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I was a bit scared to watch this movie due to its rates. But living in Italy titles like this never ever come across and I love step so much that I decided to give it try. And how surprised I was! The story is different from any other dance-movie I've seen lately, with a deeper meaning than just "winning". It's touching and well written and well directed. Raya is such a strong character, I love the fact that she never doubts herself, she's so mature and focused and AWARE of her TALENT (and what talent Rutina Wesley has, my jaw dropped in the final dance scene). The way she pursues her dream and refuses to let anything stop her is, honestly, inspiring. Also, the fact that she's not the typical super-hot chick (see Jessica Alba, Briana Evigan, Jenna Dewan, Zoe Seldana...) makes her really appealing and real. Seriously, why is this movie rated so low? You can understand between the first 5 minutes that it's a good work. Really good actually. I even cried at the end of the movie. And the dancing routines are just sick. | 1pos
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Read This: BOYZ 'N THE HOOD IS A SCENE-BY-SCENE, COMPLETE RIP-OFF OF THIS MOVIE. Two friends in the hood, one's focused on intellectual pursuits and the other is an athlete. The friend who's an athlete gets involved with the wrong people and gets killed. (The athlete just happens to be Washington from 'Welcome Back, Kotter'.) It makes me mad that people don't know this. It blows my mind everytime I go into a video store and Boyz 'n the Hood is in the 'Drama' section while Cooley High is in 'Comedy'. It's an embarrassing disgrace. This movie is both funnier and more dramatic than John Singleton's rip-off. At least Singleton could have had the dignity to speak out that his film was homage to Cooley High, but no, he never said a word. Boys 2 Men, however, named their hit record after this film. | 1pos
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Call it the Arctic Documentary, meets Alive!, meets Jurassic 'Horror' Park. I saw this at the Toronto International Film Festival and enjoyed from beginning to end, rather unexpectedly with really good results. This movie is about an oil research team in the remote reaches of the Alaskan Arctic, trying to see just how feasible oil drilling is, weighing the environmental unknowns against the corporate needs to secure 'energy independence'. Then as this clash intensifies, the human stakes start to rise out against the bleakness of the landscape. Real, dramatic, yet occasionally intense, against a bleak landscape, the realness of this story shone through. This was my kind of movie. | -1no label
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] |
Mercifully, there's no video of this wannabe western that a stay-afloat vehicle for Big Frank at a time when his career was floundering. The story of a weasel who lives on the reputation of his big gun brother and who gets run out of town by bad guys only to return to rally his townfolks with a new found courage must have been written by a back-room writer. All in all, this show stinks. The story is basically boring, ill-conceived and so naive that it can offend your intelligence. I must depart complete from the other reviewer who found it "...underrated..." The critics slammed it at the time and deservedly so. You'll have to catch it on the last show, if you up late and having a bout of insomnia. But, if you can sit through it, you've more fortitude than most of my movie buff friends. | 0neg
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] |
The straight to video sequel is pretty good in the story department, it is just some of the script that could have been a bit better. Simba (Matthew Broderick, again) is now The Lion King and has wife Nala and a new daughter Kiara to be Queen, she is voiced by Scream's Neve Campbell when she is older. Basically while exploring the kingdom with Timon (Nathan Lane, again) and Pumbaa (Ernie Sabella, again) she meets Kovu, a lion from the bad part of the kingdom. Unfortunately they fall in love, this is bad for both Simba and the villain who has taken over from Scar, Zira (Suzanne Pleshette). Also starring James Earl Jones as Mufasa, again. The people missing are Rowan Atkinson as Zazu and Whoopi Goldberg as the female hyena. Adequate! | -1no label
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The sequel to the Steeve Reeves version of Hercules, Hercules Unchained starts where its prequel left off. Hercules, Ulyses, and his new wife, Iole, go on some mission to settle a dispute between two brothers who wants to rule Thebes. However, on the way, Hercules drinks the so called " Waters of Forgetfullness" and forgets who he is and is seduced by this queen,and she falls in love with Hercules. However, Ulyses helps Herc regain his memory and escapes the island where the queen subsides in (by the way, the queen commits suicide, but anyway). Meanwhile, Iole, Herc's wife, gets captured by one of the brothers and threatens to kill her. Hercules and his group finally save Iole in a battle to the death by both of the brother's sides. In the end, both brothers die, Herc is reunited with his wife, and they live happily ever after.Well not exactly, but they lived ever after. This is the second and hopefully, I think, last sequel to the Hercules series. The movie felt like an eternity. It took so long for Herc to finally get off that island! In fact, Herc was on that island for 40 minutes, long for an 1 1/2 hour movie. The song. Oh god that was awful. And one last thing. It was boring. There wasn't much action, and when there was action, it didn't last long, and it was fake.Thank god MST3K was there to make it enjoyable! I want to thank all of the people who made this B- bomb possible. Steve Reeves, the Herc. The other cast members. Pietro Franscisi, the director. Mitchell Parish, the person who wrote that dreaded song. And the two producers, Feruccio De Martiono and Bruno Vailati. Thank you all! P.S. If you're thinking of making another sequel, heres a tip. Don't! | -1no label
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I picked up Jane Austen's book Pride & Prejudice while in high school and I couldn't make myself get past the first chapter... that and the fact that I don't typically like period dramas (they usually aren't done too well), I was hesitant when a friend casually mentioned that it was good, though long. I checked it out from the library and over the next week I probably watched it half a dozen times! I could not get enough of it! It is definitely the best movie I've ever seen and I pop it into the DVD player at least once a week now that I own it!! The complete cast was wonderful but I'd like to say that Mr. Collins was extra terrific- I don't think he's been given enough credit for the wonderful job he did! Though I've seen the movie dozens of times, he makes me laugh every time I see it! I've seen the new one and it isn't near as good..... and you can get it cheaper than $40, as I've seen mentioned a few times.... you can get it from Target for $30 or at Amazon.com for $20 on sale.... AND WORTH EVERY PENNY!! | -1no label
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Rs.30/- is all I paid as rent for the DVD of the movie and believe me it is not worth it. Bollywood directors think that showing fools is funny? well it is not. Please grow up. Here goes a dialog from the movie -'AGAR TUM LADKEE KO IJJAT DOGE TO LADKEE TUMHE APNI IJJAT DEGI'. Plot is useless, criminals and police alike running after fools. That is it. BHAGAM BHAG. Well it lived the title, I had to run away from it. :) I switched over to Star Movies and watched Home Alone 2 instead, and had a good laugh. | 0neg
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Radio is a true story about a man who did what he felt, in his heart, was the right thing to do. The viewer will be compelled to wonder what he or she would have done. The adversity that coach Jones and Radio both faced was both tragic and predictable. People did not understand; nor did they want to understand. But in the end, the power of circumstance forced people to understand and appreciate so much more than they did before it happened. Radio is a mentally challenged youth who understands very little, besides three of the most important things the are too often forgotten as we mature: Intuition, compassion, and love. Coach Jones is a high school teacher who cannot ignore the plight of the underdog who is just trying to play a bad hand of cards in the best way that he knows how. It was sad the way coach Jones and Radio met. The practical joke that terrified the life out of Radio was enough to make you want to severely punish, not only the boys involved, but every boy who knew what was going on and did nothing about it. However, on the positive side of the scale, the incident led to a friendship that would influence so many lives in the kind of way that most of us believe only happens in the movies. This movie is a real life fairy tale and not to be missed. Ed Harris was his usual brilliance. Gooding was flawless. Radio is an inspiration. | 1pos
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Cast to die for in a movie that is considerably less. Vanessa Redgrave is dying but before she goes she begins to tell her daughters the story of her life and of her secret love... This is one of those movies which has the look and expectations of being a great film simply because they have so many great actors and actresses in it so it seems to be about something other than the potboiler that it really is. Not bad as such but with Redgrave, Toni Collette, Glenn Close, Meryl Streep, Clare Danes,Natasha Richardson,Eileen Atkins, Patrick Wilson,Hugh Darcy and others (all giving fine performances) you expect more than a weepy story thats a bit more than a harlequin romance. Wait for Cable. | 0neg
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This documentary makes you travel all around the globe. It contains rare and stunning sequels from the wilderness. It shows you how diversified and how fragile our planet can be. The polar bear's future is highlighted at the beginning and at the end of it. After all, its bleak future is closely linked with the consequences of global warming. This documentary is however a simplistic approach of such a serious environmental issue. It can nonetheless be easily seen by young children since it mainly remains descriptive. Scientists might well be disappointed as it is not a remake of Al Gore's documentary "An inconvenient truth" but frankly...what a description!!! A question may then arise: Isn't it worth preserving our world's beauty? Because this documentary proves that in 2007 such a beauty still exists despite the different pollutions. By living in towns and cities we tend to forget that we are part and parcel of this nature. All things considered this documentary reminds us that we own a common treasure called "EARTH". | 1pos
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] |
I wouldn't normally write a comment on-line, but this is the worst movie I've ever seen. Not only that it's filmed just like a soap series ("The young and the restless" is really filmed by professionals compared to this), but it also has awful cuts. It has no action. It is full of useless garbage. Here's an example: a guy wants to kill the main character as he got fired because of him. So (after loads of crap) here they are: the guy puts a knife at his throat and says something like "You're dead now". Then the main character says: "If you kill me you're dead. I've told the police you're threatening me". So the (killer) guy goes like (just about to cry): "Oh no... the cops are following me!?!! Oh... my God". Remember: this is just an example. I really cannot believe this movie actually exists. So: IF you want to see the WORST movie ever... go ahead, I recommend it :) | 0neg
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] |
One of the lamer wedding movies you'll see. Smacks too too much of its time period so it was out of date before it hit the theaters. The ethnic stereotypes are like a Henny Youngman joke, except they just aint in the least bit funny here. Molly Ringwald, well what else needs to be said. Give you a clue to the silliness, she destroys a $10,000 wedding dress, because "It just won't be me" makes it into this rag, with straps and puts on a top hat, and everyone smiles cutely at her moxy, rather than ringwalding her neck. Its a helluva a cast too, check out how heavy Ally Sheedy is. Wheeeew! | 0neg
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] |
The acting is awkward and creepy, and not in a good way...at all. The writing, the dialogue, and the chemistry between the actors is horrible. Nothing makes sense and every close-up of an actor's expression or reaction lasts 3 or 4 seconds too long, making it seem like a Mexican Soap Opera (telenovela). Everything about the writing is unrealistic, and all of the actors involved make it that much worse with their campy interpretations of the script. Am I the only one who sees this??? To use the word cheesy to describe this Canadian disaster would be the understatement of the century. Did the director even watch the final cut before it was put on the air??? | 0neg
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] |
