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As someone who has watched 1000's of films and actually likes foreign films, this was one of the most whacked-out movies I have ever watched. I fully appreciate that the subject matter is unconventional, and that people who get into such weird mental places do not have pedestrial social behavior. Also, most French films tend to take on unusualy subject manner and are much more direct in approach than US films when it comes to sex and sexuality. However, I feel like I was being thrown against a wall with one morally disgusting scene after another. I suppose it doesn't help when you instantly hate the main character, wonder if any of the adults act like adults (much less who isn't sexually overcharged), wonder why none of the teens have any common sense, and it just keeps going. You gain sympathy for certain characters and you realize the reason none of the adults act like adults is because...well..they have real problems. I will say it is beautifully shot and the direction just adds to the intensity, but thats about I can come up with in terms of redeeming qualities in what is one big mess! | -1no label
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This is definitely one of the better Mel Brooks movies, along with Spaceballs(although I will openly admit to not having watched many others, at least yet). It's very silly and thoroughly funny, there are hardly more than a few minutes throughout the entire two hour run-time, where you aren't entertained. Almost all of the gags have a great comical effect, few of them fall flat. I saw this movie right after seeing and reviewing Spy Hard, and comparing these two spoof movies, I realize exactly of how high quality this movie really is. It's funny from start to finish, none of the comedy is overdone or boring. The music is marvelous, as is the choreography of both dancing and fighting. The acting is pretty much what you would normally expect from this type of movie... Elwes is a great comedian, and makes a good Robin. The plot is typical Robin Hood, more or less everything from the legend is fit into this movie(and spoofed majorly). If you like Mel Brooks, or you're just a fan of silly humor, or you're just dying to watch a good parody of the legend of Robin Hood, this is definitely the film for you. The HBO First Look special on the film is also worth watching, and in that, you may want to keep watching throughout the credits, too. I'd recommend it to any fan of Mel Brooks movies, and to people who enjoy silly humor. 7/10 | 1pos
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When "X Y & Z" opened in New York, it faced unanimous horrible reviews from the film critics. Rex Reed gave it a zero and went after Elizabeth Taylor, Michael Caine, Susannah York and Margaret Leighton with a vengeance. Rex went on about the new wave of sex in the movies and said about this movie: "Well, sex is back in "X Y & Zee," as wretched and slimy a pail of slop as I've ever seen dumped on a movie screen, with the misguided Elizabeth Taylor playing chief pig in the pig sty..."X Y & Zee" is a depraved lesbian horror film with flabby, oatmeal-colored Michael Caine trying vainly to out-weight and out-scream the bloated Miss Taylor before they both get thrown out of the Screen Actors Guild." Believe me, he said plenty more. Me, the fool, went out and saw this on a double bill and wish I had listened to Mr. Reed. If you were among the pot smokers and free love people who staggered out of the 60s wearing your "I Hate Doris Day" tee shirts, you probably got a big kick out of this trash. I left the theatre disgusted. | -1no label
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Reading the postings here it does appear that one will either hate this offering as insulting and/or laughable or come to appreciate it as something quite unique. Admittedly the dialog and much of its delivery is B movie tedious, yet examining other scripts and performances of the time we find that this is rather standard fare. The acting could certainly have been much more refined (Billy Rhodes, the villain, looked uncomfortable through most of the film), but I have traveled all through the United States, seen plays and musicals put on by more trained actors that were so much worse than this. Some version of this script could have easily found its way into Roy Rogers weekly show. The worst part, for me, was the second musical number in the saloon; sung by Johnnie Fern as Diamond Dolly. I had seen it as a separate clip long before seeing the entire movie - feel free to fast forward here - it is truly embarrassing. Charles Becker as Otto the cook, is a joy to watch. Bill Platt as Jim 'Tex' Preston, was the senior of this group and had been performing for several decades before being well cast as the wealthy loving uncle. Billy Curtis as the hero Buck Lawson, cuts quite a dashing figure (all be it on a pony), especially during the stagecoach chase; which is dangerous for even a larger stunt man. Two things I found distasteful. First, Yvonne Moray as Nancy Preston running under the desk out of the jail. Second, the swinging doors at the saloon. The top of the doors were placed at the usual height for the period, but length had been reduced (obviously on purpose) to half. These are insults to both the viewer and the players. Not the most horrible thing on screen. I will watch "The Terror of Tiny Town" rather than that audio-visual vomit, "Moulin Rouge!" (2001), any time. What ever your personal opinion of this film please allow that everyone should see it at least once. The greatest question here may not be "who thought that this movie would be a good idea?", but, "why is there a penguin in a barber shop of the old west?" | -1no label
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The first word i can find to describe this movie is Awful. This movie is one of the worst movies I have ever seen. First of all is the plot a very thin plot (Wont comment further on this part) and a plot which a lot of movies from this genre is following. This makes the movie so bad, because you know whats going to happen. Secondly does the movie contain a lot of questions which never is revealed. One of the questions (and this is no spoiler) is: WHAT THE HELL ARE THE KIDS DOING IN THAT CORN!!!!!!!!!! Thirdly is the characters very bad, not only because the movie is bad, but also because of the sorry actors. They are bad as they can be. The last thing that make this movie bad, is that its a horror movie. You are supposed to be scared of the killings or the sudden shocks, but you are not scared, you a not horrified because you know whats going to happen. Conclusion: The movie is as bad as the movie about the killer ants! I hoped that it was a very great movie but because the story is bad, the actors are bad, the film raises a lot of questions and because its not scary, the movie is best unseen. | 0neg
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Every year there's one can't-miss much-anticipated red-hot big-budget title with the right combination of star, director and subject matter that fails miserably at the box-office. This year it was Superman Returns. In 1982 it was Blade Runner. In 1957 it was Billy Wilder's The Spirit of St Louis, a film that had everything - top director, huge star, best-selling true story about an American hero - except enough of an audience to cover its costs. Maybe the public still remembered Lucky Lindy's anti-Semitism and his loud admiration for Nazi Germany's achievements before the war (neither covered in the film, which ends with his arrival in Paris before the legend got too tarnished). Maybe because they thought they knew the story or that it was just going to be one guy stuck in a cockpit for two hours. Certainly Wilder and co-writer Wendell Mayes are aware of the dramatic pitfalls of Lindbergh's relatively uneventful flight, alternating between a well-executed flashback structure to key points in his life and the build-up to the flight itself. Once the film is airborne, it's both surprising and suspenseful, finding genuine drama in his attempts to stay awake and to navigate without proper instruments. It also builds up a quite remarkable sense of dread that's unlike anything else in Wilder's filmography, allied to a real sense of the epic: shots like the ominous storm clouds over the hanger the dark dawn before the flight carry a real chill of foreboding to them. Even the typically muted and problematic WarnerColor adds to the film rather than detracts from it. Along with the superb use of CinemaScope, there's a remarkable score from Franz Waxman: majestic, soaring but filled with understated menace, and cleverly used as part of the fabric of the film rather than mere musical accompaniment. The film does lose points for implying, though never actually saying outright, that this was a race to be the first to fly the Atlantic - in fact, Lindbergh was the third man to fly across the Atlantic after almost completely forgotten Brits Alcock and Brown's astonishing flight eight years earlier - but it's still a remarkably tense and engrossing adventure story that deserved the success it never found. | 1pos
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] |
... but then, what else would you expect from Michael Winner?? You'll usually find that regular use of voice-over as a narrative device is the last refuge of a director incapable of being economical; alien to visual or nuanced storytelling. The trend isn't bucked, such is the case here. The world of he who orchestrates everything is colourless and grimy, with creeps populating every suburb. My word, he must have met some reprobates in his alternate lifestyles to have such a ceaselessly nihilistic outlook! Answers on a postcard gratefully received please, as to why the soundtrack apparently contains a didgeridoo. It's obvious that the person who composed it has no idea why... A female version of "Death Wish" with even more specious motivations. Just what the '90's needed to teach us how to be civilised, and - this is more important - hopefully make better films for the new millennium! | -1no label
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] |
At first glance "I Love to Singa" looks like it will be just another cute and fuzzy animal cartoon. However, it develops into a wonderful parody of Al Jolson. The story centers on a young, jazz-singing owl who was born into a family who is less than thrilled with jazz music. The scene in which the little owl butchers the song his parents want him to sing is hilarious. Whenever his mother isn't listening, he injects part of his song, 'I Love to Singa.' This short is loads of fun, but be warned...you'll have the theme song ringing in your head for days. | -1no label
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] |
I went into this movie with pretty high hopes, honestly, I did. My guess was, after the American destruction of Godzilla a couple of years ago, the boys over in Japan would take up the reigns and crank out a Godzilla movie unlike any other seen before. BOY WAS I WRONG. I remember back in the days of saturday childrens matinees, when they would show all of the old Godzilla movies, I mean I've seen them all! GUESS WHAT? They are all the same! It's like Friday the 13th, you can't do anything with a non-talking star like Jason, Same basic story except you put new bodies in the way to get killed. Godzilla, it's a new monster. I've always hated the humans in the Godzilla movies, this is no exception, they think they know it all, but they don't, they stink, and they are on screen way too much, the human scenes always kill the movies. If you go knowing there is nothing special about this show, and it like all of the others, you'll get what you expect. If you want more, sorry, as long as these movies make a ton of money in Japan, they aren't required to raise the standard on GODZILLA. BUMMER! | -1no label
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] |
Unlike one of the reviewers below, I don't think that a great and glittering career should lie ahead for the director of this inept and tedious piece of navel-gazing. Whereas it is good to see a British director attempting to break out of the confines of convention, AKA's only claim for innovative fame rests on the novelty of the triple screen. At first you think that this might prove to be an interesting device, but its only real contribution to the film is to test your eyesight and patience. Seeing the same character from 3 different angles in a 2-dimensional movie does not make it more revealing or complex. If you can forget the triple screen (which, granted, is very hard to do), you then have to deal with the unintentionally hilarious script. The audience is beaten into submission by chiche upon chiche about the British class system. The film has the political and emotional sophistication of an episode of Upstairs and Downstairs. To sum up: the Emperor's New Clothes. And a rather poor outfit, too. | 0neg
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] |
MGM had Greta Garbo quite busy making films during 1928 and 1929 as the studio saw the approach of sound film possibly destroying one of their top assets. Nobody knew what the outcome of Garbo's career would be at the time. Thus Greta Garbo made silents until 1930's "Anna Christie". This silent film is not really silent at all. It has a very sophisticated score for its time, including sound effects, crowd noises, and even singing during musical numbers, with long shots of the singers so you can't see that there is no true synchronization with the singers themselves. The story is that of 50ish John Sterling (Lewis Stone) and his young wife, Lillie (Greta Garbo). The two are embarking on a cruise to Java so that John can mix business with pleasure. His business is to look over some plantations that he may buy. The pleasure is his desire to hunt and shoot a tiger while in Java. On the boat the couple meet Prince De Gace, played by Nils Asther. John is by no means a neglectful husband, but at age 50 he has largely left his romantic days behind him. This makes Lillie a likely target for the charming prince and his silver tongue. He makes a play for her right off the bat, and continues his chase as the Sterlings remain guests in his home. Lillie is torn, but tries her best to avoid the prince and his advances. One night during their stay, after returning from a day of looking at plantations, John sees the silhouettes of the prince and Lillie on the drawn shade of the house just after the prince has grabbed her for a quick kiss. What will John do about this situation? The acting in this film is quite well done. Asther comes across well as the slimy but attractive prince, and Lewis Stone was a wonderful silent actor. His surprise when he first sees the couple in an embrace, and his look of both great disdain and knowing when he later sees the prince flirting with a servant girl says it all. Yet, like Garbo, some of his best performances would come with talking pictures where he could both artfully play the cad in the MGM precodes as well as Judge Hardy of the Andy Hardy series fame. Existing prints of this film are quite well preserved, and I highly recommend it for silent film enthusiasts. | -1no label
