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It's always a pleasant surprise to encounter an 'oldie' movie such as this. As for first impressions, I have the feeling it's an idealist's wished-for 'dream of a perfect world and perfect people' that never quite comes true, unfortunately, for many in real life. At times the story seemed a bit too melodramatic and predictable at every turn yet even so I enjoyed it Barbara Stanwyck as Norma is always able to carry a dramatic role superbly. Fred MacMurray as Clifford certainly does give a true rendering of a situation many married men find themselves in sooner or later, of facing middle age and the feeling of being boxed in on all sides. Well worth adding this one to your collection. | -1no label
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After the success of the Home Alone film they decided to do the continuation. Quite unnecessarily, all the more so because it is an everyday plagiarism. Then again it is happening into the day of the Christmas, then again Kevin is starting the scuffle after the provocation of the brother, then again he is being told off by the mother, then again he must leave home together with the family, then again is getting lost this time getting the aeroplane mixed up which was supposed to get on then again... Okay, it won't be spoiler, but we are dealing with the sheer plagiarism. As well then again we are coming across the same nebbish types. Apart from that the second part of adventures this way isn't amusing Kevin as first, mainly thanks to darker climat. I am advising. | -1no label
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The storyline of "The Stranger" mirrors somewhat the 1969 film "Journey to the Far Side of the Sun" (made by Gerry & Sylvia Anderson of 'Thunderbirds' and 'Space: 1999' fame). A parallel-universe Earth is the premise of both films. But there is a difference. Where the world in "The Stranger" features a totalitarian regime out to squash the freedom of the citizenry, "Journey to the Far Side of the Sun" merely showed a true mirror world where handwriting, roads, houses, machinery of every kind, and of course internal organs were all in reverse (or mirrored) order. So, the similarity of parallel Earths is the only connection of both films. Similarly, the TV series "Land of the Giants" came before both of those films, having run from 1968 to 1970. It featured a world that was nearly parallel to the Earth with the exception that the planet was populated by giants 12 times the size of the humans who crash-landed there. The idea of a totalitarian government out to capture and contain the 'little people' was similar to the premise of "The Stranger" more-so than the premise of "JTTFSOTS". Perhaps because of the similarly to "LOTG", a series to "The Stranger" was shelved. Had it turned into a TV series it would have been a sci-fi version of "The Fugitive," with star Glenn Corbett being chased by the baddies from week to week, hiding out in different locations, etc. BTW, a stronger script could have helped this film along. | 0neg
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] |
Personally I have never been a fan of the crocodile Dundee series. I find the humor to be childish and the action to be less than sub-par. But my mind sure was changed after viewing this one! I found myself delightfully entertained throughout the entirety of the movie. I was either laughing hysterically or on the edge of my seat at all the crazy mishaps Dundee managed to get himself into. I figured he'd have a difficult time with the culture change, but not do such crazy things like he did! LOL absolutely nuts!! The best part has got to be when they are trying to save the skunk on the express way! OMG I though for sure I was going to faint from laughing so hectically hard. I mean they stopped the entire freeway just for a skunk. Can you imagine if that really happened in LA!?! People would absolutely freak about it! Either way this is a must see film, I hope they come out with another witty installment as good as this!!! | -1no label
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] |
Yet another recent comedy that shows that Hollywood can't even do the basics when it comes to film-making that it used to do in its sleep for decades. If the writer/director had any brains they would have based the film around Stamp's character of tyrant boss Jack Taylor. When he's in the film early on it's nothing special but it is mildly promising and occasionally amusing. Once he departs for the majority of the film and Kutcher has his 'hilarious' adventures house-sitting with guest after boring guest dropping in, the film totally disintegrates. As a result, what should have been a passable timewaster turns into an inept stinker. | 0neg
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] |
Mishima is one of the greatest films ever made. Now I think Paul Schrader is the greatest screenwriter of all time, but I don't really like the films he's directed of what I've seen (with the exception of this and Affliction), but this is an amazing, disturbing, and highly 3-dimensional character study. It follows the life of Yukio Mishima, Japan's most celebrated writer, combining the last day of his life with flashbacks and his stories. I don't know how, but Paul Schrader manages to combine all of those in a very artistic way. The acting is great, so is the photography, and a perfect score by Philip Glass. Although confusing the first viewing, this is one of the few films that becomes richer with each viewing. Truly an underrated gem of a film. | 1pos
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] |
Unfortunately for myself - I stumbled onto this show late in it's lifetime. I only caught a few episodes (about three) before it was cancelled by ABC. I loved the characters, and storyline - but most of all the GREAT actors! I was a fan of Sex and the City, so I saw two characters I recognized (Bridget Moynahan was & The Character "Todd" was "Smith Jared"), as well as Jay Hernandez (From Carlito's Way: Rise To Power) and Erika Christensen (Swimfan). I enjoy watching young actors get their due, and felt like this show would propel their career further along. I hope this at least gets put back out on DVD, and maybe WB will pick it up for a second season sometime? In the meantime, I'm viewing it on ABC's website from the beginning. | 1pos
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] |
This was on TV last night. I painfully forced my way through it, and barely made it through. First of all, except for Leroy, Hilary, and possibly Coco, NONE of the other students we are supposed to care about have any discernible talent. It's like HSPA had no standards, just sign on the dotted line and you're in. The story lines were grating and obvious. Doris was just impossibly awful. The gay guy was such a thrown away cliché (funny how that school had only one gay guy, right...) I liked the Leroy character, but calling your teacher an obscenity and then vandalizing the school should have sent Leroy packing. Lisa looks like she'd rather be anywhere else, and since she wasn't any talent, I wonder why they kept her. I would have rated this one star (awful), but the music wasn't that bad, and I did like the premise. It just would have worked much better if the students had been attractive and actually had some talent. | 0neg
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] |
I am a great fan of David Lynch and have everything that he's made on DVD except for Hotel Room & the 2 hour Twin Peaks movie. So, when I found out about this, I immediately grabbed it and...and...what IS this? It's a bunch of crudely drawn black and white cartoons that are loud and foul mouthed and unfunny. Maybe I don't know what's good, but maybe this is just a bunch of crap that was foisted on the public under the name of David Lynch to make a few bucks, too. Let me make it clear that I didn't care about the foul language part but had to keep adjusting the sound because my neighbors might have. All in all this is a highly disappointing release and may well have just been left in the deluxe box set as a curiosity. I highly recommend you don't spend your money on this. 2 out of 10. | 0neg
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Apparently, Disney has the technology and the money to make the most digitally enhanced movie we have ever seen. In the first five minutes of "Dinosaur," Disney tries to impress us by showing everything they can do with their computer generated effects. And let's face it, that's the only reason we saw this movie in the first place (at least those of us without kids). But it's not the special effects that make a great "special effects" movie, and in the long run, "Dinosaur" will be forgotten among such landmark films as "2001: A Space Odyssey," "Star Wars," "Jurassic Park," and "Toy Story." These movies combined creative ideas with special effects, and are now lodged in our cultural memory. "Dinosaur" exhibits no creative thought. It's pretty much the same story as "The Land Before Time," only this go-round we're dealing with digital dinosaurs. Beyond being unoriginal, the story is weak: it's about a herd of dinosaurs trying to find their "nesting area." Everything that happens along the way has been done before and done better. Even the celebrity voices suck (D.B. Sweeney?). Particularly bad is the comic relief, which comes in the form of horny, yet unattractive monkey (I know it sounds funny, but it never is). The movie is oddly short (about 75-80 minutes), for which I suppose we should be thankful. One comment about the special effects: they're great, but are they any more "realistic" than "Jurassic Park's" dinosaurs? Spielberg wanted to show us what dinosaurs actually looked like millions of years ago. In "Dinosaur," we see a bunch of generic dinosaurs who make ridiculous facial expressions. The monkeys also make crazy faces from time to time. My point here is that while the animals certainly don't look like cartoons, they don't look "realistic" either. Bottom line: "Dinosaur" is as interesting and creative as its title. Most people won't like it, with the exception of kids who get caught up in the craziness. Parents should note that this is not a traditional family movie (it's rated PG for violence). Hopefully, in the next couple of years, studios will use the technology of "Dinosaur" to make quality movies that we'll enjoy after the first five minutes. | -1no label
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(SPOILER ALERT ...) This movie is about the hero's (Trevor's) need to extricate his soul from a demonic/satanic ritual. That is, after killing Faith, he aborts said ritual (by not killing himself), putting his soul in limbo. The mad scientist somehow finds this out and kidnaps him to find the book used for the ritual. The (incarnate) earthly and trapped parts of his soul wake up from the mad scientist's implantation surgery (which is supposed to allow the mad scientist to read Trevor's thoughts(?)) at almost the same time. (To see this, note that the earthly part wakes up from the implantation surgery just before the one nurse says that her shift is over, while the tormented half wakes up two or three seconds later, just after.) Further evidence that they awaken in parallel realities is that the residents and principals of the "House of Love" introduce themselves to Trevor the second times he awakens, whereas Trevor already knows them. Trevor's knocking on both sides of the trunk (later on) further illustrates this point. Trevor must reunite his ripped, tormented soul. Unwilling to relieve this tension by letting Faith kill him--to complete the ritual--he follows his dreams/visions. He therefore gravitates to the trunk in the attic. The significance of the trunk is revealed in the magic attached to it, which is revealed in the implicit inability of the mad scientist and others, and the explicit inability of Douglas, to open it; the trunk is controlled by a force which allows only Trevor to use it. Inexorably, the pieces of his soul meet (on either side of the opening to the trunk) and unify. Trevor's torment, and the film, abruptly resolve. His painful dreams evaporate and he regains his earthly existence. | -1no label
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] |
This TV adaptation of Sarah Waters' novel was so lovingly done I can hardly find the words to appreciate it. Not since "Tipping the Velvet" (also highly recommended) have I seen such a performance by the lead actresses, this time by Sally Hawkins and Elaine Cassidy. They acted with their souls, and this is what gets across to the audience! The supporting actors were well chosen, too, they made a great ensemble. For those who think the story is just about a lesbian relationship - no, this is only one part. The other main theme is the betrayal of the person you love. And the plot has some further surprising twists. So the movie should be interesting for straight people or guys like me as well. | 1pos
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It was 9:30 PM last night at my friend's camping trailer and we were so hyped to watch South Park (a new episode). The thing is, in my country, South Park airs at 10:30 PM and we decided to kill time by watching the show now airing, Father of the Pride. I'll start by saying that I have only watched to episodes. The first time I watched it, I found it unfunny and crude for nothing, so I thought ''Holy sh*t, I have a football game early tomorrow, so I have to stop watching stupid cartoons''. But yesterday, I tried to give Father of the Pride a second chance. I find that it's a complete rip-off of The Simpsons, only replacing yellow human characters by lions instead. The second thing is I wonder why it got it's TV-14 rating. I find The Simpsons a lot more vulgar, and the only real vulgarity in this show is a few homosexual (unfunny) jokes. The Simpsons is also a lot more violent (Halloween specials) and crude. I also heard that the creator of the series has also directed Shrek 2, well I've got news for him: Shrek 2 was way better and I think he stayed too much in the family thematic. However, I must admit that Father of the Pride did make me smile (even burst out laughing once) three or four times. All in all, I don't mind Father of the Pride. I don't hate it, but I don't like either. I've seen way better from ''The Simpsons''. 3.5/10 | 0neg
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] |
