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This is, well, a silly movie. The script is terrible, even if you look at it as a movie for kids. And that's another thing -- it's geared towards kids, and yet I'm not sure this is a movie I'd show to kids. It's extremely violent and concerns a highly traumatic situation involving young children -- not to mention that the hero is a juvenile delinquent (NOT the misunderstood kind) who wins out by playing all sorts of illegal tricks. In fact, his actions are very much glorified by the fact that he can "mastermind" the "real" criminals, as well as by his constant, triumphant little asides. Oh -- and if you're only interested in this movie because you're a Vincent Kartheiser fan, don't bother. This is not what I'd call one of his best performances. | -1no label
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Let me clarify that. This is not a "good movie", but I am so glad it is out there, I am so glad I saw it, and for the role that it plays in my DVD collection, it is sublime. It is the ultimate PG-13 romp, it is college as we imagine it will be when we're freshmen in high school, it requires so much suspension of disbelief that it may as well be taking place on Mars. It is so wholesome that even when it tries to be dirty it wouldn't make your grandmother uncomfortable. Watching it requires so little sophistication, (in fact, thinking too hard about what's happening will get in the way of your appreciation of this work), it makes me feel like I'm 12 again. And that kind of experience is worth more than $9.99. | 1pos
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] |
I really enjoyed this old black and white talkie. At first I didn't recognize Harold Lloyd as Mr. Cobb, a missionary to China coming home to find a wife. There were many twists and turns in Mr. Cobb's attempts to clean up city hall. His methods of making the punishment fit the crime would likely be illegal, but this is not a movie based on reality. This would be a perfect movie for children except that there is female near nudity (pasties only on Grace Bradley)! The old telephones are enchanting. The only fault is a problem typical of the day - Caucasians are used to represent Chinese men. This is offset by the positive way the Chinese are portrayed. They are the wise, good and friendly guys. Trivia - a Bekins truck appears in the movie when the police run out of Black Marias. | 1pos
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] |
This movie is so charming and beautiful I could be speaking hours about it. As always in Barcelon, Spain, we were looking for hours in Pakistan supermarkets until we found a spectacular pirate copy in widescreen and glorious sound.Indians are decidedly devoted not to show their movies in Spain as they premiere us to buy this movies in pirate copies and don't giving us the rights for distribution here. The Pakistan people can't understand why we prefer the copies in widescreen! The music is astonishing and the only problem with the movie is that it has only two real musical numbers.As always, all the actors are superb but specially mention to Akshaye Khanna, who is not a superstar but his acting in this movie is spellbound. Also the girl who makes the "mature" girl who drunks makes a great job.This movie attacks completely to your heart! | -1no label
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Pretty. Pretty actresses and actors. Pretty bad script. Pretty frequent "let's strip to our undies" scenes. Pretty fair F/X. Pretty jarring location decisions (the college dorm room looks like a high-end hotel room - probably because it was shot at a hotel). Pretty bland storyline. Pretty awful dialog. Pretty locations. Pretty annoying editing, unless you like the music video flash-cut style. This one isn't a guilty pleasure - this is more an embarrassing one. If you must watch this, pick a good dance/techno album and turn the sound off on the movie - you'll see the pretty people in their pretty black undies, and probably follow the story just fine. The cast may be able to act - I doubt that anyone could look skilled given the lines/plot that they had to deal with. | 0neg
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] |
I've grown up wanting to play other people... to slip into their lives and see how they're different-- and similar-- to myself. I didn't actually get involved in pen-and-paper RPG's until I graduated from college, and haven't found many computer or console games that have been of any interest to me... That is, until I played one of the Final Fantasy games. The first game I played was FFVI (which was, what, III in Japan?) and I was hooked. I loved the characters, and I was annoyed when the couples at the end didn't work out the way I wanted them to. ;) But I loved the way everything meshed together, and it wasn't simply a matter of running from point a to point b and beating up anything that got in your way. Then I started playing FF8, and I was completely blown away. Just the opening graphics stunned me, and I hadn't even *started* the game itself yet. I haven't quite finished the game yet (I started over 'cause I got confused over an aspect of the Guardian Forces, so I got to a battle that was impossible for me to win, and I couldn't get away from it.) but I've made it through 3/4 of it, and all I can say is that I've *NEVER* seen a video game that made me cry... but this one accomplished it. I look at the game as an outsider to the industry... I hate the fighting games where you do nothing but face off against an opponent in the ring. I see no point to them. The run-around-with-big-guns-and-blow-things-up games do nothing for me either. I like the games that are more like puzzles and that make you think about what you're doing (like Tetris, Mah Jong, things like that). However, FF8 gets the highest rating I can give a game, because I find it fascinating and beautifully made. Others who have played bazillions of other games find things wrong with FF8 left and right, because it's different from what they're used to... Since I went into it with an open mind of sorts, however, all I can see is the overpowering beauty and emotion of the characters, animation, and design. | -1no label
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Kevin Kline and Meg Ryan are among that class of actors which I am always interested in seeing, despite reviews. I have always found Ms. Ryan to be a charming and winsome actress in nearly all her roles, and Kevin Kline is almost always worth watching. I say "nearly" and "almost" in large part because of this movie. First off, Meg Ryan does not play a likeable character, she plays a weak-willed whiner who begins grating on your nerves shortly after the opening credits and doesn't give up until several days later. That said, Kevin Kline's character is even more annoying and less likeable. So, even if you normally like these two actors, I recommend your give this movie a pass. | 0neg
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The entire series, not just The Blue Planet, is nothing short of amazing. The best nature series we have ever seen. The episode on the deep is like traveling to outer space! We have watched this with our 10 and 7 year old boys and all four of us have not been able to pull away. We read a negative comment on this and could not believe it. There is so much new information that we never learned in school. Its also the best view we have seen from any television or movie into the delicate balance of our earth's eco-system. The amount of time and effort put into capturing these shots is very much apparent when you sit down and watch this series. A must see for everyone. | 1pos
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] |
Don't listen to most of these people. ill give you a better review of this movie which me and my friend love! Its about Jill Johnson, played by Camilla Belle, who babysits at the Mendrakis' house and someone breaks in. if you're wondering how he got in the house, he went through the garage most likely. so anyway, don't listen to, "the worst acting". it has amazing acting. with a great story. I think that there are 2 benefits that Jill has. 1. shes a fast runner and is on the track team. 2.she got out alive! lol. it is a cool movie and quite scary. check it out, you will be happy with this masterpiece. don't listen to the other people on the site. its very good. trust me, i am good at reviewing movies. I'm a future movie critic. i totally want to buy this movie. and you will too when you see it. it is amazingly awesome. | 1pos
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] |
I was at some of the filming of this movie (in Wilmington, NC)and it was great. I was also involved in the investigation of this crime. People always want to know if the book (made first) and the movie are as what actually happened. My answer is that both are Very Close to the actual facts in the matter. There are some minor differences between the book and the movie but nothing of any value that would drastically change anything. If you have seen the movie - get the book and read it. The book has some of the trial of Dr. Taylor and the movie covers almost nothing of the trial. A forensic pathologist (Doctor)testified at the trial - and the same Dr. testified in OJ's trial. Questions? Let me know. Bob | -1no label
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] |
Gregory's Girl is a forerunner of films like Napoleon Dynamite and 40 Year Old Virgin and subtle like the former, not obvious like the latter. If you were ever an innocent adolescent and can recall your first infatuation with a girl with a wry smile, then this will make you laugh at yourself and cry at the same time - what more can you ask from a film? I can still remember the cinema, the seat, the friends I first saw this film with - myself British and a friend Ausralian, both weeping with laughter as we recognised ourselves in that gawky Scottish lad, and his hilarious younger sister. Bill Forsyth went on to the film "Local Hero", which is also right up there with the greats in my scoring. He made films about real people and all our idiosyncrasies, and made me feel and enjoy at the same time. Favourite scene follows favourite scene - when Gregory walks in front of a car, his father is the driving instructor, when Gregory lies on the ground with "not" Gregory's Girl, held onto the surface of the earth by "the mysterious force of gravity", the boys out taking photos of a nurse undressing using so many elephants at F8, Gregory spraying deodorant onto his shirt, his friend the expert chef, etc. I guess many Americans find the Scottish language incomprehensible - so put on the subtitles! I can understand and enjoy Napoleon - you can enjoy Gregory! | -1no label
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] |
The Violent Men is a good western. Perhaps the story is not an original one -big ranch owner dedicated to run out small competitors out of a valley he needs for his increasing cattle- but the film has many ingredients that raises its level and makes it worth seeing. The cast is a highlight. There's the reliable Glenn Ford (John Parrish) as a former army officer and now one of the small ranchers, who tries to stay out of troubles until he is pushed to hard. Edward Robinson (Lew Wilkinson) is as good as always as the crippled big man and Barbara Stanwyck (Martha) plays his treacherous wife in one of her usual mean woman roles she deals with easily (others were in "Double Indemnity" and "Blowing Wild). Brian Keith (Cole) does it perfectly as Robinson's gunman brother, an ambitious man trying to take over his brother's big ranch no matter what. Regular 50's westerns villain Richard Jaeckel (Wade Mattlock) is there too and ends as usual (no surprise there). Dianne Foster (Judith Wilkinson) plays Robinson's daughter who does not approve his father, mother and uncle's way of handling things with their neighbors. Rudolph Mate brings a standard but acceptable direction, perhaps helped by beautiful and wide open scenery and a fine and appropriate music score helps too. The inevitable final showdown between Ford and Keith is one of the best in western movies. Each man in his own dueling style (notice Ford's shooting with his straight arm and aiming at its target in the military way) settle their differences then and once and for all. This is for sure one of Glenn Ford's best western appearances, second only to the classic "3:10 to Yuma" he made two years later. It's probably the cast that puts the film as an "A" rate and, as for me, it enters the top 10 list of the genre. | 1pos
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] |
What the hell is going on in this movie? Apparently, someone forgot that there can only be one. Both versions, theatrical and "renegade", suck. Now, the renegade version does suck slightly less. The other world plot line is abandoned, thank God, but the main problem is still there. You have to assume that God or whatever force has some rule over this world and you can't just have someone get "the prize" if they aren't "the one". So what the hell was supposed to have happened at the end of the first film? False alarm? The improved Renegade version has the new immortals coming from the future. Yay, I care. The only thing worth watching is Michael Ironside. No one does wide eyed crazy quite like him and this is his field day. | -1no label
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] |
My mom would not let me watch this film when I was in grade 2, because she said it was too violent. Well, years later, and the only reason I remember this film is because of my mom, I stayed up and watch it on PBS. Well, maybe the build up after all these year lead to the big disapointment of this film, but I found it lame. It did not age well, and this made the acting choppy, huge unbelievable holes in the script, but there is a few cool scenes like car chases, and a big gun fight. I will not stay up for this film again. | 0neg
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] |
Some films just simply should not be remade. This is one of them. In and of itself it is not a bad film. But it fails to capture the flavor and the terror of the 1963 film of the same title. Liam Neeson was excellent as he always is, and most of the cast holds up, with the exception of Owen Wilson, who just did not bring the right feel to the character of Luke. But the major fault with this version is that it strayed too far from the Shirley Jackson story in it's attempts to be grandiose and lost some of the thrill of the earlier film in a trade off for snazzier special effects. Again I will say that in and of itself it is not a bad film. But you will enjoy the friction of terror in the older version much more. | 1pos
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] |
