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Adam Sandler returns to his true comedic form - making people laugh at stupid jokes, sight gags, etc. However, he is locked in his character as a moronic waterboy that hardly ever can break through to Sandler's true hilarious ability. Since Sandler was co-writer of this movie, he relies on the supporting cast to deliver his sense of humor. No one can be Sandler but Sandler. His humor is unique and genius - yet the cast doesn't deliver - Cathy Bates is terrible, Fairuza Balk is OK. The only standouts are The Fonz and the Cross-Eyed football player. A good rental. | -1no label
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I was in the 4th grade when this series came out. I bought the "planet of the apes" magazine every month and read it cover to cover... I was very, very much a Planet of the Apes (POTA) fanatic. I remember learning that POTA was coming to TV and was beside myself with joy. It was the greatest TV event of all time as far as I was concerned. But even at that young age, I was only half way through that first episode when I realized that it was really, really bad. The idea that I was going to be able to have POTA on TV...at home!...was amazing to me. I wanted to like it and was willing to forgive all sorts of junk, but I couldn't do it. I watched each episode, but it really felt like work to sit through. It was just bad, bad mid-70's TV that had people in ape suits. I would compare it to a Starsky and Hutch sort of thing, but that was a much better show! | -1no label
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Can anyone tell me where I might find The Dave Thomas Comedy Show (1990) in either VHS or DVD to purchase? I thought the show was excellent and particularly enjoyed the skit with "The Frightened Brothers" which I believe included Martin Short, Chevy Chase, and Dan Akroyd. I saw this show on television over 10 years ago. I thought it was one of the funniest television shows I have ever seen. Dave Thomas was undoubtedly one of the most creative comedy writers out there. I would have enjoyed watching another one of his shows. I am pleased to have found this web site for matching actors/actresses with movies and television. Two national retail chains suggested that I contact IMDb for further research. Thank you for providing such thorough research. I hope to hear back from someone soon. Thank you. | -1no label
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I just watched Antwone Fisher on BRAVO. What an awesome movie and incredible young man. This movie is a must see for anyone who is dealing with how to overcome childhood abuse and abandonment as an adult. Denzel Washington puts in an outstanding performance as well as the young man who plays Antwone Fisher. Kleenex alert--Feel good and tearful. The most heartrending moment is when he finally meets his mother, who he was taken away from at 2 months of age. And one of the most courageous was when he stood up to his abusive foster mother and sister. I saw this movie on Bravo in 2008 and only wish I had known about it years ago. Definitely a movie to add to my DVD collection. | 1pos
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It ran 8 seasons, but it's first, in early 1959, and it's last, in the autumn of 1965, were shorter than seasons 2-7. CBS chief William Paley canceled Rawhide's production after watching the 1st show of season 8, in September, 1965, because he disliked the series without Eric Fleming as Gil Favor, who had departed after season 7. The last new episode aired in November, 1965. The lone 1966 CBS broadcast, on January 4, 1966, was a rerun. I have often wondered why Rawhide didn't switch to color filming for it's last season? Most of the big westerns of the 1960s had gone over to color by 1965. CBS was broadcasting in color that autumn, for many of their sitcoms, but westerns like Gunsmoke and Rawhide remained in black and white. Gunsmoke was the last western (and last prime time network series to switch to color) on September 17, 1966, for the episode Snap Decision. | 1pos
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] |
I am the guy who usually keeps opinions to himself, but I just got back from this movie, and felt I had to express my opinions. Let me start by saying that I am a HUGE horror fan. But what makes a horror movie? I sure like to see even a tiny bit of a good script and character development. I know they often lack in horror movies, but Prom Night looked like it didn't even put forth ANY effort in that department. Next, we all love suspense. That on the edge of your seat suspense with unpredictable surprises. Yeah, Prom Night had none of that! Of course, we like a terrifying killer. Prom Night have that? Nope, it has a pretty boy with a cute lil' knife. And when all else fails...at least horror has its guilty pleasure to make it enjoyable like gore gore gore, and the occasional nude scene! Yeah, well when you have a horror movie rated PG-13 like Prom Night, they leave that stuff out too. So with all of these elements missing, I ask....does this still count as a horror movie? Nope. I'd call it more of a comedy. People in my theater were laughing more at this then they were when I saw "Semi-Pro" that was supposed to actually be a comedy (which also sucked, but thats another story!). I think I am just going to have to give up on new horror. All the good horror movies of the good ol' days have been remade into garbage so movie studios can make money. The people I went to see it with didn't even know this was a remake! Which made me mad! I wonder what will happen when there's no more movies to remake??? Where will horror go next??? | 0neg
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] |
There was a point - as the film was starting - that I felt that maybe I had had low and unjustified expectations of this film over the last couple of years: forget the bad reviews and box-office sales at the time of its release, and instead concentrate on the actual film itself. After pressing play on the VHS, this rather confused and quite frankly stupid reason of thought was quickly diminished after the first ten minutes or so had passed by. I won't go into the story much (it does exactly what it says on the tin, except it doesn't scare or entertain) as there isn't that much of a story, and what there is of it feels like a contrived mess that looks like it was thought up by an arrogant 15 year-old who thinks they're a genius (but they're NOT). Most of the film seems to consist of each character walking about in the dark for a bit, and then getting killed. No real scares to speak of, although the crap-looking student nightclub was a bit of a fright I can tell you. | -1no label
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Cage plays a drunk and gets high critically praise. Elizabeth Shue Actually has to do a love seen with the most unattractive and overrated piece of dung flesh in Hollywood. I literally vomited while watching this film. Of course I had the flu, but that does not mean this film did not contribute to the vomit in the kamode. Why can't Nick Cage play something he can really pull off like a bad actor. Nick Cage who be brilliant in a role as a bad actor. Heck nobody could do it better. The search begins for Nick's contract with Lucifer or was it Lou Cipher from "Night Train To Terror". | 0neg
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] |
This is a WONDERFUL movie. Why it wasn't released for home video....Its a beautiful story of a widower (Holden) and his son who feel they need a woman around the house. A neighbor recommends a bond slave (Young) and after persuasion, he reluctantly marries her. She moves in but finds there is not a welcome wagon from the boy or Holden! She is just a housekeeper to them. A wily bachelor friend (Mitchum) shows up unexpectedly and has eyes for Young! Holden doesn't know what to think. He hasn't gotten over the death of his wife yet and can't love Young, but with Mitchum's arrival he starts to get jealous! Simple but deep, touching story with nice filming and awesome performance by all. Especially Mitchum as the lonely bachelor trying to steal Young. Catch it on the classic movie channel. | -1no label
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] |
This film is a very good movie.The way how the everybody portrayed their roles was great.The story is nice.It tells us about Raj who is in love with Priya.They get married.She later becomes pregnant.But shortly their is a problem.Sadly they wont get the child.Raj later meets Madhu.He bribes her.She later becomes pregnant but she is not married to him.The movie is very good.The dialogues are wonderful.The songs are melodious to listen.The picturisations are good.The wedding song is very colourful.Salman,Rani,Preity were excellent. .The cinematography is excellent.The film is beautifully pictured in Swiztertland.The cast makes the movie great to watch.Worth the money and time.. Rating-8/10 | 1pos
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] |
At times I felt this film might have been adapted from stage-theatre, so good are the dialogues; scintillating, the right way to speak Spanish if you will excuse the `porteño' accent so very necessary for the film. The old `maestro' Federico Luppi is about as good as in any other film I have seen him in, I suppose; Juan Diego de Botto is better than in other films of his that I have seen; but the real standing ovation is for Eusebio Ponce who plays very delicately and intelligently the philosophical homosexual, and Cecilia Roth is outstanding as the film-director's girl-friend. Though I must say that I am beginning to get accustomed to Cecilia Roth being outstanding in everything she does. The direction is right spot on; tight, befitting the excellent playing out of the dialogues and demanding great skill with the camera and later the person with the scissors. Adolfo Arastarain worked hard for this one: the result is a hugely satisfying piece. Once again, as erstwhile said elsewhere in IMDb, for those who like real character-driven pieces with intelligent dialogues, this film is highly recommendable. However, for those of you with a fair knowledge of Spanish, if you are not used to the Argentinian (porteño) accent you may well have problems, such that you will need the subtitles. It is worth the effort, I can assure you: just over 8 out of 10, which is pretty high on my scale. | -1no label
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] |
I was delighted to see this gem of a film available on DVD. Despite being a 'TV Movie' and shot on 16mm, it provided a wonderful insight into the different types of people who wanted to become a 'London cabbie', along with their foibles and family commitments. Even the most hapless of candidates, 'Titanic' with his uncommunicative wife, it was possible to see how Jack Rosenthal was able to craft an often funny and sometimes tragic snippet of London life into an entertaining 90 minutes. Originally premiered as a vehicle for Mick Ford (pun intended), the quality of the acting from an ensemble cast including Michael Elphic, Nigel Hawthorne, Jonathan Lynn, Lesley Joseph and Maureen Lipman (Mrs Rosenthal) meant Mick may have had top billing, but he had to work hard in the face of such competing talents. Even 15 years after its 1991 release, it is still as fresh as ever! | 1pos
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] |
This is truly a great film. Well done by all. Writing, production, acting. Incredible!!!!! I want to see a director's cut on DVD of this film!!!!! Busey was fantastic as Joe Wheeler and Sam Elliott, as always, does a fantastic job. His Bucky O'Neill was very well done. We can never have enough Sam Elliott westerns!!! We need more Sam! I give this film the highest of ratings! It is a must see by all! Thanks to the vision of the great John Milius, we have another film that salutes and pays honor to our veterans! Get this film out on DVD right away!!!!! Uncut, trailers, and the Making of...documentary. All the fans are begging for a DVD of this monumental motion picture! | -1no label
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] |
Oh Dear, Jerry may be the undisputed king of talkshow but the movies are a whole different ball game, and he's way out of his league. The script for this film is so poor it has to be seen to be believed and its sad to see such vaguely familiar actors as Michael Dudikoff (80's action B'movie king), Michael Jai White (Last seen in the Sci Fi flop Spawn') as well as Surviving the Games' William MacNamara (who is involved in the only half funny situation in the whole film!) stoop this low for employment. If you are a fan of Jerry then stick to his TV show as this is a total waste of and hour and a half. After I had finished sitting through this I managed to catch the last half an hour of Rocky 5 on TV, which looked like a cinematic masterpiece in comparison, I think that says more than enough!!! | 0neg
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] |
