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The premise of the movie is great. After a zombie epidemic, various video diaries are recovered. These video diaries tell the tales of survival of 3 groups of people whose stories eventually interweave. Sadly, the acting is terrible. The best acting is done by the zombies. The special effects and makeup appear to have been done by students venturing into their first foray into gore. The best makeup/special effect is the clouded contacts and anybody with 20 dollars and Wal-Mart nearby can pull that off. Some zombies look downright comical, almost as if they are wearing cheap Halloween costumes. This movie has some of the comedy that has come to be expected in the genre, but it's not intentional. In one scene, a shot from about 20 yards away with a rifle takes about two seconds before the zombies head is (poorly) blown apart. The camera work is terrible. There is no sense of a "diary" in any of the 3 scenarios. Just groups filming their goings on and there's too much of a random feeling to it. And not random in the good way. More like "Why in the world would they be filming THIS?" There should have been more asides and narrating from the cameramen. Instead of having a sense of "this is a diary that recorded their struggles for whoever may find it", you had more of a sense of "this is a bad class project done by middle school children". The dialogue is forced. Whether it was written or improvised, it smacked of trying too hard to "act", and this totally destroyed the feel of "this is real people reacting to real events". There are about 3 scenes that could have been very powerful. One of them has been done in almost every zombie movie before and the main difference this time around was the age of the "victim". The other two scenes were more confusing than anything. There's a difference between leaving things opened for interpretation and just totally dropping the ball. All in all, I was very disappointed. A great concept was ruined. | -1no label
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] |
Its hard to find a movie that is both so much fun to watch while being so terrible. The best part about Blood Dolls is that it sets out to be terrible and hilariously terrible at that. Our hero in this story is Virgil who, when you look past his racist dolls, desire to take over the world and utter hatred for all other beings, is just a guy like the rest of us. Lonly and looking for someone to share his time with. This movie has two things going for it, above about a million other things granted but two really important things. One, it has a cage full of Goth Rock chicks that have to play on command, urged to do so by Phil Fondacaro (Vonhkar from willow). The second thing this movie has is Mr. Mascaro. I swear to god this character is about the coolest thing that has graced the silver screen since Herbert West. If i were to go into why Mascaro was so cool i'd definitely go over the 1000 word max. The most important thing about this movie is that it tries to be part of the killer doll genre of horror movies and yet the killer dolls in this film take a back seat to every other amazing character that steps on screen. Not that the dolls aren't cool but trust me, you'll couldn't possibly care less about them or who they are killing at the moment because all you'll be thinking about is What insane thing Virgil or Mascaro is about to say next. | -1no label
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This conglomeration fails so miserably on every level that it is difficult to decide what to say. It doesn't merit one line, much less ten, but to adhere to the rules of IMDb, here goes and I probably won't succeed the first time around and have to type some more to make up for this submission to be accepted. LOL If I had seen this schlock during the '70s while I was going through my mushroom phase,I would have still considered it unimaginative and shallow. The most exciting shot for me was the long shot when the elevator door opened and closed.I was on the edge of my seat. One person on here wrote that he had met the creator of this mess, as if that were a red letter day in his life. One can only pray that something far more exciting occurs in that posters life.Get a grip, amigo. | 0neg
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] |
It's rare to see film that strikes out in every aspect but "Caligula" surely must hold this title. I'm not sure what is more horrendous; the violence, the sexual perverseness, the acting or the plot (or severe lack thereof). The two and a half hours basically follows the ascension of the infamous Roman Caesar "Caligula" to to throne in 37AD and shows the atrocities and perverseness he supposedly committed whilst in power. The acting is lifeless and dull - but that's just the tip of the iceberg. Obviously knowing that this film was severely lacking of anything legitimately interesting, the directors decided to throw in as much nudity and orgy scenes as was conceivably possible. But don't be fooled, these scenes don't ease or take focus away from the hideousness of this film. The camera work is shoddy, dialog is laughable in fact you'd have to congratulate Malcolm McDowell (playing Caligula) for keeping a straight face through such farcical lines. And then there's the violence.... If you are about to see the film be prepared. Some atrocities are committed in the film (not just through the writing) but through disgusting violent acts which are of little point or purpose other than to repulse the viewer. This is only objective this movie achieved. One must wonder how the makers of this film thought that bestiality, necrophilia and castration (just to name a few) would be appealing to anyone. When it belatedly ends after two and a half hours you take nothing from this film other than some disturbing images and the knowledge that you may have witnessed the worst film ever. You've been warned | 0neg
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] |
Is all I could think about during the first 20 min (that's all I could do) is how much wasted money and energy went into this horrendous film. I know there are good screenplays out there being shelved...and yet we have this dog! It did have humor though..Like how they used every previous avalanche ever filmed and combined the footage. Different lighting...different mountain, different snow, but what does it matter when you get a good chuckle. I have three more lines but cannot think of anymore to say about this film. Awful Awful Awful. Oh, the little village is quaint until it gets hit by what seems to be a large cloud of talcum powder and tapioca. This mystery snow does not effect the trees though, they don't move? | -1no label
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This movie was a true chore to watch. I don't know why it is seen by some as an artistic film--unless "artistic" means painfully dull and uninteresting. The entire plot is about two uninteresting people having dinner. The less annoying one (Wallace Shawn) is in awe of how brilliant Andre is, while I felt that Andre was mostly full of crap. Andre was a pseudo-intellectual character that delights in his own importance. If I had wanted to see such an obnoxious and self-important people, I would have watched an episode of Frasier--at least he and Niles are funny as well. My advice to Andre is STOP talking. Please for the love of God, stop talking! | -1no label
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] |
Now the subject of a UK-based reality TV show, as talent scouts look for stars to play the leads in a new stage production, "Grease" is probably the definitive high-school movie musical. It's energy and light-heartedness has endeared it to generation after generation of fans. Danny (John Travolta) is an LA high-school student who has a brief summer affair with Sandy (Olivia Newton-John), a beautiful Australian girl. When the summer's over, Danny returns to school at Rydell High and the company of his gang The T-Birds and their girlfriends the Pink Ladies. When Sandy unexpectedly turns up at his school, it leads to a complicated, comic romantic journey... The movie should not work: the plot is flimsy and clichéd, nearly everyone is a walking stereotype and the cast of high-school students are played by twenty/thirty somethings. They should all look stupid up there, but they don't. There are three main reasons for this: first off is the catchy and outrageously memorable music: "Summer Nights", "You're the One that I Want" and "Greased Lightning", to name but three, every song in the film has enough snap to get you singing and dancing. The use of stereotypes in the movie actually works: I don't think I know another movie with so many distinctive and memorable characters: from the romantic leads Danny and Sandy, and minor characters like brainless jock Chisholm and hyperactive supernerd Eugene, each one makes its mark. In today's world, with online communities like Friends Reunited and Bebo connecting people with their old schoolmates, the use of adults to play teenagers might actually strike a chord. The lighthearted and affectionate friendships in the T-Birds and Pink Lady Gangs, are played with a lot of humour and honesty, and will almost certainly bring out nostalgic feelings in the older members of its audience. This is why, for many people, "Grease" is still the word. | -1no label
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] |
This is probably the best film of its type I have seen, I have watched the film twice and can not understand why it has not been released on general release, DVD or video. I understand it was a TV movie but it is a classic film and I would like to purchase the film so that others can watch with me. I have spoken to countless people about this film and everyone remembers the film. It is a sad, emotion filled film. The end scene brought tears to the eyes and I am surprised that it is not scheduled for viewing more than it is. I commend this film to all, in the hope that someday it may be released for sale to the general public. | -1no label
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] |
The movie gets a score of 3 because it dared to be so very different. It features a cast acting while you can hear their thoughts and desires! This is truly a weird film and an experience I won't forget. The only problem is that the experiment, though in some ways interesting, is generally quite dull and unengaging. In fact, it's amazing that a Norma Shearer and Clark Gable film could be THIS dull! The film is based on a Eugene O'Neill play and it really does seem quite stagy. In fact, it would have been best just to keep it as a stage production--it just didn't translate at all to the big screen. So this movie is only recommended to die-hard cinemaniacs and those who love Gable films so much they just have to see all his films! | 0neg
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] |
I only know of one other movie that could possibly compete with Opening Night and that's Bergman';s Persona. Both movies are simply amazing, they have a richness of ideas hard to grasp at first sight. We have a profound meditation on the relation of art and life as one actress, Myrtle Gordon (Gena Rowlands), finds herself more in touch with the character she is playing on stage than she would want to. The accidental death of one of her fans, a young girl that declares her love for Myrtle and she is then hit by a car, leaves a deep mark in the actress. She starts asking herself question related to her aging that starts to affect her until the only solution becomes alcohol. But that doesn't help to much and Myrtle is one step away from complete madness. The scene where she kill the imaginary (or not) spirit of the dead girl is one of the most thrilling scenes I found in a Cassavets film. The movie ends with a display of genius on behalf of the director as he films a theater scene where he himself and Gena Rowlands improvise a scene, since Myrtle comes too drunk to the opening night to perform her part accurately. This scene was filmed spontaneously, with a live audience, the laughter is genuine, the chemistry between Casavates and Rowlands absolutely amazing. If you liked Persona or are interested in a movie that offers substantial ideas alongside great entertainment this movie will suit you just fine. | 1pos
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] |
The guy did a lot of title design for a bunch of movies and I guess one day he said; I should pick a cheap scenario, try to put as much title in it as a can ( cause after all i'm a title designer ) and try to persuade people that this is in fact a movie. One of the worst i've even seen that's for sure. If you fell the urge to see nice titles, go check out some posters don't waste your time watching this. It kinda ironic don't you think, did you saw the poster? the only part of his project that SHOULD had title work done have almost none ! | 0neg
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] |
I love the book, "Jane Eyre" and have seen many versions of it. All have their strong points and their faults. However, this was one of the worst I have seen. I didn't care about Jane or Mr. Rochester. Charlotte Gainsbourg (Jane) was almost tolerable and certainly looked the plain part, but she had no emotion in any of her lines. I couldn't imagine what Mr. Rochester saw in her. That brings us to Mr. Rochester. William Hurt had even less emotion than Jane, if that were possible. How two such insipid people could fall in love is a mystery, but it certainly didn't hold my attention. Perhaps the director (Zeffrelli) fell asleep during the production. The Timothy Dalton (too handsome for Mr. Rochester!) version is far more faithful to the book, but Ciaran Hinds plays the perfect Mr. Rochester in the 1997 A/E version (which is NOT all that true to the book). Trying to find something positive about this movie: Geraldine Chaplain was perfect in her role. | 0neg
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] |
