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Once again a supposedly pedigree-rich, topical comedy is anything but funny. This waste-of-time garbage is brought to us by director Edwards, but if "direction" is what he got handsomely paid to do on this dreck than the movie industry needs a new word for "direction." I'm not surprised he ALSO wrote this snoozer and gets his won separate "Story by" credit. What story? What script? This whole BOMB is nothing more than Sellers sheepishly sleep-walking through ninety-eight minutes in an unbelievably awful and offensive performance that is an unnecessary insult to the Indian ethnicity/nation/race. Would it have been so hard for Edwards, Sellers and/or the co-writer(s) to research the Indian culture a little bit and write some humor into the apparent cultural differences existing between the unexpected party guest and the Hollywood denizens? That would have been inspired and very funny, but the only LAME attempt made at borderline cultural humor is when the Sellers character tells the party's host daughter that painting an elephant with slogans like "Go Naked" is "embarrassing." The tinsel-town party guests BARELY interact w/ the Sellers character and Edwards passed up on another opportunity in this humorless film to poke fun at the movie industry as a whole and the Sellers' character unique duck-out-of-water predicament vis-a-vis the industry-types at the party. This movie is the kind of awful, unmemorable dreck Jerry Lewis was putting out that same decade. What is the Longet character in this movie for? The Gavin McLeod (whom I've spoke w/ at length and is very personable) is another sadly wasted character whose sole humor is derived from the fact he wears a loose toupee. This passed for funny in 1968? I don't get it! I was able to fast forward this movie halfway through right up to the end and there was nothing missed. | -1no label
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This is a fine concept piece and the acting by Brando is a fine piece of work. Dean Martin isn't bad and Montgomery Clift is quite good as well. Unfortunately, it's a very disjointed, very long piece that really should have been edited down to something closer to 2 hours (it's almost 3 hours). We follow the lives of 3 men from 1938 through the end of WWII and watch as they discover who they are and what they might become as they discover both the world about them and what they're made of. For some, it's the women in their lives that brings about this realization, for others, it's the broader general circumstances. All too often however, I found myself asking what had just happened or what the import of a particular scene was. | 0neg
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The reason I gave this awful film a 4 instead of a 1 is the wonderful cinematography. This film is beautifully captured in its brilliant colors and wonderful landscapes. Unfortunately, the main character in this is practically unwatchable. The first time you notice that something is wrong is when we get our first closeup of our heroine. For living out in Gascony, France in the late 1600s, why is Valentine wear heavy eye-shadow, cheek blush, and bright lip stick? She does the best she can with the dialog she's given but ohhh, such dialog. Then, in a society that is 200 years away from Women's Suffrage, she expects... DEMANDS... to be treated equally with the men without even proving herself. She even rudely bursts into the Musketeer Commander's office and demands to speak with him. He rightly should have thrown out anyone who tried that except the King. She takes it as an insult that he is not impressed with her. She doesn't try to hide her feminine side at all including having a tailor made, curve hugging Musketeer uniform. This would have worked out better if it was more a "Connecticut Yankee" type where a modern woman is sent back in time but her modern sensibilities are entirely out of place in this film. I'm not sure why a great talent like Michael York agreed to appear in this travesty but I guess a paycheck is a paycheck. If you want to watch a film where a woman takes on a man's world, try Disney's Mulan. The story and acting are much better. | -1no label
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] |
Don't be fooled by anything that you have ever read about this movie, no matter how good someone has said it is. There is NOTHING good about this movie. I won't bother getting into the story, but I will say that the story is horrible, the end makes you say "who gives a crap?", there is barely if any gore at all in it, and this might very well be the worst movie ever put on film. I bought the DVD for $3 (US), and I feel as though I've been ripped off...that alone should give you an idea how bad it is--and it's not the kind of bad horror movie that is so bad it's good. This just goes beyond bad. I could never explain how horrible this movie is. | -1no label
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] |
okay, but just plain dumb. Not bad for a horror/comedy film. I was reading how people switched it with the Michael version and that is a good trick in my opinion because some grown ups hate horrors and when they see this one it will get them interested in horror films like this one or maybe (never seen it) the horror (possibly comedy) uncle Sam, i'll have to see about renting or buying that film but the 2nd is way better then this one but i bought this one on VHS of Amazon and got it November 21, the day before thanksgiving. worth the four bucks, l.o.l. at this film. 9/10 | 1pos
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] |
"I'm a schoolteacher and I might have done wonders for you if I'd caught you early enough!!!" so starts the witty repartee between Hildegarde Withers and Inspector Piper, and a great movie partner- ship was born. This was the first film in a far too short series. Stuart Palmer created the character of Hildegarde Withers (Edna May Oliver) and the very exasperated Police Inspector Piper (James Gleason). With Oliver's barbed wit and dry one liners and the fact that Gleeson knows he can't solve the case without her, it is a match made in heaven. Oliver made 3 Hildegarde Withers films - "The Penguin Pool Murder", "Murder on a Blackboard" (1934) and "Murder on a Honeymoon" (1935). After that Helen Broderick took over. She was a great character actress ("Top Hat", "Swing Time") and managed to keep the standard set by Oliver high. However when Zasu Pitts took over it was hard to imagine her as a rational and witty schoolteacher, who would never miss a clue. Even the title "40 Naughty Girls" shows how low the series had sunk. "hmmm, a pickpocket ", "the man's a born detective!!!" Gwen (Mae Clarke) is having a fling with Phillip Seymour (Donald Cook). She is married to stuffy Gerald Parker, the director of the Aquarium, but is planning to divorce him. When he surprises them in a secret meeting, Phillip punches him and he falls down the stairs. He later turns up dead at the bottom of the penguin pool. Piper gathers the suspects together. Hemingway (Clarence Wilson) who has just been sacked because he has been playing the stock market with Aquarium funds, lawyer Barry Costello (Robert Armstrong), Seymour because he has confessed and Gwen because she is acting suspiciously. Rochelle Hudson makes an appearance as a sassy receptionist. Both Gwen and Phillip are arrested hoping to bring the real murderer out of hiding. Costello, who secretly loves Gwen provides enough evidence to prove that only a man could have killed Parker thus exonerating Gwen. You will not believe the ending (it is really good!!!) "It takes a certain type to be a detective - yes I've noticed that!!!" Recommended. | -1no label
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This straight-to-video duffer is another nail in the coffin of Rick Moranis's career. As is the Disney tradition, quality is sacrificed in the name of a quick cash-in; this is a lazy retread with Moranis accidentally shrinking himself and a few relatives so they can repeat all the best scenes from the original movie. Instantly dated visual effects and crummy dialogue abound in this cheesy lamer, which did nothing but make me pine for the days of 'The Incredible Shrinking Man', when this kind of thing was done properly. Shockingly, this is directed by top cinematographer Dean Cundey, who should either stick to the day job or pick better material next time. | 0neg
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] |
So simple, so good. This film is a milestone in Turkish cinema. You will not see the so-called "art film" syndromes or "avant-garde absurdities" in this film. But this doesnt mean that it lacks of depth. No way buddies, this is a pretty good film: entertaining, giving cinema pleasure, and having depth in plot. Cem Yilmaz acts wonderful. Mazhar Alanson of famous band MFO which I am a fan of, is quite good together with Selim Nasit who died shortly after this film. Good plot, good acting, good songs. You'll certainly enjoy it! I give 8 out of 10. | -1no label
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] |
You know, before seeing this film I had little sympathy for those caught up in criminal cases. I mean if they were arrested and charged, "they must have been guilty" I reasoned? I formed this opinion over some years. You see a good friend of mine once worked as a detective in some of the more seedy areas of Sydney. He frequently complained that his policing efforts were wasted due to 'bleeding heart' lawyers and magistrates. He would "bang the crooks up in the morning and they would be "back on the street by noon". It took its toll... they wore him down. He quit. He has argued since, not unreasonably I thought, that creative evidence gathering, to keep the baddies "where they belong", was... well... "acceptable". My arguments about the rights of innocent people weren't valid he claimed. "What are the chances that you will ever be arrested and charged with a serious crime"? he would argue. And, being a law abiding citizen, the weight of his argument convinced me he was right. The chances of me, or any of my family or friends, being charged with murder or a serious offense were zero to none I thought. Hmmmmm. Well as mentioned earlier, seeing this wonderfully enlightening documentary changed all that. I'm sending him a copy. | 1pos
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] |
This was quite possibly the BEST hour of television that I have ever seen. I give major kudos to HBO for not backing down on a sensitive topic and producing a fantastic show. I admit that some of the nudity was gratuitous, but I know that using it was trying to make the situations as realistic as possible. I'm a law school student, and I was horrified that people, in our country or in others, do not protest that they have some basic human and civil rights in interrogation settings. I don't usually watch HBO because I don't like the programming, but I am glad I tuned in to watch. Again, this was a great show that everyone should watch. Make more shows like this! Don't be afraid to touch on sensitive topics. | -1no label
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] |
Recently, I saw the documentary "The revolution will not be televised", also know as "Chávez: inside the coup". At first I thought it showed a genuine inside view of events during the Venezuela coup of April 2002. What bothered me though was the fact that the tone of the narration and the accompanying music were suggestive, and that at no point any criticism was expressed about Hugo Chávez. This is peculiar because if a documentary is giving an non-biased account of what happened, there should have been some of that too. After all, Chávez certainly is not a saint. Fortunately, since the documentary is several years old, a lot of additional information is available on the internet nowadays, and it was not difficult to find for instance "Urgent Investigation about Chavez-the coup by the 5 European TV Corporations who financed the film which presents blatant falsehoods about Venezuela." It lists the many errors and intended or unintended falsifications in the documentary. (Just use the title as a search string in Google, you will find it). Another interesting document was the video registration of a presentation of the findings of the many errors in this documentary, "X-ray of a lie". To me it seems to be a good counterweight to "Chávez: inside the coup" It's available at video.google. I strongly advice you after watching "Chávez: inside the coup" to look at "X-ray of a lie" and then form your opinion. My conclusion is that Kim Bartley and Donnacha O'Brian were (knowingly or not) part in Chávez-propaganda. | 0neg
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] |
I saw Keane at the New York Film Festival. I was so awe struck that I returned the following night to see it again. Damian Lewis becomes Keane and you are oblivious to the fact that it is an actor portraying a character. Your emotions follow William Keane through his schizophrenic world and the movie takes you in on several levels. You begin to feel Keane's pain and anguish. You begin to see a man that lives literally day to day. And you begin to hope that Keane will in the end begin to redeem himself. Although I have not seen much of Damian Lewis' work in the US, the next time I see his name connect with any movie or TV program, I will be sure to watch. A triumph for both director, Lodge Kerrigan and actor Damian Lewis. | -1no label
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] |
