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Predictable plot, poor direction, poor acting, and a number of logical errors make this film a disappointment. The redeeming quality of this film is in its usefulness as a training aid for dramatic criticism and showing the neophyte film producer how to make mistakes. While the potential of the premise of this film would make any attempt worthwhile (and has done in serials such as Medium or Ghost Whisperer) the film didn't achieve what it might have. This was also a disappointment. If it sounds like we're disappointed, we were. We stuck it out simply to see if it could get worse. In fact the show became a means to "spot the disaster". Not really what we were looking for when we started watching. At least in real life the girl got the guy so, perhaps, not a complete waste of time. | -1no label
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This was Eisenstein's first completed project in over ten years. The film takes place in the 13th century during an invasion of Russian by Germans (Teutonic Knights - I think). Released in 1938 its a very loose parallel to Russia's nearing involvement in WWII, and Germany's advancement into Eastern Europe. There are some incredible scenes, most notable the battle near the end of the film, and there is a shocker when children are thrown into a pit of fire, but its not an easy watch. The film drags and isn't as consistently brilliant as "Potemkin" or "Ivan the Terrible". Sometimes Eisenstein is better in clips. His brilliance is present, however, and its a "must see" for Eisenstein fans and film historians. Russian Propaganda at its finest. | 1pos
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This is what they came up with for prop comedian Carrot Top's first feature film. A stupid surfer (carrot dude) inherits an R&D enterprise from an old kahuna (Jack Warden). Things go less than swimmingly, but get much worse when the company is threatened with a hostile takeover attempt by corrupt corporate raiders. The most implausible thing about this movie is that smart-girl Courtney Thorne-Smith would find this red-headed step-child fascinating in the least (but then, he just inherited millions). 'Classic' moments include comic Larry Miller drinking sweat from a plastic cup. Funny comedy? Try UN-funny toilet humor, and that's exactly where this belongs - in the toilet... flush twice. | 0neg
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I wish I'd known more about this movie when I rented it. I'd put it in my queue on the basis of Heather Graham and her strong cred as an actress (IMHO). While parts of the movie were charming, much of the movie felt contrived, undeveloped, or otherwise just boring or predictable. Not to mention the ICK factor of so many people thinking the sibs were a couple... I don't care how big a part of the story line that is, it still felt a bit, um, gross. And Charlie, for a zoologist, she certainly doesn't seem to be very attuned to signals from other Homo sapiens. What was it about her (besides her hotness and some common interests) that made Gray fall for her? The story could have been so much more interesting with a little more depth. High points - Molly Shannon (although I do agree with the reviewer who found her annoying on occasion), the cabbie in drag, and the dance sequences (if Sam & Gray were such great dancers, I wish we'd seen more of that, as the bits we were shown were indeed better than most of the rest of the movie). Could have been better. | 0neg
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Angela Johnson (Pamela Springsteen--yes she's related to Bruce), the killer from the first film, is up to her old tricks again. She's one of the counselors at Camp Rolling Hills. As long as the girls at camp are nice and stay away from sex, drugs and swearing things are fine. But a few step over the line and Angela kills them--cracking bad jokes all the way. The original "Sleepaway Camp" was a vicious and nasty splatter film but had some good points to it. This is vicious and nasty too but has NO good points to it. The plot has been done to death and this adds NOTHING new to the formula. There are plenty of gory killings in here (people are burnt alive, heads are cut off, throats slashed) but all the gore is so obviously fake it actually become comical. This also has the smallest amount of campers I've ever seen and virtually everyone is far too old for their roles (especially Higgins). As expected there's the gratuitous female nudity (here provided by the tremendously untalented Valerie Hartman) and the obligatory good girl/good boy team (Renne Estevez and Tony Higgins). With the sole exception of Springsteen and Higgins the acting is lousy--even by slasher movie standards. There's also a cruel edge to this movie in which one character is drowned in an outhouse! Boring and sick with a stupid plot, pointless nudity and bad gore. Skip it. | 0neg
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The Public Enemy is a 1931 American crime film starring James Cagney and directed by William A. Wellman. The movie relates the story of a young man's rise in the criminal underworld in prohibition-era urban America. The supporting players include a young 20 yr. old Jean Harlow, Edward Woods, Joan Blondell, Beryl Mercer, Donald Cook, and Mae Clarke. The film, which was based on the novel Beer and Blood by John Bright, launched Cagney to stardom. A theater in Times Square ran The Public Enemy 24 hours a day during its initial release. It was the first worldwide box office hit for Cagney (age 31) and forever cast him in the public eye as a "tough guy," an image he was unable to shed despite numerous roles chosen especially to counter that image, including his Oscar-winning role in Yankee Doodle Dandy. The film was nominated for an Academy Award for Best Original Screenplay. In 1998, The Public Enemy was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". I was impressed by this movie's frankness regarding the life of a gangster during the prohibition era. | -1no label
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Typically Spanish production - slow-moving, but with great sensuousness and sexuality oozing from the lead actress Paz Vega. (Watch her in "Spanglish"). Great sets, lots of colour - you get to see Cordoba, Seville, Spanish mountains and countryside. The plot tends to meander here and there, but if you follow closely (I managed to, even though the film is in Spanish), you'll get the gist of it. It's about how one very highly sensual young Gypsy woman, Carmen, uses her feminine wiles to seduce men to do her bidding. Carmen is being taken to prison after attacking a fellow cigarera at the cigar factory where she works. She persuades Jose, the soldier in charge of taking her to prison, to let her escape. Jose succumbs to her charms because she speaks Basque (he is Navarrese and speaks the same language). Jose is punished by 1 month in jail and demoted to foot soldier. He later meets Carmen at a party and they end up becoming lovers. But Carmen refuses to commit to him, and continues her lascivious and flirty lifestyle. In a jealous rage, Jose kills a fellow soldier who has been with Carmen. They then have to leave town. Life on the run turns Jose into a bandit. Carmen, meanwhile, remains the same, a wildly promiscuous woman. In the end, Jose loses his mind and ends up killing Carmen. The story is told by Jose in prison, awaiting to be executed. The person he tells the story to is Prospero Merrime, a French writer and anthropologist, whose fancy watch (it plays Beethoven's Fur Elise) was stolen by either Carmen or Jose. Worth watching for the sets and for the delectable Paz Vega. | 1pos
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] |
Okay, I simply had to see this since I saw it's "sequel" first (about two years ago), UNSEEN EVIL 2 (aka ALIEN 3000), and I immensely enjoyed it because it was truly one of the worst movies I had seen in a very long time. From it, I also learned that Tim Thomerson apparently starred in the "original". All this was reason enough for me to sit my a§§ down with this "original" epic tale of Alien Terror & Indian Mysticism. So how did it go down this time? On a bad movie-scale, this "original" is about twice less fun than the "sequel". Does that actually make it a better movie...? I have absolutely no idea... It's not even fun writing a user-comment for it (while the sequel was). We got annoying people running around in some woods, being chased and ripped to shreds by crappy CGI (make no mistake; it's not as fun as it sounds). But if that's your thing, then sure, go ahead and watch it. I'll always be willing to give retarded rubbish like this a peek, but I can only take so much of it. I'll be generous and give it one point for what happens to Tim Thomerson. Didn't see that one coming. I guess the producers realized they were spending too much money hiring him, so they just decided on the spot to write him out of the script. By the way, if you happen to love UNSEEN EVIL, then go watch DEMONICUS (2001). You'll have a blast. It's even from the same director (Jay Woelfel) and its more or less the same movie, only this time with a possessed idiot running around in a plastic Roman-times inspired body-armour, slashing people in the woods. Have fun. | -1no label
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] |
When watching this film, Sex and the Teenage Mind, one must ask themselves this question. Is Sex and the Teenage Mind a great film or the greatest film? It is truly one of the great tragedies of the 21st century that this amazing masterpiece was overseen for the Academy Awards. Never in all my years of viewing cinema has such a tremendous film been brought before me. It portrays the life of a young boy, Virgyl and his struggle with puberty, hormones, and even worse..............girls!!! Virgyls very sexually active parents suggest that he tries to find a girlfriend and become more sexually experienced. Virgyl is also helped out by his good buddy, the great film actor Michael Bower, and is taught how to sweet talk the ladies, master the difficult art of putting a condom on, and what are the best magazines to 'jack off to'. Virgyl then finds the girl of his dreams and stands up for her in their US History class. But oh no Virgyl, watch out. The girl of your dream's girlfriend, Scott, is a real jock jerk. But oh no, what's this? To repay Virgyl, Kelly hires a hooker to have sex with him. An all too common plot scenerio. This movie has laughs, love and most of all a great soundtrack. From the impersonations of the bee gees to the girl band cover of 'Doctor Doctor'. This movie has it all. A must see for any horny boy that wants to see a movie with one scene of a naked lady or a boy that has rapist thoughts when they look at a girl. This movie was definitely 90 sweet minutes in hump city | -1no label
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] |
Things to Come is indeed a classic work of speculative fiction; both an essay on the destructive nature of war and the terrors of progress. It makes some surprising accurate depictions of the war that was to follow a few years later, but is woefully naive in it's Utopian ideals. Raymond Massey, Cedric Hardwicke, and Ralph Richardson make up a fine cast, although the drama is played more as a stage piece, than a work of cinema. There are grandiose, if somewhat stilted speeches, often delivered as if the actor is trying to reach the back of the theater. However, there are some profound words there. Is technology the savior of mankind, or the instrument of its destruction? The film is a visual feast, if one can detach oneself from the age of the effects. Sure, Hollywood is more sophisticated today, but rarely as inventive. For the imaginative, the third act is a treat: a world with underground cities, massive deco bombers, space cannons, gyro copters, and secret organizations of scientist saviors. It has all of the makings of a sci-fi pulp adventure, but instead uses the trappings for a philosophical exercise. Things to Come and Metropolis were the hallmarks of neolithic Hollywood science fiction cinema. They are operatic in scope, and visually inspiring. Technology has long left them behind, but their ideas still burst forth. There is an artistry there, one with more heart and emotion than the computer generated mass-produced cinema of today. These films are the products of artisans, not industrialists. | 1pos
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] |
Marshall is the kind of President referred to a change in the U.S. foreign policy
He took a great risk when he stated that America will no longer tolerate any terrorist government
His policy is soon put in practice when he boards his plane on his way home
Once is in the sky, 'Air Force One' is hijacked and currently controlled by Russian radicals who ask for the release of their leader or they'll execute a prisoner every half hour
Harrison Ford is the action hero making his way through the plane taking out few terrorists, managing to free several hostages, trying to get to his wife and daughter who are prisoners on board
Gary Oldman almost steals the show as the head terrorist Ivan Korshunov who takes over the president's plane
Beautifully directed by Wolfgang Petersen who controls the action with his usual extreme intelligence, building the challenge with captivating, tense sequences from every compartment of the huge aircraft to the White House contingent in Washington
| -1no label
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] |
To repeat a theme, I'm not a big fan of Adam Sandler, but I love this movie. Robbie Hart is a genuinely likable character; he's a person I would like to have as a friend, and he's a performer I would gladly hire to sing at my OWN wedding (Sandler also seems completely comfortable with his character, while even Drew Barrymore sometimes sounds like she's merely reciting written dialogue). Yes, he's a capital-R Romantic, but that seems like a strong qualification for someone who makes his living at other people's weddings. I like the whole idea of a romantic comedy being set behind the scenes of the whole wedding game, and some of the most telling scenes involve Robbie guiding Julia through the preparations with an insider's eye. Probably the funniest parts of the movie (to me) are those that play to Robbie's broken heart; it's probably the best depiction of the depression of the newly-dumped I've ever seen (in particular, I love the "Kill Me Please" song). Hey, I've been there. This all being said, however, I think the touch-all-the-landmarks-of-the-mid-'80s approach gets awfully heavy-handed at times. The musical choices, though, were excellent. | -1no label
