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Misguided, miscast, murky, interminable lunacy given the high-gloss MGM A-budget treatment. Kate Hepburn plays a bride who comes to suspect her rich, handsome husband (Robert Taylor)is not the dreamboat she married but a psychotic killer. MGM's attempt at a Hitchcockian thriller is doomed from the start by a turgid, muddled, ludicrous script, and the idiotic casting of Hepburn as a jeopardized woman fearing for her life (who could ever imagine Hepburn afraid of anything?) Louis B. Mayer forgot to tell Vincent Minnelli he was directing a thriller, not a musical. Taylor is embarrassing. Only Robert Mitchum, also cast-against-type as a good guy, retains his dignity in a quiet, low-keyed performance. Karl Freund's ravishing cinematography creates images of eerie beauty--and was wasted on the wrong film. End result: Metro's "Parnell" of the 1940s. | 0neg
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Many of the earlier comments are right on the money, but some, well, not so much. This Is hardly a 'B' movie...it's well produced, the live flying sequences are really superb, and the model sequences are first rate. It's no "cheapie". Ricard Barthelmess is quite good in this, and it makes a a nice companion piece for "Only Angels Have Wings". If you want to spot John Wayne, spot J. Carrol Naish first, they end up together. Tom Browne is juvenile enough (and somewhat dull), but when they saddle him with the most pathetic pencil-mustache in Hollywood history, it makes his character even less believable. Sally Eilers is much more so. As for later influences, this is Wellman in the early Airliner-in-Distress zone...the opening sequence of this film, with the Airline Operations guy arriving at the "Grand Central Airport" would have fit very nicely into "The High and the Mighty"...just imagine Regis Toomey...and a 1955 Buick. | 1pos
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] |
As it is with most brilliant, potent, abstract pieces of work - the "meaning" is in the eyes of the beholder. So what did I see? Well - I read what other people had to say, and I think what I saw was a lot scarier than most. This is a movie about time, I think - and how slippery it is. We are forced, as viewers, to dissect what time is, and how it relates to film (cameras). The camera zooms in and out, isolating the narrator - making him look alien and organic at the same time. Every time he said the word death, my heart skipped a beat. After all, just as the Aged Actor who forms the center-piece of the film explains to us, film is time, and time is death. This is a movie about birth and death. The old Actor (Narrator) personifies the camera - almost making it out to be a tinkering toy and a monstrous beast at the same time. I think this is a movie about isolation as well - you feel isolated watching it - you start to look at yourself and your "time". There is also the isolation of old and yough, and the gap of understanding. And the end is the ultimate punch - where I think, if you look close enough you can actually catch the darkness between the frames (As they flick by at mindnumbing speeds) where death waits... So that's my take on it. I don't want to give too much away - you just have to watch it. It's very short, only like 6 and a half minutes long, but it hits you in the stomach like a truck and stays with you. In case your having trouble finding this movie, let me tell you that I couldn't find it anywhere for purchase, but I did find a low-res version of it on google video. Later I found out that it's an extra on the Criterion Collection version of Videodrome - so now I have to buy that. Later folks! -jay | -1no label
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] |
I've seen a lot of documentary films on the pageant industry, but i found "Five Days To Fame" to be really entertaining and you really got a sense of the drama that happened during the competition. I certainly didn't expect that it would be this good! I thought the direction, filming, editing and music were outstanding. One of things that I liked about the way this was done, was how you really got a chance to see how the judging was done. It certainly was an eye opening insight into the judging, because I came away with sense that these judges were certainly not qualified to be in that position. It was a great insight in to the behind the scenes of the pageant. I highly recommend this film, especially if you're a fan of beauty pageants. | -1no label
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] |
All the right elements seemed to conspire here to make this a memorable thriller for years to come. You have the stellar cast - Michael Douglas in an uncharacteristic 'free-spirit' role that pretty much launched his movie career, Fonda playing her typical forthright female doing her bit for womens lib, and Jack Lemmon as assured as ever showing us a man with a crisis of confidence. Give them a hot-button topic about big business being duplicitous, and that's encouraging for a kickoff, but to have life imitating art so soon after is a marketing man's dream. The script is impressively taut, intelligent but mercifully keeping the jargon to a minimum, and there is a genuine sense of sustained tension brought in play by the director as our three protagonists race to beat the clock. If you like 'whistle blowing' dramas, then this is not quite as good as "The Insider", but the whole thing is more than nervy enough. | 1pos
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] |
seeing it on cable. It was not very good. It's not really funny nor is it very entertaining. Ben Affleck is back to making the same boring, bad acting films. Rebecca Romijn still looks good for her age but still has little screen presence. If she wants to act, she should stick to TV roles. Ling Bai was OK, she offers what little humor there is. Also, as for the story, I don't buy that some fairly young, good looking guy with a high powered job would be just OK with his hot wife cheating on him with a client. He wouldn't just take her back. FINAL VERDICT: Just another Ben Affleck disappointment. There's nothing in this film really worth watching. | -1no label
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This is apparently the second remake of this film, having been filmed before in 1911 and 1918. And, in so many ways it reminds me of the later film, A YANK AT OXFORD. Both films concern a conceited blow-hard who arrives at one of the top schools in the world and both, ultimately, show the blow-hard slowly learning about teamwork and decency. In this film, William Haines is "Tom Brown" and his main rival, "Bob" is played by Frances X. Bushman. And, in a supporting role is Jack Pickford--always remembered as the brother of Mary. Of these three, Pickford comes off the best, as the sympathetic loser who becomes Tom's pal--he actually has a few decent scenes as well as a dramatic moment just before the Big Game! All the standard clichés are there and the movie, because it was done so many times before and since, offers few surprises. However, it is pleasant film and is enjoyable viewing. In my opinion, for a better silent college film, try Harold Lloyd's THE FRESHMAN--it's football scenes are frankly more exciting and Harold is far more likable and sympathetic than the annoying Tom Brown. THE FRESHMAN is probably the best college picture you can find from the era. Another reason why BROWN AT HARVARD is a lesser picture is that William Haines played essentially the same unlikable and bombastic character with the same plot again and again and again (such as in WESTPOINT and THE SMART SET, among others)--and if you've seen one of these films, you've seen them all. Well made, but certainly NOT original! And, because it is just a rehash of his other films, anyone giving the film a score of 10 is STRONGLY advised to see these other films. 4/25/08==I just checked and saw this this small film was the highest rated film on IMDb from the 1920!! Talk about over-rated! There are dozens and dozens of better films--how this film got to be #1 is anyone's guess. | 1pos
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] |
This is not a 'real' James Cagney vehicle since his screen time is unusually slim. Frankie Darro plays tough kid Jimmy Smith, the leader of a gang of street thugs that is sent to reform school with a few of his hoodlum friends. Cagney plays Patsy Gargan, a gang leader himself, who is given a token position as a deputy commissioner. When he finds out first hand of the brutal treatment dished out at the reform school, he is compelled to make some major changes with the help of the reformatory nurse(Madge Evans). THE MAYOR of HELL is fast paced and is still entertaining after all these years. The cast is well rounded featuring: Dudley Digges, Arthur Bryon, 'Farina' Hoskins, G. Pat Collins and Allen Jenkins. | 1pos
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] |
The C class cast and poorly transitioned scenes, complete with terrible acting have led me too believe this would make a good TV only release such as the FX presentation of a smallpox outbreak. At my local blockbuster however, about 9 copies are held on the shelves, none of which were checked out when I rented the title (I wonder why....) Anyway, this title was almost ridiculous in the "fear factor" the director was going for. The whole "death count" on the bottom of the screen completely contradicted the plot at times, such as when the chopper was going over Angola, and the toll was speeding at a breakneck pace from 23 million to 24. However, as the movie ends, (possibly several hours or even a day or so after the chopper has landed) the death toll counter is reset back too what it was at the moment the chopper was approaching the area. The movies end left a huge whole in th entire plot, and god knows nobody is waiting for the sequel. Anyway, do not rent this, I only advise watching this if you have obtained the title with no monetary loss, and you are in the mood for a cheesy suspense movie. | 0neg
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] |
"The Groove Tube" was one of only two Ken Shapiro movies, the other one being the equally zany "Modern Problems". This one is just a full-scale parody of TV. Aside from Shapiro - who apparently didn't do anything after "Modern Problems" - the movie also stars Chevy Chase and Henry Winkler's cousin Richard Belzer. The three cast members (plus some other people in smaller roles) appear in various skits. One of the funniest ones features Chase in a Geritol-spoofing commercial, in which he's describing the medicine as his wife strips, and it ends with her humping him. There's also a pornographic news program, an irritating cooking show, and the epic tale of some drug dealers. Anyway, the whole thing's just a real hoot. In my opinion, the three best TV-spoofing movies are this one, plus "Tunnelvision" and "Kentucky Fried Movie" (although I might also include "The Truman Show"). Really funny. I wonder what ever did become of Ken Shapiro. | 1pos
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] |
Fake looking, horrible acting, weak directing and a disappointing killer/monster. Sounds like a typical '70's horror fare but difference is that this movie is just plain bad instead of entertaining like most other typical Brithish '70's horror movies. The story and the concept of the movie really aren't that bad. It however is ruined by the poorly over-the-top acting actors and the weak and at times just plain stupid directing from Jim O'Connolly. Also the fake looking sets and the pointless many sex- and nude scene's make this movie a poor entry in the horror genre. Lot's of horror fans of '70's movies will be disappointed by this also because it isn't really an entertaining one to watch. There is quite some blood and gore but that all is simply just not good enough to satisfying the average horror fan. Another disappointing aspect of the movie is the killer/monster of the movie. The suspense is build up well and the killer/monster isn't shown for a long time. However when he finally is shown it's a huge disappointment. He is incredibly stupid looking and even worse is the killer/monster at the ending who they for some odd reason gave a mask instead of just make-up. It was incredibly stupid and fake looking and just totally ruined the ending. It's a real shame because like I mentioned before the story had more than enough potential. The movie and its story however make some odd choices as the movie progresses and the acting and directing truly make this movie an even worser one to watch. Some of the ideas in the movie are good but one has the feeling that a different director would had handled this movie differently and would had made this a better one to watch for sure. Will not even the most hardened '70's horror fan like this movie? Hard to say. Perhaps, if he/she is able to appreciate some of the ideas and concept of the movie. They will probably still find some joy in it. But even they must come to the conclusion that this movie is a disappointing and just plain bad one. 3/10 | -1no label
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] |
OK. Let's just say that this movie was a waste of time. If you have the opportunity to NOT WATCH IT, please don't! The humor is, well, not really humor. In fact, some of the jokes are rather disgusting (as in bird and human feces in the face a number of times). It's a total waste of a movie. The plot is OK, with the race and all, but the way they put it together? Please, can you try a less embarrassing way for the main character. As for the PG rating; what's with that? There's many mentioned and physical "love" scenes that should raise this movie to at least PG-13; even 14A if they're smart. But hey, the people who do the ratings obviously don't think kissing, sleeping together, and other such scenes deserve a high rating. Yikes. What is this world coming to? Bad movies and bad ratings... a waste of a movie. | -1no label
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] |
This movie successfully shows the audience how this "university exam" concept affects high school students' lives dramatically in Turkey. In my opinion the acting performance of all the young actors are great and effective and also the musics chosen for the movie are making the movie more emotional and binds you with the characters of the movie more deeply. I guess the ones who will find a part from their life in this movie are the students. Also in the film we see not only the exam stress that the students are dealing with but also their relationships and mostly disagreements with their parents. In my opinion every parent should watch this movie as well in order to see how their negative attitude can have crucial effects on the child's psychology. "Sinav" is a movie worth seeing for. I'm sure that everyone will enjoy this synthesis of drama and comedy. | -1no label
