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The Maxx is a deep psychological introspective lightly camouflaged as a weird-out superhero story. Julie Winters is a "freelance social worker" in an unnamed filthy city, ridden with crime, and she and everyone she knows has a lot of issues to work through. The Maxx is her friend and client, a street bum who thinks he's a costumed superhero - or is it the other way around? The Maxx is not to be missed for the artwork, the story itself, or the excellent voice work - particularly the late Barry Stigler's deliciously urbane, drippingly evil voicing of the main villain, Mr. Gone. If you get the chance to see this, don't miss it. | 1pos
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Superbly written and acted. I'm still thinking about this movie, 15 years later, after seeing it at a local art film movie house in Ann Arbor. The pastoral beauty of the Maine-like seaside isolation is beautifully and bleakly shot, and the location is a perfect choice for this reflective look at how we banish and bury the truth and emotional life. It's the ocean, the natural world, which keeps track of the past and the present, and does not let anyone forget. I give this film 10 votes out of 10 for vibrant use of Latin-American Magical Realism plus Best "guys dancing with guys" in a bar in Nowheresville scene ever. A quiet, thoughtful movie that precisely conveyed a different way of thinking about the world, and which changed a lot of the ways that I think about the world--exactly what the power of film was meant to accomplish. | -1no label
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You're not likely to see this playing at the cinema. I don't think it'll be showing on TV. The only place you're likely to find this laughable "film" is at the video store. If you do happen across it there, whatever you do, don't rent it. Doing so would put a few cents in Mark Cross' pocket and encourage him to make more "films". I've seen some pathetically amateur films in recent times; up till now, 'San FranPsycho' took the cake as the worst. I now consider it dethroned by this piece of crap. Film School Project is actually being rather kind. If I were teaching the class this was submitted to, I would give it a D-. | -1no label
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] |
"Mr. Bug Goes To Town" was the last major achievement the Fleischer studios produced. The quality of the Superman series produced at the same time is evident in this extraordinary film. The music and lyrics by Frank Loesser and Hoagy Carmichael (with assistance by Flieshcer veteran Sammy Timberg are quite good, but not as much as the scoring of the picture by Leigh Harline who also scored Snow White for Disney. Harline's "atmospheric music" is superb, and a treat for the ears. The layout and staging of the picture was years ahead of it's time, and once again the Fleischer's background artists outdid themselves. The techincolored beauty of the film cannot be denied, and while Hoppity the grasshopper is the star, the characters of Swat the Fly and Smack the Mosquito steal the picture. Swat's voicing by Jack Mercer (of Popeye fame) is priceless. Kenny Gardner (brother-in-law) of Guy Lombardo...and a featured vocalist in his band...does his usual pleasant job in the role of Dick Dickinsen. The movie has been criticized for all the wrong reasons. The Fleischer Studios were animation experts par excellence and this shows very clearly in the finished product. The movie is tuneful, the story great for all ages, and the final scenes of the bugs scrambling for their lives upon a rising skyscraper is some of the best staging and animation of any animated film past and present. Do not miss this wonderfully hand drawn film. Also don't fail to appreciate the title sequence with the most elaborate example of Max Fleischer's remarkable 3-D sterioptical process which took four months to construct and employed 16,000 tiny panes of glass in the "electrified" buildings of Manhattan. Do not miss Mr. Bug Goes To Town...aka Hoppity Goes To Town. I'll wager you'll be bug eyed at the results! | 1pos
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] |
i was expecting so much from this film and i have to say, along with scarface and darkness, it's the worst film i've ever seen. There is no plot, horrible acting, and pretty much, it's a porno. But, David Chronenberh really does a outstanding job directing this. It's very gory, a lot of nudity, don't waste your time. it should have been called "a history of bad movies." or something. It look like this movie really took time to make and develop, which is sad, because the outcome is horrible. I was yelling at my friend telling him this is supposed to be a great movie, so he went along and watched it. The whole movie, were sitting there wondering how this is actually a produced film. I mean, who would pay for this piece of garbage. 1/10 | -1no label
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] |
This film is entertaining - certainly the beautiful and haunting song of Isseu Niang is worth the price of admission. Everyone will enjoy this film as they watch it, and then will think seriously about its consequences. But the film is also about coming of age as the world of tradition gives way grudgingly to the world of the modern. The imagery of the teenagers 'stealing' electric power from the mosque for their party, the traditional silhouette puppet theater of the Wolof nation in which African and European themes are confused, and the 'Kings' (fans of American pop music) and the 'Ins' (fans of French pop music) vie against each other all form a theme that goes beyond the frontiers of Senegal and beyond the coasts of Africa. "Twist à Popenguine" offers an amusing view of cultural conflict and generational conflict, but also the gradual and sad loss of a heritage. | -1no label
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] |
John Wayne's second effort as star/producer (after "Angel and the Badman", in 1947), "The Fighting Kentuckian" is a VERY enjoyable tale, set in 1818 Alabama, of coonskin-capped Wayne, part of the Kentucky militia, falling for French immigrant Vera Ralston (in her second film with Duke), and discovering a plot to swindle the French community (composed of ex-officers of Napoleon, and their families) out of their land, by aristocrat John Howard and ruthless river boss Grant Withers. What truly makes this film 'special' for me is Wayne's sidekick, portrayed by the legendary Oliver Hardy, of 'Laurel and Hardy' fame. Hardy, while a friend of Wayne, had only worked 'solo' once in a feature film in over twenty years (1939's "Zenobia"), and it took a LOT of coaxing (and Stan Laurel's 'blessing'), to get him to accept the role...and what a pleasure he is, to watch! Wayne and Hardy have a rich, warm chemistry, and the rotund comedian, with his infectious smile and Georgia drawl, makes even minor scenes (like swapping recipes with Ralston's mother) a joy. With a first-rate supporting cast including Philip Dorn, Hugo Haas, Wayne 'regulars' Paul Fix, Jack Pennick, and Hank Worden, and Marie Windsor (who looks eerily like John Howard, in my opinion!), "The Fighting Kentuckian" is, despite the 'pans' you'll see in some of the reviews posted, one of my favorite John Wayne films...He was never more charming than you'll find him, here! | -1no label
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] |
This movie features two of my favorite actors in Kilmer and Downey. It also boasts the always enjoyable Larry Miller in a too-small part. Despite this I found it to be nearly unwatchable. Michelle Monaghan may be pretty but she is nearly charisma free and the reasons for Downey's character's obsession with her character is not at all understandable in terms of the information the film presents or the way it's portrayed. The ending seems pretentious and though the intention seems to be that the audience should join in the nod and wink the film, having failed to bring us in on the side of its protagonists leaves us unwilling or unable to do so. Fans of the film say that those who disagree simply "don't get it". I don't think this is so. The plot was not complicated or beyond understanding. It was simply uninvolving and clumsily and obviously manufactured. I "got it". I just didn't like it. Paddy Breathnach's "I Went Down" and Guy Ritchie's "Snatch" and "Lock, Stock and Two Smoking Barrels" are much better realized examples of the kind of film-making that director Shane Black fails to achieve. I share a birthday with Shane Black but a look at his credits (mostly as a screenwriter)makes me want to dissociate myself from any other connection. | 0neg
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] |
outsourced is for me an unexpected gems of this year. after screening this wonderful up-to-date movie, i wish the filmmakers the best for the release all over the world. This movie has great sense of humor and it shows how you can work out your superficial priorities to down to earth human stuff. i enjoyed this amazing film cause it showed that every culture can learn from other culture. Awesome music- this director knows a lot of about world music. he combines Indian volk music with modern rock and pop. a real fusion fun. There are some moments where one or other actors does not feel awkward but this movie has wonderful drive and you will get bored even for one second. A real cinema goers blockbuster! hey folks, unite and spread this amazing movie link to all over the World. | -1no label
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] |
Rugged ex-cop World War II veteran Burt Roth (a marvelously crusty Lee Van Cleef) and his equally tough Vietnam veteran bartender son Jim (a typically fine David Carradine) lock horns with ruthless Yakuza mobster Akira Tanaka (a deliciously wicked Mako) over who's got dibs on a priceless jade statue. Capably directed with real style and flair by the insanely prolific exploitation veteran Fred Olen Ray, with a brash, witty script by T.L. Lankford, a snappy pace, glossy cinematography by Paul Elliott, a gnarly rock soundtrack, an amusingly sarcastic sense of humor, a funky, syncopated score by Thomas Chase and Steve Rucker, a smidgen of gratuitous female nudity, a tight 86 minute running time, and several thrilling well-staged action scenes (a wild and destructive protracted car chase rates as the definite exciting highlight), this slick, lively and entertaining low-budget romp makes for very rewarding viewing. The first-rate cast of familiar trash flick faces helps matters a whole lot: Ross Hagen as shifty, double-crossing hoodlum Cory Thorton, Brent Huff as the likable, laid-back Tommy Roth, Lois Hamilton as Jim's sweet, concerned wife Sara, Michael Berryman as vicious assassin F.C., Dick Miller as sleazy small-time thief Steve, Laurene Landon as Steve's feisty partner Deborah Silverstein, Cary-Hiroyuki Tagawa as cruel torturer Toshi, Bobbie Bresee as helpful informant Anna, Dawn Wildsmith as a scrappy thug, and Michelle Bauer as a stripper. A neat little flick. | -1no label
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] |
This movie is one of the worst I've seen in the past year. The writing was absolutely horrific. If you believe this movie was even remotely entertaining than you may have been tricked by a talent less writer. The movie twisted and turned so much that I found myself carefully paying attention to every little detail only to realize that when the film ended absolutely nothing was accomplished. The writer twisted the order and events of the movie because he can't write. I imagine most viewers will be so overwhelmed by the ever changing events and they won't actually sit back to realize this film was a complete and total waste of time. This movie was so bad that even after watching XXX immediately before Sex and Lucia; it was still painful to witness. At least the porno bits in Sex and Lucia were entertaining. | -1no label
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] |
Laputa: castle in the sky is the bomb. The message is as strong as his newer works and more pure, fantastic and flying pirates how could it be any better! The art is totally amazing and the soundtrack, which is reused many times after this, (im not sure if this was the first time i heard it) and evokes in me the most emotional sentimental response of any movie soundtrack. Sheeta, the female lead in this movie is totally awesome and the boy, Pazu is also a great role-model--he lives on his own! The plot is classic Miyazaki. I won't give it away, but the end is really great. I rank this as one of Miyazaki's three best with Nausicaa and Spirited Away. Also you may want to check out Howl's Moving Castle when it comes out (sometime next year i hope) If you like Miyazaki check this one out as it readily available in the USA. Enjoy, Piper A | 1pos
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] |
I'm grateful for one thing and one thing only - that this woman will now be thousands of miles away on an entirely different continent!!! Yay!!! This programme summed up perfectly just how obsessed Victoria Beckham has become with whoring herself and her family out to the media in the name of self promotion and 'Brand f*cking Beckham'. A few years ago I used to really like 'Posh and Becks', I still very much admire David's talent, but I have no respect for him anymore. How can you respect someone who has his wife's hand shoved up his backside working him like a puppet. It was clear the hand of Victoria was all over Beckham's premature departure from Manchester United and now the same thing has happened at Real Madrid. I hope Beckham can live with the fact that although he may be earning squillions of pounds - he's sold his soul for the American Buck and will end his days playing for a team who would struggle to gain promotion from Division One in England (no offence America - but at Baseball and Basketball you rule - football you don't!) Anyway - I digress. It's been years since I've seen such an over-the-top, entirely false performance from 'Posh' - this being topped only during her cringe worthy red carpet performances following the Rebecca Loos 'debacle', when instead of throwing all the cr*p at David he deserved, she desperately clung onto his arm trying to save the million pound money-spinner her marriage has become. This whole PR stunt was pathetic. Why can't she just go over there quietly, support her husband through the biggest mistake of his professional career and keep her head down? When did she become so full of self importance that she feels the move to America should be shrouded by this huge fan fare? Incidentally, I saw the David Beckham documentary last night. At least he has retained a sliver of grace and humility. Two things his wife could do with learning. One more thing Victoria - you complain about constantly being hounded by the paps. Little hint - stop tipping them off about your whereabouts you stupid woman. Good Luck America!! | 0neg
