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OK. To begin with, I just watched all of Buffy recently. I never watched it on TV because when the Buffy movie came out, I hated it (of course, a lot has changed since then). That being said, I gotta admit that I was very stunned to find out how enjoyable it actually was. I even began to get Willow-y when I talked at times haha. Season 7 was much darker than all the others, but I liked the way it was going, especially in the final few leading up to the finale. You can tell that the writers had practically given up by this episode or run out of ideas or something. The weren't giving nearly as much as they had for all of the others. I had a lot of problems with this episode, but one thing I did like was the Spike and Buffy scene (even though I never wanted them together, esp after he turned stalker-y and built a mannequin and a sex-bot, sniffing her undies...etc) I didn't understand why the spell had to turn all potentials worldwide into all out slayers when the major battle was in the school. Which also brings up another question... Why did the spell have to be performed at the school? Why not have done it at home instead of putting Willow and her girl in danger? I didn't think about it til today, but someone brought up another good point on this message board... Buffy was nearly killed by the uber-vamp two or three times... and she's got 8 years or so experience on the "new slayers", but they were killing the slayers with no problem. I was also rooting for her sis to be a potential which could've led to a very different ending, probably even better, a lot better. Its not that we are criticizing the show for it being the finale. All of the other endings were far better (even the one with the dream sequence). 5 was the best ending when they planned to end it the first time. What happened? | -1no label
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"The Unknown" has to have one of the strangest plots of any movie I've seen, but I can't describe it without spoiling it. Suffice to say; coming from the mind of Tod Browning who set the story in a traveling carnival, you know it's going to be delving into some heavy weirdness. "The Unknown" is a silent film starring Lon Chaney, Sr., as carnival star Alonzo the Armless, an expert with gun and knife, who, because of his condition, must use his feet instead of hands. His assistant and unrequited love interest is Nanon, played by a very young and beautiful Joan Crawford. There's a love triangle between these two and the carnival strong man, and oh, what Alonzo won't do to win his ladylove. My only regret is that I saw the 49-minute version taped off of Turner Classic Movies, and the movie does go by quickly. Short as it is though, it's a weird and entertaining trip. | -1no label
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Usually I don't really like Emma Roberts so much, but after watching Nancy Drew it kind of changed my mind. The actors in the movies made the whole thing exciting and funny. Most of the time when you watch a mystery movie you can solve it before the middle of the show, but in this movie it's like you are actually there. The clues have to all fit together until you can finally understand the whole crime. I am still amazed how she found it out. The whole movie was really clever and the people who watched it with me loved the movie too. The clothes were my favorite part of the movie, it was so cute. I don't think there will be another movie like this until the sequel comes out. I give it a nine because the popular girls didn't really seem to have the part just right, but they still make me laugh. It was a really great movie and a great mystery. I definitely recommend watching it. | 1pos
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] |
Essentially a story of man versus nature, this film has beautiful cinematography, the lush jungles of Ceylon and the presence of Elizabeth Taylor but the film really never gets going. Newlwed Taylor is ignored and neglected by her husband and later is drawn to the plantation's foreman, played by Dana Andrews. The plantation is under the spell of owner Peter Finch's late father whose ghost casts a pall over Elephant Walk that becomes a major point of contention between Taylor and Finch. The elephants are determined to reclaim their traditional path to water that was blocked when the mansion was built across their right-of-way. The beasts go on a rampage and provides the best moments of action in the picture. Taylor and Andrews have some good moments as she struggles to remain a faithful wife in spite of he marital difficulties with Finch. | 0neg
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] |
This is a typical dog/pet/foster child fitting in film. If you saw Free Willy, Homeward Bound, and Beethoven, (and maybe more) this film basically sums the three up in a way. Foster child (Chuckie) finds dog but can't have him, then dad (who is NFL kicker) has to work some where else, and Chuckie tries to take Bingo but leaves behind. Bingo makes his way cross country to find Chuckie, running into several obstacles. Eventually he runs into two crooks and puts them in jail. But when Bingo himself winds up into trouble not only does it complicate things for him because of the crooks, it also complicates things for Chucky. Pretty cheesy 80s film, few but strong horriable words, but yet the crooks do come up with a pretty (although sick) clever scheme when they get Chucky and Bingo. | -1no label
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] |
"Shower" is an story about loyalty, about the unstoppable advance of modern world in the detriment of rather traditional and more human ways of life. A man forced to choose between his successful career in business, his big-city life, his wife, and his retarded young brother. The eternal doubt between what we WANT to do and what we SHOULD do. The modern China versus the ancient one. The public baths with its gatherings, its cricket fights versus the shopping centres and the skyscraper. Lots of old men and women that are no longer needed. China, one country, two systems, as Xiao Ping said ... though one of them is killing the other. Tender, moving, full of funny moments, and of bitter-sweet ones.The sensitive ones will cry and laugh equally. The actors are enormous, especially the one who performs the role of the retarded boy; and Yang Zhang makes a good job, easy, simple, letting the story just flow by itself. My rate: 8/10 | 1pos
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VIVA LA BAM This "Jackass" spin off focuses on the (obviously scripted) adventures of Bam Margera and his pals (Johnny Knoxville, Brandon Dicamillo, etc). This show, while it has its fair share of gross-out comedy and crazy stunts, focuses mainly on Bam's torturing of his parents. I'm sorry to say this, Bam, but... you're in no way as cool as you think you are. This ego tripped show is not only painfully unfunny (and yes, I liked Jackass), but also narcissistic beyond belief. The overly stylized intro ends with Bam coolly explaining that he's going to do "whatever the f***" he wants to. How about you do something that is actually funny? I liked "Jackass" for what it was worth. The camera-work was horrible - any idiot could have made a better show with a camcorder in their parents' garage - but at least the show moved at a steady pace and never felt boring between the crazy, dangerous or simply disgusting stunts the pals performed. Not so with "Viva la Bam". We follow our hero around as he plays pranks on his friends and tortures his relatives, but never does it feel like anything else than really lame and scripted comedy. The stunts and pranks are mildly entertaining, but presented in such a tedious and dull fashion that they can barely make you smile. "Viva la Bam" is a poor spin-off of that does little good but feed Margera's already too big ego. I don't recommend this lame and unimaginative show to anyone. | 0neg
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] |
After regaining some of the ground he lost in Hollywood with his last couple of Hong Kong films, Jackie Chan takes a big step backwards with the overlong Rob-B-Hood, a downmarket three bad men and a baby romp that offers limp gay jokes, comic relief mental illness, family bonding and child endangerment for all the family. There is one fairly good action sequence at the halfway point as well as a neat stunt that sees him jumping down a building via the air conditioning units, but you definitely get the feeling that Chan's no longer pushing himself but is just doing what he knows he can still do while Yuen Biao is mostly wasted in a nothing bit part. He's made worse, but that's hardly a recommendation. | -1no label
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] |
I thoroughly enjoyed this film, which in many ways, as Hitchcock did on several occasions, was a first attempt at a plot which he re-shot later in his career. Possibly the most amazing thing about it, however, is how faceless the lead characters are. After watching, one remembers Murray Alper as the jovial truck driver, Vaughan Glaser's touching turn as a blind "patriot", the unforgettable traveling Freak Show and of course Otto Kruger as the suave and sophisticated villain, all of whom completely overshadow Bob Cummings as the rather wooden fugitive (compare that bridge jump to Harrison Ford's similar stunt in Andrew Davis' "The Fugitive") and Priscilla Lane whose change of heart and subsequent love towards Cummings is never quite believable. The other major support player is, of course, Hitchcock himself who bookends the film with 2 extraordinary stunts. Many people criticise the older films for their lack of realistic special effects. My feelings are that with lack of technology, to even attempt and convey what the director wants to show is an amazing achievement. Obviously this film carries an anti-fascist message, made at the time of the Second World War, but being a Hitchcock it is never the most important thing and the emphasis is always on the action. Well worth checking out, especially for the support roles. | 1pos
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] |
Curiously enough, this is only Hammer's second foray into Wolf Man lore after THE CURSE OF THE WEREWOLF (1961); intriguingly, it's mixed here with a VILLAGE OF THE DAMNED (1960)-like brood of evil children while the sinister procreation plot is a clear nod to ROSEMARY'S BABY (1968). An unsettling mood pervades this particular episode (helped by its central location, an English country-house situated deep into the woods) even if, when finally glimpsed, the werewolf make-up is kind of goofy! The bewildered hero is played by Christopher Cazenove, his business partner by Hammer veteran Robert Urquhart, while Diana Dors is the deceptively genial housekeeper of the eerie mansion who, apart from looking after the children by day, has the task of initiating the werewolf's female victims (the latest being Cazenove's wife) into their new 'role'. The final twist concerning a woodsman Cazenove meets when he goes looking for his missing wife is predictable, but nicely handled all the same. As has been the case with some other episodes in the series which, I have to admit, has taken me by surprise overall this presents a far more chilling, and subversive, concept (bestiality) than is usually associated with Hammer Films! | -1no label
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] |
I remember thinking Spongebob was the most stupid thing in the world when it first came out, but after my friend convinced me to watch one episode I found out that it actually was a decent show. It was cute and original. The episodes were witty and funny, having jokes that people of all ages found funny while still keeping it innocent and clean. My entire family loved the show. Each episode was fresh and new, while still keeping it's old charm; but after a certain point things turned for the worse. The episodes got shorter and used the same ideas over and over again. It soon became less silly and more stupid. The animation is more spastic, the voices have lost all of their luster and are now shrill and annoying, and all of the characters have lost their personalities that we once loved. Spongebob has lost all of it's value and all of it's charm. They should have stopped making new episodes a long time ago to preserve it's greatness, but it is too late now. Oh how much I miss you Spongbob... (And all other good kid's shows) | -1no label
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] |
An only moderately interesting idea - killer sheep on a giant Kiwi ranch - turns out to be a far less than great movie. They were obviously aiming straight for cult status here, but you can tell there was a decent amount of money behind the picture - the special effects aren't too bad, except for a fetal sheep puppet that reminded me a tad too much of Triumph the Insult Comic Dog, and the makeup is very good. The film-making is quite professional looking, too, and the actors are all fairly good. So you don't get any of that fun cheapness you get from many of the better cult films. You can't laugh at it for being so bad it's good, because it's a little too slick to be that bad. That wouldn't matter at all if the script were cleverer, but there are few good ideas here. It's a horror comedy, but there are almost no laughs to be had. No scares to be had, either. Sheep are about the least frightening animal on the planet, which could make for decent comedy. But the direction is far too unimaginative. The film's worst crime, though, is the constant hippie jokes. Danielle Mason is cute, but you just didn't want to hear her talk, because you just knew she was going to say something stereotypically hippie-ish. At times, it feels like her whole schtick was written by Eric Cartman. Director Jonathan King is clearly aiming to be the next Peter Jackson, but he has started far behind the curve. | -1no label
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] |
Some may find the cursory examination of Christian belief an over-riding message in this 1991 film by Michael Tolkin, but if one can put aside the discussions over whether god exists or not, it is an hysterical comedy, in that indie self-important message movie way. Starring Mimi Rogers as Sharon, in a film her ex-TC would have no doubt prevented her from doing back in their day, Rogers' character is the stereotypical information operator by day/swinger sin-sister by night. The extreme binary of her character makes for hysterical lines when she decides to convert to a cultish Christianity based on the notion of prophesy. With David Duchovny in an early semi-naked role as the firm, young, stud whom Rogers cavorts and later marries, and Will Patton as a sheriff who encounters the demented Sharon who has followed her faith into the wilderness, the male balance to this film is one of flesh and reason made secondary to literal interpretation of scripture in vacuous gestures of uncritical blind faith without rationale. Frankly, other films have addressed questions of faith and belief in more sophisticated ways than the heavy-handed approach of The Rapture, and it is far more satisfying to compare those with this attempt. While Rogers is lauded for this performance, it is a complex character but the actress interpretation is shallow and so pulled back that it makes for an uneven and superficial read, however, I think this is more the fault of the director than the actress. On first viewing, I thought this film was intriguing, but after several viewings in the interim years, it becomes more laughable and comedic than worthy of intense reflection or serious attention. | -1no label