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] |
SNL is pretty funny but people who say this is like watching a Short skit on SNL is a little dumb minded. It's NOTHING like SNL, it's just a stupid piece of crap. Andy Samberg tries to act like Jon Heder but fails. Although Jon Heder is only funny in Napoleon Dynamite Andy tries his hardest and people think he's funny. Only funny people in the movie were Danny McBride and Bill Hader. The only part that was decently funny with Andy was the pool part. They could have made the "Quiet place" a lot better if they didn't make the falling scene 3 freaking minutes. The part where he's pronouncing his H's more is retarded. They try going with it too long and half the time it looks like Andy is laughing while he acts...he's a horrible actor and doesn't deserve to be in a movie. This movie is a joke and is for the simple minded people with the brain of a 10 year old level of comedy. Which is about half the United States. | 0neg
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] |
SEX WISH was actually released (minus ten minutes of more, ahem, 'extreme' footage) here in the UK back in the early days of the video boom, and caused a tabloid storm in a teacup when it allegedly inspired a copycat murder case. Strangely enough, the papers brushed this ultra-disturbing flick under the carpet in their headlong rush to get the comparatively innocuous likes of FROZEN SCREAM and NIGHT OF THE DEMON canned, and the film has been all but forgotten as a result. I jumped at the chance to watch it on a DVD-RW and spent most of the film's duration with my jaw on the floor. It's not so much politically incorrect as utterly demented, a triple-X take on Michael Winner's DEATH WISH (did the title kind of give the game away as far as inspiration was concerned?) with hardcore sex and some truly nasty violence thrown into an already bubbling brew of seventies sleaze. If you don't consider yourself to be squeamish, this may force you to think again. By the time SEX WISH is over, you'll want to scrub your eyeballs clean with disinfectant and take a long hot shower to purge yourself. If any film truly deserves the "it's only a movie, only a movie, only a movie" tag-line, it's this one. Highlights (or lowlights) - a rapist using a vibrator on a victim as he masturbates over her, Harry Reems's scene-stealing moustache, the helpless young black couple who are forced to screw in front the sword cane killer (they'd have won Oscars for their entirely credible performances if the Academy had gone mad) before the man is castrated for his troubles, and some jarringly slick direction that threatens to lift the proceedings above their obvious grind-house origins. Don't say I didn't warn you. If you thought the world was a more innocent place thirty years ago, SEX WISH will prove you very, very wrong. | 0neg
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] |
Here are ten reasons 2 watch this movie 1) You have done EVERYTHING in life so u are basically jobless. 2) You are an IMMESNSE fan of Hulk Hogan from his earliest days of wrestling n before u die u have 2 see whatever movie he's been in. 3) You want 2 know what is the meaning of 'gay'. 4) You always wanted see what a movie would look like if it was made by a 2 year old. 5) You have permanent brain damage n can swallow even the most disgusting piece of crap put in front of you. 6) You want 2 be a director and after watching this movie you have hope that if this piece of crap makes it , U have a better chance. 7) You hate yourself ( warning :After watching you'll hate urself more) 8) You love 2 point n curse at the TV 9) If you have the habit of crying at something funny n laughing at something serious. 10) If you're on he brink of suicide watching this movie will speed it up. | -1no label
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] |
This was the second entry in the regular Columbo series, and it holds up well today. As I am able to look at it closely now on DVD and see how it is constructed, I am very impressed with the direction of Bernard L. Kowalski (who directed the fine MACHO CALLAHAN as well as countless TV episodes)--watch how the post-murder actions of the killer are shown on a split-screen effect on his two eyeglasses, watch how the murder itself is shown in montage fashion, watch the point-of-view shot from the perspective of the corpse. Also, the wild but impressive avant-garde musical score from noted jazzman Gil Melle was incredible and helped so much to create atmosphere. And the supporting performance of Brett Halsey as the golf pro was wonderful--such subtlety and complexity in a role that nine out of ten times would be a one-dimensional cutout. The "formula" had not yet been set when this episode was filmed, so there are still some surprises in Columbo's methods. Of course, Falk, Robert Culp, and Ray Milland are the highest-quality actors and it's a pleasure to see them work--all men are familiar from many other roles yet lose themselves in their characters here. In all, this entry in the Columbo series--and MANY of the others--are as well-crafted as a very good feature film. | 1pos
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] |
I've seen many of the movies made about the life of Jesus from the "Greatest Story Ever Told" to "Jesus Christ Superstar". I would have to say that Bruce Marchiano's portrayal makes Jesus as being very humane and compassionate about the suffering of the community. The Jesus he plays steers away from the stoic Shakespearean-type portrayals by Max Van Sydow and Robert Powell, making the character very accessible and someone you care about. In addition to Bruce Marchiano's pretty watchable performance, it was good to hear the late Richard Kiley's narrative of the Gospel, his rich unique voice (we'll miss it) enhancing the treatment of the story. Overall, I liked this film which is underrated and less-watched in comparison to the other more famous depictions of Jesus' life. Having watched this film recently has encouraged me to want to watch Mel Gibson's "The Passion of the Christ" when it comes to Singapore next month. It would be interesting to make comparisons between the two films. I speculate that the films probably would complement each other, providing different perspectives to Jesus' character and life. | -1no label
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] |
I saw this movie when I was very young. It is my all time favorite. I had been unable to obtain a copy until recently and viewing it brought back so many fond memories. I loved Sidney Poiter's portrayal of Porgy, he his character with such strength and courage. Pearl Bailey's part, although small, was not unlike many of our own family members. My favorite songs were and still are "Bess You Is My Women," "Porgy,Don't Let Him Handle Me" and of course "Summertime." According to the guidelines, if I'm interpreting them correctly I'm unable to post where I was able to obtain my copy, Sorry. That is why I registered so that I might be able to share this info. Before registering the guidelines are not posted. Phone numbers, mail addresses, URLs. Availability, price, or ordering/shipping information. | 1pos
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] |
I, personally loved this movie! The rudeness, vagueness, and profanity just makes it better than expected! If every movie was like this, not only would the world be a much better place, but I would be going to the movie theater every day, instead of spending all my money at Best Buy! Kids shouldn't watch this at all. That's the only downside. They can't see how funny this movie really is! The good thing about Bigger, Longer, & Uncut, is that they can make fun of everyone and anyone they want, and the people will be too busy enjoying this movie to do anything about it! So, this movie is about when two Canadians, Terrance and Phillip, make a movie. The profanity angers Kyle, Cartman, Stan, and Kenny's mothers (but mostly Kyle's) after they see it, and they tell them never to see it again. They disobey, (as usual) and it leads to Kenny trying to attempt one of the stunts, (catching your "fart" on fire)leading to his death when a Doctor replaces his heart with a baked potato. This angers the mothers' even more, ultimately leading to a war against Canada, and the execution of Terrance and Phillip. To stop the execution, Cartman, Stan, and Kyle launch "Le Resitance" to stop the war, stop the execution of Terrance and Phillip, and stop their blood from reaching the ground or Sadaam Hussein and Satin from taking over the world! | -1no label
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] |
I must say that I was very skeptic about this movie, especially after I watched Cinderella 2, which was really not very good. But this movie has that Disney spirit, and the songs sang by the characters from the cartoon, which is really rare in Disney's new cartoons, and I miss that. The plot is interesting, and it's also very funny, I was laughing really hard on some of the scenes. The only flaw of the movie is that it completely ignores the sequel that was made before. So this is more like Cinderella 1 1/2 than Cinderella 3, because it clearly ignores some things that happened in Cinderella 2. Anyway, all the fans of Disney should watch this cartoon, they won't regret it! | -1no label
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] |
One would think (as I did), that with Steve Martin, Goldie Hawn, and John Cleese, a movie should be, at the very least, decent. These stars (especially Martin and Cleese) have produced some of the funniest works of comedy of all time. Well, apparently I was grossly mistaken--this is single-handedly one of the worst movies I have ever seen. It boggles my mind how one joke after the other can be so profoundly unfunny. It pained me to watch these talented actors execute one of the most positively lame scripts I have had the misfortune to come across. Based solely on the big names, I remained hopeful for a long time through the duration of the film, but it consistently failed to provide any entertainment whatsoever. Normally, both with movies and in life, I try to stay away from biased comments and broad generalizations. But with this film, it's hard not to let loose. I can count on one hand, perhaps even two or three fingers, major Hollywood productions that left me more bitter than this. This is easily one of the worst comedies ever made. I tried to enjoy this---I really did. But The Out-of-Towners ultimately fails miserably. If you really want time-efficient entertainment, just take your money and watch it swirl as you flush it down the toilet. Just please don't watch this movie. | 0neg
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] |
I found this accidentally on cable -- never heard of it before, somehow. This is one of Orson Welles' finest portrayals, better than Citizen Kane, I believe (Kane's role, after all, was more bluster than acting, no matter how fine the movie is). It is hard to find anything to criticize...the acting all around is superb, the casting was perfect, and the direction was impeccable. Natalie Wood's VERY early portrayal of a native-speaking Austrian girl is rather remarkable for her age, too. The very unusual plot lines are woven together quite well, and right up to the end you cannot be sure just what is going to happen to resolve -- maybe -- everything. This is such a tremendous piece that now I must go try to find the original book. This is truly an undiscovered gem, and I cannot understand why it is not better known. It deserves to be. | -1no label
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] |
I am a huge Sonic fan, and after all the fun Genesis games came out, I thought that they couldn't possibly get any better. I was wrong. The debut of 128 bits of graphics on the Sega Dreamcast was the greatest. The action stages were amazing and I loved the fact that they had adventure fields, so I could run around and talk to people just for the hell of it. There were also different objectives for different characters in the action stages, which made it that much more interesting. Also, the story lines conflict with each other perfectly. One huge drawback is Big the Cat. His story was awful. His missions included fishing for his friend, Froggy. The fishing was tough and not much fun. Another thing that bothered me a little was that every character (not including sonic) had only 5 action stages or less. They were fun as hell, but I wish that they were longer. Overall, I recommend this game. If you don't have it, you are missing out on one of the greatest Sonic games ever to be made. I've gone through it five times and it's been loads of fun every time. I give it a 9.5/10 (Only reason it's not 10/10 is because of Big and the fishing) | -1no label
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] |
When "Girlfight" came out, the reviews praised it, but I didn't get around to seeing it. I finally saw it when it got released on video, and understand the glowing reviews. The movie opens in a high school in the middle of a ghetto. We quickly get introduced to student Diana Guzman (Michelle Rodriguez). She has a bad-ass expression on her face, and any idea about Diana that we might derive from this expression soon gets corroborated when she gets in a fight. As Diana gets in trouble for this, we then meet her father, an aggressive type in his own right; clearly we can't totally blame Diana for her attitude. But then the movie really picks up, as a new thought germinates in Diana's mind: boxing as a way to escape this grim existence. Her older brother has already gotten into boxing, but her father most likely won't approve. Only Diana herself can decide what to do. Just the first few minutes alone identified that I was in for a very gritty, non-Hollywood movie, but the brief appearance of John Sayles in a supporting role truly affirmed that. Even before they get to any boxing scenes, you feel like you're getting pounded in the face at seeing the ugly life that Diana lives. And when they finally arrive at the film's main story, there's no turning back. All in all, I definitely recommend this movie. I will admit that using boxing as a means to show someone trying to make something of himself/herself has been sort of a cliché in cinema for many years ("Rocky", "Million Dollar Baby"), but I still think that they did a great job with it here. In fact, this may have brought the genre to its apex. Really good. Too bad that Michelle Rodriguez wasted herself in Hollywood movies after this one. | 1pos
