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This PM Entertainment production is laced with enough bullets to make John Woo say, "Enough already!" Of course, it isn't nearly as beautiful as Woo can deliver but it gets the exploitive job done in 90 minutes. Eric Phillips (Don Wilson) is an undercover cop in the near future. When his wife is framed for murdering the Governor by a team using a look-a-like cyborg, it is up to Eric to clear her name. Wilson gets to pull Van Damme duty as he plays the heroic lead and his evil cyborg doppelganger. Why the Academy failed to take notice is beyond me. Being a PM production, there are tons of car chases, exploding cars (4 in the first 5 minutes!) and shoot outs. I particularly liked the van that flips in midair before it even comes close to touching an exploding truck. My other favorite bit involved a neighborhood girl coming over to perfect her karate in Don's simulator. It is merely a chance to show off some cheapo LAWNMOWER MAN effects circa 1995. | 1pos
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This was a pretty dull movie, actually. I think the problem with a French horror film, is that the French must be easy to scare or something, because this movie wasn't just that frightening. The special effects with the mummy's ghost looked like they didn't even belong in the film, as though someone put them in during post-production to spice them up, because the actors barely react to them. The plot just kind of meanders, which is the opposite of real storytelling. I guess this was based on a French TV series, where they had to distill it down to a two-hour movie. The plot is that a mummy is brought out of storage in the Louvre, which apparently has such weak security that this girl and her boyfriend can break into it multiple times. (So THAT'S how people keep stealing the Mona Lisa!) The boyfriend and the police officer from the 1960's version of this film get together and try to exorcise the demon. So I'm not sure if this mummy was supposed to be a bad guy or not. He kills two guards during the course of the movie, but he just wants to get to the afterlife. | 0neg
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I saw "Mr. Goodbar" at a film festival screening, several years after it's initial release. In some ways (none of them good), this movie has haunted me ever since. I can still recall feeling strangely perturbed and confused as the film neared it's final minutes. I guess I expected that the ending would somehow magically bring the preceding grimy and occasionally chaotic events into some sort of focus. All I got from that ending was a brutal stomach ache similar to the lingering pain that comes from a cheap sucker punch in the gut. I will readily admit to having gained no further understanding or insight into this film over the years. I still can't imagine why anyone would make a film like this, or what possible value or entertainment viewers derived from it. For me, Diane Keaton's performance is the only thing in the movie that keeps it from getting the lowest vote. That she managed to project some warmth and humanity from such a crudely drawn, relentlessly sad, and gratuitously self-destructive character, only made the ending that much more horrific and senseless. It's easily one of the worst experiences I've ever had in a movie theater. | -1no label
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This was a popular movie probably because of the humor in it, the fast-moving story, an underdog character who shuts up all the loudmouths, etc. Funny thing is, you probably couldn't make a movie with this title if you substituted anybody but "white" as anything else would be deemed racist by the PC police. Nonetheless, Woody Harrleson as the white guy who turns out to be as good if not better than any of the black basketball players, is interesting as is his main counterpart Wesley Snipes. Snipes had a lot of funny put-down lines, providing much of the humor. The bad part of the film - which doesn't bother a lot of people - is the extreme profanity in here and the sleaziness of all the characters. That includes Woody's girlfriend, played by Rosie Perez. There are no really clean, nice people in this movie. For that reason, I can't honestly recommend the film, at least not to friends or those who are offended by a lotof profanity | 0neg
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...Ever. This is the bottom. I am not joking. The theater should've had a warning of some kind. 'Abandon all hope ye who enter here' would've been fitting. I don't have the words to describe accurately the hell that this movie is. Its debilitating stupidity even fails to amuse. This movie is definitely aimed at some of the slower turtles in the sandbox. The story was blatantly stolen from a 10 minute Bugs Bunny cartoon and then stretched like Mr. Fantastic to 90 excruciatingly painful minutes. I remember when the Wayans's were funny. I guess the pressures of Hollywood for them to produce produce produce are to blame for the poop that churns out at a consistent rate. I'm sad and offended that they think we are stupid enough to enjoy 90 minutes of kick-in-the-balls jokes with a thin plot based on a cartoon. I disliked nearly everything about this movie. I won't spoil anything but the baby is actually a midget with Marlon Wayans's face poorly superimposed over the midget's body. What I DID like was the ending. Not the movie's resolution, but the actual end where we all stood up and walked out. I gave this movie one star, but it clearly deserves less. I don't feel that the six minutes they spent writing the script is worth a star. This does deserve a Razzie and I pray to God it gets it. When are people going to learn; if you stop paying to see this idiocy they will stop pooping it out. Seppuku is a reasonable alternative to this film. Avoid it at all costs. You have been warned. | 0neg
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All the funny things happening in this sitcom is based on the main character Jim being either a bad father, a bad husband or generally just enormously selfish. How can that be funny? Of course a character in a sitcom has to be flawed, but Jim's character is flawed in an extremely unsympathetic manner. And why it that? My guess is that it's because "he should now better". Jim's not a stupid guy, he can take care of things and he's got the opportunities to do so. But he chooses not to. It's a conscious choice he makes, when he chooses to not play with his kids, not go shopping because he doesn't want to buy "lady products" and it's a choice he makes, when he puts down his relatives. The other characters seems to only be in the series so Jim can have someone to be a jerk to. If the Cheryl character was a real person, she would have left him years ago, and not stay with the deadbeat for 8 years. But alas, she's just a catalyst for Jim's quirky middle-class extreme selfishness. | 0neg
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This movie was absolutely pathetic. They obviously spent so much money on special effects they forget to hire some half decent writers for the script. If your a fan of nothing but explosions, shooting, and almost no plot whatsoever, this is the movie for you. The wife being kidnapped is so over used. The jewel thieves were good, but John Cena, you suck at acting in a movie, save the acting for the WWE. People who think this was a good movie are obviously philistines. If there were negative ratings, I would choose them. The Marine is fun if your in the mood for guns and big booms, but the acting was appalling, and the script was absolute crap. 1/10 | -1no label
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It's hard being M. Night Shyamalan. Year after year, his works of uncompromised genius are poorly received by theatergoers and film critics alike. Even Disney didn't want to make his latest film, Lady in the Water, fearing that it was poorly written, featured too large a role for the writer/director, and contained an embarrassingly self-indulgent attack at his detractors, the crrritics. And as much as I hate to agree with Disney, they were absolutely right. The story, as convoluted as you've come to expect from the man, is not the main problem here. Sure, it's chock-full of narfs, tarturic, and poorly drawn stereotypes, but the larger issue for me was the cringe-inducing self-indulgence that runs rampant throughout the film. For instance, Shyamalan plays the role of an author, misunderstood in his time, who will one day influence a boy destined to become the president of the United States. Self-fulfilling prophecies, anyone? His acting is embarrassing and unintentionally hilarious in turns, and his reactions to pivotal plot points had me longing for the brief, campy cameos of years past. While I can understand M. Night's desire to respond to the unenlightened critics that failed to see the staggering brilliance of his previous works, one has to question the response itself. Shyamalan is multitasking here, attempting to transport his audience through the magical realism of his self-proclaimed "bedtime story" while simultaneously denouncing his critics for trashing the gospel of M. Night. In the end, we're left with a fairy tale too aware of itself to fully envelop us and a pseudo-manifesto too delusional and self-important to inspire us in any way. In the end, Shyamalan made a film that can really only be enjoyed by himself. It's just a shame that the likes of Paul Giamatti, Bob Balaban, and Freddy Rodriguez have to go down with the Good Ship Shyamalan. | -1no label
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] |