I've seen The Blob several times and is one of the better low budget alien invasion movies from the 1950's. A strange meteor lands just outside a small town and an elderly man goes to investigate this. A strange jelly like substance then attaches itself to one of his arms and a young couple who saw the meteor land arrive in time and take him to the local doctor's, where the old man then gets completely absorbed by the mass. The doctor and his nurse are the next victims and the mass is getting bigger. When these incidents are reported to the police, they don't believe the young couple and accuse them of making all this up. They finally believe them when the mass, now huge turns up in the town's cinema and everybody runs into the streets screaming. It then attaches itself on a diner with the young couple and some others inside. The Blob is stopped by spraying a load of fire extinguishers at it and it freezes, which is its weakness. It is then transported by plane to the frozen wastes of the Arctic and disposed of there. But it is only frozen, not dead... This movie has a typical setting for its period: teenagers and a small town. The Blob has a good rock and roll style theme song at the beginning and the movie is atmospheric throughout. The sequel, Beware! The Blob followed in 1972 and a remake came in 1988 but this is the best of The Blob movies. The cast is lead by Steve McQueen (The Great Escape)and is the movie that made him a star and Aneta Corsaut plays his girlfriend. I'm not familiar with any of the other stars. The Blob is a must see for all sci-fi fans. Fantastic. Rating: 4 stars out of 5. | 1pos
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This was the fourth - and last - fantasy adventure for the actor-director team of Doug McClure and Kevin Connor after THE LAND THAT TIME FORGOT (1974; undeniably the best of the bunch), AT THE EARTH'S CORE (1976) and THE PEOPLE THAT TIME FORGOT (1977). The result - silly and terminally juvenile - is a disappointment: besides wasting a good cast (Daniel Massey, Michael Gothard and Cyd Charisse), the sci-fi trappings of the plot are ill-suited to the material; the hokey monster effects, then, seal the fate of this low-budget venture. In fact, the location shooting (in Malta, no less, and the smaller neighboring island of Gozo) is among the film's few assets! | -1no label
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I loved Heavenly Creatures and make it a point to catch it whenever it is on. So, imagine my delight when I discovered Love & Suicide while browsing NetFlix. Echoing Heavenly Creatures, an easy choice, to the top of my queue it went. I watched it last, made myself comfy, and waited. What I thought was some crappy preview of a stoned high school student's prank film project (I laughed out loud once or twice, thinking "that just lowered the bar of straight to video") turned out to be the movie. Horrible acting, amateur direction, weak dialog. I usually enjoy low budget films, there is something tangible and real about them because they cannot afford the superficial stuff to distract from the "meat" the acting, the direction, the plot, the story. I would liken it to a student who hasn't studied for an exam goes in knowing he is going to fail and just puts his head on the desk and sleeps. In someone else's hands the plot would have serious potential. Do not expect magic or even a cult classics like, say, Divine's Polyester, or Showgirls, at least there you learn to expect bad acting. Love & Suicide went from bad, to worse, to the WORST movie I have ever seen. | 0neg
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] |
it brings to mind the writings of Stephen King and the remembered childhoods filled with terror from stories like IT - as the exact opposite. There is no terror in these childhoods that any of the friends - who are still friends 20 years up the line - remember or seem to suffer from. Up the line all is described as friendly jostling, maybe periodically described as "picking on" one or more of them, but all is forgiven. There is no *angst* embedded as the film and the participants in later life describe the relationships - all we see are young people having grown up to be basically the same persons. More mature, but basically still the same people, and the same power structures. Totally amazing! Not just for the fact that people can in fact grow up relatively unharmed by social conventions - but also that friendships can in fact last. In this respect this movie is a tiny Pearl - as one assumes this has been the intent of the film: A portrait of unforced emotions binding people together. Which, when seen in opposition to films of later years portraying the dark sides of childhood - the violent inhibitions in Bowling for Combine is what easily springs to mind, but since mid 80'ies along with the growing adoration of children and childhood (accompanied by 1000s of commercials, animations and series directed straight at children) several movies and documentaries have had success with portraying the dark sides of growing up - the abuse, the loneliness, the push to excel - resulting in adults with dark and twisted minds. And here comes a film, that says: It IS possible to have a happy childhood, look'a'here! Thank you for that. OR the counterweight illusion ... 8/10 | 1pos
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] |
Lethargic direction ruins an otherwise compelling period story that stars the wondrous Zhang Ziyi, in an excellent role as a woman who joins an extremist group in 1928 China, just prior to the Japanese invasion of Manchuria, and reunites with a former lover who is now working for Japan. Every bit of drama and forward motion of the story is sucked dry by director Ye Lou's somnambulist directorial style. Characters stand still staring at each other for long minutes, saying nothing, hand-held cameras hold forever on faces showing interminable reactions way longer than they need to, edits repeat the same reaction is triple redundancy. We know nothing about the characters as the story begins and are given little new information as the story progresses, only silence and static shots of lovers who don't speak, who interaction through silent dances but share no apparent emotional intimacy. A very sleep inducing film. | 0neg
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] |
I thought this movie was going to be a disgrace to the series. After all, part 3 didn't measure up to part 2, and this one doesn't have Daniel Sawn. Miyagi's humour wasn't quite as witty in this one as in part 3, but it was funny enough to make the movie worth watching. The girl's part was pretty good. She's a lost teenager who needs direction. I find the plot a little hard to believe. That the aunt would simply agree to leave her home and her niece under the care of Mr. Miyagi, a man she just met. Of course, he was a friend of her brother. I did appreciate the monastery. One might think from some of my other reviews that I wouldn't have liked the dancing monks, but I thought it was amusing. It showed that they know how to have some fun. Now if these were monks in ancient China dancing to pop-music, that would have been another matter. Probably the most intelligent part of the movie was when the girl thought it was stupid that the monks wouldn't kill a bug. Miyagi told her that street gangs killing each other is stupid, nations trying to destroy each other is stupid, but having respect for all life is not stupid. Miyagi has expressed such wisdom in the other films as well. I give this movie a 4 out of 10. Sure, there were some things I liked about it. It wasn't as funny as part three, and no character could ever live up to Sato in part 2. This movie has no re-watch value. I can't imagine watching it again, but it is worth seeing once. | 0neg
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] |
This movie was one of the rolling on the floor laughing movies I have ever seen. Danny De Vito plays Owen perfectly. Momma is excellently portrayed, and was one of the highlights of the movie. At the beginning of the movie it starts of differently then what you would expect. Larry is trying to write a book and is having some troubles. Larry teaches a writing class and Owen tagged after Larry trying to get him to read his story. Owen eventually asks Larry to kill his mother, and in return Owen would kill Larry's ex-wife. The whole movie was really hilarious. One of my favorite parts of the movie is at the end when Owen writes "Throw Momma from the Train". Larry gets furious because he just wrote a book of similar plot. It turns out that Owen wrote a children's pop-up book. I would really recommend this movie. I gave it a 10. | 1pos
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] |
"I fear you speak upon the rack, where men enforced do speak anything." This Shakespearean line from The Merchant of Venice is echoed again in the new film Rendition which introduces the viewer to the "enhanced methods of interrogation", renditions, which began in the Clinton Administration and have become more commonplace since the terror attacks of September 11, 2001. The film features an all-star cast, with Oscar winners Meryl Streep, Alan Arkin, and Reese Witherspoon, as well as Peter Sarsgaard, Jake Gyllenhaal, and Omar Metwally. Supporting roles filled by unfamiliar actors deliver as well, sucking the audience into the plot, and showing how many people can be affected by overseas terror attacks, and our means of investigating them. Rendition follows an Egyptian born terrorism suspect (Metwally) who is taken by U.S. officials following his flight from South Africa to Washington DC to an undisclosed prison overseas. His pregnant wife (Witherspoon) ventures to Washington DC to find out about his disappearance through a family friend and Senator's employee (Sarsgaard). Gyllenhaal plays a young CIA analyst at the overseas detention facility who monitors the violent interrogation. This film follows the emotional plights of the torture victim (Metwally), and those involved in obtaining the supposed information from him. Some, like the CIA analyst (Gyllenhaal), are visibly shaken and horrified by the methods exercised, while others, the stern Senator (Streep) and foreign interrogator (Yigal Naor), see it as necessary and effective. The film may be described by some as a political piece, but is ultimately an emotional one. Metwally's performance as the tortured prisoner is Oscar-worthy. The film does not intend to preach, but rather to question and inform the audience on a topic that does not often have a human face put on it. Renditions have been known to work, but have also been known to produce false information from innocent prisoners. The film simply depicts the emotional struggles of those involved in such grave business, and does so in a way that will affect every viewer differently. The film will keep your interest, and have you engaged in each of the character's plights. | 1pos
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] |
I might have a partial spoiler here, but maybe not. What's the matter with Ally Sheedy, taking a role like this? The movie's plot and ending would do well in an 11th grade creative class, but gee, we paid money to see this. It's impossible for anything like this movie to happen. In a crime scene, the same gun was used on every person in the room, which would make forensics people lick their chops. I've always liked AS, but she must have a lousy agent. She's a pretty good actress, and needs to be tested a bit. The Dancer Upstairs was okay, but another mediocre writer ruled. I felt duped, and to call this movie a thriller was mislabeled. 2 out of ten. | -1no label
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] |
This one kind of is like an earlier movie from 1987 "Masters of the Universe" based on the cartoon "He-man". Basically, you have a great old world and they for some reason have to have nearly all the action of the movie take place on modern earth. Well I guess it is not so modern earth now and that it is an ancient world now of strangeness and a den of good times gone by. Well I guess I can figure why they did in fact place nearly all the movie in modern times in this and that movie. To save money on costumes and sets. It is a lot easier to recreate what is going on in the present than a strange world like that of Eternia in He-man or an ancient world with cults and strange pyramids, sacrifices and strange creatures that hug you to death. This movie is forgettable and not very entertaining, your first clue that it is not going to be the best movie in the world is that Robert Z'Dar is in it. The only thing this one has going for it is the animals which are not as prevalent in this one as they were in the last. Marc Singer is back and it is sad to seem him in this state, the guy was a fairly good actor reduced to trying to make a sequel to a movie that really did not need one, and even if it did it came five years to late. | 0neg
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] |
The first two "Candyman" films were interesting, well paced horror films. This one is just empty trash made by some greedy producer. Nothing new is added to the storyline, and in fact, things explained in the previous one get butchered up, to a bad effect. No explanation is given as to why the Candyman returns either, nor what the heck he is doing in LA all of the sudden. Phillip Glass's creepy little score also disappears. Instead, what we do get is the director making some glaring mistakes when he was aiming for some gory scene, no real sense of horror, a nonsensical plotline, the same type of cheap film used for most late night Cinemax flicks, several pointless lines, bad twists, and a lead actress with gigantic breasts who wears a tight shirt and no bra at all times. WHY? Not an awful or annoying movie, just a very flat one. You are not missing anything... | -1no label
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] |
i stopped this movie at 48 minutes and change... i don't know...maybe it's because i'm not Swedish...or french(the cannes commenter)...or any of those OTHER sleepy places from which the previous reviewers held forth... born and raised in NY. lived near san francisco for a quarter of a century. and now Holland. i love a good independent film as much as the next movie enthusiast... but this, in a word, isn't funny. see? now THAT's funny...that you're thinking that i made a mistake. i said, 'in a word' but then said, 'isn't funny'... nope. no mistake. if this is your type of humor, i'd say you haven't really had much of a life... consider your appreciation of this film a symptom... and PLEASE don't EVER write another review...i have a tendency to believe them when they're unanimous. even if there only were about 3 reviews before mine...i figured i might ACtually be able to save someone ELSE the boredom...the anticipation of laughter that never materializes... i DID smile once or twice, though... when i started the movie...and when i stopped it. that should be 10 lines. | 0neg
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] |
