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I saw this film with my daughter (6 years old) and her friend (7), none of whom are Rugrats fans, mostly because they consider the Rugrat's humor to be too immature and inappropriate. My daughter and I did, however, mostly enjoy last year's The Wild Thornberrys Movie. The plot is a literal and figurative shipwreck. The Rugrats and their parents end up on an uninhabited island somewhere in the Pacific, on which the Thornberrys happen to be. Various groups and individuals splinter off in search of others. By the time Nigel Thornberry gets knocked on the head and reverts to the mental age of a 3 year-old, I had lost track of who was looking for whom and why. How a kid is supposed to follow all these machinations is beyond me. The sheer number of characters and the randomness with which they run into each other prevent any sort of character depth from being explored. For example, in The Wild Thornberrys Movie, considerable attention was given to Darwin the monkey, who is one of the more interesting characters in this entire assembly (Darwin is smart and makes very insightful observations of human behavior, but he can only communicate with one person, Eliza - to everyone else, he is a dumb monkey). However, here he has what could be characterized as a cameo appearance at best. So, unless you are already familiar with all the characters, and don't expect much in terms of character development, you'll be disappointed. I think there was a moral to the story (something about leadership and redemption), but I was nodding off by the end of the movie, having lost track of the plot. The audience I saw the film with was mostly subdued, with only a few audible laughs. My daughter and her friend said they liked the movie, but they like every movie I take them to, as long as I buy them popcorn. They did not talk about the movie at all the rest of the weekend. On the way home, we listened to the Lilo & Stitch soundtrack, which has much better songs than the few musical numbers in this movie. I'm not giving this movie the worst rating, because it might be enjoyable for a few Rugrat fans. And the Rugrats' potty humor is not as bad as it could have been, although there are diaper jokes, bird droppings, and Spike the dog raises his leg a few times. | -1no label
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] |
I went in to see D-War on a whim and with very low expectations. The movie failed to meet them. I don't mind stories that stretch credulity - remember Reign of Fire? - but I do expect them to be internally consistent. This film leapt from howler to howler without pausing for breath, all interspersed with special effects that lagged far behind the likes of LOTR or even Godzilla. A shape-shifting mystic warrior from Korea, curiously metamorphosed into a Caucasian antique dealer and popping up like deus ex machina to get the hapless protagonists out of their latest mess. A special agent from the FBI who seems to be completely boned up on ancient Korean folklore because of the Fed's excellent "paranormal division" - which has gone unremarked up to this point. Lovers kissing on deserted beaches where one exclaims "I never meant for this to happen." A reincarnated pair of long dead Koreans who "died like star-crossed lovers." Mystic pendants, faceless hordes of robotic soldiers (that owe a lot to Peter Jackson's orcs) and a serpent who wastes so much time roaring that every time its chosen prey is within reach something comes along to distract it. The dialogue is appalling, the acting wooden and the effect of the whole was, to be honest, tedious. However, for me the crowning moment was at the end, after the finale, when the music for the closing credits was - Arirang! This is rather like Akira Kurosawa closing "Ran" with a karaoke rendition of My Way - and let me be clear that I am in no way comparing director Shim to Kurosawa. In short, a self indulgent, lackluster collection of clichés and narrative non-sequituurs which may appeal to the sense of the melodramatic so prevalent in Koran popular culture but should not be worth the price of the ticket to any serious movie goer - or even a not so-serious movie goer. I would suggest that this bypass the movie theaters altogether and go straight to video, but I'm not even sure that it's worth that much. | 0neg
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] |
In fact, these young people were so distasteful that I couldn't wait for all of 'em to get slaughtered, and that includes Clarissa (Joanna Canton) since I considered her the most annoying of the bunch. But I knew it was gonna be a mess from the opening minutes when a teen Christine opened fired on the priest and the nuns with the Leslie Gore music playing in the background. It had nowhere to go but down. Even the prosthetics looked fake and the "blood" looked suspiciously like Hawaiian Punch, although later on it took on red day-glo look to match the silly halloween makeup they were all wearing. I'm sure all the GOTH morons out there will appreciate this bullsh-t since it'll appeal to that bunch. It sure didn't appeal to me. Blah... And not even my favorite horror babe Adrienne Barbeau can save this stupid teen horror flick from itself. She still looks hot, though. I'm glad she takes care of herself since we don't get to see too much of her nowadays. However, it is a step up from Dante Tomaselli's meandering HORROR (2002) in that it has a somewhat coherent plot, so I'll give it that much. That and the little Boston terrier named Boozer also brings it up a notch. I like what Boozer does to Clarissa in the end. It was the only good scene in an otherwise silly film. Lion's Gate Films sure must have been desperate when they picked this one up. 2 out of 10 | 0neg
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] |
Prior to Airport 79' these movies were rather good. They had decent special effects, all-star cast, and good acting. This movie destroyed the franchise, and there are many reasons for it. Lets talk about the special effects WOW!!!! they are horrific, what was the director thinking about. I know it's only 1979, but lets look at other very good special effects movies such as Star Wars(1977),and Moonraker(1979). I like the idea of the Concord and this could of been the best Airport movie, but they did too much with it. How about Joe Patroni(George Kennedey) shooting a flare out of the cockpit window, to prevent a heat seeking missile from hitting the concord. Also he is doing 90 degree dives and loops. This completely far fetched, and unrealistic WOW!!!!!! Believe me the special effects don't help this scene, and really are beyond poor.... They almost look like a cartoon, and this is how the whole movie is!!!Finally lets talk about the acting which in my opinion is extremely poor to fair at best.... Over acting is a major issue in this movie, especially George Kennedy.. Which I really like as an actor, but just doesn't cut in this movie. The full blame has to go on the director, who did a very poor editing job, and really whacked out the Airport Franchise. Too bad the Concord isn't still used today it was a marvel of Air travel... | 0neg
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...but rather just a list of movies that the filmmakers wanted to parody, strung together by the weakest plot in film history and a lot of unfunny jokes. You would think that the team responsible for the mess of a movie that was Date Movie would at least have learned something from their last film to help them avoid the same mistakes, but they didn't. It would appear they spent more time making parodies as visually accurate as they could and spent almost no time trying to make the film entertaining. Some of the parodies seem completely out of place and don't even fit into what little plot there is. I couldn't recommend this film to anyone, not even those I hated. | -1no label
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] |
OK i own this DVD i got it new at amazon... i mean i think its badass and a pretty cool flick and melissa bale the slutty/bitchy girl they pick up is hot as hell ..., the acting sucks and the whole polt just sucks the clown is some huge guy wearing a mask and its disgusting but its OK i wouldn't recommend it if like u wanted to rent a good entertaining flick after a hard days work but if u have nothing else to do and ur obbsessed with this stupid movies like i am, watch it sometime, and i do not know how artisan DVD has S.I.C.K. in its DVD collection , s.i.c.k. is not good enough to be owned by a half way decent movie company OK well thats all | 0neg
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] |
I had the extreme displeasure of attending the opening premiere of this film down at the Lowe's Waterfront theaters. One my way out of the theater, the woman woman behind the DVD sales booth asked if I wanted to buy a DVD copy. I quickly cried, "Hell no! I'll make a better one." Everyone posting positive comments about this film must have been directly involved in making (or even more painfully, funding) this production. Horrible writing. Horrible lighting. Horrible set design. Horrible technical work. Horrible acting. Horrible structure. Horrible concept. Horrible result. This trash is my answer whenever I'm asked, "What's the worst movie you've ever seen?" Close this browser window right now and never give this movie another thought. You're welcome. | -1no label
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] |
Other reviews have talked about how frank this film is, especially in terms of male frontal nudity. Well, those who've seen Grande Ecole with its frequently naked actors and expect something similar are in for a big disappointment. Other than a few seconds in the judo team locker room, the two leads' side by side shower lasts a grand total of 15 seconds. The female lead has comparably brief frontal moments. A lot of this film's marketing is geared to the gay male audience, but those expecting even a hint of homoeroticism between the two male leads (best friends who have a three-way with the girlfriend of one of them) will be most disappointed. There is not even the hint of either one's being interested in the other, or even scarcely aware that the other is part of the menage a trois. As a film, Douches Froides is curiously uninvolving; the viewer gets very little sense of who these three young people are, of how they are feeling, of why they behave as they do. About one hour of the original cut was deleted; perhaps this is why the finished film seems frustratingly undeveloped. Stick with Grande Ecole, a French film which more than delivers on its promises. | 0neg
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] |
I'm not great at writing reviews, so I'll just spout my opinions... I loved this series at first. The adventure, the action, the comedy, the drama... I thought it was all brilliant. Anderson, Tapping, Shanks, Judge, Davis... I loved them all. Davis, it seemed, was the fifth-most important person in the cast. Not a big deal. But when his character (General Hammond) left at the end of the seventh season, and Anderson's character (Colonel O'Neill) moved from the field to the office, the quality of the series suddenly fell off a cliff. I don't know whether it's because Hammond was more important that I realized or what, but for some reason, after the seventh season, the series turned to ****. The first seven seasons, though, were awesome. The movie Stargate seemed mediocre the first time I saw it, but it turned out to be, even if this wasn't the original intention, a brilliant setup to the series. I recommend that you watch the movie first, then watch the first season of the TV series, then watch the movie again (you'll have a whole new appreciation of it the second time around, believe me), and then watch the rest of the TV series. The last three seasons of the series aren't nearly as good as the first seven, but that doesn't mean they aren't good. It just means they're a letdown if you've gotten spoiled by the first seven seasons. After you have finished this series, be sure to watch the spin off series, Stargate: Atlantis. It is a worthy successor to this brilliant series. EDIT on 7-18-08: I just found out that Don S. Davis died a few weeks ago. It is a great loss. | 1pos
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] |
:::SPOILER ALERT::: Soooo, Arnie's really a good guy, but after an incident with some fighting in a helicopter and some disobeying of orders, he's sent to jail (or rather some sort of work camp). He escapes, but after a short while he's caught once again. This time ends up in a freakish reality show in which he's supposed to run for a while from a bunch of tough guys with different themes, and eventually die. But we all know Arnie, and we all know that he's tougher than even the toughest of tough guys. I really wanted to like this movie, being an Arnie-fan and all. However, "The Running Man" contains too many flaws that really annoy the crap out of me. E.g. The reconstruction of Arnie's fight inside the helicopter, where the shocked audience is showed a short summary of the incident, complete with 5-10 different camera angles. This means that the military helicopter in which Arnie flew was equipped with almost 10 cameras filming the crew members, one of which _inside_ the eye of one of the crew members Arnie beats. There are other flaws also, and the plot, which in theory seems to be very interesting and innovative, works for a while, then it sort of creates a pool of stupidness and unrealism in which it drowns. The acting can't really be said to be anything better than sub par, with Arnie in the leading role, doing an average Arnie performance. The rest of the cast get by without being especially good or bad. The special effects are OK, without being impressive. RATING: 3/10 | 0neg
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] |
I used to watch this show at my grandma and grandpa's house when I was a child. I used to believe it was "real" but when I was older I realized it was not. It tackled some controversial topics, however, and I would like to view some of these episodes again. Here are the episodes I can remember. * An episode that dealt with two boys who had played blood brothers and one had HIV/AIDS. * An episode where a young man took the courtroom hostage and the judge talked him down explaining that he knew what it felt like to be shot, in a war I believe. If memory serves, the young man turned the gun on himself, but never went through with the act. * An episode involving a child supposedly bearing the mark of the beast. I am sorry I can not remember more. If you happen to come across this small gem, check it out. It's not top notch by any standards, but the topics discussed were pretty deep, especially for 1980's daytime TV. Peace. | -1no label
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] |
James Toback's slight film When will I be Loved has two important things going for it: First, shower scenes that linger longingly over the truly impressive dancer's torso of the Neve Campbell. Secondly, the fact that unlike many of the beautiful bodies that appear in films, this one belongs to an an honest to goodness actor who infuses meaning, mystery and interest into Toback's otherwise shallow and unconvincing story. Her purposefully understated performance in The Company is clearly revealed a choice, as opposed to, say the blank stylings that characterize the work of the great stone face, Keanue Reeves Who should see this film in theaters: Neve Campbell completists. | -1no label