There have been many films made dealing with an individual who's outer appearance is completely at odds with their inner character. Some of these films are quite good but this is by far and away the very best. This is probably one of the most perfect films ever made. It succeeds on every level. Visually it transports one into a dark, grey, industrial nightmare of a world. It's within this world that we come to discover true beauty. It lies within one hideously deformed, abused and unfortunate soul who is being kicked around in this hellish existence. The screenplay, acting, direction all come together to create this extraordinary viewing experience. You really feel like you get inside this man and his tortured existence. The ending is one of the most effective and completely engrossing I've ever seen. Rarely does a film find a way to leave us with such a sense of closure and lingering fascination. The thing that really makes this film truly great is it changes the way people see themselves, other people and the world. I can still remember the palpable air of silence and awe over the audience when leaving the theater both times I saw it on the big screen. There's a transforming quality about it. You only need to read the many other user comments to see how people were moved and changed by this film. If you haven't seen it, it's a must! | -1no label
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] |
I certainly loved Babar as a kid, and have a soft spot for it now. I love how it is simple, and that it is lovely and cute. Children will definitely love it, and I do seriously think it is one of the better animated shows to come out in the 80s and 90s, most cartoons these days with one or two rare exceptions are awful with bad animation, lacklustre humour, poor music and lacks even juvenile appeal, or are shows that started off good and now are mediocre at best(Spongebob Squarepants I am looking at you!) Back on target, the animation in Babar is truly lovely, simple in design but has a certain elegance about it. Also the music is exceedingly pleasant, and the characters and story lines are endearing. Not only that, it is educational, and you learn good morals without feeling as though it is being forced down your throat. All in all, lovely to watch, really charming and I for one love who simple it was. 10/10 Bethany Cox | -1no label
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] |
Okay, this sure ain't a work of art!! Yup, it's hard to be "artsy" with a film about a horrible outbreak of billions of killer worms--and even tougher when your total budget is $39.95 and your actors have never even had the experience of doing TV commercials or community theater! No, it's fairly obvious early on that NONE of the actors had ever before acted (and probably never since!). It's a cheesy and low-budget film that despite its crappiness is actually kind of watchable--provided you're not very demanding! A stranger comes to town and quickly hooks up with a local girl. At first a few small odd things occur--such as the guy getting a milkshake that has worms in it! But later, the horrid beasties began devouring everyone in their path. The script and plot are pretty thin and you see quite a bit of nudity by women who frankly don't look very good naked--but still, the film is oddly watchable and the worm sequences are pretty cool! A TRUE guilty pleasure! | -1no label
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] |
This has to be one of the worst adaptations of any program I have ever seen. The acting is wooden, there's no spark between the characters, and the jokes are purely recycled. The pilot episode takes jokes from across the range of the BBC series, and tries to compress them into one episode, failing miserably. The actors who play Lister, Rimmer and the Cat try hard, but they just cannot achieve the same level that the original actors had. Kryten looks purely uncomfortable acting with them, and the whole cast lack the camaraderie that the original crew have. If you're new to Red Dwarf, watch the original. If you're a die-hard fan, don't even bother with this version. | -1no label
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] |
I saw this movie when it came out in 1980 and enjoyed it immensely with all of the twists and turns keeping me thinking the whole time. Yes, Marlon and George were perfect for their respective roles. Brando playing the aging corporate bad guy who knows the score, and Scott an over the hill cop who gets his teeth into something he just can't seem to let go of. Both, to me, fit their respective characters well. The nature of the plot, although kept vague was necessary for the internal intrigue to build. Still, many did not like this forced need to contemplate the many aspects of this film as it was being seen. Yet, I wonder if those who did not enjoy this movie as I did might not find it more interesting if viewed today with gas heading toward $4 and then maybe $5 a gallon? Does everyone need to have everything shown to them in a movie or am I just one of the few who's head doesn't hurt when I use it for what it was designed to do? Enjoy this movie for what it is, a commentary on human greed and power. | -1no label
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] |
This movie was a masterpiece of human emotions and experience. I think that a lot of people get caught up in Leland's apparent mental illness as the storyline, but I was drawn into the relationships of many of the characters and what they reveal about the force of human emotions. Much of the message of the movie is that we never know the good without the bad, which is a little cliché, but what makes this movie so good and so original is that it very eloquently portrays the crushing and devastating force that the bad can have, whether you see the bad everywhere like Leland, or are experiencing the utter helplessness of unrequited love or a relationship that just isn't going to work no matter how bad you want it to. This movie captures how helpless relationships and emotions can make you feel better than any movie I've seen, and it is as depressing a movie as it is good. | 1pos
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As has been stated countless times, "The Hills Have Eyes 2" is NOT a remake of the (generally disregarded) mid-'80s sequel to Wes Craven's 1977 original. But wishing to give this postmodern sequel-to-a-remake the official stamp of Diminishing Returns, Craven himself (a double threat alongside his son, Jonathan) has decided to pen a film that is of the same quality--in plain English, HORRIBLE. Former music-video director Martin Weisz takes the reins from Alexandre Aja, and is clearly in way over his head--yet one wonders how anyone could have created a watchable film from the Cravens' Screen writing 101 scrawl. Not only are the characters (in this case, a gang of goofball National Guards(wo)men sent to investigate the turbulent hills of the original remake) completely obnoxious and prone to really annoying genre pitfalls (played without a lick of irony, mind you), but they are constantly cracking jokes that aren't funny. After viewing their total ineptitude during a training exercise, their fate against the repulsive, roaming cannibals is painfully obvious. Only this time out--as in the original '80s sequel--the script is so simplistic (barely existent, actually) that any potential subtext is jettisoned in favor of upping the ante in repulsive shocks (we're treated to a combo childbirth-murder during the opening credits, plus a gratuitous rape for those who haven't ejected the DVD by the midpoint!). Even the mutants in this outing are personality-free freaks of no memorable stature--the tacky, rubbery-looking makeup FX seems, like the rest of the film, to be trying to hide its face from embarrassment. I really groaned at the lame 'surprise' at the end of Aja's otherwise excellent film, and the producers quite literally go for broke at the end of "Hills 2," setting the stage--VERY lamely setting the stage--for a third installment...yet the Cravens and Weisz have created a film that is such a cynical bastardization of what made the 1977/2006 versions work that they'd be hard-pressed to find an audience after this insulting slap in the face. | 0neg
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] |
Having seen this film twice now - which some might find unbelievable or even masochistic - I felt I had to comment on it. It's easy to pan. The music is cheesy. In fact, as my wife suggested, it sounds like a porn flick. The dialog is downright juvenile if not stupid. Its runtime is way too long. I could go on but you get the idea. So why did I watch it twice? Well, one of my guilty pleasures is bad movies and I am a devoted fan of Carroll Baker and this movie fit both bills. Strangely enough the second time around I found much to like. The underwater scenes were really well done, especially those of the corals which were absolutely spectacular. The sharks were awesome, shown in all their predatory splendor and captivating ferocity. The cyclone scenes were also really cool, especially the ones of the seawall breaking and subsequent flooding. My guess is they were filming a real cyclone as these were not studio or miniature shots. And of course it starred Carroll Baker, still a knockout at 47, even without a hint of makeup. And Arthur Kennedy, at 64, in another trademark performance. Seeing him in this megalomaniac turkey was akin to a pilgrimage. To be honest, had it not been for these two actors I would not have bothered to see the film let alone review it. | -1no label
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] |
****SPOILERS****SPOILERS****SPOILERS****SPOILERS**** You've been warned. Okay, I can't stress this enough but the 'hero's' chin really does focus your attention on him rather than what masquerades as a plot. The hero, Nick Miller, a college physics professor, invents a time machine on his Cessna using a Commodore 64 (yeah, you had one too right?). He, stupidly, sells his invention to the local evil corporation headed by the initialed JK Robertson (NOT to be confused with JK Rowling of Harry Potter fame, of course). Said evil corp duplicates the technology and proceeds to usher in Apocalypse in the year 2041. Big-chinned hero and reporter girlfriend try to change the future and in a series of events too painful (and not horribly important, though including one version of girlfriend Lisa getting killed and a duplicate Nick coming into the picture) to recount, they along with JK, flunky Pink Boy and garage mechanic end up in 1777 Vermont. Blah, blah, blah... One of the blaring flaws is them messing with history. JK kills his Michael Medved looking flunky in 1777 with an Uzi and the body is left there. The group freely mixes with the Red Coats and the Revolutionaries at that time without either side making notable comments about these strange looking people. And somehow, after all this interaction, the future from that point wasn't affected by the fact that these differently dressed people with strange accents that came down from the sky in a flying bird. Riiiight. You could see where, with talented writers and editors WITH eyes in sockets, this could've been a decent film. Big budgets aren't always needed. Thank the heavens for MST3K! I miss you! | -1no label
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] |