" Now in India's sunny 'clime, where I use to spend my time as a soldier in the service of her Majesty the queen . . . " so goes the famous poem penned by Rudyard Kipling. This is the literal foundation upon which the movie "Gunga Din" is based. If you are fortunate enough to watch this legendary Classic, you will enjoy films the way they use to make them; for the sheer pleasure. Taken from the script of the established novelist and poet, this is a story of a humble Indian native named Gunga Din (Sam Jaffe) who works as 'a regimental beasty' during the British occupation of India during the 18th century. His greatest wish is to become a soldier. The water boy is part of a British Calvary contingent threatened with death by a notorious blood cult of Kali called the 'Thuggee.' Three particular soldiers stand out in this company who are noted for their bravery and comradeship. First is handsome and debonair, Cary Grant playing Sgt. Archibald Cutter. Next is Victor McLaglen as courageous Sgt. MacChesney and finally there's flamboyant Douglas Fairbanks Jr. as Sgt. Thomas Ballantine. All three and their fellow soldiers are surrounded by a hoard of mountain stranglers led by their fanatical leader called the 'Guru' (Eduardo Ciannelli). Amid the Chaos of war, is the brave water-boy who hopes to earn a place in the army by playing a bugle he found. A solid story for an old black and white film which needs little fanfare for anyone looking to enjoy a classic. **** | 1pos
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] |
I am so disappointed. This movie left me feeling jipped out of my time and mental energy. Here was the quintessential Woody Allen film all over again: the neurotic upper-class Manhattanites debating whether or not they will cheat on their spouses. Woody, I've seen these characters already, I've seen the storyline from you ten times already. Where did your creativity go??? You need to open your eyes and look around you. The world has changed dramatically since Annie Hall - and you need to change along with it. There are far more interesting and funny scenarios to which you can apply your brand of angst and neuroticism - why not try them out instead of rehashing the same old slop over and over and over again. When I hear that Woody Allen has a new project coming out, it does nothing for me - because now I've come to expect his old standby: the couple who are growing tired of each other and end up cheating. Depressing and same old, same old. If Woody wants to win his fans back, then he has to understand that our sense of humor and intelligence has to be stimulated - not insulted. | 0neg
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] |
I remember when this came out it was the first kung fu film ever seen around our way and we were all excited about seeing it for sure .Although the action was mediocre at best it gave us our first taste of kung fu and our first taste of bad dubbing as well as bad film making or more precisely the way Chinese people were making films at the time . They were admittedly inferior wlthout question but there was entertainment value here and that caught on for sure . The kung fu craze had begun and Bruce Lee and ''The Chinese Connection'' would soon follow either that or ''The Chinese Boxer'' with Jimmy Wang Yu . In any case this film was chosen to lead the way . | 0neg
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...in describing the events leading towards the invasion by the US, the description of people being "melt to their weapons" and "cut in half" by "lasers" and killed by "poisonous darts causing massive bleeding" given by "eye witnesses" raised serious doubts about the truth content of this "documentary". While I don't doubt the reasons for the invasion given (Gen. Noriega becoming increasingly uncooperative to his CIA employers), the description of events seems, lets say, a little imaginative. Furthermore the accounts of former Panamanian officials are a little dubious since the people removed from power might actually not be telling the whole truth either. It's a shame that this kind of concoction might give historical documentaries a bad reputation. | -1no label
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I just finished watching this after I just finished hearing about it. I'll say it's not great, but its definitely worth the time to watch. You have a very dramatic story of a murdering bigot's grandson (who's a lawyer) trying to save his grandfather (Gene Hackman) from his execution in 28 days. Just from their you know the plot is going to thicken. When I saw this movie had Gene Hackman and Faye Dunaway I said "great I love those actors". It's also got Chris O'Donnell, OK not a bad actor (but does he remind anyone else of Matthew Perry?), and it's even got Bo Jackson. I was surprised by a few things. One was that, Bo Jackson, despite not having many lines, was quite good at acting. Another less pleasant was that, as much as I love her, Faye Dunaway did not do an overly impressive performance. Watch her in "Bonnie and Clyde" and then compare her to THIS role... you're not even on the same chart. Playing a rich Southern Bell is maybe more difficult for her, but she did have a few good scene's playing a drunk. One thing that didn't surprise me was Gene Hackman. Mr. Hackman is undoubtedly a great actor, is this movie he made no exception. He definitely needs to give thanks to his make up crew, but he certainly delivered the punches. The emotions he showed seemed so powerful, like he's really ready to join in a lynching. But he's also prepared, not ready, but prepared to forgive. Really i think that the only problem with this movies was the scenes without Gene Hackman. The rest of the scenes made everything seem more like a "Made for TV movie". The chemistry between Adam Hall (Chris O'Donnell) and Nora Stark (Lela Rochon) was played off of more when they WEREN'T together. With better acting this could have been a much better film. But still it was not bad. Kudos to John Grisham for the novel, It's a good idea, it wasn't played out as well as it could have... But still, it's still worth while watching. | -1no label
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] |
Seriously I don't get why people are all like "Oh my God Step Up is the best movie ever!!!" It's a bunch of junk! The acting, first of all, is ridiculous, and let's not even begin to talk about the dialogue because it was terrible...Movies are supposed to be entertaining, and this, let me be the first to say, was *not* entertainment. I was actually laughing because I was so embarrassed watching it. The music and dancing didn't do anything for me as well. And what's with the Channing Tatum "hotness" that all the girls talk about? Whatever. The movie was pathetic. Don't waste your time - or your money. Unless you're a dancing movie freak, but movies like that are *not* movies...they're jokes. | 0neg
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] |
I am not from America and I know what 'Wife Swap' is. When a show came out of that name I was thrilled to see some cool glamorized sexual moments from the program. But what I got was a real sucking stupidity. I was misjudged by its title name, it has no adult contents, no nudity, not even vulgar dialogues (broad casted threw Hallmark channel and I think they edited/mute out such contents to make it neat). A show which gives a picture of current American/western family state, overweight chubby peoples, polluted teenagers, and their sucking family goings. In each episode two wives/two mothers (more correctly) were chosen to live in each others home and re-changes each others family routine with their new own rule. Sometimes its turns out to be good or more evenly bad. On the ending section each mothers are brought back with their husband and try to conclude what they did to each families past days. It's the sucking portion of the program were each contenders fights for their rights. I was sucked to see all of these instead of seeing some cool adult sex stuff. I mean who make this program, more than that who gave the name "Wife Swap"; its better to be called as "Mother Swap". All in all it corrupts all the great things the real Wife Swap stands for! Wife Swap = Average Sucking Reality Show. | 0neg
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] |
To put it simply: a lack of respect. GAME OF DEATH: THE ROBERT CLOUSE VERSION ranks (in two senses of the word) right alongside Ed Wood's PLAN 9 FROM OUTER SPACE. Clouse and Wood weren't the first graverobbers on the scene, to be sure, but they both came away from the boneyard with unclean hands. Like Burke and Hare, they was just lookin' to pocket some loose change. Which they did. Nor were they alone. Years after the fact, DRAGON: THE BRUCE LEE STORY (based, we're told, on Clouse's own book) would come along and reopen the old wound(s). Like most Bruce Lee fans, I suffered through the seemingly endless exploitation cycle that began the moment he died. It wasn't easy, because not a single one of the purported bioflix came anywhere near the Truth. DRAGON likewise created its own distorted "reality," with yet another wannabe look-alike choreographed through yet more over-the-top, badly done fight scenes that did nothing more than add yet another layer of tarnish to the memory of a man who deserves better. GAME OF DEATH is an insult to the intelligence. Now that we have BRUCE LEE: A WARRIOR'S JOURNEY, there's no need to even go back and revisit this one. | -1no label
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] |
This show is like watching someone who is in training to someday host a show. There are some good comedy ideas and tons of mediocre ones. It doesn't look like the writers know the difference between what's funny and what's just weird or gross. It has its moments. When Spike hosed down a neighbor who had been letting her dog soil his lawn repeatedly, it hit it's peak. But the hilarious moments are too few, and there's too many experimental comedy bits that miss the mark. The show's better than, say, watching a test pattern or the QVC network, but it needs some better writers. Reading the glowingly positive IMDb comments on this show, I am convinced that most of them were written by show staffers and by relatives and personal friends of Spike. It just isn't very good most of the time. | 0neg
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] |
This movie is a great. The plot is very true to the book which is a classic written by Mark Twain. The movie starts of with a scene where Hank sings a song with a bunch of kids called "when you stub your toe on the moon" It reminds me of Sinatra's song High Hopes, it is fun and inspirational. The Music is great throughout and my favorite song is sung by the King, Hank (bing Crosby) and Sir "Saggy" Sagamore. OVerall a great family movie or even a great Date movie. This is a movie you can watch over and over again. The princess played by Rhonda Fleming is gorgeous. I love this movie!! If you liked Danny Kaye in the Court Jester then you will definitely like this movie. | 1pos
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] |
This isn't the best romantic comedy ever made, but it is certainly pretty nice and watchable. It's directed in an old-fashioned way and that works fine. Cybill Shepherd as Corinne isn't bad in her role as the woman who can't get over her husband's death. She has a sexy maturity. But I can't say much for Ryan O'Neal as Philip, because he is, at best, nondescript. He may be adequate in the role, but that's not good enough. However, I get the feeling that some of the characters, particularly Alex and Miranda, are not written with enough in-depth thought. We don't know anything else about them because minutes after they appear the story gets thick, and the writers don't tell us much beyond what happens. But that problem was salvaged because Mary Stuart Masterson has a fresh-as-a-daisy sweetness to brighten it up, and Robert Downey Jr. is so charming that he melts the screen. Even his smile is infectious. And it so happens that his big dreamy eyes are perfect for the deja vu and flashback scenes. Anyway, this movie is light and easy and if you like them that way, why not give it a try. | 1pos
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] |
One of the things I like about Escape From New York is the fact that the lead character is named Snake. It was a snake who tricked mankind out of paradise and in John Carpenter's world a snake is what saves the free world's leader. Of course the free world ain't all that free any more. In Escape From New York crime has risen to astronomic proportions, so much so that the entire island of Manhattan is now one big prison surrounded by the National Police Force. We now have one of those, I assume this is what the Federal Bureau of Investigation has morphed into. And the USA is at war, with who they don't say. But the enemies of the new American way of life have seized Air Force One and crash it in a suicide move worthy of what we see from the Middle East. But President Donald Pleasance, who looks a whole lot like Peter Sellers's president from Dr. Strangelove. He escapes in a pod that crashes on the prison island of Manhattan. What to do, but rescue Pleasance. And the guy that police chief Lee Van Cleef has in mind is Snake Plissken, former war hero, now career criminal with a Rooster Cogburn patch and played by Kurt Russell. To make sure that Russell doesn't double-cross him, Van Cleef implants a couple of mini bombs in his veins, just enough for him to bleed out when detonated in seconds. And they will detonate 22 hours from the point implantation. The rest of the film is Russell's rescue of President Pleasance who is being held by the head of the criminal society that has grown up in Manhattan headed by Isaac Hayes. Russell gets some help and some betrayal from folks like Adrienne Barbeau, Ernest Borgnine, Harry Dean Stanton and Season Hubley. To see who does what, watch the film. Escape From New York is a fun science fiction film that's attained a cult status of sorts. Certainly the world has not quite developed as John Carpenter envisioned it for 1997. Or has it? | -1no label
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] |