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] |
Years ago, the people grew so greedy and hedonistic that they were no longer satisfied with worshiping a mythical god, so the Queen had sex with a bull and produced the Minotaur. Didn't turn out so good, a few deaths were involved, and the creature was placed in a labyrinth beneath the palace. Now every third year eight people are cast into the labyrinth as a sacrifice. This had surprisingly high production values for a Sci-Fi original. All the sets were quite nicely done, and even the Minotaur looked very good. On the bad side, the characters just didn't have much character, nor screen presence, and it got pretty boring towards the middle. The worst part was that, when trapped in a series of caves with a killer critter, what would a person do? Perhaps be quiet so as not to attract the attention of the beast? Not these folks. The main character especially seems almost incapable of grasping the situation; He yells at the top of his lungs on numerous occasions. Once, the Minotaur is only a few feet away and the guy still can't shut up. He's also convinced that his girlfriend, who was sacrificed three years earlier, might still be alive somehow. I couldn't quite figure out how anyone could be so dumb as to believe such a thing. There's also a woman who screams a lot - not just a regular scream, but a long, long scream. Maybe ten seconds in duration. That's a real joy to listen to. Two of the more entertaining characters are the high priest and priestess who are in charge of the kingdom. The priest likes smoking from a bull skull, and wants to get it on with the priestess. Seeing that she's his sister, she's rather cool on the idea, and jumps into the labyrinth as well. She's about the only interesting person down there. And one of the few people who speaks in such a manner that you can understand her. I missed a lot of mumbled dialog in this movie, but I don't think it served much purpose anyway. Overall, I think the Sci-Fi Channel may be getting a little better at movie making (they've certainly had enough practice). This one was almost good. | -1no label
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] |
I felt obliged to watch this movie all the way through, since I had found it in a bargain bin and bought it for my own, but I came close many times to turning it off and just writing off the money I had paid for it. If you are a fan of gore and sadism, this movie is OK. If there is one thing that the makers of this film know, it is the creative use of fake blood and body parts for a sickening effect. If that doesn't thrill you, then stay away. This movie is shot on a home video camera, with grade school props and terrible actors. It's dubbed from German, but even allowing for that, the sound is awful. This film is about as budget as budget gets, except for the aforementioned special effects. If they had spent a little more money on actors and a real script instead of blood and guts, the film might have been a little more enjoyable. The story is about three men that land on an island inhabited by an army of tin-masked sadists. They are captured, and the rest of the movie is about their attempt to escape. I call this a story in the loosest sense, since it is really a series of scenes of torture and combat strung together by inane obscenity-filled dialog. There is nothing whatsoever redeeming about this movie, unless you like mindless gore. Consider yourself warned. | 0neg
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] |
OK, I would not normally watch a Farrelly brothers movie. I can't recall ever watching one. I also don't recall watching a Jimmy Fallon movie. Alright, I did watch taxi, but I said penance and was forgiven for that mistake. But, this movie had Drew Barrymore and I just think she is the cutest thing. I don't know what it is about her, but I just smile the whole time I am watch her. She just captivates me that way. I mean I even watched Adam Sandler just to see her in 50 First Dates. How sad is that? This wasn't the greatest baseball movie - it wasn't supposed to be. It was a love story about a sad puppy that hung on to the only thing that never let him down until he found something worth giving that up for. It had a predictable ending, but there was so much on the way there that made it worthwhile. | 1pos
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] |
The first film I saw from these people was "Children of the Grave" and when I heard that this one was coming on I thought it would be good to watch mostly because Waverly is a real place that is rumored to be haunted. This documentary/film was AWFUL! There was too much fake commentary from the producers, directors, camera men...they needed to keep their faces out of this film. Waverly has been rumored to be haunted for a long time yet if anyone in doubt about it watches this film they will no doubt start to believe that every story about the place is as fake as this documentary. The paranormal proof was horrible and almost non-existent. I have heard better EVPs from high school students with tape recorders in a bathroom! They tried too hard to make things scary and the end result was that nothing was scary. Not the stories, not the blurry too dark to see anything videos, not the pictures, not the tape recordings! Children of the Grave was bad as well but at least it had some substance and a little bit of a creep factor. The only reason I am giving this a 3 is because the history portion of the show was very good and informative. Learning about how the hospital came about, the daily life there,and how it ended was the only thing worth while in this 2hr piece of crap. | 0neg
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] |
This was certainly a surprise choice for the folks at Reel 13 Classics. It's not so much a classic as it is a retrospective of classics, which I guess qualifies if you look at it from a certain vantage point. Still, I couldn't help but be a little disappointed when I saw this film on the May schedule. Generally speaking, as a film buff, I enjoy retrospectives. More often than not, they offer unique perspectives on their subjects and insight into film history. THAT'S ENTERTAINMENT PART II is different, however, for three reasons. One is the series was made by MGM/UA and so they primarily feature MGM musicals/scenes. While MGM had a lot of great stuff, narrowing your retrospective to one distributor over a two-decade period is a limitation. Second, THAT'S ENTERTAINMENT PART II is an afterthought of a sequel they already used their best clips in the first film, so we get the leftovers here. Finally, the intros to clips by Fred Astaire and Gene Kelly are inane and offer absolutely no valuable information or tidbits (Where was Neal Gabler when we needed him?). They are great performers, but Kelly, who also directs, insights on these pseudo-clever song introductions to each sequence of clips, which is a waste of time. As I mentioned, part of the joy of retrospectives such as these is that they give us insider information, production stories or something of that ilk a kind of structure that tap dancing will not replace. | -1no label
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] |
I must say, for a first time director/actor/writer...Mr. Cherot has many skills. He acts without pretension, the dialogue is snappy and realistic, and the plot revolves around the characters, instead of some contrived formula. My only question is with some of the acting, but damn...for a low budget, first time debut--- this movie impressed the hell out of me. This movie happens like real life, like a seinfeld episode...it's quirky and blunt. And I give mad props for the ending, which playfully satirized the movie and genre itself... and it confirms the courage and honesty I liked so much from the beginning... Enjoy this one without your ego, just watch it and be absorbed! | -1no label
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As a sci-fi and casual Angelina Jolie fan, I thought this obviously low-budget movie might be worth a look... maybe it had a few scenes or a storyline that would make up for all its other faults. Plus, it might be interesting to watch Angelina as she was embarking on her star-bound career. Oh how wrong I was. One thing I learned -- at 18, Angelina Jolie couldn't act. So, to make her comfortable, the producers cast this entire movie with people who couldn't act. Seeing this, Jack Palance (who can actually act) decided to overact. Watching 10 minutes of this happen is enough to burn your eyes out. To the horrible acting and overacting add a nonsensical script, insipid dialog, bottom-of-the-barrel cinematography... in fact add bottom-of-the-barrel everything. The story features Angelina as a cyborg programmed by her corporate overlords as an assassin. She escapes the corporate HQ with the help of her combat instructor. The corporation sends bounty hunters after them. Stupid stuff happens. The end. I would tell you more but I didn't want to waste my life watching this dreck. I implore you -- this is not worth watching. Its not even worth thinking about watching. Save yourself the pain and move on. | 0neg
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Here's a couple of paragraphs out of an essay I wrote for university about TBOR. "The Book of Revelation is an erotic thriller about sex, power and a talented dancer's struggle to regain his sense of self after being unfortunately raped by three cloaked women. The three women that violate him all have distinctive marks on the bodies; one has a giant birth mark on her buttocks, another has a butterfly tattoo on her lower stomach and the ring leader has a small circle on her breast. So he lives his new life in search of these markings, and to find them on these intimate places he does what any sane man does when he needs to see as many naked women as possible to solve a mystery, he has sex with them. An hour and ten minutes into the film and you feel like he has almost had a piece of every woman in Melbourne. The film is a giant chunk of pretentious celluloid; it is like grandiloquence drips from every frame. At only one point towards the films final climax does Kokkinos give a scene the same energy and strength as her debut feature Head On had in droves. As like many films funded by the government bodies the film takes it self way to seriously, the script and its execution appear to be chores rather then gifts and unfortunately for the talented thespians, their brilliant performances (particularly Tom Long as the fractured protagonist) are stuck within the confines of a pompous wan k fest." | 0neg
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] |
I watched this show for about 5 minutes (I was 15) and joined millions in turning it off. (Funny, I did the same thing to "Caveman" this year.) The rumor I heard was that the head of ABC actually canceled the show BEFORE the first episode ended. (At 13 minutes into the show, supposedly the head of ABC told someone this was the ONLY episode ever to appear on the network.) That would have to be a record for anyone. Although, if ABC had any taste they would've done the same for "Caveman." Alas, poor Tim Conway had found a way to get onto yet another falling rock! | -1no label
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] |
Wow, I am out of sync on this German film. While the overall score is very respectable and the reviews are mostly glowing, I didn't like the film at all. Now I've seen about a dozen Fassbinder films and I often have really enjoyed them, but watching this one was a chore. First, the film's style seems less innovative or interesting than just dull and, dare I say it, cheap. The black & white film looked more like a way to save money than anything else and the film played like a long series of vignettes all strung together with awkward dissolves. This made it all seem very episodic--like the audience is getting snippets instead of seeing a story. Second, the story wasn't particularly interesting. The film played like a Bergman film WITHOUT the complexities. And, sadly, the film was slow and the characters uninvolving. Overall, I found watching this film a chore. There are many wonderful German films out there, but I assume the average person would also find this film dry and unapproachable, as you need a lot of patience to stick with this film. | -1no label
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] |
Although there are plot points that you could drive a truck through, this is a well thought out script and the acting is uniformly great. Patrick Warburton really gets to show us his acting chops as the cement headed misogynistic Max Bright and Marie Matiko as Mrs. Bright is the perfect counterpoint to his bluster. Special kudos to Eric Roberts as the long faithful friend. There is Warburton's impressive full frontal nudity that arrives on the scene even before the opening credits roll, but even this robust titillation quickly fades once the story is under-weigh. On the whole I am completely baffled why this little gem of a film has languished in the Never Never Land of "Can't Find a Distributor". For those that care to search it out, it is available on DVD in Australia in the PAL format. It's a legit pressing, but looks like a work print was used for the transfer. It was filmed on video and transfered to film which doesn't help either. Check it out. | -1no label
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] |
This movie barely followed the story line of the movie. All of the fascinating points in the book didn't even exist in the movie. They ended up turning it into a cheesy "tween" Disney movie "crush" story between Meg and Calvin. It was so bad it should have been Hillary Duff playing the part, or one of the likes. This movie was nothing more than an insult to the intelligence and mysticism of the book. I can't believe Disney could even get away with making such a cheap, basic rendition. If you've ever read the book, I think you would agree it could easily be made into a movie of "Lord of the Rings" equivalence. This movie should have never been able to use the title of A Wrinkle in Time. Poorly done. | 0neg