What can be said about THE NIGHTMARE NEVER ENDS? Well, it's NOT a quality film. Everything about it is bad: acting, dialogue, script, cast, cinematography, etc, are all way below average. It's a truly wretched film of cataclysmic proportions. For instance, take the dialogue: Cameron Mitchell says at one point, "I see swastikas swimming in my oatmeal!' which had me rolling on the floor. It's my new all time favorite line of dialogue. In another scene, a vigilante sorts named Papini wants the Nazi war criminal killed. He's been stalking a doctor (played by Faith Clift) and wants her to kill the criminal. One day, Papini storms in her office without her permission and asks her why she didn't kill him when she had the chance. So how does she answer? "I'm a doctor, I cannot kill." That's it. No anger or anything. It's priceless. Faith Clift is the worst actress of all time. With that being said, the film is totally unforgettable, not just because it's so wonderfully bad but because there are some truly effective moments in it. Yes, even with its staggeringly inept quality there are several moments that elicit real horror or shock. More so than any horror film made these days. The state of horror films today is truly sad when a disaster like this is more effective than 90% of all horrors films made today. The effective moments come out of nowhere: when someone takes his shoe off...didn't expect that! A nightmare inducing scene; the nightmare sequences are so bizarre and weirdly shot that they're oddly effective; the discotheque is...eh, weird. It makes me more uncomfortable than anything else in the film; the actor who plays the Nazi war criminal is just weird; and last but not least the ending which has to be seen to be believed. My jaw was on the floor. Needless to say even with those effective moments the film is still crap. Well worth watching if you're a fan of obscure horror flicks or "so bad it's good" movies. Everyone else should abstain. | -1no label
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] |
Michael Kallio gives a strong and convincing performance as Eric Seaver, a troubled young man who was horribly mistreated as a little boy by his monstrous, abusive, alcoholic stepfather Barry (a genuinely frightening portrayal by Gunnar Hansen). Eric has a compassionate fiancé (sweetly played by the lovely Tracee Newberry) and a job transcribing autopsy reports at a local morgue. Haunted by his bleak past, egged on by the bald, beaming Jack the demon (a truly creepy Michael Robert Brandon), and sent over the edge by the recent death of his mother, Eric goes off the deep end and embarks on a brutal killing spree. Capably directed by Kallio (who also wrote the tight, astute script), with uniformly fine acting by a sound no-name cast (Jeff Steiger is especially good as Eric's wannabe helpful guardian angel Michael), rather rough, but overall polished cinematography by George Lieber, believable true-to-life characters, jolting outbursts of raw, shocking and unflinchingly ferocious violence, a moody, spooky score by Dan Kolton, an uncompromisingly downbeat ending, grungy Detroit, Michigan locations, a grimly serious tone, and a taut, gripping narrative that stays on a steady track throughout, this extremely potent and gritty psychological horror thriller makes for often absorbing and disturbing viewing. A real sleeper. | 1pos
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] |
I detest slapstick and even as a child I could never understand why an audience laughed when people got poked in the eye (the unspeakable Three Stooges), fell down (the mawkish, tiresome Charlie Chaplin), or ran into and destroyed things (the ineffable Ritz Brothers). This is the only movie I have ever seen in my life where I not only thought the slapstick was hilarious (trying to impress the blind date), but it made me laugh out loud---something I don't think I've done more than two or three times in watching a movie. This is comic perfection from beginning to end, and not even the dismal, dislikable, annoying Diane Keaton (what IS it that is so off-putting about her?) could hurt it. Allen, in addition to his many other talents, is a brilliant actor-comedian. His characterizations are so good as to transcend acting---it is as if one were watching him being secretly photographed from real life. I don't know another movie actor I can say that about. | -1no label
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] |
...and even then, even they can live without seeing it. To be honest, this film (if one deigns to call it that) is of real interest only to bondage freaks. Bettie Page fans will learn absolutely nothing new (and I do mean *nothing*), nor will they enjoy the warm fuzzies of experiencing anything familiar, loved, or cherished. Nevermind the abysmal screenplay, the wooden, less-than-community-theater acting, the utter absence of direction, the crappy lighting, or any of the rest of the bargain basement production values. This is definitely "Hey, kids, let's make a movie!" movie-making of the lowest order. I suppose one could be thankful that at least they knew how to run the camera. No, I'm sorry to say that none of that is germane to why this thing is so outright *wrong*. It's wrong because the young lady playing Bettie Page, a somewhat zaftig girl whose only resemblance to the Queen of Curves is dark hair and the trademark bangs, utterly fails to bring anything to the role beyond a willingness to be bound and gagged. This is apparently a good thing for her film career before and since this wretched excess, but not for the wretched excess itself, which consists primarily of a number of lovingly re-enacted B&D set-pieces sandwiched between horrendously awful faux-biographical scenes delineating Ms. Page's fall from grace (so to speak). There's actually probably more information, per se, about Page's life in the opening and closing credits than the rest of the movie. Do not be fooled. This is not a worthy companion film to "The Notorious Bettie Page." This is not a worthy film at all. This is a fetish piece that trades on the allure of one of the greatest pin-ups of all time, and does it without class, without style, and without any real sense of understanding the character of Bettie Page whatsoever. No true Bettie Page fan will find it to be anything but a disappointment, I guarantee that. Avoid at all costs. If free, remember that time is money, too. Yours may not be worth much, but I'm betting it's worth enough that you'll be sorry you wasted time with this one. That's it, I'm done, you've been warned. | 0neg
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] |
This movie is what it claims to be! It does not claim to be realistic, it claims to be a funny revenge story on somewhat, what really needs to be revenged. This movie is not education, it's only a very small part and a wet revenge dream against the other part on the scale pan, we see everyday: The awful TV program, which became our religion. And on the other side, where it should be in balance, but is not - it's like that: Total Trash. Incredibly stupid game shows, which try to force people to call and to give money for nothing, like for example: "Yes now you can win even more, tell me when do you have birthday!... 21. of August?! Oh i am so sorry, you would have won if it were the 31. of June." Or somewhat - the next superstar model casting shows. - Like it's so good to get money for doing nothing. TV became our religion, so that we reconstruct our world from, what we see and believe to be real a few people tell us so (not very normal people, who have much free time to do so). And the problem is, that we partly have to believe that it is real, so i just don't get the critique of some people "Weingartner used trash to bury trash"... The problem is - our world is slowly becoming trashier everyday. So what. Hit it with it. It's just a nice and funny movie, which unfolds to show a bit how it could be and that supposed clarification is never total. This movie has the claim, what i would call, to have a nicotine patch effect on the media world. It's not as good as a cigarette (which is trash) but it tries to help against the pain. And i think this effect is the reason for bad comments. Not for me - Because of the message - i like it and give it a ten plus. | -1no label
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] |
I can't help but laugh at the people who praise this show as heartwarming and tear-jerking. For one, it's entirely unrealistic that these people will have perfect lives after their new homes. How can these families afford to maintain these new mega-houses? And what about their poor neighbors? Property taxes must surely increase after this happens. Plus, the noise would annoy me. Second, how excessive can a reality television show become? It's practically the same repetitive junk week after week. We're introduced to a suffering family, they renovate the home, then surprise the family and everyone breaks out the Kleenex boxes. Not to mention how boring the renovation part is. The only interesting part of the show is to see what the house looks like, but even that segment is destroyed by the phony confessionals and constant sobbing. "Extreme Makeover: Home Edition" is a show pretending to be heartfelt but it falls flat. Skip this one. If you like reality television, "Survivor" is far superior and moving. | 0neg
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] |
I also saw The Last Stop at the Moving Pictures Film Festival in Prince George. I have to confess, the only reason I went to see it is because I am a huge Callum Keith Rennie fan. And he didn't let me down. He gave a good performance of a rather unsympathetic character and provided about the only comic relief in the whole movie. The movie itself is the usual 'lots of bad people trapped in a snow storm together' storyline, but it did have a couple of twists that kept me guessing. The characterizations were strong and the whole cast performed fairly well. The only problems I had with the cast was Rose McGowan. She was so cold throughout the movie that we didn't get any idea of her character's personality or motivations. Other than her and a few small problems with continuity, this was a well-written, well acted thriller. | 1pos
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] |
This film has a cult following, much like Stuart Gordon's Re-Animator or Sam Raimi's Evil Dead, but isn't close to entertaining as the two cult classics. I am a huge fan of cult films - I even enjoy such obscure cult flicks like Head of the Family and Don't Look in the Basement, so I was anticipating an enjoyable ride with Basket Case, but it didn't deliver. Everything about this film is bargain--basement, from the acting to the effects. The stop-motion effects are TERRIBLE. I realize this isn't Harryhausen, but low-budget filmmaker Brett Piper uses stop-motion quite well. The film tells the tale of conjoined twins - one little more than a head growing out of his fully developed brother's right side. His father hires a trio of quack doctors to remove the head, named Belial, from the body of the anatomically correct Duane. The doctors throw away Belial after removing him from Duane's side, but Duane picks his brother out of the trash bin and they go on a revenge murder spree, killing the doctors who separated them. STORY: $$$ (This isn't the problem. The story is interesting but everything else is muddled. This dialogue is bad and the effects are terrible. In more capable hands, this could have been the cult classic that some people proclaim it to actually be). VIOLENCE: $$$$ (There is plenty of blood in this film. The best scene is when Belial gets busy with a set of scalpels and plants them in the female doctor's face. If gore is your thing, then this won't upset, but if you like well written dialogue, then don't bother). ACTING: $ (Terrible, from top to bottom. There isn't a soul in this film with a shred of talent. The lead, Kevin Van Whatever, is in desperate need of acting lessons as is his love interest, Terri Smith, in her only film credit mind you. The doctors were poor actors and the people inhabiting the motel seemed plucked from off the streets). NUDITY: $$$$ (Plenty of it - men and women | -1no label
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] |
Well, I was hoping I'd heard wrong about this film as I'm a big fan of Ruggero Deodato and really didn't want to see him slip up; but unfortunately, this Giallo-styled supernatural load of nonsense is just as bad as I'd been lead to believe it would be - and that's pretty terrible! The plot doesn't work at all, as the film attempts to blend murders and a supernatural theme through a telephone and it all feels very forced and silly. Furthermore, the plot doesn't make much sense at all, and you have to ask yourself "what's the point" numerous times throughout the movie. The plot focuses on a young woman living in an apartment block and being terrorised by a telephone. The best thing about the movie is undoubtedly the presence of the beautiful English actress Charlotte Lewis, and unfortunately the good points pretty much stop there. There are a handful of deaths scenes, some of which are gory; but all of which are incredibly stupid, the one that sees someone get killed by coins sticks out especially in that respect. Overall, I really can't recommend this to anyone; non-Deodato fans are unlikely to impressed, and Deodato fans are likely to find the film depressing. Avoid! | 0neg
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] |
Something that really does not go down right with Al Gore (and his supporters)'s theory is the whole thing about "concensus". If there were such a consensus, why is it that the "believers" in the almighty global warming feel the irrepressible need to try and bully anyone who questions them. Why is it that anyone who does not toe the line on global warming is met with smug accusations of being either stupid or on the payroll of the oil companies (apparently being a professional global warming researcher does not mean you're on anyone's payroll in that wondrous world...) Why is there such a need to tell everyone how the whole question is settled, when it is the very nature of science to honestly question assumptions? For some ideas on the answer to those questions, read Prey by the well-know oil-stooge Michael Crichton... oh wait, he is rich and not on the payroll of the oil companies. He just took a huge career risk in not toeing the line of the Greens and other Kyoto worshippers and told the truth as he researched it. By the way did you know that abiding to the Kyoto protocol would result in almost no lowering of temperatures, according to its own backers? Just a few questions that Al Gore made sure to stay away from lest he not get every penny of the environmental lobby in case he decides to run again. So who's a stooge..? | 0neg