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] |
I was expecting this movie to suck, but what I got was a pretty good slasher/gore film. Most of the death scenes are adequately brutal. The teens are decent, with Penny McNamee definitely the best of the bunch. Rachael Taylor looks like a young Christie Brinkley, but doesn't bring much to the movie other than that. Kane was good as the killer, and is totally believable as a fearsome juggernaut. I saw the "twist" coming from miles away, but I still enjoyed the movie. But what really stood out to me was the direction. Gregory Dark might actually have a career in legit film ahead of him. Aside from overusing the horror film "speed cam"(you know, where like the guy's face shakes all fast?), there's some good shots here. The camera angles and environments really emphasize Kane's size, making him look even bigger than he actually is. If you're looking for deep story or characters, this ain't it. But that's not what slasher films are about. If you're looking for some good violence, or if you're into gory films, go check this out! | 1pos
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] |
Wrapped in gorgeous English country backgrounds, Emma is a delicious confection to be relished for dreamy getaways. Emma (Gwyneth Paltrow) is a graceful, intelligent young woman who has just married off her governess--and confidant--to a marriage which Emma takes the credit in matchmaking. Eager to use her talent in arranging things for the people around her, she decides to match the vicar, Mr. Elton (Alan Cummings) with her pretty young friend, Harriet (Toni Collette). The result is a series of mixed signals and mistaken interpretations that end up sorting themselves out, with Emma learning that she did not have as much control over events as she thought. The film is full of Jane Austen's witty and wry characterizations. Gwyneth Paltrow is at her best, portraying this maiden of a restrained, polite society with wit and ease. Her growing romance with the unparalleled Mr. Knightley (Jeremy Northam) is the heart of this film. Mr. Knightley is one of the greatest romantic leading men in films. He is incredibly handsome, in a modest, relaxed way that is irresistible. He is certainly well-matched to Gwyneth Paltrow. Their charming friendship that began when he was 16 and she was an infant, has blossomed as he, a family friend, matches wits with her in an older brotherly fashion that grows into something more. With a wry look or understated jab at Emma, Northam's Knightley is a delight to watch. Other wonderful characterizations include the comic Juliet Stevenson, Greta Scacchi, Ewan McGregor, Polly Walker, and the talkative spinster, Miss Bates, who is very funny. Seeming shorter and more flowing than most Jane Austin adaptations, Emma has comic rhythm that promises true enjoyment. | 1pos
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] |
With so much work done on detail in this series, I was some what shocked to see a RN Captain with a mustache. As a former Lieut in the RNVR I know that at least during the war they were not allowed in the Navy. You had to have a full beard or be clean shaven. I also noticed that several times they left a door open at night and a light was seen, Other than these two items, I must praise all involved with Foyle's for making not only a first class murder mystery but such interesting background into the war.I read somewhere that they hopes the show would go on till at V Day. I sure hope that it will and the DVD's will be on sale in the USA. | -1no label
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] |
I heard about this movie and found it in a recycle bin at the video store and bought it. I popped it in the VCR and watched in amazement as the movie unfolded. All I can say is WOW! This movie actually sucked so bad I had to turn away a couple of times, because the acting was so corny and ludicrous! Words cannot describe the lack of real plot (if there was suppose to be one) and the disjointed script. People who saw this tripe know what I am talking about. However if you like bad movies then watch this one and suffer like the rest of us. Obviously one of the worst movies ever made, but have fun anyway. 1 out of 10, and don't just go by my rating watch this movie! | -1no label
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] |
Soderbergh is a fabulous director, but nothing he could conjure could beat the amazing cast he gathered for this zenith of sequels. Clearly, he knew this from the get-go. The term "star-vehicle" has traditionally been used to refer to a movie that builds itself around one star. What this film does is net a whole herd of Hollywood hot shots and make them shine even brighter than before. The last scene says it all--all the stars sitting around with NOTHING happening and NOTHING being said. We just get to see them socialize as though it were a scene from a reality show where George Clooney, Catherine Zeta-Jones, Matt Damon, Brad Pitt, and Don Cheadle are just hanging out, being themselves. So the story's not important at all--at least, that's not where the films' greatest pleasures come from. If you want a clever heist movie, better stick with 11. But if star-gazing turns you on, this will make your day. | 1pos
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] |
In Bridgeport, the deranged high school teacher Richard Fenton (Johnathon Schaech) is obsessed by the teenager student Donna Keppel (Brittany Snow); she witnesses him murder her family to stay with her, but Richard is arrested and sent to prison for life. Three years later, the traumatized Donna is feeling better but is still under psychological treatment and taking pills. On her prom night, she goes with her boyfriend Bobby (Scott Porter) and two couples of friends to the Pacific Grad Hotel for the party. But the psychopath Richard has escaped from prison and is lodged in the same floor in the hotel chasing Donna, stabbing her friends and staff of the hotel that cross his path. The forgettable slash "Prom Night" is a collection of clichés with a total lack of originality. The stupid story is shallow and silly, with a bad acting of Johnathon Schaech in the role of an insane killer. The predictable screenplay is amazing since it is possible to foresee what is going to happen in the next scenes. My vote is three. Title (Brazil): "A Morte Convida Para Dançar" ("The Death Invites to Dance") | 0neg
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] |
This is a pretty boring slasher in my opinion, as I was quite disappointed, after reading lots of positive stuff about it. It has some decent gore scenes, but all the characters were very unlikable, and it moved along at a snail's pace, plus the only time it got interesting was the finale, as that was kind of fun to watch. I bought this at a pawn shop for a $1, as thankfully I didn't spend much money on it, plus The Scarecrow wasn't menacing at all for me, as it was just too weak looking. It may be worth a watch for Horror fanatics(like myself), but even then I would have trouble recommending it, and it's badly made and written as well, plus Gary Lockwood played his role extremely well as the prick of a Mayor!. There is one amusing moment, where a couple of drunk guys try to go mess around and pee on the Scarecrow, and things go dead wrong, and I thought the two leads Elizabeth Barondes(Claire) and John Mese(Dillion) hardly had any chemistry together at all, plus as I said the only worthwhile things are the decent gore scenes and the finale. This is a pretty boring slasher in my opinion, as I was quite disappointed after reading lots of positive stuff about it, and I say avoid it. The Direction is not very good. Jeff Burr does a bad job here with dull camera work, using a potentially good setting, only problem is it moves along too slowly, for me to really give a damn. The Acting isn't much better. Elizabeth Barondes and John Mese are mediocre as the leads, and I didn't really care about there characters, they were just there, plus it didn't help that they didn't have very good chemistry together. Stephen Root is OK as the Sheriff, and did his job adequately. Howard Swain plays the scarecrow well enough too bad it wasn't that menacing. Gary Lockwood plays the prick of a mayor very well I hated him. Rest of the cast are mediocre. Overall I'd say avoid. * out of 5 | -1no label
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] |
What this low budget film has going for it is a terrific performance by Nick Stahl. He plays Dodge, a young and straight hustler who works the streets in a gay area of Toronto. Dodge does drugs to quell the emotional pain of having to work at something so debasing. He spends his time alternating between walking the streets, living with fellow hustlers in a dilapidated loft, talking with a diner waitress (well played by Michele-Barbara Pelletier), and teaching a new recruit named Oliver the ins and outs of the "business". The script is not well written. Questions are left unanswered. And there's lots of downtime wherein not much happens. The result is considerable tedium and boredom, not just for the characters but for viewers as well. The story is depressing because the characters are all so hopeless. Another problem here is that the concept is not original. We've seen all this before in other films, like "My Own Private Idaho". I'm not sure what the point of "Twist" is, apart from being a contemporary update of the Oliver Twist story. I do like the music at the film's start, and it recurs off and on throughout. Low-key, and very slowly paced, with long camera "takes", this bleak story would have been better with a little more substantive action. Other than Nick Stahl's fine performance, the movie does have atmosphere, albeit dreary, but not much else. | -1no label
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] |
I should explain that as far as this trend goes for ripping off Asian horror movies, this Shutter is a head above The Grudge, and Dark Water, while still not achieving the same amount of atmospheric creepiness that The Ring establishes. Still though movies, like life, don't exist in a vacuum and are therefore up for comparison to other suspense/thriller/horror movies. Honestly, I'm not writing a lengthy synopsis here and will say that this movie attempts to rely on music induced "startle" scares rather than atmosphere and the "ghost" itself really isn't that remarkable. The plot is pretty basic and predictable and isn't anything to write home about either. While there are a few suspenseful scenes that border on creatively scary, most of the movie is pretty vanilla. If you enjoyed The Grudge and it's ilk then you might enjoy this. Grade: C- | 0neg
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] |
And this somebody is me. And not only me, as I can see here at IMDb or when leaving the theater. Why did the people love it? It's obvious: Everybody knows zombies by now (at least the Horror fans by heart and the others through the "Dawn of the Dead" reinvention or Resident Evil movies etc.) Or at least they thought they knew everything about zombies ... that is until this movie came along. And you'll see zombies in a new light (perhaps). This is not a horror movie, although it does contain some violent scenes, but is rather a comedy. A satire to be precise. And it never runs out of steam! That is why I rated it so high. Pacing wise it's incredible, the acting is great and the script has no (obvious) mistakes ... quite the contrary: It's a gem and if you're only a little bit interested in zombies you ought to see it! And even if you dislike them, watch it! Because it's a great (comedy) movie! | 1pos
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] |
As someone already said the Living Dead Dolls were cute and if they came out as a new series of Wicked little things I would buy one, or two. Well basically this film was dark, not in the scary sense but in that I cant see kinda way. And it was boring. Three females in a house, the youngest told not to go into the woods under any circumstances (well that didn't sink in) and it would have been better if that advice had involved their death. And doesn't anyone do any cleaning or whitewashing or something, you would think a lot of coughing would ensue. A sexy young mum where you waste your time trying to figure her age (by my calculations 34 or 36.) And it looked like it had been longer than 20 years since someone had lived there so what was with the fathers young adult photos on much older album? I am so tired of clichés that is just lazy writing, and here they come in thick and fast. Teens getting stoned and drunk in car and well you know where that leads....death and apparent deafness too as Tim seems oblivious to his friends scream. I mean I have pushed many a car where the instructing driver did not scream and I heard them. Cliché weird man in the woods who no one believes. Plumber who has lived in them there parts for years and this is his first experience with said children, so that driving along he avoids pickaxe wielding youngster in dead of night... run him over you idiot! Cliché... roaming about in woods without a clue about where you are going, armed with knowledge that pick-axe wielding kids (yes them again) are out and about. Senseless scene the brutalising of pig... why do so many directors see no problem with animal mutilation and slaughter? I would have much rather seen the kiddies run up and bit people on the thighs than this. Zombies don't appear to have that much energy in other films.The villain well how ineffectual was he? His big part was in the shop.. tramping in and demanding to be served first. What a none eventful man he was. Why not kill him earlier, before the family got there and avoid the movie being made, or remake it differently. I give my marks to the house, the woods and the little Goth dollies I want one! | 0neg
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] |