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] |
Warning: Herzog is a filmaker, and as such tends to be a bit overly dramatic. So obsessions about closing doors may or may not be a real part of the character's life, but a filmaker's dramatic embellishment - or so both agreed at the premiere in San Francisco. But Herzog's usual fascination with character, dreams and perseverance are well suited by this story first published in Soldier of Fortune, and now a full length autobiographical book. (The Soldier of Fortune comment brought loud boos from the politically correct SF audience, and both filmaker and main character had to ensure the audience who had just seen the film, that SOF's interest was misplaced - so warning, this is not Rambo, just survival.) | 1pos
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I thought that Bulworth was one of the funniest and most well written movies to date. Warren Beatty did an astonishing job in this film, a little too good now that I think of it. But really, this film attacked all aspects of life in the united states, welfare, blacks, whites, lying politicians, sleazy businessmen, all of it. It truly was one of the most ingenious movies ever to be created, and the fact that they got Warren Beatty to rap through the whole thing, that was a hoot. But in all honesty, I would have to say that if you have not seen this movie yet, go see it, you'll be pleasantly surprised. | -1no label
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Seeing as I hate reading long essays hoping to find a point and being disappointed, I will first tell everyone that this movie was terrible. Downright terrible. And not, surprisingly for the reasons mentioned in the first review. I thought I might agree with him, seeing as he gave the movie the rank it deserved, but was sorrowfully rebuked upon reading what he said. I am quite ashamed to be taking the same side as someone who commented that the movie "definitely lacks good-looking females." Let me be the first to say, "Wow! that was definitely some serious in-depth reviewing there. My mind can hardly comprehend the philosophical musings about this movie." Seriously though, a lack of "good-looking females" shouldn't be considered an essential to a movie. If you're desperate enough for "good-looking females" you should really watch other types of movies, not necessarily falling into the sci-fi category. | 0neg
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Shiner, directed by Christian Calson, centers around three "couples" and their relationships with obsession and violence. Pretty good start as far as I'm concerned. Interesting. The couples break down into a heterosexual couple, two heterosexual male friends and a straight guy being "harmlessly" stalked by a gay man. The "het" couple really don't have much of a role in the film. There are some scenes that show how they like to be aggressive when having sex or playing around with each other, but seem to have no real purpose since the are so marginalized. My assumption is that they represent a more day to day illustration of how sex/violence are integrated in a couples life. The couple aren't very aggressive and it's not even shot in any kind of erotic way. As characters, they don't add much to the theme or plot. The two male friends make up the bulk of the plot. They engage in some gay bashing of sorts by convincing a homosexual man to have sex with them in an alley. This escalates into violence. And the violence changes them. It becomes a means of sexual gratification. And their need for violence t release grows as the film progresses. The main problem I had is the violence is not convincing. Never once does it seem that any of the characters is in any real danger. It just doesn't work. Given that the whole theme of the film is about the characters' relationships with violence, this is a major problem. Unfortunately, the make-up doesn't help either. Sometimes, it's okay, other times it is very bad. In one scene, I really wondered why one of the characters had rouge smeared on his face. Confusing. The more interesting pair of the characters is the "stalker couple." Here Calson seemed to have more to say and was able to develop a more coherent storyline. Perhaps it is because the characters seem to develop more and have resolution at the end. Shiner may well have been much better if it had stuck with these two. I appreciate that Calson wanted to achieve a lot with this film. It is admirable. Most low budget flicks don't aspire to much. I don't think Calson achieved want he was aiming for. Myself, I found nothing particularly controversial or unsettling. Shiner was unconvincing. This doesn't mean, however, that the director can't achieve something with his next film. He seems to have something to say. | 0neg
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] |
I saw the film at the 65th Venice Film Festival yesterday. The red carpet was a huge attraction of course with Brad Pitt and George Clooney. I'm not surprised to tell you that the Coens will not disappoint any fans with Burn After Reading. Two gym employees(Brad Pitt and Frances McDormand) find a computer disc containing Osbourne Cox's (John Malkovic) CIA informations and they try to get money from him. Original story, awesome cast, great direction, many hilarious moments, marvelous acting and highly unpredictable actions are at the rendez-vous. Though the movie is a bit short (95min.), Burn After Reading is a very enjoyable film that you won't soon forget. **** out of 5 | -1no label
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] |
I don't know about you, but what I love about Tom and Jerry cartoons is the (often violent) interaction between the two characters. Mouse In Manhattan sees Jerry leaving Tom behind to have an adventure in New York, and as far as I am concerned, this one definitely suffers from a lack of cat! As magical as Jerry's exploration of the 'Big Apple' might be for the other T&J fans who have commented here on IMDb, I couldn't wait for this self-indulgent rubbish to end, so I could watch the next cartoon on my DVD. In fact, the only part of the whole episode that I genuinely enjoyed was when Jerry almost 'buys the farm', hanging precariously off the end of a broken candle, hundreds of feet above a busy road. | 0neg
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I really seldom give either one or ten stars to any movie, but this was so awful, I had to make an exception. I am a SciFi fan and have seen a few comedic takes on SciFi that I genuinely like. There just wasn't anything here to like. I realize this was started with an extremely small budget by a film student. But even considering that, the sets and effect are bad. The cinematography is mediocre, but may be the best part of the movie. The acting is bad. A sad state when the female voice-over for the computer is the best actor. The dialogue is bad. The script is very weak and the plot is incoherent and almost nonexistent. The humor is not just subtle and sublime; it's nowhere to be found. As an example, a whole 20 minutes, of the 80 minute film, is spent on a lame 2 punch combo joke with the alien mascot and the elevator. This was supposed to be a parody of everything from bad 50's SciFi to 2001. What we end up with though, is just a slightly updated version of an old 50's SciFi C-movie. At least those movies were funny because they took themselves seriously. | 0neg
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This was a pretty decent movie. This movie is good to just sit down and watch and be entertained. Just a typical Hollywood film. This movie will never win an Oscar or anything and definitely doesn't deserve one, but I thought it was pretty good. It's kind of like the show 24 but set into movie format. If you like the whole we've got to stop the terrorist from killing the president kind of movie then you will enjoy this flick. I personally think that storyline has been done WAY too much, but The Sentinel does add a little twist with the mole in the Secret Service. All in all, this movie won't leave your jaw to the floor or change your life, but who says every single movie has to be like that to be good? | 1pos
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] |
Probably the two main significances of "Elmer's Pet Rabbit" are that the wacky leporid featured in "A Wild Hare" now has a name, and that he utters his famous "Of course you realize this means war!" for the first time. Mostly, the Termite Terrace crowd was still trying to figure out what exactly to do with this long-eared rascal. It's certainly a must-see for hard-core fans of this genre, but others will probably have little reason to take interest. But make no mistake, it's quite hilarious what Bugs Bunny does to the eternally gullible Elmer Fudd. Clear shades of things to come abound throughout the cartoon. I recommend it. | 1pos
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Steve McQueen has certainly a lot of loyal fans out there. He certainly was a charismatic fellow, one of the most charismatic the big screen ever knew. But even McQueen can't save this turkey of a film, shot with what looks like a brownie camera in the actual locations in St. Louis. McQueen's a new kid with no criminal record brought into the planning of a bank heist by one of the other gang. There's more than a broad hint that there's a gay relationship going on between young Steve and David Clarke. He's not liked at all by the other heist members, mainly because of his lack of criminal resume. Steve also has a girl friend in Molly McCarthy and she suspects something afoot, especially when he starts hanging around with Crahan Denton and James Dukas as well as Clarke, all pretty rough characters. That would certainly get my suspicions aroused. The Great St. Louis Bank Robbery had two directors Charles Guggenheim and John Stix. Guggenheim did mostly documentaries and Stix didn't do much of anything. One of those two jokers decided Steve's performance was best served by doing a bad Marlon Brando imitation. This film may go down as the worst ever done by Steve McQueen. I'm willing to bet that Dick Powell and Four Star Productions had already signed him for Wanted Dead or Alive because I can't believe they would have if they saw this. Or they would have seen something the public would have overlooked except for the dressing for this turkey. | 0neg
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] |
1 hour and 40 minutes of talking--boring talking, and more talking and then some. It is hard for me to grasp how an actress like Anne Parillaud, who shone superbly in Femme Fatale, would sign up for such a piece of crap! Unbelievable. If you need a nightcap, this movie might help, although I would prefer some nice classical music. unfortunately, i just found out that i have to write 10 lines for my comment to appear--that's almost as unbelievable! so, short and succinct one or two sentence commentaries expressing one's core take on a movie is not enough. geez, people. i made my point and don't to waste your time with more, unnecessary words--as this movie does. Wolfgang | 0neg
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] |
this film really tries to hard. if your going to make a horror film, at least give it a reason to believe in to hook the viewer. you wait and wait through the film expecting for some grand explanation but it doesn't. instead it tries to be too clever ending and not revealing anything. what was the point of the movie ? where it's actually going ? and more importantly what the hell was going on . . . why were they there and how does it tie into anything? just another weak sci-fi horror. i love the fake reviews on IMDb saying how great it is by related press releases to bump the movie (either that or people have low horizons). it's not worth your 2hrs at all. i'm not saying the film is better than the fragile, but at least that gave you reasoning and why things happened and has an end result. this doesn't and it just waffle's on with tons of padding to make everything feel scary. this film is about as low as when a stranger calls. god that was lame too. big tip, if your gonna make a horror, make it believable with reasoning and explain to the viewer what's going on, so they have a hook into your story. because if there's no reasoning or believability then there's no firm hold on anything and it can't be scary. no disrespect to the cast or crew cause they did a good job. it's just the poor writing. | 0neg
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] |
Terrible. We all could come up with a fictional storyline of if the President died with the here and nows. Ugh...this was painful to commit to watching the whole show...because I knew it was going to be 97 minutes that I will never get back. The dialogs. The too-close to reality of a story that never happened and the 'victim' ~ the President is still alive. Dum duh dumb...dumb I'm still stammering to figure out what the purpose was to even spend the time to write this story? I can get barely ten lines in on what a waste of time this was. BTW, most of the acting was terrible and so contrived. The CIA guy who was almost crying...very unreal. The only satisfaction I got out of this is no one would think this was real because of how bad the acting was. | -1no label
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] |
Series 2 has got off to a great start! I don't think you need to have watched series 1 to get a grasp of whats happening but like any series its nice to feel some sense of the characters and to care about what happens to them. And this show makes you think like that! These 4 30-something women seem to lead glamorous and exciting lives yet the premise is believable and realistic. So the twists and turns that arrive thanks to their love and sex lives are exciting to watch but you also know that these are problems that happen to real women too. Its about the decisions we make as women and how sometimes we are led down certain paths in our lives rather than consciously making those choices! | 1pos
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] |