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] |
and abysmal, over-the-top acting, you might enjoy this rubbish flick.Apparently atomic bombs makes life mutate in about a day or two (or according to other viewers, wake them up). Or so it seems. And apparently massive atomic explosions off the coast of Spain doesn't make anyone ask any questions at all. Coming to think of it, the plot doesn't make sense in any way whatsoever (why would evil sock puppets attack lighthouses?), so the nukes going off for no reason at all doesn't stand out too much. OK, getting past this, and the fact that the "monster" is a glorified thing you make of socks in kindergarten, you may actually be able to stand this. But for once the complete lack of gore doesn't help, leaving the monster attacks in all their naked rock-bottom-budget "glory". I doubt you'll be able to watch this though, so better stay well away. | 0neg
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] |
This goes to Marcos Lobato. This is an answer for "insights" There is no "discuss about" in English. You must say "discuss something" or "talk about something". And this movie is only nice photography, nothing else. They pick up an exclusive amateur duet of childish pop music siblings and tried to make them stars. There are nothing but didactic for kids. Brazilian movie industry still needs a lot of improvement concerning casting !!! Anyway, the lead characters cannot be rated good actors. That's all I think. That's my opinion folks. Thats it. There's no way it's over. Good Luck!! | -1no label
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] |
Orson Welles manages to knock me on my ass with every picture of his I see. Lady of Shanghai is on the same level as his other masterpieces, The Magnificent Ambersons, Touch of Evil, The Trial, and Chimes at Midnight. The plot can tend to be confusing sometimes, and sometimes it seems to be moving maybe a tiny bit too fast (about an hour of it was edited out when test screenings went poorly). It doesn't matter, however. You can't watch Welles' films and manage to concentrate too much on the plot. His direction defines what great direction is. Almost any scene from this film can hold up with any other scene he directed. Check out the courtroom scene. Usually they are such stock scenes that I can't stand them. Case in point, try to sit through Welles' own speech near the end of Compulsion. In Lady from Shanghai, just pay attention to the level of detail in that courtroom scene. Watch that juror who is always sneezing and interrupting the proceedings. Or just take a look at the lighting in that scene. I know, it is just a simple Venetian blind, and that it was used constantly in film noirs and crime films of the era, but Welles gives it a beauty all its own. The dialogue is also remarkable. Welles had the skill, a skill that no one else seemed to have, to make a crime film containing examples of the grandest poetry. Whether he was speaking Shakespeare or spitting out hard-boiled lines, it had the power to stir the soul. 10/10. | 1pos
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Lackawanna Blues is a very moving film depicting an era filled with varying emotions and characters as seen through the eyes of a young boy. The film clearly supports "it takes a village to raise a child" and reminds of an important time in black history and culture. I gained an incredible amount of respect for Macy Gray as an actress. Her character was a little crazy, yet lovable; clearly we all have known someone like Macy's character. S. Epatha Merkerson is absolutely fantastic as Nanny. I never realized that Epatha was such a great actress. Law & Order never showcased the depth of Epatha's acting abilities like Lackawanna Blues. I was pleasantly surprised and amazed! The music and the characters reminded me of my own childhood...it was a sweet nostalgic walk down memory lane. I truly enjoyed the film and eagerly await the DVD release to add to my collection. | 1pos
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It was a light hearted-animated-comedy-for the whole family. It taught good values, like take pride in what you do as a person. But it was geared in my opinion toward little kids. I took my 3 cousins (3 years to 8 Years) and they loved it but they wanted to get bees as pets.... try to explaining why a 3 year old can't have a bee as a pet. When i saw the parts in the court room the way the bees moved in sync it was amazing. It has nothing on the original computer generated movie "Shrek". It set all kinds of ground work for newer movies like The Bee Movie. The CG of the bees flying was a pretty cool look how they all flew in droves just like it was an actual bees taking flight. I think that there should be more family friendly films like this one. But, all in all it was a good Flick. | -1no label
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As an ex-teacher(!) I must confess to cringing through many scenes - 'though I continued to watch to the end. I wonder why?! (Boredom, perhaps?) :-) The initial opening scenes struck me as incredibly mish-mashed and unfocussed. The plot, too, although there were some good ideas - the plight of a relief teacher, for example - were not concentrated enough in any one direction for 3-D development. Not one of Mr Nolte's finer moments. As to young Mr Macchio, does he speak that way in *every* movie? Plot and acting complaints aside, the hair-styles alone were a nostalgic (if nauseating) trip. | 0neg
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] |
I thought there might be some level of worth to this movie, and sat through the whole thing. I can summarize by saying it left a bad taste in my mouth. The movie started out OK, I think the initial characterization of Herc was true to the myths. Both as a child and a young adult he started out pretty strong but not the brightest bulb. But later on he somehow transforms into a charismatic speaker beloved by all. Huh? Other problem: terrible CGI. The satyr looked OK, but the rest of the critters just looked terrible, especially the hart, the phoniest looking beast in the movie. And how come Leelee Sobieski's skin was sometimes golden, sometimes normal? The worst part for me--and everyone should cringe at this--was the twelve labors of Hercules. Because the producers obviously didn't want to cover all of them; maybe they thought us primitive screw-heads watching this garbage couldn't count that high. Instead of the TWELVE labors of Hercules, we got the FIVE labors of Hercules. Yes, the five labors! WTF?!? He did't even finish the last one, so it was really the 4 1/2 labors! Just terrible. I'll take Hercules: The Legendary Journeys over this piece of crap any day of the week. | 0neg
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] |
How to make SATURN 3: mix a little ALIEN, a little SILENT RUNNING, a little DEMON SEED and then burn it in the oven. Kirk Douglas and Farrah Fawcett man a space station on one of the rings of Saturn --- for what purpose is anyone's guess. They take pep pills and exercise a lot. Their new-age Eden is invaded by psycho Harvey Keitel who unleashes a horny robot on them. Douglas and Keitel fight and the robot, named Hector, takes a shine to Fawcett. This is a terrible movie. It's surely the worst thing ever directed by the once great Stanley Donen. Poor visual effects and the inexplicable fact that Keitel's voice was dubbed by a British actor add to the movie's overall cheesiness. | -1no label
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] |
This was an abysmal show. In short it was about this kid called Doug who guilt-tripped a lot. Seriously he could feel guilty over killing a fly then feeling guilty over feeling guilty for killing the fly and so forth. The animation was grating and unpleasant and the jokes cheap. It aired here in Sweden as a part of the "Disney time" show and i remember liking it some what but then i turned 13. I never got why some of the characters were green and purple too. What was up with that? Truly a horrible show. Appareantly it spawned a movie which i've never seen but i don't have any great expectations for that one either. | 0neg
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] |
The A-List Chinese-cast could not save this movie to get bored after one hour. Since the stories around the aunt are not connected with each other it's like watching 5 movies in a row. The story is just not good enough to keep the audience interested what's happen next. The music is to heavy to a "supposed to be funny movie" and does not support the story at all. It seem's the writer who wrote the award winning movie Peacock as well is better in writing sad stories. Yun Fat Chow & Siqin Gaowa play nice but there is no magic you can feel between them. A astonishing performance (unfortunatelly to short) gave Shi Ke as a poor mother with a sick kid in a hospital. Unfortunately for Chao Wei; her performance came last when you already lost interest. If you really want to see a funny Chinese movie with a great story watch "Crazy stone". | -1no label
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I can't believe this movie is so highly rated. All I can see is a badly written, badly acted mess. It tries to be heartfelt and bittersweet but it ends up just being creepy. The main character is a miserable, angry woman who is being abused and slapped around by her evil, dim-witted husband. She plots her escape while having an affair with a married doctor. To make everything worse, she's pregnant but does not want the baby. The writer/director wants to make a light, sweet comedy out of this grim stuff. It does not work at all. It's as if someone took the script of "Medea" and tried to make a rom-com. Nathan Fillion is actually quite good. The rest is best forgotten. | -1no label
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] |
This is a film that is very much overlooked by most Bogart fans, not because of his acting, but the story line may have been great in 1947, but is not very thrilling today. Humphrey Bogart,(Geoffrey Carroll),"Dead End",'37, plays a struggling artist and also a man who loves the ladies. Barbara Stanwyk,(Sally Morton Carroll), "Sorry,Wrong Number",'48 plays the wife and begins to become very uncomfortable living with her husband. Geoffrey hands Sally a drink of milk before going to bed and she gets all upset and throws the milk out a stain glassed window. Alexis Smith,(Cecily Latham),"The Eternal Sea",'55 gets herself involved with Geoffrey and they have fun as told in the days of 1947 with no sleeping in bed together was allowed. Geoffrey works on a painting of his wife and has it under lock and key and eventually she opens the door and finds a great big surprise. Even Nigel Bruce (Dr. Tuttle), "Dressed to Kill",'46 appears in the picture and gives a great supporting role as the family doctor. If you are a Bogart fan, you will want to see his performance and especially his facial expressions, something like the "Caine Mutiny"54. | -1no label
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] |
In the Fiji islands, the greedy and unscrupulous owner of the Valalola Resort Primal Park invites investors and guests for an opening party of his compound composed of hotel and zoo aiming to find partners for his discoveries. When a bunch of college smalltime thieves puts a virus in the security system to participate in a scavenger hunt, the greatest attractions of the zoo sabretoothes from the prehistoric age developed from DNA found in fossils escape, killing the hosts and guards for pleasure. The incredibly lame and cheap "Attack of the Sabretooth" is one of the worst movies I have recently seen. The characters are awful and not funny or pleasant and the story is a terrible Jurassik Park rip-off with a bad collection of clichés. Basically all the lines and situations are poor and stupid, but the winner is when the guard explains that the sabretoothes are bulimic and like to kill for pleasure. My vote is three. Title (Brazil): "O Ataque do Dente de Sabre" ("The Attack of the Sabretooth") | 0neg
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] |
I wish I could find this on DVD, I saw it in 1995 when it was shown on public T.V. and was blown away. The choice of musicians for the individual songs is masterful. Nick Cave gives a deliciously creepy take on Mac The Knife, Elvis Costello breathes a wavering pathos into Lost in the Stars, and Charlie Haydon's Speak Low is one of the few instrumental pieces that can bring me to tears. The CD is available on Amazon.com and I highly recommend it. I would comment on the ignorance of the user who complained about this being about "some German guy" but its obvious that person was far out of his depth musically and culturally. | -1no label
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] |
Well, I'll start by admitting I'm not a John Ford fan. (I watched "The Informer" only because I'm trying to work my way through a list of the "greats.") So if you are, just move along, 'cause you're not going to agree with me. What an overwrought and dated piece of silliness this is! I will say that there is a good idea for a movie here (it made me think about how few films there are about the Irish Revolution) but, as usual, Ford is determined to bury it under over-acting and cheap sentiment. I suppose it's somewhat interesting to watch for a while in order to see the less-than-seamless transition that was being made from the silents to the "talkies" -- the acting styles of some of the principals have that overbroad quality endemic to early films and movie does feel as if it might play better with title cards than spoken dialogue. (Of course, title cards would prevent Ford from restating every bit of emotion six times.) What dialogue there is usually has a "They're always after me Lucky Charms!" quality that is aggravated by the fact that each actor seems to have been allowed to use his or her own personal version of an Irish accent. Of course, as bad as they are, the accents are helpful in reminding us we're in Ireland because the sets mostly look as if they were dragged in from from some German expressionist piece being filmed on the next soundstage over. (It feels as if, with an eagle eye, you might see some villagers off to torch Dr. Frankenstein in the background.) Techniques change. Tastes change. So I won't go off on how crazy it seems that this film was so acclaimed in its day. But it's not one of the classics that hold up --- more just "fair warning" about the kind of over-simplified malarkey to which Ford was going to devote his career. | 0neg