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] |
You could say that the actors will make a movie, but this clearly proves that statement wrong. Most of the characters in this film lack anything to hold on to. They play the part of cardboard cut outs being moved about in predictable and uninteresting ways. The story is very simple. It could be summed up in a few words, but I'll hold back in case anyone reading does want to see this film. I had to fast forward the parts where Jack showed us how to be an obnoxious eater. I'd have to say that 70% of this film revolved around cooking, eating, or getting ready to eat. Quite frankly, I'd rather not spend my time watching Jack chew noisily with an open mouth. Personally, I could have done without the footwear references and jokes that pepper the first half of the film too. Outside of my own personal dementia, the film really lacked anything worth it's time. There were countless scenes and camera shots that felt like it was dragging. When something happens, the reactions of the characters are vague and dry. Best not to look this one up. | 0neg
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] |
I only saw this recently but had been aware of it for a number of years and have always been intrigued by its title. It now belongs to me as one of my very favourite films. It is hard to describe the incredible subject matter the Maysles discovered but everything in it works wonderfully. It has so many memorable images and moments where you feel you are encroaching on a very private world. I fell in love with this film and with the characters in it. It is as though the filmmakers have cast a spell of the audience and drawn us into the strange world of the eccentric Beales, a true aristocratic family. It has a tangible atmosphere and I found myself wishing I could be there away from it all, cooking my corn on the cob at my bedside table. It has an air of sadness that permeates throughout. A fall from greatness for this once esteemed family. The money had gone but their airs and graces remained, as well as their beauty. It drew me in from the first frame and long after the film finished I found myself wondering about their fate. Wondering that if I took a walk along East Hampton beach I might still hear Old Edie's voice in the night and see the silhouette of Little Edie dancing in the window behind the thick hanging creeper. Unforgettable. | 1pos
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] |
I wasn't sure on what to expect from THE BOX. I am a huge fan of Darko, but also saw the mess that became of Southland Tales, whether or not that was a studio botch up, who knows. With the Box I was pleasantly surprised. It was a throwback to classic sci-fi paranoia films that hint at much larger devious happenings, but center on an intimate character base. The slow build, and creepy tension was very effective to the tone and theme of the entire film. Any change in such pacing, would have lead to the typical Hollywood or 'MTV' style, that just wouldn't have served this story's purpose correctly. Everything from the strange looking/acting extras littered throughout, to the low-end score, to the minimal explanation of what exactly was going on, added an entire focused thread of underlying dread, and the shrinking sense of hope for our greedy, though well meaning, lead characters. This was something well thought out and put into motion by Richard Kelly, from the first act through to the end. Richard Matheson's short story, which this was based on, NOT the Twilight Zone ep , which was another take on the story, was one of morality and greed which were still the central elements of THE BOX. Being only some 8 pgs long, expanding it into a feature with substance would have been no easy task, but was done so with style, originality and leaves the viewer with lingering thoughts about the film. Many have and will compare this to DARKO for whether or not it is as profound, but I found it to be an entirely different film, thematically and emotionally. It's tone is completely different, as are the messages and intents of this film. Where Darko left us with questions internally, THE BOX leaves the viewer with more external questions, involving the world around us. Such as, knowing human nature, would the test of the BOX ever come to an end? Decent acting, great creepy visuals, and looming atmosphere add to the slow chilling ride. Its not for everyone, but for those who get where its coming from, its a treat. | 1pos
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] |
When they announced this movie for TNT I was excited. A Travesty from Donald Westlake's "Enough" was one of my all time favorite stories. After I watched it I was not all that thrilled. Recently I had the chance to watch it a second time with my aunt, and once again I was disappointed (she didn't like it much either, and she'd never read the book). In this movie they managed to sap all the charm from the book and turn it into dull mush. A big part of the problem was William H. Macy. I like him fine in other films, but he played (Terry/Carey) Thorpe as a stammering, incompetent yutz. In the book Thorpe takes a lot of valium for his nerves, but remains outwardly collected at almost all times which is part of the fun. SPOILERS follow: They also left out a big part of the story (other than a 2 second glimpse at the embassy), where Thorpe solves not 1 but 4 homicides for the police. This is important not just because it's funny, but because it helps set up the relationship between Fred and Thorpe. In the movie Fred's betrayal in the end is not nearly as affecting, because they don't seem all that close. In the book they become pretty good friends especially on Fred's side, which makes it all the more ironic that he is he one that arranges Thorpe's downfall. Fred also suffered a bit from casting, I love Adam Arkin but he was not a cheerful, happy to be alive upbeat sort of Detective, character traits which book Fred possesses which makes it more obviously out of character for him to mess with evidence and thus more shocking. Patricia and Edgarson were pretty close to the book, and James Cromwell was great despite not looking much like Martin Balsam. The whole boring boat house scene which was entirely added for the film was much less interesting than the police finding Edgarson's body after Thorpe ships it to Seattle and blaming the death on the mob. Kit was okay although she was mostly rewritten, and it would have been nice to see her die as she did get slightly annoying. I don't mind changes to books to make movies, I know they are necessary because of length and difficulty, but it would have been nice if some of the changes in this movie had been funnier or smarter instead of duller. | 0neg
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] |
Death 4 Told is what it is- a low budget "Creep Show"-esk horror film filled with cameos and loaded with zombies, gore, haunted houses and cheesy valley girl screams; a b-horror film lover's dream! The film is put together very creatively through the twisted eye of writer/director Bo Buckley and the "star" of the movie, Margot Kidder, gives a wonderful performance backed strongly by a slew of very talented new comers and old hats that should not be overlooked. This very "un-mainstream" level film is a horror gem that is absolutely worth a peek and I look forward to the future blood-covered delights created by the fearmakers team. | -1no label
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] |
This is so poor it's watchable. The plot deals with a grizzled spaceship crew happening upon a drifting, apparently abandoned Russian craft. In the empty vastness of space, the two craft accidentally collide (!) - and 'Alien'-esque fun ensues as a cyborg from the Russian ship menaces our crew. The spacecraft interiors are clearly a dolled-up factory set (metal walkways, boilers, piping). In this entirely unconvincing setting, 'Kody', 'Snake' and the rest of our hero crew grimace, grunt, run about and continually and repeatedly rack their shotguns without firing them. The continuity gaffes are what define this movie, and they are nothing short of amazing: Stuff appears and disappears. The shotguns are racked. A cigar gets longer by being smoked. The shotguns are racked again, just to make sure. Content of a bottle increases by being drunk from. The film progresses through the usual clichés by way of intense ham acting, poxy camera work and Ed Wood quality props to a showdown climax. | 0neg
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] |
This was like a train wreck in that I felt compelled to watch it to the end... That being said your best bet is to not even start. The movie made very little sense even after the explanation which was at the very end. The gore part was not. The horror part was not and I could go on. The only positive thing I might say is that the actress Sophia Dawny did a pretty good job and was convincing as a woman who was terrified yet started to grow strength as the movie progressed. The woman supposedly had their memories wiped but she had flash backs but they were confusing. They could have handled them the flash backs in a different way although not sure what. There were so many unanswered questions that my head spun.Don't waste your money buying it or your time if it ever comes onto TV. | -1no label
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] |
Rene Clair's groundbreaking musical. If you want to see where songs first drove a story this is the place. This is the story of a starving young artist who finds he's won the lottery just as his creditors come calling. Unfortunately his ticket is in his coat, which is in his girlfriends apartment and has been given to an on the run convict who then... oh but that would be telling. This is a light and frothy story where much of the dialog is sung (most people think this didn't happen until Oklahoma or Andrew Lloyd Webber). Its the sort of movie that they don't make any more, and rarely did when they did. Its sound a film from the early days that plays like a movie from five or six years later. Clair moves his camera around in ways that not even Busby Berkeley was doing (though to be honest comparing the two film makers is unfair since Berkeley was doing essentially stage bound dance numbers and Clair was moving the camera through "the real world"). Its an amazing little movie. and its a charming movie that will just make you smile. Its just a fluffy piece of enjoyment. I'm sorry I can't say more. Its just a nice little movie and thats really all you need to know. | 1pos
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] |
I have to say that Higher Learning is one of the top 3 movies I have ever watched. It has a brilliant cast, and an equally brilliant director. Singleton shows how life in University can be. There are 3 main story lines, the skinheads, the African-Americans, and the homosexuals. I was intrigued by all of the stories, but the one that got to me the most was the storyline about Kristen, battling her feelings towards another girl. The end was great. After seeing the movie 25 times plus, I still cry. I would have given this movie an 11, but I have to settlefor 10/10. | 1pos
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] |
I enjoyed the acting in this movie. Except for the sister. She reminded me of Janice on Friends. I could never quite believe she was anything but obnoxious. My main problems with the movie were the anticlimatic ending and the execution scene with the sister and brother-in-law. The guy falling out of the exploding car? Maybe if his hand had been blown off and he ran to the mute for help and she kissed him and rushed him to a hospital, maybe then I could have gone for the ending. I think somebody needed to die in the execution scene. Mainly the brother-in-law. He was such a pain in the ass anyway. Or maybe the sister needed to accidentally kill the guy who saved the mute. I could have even bought into the brother-in-law killing the hero and the ending being the two sisters being put in snuff films. It is worth watching again and as I always say, it is much easier to be a reviewer instead of an author. | 1pos
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] |
Honestly, this show has some of the worst acting I have ever seen. I hate every character (except Jack, but he can be really annoying at times.) The plots are so ridiculous and drawn out it almost gets so extreme that you want to throw up. Not to mention it's boring as hell. Wait, wait, there's maybe two or three action scenes in an entire season, in a show that is labeled "action." Seriously, there is no action, horrible stories, and absolutely ridiculous acting. If you want to watch something good and original, watch LOST. Now that is a quality show. L O S T Owns! | -1no label
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] |
I made the mistake of buying the film off Amazon.com. Please do NOT do so. The film is not gated correctly and 1/3rd of the image is cut off, plus there is no soundtrack. This is probably the reason this film is rated so poorly by IMDb reviewers here. I rate it 10 because it deserves a 10 artistically and creatively as a film. The version to get of The Peach Girl is sold off the San Francisco Silent Film Festival website with the Donald Sosin soundtrack, a lovely one, though for some reason toward the end it sounds a bit warped in spots; I don't know why. This print is gated correctly, though still a bit rough going in terms of visuals; the print has a lot of wear. However if you are the kind of person who can see the diamond here hiding underneath the rough, and wish to see one of the most beautiful Chinese silent films ever made, then don't miss The Peach Girl. Lingyu Ruan was so beautiful and evocative as the peasant girl whose life is symbolic of the peach trees in the countryside where she lives. She falls in love with the son of the rich woman who owns the property she and her father and mother toil on, but is betrayed by him when she gets pregnant out of wedlock. Yan Jin gives an incredible performance as the son; his face was expressive and emotional and brings depth to his role. You feel his agony as his mother locks him in his room for months so that he cannot go find his lost love and make it right by her. The title cards are in Chinese and English, and many have decorative backgrounds, always a plus for me when I watch silent films. It adds visual interest to the story. The Peach Girl (1931) and The Goddess (1934) are the easiest available silent films showcasing the loveliness of "the Chinese Garbo", Lingyu Ruan, and both are worthy of your time and interest. It is so tragic that she committed suicide so young. What wonderful performances we were deprived of! | -1no label
