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any movie that has a line of dialogue that goes something like this...."Judy's getting ready for her date, Butthole!" has to be good! I found this on DVD unrated, unedited and was pleasantly surprised, a lot of hard work was put into making this movie. I actually enjoyed this more that a lot of 80s movies I have seen. Great addition to my movie collection. The buildup was great, sets up the scares for the rest of the movie. Loved the GORE and the T&A. I never thought eyeballs being gouged out would look like popping boils, the color of the eye splatter was gross! I keep thinking that "Rog" looked like Tiger Woods but more black, anyone agree? | 1pos
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Kevin Spacey is very talented, but unfortunately directing is not his forte. I had high expectations about the film before I rented it and maybe that is why I disliked it so much. I admire Spacey's attempt at making a film that takes place mostly in one small setting, but it's not the attempt that counts. I found the film dull, boring, and stretched out. The acting was nothing spectacular. Gary Sinise has done much better, especially since he is conscious in most of his other films. Skeet Ulrich was disappointing, but this was one of his first films (I did get a kick out of how young and chubby this Scream star looked). The only thing that impressed me about this film was the one shot of the car wreck from above. The center line of the road was perfectly centered and the camera moved on along the line and past the wreck. However, that shot was very "Usual Suspects"ish and my guess is Spacey got the idea from that earlier film of his (which is very good mind you). If you want to see a fabulous film that takes place in one small setting, watch Hitchcock's Lifeboat. Maybe Spacey should have watched it before filming this. | 0neg
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Down the street from my house is a restaurant/bar called RT's Longboard grill, which was opened by family as a tribute to a brother lost at sea. Adorning the bamboo laden walls, amongst yesteryear photos, boards, posters, and memorabilia, are TV screens which endlessly show classic surfing movies. The feeling one gets in this environment is similar to what one gets watching Big Wednesday. This isn't a surf movie in the sense of the word. You see, the trendy, infantile children that drunkenly roam the streets of Pacific Beach (where I live in San Diego)for the most part don't have souls, sadly, living in the very town in which many surf legends have been born. Hard pressed to find are the light hearted conversations over a good burger, malt, and a good set of waves. Big Wednesday contains such an epic story. OK... I seem bitter. It's because I am. I know the word "dude" and a nose covered in sunscreen is an easy stereotype... but the spiritual life altering experience behind surfing is most often misunderstood. What is your passion? Do you have one? It may be your children. It may be horses. It may be hockey. But no matter what goes wrong in your life, or who dies or what happens, at the core is your passion (translated : spirituality)... something pure. At the heart of this movie is this purity... and after the draft, relationships, addictions, and just plain adolescent insanity, the characters find that their friendship is still alive because of a common love. Don't try and make too much sense of this review. This isn't a restaurant review. I can't explain the feeling nor would I expect the 95% of America that doesn't live near a surf-able wave to get it...just watch the movie. | -1no label
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] |
I found this movie so disappointing that it inspired me to write this, my first review. The only genre appropriate for this movie is Horror because of possible shock factor at the type of murders committed. However, considering the repetitive nature of this film, only the first murder could really be considered "shocking". I find myself shying away from horror movies because I scare easy, however, even I did not find this movie scary. There was no suspense. The movie was merely disgusting. You could not even really classify it as "gore" because the repulsive part was more the idea of the murders rather than what was shown. The "romance" part of this movie was laughable. Heather Graham's character was poorly developed, and I was not convinced that Inspector Abberline would fall in love with her. I suppose the fact that Mary Kelly didn't once solicit men, despite being a whore, like all the other women was an attempt to soften her character and make their love more believable. It didn't work on me. This movie was extremely predictable - you knew what was going to happen next throughout the entire film. I am of the opinion that the potential for a good movie was there, but the execution failed in producing it. I confess, I have not read the novel it was based on. | -1no label
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] |
This film is wonderful. Although slow in places, this thing is a work of art and beauty. Andy Lau is amazing, dynamic and charming! I really enjoyed the multicultural aspects, and felt the tensions between characters as their individual mysteries unfold to be very charming, sincere and often surprisingly touching. In an rather tired and often exploiting genre, this film really stands apart as an example of the value of depth in characters, theme and story no matter how two dimensional the tracking story might be. The making of footage on the flip side of the DVD is equally nifty, because seldom will a film include multiple agonizing takes of key scenes both action and non-action so that you might understand how excruciatingly demanding and exhausting film making can really be. | -1no label
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] |
A very cheesy and dull road movie, with the intention to be hip and modern, shown in the editing style and some weird camera angles, resulting only in sleepiness. The cast is wasted, the writing is stupid and pretentious. The only thing worthwhile is the top-notch Lalo Schifrin's soundtrack, really cool and also the opening sequence, very original and interesting. Run if you can, the bad opinions and comments about this flick are totally deserved; it is really pure garbage. Of course that this has its charm, of watching a movie which everybody would not drop the beer glass on if it were on fire, but save it for a stormy day where you have absolutely nothing else to do. | 0neg
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] |
Standard procedure for Swedish movies today seem to be to start by throwing plausibility out the window and continue down that path for the rest of the process. Rånarna is another fine example of a movie making very little sense. Banks in Stockholm are being robbed by a highly efficient "military-styled" gang of robbers. Two police officers start investigating the case that soon becomes more complicated than it would appear at first. As usual in Swedish film the cast is mostly made up of the same people you have seen over and over again. Mikael Persbrandt must be in every Swedish film from the last few years! But that's OK i guess since Persbrandt is one of few that performs solidly here (like he usually does). The problems with this film mostly revolves around the story itself. First of all the robberies feel mostly like background. Rather this is more a movie about a young policewoman fighting to prove herself in a male world (like that has not been made a thousand times before with a decent actress instead of Sofia Helin). Also there is a completely unbelievable plot twist near the end that seems about as plausible as Aliens landing. But still, i did think it was a quite nice touch considering i was half asleep right about then. It spiced things up a bit (and actually saved the rating from dropping another step). In the end the main problem is the same thing as with most other Swedish movies of this kind. Simply that the action and suspense doesn't live up to the standards we are used to from other movies of this kind (mostly Hollywood). It feels cheap and rather weak in comparison. In my opinion Swedish filmmakers should try to focus more on plot and acting, and forget about trying to make "Hollywood-action light" like they do now. Because this becomes yet another forgettable effort from the Swedish movie-industry. I rate it 3/10. | 0neg
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The reviews for RENDITION generally haven't been favorable, so I waited until it moved to the local discount theatre to see it. The film tells the story of Anwar El-Ibrahimi, an American-Egyptian scientist who is plucked from his international flight and hauled in for interrogation after a strange coincidence links him to a recent terrorist attack in an unnamed North African country. Not as bad as I'd feared, it's an interesting and thought-provoking entry in the "ripped-from-the-headlines" thriller genre. The film ultimately asks tough questions concerning U.S. methods of prying information from political prisoners: Is crossing the formerly-uncrossed line of (openly) employing torture on suspected terrorists something our country should be doing? Does it yield useful information that helps save lives? If so, at what cost? What sort of monsters do we create when innocent people are taken prisoner and tortured? By sanctioning the use of torture, what sort of monster do we as a country become? It's always disappointing when a film with such provocative material is sloppy with some of the details that make good films great. For example, I'd like to have empathized with Anwar's wife, who spends the entire film trying to track him down, but the only identifiable personality trait she's given is an advanced state of pregnancy. RENDITION also seems to imply that Arab women who don't go along with their fathers' arranged marriages are only asking for trouble, and there's a poorly-conceived scrapbook kept by another of the film's main characters that too conveniently spells out in great detail all the information his love interest just happens to be in urgent need of at that particular moment. I laughed out loud, when the moment should have been filled with dread. The film features a good central performance by Jake Gyllenhaal and strong (but too brief) appearances by Hollywood veterans Meryl Streep and Alan Arkin, as well as impressive turns by Omar Atwally as Anwar El-Ibrahimi and also by actors Moa Khouas, Zineb Oukach and Yigal Naor, all of whom I would much enjoy seeing in future films that have nothing whatsoever to do with terrorism. Good luck to them. The five or so stories RENDITION follows are woven together nicely, until the filmmakers insert a slight-but-effective twist that finally alludes to the never-ending cycle of carnage that violent attacks of terror beget. | 1pos
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] |
One word for it. Hilarious. I haven't watched at movie like this in a long time. At points in the movie, I totally forgot it was a movie, I just felt like I was back watching Viva La Bam, or even watching say, my own friend going through something like this. It was realistic and I liked how Bam, Ryan, Raab, Rake, and Brandon and the rest of the guys didn't try to hard too actually act. They, to me, were just acting like their famous idiot selves. There were a few scenes that I adored more than others, like Raab in the shower, holy, I laughed so hard. He honestly was probably my favourite character besides Bam's. He really, in my opinion, made the movie just a bit more hilarious. It's basically a must see for any fans of the CKY crew:] | 1pos
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Who will love my children has changed my heart, it made me cry all the way through, the most i cried with was when the family had to say goodbye to the baby, i cried the most with that, and each time a child was adopted, i cried when they had to say goodbye to their mother, it was sad for them to lose their mother, I felt sorry for the kid with epilepsy, i was glad he was adopted by the same family as one of his brothers. To me that boy i thought was the special one because he was going in a home. I feel that i am special because i am in a world with Aspergers Syndrome and sometimes when i feel down, i sometimes like to cry. I really enjoyed this movie, 10 out of 10. A true story, very good. Another movie that would bring tears to your eyes i think would haver to be Tuesday's With Morrie (http://www.imdb.com/title/tt0207805) | 1pos
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] |
"In The Woods" is a startling film. It is startling that anything this atrocious was actually released onto DVD. The "film" features the absolute worst acting, worst sound, and worst special effects this reviewer has seen in a movie in years (and he has viewed thousands). Now like most of you who enjoy scary movies, he likes to sometimes pick out a title that looks "so bad it's funny". He thought this title might fit the bill one boring weekday night. The problem was, it was bad all right, but it wasn't funny. "In the Woods" is absolutely rotten, plain and simple. Lynn Drzick (who is not a professional, or arguably even an amateur, director), does an astounding job of making this film unbearable by zooming in nice and close while his stone faced cast deliver their lines in some of the most dreadful monotone ever filmed. This movie makes Ed Wood look like Spielberg. I kept wondering if the actors were reading cue cards. At times it was very apparent they were "thinking" about what they had to say next, before finally spitting out their uninspired dialogue. The "monster" is some kind of mutant dog with horns, and is about as scary as a legless Huckleberry Hound. The movie is touted (on the DVD box), as akin to the Blair Witch Project, though it bears no resemblance to that film - it is a blatant, flat-out-obvious rip off of "Relic". This reviewer lived for a time in Western Michigan, the land where this garbage was filmed. Western Michigan is a pretty area, with good people and lots of great recreation and theater. Please don't hold this film against them. | -1no label
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] |
The music, the sounds, everything in this game is PERFECT.. I wish i could tell what Starcraft means to me.. But its much more that what words may define.. I bought maybe 20 copies and all the copies are stolen by my friends who hated Starcraft once (and they became fans too) I LOVE THIS GAME.. The game is about 3 species; Terrans , Protos and Zergs. You have to gather the resources of the planet and fight against the other species. Each unit has its advantages and disadvantages against the others.. The species are nearly equal in force and in tactics. All you have to do is focus on the strategy. | -1no label