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] |
This as the first of the Ma and Pa Kettle flicks. Marjorie Main (Ma) steals the show in anything she does. Funny to see Ida Moore as Emily, the daffy old lady on the train.. god she was ALWAYS old; she was in "Desk Set" and "Alfred Hitchcock Presents". Their new house is also a co-star here -- its the house of the future with some really cool inventions that Pa doesn't care for. LOVE the painting gag. Keep an eye out for TOM... he starred in "Nanny & the Professor". Unfortunately he died real young... oddly enough, his last role was on the series "Death Cruise". weird. Directed by Charles Lamont, who not only directed several of the Kettle films, he also did a bunch of the Abbott and Costello flicks, so he must have known a thing or two about comedy. Fun story, plain, simple humor. Even the release date was April Fool's day, 1949. The story starts out by showing us what backward and country-folk they are (the neighbors are even Native Americans), but as the story progresses, we have sympathy and respect for them. | 1pos
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] |
This movie . . . I don't know. Why they would take such an indellible character as Pippi Longstocking and cast the singularly charmless Tami Erin, I will never know. Why they would spend money on art direction and some not-all-that-bad special effects, then not bother to edit it properly, I will never know. Why the sets and costumes are sometimes in period, and sometimes bizarrely not, why they commissioned SUCH bad songs, why the script doesn't make any sense whatsoever (not even on a silly, children's film level) . . . . what were they thinking?? Nothing about this movie is quite as it should be. Every single part is dubbed (and always poorly,) every sound effect is slightly wrong, every edit is in the wrong place, every performance is bad in some way. It does manage to create an appropriate atmosphere, despite all the problems, but it NEVER captures the magic that is Astrid Lindgren's creation. | 0neg
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] |
I just rented this movie from the video store last night. It being new and not released long ago here, the rent was only overnight. Me, my little sis, and my older brother who usually hates watching these kind of movies sat down and watched. Once the movie started and after sitting there watching it for a while we were all laughing historically. Even my brother. This movie is hilarious, I actually laughed. No matter how funny some movies are... even if I think its funny I sometimes can't seem to laugh. But this movie... I laughed. My brother ended up thinking it was the best "that type of movie" he had seen. I ended up watching the movie again about 2 or 3 hours later. | 1pos
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] |
In my private library Bernard Cornwell's novels are the most read. And the Sharpe novels do show some wear and tear. As it is with the movies. As soon as my partners hears the song "Over the Hills..." she knows it is time to visit her friend. I am so glad they succeeded in merging the first three books into one movies and make it believable that everything takes place after Waterloo. There is of course one setback: I do so miss Obediah Hakeswill. But Sergeant Bickerstaff is a worthy replacement. And that while Bickerstaff is such a nice guy in the novel. But Dodd is there as evil as he is in Sharpe's Fortress. A great movie and a worthy successor to series. Am I the only one who misses the rest of the gang? Micheal Mears (Rifleman Cooper), John Tams (Daniel Hagman)and Jason Salkey (Rifleman Harris. A pity but not all of us have the luck of the Irish. | -1no label
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"Filthy" is unbelievably bad. Don't get me wrong; I love bad movies-- I'm a huge fan of the "so bad it's good" school of thought. However, to paraphrase Scarlett Johannson in "Ghost World", this movie "is so bad, it goes right past good and back to bad". As far as writing, "Filthy" has dialogue that feels so forced and clichéd, that the actors sometimes looked like they couldn't hide their embarrassment from having to deliver such tripe. The premise is so poorly-conceived that I don't think anyone has enough rope to suspend their disbelief enough to enjoy this movie. I was bait-and-switched into watching this waste of electrons when I attended a showing of "Brainjacked", a full length movie from the same creative cadre (which turned out be pretty good). Rather than first showing the movie that I came to see, and saving "Filthy" as a bonus for people who wanted to see it, Andrew Allan and co. made the decision to show "Filthy" first. Now, I can see his strategy behind this: he made "Filthy" completely immune to walk-outs, considering that a crowd which paid 8 bucks to see "Brainjacked" wasn't likely to leave until they had seen the feature. As I sat through "Filthy", I developed a strong empathy for protagonist Dana Diamond. It was not because of the movie itself, but because I walked into that theater willingly, and almost immediately I was trapped, and all I could see was rotten garbage. The Tampa Bay connection earned this movie two of the three stars I gave it. | -1no label
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] |
Small Spoilers. I was formally EthanDirector and I'm putting this up again with my new account. Raptor Island is a Sci-Fi Channel movie. It's very funny because it has a dumb story,bad acting,bad visual effects,bad direction,and enough plot holes to make a small cemetery. It starts out with a fake looking Chinese Aircraft getting struck by lightning. The movie is about A Group OF Navy Seals that are on a mission to rescue an agent from terrorists led by Steven Bauer who was in Scarface with PACINO. They follow the terrorists to an island with Raptors. That's where the bad visual effects come in. This movie is hilarious in its awfulness. Oh and the Plot Holes "I don"t think he'll make it through the night. In the next scene that man is up running around. Why was a Chinese Aircraft holding American chemicals Was the above comment useful to you? Final Verdict 1* out of 10* | -1no label
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] |
Nowhere is the type of film that you either get and love, or don't get and hate. Aside from it's brilliantly artistic cinematography and art direction, it's a pretty accurate representation of life as a modern-day adolescent. As strange as this comment may seem, it does hold true. The events presented are, in fact, realities of the lives of today's young people: sex, drug use, suicide, and mental illness are all dealt with in some way or another. For some, it is truly like being on acid. For those of us that have blocked out the traumatic parts of growing up, then it is understandable why you don't understand this movie. The way each issue is presented is the genius of the art: Each character and their emotional impact is presented artistically as well as dramatically. Although the entire movie is not relevant to everyone, I would strongly suggest watching it for at least the artistic merit. Even if you don't understand it or it doesn't apply to you, understand that it is relevant to some. | -1no label
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] |
This movie made my face hurt. I don't understand it...things just happened, inexplicably, and they usually resulted in someone bursting into a song and dance number. I don't understand how people can laud this film with praise. There are B-movies, and then there are B-musicals, and then there is Rockula. The songs made me want to run headlong into a wall. The only saving grace is that one of the musical explosions turns out to be a musical video, which eases the pain, yet still fails to justify why it needed to exist. The most frightening section of the film is Toni Basil's creep-dance that accompanies her weird song. But on the bright side, she can manages to find the notes that she is looking for, unlike pop music sensations Rockula (aka Rapula) and Mona...wow, can we say tone deaf. So if you want to question life for about 90 minutes, see this film. If you hate your life, then buy it. | 0neg
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] |
so if a guy meets you and he says 'I want you to look at my erection!' don't be alarmed, maybe he wants you to look at the film he made about how his house was to be built. yes! that's the only thing what happens in this movie! it's like the worst Warholian BEEP I ever saw! it's like filming the inside of your toilet before you flush it, in fact, it's less interesting to look at than that. but if you do watch Lennon's Erection, be warned that he put a lot of background noise in it too. I mean, really, it's as if the building is being attacked by space mutants from hell or something! in the meanwhile, the building in progress is growing up as an erection can do too (in almost 20 minutes, what an accomplishment). so if someone does ask you to watch his erection, be sure he wants to videotape it all. | 0neg
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] |
I first saw this movie when I had a trial subscription to Showtime, and a brand new VCR, and I recorded it in VHS. I really enjoyed it, and have watched it many times since (until the VHS tape gave up the ghost). It IS a feel-good, ridiculously romantic comedy, very much enhanced by the bit performances of Gielgud and Richardson, especially his interactions with his pet rat that runs free inside the family chapel ("Ratty Old Fellow"). The lawyers' scenes make the movie worth watching as well. And the girl is ethereal. Acting ability be hanged. This movie, among several others, kept me sane while attempting to cope with my divorce several years ago. If Sleepless In Seattle moved you, give this one a try. | -1no label
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] |
Even in the world of Italian cannibal exploitica, 'Massacre in Dinosaur Valley' is z-grade dross. If you are so inclined, you can enjoy a couple of strapping, greased-up muscleboys wrestling in a bar; live cockfighting; piranha attacks; occasional cannibalism; a weird tribal ritual involving grass skirts and Halloween 'spooky-hands'; and copious amounts of completely unnecessary female nudity, stripping, girl-on-girl action, and the usual titillating 'rape' scenes. The weird drunken Thai hooker lady-boy in the Frank-N-Furter costume who spends most of the movie swigging from a bottle and laughing hysterically at nothing at all is particularly noteworthy. Unfortunately, the whole thing isn't quite so bad as to give it that laugh-out loud quality of vintage Hershell Gordon Lewis. Nor does it have the irony or sheer balls of early John Waters. A curiosity, to be sure, and the whole thing tries terribly hard to shock, but ultimately succeeds in providing nothing more than soft-core titillation for only the most undiscerning of viewers. | -1no label
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] |
***SLIGHT SPOILERS*** A hunchback 15-year-old boy kisses a very cute 15-year-old girl and eventually he has sex for the first time. After the act, he lays in the bed with her not touching her. The next day he concludes that he does not like sex much and does not want to try it again for at least a few years. This is seemingly a fine opening for a teleplay about a boy discovering his homosexuality, or perhaps a medical drama about a post-pubescent teen with a severe hormone deficiency. However, as the plot develops what emerges is a story of a 15-year-old father who is supported and encouraged by his overbearing mother. At one point, his mother preaches to her co-workers who are not as understanding as they might be, "Every step of the way in this, my son has been amazing... I have never been more proud of him..." The young father's older sister, who otherwise is cold towards her brother, begins to show pride in her sibling, "You have been cool about this," as she gives him an encouraging warm hug. The 15-year-old father wants to be a father. He wants to be a parent. Why not? We see the "new" baby a few minutes after birth -- it appears to be a healthy, happy 4-month-old infant. Just as babies were born on TV in the 1960's and 1970's. Once the young father is a parent, he has found happiness. He insists he will be the one to change the dirty diaper. We see the 15-year-old father sincerely happy holding his baby while the teen's busy=body mother is peaking over his shoulder. Fade to black. | 0neg
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] |
SPOILER ALERT!!!! This was my son's review of the movie, which he wanted me to post.He wrote this, I swear. With Malcolm in the Middle's Frankie Muniz, and Nickelodeon's Amanda Bynes, they get to go to show business. They team up on the actor Paul Giamatti. He stole Jason Shepherd's essay on Big Fat Liar, and makes it in to a movie. Jason (Frankie Muniz) and Kaylee (Amanda Bynes) have to go to L.A. to get it back. Jason's dad does not believe that he wrote that essay. So every time they see each other Jason asks Wolf (Paul Giamatti) to give Jason's dad a call because he wants his essay BACK!!!! Wolf does not make the movie but the President of the company makes it. At the end the family and Kaylee see the movie, Made by Wolf Pictures and based on a real story written by Jason Shepherd. | 1pos