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Honestly, one of the worst written, directed and acted movies I have ever seen. Seemed like a made-for-TV movie. And a bad one at that. I cannot believe that people are still hiring Danny Huston after seeing him in this movie, or that they are still allowing John Sayles to make films. My husband and I came across this movie on TV one night and got so bored with it, we ended up cleaning the house while it was on . . . and it still bored us! It made me think that critics have been so gullible with Sayles' previous films, such as Lone Star, which was raved about at he time but didn't really add up to much in the end. Spend your time on something better. Anything. | 0neg
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An occasionally amusing, often confusing, gleefully profane 70's movie that hasn't really aged well. A precursor to Saturday NIGHT LIVE, it's a hodgepodge of spoofs and takeoffs of popular movies of the time. Some of the material is quite good ('The Shaggy Studio Executive,' where Walt Disney comes back as a guy in a dog suit), some of it's dated badly (A 'Snacktime' concession stand advert featuring a stoned guy with the munchies), a lot of it you have to think for a minute or two to figure out what's supposed to be funny (Who knew the eulogist at the biker funeral was supposed to be a takeoff of Georgie Jessel?). Best if you remember the time. | -1no label
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] |
I am an otaku and a fan of the Final Fantasy games. I liked the Final Fantasy movie, but hated the old OVA series. This is in many ways worse than the old series. From the begining this series looks like it might be a somewhat decent and entertaining fantasy, but after a few episodes you will see that this is not much better than Pokemon. The digital cell animation is cutesy and digital-looking. The 3D is blocky and out of place; much worse than the awful 3D in Candidate for Goddess. The characters are one-dimensional, whiney, and annoying. The voice acting, while pretty good, isn't anything particularly special. The story is cliched, much more "like a videogame" than the video games. Deffinately geared towards children. The only redeeming qualities are some surreal landscapes and semi-interesting homages to the games. 3/10 | -1no label
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] |
I mean, come on! Now my countrymen have started to make westerns! Is it not enough that our cinema sucks already? Now you need to infect English-language movies with Polish acting and no sense whatsoever? Please, stay away from this movie, do not waste your eyes on it. A 5-year-old baby could make a movie that makes more sense. I am from Poland and I am ashamed this title might actually be watched by you. Please, I am begging you, do NOT watch this movie and if you do, do NOT judge Polish people and Polish movies based on what you see there. We had some good movies in our history and we had some bad ones but this one - it is like nothing worse that I have seen in my entire life. Keep away!!! | 0neg
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] |
I was fortunate enough to catch this film at the Phoenix Film Festival and I must say that I very much enjoyed it. When I asked the Director if he had attended Film School I was very much impressed that he had not. Films like these don't come from people without talent. To get a start in commercials and then produce a heart felt family comedy like this shows real range. I'll certainly be keeping an eye on what he does next. As a good indie movie should, the film is very character driven. As apposed to your average Hollywood movie, which are mostly plot driven. The Film centers on a Jewish family in New York, the Applebaum's, who have all been invited back for their fathers "suicide" party. The film is stock full of witty, quick, jabbing, dialogue. The fact the small Jewish family is obsessed with being Jewish and anyone who is Jewish grounds the unrealistic situation of a "suicide" party in reality. Director Jeff Hare does a wonderful job at pulling the characters out of the actors and bringing them to life on screen. The production design brings the sets to life with lots of attention paid to small details making the setting feel like a home that's been lived in for 40 years. The editing keeps up with the dialogue in such a way that it makes you sit on your seat wondering who's going to stab who with the next witty phrase or punch line. And when appropriate the film slows down to let the audience dive a little deeper into the meanings and motivations hidden inside these lovable characters. If you're a fan of Woody Allen or films like "As Good as it Gets" go see this film. | 1pos
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] |
I have a special fondness for this lightweight 1972 romantic comedy from the pen of Woody Allen. Directed not by Allen but by Herbert Ross, it represents the noteworthy first pairing of Allen and Diane Keaton, and the combination of their unerring chemistry and Allen's clever, often hilarious script makes for great viewing after all these years. Allen plays his usual nebbish character, this time a film critic named Allan Felix, whose free-spirit wife leaves him for being a boring observer of life. He seeks solace from best friends Dick and Linda Christie, he a workaholic stockbroker and she a model. They set him up on a series of hysterically bad blind dates, which Allen plays out with physical abandon. Whether inadvertently flinging an album across the room or swinging spastically at a discotheque, he is a master of slapstick, a gift he has too rarely displayed since. Eventually, the inevitable happens when Linda and Allan fall in love. What makes the predictable premise unique is the way Allen celebrates classic movies, mainly Warner Brothers melodramas, and has the characters reenact famous scenes to move the story along. He even the spirit of Humphrey Bogart act as his adviser when he faces romantic complications since Bogie always knew how to treat his women. It's all deftly acted by an expert cast. Beyond Allen, Keaton shows the first signs of her unmatched comic prowess as Linda, though for the most part, she is called upon to be the conflicted leading lady. Tony Roberts, another Allen favorite, especially as the best friend, plays Dick in his typically sharp manner. Jerry Lacy does a reasonable impersonation of Bogie, and the long missing Susan Anspach plays Allen's wife with spacey vitriol. While the film obviously lacks the emotional depth and improvisational style of Allen's later films (the obvious comparison being 1977's "Annie Hall" starring the same three leads), it still has a quaint charm to go with its romantic comedy conventionality. Its risk-averse nature is what makes this film an invaluable addition to the Allen filmography, as it shows how far he has come as a film auteur. Credit should also be given to Ross for bringing Allen's picture-perfect screenplay to life and also to cinematographer Owen Roizman for capturing the picturesque San Francisco locations while evoking classic Hollywood in key scenes. The DVD has no extras. | -1no label
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] |
Blonde and Blonder has Pamela Anderson and Denise Richards in almost every scene and if you want more from a movie you're being utterly unreasonable. It feels like a late era Carry On, when the series was no longer blazing trails, but was still more funny than not, think Behind or England and you won't be too far off the mark. Pamela and Denise are bubbly, charming and clearly aware this isn't a masterpiece they're making, although you can give me it over lots of things I'm told to like. The supporting cast are energetic, even if some of them aren't particularly good; I can't see a couple of duff turns in a movie that's already practically forgotten making much difference to anything, so just smile. I really do think Blonde and Blonder is ace and I hope you hate me for it. | 1pos
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What a time we live in when someone like this Joe Swan-whatever the hell is considered a good filmmaker...or even a filmmaker at all! Where are the new crop of filmmakers with brains AND talent??? We need them bad, and to hell with mumblecore! This movie is about nothing, just as the characters in the film stand for nothing. It's this horrible, so-called Gen Y, that is full of bored idiots, some of which declare themselves filmmakers with out bothering to learn anything about the craft before shooting. Well, Orson Welles was a filmmaker. John Huston was a filmmaker. Fellini was a filmmaker. Dreyer was a filmmaker, etc. Current films like these show just how stupid young, so-called "filmmakers" can be when they believe going out with no script, no direction, no thought, no legit "camerawork" (everything shot horribly on DV), no craft of editing, no nothing, stands for "rebellious" or "advanced" film-making. Nope, it's called ignorance and laziness or just pure masturbation of cinema (and there actually is an in-your-face "jack-off shot," so be ready). Look at the early films of any accomplished "indie" filmmaker: Linklatter, Morris, Allen, Lynch, Hartley, Jarmusch, Jost, Lee, or Herzog...none made anything as tedious and aimless as this, yet Swan-whatever the hell, is still going to SXSW every year and hailed as some kind of gutsy, new talent. It's crap! I can't imagine anyone liking this, and everything else this so-called filmmaker has done (all seen by me) is just as bad (the newer stuff clearly made to appeal to a more mainstream audience, one of the sitcom calling). Steer clear, unless you're a friend or family member of those involved...on second thought, if you're a family member or friend you'd probably be embarrassed to see a family member or friend in such compromising situations... Utter garbage. This isn't art. This is the ultimate opposite of it. | 0neg
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] |
This is a very clever adaptation of the novel 'I Am Legend' by Richard Matheson. Even the film's title shows some of the thought that has gone in to it - Omega is the last letter of the Greek alphabet, so the 'Omega' Man is a clever way of saying The 'Last' Man. Many comparisons are now being made between Will Smith's 'I Am Legend' and 'The Omega Man'. For me 'The Omega Man', even with its faults and the fact it is now nearly 40 years old, still stands above Will Smith's new version. Why? (1) The plot - The Omega Man to me is a far better more rounded and believable story. Especially the ending. (2) Acting - Charlton Heston seems far more viable in the role. (3) The creatures/infected - In Will Smith's version, they are obviously just over the top CGI and behave very unrealistically. Of course there are problems with the film, but putting these aside we have what I believe is a great 70s cult scifi film, which the more recent 'I Am Legend' fails to match in most ways. When will Hollywood learn just throwing money at a project (and its effects) is less important than the script and its portrayal. Or more importantly, when will the ticket buying audience... | -1no label
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] |
The Tea Totallers is not a good ball team. The average age of the players is about 93--or 93 and a half as one player tells us in his best Lou Costello imitation. The Gas-House Gorillas is not a good ball team either. Everyone on it is an enormous, bullying reprobate. Contemptuous, too. A player grounds an umpire into the ground with his fist. The overconfident jerks even dance a conga line around the bases. Bugs Bunny picks the wrong team to boo. When he shouts that he could take on the Gorillas all by himself with one hand tied behind his back, they take him up on it, except for the hand-tying. Now it's the Gorillas against Bugs on first, Bugs on second, Bugs on third, Bugs pitching, Bugs catching; and it's no match. That is, the Gorillas are no match for our wily Bugs. Friz Freleng and Michael Maltese give us several unforgettable moments: the screaming liner to left field; Bugs the catcher encouraging Bugs the pitcher with "That's the old pepper, boy"; Bugs's unique method for stealing a base; and even the Statue of Liberty imitating a typical woman fan of the day: "That's what the man said, you heard what he said, he said that!" Mel Blanc's voice talents, as usual, rival Bugs Bunny's one-man show. Treg Brown gives us several hilarious sound effects, such as what accompanies Bugs's wind-up pitch and what we hear when a Gorilla blows cigar smoke in Bugs's face. Carl Stalling writes a score worthy of Bugs and baseball. This short is available on the "Looney Tunes Golden Collection, Volume One," Disc 1. | -1no label
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] |
This vicious crime drama certainly scores points for sleaze, but it doesn't hold up for more discriminating viewers. Helmut Berger plays a handsome and cruel killer who breaks out of prison and leads his gang on a rampage of rape, murder, and kidnapping. Along the way he ravages Marisa Mell, who pretends to enjoy his impositions whilst plotting her own secret revenge with police inspector Giulio Santini (the incredibly wooden Richard Harrison). Though the film was shot in widescreen, cinematographer Vittorio Berini displays no talent for the 2.35:1 lens, relying on static centred shots throughout. The screenplay is brutally bad, with characters lacking motivation and no back story to explain why Berger is such a complete bastard, and the dubbed English track is awful. (A close viewing reveals that Beast With A Gun was probably shot in phonetic English, as the actors' lips do seem to approximate the words they're speaking.) The only saving grace of the film is Umberto Smaila's persistent and minimal score. Only for hardcore fans of Eurotrash. | -1no label
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] |
'De Grot' is a terrific Dutch thriller, based on the book written by Tim Krabbé. Another of his books, 'Het Gouden Ei' was made into the great Dutch mystery thriller called 'Spoorloos' ('The Vanishing') in 1988. This one is not as good as that thriller (although much better than the American remake also called 'The Vanishing') but there are times it comes close. Especially the opening moments are terrific. We see a man, later we learn his name is Egon Wagter (Fedja van Huêt), coming from a plane in Thailand. When he picks up his bags it is pretty clear that he is smuggling something across the border. These scenes are perfectly directed, photographed and acted. A kind of suspense is created that you would normally not have in an opening scene like this. Later we see how Egon makes his deal in Thailand with a woman, both stating that they have never done anything like this. From this point the movie is constantly flashback and flash-forward. We see how Egon, still as a child (here played by Erik van der Horst), befriends a guy named Axel (as a kid played by Benja Bruijning). We learn how they grew up as friends, sort of, and how Axel (as an adult played by Marcel Hensema) became a criminal. Egon in the meanwhile goes to college and settles with a woman. Around this time he sometimes meets Axel but does not really want anything to do with him. The movie is chronological in a way. It shows Egon and Axel as kids, than as students, young adults, and in their mid-thirties. But from time to time, like I said, the movie goes back to when they were kids and jumps forward again. Every time we see them as kids it explains something that happens when they are adults. Minor spoilers herein. The title means 'The Cave', and it is the cave that gives the movie its happy ending, although it is in fact not that happy. Like the beginning, the ending is terrific. The middle part of the movie is entertaining and in a way it distracts our attention of the first scenes, only to come back at that point in the end. It is the editing that gives the movie its happy ending, although we can say the dramatic ending is happy in a way as well. | 1pos