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] |
Really, a dismal piece of work. I would rate it as unwatchable, if only for the acting. But let's not give short shrift to the other poor aspects of this film: it was also poorly written, edited, scored, and directed. Everything about this film just says, "Film school, first attempt." Be assured, this move is not significant as a "gay Russian film." Gay relationships in film are hardly groundbreaking events, and unless you can put a reasonable story around it, it deserves only to be significant as a "a bad Russian film." The positive reviews I've read strike me as overwhelming patronizing to Russian film-making. Note: I can only really comment on the first hour of this movie, since that's all we stayed for. If you've become curious about this movie and just must see it, I strongly recommend you stay out of the theater and make this one a rental. | -1no label
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] |
Though this film is ultimately forgettable, the saving grace is a savory morsel in the form of a cameo appearance by Jon Craig Liebling. In his role as the steward in a scene featuring a commuter airplane, Liebling delivers another of his subtle - yet, scintillating - tour de force performances. His understated and nuanced interpretation of this complex character contributes a level of patois to the scene that is memorable long after the credits roll. If you haven't done so already, be sure to seek out Liebling's contributions to the Jill Clayburgh film, "I'm Dancing as Fast as I Can", as well. Once heralded as one of Hollywood's premier talents, Liebling (in both his acting and writing modes) was a dynamic presence who embodied a wide spectrum and depth of expertise that transcended his young age. From Clooney to Crowe, Ben Stiller to Jude Law, today's "A list" of Hollywood talent have all taken colors from Liebling's paintbox of cinematic artistry. When Liebling chose to leave California for a quiet, yet idyllic, life in Vermont, filmdom lost one of it's most treasured - yet inexplicably under-appreciated - players. Rumor has it, however, that Liebling now crafts short films for the exclusive enjoyment of friends and family. What lucky people they are, indeed! | -1no label
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] |
There are not enough movies that you can leave feeling touched, refreshed, and enlightened. So many films today don't bother to build strong characters that have a lasting effect. Frequency is such a wonderful movie because it incorporates a realistic father-son bond, and raw emotion into an action thriller. I must admit that I am not particularly drawn to action movies, but after seeing Frequency I have tried to change my attitude. Jim Caviezel and Dennis Quaid are extremely believable as a son and his long-dead father. Caviezel's character cried when he first talked to his father that had been dead for thirty years. I cried, too, as he so believably yearned to be with his dad. Another great thing about this movie is how intriguing the action sequences are. Not only are the usual chase scenes exciting, but the interesting psychological aspects of the movie also work extremely well. If you have not seen Frequency, please do so, it is an excellent movie and I doubt you will regret seeing it. Although seeing it in a theater is the ideal place, the DVD is almost the same. You should enjoy this movie, it is a true classic, and I know I will never tire of watching it. | -1no label
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] |
I consider myself a relatively big fan of the giallo genre, though I haven't seen nearly as many as some that I talk too - but I figure at this point I've seen enough to separate the notable entries from the weaker ones - and WHO SAW HER DIE? is honestly about the lamest that I've seen so far. It started off well enough and held interest until about the halfway point, and then pretty much completely dropped the ball after that... A famous sculptor's young daughter comes from her home in London to visit him in Venice. She is murdered while on her holiday, and the sculptor spends the rest of the film running around Venice trying to find clues to his daughter's murder... Honestly - WHO SAW HER DIE? fails on pretty much all levels. The storyline gets confused and redundant after the daughter's murder, characters are introduced who are thinly explained, and the "resolution" is dumb and forced as though the director couldn't find an adequate way to tie the film together. Scenes of the father running from one locale to the next are dull and repetitive. Even the few murders in the film are pretty weak and uninteresting. As to the couple of minor "good" points - the Venecian setting is nice and adds a bit of atmosphere to the film, and sexy genre favorite Anita Strindberg gets nekkid a few times. That's about all that's going for this one. Not a completely horrible film, but definitely sub-par for the genre, and I would consider this one either for giallo completists only, or a skip altogether...4/10 | -1no label
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] |
It's always interesting to catch a line in a film that winds up being somewhat prophetic for the future of an actor. In this case, I was intrigued by Edward G. Robinson's statement to Barbara Stanwyck - "I promised you the Valley", as he discusses the lone hold outs to his attempt to control all the land in Logasa. Ten years later, Stanwyck would star as the matriarch of the Barkley Family on "The Big Valley". Somehow I thought she might have looked older in the earlier picture; I guess all those bright gowns and fancy riding outfits have a way of bringing out one's youthful side. As for my summary line above, that's Lee Wilkison's appraisal of John Parrish (Glenn Ford), one of those hold outs mentioned earlier, shortly after Parrish uses his knowledge of military tactics to take out a number of Wilkison hands after they raid his ranch and torch his home. I liked the way the film explored his character, starting with the way he dealt with foreman Wade Matlock (Richard Jaeckel) in a calculated showdown. The set up for the ambush was also a clever maneuver, diametrically opposed to the strategy of rushing the bad guys head on with both sides fighting it out to the last man standing. For that, Parrish also had something to say - "Never meet the enemy on his terms". "The Violent Men" is a good title for this film, and was probably at the head of it's class in the mid 1950's, though by today's standards doesn't come close to the blood letting one will find in a "Tombstone" or "Open Range", where the bullets exact a nasty savagery. But it's shaped by fine performances from the principals, with a sub plot exploring infidelity that seemed almost ironic considering it was Stanwyck's character who was cheating. | 1pos
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] |
Though I haven't seen a lot of John Casavetes' work, apart from that, this is one of the best modern (read: 1985-present) uses of 8mm film that I've ever seen. This is one of those films you just have to throw yourself into. I'm not drawing a parallel between the two--at all!--but people who have seen 'Neon Genesis Evangelion' will recall how by the end of the first episode you had no idea what was going on, right alongside the principle character. This movie has a similar feel--It's unsettling at first, but ultimately presents itself as a curiously wonderful juxtaposition of warmth and coldness; interrelation and alienation. Very few films are capable of doing this well. Oh, and as a side note -- this is NOT one of those aimlessly meandering art films hell-bent on using 8mm to generate indie/underground credibility. In sum: a thoughtfully rewarding film about two very different German brothers lost in Japan and discovering a fine gray line dividing the point of no return from the point just before it and overcoming that dualism. | -1no label
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] |
I have to agree with giveitsomeblonde. This show is just terrible in every way. It's insane to think that we live in a world that tries to idolize stuck-up, snobby little brats like these. Even if the point is to show people just how obnoxious these kids are, they're still doing nothing but raising up their pedestal higher. The show contains nothing but 'teeny-drama'. Little kids screaming and cursing at their parents for booking Ciara instead of Janet Jackson. Yelling at directors to 'get to work'. Telling the 'ugly' people that they aren't allowed to come to their party. It's just disgusting. MTv has really let us all down by showing this atrocious children get their way. If you haven't watched it yet, save yourself some time. Every episode is the same, all these brats are the same.... Worthless. I would have certainly given it a 0 if I could have. -Touche' | -1no label
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] |
The ever-watchable Don Cheadle, who has turned in so many fine performances, here does it again, though he slightly overdoes the conscience-stricken angst (an emotion he has not yet learned to portray convincingly enough, perhaps because in real life he has not done anything bad enough to regret it sufficiently). This is a step by step depiction of infiltration into a Qaida terrorist cell at a very high level indeed. The film was written and directed by Jeffrey Nachmanoff, who clearly has considerable talent. The film is uniformly exciting, nail-biting, and fascinating. For most of the film we do not know whether Cheadle is an infiltrator or a terrorist. Some of the Arabs in the film do excellent jobs of acting, though it is a bit difficult to keep them straight, especially in retrospect. The one who really stands out is Said Taghmaoui, who was born in France of Moroccan ancestry. He plays the intense character named Omar, whom Cheadle genuinely befriends. | -1no label
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] |
The Broadway musical that most people associate with Jerome Kern after Showboat is Roberta. The plot you see here was expanded quite a bit because on stage the whole thing takes place in the USA where the Randolph Scott character inherits a fashion designing business. RKO decided to invest a little glamor into the project by transporting the whole thing to Paris and it was a wise move, though the film never got further to Paris than the RKO back lot. Both the parts that Helen Westley and Randolph Scott play on stage are singing roles. Helen is the aunt from whom Scott inherits Madame Roberta's Dress Design when she dies. On stage it was played by Fay Templeton in her farewell performance and Jerome Kern and Otto Harbach wrote Yesterdays for her. In the film version Irene Dunne sings the song. Besides Irene, the rest of the vocal chores are taken by Fred Astaire and Ginger Rogers in their second film together. Astaire's part on Broadway was done by Bob Hope. Because Astaire was doing the part a dance number was called for so Jerome Kern and Dorothy Fields wrote I Won't Dance for Astaire. Fred also partners with Ginger Rogers in I'll be Hard to Handle. Irene Dunne sings Smoke Gets In Your Eyes, one of Jerome Kern's most well known ballads about misplaced love. Folks of my generation might remember that the song got a second life as a doo-wop ballad during the first phase of rock and roll. Such songs as You're Devastating and The Touch of Your Hand got relegated however to just part of the instrumental background. Still half a Kern score is better than a full one by most other composers. This would be the last time that Astaire and Rogers were supporting players in a film. The next time out they would be the leads. During a drunk scene Randolph Scott sings a couple of bars of I Won't Dance. That may have been the limit of his singing career on screen and a good thing too. On Broadway Ray Middleton played Scott's part and Tamara Geva who was killed entertaining troops overseas was the female lead. Can you imagine a show though that had besides those I already mentioned, Fred MacMurray, George Murphy, and Sydney Greenstreet all in the cast. What a film that would have been. | -1no label
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] |
This film is so bad that it actually is worth watching to see what they ripped off from other films. The last half of this film is what you really need to tune in for. When out hero Yor, played by B movie golden boy Reb Brown and his friends are transported to a futuristic city. Why do B- Movie cities of the future always look like the basement of a water treatment plant? Yor has to battle the evil emperor, who looks strangely close to the evil emperor in the star wars films and his evil robots, who also strangely look like Darth Vader. To be fair the evil emperor has been working on new robots. These new more intelligent robots look like they have been chewing there stitches and had plastic collars put on them to make them stop. Best of all when Yor is fighting we are treated to a kicking rock soundtrack that sounds like a bad rip-off of Queens Flash Gordon soundtrack. You expect to hear "Yor, leader of the universe, Ah-ah, he'll save every one of us." If you can stop laughing during the fight scenes notice how everyone has to stay in the same place during the laser battle to make it easy for the special effects people to draw in the laser shots. Also notice the high tech control room the rebel city dwellers are in, it also bears a strange resemblance to the control room of a water treatment plant. Yes, they have mastered gravity but they still have large analog dials. If you liked Star Wars, He Man and the Masters of the Universe or Queens Flash Gordon soundtrack then catch this movie on cable because they ripped them all off and did a very bad job of it. Don't spend money to rent it. This movie is so bad it may make you smile! | -1no label
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] |
I began watching this movie with low expectations, as a matter of fact i only noticed it because it was an adaptation of a S.K. novel ( a novel i never read). I'm glad my expectations were low because the movie wasn't nothing close to good, but it manages to keep you interested. What really drags this story down is the work done by the director and the actors. The movie is overlong, hasn't no "nice" shots and no scares, the dialogs are dumb and the special effects are crap. The only things good are that, as i said, it keeps you interested ( i guess the book must be good) without using much horror cliches. My Vote 4/10. | 0neg
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] |