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] |
I must say that I find refuge in foreign films. I tend to watch Korean, Japanese, Spanish, etc. movies because since they do not have the budget for big explosions and special effects, they spend time making movies that make you think, movies with soul, movies worth watching and remembering. Sadly, this Valley of the Wolves - Iraq could have been a chance for Turkey to make an excellent movie from their perspective. We do not have to agree that the United States of America is always going to be portrayed as the hero or the champion. We are a country like many others with people from all walks of life serving in the armed forces of our nation. With this, come intelligence, wisdom, stupidity and ignorance, and the complete range in between. Turkey decided to make a movie that would sell tickets, not portray the truth. We as a nation have committed many mistakes. We mistreated prisoners, we disrespected customs and traditions, and we could have made a heck of a lot better job that what we have done up until now. And the Turkish public has a right to the fantasy that is being sold by this movie. They have the right to be isolated from the EU, by not accepting the Armenian Genocide, and they have the right to not allow us use of their ports to invade a country that has most of the strategic oil that we need as a superpower to survive. They have the right to insert Turkish Special Forces and be confused with irregular forces from Iraq. They have the right to fight against the Kurdish Separatist Movement that is so prevalent in Northern Iraq. They have the right to make a pathetic movie that stirs emotions and does not portray the United States Military for what it really is. We do this in Hollywood all the time. So congratulations to Turkey, for making a crass, sensational movie. Hopefully in 20 to 50 years, they will join the real world and make movies that stir the heart, not the penis. Respectfully, a US Soldier who saw the reality in Iraq, and it is nothing like this sad pathetic movie. The Turkish | -1no label
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] |
This film was made as WWII was ending. The main interest in it was the exciting aerial photography used in it. For a propaganda film, "God Is My Co-Pilot" presents one aspect of the conflict in the Far East. It's a story about bravery and courage as the young pilots of The Flying Tigers fought the conflict. The story of a war hero, Colonel Robert Scott, is at the center of the film. Col. Scott knew no fear as he took to the air. His comrades, the other pilots of the squadron, admired him deeply as he set a clear example about how to serve his country unselfishly. The air combats shown in the film must have been amazing to the audiences of the time in which the movie was released. Robert Flarey directed a film that made those young aces heroes in what would become the powerful might of the Air Force in future conflicts. Dennis Morgan was perfect as Col. Scott, the man who knew no fear. Raymond Massey plays General Chennault. Alan Hale appears as the friendly priest Big Mike. Some other familiar faces in the cast, Dane Clark, Mark Stevens, Craig Stevens, and other. The only thing with the print recently shown by TCM looks as though the film was re-dubbed as the dialog doesn't match the lip movements of the actors in the film. | -1no label
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] |
I just called my brother Paulie on the phone and he said he was watching Hoods and it was funny. So, like I said, never go against the family! The demand for more lines is OK since I like to express my own opinions quite frequently. If something is misspelled it's most likely my eyesight and not my brain. This gives me yet another chance to take my shots at "The Departed". When one knows exactly what is going to happen in the last scene with no prior knowledge, that usually means it wasn't all that suspenseful. All you need is a good directer,the same guy I believe who did my favorite mob movie, "Goodfellows), but in a completely different way.And then just throw in Jack the great and you got yourself an Oscar. Easy as pie. I have to see hoods to make sure it wasn't better than "The Departed" Gibbs | 1pos
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] |
When watching little man , you'll spend its running time trying to figure out its many plot holes . And thats not a good sign because this film is supposed to be a comedy ! Your supposed to be laughing at it !! But will you ? Probably not. The main problem with little man is its concept- its far too ridiculous to accept (even as a cartoonish comedy ), so when the loud , laboured and over the top jokes kick in , they make the whole thing seem ten times stupider than it already is. "But its a comedy " some of you might be screaming. Thats true but thats no excuse for such a dumb plot.I mean come on , think about it if you saw a baby with A GROWN MANS FACE , wouldn't you be the least bit suspicious? And if calvin wanted to hide the diamond so badly, why didn't he put it in a nearby shelf instead of a random womans hand bag? And how can a qualified doctor NOT recognise that calvin is a grown man ? i mean seriously...what ? "Its not about the plot , its about the laughs" you might be screaming . Well heres the thing see, there are hardly any laughs in little man and that just make the dumb ass plot stand out all the more. If you really want to watch a wayans brothers comedy with a belief suspending plot, stick to white chicks because at least that had a few decent laughs.What ever you do steer clear of little man. | 0neg
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] |
I ended up liking this movie but it was not the easiest to get through. What makes the movie great is the music and the scenery. The songs are beautiful and the musicians are talented. A great job was done to show different settings for the Rom people. However, the viewer was not guided enough. A more in depth history of the Rom people would have been nice. Only a fraction of the of the spoken words were given English subtitles. In addition, more explanations about the settings and who was their and some of their challenges would have been appreciated too. It would have helped if there were a narrator too explain about customs, dress and music. | 1pos
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] |
Arthur Miller has always been my favourite playwright and All My Sons my favourite of all of his plays. The film version really impressed me as they were able to make the film come alive in an interesting, new and exciting way. The shots were meaningful, but not pretentious. The acting work of Edward G. Robinson as the tragic Joe Keller was inspired. The subtle ways his character would speak volumes without saying a word. Mady Christians (Kate Keller) had few lines but we rarely wondered what was going on in her head. All the performances were well done...but... There were two things that bothered me about the film. The first was noticeable, however forgivable. I found that the delivery by Burt Lancaster (who played Chris) sounded like he was trying to act on stage. He spoke the lines with pronounced enunciation and flair. He did not overact in any way, but the way he delivered his lines felt forced, felt like I was watching the performance rather than watching life unfold. The next was a disappointment for me. However, if you have not read the play you wouldn't notice it at all. The end of the play is quite emotional and whenever I read it (about once a year) I find that I weep uncontrollably. The film did not have the same emotional affect, however, and although it was still tragic it somehow came across with less impact than the words on the page. I am a filmmaker myself and it has always been my dream to remake All My Sons once I have garnered enough experience to do it right. I hope one day to do it justice. | -1no label
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] |
I saw this at the BendFilm Festival Friday amid an unsettled crowd of people, not helped by a poor decision by the planners of the event, who chose a totally inappropriate short film to precede the movie. And it really threw the audience when Modern Love came up after a light, whimsical short (name I forget). People!!! It was really silly to mix this short with Modern Love - which is a serious drama movie. A film film. So the audience gets the teaser which is a comedy and then...Modern Love. Hmmmm. Modern Love, despite my reservations (strange ending, a little too tangential)needed a short film that was commensurate with it's oddball strangeness, so my advice to the programmers for next year is to take more care planning the show. The folks watching Modern Love really just didn't know what had hit them, - they were led up the path and this is not their fault. Modern Love has some superb performances which play well against the tangential meanderings of the film - a film that its maker seems to have 'wondered out loud' rather than executed in the normal way a film is scripted and shot. Too bad the audience was misinformed. Wrong session placement, wrong short film, wrong approach by the well intentioned programmers, who, despite good efforts, need to see a lot more films and travel to some other festivals. | 1pos
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] |
This film is a genuine and moving portrayal of growing up in Australia. On some level, the film makes the mundane haunting and beautiful. For people wanting to see the 'real' Australia, rather than the Crocodile Dundee myths, this movie is a classic. Definitely a film for the sentimental thinker. Like most Australian movies, it lacks the big-budget shoot em up special effect American style. It is more laid back, and lets the characters tell their stories. It made quite an impression in Australia when released, but was less successful overseas. The sequel of this movie, "Flirting", starred Nicole Kidman and Thandie Newton, who played a cameo in "Interview with the Vampire" opposite Tom Cruise. | -1no label
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] |
Lifeboat is another fine film from it's director Alfred Hitchcock. Hitchcok received the second nomination in his career for Best Director at the Academy Awards for 1944. The film was also nominated for Best Cinematography from Glen Macwilliams and Original Motion Picture Story for John Steinbeck. It's a great character study and is basically a stage play set at sea with a fine cast including Tallulah Bankhead, William Bendix, Walter Slezak, Hume Cronyn, John Hodiak and Canada Lee. I've always enjoyed this film and have seen it many times. It's a well acted script adapted from a good Steinbeck story by Jo Swerling and Ben Hecht. All Hitchcock films are good and offer something different in each one. This is a little stage restricted and has no performances to absolutely wow you but it's worth checking out if you've never seen it. I would give it an 8.5 out of 10 and recommend it. | -1no label
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] |
I've given 'Kôhî jikô' a low score not because it was a bad movie, but because it doesn't do anything worth praising. I've not seen any of Hsiao-hsien Hou's work before, but for the uninitiated (me included) 'Kôhî jikô' is advertised as a homage to Yasujiro Ozu. (A Japanese director whose last film was way, way in 1962) The film is an extremely sparse work...containing very little dialogue, story, music or emotion. Yo Hitoto plays 'Yoko' a jobless, wandering character who spends her time in her local coffee shop or loosely investigating a Taiwanese composer she likes. Tadanobu Asano plays her friend, who works in a cd shop and occasionally indulges his otaku interest in trains. And that's about all it. We watch as Yoko drinks coffee alone...walks around...waits for a train...catches a train...falls asleep on the train. The kind of mundane reality anybody in Japan can see on a daily basis. Hou captures these ordinary moments of these characters life, but without any meaning to these vignettes it's an entirely pointless film to make or watch. | 0neg
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] |
What? I watched this movie with my two young nephews (8 and 11 years old) and it very nearly put all of us to sleep on a Friday night before the sun went down (8pm). In fact, it put them to bed (they're asleep at 8:10 while I am babysitting with them at my place) - I guess that's "one" GOOD thing that came from this movie; it'll knock the kids out fast. This movie was a real bomb (by bomb I mean the original use of the word). We didn't get it at all. The two boys hung in there during the movie; patiently (although there was A LOT of sighing) and I kept thinking...something good Has GOT to happen because Dustin, Natalie & Jason would never haven taken a movie with such a dead beat theme and ending. None of the characters that were introduced were developed very far at all. I am still scratching my head... | -1no label
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] |
A charming movie enhanced by the musical and vocal background, especially during the competition. My understanding is that there was never a soundtrack but could you, through your sources, advise me where I might get information on the singer and the likelihood of getting a copy of the song he sang. Your help would be appreciated. The song really touched me and my wife and we would like to secure a copy wherever possible so that we might play it as background music when we have our family and friends over for our "Italian Nights". If you are able to get this information to us we would be eternally grateful. Even if you can advise of the studio contact so that we might go direct. Regards, John Payling | 1pos
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] |
