumed it would be very similar....and boy was I wrong! It turns out that the Hanzo films are extremely sexual in nature and they also promote the rape of "women who deserve it". You see, Hanzo is a policeman from the Meiji period and he regularly takes evil women into custody and interrogates them by violently raping them with his "penis of steel". How he made his member so strong is something you have to see to believe, but it certainly is NOT for the squeamish. Overall, I just can't recommend anyone sees these violent and misogynistic films. However, from looking at the other reviews, I can see that they are still very popular...and that is pretty scary. Despite some decent acting and amazing fight scenes, the films just are like brain pollution--and I'd hate to imagine how the films might have contributed to violence towards women. | 0neg
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The animation looks like it was done in 30 seconds, and looks more like caricatures rather than characters. I've been a fan of Scooby Doo ever since the series premiered in 1969. I didn't think much of the Scooby Doo animated movies, (I'm talking about the TV Series, not the full length movies.), but some of them were pretty cool, and I like most people found Scrappy Doo to be an irritant, but this series is pure garbage. As soon as I saw the animation, and heard the characters, (and I use that term loosely) speak, I cringed. Also, Mystery Inc., was a team, and without the entire crew to compliment each other, it just seems like opening up a box of chocolates to find someone has already ate the best ones, and the only thing left are the ones nobody wants. What's New Scooby Doo was better than this. If you're going to have a Scooby Doo TV series, include the elements that made the series endure so long. The entire cast of characters, and quality animation. They need to put this one back under the rock from where it came. | 0neg
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The IMDb votes for BURGLAR are all over the place. Substantial segments of users graded it 6/10, 5/10, 4/10 and 3/10. A notable percentage also voted 7/10 and 1/10. Such divisions only reinforce what is obvious to anyone who's seen this Whoopi Goldberg vehicle -- it's an extremely uneven effort. One of BURGLAR's biggest strengths is that it hits the ground running. Whoopi is great in the opening scenes, disguised as a fat-bottomed ol' lady ripping off a small piece of a rich man's riches. This sets the stage nicely for what promises to be a fast-paced blend of comedy, action, and snappy dialog. The film continues at a surprisingly entertaining level as our thieving hero, owing 25 G's to keep the lid on past misdeeds, agrees to snatch back some jewelry for a bitter ex-wife. Only things go terribly wrong when her target is murdered before she can make a clean getaway. Now she's the chief suspect and, just as O.J. once famously pledged, must find the real killer. Unfortunately, it's at this point, when our expectations are highest, that BURGLAR begins to fall apart. The film grows progressively (and unnecessarily) lewd and at times downright dreary (particularly the out-of-place climax). Though there are a couple of laughs, much of the humor is so painfully unfunny you almost cringe. Performance wise, Whoopi is at the top of her game. But hard ass/cutie pie act -- punching men in the groin one minute and making wisecracks the next --never really works. Spastic comic Bobcat Goldthwait is as zany as ever as her best pal, but no one seemed to realize that his is an act meant to be taken in much smaller doses than this. BURGLAR would have worked much better as a straight action thriller. Its insistence on trying to be humorous is what hurts it the most. Of course under no circumstances would this be a classic. But at the end of it all, you get the sense BURGLAR could have been more than it was. | -1no label
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This film is (or should I say "Both of these films are"?) really very suspenseful and action-packed. The acting is very good, although I would have liked to see the old pro's like E. G. Marshall, Martin Balsam, and Kim Hunter all have more time onscreen. Tom Savini reaffirms his position as one of our great makeup artists. The problem is that TWO EVIL EYES is much too gory, especially Dario Argento's take on THE BLACK CAT. I watched this movie on video last night and my stomach is still queasy 12 hours later. It is not necessary to show graphic and gory effects to tell a good story. DO NOT WATCH THIS RIGHT AFTER EATING, although dieters might do well to watch it before eating. Also, do not show this to children. | -1no label
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It's just too bad more people didn't appreciate Bobby Van when he was around. I've never seen him before, but I certainly will remember his energy and incredible footwork. Where are they now? 50 years seemed to have taken away the fun of making a entertaining musical. Watching rappers and boy bands has diminished our appreciation of what dance was all about. Donald OConnor, Fred Astaire, Gene Kelly, Danny Kaye all had desire that is lacking in movies now. Perhaps the cycle will return and will get away from Gangsta rappers and back to a style of entertainment that celebrated life rather than threaten it. Great work Bobby... Too bad I missed you. ......Wayne | -1no label
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OK, I had more fun watching Microwave Massacre that this steaming loaf. I enjoy a good B-Movie with some beer and a buddy, but this one hurt. I have a friend and we get together to watch what we term "Schmeg Movies". We enjoy the low budget gag/horror films. We have survived the likes of Manos The Hands Of Fate, Jack Frost 1&2, Psycho From Texas, Street Trash, Brain Damage, etc... But this movie was one of those where the people involved took themselves WAY to seriously! They actually thought they were making "Pulp Fiction" meets "Dead Alive" or something of the sort! The whole thing is very weak! It even looks like it was shot on a home video camera! Artisan should be ashamed of themselves for marketing this piece of trash like it is a real movie! Even the DVD case is deceiving! From the looks of it you are getting a real movie. 16x9 anamorphic, DD 5.1, commentary, etc..... You have been warned....... | -1no label
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There's nothing to say except I want my time back that this movie took from me. I'm not racist against Latinos. Hell, I'm half Brazilian. I loved the movie Kids. It doesn't make any sense. These kids just go around and do nothing. They're not even good at skating. The whole time I'm just waiting for something, anything, to happen! but it doesn't. NOTHING happens the whole movie. Did I mention they suck at skating. I might make a movie called beat up rockers, and the whole premise will be about kicking the sh*t out of poser moron punks like these kids. I'm not even going to get into it, this movie sucks. Please do yourself a favor and burn this movie if you come in contact with it so some other poor soul won't make the same mistake. | 0neg
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Much like the early horror film The Boogens, the devious unseen killer is quite a letdown when it finally becomes seen. Although Animal House's Stephen Furst obviously had fun in the role as a product of incest, his performance is more comedy than horror. The plot, an extremely tired one, has three sexy women(Bach, Lamm and Lois Young) unable to find a hotel for the evening, so they willingly accept to stay with a seemingly kind museum curator, exceptionally played by the deceased Sydney Lassick. If you have ever seen any horror film, you know that lovable IL' Sydney is a deranged psycho, so one knows what will happen to the lovely ladies. The three women are all very attractive, especially Barbara Bach, but Lois Young(a Helen Hunt clone) is the only one to go nude, as Sydney watches her take a bath. | 0neg
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] |
One: Richard Pryor and Jackie Gleason, two great comics turned into saps for a bratty kid. They've both sold themselves out in this one, worse than Pryor's character. Two: Horrible, overly sentimental script that could have been used in a Harold Lloyd movie its so cliched. Three: Choice of a black actor as the toy; the racial subtext of this is unbearable, as its never addressed. There's no message here, Pryor's part could have been played by any comedic actor. Four: That kid...I wish I could go back in time and prevent him from ever acting...that would mean movies like this one and Kid Co. might not have been made...and my childhood would have been free of their mind-warping power. So if you want to watch a couple of great comics defile themselves in a sickly sweet kiddie flick, go ahead. If you want to see them in something good, see Pryor's old standup act and Gleason in something better, like the Honeymooners. | 0neg
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] |
First off, I haven't seen the TV series about the same main character. I know there is an audience for movies like this. But I tend to expect at least a small storyline that is been followed in the film. After watching "Der Clown" I am not sure what story was told there. All I can recall is this: A guy, formerly a member of some sort of special forces, dropped out of that unit. Now he is free to break legal rules to successfully hunt down the bad guys. Of course his girlfriend had fought on his side and has been killed in action. We learn this in the opening scene. The bad guys have the famous idea to rob gold bars (can money be more difficult to carry away?) and they do it with ease. It took just a grenade on the highway to get rid of all the chasing police force. The Clown starts the hunt. A friend supports helicopters (yes, several of them, because they are wrecked one after the other). And a blondish journalist shows up, right in time to be taken hostage and later to kiss the clown. No other purpose for her to be in the movie. I already forgot how the bad guys were stopped in the end. Action in a movie doesn't have do be explosions. But in this movie, everything explodes. And as in the German TV series "Cobra 11", cars tend to lift off in slow motion as soon as they hit a little obstacle. This is dull entertainment, destruction for the lover of brute force. You don't care for any character in this movie. The makers tried to make us feel for that poor man that had lost his girlfriend, but it doesn't work just by putting in the scene of her death in slow motion. If you like TV productions like "Cobra 11", you will probably like this movie. But don't expect more. If you go to the movies to be touched and moved by the story, this is definitely not your film. | -1no label
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] |
"The Nutcracker Fantasy" is unlike any animated film I have ever seen. The puppet-animation, which looks remarkably similar to the later puppet-animation of Rankin/Bass, is exquisitely detailed and beautiful. The story is told in such a fantastic and mystical way that it leaves the viewer feeling a bit dreamy, confused and even disoriented. To tell you the truth, I have seen this film several times and still cannot describe it completely. But it's basically about a girl named Clara who receives a nutcracker doll from her Uncle Drosselmeyer and falls in and out of a fever-induced hallucinogenic state. Here she dreams of the nutcracker being attacked by an army of wild rats who are led by an evil 2-headed rat. The rest of the story goes beyond explanation but glimpses include the nutcracker doll coming to life and a kingdom where a princess, who exactly resembles Clara, has been kidnapped. It is a wonderful special that I enjoy watching every year on the week between Christmas and New Year's Day. "The Nutcracker Fantasy" features an all-star cast including Christopher Lee, Melissa Gilbert, Eva Gabor, Michele Lee, Roddy McDowall, Dick Van Patten and others providing voices for the puppets. If you can find a copy of this film, I highly recommend watching it. | -1no label
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] |
Think Pierce Brosnan and you think suave, dapper, intelligent James Bond. In this movie, Brosnan plays against type - and has lots of fun doing so (as does the audience). This is a film about a hired assassin who befriends a harried businessman... and it works! This is a fun movie, with very good scenes (a riveting, on-the-edge Brosnan and a good, compliant "off"-the-edge Kinnear have some good lines). My only cavil is that Hope Davis, playing the oh-so-tolerant wife ("Can I see your gun?") doesn't appear more often: she could have been a marvellous foil to these men. This movie is like a matador: it plays with the audience, while "going for a kill". The ending is awesome because a storyline (with a positive moral!) emerges: this is a frenetic, frantic and fun movie, which does deserve a wide audience. | 1pos
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] |
The initial commenter wondered if Janet Leigh was dubbed in this film since he couldn't remember her singing in any of her other pictures. Well, she did sing in other films, most notably in "Bye Bye Birdie", and "My Sister Eileen", and while she was not known as an accomplished singer or dancer, she managed to give fairly good performances in both films and to demonstrate a competent ability in numerous guest appearances on variety television programs of the '50's and the '60's. I hope this will help to answer your questions. You might also look at her work in "Rogue Cop", where she plays a singer, and "Walking my Baby Back Home", a musical she made with Donald O'Connor, as well as "Fearless Fagan" where again, she is a singer/entertainer. She speaks at length about her musical experiences in her autobiography, "There really was a Hollywood", and gives a great accounting of her early career. | -1no label