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] |
Eskimo is a serious movie about the cultural chasm between an indigenous population and the encroaching white man. Although filmed in a documentary style seemingly with non-professionals, Eskimo is a skilled production that contains a believable story the audience will want to see through to the final shot. The native Eskimo simply has different beliefs and behaviors about women and life than do the whalers that darken his landscape. When an Eskimo man loses his mate, it is natural that other men share their women with their friend. It is also usual for their women to want to take the place of the missing spouse. All of this seems natural in the context of the desolate foreboding Arctic setting. The trusting Eskimo falls prey to unscrupulous white whalers (with heavy European accents) that do not view these natives as their equals. Deceit, drunken orgies, rape, and death occur after the Eskimo men depart for work on the icy cold seas. Eventually the lead Eskimo (Mala) realizes that he has been duped and he takes his revenge. The audience would have cheered in the 1930's theaters. Enter the Royal Canadian Mounted Police and the moral dilemma of whether to bring back Mala for trial. The Mounties are played as feeling policemen that know this is not a cut and dry case. Will the Mounties get their man? Is it fair to hold Mala to a code of behavior outside of his traditional society? Is there a way out that does not punish Mala? Is it inevitable that the white man's law must prevail? Is there no hope for innocence? This is not a great movie, but one that you will enjoy for the depth of the issue addressed in a very different setting. I suspect that the filming of the sequences with animals was done before today's disclaimer that none were injured in the making of the film -- so beware of the raw nature sequences. Highly recommended. | 1pos
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] |
If you begin watching this film expecting an explanatory documentary about monastic life in La Grande Chartreuse, you may soon become bored and fed up. If you begin watching this film expecting to be taken into the monastic way of life, you will soon find yourself there. The movie takes the pace of the slow, quiet atmosphere of the monastery. Long periods of silence broken by the occasional creak of floorboards or chanting or bells, and very little dialogue. It is like each shot is a photograph. A moving photograph. It is not entirely what one expects, however. Keep an eye out for the odd object seemingly out of place: the highlighter, the keyboard, the laptop; the odd conversation on a monk's departure for Seoul, South Korea; the shot of monks sliding down a snowy bank on their bums. I wanted more explanation - how the individuals chose this way of life; how they sustain their community; what contact they have with secular people. But it is not that kind of documentary. As long as you're prepared for that, it is a film worth watching. | -1no label
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] |
I learned a lot watching Reefer Madness (AKA Teach Your Children...hey did you know that the CSN song "Teach Your Children" is also also known as "Reefer Madness?" Small world, huh?). Amongst the points I learned, marijuana is a dangerous narcotic (actually narcotics are specific type of drug that includes opiates...oh well). Also, it can produce fits of horrible violence, and near incurable insanity. It's a good thing I don't do drugs, but even if I did this movie would have scared me straight. I hear conflicting reports whether this movie was made as propaganda, or simply as a piece of trash meant to cash in on 1930s drug paranoia. Either way, it's a pretty inaccurate and humourous look at the effects of marijuana on some rather dumb teenagers. Besides the rather loose and fast rules about drugs (Calling marijuana more dangerous than heroin for example), the producers also tend to have difficulty with things like suspense and continuity. Perhaps the film was actually presenting that of an alternate reality, one in which marijuana really can drive a person nuts, not to the refrigerator. That would explain a few of the gaffes in the film, like the time when the car runs over the human at top speed, leaving neither the car nor the human with any visible physical injury. Or the time when a character is shot from across the room (in the back) by two men struggling on the ground with the gun. Even the Warren Comission wouldn't have bought that trajectory. And my very favorite moment of the film, when a woman leaps out of a high window, the old woman she's walking with has to run to the window and look down before reacting in horror. Cause, you know, she might have landed on a flag pole or something. Then again, maybe this wasn't an alternate reality. Maybe the filmmakers were the ones all hopped up and they decided to goof around with the camera for 70 odd minutes. In any event, "Reefer Madness" will definitely teach your children that it is made by people who clearly had very little information on their subject, or how to make a good movie. | -1no label
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] |
Oh yes European culture and the Eurovision Song Contest which is like Adolph Hitler and racial harmony appearing in the same sentence . Actually this years contest was far worse than usual because the tunes seemed confused . Croatia's song started off with some bagpipe music while the entries from Greece and the United Kingdom sounded more Turkish than the entry by the Turks . Oh and the Greeks did a bit of riverdancing which probably was a cynical attempt to fool the voters into thinking they were watching Ireland who often win but for some reason didn't qualify for the final this year Okay lets be truthful and say I was hoping the best looking female contestant was going to win . I guess I shouldn't be too disappointed since the Greek contestant had the best legs and she won while Romania had the best cleavage and she came third with the Israeli motek also doing very well . Unfortunately there was a miscarriage of justice with some ugly fat bird from Malta getting the runner up spot which adds fuel to the rumours that it's only middle aged homosexuals who vote in this contest . As for the music it was instantly forgettable . Norway does deserve some credit since they contributed an act that seemed very similar to a tribute band for Brit glam rockers The Darkness and Denmark's entry could easily have passed as a respectable POP IDOL contender . Talking of POP IDOL Britain was represented by Javine a former contestant of one of the reality pop shows but her performance on the night was very very poor and she ended up near the bottom of the final vote As for the voting itself this what gets my goat . Countries continue to vote for their neighbours regardless of the merit of the songs themselves . Greece and Cyprus give each other twelve points while the Balkan , Baltic and Scandinavian countries scratch each others backs . It's totally ridiculous as is the fact that while only 24 countries take part a total of 39 countries vote . In fact I think the majority of the running time was taken up with the voting rather than the singing . Good job nobody takes this competition seriously otherwise it would cause world war three | -1no label
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] |
Best animated movie ever made. This film explores not only the vast world of modern animation with absolutely boggling effects, but the branches of the human mind, soul, and philosophy. The story features a family of cats, where in the big sister dies, the younger brother sees this and rescues her body, but when she awakens she is left without a soul. So, the two sibling cats embark on a journey to find it. I have related this journey to many things. The history of the world, the bible, the cycle of life, and every time I watch it I discover more and more hidden themes and metaphors. If you aren't so into the physiological aspect of it then, you will still adore it. The animation is superb, and the creative scenes will have you attached to the screen. For example, the ocean freezing in time, god eating soup out of the earth, a strange and slightly SNM retelling of Hansel and Gretel. To conclude, Cat Soup is an absolute treat for anyone. PS- Not for kids, gratuitous violence included. | 1pos
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] |
After having re-visited Harryhausen's Sinbad trilogy recently, I have decided that this one, overall, compares very favourably with the other two. It is the most epic of the trilogy and has the most ambitious storyline (POSSIBLE SPOILER) involving a voyage into a lost world hidden behind the ice sheets at the North Pole (no doubt an idea partly influenced by Disney's 1974 'The Island at the Top of the World'). The creatures in this one are the least spectacular of the trilogy (THE SEVENTH VOYAGE & THE GOLDEN VOYAGE have better and more spectacular ones) but Harryhausen's artistry is as great as ever and he really should have been given a special accolade for imbuing Kassim the Baboon and the Troglodyte with so much character. It really is remarkable watching them 'act'. Demanding kids may find the creatures disappointing but now that I am older I can appreciate the fine work that went into realising them. Harryhausen's puppet work possesses a tangibility that CGI is only just now coming close to emulating. I also find that I care about the characters in this film and what happens to them. The woodenness of the acting and the dialogue of the previous 2 films in some way stopped me from caring very much. This picture does not suffer in the same way, as both acting and dialogue, while nothing special, are better here. Jane Seymour is also very easy on the eye and is the best looking Sinbad girl of them all. Overall, highly recommended for young (but not very young) children and for adults who were kids when it first came out and want to recapture some nostalgic vibes. I feel that this one is best for a sense of epic adventure and empathetic characters, THE SEVENTH VOYAGE OF SINBAD is best for the monsters and THE GOLDEN VOYAGE OF SINBAD is quite possibly the best of the trilogy overall. | -1no label
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] |
This film appears to be an exposé of the current trend towards globalization and homogenization in the wine industry. Wineries around the world are more and more either joining large conglomerates (the American producer, Mondavi, in the case of this film) or paying high-priced experts to help them make "the perfect wine"--and as a result, wines are becoming very standard and predictable. To some, this is a good thing (especially since few can afford to pay $50 or more for an everyday wine) and to others this is horrible as the uniqueness of smaller wineries is disappearing. I truly can understand the concerns of both sides and don't think there is a villain or hero in this business. Sure, good and cheaper wine is a nice thing, but like what's happened with beers (with giants like Unibrew and Anheiser-Busch), food (McDonalds), shopping (European shopping malls are almost indistinguishable from American ones) and mega-stores (like Walmart/Asda) are taking away much of the uniqueness of "the little guys". So I definitely was ready and willing to listen to these film makers. However, with a product that is almost two and a half hours long AND a general lack of focus, the film simply became too big a chore to watch and I lost interest. An 80-90 minute focused film would have been MUCH more effective--especially since the average viewer is NOT an oenophile (that's the high-brow word for a "wine aficionado"). On the very positive side, the film makers are smart not to do much talking at all--and simply let those on both sides of the issue do the talking. Plus, the topic is so relevant and timely. However, despite choosing a good style of documentary making, the film simply goes on way, way, way too long and ended up making a very dull film. | 0neg
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] |
I'm a huge classic film buff, but am just getting in to silent movies. A lot of silent films don't hold my attention, but Show People is a notable exception. Marion Davies and William Haines are simply wonderful in this picture. Davies, in particular, shows a wide range as she morphs from a giggly small town girl to a starlet who takes herself a bit too seriously. Show People is a fast paced film with a fantastic array of cameos by some of the biggest stars of the silent era. The movie captured my attention immediately and I actually forgot that it was a silent film. (I know that doesn't make much sense, but that's what happened.) The actors are so skilled in their craft that few dialogue cards are necessary. Show People is a perfect introduction to silent films. It is a fast paced, interesting film with two of the silent era's best stars. Add in the satire of Hollywood and Show People should be on the 'must see' list for all classic film buffs. | 1pos
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] |
What a loser this 1998 film is. It's a shame that Signe Hasso, a great actress so many years ago, allowed herself to get into this productive mess. I want to remember Signe Hasso for "The House on 92nd Street," not this mess of a film. For Rob Lowe, the film is perfect. He lacks talent and this picture allows him to display it. One of the previous comments says that Michael York is similar to the late James Mason. Is that true and I congratulate the writer for stating this. Cassie was just too sweet of a girl to be left alone here. Go know that she led a previous life which is true of the Lowe and Hasso characters. Ms. La Rue is no Lola. That's what was needed for her part as well as far better writing. The film appears amateurish at times. | -1no label
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] |
Can a mentally challenged black youth be a catalyst to unite people in a South Carolina town? The answer appears to be that in spite of his handicap, James Kennedy, understood much more than what he was given credit for and went to become a fixture in the sports scene. Also, the film is saying how many of us overlook people with problems that can be helped if only we have the patience Coach Jones showed to the young man because of his own guilt in his heart. "Radio", directed by Michael Tolllin, is a formula film inspired on a true story. Yet, the movie is not a complete failure because of the inspired performances the director was able to get from his wonderful cast. Coach Jones is instrumental in getting the young man, who is called Radio because his passion for collecting them, involved in sports, a passion he discovers in this retarded man who has had only hard knocks in his young life. Coming from a poor background, Radio, lives with his mother who is protective of him and questions the coach's intentions. Radio is seen by the school kids as a mascot, at first, then, his sunny disposition wins him the acceptance of everyone because he is a good person without an ounce of malice in his body. The film owes a lot to Ed Harris and Cuba Gooding Jr. who make a great pair as the coach and Radio. Mr. Harris, one of the best actors of our times is never boring in anything he graces with his presence. He gets the essence of the principled coach who sees the possibility to make amends for something that bothers him from his past. Cuba Gooding Jr. is also at his best portraying the mentally challenged young man. The supporting cast is excellent. S. Ephata Merkerson, one of the best actresses of her generation, does interesting work as the mother of Radio. Alfre Woodard, another good actress plays the high school principle with style. Debra Winger, only has a few scenes in the film. "Radio", while being sentimental, will warm anyone's heart because it shows how we tend to see some people are in our society that we know nothing about and how quick we are to judge them. Michael Tollin puts a lot of ideas in the proper perspective for us. | 1pos