Just some general observations: 1)The men are mostly spineless, flawed, and one-dimensional. It reminds me of Dennis Miller's story about the Lifetime channel production of "Guys and Dolls", renamed "Oppressors and Women of Vision and Strength". 2) This show was obviously written with its PC liberal feminist heart on its sleeve. The Indian woman who can't decide whether she wants to be a doctor stayed around way too long, and spouts her disgust with American culture at every turn. Corday is a slut, and Kovach (sp?) is a womanizer. Weaver is just not believable as a lesbian; her naming the trans-gender studies unit after Romano smacked of childish revenge. 3)I miss George Clooney and Anthony Edwards and Julianne Margulies (what a babe). I always felt that their performances (esp. Edwards') were classy and understated. 4) It gets worse and worse. Where is "The Day After" when you really need it? This show needs to be put out of its (and our)misery, and soon. I put it in the same category of mindless drivel like Seventh Heaven and Touched by a Whiny Irish Angel. | -1no label
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] |
Horribly unimpressive and unoriginal gangster film. It's amazing that this movie is often put in the same class as William Wellman's Public Enemy. Like all gangster pics of the time, they both cover the rise and fall of some criminal tough guy. Aside from that, however, the two films could not be more opposite. Wellman's picture was a gritty, artistic masterpiece, while this clunker is nothing more than a stock gangster film with barely a good quality to speak of. The writing is horrible, the acting is worse, and it seems like director Mervyn LeRoy wasn't even trying. It's hard to hate iconic star, Edward G. Robinson, as the title character, even if he does overact his way through every scene. It's easy to hate everything else, though. | -1no label
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] |
When DEATHTRAP was first released, the poster--reproduced on the cover of this DVD--offered a graphic akin to a Rubik's Cube. It is an appropriate image: originally written for the stage by Ira Levin, who authored such memorable works as ROSEMARY'S BABY and THE STEPFORD WIVES, the play was one of Broadway's most famous twisters, and under Sidney Lumet's direction it translates to the screen extremely well. DEATHTRAP is one of those films that it is very difficult to discuss, for to do so in any detail gives away the very plot for which it is famous. But the opening premise is extremely clever: Sidney Bruhl (Michael Caine) is the famous author of mystery plays, but these days he seems to have lost his touch. After a particularly brutal opening night, an old student named Clifford Anderson (Christopher Reeve) sends him a script for a play he has written. It is called "Deathtrap," and Sidney recognizes it as a surefire hit. Just the sort of hit that would revive his career... indeed, a hit to die for. And when Clifford visits to discuss the play, events suddenly begin to twist in the most unexpected manner possible. Like Anthony Shaffer's equally twisty SLEUTH, DEATHTRAP is really a story more at home on the stage than the screen--to reach full power it needs the immediacy that a live performance offers. Still, under the expert guidance of director Sidney Lumet, it makes a more-than-respectable showing on the screen. Much of this is due to the cast, which is remarkably fine. Michael Caine gives a truly brilliant performance, Dyan Cannon is funny and endearing as Sidney's relentlessly anxious wife, and Christopher Reeve gives what might be the single finest performance in his regrettably short acting career. If you can't see it in a first-rate theatrical production, this will more than do until one comes along. Gary F. Taylor, aka GFT, Amazon Reviewer | 1pos
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] |
Allow me to ask some rhetorical questions: -Why would ANY airport allow an 11 year-old on a plane WITHOUT CHECKING THEIR TICKET? -Don't you think Megan is a little too smart to get on the wrong plane? -Why would the most PRESTIGIOUS hotel in Los Angeles allow a single 11 year-old to stay in the PRESIDENTIAL SUITE? Without checking her credit card? Do the words FRAUDULENT CHARGES ring a bell? -How was Megan allowed to stay in the hotel's PRESIDENTIAL SUITE, which costs a good $15,000 a night (or more) for over a week? Gee, that's over $100,000, plus ROOM SERVICE. Her mom and dad are going to be ticked... -How did a couple of thugs outwit ARMED GUARDS to get a money printing press? And just to top it all off, it wasn't really a very funny movie... | -1no label
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] |
I decided to watch this ultra-low budget film from the "Poverty Row" studio, PRC, because it co-starred the exciting character actor, Lionel Atwillplus I really liked the title. Even though Atwill often played in these cheap movies, his excellent style of acting always made the films seem a lot better, as his screen persona was great (his real life is also quite interestingsort of like a bizarre soap opera). The reason I use the term "Poverty Row" is that this was a nickname given to the very cheapest and worst production companies of the era. Many of these weren't even real studios, but production companies that rented space and sets from the major studios at night! Yes, there is a good chance this was filmed after normal working hoursa common thing for such studios. The story begins with Lionel Atwill telling his friends a story about something that he was involved with years ago. A doctor falls in love with a lady but he's afraid to tell her about himself. That's because his job is putting people to death on Death Rownot exactly a glamor job! The Doc asks his friend (Atwill) for advice on how to break it to her, but regardless she won't have the man. Later, you realize it's because her own parents were criminals. Later, a man is killed and the lady is implicatedthough it's obvious to anyone with a brain that her sister was involved (and is a bit of a nut) and the evidence against the lady was poor. But, apparently the jury was filled with brainless people and she was convicted and sent to Death Row. Even more brainless is that her old boyfriend was the man who was responsible for her execution. Don't you think someone else might just be able to handle this case?! Until this fateful hour, her friend (Atwill) spends much of the film trying to prove her innocenceand prove that the flaky sister knows far more about the case than she'll admit. Overall, the movie is only mildly interesting and a bit silly. While it is watchable and Atwill is good (as usual), the rest of the film never really rises above the mundane and some of the acting is pretty shabby. It's sub-par and about what you'd expect from such a low-budget flickand nothing more despite the cool title. | 0neg
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What a wonderful documentary - I sat down thinking this would be a rehash of the bitchy stories told in Easy Riders, Raging Bulls, but it is, in fact, a clear-eyed, glorious celebration of a strange and twisted era that spawned some truly great movies. What struck me was the lack of bitterness apparent in the director interviews, given that now the movie business sucks in a large fashion - instead, folk like Friedkin and Coppola's eyes seem to positively glitter recalling their glory days. The footage of an audience coming out of a daytime screening of the Exorcist was priceless. 'It was - traumatic,' one guy says. A great epitaph for the late Ted Demme, a thrilling film, I just wish it was longer - I could have sat through a three hour cut of this. | 1pos
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] |
Well, it's prettily photographed ... but that's about all I can think of to say for it. It's based on one of those derivative novels - this time Stevenson's classic novella "Dr Jekyll and Mr Hyde" as seen by his parlourmaid(!) the eponymous Mary Reilly. Possibly she is superwoman in disguise because she seems to run an enormous Edinburgh house more or less single-handed (the other household staff, all four of them, don't appear do anything very useful about the place). This includes cleaning, washing-up, gardening (converting the stone-flagged yard of an Edinburgh town house?!) while running all over Edinburgh on errands for Dr Jekyll for whom she nurses an ill-concealed passion. The dialogue is dreadful; banality separated by long meaningless pauses to spin this tosh out to what seems an interminable length. My sister and I watched it on DVD ... she said "can't you fast forward it?" I replied "I *am* fast forwarding it!" If you have the misfortune to come across this, do something more interesting like stare at the wallpaper. | -1no label
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] |
There have been many movies about jails - or escaping therefrom - but none like "Big House Bunny", in which Bugs Bunny tries to flee some hunters but accidentally tunnels into Sing Sing, where guard Yosemite Sam Schultz locks him up. Of course, Bugs proves not so easy to imprison. Specifically, he always knows how to get the warden angry at Sam. In any Looney Tunes cartoons, it's great to see Bugs turn the power structure on its head; as far as I'm concerned, Sing Sing really represents the power structure, as Julius and Ethel Rosenberg were executed there for a crime that they didn't commit. But anyway, this is a classic cartoon. | -1no label
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When I was a kid it was Lex Barker's time as Tarzan. I often heard from older people that Johnny Weissmuller "was" Tarzan and I wouldn't understand why since I saw a couple of Weismuller's last films in the character and I thought he was sort of out of shape. It wasn't after many years that I came across "Tarzan and His Mate", and then I understood. Weismuller is in shape in this picture and has the presence and rugged looks the character demands not matched yet by other Tarzans such as Barker, Gordon Scott, Jock Mahoney, Denny Miller, Miles O'Keefe and Cristopher Lambert. As for this film I was also surprised by the sensual presence of beautiful Maureen O'Sullivan a strong, self minded, active and "no-inhibitions" woman as Jane way ahead of the times in which the film was made (Tarzan pushes her into a pond naked as she is amused; one of the explorers kisses her by surprise and though she doesn't kiss him back she sort of let him do for a bit and makes no big deal out of it); such behaviors were unthinkable with the "Janes" to come such as Brenda Joyce, Vanessa Brown, Virginia Huston or Dorothy Hart, all playing sort of too perfect sweet vulnerable women making it hard to believe they could survive in a hostile place like the African jungle. O'Sullivan character's sparkling personality steals the show out of Tarzan himself, except of course when it comes to action and Weismuller takes the lead easily; the combination is perfect. Another highlight in the movie is Cheeta's secondary role and not as the main lead like in later Tarzan pictures where she often saves the day. "Tarzan and His Mate" stands as a fine product in its genre (Tarzan films) and perhaps as the best, though I have to admit that I also enjoyed "Tarzan's Greatest Adventure" (1959) made with a higher budget and a strong supporting cast (and in spite of the just acceptable Gordon Scott in the leading role with his too perfect "all gymnasium" physical looks that doesn't fit for a rustic ape man). Good for Jane and her mate! | 1pos
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] |
The first time I saw this flick, I was disappointed; disappointed because I'd expected an adventure tale of King Soloman proportions, an Aladdin's cave full of gold, and bloody Inca battles in a Peruvian jungle setting. In hindsight, I should've read the reviews, because my frame of mind would've been in the right place to enjoy this intense character study. Suffice to say on second viewing, I was able to appreciate the quality of the stage-born dialogue, and the precision with which its delivered by both Shaw and Plummer in their unique portrayals of demi-gods by any other name. Narratively, it's a detailed snapshot of Pizarro's ill-fated conquest of the Incas, not for the glory of gold, but for the almost sanctimonious obsession with divinity and unparalleled colonialism. In essence, he signed his ticket before he departed Spain, promising the world he could never deliver, pursuing a pathological indulgence to satisfy his superior ego. There's an element of pity in Shaw's depiction of Pizarro, that of a mercenary without a war, unable to adjust to a civilian life. Shaw is magnificent as the deeply righteous conquistador whose eloquence in arguing secular sovereignty, fails to dominate the simple native lexicon of King Atahualpa (Plummer), communicating in a basically nonsensical series of clicks and chirps. If Atahualpa can prove he is a God, Pizarro will recognise his sovereignty, but if not, both his life and his land of rich antiquities will belong to the kingdom of Spain. With Michael Craig, Leonard Whiting and Nigel Davenport in the wings, it's an ensemble British cast of true quality, and the performances are first rate. Set design, costumes, score and script deliver, and while momentum is at times a distinct challenge, if you're not fully engaged in the dialogue, the result is likely to be languid in pace and voluble in speak. My initial viewing was such; fortunately, I watched it a second time. | -1no label
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] |
As the front cover says "The hamlet of our time, for our time". I had to study this filmed version of Hamlet directly after watching Keneth Branagh's version and it was truly a disappointing experience. This version takes a different approach to several aspects of the play including sexuality; one very VERY homosexual Osric and an interesting interaction between Hamlet and Ophelia. I think for the time (60's) this was a very well done version of Hamlet but cannot compare to Branagh's complete version. just a note... I found the video at my local video store (in Australia) and I'm actually looking for a Keneth Branagh DVD to buy if such a thing even exists. If anyone knows of one please tell me. | 0neg
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] |