OK we have 4 city electricians who find a mini nuke reactor, turn it in and fall into a parallel universe inhabited by a Giant spider queen also from a parallel universe, who managed to slip through with a few of her kin to take over the earth, but alas she is the only one left? If so why did not the rest of humanity join up and hunt her down. Also what happened to the military, no way a few billion plus round of ammo could have been used up and why hide out in a basement when a lot more defensible places had to available. Also not a dig on city workers, but how is it they knew what a mini nuke reactor looked like and how if they did not have one in the parallel universe, could they reopen the rift? Sorry but there was nothing likable about the movie | 0neg
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] |
This movie is cute!It can also teach other rich spoilt children a lesson!Much thought was put in this movie!The movie started by showing the Callum sisters' lavish and luxurious lifestyle,how they only are concerned about their health,their appearance and mostly about what they can do to make themselves happy.Their father,the owner of a very successful dairy operation,was very disappointed with his daughters but decided to let it go.However,after Taylor and Courtney ruined their house kitchen the father decided to teach them a lesson,they got to work at his factory!When their father goes for a vacation,the company was in big trouble.THe company account was empty,not even a single cent!So,it is up to the Callum sisters to set things right but Courtney has a party to prepare and the sisters have to give up their lavish lifestyles to save the company.The Callum sisters face many problems in the process,like conflicts between themselves and Taylor had to sell her classic stickshift!How do they resolve this problem??? | -1no label
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] |
I am very glad that I have seen this great movie. I was touched by this film. It is fun and exciting. Maybe I am a woman, I feel like crying with the characters, sharing pain and happiness with them. It is the feeling I have never had while watching a movie. I also enjoy the music too. If you are a woman, go and watch it. If you have daughters, watch it with them. I want to thank all actresses, actors, director and other people who were involved in it. I am very grateful that they brought us a deep insight into these woman hero's' battle for the freedom. We owe so much to them. | -1no label
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] |
This was made in 2004 for gods sake, what happened to our state of the art special effects? What happened to our rough around the edges but still good actors? The actors in this movie were unbelievably horrible, there was one or two that weren't bad, but the rest, biggg thumbs down. Couldn't stand listening to the badly written dialogue, I mean, who the heck wrote that script? Please don't ever write again! Special effects? Don't even get me started on the special effects. SURELY they could have come up with better then fully fake looking green balls of light in the eye sockets. It looks so old and..lame frankly.! Even the easiest thing to make look real..the teeth, THEY looked so fake and stupid I would almost wipe a tear from my eye in annoyance. Come onnnn I cant believe this was even shown to the public.! | 0neg
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] |
I have to admit that I stuck this one out thinking something would have to happen, besides the dead body in the first scenes... and her disposal of him. I was wrong. It was a cinema verite of Betty hits the Beach encased for the first part by Mordant Morven. I really don't care what young lassies from Scotland do these days, who thy screw, what drugs they take. Visually, the stroll through the Cabo de Gata in Andalucia was pleasant and surely the high point for me. The nadir was the chop shop for her dead boyfriend. As the movie came to a close I had two thoughts... 1. That's all there is? 2. Now I see why her boyfriend killed himself. Rename it. "Bare Bitch Boredom, or What I did on my trip to Spain." I'm such a sucker for sticking these things out. | 0neg
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] |
An interesting look at the immigrant experience, told as a fable with some very weird imagery. I got drawn to this movie because it tells of immigrants from Sicily who traveled to America. I imagine much the same as my Grandfather did at that time. Travelling in steerage to provide ballast for the ships, I cannot imagine it was very comfortable, as shown in this film. Laws restricting immigrants existed. I would guess that these laws were more strict on those who came from the Mediterranean and Africa. Immigrants had to be free from contagious diseases or hereditary infirmities. In the film, we see physical and mental exams, the latter because of the view that low intelligence is heritable. Single women could not enter the country, on the presumption that they would become prostitutes, so most married single men already in the country, as arranged beforehand, at Ellis Island before entry. This is the story of a British immigrant (Charlotte Gainsbourg), who arranges to marry a poor Sicilian (Vincenzo Amato). He is trying to get his family through with a son that is mute and a mother (Aurora Quattrocchi) that is considered feeble-minded. She was fantastic in the role, by the way. You will also see character actor, Vincent Schiavelli, in his next to the last appearance. I don't know if his last film has been released. He plays a matchmaker, and is also very good. It was a strange, but enjoyable film. It's not for everyone, as I imagine those who don't have some interest in the immigrant experience would find it rather slow. | 1pos
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] |
Being a big fan cheesy 80's movies an Italian haunted house movie sounded like it'd be right up my alley. unfortunately this movie lacked everything a good b-rated horror movie should have; not much gore (I mean why else would somebody wanna watch an Italian horror flick), no naked babes, and on top of that it wasn't scary in the least. Basically the only thing it had going for it was the cool creepy music. Maybe if you absolutely can't stand clowns it might creep you out a little bit but otherwise i'd recommend avoiding this. GHOSTHOUSE starts off promising with a couple decent deaths but it gets boring real quick. Nothing happens for the majority of the movie and when it does pick back up towards the end it's still pretty lame. It was so boring it took me three tries to finally finish it without falling asleep. I don't usually care about plot or acting but if i'm watching a horror movie i expect the victims to try to at least pretend to be scared. Not even a chick getting cut in half by guillotine can save this one especially since you barely get to see it. I'll give it 3 stars outta 10 because that's about how many scenes caught my attention. If you're looking for a good cheesy Italian horror flickthat delivers the goods check out PIECES or DEMONS instead. | -1no label
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] |
Worst sequel ever, bar none. If you are a fan of the original Highlander (a great movie in my opinion), and for some reason haven't seen this yet, for pity's sake, don't! It will contaminate all the good memories you have from the first film. *SPOILER ALERT* (As if this piece of muck could be spoiled) This movie tells us the immortals from the first movie, steeped in mysticism and ritual, are actually...aliens. Yep. You heard me. For some reason these exiled aliens become immortals when on Earth (sounds like a pretty good exchange to me - exile for immortality). Sounds stupid? It is. No real reason is given for this ridiculous twist. Oh, and Sean Connery's character from the first movie (Juan Ramírez) manages to come back to life for a little while, to help Conner MacLeod. How? Magic...but didn't they just tell us these guys were aliens and not the mystical warriors we were led to believe in the first movie? Maybe they're magic aliens - that must be it. I actually saw this farce at the cinema, much to my chagrin. Have I mentioned that I am a big fan of the original Highlander movie? If any film ever made me wish we had the technology to selectively delete portions of our memories, this is the one. Avoid at all costs. | -1no label
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] |
And it got it in France ! Why not in the rest of the world while the studios keep churning out expensive post-Grisham trash (Will anyone remember him as a fine writer, and not the most betrayed-by-the-screen author this side of Stephen King ?) this one has it all. Okay, the situations are not always original, has minor plot holes and it has a tendency to be too clever some (brief) times for its own sake, but it actually delivers and is obviously a work of love. I'd be curious to know what the budget was. AND. for once, this is not a cheap Tarantino copy ! (Well, film noir didn't started with Tarantino, you know.) Will it once again be saved by Europe, like John Dahl's movies were, so Mr Guttierez can make another one like this ? If you ever read this, Mr Guttierez, thank you and se | 1pos
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] |