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] |
One more of those brilliant young men who went all out and dared to make a teen romance film( can i actually call it that?- it would invoke the devil out of its fans)on a micro budget but packed with such taste, sensitiveness and maturity. Peter Sollett- you deserve more admiration and respect.Thanks once again for demonstrating to the powers that be in the "industry" that stereotypes can be flushed down the toilet. One location,a handful of rich characters, low budget,good acting(and that too amateurs),decent lighting - worshippers of true indie cinema should watch more of this and STOP watching...well...you know what. | 1pos
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] |
This is one of those movies that I can watch again and again and not get tired of it. It is by far one of the best comic book adaptations ever. I liked this one even more than X-men. In fact, this movie is sort of a cross between X-men and the matrix and it came out before either. Wesley Snipes does a great job with the character of Blade. He is just not an emotionless super hero. Also, this movie isn't sugercoated to get a pg-13 rating. Sure comic books are for kids mainly, but I like a little more in my movies. Let's face it, if we were in these situations we would cuss up a storm to so it is more realistic. This comic book adaptation also has something that many don't. A good fight in the end between the bad guy and good guy. Let's face it, none of the Batman movies had a very good ending fight. | 1pos
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] |
A Damsel in Distress is a delight because of the great Gershwin songs, Fred Astaire, Joan Fontaine, and a terrific supporting cast headed by Gracie Allen and George Burns. Typically silly plot for an Astaire film has him as an American dance star in England with Burns as his publicist and Allen his secretary. They concoct a story about his being a love bug with women falling victim to him left and right. He runs into Fontaine who is being held captive in her castle by a domineering aunt and docile father. Silly plot. The great songs include A Foggy Day, Things Are Looking Up, Nice Work if You Can get It, and I Can't Be Bothered Now. Fontaine does not sing, but does a brief (and decent) number with Astaire. Surprisingly good in a few dance numbers with Astaire are Burns and Allen, including an inventive and fun romp through an amusement park. Also in the cast are Reginald Gardiner, Constance Collier, Montagu Love, Harry Watson (as Albert), Ray Noble, and my favorite--Jan Duggan as the lead madrigal singer. Jan Duggan is in the middle of the swoony trio who sings Nice Work if You Can Get It. Her facial expressions are hilarious. She was also a scene stealer in the W.C. Fields comedy, The Old Fashioned Way, playing Cleopatra Pepperday. Much abuse has been heaped on this film because of the absence of Ginger Rogers, who, as noted elsewhere, would have been hideously miscast. The TCM host notes that Ruby Keeler and Jessie Matthews were considered. Yikes. Two more would-be disasters. Fontaine is fine as Alyce and the dynamic allows the musical numbers to belong to Astaire, with ample comic relief by Burns and Allen. Fun film, great songs, good cast, and Jan Duggan in a rare spotlight! | 1pos
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] |
I only saw this film once a quarter of a century ago, yet it's impact has never left me and I can still remember even now my reactions to it.I was mesmerised by the breadth and the sheer beauty of so much of the photography. I was astounded that an American studio could produce such a European film with it's slow pace and its unfocused plot. The lack of any strong characters felt like a flaw but I raged at the completely unnecessary ending on the yacht which seemed as though it was bolted on to give some kind of plot cohesion and which was entirely at odds with the style of the rest of the picture.It was also refreshing to see a western which made no pretence about the brutality and exploitation that so often was the unfortunate detritus of the American Dream.The western scenes and sets also had an authenticity which was entirely new to me and which prefigured the recent Deadwood series.The film was massively cut for the American audience and its my very real wish that in these days of Director's Cuts that Michael Cimino is given the opportunity of a fresh edit in the light of reflection - a cut which could turn this ill fated movie into the masterpiece it had the potential to become. I have now seen the original first cut and the network of relationships makes so much more sense,although Christopher Walken is responsible mainly for carrying this off. If only De Niro and not Kris Kristofferson had Played the main lead!There was still a massive preoccupation with creating the reality and atmosphere to the detriment of a good script. Nevertheless, the camera work was so cleverly handled that at times you could almost believe you were inside the action yourself.And there were many special moments. Everybody arguing in the hall in different languages trying to overcome their national differences and seek some unity of action in face of the impending disaster gave a real insight into the difficulties facing the welding together of the USA: especially when the threat came from a combination of the old elite and money.Nate's faltering approach to Ella when she first visited his cabin stood in stark contrast to the violence that was to follow and was another one. I had a special showing with a large group of mates to see the new cut and we all enjoyed it whilst having varying reservations.This revisionist and much closer to the truth version of events was probably too much for Americans to take when the film was first released but we all felt it had enormous merit and that its place in cinema history was also due for major revision | 1pos
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] |
Judith Helfand and Daniel Gold have created a wonderful documentary in Blue Vinyl. Judith's parents have put light blue vinyl siding on her house... but Judith suspects there are serious dangers from vinyl to humans... during its manufacture, if it burns, when its disposed of. Having lost her uterus from DES poisoning, she shares a bond with the cancer victims who work in and live in the shadow of the vinyl and PVC factories. Judith has this gravelly high voice, a quirky sense of humor, and a vulnerability in the face of corporate America that makes her irresistible. Blue Vinyl is also beautifully and imaginatively shot... I saw this at Sundance (2002) and Daniel Gold won the prize for documentary cinematography. There is also wonderful use of music and animation. Highly recommended. | -1no label
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A man has been pursued all his life but does not know why. The film opens with Mitchum's pursuers closing in on him and Wright coming to his side. He relates the story of his life to her, seen in flashbacks. It is strange that he tells her the story because she has been a part of his life since childhood. This bizarre film is unlike any other Western, and is really not a Western in the traditional sense. Mitchum and Wright are OK but the characters are not well developed and their motivations are unclear. Walsh enlivens the action scenes but can't rise above the disjointed script, not helped by the awkward storytelling structure. | -1no label
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] |
This movie in not just another sentimental movie. It's a movie about heroism at a personal level. It's about great motives like the defense of freedom and the importance of personal choice in times where values have to be defended, even with your life. It's about personal decisions and living after with the consequences. Great acting by that giant actor/director, Mr. Orson Wells and a very moving performance by Claudette Colbert, in a very difficult role. This film has all the elements of a good psychological thriller: someone coming back from the dead, a past that comes to haunt you after 20 years, exile in your own land, fighting the Nazis, and finally, leaving the past behind to join the living in the present. A great 1946 movie by Irving Pichel. Don't miss it if you see it late at night in the TV. You will be surprised by it's quality. As a bonus, the third performance in film, by the then 8 year old Natalie Wood, as an adorable little blond Austrian exile girl. | -1no label
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] |
I once thought that "The Stoned Age" was the worst film ever made... I was wrong. "Hobgoblins" surpassed it in every way I could imagine and a few I couldn't. In "The Stoned Age" I hated the characters. In "Hobgoblins" I hated the actors... and everyone else involved in creating this atrocity. I won't include a teaser to this film, I'm not that cruel. I couldn't subject innocent people such as yourselves to such torment. In fact, any discussion of plot pertaining to this film is senseless and demeaning. Words I would use to describe this film are as follows: insipid, asinine, and ingenuous. In conclusion, PLEASE don't watch this film. I beg of you, from one movie lover to another... no, from one human being to another, PLEASE. For the sake of your own sanity and intellect DO NOT WATCH IT. Destroy any copies you come across. | 0neg
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] |
Wish this great film had made it to the Big Screen! Absolutely the best film ever made on Teddy Rosevelt. Great for the whole family in my opinion! It not only documents his life... it also presents his great ideals and character as very 'Presidential' and to be desired. The same cannot be said of all our Presidents. The depiction of the battle for San Quan Hill was one of the best war documentaries I've ever seen. An all-star cast helps make this a classic movie. I will get this movie for my collection for sure. I will recommend it to all our family and friends. -BGLewis of Spring Hill, FL | -1no label
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] |
Good to see something other than the usual SF fare about the Vietnam way. This is the first movie i have seen that references the job the dogs and dog handlers did in Vietnam. But the movie is let down by a lot of factors, namely the helicopters, weapons, and tactics. Modern weapons were used instead of the correct weapons, the helicopters were the wrong type, and some of the acting was atrocious. the best part of the movie is the dogs themselves. It was rare for the dogs to be returned to the states, as risk of disease was too high. most dogs remained in country, either with other forces, or were euthanised. Out of approximately 5,000 dogs, only around 200 returned to the states. | -1no label
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] |
Seriously engaging, intelligent and thought provoking drama at its very best. Mean, gripping, moody and captivating. Every home should have a copy! Don't take my word for it see it yourself. One Life Stand makes you consider your own lifestyle and how you treat your family and friends. Beautiful photography and impressive acting makes for one of the best cinema-graphic experiences of the year. John Kielty's debut is a delight and adds a real touch of truth and realism to this deep and gritty film. This is a film that cares and has an honesty that is unequalled in recent years. No car chases, but a film packed with hum our and emotion. I first saw this film screened at the Edinburgh film festival in 2000 and am now delighted to be able to own a copy on DVD. | 1pos
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] |
"Swinging" comedy has family from the suburbs getting duped by a low-rent travel agent into taking a cut-rate European vacation. James Garner and Debbie Reynolds would seem to be an ideal screen match, but this leaden script never gives their union a chance (and both are saddled with deadening lines like, "Stop fiddling with your necklace and act like a man!"). Garry Marshall and crack comedy writer Jerry Belson adapted the screenplay from Muriel Resnick's book "The Girl in the Turquoise Bikini", and veteran comedy director Jerry Paris helmed the proceedings, but the results are bathetic; comic support from old pros Paul Lynde, Marcel Dalio, Terry-Thomas, and Vitto Scotti doesn't help much. These are not the "Happy Days", although there are fun bits by Erin "Joanie Cunningham" Moran and Penny Marshall. *1/2 from **** | -1no label
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] |
"The big goodbye" introduces us to the first holodeck adventure, in this case Captain Picard posing as private investigator Dixon Hill. This episodes creates some sort of standard pattern, repeated several times on TNG as well as DS 9 and Voyager. After entering the holodeck something goes wrong and the characters have to deal with the program under different circumstances beyond playing a game (represented by the failure of the holodeck's safety program). This concept is used to expand Star Trek's possibility and enabling a kind of genre-mix. Picard's Dixon Hill stories are examples of 1940s crime fiction and their representation on the screen are referred to as Film Noir often having the stereotype antihero in the lead (see for example Chandler's Marlowe stories or Polanski's all time classic "Chinatown"). Star Trek never focuses on the story (mostly it's a simple "how-do-we-get-out-of-here" scenario) but enables the actors to take a different approach to their characters. Those Holodeck "games" are commonly used for recreation and reflect the private interests of the crew members. Therefore the technical aspect is always neglected and from that point of view the stories are never sound (but did Star Trek ever had a technical, scientific point to it, I mean besides some utopic concepts?). "The big goodbye" shows a relaxed Patrick Stewart, a McFadden that hardly ever looked better in a Star Trek episode (at least the early ones) and Data has some great scenes, too (although I find it hard to believe that pulling the lamp's plug out of the wall would have really surprised him, for the fact that he'd done research on that period and its customs). Wesley continues turning peaceful Trekkies into potential murderers (why didn't they take him to the holodeck and let the gangsters finish him off?) but all in all this one's fun... | 1pos
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] |