Check out the other reviews, folks. Overwhelmingly positive, with the occasional know-it-all, "no-that-don't-impress-me-much" imbeciles here and there. This movie was a GREAT low-budget flick. Dirty, grimy feel, unforgiving, bleak urban landscape and an ending which follows through 100% without any retarded "surprises." I thought the first quarter of the film was moving a bit slow but, boy, did it ever make up for it. Despite this being a horror movie, it's not all about the gore. The virus is in fact a metaphor for greed, as it arrives at the same time as a development corporation is evicting lower income Bronx tenants via "emiment domain." The only thing that bothered me is the female character--the daughter of the protagonist--who is returning home after having, presumably, served in Iraq, complete with a scar on the left side of her face. I suppose this is to indicate that "women are capable of being soldiers too" and, not only that, but, "Look! she even got a war injury! What a hero!" Am I suppose to get all misty-eyed and pretend I'm so happy that "women today have the chance to become veterans, too"? Give me a break. It reminds me of that other mush-brained feminazi reading of the recent remake (an abomination like all remakes have been in the past ten years) of 'The Hitcher.' Keep your lefty, liberal propaganda to yourselves for once, people. Geez. Anyway, this is a minor quip. The female "soldier's" character was very understated in its "feminist" intend. Anyone who enjoys good horror should watch this film. These folks deserve all the praise they get. | -1no label
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While it is not a complete ripoff of the Hollywood blockbuster from Farrelly brothers (There is Something about Mary), it is largely based on it. The whole Ompuri/Magic formula angle does not work and is totally unnecessary. However the biggest annoyance is Vivek Oberoi popping in and out at the narrator (played by the Farrelly brothers themselves in the original). Similar material would have been gold in Priyadarshan's hand. Akshay and Paresh Rawal are the only performers of any notice in the movie, rest of the cast is poor to average in terms of performance. Shahid Kapur was particularly disappointing playing the role Ben Stiller played in the original, no laughs for him at all!! Anu Malik is no longer the music director he once was a decade or so ago, he has not delivered a knockout soundtrack in ages. Overall it might be best to re-watch the original; a definite miss for everyone who is not a hard-core Akshay Kumar/Paresh Rawal comedy fan. | -1no label
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] |
Greetings again from the darkness. What ever happened to the great Barry Levinson? He directed two of my all-time favorites in "Avalon" and "Diner". He had some fine movies as well ("Rainman"), but always provided something of interest ... until now. I believe the worst thing you can ever say about a comedy is that it is boring. "Envy" is the definition of boring. Never of big fan of pure slap stick ("Dumb and Dumber"), I was just stunned at how god-awful this movie is. There are maybe 2 chuckles in the whole thing - if you can pay attention that long. The best part of the film is the running gag of the title song by a Redbone sound-alike. If the film had been written as well as the song, it would have been tolerable. Rachel Weisz is a wonderful actress and I realize they all want to do comedy (even Julianne Moore), but the real world exposes one weaknesses. SNL cast member Amy Poehler is her usual over the top in her role as trailer park trash turned princess. The disaster of the film is Jack Black and Ben Stiller. The first work commute together flashes some promise, but after that their chemistry disappears due to the poor script. This script is like most of Jack Black's character's ideas - not a bad thought, but no hope for success. | 0neg
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] |
Adapting plays into cinema is often a bad idea because they're two different mediums . Do you think it's a great idea to make ZULU into a stage play ? Imagine it where two valiant redcoats sit in a tent gasping " Blimey there's thousands of them out there " Great movie and a bad stage play In order for a stage play to make great cinema there's two essentials needed 1) A fine cast that creates on screen chemistry 2 ) Great dialogue On paper Cher and Chazz Palminterri would be a good casting choice but not in these roles . The story revolves around a hit-man played by Palminterri breaking into a house to kill a wife played by Cher with most of the action taking place inside the house . I was unable to take these two characters seriously though perhaps it was the fault of the script which can't decide whether it was trying to be serious or funny . Since the story is very static it's of the utmost importance that the dialogue shines and once again because of the bizarre tone of the screenplay it embarrasses more than anything else with much of the conversation revolving around sex acts . if you want to see a great translation of a stage play transferred to the silver screen give FAITHFUL a miss and watch 12 ANGRY MEN instead | 0neg
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] |
People like this show? Why not just watch "Girls Gone Wild"-- it's just as trashy, the girls are cuter, and it's not full of high-maintenance idiots. College degree?!? What a joke. One girl got a degree in communications (yeah, the same major as all the football players) from some school that nobody has heard of, and the other girl is "taking online classes." I'm rolling on the floor laughing. What else are you going to do with your time in the brothel? And what idiot counted a massage therapist or real estate agent as a college degree? Look, if their CV's were good enough for a real job they wouldn't be prostitutes, and if they were remotely pleasant, tolerable, or intelligent people they could have a hot rich guy who is less than 50 years older than them. | -1no label
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] |
After watching the trailer for this movie, my wife and I were interested in seeing it and jumped at the chance to go to a free, advance screening. During the movie, it kind of felt like the story was going somewhere and even though it was fairly slow, I was interested. Then the movie ended, and it felt like nothing had happened at all. Despite the decent acting and the initial promise of the story line, the ending to the movie just made it feel like we had wasted two hours of our life. My wife also hated the way Rachael McAdams character was written. She said that she thought her character was written to be the stereo-typical sad, unintelligent woman. I wouldn't recommend this movie to anyone, unless you need somewhere to go to take a nap for about 2 hours. | -1no label
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] |
The 221 episodes of "The Lone Ranger" were originally broadcast on ABC from 1949 to 1957; and then for many years they played in local syndication. For most of the original broadcast years the series was ABC's most watched piece of programming. The new DVD set from Pop Flix contains the first 16 episodes (15 Sept-29 Dec 1949) and for some reason unknown to me episode 22 from the fifth season, for a total of 17 episodes (the same 17 available on last year's Mill Creek Entertainment release so these are probably in the public domain). These sets pretty much render "The Legend of the Lone Ranger" movie superfluous as all three episodes that were combined in 1952 to form the movie are included in these releases. The early episodes hark back to radio as there is considerably more voice-over narration used as an introduction and to introduce key plot moments. The series itself was pure kiddie western with clear-cut good and evil distinctions and no romance. The title character (played by Clayton Moore) started out Texas Ranger John Reid. The first three episodes provide the background for his transformation to Lone Ranger status, his partnering with the Indian Tonto (Jay Silverheels), and the taming of his horse "Silver". There is an unambiguous code of positive morality infusing each episode. The Lone Ranger is totally good but he adopts the guise of evil. While a masked man in the west was normally feared by the good citizens and an Indian was distrusted, the Lone Ranger is feared by those who would do evil. One persistent theme is that when the Lone Ranger and Tonto first encounter an average citizen they are greeted with suspicion, and by the end of the episode the citizen has been convinced of their value. The trademark ending was a secondary character asking the question: "who was that masked man?". To really enjoy the series you must accept it for the simplistic morality tale it was intended to be. If you don't take it seriously and keep wishing for some self-reflexive campy parody elements you will only get frustrated. Then again, what do I know? I'm only a child. | 1pos
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] |
Although there were a few rough spots and some plot lines that weren't exactly true to character, this was Classic H:LOTS. The characters, outside of Mike Giardello (Giancarlo Esposito), were true to form, and the reunion scenes of Pembleton (Andre Braugher) and Bayliss (Kyle Secor) were as deep and well acted as anything ever to grace the small screen. "Homicide: The Movie" aka "Life Everlasting" is a fan flick, but stands on its own as well as any 2-hour episode of the series. Fontana, Overmeyer and Yoshimura did a wonderful job in pulling loose ends from 7 seasons and every major cast member of "the best damn show on television" together for the series finale that NBC never bothered to give it. True to "Homicide" form, there were no happy endings, such is life. That's what has always set this show apart from the mindless cookie-cutter cop shows left on television. Kudos to the writers and the cast for creating something over the span of the series and in the movie that challenged television viewers and producers alike. ** I call myself a "Homicidal Maniac" if for no other reason than to keep my co-workers in a cooperative mood. ** | 1pos
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] |
Barbara Stanwyck as Lora Hart is having a little trouble getting a job as a nurse in a big hospital. Seems she needs a high school diploma. That's no problem for Lora, she just shows middle-aged Dr. Bell (Charles Winninger) a little leg and a big smile, and everything is set. She soon becomes chums with another girl with some nice legs of her own, Maloney, played by Joan Blondell. The girls are in nursing school in the hospital, though it looks more like reform school. Be in bed by 10 p.m., no boy friends allowed, and work, work, work. The pace is fast and the interns are hot on the make, but Lora falls for a bootlegger when he shows up for treatment with a bullet in his arm. No problem, we just won't mention that on the medical report. The girls get an outside assignment taking care of some little girls who are slowly being starved to death for insurance money by "Nick", (Clark Gable!) Lora stands up to Nick as only Barbara Stanwyck can when she's steaming mad. No problem for Nick, though, he clocks her a couple of times, (the camera cuts discreetly when Lora takes it on the chin) and down she goes. There's a chiseling doctor Dr. Ranger in on the scheme, a real low-life type wonderfully played by Ralf Harolde, whoever he is. But have no fear, Lora and Maloney will set things right somehow. This outrageous film is highly recommended. A must for Stanwyck and Blondell fans. | -1no label
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] |
Somewhat unusual for a Hitchcock film, I found myself drawn in and actually enjoyed it. I think that probably had all to do with the performance of Charles Laughton as the haughty squire, Sir Humphrey Pengallan. There's no two ways about his wickedness, he's a perfect cad - just catch the way he sizes up Maureen O'Hara's character when she first makes her appearance at his home. And oh, those eyebrows! - you'll marvel at the makeup job that just adds to the extreme of Laughton's over acting. Oh, and one other thing - it's hard to understand what he's saying sometimes, but he's so entertaining in the delivery that you just don't seem to mind so much. The story itself deals with a band of cutthroats, thieves and smugglers on the Cornish Coast of England, while the dark and moody atmosphere of the picture gives it the feel of a pirate film that mostly takes place on land. Laughton's Pengallan is the mastermind that pulls the strings on waylaying ships to their doom on the stormy coastline. Robert Newton appears as the anti-pirate in this one, and after narrowly escaping death at the hands of Joss Merlyn's (Leslie Banks) rowdy bunch, he takes charge to bring Pengallan to his ultimate demise. Here's something to keep an eye out for. After Trehearne (Newton) and Mary (O'Hara) escape from the villains by swimming out to their boat, they wind up seeking refuge at Pengallan's home. While still in his soaking clothes, Trehearne pulls a dry folded piece of paper from his pocket. How'd he do that? As most of the comments on this board suggest, the film deserves a chance, even if it doesn't hold up well for the professional critics. The best way to view it would probably be late at night, with a nice warm brandy to take off the evening chill. A dark and stormy night would do just fine in keeping with the on screen atmosphere. I think Pengallan would agree. | -1no label
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] |
I really liked the idea of traveling between dimensions, and I even liked the Wade/Quinn tension in early episodes. Some of the worlds they created gave the main characters extremely interesting backdrops for their stories. However, as the show went on there were more silly disputes among the friends and less of a true bond. There was less wonder and excitement when they were involved in other worlds and more condescension. And every world had one of the characters falling in love. The writing just got boring and everything was way too over the top. Too bad it would've been nice to have a closely knit band of friends (a la Star Wars) traveling to different dimensions on TV for several years, rather than a tired band of knit pickers. | 0neg
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] |
Supposedly a "social commentary" on racism and prison conditions in the rural South of the 1970's, "Nightmare" is full of bad Southern stereotypes, complete with phoney accents. Not only would it be offensive to the sensibilities of most American Southerners, this tawdry piece of work comes off as just a thinly-disguised "babe in prison" movie--especially in its uncut original version. Nevertheless, acting is generally above average and the late Chuck Connors, in particular, does a good job of making viewers hate him--even though he looks somewhat uncomfortable in several scenes. There's also a change-of-pace role for the late Robert Reed, who appears as the lecherous warden, and Tina Louise (previously Ginger of "Gilligan's Island") made a rather believable sadistic prison guard. My grade: D. | 0neg