I think that the basic idea of any movie is to entertain or to inform. If you want information you are looking at true life movies and historical movies. Sometimes these are one of the same. The other side of the coin is to entertain. Did Hitch entertain me? Yes it did. Okay the formula is standard. Boy meets girl or in this case boys met girls. They get together have a falling out then get back together. However the way it happened in this movie was refreshing. I particularly liked the bar scene with Hitch and Sara. The Allegra Albert romance was a delight to watch unfold, most REAL men are shy when it comes to wooing the woman of their dreams and had I had Hitch's advice I would probably have got my wife up the altar in half the time.I read the first comment on this film that appeared to suggest that this movie was played safely and good have had a few more laughs. I tend to disagree there are so many laughs you can pack into a romantic comedy without turning it into a farce. Besides relationships have there serious moments. All in all I found Hitch quite entertaining, the actors did a good job (I will be looking out for them in other movies) and Hitch is a film that I am very happy to have in my DVD collection. | 1pos
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] |
Outside of Scorsese's GOODFELLAS, this is simply the best movie of the 1990's. Any serious film student who really wants to learn how to make a film needs to watch Scorsese films. He was originally given this novel in 1980 by a former TIME critic who told him "it's guilt and conscience - the definitive Scorsese." This movie is the exact kind of romantic, class driven drama that TITANIC wishes it was. If there is any actor alive who can possibly compare to the magnificent repression and passion combined in one that Laurence Olivier used to show us, it is Daniel Day-Lewis. Here he comes fully into his own, bringing the character of Newland Archer alive. This is also where Winona Ryder finally comes into her own as an actress. Anyone who loves movie about the classes, about romance, about guilt, or simply anyone who loves movies should be heading to a video store to rent this one right away. | -1no label
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] |
This is some of the worst crap I have ever layed my eyes on... I think that a 5 year old in kindergarden could write a better script, and that using only charcole and paint. It's movies (or is it even a movie?) like this who makes people download movies from the net. Had I bought the movie, I would have been sad for the rest of my life (Yes, It's THAT bad.....) But if i should come up with something thats "good" about this movie, it must be the reference to Star Trek and the shirts the "Geeks" are wearing. Now I'm off watching Zombies 94 or Jesus Christ Vampire Slayer (Hey at least it's got a point ;-) | -1no label
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] |
One of the best "Amitabh comeback" movies I liked. This was the phase when Govinda was going strong with Dhawan. The songs were awesome and totally as we call it "masti" type. An evergreen entertainer with the likes of the multifaceted Anupam Kher chipping in. The story line has a lot of hilarious twists and turns as is known for David Dhawan's potboilers. With a timely appearance by Mrs.Madhuri "Nene" Dixit, it was a total riot towards the end. It was great to see Amit perform with such force and humor after a long exile. Although some may consider it a typical "Bollywood Masala" movie, I would watch it any day. I am giving it an easy 8 out of 10 just for being pure Bollywood. | 1pos
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] |
What a fun filled, sexy movie! They certainly don't make them like this anymore. 4 sexy au pairs arrive in London and have all sorts of sexual misadventures. The tone is oddly innocent, as the considerable nudity evolves out of stock farcical situations, rather than any overt sexual desire on the part of the characters. It is only when the actresses accidentally lose their clothes that the male characters become rampant. Richard O' Sullivan literally gets 'Randi'(sic). The film certainly betrays the origins of the softcore feature as lying in the nudie cuties and naturism films of the old school. My special interest in 'Au Pair Girls' is that I am a huge fan of Gabrielle Drake. If any actress has ever looked better naked (she's slim but wonderfully curvy), or clothed, come to that (I've loved her since the original run of UFO - who else could carry off a purple wig!), I'll eat my hat. | 1pos
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] |
Arg. The shuffling dinosaurs are back to take another bite out of our sanity in this all-awful third film. This time, European terrorists(Irish I'd say) hi-jack an army convoy supposed to be transporting uranium. They pull into a shipyard, open the truck and discover our old friends the carnosaurs. Pandemonium comes visiting then when the rubber dinos chomp the terrorists, the cops and some marines. The whole film seems to be (again) largely inspired from Alien(as Carnosaur 2 was) with the pathetic marines going through the "claustrophobic" shipyard? guns at the ready. This third opus is probably the driest and ungoriest film of the lot, with only one spurt of blood when a rubber dino rips a marine's head off. The dinos are stiff, shuffling creatures as usual and the T-Rex sounds like an enraged elephant when it roars(it also appears to have no eyes). One of the goofiest scenes of the film is when the coppers arrive on the scene: they enter the building where the hijacked truck is kept and hear some weird noise coming from another truck. On opening it, surprise! The Rubber Reptile Gang burst out and devour them. Why were the dinos locked up in the second truck after escaping from the first? How did they get locked in as the truck door could only be locked from the outside? What was the point of filming this scene???? Oh bother, who cares? Both thumbs down for the Over-sized Rubber Iguanas. | 0neg
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] |
I have heard that this movie came before the Blair Witch Project, which I thought was excellent (and in my opinion it's popularity is well deserved), and that it may have inspired the Blair Witch Project. Like the Blair Witch Project, the Last Broadcast is marketed as a horror movie. Although I wasn't expecting "another" Blair Witch Project, I was expecting a horror movie in the same low budget style as the Blair Witch Project. That's, after all, how this movie is marketed, a low budget horror movie. Well, it's certainly low budget, but it's definitely no horror. Everything this movie tries to do fails. If there is a C (or even D) category for movies, this is it. Dead End and the Blair Witch Project are two low budget movies which prove that low budget movies can be A movies, for sure. The Last Broadcast is unprofessional and only succeeds in misleading the viewer. It's hard to be specific without giving away any spoilers, and that's exactly what this movie requires to be exposed. Whatever you expect to see, you won't. However this movie is marketed, whatever the DVD box tells you on the backside, just know that it's misleading and unless you don't have any expectations, you will be disappointed. There is nothing else worth to say about this movie. Imagine renting the Terminator and instead of seeing some science fiction action, you get to see a lower than a straight-to-DVD quality movie about something that is supposed to resemble the Terminator. That's the Last Broadcast. A complete waste of time. The tagline of this movie is "what actually happened that night in the woods?" My answer is "nothing interesting". | -1no label
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] |
This movie is an abortive, stillborn attempt to stitch together several bad movies and make some sort of extra-bad movie. It fails at even this, since there's way too much "plot", and not nearly enough goofy puppets and ridiculous gore. Seriously, the puppets are sweet, and the guys in suits crack me up pretty good. The performances are C-grade at best and lame throughout, with special props to the Spec-Ops guy who spoke some sort of bizarre East Coast/Venusian dialect that was almost impossible to decipher. Not that you really care what he says, as only the curse words are distinct. Cinematographically, it's non-offensive, pretty much what you'd expect from low-rent straight-to-video offal (just like the script). The fact that New Concorde used footage from the "Carnosaur" films IS offensive, and quite confusing. For shame, New Concorde. For shame. "Carnosaur" is one of my favorite terrible movies, and they somehow screwed it up and made it nigh unwatchable. See the "Carnosaur" films if you want to see shoestring dinosaur mayhem. I give it one star because I am so fond of the movies it steals from, and also because the scale doesn't have a zero. | 0neg
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] |
This film was a far cry from the book by Tom Clancy, who wrote about Al Queda terrorists reading a set off a nuclear bomb in America. The latter must have been sick watching this movie and typically-Left Wing Hollywood changed the script to being one with Nazis as the villains instead. Are you kidding me? How ridiculously politically correct is that? If I had known this beforehand, I would have boycotted this insulting movie, instead of wasting money on it. Also, at least to me, Harrison Ford will always be "Jack Ryan," not some second-rate pretty- boy actor like Ben Affleck. The only redeeming qualities to this film were the nice cinematography and the awesome sound when the big bomb went off. If you have a surround sound, that scene will rock your room. Too bad, they didn't blow up this film before it was released. | -1no label
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] |
Watching this movie was very boring to me because it's very predictable. There is always one cop, one lady and few bad guys that are looking more funny too me, then dangerous (Michael Lerner and Kristopher Logan). And of course we all know that ending will be happy. It is obvious that we are watching solid B-film with Russell Crowe. Even Crowe had to pass through this kind of action movie so one day he could become an established actor. It is nice to see the beginning of the career for Crowe but the whole movie doesn't presents anything new. Only Russell Crowe's performance is on top, cause he looks like ordinary cop, he's funny and he showed us all that one day he will be star. But path to the stars is always rough. | -1no label
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] |