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] |
As a local performer, I thought that "Grease" showcased what Broadway producers are looking for and it highlighted a small bit of the acting population. Although my favorites did not win (but came in second), I enjoyed comparing myself to them and seeing what I liked and where I could improve as a performer. They brought in Olivia Newton-John because she is the obvious link between the Broadway production and television audiences. They sang songs from the movie ("Hopelessly Devoted," et al) because these songs will be included in the new production. I agree with the earlier comment made that the B'Way cast looks so much older, but you must bear in mind that these are people who have been on Broadway and worked their tails off to be there. If the entire cast was green and fresh then I believe that would have compromised the casting process by which producers choose their talent. | 1pos
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] |
I went to this film expecting a comedy in the mold of "Sonnenallee" or "Good Bye Lenin", and I wasn't disappointed. The characters became very real to me, even Hardenberg, the kidnapped businessman, who was a bit wooden at the beginning. For me, the best part of the film was watching the relationships build between all 4 of the main characters, both before and after the kidnapping. There is really very little action in the film: it's more about watching the characters develop personally and in their dealings with each other. Lest this sound too dry, I found the film quite humorous at times, exciting and emotionally intense. The conclusion is left open to interpretation--but you'll have to watch the film quite carefully to have the data you need to make your own interpretation! Highly recommended! | -1no label
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] |
I have recently spent many an hour watching the feature length films of Charlie Chaplin and have grown to appreciate just what a fantastic film maker he truly was.having now watched 'The Circus' for the first time in it's entirety,I believe that it should be ranked amongst his very finest works. The plot of the movie may be a little flimsy and it could be described as a series of sketches rather than a feature film.But that shouldn't detract from the many merits that this film has.There are so many scenes of creative brilliance;the hall of mirrors,pretending to be an automaton,the chase in the circus ring,the fabulous tight rope segment.These all go to show what a great movie legend Chaplin was and he should be regarded in the very highest esteem. 'The Circus'may not be Chaplin's very best movie,but it is a joy to watch,especially when you consider the turmoil he was going through while he was making it. | -1no label
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] |
This brief review contains no spoilers since the movie spoils itself. It is wooden and pedantic. It has no saving grace whatsoever. If someone invites you to his house to watch "Mr. Imperium", don't go. Even the title of the movie is dreadful and portends what garbage lies within. The whole plot is so bad that it could drive Mother Theresa to despair!!! It wasn't a stroke that led to the early demise of poor Ezio, it was having to act in this clunker that did him in. It must have haunted him the rest of his days. Perhaps he was an enemy alien and wanted revenge upon the Americans for his confinement. He found a perfect vehicle for his wrath in this travesty. | 0neg
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] |
What a sad sight these TV stalwarts make, running out the clock on their careers stumbling about a little rusting hulk of a ship - boat might be more appropriate. The whole production feels cheap and shabby, and it's not helped by a "big name" star who is barely capable of spitting out the few lines that he's given in a credible fashion. At no time do the supporting cast rise above the material; they're clearly watching the clock here. Bang out the scenes, get the pay cheque, go home, and try to forget all about it. It's not particularly badly scripted or filmed; there are no real clangers, it's just utterly anodyne, and shot in a very limited number of cramped sets with a small cast of extras. The pacing is a little bizarre; an embarrassingly tentative romantic sub-plot is only begun after the main action starts, which makes it feel irrelevant. Maiden Voyage scores a couple of points for being competently scored, and for being a fun game of "spot the Kiwi bit parters"; most of the cast are graduates of Shortland Street or Xena: Warrior Princess. The saddest thing about this production is that this film probably constitutes their big break. | 0neg
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] |
Keep in mind that it is the sequel to a movie just as "hollow". So it couldn't have been very good. The thing is that I like Christian Slater, I think he can be a damn good actor when motivated, so what happened to him? How can he play a character that is not on the screen? He appears in a flashback and once in the end. He used to play in good indie-like movies. It's a pity. Anyway, the movie is as straight forward as it can get. Hollow man = bad; cop = good; gorgeous, rich and smart scientist = trophy. Now, of course the government is behind it. As a parenthesis, it's the second US movie I'm seeing tonight and in which the idea of the government covertly doing bad things is tacitly accepted in both of them. I mean, OK, it is plausible that a great deal of power will corrupt a great deal, but to accept it as normal, let it slide? What do these people get in their water? Well, in the end, can you guess what happens? It's not rocket science, you know. In conclusion it is a completely average recipe movie. I would have loved an invisible man movie that takes into account not just the physics involved, but also character development, the possibility that the man is not bad and not good, just as normal people, true invisible fantasy scenes, I mean, naked women, violent acts, etc. After all, the original Invisible Man story was about power that corrupts, not a power struggle. | -1no label
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] |
OK. First things first. When I watch a film I haven't seen before, I try to keep an open mind. Sometimes this doesn't work, but this time, against all odds, it did. I first saw the film on UK TV as a child under its alias, 'Secrets Of The Phantom Caverns', and it really stuck with me. A few years later I found it on video and still really enjoyed it, especially the lurid vid cover. Now I've managed to find it on DVD, titled 'What Waits Below' (its US title). I'm a very happy man. Its a cheapie, but it's great fun. To be honest it has one winning factor to start with; it stars Robert Powell, an excellent British actor who is great in anything he does. This lifts the film out of the bin already. His recognisable voice is put to good use from the start with an eerie, atmospheric monologue, teamed with a picture that is gradually revealed to be a gigantic stalagmite, Goliath. From this point I was sucked in. As the film continues we meet a few more recognisable faces from the horror genre such as Richard Johnson (The Haunting, Zombie Flesh Eaters) and Lisa Blount (Dead and Buried, John Carpenter's Prince Of Darkness), who, along with other established actors such as Timothy Bottoms, all try and do their very best with the material they have. This is the general motto with the film. Remember, it was done on the cheap, but I think that what's been done, has been done well. You could see it as a well-made, feature film version of Doctor Who, only without the Doctor if that makes any sense! I find the film very atmospheric and quite creepy. The only real mishap may be that when the things that 'wait below' are revealed, they are quite disappointing, but in context this doesn't matter for long. OK, I've done my bit for the film and I hope that this may inspire other people out there to hunt it down and give it a go. Suck in the pride and remember to have a very big pinch of salt at the ready. Enjoy! | -1no label
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I didn't expect much, or even ask much, from Sci-Fi Channel movies. And I mostly like them. But the only thing that was worse than the script and acting in this stinker was the effects. It was nice to see Kelly McGillis again, although her role was so thinly written it was painful to watch. The no-names show why they will almost certainly remain so. The story, which had potential, was leaden with bland, uninspired dialog, and porno-logic behavior. You simply didn't buy these character, or care what happened to them. Where's Stephen Baldwin when you need him!?!? The scenery was nice, though. | -1no label
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I saw this movie just recently, and I said to myself: "This movie is bad!" William Shatner is a great actor, but he is no director! It's not just that the acting is bad, it's terrible. And instead of a plot, we have a very bad storyline that is called a plot! What I really thought was bad was at the beginning where Kirk and McCoy were teaching Spock how to sing "Row, Row, Row Your Boat!" Do I have something against William Shatner? I do not. But when it comes to being a director, he sucks! This film is not one of the worst movies I have ever seen. But it is the worst of the Star Trek series! I noticed that after this Shatner did not return to direct another film in the series. They apparently did not want him to direct another film again after this happened! Overall, this movie sucks! 2/10 | 0neg
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] |
Apart from being a terrible film with a bad script, bad acting and a bad storyline, this film had far too many errors. In the credits at the end of the movie it lists a Maarten Coatzee as the films Technical Adviser. Now the big question is, what exactly did he advise? The film had so many technical errors i felt like i was watching another amateur made Youtube movie! Now I've seen my share of bad Vietnam films, but this takes the cake!! M16-a2 and m655 carbine rifles being used by U.S soldiers, Woodland Cameo helmet covers, WW2 era uniforms, post Vietnam web gear, VC using Norinco Type 84S rifles instead of Ak-47s, VC soldiers with hairstyles like they just walked off the set of Tokyo drift, and to top it off, a military outpost built deep into the jungle with no perimeter wire, no field of fire, or guard tower to be seen. Its no wonder why they where over-run so easily. If you want to see a good story of Tunnel warfare in Nam, Watch the second episode of Tour of Duty titled "Notes from the Underground". For a TV show made 21 years ago, it sure does put this rubbish to shame. It really is sad that the Tunnel Rats of Cu Chi didn't get a better film. They sure deserve it. | -1no label
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My first impression of The Unknown was made within the first ten minutes of the movie. There is an old quotation: "A picture is worth a thousand words." This movie is a tribute to this quote. Being as how my previous experience with silent movies was spotty at best, I was impressed with how the actors portraying Alonzo, Nanon and Malzabar were able to effectively use nonverbal communication in order to get their points across to one another. Although the cast itself was small and a couple instances of plot lines were a bit iffy, the movie still kept me in anticipation of what was coming next. The Unknown combined the elements of romance, mystery, tragedy and suspense quite nicely to make a picture that would in my opinion still be worth watching even today. The only change that I would make is have the actors speak instead of having words projected onto the screen. Another modification I would make is to perhaps change a piece of score or two. Otherwise, a wonderful film and great example of how less can be more in the film industry. | -1no label
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This is easily in the bottom 20 movies of all time for me. I was a captive audience member and would not have chosen it myself. I expected a lighthearted romantic comedy, which I can tolerate although that's not my favorite genre. For starters, who in the world is the target demographic for this disaster? I would guess it's tweener girls, but I wouldn't want my daughters to see women acting petty and selfish. The two lead characters are awful people acting in cruel ways. I sort of like dark comedies, but this didn't play as a dark comedy, either. The premise is horrible. The writing doesn't take it anywhere. The acting even wasn't all that great. There was nothing special about the direction. This is a real dog. As I yelled to the groom in the movie, "Run away. Just run away!" | -1no label
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I do love low budget movies, but this one is just awful. And not in the `good' awful sense that is usually accustomed to low budget movies. This is just pure and simply awful. The story, a bunch of not too bright kids get the great idea of going camping. Turns out they chose to camp in the hunting ground of the all dancing, all killing psycho fisherman, who runs around in the forest killing everything in sight. Humans preferred. I guess you can figure out the rest. These kids get lost and need to escape the evil clutches of the fisherman. Usually I enjoy the humor of Troma, but this one is just awful. Not many laughs at all. And no uncalled for nudity either. No great ideas for the plot, no mindgrabbing gorie effects (there is a high amount of blood though), no good jokes.no nothing really. It's pretty much just a waste of time, and for Troma a waste of money. Of course, no true Troma fan should miss it. But others should try to avoid it. | -1no label