A family of terrible people must remain in a house for a week or else they will lose their inheritance which will go to the servants who will only get their inheritance if they agree to stay on and keep the house in order. People die (and so will you if you try to sit through this) If you've ever had any desire to see bad actors- many with ill fitting dentures-act or attempt to act in a bad horror movie this is your chance. This is just awful. Its so bad I thought Al Adamson, one of the worst directors ever, directed it, but I was wrong. Its so bad I don't want to say anything more about it, not because it isn't polite but because once I start I may not be able to stop. avoid | 0neg
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] |
A friend has been insisting for over a year that I see this movie. I finally shelled out my hard earned money and all I can wonder is why bother? It's quite surprising that this film scored a 7.6 out of 10 with viewers. Director Troy Duffy is a film buff but the quality of this work is lacking. The main problem that I have with this film is the meandering plot. The script wanders aimlessly from one incident to the next without any real plot development. The conventional use of flashbacks and slow motion become rather mundane. After the first 10 minutes of the film I began the elaborate process of matching scenes from the Boondock Saints to other films. I think that director Troy Duffy should really consider the script for his next work and ditch the cinematic pitfalls that plague this film. Character and plot development will go a lot further than the use of the F-word 50 times in one scene. After a while it just becomes tiresome. The film ended with some rather interesting faux documentary interviews with the typical man on the street. Unfortunately, as the saying goes, it was too little too late. If you want to see a film that deals with the same subject matter then rent Leon: The Professional. Don't waste yr time with The Boondock Saints. | -1no label
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] |
In another of the dreadful horror films I seem so masochistically attracted to, we have a bunch of friends stuck in a haunted house slowly being killed one by one thanks to a horde of zombies that spurt yellow blood and have very bad dental problems. The first 45 minutes is all talk however, and considering the young thespians cannot act their way out of a paper bag and are given the most banal dialogue ever to dispassionately recite, this is especially painful to sit through. If you manage to stay awake through that nonsense, things don't get any better.. with bad make-up galore and cheesy, bargain basement (not-so-special) effects. As for the conclusion.. well, what's the betting that the old-timer who warned them against going to the spooky mansion in the first place will turn up and save the day for the last two survivors (a boy and a girl, of course) with his mystical powers? Please.. life is too short for these kind of movies. Donate the time you would otherwise have spent watching this tripe helping out the community, do a couple of shifts in a soup kitchen or something. You'll feel you've actually done something productive with your life, and you won't have put money into the pockets of studios who churn out irredeemable rubbish such as this. Unfortunately, it's already too late for me.. now, where did I put that copy of 'Pumpkinhead'? 1/10 | 0neg
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] |
It amazes me that anyone would find Pauly Shore entertaining: he is basically one joke that gets stale *real* fast. He has his little "California" jerk vocabulary and a basic stock of lame jokes. Mainly, he is just obnoxious. That said, I watched this movie because I was up sick and there was literally nothing else on but infomercials, otherwise I would have turned it off after 30 minutes. Anyway, the film could have been OK if Pauly could have just turned off his spiel and just played it as a comic actor instead of, well, Pauly. Anyway, I'm sure Pauly fans will like it anyway - but if you are not a Pauly fan, stay away from this crock of manure. I had to leave this comment after seeing that another user actually gave this film a 10/10! (Maybe it was Pauly!!) Personally, I gave it a 3/10 because they didn't have any mike-in-frame shots, didn't drop the camera, and the supporting cast was pretty good. | 0neg
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Self-indulgent, tiresome and whiny. I saw this with the other films nominated for the 2005 Animated Short Oscar. This one generated the least audience response (no clapping afterward)of the five. There's a second act, so-to-speak, that tells the father's story that is interesting and better than the first and third acts. But it's pretty much a downer of a film. The animation is simple and interspersed with home movies and photographic stills. The animation shifts among visual styles for no apparent reason. Reminded me a lot of a Woody Allen film -- if you like his work, you'll like this. If, like me, you don't, give this a pass. Many other works have examined the tensions of the father-son relationship much better. | -1no label
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] |
Man I loved Ocean's 11. Smart movie. All eleven characters were crucial to the heist as each had their own specialised skill that was necessary to pull of the grand finale. What on earth was Oceans 12? What was the purpose of the twelfth person? I assume it's supposed to be Zeta-Jones but she wasn't really a part of the 11 as she was trying to trip them up and working against them the whole film?? It was more like the story of Brad and Zeta-Jones' characters boring relationship with some bits from the original movie thrown in just to get some bums on seats to watch the movie. With O-11, the gang were always a step ahead of Benedict (Garcia). They were always able to outsmart him. What happened here? He catches up with them after a tip-off and suddenly they're all wusses? The whole movie is so that they can raise the money they stole plus interest to repay back Benedict for the heist they pulled on him 3 years earlier. So next movie they're going to develop courage and brains again and get him back for making them pay him back for the first heist? Puh-lease... This movie could have been achieved with just Brad Pitt, Zeta-Jones and 5 mins of Matt Damon for the switcheroo scene. Slow moving movie, not the energy of the first one. I tried hard to like it and I'm usually very easy to please but I'm really disappointed. SPOILER!!! The twist - the whole movie didn't need to have been made as the real heist was done before everything you just saw over the past 2 hours. END SPOILER. Wait until it comes on TV or if you're a fan of the original from 2001 please don't watch this. | 0neg
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] |
I did find reason to watch this movie to the end although I fast forwarded some of the more seemingly irrelevant parts. I say seemingly because there may have been plot clues that I missed. Possible SPOILERS Here: Unfortunately the DVD box presents this movie as more than it is, almost supernatural, when it's really a psychological drama. I understand this movie to be about a woman whose life is going the way she wants until she becomes pregnant. She represses not wanting to have a baby to the point that her personality splits as she tries to be the mother and wife that's expected of her. This movie seems to be a look into the minds of people who do things we can't understand; a look at how the subconscious mind can overcome the conscious mind with its darker, suppressed desires or fears if the subconscious thoughts are stronger. The director/writer appears to do documentaries as well, so maybe that's why this movie has the feel more of a learning experience than entertainment. If a person enjoys looking into the workings of the human mind, this movie may be worthwhile. | -1no label
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When I see the phrase "great cast", I think GONE WITH THE WIND or TWELVE ANGRY MEN, not a film whose lead is Lyle Talbot (the same guy who starred in a few decent films in the 30s but also PLAN 9 FROM OUTER SPACE and a lot of other turkeys). So, while I liked reading the other reviews, I was perplexed by the great cast comments. This was not a great cast--just a bunch of no-names from a Poverty Row studio. As many point out, the first 10 minutes or so of the film is missing. This is true of the public domain copies and 50 pack copies from Mill Creek Entertainment. Additionally, since this is its pedigree, captioning and a high quality print are also absent. The film begins in the middle of a discussion a group of crooks are having about trying to escape from the boat. It's obvious something is missing here, but it's easy enough to discern that a bunch of crooks were somehow lured aboard a mad doctor's boat and he's doing diabolical experiments on them! While this certainly isn't nice, at least he had the decency to pick some people who weren't particularly pillars of society! As for the film, it's really hard to judge the quality of it with a chunk missing. I can say that the ending and Talbot's scheme to get the bad guys to surrender was pretty clever, though. So overall, it's probably one to skip since even with the missing chunk in place (which it isn't), it's still not a great movie by any stretch. | -1no label
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] |
Like many of the comments, it will be considered to be in the top five movies I have watched. Living my life as an identical mirror twin, I could sense the incredible love between them. I watched the movie on TV and there was only one commercial so I was riveted to my couch as I did not want to miss one moment. I did not have a sense of where the story was going at the beginning but the writers took us on a believable journey. Perfect pick for the mother. I am lucky to be channel surfing this night or I would have missed a story that I could so strongly relate to. I will have to do some research to see if the Polish brothers have written or directed any movies since. I wish them both huge success with any projects they tackle in the future. Thank you for sharing a love that I have been fortunate to always know. | -1no label
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] |
Generally it was a good movie with an ideal ending; the acting was spectacular and the characters didn't stray from their persons. I especially liked the plot, although you knew what was going to happen it still gave the element of surprise through out the entire movie. However, I find that coming on to the ending it could have been a little longer (extended maybe)- to me it seemed like it was rushed a bit; as if the writer was trying to take linens off the lines before the rain fell. For instance- What happened to Tristan's brother, Hayden? For all we know he died in the hospital. Maybe he was the one that setup the entire thing?! Who knows! Maybe there will be a sequel? Maybe? If there is.. I cant wait to see it. | 1pos
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] |
This is a favorite movie of mine. Mostly, because I am a fan of James Cagney's and thought his performance in this movie was excellent. In his autobiography, "Cagney By Cagney" Mr. Cagney told of many actual events in Mr. Chaney's life that were used in the picture and one in particular that was so sad they decided not to include it. Although loosely based on the life of Lon Chaney, Sr. I still felt the producers used enough actual events in Mr. Chaney's life to convey to the viewers what a truly talented man he was. Also, the tremendous challenges he faced being the son of deaf and mute parents. This is an excellent movie that stands up well through the years. | -1no label
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] |
I remember first watching Sabrina when it came to TV in the UK on ITV1 when i was 13/14. I'm now 24 and still love it now as much as i did when i first watched it. I get a little stick from some of my friends for still watching a "kids show" but i don't care! lol Caroline Rhea as "Hilda" is my personal favourite character and Later on Morgan also became another of my favourite characters. I remember spending so much time watching various special events honouring Sabrina on the TV station Nickeleoden UK. I love Mellissa Joan-Hart, she was great in "Clarrissa Explains All" but so much better in this. I was gutted when they decided to finish it! I hope it will soon be released on DVD here in the UK - I'll be first in line! lol x | 1pos
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] |
I watched the entire movie recognizing the participation of William Hurt, Natascha McElhone, and Desiree Nosbusch. I'm glad that I had no idea of the presence of Peter Weller. At the end of the movie I said "THAT was Peter Weller?" Kudos to Mr. Weller for an outstanding performance. Weller played a major character, and his performance was such that I didn't even recognize him. Overall the plot was bad, the writing was bad, and the performances, aside from those of Nosbusch and Weller, were subpar. The scenery and setting were interesting, and Weller was amazing. 4 stars, of a possible 10. | 0neg
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] |
Lorne Michaels once again proves that he has absolutely no business producing movies. You'd think that after such dismal flicks "Superstar", "Night at the Roxbury", and "Coneheads", he'd start to get the notion that maybe he doesn't know what he's doing when it comes to movies (and many would argue that he doesn't know what he's doing when it comes to television, as well). Trying to make feature films out of skits that wore out their welcome the third time the were done on SNL makes no sense. I personally like Tim Meadows, and think that he would be great in the right movie. It's a shame to see a talented guy wasted in a film that features unfunny after unfunny situation, and caps it all with a dreadfully bad song and dance scene. Any laughs here will be because the movie is so bad, not because it's funny. Oh well, at least we can be thankful that there are many other tired SNL characters who will never have films done about them. It's just too bad that this one made it to the big screen. | 0neg
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] |