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] |
Four episodes out of the seven in this collections of skits stand out for me: Lynn Redgrave as a horny Queen with a chastity belt, and Woody Allen as the Fool trying to remove it; Gene Wilder and his affair with a sheep; the 'What's My Perversion?' TV programme; and, best of all, the final sketch where Woody is a sperm about to be fired into a woman on a first date. Space age copulation with a control room and everything. Overall it is a funny film, but lots of it misses the mark and hasn't held up well over the years. It is less cerebral and more starry than many of Allen's later movies (for a start it has Burt Reynolds who was hotter than hot in 1972). It tries too hard to be clever but does manage to cover most of the fascinating spectrum of human sexuality, and to make it fun. | -1no label
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] |
Cary Grant is absolutely brilliant in this movie and lets it work out as a fun romantic comedy. He is great as a man who is giving his ex-wife to be a hard time, when she gets engaged to a rich southern oil man. In the end the roles get turned around and the Irene Dunn character gets to give the Grant character a hard time. It makes this a rather fun movie to watch, though I wouldn't call it Leo McCarey's finest movie but that says something more about his qualities than that of this actual movie. It has a fun typical 1930's genre story and the movie can be seen as a screwball comedy, though its not the best genre example of it, since the movie besides its screwball elements also feature many other, more subtle, comedy styles. It sort is too bad though that the actors obviously had to improvise at times. It gives the movie a sort of a realistic look into how Cary Grant and Irene Dunn worked as actors but it doesn't always provide the movie with some much needed great witty dialog and fine written comedy moments. Sometimes the directing and editing feels like it was done too hasty, with at times as a result an end result that isn't quite what it should had and could had been. Nevertheless Leo McCarey still received an Oscar for his directing of this movie. It was the only Oscar the movie won as well but it was nominated in 5 more categories though, including best picture of the year. But no I don't want to let this movie sound bad, for it really is a movie which I enjoyed watching. Its characters, its story and its actors simply make sure that this is a movie to enjoy. 8/10 | -1no label
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] |
Poor Ingrid suffered and suffered once she went off to Italy, tired of the Hollywood glamor treatment. First it was suffering the torments of a volcanic island in STROMBOLI, an arty failure that would have killed the career of a less resilient actress. And now it's EUROPA 51, another tedious exercise in soggy sentiment. Nor does the story do much for Alexander KNOX, in another thankless role as her long-suffering husband who tries to comfort her after the suicidal death of their young son. At least this one has better production values and a more coherent script than STROMBOLI. Bergman is still attractive here, but moving toward a more matronly appearance as a rich society woman. She's never able to cope over the sudden loss of her son, despite attempts by a kindly male friend. "Sometimes I think I'm going out of my mind," she tells her husband. A portentous statement in a film that is totally without humor or grace, but it does give us a sense of where the story is going. Bergman is soon motivated to help the poor in post-war Rome, but being a social worker with poor children doesn't improve her emotional health and from thereon the plot takes a turn for the worse. The film's overall effect is that it's not sufficiently interesting to make into a project for a major star like Bergman. The film loses pace midway through the story as Bergman becomes more and more distraught and her husband suspects that she's two-timing him. The story goes downhill from there after she nurses a street-walker through her terminal illness. The final thread of plot has her husband needing to place her for observation in a mental asylum. Ingrid suffers nobly through it all (over-compensating for the loss of her son) but it's no use. Not one of her best flicks, to put it mildly. Trivia note: If she wanted neo-realism with mental illness, she might have been better off accepting the lead in THE SNAKE PIT when it was offered to her by director Anatole Litvak!! It would have done more for her career than EUROPA 51. Summing up: Another bleak indiscretion of Rossellini and Bergman. | 0neg
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] |
This is is a thoroughly unpleasant, if slickly made, movie. I tried it because it stars Richard Dreyfus and Jeff Goldblum, two good actors, and because the plot line - a mob boss is about to be released from a mental institution - sounded promising. The movie is billed as a comedy, sorta. What we have is an endless series of shots - you should pardon the pun - of people in dimly lit and elegant, if somewhat surreal, interiors, shooting each other - in the head, stomach, kneecap, foot, heart (no part of the anatomy is avoided, it seems) while uttering vague and cryptic dialogue, some of which is supposed, evidently, to be humorous in a sort of post-modern way. Goldblum's dialogue for the whole movie could fit on a 3x5 card, and he wears a single facial expression - a sardonic grin - throughout. Ellen Barkin and Gregory Hines do the best they can. Burt Reynolds does a cameo. The credits list Rob Reiner and Joey Bishop, but I somehow missed them (good move on their part). The whole thing is cold, sterile, mechanical and unsavory; an heir, I suspect, to the style of 'Pulp Fiction', 'Fargo' and 'Natural Born Killers'. If you liked those, you'll probably like this. | 0neg
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] |
I happened upon a rare copy of this early Almodovar film with high expectations - Almodovar is a prolific contemporary director, I enjoyed his 1988 film "Women on the Verge of a Nervous Breakdown", and I had read one or two very positive reviews of the film. Well, I must have missed completely the humor that the reviewers saw in this film. I just found it incoherent, tasteless, and boring. Yes, there are plenty of innuendos, people in drag, and crude sexual situations, and yes, these elements may have shocked audiences in 1982 (which was almost certainly Almodovar's intention), but much of the shock value has probably eroded over the years, leaving a limp storyline. Beyond that, the whole movie seemed very chaotic, none of the characters were particularly sympathetic, and for a "comedy" - even a dark one - I just didn't find this film funny. I suppose it is possible there is a VERY select audience for a film like this, but I'm just not part of that audience, and not sure that I want to be. | 0neg
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] |
A beautifully filmed movie which tells a difficult story with a subtlety and power that leaves you thinking about it during odd moments for days. It's that much more disconcerting because all the while you're keenly aware that this isn't based on "a true story" but on millions of true stories throughout history, including today, and in every part of the globe. Due to my age I'd never seen 'Pretty Baby' in the theater or, for some reason, read much about it. I was aware of the basic plot but didn't know I'd be seeing quite so much of a naked 12 year-old Brooke Shields. A couple of moments were honestly difficult for me to watch, but I've come to the conclusion that the nudity is absolutely essential to the telling of the story. You *have* to be forced to see exactly what those men were paying for. The brilliance of director Loius Malle's film is that he constantly subverts the audience's desire to be aghast at what we see. The camera finds happy little moments throughout the movie, your mind is left to fill in the ugly realities. This trend continues to the end, which is like a cruel mirror image of the typical happily ever after Hollywood ending. | -1no label
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I'm an animator myself and an all around buff of the medium so when I saw this movie in a $5 bin I figured it was worth a shot to add to my collection. While I never regret having a new addition to my animation library this film was definitely disappointing. The premise has enough potential. A penguin named Hubie finds the perfect pebble to give to the girl he loves as the penguin equivalent to an engagement ring but before he can give it to her, he's cast out by an evil rival and lost at sea. He then befriends another penguin who helps him find his way home. That set up isn't great but it's enough to set up what could be a fun adventure. Unfortunately the duo's exploits never really amount to much and it all gets pretty repetitive. Most of the situations they find themselves in are really uninspired and lacking in creativity...and the bonding the two of them under go is cheesy and forced. Animation is good but not up to Don Bluth's usual standards. This is the guy that gave us The Secret of Nimh, Land Before Time and An American Tale, all of which had an attention to detail that often surpassed Disney, the granddaddy of feature animation. This one doesn't amount to much beyond high end TV fair. The music is alright but pretty forgettable and the voice actors are all wasted talent...Martin Short is particularly wasted here as the lead character who in spite of being spoken of as a bumbler is practically a straight man through the whole film. In short the movie will probably appeal to very small kids but a good family film should appeal to all ages and unfortunately it doesn't got what it takes. | 0neg
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This was a great film. I expected slow and uninteresting. But I really loved it. Michael Shannon is a stud. This guy is going to be huge. Great performance. I'm shocked he didn't get Oscar nod consideration for this - but given the apparent lack of viewers, it's understandable I supposed. Nichols has a great script. He sticks to his desire to battle convention and really let the story unfold slowly. I was really impressed. I've read other comments on here about people becoming frustrated with the nod to Terrence Malick - and I completely understand that, and I suspect there will be several more nods to Malick thanks to the NC School of the Arts, but this was a great movie. I've been watching David Gordon Green's movies this week and now this one - and they both attended the same school and I suspect there was a lot of Malick-like influence from the professors. | -1no label
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Seeing this movie, as I just did for the first time on Turner Classic (which lists it as "Dangerous Female"), can only multiply your appreciation for the 1941 Bogart-Astor version. Ricardo Cortez must have been getting paid by the smirk. I hope he remembered his dentist and his Brylcreem salesman in his will; they made him the actor he was. The women are all good, but no better than that. Well, Una Merkel is a little better. More interesting are the "original" Joel Cairo and Mr. Gutman, who competently deliver many of the individual tics but almost nothing of the set-changing atmospherics of their successors in the roles, Peter Lorre and Sydney Greenstreet. Humphrey Bogart and Mary Astor somehow transcended the essential seediness of their characters in the remake; here, Sam Spade and Ruth Wonderley(!) can't. This movie doesn't exactly stink; it lies there like a big slice of ham. Its chief value today is as a reminder that great movies like the '41 "Falcon" don't just happen. On the 1-to-10 scale I rate it a 4, mainly for the camera work and the supporting players. | 0neg
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Why isn't this movie on the bottom 100? Raptor is, without a doubt, the worst movie I have seen in all of my fifteen years of life. I have never before witnessed such a catastrophic mess as this. Absolutely everything about it is awkward and cheaply done. Nobody in the cast gives a somewhat decent performance. The dialogue is utterly incoherent and the humor is anything but humorous. Corbin Bernsen was the most painful part of the whole thing. I can't help cringe when I recall some of his lines, like "In or out? You're worse than a cat!" and "Your lady friend isn't a very good poker player. She's just revealed her hand." The raptors are a joke. Even I could make more realistic dinosaur effects than these filmmakers have shamelessly done. It is an insult to the actual velociraptors, or any dinosaur for that matter. Not only that, but the killing scenes are too gruesome even for me. I don't seriously think these animals would rip their victim to shreds and throw pieces all over the ground just to make everything look gorier. Besides, the blood and guts are all useless when you can see the deaths coming from miles and miles away. I am a big fan of Jurassic Park movies and of dinosaurs. Maybe the filmmakers didn't anticipate anybody with a shred of intelligence or sense to disregard bad filmmaking to stumble upon this movie on HBO late at night, like I did. If I could say one thing to anybody involved in this film, I would have to quote Dr. Alan Grant from the first Jurassic Park... "Just try to show a little respect." | 0neg
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] |
A group of filmmakers (College Students?) decide to make a documentary on how the most infamous serial killers of all time (Jason, Freddy, Michael, who all exist in the movie's universe) do what they do, so they meet up with one Leslie Vernon to see how he does his work. A Simple premise that takes off from the moment Leslie steps on the screen. The thing that makes this movie so entertaining is the fact that it dosn't take it self seriously in the slightest. Even the last quarter of the movie where it switches from documentary style to the standard stationary camera is very tongue in cheek. The way Leslie explains the little details and sleight of hands that are necessary to being a serial killer is very convincing and funny. He does it very enthusiastically and you actually believe that this is hat hes devoted his life too. He shows how all the "magic" that serial killers perceivably achieve, including walking when the victim is running("Cardio every day"), and the different terms ("Ahab" "Survivor Girl"). There are some shortcomings though. Robert Englund's Doc. Halloran feels like he was just added in for the star power, the slasher segment is lacking compared to the rest of the film. Overall, though this is a very entertaining mockumentary/slasher that is a must have for any slasher fan or any horror fan in general. Also watch the credits for a good usage of flame repellent gel. ***1/2 out of ***** | -1no label