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this film is basically a poor take on the old urban legend of the babysitter who gets crank calls telling her to check the children, she calls the police who trace the calls and find there coming from inside the house. when a killer calls has a story so simplistic a little kid could have written it. not much suspense, it becomes clear who the killer is halfway through the film. at the beginning, when the first victim is killed it looks like a bondage fetish scene from a porn site or something. whats up with that? the film is oh so typical slasher fare with a plot about as original as a Beatles concert. even by low budget slasher standards its cheesy. don't waste your time with this. nuff said | 0neg
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Very poor and unimaginative action pic which finds detective Buster McHenry (Kiefer Sutherland) teaming reluctantly with American-Indian Hank Storm (Lou Diamond Phillips) in order to catch some crooks who stole a priceless Indian spear. The story, from David Rich, is little more than an excuse to get these two former brat-packers back together for one last fling. As a pairing they are pretty good, but neither of the two really put out in this flat, predictable cops and robbers garb. Jami Gertz (from "The Lost Boys") pops in as the heavy's girl. Over all this was an all too forgettable way for these two young, potential laden actors to close out the eighties. Tuesday, November 3, 1998 - Video | -1no label
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Yes. It takes a Norwegian to ruin and slaughter two great books and a concept that would work well on film - this film truly is The Worst Swedish Film Of All Time. I hated it so badly that I even considered walking out on it, something I have never done. But it was so awful i was almost compelling. I just had to sit through to the end. Much like some early-80's Stallone action reel, this one REALLY takes Swedish action back to the stone-age. So full of logical errors and stupid mistakes it is almost amusing - but who could ever see anything good in the terrible acting, Mark Hamill's surviving a mine-field or the dumb-ass, useless and irrational action? Let me ask you: aren't we through with clocks ticking down to zero, the hero escaping in the nick of time and two friends become enemies reuniting by the end? STUPID!!!! And one more thing: the product placement in this film is unbelievable. While other countries have understood that it shouldn't be so OBVIOUS, the Swedish film industry apparently hasn't understood at all: just look at the credit card Hamilton uses to open a window? Or or or.... this film really makes me mad. | 0neg
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] |
Jacqueline Hyde is a good quality film and does manage to be likable because of what it is. Everyone out there will like it! Sandwiched between the amount of breast shots, the times Jacqueline rubs herself, the various times Jackie spends chatting to herself and the times spent heaving in the Magdelena Mountains, this could create one hell of a dishwasher if your career were to end. Unlike most horror movies that take place in space or in some restless tranquility with ripe green apples, this one takes awhile to guzzle. The performing is good. Other than great acting by Dan the pizza delivery guy (must see), there are no standouts, but no notably bad outcroppings from my recent dinner either (and I do mean recent). Excellent acting overall because there are no typically dreadful actors which you'd find in movies of the four "Skin" related data fields or in the biological skimmer's found in any IBM shop. In addition if you see a female in this movie, the likelihood is that she will be butt naked by the next scene! Now that I think about it, there is quite a bit of action in this movie. Between the first and the second electro yank obtained from a hot chick and the time you observe her "buckets naked", keeps em' speculating. I loved it! | 1pos
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] |
If you have plenty of time to kill and the DVD was given to you by your friend for free but still it may require lot of courage to watch this film which does not have good script or humor for that matter. On the acting front imran is frozen in time/acting, Tushar Kapoor was slightly better than Imran in this movie Paresh Rawal was good at comedy was usual. The story revolves around a college campus where Imran is a bad boy n Tushar is the good one, they pretend to be the opposite of respective nature and so the story goes on..... Watch it only if you don't have any thing to do and the film is running on your local cable TV. | 0neg
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] |
"Sub Zero" is very entertaining. It's a silly spin on "Cliffhanger". The plot is about six climbers who have to deactivate a bomb on a mountain. The bomb looks like a rubik's cube. If it goes off it will destroy the world. You don't watch a Jim Wynorski movie (the alias this time is Jay Andrews) and expect a masterpiece. The acting is above-average for this type of film, the performances that stand out are Linden Ashby and Nia Peeples. The cast looks like they are having fun with the script. The special effects aren't the greatest, but who cares. In the end: If you want to laugh and be on the edge of your seat, you can't go wrong with "Sub Zero". | -1no label
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I am a guy, so i was very hesitant to watch the movie because i know that Richard Gear likes to be in tear jerker movies. I would rather watch action/adventure/sci fi. I was right, the movie is definitely a tear jerker. Diane tended to over act a few times, as did richard, but they brought it around and made it work. The daughter was a suppressed teen with huge attitude, so you started out hating her. The movie is way too predictable, but for entertainment purposes, it was a masterpiece. Go rent it, see if you don't shed a tear.lol If you like the notebook, you will love this one. The beach scenes were immaculately shot. even though the hurricane scenes were a little off sequence, it was still a bit panicy to watch them react to it. | 1pos
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] |
Apparently one of the ways you can choose to die when you're sentenced to death is to watch this movie. No one has chosen this route because it too painful a way to go. This movie is really bad. It should in fact be banned. The video store where I rented this from should really keep movies like this behind the counter, anyone could just pick it up, and rent it. Basic story.. Underdogs who can't surf have a week to learn how to surf and beat REAL surfers who probably have been surfing all their lives, at the World High School surf championships in Costa Rica. And there seems to only be 3 teams that enter this contest. The local team from Costa Rica. Laguna Beach Team B(<----underdogs) and Laguna Beach Team A (The bad-guys). This movie sucks so much I can't believe I'm using more then 3 paragraphs to let you know how much it sucks. There's notions of bestiality, lame fart jokes (I thought that fart jokes are alway funny.... I've found a movie where it's not), and a pretty crappy brave-heart imitation. Something about "You can take our lives, but you can't take our SPIRIT!!!). This movie should really be banned. After I've finished this "review" I'm starting a web site where people sign a petition to get crap like this outlawed. If I could give this movie a minus score, I would. Don't watch it, please, I beg you.... you'll thank me later | -1no label
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] |
I didn't like this one. It's based on a very interesting idea, that the enormity and complexity of the universe can be reduced to a single, simple equation. Nowadays they'd build a whole series around that concept. Unfortunately that idea got lost in an impenetrable storyline that left me decidedly flummoxed by end credits. Let me admit right here that a big part of my attraction to the X-Files is its plot contrivances and normally vague resolutions. I think anyone who really likes the show must feel the same way, especially if you stayed tuned in through the last couple seasons. But this episode takes the usual confusion associated with the program to another level. I would wager anything that none of the actors, Gillian Anderson, Annabeth Gish, nor Robert Patrick (and certainly not Burt Reynolds), could make heads or tails of this mess if you asked them about it, even as they were shooting it. In fact, I would challenge even the writers of the show to articulate exactly what's going on here. You see, I cannot give any concise summary of the episode because its impossible. Of course I did rather enjoy the playful tone of the episode. However it would take a lot more charm than Mr. Evening Shade could ever offer to distract from the inanity of the plot. Actually I don't know if I should even call it a plot. And I doubt anyone disagrees because to this point no one else has posted anything about 'Improbable'. For fans willing to sit through the episode it's hard to acknowledge how bad it is. | -1no label
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] |
I completely agree with you. I saw this film at Canne a few months ago and was very surprised that it made it into the film festival. It was by no means up to the quality of the other films in the festival and there was a great deal of shock after the screening from audience members who were really surprised at the less than average quality of the film. I think the film was written by first time screen-writer Alice bell, and it really shows. The script, direction, and performances are really not up to scratch. I agree and was also surprised that this film got commissioned. I have seen some very good Australian films recently, most notably The Proposition and Look Both Ways and was looking forward to yet another quality Australian product. Unfortunately though, Suburban Mayhem just doesn't cut it. | -1no label
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] |
In 1968, Senator Leroy Clark lands in the desert in the middle of nowhere. Then a car arrives with Dr. Doug Phillips that brings him to an awesome underground facility with 12,000 personnel and 800 floors deep. Senator Clark intends to cut the funds to the research of time travel, unless Dr. Phillips can prove that can indeed send a man back or forth in time and return him safe. However the state-of-art technology is not ready yet to risk human life and the scientist will have to shutdown the project. In desperation, Dr. Tony Newman decides to test the time tunnel sending himself through time to prove that it works. He travels to Saturday, 13 April 1912, and arrives on board of the Titanic in the eve of the tragic accident. He befriends the British passenger Althea Hall and unsuccessfully tries to convince Captain Malcolm Smith to change the course of the Titanic, telling that he has come from the future. The captain locks the stowaway in a cabin and the time tunnel personnel can not retrieve him; his partner Doug Phillips decides to travel to help Tony to leave the cabin that is located in the damaged area of the doomed vessel. I have just bought the two volumes of "The Time Tunnel" on DVD and while watching this fantastic episode, I felt like traveling in time to my adolescence when "The Time Tunnel" together with "Star Trek" and "Lost in Space" were my favorite shows in the Brazilian black & white television (color TV was introduced in Brazil in 1970, and only years later I could afford to buy one). Nostalgia apart, it is impressive to see how this series was ahead of time and the time tunnel facility is still amazing and the story is not dated. Well, this episode is created, written and directed by Irwin Allen and I believe this statement is enough to indicate its high-quality. I do not recall how this series ends but now I have the complete set of episode to delight along the next days. My vote is nine. Title (Brazil): "O Túnel do Tempo" ("The Time Tunnel") | -1no label
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] |
I gave this movie an excellent rating because of the story line, the excellent adaptation from the book to the movie, and a truly exceptional cast. Even the incidental music was excellent. I've never heard of the composer but he truly embraced and enhanced the overall mood of the movie. The other thing that impressed me was how there was such careful attention to make sure that it remained true to the period, since this was set in England at the turn of the 20th century. Kate Maberly and Maggie Smith gave absolutely outstanding performances, they truly embodied their roles and it showed. It is a real shame that Kate has decided not to pursue acting as an adult because if she was this good in this movie as an 11 year old she would be a phenomenal adult actress. This movie is high on my list of one of the best ever made. | -1no label
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] |
...no really they did - not just because this film was so awful, but you simply never know! To take some of the UK's finest character actors, take one of the funniest antidotes to 'chick-lit shopping novels' I've ever read to produce this steaming pile of 'god-awfulness' beggars belief. Okay, so casting 'talent Dyson' Anna Friel wasn't the greatest idea ever but Joanna Lumley and Greg Wise couldn't even carry it on their (absolutely!) fabulous shoulders. These types of movie are one of the reasons that the UK film industry is still flagging ('cough...nepotism...ahem). The director tried some bold moves and techniques but poor Anna just wasn't worthy of them. My partner still hasn't forgiven me for taking him to this, do you know how many Arnie / Bruce / zombie films I had to (uncomplainingly) sit through as penance? The book is outstanding, her best ever, if you are thinking of renting this movie I urge you to buy a book instead - and if you're not a big reader then you could stick pins in your legs as you watch it, it may help you stay awake. | -1no label
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] |