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] |
When the chillies in a spice shop get more on screen attention than the leading man in a romance, you've got yourself big, big problems. Here are just a few: She's not allowed to touch a human... SHE'S RUBBING HER COUSIN'S HAND 5 MINUTES IN! Does every Indian now living in San Francisco have a history blighted by parricide!? When a film relies on over 50% of it's dialogue through the source of spoken thought it is corrupt of imagination. On a more general note: Mistress of the Spices is a poor story poorly told. It's cliché ridden; the dialogue is shocking; the acting is unconvincing and the directing woefully one dimensional. Aishwarya Rai does indeed have stunning eyes - but does the camera really need to give us close-ups of them every 4 minutes!? There is nothing to recommend this febrile nonsense. It is patronising to both the Sub-Continent and the West and, as a metaphor, is as involving as if she'd have ran a DIY store. Actually... If you're a fan of film and want to see how to get everything wrong - watch this. If you think time is too precious, have a curry instead - it's infinitely more authentic and satisfying. | -1no label
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] |
I really can't add much to the already illustrative comments that have been posted on this site but I have to say that this movie was SO BAD!! that I actually found myself laughing out loud many times, particularly when both leads were locked up under "arrest" in adjoining cells and touched hands through their respective windows -- now that is cinema!! You should by all means watch this movie if you want a good laugh!!! It appears that low budget was the rule here and I agree with another comment on the site and EVERYONE in the prison was obviously gay, even the staff. This truly is subject matter for gay porn but to have a chance at some believability it helps to cast the film well. Or it could be that the cast worked for free or next to nothing on this project. | -1no label
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] |
I couldn't stop watching this train wreck, because I always kept hoping that they would recapture some of the wonder that was originally established before the end of the first season. This show jumped the shark after the writer changes and while I liked Mr Sorbo's work as an actor in previous endeavors, his dumbing down of the show was a bad move. The plots didn't make any sense, it was just gun fights for no apparent reason, and there isn't a bad guy out there who can aim worth anything. Thats it thats all there is to it in the end. I could end this comment right here however the site posting rules want me to print at least 10 lines of text. Well here you go I'm typing some more text and I should repeat that Andromeda was fun in the first couple of episodes, and there seemed to be some sort of interesting back story to the whole thing but beginning in the second season, it lost touch with all of that possible storyline and became a senseless gunfight occurring over and over again and again. | -1no label
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] |
How Mr. De Palma can go from sublime to ridiculous, from Masterful to Childish in just a few seconds is beyond me! Always luscious in his obsessive photography, a visual standard-bearer of 'americana', in this film, "The Untouchables" what most annoys about Mr. De Palma is his almost pathological need to arouse our applause at all costs and at all times! And this obsession seems to 'infect' his actors... De Niro in particular, who really 'hams' up Scarface Capone. His hand mimicry makes him resemble an Airline Hostess giving Emergency Exit Instructions more than the notorious Italo-American Gangster. Unintentionally Funny! The 'final' rooftop chase scene is awkwardly childish, the 'Potiomkin' re-make goofy... Are we in Scorsese/Coppola/Naked Gun land? 3 out of 10 may seem very mean for so much time, trouble money and genuine talent put to waste but... When will baby Brian grow up, and cater for grown ups? | -1no label
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] |
I love occult Horror, and the great British Hammer Studios, who delivered one of their greatest films with "The Devil Rides Out" (1968), have proved to be more than capable in this field of Horror. This occult tenth episode of Hammer's short running TV-series "Hammer House of Horror" (1980), "Guardian of the Abyss", is indeed a creepy entry to the series. Director Don Sharp, who had previously enriched the Hammer oeuvre with "The Kiss of the Vampire" (1963) and "Rasputin: The Mad Monk" (1966) and furthermore directed two "Fu Machu" movies starring Christopher Lee, is doubtlessly one of the better-known names among the HHH directors, and he also delivers here. Antiques dealer Michael (Ray Lonnen) stumbles over a mysterious old scrying glass. The scrying glass happens to be the object of desire of a devil-worshiping cult, who want to use it for their satanic rites. When he shelters a beautiful young girl named Allison (Rosalyn Landor), who is to be sacrificed by the cult, Michael gets into deeper trouble with the cult and their sinister leader (John Carson)... While this is not one of my absolute favorite episodes of "Hammer House of Horror" (the best one clearly is the brilliant seventh episode, "The Silent Scream"), it is a very creepy and atmospheric one. The plot has several interesting twists, and stays suspenseful and uncanny throughout the film. Ray Lonnen makes a good lead, young Rosalyin Landor is convincing as the innocent beauty, and John Carson is truly creepy as the leader of the Satanists. Overall, "Guardian of the Abyss" is another interesting and creepy HHH tale, and my fellow Hammer fans should not miss it. | 1pos
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] |
I'm not a huge fan of musicals, but I like this one. It isn't so much that I love the story but appreciate the quality of film as well as some of the songs. The acting, cinematography, and every other aspect of this film just screams "quality", as it's a gorgeous and well put together film. In particular, I love hearing OLD MAN RIVER. In this case it's sung by the legendary Paul Robson and he does a magnificent job. However, I think the original film made in the 1930s probably did a better job with this song. But what the original film lacked was color and high quality singing and production values. It was good, but this remake just jumped out of the screen! An exceptional, though a bit old fashioned film. | -1no label
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] |
Asian cinema has progressed in many ways. Nowadays the production values of for instance South Korean films are almost as high as for standard Hollywood-fare. But still there is some way to go before the quality in all aspects rise up to what we've become accustomed to. "Yesterday" is basically your standard Asian techno-thriller. Flashy visuals, nice special effects and flawless technical quality throughout. But like many other Asian movies i feel the script would have needed another run-through. The story of missing children being used for experimental research, and the connections to modern-day homicides, is just too messy. I never got a feel for the characters, never got a feel for the story. Also the actors feel a bit low on expressions, which doesn't really contribute when i already had trouble feeling anything at all about the movie. Simply put, this is not engaging enough. And another problem that is also tied to the script is the fact that the movie is overly long. At just over two hours it stretches the script very thin. Since there are a few really nice action scenes, and a lot of promise in the visuals and general stylish look of the movie, i would like to see a more compressed story. Maybe twenty minutes shorter and some of the slower less meaningful scenes could have been cut out. In general i think both pace and story would have benefited from that. In the end this movie failed to excite me. While it looked nice (and sounded nice) it didn't have much to offer in the way of plot or character development. And in the end nice visuals and a hefty budget is not enough to keep me entertained for over two hours. With a better script and less drawn-out filling scenes this could have been good. Now it's hardly mediocre. I rate it 4/10. | -1no label
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] |
When commenting on this film, one must realise that it is based on a true story, and must therefore be reviewed for the quality and accuracy of it's portrayal of the events, as well as its entertainment value. It may well be implausible that Jack Shepherd should surrender twice to Jack Wild because Wild had captured Edgeworth Bess. None the less, it happened. It must also be noted that the director was young and inexperienced, which explains why he relied upon tried and tested techniques. There were occasions when Clavell did not have the confidence to follow the script as written. The film would be better if he had. And yes, I used to have a copy of the script (Stanley Baker's copy - one of five), which I returned recently to my father, Rafe Newhouse, the writer. | 1pos
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] |
Once more Doris Dörrie makes us dive into the deep absurdity of life in general and love affairs more specifically. Through precise observation and careful staging she displays the weakness and the strength of the characters. Two examples: One of the most powerful scenes is when Linda (Franka Potente - Germany's latest shooting starlet) prosternates herself in front of the Holy Virgin during the Semana Santa in Seville and prays for strength and courage. When the unfaithful husband is about to be discovered and drops to his knees asking his daughter for help is another scene that made me both laugh and weep. "Bin ich schön" is one of the best satires on society I have ever seen and Doris Dörrie may well be seen as the European counterpart to Woody Allen. | -1no label
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] |
This HAS to be the worst movie I've ever attempted to watch. In the first 15 minutes, there wasn't anything to keep my interest in this movie. I was on vacation at the time, and had plenty of time to devote to a just-for-the-fun-of-it movie. The condo we were staying in had this movie in stock -- they must have got it from the $1 store or something. If you like Adam Sandler, this is nothing like any other movie he's made. This started with a bad premise and then just got worse. There's nothing even remotely funny in it. I've watched a lot of movies, including some I didn't care for. But if you decide to waste your time on this movie, don't say I didn't warn you. | 0neg
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] |
The film was started post HAHK(even the title was HUM AAPKE HAI SANAM that time) and it took 8 years to complete When the promo was shown i was shocked considering SRK and Salman haven't shared screenspace since KARAN ARJUN and suddenly a film with them and Madz comes The movie is regressive, outdated and could be better in 90's The back story of Madz- Salman is so cringeworthy even there is too much sermonising But there is one plus point and that is SRK in this film, well normally he overdoes his scenes here he is in full control and plays his role with a straight face and brings a lot of fun in the movie Sadly the film never manages to sustain the tempo and we have tripe like GALE MEIN LAAL TIE.etc Also it's funny to see the appearances of actors Salman suddenly in 1 scene looks straight out of JUDWAA days with his medium sized hair and with his overacting but lively acting and then he comes to 2001 days where he looks dead The dubbing too is inconsistent and also his acting which goes from amateurish and then to dead acting SRK too suddenly has short hair, long hair and also his looks keep changing and so his dubbing and acting Madz too, in 1 scene she has brown hair and then the ponytailed black hair look The film also has the late Laxmikant Berde who wasn't much seen in 2002 Also we see Atul Agnihotri who was rejected post 1998 i feel and was just seen as an extra Direction by KS Abdiyamaan is outdated though good in parts Music is okay, most songs sound old Cinematography is inconsistent Acting SRK though looks inconsistent yet he delivers a wonderful performance and rarely hams which is a relief Madz is as usual, she does a good job but her role is too regressive Salman khan is inconsistent, at times lively and at times dead below average overall Laxmikant Berde is okay Alok Nath is okay in a small role Atul Agnihotri is a reject and he annoys | -1no label
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] |
This is a fairly average film, with some suspense and some humour. Eric Stoltz, who is very talented, is not given enough to do. Lori Loughlin is very good. James Spader plays almost certainly the most evil character of his screen career. Also the blondest - he resembles the love child of Dennis Hopper and Marilyn Monroe. That is a simile, not a rumour! I would have given this 5 points, but I am deducting 5 points for the execution of the chicken. There was nothing in the credits to imply that this scene was faked. I am, however, replacing one and a half points because at least the film makes the link that people who are gratuitously cruel to animals are likely to harm other humans. I replace a further one and a half because the heroine fights back. | -1no label
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] |