Like everyone else my age, I read "Dennis The Menace" comic strips and comic books when I was a kid. He and his dog and neighbors all provided laughs. With a cast that included Walter Matthau, Christopher Lloyd, Joan Plowright and Lea Thompson, I was sure this would provide laughs for me now as an adult, as well. Wrong. This was NOT funny, just one stupid gag after another. There was no real story line and most of the characters were annoying, not humorous. No wonder this was another disappointing "bomb" at the box office. Not everything is bad. Matthau is "Mr. Wilson" true to form. He looks and acts like you figure he would out of the comic strip. Dennis' parents pretty much do the same and some of the stuff is fairly funny. But there are some big-time disquieting aspects of this movie. "Dennis" is not the innocent- but-mischievous kid of the comics, but a mean-spirited, sadistic kid in here. Did I really hear Matthau utter "GD" three times without making it sound like it was blasphemous? Oh, how clever these Hollywood folks are in their clueless idea of "family fare." Speaking of that, what was the purpose of the sleazy character "Switchblade Sam?" In this age of child molestation and worse, this kind of character is funny? A guy hanging around schoolyards making threats is funny? No, not really. Once again - clueless Hollywood. What Dennis does to him is not funny, either - it's over-the-line. You would be appalled if your kid acted like this. This is far cry from the intention of comic book writer. It is typical of the sick screen writers of today. If you think I'm over-reacting, check Roger Ebert's review of this movie. I don't agree with him on many films but he was extremely offended by that character, too, and thought it had no legitimate reason for being in this movie. Good for him. This should be a "G" rated movie. It's "Dennis The Menace," for cryin' out loud, so why the PG attitude? | -1no label
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] |
The documentary begins with setting the perspective to several light years. The voyager is traveling our milky-way with the sounds of our earthly lives, as a space monument for (possible?) extraterrestrials. The documentary contains footage of Willy Dixen, Robert Johnson, Skip James and J.B. Lenoir. The footage of J.B. has never been published before. The narrative is from 'blind Willie' Dixon. However, it's done by an actor. The film shows the work of all these early blues men followed by covers and interpretations by musicians, such as Nick Cave and the bad Seeds among others. The Death of J.B. Lenoir (John Mayall's song) is a striking event in the story. Lenoir got political engaged and is considered to be of the league of Martin Luther King and peers. His political interests can be found in the themes of his lyrics. Blues is found to be 'THE' native music of America. Blues is the roots and the rest is the fruits. The title 'Soul of a Man' is after a Willie Dixon song. | 1pos
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] |
Tromaville High has become an amoral wasteland of filth thanks to the aftereffects of the nearby nuclear plant's accidental release of toxic waste. Unrestrained chaos crammed with absurd violence and crude behavior. Rather horrible, obviously intended to be, mess of a film with the filmmakers cutting loose the reins allowing the untalented cast free reign to ham it up. Craft was far down Troma's list of objectives for this gory sleazefest. The honor society are punks with eerie face paint jobs and wacky outfits. The German teacher who becomes a member, through a "toxic kiss" has the streaks down one side of her face that really gave me the creeps.The toxic monster, which dispatched the ANNOYING punks towards the end, is pretty cool, though. Kind of movie trash connoisseurs will embrace wholeheartedly. | 0neg
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] |
Well, the first thing I saw after looking at the DVD box was "Best Screenplay" and thought this would be a good rental. WOW, was I mistaken! I'm sure at one time there was a good movie in here, but after the incredibly poor acting and "video game" production values, this ends up looking like Tron's retarded half-brother. The first scene sets up the overall atmosphere of the entire movie. Five minutes into it, you'll be asking yourself, "What the Hell am i watching?", and it will just snowball from there. An awful soundtrack that makes every song sound like Rob Zombie's "Dragula" rounds out this miserable piece of crap into a laughably bad movie. On a side note, #3 most romantic quote in a movie - "I think you're the final destination." | 0neg
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] |
I'll admit it, I haven't been watching too many films lately. When I picked up the Enzo Ferrari DVD, I was expecting it to be a brilliantly expressive foreign Italian film (in Italian) with subtitles. Cameo appearances of his cars would be desirable but optional, and above all, I wanted quality. The storyline itself winds through Enzo's life well enough, but there's certain details there that I wish hadn't been omitted, for instance, the origins of the Prancing Horse logo, how he felt about his customers, his relationship with Fangio and so on. The narration via the reporter is clever, and charged with emotion. There was, in a number of points, too much background music was playing where was meant to be key dialogue elements that were frequently lost. At times the fake Italian accents broke into American ones. The film I got was in English! Not that I understand Italian myself, but when a film whose soul and emotion is quintessentially Italian is transcribed in a foreign language, the magic is lost in translation. Imagine passing off The Last Samurai as a bonafide Japanese film, and you will get my drift. No comment on acting, it was good but all in all I expected better. | -1no label
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] |
I just got the DVD for Hardware Wars, in a shiny new package, looking irresistable. Stuck it in my DVD player to find a slew of extra fun stuff. The extra content on the DVD is even longer than the movie. For those of you that have (shame!) never seen Hardware Wars, it one fantastically silly Star Wars spoof (of Episode IV, of course). Household appliances (such as irons, toasters, vacuums, and a waffle maker) stand in for Ty-fighters, X-wings, R2D2, and the death star. Instead of Princess Leia, we have Princess Ann-Droid, complete with Cinnabon hairdo. You get the point, I'm sure. Mad silliness, and a fun ride for any Star Wars geek (like me!) Now, the DVD - wow! A director's commentary where he basically goes off on the movie, making fun of himself and the project throughout. An interview with Fosselius on Creature Features (remember that?!) and hilarious "director's cut" and "foreign version" of the movie (all jokes of course). Anyway, this is great. I loved Hardware Wars in the theater, and am so glad for having the DVD in my collection - wedged in between MST3K: the movie and Thumb Wars! | 1pos
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] |
Varla Jean has been to Detroit for several venues. I am one of her most biggest fans!!! She was back in Detroit, March '03, for a venue that I attended. I remember her "mentioning" filming a movie. Last evening I was looking for something really special to veiw, thats when I stumbled on to her latest film, "Girls Will be Girls". I grabbed the DVD AND a can of "Spray Cheese" and off I went to watch this girl in action. She IS astounding!!! I hope you get the chance to see it and enjoy it as much as I did! BRAVO VARLA!!!! a perfect 10!!!! She also has a few CD's out and are quite entertaining. I was hoping that she would be in town again this year, but I haven't heard. Varla, if you are reading this - it's "Lumpy" the mechanic - Do you remember me? Lot's of Love -Lumpy | -1no label
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] |
A gruelling watch, but one of Bergman's finest films. Interesting to compare this with The Hour of the Wolf, as both feature the same lead actors as artists (or an artist and his wife) who have taken sanctuary on an island. In the earlier film it's largely inner demons that lead to von Sydows disintegrating personality (at least that's how I read it) whereas here it's very much circumstances beyond his control. Much has been written about the unsympathetic central characters, particularly von Sydow's. For me there are flashes of a good (if flawed) man early in the film, but one who copes badly with adversity. The flaws become all that is left as his humanity is gradually eroded by one horror after another. I watched A Passion (Ullmann and von Sydow on their island again) soon after this, and was amazed to recognise many of the same locations. And then there's a dream sequence... | 1pos
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] |
From frame one, she is EVIL! I totally cracked up because everyone else is dressed and lit adequately,but in each shot, each frig-gin' shot, Joan is in fantastic gowns, jewels, lit fabulously and with just that HINT of gauze, Vaseline over the lens. Same year as Female on the Beach. Go Joan! She chews through scenery like a wood chipper. However her character, originally from Chicago, is intimidated by a southern family..I don't think so. I realized she is the prototype of characters like Glenn Close in "Fatal Attraction". The scene where she dares her husband to divorce her is shark-like.Glamorous from start to finish.And poor Betsy Palmer.... | -1no label
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] |
"The Golden Child" was Eddie Murphy's first film since his megahit "Beverly Hills Cop". And even though it's not as good as "Cop", it's a fun comic adventure. Murphy stars as a finder of lost children who's assigned a most unusual case. His assignment: to find the title character, a child with mystical powers. This movie could have been titled "Beverly Hills Cop and the Temple of Doom" since parts of this movie plays like a Spielbergian adventure, kinda like an Indiana Jones comedy. It's got comedy with laughs, and adventure with special effects. Lots of fun. *** (out of four) | 1pos
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] |
Stumbled over this film on Amazon.com. Had never heard of its release but the three reviews gave it five stars and rave reviews so being a lover of German movies I bought a copy... Have to say that I was not impressed. The production values are cheap, the story is derivative, the characters are less than engaging and for a comedy it is surprisingly short on laughs. I wanted to like this but I just found it lackluster and dull. Or maybe I expected more of independent German cinema than a gay spin on The Full Monty and a cast of stereotypes. There are bits in the film that make no sense at all, like one of the Leather Bear's trying to get Ecki in a sling --like he'd even look at him twice? Or the vengeful ex-wife turning up at the match but ending up cheering for her estranged gay husband? Bunkum is not the word! Well, at least it explains the movies UK title, I suppose... | 0neg
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] |
This movie is now my gauge against which all other movies will be compared...as in, "was it as stupid as Revolver?" I too was in the Toronto International Film Festival audience last night where a room filled with over 2000 people walked out in an eerie silence after being absolutely dumbstruck by 2 hours of sheer nonsense. Jason Stratham would have been amazing if only he had a purpose. Within the first 10 minutes he's given a proposition by Andre 3000 and Big Pussy (of Soprano's fame) which makes NO SENSE AT ALL! Then there's some shooting and then there's Ray Liotta wearing embarrassing bikini briefs, then there's some animation, Ray Liotta's naked butt, lots of shooting, teeth gnashing, art house wanna be pretensions and more of Liotta's embarrassing body that elicited laughs at every showing...which I'm not quite sure was the reaction he was looking for...not 5 times anyway. Everyone in this movie thinks they're smarter than the average bear and Guy Ritchie thinks he's Yogi Bear incarnate. The story lines might have went nowhere but the posturing was outta sight! The only way this movie could have been worse is if Madonna herself was in it. | 0neg
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] |
I cant go for long describing this tittle, simply because I do not feel strong about it. I read a few comments and I see that only proud and patriotic Frenchmen seem to like it, that's all I can say... Boring Long Sometimes even stupid... p.s. 7.4 out of 10, the viewers must be going crazy I cant go for long describing this tittle, simply because I do not feel strong about it. I read a few comments and I see that only proud and patriotic Frenchmen seem to like it, that's all I can say... Boring Long Sometimes even stupid... p.s. 7.4 out of 10, the viewers must be going crazy | 0neg
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] |
This post may contain spoilers. Well, okay that's not really saying that much considering this "horror" series from Japan is not even close to being a "head" above anything else. I don't quite get the whole "forbidden fruit" thing... but at least it was over really quickly. There are a few scenes that are very nice and romantic between the Tomie characters that may be worth a look. Mmm, Tomie's dad is probably thinking Tomie Love Sandwich! And who doesn't like Tomie's head in a handbag? Especially when it's kind of more like a torso with odd appendages. Basically it's crap and you know it so just enjoy that for what it is worth. Tomie will never die and, yes, it will hurt. Tomie grade: F+ | -1no label
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] |
This movie includes 2 well known actors I have previously enjoyed watching. There actions are great and each action is heart felt. But it makes me think these 2 were thrown into a speech/drama class at college for the first time and told for one to act dominating and constricting to the other in a room without allowing her to leave and the woman to be truly innocent and treat her with enough mind-humping to drive the audience into tears for her release. The only good part IS the acting abilities, the plot has the same ruse as Hitlers influence and I started to hate the protagonist for that. But all of this could have been done within 15 minutes in my opinion, so to drag it out for over an hour was just pure punishment for all who watched it. | 0neg