I saw "Shiner" on DVD. While I was watching it, I thought, "This is a really bad porn flick without the porn." I also thought, "Whoever wrote this has some real issues." Then I watched the director/writer Carlson explain his process as a special feature. Yeah, it was real special. The emphasis of the film is placed on two alcoholic losers who hit each other to get off. They are marginally attractive. There is frontal and full nudity. These factors probably account for the film being seen at all. The most upsetting element of the film is the gay bashing and the subsequent further gay bashing of the same victim who tries ineptly to exact revenge from his assailants, the two drunken losers. Not only is the subject handled absurdly and badly from a technical point of view, but the acting is horrendously bad. Then there's the boxer-stalker theme. This is really insane, not just absurd. This hunky boxer is somehow traumatized by the persistent attentions of a fleshy momma's boy who works at his gym's parking lot. This is in LA, mind you. The boxer is so traumatized that he turns up at the stalker's house, strips in front of him and gets excited in the process. Well, all I can say is, why would a boxer who is at heart an exhibitionist be so traumatized by the attention of a stalker? It simply makes no sense. And, I'm afraid, some psycho-dynamics actually do make sense, if you take the time to read about them. However, bad scripts seldom make sense at all. The director/writer seems to have thought that this film represents a considerable minority within the gay community. Well, he may be correct, I suppose. We may never know, since that minority would be so dysfunctional they would hardly be able to get organized enough to ever get to an obscure gay film festival or DVD store, the only two places they could possibly find this turkey. Thank goodness for that. | 0neg
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] |
An average noir film is made horrible through the use of narration that assumes the audience is stupid as a rock. Every single action the agents make, for the first half of the film, is narrated, explained, praised, and explained again for good measure. I mean they really, really hit you over the head with it. The agents don't just gather facts, the gather "facts to be used." They don't only take notes, they "memorize those notes." And on and on. This isn't radio: we can _see_ the agents going over the material! The jingoistic, condescending tone of the narration ruins what would otherwise be a fairly thrilling crime picture, with superb black and white filming and some graphic, spine-tingling scenes of violence. | -1no label
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] |
Calling this a "Sunday School" movie might be generous, because, even as a Christian, I found the religious message so one-dimensional that I wouldn't want to see it at my church. The message is, "Read your Bible, go to church and sign up for fire insurance, so you won't get left behind at the rapture." There was no love. I guess when you get right down to it, I don't believe in the god portrayed in this film. The guy who was supposed to have all of the spiritual answers came across like Count Dracula. Aside from the spiritual/religious element, the script was tedious--saying the same thing over and over. That might have been to make up for some of the acting, which was unable to deliver a convincing line the first time, so they just said the same thing over and over. I did enjoy the final scenes. I thought it made a point without hitting someone over the head or stooping to a Sunday School formula. The movie wasn't all bad, just most of it. I am in favor of more clean movies that are well-done and that present truth in a non-preachy way. This wasn't one of those, I am sorry to say. I took my family to this film, wanting to support that kind of movie. Now I'd like my money back. | 0neg
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] |
Cary Grant and Irene Dunne were the cream of the crop of silver screen romantic duos. Drawn out by the incredibly sensitive nature of George Stevens's direction, they reveal great versatility in the dynamics of their on-screen repertoire, playing a couple who meet, suffer tragedy, and experience great highs and exasperation alike. What I find funny is that I do not want to describe the story very much at all for fear of diminishing the effect of going through the experience freshly without any knowledge of it, but the film is nothing more than a film about a middle-class couple trying to start a family! That's the movie! There is nothing dull about it, either. Stevens, perhaps the ablest filmmaker of the era next to Hitchcock, saw the profundity and catharsis in it, and the receptive, insightful control and room to allow his particularly personal vision to make it feel like the experience cinema is meant to be, a chronicle ensuing the life-changing happening of falling in love, and the innate personal longing to make a family and a home with the one you worship, and the trials and grief that can be as intense, though never really more, than the pleasure and gratification it begets. There is not a single insincere frame in this picture. Even its story being told in flashbacks is done to remind us how significant music is as it synchronizes the soundtrack to our lives. In effect, whenever music plays in the film, and it is predominantly source music rather than underscoring, there is a magnified reaction on our parts. Moreover Grant and Dunne's urge to settle down in a traditional American lifestyle is a minor supplement to their purely individual intentions behind it. Their innocence, their artless simplicity, is refreshing. The screenwriters, Martha Cheavens and Morrie Ryskind, have unspoiled grace in their phasing of the sequence of narrative that you become interactive with the characters. Aside from the inimitable lovability of the beautiful, graceful, flexible, hilarious, touching and gifted Irene Dunne, Cary Grant is pitch-perfect in his entirely assured performance, especially during his moving monologue in front of a judge. The energy between the two create such endearing realism. You become aware of yourself laughing out loud with the day-to-day surprises and farcical obstacles with which they get involved. | -1no label
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] |
Great music is not enough to make a great film. If 'Vengo' was screened on some world music channel, the viewers would have objected to the useless melodrama that deprived them of some thirty minutes of great music and dance. Amazingly, if you see 'Vengo' in the theaters or on the film channel, the objection is the same. There is great music here, and this is the best part. The rest is a very skinny gypsy revenge melodrama, not complex and interesting enough to sustain a big screen movie. Some of the characters are interesting enough to provide the opportunity for good acting, but what remains in the memory after the film is mostly the music, dances, environment. I rated it 7/10. Do not rent or select it for seeing unless you are a fan of gypsy music and culture. | -1no label
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] |
As I looked at this movie once again, I think it belongs among Hitchcock's greatest films. The first time I saw it I was just blown away by the suspense, action and imagery. It has the gripping ending, the deranged murderer, the innocent man framed or victimized by circumstances, some great on-location shots, e.g. the Jefferson Memorial in Washington and Penn Central in New York. It also has great supporting actors with Hitch's daughter Patricia in the role of the younger sister to Ruth Roman and the stalwart Leo G. Carroll in another of his Hitchcock movies. The merry-go-round episode near the end is one of the most nerve-wracking in Hitchcock's body of work. Robert Walker as Bruno Anthony (his last full film) gives a great performance as the deranged stranger on the train, who worms himself into the life of the unsuspecting tennis star, Guy Haines (Farley Granger). Granger plays the nice guy who is caught up in a messy divorce. The movie opens with the camera showing the shoes of two separate men as they leave their taxis to board the train. Eventually, they meet and the story takes over. The stranger takes an unusual interest in the tennis star and as the movie continues,the stranger becomes a stalker. The action shifts from place to place, including Washington, the fictional small town of Metcalf, the Forest Hills tennis championship, and a passenger train taking the two leading men back and forth on separate missions. Towards the end, the pace of a tennis game is woven into the plot as they race against time. The camera cuts away to the faces of the athletes as they volley and serve in a remarkable series of shots. When the closely-fought contest is over, the climactic chase takes place. Hitchcock has a love for trains and it is great to see Penn Station, long since gone. Trains are featured in the 39 Steps, the Lady Vanishes, Shadow of a Doubt, Spellbound, North by Northwest and this movie. This classic Hitchcock thriller took place at the start of a period of great creativity for the master of suspense - the 1950's and I am convinced that one day it will be given its due in the Hitchcock hall of fame. | 1pos
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] |
wow - if there was ever a "message movie," this has the most ridiculous caricatures of Christians I've seen yet from Hollywood - the font of Christian bashing. I've never met any Christians like these clowns - and I've known literally thousands of Christians (and have been hurt by many and seen hypocrisy and countless atrocities - but far MORE acts of good will, honest, kind and ever-giving hearts). Beyond the obvious "Christians are mean-spirited, busy-body, judgemental kill-joys" theme, and the rest of the plot is a total cliché: feel-good, rich-boy-meets-poor-gold-digging-whitetrash-girl ...and they really fall in love, only to have him cut off by his rich father but they marry anyway and show THEM by living happily ever after. Never seen this story before.... ho hum. Acting is even overdone and unbelievable. While I endure many a boring, sappy movie, this one has nothing at all to offer - complete waste of time. skip it. | -1no label
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] |
After reading tons of good reviews about this movie I decided to take it for a spin (I bought it on DVD, hence the "spin" pun...I'm a dork). The beginning was everything I hoped for, a perfect set-up (along with some quotes that I've heard on Various Wu-Tang albums) to what should have been a good movie. But the plot I heard was so great, was so predictable. Every time I saw a character (except for the Lizard) I guessed which Venom he was. Plus, the only cool character gets killed off in the middle of the movie. Ok, so the plot wasn't very good but at least there was some good kung-fu right? Wrong. The fights were very short and few and far between. Granted the different styles were all pretty cool but I wish the fights were longer. I kept hoping to see the Lizard run and do some crazy ish on the walls but it never happened. I was hoping to see the Centipede do some tight speedy ish but it never happened. I was hoping to see the Scorpion in the movie for more than 7 total minutes but it never happened. In short, not much happens. The fighting is all pretty routine. Don't be fooled just becuase this movie has a plot, it does not mean it's a good one. | 1pos
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] |
This is a great contender for the best of the worst. People go to investigate a murder and look for treasure on Snape Island. The gore is pretty graphic if you see a decent version of this movie and the atmosphere is very spooky. An island with just a lighthouse and some spooky caves underneath is a great idea and they use the suspense well. I have NO idea why it got banned in Finland. It is a very funny film as well. Loads of mistakes and a stereotypical cornish sailor named Hamp. ''SPOILERS'' When one of the girls come in and say 'Dinners Ready' with a bunch of plates there is nothing on the plates at all and why does she drop them all just because she can hear what sounds like a flute playing?! A character named Brom breaks every horror movie rule ever...He drinks, Smokes crack, takes bribes, lies, has sex, tries to steal a bunch of treasure until he gets killed! Hamp the sailor doesn't smile throughout the entire movie until near the end and he gets killed. The boat that there sailing to the island looks like its floating way above the water! Robin Askwith trying to be american. Now THATS comedy! | -1no label
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] |
It's Showtime! Showtime is simply a bump in Eddie Murphy and Robert DeNiro's careers. It's an entertaining movie and a guilty pleasure but not quite up to the actors' standards, especially not Robert's. Showtime is directed by Tom Dey and features some small roles from guys like William Shatner and Mos Def. Showtime is about two very different cops, Mitch Preston (DeNiro) and Trey Sellars (Murphy). One takes work seriously in a low profile, quiet manner while the other is more easy-going and wants to have more fun than felons in his back seat. They are both after the same felons behind a huge caper of televisions, VCRs, etc. They then cross paths and a TV station wants a new reality TV show so they fight crime while they are on TV. Mitch hates the publicity while Trey loves it with his line, "It's Showtime!" Their TV antics and methods are shown on TV and they are the new "Cops" show. The fun begins. Overall, Showtime is a fun action comedy. A good film but not quite up to the actors' expectations and standards. However, it's rolls along as it treads and parodies reality TV shows. A good break from shows like Cops. Truly at the end, just a guilty pleasure. My Rating: 7/10 Eliason A. | 1pos
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] |
I went to see this film with a great deal of excitement as I was at school with the director, he was even a good friend of mine for a while. But sorry mate, this film stinks. I can only talk about what was wrong with the first half because that's when I walked out and went to the pub for a much needed drink: 1) someone's standing on a balcony about to jump and so you send a helicopter to shine a searchlight on them??? I don't think so - nothing would make them more likely to jump. 2) local radio doesn't send reporters to cover people about to attempt suicide - again for fear of pressuring them into jumping - or for fear of encouraging copy-cat instances. 3) whatever the circumstances, radio reporters don't do live broadcasts from the 10th floor of a tower block. Radio cars don't carry leads long enough to connect the microphone and headphones to the transmitter. 4) the stuck in the lift scene was utterly derivative 5) the acting and direction was almost non existent. I could go on, but I won't. | -1no label
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] |
"Death Wish 3" is the movie equivalent of a shooting gallery. All the characters (apart from Bronson's Paul Kersey, of course) exist merely to be killed, either as "provocation" (the good guys) or as "retribution" (the villains). The director simply pours on the mindless violence (people even get burned alive and blown up), turning this into an urban version of "Commando" (and Charlie, like Arnold, rarely bothers to protect himself from the enemy gunfire). Fans of this short of thing (and, apparently, there are many) will enjoy it, others....beware. (*1/2) | 0neg
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] |