Some of the best things about Thundercats were the obvious battles between good and evil and the blend of the different genres like Science Fiction,Fantasy,Action,Myth,Magic,etc and of course such memorable and extremely well written episodes. My favourite episodes from the first half of Season 1 are: Exodus: The origin episode,if you will. The Unholy Alliance: The Mutants crash land on Third Earth and join forces with Mumm Ra. Berbils: The first appearance of these robot/bear soon to be allies of the Thundercats and this episode is where Panthro builds the Thundertank too. The Slaves Of Castle Plundaar: The Thundercats free a docile race of aliens known as Brutemen from the clutches of Slithe,Monkian and Jackalman. Pumm Ra: This is an episode where Mumm Ra infiltrates the Thundercats Cats Lair and causes mayhem. The Ghost Warrior: basically a Jaga VS Grune The Destroyer episode. The Doomgaze: a good Mumm Ra episode. The Spaceship Beneath The Sands: The Mutants combat the Thundercats with their own weaponry to no avail. All That Glitters: Mumm Ra tricks Lion O and Tygra into fighting each other and The Sword Of Omens becomes shattered,so Lion O must get the Inflamer,a mercenary to reforge it for him. Snarf Takes Up The Challenge: All the Thundercats except Snarf are captured by the Mutants and are held in Mumm Ra's pyramid,so it is up to Snarf to save them. The problem with cartoons nowadays is they just are not interesting anymore and do not really have any morals to teach kids. Thundercats did just that and of course other great cartoons from the 1980's such as He-Man & The Masters Of The Universe,She-Ra and Transformers which all spawned toy lines and comic books like Thundercats did also. | -1no label
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] |
I haven't seen the original, but just wanted to drop a quick note to anyone who happens to scroll down this far: Wicker Man is the worst movie I've seen this year. Maybe even in two years. I wish I could ask the theater for my money back or turn back time to warn myself not to see it. I'll give it two positive nods: The sarcasm of Cage's character at least got some laughs from me and the scenery of the island was beautiful. Sorry, that's it. Here come the jeers. The movie's plot is only propelled forward because other characters won't give Cage any straight answers--and he puts up with this!!! How this could go on for over an hour of my time(much less days in the movie) is beyond me. Not to mention that the plot is full of holes. You leave the theater with enough unanswered questions to fill a library. How anyone could read this script and think, "Yes, people should pay $11 to see this shady outline of what a film should look like" is beyond me. Do not go see this flick. Or even rent it on DVD. | 0neg
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] |
Van Damme was on a role in the late eighties, early nineties, making some of the most fun, simple action movies of the era. His ability to always get a laugh, and being renowned for his nice-guy qualities have ensured his continued success, even if most of his movies now are straight-to-DVD capers. In Nowhere to Run he stars with an established cast as another misunderstood nice guy, an escaped convict who decides to help a young widow and her family who are struggling against a local developer who is forcing them out of their home. There is a good amount of action, some strong performances, and some very funny moments. Van Damme plays Sam, a mysterious convict who has escaped from prison. He sleeps in a tent outside a small town where two local young kids find and befriend him. Eventually their mother Clydie, played by Rosanna Arquette finds out and invites him into their home cautiously. Of course they fall for each other, much to the distaste of local Sheriff and love interest Lonnie, who decides to look into Sam's background. Franklin Hale, played with typical evil by Ackland is the main bad guy, but his side-arm Levine is the main threat. Sam helps the family, foiling Hale at every turn, but the past is catching up with Sam... Arquette, Culkin, Levine, and Taubman as the daughter are particularly good, and the story tries to be light-hearted and moral. It may be another attempt to achieve a wider audience for Van Damme, and it is definitely one of his most accessible, thanks to the good cast and humour. The various discussions on Van Damme's naked body are always humorous. Overall another good Van Damme film which will please fans, and may interest a few others. 7.5 out of 10 | -1no label
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] |
In the original novel, Miss Marple is justly outraged by the wickedness of this murderer. For nothing but monetary gain, he murdered his wife (who refused him a divorce) in order to marry a woman for her inheritance. Along the way, he murdered two of his "beloved" fiancée's brothers in order to increase her share of the inheritance. At the end of the novel, Miss Marple declares, while "looking as fierce as an old lady can" that if anyone should hang, it is he! And in fact, to persons of normal morality, he does deserve to hang, since he murdered three people for nothing but money. In this disgusting new film adaptation, Miss Marple has an entirely new attitude toward this murderer's deeds. She smiles sweetly at the murderer's would-be fiancée and consoles her with the comforting words, "He did it for love, dear." No outrage about three murders for gain. After all, "he did it for love." To hell with the fact that he murdered two of his "beloved fiancée's" brothers, not to mention his own wife. Miss Marple's thought's now run to "love" and how "love" somehow makes multiple murders less wrong. And it was never "love," either. It was just money. In another film disaster in this series, Murder at the Vicarage, Miss Marple has all the sympathy in the world for an adulterous woman who murdered her husband because she craved a more interesting sex life. After all, women who are married to boring, obnoxious men are fully justified in murdering them, aren't they? Just ask Miss Marple, in this new Geraldine Something-or Other version. After all, Miss Marple herself had an adulterous relationship back during World War One, (didn't know that, did you?) so adultery is, like, cool. So the murderess in Murder at the Vicarage deserves our sympathies, according to Miss Marple. I hate this new series starring Geraldine Someone-or-other. It stinks, not only because the characters are not what Christie intended them to be, but because the ugly morality of movie makers is substituted for the morality of Agatha Christie. | -1no label
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] |
Not as bad as "Billy Bathgate" but close. Try as he might, Warren Beatty just could not be believed as Bugsy. Whenever he flipped out, instead of being shocked by the violence, I found it pretty embarrassing because it was so phony. The other actors don't fare as well either. Annette Bening just doesn't have what it takes to play seductive women, she is better off with safe characters. As many have noted, Joe Mantegna would have fared better if the script had him as a more believable George Raft. Only Harvey Keitel emerged unscathed, but then again this guy can do these movies in his sleep. And Robert Beltran, with just one line, steals one of the big Beatty, Bening scenes. With these films, I'm never sure if the director is intent on making the mobsters seem like normal businessmen or if it just comes out that way. Either way, I don't like it. These guys were killers and no matter how much Las Vegas is indebted to Bugsy Siegel, I don't think that a movie should be made glorifying the guy, especially one with a big studio backing. | 0neg
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] |
The unfortunate thing about Explorers is that the studio rushed opening this film before letting Joe Dante properly finish it. And it was all for nothing. Because of the rushed timing it opened on a weekend that cost it its audience. The three leads, Ethan Hawk, River Phoenix and Jason Presson do a fine job in the film, working with an excellent script that is both funny and bittersweet as well. ALso featuring Dick Miller, a regular in Dante's films, especially noted for "The Gremlins." Another excellent role was James Cromwell as the father of Wolfgang, played by River Phoenix. And finally one of my favorite actors, Robert Picardo who plays several characters (in heavy make-up). This film is nothing special, just good family fun. | -1no label
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] |
Having found the original Scary Movie hilarious and Scary Movie 2 disappointing, I believe that David Zucker and Jim Abrams taking over from the Wayans brothers is the best thing that could have happened to this franchise. I was very impressed by Scary Movie 3 which was much funnier than I thought it was going to be and I looked forward to this movie with optimism. I wasn't disappointed. This movie is 90 minutes of non-stop laughs and is just pure fun like Scary Movie 3. I won't spoil any of the jokes for you but I'll say the best spoofs are of Saw, Million Dollar Baby and War of the Worlds. Check this hilarious movie out! 9/10 | -1no label
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of camera... From the first action i new this wouldn't be a good movie. I hoped that was a small mistake, but i was wrong... Movie story is about broadcasting & entertainment. One multimillionaire decides to put 10 convicts to death at one island, and all of them fight to death against each other. One will be a winner and he will get cash & freedom. Island is covered with cameras, and their reality is broadcasted with internet to the world. Directing is solid. At start it tracks convicts from their prison where they had "qualification", small fights, to death of course. But shooting of actions anywhere in movie is awful. I got sea sick, because camera is the one that rolls and pitch more than "fighter" themselves. So I didn't get impression of "sick action". Whole movie is made so it could be put in genre "sick action". It can be called action just because there are few fights, and sick not because there are poor filmed few tortures, and not because of sick idea of story, but rather because of sea sick that viewer gets, because of camera shooting. And there is American hero, so this movie is strongly proamerican. Some bodybuilder supposly works for American government some "dirty operations" and the government left him alone to tortures in Mexican prison, and all the time, he didn't betrayed his country. That is totally unreal. And also he is very very smart and fast, and strong. Now, i tell you... that is sick. Everyone has weakness even super-strong-ultra-fast-and-smart American hero. Mix that American hero with sea sick action recording camera and maybe you'll get idea of sicknes... Everything sick about this movie is idea of story and sea sick. All the way through, every next action or scene is predictable, so I rewinded almost half of movie. If you really have money & time to waste, go see this movie, so you can tell your friends tomorrow, that your worst film is "The Condemned" | -1no label
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] |
Bay Area residents probably remember Paul from The Diamond Center, an unctuous late night huckster who flogged easy credit and cheap rocks on late night television throughout the 1980s and early 90s. I mention him only because there is an actor in Death Machines who looks JUST LIKE HIM playing the owner of an Italian restaurant. He appears in the best scene in this positively dreadful and near unwatchable crime drama about a Dragon Lady (Mari Honjo, who wisely hung up her acting spurs after completing this film) who controls the local syndicate. Our hero (let's call him Not Paul From the Diamond Center) plays the restaurateur with all the subtlety of The Simpsons' Luigi ("you lika da spaghetti?") and seems unimpressed when one of his patrons complains about the food. No, there's no fly in the soup or hair in the sauce: there's a Red Buddha in the pasta, the calling card of the murderous crime boss, who sends a statuette to each of her prospective victims. Death Machines is bad by any measure, and pretty boring, which is an even worse crime. | 0neg
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] |
I have read with great interest the only available comment made before mine on this movie and I would first like to say that I understand the point of view of the previous user who commented on this movie very well: viewed from an Israeli perspective, I can very well imagine that this movie touches upon very sensitive issues and that the slightest detail can have a great importance for a viewer who is more or less directly concerned by the events depicted in this movie. What I would like to say is that 'Distortion' was shown at a film festival in Geneva in November 2005 (Festival 'Cinéma tout écran') where it won the award of the audience ('Prix du public'in French). For what affects me, I liked the 'nervous camera' work of Mr Bouzaglo, who, in my opinion, portrayed an atmosphere of extreme tension and uneasiness in the movie very well, and I think that most of the swiss viewers appreciated this in the movie. This perspective, however, might seem totally 'alien' to an Israeli viewer, but not so surprising when it comes to swiss viewers, because Switzerland is a country which has NEVER been subject to any terrorist attack. It therefore comes as no surprise that the audience in Geneva judged this film with a much more 'detached' perspective.I would also like to quote what Mr Bouzaglo said when he was interviewed by a Geneva newspaper (I'm translating from French): ''After 50 years of living here and after undergoing all this violence, we may ask ourselves if it is still possible to remain normal.We might sometimes think that it would be easier to commit suicide than to go on living. We are like the characters in my movie,''on the edge of the edge''. This is the reason why the private detective, who is somehow ''voyeur'' is the happiest character in the movie, because he earns a living thanks to the system, he takes advantage of this situation'' This is, in substance, the main thing that I and the swiss public, in my opinion, pointed out in this movie, and that we did not pay attention to some inconsistencies regarding the characters in the movie which the precedent reviewer pointed out with great accuracy and humor. So, to sum up, different country=different perspective, but I think that this is somehow great, because it reassures me for what affects the future of cinema, that is to say that it well never be subject to a 'unique' of 'formatted' way of thinking. | 1pos
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] |
