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Well, as a fan of earlier 007 movies I was hoping for a restoration of the standard that was set with Sean and Roger. Not only was casino rolaye based off an original Ian Fleming story, but reviews gave praise to the storyline and Daniel Craig portrayal of Bond, and so I went into the movie theatre with high expectations. These expectations where soon pretty much crushed. Here are the following things I disliked about the movie: Daniel Craig's performance did not do 007 justice. He was dull, unwitty, and had absolutely no charisma for such a role. Craig and Greens chemistry was horrible and the plot was disjointed and did not have the flow of some of the better Bond films. No gadgets, no Q, no decent action sequences. Shameful product placement. Every agent, terrorist, contact and bond villain whipped out there sony ericsson mobile every chance they got, not to mention several sony vaio laptops and sony blueray disc players. I was actually shocked to see that M was pawning Bond on need for speed carbon on a PS3. Seriously though, they must of shown every model phone they have they even had my K700i (which is probably the worst piece of technology I have ever bought by the way). There was also a crack about what type of watch Bond wears: BOND: "Did you know that I'm a gaybo?" VESPER: "Really, but the thing I wanted to know is the brand of your watch?" BOND: "OMEGA!!!" Bond turns and smiles at the camera. Another issue I had with this movie was the amount of screen time Daniel Craig was either nude or partially nude, this was not good as I had lunch just before I watched this. Also, call me old fashioned, but I really don't need to see 007 stripped naked and whipped in the nuts repetitively... I'm just funny like that. Sooooo, there it is. Please don't go see this movie or you will be the one who cries blood. | -1no label
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] |
First off, this is NOT as good as the movie "Beautiful Thing"--the other British film about gay teens. But it still works wonderfully on its own terms. The movie is well-acted by the whole cast and the story is realistic (unfortunately) and true to life. Some people have complained that the interactions between the two boys keep running hot and cold way too often. Well welcome to real life! I know of similar situations with friends and this movie captured them perfectly. Also the isolation and longing of the gay boy was so accurate. There's a sequence at a dance when the two boys are staring longingly at each other while dancing with two women they couldn't care less about. That scene brought tears to my eyes! Also when the gay teen tells off the guy he's in love with and the closing scene (don't want to give it away) were also extremely powerful and honest. The film also ends realistically BUT not depressingly. Also, the film IS funny. It's not a comedy, but it does have its light moments. See it! It's well worth 8 or 9 bucks. | -1no label
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] |
I've been a fan of Jim Henson and his characters since the very beginning. The most beguiling thing about them was the love and innocence and camaraderie shown. Kermit was a role model of deep thinking and problem solving. A spiritual character, yet sweetly and believably so. All the other characters were slightly eccentric but it demonstrated how different kinds of beings can co-exist in a caring manner together, respecting each other's difference. Following movies have somewhat kept the same vibe. Yet this "It's a Very Merry Muppet Christmas Movie" would have Jim Henson spinning in his grave. These characters have been completely re-written to be horny, nasty, selfish, and cheesy. The cast goes on to portray God as an uncaring corporate head, with a mean streak. Angels as spineless, non-spiritual corporate staff, and the movie was so bad I had to stop watching. I had bought it for my great-nephew but fortunately I preview anything I give a child. This movie deserved the trash bin instead and has no socially redeeming content or charm. Shame, shame on the people who re-wrote the characters and departed from Jim Henson's original heart-centered, socially conscious version. It does a terrible disservice to a great hearted man who is no longer around to defend his creations. | 0neg
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] |
Some weeks ago, at a movie theater, I saw a movie poster of El Padrino (2004) with the tag "The Latin Godfather". How lame have we become, I thought, Latin just because he is a Mexican? Let me remind you that ANYTHING Latin comes from or is related to Latium, Italy, So the original guy in the Godfather movie is more Latin than the Mexican Godfather and this is why: We are called Latin-American people because we speak Spanish, a language based in the Latin language that originated in Rome now Italy. So to place a tag in a movie poster like "The Latin Godfather", is not just ignorant, of course if we are trying to related this movie to the original Godfather, but a desperate and uncreative attempt to get some credit by copying the title of a movie classic. Now about the movie, I just hate overacting so from 1 to 10 I guess is 3 the most. | 0neg
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***SPOILERS*** ***SPOILERS*** i gave it one star because this is supposed to be a true story. it was not. it was a one sided tale of a "dangerous hacker" and the trouble he caused. not only am i mad the "true story" was wrong on details, i'm equally pi**ed about the amount of "hacker fluff" that is presented. ok spoilers follow.. the fbi agent goes home to find his water, gas and utitlities have been turned off.. ok, that could happen.. sure. or the bit about the super virus... what crap. oh, the biggest piece of crap was the part where shimomura goes to his cash machine and instead of getting money it flashes "free kevin" at him instead. what utter crap. i hated this movie as it was neither fair to kevin, nor hackers in general.. it does nothing but foster public fear of hackers and what hollywood says they are and can do. never once did they mention that kevin was held without even so much as a bail hearing for nearly 5 years. no charges were profered, nothing.. only after over 4 years of being locked in prison, sometimes in solitary confinement because they thought he was so dangerous, was he offered the plea bargain. of course he took it.. after 4 years of prison without bail, without even a bail hearing, i think anyone would take it. | -1no label
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Another unfortunate film meeting "we hate the director because the internet told us to" preconceptions, 1968 Tunnel Rats is a complete success in what it sets out to do - create an overwhelming sense of fear and claustrophobia. There are war movies, and there are horror movies. This is both. Yet, there is no Predator creature jumping around, no crazy virus, no hallucinations, no. The war is scary enough itself. There's no patriotic propaganda here, neither is there any political anti-war message, the movie just shows us how scary life as a soldier could be. This is the kind of fear which is felt by real people, every day. A highly recommended film if you like tension and suspense. More accessible than SEED, more mature than Alone in the Dark. | -1no label
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How could you star Julliet Binochet and Jean Reno in a light romantic comedy version of Before Sunrise and not have one of the best light romantic comedies of all time? You can't. Two people meet under hectic circumstances, to say the least. They make every mistake. Do everything wrong. Even Paris is against them. But, somehow, love finds a way. Julliet Binochet, almost unrecognizable during the first half of the film because she is buried under makeup and an odd hair style, is totally delightful and stunning, especially when she finally appears with no makeup and wet hair. That she does so well with comedy should come as no surprise to anyone who has seen her work. Jean Reno, who is like a French Clint Eastwood, is even better at comedy than he is doing action or drama, and he excels at both. If you've been longing for some romantic comedy, especially good romantic comedy, check out Jet Lag. I loved it. | -1no label
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] |
I just watched Nightbreed for the first time since seeing it in the theater almost 20 years ago, and while I remember liking it at the time, I don't remember being blown away by it like I was today. I really can't complain about anything in this movie. Craig Scheffer is excellent as the lead character of Boone. I never understood why he hasn't had a more successful career, because most of his early work is outstanding. As good as Scheffer is, Cronenberg is even better. His portrayal of the psycho Dr. Decker is unforgettable, and steals the show. The rest of the cast, which includes Doug Bradley is very good, save for the ridiculously over the top redneck sheriff. The visuals are good, and in some shots great. The Danny Elfman composed score is as good as it gets, and is among his best work. The ending was epic, with nonstop action for close to twenty minutes. Overall, Nightbreed is a tremendous accomplishment for Clive Barker, and ranks as my favorite of his movies, just slightly ahead of Hellraiser. 9/10 | 1pos
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] |
May Contain Spoilers. An innocent trailer park or maybe 'Compton' LA white kid witnesses a terrible childhood tragedy relating to drugs and violence. An unprofessional but dedicated police partners try to take down a 'sophisticated' high end club drug ring only to be fired and chewed out by the the drug lords high priced attorneys. The plot thickens as more people come back to seek vengeance and justice with a predictable ending. The only memorable part was a walk-on by Ron Jeremy. If I was in a movie theater I would have asked for a refund. I feel sorry for the poor actors in this movie. It was just awful and painful to watch. The worst part was the cinematography were the director kept flashing back within the same scene so the sound would not quite match. And NO it was not a codec nor DVD problem but an intentional technique. Ughh. Two Stars. | 0neg
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] |
Jack Brooks' quirks are, at first, somewhat charming and lend to the deliberately campy feel of the beginning of this movie. I found myself getting angrier and angrier as I was duped into seeing this one through to the end, in hopes that the payoff would be worth the super-tedious wait. The climax can't begin to make up for all the setup time. Normally one might expect shallow characters from this genre. But the fact that the wait-time-before-action index is so high, should mean that the meantime would be devoted to some interesting character development. Not so. While not without its initial charms, this movie ultimately infuriates, and disappoints. Wish I could get all that setup time back, to reinvest it into something that pays off. | 0neg
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] |
I don't think this is too bad of a show under the right conditions. I tolerated the first season. Unfortunately, this is a show about lawyers who aren't really lawyers. God forbid anybody actually go to law school based on these shows, which I had heard was the case when I watched some interviews of the show. It just made me gag a bit. That aside, Spader and Shatner, who are supposed to be the stars of the show, are the most annoying. While this might be a compliment in some situations, it's certainly not here. Their constantly harassing the women on the show is funny at first. But since that's what they're doing literally all the time, I've realized that this is as deep as the show is going to get. Trying to intersperse some serious, dramatic, and even tear-jerking moments in the middle of this mockery of a real show fails to compensate for the progressive loss of interest I've been experiencing trying to enjoy the show. Alan Shore's flamboyant and gratuitous "public service announcements" where he spouts off his opinions do not impress. Denny Crane is just annoying. I was embarrassed for him and for the writers of the show for Crane's speech wearing a colonial outfit. I'm giving two stars because there are moments where I thought the show's attempts to deal with some contemporary issues were done with care. I think the show's writers became aware that the sexual harassment displayed by Denny and Alan was getting overbearing even to those who were more inviting of them from the start. The thing is, I don't care if the sexual harassment treatment in the show is done well, but I just felt that the writer was insulting me with artificially implanting sexual banters all over the show in the hopes that my libido will keep me coming back for more. I'm not a teenager anymore, and I think this show is promising if its goal wasn't to cater to the lowest common denominator to get ratings. Of course, I'm writing this after I realized that it's really not gonna get much better than this. It's a shame because it's one of those shows I'd love to love. | 0neg
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] |
I just finished screening El Padrino in Germany. A great film. We look forward to seeing more films from Mr. Chapa in the future. It was wonderful to see such a well put together film with such suspense and a story that shall remain an instant classic. The ending with little ambiguity leaves the story open for a sequel. Seeing a film with great quality truly outlines Chapa's serious potential and his adept skill as a writer, actor, director, and filmmaker. Chapa has impressed many with his triumphant performance in "blood in and blood out" and now he has proved to all who have see his works his potential to become a critically acclaimed film maker with genuine artistic control. Something that few film makers can afford. | 1pos
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] |