Here is a movie musical what is a movie musical! Forget the story! It is slight at best, involving a he-man (Scott) inheriting a designing house in Paris. It comes complete with assistant (Dunne) and a phony countess (Rogers) and a band (complete with Astaire as leader) which has come to Paris with him. Why he is traveling with the band, or why Rogers is getting away with the phony royalty bit is never really explained. To be honest, the first half of the movie is totally missable and rather confusing. Scott as a love interest? Unable to see it. Dunne as a singer? Hard to take. Having said that, then, there is the dancing of Astaire and Rogers, unmatched by anyone before or since. No wonder tap and ballroom dancing has gone somewhat out of vogue. Once you see these two perform, everything and everyone else is a letdown. The music of Jerome Kern is some of the best ever put out for a movie. If you're under 35, you may never have had the opportunity to listen to "Smoke Gets in Your Eyes", "I Won't Dance" and the rest. Do yourself a favor - watch this movie just for the music and dancing. A wag once said that Fred Astaire looked so good in a tuxedo that he rented himself out to them. No one else looks so at ease in top hat and tails. The clothes are dated, maybe, but you get an idea of what real glamour can be. Yards and yards of exotic looking material draped over some delicious looking models, including a brief glimpse of the redoubtable Lucille Ball! Well worth the time it takes to watch!! | -1no label
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This is an absolutely beautiful cartoon! Most Fleischer shorts were quite visually striking, to be sure, but Betty Boop only had one color cartoon-this one. While in many ways it's good that black and white was used for most of her cartoons, the sweep of this cartoon cried out for color. The Fleischers were likely also hoping that Betty's popularity would boost interest in the Color Classics series that they were starting. Betty as Cinderella was certainly fitting-after all, Cinderella did ultimately become a princess when she married the prince and Betty Boop is cartoon royalty. Wonderful effort from the brothers Max and Dave. In print and available. Most highly recommended. | -1no label
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] |
I absolutely adore this film about a lady columnist (Barbara Stanwyck) for a major homemaking magazine who delivers a welcoming article each month that includes details about her awesome home life as a wife and mother in a beautiful Connecticut home. The trouble happens when the owner of her monthly publication demands that she have him and a WW2 hero as guests during the Christmas Holidays. Why is she worried? Because she lives in a small New York apartment, isn't married, and doesn't have a baby - and can't cook at all! Hilarity (and romance) ensues when she tries to put on a believable act in an effort to save face/ keep from being fired by the magazine owner (played by Sydney Greenstreet). This is a delightful comedy; one that I highly recommend to classic movie lovers!!!! | 1pos
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] |
I do not want to give too much away about this film as it is worth watching not knowing the sequence of the events as the film unfolds. This black comedy is about a TV chef whose days are numbered and his show is axed by the producers. He is at the end of his tether about the loss of his show, his celebrity lifestyle and reputation as a chef. What is he to do? He throws a dinner party an a subsequent events are a combination of tense and tragi-comic action. The film is carried a long at a steady pace as the characters and plot evolve until the arrival of uninvited guests when the pace becomes frantic. The excellent work of the director Robert Heath is ably supported by a very strong cast. It was a pleasure to derive such entertainment from a British film | -1no label
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For the first 2 minutes I thought that its a spoof on Karan Johar movies. Then I realized what I was in for! 3 long hours of pure crap. I went with very low expectations. But I was secretly praying that Fanaa would not be a simple love story. It would be something with a twist like 1947 - Earth. Kajol looked great though. But rest everything is so totally crappy. There are thousands of close-ups, obscene sentimental background score at every 2nd dialog. Amir was a big disappointment. He has proved the innocence of Shahrukh Khan - "If the director is adamant for sentimental crap, you can not do anything about it". I liked first 3-4 instances of Shayari. But after 10 minutes, it started giving me a headache. It was like the sound of a big metal trunk being dragged on the floor. Yes, his expressions are becoming repetitive and his tummy is getting bigger. I guess he is stressed because he is pregnant. Fanaa was worse than Kal Ho Na Ho and slightly better than Main Prem Ki Diwani Hoon. So bad, they chose this very cute kid to play young Rehan. Otherwise I would have hunted him down and given him the beating of his life. The child's character was so boring and irritating. Something like Amisha Patel; cute, but irritatingly stupid/retarded. The biggest itch in the balls : I can't find people who share my view. Especially girls are going crazy about this movie, as expected. Indian audience doesn't deserve good movies. | -1no label
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] |
This movie is about three teens who have been best friends for the longest time, and go on the most messed up ride of their life. When Heroine becomes the choice drug in their town, these three teens find themselves wrapped up in it all. This movie portrays heroine addiction very well, and is something you can't stop watching. MTV has never been the best at doing made for tv movies, but this one has to much good content to not watch it. I enjoyed this film, at the beginning I thought it would be the worst movie I've seen, but then as it went on it got better, and I couldn't turn away. | 1pos
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] |
Back in his youth, the old man had wanted to marry his first cousin, but his family forbid it. Many decades later, the old man has raised three children (two boys and one girl), and allows his son and daughter to marry and have children. Soon, the sister is bored with brother #1, and jumps in the bed of brother #2. One might think that the three siblings are stuck somewhere on a remote island. But no -- they are upper class Europeans going to college and busy in the social world. Never do we see a flirtatious moment between any non-related female and the two brothers. Never do we see any flirtatious moment between any non-related male and the one sister. All flirtatious moments are shared between only between the brothers and sister. The weakest part of GLADIATOR was the incest thing. The young emperor Commodus would have hundreds of slave girls and a city full of marriage-minded girls all over him, but no -- he only wanted his sister? If movie incest is your cup of tea, then SUNSHINE will (slowly) thrill you to no end. | 0neg
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] |
This film is actually pertinent even today given the threat of bio-terrorism, and the threats of superbugs, West Nile Virus, and SARS. As a thriller, the tension is fairly intense. Richard Widmark and Paul Douglas are more than serviceable in their roles. The domestic scenes between Widmark and his wife provide a nice interlude to the main plot. The actor in this film who most left his mark is Jack Palance. His sharply defined features and seemingly easygoing exterior always wither way to reveal the avaricious and cruel man beneath the surface. The chase scene through the packing plant is impressive even today. Recommended, 7/10. | 1pos
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] |
this episode is not incoherent like another person said. the source agreed to help because he was not going to keep his word, if you pay attention... he says after she (phoebe) agrees to stay down there in hell, "GET RID OF HER AND BALTHAZOR SO I DON'T HAVE TO WORRY ABOUT THEM IN THE FUTURE"... and also, he didn't let COLE WARN THE SISTERS LIKE PHOEBE ASKED IN EXCHANGE OF ACCEPTING THE DEAL, that's why PRUE DIED, because she got hit harder than PIPER and on the head, and there was no PHOEBE to call for LEO this time, and in the past LEO SAID THAT SHE ALMOST GOT HERSELF KILLED. pay more attention next time! and there is not a "TO BE CONTINUED..." after this episode. it is the ending of season 3, and on season 4 they can't show anything from PRUE because she owns the rights of it "PRUE", so the producers would have to pay her for whatever they show. this is the last episode she is in! | 1pos
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] |
On the box this movie claims to be better than or comparable to tiles such as A Nightmare on Elm Street and Phantasm when in fact it is a terrible piece of garbage. The special effects leave much to be desired although it claimed to be to gory for the silver screen, and the story line was boring and uninteresting. With the calibre of talent in this flick it is not hard to see why one of the actresses went on to an extensive career in the adult film industry. Basically it is about this Heavy Metal part time Satanist guy who summons a succubus from his dreams. This succubus women comes to his girlfriends party and begins to kill people off where it all ends at the very dramatic climax where he must meet her in battle and end the kookyness. This movie is not even good enough to be classified as a cheesy movie. | -1no label
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] |
We all enjoyed the movie. It is a very charming family film with many fun cameos. It was fun to see Austin musicians, Charlie Robison, Joe Ely and Robert Earl Keen in the film as well as turns by famous actors Julia Roberts and Bruce Willis. Emma Roberts is especially cute in the film however all the children are good. The west Texas scenery is great as is the soundtrack full of Texas artists. The last half seemed a bit far fetched to me, however, my son was interested throughout the film which is not so often with him. Something in the storyline was captivating for children. Having shown calves as a child, I really liked the ending. That is definitely not the way it really works unless you have heifers. | 1pos
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] |
This is one of the worst movie I have ever seen. It's a thriller with a rather ridiculous ending. I watched this movie hoping for the best and instead found something truly bad. the movie starred two actors that I like very much, Rebecca DeMornay and Antonio Banderas. Sure they had decent chemistry together but for what? The movie's premise was bad to begin with and the execution just made it even worst. Miss DeMornay plays Sarah Taylor, a psychologist trying to analyze a convicted serial killer whose defense hinge on multiple personality disorder. That pretty much will give you a hint to where the movie is going and the identity of the killer. Early in the movie she gets an unexpected visit from her father. This being made in the 1990's when the bad daddy was the in thing in Hollywood is another clue to the ultimate conclusion. Mr. Banderas plays a mystery man named Tony Ramirez, who comes into Sarah's life. The whole first meeting and first encounter between Tony and Sarah is so badly done and so unconvincing it makes you wonder how it even got shot. And there's a sequence where the two of them are supposed to be knowing each other that is so sappy it doesn't seem to belong here. One thing that I would admit was that there was a sex scene that's very hot. Anyway creepy things start to happen after he arrives, weird packages arriving, things falling off the wall that could kill Sarah, incident that say things aren't normal anymore. Overall the movie was badly conceived, the editing at times seem jumpy, and the conclusion was laughable. Another thing that bugged me about this movie was the whole Orchestral music playing in the background. A more subtle musical score would have been better. I have to say this, no matter how bad the ending was, Miss DeMornay was very good in that sequence. It's sad that she never got first rate materials in her career. She's that rare combination of talent and beauty. | 0neg
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] |
Anyone interested in drag racing must see this. it is a true gem and a true American road movie. It is timeless in a human sense and I love it. The first time I did see it was back in the 80s and it still holds that special ingredient to make me come back for more. As far as I know it was supposed to be a car version competitor of the bike film of that time! I believe it did not need to prove itself to anyone! A true cult film. The main actors who we all know are perfect for the parts they play. I lost my video copy of this film so I am looking to replace it with a DVD soon. Anyone who dislikes this film cannot really like road movies and my only criticism of the directors of such films is that they do not make more of these 'old style' drag racing come road movies. I am sure any new films made like 'Two lane black top' will sell as true drag fans young and old are hungry for them. Ask anyone that likes drag racing and i am sure they will agree. No fancy stunts etc just good clean road racing with handfuls of drag racing will do thank you. | -1no label
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] |
King of Queens is comic genius. Kevin James, whom plays IPS deliveryman Doug Heffernan is extremely funny, Leah Remini who plays Doug's wife Carrie is incredibly hot ( # 19 on Stuff magazine's hottest 102 woman list ), and very funny. The true magic of the show However is the scenes with Jerry Stiller, they are the funniest in the show. Jerry, a comic genius, plays Carrie's father, Arthur Spooner, whom lives in Doug and Carrie's always cold basement. I must admit that I never watched this show until this year, 2006. Whenever I had flipped by it previously it never seemed funny, but with the cancellation of Friends, Still Standing, and Yes Dear, I needed some new comedy. Actually giving The King Of Queens a chance I discovered that it was absolutely fantastic. So funny in fact that I downloaded the first 7 seasons and watched each season in 8 hour blocks. I strongly urge anyone whom has not seen this treasure to check it out. You will not be disappointed. | 1pos
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] |
What is really sad, shows like Six Degree's and Brothers & Sisters are the true reality TV, not that garbage that are nothing more than glorified game shows. I think the ground swell of discontent has been there for the past few years with very premature cancellation's of numerous shows with a cult following. But with the more vocal backlash the fans of Jericho (which I also enjoy) and other shows, networks may start to reverse this trend. I am like others, I will not support ANY new shows until they have been given a second season. I'll then possibly make a decision to watch and catch up via DVD's and online viewing. Until then ABC, you have lost me as a viewer to ANY new show. | 1pos