I don't know why they make such a big deal about this film. the sole thing i like about this film was Colors of the Wind. I saw a sneak peek of this film while watching The lion king on video and was excited about an American film, a great break from the recent films where the main settings were in Austrailia, France, Arabia, and Africa. Overall i was unimpressed primarily due to the fact that they try to make it too much of a movie. Later when i learned that this film was predicted to follow Beauty and the Beast's footsteps and Beat lion king, i was increasingly disappointed. There were a few good films during the post lion king years(Hercules, Toy story, Tarzan) but this film started the decline to where Disney animation is today. Could've been better. :[ | -1no label
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] |
This is one of my favourite films; a delightful comedy; so I was thrilled to learn it is about to be released on DVD in the UK, September 2007. Romuald, played by Daniel Auteuil is a rich company president of a dairy firm. Juliette, played by the excellent Firmine Richard, is a cleaner of the company's Paris offices.Juliette, a black mother of several children, discovers a plot against Romuald who initially ignores her attempts to warn him. Slowly he grasps what this charming lady from the Parisian underclass has been trying to tell him. 'he seeks shelter in her crowded apartment as his marriage and career fall apart. An unlikely love blossoms. Cultures clash in what is a truly delightful light-hearted comedy. | 1pos
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] |
Manmohan Desai was known for larger then life entertaining and illogical films AAA is one of them The film marked one of Bachchan- MD most famous films and also a blockbuster The plot is the similar long lost brothers theme but it's well handled and entertaining The plot is revealed in the initial 20 mins itself which is damn serious but then the film gets funny and entertaining Amitabh's character is one of the best parts, Anthony Gonsalves became a big rage and is remembered even today The scenes between Amitabh- Vinod, the fight and the jail scenes are well handled(in PARVARISH surprisingly both played opposite roles of cop and thief) though the long lost theme isn't taken much further like other films(meaning the searching of the siblings.etc) but the film is more on entertainment then story The film then focuses on love stories between Amitabh- Parveen, Rishi- Neetu.etc There are several entertaining scenes like Bachchan carrying Mukri to the hospital, Amitabh's long drunken monologue, Amitabh- Pran scene and many more There are too many songs though, like after the famous MY NAME IS ANTHONY GONSALVES in few minutes there is HUMKO TUMSE HO GAYA and PYAAR KE DUSHMAN The film ends too in a slapstick manner with the disguises which also got famous and the long fight scene Direction by MD is fabulous Music is good too Amongst actors Though an esemble cast Amitabh towers above all and no doubt his character of Anthony became a rage and won him best actor award too He excelled in his character which is completely different from what Bachchan did mostly Vinod Khanna plays the cop role with elan and his last funny act is hilarious Rishi is a natural in his role and he is at his best towards the end Amongst the girls Neetu is alright, Shabana irritates, Parveen is very good Pran excels, Jeevan is as usual Hercules is okay | -1no label
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] |
The Railway Children is perhaps my favorite film of all time simply for the brilliant acting of the cast,the warm,humane interaction of the 3 children and the people they encounter living near the railway in the beautiful English countryside. Jenny Augutter is especially believable in her role as 'Bobbie' the older sibling of her sister Phyllis and brother Peter.The adventures they discover and relationships formed in their new home and surrounding area are very real and fascinating.The scenery is lovely,the trains a part of Britain's vast history and the soundtrack is very moving. This heartwarming film never fails to bring tears to my eyes,each and every time as well as makes me homesick.I often wonder if I should have been born in that era as I think I would have fitted in just fine as people treated each other with such chivalry and decency. In short I consider this film somewhat of a masterpiece and a must see for anyone who considers themselves a 'sensitive or caring type'.Edith Nesbit wrote this story around the beginning of the 1900's and what a wonderful story it is.More kids today need to read this or see the film instead of playing violent video games.If we had more films of this nature ,the world would become a better place. | 1pos
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] |
16-year-old boarding school student Nancy (Jenny Tamburi) arrives in town after her mother commits suicide. She is taken in by her stepfather Marco (Silvano Tranquilli), who has already moved in his mistress Gianna (Rosalba Neri). Things get a bit strange when Nancy begins to suspect her mother didn't commit suicide and puts the moves on both of her hosts. This is a nifty little thriller from Silvio (AMUCK!) Amadio with enough twists and turns to keep you interested. The main mystery isn't too hard to guess, but there is a nice extra twist at the end and, of course, another one for good measure. Tamburi and the gorgeous Neri spend a lot of their screen time nude and that certainly helps too. Quite possibly the best thing about the film is a theme that is so catchy with Amadio using it at every opportunity. You will definitely be humming it for days after watching this one. | -1no label
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] |
I can't believe I even tried to watch this filth. As an avid B-Horror movie fan, I was more than riveted at the prospect of this film by popular budget horror filmmaker Herschell Gordon Lewis. Unfortunately, right from the opening of the film, I could not, for the life of me, think of a worse movie than this. Well, maybe Gigli, but I firmly believe Dr. Gore (The Body Shop) is worse when I think about it. A horrible plot that moves incredibly slow, the movie drags on with no real horror to speak of. However, I will admit to the pure hilarity of a couple scenes when Dr. Gore is mesmorizing his soon-to-be victims. The camera zooms in on his overly large, bulbous eyes, while the whole time there is this purely putrid soundtrack to add to the amusement. I laughed for the better part of 10 minutes. After he erects his "miracle woman", the movie wastes away nearly 20 minutes just showing him and his "girlfriend" as he is teaching her to speak, then they talk, frolic among marigolds, have picnics, etc. Unfortunately, there is only music playing during this whole fandango with no speech whatsoever. This portion of the movie will leave you wishing you had slit your wrists with the dull edge of a butter knife. I almost want to puke at the very thought of this movie. If you like movies that are bad, watch this one. | 0neg
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] |
This movie starts out SO great, really nailing the fun and excitement of being a kid and wanting to build and explore with your friends. The first half of this movie is fantastic, especially when they decide to build a ship to put into the force field they've managed to create. They get bits and pieces from a junk yard to create the ship and outfit it with gear and provisions. They then do test runs like any good scientists would before they decide it's ready for a much bigger journey. It's every kid's dream, a ship that can take them anywhere they want to go. It's such a great build-up to an exciting adventure... but once they end up taking the ship into space you might at as well turn it off. A complete shift in tone and intelligence. The final act of this movie is an enormous let down. Still the first half is great fun. Watching it again on DVD reminded me of why I loved and hated it so much as a kid. | -1no label
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] |
This is not typical Hollywood fare. "To End All Wars" is a redemptive story that features Greek philosophical musings about justice, great quotes from Shakespeare, and the teaching of Jesus about non-retaliation and love for enemies. All of this is set against the backdrop of the suffering endured by Allied soldiers in a jungle prison camp during World War II. The filmmakers provide a fascinating contrast between Eastern and Western cultural values, as well as between Christianity and the Japanese Bushido code of behavior. The movie shows clearly and refreshingly that the worldview of a people does influence its behavior, and that it is possible to judge one worldview as superior to another. It also shows that when human beings act selfishly, they lose hope and end up destroying one another. But when we act with sacrificial love toward each other, not only do we stand a better chance of living, we also keep from becoming savages. What a wonderful, thoughtful film! I heartily recommend it for anyone who is tired of the well-worn, formulaic movies that Hollywood seems to be cranking out these days. If you loved Mel Gibson's, "The Passion of the Christ," you will love this film. | -1no label
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] |
In the near future, vampire and non-vampire people have a difficult time getting along. Renegade bloodsuckers don't help matters by creating vampire mischief among the tasty humans. In order to help a government plan to integrate vampires into mainstream society succeed, vampire cop Adrian Paul (as Aaron Gray) teams up with human cop Bokeem Woodbine (as Steve Grant). Mr. Paul, who survived Nazis by becoming undead, is a vampire rights proponent. Paul is troubled by flashbacks, and has to avoid bloodlust. Mr. Woodbine has to overcome his prejudices against vampires, when he finds himself falling in love with sexy Chinese vampire Bai Ling (as Lucy Westenra). Michael Oblowitz' "The Breed" has a good supporting cast, and a stylish look; but, the plot doesn't really dig. Most obviously, the mishmash of symbolism is confusing; and, the movie becomes absurd. The "love story" between Woodbine and Ms. Ling has no teeth; in fact, the shooting of a gay vampire's testicle is played as sexier. Nosferatu and Dracula are obviously referenced. And, so is horror queen Barbara Steele, who co-starred with Adrian Paul in "Dark Shadows", as "Her name is Barbara Steele
" introduces the film's most bloody victim. **** The Breed (2001) Michael Oblowitz ~ Adrian Paul, Bokeem Woodbine, Bai Ling | -1no label
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] |
I loved this movie so much that i now own it and every other Kevin Smith flick. This movie does not have as much laughs as "Clerks" but certainly makes me laugh a great deal. Kevin Smith is a genius writer and director and it's just a shame that the Jay & Bob flicks are done. But anybody who wants to see a funny movie, i recommend Mallrats. This was the first Jay & Bob flick that i saw and it made a great impression on me. Brodie is the best and funniest character in the Jay & Bob series. I give this flick thumbs up. 7.5/10 | -1no label
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] |
A couple weeks ago, I decided to go into Blockbuster video in search for a cheap movie to watch. I came along this movie and at first the cover was pretty cool and it had Gary Busey in it. What can go wrong. I was expecting Gary Busey to appear in the film for longer than one minute but that didn't happen. This is the worst movie I've ever seen and every copy should be burned. If I could give a zero for this movie I would but the lowest you can go is 1. Lifeforce is better than this piece of crap and Lifeforce is pretty bad too. Avoid it at all costs. | -1no label
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] |
What is this!! its so bad. The animation looks so terrible , it looks like a ps1 type game. The actors are awful, they just cannot act to save their lives. I sat through all of this film an then at the end I was annoyed when I realised I had wasted 3 hours of my life. I've not heard of this film, did it ever actually come out in the cinema or did it go straight to DVD? A girl got shot?! What is up with that, it was just a stupid film. They totally copied 'The Day After Tomorrow'. Its got to be one of the worst films i have ever seen. I would definitely recommend to people to not waste their time with this. You could spend your time watching 'The Day After Tomorrow', its a lot better. Well thats what I think of the film. Actually why have I wasted my time writing about it, ah dam!! Its really annoying me, its wasted 3 hours and 10 minutes now. | 0neg
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] |
Done with great care, Judy Garland: By Myself (2004) underscores the fact that her legacy is on film. Some really wonderful musical moments are included in this film. The narrations were well done. As I watched performance after performance, I realized no one could tell Judy's story like Judy -- her songs tell it all! This film also touched on one of Judy Garland's greatest joys: motherhood. Some of my favorite moments in this film was the scenes with her children, they were so touching. Also, the unsuccessful string of marital relationships were alluded to, but, not elaborated on (perhaps that was a touch of discretion on the part of the film makers). I saw the Wizard of Oz (1939) on TV when I was a kid. I continued to watch her movies on TV down through the years, growing to appreciate her performances more and more. I loved it when Judy Garland paired up with Gene Kelly and Fred Astaire. Watching these show biz heavy weights on film together, it was magic! And, viewing her later performances, one could see the fire still in her eyes, she was such a fighter! This film gives an apt representation of Judy Garland's career; her ups and her downs, her victories and defeats. It even touches on how the industry ravished Judy Garland's genius to their own selfish ends. Despite being at the mercy of the entertainment system and a stage mom who allowed the abuse to go on (over work, drug abuse & etc), Judy Garland was able to give timeless performance after performance. I do not think that you can do justice to her life's work in two hours, but, this film does her life's work some justice. | -1no label
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] |
I found a video of this film recently on E-bay and I must admit I really loved it. The relationship between Ron Moody and David Soul was about two losers, one of which (Ron Moody) lost a dog who turned up at the local pound and needed to use the other guy (David Soul) to get him out of the Pound by working as a double act and begging for money in local Bars. They are seen by a rich guy and is impressed by their act and invites them to a party to show off their act to his guests. Ron Moody, then has the money to free his dog from the Pound. When he turns up at the Pound the dog has been sold to a loving family. Upset and distress, he tell David Soul that he does not want to go into partnership with their double act and David Soul goes on his way! Then Ron Moody decides to go to the Pound to get the address of the new family who bought the dog. Thinking that this will be easy he comes across the attendant who calls the police. David Soul had followed Ron Moody and there is a fight involving the attendant and David Soul and the address is retrieved so they can both find the dog. The dog is then rescued by our two heros ! All I can say it is a very nice gentle film. I hope one day it will be out on DVD as it is one of my favourite films. | -1no label