I have never read the book, but had always heard good things about it. So when the movie came out I considered going to see it, but never did. Now it has come out on DVD and I have thought of renting for a few weeks now. Last night I finally picked it up. I am very glad that I did. Cinematography was incredible in this movie. The scenery, etc,... all made you feel like you were in Kabul. The acting was all very good, although I am sure some of the emotions were lost in the translation. And the story itself was good and pure and uplifting. Yes the story was very sad, but at the same time uplifting. And I will be honest, as a white American,... made me see aside of Kabul and Afghanistan that I never picture in my mind when I think about it. Showed me a Afghanistan before the Taliban. Showed me a place that was beautiful. Showed me a place with good hearted people. I community that was like a family, aside from a few bullies. Anyways, I recommend this movie to everyone. It is one of the best I have ever seen. | 1pos
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] |
I remember when I was five and my parents thought it was a regular cartoon movie....except when the bras and bullets started flying. I have to agree this movie will make anyone and everyone upset because it is set to discriminate everyone and anyone....but the truth is it is funny as hell as it is deep. I recommend this to anyone who likes cult classics. Also try Fritz the cat and the NINE Lives of Fritz the Cat. If I'm correct Ralph Bashki did that movie too.It involves a cat that goes through hard times with family, streets,jobs , etc. When I was old enough I rented all of these movies out. Because Coonskin was an offensive title during that era it was also labeled as Street Fighter. Ralph Bashki also made Cool World starring a very young Brad Pitt. Heavy traffic was another cartoon that dealt with the street life of a young man. | 1pos
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I remember going to see the movie in the summer of '78 with my parents, and being pretty into it at the time. Of course, I was seven at the time. Right before the Jackson movies came out, my wife and I rented this movie since she had never seen it and I was feeling nostalgic. Ralph Bakshi ran out of money about mid-way through the animation process for this movie, and was forced to drastically cut corners on this production. Since this movie was done primarily with rotoscoping, the animation technique for people on a budget, this is saying something. Much of this movie is animation only in the very loosest sense of the word. There are some scenes which are very obviously just people standing in front of a screen, with maybe some animation effects superimposed on top of them. Because of budget constraints, the movie -- already a compression of "The Fellowship of the Rings" and part of "The Two Towers" -- was pared down even more. What you get is sort of like a film-strip version of the Cliff Notes of the books. Its not all bad, though, the animation brings a warmth to it, that I found lacking in the Jackson movies. Its nice to imagine what it could have been like with decent funding. This movie is also noteworthy for having the sequel which never came. Several years later, a half-hearted half-hour long TV special was aired, which was meant to wrap things up. All I will say about that is that it was a musical. | 0neg
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I'll start off by putting all my cards on the table, I'm a big Command & Conquer fan and am extremely biased when looking at any other type of RTS game. That being said, I actually found Starcraft to be a very different type of game and not really strictly comparable to C&C. Starcraft has a much bigger emphasis on micro-management as most units have some kind of special ability. Also armies are generally smaller with more emphasis on balance and researched abilities than size and power. I am a sucker for a good storyline and here Starcraft delivers wholeheartedly, the manual reads like the first chapter of a bestselling science-fiction novel and throughout the single player there a number of interesting plot twists, I'm a bit bemused that nobody ever bothered to make a Starcraft movie! Also the developers can be commended for creating 3 opposing races with different strengths and weaknesses, but with no race that are clearly superior. This has certainly been attempted before (unsuccessfully) in other games but the Starcraft developers got it more or less right. The area Starcraft didn't won me completely over was in the actual gameplay, your army are limited by available resources and most individual units are rather fragile and can quickly be destroyed by enemy fire, I spend lots of time fixing and replacing my battered army rather than planning battles! I also felt that the whole idea of researching abilities really slows the game down and because the AI opponent always start with a big head start you spend a lot of time waiting for research to be done to be able to match you AI opponent. Speaking about AI, Starcraft AI is certainly not up to scratch but this is true for most RTS games. Overall, this is certainly an above average game and it's legacy and success speaks for itself. For me C&C is still the king of the hill but I won't miss Starcraft 2 | -1no label
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] |
This type of criminal(or gang-star)films have been made from 1920s, at first,probably in America, then everywhere in the world. There are some classics(as "God Father"),excellent postmodern variations(as "Pulp fiction")and also good Russian films in this genre("Assa" and "Brother"). Egor Konchalovsky added nothing new to this genre because of inconsistency of style and lack of orientation in dramaturgy. As for style,plenty of video-effects simply make the film like serial of music clips with no serious contents, or some kind of parody of gangster films.If one wants to show drama,tell some story,then he must select only minimum needed effects which will not irritate viewers.The first half of the film is especially bad,the second half is better(less effects), but even this fact is only an another evidence of inconsistency. Then dramaturgy itself is inconsistent. I can't understand who represents what kind of world views or who has what kind of credo, and the meanings of all killing and shooting,including the revenge of Lis. Story is told, but it doesn't make me feel or think something. This same story could be told in another way, so that the viewers will begin to think something,to feel compassion for some character even they have little in common with him. Apparently director didn't care about it. | -1no label
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] |
OK, so one night me and some friends decided to get really stoned and watch a movie. Unfortunately for us, we chose 'Ernest Goes to Africa.' I have never laughed so hard in my entire life. This movie is beyond bad. I have literally pooped out better films than 'Ernest Goes to Africa.' (I poop films) The highlight of this movie, for me at least, was the opening sequence, when Ernest is making silly faces. When they showed him with a head the size of a peanut, I lost it. Perhaps I found this so funny because at that point I was the most high. Perhaps you are right. If I had to guess what George W. Bush's favorite movie is, I would guess 'Ernest Goes to Africa.' Never before have I seen a movie rely more on 1950's stereotypes of people of color. There were times when words escaped me and I just stared in awe. As I was watching this, I couldn't help but wonder, is this movie meant for children? Do literate adults actually watch this? How could there possibly be a whole franchise of 'Ernest' movies? Is this really my life? Is this real? I hated this movie. | 0neg
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] |
What a fantastic movie! Great characters you can't help but love, a quirky upbeat soundtrack and 100 minutes of pure fun! You really go on the journey with these characters and are excited by their relationships and antics. Excellent performances, fantastic cinematography and loads of laughs (fabulous writing and direction). GamerZ shows the comic side of Gaming and has characters everyone will recognise. Dungeons and Dragons took itself too seriously - this takes us back to the fun element of role-playing games and you really get involved with the game young Ralph has created. This is a film for everyone, we all know these people and it's interesting to see how a single interest can connect such different people. They may well be pariahs but you can't help but like them. Although the film is set in Glasgow it could be anywhere, any university campus with any group of people with a single interest. It's truly a universal film. There are some fabulous comedy moments which really do have you laughing out loud. I urge everyone to see this film. You don't have to have been a Gamer to enjoy this film, I'm not and I loved it. Give us more, Pure Magic Films - PLEASE! | -1no label
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] |
This movie was really really bad. Forgive the pun, but it was epically bad. I went to the movie to fill time between some business I was conducting in New York and my flight that was leaving at 7pm.. I had several hours to kill. There are no good scenes in this movie. I think I laughed at one joke within the first 5 or 10 minutes. The plot (if you could actually say there was one) was so stupid that it borders on the criminal. Anyone (actor, writer, director, or producer) should be jailed for 1 year for participating in the production of this film. I would provide spoilers for this movie, but that would mean there is something worth spoiling. I actually felt embarrassed for the actors. I had to leave after 30 minutes. For the first 20 minutes I thought to myself.. "this just can't be.. a movie that looks like it was filmed using one camera in a decorated high school auditorium".. "there's got to be a joke somewhere".. but alas, at the 30th minute, I could no longer justify wasting my life. The movie just never happened. I want my $11.00 back Hollywood! Stop defrauding the public!! | -1no label
| [
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] |
This game has been out for a while, but if you don't have it yet: DON'T BUY IT!!! This game is absolutely horrible. It's just another one of those stupid games where you go around killing things, while in the background you experience a horrible plot that was obviously put together over a weekend. The books of this game had some promise, the horrible lack of depth and emotion behind Halo's plot was ultimately it's downfall. I hated Halo, but I bought Halo 2 just to see if this was any better. It was better, however, I gave a Halo a rating of .00001 out of 1000. Halo 2? Halo 2 gets a .0002 out of 1000. Seriously, regardless of what your friends may tell you about how this game is "TEH ROXORS", I assure you, this is a sorry excuse for a video game that looks like it was done over the course of a week. It has no focus on gameplay or plot, and focuses ONLY on graphics and eye-candy, just like Halo 1. There's no point in buying this game. Save your money and buy something worthwhile. | -1no label
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] |
I stumbled in to "The Mind of the Married Man" after HBO had the unmitigated audacity to cancel it, so critiquing the show is pointless post-mortum. Nonetheless, I absolutely love the TMOTMM, and it cuts deeper than practically anything I've seen of late on television, despite the fact that it's a comedy, black as it may be. Tell me, does anyone know where I can get a list of the songs that play in the background during the closing credits? I've heard about five songs that I really like, but I don't know the name of the songs or the artists. (I recognize the Marc Cohn sings the terrific title tune) I think "U2" sings one of them, and, I must confess, I have never jumped on the U2 bandwagon. I think the reason that the TMOTMM didn't make it is because wives wouldn't let their husbands watch it, which is perplexing since husbands don't mind if their wives watch the predictable pretentious, "Sex in the City." Since married Johns didn't watch it, who's left to tune in? I guess I'll have to listen to someone other than Jake to get advice on my marriage. Mark | -1no label
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] |
So I caught this one afternoon as "What Lies Above" and actually watched it because the beginning was somewhat promising. The heroine, Diana Pennington, is a mountain climbing expert...but that doesn't help her when her fiancé Brian gets hurt on a climb. When she goes off to get help and returns, he disappears from the mountain, never to be seen again. Two years later, Diana is still a climber...but she won't go near Snowman's Pass. That is, until Curt Seaver appears and tells her that he can find the body of her lost fiancé with a new satellite program. She agrees and they take off up the mountain with Curt's two assistants: His "bodyguard" Hugo and the computer whiz Tyler. From the start, you know that there's some ulterior motive going on, but unfortunately the twists aren't good and lead to a laughably bad chase sequence that makes up the last 20 or 30 minutes of the movie. The major disappointments are the red herrings, most of which have supernatural undertones that never come to fruition. The object from the sky that fell into the mountains (which turns out to be not so supernatural), the story of how Snowman's Pass came to be, and the most memorable one of them all: Diana's dream sequence halfway through the movie. But what disappointed me most is where they dropped the ball. The majority of the movie revolves around the search for Brian, that's why I can't for the life of me begin to understand why the mystery of what exactly happened to him and where he was is never solved through the course of the movie. This was the major plot. This was how the movie STARTED! How do you NOT wrap that up? I wouldn't tell too many people to bother with this one... | 0neg
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] |
Noni Hazlehurst's tour-de-force performance (which won her an AFI award) is at least on par with her effort in FRAN three years later. Colin Friels is also good, and, for those who are interested, Alice Garner appears as Noni's child, and Michael Caton (best known for THE CASTLE) is a bearded painter. (Also interestingly, Hazlehurst is currently the host of lifestyle program BETTER HOMES AND GARDENS, and Caton is the host of property-type programs including HOT PROPERTY, HOT AUCTION, etc...) This film reaffirms the popularly-held belief that Noni was arguably Australia's top female actor during the early-to-mid 1980s. Rating: 79/100. | 1pos