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] |
Like almost everyone else who has commented on this movie, I can only wonder why this has never appeared on video. I recall seeing it at about age 12 on the "The Late Show," circa 1972. I too recall the poison gas attack and the weirdly garbed horses. (I don't recall the more horrific bits I've seen described here; they were likely cut out for the TV audience.) But the scenes I REALLY liked were the ones involving the death of Lord Kitchener aboard the HMS Hampshire, almost exactly 90 years ago. The scenes of the doomed cruiser approaching the minefield in the storm were really chilling, as I recall. Don't recall the musical score, but the comments of the others now have me curious. Get this one out on video! | 1pos
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] |
SPOILER ALERT! There appears to be irony in the title since THE LAUGHING POLICEMAN offers no laughs. The efficient director Stuart Rosenberg makes an efficient crime thriller (about a psychopath on the loose in San Francisco and the cops who track him) but unfortunately, it's little more than that. It's cold, sometimes slow and completely devoid of laughs, despite the presence of Walter Matthau, who managed to add at least some (black) comedy to even the bleakest films (FAIL SAFE, CHARLIE VARRICK). Nevertheless, Matthau is still fine and Bruce Dern is excellent as his unexpected partner. There's also a really fine performance buried in the film by Cathy Lee Crosby (as the distraught wife of Matthau's first partner). Lou Gossett Jr. is a less than patient fellow cop and Anthony Zerbe is Matthau's crusty yet benign superior. A massacre on board a public bus is a real highlight. It's quite frightening. | -1no label
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] |
This is a terrible, terrible movie the only redeeming factor is that there's titties in it but thats not much of one. Dean Cameron is really really ugly and who ever the other guy is, is really ugly too. A horrible, horrible mash of crappy music and neon color. Plain and simple a complete waste of time do not watch it. And the extra two stars are for the boobs. I just could not get past Dean Cameron!! And many of the one-liners come off cheesy however there are a few lines that are funny. Overall I couldn't get into the movie at all really and Dean Cameron seriously needs to shave or at least trim his crazy old man eyebrows. | -1no label
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] |
Edward Arnold is a blind detective with a guide dog named Friday. Investigating a murder for a friend, he visits a house filled with Nazi spies and their unwitting hosts who include a 21-year-old Donna Reed. The spies are after some secrets hidden in a safe. Arnold foils their plan. In one physical conflict, he smashes the light so that he and his opponent are on an equal footing -- "In the dark. My kingdom." Friday the dog is cute and provides some moments of comedy, as do the two African-American servants, one of them Mantan Moreland. This dog is really something. He's smarter than some students I've had and far more physically adroit than I ever was. And yet it's a B picture from beginning to end. There were dozens of these inexpensive and mechanical films ground out by the studios in the war years. That Arnold is blind is no more than an attempt to introduce an element of novelty. Oh, and the dog. "Eyes in the Night" was supposed to be the beginning of a series, of which there were a number at the time -- "The Falcon," "Dick Tracy," "Joe Palooka." I think there may have been one more entry in the series before it mercifully expired. Ho hum. | -1no label
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] |
I absolutely hate this programme, what kind of people sit and watch this garbage?? OK my dad and mum love it lol but i make sure I'm well out of the room before it comes on. Its so depressing and dreary but the worst thing about it is the acting i cant stand all detective programmes such as this because the detectives are so wooden and heartless. What happened to detective programmes with real mystery??? I mean who wants to know what happened to fictional characters we know nothing about that died over 20 years ago??? I wish the bbc would put more comedy on bbc1 cos now with the vicar of dibley finished there is more room for crap like this. | 0neg
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] |
There are lots of short film parodies out there, but this is unquestionably the best one I've seen. Actually, to simply call it parody doesn't do it justice. Whereas most parodies are disposable little one-joke pieces of fluff, this one is actually ABOUT something universal and profound, kind of the way "Shawshank" was. It's funny, yes but it's also very touching and very well made. Morgan Freeman's son is hilarious in that he mimics his dad in any uncanny fashion, yet brings his own style to the role. Really well directed and written, with fantastic music. See it if you can. | -1no label
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] |
This was one of my favortie movies as a kid. It used to scare the crap outta me when I was young, and even though its not that scary now I still love it. There is a somewhat good amount of gore and violence, and the creatures look great for a low-budget flick, even though they do sound a little bit like elephants when they scream. I heard that this is actually a sequel to amovie called "Scared to death", which I haven't seen... yet. Anyway, Syngenor is out of print, but if you find it, pick it up. You won't regret it. | -1no label
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] |
Though I really can't comment about the 'accuracy' of the story as I'm not a follower of the legend, as an entertainment venue I found "First Knight" to be lacking in most everything .... imagination, suspense, believability, emotion, depth, character/plot development, and any discernible dramatic conviction by the actors. I found myself neither liking nor caring about anyone in the film, though not for lack of trying! I kept watching, waiting for something good to happen/appear to make this film appealing, but salvation was a no-show. When the end credits rolled I gave up . . . but not before having to endure one of the most tepid, uninspired ensemble deathbed scenes 'performed' by name-brand actors I've ever seen. Upside of the movie? ... some pretty scenery and a few gorgeous galloping horses. Sad. | -1no label
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] |
Six months after I saw this movie I saw Chalte Chalte. Rumors had it that the two movies were similar. Yes the concept was similar yet the movies are completely different. This movie lies above Chalte Chalte. This movie is good at a pace. The biggest problem in the Chalte Chalte was it's pace. The storyline in this movie is just as good as Chalte Chalte, but direction is ten times better here. However, Chalte Chalte had terrible direction. This movie's direction is just above average. Reason being is no problem is being solved or for that matter started. Reasons why the marriage is falling apart are for immaturity of Vivek's character which was something Rani already hated from the beginning. However, the movie still is very good, and one wouldn't realize flaws unless you go deep into the movie like me. Rani Mukherjee is much more beautiful in the Chalte Chalte, yet gives a more charming performance here (looks aren't everything). Her husky voice works very well for her fight scenes. Vivek Oberoi is also good. He isn't the lover boy type though I have to give him credit for trying. While Chalte Chalte had more of a commercial film feeling, this movie is more like an art film. I am not a huge fan of art films, but don't get me wrong, that's just me. The songs were pretty good though I found them to be a little (not too much) overrated. Millions of people I know love the title song yet it didn't appeal to me. It's a pretty good song. My favorite song was Chori Pe Chori, and luckily the rap portions are kept to a minimum in the movie, otherwise I cringe every time I hear them on the soundtrack. It is a continuation of Sharara (with HOT Shamita Shetty), and sadly got unnoticed due to its dumb rap. Chalka Chalka Re is very nice song, and it's picturization works very well. Aye Udi Udi Udi is one of my favorite songs and there isn't much to say about its music video. O Humdum Soniyo Re could've been a good danced, but is just left to the background. Then Chupke Se is another good song while Naina Milake didn't appeal to me. To end this comment is that I will recommend to watch this movie, but you'll need to know the story. | -1no label
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] |
Pretty Cool Too made me laugh. It's campy comedy with nudity. That's a winning formula in my book. Plenty of babes run wild on camera. Many of them are head turners. My favorite was Jennifer Day. She is the cat's meow. If I ever saw director Rolfe Kanefsky in a bar I would buy them a beer and say I was a fan. Once again my GF complained that Pretty Cool Too was mindless nudity in a plot less movie. She has poor taste in movies. She thought Animal House was stupid. Pretty Cool Too has plenty of laughs and nudity if you are in to that sort of thing l am. Rolfe Kanefsky wasn't trying to make Ghandi. This is a great rent when you want to tune in and tune out without having to think to much. | -1no label
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] |
I wish I could tell you that this film is as exciting as the theories it espouses. But I can't. Another species could have come and mutated while I waited for some action. For such a controversial man, Darwin lived the most conventional life. If you didn't know about the mad theories, you could almost mistake him for a stamp collector. The film-makers have cast Darwin as a dullard which does him a disservice. Even when he briefly loses his mind due to his tireless theorising, it wasn't interesting to watch. Maybe great thinkers are dull people? I don't know what I was expecting: a forehead-banging eccentric with wild hair and eyes espousing his love of all things simian, the glint of madness straining from a furrowed brow? A long-haired hermit who babbled to animals? A head-cradling lunatic with eyes lit up like beacons of truth? All of the above would have been great. This is the movies for Scorsese's sake. But there was none of that. No lightning, no thunder, no wonder, no awe. Just Paul Bettany and Jennifer Connelly fresh from the Subtle as Breath School of Method Acting. I imagine that someone with Darwin's ideas had a brain like a speeding train so why did this film just pootle along - chug chug chug - like a slow winter? The disappointment is immeasurable. | 0neg
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] |
This multi-layered DVD version of "American Graffiti" is the best trip back to the summer of 1962 Hollywood ever had to offer! The eventful night when freshly graduated high school friends contemplated their futures while immersed in small town America's car-hops, drive-in movies & doo-wop music (the soundtrack is one of the best featured in ANY film!), is shown in "real time". Richard Dreyfuss is perfect as the smart kid, ready to drive off to college the next morning, but wondering if he's doing the right thing. Ron Howard and Cindy Williams get some practice for their soon to follow "Happy Days", while Charles Martin Smith and Candy Clark are wonderful as the goofus who wants to show a pretty girl a good time. Wolfman Jack plays himself (and cupid) when he plays a very special request going out from Richard Dreyfuss to his dream girl Suzanne Sommers. Look for a pre-teen McKenzie Phillips and a young Harrison Ford in minor roles. This film is a big winner in my book! | -1no label
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] |
oh my...!!!THIS FILM SUCKS!!!!!!!Not funny, boring, idiot, incoherent, dumb ass,bad,bad ,bad,bad, uff! There's no adjectives too describe this awful and idiot film... What they are thinking??? Honestly, this flick is a back stab in Troma's back,and i like Troma very much, in memorable films like : "Toxic Avenger", "Tromeo and Julliet" and the one and only "Terror Firmer"!! "Decampitated" is a mix "Parker Lewis",cheap blood and the worst and terrible humor that i have the pleasure too see!!! If you like this movie, i can also recommend bad and horrible movies like this one:"Cannibal! The Musical" (one of the worst...); "Blondes have more guns" (...); And the fabulous "Alien Blood"....... | -1no label
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] |
This movie, which starts out with a interesting opening of two hot blondes getting it on in the back of a driver-less, moving vehicle, has quite the quirky little personality to boot. The cast of seven (although one girl doesn't hang around for the bodycount, which is unfortunate because the death toll is already so small as is) are all super-hot, as our story centers around teens partying way out in the desert (an odd but effective choice of setting), who are hunted down by a creepy man in black gloves and jeans who drives a black truck. It predates many of the vehicle-inspired slashers to date ("The Trip", "Joy Ride", "Jeepers Creepers") where the killer's vehicle itself becomes an evil antagonist. The killer himself is quite creepy, and we find solace in the extremely likable heroine in Jennifer McAllister (look at the interesting symbolic contrast of the evil killer in all black, while our benevolent heroine sports all white attire, as scanty and stonewashed as it may be). Director Bill Crain does some really great things with his camera, some neat tricks on screen, and the cast tries their absolute best. There's enough gore in the low bodycount to please the gore fans, and enough T&A from a couple of the girls to please T&A fans. Overall, this flick is highly underrated and widely sought out in the slasher movie world as it's proved quite rare to find on video. Highly recommended. | 1pos
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] |