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] |
Having the opportunity to watch some of the filming in the Slavic Village-Broadway area I couldn't wait to see it's final copy. Viewing this film at the Cleveland Premier last Friday, I haven't laughed out loud at a comedy in a long time! It is great slapstick. The Russo Brothers did a fine job directing. The entire cast performs their best comedic acting... No slow or dry segments... George Clooney is one of my favorite actors and he's great as the crippled safe breaker in this flick. I was most imprest by William H. Macy as crook "Riley" and Michael Jeter's as "Toto" they keep you in "stitches". I believe they have the funniest roles in the entire movie. | 1pos
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] |
Big rock candy mountain is amazing. i watched it when i was little, and still do to this day.(senior in high school). if i could imagine heaven, that is what it would look like. i wish i could live in big rock candy mountain where candy grows on trees. Zach Hyman is profs, and my best friend. little bunny foo foo is the man. it is so fuzzy and colorful that i dream about it at night. in fact, my friend who is 18 recently watched it for the first time and absolutely loved it. i recommend that people of all ages watch this movie. i am having a huge party this weekend with all my friends to watch this incredible movie. we are going to order pizza and watch the teddy bears giggle. i constantly find myself watching clouds and wishing i was that little girl that got to visit. thanks. bye. | 1pos
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] |
The Driller Killer is a movie whose reputation precedes it. Those who have never seen it expect a shocking gore-fest. Those that have seen it know differently. This film was a prominent member of the notorious Video Nasty list from early 80's Britain. However, the film attained it's nasty status primarily because of the graphic cover of a hobo being drilled in the head and also because it had a catchy and memorable title which the British tabloids could bandy about whenever they produced an article about the dangers that this new breed of violent films posed to civilisation as we then knew it. The actual content of the movie, on the other hand, is another matter entirely. This is not a blood-drenched atrocity. The violence is minimal, if on one occasion strong. It is mainly a portrait of a painter being driven mad by his surroundings. Secondly, it is an interesting historical snapshot of the late 70's New York punk scene and the grimy streets of the city at that time. One of the main problems of the movie is that the people who think they will like it, generally won't, while those that might enjoy it probably would never pick it up in the first place. The Driller Killer is a movie that does not play to expectations. On a technical level it is very raw. This in itself is not a major problem as the setting is so scuzzy that the film benefits from the DIY punk rock attitude in terms of look and sound. The acting too, is primitive but, again, doesn't seem entirely out of place. But these limitations, along with the threadbare narrative, do make the experience of watching The Driller Killer one that you may not want to repeat very quickly. The mix of exploitation and art-house on a low budget is certainly interesting but ultimately a bit aimless. If you are a fan of exploitation cinema then certainly check this movie out but please be aware of what this film is not - it isn't a mindless slasher or serial killer gore-fest. It is a hybrid of grind-house cinema, punk rock and urban alienation. Filmed by a maverick director/performer. It will disappoint many but reward a few. | -1no label
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This film had no huge stars in it, but did have a very good cast filled with excellent supporting actors AND Gene Tierney before she became a big star. With George Sanders, Reginald Gardner, Harry Carey, Bruce Cabot, Jospeh Calleia and Cederic Hardwicke, you'd expect more from the film than it actually delivered. Most of this, I suspect, is because of a second-rate script, as director Henry Hathaway was a competent and well-established man at the helm. The film is set in East Africa during WWII--just before the Americans entered the war. The Brits are trying to control their African colonies while subversive Nazi elements are trying to stir up trouble among the locals. One of the white men in the film is a double-dealer--working for the destruction of the British Empire! But, lovely Tierney, playing a sultan's daughter(!), is out to help save the day for good ol' Britain. American film makers have long sided with the Empire and the 1930s and 40s saw a plethora of pro-empire films. Nowadays, with changed sensibilities, the notion of seeing the happy black natives dying for Queen and country seems ridiculous--and it would be hard to root for either side! Still, in its day, this propaganda piece was effective in drumming up support for the British--though when seen today, the film suffers from a long-winded script and silly casting. The one bright moment in the film is the final showdown between George Sanders and the enemy agent. Too bad after such a potent scene the film just seemed to talk and talk--losing some of its punch. | 0neg
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] |
Lucille Ball is the greatest comic of all time. Here's Lucy was a fun, campy show. It was great to see Lucy, Gale, and Lucy's kids all acting together. Fans now have the complete series of I Love Lucy and The Lucy Desi Comedy Hour. I would love to see Here's Lucy released as season sets on DVD. I hope to see complete series releases of The Lucy Show, Here's Lucy, and Life With Lucy. All of these shows are important parts of Lucy's television history. If you haven't voted yet, please do so at tvshowsondvd.com. Maybe we will get some good news on a future release!! The more votes, the more fans can show their enthusiasm!! Can you imagine owning all the Lucy shows in your own collection?!?!? | -1no label
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I got this as a turkey movie and was I not disappointed. Acting - overall even though many have been in other movies it is clear that they had to work hard to act this bad so constantly over this entire movie with out accidentally letting slip some degree of acting. Plot - being generous I could say that the scriptwriter did originally start with a plot but but did his best to ignore it. the plot broke down faster then a Chinese knock off computer Scrip - now that was an abomination of nature. it failed to flow with any rhyme or reason. the majority of the lines by the characters were at best pathetic to imbecilic. the script worked hard to make sure that no character managed to get to be considered memorable. I have watched other movies where the extras were more interesting and memorable. Special effects - ROTFLMAO!!!!! They were short bus special Directing - until you can come up with your own directing ability copy the style of your favorite directer otherwise you will only make failures like this. It is good to know that your friends/family have been giving you 10 stars for this movie | 0neg
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] |
I don't expect much out of low budget horror flicks so I was pleasantly surprised by some of the elements of this obviously low budget movie. First, the two female leads held their own. Especially when you consider the dialogue they had to work with. Second, the mask was really cool. Third, I enjoyed the 3D haunted house sequences. Lastly, the chase scenes were done pretty well. Now for the bad news. The script was very predictable and too familiar. The writer clearly ripped off a lot of his material from movies that were big in that genre at the time. Aka - Scream. The sound was bad in certain scenes and the low budget was obvious throughout the movie as far as quality. Some of the other actors were down right horrible. I still don't quite understand the ending of this film. Overall, I wouldn't watch it again but it was fine entertainment for one night. Like I said, I didn't expect much so I wasn't disappointed. I've definitely seen a lot worse. | -1no label
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Out of all the Bat-films, Batman Returns is my favorite. This beautiful, dark, and funny film is one of Tim Burton's best work. Although it is much violent and darker, this is the Batman that creator Bob Kane envisioned many years ago. Michael Keaton reprises his role as the avenger of Gotham City. This time he's up against two deadly foes, Danny Devito's Penguin and Michelle Pfeiffer's Catwoman. With a great cast and film score by Danny Elfman, the movie takes us on an adventure as Batman battles the evil forces that are trying to take over Gotham City. Christopher Walken makes a great appearance as Max Shrek, a shrewd businessman who has an evil scheme up his sleeve. But of course, Michelle Pfeiffer is the one that steals the show. With all of these components, you have a film that will blow you away. This is the reason why you go to the movies. It's got everything. It's really a shame that Tim Burton didn't get to direct the other sequels. If so I think the franchise would still be going strong today. Batman Returns is an awesome experience for fans that like cool movies. | 1pos
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I'm still trying to figure out if there was a point to this film. For content that's supposed to be so 'rebellious' and 'controversial' the things that Maddox distributes to the students are awfully lame. Students seem to be easily swayed by vague anti-authoritarian sentiments and snippets of words illegibly scrawled onto leaflets. Rebel, everybody. I suppose it would have been too much to ask to have a teenage rebellion film where a school fire alarm doesn't get set off. Apparently a 'huge fight up on the football fields' is a fight that consists of two people. Characters personalities seem to wildly vary at random. A football jock who Maddox was fighting (and who subsequently got a staple on the face) is all smiles and apologies the next day. The fact that it doesn't come to any real conclusion of the plot makes me feel that the whole thing could have been fitted into a half hour after school special. If they had cut most of the attempted pseudo-glitch soundtrack. | 0neg
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] |
I loved the first season. The quality went down a little bit in the second season, which however had a great middle (Pegasus!). Third season was fairly novel and original and was OK. Fourth season started going downhill fast, because they never even began giving us any explanations, when by now we were really starting to need them. What the hell was the Cylon plan? Why were there two Cylon factions? What was the point of Angel-Kara leading the fleet to a devastated Earth-1? What kind of a past did the last five Cylons have, and how did they survive, or were they reincarnations? Questions everywhere, answers nowhere. And then comes the end. Earth-2 (our Earth) in the past. Well, okay. But destroying the fleet?! Giving up technology and giving up any kind of urban life, and spreading a few thousand people paper-thinly across the planet?! That's not only anti-science, it's anti-reason and anti-life. And the philosophy of the show then seems to be that humanity is forever trapped in a cycle going from nature romanticism to a decadent capitalist society inventing destructive A.I. that ruins everything. It is without vision, without hope for a grander future for humanity, and it is antithetical to proper science fiction. And don't even get me started on the angels! Religious claptrap of the worst kind! The ultimate disappointment!! The whole "all this has happened before and will happen again" thing should have related to the previous incarnation of the series, not just to Earth as we know it. Making the new show somehow consistent with the old would have been the definitive stroke of genius. Frakkin shame. 1 out of 10. | 0neg
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] |
I just saw this on a plane (and overseas flight) and I watched it twice, as it was so good. The acting was superb, the script very credible. This is perfect art-house cinema or Netflix material. So when do we get it here? Even just on video? (Is this where I whine that pleasant little gems like this go unnoticed by dumb Americans?) Besides, how many Swiss films will you ever see in your entire life? BTW, the piano playing fooled me entirely. I kept looking and trying to figure out how it was done (hence, the dumb American comment). It will be very easy for anyone who is smarter than the average bear to identify with this story. | -1no label
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] |
I know it is fashionable now to hate this movie. I have seen hundreds of spook films including he original 1963 Haunting as well as most of the Hammer films. This film is not restrained and does not hold back at all which is probably why so many modern viewers seemed not to like it. Yet many viewers can accept out of control films like Scream because knife killers are more easy to believe for most people than demons or ghosts. Actually this film had many great scenes and the acting and special effects were great. I have seen it 15 times now and it gets better every time. The director of this film has made a number of interesting and stylish films and was not trying for the type of realism of the 6th sense. The Haunting lets go and is certainly not boring. Perhaps this film might appeal more to John Carpenter fans but more of an traditional plot structure. The old Haunting was also a fine film from 1963. It was even more scary. See both and also The Innocents and The Legend of Hell House with Pamela Franklin. | 1pos