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] |
OK, I could only find three reasons to consider this film worthwhile considering the extremely low budget. First there was Linnea Quigley and Rachel Carter. Actually, the two of them gave me four good reasons to watch, and watch I did. The only other reason to watch is that a lot of was filmed right down the road. Now, I didn't know this beforehand, but I saw an Orange County car tag and said, wow! this was shot in Florida. I was impressed by the flashback to the past and the ancestors of the young kid, but that was really it. The killings by the pumpkin man were pretty lame, with the exception of the biker. If you want to see Quigley and Carter, OK, but Return of the Living Dead will give greater thrills. | 0neg
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] |
The first episode of 'Man to Man with Dean Learner' that just aired was at least up to scratch with most episodes of 'Garth Marenghi's Darkplace' and had me at "My Maisonette". Hope it keeps up the good work of 'faux terribles' on my TV. Richard Ayoade is one of the best in the new breed of "alternative comedy"(I hate this phrase but am too lazy too think of another one.) comedians on TV today.I'm glad that on a trip of local DVD retailers today "Garth Marenghi's Darkplace" was sold out across the board. Even from his brief stint in Nathan Barley I knew that Ayoade was a serious talent and I'm sure he would have been great as Dixon Bainbridge in 'The Mighty Boosh' To continued success! In the vein of these programs I also felt it necessary to extend my review, in order to secure a place on this public domain. | 1pos
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] |
This movie is so bad, that it might be a waste of time for you to read any further adjectives that I will use in order to fully describe it's utter suckiness. Think about every terrible aspect that a movie could possibly possess, and then add them up. Now, take that number and multiply it by a million. However, would I recommend this film to you? Absolutely. I have never laughed so hard at any movie in my life. Tears were streaming down my face from this movies level of enjoyment. If you want to laugh for a good 2-3 days straight, please, do yourself a favor and rent this movie. No comedy ever written, however classic and hilarious some are, could come close to bringing you the sheer joy you will feel when the credits roll on this film. All people associated with this film are probably either out of film making or have been taken out of the business from this unimaginable monstrosity. | -1no label
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] |
I really stepped into this one expecting something from De Niro and McDormand (and a 6.3 here), but I was sadly disappointed. The (multiple) parallel story lines just irritated me. I considered them an affront to the viewer. I got tired of the heavy handed approach early on, I guess, but it still kept on coming. I didn't feel any depth to the characters whatsoever. I still struggled to stay on, but this was only to see a hammed speech by De Niro. The ending results left me guessing quite a bit, but not in a good way and this only irritated me further. I'll not reveal anything, but who funded this bowser? I'll give a point to McDormand and Forsythe, both of whom I like and did reasonably well despite the terrible script and swiss cheese story. De Niro does not live up to his capabilities, he seems to be on auto-pilot here. He hand picked James Franco to play Joey, but I was left wondering why. Blech. See something else. I want that 108 minutes back. - 2 of 10 | -1no label
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] |
I honestly wasn't expecting Bambi 2 to be as good as it was. I found it it sweet, funny and adorable. The original Bambi is not only one of my favourite Disney movies, but one of my favourite movies ever. I thought this a very worthy sequel, well it was more of a midquel really, if a tad rushed in places. I liked the fact that they focused on Bambi and his father, after his mother dies, and the story itself was very sweet and well crafted. The animation was beautiful here, not quite as splendid as its predecessor. I have seen sequels like FernGully 2 and Secret of NIMH 2 where the animation is dull, tacky and choppy. Here it was colourful, vibrant and fluid, just look at the wondrous backgrounds. And I absolutely loved the soundtrack, that alone contributed to the film's charm. Of course I do slightly prefer the original's music, but the soundtrack here was so pleasant to the ears. The characters were every bit as likable as they were in the first- Bambi if you forgive the fact his facial expressions were overdone at times, was still adorable and appealing, and Thumper is hilarious. If there is one thing I prefer over the original, it is that the sequel is funnier than the original. The original, while having some very funny moments was more of a tearjerker and a genuine one it was too. In the sequel, there are five or six funny bits in the first fifteen minutes alone. The voice acting was most impressive, special mention must go to Patrick Stewart, who was perfect as the Great Prince. My final verdict is that it isn't quite as good as the stunning original, but along with King Of Thieves and Enchanted Christmas, this is in the top 5 of my favourite sequels. A solid 8/10 Bethany Cox | -1no label
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] |
Albert Brooks still knows how to spin off a great one-liner but something has happened to this man since the great "Defending Your Life". He seems angry at everyone and everything with only a handful of compassionate moments reserved for those who can't do him any harm (in this case, his children). Andie MacDowell's sinusoidal career moves on, this performance being on the good side of average (her next will invariably be on the bad). The greatest pleasure this movie has to offer is Sharon Stone. She perfectly portrays the flighty, carefree lifestyle of a daughter of Zeus. It is for her luminescence and the two or three funny jokes (plus great cameos by James Cameron and Martin Scorsese) that I give The Muse 3/10. | -1no label
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] |
This movie will send chills down your spine, even if you don't understand German. I first saw this in my German class in High School and found it for $5 at my local Wal-Mart. I've seen it at least 20 more times since *this being only a couple years ago* and it's great to watch on a movie night. The plasticized bodies are mostly real, used from Body Worlds. This movie was an out-lash to that. A German Dr. *nicknamed Dr. Death* began plasticizing human bodies for display and now Body Worlds is a touring deal, right now in Chicago IL. Many people were opposed to this and so a great German horror movie was made. I personally love this movie and would recommend it for all who like thriller slasher films. | 1pos
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] |
People shouldn't judge independent films like they would the special Olympics, all movies must be held to the same standards. I watched about a half hour of this crap before becoming so angry that i couldn't continue. The actors were ugly and talentless and i couldn't identify or empathize with them at all. I don't care if you have a zero dollar budget, you find people who are believable and have some charisma and presence. The CG was on par with a PC game from 1996, so i don't know why everyone was raving about it. The direction was the second worst part of the movie (the first being the actors), i guess some people have no artistic vision. That in combination with the shi**y editing made it look like a horrible commercial of sorts. set design, costumes, and everything else just failed to resemble anything star wars. Fighting...what fighting? the actors seemed confused here. why are there so many ugly women pretending that they know how to even begin to fight. I am filled with much anger and disgust, and also filled with thoughts of genocide. | -1no label
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] |
While the style of this cartoon was unique (enough to help it get the Oscar for Best Animated Short), this cartoon signaled to me the death of animation. It wasn't until the 1980s that a resurrected respect for decent animation occurred and fortunately today animation is once again respectable. In the interim, studios like Hannah-Barbera, Trans-Lux and Lou Scheimer reveled in horridly low frame-rates, cheap repetitive backgrounds and simplistic animation. Heck, to call some of this animation is a joke--it was more like a fast slide show since the frame rates of 24 fps were reduced in half or worse! While I can't blame MOONBIRD completely (after all, Columbia studios, Creston Studios and others produced cheap animation well before MOONBIRD), it is shocking when you compare the ultra-simple Eric Carle-style cartoon here with gorgeous MGM or Looney Toons cartoons in their heyday. However, MOONBIRD manages to do something these other hack studios didn't. In this film they basically let two toddlers prattle non-stop and they animated it. The problem is that 2 and 3 year-olds aren't that interesting--at least not for 10 minutes straight!! Watching this film is like being locked in a room with an obnoxious small child who has always been told by his parents that he/she is the next Judy Garland or Marlon Brando. To me, this was about as welcome as a year-long migraine. Do yourself a favor and don't watch this film. | -1no label
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] |
I saw this film on DVD. Really creepy stuff. I couldn't help wondering why it was so creepy. First, the music is very eerie. And also the visual, with very strange colors, almost candy-like. The actor looks like a french Robert Downey junior. This film could have been made as an animation. It's so detailed with fantasy and fairy tales themes. It's worth taking a look at it. I've never seen a film quite like this before. The story is very bizarre, a tailor going on a mad rampage! The kid who plays in the film is very cute and a pretty good actor. The film reminded me of a lynch/ Gilliam atmosphere with strange characters. | -1no label
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] |
I'll need to start at the end of this film. No spoiler, don't worry. Just me saying, "Huh?" Ferrara's rambling, affected film left me stranded at the end in a Dead Sea. I really wanted to find something to recommend in this film, but all I could think of was how unfocused it was, how miscast, and how dull. One particular problem was Ferrara couldn't decide if he wanted to make an investigative documentary or a inspiring religious drama. On the one side we've got real theologians yammering away about Jesus and Mary, and clips of violence in Palestine. On the other side we have two stories about New Yorkers having spiritual identity crises, and an actress still neurotically lost in her role wandering through the streets of Jerusalem looking for something to eat, or something. In the end we get a murky, arty film with meandering plot lines that don't really go anywhere. In addition we have a casting problem. Juliette Binoche as the ersatz Magdalene plays her role as a treacly, new-agey Christian proselytizer. She reminded me of the people who accost you on buses asking you if you've found Jesus yet. Modine and Whitaker, both plainly uncomfortable playing their roles, end up giving us melodramatic performances that, when arriving at the moment of spiritual catharsis, cause them to start chewing up the scenery. I couldn't help thinking that Whitaker's appeal to God in a hospital chapel made him look like a subject in a Goya painting, but without the pathos that the artist's subjects engenders. Both actors were not able to evince any genuine feelings, which is due mostly to a plot that doesn't allow them to develop their characters in the first place. Better to watch Kazantzakis, or even Gibson. Or see "Cammina, Cammina" by Ermanno Olmi. | -1no label
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] |
There were but two reasons for me to see this film. First of all Stellan Skarsgard and Marisa Tomei were in it (who are both good actors) and I had nothing better to do. While seeing the film though, I immediately thought of something better to do: SLEEP! This film is a complete waste of time. It is a standard ex-cop flick. The ex-copper is the best there ever was, but he was fired. He keeps doing stuff on his own to the dislike of his former buddies and he saves the day. All BIG surprises (NOT!!!). Go to sleep, or if you have insomnia, try this one. 4 out of 10 | 0neg
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] |
Another lame attempt to make a movie "gritty" and "thought provoking"- whatever the hell that means. They have Al Pacino say a lot of words like - "Television killed football." Yeah whatever. This is another movie that showcases Oliver Stone's Delusions of Grandeur. If Stone is trying to show us that football will be our downfall or something, why does he insist on romanticizing the sport with his stilted camera movements and Kid Rock songs? He even throws Cameron Diaz into the fray for purely aesthetic reasons. It's a shame that Diaz and Pacino have to meet in a movie that is so bad. Ever since "Scent of Woman," writers and directors have used Pacino to romanticize their pathetic lines. His characters are nothing more than loudspeakers - their voices covering up what would normally be redundant and trite. He needs to reinvent himself, showing how he can act without yelling. He has to stop feeling sorry for hokey scripts with cheesy lessons like "Organized football is messed up," and act out a good story. | 0neg
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] |
