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I look around in the video store still in shock how Steven Seagal with his track record of Bad action movies can still have 3 movies hit the shelves in less than a Year.Attack force being the 3rd no less promised the first-time entrance into the Sci Fi Genre for our ever widening Seagal.Visions of bad movie entertainment flashed before my gullible eyes.Sadly this is not the case one bit with no entertainment and a movie as bad as they come. Seagal rebounded a tiny bit with the Trashy-but enjoyable Shadow Man last time we saw him.However Attack force has to be his absolute worst movie ever!Don't argue for out for a Kill,Ticker,or even Black Dawn folks.This is the bottom of the Septic tank here. Anyone who says this is Steven Seagal's return to form should be forced to write a 100 page essay on the word Taste. Seagal is yet another agent/I'm a supreme bad-ass yet again named Lawson wants revenge for the killing of his Team that leads him to a nefarious plot to distribute a really bad drug to the unsuspecting public.Not to mention the dealers are not from around here. The whole Production from Directing to the acting is poor.Was this movie shot in the Dark?Its gotta be the most poorly lighted movie since Howling 2.The action is terrible and very badly done. The Producers have also unwisely decided to do what the fans hate the most:throw in stunt double after stunt double and horribly dubbed Steven Seagal.Who seems to show little enthusiasm here.Can ya blame him? While it has been said that Attack Force was not the movie Stevie signed on for(originally Harvester)and surely has to be better than Attack force.The post-production tampering has not made it more coherent and made Seagal look worse.I feel bad for Directer Michael Keusch and writer Joe Halpin as they are gonna be judged forever for the ill-advised production re-shoots. So Now This leaves Seagal in the impossible position to come up with something to atone for this mess.But after seeing how bad Attack Force has turned out do we really want him to make another movie? | 0neg
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] |
I was lucky enough to watch it during an event of a company I work for. I really enjoyed this movie, because of it's editing, wonderful actors and full packed action. The movie tells the same story from 8 different persepectives, most of them from a character view, makes the puzzle clear till the end. Some puzzle parts can be guessed but this makes the movie so fun to watch. Matthew fox acting could be better, but the others are convincing. Cheers to Ayelet Zorer, an Israeli actress who surprises again with her beauty and acting. If you like thriller, action and car chases all in same movie then this movie is for you. | -1no label
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] |
I was p***ed when I couldn't see this one when it was screening at the Philly Film Fest last year, so when I saw that it was going to be on cable tonight, I put it on remind as soon as I could. So was it worth the wait? Well let's backtrack a tad as I have yet to give you the plot. Sean Crawley is a young man who doesn't know what his path in life is. Enter Duke (George Wendt) who introduces him to his boss Ray (Danny Baldwin). One night Ray totally hammered asks Sean to off the guy that they had Sean following around. And it goes on from there. Which leads me back to the question posed. Was it worth the wait? Yes and no, the buildup was pretty good and George Wendt stole the movie for me. He just took the ball and ran with it. But it's nowhere near as violent as I was led to believe and somewhere along the movies running time the ball is not only dropped, but fumbled and taken in the other direction. I know where this point happened exactly, but can't say without spoiling the film. But needless to say it happened. The ending doesn't save the film either. Poor Stuart Gordon nothing can be good like "Re-animator" or "Castle Freak". My Grade: C Where I saw it: Showtime Extreme Eye Candy: Kari Wuhrer shows her ta-tas in one fantasy and then in the next more ta-tas and it pans down and...OH MY GOD MY EYES MY EYES!!!!! | 0neg
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] |
When I finished watching "Weight of water" I had the impression that I just had watched two different films mixed to each other. One of them was pretty interesting, and it told the story of a murder committed on an American small village populated by immigrant fishers 140 years ago. The other story was boring, the characters was such a mess, and it was plenty of narrative mistakes: occurred at present time and it's about a journalist who travels (along with his husband, her brother in law and the girlfriend of that one) to that small village in order to investigate the incident and take some pictures. We're told about his troubled marriage, and some other things we don't give a damn about. So one story destroys the other. One part of the script blows up the other one, and even the actors (especially Sarah Polley) made a better job in the "historic" part. Yeah, Sean Penn was over there, but this time his performance was pretty forgettable (he just shows us some of his most known "tricks") ... and what to say about Liz Hurley's work!! God, she may have an impressing body, but she's quite a bad actress with that femme-fatale look in her face 100% of the time. Anyway, I didn't expect that much of Kathryn Bigelow. Anyone did? *My rate: 4/10 | -1no label
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] |
I truly hate and despise this film and the filmmakers behind it. Sure, I'm all for making a hard hitting and honest film about youth and youth culture.1987's "River's Edge" is an excellent example of a well-made teen drama. However, what I take exception to is the infantile, grubby and sensationalist approach that the makers of "2:37" took. A prime example is how it raises so many issues and yet fails in any significant way to comment or reach a resolution on even one of them. My other major problem with this film, apart from its complete plagiarism of Gus Van Sant's "Elephant" (surprised Van Sant didn't sue) is its 'bull loose in a china shop' attitude to quite delicate issues such as incest and particularly suicide. In short, avoid this film like the plague and anything that this filmmaker ever is involved with subsequently. I've heard that his motivation for making "2:37" may or may not be based on lies. Having seen the substandard result, this doesn't surprise me in the slightest. This is a glorified student film exercise that has no place whatsoever being in a cinema or on DVD. Pure and simple. | 0neg
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] |
This movie is pure propaganda. The film makers pull out all the stops to elicit a carefully directed emotional response from the audience, but IMHO it fails because their efforts are so blatantly obvious. I find an interesting parallel between the interrogators portrayed in this movie and the movie itself - both end up doing the same thing. The interrogators relentlessly drive their captives in order to get what they want out of them, and the movie does the same thing it's viewers. Now, instead of contrasting the interrogation of an Arab and an American, if the film makers would have woven together the stories of an innocent person being questioned and a terrorist making his way through multiple levels of bureaucracy - that would have been interesting. But then, that may have resulted in some of the viewers coming to different conclusions than the film makers, something that they're obviously uncomfortable with. | -1no label
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] |
Steve Buscemi plays a loser who hangs around a bar called the Trees Lounge, who keeps making his own life worse. He picks fights with his friends, loses jobs, and generally gets drunk and gets into trouble. There's a great scene where Buscemi takes a job as an ice-cream truck driver, he's completely the wrong person to do the job. Still, the movie doesn't really have many happy or fun moments, it's the portrayal of a guy who just doesn't care anymore and wants to spend his time hanging around a bar with a bunch of other regulars with no aim in life but the next drink. This movie is not as fun, clever, interesting or memorable as it could have been, it's hard to care about any of the characters, they live such boring, banal lives, and there aren't any quotable lines in the movie. It is worth watching once, however. | -1no label
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] |
This film was the worst film I have ever viewed. It was like a "homework assignment" for a film class. It totally misses the mark when it comes to the "message" it is TRYING to relay. Characters are over exaggerated, poor acting and as for a plot...well it is utterly ridiculous. The cover shot is what made me think it may be a decent film, the co-actor is handsome and that's about it. Moral of this movie: NEVER JUDGE A MOVIE BY IT'S COVER! Save your time, money and energy and make your own home movie and you will be far better off than I. It was painful to watch and quite frankly I am surprised that anyone would spend money to make and distribute it! | 0neg
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] |
This movie is weak ,The box-cover says East LA's toughest gang and it is really Santa Ana's , James Cahill acts like a closet queen taking down all the tough guys in the tough Chlo gang . It is fake , boring , senseless and whack , I tried to get my money back from the video store this movie was so bad . It was also on the homo-erotic tip far from what the video-box proclaims . James Cahill should act in Gay Porno .James is in every scene , he cannot act to save his life . The film features Eva Longoria who is hot but James can't even score with her !!!!!!!!! I felt at times I was watching Gay Porn and was turned - off by the whole film . James clearly want's to be with men but rather then submit to his gay desires he beats up gang members over and over and over again . His martial Arts skills are minimal at best , Some real gang members would take him and his weak skills and rip him a new one . | 0neg
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I'm so glad I taped this film when it came on BBC last month! It blew my mind, so gut wrenching and real. David Tennant is absolutely fabulous in this, even though his character isn't always that easy to like or identify with. The final scene where he plays the song just broke my heart, those eyes.... I'm guessing that he made this film in between the Dr. Who series, and that makes it even more of an achievement for me. I just love Dr. Who and yet I saw absolutely nothing of him in Mr. Tennants portrayal of this man who knows that he has changed and struggles to create some sort of new identity and life. great little intense drama! | 1pos
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] |
If you watch this movie you'll be quoting it and referring to it for a long time to come. It's been years since I saw Dolemite and I still quote it to this day. It's a true classic. It is so mind-numbingly awful that it makes a hilarious view. Every terrible line of dialogue is totally amazing. Every wobbly shot a work of art(?). And every punch and kick so woefully executed. You won't believe your eyes. It's all I can say. If I really get into how mesmerizing this movie is I won't be able to stop and I'll go way over the IMDb 1000-word limit. Please, please watch this movie. You'll be in hysterics. Either 1/10 or 10/10, depending on your sense of humor. | 1pos
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] |
One of the best comedy series to ever come out of Britain. Mark Gatiss,Reece Shearsmith and Steve Pemberton are terrific actors and performers who seem at home with drama as they are with comedy. Ably supported by their writing partner Jeremy Dyson, they have peopled the series with the most memorable characters of recent years. Little Britain pales into insignificance as a poor imitation of their ideas. Consistently original and groundbreaking I am sure that as many people hate these series as love them but I am equally as sure that no one could have no opinion on LOG. I have yet to see the feature length movie but I have heard good things and bad things so I will reserve judgement.The original radio series from which LOG came was as innovative as the TV series became. I don't know whether the TV series made it to the US but I would be fascinated to see how American audiences found the weird Englishness of the humour | 1pos
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] |
The Vietnam War era is certainly far before my time, but it has always interested me, and I have seen many films about it. All of the others I'd seen had dealt strictly with the front-line of battle. When I read a description of "The War At Home," I found the concept intriguing. No Vietnam War movie I'd ever heard of talked about what happens to a soldier once the fighting is over with. One night, while flipping through channels, the movie aired on The Sundance Channel. I set down the remote and settled back to watch it. I did not move from my seat during the entire two hours; it's one of those movies that keeps you very interested because there is no way to predict what is going to happen next. This movie made me a huge fan of Emilio Estevez. I had enjoyed him very much as Billy the Kid in the "Young Guns" movies, but I never saw anything he did afterward. Emilio proved to be very talented at writing and directing as well as acting. The pacing of the movie is done extremely well. I am hard-pressed to think of a point where it drags. What amazes me is that it didn't get an Oscar or any real recognition when it came out. It is a dramatic story about parents trying to cope with the fact that their son is not who he used to be and probably will never be as they remembered him again. Definitely worth seeing. | 1pos
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] |