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] |
In this funny, moving and magnificent film Ramon Novarro again proves that he was one of the best actors of the silent era. Physically he is more beautiful than any man has a right to be, but his beauty also comes from within because he projects a warmth and humanity that few actors can convey. The film itself is brilliantly directed by W.S. Van Dyke, with a witty and poignant screenplay. It is also quite subversive as the Christian is definitely the bad guy, and a life of pagan lust and laziness is held up as the ideal. And it is all superbly shot in Tahiti. The three other stars are also fine. Donald Crisp is lecherous and loathsome, Dorothy Janis spectacularly beautiful and delightfully innocent, and Renee Adoree unforgettable as the "whore with a heart of gold". Her unrequited love for Novarro is subtlely conveyed and very moving. But Ramon's joy of life, he is truly gay in the old sense of the word, makes this film live. See it with someone you love. Okay, they over-use the theme tune, but isn't it gorgeous? | -1no label
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] |
After seeing Kamal Ahmed's "God has a rap sheet" some time ago,I was left with a feeling of being hit over the head by a social studies teacher! The movie takes place on a hot summer's night in a New York city holding cell,where eight different men of all creeds,share the cell with a homeless man who claims to be God. The movie covered every issue that is concerning today's issues like history,race,sex and religion. Some of it seemed slightly heavy handed,but after thinking about it,I realized Ahmed's intention was to challenge one's views about these subjects. In today's world of Independent cinema,this movie to me is what "Independant" is all about- A Writer/Director with a vision,and making it all come together on the big (or should I say small) screen. | -1no label
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] |
This is a very, very early Bugs Bunny cartoon. As a result, the character is still in a transition period--he is not drawn as elongated as he later was and his voice isn't quite right. In addition, the chemistry between Elmer and Bugs is a little unusual. Elmer is some poor sap who buys Bugs from a pet shop--there is no gun or desire on his part to blast the bunny to smithereens! However, despite this, this is still a very enjoyable film. The early Bugs was definitely more sassy and cruel than his later incarnations. In later films, he messed with Elmer, Yosimite Sam and others because they started it--they messed with the rabbit. But, in this film, he is much more like Daffy Duck of the late 30s and early 40s--a jerk who just loves irritating others!! A true "anarchist" instead of the hero of the later cartoons. While this isn't among the best Bug Bunny cartoons, it sure is fun to watch and it's interesting to see just how much he's changed over the years. | 1pos
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] |
About the discussion on the South, the rednecks and the hillbillies... Well, I am from the South: Argentina, near the South Pole to be exact. Is this southern enough? Seriously, some stories are universal. We have never been to Greece, nor lived the classic period of Homer, but he speaks to us today. So does Shakespeare and Dante. And stories from far unknown places also reach us, when told with sensibility, intelligence, humor, just like "O Brother". Besides, we all (the rest of the world) have our own hillbillies too! And our own depression era (ever heard of Argentina during year 2001?), our politicians and racism, our gentle souls just like Delmar and Tommy... I simply loved this movie, folks. Despite the subtitles, despite being on the other side of the world. (And please forgive my errors in English, I tried my best) PS: I believe nobody quoted this favorite phrase: when Delmar asks George Nelson what does he do for a living, while handling him the machine gun... | 1pos
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] |
I am a regular reader of Kathy Reichs' Temperance Brennan novels. As such I am extremely surprised she even consulted on this show. It is HORRIBLE by comparison to the books. The Temperance Brennan character is, in the books, a down to earth recovering alcoholic and divorced mom of a college aged daughter. In 'Bones', she is an arrogant (rhymes with rich), who, in typical P C fashion, is not a mother. The emphasis on her assisting staff, complete with lurid details of who has had how many sexual exploits, is totally in contrast with the books. In total deference to the P C movement, she portrays the enemies of the U S as peace lovers (!). Some of the information isn't even correct, for example, having a character from Afghanistan as an active member of an Arab-American friendship group. Since when is an Afghan an Arab?! I'm sure if negative references were made to 'disadvantaged minorities', or women, or GLBT's, the show's producers/writers/directors would have to issue an apology. However, in typical far left fashion, all of the racial slurs go to the highest achieving minority group--Asians, as David Boreanaz' Agent Booth continually refers to Angela Montenegro as a 'squint'. Forget that stuff, and forget this show. After 'The Man in the SUV' episode, I thought I'd try a second episode to see if it got any better. It only got worse! I don't even care if the teenager in question was murdered or committed suicide, and I won't be watching the show ever again. | 0neg
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] |
This is absolutely nothing like the WWF and the 'Attitude Era' of the WWF. I have always been a dedicated WWF fan and I never took a glimpse of its competition. Now, I rue the day that I wanted the WWF to take charge. At the least the WCW would try something new and radical all the time instead of keeping up as a mask of the actual intentions of the show and this holds true to ECW as well. The WWF has always been about Hulk Hogan, Andre The Giant, and other old wrestlers like so and the 'Attitude Era' only happened to catch up with the radical ideas of the competition. The WWE is the same trash as it was before the Attitude Era only dumbed down and demoralized. The wrestlers are terrible, the brand split is mind scrambling, and the story lines and stipulations are non-existent. The WWE is so bad that it ceases to even be a former shell of itself by pushing characters and wrestlers into the main event suddenly and by retaining barriers of creativity. Sure, the show shakes the brains of sweet, innocent, and easily brain-washed children and meager, lousy, pariah, stupid people of the Internet Wrestling Community that actually consider the company anything good. Anybody that even shudders and rests on the thought that this show and product is good can go straight to hell. | 0neg
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] |
This movie, based on a real character (Mahsun) and story, takes place in the place I live today (Rumelihisari - European side of Istanbul). It is a story of an outsider living in the streets, drinking, helping out an addict whose he's in love with, stealing cars to sleep in them not to get cold in winter nights and cleaning them before driving them back to where he steals from. Music is extremely charming and puts you in a melancholic mood. It is a story of loneliness, and a story of innocence that is so real that you can't get away from watching it once started. Dervish Zaim made a tremendous work. I love this movie. And congratulations to the production. | -1no label
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This sequel is thoroughly uneven, incoherent and rambling in "plot" (if there really is one)and tries too damned hard to be modern (ridiculous, out of period and character 21 st century style songs predominate) and cute (yawn: there are too many manufactured, belaboured jokes with animals.) The actors in his film are secondary to the juvenile plot. Even Glenn Close (and she is normally very good) sweeps through this film, parodying herself as the original De Ville and the lead from Sunset Boulevard! It's a film that isn't even good to look at. This is a very good example of a bad and pointless sequel. Even Basic Instinct 2 had a plot, characterisation and acceptable acting. This doesn't. It is bad. | 0neg
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I have to be honest and say I bought this movie, not because of the content, but because David Cubitt is in it; I know ... shallow, or what? - but, come on, Mr Cubitt is a fantastic actor to put it mildly. I really didn't know what to expect from watching this movie, I'd read the other write up, and those on other sites but I have to say I was drawn into the world of the brothers almost from the get go. David Cubitt as Theo, and Colm Feore as Ryan are so believable as the two estranged brothers, the film moves through their relationship as they start to try getting to know each other again after their fathers death. The scene where Theo finds out Ryan is gay was played brilliantly, he literally walks in on a scene and tries to leave without Ryan noticing - which of course he has. The film has been very well researched and is therefore incredibly sad, moving, uplifting and a celebration of life in parts. I came away from this feeling sad at what Ryan went through but also with the knowledge that he was given hope and unconditional love by the ex drug addict brother Theo. I agree with the other reviewer who finds the scene where Theo says he will be a father moving, and I'd go a little further to say I actually vocalised my thoughts at Ryan when he cruelly says to Theo 'What makes you think you can be a father' and Theo says simply 'You.' Theo walks away then, but that small exchange of dialogue speaks volumes to the almost self pitying aspect of Ryan who is brought up sharply by the simple retort. A brilliantly conceived movie on all counts, the acting, directing, writing etc are all so well done. I can't really find anything else to say about this movie, except to say that it is very hard dealing with the death of a loved one but this is done superbly, to the infinite degree. The respect for the subject matter and the outpouring of love (without being contrite and mawkish) speaks volumes in this rather selfish world we live in today. Well done to all concerned. Not many movies bring me to tears and give me pause to think about life in general, and also to be glad for all the things I have and not be sad for the things I don't, but this movie did, it was unbelievably uplifting considering the subject matter. | 1pos
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] |
You sit there for a half an hour and watch a story, believing it all, then watch another half an hour of the same story utterly unraveling... and then put back together again. Brilliant. One of the most exciting feature films at the San Francisco International Film Festival is a documentary. I don't know if - other than Andrew Jarecki's "Capturing the Friedmans" - there has ever been anything like Anna Broinowski's "Forbidden Lie$." It features, exposes, defends, reveals, and questions everything about Norma Khouri, author of "Honor Lost," the acclaimed and lambasted 2001 bestseller about honor killings in Jordan. What is quite incredible and what makes the film so exceptional is that this "exposure" of Khouri is made with Khouri's full participation. For the initial portion of the film, Khouri presents her story about the supposed honor killing of a friend of hers in Amman, the story of the book. She sounds completely believable, convincing. Then her story is taken apart, exposed, by eminently believable and convincing people, such as women's rights activists in Jordan, investigative reporters there and in Australia, where Khouri lived for a while. Khouri comes back and denies the accusations, taking a successful lie-detector test in the process. There comes another segment of devastating exposures - not to be specified here because that would lessen the shock value... and then Khouri comes back and faces the accusations (not all, but the essential ones in the matter of the book). And the Houdini act continues, with round after round in this heavy-weight, seesaw prize fight, surprise after surprise - and there is no "happy ending" in the sense of resolution. Brilliant. | 1pos
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] |
Fanaa came, saw & well....did well! Aamir Khan & Kajol has shown once again that they're amongst the best in the industry with their performances. Rishi Kapoor, Kiron Kher & Tabu have also been impressive as usual. And the songs & cinematography were beautiful. The story is good but the way it was handled....I cringed when an intelligent actress like Kajol is made to do those heavy-duty unrealistic emotional scenes so associated with Bollywood that we thought its passe now. That's where Fanaa went wrong. Some of the scenes were so filmi and we truly thought Bollywood has come of age. Kunal Kohli's touch is like Karan Johar - loads of mushy stuff! Anway, a wonderful comeback by Kajol. | -1no label
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] |
Filipino film-making was once exemplified by the ubiquitous presence of Vic Diaz, who snarled his way through countless Roger Corman-produced action flicks shot in the archipelago, usually clad in a really ugly floral shirt and wielding a machete. The now-very ill Diaz is nowhere to be seen in Cavite, but fans of those low-budget Corman flicks might still enjoy this film. Produced, written, and directed by Ian Gamazon, Cavite stars - who else? - Ian Gamazon as Adam, the American-born son of Filipino parents on his way back to the islands to attend his father's funeral. Once there, he learns that his mother and sister have been kidnapped (presumably by Abu Sayyaf guerrillas), and that in order to save them he must follow a very precise series of demands. The perp seems just as interested in educating Adam in the ways, means and motives of Islamic revolution as in reclaiming the money his father apparently stole (or hid) from the insurgency. This isn't a horror or exploitation film; it's a serious and exemplary political thriller about a man being forced to come to terms with his cultural and religious heritage. Shot verite style in and around some of the worst slums on Earth, Cavite offers rich rewards on many levels. | -1no label
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] |