This film is a ton of fun to watch. Though some lame characters that I hate make the film a little worse. It's still a pretty good movie. Pretty fast paced film with some kick ass monsters. Though after the first 20 minutes of the film the pace really slows down. Original stuff deserves a much higher rating. But still the film has some faults to it. Mainly over acting which really wasn't necessary for this type of film. And I noticed how a lot of people have a problem with the missing plot. I like how a lot of the stuff wasn't explained it makes it very unique and cool. Well I recommend this film to true b movie fans. If you need a movie with a good plot and good actors look else where. | -1no label
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] |
Let's not beat about the bush here, Taylor Hackford's undoubtedly slick movie has little to make it stand out from the biopic genre other than Jamie Foxx's exceptional, career-making performance. Remember the year they handed the special effects Oscar to the Terminator 2 boffins, uncontested? They should do the same with this year's Best Actor gong. That Ray Charles' story is worthy of filming is not in dispute. Indeed, the many flashbacks to his traumatic childhood are well-handled and judiciously used. But for a life so unique, the film seems incredibly formulaic and familiar. It follows the 'history of a flawed genius' template almost to the letter: hardship and exploitation, women and drugs, recording wrangles, band squabbles, rehab, yeah yeah yeah. And surely there was more humour in his life than we're treated to here? I appreciate Charles' music yet where neatly-cut medleys would have kept the story rolling, Hackford indulges himself with near-full-length renditions of too many songs - in gin joints, in the recording studio, in concert halls, infinitum. Narratively, and for non-devotees, they begin to act like a cinematic brake. This may seem like harsh judgement on a music biopic but with a catalogue as extensive as Ray's, we need a taste not the whole dish. Otherwise, we'd buy the albums. Intrigued as I was, I glanced at my watch more than once. So for all Foxx's brilliance, maybe Ray would have been better served as an HBO two-parter? | 1pos
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] |
The fact that after 50 years, it is still a highly watchable movie, says a lot about it. It is more intelligent and interesting than almost all recent movies of the same genre you can find, and has a certain endearing feeling of innocence to it. I am not a big fan of this type of movies, but I could watch the whole thing without being bored, which makes it a good movie to watch with someone who does not necessarily share your taste in films. I liked the black and white palette, the excellent casting, the clever heist scene that keeps you guessing about what trick they will pull next, and the ending like everyone else. Watching the heist sequence makes one realize the power of silence, which is unfortunately so underused in today's cinema. | 1pos
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] |
Awful awful AWFUL - this film really was a stinker, and I'm quite astonished at the number of good comments it's receiving on here. What on Earth Al Pacino was thinking of getting involved in something this dire is quite beyond me - perhaps money, but damage to reputation alone I would have thought to be adequate reason to steer well away. The script was strewn with clichés which managed to bring out the worst in everyone. The actress who played his sidekick for the 3rd quarter of the film looked completely lost, struggling vainly to add some meaning to her lines, with the long, poorly composed two-shots only prolonging the agony. Character development was thin at best and the fast-paced attempt at storytelling only led to one farce after another, making the whole thing completely laughable. My advice - avoid at all costs. Whoever put money into this turkey deserves to lose it. | -1no label
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] |
I was initially forced to attend by my wife as she is fascinated by the Royal families of Britain and their history, and she won't go to the cinema without me. Although viewers shouldn't expect to be electrified, this film is very well made and the visual aspect is second to none. In many ways it helps dispel the myth that Victoria was the miserable unsmiling dumpy woman usually seen in photographs. She was a bright intelligent and according to the history of her early years, a fun loving happy young woman. Her love of Albert was the essence of true love, and even if you only count the number of children she bore (9), they must have had a passionate relationship. All of this is well borne out in the film. To this end, the cast has been well selected with both Emily Blunt and Rupert Friend giving sound performances as Victoria and Albert. (SPOILER ALERT) The historical accuracy is somewhat questionable as at no time did Prince Albert get shot while defending Victoria. There was at least one assassination attempt when they were out together, but nobody was struck by the shot/s. I also found it odd that little was done to expand on the allegedly intimate relationship between Victoria's mother and Sir John Conroy. It is quite likely that this relationship was the true reason for Victoria's distaste for both her mother and Conroy. I also found it odd that there was an attempt to portray the relationship between Victoria and Lord Melbourne as erring on the romantic, or at least having the potential to become romantic. He was already in his late 50's when Victoria came to the throne, and while marriages between older men and young women were common in that era, the movie portrays Melbourne as being a dashing 30 something and rival to Prince Albert. There were apparently rivals to Albert, but she could never have married even slightly below her station in life, and Albert was one of only a handful who would have been acceptable in any case. All in all I have spent worse times at the cinema, and brownie points with my wife can't be a bad thing either. | 1pos
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] |
What an empty and lack lustre rendition of the classic novel. I do wish people would stop messing about with classics when they clearly have no idea of the real intention or point of the original. This version is no different. I felt that the Ralph Fiennes version is much worse though as the casting of Juliette brioche as Kathy has got to be the worst casting decision EVER...anyway back to this version. It aims to make the story relevant to a contemporary setting and in a musical style. It succeeds in both but high art it is nit. Throwaway viewing for a rainy day maybe...The direction was average and the editing abysmal. Worse than the old Quincy. Deepak Verma does a great turn as Hindley and is in fact one of Britains wasted talents. The part of Heath was played with great charm and belief and I think that the casting is the strongest point of this project. Although a more talented director would have made better use of the facilities he had. Its clear that he was a director for hire and didn't instill the project with the passion that it deserved. | 0neg
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] |
Having seen any number of bad movies, I can state that this is significantly better than most of them, and even better in part than movies not considered bad at all. However, in those aspects in which this movie is bad it is not merely bad, it is awful. We have the usual formula of two-fisted hero (James Best), damsel in distress (Swedish Ingrid Goude), the damsel's mad-scientist father (non-Swedish Baruch Lumet), and the villain (Ken Curtis). The formula in this case is less clichéd than usual. The hero is fairly articulate and the mad scientist is actually quite urbane, tossing off his creation of hundreds of giant, poisonous, man-eating shrews with the line "unusual experiments lead to unusual results". The dialog is competently written and the acting is above par (with the exception of the Swedish eye-candy, who is at least good eye candy). The general concept is compact and dramatically efficient: a group of people are trapped first by a hurricane and then by an outside menace in a stronghold which gets less and less strong as time, ammunition and group cohesion all grow short. However the execution is at times illogical. One problem is that the stronghold is made out of...adobe. On a rainswept island crawling with usable timber? The thrilling conclusion is also somewhat implausible. The main reason for the film's abysmal reputation is the legendary and quite obvious use of ordinary dogs in bathmats to play the part of giant shrews. I suppose this just has to be overlooked. As a sidelight, it is interesting to see Dukes of Hazard sheriff James Best tall and handsome as the hero, and it is apparent that producer/villain Ken Curtis labored long and hard in the trenches before gaining fame as Festus. | -1no label
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] |
This movie has always been a favourite of mine for as long as I can remember. I had not seen it on TV for a while, so I decided to buy the video. It was well worth purchasing this movie because I watch it on a regular basis, like once every 6 to 8 months. Everything from the opening credits with the mannequins & psychedelic background, to the storyline and the variety of characters make this a fun movie to watch. My fave part of this movie is the part when Griff & his son take pictures of the girls trying to smile like the Mona Lisa. This is classic '60s movie making at it's finest! If you like movies from the late '60s like "Yours, Mine & Ours" & "The Impossible Years", then you will really appreciate the humour and storyline of this classic '60s romance/comedy. | -1no label
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] |