Burt Reynolds, Hal Needham and crew capitalized on the success of the first two Bandit movies, threw in some hot babes along with recognizable stars for a blast of a film. Who needs plot with all the eye candy? Also, you can tell that everyone on screen's having a blast doing this movie which adds to its enjoyability. Having the original Rat Pack reunite in these films perhaps signaled a passing of the torch to the new Rat Packers of that time, lead by Burt Reynolds. Being from Pittsburgh, Terry Bradshaw's involvement fueled his fan support as this was made after he won his fourth Super Bowl. This movie inspired my friends and I to take off on two cross country road trips. Although we could not find any spandex Lamborghini babes we almost had as much fun as these guys! | -1no label
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] |
Childish storyline ripped off of a lame Hollywood movie, terrible acting, cheesy dialogue, and not quite "up-to-par" sex scenes. That's right another great softcore parody! I enjoyed this film greatly! Sure the acting is terrible, but that part of the fun! The storyline is ludicrous, but some things must be sacrificed when the story has to revolve around girl-on-girl sex scenes. And because it's only softcore (no penetration) the sex scenes were a little bland. But it's like the great god of softcore smut Russ Meyers said "who really cares what goes down beneath the waist." I don't know if I'd agree with Mr. Meyers on this one but what the hell... the flick entertained me for an hour and a half. I give it a C+, it would've been a solid B if they coulda cast more of the girls to look like Russ Meyers actresses. VaVoom! VaVoom!~ | 0neg
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] |
I think that anybody whose dumb enough to risk being a wax dummy just so they can go to a football game or they don't want to leave their car "to get stripped" deserves whatever happens to them. The guy, Wade who "went to a barbershop and asked for the He-Man haircut" wasn't my type, but there's this really cute scene of him having his eyebrows and facial hair waxed. That's a little too high-maintenance for me. Also fun, but not my type is the fat guy in the big sunglasses who looks "like Elton John only gayer," but that whole plot goes nowhere! Blake was hot,I could see myself with him if he wasn't so into his girlfriend, who is a phony Paris Hilton in a bad wig (no Chihuahaua in her handbag,though but that would have been really precious). I don't think girls who look like that go to football games anyways. Nick the car thief is the sexiest! One of the best parts is where a football lands by him, and instead of throwing it back, he chucks his cigarette down and it burns the football. See, that's just the kind of guy he is. He has a sister who looks dumb borrowing his white wife-beater. Her bra straps are showing for, like 1/2 the movie! Mostly you will just want to wax your legs and not ever go to football games after seeing this. | 1pos
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] |
This movie is the very worst that I have ever seen. You might think that you have seen some bad movies in your time, but if you haven't seen this one you don't know how terrible a movie can be. But wait, there's worse news! The studio will soon rerelease this masterpiece (I'm being ironic) for all to see! The only things worse than the plot of this movie are the effects, the acting, the direction, and the production. Bill Rebane, the poor man's Ed Wood (not that there is a rich man's Ed Wood) (I like Ed Wood's movies, though) manages to keep things moving at a snail's pace throughout this film. It opens with the capture of a baby bigfoot (a Littlefoot? --sorry, couldn't help it) by a pair of unlikable hunters, who are killed by the parent. This causes the entire town where the hunters lived to go on a Bigfoot hunting jihad. This is pretty much it for the plot. Nothing even remotely interesting happens, and we the viewers are never able to care about any of the characters. If one is interested in the films of Rebane I would recommend almost any other over this. However, as I said, it will soon be rereleased by Troma in order to bore a new generation of filmgoers. | 0neg
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] |
This is what I call a "pre Sci Fi; Sci Fi" movie. It gets no better than Lugosi/Karloff in this incredibly good "mood" type motion picture. These two genuine artists are at their very best, as is the story line. Karloff does an amazing job as a scientist that sees himself caught in a vise of vanity, pride, and scientific competition. I was caught up in the idea of watching a man as he drowns himself in the three previously mentioned concepts. I was saddened and at the same time fascinated with the two stars as they do themselves in. This is the sort of motion picture that begs for a remake. This time put Harrison Ford in the Karloff part and maybe Kieffer Sutherland as the Bela Lagosi role. It might be possible to do it almost as good. This is one of the very best that Hollywood EVER produced. As I said..it gets no better. No way. | 1pos
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] |
This film is excellently paced, you never have to wait for a belly laugh to come up for more than about a minute and there's much more going on than the initial premise of the film. Throughout it there are mockeries of the traditional schmaltzy local-boys-done-good-overcoming-adversity genre of which this parodies. Don't let anyone tell you that they're trying to get cheap laughs just by using obscenities;- sure, there's plenty of that but it's all contextual, not gratuitous. I loved this film and it only cost me £2.99 on DVD , so in terms of entertainment value for money, it has been the best film I've seen this year. | 1pos
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] |
Just saw this movie 2 days ago. A very interesting look at people and our world through the world of wine. I have no special interest in wine, and yet I found this very enlightening. The director gave me the impression that he has the ability to show people as they are. While he exposes a lot of things that are below the surface he manages not to take a stand and leave that for the viewer. He shows a lot of compassion to people (and dogs) and sympathy and let people tell their story and in the same time exposes what they don't want to tell. The movie shows us where our world is going to, what are the benefits and what is the heavy price we pay. It is a movie about the love of wine and the love of making it big, personal and global, character and formula. The real stars of the people for me are the older wine makers with their disillusioned look at the world and themselves. It takes some time to get use to the hectic camera moves and editing, but it's worth it. Highly recommended. | 1pos
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] |
John Candy is always funny to watch, but Michael Moore's anti-Americanism was really coming to the fore in this movie. This was released after Candy's death, and so Canadian Bacon is notable for his fans in that regard. Dan Aykroyd's cameo appearance as an RCMP trooper is priceless and other parts of the movie are well done. Stomaching Moore's tripe is another matter. From his typical military-bashing (embodied in Rip Torn's General Panzer) that he refers to these days as "supporting the troops" to mocking the Western position against Commumism (of which Canada was a fully-supporting member in the fight), Moore hasn't changed much. His premise that the good old USSR wasn't so bad (note the "Peace through Fear Since 1947" signs in the factory the President visits) runs parallel to his position today that Al Qaida isn't such a bad bunch of chaps and that, in Moore's words, "there is no terrorist threat." Moore has since "graduated" to creating fictional movies disguised as documentaries in order to profit from the suffering of others (Columbine, 9/11). In retrospect, perhaps Moore should have stuck to comedy. | -1no label
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] |
Grand Champion is a bit old fashion at first glance. Andrew Morton at the Fort Worth Star Telegram said it best "If Walt Disney had hailed from Texas, he would have made Grand Champion" The movie does not have the video and special effects but it has heart and soul. The kids are great and the array of stars is incredible. I bet Bruce Willis and Julia Roberts are proud to be in a movie that their kids can actually see:) (G rated) This is a masterfully crafted "simple" little film made in Texas by Texas Barry Tubb. Take your kids, take your kids friends, take Grandma too....they will all enjoy it and you will too. | 1pos
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] |
I saw this film last night at the Midwest Indy Film Fest in Chicago. I commend the filmmakers on a beautiful and challenging story and wonderful execution. I strongly disagreed with the length and labored approach in the final edit. I agree with the director that languor and easy films are needed in our fast pace world, yet, here the length is doing your film a disservice. The film lover next to me fell asleep! I struggled to keep interested. As filmmakers you need to take a stand with your beliefs, but you need to realize the risks. Does this particular film need to be 39 minutes, 37, 22? Is that worth endearing the film to this part of the audience, while, this part of the audience falls asleep? I bring this up because I feel the film will lose nothing, and gain so much more, if it was tighter. The idea that you need a labored approach for this heavy theme is not a valid argument. Roman Polanski's "Two Men and a Wardrobe" is soaked with rich themes and is 15 minutes. Marcell Ivanyi's "Wind" is spell binding in the themes it introduces at 6 minutes. Ultimately, the short film is a unique artform, complex and ever changing. There is a certain social contract that exists between filmmaker and audience on what that artform is. What is the general public perception on the range of length of the short film artform? Do you feel the labored edit of your story is justified by the power of the third act and the direction of the characters arc? Why do some people enjoy the pace of "Lost in Translation" but fall asleep here? You can break those conditions whenever you like, and I hope you do, just recognize the risk. To end on a good note, I like your effort now; I'll love your film after a tighter edit. | -1no label
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] |
Dr. Markoff is a mad scientist who is experimenting , trying to find a cure for a viral cause of acromegaly. When he attends a piano concert, he is stricken by the beautiful daughter of the pianist and sets out to woo her. But when she wants nothing to do with him, he infects her father with the acromegaly virus in an attempt to extort money and his daughter in exchange for a cure. That is the basic premise for this B-grade low budget thriller. I have to say I was underwhelmed by this movie. Not that it was terrible-it wasn't, but there was nothing particularly noteworthy about it either. It was entertaining enough for a viewing but is not one that will stay in my memory. The dialog is a bit corny at times and the acting is just mediocre. The story is fairly predictable and doesn't really give us anything new. Of course, I can't complain too much about a movie that has a guy in a gorilla suit who serves almost no real purpose and a doctor with a Svengali-like stare that fails to mesmerize his victims. It may be worth a watch if you like this sort of movie, but don't go into it with too many expectations. | 0neg
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] |
David Attenborough brings his fascination of wild life, this time the creatures under the sea, in this extraordinary 8-episode trip to all the animals under the sea! The cinematography is astounding, bringing to the screen truly breathtaking footage of those whales! But the best thing about it, as well as seeing each episode, is how they made it! Whether it is making models of creatures, or those impressive shots of the whales, they explain to you in about 10 minutes how they did it! 2001 had some great tv shows to our screen. But, in contrast to this documentary gem, they make them pretty lame! But to even boast this documentary series as the best tv series of 2001 just does not sum up the sheer brilliance that this series provides in quality entertainment! Overall, this is the best TV series of 2001, with no competition, and, maybe, the best TV series of 2000s! | 1pos
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] |
After the huge success of "Blacula", Sam Arkoff made plans for a similar knock-off called "Blackenstein". In the meanwhile, write-producer Frank Salteri decides to beat him to the proverbial punch by taking the Black Frankenstein concept, dashing out something resembling a script, gathering together a considerably less than stellar cast (including ex-mob moll Liz Renay and a couple of 40's has-beens who appear to have needed some extra bucks to pay the phone bill that month), and spending what appears to be about $30, slaps out one of the worst pieces of cinematic drek to have ever played inside the confines of a movie theater. If the wooden acting and laughably inept gore effects don't get you, how about the inappropriate musical and stand-up comedy routines (such as they are), or the long-shot camera work during crucial scenes, or how the title character shuffles about with his arms outstretched, just like every parody of Frankenstein you've ever seen. For years, Sam Arkoff has taken the blame for this cinematic blunder. Sam: A lot of people owe you a hell of a big apology!!!! | -1no label
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] |
Of all the movies of the seventies, none captured to truest essence of the good versus evil battle as did the Sentinel. I mean, yes, there were movies like the Exorcist, and other ones; but none of them captured the human element of the protagonist like this one. If you have time, check this one out. You may not be able to get past the dated devices as such, but this is a story worth getting into.Then there are all the stars and soon-to-be stars. My absolute favorites were Eli Wallach, Sylvia Miles, and Burgess Meredith. Then there are the subtle clues that lead to what's going on too. Pay close attention. I had to watch it four times to catch on to all the smaller weird statements like 'black and white cat, black and white cake'. Plus, the books are really good as well. I'm just sorry that they're not going to turn the second book into a film. It's so scary that it would outdo this movie. | 1pos
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] |