In 1904 Tangier, a wealthy American woman and her two children are kidnapped by Berbers, murderous desert pirates who scorn the Moroccan government and, by doing so, kidnap "American pestilence", which attracts the attention of U.S. President Theodore Roosevelt. Fictitious historical epic is less a grand adventure than it is a peculiar, somewhat exhaustive throwback to the desert-sheik films of the 1940s (with a bit of "The King and I" interjected, besides). Portraying the cloaked, mustachioed, bloodthirsty leader and his snippy, haughty captive, Sean Connery and Candice Bergen could be acting in two entirely different movies (neither one seems to know how far to carry the camp-elements of their characters and dialogue, and both seem singularly without proper direction). The various (and anonymous) slashings and beheadings which occur are arbitrary: we don't know any of these victims, and the big action scenes become blurry, noisy montages of sand-swept violence on horseback. The pluses: a much-lauded music score by Jerry Goldsmith (Oscar-nominated, but a loser to John Williams' "Jaws"), fine location shooting and cinematography. *1/2 from **** | 0neg
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] |
When I saw all these positive comments and talk about different movie I was expecting something similar to what Scream did for slasher genre or something like it. Boy was I disappointed. Granted movie does have and interesting and unconventional opening but then it falls for every horror cliché around. Location, obviously. Middle of nowhere, woods. Characters are your typical group of teenagers. We don't know why they choose to camp there, we don't know who they are or practically anything about it. And you have your typical tight girl, your "friendly" girl, stoner/funny guy and so on. And of course the typical "I know there is something weird going on around here but instead of turning around and running away I'll keep poking around so I'll find bodies and body parts." While first such case is somewhat understandable the second one is beyond dumb. Then we have death scenes. Not that gory but between dumb and impossible. When you think about them a bit you realize this is just not possible. The ending is interesting, I'll give them that but one good moment simply can't fix overall bad impression this movie makes. Avoid if possible | -1no label
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] |
On the way home from a day at the beach, four young people seek shelter from a torrential downpour at the home of Lord and Lady Alexander after their car runs out of gas. They don't know it, but the house they're staying in is to be the site of a Satanic ritual. Jane (Camille Keaton), the only female of the group, is to be sacrificed. As her male companions rush to her aid, one of them accidentally kills Lady Alexander. Things really get out of hand and everyone else attending the black mass is also killed. The four try to make an escape, but soon discover there's no escape from what they've witnessed. One by one, they meet their fates. Gong into Tragic Ceremony, I was positive I would enjoy it. Slow-burn Gothic horror is right up my alley. I'm also quite fond of some of Riccardo Freda's other movies like The Horrible Dr. Hichcock, The Ghost, and I Vampiri. Tragic Ceremony seemed to be a sure thing. Unfortunately, things don't always work out the way they should. The biggest tragedy with respect to Tragic Ceremony is the time I spent watching this mess of a movie. With a few minor exceptions, nothing about the film appealed to me or worked for me. The characters are unlikeable, the plot is incoherent and schizophrenic, and the pacing is terrible. There's a subplot about some cursed pearls that goes nowhere and only serves to confuse things even further. In addition, nothing interesting happens for most of the movie. By the time the four leads realize they're in danger, I was well past the point of caring. And I don't understand the reviews I've read that praise the acting of Camille Keaton. I suppose it's a terrific performance if you consider an emotionless daze to be acting. The three male leads are the very definition of nondescript. They do nothing to stand out. The supporting cast includes some genre favorites like Luigi Pistilli, Luciana Paluzzi, and Paul Muller, but none is given anything to do. In fact Muller's main contribution is a two minute long monologue at the end of the movie that attempts to explain what happened in the previous 80 or so minutes. It's a weak attempt to provide a wrap-up to a very weak movie. | 0neg
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] |
You know this is gonna be a cheesy movie when: 1. It was made it the 50's 2. It's in black and white. 3. It has no name actors! 4. Screaming makes up for the lack of special effects! Well not to be outdone - this movie brilliantly incorporated all four of the above elements to turn this into a true cinematic blunder. Okay - shhhhh but I am gonna discuss special effects here - or lack of them - Did you catch the underwater scenes? It looks like it was poorly filmed through an aquarium - note the cape flapping in the breeze. And the repeated re-use of Stock Footage, (exterior house shots, the bridges scenes -- great enhanced the K-R-A-F-Tiness of this film - not since "PLAN 9" - have I seen such creative usage of stock footage. And hey where there was a lack of special effects - not to worry - screaming DOES take the place of special effects in this movie as well. Yes this movie even cleverly used that old hack trick. Grab the popcorn - set your brain on stun (several fermented beverages DEFINITELY helps), sit back, and wonder: why the heck did they put this on film again? Wayno | 0neg
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] |
This movie has little to recommend it. The characters look and act like people from the Eastern Suburbs transported to the West (where is Melldale? No guts for a real suburb? Villawood and Merrylands are some filming locations). The writers of the film script obviously are not in touch with the Western Suburbs of Sydney - and it would be a gross over simplification to homogenize it all under the label WEST. The film is very negative, full of negative characters which do not reflect the hard working folk of the "West". Another reviewer, ironically, suggested a movie script for Easties ... as if a decent movie wasn't possible about the Western Suburbs - which are more diverse and multicultural than the relatively homogeneous Eastern Suburbs. That said, the movie is interesting as a fantasy in its own train wreck sense - the characters spiral into darkness and despair, get murdered, suicide or end up in jail - though is this all the West can lead to? (I, a proud Westie, along with Harry Kewell, must be an exception) One senses the writers have an ax to grind. | -1no label
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] |
Some people say this show was good in it's early years! I disagree with all of 'em. The show is just plain stupid and pathetic. My mum hates it, I hate it, my dad hates it, I don't know about my sister but oh well. Here some reasons why: 1. THE CHARACTERS: Babies being used as grown up style characters are stupid. The babies are just precocious and annoying. The grown ups and adults are dumb and unappealing. The worst character is that Angelica Pickles (she really does it in for your ear drums when you had a long, hard and miserable day at the office) and also that Kimi Finster who appears later on; she is too over optimistic and a pain in the butt. She can't decided whither she is French or Japanese: it doesn't matter know; you are a American Citizen know and that's that! Oh, what am I talking about, all the characters from this show suck! 2. THE STORIES: The stories are unoriginal and dumb. The make it like the babies go off on a great adventure, yeah to the back yard shed. In one episode, that little goofy brat, Tommy Pickles the Leader broke in to a television's control room and literally almost destroyed it. Don't give kids any idea to smash up normal T.V Station's control rooms (they pay a awful lot of money for them in real life). I can imagine what the broadcasters must of felt like airing this episode, they will probably start staring at their machines throughout the day scared that a baby will brake in. Sad! 3. OVER RATED!: The show has been dragging on for years now and people are still making up stories and new series and spin-offs for this. Get off! The Simpsons have been going for nearly the same amount of time as this but they are much better and funnier than babies. The show is just plain over rated! People, where is your common sense! Anyway, I surprised T.V Stations across the world want to air this series even off today. The show is utter junk and should have never been produced. The two movies for this cartoons sucked just the same! 2/10 | 0neg
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] |
I'm sorry to say this but I didn't enjoy this movie at all. It was just too boring. So boring that I couldn't watch the rest of it. It's not as interesting as the Lion King or Aladdin. That's why I hate this stupid days because these days are just not what they used to be. The movies that Disney have released lately really sucks! I miss the old days when they used to produce good movies like the Lion King, Aladdin, Pocahontas, Cinderella, The Aristocats, and Robin Hood. This movie is really awful. I really tried my best to be interested in this movie but I just couldn't. I don't think I could recommend this film to anyone. I would recommend the ones that I just mention above. | 0neg
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] |
Nina Foch delivers a surprisingly strong performance as the title character in this fun little Gothic nail-biter. She accepts a position as secretary to a London society dowager (played imperiously by Dame May Witty) and her creepy son (the effete and bothersome George Macready). Before she knows it, she awakens to find herself in a seaside manor she's never seen before, where Witty and Macready are calling her Marian and trying to convince the servants and the nearby townspeople that she's Macready's mad wife. Of course this pair can only be planning dastardly deeds, and even though we know Julia has to eventually escape her trap, director Joseph Lewis builds real suspense in answering the question of just how she'll manage it. "My Name Is Julia Ross" has nothing stylistically to set it apart from any number of films that came out at the same time period, but I was surprised by how well it held together despite its shoe-string budget and B-movie pedigree. There are quite a few moments that just may have you on the edge of your seat, and I found myself really rooting for Julia as she caught on to the scheme underfoot and began to outsmart her captors. In any other Gothic thriller, the heroine would have swooned, screamed and dithered, waiting for her hero to come and save her. So I can't tell you how refreshing it was to have the heroine in this film use her brain and figure out how to save herself. Well done. Grade: B+ | 1pos
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] |
This is easily the best of the summer camp movies. In fact, few of the others are even fair, let alone anywhere near as entertaining as this one is. The film is just simply out to have some good, clean, fun. Many people who went to summer camp as kids will see that it is presented here faithfully to the way it usually was, but with slapstick comedy mixed in. Bill Murray, as the chief counselor of the camp, Tripper, leads a fine ensemble cast, and is usually at the center of the riotous nonsense. Tripper has great one-liners throughout, usually broadcasting his jokes as pseudo-announcements over the camp's public-address system. Several great supporting actors played the campers and counselors to build a myriad of fun and interesting subplots, all the while sprinkled amongst the many incidents of camp hi-jinx. Spaz (Jack Blum) and Fink (Keith Knight) were two characters particularly well done. The adventures (and misadventures) of these two are hilarious. Each has classic lines, and they are characters you like and root for. Look for Spaz in the scene of disco dance pandemonium. The girls in the story are realistic characters, too. They're not dumb, naive, freakish, oversexed, nervy, or any of the other overused, abominable teen character stereotypes. Kristine DeBell, Kate Lynch, Cindy Girling, and others make these characters believable. The requisite pranks abound, usually at the expense of camp director Morty (Harvey Atkin). The nature of these pranks start at outrageous and progress from there. However, with all the silliness going on, Tripper and the others have their serious sides. For example, Tripper befriends a shy, lonely kid, Rudy(Chris Makepeace), and takes him under his wing. The story culminates with a sports competition against a rival camp. It's a great "root for the underdogs" finale. When the chips are down, Tripper's motivational "It just doesn't matter" spiel is inspired, and one of the best moments in the movie. And get ready to root: "Spaz. Spaz! Spaz!!!"" | 1pos
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] |
now you may be thinking this is just another senseless weed comedy that goes no where, but in fact you are wrong. I got five is one of the most original pieces of film i have seen since the days of Tarantino and reservoir dogs. The film is superbly directed and involves the audience at all stages whilst the laughs keep pouring in. I highly endorse this movie and am sure it will reach the status of cult classic very very soon. See this movie and you will be pleasantly surprised. The characters are very entertaining and funny each on their own level, whilst the soundtrack is one of the best hip hop colabarations I have ever heard in a movie. Go see this movie as soon as you can, it is well worth it. Great movie A++++ | -1no label
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] |
This was the worst movie I've ever seen, yet it was also the best movie. Sci Fi original movie's are supposed to be bad, that's what makes them fun! The line, "I like my dinosaur meat well done!" is probably the best quote ever! Also, the plot sounds like something out of a pot induced dream. I can imagine it now, the writers waking up after a long night of getting high and playing dance dance revolution, then putting ideas together for this: Space marines got to alien planet, which is infested with dinosaurs and has medieval houses in it, to protect a science team studying the planet. Best idea ever! In fact, in fits the complete Sci Fi original movie checklist: guns dinosaurs medieval times space travel terrible acting So go watch this movie, but don't buy it. | 1pos
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] |