My boyfriend and I decided to go see this movie after we heard on the radio that it was a good movie worth seeing, even up there with "Cars". Within the first ten minutes of the movie, I was horrified. For starters, the cows, which should be females, had male voices. Then I realized they really are supposed to be guys. I put the transvestite cows aside for a bit and tried to keep watching the movie with an open mind, but it was just so corny I couldn't help but shake my head. I probably checked my phone about ten times to see if it was almost over. The plot was decent, if not predictable, but it took way to long to reach its point. I was having trouble sitting through it, and I'm 19. The children in the theater were actually getting up and running up and down the aisles. I felt like joining them. But my biggest problem with the movie was that it was loaded with drinking references, not to mention that the cows/bulls actually hot wired and stole a car, then drank and drive, broke into a boy's house to push him out of bed (he deserved it though), then ran away from the cops, whom the writers of the movie made look like terrible people. This isn't the kind of thing I would want my kid to be exposed to. There's way too much of that in the real world, if I wanted my child to watch guys drink and drive and lead cops on a chase, I'd pop them in front of the 10 o'clock news. Children's movies are supposed to be an escape from reality, not an escape into ridiculousness. What happened to the good morals and happy endings that children's movies used to boast? That's why Disney's old movies, like Beauty and the Beast, Lady and the Tramp, The Little Mermaid, etc. are classics. If you want your kids to see a great cartoon with basically the same plot as "Barnyard", rent "The Lion King". You can get a great story without the awful drinking and driving and grand theft auto references. The writers of "Barnyard" were obviously trying to continue the great trend of making a children's movie that a parent could enjoy as well, but they did so in very bad taste. I would never take my kids to see this, and I suggest you save your money and watch something else. | 0neg
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I expected a lot from Anurag Kashyap, as he was famous for being real and showing reality. But after watching the movie i didn't understand a single thing. What is the content of he movie. What message he wants to give ? I was completely lost. It was difficult to believe that the director of BLACK Friday made NO SMOKING. I saw 12- 18 people leaving the movie halfway. The only good hing about the movie was Ranvir Shorey who did brilliant job. It was a joy to watch Paresh Rawal not making a fool of himself. But his performance lacked a punch that the character demanded. And as you may have gathered, I still have no clue what the movie was about. And quite frankly, I don't want to know.You try so hard to understand what NO SMOKING tries to say, but the film is like one big puzzle that refuses to get solved. | -1no label
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] |
Spin-offs, for somebody who don't know, are not usually successful because most of the original characters are absent. Here they are and you couldn't ask for a better ensemble in what is essentially a silly little cartoon, not meant to do anything but entertain. J. P. Manoux, replacing David Spade, does an admirable job of retaining Kuzco's ego and yet not seem as annoying as Spade's character (a character Spade has done for decades and gets on one's nerves after a while). He has a softer voice but it fits somehow. Eartha Kitt, reprising her part as Yzma, is brilliant. She hasn't really been given much accolades since her turn as Batwoman centuries ago, except maybe for her vile part in Boomerang. It's funny how much the character looks like her, though. And Patrick Warburton. There is no way that he can't be funny, except when he was thoroughly wasted in Men in Black 2. I have been a fan of his since Seinfeld but unlike that character, he plays a genuine likable guy who is sucked into doing not so nice things. The animation is really beautiful as all Disney usually is but sometimes the character design is a little too sugarcoated. Oh, well. Two out of three ain't bad. | 1pos
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] |
Johnny Dangerously falls completely in the hit or miss category with it's overblown gags and complete lack of a comprehensive script or story that makes ANY sense. But that's the point, right? The cast is likable; Michael Keaton an excellent comic performer before he took himself too seriously as the years passed. Griffin Dunne, Peter Boyle, Joe Piscopo, Marilu Henner and Danny DeVito all perform with enthusiasm and at least get a lot of laughs from me. But the complete scene stealer here is Richard Dimitri (sneaking the word "Iceholes" into movie history) as a mobster who fares best at murdering the English language. I associate many childhood memories with this film, as I watched it quite often so maybe I'm prone to enjoy it more than many others. Johnny Dangerously is at least a completely innocent gangster film spoof that even relays some well meaning messages about the dangers of smoking (and sex). I like it but it's hard to recommend. 7 out of 10. | 1pos
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This is a very funny series but please don't confuse it with a history of WWI. David Lloyd George (The British Prime Minister) and Douglas Haig (The General commanding the British Army) hated each other and after the war DLG got his memoirs into print very quickly - this led to the myth that the British Army was led by bungling officers and sacrificed for nothing. This show plays on that myth - In an extremely funny way. Alas - it also helps rob the British Army of its finest victory. Despite that I love this show - they visit so many of the controversial sides of this conflict in what is at times a side achingly funny way. The end is especially poignant. | -1no label
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] |
Bobby Reynolds (Jesse Bradford) is released on probation from Rikers and moves to the old apartment in East Village, New York, where his lonely mother lived and passed away. He finds a job as mechanic in the Houston Auto Repair owned by the supportive Hector Rodriguez (Carlos Leon) and tries to rebuild his life. However, he is outcast and his former friends and neighbors do not want to talk to him. He meets his former girlfriend Alyssa Foldes (Amelia Warner) that works as waitress and studies in a college of design. Bobby hears weird noises and finds blood in his apartment, and overhears an argument between an abusive police officer and his wife and their daughters. Sooner he discovers that the next door apartment is actually empty and he is haunted by the ghosts of the deceased family that was not helped by the neighbors. "The Echo" is a good ghost story and apparently a remake of a horror movie from Philippines that I have not the chance to see yet. The plot is supported by a stylish cinematography and a creepy apartment building that gives a scary atmosphere. The conclusion does not explain how Bobby could justify the death of Hector in the basement of his building in the same day of his absence to the probation officer and even the bruises in Alyssa and if the curse has ended. My vote is seven. Title (Brazil): "Ecos do Mal" ("Echoes from the Evil") | -1no label
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] |
Here's a horror version of PRISCILLA: QUEEN OF THE DESERT (they wish!) starring Melinda/Mindy (RETURN OF THE LIVING DEAD 3) Clarke as Candy, a desert dweller who pulls off a bank heist with boyfriend Johnny (Jason Durr). He ends up in a South-of-the-border prison run by the sadistic Chief Screw (an overacting Robert Englund in a toupee). She and her beloved pet poodles end up in hiding at a gas station convent until they're transformed by a newly fallen meteor. The dogs turn into obnoxious drag queen "bitches" and Candy develops a VERY long, talking, killing forked tongue she can't control. Thugs looking for the stolen loot and other assorted numbskulls add extra complications. First off, Clarke is fantastic and makes what there is to make of this movie. You watch her and see someone very funny during the slapstick scenes, very convincing during the horror scenes and VERY sexy in various wigs and disguises, including an eye-popping, skin tight latex bodysuit...and wonder how come this actress isn't a huge star. It's too bad the rest of this cult attempt doesn't live up to her promise. Blame director/scripter Sciamma, who thinks the outlandish premise alone is enough to sustain laughs...but his vulgar gags, annoying supporting characters and stupid dialogue are no substitute for a real sense of humor. Another nail in the coffin; the film looks cheap, lots of garish colors and sets are strangely muted by muddy photography and the dusty desert locales. Luckily for Sciamma that Clarke is in his film, because she alone keeps you watching. | 0neg
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] |
Just finished watching Taken and was surprised to see Joel Gretsch and Michael Moriarty again. The plot of the 4400 is very cool. No aliens, but people from the future. It's just too bad that the story doesn't make me wanna know more about the characters. I do wanna know why all of those people were taken and why they were changed, but it wouldn't be a disaster if I never find out (which will be the case, since the show has been canceled...). Most of the actors were good, but even they couldn't take the story to a higher level. I still give the show three stars, because of the soundtracks. The theme song is very cool and relaxing (like most of the songs they use). | -1no label
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] |
I don't know very much about French cinema. I know I like quite alot of the movies I see from there, but for all I know they make garbage (like everywhere and everyone else) and send only the good ones to the USA. I mention this only because it seems as though this movie made it here on star power alone. I love Binoche very much and since she doesn't exactly make six movies a year, I'm glad when I can see her at all. When the actors you really love make a movie, you see it. Daniel Day-Lewis falls into that category for me, too. Ever since "The English Patient" and her unexpected but deserved Oscar, I've been mildly obsessed w/her. So while I am glad I saw it, its far beneath her ability and talent, and ditto Jean Reno. It doesn't help that the settings are an airport lounge (at least in that other airport-lounge movie, "The V.I.P.'s", you had Margaret Rutherford and her pill-popping to enjoy) and a hotel room, and that's it. They just talk talk talk talk talk and none of it is even remotely interesting. 3/10. | -1no label
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] |
In dramatising Wilde's novel, John Osborne has condensed events, eliminated a number of characters, and generally implied rather than shown Dorian's essential wickedness. If you want a more explicit rendering, see the 1945 film. Wilde and Robert Louis Stevenson lived in about the same time frame, but were certainly vastly different men and writers. This story really treats of a theme similar to Stevenson's "Dr. Jekyll and Mr. Hyde", but note that Wilde chose to treat his story as fantasy, whereas RLS took the scientific route. Both the protagonists are men in whom good wars with evil, with evil winning in the end. The actors in this BBC movie, take a different route, too, from those in the 1945 film. John Gielgud says all the same caustic and cynical quips as George Sanders, in his role really projecting Wilde himself, but with a subtle difference. You'll suspect that Sanders really believed what he was saying, but Gielgud may be saying what is expected of him rather than what he sincerely believes. Peter Firth, too, shows the two sides of his character in restrained fashion, but then we don't get to see as many of his escapades as Hurd Hatfield had a chance to display. It's a very good production, with the dramatisation reflecting the essentials of the novel, if not all of its ramifications. | 1pos
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] |
Alec Guinness got to repeat one of the roles he did on the London stage with the screen adaption of Bridget Boland's The Prisoner which was directed by Peter Glenville who also did the original stage production. It was one of Guinness's personal favorites among his parts because of the Catholicism of the actor. In fact the role really hit close, maybe too close to home, because like the character he plays in the film, Guinness was a child of a prostitute mother who escaped into acting as a refuge from a really bad childhood. Just as his character the Cardinal of an unnamed Balkan country now ruled by a Marxist dictatorship went into the church as a way of rising above the station he was born in life. Jack Hawkins plays the state inquisitor, a psychologist by training who probes and finds the weakness in Guinness and uses it to get a confession of treason out of him. Pride and vanity are the trickiest of human sins, we're all guilty of it in one way or another. In making this film Guinness, Boland, and Glenville were all adamant about keeping the main character Catholic and not some Christian preacher of an unnamed denomination as what the producers originally wanted to do, the better for a broader appeal they reasoned. Catholicism and the special burdens and duties it places on its clergy is precisely what makes the story valid. According to a recent biography of Alec Guinness though it was never going to be anyone else but him in the role of the Cardinal, Noel Willman had done the inquisitor part on stage. Several people like John Gielgud and Peter Bull were considered for that part before Hawkins was signed for the role. If the subject matter does seem familiar, the role is obviously modeled on Josef Cardinal Mindszenty of Hungary. And director Peter Glenville would have his greatest screen triumph in Becket, the story of another troublesome priest several centuries earlier. Guinness does lay bare his soul in this film. For fans of Alec Guinness this film is a must. | -1no label
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] |