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] |
James Riffel's "Dead Dudes in the House" has to be one of Troma's best.There is plenty of gore,some scary scenes plus a lot of cheese.The plot involves a group of young people going to fix up an old secluded house and falling victim to the murderous 100 year old lady named Abigail who proceeds to slash them up and bring them back as zombie-like killers."Dead Dudes in the House" is loaded with plenty of gore and violence.The script is pretty mediocre and there are some dull spots,but overlook that and you have an enjoyable low-budget gorefest.The scene,where one guy is cut in half by window is a hoot.Check it out,if you can find it.7 out of 10. | -1no label
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The stooges are launched into space, land on a distant planet and (after the usual stooge shennanigans, save the world from alien zombies (a young dan "hoss" blocker") The only reason i give this movie a 1 is because that is as low as the ratings go. The stooges in space can be a funny idea, but to pull it off you need THREE stooges, not 2 and the very unfunny Joe Besser. Imagine what Curley could have done with what is politely a bad script. Heck, even shemp or Curley Joe DeRita could have probably salvaged at least a few chuckles. Instead we are subjected to the annoying whinning of Joe Besser. This is a stooge short ( along with just about any other Besser shorts) that even the most die hardstooge fan (and i definitely count myself in that category) could not recommend. | -1no label
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] |
Korean martial arts fantasy about a vagabond demon killer, who is actually a wanted royal demon killer, who is drugged by a village and flees before he can get caught and turned over to soldiers for the reward. Falling asleep in what appears to be a temple he crosses over to Mid-Heaven where he arrives just in time to help a higher soul on a special mission who is under attack. The higher soul looks exactly like his lost love, but she doesn't remember anything. The villains are his old friends in the royal demon slayers, now dead and seeking to cross back over into the world of humans. Trust me its way better then that. Grand romantic martial arts film is a visual treat. Better yet its really romantic as the notion of "I will remember you forever" is put to the test. And it raises the question of are we our memories, or are they simply the source of all our pain...and joy? There are times when this film just soars with emotion and ideas. Will you love some one forever for real? The film looks great. The world of Mid-Heaven is lush and magically alive. The action sequences, which do rely on CGI and wire work are impressive no matter how you slice them. I particularly liked the battle on the ropes holding up the lanterns which shouldn't work for any number of reasons but manages to actually be something special. Only the final battle to the bad guy a bit too CGI with the vast armies clearly make believe. I really liked this film a great deal. I don't know if its one of the best (some of the plotting is unclear or takes an odd turn) but for the most part its a solid two hours enjoyment and entertainment. 8 out of 10. | -1no label
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] |
Though the title may suggest examples of the 10 commandments, it is a definitely incorrect assumption. This is an adaptation of 9 SEEMINGLY unrelated stories from Giovanni Bocaccio's 14th century "Decameron" story collection. Set within a medieval Italian town's largely peasant population, it is a diatribe on the reality of sex (and its consequences) within that world and time. A realistic view of Life within this world, it sometimes feels like a journey back in time. Given the depicted human element of its time, one can also see the more adventurous side of morality in its protagonists - as well as the ironies of Life, at times. Or it may also be viewed as a general satire of the Catholic Church's rules. Nothing terribly special, but definitely interesting if one comes with no expectations or assumptions. | 0neg
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OK - as far as the 2 versions of this movie. There were 2 people involved in the making - John Korty and Bill Couterie (George was just the producer - he really didn't have any kind of say so in the film - just helped with money) - the 'Adult' version was made possible by Bill Couterie. John Korty didn't like or approve this version (as it was done behind his back). Thanks to Ladd films going under, they didn't advertise this movie and threw all their advertising cash for "The Right Stuff", hoping it would pull them through;... and it didn't. SO, this movie never really had a chance. When "Twice" made it to cable (HBO) - they showed the reels with Bill's version and John threatened to sue if it was shown anymore (did you notice how the 'adult' version wasn't on for very long?). Showtime got the 'clean' version. The version on the videotape and laser-disc is the version approved by John (who holds more power than Bill). It's a pity, really, as the 'adult' version is actually better and DOES make more sense. But it's VERY doubtful that it will ever be released in that version onto DVD (or any other format short of bootleg). Sorry to disappoint everyone. I know all this info as I used to be the president of the Twice Upon A Time Fan Club (still have numerous items from the movie - used to own a letter-boxed version of the 'adult' version, but it was stolen - only have a partial HBO copy of it now). 8 stars to the 'adult' version - 5 to the 'clean' version. Any other questions, just ask. | 1pos
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] |
From my personal experience, most independent films these days tend to be overly preachy and showoff-ish. It's almost as though the new blood directors are shouting "look at me" rather than "look at my story." When I had an opportunity to watch "Praey" I was pleasantly surprised. Refreshing young director Tiffany Sinclair has laid out a fully developed story with mostly fully developed characters. I won't bore you by trying to tell the plot, quite simply the tale centers on a woman with a mission, seeking revenge on a sordid villain, while meeting all kinds of creepy and/or angelic characters along the way. Somewhat derivative but never rote, the story mixes unequal amounts of drama, terror, gore and the supernatural and winds up mostly satisfying to fans of each genre in the end. Sinclair adds just enough spooks and scares and unexpected twists to make the proceedings feel fresh and inventive. Sinclair herself and Prawin Adhikari are the actors to watch and both give excruciatingly believable performances that should have you cringing in pain right along with them. The rest of the cast is not as memorable but are about par for these shoestring productions but rarely, if ever, negatively impact upon the audience's enjoyment of the story. You may not recognize the name Tiffany Sinclair just yet but she has put plenty of potential on the screen with "Praey" and you should hear a lot from her in the near future. Her deft use of an intimate but non-intrusive camera and her ability to get compelling performances from her cast should make Sinclair a hot commodity. | -1no label
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] |
I saw this movie once in or close to its release year 36 years ago (1969). Although I can now only remember bits of it, I long to see it again. The parts I remember, rightly or wrongly, include Mustard gas in the trenches and Suzie Kendall as a German spy, offering some bloke sexual favours in the back of an enclosed truck to get military information from him. The music score was especially memorable and emotion stirring in the league of Gone With The Wind and I would love to hear it again. There must be some commercial or copyright reason why this movie is not available. Anyone know why? I doubt its anything to do with a lack of quality or interest. | 1pos
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] |
...and become the basis for a year long course that would touch on history, sociology, politics, economics, law, and media literacy. There could also be a college level version of the course also, the controversy generated would be just as educational as the content....as, no doubt, there are still many American's who still don't "get" what the organized labor movement was/is all about. This is a movie of a play on the life of labor leader Harry Bridges with some additional filmed scenes that was broadcast over PBS TV on Labor Day. The play is essentially a one man show in which THE MAN is Ian Ruskin, whose performance reincarnates the words and the spirit of a great working man. The play is beautifully captured on film by director by Academy Avard winner Haskell Wexler. Go see it for yourself, any way you can!!! | -1no label
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] |
Seen this one in a Sneak Preview yesterday and must say it was terrible. After the credits I thought: "Hey with this cast it'll probably be pretty good". Didn't at all turn out that way. Lame predictable groaners, terribly simply drawn characters (maybe except a little Ms. Lara's) and an ending one could foresee 10 minutes into the movie. And worst of all, it misused a delicate theme (handicapped persons) for low level and mostly tasteless jokes without ever touching anything but the surface of the issue. The handicapped person the film sympathises with the most is the one who is just faking it. What kind of message is that? And the film doesn't have a thought through ending at all, it basically comes down to: "I love you, doesn't matter that you acted like a prick." To sum it up: Great cast that must have been terribly bored to sign up for a terrible flick. | 0neg
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] |
i really liked the first 2 seasons. because a lot of good characters disappeared later on. like most shows are kinda slow at first then get better in later seasons, but this is the absolute reverse. jenny from the 1st season and Valarie from the 2nd season were Sabrina's friends, i really didn't care for the others, jenny and Valarie were her coolest friends. i think for some reason, the producers wanted us to not like her college friends for some reason, they were so cruel to Sabrina. but my favorite episode from season 1 is cat showdown and my favorite episode from season 2 is witch trash, that is the funniest episode. i also thought it was funny how Libby was popular but she was always jealous of Sabrina, and never seemed to have a real boyfriend but was always wanting to be with Harvey. i just wished they could have made more better ones. i also liked how the first 2 seasons, during the opening credits Sabrina would say a few words while wearing a costume, like in the pilot episode where she's in the witch costume, i liked how she said "this is so not me" and later on she kept trying to change herself to something else is what i think, but this is a really cool show. it is kinda like the andy griffith show in a way because it good at first but once it turned color and barney fife left, it was longer good. but i still like to watch it, but the only reason i watch later seasons is because of sabrina. what i meant about the opening sequence is: the opening titles of seasons 1-3 shows Sabrina in front of a mirror posing with several different costumes and outfits as the cast members' names quickly flash on the bottom of the screen. At the end, Sabrina would say some sort of pun that related to the outfit she is wearing, then disappear. the opening sequence of season four includes the characters in bubbles. the opening credits of seasons 5-7 features Sabrina at various locations around Boston | 1pos
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] |
please please do not watch this film , it doesn't deserve it !!!! its without doubt the worst , unfunniest film ever and Christopher walken should seriously reconsider his career after it !!! i didn't laugh once during the whole thing and saw every single "joke" a good 10 seconds before it happened !!! it tries to get us cheering for the underdog like in great films like major league , dodgeball etc but i ended up actually totally disliking the main character whose main claim to greatness seemed to be sticking his chewing gum under the flipping ping pong table !!!!!!!! please listen to me and give it a miss , in fact when its on terrestrial TV (in about 4 weeks i'd say) just go out for a picnic or something ... anything to get away from it !! im just mad that the lowest vote i could give it was 1 ! | -1no label
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] |
I wasn't sure what to expect with this movie since the "Loch Ness" subject matter is kind of an overused topic. The fact that people said it was "family friendly" was also a strong turn-off: kiddie characters, themes ... 'nuf said. However, I'm glad I saw this movie! It had a good, interesting story and great characters. The special effects were pretty good too. Even though the lead character is a young kid, it was OK since all of the characters and story were realistic and serious - and not depicted from a kid's point of view. The story is framed around a modern-day pub where an old-timer is telling a couple young hikers/travelers the story of a picture on the wall. The bulk of the story takes place during WWII at Loch Ness and centers around a little boy that discovers and takes home a large egg. I'll pretty much confirm what other's have said. Yes - it's fit for viewing by all members of the family, but don't let that stereotype trap you into thinking it's only for kids. If you're in the mood for something light, this is a good movie and worth checking out. | -1no label
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] |