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] |
So...I do not watch "Entourage", and before today I had no idea who Adrian Grenier was. Nor have I ever hated a movies so much that I wanted to review it. One, totally predictable. Two, totally boring. Three, zero chemistry. Four, huge waste of time. There was nothing interesting about it. It was campy and really fake. I was not sure what was wrong with the guy for the first half of the hour long movie, than just waited for him to snap. There was zero emotion in Leila Arcieri's part,nothing. This movie made me feel uncomfortable, angry and embarrassed that I actually finished watching it. Horrible! | -1no label
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] |
In What Shall We Do with Our Old? we can see Griffith grasping towards a perfect expression of poignancy in his short features. Here, his approach is all about subtlety and simplicity. The fact that the story can be conveyed through just a handful of intertitles allows for more realistic and emotional acting. In many early silent pictures (Griffith's included) half the performance was about revealing plot or character through ridiculous pantomime. Here, there is no need for that, and the acting is much more purely about conveying mood and tone, with the slow, sombre movements of the elderly couple. Later on, the bustle of the courtroom and the prison cell give a more frantic feel. By now a brilliant master of pace, Griffith slows things down again for the final scene. Griffith's shot composition was also becoming increasingly refined. He arranges extras in lines that draw the audience's attention to particular points of action. It's also great how the even the set design matches the pace of each scene the home is bare and Spartan, the workshop, courtroom and prison cell are full and layered. Being a kind of social protest piece, What Shall We Do with Our Old is in a similar vein to 1909's A Corner in Wheat. However, while Griffith has clearly moved on in his direction and arrangement of actors, it lacks the dynamism of the earlier film. It's a shame, because having more fully rounded characters (as opposed to A Corner in Wheat's faceless crowds) it should have a greater impact. Having said that, with several scenes apparently lost it is difficult to judge what we are left with. | -1no label
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] |
A fabulous film. With everything you could want in a film. Huge battle scenes and lots of other action. Suspense, and a romantic love story. Kind of like an old swashbuckler film. Totally entertaining from start to finish. The editing was fast and you are never bored for a second. The story is like a classic story of trouble in the Royal Household. The actors are beautiful and the sets magnificent. The costumes are spectacular and the stunt work is imaginative. The special effects are amazing too. Gary Stretch is really impressive as an actor and gorgeous to look at. He looks like a sure bet for Super Stardom. John Rhys-Davies is wonderful as he usually is. He is one of the great actors of our time. And Cindy Burbridge, Ex Miss Thailand is excellent and perfect for the leading lady, even doing an English accent with remarkable success. I found out that the film has won numerous awards, and i can see why. All in all this is an amazing Independent film. See it for sure. I highly recommend it. And give it a TEN +!!! | 1pos
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] |
Sean Connery plays an old but avid master-thief and Catherine Zeta-Jones a not to be trusted insurance-agent. They team up to the biggest jackpot of all time: 8 billion dollars. This is the worst movie I've seen in 5 years, probably since 'The Avengers'. Why this piece-of-junk-script was ever sold and developed into a big-budget-movie like this is far beyond me. There are so many plotholes and ridiculous facets in this monster, I can't even begin to describe. **SPOILERS** Ok, I'll try for the ones that linger most: Zeta-Jones doing those ridiculous ballet-moves to dodge laserbeams; she can dodge in in 2:30mins but dodge out in 30 secs; in the end they give back the 8 billion dollars minus 1 billion; like they didn't notice! Furthermore, the directing is horrible. The main characters are dramatically swinging from left to right and Sean Connery actually gives a bad performance, which is something to achieve. I wasn't impressed by Zeta-Jones yet and this movie didn't improve it. I'm trying very hard not to take it personal that these kind of movies get made, because they're a downright insult to the public and solely made for the purpose of making money and making it big. It disgusts me. | -1no label
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] |
Maureen O'Hara is always beautiful and appealing. Here she plays an actress terminally ill. We don't know with what.It is a bit of a precursor to "Love Story" in that respect. William Bendix is good, as is most of the supporting cast. John Payne is meant to be grieving but he seems to sleepwalking. The girl who plays the child he and O'Hara adopts does her best with a contrived plot device: Of course! Adopt an orphan. She will live on after the passing of your wife. It's a sweet movie but it doesn't feel sincere.I was hoping to be moved. I was, by O'Hara's gentle performance. But I don't like to feel manipulated. | 0neg
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] |
I've seen better production quality on YouTube! I pity the actors, as the writing was terrible and the direction shocking, not sure how they could get the lines out - I really doubt any actor would have been able to salvage this movie no matter how good they were. The characters were not developed at all, and there was no real cohesion in the plot which just seemed to go nowhere much. It's a shame really, as the premise for the movie was good and with better production quality, direction and script it could have been a decent movie. It certainly was not a comedy, unless you laugh out loud at the dubbing - which was amateurish, even the English actors sounded weird. | 0neg
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] |
I saw this one at Sundance, and I can't figure out why it won the directing award. It was painfully slow and literally colorless. It's the type of movie that is only appreciated by film fest snobs who think any movie that a lot of people like must be beneath them. The jury at Sundance this year seemed to be making a conscious effort to reward the underdog, ultra-low-budget films. That's all well and good, but this wandering, dragging mess looks like a home movie. Mini-DV shot in a snow-covered gray winter results in a drab look for a drab movie. Certain motifs (snakes) are beaten to death in spite of the fact that they add nothing to the story and make no sense as symbols. Now, it wasn't all bad. Vera Farmiga is phenomenal in her role as a mother with a drug problem. She will be going places, and she deserves it. Her co-star Hugh Dillon also does a fine job. Frankly, there are many fine moments in this movie, but they just don't fit together very well. | 0neg
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] |
Now I had the pleasure of first viewing Contaminated Man when it premiered on TV back in December of 2000. An infectious disease expert (William Hurt) looses his family when an unknown disease enters his home and kills them. Now some years later he is now in Russia or someplace. I'm not sure where exactly, all I know is it takes place somewhere in that area. Anyway, because of budget cutbacks at an infectious disease laboratory, they are forced to lay off most of their workers. One of them, a disgruntled security guard named Joseph Muller (played Peter Weller, best known for his role as the indestructible Robocop) goes in there and demands that they give him his job back. He needs this job because he is divorced and he needs it to pay child support. So he goes in there, a fight breaks out, and some things get knocked over, dangerous things. It's soon discovered that Muller has been infected with a deadly pathogen. In fact it's so deadly, one drop of his blood will kill a person in matter of seconds. Soon word gets out and the disease expert (Hurt) is called in to investigate and he later teamed up with an American reporter. Now Muller is determined to get home to see his wife and son and will stop at nothing even if he has to infect the entire Russian population. Now as I said before this film is a lot like Falling Down. We have a disturbed person (Weller here, Michael Douglas in Falling Down) who will stop at nothing to accomplish there goal even if they have to kill a few people in the process. Next we have a hero-type person (Hurt here, Robert Duvall in Falling Down) who is both sympathetic and determined to stop the antagonist. Contaminated Man is in fact a very good film with a good story line and some very good performances. 8/10 | 1pos
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] |
Well to answer one persons's question of "why doesn't anyone remember this film?" it's because really,not that many people saw it in 1978 and it's not been shown much on TV since. (If it's on video that'd be news to me!) Even in the era of sometimes mindless comedies that was the '70s,movie-goers had the smarts to avoid this film. Unless they love Billy Crytal,Paul Lynde or Joan Rivers "that" much! Paul Lynde was funnier on "Bewitched" or "Hollywood Squares" than here. Joan Rivers at this time in her career was getting laughs making cruel jokes about singer Karen Carpenter's lack of weight! Har-har Joan! It also seems like every "somewhat" famous name from the era is in the cast. (Most surprising is Doris Roberts later of "Everybody Loves Raymond".) Anyhow,a somewhat good idea for a storyline,a man getting pregnant instead of the woman goes to waste here. With help from a male friend Crystal gets set up with a hooker to finally lose his virginity but because she was "on top" instead of him,he gets pregnant! (A commentary on women taking positions of power away from men). Crystal's stomach grows,he goes through all the female emotions and related feelings. Unfortunately,he is now a socially misunderstood outcast! He's attacked by a mob who wants him rubbed out (I guess). He's forced to go into seclusion to have his baby...in a barn. Or if you will,a manger (God only knows where it may have exited from! Ewwww!) It turns out (no shock here) to be a girl! Everything else about this movie is worthless and forgettable,the humor is high school level or less. 2 stars for a good idea and a few good touching & relevant moments w/ Billy Crystal. Ignore the rest of Rabitt Test,it flunks big time! I can't believe Roddy McDowell signed on either! (END) | 0neg
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] |
Where to begin ? Anak (or 'The Child' as it is known in the West) is an absolutely amazing movie, a movie so powerful that it deserves to be watched by everyone. The Story is set around Josie and her family, Many years ago - Josie had to leave her family and become a domestic over-seas so she that she could provide money to support her family, when Josies husband dies, Josie returns to her family to take over her job as mother, but when she returns, her family is anything but loving and welcoming. The acting in this movie is magnificent, I had never heard of Vilma Santos until I watched Anak, however after seeing it I had to rent out some of her other movies, the emotion shown by Vilma, and the other actors is amazing and at times you really can find yourself believing that this family is real. There were times in the movie I laughed, times I cried, but I loved every second of it, and it blows almost every Hollywood movie out of the water. Anak just goes to show that a movie dosn't need to have sex, drugs & violence, and also not be a Children's movie to be excellent and a must-see for the entire family 10/10 | -1no label
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] |
Surprising that Jules Verne would write such a story. Even more surprising that Hollywood would produce it. Yul Brynner is unbelievably good as a man freed of all bounds of convention, free to indulge his taste for cruelty and domination. Douglass is an excellent counterpoint, a courageous individual who's chosen simple solitude as a way to deal with the complications and turmoil society had imposed on him. And Samantha Egger's character is the capper, a woman willing to sacrifice far too much for comfort and safety. Inotherwords, everyman. The movie does show its age and is limited by the conventions of time and place and technology of the time. If you're looking for special effects and action as substitutes for thought, look elsewhere. | -1no label
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] |
***MILD SPOILERS*** Dear Inman, Kind words are hard to find for me to describe the movie I have just been subjected to that stars you. The problems are far and wide and painful for me to recount. . . yet I feel I must, if only to prevent others from suffering the same anguish as I did. This is NOT a film for anyone under 50, it's sloooowwwww, soooooo slowwww, and when the big reunion of Ada and Inman happens. . .the biggest and most important scene in the film, NOTHING happens, it is a epic letdown. Now, like the director should have done, I will keep my words short and end with this warning, your film is disjointed, boring, has no flow and Jude Law is tragically mis-cast, he showed more emotion as a robot in A.I. - be warned, the film should be retitled . . . Bored Mountain. Love, Ada | 0neg
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] |