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] |
This documentary was neither professionally nor objectively made. The whole thing played out like a conspiracy theory by IBM to win the match in question just to make some money. Garry Kasparov has an ego problem. He was puffed up before the match and when he lost, he didn't like it. I remember playing chess against computers back in the 80s and it wasn't too difficult to win. As time went on, I started to lose and didn't like it. Today, I simply don't play against computers anymore because they're just too good. Not only that, the games are uninteresting and lack the appeal of human games, where both sides are more likely to err and open the game to exciting possibilities. This documentary keeps showing us images of The Turk which is an ancient chess playing automaton that was really controlled by a human being. From the start until the end we are lead to believe that IBM short of literally hid a human GM in the back of their cupboard-sized computer. I'm a computer scientist and take offense at the notion that just because Garry lost, IBM must have cheated. I know how computers play chess. It's not magic and it's no mystery. They can be trained, have huge amounts of chess knowledge and they most certainly see positions and possibilities in unprecedented detail compared to humans. It's really no surprise that Deep Blue won. Perhaps at the time it was. If it happened today, given the ever-increasing processing power of machines; people would hardly blink. If a machine couldn't at least draw with a GM today, people would think the program was weak. | 0neg
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] |
Are you kidding me? The music was SO LOUD in this show I could often not even hear the dialog. And the music was nothing great. Anyone know what Jake's mother said when he walked in the door??? And the mushroom cloud looked pretty close to have so little instant devastation. Anyone research the effects of nuclear fallout before writing this one. I felt like a bunch of sit com actors were sent on location and didn't know what to do with dramatic dialog. And what does a Kansas teen know about shopping in Soho....couldn't we have had a better line here? Was bored to tears and only kept awake by the jarring blare of the over-mixed way to loud music. | 0neg
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] |
Matlock...the answer to everything that is wrong with old people's TV shows. Like MURDER SHE WROTE, this comes off as some insane idea that old people with white hair have the solution to all the murders that happen and can solve any crime with little or no evidence; but rather just by talking their way to a solution with nothing to substantiate the story. It's horrible. The script formula is always the same, the characters might as well be the same in each episode, because the story doesn't fluctuate. And the guy works for free, no matter who hires him, because he never gets paid or if people do offer to pay him, he doesn't accept the money for whatever reason and gives it back. The only good episodes where when Don Knotts came on - because he naturally is great. Don't be fooled by the friendly Andy Griffith, the show is really retarded when you look at it away from the TV screen. | -1no label
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] |
A real classic, ten out of ten! Every actor is perfect, the screenplay is a haunting succession of suspenseful scenes. Scenes in car and scenes in the mountains are breathtaking. Wonder if this film is already out in DVD, because it must be seen in Widescreen version. Saw this film in the late fifties, maybe three or four times, and never since then forgot it.I remember it was one of the first Warner like cinemas cope features, process called Warnerscope which gave a very neat cinematography. Shelley Winters and Jack Palance deserved an Oscar for their performances.The only thing I could criticize is not having been directed by someone like, say Nicholas Ray, to increase its rhythm and tension. | 1pos
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] |
Not your slam bang big budget action film by any means. If you're looking for a recent exemplar of the well crafted, low budget, independent film, this is it. It's the kind of film you might want to see by yourself so that there's no chance for comment or interruption. The characters gradually emerge, the plot thickens, and you're with it all the way. What a talented group of actors this is and the direction and cinematography are absolutely fascinating. My only complaints are that the music is sometime intrusive, disruptive and the tennis match is a little trite -- small criticisms for what is otherwise a really nice movie. | -1no label
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] |
I saw this film via one of the actors' agents, and it surely conforms with a great deal that comes out of Sth. Australia in terms of the overall *tone,* which is rightly dark and moody. I thought the little boy in the film was excellent. Mostly kid actors are *hammed up* and embarrassing but not in this case. He was really very good. In terms of the *surrealism* thingy mentioned by jingo, well, I just think this film is plain 'weird.' It's a real weirdo film, with weirdo locations, storyline, weird stuff going on the whole time. But 'good' weird as opposed to 'bad'. Its hard to think of other movies like it, but its not at all like CARS ATE Paris, maybe more like a REPULSION, but actually I think more like a Hammer movie from the 60's. Its certainly has an interesting mind working behind it. JINGO, My question is also about the title. Why Modern Love?? Anyone? Also, jingo, what did you mean by "god Forsaken" when you were talking about Australia, hmmm? Just curious | 1pos
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] |
SPOILER AHEAD----------SPOILER AHEAD-------SPOILER AHEAD- I have classified this into 3 categories: BAD, BAD, acting by the ensemble cast, flat dialogue by Vincent R. Nebrida or the godawful direction by Laurice Guillen. This movie is a very poor copycat of their Asian counterpart, Man-Woman-Eat-Drink, but this one stinks-BIG TIME! Starts with a woman who cooks (adobo - a Filipino dish) and looks out the window, while she narrates the opening spiel of the movie -- all to the tune of some funny yet wanting to sound mystifying music that continues throughout the movie-it was irritating! "American Adobo" is a story about five Filipino best friends as they look for love in New York City. One character is gay (Davao), another is a soon to be old-mail (Picache-the only saving grace of this movie), the third one is a good-looking but shallow womanizer (Montalban), the fourth is an overacting socialite who doesn't know what the meaning of self worth (Bonnevie-too shallow acting, more shrills, shouts, very bad acting), the 5th one is an unhappily married guy (DeLeon). To top the already boring & too much hyped characterization, however dense, don't be surprised when the gay character tearfully reveals that he's been in love with the unhappily married guy for the longest time. Near the end of the film, the cook accidentally sets her apartment on fire and then falls in love with the firemen who saves her, the gay man accidentally mixes up letters to his lover and mother, thus he has to fly back to the Philippines to retrieve the letter containing sexy pics of him and his lover and before his mother finds out - WHEW!!! That is just to name the many senseless scenes in this movie. And why was the movie named American Adobo? If it is a metaphor of sorts, then it failed miserably to put forth the message it wants to convey. Watching this movie makes you want to drink a whole bottle of Maalox for your upset stomach after tasting that concoction named adobo. | -1no label
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] |
OK the director remakes LOVE ACTUALLY The director Nikhil Advani after debuting with KHNH does his second half and wait He makes a 3:30 hours + film which loses on patience, time.etc The viewer seems like a 3 hrs sleep watching this film OK they had 6 stories so it was necessary but why? 6 stories? We have the Anil- Juhi story convincing but boring don't TV serials show such stories? We have Govinda- Shannon story which is funny and works well We have Akshaye-Ayesha story again believable but gets boring soon and the focus is on comedy more and that too slapstick boring comedy We have Salman- Priyanka story which is the worst, not just acting terms, it makes no sense at all We have Sohail- Isha story to make you laugh and the trick works at times thanks to the boredom set by most of other stories We have John- Vidya story a good story in all respects But then by the time all stories come in bits n pieces the viewer gets bored and sleepy The climax isn't appealing though especially The climax of Salman- Priyanka story Nikhil Advani's handling is alright at places, some stories are well handled but weak at places Music(SEL)is good, but too many songs Cinematography is nice, every story is given a different look, texture and it works Actors Govinda rocks, after a dismissal comeback with BB he actually makes you laugh and love him in this film despite his age and weight Anil Kapoor acts his part well, though he looks out of shape and tired John excels in his part, Akshaye Khanna overacts for a change Sohail Khan is too over- the - top and Isha has nothing to do Anjana Suknani is dismissal Priyanka and Salman deserve an award for this film you are shocked? Salman Khan doesn't act only, just talks like he is in his sleep and that fake accent oh god Priyanka overacts to such a standard you feel like throwing something on her, she does get better towards the end Vidya Balan is good, Juhi Chawla is okay Shannon is okay | 0neg
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] |
Reading the several reviews herein, I perceive no middle ground. Reviewers either hated this film or loved it. Haters decry poor acting, poor story-line, pointless deaths and wanton frustration, and, most damning, imitating Out of Africa. The comparisons are just too many to ignore. Lovers, on the other hand, wax romantically about feeling like "being in Africa," the poignant love story, the tragic deaths and the courage of a woman under the strain of living against the sage advice of her dear old mum. Well, sports fans, I worked in East Africa for over 20 years and there is damn little to find romantic about it. Beautiful? Yes, Afica is that. Wild? Yes, beyond your wildest dreams. Frustrating. Same answer. I've never met an old Afican hand who did not at once love and hate that continent. [I could go on for hours on that subject, but back to the film:] I fall in with the critics in that I found this film to be most unsatisfying. There are many fine treatments of the subject of women dealing with the frustrations and challenges of living in a land where if anything can go wrong, count on its occurring twice. Isak Denisen's and Elsbeth Huxley's books are greatly superior to Kuki's story. For my part, I found any ethnic connection being carried over into the story very unconvincing in both the book and this film, both of which come off as second rate. Look, Denisen and Huxley could write. We can leave it there. Out of Africa and The Flame Trees of Thika are classics...I dreamed of Africa is a whining wannabe tragedy, as a book and a badly acted film. Everybody's performance was weak and unconvincing in light of earlier treatments of the same subject. Romantics will still gush and choke up at this story. Critics will still hold noses and give Bronx cheers. As for me, count me among the latter. | -1no label
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] |
I loved this movie when I caught it late night on a cable channel and am not sorry I stayed up most of the night watching this saga of two boys in love (or, at least one of them played by Ben Silverstone). Few movies have the power to move you, and this one did me. I felt Steven's pain as he pined for the Brad Gorton character, John, especially after the two hooked up. John was the macho and popular jock, and had to keep up appearances, even if it meant humiliating Steven publicly with his friends. The scene that meant the most to me and that resonated the most with me was the scene in the gym where Steven was dancing with his best girlfriend and John was with his "girlfriend". The two barely took their eyes off each other. I, myself, have experienced such a moment. Not quite the same as that where I wasn't dancing with anyone at the time, but the girl I loved and still love was, and we maintained eye contact despite her dancing with someone else. That scene ripped at my heartstrings. I don't know if John was in love with Steven. Possibly. But Steven was in love with John. Steven came out at the end in a most dramatic way at a school assembly when he accepted an award with John looking on, but John never came out at all. John, in my estimation, was bisexual or bi-curious and not a confirmed homosexual like Steven. Maybe I am wrong about that. We don't know. It seems that the two of them did not get back together by the end, and we as the audience were left hanging and left to guess what happened after the dramatic school assembly coming out. The movie is funny, charming, somewhat kitschy, and poignant. I recommend it to any young person, straight or gay, and any "old" person who wants to re-live the pangs of youth and unrequited (or requited... if temporarily as here) first love. | -1no label
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] |
This kind of film has become old hat by now, hasn't it? The whole thing is syrupy nostalgia turned in upon itself in some kind of feedback loop. It sure sounds like a good idea: a great ensemble cast, some good gags, and some human drama about what could have/might have been. Unfortunately, there is no central event that binds them all together, like there was in "The Big Chill", one of those seminal movies that spawned copycat films like this one. You end up wanting to see more of one or two particular people instead of getting short takes on everyone. The superficiality this creates is not just annoying, it's maddening. The below-average script doesn't help. | 0neg
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] |