Let's get one thing straight, this gets an 7 out of 10 not on a normal scale, but out of the bad movie scale. this is the kind of movie you rent on purpose, where you intentionally walk in knowing that it is a horrendous knockoff and shun'd by everyone else. I went in with one promise from the movie, that there will be snakes on a train, and it Delivers! The gore itself is really good, and the characters have awesome roles. Come on, it has everything from stoned train pilots to teenage girls trafficking drugs, even a Electrical Engineer getting his pimp on! You get to see some topless nudity, explosions, snakes, gore, and a Mexican main lead running around curing his girlfriend by hitting his crack pipe and blowing the smoke in her face!! As I mentioned and many others have, the movie pacing is a bit off, but respectable nonetheless. Movies like this keep our group tradition of banding together and all chipping in a buck or two to watch masterpieces such as this. There can be no better time spent then coming together to enjoy a good bad movie. It could learn a thing or two from the likes of other such fine flicks as Alien Lock-down or Boa vs Python, but those are some big shoes to fill. A solid 7 out of 10. | 1pos
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] |
Movies were meant to entertain, and not all movies can be a "Citizen Kane" but this movie does what it's meant to do. Gene Tierney, perhaps the most beautiful actress ever to grace the screen, and highly under rated, handles the task of playing the fragile, accused murderess in the movie. An odd choice but Jose F. does a great job too...his hospital scene still makes me wince when he gets up from his bed! Barbara O'Neil (aka, Scarlet's mother) pops up in the most unlikeliest of places, but I have a new appreciation for her work. She adds style and elegance to every movie she appears in, including this one as the murdered socialite. Sure the movie might have some flaws, but if you listen carefully everything can be explained. It's great viewing time and again. | -1no label
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"Aileen: Life and Death of a Serial Killer (2003)" is a documentary about the life of the notorious Florida serial killer, Aileen Wornous, who inspired the much lauded film "Monster". Not to be confused with "Aileen Wornous: The Selling of a Serial Killer (1992)", also by Nick Broomfield, this film provides background on Wornous who was selling sex for cigarettes as a 9 year old child in Michigan and follows her life from criminal trials to death row up to her execution (which was not shown). The film paints a portrait of a troubled woman who descends into paranoid schizophrenia as the end nears all the while maintaining the unexpectedly undaunted, matter-of-fact demeanor of one very much reconciled to her fate in spite of being trapped in a system with no recompense for abuse in childhood nor insanity in adulthood who well may have been failed by the criminal justice system as well. A worthwhile watch for those interested in the Wornous story, especially as a follow-up to "Monster". (B) | -1no label
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I can't believe they even released such a movie. The only good acting came from the water in the movie. This has to be one of worst (if not the worst) movie I have ever seen. The only scary part of the movie is the bad acting, me giving this movie a 1 is me being to kind, this movie deserve a 0. The storyline, and if you can call it the plot of the movie, seems to have been written by an high school kid. Ofcaurse you have to ask yourself if it may have been better with better actors in it. Do yourself a favor, wait for it to show on TV. AND EVEN THEN WATCHING IT WILL BE A WAST OF TIME. | 0neg
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] |
Some of my favorite Laurel and Hardy films have very, very little plot. Instead, they give them a rather mundane situation and just let them be hilarious! Films such as HELP MATES and BUSY BODIES are among the funniest as you see the boys working or cleaning house. Here in DIRTY WORK, most of the film is akin to these other two films--Stan and Ollie are chimney sweeps and spend most of the film trying (quite unsuccessfully) to clean a crazy professor's chimney. Seeing Ollie fall through the chimney, the boys making the house a total mess and the insane behaviors of Stanley all work together to make a very pleasing film. However, in an odd twist, there is also a really weird subplot that begins and ends the movie. It seems that the professor is truly a mad scientist and he is working on a formula to make things younger. Late in the film, you see him make a duck into a duckling and even a duckling into an egg! Given that he then leaves the boys alone in the room, is it any surprise what happens next? While this subplot was unnecessary, it worked well enough. What worked exceptionally well was the middle portion. Give the boys nothing exciting to do and you'll be amazed at the hilarious results. One of the team's better films and it almost earns a 9. | 1pos
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] |
FF8 is definitely one of the biggest classics in the series. The story starts off with a group of students in a military school: we have Squall, the main guy who is a loner and a bit moody; there's Zell who likes to use his fists for a lot of things & Selphie who is perky and always has a positiver attitude. We also meet Quistis (their smart and incredibly hot instructor), Rinoa (Squall's love interest) and Irvine (a ladies man) along the way. Good points: Story: The story is one of the best in the series and is mostly what i play the game for. there are a few clever plot twists that will make the story even more interesting. Characters: All the characters are likable enough (Except Irvine maybe) and they all have good interaction with each other. Setting: The places are very nice to visit, particularly the ones on the Esthar continent: Esthar City (a hi-tech metropolis), Tears Point (a place with statues and nice art) and Lunatic Pandora (find out for yourself) Summons: The summons (called Gfs) can be found in different circumstances: some have to be fought, some have to be drawn from enemies and some can only be obtained through special conditions and there are a number of secret ones as well. Bad points: Battles: the system on this is a little slow paced and the drawing system just isn't that great Development: the junction system on this is a good idea (junction GFs to use magic, etc) but it makes the characters too powerful and therefore makes most boss fights easy. However, you don't have to use the junction system as much so it doesn't really affect the game too much. | -1no label
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] |
I got this print from Video Search of Miami, not really knowing for sure what I was in for. I was under the impression that this was a possession movie, and it is, sort of. Unfortunately, all of the characters are so boring that after a while you stop caring who's doing what to whom. The basic plotline is this: young girl becomes possessed by the spirit of her dead mother while left in the care of her tyrannical father. There are a number of other people living in the house, but it isn't really explained what they're doing there. In fact, there isn't much in the way of a plot either. There a few really sleazy moments which I won't give away for you exploitation fans. Ultimately, this one is for diehard fans of the genre only. | -1no label
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] |
i'm really into war films but this has to be one of the worst. i think Oliver Stone should stay clear of war films. he just doesn't make them well. Platoon isn't a favourite of mine either even though its rated high. Oliver Stone did make Platoon pretty well though but it doesn't even close to Apocalypse Now, Saving Private Ryan or We Were Soldiers. i think Tom Cruise did a half decent job of an injured war veteran that has been rendered to living in a wheel chair. Tom Cruise really is a fantastic actor but i didn't feel for him as much in this. the film is really showing its age too. films like Apocalypse Now still looks absolutely fantastic even today but every time i give born on the fourth of July another try it gets worse. you should watch this film if your a war fan because its not a rubbish film but you will agree with me that its no way as good as other war classics i really have no idea why this film won 2 academy awards either. there was nothing special that stuck out of the film that made it worthy of two academy awards........ 4/10.......j.d Seaton | -1no label
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] |
To the guy that said bypass this movie, just stop watching kung fu movies all together. I mean you couldn't even get the plot right, no wonder you didn't like it. The real story is that a rebel against the army is on the run, to make a long story short he is protected by the ten well-known fighters whom later becomes considered as the Kwangtung Ten Tigers. But after the head officer of the Ching Army is killed, years later his son and sworn brother plot to kill off the students of the famous Ten Tigers. The martial arts in here are nothing short of excellent as always plus all the Venoms were in this one, all 6 of them. Kuo Chui, Lo Meng, Wei Pai, Lu Feng, Sun Chien, and my favorite of them all Chiang Sheng rest in peace. Ten Tigers is a definite pick up for any one whom likes classic kung fu films, I own a whole lot of them so I know personally, but give this movie a peek, you can't go wrong. On a special note don't listen to these hard to please reviewers waiting on something to hate, they already have dislike on their mind before they even watch the film.........................For Shame. | -1no label
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] |
Beethovens 2nd is a pretty good sequel, not as good as the first as far structure wise, but it comes pretty close for me.Its fun, entertaining, and somewhat funny.Also it actually follows up the first one in a good way.It was very new and fresh in a way, and some what believable, that really the first one and second one capture in a right way.It was good to see the return of the original cast members, and to add in some new characters like Regina( who was a cool villain).It was really funny at times, especially at some points from Bonnie Hunt( who's character I love).I didn't care much for the ending, and some points it was a little too out there and unbelievable, and the dogs annoyed me at some points, as did some characters.Well, overall if you liked the first one you'll like this, and in fact this is probably the last good one sequel in the series. 7.5 out of 10 stars | -1no label
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] |
Good things out of the way first: Underdog's voice acting was FINE. But Jason Lee being awesome himself, that really is no surprise. Peter Dinklage (Barsinister) also did fine, for what trash was given to him. He acted the part shockingly well. And so did Patrick Warburton, the moronic assistant. Now, it was idiotic character but he acted so extremely well, I actually liked the character better than the protagonists. The lines given to him were childish but witty. However. Alex Neuberger did awful and hope he never acts again. His "Scream" was so disgustingly fake. Silence. Silence. "aaahhhhhhh". In the scene where he hears the dog talk, an "oh no, impossible!" would have sufficed in place of the pathetic fake scream. And then there was the girl and her female dog that chased Patrick's character Cad on the roof. At first this makes sense, she's a "Reporter." A school reporter but still an inquiring mind regardless. But why, WHY the HELL did she carry her dog around? That was worthless and the damn dog didn't even say anything other than a heartless "oh, underdog!" Her presence was extremely unnecessary. Overall, the script was pathetic. The only reason I give this movie a 3 is Barsinister, his assistance, and underdog's voice. | 0neg
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] |
I don't know, maybe I'm the only person in the world who didn't enjoy The Full Monty. Perhaps there's something wrong with me, but I hated it. So when I was dragged into the cinema to see this follow-up by the same director, I went kicking and screaming. True, I knew absolutely nothing about the film, had not seen a review and sure, it starred the always funny James "Cold Feet" Nesbitt and the delectable Olivia "Rushmore" Williams, but I was determined to loathe every agonising moment. A few minutes in, a funny things started to happen. Something odd was happening in my throat and in my chest. That sensation in my chest... that strange feeling... What was it? No, I wasn't bringing up bile. It wasn't pain; It was... it was... No, it couldn't be. It was laughter! Yes, I was laughing. The film was funny and entertaining and charming and the corny, feel good ending left me with a warn glow. Eewwww... | -1no label
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] |