I'm suprised about the amount of positivity expressed towards this movie as it is quite poor. As a long standing SF fan I was looking forward to it, despite it's low budget and the fact that the director's subsequent movies have been less than satisfactory. The good points: The special effects are reasonable (although not great) and the set designs are excellent (quite reminiscent of Alien.) The bad points: Cliche after cliche hits you until you can't take it seriously. The handsome tough guy cop who smokes a cigarette out of the corner of his mouth. You'll hate this character unless you like one dimensional humourless carboard cut out stereotypes. The muscle bound convicts who bully everyone else. IS this a prison for body builders or something? The geeky computer wiz kids and their quirky humour. How we laughed. The obvious 'good guy saves the day' ending. Malcolm Mcdowell. Why does he take movies like this? Such a fine actor is wasted here. The plot holes are too numerous to mention here but there are lots and lots - probably about 44. There really isn't anything to like about this film apart from the average visuals. I advise you to give this one a miss and pick up a very similar but far superiour movie called 'Outland' starring Sean Connery and directed by Peter Hyams. | -1no label
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] |
There is nothing clever, good, or redeeming about this film. Parody or not, independent film-making or not, it just fails miserably on all levels. Much like every other film playing at multiplexes nowadays, it just has to have a pop song in each scene (they even dig through the '80s a bit, since teens these days act like they know what '80s culture was like), idiotic postmodern outfits like girls wearing loose-fitting ties over tank tops (wow, how sexy), and of course the obligatory lesbian element that has to permeate everything aimed at the young demographic. Last but not least, they excavate the tar pits with a multi-ethnic cast since you simply have to do that nowadays to show false camaraderie between people that given the chance would otherwise destroy each other. Avoid this trend-propagating, falsehood-edifying dreck as best you can. There's always a Disney film around to provide more intellectual stimulation. | -1no label
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] |
It was one major pus-filled cliché. Indiana Jones, Hellboy, Men In Black, Lara Croft Tomb Raider (video game and movie) The Medalion, Monk, Witchblade, Kill Bill (with the music that played when the two girls started fighting,) Lord of the Rings, and countless of other films were constantly being ripped off by this piece of crap. It was beyond a waste of time. Also, if they were going to make a film based around facts and place them into fictional environments, get them right. Why is there snow on top of the mountains in Brazil and Mayans were never in South America; it was the Incas that inhabited that area. The Mayans inhabited Central America and southern Mexico | -1no label
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] |
With NAVIGATOR this is the BEST juvenile/escapist movie of the 1980s. What can I say, I just watched it once as it first aired decades ago, but still had positive memories and thus watched it again a few days ago. I bet the scenes inspired tripe like Harry Potter (juveniles chasing mysteries in old English school settings, eh?). Atmosphere is good, acting excellent, SFX very good (Era/genre wise ). Of course it is a bit of a salad bar mixing Indiana Jones, E.T. Gremlins and other 1980s motifs (the underground temple scene clearly imitates Conan the barbarian)...much as in the NEVERENDING STORY you get a funny man trying to fly... Plot contrivances abound and are well thought of. | -1no label
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] |
The other reviewer was completely correct about this one. The writing was awful, the acting was awful, the subject was awful. The actors looked like they were not really into the movie, like they almost *had* to be there. There were some unique camera effects, but they were not really germane to the story (or what there was of a story), and they weren't produced particularly well. I suppose they were trying to piggyback on the success (can I say that?) of the other eschatologically influenced movies (Omega Code, Left Behind). And yes, it DOES make Christians embarrassed when these types of movies are produced. I would not recommend this movie to anyone, especially a non-Christian. | 0neg
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] |
Sorry, guys, I'm just not feeling anything coming from this series as it goes on. Whereas the first two installments had a personal feeling, like the filmmakers had left their personal signature proudly on their excellent work, PART 3 and this one are obviously done to make money and nothing else. There are a few good things about this sequel, though: I liked seeing Crispin Glover, who is always interesting, and Corey Feldman is pretty cool until the last 20 minutes, where he annoys the hell outta me. Once again, a group of horny teenagers travel to a lake (is it even Camp Crystal Lake? we never know!) for a vacation and get killed by Jason, the supernatural killer who seems to survive everything and get stronger in every sequel. Here, he's like Superman, which is a little too much for my tastes. Sort of like how Michael Myers became a walking muscleman in HALLOWEEN 4-6. The only noteworthy acting kudos go to Glover and Feldman, everyone else can be forgotten. The final girl, Trish, does not pack a wallop and once again, there is no character development. While the horny teens are more likable this time around, they're not that much more likable. Good gore scenes, though, done by Tom Savini. FINAL CHAPTER holds several very good scenes that stand with the best of the series and does create an atmosphere that was notably missing from PART 3, but is still pretty bad. What's worse is that money forced this "final installment" to be evidence that horror is the most untrustworthy genre when it comes to pleasing the viewer. I still wholeheartedly recommend PART 2 as the best of the series. | -1no label
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] |
This movie as you can see by my rating, was complete drivel. Almost every plot event was coming a mile off. Satellites falling out of the sky cannot happen. There is something called "the Atmosphere" surrounding the Earth, which makes anything falling from space heat up to insanely hot. The SFX were mediocre bordering on bad, but they were brilliant compared to the acting and the plot. Blowing up the Arctic with nukes. Doesn't that just sound stupid, because that's what they did. I mean is spraying thousands of tonnes of ice into the air going to put out huge fires in the atmosphere, and then ice starts raining from the sky and everyone goes all happy-clappy. Its most redeeming feature was the unintentional humour at the actors trying to make the plot seem believable. I mean the whole atmosphere exploding due to methane. Methane can only burn at concentrations between 5 and 15%, and there are 1,745 parts per billion, which is about 0.000001745% of the total atmosphere. Just a little bit below 5%. | -1no label
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] |
Mediterranean playboys woo the affections of sexy tourists, and treat them to fun and frivolity aboard their yacht, while a ferocious tiger shark cleans up after them. Sordid, heavy-handed approach to the conventional shark tale, with perennial Cardona leading man Hugo Stiglitz, tag-teamed with Andres Garcia (no, not Andy Garcia) acting like a pair of macho morons in pursuit of the next booze-fuelled orgy. Somewhere amid all the frolicking, their care-free capers are interrupted by the occasional graphically depicted shark attack. The 130-odd minute cut of this yawn fest is an endurance test; the audience hanging on, in the forlorn hope of actually seeing a shark attack. Trimmed down versions don't fare much better, unless you like the idea of a threesome pact being broken by a fourth contender, who's about 15 feet long and lives underwater. A diverse cast can't recover any dignity to the proceedings, with Susan George as the main love interest (there are so many, it's hard to keep track), and Fiona Lewis and Priscilla Barnes popping in for a good time, not a long time, just to add some comforting familiarity for non-Spanish speaking audiences. Overall, while the all-too-few shark attack scenes look convincing, and the multitude of semi-nude babes are distracting, it's a labour that will leave you feeling betrayed: this isn't a shark movie. It's soft porn and a deep throat. | -1no label
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] |
Antonio Banderas plays a rich Cuban man in the late 1800s-early 1900s, who orders a mail order bride (Angelina Jolie). Unfortunately, she turns out to be a load of trouble. Horrible adaptation of a great book ("Waltz into Darkness" by Cornell Woolrich). There's some beautiful set design, exotic locations and good acting by Banderas and Jolie. None of that can compensate for the leaden pace, horrible script, laughable performance by Thomas Jane (who appears drunk most of the time) and annoyingly jerky direction by Michael Cristofer. Also, why does this take place in Cuba? The original novel is set in America. The only reason to see this tripe is for a very steamy sex scene between Banderas and Jolie within the first half hour. After that, tune out. ALMOST worth sitting through for the real stupid ending (different from the book). A waste of talent. | -1no label
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] |
This is possibly the worst movie I have ever seen. Can somebody please explain the plot of this movie to me? Yes, I know the bus ran out of gas in the middle of the desert, after the driver never noticed that his compass wasn't functioning, but what then? And how did it end? Maybe I'm to stupid to understand this movie, but to me it was an absolute waste of time. My recommendation? Do not bother, there are far better movies to be seen. This movie ranks with my other all time low-low's (Going overboard - Adam Sandler and Fire on the Amazon - Sandra Bullock) | 0neg
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] |
its a wonderful continuation of the pop series and presents a befitting end to the series.The prince looks great as ever and the various new features which are present in this game add an extra spice to it.The speed kill system is wonderful and makes the job quite easy for the prince,also in this game i cant recall a single instant where the game presented bad camera angles as are present in the previous two games.The game play is although pretty much similar to the previous two games but the platforming in this one is really great.There is one more added attraction in this game that is chariot racing which is quite nail biting stuff.Also in this game there aren't any monotonous boss fights as were in the pop warrior within.All in all a wonderful gaming experience,a must play for everyone and i give it a well deserved 9.5/10. | -1no label
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] |
We all trudged through this B movie hell-bent on getting some benefit from our rental fee. Lame plot, stiff acting, bad direction, amateur camera-work... Have I forgotten anything? Oh yeah, Carrie Fisher is nothing short of sad. Very pathetic what's become of Princess Leia. My wife and I figured she had a stroke or perhaps did too many drugs. She was absolutely monolithic, that is, one face, one emotion, one tone of voice. And the girl! Leave her in some half-baked sitcom, please! And since when is a guy being a hunk criteria for granting a movie a positive review? Has everyone's brain turned to tapioca? Go watch some porn and quit providing an audience for film school dropouts. | -1no label
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] |
Maybe it's because I just recently got into Indian soap operas. Or maybe it's because I am comparing to the other domestic and foreign shows/movies that I've seen over the years. Kasamh Se has to be one of the most frustrating and painful series I've sat through. Most of the time characters seem to be mute and unable to express themselves at times of relevance. People reveal their thoughts aloud when alone just for the camera. I understand wanting the audience to know what's going on, but if the writer/director/producer is looking for realism, they should consider how often they speak monologues to themselves in their lives. And to politely end my tirade, the one thing that annoys me more than the rest is how the show really takes only 10 minutes while the rest of the show just keeps cutting to characters faces repeatedly during seemingly tense moments. While the plot is possibly believable, I think a 15 year old could come up with more content for a 1/2 hour show. | -1no label
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] |
I remember when I first saw this in a movie theater. It was a bad print, and the film obviously had broken in a couple of places, as the song "IF" started mid-sentence. The VHS tape, while probably not perfect, has the virtue of being unbroken. I have not yet seen the recent DVD release, but I probably will purchase it. Diana Rigg and Chloe Franks are the best reasons to see the film, but the others really aren't as awful as some people make them out to be. A good friend of mine was on the set in Vienna, and he told me dozens of horror stories about the filming, one of which was that it was cold and rainy during the scenes in the Vienna Woods, so Elizabeth Taylor caught a bronchial infection which stubbornly hung on during the rest of the filming, as she was not able to get the rest she needed. The company financing the film absolutely insisted that it not run over 120 minutes. Thus, some numbers were cut in the editing process. It's a shame that we can't have an edition that includes the songs that ended up on the cutting room floor. It's by no means perfect, but it's a lot better than the film musicals of "Mame" and "Man of La Mancha," in my opinion. | -1no label