Lame. Lame. Lame. Ultralame. Shall I go on? There is one, I repeat *one* funny scene in this entire, drawn-out, anti-amusing Amateur Hour Special of a film: Fares Fares' fat father knocking someone over with his beer gut. That's it. The rest of this shockingly mediocre pile of nothingness consists of the usual trademark bored-looking Swedish "actors" delivering dialogue which goes into one ear and out of the other, a banal story, sloppy direction and, well, little else worth mentioning. Nepotistically cast Fares Fares is as charismatic as a chartered accountant and his nose rivals even that of Adrien Brody in terms of sheer ridiculous hugeness. Torkel Petersson should only work with Lasse Spang Olsen. The rest of the cast is, luckily, easily forgettable, whereas Fares' humongous, titanic nose will forever haunt me in my dreams. Josef Fares helps ruin Swedish cinema. Don't support him and his nonsense. Jalla Jalla is to comedies what Arnold Schwarzenegger is to character acting, Kopps would have been much more respectable if it had been a no-budget Youtube video, and Zozo was simply the most pretentious, pseudo-touching garbage ever unleashed by a Swedish director. Wake up and smell the roses: Swedish movies can be so much better than this, so stop pretending Fares' flicks are worth watching simply because they're "good to be Swedish". Please. | 0neg
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I have bought the complete season of Surface. watched it in 3 days! I was so captured by the the plot, theories and basically everything about this show. The actor who plays Miles is great. Mile's sister, mother and father acted like real life family would. You could connect on so many levels it's fascinating. I find animals are so wonderful, you can almost connect with them as a parent is to a child. It would be something if a creature of this sort of nature truly exists. Am sadden, that Surface is not having a second season or at least four more shows. I have so many questions that need to be answered and hopefully maybe they will create more or maybe in a book. Love the show very much. For those who haven't watched Surface, if you like sci-fi you need to watch this!!!!!!!!!!!!! | 1pos
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I was born in '87 so I never got to experience the 70's unfortunately, but my parents never grew up since the 70's. So with them I was able to understand this show and absolutely loved it. Freaks and Geeks is a story with really two main characters, Lindsay and Sam, who are brother and sister. Sam is a "geek" with his two friends Neil and Bill, who are absolutely hilarious and trust me you won't stop laughing. Then there is Lindsay, who seems lost being in high school, and starts to hang out with the "freaks" who do drugs, drink, listen to rock, and go against pretty much everything her family believes. The acting is incredible and so believable. The music is the best part of the whole show. Styx, Zep, Rush, Van Halen, The Grateful Dead, and a lot more. I own to Season 1 box set and I make my friends watch it and now they realize how great of a show it is, but it sucks it's canceled. Even though it is canceled I will never stop watching my Season 1 of Freaks and Geeks and everyone should watch this show!! | -1no label
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This movie is very average: SFX are childish to non-existent; plot is paper thin; acting amateurish. Teenagers on a "love lane" parking expedition ( the belle brat of the city's lawyer and a lower class boy her father knows nothing about ) by mistake hit & kill an invading alien with their big clumsy 1950s car. Alerting the police, they are tested for alcohol (=they are drunk), accused of manslaughter and jailed...or is it a set up? Couple of bums wandering from city to city seeking "opportunities" splits after drinking in a solitary pub in this small provincial town: one goes home to bed; another takes a ride and after he spots a spaceship, wants to set up a freak show to get rich quick. Too bad aliens attack & kill him injecting him a large dose of alcohol, and he is whom the two youngsters are accused of having murdered. The bum who went home sleeping stars in some "comedy moment" scene, and there is also some hillbilly redneck trying to chase youngsters away from his property ( a character reminiscent of minor Laurel&Hardy supporting actors ) who provides comedy relief. Minor plot twists, such as the two teenagers escaping from the police station. This movie is a bizarre concoction of comedy, parody and 1950s-styled sci-fi. In the end the teenagers are cleared of suspicion, while a goofy -yet pompous- military expedition inadvertently causes the spaceship to blow up. In the end invading aliens (= middle school kids wearing poorly sewed costumes ) are surrounded by teenagers in their funky 1950s cars, and burn up once exposed to direct light. Very modest movie not worth watching twice. | -1no label
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] |
There was a time, I am ashamed to say when I was into low budget cult horror movies. Ah, you might say that is not too bad. Halloween, The Fog. Plenty to choose from. However I did Not Watch these. I saw Critters, and these. Dam. It basically stars Jenifer Aniston as an American City Girl who has gone to the country of Ireland (Original for a Leprechaun movie). there two boys find a pot of gold and keep it from the others. Low Budget, badly acted and directed and scripted mayhem ensues. Ther is actually more mayhem going on of screen than on. It would be fine if it was actually funny, and had been aimed at younger kids, they would have lapped up the weird green man causing havoc. But when it is rated 15/R for good reason (it is bloody in parts), which 15 year old is going to go for this when they could go for all those better films out there? It is not all bad though. Some of the gore is suitable stomach churning, and Warick Davis is not that bad. Leprechaun 2 is worse,and that is rated 18. Don't go see. | -1no label
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] |
This Movie is disappointing just bad and I mean everything bad.bad plot,Terrible acting,Flat out characters,bad editing everything is bad. The movie is about Flea(Cam'ron)A everyday person going nowhere in life until he chooses the life of drug dealing to get money and that all I got to say. Now for the bad parts let me start off with the acting I'll tell You one thing these people do not know how to act everyone is either going over-the-top or just giving a Dead-Pan Performance.the worst acting comes from Cam'ron.For example the scene where his cousin dies he can't even cry or show real emotion.just fake and bad.the only good acting comes from Funkmaster Flex who disses cam'ron in one scene which was the only funny scene that had me laughing and he ain't even an actor.Juelz Santana who plays Bandana is Bad as well who gives a over-the top performance even though his character is so underdeveloped. Speaking of development there is not one developed character.everyone is flat and Dead-Pan.You don't know nothing from any of the characters so the development is bad. As for the Plot It's too confusing and lame.The plot just switches from one part to another making you lost.Plus the pacing is long with all these parts about selling drugs and getting money. Overall Bad movie to stay away from.Really. | -1no label
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This has got to be a unique twists of two genres of ever seen. The giant monster movie genre with the living mummy movie genre. This unique blend makes for a unique and compelling story. The casts is outstanding, including TOM BOSLEY who as far as I know never has been in a horror movie before, ever. The effects are impressive and the idea of a giant mummy filled with smaller mummies is a cool one. My one complaint, I just wish we saw more of the giant mummy, but other then that I think they did a great job. The dialog, the characters and the story was perfect. The acting was wonderful. This has got to be the best movie to come out of the sci-fi channel. You heard me, the best movie to come out of the sci-fi channel. I give THE FALLEN ONES 9 OUT OF 10. | 1pos
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] |
Aurora the housekeeper: Mrs. Parks the doggies ran away again. Glenda the lawyer: I'll just get six more tomorrow. I first saw this movie in the early 80's and fell in love with it immediately. This is one of the funniest, most quotable movies of the decade and I think it came out around the time of the equally hysterical and quotable Airplane, also a favorite. Goldie Hawn is at her best as a lawyer with a heart of gold, Charles Grodin is her husband Ira (Myron, Hyram). Chevy Chase plays a writer who is ambushed into robbing a bank in Carmel California and winds up back in his ex-wife's life, needing her help to clear his name. As it has been said on IMDb, there are many wonderful quotes and the comedy is wound up and running like a second grade class full of Hershy Kisses. Yvonne Wilder is hysterical as the no nonsense housekeeper who has to get her feet scraped. Harold Gould and Robert Guilleume of Benson fame(forgive the spelling)have memorable cameos as well. I just finished watching it again after many years and it is still as funny as it was all those years ago. Also, Godspell fans, keep an eye out for David Haskell as a police officer. I highly recommend this movie. Laugh out loud funny from beginning to end. | -1no label
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] |
The most embarrassing moment in this film is when Brady Corbet says 'You've blossomed', near the end the film. I practically died. I'm still not really sure why the screenwriters put that line in there. Was it supposed to create romance? Because it nearly made me sick. The rest of the script was almost as bad. I've never liked the original Thunderbirds, but a Thunderbirds movie had the potential to do so much. This movie doesn't. If it didn't have the big draw card of the Thunderbirds brand, it would have been shafted straight to TV, or canned in the post-production. Maybe even before. Like I said, the best thing about the movie is when the credits roll up and they play Busted's song 'Thunderbirds are go'. I can't believe I wasted $7 watching this through pay-per-view. | 0neg
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] |
Unfortunately for there is no shortage of these so-called film makers who travel to Thailand with preconceived notions and return with a poorly researched self-indulgent piece about (surprise) prostitutes. Leaving aside the overly melodramatic narration, the way that the narrator/director mispronounces many Thai words and shows an alarming lack of local knowledge, I saw no attempts to check the stories he was being fed, and no background information was looked into to validate the stories he reported. The narrator just accepted everything fed to him as fact. Had he talked to people who know Thailand he may have discovered that the hard luck stories are par for the course, and as was shown, when the subject finds they aren't going to be making any money off it, they tend to stop answering the door. Nice try, but this is just another inexperienced director who did nothing to back up the veracity of anything presented, though stories about prostitutes always sell don't they? | -1no label
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] |
I never thought I'd say this about a biopic, but there is a near over-abundance of characterization (especially concerning Kenji Miyazawa's emotions) and too little on the literal occurrences in his life--by the end, I'm not sure if he dies (he's supposed to), or if his sister finally dies (she's supposed to), or if the director spent a little too much time on the Galactic Railroad (that's an inside joke, in case you missed it--Miyazawa wrote a children's book called Night on the Galactic Railroad). However, this glimpse inside the mind of a writer who "sketched poetry and fairy tales from his imagination" is very intelligent, creative, entertaining, and emotionally powerful. All this despite the fact that everyone is animated as animals (like in many of Miyazawa's stories). Some of the visuals are truly astounding, especially considering that it was a made for TV movie. Seriously, some of them (like the sequence with birds trailing blue light) rival parts of Fantasia. However, I still can't stand computer animation when it is mixed with cel animation. The CGI trains are horribly obvious--even more so than the Anastasia train. 8/10 | 1pos
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] |
We thought this was one of the worst movies ever. I had to volunteer to watch the end. The romance was not believable; the characters were not developed; the love affair made hardly any sense; it was miscast; and scenery was absolutely stupid because it was either (my opinion) like the ADAMS FAMILY GOES ON VACATION...just creepy, gypsy and cheesy; and the OUTERBANKS does not look typically like those houses on the surf; and who would spend the night in one during a hurricane if it was not theirs. Also..it was not realistic. hurrricanes give you plenty of notice to batten down the hatches. Also the friend was superfluous; and did not match the story What did the civil war have to do with the outerbanks anyway? I also have to mention the wardrobe...did D. Lane have to have a scarf/pashmina/shawl on in every scene? It was overdone. She looked good enough to not have to hide things; without making them obvious like with light slacks. Lastly I am concerned with the impact on our landfills when everyone has to dispose of this stupid, and I mean STUPID movie!!!! Don't fall for the hype on this one!!!!!! We did. Not even watchable. | 0neg
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] |
JUDAAI was a bold film by Raj Kanwar at it's time In 1997 when such a topic was damn out of the box To give him his credit he does succeed in showing how greed changes a person and to what extent the person can go to get what she wants The film however is damn melodramatic, many places ridiculous One wonders why Anil doesn't buy a TV for his wife? when he earns so much Just to show how poor he is? The twist is well handled but the handling is straight out of 80's The Johny- Paresh comedy which entertains here and there stands out as a sore thumb as it doesn't fit in the story Even there are several cringeworthy scenes Direction by Raj Kanwar is adequate though at times too melodramatic Music is okay but most songs look forced Anil does his part well Sridevi is excellent in her part Urmila is decent Amongst rest Kader Khan is as usual Johny Lever is funny, Paresh irritates Farida is decent | 0neg
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] |