Well, I was told that this is a 'hentai' with a good story. After seeing it, I just couldn't stop laughing because it is just too stupid even for a pornographic film. The positive characters are just too stupid, the villains are evil because they have just one face, et cetera. And also this series makes the prequels boring. It has so much flashbacks that even that small 'story' becomes boring, long and stupid. If it is possible... After a few episodes even the 'actions become long and boring, because everything is just repeated, and I think that there is nothing that could possibly make me believe this is a horror. The fantasy stuff is just that we see a lot of pentagrams everywhere, with runes around them. This stuff never made anything a fantasy or horror... I wish someday somebody could really show me an enjoyable and entertaining hentai! | -1no label
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] |
What is it about certain films that generates such polar opposite reactions? Some people here have called High Roller "disgusting." Some have called it "extraordinary" (as would I, actually). Why? I think it's because films like this don't make heroes out of jerks, or glamour out of degeneration, and some people just can't deal with that emotionally. They NEED a hero. And I'd also add that if they're gamblers or poker players, they might feel personally betrayed when their existence isn't justified. High Roller in NOT a poker movie. It's a PEOPLE movie. It's not perfect, but it looks good, is well-written, and wonderfully acted. And best of all, it generates an emotional response and inspires reflection. And maybe that's what makes some people so damn mad. | 1pos
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] |
This was a great movie that had a lot of under lying issues. It dealt with issues of rascism and class. But, it also had a message of knowing yourself and taking responsibility for yourself. This movie was very deep it gave the message of that you and only you can control your destiny. It also showed that knowing yourself and being comfortable with who you are is the only way you will ever fit into society. What others think of you is not important. I believe this movie did a wonderful job of showing it. The actors I think were able to convey each character wonderfully. I just thought it was amazing how deep this movie really was. At a just glancing look you wouldn't see how deep the movie is, but on further look you see the underlining meaning of the movie. | 1pos
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] |
I didn't thunk much of this movie and much of the blame should be centered on Ira Levin's source novel . Someone rightly points out that personality is possibly more to do with environment that genetics , so how come nobody realises that Nazi Germany wasn't all down to Hitler ? I'm thinking of millions of Germans who fought and lost a world war from 1914 to 1918 and tens of millions of Germans being affected by the terms of the Versaille treaty . Hitler himself fought in the war and was lying in hospital when the war ended and all these factors had far more importance in the creation of Nazi Germany than Hitler's father being a civil servant . In other words Levin's plot is totally ludicrous to say the least . Apart from the silly plot the main problem with the film version of BOYS FROM BRAZIL is the acting and it's quite ironic that with a story centered around Jews that there's so much ham on display . Really the acting is really awful , so bad that you can't help laughing at the performances . Laurence Olivier gives possibly the worst performance of his career while Gregory Peck seems to be giving an impersonation of Basil Fawlty , oh gawd even James Mason is bad and that's not something I can say lightly Yeah this is an entertaining movie but if you're making a thriller it's vital that you thrill the audience and not have them rolling in the aisles with something that feels like it's a sequel to THE PRODUCERS . How amusing is it Theo ? It's so amusing that I burst out laughing when someone made the very predictable cry of " Help get a doctor " - " I am a doctor you idiot " | -1no label
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] |
This was a original and satisfying treat for horror buffs. The film works like a documentary where they are interviewing this horror buff guy that has a lot of knowledge in the horror genre and is on a journey with him to create a real horror movie, which is the horror buff guy or Leslie Vernon's fantasy. With Freddy, Jason and Michael all being real characters in this movie, and talking about them during the beginning of the film was a nice touch. And it's humorous and entertaining to watch as he goes about doing it and Leslie is charismatic and likable. What I think would have been better is if they made every scene hand-held camera style cause it makes it seem like the event really happened. The people that are making the documentary is shocked during the final showdown cause like Leslie said, it's really going to happen the way he planned. Than the crew grows a conscious and the hilarity and the fun keeps going with it's turn of events. The first 2 thirds of the movie is more on the fun side of things with the actual horror thrown in at the end which works pretty well with the build up with it's dark humor. The main flaw I can see is that only horror buff will get the maximum enjoyment out of this film, but it's still a fun low budget and original film, I really liked the concept. The blond of the crew got annoying near the end though, but there was a reason behind it. Some people maybe also turned off by the lack of blood and gore, but that just means more people can enjoy this film. It's a well done mockumentary, but may not be as good the second time around. 8/10 | -1no label
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] |
I think everyone wanted to be Magnum!! Tom Selleck was hilarious as Magnum PI!! He drove around the coolest car, all the women loved him, and he was a master of dodging in and out of precarious criminal situations in an effortless and likable way! Picturesque Hawaii was another positive aspect to this series!! I visited Hawaii when I was a senior in high school!! In my opinion, it is the most beautiful state in the union!!! Tom Selleck is a fabulously famous movie star now, but I always associated him with being "Magnum" the totally cool detective!! "Magnum" is one of my favorite shows in all of television!! Tom Selleck is a friendly type of actor who has a huge following!! "Magnum P.I." was so popular because your average guy had a definite identifiability with Magnum!! The helicopter scenes were classic, and the athletic interludes of Magnum being the ultimate man, left a very favorable impression on the television audience!! Let's face it, Tom Selleck was the best part of "Magnum P.I." without question... beyond a shadow of a doubt!! I give this show an extremely high rating!! 10 out of 10 is the least of it! | -1no label
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] |
Joan Cusack steals the show! The premise is good, the plot line interesting and the screenplay was OK. A tad too simplistic in that a coming-out story of a gay man was so positive when it is usually not quite-so-positive. Then again, it IS fiction. :) All in all an entertaining romp. One thing I noticed was the "inside-joke" aspect. Since the target-audience probably was straight, they may not get the gay "stuff" in context with the story. Kevin Kline showed a facet of his acting prowess that screenwriters sometimes don't take in consideration when suggesting Kline for a part. This one hit the mark. | 1pos
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] |
The Beat that my Heart Skipped is a beautiful film. Thomas Seyr is a property dealer. A broker. A fast talker. A fixer. He and his two partners encourage sellers to sell cheap. Encouragement includes releasing rats into the property at night or the liberal use of baseball bats. But this is a beautiful film. Mr Shady Adrenalin-Rush Seyr has a past. Not a bad past - more of a silver lining that accidentally gets uncovered. Like his mother, he used to play piano. A twist of circumstances has him suddenly realising he has a chance to be a pianist and he takes lessons to prepare for an audition. An audio flashback has his teacher telling him, "The emotion is not very generous" and at the same time the film slips into a minor key as our emotional involvement with the character kicks in. Playing piano interferes with Thomas' being a total bastard, much to the annoyance of his colleagues who don't want him pussyfooting around with such a silly hobby, but the audience and Thomas sense a soul struggling to shine through his shitty persona and the amphetamine paced timeframe stops the movie from going gooilly sentimental. More formula as we see him at the piano naked from the waist up after making love, flattering lighting, Chopin, Debussy, Bach and Mozart. Sensuousness and arty mix. Electro moves to classical. The Beat that My Heart Skipped carefully pushes all the right buttons, but still seems fresh given French naturalistic acting, an unpredictable storyline, great soundtrack, and being entertaining and funny. A remake of an American movie with Harvey Keitel, it stands up quite well even if lacking in substance. Thomas perhaps eventually finds what his heart missed, though not quite as predicted. | -1no label
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I shouldn't like Jackass Number Two. No one should. There is and never has been anything particularly redeeming about Jackass. And yet...it's one of the funniest things I have ever seen - and I simply cannot explain why. This new movie leaves the first one in the dust. It's so funny, so horrible and so wrong. The whole team give their all - with Jackss in chief Knoxville leading the charge. He's nuts. I adore him, but he's insane. And more power to him. With his burgeoning film career he could have sat back and just let everyone else do the dirty work, but the fact that he threw himself, almost literally, back into the world of the 'Ass so wholeheartedly makes me oddly respect him. More kudos must go to Bam Margera who previously seemed content to sit back and just make sure everyone around him did pretty much what he wanted. Here Bam isn't the tormentor but the tormented and is all the better for it. I simply can't say what my favourite part is because I laughed the whole way through. Admittedly I viewed much of the movie from between my fingers, but there hasn't been a 'real' movie I've seen in a very long time that made me feel as invigorated as this did. Love them or most probably hate them, the Jackass team have delivered above and beyond my expectations. But I do agree with Bam. There can never be a Jackass number three because someone will die and I want these guys to stick around. | 1pos
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] |
If there are any remaining doubts about the depravity of Hollywood and the total lack of taste in American "culture" this ghastly film is the definitive proof.(And no, I am neither Christian nor conservative.) Oh, it has the occasional chuckle. But it gives the word "gross" new depth and meaning. The sex scenes, done in the style of the drawings one finds around urinals, are enough to turn you off that pastime. I watched it, wondering why I was doing so when I had an excellent book on the go that I could have picked up and why people make movies like this. The final insult came when I discovered here on IMDb that all the women characters are drag queens! Mon dieu!!! The logic escaped me other than that it likely was an immense bitchy put on and did precisely what it was supposed to do: infuriate straights and insult women. Maybe it was big with the gay crowd. After all, they loved "Le Cage Aux Folles." It was very small with me. | -1no label
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] |
We loved the movie. I am a mother to two little men. I love having a movie I can watch with them where men have integrity and character. Moveis where money is not the most important thing. And family's are forever and love means more then words. I do wish we saw more of the Davis family. But over all I loved it left me with the same feeling the others did "please don't be over". We both wish actors would not change.The new actors were good replacement tho. My 9 year old son loved this movie too. asked me to go buy them all. He is a movie critic so for him to say this tells me something. Family should all see this move buy it for friends . Help bring back a time of values. We will be Reading the books now that we are hooked. really hope to see more. Be Blessed happy moving | 1pos
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] |
Klaus Kinski popped up in a sizable number of spaghetti Westerns throughout the 60's and early 70's; he was usually cast in secondary parts as nasty villains. Kooky Klaus lands himself a juicy lead role as Crazy Johnny Laster, a foul, twitchy, and deranged sex maniac who comes up with a plan to abduct a lovely heiress in order to obtain her considerable inheritance. Johnny and his gang become wanted fugitives after the plan goes disastrously awry. Writer/director Mario Costa ably crafts a sordidly compelling portrait of a severely sick and twisted piece of sniveling low-life work: the plot unfolds at a steady pace, the tone is appropriately gritty and serious, and the exciting action scenes are staged with real skill and brio (the shoot-outs in rock quarries are especially gripping and thrilling). Ironically dressed in white, oozing oily charisma from every rotten pore, and jumping on beautiful women every chance he gets, Kinski's Johnny makes for a fascinatingly creepy and monstrous brute. Kinski is simply spectacular as this gloriously repellent character; he receives fine support from the luscious Gabriella Giorgelli as sweet, fiery saloon girl Juanita, Steven Tedd as the cheery Riccardo, Giovanni Pallavicino as ruthless band gang leader Machete, Giuliano Raffaella as smart lawyer Gary Pinkerton, and Paolo Casella as Johnny's sensible parter Glen. Kudos are also in order for Stelvio Cipriani's moody and spirited score. Well worth seeing for Kinski fans. | 1pos
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] |