Jane Austin's novel "Pride and Prejudice" is without a doubt one of my favorite books. And now, finally, it has come to the screen!! I absolutely adored this mini series, and I would recommend it to anyone. All of the characters are played brilliantly, especially Colin Firth as Mr. Darcy, and Jennifer Ehle as Lizzie Bennent. The film also has an outstanding supporting cast as well. And do not worry about it being boring, there is something exciting happening every second!!! All of the costumes, furniture, and especially scenery are beautiful, so, I encourage you, that if you have nothing to do on a rainy day, you watch this extraordinary piece of television. You will not be disappointed!!!! Enjoy!!!!! | -1no label
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] |
A slow movie with no psychological depth. There are a few story lines and none of them really relate, except that they all take place in a small neighborhood of Mexico City. The acting is telenovela quality and so is the plot. None of the actors motivations are evenly remotely hinted at. Why is (Alma) Hayek intrigued by the pimp? Why does she go back to him after saying she won't? What's wrong with Abel that he's madly obsessed with her? How has Susanah managed to be single her whole life? How has Rutilio managed to be gay and be a married man for so long? Can we have some character development? What is the Rutilio's son's explanation for going into a murderous rage? An uninspiring bore that not even the beauty of Hayek can save. | -1no label
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] |
I must say! I didn't realize that the hair comb was invented even before fire was?! And I certainly didn't know that the prehistoric women walked so upright, and with such grace. No wonder people started evolving. I mean such well cared for women even had men taking up the hygiene - for they're all squeaky clean. It's all so very accurate (including the giant). OK, the movie has some naive and primitive charm, but I guess the main reason for making it was to show a bit more feminine skin then the regular movies would allow. Still not accurate. The costumes look more like sleeveless fur coats then the clothing actual prehistoric people would wear. I'd be really surprised if the maker of this movie ever even saw a book on the prehistoric world. It's just so silly. Still, you might get slightly entertained by this movie, trying to sell itself like a national geographic documentary (including the most appealing part - the showing of the native women), but I'd recommend you just about any other movie. | -1no label
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I won't describe the story, as that has been done elsewhere. We are great Clive Owen fans, and when our Netflix recommended the movie, we were intrigued. No wonder we had never heard of this "movie", because it was a BBC Television movie back in 1992. Hence, the poor production values, grainy image , jerky camera work and poor sound. But, you don't really mind the mechanics, because the story itself will put you to sleep. It's an interesting human story, but not at all compelling, and there is hardly any ending. You don't really care for the characters as their lives are as boring as your life watching this tedious movie. Save the two hours and do something to make the time more worthwhile. | 0neg
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] |
when people ask you about Christmas films, what do bring up? The Grinch, the Rankin-Bass stuff, a Christmas carol, Santa clause 3? this is obviously the most boring film i ever saw (folowing Bee movie and Pinocchio 3000). the series is about adding laws to Santa Claus (exciting enough!) this one adds in Jack frost (played by Martin short) trying to take Santa's place. he does this using the "escape Clause". how does it work? simply make Santa touch a snowglobe and say "i wish i was never Santa". what makes a film worse than a boring story? actors who don't give a $#!t. Peter Boyle (Young Frankenstein, everybody loves Raymond) died after this movie! P.S i recommend Scrooged over this! (every one would) | -1no label
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] |
EXTREMITIES is the disturbing, yet riveting screen version of a play by William Mastriosimone (who adapted his own play for the screen) about a woman who is attacked in her car one night by a would-be rapist on her way home and is terrified when she realizes the man got her purse and knows where she lives. After her roommates leave for work the next day, the guy shows up at her home and attempts to rape her. The story takes a surprising twist when, at one point, the woman turns the tables on the man and is able to overpower him; but when she realizes there is no way that attempted rape can be proved and if the man is arrested, he will just get off, she decides to keep him prisoner in the house until she can get a confession out of him. Far-fetched? Maybe. Disturbing? Definitely, but there's a wonderfully claustrophobic feel about this film, especially the middle with just the woman and her attacker, that you can't help but feel completely a part of what's going on. I did not see the play on Broadway, but I would imagine a piece like this works better onstage, but that doesn't make this film any less riveting an experience. Farrah Fawcett, one of the last actresses to do the role on Broadway, was awarded the role of Marjorie in the film version and delivers a taut and deeply moving performance as the victim who refuses to be a victim. Many critics found Fawcett's performance to be one-note, but for me, Marjorie is a woman completely numbed by what she has been through and the performance works for me. James Russo, in the performance of his career, is slimy and menacing as the would-be rapist who finds Marjorie to be much more of a challenge than he assumed. Alfre Woodard and Diana Scarwid co-star as Marjorie's roommates, who come home after Marjorie has overpowered the guy and has him tied up and stuffed in their fireplace upon their arrival. And it's the arrival of the roommates that take the story to an unexpected level because they didn't see what we saw Marjorie go through and therefore, think she should call the police and let them handle the guy. Not for the faint of heart, but if you can stand it, a gripping film experience anchored by a lead performance that will surprise you. | 1pos
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] |
"Beyond the Door 3" is a pathetic trash.The acting is horrendous,the script is putrid and the music is awful.Absolutely no suspense,no atmosphere,just boring,meaningless c*** OK,there are some good gore bits for example one guy is cut in half by a chain,but the film isn't very bloody,so gore-hounds will be disappointed.The ending is one of the worst ever.The special effects rank from acceptable to totally fake.I'm a big horror fan and I really couldn't appreciate this one.To sum up,"Beyond the Door 3" is okay to laugh at with friends,but good luck sitting through this twice.Don't waste your precious time unless you like really bad horror movies.Not recommended. | -1no label
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] |
Dongmakgol is an amazingly verdant,pristine village where a US navy pilot Neil Smith(Steve Taschler) crash-lands when his plane gets caught in a surreal butterfly storm.The village which is totally incognizant of the Korean conflict warmly welcomes the foreigner. Since no villager except the village teacher can speak any English they just try to communicate with him in their own language. At one moment the teacher asks hims "How are you?" but when Smith answers him "How do you think I am? I feel like sh*t?" so the teacher gets disillusioned with the answer because the normal correct American answer should "I am fine, and you?" :) The village looks like a calm and serene place where time stands still. The villagers have no knowledge of all the fancy trappings of modern life,technology or merely guns and weapons. Their life goes on simply and placidly till two groups of Korean soldiers (North Korean and South Korean)ends way up there. The North Korean soldiers, Rhee Soo-hwa (Jeong Jae-yeong), Chang Young-hee (Lim Ha-ryong)and the two South Korean soldiers Pyo Hyun-chul (Shin Ha-kyun) and Moon Sang-sang (Seo Jae-kyung)destroy the storage of the village in their armed clash.Apparently one of them just throws the hand grenade assuming that it's been just a "dud". The two groups of soldiers are now bound to work together in the fields to fill the storage of the village and they will actually rub off on each other somehow. The movie sounds like a surreal piece of flick sometimes. For instance, at one moment they kill one of the wild boars in a transcendent work-together. At another moment the corns blown out of the stockpile of the village falls down on the village like a pop-corn. There are some interesting characters in the movie too even if they may sound and look stereotyped sometimes they are sweet and rich characters--like the village chief and the crazy girl Yeo-il (Kang Hye-jeong.) Welcome to Dongmakgol may sound like a "platitudinous" movie for some. It may even sound "cheesy" at some points but it's indeed one sweet anti-war movie! | -1no label
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This movie became a cult classic in Norway, described as one of the worst Norwegian movies ever made, so when I took the courage to watch it, my expectations where already very low. But even so, after I managed to get trough the whole movie I couldn't help but wonder how the actors willingly would humiliate themselves like this? It's not just the thing that it's really boring, and without a story, but it seems like they have tried to compensate with as much kinky sex as possible. This one sex scene lasted for about 7 minutes, no music, nothing but humping. Right... Acward... Fast Forward and... Urinating! Nice... Well if you are into that sort of thing, this movie still wouldn't be anything for you. Even porn have better storyline than this. A solid 1, and come on, don't vote this 10 because both you and I know it's not worth it. The only place this film belongs is in the trash, or on IMDb's bottom 100 list. | -1no label
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What?!?? Why are people saying this is "mind blowing?" Just face it the ending is on of the worst endings in the history of cinematography! 4 left and the whole world has ended! Not to mention the character 9 was a idiot the whole time he got everyone killed. 1 was right the whole time, if he sacrificed 9 then non of this would have happened. People giving there lives for a stupid cause and for what?... to make it rain? I admit the movie had it's parts, and the whole concept was fascinating. But a lot of it was clichés one after another. And did anybody else get this feeling that this is a lot like "Lord of The Rings?" Characters died for stupid reasons, there was almost no character development, and honestly ask yourself is it good to have only four guys left in the world; its pointless and stupid. It was one of the shortest movies I've ever seen, and thank god! How is robots turning against humans creative in any way! It's been done like a hundred times! This movie is really stupid, go see a movie that's worth watching like Star Trek, The Hangover, or Inglorious Basterds, those were good movies! | 0neg
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If you have seen Dogtown and Z-Boys or have any interest in seeing the real, non-caricature, "Real American" side of America then Riding Giants will hit deeper than anything you've seen before. This film is "unreal", a facile term if ever there was one, but hugely appropriate if you can derive any form of literal meaning out of it - it is a 100% factual documentary, but with all the drama of an opera, and the completely apparent sense of love, expert and knowing instilled by Stacy Peralta's direction and narration, this film expertly leads you from swell to big wave while keeping you completely enthralled in everything you are being given the privilege of seeing. This film is a symphony, crafted as well as Beethovens 9th, beginning beautifully with its prelude in Hawaii, tugging deeply on human emotion in Santa Cruz and finishing with uproar, triumph and crescendo in Laird Hamiltons feats, again in Hawaii. Like classical music; like Beethoven's 9th, Ride of the Valkyries or Barbers Adagio for Strings, this may be the only piece you like, but it's worth it. Trust me. | 1pos
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This movie was one of the greatest movies ever made,,,, it had everything to make a movie great. Incredible acting, awesome special effects...... oh wait I must be thinking of a good movie. Well this wasn't one of them, it just plain sucked. What I want to know is, what kind of bone head would think that this movie was a 10. When I casted my vote there were 206 out there, god knows what goes on in their head. Now as for any other vote, a 8 or 9 was even too high, but a 10??? Come on, what made this movie sooooo good to give it a 10? I know these are the same 206 that thought that Jean Claude Van Damme is a great dramatic actor. | 0neg
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Homecoming; what a HUGE disappointment!! After reading the plot summary (the dead coming back to vote - AGAINST George W. Bush!!!!!) I couldn't wait to see this. It started off interesting and it immediately caught my attention. Unfortunately, though, it slowly descended into a boring political satire that I didn't need to see (I can just watch some good old Aussie comedy for that!). There was pretty much only one or two scenes of horror and they weren't even that scary. I couldn't believe this came from Joe Dante, who could easily have pulled it off with an equal balance of thrills and satire. The worst episode so far. 2/5. | 0neg
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ToolBox Murders is often compared, and often called a "remake" of the 70's "The Toolbox Murders" it is actually not, it takes on a life of it's own Deep in the shadows an evil being "born of death" lurks in the shadows and structure of an old run-down apartment building that has recently reopened, which has awakened this enigma's rage. As people move in, so does the killer slowly, and quietly killing them one by one. The cast is great and Angela Bettis as Nell, offers a great performance, i'd say one of the best in her career so far. When you need the strong husband that guards the hesitated and timid wife, you get Shawn whom is played by Brent Roam who does a great job as the guardian, safe-keep of his wife. This movie also has a kooky supporting cast that is also well played out one that stands out in remembrance is the character of the weird and shy repairman, his look is that of a grungy, careless non responsible individual and often leads you to believe that HE could be the man behind the mask....is he? Also it was really great to see Rance Howard (father of Ron and Clint Howard) in this film, he's such a great talent. This movie is definitely a must see on my list of lists, so please take my advice and rent/Buy this film as it is highly well executed and shot, by Hooper. Some of the gore is so brilliant and innovative, some that other movies have tried....but it never looked this good! The gore alone is what makes this such a film....Finally Tobe Hooper brings to life another enigmatic, mysterious being, just as he did in 1974 with The Texas Chainsaw Massacre, and Gunnar Hansen as LEATHERFACE. - Rick Blalock | -1no label