Spoiler-Peter Cushing does not drive a stake through Christopher Lee's heart in this movie. This is classic science fiction, make no mistake. It has a status quo established among isolated characters, interrupted by eerie events. In this case the status quo is a love triangle with some other interesting British type characters and interesting British atmosphere, not to mention giants Lee and Cushing playing remarkably believable people, particularly Cushing, whose character is so believable in his errors as well as his attributes. The isolation is an island which is burning in doom. The temperature is rising drastically, and the reason is all too clear for those who watch and know it is a horror film, but of course not to the people on the island. The characters make this movie fascinating. And the ending is very provoking. One scene, in particular, in which the gorgeous tramp and a minor male character are trapped with no hope, and the totally unexpected happens in their actions, but it rings of truth in such circumstances. Very suspenseful, very well done. One of the great science fiction movies, and one of the most underrated. | -1no label
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] |
All the people reviewing this movie don't get the fact that the point of the movie was to make you feel stupid for watching a movie like this. The preview makes it out to be a great thriller/horror movie but, ironically enough anytime in this movie there is any violence they just pan away and the one time you do they just take the whole scene back almost out of spite or just to annoy you. The whole point of the one OC preppy guy talking to the audience was almost to point out the director knew what you wanted to happen and more or less did the opposite. The end of the movie when they are all on the boat and they are talking about fiction and non fiction seemed to me like the director was explaining that in reality the way the movie was played out is the way it would happen in real life and not how most standard horror movies play out. This movie is like the strangers but worse the main characters do nothing to save themselves (nothing smart anyways) so you almost do even feel sorry for them and you don't care and sit there afterwords wondering why you watched this POS but in this movie i think that was the point, the director wanted you to feel stupid for watching it. REGARDLESS I HATE IT SILL. P.S. if you want to get a better idea of what this movie was really trying to say then read some of ther loved it posts there's some good points. | -1no label
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] |
In Moscow, the young couple Veronika (T. Samojlova) and Boris (Aleksey Batalov) are in deep love for each other. With the World War II, Boris volunteers to join the army and is sent to the front on the day before Veronika's birthday, and they do not have the chance to say goodbye to each other. While waiting for news from Boris, Veronika is raped by Boris' cousin Mark (A. Shvorin) and they marry each other. However, Veronika does not forget Boris, and keeps waiting for him. "Letyat zhuravli" is an impressive and heartbreaking romance in times of war. The direction is excellent and uses ellipses along the story, inclusive in the capital scene when Veronika is raped by Mark. The camera-work is amazing, with sophisticated planes and angles, and long traveling. The scenes of Veronika in the middle of the tanks, or in the train station with many figurants are awesome. The magnificent cinematography is highlighted by the restored image of the DVD. T. Samojlova has an extremely beautiful face, and a touching and sensitive performance. The speech in the last scene makes another great example of an anti-war movie. My vote is nine. Title (Brazil): "Quando Voam as Cegonhas" ("When Fly the Stork") | 1pos
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Movie's have come to be just like eating chicken. Everybody is serving chicken; Boiled, baked and fried but it just chicken. Where have all the new and innovative ideas gone to. The last truly innovative movie that I have saw was The Matrix. I can't hardly find a movie I can sit all the way through anymore. And with that being said, 7 seconds is just about as watchable an anything being produced these days unless you want to soil your sensibilities in the mire of sadistic garbage that is being pushed at us now. Torture and entrapment, murder and mutilation. Heck they have even eliminated the Sci-fi section at Blockbusters. Why??? As a sidebar when ever I see a Wesley Snipes movie I amuse myself with Wesley's ability to bed white women on screen. He seems to be the only card carrying Black man that is licensed to do that in American Cinema. Without suffering some kind of tragic end before the movie ends. In this movie he had two of them. How does he get away with doing that? | -1no label
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I first saw this film when i was about 13. It blew me away then and in many respects it still does now. But i am less inclined to see it as an accurate historical piece now. There is precious little effort made to examine and interact with the racism - and thus fails to recognise that the most potent anti racism weapon is to understand it at its very core in those who commit it. What we get instead is a dichotomy - on the one side, beko and woods in 3D panoramic rainbow vision - on the other, two dimensional characters are portrayed as unapologetic unthinking evil. This all makes for a great film story, but it worries me that people see the portrayal as 'accurate'. | 1pos
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The paramedics David Vaughn (Johnny Messner) and Victor (Jon Huertas) receive an emergency call from the girl Libby (Saige Ryan Campbell) in a remote gas station. While trying to save her mother Deborah (Elizabeth Godush), they are abducted by members of the sect Quanta Group, composed by scientists, philosophers and mathematicians that foresee the end of the world after a meteor shower. Their leader The Teacher (Daniel Benzali) converts Vic to his cult, but the reluctant David resists and faces a weird mystery. "Believers" is an above average B-movie with a very intriguing story, but also flawed since there are some points that are not well-explained or developed. The greatest flaw is the lack of a reasonable explanation why David and Vic are kidnapped in the gas station. It would be certainly easier to leave the paramedics inside the firemen's ambulance on the road, the same way they did with their boss. How Deborah was resurrected and how The Teachers knew personal details of the lives of David and Vic is open, but may be well explained with the fire in the sky in the last scene meaning that The Teacher was really a powerful entity. I understand that the formula was the deadly gas, but it is not clear. I am a fan of original and low-budget movies, and in the end I liked this refreshing story. The direction and the acting are great, and I believe there are some unfair reviews in IMDb, probably from users that like commercial and easy to understand movies. My vote is seven. Title (Brazil): "Fórmula Fatal" ("Fatal Formula") | -1no label
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] |
I think the "Bone Snatcher" should go after anyone associated with this movie. Watching this will seem like the longest 90 minutes or so of your entire life. The plot is boring and stupid. There were no scenes that were horrifying, even remotely. If you manage to endure this fine piece of cinema art all the way to the end, you're either going to be highly disappointed or die laughing hysterically. I bought this movie based on some other reviews I'd read. I wish I had my money back. What a skunker. If you're looking for a horror movie that will hold your interest, watch "U Turn". It may be based on a kooky plot, but it's full of those creepy scenes that keep you jumping from beginning to end. | 0neg
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] |
I just couldn't stop laughing!! This movie is incredibly funny and stupid! But, never mind that, it is very entertaining! In this film, you don't need to pay attention to anything! The acting is the same - LAME! The dinosaurs are the same - RUBBER (Oh, my I could see the stick that holds T-Rex head for a moment.) The raptors are the same from the Carnosaur 2, T-Rex is also the same, but... in some scenes his head looks kinda stuffed and it looks like some kind of project failure from kindergarten. Action is fast, sometimes too fast, actually I talk about fast editing, they edited it so fast, so that we cannot see the rubber dinosaurs, but OOPPS! to late, they are rubber! Well, only things interesting here is to see Rick Dean in this sequel. What can I say... don't rent it... watch it on TV, with friends, it is much more entertaining! | 0neg
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] |
As a child of the 80's like so many of the other reviewers here I hated the original V and V: the Final Battle. I own both on VHS and never hook up the VCR to watch them. I do remember not liking this short lived series very much, but I couldn't remember why, so I rented the first disc. By the third episode I had my memory refreshed. It's terrible. The writing is beyond horrid. It's not even FUN. They had a lot of material to work with here, but it seemed like they just didn't know what to do so they turned it into 'Days of our Lives with lizard aliens'. How cool and full of potential is the concept of Elizabeth the Starchild? All they could think of to do is grow her into a whiny, boring teenager to compete with her mother romantically? Marc Singer looked less embarrassed to be in Beastmaster II than he did when he was trapped in this drivel....point is, whether you're one of the younger folk who's just discovered V or one of us older sci-fi fans looking to rediscover some old fun, spare yourself and SKIP THIS! | 0neg
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] |
Mild Spoilers In the near future, Arnold stars as Ben Richards, a wrongly convicted man coerced into playing 'The Running Man', a deadly TV game show where people have to keep moving to try and escape brutal deaths at the hands of the 'Stalkers'. Of course, people are expected to die eventually and its up to Arnold to prove the system wrong. I haven't read the Stephen King book, but this is a great film regardless, one of Arnold's best. He does what he does best in the action man role, delivering death with unforgettable one-liners. Classics are probably the 'He was a real pain in the neck' after strangling a guy with barb wire, and 'He had to split!', referring to whereabouts he just chain sawed someone vertically. Dawson is perfectly irritating as the TV presenter, and all the 'Stalkers' are suitably camp. The action is violent, but its an action film. That's the point. The film is fast paced, and at 90 minutes it doesn't overstay its welcome. With Starsky and Hutch's Paul Michael Glaser at the helm, and made in the wake of the success of The Terminator, previously this film was probably seen as just another mindless action vehicle for Arnold, and very far fetched. But today, anyone who watches a lot of TV could see how the film is getting closer to reality. I wouldn't be surprised if I turn on the TV in the 'near future' and see a show not to far from this. On that depressing note, I must however recommend 'The Running Man' to anyone who likes the 80s, Arnold, ridiculous acts or violence or just a good action film. 9. 5 / 10 | 1pos
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] |
It's not often that you see a film that is pure, unmitigated crap. This is one of them. (Hell, even the 2/10 rating is generous) The humour used is film is unspeakably infantile. Some of if, though, is very much of its time. There are some sly digs at the cult of celebrity and Britain in the 1980s. The only thing in this film that did it for me was Mel Smith's slightly sympathetic role as the unfortunate alien, Bernard. While we're on the subject, I don't even know why Smith, and his co-star, Griff Rhys-Jones ever bothered making this piece of trash in the first place!!! One major turn-off for me was the rather gaudy, tacky, cheaply-made look of the film. In fact, the whole thing looks rather false and plastic!! Compared to "Morons From Outer Space", director Mike Hodges' previous effort of the decade, "Flash Gordon" look like a Bafta award-winning masterpiece. If you've got nothing else better to do, I really would NOT recommend renting this film out!! | -1no label
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] |
I was highly surprised that this pearl of a movie has only an average rating here in IMDb, because this is one of the finest comedies of all-time! I saw it already more then a dozen in the last ten years and will never get bored of it. The humor in this movie is often sexual, but never on the low level the teenager-comedies of the last years have. See this movie, enjoy it. Anthony Hopkins alone shows, how good he is in a comedy, too. Hannibal Lecter as John Kellogg? What a wonderful idea! Either if you are pleased about the wonderful cast or you like the issue and the jokes in it. | -1no label
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] |