I am sorry to say, that i am really disappointed. first by the movie i had to force myself thru right now, as well as by the amazingly high rating it got on IMDb. And i have to say: i am not at all against romantic comedies or if you want "chick flicks". But this one just had nothing to offer for me at all. It was filled with annoying clichés, the acting was embarrassing and the story totally, and i mean absolutely, predictable. there were so many scenes in the movie that made me feel physically ashamed for everybody involved in this production, that i still feel a bit dizzy. the music was awful and can be only compared to the terribly cheesy pictures the so called "artistic" main character is drawing. but that not enough. after 90 minutes of bugging the viewer how unimportant looks are the only slightly likable character changes his whole dressing and hair style to get the "hot chick" of the store, that seemed to be his friend already for years! It is hard to believe nobody else found that somewhat against the often cited "important message" of this train wreck. sorry, but i recommend to see forgetting Sarah Marshall a second or even a third time instead. the only reason i gave it 2 points is the standard editing you cant feel. | -1no label
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] |
Wow I loved this movie! It is about normal life in a small village. About hypocrisy and honesty, love and surrender. Great! It is about things everybody encounters in life. You have to do things with passion. But some people will not appreciate your passion and will try to stop you. There are people who find the opinion of others and 'what will the neighbors think' more important than to follow their heart. Don't let anybody's opinion stop you from fulfilling your dreams and passion. I loved the fact that the actors were all really normal people, it could have been my family. No big beauties, but all people you fall in love with during the movie. | 1pos
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] |
What a thrill ride! Twisted and thought provoking. Once again, Sharon Stone pulls off her drop dead gorgeous, spellbinding character of author Catherine Tramell impeccably. The original Basic Instinct takes place in San Francisco. The sequel takes place in London, where Catherine has now relocated. Both bustling cities known for excitement, haute couture ~ and a perfect place for someone like Catherine Trammel to take residency. David Morrisey, ("Derailed"), plays the smooth role of psychiatrist Dr. Michael Glass. The character David Thewlis plays as Roy Washburn with Scotland Yard, is a refreshing departure from his role as Lupin in the Harry Potter series. Flashy cars, designer clothes, sex, drama, humor,tension, - all of the "basic instincts." Mind bending throughout. Great screenplay. From the climactic opening scene to the surprise ending, this film is anything but boring! Everyone in the theater was glued to the screen. | 1pos
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] |
Maybe if you've seen one 1980s horror/sci-fi/romance, you've seen them all. But you still need to see "The Wraith". It portrays a young guy (Charlie Sheen) riding into a small Arizona town which seems to be nearly run by a gang of hoodlums. The gang leader (Nick Cassavetes) is very jealous of one of the teenage girls (Sherilyn Fenn) and gets nasty if it looks like anyone else is approaching her. But things start to change for everyone once a strange black car starts driving through town. Think about what all this movie portrays. First off, it stars Martin Sheen's son, John Cassavetes's son, Ron Howard's brother (Clint Howard sports a crazy hairdo and plays the only intelligent member of the gang), and Dennis Quaid's brother (Randy Quaid plays the sheriff and was noticeably leaner back then). Speaking of weight, women in movies were meatier back then; check out Sherilyn Fenn in her waitress outfit (or in another scene)! But another thing is about the definition of the title. A wraith is an apparition, often portending someone's doom (the word comes from Scottish, but I don't know the full origin). Are the car races the highlight? That's debatable. The road looked very much like the same road that they used for the desert scenes in "It's a Mad, Mad, Mad, Mad World", which of course starred another hot babe (I mean Dorothy Provine, hubba hubba). Anyway, this is one that you're sure to love. And just keep watching the skies. Back when Martin Sheen's father immigrated to the US from Spain and John Cassavetes's father immigrated to the US from Greece, they probably never guessed that their grandchildren would co-star in this sort of movie. Hell, back in the days when Ron Howard played Opie on "The Andy Griffith Show", people probably never guessed that his brother would star in this sort of movie. I don't know what people would have thought when Randy Quaid debuted in "The Last Picture Show". | -1no label
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] |
Let this film serve as the death knell to the "big twist" films borne out of the 1990s. Known in some circles as The Kyser Soze Syndrome, this cinematic slight of hand has now been done to death by M. Night Shayamalan and even Ron Howard used a variation in A BEAUTIFUL MIND. However, in REVOLVER, director Guy Ritchie (known in some circles as "Mr. Madonna"), utilizes the Soze motif in a far more obsequious manner. Jason Statham (with a highly questionable head of hair) stars as Jack Green (known to all as "Mr. Green.") He may or may not also be criminal mastermind Mr. Gold. Or, perhaps Mr. Gold is an irritable spirit who can possess members of the underworld. I'm not quite certain, but I certainly don't care. REVOLVER is one of the most overwrought examples of cinematic excess I've had the displeasure to endure in quite a long time. Witness the fractured time structure, the painful jump cuts, the ceaseless inner-monologues, and the painfully pretentious animated sequence. This "everything and the kitchen sink" directing style makes Quentin Tarantino's oeuvre look sedate. The cinematic smoke and mirrors only lead me to believe that Ritchie was as bored telling this trite tale as I was watching it. The film is filled with moments of revelation that are supposedly shocking but they only come as news to Mr. Green. I wanted to like Green as I always enjoy Stratham as a character who is two steps ahead of everyone else. Here, though, he struggles along like a remedial reader in a University English Literature class. His lack of wit is only matched by the lack of restraint shown by his nemesis, Macha (Ray Liotta). Feasting on scenery like a starving man at a smorgasbord, Liotta spits, cries, and fumes through the film in an embarrassing display of overacting and leopard print speedos. There are no redeeming qualities to REVOLVER. It's yet another filmic faux pas from Ritchie and might even outdo his wretched remake of SWEPT AWAY as his worst film yet. | 0neg
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] |
I think this show is Fantastic! From waiting patiently for the very first show to appear, I watched that episode and I have watched and enjoyed each and ever episode since the first one! In fact my husband tapes them for me to watch again later on in the week. I find myself waiting and looking forward to the new show coming up the following week! In this day and age it is wonderful to have this type of show to look forward to watching! So exciting, so wonderful, so real.....family type situations at their best....as well as at their saddest too! It's good for all ages.....little children to older adults! Babies to Grandparents (one of which I am, a Grandmother..not baby! HA! HA!! It's truly refreshing TV at it's best. My Thanks to Animal Planet for another good one! Thank You again Animal Planet and my Thanks also goes to everyone in the cast and crew of The Meerkat Manor show! | -1no label
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] |
Kudos to Fawcett to taking on roles that, at the time were considered controversial. To my recollection, rape was still a taboo subject in the 1980's, and women's rights and emotions were rarely so deeply examined during that time. Fawcett is simply a woman who is followed, then stalked by actor James Russo. He is adequate as the obsessed psychopath, but at times a bit transparent. Diana Scarwid has a bit role, as does Alfre Woodard as the house mate. Woodard worries about the legal consequences when Fawcett, the rape victim, takes revenge on the culprit. The scene where she throws a frying pan of hot oil at Russo is classic, and as the rapist he deserves it. She then keeps him in bondage, and the consequences must be faced. A very real story reflecting the emotions and rage of rape victims who have been violated, physically, and mentally. Highly recommended. 8/10. | 1pos
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] |
Although there is very little plot and whatever exists is just all improvisational, still it was a good start from a new director with no previous financial back up and also a smart move from Andy Warhol to make his cimematic productions more marketable and viewer-friendly. In any case this story of a street hustler relies too much on showing Joe buck naked (almost all the time!). And the creative use of a flashy editing really wears off after the hundredth time and the cutting off the dialog thing gets really annoying half-way. This would have been a much more entertaining or even dramatic if they made a documentary of the daily of an actual male prostitute or hustler, instead of letting the actors make up some nonesensical plot and dialog of their own. | 0neg
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] |
Naguib Mahfouz, the Egyptian novelist, whose "Midaq Alley" serves as the basis of this film, wrote about the characters that populate that narrow strip of an Egyptian city, and how in some ways, all of their lives are so inter-connected to one another. Director Jorge Fons and the adapter, Vicente Lenero, transferred the action to Mexico City. They used the same format that Alejandro Gonzalez Inarritu later used for his successful "Amores Perros" in 2000. It would be unfair to compare both films, yet, one can see certain parallels in the way the films unfold. Each narrative shows exact moments in which the lives of the people that part of town prove pivotal for the stories presented in the film. There are four stories in the film. Each deals with what happened to that particular character while all have points in which they connect with the others. The film shows that when Mexican filmmakers want to tell interesting human stories, such as the ones depicted in the film, they don't have a thing to envy to the best types of cinema of the world. This is clearly a movie that will survive because of its universal themes. Salma Hayek was making her second appearance in front of the cameras. She proved why she was an actress to be reckoned with. Her Alma shows a vulnerability, and freshness as she approaches the character. Ernesto Gomez Cruz, Maria Rojo, Bruno Bichir, Daniel Gimenez Cacho, Luis Felipe Tovar and the rest of the cast do excellent ensemble work under Mr. Fons direction. The film will not disappoint the viewer. | -1no label
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] |
I am a huge fan of Jackie Chan. I have and loved his autobiography, along with a good deal of his American movies. I love the cartoon. I started to watch it just cause it had him in it. I will watch anything of his and it's really, really hard to get me to not like it... Well they must have worked exceedingly hard. The movie is dubbed in English horribly, and is so incredibly, unbearably tedious I stopped watching it and tried to lay there and fall asleep instead. At a half hour I was thinking oh come on it has to be at least half over! but no I rummaged around till I found the case... IT'S OVER 2 HOURS LONG! I didn't have high expectations for it... I was just thinking something to watch when I was bored and a little like the pacifier in terms of comedies with a baby... but with baby-napping... So I got Rush Hour 3 which I loved and this. Don't waste your time watching it... There is no funny at all at least when I gave up at 45 minutes into it... Everyone's life sucks, main characters are: Jerk Of The Year, Jackie as Loser Gambler, Blind Dude with insane depressed wife... No part of it is happy... I really want to go return it just cause I hate giving 20 bucks for that crappy of a movie. Like it sucked so bad I still can't believe it. I don't know why Jackie would have done this rush hour 3 came out on DVD at like the same time so it's not like for the work or for the money... And you know Rush Hour 3 had to pay well and it's not like if he wanted to do more movies he couldn't. It's just incomprehensible why when he needs no padding in his career he would subject anyone to this drivel. In short, MOVIE SUCKS DON'T BUY! I definitely won't blindly trust Jackie to give me a good movie anymore that's for sure... If you have an option between watching paint dry/staring at an already painted wall or watching this the wall wins by a landslide. | -1no label
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] |
The best British Comedy Film ever! For years English comedy television programs have turned into films and have flopped, 'Are You Being Served?' 'Dads Army', the list goes on. However the popular dark humoured BBC television show; 'The League of Gentlemen' has managed to not only create a film which has managed to not be a flop but has also managed to be the best British Comedy Film ever! With its dark and horrific twists and turns The League of Gentlemen's Apocalypse is British Talent at its best! Its intriguing demonic storyline written by the League of Gentlemen (Mark Gatiss, Steve Pemberton, Reece Shearsmith and Jeremy Dyson) matches with the Gents (and guest cameos) superb acting! This I hope is not the end of Royston Vasey, not after this great success anyway! Don't think that if you have not seen The League of Gentlemen on the telly that you will not understand whats going on. Its all well explained and by the end of the film you will be happy with the result but you are still left hungry for more... Mmmm, Special Stuff. | 1pos
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] |
This one tends to get slighted by a lot of critics and Kurosawa fans, but I thought it was wonderful. It's an episodic multi-character study of Tokyo's poorest, who live in a city literally made from garbage. Though it looks like an A-Bomb just hit, the film has a sort of serene beauty thanks to the glorious use of Technicolor. The title comes from the sound made by the insane young man who drives an imaginary trolley through the slum. All the characters were wonderful and all the stories engrossing, but perhaps the most tragic concerns the man and his young son who live in an abandoned car. When not searching for food, they spend their spare time using their imagination to build their dream house. An emotionally moving and beautiful film. | 1pos
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] |
GSN killed potential long-term viewership of this show by filling the early episodes with butt cheek pencil breakers, nipple enhancement sellers and geriatric strippers. These early episodes also had the panel making forced, out of context, sexual comments. Granted, GSN appears to have learned a little bit from its early mistakes and the later episodes have guests with broader appeal and somewhat toned-down, sophomoric sexual commentary. Still, the all-gay, totally unknown, panel remains a stupid on-going gimmick (Suzanne is a comedienne? when is she ever funny or witty?) and the ridiculously easy clues given to the panel makes viewers wonder if GSN has no budget for winners. This show might have garnered more good will from long time game show fans at the beginning, but GSN teased them by airing a few weeks of the original "IGS" at 3:30 am est and then pulled it to substitute this new, hugely flawed version, which was rerun from its 11:30 pm est time slot. I would give it a chance to evolve and grow up if the original show were replaced at the late night time slot. | -1no label
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] |