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A holiday on a boat, a married couple, an angry waiter and a shipwreck is the reason to this films beginning. I like boobs. No question about that. But when the main character allies with whoever happens to have the most fish at the moment, mostly by having sex with them and playing the role of the constant victim, my anger just rises to a whole new level. Take two guys (a husband and another man), put a pure bombshell woman in the middle of them, ad a deserted island, subtract all her moral issues, ad a whole bunch of moral issues to the men and mix it in a big bowl of arguments, fish and a zippo lighter and you will come up with a piece of junk movie like this. The acting is, I would say, good. There are some bloopers but not many as far as i could see. The main female character makes me sick. This is due to her lack of moral values. The man with the most fish get's her attention. Even though one of them is her husband, she sees no problem with being unfaithful with (Manuel) the other man because "I must do it to survive". How can you justify having sex with another man for fish when your husband is 30feet away? And he won't even benefit from it? The female character has absolutely no problems to justify anything that she does. If she doesen't get approval for her actions, she's a victim. I recommend everyone to see this movie. This is the kind of movie that will make just about everything else you see this year a pleasant movie experience. | 0neg
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] |
Airwolf is quite simply the greatest television series/movie ever made. I have over 20 episodes of Airwolf and I still can't get enough of it... Airwolf is piloted by String-Fellow Hawke, an elite combat pilot, who would only return the awesome machine if the top-secret F.I.R.M can find his brother (MIA). Airwolf is full of incredible air-fights and has a good plot to go with it. But the amazing chopper is not the only factor that gave Airwolf it's popular title. String-Fellow Hawke is a lonely man who lives in a cabin, 40 miles from the nearest village. Along with his slick flying, he pilots Airwolf skillfully, taking out the opposition with nothing but class. Airwolf is portrayed as realistically as possible making the series a one-and-only, using advanced radar, weapon systems, and stealth capabililites along with superb footage with Airwolf flying below radar scan a few feet of the ground. An irreplacable television series. | -1no label
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] |
It's Saturday, it's raining, and I think every movie should have at least one comment... so I just watched "The Crime Doctor's Courage" all the way through. It's a murder mystery with a typical cast of characters, and a couple of the usual suspects -- each with their own possible motive for the crime. The story starts abruptly and the viewer is thrown into the plot with no character development or storytelling whatsoever. I guess that's not too surprising for a B movie of this period. There are also some moments which look and feel like this is pre-WWII, but perhaps that is due to the writer's background in radio shows. The "Crime Doctor" is the sleuth who happens to be visiting California for some R&R from his psychiatry practice on the East coast. He hooks up with a mystery novelist friend with whom it is implied has been along for one or more previous mystery solving capers. The novelist occasionally fills the role of sidekick to our sleuth (AKA Dr. Watson), and also occasionally lightens things up with a bit of comic relief (sort of). There is also a somewhat simple, but not quite bumbling police captain who at times is annoyed by the meddling sleuth. And then there are the mysterious Braggas, a brother and sister who are dance artists at a night-club. The dance is sort of an interpretive dance that happens to be one of those moments which feels more like the 30's than the 40's. Though the story location is California, the Braggas appear to live in a castle! There was one plot element which managed to keep me somewhat amused, but I won't divulge any more than that because I always enjoy movies more when the story is discovered, rather than known in advance. (even though I can think of many, many, B films which would rate higher and it is difficult to say that watching this one is time well spent) I have not seen any other movies from the "Crime Doctor" series, so I can't make any comparisons. | 0neg
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] |
I started watching this movie with some hope it might be somewhat decent. I am no expert reviewer at all, but I could tell from the very first scene that this was a spectacularly low budget film. Somehow, I slogged my way through the film. Our hero, Ronson, is a big ex-Green Beret O-3, who is down on his luck in Mongolia. THe film certainly looks shot on location, with Ronson competing in a UFC style fighting situation. With the cheesy voice-overs at the beginning and end of the film explaining what was going on and the search for an ancient buried relic, I can say this movie is uninspiring at best. Some random fighting scenes, driving around in the Mongolian outback with some of the worst acting ever. Even some of the camera shots were awful, I could tell the cameraman was just walking backward as the camera jiggled with each step. I felt I could have done a better film in that respect (as well as the script and acting by most of the characters) back in high school. I wouldn't bother watching this movie, its not even a watchable flick, IMO. I don't know how I sat through it. | -1no label
| [
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] |
Ben (a fine Charles Bateman), his young daughter K.T. (a cute Geri Reischl), and his new girlfriend Nicky (the extremely attractive Ahna Capri) are on their way to a birthday party for K.T. They unexpectedly get waylaid in a remote Southern town where no-one is able to leave, and with the exception of Ben, K.T., and Nicky, no-one can get in either. To top that off, children are disappearing and adults are being murdered at an alarming rate. Ben helps some of the locals - Sheriff Pete (L.Q. Jones), Tobey (Alvy Moore), and Jack (Charles Robinson), the local priest, try to solve the mystery. This early 70's devil-themed horror movie actually predates "The Exorcist", and combines a "Bad Day at Black Rock" type plot of a rural town with a great big skeleton in its closet with horror elements, for interesting results. It actually sent a few chills down my spine this viewing, as it inexorably moves along its ominous path. The moody and solemn atmosphere is established quickly and holds for the duration; the ever-growing sense of panic gives it a real kick. Some memorable set pieces include the bizarre opening of a toy tank turning into a real one and squashing a car flat, not to mention Nickys' twisted nightmare, vividly and stylishly realized by director Bernard McEveety and crew. Jaime Mendoza-Navas' music is subtly sinister and gives it that extra sense of eeriness. The steadfast and professional cast does some fine work, especially the ever engaging Strother Martin as the affable Doc Duncan, and producers / actors L.Q. Jones and Alvy Moore. Just the fact that the whole plot is right under the noses of our heroes makes it that much more scary. Jack the priest starts leading them in the right direction, but will they be in time to put a stop to things? It's an enjoyable little chiller worth re-visiting; just speaking for myself, I was able to appreciate it a lot more after giving it a second chance. I can say now that yes, it is indeed under-rated, telling a good story in an interesting, unconventional, and effective way. 8/10 | 1pos
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] |
As far as Asian horror goes, I have seen my share of disappointments along with some of the creepiest sh*t imaginable... "Acacia" doesn't really qualify for either of those categories. It had a few moments of tension and was interesting to watch, yet I couldn't help think that there should have been a tad more to this story. The film deals with a childless couple who decide to adopt a kid who appears to have a fascination with trees. He develops a bond with the Acacia tree in their yard and seems to communicate with it. Then, during a fight with his mother involving their new birth child, he storms off after threatening to find his dead mother who is now a tree. When he doesn't come back, the parents send file a report and wait, while the neighbor girl believes he somehow inhabits the Acacia tree. The pacing is rather slow and the ending gets a bit weird, but I have to recommend this as a slightly enjoyable effort, though the story feels a little flat. Hell, I can't really make up my mind on this... | 0neg
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] |
I went to this one, knowing that it could be crap, but hey, I do not care what others think and once again this way of thinking did not prove me wrong. This flick is basically about a young twenty who goes away on a trip to Thailand by himself, because he wants to forget his past. There he meets a loony (Robert Carlyle) who gives him a map to a secret paradise. He asks two strangers, Françoise (Virginie Ledoyen who was really great in her first big American Film and good looking too by the way) and Etienne (Guillaume Canet) to come and join them. After they have found the island they meet an alternative group who lives there and they join them, but after a while problems evolve and a minor 'hell' breaks loose. This is the plain story-line of the movie, but there is so much more to it, it has a message and that really is what fascinated me a lot in the beginning and at the end. There was a good story there, but the way it was brought over, never really losing the actual message out of sight. Now believe me the direction, the soundtrack and the cast are good. There also is a bit gore, but it fits good in the movie and is not unnecessary. Yet this film is not flawless, it was good entertainment over all, yes and it was very good in the beginning and in the end, but in the middle when Richard (Leonardo DiCaprio) loses it, so does the film and that is a shame. It is just too weird, too long and too incomprehensible (in the sense that the viewer himself doesn't know if it is real or not). It could have been so much better, but I guess it had to be. NO MUST SEE BUT DEFINATELY WORTH A TRIP TO THE VIDEOSTORE OR TO THE CINEMA AT A DISCOUNT!!!!!!!! 7 out of 10 P.S. Don't agree?????, sue me!!!!!!!!!!! or mail me (see above) | -1no label
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] |
I rated this a ten just because I find it so impressive what a single eighteen year old can do with a video camera. It's no epic but it's plenty engaging and I was never bored. If tens of millions of dollars can go into the countless bad films that are poured out en masse, then give this director the same amount of money and see what happens. I know I'll be lining up at the local cinema for her first major release. Damn good job, and well worth the money. What a script! It might be low budget but it beats the hell out of half the major pictures I've seen lately. Nanavati knows how to tell a story, both in writing and on screen. Serious kudos to her, can't wait to see more. | 1pos
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] |
This horrible movie was on at Christmastime this past year. I thought I was going to shoot myself just watching it. The acting was terrible and Mary Tyler Moore was so clichéd that I was hoping her character had a terminal illness. Poppy Montgomery looked good as always, but the two guys vying for her affection were awesomely annoying. Everything was complete smarm and overly convenient. I have seen episodes of Walker that looked like Hitchcock compared to this drivel. And instead of turning off the lights and enjoying the evening, my wife stayed up to watch the whole thing. If you've ever felt lower than a Hallmark TV movie, then you have experienced crushing rejection. | -1no label
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] |
All I would like to say is better job next time. This movie will probably act as a spring-board for all involved but honestly it is flawed in nearly every aspect. Not to write any spoilers, although talking over the flaws would give some of the story away. So I'll just write the 6 biggest flaws: 1. Title sequence: this goes on for a very long time. Bored me to tears. 2. Sound: most if not all dialogue is inaudible. At times the music tends to totally obstruct everything. 3. Ghost Town: characters are totally unquestioning of their new setting, treating 18th century sheriffs as modern day police. 4. Romance: the two escaping heroes appear to be romantically connected but this is never pursued. 5. Ending: final ending making no sense. 6. Acting: Indian man laughing... if you watch this be prepared for irritation. The camera quality is very poor, but this is a low budget movie so that is be expected. Lot's of blurring or high frame-rates. Some of the gore is actually well done, however one scene shows blood coming from a gunshot wound to the foot, the blood is far too thin and even has a froth. In general avoid, but if you are into seeing others low budget work, certainly one for inspiration. | -1no label
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] |
The first Turbulence movie really reeked (ie. it stunk out the whole cabin), mostly because there were large portions of the movie where nothing much exciting happened. They fixed this problem for Turbulence 2 with wall-to-wall non-stop heart-pounding action. OK, the action isn't heart-pounding but it's certainly wall-to-wall. There's always somebody fighting, running away, chasing, blowing something up, shooting, dying, trying to escape or, of course, flying the plane in turbulent conditions. Oh yeah, and falling... The wall-to-wall action is flanked closely on both sides with wall-to-wall stupidity, but to its credit the movie does not take itself too seriously. How could it? A fear of flying group takes a ride in a plane with a bunch of terrorists with a bomb on board which then heads towards a storm. Ha ha, yeah right. Now, it's up to the fear of flying passengers & crew to save the day which they do with varying degrees of success. When ANOTHER crew member gets shot attempting to overthrow the bad guy the bad guy says something along the lines of "Aargh! what's wrong with you people?". It's delivered beautifully. Actually, the acting in general is really very, err, well capable. I was going to say good, but in the context of this movie it wouldn't quite fit. I'm only giving this movie 4/10, but it's a fun 4/10. Chill that beer, microwave that popcorn, hand over your $2 to the video shop, switch off brain, press play, enjoy. | -1no label