My Take: Typically routine and lazy straight to video attempt from Disney. Disney must have fallen in love with the family movie tradition that is the family dog. Many movies have devoted themselves with stories that solely center themselves with man's best friend. Disney themselves have made a handful. They also made a handful of those that are literally dogs. Add this one to that bunch. I haven't seen the original for a very long time, so probably I'm not the right person to judge if this straight-to-video sequel fares any better. Anyone above the age of seven aren't the right people to see it either. Perhaps only the youngest of the young will want to see LADY AND THE TRAMP II: SCAMP'S ADVENTURE, and even they would grow up and say it wasn't the best kind of family entertainment they have ever seen. I guess to be fair, I can say is that it warrants a rental, but that ain't much to say. This sequel pretty much picks up the parts left behind after the original oft-called classic. Lady and Tramp now have a litter of cute Crocker Spaniel pups... and one mischievous mongrel named Scamp who is a chip off the old block. Instead of the confines of home, Scamp wishes to run off with the other junkyard dogs of town, unknown of his dad's own past as one of those mongrels of the streets. To capture the charms of the original, this one throws in the same poor dog/rich dog love story, in vice-versa. Scamp falls for a one of the junkyard dogs named Angel (and who wouldn't with a name like that and a voice that sounds like Alyssa Milano?). Que replay of the famous spaghetti scene! Other than the "cute" factor, there is nothing in store for any audience in this lazy straight-to-video effort. Stick with the original. Rating: ** out of 5. | 0neg
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I guess being from England and having been reading about Jack the Ripper for 12 years from books to movies I finally saw the right movie here in Denmark a few years ago where everything seemed to make sense and it was the mini series with Michael Caine. So my friends and I had to choose between Shallow Hal and From Hell. We figured From Hell would be good since we all were familiar with the story so there wouldn't be any surprises. 27 minutes of the movie and we are in total suspense and something happened and they had to restart the movie once again! So again we sat back and waited for that moment to come again and we figured wow if it was so interesting for the first ½ hour it would no doubt be even better later on! WE WERE WRONG!!! The entire movie suddenly fell out of place and entered a whole other dimension where fact and fiction had to be divided and after dividing it the whole movie became fiction. If they had to base a film on something like that they shouldn't have made a Jack the Ripper film it was almost an insult to what Michael Caine had preformed so perfectly as Abberline. Johnny Depp's accent couldn't be anymore silly than it was even though I would give him a little happy by saying nice try there. The real Inspector Abberline was in his late 40's, did Johnny even look past 30? This movie will get a 2 out of 10 and only because the whole setting was terrific and even the special effects with the knife, good! Other than that don't bother it unless you have some extra cash in your pockets and nothing else to do. | -1no label
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] |
A serial killer dies in a snowstorm and gets mutated into Frosty the Snowman's evil twin. Then goes on a killing spree. Interesting plot. Sounds scary. And it is scary. If you're five years old. Otherwise, it's kind of cheesy. I saw it on cable and I'm glad I didn't pay money to see it. It has all the charm and style of a low-budget movie which may become a cult film. I'm sure it has a loyal fan base somewhere. I'm just not in it. Even though I didn't like the movie as a whole, there were some scenes I found amusing. Such as the bathtub scene and the post-explosion scene with the Picasso reference. It was also enjoyable to watch the many ways the heroes try to kill Jack and he just doesn't seem to want to die. In short, "Jack Frost" is a good low-budget B-movie comedy, but a bad low-budget B-movie horror. | 0neg
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] |
Well, at least this was the last sequel that I could find at Blockbuster, because this movie was just downright horrible. I mean, I can understand how hard it would be to get rid of an evil house. We're talking starting a horrible fire, bulldozing, flood, etc. But a mirror? How hard could it be can it be to get rid of a mirror?! This was the most horrible movie that could've put the title of Amityville into the picture! Well, a group of friends who are pretty much from the start, are a bunch of freaks. One of them is a photographer of some kind and buys a haunted mirror from a homeless creepy guy, teaching me a valuable lesson, don't buy things from homeless creepy guy. Of course, the horrible deaths and chaos ensues this group, though I can't imagine anyone missing them. Please, skip Amityville: A New Generation, I've already got a few complaints about my generation, so I think this was a premonition. Not to sound so crazy. :P But believe me, this is horribly acted, not well thought out, and not even scary! I feel so bad for the original writers of The Amityville Horror, they must be crying every time person witnesses this film. 1/10 | 0neg
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] |
In South Dakota, in an Indian reservation, an old storyteller Indian (August Schellenberger) asks his grandson Shane (Eddie Spears), who is in trouble owing money to some bad guys, to take his old pony and him to Albuquerque to the great powwow, an Indian meeting. While traveling, Grandpa tells mysterious Indian tales of love, friendship and magic. What a great surprise was watching "Dreamkeeper"! Released on VHS in Brazil, with 167 minutes running time, it is composed by several wonderful mystical Indian tales, with gods, spirits, enchanted horse, evil serpent in a lake, all of them connected through the narrative of the Grandpa to his son and with the support of excellent cast and special effects. This feel-good film is a must-see entertainment for the whole family. My vote is eight. Title (Brazil): "O Guardião dos Sonhos" ("The Dreamkeeeper") | -1no label
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] |
There's a spartan, unsentimental edge to this film that allows plenty of room for us to participate in the action without any stylistic encumbrance telling us HOW we're meant to be feeling; in 'Blue', everything was overtly sad (sure, powerful as hell, but still); in 'White', it was delightful whimsy. But there are no such emotional clues, or cues for that matter, in this one. It's as if he finally let the force of the tale work its own magic without razzle-dazzle embelishment. I think that's what makes it the most initially enigmatic of the three, but finally, the most transcendent and redemptive. Never has remorseless, unsparing honesty been quite so beautiful. | 1pos
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] |
Dark from the very beginning, and set in a dirty, dingy, depressing part of London, the film is quite unnerving and doesn't let up. Music, sound track and special effects are low key and very effective. The low budget suits the style and milieu. We saw this film in the United Arab Emirates - the Jinn are spirits mentioned in the Qur'an - for people here, they really do exist, and are not to be messed with. Clear moral - don't mess with ouija boards! Well done - by the way, to the people who complain about less than perfect camera work and the occasional boom mike visible - I don't care if the basic idea is good. This film is good and deserves to be watched and appreciated. My horror connoisseur wife loved it - that's saying something. | -1no label
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] |
When oh when will I learn that the bargain priced movies in the bin at Walmart are there for one reason. They're shoddy junk. "Act Of War" for a buck fifty was no exception. James Bond without the class. John LeCarre without the intelligence. The acting is bad. The plot is simplistic and predictable. As usual in these bang bang epics, the bad guys are all lousy shots. I know nothing about guns but I'm sure I could kill more people banging off an automatic weapon than this bunch. But then, if they hit their targets, the movie could be a good forty minutes shorter. (Which might not be a bad thing.)This indeed is one of those films that is so bad it's almost good. One suggestion. If you must buy bargain movies at Walmart, go for VHS rather than DVD. At least that way you can re-use the tape. I haven't yet found a use for old DVD's. | -1no label
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] |
I've now watched all four Bo Derek vehicles directed by her husband, John; all are quite terrible, of course, but this is certainly the pits. Featuring the usual flimsy plot, bad scripting by the director, naturally and acting, not to mention gratuitous nudity by the star, it deals with her losing much older husband Anthony Quinn (she accepts his shotgun suicide by saying he had always admired Hemingway!!) but who continues to appear and talk to her. In fact, he wants to come back in another, younger body
but actually does so only in the very last scene! Derek is lovely as always, and still playing naïve(!) especially during a muddled mid-section which has her pursued by a hired killer at a spa. Quinn, too, is typically larger-than-life (read: hammy) here, but this easily constitutes his nadir; besides, for much of the duration, he acts from behind a piece of shiny plastic (presumably suggesting his being in some sort of limbo)! His 'replacement', then, is obviously a handsome-looking stud who hasn't a lick of talent or even personality. Also featured in the cast are Hollywood veterans Don Murray (as Quinn's best friend and Bo's business consultant) and Julie Newmar (as Quinn's guardian angel in the afterlife) plus a surprising cameo appearance by billionaire Donald Trump (who presumably needed this on his resume')! It also goes without saying that John Derek was his own cinematographer on the film, that the end credits are filled with useless (and corny) expressions of gratitude to the many people who lent a helping hand, and that GHOSTS CAN'T DO IT swept the board at the 1990 Razzie Awards! | 0neg
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How i deserved to watch this crap??? Worst ever. The acting was awful, when i read that this was a comedy i expected at least to smile, once - or twice, but.... If you are wiling to loose hour and a half of your lives, this is the right movie. I recommend just look in a wall or something, anything else but watch this "film". Yoy can even watch a documentary (if you are a guy) about pregnant women, i guarantee it will be more entertaining :)The actor in this one (i forgot his name) is not that bad, and i am surprised how hi accepted the role. Anyway "I want someone to eat cheese with" is the right film if you want to punish someone. | 0neg
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About the kindest think I could possibly say about this movie, is that it is funnier than 'Commando.' Starring Fred 'Where the hell did my career go' Dryer as a Marine who lives by his own rules.(clever huh?) After the killing of all his buddies, and the kidnapping of his gruff but loveable Colonel, Yep... you guessed it, he goes on a one man rescue mission (against orders naturally) to rescue the Colonel, and to kill as many non-english speaking persons as possible. Laughably cliched from start to finish. Whoever wrote this should have their crayons taken away. | -1no label
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] |
After we counted the use of the f word, oh, about 22 times in the first 10 minutes or so of the film, listened to some really bad actors going on about a woman and a horse, and pretty much acting like 12 year old boys being naughty together, well, we turned it off. Relying on gratuitous profanity and potty humor is a sure sign of a loser Hollywood movie, the product of unimaginative and no-talent writers. We did give it a second chance, thinking surely it would get better. No dice. Later, my boyfriend skipped through the rest of the movie in case it improved, still no dice. The main character did have a cool bike. I wouldn't recommend this to anyone except maybe really immature adolescents, or frat boys. | 0neg
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stuey unger was a card playing legend. he was quoted in an interview as saying, "Some day, I suppose it's possible for someone to be a better No Limit Hold'em player than me. I doubt it, but it could happen. But, I swear to you, I don't see how anyone could ever play gin better than me." there's a gin rummy scene in this movie that is so amazing you could have plopped it in 'X-Men' as a showcase for a superhero's mutant power. that's how incredible this man was. i have a few minor problems with this movie. as dark as this movie was, stuey's real life was darker. poker pro todd brunson said, "During the last World Series of poker, Bob Stupak, Mike Sexton and I had a drink and talked about Stu. Mike told us how he could barely talk, hadn't showered in weeks and how his fingers were burned black by a crack pipe." in the film, michael imperioli looked far too healthy to be stu unger in the final years of his life. when stuey won his last wsop he looked like a skeleton, but let's face it, this production lacked both the time and the "deniro" to make that kind of transformation. my other problem was that i wish there was more poker playing, with actual hands and situations. sure it might have bored the average non poker enthusiast, but it would have been nice for the hardcores. too bad the movie wasn't 6 hours or so longer. i watched the movie with 3 non poker players and they all thoroughly enjoyed it. just like you don't have to be a former member of the colonial army to enjoy Gibson's "the patriot", you don't have to be a poker player to see this gem. can't wait for the DVD. (8 out of 10) | 1pos
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] |
There really wasn't much of a story in this film. It loosely based itself off the events in the first Lion King movie. It is supposed to be how Timon and Pumbaa met via their aloneness. But there isn't much more than that. It mixes some scenes from the original, then it ab-libs about how this movie changed them a little bit. But still, is that it? I was hoping for something a little more. Instead, all I have to show for it is an empty plot with little explanation. I guess if you wanted to see other meerkats in the Lion King universe, then this is it. But other than that, it does little justice for the animators. Disney really should stop these direct-to-video productions. It really was quite boring and could have used Jason Statham. "D-" | 0neg
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] |