Whenever I get into a discussion with someone about the worst movie ever, this turkey comes to mind. Every woman in this movie is nude but it's beyond gratuitous...there's no point. This isn't a feminist diatribe...I live with an artist who does figure work. It is the outcry of an affronted sensibility. This movie simply fails in everything that makes a movie worth seeing. The acting is atrocious, the story is nonexistent, the sets are cheesy and the plot convoluted and uninteresting. David Carradine should be ashamed of himself for giving this offal an excuse for being made. It's been 15 years since I saw this movie yet it lingers in my mind like the taste of spoiled milk glibly drunk in the middle of the night right out of the carton. If there were a negative score, I would have marked it lower. | -1no label
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] |
rosanna arquette has done a brilliant job of taking us inside the very human world of life as a rock star. we finally get to see our musical icons as they see themselves: artists who just happen to be famous and must deal with the business of being an artist. her subtle device is her hand-held camcorder that is both the source of some footage and an insulator between herself and the interviewee--removing most of the congeniality that surely exists while allowing her subjects to speak frankly without pretense. i think what struck me the most is the intelligence, sincerity, and genuineness these people resonate as they talk about how they reside within the music business. these are all such interesting people and i couldn't help but wish documentaries like this accompanied every artist's CD. rock on, rosanna! | -1no label
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] |
I was telling my friends recently about a movie i saw in '92 or '93 that had Jim Carrey as first bill but he didn't show up until the last five minutes. No one knew what i was talking about and so i came here to find out what it was. High strung is one of the worst comedies and thats why its unknown. it's marketing was poor if it had any and had to milk the success of an actor who was in it for five minutes to get it released. I can describe this movie very easily, nothing happens but you as a viewer will be bitched at for the whole movie about some pathetic persons life. despite the wit to some of the ideas, its absolutely boring. Its been awhile since i saw it but the one repeated thing that comes to mind is the character's inability to accept that no matter how little milk he puts in his cereal there is always some left when he's done eating. It's so stupid even a real person would not bitch about it, in fact they would just drink it or not , Thats a simple solution but to bitch repeatedly about it is dumb. It tries way too hard to be funny. Even Carrey is unfunny in his cameo. This is a movie that should of been shelved and never released. I did see one person liked this movie, maybe that one person is enough to justify its existence, for me its not. A BOMB | -1no label
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] |
I adore this movie. I'm glad I was fortunate enough to get this video! Because you won't find many around anymore. There were two versions of this movie: The Tv 5 part episodes and the movie itself Secret of the Sword. I was however disappointed because the movie had many cut outs of interesting dialog that are in the tv 5 part episodes. But other than that I was astounded by SOTS. Action packed, filled with humor, and the finding of a long lost twin sister, made it some what emotional for me. The voice actors of He-Man and She-Ra (John Erwin and Melendy Britt)did an incredible job! And where ever they may be out there I wish I could tell them how immensely I enjoyed the He-Man and She-Ra series! How it impacted my life as a kid and as an adult! There is a huge community of the He and She fans out here and there is nothing more we want but to bring He-Man and She-Ra back to TV. Many fans, including myself have written enough fanfics to have a whole new season of episodes!! These series have surpassed your average kid's cartoon show! It was a shame that they were taken off the air, we are hoping and striving to get them on the Cartoon Network or Nickleodeon. If you don't believe me check out the episode "The Problem with Power." This episode is why we love He-Man so much. Be on the lookout for their videos will be re-released in 2000!! | -1no label
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] |
I pray all the days for never have a night like the night of Paul (Griffin Dune). He meets a very sexy girl and she invite him to her home......well this is a good start .....but later he feels fear about the girl and her friend and he goes out. Wihtout any money the only thing that he want is to return to his home........in all the movie he have a problem: with another blond girl, with a bar tender, with some criminal, with the police and finally the loneliest woman in the night is the only one that help him to return home. This a very special film because is just great but is not very know and maybe the reason is some films like Goodfellas, Taxi Driver and Raging bull. Yes, we can't say that after hours is the best of Scorsese because, well Scorsese has a lot of classics, but still After hours is a masterpiece, and a must see for all and not only for Scorsese's fans. Is a similar case to other of Marty's films: Casino, because Casino is a masterpiece but a lot of people think that is a copy of Goodfellas......is the same. More about the film: i love it because is a very unique story and because of the great cast.......Scorsese can't be better. In conclusion: After Hours can't be compared with the best films of Marty like Goodfellas or Taxi Driver but is a very original film and for me is a Masterpiece that maybe in some years latter this film has the attention that it deserves. | -1no label
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] |
Highlander: The Source takes place in the near future, in Eastern Europe that is going to hell with crime, gangs and riots. The first thing that comes to mind watching this movie is that is must have been a fan-flic. And not from fans of the actual movies, but rather from the series instead, which was mildly entertaining but had no real story to it. The same goes for Highlander: The Source. It's mildly entertaining, and has no real story. The whole concept of the previous highlander movies is bypassed, but thankfully they still keep enough sense to not mess up the time line for the other movies, of which one is set in the future. Of course this also means more predictability in the already thin script. The acting is far from convincing, there are some decently choreographed, but poorly executed fighting scenes to be found, and a very unlikely scenario sketched, to force a reason for this movie, that follows up on a series that, well, is already pretty much done and finished. The story has been told, making stuff up "along the way", especially the way it is done for this movie, doesn't really make for a very convincing or interesting movie. A low scorer, and not recommended for anything but maybe a matinée movie to entertain some adolescent kids.. | -1no label
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] |
AWFUL!!!! Were they trying to save time and film? There needs to be MANY more steps between where the characters started and where they ended. Where is the struggle and inner-conflict? They just get the chance to do something completely UNCHARACTERISTIC and with only one hesitation they lurch at it. It's like they're desperate for a change. Where is the impetus for this? Surely they have had plenty of opportunities for experimentation before now. This would only be believable if it had been established that they had been lived their entire lives (through high-school, college, & medical school) completely isolated from society. Haven't they EVER had to deal with temptation? They act as if they got married in high school and have been living sheltered lives ever since, clinging desperately to their marriage and spurning all advances. I don't remember if they stated how long they had been together, but SURELY they've had other relationships and other temptations. The other possibility about how this could happen so easily is that it ISN'T uncharacteristic but is common. But if they are promiscuous that undermines the whole script. AWFUL!!! With more development the characters might have reached the same situations. They might have been able to change that much, but these are clearly two people who have spent years intentionally making themselves inflexible (as his mother said). They could have rebelled (even secretly) before now. They must be about 26 years old. I can't believe that they have been repressed for that whole time and yet well adjusted enough to build a relationship together. They don't seem sexually repressed with each other (even if it isn't as great as it has been, they obviously are very sexual). I just don't buy it!!! | -1no label
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] |
The idea of teaming Donald Sutherland and Elliot Gould together in a movie must have seemed like a good idea after their success with MASH. Giving them a half decent script would have probably helped a lot though. Instead we have a half-baked spy spoof with our two heroes stumbling along from one situation to another. About the only decent thing going for this mess of a movie is the fact that it was shot mostly in France. Vladek Sheybal as the head Russian spy is also quite good(he just oozes Eastern European charm). Otherwise, some pretty stupid characters, a few decent explosions and a lot of running around. I hope Sutherland and Gould were well paid for this. Note to producers: If you're going to spoof a genre that is no longer in vogue, at least make it funny. | -1no label
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] |
Douglas Fairbanks Sr. stars in this exciting, action-packed swashbuckling pirate adventure yarn, as a young man seeking revenge on a band of pirates after they ransacked and destroyed his ship, killing his father. In trying to achieve his goal, he tricks the pirates into thinking he wants to join their band. Will this ruse work? This delivers all the thrills and cutthroat pirate action anyone could ever hope for and even more. It has all the elements one looks for and wants from today's big blockbusters: impressive stunts mostly performed by Fairbanks himself, sword fights, pirate treachery, explosions, daring underwater scenes, a damsel in distress, the works. There's a few plot holes and questionable plot twists here and there but it all holds up incredibly well after all these years although in today's world lead actress Billie Dove would have been given more to do. That's a minor nitpick at best. If you like pirate yarns, check this out. Believe me, they just don't get much better than this. | -1no label
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] |
Poor Cary Grant has he got a problem here. An adolescent girl played by Shirley Temple has developed a king size crush on him. And she's the sister of Judge Myrna Loy who Grant had just appeared before. Judge Myrna already has a low opinion of fast living artist Cary who's got a line for every woman and every situation. But when Shirley goes to his apartment because Grant fed her a line about modeling for him and Myrna catches them there however innocent, it's big troubles ahead. However Grant gets a chance to get out of trouble if he can disillusion Shirley about himself. And that's what he has to do in the rest of the Bachelor and the Bobby Soxer. This film comes from the fertile mind of Sidney Sheldon who also had another bachelor/bobby soxer film in Susan Slept Here. But this one is far superior to Susan Slept Here. Let's just say Grant ends up with the right girl in this one. Cary Grant does a lot of physical comedy here, almost as much as he does in Arsenic and Old Lace. In some of his films the secret of the comedy is that the sophisticated Cary does a lot of out of character physical comedy that's a couple steps up from the Keystone Kops. The whole scene involving the town picnic with Grant in a three legged race, a potato spoon race, a potato sack race, and finally an obstacle course is funny in and of itself because it's Cary Grant doing it. Myrna Loy in this film is Nora Charles with a career. And that's a good change for her. She's always a woman with a head on her shoulders and a good brain. But it always seems to be second fiddle to her leading man's intelligence whoever it was. I liked seeing her as a professional career woman here. Rudy Vallee also carries on in the tradition established for him by Preston Sturges's comedies. He's the District Attorney here, a snooty District Attorney as only Rudy Vallee can be snooty. Also giving good performances are Ray Collins and Harry Davenport as Loy and Temple's uncles, Johnny Sands as Temple's would be boy friend and the one and only Veda Ann Borg as a brassy dame as only she can be brassy. One of Cary Grant's best comedies from the Forties. | -1no label
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] |
Ballad of a Soldier is an exciting tale of a young soldier's adventure while returning home on leave. The cinematography is reminiscent of Truffaut or Bergman, and the pacing is excellent. Although not as shockingly realistic as Come and See, this film portrays the pain Russia was dealt during WWII. There does seem to be a good bit of propaganda for the Russian Army (the way all the commanding officers are big softies and frequently bend the rules), and this does seem rather disingenuous. Unilke the kindness and respect portrayed in Grand Illusion (Renoir's account of prison camp civility from WWI), Ballad of a Soldier leans a bit more toward Triumph of the Will in its seemingly unrealistic depiction of authority figures. Having said that, I thoroughly enjoyed this film and would say its criticisms are dwarfed by its triumphs. | -1no label
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] |