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] |
THE ASCENT is a very worthwhile addition to recent re-releases from the Soviet Union. Director Larisa Shepitko's 1977 film examines the moral ramifications of allegiance and honor in German occupied Russia during The Second World War. On foot and in a blizzard, two members of a partisan Soviet group leave to locate supplies, and are captured by Nazi soldiers. The focus of the movie is on how each man handles or internalizes his moral alternatives. One chooses dignity and integrity, while the other opts for collaboration with the enemy. However, in the end, he cannot abide by his selfish decision. The film makes much use of slow, wide-angle pans which shift to extreme closeups, and highlight the spiritual quandary within the souls of each man. This is not a great film, but it does effectively portray an intense moral dilemma against the backdrop of a harsh and frigid Soviet wilderness. | 1pos
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] |
So much for this being the thriller to watch if you don't like thrillers. I like all kinds of movies except one: long boring ones. And one of my favourite films is The English Patient! That's how boring this film is. Even Clive Owen thinks it's boring that's why he could hardly be bothered to act during the whole thing. Except when he got so frustrated he just acted angry. Save yourself two looooong hours of trying to stay awake and watch something else. I assure you you won't even care what the 'bad guys' are conspiring to do! I'll concede that the ending was a little exciting but after waiting an hour and a half for it, it just didn't seem worth it. I wish I had spent my evening re-watching the terminator movies and picking plot holes in Terminator Salvation like I had planned. | -1no label
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] |
Everyone I know loves this movie, but I am afraid that I don't. I hated this film so much that I had to turn it off mid-film because of the repulsion. Way too much time is spent on weepiness and emotional bedlam, the point of the Bullock character being devastated by her divorce is jackhammered into the viewer's head excessively. Enough already!! And why didn't we hear more about her ex-husband? He is portrayed as nothing but a suit who comes by once in a while. Something must of made her want to marry him, what was it? What is it about him that makes her so devastated upon their divorce? More time could of been spent on that rather than yet one more shot of Bullock lying crumpled on the bedroom floor. The dialogue is stilted, cliched and terrible, much like one of those corny "ABC Afterschool Specials" or something. There is no imagination or creativity about anything in this film, it is all very predictable and therefore boring. This movie also goes into overdrive on the cutsiness factor, very stupid and not funny like it was supposed to be! This is just another one of those horribly done "I am woman, hear me roar" films, much like "Waiting To Exhale". If you want to see "I am woman, hear me roar" films that are truly entertaining, original and well-done, then see "Gas Food Lodging" or "Ruby in Paradise". Skip this crap!! I give "Hope Floats" 3/10. | 0neg
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] |
For me this is a good series. I am kind of disappointed that Ana Lucia and Libby died but more upset that Micheal lied to everyone about who killed them. And if any one can answer this what was that guys name who was supposedly "Henry Gale" he was like the leader of the others (or was that Ms. Clue??) anyway if you know his name cool. Well trying to think of what can possibly happen next after they finally didn't press the button. Does that mess up the whole DARMA project thing and i personally thought it was cool how they had that key thing underground that Desmond used to shut off the magnet thing, yeah and what was the whole point of that? I am just glad they didn't press the button finally, but what happens to the people in the hatch? Like Mr. Echo, John, Charlie and well Desmond probably died but what about the others? I think they survived, I forget? well this is just my little thing on what i thought about this season finale!!! | 1pos
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] |
Okay, this film probably deserves 7 out of 10 stars, but I've voted for "10" to help offset the misleading rating from the handful of bozo's who gave this film zero or 1 star reviews. Each of the segments for this anthology shows great potential and promise for the talented filmmakers... three of whom have gone on to achieve notable success in big-time Hollywood productions. Performances range from rough all the way up to completely impressive, with notable turns by Bill Paxton, James Karen, Vivian Schilling and Brion James. Martin Kove may be a big melodramatic as the psychotic hypnotist with the bizarro strobe-lamp, and Lance August seems intentionally dimwitted as an unsuspecting lab victim. But overall, it's got some great laughs and some genuinely scary moments. Definitely worth seeing, so judge for yourself! | 1pos
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] |
My brother plays "Moose" in this film. Although most of his scenes were left on the cutting room floor. The funniest line is the movie is "nothing wong with stat." So anyway, this is filmed in Portland, OR, where we grew up. The dance club is/was called "Up Front FX". What I loved about this movie is that the main character (who is not named on the box because Bolo brings more clout) is supposed to be a police detective...a great opportunity to drive around in a red convertible Porsche. I need to get a copy of this, preferably the director's cut, so I can see all the scenes my brother is in. The only scene he is in is the beginning when they are in the dance club. He got the spot because he was dating this cheerleader from a semi-pro football team called The Oregon Thunderbolts. It is interesting because his name comes up as the first entry in IMDb. Fame has him, fortune, not so much. | 0neg
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] |
But then again, I completely HATED the first one. The children of Gatlin, who killed their parents back in CotC1, are rounded up and bused to the neighboring town. No investigation, trial, psychiatric evaluations - just taken in by idiots. Along comes reporter Terence Knox, who's having a terrible road trip with it estranged son. They decide to stay in town so dad can get the story and son can act like a whiny punk. Soon enough, the freaky Gatlin kids start getting' religious again and kill a few adults. No one seems to notice they all stand in a pack and brood next to the person who ends up dead. Most of the idiot town gets burned alive at a town meeting but not before some toxic corn subplot is introduced. The movie ends with a good old-fashioned showdown. In spite of a few decent gore scenes, the grossest scene in the movie is a Terence Knox sex scene that may hold the record for fake sweat in a mainstream movie. Actually, I'm still not sure if this was supposed to be a comedy or not. | -1no label
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] |
While the original EVIL DEAD was genuinely a horror film, this one went completely the opposite direction and decided to amp up the gore factor to make it basically a demented cartoon show. EVIL DEAD 2: DEAD BY DAWN is really a re-telling of the same events from the first story, but in this case, only Ash and Linda (Bruce Campbell and Denise Bexler) come to the cabin and less than 10 minutes into the movie he has played a recording from a professor who mouths the infamous lines from the Necronomicon and unwittingly brought his girlfriend to an untimely death, though she herself becomes re-animated and returns to torment him as a severed head and a body with a chainsaw in its hands who unwittingly slices itself in two. And this is only the beginning of a movie that will not let down the zaniness, as the professor's daughter makes an appearance with her partner and two locals and get sucked into the madness that ensues. Raimi uses a hyper-kinetic editing to make the essentially silly story even sillier -- the POV of an eyeball flying into the screaming mouth of a woman is a (pun intended) scream -- and distorting the dead into stop-motion figurines only adds to the lunacy. Looney Tunes gone berserk (even the furniture becomes possessed), not precisely frightening, but swiftly paced and with great use of Bruce Campbell's over-the-top acting and slapstick humor. Hilarious, entertaining stuff. | -1no label
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] |
This would have been my number one movie of the year for 1991, except it got beat out by the brilliant JFK. This is such a wonderful movie! I loved it. I love stories where different characters' lives intersect with others and how deal with their lives. Kevin Kline is good here, but is outshined by Danny Glover and, especially, Steve Martin. I've never much like Martin or his style, but here he is great. I loved the whole speech he gave to Kline near the end about the Grand Canyon. The writing was excellent. Larry Kasdan is, IMO, a great dialogue writer, along the ways of Kevin Smith and Quentin Tarantino. Here, he has formed several three-dimensional characters and well thought out storylines, and messages that give a positive feel to our lives. A truly excellent film. 4 out of 4 stars | 1pos
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] |
Michel Gondry, the French mastermind behind the hugely popular 'Eternal Sunshine of the Spotless Mind', brings us back to his roots in this DVD showcasing the video clips that initiated his career in film-making. 'The Work of Director Michel Gondry' includes video clips by The White Stripes, Foo Fighters and Kylie Minogue among others. By seeing these video clips the viewer is able to see where Gondry gets his unique style of film-making from. The incredible directing that is prominent in 'Eternal Sunshine of the Spotless Mind' is evident here. His creativity is extraordinary and anybody thinking of venturing into the business of film-making should really see this DVD to gain an insight into the mind of a genius. It's not just business either. Through this DVD we are able to see the humorous side to Michel Gondry. Overall, it's an interesting DVD that allows the viewer to step into the mind of Michel Gondry. | -1no label
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] |
When the folks at Kino Video assembled their fine "Slapstick Encyclopedia" collection, a multi-cassette selection of silent comedies, someone decided to kick off the first installment with ONE TOO MANY (1916), an obscure one-reel farce made in Florida starring the very young Oliver Hardy. As enjoyable as the set is over all, this decision was an unfortunate one, for ONE TOO MANY is a very poor film which almost discourages the viewer from watching further. Like any typical farce, this one involves deception inspired by greed, panic when plans go awry, and complications escalating to the point of absurdity, but unlike the good ones, ONE TOO MANY is incoherent, unfunny, and downright annoying. It's hard to tell at this point whether the hopelessly confusing plot is the result of missing footage or inept film-making, but whatever the cause, by the halfway point even the most alert viewer has no idea what the character relationships are or what is happening, and by the end one no longer cares. The only point of interest here is seeing the 24 year-old "Babe" Hardy, who appears considerably heavier than he would a decade later when he teamed with Stan Laurel, but who is nonetheless full of youthful energy. In the opening scene, awakening with a hangover, Babe performs a highly athletic backward roll off a bed. Trust me, that's as funny as this movie gets. If you read this before seeing the first cassette of Kino's "Slapstick Encyclopedia" I suggest you fast-forward past this one and skip to the good stuff. | 0neg
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] |
In short, the movie had a little bit of a weak 1st act with some forced acting and a somewhat disjointed rhythm and pacing, somewhat of a decent 2nd act that managed to build some tension and intrigue despite some inconsistent pacing and some inferior performances by the cast, and the 3rd act ... there virtually wasn't ANY 3rd act! Regarding the 3rd act, the movie just abruptly ends. There is no resolution and no path down from the climax of the 2nd act, so there wasn't much of a 3rd act. The bad guys die and that's that; the end credits roll. There is nothing to show what happens to the protagonist and the supporting characters and so on. The audience would've likely left the theater after the movie, asking "that's it?" A real letdown. Music was composed by David Bell which worked adequately enough to serve the film most of the time, but it's certainly nothing outstanding. It's just functional, but achieves this by being merely generic and derivative. It is also apparent that the score is VERY dated with the use of synthesized timpani for some of the percussion. What least impressed me about the score is that some moments of tension heralds music cues sounding like they were ripped off of James Horner from "48 HRS." and "Commando," particularly the brass. In all, the film had potential as the basic story itself is good, but the execution was lackluster with mediocre direction, weak acting, and somewhat inconsistent pacing. There was virtually no 3rd act to properly finish the story, and this omission is major and unforgivable as it doesn't allow the movie to end satisfactorily. This could either be the screenplay or, possibly, the production had to cut out filming or editing the 3rd act into the finished movie due to budget constraints (but I'm speculating as to why there isn't a 3rd act). Whatever the reason, the abrupt ending really hurts the movie overall. This is good for a view if you're curious and you can get the movie for VERY cheap as well as to learn the reason WHY you need to have the 3 acts (beginning, middle, end) if you write screenplays and make movies. Otherwise, you might not want to waste your time unless you can get the MST3K version to at least get some laughs out of it. | 0neg
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] |