A good idea let down by heavy-handed production. Quite a bit of the dialogue was unintelligible because of the level of music/background sound, and this didn't help this reviewer. Nor did the Welsh accents, pretty impenetrable at times. Towards the end I lost the will to live trying to follow the dialogue. This movie didn't know whether to be a farce or a black comedy - and they require different approaches. Some of the incidents were laid on so thick that they only merited a groan, some were so unbelievable even for this sort of plot that they made the story just not worth following. The acting was in the main good - although the American just came over as a clone of the "Back to the future" mad scientist. The little boy was very good. I did watch it all the way through but God knows why: I can't remember laughing once. | 0neg
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] |
I know that this film is now at the 10 year mark. However, to me it is a true classic. The film is almost like a really good book. You can stop it between chapters and not miss a beat. It has fantastic acting and a dynamite cast. Some have said that they thought the first story with Gena Rowlands and Wyonna Ryder was weak ,but I disagree.That story was about someone being content with who they are not looking for the brass ring. It also left the door open for further possibilities. I loved the New York story for many reasons . Not the least of which is that I live in New York. Excellent casting and a real story of the immigrants who came here to New York and the melting pot we are here in New York. It also showed a real problem that minorities face here in NY trying to hail a cab. Each story had a really excellent theme. The confession theme in Italy had me rolling , while the story of the Helsinki cab driver was really tragic. If you look at how the film begins and ends, there seems to be a opposite end effect. The affluent casting agent stepping off the private jet versus the worker stumbling out of his cab into the morning. This is an excellent film with an excellent cast. I highly recommend it! | -1no label
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] |
This film is strange, even for a silent movie. Essentially, it follows the adventures about a engineer in post-revolutionary Russia who daydreams about going to Mars. In this movie, it seems like the producers KNOW the Communists have truly screwed up the country, but also seems to want to make it look like they've accomplished something good. Then we get to the "Martian" scenes, where everyone on Mars wears goofy hats. They have a revolution after being inspired by the Earth Men, but are quickly betrayed by the Queen who sides with them. Except it's all a dream, or is it. (And given that the Russian Revolution eventually lead to the Stalin dictatorship, it makes you wonder if it was all allegory.) Now, I've seen GOOD Russian cinema. For instance, Eisenstein's Battleship Potemkin is a good movie. This is just, well, silly. | 0neg
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] |
This movie is awful, I can't even be bothered to write a review on this garbage! All i will say it is one of the most boring films I've ever seen. And the acting is very bad. The boy who plays the main character really annoys me, he's got the same expression on his face through out the movie. I just want to slap him! Basically 80% of the movie is slow motion shots of skateboarders, weird music, and utter sh*t.. Apparently I've got to write at least 10 lines of text to submit this comment, so I'll use up a few more lines by saying the lead character has got one of those faces you just want to slap! Meh i give up..THIS MOVIE SUCKS !!!! | 0neg
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] |
Andrew Denton is one of the most respected television interviewers on Australian TV. He allows the interviewees to disclosure their human side which you are less likely to see with other interviewers. He has interviewed people from all walks of life, from Bill Clinton to homeless people. The quality of interviews on "Enough Rope" has been maintained over the years with Andrew Denton having a integral role in programs quality. Enough rope is definitely worth a watch no matter who is being interviewed. The ABC broadcasts "Enough Rope" on Monday nights. If you live outside Australia, Enough Rope is available on Video and DVD from the Australian Broadcasting Corporations "ABC Shop". | -1no label
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] |
Plato's run is an entertaining b movie with Gary Busey.it is a fairly unknown film so one i saw it at a car boot i thought this looks entertaining i was right to.Gary Busey plays Plato smith a tough mercenary who is framed for the assassination of a powerful Cuban crime lord now on the run Plato must survive long enough to prove his innocence with the help of his friends played by Steve Bauer (scarface) and action star Jeff Speaksman (the expert). what i liked about Plato's run was the way the film never got boring the plot may have been done before but it was still good the acting was fun to watch and the action was quite fun as well especially the climax Gary Busey makes a good hero ironic since he normally plays the bad guy and Steve Bauer is good as Plato's sidekick even Jeff Speaksman makes a good performance and he cant even act well to finish it of Plato's run is an enjoyable effort from nu image films and i give it 7 out of 10 | 1pos
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] |
I have seen about five or six episodes of this stupid show, and most of them I was forced to watch. And I did NOT like the episodes I saw. What happened to Dan Schneider? After giving us such awesome shows like Drake and Josh, why did he decide to create a stupid show like this? My problem is not just with Dan, it is also with the guys who nominated this show for an Emmy, were they drunk that day, or what's the problem? Drake and Josh didn't get nominated for an Emmy, but it's way better than Zoey 101. The makers of this show should be ashamed for the existence of this show, let's just hope the pregnancy of you know who will affect the show, or better yet it'll cause it to get canceled. | 0neg
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] |
Before I rip this thing apart, let me clarify that I do NOT, as many have accused, hate the Disney Company. It's just that they're kind of like what a real-life Godzilla would be like. WAY too big and often making mistakes that shouldn't ever been allowed to happen. This video is one of them. I got a little disillusioned with the Mouse when their direct-to-video-sequel thing started. They're rumored to have about eight more planned for the next few years. At some point, I guess, somebody decided it would be funny to have EVERY Disney character ever in one movie. And so we have... this THING. This monstrous THING!!! If the "Snookums and Meat Funny Cartoon Show" couldn't do it for you; if the ZOOG things that stole the Disney Channel couldn't do it for you; heck, if you are *looking forward* to "Back to Neverland"; then this will break you into a weeping blob of protoplasm faster than you can blink. This here is the magic bullet for any Disney detractor. You Disney fans finally know what we Looney Tunes fans went through with "Space Jam". The only saving grace is that for some reason, some wise fellow decided to use "Pluto's Christmas Tree" and "Mickey's Christmas Carol", in their entirety, to pad out this video. Fast-forward to those parts and only watch them if you are forced to sit through this. | -1no label
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] |
I enjoyed some of the older Doctor Who many years ago, so when the new one came out, I just had to check it out. I was SO pleased - with the characters, the story lines, the updated look, I became hooked! From Season 1 (27 for the old fans) through to season 2 (28), it just keeps on getting better. It ties in nicely with the old shows too, although you don't have to know the old shows to enjoy this newer version. Even though there has been a change of cast, I highly recommend Doctor Who - with Chris Eccleston AND with David Tennant. I like that they've given the characters so much depth. The Doctor seems more vulnerable in this series, maybe because he is the last TimeLord. The range of emotions which Chris and David show are truly remarkable, and I felt their pain, anger, and sense of adventure right along with them. Billie Piper (Rose) brings a very human element to each episode, although she is much braver than I would be. With her talent, Billie will go far in the industry. | 1pos
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A young cat tries to steal back his brothers soul from death but only gets half of it and then has to go adventuring to get the other half... or maybe not. Frankly I'm not sure what happens in this film which is full of very strange, very surreal images some of which parents might find disturbing, (ie.the cats slicing off part of a pig who is traveling with them and the frying it like bacon which all three eat). This is a very strange film that some have likened to Hello Kitty on acid, I think its more like Hello Kitty as done by Dali. (Certainly this is more alive than Destino which was directly based on his work). If your up for a very off beat film that will challenge your perceptions of things then see this movie. Just be ready for some very strange images that will be burned into your memory forever. | 1pos
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I am a big follower of Indian Movies especially Malayalam and Tamil. Shame on India for not sending this movie as their official Oscar entry. I have seen this movie and it has clearly revealed to me the maturity Tamil cinema has in its screenplay and narrative which bollywood better catch up with.By the way to all we westerners, Tamil Cinema is more qualitative and very different from Bollywood which is all about good looks glamour and promotion. Coming to the point what was India thinking when they sent a movie like 'Devdas' to the Oscars? That was a really a Masochist move. I think they are trying to punish Oscar judges with boredom by sending Devdas since the judges toppled Lagaan last year. 'Devdas' is just a brigthly colored but stale and predictable melodrama of Love, fate and destiny. I would keep away from it. Anyway, not sending a movie like Kanathil Muthital shows how much of a revamp Indian administration needs to save them from poor administrators who lack intelligence. Now I know why this country has so many issues. They are heavily talented but not showcased properly. | 1pos
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A Perfect Murder ( a loose remake of Dial M for Murder ) is a stylish thriller in its own right ,but doesn't come close to the original. As I remember and not to give away any of the plot, Dial M' is all about the key. Where it is hidden, Who knew it was there, and who finds it. This plot line is gripping, but in Perfect Murder' this whole part of the story has been overlooked. Having said that the film still works quite well, thanks to Michael Douglas. He really is superb. Gwyneth Palthrow looks stunning, but David Suchet is wasted as the detective. But where the film really falls down is the ending. In the original the last scenes are gripping in the hunt for the key, but for some reason director Andrew Davis sees fit to end with the standard formula of a shoot out. Having said that the film is still worth seeing, but if you need to watch this story, I recommend the original. | -1no label
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This film should never have been made! It stinks, it's awful, it's no good, it's bad, it's terrible. Starting to see a pattern here? Jackie Mason is certainly no Rodney Dangerfield. Gone were Ted Knight and Bill Murray, who, along with Dangerfield, were essential to the first film. It seems that the three of them (the stars) all knew a stinker of a script when they saw one. The one who didn't have the good sense to bow out of this was Chevy Chase, who stuck around but was extraneous to both films in my opinion. This film is quite simply NOT FUNNY. Nor does it have any other endearing qualities. This thing relies heavily on anti-Semitism to work and it works to it's detriment. I hated this thing. A waste of everybody's time. | 0neg
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Let me just say that I love Robin Williams. I've gone to his stand up shows, seen almost all of his movies, but this movie just didn't do it (for me). It tried very hard to be funny, but ended up being cheesy and predictable. I think I laughed at one thing, and I can't even remember what it was. I was excited to see GOB and Buster from Arrested Development in it, but that just made me sad that they took off a TV show that actually knew how to deliver comedy. Anyways, if you have little kids, they'll probably love it. If on the other hand you are the select few who enjoy laughing at The Office (UK) and Arrested Development, you probably won't like it. | -1no label
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Very funny, often hilarious comedy from regular writing team Lowell Ganz and Babaloo Mandel. "Night Shift" tells the tale of two young men, one very nervous and reserved, the other loud and over confident, who both work the night shift at the city morgue. All hell and hilarity break loose when the boys decide to go into business as pimps. Director Ron Howard is always in control of his stars and works the humour well, showing signs of a fine director. Although Michael Keaton is occasionally annoying, Henry Winkler is extremely likable as Charles Lumley III, a timid but brilliant financial wizard. Also starred Shelley Long. Comedy fans, don't miss this one. Tuesday, July 2, 1991 - Video | -1no label