This is an Arnold movie. Now that you know that, I've saved a lot of you the time it would have taken to read this review. If you don't like Arnold, then you wont like this movie. If the case is the other, then you will very probably like it. It's as simple as that. Now, if you're still reading this I expect you like Arnold. Good for you! He is quite good isn't he. The Running Man is a very typical Arnold feature. It's got the usual retro-future we know so well from 80's B-Sci Fi, it's got a bunch of terrible one-liners, lots of violence and explosions, and a good-looking heroine and a happy ending. In this case, the evil opponent is the all-controlling 1984ish government, which uses television as an effective crowd-control with gladiator-type game shows. Arnold, of course, ends up in one of these shows and turns it all up-side-down, with a little help from his two confederates and the good-looking Amber. It's not a big budget movie, but it still managed to create a pretty good atmosphere of the future, with some nice matte paintings and sets to help it. It's hopelessly 80's, but I find that charming. Acting is varying, Arnold doing his usual grunt and shout thing, with a helping of stone-faced one-liners. Heroine Amber is, to put it lightly, a bit stereotypical, and the subtly named Damen Killian is a typical evil TV man. In spite of all it's flaws, the movie shows its message very clearly; television is an opiate of the masses, a good way to control people. It also features some at the time futuristic digital video editing, allowing the bad guys to change faces in a video to fool their audience. This does not seem futuristic at all today, which is a bit alarming. If you've seen Arnold movies before then you know when to watch this one. Enjoy. | 1pos
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] |
I didn't read the book so all I got out of this picture was that Halle Berry's character was never satisfied with her lot in life, had a nice house and a prosperous business in the town where she lived and gave it all up to go off with some stranger only to end up in a hurricane floating on a board with her rabid husband. And, they find time to kiss amidst a raging storm.For all the trials and tribulations she supposedly went through, she seemed almost retarded with the constant laughing and giggling and running down to the water to jump in and float around "watching God". Halle Berry looked almost out of place in that town with her perfect teeth, refined features and skinny body. And that hair! That deserved a place in the credits all it's own. Just smearing a little dirt on her didn't make her look as if she plowed fields, slaughtered pigs and helped build a town. I found the whole movie annoying. I don't recommend it. Guess I should read the book. | -1no label
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] |
I had actauly written a negative review of this one on imdb only a few days ago. By sheer coincidence I saw this movie again about 24 hours after I wrote the review(purely coincidental) I had seen this when it first came out and then seen part of it again and did not like it AT ALL. My main problem was that it seemed contrived, I mean actually the movie kind of made me bewildered, I didn't understand the humer in it. Well, I saw it again, the person I saw it with told me it was based on a true story, this was confirmed by imdb user comments. Knowing that, it changes my views on the movie. I honestly had no idea an incredible event like this ACTUALLY happened and knowing that can view the film differently and understand why so many loved it. I love you to death will never be my favoroite movie but knowing what I do now I can say it's an interesting one(I just wish I'd known the true facts when I saw this years ago). | -1no label
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This was an absolutely spellbinding series and was sorry that I was only able to catch a few shows way back when it aired late night in the UK. The style of it was so different from others of its kind and the whole thing had an unnerving air of stylish dread to it. All you have to do is read all the positive comments (not a single negative that I can see) to realise what a really innovative series this was and how it caught at the imagination. I now understand from reading the comments it got CANCELLED that's just so unbelievable. What a bunch of 'headless overpaid suited turkeys' there must have been (or just maybe still are) running around to do that. | 1pos
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I saw the MST3K version of "Deathstalker III" and loved the movie so much -- even "unmystied" -- that I decided to watch the entire series of "Deathstalker" films. I bought I and II and settled down for a laugh. Nothing about "Deathstalker I" was funny on any level and when the credits rolled I was embarrassed and regretful that I had bought it! Too much ugliness and nudity. I guess either "DS 3" was a much cleaner production or MST3K really edited a lot because I expected something similar, i.e. stupid and carefree and simple. I was wrong. Even at $6.99 it seemed a waste of money. I didn't even open "DS 2" as I will return it tomorrow. Now I'll probably just throw away this DVD as I can't return it and no one wants it -- including myself! So really, don't bother with this one. Even the nudity (lots of it, btw) is uninspiring and icky. | 0neg
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] |
To sat how awful The Shield is, you'd have to write pages and pages, so suffice it to say that it is a monument to bad directing. "When Directors Go Awry" should have been the title of this production. Indeed, directors are supposed to infuse their work with a sense of visual style and story-telling that propels the story forward. How is constantly shaking the camera and playing with the zoom lens a "style"? How is it propelling the story forward? Of course there's also the "editing by random numbers" nonsense. Apparently it's become hip to just cut randomly. I guess it's too much work to do good editing. Well, that made it too much work for most people to watch The Shield which languished as one of the most over-hyped and unwatched shows of all time. | -1no label
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] |
Bulworth was the most under-rated movie of 1998. Beatty- who I don't usually like-- showed both comic and dramatic flair in this film. I have seen it 3 times and each time I watch it I appreciate the brutal honesty of it all. Except for the romance being unlikely, the rest of the movie is well done- his staff is played to the hilt- including their duplicity when things start working. Beatty should have received a nomination for something- screenplay or best actor. This is a film that shows what hypocrites rich people are the true divisions is rich against the poor not the blacks against the whites. | -1no label
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] |
Maybe it's just a personal affection for this screen version of the Mika Waltari novel, or a fondness for things Egyptian (I grew up loving to visit the mummies in Boston's Museum of Fine Arts) but I think Maltin is a tad tough on this rather good film. The production values are great regarding color and cinematography, and it appears some effort went into historical authenticity (much of it from the novel, I'm sure). Purdom is admittedly a bit stiff in the lead role, but one can accept this as part of Sinuhe's character. Victor Mature is, well, Victor Mature. Peter Ustinov is a delight to watch in this type of role, which he always did so well and so wittily. Bella Darvi's performance as Nefer is classically camp, and I find even Michael Wilding's rather dry portrayal of Akenaten to have its own appeal. The historical oddity of Akenaten's monotheism, a brief detour in ancient Egypt's theological history, is interesting, as is Akenaten himself, and well worth reading about; the religious wars portrayed here have a basis in fact. An interesting footnote regarding Darvi, whose birth name was Bayla Wegier: she was a Polish emigre who producer Darryl Zanuck and his wife Violet took under their wing (I believe they may even have adopted her). Her screen name Darvi is formed from Zannuck's and his wife's first names. She continued her acting career in France, but never achieved great success and, after a rather unhappy life, died at her own hand in 1971. Altogether this is an interesting film and enjoyable to watch for the visual values alone. American Movie Classics shows this occasionally in letterbox, which is essential to capturing the scope and sweep of the story. | 1pos
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] |
I saw this at the theater in the early 1970's. The most memorable and scary scene is when the German army attacks with yellow cross mustard gas for the first time. The Germans and their horses are covered from head to toe (or hoof) with eerie protective suits. The experienced British soldiers don gas masks (only) and once again await the clouds of gas and the German attackers. The gas clouds move ever closer, finally enveloping the British defenders. The Germans move forward slowly menacingly in their scary looking garb. Suddenly a scream from the defenders... This gas is like no other that they have experienced before.... Now you will know why I have remembered this scene for the last 30+ years and still shiver, I think that you will too! | 1pos
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] |
What can I say about THE PLEASURE PLANET that I haven`t said about umpteen other tedious soft core porn films ? Very little . It`s just another movie with a very weak plot used to set up very unconvincing set scenes between male non actors who spend too much time in the gym and bimbos who have obviously had silicon implants . Actually the sex scenes in this movie are somewhat less convincing than you usually see in this type of film as the cast members grind their hips together giving pained expressions like they`ve got constipation or something . No wonder a lot of people claim sex is over rated , they`ve probably watched too many of these films on late night cable stations | 0neg
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] |