This is "realism"? If Rivette was seeking to give us a ground-level study of a woman in a certain place and time and how she was able to influence (and was influenced by) the world around her, he has failed miserably. Most prominently because we never get a clue as to why thousands of men would have followed her into battle. There is certainly not enough exposition of the cultural/historical context to define the country's need for such a savior and, god knows, there is nothing particularly charismatic about Joan as she is presented here. Unless Bonnaire's wooden posturing and flat line readings are supposed to indicate transcendent faith and determination. The use of landscape is particularly uninspired - we never lose the feeling we are watching twentieth century actors wandering in a supposedly medieval landscape. And as for the battle scenes (which, in contrast to some commentors claims, do take up a good 15% of screentime)- they look like look like some some History Club from your local high school recreating a medieval siege, although the kids would no doubt put more passion into it. I will give Rivette credit, however, for picturing a side of Joan left out by other movies: that of a petulant, naive, and narcissistic adolescent (played by a woman all too clearly at least twice the age of the character she is supposed to portray) obviously unable to understand her place within the movement she is helping to create or the world existing outside her own passions. Joan's outrage at her own soldiers swearing and astonishment at the enemy for their lack of respect and obedience to her are jarringly spontaneous and believable notes (you suddenly realize such moments must naturally have occurred)in an otherwise uninvolving historical "representation". Unfortunately they also serve to point out precisely what is not addressed on screen -what made Joan SPECIAL? I must say I also continued to be puzzled and frustrated by certain foreign film lovers who equate tedium and lack of dramatic involvement with "artistry" and "seriousness". Does this film really increase our understanding or involvement with the subject? Or with anything for that matter? 4/10. | 0neg
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] |
Made in 1946 and released in 1948, The Lady and Shanghai was one of the big films made by Welles after returning from relative exile for making Citizen Kane. Dark, brooding and expressing some early Cold War paranoia, this film stands tall as a Film-Noir crime film. The cinematography of this film is filled with Welles' characteristic quirks of odd angles, quick cuts, long pans and sinister lighting. The use of ambient street music is a precursor to the incredible long opening shot in Touch of Evil, and the mysterious Chinese characters and the sequences in Chinatown can only be considered as the inspiration, in many ways, to Roman Polanski's Chinatown. Unfortunately, it is Welles' obsession with technical filmmaking that hurts this film in its entirety. The plot of this story is often lost behind a sometimes incomprehensible clutter of film techniques. However, despite this criticism, the story combined with wonderful performances by Welles, Hayworth and especially Glenn Anders (Laughter) make this film a joy to watch. Orson Welles pulls off not only the Irish brogue, but the torn identities as the honest but dangerous sailor. Rita Hayworth, who was married to Welles at the time, breaks with her usual roles as a sex goddess and takes on a role of real depth and contradictions. Finally, Glenn Anders strange and bizarre portrayal or Elsa's husbands' law partner is nothing short of classic! | 1pos
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] |
this 1997 film of an earlier play is the proof. there's just too much real absurdity going on. Genevieve Bujold as the disconnected mother is the best thing in it, but these days, that isn't saying much, because so many people are disconnected. What there is of a plot about sibling incest and insanity is today totally predictable. A few (too few)funny lines. no one seems to know quite what to do with Parker Posey, except Christopher Guest, in his wonderful mockumentaries, in which she's very funny. Here, she just seems strained. Tori Spelling is quite appealing as the only normal character, a donut shop waitress who lands in a pretentious upscale family. | -1no label
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] |
I loved this! There a dark element to it ,but also a very romantic side. I've read Robert Duvall loves to tango in real life, and his dancing in this is so graceful and talented. The dancing in this is exquisite and the women so lovely and natural. They have the most beautiful legs I've ever seen. I was entranced by the dancing and Robert Duvall's performance was, as usual, without fault. I highly recommend it for Robert Duvall fans. The film makes me want to visit Argentina and see in person their beautiful dancing. I read somewhere that Duvall said that as writer, producer and actor he had trouble getting financing from the major studios, so he did it himself. Most of the scenes were filmed in New York for that reason. In my opinion, the final result is stellar! | -1no label
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] |
I've been a Showboat fan for a long time. I've seen it live on stage 5 times as well as the 1936 version and the PBS version. After watching the MGM version again on TCM, I decided that it is almost impossible to make a satisfying version of a Showboat movie. Its strange to say, but I think "opening up" the stage version took away some of the intimacy a live version has. Showboat's greatness does not come from the standard boy meets girl - boy loses girl - boy gets girl storyline. It comes from the music and on stage a number can start with one guy on the docks lamenting the suffering endured along the Mississippi and end with a chorus of voices singing about Ol Man River. The numbers themselves "open up" to fill the stage. But no movie can do that to the same effect. But my biggest problem with this version is the abbreviation of the story and the musical numbers. The songs Kern and Hammerstein wrote deserve to be fleshed out in all their operatic grandeur. The first act contains what I consider the best back to back to back musical numbers in Broadway history with Make Believe - Ol' Man River - Can't Help Lovin Dat Man and the movie rearranges them out of order and only River is fleshed out. Can't Help should be an 8 minute number with the chorus joining in at the end instead of the barely noticed number in the movie. Because the music is among the best ever written, it is really hard to make a bad version of Showboat. I'll watch this movie whenever it is on TV but if you really love Showboat, get the EMI 3 CD recording with Frederica Von Stade and Jerry Hadley. And go see it live when you have the chance. | -1no label
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] |
If you are a fan of William Hellfire, Joey Smack, Misty Mundae, or E.I./Alternative Cinema (even though this isnt an e.i. release), then I STRONGLY urge you to buy this movie. I know that the only copies you're going to find are going to be around $40, but it IS worth it, if you collect films from this genre. You knew it would happen...a spoof (and a hilarious one, at that) of the infamous Columbine High School shootings. Sure, you may go to Hell just for contributing to the film-maker, but what a fun, amusing way to get there! Let's just hope Hell has air-conditioned private rooms with kitchenettes and a big TV set so you can watch all your favorite underground movies.... Anyway, you know the story... I won't even get into that... But the best part of this movie is the "startling" truth behind the excessive media frenzy that follows such violent, shocking crimes, putting the killers on a pedastal like some sort of false idol. Plus, it's somewhat nice and refreshing to see Misty Mundae give a memorable performance without taking off all her clothes and rolling around licking other women's various bodyparts. My only gripe about this movie is that it takes a little bit too long for the actual bloodshed to start flowing (I say that because I'm a downright gorehound...). But when it does, it is actually pretty brutal and gross, so it's all good. William Hellfire and Joey Smack are perfect as the two idiot "anarchist" teenagers with murder on their minds. A VERY funny, VERY low-budget, and VERY memorable movie. | -1no label
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] |
Saw this film on DVD yesterday and was gob-smacked and flabbergasted. The unaffected acting of DDL just blew my mind, and I was surprised by the whole cast and its superb acting. All of the character were so authentic to me, I really took DDL for Christy Burns and Brenda Fricker for his mom. Go and see it! You'll cry your heart out, but you'll experience a wonderful catharsis! Besides, it teaches you one important lesson: Determination is everything. You may be a cripple in the poor suburbs of Dublin, but when you are headstrong enough you will have no problems at all. If you can only operate your left foot you are still good enough to be a painter or a writer. The worst thing you can do when you are mentally challenged is to indulge in self-pity. It won't get you anywhere and the only person who'll pity you will be yourself. | 1pos
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] |
Saw it before, and watched it again last night, even though I normally don't watch films twice. Period. I think this is a brilliant film. The humour in it is great, even though I knew what was coming. I mean: the fact that I remembered some of the lines from watching it a couple of years ago, while I can't remember what I had for dinner yesterday, speaks for itself. In my book anyway. :-) Regardless of the comments, by others or myself, this film deserves a chance, so if you've never seen it I heartily recommend watching it. I'm (pretty) sure you'll love it. | -1no label
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] |
Another of the great musicals I have seen so many times, and wish to comment on it and compare with the original made in 1936 with Irene Dunne and Alan Jones. Although the original is in black and white, the 1951 version is so colorful and story and acting so good and more developed and three-dimensional, that I had a few tears myself. Dancing by Marge and Gower Champion were truly champions. Joe E. Brown as Capt. Hawks plays a much funnier role than Charley Winninger did in 1936. He has such a rubbery face, and I can still hear him saying "Happy New Year". There are eight wonderful songs by Kern and Hammerstein and the best were "Make Believe" and "You Are Love" and "Old Man River" but there were other old goodies, too, like "After The Ball". 8/10 | -1no label
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] |
I had the great fortune to watch the full-length version of this movie at a Hollywood screening. I am glad to see that it has been edited as the original dragged on just a bit though it did have good flow. My gauge was through my eleven year-old son who joined me for the screening as he is a baseball nut. Not only did he make it through but he couldn't stop talking about the movie for days on end. I think every kid in his elementary school is waiting for this to come out and with good reason. A great family value movie with enough of a love story to hold the teenage to mid-twenty something crowd. There are enough feel-good moments to hold adults and seniors. I would like to see this movie make it to the big screen. With a little promotion it would do well. Especially if it breaks out either just after the World's Series 2002 or early 2003 opening of the MLB season. | -1no label
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] |
One of the funnier MST3K experiments. This was an ambitious film, light years ahead of Manos and Hobgoblins. they simply couldn't afford the talent or special effects for it. In terms of effort they get a 7/10. Almost as funny as Space Mutiny. I give this one a 3/10 because there was a passable plot, and some half-decent acting. The funniest part for me is when the wormy fat guy is in the plane with his evil boss and Crow cracks: "Sir, I'm getting a little worried about lunch, it's almost 12:30" or something like that. This one was fun to watch, even though it is strictly fodder for the folks at Best Brains. | -1no label
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] |
The oft-filmed Hope novel receives what is generally considered its best screen treatment. Colman is fine if a bit long in the tooth in the dual roles of a king and a look-alike commoner. Carroll makes a lovely princess. Massey looks ill-at-ease as the king's evil brother while Fairbanks seems to be having a ball playing Massey's rascally henchman. Astor, Smith, and Niven lend able support. Given the romantic buildup between Colman and Carroll, the denouement feels false and anti-climactic. Cromwell's direction tends to be stagy and melodramatic, but he is helped by Howe's fine cinematography and Newman's rousing score. What makes the Hope novel so worthy of being filmed so often? | -1no label
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] |
I saw this as a small child and even at such a young age, this movie impacted my soul, and I've never forgotten it, nor it's title. I had been looking to purchase the movie for years, however, I found it was never released for VHS or DVD production. I find that to be a travesty because if you don't stumble on a channel playing it somewhere, you'll never see it again, and for some of us that has become the case. I've searched AMC(American Movies Classics) Southest USA schedule for the past year, and TMC (Turner Classic Movies) Southeast USA schedule as well on a monthly basis, to see if they are showing it down here. They have not and are not. I found they have a different movie lineup in other parts of the USA, and have shown this up north I believe. I find this heartbreaking. Apparently the SE has been forgotten. After discovering these channels had aired this movie up north last year, perhaps even this year, according to their website schedule, I sent them numerous emails requesting they please bring the movie down here and show it. Sad to say, my emails have gone unanswered by AMC & TCM both, and they never have. Has anyone taped this, VHS or DVD? Can anyone help? Still hopeful... | -1no label
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] |