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This must be the dumbest movie I've ever seen and therefor it deserves a special award. OK, so it begins pretty good, logical, humor and then rapidly changes to complete and utter uh f@rt,@ss, föck stupidity that makes total sense. The strange thing is that i hardly laughed at it, though i guess it is supposed to be funny, with a very serious message. After a moment of thought why i didn't laugh, the answer was pretty clear... this movie is a lot more realistic then i would like it to be. So it is extremely dumb, yet very wise if the object was to reach people which aren't 'blessed' with a whole lot of neurons and synapses and electrolytes (huh, electrolytes?). This movie might actually be understood at some level by a big audience! Although they probably just laugh. Ah well, nice try... I am now editing (well adding to) my comment, cause i read some of the other comments. First i noticed some people see racism in this movie. Well, that did not at all cross my mind when watching it. However, i can imagine if you are looking from that perspective, you will see some. We could of course debate the link between intelligence and race, but i think this is not the place to do so. I wonder, if we were to rate the Huxtable family here, would you complain about them all being black? I don't think so, but i guess you could... (aside from that, from the 2 wisest people in the world, half, the woman, doesn't seem totally caucasian to me, so 'what the problem is?') Secondly the movie gets very mixed ratings; from 1's to 10's and everything in between, but a lot of polarisation there, which means the movie does its job very well! It stirrs people up, makes them want to speak about it and judge it. That means it is a good movie, whether you like it or hate it. After 5 minutes it becomes very predictive and boring even, yet you keep watching this utter crap. I guess you keep hoping that it isn't so. Or maybe it's our sick way to look at terrible accidents. Well, this is one for sure. | 1pos
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] |
Dhamaal is an entertaining movie. However, one can't shake off the fact that the movies LIFTS scenes and story lines from AROUND 5-6 Hollywood MOVIES, right from the first scene. First scene is a rip-off of Johnny English, the third scene is copied from one of Mr.Bean's episodes. The whole damn storyline is EXACTLY IDENTICAL to 'Its a Mad Mad World' and 'Rat Race'. Later one, the movie lifts the bridge scene from 'Road Trip', the tiger roar scene is from a movie called Without A Paddle, and the whole soap gun scene is from 'Small Time Crooks'. On many occasions, it is also inspired by Starsky and Hutch. UPDATE - Just watched 'Dude, Wheres my car?' and the pizza scene is copied directly from there. However, the second half is where we see some originality, and ironically, the most original scenes are the most entertaining. The movie goes for a clichéd ending, however, which is a downer. THE GOOD - Great performances from the cast, especially Arshad Warsi, Ritesh, and Jaffrey. - Some very entertaining original parts, especially in the second half. THE BAD - You won't have much fun if you have watched the above-mentioned movies. - Some jokes, like the airplane one and the cliffhanging one, are stretched to a point where they are not funny anymore. - Not so great music. - Disappointing ending. Overall, Dhamaal is a decent entertainer, but stumbles badly on originality, as the copied jokes have been done much better in the original movies. | -1no label
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] |
Perhaps my favorite part of "The TV Set" was the enlarged and mounted review of it from the LA Times that the theater put in the window to presumably attract casual moviegoers who don't know what they want to watch. And there it was, writ in letters as tall as coffin nails: "not that there is anything in this movie that we haven't seen before...". What a tremendous accolade! And perfectly true. The kind of movie that possibly passes for interesting outside of Los Angeles where presumably people think we must be so smart and funny and sensitive and so fail to realize that we are, in fact, as prone to vapid fart-noises as to anything else... Isn't it amazing what passes for thoughtful entertainment today..? "The TV Set" is in every way untrue, hackneyed, inauthentic, dull, uninspired, recycled tedium. Enjoy! | -1no label
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] |
When you look at the title of this DVD you think its a live DVD. However you will be very surprised. It contains interviews from the band members the videos from one step closer, crawling, paper cut and in the end. It gives you a great insight into life inside Linkin Park. It also has some interesting extras like Chester Bennington's Tattoos and what they represent and some audio only tracks like high voltage and my December. It also goes in great detail about the making of the in the end video. The only negative about this DVD is that although there are quite a few topics in the DVD they don't go in a lot of detail about them. Viewing wise if you like linkin park its worth a watch if your not a linkin park fan its probably not for you. | -1no label
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] |
This is a very predictable movie yet at the same time very entertaining. I thought the casting was well done and that Susie Amy was a good choice for Valentine. This is a movie meant for entertainment and not for a deep socially redeeming value. I compare it to Cutthroat Island with Geena Davis. Just sit back, relax, and enjoy the movie. When I watch movies of this nature I am looking for fun, some excitement, but mainly relaxation. This has all the qualities I look for in a movie. If I want to watch a more sophisticated movie then I am looking for different qualities, but this is good family entertainment with no explanation needed. My only problem with this movie and others that take place in a European country is that when all else fails, lets give them British accents. Depardieu, being French, had the only realistic accent in the movie. | -1no label
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] |
Time Chasers features big chinned, Castleton graduate NICK MILLER (QUE elevator music) and his trusty textured wardrobe wearing friend-to-be-girl-friend LISA (QUE ... nothing). It also features the evil library clerk, CEO dressed J.K. Robertson. Oh yeah, it also has a guy wearing a pink shirt found at the day of the shoot cause he forgot his outfit. The storyline goes from a plane to a grocery store. Plus, a few shots of a plane flying into a camera that's recording a computer screen at the director's house on his off-day. That's all I should say, because the only interesting part was watching the credits to laugh at the fact that this movie actually had people to credit. | -1no label
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] |
I saw this movie as a boy and it lingers after nearly fifty years as a haunting memory. It may be what we now call noir, but the twinkle in Welles' eye also lingers, suggesting a gris texture. That twinkle is the same that Harry Lime (cine verde?) flashed to Holly Martin in the alley scene of The Third Man (which was also made in Europe in 1949). Cagliostro was a brilliant montebank, alchemist,poseur and rascal of the first order. Welles gave him credibility, perhaps recognizing a kindred spirit down the centuries. I still remember the dark, cobbled streets and slick rainy roof tops of eighteenth century European cities -- scenes also not unlike the ones in The Third Man. The ending, I remember, was also bitter sweet. I wish that those who produce lesser know classics for DVD restoration might see this "foreign" movie; it is obviously available somewhere since there have been other reviewers. If they chose it I could have my childhood Madeleine experience, and others would have another Welles film to compare with the finite now available. | -1no label
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] |
4 out of 10 for the animation. It's true that there's lots of action-packed anime out there that's big on flash and light on story. But this movie raped my eyes. This movie forcibly shoved unwanted imagery into my skull. I started watching it because I believed the slugline on the DVD box, that it was a sequel to NINJA SCROLL, which of course isn't true. I had to watch the whole thing, because I had to see how it ended. Any minute, and it would get good, it would show purpose. But it didn't END. It's one thing to fill it with the most graphic depictions of gore the animators could conjure, but it's another to have it all mean NOTHING in the end. A pointless, nihilistic waste of shelf space. | -1no label
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] |
It is important not to be insulted by lack of logic or common sense and those who have any "gray matters" will agree that this movie just doesn't work. The problems lay in the direction, cast selections and lack of depth in the character building. The word comedy was very hard thing to say when i expect to laugh when these words are used. Let's look at the problems in direction/script. Brother and sister both in their mid 30's seem to be well adjusted. They meet a complete stranger at a park and Heather Graham character walks up to her and asks the most intimate questions that even half sane person would be running the other way or at least scream for a police officer. He then awkwardly walks over and makes some stupid statements and she falls for him. Then after ONE date were they all go out together he falls in love with her and decides to get married in Vegas in a week's time???? Hello does anyone feel stupid yet? He goes out with thousands of women and he meets this one person who says about 10 words that WE see on the screen and he wants to marry her. Not only was there no chemistry it just doesn't make sense. Sure it's a romantic comedy and I want to believe it could, but the direction made it completely flat. Now Heather falls head over heels with her too and when Heather Graham and Bridget Moynahan (very shallow character) kiss or more to the point it was sloppiest kiss ever that chemistry MIGHT be there. I found it unromantic and unfunny and while many say Heather cannot act i think the reality is Heather was clearly the wrong person for this role. This was Sue Kramer debut as a director and to me it was just too much for her to chew. It would take a lot of craft to make this movie work and IMHO it could be done with better writers and casting and direction. | 0neg
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] |
A clever, undeniably entertaining romp starring Peter Ustinov as a career embezzler with his sights set on a US conglomerate in London. He's abetted by foxy (and deceptively sharp) Maggie Smith and threatened with exposure by jealous company man Bob Newhart. This is a heist film with a lot of brains. Ustinov is exceptional as is Smith and Newhart is quite funny. The real surprise is Karl Malden, as the pill popping "executive vice-president." Malden has seldom been so loose. Cesar Romero and Robert Morley pop up in some funny cameos. The excellent music score is by Laurie Johnson. Eric Till's direction is brisk and the script by Ustinov and Ira Wallach is first-rate & very smart. A swinging good time! | 1pos
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] |
One of my best films ever, maybe because i was well into the punk scene in the late 70s and went to many of hazels concerts, but the film was a good story line and very good acting by hazel and a up and coming Phil Daniels not sure about his latest project Eastenders !! excellent performance by lots of unknown actors who if you keep your eyes peeled will see them in many of the UK soaps today exp: Carver out of the Bill, the more i watch it the more of them i spot, well if you have not seen it yet have a night in with the video, don't forget to dig out the safety pin for your nose and heavy black eye makeup and shave your head Mochanian style....Enjoy | 1pos
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] |
tom had a wish to make film for a long time and he did. it is as if he has visualized a dirty and worn out notebook full of great little ideas he has been filling up and carrying around for 10 years. no grant character transformations, no Hollywood ingredients just life and a little bit of magic. the balance, in speed, in weirdness in comedy vs drama is perfectly weighed. this film takes you on a journey that is over before you realize how nice it was. the music is great and your eyes will be equally satisfied. the fact that this film is about nothing, merely a sequence of sketches of people that are mainly linked trough a party of one of the characters, makes it very pleasant and surprisingly entertaining, it is brilliant because it is empty. in between the lines it is happening. to see or not to see, that's the ? | 1pos
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] |
Believe it or not, you still see this kind of shock-humor today, and you probably always will. This cartoon isn't some old-fashioned slam on Egyptians or their beliefs or way of life - it's just far-out absurd humor. For instance, in the very first scene we see a couple of the locals, dressed in Mid-East garb, waking up, beginning to chant and then - wham! - someone breaks out a pair of dice and a guy yells, "Come on, seven. Baby needs a new pair of shoes!" You see - absurd humor....and it IS funny. To emphasize that point, the very next scene has a veiled, what-looks-like, sexy woman with a great body passing by, the guys whistle....until she lifts the veil and we see a toothless old hag! A short time later, we see a long camel that can seat 10 people. Some of the humor is stupid or dated to the point where we miss it, but some are clever. Anyway, Porky Pig is there and he misses the long camel ride, hitches one of his own and begins a trek in the desert. Then, this settles into a short story of "desert madness" when the brutal sun (and I mean "brutal) knocks Porky's camel for a loop. At that point, this cartoon gets hilarious. Porky's camel (named "Humpty Bumpty") is delirious, hysterical and then thinks he's saved and begins playing bagpipes, doing an Irish dance, etc. - very, very funny stuff. Humptey is, by far, the funniest camel I've ever seen in a cartoon. | -1no label
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] |
Although some may call it a "Cuban Cinema Paradiso", the movie is closer to a How Green Was My Valley, a memory film mourning for a lost innocence. The film smartly avoids falling into a political trap of taking sides (pro-Castro? anti-Castro?, focusing instead in the human frailty of the characters and the importance of family. Filled with good acting, in particular from Mexican actress Diana Bracho, who plays Keitel's wife. A masterpiece, filled with references to classic movies, from CASABLANCA to Chaplin's CITY LIGHTS. Gael Garcia Bernal plays a small role which is critical for the dramatic payoff of the story. TV director Georg Stanford Brown, in a rare return to acting (remember THE ROOKIES?), plays a homeless bum who acts as Greek chorus, superbly. It is a pity that this movie, originally titled DREAMING OF JULIA, has been released in the States by THINKfilm with the atrocious title of CUBAN BLOOD, which has nothing to do with the movie. | 1pos
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] |