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] |
Going into Antropophagus aka Man-Eater (man i have a tough time, pronouncing that) I knew a couple things about it. I knew it was a classic of euro horror and I knew that it was supposed to be pretty gory. And I would say both are true. While watching the opening credits I also found out that it was directed by Joe D'Amato, big time sleaze/horror director. After seeing Buio Omega and this one really gets to know his style of directing. Antrophoghagahasus....Man-Eater is about a few wealthy people taking a vacation and visiting an island. What they don't know is that the island people have all vanished, thanks to one of the coolest villains in horror history. No joke. So obviously they arrive to the island, and bad things start to happen. Simple but fun. I hear people find this movie dull, and I can totally see where they're coming from. In the beginning especially there were a few instances I caught myself not even paying attention. But these day-dream episodes didn't happen again and I was pretty happy with the following results. The movie (uncut) isn't full of gore, but it has it's fair share, especially the ending which was funny as hell. It's one of those moments where you're telling yourself - He's not gonna...he's not...Awesome! - Actually there are two moments in this film that gage that type of reaction. If you're into euro horror, you've most likely already checked this out, but if you're just a horror fan looking for something different, this is one flick I would definitely recommend. It has D'Amato directing, pretty girls, cool gore, some nice suspense and a pretty badass villain. 8 outta 10 | -1no label
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] |
Alright, I'll be honest about it, It scared the hell out of me, Why? Because of crap like this, Hollywood is getting a bad name. How in gods name can one make something like this for an actual Hollywood release??? The school movies we used to make with a simple video-camera were even better. The story is stupid, it's the return of the undead-movie number billion, but with shitty completion. The actors, hahahahahaha...I'm sorry, thats mean, I mean the amateurs that had roles in this movie obviously haven't been in or considered acting school before accepting parts. You know at one point I thought I saw the price label still hanging on one of the zombie masks, it looked like it was 12 dollars. With a little editing, it could go for a comedy. In a way it is horror, I mean, it's shocking to see what kind of junk makes it to Hollywood. Avoid at all costs, unless you're really really really drunk. | -1no label
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] |
This film is about a young Indian guy who comes home one day and finds himself getting engaged to a woman. The problem is that he is gay. In order to stop the wedding without telling his parents that he is gay, one lie leads to another until it spirals out of control. This film is hilarious and got me laughing many times. Sally Bankes' acting is superb and she plays this strong woman who does what she wants convincingly. The plot is outstanding as well. I find the plot very realistic, and I can completely identify with Jimi's feeling of being terrified, worried and upset. On the other hand, Jimi's boyfriend, Jack, is given much less attention in the film. I would have liked him to be given more lines in the film, and have more character development. However, as I guess the director wants to make this a more mainstream film, the love between Jimi and Jack was not developed in the film. It is great to watch a gay affirmative film. Furthermore, this film preaches us to be accepting to other people's difference, be it sexuality, culture and the way of life. This film makes viewers think hard. We need films like this to give us a boost. Thanks for making this film! | 1pos
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] |
This movie makes you laugh when Chris (Will Smith) is having one of his worse days ever, chasing a gypsy in the middle of the road, getting hit by a car, running after a crazy guy, running from a cabbie without paying him and finally, finally when he has the greatest day of his life it makes you cry. If you, ever in your life have struggled and against many odds and discouragements achieved something, then you will know what the underlying beauty of the movie is. Will Smith is brilliant. He might not get an Oscar because of Idi Amin (Whitaker in LKFS should get it) but he is at his best. You will feel for him every minute, you will feel his pain and yeah you will enjoy his happiness. His son was good too. But its Will Smith all the way. A very nice movie | -1no label
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] |
I saw this movie while in college in 1975. I laughed until I cried. I was in pain. I rolled on the floor in agony. You actually get to see photographs of " Invisible Flying Critters ". Plan 9 from Outer Space and Robot Monster have good production values when compared to this movie. The narrator talked about a 4 engine bomber that encountered a UFO but the film shows a 2 engined C-47 military transport. The saucers are tin pie plates dangling from fishing line attached to fishing poles! The guys who made this had a lot of fun. See it with friends as this heightens the effect of the absurdity and creates a bootstrap laughing situation. However you must be careful if food or drink is made part of the experience since choking and projectile fluids could be a problem. Someone should check out credentials of who made this movie. Was their a sinister motive like CIA disinformation or just an attempt to slay the audience with peals of laughter? Wonder if it came in under budget. Did it have a budget? A classic of its kind! | -1no label
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] |
I love the film ASOKA because it was a very special film! King Khan's performance was excellent+! The songs and dances were exotic! King Khan really have the face of the king, and his name is the perfect name for him. Originally, I am from Kerala India and I really enjoyed watching Kallari because I haven't seen any films with Kallari since I have moved to Alaska. At the end, I was bursting into tears but I watched ASOKA several times. I do not understand why Asoka was placed second to Amir Khan's film. I watched that film too and I thought it was just an okay film. I am still curious about what happened to Asoka, Karwaki, Devi and the children. Is there a chance for Asoka II? Meena | -1no label
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] |
At its heart, the Conqueror really wants to be a great film. Its got big name directors, big name actors, and an epic story. And in the pit of its heart, it wants to be a great film, but then again, in my heart, I want to be a thrice published novelist contemplating my fourth book which will surely garner me a nobel prize for literature. As expected, then, what it wants in its heart, much like what I want in mine, just is not going to occur in reality. Wayne not only is miscast, be he seems woefully unsure of the heroic aspect of his character, which is fitting, because Kahn was not a hero. The cast in and of itself are good actors, but their characters are underdeveloped, lackluster, or just plain wrong. The movie is worth a watch to those who love John Wayne, B-movies, or epics of any porportion, or to those looking for a good movie with which to play Mystery Science Theater 3000. | -1no label
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] |
For those viewers who thought the 1979 film "Alien" the first to depict a male Earthling being impregnated by a malevolent extraterrestrial, "Night of the Blood Beast," made 21 years earlier, may come as something of a surprise. In this film, America's first man in space crashlands back on Earth and, after examination, is thought to be dead. He later comes to again, only with a half dozen or so alien seahorse thingies growing in his abdomen. The mama (?) alien also pops up to terrify the small band of scientists who are observing our gravid hero, and she (?) seems to have the body of a bear and the head of Yarnek, the rock creature from a 1969 "Star Trek" episode. Anyway, with its short, 62-minute running time, small group of scientists, and cheap-looking monster, this film suggests nothing less than a Grade Z warm-up for "The Outer Limits" (which would premiere four years later), but without the fine writing that that show usually boasted. Despite the lurid title, this film is decidedly sci-fi, not horror, and offers no scares, no laffs, little suspense and little food for thought afterwards. It looks as if it cost around $100 to make (but probably cost twice as much), and its musical score often seems to have no relation to the happenings (I won't use the word "action") on screen. By the film's end, many questions remain: Just how was our hero to give birth to these critters? Why does the alien need to decapitate people to learn our language? (To justify that title, no doubt!) Why can't the space-traveling aliens land on our planet, rather than needing to hitch rides on our ships? How was our hero impregnated to begin with? These are all matters that this little cheapie can't be bothered with. It really is for 1950s sci-fi completists only. | 0neg
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] |
The only mistake in regard to this performance is that Ray Liotta did not receive any nods or awards for his performance as Charlie Metcalf. His portrayal of a terminal and morally damaged patient, in search of - and finally receiving - absolution, was flawlessly painful and poignant. This episode is now in my cache for use in class, to illustrate just how perfect a portrayal of an imperfect character can be. As a reviewer and writer, it is often difficult to hold to the suspension of disbelief, an angle is wrong, the lighting is off, a cameraman's shadow is cast in a scene . . . Rarely is this student of film moved to emotional demonstrations during television dramas, but in this case, Mr. Liotta, thanks for the tears; they came from the depth of my soul. -Maura Coghlan Richardson | -1no label
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] |
This definitely the most tension filled X-Files episode of the first season. this episode is what I think of when I hear "X-Files". the plot is simple but exiting. Our main cast plus a few scientist go to investigate an Alskan outpost in which it's research team appears to have killed each other. It turns out a small parasite that got dug up from the ice, had infected the research team. The parasite attaches itself to the brain and causes paranoia and insanity. Soon none can tell who they can trust, or who's infected or not. This episode was a direct tribute to John Carpenters great horror film "the THING". the Thing is set in Antarctica and a team of scientist find a destroyed outpost in which it's occupant have been killed or killed themselves. An alien that had been buried in the ice for a 10000 years had been thawed out. It has the abilities to imitate any life form. therefore the main characters can no longer distinct friends from foes. Believe me The THING is one of the most exiting, and tension filled horror movies you'll ever see. if you liked the episode ICE I advice you to see it. Or if you have only seen the THING I advice you to see ICE. ICE is the best direct tribute/homage to John Carpenter's The THING I have ever seen, and it lives up to it's inspiration as one of the best X-Files episodes. I give it a 10/10. | 1pos
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] |
While the film is most definitely not what the video cover would suggest (a farce), it does turn out to be a wonderful surreal comedy, with (gasp!) a point to the story. I understand why some may be to say the least disappointed however, I found it to be very entertaining art piece, which is not easily done. Recommended for viewers who enjoy something a bit off (not in a screwball way, but in an artistic way). Those who are looking for a good classic farce (and I love a good farce) are better off with "Clue" or "Noises Off", two of my personal favorites. | -1no label
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] |
From a perspective that it is possible to make movies that are not offensive to people with strong moral values, this one is definitely worthwhile. This is the second Bruce Willis film in a row that manages to tell its story with no nudity, off-color humor, profanity, or gratuitous violence. (I refer of course to The Sixth Sense.) Both movies are engaging on more than one level. This one is appropriate for children as well, although as others have pointed out, it isn't a flick FOR kids. I was bothered that the time travel device that drives this plot is never explained, except that we know Russell himself initiates it as a 70 year old. Also, why does his dying mother have to come to school to get him when he wins the fight; why, if as his older self says, he has to fight that kid again and again for the next few years does his mother not have to come and get him every time, and why he doesn't learn to kick butt in the process. I also found the score rather annoying and not always appropriate to the action on stage. Good use of the red plane as metaphor, however. | 1pos
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] |
The new celebrity deathmatch is terrible. They kill off the popular people and make the low budget celebs win. I mean...Andy Milonakis? Lil' flip? Lil flip and Lil Wayne should of both died.Lil' flip sucks. the fight between Lil' Jon and Lil' bow wow and Lil flip was MAD corny and short. They should of just kill off all of them. Why did Tobey lose to Jake and Christian lose to Adam? they are better actors and superheroes. They also spend too much time on talking rather than fighting which can bore the viewers. Everything seems rushed for some reason, they can't just make a long fight? the old deathmatch is way better. | 0neg