Alien Evolution is a documentary-maker's dream. It gives you everything you could possibly want to know about your favorite creature feature franchise. It is a 64.21 minute long inside look into the minds of the writers, giving you the story behind the story. Many critics have dogged this work since its release saying it spent to much time with the writers, when in fact, many millions of fans were clamoring for more back story and conceptual histories of these wonderfully Machiavellian Aliens. There are also interviews with the Producers, special effects departments, actors, directors, and more, more, more. I thoroughly enjoyed this comprehensive and inspired Supplement which was Disk 9 of the Alien Quadrilogy Collector's Set. Fantastic. It rates a Documentary Scale 10/10 from... the Fiend :. | -1no label
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] |
This is the biography of famous actor Lon Chaney, portrayed by the more- famous James Cagney. Normally, I like biographies and I am a big, big fan of Cagney....but this film turned me off fairly quickly, and I wish the "Yankee Doodle" man had turned down this role. Dorothy Malone plays an awful, selfish woman who was Chaney's first wife. She is so annoying I lost interest in this story. The scenes where Malone freaked out over Lon's parents being deaf and dumb, and her subsequent tirades, plus Chaney apologizing for his parent's physical handicaps - come on!! - totally turned me off. It also looked strange to see Cagney in his mid '50s playing a guy in his early '20s. Give me a break! That was poor casting if I ever saw it. What a disaster this film turned out to be. I prefer to remember Mr. Cagney for his great roles in the 1930s and 1940s.....not stinkers like this. | -1no label
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] |
A tour-de-force from Bob Hoskins playing a tough crime boss in London's East End. Living high on success while fancying himself a political entrepreneur, he's about to close a lucrative partnership deal with the Yanks when the Irish Republican Army, bent on revenge, begins eliminating operatives from his "organization", undermining his reputation. Whether prudishly turning up his nose at the unsavory aspects of London's poor neighborhoods or shamefacedly trying to cover up this embarrassing attack on his solid standing within the community, Hoskins never misses a beat and is wonderful to watch. His character, caught unawares when the violence starts, can't figure out who would do this to him (it isn't so much the 'why?' that has him riled up, it's the 'who?'). Unquestionably the finest movie produced by Britain's Handmade Films, with some arty pretensions that aren't too distracting and a brisk pace supplied by director John Mackenzie. Intriguing supporting characters, fine location shooting and electronic scoring (by Francis Monkman, whose repetitive themes are initially off-putting). Funny, scary, gripping and haunting. *** from **** | -1no label
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] |
The Monk television series is one of the most original, refreshing, and well-cast shows I have ever seen. Monk and Sherona are terrific together; excellent chemistry. I do not know if new shows are being filmed and aired, but I certainly hope so. I stay up late on Friday nights to catch "Monk" on USA and enjoy it tremendously. Last night's episode about the murderous marathon runner was fantastic, and I laughed out loud at Monk's antics on the jogging trail while he tries out the new running shoes given to him by his "guru." I love the show, including the whole cast. Thank you! | -1no label
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I went to see Ashura as 2005 Fantasia Festival Kickoff. Man, that was one cool kick off. The director was supposed to be in Montreal for the Canadian premiere, but due to health reasons, he's still in Japan...oh lord I hope he gets better and makes plenty of other movies. The plot is pretty simple, but somewhat original...the demons are roaming in Edo in Japan and Swordsmans called "Demon Wardens" are slaying them and fearing the rebirth of Ashura, the demon goddess who's sleeping and supposedly is very kick-ass. It brings us to Izumo...some kind of elite swordsman called "Demon Slayer" and his buddy Jaku who's the typical violent jealous asshole... Seems boring? Well now it thickens.... Izumo took his retirement from killing demons since he slayed a young kid on the "impression" that he was the demon, he never knew, but he did killed her. So Izumo went on with his life and recycled himself in Kabuki theater. In a boat joyride on a nice night, Izumo spots a girl hiding on a bridge and it changes his life and restart to slay demons...for the good cause, the cause of love...and damn...the guy knows how to handle a sword and to pull an entertaining massacre. Izumo carries the movie as far as playing goes...he is the total package...he knows how to fight(hell yeah he knows), he's witty, he's intelligent and he has that grit. You never have to yell :"NO IZUMO, IT'S A TRAP" The guy already knows it he has that common sense. He's really the perfect hero. As far as cinematography goes, the esthetics are pretty interesting. It's by far, the movie that looks the most like a manga. It's creamed full of special effects and nothing, at all cost will prevent this movie to look realistic...it's pretty amazing. Lots of colours an "unreal" photography, other than that...it's pretty straightforward...but like I said, the main character is carrying the movie A must see, a tale lead by masterful hands | 1pos
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] |
I only managed to watch the first 30mins of the first episode of this drivel, before I turned it off. Yes, I know I stand to be accused of not letting the characters & the plot-lines build, but come on people, I've seen Guthy-Renker infomericials with better narratives than this tosh. In the 30mins that I managed to watch, they managed to cram nearly every sappy cliché' ever written into the storyline. It almost seemed that the writers were having a cliché' competition, after spending a bonding weekend at a Hollywood cliché' convention!!! If you've seen any of the 5 seasons of 24, or the 3 seasons of Lost, the characters are all there, just rehashed & regurgitated back onto our screens as 'must see' TV. BLAH!!!! At least the wonderful Jacqueline McKenzie has been able to keep bread on her table by participating in this drivel & has been able to do some serious acting on the side (Opal Dream & Peaches) with the money she has made here. If you are craving for decent sci-fi TV, the current series of Dr Who is miles ahead to this rubbish! | -1no label
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] |
I can't even begin to explain how much I love this film. First, it may be one of the great "food movies" of all time. Anyone who considers him/herself a lover of good food and doesn't drool over the "timpano" alone should check their pulse... And the performances are remarkably restrained, yet lively. Stanley Tucci is sublime, Tony Shalhoub is, as always, a marvel. Truly interesting camerawork that draws one in, yet doesn't detract (or distract) from the story or the characters. Because, at its heart, this is a character-driven piece -- about the love and mutual respect shared by two strong-willed siblings. Someday I will take part in a feast like that shared by the characters in this film, and on that day, I will be an extraordinarily happy man. Until then, I'll watch this movie again and again. | -1no label
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] |
Dice Rules- Zero Stars I was about to write my review of Dice Rules, I couldn't come up with anything to write. This movies was very ugly and terrible. What was Andrew Dice Clay thinking when he decided to film this inexcusable piece of garbage. The first thirty minutes of the film is nothing but pointless "comedy" sketches which makes Eddie Murphy's Raw opening sketch look like Casablanca and thats a good thing. There is nothing funny about viewing women as sexual objects. Fear of women is common for Clay. Word of advice, keep it secret and don't exploit are minds with it. Now the MPAA gives the NC-17 rating to movies that don't deserve them like Last Tango In Paris and Y Tu Mama Tambien but Dice Rules deserves that rating and I hope the MPAA doesn't change their minds about it. This movie is sick twisted and one of the worst movies of the 1990's. | -1no label
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] |
I really wasn't hot on seeing this film. I'm not into cartoons, and even less into fighting movies. But my friends wanted to see it and so in I went. I have to say that going to watch the film with not expecting anything much might have helped, but I actually really liked it. I'm amazed that this was made in Hong Kong. The last thing I saw like this was Shrek which was very funny - but this is actually a lot more cooler. Even with me not being into fight stuff I was really tensed up for the fighting bits. I actually left nail marks on my bf's arm :p Also, what I really liked was that they didn't make the girl part (Ying Ying) in the film too girly. I mean, she was actually even cooler than the lead guy. I really had to laugh at the way she controlled Lang - go girl power go! I'm going to get the DVD and learn some of her moves ;) | -1no label
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] |
When a bunch of Nazis come calling on Jon Hall at his print shop in New York City, they seem to know all about him and the background he has tried to hide. Seems as though an ancestor of his was none other than Claude Rains who as John Griffin invented that invisibility formula that had the entire United Kingdom on edge. Hall barely escapes from the agents who include Cedric Hardwicke for the Nazis and Peter Lorre as a visiting ally from Japan. Right after Pearl Harbor like Wonder Woman, Hall decides his talents are best put to use in the Allied Cause. His condition is that he alone will be given the invisibility drug, mindful of the bad side effects it has including causing the madness that killed Claude Rains back in the day. Hall finds out some vital information, like the day the Axis is going to invade the USA and who their agents are in America. He has the help of the beautiful Ilona Massey, but he's not quite sure what side of the fence she's playing. The Nazis are stupid, even more stupid than usual in these films, but they've also got a lot of intrigues going among each other, between Cedric Hardwicke and J. Edward Bromberg to see who will be top dog under Himmler in the S.S. And Peter Lorre does not think terribly much of German efficiency and with these two around who could blame him. Maybe the Japanese ought to gain the secret of invisibility and they might be calling the tune in the Axis. It all makes for one horrific wartime propaganda flick that would be hooted off the screen by some and would offend others. Peter Lorre who was Jewish Hungarian, gets to do his Mr. Moto act with malevolence saying such things as you occidentals have this really big fetish about your white women and Hall coming back that he can't tell any of you monkeys apart. To be fare to Hardwicke, Lorre, and Bromberg, it's not easy dealing with an invisible man. Too bad they were at war with the British or they could find out how Claude Rains ultimately met his end. | -1no label
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] |
Nice combination of the giant monster and samurai genres. The giant monster Majin, god of the mountain, is an aloof and forbidding figure that comes across very much like the Old-Testament God, raining destruction and punishment on those who desecrate his holy ground - but it's interesting to note that what finally awakens him is not the suffering of the people but a pointed and personal insult. It's beautifully photographed, with solid acting, great miniatures, and a wonderful score by the great Akira Ifukube. Majin is not a 400+ foot monster like Godzilla - he's 2 1/2 times normal size, so the evil samurai he stomps into the ground get a good look into his contemptuous eyes as he bears down on their fortress and smashes it to smithereens. Not much in terms of extras, but it's nice to see this forgotten minor classic rescued and restored to the digital format. | 1pos
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] |
There's not much I can say that hasn't already been said in the previous 52 reviews of Chopping Mall, but the more Roger Corman films you've seen, the more you'll enjoy it. Others have noted the fine cast, but a good cast bears repeating, as a much better film once said: Paul Bartel, the always sexy Mary Woronov, Dick Miller, Gerrit Graham, and the inimitable Mel Welles (playing a grumpy chef) are all here to distract us from the limp special effects and threadbare screenplay. But there's more: from the poster promoting Lost Empire to the scenes from Corman's Attack of the Crab Monsters (which, by the way, REALLY NEEDS TO BE ON DVD), there's fun to be had for cinematic trainspotters. Heck, the mall gun shop (how many of those are there??) is called Peckinpah's! Misleading title aside, Chopping Mall is manna from heaven for bad movie mavens. | -1no label
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] |
HOUSE CALLS was an amusing 1978 comedy about a widowed doctor (Walter Matthau) who now wants to play the field but can't help but be drawn to a patient of his (Glenda Jackson) who refuses to be just another notch on his bedpost. Matthau likes the woman but does not really want to make the commitment that she insists upon so he agrees to date her exclusively for two weeks and then make a decision as to whether or not he wants to commit; however, other complications make it difficult for Matthau to make a decision when the two weeks are up, even though he is clearly in love with the woman. Matthau and Jackson have surprisingly effective chemistry as a screen couple and are given strong support from Richard Benjamin, Candice Azzara, Dick O'Neill, and especially Art Carney as the inept and senile Chief of Staff at the hospital where Matthau is employed. Matthau even has a brief scene with his real-life son, Charlie, who appears as Jackson's son. This engaging comedy still holds up pretty well after all these years. If you've never seen it, it's worth the rental. | 1pos
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] |