I've always been a fan of Chuck Norris for what he's accomplished and his movies. For while I had been meaning to watch this film, but for whatever reason didn't have chance. Apparently I didn't miss much. This has to be one of Chuck's worst films. So this trucker, Billy Dawes (Augenstein) is given the chance to make his delivery, but on the way he is detoured and forced into a jerkwater town where a foolish local corrupt Judge Trimmings (Murdock) who runs the whole town, has him arrested and phony charges brought up on him. He denies the charges and makes a run for it. The local hick cops beat him and he disappears. But now his brother JD John Dawes (Norris) another trucker goes looking for him. He soon finds that the town is run buy the loser judge and that his brother is nowhere to be found. Not long after he begins to beat off just about everyone in town. In the meantime the female of the film calls on local truckers on a CB radio, and they all come rushing into town demolishing it. LOL with there big rigs. Eventually Norris finds his brother and beats off more thugs. This movie was pretty bad. It actually starts off OK and you feel great when Norris starts to smash some of these local corrupt cops, because there such losers. But there is virtually no story, the acting is bad, and the ending
..well it doesn't really have one. The Judge has his house rammed into by a big rig and you never know what happens. Does he live? Norris never even gets to trash him. In the meantime Norris takes on some thug cop at the end. Who cares? Norris also manages to take on everyone in town, gets his hand broken and shot in the side and goes on to keep fighting. Come on! This movie was apparently made to cash in on the CB craze of the time, why there was one is beyond me. They barley even use the CB's in the movie. Adding to this, the movie near the end seems to drag on and you wonder why it's not over yet. This movie is bad, but if you're bored and need something to watch it will pass the time. As far as Norris he went on to make much better films than this. 3 out of 10. | 0neg
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] |
I really enjoyed this film. The acting was great and Zac Efron did some really nice work.I was drawn to this film because I ride horses and like racing. I didn't know much about Steeplechase before this movie. It is cool...looks pretty hard and a little dangerous but fun. I also enjoyed Houston Jones character and his relationship with Zac's character, "Patrick". It reminded me of my relationship with my granddad.The parents were good too, and the girl that plays Jill, is hot! My mother liked the film too, and said she would recommend it to her friends to buy for their kids because its a family movie that she enjoyed watching with me. There are some surprises in it that I won't tell you. Randy's character is a good bad guy. I think you will like it as much as I did! | -1no label
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] |
Every once in a while a movie comes along that takes hold and never lets go. The Five Senses does that, from the beginning to the end, in a way where you know leaving your seat will cause you to miss a vital part of the movie. Knowing this, you can't help but remain on the sofa, recliner or your favorite movie chair until the final credits begin scrolling the screen. There is no need for me to detail the movie because I could not do it justice. The only way to get this movie, is to simply watch it for yourself. It's as simple as that and by not watching The Five Senses, you are missing out on a touching film. | -1no label
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] |
It's a kinder, gentler Cyborg movie with a love story. Awww. It's not as bad as it sounds. The action, when it is there, is decent and Jack Palance, Elias Koteas, and Angelina Jolie are always dependable. It's the fact that this is a sequel to the terrible Jean Claude Van Damme film, or is that the capper to the Masters of the Universe trilogy? I'm still confused about that. Either way, there was really no need for this movie. What was there a need for? Angelina Jolie. She may play an assassin robot that can explodes mid-coitus, but, what a way to go and even though this is her first movie, she still has the presence that made her an award winner. | 0neg
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] |
I wish I was first exposed to this in a movie theater when it was first released, as some of the commentors had been. It really is a treasure. To be fair I have not seen any other version of Goodbye, Mr. Chips and neither do I want to. To me this stands as a perfect version. I first saw it on TCM years ago and never forgot it. I had the pleasure of watching it with my girlfriend yesterday, although I had recorded it from TCM days earlier. There were portions of the movie in which both of us were teary-eyed, it really is a moving movie. And shouldn't that be what movies are all about? The music is beautiful, the film was shot wonderfully. The acting is top notch. And the story is delicate and timeless. One of my favorite movies of all-time. | 1pos
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] |
I liked this movie so much. Lana Turner was gorgeously cute and it was a very charming comedy in my opinion. Lana played Peggy Evans a store soda jerk in a New York department store. At the beginning of the movie she is given a merit certificate for being on time for a 1000 days straight. She feels that there is something more for her out in the world. So with a new look and a new name she is walking to the New York Star when disaster strikes - she is hit in the head with a bucket of paint. When she awakes people think she has amnesia and even though she hasn't - she goes along with it. Lana Turner was a much better actress than she was given credit for and really excelled in these frothy comedies. A very funny sequence at the start of the movie has Lana say "I can do this job blindfolded" and proceeds to make a banana split that way. This is what causes all the trouble in the first place. Robert Young is also in it as Bob Stuart, her boss at the department store and the only one who knows her secret. I movie I would recommend. | -1no label
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] |
Bookstore employee Virginia (Jenny Wright) reads a sick if oddly poetic horror story by an author named Malcolm Brand and in so doing resurrects the demented creep, who kills off real people in the same fashion as those in his book. Virginia has a tough time convincing anybody, starting with her detective boyfriend Richard (Clayton Rohner), that she's not just some fruitcake and that her information actually has merit. Genuinely interesting and rather imaginative terror film that could possibly satisfy both the audiences that desire creative writing and those who crave blood (even if the blood in this movie doesn't exactly look real). Well acted by Wright and Rohner, with some unfamiliar but competent players in the supporting cast, and featuring decent effects work and gore. Effects expert Randall William Cook himself plays the part of Brand and does a creditable job. Overall, "I, Madman" (named "Hardcover" in the theatrical trailer) is a reasonably impressive piece of work that I would recommend that others seek out. For once, this is a movie that doesn't show the gore merely for shock value but incorporates it as a necessary element to show the madness of the villain. Written by David Chaskin, whose credits also include the first "Nightmare on Elm Street" sequel. 8/10 | -1no label
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] |
first off , why isn't this on DVD? it really should be, especially if you consider he fact that joysticks is now available on DVD. this movie really is an instant party as well as a non-pharmacutical cure for groans etc. i first saw this flick on hbo, when i was eight, didn't see it again till i was 15 and found it in a video store, i rented it over a hundred times and eventually wore their copy out. i now own 3 copies on VHS, with no vcr. this should tell you something about me and the movie. basically we're both insane. the movie is full of great 80's players, and really great music, everything from oingo-boingo to the stray cats to the circle jerks. if your starting up a DVD company, or you already have one do yourself & the rest of the cinephile community a favor & release this film! if you've never seen this film by all means check it out, you'll never fully recover.the only other truly 80's lost on DVD classic i can compare my love for this film to is student bodies. now repeat after me -- "buzz is the cola that we drink, we must have it, come and get it-buzz!"-- quit reading and watch the movie!- f.c. | -1no label
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] |
VERY weird short by David Lynch. It's in black and white and shows a girl who looks like she's going completely mad while the letters of the alphabet go flying around her. She also sings that alphabet song. I should have expected something weird from Lynch but this is even stranger than I thought it could be. In 4 short minutes he gives you a morbid and disturbing little story about the alphabet and terror. It doesn't make a bit of sense but the imagery is so strange and the sound so odd that you're pulled right in. Basically a short little horror film. You can see where "Eraserhead" came from. Worth seeing but only for those who don't scare easily. An 8. | -1no label
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] |
The votes for this movie must have been based on political correctness, for based on hilarity, assuming one has a healthy sense of the absurd, this film rates a solid 10. True, those who are thin-skinned will find the racial and gender and, uh, regional send-offs deplorable. However, since the film is a brilliant satire on the phoniness of those who take themselves too seriously, it is natural that when these people see themselves in it, they will be offended. "Nothing Sacred" refers not only to the values hypocrisy seeks to destroy, but to the sacred cows the film seeks to topple. Carol Lombard has never been lovelier or more picaresque, and Frederic March plays a great foil for the barely plausible goings on. One of the irritants in the highly regarded "Bringing up Baby" is the completely implausible haplessness of Cary Grant's character and the determined obtuseness of Kathrine Hepburn's. In "Nothing Sacred" there are no such distractions; it is the superior film. Other joys of the film are the delightful vignettes, such as a dipsomaniacal country doctor's tirade against journalists (In vino veritas, indeed!) and the transparently phony patriotism at a strip club. Filmed in glorious early technicolor. | -1no label
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] |
This movie is really sick, and funny. I have made my friends cringe describing it to them. I saw it about 8 months ago, and I still have the song 'Shall we Gather at the River' echoing through my head. So basically, it is a Tromatized Romeo and Juliet, but it goes beyond what you would expect. Let's just say incest, references to child molestation, gore (of course), but unfortunately, has a sort of happy ending...sort of...it's more weird than happy. Cappy Capulet was brilliant! He has this sort of intellectual snobbish tone, he's abusive, but civilised. He quotes more Shakespeare than anyone else in the film...all while engaging in his sadistic role as a husband and father. The meat guy was pretty cool too. He was Juliet's fiancé, deeply infatuated with her, and soon to be heartbroken because of Tromeo. And Tromeo, a true romantic. He's a handsome, really sweet guy, desperate to find true love. 'She doth make torches to burn brightly!' Unfortunately, Troma just had to resort to that awful fake green vomit and their other antics. They really get carried away with that stuff sometimes. But hey, this film made a great impression on me. How often do I refer to it in real life situations...wow that's pathetic. Anyway, enjoy! | 1pos
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] |
No matter where in the world, sex and violence in the cinema have always gone hand-in-hand. Italian giallos; UK Hammer horror; the many films of Spain's Jess Franco; the trashy US gore flicks of H.G. Lewis: every country seems to have made its own contributions that combine the two elements. Violent 'pinku' movies are the Far East's offering, and many fans of extreme cinema agree that they rule the roost as far as sexual nastiness is concerned, since almost nothing seems to be 'too taboo' to be portrayed. Assault! Jack The Ripper (a misleading title, if ever there was one, since 'Saucy Jack' is nowhere to be seen!), from director Yasuharu Hasebe, is a classic example of the genre and clearly illustrates why no-one does sleaze quite like the Japanese! After a fatal mishap with a crazy hitch-hiker, a pathetic pastry chef and a chubby domineering waitress discover that, for them, killing is a mutual aphrodisiac. They set about abducting and carving up innocent women (more often than not, by stabbing them in the cooch!) in order to fuel their sex life, but, when the chef eventually decides to go solo on his murder sprees, their bizarre relationship begins to crumble. With umpteen steamy sex scenes, a couple of repulsive rapes, and loads of grisly deaths, Assault! is not a film for your 'casual' viewer. The killers are completely callous and, although the numerous crotch stabbings are not explicitly shown, the sheer offensiveness of the acts (coupled with some suitably yucky sound effects) is enough to upset most 'normal' people. Rabid fans of politically incorrect exploitation, however, will have a field day watching the killers as they indulge in all manner of wickedness, including a marvellously depraved finalé, in which an entire room-full of nurses are rapidly dispatched. And if all that excess wasn't enough, solid acting, good production values, and a great score all go to ensure that Assault! is an experience that you won't forget in a hurry. 7.5 out of 10, rounded up to 8 for IMDb. | -1no label
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] |
Dil Chahta Hai is the story of three best-friends, so close that they could be brothers and how love and life changes them on the last summer they spend together before they go about their adult lives. These three friends are played by Aamir Khan, Saif Ali Khan, and Akshaye Khanna! Those names are Stellar enough Yaar?! But add the combination of Dimple Kapadia who plays an older woman whom Khanna's character falls for, and the delightful Preity Zinta (whom Khan's character almost misses out on) and you've got such a brilliant film that definitely deserves a chapter in the book of Bollywood great films! Add to that the exotic locales, the great sceneries, the hot and happening music, song and dance numbers and you just can't go wrong with Dil Chahtai Hai! | -1no label
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] |