Occasionally on talk shows a good topical debate sparks some interesting opinions from the audience, unfortunately there is always some desperately sad person seeking acceptance who will end any interesting debate instantly by getting up and saying the proverbial "Everyone should get along and love each other" as they know they are guaranteed to get applause and affirmation, as no one would dare disagree. Well they are the same people who marked this film as good, why did they do that? INSECURITY. Anyway that's all I'll say on that matter. The Film, it starts of reasonably interestingly so you hope it will build, and if like me you've settled in with a nice couple of glasses of wine and some cheese then you will give it even more of a chance simply because you can't be bothered to move. But then you daydream, you wander, your mind drifts of onto other things, why? because the Director did too! he took his foot off the gas, and then he realized 'ooops' so to compensate he accelerates hard, but then he drifts again, and again so do you, the story slows, the plot thins and almost disappears, you even wonder to yourself 'so what happened again?' as you ponder your screen will show Nick Nolte running around with some supposed purpose, but you will have long since cared as to what he is doing and he will appear as nothing more than a screen saver in the background to your day dreaming. Michael Moriarty who plays John Converse has an amazing ability to speak without moving his lips or indeed his face, somewhat like a ventriloquist, he must have gone to the Nicolas Cage school of expressionless facial acting, or he was attacked by the Phantom Botox injector. Tuesday Weld was to play Marge Converse, but instead she played Mia Farrow to perfection. In all there are hundreds of thousands of films to see, so leave this one to one of the last, you see I've just wasted an evening watching it when I could have watched or done something else, learn by my mistake, nights off relaxing are precious so don't waste one watching this boring tale, do anything else, dust off that old game of Cluedo, practice gurning for the evening or have an argument with a loved one, trim your nose hair, get rid of unused files on our laptop, it will be time better spent what ever you should choose. | 0neg
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] |
Cowboy Bebop deserves all the praise it receives. This show can be appreciated by almost anyone, regardless of their feelings towards anime in general. I have heard a number of times from people who dislike anime that they really enjoyed these 26 short sessions of brilliance. There are of course a few (very few) episodes that don't measure up well against the others but all in all every episode is entertaining. Jazz, film noir, the golden age of cinema...I would use these words to describe Cowboy Bebop. To get the feeling of this show, think of movies like Casablanca, Brick, Swingers...you get the point. It's also worth mentioning this show's dubbed voice-overs are some of the best in all anime (dub voices or original). One of the few I prefer to watch in the English version. You have to give this one a try | -1no label
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] |
I don't remember seeing another murder/mystery movie as bad as this. This movie, about a medical examiner who investigates his friend's mysterious death in a car accident, has the complete receipt for a bad movie: bad acting, boring story, lack of suspense, poor humor and no drama. I remembered seeing this movie on PAX, a TV station notable for dishing out low-budgeted and campy made-for-TV movies such as this one. TV movies, of course, do not have the edge factor or the suspense as movies from the Big Screen. But, this movie sure hit all sour tastes. The makers of this movie have missed out on an opportunity to making "Receipe for Murder" a great TV movie; the title does offer some suspense. So, if you want a good recipe, don't watch this movie. This movie alone can kill your TV appetite. Grade F | 0neg
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] |
Of course this film could have been better. It explains pretty well the situation of the Umbrella Corporation and it's lethal intentions. The action is okay and the plot is simple enough. However I was slightly unsatisfied. As much as I like Milla Jovovich, I think this could have been a much more successful franchise if Jill Valentine was kept the main character, not some fictitious woman caught in the middle. Jovovich's character adds mystery to the film, it may be gory and concentrated on violence and heavy metal music background, but it is still interesting and you will be curious as to what's going to happen. The only characters I wanted to see live were Alice and her friend who is transformed into Nemesis at the end, and there is little chemistry between characters until the action gets going. A bad side to this film is the CGI tongue-licker creature, paper-marcher anyone? | -1no label
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] |
Call me an immature little boy, but i've had a more profound experience just watching a documentary on Mount St. Helens. To that end, there was actually some real footage of the eruption mixed in there somewhere. Now that was good, about all that actually was good in this dumb movie. (some people might think of this as a spoiler) The actor who plays Harry Truman is. Way. Too. Young. Truman was probably in his seventies, the actor looks like he's barely out of his fifties. This movie runs about ninety minutes. Am I ever thankful for that, ninety minutes of sheer torture magnified by the fact that they swear (i'm talking S-words here) like it's 1999 just all the time. they must swear at least three times every scene. I'm telling you, it's out of control. The only good line in the whole movie is "Ahh, hayte bahg pypes!" oh, sorry, translated version: "I hate bagpipes!" That line has become legendary around my house. 1 star is way too many. if given a choice i'd give it 0.00000001 stars. Watch a Mount St. Helens documentary instead. | -1no label
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] |
The silent film the Pride of the Clan starring Mary Pickford was supposed to be set in a fictional island off the coast of Scotland. In actuality, most of the exterior shots were filmed in Marblehead Massachusett on Marblehead Neck near several rocky seaside geographic areas including the Churn and Castle Rock. My initial interest in the film was because of two factors: 1) the Marblehead film location in my hometown and, 2) the fact that my grandmother Lizzette M. Woodfin was hired as a stand-in for Mary Pickford during filming of several scenes including the "cliff scene". Both women were small (5') in stature and both my father and grandmother related the fact that she was a stand-in with her back to the camera for the cliff scene as part of the Chiefton filming set. I just wanted to relate this story for future film historians and buffs. The film itself (my DVD copy is somewhat poor) is very well done with lots of action and expressive acting including several scenes where Miss Pickford portrays a strong woman characterization. I enjoyed it and would love to get a better copy of it although I am unsure whether one exists as I have seen in various movie sites that remaining copies are dark because of deterioration. A very nice film of the silent genre with lots of action! | 1pos
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] |
David Lynch's (1999) film of John Roach / Mary Sweeney's story is set in Iowa and Wisconsin some time well before the film's eventual release. We come into the life of Alvin Straight (Richard Farnsworth) late on in life. His medical condition is poor, his life is mostly behind him and he knows it. This makes what he decides to do, even more remarkable and endearing. He decides (and at every point in the film his own name reverberates through his actions) to put a few things straight. Alvin is, by this time in his life, a man of great experience but modest means. His daughter Rose (Sissy Spacek) struggles with a speech impediment that makes communication a great effort on the audience's behalf. But it's worth it, because Rose's story cannot help but come out as the film progresses. This film is the story of a journey. But like all journeys it is a journey in the geographical sense and in the human sense. Early on in the film, we begin to understand that this is an ambitious journey, which no elderly gentleman of Alvin's age should reasonably undertake. But along the way, we slowly learn how Alvin has so many qualifications which equip him to achieve his unlikely objective. His objective is very simple and straightforward. His brother is ill and likely to die and he wants to visit him. He has had a falling out with him many years ago and they have not spoken in a very long time. Along the way, Alvin meets many people. The way he behaves towards them and the benefit they get from having known him is the essence of this film. We come to know who Alvin Straight is, from what Alvin Straight does. And at the end of the film, we know who we are .. better. | 1pos
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] |
Identical twin-filmmakers Michael and Marc Linn made this film when they were 15 and 16 years old, and think this film is more a rip-off than a parody of the _Indiana Jones_ films, the end credit actually says "based on...") but _Indiana Jed_ is full of youthful inspiration in the all-teenage cast. They spent almost $4,000, and budget constraints put the film in a contemporary setting, which gives the film a lot of funny twists in itself. Unlike the Jones film, this is a male-buddy film with Jed and Cmdr. Marc as the buddies, and the film is played for laughs, which it does effortlessly. Highlights include the character Jeremy, some drunken teenagers, Carl Schoenborn, and especially Hethe Henrickson as Beloch, a rival archaeologist (whose last name happens to be Henrickson), who is also the ultimate in ham villainy, who is after the Infinte Power, which will make him shoot rays like Emperor Palpatine. Unfortunately, because the brothers see the film as a rip-off, they have no plans to re-score it (it currently uses a temp-track that includes the Jones films, The Addams Family, The Rocketeer, Ricochet, The Hard Way, Mountains of the Moon, Sleeping With the Enemy, JFK, and lots of Cliff Eidelman's _Star Trek VI_ music, among others) and release it officially (which they can't in this current state), though they do sell it through their website. By the way, the film contains some stupendous car chases, in which windshield wipers are used as weapons... | -1no label
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] |
I enjoyed this film very much. Many Korean people will feel familiar with this film because many of them have tutors when they go to school. Cinematography was average. The movie would have been better if the angel or the movement of the camera was more irregular. Editing, however, was very neat and unusual. The acting was also very good. Kim Ha Neul usually played an innocent, weak girl in the Korean soap-opaeras. But this time, she plays a cute tomboy very well. Kwon Sang Woo also plays his role very believable. What I like the most about this film is, the emotion of the characters are not too exaggerated. There are many Korean romance films that the characters cry river before the audience and I always thought it was very stale. There was no such crap in this movie. Very funny and well-done. | 1pos
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] |
As a huge fan of the Hornblower books, I looked forward to these lavish TV adaptations with great anticipation. Imagine my disappointment to find that none of the merits of the books had been captured, leaving only the cheesiest sort of American-style action-adventure. This first installment is the perfect example. In the original story, the key duel is a masterful play by the virtuoso whist player Hornblower: he takes a losing hand and at the risk of his life finesses it into "an even chance." This reveals the essence of his character: the ability to make coldly dispassionate decisions even when his personal safety is at stake. This revelation is not lost on characters in the book, becoming a key stepping stone in Hornblower's advancement in the navy. The TV movie throws all of this away. Instead of a brilliant tactician, Hornblower is now just another military bonehead, who solves his problems by a combination of physical prowess and ill-deserved good luck. Of course, if the film worked even on that level, it might still be entertaining: a latter-day Captain Blood swashbuckler, perhaps. Alas, that's not in the cards either. As appallingly portrayed by the talentless, charmless Ioan Gruffud, Hornblower is little more than an annoying boob, with neither the charisma of an Errol Flynn, nor the gawky believability of CS Forester's original hero. The historical backdrop might still be of some interest, but that too has been horribly botched. The severe realities of naval life, so vividly depicted in the books, are softened and distorted beyond all recognition. There's no challenge here, for characters to rise above; it's more like a tedious commercial cruise, with boring dinner-table conversation being the worst imaginable hazard. I suppose that had these films NOT included the name "Hornblower," they might seem like passable (if mindless and style-less) light entertainment. But only of the most marginal sort. By attempting to pass themselves off as Hornblower stories, though, they become openly offensive. My advice: avoid at all costs. Put on The Sea Hawk if you want escapist nautical hijinks, and read The Happy Return or Flying Colours if you want sparkling historical drama. | -1no label
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] |
The point of the vastly extended preparatory phase of this Star is Born story seems to be to make ultimate success all the more sublime. Summer Phoenix is very effective as an inarticulate young woman imprisoned within herself but never convincing as the stage actress of growing fame who both overcomes and profits from this detachment. Even in the lengthy scenes of Esther's acting lessons, we never see her carry out the teacher's instructions. After suffering through Esther's (largely self-inflicted) pain in excruciating detail, we are given no persuasive sense of her triumph. The obsessive presence of the heroine's pain seems to be meant as a guarantee of aesthetic transcendence. Yet the causes of this pain (poverty, quasi-autism, Judaism, sexual betrayal) never come together in a coherent whole. A 163-minute film with a simple plot should be able to knit up its loose ends. Esther Kahn is still not ready to go before an audience. | 0neg
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] |