Remarkably evocative and accurate portrayal of a work by Geroge Bataille. Not having read the particular book it was based on yet it certainly ties in the imagery and methodologies used in other novels of his I have read. Challenging, stylish and original. Probably the most successful adaptation I have seen of a challenging work (with the proviso of not having read the actual work and citing familiarity with his oeuvre). Arguably some of the sex in the middle of the film is superfluous but it soon gets darker and touches upon some of Bataille's more extreme ideas re: religion, sex and death. If an attempt were to be made to film Story of the Eye, the same production team would seem like the ideal choice. Indeed, maybe this will start a trend in filming the fiction /screenplays based on the ideas of others like Foucault / Barthes, etc. That could prove very interesting. | -1no label
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] |
What a disappointment! This film seemed to be trying to copy 'cutting edge' comedy but the direction and the script was sloppy, sickly and sentimental in the worst film tradition. Jack Black's acting/role was self-indulgent and self-regarding... and the other characters were equally unmasking and uninteresting. The soundtrack was tedious. We are ( WERE) fans of Black but none of us did more than mange a forced titter for the duration. Why did he feel he needed to make this mistake? We will not watch another of his films without reading reviews more carefully first!! Was he drunk when he read the script before signing up for this drivel? | -1no label
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] |
Holy crap! What a terrible, terrible Spanish thriller! I've had it for about four years and finally started it the other night. I watched an hour or so before heading to bed. I was pretty intrigued by the whole thing. I finished it last night and couldn't believe where I stopped it the night before. Literally, I stopped it the second before the movie went completely downhill. Like I said, I was pretty intrigued and curious as to where this mystery was going but stopped it right when Simon receives the package in the bar. I picked up when he opens up the package to reveal a laser gun and then plays a "menacing" game of laser tag. Whew! Then the big reveal is that the whole thing is a terrorist plot by role playing game nerds. WHEW! You can tell the Spanish industry was definitely behind director Mateo Gil (co-writer of Amenabar's two big previous hits). There is an excellent score and great photography. But this scenario reeks of silliness. How anyone sat through the last 40 minutes with a straight face is beyond me. | 0neg
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] |
If you liked last year's "Sometimes happy, sometimes sad", you will certainly love this new Bollywood-Hit. Located totally in New York and presenting a mix of Woody Allen's Manhattan and Saturday Night Fever, it's three hours of absolute pleasure with a heartbreaking finale (remember Love Story or Terms of endearment?). Indian star Shahrukh Khan does his best to bring the girl he secretly loves together with her best friend, because he's going to die. A group of wonderful actors, funny dialogues and sexy musical-numbers make this Indian love story pure joy and entertainment. Just until the end, when you can't hold back the tears any longer. | -1no label
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] |
Slasher films are often seen as the derivative, repetitive and frankly unoriginal. I happen to to be a horror movie fan, but this film was just so poor, words fail me. The script is severely lacking, the plot is ridiculous, the acting astoundingly bad. Just an all round stinker, that I wasted time of my life on. This had all the entertainment value of a 15th sequel to a film that was dire in the first place. Who greenlit this mess? I only liked two things in this movie. The first was the killer's mask - which was nice. The second was the Austrailian affinity with humourous profanity. Save yourself, and avoid this hideous mess. | 0neg
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] |
The snobs and pseudo experts consider it "a far cry from De Sica's best" The ones suffering from a serious lack of innocence will find a problem connecting to this masterpiece. De Sica spoke in a very direct way. His Italianness doesn't have the convoluted self examination of modern Italian filmmakers, or the bitter self parody of Pietro Germi, the pungent bittersweetness of Mario Monicelli, the solemnity of Visconti or the cold observation of Antonioni. De Sica told us the stories like a father sitting at the edge of his children's bed before they went to sleep. There is no attempt to intellectualize. Miracolo A Milano and in a lesser degree Il Giudizio Universale are realistic fairy tales, or what today we call magic realism. The film is a gem from beginning to end and Toto is the sort of character that you accept with an open heart but that, naturally, requires for you to have a heart. Cinema in its purest form. Magnificent. | 1pos
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] |
I've often joked in the past about some people's boundless (my words) affection for the later incarnations of The Dead End Kids but, actually, this and GHOST ON THE LOOSE (1943) are my first encounters with them. So, what's the verdict, then? Simple: their shtick is more tolerable when taken in smaller doses as was the case in DEAD END (1937) and ANGELS WITH DIRTY FACES (1938). This is instantly forgettable stuff and I can't see it having much rewatchability value in the future...especially since Bela Lugosi turns out to be a good guy after all! Didn't he learn his lesson with MARK OF THE VAMPIRE (1935)? | -1no label
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] |
It may not be Oscar material, however this was a very funny film. I was always a fan of Eddie (Edmondson) & Richie (Mayall). "Bottom" & "Young Ones" were legendary TV series', and it was about time they made a film. Some of the stuff they get up to is brilliant, from the pencil is the rear-end, to the rubber sex-pants, as well was the infamous line that Richie says when he falls and a candle he is carrying goes into his eye. He says to Eddie "Candle In The Eye, Candle In The Eye", and Eddie been the simpleton that he is, sticks the candle he's carrying into his eye. Can't forget when Eddie is on his motorbike, and he needs to urinate.... It was a great comedy, not to be taken seriously at all, but the film lacked with an ridicilous ending. Overall, a exellent comedy, full of laughs, and lots of fake green vomit. A 9/10. | 1pos
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] |
The Incredible Melting Man plays like an extended episode of The Six Million Dollar Man, but with violence and some nudity. I know this film is a bit crummy but I found it impossible not to kind of like it. The acting and script are not the best. But the effects are good for a 30 year old movie with a budget of $50 - the title character takes quite a while to actually melt but when he does it's reasonably impressive; we also have one inventive death scene involving electrocution. Of note too is the music, it's insane - a cheese-tastic medley of nonsense. Notable highlights: * Marvel at the slow-motion nurse who jumps through a pane of glass for absolutely no reason whatsoever. * Be amazed by a day in the life of a severed head. * Beware of the psychotic cannibalistic melting humanoid. Called Steve. * Be astonished when our hero takes a break from hunting the melting lunatic to have a bowl of soup and complain about insufficient crackers in the kitchen. This film is just too 70's for me to hate it. It's tacky and trashy but I thought it was a lot of fun. You could do a lot worse. | 0neg
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] |
I watched 'Envy' two nights ago, on DVD, at a friends house. The premise of this film is quite promising, Jack Black and Ben Stiller in a comedy with a lot of potential, but it completely fails to deliver. I watched it with about five friends and no-one laughed for the entire film. The jokes (which are few and far between) are NOT funny in any way... the story line is crap, and they never answer the question... WHERE DOES THE SH*T GO? Of course the answer to that is NO ONE CARES. This film lacks any sort of comedy value, and as a few other users have said the only thing that makes it even almost worth watching is Christopher Walken as the J-man. None of the characters are developed, the plots so thin it's nearly transparent - and is that song throughout the film supposed to be funny?? | 0neg
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] |
This television series, from 1999, was produced by none other than the currently popular Judd Apatow and I have to say that this is perhaps the finest work I've ever witnessed from the man. While it was canceled by NBC after its first run, it also happens to be, in my opinion, one of the finest shows that they have ever committed to the small screen. Set in the early 80's, "Freaks and Geeks" follows the trials and tribulations of the so-called freaks/burnouts and geeks. Our primary protagonists are the Weir children, Lindsay, a good girl who befriends the freaks after a troubling event and, Sam, her younger brother, who is firmly cast into the geek category. One thing I love about this series is that it has this remarkably warm and very real tone to everything and much of the humor is grounded in the kind of ironies that you probably can think back to with some sort of wincing, provided that you understand how these two social groups function in high school. Furthermore, while being a comedy series, it doesn't hesitate to explore the drama present in the characters' lives and draws very real characters, who may seem like archetypes at first, but end up being a lot more than you might think. I love the attention to detail when it comes to the time period, how each main character and even a few side characters are treated with depth and complexity, and how real all the characters and their relationships seemed. The only thing that I have an issue with in Freaks and Geeks is that the series occasionally suffers from a little bit of the over-linger present in many Apatow works, where it feels like a scene goes on too long and could've been edited down to keep up the pace or not lose focus on the narrative of the episode. But, really, that's such a little thing compared to the overall high enjoyability of this series. Honestly, some of the finest television that I've ever seen. It's too bad it got canceled. Highly recommended. 9/10. | -1no label
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] |
I knew about but had never seen Grey Gardens, before I saw the Broadway musical of the same name. Friends cautioned me that if I had not seen the movie, the musical would not make sense. It did, but it also prompted me to rent the movie. At first, I thought it was a train wreck, full of strange, shrieking characters, and it was exceedingly hard to watch. But being able to stop it, digest it and go back to it made me realize why Grey Gardens is considered to be a memorable documentary. Both Big Edie and Little Edie are unforgettable and their utter lack of self-consciousness is worth witnessing. Both of them remain beautiful despite their encroaching age. They have a relationship that will chill any woman (and undoubtedly some men) and make you re- examine your own dealings with your mother. In an era when reality television and cinema is commonplace, it's fascinating to see the Mayleses' work from three decades ago, and realize what an impact the film must have had. I echo what other posters have said: how were they allowed to slip into such squalor by their family? But beyond that, how could two people living in the 1970s be able to escape reality in such a complete fashion? Or were they simply considered too crazy to be helped? I would highly recommend watching this with the commentary track, which gave me additional insight into the film. | 1pos
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] |
OK... I love horror movies and I'm not that picky about what I watch but hey... This movie is just more than I can bear... I've almost never stopped watching a movie but this Redsin Tower is one of the few movies I cannot stand... Let's start with the story... boring, conventional and seen three million times... come on, I don't see what's new here: a boyfriend wants to get revenge on his former girlfriend? a tower full of mysteries and bad things??? it's just the basic story of 99% of the bad horror movies out there. but worse is the film.... the image is so dirty that it looks just like a cheap holiday movie... I enjoyed the Blair Witch Project movie but at least the image was something interesting... here it is just bad and blurry... nothing worth spending money to see... Finally the acting is just awful... at times it just seems the actors are almost looking at the camera when delivering their lines ... I know why the actresses were chosen... mainly because they spend most of the movie talking about sex and walking around naked... frankly here too it's not worth losing your time watching... As for the good critics .... I can only think about one explanation... they were left by the producer, director and lead actor of the movie... else... we didn't see the same horrendous film... | -1no label
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] |
Dysfunctional family goes home for the holidays and murder and mayhem result. Violent sexy Milligan at his most home made. Little better than a home movie (as much of Milligans films are) this is a trip into depravity 1960's style. Notable for the copious nudity and sex this film is neither sexy nor gruesome, playing now more as quaint.(though decidedly r rated). The film suffers from its uneven cast and from the cheapness of the production.(No one was ever sure where the money went on his movies since he was always broke). Its a bad bad movie thats not worth seeing except as a Milligan completeist or because its got some good looking people fooling around. | 0neg