Not as bad as some people say...This is a unofficial Bond movie and a remake of "Thunderball", written by Kevin McClory (co- producer in "Thunderball"). Well, the cast is very very interesting, Maria Brandauer is a great Bond- villain, Kim Basinger and Barbara Carrera are just like the "original" Bond- girls, plus Rowan Atkinson and a truly great Edward Fox, who looks really refreshing in the "M" role. In fact, the whole movie is refreshing and gives some new impulses. Sean Connery does it once more confident and charming, except that he looks a little bit too old. But alright, he is the original Bond and it was great to see him once more in this role. The locations are also typical- Bahamas, France, etc. The only thing that really fails is the music score, the song "Never say never again" is O.K., but the theme song is just missing. All in one, a nice try to make a difference from the comic and silly Roger Moore movies like "Moonraker". Only if there was another story, "Thunderball" was a excellent movie and really did not needed a remake | 0neg
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] |
The DVD jacket in which this movie came describes it as "uplifting and humorous." Those are not the words I would have chosen - not by a long shot. I would choose a word like "sombre," sometimes even "depressing." Which isn't to say that it's a bad movie. It's actually a pretty good movie, featuring good performances from the leads, with enough uncertainty throughout about what's going to happen at the end that you keep watching. The uncertainty comes from the structure of the movie - it seems to revolve around Ellen's reminiscences of her mother's slow death from cancer, as she is interviewed by the DA. So, we know from the start that something suspicious happened at the end - the questions are "what?" and "who?" Renee Zellweger was very good as Ellen - the somewhat resentful daughter who has to give up her life and job in New York to return home to care for her sick mother. Ellen evolves through the movie - moreso than any other character - as she learns to deal with both the strengths and weaknesses of her parents. Her relationship with her father (William Hurt) is quite interesting. My initial impression was that they were quite close, but the warts in the relationship start to show after a while. Hurt was effective as the detached husband - detached not in an uncaring way, but in the sense of being unable to cope with what's happening to his wife, and seeking escape from it in various ways. Finally, Meryl Streep as the cancer-stricken Kate was very convincing in the role, seeking to live out what remains of her life in the most fulfilling way possible, then dealing with the anger she feels at her increasing debilitation. In a way, watching a family deal with this kind of crisis reminded me a little bit of "Ordinary People," although this movie was far less emotionally intense. So, not "uplifting and humorous" (with all due respect to whoever wrote the synopsis on the DVD jacket) but very good in its own way. 7/10 | 1pos
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] |
**May Contain Spoilers** A dude in a dopey-looking Kong suit (the same one used in KING KONG VS. GODZILLA in 1962) provides much of the laffs in this much-mocked monster flick. Kong is resurrected on Mondo Island and helps out the lunkhead hero and other good guys this time around. The vampire-like villain is named Dr. Who-funny, he doesn't look like Peter Cushing! Kong finally dukes it out with Who's pride and joy, a giant robot ape that looks like a bad metal sculpture of Magilla Gorilla. Like many of Honda's flicks this may have had some merit before American audiences diddled around with it and added new footage. The Rankin/Bass animation company had a hand in this mess. They should have stuck to superior children's programs like The Little Drummer Boy. | 0neg
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] |
This review has been written by someone who has read it (several times) and knows what they are talking about!. Firstly I have read others comments and noticed that some of the objections were really quite stupid. People who have read the book and other Jane Austens or for that matter any good book, will know that sticking to the book is vital you have to trust an author with what they do. If the viewer does not like it BECAUSE it sticks to the book well it shows they do not understand Jane Austen and obviously are not a true fan. Firstly if the viewer truly loved the book or Jane Austen in general, watching it for four hours should not prove difficult. Secondly, their society did care a lot for looks and so big, fancy hair styles would show off how rich you were, which in their day was a key factor for getting along in "good" society. I have to confess the female costumes were not brilliant but there were only a few bad ones and the males made up for it, also this prejudice for the Naval men not in their uniform is in nice words very silly!, today people do not go out with their uniform away from school or work because they have casual clothes and it was just the same in the 19th century. Also as it goes the acting is very good, it is subtle because that is how Jayne Austen writes! and the scene at the end is beautiful. You can not compare the filming to that of the 1995 version as technology has improved so much since them it is ridiculous to compare them in that. The actress who plays Ann is too old but her air of acting and how she does it makes up for it. People seem to prefer the 1995 version for some reason that I can not comprehend!. It does not stick to the book at all and so is flat, the ending is sentimental, they change major scenes, the only good actors are the leads and they I give you did a good job for what was given to them. Obviously the people who really, really like it are (I am sorry) stupid as they do not understand Persuasion and so need it to be overdone. The 1971 version is beautiful, romantic, was written by an excellent script writer (same who did Inspector Morse), had very good actors and really it is a film you can watch many times and during each you can be delighted with it. | 1pos
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ON THE WRONG TREK Aspect ratio: 1.37:1 Sound format: Mono (Black and white - Short film) Forced to take part in a Californian driving holiday with his eager-to-please wife (Rosina Lawrence) and domineering mother-in-law (Bonita Weber), Our Hero (Charley Chase) encounters a series of crises which ruin his vacation. Featuring a brief cameo from Laurel and Hardy (repaying a debt to star Chase, who had appeared in some of their earlier pictures), ON THE WRONG TREK follows its protagonists through Depression-era California, where itinerant workmen are dismissed as 'bums' by law enforcement officers and refused permission to cross state boundaries, and where desperate criminals stage fake traffic accidents to ensnare unwitting victims. Unfortunately, Weber isn't nearly as domineering as she needs to be, which renders Chase's reluctant obedience all the more difficult to comprehend, and most of the comic situations (including an unlikely song and dance number between Chase and Lawrence at a gathering of hobo's!) are only fitfully amusing. Chase co-directed the film with Harold Law. | -1no label
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] |
I remember seeing this when it first aired. I thought it would be another junk TV movie, but it was a little above average. I recall thinking how cold that water must have been for the survivors and if I could withstand it. I got a chill in the beginning right before the plane went down. The pilot said to the co-pilot something like,"Were going down", and the response was ,"I know it." Heres another movie that should be on DVD. This is TV queen Dinah Manoff at her finest.They used real footage of the plane crash intercut with the movie. I'd like to see it again. Maybe it will pop up on a cable channel. These old 80s TV movies are hard to come by. | -1no label
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] |
After searching the video store for 10 minutes - I settled onto this little gem of Hollywood barf. There is no redeeming value to this movie at all - the scenes with the worm coming out of his ear and the one found in dead Dennis Hopper's brain are not even worth the paper that they were written on. As for using the electric chair in a room full of guards who blindly watch the "warden" go insane, rip his face off, and be autopsied in a matter of hours is so unrealistically stupid that I find myself wanting the actors in this movie to be lined up together and pimp smacked for agreeing to appear in such a piece of drivel~! Writer, Producer, and Star of the movie...what can I say...he has the bad boy looks that Hollywood likes, but he better keep his day job as a doctor in order to have something to fall back on....because there is no way he should ever be allowed to write anything again! And if he does want to write something...collaborate with me, I've had better nightmares after eating Mexican! | -1no label
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] |
I just wanted to be a nice guy and find something that I could send to PH to help her out during her incarceration. Well, this one isn't it. It is just so bad on so many levels that it was painful to watch. Aimee Graham hooks up with a loser - It's Joey from Friends! Well, it is Matt LeBlanc before he became the lovable Joey. He is kind of of Fonzi character driving fast in stolen cars while he tokes constantly. He kill someone and guess who goes to jail - Donna (Graham). This is where it really gets bad. She is in jail for what appears to be months before we get a girl on girl hookup (with Teresa DiSpina) and a shower scene. What's up with that? We get food fights in the mess hall and dancing with a mop, but we have to wait until the movie is almost over before a shower scene? At least there wasn't some Pat Ast Matron, but we sure could have used Sybil Danning as the Warden. | -1no label
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Watching Showtime I got the impression that the producers got the idea to put Robert DeNiro and Eddie Murphy just for the sake of having a film that co-starred the two of them. Other than that I can't think of a reason to justify the film's existence. Not that it isn't amusing in spots, it certainly is, but the concept is so completely ludicrous that the laughs are somewhat muted. The thing that really got me was Eddie Murphy's character. I can't seem to wrap my mind around the concept of someone being a police officer as strictly a day job. When I was working person at New York State Crime Victims Board I had to deal with all kinds of cops and they ran the gamut between the really dedicated and some real slugs, but I can't think of one who thought that this was just something I do until I get my career going in an area far afield. I mean, can you really see Eddie Murphy or anyone else going through the rigors of the real Police Academy, not the screen version, just to get a day job? Anyway DeNiro is your basic hard working detective who's on the trail of a major gun dealer. He's undercover and Murphy is part of his backup. So what does the showboating Murphy do, he calls a reality based TV series like COPS to film the action. So DeNiro's bust gets blown sky high, but the producer of the show gets some good footage of Murphy and DeNiro and decides on a new reality based television series. So these unwilling partners get joined and try to continue working DeNiro's case with all the TV cameras around. Eddie Murphy's a funny guy, I loved him in Beverly Hills Cop and in the Doctor Doolittle movies, but he's done better things than Showtime and Robert DeNiro certainly has. I guess Murphy wanted a chance to work with DeNiro and DeNiro must have gotten one hefty paycheck to do this film. | 0neg
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] |
A sparkling movie. BB is a marvel. She's sultry. She is a feminist. She is still very much in love. The movie features Paris in the 50's. It is wonderful to look at the sites, the cars (DS!) and Orly. A simple but very enjoyable romantic comedy. The music is horrendous. It almost dissonates. On the other hand it is hilarious. But it is probably the only thing amiss, at least looking at it with 21st century eyes. The movie comments on the French manner of treating infidelity. It is that sense modern. A movie like un elephant se trompe enormenent did it in an 80's way. But the basic premise stays the the same. Thanks to makers for providing BB with this opportunity. | 1pos
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] |
This time I'll start with the warnings. This movie is R-rated for a reason. I mean the title alone should give you a hint that this is a scary movie. in my opinion ghosts and monsters aren't scary because they're obviously not real. But the moment a movie show something terrifying that could be real, it's scary.Even though this is a more graphic film, the influences from Psycho and Night of the Living Dead are visible. I believe this movie qualifies as a slasher film. Another thing that makes this such a scary film is it's visuals. The movies low budget makes it looks eerily real. it has an almost documentary feel to it, and therefore are more believable. Also was was surprised to find that the skeleton ornaments in the film, was real. Apparently Tobe Hooper couldn't afford fake skeletons, but found an Indian company that sold real ones for a low price. This definitely freaked me out while watching it. Tobe Hooper definitely made film history with The Texas Chain Saw Massacre and he started a phenomenon. The Texas Chain Saw Massacre along with, Psycho, Night of the Living Dead, Jaws and Halloween made horror films what it is today. A genre that before had been frowned upon and never really explored, was taken to the next level with The Texas Chain Saw Massacre. And since horror has been a widely accepted genre. So any films have been inspired by The Texas Chain Saw Massacre, heck even a guy at my age who makes amateur movies made a scarily good and similar film to this. Another film which is like an urban version of this is; American Psycho, a film which I also recommend. This movie also set the standards for low-budget films a lot higher. the fact that this brilliant horror masterpiece came out of so little, is all thanks to Tobe Hooper. Many great director took inspiration from Hooper and made some really scary and cheap horror films. Take The Evil Dead (1981) 10 film students, $375,000 and still a great film. The budget for The Texas Chain Saw Massacre was only $140,000. I give this movie a 8/10. | -1no label