There are many problems with Mystery Men. First of all there are too many different characters for all of them to be given complex or even interesting personalities. The special effects detract from the story and are not really that special. Paul Reubens is wasted in a pathetic, juvenile role as a character who merely farts and speaks in an inaudible accent. Now onto the decent parts. William H Macy, three heavenly words, and his performance as the shoveler is pitch perfect. The sphinx is an exceptionally funny character who is only mysterious and merely spouts out the traditional mystical proverbs. Ben Stiller is very amusing as well, showing a weak character trying to make it into the big leagues of superheroes. All of the characters do, and that is an area which I found particuarly ironic. That is because all of the actors are Indie film actors trying to make it into the big leagues of Hollywood. To be honest, the reason I thought it failed at the box-office is that America doesn't get irony. All in all I loved the film, but I feel it would have worked better if more effort was put into tweaking the script rather than having unneccesary CGI landscapes and effects. | 1pos
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] |
This is an awful movie from just about every point of view. Since much has been already pointed out in previous reviews, let me just focus on "Serbs" and "Delta Force" guys in this movie. 1) The uniforms that "Serbs" wear are not Serbian. And helmets are wrong, too. 2) The actors who play "Serbs" are not speaking Serbian, not even a language close to Serbian, unlike in "Behind enemy lines" where the Czech actors did their best to speak the language and add at least a bit of credibility to the movie. 3) The gray-bearded "Serbian general" looks and acts like a moron, firing his gun whenever US soldiers call his name: - US soldier: "Gravic! Give up!" - Gray-bearded moronic general: (fires his AK47) - US soldier: "Gravic! Come out!" - GBMG: (fires his AK47) - US soldier: "Gravic! You're surrounded" - GBMG: (fires his AK47) - Prop guy: "Excuse me, Mr. gray-bearded moronic general, see, we're out of blanks and I sent the boy to buy some more, but he's not back yet..." - GBMG: (click) 4) Since when does the Army issue AK47s to the Delta Force? I guess they couldn't find enough working M4s in Bulgaria, but there were plenty of old AK47s and practice blanks ;) Maybe they should have went for some airsofts, they are cheaper and wouldn't have hurt the credibility of the movie anyway... 5) In the scene where a DF officer is hanging on a rope while talking to a rocket scientist, he is holding his finger on the trigger all the time. No sane person with any weapons training or just plain common sense would ever do that. I guess the actor figured that his coolness level increases the longer he holds the gun that way. This movie is such an insult to common sense.. | 0neg
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] |
Besson's version of the story of Joan of Arc offended me on many levels. The opening sequences of the movie feature the gruesome murder and rape (in that order) of Joan's sister. This was completely unnecessary and untrue. While it is fact that Joan's town was raided several times and on one occasion burned by the English; Joan of Arc had 2 brothers, but no sisters. This alone was enough to ruin the movie for me, since Besson proceeds to build a case that all of Joan's actions and her descent into insanity were caused by the horrific death of her sister. Besson also inexplicably created a sinister tormentor for Joan, played by Dustine Hoffman. Hoffman's character who continually played the devil's advocate to a clearly insane Joan, was just plain annoying, confusing, and yet another fabrication. Besson's Joan was never seen having the visions of St. Margaret, St. Catherine, and St. Michael which the real Joan of Arc was reported to have. Instead she saw a twisted and almost demonic Christ figure and the strange Dustin Hoffman character. For Besson to portray a saint and a French national hero in such a manner was purely offensive and in poor taste. Had Besson actually bothered to base his story on historical fact I may have felt differently. If you see this movie, regard it only as a work of fiction, for it bears little in common with the real Joan of Arc other than her name and that she freed Orleans. | -1no label
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] |
The Great Caruso displays the unique talents of Mario Lanza. He shows great acting capacity and is in top form as a lyrical singer, paired with Dorothy Kirsten, soprano of the Metropolitan Opera. Indeed, I dare to say that he performs some songs better than Caruso (check A'Vuchella from Tosti and La Danza from Rossini). The MGM art and music departments also did a good job. This movie could be perfect, were it not for the awkward presence of Ann Blyth; we see that she is trying her best, dressed in the fifties style in scenes just before 1920 - unforgivable. Lanza deserved a better leading lady, and Blyth should stick to less demanding productions. Also notice that Ms. Kirsten sings most of the opera duets of the film with Lanza, giving the wrong notion that Caruso had a kind of permanent leading soprano. | 1pos
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] |
Walter Matthau stars as Morris Buttermaker, a ex-minor league player turned swimming pool cleaner who is hired to coach a misfit little-league team. Because of the clumsiness and shoddiness of their skills. He enlists the help of 14-year old Amanda (Tatum O' Neal) which causes irritation on and off the field. Buttermaker nevertheless has to whip them into shape for the playoffs. Vic Morrow also stars as rival coach Roy Turner whose team is more focused than the other. The movie spawned two sequels, a short-lived TV series(which was good), and a 2005 remake starring Billy Bob Thornton which is so-so, since it's a carbon copy of the original. Anyway, pass up on the remake and enjoy the original. | -1no label
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] |
I guess everyone has a right to his/her own opinion, and so the commentator(sp?) above. This is not an action movie, not based on any real underlaying "physical" story. But i liked it because it's kind of motionless, but has a sense of meaning to it - like you'll kind of know, there's someone intelligent behind it, and it's not necessarily driving an agenda down your throat. It's like spending time with a good friend (or wife, if you have the one your supposed to have), when you don't really have to do or say anything. This movie is something like that. (Liking or disliking this does not say anything about your intelligence; you like it or not, and that's the end of it. I enjoyed it.) | -1no label
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] |
First of all it's a delight to watch such unselfconscious acting and to hear English (and Hindi, Bengali) spoken so naturally. First time director Shobnali Bose elicits wonderful performances from most of her cast - many of whom are 'non-actors'. The script, too, is deliciously funny in parts, which off-sets well with the powerful and serious message underlying the film. The locations chosen capture the actual places represented so that the whole has the verisimilitude of a documentary film, even while the spectator is drawn into the lives of the characters whose stories are being told. All in all a very satisfying film, and a great debut. | -1no label
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The Secret of the Sword movie first introduced us to She Ra. I have not seen this movie for years, but I can still remember it. He Man and She Ra have and will always be my favorite cartoons ever. The best part about this movie is how He Man must battle the forces of Hordak, in order to save his sister Adora from beign one of Hordak's puppets. My favorite part is when He Man gets captured by Hordak and is chained up in Hordak's castle. Adora comes into the room and is confronted by the Sorceress. I recommend this movie to anyone who wants to enjoy the magic of the cartoons they remember from when they were kids. Todays kids would not even now who He Man and She Ra. Lets hope they one day return to TV so kids can see what a real cartoon is. | -1no label
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STAR RATING: ***** The Works **** Just Misses the Mark *** That Little Bit In Between ** Lagging Behind * The Pits Some plutonium's gone missing and some very nasty people now have the means to develop a bomb capable of wholesale destruction- so Josh McCord (Chuck Norris) and his cocky young protégé Deke (Judson Mills, a different actor from the previous film) with the assistance of Josh's adopted daughter Que (Jennifer Tung) set out to stop them. This was another film that dealt with terrorism a year after the events of 9/11. Filmed in 2001, Norris himself even commented afterwards how eerily the plot line to the film resembled what happened in downtown New York that day, so there'd have been those that would have been in the mood for a film where Norris and his side-kick kick some terrorist ass if nothing else. Other than that, it's as interchangeable as anything Norris has ever been in. It makes you wonder what the original did to warrant a sequel in the first place, and whether if this one could get made a President's Man 3 might come out sometime soon. If you've seen one Norris film, you've really seen them all and there's really nothing new or unexpected that happens with this one, but at least you know what you're getting and, like I said, it might have been just what some needed to let off some steam. ** | 0neg
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I watched this last night for the first time in 40 years. It's bad. Really bad. But it has enough hilariously awful moments, that it's worth watching. First of all, was it deliberate to make the boy being babysat completely effeminate? He even says to Costello a la Mae West "you fascinate me!" as Costello does a double take. God only knows what would have have happened if the babysitter had been a hunk. THIS kid would have seduced him in a heartbeat! Then there's the principal male dancer. He is totally inept. Roar with laughter as he leaps and prances with no talent whatsoever over the giant's grave during He Never Looked Better in His Life. The two romantic leads are zeros, wastes. Abbott gets to sing one line and that was dubbed in by another singer. Geez, I guess he couldn't even carry a tune! Costello does manage to be charming in his I Fear Nothing number, and I guess very small children might like it, but there's not much to recommend it. But oh that seductive effeminate boy! THAT aspect alone blew me away! Plus the fact the family accepted anyone off the street with no references to babysit a child! Today, little femmy boy would be taken away from them! | 0neg