Ahhhh, 1984.... I was young and stupid, and just developing a taste for those exotic cigarettes, whilst living in a squat in Manchester's Moss Side, with the most unbelievable case of cockroach infestation. After a few of those doobies, this show was ROTFLMAO material - I was an avid fan. Then I'd look down at the floor (or up at the walls, or just about anywhere) and see my very own collection of "little armadillos" scuttling about. Not sure if it was the chemical enhancement, but I remember thinking at the time that the overt surrealism of the show was fantastic - it was my second favourite thing on TV at the time (#1 was the season of Luis Bunuel movies being shown by Channel 4). Radical art lives on! Also you gotta that theme tune! ....I swear, I'll never drink no more.... | 1pos
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] |
Sisters of death is an awful movie. Save yourself some money and buy something different. I learned the hard way and bought it and it sucks. There's not one scary part in the whole film, and it drags on and on. Sisters of death is definitely one that will put you to sleep. Save yourself the trouble and forget about this movie. I read about the movie before I bought it and it sounded really good, I am a horror movie fan by far, but this movie is a bomb. Steer clear of this film. Bad, bad, bad, and more bad. This is one of the worst horror movies I have ever seen. It should have been named Sisters of Talk , because thats all that happens. | -1no label
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] |
Third and last in the Ginger trilogy. I watched the first two, so I have to finish the trilogy, that's the way I am for better or worse, in this case the latter. In this one Ginger is cold in to put a stop to ... insider trading?? Yup more or less that's what it is. She also acts WAY out of character by falling in love with a black man. Now there's nothing wrong with that, but when you set her up as absolutely hating blacks in the first one, you stick to the character no matter how despicable. Despite that this has all the ingredients of a Ginger film. S&M, stupid dialog, silly 'action'. It's as bad as the other two. Eye Candy: Cherri Caffaro, Jocelyne Peters and an unknown girl all get fully nude My Grade: D | -1no label
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] |
SCHIZOPHRENIAC: THE WHORE MANGLER is another example of what happens when you get a bunch of untalented people together to make an "extreme" horror film. Any sort of acting, production, storyline, FX, etc...go out the window in an effort to create "shock-value". Now don't get me wrong - I consider myself a connoisseur of "shock" films, and the sleazier/gorier/nastier the better - but it's still nice to see SOME sort of talent from SOMEONE involved in the film. SCHIZOPHRENIAC chronicles the life of Harry Russo - a drug-addicted freak-show who takes orders to kill from his ventriloquist's dummy, Rubberneck. He goes on a few sprees killing hookers and other random people, and screaming about how much he hates "hoo-uhs" (that's "whores" for those of you that don't speak New York-ese...) and how he wants to rape them in the ass. There are a few weak necrophilia scenes, very little gore, and some nudity to mix things up a bit - but nothing that you haven't seen in a better film... The only redeeming thing that I can find in this retarded film are the often (unintentionally?) hilarious screaming-fits from our main man, Harry. He goes on-and-on-and-on about wanting to kill everyone and do them in the ass, and it really becomes quite comical after a while. In fact, I'm almost tempted to believe that there's supposed to be some sort of homo-erotic undertone to this film, with all the ass talk and constant shots of Harry running around with his dong hangin' out. In all honesty, that joker is nekkid more in this film then the few chicks that show some T-and-A (and some full-frontal, for good measure). SCHIZOPHRENIAC is mildly amusing as a 1-time watch, but I can really only recommend this to those that want to be able to say that they watched a film called SCHIZOPHRENIAC: THE WHORE MANGLER. To be honest - the title, by far - is the best thing about this trash...A generous 3.5/10 | 0neg
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] |
I have been a fan of Without A Trace from the premier episode. I really cannot express my disappointment in the episode last week. This is a REAL problem that far too many Afican-American families have dealt with and continue to deal with. The lack of media coverage crucial in the first 48 hours has been documented by a recent study. Law enforcement including local , state, and federal are also complicit. What was the purpose of advertising this subject matter and then copping out on the ending? Seemingly, television can deal with almost ANY subject matter EXCEPT RACE. This is shameful.Get it together or don't explore it next time. | 0neg
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] |
This is high grade cheese fare of B movie kung fu flicks. Bruce "wannabe" Lee is played by Bruce Li...I think. Of course, let's show quick clips of Bruce and do closeups of his eyes and if you quint at the right angle during a certain time of the day during the winter solstice, it kind of looks like Bruce. You'll laugh in awe at how the film splicing isn't very good, but some cool deleted scenes from Enter the Dragon are thrown in the mix. According to the movie, Bruce Lee was killed by a dart while hanging from a helicopter. Of course, they think this can excuse Bruce Li for trying to be Bruce even though his character is supposed to be Bruce's brother (who for some reason still mimes Bruce's gestures and fighting style - very POORLY). See Bruce go one-on-one with the cowardly lion. The props department stopped by Kay-Bee, you see. Bruce also finds nothing wrong with savagely beating up a crippled man. Towards the end, the director decided "let's throw a flashback" for a scene just shown 3 minutes ago!! They must've thought that only one-celled organisms with attention deficit disorder could fully understand this film. | 0neg
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] |
This was truly an awful film, towards the middle I was mostly laughing. The plot was infinitely stupid and, as it's been said in the message boards, the script was in desperate need of a thorough rewrite. The characters were not convincing at all in part because they were so oblivious to this kid behaving really strangely right from the beginning (He was never scared! How could they fail to notice that? He looked as if he was on a boring school trip). No one was surprised he could draw like some professional comic book artist or that locked doors didn't stop him. There's something called "suspension of disbelief", well, with this film it's not a suspension you needed it's an obliteration. The direction and the actors were OK, nothing outstanding, nothing outrageous. I liked the bird's-eye view of the snowy landscapes (reminiscent of Shining, like a few other things) until they started to get overused. Whisper was like a serious version of Home Alone where Kevin the funny kid was replaced with Damien the satanic kid (from The Omen). A stunt that could have been pulled on South Park but didn't need a movie of its own. | -1no label
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] |
I caught this amateurish effort on late-late-night Showtime when the only alternatives were infomercials. This apparently home-made video rambled on with a barely discernable plot and featured a family of losers who have something to do with a fruit market and an opera singer who looks like a Saturday Night Live parody of an aged Maria Callas. I watched with disbelief as the amateur ensemble of would-be "actors" stumbled through the film as a lesson in bad ad-libbing. Either those on IMBD who claim they liked it are related to the video's producers or rank the Cartoon Channel as great TV. What a waste. Mark Pearlman | -1no label
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] |
I spied this short on a DVD of best new Zealand shorts, all great but The french Doors was amazing. It starts off slow and you wonder if there is anything going to happen. Just as you relax into the hum drum of home renovation, the most spookiest thing happens. EEEEkkk, I wanted to stop watching, but I was glued. The films dips into the primal fear of the dark and with little, if not any, special effects. It chills you right to the bone. A simple yet brilliant concept opened up all those memories of when I was young and dream't up the most improbably but spooky situations. The film makers visual style are bang on and the lead character takes you convincingly through the story. It is a quality short that I haven't seen in quite some time. The French Doors has all the hallmarks of a great feature, alas it finishes after ten minutes or so. Never the less a great ending that begs you to want to know more. Loved it and well done and thanks for the ride. These New Zealanders are really turning out the talent. A new fan. | 1pos
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] |
A boring night i was zapping thru the satellite channels. When i came to Norwegian channel 3 my yaw dropped to the floor with a loud bang, then i started to laugh and didn't stop until the end credits. This must be the silliest so called movie i ever have seen. The whole thing just screams "we have no money to do this but we are going to do it anyway." and the story is not a story, it's a single plot point "some ants eats some guys". The so called script is heavily based on the idea that it's impossible to run from ants so when the ants (the black dots with legs) attacks, the characters just stands in a corner and screams until they are eaten. This is really one of those so-bad-it's-funny movies where nobody involved in the making never understood how bad the whole idea was until it was to late, so i recommend it to everybody who likes bad movies. | -1no label
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] |
Of the four short films featured here, the best acting was in the second film entitled "O Beautiful" by Alan Brown, with David Clayton Rogers and Jay Gillespie actors. This film deals with gay bashing and gay teens. A contemporary issue like gay bashing is a subject matter that some would rather not face and will undoubtedly have a bias against this film prior to viewing it, due to the subject matter. "O Beautiful" a complicated high drama poignantly and accurately portrays gay male teenage angst, which is very traumatic and difficult to deal with especially when occurring right after the barbarous heinous act of a gay bashing. Bravo Alan, David, and Jay! This short should be extended into a full-length film and shown in high schools around the country. | -1no label
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] |
Lorenzo Lamas stars as some type of CIA agent, who captures some exotic beauty named Alexa, kidnaps her daughter and forces her to fight her former employers. O.J Simpson is also on board to provide a dash of acting credibility for the not so talented ensemble. I must admit i'm not a fan of Lorenzo Lamas, or his movies. He stinks. However when compared to O.J Simpson and Lamas' comatose wife Kinmont, Lamas seems like ah, Jean-Claude Van Damme. I only saw CIA because of the renewed interest around the O.J Simpson trial, you see because if your parents had cable and the extra channels, you couldn't escape this movie. in 1994 you could go to an Amish community and some moron would have this playing in their portable TV. The movie itself is a collection of lame action sequences and would be intrigue although the shock value of O.J Simpson jumping after fireballs and exchanging would be one liners do provide some unintentional humor. Also where was Bobby Knight and Kobe Bryant to make this a complete camp classic? * out of 4-(Bad) | 0neg
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] |
I didn't appreciate this film until I saw the updated version. This film starring Jack Lemmon and Sandy Dennis as Ohio visitors to New York City. The trip is nearly disastrous from the moment that they get off the airplane. Of course, this film is one of Neil Simon's better works. The couple lose their luggage, get robbed, and don't have a clue about the way that the city works. George is here for a job interview and has high hopes of moving to the city with his wife, kids, and dogs. He has a romanticized notion of New York City that he sees in the films and television shows. Being there is different from just the movies, I think the ending speaks for itself. New York City is not for everyone but it's how they came to the realization of how tough it is to be New Yorker and even the ending is something that could have generated a sequel. | -1no label
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] |
Yes! Another superhero film comes and goes! What I love about these kinds of films are that we have the hero. We have the villain. We have a damsel in distress. Heck, we even have a problem in the world, like a shortage of cows, or that we need help opening a nasty carton of milk! This movie, "Captain America," does all of that. No, there isn't anything in this movie that has to do with cows or opening milk cartons or anything. However, there is the hero, Captain America, and the villain, The Red Skull, and so forth. "Captain America" is a superhero movie that may not be as exciting as "Spider-Man," but believe me, if you are lucky enough to find a copy (and they are extremely difficult to come by nowadays!), then you can watch this movie and see what all the buzz is about. | -1no label
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] |
According to rumor, it's the famous racecar driver Jaques Lafitte who drives this car as it speeds insanely through the near empty streets of Paris at 200km/h one early morning. Veering for cars and buses, almost hitting pedestrians and pigeons on every corner, this is as close to a real snuff movie you'll ever get. Very little is known about the car and it's driver. But I can assure you this: It was in no way sanctioned or produced with the cooperation of the police. It's far too risky for that. But what a ride! An absolute must see for any film or racing fan. Brilliant! | -1no label
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] |