After reading about Palindromes and finding myself oddly attracted to the subject matter of several of Todd Solondz's features, I bought this film. It would seem that it has a reputation as being his worst work to date(at least as far as theatrically released movies go)... I must say, if the rest of what he's done is this powerful, I will have to keep my eyes open for it. You seldom see movies that are this unpleasant. There are films that are far, far harder to watch... but this is still not one you put on to enjoy yourself. As many other viewers, I didn't care much for the first half(well, part... it's a third of the projects full length, with a running time of about 25 minutes), "Fiction". I felt I had gained little after it was over, though I will say that the concept and themes explored are quite interesting. "Non-Fiction" proved to be far more worth-while, in my opinion. The writing and direction is excellent in both. The pacing works well... I was never bored, and while it wasn't exactly a "good" time, it moved along as it should, never really too slow or too fast. The characters were incredible... the sheer amount of development, through so little time spent on each... that's talent. As its title indicates, Storytelling goes into different methods of telling a story... and displays some of the most impressive storytelling that I've seen to date. There is some humor, but it's quite black, and throughout the film, I was unsure of whether I should laugh out loud... or cry my eyes out. The film is strongly satirical, very direct and seemingly almost aggressively anti-PC. Dealing with several subjects of taboo, Solondz pulls few punches, if any. Certainly not a film for everyone. Both parts seem to end somewhat abruptly, but that may be intentional. I will say that my rating would almost certainly have been higher had the first part been improved upon... or removed entirely. It's difficult to say who I'd recommend this to... cynics or realists with a strong threshold for the some of the ugliest sides of human nature, I suppose. From what I understand, though, it's less provocative than the other films of Todd Solondz. 8/10 | -1no label
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] |
I agree with msinabottle; this is a great movie. Here are some dialogue snippets: Raisuli (Sean Connery) to Eden Pedecaris (Candice Bergen): "You see the man at the well, how he draws the water? When one bucket empties, the other fills. It is so with the world. At present, you are full of power. But you're spilling it, wastefully. And Islam is lapping up the drops as they spill from your bucket." Raisuli: The English have paid very well in the past. Pedecaris: Well you'll not have your way with the Americans. President Roosevelt will have your head for this. Raisuli: Roosevelt. This President Roosevelt--he would try and take it himself? Pedecaris: He certainly would! He is a man of grit and strong moral fiber. He does not kidnap women and children! Raisuli: What kind of rifle does he use? Pedecaris: A Winchester! Raisuli: Winchester. Winchester. I have no knowledge of this rifle. Pedecaris: You will. Teddy Roosevelt (Brian Keith): The American Grizzly Bear is a symbol of the American character: strength, intelligence, ferocity. A little blind and reckless at times, but courageous beyond all doubt. Oh, and one other trait goes with all previous. Newspaper reporter: And that, Mr. President? Teddy Roosevelt: Loneliness. The bear lives out his life alone. Indomitable. Unconquered. But always alone. He has no real allies, only enemies--but none of them are as great as he. Newspaper reporter: You feel this might be an American trait? Teddy Roosevelt: Certainly. The world would never love us. It may respect us. It may even grow to fear us. But it'll never love us. For we have too much audacity. And we're a bit blind and reckless at times, too. | 1pos
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] |
A stolen shipment of Vigoroso, the mexican Viagra; a beautiful girl who is trying to rebuild her life and to leave her husband, a boss of the italian Mafia; a young sheriff who falls in love with his old sweetheart. This is the plot of "The Shipment", a country comedy located in small town of Paradise, Arizona. Despite its simply and classic story, the movie (directed by Alex Wright) has its fun moments: when Elizabeth Berkley (as Candy Porter), looking at a Vigoroso green pill, says: "What"s this? A mint candy?". Or when the girl enters the sheriff"s house and finds him completely naked. Or when the Vigoroso shipment ends up in THAT lake, at the final sequence... The cast offers some nice performances: by Matthew Modine as the sheriff of Paradise Valley, who still loves his old girlfriend; and by Elizabeth Berkley, who"s character still loves her old boyfriend... The supporting cast, including Nicholas Turturro, Paul Rodriguez (as the mexican Josè) and G Michael Gray (what kind of teeth...), makes a pleasant work, too. Not an Oscar material, but not so bad. A fun comedy without pretence. | 1pos
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] |
I watched this film yesterday on Film 4 - I quited liked this film in some parts. Upon watching, I realised this film was really about family breakdown. You sometimes think that family problems are more of a modern thing of today - but back then they had their fair share of family upheaval, back stabbing and murder in mind. This film is a Gothic,atmospheric melodrama about Caroline played by a young Jean Simmons as a 16/17-year-old who goes to live with her uncle Silas (Derrick de Marney)after her father dies. Uncle Silas house is some big creepy Mansion with lots of cob webs dark corners and dungeon like stairs and rooms. While there creepy uncle Silas, his son and a french governess plot to kill Caroline and keep her inheritance. I though Derrick de Marney at times performance of Uncle Silas was not creepy enough, as it verged towards being comical. The french governess Madame de la Roughierre (played by Katrina Paxinau)was very creepy and sinister,especially when she takes Caroline on a journey of extreme deception. She was menacing Caroline every step of the way. Her performance made up for the loss in Derrick De Marney non evil performance. Caroline (Jean Simmons) sometimes gave a weak performance which probably was down to some weak and prissy dialogue. Sometimes I felt I could of climbed in the telly and give her a good slapping and tell her to pull herself together and be strong!!!! | -1no label
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] |
"A space mission goes awry when the experimental rocket malfunctions, forcing the astronaut to eject in an escape capsule an sending the rocket into deep space, where it explodes. The explosion causes a group of asteroids to veer from orbit around the sun, setting them on a collision course with Earth. With the impending doom approaching the planet, the nations of the world desperately attempt to come up with a plan to destroy the rogue planetoids," according to the DVD sleeve's synopsis. "The Day the Sky Exploded" in English, with Swiss star Paul Hubschmid (as John McLaren) becoming the first man in space. The movie optimistically suggests admirable cooperation between nations of the future. Yet, its scientific knowledge misfires. The American rocket man's accident causes asteroids to run amok. Is it Armageddon, or can danger be adverted? Sit through acres of stock footage, and little excitement, to see the answer... | -1no label
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] |
This movie was very good. It was funny, mysterious, cool, and interesting, it wasn't as good as number 1, but it was still great! Disney should keep it going with good movies like these. I liked all of them(except number 4) because of the originality they put into the characters and the plots. The acting was excellent and the character Sophie was still as cute as can be! Dylan grew, certainly grew. He grew all ugly looking and what not. Even more dorky but that doesn't matter. The writing was excellent and it still had all the excitement from the original film. You will enjoy Kimberly J. Brown's performance because she is a great actress and very pretty. Enjoy all of these movies, i suggest buying them ALL!! 9/10 | -1no label
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] |
This is a typical 70's soft core sex romp in the Russ Meyer genre, though perhaps less outlandish than some of Meyer's work. This film has higher 'production values' than many of it's contemporaries, suggesting a larger budget. It's plot, writing and acting are straight out the B zone, though. Of late, this film has become a mainstay of B movie channels (such as "Drive In Classics") in the 500 channel universe. If soft core is what you are in the mood for, this is as "good" as anything else in the B range. Don't expect Polanski though, Sarno is just Sarno. Nothing more, nothing less. Jennifer Welles performance as the "mother" is perhaps the best of the cast. None of the actors in the film went on to greater fame, unsurprisingly. Confessions of a Young American Housewife is far from the worst example of it's kind. It is watchable, if this is your type of film. 30 years ago, this would have been an avant garde and riske film. You can see more or less the same kind of thing on Showtime/HBO series these days, and in prime time. | 0neg
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] |
Three girls (an all-female media-crew, including cult-actress Barbara Bach, no less) visiting a small town to cover a festival, end up renting rooms in a house they should have avoided like the plague. Well-made little shocker, suffering a bit from some redundant dialogue-scenes and a rather thin plot-line (that doesn't do very well in hiding its secrets). One underlying theme in particular is quite disturbing (as in: vintage shock-material), and this is basically what the film thrives on. Performances & cinematography are pretty much above par (compared to many other late 70's/early 80's films in the same vein), but what really makes me recommend this film is the fairly long climax-scene in the basement-setting. From the moment that "Keller Junior" character was introduced, his performance made my jaw drop open and it didn't close until the end of the film. A very pleasant surprise to see actor Sydney Lassick (who was funnily wacko in "One Flew Over The Cuckoo's nest", and now utterly demented in "The Unseen") take on one of the leading roles. | 1pos
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] |
I love a good Western movie, but this was more like watching a play on stage or an act at the local street carnival show. I could only stand 38 minutes of it in hopes that it would improve, but it only got worse and I had to end it. Each actor(s) stated the lines as if reading directly from the script or cue cards. There was too much predictability to the lines and actions not as if a natural occurrence or conversation. The wig on Rachel Kimsey was obvious. The actresses playing Native American sisters, could have played non-native parts and should have. Wardrobe for the Native Americans could have been better and a little more authentic looking. If I decide to watch it with any friends in the future, I will do so, not with the expectations of watching a good Western, but with the expectations of watching an amateur comedy film production. | 0neg
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] |
There must be 10+ setups for each scene, where the lighting is perfect, as if it was a student filmmaker's first 35mm film. There's absolutely no style, and no thought of how the film would work as a whole. Most of the pickups are wasted coverage. There's hardly any genuine suspense, and the ending feels totally forced, as does the last tacked-on song. Why is it that most new filmmakers are too busy trying to prove they can run a film production, run a show just like the pros? Why can't they focus on the end point - how the film will affect those who witness it? This filmmaker makes absolutely no point in what he does, except to show how unskilled he is as a storyteller. Not to compare the two, since they are completely different types of films, but if you want to see real amazing direction, in which the story unfolds with tremendous, unsuspecting power, see THE PIANO. Jane Campion's direction could teach many that it's not the coverage, and multiple set-ups, but the performances, pacing and story that goes first. | -1no label
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] |
Ray Bradbury, run and hide! This tacky film version of his short story from the 1950s about time travel and the effect it might have on de-evolution is not well known from the theatrical run (did it have one?) and exists now as a DVD on the shelves released during a slow week. What looks to be a fancy sci-fi thriller form the opening scenes quickly fools us as the computer generated graphics are re-run unaltered throughout a film that is supposed to be about different 'trips' back in time where a major company sells macho guys in 2055 the chance to hunt dinosaurs by paying exorbitant fees to travel back in time to prehistoric jungles. One slip of the foot/butterfly while on one of these ventures and the course of evolution is altered with resultant time waves rolling over the planet changing everything to man-eating plants and beasties. Of course there is a pretty damsel who knows how to reverse the process and a hunky man to risk his life to act on her orders and everything is eventually OK. Yes, that is the story...and the most surprising fact about this poorly scripted, abysmally acted mess of a film is that it attracted some fine talent to portray the comic book flat characters. Edward Burns (all buff and hunky) is our hero du jour, Ben Kingsley is the requisite bad corporate guy sporting a ridiculous white wig, Catherine McCormack is the know-it-all woman creator, and Wilfried Hochholdinger as an evil one - all are superb actors and should have known better than to align with this flop. And the saddest thing is that for those who like this genre of sci-fi monster thrillers the creative department sold out with some of the corniest animation to hit the screen in a long time. A must miss. Grady Harp | 0neg
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] |
I loved this movie. In fact I loved being an actress in this movie. Iwas featured as a pregnant teenager in the second half of the movie. You may remember me more clearly in the classroom scene when the werewolf was exposing himself on film. I was the female in the front row with my hands planted on my face in reaction to what we were watching on the movie projector. In fact they double took me a few times so it's hard to miss that mistake. Thumbs up to Full Moon High. Wish it come to cable soon. Cheryl Lockett Alexander Leesville, Louisiana I loved this movie. In fact I loved being an actress in this movie. Iwas featured as a pregnant teenager in the second half of the movie. You may remember me more clearly in the classroom scene when the werewolf was exposing himself on film. I was the female in the front row with my hands planted on my face in reaction to what we were watching on the movie projector. In fact they double took me a few times so it's hard to miss that mistake. Thumbs up to Full Moon High. Wish it come to cable soon. Cheryl Lockett Alexander Leesville, Louisiana | 1pos