I saw "Caddyshack II" when I was ten and I mostly laughed because of the horse scene. I should have realized that the movie was as empty as...I can't come up with a good comparison. It's stupid and not even really funny. The cast members from the original who chose not to star in this made probably the best choices that they ever made in rejecting this; why, oh why, did Chevy Chase return?! And how on earth did Jackie Mason, Robert Stack, Dyan Cannon and Dan Aykroyd get involved in this swill?! I bet that every person who had his/her name even remotely attached to this junk (e.g., the caterer) is ashamed beyond redemption. So, all in all, it's beyond dreadful, terrible, and everything such. Avoid it like you would the Ebola virus. | 0neg
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] |
The first question is: how many talentless idiots it takes to screw a movie up? Answer: one is more than enough, if he writes the screenplay and directs it. The second question is: did anyone teach the actors to handle guns properly? Answer: hell no. I wonder if Kristy Swanson got hit across the face with hot brass - because it damn seemed so! The third question is: how many times we did the "super secret government agency conspiracy gets uncovered from inside" plot? Answer: a good couple too many! The fourth question is: are Michael Madsen and Ron Perlman overrated? Answer: in this movie, sadly, yes. The fifth question is: can a pair of boobs save this movie? Answer: even three (Kristy Swanson's pair and the director/writer) didn't. God... If I see the (most probably) assassin getting her guns ready for a hit, and then the morons from prop department give her a completely different set the first bloody thing in the goddamn movie, the "suck" meter hits the peak. Time from beginning of the movie to me switching the TV off: fifteen minutes. Just a little bit more than it took me in case of "Alone in the Dark". | 0neg
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] |
Barely came trough the whole movie... Acting is bad, dialogs are even worse. Felt kinda st00pid 4 watching it, but it was named the same as one of my favorite games, so I struggled trough. They even screwed up the sound. At certain parts of the movie the background music is so loud, that i had to turn the volume down. It would be great, if this was a competition about who can screw up more. Oh and PS: I don't know what's this guy "Uwe" capable of creating... I certainly don't think this movie is bad just because he's the director. I checked the list of his work, and this is his first(and probably the last) creation that I've seen. over&out. | 0neg
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] |
Try as I might, I just simply couldn't get into this one. Perhaps it was the washed out tones; perhaps it was the drawn-out approach--I'm not really sure, but though this was by no means a "bad" movie, I didn't really find it to be very much of an "effective" movie (words that I understand are so much more arbitrary than their common uses). So, basically, the deal here is that a series of adolescent boys' deaths sets off an investigation and anxiety in a small provincial town, triggering a witch hunt. What do the boys' death have to do with the mysterious, sexy woman who has appeared in town? Is the crazy hermit woman involved? Is it voodoo? The story is a mixture of crime drama and horror as the various townspeople are all suspect and corpses keep appearing while bloody violence ensues. Good enough, but to me, most of it fell a little flat. Oh, it had it's moments... the one boy walking in on a beautiful naked seductress was pretty good, and the scene where the fathers beat the hermit was a bitter commentary (even if the effects themselves failed, considering her skin seemed to peel off as if they were whipping her with red-hot irons). My biggest issue was the ending. I've already put spoiler tags on this review, but BE WARNED, HERE'S THE BIG SPOILER: I don't believe it. I don't believe that a priest could convince himself to kill young boys for becoming sexually aware without some hint of that psychosis appearing earlier, with other boys, with a history, or some other personal affect. The movie didn't really earn its ending. END SPOILERS. Nonetheless, Fulci is a big name and I'm more than certain there's an audience out there for this. I definitely need to check out more that he's done, because this may have been a poor introduction. Most Italian giallo is hit-or-miss anyway, so I'm waiting to see what else this guy can do before writing him off. --PolarisDiB | 0neg
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] |
I must confess I am a huge Kim Ki-Duk fan, and have loved every one of his films. In my opinion Ki-Duk has directed 4 absolute masterpieces of modern cinema, Bad Guy, 3 Iron, The Isle, and Spring, Summer, Fall, Winter and Spring. Each of these films has gone some way to changing the shape, scope, style or accepted boundaries of modern cinema. The Bow, however does not go to these lengths, but instead falls into the category of Ki-Duk's more eclectic and arguably more mainstream works like the Birdcage Inn or Samaria. This is by no means a bad thing as these are also great films in their own right. Much like 3 Iron, the Bow has very little dialog, and much of the emotion is conveyed solely by glances, gestures or actions. This makes the film both more and less commercially acceptable to western audiences. The Bow has re-confirmed Kim Ki-Duk as a modern cinematic maverick, an uncompromisingly original and visionary director. | -1no label
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] |
This is horrible, even for a children's movie. The animation is much too cartoony for a story this dark, and the voice acting is so bad not even John Huston's Gandalf can save it. The Rankin/Bass Hobbit was a good children's movie, Ralph Bashki's animated Lord of the Rings was a hugely ambitious project that didn't quite work out, but this is just garbage. The songs are terrible, (unusual for a Rankin/Bass production) the plot makes no sense at all, and worst of all, the elves look as deformed and hideous as Gollum. There is absolutly no reason to see this, it's not a "so bad its good" movie like The Hobbit, it's just bad. | -1no label
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] |
Wow, I really enjoyed this show! The acting, story and effects were great. The cast seemed to work well together, it's too bad that Justin Hartley is now on Smallville. For a pilot, the show was great and showed a LOT of potential! Wow, what was the CW thinking by not picking it up?! The pilot had action, mystery sex appeal. People were expecting great things from this show and the CW screwed it up without even getting it on the air. They're crazy. Hopefully the huge success and huge number of downloads on i Tunes will make them change their minds... hopefully. With an average rating of 4 and a half stars, I don't know what CW is waiting for! | -1no label
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I had the misfortune to watch this last night on the BBC, I expect I may have been the only viewer. From the beginning there was something quite wrong about the movie, after a few minutes of viewing i managed to work out what it was. THE MOVIE WAS BAD! Not bad in a good way like Wolfpack or a Seagal film just plain old shoddy bad. Why was this made into a movie? I've seen a few episodes of the TV series and thought it was alright but I only saw repeats of that because they made this. I spent most of the film trying to work out what the story was and by the end I was none the wiser. I seem to remember at some point a character, maybe Farina's mentions that the Mod Squad can get in to places regular cops can't. The 'place' turns out to be a 'club', one of the toughest places to get into, maybe it was student night? I lost track of the plot at this point or maybe there was no plot and the movie was just chopped together from various leftovers from other TV series remakes. Was it an action comedy? I don't remember any laughs. Overall this movie lacked the real scene stealing power of someone like Seymour Hoffman as the bad guy. With him Ribisi would have had somebody to bounce off. | 0neg
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One of the worst movies I've ever seen. Yes, I know I'm not the target audience. Target audience is females, either college age or middle aged or any aged I guess. I'm none of these so the makers don't mind if I don't like it. But that won't excuse the fact that the dialogue and the plot are horrible. The main character, Phoebe, goes on a journey to Europe to find out what happened to her sister, Faith, who committed suicide. Phoebe is an inane character that i hope no one identifies with. Faith is also a character with very little believability. Wolf is the only person who seems to be somewhat reasonable. As I said the dialogue is boring and uninteresting. The plot does completely stupid things at times. The absolute worst is that Phoebe and Faith's father is an artist but his paintings are completely dreadful. There is nothing new, interesting or refreshing in this movie. If your a guy, you will pray for the ending. If your a chick you might be able to sit through it but you will be unimpressed. | 0neg
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] |
SPOILER's!!!!!!!!!!!!!!!!!!! I loved the first movie. It's one of my favourite movies. So when I heard about the sequel I couldn't wait for the DVD. I shoulda waited even longer. There is so many things wrong with this movie that I'm amazed anyone would say this is better than the first. Only one thing saved this movie from total destruction. And that's the character of Charisse. Who we learn is beginning to have this thing called Dr. Dolittle's talent. It saved it from being a total waste of time. I'll probably go buy it now. (Thank God for online rentals!!) Some of the humor I liked of course, but..... The bad is really bad. First..continuity. Okay.. Dr. Dolittle has ended and number 2 starts. Did I miss something here? They don't explain what happened to Rodney (the Guinea Pig) or how bout the baby Gator. Hmmm perhaps the Gator ate Rodney and they deemed it not to the liking of family entertainment. Two... they shift the focus off the fact that Dolittle is a doctor. There's a time for an environmental movie and there's not a time for it. This wasn't the time. Imagine ER suddenly became a tv show about what George Clooney does in his spare time. Eddie shoulda been doing what he does best. Doctoring. At least have it so the bear needed physical help, instead of the instructional video on bear mating. Finally.. at the end of the first movie we are left knowing that it doesn't take riches to get places in one's life. Great moral feeling here. The bad guys were rich. So guess what... The second movie Dr. Dolittle is now a rather rich doctor. Lives in a mansion with a push button gate. This movie doesn't even try to be a family movie. It's doesn't try anything. It takes the old lets do an environmental movie to save face trick. PS: We really needed to rely on the fact that Charisse has bigger (ahem) than Britney Spears. Which reminds me. they cared more about bringing the old actors in for continuity. But I think they forgot this movie is about animals first and foremost and totally forgot about the first movie. If the first movie didn't exist maybe I'd like this more, but it does and so I really don't like this movie all that much 4/10 Quality: 5/10 Entertainment: 4/10 Replayable: 5/10 | -1no label
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] |
To be fair, it has been several years since I watched the bile committed to celluloid known as "Here on Earth," so forgive me if my memory of the film is a little sketchy. I'll stick with the main points which plague the soul of the unfortunate viewer. Scene One: Chris Klein, after having been thrown out of prep school (because he looks like a seventeen year old--yes, very believable), gives what I assume is his valedictorian speech...to a field. Let me repeat that for you--a field. I think we're supposed to be moved by the combination of shame and eloquence he is failing to express. Klein has the delivery and facial expressions of a cardboard cutout. He is a decent looking piece of cardboard, but little more. Scene Two: After some joyriding and teenage pyromaniac hijinks, Chris Klein and Josh Hartnett do some damage to the local diner, of which he is forced to rebuild. Of course. Because who better to help with construction than some random moron who crashed into it/ burned it in the first place. Better yet, let's have said random moron move in on Josh Hartnett's girl, Miss Sobeski, the girl he fancies for...her equally wooden line delivery? Scene Three: Chris Klein's character is making out with Leelee Sobeski's character and decides to name her various body parts after the states on the eastern seaboard. My soul weeps. Really, how can this scenario turn out well? Surely you must alienate several million people if you imply their home is equivalent to Miss Sobeski's more...erm...feminine areas. Secondly, naming her breasts after New York and New Jersey prompts some confusion as to whether Miss Sobeski is actually freakishly disproportionate. Scene Four: Leelee is running. She falls down. This gives her...knee cancer. "We always knew it could come back," her father(?) says. Right. Knee cancer. From tripping. Perhaps I missed something. As I said, it's been a few years. Surely I missed something. Didn't I? For the love of God, please tell me the girl did not contract KNEE cancer from falling down. That scream you just heard was my soul dying. | 0neg
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] |
This is easily one of the worst movies I've seen in a long long time (and I've recently seen Starship Troopers 2!!!). I could find nothing to redeem this film. The acting, which is probably the best aspect of the film, is fair at best. Michael Madsen hams it up in his standard character persona. Denis Hopper doesn't seem to know what he's supposed to be. Vinnie Jones accent is bizarre. One positive thing is that Leonor Valera looks fantastic. Her acting is pretty poor but I doubt that's why shes there. The dialogue is truly appalling. It is quite simply rubbish. I don't know who signed off on this but they really need to get professional help next time round. This film is the reason IMDBs rating system should be able to include zero stars out of ten. Avoid at all costs. | 0neg
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] |
While trying to build a major mall or complex or something like that, a wealthy landowner ignores ancient Native American artifacts buried on the land, and unleashes the Bone Eater...a creature who goes around and kills people in search of his fallen friends or something like that. Indeed this movie had to be a Sci-Fi Channel original. If it wasn't, then the director should never direct anything again. The effects in the film is laughable at best, and the Bone Eater monster is nothing but a CGI-animated being added into the frames at a later date. The actors don't even look all that frightened when they see the thing (probably because they really don't, and they're just terrible actors). It's a great comedy, though, even if it's supposed to be pure horror. | 0neg