It is clear this film's value far supersedes the cost with which the format (mini-dv) implies. In fact, the filmmaker embraces the format and incorporates it so craftily into the storyline that I forgot the fact that I was not seeing the typical 35 millimeter film. It has the core appeal of indie movies like Clerks & the work of Robert Rodriguez combined with a fantastic "new take" on the romantic comedy genre. "This Is Not A Film" is an honest film with honest portrayals and, it is a superbly paced narrative. There is not one point in this film where I felt a scene could have (or should have) been omitted. On the contrary, the director pulls amazing performances out of truly gifted actors and does so in extremely confining circumstances. From page to screen, this film is a worthy and relevant story that hits on so many levels (creative, technical or otherwise). I highly recommend it for all who enjoy cinema or those looking for a little charm in an otherwise devoid of charm medium. | 1pos
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] |
Much better than i expected. I first saw this film on one of those boring rainy days where you end up sitting in front of the TV channel surfing. i stopped while this was on. needless to say, i watched the whole thing and totally enjoyed it. it's very funny at times, and the plot is hilarious! some of the comedy is slapstick and some of it isn't...but it's all good. give it a rent and you won't be disappointed. i just picked up the DVD for 9.99 and i'm glad i did. yeahhhhhhhhhhh yeah yeah! (sorry, i need ten lines before i could post a comment) | -1no label
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] |
I happened into the den this morning during the scene where Ed was engaged in the 3-Way and thought my wife was catching up on some early morning porn! Much to my surprise it grabbed my attention and I rewound it and we started watching it at 4:30 in the morning! What a very entertaining, rich, funny and well developed plot line and script. We both thoroughly enjoyed it, my wife so much that she shared the experience with her girlfriends at work! Going on to recommend it and say what a "kick" she got out of it. I am in my late 40's and she in her early 50's. I think this movie would have appeal to both young and old. An unexpected, very enjoyable surprise. Nice work! Thanks! Two thumbs up! | 1pos
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] |
I admit I'm not a fan of the last two series, but to produce 36 episodes of consistently good quality has to be recognised as an achievement, anyway. My current favourite episode is "Legion", although today is a Monday, so this choice is subject to change within the next 24 hours... ! Each member of the crew has their own instantly definable personality, and I just love it that even when greeting members of other civilisations, the toadying Rimmer cannot help but bluff about his high level of sophistication: (Paraphrasing) Rimmer: "Ah, an excellent example of modern art, no doubt. Note the precise cubic structure and its bold, sweeping lines... What is it?" Legion: "My light switch". R: "Can I buy it?" L: "Not really. I need it to turn my lights on and off... " I'm torn between whether I prefer on the whole the stark, bleak and basic environment of the first two series, or the polished, more modern look of series 5 and 6. In the beginning, the drab and ordinary nature of the sets allowed the focus to be more on character comedy, but in later years the more colourful design went hand-in-hand with ever more bizarre and interesting stories. Although the writing style changed as we became more comfortable with the characters, in half a dozen runs the quotient of laughs was kept remarkably high. This is the most important thing for a comedy, and above all, the clever and rapid-fire jokes are what helped "Red Dwarf" to achieve its own unique and seismic impact. | -1no label
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] |
Minis are cool and they can go anywhere if driven with great skill. This is the moral of The Italian Job. An hour of random, illogical filler (admittedly with the odd spectacular car wreck) precedes the famous 20 minutes of watching minis do cool stuff and the final 10 minutes is only there to pad the movie to feature length, but the good 20 minutes is a must see! Where does it go wrong? Characters (at least a dozen of them) are introduced from nowhere, appear for 5 minutes and disappear only to be seen at the end cheering or shaking their fists depending on whether they were good or bad. A lot of these characters seem to have jokes reliant on us knowing their personalities, but we don't! How do you get to know a character that's only got 3 lines (albeit stereotypical lines)? It's a case of quantity over quality. Tragic as most of the actors are fine in the quality department, but don't get a chance to demonstrate it. Even Benny Hill only has about 3 minutes screen time! A fin example of how to turn a great ensemble into a great jumble. The first hour consists of random 5 minute bits that make sense within themselves, but don't have anything to do with one another nor do they logically flow. They do go in a general direction, but so much is touched upon , but never explored. Not wanting to give too much away, I'll simply say that the ending is crap. It's a good idea for an ending, but is executed as though it were in front of a blind firing squad. The cinematography is great, particularly for a 60s movie. When a film looks good today, you know it looked great then. The car wrecks look fantastic - proof that you don't need CGI for great action bits, provided you have the money to burn. Too bad what the were shooting was, for the most part, awful. The best recommendation I could give: Skip the first hour, watch the minis do their stuff, then turn it off. | -1no label
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] |
The great thing about the Airwolf series is the super-cool hero, Stringfellow Hawk. He's an ace helicopter pilot who is a cello player, art collector, and an environmentalist. He doesn't eat red meat. He's genuinely cool without any fake macho bull-crap. I also like the way he blows away villains who really need killing, but generally spares the lives of low-end flunkies. The fact that Stringfellow does not own a television is a big bonus. Stringfellow is proud without being arrogant. He is a thinking man's hero. Airwolf is a must-see. It is a shame that the actor (Jan Michael Vincent) fell short of the heroic ideal of the character he played. I recall that they re-launched the show without him after he cracked up. I saw one episode, but it wasn't the same. | -1no label
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] |
So after seeing Lost Highway and finding it brilliant I wanted to see more of Lynch. This one had a rating of 7 so I check it out (as I tend to avoid movies with an IMDb rating of less than 7). I was disappointed. The creepiness of Big Tuna, Texas was about a 7, but most of the rest of the movie was a 2 at most. The acting is generally poor and the ending of this movie is just plain stupid. The only other good thing about this movie is Powermad. It's too bad they didn't continue. What a great, technical, speed metal band they were. I was left thinking about Lost Highway for days. This one I hope to forget. | -1no label
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] |
With WWII over, movie studios quickly rushed to focus on vets returning home. "The Best Years of Our Lives" was probably the best example. It portrays various people returning home and how they have to readjust not only to their pre-war lives, but to the overall changing world. Probably the most interesting cast member is non-actor Harold Russell. Having lost his hands in the war, he plays a man with hooks where his hands used to be, and reminds people that he wants to be treated just like everyone else; he went on to win Best Supporting Actor and a special Oscar for the role, making him the only person ever to win two Oscars for the same role. There will probably always be debate over whether this deserved Best Picture more than "It's a Wonderful Life", but I certainly think that they did a good job with it. Very well done. | 1pos
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] |
Few is the correct adjective which describes my viewing and experience with mockumentaries. Next in line is the fact that you don't get too many highly acclaimed Australian movies which literally dazzle all us couch-spectators. Such were the facts, experiences up my sleeve with this section of flicks, which propelled my mindset into the "must-see" mode. And there I was, curiously seated in front of the big screen. In a matter of a few minutes, it was apparent that the movie was so cleverly pre-wired to drag us into the sea of illusion that we were dealing with actual facts and figures that go behind the scenes in the Australian dance hype. It was only because of my high alert mode, that I kept on reminding myself that this was not real....only FICTION! For starters, this flick smacks of the determination, both mutual and individual, which the key characters subject themselves to, in order to play a role in the everyday competition saga which, it goes without saying, regularly repeats itself. Three categories of key-players in this game: the teachers, the students, and the parents, warrant themselves a lot of merit. For instance, not only do the children get on board, but their parents, pro-actively, push them towards the dance floor. It's an amazing game of desperation, commitment,effort by all parties involved. An eye-catching performance which steals the majority of the show is Mr. Jonathan. Crude? Clandestine? Do or die? Or determination verging on hysteria? Amazing how he tries to mold the mindset of his students in the bud, by asking them to imagine all sorts of shocking/horrific scenes, and making them fill in the action/reaction gaps through their dance steps. Good job Darren Ashton. We need more from you coming. And thanks for spicing up the scenes with such great tracks! | -1no label
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] |
**POSSIBLE MINOR PLOT SPOILERS** Superstar Rachel Marron (Whitney Houston) is receiving death threats and fears for her life. She hires a high-priced but excellent bodyguard Frank Farmer (Kevin Costner). They hate each other at first but naturally fall in love. Utterly predictable and a real mess. There are so many things wrong with this movie it's hard to know where to start. First off Costner's haircut is terrible! Seriously, it's so bad you look at it in amazement. I realize he did it because Steve McQueen was originally supposed to be in it--but that's still a stupid reason. The script is just lousy--full of terrible lines and the plot really doesn't make a lot of sense. The romantic sequences between Costner and Houston are so horribly written and acted that it's almost embarrassing. Purportedly Houston and Costner got along during the filming but they don't show any sparks on the screen. The acting doesn't help. Costner plays the movie with a blank expression on his face throughout (but that DOES fit his character). Houston is a very beautiful woman and a fantastic singer--but she can't act. A few times I was actually smirking at her terrible attempts at acting. An overblown overdone mess of a movie. Very dull too. Also if you're seeing this for the music don't bother. Houston sings four songs that all became hits (especially "I Will Always Love You") but you never hear the full versions of the songs in the movie! You might hear the beginning and middle but never the whole thing. Despite all this though audiences in 1992 loved it. It was a huge hit and was nominated for two Academy Awards (for the music). So, use your own judgment. Also Debbie Reynolds turns in a pointless cameo. | -1no label
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] |
The production values for this film make it fall short of Hollywood blockbuster status, and the script makes it fall short of cult status. What is left is a tired formulaic attempt at the disaster movie genre that will disappear with the ebb tide. A decent cast, are either miss cast, or cannot be bothered.The beautiful Joanne Whalley is unable to bring any gravitas to the role of Police Commissioner Nash who wears the most irritating matching waist clincher above her skirt. Jessalyn Gilseg plays the heavyweight part of Director of the Thames Barrier with all the conviction of a fairground candy floss. Her Canadian nationality and accent were presumably drafted in to appeal to a transatlantic audience. It, and she, fails.Her initial appearance in a tight fitting pink jogging suit as she arrives at work is risible. The part of the "Siren old git who was right" is played by Tom Courtenay as though he is acting in his sleep, and the various plot twists that are designed to energise his son, played by Robert Carlyle, struggle to get any response from him. Nigel Planer looks determined to commit ritual hari kari for his failings as Met Office Director, or for his acting, or both, and only David Suchet emerges with some credit for his role as Deputy PM. There was enough in the story, and the cast and the effects to have produced a decent effort. Alas that did not happen. | 0neg
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There may be a halfway decent film trying to wriggle out of this mess, but as with another British disaster movie (of the unintentional kind), Crush, this film is killed by a ropy screenplay and some horribly two-dimensional characterisation. Michael Kitchen is a fine actor, but his performance here as Stephen's father is just shocking; he could probably drag the scriptwriter down the plughole with him, but either way he is not going to be a movie star if this is the sort of project he gets saddled with. Marianne Jean-Baptiste (another fine actor - when is she going to get another part as good as Secrets & Lies?) is quite unconvincing as a counsellor, in a seriously underwritten part, pretty much the only kind there is in this film apart from the two leads. As to the two main roles, they have a few good moments, but are asked to make us believe the implausible and the indefensible by the script. The "operation" scene is laughable, which perhaps was the idea, although I would have thought we are supposed to be laughing at the horror of it all, not at the ludicrousness of the action. And when it came to the drug scenes, I confess I eventually had to fast forward through them, so embarrassing were they. "Crush", incidentally, was almost called "The Sad Fuckers Club"; I'm sure that it was in the task of sanitising it for our protection that a good idea turned into a terrible film. I wonder if this film had a similar working title... | -1no label