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] |
Like the previous reviewer I read about "Praise's" appearance in our local art theatre (may have been the same showing) and came down to check it out. Like great writing, great film-making successfully journals the trials of everyday human conditions, rather than stringing together cinematic cliches. "Praise" accomplishes this as we immediately believe there are no actors, only we the audience feeling rather voyueristic and nodding with every move Gordon & Cynthia make as if we would have done the same. Unlike many directors, John Curran leaves much to his audience's judgement. I knew I'd watched the great telling of a great story, but also had a sincere appreciation for Curran's respect of our integrity as viewers. I'm left wondering why it took two years for "Praise" to reach Hollywood. Did someone in Australia put it in a bottle and throw it in the ocean toward the United States, drifting toward North America while we were plagued with "Gone in 60 Seconds" and "Mission Impossible 2"? Thank you! | -1no label
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This is one I'm certain those associated with the project will not want on their resumes. I sat there watching this Bomb and began to feel sorry for those attached to the project. The editing is lousy. But perhaps it wasn't the editors fault. Maybe the Director didn't give the Editor enough decent material to use. And, maybe it wasn't the Director's fault. Perhaps the Director didn't have enough time in his budget to get better takes on location. All in all I blame the producers and the network. A very sad effort and a waste of time for everyone involved, from the beginning Production Assistants on the set to the suits authorizing payments in the board rooms, the only positive use of this disaster would be to use it in a "Film Class" to show others how not to produce a movie. | -1no label
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I've read other viewers' comments and have seen that most have felt the way I have about this amazing cartoon. I know I can relate to others when I state that I thought this show was absolutely terrible when it first came out. I honestly didn't care about this show at all. I thought it was just a waste of air-time. After this show got canned from Fox, it went on to Adult Swim and couple years later I just happened to be watching this show that I used to despise and soon fell in love with it. This show had hit me with its funny scenes and punch lines, the great variety of different characters all with different characteristics, and even some of their serious dialogue. Futurama has such great comedy and it DOES get better and better as the series moves up, as most people say. The Simpsons looks like it's going down-hill as of right now. The writers, in my perspective, are getting pretty desperate.. Too bad The Simpsons are still on instead of Futurama. (don't get me wrong, I still like The Simpsons but.. Futurama > The Simpsons.. am I right or am I right :]) Anyway, I regret ignoring this awesome cartoon, only soon to realize this might as well be the best cartoon airing on T.V. The sad part is that I fell in love with this show AFTER it got canceled because I was too stupid to actually give this show a chance... I don't see how my comment really helped anyone out, but I could care less. Hell, I made this account just to comment on Futurama :P | -1no label
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] |
***SPOILERS*** ***SPOILERS*** First: i'm a movie buff... A real one. I watch approximately 12 movies a week. Just to say that i'm not some popcorn eating teenager who wants to see "armageddon 8". If i were, i wouldn't rent this movie. Second: i'm extremely fond of slow and poetic movies. I watch a lot of European and asian movies, because i think overall they take more time to develop the story and do not simply hang on to Syd Fields' 3-act formula. This movie however was so extremely slow and hollow, that for one of the first times in my life, i really felt sorry for wasting time on a movie. The plot is told in 4 sentences ***EXTREME SPOILERS : entire plot told *** 1. Woman is going over to some friends 2. Woman gets stuck in traffic 3. woman takes a hitch hiker with her 4. woman makes love to hitch hiker in hotel ***SPOILER ENDING*** And yes, i know, almost each movie can be condensed to 4 sentences, but with this movie these 4 sentences really tell the whole plot. There are approximately 20 lines of dialogue. It's like an idea for a short movie is pulled and stretched over 1h30. I really REALLY hated this movie. | -1no label
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] |
This is definitely a "lesser known" comedy short from the 1920s. The only reason I saw it was because it was on a DVD by Kino Films featuring non-Laurel and Hardy shorts featuring Ollie. They are interesting and historically important, but also generally average to below average for the style film. Compared to shorts by Chaplin, Keaton, Arbuckle and Lloyd, they are definitely a step below them in quality and humor. Also, the accompanying music was pretty poor by the standards of other silent DVDs. I ended up turning OFF the sound due to the inappropriateness of the music to set the proper mood. But, despite this, they are still worth seeing. I've gotta be honest about this short. It was the last of 8 on this DVD and by the time I got to it, I was pretty bored with the mediocrity of 7 of the 8 shorts. So, it is possible the film might be A LITTLE better than a 4--but certainly, if this is the case, no better than a 5! The film is a pretty standard short about an incompetent bellboy. Nothing especially interesting and there are certainly MUCH better silent shorts out there. | 0neg
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] |
I'm not the biggest fan of westerns. My two personal favorites though are Unforgiven, and Tombstone. This movie though, I loved! It was great! The plot was well done, and it was a fun movie. Everybody who had a part in this movie did excellent! I even think it beat out both movies in someway. Well, not really Unforgiven because that was a superb movie that these two can't compare with in the long run. I do think it beat out Tombstone though. Both had its strong points. For instance, they both had excellent well known casts, very good plots, and very good filming. But Posse beat out Tombstone in four ways in my opinion. First, the characters were more unique in Posse. The music was better in Posse. The idea was original in Posse, unlike Wyatt Earp. And the biggest difference, the action sequences! Oh my gosh! Posse was a western with really good action sequences. I mean really good! The action was fast paced. Like modern day based shoot'em up movies. The action had big budget explosions too! The fistfights were pretty good also. Mario Van Pebbles was great in this movie! I suggest buying this excellent movie! | 1pos
| [
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] |
Its no wonder that ITV has dropped both David and Frank, I for one am glad about this. This show, when first seen was bright, fresh and most importantly funny. One thing that I notice to make me go off the two is how much they relish their title as celebrity and will bully anyone in the audience if the say something to know them. When some does knock them they really take it to heart that 'A mere mortal has stood up to them' and will quickly ask about their fashion or take a dig at their looks (If they are not very attractive). Take in to fact the both Frank and David look like tramps and are the ugliest people in to studio I find this ironic. The bulling become more harsh as the gags got weak, which was about half was thought the second series. David I found was the worst for pointing out peoples problems and I found it funny when someone asked him if he thought that he was nothing with Frank. To see this guy who thought that he was a God brought down to his knees by a *Nobody* was kind of nice. The show is over now and so is David and Franks bulling, The BBC don't want them back, ITV told them to go and now frank is trying to start his stand-up career again where he left off. | -1no label
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Compared to the great Spaghetti Westerns this was a waste of time, glad I didn't have to pay for the box set. Rent first I saw this years ago in the theater when it came out upon release and my first impression still stands. Crap compared to Leone, Corbucci, Sollima, Petroni, Damiano, and Castellari. Watch it solely for Lee Van Cleef and Linda Veras, Berger who usually can be good is terrible, its just a mindless flick. Blame the scriptwriters, two of the top villains come off looking very gay. Mental note to all, any Western where you have acrobats stay away from. Its just a piece of fluff made to cash in on the popularity of the Spaghetti Westerns. My biggest regret is that Lee Van Cleef who should have had a career boost in the US just like Eastwood didn't get one and he was forced to go with a career making some forgettable crap like this in Italy. I'm glad that he was able to become a top box office star in Europe but come on they could have made better movies. Lee Van Cleef's best films for anybody interested: Great starring roles- For A Few Dollars More, The Good The Bad And The Ugly, The Big Gundown, Death Rides A Horse, Barquero flawed movie but good- Day Of Anger Films with supporting roles to check out- The Tin Star, Ride Lonesome, High Noon, The Man Who Shot Liberty Valance, Gunfight at the OK Corral | -1no label
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Hey everyone... There really isn't much to say for this movie at all. The basic plot is that a guy (Brandon) takes a few friends on a trip to his cabin in the woods for a weekend holiday away from work. After picking up a girl on the way there, things start going badly wrong for all of them. The storyline alone (written by the actor playing Brandon, I believe, although I could be wrong here) is unlikely and unconvincing, and is acted out accordingly. The "Clown Killer" himself is a rather a sad excuse for a psychotic killer. Far from being a dark, mysterious but most of all, intelligent predator, we are instead offered a rather clumsy, nursery rhyme-singing buffoon who appears to be going through a minor mid life crisis. The only thing that warranted the writing of this comment were the sex scenes and whatever gore there was in the film (the quality of the film led me to derive some enjoyment out of such things). In short, this film falls below every possible set standard. Admittedly, I was sharing a few beers with a close friend as I watched this, so we managed to scrape together some relative entertainment value out of this film and it is therefore only fair to mention that S.I.C.K did fall just shy of a two rating. However, in reality, (and with the benefit of hindsight) the one star rating is a more than legitimate score for this film. 1 star out of ten. | 0neg
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I didn't even know Laura Dern existed until 6 month ago when I saw "Wild At Heart". Maybe I did see her in Jurrassic Park, but she didn't leave a mark on me. This time she did!! Wow!! what a great, super actress!! I found that after seeing LD in several movies, she is great in factual stories, like October Sky. Whatever she does, she makes a believer out of me!! Here, she is a top grade doctor who blows the whistle on the HMO doctors. Well, I always thought there was something wrong with this system, anyway. There is something wrong with the new American people, that whenever they can steal a dollar, they'd rather do that than earn it. This is a story about such people. Not about poor people, but about rich people who want to get richer and they use the poor peoples money to do it. Thanks, Laura, I love you more today than I did yesterday. By the way, if you ever see this, I only give "10" rarely, but your best movie, a brave movie, was without question, was "Citizen Ruth". I ought to know, I've watched it 10 times or more. Please give my best to Alexander Payne, greatest Director of all time. | -1no label
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] |
Hilarious odd-couple / road movie / cop movie / action comedy packaged together very well. Robert De Niro is Jack Walsh, an ousted former Chicago cop now working as a bounty hunter, who is determined to bring in bail-jumping accountant Jonathan Mardukas (Charles Grodin) who embezzled millions of dollars from nasty Mafioso Jimmy Serrano (Dennis Farina). Of course, it is not that easy, both the FBI and the Mob are on their trail - and the whole story snowballs into a sorry ordeal along the lines of "Planes, Trains and Automobiles" as Walsh and Mardukas are forced to continuously change their mode of transportation. This was made back when producer / director Martin Brest made GOOD movies - not notorious box office duds like "Gigli". He only makes a movie once every couple of years so he shouldn't have disappointed everybody like that. Anyway, THIS movie, while rather lengthy, is upbeat, action-packed, and pretty funny, as the swaggering De Niro and the very dry Grodin display perfect odd-couple chemistry. Good supporting cast, too, and lively music score by Danny Elfman. This here is the kind of action comedy that is actually fun to watch, without getting lame or stupid or annoying. Followed by two made for television movies in which Jack Walsh was played by Christopher McDonald. "I tell you what, you don't co-operate, you're gonna be suffering from fist-o-phobia." 9/10 | -1no label
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