Just above the box i am typing in now, i was required to pick a number between 1 and 10, and rate this feature film. Unfortunately there is no option for a number less than zero, and i have to put something. If i had my choice i would just put nothing, no number, because there exist no digits that express the worthlessness of this movie. If you do decide to watch this film even after reading all of these horrible reviews, make sure there are no sharp or blunt objects in the area, this will help prevent you from trying to kill yourself in the middle of the film. I don't know how this film was released to the public, it should be locked up and guarded 24/7 somewhere in Fort Knox. I am angry that this film was even available for me to watch. I feel cheated by humanity, i had no idea humans could be this cruel. Stalin, Saddam and Hitler got nothing on this douche bag Cowell. Do not be fooled by the movie's cover. 1) There are no scarecrows, no one knows why there is a legit looking scarecrow on the front. 2)None of the characters on the back of case are even in the stinking movie! 3) The tag line says something about "new moon, more victims", there were no frigging victims no one even died. We don't know if the dam cop died, and i'm assuming the killer didn't die because it sounded like he was being hit over the head with a frigging whiffle ball bat. Do yourself a favor and stay away from this movie, it wasted about 4 hours of my life. That's right four, it took an hour for me to watch it (i fast forwarded thru the 4 minute zooming scenes that reveal nothing in the plot), i stared at the television for about an hour after it was over, contemplating my life and the direction it was heading after watching this crap, and then i began to cry for the next two hours because i know someone out there will unfortunately see this movie and there is nothing i can do to stop it. | 0neg
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] |
Why was this movie made? That was what I was asking myself after painfully having to go through the entirety of the utter crap that was Manmadhan. The simple answer is: money. This movie has nothing going for it whatsoever. But seeing as I hated it, let's take a look at the positive aspects of this movie first: - It's excellent for aspiring filmmakers to watch, so they can learn what NOT to do. And that's pretty much it. On the other hand, I can go on forever about the negative aspects. This movie had no direction, one of the worst scripts ever written, horrible acting, and no sense of pacing whatsoever. The thing Tamil movies are (well, were, at least) known for is style. Any style in Manmadhan? No - none at all. In fact, most Tamil movies no longer have any style, but that's a whole other story. Moving back to Manmadhan, let's talk about the plot. The plot had the potential to make this a C-movie. As I understand it, it was ripped off of an old Kamalhassan film called "Sigappu Rojakkal". I have yet to see that film, but I can guarantee it is at least twenty times better than this worthless video (I can't bear to call it a film anymore). The acting in this movie was non-existent. Based on this movie, I hold a strong belief Silambarasan has no acting talent whatsoever. Jyothika's small talents totally miss this... this... I don't know what to call it anymore! The worst part is, after going through three hours of intense pain and suffering, the films ends with "To be continued". All in all, Manmadhan is a film you should never see in your life. I had to suffer it, and I dearly hope no one else will have to do the same. In fact, you shouldn't even be on this page! Leave, now! | -1no label
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] |
After St. Jude appears in Esperanza's oven, she sets out to find her daughter, who died under mysterious circumstances. The journey forces Esperanza to challenge her own beliefs and face her fears in order to be reunited with her beloved daughter. The film is full of humor, sorrow, oddball characters, bizarre situations and danger. Through it all is an underlying message of the power that love has to change us all in the most unexpected ways. A visual treat too, "Santitos" paints a beautiful, funny and compassionate picture of Mexico. But director Springall doesn't isolate his message. We all know at least one of the characters, and have probably visited similar places. This connection to the world outside of Esperanza, Veracruz and Mexico is what manages to touch us all. | -1no label
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] |
OK heres what I say: The movie was excellent. I am a huge Nancy fan and I have read all 1-56 original books and I went on to read more. I am now on 96. Beware of villains giving this movie a lower grade than it should have. All clues point to a wonderful movie! I loved the whole thing. So what Nancy is in current time. She is still old fashioned like she is in the books! People who haven't read more than 5 books are complaining about the view of Nancy. I have read all of them and I think Emma is perfect and that Nancy was perfect. I found parts of the movie spooky. I loved the exciting car chases and get aways. I loved the clues. I solved the mystery myself! It was really wonderful. I suggest you go see it since people who have been complaining know nothing of A what a good movie is and B about Nancy Drew. Go see it. It may not be Oscar worthy but its really a good movie. | 1pos
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] |
I have a letter from Ms. Knight, who went to college with my older sister. In it, she tells of the hardships of making this film. She, herself, was pregnant--an interesting conjunction with the movie's plot--and the novice director was unsure, fairly green, and having great difficulties with all the decisions, logistics, etc. They were on the move all the time, and it was a very difficult shoot. The film, however, with a strong debut for James Caan, remains effective and affecting. It's a great showcase for the talent that Ms. Knight has demonstrated her entire career--on television, in movies and on the stage, where she won the Tony for "Kennedy's Children." This film has aged well. | 1pos
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] |
Here is yet another in a long, long line of Hollywood films in which all the black people are smarter than the stupid white folks, and all the politicians are corrupt. Wow, Liberal Hollywood has something original. Yes, to them two wrongs always make a right so let's show what good people we are by reversing the racism. Let's also get one of the hotter black stars of the era to play the "hero," too, and have him show all those corrupt politicians how it should be done, even though that "good guy." played by Eddie Murphy, is a crook, too. That's another familiar Hollywood theme since the '60s: make the hero morally unsound but someone to root for. Throw in some ludicrous "conspiracy theories" like power lines causing cancer, and you have another Looney Left delight. There are so many bad messages in here, it would make your head swim. It's also too profane, but that's no surprise with Murphy in the lead role and a total unknown - who has remained such in the last 15 years, Victoria Powell - as the female lead. This is a poor man's "Trading Places," another movie in which a nobody, here a slimeball con man, can turn into a somebody, a man elected to congress. Except in Massachusetts or some other elitist state, I'm sure that could never happen! One positive thing about this film: Murphy is actually low-key and much less abrasive than his normal characters. That was nice to see-and hear! He's a talented actor and doesn't always need to scream and shout to get laughs. The film gets a few stars for that alone, even though most people prefer the wise-ass Murphy. | -1no label
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] |
As a mental health researcher, I'm always intrigued by movies that display pathology. So when people start doing things that are not explained by an underlying mental disorder, I get confused. Perhaps because of the translation (or a poorly written story), I just didn't see what her underlying reason was for her self-mutilation. I thought maybe it was something akin to Body Dysmorphic Disorder (evidenced by seeing her disconnected hand on the table at the business dinner). I couldn't quite understand what was going on with her, and I would have liked to see some reasoning for her pathology. Unfortunately, lacking any sort of character driving force, this movie seemed like an excuse to shock the audience with something on the edge of disturbing and taboo. Because of the lack of character development, it seemed simply to be an exercise in exhibitionism, which certainly dampened the effect of the film. | -1no label
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] |
When I first saw this movie I was only a little kid and I fell in love with it, they really don't make movies like this anymore,I just watch this again now slightly older and still love it. The Humour is perfect and fits into the movie really well, all the gags are kind of childish but will make adults laugh as well,and in a kids movie is really very rare. The Animation is amazing and to watch hand-drawn animation is a real breath of fresh air to all the computer animation we see today. The Backgrounds are stunning and the coloring is amazing. The Characters are just the kind of characters that you fall in love with the moment you start watching girls will think the Chipmunks are adorable and Guys will think the Chipettes are really kinda sexy. The Songs are fun to listen too and some just really make you wanna cry or get up and dance, its also fun to watch visual humor to go along with them. The Voice Acting is great no doubt even if most of the voice acting is high pitch, but an interesting thing popped up and it one of the songs from this movie but the slowed down to show the real voices behind them and its really kinda fun to watch. If you see this movie in a store or somewhere to rent I say check it out it's really worth seeing and is a perfect family movie its absolutely amazing, words can not express this movie. | 1pos
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] |
An excellent debut movie for the the director of Batman Begins, comes the Following, a movie about a man who follows other people for inspiration of characters in stories he writes. One man he follows, he decides to go further and the man turns out to be more than he bargained for. Using a cast of non-actors and his uncle, writing directing producing and otherwise completely making this movie entirely on his own with almost no budget and produced independently, this movie is much more than you'd expect. For anyone who likes Memento and complex twists, turns, shocks, and messing around with time, this is definitely a movie for you. | 1pos
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] |
This film has great acting, great photography and a very strong story line that really makes you think about who you are, how you define yourself, how you fit in, whether you accept to play a role or break free... There already are excellent comments dealing with these aspects. I want to comment on the formal setting of the film. Basically, it's two people on a roof. There is unity of place and time, with 2 protagonists, and the radio acting as the choir. Many directors have turned Greek tragedies into film, many directors have filmed contemporary stories as if they were a Greek tragedy, but no director, in my opinion, has succeeded as admirably as Ettore Scola in approaching the purity and force of the great Greek tragedies both in story line and formal setting. A masterpiece. | 1pos
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Not as well known as the English, American, German and French cinema, though cinema from Sweden from the '20's was also quite good, interesting and revolutionary. This is a movie that is made great by its story. The story is told in 'A Christmas Carol' kind of way, in which the death himself confronts the deceased with his past, present and what could have been. It's of course a story that concentrates on morals and it does this very well. The message comes across as very powerful and effective. This is of course also definitely due to the effective directing from the father of Swedish cinema; Victor Sjöström. The story is based on the novel by other Swedish author Selma Lagerlöf. The story is adapted by Victor Sjöström himself, who perhaps should had taken out a few more elements, to let the story and movie flow better. It perhaps takes a bit too long before the movie starts to take form and the story gets clear but when the movie does take form and pace it becomes a really wonderful one. The movie does not only have a great story, it also is a good looking one. The movie uses some early and effective effects and uses some different color filters to create the right mood and to indicate what it past, present and 'future'. Sjöström did not only wrote and directed this movie, he also plays the main character. Of course the acting in the movie is over-the-top at times, by todays standards but not as bad as in for instance early German movies was the case. And after all, this movie is more about its story and morals than it is about the acting, so it really doesn't matter much, or distracts. A really great and effective underrated silent-movie classic from Sweden. 9/10 | 1pos
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] |
Another fairly predictable "Nightmare on Elm Street" story finds young Jesse Walsh trying to fight off a very rude intrusion by Freddy Krueger. David Chaskin has taken Wes Craven's original characters to create this new tale for director Jack Sholder. This film is viewable thanks to a good performance by Mark Patton in the role of Jesse Walsh. Kim Myers also starred. Over all, the content is still trashy and the level of entertainment is still average. "Elm Street Two" is one of the shortest films I have seen in a while. Running time is only eighty minutes. However, I guess we should be grateful for small mercies. Tuesday, September 17, 1991 - Video | -1no label