We sense the movie's love/hate relationship with all things flesh very soon. It's bodily fluids, food, animals, the dead and repeat. To any of these the film applies a perversity, and a fascination in their spectacle if carried out disgustingly. The film is a presentation, albeit an occasionally funny one, of human's ugliest and basest instincts so much so that maybe even the humor is part of that cycle. All of it gets old very fast. The concept is just a creepy fetish, saying about human existence as much as flower power kitsch. It can be argued that the film is directed with a certain style but to me the mise en scéne seemed self-serving, a signpost of this being art. More importantly though, the film is constantly condescending towards its characters and though the purpose was probably to blame all the ugliness on our existence or on Communist states, finally the condescension and bestiality is all Palfi's. | -1no label
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] |
It seems that there is great potential for the story line of this film to be something worth watching. The acting was flat and the story lacked depth. There was too much reliance on camera work, which had some high points. I have to agree with the other negative comments. I only wish I had read them before buying the DVD. The film may be worth watching for free and you are bored to tears before hand. There could have been a lot more plot development with why there are homeless in Moscow (i.e. post-Soviet 'capitalism', rampant drug usage (i.e. increased heroin trafficking from Afghanistan); more development of why the resurgence of Russian Orthodoxy after the fall of the U.S.S.R.; the archaeologists themselves; or even more into the struggle against nihilism. | 0neg
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] |
I was also on hand for the premiere in Toronto. This film was sort of a consolation when I thought I wouldn't be able to get in to see my first choice. Well, I was totally blown away. By the time I got to the theater I could remember little other than the basic plot of the movie (yes, I actually forgot who was even in it.) Terrific performances from the entire cast. Carrie-Anne Moss was great in a true departure from her days as Trinity. As for Billy Connolly, I think not since Chaplin has an actor played so brilliantly with no lines what-so-ever. The kids were also great. Definitely check this one out if you get the chance. And, by the way, I got to see my first choice anyway- and this was way better. | 1pos
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] |
I had to watch this film for a class about Mid-Victorian Britain...with my professors and my class...and I was shocked at the story; Not just how awful the acting was, but that the script was actually bought and given a green light for production. The costumes were stylized and the design was nominated for an Oscar...how that was possible, I don't even know. The only thing redeemable about the film is Kristen Scott Thomas. Mark Rylance and Patsy Kensit give two of the worst performances I have ever seen in my entire life. Rylance's pitch and tone of voice never changes and Kensit was overly dramatic to the point of being comical. I would only see this movie if you want to laugh. But even at that, you're going to be wasting money...even energy by renting this movie. Stay away... | -1no label
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] |
Um .... a serious film about troubled teens in Singapore, a country I have not much knowledge on but have the previous wrong impression that all the kids there are highly disciplined and controlled by their family and government. Well, I guess I am wrong, just like other cities/ countries, they also have their troubled teens who also lead the not so surprising rebellious way of life of drugs, fights, bad language, and .... many other obvious signs of being a bad boy. The surprising part of this film isn't really about how these kids running around causing themselves and others trouble, but rather the subtle gayness hidden behind their so call loyalty between them. The bond between these "brothers" may very well originated from an unconscious gay tendency inside these boys. Though it isn't uncommon for str8 guys to have very close friendship with each other, but watch this film closely, it should be entering all sorts of gay film festivals and I would not be surprised that it may win itself a lot more awards toward this direction! | 1pos
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] |
As other viewers have mentioned, this film was an interesting experiment in photography. The colors are comic book bold. I think the director got carried away with his "artistic vision" over the look of the film instead o badly needed attention to content. Despite its stellar cast, the performances are lackluster and the story nearly incoherent. Madonna was likely cast purely as a stunt to get pre-release press. A good thing as her appearance here lent some credence to her album "I'm Breathless (Music inspired by the film Dick Tracy)" which was a stratospheric hit (due in large part to the inclusion of dance-hit "Vogue" - which is not in, nor has the slightest relation to this film). I'd guess the major portion of money from this film came from tie-ins to Madonna's "I'm Breathless" album. If you watch it at home, by end-titles, you'll think "there's two hours out of my life I'd like to have back." Save yourself the wasted time - do not bother with this. | 0neg
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] |
Army private Gene Kelly, who's also a talented trapeze aerialist, comes under fire for doing daring stunts without a net and alienating his high-wire cohorts; meanwhile, there's an elaborate 'camp show' to put on for Army soldiers and personnel, and the whole studio of M-G-M has shown up to join in the fun. Mickey Rooney plays M.C. (unctuously), introducing acts like Kay Kyser and His Orchestra, Bob Crosby, Benny Carter, and the M-G-M Dancing Girls (who appear to be dressed as vegetables). Red Skelton does a cute bit with Donna Reed and Margaret O'Brien, but the other comedic bits suffer from an apparent vacuum between the performers and the allegedly-live audience (they're awfully silent until the editor cuts to them for exaggerated reaction shots). Judy Garland sings an inappropriate song about a jumpin' night at Carnegie Hall (improbably accompanied by classical pianist José Iturbi, whom Judy calls 'hep'). The production is glossy, but the manic energy feels false, fabricated. ** from **** | 0neg
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] |
I am going to keep this short.This "adaption" of the wonderful King book is a bad joke and nothing more.Of course there are many Kubrick and Nickolson fans in this site and,as a result,this movie has mysteriously find its way in the top-250. Jack Nicholson is laughable as Torrance and so is Shelley Duvall.The story,that has nothing to do with the book,is an incoherent mess and the characters of Jack and Wendy Torrance are complete jokes. My advice to anyone that hasn't read the book and wants to understand the characters of this story:stick to the TV series .... Oh ,and the people who are saying that Kubrick had every right to destroy the King story cause King is...not a good writer should stick to reviewing "masterpieces" like "eyes wide shut". | 0neg
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] |
I'll be honest-- the pimped out purple plane with Snoop Dogg at the helm is an amusing visual gag. It would have been a decent concept for a 30 second commercial, or maybe a 3 minute music video. But the producers have committed the age-old concept comedy sin of stretching 30 seconds of material into an hour and a half of film, and the results are predictably lame. The remainder of the 89 minutes are filled with the typical gamut of racist and sexist humor and fart jokes, offensive and-- worst of all-- painfully unfunny. The threadbare plot screams under the weight of its contrivances. Best to be avoided unless you are drunk or stoned. | 0neg
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] |
"Lifeform" would have been a solid 30- or 60-minute episode of "Twilight Zone" or "Outer Limits." It takes the "Alien" theme and throws a few twists in it, such as, do we really know what the alien wants? or is the alien trying to kill us or is it scared and trying to protect itself FROM us? The problem is, it's a full-length feature movie. Thus, we have to sit around and twiddle out thumbs while the director comes up with scene after scene of boring filler. When they're not taking 15 minutes to explain something that should only take 30 seconds, they're giving a young Ryan Phillippe plenty of meaningless face time. The military grunts come across as Keystone Kops quality. If that's our finest, this country is in really sad shape. There are also too few scenes with the alien. A potentially good movie became way too pedestrian. I'm giving this a 3 out of 10. | -1no label
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] |
With these people faking so many shots, using old footage, and gassing animals to get them out, not to mention that some of the scenes were filmed on a created set with actors, what's to believe? Old film of countries is nice, but the animal abuse and degradation of natives is painful to watch in these films. I know, racism is OK in these old films, but there is more to that to make this couple lose credibility. Portrayed as fliers, they never flew their planes, Martin Johnson was an ex-vaudevillian, used friends like Jack London for financial gain while stiffing them of royalties, denying his wife's apparent depression, using her as a cute prop, all this makes these films unbearable. They were by no means the first to travel to these lands, or the first to write about them. He was OK as a filmmaker and photographer, but that's about it. | 0neg
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] |
When i first saw this i thought it would be a bit samey, like any other sitcom or teen show but it wasn't, it's very funny. It's not nauseating like Friends but a likable scenario of three ex-college pals embarking on their careers and love lives. The friendship between these three is the best part, it isn't a contrived friendship, it's very real. Sharon is tough, bossy and one of the guys but she does have a girlie side too, Berg is witty but a bit childish, Pete is on the quest for true love, never really finding it and then later we get Johnny, lovable but tight. Ashley, sarcastic and strong and Irene, crazy cat lover who has a crush on Pete. Pete is my favourite, everyone loves Berg, but Pete had the depth and his extremeness to find the perfect mate was funny, charming and cute. he also has a great singing voice! He and Ashley were better suited than Berg and Ashley. I think it was a shame it got cancelled and left us on a cliffhanger, normally i'm all for endings that make you think but this was just unfair! Love the episodes later on, the one with no dialogue (Silent movie) the one which shows us the characters lives linking together throughout one day, the writers were original with material, the halloween episodes were fun and love Mr. Bower's tall tales (the ones from movies) Overall a decent four series which deserved more time on the air. | -1no label
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] |
It seemed as though the year 1984 was anything but the Orwellian nightmare it was calculated to be with George Orwell's science fiction novel!! 1984 turned out to be one of the happiest times in American history!! The upsurge in the economy, and a reemergence in basic American values, cultivated an idealistic aura of resumed innocence which was viewed by the American people with a very auspicious disposition!! There have been many ersatz renditions of classic movies in the past, but, the originals are almost always considered superior!! "Purple Rain" is such a movie in this category!! Made in 1984, "Purple Rain" provided a doggerel of eighties, happy-go-lucky quality music, which they incorporated into the making of this excellent film!! Certain artifacts indicative of the eighties are indeed classics!! Screwball comedies, neon accented clothing, and of course, the music!! Eighties music is considered by experts to be the best decade for music in American history!! Set in Minneapolis, "Purple Rain" accommodated the use of naive entertainment with the changing times of the city. When I was a little kid, I lived in Minneapolis for about eight months, back then, the non-white population was under 3%!! By 1984, African Americans had made some in roads into Minneapolis, and, thus, they established a firmly embedded culture of their own as well!! The movie "Purple Rain" evokes an eighties style clothing, and music ensemble, which effortlessly captivated the movie audience!! I loved the music to "Purple Rain", and, the innovative approach this film takes to confrontational success, is indeed, brilliant!! See this movie if you have not seen it already!! Prince became an eighties icon with this masterpiece!! For a short time, he dated Kim Bassinger, he must be doing something right!! "Purple Rain" put Prince on the map!! This film gets my emphatically assertive verdict of THUMBS UP!!!! | 1pos
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] |