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] |
Of course, seeing a few boom mikes doesn't mean anything, does it? Lord, Rudy Ray Moore and D'Urville Martin really put this one together didn't they? I laughed a lot, as often happens in these types of movies, but I don't know what I was supposed to laugh at because I laughed at so many other things. I am not saying the movie was bad, but I will say that a little more editing would have done wonders. I am a huge fan of Blaxploitation, so I don't think that it was horrid, but I know that "The Human Tornado" was several times better than this. I think that those who can make it through this movie might need a Colt 45 or two afterward. I mean, it really helps you to not notice the boom mikes when you watch it again. | 1pos
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] |
Its a bit late for me to post this review. But memories were rekindled after the Saawariya fiasco of the apparently great Sanjay Leela Bansali. I was in India at that time, and many people talked about Black as if no one every made a movie like that ever. First of all its a remake, so attributing a "genius" tag to Bansali is uncalled for. I also did not appreciate the fact that he did not admit to the fact that it is a remake of The Miracle Worker. I mean, be a man. Tell the world you are making a remake. Secondly, in Bollywood, overacting means good acting seems to be the norm. Rani was as shrill as you can see. You can paint emotion but if the colors just bleed than it looses its grace. Bansali just went overboard. Some scenes make no sense. The empty rooms with slide images portrayed in the background. The needless filled sets. They distracted more. The film has its moments. Especially the one where Rani meets AB after a long time. I will not go into more details for the sake of those who haven't seen it (yet). In the same week, I had the good fortune of seeing Million Dollar Baby and.. boy.. what a difference. To see how emotions are handled subtly.. now THAT was a treat. Perhaps Bansali ought to learn from Eastwood.. if he gets down from cloud 9 that is... | -1no label
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] |
This movie is so bad, but has the right elements to cause a cult following. Two psychopathic garage mechanics, Alex(David Hess)and Ricky(Giovanni Radice), invite themselves to a party of social climbing snobbish types. This 'with-it' crowd, begin taunting and making fun of this low life duo without knowing the mayhem to come. Alex and his mentally challenged friend decide to have their own brand of fun and take everyone hostage and begin humiliating, torturing and raping for their own amusement. But how is it that a group of people are threatened by one straight razor? Alas...there is a twist; the two tormentors don't realize that they have actually been set up as the guest have their own agenda. Other cast members: Annie Belle, Christian Borromeo, Brigitte Petronio and Lorraine De Selle. Redeeming, no way. Worth watching, kinda. | -1no label
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] |
There wasn't a single positive minded person working on this movie! The entire movie is utterly depressing with everyone telling this poor Jeep that he can't fly in different derogatory ways. My son watches it three times a day and it gets more painful every time, I think I'm gonna hide it. The negativity isn't worth the 3 minute happy ending! Parents who try to instill positive thinking in their children should avoid this movie. The makers were attempting to show the end as victorious, but it goes way over a young child's head and leads to toddlers running around saying "Lock it up Shorty". Fun Fun! You get used to the not so hot animation after the first few minutes. | -1no label
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] |
This is a hard movie to review because it's essentially an amalgam of several different shorter student films, and some work better than others. That said, at the crux of "Who's That Knocking at My Door" (the final mass-released version) is a complex character-study laden with Catholic guilt and burdened by all the inherent stigmas and traditions of growing up Italian-American. Obviously Scorsece knew his source material very well. More than half of the players and virtually all the locations come straight from his own life. What's really cool about the film, though, is how honestly he portrays these sociological nuances. He doesn't tell you Keitel's character's views and attitudes are good or bad, they just "are" --- and it's obvious how the character developed them from a peek into his everyday world. This bracing honesty is the most appealing thing about the film, along with some drop-dead gorgeous camera work and editing featured here. The first scene where Keitel meets Bethune on the ferry has got to be one of the most imaginatively-shot and enthrallingly staged boy-meets-girl moments on celluloid. Throughout the film, Scorcese overlays soundless scenes from the past and future, creating interesting juxtapositions, always engaging and challenging your perceptions. With a lot of debuts there are missteps. I don't think that fairly characterizes this movie however. There are definitely parts that drag and don't work well but seen in the context of a shorter film, they would have been more effective. As they're all blended together here, the pacing sometimes suffers. It's hard to imagine any of the fans of Scorsece's later works, which rely so heavily on hyper-real camera-work and tightly-structured story lines, to have the patience for "Who's That Knocking." But for those who really enjoy the thoughtfulness, subversiveness, and subtext of Scorcese's films, it's a treat to see their origins so prominently displayed. | -1no label
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] |
Guys, what can I tell you? I'm Bulgarian. I can't remember how many times I talk to Americans and let alone that they don't have a slightest clue where is Bulgaria, but they say things like: "There's a war going on there, right?" or "I've never imagined that in a place like Bulgaria people have Internet" Go watch Bruce Campbell's "The Man With The Screaming Brain". I was curious about this movie, cause 1) I'm Bruce Campbell fan - "Evil Dead" trilogy and "The Adventures of Brisco County Jr." 2) The movie was shot entirely on location in Bulgaria, the second after "Alien Apocalypse" which is also nearly unwatchable. 3) I enjoy nice B-movies Well... The movie presents our country like a never-ending Gypsy Town where they raid your car, wave around illegal guns, and you can get killed any moment. And Bruce's line "Bull$h1t Bulgaria" is more than offending. Ted Raimi and Stacy Ceach make a great team, Bruce does his special - beats himself up and that's all. Nothing more to see here. Peoeple give this movie 10 just because of Bruce's cult status, but it doesn't deserve more than 3. Waste of film. | 0neg
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] |
This is the first Otto Preminger movie I saw and I would have liked to enjoy it, or to find it at least interesting. But man, what a schlockfest. About as exciting as doing your laundry, only more predictable. No stereotype is left out. The role models that are set for the sexes are just terrible. You can feel the large Hollywood machinery humming in the background, and the actors play along with it, but you get the impression that Preminger and others who were creatively involved with this movie phoned their performances in. I got the impression that Preminger's stance was "What does the studio want? A Western? Man, I wish I was in Europe. Well, for chrissakes, lay on the blond floozy with a heart, bring in the kid and the butch guy with a past, and put some makeup and greasy whigs on the fall guys. Let's get this over with, and move on." I'll betcha this movie would have been long forgotten if it weren't for the celebrity cast. To say "they don't make 'em like that anymore" would be wishful thinking on part of the cineast. | -1no label
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] |
This is a very entertaining film which follows the rehearsal process of a NY production of Macbeth. Although it has a lot to say about power, jealousy and ambition (the themes of Macbeth) in our modern world, the film works best when it is not taking itself too seriously. Recognizable actors such as John Glover, Gloria Reubens and David Lansbury do nice jobs in the main roles, but the highlight for me was the hilarious scene where the "murder" of Banquo (John Elsen) is rehearsed. Probably a more entertaining film for those involved in theatre, but anyone who enjoys Shakespeare should enjoy this film. | 1pos
| [
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] |
I can't imagine what would have possessed Carrie Fisher to be in this movie. Maybe she had a big house payment looming...I can't say. But I can't think of one good reason to watch this movie, so don't ask me why I did. It opens with Melissa (Laura Prepon from That 70's Show) waking up next to Carlos (Matt Cedeño) the day before her wedding. There's just one problem...Carlos isn't Melissa's intended groom. She's hung over and doesn't remember anything from the previous evening, not even marrying a total stranger. What follows is your typical meant-for-each-other-but-they-don't-know-it comedy of errors that won't provide any surprises. The few laughs (and I'm talking 1 or 2) come from Carrie Fisher as Melissa's headstrong mother. The only good thing I can say is Matt Cedeño is quite easy on the eyes, and the scenery is breathtaking. So unless you're a bride-to-be scouting locations for your honeymoon like the previous reviewer (I mean really...ever heard of a vacation planner?) you should avoid this movie. | -1no label
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] |
This little show is obviously some stupid little prequel/spin off of the original series. Compared to the live action series this show is utter crap. The live action show had intelligent jokes and story lines. While the animated series is basically a toned down bittersweet version for younger viewers to digest but i think maybe kids deteste this crap. The storyline in every episode is basically just Sabrina has some stupid and pointless dillemma and she uses magic to fix it. Thats basiclly the idea every episode. The most bizarre episode was when Sabrina uses magic to become Gem and Gem to become Sabrina. So then Gem becomes a witch and hypnotizes harvery to become her slave. This then leads to a bizarre yet rather interesting scene were Gem says "just adore me for now" and harvey get down on his hands and knees and starts kissing her feet like shes a god. (which is quite right since he's her mind control slave) But this stupid spin-off is not worth the time or the effort. | 0neg
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] |
New rule. Nobody is allowed to make any more Zombie movies unless they actually come up with an original idea. Sadly, this movie doesn't. They have the premise that Bounty hunters go out and kill Zombies and prove it by cutting off their fingers. Well, problems with that. Most people have ten fingers, why not just collect ten bounties for one Zombie? Why not just kill a regular person and pass that off as a Zombie finger? Not to mention the utter silliness of hunting zombies with a bolt action rifle. I sometimes think films like this are resume fillers for makeup and FX guys. "Hey, this is what I did with ten dollars and some recylced bottles deposit. Imagine what I could do if you gave me a BUDGET!" Do you think anyone goes to drama school or cinema school to star in a Zombie movie? "I went to the School of the Arts. Check me out as the "Tunnel Zombie" in "Quick and the Undead"." His mother must be so proud. These had to be the wimpiest Zombies ever, as a whole crowed of them apparently couldn't push down a wooden door or even break a glass window. No, they had to wait for the bounty hunter to open the door for them... | 0neg
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] |
This film is a genuinely moving experience John hurt gives a performance more worthy of an academy award for best actor then any I can remember. I saw this film late one night. I left the TV on expecting to fall asleep. This movie caused me a sleepless night. John Merricks endearing qualities mixed with the fact it is shot entirely in black and white, a taboo for modern day cinema other then low budget films caused me to have real tears in my eyes. Even this film to me signified the way films should be. I forgot it was a film. A must see film which will teach more about tolerance and understanding to people then any documentary or educational lesson. A truly masterful effort by David lynch. | -1no label
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] |
I liked this film from the moment I heard the story-line. The thing that I REALLY like about it is the fact that the production team found a way to put sci-fi elements into the story while still making it believable. The acting was good on all fronts; the African-American woman (I think her name was Shasta or something to that effect) was very natural in her conversations with Washington. Carlin's (Washington's) curiosity about the inner working of the agency he is later employed by in the beginning of the film is very believable. It is this seamlessness that makes the movie as a whole more believable. I would definitely recommend this film to anyone old enough to understand it; although it's gotten mixed reviews, I still think it's a gem among other more shallow, lackluster films. | -1no label
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] |