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] |
OK this film has virtually no budget for a sci-fi movie and no real stars to speak of other than Peter 'Robocop' Weller but that doesn't matter because what it does have is a good story well told. It's a shame that bigger budget sci-fi productions never seem to remember that sci-fi should be have an interesting premise and not just throw a few explosions at the screen every few minutes. What is on offer in Screamers is a solidly entertaining 1hr 40mins of sci fi fun, reasonable acting and a great story based on a Phillip K Dick short. The main idea of screamers is a very scary one a war that had been taken over by machines that fight on our behalf a war that can't be stopped. For sci-fi fans this is a must see, for everyone else it's still solidly entertaining 7/10 | -1no label
| [
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] |
"This story is dedicated to women," according to the introduction, "who have been fighting for their rights ever since Adam and Eve started the loose-leaf system." When "Politics" was filmed, the Nineteenth Amendment, guaranteeing women the right to vote, was only a decade old. And, the film deals with the wielding of political power by women as a voting group. Advocating prohibition, and shutting down speakeasies, was a main concern for women at the time. Good-natured Marie Dressler (as Hattie Burns) becomes politically active, after a young woman is shot and killed coming out of a speakeasy. She wants the liquor-selling joints closed; and, is drafted into a Mayoral run, after delivering a powerful speech at a women's rally. Ms. Dressler is supported by her tenants, best friend Polly Moran (as Ivy Higgins) and her stuttering husband Roscoe Ates (as Peter Higgins). Dressler's run for Mayor of Lake City draws opposition from men in town; so, Dressler orders the women to go on strike, denying them, "everything" in the "parlor, bedroom, and bath." The film sounds much better than it turned out. The humor, frankly, isn't too good; and, it features some unfunny and moderately offensive situations ("You look like Madame Queen" refers to an Amos and Andy character). And, the mixing of shootings and slapstick doesn't mix well, this time. Producers might have considered making the film more dramatic, focusing exclusively on Dressler and the characters played by William Bakewell (as Benny Emerson) and Karen Morley (as Myrtle Burns). **** Politics (7/25/31) Charles Reisner ~ Marie Dressler, Polly Moran, Roscoe Ates | 0neg
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] |
A number of brides are mysteriously murdered while at the altar, and later their bodies are stolen en route to the morgue. Newspaper writer Patricia Hunter decides to investigate these mysterious killings. She discovers that right before each ceremony, the bride was given a rare orchid (supposedly from the groom) which contained a powerful drug that succumbed them. Patricia is told that the orchid was first grown by a Dr. Lorenz, who lives in a secluded estate, with his wife. In reality, Dr. Lorenz is responsible for the crimes, by putting the brides in a suspended state, and using their gland fluid to keep his wife eternally young. Patricia, along with Dr. Foster (who is working with Dr. Lorenz on the medical mystery surrounding his wife) try to force Dr. Lorenz's hand by setting up a phony wedding, which eventually leads Patricia into the mad doctor's clutches. This movie had a very good opening reel, but basically ended up with too many establishing shots and other weak scenes. The cast is decent, Walters and Coffin deserved better, but that's life. Russell steals the show (even out hamming Lugosi- who does not give one of his more memorable performances, even considering his Monograms) as Countess Lorenz playing the role with the qualities of many of the stereotypical characteristics of many of today's Hollywood prima donnas. Weak and contrived ending as well. Rating, based on B movies, 4. | 0neg
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] |
Sean Bean returns as Napoleonic hero Richard Sharpe in Sharpe's Honour, the fifth movie in the series and as always Patrick Harper and the rest of Sharpes chosen men are all along for the ride, but this time Major Sharpe is in serious trouble. Under the influence of Sharpe's sworn enemy Major Ducos, a mysterious lady by the name of La Marquesa has accused Sharpe of rape. Her husband arrives at Sharpe's camp to challenge his wife's attacker to a dual. The dual is discovered and stopped by the authorities, and as a result Sharpe becomes the prime suspect when his opponent is murdered in the middle of the night. As no-one in the British Army other than Wellington and Major Nairn consider Sharpe anything but a rough commoner with little or no honour, he his given a shambolic trial and is sentenced to death by hanging, and Harper and the chosen men have no choice but to look on as their beloved commander walks slowly to the gallows. However, convinced of his innocence Wellington and Nairn hang another convicted prisoner in Sharpe's stead and release him and his chosen men to find the real killer and La Marquesa herself, to not only prove his innocence but to find out her reasons for framing him in the first place. Daragh O'Malley, Micheal Byrne and Hugh Fraser co-star with brilliant performances by Alice Krige as La Marquesa and Féodor Atkine as the villainous Major Ducos, in what is another exciting, swashbuckling instalment through Sharpe's eventful journey through the Napoleonic Wars. | 1pos
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] |
I thought this movie was brilliant. I am a huge fan of the Ginger Snaps series and I think this one is amazing. This film is mainly about Brigitte, as the first one was mainly about Ginger. Although Ginger does appear for a few minutes in some bits of the movie, Brigitte has the majority of the movie. Some may be disappointed as Ginger is gone, but Brigitte is very good in her role which makes up for Ginger's absence. Emily Perkins, in my opinion, plays Brigitte Fitzgerald far better in this movie than the first. For one, she has real hair now. Secondly, Brigitte has a huge contrast to the other character in the movie, which attracts you to her dark personality more. One of those attracted is the comic book obsessed Ghost, who is fascinated by the mysterious sister and wants to know more about her. But Brigitte being Brigitte, she's become very anti-social. Ghost is a strange girl. She doesn't seem to be able to divide the comic book world from the real world, which can make her annoying as she seems to go on about darkness and such. She's a chatterbox, and is constantly pestering Brigitte, wondering what she is hiding from everyone. The werewolves in Ginger Snaps II: Unleashed were far better than the original Ginger Snaps movie. These werewolves have developed from the weird pink things they were before and now have fur, proper fangs and scary yellow eyes! I would recommend this movie to whoever liked the first one. It's got a bit less gore and more sexual references, but the darkness of Brigitte's role and the weird Ghost makes this film amazing. *10* | -1no label
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] |
Honest to God, the Outline pretty much says it all. The planet Andromina (not to be confused with Aunt Jemima) is represented by a cheap L.A. stripclub. There's no strippers, so the most recent male visitors go off to recruit strippers. The men get mistaken for kings or arrested for spying on women (although despite the fact its a planet of women we only get two women who participate in any girl-girl sex scenes), and eventually, as always happen in science fiction cliche movies everywhere, the women become convinced that men are good for something. Well, not the men who made this movie, at any rate! But boy, do we get to see a lot of that something, in prodigious amounts of softcore sex and nudity. This one has less plot then usual for such flicks, so change the channel if you don't like this kind of movie, and grit your teeth if you're into this kind of thing. | -1no label
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] |
Deep Valley is a kind of pastoral noir set in a mountainous glen right out of the Brothers Grimm. Isolated with her valetudenarian mother and coarse father in a tumbledown farmhouse, Ida Lupino is an introverted, unsocialized young woman whose awkwardness is symbolized by a stutter. Nearby a new highway is under construction by a forced-labor gang of convicts. One of them (Dane Clark) escapes; Lupino shelters him. Nature takes it course, as does the long arm of the law. The cinematography in Deep Valley is lush and evocative, and its score, by Max Steiner in an access of Wagnerism, may blow you out of your easy chair. Jean Negulesco directs with his usual high-gloss professionalism. But worthy as Deep Valley is, it's hard to work up much enthusiasm for it. Basically it's a quiet and sad little story that remains in its rural backwater and doesn't beckon us in. | -1no label
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] |
Brothers Robert Mitchum and Tab Hunter are living way off the beaten path and, every winter, a certain panther starts killing their livestock and is never caught. This winter will be different. I'd like to give this movie the benefit of the doubt, as to what this philosophical drama may actually be trying to say, but this is basically a major disappointment, considering the talent of its stars, including Teresa Wright, Diana Lynn, "Alfafa" (as an Indian), and Beulah Bondi, who said this was her favorite role. I can see why, as her character is more interesting and complicated than her usual kind of motherly types. But that is all really of interest. If you catch a minute of this and are transfixed by its color photography of black and white, you'll find there's not much else to really see. The dialogue is tiresome, with the characters continually saying "That if the panther is black..." "If the panther is black...." "If the panther is black..." I do give it a '4', for some reason. I guess for its stars and intriguing ending, but this is a curiosity piece at best. I will say though, that the panther may be heard, but is never seen. I think it would have been more successful had it had more obvious action with a cat you could see and less talk, and "if the panther was black.". After reading other reviews, I do agree this was more of a mood piece, which centers on Tab's character growing up and standing up for himself. But, overall, you still leave the movie feeling somewhat bemused, let down, and on the whole, dissatisfied with it. "But if the panther was black..." | -1no label
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] |
There are way too many subjects avoided in cinema and eating disorders is one of them. This film shows it as it is. It is not glamourised for the viewers to enjoy, it is shown with real truth which makes it all the more powerful. I've only seen it once and that was a few years ago but i can still remember everything about it and how it made me feel. It is a very powerful film and is good support for anyone suffering from a eating disorder to give them the willpower to stop. This is what films should be about- they should be there to help people and not glamourise things that are wrong. | 1pos
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] |
This was a highly entertaining sleeper about a naval ship that happens to go through a time warp and end up at Pearl Harbor just hours before the attack in 1941. Realistic acting, special effects and air scenes really make this movie stand out from other similar movies. I'm really surprised that this film is not more popular, because this was a very unique and fascinating concept for a movie, especially back in 1980. I would recommend this movie to anyone who enjoys a good science-fiction film. I'm also surprised that it has such a low rating, I was expecting it to be rated at least a 7. Ill give it an 8 out of 10. Well worth viewing. | -1no label
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] |
A creature of Native American legend is awoken and escapes from a cave to reek havoc on an unsuspecting bunch of forest rangers and forest trekkers. Hunting and killing it stalks forest ranger Danielle who is coping with the fact that she was responsible for the death of her best friend. It waits reads like a great storyline and it is a good plot for a movie, I would says its just watch able, its a modern B-movie with so-so special effects and scenes which I could say where rip offs from other movies, i.e. Jeepers Creepers 1+2. The relationship between Danielle and boyfriend Justin bares no chemistry whatsoever and the sex scene just seemed like any other sex scene in a movie. In a nutshell the movie wasn't that great, and it was disappointing to see Cerina Vincent try to out act the bad storyline, after a first class performance in Cabin Fever. | -1no label
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] |
I am a novice dancer but this film left me speechless. It was awesome to watch the dancing and for me to think that both Lisa and Patrick were in their early 50's when this was shot, is amazing to me. They were beautiful in the dancing as were the other dancers. What inspired me to return to dancing was the scene with the seniors doing ballet. It showed to a non dancer that it is never to late to follow your heart and maybe take up a dream you had as a youngster. Choreography was great, I enjoyed watching to process and dedication required to get the show done. This film touches the soul, if not then no film can. The story is good but the dancing is awesome. Its a shame that the film did not get picked up my a major studio I think they really lost out. Great job , well worth buying this movie. | -1no label
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] |
The description was pretty honest in that the documentary covered both sides of the debate. My confusion is what purpose was accomplished with this? One side makes a statement, but doesn't back it up with facts and vice versa. I am pretty sure I have seen documentaries that have included "editorial comments" from a reputable source. For example if someone says "these are three reasons for X" no matter how stupid, the "stupid" VIEWER is going to say in their mind "I agree with this, what is the problem?" To the person who knows it is factually wrong says in their mind "I already knew this and we are not going to change this (possibly ignorant) person's mind. Why am I watching this?" Just listening to people's pain and disagreement doesn't help me much. | -1no label
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] |