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] |
How bad is it? 26 years later I STILL feel robbed for having paid to see this joke. Caught it on TV last night, and forced myself to "give it a second chance". Wrong move!! There is nothing redeeming about this movie - special effects are terrible, dialogue stinks, each turn of events is so implausible that you get mad at everyone involved. SPOILER (not that it matters...) Final ridiculous turn - the entire world has been destroyed by nuclear war, but they find one area that wasn't targeted by a nuke and therefore is still a beautiful green sunny place, with no radiation and no nuclear winter and little children playing ball. Give me a break! | -1no label
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In April 1994, the middle-aged Canadian journalist Bernard Valcourt (Luc Picard) is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille (Fatou N'Diaye), who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies. The heartbreaking and powerful "Un Dimanche à Kigali" is certainly the best Canadian movie I have ever seen. The engaging story is a sort of complement of "Hotel Rwanda" and "Shooting Dogs", focused in the romance of a Canadian journalist and a Tutsi waitress, but disclosing also the genocide of the Tutsis in the landscape of a troubled Rwanda while the West simply ignored and turned back to the fate of millions of people. Luc Picard has a magnificent performance that would deserve a nomination to the Oscar, if this award was really concerned with great movies and performances; the gorgeous Fatou N'Diaye has also an awesome performance in the role of Gentille. The direction is realistic, supported by stunning cinematography and scenarios. It is worth seeing this gem recommended to lovers of great movies. My vote is nine. Title (Brazil): "Tensão em Ruanda" ("Tension in Rwanda") | -1no label
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] |
I bought this movie for $5 at a used CD store, and I kinda regret it. I'll start by saying I'm a huge fan of cheesy horror flicks. They provide a horribly tacky cheap entertainment. This movie entertained for the first half hour, because it was so bad it could be made fun of in an MST3K style manner quite easily. Then it got boring. The acting is the scariest part of the movie. While great acting is not to be expected, this was laughably bad and, honestly, provided all of the entertainment that was to be had. This is the plus side to the movie. Where the movie really falters in entertaining is the writing, lighting, and the editing. This movie provides way too many "What the %$@# is going on?" moments. There are many moments, such as the mother having strange fits at dinner, and then that having absolutely no consequence in the movie. Along the lines of dinner, someone in charge decided it was fun to watch people eat refined food for five minutes straight without dialogue every time a meal was served. During the meals and other inappropriate moments, the scene cuts away to pure darkness outside. Then cuts back in. And speaking of darkness outside, one of the funniest parts of the movie is the climate, where apparently it isn't nighttime unless it's raining. And speaking of darkness, a big problem with the movie is that it's so poorly lit you can't see what's going on half the time, which is more of a frustration than anything. In one of the climactic scenes, you can't even tell what you're supposed to be seeing that's so shocking. And when it comes to climactic scenes, Unhinged contains one of the worst. I've seen people say "Wow, that surprised me, and that's good." I can say that the big reveal did surprise me, because I didn't see it coming. The reason I didn't see it coming is because it made absolutely no sense. I won't ruin it for you, but I will tell you that my friend and I spent a good twenty minutes rewinding to various parts of the movie to find anything that would have validated that at all, and all we found were more things saying that it wasn't possible. All in all, this movie is actually better when you watch it with the commentary tracks that make fun of it. I love crap horror movies, but this was too much. | 0neg
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] |
This movie was OK from an entertainment standpoint but breaking it down further reveals it to be nothing more than pure propaganda. The four individual stories just seemed out of touch of reality. Wars do suck and soldiers are injured and maimed for life. However, there are a great many of us (I am in the military) that do come back and lead extremely productive lives, just as we did before we left. Why this movie had to take all four experiences and make them negative is beyond me. There are so many cases of men and women coming back who are able to deal with what they experienced. This movie made it seem as if everyone coming back from war is either screwed up psychologically, becomes violent or a drunkard or has to deal with life missing a limb. Furthermore, why was 50 cent in this movie? The clown can't even speak English. He has absolutely no talent when it comes to acting, and when it comes to music for that matter. Jessica Biel was bland and her acting was simply unbelievable. The only bright spot was from Samuel L. Jackson. | -1no label
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] |
I believe I received this film when I was a young buck. I remembered watching it as a child, but i could never find the film. I remembered good ol Rageddy Ann, Andy, Babette, the Greedy, King Koo Koo. I searched high and low for this movie and still no luck. But one day when I was moving out of my childhood home I had found it. We were reunited. I am 17 years old now. I still watch it. All the time actually. It's one of the funniest and touching movies I have ever seen and enjoyed at the same time. And personally I think they should make a sequel. Mmm, yes a sequel indeed. Now i am even considering getting the captains bird tattooed somewhere on my body! | 1pos
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] |
At the grand old age of 85, Alain Resnais returns with a wistful, sometimes amusing adaptation of the Ayckbourn play, transporting English dysfunction, disconnection and desolation to Paris. Resnais compensates for the limits and staginess of the source by immersing the look of the film in a fire-side lustre and teasing out provocative visual parallels between the six main characters. They could all be shards of the one identity, such do they share the same strain of middle-aged (class) discontent. Favourite scene When the snow that bookmarks each scene finally cascades onto the set as Charlotte and Lionel search souls. | -1no label
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] |
The Dying Gaul is an intriguing little gem of a film. The basic plot of the film is deceivingly simple: A gay screenwriter has written a film about two men deeply in love - one of whom dies of AIDS. The screenplay is excellent, but a powerful Hollywood producer will not support the film unless the writer changes the lovers to heterosexuals. The writer, at first, resists because the screenplay is based upon his relationship with his own deceased lover, but is soon won over by the charismatic producer. As the revision proceeds, the young writer becomes a frequent visitor to the producer's home where he forms a relationship with the producer's wife and children. The complex relationship that develops amongst the writer, the producer, and the wife is what forms the crux of this compelling character study. To elaborate any further as to what takes place in these relationships would spoil the film for anyone wishing to see it, but it isn't pretty. I found myself often questioning the actions and motives of the characters as they proceeded in their games of one-upmanship. If these characters accurately represent the powerful figures of the film world, I can understand why it is often described as dog-eat-dog. Of course, malevolent and self-centered people exist in all strata of life, but wealth and glamour probably add their own extra serving of evil. Strong acting makes this film especially watchable. Patricia Clarkson as the enigmatic wife is enthralling. Campbell Scott as the self-satisfied producer fascinates as he oozes charm and influence. And Peter Sarsgaard as the young writer gives a complex performance as a man who quickly learns the ways of manipulation from experts. This is not a happy movie, and there are some pretty raw sexual scenes, but these three characters certainly captivate and hold your interest from beginning to end. | -1no label
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Thursday June 9, 6:45pm Broadway Performance Hall & Saturday June 11, 1:45pm Broadway Performance Hall Bless the independent filmmaker. Without them we'd see nothing but Spielberg the Farrelly brothers and films based on old sitcoms. They are the risk takers. They reap the rewards of success and suffer the failures. Max and Grace is most definitely a failure. Credit is deserved by Michael Parness for getting out there and making his first feature which he claims drove him to bankruptcy. He might be better off sticking to the stage if this film is any indication of what to expect in the future. Even though everyone warned me I went to see Max and Grace anyway, hoping I might discover something they did not. It starts off well enough, a party for Max in his parent's house shot in warm subdued light, the camera floating into interesting angles. As soon as we see Max has hung himself, an obvious rip-off of Harold and Maude, the whole thing goes right in the tank. How could he do this unnoticed in the middle of a birthday party? For that matter how could two mentally ill and committed psychiatric patients decide to get married and do it with the blessings of all parties concerned? In the Q&A after the film David Krumholtz suggested the entire story was the surrealist dream of his character Max. This story is so badly written the comment sounded more like an excuse. The film doesn't look as though it was made on a shoestring, all the more reason to be so disappointed with the results. What's intended as funny isn't but instead is offensively bad. The continuity is sloppy the lighting is dreadful and the effects look cheap and forced. BPH seats under three hundred and was surprisingly full but I saw at least thirty or forty walkouts within the first half-hour. At one point Grace, played by Natasha Lyonne, laments her inability to die. I found myself thinking the same thing since I never walk out before the credits. If Krumholtz really thinks this is "one of the best scripts" he has ever read it sounds like he needs to catch up on his reading. A terrible waste of talent and resources, this is the worst independent I've seen since Bubba-Ho-tep. | 0neg
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] |
In what I can say was a theft of my time I was taken to see this movie and I must say what a horrible experience. Fay Ann Lee is a terrible actress and is unconvincing in this movie. Larryjoe76 is obviously a shill reviewer. The plot is thin to say the least, the Cantonese dialog is not funny. See this movie at your peril. David Tang from Shanghai Tang should be after the movie for the little or no revenue this movie will generate. The banal plot attempts to compete with other rom-coms out there, and just blends into the scenery. It was like watching paint dry. In short this movie was a total waste of time and space. I've seen better movies on youtube. | 0neg
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] |
Robin Hood: Men in Tights (1993) was a much needed parody from Mel Brooks. He has the assignment of spoofing the Robin Hood legacy and the couple of movie dealing with the mythical honorable thief of English folklore. Cary Elwes stars as Robin Hood. He's looking for a few good men who'll join him in his quest to topple the evil sheriff of Nottingham (Roger Rees) and win the fair hand of Maid Marian. Robin also has to deal with Prince John (Richard Lewis).as well. Tracey Ullman co-stars as Prince John's personal witch Latrine who has her eyes on the Sheriff. Will Robin find his merry men? How far will the Prince go to throw his weight around in the absence of his father? Why does the Sheriff hate Robin so much? To find out you'll have to watch ROBIN HOOD: MEN IN TIGHTS!! Check out the hilarious cameo by Dom De Luise who plays the Duke of Jersey. Highly recommended. | 1pos
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] |
This movie is about two guys who made up a sport on the spot trying to get 2 get the hot chick. BASEketball becomes a nationwide sport. Joe Cooper (Trey Parker) is the beloved captain, but is hated when he loses the NBA to some other rival team. He meets the girl of his dreams Yasmine Bleeth, and in the end they kiss. the first time i saw this movie i wet my pants it was so funny. a definite must see for all comedy fans. If you love south park you'll love this! Maybe don't watch with kids it is bit inappropriate for little dudes. some duds give it 6 1/2 out of ten, i give it 11 out of ten. i like coop he rocks i gotta go bye bye thanks for reading this | 1pos
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When I saw LUST CAUTION yesterday I wasn't sure what to think. There were moments of transcendence and many others of what, at the time, seemed like tedium. I was frustrated that I couldn't decide if this was a masterpiece right away as I was with BROKEBACK MOUNTAIN, THE ICE STORM, and CROUCHING TIGER HIDDEN DRAGON. When I woke up this morning I couldn't stop thinking about it. It has haunted me all day and I want to see it again. Perhaps my expectations were so high that I had trouble appreciating what I was watching. More than likely I was anticipating the already notorious sex scenes. In any case LUST CAUTION is another masterpiece by Ang Lee that may take time for some to appreciate it. Years to come it will be studied and watched compulsively. It will strike debate among cinephiles of its worth. Most importantly it will be a film to be treasured, perhaps not by many, but by a very enlightened few. During the sex scenes I was holding my breath. Lee's slow burn toward these instant classic scenes was like foreplay leading to an explosive climax. Lee's themes of repression and double lives continue in LUST CAUTION. I look forward to savoring and arguing about this film for years to comes. | -1no label
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] |