I couldn't believe the comments made about the movie. As I read the awful opinions about the movie I actually wondered if you had actually viewed the same movie that I did. What I viewed was incredible! I think the actresses and director did a fantastic job in the movie. I hadn't had the pleasure to see either actress previously and I couldn't have been more set back by the incredible job that they did I'd have to say its the most believable movie that I've seen in a long time. What I don't see is why everyone has such a problem with Deanna's choice of drug in the attempt of suicide scene, from the comments made you sound like it was the actresses choice and her stupid choice. That I don't understand, its a movie written by someone else and directed by someone else so how it can be the actresses error I fail to see. I think it was a real believable movie that I would see again and recommend. Opinions are what the are and its too bad that so many are so close minded. I hope to see any of the actors soon I think that all played great roles. Busy Philipps will be the highest paid actress someday and I hope she can laugh in the face of everyone that criticized her! You Go Girl! | 1pos
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] |
All the versions of the Runyon story are very good. It's just a great story, but this one is clearly the best. A seemingly heartless, stingy bookie accepts a little girl as a marker for a bet, but when the girl's father is killed by notorious gangsters, the bookie, Sorrowful Jones, is stuck with her. The events that follow range from hysterically funny to emotionally provoking. And those qualities are enhanced by great talents. Bob Hope is perfect as the stingy bookie, playing to his usual role. Bruce Cabot does well as the evil gangster, and Lucille Balllands another great role (she had to have the best agent in the business) as the mother figure. But the little girl, Martha Jane Smith, is absolutely divine as the sad faced girl that even makes Bob Hope melt. She is just zillions of times cuter and more emotion provoking than the bland Shirley Temple. If you don't believe me, see for yourself. A classic that need to come to AMC instead of those stupid boring movies they keep showing (Arnie movies, Stallone movies, Friday 13 movies, etc). How about showing real classics like this instead, something people will watch and enjoy! | -1no label
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] |
Disappointing film. Performance of actors is weak. Sets are fine, could have been better. The story is also weak. Battle sequences are awful. Sounds and quality of film are trashy. The history of Kazakh people was told very poorly. This film should have included more Kazakh actors, in leading roles. And also should have been in Kazakh language. Kuno Bekker and Jay Hernandez are Hispanic origins. I don't get it. Since when Hispanic people play Turkic-Mongolian people. This film is shame of Kazakh cinema. Rustam Ibragimbekov disappointed me. He is one of the finest filmmakers in the world. Czekh director is excused, since he is not nomadic origin, he cannot know true spirit and history of nomads. | 0neg
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] |
Note: This should probably be read only after watching the film. It is very rare to find a documentary or movie that focuses on the loser. Deep Water does just this, making it one of the most thought provoking films in a very long time. It does not provide us with a hero to look up to, but rather an anti-hero who forces us to look into ourselves. The film is about a group of men who attempt to sail around the globe, singlehandedly, and without stopping. Only one makes it, several die, one decides not to return home, each of them on a psychological journey intriguing enough to merit entire films for themselves. Yet the most interesting is Donald Crowhurst, or rather the way that he is portrayed by the filmmakers and our reactions to him as viewers. By any standards this man should be considered a despicable character, yet why is he depicted so heroically? Why are we so sympathetic to him? From the beginning he made all of the wrong choices. He risked his family financially to get the boat, he left at a more dangerous time to get more publicity, he ignored all of the warnings despite his lack of experience, he chose to lie instead of admitting defeat, these choices snowball until the inevitable and final one: suicide. All for what? A place in history? A feeling of accomplishment? Perhaps. What is important to consider is whether this mans situation was inevitable. Each individual must ask himself if his natural human drive for fame and accomplishment would bring him to such recklessness, and I believe that examining your own reaction to Crowhurst's story will offer at least some answer to that question. | 1pos
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] |
And for that you can be glad? Oh no, this has a certain scuzzy charm to it that may be only appealing to bad movie fans like myself, but I think this is a rather fun, if messy, movie. Messy being that it's by Al Adamson so therefore you know it's quality. And what exactly is this about? Well, a mad doctor, he being of the Frankenstein clan, despite his last name (he was adopted?) is experimenting on young folks at the Freak House, which is on the pier at the amusement park. His crazed assistant (as played by Lon Chaney) goes out to collect body parts when he's not standing nearby cuddling his puppy. One of the body parts he's collected is the head of a girl whose sister is a Las Vegas Lounge Performer (with an awesome hair-do) and of course when sister is missing she has to come look for her. She inquires at the local coffee house and gets something dropped into her coffee (LSD?) because they think she's a cop, and after a bad trip she wakes up in Anthony Eisley's bed. They then of course, delve into the mystery when not hanging out on the beach doing romantic things. Dracula and Frankenstein in this are pretty interesting, Dracula has some pretty strange ability to speak in echoes, while not using any visible devices, and he's missing make-up on his eyelids. Frankenstein looks rather worse for wear, as his face looks like it's been in the water too long. And why are they fighting each other? Kind of hard to tell, but there is a final struggle between them toward the end of the film and if you're not familiar with Al Adamson films, they supply their own logic, which is generally incomprehensible to viewers, so don't really worry about it, is all I can say. Just sit back and watch and gape, because you will, and not in horror either. A masterpiece of cheesiness. 8 out of 10. | -1no label
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] |
Superbly developed characters into the lots of funny situations full of spirit, absurdness and Serbian mentality. Movie is a great comedy, enjoyable, interesting, unpredictable. Best point in a film: characters, then humor itself, story and dialogs. Humor has 'inner development' , rare in Serbian movies. So, it is consequence of characterization, is well motivated, spontaneous and cogent. Also it is sharp, intelligent and lucid. Most of the movies, unfortunately, had constructed humor (devise a joke and put it into a characters's mouth) or ordinary situation comedy, burlesque, farce. Some of the 'art immortality' are incorporated in this movie. Little masterpiece, hardly reachable. | 1pos
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] |
I'm sorry but I can't agree that this was a good movie. Yes, it looked good visually, but it's the story that drives the movie and I must say the story sucked big-time. How in the world did they manage to slip some of those plot-holes past the critics. Better story and I would've gave it a higher vote but I was impossible to do that and still be able to live with myself. I have always been a fan of scary movies, and the previews really had me fooled. All the scary scenes were shown in the previews. And why did the family that got killed stay to haunt the house? Why did the father come back again? WHy did he decide to kill in the first place? Why were the kids the only ones to see the ghosts first? To many questions, not enough answers. If I could've gave it a zero, I would've. | 0neg
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] |
OK, let me just start off by saying that if you aren't 15 and madly in love or in a mid-life crisis, this movie will seem extremely extremely cheesy... By cheesy, I mean "I wanted to feel in my body as much pain as I feel in my heart" (get over yourself)... and the actor is meant to say this without laughing. Seriously though i found some parts of the dialog excruciating. As well, who talks about their recently turned lesbian ex-wife to a complete stranger? Also the story itself seems to have been written by either a 15 year old or a midlife criser. It's just so cliché... the young couple with a tragic end, the alcoholic father, the cutely naive 40 year old who gets his heart stomped on over and over again, and above all, the wise old black man. I think it's about time for Morgan Freeman to find other parts to play... It's also cliché in that everyone falls in love at first sight, somehow confusing lust for love. The acting was overall OK, though sometimes Kinnear makes you raise an eyebrow. Truly, I think the producers noticed the movie wouldn't have cut it, so they decided to throw in a few naked chicks and I guess it works, I mean i stayed till the end. The only reason i stayed though was for Alexa Davalos (bom chicka wah wah). This could have been a really really good soap opera. | -1no label
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] |
I would just like to say that I love this movie. First of all, it pleases me to see De Niro when he is at his prime, or at least a lot younger. I think this is the kind of movie, where De niro's desire for humor in movies comes at his best! His ability for perfect sarcasm in this film is beyond me. How many times a laughed in this film, I don't know. Probably trough out the whole movie. But it's not just De Niro, which makes this movie great. Every single actor does his best to make this a fine movie, with good acting and directing. I'd recommend this movie to anyone who wants to see a GOOD movie, where he can laugh , or enjoy the action , or even enjoy the "romantic moment" === ( e.g. when his daughter runs out, to give all her babysitting money. To her father, who she hasn't in 9 years.) Thought this was a touchy moment. I gave it 10 out of 10, just because I couldn't find anything that was missing in this movie !! One of the greatest , watch it !! | -1no label
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] |
I saw this film this evening, and I am in shock. I am very well-known for "liking everything". Hell, I loved the remake of War of the Worlds, and am a complete fan of everything M. Knight Shyamalan, if that gives you any idea. But this film was SO bad, all I can say is: keep any and all sharp objects safely out of reach while watching this movie... because trust me, you will definitely want to slash your wrists before its painful 80 minutes are up. Honestly, the entire film should be part of the "deleted scenes" extras on the DVD! Dreadful acting, a completely pointless story, with a thoroughly disgusting Saw/Hostel-like sub-plot, and the ever-so-popular "Blair Zombie Project" hysterical epileptic camera. The only spoiler I will give you regarding the story is the following: in the end, the zombies all die of starvation... because there isn't one single person in the film with a brain worth eating. This film deserves a lower rating than IMDb allows. | -1no label
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] |
I have enjoyed the Scary Movie parodies to varying extents, finding in each installment at least a few laugh out loud moments. Date Movie provided two
maybe three light chuckles. That was it. The best they could come up with for a clever tag line in the poster art was "From 2 of the 6 writers of Scary Movie." Uh
okay. Well, why'd you keep these two? It was honestly like they didn't even try. I could write a better parody than this and, since I'm not a good enough writer to be hired by a studio, I just have to assume that the writers are capable of better. There was nothing original. They were drawing such a creative blank that they spent a good five minutes having the camera watch a hand-puppet cat squirm around on a toilet seat. They interspersed fart sounds and quick shots of facial expressions from the stars. Oh yeah, that made it better. A good parody will take the existing content it is lampooning, and present it in a humorous way by providing ironic twists. Here they simply made sets, costumes and situations similar enough for you to recognize the source material and then either laid vulgarities or toilet humor on top of it. There's no thought in that. Just pitiful. Comedy of this nature almost always demands a straight man. In silly parodies, the straight man is often the least absurd of the various characters. In the Scary Movie series, star Anna Faris carried this role well. She's not up to a Leslie Nielsen standard yet, but she's getting better with each installment. Her delivery, her deadpan, her timing are all very nice. In Date Movie, Alyson Hannigan cannot do this at all. She used a total of two facial expressions to convey her character's reaction to each situation. It just became annoying. I think Hannigan has proved herself to be a charming actress, not without talent. So I'll assume that the problem here was the two writers. Hopefully they'll now go join the other four. | -1no label
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] |
Anyone who has ever doubted Ingrid Bergman's ability to play comedy need only look to "The Bells of St. Mary's". OK, so she's a nun with TB who's probably in love with Fr. O'Malley, (think what Luis Bunuel could have done with that), but she also displayed a wonderfully sly sense of fun that made you wish directors had cast her in comedies more often. In "Cactus Flower" she's a starched dentist's nurse, (Walter Matthau is the dentist), in love with her boss but keeping it buttoned up. When she's forced to act as his 'wife' in order to hoodwink his mistress, (don't ask), she lets loose and the buttons pop. And she's a joy to behold. The movie itself is a hardier than usual translation to the screen of a Broadway hit, (you can see it's three acts). It's a French Farce, (it was originally; it's taken from the play 'Fleur de Cactas' by Pierre Barillet and Jean-Pierre Gredy), and it hits all the right spots. Matthau uses his great hang-jowl expression to wonderful effect and a klutzy blonde newcomer, as she was then, called Goldie Hawn almost steals the film as the dizzy mistress who decides to give up her meal ticket because she feels sorry for 'the wife' even though 'the wife' is having a ball. Hawn made such an impression in the role that what she did steal was the Academy Award for Best Supporting Actress. | 1pos
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] |