To me this just comes off as a soap opera. I guess any depiction of profligate people can be considered "social commentary." But in the final analysis, I simply don't care how you characterize this film. None of the characters are very likable or engaging. I felt no chemistry between Hudson and Bacall. If there is a love story here, it is lost in the malaise. And despite the twist ending provided by a complete and immediate (and therefore, incomprehensible) reversal by Dorothy Maguire on the witness stand, the story is insufficient to hold my interest. No matter how much Freudian symbolism and psychology are throw in, this story is sleazy, melodramatic and trite. Rock Hudson is nobly wooden. This is Lauren Bacall's least engaging role and one of her poorest performances. Dorothy Maguire and Robert Stack deliver more inspired performances, but her character is vile, and his is pathetic. Robert Keith, as the loving, out-of-touch father of two miscreant adult children, is the most sympathetic character. Most interesting of all, however, is the severe-looking Robert Wilke in a small role as the bar owner. He is best remembered as a nasty henchman in countless Westerns, but here he is an honest, likable fellow. I take my social commentary with an interesting, engaging story and a few likable characters, thank you. | 0neg
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] |
I had the privilege of being one of the Still photographers on the set of "Grand Champion" and enjoyed every minute of the 42 days I worked on the movie. I have been in the Photography business for 25 years and have worked on 16 movies and I can't think of a time when I enjoyed providing my craft more. The Kids were wonderful to work with and little Emma Roberts has so much energy she's a real trip. She even grabbed one of my camera during the stockshow scene rehearsal and started shooting. Some of her images were used for PR. I could have made more money working for a production with a bigger budget but I doubt I would have had the fun and been around so many great actors and the great people of West Texas as I was. | 1pos
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] |
For all of the above whining about the graphic sex and violence, get over it. Thats what makes Anime worth watching. Personally I have a hard time getting through a Anime unless it does include lots and lots of graphic sex and violence. If ya liked Series like Bible black you'll like this. What I find to be really annoying is these whiners running around complaining about the sex and violence because it " is unnecessary". I say BS! It is necessary and it is appreciated. The more the better. It's because of these dull trolls that the US has an edited version thus making the best and only version worth watching in my opinion harder to find. If graphic sex and violence offends you, quit watching adult cartoons numb nuts. | -1no label
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] |
I hated the first movie is really boring and we only get see the Octopus at the end. The plot Dead bodies are being found in the New York harbor. The police have no clues nor suspects until Nick and his colleague realize the killer is a giant octopus. Everybody, especially the police captain, refuses to believe Nick's story, and soon the harbor will be filled with boats for the 4th of July celebrations... In this movie we get to see more of the Giant Octopus and Special effects for this movie are really good for it's time. The acting is this movie not bad but not great too but okay and watch able. The are some really cheese scenes to movie but if can get past that, You should enjoy the rest of movie. 5/10 | 0neg
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] |
Last evening I had the remarkable pleasure of seeing the movie Hitch. I was stunned and amazed. Will Smith did a phenomenal job in a role that he isn't always associated with. He proved once and for all that he does not need to be holding a gun to be a great actor in a movie. Kevin James was also very impressive. I admit that I've always like him on "The King of Queens" but this role really brought him into the light more, and i hope to see him on the big screen a lot more in the near future. The movie was funny and adorable and I recommend it to any guy as the best date movie you could ever imagine. The mix of comedy, romance, and drama left me feeling complete. It's nothing like most "chick flicks" in the sense of tears and sadness, but holds its own and i think can be equally enjoyed by males as well as females. I encourage all couples especially to see this movie but even if you aren't involved with someone you may pick up some great ideas from Hitch. TWO WAY BIG THUMBS UP!!! | 1pos
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] |
An old vaudeville team of Willy Clark (Walter Matthau) and Al Lewis (George Burns) were one of the best known but they broke up hating each other. Over 20 years later they agree to get together for a TV special...but find out they STILL hate each other. Willy's nephew/agent (Richard Benjamin) tries to get them to work together. A big hit in its day and it won George Burns an Oscar for Best Supporting Actor. I (somewhat) liked it. It was written by Neil Simon so its non-stop one-liners. Some of it was funny but making jokes of Willy and Al's senility was NOT. Also I never liked Matthau. I never thought he was a good actor and something about him just rubbed me the wrong way. Also his character here is so caustic you get sick of him quickly. All that aside this was fun. Burns is just great tossing off one-liners with ease and even Matthau was good matching him. Their verbal battles are the best sequences in the movie. Also Benjamin is very good as Willy's nephew trying to get the two of them to work with each other. For me it's worth seeing for Burns alone. This jump started his career in a big way and two years later he had ANOTHER hit with "Oh God". So, this is good. Just good--not great. Matthau's character really makes this hard to love. I give it a 7. | 1pos
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] |
When I first set out to try and use film to help me with learning French, it was a completely uncharted territory except for one title I had heard of previously: La Femme Nikita. This film was such a success that it went on to fare well in the U.K. and the States, which is always an achievement for a subtitled film, was later remade in Hollywood as Point of No Return and then finally as a TV series. It starts very suddenly with a girl, we will come to know as Nikita, involved in a drugged-out store robbery that lands her in jail. Probably from the fact that she has nothing to lose, she is chosen to be removed from prison and entered into training as an assassin for the French DGSE (think CIA). As she goes from drug-addicted street trash to secret agent, we watch her remain steadfastly defiant in her original style until her handler reaches through to her and she begins to accept her new life and allows herself to be tamed. The central theme of the movie is Nikita and her reactions to her continually changing fortunes, so this tamed peace rapidly transitions across rejection, freedom, love, manipulation, terror and eventually selfless sacrifice (I've given away nothing!). Throughout her experience, a common thread in many of these phases, and often the catalyst for them, her handler, is the source of her most complex relationship. Their interactions carry tones of unrequited and forbidden love which drive him to cruelty toward her to punish himself and drive her to frigidness and rebellion against him. In many ways, the cloak-and-dagger moves, secret organizations and gun battles are just window dressings for that relationship. Thankfully, there is much more in relationships and "window dressing" to keep us riveted and thinking throughout this movie. | -1no label
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] |
Darkwing Duck is the most hilarious cartoon done by Disney! Darkwing Duck is a show that spoofs famous superheroes! Plus in this cartoon Launchpad McQuack from Ducktales is in this cartoon as Darkwing's sidekick and Gizmoduck is in it also who Darkwing is very jealous of for stealing his fame in St. Conard! My favorite villains on Darkwing Duck are Negaduck (my #1 favorite DWD villain), Megavolt, Bushroot, Liquidator and Steelbeak! I don't like Quackerjack because he is so annoying because he uses toys as weapons and his plans are not clever! Plus I liked a lot of Darkwing's gadgets he uses like his gas gun and other things. Darkwing Duck brings back a lot of my childhood memories, not to mention I dressed liked him once for halloween. It sucks how Disney now airs terrible cartoons that are just unoriginal and just crap, 1990's Disney Afternoon cartoons are the best and they're will never be a replacement for that! Overall awesome cartoon and hilarious! | -1no label
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] |
Was very fortunate to see the movie Hari Om at The Bermuda International Film Festival. It was the opening night and was such a delightful movie. It was shot beautifully around India and I want to go there now. The main actor..Vijay was absolutely incredible. He was the highlight of the movie. Apparently he was also in the movie..Monsoon Wedding. He was the total star of the show. Benoit's character cracked me up...was very funny. And the girl (forget the name) was great too. They were all great! There were many tremendous scenes like the one with the monkeys. And basically I just loved the movie. Everyone walking out was raving about it and it was certainly a high point of the film festival. Was my favorite from the festival. It really beautifully captured the liveliness of India and can't believe how beautiful India is. The feeling upon walking out of the cinema..was a real high. It is a delightful, happy film. I loved it!! | 1pos
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The first installment of this notorious horror series is presented as if it were a snuff film discovered by the producers and set up like an amateur camcorder tape, complete with a digital timer at the bottom of the frame. It presents a woman being kidnapped by a gang of black-clad men who torture her for several days before finally killing her. The hapless victim is beaten savagely and pelted with raw meat before having her fingernails pulled out with pliers, her hand smashed with a hammer, her eye punctured with a needle, and so forth. In the most nauseating scene, the woman's captors burn her with hot water and drop live maggots into the burns. The series received a great deal of publicity when American actor Charlie Sheen, believing the series to contain actual murder, attempted to ban its distribution in the United States. An FBI investigation revealed that the films were only what they appeared to be to most viewers -- sick re-creations using nasty, but obvious special effects. Gruesomely staged by acclaimed Japanese comic-book artist Hideshi Hino, who also directed the third and fourth episodes, this film is a sure way to clear all but the most tolerant of rooms. But, gorehounds probably won't find anything special. | 1pos
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] |
ALL FOR LOVE ( as it titled when it was broadcast at the weekend ) is a romantic period drama featuring Captain Saint Ives a French officer in Napoleon`s army who is captured by the British and imprisoned in Scotland where he meets and falls in love with a young maiden who visits the prison . There`s also a storyline involving a murder . I will be honest and confess that I wasn`t too taken by the movie since I`m not much of a fan of period dramas and the screenplay feels somewhat episodic but I will say that this is well acted by everyone involved and it`s got a good cast that features Miranda Richardson , Anna Friel , Richard E Grant , Michael Gough and Jason Isaacs . The costume design as you can expect is also excellent I`ll be very surprised if this movie doesn`t get any complaints after being broadcast on BBC2 at teatime . Captain Saint Ives lies in bed with a prostitute where a nipple is fully exposed and there`s a scene of French prisoners bathing that includes full frontal male nudity not to mention a murder scene where blood is clearly seen . You really do have to worry if BBC schedulers have any type of clue as to what they`re doing | 0neg
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John Hillerman & Tom Selleck are a perfect balance to each other to anchor this series. They play off each other very well & even though Sellick used this as a springboard for his entire career, Hillerman is most often remembered for this show. The island setting for this show & the photography are top notch. Glen Larsen & Donald Bellisario both have done great work in many series with varying degrees of success. Both have had hit shows besides this one, & sometimes not so successful. You don't think of Ba Ba Black Sheep & Battlestar Gallactica when you think of Bellsario/ Larsen, but of Quantum Leap, Knight Rider, Qunicy & Jag among others. Both men were born in the mid 1930's which puts them in the same class. They have nothing to be shamed of in their work on this series which ran a very successful 164 episodes in the 1980's. The shows hold up pretty well even after all these years. This show was no small part of a successful CBS group in the 1980's. Catch it when you can, as I recently caught the pilot 2 hour premiere on a rerun. The first show introduces Hillerman & Sellecks characters & the motivation behind the feud they always have during the series run. There is always plenty of eye candy for the guys, to go with the other natural great scenery. Always plenty of action for the detective fan in this show too. | -1no label
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] |
The comic banter between William Powell and Jean Arthur is the highlight of this murder mystery, which has one of the most bizarre and unlikely plots ever. Powell is probably the most suave detective of the 30's, and Arthur has a unique voice which often sounds like a succession of tiny tinkly bells. They are extremely fun to watch, so take the brashness of the plot with a grain of salt and just enjoy seeing it unfold. Eric Blore also has some comic turns as Powell's butler. Powell's contract with MGM included a clause which allowed him to reject being loaned out to another studio, but he wanted to work again with Arthur and he liked the script, so he eagerly accepted the assignment. They had worked together in two 1929 Paramount films, The Canary Murder Case and The Greene Murder Case, both in the Philo Vance series. | 1pos
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] |