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] |
Actually, I likened Leo to the Mickey Rourke film Angleheart as both films turned out to be a search for self. In Leo you have a young, troubled boy named Leo who as part of a school assignment begins writing to Joseph Fiennes, who plays a convicted felon in prison. When released from prison, Fiennes character sets out to meet the boy, Leo,and help both himself and Leo in the process. Outstanding performances by Elisabeth Shue, who reprises her role as an alcholic from Leaving Las Vegas and Dennis Hopper who rules the small town's diner as Capt. Bligh ruled the HMS Bounty only with a lot more violence and sexual tension thrown in. Sam Shepard's role serves as the Greek chorus and keeps the viewer aware of the progress of the other characters. All in all a very good film that will captivate and entertain. | -1no label
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] |
I just finished watching this (last weekend) and found it absolutely hillarious, some of the scenes I just couldn't stop laughing at! Dennis is soooo amazingly thick sometimes, and just says the stoopidest things...but at the same time he's just being cool to impress his girlfriend (who gets arrested anyway!) The beach scenery is very tranquil...until along comes Robbie Coltrane...! Not the greatest movie ever made but certainly something to think about renting on a Saturday night when you haven't got much else to do (like I did). You might need to hunt around for it though - I was lucky, as my local video store stocks it. | 1pos
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] |
Not even Emeril Lagasse cooking can save this disjointed, overheaded idiotic nonsense, starring emeril lagasse as a TV chef from the food channel,who with help of the crew to try to make the show better, poor plot and stupid script throw this show down the drain, Robert Urich wasted in the poorly supporting role and sadly this was his last one ever(R.I.P.), This is the worst show of 2001 and it will be on the list of the worst shows of this decade. I Feel Very Sorry for Emeril Lagasse for making this sitcom, he even said himself it stunk. It's hard to believe that they are the same producers of designing women that did this mess. TV Review: 1 Star | 0neg
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This was a very creative cartoon for the early 1930s! The hateful musician father owl waits for his wife to give birth to baby musician owls. 3 of them sing or play instruments. But one owl sings "I Love To Singa." The mother owl faints. The father owl puts him out. Then he ends up on a 1930s version of the Gong Show, Showtime At The Apollo like radio show. There is a hateful bunny gonging bad talent and making them fall through the stage. There is an overweight chicken who is too fat to fall through the stage, so she gets shoved through the stage. Then the baby owl sings his song and puts a smile on the hateful bunny's face. Then his parents show up and he sings a sadder song. The hateful bunny is about to gong him off until he gets back to singing "I Love To Singa" and wins first prize. Look for clips from this movie on the movie "Looney Tunes Back In Action." | -1no label
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] |
Another mafia movie out of the RGV factory. First of all, set expectations right to enjoy the movie. Don't expect the brilliance of Satya, raciness of Company, or the impact of Ab Tak Chappan. Then you will end up actually enjoying the movie instead of panning it as just another mafia movie. I am surprised that they didn't promote this movie as the prequel to Company. Hollywood would have milked the angle. Hindi movies need to start doing it. But it is a "prequel" to Company, no questions about that. When seen in that angle you understand the motivation behind making the film. The biggest plus of the movie, like other RGV movies there is no sugar coating. The scene where Deshu is sitting and eating lunch in the chawl is so realistic of chawls in B'bay that you almost can touch and smell it. There is no Yash Chopra grandeur. The romance is gritty and real. There isn't too much dialogue in the movie which furthers the impact. There is no real need for it, you can extrapolate the dialogue from the situations. The background music is fitting. Another plus point of the movie is the focus on the story. The movie never veers from it. The story is about the rise of common man to that of a mafia don (Deshu). There aren't any sub plots to divert the attention of the viewer. The acting for most part is top notch. Rukshar (Bhakti Bhatnagar) who plays Deshu's girlfriend is the only one who doesn't command a screen presence. So whats the biggest minus ? Like I said before it doesn't leave you breathless a.k.a Satya. You have appreciate the mumbai tapori/mafia/colloquial setup to some degree to like the movie. If you are a fan of the afore mentioned movies. Its a must see. | -1no label
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] |
Funny thing. Charlie Sheen, Donald Sutherland, Sam Waterston, and Stephen Lang have all had incredible performances. Who can forget Sheen as the callow naif in Wall Street, or Sutherland as the the cynical Korean War surgeon in MASH? Waterston and Lang have both also had successful TV and film careers (Law and Order, Killing Fields, De Niro's Tribeca, etc). So what in the world would any of these fine actors be doing in a stink bomb like this? Shadow Conspiracy's plot of a Washington coup d'etat is not really that bad, unoriginal maybe but not that bad. Sure it's been done (Seven Days in May - a fine film!), but with a little tweaking, it could still have been entertaining. Shadow Conspiracy's main problem is in the execution. Early in the film Sheen, political strategist extreme, ridiculously and implausibly resolves a potential public relations gaffe by blackmailing a Congressman. Later, gunplay with Lang's mute hitman tearing up half of what is supposed to be Georgetown is explained on the news as "gang wars". Has anyone remotely associated with this film ever lived a day in Washington? Sheen is about 20 years too young, way way too young, to be so senior in a White House Administration. Sheen's response to avert a political crisis is so ladened with false machismo, he looks as though he attended the David Hasselhoff school of acting. And when was the last time gang wars spread to Georgetown? We're talking about a section of Washington where citizens voted against having a Metro stop so that they could maintain their exclusivity. I agree with another reviewer that this film would have been unbearable without the fast forward button. I taped it off HBO a year ago and then took 3 separate viewings to plod through it. In summary: Don't buy this film. Don't even rent this film. If you see it at Blockbuster, run away as fast as you can. | 0neg
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] |
Columbo's Most Dangerous Match is about chess. An unlikely subject or motive for murder in my opinion. The star is Manchurian Candidate's Lawrence Harvey who plays a deaf chess champion. He is terrified of losing and will do anything to maintain his status as world chess champion. His competitor is a Russian chess champion who unlike Lawrence Harvey's character is well-regarded and loved instead. He lures him into an unusual trap to prevent him from defeating. Columbo always knows how to work a prime suspect and does it by being fascinated in their work particularly chess. One of Columbo's trademarks is that he gets interested in the character's passion and in this one, it's chess. He finds it a hell of game with a lot to lose on each side. You have to know that it's kind of hard watching Columbo catch this one. You almost feel sorry for him and in that, Lawrence Harvey gives a memorable performance since his role in the Manchurian Candidate. | -1no label
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] |
First off, Chris Farley is hysterical in any movie and can make even the weakest material work. At some points in this movie, that is exactly what he did. However, the story wasn't a complete mess, it was actually quite good in parts. Especially when they encounter all the pitfalls throughout their journey, the script is very sharp and funny. Other parts drag quite a bit, and Eugene Levy's character was just completely unnecessary and unfunny. Matthew Perry had only a couple funny scenes, the rest of the movie he just served as straight man for Farley, who honestly didn't need him--- he could've made this movie work on his own without Perry's help. Better editing could've made the film seem less strung-out and I think it ran a little too long for a comedy. I also wish Franklin Cover's character could've been featured more extensively, I really enjoyed his scene in the film. All in all, a decent comedy adventure. 7/10. | -1no label
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] |
Me and my friends rented this movie about a year ago, because we thought it was going to be a scary movie... We were wrong.. There was nothing scary about it at all.. The first 30 seconds where the "witch" where on her way home from the supermarket where fine, but once she came in to her house and we saw the boy trapped in some kind of jailcell, we where like, "what the hell is this?". Anyway.. The boy starts reading "scary" stories so that she wont kill him, and the first one is about a mummy coming back to life and starts killing people and kind of making them mummy's too.. The mummy looked a little gross, but that was the only "scary" thing about that story.. The second story was even worse... It was about a cat who killed people(!).. I think that says it all.. The third story.. well, I think it was about some weird monster with wings.. I'm not sure if it killed people or not, because I was still laughing about the killer-cat, so I wasn't really paying attention to the third story at all.. One thing that I do remember is that the monster looked very strange and fake.. The entire movie was silly, and the ending of the movie was very obvious.. The only good thing about this movie is Steve Buscimi, but not even he could save this silly b-horror movie.. I give it 2 stars out of 10.. At least you get a few good laughes.. | -1no label
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] |
This isn't my typical movie genre. I am more interested in character drama than action movies. This is able to span both genres in a way that Hollywood hasn't managed to accomplish. The plot was interesting and the acting by Anne Parillaud was exceptional. I had seen the American remake, called "Point of No Return" and found it to be an OK movie, but I wanted to see the original. I am glad that I did. The technical aspects of direction and editing are very good. The plot was interesting - revolving around the timeless theme of redemption. The acting made this an exceptional movie. For fans of the action genre, they will be quite happy. For those like myself who are more interested in character and plot-driven movies may find this to be a pleasant surprise as well. | -1no label
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] |
Although I found the acting excellent, and the cinematography beautiful, I was extremely disappointed with the adaptation. One of the significant portions of the novella is the fact that Ethan and Mattie decide to kill themselves, rather than go on. This is never presented in the movie, they show it as if it were a sledding accident. The character changes in Mattie and Zenna are almost non-existent. While in the novella they almost change places, at the end of this adaptation it appears as if they are both invalids. Lastly that Mattie and Ethan consummate their relationship fully nearly destroys the power and poignancy of the finale. The change of the narrator being a preacher was one effective change. Neeson and Arquette are superb in their portrayals. Joan Allen was also wonderful, however her character was much watered down from Whartons novella. I do not expect films to faithfully portray novels, but this one went to far and in the process nearly destroyed the story. Overall, I would not recommend watching this film unless you have read the book as you will come away confused and disappointed. | 0neg
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A bunch of kids of indeterminate age take a cross country trip to, uh, New Orleans? Because they end up in Asbury Park, NJ. They WERE going to New Orleans, right? But they end up in Asbury Park because one finds a pamphlet in a restroom that trumpets the opening of the Dark Ride, a boardwalk attraction that shut down many years ago after twin sisters got killed. So of course the whole gang detours to this place and guess what? Most of them get killed too, by this hulking loony that's just escaped from a psychiatric hospital. And this particular hulking loony grew up inside this Dark Ride, being that he didn't look right so he was kept hidden. Maybe this is a "loving" tribute the the slasher films of the 80's, like The Funhouse & all those, but it's a dull tribute and falls pretty flat. The killer wears a little tiny face pulled off of a mannequin, which is sort of a nice touch but there's your Michael & Jason...although this thing is called Jonah. And it also seems like perhaps none of this "detour" was random either, it was planned out by someone & therein lies the twist of this, which by the point it's revealed you are so bored you won't care or you already saw it coming. I though I'd seen the worst of the "8 Films to Die For" already but now that I've proved I haven't I think I'll just stop before I waste any more time on them. "Abandoned" & "Reincarnation" are worth your time, but it sure seems like most of the rest are not. 3 out of 10. | -1no label
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] |