As someone who has read the book, I can say that this is vastly inferior to the big American version starring Gwyneth Paltrow. There are various reasons for this. Firstly, Emma is too unpleasant. Yes, she has faults, and isn't the easiest person to like - but the viewer shouldn't downright start to despise her. Secondly, Mr Knightly is miscast. His brooding and melancholy in this version are better suited to a Bronte or Gaskell adaptation than Austen, and throw the mood of the whole affair "off". Thirdly, Samantha Morton is too strong an actress to be relegated to the role of Harriet; and why was she made to look so sickly? Harriet is supposed to be blonde and blooming - not to look as if she's going to be carried off by consumption in the next scene. Fourthly, the structure has been mucked up and scenes cut. At the end, when Emma decides she loves Mr Knightly, it comes across as utterly baffling because this narrative hasn't been adequately shown and carried along throughout the film. Fifthly, what was going on, exactly, with Mrs Elton's accent? She went from sounding like an American actress trying to suppress her own accent at the beginning, to all out American half-way through, and then back to English at the end. Finally, this dragged at the end. The book and the big film version end with the wedding of Emma and Mr Knightly. This version drags on confusingly after the announcement of the wedding without actually showing us the ceremony. All in all, a rather haphazard attempt. Read the book or rent the Paltrow version instead | 0neg
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] |
OK this movie was really "unique" shall we say. Carrie Fisher was by far the most talented in the movie, even though it is said she had a coke problem during the movie. but she said that she can't remember to much of it. well thats her excuse but whats everyone else's??? i can't imagine they all had a coke problem.whatever it wasn't all that bad i mean i guess the plot was OK and it had some pretty funny moments. although the part where the guy gets that thing shoved in his head was a little too violent for my taste. oh well i guess i was disappointed cause Carrie fisher is like so awesome and this movie did nothing for her. | 0neg
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] |
A lot has already been written about the film itself, so instead of adding to the noise I just want to say a few words on the two female actors. It has to be a daunting prospect for any actress to star, in a sense, versus the spectacular Monica Bellucci, but Romane Bohringer pulls it off to sensational ends. A film starring Monica Bellucci where I fall in love with the other girl?? That's not supposed to happen. It's been said a thousand times, but Monica Bellucci strikes the saddest figure in modern cinema. I have never before seen such innate sadness. She would not be out of place breaking Lon Chaney's heart. | 1pos
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] |
A wonderful Rosalind Russell vehicle with Jack Carson in fine form as her 2nd husband. It tells us of a woman's determination to survive this world-despite deaths in the family, a heel of a husband, (Donald Woods),illness, and the Great Depression. Russell throws her usual zest for this type of commanding woman in the film and succeeds. Though out of his league as the usual grade B actor, Woods succeeds here in the part of the first husband, who walks out on Russell after 10 years of marriage, 4 children and a life of hard times. The film is definitely a slice of Americana and the idea of hard work and accomplishment. It also very well deals with adversity just as things are going so well. Isn't that so true of life itself? That's why the film succeeds and is quite memorable. | -1no label
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] |
Stone is one of the worst movies ever made: inept direction; bad (funny) dialog, low production expertise and values, bad editing and endless boring sequences of motorcycles as if a bike on a road is interesting cinema. Yes, there is a big stunt, but that does not make a film. The movie is a boring and unintentionally funny, ridiculous counter culture trip that owes much to Easy Rider without a Hopper or Nicholson. Stone's special sentimental place in Australia must be due to the audience's thrill at seeing their own on film. Some movies should be banned to save a country total humiliation - and Stone is one of them. | -1no label
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] |
As a person that is interested in Math and when I heard about Flatland the Film I had to obtain a copy. The first time I watched Flatland the film I found it very interesting with great 3D animation. As I watched a second and third time I began to notice hidden things within the film, which must have been placed within the film on purpose, and I did not notice them the first time I watched. In addition, every time I watch it the question comes to mind
how many things did you guys hide in this film and is it your trademark??? I found the film was very true to the book and have recommended this Film to many and the response has been great. We have planned some viewing parties to see if we can find more hidden things. This film is great keep up the good work. When is your next film coming out and what is will be hidden in it? | -1no label
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] |
The best part of this movie, is Milla's backside. The movie starts with a premise that Samuel's character is out looking for a runaway girl. That disappears. Then, the antagonist gang takes him hostage, well, sort of. No real reason to do this, other than that they think they've been discovered. But, from there, it's all lost. Samuel L. Jackson is the protagonist, but he's tied to a chair for 2/3's of the movie! Then there's the absurd robbery by an apparently blind man (in clear glasses, so you can see his eyes move and react), and his cohort, and evil little blonde-haired troll, who's NEVER accosted, not once, while walking directly into the power room of the bank. He's able to amazingly hack into the bank's computers, and shut the power off to the whole building. Somehow, I think that ALL transactions would be off, regardless of the circumstances at that point - but maybe that's just me. Then, there's the wimpy banker that just HAS to get his rocks off BEFORE they flee the country, and the little wa***r troll that's too stupid to realize that he shouldn't kill the only man who knows the all-important "password", and the account information is stored on a 3.5 inch disk, right (dated technology there, why not on a reel tape?). They whiz through banks at a breakneck pace, withdrawing large sums of money, without so much as a batting of the eye. I'm not even going to get into Samuel and Milla's musical interlude while she has him untied. Mr. officer, I think, might have had a trick up his sleeve to elude her and get out of the house at that point. Bad movie, bad plot, bad characters, the kind of movie that's 97 minutes long and you'd swear you've been watching it for 4 hours. Terrible. | -1no label
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] |
Neal N Nikki is voted on of the Worst films of the year by Planetbollywood. Its hard to believe the famous Chopra's have produced this lousy movie. It was presented as a movie for the family, but turns out to be a ridiculous sex comedy. Nor does it make you laugh, but cry of boredom and nor does it have any sexy girls to make the film look sexy. The title song is the most annoying song of the decade, I'm the Neil, I'm the man, rock star superstar. Uday Chopra is one of Bollywood's worst actors ever with no acting talent. After making many Super Flops, and not receiving any movies from a producer rather then his Family. He gives a total crap performance, that bores you to death. Tanisha, who is and will always be known for being Kajol's sister, gives a dreadful performance. Both actors have the most annoying chemistry, and are very immature for their age. It has a special appearance by the very cute Richa Pollad, in a pathetic role. The ending was so daft and stupid, I cant believe i actually paid money to rent this crap. | 0neg
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] |
IN THE LINE OF FIRE, in my opinion, is an excellent, suspenseful, and edge-of-your-seat action/drama/thriller! I thought that Agent Horrigan (Clint Eastwood) and Agent Raines (Rene Russo) looked good in the attire they wore at the presidential dinner. As for Leary (John Malkovich), he was a sick man who loved to toy with Frank by phone. He looked good in the tuxedo he wore near the end of the film, though. One thing that surprised me was the growing attraction between Agent Horrigan and Agent Raines. Before I wrap this up, I'd like to say that the entire cast and crew did an outstanding job, I loved the setting, and I couldn't get enough of it. Now, in conclusion, to all you Clint Eastwood fans who haven't seen this excellent, suspenseful, and edge-of-your-seat action/drama/thriller, I highly recommend it. | 1pos
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] |
"Washington Square" is a flat, shabby adaptation of the short novel by Henry James. Indeed, the novel is very good, but far from the level of James' masterpieces. Moreover its simple, eventless story seems unsuited to make it into a film (although William Wyler, with his "The Heiress", gave in 1949 a beautiful version of the novel). Anyway, the movie completely betrays the spirit of this work of the great American writer. In the novel, the heroine Catherine is shy, not very attractive and somewhat clumsy, but nonetheless she is a sound, intelligent young woman, and she's not as naive as it may seem. Her attachment for her father is dignified and respectful, with no morbid sides in it. Along three quarters of the movie, Catherine (Jennifer Jason Leigh) just seems to be mentally retarded, poor thing. In the last quarter, she suddenly (and incredibly) becomes intelligent, aware of her dignity as a woman, and all that. The director Agnieszka Holland has added two vulgar scenes to the story. The first, when the nervous child Catherine has, well, troubles with her vesica. The second scene, when we see on the background a sort of open-air brothel, with prostitutes taking their customers behind tents, and so on. Nothing could be more contrary to the spirit and artistic ideals of Henry James. It is notorious that the writer was extremely decent and demure even for the standards of the Victorian age. I defy anyone to find any coarseness anywhere in the thousands of pages of James' huge literary production. I really was particularly annoyed by these two scenes. Yes, I know that a director needs reasonable freedom in the screen adaptation of a novel. But if a director utterly ignores or misunderstands the art of an author (here Henry James), I don't see the point of using his work to make a bad movie. The acting is adequate to the movie: poor and flat, in spite of the talent of Albert Finney and Maggie Smith. "Washington Square" is definitely a non-recommendable film. | 0neg
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] |
Nick Cage is Randall Raines, a retired car thief who is forced out of retirement when he's forced to save his the life of his brother Kip (Giovanni Ribisi) when he screws up on a job, by completing his brothers job of stealing 50 cars in one night. He has to get together his old crew that he can trust to help him pull it off and get his bro out of dutch. But the cops are onto him, so can he pull it off? This was one of the great candidates of a film to re-make as the Original was far from a classic. And if you don't go into it expecting much, and turn the thinking portion of your brain off so you can ignore the plot hole ans just take the movie for what it is. You'll end up enjoying the ride. Watch it on a double-bill with "The Fast and the Furious" for a night of high-speed hijinks, just don't take the car out for a spin right afterwards. My Grade: B- DVD Extras: 7 minute Jerry Bruckheimer Interview; Bruckheimer Bio/Filmography; Action Overload: Highlight Reel; The Big Chase; "0 To 60" featurette; "Wild Rides" featurette; Stars On The Move; The Cult "Painted On The Heart" music video; Theatrical Trailer, and Trailers for "Shanghai Noon", "Mission to Mars" and "Coyote Ugly" | 1pos
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] |
This is by far one of the best Filipino films since, I believe, Mike de Leon's Bayaning Third World. Directing - Maryo J is very proud of this movie and why shouldn't he be? It captures the Filipino heart and character fully. Script - Surprising to find out that a young person like Yamamoto wrote this. It makes you realize that the best works aren't the big production movies but the movies that come from the heart. Acting - What do you get when you put Lorna Tolentino, Albert Martinez, Gloria Romero, Celia Rodriguez, Mark Gil and (now) Jiro Manio in one great movie? A great movie with great actors. You can't get anything better than that. It's such a shame this movie wasn't well-appreciated in our land. But I'm glad this movie is still getting the appreciation it deserves. | -1no label
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] |
What this movie is not: Cool, Entertaining What this movie is: Visually Interesting, Difficult to get through, Intentional I feel that this movie puts the viewer (if he or she is willing) through a clip of time where they experience a world without language. Much like how animals must experience the world. You don't really watch this movie as much as you witness an awful series of events in what "feels" like real time. Consistently, it goes on much longer than is comfortable. This movie could be edited down to a 20 minute short and it would be a totally different movie. It would be cool and entertaining, but the experience would be lost. I have seen a lot of cool movies, but I have never experienced one like this. If you can get your head in the right place for this one, you should be able to really appreciate (but likely not "enjoy") what they accomplished here. 10 out of 10. | 1pos
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] |
Rebecca Haster (Taturn Adair) blames herself for the death of her parents and decides to spend sometime alone in the lakeside cottage of her parents in Rushford Lake. She meets Stan James (Timothy Prindle) on the road and gives a lift to the stranger. Later they become friends, while Rebecca sees supernatural events with drowned people in the lake. While searching the accidents in the library, she finds that mysterious deaths happen in the spot every thirteen years. I bought this DVD without any previous reference and only based on its creepy cover, since I love zombie movies. Unfortunately, this film is simply awful, with a messy and flawed screenplay. I have no problems with low budget movies with simple special effects, but with good story, direction and performances and this is not the case of "Ghost Lake". Further, I am not moralist but the lead character Rebecca has the behavior of a slut, having casual sex with two strangers in a couple of days and while grieving the death of her parents. My vote is two. Title (Brazil): "O Retorno dos Mortos" ("The Return of the Dead") | -1no label