SPOILER ALERT! A group of researchers travel to a remote island of the English coast to investigate the brutal murders of three Americans. They uncover a half-dead man, his completely dead wife and their cycloptic son. Also in the mix is an ancient ruin where sacrifices have taken place. A real piece of junk directed by Jim O'Connolly. The island, in long shots, is a miniature and the whole film is decidedly, and obviously, studio-bound. The cast is a bland mix of no-names save for Jill Haworth, slumming it after working with the likes of Preminger, Marais and (on Broadway) Hal Prince. Anna Palk, a Stephanie Beacham lookalike, adds some spark as a bitchy pothead. As bad as they come. | -1no label
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With such actors as Ralph Richardson, Raymond Massey, Cedrick Hardwicke, and Margaretta Scott, how can you go wrong. Very unusual scenics, especially the modern ones. The realization of the modern machinery is very effective. Here you have ray-gun blasts from building vehicles that help clear the area, so new structures can be made. Although she's much younger in this film, It's not very hard to figure out who the future Mrs. Pumphrey from the BBC series, All Creatures Great and Small is going to be! Really effective "reappearance" of both Raymond Massey and Ralph Richardson. The musical score is by the renowned Swiss composer, Artur Honegger and it is also unusual. For the time (1936) it looks like they used really, large sets or the effects make it seem that way. Lastly, it's a really good story. | 1pos
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] |
Nobody truly understands the logic behind the numbering of Italian zombie-flicks, but honestly why would we bother? Every single film in the Zombi-"series" delivers great fun, nasty gore and gratuitous shocks and "Zombi 3" is no exception to this, despite all the production difficulties that occurred whilst shooting. This film began as an interesting Lucio Fulci project, who had to elaborate further on his "Zombi 2" success, but it ended up being a typical Bruno Mattei product with more flaws and stolen ideas from previous films. The screenplay is hopelessly inept and ignores all forms of continuity, every ingenious idea from George A. Romero's "Night of the Living Dead" and "The Crazies" is shamelessly repeated here and the acting performances are truly miserable and painful to look at. Yet all this didn't upset me for one moment because the sublime over-the-top gore compensates for everything! On a secret army base at the Phillipines, scientists completed the bacterial warfare virus "Death One" and prepare it for transport. After a failing attempt to steal the virus, the infected corpse of a terrorist is cremated and the zombie-ashes contaminate the entire population of a nearby tourist village. The last group of survivors has to battle hyperactive and inhumanly strong zombies as well as soldiers in white overalls that received instructions to kill everything that moves in the contaminated area. This movie is comparable to Umberto Lenzi's "Nightmare City". Truly Bad...but incredibly entertaining with fast-paced action sequences and several very creative zombie-madness situations. The undead birds were original, for example, and the whole zombie birth sequence at the deserted hospital was pretty cool as well. The infamous flying head scene is not nearly as awful as it's made up to be and it belongs perfectly in this cheesy and thoroughly pleasant Italian zombie flick. Recommended to the fans; don't mind the negative reviews. | 1pos
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] |
"Doc Hollywood" is a lovely film that deserves a wide audience. It captures some wonderful truths about small-town life in modern America, namely that it is wrong to assume naiveite among its inhabitants, and that the most mundane practice of arcane knowledge, such as medicine, can be the most fulfiling. My only caveat in the entire film appears early on when Julie Warner appears fully frontally nude. She's lovely naked and the shot is completely within the context of the story of the film. But many people might be put off by the nudity and it might be enough for them to not want their children to see the film. That is completely understandable but it is also a shame because with the exception of that shot, the film is wonderful for all ages. I highly recommend "Doc Hollywood" but if female nudity bothers you, then avoid it. | -1no label
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] |
I have seen already fantastic stories, but the premises of this one are so unbelievable that it comes very close to being ridiculous. A rich and young guy undergoes a heart transplant the day after his marriage, and he is somehow witnessing his own surgery and the plot of his surgeons to kill him. Even if there is a medical explanation to such a phenomenon what next happens is a mixture of dialog among ... say ... souls? ... maybe and real life where the dedicated mother will do everything to save the life of her son. There is no shade of suspense or thrill, just a combination of a bad and simplistic plot with a series of coincidences that can never happen in life. This is not to say that the film is completely lacking quality - actually first time director Joby Harold does a decent job in directing a good team of actors that includes Hayden Christensen at his first major role after having taken off the Anakin Skywalker costume, fabulous Jessica Alba and super-gifted Lena Olin. All would have deserved a better story. | -1no label
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] |
Though I saw this movie dubbed in French, so I'm sure it lost something in the translation, lack of accents, etc., it was an excellent, fun movie for a lonely night in a hotel room--a real pick-me-up that portrayed accurately and positively the complexities of individual sexuality, gender role, and finding a place within the communities to which one is supposed to belong--male, gay, urban, 30-ish, etc. I was very proud of French television for showing such an honest and positive portrayal of the gay community. While the fact that the gay lead character ends up somewhat "straight" in the end is mildly disappointing, that's life, and that happens sometimes. This is a great movie, whether alone or with a date! A really enjoyable experience. | 1pos
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] |
I hate movies like this. They're all the same, some white girl falls for some black. The black guy is of course rough and tough, but has the sweetest heart underneath it all. Yeah right. Only in the movies. I happen to be a black female, 22, and I get so sick of the way they have black people act in films. The black girls always have that "attitude". We don't all have an attitude, but you never would know that, if you watch movies. It just bugs me, this movie bugs me. Why can't the white girl ever date a black guy who isn't from the "Hood"? | -1no label
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] |
I really don't like with the woman whom is the main character in this film. Usually we like the female main character, but I really think that she is stupid, and very suck. She can't do anything without his lawyer help, and she's acting like crazy people. This movie is not really good, because: 1. The scenario is weakness. 2. There is to much flash back which make me bored and confused. 3. One part and the other part sometime doesn't have clear relationship. 4. The ending is not finished yet, which make me hate this film. 5. Fool female main character which people usually don't like because too weak. 6. Very stupid create film about fire if even the main character problem is not known well. | -1no label
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] |
It seems really bizarre that after starring in "The Gay Divorcée," Rodgers and Astaire went back to playing supporting roles in this one. Leads Randolph Scott are Irene Dunne are fine, but Rodgers and Astaire are on blazing whenever they're on screen, so Scott and Dunne get pushed into the background. The story is contrived and theatrical and not a particularly exciting one. However, four great songs and dances lift it into the must see category: "Smoke Gets in Your Eyes," "Lovely to Look At," "I Won't Dance," and I'll Be Hard to Handle." Please note that the last three have lyrics by Dorothy Fields. She may have been the greatest lyricist of the 20th century with songs like "Sunnyside of the Street," "A Fine Romance," "I'm in the Mood for Love" and "Big Spender" to her credit. The movie is a little dated and tedious at an hour and forty minutes, but, at least 30 of those minutes with Ginger and Fred are enchanting. "Nous Sommes étonné." as Fred says in the movie. | -1no label
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] |
Why on earth is Colin Firth in this pointless film? Has he really been that strapped for cash? The film isn't clear on what it wants to be about, grief?, exotic places?, ghosts?, a vehicle for Mr Darcy? It's a muddled, muddy mess. There seems to be some sort of idea that Italy must be good, in itself, and that Italian has something to offer as a language - but in the end the girls just want to go back to yankland. There are pointless episodes on the beach, in churches, on busy roads - but what it is all about, or why anybody should care simply isn't clear. There was also a yank woman in the film. It wasn't clear what here job was, but she seemed only to be there to make vapid, inappropriate and maudlin comments to the girl. Was it supposed to be about paedophillia?? A pretty dreadful mess, all in all. I gave it 2 rather than 1 because it doesn't have the charm of an utterly ghastly film. | 0neg
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] |
the film looks like as if the director was forced to make this movie by some gang of terrorists . it should actually be called dino crap. there is nothing good about this movie.. even the actors are not worth a penny. don't waste your time watching this movie. the director should be shot in the head for having the mentality to create such a bad movie . i mean isn't he ashamed of looking at peoples faces after they have seen his movie ? the dinocroc looks as if it was made in power point and pretty much cut-and-paste stuff. and its the same old story . man plays god . creates some creature . it escapes and is happy eating people . and finally a pretty girl and a guy in a sleeveless shirt has to come and kill it . bla bla.. u will figure out the plot in the first 5 minutes of the movie | 0neg
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This movie was made for me. Cheerleaders + Ninjas = AWESOME! This is a totally low budget film. It makes Crawlers seem like Titanic. I'm sure I could have backed it. This movie is so low budget the only way you can get it right now is to order a copy from the director. This is exactly what I did after hearing it featured Cheerleader Ninjas vs. Catholic School Girl Bullies. Sweet! In the movie The Catholic School P.T.A. decides that the influence of Internet erotica is too much for their little town. After some surfing they decide cheerleaders are behind most of this stuff - after all they are on a lot of the sites out there. Their attack is twofold. Its like something Napoleon would come up with. They get the bully girls in the Catholic School to harass the cheerleaders and hire an Internet guru to blackout all those 'bad girl' Internet sites. After being pushed around by the bad Catholic School girls the Cheerleaders fight back. They go to a ninja master and learn the art like good grasshoppers. Soon afterwards, they are joined by a band of Computer Geeks fighting to protect the only access to hot women the have: the net. This all leads up to a big show down. Overall this movie is o.k. I mean the premise is cool. But it is not what I expected. I was thinking it might be like The Cheerleaders, or Amazons, or Christine's Addiction, or Buda. But no. The only busty scene is played for comedy. I'd say there are too many fart jokes too. Considering the fact that this is kinda a big home movie more then a movie, Skeeter will give this one a 4 for 10. Everett Hartsoe puts out similar but better stuff with a similar budget. | -1no label
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] |
While this film is called The Chill Factor I recall seeing it on one of ABC's Movie of the Week programs in 1973 under the title A Cold Nights Death and never saw it under the title The Chill Factor. I do recall that the week it was shown it was averaging about -20 where I was living so that made it interesting to watch this film and know how cold it felt for the two main characters. As some other reviewers have commented this film seems to be unavailable as so many of the made for TV movies from the 70's are. Who knows the reason why is anybodies guess. It had a Twilight Zone type plot to the story. If you get a chance to see it by all means do. Compared to the made for TV films that are turned out now the ones from the 70's such as this one are vastly superior. | -1no label
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I know a couple people who look just like the lead actress in this film (or, at least, like the character she portrays.) They all give me the creeps and I would be the last person to ever lend one of them a gun or even a sharp knife. She has one mean and ugly-looking expression. If you can conjure up a bit of sympathy for her, let me know. Of course, I might have the same expressions of concern and fear if I had an imaginary friend who had been killing off my real friends and acquaintances for the last 15 years. And for our European friends on the IMDb, I'm saddened to say that, yes, some colleges and universities in the US teach courses on paranormal phenomena, relying on the pathetic defense that it represents "academic freedom" and open inquiry. This film is not worth your while. You will have no sympathy for any of the characters (except for Aunt Lydia, who gets offed pretty early) and the plot makes no sense. | 0neg
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] |