When you look at this now and hear all the language in here, it's amazing this was rated "PG," but that's the 1970s rating system for you. Peter Falk spews out the Lord's name in vain six times in the first ten minutes alone in this movie! Yet, few people consider that offensive, and certainly not the scumbags who make movies nor the people who "rate" them. The cast is a clue to how profane this film can be: Falk, Peter Boyle, Allen Garfield, Warren Oates, Gena Rowlands and Paul Sorvino aren't exactly actors you wouldn't find in "The Sound Of Music." I like heist movies, and a lot of films by director William Friedkin, but this script doesn't deliver and it just has way too much of the "Sleazy '70s" feel to it, visually and audibly. For those who loved Falk in TV's "Columbo" it must come as a shock to hear him use as much profanity as he did in films. This is far from the only case. | 0neg
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This could have been done WAY better. This is the story: Two babies are switched at birth, one from an upper middleclass family and one from a lower class family, because of a jealous nurse. Twelve years later the mystery is discovered and the upper class family buys their kid back. This lame plot isn't worked out at all, and some minor storylines are just forgotten near the end. By the way, what the hell was the meaning of the very last scene ???? There are some serious things wrong with this movie. Acting isn't very good either, but it isn't bad. Benoît Magimel, the kid who plays Maurice, did some nice things, and Jean-Brice Van Keer was good too. But then again, some other people didn't act at all: Daniel Gelin (the doctor), Patric Bouchitey (the priest), ... Mostly I don't say anything about the music, but this time it really beats everything. HORRIBLE! TASTELESS! OFF-KEY! Unbelievable Of course there are some good things about this movie, especially how the two families are brought into screen and how one family falls apart when someone from the other family comes to live with them. But in general, this is a huge stinker. 4/10 | -1no label
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] |
I wish the movie had not been so ridiculous. An FBI agent going undercover, under his real name, AND doing raids on more or less the same group he is trying to infiltrate? Insane. A group of 13 year-olds would take more precautions than these FBI agents are shown doing. There MIGHT have been a movie here. The agent, Keanu Reeves, is shown getting close to a surfer gal in order to get 'in' with the surfers; he tells her his parents died (which is a lie--they are still alive, we later find out, in Ohio) to gain sympathy from her, because he has found out thru records that her parents died in an accident when she was a child. This kind of thing brings out a type of remorse in the 'best' of circumstances. It is HARD to go undercover. That's why J.Edgar Hoover didn't even LET his agents go undercover: no way, back then. But the foolishness in this movie is too, too much. Too bad, because some of it is pretty cool. Altho there is a slip-up: there are no football scholarships in law school. | -1no label
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] |
Nothing will ever top KOMODO with the lovely Jill Hennessey as a shrink (!), but KvC ain't quite as bad as I expected for a SYFY channel quickie. Just make sure to watch it while drunk or stoned, or while trying to go to sleep. The unimaginative title basically says it all: A group of mostly unknown actors converge on an island where a government experiment to grow giant vegetables has gone wrong. Giant creatures that came into contact with the vegetables have taken over the island and eaten everyone. So now the government is preparing to blow up the island, regardless of the people being there. The acting is wonderfully atrocious, especially a mustachioed general right out of THE INCREDIBLE HULK TV series, but this is typical of this kind of made-for-cable schlock. The CGI creatures are TV-level quality, which means you know you're watching cartoon monsters. However, two of the gals in the group are very cute, and worth watching as they run here and there in their tight little outfits. You just want to eat them up! | 0neg
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] |
Woe is me... I wasted $7 and saw one of the stupidest movies of the year: DISNEY'S TEACHER'S PET, a concept by Gary Baseman. You'd think that with a cast of: Nathan Lane, Kelsey Grammer, Jerry Stiller, Estelle Harris, Wallace Shawn, and a whole lot more... You'd think this would be a really fun movie! It's not. It's a complete drag. It's something that if you saw it on tv, you'd flip the channel after a few seconds if you even have THAT much patience. Really quickly, the movie is about a talking dog named Spot who wants to be a real boy. His best friend/master Leonard, in contrast, hopes his dog will act like a real dog. Spot finds a wacko scientist to do the trick and anyway... you can all guess how the movie ends. This is the first Disney movie I've seen in the theaters done by the Television Animation department and it will definitely be the last. The executives think we can't tell the difference.. I beg to differ. This movie SUCKS. The vocal performances are all fun (especially David Odgen Stiers and Jerry Stiller) but it doesn't make this annoying movie any better. Grade: 4/5...oh wait... did I say 5? I meant 4/10 | -1no label
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] |
An anthropological expedition in Tibet led by John Agar discovers both an ancient primitive race of pasty, light sensitive, superstitious albinos and the browbeaten, grotesquely unsightly burrowing mutants called the Mole People whom the albinos cruelly exploit as slave labor deep within the bowels of the earth. Competently directed by Virgil Vogel, with a fanciful and intriguing script by Lazslo Gorog, handsome photography by Ellis Carter, admirably sincere acting from a solid cast (Agar is his usual reliably stalwart self while the lovely Cynthia Patrick makes for a charming heroine and Alan Napier has a grand time as an evil high priest), a steady, if less than stirring pace, nifty and impressive special effects (the matte paintings are beautiful), a properly eerie and claustrophobic atmosphere, funky monster make-up by Bud Westmore (the Mole People are truly gnarly-looking subhuman beasts), a rousing last reel revolt by the Mole People against their mean oppressors, and a surprisingly downbeat ending, this baby sizes up as a hugely enjoyable golden oldie fantasy horror picture. | -1no label
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] |
I used to remember when b-grade movies used to have at least some redeeming quality about them, be it the effort that some actors went through to do what they must to make a buck, or even something about the story that had a certain charm. Phobic isn't one of these. In it, Joey Walters, played by Billy Parish, (who would pass for Brandon Lee were it not for the dumb look on his face) has agoraphobia- fear of socializing and the outside. In this case, every time someone opens the door, he starts to space out and see double. Well, we see double and the camera pulling in and out and the brightness turned up too high- we have no idea what Joey sees. Perhaps it's that crazy lunatic that killed his sister that still haunts him- who calls him on the phone, and eventually enters his house, that's driving him crazy? Perhaps he has schizophrenia instead? And what is it with all these bodies showing up? At one point, we see a single little gleam of light that may not save the movie, but show us a surprise. But no. Who cares. Bad synthesized music, sound levels that are not audible enough, cheap camera tricks that's supposed to pass off for special effects, and of course really bad acting. If you're looking for gore, you won't find any here and what's supposed to be scary isn't. If you're in the mood for a spooky man living in your house, see Hider in the House. If you want to see I'm a crazy person seeing things, see Spider or a Beautiful Mind 2 out of 10 | -1no label
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] |
As a veteran filmmaker and critic, it's pretty obvious to me that this film was produced by narcissistic, pot-smoking dingbats with minimum knowledge of film and film-making. They take a subject, who most people have never even heard of or care about, and produce a documentary that completely falls flat on its face. The simple reality of the matter is that Fischer is just another non-conforming, dead head, bohemian, pseudo-iconoclast who isn't even worth learning about. These "dudes," who probably just graduated from Tisch, treat him like he is the greatest thing since sliced bread just cause his multiple personality disorder somehow gave him the vision to perpetuate complete excrement, which is considered to be artistic mastery by his cult following. I went to college with people like this too - they were usually the ones role playing to dungeons and dragons while smoking hash on a Saturday night with the dead playing in the background. Congratulations to the Ubin Twinz - can't wait to see what they churn out next. | -1no label
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] |
When I first watched this film, I thought that it would be rally good, because it featured my favourite actor of all time. He gives a sterling performance, though it is fairly obvious he didn't have to life more than half a finger to make the róle work. He is the only good thing in it, unlesss you're into explosions and American dream-working class hero trash (which I'm not). I don't get it. How can this film get away with being so naf. That bit with the little boy being rescued, I mean, come on! You can't tell me that he would have been rescued without the fire-guy wearing any goggles (I know for a fact that it would have been pitch black in there and you can't see for more than a couple of feet infront of you) and no breathing equipment (he'd have choked after 2 minutes!). This film was just bad, OK? Why Robert? WHYYYYYYYYYYYYYYYY????!!!! Sorry if this is your favourite film. | 0neg
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] |
But when it comes to the review of this movie, it's all good news. James Wood is Lloyd Hopkins, the jaded cop who throws himself into one particular case after his wife, Penny, leaves him. Adapted from a James Elroy novel, this crime drama turns out pretty good. And while not reaching the heights of L.A. Confidential in some ways, for me it come close and exceeded that great movie in other ways thanks to an understated acting chops of James Woods. That guy remains a criminally under-rated actor. In my mind, he's one of the greats. Plus the ending is so VERY good. My Grade:A Where I Saw it: Starz Action | -1no label
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] |
While the dog was cute, the film was not. It wasn't the premise, or the theme that was a problem. The premise had great possibilities for humor and pathos both. The theme is a worthy one. Helping other people is more important than amassing a fortune. Sadly, the adorable dog, the unique premise, and the theme were undercut by poor acting, stilted dialogue, and amateurish filming. Even my youngest child who will sit through almost anything gave up before we had gotten halfway through. How many times can that dog run up and down the same hallway? I can't spoil it for you, as I never saw the end. It just was not worth watching all the way to the end. | 0neg
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] |
Normally, I like independent flicks. They can be pretty charming in their own special way. However, "The Off Season" was one of the worst movies I've ever seen. The cover on the DVD made it look half way decent. The so called special effects were lame. The acting was terrible. There were absolutely no scares anywhere. I thought that was the goal of a "ghost story", to scare and shock the audience. Not even close. More like rolling in the floor from laughing so hard during this low-budget "thriller", with absolutely no thrills. Still, this is not the WORST movie I have ever seen. That distinction goes to "The Zodiac". For sure, the WORST movie ever created!!! | -1no label
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] |
This is one of the really bad films I have seen lately(thanks for the gratuitous nudity!). Beside the poor acting and lack of authenticity in the representation of the Bulgarian hunk, the meager Spaniard is regretful, the whole plot is brave but lacks back up from the cast and director. The generalizations about the Bulgarians are so hmmmm...general that they should be found offensive by anyone who is Bulgarian. (My friend is and she thought it was awful too). There are so many loose ends and discrepancies, the cast and acting are so naive and not convincing. The Spaniard who supposedly is a big fish and has a consulting firm is so dumbfound with love or desire for the BulG hunk, that he looks like an idiot. The solo shots of him looking at the camera and trying to deliver some sort of documentary feel to the movie do not fit, there is nothing that can save it. Don't waste your time and money to rent this. | -1no label
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] |
this movie is just plain not funny. I know I am in the minority on this one, but Al didn't think it was funny either. I'm pretty sure the Manwhich, (Foley), would hate it too. I couldn't relate to the humor, if indeed humor was the aim, and when Chris Tuker speaks I get angry. I always hear people quoting lines from this movie, it's not Office Space people, don't quote lines rom bad movies. You don't see me walking around quoting Robocop 3. In conclusion, this movie sucks, people say wow I can't beleive you didn't like Friday, you should see it again. My response, no the movie sucks why watch a movie that I already know sucks when I can watch one that doesn't suck like Varsity Blues. | -1no label
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] |
Harlan Banks is thief at the top of his game, but, after a successful career, he has decided to settle down with his woman and retire. However, he decides to take one last routine job in Las Vegas. All he has to do is drive the car and it seems simple. Unfortunately someone tips the police and after a hectic car chase he winds up in the slam only to escape and take revenge on those who betrayed and got him there in the first place. A typical action-fest ensues. Steven Seagal plays himself (surprise!) wearing a trench-coat and sporting his beloved Colt 1911 along with his usual bone-breaking aikido. The Colt and aikido have always been with him, but the first I recall him with the trench-coat is in 'The Foreigner.' It isn't particularly impressive, but it does add a little notch to Seagal's lethal arsenal of badassness. Or it covers up those extra pounds he is packing. Look at it however way you choose. His main buddy throughout the film is played by Treach (another new thing, a rapper in an action movie) and they both uncover a little conspiracy of bad-guys, on both sides of the law, and give each evil-doer his due. The film's main problem is that is it painfully, and I truly mean painfully, unoriginal. Seagal just follows a clockwork plot throughout the movie and even that manages to get more and more dull as the film progresses. Then it goes from dull to utterly ridiculous in the final scene as people who seemed to be dead on killing each other suddenly, for no reason, start to talk. Groan inducing in every sense of the word. The only real positive thing here is the decent opening - a car chase in Las Vegas complete with flipping police cars and generally entertaining mayhem, but after that brief highlight you've seen it all before. 3/10 Rated R: constant violence and profanity | 0neg