1st watched 1/22/2007 - 3 out of 10(Dir-Albert Herman): Mediocre, at best, juvenile teenager drama which starts at the onset of a high school girl killing herself with the authorities trying to find out why. Of course, the kids remaining aren't much help as they were all out partying together the night before and don't want their parents to find out. None of the kids show much sympathy, which appears to be the point of the movie -- if you're a bad girl and party you lose all your sensitivity. Although later in the movie, the tables turn and the parents are shown to blame -- which was a nice turn(with a good scene with the judge helping the parents understand where they were going wrong), but it comes too late in the movie(about ¾ of the way thru). For the most part the acting is pretty bad and the lighting on some scenes is so horrible that you can barely tell what's going on(this may have just been the age of the movie, though). Besides this, the movie tries hard from a story perspective, but turns out to be pretty much a snoozer that you're just waiting on to end. | -1no label
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] |
It's funny how your life can change in a second... To attend ''The Waterdance'' for the first time it was an unforgettable experience, the way you need to get used to a new way of life it can seem frightening, and to notice that there are other people going by a similar situation it can help you to go on. Eric Stoltz's performances and mainly of Helen Hunt (oh man!, Helen is the purest and graceful woman in earth...) are wonderful, Wesley Snipes also surprises in one of your last serious roles. A film simple and at the same time deep that doesn't get to leave us indifferent to the message that is transmitted: enjoy each moment of your life... Really to a film as that the any hour is not attended!!! (sorry, it's a Brazilian expression...). | 1pos
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] |
Borderline camp to be sure, WHIRLPOOL is still a lot of fun. Kleptomaniac Gene Tierney finds herself under the spell of wacky hypnotist Jose Ferrer and is soon doing his evil bidding. The fact that the film takes itself so seriously is part of the enjoyment. Director Otto Preminger seems unaware that he's NOT making another LAURA. Still, Tierney is striking and her slightly off-kilter personality lends itself nicely to this type of role. She was always at her best playing women who may or may not be REAL BAD! Ferrer is his usually hammy self, but this time it works in his favor. How else should one play a hypnotist? Richard Conte is badly cast as Tierney's doctor husband. It might be the role --- he seems to be the dimmest doctor imaginable. | -1no label
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] |
Never have so many been so humiliated for so little. John Wayne as Genghis Khan is beyond a doubt the most ludicrous casting decision in movie history: John Gacy and would have been a better choice. The Duke seems to have Mongolian confused with Mongoloid, and nobody's told him The Conqueror isn't a Western. Oscar Millard seems to have this Mongolian horse opera confused with Shakespeare, and writes his poetic dialogue accordingly. We now know why Wayne never did Hamlet. Lots of toppling horses during the battle scenes, and the weird casting of William Conrad (who at least looks like he's having fun), Lee Van Cleef and Agnes Moorehead as Khan's fellow Mongolians just add to the fun. And let's not forget Susan Hayward as a red-haired Tartar bride to Genghis (?!?). Only Pedro Armendariz avoids humiliating himself, but he looks embarrassed to be here. A camp classic. | -1no label
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] |
this is a must see for Aimee graham fans. i think it's one of her better roles, as she does remarkably well with this made for Cinemax movie. good supporting cast including Matt Le blanc in a cameo role. i wondered when they would get around to putting this one on DVD. congrats to Buena Vista. as for her gift of running, she had a lot to run from, including an abusive father and a lame boyfriend. running can be very therapeutic and can also imply a sense of urgency as a medium to escape the predicaments of life one has been dealt. Cinematography is well done, at least the TV version that i copied off Cinamax one night. i think i wore that one out. it was released in VHS in other countries including England and Germany, but i believe this future release(April 2005), will be the first time it will be readily available in the U.S.. | -1no label
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] |
I can't really say what I think about this movie, its against the guidelines, I've watched many many films, and this has got to be the worst one yet, Extremely low budget, I'm guessing all the money went into the slaughter house scenes, cause I could of did a better job with a b&w 8mm camera and a crew of monkeys. It was so bad I registered just to leave a comment, cause I had to tell someone, movie rental place wasn't enough. But this is my 2 cents worth, I suggest borrowing it from some poor sap who rented it and watch it yourself. Cause i sure wouldn't waste the money on it myself again. Now i leave you with this comment. I hope your not made at the rental place when they wont refund you your money .. =) | 0neg
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] |
I Love The Royal Rumble Of 2006. I Loved It So Much Because Royal Rumble Is My Fav Match Ever And Plus Rey Mysterio Won It And Hes One Of My Fav With Jeff Hardy. I Other Matches Were OK. John Cena Match Was Good Because He Won And I Hate Edge!!! And The JBl Match Was Not Good They Did Not Fight At All Of What I Can Remember. And Kurt Angle Match Was Good Because He Won I Hate Matt Henry!! Mickey James Match Was Stupid Because Ashley Lost!!! And That Was It That I Can Remember. And That Is Why I Liked The Royal Rumble Of Year 2006. I Hope In The Next Royal Rumble Rey Mysterio Wins Again Or Jeff Hardy Wins!!! | -1no label
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] |
Doriana Grey should please Franco's admirers, leaving others alternately bored, confused, and aroused in spite of themselves. As with others of the director's films, there's a dreamlike quality to the proceedings, with wealthy and ennui-afflicted recluse Doriana strolling leisurely through her home or staring at the sky between sexual encounters played out to tranquil sitar music. Some of the actors seem to be playing their parts in a trance, as if hypnotized before shooting, like the cast of Herzog's Heart of Glass. The English dubbing, too, is mostly monotone, which only enhances, rather than hurts, the timeless, otherworldly atmosphere, with dialogue ranging from the seemingly lofty ("It is the destiny of all beauty to be destroyed") to the simply lewd ("Go down on me"). The DVD, as of writing, has long gone out of print, but Franco enthusiasts are encouraged to look for this one through gray market services. The staring, frightening lust expressed in Lina Romay's eyes alone is worth at least one visit to her château. | -1no label
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] |
Pierce Brosnan the newest but no longer James Bond, is an assassin. He is very very good at what he does, but he's getting old and tired. Greg Kinnair is really good as the straight and narrow business man. Now when the story opens the movie shows these two people in their separate lives. Then one night they are having drinks in a bar, and they begin to talk. Then all of a sudden you find these two people getting drawn together during a series of events. The story is excellent, the acting is top notch, and the humor is hilarious I never thought that Pierce Brosnan would be this funny, but he really is and I must say this movie is a must see. | 1pos
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Continuing on with my very slow motion Johnny Stockwell Film Festival (i.e. i see one of his movies every few months)... Hmmm... obviously someone had some wild idea for a movie, managed to attract some naive and gullible investors, found some actors who were in desperate need of a paycheck, and voilà, this came into being! I'm writing this review as i watch this movie. I'm about a third of the way through, and so far, i have absolutely no idea what it's purpose is supposed to be. None of it has made any particular sense. About the only thing i've really enjoyed is that demented skull motorcycle helmet that Johnny wears. I liked that. It appeals to my deranged sense of humor. And i've recognized "Charlie" (Don Opper) from the "Critters" series. Which leaves me to wondering where Ug is. OK... i'm now a little more than half way through and i'm still clueless as to what it's all about... I've already seriously contemplated turning the movie off because it's so dumb, but i continue on despite all odds to be true to the concept of a Johnny Stockwell Film Festival. Well, i made it to the end credits. As far as i could understand what all the hubbub was about, the baddies were doing Our Heroes wrong. Our Heroes got cranky about that and taught the baddies the error of their ways. I'm not sure, but i may have perhaps seen that plot done in possibly another movie or two. ;) I can't realistically recommend watching this to anyone. It's pretty awful. I watched this from a commercial DVD that apparently was made from a VHS transfer and the VHS tape had degraded badly. Everything was pretty blotchy and fuzzy. Maybe if the movie had imaging that was crisp and clear, it might have been at least a little more bearable. Or, more likely, probably not. | -1no label
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] |
Seeing "Moonstruck" after so many years is a reminder of how sweet and sensationally funny this film was when it first appeared. Who knew that Cher could act? Who had ever heard of Olympia Dukakis? Nicholas Cage was the beginning of his career, and Vincent Gardenia and Danny Aiello were not known for their comedic talents, nor was Norman Jewison the director. The only really flat note in this splendid work is "When the Moon Hits Your Eye Like a Big Pizza Pie, That's Amore," a song that is sung too many times in the movie (once is already too many) and that went on to have a long afterlife in popular music. Cher is -- forgive me -- sensational as Loretta Castorini, a widow who wants to be married and does not have to be in love with the groom. Aielo (Johny Cammareri) obliges by proposing, offering her his pinkie ring as a substitute for an engagement ring, then rushes off to Sicily to be with his dying mother. He charges Loretta with seeing to that his estranged brother, Ronny, attends the wedding. Loretta confronts Ronny and quickly falls in love with him. Meanwhile, her father (Vincent Gardenia) is cheating on her mother (Olympia Dukakis), which Loretta accidentally discovers when Ronny invites her to the Metropolitan Opera. Everything works out in the end, as it inevitably does in films of this genre. In the meantime, all the actors acquit themselves admirably and the audience enjoys itself. In its way, "Moonstruck" is how Hollywood used to be at its best: rollicking entertainment with no social significance whatsoever. If they'd only lost "That's Amore" along the way, it would have been perfect. | 1pos
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] |
Personally, I don't like a lot of b/w movies, but there's something magical about this movie. The movie starts with Elizabeth Lane (Barbara Stanwyck). "Liz" writes a magazine column about how she's the 'Martha Stewart' of Connecticut. Of course, she's lying. This becomes a problem when her publisher, Mr Yardley, asks her to play host to a NAVY sailor over Christmas. In addition, Mr Yardley, who's going to be alone for Christmas, invites himself up to the farm for the Christmas party. From there, things just go crazy. Since the movie is set on a New England farm, the movie has a warm holiday feeling. Plus, the characters are hilarious. Mr. Yardley is always shouting orders, and Liz's friend Felix is always yelling 'Catastroph!' when things go wrong. Finally, the movie ends the way a Christmas movie should end; a jolly fat man laughs and shouts "What a Christmas!" In short, no matter what age you are, you will love this movie. | 1pos
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] |
It probably is. I don't know what you cinema fans think, but I think this remake is even better than George Romero's original movie from 1968. When the original Night Of The Living dead came out, it was very scary, and also original... Even though nowadays zombie movies aren't the most original things ever, this one is probably the best one out there. The story is the same from the 1968 movie. Seven people are trapped in a house, and out there, just zombies, lots of them. It looks like some radioactive disaster has happened, so all the dead are now back to life, and they are looking for food - human brains. Tom Savini has always done an excellent job by doing make-ups in horror movies, and now he shows himself as a very good director (make-up is another important aspect in zombie movies, and it was done well in this one). The movie isn't very original, and it doesn't have anything that makes it so good, but when you watch it, you'll agree with me... It's a fun movie to watch, and being this way, I consider it the best zombie movie ever made. | -1no label