The guy committed the murder so he could have a good documentary to be made out of, but this film has so many plot holes like a swiss cheese: How did the blood get on Jim Seurd's clothes if he didn't commit the murder. What ever happened to Steven "Johnny" Avkast? His body was never found. How did Jim Seurd die in prison? It's obvious that this psychopath is the one who sent them the message on the IRC and Jim Seurd was probably a real psychic. It was all a great idea for a mysterious documentary, but the film makers failed to explain several reasons. If the Jersey Devil did exist and this was not a murder piece for some psychopath trying to gain the spotlight, it would make sense if Jim got blood on his clothes, if Steven did disappear, and Jim died in prison mysteriously. They could have explained it all. Rather than a switch from doc to regular film (why the heck is the picture still the same - in bad quality?) they could have the psychopath just leave his documentary camera running as he killed the woman. But we know this "Last Broadcast" documentary is a finished piece so he would have cut that part out. I have a better ending - how about that woman tries to make out the picture and she sees red eyes and a row of sharp teeth? Yeah, let's leave the Jersey devil thing intact because their "clever" idea failed - it just doesn't fix with the rest of the film. Or another way could be a doc within a doc within a film (like Scream 3) where the special effects could be cut out and the psycho would be filming a "Blair Witch Project" type of documentary and the film part would be the police finding the pre-produced doc in the possession of a man they just arrested. And at the end they could have shown the same man in the holding cell. All this stuff could have been a better way instead of what these film makers just made. My preference would be that the Jersey Devil did exist in this film. The documentary had me glued on the screen because I was anxious to see what would happen (like a real documentary) and I got deeply disappointed anyway. 3 out of 10 | -1no label
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] |
I am a connoisseur of "horror" movies/series, and have seen them all since the 1950s, but One Step Beyond remains the scariest of all the series. The only one that came close was Boris Karloffs'-Thriller! John Newlands' beginning monologue reels you in, to have you gripping the arms of your chair during the story, too scared out of your wits to even move, then having the story ending to Mr.Newlands epilogue to further heighten your anxiety of being too fearful to go to sleep!! Unlike..Twilight Zone, Hitchcock, Night Gallery,Tales from the Crypt, Outer Limits and X-Files which ALL have humorous episodes which discount their "scare-quotient", and leaves you disappointed....however "O.S.B."satisfies the most discriminating of "scary-movie" tastes !!! O.S.B never had one "hokey" episode that would tickle your funny bone and that is what makes for excellent scare tactics. I wish they had this series on DVD !!! | -1no label
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] |
Before this made for TV movie began, I had relatively low expectations. That's because it was made after the final episode of the series had aired and many of the series originals were gone. There is no President Sheridan, Delenn, Lennier, Londo, Vir, G'kar or Lyta. If you remember, on the second to last episode of the series, all the regulars except Zack, Vir and Captain Lockley left B-5 permanently. Now for this film they did bring back Garibaldi (who was not in the last B-5 movie) to join Zack and the Captain and the Doctor makes a brief and irrelevant appearance. But because so much is gone of the old chemistry, this film already is severely handicapped. The movie is about a Soul Hunter (Martin Sheen) who is led to Babylon 5 in search of a globe filled with souls that had been stolen from a hidden repository by an archaeologist (Ian McShane). A lot of spooky mumbo-jumbo stuff occurs but frankly it was all pretty silly and pointless. Yeah, yeah, the station nearly blew up but was saved and all, but frankly I felt like it was a case of "been there done that--and done that a lot better in the past". The secondary plot, provided more for comic relief, was much more interesting, as an entrepreneur installed a holo-brothel and those in command weren't sure what to do about it and when they tried to pressure them to close, they were slapped with a lawsuit. This was fluff, but it did provide a few laughs--something the other dreary plot was surely lacking. By the way, Sheen at first did a good job playing the Should Hunter--with his wild eyes and bizarre delivery. However, repeatedly throughout the episode he fell out of character. This should have been spotted and corrected. So the final verdict is this is only for total die-hard B-5 nuts (like myself). Others seeing it might assume the series sucked--which is a great injustice. This is a great example of a show not knowing when to quit. | 0neg
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] |
not only does this film manages to have no plot, it also has some of the most awful dialogs i've seen. certainly, the story may offer some potential, but i can't help the idea that someone threw a few clichés into a pot and tried to obtain a film (?) out of it. from the start one can tell it's going to be a very amateur film, but as the film develops, we realize even the production is amateur - the scenes that should be happening at approximately the same time are filmed in what seems different time spaces (i can't tell how many days have passed, as time passed differently for the different characters) and the effects can't even be called "special"... i'd like to say that the actors tried to save this production, but it never happened, they just got lost within the absence of plot. save your time and watch something else instead. | -1no label
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] |
I jumped for joy to learn this show ended. This show's characters were extremely irritating. None of them had one singing redeeming quality. Damon Wayans is probably the most standable one. Kisha Campbell is... Kisha Campbell. She's just as annoying as she was in Martin. The kids are all very annoying as well. The oldest is an idiot, the oldest girl is a stuck up brat, and the youngest is frustrating to listen to. I guess I did like the intelligent little boy. But that's about it. It did the world a favor by ending. Let's pray that a Wayan never stars in another show... EVER. | 0neg
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] |
After watching the first 3 in a two period to see what was so good about the series, I decided to watch this as an off-chance. I was horribly disappointed. While it might have come out before Shanghai Noon, this was just plain unbearable to watch with painfully BAD stereotypical dialogue with a plot thrown in around the last 2/3rd of the movie. Do yourself some justice and skip this movie if given an option. Only watch it for morbid curiosity, but you'll only be disappointed. I feel like this horrible film tainted my eyes after watching the first 3, which were full of movie magic. The action scenes in this one didn't even keep my attention at times. | -1no label
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] |
Perhaps this could be the best movie ever made and if it's not it's certainly one of those who are burned onto your pupils as what Brian De Palma delivers here is a great piece of cinematographic artwork. First there is the director's touch of Brian De Palma who proves once again he might be one of the best directors ever, there is the superb performance from Al Pacino who is delivering an immortal hero on the big screen (Tony Montana), there are the many different (violent) scenes that you will never forget (the one with the chainsaw, the one in where Tony is sitting in a bath which is as big as most people's living rooms), there are the many superb one-liners (count how many times the word "f*ck" is used), there are the superb little details (the Pan American-globe that screams "The world is yours") or the great discomusic from Giorgio Moroder. Nothing can be named that isn't sublime here and it easily is along with "The Godfather", "Good fellas" and "White heat" one of the best gangstermovies ever made! | 1pos
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] |
If a movie can't hold your interest in the first 25 minutes, it's over as far as I'm concerned. This concept that you have to simply deal with a slow first third of a movie and be rewarded later is nonsense. A good movie has to start and end strong. It all seem interesting and some decent shots and lots of promise, but ultimately muddled and irrelevant. There are so many other movies from Asia to watch, many of which I am sure most of you have not seen, that I would really skip this one and look elsewhere. Why exactly does IMDb require a 10 line minimum for reviews? I said my piece and I hope this helps a few of you move on to the next film. | 0neg
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] |
Having not seen this film in about 20 years I am still impressed with it 's hard -hitting impact and stellar acting. Of course, one Mr. Mickey Rooney is indeed, INCREDIBLE in his role as the ring-leading "Killer".(In reference to another review here-none other than Orson Welles evoked Mickey Rooney's name as the greatest movie actor,also.) I also recall the jazzy-brassy score and the bare black and white photography. I love the Mick's last line before he goes out for his dose of lead poisoning.(I think the Stranglers lifted it for a line in one of their songs-Get a Grip on Yourself.)This is a great film and unjustly buried film. Let's get it out ! Side note-a recent Film Review magazine gave a big write up on Don Segal's "Babyface Nelson" ,made a couple years before "Last Mile" and also starring Mickey Rooney. Another rave of the Mick's intense and sympathetic performance.Perhaps it's the start of a groundswell of a appreciation for some truly superior cinematic performances. | 1pos
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] |
CURTAIN UP is a routine British comedy which fails to raise anything more than the slightest titter. I dread to think what the movie would be like without the considerable talents of Margaret Rutherford and Robert Morley in the leading roles, and even with them it's pretty dire 'entertainment'. The plot quickly becomes tiresome, a weekly repertory company is rehearsing a dreadfully written play, "Tarnished Gold". The producer, played with gusto by Robert Morley, quickly falls out with the play's authoress, the marvellously eccentric Margaret Rutherford, and after the first rehearsal he rips out 27 pages of the 30 page script. Adding to the 'fun' are the problems, tantrums and behind-the-scenes squabbles of the play's cast, which seriously hinder the rehearsals (and also the film). One of England's greatest post war character actors, Sam Kydd, makes a fleeting appearance at the finale, as an ambulance man. The only genuinely funny moment in 80 minutes is Morley's facial expression when Margaret Rutherford turns up and says "I've come to sit at your feet while my child is being born!" | -1no label
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] |
Visually, this film is interesting. Light is literally thrown in a way, together with cinematography and an alluring introduction before the titles, that had my hopes up at the start, but then - a b-movie is a b-movie is a b-movie, no matter how much spectacle is seen. This film surrounds the life of Albert Fish, one of the most well-known serial-killers in the world. Active around the start of the 20th century, Fish's life is hastily and blurry dealt with before before he started killing children at an old age. This film is based upon two tracks: Fish's life and that of William F. King, lead investigator of the case. What saves this film from becoming a Hallmark spectacle and debacle of the usual sort, whenever films about serial killers are concerned, is the direction, which is a double-edged sword; director Scott L. Flynn sheds focus enough upon the b-actors not to let their flaws shine through too much, but at the same times created a truly dull and stereotypical view of the American police through the King-angle. Sure enough he dealt quite thoroughly with Fish's meet with Grace Budd, the 10-year-old girl that he killed, even though I'm not really sure if her mother was the media-crazed person that Flynn really tries to emphasise that she was. I miss more psychological diving into Fish, not to mention the very little time which was spent on Fish's post-capture. All in all, interesting for those who are into serial-killers, but mostly a let-down; however, if the director will make another film about another serial-killer, I'd definitely see it in hopes that holes were patched-up. | 0neg
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] |
You have to see this movie! It has all consistences of a great movie-a good story, things to laugh and things to cry!... But to understand it better, you have to be a parent...I think... Well at least I know, it wouldn't touched me that deeply if I wasn't! Great actor play also-it makes you believe that this is actually happening, and the actors are real Mayas. And if somebody has something to say, about the movie, being too "natural" and too "real", I can tell that the life itself it is, so the movies should be, like this one!...Or else you wan't believe it! It's really great and I have nothing more to say, except: I love Mel Gibson! He really has something to say and got nothing to hide! Exceptional work! I hope I can shake your hand someday! | -1no label
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] |
I don't understand the trashing comments I just read. This film is very, very good. I've seen it at least 5 or 6 times and it was enjoyable the first and last time I saw it. The film making was superb. I actually did some research to see where that cottage was located and see if there were any rentals. I saw no character flaws in anyone. Each character was precise and very believable. Continuity errors were at a minimum. I also don't understand the rating this movie got. It was NOT THAT BAD! If there was poor acting, or plots, or errors then I could see trashing the movie. But really! Even the musical score was perfect for each scene. A mixture of real classical and real rock. The music score designer deserves an 'A'. Best parts: 1) Beethoven's nose in the beginning, followed by his dream sequence. 2) Anything Regina did. She was perfect! 3) Grodin trying to explain where babies come from. 3) The bully sequence at the fair (bite this guy in the weiner!) 4) The hamburger eating contest. 5) The tree stump scene with Penn. 6) Finally, all of the grunting noises Beethoven made. I can actually imitate each one. My kids love it when I do that. Come on people. The movie was really enjoyable with quality Hollywood direction and design. Please stop knocking it. Give it another try. Or next time, try watching it with a child. You'll see. | -1no label
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] |
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