Since growing up in Czechoslovakia I was following history of RAF pilots and crews in WWII Great Britain, their stories and tragic ending either in the combat or in communist prisons and camps. This is without any doubt more than dark chapter in our history, although the fact that those brave men we're able to go through all this and recover afterward is amazing. To all people who want to see great movie...this is the one! During recent visit of Czech Republic I saw this movie three times in three days (they we're just playing it for three days...otherwise I will go to see it even few more times!!! It's worth of it!) I hope you will enjoy it, although it requires a little more thinking and knowledge of background information behind the story, pretty much same way that the movie "Kolya" was. It's not a simple movie because of it's deep story, and the way its told will most likely make you crying...it did to me three times in row... Zdenek Sverak did as always a great script, his son Jan made a great movie and the cast? Without doubt all of them did great job, I was amazed by Ondrej Vetchy, by great role played by Oldrich Kaiser and all other actors which made this movie simply GREAT!!! If this is not an Oscar nomination I think that I will be on strike in Holywood. | 1pos
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] |
Although there have been other homosexual films involving this issue, they had them broken down and rebuilt to fit a film. This one is different in that it presents the thing as a whole. The story-telling is direct, yet it's different from the heaviness and cruelty of "Night & Fog". Instead of focusing on the holocaust, this one is humanity-oriented. It's touching, but it's no less strong when I dwelled on the contrasts. All the interviewees of as old as around ninety are survivors from the concentration camp during WWII. Each old man or woman who went through all the twisted time has a heartbreakingly romantic memory to tell. Some were indifferent. Some were tearful. Some were furious. It was incredibly amazing that even after all those years they managed to keep the subtlest details of the forbidden love and the dark holocaust. Since the first time I laid my eyes on the cover of Penguin version's "Maurice", I grew obsessed with those nostalgic black & white and autochrome photographs, which this documentary contains a lot. When the inadequacy of photographic technology left us these photos of brotherly love, it's even more bittersweetly touching. Each weather-beaten photo has a iridescent moment behind it. The everlasting intimacy and beauty in these photos already suggested love is universal. Their lives go on. They may not last long. They may just bury the memories, but they shouldn't regret --- judging from their facial expression while they were recalling their love at first sights and my imagination of a certain hilarious party in a certain club on a certain street in the night of the 1920's Berlin of chaos and liberation. They are unique. They were, are and shall be envied by all, for which they've paid their price. How could they not be proud of themselves and at the same time torturous? As for all those who deny the history, they lost the last piece of emotion. And I'm sorry, if not furious anymore, for that. I'm grateful to these film makers for attending to this precious, lost part of human history. I'm grateful that we're told. We're told to be open-minded and, if possible, to feel humanity. | -1no label
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] |
Child 'Sexploitation' is one of the most serious issues facing our world today and I feared that any film on the topic would jump straight to scenes of an explicitly sexual nature in order to shock and disturb the audience. After having seen both 'Trade' and 'Holly', one film moved me to want to actually see a change in international laws. The other felt like a poor attempt at making me cry for five minutes with emotive music and the odd suicide. I do not believe that turning this issue into a Hollywood tear jerker is a useful or necessary strategy to adopt and I must commend the makes of 'Holly' for engaging subtly but powerfully with the terrible conditions these children are sadly forced to endure. 'Trade' wavered between serious and stupid with scenes involving the death of a cat coming after images that represented children being forced to commit some horrendous acts. I found this unengaging and at times offensive to the cause. If I had wanted a cheap laugh I would not have signed up for a film on child trafficking. For anyone who would like to watch a powerful film that actually means something I would suggest saving the money on the cinema ticket for the release of 'Holly'. | 1pos
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] |
I heard about this film while at the NY Horror film festival where the audience was told they HAD to see this intense & brutal movie
and I read some reviews that called it amazing and gripping
LIES! I recently became a fan of Gasper Noe's `Irreversible' and that was an amazing, brutal and brilliant piece of filmmaking, so this also being a French film I thought it might live up to the hype. Well, don't waste your time
this was perhaps the most boring film I have seen in years
It was boring, then briefly brutal then boring again
it tries to be artistic but it's really just autistic
it's not a daring brave piece of filmmaking because it truly makes no sense
I tried very hard to find either the reason for the woman's actions or the hidden meaning in them
NOTHING! Someone had a very good idea and executed in a terrible, boring, artsy, unjustified way. | -1no label
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] |
This movie got better with time. I can't believe that it has been forty years since I saw this at the age of 15. Yes, that's right. Movie ratings were not yet a reality, so any teenager could walk into any movie. Imagine what it was like for a kid my age to see both Midnight Cowboy and Putney Swope in the same year. Imagine the times. Bobby Kennedy and Martin Luther King has just been killed but the following summer had a man walking on the moon and Woodstock. Putney Swope was the Woodstock nation's chance to stick it to the man. You'll see where Robert Downey, Jr. got his sardonic brilliance. His old man was an instant hero to kids like me. No punches are pulled in this classic, and aging hippies will rejoice when they relive this era. Hopefully, new flower children will be emboldened by it, and this current era of fascism will come under the same scrutiny my era was subjected to. | 1pos
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] |
I used the hypnotherapist Kyrah Malan, when she was in Sacramento and got great results with my goals. I went back to her for other goals and it always worked for me. I know it was more than just voodoo because I had tried to loose weight for 20 years before then and nothing had ever worked. She was always really nice and professional. I know that she works on a donation basis and does a lot of charity work not charging people for her services when she feels they really need the help and couldn't otherwise get it. When I found this site and watched the clip I told my friend (who had told me about Kyrah) about this show and she said NONE of the women in the breast enlargement study had to pay a dime. Penn & Teller made it look like they had to pay money. She also said the woman who didn't notice any difference never attended any of the sessions or did the things she was supposed to. I bet they edited the program to make her look bad and so they could make fun of her. If someone is a fake their fair game, but why find a hypnotist who is good and then try to make them look bad? In my eyes that makes them (P&T) the liars and fakes. | -1no label
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] |
Revisiting old films that you thought were average isn't necessarily a good thing. They sometimes get worse. Championed by the Fangoria camp (in Gorezone they labeled it "the scariest film since Texas CHAINSAW"
um, no), LUTHER THE GEEK inexplicably developed a cult following as an "intense" horror picture. Actually, it is just an average stalk and slash
uh, bite film that briefly sets itself aside from the pack by featuring a killer who clucks like a chicken. Yes, clucks like a chicken. To the filmmaker's credit, at least they didn't make the killer sound like a duck a la THE NEW YORK RIPPER. That would just be silly. Narrative logic is completely abandoned in LUTHER THE GEEK. I'm not saying that slasher films are abound with reason, but at least in HALLOWEEN Michael Myers escaped. Luther is actually paroled after a lengthy scene where people argue he is reformed, even though he clucks like a chicken and has razor dentures (which he apparently fashioned in prison). It is the kind of film where a couple sees a bashed in door and the girl dismisses it by saying, "Oh, my mom must have forgotten her keys. She forgets a lot of things since my dad died." The kind of film where the hysterical mother runs into a cop looking for Luther and tells him, "The killer is in my house!" So what does he do? He grabs her and literally drags her back to the house and says, "Just show me where he is and I'll do the rest." Why not call back up? It is too bad the film is filled with such horrible action and dialogue because the Luther character is actually pretty interesting. Most of the credit goes to Ed Terry, a dead ringer for Tom Noonan in MANHUNTER, who gives the clucking Luther a genuine air of menace. In the hands of a right director, LUTHER THE GEEK could be on the same level as SONNY BOY or SANTA SANGRE and be a true cinematic oddity. But Albright is not that director and merely places the fascinating character of Luther in tedious slasher trappings. | 0neg
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] |
I watched this as one of the movies in Rhino's Horrible Horrors Vol. 1 box set. While it wasn't entirely horrible, it was pretty poor. It starts off with some narration (which is absent for the rest of the movie), and a scene of a monk turning Satanist in the 1300s or something like that. Then in the present day, the death of a priest who was secretly a Satanist prompts a nun to go undercover to try to infiltrate the Satanists. She isn't given much to do for most of the movie, though. There's a young woman who had been abused by her father and a group of child pornographers who plans to get married. Apart from the sexual abuse as a child, she's never had sex. Her grandfather is one of the Satanists and plans to use her in a sacrifice. He would like to take over the group. There's also the Satanist's goon, who goes about like a slasher killing some people, abducting others. The cinematography and editing and so on aren't incompetent, but the acting and story are pretty lifeless. Surprisingly, there's no nudity. There's not a whole lot of blood, but there is some, and towards the end some people rapidly age or melt, I'm not sure. | -1no label
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] |
while watching this movie I got sick. I have been grewing up with Pippi and every time was a real pleasure. when my wife came to Sweden she was looking at the oldies and had a real good laugh. but this American version should be renamed and never be shown again. it is terrible from beginning to it's end. how can they manage to make it soo bad. well I guess someone blames the translation ha ha ha.. but they are never close to Pippi. may this movie never been seen again and never sent out on a broadcast. burn the movie and save the kids. if you want to look at Pippi then look at the original movie and have a good laugh. WE LOVE PIPPI INGER NILSSON, sorry Tami Erin you will never stand up to be Pippi.. Oh yes.. when read the "spoilers" explanation, "'spoiling' a surprise and robbing the viewer of the suspense and enjoyment of the film." well I guess the director stands for this... you are looking at this movie at your own risk.. it is really a waste of time... | 0neg
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] |
For a low budget movie, it's way above average...in part to a well written (albeit campy) script, that has a a very good premise. The script itself has it's high and low points, with many of the lines going to Maturin, who uses them well. The script is mysterious and keeps you hanging on to see what will happen next. Who cares if it's a knock-off of PuppetMaster...it has it's own strange charm, in a John Waters directed type way. Jack Maturin does an excellent acting job as the insufferable billionaire Virgil Travis...as does Bill Burns as the stoic Mr. Mascara. A must have in any horror collection. Throughly entertaining, and way under-rated IMHO. | -1no label
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] |
Poor De Sade, persecuted and imprisoned in his lifetime, misrepresented after his death, and unlike one-time-fellow-prisoner Laclos, author of Dangerous Liaisons, is persecuted and tortured on film. Appalling cinematography, grating music, atrocious acting, and a director who praised Palance's what-was-he-thinking turn and despised the very presence of Power as Justine, although she was almost the only one who wasn't mugging in every scene. What was Mercedes McCambridge on? Dear Klaus Kinski, no wonder he spends his time running desperately from one set of bars to the other: "Get me out of this movie! I'm trapped in it forever!" They even removed his vocal cords. Still, a few points for Power's sweet breasts and eyes, and some other brief anatomical contributions by others. Poor Donatien, even Geoffrey Rush assassinated him while he was dead. At least there is Salo. | -1no label
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] |
From the first to the last scene of the movie, director Visconti excels at his art, to the extent that the movie is ensured to remain as a cultural treasure for only God knows how long. It is perfection - as a movie, that is, but the story has some minor shortcomings. Thomas Mann's novel is also a perfect piece of art, so of course it is impossible to bring into another media. Visconti follows the story pretty much, and it is only when he allows himself to deviate slightly, that the transition falters. And no matter how wonderful the scenery is, the tension in the air between the characters, the hundreds of subtle signals and allegories, the almost unbearably heightened serving of Mahler's music - still, the minute anomalies in the plot disturb me. Maybe I'm just a victim of man's desire to flaw the flawless. Nevertheless, I will offer one example, which I regard as crucial. WARNING: SPOILERS In Mann's story, Aschenbach eats the strawberries which probably contain the disease that will kill him, after giving up his frustrated chase of the boy Tadzio in Venice. Unable to catch one delight, he settles for another - which poisons him. It is very subtle in the book, but it is there. The forbidden fruit, of sorts, but more a sign of him surrendering life itself. In Visconti's film, he also eats strawberries, but in a rather insignificant scene by the beach. The chase in Venice ends in a much more melodramatic way. It works, too, but lacks some subtlety, indeed, and also the multi-layered symbolism, giving food for thought. But that's all forgiven, when the film allows us to feast on beautiful sceneries, faces and constellations, and certainly as many other symbols as we can possibly digest - the last gesture of Tadzio, standing in the water, being the equally sublime and mysterious finale. | 1pos
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] |