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] |
I know I'm probably gonna get a lot of negative votes on this comment, but this was honestly one of the least enjoyable stand-up routines I've ever seen...and I've seen many! So on to my personal reason why I was barely able to watch this till the end: Ellen to me is like a person in a wheelchair who everybody feels sorry for. Because she got treated badly after she "came out" there's now almost this unwritten obligation and sense of right to applaud to everything she says and does. It's pathetic! I condemn the spiteful reactions towards her coming out & everything, but empathy stops at a certain point. What's happened in Ellen's case is that now her loving and devoted fans are mostly people who've been hurt themselves. So they gobble her every word as if it came from high above...Ellen is to her fans what the AMWAY director is to his devoted fanatical ant workers. The most she made me was smile on a couple of occasions, but the crowd seemed to want to eat her up. Everything was to-die hysterical to them and I couldn't fathom it. Her material wasn't really bad, but her delivery and timing were painful to watch. She was waaaaay too predictable and what's even worse, she went for the cheapest laughs: "God...is a She" (and the mostly female crowd bursts into applause) Somewhere towards the end she even steals stuff from other comedians, but by that time I had already begun writing this woeful comment. Why I bothered to watch this till the end I honestly don't know. Maybe it was the empathy in me, trying to want to approve of this woman's comedic skills. She has none! | -1no label
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] |
Other then the fantastic villain of Armand Assante and the very brief reference to Aztec culture this film went where it shouldn't have. For me, taking the kids to see a film specifically made for children is the only safe haven I have from vulgarity and lude acts that seem to filter through on the television. This film had me second guessing the FCC and the sanity of the people at Dreamworks, who as of the last few years have really allowed a lot of innuendo's and straight forward adult oriented remarks into their kids films.In this film towards the end the sexuality of the film takes one gigantic leap where two title characters roll around on the ground in a make out session. The language was a bit heavy as well. Since then I have yet to take my kids to a Dreamworks film (especially after seeing Shrek). What could have been a great vehicle for exploring the ancient Aztec civilization turned into a sad excuse for a film that was an attempt to push the envelope and lost. Parents beware. | -1no label
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] |
I read a lot of positive press about this Canadian-shot film, first when it was being made (in Vancouver) and soon after its release. Apparently the movie has been sold to every country in the world. Not bad for a modest little cop movie, featuring dependable names like Marc Singer (an 'iconic' actor as the earth-hero in the 1980's alien TV-series "V"), twitchy Michael Madsen (no doubt nabbing his spot in the new Bond film, due to all the hype surrounding his appearance here), good ol' Charles Durning, and venerable Dennis Hopper. Hopper weaves in and out throughout "LAPD" as an LAPD Division commanding officer. Singer is your basic good cop and Durning plays his Dad. Madsen plays a dirty cop (naturally). I give kudos to Marc Singer for delivering a modest, yet impressive performance. The movie is based on real life events, and there is more than enough blood 'n guts gun-play action here, coupled to numerous gorgeous (and gorgeously nude) women, to provide many entertaining diversions. I always get a kick out of the films produced by 'Maurice Smith Productions' and this show is no exception. Whether its 1969's "Cycle Savages" (with Bruce Dern), or Smith's 1980's (Roger Corman co-produced) teen comedies like "Screwballs" or "Recruits" (a hell of a lot funnier than any of the "Police Academys"), his films have always had a unique stamp of 'eccentricity' to them, usually to compensate for the budgetary constraints that most independent films (ie. non-studio films) have to deal with. If Smith can make a movie (that really DOES look like a movie) with the small budgets that he usually has to work with, then I am looking forward to see what he can do with some reel money. I hear he has a western, a sci-fi action piece and a supernatural mystery already lined up. The best is yet to come, I'm sure ... | -1no label
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] |
Note: I've tried not to give away any important plot twists (or the ending) but if you're concerned about that, please think about viewing the film before reading further--Thanks! This was obviously a fairly high budget production, released by Paramount. The story follows the (supposedly true)exploits of hiway-man Jack Shepard in 1700's London. He was a locksmith who got blackmailed into a life of crime by the nefarious "Thief-Taker" to save his brother's life. After being double crossed by the Thief-Taker, we turns into a sort of Robin Hood type figure and gains the support of the common folk. He proceeds to make escapes from several prisons (including the infamous Newgate) as well as having time to "entertain" numerous noble ladies. I really enjoyed the film, even though the plot was a bit predictable. The film was shot in Glencree and Wicklow Ireland and the sets were very well done and seemed realistic. I think Clavell captured the bustling atmosphere of London in the 1700's quite well and I enjoyed his creative use of camera angles. And, unlike many films depicting this period, Clavell pulls no punches in showing us the deplorable conditions in which the poor lived (in one scene several folks fight over a meat pie that has rolled through the filth in the street). Overall, I really enjoyed this film. I will admit that it lacks the wonderful scenery and underlying political commentary that Clavell's next film The Last Valley has (a parable to the Vietnam War), but it still merits a viewing or two. It is regrettable that it has not ever (to my knowledge) been released on video or DVD. | 1pos
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] |
Lana Turner was pure magic, emotion and sensation in her long walk through the temple of love... And "The Prodigal" will remain the best showcase ever equipped for her excellent figure... The film is M.G.M.'s entry in the CinemaScope Bible race... Lana was cast as Samarra, the lightly-clad temptress who incited history's first juvenile delinquent to leave home
The film was based on the Biblical story of the prodigal son as told by St. Luke in Chapter XV of his gospels
There, in fewer than 300 words is the bare suggestion of a youth who "wasted his substance in riotous living," later to return, repentant to farm and father
The screenplay portrayed the prodigal as Micah (Edmond Purdom), the model son of a Hebrew patriarch named Eli (Walter Hampden). As the film begins he has honored his father by becoming engaged to Ruth (Audrey Dalton), a gentle girl of his own faith
While visiting Damascus, however, the youth enters the tent of Samarra, the high priestess of Astarte, goddess of the flesh, and he is dazzled by her beauty
To his father's bitter dismay, he demands his share of the family fortune, leaves his fiancée on the eve of their marriage, and goes off to the city in pursuit of the pagan woman, whose duties include presiding over human sacrificial rites
Among the fleshpots of Damascus, Micah's uncontrollable infatuation for the priestess plunges him into a variety of mishaps
He is victimized by Nahreeb (Louis Calhern), the sinister high priest of Baal, who conspires to destroy him for his irreverent interest in Samarra; by Bosra (Francis L. Sullivan), an unscrupulous moneylender; and even by Samarra herself, who withholds her love until he produces a certain valuable pearl as a gift for her goddess
| -1no label
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] |
Where to start with 'Speck' the true story of Richard Speck, a killer of eight nurses in the 1960s. Director Keith Walley has worked on a few of the extremely low budget Full Moon Releasing movies (such as Birth Rite) and here works from a script by (at the time) Full Moon regular Don Adams. Unfortunaly whilst the film seems like a accurate portrayal of the horrendous crime the script isn't great, perhaps because the real Speck's ramblings were not terribly interesting!? Despite the care that has been taken to make this authentic it wreaks of a cheap cash-in of the acclaimed cinematic serial killer movies of the same period (such as 'Ed Gein'). Filmed in a dirty brown, not quite sepia, for the most part and narrated by star Doug Cole the film fails to present the horror of the crime because the narration is irritating, the colouring distracting from the story and the crime, though gruesome and upsetting to watch, is merely that and no editorial work seems to have occurred on what is pretty much a very poor quality camcorder viewing on the events. There is no examination of the motivation or of Speck's life really, just a cheap shot at a gruesome crime. Released by Full Moon there is little evidence of Full Moon's better output here, Charles Band ignoring his own rule that his films feature fantasy killings (e.g. dolls, monsters and so on) and not quite knowing what to do with this new reality. Incidentally Band introduced a special label for these films called 'Shadow Entertainment'. Band has said that he regrets the period of Full Moon output alongside Tempe Entertainment (whose Creator J.R. Bookwalter and regular Danny Draven also speak very badly of Charles Band). The Tempe era features uniform Apple Mac editing and brutal hand-held camera filming, very much like a home movie. Speck retains these qualities and whereas Witchouse 3, for example, managed to use these well, Speck is merely boring and gross. | 0neg
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] |
This movie was full of flat jokes and bad gags. Chris Farley tries but does not deliver very many laughs. Matthew Perry bringing his Chandler Bing character from Friends to the wilderness does not work. Even a few stabs at off the wall humor hardly produce a snicker. I kept waiting for this movie to get going but it just kept coming across like an over long comedy skit. Eugene Levy and Kevin Dunn were the only two characters that were funny. It was a shame there was not more for them to do. Making a comedy from a history lesson has it's possibilities but they blew any chance with this boring attempt. It was nothing more than SNL AND SCTV go to the woods. | -1no label
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] |
Del - "You are the dumbest smart person I've ever met." Calvin- "Well,I had a brain, but they lost it in the re-writes." I think what I find most egregious about this bastardization of Asimov's work was how the character of Susan Calvin was portrayed. In the books, she was actually one of the first strong female protagonists, able to think her way through a problem. Here she's just a damsel in distress, waiting to be rescued by Wil Smith. There are passing references to Asimov's Laws of Robotics, but they are an afterthought to the CGI and action scenes. Smith is likable, as he is in most of his films, but honestly, the story isn't that good. YOu figure it out long before these genius characters do. | 0neg
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] |
Christ. A sequel to one of the most cloying films of all time, this at least has the decency to leave out the songs (bar a reprise of the unbearable "Tomorrow") but does continue the tradition of being nauseating and unfunny. This time, Annie and her friends head off to London and get caught up in Joan Collins's plot to blow up Buckingham Palace or some such shite. The movie has a bizarrely sycophantic attitude towards its eponymous character at odds with how irritating she is: every time the little bugger squeals "Leapin' lizards!" I could feel my teeth grinding themselves down into powder. Drearily photographed, slushy and plodding, the movie has only one memorable line ("Unhand me, you stupid genius!") and the fact that it's not the original to recommend it. | 0neg
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] |
Tarentino should be ashamed to be involved with this awful film. The acting, directing and script are all third-rate - with the entire film playing out like an excuse for writer/director/star Larry Bishop to get laid. The only reason it was made at all is most likely due to his association with QT. The plot of the film is pretty flimsy, and basically tries to survive on not-so-obscure references to older B-movies and some cameos from guys like David Carradine, Dennis Hopper, and Vinnie Jones. Each one is listless in their performance, particularly Hopper who is in full-on paycheck mode at this point in his career. The saving grace, if there is one, is that the script is so laughably bad that it can be entertaining. Bishop tries so hard to get that trademark Tarentino banter and just fails miserably, which can be pretty humorous at times and grating at others. I'd only check this one out if you love bad movies...or if you're really into biker films. | 0neg
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] |
The original movie ( dated 19??)did not show any "monster" , it just SUGGESTED scary "things" , . This version however shows every aspect of a "sick minded ghost" , including unnecessary special effects . The "mystery " ,as presented in the original movie , was the most scary part : one simply did not know what was causing the weird things that happened. By showing the face of the "old man" , this Mister has completely disappeared. Even worse : the special effects ( crying wooden children faces) is ridiculous. This is a stupid remake , too obviously spectacular to even be close as scary as the original | 0neg
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] |