Well I am quite well read on this period of history.And unfortunately I don't feel this film portrays the period well at all,Tim Roth,as good as he is is other roles,was,in my opinion totally miscast as Oliver Cromwell..history shows Cromwell to be a strong minded,gruff,honest,happily married Huntingdon Farm owner who rose through the ranks of the army to become commander in chief,and who trained his army to be the best in Europe.Tim's portrayal comes across as a greedy,power mad weasel.I'm afraid if it is a history lesson you are looking for then watch 'Cromwell' starring Richard Harris (an excellent portrayal)..but if you choose to watch this film,then take the history aspect with a pinch of salt.I can't really imagine a statue of Mr Roths version of Cromwell being erected outside parliament and being heralded a great Englishman. | -1no label
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] |
When this movie came out critics and audiences were saying how rubbish it was and it was a waste of time and money, but as i have a keen interest in the paranormal i still wanted to see it anyway and i glad i did! This is a family film but there are elements of adult horror here such as suicides, murder and even zombies! The story is of a typical workaholic dad who neglects his family and decides to take them away to make up for this, but when he receives a call asking him to sell a mansion he can't refuse so off he and his family go. Once there they meet the creepy butler Ramsley and the owner Mr Gracy who are obviously ghosts, and from then on all the supernatural events follow one-another from zombie reflections to levitating around a psychic in a crystal ball called Madame Leota. And i thought she was the best character in the film, not just because i'm a Jennifer Tilly fan but because she is very funny and has a strong personality for just a head. The effects are as amazing as the sets with the green glow of Madame Leota, the zombies and more even the people who didn't like this film can't deny that the effects are excellent. As i said the sets are also some of the best i've seen the mansion is absolutely breathtaking. The only thing that i think is bad with this movie is the child actors, they just look bored going round the mansion with straight faces even though they follow ghostly orbs into unknown places. But apart from this the rest of the film is great fun for kids and for the adults who aren't afraid to turn their brain off for 90mins. WATCH IT!!!! | -1no label
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] |
I watched this movie three times at different ages of my life and always did enjoy it very much indeed. This Can-Can is an authentic explosion of joie de vivre, like Stanley Donen and Gene Kelly musical, but in French way. And a Jean Renoir nice tribute to his time, his friends, lovers, music and dances. It is at same time a show business chronicle of that age, full of affection and French mood. It is too a clear tribute to the Impressionism (people who likes impressionistic painters will like this picture). It is particularly a tribute to Toulouse-Lautrec and, of course, to Jean Renoir father, Pierre-Auguste. You will find hear a trustworthy and splendid colored recreation of some Renoir master work. Excellent casting, scenery, sound-effects and music. Even it tell us about the creation of Parisian Moulin Rouge, obviously it is a fiction story (and not very original by the way, as it fall down in the very well know moral that the show must go on). But the Jean Renoir production is great. | -1no label
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] |
With a sensational cast of actors and a tale of China in the late 1930's under occupation, LUST, CAUTION captures the cruelty of the period with a zest and cinematic journey which enraptures the audience in a tale of revenge-and love. Bravo, Ang Lee, for bringing to the screen such a lustrous tale of Chinese history in which you have also thrown in love scenes which bring to the film an element of cruelty and harshness which are reminiscent of the sexual pleasures of BASIC INSTINCT, but perfectly display the brutal character of Mr. Yee. The costumes, sets, lighting and the drama of the story make LUST, CAUTION a simply elegant journey with characters that jump off the screen with fury, passion and of course, love tinged with revenge. The film is long, but you can't take your eyes away from the film for one moment as you might miss the brilliant dialog and performances. LUST, CAUTION, makes you think of what it is to be occupied by a power that treats its captured denizens in a world of anger and bitterness and creates a world of hatred and revenge as we see in this intelligent and important film. May LUST, CAUTION continue to gain an audience as it heads into the Kudo season. | -1no label
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] |
" Så som i himmelen " .. as above so below.. that very special point where Divine and Human meet. I ADORE this film ! A gem. YES amazing grace ! I was so deeply moved by its very HUMAN quality. I laughed and cried through a whole register , indeed several octaves of emotions. Mikael Nyqvist ís BRILLIANT as Daniel , a first rate passionate performance, charismatic and powerful. His inner light and exceptional talent shines through in every scene, every interaction ,in every meeting. I was totally mesmerised, enchanted and caught up the story, which is our collective story, the story of life itself. The film was also so inclusive of many archetypes, messiah, wounded child ,magical child, artist, teacher, priest, abuser, abused, victim, bully, divine fool - ALL the characters so real and true to life - all awakened great fondness and compassion in me. It is a real treat to see such a thought provoking yet thoroughly enjoyable, entertaining film. Oh ..mustn't forget the heavenly choir of angels and breathtakingly beautiful sound. THANK YOU ALL - This Swedish film will surely captivate people world-wide. BRILLIANT ! | 1pos
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] |
I first watched this movie back in the mid/late 80's, when I was a kid. We couldn't even get all the way through it. The dialog, the acting, everything about it was just beyond lame. Here are a few examples... imagine these spoken real dramatically, way over-acted: "Oreegon? You're going to Oreegon? Why would anyone want to go to Oreegon?" "Survivalists? Nobody ever told us about any survivalists!" This movie was SO bad, my sister and I rented it again for her 16th birthday party, just so our friends could sit around and laugh at how awful it was. I don't think we were able to finish it then either! | 0neg
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] |
Some white stuff from the ground turns animals giant-size on a remote island. Soon a bunch of people are battling giant wasps, chickens, earthworms and rats to get off the island. It sounds interesting but this is actually a pretty pathetic adaptation of (according to the credits) "a portion of Food of the Gods by H.G. Wells". The sound you hear now is Wells spinning in his grave. The dialogue is just DREADFUL (some of the lines were so bad I couldn't believe I was hearing them) and the script is just silly. As for the acting--Marjoe Gortner was bad but Belinda Balaski and Pamela Franklin (looking fantastic in her last film to date) were very good despite their lines. The bit where Franklin tells Gortner she wants to make love to him (when they're holed up in a house surrounded by giant rats) had me helpless with laughter! It's also really sad to see two fine actors--Ida Lupino and Ralph Meeker--reduced to crap like this. Their performances are very bad too--Meeker the worst of the two. The special effects are mostly horrendous--the giant chicken will have you howling and the wasps are (very) obviously superimposed. However the sequence with the giant earthworms was VERY bloody and admittedly a high point. And some of the rat effects weren't bad. Also there are a number of extremely bloody attacks by the rats--I'm really surprised this got by with a PG. The attacks are the only reason I'm giving this a 2. And when the attacks aren't on the movie is dull dull dull! Scattered unintentionally hilarious dialogue does not compensate. Worth watching for the attacks--otherwise a boring, silly and sad film. | -1no label
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] |
I'm not a Steve Carell fan however I like this movie about Dan, an advice columnist, who goes to his parents house for a stay with his kids and ends up falling in love with his brother's girlfriend. Its a story thats been told before, but not like this. There are simply too many little bits that make the film better than it should be. The cast is wonderful, and even if Carell is not my cup of tea, he is quite good as the widower who's suppose to know everything but finds that knowing is different than feeling and that sometimes life surprises you. At times witty and wise in the way that an annoying Hallmark card can be, the film still some how manages to grow on you and be something more than a run of the mill film. Worth a look see | 1pos
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] |
This movie had potential. I love time travel. And the idea of a paradox has infinite possibilities for a script. I actually enjoyed the way the Back to the Future movies dealt with the concept. However, from almost the first few minutes this movie is a bomb! The writing is terrible and the acting is bad. I can't believe the actors actually could keep a straight face while quoting their lines. And the make-up for the robot looked like something from 1969, not 1989. The best part of the movie happens in the first 5 minutes. The plane crash must have used up most of their budget. The only good thing I found was looking at Cheryl Ladd !! | -1no label
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] |
This disjointed tale of the strange (sex) lives of strange people is amusing, nay hysterically funny for about ten or fifteen minutes as the oddness and non sequitur nature of the story telling and cheapness of the film bombard the viewer in an almost overwhelming barrage of weirdness. Then the film begins to drone on as we settle into naked old people, the violation of stuffed bears, and cross cut sequences that don't really add up to much. Whats the point of all of this? Your guess is as good as mine. I'm some how of the opinion that the point of the film is simply to push buttons for good or ill, and push buttons it does. I have yet to meet anyone one who's actually made it all the way through the film, most abandon it somewhere along the way as simply too much to take. Film as endurance test? perhaps. I for one suspect thats probably the case with out humble director trying more to put one over on his audience rather than enlighten them. I of course could be wrong, but with out some sort of guide to the true "meaning" we're left to deal with the shock visuals which is all anyone will probably talk about anyway. For those who want want disturbing images and don't mind them wrapped in a boring confection. | -1no label
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] |
Mike Binder, who many know from 'The mind of the married man' has all the talent and capabilities of a young Albert Brooks or a Gene Wilder. This sex farce is right on and a perfect look at a the male scenario of his wife and a girl getting it on going bad. A fast (ninety some minutes) funny, (Hemingway is the funniest I have ever seen her) and fresh, (this is almost like a french film) Awesome little comedy. Don't know how I ever missed it but I rented it after seeing the TV series and laughed like crazy. Watch this with a date. You'll get the topics flowing all night. Also watch for cameos from Kevin Pollack and Steve Baldwin. Loved it!!!!!!! | -1no label
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] |
I am decidedly not in the target audience for this film. I am a man nearly 50 who has only recently stumbled across the world of independent film. This happened quite by accident, with the discovery of a movie called Clerks late one night on television. The first two things I noticed about that film were that it was 1) technically amateurish and 2) brilliantly written. When I read an interview with the director in the local paper and he said that one of his influences was Clerks, I started to get interesting. When he said his main influence was The Station Agent, a movie I'd seen on DVD a week prior, I decided I had to go and check it out. The result could be described along the same lines as Clerks, although the two films are nothing alike content wise. Both films suffer from technical gaffes that are overcome through amazing writing. Whereas Clerks is a day in the life of a man who has nothing in his life at all and is afraid to ask tough questions about himself and his situation, Less Like Me is about a man who seemingly forces himself to be constantly busy, he's always running one way or another, filling his life with little things so that he will never have to deal with the big ones. The themes and ideas of this film are strong and poignant. I can tell from watching it that not much has changed since I was growing up, young men still have the same problems they always have. The writer dresses up these problems and themes in the modern vernacular, crafts wonderfully honest characters, and has them do completely believable things. As far as indie cinema goes, this may not be perfect from a technical standpoint, but from an artistic one, it is very close. | 1pos
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] |
This was a real let down for me. The original Bride with White Hair is a great kung fu fantasy film but this one was pretty weak. I didn't care at all for the new characters who unfortunately dominated the screen time and the story wasn't well developed. While the first film was tragic and involving this one was tedious (as I merely counted the time to the end when the ill-fated lovers would actually meet). The action was poor in this one as well. The fights were not choreographed very well and there really wasn't much kung-fu at all. Just a few weak sword fights between the highly dis-likable Lui and one of Lin's henchwomen. Lin herself mainly uses a sort of telekinesis to throw people into walls and sometimes her hair, a far cry from the impressive showing with the whip and kung-fu she displayed in the previous film. I still gave this movie a 4 because at least it was fast pace and I did want to see what was going to happen at the end, though I (as most anyone who watched the first one) predicted it would go down the way it did and after seeing it I found it anti-climactic and wished they had either made a proper sequel or just left the story alone. I really recommend the first one but as for the sequel only fans of the genre and those who really want to see Lin as the bride one more time need apply. | 0neg
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] |