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] |
It was once said that the whole of a movie should not be in so much whether you like or disliked a movie, but rather, did it leave a lasting impression upon you? Taking that idea into account, I would have to say that "Singapore Sling" is without a doubt an indelible addition to the film noir genre, albeit the bizarro kind. As one of the reviewers has mentioned before, this movie shouldn't be taken seriously. You should come into this one with an open mind and you'll be rewarded with a beautifully photographed film noir filled with black humor. "Singapore Sling" is like the demented cousin of "Laura", "Sunset Boulevard" and "Grey Gardens". It's your basic detective story but with torture, bizarre erotica, and outstanding overacting. Just make sure the parents are asleep and that you've got the right kind of friend in tow when watching it. | -1no label
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] |
I saw this movie on the 9th Shanghai International Film Festival. It's such an awful one I can hardly bear it. The story begins quite beautifully, but as it goes on it's getting worse and worse. The history part is no problem. These brides are truly poor and unlucky. But the question is the plot doesn't focus on the feeling of the women. It goes for beautiful landscape and badly made computer tech of the ship. The photographer lost his head strangely when facing the unattracting but typical Greek woman. She looks better when her hair turned into fully white. Turning one's hair into white is not fresh in Chinese history. But the general Wu Zixu had greater reason to do so, not like the woman in the movie which seems quite no reason. The other brides on board are also strange when throwing themselves into the arms of the buyers. The only good part is the girl playing Lute and keep singing Greek songs. Others are totally out of reason. When the pimp saying that: I must be punished. The tragedy finally turned into a joke. I don't know what happened to the whole crew. Can't they make anything better? | -1no label
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] |
Christopher Walken gets here a real opportunity to play "quirky" for all he's worth. He plays real-life author Whitley Strieber (author of novels such as "Wolfen"), who during one Christmas holiday at his cabin in upstate NY, has what he believes to be an alien encounter. However, figuring out the reality of what he saw, or the meaning of it, proves to be no easy feat as well as hard on his family. "Communion" is a fairly creepy film that does establish a totally mind-blowing atmosphere. Director Philippe Mora, working from a screenplay by Strieber himself, does succeed in creating an air of ambiguity. It's sensitive to the dilemmas of those who claim to have had alien encounters without supporting them 100%. And that is precisely what gives this film its impact. It doesn't go completely in either direction. And yet it offers truly surreal alien encounter scenes that are interesting to watch. Ultimately, though, it's a good portrait of a strange cerebral experience and how it gets interpreted. Walken is an eccentric gem that allows him plenty of room to use his trademark cadences and delivery. Lindsay Crouse, however, seems rather miscast in the role of the supportive yet frustrated wife, not that she doesn't give it some effort. Frances Sternhagen, Andreas Katsulas are fine in support, although Joel Carlson is too self-consciously "cute" as the Striebers' son. Actors from past Mora films (John Dennis Johnston, Paul Clemens) make cameo appearances. Playing no small part in the success of the film is the striking Eric Clapton theme. "Communion" is very deliberately paced. Mora is in no rush to reveal anything and allows the mood created by Strieber's dilemma to play out slowly. This is a gamble, but I think it pays off to a degree by allowing one to sympathize, if not identify with, Strieber. This should be worth a look for viewers searching for something different. 7/10 | -1no label
| [
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] |
I saw this film at the Florida Film Festival in Orlando last month. It was probably the best one I saw there no doubt about it. I was truly blown away by the incredible acting, directing tactics and storyline. Mr. Byler takes us on a journey with these characters and it was one trip that I didn't want to end. There are so many films in the world today that are so cliche and not original! "Charlotte Sometimes" is unique, fresh and beautifully executed on all levels of filmmaking. If you a true film fanatic, run don't walk to see this brilliant work of art. Pass the word on because this is one film you don't want to miss out on..... | -1no label
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] |
This is another film I missed out on Italian TV as a kid: notable for its quintet of ageing stars, most of whom had never made a horror film in their life (Fred Astaire, Melvyn Douglas, Douglas Fairbanks Jr., John Houseman and Patricia Neal), it deals with the men’s long-concealed past crime coming back to haunt them. It takes the form of a ghostly dead-ringer for the girl they all loved (Alice Krige) but whom they were forced to dispose of after an unfortunate incident when she humiliated their egos! Fairbanks, who was the one responsible for the deed, has twin sons (Craig Wasson) and so Krige directs her revenge upon them as well. Soon one of the latter, Fairbanks himself and even Douglas and Houseman all wind up dead. Therefore, the remaining Wasson and Astaire decide to confront the ghost at the scene of the crime where they also have to contend with a couple of sinister tramps who somehow do Krige’s bidding! I was looking forward to seeing these veterans on their last legs (Douglas died before the film had even premiered though, by that time, he had already completed another role, while it proved Astaire’s own inauspicious swan-song) but GHOST STORY went through too many changes of mood – while maintaining a sluggish pace throughout and emerging overlong into the bargain – to be anything but a failed curio. Having dollops of sex (including full-frontal nudity from Wasson!) and gruesome make-up effects muddled the waters all the more and marred the old-fashioned elegance inherent in Jack Cardiff’s (another notable of long-standing) cinematography. | 0neg
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] |
11 Oscar nominations and zero win!!! Am yet to understand why - its not like the actors in the movie did any better thereafter that you can make it by giving them awards for trivial roles like it was done with Halle Berry and Denzel Washington - Whoopi, Oprah, Margaret Avery, Danny Glover etc- were all amazing - i am curious to get scripts of the discussions at the Oscars that year...... it should go into the Shoulda-woulda-coulda category for the judges.... Its an amazing book - but true to Alice Walker's style of writing she has a way of seeming like she is exaggerating her characters - so I am so glad that they screen adaptation took a few things out. The cinematography was amazing - the African scenes live much to be desired - the African part in the book is supposed to be set in Liberia - somewhere in West Africa - BUT oh no! Steven Spielberg thinks the world is so dumb that they cant think of Africa outside of the Safaris - so yes there had to be a complimentary Zebra and wildlife scene when we all know there are none West Africa ---- and most of all why get the people to speak Swahili --- who in West Africa speaks Swahili?? I just had to get that out of the way....... But as a story - amazing, film-making - out of this world - CLASSIC yes!! I own it and I watch it when my soul needs some rejuvenation. | 1pos
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] |
Bruce Willis, as usual, does an excellent job. [warning: may be considered a "spoiler"] While my friend thought it was good, I kept glancing at my watch during the entire movie wondering when it would end. After seeing such great flicks as "The Patriot" and "Chicken Run" I was really disappointed in Disney's "The Kid." Willis plays a middle-aged man with a harsh and realistic attitude on putting a positive spin on people's images (he's an Image Consultant). An unknown kid shows up. Yes, it's him but younger, and even Lily Tomlin can see him. At this point I'm reminded of a cross between a poor "Quantum Leap" episode and a bad time traveling flick. Kid and Willis go through trying to figure out why he's in that time period. They figure it out. They meet Willis when he's older. Nevermind that it never goes into detail how old Willis teleports them between time periods and gets them together to begin with, how he got that knowledge to begin with, how he came to the realization that he needed to do this, and so on. Basically, it's a very tired, unoriginal, uninspiring plot that has some great actors in it. The good news is that "the Kid" actor is nowhere near as annoying as he's presented in the trailers on television. | 0neg
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] |
Loved Neve too much to see this movie again, lack of sense, lack of history, lack of imagination...and maybe lack of time. what's Mike Tyson doing in this film? What about the rich parents? who the girlfriend is? what about the African teacher? or better one question what's the sense of the movie? see a looser who sell his girlfriend for one million dollars and manage to get himself in jail. what about the shower scenes does she cleans her conscience there? sis she planned everything or is to unrealistic coincident? the only nice part was hearing the count trying to put some words together about Italian literature. | -1no label
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] |
*this review includes spoilers* Ah, Squaresoft, until 1997 you were nigh-infallible. You had created the great RPG Chrono Trigger, which is almost certainly one of the all-time best RPGs. You had created the first six Final Fantasy games, all of which deserve a place in the pantheon of video gaming (and number 6 can compete with Chrono Trigger for the head seat at the table). Then the time came to leave the Super Nintendo for the Playstation. You took the big step. And tripped, horribly. You got so caught up in the new, grander visuals you could create that you forgot to concentrate your resources on things like "plot" or "character development," the two key elements in making your previous games great. Even your marvellous composer Nobuo Uematsu got swept up in the techno-fever; his FF7 soundtrack can barely compare with his for FF6. In many great pieces of literature or film or video gaming, the villain is the best (or at least, most outstanding) character. Just look at Kefka in FF6; he stole the show. But Sephiroth, the villain of FF7, is really the *only* character; the rest are cardboard cutouts given three-dimensions physically, but not emotionally or spiritually. When you killed off Aeris, I was supposed to feel sad; instead I was bored. The deaths in FF6 were much better handled. Unfortunately, the masses were hypnotized by the pretty pictures and bought the game in droves, leading you to think you had created a good game. Thus we got an abomination like FF8, which lacks even a good villain. Fortunately, FF9 and FF10 each were better than the previous, leading me to hope that you're recovering. And Chrono Cross, the sequel to the aforementioned Chrono Trigger, was a very good game indeed (save the ending). As was Final Fantasy Tactics, which had notably 'poorer' graphics but a much better storyline and more realistic characters. With any luck, you'll soon return to your former level of greatness, and FF7 will be remembered not as a classic, but what it truly is: a mistake. | -1no label
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] |
It was wonderful of Fran Drescher to open up her spectacular Malibu home to hold a reunion for the much loved,and never forgotten characters of the hit sitcom The Nanny.Although Fran still has that somewhat annoying,thick Queens accent,her appearance has dramatically changed since the Nanny.However,with long straight black hair,and style still in tact,Fran Drescher makes the 40's look fabulous,and was the gracious host for 'A Nosh to Remember' A must-see for all fans of the Nanny. All actors from the Nanny were present except for Daniel Davis (Niles the Butler) who unfortunately couldn't make it.His absence was noticeable too.The stars had a meal together on the balcony overlooking Malibu beach,as they reflected on memorable moments from the show.It was a real treat to see Maggie,Brighton and Gracie all grown up and it was obvious that the actors truly formed long lasting friendships during the series that remain in their hearts.It was wonderful to see the cast all together again,and great to see hilarious and 'special' Nanny moments relived again. | -1no label
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] |
Watched this on my Ipod on a holiday flight as a real dyed in the wool Stones fan. However, the copy I saw had obvious editing problems and may have been a rough-cut, but then again maybe not... John Lennon once likened the madness around the Beatles mid-60's tours as like Fellini's Satyricon, well here it's certainly made flesh as we get a more candid than candid fly-on-the-wall insight into life on the road with the Rolling Stones around the time of their 1972 US tour. It's not an edifying sight, with groupies being treated as casual sex-objects to the amusement of the leering male entourage, drugs openly ingested by needle and inhalation and of course the classic "rock-star" cliché of Keith Richard ceremoniously dumping a TV out of the band's high-storey hotel window. In between these scenes of madness are odd shots of, or sequences with celebrity hangers-on like Truman Capote and Dick Cavett, as well as star support turns Tina Turner and Stevie Wonder and endless static non-shots of Mick and a gap-toothed Keith (Bill Wyman, Mick Taylor and Charlie Watts barely get a look-in) and other grainy shots of producer Jimmy Miller well on his way to his early drug-overdose death, if the footage here is any guide. At times in fact the whole sometimes looks like some cheap, almost "snuff"-type exploitation movie. Somehow though, the endless boozing and schmoozing doesn't affect the band on stage and they look like the great louche rockers they were by this point. Thus there's the odd occasional musical interlude where the "film" flickers to life (an exciting encore of Stevie's "Uptight" spliced with the Stones' "Satisfaction") and a rollicking "Happy" but watching this monument to decadence, hedonism and self-indulgence left me at the end actually liking the Stones a less, certainly as people. No, for me the whole sex and drugs and rock roll mystique is shot to bits here and I can only hope that the Stones themselves are a bit older and wiser now. To paraphrase John Lennon again, you shouldn't ought to have been there! | -1no label