this movie had a lot of blood in it when the sabretooth attack it also i loved it when that guy and the women were having some good time and then the sabretooth attacked the women and ate her stomach and took the liver out. that was the best and the 1ton sabretooth walking on its front legs hilarious to make this movie better more action and less talking if you know what i mean and also please please people who made this movie don't make anothwer movie like this movies ending cause it was terrible 1 sabretooth alive and killed that women in the end this movie reminds me of the grudges ending always there's 1 enemy left! OK damn it this movie sucks i can 't believe it i loved it when my lil bro got freaked from the attacks stomach takin out and the blood ya | 0neg
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I vaguely remember this film. I do remember it for the one solid reason that it is the only film that I have ever walked out on!! and since then I have never seen it available to rent ANYWHERE!! I can't spoil it for anyone cos I can barely remember it!! To think, looking at the cast, it seemed a winner, with John Landis directing, but good god, they must have been paid a whole lot for this drivel!! All I can seem to recall is that the dad goes missing and the family try to search for him, by trying to put an actual photograph into the disc drive of a computer. I walked out after about half an hour of this. I must confess though, I'd love to see if I can get a copy, just to see if it really was that bad!! It wouldn't surprise me if this was on every actor's black list! I mean Christopher Lee was in this?? The legend of all bad guys, who'd been in Star Wars and Lord of the Rings?? As I said - black listed movie, The Stupids! | 0neg
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Though miles better than the (awful) first game this still suffers from major bore. The free-roaming game play would be great if there were a bit more variety and things to do. The main problem is that the gaming area is absolutely immense. While this may be a good thing (a whole state is your gaming area in the upcoming GTA: San Andreas) there are very few definitive landmarks to give you some kind of orientation. It's based on the real New York, with all the famous buildings, but literally hundreds of streets look the same and it's very, very easy to get hopelessly lost. Plus the only method of travel is swinging. Yes, it's cool, but very slow considering the area you have to cover and not to easy to control unless your a genius with the control pad. And the missions are all the same. Stop an armoured car hijack, stop a guy stealing a car, save some idiot hanging off a building, beating up nameless thugs, save some guy hanging off a building, stop some guy stealing a car, save some guy hanging off a building...boring. When you complete a mission that should be it done for the whole game, none of this again and again and again trash. The average score for completing these missions is 250 hero points...you need 1, 000, 000 to reach Doc Ock at the end of the game. Sorry I ain't sticking around long enough to 4000 tedious missions. The only cool thing about this game is that it's narrated by Bruce Campbell. The rest seems like a rushed movie tie-in, not a real game. | -1no label
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] |
A collection of poorly acted parts, with Diego Luna the only positive of any note. How anyone can think this film is any good is beyond me. The plot is disjointed and random, the casting is terrible, the storyline is uninteresting and to top it all, the ending is ridiculous in the extreme. Never have I seen so many people walk out of a cinema early. Maggie Gyllenhaal, usually so good (Donnie Darko, Mona Lisa Smile) was wooden and her character lacked any credibility; John C. Reilly is atrocious, partly at least due to a pitiful script whose only goal seemed to be to pad out the minutes before the film got to its end; Diego Luna was likable and moderately adept, but couldn't make a difference to the film on his own. This is the worst film I've seen since Antz... and that was animated! | -1no label
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] |
Disregard the bashing you have heard on Sterling Hayden's acting. It is the result of modern computer nerds who think every character has to be a video arcade one dimensional stereotypical psycho, and who have no idea on the world outside their computers. This is a well directed, well acted, exciting adventure of an isolated group of people terrorized by bad guys. In this case, the bad guys are three assassins out to kill the president of the United States as he visits a small town. Sinatra gets the ham role of the top killer. As in real life, the leader is often the least qualified, and most suicidal. He has Shakespearean tragic fallacies in his character that look ready to doom him and his men. But will the doom be too late to save the people he kidnapped? Believable characters and an overall good script make this film one that makes the modern gangster movie look pitiful. Not for the computer nerd or modern video game dork who can't stand three dimensional characters, psychos and bad guys who aren't invulnerable, or believable reactions. But definitely for most people. | -1no label
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] |
Debbie Reynolds toe-taps, tangos and, yes, tap-dances her way through this ordinary thriller which has a distinctly fabricated '30s atmosphere. Two ladies, brought together when their sons commit a murder, try starting their lives over by running a tap-dance school for tots in Hollywood. Trouble is, one of them is plagued by neuroses. Can you imagine this thing 10 years earlier with Robert Aldrich directing Bette Davis and Joan Crawford...? Nahh, Bette never would have allowed Joan so much screen-time to strut her stuff, and I can't imagine Bette Davis in the other role, tap-dancing her heart out. This is a purely bogus piece of macabre, written by a slumming Henry Farrell (whose idea of a good "shock" is to stage the mass-murder of a group of rabbits!). Not an ounce of honest fun in the whole tepid package. *1/2 from **** | 0neg
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] |
Pre-Nazi Germany is a hotbed of escalating tensions, but decadent nightclub performer Sally Bowles is oblivious to the encroaching horrors. If you know a little about Liza Minnelli and you're curious, "Cabaret" should make you a fan; if you're not interested or just don't like her, "Cabaret" probably isn't the movie for you. Liza is the heart, soul, and centerpiece of the picture; when she's on-screen, everybody else is irrelevant. Movie-fans still discuss whether Liza was actually acting the role of Sally Bowles or just being herself (her Oscar-win still draws debates--Diana Ross in "Lady Sings The Blues" is oft-times described as 'robbed' for the Best Actress statue). Indeed, time has proved that Minnelli had a whole lot in common with Sally, the parallels are even echoed in much of the dialogue, but this part utilizes her entire range (sarcastic sass, vulnerable imp, high-powered musical presence) and she's fabulous. She doesn't do anything small, even her quiet moments are extraordinary. Her final speech to Michael York ("How soon would it be before we started hating each other?") is a knockout, as good as any of her musical numbers, and when he lashes out in anger, she sighs, "If you wanna hit me, why don't'cha just hit me?" She can be fragile and wounded, but it's in her spirit to get right back up and perform. The film is a burlesque nightmare, amazingly directed and photographed, filled with great actors and songs and a deadly-serious finale. It's a classic. **** from **** | -1no label
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] |
Emmanuelle Beart is one of those paradoxical European actresses (like Penelope Cruz, Fanny Ardent, Emmanuelle Seigner......) - kind of ugly/beautiful, one moment their acting sucks (Mission Impossible, Manon des sources), the next it's sublime (A Heart in Winter, L'Enfer). For me, Emmanuelle Beart was the only good thing about this movie. She captured the upper-middle-class mother thrust into extraordinary circumstances with great skill. Just a pity the story went nowhere. The English title "Strayed" was well-deserved, it summed up the plot well. Seems that some folks watched this movie in the expectation of riveting sex scenes, and while I thought that the whole ending sequence was very contrived, the sex scene did work to make sense of the movie, which was just as well since the rest of it was kind of ludicrous. | -1no label
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] |
Normally I would have given this movie a 6. It tackles a very important topic and it does it relatively well - despite Katie Wright which is an accomplishment in and of itself. I have no idea if she was actually instructed to play the character like this or is naturally irritating, but she did an awesome job at making it impossible for me to care for Lexi. There's no dimension to her other than how confused, helpless and clueless she is, and how good she is at whimpering. I can understand how a young girl who blames herself for the loss of her friend and whose eating disorder has spiraled out of control would be distraught, scared and in pain. However, Wright's entire performance is based on incessant wailing and sniveling, the rest being whining. I couldn't help but feel this particular girl's problem was caused not by the demon that is Bulimia, but by her not having a backbone. I very much doubt that's the point the movie meant to make. | 0neg
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] |
The "Dark Ride" is a grisly terrifying amusement park ride in Asbury Park, New Jersey. Ten years after brutally murdering two girls during the ride, as well as hiding other victims on or near the premises; a sick killer escapes from his cell in a mental institution. The ride is being re-opened after all these years and the gruesome slayer wants to reclaim his former turf. A group of college friends on a road trip decide to save some motel rent by breaking into and staying the night inside the "Dark Ride". Unaware of what is really in store for them, they have little hope of remembering the night. The players include: Jamie-Lynn Sigler, Patrick Renna, Andrea Bogart, Jennifer Tisdale, David Rogers and Alex Solowitz. | -1no label
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] |
This is one of my favorite sports movies. Dennis Quaid is moving and convincing in the part of a man who gave up his dream of being a baseball pitcher when his arm gave out on him. As a high school coach, he challenges his players to win the division championship by telling them he'll try out for a baseball team if they do. They win (partly because of all the batting practice they take with a coach who can pitch over 90 miles an hour), and he keeps his side of the bargain--and is signed! If you have ever decided to try something new and terrifying as an adult, Jim Morris's story will resonate with you. It is moving and inspiring, and the man's relationships ring true. Inspiration is not the only reason I rent this one, though. Dennis Quaid is just downright purdy in the part, and a baseball movie with a good-looking man changing a diaper is my idea of heaven. Ladies, if you feel the way I do, check this one out. | 1pos
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For Muslim women in western Africa, married life at the hands of abusive husbands can be very hard . The community may not explicitly endorse such behaviour, but equally, they may not yet be ready to see it as criminal, an attitude which of course enables it to continue. Fortunately, the letter of the Cameroonian law promises equality to all, and this documentary follows the real life exploits of various female practitioners in the Cameroonian legal system as they attempt to secure justice for a number of women and children. What is notable (apart from the uplifting central story) is how, in spite of their informality, the courts are actually pragmatically progressive, if a case is actually bought. The program also gives a fascinating insight the whole Cameroonian life-style, which (aside from the awful crimes committed in the featured cases) seems amazingly emotional and joyous compared with that enjoyed by inhabitants of Europe or North America. And while I concede that this comment may betray naiveté on my part, this attitude appears to be captured in delightful pidgin-English they speak. Overall, this is a terrific little film, and much more fun to watch than you might imagine. | 1pos
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] |
Disgused as an Asian Horror, "A Tale Of Two Sisters" is actually a complex character driven psychological drama, that engulfs the viewer into the problems of a seemingly normal family. I was really surprised at the depth of this movie. Director Ji-woon Kim's decision to focus more on telling a story rather than providing cheap scares, has proved a correct one. Creating one of the most ingenious new horror movies. "A Tale Of Two Sisters" tels the story, as it's name suggest of two sisters Su-mi and the younger Su-yeon, who after spending time in a mental institution return home to their father and apparently abusive stepmother. From then on we witness how the sisters deal with their stepmother's gradually rising aggression and erratic behavior. To say what would happen next would be to be spoil the entire experience. So I'll just leave it at that. The plot is very tightly written. With the characters nicely fleshed out. Ji-woon Kim's focus on a small cast offers a much more detailed view on them and their relations to one another. Furthermore each of the four main cast has a vastly different role and type of character. From the protective Su-mi, the weaker Su-yeon, the visibly uninterested father to the stepmother's frantic and later deadly behavior. There is great sense of mystery, with a lot of the plot not revealed up into the end and even after that the movie still leaves a great room for interpretation. Even after watching it once, the viewer will be compelled to see it at least once more so that he can gain a better understanding to it. The actors superbly fit their roles. It is especially hard to create strong, emotional scenes in psychological movies but it is a great joy when one succeeds in creating them and this is a prime example of such a feat. Ji-woon Kim's direction is slow paced and gripping, building up tension for the film's horroresque scenes. While few in number those moments are strong and quite frankly terrifying. The cinematography and score are top notch further helping to establish an atmosphere fitting that of a psychological film. "A Tale Of Two Sisters" is a demonstration how the horror genre is in fact so much more than a simple thrill ride. With it's strong focus on character and mystery this is one complex movie that could easily seduce you in watching it again and again just so that you can understand it better. | 1pos