This mystery/psychological-thriller is I think one of the best I've ever seen. All the actors give a wonderful performance, especially Jennifer Rubin as Jamie Harris, who changes from the nervous starlet in the beginning through the strange events she is part of to the cool star. You learn a lot about the real inside emotions of people in this movie, and a lot about the movie business itself. The movie in movie situations in the beginning and through the game that is played with her by the "acting coach" are fascinating. Also the music by Mark Snow is possibly the best score I've ever heard. You won't forget this movie! | 1pos
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] |
I watched this movie expecting what I got: good sci-fi cowboy stuff. What really surprised me was that Kurt Russell did such a great job with an extremely limited role. Imagine trying to act under these two restraints: you have hardly any dialogue, and because you are playing a hardass, military robot, you are not allowed to show emotions using facial expressions! Howzat? Kinda like asking a diva to perform a great aria while gagged and duct-taped. In spite of being verbally and expressionally handcuffed, Russell pulls off an incredible characterization. His robot becomes human, in spite of the constraints. Great job! As usual, Jason Isaacs insures that he will go down in history as a great portrayer of the consummate villain--the one you'd love to see drawn and quartered. Connie Nielsen was sweet, soft, motherly, and gorgeous. I'm not sure how much of my impression is based on her acting and how much on her physical beauty, but it was hard to take one's eyes off her. Unfortunately, Gary Busey's role was too small and limited. Much of the plot is quite standard, with a fair amount of weaknesses, but as it does have a sci-fi comic book feeling, I don't see what's wrong with a few weaknesses. By the end of the story the good guy wins, and the appreciative audience receives a great deal of emotional satisfaction. Yes! The sort of feeb who thinks that Russell didn't do a good job of acting is the same sort of feeb who missed the whole point. | 1pos
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] |
Dreamer was a heart warming and wonderful movie.... My Daughter and left the theater with a "Great" Feeling. During the movie you find yourself cheering for the good guys to prevail. The whole cast did a wonderful job.....my daughter was so inspired by the moral of the story. You have to believe in yourself and others. The Characters in the movie were so believable and it looked like they truly enjoyed making this movie. It's about time we start seeing more inspiring movies..... I really hope this movie does well at the box office and DVD. We will buy the DVD when it comes out. I hope Hollywood will take heed and start making more movies that will inspire us to believe and be better people. | -1no label
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] |
I was lucky enough to catch this movie while volunteering at the Maryland Film Festival. I've always been a fan of classic horror films and especially the gimmicks of William Castle, so this was definitely a must-see for me. This is about the life and work of William Castle, who in my opinion was an underrated director. True, he made some cheap budget schlocky horror films, but he added something to these films: real live theater gimmicks that you don't see anymore. For example, he had nurses in case someone had a heart attack at his movies and put vibrators at the bottoms of chairs in THE TINGLER. This is truly a well-made documentary and brings this rather shadowed director into the light, and celebrated his contributions to horror cinema. It also paints Castle as a larger than life character, who was very well-liked and had a smile on his face. Unlike most film documentaries that mostly show testaments from film historians, SPINE TINGLER! shows interviews mostly from his family members and directors who were influenced by his work, such as John Waters, John Landis, and Joe Dante. A must see for classic horror and sci-fi fans. | 1pos
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] |
As the 2000's came to a close, king Kong's adopted daughter went ahead and made a tearful announcement her show as coming to an end. While Miss Winfrey was tearing up, i was laughing and screaming like a wild Indian from the old west. So what does Oprah do? she takes famous people, and puts them on her show. what kind of famous people? people who've suffered (just like her, except these people have lost more than their virginity) they've suffered melted faces (true story), missing limbs (True story, see end of paragraph), and spousal abuse (too many to count). and somehow they come on the show and tell their story, as if we haven't heard it before tons and tons of times (Bethany Hamilton, i've heard your tale about losing an arm to a shark since day one, which was October 31st, 2003. don't tell me you have no hard feelings.) But the biggest thing probably on Oprah was Michael Jackson's interview in 1993, after being accused of being a child molester. sadly, Mr. Jackson has since passed away. but that one particular show told about Michael's personal life, something not many people knew about at the time. Oprah's Real influence comes from middle aged women and soccer moms. They seem to think she's like a personal Jesus sometimes. but all i see in Oprah is some big ghetto lady who made it big, and she's just showing off how rich she is. I'm glad her shows going to end soon. we need better television programs. | 0neg
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] |
The Karate Kid, Part II (1986) was unavoidable. You know after the success of the first installment there was going to be a sequel. The cash cow franchise wasn't going to be denied this time around (eventually the kitty would run dry by Part Three). Oh well, here we go... Mr. Miyagi learns about an illness in his family and has to leave for his home island of Okinawa. Young (I use this term very loosely this time around) Danny can't bear to not be at his mentor's side and travels with him. While in Okinawa, we learn about the closet full of skeletons that Mr. Miyagi had left behind. His old friend/nemesis greets him upon his return. Sato (an Hawaiian playing a Japanese guy) is angry with him about something that happened to them many years ago (and I do mean many, I thought I can hold a long grudge). Not only that but Young Danny also happens to make a mean enemy (can't he ever get a break?). Will Danny and Mr. Miyagi over come the odds as they fight side by side? Will Sato takes something for that nasty constipation (watch the movie, you'll know what I mean)? You have to watch . The Karate Kid, Part II. Okay, here's my big gripe with this movie (and others like it). How come whenever two character are "speaking" to each other in a foreign language, why must they speak to each other in broken English? For Karate Kid fans only | -1no label
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] |
Scanners II: The New Order is just as good as David Cronenberg's classic Scanners, Scanners was made in 1980 and Scanners II in 1991 so their's an eleven year gap between the two movies. The film captures the style of Scanners which is a good thing, it wouldn't be Scanners without a head explosion so Scanners II has a head explosion scene that's just has gruesome as the first. Scanners II: The New Order has some other imaginative gory scenes that are done well. The plot to Scanners II: The New Order is a new take on the series since it has the Scanners being used as a vigilante force for a police chief and a group of scientists until a young Scanner named David Kellum discovers he's being used and decides to get revenge. Scanners II: The New Order is a great sequel to David Cronenberg's sci-fi classic Scanners and should be seen. Check this out. 10/10 | 1pos
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Like the first one,the team of JACKASS are back to try to kill themselves with whatever manner they see fit.Either,it's fitting yourself in a tractor tyre and rolling down a slope.Or getting yourself deliberately smashed by a bull.Or something even worse. The first one was crazy,and that's how you can describe it.It was also really hard laughing film.But this one is completely nuts.It's got even more dangerous stunts,and even harder laughs.So,I think watching dumb idiots getting themselves killed is gonna be the funniest thing this week. So,before BORAT comes out,I shall laugh my A** out. | 1pos
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] |
I think I am some kind of Road Runner fan. I don't care how predictable it is, I laugh anyway. 'Beep, Beep' is predictable most of the time, although it is pretty ingenious at the same time as well. Of course the Road Runner is chased by the Coyote and of course the Coyote fails to catch the Road Runner with every new attempt. The plans the Coyote comes up with are very funny. You see exactly where it will go wrong and you will not disappointed. Well, one time you are sort of disappointed, what you think will happen does not, but it makes the joke even funnier. If you like the Road Runner shorts you will love this one. The predictable gags work and the animation is great and pretty original at times. | 1pos
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] |
If you've seen one Sidaris flick (even those directed by his son), I think you've seen 'em all. Bullets, babes, explosions. All in a day's work and the Dallas Connection is no different. The story is downright dumb, the production values are on the low side and the budgetary restrains keep the action scenes short and terminally unexciting. The only real value (like most Sidaris flicks) are the women on display. Supplied here by Playmate Wendy Hamilton and former Penthouse Pets Julie Strain, Samantha Phillips and Julie K. Smith (one woman who seriously makes me drool). Her cowgirl grind in the club and the hot tub scene easily take top honors. Take away the sad attempt at action and this is a glorified T&A flick for the guys. You know this, I know this. So final verdict, unless you're willing to withstand a hokey movie the likes of only the Sidaris name can make in pursuit of seeing some pretty ladies (or your a fan of Julie K. Smith), you're best to stay away. Don't say I didn't warn you otherwise. | -1no label
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] |
There's something frustrating about watching a movie like 'Murder By Numers' because somewhere inside that Hollywood formula is a good movie trying to pop out. However, by the time the credits roll, there's no saving it. The whole thing is pretty much blown by the "cop side" of the story, where Sandra Bullock and Ben Chaplin's homicide detective characters muddle through an awkward sexual affair that becomes more and more trivialized the longer the movie goes on. Although Bullock is strong in her role, it's not enough to save the lackluster script and lazy pacing. Ben Chaplin's talents are wasted in a forgettable role (he did much better earlier in the year in the underrated 'Birthday Girl') as well as Chris Penn, who has a role so thanklessly small you feel sorry for a talent like him. Anyway, the plot really isn't even a factor in this movie at all. The two teen killers played by Ryan Gosling and Michael Pitt are the only real reasons to see this movie. Their talent and chemistry work pretty good and they play off of each other quite well. It's too bad they weren't in a much better all-around film. Barbet Schroeder is treading way too safe ground here for such a seasoned filmmaker. Bottom Line: it's worth a rent if you're a genre fan, but everyone else will live a fulfilled life without ever seeing it, except maybe on network TV with convenient commercial breaks. | 0neg
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] |
I thought this movie was very well put together. The voice-overs were also great. I liked how they all overcame their conflicts and reached their goals. I would recommend this movie to anyone. It was definitely worth the time and money to watch it. Atlantis has some comic scenes that made me laugh. Other scenes made me sad. And others made me glad. It is a movie any age can enjoy. From the moment Milo is the crazy "profesor" or until he gathers the crew up for the fantastic voyage under the sea. After I watched the movie, I read the book. It was good as well, but the movie puts better pictures in your mind. It is just like the book. But go ahead and watch this movie! | 1pos
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breathtaking, this is without doubt the best anime cartoon ever made. i first saw castle in the sky in the late 80s as a child and it left a lasting impression. years went by and i forgot the title of the film, and only by chance browsing on the internet i found this masterpiece again. after reading other peoples reviews and analysis I'm not surprised it has such acclaim and touched so many because it does leave an impression. a true fantasy adventure, a must see for all children and adults. its best not giving the story away so i would say watch this movie will a clear and open mind. if you have kids treat them to this i promise you they will love it. there's not much to say about this piece of art but if you've not seen it watch it and enjoy. | 1pos
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Maybe, like most others who have seen this film long after it's premiere on television, I wanted to see many of my favorite actors in old and obscure form, which is exactly what 'Slow Burn' is. Except, aside from the nostalgic value, the movie itself is not very good. Eric Roberts plays former reporter Jacob Ash, hired by a Gerald McMurty (Raymond J. Barry), a rich artist, to investigate the whereabouts of his estranged son, Brian, who had been living with his mother, Laine (Beverly D'Angelo) for the past few years. In a Phillip Marlowe-esquire fashion Jacob Ash narrates what would become more than just an investigation into the whereabouts of Brian. But, once Jacob tracks down Laine, his discoveries break open wide a whole lot of trouble. Perhaps because events in the film move too slowly, there is never much suspense to this little thriller, not even by the end with the finale routine of revealing the culprits and their motives. However, as said before, this movie is probably one that will draw attention for it's then-relatively unknown cast of actors, which include both a very young Eric Roberts as well as the adorable Johnny Depp, who plays Laine's stepson, Donnie. That may be reason enough to give it a try...if you can find it. | 0neg
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MY DINNER WITH JIMI is a glimpse at Howard Kaylan's giddy and vertiginous ride to fame with his 60's Folk-Rock band, The Turtles. The Turtles were kind of a 'second tier' act during the sixties, but the film clearly demonstrates that they could eat, drink, and party with the Titans of Hippie Culture. And, not only that, they had the musical chops to back it up. Many of the stellar acts of the era are seen as they interact with the band at work and at play. This provides my only complaint about the film. Almost from the beginning of the movie, one sees that it is nearly impossible to find actors who can convincingly impersonate such recognizable stars. Too often during the film, I felt that I was watching an engaging exhibition of phony wigs and mustaches. But, if you are a fan of the music of The Turtles, or The Swinging 60's, in general-this might be the film for you. And, don't forget to view The Extras. There is a very funny (and informative) bit by band members, Mark Volman and Howard Kaylan, about their disastrous experiences with managers and agents. | 1pos