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"Midnight Cowboy" is one of those films thats been proclaimed a masterpiece with good reason - it really is one of the finest films ever made in America. Its both artistically valid yet entirely accessible and commercial. No wonder it was a huge success when initially released. But be warned, its also one of the most heartbreaking films ever made. The characters are memorable, well-developed, and ultimately tragic. The filmmakers should be applauded for not giving us the Hollywood ending, something which was basically mandatory by the 80s. Still, this is why I treasure the years of 1967 to 1977 for American film. Its a time when well-made, innovative, and most of all bleak films could be made with the big budgets that Hollywood could offer. All this was over by the time "Star Wars" was released. The direction by John Schlesinger makes the material work. It combines a simplistic style with some experimental editing. Unlike many other films featuring these psychedelic effects, "Midnight Cowboy" has aged quite well. Its still as powerful now as it was when initially released. The acting however is what makes this a masterpiece. The characters' backgrounds are never fully explained, but the performances make them completely developed. Both Jon Voight and Dustin Hoffman are absolutely memorable and sympathetic (despite their sometimes reprehensible actions). Plus, being a fan of vintage exploitation films, I loved the scenes set on the infamously sleazy 42nd street. "Midnight Cowboy" is close to being perfect and one of the most powerful films ever made. (10/10) | 1pos
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] |
Pretty faithful remake (written by original NOTLD co-creator George A. Romero) of the zombie classic in which seven people are trapped inside a farmhouse while a plague of the flesh-eating undead beings roam rural Pennsylvania. In updating this story, some changes are inevitably made: it's now in color, and the violence is more graphic and explicit. However, I actually enjoyed this a lot more than I would have expected to, given that remakes usually don't cut the mustard - especially when the original was just fine to begin with. Makeup effects veteran Tom Savini, making his directorial debut, does a respectable job. The movie moves at a decent pace and it's effectively gut-wrenching. The best change is that the heroine, played by stuntwoman/actress Patricia Tallman, becomes much tougher this time around. And genre superstar Tony Todd, who soon after was cast as "Candyman", is super in the lead. Actually, this cast has no slackers. Harry Cooper may be as much of a worthless jerk as he was in the original, but actor Tom Towles is completely successful at making him a one-dimensional character instantly deserving of our ire. And because of an obviously bigger budget for improved makeup effects, the zombies look even better. 10/10 | -1no label
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] |
Artistically speaking, this is a beautiful movie--the cinematography, music and costumes are gorgeous. In fact, this movie is prettier than those directed by Akira Kurasawa himself. In this case, he only wrote the movie as it was made several years after his death. So, as far as the writing goes, the dialog was well-written and the story, at times, was interesting. However, the story was also rather depressing yet uninvolving in some ways--after all, it's the story of a group of women who work in a brothel. It's interesting that although prostitution has been seen as a much more acceptable business in Japan, the women STILL long for a better life. This reminds me a lot of the movie Streets Of Shame, though Streets Of Shame's characters are a lot less likable and more one-dimensional. So, overall it gets a 7--mostly due to everything BUT the writing. It's too bad that the weakest link in this movie is the story by the great Kurasawa. | 1pos
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] |
I have intensely fond memories of this show. I always seemed to associate it with some of the best memories of my childhood, although sometimes I wonder if those memories were so good because I had a show I was so fond of to relate to in my memory. As such, my expectations of this show were abnormally high. Years later, when I finally got my hands on the box sets of both series, I was destined to be.... disappointed? Not really. After all those years I'd come to understand that nothing my child's mind had interpreted as "great" was ever going to meet the standards of my adult point of view. As with everyone who has commented on this show, it is almost impossible to watch S99 as a combined 48 episode tv show. The differences between the seasons are far too great. Season 1 is marvellously primal and epic in its intentions, earnest in its realisation and grim and depressing in its reflection. It was also class ham, far more 1960's than were most shows made in 1974. The characters were all a pretty grim lot, but after 24 episodes you start to warm to them, feeling for their predicament. The individual episodes really stood out, especially Dragon's Domain, The Infernal Machine, Black Sun, Force of Life, The Last Sunset, Earthbound, Mission of the Darians, The Last Enemy, Space Brain and End of Eternity. Season 2 was a necessitated shift away from this grimness, because without it there wouldn't have been a season 2, for better or worse. It doesn't have the same epic feel or the sense that things are quite as desperate for the crew of Moonbase Alpha, and carries with it a greater sense of character, without the sense of depth. It was too far in the other direction, in my opinion, which was why we didn't see a season 3. The producers just never managed to settle the show down into something that would both be dramatic and acceptable to the casual viewer. But this was the first show I ever followed, in my memory, week after week without fail, and so I love it to bits, even with all of its faults. If made today, I wouldn't be anywhere near as forgiving for those faults. Times have changed, for everyone, I suppose. | -1no label
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] |
This is one of the most unusual coming-of-age dramas I've seen; a fascinating exploration of a teenager on the brink of discovering her own sexuality. Laura Dern is fantastic as a 15-year-old Californian girl who is becoming aware that she is no longer a kid. She starts experiencing all kinds of emotions, when a mysterious stranger, who goes by the name of "Arnold Friend" (Treat Williams), decides to take advantage of the situation. At this point, the movie takes a deliciously bizarre turn. If we are to take the last third of the story in a literal manner, the conclusion is both creepy and confusing. But I chose to see Williams' character as a symbol, not as a real person, so the ending struck me as being reflective and very, very interesting. Figuratively speaking, "Friend" seems to be a representation of Dern's transition from childhood to womanhood, not a real person. Anyhow, it is a well-crafted movie, and an excellent showcase for Dern's skills as an actress. Beautifully realized by director Chopra, and highly recommended. | -1no label
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] |
I bought this film second hand for real cheap a couple of years ago... I was drawn in by the cool cover art that Medusa pictures made for it. Now, despite what everybody else says...this movie really isn't bad at all, its got great soundtrack, style and actors.The main actor Vince Colosimo is perfect as the good looking hero of the story and makes the character sympathetic as a tough guy who's just from the wrong side of the tracks and is really a nice guy!Watch out for the part were he hits one of his teachers in the face when she bullies him...cool scene! Also the song on the end credits "Every Beat Of My Heart" by Jon English is such a cool song.The only slight fault of this movie is that it is a tad too long but hey, we cant hold that against it... so my advice would be to get it despite of the bad comments from others...and definitely check it out if you love eighties style movies and eighties rock music cause there's tons of that cool stuff!!!I should also mention that this film is hard to come by but you should try get it one ebay because it is worth it.The story to it is about a young dude called Vinnie who does boxing in his spare time but keeps getting kicked out of school.His mother is going out with a real scumbag guy because the father died.He often beats her and Vinnie thinks hes no good for her!Vinnies mother asks him to join the school band because she thinks it will keep him busy and off the streets away from all the bad action and maybe help him with a future career! All during this film there is some really great music by rare rock bands like Dragon...some of the cool songs are "New Hero","Wilder World" and "No Angels Tonight" all of which are brilliant tunes that you'll find yourself humming them for the following couple of days! | -1no label
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] |
Remember that this came out before Gulf War I, which gave us Werner Herzog's "Lessons of Darkness". Le Dernier Combat is not "Sci Fi". It's more like Judgment. I've watched it at least a dozen times. It really is a fitting companion to Herzog's "Lessons of Darkness": "And in that time, men will seek death, but they will not find it, for death will flee from them." That someday, alas, may be today, in Iraq. But, back to Le Dernier Combat, make sure to watch thru the very last second of the film. I wouldn't call it a "surprise ending", but it is something you'll miss if you just assume the end won't be anything more than what you will already have seen. | 1pos
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] |
We found this movie nearly impossible to watch. With such a super cast, it's a shame that the writing and direction were so awful. The excruciating pace at which the story was told was maddening. The flash-backs were clumsy. The characters were one-dimensional. The heavy-handed metaphors -- the river, the cat -- were repeated way too often. The movie Nobody's Fool, based on another novel by Russo, was infinitely better, probably because it was more tightly written and directed. The photography in Empire Falls was lovely. Too bad it wasn't a travelogue. I read the novel and enjoyed the writing style but had some quibbles with the novel itself. I would give the novel 4 out of 5 stars. Perhaps the screenwriters and director were so awed by the novel's reputation they felt they had to include every darn thing in their movie. This was supposed to be a television movie, guys, not Books on Tape. | 0neg
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] |
My god how bad this is. Who is this impostor pretending to be Ali G? Avoid this at all costs. It replaces the smart multi-layered satire and humour of his show with down and out toilet humour. This was obviously an attempt to get him known in the States before he released his show there on HBO. One commentator here pleads that we not judge the movie on the merits of the show due to the difference in the mediums. While it is true that the standard format of the show could never have been transferred to the big screen Mr Sacha Baron Cohen could have ensured the smart use of his comic style in a more conventional movie storyline. Instead we have this mess, which in all honesty has nothing at all to do with Ali G except for the packaging. Terribly disappointing. Go seek out the DVD's of Innit, Aiiii, or Bling Bling for some real Ali G. | 0neg
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] |
The word in the summary sums it up d'oh ;) Five girls get lost trying to find their way home, when they stop at a store to get directions they hit a parked car breaking one headlight on it, they flea the scene in fair of getting in trouble but suddenly they see one headlight coming up behind them (ooooh). From there out everything is screaming, crying and violence when they try to get away from this crazy person who lost it because of a headlight ;), well the screaming and crying pretty much stays through the entire movie (very annoying) The movie is shot, with a cheap camera trying to make it seem "real" or "shocking" I guess, it's just embarrassing and useless though. In lack of anything better to compare it with, "Blair witch style". The screaming and crying for pretty much the entire movie with crappy sound was over the top annoying, you literally get a headache :) I'm sorry but this was not scary, only an annoying painful piece of crap movie. | 0neg
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] |