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] |
WARNING:I advise anyone who has not seen the film yet to not read this comment. Alright, when I saw this movie on the shelves at my bro-in-law's mother's house, I figured it would be pretty good and asked to borrow it. I've seen some REALLY great shark movies, but then some that were not so great and with my knowledge of shark films, this looked decent... my knowledge was never so wrong. This movie is a TOTAL waste of time to watch. Supposively it's about these two people who get stranded out in the middle of the water and they both die, so someone is just going to predict what happened out there. Here are the reasons why I didn't like this movie: 1. If they both died, that means someone just took a complete stab in the dark at what probably happened out there while they were missing, which in the end really made me mad, because that is also what I predicted was going to happen, and if they both didn't die in the "true events", I think it was a poor choice making them both die in this movie. 2. The sharks that surrounded them while they were afloat would have ripped them to shreds at the first sight of food - THEY WOULDN'T SWIM AROUND FOR DAYS AND NOT TRY TO EAT THEM. I mean, I know humans can never know what animals are exactly thinking which is why I love animal attack films, but come on, when an animal's hungry, IT'S GOING TO EAT, we know THAT much for sure. 3. This movie was BORING, BORING, BORING, because most of the time you're watching it, they are just floating in the water not doing anything and it's completely pathetic!!!!! I know they were probably trying to build up suspense and such, but they did an extremely poor job of doing so. There, so that's why this movie is so so horrible!!!! It's not the worst film ever, but by God it's pretty well near it! I'm sorry I wasted my time on it... | -1no label
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Two years after 'Airplane!' took off, Jim Abrahams, Jerry and David Zucker cast one of its stars - Leslie Nielsen - in this hilarious television series, a glorious take-off of old U.S. detective shows such as 'Dragnet'. Nielsen played Frank Drebin, America's answer to 'Inspector Clouseau'. It had the same style of humour as 'Airplane!'; clever visual gags in the background, unnoticed absurdities, and recurring characters such as Johnny the shoe-shine boy who seems to know everything about everything. Guest-stars ( including William Shatner! ) were killed off in the opening credits. 'Police Squad' was the first U.S. sitcom since 'Batman' to lack a laugh track. Many have lamented the fact that only six episodes were made, but I think it was about right. The concept could never have sustained a full 24-episode run. Five years later, 'Police Squad' made a successful transfer to the big screen, when the first of the 'Naked Gun' trilogy was released. Jim, Jerry, David, and Leslie had the last laugh. | 1pos
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] |
Nothing within the musical scenario of "Times Square" rings true. The minutiae of the narrative (slim as it is) never matches up with the film's look, nor the soundtrack selections, nor the age-old theme about struggling talents hoping to break through. Two teenage girls (Trini Alvarado and Robin Johnson, both likable), who are patients in a New York City hospital, escape their confines and move into an abandoned warehouse; after attracting media coverage via a prominent disc-jockey, the kids become cult celebrities. Johnson, who resembles a young Joan Jett, comes on like a little punk rocker-in-the-making, so its surprising (and rather disconcerting) when her moment in the spotlight finally arrives and she's transformed into a New Wave caricature (or, perhaps, a "Rocky Horror" patron). The filmmakers here are clueless as to musical trends, and probably couldn't separate punk from pop or rock from New Wave if they were forced to. It's a lazy, disjointed fairy tale, a film so shallow that it never resembles what the story is meant to be about: young outcasts finding their voices and their freedom through music. For director Allan Moyle, it's all about putting on a show. Perhaps he'd seen too many Judy Garland pictures... *1/2 from **** | -1no label
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] |
Think about it. Yogi Bear is a free spirit who chafes at the rules and regulations of his limited world, and yet enjoys the comforts it offers. His swiping of picnic baskets is less to satisfy hunger than to thumb his nose at the "establishment", personified by Ranger Smith. His appearance on TV in the early 60's was fortuitous, as it coincided with the start of the Beatles' career and the beginning of the hippie movement. I wouldn't have been surprised to see Yogi wearing love beads and carrying a "Make Love, Not War" sign. LOL Trouble with Hanna-Barbera, though, is once they had a good thing going, they didn't know when to stop. After the success of Yogi, they churned out numerous, inferior copies: "Wally Gator", "Magilla Gorilla", "The Hair Bear Bunch", etc. Originality was not their forte. | -1no label
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] |
This is a most exciting, gripping and fabulous film. Bette Midler's electrifying performance was worthy of best actress. The Janis Joplin type performance is stunning - her heart and soul is in her voice which pulsates and vibrates into your very being and sends shock waves of electricity tingling coolly down the back of your spine touching your very soul. This is a gut-wrenching experience that teaches nothing but makes you experience everything. I love this film, the music and the voice and performance of Bette Midler. What a thrill it is to see an artist like Bette Midler perform to such an extreme and lofty level. What a dazzling radiant star that burned so brightly for so short a time and then was so suddenly and prematurely snuffed out. But when an artist gives so much of herself in every song she sings, it is no wonder that her life was slowly drained and eventually terminated by the fans who loved her. I was working with The Canadian Film Institute in 1980, one year after the release of this film, and we put on a festival in Ottawa at the National Film Archives Theatre in July. We started out with "The Rose" at 8pm and then concluded with Crawley Films Academy Award winning Documentary film "Janis" at 11pm. It was just like a live Rock Concert. The crowd was in a frenzy. The only thing missing was Jimi Hendrix! Love this one. Real entertainment and excitement! I should note that the director, Mark Rydell, does an overview commentary on the DVD version of this film and it is like taking a university level cinematic studies course. He makes interesting and relevant comments on every scene in the film and it is well worth listening to. Highly informative and fascinating! | -1no label
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] |
Everywhere I hear that people are calling this show bad because its premise is too far fetched....well maybe a do-good cab driver in Philly is pushing it a little (at least the cab drivers ive met), but that's what makes the show great. The fact that this show is a little off the reality track is an issue but its still enjoyable and fun. Its highly watchable and even though u know Mike wins out in the end he never wins in life. David Morse is a great actor and does a great job in the title role. His supporting cast is great and i must say the location of the show is especially great! All in all I watch this show not because im looking for a good dose of reality or a show with lots of action, I watch this show because its got great acting, a good premise, and a great story-line every week. It's also a plus when i can pick out the landmarks he drives by, or know what intersection he's at. I Love this show and I love Philly!! Give this show a shot! | 1pos
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] |
I wasn't so impressed with this film, finding it quite tiresome and plain. The plot line was interesting, a kid creating his own college and enrolling hundreds of kids, but the laughs were few and far between. The jokes weren't really funny and i didn't bust a gut at any of the scenes. The characters weren't intriguing and I didn't feel for any of them, even the dawky, fat kid with glasses who tried to enter the frat group. It was a good first watch, but it didn't blow me away and its not one that I would recommend. Comparing it to other films in the same genre, ie, American Pie is just cruel, because there is a film which was laugh-a-plenty. This ACCEPTED failed to raise a smile! | 0neg
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] |
This so called movie is horrible! The actors cannot act. There is no plot. I believe they need to start from scratch and film again. I hope that they can correct the acting flaws in this movie. I would like to see the trailer after they shoot it again. Maybe there is hope for it. I am not out to hurt feelings but I believe high school kids can do a better job. The wardrobe could have been much better. Sorry, but this just did not do it for me. I normally enjoy the trailers from this site but... this one i cannot find entertaining. I hope they take criticism well because i believe they will get much much more from others in regards to this film. | 0neg
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] |
My, Kasi Lemmings certainly is a fair looking woman. This film is a lost gem, a dead-on satire "mockumentary" of the early 90's Hip Hop scene, when MC Hammer had just began to fade away into that good night. We follow the three members of the NWH as they embark upon their picaresque journey of would-be riches and fame. And like Nickolas Nickleby, at the end, they finish their journey not far from where they started, but at least a little wiser and lot less naive. This is one of the best films that no one has ever heard of, but it's the kind of film you either love or hate, a lot like "Company Man" in this regard. I regard this movie like the 1000 islands of upstate New York: it's a wonderful little secret you want to keep to yourself. | 1pos
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] |
I only saw this silly made-for-TV sequel in it's chopped-down 93-minute video version, and it was quite obvious that there were many things missing. On the plus side, I didn't care. Where THE GREAT ESCAPE was a somewhat-fictionalized version of a true story, GE2 is a fictional story which only touches reality at odd points (and sometimes the oddest: the part about recognizing some Gestapo officers from a painting in a nightclub is true). The real story of the investigation of the Stalag Luft III murders would probably have been a lot more interesting, but there might not have been a part in that for Christopher Reeve. | -1no label
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] |
I don't understand how two teenage boys that put paper into machine instantly come out with a woman. It doesn't make any sense at all to me and that was the whole plot of the movie. All the boys wanted was to have a girlfriend and she ended up being ten years older than them. Plus they didn't know what to do with her. Then why did they create her in the first place? If I were Lisa, I would be running away from those two as fast as I could. The music is horrible and the special effects are the cheesiest I have ever seen. Then the piano comes out of the chimney and I don't have a clue what that has to do with making a human woman out of paper. This is one of the dumbest plots I have ever seen. Take it from Milhouse, nerds are smart. | -1no label
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] |
To put in simple words or rather a word, would be best suited by PATHETIC !!!!!! The movie starts with attracting a little interest by the plot, but, BUT as few minutes by audience is getting restless for restrooms and getting snacks, or to get a breathe of fresh air outside the closed dark hall.... It seems like watching a movie from 1960's where colors were dull, directed by a debutant, and acted by high school students ! Movie revolves about a American high headed actress trying make a comeback into films by acting in one of the not-so-great Indian movie. Her acting is real Sad complimented by the worse dialogue delivery. OverAll: i would not recommend anyone to watch this movie Still want to watch: Then try watching it at home, when some TV channel airs it, believe me it would be fun as this movie would not get a Single advertisement and no sponsors. And better carry a aspirin, u might need it if you cant find a remote control to change channel ! p.s. I have no clue, if the other reviewers even watched the movie ? i did and wasted my $10 on the ticket ! | 0neg
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] |
How come I've never seen or even heard about this junk-movie before? It's right up my alley with bloody teenkill, laughable plotting and an irresistible 80's cheese-atmosphere hanging around it. For some reason nobody is really interested in, the staff and students of an elite Catholic university are butchered by an unknown psychopath. Freshly recruited teacher Julie Parker becomes involved when all the people she has contact with either turn up dead or behave strangely. This movie is hilariously bad! There's absolutely no logic or coherence and every character is equally meaningless to the others. For example, there's a girl killed and her body dumped in a container. Then, and for no reason, the story suddenly moves forward three weeks yet the murdered girl is never mentioned or even missed. Not even by her boyfriend! The acting is pitiful and there isn't even a bit of nudity to enjoy. The revelation of the killer is quite funny because the makers really seemed convinced that it was an original twist... It's not, guys! "Splatter University" is easily one of the worst horror-turkeys ever. | 0neg
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] |