This film is a bit strange, it features a futuristic setting on the planet of Venus. Why Venus, I can not really answer that. Seemed like the story could have been set on Earth, but I guess you need the isolation only being on another planet can offer. On the planet of Venus there is a bit of a power struggle going on. Seems like some sort of group wants to take control of the planet. Well oblivious to this are a group of bikers who are racing and not really worried about the dire situation that the planet is going through. That is until the power struggle turns into a war that engulfs the planet and shuts down their track. They are in lock down and unable to leave their homes thanks to a curfew. Well they decide to fight back and go after a tank stationed at their track. They take it out and end up fighting for a group of rebels that are out to stop this take over. The film is at its best before the group joins the rebel force as the story seems better developed during this stage of the film while the part with them being in the rebel group seems rushed. Before you get the coolness of seeing them do their daily lives, the take over, and a nice chase scene involving one of the group. There is also a touching scene involving the main boy and a girl. There is also a reporter who is more important during the first stretch. Not that the second half is all bad, most of the action takes place during this time and the final fight is rather good too. Just needs a bit more development during the second half and this film would have been super success. | -1no label
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] |
From start-to-finish, this movie is a stinker. Bad acting, lousy script and terrible production values. I can see Joe Namath doing it but it's hard to believe that an accomplished actress like Ann-Margaret agreed to appear in this loser. That being said, I just located and purchased this hard-to-find flick at the aptly-named Cheesy Movies.com. Why? Because it is the only movie that blue-eyed soul man Wayne Cochran and the C.C. Riders ever appeared in. If there are any Cochran fans reading this, grab this movie and catch Wayne and his boys doing a full-length version of "I Can't Turn You Loose". Wayne Cochran recordings are very hard to come by, let alone a cinematic appearance. It was worth the $4.98 I paid for it. | -1no label
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] |
Now this film isn't going to scare anyone, but it was interesting for two reasons - two big reason and a smaller one- well, that's three reasons, isn't it. The first reason this is interesting is the special effects. I found them to be quite interesting and somewhat spectacular. To see the hair growing on Marsha A. Hunt and Sybil Danning was creepy, especially when they were participating in a ménage à trois. Of interest, is the fact that this Marsha Hunt is the famous "Brown Sugar" of the Rolling Stones song, and that she was in the infamous nude scene in the London cast of the rock musical Hair. Besides the special effects, there were two other points of note in this film, and they were brought out repeatedly during the closing credits. I lost count, but i swear that Sybil Danning bared those points for us in the closing credits at least a dozen times and maybe many more. Theyu were the most outstanding feature of the film. | 0neg
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] |
Nature Unleashed: Avalanche is one of those films that you can occasionally see playing on the Syfy channel at around 2 AM, rounding out another marathon of disaster (both figuratively and literally) movies. If you have trouble sleeping at night, and happen to be up whenever this flick is playing, give it a watch, and I can almost guarantee that you'll soon be out for the night. Not to say that NU:A doesn't have moments of sporadic entertainment (especially since the titular menace behaves in an eerily similar fashion as the "sentient" tornadoes in the movie Twister), it's just that the package as a whole is bland and uninteresting, much like the snow-covered wastes that make up most of the scenery. Everything you could expect from a made-for-TV natural catastrophe movie is present and accounted for, so much so that even a few minor tweaks here-and-there still render it indistinguishable from the usual early Sunday-morning drivel. I could go on about the characters and plot, but it just seems kinda moot. Brothers Thom and Jock run a snowmobile rental service in Russia's Ural Mountains, a greedy developer is building a hotel on an unstable slope, and the pleas of a scarred female scientist fall on deaf and money-blinded ears, until disaster strikes! Throw in a few romantic subplots and useless fodder characters, and you get the drill. NU:A is not a terrible movie, just a very boring one. It's stoically serviceable in every way, but hardly entertaining. If you watch it every night, you'll never have trouble getting to sleep again. | -1no label
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] |
What do you do if you're Aishwarya Rai, coming off of a blockbuster film like 'Devdas', with some skeptical critics still relentlessly unsatisfied with your astounding performance or convinced by your strong screen presence and stellar acting skills, what do you do? Go home, sit down and pout? No. If you're Aishwarya Rai, you sign yourself up for the next strong period piece that comes along and continue to prove yourself worthy of all the praise, kudos, great scripts and equally great roles. And that's just what she did with and in 'Chokher Bali - a passion play' where she stars and shines as Binodini, a young widow who causes controversy way ahead of her time. Directed by Rituparno Ghosh {who later goes on to direct her in the equally stellar 'Raincoat'}, Prasenjit Chatterjee {Devdas in Bengali} costars. | 1pos
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] |
As the first of the TV specials offered on the elaborate box set, "Barbra Streisand: The Television Specials", released last November, this disc is being released separately for those who do not want to fork over the dollars for all five specials. As an investment, this is indeed the best of the bunch if only for the fact that this is Streisand at her purest and most eager to impress. That she succeeds so brilliantly is a key component of her legend. Signed to a long-term contract with CBS to produce hour-long variety shows, an almost extinct format nowadays, Streisand was all of 22 in this CBS special first broadcast in April 1965. At that point of her career, her notoriety was limited to a handful of best-selling albums, a few dazzling TV appearances on variety and talk shows, and her successful Broadway run in "Funny Girl". Filmed in crisp black-and-white, the program is divided into three distinct parts. With the creative transitional use of "I'm Late" from Disney's "Alice in Wonderland", the first segment cleverly shows her growing up from childhood through numbers as diverse as "Make Believe" and "I'm Five". Opening with a comic monologue about Pearl from Istanbul, the second part moves on location to Manhattan's chic Bergdorf Goodman's where she is elegantly costumed in a series of glamorous outfits while singing Depression-era songs like "I've Got Plenty of Nuthin'" and "The Best Things in Life Are Free" with comic irony. Back to basics, the third segment is a straight-ahead concert which opens with a torchy version of "When the Sun Comes Out", includes a "Funny Girl" medley, and ends with her classic, melancholic take on "Happy Days Are Here Again" over the ending credits. Also included is the brief introduction she taped in 1986 when the special was first released on VHS. For those who know Streisand only for her pricey concert tickets and political fundraising, this is a genuine eye-opener into why she is so revered now. | 1pos
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] |
If you're researching UFO facts, then this video is very important. The 'meat' of the video is the comments made by Buzz Aldrin. He is without a doubt from the best of America. Trained to be objective, honest and factual in his reports. Many Astronauts from America of all eras have reported some kind of contact, or UFO observance and there are videos from some of those missions. At the very least something has happened that requires further objective ongoing investigating. I think this testimony from Buzz Aldrin shows that it is possible that other worlds may be interested in our progress. Like all supposed documentary video, this one may be slanted, but it does contain further information and opinions from an accomplished American hero. Those don't come along every day. So the fact that some people aren't interested in details should not detour your from viewing this video. If nothing else, it is interesting and I recommend you watch with an open mind. | 1pos
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] |
In the 80's and early 90's, one couldn't do any better for entertaining movie mega-cheese than Jim Wynorski or Fred Olen Ray. Ironically enough after the two collabreated on "Hollywood Scream Queen Hot Tub Party", neither's subsquesent movies were as entertaining. But I Digress, anyway this Wynorski film is about 5 girls doing inventory and stumbling on a puzzle box that contains the spirit of the guy from "Sorority House Massacre 2", but featuring clips from "Slumber Party Massacre" So of course they take turns showering, making insipid comments, running around in lingerie, and getting killed by a maniac. In short, great cheesy goodness. My Mega-Cheese Grade: B DVD Extras: Theatrical Trailer; Trailers for "Don't Sleep Alone", "Concealed Weapons", and 1997's "Expose" Eye Candy: nearly all of the actresses get nude, take showers, or both | -1no label
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] |
A bum gives a Secret Serviceman a tip about a Secret Service man in the presidential detail who plans to kill the president. Baloney. How did the bum know? The script then turns to a most detailed examination of how the Secret Service works, but who cares. Most of this just slows down the movie. All the chases that follow are this film's version of the tiresome car chases of many movies. Then, after a lot of impossible athleticism in which our hero outruns and out-guns all his buddies, we have a shootout in the Toronto City Hall. The Canadians are clearly marked with maple leafs, but how did they get into this? Finally, all is worked out. But it still makes no sense. | 0neg
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] |
i seen this poor done comic film.but it would been better if they used a family that wasn't based on nothing.the movie starts as Denise finds a dinosaur bone in his back yard,and a fake who claims to be a dinosaur hunter comes to stay with the family.and he is real annoying too.the film did not deliver much laughs.the only two funny things in the movie was when Denise tries to sneak that fudge candy to his room and the scene where Mr Wilson's washer overflowed.it would be a better film if it involved a different character.the 93 version was a real one.this one wasn't a Denise the menace at all. and i saw this one 2 or 3 times a month when it was on HBO. | -1no label
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] |
The League of Gentlemen is one of the funniest, strangest, darkest and most unforgettable comedies of our time. So much so, it paved the way for more comedies of its ilk, many of which have copied the style, but have never succeeded. Unlike every other sketch show around, the characters of The League of Gentlemen are all loosely connected. Firstly they all live in the fictional town of Royston Vasey, in the back of beyond of Northern England. The first characters to greet newcomers are Tubbs and Edwrad, the pig-faced owners of a supposedly local shop situated so far away most of the residents probably don't know of its existence. Other oddities include: the Denton family, with an obsession with hygiene, chastity and toads; Hillary Briss who sells a special yet thankfully unknown brand of meat; Pauline, a restart officer with a sharp tongue and even sharper pens; Mr. Chinnery, kind-hearted vet and menace to all things four-legged; Geoff Tipps, a plastics salesman with a vicious sense of humour, often involving guns, electric tubes and . . . . . . . PLUMS!!!!! Despite being a comedy at heart, The League of Gentlemen often transcends genres whilst never appearing to be spoofing or ripping off other people's material. There are several horror references such as the disappearance of a hiker, a pair of silent twins, an obsessive circus owner, and a sudden outbreak of nosebleeds. Even more striking are moments when the series takes on a more sobre tone and aforementioned characters such as Pauline and Geoff are shown in a more sympathetic, vulnerable light. The film adaptation is the best demonstration of this, but some fans may decide they belong local. The equally underrated third series also takes a different route, instead of sketches each episode focuses on an individual character with each storyline leading to one conclusion involving a plastic bag and a runaway theatre company van. Although many fans may not enjoy the structure of the film or the third series as much as the first two, they're certainly signs to how inventive The League of Gentlemen can be, and how unafraid to explore new areas. In short, The League of Gentlemen is definitely worth a look, as like the welcome signs says: YOU'LL NEVER LEAVE! | 1pos
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] |