As a person closer to this story than I care to divulge, I can say that this movie is hardly a true story. Ed Amos did kill 4 people (at least) and is serving a life sentence. However, the movie itself makes a mockery of the real people involved and it makes me sick to my stomach that the producers of this movie would claim it to be based on a true story. Not because it is not "based" on a true story, but because by labeling it as such, every single person who watches this movie and does not have access to the real story will assume every moment of it to have actually taken place. The reality is that it is a nearly entirely fictional film that uses the names of actual people. Not a single interview was conducted before production . That said, I do not know what else I could have expected from the Lifetime network. Families of the deceased deserved better. | -1no label
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] |
Don't waste your time on this dreck. As portrayed, the characters have no redeeming values and watching them interact is sheer torture. "Gothic" was entertainment at least, this is crap. If you like watching pretentious and spoiled poets straining to outwit each other, this may be right up your alley. Lord Byron is portrayed as a complete jerk, and why the others would choose to spend more than five minutes with him is truly bewildering. Mary Shelly appears to be the only character with any spine whatsoever, but even she comes out of the whole ordeal without an ounce of respect. What a waste of time. See Gothic instead. I also remember seeing another superior movie based on the same subject matter, but didn't catch the title. I was hoping this was it, but no such luck. Not recommended. | 0neg
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] |
I had seen this movie just days before Halloween 2004. I noticed it around lunch-time and it was an interesting description in my menu box so I decided to watch it. Seriously only a movie only suitable for late night TV...you know, after Conan but before the infomercials sorta deal. Although this movie has very little to do with webs, it does have a lot to do with spiders, refer to my heading if you need a refresher. I found the idea behind the story absolutely fascinating. A hidden nuclear generator, a scientist and a believable portal...Would have been a good start to a cool fantasy but then it goes downhill after 15-20 minutes. The cast is poor with no memorable performances, poor quality queen who has had her breasts amplified...considering spiders don't carry breasts. As well as poor sound effects. An obvious low budget movie though the cast has tried. SPOILER: 4 electricians stumble upon a hidden nuclear generator while on a job. They fiddle with the buttons and open a portal. 2 workers fall into the portal and it closes...scrambling to figure out what is going on, the party still in our world seeks help while the other party observers their surroundings. Help does not arrive so they open the portal and follow through meeting up in a parallel dimension. They encounter a race of human spiders dubbed soldiers. After a death and chase they are saved by survivors. Now it gets boring...they hide, talk a bit, try to build another portal then attack the hive. After losing 2 more electricians they open the portal and escape returning to our world...some 200 million years ago. Sounds interesting huh? | 0neg
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] |
The Story Of Us is a wonderful movie in its own subtle way. I won't go into specifics about the plot, as many others before me have already done that. All I will say is that it's probably not for the younger crowd. In all honesty, if I had seen this film in my early twenties (and I'm now almost 40), I wouldn't have appreciated its subtlety on long term relationships. It's aimed at those of us who have been married, or in a long term relationship. Although I don't have children, the rest of this movie had many "oh yeah" moments for me. The Story of Us, is a complex, yet ultimately simple, explanation of long term relationships...all those 'little' things about the other person that drive you insane about them, but that if you're both willing to work on, make the relationship all that much richer for it. Wonderfully thought provoking. If you have ever been in a long term adult relationship, I'd be hard pressed to see how you COULDN'T relate, at the very least, on some small level to this film. | -1no label
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] |
I really don't know what I expected going into this movie. After all, it's directed by Ruggero Deodato, the genius behind *Cannibal Holocost*. Here's the story in a nutshell: Hess, a rapist/killer, and Radice, his dimwit buddy, are two low-lifes who crash a high society party, and rape, torture, beat and humiliate everyone there. This movie really doesn't have much going for it. Hess is very scummy, and Radice...I don't know what his problem is. The rest of the cast, the victims, are fairly unlikeable, and are very difficult to sympathize with. If you're able to sit through 90 minutes of terribly depressing exploitation, you may enjoy the ending, but I suspect your finger will have pressed "stop" long before then. For Masochists Only. | -1no label
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] |
Robert Forster, normally a very strong character actor, is lost at sea here cast as a New York family man seeking revenge on the thugs who murdered his son and attacked his wife in a home invasion. Scary subject matter exploited for cheapjack thrills in the "Death Wish" vein. It isn't difficult to scoff at these smarmy proceedings: the dialogue is full of howlers, the crime statistics are irrevocably dated, and the supporting characters are ridiculously over-written (particularly a despicable judge who allows an accused murderer to walk right out of the courtroom). Low-rent production is contemptible in its self-righteousness, especially as the violence in our cities has only increased. * from **** | 0neg
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] |
It should almost be mandatory for any Hollywood director to view a film of Todd Solondz before beginning a new project. No director at present can present the honesty that he presented in "Happiness" or the newer "Storytelling". His work, along with Larry Clark's "Kids" are what's missing in Hollywood movies. They don't require million dollar budgets for special effects or name stars demanding twenty million per picture. You start with a genuine script and a bunch of actors who know what they're doing and how to take direction and a cameraman who knows how to show the viewer what needs to be seen. That's the formula. The finished product is a little masterpiece such as "Storytelling". This movie, especially part two, will knock your socks off! | -1no label
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] |
If you would like to see a film of different kind, if you feel the Love in your heart, even if you miss the Lord, this film makes you think. Although Georges is mentally handicapped, you can see the ultimate intelligence at the end, when love gives you directions not the brain. I am not emotional, but this film makes you feel the human being. The film is as good as Forrest Gump in my belief. The foreign movies are sometimes more interesting, yet there is not enough advertisement to make them popular. "Rang-e khoda" (The Color of The God) by Majid Majidi is another example of such foreign movies, almost with similar taste. | 1pos
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] |
One person asked whether German Sign Language is the same as American Sign Language, and, knowing just a bit of ASL, I can tell you that it appears to be the same. (French SL is almost identical, and I presume it's similar throughout the western countries.) As for the movie, it's one of the best I've seen. Two things I especially liked about it: 1. The story is totally individual, and it isn't part of any genre -- it's just a real-people story. (I remember thinking this about "Fearless" as well.) 2. The story is so well written around the main character, Lara -- she herself has many facets to her personality, but no other character sees all of them. Each person understands and evokes only one side of her. This creates conflicts within the character, which the actresses do a great job of expressing. What a terrific movie. | -1no label
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] |
The Bad News Bears is one of the biggest "Don't judge a book by it's cover" movies you'll ever see, yeah it's one of those "Team of Missfits Coming Together" kind of movies that you see all the time, but this one is different, it's the original, no predictable victories or Disney clichés'. The movie is about an alcoholic low key unfriendly pool cleaner named Morris Buttermaker who is payed to coach a team of little leaguers after one of the kid's Dad sued the league for the right to play, the team is of course a team of underdogs, the kind of kids who you wouldn't want playing on your team in gym class; with Toby: The Nice guy who's gonna finish last Lupous, the shy one Tanner, the short- tempered, overbearing, runt Ahmad, the token black kid Engleberg, the fat kid Rudi Stein, the uncoordinated awkward guy Ogilvy, the smart one Jimmy, the curly top Jose and Miguel, the foreigners and Regi, the redhead with an overbearing sports Dad One thing I liked the best is that they give each kid a reasonable amount of screen time, some (Amanda, Kelly, Tanner,)more than others, but each a good amount, so you can know each member all pretty well, unlike most sports movies, where you only get to know a couple players, while the rest are pretty much extra's. together, they do not make a good team, but after Buttermaker's ex- girlfriend's daughter, Amanda joins the team to prove to Buttermaker she can still pitch and the local bully "lone shark" (as Ahmad said), Kelly Leak joins the team to tick off the A$$hat Yankee's coach, Roy Turner, the Bear's eventually get their act together and become a great team, going to the championship (and losing), still think it's sounds boring? Trust me, it's not, it has just the right amount of physical and subtle humor with the right added drama and is -somewhat- realistic to make a classic movie, heck, I had to almost literally drag my Mom to see this movie, and she liked it, so once again, just cause it's one of those movie's that has the most reused plots ever, doesn't mean it'll suck. | -1no label
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] |
I'm afraid I must disagree with Mr. Radcliffe, as although he is correct in saying this isn't a comedy, it has many other merits. The plot is a little mad at parts, but I believe it it all fits together nicely, creating a satisfying, enjoyable film. The last scene was rather abysmal compared to the rest of the film, but the actual ending of the plot a few scenes previously is very interesting, showing just what someone will do under stressful circumstances. I would recommend this film to fans of thrillers and action movies, but if you're a fan of gangster movies then as long as you don't expect expect something as deep as Goodfellas then you should still find it enjoyable. | 1pos
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] |
"Witchery" might just be the most incoherent and lamentably scripted horror movie of the 80's but, luckily enough, it has a few compensating qualities like fantastic gore effects, an exhilarating musical score and some terrific casting choices. Honestly the screenplay doesn't make one iota of sense, but who cares when Linda Blair (with an exploded hairstyle) portrays yet another girl possessed by evil powers and David Hasselhof depicts a hunky photographer (who can't seem to get laid) in a movie that constantly features bloody voodoo, sewn-shut lips, upside down crucifixions, vicious burnings and an overused but genuinely creepy tune. Eight random people are gathered together on an abandoned vacation resort island off the coast of Massachusetts. The young couple is there to investigate the place's dark history; the dysfunctional family (with a pregnant Linda Blair even though nobody seems to bother about who the father is and what his whereabouts are) considers re-opening the hotel and the yummy female architect simply tagged along for casual sex. They're forced to stay the night in the ramshackle hotel and then suddenly the previous landlady an aging actress or something who always dresses in black starts taking them out in various engrossing ways. Everything is somehow related to the intro sequence showing a woman accused of witchery jump out of a window. Anyway, the plot is definitely of minor importance in an Italian horror franchise that started as an unofficial spin-off of "The Evil Dead". The atmosphere is occasionally unsettling and the make-up effects are undoubtedly the most superior element of the entire film. There's something supremely morbid and unsettling about staring at a defenseless woman hanging upside down a chimney and waiting to get fried. | 0neg
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] |
SPOILER ALERT A cliché-riddled film that somehow makes an anti-death with dignity statement, though it attempts to do the opposite. Washington is a paralyzed forensics officer who has been suffering and wanting to die for the past four years (apparently he wrote his huge selling book only a year ago though, so it hasn't all be despair). He arranges for an assisted suicide with his doctor who will return in a week. In the meantime, he helps out on a serial killer case. He recruits the gutsy, I don't wanna do it, but I'm just so good at it, cop Jolie, and they track down impossible clue jumping to highly unlikely conclusions in matters of moments. Hey, that old bolt means that the killer has the millionaire's wife in a steam tunnel by the old Woolworth building. Shyeah, right. It's laughable. Yet no is smart enough to figure out that doctor who's going to assist him is the killer. When he comes to Washington to murder him (ahead of schedule), he has a change of heart and struggles unbelievably for his life. Cut to the obligatory bad guy about to shoot the good guy scene when BANG the gun goes off--- but the bad guy didn't fire! No the woman steps out of the corner, she has just shot him in the back. | 0neg
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] |