I worship Cassavetes. While Coppola does mood and message, DePalma spectacle and effect, and Scorcese place and psychology, Cassavetes is all about the character, and nowhere do you see that more than in Killing. Cosmo Vitelli, strip club owner, is deep in debt and in danger of losing his beloved club. So to even things out with the Mob, he must bump off an important bookie, who happens to be Chinese. The plot isn't too intriguing, but Cosmo is. One of the most understated of Cassavetes' main characters (compared with the more involving Myrtle Gordon, Mabel Longhetti, and of course Gloria) Cosmo is a guy who's gone through life treating his emotions as secondary. They've rusted in the closet from being aired so little, and the Cosmo we meet at the beginning is selfish, sardonic, and closed off. When he kills the bookie (can you believe it!? the bookie dies!) he is horrified at what he's done and awkwardly handles being horrified in itself. By the very end he's still quiet, introspective and closed, but we get the feeling he's taken a look at his life and how he goes through it, and he's less than satisfied. It's some of the most subtle character development I've seen, and Ben Gazzara does a fantastic job as Cosmo. One of the signatures of Cassavetes' films is that they reach the climax, and then go on about another hour before ending. It's like life - things happen, but it doesn't stop there...life keeps trundling along, and we're expected to deal with what happens and keep up with the rest of the world. Some real-world surrealism qua 'artistic' strip club shows round everything off perfectly. Watching Cassavetes makes you a little nervous, because you know that if the lead actor is off, everything's going to be horrible. Thank God, the man really knows how to pick actors. | -1no label
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] |
A wolf becomes man to seduce and kill female victims in Allariz. Romasanta(Julian Sands)goes on record in front of a jury of his peers and the court proclaiming himself a werewolf. Almost all of Romasanta's conquests were not of anything remotely human until he falls in love with Bárbara(Elsa Pataky, a stunning beauty), the sister of his wife and mute child. When Romasanta kills his wife, María(Maru Valdivielso)and mute child Teresa(Luna McGill), Bárbara seeks him out after being seduced herself by him. Joining forces with DA Bastida(Bary Piquer)they are on the hunt to find him before more and more lives are taken by the wolf. With help by Antonio(John Sharian), someone bitten and controlled by Romasanta, they might just be able to find him. Professor Philips(David Grant is a persuasive doctor who proclaims that Romasanta is not responsible for the killer impulses the wolf brings out. Handsome production and great photography help the flick which doesn't produce the goods in werewolf transformations, instead opting for being a historical document on a serial killer stating on record he is a werewolf who can not help but kill when the beast comes out to play. The acting is adequate and there are a few brief moments of violence, but many viewers wanting a full-fledged creature feature with gory attacks will be disappointed, perhaps even bored. But, the film is well made and visually sumptuous. Just don't expect blood and guts. | -1no label
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Wow...I'm in amazement that there are people comparing Sticky to Snipes, that's like comparing the best 5 star hotel to sleeping in a dumpster. Sticky couldn't act, he couldn't fight, he showed no emotions, the guys not an actor, he's horrible, and the worst choice I can think of to play Blade and take over that role from Snipes. As for the show, why was it called Blade, it should have been called the Jill Wagner show as her storyline was the main theme, not Blades. Bad call number 2 for the show. And lets not forget how they took everything from the movies, tossed them aside, and just did whatever they wanted to with the stories and such. You don't base a TV series on a very well liked movie franchise and then crap all over what the movies have done and shown. I'm very happy this show was axed, maybe if this happened more often instead of people just accepting crap Hollywood would get the message and put out some decent stuff. | -1no label
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I've been on a bad run of films. This is a clinker about an arson plot and a psychopath. Tom Skerrit, whom I really enjoy, was pretty young here. He is a builder with a passion, but he has a partner whose profit motive includes over-insuring and burning. Into the mix comes an agent, who is drowned, his daughter, and her nut-case boyfriend. James Mason plays the insurance investigator. Any idiot, given a little warning, would know something was rotten in the nation of Australia. Still, they bumble their way. The most interesting thing to me was that the huge hotel that was going to be built, never got beyond being a bunch of sticks. Low budget, I guess. The plot could have been interesting. Maybe they should have hired a film editor (the did?). Half the time you don't know where the characters are, but I guarantee a five million dollar payoff would have probably made a close watch on the structure mandatory. It doesn't work. Although there is lots of neat fire. | 0neg
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] |
This movie "Magnifico" is one of the most extraordinary films of all-time and it's worth watching in a lifetime! There maybe a lot of sad stuff on this film, but hey: film is set to poverty. Jiro Manio's character (as Magnifico) is one of the amazing characters on this film even though his character is the lead of this film. It has shown that his character has been responsible for his family and care, and it has made the audiences surprised. I'd say, Jiro Manio - Even though his a kid, he has played a very tough roll on this film but he act very awesome and his took parts very well. This movie can be really sad to watch but this shows the life of people in poverty and what's the people like in the province in the Philippines. There are no negatives about this film, and there are no conflicts etc. This is the only drama movie that was made as the best and the extraordinary film that was made in the Philippines. This movie has also been the best picture in other Film Festivals as well. I'd say, this movie is a 10/10 even though it's a really sad film to watch. But this is something to watch and this is something that no one has seen the best that was created in the Philippines. | -1no label
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] |
I really enjoyed this both times I watched it. And both times, I walked away thinking about it, and the "morals of the story" a great deal. I agree with another reviewer in that the movie is not centred around the sci-fi aspects you might expect from an alien-on-Earth movie, but rather is about the human condition. The characters in the psych hospital provide a great insight in to that, and how they go from hopelessness to hope. This movie has touches of sadness to humour to sympathy to the final "is he or isn't he". That final question was well handled and even though some might argue you don't know what happens in the end and the question goes unanswered, I feel it is done in far more detail than something wishywashy like say, the movie Ronin (with Robert De Niro) where you never find out what's in the box and feel very frustrated because of it. I highly recommend K-PAX. 8/10 | 1pos
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] |
An airplane transporting some scientists and a prototype of a DNA machine, a powerful and revolutionary invent, fall in a jungle in Pacific. The insurance company sponsors a rescue expedition, commanded by Harlan Knowles (Lance Henriksen), the owner of a huge corporation, which owns the prototype, and father of one of the scientist. There, the group finds the rests of the plane five miles far from the expected location and the machine and the remains of the persons. Further, they realize that a Sasquatch, a kind of Big Foot, is chasing them. This movie is so ridiculous that I do not know what I am doing, spending my time again in this garbage. The direction is awful, the actors and the lines are horrible, copying parts of `The Predator' and even `The Blair Witch Project'. To summarize how bad this movie is, its best scene is when Marla Lawson, the character of Andrea Roth, is wounded, and the guide of the expedition says that she needs to have an injection of tetanus vaccine. Andrea undresses her jeans, and the guide says: 'Nice butts, but the shot needs to be in your arm'. Ridiculous! My vote is two. Title (Brazil): `Sasquatch, O Abominável' (`Sasquatch, The Abominable') | 0neg
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] |
The fact that a movie on this topic was made is admirable. I found the opening quarter a little rough (editing, footage choice), and had to overlook some exaggerations and oversights. But in terms of weaving a consistent message with data, dialog, music, and both historical and current video - hauntingly amazing. Whether you believe that message or its implications ... well, that's up to you ... and the movie leaves it at that. Although not directly comparable to An Inconvenient Truth, I'm sure viewers who liked one will like the other. If An Inconvenient Truth was about humanity's reach exceeding its grasp, then this movie is about humanity's reach falling short of its presumption. Sure there are alternatives. I'd watch a video of someone working out the environmental consequences of using coal gas, the political consequences of fighting for oil, or the economic consequences (a measure of ability) of developing nuclear, wind, and solar power. I guess I'd rather believe I have an empty tank and conserve than think I have a full tank and burn - even if the truth is the other way around. I think it makes me a better person for trying, and in my opinion provides a better opportunity to explore the alternatives. Call it inspiration through pessimism. If people continue to burn ridiculous amounts of fuel in a frivolous manner, out of convenience or perhaps poorly planned necessity, shame on us. Since, I'm no better than the average North American on this issue, I'm afraid that this is a lesson we'll all have to learn the hard way. | -1no label
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] |
Man, I had my doubts. I love Kathy Bates, but I thought, how good can this be, I had never even heard of this thing...! You know, it was one of those things, we gave it "20 minutes and we'll turn it off if it sucks" and we were locked in from the get-go. This is a very winsome, fun movie. It's quirky, you know? I mean, you've got a lounge singer, a murderer (and a believable one), you have farce, then Kathy Bates in all her acting splendor, Rupert Everett finally acting to his real potential, Dan Ackroyd, and a dwarf that will make you laugh out loud. I tell ya, you'll laugh/you'll cry. Maybe I had a weird week, but I think this film is on the level of Fried Green Tomatoes. If you don't like that movie, maybe you won't like this, but I think it was a great movie. I went out and bought the DVD. | 1pos
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] |
I was very disappointed with this film. I cannot understand why anyone would complain about the complexity of the plot. Compared to an average episode of the TV show, the story was simple, meaning that one action follows the other, and nothing really unexpected happens. In other words: it is very constructed, and you can sense it. For example, the way in the terminal room is MUCH too easy, I think in a TV episode the writer would have invented much more "tricks". The thing that might make the film hard to understand may be the way how the simple story is told... In addition to that, some scenes are so illogical that they are already silly, for example the helicopter in the tunnel, not to mention the often criticized fact of making an arch villain out of Jim or the stereotypic dialogues. I will not spend a cent for watching part 2... | -1no label
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] |
I loved this movie!!! My father is Tongan and my mother is Samoan (the first island Elder Groberg landed at the beginning of his journey). Even though I was born and raised here in the US, I have been exposed to my Polynesian roots and love and embrace both cultures of who I am (Polynesian side and American side). I have to say that my family and I LOVED this movie. It is refreshing to watch a beautiful movie without all the sex, violence and vulgar material that permeates our society today. This movie is about True Love on so many levels - the love between Elder Groberg and his future bride Jean, the love between the Tongan people and Elder Groberg and the love between Our Lord and his children. No, I'm not Mormon, I'm actually an Assembly of God Christian, however that does not overshadow my appreciation for this movie. The depiction of the people of Tonga is accurate. They are a lighthearted and loving group of people who love to laugh and find joy in the simple things of life. They are all about respect and honoring one's family. The scene of the first funeral brought back memories for me as it illustrated exactly how these kind people handle the departing of a loved one. When my dear Grandmother Siu passed away in 1994, my family and I traveled back to Vava'u (an island within the Kingdom of Tonga) to lay her to rest. The unmasked grief and crying as depicted in the movie was exactly how my grandmother's funeral was. The crying and grieving took place for 1 full day (24 hours - day and night) while different groups of people from all the villages on the island, came to pay their last respects. Hats off to Disney for going out on a limb to bring the story of one young man's journey of faith and trials and tribulations of his mission to the big screen! Well done! | -1no label
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] |