I gotta go with my boy Allen (who also reviewed this film)...ZOMBIE GANGBANGERS (as my copy is entitled - guess they left out the "NINJA" part after realizing there isn't a single "ninja" nor reference to ninjas anywhere in the whole f!cking film...) is a total wasted of time. Honestly one of the most boring, retarded "films" I've ever had the displeasure of viewing. A hooker is repeatedly (un-graphically) raped by two zombies, and then by a cop (again, un-graphically) when the cop doesn't believe her story. She meets a guy who was beaten up by said zombies and the two try to find a way to seek vengeance on the undead culprits... First off - there is NO "gangbanging" (or really other "banging" at all) to be had in ZOMBIE NINJA GANGBANGERS. I was hoping to at least get some sort of horror/porn hybrid a la PORN OF THE DEAD, or RE-PENETRATOR, or perhaps PERVERTED STORIES - but no - there was absolutely NO sex in this film. At least a bit o' the ol' in-out might have redeemed this boring garbage to some degree, but without it, we get a bunch of poorly shot scenes of complete boredom with zero payoff. I'm all for "trash" films and most other schlock, gore, porn, and exploit material, but this one honestly sucks in every conceivable way. Save your time, pass this one up...1/10 (and the one is only for a few brief shots of some sub-par titties...) | 0neg
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] |
This movie plays like a country song from the 70's. They didn't have a dog, but I'm sure it either ran off or died before filming started. Everything bad happens, constantly. This movie feels like it was created at a funeral home. The movie offer no hope. Even the ending feels uncomfortable. This movie is an onslaught of negative emotion. The only good thing that happens in the whole movie is the friendship forged between the little girl and the maniac. Then the maniac decides to dye the little girls hair black without the parents permission. Who does that? The movie starts at the bottom of a hill and goes down from there. Just when you think things have to get better, they get worse. This movie is a perpetual abuse of drama. This movie is a major downer! If you are feeling sad, please don't rent this movie. If you really enjoy other peoples misery, this is the movie for you! I sat through this movie because I rented it from Netflix. What a waste of a perfect summer afternoon. | -1no label
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] |
Ever since the first time I saw this movie, I have loved it. Even considering it was a low budget movie it was still a very good story and very well acted. I even like the roaches. My favorite part of course is the Landmaster vehicles it was and still is one of coolest movie vehicles ever made. There was even a Saturday morning TV show called "Ark II" (1976) TV-Series 1976-1979 that used the same concept for their vehicle and there have been other movies that used the same basic design for their stuff. some people don't like the ending, but I for one thought it is just fine, when you consider other movies like The Day After Tomorrow (2004) the ending is fine. I for always watch this movie whenever it on TV. One of the cool things is to watch two actors Jan-Michael Vincent who of course did Airwolf and George Peppard who was also on TV about the time doing The A-Team both in the movie is awesome. If you like, sci-fi flicks that entertaining then watch this movie and make up your mind. | -1no label
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] |
where ever I go, I get a movie pass at the local video store and just start renting countless videos. Dude wheres the party was one of those movies that was released with no advertising and even the rental i got a hold of had no box, just a DVD with the name of the movie and I don't even think it had a photo or anything it was just a white label with the name. so I watched it, and it focuses on the FOB.. F.O.B Fresh off the boat aspect of the Indian crew.. basically you have a bunch of Indians who are totally assimilated into American culture like our hero Kal Penn (no accent) and they basically have a tight party (according to them I suppose) but the FOB's show up and they don't want to let them crash the party. and some girl gets mad at Kal for being insensitive and so he has to make it right. I was a little surprised that Kal's character didn't notice right away that the fobs were trying to get in on the action but he seems really out of it until the girl gets mad. Its a bit lame, most people can pick up on a group of people looking for action. I'm sure there is more to the movie than that but it boiled down to this. if you're going to have a huge party for your Indian friends, you better make sure that you give individual invitations out because that kind of event will be crashed every time by FOBS. Personally I don't have a problem with FOBS of any type, they're more fun than some of these dead beat Americans I know, and if they're crashing a raging party they're probably open minded at the very least. Let em in FOOL, they're here to party! LONG LIVE HAROLD & KUMAR! DJ LIQUIDSMOKE | -1no label
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] |
Don't let the somewhat all-star cast in this movie fool you into thinking it's any good. Not that it's all their fault. I believe most of the blame needs to be placed on the awful writing and directing. Not once during this movie did I feel any empathy for any of the actors and good lord the action was so predictable. The title is even unimaginative and pretty meaningless. Bettany, although great in other roles, has a hard time convincing me he could kill someone. I have a hard time believing Ford gave a crap about this movie, when he can't even convey that he cares about his wife or family. I love the line where he's trying to find his family and says "I'm going to find my dog". The humor is flat and timing is awkward. Please don't waste your time with this horrible film. | -1no label
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] |
I saw this movie the other night and I have to honestly say it's one of the worst films I've ever seen. The acting is fair, but the plot is totally ridiculous. A killer is born because of all the "energy used to make the movie" and if the film is burned the killer will die? How unbelievable is that? The characters were underdeveloped to say the least...for example, all of a sudden the man mentions "Aren't you trying to complete the film because your mother couldn't?" So we're supposed to go along with this? We had no idea it was her daughter until half way through the film. The movie really didn't spotlight on anyone, we didn't know anything about the main people who survived except Ringwald's character was a whiney actress, the guy was on the set when the people died and Raffy wanted to be a director like her mother. Not truly diving in to know who they are. Seemed things were rushed to just get to the killings. The whole plot is entirely too weak for my taste and I was extremely disappointed. Anyone who enjoyed this piece of crap, obviously needs to learn a thing or two about film making. I can't believe anyone would agree to star or even work on this picture. It's not funny, it was not scary and was cliche through the entire film. I found myself predicting what would happen before each scene, which believe you me wasn't hard at all to do. It's a disgrace and I'm deeply sorry I wasted an hour and a half watching the mess. 1/10. | 0neg
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] |
Below average hostage/hijacking/political thriller. Looking at the cast, one would expect this movie to be worthy of one's time. Harrison Ford, Gary Oldham, William H. Macy, Dean Stockwell, Glenn Close - names that should amount to a watch-worthy experience. However, the movie falls short on all accounts. Warning: This comment contains minor spoilers. A poor man's version of the Jack Ryan series. Harrison Ford plays the role of president Marshall, on board the USAF1 which gets hijacked by Kazakh terrorists. Having recently given a speech on his new Just Say No-politics towards terrorists, negotiations appear to be out of the question. Not all of his government and staff agree on this, however. This could have made an interesting movie. The tension in the White House, when faced with the fact that it is the country's leader who is taken hostage, combined with the political intrigues that arise in such a situation, should have been exploited further. Instead, we are treated with the traditional gung-ho blazing guns solutions where one man saves the day. We've seen it a million times before, and a hundred times better. Even the special effects are highly ordinary. A lot of them are clearly computer generated, and it is a let-down when it becomes this visible. Better airplane fighting scenes were filmed 40 years ago. Every cliché appears, even the amazing "fighting inside an airplane with a big hole in its side, without being sucked out into thin air" scene. Some enjoyment can be had from trying to find the most stupid scene. My favorite: Look for the parachuting secretary with a happy smile on her face, 15000 feet above sea level, wearing only a thin blouse. From the acting, it seems that the actors are aware that this is not the movie they will be rememvered by. Particularly disappointing is Gary Oldham on autopilot, as the one-dimensional villain. Ford ditto, as the good guy. While it is reassuring to see that the American president saves the day yet again, not even the casting crew stars can save this film. In the computer world, GIGO means Garbage In, Garbage Out. It applies here as well. Spend more money on the manuscript next time, Mr. Petersen. Avoid: 4/10 | -1no label
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If you want to see a truly bizarre '30s flick, catch this one. Wayne Morris and Priscilla Lane star as a couple who work in the city and then move to the suburbs. He keeps working, she stays home. She has a maid. She picks him up from the 5:15 train each day. She hates it and leaves him and goes back to work in New York. Then she informs her husband and the world she's leaving for Paris with a friend. Morris chases after her. The friend, by the way, is Bogar before he became a star. This film was a programmer, slotted in as a second or even third feature on a single bill. Morris is a horrible actor and thoroughly unconvincing as a businessman. Lane channels Ginger Rogers throughout, which is unsettling. Bogart merely treads water. And the film is poorly written. While it was billed as a comedy, it is more of a drama -- with cartoon music constantly playing in the background. Filmed almost entirely on the lot, it gets a little jarring during a brief car chase, the footage of which doesn't match the rest of the photography. If you watch it, take it for the curio that it is. Better yet, watch a BLONDIE flick instead. Better plots, better acting, more believable. Blondie was played by an actress named Penny Singleton, who just so happens o appear in this flick. | -1no label
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] |
"Right at your door" was a movie conceived on the current terrorism format. From the get go, one settles into believing that this will be man against a more sinister toxic annihilation. We open with a relationship in the bedroom, (Brad & Lexi), that oozes devotion. Brad has doted on Lexi, with candle light dinner. Coffee in bed, He even warms the shower up for her. The affection continues until Lexi leaves for her downtown office & working day. When the explosion is announced, Brad is slowly dragged out of his morning torpor with the horrific realization that Lexi is in the middle of it. He is frantic. Numerous attempts to get to her, with no regard to his own safety, fail. An aging Handyman caught out working on a neighbors house frantically seeks refuge & Brad lets him in. The Handyman has to sit through Brads soul destroying anguish at the realization that Lexi was probably a victim of the explosion. We get 20 minutes of grief, anger, frustration, then mental exhaustion, before he is finally convinced to seal the house against the impending toxic pollution. Then out of the blue, Lexi turns up, & Brad says "You can't come in, you might infect me" SAY WHAT!!! Even when the Handyman explains that it's worth the risk that he be with his wife & leaves, Brad is adamant his skin comes first, but concedes to sealing off a room so Lexi can come in out of the cold. How freaking compassionate!!!! The end comes when the disease police gas the self-centered Brad, who finished up infected anyway, in his own "fort", & Lexi gets a 5 minute paramedic treatment & is told she'll survive. Hooray says everyone,, Now the writers can get back to their crayons. I've seen better plots in a 30 second Ad. | -1no label
| [
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] |
Come on, what is the deal with this show, Power Rangers anyways? I always felt that the show, which was originally brought over from Japan in a better form, took what was great in Japan, and turned into one of the most ridiculous and pointless excuses in toy merchandising history! There is absolutely no point with this show whatsoever. The bad haircuts, bad costumes, earrings, etc, all show what was ridiculous back in the 1990s From the two idiots, Bulk and Skull, to the "duhs", of the main cast, Jason, Trini, Tommy, Kimberly, Billy and Zack, I just want to say one thing: GIVE ME A BREAK! Saban brought this from Japan, and then Disney bought the rights to this show around five years ago. Now the public has to endure reruns of this show on the Disney channel and such. All I can say once again is give me a break! | 0neg
| [
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] |
( HR is what Himesh is called in the movie, I think he likes it too. ) It's amazing how intelligent people, talented even fall in to the same trap. I really like Reshamiya. It's amazing what he has done. No one in recent years has come back from the wilderness and made a mark for himself. And I truly expected a great film ( What with the budget of 50 Cr and the cute actress ). As intense as Reshamiya is I thought, he would excel at a sentimental and an emotional role. Ironically he is depicted the same but for what care? Sheer incompetence, carelessness, awful acting, banal background music, insensitive direction make it a real pain. Blunders rule. ( Ex. How can German Police issue public instructions on a loud speaker in English? They communicate among themselves in English!) Unfortunately this incompetence has become the standard in main line Bollywood. There are some excellent directors but many a bad ones too. The worse thing is that the majority just doesn't care. Songs are the only saving grace... Please don't repeat this HR and find yourself a good director ( low budget.. No problem). The villain should really have shaved his head instead of the wig you know... after all it's a 50Cr movie. | 0neg
| [
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] |
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