This horror movie is really weak...that is if this is the correct movie I am commenting on. Nothing really terrible goes on as a family adopts a cute little German Shepard pup. I had a German Shepard and it is a really good dog. I did not get the idea to get one from this movie though, but rather from the comedy "K-9". That is another story all together though. This movie really doesn't have much horror at all as the most horrific scene is at the end and it looks really cheesy. Also, we see a guy almost put his hand into a lawn mower. That is about it. The father suspects something though, as his family seems to be getting rather strange, somewhere he finds out if you hold a mirror to them while they are sleeping you can see if they are possessed. All in all a really weak horror movie even by television standards...television movies that do work are out there as "This House Possessed" is pretty good and there is another haunted house movie about a woman and these strange creatures that is also rather good. This one is really rather dull. | 0neg
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] |
I don't want to vote for this movie but I find it very low from the Americans to remake an Asian movie and to get (or will get)a bigger success then the original movie.I want to criticize the American movie industry because they are not original. It is better to search for original ideas then to play the role of the copycat in our society. I wanted to say my opinion to those who appreciate the American movie industry so much.(and surely this movie) good examples of remaked movies are : the ring , the grudge , the seven samurai, Godzilla , (masked rider) and more (they planned also to make an American version of Battle royale) Even if they remake it well they will never win my respect and i will consider it like fake. thank you | -1no label
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] |
This movie is so unreal. French movies like these are just waste of time. Why watch this movie? Even, I did not know..why. What? The well known sex scene of half-siblings? Although the sex scene is so real and explicit, but the story it is based upon is so unreal. What is the use of it, then? Can you find easily in life, half sibling doing such things? Did I learn something from this movie? Yeah: some people are just so fond of wasting time making such movies, such stories, such non-sense. But for those who like nihilism, nothingness in life, or simply a life without hope, then there you are.. you've got to see this movie. Only one worth adoring, though: CATHERINE DENEUVE. She's such a strikingly beautiful woman. | 0neg
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] |
What Fox's fascination with dysfunctional families, made up of mean, obnoxious, spoiled kids, and parents who are determined to be cool, as opposed to being a parent?? I'm sorry, I don't get it. The one episode that I was barely able to stomach watching involved one of the kids demanding a Bar Mitzvah, with the intention of getting thousands of dollars in gift money. Of course, the idiot mother decides that her precious little junior has to have the biggest and bes-test party of all, and has no problem dropping 20 grand on the big event. The ditzy, brain dead, boy crazy teenage daughter bounces back and forth between wanting to be Jewish and then Catholic, when she see's the "cute" religious tutors. The one borderline "heartwarming" moment in the entire episode, was when the putz of a father, who has been convinced the entire time that the Bar Mitzvah is solely a money making scheme, see's the son studying his Hebrew lessons, and is momentarily duped into thinking that perhaps, his conniving offspring is being sincere about the right of passage into manhood. This warm, fuzzy feeling is immediately ripped out of his chest when he informs junior that since he has not yet had a bris, a certain "procedure" needs to be performed. The Bar Mitzvah is called off, and the mother is out several thousands of dollars when the kid refuses to comply. This show is garbage, and I am saddened that I shall never get back the 23 minutes of my life I wasted watching this piece of crap, because nothing else was on TV ... | 0neg
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] |
Forget that this is a "B" movie. Forget that it is in many ways outdated. Instead give writer-director Ida Lupino much deserved credit for addressing a subject which at the time (1950) was taboo in Hollywood. To my knowledge, this was the first film to address the subject of rape and the emotional and mental effects that that crime has upon its victims. Although much of the cast's acting is pedestrian at best, Mala Powers, who at the time was eighteen or nineteen, gives an excellent performance throughout as the traumatized young woman, Ann, who tries to run away from her "shame." Based on her work in this film, I'm surprised that she did not have a more successful acting career. Tod Andrews, too, has some fine moments as the minister who reaches out to help her. Ms Lupino, obviously working on a limited budget, was still able to create some memorable scenes such as the pursuit through the streets and alleys leading to the rape, and the police lineup following it. And, she created a bittersweet ending which left me wondering if Ann really could ever have a normal life again. | 1pos
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] |
A fine cast (Douglas, Paltrow, Mortensen, Suchet) was wasted in this feeble attempt. There were simply too many illogical holes to ignore and at the end you will feel cheated. I'll list just a few as examples. I would encourage you read on, so you may save your money and go rent Hitchcock's original instead. *****SPOILERS AHEAD***** 1. David was just a con artist, so what made Steven think he could be turned into a hired killer?. Sure enough it didn't work, did it? 2. In fact, David as a con artist was much more likely to try blackmail. Sure enough, David tapped the incriminating conversation. Now that he had the tape, he could easily get $400K (or even more) from Steven. So why bother to kill (or contract out some thug to kill) Emily at all?? This is totally ABSURD. David just wanted to con some money and get out of town as he always did, with no incentive to kill his lover at this stage. 3. When detective Karaman mentioned the missing key, Emily said nothing and went into Latino slum and tried to play detective herself. It just does not make any sense. Emily obviously would not protect Steven at that point since she not only didn't love him anymore but also had a reasonable belief that the thug was hired by her husband to kill her for her inheritance. Moreover, she and Karaman clearly developed a sense of mutual trust, so she logically would show Karaman the missing key and let him do the investigation (after all he's a police). 4. The explanation Steven tried to spin on Emily about the missing key did not make sense at all. He claimed he took the key, put it on Emily's key chain and jammed the door lock because he thought the thug was David getting in with Emily's key and he tried to protect Emily's reputation. Then, he claimed the thug turned out to be just a burglar. Well, if that thug did not use Emily's key and did not pick the lock, how on earth he got in?? 5
... I did find one quote to be ironically hilarious. When they met at the ferry, Steven told David that they should wait and carry on business as usual. When Steven started to walk away, David asked, with a deadpan face, "Should I continue screw your wife?" | -1no label
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] |
I'm actually surprised at the amount of good ratings this anti-Christian pseudo-documentary got. Now, I respect the guy's opinion and faith, I myself am not, at this state, believer of the taught Christian doctrine. However, anti-Christian propaganda is somewhat of a different issue. This film has valid points, but they are very few and represented in a very biased context. I'm not recommending against seeing it. In fact, I think everyone should see it and decide on their own whether they believe it or not. And this is actually more of a chance than the one the director gives to Christian teachings. Rather than an inquiring approach on the subject, it looks like a personal vendetta on the Christian school that affected his childhood. It also misrepresents the Christians most of the times as either incredibly naive or fundamentalists, no moderation in between. The director uses movie scenes from Passion of Christ without permission, sets up an interview with the headmaster of his former school and presents almost solely anti-Christian historians and writers. I actually found the headmaster to be the most down-to-earth person and think that his attitude was fully justified. I also strongly doubt that any of the Christian believers who were interviewed were consulted afterwords or even told before the interview the purpose of the inquiry. With this being said, there are certainly new and interesting facts to be found here and some very original thoughts on the question of Christianity. But the way in which this whole think is produced is often offensive, highly unprofessional and dreadfully biased. | 0neg
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] |
I was on the edge of my seat, close to tears, and that was after only catching the last half of this movie. I'm desperately trying to find a copy of this movie, to watch it from the beginning, and it's hard to find. The dialog was real, the cinematography dark and brilliant, and whether you believe this is a "chick flick," the characters and interplay involved touch on the very heart of the matter - from many aspects that many men will never understand - when it comes to the power of support that comes from friends - especially women - throughout various stages of their lives. That is not something that is developed or created...it just is. The writer has captured the spirit of these women, the truths they must face about the men who love them. | -1no label
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] |
This is Probably the best Dr.who I've seen ever! Peter moffatt does an excellent job at directing this. The Special effects an action sequences are top notch. This is probably the only Dr.who that doesn't have effect errors. And I was so pleased to see sarah and the brigadier! those 2 really do add a lil spice to the Dr.whos (But why on Earth is the Brig wearing fur? He didn't seem like much of a fur wearing type 2 me.(Maybe it was to attract the yeti in the cave for mating)). And of course there's the Cybermen, which are of course my al time fav aliens frm who. The Cyber Massacre sequence has got to be the best bit of the whole film. Although how the robot can fit all those arrows in itself is beyond me (works well none the less). This Dr. who pretty much has it all Comedy, Action and there were even bits that gave me the willies (i.e. the old looking companion phantoms). And lets not forget the Cyber Vomit! | -1no label
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] |
Shirley Temple was in a few - not many - movies that just were not appealing. In most of her films, she overcomes a bad start in life (orphanages, etc.) or overcomes an evil, nasty person (usually Edna Mae Oliver or someone similar) but is seen happy most of the time and singing and dancing here and there. It's when the negative elements of the story are overemphasized (i.e. Blue Bird, Baby Take A Bow) that her films often lose appeal. That's the case in this movie. "Our Little Girl" is simply too depressing, a negative storyline in which Shirley's parents are ready for a divorce. Her mother has an affair with a friend and the father is away all the time on business, ignoring the family. When Temple ("Molly Middleton") is happy or cute, she's too cute in here, her sugary personality overdone. Meanhwhile, there is only one song and no dance numbers. People buy or rent Shirley Temple movies to feel good, not to get depressed or weighed down with broken-family soaps. There are plenty of other movies like that. | -1no label
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] |
CAROL'S JOURNEY is a pleasure to watch for so many reasons. The acting of Clara Lago is simply amazing for someone so young, and she is one of those special actors who can say say much with facial expressions. Director Imanol Urbibe presents a tight and controlled film with no break in continuity, thereby propelling the plot at a steady pace with just enough suspense to keep one wondering what the nest scene will bring. The screenplay of Angel Garcia Roldan is story telling at its best, which, it seems, if the major purpose for films after all. The plot is unpredictable, yet the events as they unravel are completely logical. Perhaps the best feature of this film if to tell a story of the Spanish Civil War as it affected the people. It was a major event of the 20th century, yet hardly any Americans know of it. In fact, in 40 years of university teaching, I averaged about one student a semester who had even heard of it, much less any who could say anything comprehensive about it--and the overwhelming number of students were merit scholars, all of which speaks to the enormous amount of censorship in American education. So, in one way, this film is a good way to begin a study of that event, keeping in mind that when one thread is pulled a great deal of history is unraveled. The appreciation of this film is, therefore, in direct relation to the amount of one's knowledge. To view this film as another coming of age movie is the miss the movie completely. The Left Elbow Index considers seven aspects of film-- acting, production sets, character development, plot, dialogue, film continuity, and artistry--on a scale for 10 for very good, 5 for average, and 1 for needs help. CAROL'S JOURNEY is above average on all counts, excepting dialogue which is rated as average. The LEI average for this film is 9.3, raised to a 10 when equated to the IMDb scale. I highly recommend this film for all ages. | 1pos
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] |
In the forest of Asturias, some horrible killings have altered the quiet existence of the zone inhabitants. Manuel works as a seller and he is used to walk through this dangerous paths. Anyway, he seems to keep a deep secret in relation to the deaths. This movie claims to be based upon reals things, (a lycantrop that lived at the end of XIX century, and maybe due to this reason it is not as much exaggerated as much other terror films that are usually made. Curiously it is quite loyal to the truth, which is unusual in this kind of film. Anyway, despite the feeling of a sick atmosphere is quite well done, neither the actors nor the history have the thrilling emotion that this kind of movies should have to be interesting. Sometimes boring, it is not one of the best films I've seen lately. It has a good setting (a curious plot and a well scenario), but the directing is not as good as it should, be, which is bad for the film in the whole. | -1no label
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] |