I like this movie because it is a fine work of cinema, made by people who care enough to make it art and not just home movies. It is filled with Super-surfer Greg Noll's home movies, and a boatload of amateur video from others who align themselves with his 50-year passion. Nevertheless, it has been expanded to the degree that it approaches aesthetic glory. It is filled with artistic talent, and athletic talent, however trivial you might think surfing to be athletic. Surfers are not astronauts nor test-pilots. Nor are they surgeons(perhaps) or Ph.d's(again, perhaps). It believes in the quest of the surfer. It believes in the beauty of human goofiness. It believes in the great gift of peace, which comes from the cessation of war. Surfers celebrate the cessation of war on the north beach of an Hawaiian island attacked by Japanese zeroes fifteen years before. It celebrates the down-time of a country which fought a cold war-instead of a hot-war - with the Russian socialists. Surfing is the ultimate narcissism. It is dangerous, but only slightly historical. I suspect Alexander the Great would not be celebrated for his surfing technique. He had to go out and conquer a few dozen countries to get the favorable press he has received. This movie has no military heroes. It has no guns. The only beach-head surfers conquer has a beer-stand and and a surfboard shop. This is not a problem. Peace is not desperate. It is the joy of exhalation. | 1pos
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] |
It's too bad that here in the states we have the option of purchasing 2 LEGAL DVD sets (I have)or watching in 10min segments on YouTube. The only other thing offered in the past was, I think in the 90's a (then)full version for about a whopping $300.00 or $400.00. Even then, I had never seen a single episode but was sure I'd like it. I guess I'm going to get player with region 2 code and buy the UK version DVDs. Mid-Sommer Murders made me want to see England but LOTSW has made me want to MOVE THERE. I have even changed my next vacation from Greek Isles to Yorkshire. I LOVE LAST OF THE SUMMER WINE - what a shame that it is not shown (or available)more widely in the US. Thanks Roy Clarke!! Sally | -1no label
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] |
I've read the book and despite knowing that the it's way too comprehensive to fit into 90 minutes of film, I gave it a shot. If you've read the book and want to watch the movie - don't! I finished the book in about two days, I couldn't put it down. It was exciting and upsetting. The movie is something else, in quality it's not as good as for example the Beck-movies, but still an okay movie. I guess that people who haven't read the book can enjoy this one as a quite good thriller. So in my personal opinion it would have been a 1, if I hadn't read the book it would have been a 5, so I landed in between. | -1no label
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] |
Sorry Serdar Akar but you are no Kubrick, Spielberg, Aronofsky, Joel OR Ethan Coen, Oliver Stone, or any other of the thousand more talented Jewish directors.This is a B movie. The cinematography is stale, the acting is weak, and the action scenes are sleepers by Hollywood standards. Why go through the trouble of getting a couple of American actors to star in a Turkish movie, if you going to get Busey and Zane? Akar, you are adding to the B movie stereotype of countries like Turkery by nabbing B movie American stars. Just when I think Hollywood is utterly stupid, I see a movie like this and realize how good we have it in America. I am hoping for Turkeys sake they have better movies. This was their highest costing movie of all time, so maybe it is their equivalent to America's Waterworld. | -1no label
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] |
Nice guy Michael (winningly played by the affable Jon-Michael Bischof) gets an Ouija board as a gift for his 18th birthday from his smartaleck best buddy Tony (the solid Juan Ignacio Aranda). Michael summons the lethal and evil spirit of Virgil, who takes possession of Tony's body and starts bumping off Michael's friends. Writer/director Ruben Galindo, Jr. trots out all the expected endearingly hokey 80's teen fright feature clichés: we've got a couple of false scares, a corny lovey dovey montage set to infectiously bouncy 80's rock music, a generic spooky'n'shuddery ominous score by Pedro Plascencia Salinas, a tasteful make-out scene, and even the always amusing psycho in the back seat of a car bit. Moreover, the basic plot blatantly emulates the second "A Nightmare on Elm Street" movie, the pace really kicks into gear and rarely lets up after the rather leisurely opening third, the 80's clothes and hairstyles are hilariously hideous (Michael's silly blue pajamas are especially sidesplitting!), and Galindo, Jr. gleefully pours on the blood by the gallon with several pleasingly brutal murder set pieces. Additional accolades are in order for the mostly sound acting from the personable cast. The stunningly gorgeous and adorable Gabriela Hassle in particular impresses with her warm and charming performance as Michael's sweet gal pal Alexandra. Screaming Mad George's funky special effects and the reasonably polished cinematography by Miguel Arana and Daniel Lopez both hit the spot as well. A fun little flick. | -1no label
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This movie is not worth the time it takes to put it in the VCR or DVD player! Michael Dudikoff and Lisa Howard are two bounty hunters in love, yet they are total opposites. She is ambitious and organized, while he is laid back and totally scatter brained. In this movie, bad guys are chasing Jersey Bellini (Dudikoff's character). This opens the door to bad Godfather impressions, ludicrous fight scenes, and Tony Curtis playing the most effeminate looking mob boss I have ever seen! The ending has to be the most...unbelievable scene I have seen in a movie in quite some time. I would believe the Terminator, even the Matrix, has a better chance of possibly being true than this ending! This movie just reeks of cheapness. The script had to have hit someone as being totally ridiculous. Yet, the green light was given for this piece of dung to be made and let loose on on unsuspecting public. I watched this movie with several other people who all agreed that we had been cheated. No one in the group could say anything good about the film except that it was over. | 0neg
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OK. This is just laughable garbage. Really not worth my time writing this, typically I'm the type that keeps negative opinions on films to myself because I still consider movies an artful expression. But I guess after a slew of garbage recently, I must draw the line. It's frustrating to see people with this vision in the driver's seat to make a film. Not to mention the director has a horror niche background. His biggest film to date, 2001 Maniacs isn't something to be too proud of either. Bigger budget. Anyway, avoid at all costs. It's just laughable, corny, with some severe gay undertones. Diamond Dallas Page was pretty decent, Talan from Laguna Beach is so awful. Why? Why, guys? | -1no label
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this is one of the best time travel movies i have seen.it's vaguely similar to the Philadelphia Experiment but on a much larger scale.i also think it's a much better movie.for one thing,there's way more tension and suspense and you really can sense the fear and desperation of the ship's crew.this one will have you on the edge of your seat.the acting here is very strong all around.there's no weak link in the bunch.there no slow spots either.the movie flows at a nice steady pace,and keeps you interested right to the end.i'd highly recommend it as a rental at the very least.i purchased a copy which was more than worth it.for me,The Final Countdown is an 8.7/10 | -1no label
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Dreamaniac was David DeCoteau's first film, and it shows. But it's still entertaining. A quick summary of the plot involves a young, aspiring rock musician, and budding satanist. He conjures up a succubus during a ritual. His girlfriend (Kim McKamy), her sister, and her sisters' sorority sisters decide to have a party at his house, and the succubus begins to brutally slaughter the party goers, one at a time. Ultimately, it's up to Kim to save the day. Yes, the film is very cheesy and the performances are god awful, with the exception of the gorgeous Kim McKamy, who knows how to react well in horror films. It also looks to be SOV, and given a "film look". Still, for all it's shortcomings, it's still a fun movie to watch. Especially with friends on a rainy night, when you have nothing else to do. The actress who plays the succubus, is so over the top! You'll be grabbing your sides, as they ache with laughter, as you watch her kill people and attempt to look threatening. Ah, David DeCoteau sure knows how to please his fans! This is another film that I got off eBay. It's rare, and very obscure. However, if you can track down another copy of it off ebay, and you like cheesy, tongue in cheek slashers, then give it a look. My rating 6/10. | -1no label
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] |
I realize that, being an American, I may not be the most objective about this... but really! This movie made the American troops look like bumbling, cruel, calloused idiots vs. the gentile, peace-loving, well trained VC. I am a veteran, and having been to war and understand the reality of the fact that both sides are human. I also understand that America is not always right. Even allowing for those things I cant give any credit here for an attempt at accuracy. There was nothing objective about the clear anti-American bias in this movie. If you enjoy watching American soldiers die then you may like this movie... This is a horrible movie about a horrible war... | -1no label
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] |
The action scenes was quite good. But the plot of the movie, I would have to give it a score of 1 out of 10. It seems that the producers and director of this movie didn't thought about it carefully? It doesn't give much value and values to it's viewers except for it's violence. The entire story was about revenge. A boy witnessing a rape and murder. I would even recommend it to be banned. Those who watched it, you've just lose some money. If you're thinking of watching it, watch something else. I would ask for a refund if I was on a movie theater. So for you guys and girls out there reading this article. Please don't waste time. | 0neg
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] |
please re-watch all 3 series and do not go see this movie, the trailer is completely misleading and the 3 weakest characters in the series stretch a badly thought out 25min TV episode into the most painful 2hrs of my life, truly an awful film. tubbs and edward are in it for a few mins, micky has 1 line, and her lipp just reels out the same tired old puns, also mr briss's accent just changes about 5 times in the film tons of badly acted extras, and really a few laughs that they seem to recycle for 2 hrs i honestly feel this series has been completely ruined by this god-awful piece of crap..........batman and robin all is forgiven | 0neg
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Jerry Angell, owner of zombie-horror's finest mullet, returns for more undead action in the sequel to director Todd Sheets' atrocious home-made gore-fest Zombie Bloodbath. This time around, Jerry plays a sleazy low-life thug who, along with his equally despicable partner-in-crime, some escaped convicts, several teenagers, and a bunch of screaming girls, comes face-to-face with a horde of shambling, flesh-eating corpses. Obviously having learnt zilch about improving his craft in the two years since Zombie Bloodbath, Sheets delivers another shoddy mess of a film that somehow manages to be even worse than the originala feat that I thought was almost impossible to achieve. The acting is uniformly lousy, the effects amateurish and cheap (most of the gore appears to be nothing more than a selection of offcuts, offal and blood from the local butcher's shop), the story incomprehensible (as far as I could fathom, the zombies rise from the dead because a scarecrow commands them to!!!), and the direction frustratingly laden with cheap looking video effects and completely meaningless cuts to black-and-white. And as if that wasn't enough to convince you of this film's complete lack of redeeming features, the simply mind-bogglingly moronic ending should do the trick: the few remaining survivors stumble upon an abandoned truck that conveniently happens to have a stash of flesh-eating bacteria laying on its passenger seatjust the thing for dissolving the undead (but, strangely enough, not at all detrimental to the living). | 0neg
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] |
The idea behind this film sounds like the stuff good comedies are made of: two very different people, man and woman are forced to share a hotel room because their flights are cancelled. The first problem with this film is that both people are fairly screwed up and are more annoying than interesting. The film then hovers uncertainly between being a comedy (unfortunately it's not very funny), a drama (not particularly interesting) and typical French pseudo-intellectual film where people sit and talk. And they talk a lot. Some scenes are mildly entertaining but about 30 minutes into the film you begin to wonder why you should bother finishing it since it's just not interesting. | -1no label
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] |
This was about to be one of the most awesomely sh1tty movies ever made. Your generic, run of the mill, horror movie plot - dumb partying teens, the evil clown, and that one dude from Heroes that I hate. But the acting was really pretty acceptable and the script wasn't nearly as bad as you'd think. There was some sort of weird, political subtext that was a bit obnoxious, but it didn't seem to hurt things too badly. The beginning was a bit "Malibu's Most Wanted" for my taste, (ie really dumb wigger jokes) but that passed. All in all, it has some awesomely cheesy moments, and I'd say this is a must see for all fans of really bad horror movies. | -1no label