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] |
I'll try to use words to describe this on.... I saw the original, which was good in its own way, but back then I should have feared a sequel. And I was 'afraid' when I picked this one up, but now that I've seen it, I have to say, it's even worse then I thought. Why these movies still get money still makes my mind spin. Let's start with the actors;they aren't all that good, but it has to be said, some make heads turn by being just plain awful. But what can an actor do with a script like this one. It's trying to be a copy of the original only this time the places have changed, any form of story is gone and any attempt of actually coming up with something that hasn't been done before, fails miserably. In a futile attempt to get it up-to-date, they try to make it exciting by making use of the whole 'big-brother' theme , but that has been worn out ages ago and offers nothing but a filler for between the beginning and the end. An attempt was made to try to save the movie by making a ton of references to the '83 original, but it just ended up being plain funny and sometimes a bit sad. In conclusion, if you have nothing , and I mean nothing , to do... go watch it, or play Frisbee... with the DVD.... by yourself. It'll offer you the same amount of fun.. I promise | 0neg
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] |
This movie was so bad it was laughable. I couldn't resist watching it though. The plot is standard, the acting quite horrible (supporting cast such as the nutty neighbor and the lawyer friend were better actors). Kind of amusing if you have some time to waste and like seeing the conclusion to a dramatic plot. The headliner who plays "Kathy" was just fascinating because I couldn't decide if her deadpan, flat affect was the result of bad surgery or simply bad acting (I decided it was both). This leaves the script to comment on, which was pretty awful. Pat remarks, idiotic decisions, and reckless stupidity on the part of every character in the movie. Maybe this is what was so riveting; I don't know. I just watched it to see how bad it could be. (Actually the dialog doesn't even qualify to be called "cliche'" - but it's almost completely inane.) All in all, very bad, cheaply made movie. The sets, the same scenes (a house, a building) were shown over and over with no artistry or actual tie-in to the action; more like props that were randomly dropped into the action in a bad play. A chase scene could have been shot by any juvenile in a warehouse or an old school: poorly shot, cheap props, minimal action.... and I still wanted to see the ending. Go figure. | 0neg
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] |
I saw this with few expectations and absolutely loved it! Bend it like Beckham is a fairly typical coming-of-age movie about a fairly atypical girl. This is Parminder Nagra ("ER")'s breakout role, playing Jess, a teenager in England who is caught between her traditional Indian family and her love of football (that's soccer to us North Americans). And even though she's actually much older than her character, she plays the role pitch-perfect. This is a movie about friendship - specifically Jess's friendship with Jules (Keira Knightley), her teammate who is also going through family issues, especially with her mom, who wears purple nail polish and little bows on her shoes, and who wants Jules to be more feminine, wear lacy underwear and flirt with boys and is terrified that playing sports means her daughter is a lesbian. Jules and Jess both love playing the game and have issues trying to convince their families to let them go after their dreams. They also, unfortunately, both love the same man - Joe, their coach (played by Jonathan Rhys-Meyers). The love triangle causes some strain in their friendship. In some spots, Bend It Like Beckham falls into clichés. In others, scenes drag on far too long, and this movie probably could have benefited from overall tighter editing. But this was a refreshingly fun film about growing up, culture clash, and the love of football. It's about female empowerment, chasing your dreams, and supporting your friends. Funny, charming and fun, Bend It Like Beckham is the little film that could... and did. Excellent. 8/10. | 1pos
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This movie is of almost generation-defining importance to some of us born in the early post-war years in that (and especially if you were born between 1946 and 1953 and loved spending Saturday afternoons at your neighborhood movie house) you almost certainly saw it. And the memory of seeing it has probably stayed with you. It's style is the stuff of a brief and somehow gloriously exciting moment in our growing up days. It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying. I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it. | 1pos
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] |
I am amazed that movies like this can still be made. I watch all kinds of movies all the time with my friends and i can say that this is one of the best i ever seen. Never thinked that a movie of 146 minutes can make me think about it on and on. Washington, charismatic and intense as ever, plays Creasy, a washed-up ex-counter-terrorist agent who's taken to the bottle. Once he's assigned to protect young Pita (Dakota Fanning) in Mexico City, his emotional and redemptive arc is jump-started in the way only an adorable little girl can provide. Inevitably, Pita is kidnapped by thugs, and Creasy decides that most of Mexico City must pay the price for daring to take away his character's teddy-bear-clutching catalyst. Yes, he has become...a Man on Fire. You must see this movie. | 1pos
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] |
Cecil B. DeMille directed a series of domestic comedy-dramas in the late teens and early 20s. He found his perfect leading lady for these provocative pieces in Gloria Swanson. In Don't Change Your Husband, Swanson plays a bored housewife whose wealthy businessman husband (Elliott Dexter) pays more attention to work than to her. She is chased by a handsome roue (Lew Cody) until she relents and divorces the boring husband for the new lover. Things soon become familiar and Swanson discovers the new husband is as neglectful as the first. To make matters worse she discovers Cody has a woman on the side (Julia Faye). After several confrontations and convenient meetings, things are resolved. This was a smash hit in 1919 and helped make Gloria Swanson a major star. Although she was only 20 when she filmed this she is very good as the maybe foolish wife. She looks great and wears some stunning gowns. There is one memorable scene that is 100% DeMille in which Cody is luring Swanson with promises of wealth, pleasure, and love. As he coos to her she imagines the scenes. Pleasure is a fantastic scene of Swanson in a spidery hammock swinging out over a pool while people dance around. Wealth is a scene in which Swanson is gowned like a Babylonian queen as servants bring her chests of jewels, which shes tosses aside. Love is a scene in which she is a wood nymph making love in a forest glade with a Pan-like character (Ted Shawn). Pure hokum but very entertaining, and Swanson looks great. Dexter is very good as the bland husband who shaves off his moustache and starts to work out in order to win his wife back. Cody is also good as the fake charmer who is a liar and cheat. Faye is funny as the bitchy other woman--named Toodles no less--who gets hers. Sylvia Ashton plays Mrs. Huckney. Ted Shawn was married to Ruth St. Denis and together they were groundbreaking and influential modern dancers (of the Denishawn School). Swanson impresses me more every time I see her. She seems to have been such a natural actress and yet there is a way that the camera captures her expressive face that is just mesmerizing. She's a joy to watch. Very entertaining film with lots of color tints in varying scenes to keep things lively. And a lot of the furnishings are back in style 86 years later. | 1pos
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] |
this is not just a bad film, it's one of the worst films ever. it's so bad that i found it to be quite enjoyable. the acting, oh my god, the script, you gotta be kiddin'. how can you imagine the writer coming up with things like: - a kid who makes fireworks in school, fireworks SO powerfull, that when someone gets hit by it, they fly a hundred yards backwards and explode. -a girl is trapped in the celler, the killer is trying to break open the door. she gets a drill, but the wire isn't long enough. she first makes an extension cord, oh the horror, and then, when she's done, she drills through the door and drills through the head of the killer. WOW - and there are plenty more examples like that. oh yeah, and what happened to George Kennedy, he used to be great (Thunderbolt and Lightfoot/Cool hand Luke) | 0neg
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] |
I did not like the pretentious and overrated Apocalypse Now. Probably my favorite Vietnam War film is The Deer Hunter. The Deer Hunter focused on one part of the war, and then focused on the lives before the war. This movie is essentially Deer Hunter 2. The script is too loose compared to the Deer Hunter. The story is never developed to the point that the audience can truly understand and feel for the characters like the Deerhunter did. The Vietnam flashbacks are not as gripping or involved as the ones in the Deerhunter. This is why I can only give this movie 7 out of 10. However, I think that the acting was outstanding. DeNiro and Harris are truly amazing actors. They totally immersed themselves in their characters and expressed the great anguish of two former friends who lost their best friend Bobby in combat. Harris' character is a half-dead alcoholic, who hides the guilt that he has in Bobby losing his life trying to save his. I also like the supporting cast. Everyone in the town is part of the movie. The town obviously can't handle Vietnam vets very well. Like many small towns, it is all about being quiet, humble, and minding one's business. Harris' character, however, can't be any of these things. It is interesting how wars effect people. Some people rebound quickly, while others never really recover. | 1pos
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] |
Five L.A. teens make the mistake of accepting an anonymous invitation to attend a backwoods rave called 'Straight to Hell' and, wouldn't you know it, that's just what the local sect of Satanists had in mind when they lured them there! Before you can say trite morality lesson, the kids (who've apparently burned too many brain cells as is) are run off the road by a van and chased around in the woods by hooded, masked cult members who want to sacrifice them to gain immortality. After the token black fifth wheel is snuffed out, the survivors (plus a young woman who escaped an earlier sacrifice attempt) stumble onto a very small town inhabited by (surprise!) more Satanists and it's time for round two. Don't waste your time with this irritating semi-throwback to 1970s drive-in horror films. The movie doesn't look bad, a few of the actresses are pretty hot and it has one effective plot shift near the middle, but those things are a dime a dozen in horror films and not nearly enough to sustain interest during the entire length of this stupid, boring movie. | -1no label
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Not having seen the 1936 version of this story, I cannot offer any comparison there. I can, however, state that Stephen Sondheim's musical treatment of this story is absolutely genius. Only Sondheim could come up with music and lyrics that are stellar in their own right, yet perfectly suited to the very bizarre subject matter. If anyone needs an explanation of what a dark comedy is, they should see this (and "Dr. Strangelove" as well). When Mrs. Lovett goes from having the "worst pies in London" to a booming business with high acclaim, we aren't talking "Soylent Green," - but the ingredients are similar. Particularly brilliant is the song where Mrs. Lovett pitches her idea to Mr. Todd. Even in the introductory number, the line "...they went to their Maker impeccably shaved..." gives a great indication of the premise, the drama, AND the comedy to come. Outstanding! | 1pos
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] |
I saw this movie three years ago and thought it was terrible. The kid follows a group of thugs from the bush to Sydney, hooks up with the daughter of the new US ambassador to Australia, and it basically goes silly from then on. The scene where he goes with her to get diplomatic immunity was unrealistic, due to the fact that the boy (I refuse to say his name) is not American, and would be turfed out in a second, while the American girl gets immunity. Also, the end of the movie is also stupid, with the thugs turning out to be brainless. If you want to watch it and find it funny, switch off all touches with actual reality, and it may become enjoyable. | -1no label
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] |
I have yet to read Shirley Jackson's novel, something of which I've been meaning to do for quite sometime. I am sure it has got to be scarier than this film. I remember jumping once when I watched it the other day, although I cannot recall the scene. The special effects are great and I watched this on DVD, but I am sure in the theatre it must have been an awesome sight. After the first few special effects are done with I was waiting for a story to develop. I figured this movie at the least has to be loosely based on the classic novel, so a good story should be there, but it wasn't. I was relegated to staring at the gorgeous Catherine Zeta-Jones character throughout the movie basically because there was nothing much else to watch. Lili Talor was such a suck character. I did not like her one bit, something about whiny people. Also, the guy in this film reminded me of the cartoonish Dudley DoRight with his voice and face. I could not relate to the characters at all. Quigon, ahem Liam Neeson did an admirable job trying to get through this movie with some type of acting. Half to three quarters of the way I was just dying to go see a campy Friday the 13th or a Scream Queenish film! At least there is some type of entertainment value. If there is no story there at least they fill it up with gory deaths or attractive females. This had nothing. | 0neg
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] |
The opening scene keeps me from rating at absolute zero. I wish the entire movie was as gritty and real as the intro. In order to enjoy some movies, a lot can be forgiven,(hand guns with 60 shots, hero's with super human powers, all women are gorgeous AND half naked) but Puuuuleeese this "Assault On My Intelligence 13" is so far fetched that I'm surprised the cast showed up for a second day of filming. Firstly, how did these guys get to be cops? Based on stupidity I guess. How do the main female characters justify being half naked in the middle of winter in Detroit or wherever the heck they are. As a matter of fact no character reacts to the elements whatsoever in this movie. No windows, no electricity(which miraculously returns unexplained)during the storm of the century and they are all comfy as bugs in a rug. What technology exists which disables all cell phones, radios, and brain function. This must be the same power which causes Maria Bella to walk from her disabled car knee deep in snow with no coat and hardly any dress. | 0neg
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] |
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