Madhur Bhandarkar has given it all raw. But the best part is he hasn't forgotten to give the ingredients. It has come short and crisp to the viewer and it is the audience to make the choice now. Page 3 is a revelation of the naked truth irrespective of the crudeness attached to it. Madhavi (Konkan Sharma) is a journalist and enjoys her work. A simple and peaceful life adores her with a caring boyfriend and a nice roommate Pearl. She covers the Page 3 (Celebrity Page) of Nation Today, where she has a very supportive editor Deepak Suri (Boman Irani.) But life takes turn for her as she hits the first bump and takes herself away from Page 3 and goes into Crime bit. Omigosh! a whole new world was waiting for her there. She is shocked, excited, stunned with the revelation. Her reaction has resulted in losing the job. At the end she is back to Page 3. Now when she meets any celebrity in a party, she knows the actual looks of each, hidden under the illusive face. The movie has a message and it is crude. The audience needs to get it in their own color. The theme and the screenplay was fantastic. There are some very good thoughts applied to prepare the audiences. Like the foreplay-club is shown before the pedophiliac exhibition, the short suspense before gay-actions in bathroom. The dialogs are strong and the actors are really good at delivering it. Charu Mohanty's 2 words speaks volumes and he is very successful in uttering those two words with such ingenuity, it leaves an impact. The set selections could have been better. The songs don't stand anywhere; but they were needed in the background. Atul Kulkarni has a small role with high-impact. There were a few flaws visible. Atul Kulkarni explaining Konkan Sharma that honesty should be tagged along with intelligence. There could have been a better dialog as this sounds like a preach. The meeting between Thapar and his daughter doesn't call for acting. That scene looks very unprofessional. Overall it is a must-watch movie with selective options before the pedophilia incident. That may spoil your mood. | 1pos
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] |
The retelling of a classic story is set to the music of Burt Bacharach and lyrics of Hal David. The actors seem like real people in this fairytale of the outside world meeting with mystical Shangra-la. It is a joy to watch Bobby Van, whose acting puts me in mind of Red Buttons, and, as always, George Kennedy (Cool-Hand Luke) who always manages to carry gravitas in his roles. The surprise here is Charles Boyer as the elder High Lama. Who would have known? All-star cast including Michael York and Olivia Hussey makes this work a keeper for those of us who cherish people. | 1pos
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] |
Just finished this movie... saw it on the video shelf and being a Nick Stahl fan I just had to rent it. In all honesty, it probably should have stayed on the shelf. The concept was an interesting one and there were several fairly smart twists and turns but somehow I guessed almost all of them before they came along. And the movie just went a little too far in the end in my opinion... if you have to suffer through a viewing of it you'll see what I mean! On a positive note, Nick Stahl's acting was great (especially considering what he had to work with). Eddie Kaye Thomas was also good but he always plays the same type of character... too much Paul Finch from "American Pie" coming through for my liking. And finally, the worst part of this movie has to be January Jones' emotionless performance... I guess a pretty face really is all that matters in Hollywood. | 0neg
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] |
I have just seen 'Forever' at the Palm Springs Film Festival, and Pere Lachaise is not only a special place in Paris, but a monumental place on Earth. This film allows us to see both the direct and indirect connections that Life and Death provide us, should we choose to see them and respect them. We are Art, but most times the relics of our corporeal selves is better represented by our stories, all informed by our incredibly particular experiences. By balancing the extraordinarily noteworthy inhabitants of Pere Lachaise with the simply extraordinary (and those of us left behind who acknowledge and respect them) 'Forever' reminds us that the democracy of death has startling and profound connections to all who live - you are alive if you feel pain, joy, inspiration, and love. And perhaps Death's best attribute given back to the living is Love. | -1no label
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] |
Despites of all denials from Karan Johar, the movie does have a quite a resemblance to Indian classic Anand. Srk playing Rajesh Khanna's role, Priety playing Amitabh Bachchan role, Saif Playing the lady who was the love interest of Bachchan. I repeat it has quite an resemblance. The Performances were great, maybe sharukh get the praises but I personally appreaciated 2 performances. One of Priety and Saif's. Saif is really funny, and the best thing about him is he doesn't overact to make people laugh. I am just wondering how long does he have to wait till people start giving him credit for what he deserves, Saif carries his role wonderfully. Priety is like Julia Roberts of Bollywood, Preety woman. She could act, she proves yet again that she is not just a cute girl with a dimple on her cheek. The highlight of the movie is the funny moments of the movie, and it is filled with them. Shahrukh was good, yet again but Saif is the surprise. The movie was specially interesting with glimpse of all the stars; Sonali Bendre and Sanjay Kapoor, Rani and Kajol, Uday Chopra, Farah Khan. The supporting cast was very good too. Jaya Bachchan proving as her husband Bachchan that despite of her she still one of the best actresses. Lillete Dubey is a M.I.LF. Rajpal Yadav should overtake Johnny Lever any time in Bollywood top comedian slot. Sushma Seth, Dara Singh, the eternal macho man. Reema is nice. Satish Shah and Katki Dave are delight to watch as Gujus. Harry Potter look alike kid and her baby sitter were cute and ofcourse THE KANTABEN, homophobic maid was very funny. It was nice entertainer, nice fun, more funny then emotional. 7/10 | -1no label
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] |
Stay calm, don't panic, and use your head. I can't think of any other show on TV that stresses this. OK there might be some, but they don't spring to mind. Now thinking about it I still can't. The host Les Stroud is the only guy on the show. He lugs around all of his equipment(video and sound stuff) so there is no mysterious unseen cameraman. He refers to his crew but they just drop him off in the middle of nowhere and stay away only to be seen at the end. He does take in supplies but they are minimal. They consist of basically garbage and whatever is lying around. With this he survives for a week in all sorts of different climates, situations and then hikes out lugging his equipment. All this is done with a minimum of flash. Which is the best part. And as an extra bonus you can watch it with your kids and learn something in the process. | -1no label
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] |
I think many people that see this don't realize is that much of the dialog is not scripted. The actors are given information about what there character is like and they themselves create the scene. I place this on the same level of comic genius as "Who's Line Is It Anyway?". This type of comedy is not for everyone and that is why some people feels this comes off as quirky. I have to be honest and say I have never seen "The Office" so I cannot comment on any of the comparisons. I am happy that this series has been picked up for another season (3). I do have to admit that I could not see this running on one of the major networks, but TBS is a great place for it. I would like to see about five or six seasons then have a made for TV movie type conclusion. | -1no label
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] |
This may well be the worst remake Hollywood has ever produced, and that's saying something. I'll take it further than that and say this movie is so stunningly, deliriously bad that IT MUST BE SEEN. I don't know if I'm even capable of tackling all the things wrong with it--like the fact that the casting director appears to have pulled names out of a hat, or the mind-blower of Richard Gere's character being allowed to walk away scot-free at the end (I'm sure the people saying, "It's just fiction, who cares" would have no problem if it was a former Al-Qaeda operative who just wants to return to his home country)--so I'll just devote my review to the utter hilarity, which is mainly the scene where Bruce Willis is testing out his gun. In the original version, you'll recall, the Jackal practices his kill on a pumpkin. The pumpkin explodes on impact, an effect known as "understatement." In THIS version, Willis sets up a pumpkin target, but he doesn't use a sniper rifle--he uses a gigantic remote-controlled cannon which costs tens of thousands of dollars and can only be stored in the back of a huge conspicuous minivan (this man likes a challenge). He reveals the cannon by pulling away a tarp, at which point Jack Black, who is there to observe, jumps around and says, "That ROCKS! This thing ROCKS!" about 18 times (I guess Willis didn't have to disassemble it first, he just lifted it, tarp and all, out of the back of the van, despite it probably weighing several tons). The scene then turns into an Austin Powers movie as Willis misses the pumpkin and takes out a tree, then has Black run through the mud with his pants falling down, finally blowing off Black's entire arm. The pumpkin falls to the ground, unharmed. If I can recommend this movie for ONE non-ironic reason, it's for the Diane Venora character as a tough Russian major who becomes romantically linked to Gere despite having a facial disfigurement--a bold move for a Hollywood feature. By mid- movie I was really liking this character, so it was a shame when she had to be killed. I would have liked to see a movie about her. Other than that, this pile of crap is only useful as an objective intelligence test. 3/10. | 0neg
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] |
As a heterosexual female that is involved in protecting the rights of people, I know how hard it's really been for me to display to the other's that are not gay, the importance of how something that you may feel isn't so important and does not affect you, can really affect other people. This movie has also actually changed how much I value gay marriage! "A right of another human being that should not even be questioned." It should be viewed by everyone who believes marriage should be between a man and a woman, so please drag one person who isn't interested in seeing the movie, to the movie. It can change the attitude of someone lightly stating the gay marriage debate as, "sure, everyone should get equal rights, but I think they marriage should be between a man and a woman." This movie brings the people on the screen beyond only fighting for equality or financial rights, it really brings out true emotions. I was amazed how my friend talked about it for days after and may even accompany me to the next fund raiser event. Make sure to also see Saints and Sinners, directed by Abigail Honor, another great movie, dealing with gay marriage. Thank you directors, Mike Roth and Jay Henning for bringing this film to us and to the pride festivals! | -1no label
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] |
This isn't far away from the trash that Bollywood normally makes but there's just something really good about it. The title song is one of Bollywoods best and is haunting throughout. This is one of the films (along with Baazigar - a must see Bollywood film) that made Shah Rukh Khan and it's for this you have to check it out. Other reviews give away the story - it is a fairly basic idea - ShaRukh definitely stands out and one of his final expressions right at the end made me give this film an extra star. Its fairly cheesy but definitely worth watching if you are new to Bollywood or not! 8/10 | 1pos
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] |
This movie made by the NFBC was made in honor of the Montreal Canadians dynasty years in the 50's,60's and 70's. My 5th grade teacher played this in class in honor of my 11th birthday in 1987 and also to celebrate my return from a serious facial injury in 1986. I have been a Canadians fan for 29 of my 30 years of life. on a scale of 1-10, I give this film a 117. All hockey fans should see this as I hope it will be placed in the Hockey Hall of Fame in Toronto and shown at the Bell Centre in Montreal or here in Edmonton at Rexall Place. Watch this film with your family it is a great movie. I also recommend the book in both French and English. Go Habs Go. | 1pos
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] |
I've been reading about it for years. I got to finally watch it. It's absolute rubbish. I'm not to happy with what I said because criticizing something doesn't mean attacking it or cursing it. And I'm a big Zappa fan. I listened to most of his music, read about him, read his book, watched almost all of his videos. I'm not fond of his dark egotistical sexually-obsessed cynical obnoxious side. I'm more for his unique, innovative, independent, genius, creative, pleasant musical side. He was intelligent. He was an articulate speaker. A funny man. He's not a god. And he's definitely not a filmmaker. The film is just boring. I lost interest after struggling with it for 1 hour. And it's not like I'm not open-minded or I don't understand. I like surrealism, absurdity, and the avant-garde. But the film was just tasteless. | -1no label
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] |
Wolfhound is a supernatural thriller type film. There's plenty of nudity, although the violence was a little lacking. It also seems that the film makers didn't follow through with all of their plot ends or ran short on funds or some other such nonsense (I will elaborate below). Colum is a young writer with a family. He moves his wife and kids back to his home town in rural Ireland so that he can concentrate on writing a book. As the film drags on (I stress that it drags), Colum's wife begins to realize that her husband has been keeping a secret from her all these years. While staying in Ireland, Colum begins hooking up with an Irish Wolfhound that can transform itself into a beautiful woman (you'll just have to take my word on this one). The woman is trying to help him remember that he is also a wolfhound and that his human form is only one side of him. As a matter of fact, the entire populace of the village are actually animals that take human form. Colum has to realize his animal powers in time to save his wife from the local bully. The real problem that I've got with this thing is that they didn't really explain some things that they should have. I can forgive not knowing what happens to the hero at the end of the movie and the minutia that is only kind of a cute sub plot. However, in this thing they frequently mention that Colum's parents died in their late twenties and they don't say how or why he moved out of the village. We can assume that his parents met an untimely end. However, they stress the death of his parents being such a turning point and it is never really adequately explained. They also never fully explain the gorgeous woman wolfhound's relationship with him. She mentions that she's been waiting for him to return, but why? We don't know why or when he left, so there's nothing really to gauge his past on. I don't mind ambiguity in films, but still. It looks like they tried to make a modern day Hitchcockian film, but royally screwed up. | -1no label