Ah, another example of everything that is wrong with Hollywood. Garbage script gets "star treatment" and the go-ahead from the big kahunas. Next it is on to the marketing machine. The result? Why, two thumbs up of course!!! Let's put it this way: I picked up the phone and made an appointment with my dentist while watching this movie. One thing just reminded me of the other I guess. Boring subject matter. Right up there with "Watching paint dry" and "Trading Spaces: They Hated It". Fake characters. Too many swear words. Some movies choose their one magic F bomb with care; this one fires them out like farts from a teenager. For David D. fans, save yourself an aneurism and fire up "House of D" again. Sigourney fans, you're on your own, I've never cared for her. Wait, what about "Working Girl"! Of course, there is a soccer game scene, but no fair asking for the final score. You'll just have to rush on over to Blockbuster to find out. | -1no label
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] |
I know my summary sounds very harsh, but this film has very limited appeal. The average Joe out there would have a hard time sticking with this film. The entire film consists of animated loggers doing their jobs and dancing on floating logs. This is all done with very splashy and artsy colors and the film might be great to show to patrons in an art museum. However, unless you really love this sort of art or are a Canadian who loves films about your native land, then this is probably going to be next to impossible to finish. I have a rather high tolerance for this sort of thing and even I had to force myself to watch after a couple minutes. I can respect the work that went into it, but it's just not compelling. | 0neg
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] |
This film was produced by Producers Releasing Corp. (PRC), among the so-called "Poverty Row" film studios of the 1930s and 40s. So you can imagine how little money was spent making it. The music is forgettable. Cast member Gerra Young does exhibit an operatic-quality voice, but is sort of a discount Deanna Durbin. The IMDb database doesn't show any other film appearances for her, so let's hope she was able to move on to some kind of position in Grand Opera. The opening credits for the print recently broadcast by Turner Classic Movies indicates this film has been preserved by the National Film Museum. This immediately begs the questionWHY? Are their resources so plentiful that they can afford to preserve junk? Some low-budget or B musicals of that era have redeeming features which make them worthwhile. This film has none. In my opinion, skip this movie. It REALLY wastes an hour of your time. | 0neg
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] |
I was expecting this to be the same kind of schlock as the previous Modesty Blaise movie, which is why I left it unwatched for so long, but I was very pleasantly surprised. Far from being a succession of silly gun battles and car/boat chases, it was an almost thoughtful analysis of how a pretty girl gets to become as hard as nails, with nothing being overstated or over-rationalized. It's likely that the budgetary constraints actually helped with that: less time and effort was spent on finding ever-stupider ways for stunt men to pretend to die, and more was dedicated to making the movie worth watching. Hell, the biggest gun battle takes place off screen -- and the scene where it is heard is all the better for that background noise, that adds to the suspense -- who's winning? Who's dying? Alexandra Staden might not be as drop-dead gorgeous as Monica Vitti, but few are, and she certainly has every ounce of class and fire that's needed to make the character work -- and the shape of her face, her hair, and her tall, slender body could have been lifted straight from the comic-strip graphics. Nikolaj Coaster-Waldau was the perfect choice for a Blaise bad-guy, in that he made the character interesting and enjoyable to watch -- even likable (and I doubt I'd consider taking on many brutal, psychopathic murderers as drinking buddies). I can't think of a single one of Hollywood's "former waiters" who could have pulled the role off that well. Fortunately, Blaise baddies always die, in the end (no spoilers there!) That's a really good thing, because all the girls who would have spent their time swooning over such a disgustingly handsome and interesting hunk can now pragmatically settle for us ordinary Joes. | 1pos
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] |
This movie starts slow, then tapers off. After watching for about an hour, and seeing absolutely nothing happen, I walked out. I mean, nothing happened. Zero. Zip. Nada. There is no story. The characters are vague representations of the most boring people any of us know. The producers of this film could be sued in a court of law if they try to sell it as a "motion" picture. There is no motion. I could have told the same "story" with a couple still pictures with captions. The script is a joke. It's just awful. I doubt that any script doctor in the world could save it. My biggest regret is not that I wasted 60 minutes of my life watching "Love In the Time of Money", but that I missed a great opportunity to be a leader. I could have been the first to walk out, but I waited a bit too long. Instead, I watched about 20 people walk out before me. | 0neg
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] |
I like the concept of CSI, but the show is spoiled by some seriously wooden acting. The Medical Examiner has the best lines and delivers them in an arch, offhand manner that livens up the story. Unfortunately he has little screen time. Also, why does Jorja Fox always look and act so utterly unhappy? I know that forensic investigation is a very serious business, but the characters, for the most part, seem to confuse seriousness with humorlessness and a complete lack of personality. I can't imagine dating either Sarah Sidle or Catherine Willows; what would you talk to either one about? I'm waiting for the episode when, at the end of a shift, Catherine picks up a remote control, points it at Grissom, shuts him down, and wheels him into a closet until the next day. | 0neg
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] |
The Belgian comedy, "L'Iceberg," is such a head-scratching little oddity that it is virtually impossible to describe it for anyone who hasn't already seen it. It's a highly stylized tale of a young restaurant manager who decides to break away from her stultifying and humdrum existence after she inadvertently locks herself in a freezer overnight - only to discover, once she gets out, that her husband and their two carbon-copy young children have failed to notice her absence. Realizing her utter insignificance to those around her, Fiona strikes out on her own, abandoning her job and staying away from home for long stretches of time - eventually setting out to sea with a mysterious deaf/mute sailor she meets along the way. Utilizing concepts straight out of the Theater of the Absurd, "L'Iceberg" pokes fun at the sterility of modern life, as Fiona finally breaks free of the bonds of domesticity and goes on a quest for love and adventure. Directors Dominique Abel and Fiona Gordon (who play the husband and wife in the film) have composed their film almost entirely of straight-on block shots, perfect for emphasizing the surreal spareness of the drama and setting. The lanky, bug-eyed Gordon, who looks for all the world like a cross between Frances McDormand and a stringy-haired Olive Oyl, plays Fiona with a mouth-breathing, deadpanned seriousness that enhances our empathy for the character and heightens the satirical nature of the piece. Original in concept and bold in execution, "L'Iceberg" is irrepressibly imaginative and visually inventive in its cockeyed portrayal of the world around us. | -1no label
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] |
Before watching this film,I was thinking in this:''Another Asian horror movie.I think there will be the female ghost with a long black hair''.Long Khong uses that but its narrative took different ways for telling the story,which may not be too original,but at least,they are different than a lot of Asian horror films.That thing made me enjoy the film pretty much because that helps for creating an exotic tone which makes the movie really unpredictable.This film has some fails,like some scenes which are a little boring.Also,the ending was forced.But,in spite of that,Long Khong is ingenious,fun,unpredictable and very gory.And I really appreciated that. | -1no label
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] |
A documentary that was a huge hit at the Sundance Film Festival. It talks about the passage in the Bible where it says that gay lovers are an "abomination". (For the record I'm gay). It introduces us to a number of religious families who have to deal with their sons or daughters coming out. They have to deal with accepting their children who are not accepted by their religion. Strong, powerful but gentle documentary. It talks to priests and other experts about what the Bible REALLY says and how it should be perceived. The movie isn't in your face. It quietly points out that the Bible DOES condemn gays...but it also says eating shellfish is an abomination too. Also it should be perceived as when it was written--hundreds of years ago. The families introduced don't all come to accept their children's sexual orientation and there are some unhappy endings...but this is a strong and very truthful film. Everyone should see this one. Most of my audience was in tears by the end. I only give it a 9 because all the families are introduced in a confusing manner and there's a REAL out of place badly animated cartoon halfway through the film. Still this is a definite must see | -1no label
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] |
Here is a favorite Tom & Jerry cartoon perfect for Halloween. I know it dosen't have much creepiness, but has the 'trick' as in "Trick or Treat," as Jerry did to Tom with the window blind and the vacuum-cleaner with a collared-shirt hanging on it to make it like a ghost; but still like to put it on my list of Halloween cartoons. In this short, Tom was listening to the "Witching Hour," a ghost-story program on the radio, and being frightened by the horror story being told. Halfway into the story, the dramatics (hair standing on end, heart leaping into throat, icy chills on spine) begin happening to Tom . . . literally. And Jerry has been observing the whole thing and laughing to himself, thought he highen Tom fears by scaring him. I love the ending, it was a little funny. And you know, This short is the first of four cartoons in which Tom attacks Mammy Two Shoes; the others being The Lonesome Mouse, A Mouse in the House and Nit-Witty Kitty. And also This short is the first of twenty-five cartoons where Tom speaks. The others are The Lonesome Mouse, The Zoot Cat, The Million Dollar Cat, The Bodyguard, Mouse Trouble, The Mouse Comes to Dinner, Quiet Please!, Trap Happy, Solid Serenade, Mouse Cleaning, Texas Tom, Mucho Mouse, and The Cat Above and the Mouse Below directed by Chuck Jones. | 1pos
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] |
I am disgusted and appalled by the positive reviews this movie is receiving. Not only is it hokey, manipulative, and melodramatic. It's also shamelessly offensive. The character of Radio `Gooding Jr.' is paraded around as a cute little stuff animal, like a puppy that's so cute you just want to take him home.' This mentality is shameless; Radio is never treated as a human being, but as a manipulative device to draw sympathies from its audience. Even more atrocious are the film's numerous moments, in which Radio gets hit in the head/trips/falls over/etc. These moments of slapstick comedy had the audience howling with laughter merely purely because, `it's funny because Radio is retarded' This is shameless, Now I do not feel that the word `retarded' is an appropriate word at all to describe the mentally disabled, but this seems to be the stance the film is taking, `Radio is retarded, but that's okay, because he's cute and we like him.' Gooding's portrayal seems better suited for a John Water's film than an inspiring family drama. To add insult to injury the film is incompetent on every level, Debra Winger is uninspired in the role as the `stereotypical housewives' that the very reminder of her heinous monologues insights laughter in all who see the film. The Score by John Horner is pure sap always overlaying its tear some score over the tired cinematography. Ed Harris is decent in a role he could have slept through, but manages to retain much of the audience's attention throughout the film. In conclusion, if you consider yourself a decent human being, ignore this travesty of a film, read the book, but otherwise skip this dire film on an interesting character from American history. | 0neg
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] |
I happened across this film on the 'World Movies' channel, coincidentally the day after I read Murakami's story (in 'Blind Willow, Sleeping Women'). I really liked the story. So much so that after the first half-hour of the film, I was reading it again, trying to use the book to block out the TV screen. What is the point of this movie? Wait, movie? It isn't really a movie at all, if your requirements for movies go beyond 'being on film'. This is a children's picture-book version of the story. This is the movie's process: Recite the story, almost verbatim, and play tracking shots ad nauseum over the monologue, showing banal instances of what the monologue is saying. Tony and the girl move in together? Lets show her pouring milk! Wife obsessed with clothes? Lets show her wearing clothes! Hell, lets show her, in consecutive tracking shots, wearing SEVERAL DIFFERENT outfits! That'll really drive the point home, that she's a clothes addict. Oh, and don't forget to have a lonely, melancholy piano constantly playing behind the monologue. Because everything's GOT TO BE MELANCHOLY! AND LONELY! God knows we've got no possible other way to convey that, besides the monologue. What do you think we are, filmmakers?! However, I have advice for the director: Go back to 'Blind Willow, Sleeping Woman', and try to adapt 'A Poor Aunt Story'. If you can manage to do that one in the same way you did this one, I'll chain myself to the Eureka Tower, and refuse to come down until you've won the Golden Palm. I have advice for potential viewers, too: The story is just over 20 pages long. You can read it in a quarter of the time it would take to watch this slide-show/movie. And it's even got some humour in it, too. Not everything has to be MELANCHOLY. | -1no label