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This thought long lost flick sometimes comes available on the web. So I bought me a copy. Well, of course the acting is terrible and the story line is childish but it does have his moments. I think people who searched this one also knows the backstory of it. It was made by a grindhouse cinema owner for an extreme low budget. But for me he surely didn't spoiled the money on props but on the make up. The make up is for that kind of flick well done. The zombies are watchable and the gore is intact. The only problem with that kind of movies is the quality of the pelicule. It's terrible, luckely no hiss on the sound but sometimes it's way too dark. So you have to watch clearly to see the gore. In a funny way they tried to sell this one as really not for the squeamish. A voice-over tells in the beginning of the movie to watch out for a sign and a man appearing with green flashes, that tells you there is gore on the way. Of course that doesn't work, made me think of Cannibal Girls, had that annoying bell when the red stuff started to flow. They had the original idea, Cannibal Girls was made a year earlier. Don't go for the storyline, go for the zombies and notice a continuity mistake. When the girl and guy are making love first she takes of her bra, then they make love and suddenly her underwear is back on...try to do that, or am I getting a bit offline,...eat it you ugly corpses | 0neg
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] |
I too must apologize for a somewhat biased opinion of this endeavor as I contributed to the soundtrack. Still I received my copy, sat back and enjoyed the rolling cast of characters who were perhaps more colorful than the characters they were creating in this tale of a film sequel shanghai. For those who feel George Bush is a "credible Texan", one need look no further than this film to shatter the image that Texas is full of truck driving, one-dimensional rednecks. The cast contains some of the most intelligent, peculiar and humorous folks you'll find anywhere as they spin their tales of agony, bliss and disappointment in going for a great film sequel, no budget, guerilla style (i.e. "punk rock style" as each person helps define). This is a great documentary made with passion and guts and all the venom you'll need to break through to the other side of whatever industry b.s. and doublespeak you're dealing with (take note authors, painters, musicians and fellow filmmakers). It hearkens back to the credibility of the first wave of American hardcore music when the term "D.I.Y." was the standard, a period where courage, passion and commitment mattered way more than technique, style or precious calculations. Not that there isn't plenty of technique or style to this...the tone of the documentary is quite refreshing. The editing cuts provide as much drama as the dialog therein. The idea of creating a documentary out of the sad demise of the cast, crew and director's initial intent is brilliant, totally Texas and absolutely punk rock. In the truest sense of the term. | 1pos
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] |
This movie is lots of fun - a time capsule of the swinging Seventies - tight pants, mini-mini skirts, people sayingt "Right on" and Rock Hudson as a girl hound - seducing any girl who comes into his classroom - yes, Rock plays "Tiger" a football coach and guidance counselor. Angie Dickinson plays a lusty teacher who helps seduce a young virgin boy. Telly Savalas is a hoot as the hard-nosed cop trying to solve the series of murders that start happening at the high school - Salvalas does some truly strange things as an actor - he holds his smoking cigarette in various odd ways and is constantly putting his big sunglasses on his head, on his nose, on a lamp -- the whole movie is this strange little sex-murder mystery (light on the mystery). Written by Star Trek creator, Gene Rodenberry!!!! If you like cheesy fun flicks from the early 1970s, this one is for you. A hoot! | -1no label
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] |
Monster is a mind numbingly awful movie about an evil American concrete factory (are there any else in Hollywood?) polluting the waters of the small Colombian town of Chimayo somehow creating a catfish-like beast with a predilection for lamb and loose women. James Mitchum is Bill Travis the man who is sent down to Chimayo by his foul-mouthed boss Barnes who himself can't keep his hands off of his secretary's rear to get to the bottom (pun intended) of the story. While in Chimayo Bill must contend with an annoying reporter who apparently broadcasts all of her stories in perfect English directly back to America. I guess in the seventies there was a market for news from small South American towns. There is also a radical named Sanchez that wishes to sabotage the factory for polluting the water which, by the way, also supplies the town with jobs for the locals, but why let cold hearted economics get in the way of touchy-feely enviro-marxism. Pete the factory boss is unwittingly aided by the monster when he has sex with his ex-girlfriend on the beach, tells her that he is seeing the mayor's daughter Juanita and it's over between them, then she is promptly eaten that night. A little side action without the evidence. My hat is off to you Sir. John Carradine rounds out the cast as a priest that believes the monster is sent by God to punish sinners. You can see the contempt he has for being in this movie in his face. Might as well filmed him running to the local currency exchange to see if his check didn't bounce. Supposedly based on a true story, so much so they say it twice in the opening credits, this film is awful on all fronts. Filming began in 1971 and was abandoned until eight years later when Kenneth Hartford put his foot on the throat of Monster by adding his two annoying children as new characters, even putting his daughter, Andrea in top billing with Mitchum and Carradine. The sound quality is nonexistent and most of the scenes seem as if someone smeared tar over the camera before filming. This is made even more tedious during the many scenes done at night. The monster itself is laughable as it rears its ugly rubbery head for the anticlimactic ending. James Mitchum along with his brother Chris are proof that nepotism in the acting industry needs to be curtailed. Utterly unwatchable dreck. Shame on you John Carradine. | 0neg
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] |
This is an extremely silly and little seen film about slavery in the West Indies and it stars Puddy from the "Seinfeld" show! Patrick Warburton made his film debut in this contrived movie and he's noticeably slimmer here. Oliver Reed got top billing but he's hardly in the film at all. Warburton plays a white slave and its funny to see all the young and horny wives of rich old men bidding on him because they all want to have sex with him. Eartha Kitt plays an owner of a bordello and they're is so much nudity in the film. If its not drunken orgies at the bordello then its the young wives having they're turn with him. Then of course towards the end the slaves revolt and there's the bloody standoff. No real political message like the film "Burn" but just another contrived plot device to move the story along. Incredibly they made a sequel and Warburton and all the rest of the cast came back! I hope they got paid a lot of dough because this first film is pretty bad. The nudity keeps it watchable and Warburton's lack of any accent make it at times laughable. Very bad film but I got to admit that I want to see the sequel. | 0neg
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] |
Seven Ups has been compared to Bullitt for the chase scene, but does not come anywhere near matching Bullitt. Bullitt has a beginning that builds builds builds. When McQueen leaves the seedy hotel, gets into his Mustang, which is parked under the Embarcadero Freeway (now torn down) and notices the Charger sitting nearbye, you know you are about to see something spectacular. From that moment on, when McQueen starts that car, begins the best car chase sequence ever filmed. Adding to it is a terrific Lalo Schriffin If I remember correctly sound track. This goes on for a long time before you actually hear the first tires squealing. That shot of McQueen's Mustang suddenly appearing in Bill Hickman's rear view mirror is unmatched for visual impact. Hickman's look of surprise and double take really adds to the effect. Then of course, San Francisco is unmatched for the setting of cars racing up and down hills and around bends. Also, Bullitt being filmed in the 60s when cars were still "Hot" (Mustang GT and Dodge Charger) made for a better set of wheels then two boring, smog device laden Pontiacs in the 1970s Seven Ups. Bill Hickman was the driver of the bad guy car in both movies. I saw him sitting at an insider movie preview once on the Univeral lot when I was doing movie reviews for a paper. They gave it a good try in Seven Ups though with the chase scene. Seven ups had a few "jumps" over little hills, (Yawn) but of course they were not San Francisco hills. The Seven Ups chase, where they are actually going fast, is longer than the go fast sequence in Bullitt. But the scene of a single shotgun blast totally blowing the hood OFF of Roy Schieders Pontiac is the height of absurdity. Strictly Hollywood, I would say, except that it was filmed in New York. | 1pos
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] |
The film had everything going for it except writing talent. Actors were fine (especially Andy Griffith), camera was in focus, sets were marvelous. But it was a grand "so what?" at the end. Mom has baby, ditches controlling husband, gets a big fat legacy, ends her dead-end affair, and lives happily ever after. Sort of an afterschool special for the WTV set. I did love the pie pieces throughout the film, but the characters were waaayyy too stereotypical. The very real, claustrophobic, relationship of the main character was just dropped at the end with no unpleasant traces to show for it all as if the filmmaker ran out of time and was tired of the story. Not recommended... | -1no label
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] |
I have no respect for IMDb ratings anymore. I think a bunch of Mormons flooded the website and voted for this. This is not an artistic movie, it is Mormon propaganda. Nothing wrong with that, but the plot outline and the way it is described is totally misleading. If you are a bible thumping Christian or a Mormon, watch this movie, you'll love it and think it is truly amazing. For anyone else, don't bother, the story is so contrived, random stuff happens that really doesn't follow in a coherent way. This guy tries to commit suicide cause he sleeps with his neighbor. Are you kidding? What a pussy! Anyways, this is an awful movie. | 0neg
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] |
Carl Reiner, the multi-talented director of this film, is the only one that could have pulled it off. Working with George Gipe, and Steve Martin in the screen play that serves as the basis of the movie, Mr. Reiner has done the impossible with "Dead Men Don't Wear Plaid". Of course, this film is blessed with the magnificent editing by Bud Malin, who meshed the present images against those film noir masterpieces we see, blending the characters of this movie with the stars of the past, in what seems to be a seamless product. It also helps that Miklos Rozsa was the man composing the music, as everything shows a cohesiveness that is hard to distinguished in what was shot in 1982 and the old movies. This spoof to the film noir genre is a pure delight. The main character, Rigby Reardon is the P.I. from hell, but thanks to the creators of this movie, he is perfect as the man at the center of the action. Not being a Steve Martin fan, one has to recognize that when this actor is inspired, he can do excellent work. It would appear that with a director like Carl Reiner, he would have gone off the top, but instead, Mr. Martin gives a good reading of Rigby. Rachel Ward, as the typical woman of those films, is charming. Reni Santoni, Georege Gaynes and the rest of the supporting cast do wonders under Carl Reiner's orders. The film brought back memories of those timeless masterpieces of the past and the stars that shone in them. We get to see Humphrey Bogart, Ava Gardner, Ingrid Bergman, Vincent Price, Alan Ladd, Veronica Lake, Barbara Stanwyck, Fred McMurray, Edward G. Robinson, and the others at the height of their fame playing against the present cast and making the viewer happy watching all the antics which Mr. Reiner and his team have created for our amusement. This is a funny look at the old movies! | -1no label
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THE PERVERT'S GUIDE TO CINEMA (2007) **** If Loving Cinema Makes Me A Pervert, So Be It! If you are a true 'moviefreak' like me then I'm sure you can't get enough of films about film-making and I don't mean necessarily the dry documentary know and then. I mean a total discourse on the film viewing experience. Well if that's the case have I got a lulu of a film experiment for you. In Sophie Fiennes (sister of Ralph & Joseph if you were wondering) has noted philosopher cum cinephile Slavoj Zizek give his analysis on cinema with some impressive (and often outrageous) takes on everything from the silent era of Chaplin thru the modern age of the Wachowski Brothers analyzing, probing, and pontificating about the psychosexual underpinnings, socioeconomic, political and of course indefinable magic of the film going experience with his unflagging, determined and near-frenetic dissertations. To go from explaining how The Bates' house in PSYCHO is actually the mirrored psyche of the conflicted Norman Bates with each level as his Ego, Superego & Id is one thing but then to suggest the same thing about each Marx Brother in barely a beat is a remarkable test of faith that wins over the skeptic layman. Although I had no idea who Zizek was he resembles a hybrid of filmmaker Brian DePalma, European actor Rade Serbedzija and the hyperkinetic energy of filmmakers Quentin Tarantino and Martin Scorsese with his sibilant tongue and passion, the host comes across as a mad prophet. Fiennes cleverly inserts Zizek into several of the film clips' backgrounds peppered throughout making for a humorous tone but still lets the ranting and raving continue full throttle giving pause for argument in three acts covering the gamut of films by the likes of Kubrick, Lynch, Hitchcock and films as diverse as THE WIZARD OF OZ, THE RED SHOES, and FIGHT CLUB. There's something for everyone and if one man can provoke an argument or at least a reason to discuss a film's themes even if they are Freudian/Jungian to a fault then I say this collection of film theory is worth the watch. Seek it out now if you can before it comes to home video; it's the only way to appreciate it. | 1pos