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] |
I read the director said he made this movie because he wanted to restore Jim Dougherty's place in history. Of course, if his first wife hadn't become you-know-who, he wouldn't even be a blip on the radar. All of her biographers have noted that Monroe was furious when Dougherty told Photoplay in 1953 that she was so in love with him, she threatened to jump off the Santa Monica Pier if he left her. Little wonder how she'd react to his claims that he created "Marilyn Monroe;" that she was forced to divorce him; and, even when she was the biggest star in the world, she yearned to return to him. How do I put this? Hogwash! Not only is there no evidence they stayed in contact, according to the 8/6/62 New York Times, when her "dedicated friend for life" was informed of her death, he merely said "I'm sorry," and didn't attend her funeral. He also makes another claim: that he created S.W.A.T. It was, in fact, LAPD Officer John Nelson who presented the S.W.A.T. concept to then-Inspector Darryl Gates. One of the posters said the film tells the truth; the only "truth" is the pack of lies Dougherty has been peddling for over 50 years in interviews, books, and now this movie. The director should have taken his cue from Norma Jeane herself, and kicked "Jimmie" to the curb like the loser he is! | -1no label
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] |
All I'd like to say about Universal-International's The Land Unknown is that three navy men and a woman reporter land accidentally in a warm spot in Antartica with their helicopter stuck for 30 days during which time they encounter some dinosaurs and another man who had survived there for 10 years from another expedition after his three crew members died there. Jock Mahoney is the commanding officer Harold (though I could have sworn he was called "Alan" here) who tries to keep everything together. I recognized him from the TV western "Range Rider" on America One a few years ago. Shirley Patterson (credited here as Shawn Smith) is the reporter, Maggie, he falls for. Henry Brandon (best known as Silas Barnaby in Laurel and Hardy's Babes in Toyland where he was then known as Harry Kleinbach) is 10-year survivor Dr. Carl Hunter who initially tries to make a deal for the 3 men to escape in exchange for the woman to stay with him. Great conflict results. The dinosaur scenes are a combination of actual footage of close-up lizards and a man wearing a tyrannosaurus outfit. The outfit makes this movie a little cheesy but they worked with what they had at the time on whatever budget was allowed. Otherwise, a mostly compelling entertainment for anyone interested in '50 sci-fi movies especially of the Universal-International kind. Wonderful atmospheric score by Joseph Gershenson. P.S. Jock Mahoney was Sally Field's stepfather. | -1no label
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] |
Although I'm not a golf fan, I attended a sneak preview of this movie and absolutely loved it. The historical settings, the blatant class distinctions, and seeing the good and the bad on both sides of the dividing line held my attention throughout. The actors and their characterizations were all mesmerizing. And I was on the edge of my seat during the golf segments, which were not only dramatic and exciting but easy to follow. Toward the end of this movie, "Seabiscuit" came strongly to mind, although "The Greatest Game Ever Played" is far less complex a story than that film. In both cases, the fact that the events really happened deepened my interest. | 1pos
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I picked this up at the rare video store on VHS since it seems it's not very well known or even on DVD. It's a surprisingly refreshing Supernatural horror film with elements of the 'Giallo' mixed in. Well directed, even creepy at times it is very interesting. The plot deals with a professor who uncovers a sinister plot. Filled with good camera-work, colorful elaborate lighting and scenes in old city centers of Europe, it is enticing for the horror fan. If you liked this, I'd recommend: Zeder (1983)(aka "Zeder - Voices from Beyond" or "Revenge of the Dead"), The House of the Laughing Windows (1976), Suspiria (1977) and One Dark Night (1983). | -1no label
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If people didn't know who Barbra Streisand was before this,...(is that POSSIBLE?)...they sure knew who she was after! This show went on to win 5 Emmys, & stands out as one the best things Streisand has ever done. It's made up of 3 acts.... ACT I...Barbra singing standards from room to room, filled with musicians, including a segment where she is a little girl again,all ending with a splendid version of her signature song,(at the time)..."People". ACT II....A musical tour of Bergdoff-Goodman,while Barbra Sings poverty songs..it's better than it sounds... ACT III.....The best part, Just Barbra,musicians,& some great songs,like....."Happy Days Are Here Again",& a "Funny Girl" medley.... all in all, a great part of television history,made by one of the greatest performers in the world! | 1pos
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This Game is a good looking First Person Shooter. -----------Hang on...... But of course a story must be put around this genre, so a quite innovative plot about soldiers now driven by drugs to save the world and kill the terrorist, Nectar is the drug of choice which creates a super soldier. Great, now just give us some fun, challenging missions, throw in some great new weapons and free terrain vehicles that can be driven at our leisure and I will be quite content. NO!!!! The maker's of this game decide to create a propagandish, military driven game, that tries to make sense of our fears of terrorism and embracing democracy. The game has twisted ideals that just re-enforce morals that we learned when we were in primary school, nothing new is told to us, but "Drugs are bad...mmmkay". Then pushed in a type of ....Yvan eht Nnnioooojjjjj! (join the navy) of how standing up for the common good, given rants on normality and abnormality, right and wrong....GOOOOOOOOOOD WE GET IT! LET's KILL SOMETHING!!!! NO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! You can't, You are forced to endure extremely long gaps of completing BULLSH!T objectives such as "Run to Helicopter"......."Go to group of Troops" .....Then once this is completed.........CINEMATIC takes over.........You sit there for at least half of the game watching little scenario's played out by the characters, one's you CANNOT skip, but sit and wait, sometimes when people aren't even talking, we sit and wait for a helicopter to land! Bad game, by a laughable group of programmers! Don't bother making another because I will rather see the movie! | 0neg
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] |
A criminally short lived show that went on to spawn three movie spin-offs (Naked Gun 1, 2 & 3), this is fast-paced, in your face, rapid fire comedy that has more hits than misses. Leslie Nielsen plays Detective Lieutenant Sergeant Frank Drebin, an incompetent Detective who bumbles and fumbles his way through cases, with the capable assistant of his boss, Capt. Ed Hocken. The story lines are spurious, at best, but it's deliberate, as the goodness here lies not in the storytelling, but in the weaving of a constant flurry of jokes along with some genuinely weird and wonderful characters. The jokes themselves come in many forms, be it wordplay, slapstick, puns or background gags, most of them hitting the spot, though some fall a little flat. It's inevitable with this 'gag every few seconds' approach that some will fail, but the ratio is good. The characters are a delight. From the guest star of the week dying in the opening seconds of every episode, the laboratory scientist who appears to be conducting cruel and unusual experiments on children to the shoe-shine who is some form of oracle, the writing is witty and sharp as a cutlass. Though not especially successful at the time, it rapidly developed a cult following, many blaming the shows' relative lack of success on being way ahead of its time and too sophisticated for the target audience, chief amongst them none other than Matt 'The Simpsons' Groening: and he should know. Dated by todays standards, if you can see through that aspect, you're in for a treat. | 1pos
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] |
Movie had some good acting and good moments (though obviously pretty low budget), but bad rating due to basic premise being badly developed. The main point of conflict between the two leads doesn't play out in a realistic manner at all. There are a few scenes where they disagree because of it, but no discussions of any great depth that would explain how they can be together while seeing the world so differently, especially since the employment of Glenn is so wound up in this part of his life (and Adam is active enough with his that he supports it with time and money.) Also, several times Glenn is portrayed negatively for being the way he is (apologizing to Adam for his past) while Adam is shown to be upstanding and "traditional," which the film proclaims to be the "good" way in the end. I don't like being preached to like that. I attended a discussion session with the director after viewing LTR, and he said that he presented this conflict between them because, if he was in Glenn's shoes (and he said he does in real life relate to Glenn's view) that he could never date someone with Adam's views. Well, then, I think he should have done a much better job explaining how Glenn could do it in the film. Also, director said he directed this, his first movie, only after reading (Directing For Dummies.) Directing was not that bad, but far from a top notch effort. I've seen worse, but I rarely leave films feeling this frustrated. | 0neg
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] |
This movie is bad. If you are thinking about watching it, there is only one decent scene in the movie, and it lasts about 5 seconds (Amanda Carraway's topless scene). The rest of the movie is horrible. I think high school plays probably have better acting. The plot makes no sense at all. The set was pretty lame, and it wasn't even good to make fun of. It was just dull and very very bad! I watched this on Starz so I thought it had to be at least decent. The mini description sounded like it'd be alright. The girlfriend kills herself for apparently no reason at the beginning of the movie, after you have to watch some horrible music video. The transitions between scenes are VERY abrupt and its like someone just put a ton of clips into a movie without even thinking about how to transition them. Just cuts from one scene to another, no smoothness. Kind of like my random switching from talking about how bad the movie is, to explaining why the plot sucks. The audio gets low at some points, where you can barely hear it, then gets loud with gay 'horror screams' thrown in at random points in the movie. It is the same sound every time. This is now officially the worst movie I have ever seen Acting: 0/10 Effects: 1/10 Storyline: 0/10 Music: 3/10 Lame-meter : 1,000,000 / 10 | 0neg
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The alien-episodes have always been my favorites, but this one wasn't as great as i hoped for to be honest. The black lady in the FBI was pretty darn dumb about the tactics, that annoyed me. I didn't really understand if Duane was lying or not. If he was telling the truth, why would they add the whole "he was shot in the head blabla"-part? And if he was lying, the episode would be kind of pointless. Something that was also annoying was the blinking lights in the alien-scenes. I actually had to close my eyes to not get a headache! The last scene was good, was scary when Scully saw Duane in the window. Duane Barry was an exciting episode. First episode we got to see aliens alive! Best moment: When Mulder got Duane to get to the door Worst moment: When the black lady was talking about the tactics | -1no label
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] |
I'm shocked that there were people who liked this movie..I saw it at Tribeca and most of the audience laughed through it at scenes that were not meant to be funny. I felt bad because the lead actress was in the audience, but honestly the plot to this movie needed MAJOR revision..it didn't even make sense, one second the characters question what exactly it is that they're snorting..the next scene they're hopelessly addicted and figure out how to make it?? Also the ending just took the cake..I'm not going to spoil the magnificent conclusion..but it pretty much blended right in with the rest of the horrible plot/script...see this movie for comedy if you must.. | 0neg
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] |
This movie is awesome. If you take it too seriously, of course you will hate it; however, it's quantity of "dudes" and "right ons" brings laughs and faint memories of about 15 years ago. I like its ability to make me simply chuckle at obvious jokes and silliness, and its ability to make me want to watch its precursor, "Bill and Ted's Excellent Adventure" (1989). If you are looking for a film full of multifaceted jokes, and totally mature humor, don't watch it; however, if you want a film that is humorous and silly, yet intelligent and engaging, you will enjoy it. I actually wish more of this sort of picture showed up in today's theatres. And hey, it's Keanu Reeves acting the way everyone parodies him as acting...right...doesn't get much better than that :) | 1pos
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