I first saw Martin's Day when I was just 10 years old, at home, on The Movie Channel, and still remember the impact it made on my life. It touched me as no other film had touched me, and I remember balling my eyes out. After the first time I saw it, I couldn't find it anywhere else. I would ask around and no one had ever heard of the film! I guess it was one of those more rare films that not many people knew about, because no one, and I mean no one, knew what I was talking about. I searched and searched throughout the years, checking video stores shelves and scanning cable TV listings, but always came up short. Finally, in 1996 I found out I could special order it, I did, and have probably watched it at least 50 times since--and it still makes me cry, every time. Martin's Day is about Martin Steckert, a man who is in prison (but genuinely a good guy), who yearns to make it back to the special lake where he grew up as boy. This was a special place, where he lived off nature, spent time with his dog, and was left alone to enjoy life. Soon into the movie, he escapes and starts making his way back to the lake. It isn't long before the cops find him, and Steckert grabs a child as a hostage to convince the police to back off. Soon Steckert and his hostage (the 2nd Martin) become best friends, and have many fun adventures together--from robbing a toy truck, to hi-jacking a train, all on the way to this special lake. Throughout the movie, Steckert has great flashbacks of him at the lake as a boy. I won't ruin the ending for you, but I will tell you, this movie is a must see. It is the BEST movie I have EVER seen in my life! I am, without a doubt, the biggest fan of this movie EVER! I managed to find the song that the two Martin's are singing throughout the movie ("I'm going back, to where I come from...). I'm even planning a trip to Canada to see the lake and cottage where Martin's Day was filmed. Crazy, I know--but that movie just means so much to me. | 1pos
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] |
Less a thriller than an colorful adventure with suspenseful elements, THE MAN WHO KNEW TOO MUCH should not be really be compared with such Hitchcock masterpieces as VERTIGO, REAR WINDOW, or PSYCHO; it is instead more akin to such enjoyable romps as TO CATCH A THIEF and NORTH BY NORTHWEST. Shot largely on location in Morocco and London, the film tells the story of a married couple (James Stewart and Doris Day) whose holiday is interrupted when they innocently run afoul of an assassination plot--and when their young son is kidnapped in order to insure their silence. James Stewart and Doris Day are quite effective in their roles of the All-American couple, and the characters are given an unusual twist: Stewart, a midwestern doctor, is outgoing but has a touch of "the ugly American abroad" about his personality; Day, who plays a popular stage and recording star who retired upon her marriage, has a suspicious nature. These qualities of personality and background play extremely well into the story. THE MAN WHO KNEW TOO MUCH contains a number of famous scenes; both the scene in which Stewart drugs Day before telling her of the kidnapping and the very complex Albert Hall sequence, involving what seems hundreds of cuts, are very powerful. Less often noticed, although to my mind equally if not more satisfactory, are the more subtle scenes in which Hitchcock combines an edge of suspense along with perverse humor, as when Stewart attempts some detecting at a taxidermist shop and Day belts out "Que Sera, Sera" (written for this film) in a most unsuitable way at an embassy cocktail party. Although THE MAN WHO KNEW TOO MUCH lacks the depth and impact of Hitchcock's greater work, it remains an enjoyable film and one that compares very well with his work as a whole. It's Hitchcock-light, but recommended. Gary F. Taylor, aka GFT, Amazon Reviewer | 1pos
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] |
It is arguably the most boring film I've ever seen in my life. Boring and pretentious. European cinema at its worst: no plot, no nothing. I wonder how the director started filming having such an empty script. The stilted monologue of the Portuguese woman who explains things to her daughter makes you feel uncomfortable, simply because you know most of the things, and don't really want to know the rest. The whole first part of the film sounds like a bad documentary from an educational channel: we could have read a guide-book, instead. If you want to watch a good film with an educational background, find a copy of Sophie's World: this is a great film. In the second half, Catherine Deneuve, Irene Papas and Stefania Sandrelly excel in a small talk, and so does John Malkovitch; they wouldn't stop for ages. You begin to anticipate some kind of deus ex machina, and here it duly comes in the form of a bomb. The Talking Picture isn't even bad, it is awful. Avoid! | -1no label
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] |
Huh? What? Vampire cavemen? Sex replaced by flashing multi-colored light bulbs? Guys in dinosaur suits? A film half made of stock footage? This isn't just bad, it's inexplicably bad. DO NOT WATCH THIS ALONE. Make sure to have a friend or two with whom you can swap wisecracks about this... this... HORROR OF THE BLOOD MONSTERS. The end of this movie has nothing to do with the beginning. The middle has nothing to do with the end or the beginning. Not only does this planet change colors, but apparently at least one woman on it manages to change races, switching periodically back and forth between Filipino and Caucasian. And remember, kids, the red radiation is the most dangerous to human life. Here, let me demonstrate with this spectrum gun. WHAT THE HELL?????? | -1no label
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] |
The first time i ever saw this movie was probably in 1992 when this was still on the video shelves and as far as SciFi Horror goes, this is one of the very best there is. I will not go into the story line as you can read that in the Plot Summary..but i will say this, watch Shadowzone and you will find yourself in the realms of parallel universes, unknown creatures, demons from the inner mind and human fear. The characters are developed pretty well, Louise Fletcher (esp), David Beecroft and James Hong are giving good performances. I think there is a great deal of atmosphere as well as tension-building and in my opinion this is definitely J.S. Cardone his best work. See this movie! Especially if you are interested in a great SciFi Horror flick. I am giving Shadowzone a 9 out of ********** since this is a classic example of turning basic horror elements (in this case the storyline) into an effective, creepy, moody and atmospheric film. Get your hands on this gem, if you can find it! | -1no label
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] |
This book is wonderful because of the strength of its main character, Janie. The story is of a girl growing into a woman and realizing, finally, that she has the right to be more than the mule of the world, that she is strong and has the right to be loved and respected for who she is, not just her beauty or usefulness to others. Her story is very sad in many ways and haunting in its direct, raw ending, but in the end Hurston's book is uplifting and beautiful in so many ways. The movie, on the other hand, while well-acted and visually attractive, does not seem to understand that it is Janie's character development, not her finding love, that is the most important part of the story--and without this development, even with the chemistry between the actors, the story feels shallow. In the novel, Janie's finding Tea Cake is heartening because it is a symptom of her growth into a woman who can lead herself and has the strength to find and believe in that sort of love. In the movie the character did not change as much as she sought to be free from being boxed in--in the film she was always the person she is as she narrates her story, just without the final independence and freedom she achieves. Though it makes sense that the movie had to move things along quickly, the slowness of the story is itself important--watching Janie move through life so quickly aids in our not getting an appropriate sense of her development as a woman. Losing Tea Cake as she does--which is haunting and well-played, as the look on his face as the drool drips down will stay with me for a long time--is not as it should be, just as the story leaves one uncertain and frustrated as to its meaning. | -1no label
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] |
Please forgive me but I fell in love with this movie even if it's not exactly the kind of movie that is hip.... Three young boys have no clue how a naked woman looks like so they save money to go to town and ask a hooker (Melanie Griffith) to show them her delicious body. One thing leads to another and V the hooker ends up staying by one of the kids (Michael Patrick Carter) who tells his dad (Ed Harris) that she's a mathteacher. And then in pure Pretty Woman-style the kid wants the hooker as his mum and tries to unite dad and the whore...and does it work? You know the answer but just a pimp (Malcolm McDowell) wants his moneygoat back... Well well, you laugh and I guess you are right as this history could have end up in something terrible but there is a freshness à la "Stand By Me" that makes "Milk Money" great and of course the performances from both Ed Harris and Melanie Griffith...just as usual Malcolm McDowell suffers from terrible overacting. | -1no label
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] |
This is the underrated Kellie Martin's best role. Based on a true story, it tells the story of Fusia's attempt to save the members of the Diamant family and other Jews she meets over time. One of my all-time favorite movie scenes involves an heroic act by Fusia's little sister. All children should see this scene-role models like this are very few and far between. The movie is well written and acted. I am a movie lover and this movie I rate a 10 on imbd's rating system. It is on my top 25 movies of all time and should be put out on video. Mike Porter | 1pos
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] |
Do these guys take have a computer kick out these same plots over and over again, only the names, places, and faces are changed to prevent complete boredom. Hubby is handsome and rich, but too busy to pay attention to his gorgeous wife. A situation she constantly tries to remedy. Her friend/neighbor has the same problem so they become interested in each others hubbies--the grass is always greener. Throw in a sexy scheming made who has designs on everybody and you get a lot of stripping and dipping and a salad bowl of an unintelligible plot. The quality of bodies is pretty high here, although not much in the way of "contact", even simulated is shown. Good late night erotica if Jay Leno can't put you to sleep. | 0neg
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] |
One of the best movies out there. Yeah maybe the cinematography wasn't the greatest, but an excellent plot and concept. Great for the time and brilliant and creative ideas. Something different from the usual movies and great fun. One of my favorites and would recommend to anyone who likes creative and imaginative movies. Post World War 3 and fighting in gigantic robots, the actors gave a great performance and made it all worth while. The sets are not amazing, but simple and worked for the overall look of the film. This movie is very hard to find on DVD, but also on VHS. Check it out cause I have loved it since it came out. Not a mainstream flick and not like anything you've ever seen. Take a look and think like a child. It's a great view and very fun. | 1pos
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] |
Not a bad movie but could have been done without the full frontal nudity of a 10 year old boy in one of the opening scenes. This movie has excellent dialog; which is certainly common among foreign films. Foreign actors still know how to act as opposed to American actors who let the CGI, stunts, and special effects do all the work for them. This film is just good old fashion acting. Gerarde DePardieux did an excellent job as always. The costumes and scenery are accurate with the time. My only complaint is that they should have dubbed the English words over the french instead of using subtitles; this could just be because I hate reading subtitles. | 1pos
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] |
This movie has no redeeming qualities (okay a couple of inventive deaths but you'll be bored getting to them). Writing a review of it seems to be a waste of time but I've already wasted 90 minutes of my life watching it so if I can stop other people from doing the same then it was worth it. Think for a minute what makes bad horror movies so bad and you have Night of the Scarecrow. The director needs to go back to film school and study suspense again because this movie doesn't have any. Let me say this one last time: gore does not equal horror!!! The gore in the movie is even quite lame. I find Scarecrows scary so I had high hopes for this film but it's just another example of why horror movies get such a bad rap. The acting is mediocre as are the few shocks that the film has. Do yourself a favour and skip this dud. 1 out of 10. | -1no label
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] |