This film is a hidden gem in western film lore and has fine work by Joel McCrea in the title role. The movie has great color and scenery, a fine cast, a great battle scene, and genuinely poignant moments. The random slaughter of buffalo is the spark that sets off a powder keg that explodes with Indians going on the warpath to drive the white invaders from their hunting grounds. The thrilling clash of red and blue at War Bonnet Gorge is perhaps the best ever filmed by any major studio on any level. The fight symbolized the struggle of two cultures and a way of life that the Indians fought desperately to preserve. The soldiers and Indians are a blur in a savage mixture of military conflict that forever broke the resistance of the Plains Indians to westward expansion. Maureen O'Hara is pretty as Mrs. Cody and Thomas Mitchell does well in his role as Ned Buntline. | -1no label
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] |
1st watched 7/12/2009 - 3 out of 10 (Dir-Anthony Hickox): Lame and silly attempt to spoof horror movies in this story about a possessed wax museum visited by brainless teenagers. A couple of them get swept into the exhibits and the story that revolves around the exhibits, and then they get killed and become permanent parts of it. This is the basic storyline but they add a "rule the world" theme concocted by the leader of the museum. He believes that once each exhibit has had it's chance to kill they will all come to life and conquer all !! Mu ha ha!! The movie has a campiness that makes you think initially it will be a comedy but it really just turns into a slow moving horror movie. The exhibits include the werewolf, a vampire, the Marquis de sade and an alien that isn't really explored. This is where the movie tries to pay tribute to these type of movies but fails. At least the movie didn't turn out to be a kill all teens slasher movie and they tried a different style in the storytelling to put away the worthless teenagers but it still doesn't really work as an interesting movie. | -1no label
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] |
Lets get to it. What initially intrigued me about the movie was the time-machine gizmo could only be used to view the past. This is new as most time-machine movies involve going back to the past to change things, which I find to be very annoying. The movie would've been much better if thats all the time-machine could do. And even when it was established that you could interfere with the past, the movie explored the theme that you cannot change the past, which would've also been adequate, but we all know this is Hollywood. You must save the world, so they basically messed up what could've been a great movie. And the terrorist guy seemed to also hint at the theme of not being able to change the past, but for some reason the story took the mediocre, uncreative, dull approach. Very disappointing movie, its watchable, but I'm giving it a 1 because in the beginning it looked like it could be a classic, but degenerated into mediocrity, so I think thats a tragedy. Don't watch this movie. | -1no label
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] |
Recap: A mockumentary, or parody of the documentary March of the penguins, if you like. We follow two male penguins on their hike from the sea to their breedingplace, and their discussions about finding love. Comments: Not much to say really. It is kind of slow with all the penguin shots being at such a slow tempo, with crude documentary. Many of the jokes are crude and fart jokes are far too prominent. So on average this is quite a bad movie. However there are a few bright spots. Jokes that actually are quite funny. Jokes that almost but not quite manage to carry the movie. They did make the movie bearable though, kept me going to the next bright spot. But to be a good movie, or average, they are too few and too far between. One of the bright spots are the cast though. Don't know what made so many known actors and actresses contribute to a material like this, but I guess Bob Saget had something to do with it. It is a little of a Full house reunion, with friends. A good idea, which could have been done much better though. An extra plus for the DVD menus though, they were better than the movie and better than most other DVD-menus. 4/10 | -1no label
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] |
Ghillie a remake of the Telugu "okkadu' is thankfully a clarified version of the original. It packs the same punch and Dharani true to his cinematic brilliance delivers it with style and panache. A flagging Vijay's career with the entry of the likes of Surya and Vikram on the fray, got the much needed uplift with this movie. This might well prove to be the best movie Vijay has ever been on, considering the choices he has been making since then. The hard-working actor seems to have lost his bearing what with talented new entrants being accepted both by the industry and public alike. The tightly snug script, which runs at, a neck-break speed revolves around Velu, a willful youngster aspiring to make a mark in the game of Kabaddi( a popular game among boys in India). The events following the chance encounter with Muthupandi, his rescue of the girl in distress and how he juggles with the aspirations of his friends and his own forms the fulcrum and end of the movie. Vijay fits as a 'T' into the role and essays a subdued and believable portrayal of the boy next door. Trisha has more than a stereotyped Tamil heroine mantle to play. The role is far more complex than just a girl in trouble. With limited dialog's, Trisha exploits her occasional muted expressions and subtle vulnerability to add color to the role. This is a classic case of a cover page girl coming-of-age to become a professional actress. Trisha became my personal favorite after this movie. The movie ends on predictable lines, although one has to credit the Director for keeping the audience guessing on many things including Trisha's change in decision to leave the country. Prakash Raj deserves a word of praise for providing the perfect counter-weight for Vijay's role. His almost indomitable stature in the role of a villain and the apparent chinks in the hero's armor form a perfect ploy for keeping the audience guessing. Overall this is a great movie that deserves at least a single viewing. I give it a clear 8 out of 10. | 1pos
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] |
For once, this stereotypical 80's horror movie is not just set in a sport-crazy American high school or at a summertime camp but in.... a combination of both!! An actual cheerleader camp! Do these really exist? Anyway, this setting means there's a double portion of clichés, dumb teenager jokes and naked breasts guaranteed, so it can't be all bad, right? The opening sequence, which seems to come straight from a "Nightmare on Elm Street" sequel, gives us the false impression that "Cheerleader Camp" might be more ambitious than the usual 80's slasher, but it rapidly turns into a silly and by-the-numbers horror comedy. A group of competitive high school girls and two incredibly dumb males attend a camp where the best group (including their mascot) can win tickets for the national cheer leading contest...or something. Of course, their main concern quickly becomes surviving, as there's a vicious killer around as well. The best thing you can say about this film probably is that it doesn't take itself too seriously. The murders only occur halfway through the film because the opening is too busy playing out the fat guy pranks! Travis McKenna (who truly has a gigantic bottom) is more than just a comic relief; he "fills up" the first 40 minutes of this film with vulgar fat-guy behavior, like videotaping the girls sun bathing topless and "mooning" the entire camp through the windows of his van. There's absolutely no attempt to build up tension and the murders are delightfully cheesy. Quite gory, but certainly not unsettling and only diverting your attention from the lousy storyline. The killer's identity is so easily predictable and even the typecasting of Buck Flower as the eerie old janitor couldn't possibly make you doubt. | -1no label
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] |
Whoa!Terrible, terrible, terrible, terrible, did I mention terrible?You can tell just by the DVD cover not to get this movie, but unfortunately that wasn't the case for me.Well, someone brought this home for me to watch, and when I looked at it I just wanted to strangle the person, because they used my money.I will certainly be taking it back soon, but I might as well tell you about it while I have it in memory, for I definitely want to forget it.This movie doesn't deserve to even be called horrible.It's beyond horrible.Quite possibly, the worst film ever.The acting was so, so, so, so horrifically disgusting, as well as the deaths being so ENTIRELY lame and predictable.I didn't even laugh at how bad this movie was, which kind of frightens me a little.Don't see this film, shame on you if you're even looking at this movie page, and I have EXTREME pity for you if you're looking at this movie page, because you think this will be DECENT.Final word: YUCK!!!!!!!!!! | 0neg
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] |
OK I haven't read the book
And maybe the book was better
.WHO KNOWS???// But I loved the movie. It was entertaining, not a bit boring, enjoyable and most of all heart wrenching. The friendship between the two kids was so pure and innocent. These kids acted so well, especially the son of the Servant. Oh my GOD that's like the form of GOD on the face of EARTH. ARGHHHH he steals our heart so easily. *********Spoilers************* The other Friend the rich guy is a Kid and his confusion and frustration can be understood. BUT I did get angry when he Abandoned and ignored his friend in the time when he needed consoling. Anyways he was just a kid and a bit stubborn to. I wish the movie would also have shown the older version of the poor kid. Arghh it pains to just think of the ending. This movie is sad. I felt terribly sad during the ending. Tears dropped down my eyes. Yes the background scores are fantastic, the scenes are WOW. The Kite scenes are Fascinating. And well it gets a bit of an adventure in the middle. Wonderfully acted and superbly cast. The kids acted so well. GREAT Direction. don't know why this movie failed to WOOO the Critics. But it sure did WOO me. 10/10 Must-See
| 1pos
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This is not only a dreadful movie, it is confusing, and has the feel of several movies stitched together sloppily. I watched it at 1.5 speed and still the pain did not end quickly enough. What was real? What was dream-state? I still don't know; worse, I don't care. I don't know and cannot imagine why Chow Yun-fat made this movie (he does not appear until more than 50 minutes into it) because he was successful already...he should have done commercials and sold floor wash or denture cleaners, done anything except this movie. If someone offers to give you this movie, decline politely. | -1no label
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] |
Dark Tales of Japan is a collection of made-for-TV J-Horror stories, shot by popular Japanese directors. The result is a Twilight Zone style anthology that aims to please those who can't get enough of Japanese ghost films, but unfortunately it fails due to rather cheap production values, poor effects and a lack of genuine scares. In 'Would You Like To Hear A Scary Tale?' (directed by Yoshihiro Nakamura), which acts as a 'wraparound' story for the whole anthology, a creepy old lady boards a late-night bus and proceeds to tell a scary story to the driver (despite his not being too keen on hearing one). She's obviously a ghost, but isn't the slightest bit frightening. The Spiderwoman (also by Nakamura), follows a couple of magazine reporters who are writing an article on a mysterious monster that has been repeatedly sighted in the town of Ibaraki. The intrepid investigators track down the creature... and soon wish that they hadn't! A couple of creepy moments and some rather fun dodgy CGI make this tale just about watchable. Next up is 'Crevices' (directed by Norio 'Ring 0' Tsuruta), in which a young man finds out exactly why a missing friend has plastered his apartment with red tape: it's to keep out the creatures that lurk in the crevices! Lots of creepy atmosphere make this the best of the bunch. The Sacrifice (directed by Koji Shiraishi) is the title of the third story, and although lacking in scares, it is made watchable by the presence of the gorgeous Yû Yamada who stars as a young woman cursed by a creepy workmate, but who is ultimately saved by her mother (who sacrifices herself to a giant disembodied head with strange eyes!). Blonde Kwaidan, the low point of the whole film (despite being directed by perhaps the most well known of those involvedTakashi 'The Grudge' Shimizu), is a (mercifully) short story which features a Japanese businessman in Hollywood, who comes face-to-face with a blonde ghost. Yawn! Before the film is rounded off with another 'scary' story from the ghostly bus-lady seen at the beginning of the film, Masayuki Ochiai (director of the upcoming Shutter remake) delivers the fairly enjoyable Presentiment, in which a trio of ghosts scare the hell out of a poor man trapped in a lift. | -1no label
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] |
Seagal is back and bigger than ever. The larger than life actor is back to his best with Mercenary of Justice. The heart felt story begins with Seagal being described the as a wild card and the best at his job i.e blowing stuff up in slow-mo. A mercenary gets involved in a mission that threatens the lives of his kin. In order to succeed, he must break into one of the most wellguarded prisons in Eastern Europe and free the son of the most notorious drug lord in the world today In conclusion this is a great and refreshing change from the average action film with real heart felt drama its only rival release may be firewall, however Harrison Ford struggles to compete with Seagal in every aspect. "It's time to fight again".... Damn right | -1no label
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] |
This movie is meant to relax the tensions built up in the dutch society between the 'natives' and the immigrants, in this case Marrocans. The story revolves around a Marrocan family which tries to start over their lives in the Nethelands with all cultural differences and prejudices depicted with a comical note to it. This film was well received for both audiences, dutch and immigrants. The intro movie was hilarious, but the more the movie advanced, so did the seriousness of the story. I liked this one, but I still miss the artisticness that some of the French or Japanese movies have. It seems that every movie to come out of Holland must have a comic tone to it to make it more acceptable for the masses. | -1no label
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