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] |
Saathiya, a movie that i wanted to see because of its beautiful songs. I never expected that the story would be as enjoyable as the songs. This movie is made as simple as they could and yet made it look nice without any huge sets, or without of having characters in the story who are like supposely equivalent to Bill Gates. This is a movie which most of the people could relate to especially considering most of the indian population living in india lives through middle class values which is addressed in the movie. The romance is not overexaggerated. Basically, talking about the movie a viewer would not be disappointed. The direction was very veteran like considering it was Shaad Ali's first film. He did a fabulous job at the climax point. To bring out the performances worthy of awards and praises from the leading actors, Vivek Oberoi and Rani Mukherjee. Rani Mukherjee has done her part better then her male counterpart but I would not dare take anything away from Vivek Oberoi. Vivek lends a good support but it is clear that movie's driving force was Rani Mukherjee, movie belonged to Rani Mukherjee arguably her best performance ever till date. Overall, it is a good heartwarming experience with good tunes to hummm in isolation. Characters will easily relate to you, it is that beautifully played out. | -1no label
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] |
John Schelesinger's career as a film director was extraordinary. We had watched this film when it first came out, but wanted to see it again when it showed on cable recently. The film has a faded look, as one watches it today, but still, it is interesting because of the intense performances of the two principals. If you haven't seen it, please don't read any further. Chris and Daulton were two childhood friends that came from upper middle class backgrounds. Chris went to enter a seminary to be a priest, but gives up. Daulton became a small time drug user and trafficker. The two lives seem to run parallel as the pair become involved in an illegal activity that will prove their short sightedness. In fact, it shows how both young men miscalculate in their attempt to fool the CIA and the Soviet Union. These two, in a way, were so naive in thinking they could pull something that bigger, and better equipped people couldn't even imagine could be done. Chris' motivation is legitimate, as he feels outraged in discovering the underhanded role of the agency for which he works in dealing with other nations, in this case Australia, something he finds by sheer coincidence. When he involves Daulton, we know the whole thing is doomed because no one into drugs, as he is, will ever amount to anything. In fact, Chris and Daulton had no conception of the scope of what they are trying to do, or its consequences. Timothy Hutton was at this period of his career, an actor that was going places. He had proved he had talent with his work in other films, so it was a natural choice for Mr. Schlesinger to select him, a choice that pays off well. Sean Penn, also was a young actor who showed an intensity, like one hadn't seen before. In fact, at times, Mr. Penn, reminded us of a young Robert Mitchum in the making. Both actors' contribution to the film is incredible. One can't think who could have played this duo but them. "The Falcon and the Snowman", while not up to the par with other great John Schlesinger's movies, is an interesting look to our not too distant past. | 1pos
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Blackadder and in particular "Blackadder goes Forth" is my all time favourite comedy series. I can watch it over and over again and even quote the lines before the actors do. Favourite line being Baldrick saying "I could go on all night" and Blackadder replying "Not with a bayonet through your neck you couldn't". All the performances are terrific and each episode is fantastic. I know at the time people were worried about the subject matter. But it was handled with great sensitivity, especially in the last episode. The previous series had always ended with the death of the entire cast but in a comedic fashion. This was was different. The way each character started to become aware of what was to come and for the first time start to be afraid was just wonderfully done and the closing scene has got to be the best end of any series ever. | -1no label
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Not funny, not coherent, not worth watching. The Road to Wellville doesn't make any sort of sense -- it flits back and forth between three equally nonsensical plotlines, and, after about six hours, ends. It does feature a great deal of nudity, but that's hardly an excuse for wasting precious natural resources like John Cusak, Anthony Hopkins, and Dana Carvey. If you want to see Cusak in a comedy, rent Grosse Point Blank. If you want loads of gratuitous nudity, rent Beach Babes from Beyond. There is no excuse whatsoever for watching this film -- it's time out of my life I can never have back. | -1no label
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This sleek, sexy movie is a must-see. Only upon multiple viewings can one truly understand the uniqueness of this film. Personally I enjoy the narrator for his intelligent, no subject left untouched, style of narration. The introduction grips you right away, and holds you at the edge of your seat throughout the film. He provides wonderful insight into the world of the trainables and allows the audience to really 'connect' with internal horror this film exhibits. The script itself holds the movie together wonderfully. Not only for kids, but the elderly alike will gain a higher understanding of the trainables and the modern grasp that they have on the sexual experience. Ahead of its time and groundbreaking in cinematography, it surely defines the word 'masterpiece'. | 0neg
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Reportedly, John Ford's film of The Long Voyage Home was Eugene O'Neill's favorite of all filmed versions of his plays, and it is no task to see why. The worlds of Ford and O'Neill overlap in their use of sentiment, tragicomedy, and the sons of old Ireland. This episodic collection of stories, taken from several short plays written by O'Neill and based on his own seafaring life, does what both O'Neill and Ford do best--unveil the poetry and tragedy of simple men. Granted, Ford outsentimentalizes O'Neill, who can be far darker than Ford ever dared, but he comes by it honestly--no Capra-corn here. The photography and sound bring a hyper-reality to this tale of merchant sailors, fearful for their lives, argumentative yet loving, full of weakness but capable of strength and honor. The performances are uniformly splendid. John Wayne, in a supporting role, does quite well with an unusual part, a lonely Swedish sailor, and his accent is much better than he is usually given credit for. But this is no star vehicle. The ship is the star, and the lives of its men resound with meaning and melancholy. An extraordinary film experience, especially for the patient and thoughtful among us. | -1no label
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] |
It's not the most well made slasher movies of all time, but for what it is, it's pretty amusing. The plot is lame but the kills are not too bad. I have to be honest, if you don't follow the bands that are featured in this film, you wont find this film as funny as those who do. I knew someone who saw this film and was really disappointed because of the poor quality of the film but you have to understand that it was made in the spare time of being on tour, in between playing to moshing kids and drinkin' with friends backstage...it's not made to be taken seriously. It's ubber cheese at it's punk best and with over 100 kills,most of which are ultra gory, it's a fun movie to have friends over to watch, drink and be merry! | 0neg
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] |
This movie wasn't a blockbuster though it did make an important point about US health care with its rising cost and declining quality. This made for TV movie portrays an honorable doc called to be the hatchet - woman for the dishonorable insurer out to save its Yankee green. Theee is much feel good liberal predictability in the denouement. To an extent the movie does show how doctors are willing conspirators or accomplices in the process. The acting flagged in places but overall the film did portray the essential ethical conflict between being a doctor and being the hatchet person kaboshing medical procedures treating doctors thought necessary. Too much feel - good liberalism enters the picture. In real life, insurers have little trouble finding replacements for such as the honest doc portrayed here and few docs if any ever become whistle blowers. | -1no label
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This movie was an absolute waste of time. It's nothing but a wanna-be gangster movie. It contains a very predictable plot. My feelings are unsympathetic to the characters, and the dialogue is mediocre at best. Half the time you are looking for something else to do, because the movie is that boring, since you already know what's going to happen. The other half of the time you're desperately hoping the protagonist grows a pair of balls or just ends his life by jumping off a bridge or something. Also, the secondary characters are for the most part one- dimensional. There's no depth to any of the characters in this movie! No depth! | 0neg
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] |
I saw this movie as a child, and had a chance to see it recently after more years than I want to admit. I know why it has stuck with me for so many years. This is powerful stuff, even by today's standards. Crime, punishment, yellow journalism, it is all addressed in this finely acted, fast paced drama. Bridges(like you've never seen him before!)turns in an acting 'tour de force' as the ego-maniac, demented hoodlum that kills without reason. Lovejoy is the husband and father caught up in a bad period of economics, Carlson the reporter that must learn that the power of the word is often as swift and deadly as that of the sword. This is high drama, done in the classic 50s film-noir tradition, it is must viewing for anyone that enjoyed "In Cold Blood"(1967)and movies of that genre. | -1no label
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] |
The flies are buzzing around the corpse of the 'TMNT' franchise as it enters its third instalment. Writer/director Stuart Gillard is so desperate for something to fill his decrepit movie's 90 minutes that he sends the annoying, jerky-mouthed puppets back to a laughably unconvincing 17th century Japan and rips off 'Bill & Ted's Excellent Adventure' while he's at it. Baddie Stuart Wilson seems to be doing an impression of Rik Mayall, but there's more life in his performance than Gillard's lazy direction can dredge up from the rest of the cast. The smiling dead kid and the Japanese woman with an American accent are just two of the inattentive touches in this blandly photographed, unfunny threequel, while Wilson's demise must rank amongst the worst visual effects ever committed to film. | -1no label
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] |
In the Belarus of 1942, two Soviet soldiers are captured by Nazi-friendly Belarusians. In captivity, the attitude of the two men toward their fate differs greatly. One of the soldiers manages to find an inner strength and spirituality, incomprehensible to the other man. Larisa Shepitko's last film is one of the most beautiful war films in cinema history. The cinematography, by Vladimir Chuchnov, is incredible - particularly in the opening sequence, where long, slow, tracking shots depicting the solitude and almost desperate nature of winter landscape in rural Belarus set the mood perfectly. It is easy to draw comparison to Tarkovsky's films, even more so since Tarkovsky's alter ego Anatoli Solonitsyn has a small but important part in The Ascent. The acting is overall brilliant, especially by Boris Plotnikov, in the part of Sotnikov. The film reveals an old-fashioned belief in the strength of religious passion, which feels related to characters such as Dostoyevsky's Prince Myshkin, or Tarkovsky's Stalker. However, this is not a weakness of the film, but rather one of its greatest strengths. The religious content seems so honest, and human, that it is impossible not to be moved. The emotional richness of the film cannot be overstated; the answer is not as simplified as a short summary of the plot would make you think. The slow development of the characters, and the emphasis on their complicated relationships to each other, are somewhat reminiscent of The Commissar, another great Soviet film. The Ascent deserves a second watching, as well as a third, and a tenth. It continues to provide interesting ideas, beautiful images, and emotional complexity. | 1pos
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] |
(Someone needs to say it) Possibly the worst, most depressingly dreary and poorly lit movie ever made, I find it unbelievable that anyone could find any merit in this turd. Bad, bad, bad... even the gore is bad. I usually am a big fan of the red stuff, but here is was just cheesy and nasty. They didn't even try. Far too long and boring to be funny either. Barely 6 people die in the course of the movie, the zombies look terrible (Gino De Rossi went overboard on the maggots), the kid was an obnoxious freak, and the music caused my ears to bleed! Only see this if you are on the brink of suicide and need just a little push to go all the way through with it. It'll make you feel ashamed of being a fan of Italian movies or Horror flicks. Burn this movie. | -1no label
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