Really just another attempt to squeeze some juice out of the aging-diva-as-murderous-nut-job genre, this one gets quite a sizable lift from two memorable actresses. Ruth Gordon doing her patented, deceptively off-center, crazy-like-a-fox character, and making the most of it. She's delightful. And the extraordinary Geraldine Page giving conviction and ultimately a scary poignancy to the role of the murderess. Her last scene could have been so easily overplayed by another actress, but she gives it an unsettling aura of truth. Page never had quite the film career one would have hoped for, but here she gives you a taste of what she was capable of, for those who never got to see one of her legendary stage performances. Worth a look for those interested in the genre and in the two star performances. Gordon had won her Oscar for "Rosemary's Baby" the year before, and Page would ultimately win one for "The Trip to Bountiful." | -1no label
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] |
There's not a lot of East German sci-fi floating around but I got this as part of a box set from First Run Features, and I've not been disappointed with the quality of the films nor the content. This is a rather interesting (and amusing) tale of a spaceship that goes to a planet to investigate a call for help, only to find there's seemingly nothing wrong. The people that live on the surface of the planet are party-animal types, and give the impression that all is well, but they seem to be hiding something, like, the fact that they imprisoned the real inhabitants of the planet to do slave labor in the mines underground. Most interesting is "the boss", who is kind of a combination of David Bowie and Liberace, maybe, who wears interesting spangled outfits and has his hair dyed in strange colors for no apparent reason. Both campy and creepy. The cast also has Leon Niemczyk, one of the main characters from "Knife in the Water". Anyway, the supposed rescuers do discover the dirty secret of the planet and set about to make things right, but with dire results. This is quite entertaining in a strange way, and a very odd sci-fi offering but quite fun. If you get the chance and are of a mind to, check this out. 7 out of 10. | -1no label
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] |
This is a slightly uneven entry with one standout sequence involving an over-the-hill gang reminiscing in the diner that once - thirty years previously - was their hideout; one ho-hum duologue between two ageing rock musos; a noirish kidnap turned on its head and an opening sequence (plus epilogue) involving heist artist wannabe Edward Baer and current 'hot' property Anna Magloulis which has its moments. No movie in which Jean Rochefort appears can be dismissed lightly and here he shines as one of the over-the-hill quintet, indeed the film is worth seeing for Rochefort alone but each of the sequences has something to offer and it's definitely worth a look. | 1pos
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when I saw the trailer for the love guru I thought it would be a somewhat bad movie compared to what mike myers provided in austin powers, but I saw an early screening today (mainly because I saw my fav and one of the best stand up comedians out there, Daniel tosh, the dude with the cowboy hat) and I was impressed. I like when I go see a movie and expect something bad and come out pleasantly surprised and the love guru did just that. The intro took me by surprise with great jokes from mike. The rest of the movie was a fun ride filled with humorous names and puns and cameos from many many comedians and artists and actors. I was very amused by stephen colbert and jim gaffigan's (another great stand up comedian) sports newscasting, hilarious. If anybody gets a chance to see an early screening you should def go, if not then go when it officially is released., | -1no label
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] |
I didn't know anything about this movie before I watched it. It seems to be a lesser-known teen horror from the 80's. What struck me were the ways it differed from so many other movies from that era. The first thing I noticed was how slowly this movie builds. It doesn't do the typical setup of showing characters being murdered one by one. It takes its time building the back story, leaving a little bit of mystery about what might happen. I was almost starting to think no one would even really get hurt in this movie. But everything leads to the climatic sequence during the last 15 minutes, and then it gets fairly graphic (this was a bad time to take a snack break--I almost couldn't finish my pizza once it started). The characters also seem slightly more three-dimensional than a lot of the cheap teen scare flicks. There conversations were refreshingly level-headed for the most part, as opposed to the over-the-top stereotypes you'd expect. For example, the girl who is the popular, snobby, queen-bee of the clique isn't constantly spouting insults at everyone, but is capable of having doubts and showing some consideration for others. So, to summarize, I felt this movie was somewhat original compared to what I expected, and a little better made as well. It drew me in, kept me interested, and then let me have it. As I said, it's pretty gory during the finale, but almost family friendly much of the rest of the time. I don't need to own it, but I'm glad I discovered it. | 1pos
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] |
I always find it funny in these 80's post apocalyptic films that people can create makeshift bombs, build shelters, but can't fashion a spoon with which to eat! And the poster is completely misleading. Cool, sure. But neither the astronaut nor the ship resemble either of them actually used in the film... one could only hope. I saw this film when it first came out and the disappointment of my memory holds up today. Fortunately, I watched this for "free" as part of my Netflix membership with the Watch Now option. At least I could fast forward through the bad parts, which was once they got back to earth. If you like bad movies, you'll love this one. | -1no label
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] |
When I first watched it, I thought it was one of the best movies I've ever seen. I mean, the story is great. I absolutely love the storyline. I still think so today. But as for the movie, that's another story. I've read the mangas. I'm not exactly a big fan of CLAMP's work, but this one is the first that I got into with the mangas. I fell in love with one of the characters in the story name Subaru Sumeragi. Favorite character for obvious reason, but if you like any character other than Kamui or Fuuma, then you're in for the biggest disappointment if you watch this movie. OK, to get to the point, this is basically stuffing all the series of the manga into one movie. You won't have time to get to know the characters if you didn't know them already. You just won't get to. Well, they at least explain a bit of their purpose in life for a few seconds. Also, they failed to explain a lot of things about the movie, so that's another big disappointment. Er, and another big disappointment is that, they change some of the character's personality! ANOTHER big disappointment is that they didn't put some of the good story lines in the mangas into the movie. I know that doesn't seem like a big deal and I would like to give an example. There's this one character who loves another character from the other angel (they're enemies angels), but in the movie, they hate each other. So that's what I mean. But wait, there's a good! The good is that the animation is great. Beautiful and artistic like all of CLAMP's work. It's realistic in animation, and the way it was done was just, wow. even though they lack everything else, but it was still nicely done in animation wise. Now if only the series was done the same way. Oh yeah, the music is great also. Even though I like the story and how it was animated, I just didn't want to sit through it anymore. Once was enough. So I gave it a 4/10 | -1no label
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] |
I'm not sure why films about the mob ever got so popular. I will admit that this film has a good cast. But since the characters are mostly lowlife criminals, why am I supposed to care about them? Organized crime is extremely depressing -- not something to make movies about. The story unfolds well enough, but the complete lack of moral compass that characterizes mobsters like these ruined it for me. I think time will cast the entire crime/noir/neo-noir genre in a strange light, and people will start wondering why films that wallow in gratuitous violence and organized crime were ever considered entertaining. Any thinking person will realize that America's slow decline throughout the twentieth century was the natural result of rampant criminality getting the upper hand. | -1no label
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I came in in the middle of this film so I had no idea about any credits or even its title till I looked it up here, where I see that it has received a mixed reception by your commentators. I'm on the positive side regarding this film but one thing really caught my attention as I watched: the beautiful and sensitive score written in a Coplandesque Americana style. My surprise was great when I discovered the score to have been written by none other than John Williams himself. True he has written sensitive and poignant scores such as Schindler's List but one usually associates his name with such bombasticities as Star Wars. But in my opinion what Williams has written for this movie surpasses anything I've ever heard of his for tenderness, sensitivity and beauty, fully in keeping with the tender and lovely plot of the movie. And another recent score of his, for Catch Me if You Can, shows still more wit and sophistication. As to Stanley and Iris, I like education movies like How Green was my Valley and Konrack, that one with John Voigt and his young African American charges in South Carolina, and Danny deVito's Renaissance Man, etc. They tell a necessary story of intellectual and spiritual awakening, a story which can't be told often enough. This one is an excellent addition to that genre. | 1pos
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] |
My boyfriend is a huge MST3K fan. I usually watch the movies and laugh along, but this was the worst one ever. Even with the jokes of Joel, Crow and the others, nothing could make this turkey fly. The female lead is the woman who starred in Mannequin and she's the best actress in there. The wardrobe people even managed to make her butt ugly and look like a man. There's no eye candy for anyone in here. Sometimes that can be a saving grace in these films. The shots are so dark, you have to squint to see what's going on. All I can think is that the lights were turned low to hide the terrible sets and wardrobe. All I can say about the plot is that it's abysmal. The only reason I'm even giving it 1 star is for the kitch value of seeing James Earl Jones in his worst role ever. About half way through, I noticed my boyfriend (who had been looking forward to seeing this all week) was fast asleep. There was no way that I going to endure this crap alone. If you want to see a better B movie set in the future, may I suggest MST3K's "Overdrawn at the Memory Bank." It's an early Raoul Julia movie. He escapes his Orwellian society by watching the banned, controversial film "Casablanca." It's pure B-movie, futuristic genius. Don't waste your time with "City Limits." Even "Angel's Revenge" is better. | -1no label
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] |
....CAUSE IT'S CRAP! The kind of movie that makes you want to go and smack the movie maker and say "WHY?". Horrible camera work...count the times the camera tries to remain steady on one person and can't. The dialog is ridiculous. The acting is comical. It looks like they took over a ghost town in the west to see if they could make a movie on the least amount of money possible. I'd bet $10 they used home video cameras to make this. Either that, or most of the cameramen were drunk. Truly the trailers are more entertaining than the movie. If you ever want to host a "Worst Movie Party", bring this one. Want more entertainment...stare at a wall. | 0neg
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] |
A boy with telekinetic powers, and perhaps other psychic abilities as well as bowl-cut hair lives with his divorced father, a psychic researcher or something. The boy plays in his closet with a He-Man-like action figure, and a odd statuette he calls "Deceptor." His father hears a strange moan, makes an odd phone call to his research partner, and goes upstairs to the boy's room with a machete. He goes into the closet, vandalizes some things, and is in search of something. The machete moves by itself, and the father falls on it, decapitating himself. The boy goes to live with his mother and her boyfriend. Meanwhile, a police detective who has sleeping problems has a reoccurring nightmare that is bothering him on the job, and is forced to see a shrink. More closet-related bizarre deaths occur. The detective befriends the boy, and the shrink helps him on the case. The special effects are pretty uneven. The death scenes are fairly good. A pale grinning figure in the closet is pretty spooky. Dead people who reappear as zombies or as a demon appearing like them are pretty well done. The demon exerts its power by psychically dragging someone up a wall, and across a ceiling towards an out-of-control ceiling fan. The demon itself is pretty darn lame, however. | -1no label
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] |
Origins of the Care Bears & their Cousins. If you saw the original film you'll notice a discrepancy. The Cousins are raised with the Care Bears, rather than meeting them later. However I have no problems with that, preferring to treat the films as separate interpretations. The babies are adorable and it's fun watching them play and grow. My favourite is Swift Heart Rabbit. The villain is a delightfully menacing shapeshifter. I could empathise with the three children since I was never good at sports either. Cree Summer is excellent as Christy. The songs are sweet and memorable. If you have an open heart, love the toys or enjoyed the original, this is not to be missed. 9/10 | 1pos
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] |
Sort of like an extended Three's Company sketch, except made in the 1930's, 'Misbehaving Husbands' stars Harry Langdon as an overworked oaf who forgets his anniversary and winds up working through the surprise party is wife has organized. What's worse, he gets caught in silhouette with a department store mannequin by some town gossips who are on their way to the party. Soon, rumors spread like wildfire, and one complication leads to another until the wife wants a divorce! This is all put together very nicely, thank you very much, and Harry Langdon does his befuddled Benny Goodman impersonation quite well. There's a few laughs here and there, but this is nothing extraordinary. | -1no label