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] |
This is probably the worst movie I have ever seen. I actually watched it all the way through to see if it could get any worse than it was at the beginning. It did! It appears to be 2 separate movies spliced together. The only thing interesting about it was the fact that some, if not all of it, was filmed around Melbourne, Australia, where my son attended Veterinary School. If it weren't for the opportunity to pick out recognizable landmarks, this movie would have been unbearable to watch. It was extremely painful to view anyway. It is difficult to tell if the people who put this movie together were serious in their intentions or were just trying for an oddball campy look. In any event it came out badly. | -1no label
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Documentary is all about taking real life and shaping it into a story. 'Forgotten Silver' suggests that real part doesn't even have to be real, as long as the story's good. I watched this again tonight - probably the 4th or 5th time I've seen it since it was first screened as an (allegedly) true doco back in 1996. Despite knowing the whole thing was cod, I was quite surprised to find tears in my eyes as NZ pioneer film-maker Colin McKenzie accidentally filmed his own death in Spain, so drawn was I into the story. Once you strip away the hype over the hoax factor, what's left is just a great story about a struggling film maker facing and almost overcoming insurmountable obstacles to create a work of mad genius. Anyone expecting belly laughs from 'Forgotten Silver' is probably going to be disappointed, because viewed as a story, this isn't a comedy - it's a tragedy. It's no wonder so many people were sucked into believing it when it first screened - the Colin McKenzie saga has an emotional depth which is heartbreaking. Bonus points for a brilliant musical score, some superb technical effects (especially the corroded, bubbling, self-destructing nitrate film; most filmmakers would have settled for a couple of cliché tramlines to make the footage look old), and the gorgeous Thomas Robbins as Colin McKenzie. | -1no label
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] |
The original BASKET CASE is one of my all-time favorite B-movies, and has been ever since I first saw it as a kid on cable over 20 years ago. It's grimy, low-budget style, the completely off-the-wall storyline, the cheezy but effective splatter FX- everything about the original screams underground classic. And luckily director Frank Henenlotter proved to not just be a one-trick-pony, by proving he had the skills to be a truly noteworthy cult-horror director-with other classics like BRAIN DAMAGE and FRANKENHOOKER. But unfortunately, the beloved Mr. H had to go and f!ck up his streak with retarded nonsense like the BASKET CASE sequels. I hadn't seen either of the sequels in many years- and I recall not liking either of them-but I had this one laying around and figured I'd give it another chance to see if my opinion had changed over the years. No such luck. In this third and (thank Christ) final installment in the trilogy-the action picks up directly after the events of the equally stupid second film-with Duane spending some time in a rubber-room after trying to sew him and his deformed Siamese twin brother Belial back together. The brothers are re- disconnected during Duane's incarceration-and he is eventually released. Granny Ruth (from part 2) takes Duane to a friend's house with the rest of the freak-show brood to await the birth of the spawn resulting from the union of Belial and his girlfriend Eve. When a duo of bumbling cops kill Belial's girlfriend and kidnap his 'kids'-he doesn't take it too kindly, and exacts some splattery revenge... Granted-there are a (very) few scenes in this entry that are mildly amusing-but not enough to call BASKET CASE 3 enjoyable on any level. Honestly-I found both sequels to be retarded, un-funny, and frankly, unnecessary. When the series moved into straight slap-stick territory-I completely lost interest. I still respect Henenlotter a great deal for his early contributions to the B-movie horror world-but both of these sequels just straight-up suck in my book...3/10 | -1no label
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] |
Where to even start? The horrendous acting? The nonsensical plot? The bargain basement effects? The completely loathsome characters? The choppy editing? The headache-inducing Casio keyboard score??? The embarrassingly racist remarks ("Watch it, Charlie!", "Back off, Jackie Chan!!"??? The constant misogyny??? I am a lifelong horror fan, and I have no problem at all with the current "torture-thon" trend of movies. However, this is a poorly-made piece of garbage. I think I suffered more pain watching this than the characters did dying in it! If you like girls being forced to eat stir-fried penis, really poor soft core porn and think lines like "I'm gonna find that b**** and staple her c*** shut!!" are clever, LIVE FEED is for you. As for me, I feel the need to go wash my eyes out with oven cleaner to prevent from ever seeing this movie again! | 0neg
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] |
Although I really enjoyed Jim Carrey's latest "serious" performances ("The Truman Show", "Man on the Moon"), I've always thought his real genious lies in physical comedy. This is not to say he is a fantastic, talented actor: those bozos at the Academy Awards seem to dislike him so much, he has never had a (truly deserved) nomination or award. Well, any "institution" that nominates for 11 Oscars a bore such as "Titanic" shouldn't be taken seriously. On with the review. "The Grinch" is the sweetest, best looking, best acted, more enjoyable seasons film since "The Nightmare before Christmas". Both movies seem very similar, too, with their highly stylized sets and the premise of someone stealing Christmas. Both make their principal actors seem like the villains (one in a higher degree than the other), both pack a strong moral lesson, and both are truly enjoyable. That is, until you realize that Jack Skellington is a doll, and The Grinch is a human being. But a human being that is so incredibly expressive, so fluid in his movements, so cartoon-like, so unreal, that never gets in the way of the movie. He can be hilarious, he can be a sad soul, he can be angry. He lives in a 3-dimensional world, where 3-dimensional people live. He jokes, he laughs, he cries, and ultimately he saves the Christmas. I loved this film to bits, and cannot wait for it to come out on DVD. This is one of those films you will really enjoy 10, 20 years from now. As timeless as they come. | 1pos
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] |
I was 16 when I first saw the movie, and it has always been a HUGE favorite of mine. Of course, you can't deny the appeal of Kristofferson in the movie - HOW FINE IS THAT MAN???????????? Sheesh. He still is. He's the bad boy every woman secretly wants. His acting is flawless. He played a drunk/druggie only the way someone who really had gone through it could - and he had - in '76 he finally got on the wagon, so it was all very real. The music is GREAT and even though in later years I thought Streisand was somewhat not the right person for him in a physical beauty sense, I think it's more a problem for male viewers than female. Us gals are just looking at Kris - and naturally the guys are looking at the female interest - my husband cannot watch the movie b/c of her - he doesn't like her looks. But I did make him sit through just the red Ferrari scene on the road towards the end just so he could see how well done it was - the camera work was so perfect and you were totally in the car with him with the music blasting - you should have seen it on my 50" plasma - WOW!!!! And lastly, the transfer quality was GREAT - anamorphic widescreen and really clear with great color and very low noise except for dark areas which is normal for all film. Brought back some great memories of my mom and I loving this movie together, I bought a copy for her for Christmas. Would have loved to watch it together with her last night. I have tried to sit through the original with Judy Garland, but I guess seeing this one first, I just can't get into the earlier era. Watching all the concert footage in the '76 version was so much like what I was living at the time. I am working my way through the commentary by Streisand, but she seems to only talk about herself and the songs, so far she has barely even mentioned Kris or details about scenes in the movie. Her voice sounds EXACTLY the same now as then. Check it out, if you grew up in the same era as me (born in 1960) you will love it. Wendy | 1pos
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] |
Seeing Gary Busey in a G rated film was a first and a nice one at that. I don't know much about the director, but he obviously knows how to spend a few dollars and get the most out of them. Where did Jillian Clare come from? My kids love her! The only thing I remember Christopher Atkins doing was Blue Lagoon. Disney needs to see this film and put him to work. The wife thinks he is very cute. I liked what he did with his character. He seemed so real. What we liked most was the message this film sends out. Greed sucks and faith, love and family wins! This is the first low-budget DVD we've bought that had so much stuff on it. The producers made this one for kids and the kids loved it. They liked the music and all the extras on the DVD. The director probably won't stick to family movies, but I hope he does - cause he really knows how to get the most out of kids, animals and stars like Gary Busey. The dog was great and seeing Gary Busey act like a dog was even funnier. There wasn't much we didn't like about this one. It hard to find a family film without all the crude humor, and Quigley was a delightful surprise. | 1pos
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] |
I watched this movie in 75 and this movie was a kind of open mind to me about how important is to care the Natur and the Wild life. When i got a Dog in 83, i called him TRUSKA ( In Movie..Avakun's dog ) to never forget this movie. By the way, i HAVE a Copy this Movie, but is in Portuguese Language and the quality is not so good like a DVD or a New VHS ( i recorded almost 20 years ago and in SLP speedy.. so the quality is not so good..) If somebody wish a Copy.. i'll try convert to DVD and i can send for you OK? Ot's a great movie and i agree that is a movie to be always watched. Waldemar Braz - Sao Paulo/Brazil | 1pos
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] |
Now all the kids and teenagers of Springwood, Ohio are all dead expect for one teenager (Shon Greenblatt) is still alive. Freddy (Robert Englund) is letting him go and the teenager doesn't have much of a memory, when he's arriving in a new town. When a tough female psychologist (Lisa Zane) tries to break though the new patient. She's finds out, where he's from. She brings him along to Springwood to spark some memories but three teens (Lezlie Deane, Breckin Meyer and Ricky Dean Logan), who unexpected came for the ride. Once they arrived in Springwood, the psychologist has some memory that she did lived in that town before as a child. While Freddy knows the true secret of her true identity. Directed by Rachel Talalay (Ghost in the Machine, Tank Girl) made a grim but somewhat oddly different sequel with some visual style and funny moments for this horror/fantasy/thriller. Yaphet Kotto (Alien) has a supporting role as a Psychologist expert on dreams. This has some ingenious visual effects (Not everyone will love the climax, especially in 3-D) and some good style in its storytelling. This one did out gross some of the film's series at the box office. DVD has an strong anamorphic widescreen (1.85:1) transfer (also in Pan & Scan) and an strong-Dolby Digital 5.1 Surround Sound. DVD has the original theatrical trailer, Jump to a Nightmare opinion and Cast & Crew information. The "Elm Street" Series Box Set, the eighth disc has interviews with the the cast & crew of this sixth film. The sixth film is also in 3-D for the film climax but you could watch it at 2-D also. This is the last of the "Elm Street" films until Wes Craven resurrected Freddy into a different, darker style in "New Nightmare" and the silly but surprisingly enjoyable spin-off horror film "Freddy Vs Jason". Watch for Robert Shaye (Co-Owner and Co-CEO of "New Line Cinema"), Roseanne Barr, Tom Arnold, Johnny Depp and Alice Cooper in amusing cameos. Written by Michael De Luca (John Carpenter's In the Mouth of Madness). From a story by the director. (*** ½/*****). | 1pos
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] |
I grew up watching "Charlie's Angels" on ABC when it was a primetime series! I watched it until the very last episode! Many people may say this show was silly but it is pure fun! I loved this show as a kid and now am taping all the episodes on TVLAND! Of coarse the best cast of angels was the original(Kate, Farrah and Jaclyn) but Cheryl Ladd was an excellent replacement for Farrah and in some ways, I consider Cheryl an "original" Angel, as she fit-in perfectly and stayed with the series until it's cancellation, along with Jaclyn Smith. I think the series went downhill when Kate Jackson left. It just wasn't the same. Kate added a great character and is a great actress and was kind of the "leader" of the bunch! WHen Shelly Hack replaced her, it was a bad choice! Shelly Hack is a horrible actress. When Tanya Roberts replaced Ms. Hack, the series picked-up again! Tanya should have been the original replacement for Kate. But by the time Tanya came on, the ratings had dropped because of Shelly Hack and it was over! Too bad as the storylines got better in it's final season and Tanya was great! One thing: WHY didn't they update the cars? I mean, THAT RED PINTO! UUUG! | -1no label
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] |
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