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Cheap-cheap-cheap comic feature. An extremely bad, agonizingly unfunny comedy concerning urban family man Charles Grodin taking the wife and kids on vacation to an island resort, and not getting what he expected. Grainy, grimy mess is a most uncomfortable viewing experience. The movie actually manages to look worse than your average TV feature, with the limp writing at a sophomoric level and a direction that seems non-existent. Grodin, in desperation-mode, is obviously being wasted, but supporting performers Jon Lovitz, Mario Van Peebles and Phil Hartman don't even seem to take notice. A real dog; NO STARS from **** | -1no label
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] |
First of all, f117 is not high tech any more and it is not a fighter aircraft. Secondly, the f14's and f18's cannot change their appearances; they are not transformers. Thirdly, the f16 has only one m61 cannon, not two. Last but not the least, at the end of the film, Seagle selected sidewinder missile. But somehow when he pulled the trigger, the actual missile fired turned out to be a maverick. As I have the experience of seeing f18's and f14's being mysteriously transformed into f16's, this small transformation of missiles is not a big surprise to me. However, there is still one question I have to ask: How did they manage to use an air to ground missile to shoot down a flying f16... When students hand in really bad work, teachers assign 0's. Now I think for the sake of properly marking this film, IMDb should seriously consider adding a '0/10' option. Otherwise, it is not fair for those who receive 1 out of 10... | 0neg
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] |
I only today, picked this up at the 99 cents only store today, and I still think I got ripped off. "Dream to Believe" is a pretty boring and unrealistic gymnastics drama and $1 is just too freakin' expensive for this. This film is probably only notable for 2 things: 1. It has a young Keanu Reeves. And 2. It's directed by Paul Lynch, the man who also did Promo Night. Now onto the movie. It's about a girl named Robin (Played by Olivia D'Abo) who is badly injured from a car accident that also cost her father's life. So the accident prevents her from competing in gymnastic tournaments, she is often picked on during her classes and eventually she meets some wild kid named Tommy (Played by Keanu.) Robin, when not in training, works part-time, along with her mother and stepsister, at a Laundromat owned by her abusive stepfather. Eventually she is chosen to compete. Overall, Keanu alone and some catchy 80s tunes are what prevent me from giving this 1 star, and it's also not one of the worst movies ever, but still far from good. The DVD itself is not getting any medals either as it appears to be sourced from an old VHS and towards the end, the sound goes out of sync and when the end credits are almost over, it fades to black, even though sound can still be heard. So this can probably be passed as a bootleg. The DVD artwork makes no sense either as it has what appears to be recent photos of Keanu and Olivia and the background has nothing to do with the movie, as it's also not in the movie itself, so the cover's obviously photoshopped. In any case, avoid at all costs, unless you're a Keanu fanatic. I probably won't be hanging to it any longer. I'm probably gonna give it to The Cinema Snob, who's a great YT critic btw. Hey, if any of you have any crappy movies that they no longer want in their sight, feel free to donate to him to keep his show running. | 0neg
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] |
"Back of Beyond" takes place at a dive diner/gas station in the middle of the Australian desert run by Tom McGregor (Paul Mercurio), a shy guy who suddenly finds himself in a spot of trouble when some visitors unexpectedly arrive. We get what, at first, confusingly seems like a flashback in which he and his sister (though their relationship to each other is better understood later in the film) are speeding through the desert on his motorcycle. Afterwards, he appears as a terribly quiet, and sometimes, moody character in the presence of the arrivals. We know one thing is for sure and that is McGregor's sort of spiritual sense, his foresight of danger and such--his clairvoyance only slightly relevant to the story, the bulk of which concerns three diamond thieves who's car breaks down and who rely on Tom to help them out of spot without getting in their way. Of course, Tom falls for one of the thieves, a young woman named Charlie, and suddenly, it pits all three already mistrusting allies against each other. But not in a way that really results in anything of much mystery or action. In fact, the whole movie all the while seems to want to build up to something significant, but really fails to do so. Even the ending, of which plays out like a trite campfire tale (and one that really reveals a lot of narrative flaws), is almost just as ridiculous. It may be worth trying if you don't mind the terribly slow pacing, but are in the mood, at least, for something a little different than the usual. | 0neg
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] |
I for one was actually expecting this movie to be pretty good, maybe my expectations were a bit to high, but the fact is I love Judd Nelson. In fact he is the only reason this movie is worth watching and really his role isn't all that great. The main highlights of this film are raunchy sex scenes and boring dialog. If those are the highlights I'm sure your getting a pretty good idea of what kind of film this is. There is definitely a reason this was a made for television film. Only see this one if you have nothing better to do on a Friday night or just like to waste money on video rentals. Save your time and rent The Breakfast Club! | 0neg
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A friend once asked me to read a screenplay of his that had been optioned by a movie studio. To say it was one of the most inept and insipid scripts I'd ever read would be a bold understatement. Yet I never told him this. Why? Because in a world where films like "While She Was Out" can be green-lighted and attract an Oscar- winning star like Kim Basinger, a screenplay lacking in character, content and common sense is no guarantee that it won't sell. As so many other reviewers have pointed out, "While She Was Out" is a dreadfully under-written Woman-in-Peril film that has abused housewife Basinger hunted by four unlikely hoods on Christmas Eve. Every gripe is legitimate, from the weak dialog and bad acting to the jaw-dropping lapses of logic, but Basinger is such an interesting actress and the premise is not without promise. Here are a couple of things that struck me: 1) I don't care how much we are supposed to think her husband is a jerk, the house IS a mess with toys. Since when did it become child abuse to make kids pick up after themselves? 2) Racially diverse gangs are rare everywhere except Hollywood, where they are usually the only racially balanced groups on screen. 3) Sure the film is stupid. But so are the countless "thrillers" I've sat through where the women are portrayed as wailing, helpless victims of male sadism. Stupid or not, I found it refreshing to see a woman getting the best of her tormentors. 4) I LOVED the ending! 5) Though an earlier reviewer coined this phrase, I really DO think this film should be retitled "The Red Toolbox of Doom." | 0neg
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] |
I was looking forward to this, being a big fan of stop motion animation. Man, what were they thinking? Wasting all that gorgeous animation on such awful writing?! That was the lamest attempt at comedy I've seen in a long time. The character with the most lines had the most irritating voice imaginable, and blathered on in a near scream throughout the entire episode. It was like fingernails across a blackboard, it was so difficult not to get up and change the channel (okay I admit, I didn't make it through the whole episode. After 20 minutes I just couldn't take it any longer!) And the gay character, who is constantly on fire (get it? 'flaming'? get it? don't feel bad, i didn't laugh either.) is such a homophobic stereotype, I'm surprised the CBC let it slide. It feels like they just thought, 'hey let's throw some kooky characters together and that will be enough: this one will be the smart one, this one will be the nihilist, this one's gay, etc.....' The end effect was soulless and irritating. The show looks gorgeous, the animators are talented and must have worked their butts off, so I hope they get some better scripts. They deserve it. | -1no label
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] |
(1)Couldn't watch it for very long. I tried because the cinematography was so wonderful but one doesn't want to walk out of the theater whistling the camera work. (2)Not quite bad enough dialogue to make it unintentionally funny and watchable. (3)Not bad enough acting too: ditto the above. Actually Maria de Medeiros was quite good; the combination of her appearing to be naive while having an erotic mind was very well done. But Uma! Oh poor thing! Was that a Brooklyn accent she was failing to make real? Fred Ward too, wise-guying his way through which made his shallowness the character. A celebrity impersonator.....wonder if he can do Jimmy Cagney or Robert De Niro? 4)Quite often an author is not well served in a movie and in this case the very honest reporter of nitty-gritty life, Henry Miller, was desecrated. Would anyone who had never read him be motivated by this movie to do so? I think not. | -1no label
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Adored by fans for his unusually charming creativity and by Hollywood for his softball, user-friendly movie-making techniques, Tim Burton tipped the scales too far in formula's favor with his new upset of a cinematic legend, Sleepy Hollow. Following the quest of Ichabod Crane played by Johnny Depp, delivering this dreary film's only shining point to the heart of the mystery surrounding a town's seemingly random and gruesome murders by a fabled headless horseman, the story plays out as if it were purposely trying to be repugnantly predictable. Contrived as a children's bedtime story, humdrum character introduction is laced with intended-upon exciting non-engaging chase scenes which, with undeveloped characters fleeing for their lives, produce about as much fright and thrill as The Nightmare Before Christmas. Toss in an endless bundle of old trees for ambience and a wide-eyed, big-busted blonde love interest (Christina Reechi) and Burton has himself a movie that takes the age-old legend of Sleepy Hollow and succeeded in making it like a Disney movie without the charm or captivation. Dialog was choppy and ridiculous, severed heads were aplenty, and there were enough plot-revealing monologues to embarrass the likes of James Bond. Even with the backing of Emmanuel Lubezki, the most sought-after cinematographer in Hollywood today, the wonderful acting of Depp and Burton's astounding name-recognition, Sleepy Hollow is nothing to lose your head over. | 0neg
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] |
I bought this movie a few months ago in NYC from Carousel Films and couldn't wait to watch it. It took quite a bit of searching various message boards to find it. I had the book as a child and tried looking for it with no luck for years. This is another film, like Hand in Hand and Fatty and Skinny that has a devout following of forty year olds who have remembered this film and held it dear. The gritty black and white Manhattan street scenes are great. It's a New York City 1960's true to life movie. School looks just like you'd remember. Desks, windows, halls. It's got a nice mix of people. Highly recommend it if you want to purchase it. Finally found the book about 2 years ago on-line and it is a great companion to the film. | -1no label
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] |
HANDS OF THE RIPPER Aspect ratio: 1.85:1 Sound format: Mono An Edwardian doctor (Eric Porter) uses newfangled Freudian analysis on a young girl (Angharad Rees) who turns out to be the daughter of Jack the Ripper, and just as deadly... Unlikely Hammer horror, in which a respectable society figure takes charge of a beautiful young waif without attracting so much as a whiff of scandal, even when she takes to murdering all and sundry with a variety of lethal implements (broken mirrors, hat-pins, etc.)! L.W. Davidson's screenplay wanders aimlessly from one murder to another, sacrificing the material's inherent subtext (Porter's obvious attraction to Rees) in favor of commercial melodrama, and the tone remains subdued throughout. Some of the gore scenes are surprisingly vivid, even for Hammer, and these were clipped from the original US release (despite an R rating from the MPAA), though the complete version is now available on home video. Porter and Rees give excellent performances, and the climax in St. Paul's cathedral is a definite highlight, but the rest of the film is strangely hollow and unaffecting. Directed by Peter Sasdy. | 0neg
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] |
The EMPEROR'S NEW GROOVE cast returns for Disney Pictures follow up, but this time the spotlight is on Kronk(voiced by Patrick Warburton), who is no longer Yzma's(Eartha Kitt)henchman. Kronk has started a new life and is very happy with his role as chef of his own restaurant. Things go merrily along until Kronk gets word that his Papi(John Mahoney)is coming for a visit. Kronk is worried, because he knows that his life won't impress his Papi. One thing that he has always wanted and never received is a "thumbs up" from his dad. A flurry of blunders and a gigantic cheese explosion in the restaurant leaves our likable hero very deep in trouble and anxiety. To save the day, a little help from his friends. Other voices: Tracey Ullman, David Spade, John Goodman, Wendie Malick, April Winchell and Gatlin Green. | 0neg
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] |
" Still of the night " is terribly underrated thriller from very good director Robert Benton.The Ending is truly shocking and some sequences are very good ( Central park and dream-like sequences ).It Reminds me some of best Hitchcock's films as Rear Window , Vertigo , North by Northwest or Marnie.Meryl Streep and Roy Scheider are memorable performances.Nestor Almendros photography is very stylish and memorable , especially in end parts of the movie.There are also some great lighting effects and complete lack of Gore.Music of John Kander is highly suggestive and fit to the rest of the movie. " Still of the Night " is one of better's thrillers 80s.Highly recommended | -1no label