** CONTAINS SPOILERS ** The truly exquisite Sean Young (who in some scenes, with her hair poofed up, looks something like Elizabeth Taylor) is striking in her opening moments in this film. Sitting in the back of a police car waiting to signal a bust, her face and body are tense and distracted. Unfortunately, once the bust is over Young's strained demeanor never changes. This is one fatally inhibited actress. One has only to compare Young to the performer playing her coworker and best friend, Arnetia Walker, to grasp what is missing in Young. Walker is open, emotional, and at ease at all times...in that there's no apparent barrier between what she may be feeling and her expression of it. She is an open book. Young, on the other hand, acts in the skittish, self-conscious way you might expect your neighbor to act were they suddenly thrown into starring in a film. Basically, she doesn't have a clue. With this major void looming at the center of the movie, we're left to ponder the implausiblities of the story. For instance, after Miss Young is kidnapped by the criminal she's trailing and locked in a closet, she breaks the door down when left alone. Granted, she's dressed only in a bra and panties, but in a similar situation, with a psycho captor due to return any moment, would you head for the door...or take the time to go through his dresser, take out some clothes and get dressed? I would guess that this and other scenes are trying to suggest some sort of mixed emotions Miss Young's character is experiencing, but Young can not convey this type of complexity. There are a few affecting moments in the film, such as the short police interviews with the criminal's past victims, but overall this is an aimless endeavor. It's too bad Miss Young was replaced while filming the pair of comic book style films that might have exploited her limitations with some humor (BATMAN and DICK TRACY), because her floundering while attempting to play actual people is oddly touching. Watching Miss Young try to act, at least in this "thriller", is a sad spectacle. | 0neg
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] |
Thanks to silly horror movies like "Troll" and the indescribably atrocious cult-favorite "Troll 2", it has become practically impossible to take movies with kobolds, gnomes and various other types of little green hobgoblins seriously these days. Only just recently I watched the 70's made-for-TV movie "Don't Be Afraid of the Dark", which is basically a quite terrifying and serious-toned film about domestic little goblin monsters, and yet I still couldn't help thinking back about the laugh-inducing potato headed critters dressed in garbage bags that were running amok in "Troll 2". Same thing happened to me now. As much as I tried going into "Inhabited" with a clear mindset, unconsciously I kept comparing the supposedly creepy and menacing garden fairies with the badly sculptured goblins of Nilbog! Still, even without all the prejudices, "Inhabited" is a remotely entertaining albeit unmemorable straight-to-video horror flick. It's a cheesy, soft and politically correct pastiche of family drama and Northern Europe mythology. The annoying and murderous little creatures in this movie aren't your plain average goblins; they are "The Huldre": wicked little Norwegian demons that live underground and attempt to chase happy families out of their houses through influencing the youngest children. This overcomes the Russell family as they move into their ramshackle dream house in a remote little town. The cherubic blond daughter of MILF-actress Megan Gallagher starts to behave strangely whenever she hangs out in the cute play house in the back of the garden. She claims her friends are fairies, and even though the sinister handyman also warns for strange occurrences in the past, Gina's parents simply think the girl has troubles adjusting to her new neighborhood. When she keeps rattling about fairies, they arrange an appointment with the acclaimed psychologist Dr. Werner whilst "The Huldre" are slowly coming out of their botanical shelter. Not much special to mention here. The pace is acceptable and the attempts to build up suspense are pretty cute. You understand this is a family-friendly horror movie, so no bloody murder sequences are graphically being shown here. Heck, even the cadaver of the family's pet cat is kept off-screen. This is the umpteenth nonsensical horror movie in which Malcolm McDowell pops up and he practically always depicts an unreliable, greedy and self-centered authority figure. | 0neg
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] |
Any movie that features Don Knotts as a brilliant detective and Tim Conway as his faithful assistant certainly has courage going for it. But "Private Eyes" is better than you might expect; the setting (Biltmore Castle) is beautiful, the supporting cast (Fox in particular) is hilarious and a lot, if not all, of the gags are priceless. Then again, what would you expect from Knotts' above-it-all air of pseudo-intelligence and Conway's endless pratfalls and an overcoat full of pigeons (don't ask)? They're two of the old-school comedians who know what's funny and never try to go further than the jokes will go. "Private Eyes" works because Knotts and Conway are, more or less, just being themselves. Definitely a film worth seeking out. You'll laugh. Trust me. Seven stars. And don't drink the ink. | -1no label
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] |
Simply an amazing bittersweet movie that portrays a side of life often skipped over in feel good movies. I saw this as a child and came back to it very recently and fell in love again. As a child it sparked my interest purely for the building of a plane, as an adult it captured me in the dark world and a young mans escape from that world. The portrayal of the King was great, the camera style chosen with low shots and shots focusing on actions and hand movements was I thought well done, I personally can not recall anything quite done in that style and adds to the character and portrays him as a force almost not human (which may not be far from reality) it makes for interesting developments Worth a watch any day | 1pos
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] |
Verhoeven's movie was utter and complete garbage. He's a disgusting hack of a director and should be ashamed. By his own admission, he read 2 chapters of the book, got bored, and decided to make the whole thing up from scratch. Heinlein would have NEVER supported that trash if he'd been alive to see it. It basically steals the name, mocks politics of the book (which is a good portion of it), and throws in some T&A so the average idiot American moviegoer doesn't get bored. This anime isn't perfect, but it's at least mostly accurate, as best I can tell. | 1pos
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] |
After a while, I finally got annoyed with "Criminal Intent". The main character, Detective Robert Goren, is all-wise, all-knowing, can give a psychiatric diagnosis in an instant, finds clues right away, regularly breaks suspects when there is no evidence available, etc. All this with his "stuttering" approach that just looks like bad acting. You can make one or two episodes as described above, but you just can't make all of them that way. Makes me feel I'm watching the same episode all over again. The original Law & Order, and even SVU series always gave me impression of real events being behind the episodes. Not CI series. Stopped watching it. | -1no label
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] |
I saw Dick Tracy when I was very young. I didn't know who any of the actors were, and I didn't know the movie would turn out different than the way it was previewed. I sure loved it though. Warren Beatty stars as the crime-fighting 1930's detective Dick Tracy who goes after the biggest mob bosses in the city. This time, Big Boy Caprice (Al Pacino) has killed a very powerful man and is out to take over the city with his singer girlfriend Breathless Mahoney (Madonna) who has her eye on Tracy. It becomes even worse because a new criminal is invading and the worst part is: this criminal has no face. He or she is very unknown. Plus, the famous villians are back from the comic book collection. I thought that this movie was very colorful and creative. It was entertaining and fun to watch especially as a child. Warren Beaty was just like James Bond of the 1930's the way he played Dick Tracy. An ensemble cast of the film includes: Charlie Korsmo, Glenn Headly, William Forsythe, Dustin Hoffman, James Caan, Ed O' Ross, Tommy Lee Jones, Mandy Patinkin, Charles Durning. Plus More! Dick Tracy is a movie for all ages and is a fun movie for a family to enjoy. Take my word for it. | 1pos
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] |
I love watching bad movies and laughing thru them. i couldn't laugh at this. its just horrific. the jokes are painful, almost all of them involve farting which usually stops being funny after 6 years old. random nudity was the best bit, the worst was the spoofing of other films, the gay guys horrible acting, the bad sound, fuzzy picture, rat-ass acting, insanley cringeable sound effects, rubbish visual effects and shaz-house-rat plot. worst film I've ever seen, a title previousley held by the invisible maniac. its total crap. avoid. it took two hours of my life. i want them back. Sometimes i wish IMDb would let us give zero stars. | -1no label
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] |
This movie reminded me of a not so much of a hit film of 1993 called "Phir Teri Kahaani Yaad Aayee", starring Pooja Bhatt. Comparing Pooja Bhatt to Kangana, you may feel disappointed, but in her own way, Kangana has tried very hard. Shiny Ahuja is marvelous as always. I don't know why but I came out of the movie blaming him, as if it was he who sought relief of his previous self, when he was a child. At major points, the movie is a direct lift from " A Beautiful Mind". Partly misdirected, the story is strong and actors good. Kangana looks good in the movie. At some points, there is also a "horror" film effect that has been tried. It was meant in good stead, but has been overdone. Also, only a few songs are good, the rest mediocre. Overall, watch it if nothing better to do and a few hours to kill, else can be avoided in favor of Phir Teri....( which would be very hard to find) | -1no label
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] |
I have read all comments and realised that not many western people got the message from the film. Probably that was because film's poor subtitles or translation and lack information or knowledge about real life in Russia and post Soviet countries. Maybe following explanation will help to clear couple of things. Firstly Danila went to America not because of money but for revenge of his very close friend with whom he was in the army and was killed by Russian gangsters who misunderstood an order of their boss. Russian mobster was not killed because Danila liked his son. Secondly film try to show that like in Russsia in America there are a lot of good and bad people and their nationality and race does not matter. In my opinion Brat 2 is about life and life is different. You can not make opinion about people because of their nationality or race. In this film Danila speaks his mind and his opinion of other people is based on what they do not on what he thinks about or what other people think about them. If people are bastards he will treat them in the way appropriate way if not he will treat them as well in the appropriate way. This film is not about bad Americans and good Russians it is about life. | -1no label
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] |
This movie was one if not the best movie I've seen in the past year I highly recommend it it starts off as a very funny movie but as the film progress's turns into so much more. do yourself a favor and see this film. I saw a screener of this movie but I am going to buy it not only for myself but for several true film fans i have the unfortunate feeling this great film will be widely unrecognized as is the case with so many other non commercial films this is a comedic yet heart wrenching movie it will make you laugh it will make you cry it will make you think and yes you will think about it when its over and isn't that what a good movie is! | 1pos
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] |
i paid 4.95 to rent this movie. after the first five minutes i considered throwing it into the fire and paying the fine just so nobody else would ever have to go through what i just did. for a start, it's meant to feature teenagers, not a bunch of plain, emotionless mid-twenties huffing and puffing their way past some trees. The camera work is not impressive. the scenery is dull. hide and seek. i'm sorry but tell me who among you of this age has a bunch of friends who all go out and play hide and seek together? just coz they run fast doesn't mean it's a hardcore game. it's hide and seek. it's the hardcore version of peek-a-boo. it doesn't get any higher than that. i did watch this to the end, while i was watching another movie at the same time on my laptop. i looked up every time somebody spoke. which was what like about three times. other times i accidentally looked up i saw running. I could write a lot more on how unbelievably horrible this 'movie' was. but i won't. some people like to watch running. if you enjoy ugly people, running, and trees, then you've found your cult classic. I will say though, movies like these are terribly necessary because without them we'd never appreciate good films. My advice: get every single copy you see, snap the disc in half then put it in a box. then put that box inside another box. then post it to yourself. and when it arrives, smash it with a hammer. | -1no label
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] |
I bought this movie for 1 euro, not knowing what it was all about. I thought "hmmm, a movie named mutilation man must be if not very funny at least filled with gore". It wasn't funny alright. It was disturbing. Very disturbing. And I don't mind disturbing movies but this one just didn't mean anything, except that child abuse is not a good thing to do. hmmm... The quality of the images were terrible. The acting...there was no acting. Just some fcked-up fcker mutilating himself for over 90 minutes. This is probably material for sicko's jurking off on extreme gore. Don't watch this. It's not worth your time. Its just awful. I wish i never bought this. They should mutilate the guy who made this | 0neg
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] |
This was very very boring and lame, this should need some more happiness, kindness and entertainment to make it a great movie for all ages because it's about like 2 very clever kids who really know a way to save Christmas and escape a evil dark attic in an old crooked house and like every 10 or 20 minutes, the young kids keep returning to the attic. This movie is not really a Christmas movie, it's more like a dark nasty movie that makes it more like a Halloween movie like the attic and cave parts and stuff Even when I was 9 year old little girl I didn't like this. The music was great but the whole movie was just bad. The script was like out of the brain thing that even a 2 and a half year old probably wouldn't really like. I wasn't interested in the storyline either and some parts of the cover is unfair and incorrect, Jill had on a blue and white dress in the cover, but in the movie, she has on a type of Cinderella dress? Although she does look kind of cute in it and all she is one of my top cutest cartoon characters, but hey? Some of the characters look uncute and ugly, but whatever the movie is just plain weak and boring. | -1no label