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] |
If you wish to see Shakespeare's masterpiece in its entirety, I suggest you find this BBC version. Indeed it is overlong at four and a half hours but Jacoby's performance as Hamlet and Patrick Stewart's as Claudius are well worth the effort. It never ceases to amaze me how clear "Hamlet" is when you see it in its length and order as set down by the Bard. Every film version of "Hamlet" has tinkered with its structure. Olivier concentrated on Hamlet's indecision, Gibson on his passions. Jacoby is able to pull all of these aspects of Hamlet's character together with the aid of Shakespeare's full script. Why does Hamlet not kill Claudius immediately? Hamlet says "I am very proud, revengeful, ambitious..." Hamlet is extremely upset, not only for his father's death (and suspected murder), or his mother's marriage to his uncle, but also, and mostly, because Claudius has usurped the throne belonging to Hamlet. He is furious at his mother for marrying Claudius (marriages between royal kin is not unknown; done for political reasons) but that her marriage solidified Claudius' claim to the throne before he could return from Wittenburg to claim it for himself. He is, therefore, impotent to do anything about it. And this is true even after he hears his father's ghost cry vengeance. He cannot simply kill the King or he will lose the throne in doing so. He must "out" the King's secret and here is the tragedy! At the moment Hamlet is successful in displaying Claudius' guilt in public, he has opportunity to kill him and does not. WHY? He wants it ALL! He wants revenge, the throne AND the damnation of Claudius' soul in hell. Hamlet OVERREACHES himself in classic tragic form. His own HUBRIS is his undoing. He kills Polonius thinking it is Claudius and the rest of the play spirals down to the final deaths of Rosencrantz, Guildenstern, Ophelia, Laertes, Gertrude, Claudius and Hamlet himself. | 1pos
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] |
Don't be put off by the negative comments. If you like the characters Robin Williams creates, and you like unusual dramas, you'll like Jakob the Liar. The film wanted to be Roberto Benigni and Life is Beautiful but never seemed to have the courage to go there, even with Robin Williams in the lead, until the last few scenes of the movie. However, being another Life is Beautiful is asking an awful lot. Life is Beautiful is one of the great films of all time. Having said that, Jakob the Liar is fiendishly good, creatively done, and Robin Williams does a fine job, even when Hannah Taylor-Gordon, who plays Lina, wasn't stealing every scene she was in. So, settle down and give this little movie a try. If nothing else, it's another solid performance by Robin Williams. | -1no label
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] |
Two little girls strike a friendship. One tries to convince the other she's a witch. The other is a pushover who bends to the would be witch's will. On and on the movie drags with the pointless interaction between the two little girls, with many a dramatic cut away as they pose "shocking" questions. You know, the kind sweet little children shouldn't ask, such as, "How do you make a deal with the devil"? Oooh... creepy. In the end, the pushover is sick of being controlled by her witchy friend. Her belief that her friend is a witch leads to a tragic end. But by the time it comes, you won't care in the least. I can imagine this film may have been frightening to a very religious 1960s Mexican moviegoer, but it doesn't even hold up as a charming relic. It merely drags on. It is boring. It is pointless. It is not to be watched. There are many here who have a lot of good things to say about it, based on their knowledge of the director's other works and, of course, that common denominator everyone says about pointless films: "Ah, the cinematography is wonderful!" Those reviewers probably have a point. But for the ones who found this movie with no prior knowledge, who don't care about its "photography," its "atmosphere" or its...whatever else it has -- for these viewers, then, who just want a *good* movie that will entertain them for an hour and a half, do yourselves a favour, folks: Skip it. | 0neg
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] |
At age 50, I still remember the profound effect this Holiday classic had on me as a kid. Growing up in middle class comfort, it was hard for me to understand how JT could grow so attached to a straggled alley cat. However, I understand now, it was something this poor child could give love to. I also remember how devastating it was to see the poor creature lose it's life by getting hit by a car. It should be required viewing for youth today who seem to have no respect for animal life. I'm wondering whether or not they would even understand the message. I'll add my comments to the many comments already posted. This poignant film needs to be released on DVD so hat hopefully, it won't be forgotten. | -1no label
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] |
With the fairly recent release of Carlos Saura's 'Fados' in the United States (albiet a limited art house only release),it's high time for a re-release of this fine documentary on Amalia Rodrigues. This film is a treasure chest of vintage film clips of Amalia on Portugese & American television,as well as various other film clips,including one of her & her Mother that could easily reduce the most macho man to tears. I first saw this fine documentary a few years back,when it received the unjustified "art house" release (it deserved far better). Fortunately, various recordings exist of Amalia's best recordings on various "budget line" recordings (which are generally available in places such as K-Mart,or Best Buy),or if you do a little searching,one can fine some of the original releases,either on E-Bay,or one of those distribution services that specializes in pricey European imported CD's. There are at least two versions of this documentary in circulation (the original Portugese version,with no English subtitles, and the U.S. version in Portugese with English subtitles,except the European version cannot be played on most U.S.DVD players,due to the PAL colour line system). Not rated by the MPAA,but contains nothing to offend. | 1pos
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] |
Unfortunately is is often overlooked in the competition because it's not as much fun to watch as MANOS or PLAN NINE FROM OUTER SPACE but honest, believe me, you won't fail to be disappointed if you watch this. From an alien presence which is, unapologetically, a red flashlight beam sliding across the wall, to the end of the entire world told from the point of view of a single remote cabin in the Canadian woods, to the SPACE ODDESSEY-influenced ending involving a non-sequiter image of naked children frolicking in a meadow, this movie will rock your world. And possibly, tip it over. Plus there is the amazing disregard of normal attention spans - this plays like an editor's worst nightmare. You can learn a lot about movie-making from watching this movie closely. I think you know what I mean. | -1no label
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] |
A call-girl witnesses a murder and becomes the killer's next target. Director Brian De Palma is really on a pretentious roll here: his camera swoops around corners in a museum (after lingering a long time over a painting of an ape), divvies up into split screen for arty purposes, practically gives away his plot with a sequence (again in split screen) where two characters are both watching a TV program about transsexuals, and stages his (first) finale during a thunderous rainstorm. "Dressed To Kill" is exhausting, primarily because it asks us to swallow so much and gives back nothing substantial. Much of the acting (with the exception of young Keith Gordon) is mediocre and the (second) finale is a rip-off of De Palma's own "Carrie"--not to mention "Psycho". The explanation of the dirty deeds plays like a spoof of Hitchcock, not an homage. Stylish in a steely cold way, the end results are distinctly half-baked. ** from **** | 0neg
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] |
I was fortunate enough to get to see this film a couple weeks back at one of my favorite theaters (the Rialto in Pasadena) and the ambiance of the venue really added to my experience (the Rialto is a grand and spooky place - you can feel the ghosts that surely live there). My only wish is that more people turned out for I can only imagine how much fun it would be to see "Spectres" with a big audience. Having read about the movie in advance, I knew it was not going to be a horror film. Still, there were several moments in the movie made me jump and based on the reaction of the rest of the audience I was not alone. Also I was surprised at how funny the movie is. It's a good thing too because if this film had taken itself - or its philosophical/spiritual ideas - too seriously, it could have been a disaster. Instead, it wears its heart on its sleeve without shoving anything down your throat. And because the filmmakers don't violate the rules they've created in this world, you walk away at the end, maybe not believing, but thinking it'd be really cool if the ideas expressed were true. If people come to this film for any reason other than the supernatural elements, of course, they'll be coming for the cast of recognizable sci-fi veterans (so amazing to see David Hedison again - he looks FANTASTIC). It certainly is fun to see so many good actors playing against type. Still, it is the young actress who plays "Kelly" that steals the show. She IS the movie and that's no knock on the other performers, who all do really good work. Technically, the film is somewhat of a mixed bag in that there's some choppy camera work and the music is often that of a TV Movie. Some of the effects are cool, some are barely serviceable. According to the filmmakers, the movie was shot in high definition, and it has a really unique look to it that seems to fit the mood. Also, the sound effects and design do a lot to add to the spooky and emotionally haunting atmosphere. Still, technical flaws aside, this is clearly a modest-budgeted picture with huge ideas and an even bigger heart and as such I really hope it finds wide acclaim and success. | -1no label
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] |
Well, I mean, just look at my name. I knew from the start that I was going to be a bit picky about this movie, considering I'm a huge Monkees fan. But still, I thought it was terrible! The only good thing about it was the casting, which I was pretty surprised with on accuracy. But otherwise... I didn't think it was a keeper. The dialogue didn't hold interest, the seemingly misplaced beginning sequence was utterly confusing, and there seemed to be so many things that the movie left out. But personally, I believe the very worst part of the whole movie was the ending. Several people disagree with me, but if you ask me, it's almost *too* happy. As many know, the Monkees didn't end Monkee-walking off into the horizon, and never truly became happy with their image. I can see why VH1 would want a happy ending, but I still felt it chopped the story off too quickly and differently than real life. If you're a serious Monkee fan, I suggest you do see this movie once, but probably just to see what you can find that's wrong with it... | -1no label
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] |
A delight mini movie, a musical short based on three of Cole Porter's Broadway smash songs. Bob Hope's first credited film is a delight! He plays an American playboy millionaire on vacation in Paris. The film opens with him sitting at a table of an out door café telling his friends about this beauty that takes his breath away. Suddenly he spots her a few yards away. he is so over come his friends tease him and suggest "just show her your bank book." But Hope claims he can win her in less than 30 days with "no" money! They bet polo ponies over the issue and take all his cash and ID's. Hope follows her and when they are alone gushes out a proposal she does not believe he is sincere until he sings to her, "You Do Something to Me" by Cole Porter. But she must leave and he tries to earn money as a tour guide so he can pursue her. But when she sees him showing another girl around town, disillusioned she wants to drop him. He continues to chase her and catches up to her and her family at a race track where he bets his meager earnings on the last race hoping to win enough to impress her. Through a series of events and large synchronized dance numbers he loses the winning ticket and she decides to marry him rich or poor. So he wins the girl, the race and the bet and sings two more songs! | 1pos
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] |
Badly made. Dreadful acting and an ending that the Director appeared to contrive out of nowhere as the film had frankly been nothing short of dull. Shocking that this film is considered for an award at the Gijón Film Festival. Everyone that came out of the theatre was of the same opinion as I - what was the point of even making the film? The references to Iraq were either bizarre or just not thought through properly. I am astonished that this film has been given a release - very, very disappointing and a waste of my time. Sorry, terribly negative review but hopefully will deter some people from making the same mistake. What a pity we did not have a Q and A at the end of the film - now that could have been interesting. | 0neg