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the fairytale was well to the fore in this completely charming quest film, which has such striking individual scenes that i think the directors must have a background in theatre drama. There s a charming(and accurate in essence) demonstration of the co operative nature of french village life, of suburban relationships, of the desire that women have for a life which contains a little of magic and adventure.Fiona Gordon has the grace of a dancer, and the plight of her husband is both pathetic and noble, as well as funny. after watching the film i kept remembering little pieces that made me laugh, and beautiful evocations of.... icebergs? | -1no label
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] |
The original Body and Soul (1947) is a masterpiece. John Garfield, Ann revere, Lilli Plmer, William Conrad, Canada Lee...and filmed by one of the greatest cinematographers to ever grace the screen..James Wong Howe. This remake is abominable. In spite of the presence of Rod Steiger, Joe Mantegna and Jennifer Beals there is nothing of value here and it is a shame this product bears the same title as the brilliant original. Only the main character's name, Charlie Davis, is the same in both films. I don't think there are any redeeming qualities in this remake. I am amazed that Rod Steiger participated. This may be the only bad film he ever made. Maybe he needed the paycheck. | 0neg
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] |
The documentary presents an original theory about "Guns, Germs and Steel". The series graphically portray several episodes strongly supporting the theory, and defend the theory against common criticism. I was deeply puzzled to find user comments complaining about lack of new information in these series. They say documentary presents information which is taught in middle school. Indeed, it does. In fact, I greatly enjoyed the original look at the information which I have known since middle school and the unexpected analysis. So, if you like knowing WHY things work, if you have taken apart the telephone trying to determine how it worked, if you have gone to the farm to see how farm works and how cows are milked, you will enjoy this series. A definite recommendation. | 1pos
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] |
Spoiler Alert!!! I like Reservoir Dogs and Pulp Fiction. The story line was strong in RD and less so in PF. PF, though, had interesting sub-plots that loosely wove together to make a good movie. I also see the genius in the dialog in RD and in the characters in Pulp Fiction. I was expecting to see something in this movie. Unfortunately, Kill Bill was not interesting, nor genius and did not have a plot. Basically, the main character was screwed over in a previous time in her life and made a top 5 hit-list of people from which to extract revenge. The way she extracts revenge is to engage in hand-to-hand or martial weapon on weapon combat. Of course, the protagonist wins the fights and the people are checked off the list. I think Luci Liu (sp?) is the 3rd person on the list. The movie goes into a 20 minute section on how she gets a Okinawan curved sword. Now armed with the best weapon, she takes on Liu's whole team of trained martial artists - and whips them all single handedly. I'm talking 20, 30, 40 individuals who all attack her at the same time in the same room. She still wins. Then, she battles the "board leader", and after sufficient scenery changes, she wins again. Each of these battles is full of graphic violence and blood, as you'd expect from the director (I won't try to spell his name). But, you can only show an arm getting lopped off and the resulting gieser of blood so many times. Wait, my mistake, you can show it for 2 hours if you are the movie Kill Bill. After the Liu's character is killed, #3 is checked off and the movie ends. There is no plot. The special effects and battle scenes were state of the art, but do not make a movie. I have no interest in "Part 2" because I have no interest in any of the characters or in more film about Uma killing people with swords. 2 hours was 1.5 hours too much. Two thumbs down. Don't believe the (if any) hype. | -1no label
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] |
Everybody's got bills to pay, and that includes Christopher Walken. In Vietnam, a group a soldiers discover that the war is over and are heading back home when they spot a bunch of POWs, including Christopher Walken. Following a Mad Max 3 (!) Thunderdome fight, and a short massacre later. Walken and some Colombian guy split a dollar bill promising something or other. Cut to the present (1991), and Colombian guy is leading a revolution against El Presidente. He's successful at first, but after El Presidente threatens to crush folks with a tank, he's forced to surrender and is shot in the head on live television. This is shown in full gory detail as a news flash on American telly, which leads Walken to assemble the old squad (even though he wasn't actually part of that squad to begin with), in order to invade Colombia and gun down thousands of people. McBain is a monumentally stupid film, but for all that it's also a good laugh, and action packed too. This is one of those movies where logic is given a wide berth - how else could Walken shoot a fighter pilot in the head from another plane without suffering from decompression, or even breaking a window? Also, it seems that these guys can gun down scores of drug dealers in New York without the police bothering. There's plenty of b-movie madness to chew on here, from Michael Ironside's diabolical acting in the Vietnam sequence, to the heroic but entirely pointless death of one of the heroes, to the side splitting confrontation between Walken and El Presidente, and let's not forget the impassioned speech by the sister of the rebel leader, being watched on television in America (nearly brought a brown tear to my nether-eye, that bit). It's out there for a quid. Buy it if you have a sense of humour. See how many times you can spot the camera crew too. | 1pos
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] |
My 10/10 rating is merely for the fun factor and assumes that you decided that you liked "Slaughter High" even before watching it. Yes, it's the typical revenge-several-years-after-a-dirty-prank story, but how can you not like some of the stuff that they pull here?! I couldn't have predicted that bathtub scene in a million years. OK, so maybe we could be cynical and say that this movie offers nothing new. Well, it doesn't pretend to. It's the sort of flick that the characters in "Scream" probably watched, and it contributed to their rules about how to survive a horror movie. After all, who doesn't like to watch people suffer for doing these things? Obviously, it's got sort of a reactionary undertone, as people get punished for doing what the '60s championed. But still, you gotta love this stuff! So, with apologies to Don McLean, this jester didn't sing for the king and queen! | 1pos
| [
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] |
If an auteur gives himself 2 credits before the main title and about 15 more credits before the movie starts, and the first shot shows the auteur rolling around on a bed in lycra bike shorts, it won't be a surprise to observe that said auteur has the kind of body that should never be seen in spandex. The kind of look that might be useful to a homosexual aversion therapist. Others have given this thing the dishing it deserves. For me the most pitiable moment came when the trip from LA was signified by a plane landing at what appeared to be LAX; and the return was signified by a shot of a Fedex cargo plane. | 0neg
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] |
The script for Slap Shot 2-Breaking the Ice should have been thoroughly reviewed over and over with a fine-tooth comb before they started filming. It was up against the awesome classic original and the writers and producers knew very well that fans of the original Slap Shot were just thirsting for a really funny and good follow up if one was going to be made at all. A control group of viewers who saw the original back in 1977 at the theater should have been consulted (Me, for one.) I'm only giving this movie a generous 3 stars out of 10, one for each of the Hanson Brothers. They deserved better than this. The message of hockey becoming too antiseptic and "entertainment" instead of sport was lost in the mess. I did NOT like the "hockey chick" thing with Jessica Steen playing the new female coach, and she had the personality of a doorstop. Stephen Baldwin must have come very cheap, but doesn't do the worst job. The skating sequences were all blurry and slow-mo cheesy, and NOT using Johnstown, PA, instead of Vancouver, B.C. for the shooting location was more than sad. By the way, didn't the team move to Minnesota at the end of the original Slap Shot??? They could have written something hilariously funny into the second one about the Hanson Brothers going home to Minnesota. (Note to readers: Steve Carlson and Jeff Carlson were born and raised in Virginia, Minnesota. Dave Hanson was born in Wisconsin.) If the writers and producers of the original "Slap Shot" want to brainstorm for another truly funny and more accurate sequel, they should consult with fans for ideas. ($100 dollar bills raining from the sky will happen first before another sequel ever does thanks to this one.) The bottom line is that moviegoers want more of the Hanson Brothers and old-time hockey than this. It would also increase the bottom line $$$, especially if it would have a theatrical release, and not be released straight-to-video (kiss of death.) | -1no label
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] |
I thought this movie was horrible! The acting and directing was something that a four year old could do. I DID NOT like the way the movie was cast and the things they changed from the original book. First of all, Carton and Darnay looked NOTHING alike. Lucie was NOTHING how they described her in the book. Not to mention how horrible the actress was who played Madame Defarge. Not only was the acting terrible, but the directing and blocking was horrible too. But, I'd have to say the worst part was when Carton and the seamstress started making out randomly while they were at the Guillitine. I mean, come ON! You have got to be kidding me! This movie is probably one of the worst movies I've ever seen. I would not refer anyone to this movie. | -1no label
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] |
John Frankenheimer's drama of itinerant skydivers intersecting with small town doldrums is heavy on atmosphere but frustratingly ambiguous in its storytelling. Not having read James Drought's source novel, it's hard to say just what went wrong here. Perhaps in an attempt to avoid conventional melodramatics, adapter William Hanley's script was kept as low-key and naturalistic as possible, to the extent that all of the silences and unspoken words end up conveying practically nothing of the characters' motivations beyond a kind of inchoate yearning. Usually I'm all for scripts that don't shout and scream, that rather rely on subtlety and restraint, but this one is so elliptical that its own best intentions are undermined. The ending seems flat and pointless. Yes, a death has occurred, but has anyone in the story really changed? It's particularly frustrating given the talent involved. Stars Burt Lancaster and Deborah Kerr, with support from younger players like Scott Wilson, Gene Hackman, and Bonnie Bedelia, give strong and convincing portrayals. Add to that some remarkable aerial photography of skydiving derring-do -- plus a love scene which features the beautiful Ms. Kerr's bare breasts -- and you probably won't feel you've wasted 2 hours. But if only there were more. Not a 'lost treasure' of Frankenheimer's, Lancaster's and Kerr's careers, but an intriguing, minor footnote. | -1no label
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] |
The third, and final installment of "Hanzo the Razor" is the most concrete of them all. The "training" even gets completed within the first five minutes of the film. Not for everyone, this film details Hanzo's investigation of loan sharking being performed by an order of blind monks. It also makes a historical comment on the prideful refusal of old Japan to incorporate Western technology. Where the first Hanzo film was just a funny and gory ride with little connection to it's plot, "Hanzo 3: Who's Got the Gold" manages to connect everything, and brings it all home in the end. Definitely the perfect finale. Oh yeah, Hanzo still has a lot of sex, and there's a lot of needless blood and violence (it *is* Hanzo the Razor after all). | 1pos
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] |
I wish I could laugh again as much as when I saw this show for the first time. I have not done so ever since. The strange thing is, I find myself laughing almost as hard after watching the show again, and again. Eddie Izzard is cultivated, is poignant, is a man of the world. He is deft talking about politics and yet feels no need to "engage" in political discussion. He is above that. I would contrast him to George Carlin, who uses his comedy to try and convince people about his ideas, and does not seem to enjoy the fact that he is trying to entertain. Funniest guy on Earth | 1pos
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1,
1,
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1,
1,
1,
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1,
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1,
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1,
1,
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1,
1,
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1,
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1,
1,
1,
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1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
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