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] |
This movies story line is all over the map, the way the movie starts off is just goofy, i'm not going to go into details but this movie is just plain ****. The acting was crappy the only thing this movie had going for it is that Samuel Jackson was in it thats it. This movie isn't worth renting, I rented it when it first came out on DVD what a waste of 4.50 this movie is someones idea of a sick joke. Picture starting to watch a movie have way in, because thats what it feels like when you start watching this, They don't explain a god dam thing. This movie is about as good as being kicked in the nuts, All i can do is give you a heads up by saying this movie makes battle field earth look OK. | -1no label
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] |
This is a video classic. No matter which video store I go into, I can usually find it. The action is non-stop and the stunts are pretty good. Not much in the acting or dramatic department but who cares when the action is this hot. Jeff Wincott (from the Miami Vice knockoff "Night Heat")plays an FBI agent trying to track down a Russian drug kingpin while trying to deal with his ailing ex-cop father and crooked LA cop brother. Wincott's made a name for himself doing these straight-to-video martial arts flicks like Cynthia Rothrock and Don "the Dragon" Wilson. This is his best. Some of the others are "The Last Man Standing" (not the Bruce Willis film) and "Open Fire". | -1no label
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] |
What is this crap? My little cousin picked this out obviously for the overly girlie DVD art and title... I decided to watch it with her so she didn't get bored, and I sure was appalled at the horrible quality. First, the acting was terrible. They seem like amateur actresses reading off of cue cards. The delivery is sub-par and very formulaic. Scene cuts were terrible.. it looks like they took it straight from the story board, if there was one. Secondly, the jokes and stereotypes weren't original or well played at all- again, very formulaic. I can't count the times I was able to predict the next joke. I got a few chuckles out of the blatantly "subtle" sexual innuendos. The Cat, The Beaver Patch, Hung Wong?.. c'mon! Just.. stay away from this movie. It's not cute, it's not funny, it's not even stupid-funny. It's just stupid-stupid. It's like a PG kids' movie with unnecessary sexual innuendo, vulgarity, and violence to bump the MPAA rating. STAY AWAY. "Would you like to ride my yacht?" "Is that what they're calling it now?" "You could ride my ding." "Oh! I think I got blood on my stool!" Badly played, sir. | 0neg
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] |
One of the most memorable of short films, UN CHANT D'AMOUR is also one of the most controversial. Made by the famed gay writer, Jean Genet, it is set in a prison and features uncensored homosexual scenes which may cut a little too close to the bone for some. If, on the other hand, you're not a homophobe, this is a beautiful and cinematically wonderful experience, with the same kind of magical attraction as Jean Cocteau's ORPHEE or LA BELLE ET LA BETE. Highly recommended for people with open minds, regardless of their own personal sexual orientation. | -1no label
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] |
The problem with making a movie like this, though, is that the finale, the crème-de-la-creme of the movie, the battle between the two souped-up ships, must be done well. Disappointingly, this scene in Ironclads is obviously done completely with little model ships in an overgrown tub. There's no tension, little explanation of what exactly is going on and what the timeframe is of the stand-off. The film takes quite a few liberties with the surrounding story, as all true stories do when converted to a movie, such as the Union traitor and most notably that of Betty Stuart (Madsen), a Virginia belle. It resorts to making a possibly-decent movie involving an interesting story on the ironclads to preaching about the evils of slavery. It was out of place in this historical drama, and was a cheap ploy to bring in the women viewers. It only succeeded in lessening the positives about the film. | 0neg
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] |
First, a word of caution. As an American, I am not familiar with Norman Wisdom. I know that he's a bit of a British institution and he was beloved behind the old Iron Curtain, but his movies and television programs were not popular here in the States--in fact, he's almost completely unknown. Because of this, I don't have the sentimental attachment to him or his work. What went over well years ago does not necessarily translate well to today--at least if you aren't already a fan. I just saw TROUBLE IN STORE and didn't particularly like it. However, I am a glutton for punishment so I decided to try his films one more time. However, before the film began, I read through the reviews on IMDb. Unlike the universally positive ones for TROUBLE IN STORE, the reviews for JUST MY LUCK seemed strangely divergent. Either they loved the film or they disliked it strongly--with not much opinion in between. That's pretty interesting but also didn't help me decide whether or not to watch the film. Well, my initial instincts were unfortunately correct. I didn't particularly like the film, as JUST MY LUCK seemed an awful lot like a Jerry Lewis film--with broad humor and comic bits that were overdone--with every last bit of comedy squeezed dry from the skits. For example, the movie theater scene is just dreadful--going so far overboard with its timing and pace. My advice is that if you are British or Albanian or Russian, by all means see and enjoy this film. Otherwise, it might just be tough to take for more than about 30 minutes. And, no, this is NOT like Mr. Bean in any way, despite another review to the contrary. Mr. Bean is funny (especially the original TV show). | -1no label
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] |
I think some Academy Awards should have been given out for this one, to Peter Graves, Lee Van Cleef, Beverly Garland, Sally Fraser and the rest for managing to keep straight faces through out the 71 minute running time of this Roger Corman camp classic. There are nine of these vegetable Daleks from Venus left on that planet and they've been keeping up communications with earth scientist Lee Van Cleef. Van Cleef's a scientist who the world has seemingly passed by and he's been convinced that the arrival of these creatures who are possessing superior intellects to rule the Earth will usher in a golden age. They move like the Daleks on Doctor Who with the same general shape accept they got banana like feet and crab like claws. The one that comes to earth on a stolen satellite has to live in a cave above a hot spring to simulate the Venusian climate. And he's earmarked eight control devices for some selected key people, one of them being Van Cleef's scientific colleague, Peter Graves. It was acting of the highest caliber for this group of players to feign fear at this ridiculous looking monster. The monsters on the Power Rangers look more frightening. And Van Cleef and Garland's confrontations with the creature in the end will have you rolling on the floor. | -1no label
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] |
A pleasant surprise! I expected a further downgrade along the line: The Rock (9)-->Con Air (7)-->Armaggeddon (4). Especially for such an overhyped film. Perhaps that's the reason so few approved of this new type of Bruckheimer fare. Clever dialogue instead of snappy one-liners, decent background/motivation instead of shake-n-bake stereotypes and when the chase came you really thirsted for it. Fanboys expecting an Armageddon rollercoaster: stay away. This is one for the more intelligent action fans. It didn't even bother me Jolie appeared so little. | 1pos
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] |
Beautifully photographed and ably acted, generally, but the writing is very slipshod. There are scenes of such unbelievability that there is no joy in the watching. The fact that the young lover has a twin brother, for instance, is so contrived that I groaned out loud. And the "emotion-light bulb connection" seems gimmicky, too. I don't know, though. If you have a few glasses of wine and feel like relaxing with something pretty to look at with a few flaccid comedic scenes, this is a pretty good movie. No major effort on the part of the viewer required. But Italian film, especially Italian comedy, is usually much, much better than this. | 0neg
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] |
Amar Akbar Anthony is a film about three brothers who get separated at a very young age and have their own interests and religions. The three heroines, Parveen babi, shabana azmi and Neetu singh do a good job and get who they want to be with. The three heros, Amitabh bachan,Vinod khanna and Rishi kapoor do their job. This film is good and the producer did a good job of the story and i think if there was to be a remake of this film it woulden't be the same. Nirupa roy and Pran do a good job of their role as Amar Akbar Anthony's mum and dad. Amitabh bachan steals the show by performing the song "My name is anthony gonsalves" but at the end the three heros perform a song together which is "Amar Akbar Anthony" all the songs are good but those two are one of my favourites. over all the film deserves a 10/10 and i'd recommend this film to anyone. | -1no label
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] |
Thanks for killing the franchise with this turkey, John Carpenter and Tommy Lee Wallace. This movie sucks on so many levels it's pathetic. The first VAMPIRES was fun, but this low budget retread makes me yawn. Jon Bon Jovi (the poor man's Kevin Bacon) drives around Mexico with a surfboard housing a hidden compartment holding his vampire killing gear ala Antonio Banderas's guitar case in DESPERADO. He picks up some lame "hunters" along the way (including an annoyingly feminist infected girl who takes pills to keep from turning into a vampire), and they set out to stop some female master vampire who is given no backstory and so we could care less about her or her quest (to walk in the sunlight by stealing the Black Cross and performing a ritual to allow her to do so). If you've seen the first VAMPIRES, you've already seen this, and done much better. John Carpenter has been responsible for a lot of bad movies lately. Frankly, I think he's past his prime and incapable of making another horror classic. The only decent film he's done since THEY LIVE (1987) is VAMPIRES. Everything else is complete crap, right up until the unbelievably cheap looking and retarded GHOSTS OF MARS... and now this waste of celluloid. Where are more greats like ASSAULT ON PRECINCT 13, HALLOWEEN (1), ESCAPE FROM NEW YORK and THE THING? Carpenter crony Wallace proves he can't write his way out of a paper bag with his paper-thin script packed with yawns, groans and recycled gags from the original. Did I mention I hated every character in the movie? There was not a single memorable character in the whole film. How does that happen? This film has nothing to recommend it. Not even the DVD presentation is good; the menu looks awful. By comparison, JASON X: "FRIDAY THE 13th IN SPACE" was a masterpiece. Now that is how you make a sequel and (re)energize a franchise, ladies and germs, as well as create an exciting DVD menu. | -1no label
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] |
The giant of marathon is Phillipides (Steve Reeves) - an Olympic champion and warrior called upon to defend ancient Greece against an invasion by Persia from without and the treason of Theocrates from within. In the course of doing that, he manages to get a couple of beauties to fall in love with him, of course. In all honesty, 80% of this movie is for the most part uninteresting, dealing with romances that I really didn't care about and political machinations that were rather confusing to say the least. It had a cheap feel right off the top, performances that were plodding and, as an Italian-French production, was rather poorly dubbed into English. I give credit for the last 20% or so of the movie, though. The closing sea battle between Athens and Persia was a pretty good ride, as Phillipides and Theocrates finally confront one another in battle. Still, though, it's not a good movie. For the sake of that closing battle, it gets 3/10 | -1no label
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An entertaining action-war movie. I remember i bought this movie the in a video-store back in 1986-87. It was an old English video-version from the early 80's (from that time when video-stores in my country imported video-movies direct from England without giving them subtitles) The movie have some similarity's with "The Dirty Dozen" and it's obvious that the film-makers got much inspiration from this great hit from the 60's. Acting and plot is not the greatest in history, but it's still a very exiting film. Not so much indifferent action-scenes here, like there are in many other movies of this type. 8 out of 10 | -1no label
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The movie "RISKY Business" lack of almost everything. I saw it because a lot of people said that it was a good, perfect movie but they are so wrong.I mean just the description and all that fantasy seems so stupid. Then his parents left and all that it was not original. Then about the part where he was doing it was so stupid and pathetic. Why did they make such a pathetic film.I think his first film was so wrong, it just wrong. Then when they were having the party why the police wasn't there? Then all his stuff was gone in just a few hours when truly it takes more than a few hours to packed all of those things. Then he was paying back, like all that stuffed really coop in that small truck. The movie wasn't fun, nor dramatic, nor anything. There wasn't any soul. | -1no label
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