This is probably one of my favorites so far, although I have the first one and have seen Curse, Legacy, and vs. Demonic Toys. The only one better than this one is PM vs. DT. Curse is the worst one in the series, Than the first one, and then its Legacy. I recommend people to see this and vs. DT. Those ones who say this stinks are so wrong, the story is well written and it is a sweet movie. This is a classic movie even younger kids can watch and not be as scared when watching the others. Well this is my review, you can call me Gipdac,( its easy to know where that came from: 101 Dalmatians series, you can watch it on Toon Disney at 4:00 A.M.). Oh and don't laugh, I'm a guy, you will see more of my reviews in good time. If you want to know why I watch it? I'm 12! Word of advice: Have a mental meal, arrrrroooooooooo! I also agree with you motter-1, but why people like the others is because they're more thrilling than horror, and because the puppets are made to look scarier. Also, you can call me Gipdac. | 1pos
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] |
I usually have no interest in this kind of film, and if I compared it to mainstream cinema I'd give it about 2 stars. But this film is all about presenting what is truly one of the Wonders of the Modern World, Shannon Whirry. We all have our preferences, of course, and I wouldn't expect mine to match anyone else's (although the film sold well enough to justify sequels), but for those of you with tastes like mine this is a Don't Miss It Under Any Circumstances opportunity. I understand Ms. Whirry is doing "legit" theater now. I hope she's finding success and earning appreciation for her other talents as well. Thank you, Ms. Whirry, for being unforgettable. | -1no label
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] |
How powerful and captivating simple quality filmmaking can be. This film tells it's tale with everyday scenes that manage to revel the poignancy hidden within. It's true as others have stated, how this film really makes it glaringly obvious how lost Hollywood is in it's special effects, overblown emotionalism and over the top climatic endings and have forgotten the essence of a meaningful story told with simple realism. So much of what these characters are going through is implied by the scene rather than spelled out in wordy dialogue. One aspect that I really enjoyed about the film was the contrast of the two brothers, one so very openly expressive in his childlike way and the other completely stoic but both able to evoke deep emotion. The older brother needed to say little, as he usually did, it was all there in that deadpan face of his! Beautiful cinematography, wonderful acting, great direction! Not to be missed! | 1pos
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] |
This is an amazing story about a true hero. However, the filmmaker should have let the story and characters stand on their own. Instead he injected himself into it, playing narrator and saying things like "he changed my life." This film didn't need a narrator at all. The other soldiers did a great job of telling the story. Without needing to, the film crosses into the realm of schmaltzy with its music and "hero shots". He removes the opportunity for the audience to consider for themselves how brave the acts of this man are. I'm glad the story was told but I wish the filmmaker had taken his feelings out of it and let the audience come to same conclusion without forcing it on them. | -1no label
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] |
I was on the last hundred pages of 'Lucy Sullivan' and had decided to put the book down - make it last. Then the thought popped into my head "There's a DVD set you can watch, just read it!". So i finished the book that night, really happy and excited about renting out the TV Adaption the next day. Now i wish I'd savored the book, and not wasted my $10 on this crap. Not even Gerard Butler could save it. This is the worst thing i have watched since, and probably before, Gigli. The Characters are completely altered, none of the changes are positive. Too much detail is paid to things that are pointless and/or dull. The acting is awful and the entire feeling of the show leaves you empty. Do not bother. It's an insult to all things Keys! | -1no label
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] |
This movie was absolutely the best werewolf movie ever made! It was so good, that, if I didn't have a short attention span, I would watch it back-to-back every day! First of all, the acting, once again, was superb. Emily Perkins does a wonderful job as Brigitte, and the new character, Ghost, was perfect, although her lines seemed a little too rehearsed. I really like the dark humor in it, once again. I like movies that can be dramatic, somewhat scary, and funny all at once (all movies should be!). I don't know how people can say that they don't like this movie. I do! The ending, where Ghost traps the transforming Brigitte in her cellar, and then welcomes her grandma home, is perfectly dark. I kinda think it's mean that she wants to hurt her grandma, but it goes with the plot. I especially like the very end, when she's reading the comic, and she says something like, "And off she went on her reign of terror, to vanquish her mortal enemies, of which there were many." I don't know why I like it so much, it's just perfect. | -1no label
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] |
Okay so I went into this movie not really expecting much I figured an action flick similar to The Fast and the Furious. Some nice cars some nice girls somewhat of a decent plot. Unfortunately I would have to say that this was probably the worst movie I have seen this year. Don't get me wrong the cars were nice and the girls were OK but the way they put the movie together was just plain crappy to put it nicely. The story just never made you care about the cast and the movie seemed just pieced together. So overall this movie was not the worst thing ever by far but if your looking for a movie to go to this weekend I would pass on this one for now. | 0neg
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] |
The debut that plucked from obscurity one of the brighter stars of contemporary noir is an assured, if limited, stab at the con game and obsession. Filmed for zero money, Nolan couldn't have chosen a better subject than the drab and seamy underside of London to ply his trade, given the lack of funds. This short (67 min) is at its best in playing with the audience's and protagonist's expectations about who is scamming whom, though the initial set-up does ring some alarm bells in the credibility dept. The muddy cinematography (he often used natural lighting due to budget) can be mostly chalked up to noir stylization, though the limitations do show at times. One can easily see Nolan's style developing in this fledgling effort; many of the same themes of blurred identity and expectation smashing recur in MEMENTO and INSOMNIA. Not a masterpiece but good and certainly worth a look for modern noir and Nolan fans. | 1pos
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] |
I have seen Dirty Work several times and is probably my favourite Stan and Ollie short. In this one, Stan and Ollie are chimney sweeps and get the job to clean the chimney at the home of Professor Noodle (Lucien Littlefield). While Noodle is doing mad experiments in his lab, Stan and Ollie cause much chaos trying to clean the chimney and make a mess of the living room. The end is where Ollie falls into a tank of special formula that Noodle uses for his experiments and this turns him into a chimp! The best part is where Ollie falls down the chimney and loads of bricks land on his head, but he doesn't seem to suffer much pain from this. Dirty Work is Stan and Ollie at their funniest. Great fun. Rating: 5 stars out of 5. | 1pos
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] |
Is this a horror or a psychological thriller? To me this is a curious study of lust, betrayal and death. The "true story" is often abused term in movie-making. Only, this time there is no abuse, just artistic freedom. Enjoy amazing scenery of a Spain in 1800's and the symbolic details that all have their meaning: the hands, the birds, the nails. The horror is there but in a subtle form and the visuals are very delicate. However, it seems to me that a lot of horror fans are put off by the fact that this movie is a slow-paced one. Yes, it might not scare you even once but it doesn't matter. This time you will be absorbed by the story with amazing visuals and strong cast that turn this movie into a work of art. If you want something unique as an underrated horror movie worth using for studies of photography look no further. Based on that fact alone it's worth 9 out of 10. | -1no label
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] |
This is one of the worst movies, I've ever seen. Not only, that it is a comedy, which isn't funny, but it's also very badly made with an over the top direction full of unnecessary split screens and other effects. The two "heroes" with their fantasy language are just annoying and it confused me quite a lot, that they touched each others genitals all the time. But the worst of all that nonsense is the cheap attempt to give that movie some appeal, by referring to German history and to show sensitive aspects of the "heroes", which finds its climax in showing how Erkan and Stefan cure a mentally ill woman with their "joyful" lifestyle (!). But I hadn't expect anything better by director Michael "Bully" Herbig, who also made two not funny TV-shows, a not funny western movie and a nearly not funny SF-comedy movie. But Erkan and Stefan had been- just a little- better in some of their stand-up programs. For me the only good thing about the movie is Alexandra Neldel, who is very beautiful to me. | 0neg
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] |
I liked Ep I more than most, and had high hopes for this one. When I looked at imdb after the first few nights in theaters, read about Jar-Jar being almost totally gone and how much better this part was, I was really excited. I so wanted to like this movie. But OUCH. Now first of all, the directing was utterly horrid. It was the worst part of Ep I as well, but Lucas really lost it here. The movie seemed to jump from scene to scene in the most illogical places, action scenes got interrupted, and just when you were getting into a better scene, you get hit with yet another boring "but I love you, but I am Jedi, oh no, boohoo"-scene. Excuse me, but since when has Star Wars been a soap opera instead of an adventure? Furthermore, Haydensen was horrible, and even the old actors from Ep 1 seemed to have lost some of their interest. Most action scenes were either boring, badly directed or the effects really didn't look too good. I especially was opening my own wrists in the Arena shootout scene, looking at the princess just standing still and shooting around, without a hint of any kind of battle tactics or trying to take cover. One scene, above all others, basically made me hurt, bad. The one with the princess and "Darth" on the meadow, riding a fat (bad CGI) blob, rolling around, laughing, jumping, kissing... God, me and my friends couldn't believe our eyes, how did that get into the film. Laughter was the only way to go. Only in the very ending did the movie manage to create some of that good old star wars feeling, leaving some hope for a better Ep 3. I just wish lucas would give the directors seat to someone else... | -1no label
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] |
The year is 1964. Ernesto "Che" Guevara, having been a Cuban citizen for the last five years,disappears from the face of the Earth,leaving a glum Fidel Castro to announce that he is probably dead,when in truth, he has left Cuba to move to Bolivia to live an assumed identity. Whilst living in La Paz,Guevara undertakes an idea to overthrow the corrupt,bourgeois government there. Once again,Steven Soderberg takes up where 'Che:Part One' leaves off (only better this time). The pacing is more on target,the job of acting is ever so fine (including a turn by a sickly looking Benecio Del Toro,as Che Guevara). Suffice it to say,it's probably best if you see both films,to get the true story of Guevara & what kind of a man he was (I had the rare open window of opportunity to see both films at one screening----talk about a long haul!). As with 'Che-Part 1:The Argentine',this film has no MPAA rating, but contains enough salty language & violence to easily snag it an 'R'. | 1pos
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] |
Deadwood is the finest Television program of all time in my opinion. This is high praise, considering West Wing, Hill Street Blues, and LAPD Blue. Everything about this series is top notch. The sets, the lighting, the lack of music to lead your emotions with only timely exceptions. The acting is outstanding across the board. But it is the writing that puts it in the stratosphere. David Milch combines the profane with an Elizabethan, Shakespearian, dialog that defies description. It is almost otherworldly in its beauty and deep meaning. Nowhere, in TV or movies, have I found writing and characters this good. It was truly a pleasure to see where each new episode was going. I was deeply saddened when this show was canceled, as it seemed there should have been one or two more years left to finish the story of Deadwood and these remarkable characters. We may never see this rich a collection of both characters and actors again. Well done everyone involved. | -1no label
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1,
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1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
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