One of his least known, but definitely one of his best, Charlie Chaplin's The Circus is a moving and very funny film about the famous Tramp who joins a circus and brings love and joy to all around him. Of course, it is much more than that as we witness some incredible stunts by the versatile Chaplin, as well as some great camera work that was undoubtedly way ahead of its time. Perhaps simply because it is in black and white, or it is without dialog it is a sad truth that great auteurs such as Chaplin and Buster Keaton have been mostly forgotten by today's moviegoers. For this reason, I find it very important to continue to support their work and look for further and deeper truths. What can be gleaned from this is astonishing. There is so much sadness, joy, anger, and fear lurking at the surface it takes multiple views to catch it all. What Chaplin does with this simple story, his incredible array of stunts and comedic situations, and that memorable little Tramp make for one of the greatest of all silent films; one worthy enough to be mentioned with City Lights, The Gold Rush and the other Chaplin classics. Even more than that, it is a memorable event to watch this unfold; one to always think of and cherish for always. | -1no label
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] |
I am the type of person that stays away from watching previews and reading any form of critique before entering a cinema. The only thing I knew about this film was that Roberto Benigni, Italy's Jerry Lewis, wrote, directed and acted in it. The first half of the film blew me away! It was very funny and life was beautiful! Then out of nowhere Jews are persecuted, people get sent to concentration camps and Mr Benigni becomes annoying. I didn't know who I wanted to slap out first, Him or his cutesy little son who never got dirty inside a supposed harsh and un-human environment of a concentration camp. For that fact, his wife still looked a little too pretty to me with that heavy make-up, which did not resemble any sedimentary cosmetics produced by mother earth. Many historical questions must be raised when dealing with something so historical such as a holocaust. Where was the over-crowding? Why was everyone so clean? Why did everyone look like they ate three square meals a day? Why were the Germans portrayed as if they came from an episode of 'Hogans Hero's'? On and on.. If anyone noticed, this film relied on two major sets where at least 80% of action occured. The first half was set around the town square. Then to make an ALLEGORY of the second half, we have the concentration camp square. Forget other smart semiotics such as ANALOGY and METAPHOR'S to answer the cheapness and un-imaginable use of locations question. 'Schindlers List' comes to mind as to what this film had wanted to be. Do we have to applaud this film because it is a foreign film (read: 'Art-house cinema') or do we praise the film for dealing with the holocaust issue. I say foreign film-makers make as many bad films, or even more, than the ones that come out of Hollywood. And this life was beautifully stupid! | -1no label
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] |
This has to be the worst, and I mean worst biker movie ever made! And that's saying a lot because the line of stinkers is long and smelly! Now at least we know what happened to Ginger after she was rescued from Gilligan's Island! A frightened looking Tina Louise(she was probably afraid someone would see this mess!)is a stranded motorist who is tormented by the most repulsive motorcycle gang in film history. But, don't worry fans! Batman, I mean Adam West as a hick-town doctor comes to the rescue! Pow! Crush! Boom! Holy Toledo Batman! The only good points of this "bomb" are some cute women, some laughable fight scenes, and the still "sexy" Tina Louise! | 0neg
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] |
Michael Dudikoff stars as Mac, a Vietnam vet(Isn't Mikey Dudikoff too young to be a Vietnam vet?) who is blackmailed by a high school nerd(Dorff) to help track down the kidnapped girl of his dreams (Ami Dolenz) in this low budget effort. I remember actually seeing previews for this on late night TV, naturally this didn't do all that well in theaters. I think the problem is that Rescue Me often times feels like a sitcom rather than an action/comedy. There are some moments between Dudikoff and Dorff but mainly any depth is betrayed by the mindless antics here. *1/2 out of 4-(Poor) | -1no label
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] |
Gene Kelly and Fred Astaire introduce more wonderful numbers from MGM musicals. This time drama and comedy clips have been added. OK--there was no way this could be as good as Part 1. Most of the good material had been used there already. Also Astaire and Kelly were given some dreadful new lyrics to classic songs to sing and their introductions to segments were just terrible. It was NOT a good idea to have them dancing either. And I could have lived without the travelogue of Paris. Still, there's plenty of incredible material here. Among the highlights: Wonderful opening credits (done by Saul Bass); Eleanor Powell tap-dancing; Greta Grabo dancing (!!); Robert Taylor singing (!!!); the Marx Brothers stateroom sequence from "A Night at the Opera" (unfortunately edited); From This Moments On from "Kiss Me Kate"; early Bing Crosby; Abbott & Costello; Tales from the Vienna Woods (which is actually pretty funny); Judy Garland singing "Have Yourself A Merry Little Christmas"; clips of dramatic and comedic stars; the I'll Build A Stairway to Paradise number; Bobby Van from "Small Town Girl"; etc etc. The clips are put together without rhyme or reason--but that helps. You never know what's coming next. Worth catching but try to see the first one too. | -1no label
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Charleton Heston wore one, James Franciscus wore one but Mark Wahlberg opts not to don the traditional loin cloth. I hope no one casts him as Tarzan. Linda Harrison wore a bikini in the first 2 Planet movies but Estrella Warren barely shows cleavage - her hair is always in the way. Tim Burton could have sexed up this simian saga & given the adults in the audience something to look at. Even the chaste Helena Bonham Carter never gets out of her costume which looks like a large curtain. She's cute but all the the love stuff is restricted to anxious looks & a little bitty kiss at the end. As in Artificial Intelligence which discusses inter species sex between robots & humans but never delivers - Planet of the Apes hints at inter species romance between the humans & the apes but only hints. Lisa Marie is the only ape that dares to be sexy. This movie has three great actors Tim Roth, Ms. Carter & Paul Giamatti chewing up the scenery as a trio of apes & they are fun to watch. Superlative make up (a certain Oscar) costumes, sets, music make this the hit summer movie of 2001. | 1pos
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] |
OK, so in any Wile E. Coyote-Road Runner cartoons, we know that WEC is going to set up all sorts of traps for RR, but always maim himself in various ways. That certainly happens in "Beep, Beep". Predictable? I guess that it is, but when you think about it, these cartoons show how the more you try to harm someone else, the more you get harmed; sort of like how Daffy Duck always tries to undermine Bugs Bunny's integrity but Bugs sees around it. Overall, this is another classic from the Termite Terrace crowd. Sometimes, I think that if we really had wanted to ease Cold War tensions, we could have just let the Soviet Union see Looney Tunes cartoons; I'm sure that they would have loved them. Another great one. PS: I learned on "Jeopardy!" that Wile E. Coyote's middle name is Ethelbert. | 1pos
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I've read other hacks' reviews of this movie, and while it certainly isn't the best movie ever made in the sci-fi / horror genre, it isn't THAT bad if you accept it for what it is - low-budget, b-movie fare that (shall we say) "borrows heavily" from the likes of 'Alien' (nasty extraterrestrial monster that cocoons its victims) 'Species' (gorgeous and confused "space girl") and 'Incubus' (the beastie-breeding-with-captive-girls angle). This is one seriously cheesy movie, and the whole thing was obviously done on a shoestring budget, although the alien isn't too bad (I've seen far less convincing men-in-rubber-suits at any rate). None of the acting is Oscar material and the Isle Of Man doesn't really double for Boston Massachussetts very convincingly. The plot is fairly predictable too and the premise that an alien craft would travel squillions of miles and crash land smack bang in the middle of an all-girls college campus - thus conveniently providing a rich source of perfect breeding victims - is utterly laughable. However, the movie does have its suspenseful moments, there's a few helpings of nudity and semi-nudity and the film does feature one of the few movie appearances by the beautiful and tragic model / actress Kadamba Simmons (as the "Space Girl") who, at the age of only 24, was murdered in London by her jealous boyfriend shortly after making this film. | 0neg
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] |
It turned out to be a mess. "Death By Dialogue" is your typical low budget direct to video crap that is produced after someone's fame. The movie's tag line shown in the cover is "Staring Ken Sagoes, the survivor from "A Nightmare On Elm Street Part III". Sagoes character, Roland Kincaid became an instant favorite on the Elm Stree series and it's very lame to cast him only because of that and worse, make publicity on him. Anyways, "Death By Dialogue" is a joke. There's involuntary humor, cheesy (I mean CHEESY) f/x and boring situations that could desperate the most patient Horror fan. This isn't a must see even to criticize or laugh about. Please, stay away from this trash and don't get fooled by the cover art or the premise, which is as dumb as you can get. Ugh. | -1no label
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] |
Cary Grant and Rosalind Russell make great sparring partners in "His Girl Friday," a remake of "The Front Page." Grant plays the conniving newspaper publisher Walter Johnson, and Rosalind Russell is the reporter Hildy Johnson, a woman this time, and Johnson's ex-wife. She's trying to get remarried, move to Albany, and quit the newspaper business, but Walter can't bear it. He cons her into helping out with a controversial death row case and then makes sure her fiancée (Ralph Bellamy) suffers a series of mishaps - arrest for stealing a watch, arrest for "mashing," arrest for counterfeiting, and the theft of his wallet. This all happens while Hildy interviews Earl Williams, a man due to be hung the next day... and then hides him in a roll-top desk in the courthouse press room when he escapes during a psychiatric evaluation. It's madcap, all right, and there are no two better people to carry it off than Grant and Russell, who make a great team. It's a hilarious story, with the most rapid-fire, non-stop dialog ever heard anywhere, often with several conversations going on at once. It's exhausting trying to keep up with it. Strangely, without computers and cell phones, the story of journalists working on a story holds up because the emotions and activities are realistic and still go on. It's as Hildy describes - no set schedule, no normal meals, and long hours. Nothing much has changed. This is a frenetic comedy, and while the impending hanging of Earl Williams is certainly serious, this plot is more of an excuse to observe the machinations of Hildy and Walter - it's a subplot, though it drives the main story. "The Front Page" is a favorite of Hollywood's, remade many times - three versions under its original title, a TV series, two TV productions, plus the film "Switching Channels." And of course, "His Girl Friday," possibly the best of all of them. | -1no label
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At first it was good, but then it got boring. I really loved the burlesque show. It was so great. I wish there were still shows like this now. Men getting turned on by girls in big feathered hats and sequin leotards jumping around with big grins on their faces seem a little less threatening than those who want genitals of women they've never met before shoved in their faces. Sorry to be so graphic, but the movie makes you realize how drastically sex shows have changed. That is really the main part of the movie that caught my attention. The film does have valid points about how you shouldn't have a kid if you have syphilis. And you shouldn't have sex if you have it either. However, the whole idea of someone with this disease being forbid by their doctor to get married seemed a little strange to me. Plus the main woman was in cloud nine the whole as if the whole world was either completely wonderful or completely horrible. I also thought the point about the "quacks" was interesting because it's harder today to figure out if a doctor is a quack since we have such a high rate of suing for malpractice. A doctor today might push some unnecessary pills on you so that s/he will get some money from the drug company, but they would never go so far as to guarantee you are cured of syphilis and can now freely have sex with people when you actually weren't cured at all. That's just bogus. I'm glad that doesn't happen anymore. Watch this movie to see how drastically times have changed but also to educate yourself about this disease. It's the only thing that hasn't changed. | -1no label
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] |
Louis Malle is one of the late geniuses of film. "Pretty Baby" is one of his most beautiful achievements. Telling the story of a lonely photographer's obsession with a precocious twelve-year old prostitute named Violet(Brooke Shields) in New Orleans early in the century. The photographer (Keith Carradine) eventually allows Violet to move in with him, and then marries her. In a wonderful scene, Carradine buys Violet a baby doll. She is thrilled, but then asks why he bought her a doll. "Every child should have a doll" he replies. Shields reaction is perfect, she is angered that he still thinks of her as a child, but cannot help but play with the doll in the very next scene. Shields hits all the right notes here. She goes from sexy and alluring, to childish and innocent with a snobbish pout. She is charmingly free-spirited from being raised in a brothel, and often appears totally naked in front of strange men many times her age. Prostitution is all that she knows, and Malle does not shy away from it. This film was largely shunned when it was first released. It seems, having read some of the other comments here, that the trend continues. This is a mature film, for mature minds. See it and enjoy. | -1no label
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] |
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