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] |
this movie is terrible. i loved the first 2 urban legends, i don't even understand how this movie got added to the urban legend series. the killings in this one are supernatural, and only loosely follow real urban legends. The acting is awful. the script makes no sense. Gaping plot holes glare at you everywhere. the make up and special effects are terrible (i laughed at every dead body out loud). The pace of the film and the camera angles make no sense. The only slightly decent part of this film is the makeup done on Mary Banner herself when she's attacking people. Do yourselves a favor, NEVER NEVER NEVER EVER rent this movie. i don't care for what reason, even if you are bored stuck at home for 8 hours alone and this is the only movie you have, DO NOT WATCH IT. i feel like i got used by watching this. i want 2 hours back. | -1no label
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] |
There is obviously an audience out there for very dumbed-down versions of masterpieces but it still hurts. Lars von Trier's original Kingdom works on so many levels - entertaining, scary, thoughtful, full of lifelike though odd characters and the genius of the "dogme" style of filming created by von Trier. But this version is only horrific in it's wasted opportunities - populated by blandness and distracting in its use of animation (CGI) and badly worked out (edited?) sub-plots. It is a disappointing collection of ugly features that once made up a renaissance classic. I give it 2/10 because you may be looking for background imagery for a techno-party and this would suit well. In summary, I cannot understand how King can put his name to this - it can only be the dollars. It must have been a lot. | -1no label
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] |
I rented this movie with no knowledge of the film or the comments here only the brief summary on the back of the DVD. I was glued to the screen through out the entire movie. It drew me in got my interest, peaked my curiosity and then left me hanging. There were so many questions left unanswered that it makes me hope and want for a sequel or at least a website with the back stories. I hopped online as soon as it was over to try to find the answers that i so desperately wanted from the movie. Why was the doc killing himself when he knew the consequence of alchol? why was his wife so angry with the two guys? What happened to the one that did not make it? and on and on. I think another 15 minutes would have been sufficient to wrap up the loose ends. PLEASE LET US HAVE THE ANSWERS WE SEEK!!! | -1no label
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] |
Takashi Miike has got to be one of my favorite film makers these days, I'm out searching for his stuff left and right. Visitor Q is probably the weirdest of his weird movies that I've seen yet, maybe more so because it's missing any of the supernatural elements present in most of his other films. I guess the closest thing that I could compare this to is "Happiness" by Todd Solondz, but parts of this drag that through the mud and make it seem somewhat wholesome in comparison. Almost. This takes dysfunctional family behavior out to the "n-th" degree, and yet I didn't find it that hard to watch. We have incest, parental abuse, heroin addiction, prostitution (runs in the family) and just good old fashioned insanity. Miike apparently has some thing for mother's milk, too, if you've seen Gozu then you know what I mean. Dad is a failed TV reporter, whose downfall had something to do with a televised interview with some young punks that inserted a microphone where he didn't want it. Mom is a mess, the young son beats her & she turns tricks to support her drug addiction. The young son is bullied and takes things on on mom, apparently. And the oldest daughter, who is no longer living at home, well, you'll see. Along comes a mysterious visitor who becomes a house guest after hitting dad on the head with a rock (twice). His purpose is somewhat unclear but he somehow brings the family closer together, not that any of what they're doing is particularly Ozzie & Harriet but they're still doing things as a family again. Heartwarming. Yeah, right. Anyway this is a disturbing watch and I enjoyed every minute of it. Highly recommended, if you enjoy the current wave of strange Japanese films. | -1no label
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] |
The best film about marriage and family. This is a very interesting reflections to the couples that will be come to the dangerous and paradoxical fascinating world of marriage and family. This decision could be the better or the worst in our lives and the life of our kids. The real intrusion or help of 'friends' -or executioner if we leave-. The real role of families: they can help or they can destroy us. The mad priest who possibly is not much mad telling what could happen according the statistics and the reality. A couple who thinks in a 'special' marriage, live a painful story in their future own history. Who likes contract marriage? Nobody, after the priest tells their own history
if they leave the future in another hands, if they don't know WHAT is the marriage. That the problems are true, that the life demand a real engage, guaranties, from each one. That the real victims of the divorce are kids, with real name Andrea in the film- or names. That the abortion is only an easy exit: sadness, regrets and unhappiness will be there after abortion. That the state and social security thinks every time less in a real problems of the families. The gossip of the 'friends', the infidelity because of weakness and desperation of Steffania because Tomasso lives his life as if he were alone. Maybe someone could think that this film is a pessimistic film, but not. Steffania and Tomasso, in the deep of their hearts, they like a beautiful marriage and family, if not, Why they like marriage? A truly and beautiful marriage depends only of the couple: of each one of their decisions, of each one actions in their lives. The family could be a place where each one feel loved because being his or her, only by existing. The screenplay is wonderful. The performances are great: Steffania and Tomasso, ¡the almost cynical priest! An excellent direction and script. The colors and the management of the cameras, superb. | 1pos
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] |
I was able to attend a screening of the film at the Toronto Film Festival and have nothing but great things to say about it. The film follows Angie as she struggles to find herself in the world and take care of her young son. After being fired from her job she takes it upon herself to start a recruitment agency to bring cheap labour into England from eastern European countries. Although her intentions are good we learn throughout the film how difficult it is to keep things legitimate and even safe. Ken Loach does an amazing job of bringing this story out. It sends a strong message about immigration and labour without preaching. The story is essentially told from the corporations point of view through Angie and shows logic in their cost cutting measures, while at the same time presenting them as inexcusable. The film is gritty and even dirty looking which fits perfectly into the London underbelly that it is trying to show. Lastly the film begins and ends with the dynamic performance of unknown Kierston Wareing. Luckily she spoke at the screening because if she hadn't I wouldn't have been able to believe she was acting. A real star making performance that required nuance as well as strength. She created a real character who's decisions never seemed forced or contrived. I can't say enough good things about it, I hope that many people see this film so they can also appreciate it. The top notch script was created by long time Loach scribe Paul Laverty | -1no label
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] |
...this "movie" discredits Disney's name by revisiting classic Disney characters into a modern world and a modern computer-graphic. I Disney has decided to ride the wave of computer-graphic based animation. Toy Story (1&2) and Monster&Co were good examples of how to use modern techniques in the context of a good starting idea although I can't help thinking that art of animation the way I knew (and loved) has been certified dead by monstrous photo-realistic productions. But this...I'd say it's almost dis-educative for the young generations. I won't comment the technical side of this poorest production but the result is an awful experience that I could not even bring to an end, watching only the first 20 minutes. More than enough. Walt would have no peace if he knew what they are proposing under his name today... | -1no label
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] |
"Sunshine" is a rare piece of art. Based on a true story, it contains a ton of emotion. Produced in 1973, I caught it one night on TV and left it in the back of my mind. In 1988 I began to live this story right down to Christina Raines similarity to my wife and the taffy colored cat. The only difference was that our love held us together ...she, and the cat, passed on in 1994. Recently I saw an old battered copy of "Sunshine" and how close this "movie" is to the truth. I highly recommend this film as one of the greatest attempts at understanding the love and sadness in life, what it is like to die, and the legacy it leaves in the heart. It is unfortunate that it is not available on VHS (Hello, Amazon.com) or shown more on TV. This is the compassionate type of media our society and civilization needs so badly to survive. | -1no label
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] |
I wanted to see Sarah Buffy on the big screen, so I first bought tickets and then checked the reviews at IMDb. I worried about seeing a bad movie. Well, I had fun watching the movie. Some parts, which obviously were meant to be scary, were actually quite humoristic, almost as in Buffy the Vampire Slayer. I don't consider this a bad movie. It's not a great movie either. Just a rather well made horror movie. It does not rely heavily on special effects, but on camera angles, acting, music. In my opinion, the acting was OK. Sarah did a very good job, quite convincing. The other actors were definitely not bad either, I liked Yoko. The sets are nice (and I don't care that the sets are the exact same ones that were used in the Japanese original). The scary moments were often predictable. But not always. I have seen quite some horror, and did not expect to be scared now, but it happened at least twice. Nice. The movie had some nice scenes that were almost original, like the trails of rubbish, the simple special effects for he ghosts, the eyes of the boy, the cat that made eery noises, the gurgling of the dead boy and his mother. Don't go if you want to see Sarah in another Buffy episode, because it is very different from her Buffy work, much more serious. Don't go if you only want to see movies that gather Oscar nominations. It's a good horror movie, enough suspense. I gave it a 7. | 1pos
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] |
The premise of this "mockumentary" is preposterous. The idea that slavery was the was the only reason for the Civil War is untrue. Besides this film is filled with so many far fetched inaccuracies that it comes across as bitter and vindictive and not humorous or informative and the only thought it provoked for me was "what's the point". If the C.S.A. had been isolated by the rest of the world because of its neutrality in the Second World War. How could they have been fighting the "Gooks" in Viet Nam and the "Ayrabs" in the Persian Gulf? This is the most racist piece of garbage I have ever seen. Unfortunately many uninformed people who see this steaming pile of excrement will actually believe that the scenario presented is possible and that this is what America is really like. Not surprising that it is a Spike Lee Production. | -1no label
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] |
As a longtime fan of Rocket Robin Hood, Spider-Man and Captain Nemo, the references this film makes are hysterical. But where it really shines is in its take on Left vs Right wing ideologies. I see it was made in 2000, but is more relevant now in this post 9-11 world. I think the people who hated the style of animation missed the point; I thought it was traditional cell work until I found out it's all 3-D work made to look bad. THAT is GENIUS! According to the website, it looks like the filmmakers are planning a Christmas episode; I wonder if unchecked consumerism will be skewered as effectively as politics. Incidentally, if you do go to their website Hoverboy-dot-com, you'll find lots of support material. These guys clearly love the types of cartoons they're parodying and you can see it in their brilliant homages. Absolutely loved it! | -1no label
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] |
In this era when almost everything makes it on to DVD (I'm expecting to see the My Mother the Car collection any day now) this film has been unfairly neglected. There are innumerable stupid comedies from the 60's as well as many other eras that have received at least a cursory DVD treatment. This one wasn't even released on VHS to my knowledge, despite the talents involved in the making (Arthur Hiller, Eli Wallach, Anne Jackson, Murray Shisgal (notable later for co-writing Tootsie), even Dustin Hoffman in his debut). It's obviously a product of the sixties but so is just about everything else from that era. All films reflect the tastes and customs of the times in which they are made. This was released the same year as The President's Analyst, another absurd masterpiece. That film was finally released on DVD and has developed a cult following. This film has many memorable bizarre, goofy, wacky moments. Sure, it's painted in broad strokes and has silly go-go music throughout but that's part of its charm. It creates its own absurd universe. If whoever is in charge of DVD production for Columbia Pictures releases (I believe Columbia released it) takes polls for new releases this gets my vote. | 1pos