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] |
Too bad they don't have a "no star" vote. This movie is that bad. I watched "March of the Penguins" on video with a group of friends, and the ad lib comments made by our group were funnier than any of those made in this "Farce" version. Not only is this film not funny, it is not even interesting. The clips they use are a mishmash of penguins from various parts of the world - few of which match the dialog that accompanies them. The dialog is lame, and not funny in the least. I cannot give a review the entire movie, as I had to leave the room 30 minutes in. (And only made it the first half hour to be kind to our host that night). When I returned near the end, I learned that it became even more mind-numbingly boring through the endless repetition of both images and bad jokes. | -1no label
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] |
I thought "Ichi The Killer" and "Oldboy" were interestingly weird films, so I rented "Three...Extremes" on the basis of what I knew about Miike and Park. I figured that if Fruit Chan was notorious enough to be included in an anthology with those two directors, his contribution would more than hold its own. Well...the results were worth seeing once. "Dumplings" was both the most revolting and the most socially savvy of the stories; "Box" displayed the deepest emotions in a tale of loneliness and despair disguised as a ghost story; and "Cut" was the most overtly gruesome and had the most gimmicky and contrived plot. Since I am unfamiliar with Chan's work, I can't say whether he stretched himself or tried anything new, but I do think that the acting and direction here were the most subtle and complex in the trilogy. Park's stuff seemed very much of a piece with his previous tales of violence and Hitchcockian entrapment that drive the protagonist to despair. But Miike surprised me, since "Box" was entirely different in tone and structure from his famous film "Ichi", and I wasn't expecting anything like this from him. "Box" is more of a waking dream such as Lynch would do in "Lost Highway" or "Mulholland Drive" and I thought some of the dialog and photography were most impressive. Good for you, Miike, you're even smarter than I thought! As anthology films go, this was pretty good, although nothing that anyone will remember in a decade. Worth getting or at least renting if you are a fan of any of the directors,or if you want to see something relatively fresh from cultures whose clichés and conventions haven't worn out their welcome in the Occident.At least not yet. Note about the DVD edition I saw: The 2nd disc in the package offers a "feature length" version of the Chan story "Dumplings". The additional footage is very well integrated into the original and this long version gives the "Aunt Mei" character and the philandering husband more screen time and adds an extra sex scene. But it doesn't change the real thrust of the original story enough to make it a "must see" unless you really dug Aunt Mei. If the only DVD you can find is a bare bones edition without the feature length version, don't worry that you've missed anything vital. | -1no label
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] |
It's the story of a married woman falling in love with another man. The married couple - Max von Sydow and Bibi Andersson - does live in fine rapport, their personalities matching well. Both are quiet, contemplative, and very rational persons, not liable to act spontaneous. The intruder - Elliott Gould - on the idyll which they embody together with their teenaged daughter is in contrast an impetuous man, uncompromising, overbearing, and tormented by inner contradictions and compulsions. Andersson tells him at one point that he hates himself. The two clandestine lovers aren't appropriate for each other. They have difficulties to accept the other's social behaviour and stance and don't like it to lie to their environments. But soon they cannot live without each other anymore. The point of the film cannot be to show how two contrary characters complement each other, as Andersson was even more happy with von Sydow before and because it's all told in such a detached manner. The portrait of a love would like to involve the spectators to convey the joy and pain of it. Instead the question why Andersson turns away from von Sydow toward Gould seems intentionally perplexing. The dialogues and acting of the lovers is cerebral and cold, as if they were reciting dazedly on a stage, astounding themselves with their actions and feelings. As if they were actuating on an impulse isolate from their personalities. This impulse or drive is not eros, as especially at the beginning of their affaire sex is more a problem than a fulfilment to these two diffident lovers. Maybe love or the need to feel and give love is itself such a drive, an autonomous thing asserting itself regardless of the circumstances and the characters involved. The central metaphor of the film is a medieval wooden statue of Mary, recently excavated after being buried for centuries - like Gould's and Andersson's potential to be lovers or man and woman. But with the disinterment of the Mary there also come alive insect larvae inside her, corroding her from within. Before they meet Gould attempted suicide and Andersson was reduced to a wife. They flower in their new love and it destroys their lives. Civilization means in many ways the domestication of our impulses. Therefore Andersson realizes that she must not harm lastingly her family and Gould's hidden wife/sister. This is true. But Gould is telling her that she is lying to herself by not eloping with him and he's right, too. | -1no label
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] |
The delectable Dina Meyer and the normally competent Lochlyn Munro co-star in this turkey made for The Sci-Fi Channel, about archaeologists unleashing an unkillable monster from an Egyptian tomb. Meyer looks great in black leather and shooting two guns at a time a la Tomb Raider Lara Croft while Munro simply looks like an idiot in an Indiana Jones hat about two sizes too big for his head. The movie goes nowhere once the monster is unleashed, which happens about five minutes in. At times, the creature looks like a poor man's griffin; at other times, it morphs into a bad copy of Inhotep from the first two THE MUMMY movies. The dialog is from hunger, as is the acting. Other than tuning in to get a look at the beautiful Meyer, this one is best skipped. | -1no label
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] |
This is a strange movie. The title, the DVD cover, the 18 rating (in Germany) all suggest it's at least soft porn. But it comes out as very much else. If you don't want to be spoiled, don't read this - for to give justice to "Naked Fear", one must discuss the ending ten minutes as much as the rest. One might summarize it in a headline: "Crime statistics reversed - last year: 5 women disappeared, this year: 5 woman molesters killed". The first part takes up most of the film, in gripping intensity (and yes, no porn at all) it builds an incredible tension - and then we get a maybe oversimplified, but ultimately satisfying solution. Is this a feminist movie? I can't really tell - but the solution appears to be much more on the female side than, say, Thelma & Louise. Those were in less thrilling troubles, and ultimately went down in bliss - Diane here takes her summary revenge, becoming a terminatress, and seems to live on quite happily (ever after?) Even though I'm male and got attracted by the promise of frontal nudity, I now find this film strong for totally different reasons. The concept of being hunted in a wilderness (wasn't New Mexico where Steve Fossett went missing for half a year without trace?) does not depend on gender. And the woman's point of view comes over very convincingly. Very strong piece. | -1no label
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] |
There's so many things to fall for in Aro Tolbukhin. En la mente del asesino (Inside the killer's mind), that it's very hard to talk about it without giving any kind of warning. Let's just say that this movie is like an exercise in cinema but really, really great done. It´s made with super 8, black and white shots, 35 milimeters, color, interviews, flashbacks. Aro Tolbukhin it´s like a movie made a documental or viceversa, which most peculiar aspect relays on the doubt that leaves you wondering, did he really ever existed? The movie follows the later life of an hungarian sailor that arrived in Guatemala, worked in a religious mission and then killed some people. An act for which he got caught and death penalty sentenced. The movie starts because some french documentalists got interested in this character so they interview him prior to his death. Nowadays, some more people got involved and make a deeper research of the character. The one we are witness of -the movie. For the main part in the history we are guided by a semi slow phase to go look inside Aro´s mind, mainly in order to decode why he did what he has done. Nevertheless, the important thing is that the filmmakers never gives us a sided point of view; they left the judging for all of us and even as we may understand his actions, we clearly never justify them. So, the first half is based upon recollecting information; later things turn into Aro's childhood, giving the movie such an incredible new force (even tough never got weak or boring). I don't mean -and don't want- to spoil anything; so the only thing left to say is that if by any chance you get this movie near you, believe me, the trip to see it is more than worthy. | 1pos
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] |
For all the hoopla, respect and recognition this film gets from Kung Fu historians, it still lacks glaringly in a couple critical areas: action and fight scenes. But I must say that the plot is probably the best and most original I've ever seen in a martial arts film. Five Deadly Venoms without a doubt is a must see, not only that, a movie you can watch again and again; but I also must say that after watching it you feel it could have been even better. It somehow leaves you wanting something, you want more. The producer Chang Cheh sets up the storyline beautifully for a potential masterpeice but doesn't follow through with giving us more of the action we want. The fighting styles in the movie really captures the viewer (Centipede,Snake,Scorpion,Lizard,Toad) and they are shown, but battles are noticeably short. The Toad and Snake styles are particularly intriguing and should have been showcased much, much more, in fact the Toad is killed off by the middle of the movie. Interestingly enough with this movie, the absence of constant action or fighting leads to development of a great plot, this is one of the few kung fu films where you are really interested in the storyline and care about the outcome. This movie has a dark and vicious tone to it and you are drawn into the vibe. Sinister weapons and torture tactics are used throughout the movie and adds to the movies feel. To start off the movie and to introduce the Poison Clan producer Chang Cheh takes us to a grimy dungeon. The ending fight scenes are certainly good but seem muffled and somehow you expected more. Still though this movie is one of Shaw Brothers best and is quite enjoyable. My overall impression of the movie would conclude with this: The styles the fighters used are merely shown to us and not showcased in detail, sad thing is , the director had the goods for something extraordinary right at his fingertips and didn't expand on it. I am left wondering what could have been with this movie, still one of the best though. 8 out of 10 on the scale. | 1pos
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] |
I enjoyed the film greatly. It is extraordinary clever and witty with original, incredibly amusing dialogues. I didn't want any action in the movie: it was enough just to look at the characters and to listen to their speaking. Besides, it's very moving: background is highly dramatic, though on the surface you find the funniest comedy. The real life is like that, you know a short way from tragedy to the farce. The plot twists unexpectedly but so naturally that I never doubted the possibility of such events. Actors' works are outstanding. Jack Nicholson is the unique actor, he gives an unforgettable performer as Melvin Udall. Helen Hunt is excellent: expressive, spirited, and stylish. You feel every emotion of Carol and sympathize with her. Greg Kinnear showed all his abilities in the part of Simon the most convincing and likable gay character I've ever seen. I also admire Shirley Knight as Carol's mother perfect! My favourite moment is that at the end of the movie where she listens behind the door and suddenly pops out to explain that `normal boyfriends' don't exist. It was great so funny and so true! According to the story there is no such thing as `normal people' in the world, we are all crazy. So never mind being crazy life is just as good as it gets! Both of lead actors deserved their Oscars, however two awards are too little for such film. At least, screenwriter and director must have had Oscars. And why there is no special award for `the best animal in the film'? Verdel is an irresistibly attractive creature, and so talented! The film entertains you and touches your heart deeply, makes you smile, laugh and cry, but never depress or bore. 10/10 in every sense. | -1no label
| [
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] |
I haven't seen this movie for years, but it has always "haunted" me, and I have never been able to forget it. I have frequently looked for it on DVD, hoping to see it pop up in stores or on Amazon, but it is apparently only available online as used VHS. I don't own it in any form, so I am wondering what the latest news is as to a future release on DVD. Since I was very young, I have been a fan of jungle movies. Many of them have had shallow and silly plots, but this movie is about the human spirit's ability to survive. It is a beautiful story, and is visually stunning. It's right up there with "The Emerald Forest" which came out the same year. | -1no label
| [
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] |
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