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] |
The original Vampires (1998) is one of my favorites. I was curious to see how a sequel would work considering they used none of the original characters. I was quite surprised at how this played out. As a rule, sequels are never as good as the original, with a few exceptions. Though this one was not a great movie, the writer did well in keeping the main themes & vampire lore from the first one in tact. Jon Bon Jovi was a drawback initially, but he proved to be a half-way decent Slayer. I doubt anyone could top James Wood's performance in the first one, though... unless you bring in Buffy! All in all, this was a decent watch & I would watch it again. I was left with two questions, though... what happened to Jack Crow & how did Derek Bliss come to be a slayer? Guess we'll just have to leave that to imagination. | 1pos
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] |
If you are a father, and you lose a son you will find this motion picture a little to hard to endure 'till the end of it. A good script, directed almost perfectly. I watch it once and i will always remember as i remember my child. The music was i may say, everything ... Actors doing such a great job... Andy Garcia playing so well that you may think that is not a movie but a Real TV story. A drama who can keep you with the eyes on it 'till the end. You'll never know what its gonna happened next. Dunno if i wanna watch it again. It was a movie that made me cry... something that its almost impossible for me. Maybe i'm a not a good person to comment this movie, because some of what happened there i lived and its hard to be equidistant, but it moved me so bad. | -1no label
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] |
I just saw this film at the Starz Denver Film Festival. It was an amazing film. Anyone who knows anything about independent films knows that this film is an amazing achievement. Even someone who has never even seen an independent film can appreciate the great story line and the beautiful locations. Besides the four different locations and the great cinematography for a completely unknown cast the acting was great. The lead Kristine Blackport was great. Her first major role, doing all of her own stunts and overall just doing a phenomenal job. I definitely recommend checking this one out! Also if you stick around you can see in the credits that she was responsible for the music which was really great. I think we will probably be seeing her sometime in the future. | -1no label
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The movie Contagion was a very low budget and horribly made movie. If they where not so cheap and chose to actually spend some money on some decent actors the film would not have been so bad. During the whole movie it reminded me of the movie outbreak which was actually OK and I think this movie tried to be like that. The only good actor in the whole movie was the sketchy little kid that crawled through the air vent to get every where, why couldn't he just walk? I would never recommend this movie to anyone unless you have to watch and even then I am still sorry for you. The up side to the movie Contagion is that it was actually kind of amusing at some points in the movie, and I believe that it wasn't suppose to be funny. I loved how when one of the doctors was studying the virus she started to rub her eyes and mouth with the same gloves that she was studying the virus with. This movie is not even good enough to have a chance to be played on the sci fi channel, which is bad because they play some really bad movies on there. | -1no label
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] |
When this show first came out it was considered the Sex and the City for the black folk, and while the premises of the show is smiler (withe the four female friends looking for love career and everything else in between) it's rather different as well. it's incredibly witty in that Frasier type way and that probably has to do with Kelsy Grammar producing the show, and while they not afraid to talk about sex or in the case of Joan the lack there for every episode is not contaminated with naked torsos all over. this show does not give the illusion that as a writer for a weekly column you can afford to stay in the heart of Manhatton (i come from South Africa and i know that is expensive) and afford Jimmy Choo's and Blonicks please, these women work hard to look as good as they do, and in Joan's case you might even make yourself broke trying to maintain the look. This show defiantly found a way to touch on all subjects, broken homes (with out being stereotypical because daddy doesn't always have to beat mommy or be an alcoholic for the home to break up) in the case of Maya and her husband. you have the Nimphomaniac friend who refuses to stop studding and get a job in the case of Lynn. the up and coming Legal Aid in the form of Maya the definite girls girl in the form of Toni Childs so this show def has something for us all.... Defnaitly something for the ladies but Gentlemen you more then welcome to join the fun.... | -1no label
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] |
A couple of men are ship-wrecked on a remote island. They are then captured by an insane count who lives there with a small group of servants; while in the castle dungeon lives the count's unfortunate leper wife. The Dungeon of Harrow is pretty much a hack job of a movie. The amateur actors all sleepwalk through the film while an annoyingly insistent score continually plays in the background. The various bits of action are all filmed in an incredibly unenergetic way; in fact the film in general is completely lethargic. It just seems to drag on and on. And even though the ending isn't too bad you will be hard-pressed to care by that point. As an example of 60's Gothic horror, this is strictly a bargain basement example. I sadly can't recommend this one really. | 0neg
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Reasons Jason Goes to Hell is the worst in a pretty good series of slasher films: 1) Jason is not scary when he's on "American Casefiles" (I think that's what the "America's Most Wanted"-like TV show was called. The whole reason he was scary was because he was this backwoods, crazy type of character that was based soley in legend and newspaper writings. Putting him on TV sucks. So does having the FBI go after him. 2) He looks stupid in this one. That skin bubbling over the hockey mask is just dumb. 3) They try to put too much plot in it. Come on, it's a Friday the 13th movie (isn't it?)! Forget this body-hopping and "Hellbaby" garbage and get the hell back in the woods, Jason! | -1no label
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Did we all see the same movie??? I can't believe the raves some of the others are giving this really awful bio which, believe or not, was authorized by Shirley Temple herself, based on her book CHILD STAR. Gives me the feeling that some are awfully easy to please. First of all, ASHLEY ROSE ORR, whatever her modest talents are, in no way, shape or form even resembles Shirley Temple enough to be cast as her in this sort of straightforward biography of the world's most famous child star. She gives no indication of why or how this child was so revered except for trying her hardest to do a Shirley impersonation which never clicks on any level. None whatsoever. And that is the major handicap of the whole piece. But as if that isn't bad enough, any drama inherent in Shirley's story of her climb to almost overnight stardom has been completely white-washed with insipid writing peppered with occasional song and dance moments that don't even approximate what Shirley did (as for example, "The Codfish Ball" with Buddy Ebsen which was probably the high point of Shirley's choreographed dance routines). Simply putting a girl in a polka dot dress doesn't make her Shirley Temple. None of Shirley's own brand of charm, warmth and appeal is even remotely suggested. All we see on display is a pale imitation of the original proving, once and for all, that there was only one Shirley Temple. It's worthless to write anything further about this mess. None of the others are more than ordinary in lifeless roles. My advice for Shirley's fans is to read her book--or better still--watch her movies. This is the pits. | 0neg
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] |
This is possibly the worst movie since Elizabeth Taylor and Richard Burton graced the screen in "The Sandpiper." What a mess! It has a politically correct roundup masquerading as Passover celebrants. You have your lesbian and her Afro-American lover; you have your Hasid; you have your flighty mother; you have your wayward daughter; you have your handicapped child; you have your Holocaust survivor; and you have your bellowing businessman...You get the idea. Jack Klugman is the best thing in this movie but even he can't elevate the maudlin, pointless, 'stoopid' script. Funny to see Klugman in this piece of crap because I recall him in "Goodbye Columbus," the movie version of Philip Roth's novel, in which Klugman played father to a luminous Ali McGraw. That movie made me uncomfortable, because it rang true. This is anything but true. "When Do We Eat" just made me cringe with embarrassment. The worst thing about this movie is that the filmmakers (and I use that term very loosely in this case) actually go "art-y" at various times; attempting to equate 40 years in the desert and the Passover saga with the journey of these execrable people. They should live so long! | -1no label
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] |
Kiyoshi Kurosawa's "Kairo" has to be one of the most mesmerizing supernatural horror films I have ever seen.The film is loaded with extremely dark and brooding atmosphere and some scenes actually scared me.The photography by Junichiro Hayashi is truly beautiful and the score is very haunting.The theme of "Kairo" is that at the end of the line there isn't anything except a fearful nothingness-no heaven or hell,just a miserable eternity of living in between states.The film is cold and bleak,even nihilistic in its portrayal of total isolation."Kairo" is pretty slow-moving and there is absolutely no gore,so fans of "Scream" or similar crap will be disappointed.Still the visuals are amazing:dark skies,deserted streets and crawling shadows will leave you stunned.A must-see for fans of Japanese horror.10 out of 10. | -1no label
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] |
Obviously inspired by the Saw series, and referencing the phenomenon of video watching (like YouTube), for negative purposes of course, this looked like an interesting horror thriller, from director Gregory Hoblit (Frequency). Basically FBI agent Jennifer Marsh (Diane Lane) works in the Cybercrime division, and one day she comes across a suspicious website called KillWithMe.com, where an innocent kitten is to be killed by some torture devise, and basically the more people watch, the faster it dies. It becomes much more serious when the next victim is obviously human, and in a much more deadly trap, and they are trying to access anything that will lead them to the creator and killer, but it is "untraceable". We the audience obviously see the killer, Owen Reilly (Joseph Cross), and takes a while for them to realise it is him, but when they do, after about one or two more victims, including Jennifer's good friend Griffin Dowd (Colin Hanks, Tom's son), Jennifer finds herself the next, and eventually last victim of the deadly traps. Also starring Billy Burke as Detective Eric Box, Mary Beth Hurt as Stella Marsh, Peter Lewis as Richard Brooks, Tyrone Giordano as Tim Wilks and Perla Haney-Jardine as Annie Haskins. The gore is as good as you can get in the Saws, Lane is a good leading actress, and even if the story does have the tiniest glitches, it is worth a look. Okay! | -1no label
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] |
I'm somewhat of a fan of Lynche's work, so I was excited when I found this DVD. Unfortunately, I was very let down. It's a series of short cartoons which attempt to show a disturbing and disgusting sort of humor. The animation is very crude, no doubt done using Macromedia. Each cartoon has a big fat guy beating up his family and generally acting like a jerk to everyone he knows. For people who are not familiar with this vein of animation, they will probably be somewhat impressed by it. However, if you've spent much time on Newgrounds.com, like me, then these cartoons will be no different than any of the other stuff you've seen before. Many of the popular amateur artists on Newgrounds are doing much better work than what was shown on this DVD. If Lynch submitted this work to the website, then he would blend in perfectly with some of the better of Newgrounds artists. But, since I saw this on DVD, instead of on Newgrounds, I give it a 4/10, instead of a 7/10, as I would have otherwise. These cartoons are fit for the internet, but with a name like David Lynch on it, I expected better quality both in story and in animation. | 0neg
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] |
Oh dear we don't like it when our super-hero love interest develops a brain do we? Something has happened to people, they have lost the ability to enjoy, a simple feel-good, love story/comedy? Kirsten Dunst is a revelation - funny, sexy and real. I laughed out loud ooh at least five times and I'm not ashamed to say had a tear in my eye a couple of times too. The cast, acting and script is great, I watch a lot of films right across the board and I haven't seen one in this genre that has been as successful. Those who disagree please tell me where I can find some! I'm sure the book is good too but I think you have to judge it on its own merits. | 1pos
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