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] |
This is the best show ever no matter what you say!I have been watching this show since cycle 1.This show is never boring its wonderful how you see peoples dream come true of being a model.Tyra is trying her best to help young women not be ashamed of their bodies and make them believe that they are beautiful in their own way and that you don't have to feel beautiful by being anorexic.And just as Tyra says on the Tyra show so what if your curvy so what if you have a big round booty so what if you have a big nose so what if your not as beautiful as the people in magazines you are beautiful to her.SO WHAT............................... | 1pos
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] |
**** WARNING: here be spoilers **** Why do I waste my hastily fleeing years watching garbage like this? This film is an impressive collection of clichés, poor writing, worse directing, and then we haven't even got to the acting yet. And of course, you can predict the whole story from beginning to end. Hero expert fights against stupid, corrupt and incompetent henchmen. One avalanche goes off, burying all the heroes who somehow manage to get out alive in spite of going through all sorts of cliffhanger perils. Corrupt partner who caused the whole thing gets fried alive together with his payoff money. Second avalanche heroically deflected by renegade expert's adventurous experiment. Evil henchmen in the end turn out to have a heart as well. Troubled teenager falls into the arms of her crusty stepmother after being saved by her. Etc, etc, etc, etc, on and on it goes. In fact, there's little reason to warn for spoilers. You could probably work the whole plot out if I gave you the basic ingredients. At least, I wasn't too wide off the mark most of the time, anticipating what would happen next. And then we haven't discussed the factual errors. I agree with a previous commentator that even though there are usually SOME redeeming features even of a bad movie. you'd be hard pressed to find any in this one. I suppose I gave it 2 out of 10 for some nice scenery shots, but that's it. It's been some time since a film made me groan, but this one certainly did. | 0neg
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] |
This movie was more of a passage into manhood for one gay man, and how he must deal with everyone. His mother is depressed, his younger sister is a pain, his older sister is somewhat accepting. The relationship looks good with his boyfriend/exhooker and he leaves his family to try life with this first guy. Unfortunately, the new guy screws around on him and says it really didn't mean anything. Our young gay man goes bonkers and ends up in the looney bin and eventually leaves, dumping his new lover and starting over. We are left with him starting over and viewing, not participating, in happiness. So maybe things will go better for him in the future. The ending was kind of a downer but the whole movie was entirely realistic and so I will let this real ending slip bye with a high rating. | 1pos
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] |
I really enjoyed this documentary about Kenny and Spencer's attempt to pitch "The Dawn". Was a great look at how outsiders try to get to the inside to make it big. The story was put together well and organized in an interesting manner that made the film flow well. Certainly worth a watch. My only complaint is that their appeared to be no closure. Perhaps that is part of the point. We expect it but in reality that is not what happened (or usually happens). The film is also a great way to see the personality of Kenny and Spencer outside of their Canadian television show. You can see a bit of what is yet to come. I look forward to a chance to see The Papal Chase. | 1pos
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] |
In this tight and well made crime drama Bogart plays a district attorney with the same grip and conviction as he did earlier in numerous roles at the wrong side of the law. He duly demonstrates his usual witty tough guy image, but there is also much grace and warmth brought with age in his performance. This guy does not fool around. Everybody get just what their deserve and the job gets done, no matter what it takes. What makes these roles of Bogart so compelling is the way they project a certain strong image of the man without having to use much physical power over other people. Here he becomes once again an embodiment of a thinking man's tough guy. Notice in the final scene how he gives his orders and announcements from a music store, surrounded by saxophones, guitars and other instruments. It symbolically but clearly points to the ways he is capable of playing with people and circumstances and conduct the whole case towards the solution. There is no monkey business in the movie either. The crime is presented as a well organized and business-likely lead incorporation for paid murders with even own undertakers on the gang's payroll. It's like a Dick Tracy story made as realistically as possible. An interesting group of criminals is created by a great cast, a pack of believable personalities. The plot moves swiftly through the showing of clear methods of the law enforcement with parts of the case getting unraveled by several flashbacks during the interrogations. The style of photography successfully blends together almost documentary-like sharpness and traditional film noir aspects of heavy contrast and shadows. The darkness seems to hang above and around the criminals as well as the law men, the business being mutual in spite of the opposite sides. Moody and hard-boiled as ever the movie has no humor or romance and it generally avoids using the most obvious clichés of the classic crime movie genre. | -1no label
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] |
One Dark Night has a typical teen horror film set-up with a quite a unique twist. The ultra-brooding musical score and Gothic/claustrophobic atmosphere adds greatly to this small film that delivers. Meg Tilly is excellent as "Julie," and leads us through the maze of the mausoleum, giving a sense of foreboding and loneliness. The other teens are equally effective in their roles as is Melissa Newman, the ultimate heroine of the film. The special effects are excellent, though dated. This film is highly overlooked, but that may be good so that it was never ruined by endless sequels. There is a great, dark magic flowing through this film; once tapped into, you really get it and you're in for some fun. The double-disc DVD is available, though the original negative could not be found to restore the film. Maybe someday it will be located. I guess in some ways the carbon speckles in parts do help the film by giving it an old school respectability and making it more unexpected at the end when suddenly there are plenty of effects. The second disc has a rough cut/alternate version with a temp score version of the film that gives more explanation of the demise of two of the girls, very Poe-ish("The Cask of Amontillado" comes to mind in a new way!) Also, great ending tension going in on the dark crypt opening. Not sure it had the punch for main stream audiences, but certainly worked for me and extremely creepy.. . also, there is a making of documentary that is interesting because it gives info on what was going on at the time with the actors, crew, director and writer; candid material, then current logos, discussions of shots and scenes, rehearsals. Very unique that this stuff exists for a small film back then. | 1pos
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] |
Taylor Callum (Alyson Michalka) and her slightly younger sister, Courtney (Amanda Michalka) are the daughters of a fairly well-off dairy owner. In such a light, their spending habits are monumental and they even divide up the "color scheme" of their yearly wardrobes so that they don't duplicate any outfit between them. Yet, one day, even their usually complacent father has reached the end of his rope. Small wonder. Taylor caused a neighbor's truck to end up in a pond and both girls managed to set the kitchen on fire through their carelessness. Father Callum decrees that the girls will work in the family dairy to pay for their mistakes. This is indeed a harsh punishment, as the girls know nothing about the "work ethic" and are astounded to find that they have to get up at 5:30 am and work eight hours a day! Yet, when their father goes on an extended vacation, the dairy suddenly takes a downward turn, thanks to some skullduggery by one of the high ranking employees. It is up to the girls to figure out how to save the jobs and the essence of their father's business. Can they do it, even as Taylor attention is diverted towards a local dairy farmer's son and Courtney has her eye on a handsome foreign exchange student and her debutante ball? This is a charming film aimed at young girls and their families but, truly, enjoyable for females of almost any age. The two young stars have their "clueless" act down pat and the other performers are quite nice, too, especially the good-looking young males that are the object of the girls' affections. The dairy country setting is lovely beyond words and is another reason to see the film, absolutely. All other production values are high as well. However, on the costuming, the girls' outfits are of, sadly, the now-normal, far-from-modest variety (lowcut tops and short skirts) that might make the film objectionable for some viewers. Yet, the movie's heart is in the right place as its lessons of hard work, perseverance, and thinking of others are a top priority. If you are looking for a "nice" film to show a girl-oriented audience, this one rings up as a true winner. For, truly, females from 10 to 80 and beyond will find the flick to be a "mother's milk" for their romantic souls | -1no label
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] |
From Richard Peck's novel "Don't Look and It Won't Hurt", starring Brooke Adams in a terrific performance as a single mother of two headstrong young daughters, hoping for a better existence outside of their lives in a backwater town in New Mexico, but not knowing how to go about finding it. Arty, intriguing showcase for some very fine actresses (Adams, Ione Skye and the inscrutable Fairuza Balk), as well as James Brolin in a small but telling role as the girls' dreamy-quiet, estranged father. Director Allison Anders, who also adapted the screenplay, does hit an awkward snag or two in exploring these characters' emotions, but her feel for Nowhere U.S.A. is rich with complexity. Moody and unusual, it's a film worth seeing. *** from **** | -1no label
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This shows has no plot line outside of a mad scientist who forces a home-made robotic chicken to watch random TV clips. It's all done in stop-motion animation and uses popular cartoon characters and toys from the late seventies and early eighties. The skits could be anything from a parody of a movie or TV show, a fake commercial, or just random events (presumably TV shows as the robot chicken is being forced to view a multitude of TV screens at the opening of every episode). The humor is often dark, dealing with subjects like psychosis, murder, terminal illness, abuse, rape, the awkwardness of adolescence, and violence in general, but the writers are not above making light of even that. One memorable skit involved the three possible endings to a story in which an abusive husband murders his wife as his son and the Tooth Fairy listen in from the child's bedroom, at the end of which a parade of characters comes into the boy's room with banners proclaiming and celebrating it as the darkest sketch in television history. While the humor is definitely not clean in nature, it's appealing to older adolescents and adults, particularly those who grew up with the toys and cartoons they most often utilize in the show (transformers, thundercats, rainbow bright, smurfs, scooby doo, gi joe, etc.). | -1no label
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This movie seems like the last chance for Mr.President G.W.Bush. He's hit from above, exactly from some upstairs floor of a building in Chicago, during a night in the next year. A hard day's night: the movie begins with some "protesters", as the documented buffoons calls the people asking for justice, THEN peace. Mr. President, rarely called by his name, justifies his killers: "the protesters"....something that recalls Jesus, rather than J.F.K. After 20 minutes, he's shot down. My god, again... No, this time it's just by fiction....something that Mr. G.W.Bush, accidentally, Mr.President, and accidentally very down as regards popularity in 2006, knows very well. He knows fiction at least as much as fiction was the Iraq mass destruction weapons, and their sites proofs that were shown to the Americans, and to the world. Fiction again with his Edipo's death year: 2007. Have you ever dreamed about some loved one's death ? A car accident, or some other sad ending ? Did it happen during a trouble with your loved one ? How did you feel once awake ? Well, go and make your excuses to Mr.President: you've just seen His best dream ever.....instead of explaining a lots of unpleasant questions, he's just dead.....by fiction, of course. The rest of the movie is your personal nightmare. | -1no label
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] |
Garbo's first spoken words in this 1930 film electrified audiences and became part of Hollywood legend. Garbo had become a star in her first American film, The Torrent, in 1926. And audiences waited til this film to see if Garbo could make the transition to talkies. She did. And while Pola Negri, Vilma Banky, and Renee Adoree fell by the wayside because of their accents, Garbo sailed on for another decade. Despite the staginess of this film, Garbo is really excellent, especially in the opening scene with the equally great Marie Dressler as Marthy. The two great stars trade dirty looks and sharp words as they size each other up while they have a few drinks and set the tone for the remainder of the film. Garbo was 25; Dressler was 60. Charles Bickford is OK as Matt, and George F. Marion is good as Old Chris. Marion originated this role on Broadway in 1922 and also played it in the 1923 silent version with Blanche Sweet. This Eugene O'Neill play is a true classic yet, oddly, was never filmed again. Anna Christie ranks as one of Garbo's greatest performances. And despite the staginess of the film and the grimness of the story, she is truly a marvel. See this one for Garbo and Dressler! | 1pos
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] |
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