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] |
When I was younger I used to like elephants, especially in cartoons. This was a very simple cartoon with some short and simple stories involving all the characters, but it was still good. Babar in his childhood had his mother shot by hunters, but he was rescued and looked after by an old woman. As he grows up he learns to dress, walk and talk like a gentleman. Soon many elephants are like this and they build their own place out in the country. Because Babar was the one that started it he was soon to be known to these elephants as the King Babar. Throughout the series Babar helps people with problems and runs his elephants well. It's only the rhinos that aren't too keen on the elephants. It was number 81 on The 100 Greatest Cartoons. Okay! | -1no label
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] |
Okay, this is definitely the dumbest movie I've ever seen since Satan's School for girls. No good violence, no vampire gorieness, no nothing. The graphics absolutely SUCKED. I hated it, on a scale of one to ten i'd rate it a two for originality. Okay, the gorieness part was untrue, there was a whole lot of ketchup (for the blood) you could tell it was ketchup, all they had to do was put some chunky stuff in there. lol. And it ended with the people walking away, and the girl of the whole thing was all happy and stuff that she got away from the vamps, then she showed the guy an "upper" part of her leg and she ended up being bitten and she didn't know it and she bit the guy while kissing him and then it ended. BOOOOOOOOOOO! I hated it... | -1no label
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] |
Wild Rebels is fun in a bad way, but also frustrating due to the actual good, or at least workable, elements in the story. It deals with a race car driver (Steve Alaimo) who gets mixed up in a group of bikers called Satan's Angels, who hang around a lot until they decide to rob a bank. Meanwhile Alaimo also gets recruited by the cops to report back to them what the Angels are up to and where they'll rob next. It's not even that the film is really too 'dated', though it does of course carry the significantly crude and stupid music in the film (from the band on stage in one scene, to Alaimo "performing" if you could call that drek that, to the regular generic score). It's just that there's not more care taken by the filmmaker into putting a little more logic, direction, and better actors for the parts. As it is I didn't have a major disliking towards the film, as I did with the Hellcats, but it almost left me a little indifferent to it all, too. What could come through as being unpredictable only comes through with stupid things like the name of the Florida town ('Citrusville' ho-ho). So it's not completely un-worthy then of its Mystery Science Theater 3000 status as of late. The commentary is good on the movie, even if once or twice I almost wanted to hear what the characters on screen were saying in case it might have some worth. Wild Rebels might be more of a good time if you've got a six-pack and low expectations, but as it is I wouldn't watch it again. | 0neg
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] |
Melanie Griffith stars in this time waster as a hooker with a "heart of gold" Hmmm i doubt that most hookers have a "heart of gold" or that they look like Melanie Griffith or Julia Roberts for that matter..but anyway some local school boys end up saving their milk money to see a woman naked..of course they run into Griffith, who is being chased by a bad guy, so one of the children bring her home to their dad who is divorced and looking for love again and...zzzzzz....Oh I'm sorry i fell asleep..you will too.,, The only good scene is the one part where Griffith takes over a health class and talks a little about the birds and the bees.. on a scale of one to ten...2 | -1no label
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] |
Gritty depression era flick, showing why Warner Bros. was the studio of record. It's tough broads here that get the leads. There's Stanwyck (before her teeth were fixed) and Blondell (gum-popping her way through the Nurse's Oath), both trying to survive grabby interns, unscrupulous doctors, murderous families, and no money. No, this isn't Young Doctor Kildare. Just compare Night Nurse with that sappy 1940's series for insight into what the Production Code did to social realism. Here nurses break the law, doctors violate their oath, and unless you go along, you don't work. Not exactly the professional AMA image. Sure, it's contrived melodrama. But there are elements of the real world here that would disappear from the screen for 35 years, courtesy the PC. Also included are gamey one-liners, mild strip scenes, and a really sardonic look at motherhood, along with a very scary Clark Gable. For a brief period from around 1930-34, Hollywood operated with the lid off, pressed by audiences with no work, no money and no prospects. Movies like NN reflect that reality, which was, of course, too unvarnished to survive. So catch up with this neglected period when you can, especially if the movie's from Warner Bros., like this little gem. | -1no label
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] |
OK, so the acting isn't great. The script is poor. The special effects are terrible, but this is a film for kids. Adults can't make accurate comments on this, because we KNOW engines don't talk and shiny time isn't real. My 3yr old acts out scenes from this film over and over again. He tells me that lady carries magic and diesel 10 is bad. And therein lies the beauty of this film. It captures a child's imagination. If you want to watch a masterpiece then don't watch an adaptation of a child's book, that 20 years ago you would have loved. Diesel 10 is a great villain, he's funny and evil at the same time, and there are enough engines and "in jokes" to keep most children amused for hours. | -1no label
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] |
I love this movie. It is so cute and heartwarming. Mimi Rodgers's character is sort your everyday average person, as they always are in movies like these. She is also a little aged and has sort-of given up on ever having the life she always wanted or dreamed of. That's what makes it so Christmasy. You get happy and excited for her when her life finally starts unfolding. Of course this movie is cheesy but you can pretty much watch it no matter what mood you're in . When I first recorded it off of ABC or Fox family, something like that; I watched it at least 2 times in a row.I'd love to own it on DVD but they don't even have it @ Best Buy and they have EVERYTHING there! | -1no label
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] |
this is an incredible movie and if your a clerks fan (which I'm assuming is the only Kevin smith film you've seen because its blasphemous to watch them out of order) then this is even better. mallrats is the kind of movie you watch once on DVD and don't take it out of the drawer, because you know you'll wanna watch it later. its laugh out loud funny and anyone remotely interested in the inner workings of a geek or, like me, you are a geek, then this will give voice to the geek generation and make it cool. Recently, The OC has made comic books cool in the form of Seth Cohen. but before there was Seth, there was Brodie. easily the greatest character lee has ever played and the best character that Smith has ever written, Brodie is obsessed with two things, Comics and himself. and as long as the two are together, he doesn't care. which is exactly what must be changed. ill let you find out how. jay and silent bob make a welcome comeback in a slightly more central role with a lot more to do. with hilarious results. i originally put 8 for this movie. but thinking about it again its a 10 and its going in my movies :) l8er days PaUl :) | -1no label
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] |
Multiple Maniacs is excellent. Better than excellent. This is my favorite Waters film. It is funny, yet serious. A few lines give you a chuckle, like "And then she inserted her rosary into one of my most private places." This movie, unlike other Waters movies, moves into the well-crafted characters' personal lives. My first Waters movie was Pink Flamingos, which I adore. But Multiple Maniacs ties Pink Flamingos in every way. If you like Waters, or if you don't, buy Multiple Maniacs. This is one of the strangest movies (other than Pink Flamingos) that I have seen. Divine is fabulous in this movie. She is excellent. This movie is scary, bizarre, and somewhat sacreligious. So, if you're not of the faint at heart, weak stomached, or religious freaked, at least rent Multiple Maniacs. | -1no label
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] |
This is far more than the charming story of middle-aged man discovering the pleasures of ballroom dancing (although it IS that as well). It's the tale of one person learning to love life again, pushing past all the pressures of work and money to discover joy once more. The bonus in this film is a fascinating insight into the slowly changing attitudes of modern Japan toward everything from ballroom dancing to physical contact. There are scenes that will make you laugh out loud ... a few where you'll want to get up and tango ... and many others where you'll just feel good. This is a great introduction to contemporary Japanese filmmaking for those who might be under the impression that all Japanese movies are "heavy" and inaccessible. | 1pos
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] |
***SPOILERS, IF I CAN REMEMBER THEM*** A college roommate introduced me to this unforgettable little film, based on my love for laughably bad movies, and it did not disappoint. Purely a vehicle for slasher T&A, the movie makes no excuses and doesn't really take it itself all that seriously - what movie COULD, after having a man fall off a 15-story building and walk away? To me, the shower scenes were just a softcore running gag, but I suppose some people could be turned-on, by them. It's just funny, for me, thinking about the writers' meeting that must have taken place ('Okay, the story's finished. Now, how do we get all of them into the shower?'). The highlight of the film, for me, was the irrepressible Orville coming back from one death after another, and not seeming to hold all the abuses against anyone, when it's over. Favorite scene: Orville pulls the mail spindle he has been stabbed with out of his heart, and uses a stapler to attach a bandage to his chest. Worth the 99-cent rental fee. | -1no label
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] |
Are they going water skiing or are they going horseback riding? Are they going to be zombies or aren't they? I love these movies. The acting is so stiff. The characters deliver lines and then wait a second or two. The dialog is so pointless that it really doesn't matter. There's this huge island in a lake with a hugre research facility on it. But the people in the town don't seem to know it's there. Still a couple of kids can take a little rowboat with a ten horse and make it to the island. The research that is being done concerns a kind of nerve gas that will turn all Americans into blathering idiots (it's probably too late for that anyway). There's a gorilla running around, a couple of boring spies, and a kind of dragon lady scientist who locks the kids up for future research. The kids have the usual silly nicknames. The sheriff is on the take, so he won't help. My favorite scene is the last minute. I won't spoil it, but it's priceless. | -1no label
| [
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Whilst this is most definitely a well crafted piece of film-making, it's thoroughly without any entertainment value whatsoever. If you're depressed already, this film will send you over the edge. If you're feeling somewhat depressed, this film will be just one more thing in your life to feel bitter about. You'll feel that it's just your luck to have chosen to watch a movie that turns out to be a complete waste of time. Otherwise you might be able to make it through this film unscathed (I didn't, BTW), safe in the knowledge that your life is so much better than Jim's. Then again you might consider that you have been fooling yourself, and that are in fact in a much worse situation than you'd previously realized. You might feel a bit annoyed at Jim for bringing this to your attention. You may want to slap him around a bit with a wet fish. The sad truth is, much as I wanted to like this movie... I hated it. It took rather a long miserable road down the path of oblivion and then suddenly, for no reason whatsoever, looked back at itself and then stopped. Jim does not have an epiphany, at least not one that is conveyed on screen. Jim has a miserable life and a miserable set of options. He discovers nothing that one can relate to and fails to make any significant progress on his journey of self-discovery. Of course no-one alive could write a happy ending to this movie. As others have said it's no Hollywood tale, it's gritty and it's real. It's well made. Life is quite a struggle at times. If anyone were to know "the answer", they do well to shout it from the rooftops. Still, I feel cheated because this movie pretends to have something to say. You feel that it's going to say something, that if you just suffer through a little more of it, it'll have something to say. It'll make you stop and think. It doesn't. Again, I do submit that this is a well crafted film. And therefore may be of value to a film student with a penchant for e.g. lighting techniques of the use of colour palettes. For the rest of us, it's utterly miss-able. | 0neg
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] |
What can I say? Truly awful. Get has-been stars and some hip new ones to make a lesbian-themed film for HBO. The result - a dry stale muffin that's been overcooked. Everything about this film is embarrassing, from the sanctimonious and passé treatment of lesbians as victims to the terrifyingly awful third installment where Sharon Stone and Ellen DeGeneres offer an achingly sentimental tale of sperm banks in a style that only be described as thirtysomething on prozac or ecstasy. It feels so chaotic that you often wonder if they actually had to act. As for the rest, the first installment with Vanessa Redgrave contains more holes than a golf course; while the second with Chloe Sevingy and Michelle Williams feels too hip for its own good and sits uncomfortably with the other two parts. | -1no label
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] |
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