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] |
The eighth, and thus second-to-last short of the Animatrix ones, this is the only one quite like this. This takes two of the main types of filmed entertainment inspirations of The Matrix, and combines them unbelievably well. This is immensely faithful to the trilogy in that aspect, the tone. The animation is a gorgeous, breathtaking Animé. The style, which is omnipresent in this, is Noir. The plot is fitting, and the story-telling, as well, as the music, is spot-on. The sound in general is fantastic, and really helps solidify the mood and atmosphere, along with the drawings and designs. The voice acting is impeccable. This is one of only two where people also in the movies reprise their roles, and both have Anne-Moss, who is the only of them appearing in this. This is one of the best of the nine, and also one of my personal favorites. This is about ten minutes long. The pacing is perfect. It never slows down terribly much, but it's not overwhelming, either. The ending could not have been more appropriate for this. This shares a nine and a half-minutes long making of with Kid's Story, and it's well-done and informative. I recommend this warmly to any fan of the universe and the two genres that this is made up of. 8/10 | 1pos
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] |
I have seen this movie many times and i never get sick of it. it is about a man coming out of the closet, that he doesn't know he is in. Kevin Kline's character is a teacher and when one of his former students announces Kline's character is gay the people in his town start to speculate whether he is straight or gay. Kline's character starts to wonder if he is straight or gay too. The acting is absolutely fabulous and hilarious by all the cast. I found the movie very funny and heart-warming. i love this movie, it makes you laugh and makes you feel good while watching it. i recommend this movie to everyone, you will have a great time watching it. | 1pos
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Moscow Zero stole my money and I want it back! This is a horror movie, not thriller, not suspense, a horror movie. Yes, this movie is a horror. Horrifyingly bad. After many years of lurking here at IMDb, I am actually moved to set up an account just so I (like at least one other reviewer here) can warn people DO NOT WATCH THIS MOVIE! IT WILL STEAL YOUR SOUL, or at least your desire to live in a world that makes movies this bad, or at least an hour and a half of your life if you are not wise enough to hit the fast forward button. Seriously, I'd love to hear the director's voice over on an "enhanced" DVD (there's another horrifying thought) to see what the hell they were thinking. The producers had to assume there were enough suckers out there to fall for the Val Kilmer name to make this film at least break even in international distribution. I actually had the misfortune to pick this to watch on movies on demand, which provided no subtitles to the Russian dialog. Not that it mattered much. Straining to hear the Russian, translate it in your head (if you can) only to find out how dull it is just adds insult to injury. I will give this movie a "1" because I cannot give it a lower rating, and because it did achieve one remarkable thing. It somehow made an almost entirely subterranean movie NOT feel claustrophobic. Now that's a dubious achievement. HERE'S YOUR SPOILER: And the ending, holy mother (no pun intended) it's like they ran out of money and just decided to stop filming. The "climax" of the film literally happens seconds before the end and is solved by the simplest escape I have ever seen on film. Exercise your simple escape mechanism too if you find yourself watching this - the off button. | 0neg
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] |
I had never heard of Slavoj Zizek before I saw this film. He is a Slovenian philosophy professor. He has written many books and obviously he wouldn't keep getting published unless people were buying them. He seems to be a Marxist of some sort, and has a photograph of the only dictator arguably worse than Hitler on the wall of his apartment, Joseph Stalin. He seems more concerned with nonpolitical philosophy though, generally speaking. This film did nothing to make me interested in reading his books or in him. It is a random mishmash of clips of Zizek talking in various places in small soundbites about a wide variety of matters. Insofar as philosophy is concerned, and I consider myself a philosopher, there was nothing of any philosophical interest to me in this film. Much of what he says in this film seemed to me to be either trivial (obviously true) or incoherent. Perhaps one might enjoy this film if one were at all familiar with his work, but I doubt it--why not just read more of his work rather than waste time watching this hodgepodge of soundbites? But if you aren't familiar with any of his work, like I was, there doesn't seem to be any reason to watch this. | -1no label
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] |
This is a very but very bad copy of "River Wild, The (1994)", the acting is ok but the script and the mistakes in this movie are so much and so clear that at the half way you really start to ask yourself if they doing such stupidity on purpose, i give you some examples of really absurd moments of the movie. So overall it is a very bad movie, but if you persist to have your own opinion about it, don't read further because from here on i will give some SPOILERS. They looking for guys and police blocks the road, then we see them turning right because they go that way for they little day off just before the police setup, you really think the police wouldn't stop them to do a little control? Nope they seem like taking a coffee break there! Where in the hell did they get suddenly the extra lifeguards suits (sorry don't know exact name being French) ??? A moment she says when the helicopter fly's by that they don't control the River that's why they can't be seen!!! LOL that is the most stupid thing i heard, you really think they would not survey rivers? Specially when some escaped prisoners are around there. When they turn the boat he catches the gun, for what? because it won't work for a good while when it is in the water, second of all where in the name of god did they get the guns? And more things all the way on like this... But the best and most stupid is the friend that suddenly turns against his so said love and kids, and believe me it isn't a stranger because at the end he explains much more about the kids you can imagine. Anyway some are really not scared to produce such crap. | -1no label
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] |
So much has been said about this film - most of it very positive. For those who love films with little plot or character development, this film is for them. It is about loneliness and isolation. It is also very slowly paced. Pretension also comes to my mind because we, the viewer, are asked to accept significant illogical plot points presumably because it seems artful to do so. Come on. We are asked to believe a very attractive, stylish young woman would, after a few dates, agree to marry a much older, lonely man who apparently does not have much personality. If the reason she does is because he can provide for her all the designer clothes she could buy, she must surely be a very superficial person. Yet, these two apparently find marital bliss although her clothes closet gets bigger and bigger to the point a whole room has to be taken over to accommodate her lack of control. Uh, really!!! Not once is addressed addiction as a serious personality disorder. Rather we are asked to find beauty in that somehow these two mismatched characters with serious problems are happy except for that elephant (or should I say clothes horse) in the middle of the room. I am perhaps viewing this film from too literal a viewpoint yet I came away thinking that I have been snookered. The photography is impressive as are the performances. Too bad the film is like a fortune cookie. Not much food value with a message no one takes seriously. | -1no label
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] |
... it's difficult to conceive of a way in which this film doesn't fail, be it the writing, the acting, the direction, the lead girl's lisp and eyebrows or the music. My God, especially the music. Strangely banned in the UK until 2002, I picked this up in a bargain bin for £1 after thinking it looked dreadful and fancied a night of junk viewing. I wasn't disappointed, the only remaining mystery being why it was banned in the first place. Far from being shocking or distressing, it's merely flaccid and irrelevant. In many ways Curfew is like a "Funny Games" with all the wit, talent and inspiration taken out. However, the exploitative elements lack any real meaning and are showcased in a generic, derivative plot. This very 80s movie really is the bottom of the heap and completely devoid of any merit, other than the fact that it ends. | -1no label
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] |
Where to begin... This movie tries so hard to be dark and say something sarcastic about GenX kids that it abandons all attempts to explain itself. Note to filmmaker: Just because your movie is inexplicable doesn't mean it's profound. Some movies disturb you to catch your attention... not this one. Not that it's not disturbing--it is--but it just never holds your attention with any of this. Chances are you'll be bored watching this movie, even with a slew of sex scenes and a decapitation. James Duval's confused looks and line delivery invite comparison to Keanu Reeves. Rose McGowan's lines are not only unfunny but increasingly irritating as the movie goes on. The best parts of the movie are the cameos by Skinny Puppy and Perry Farrell... The best way to watch this movie would be with a bunch of sarcastic friends. The more you rip it apart and laugh at its attempts at drama, the more you'll enjoy it. | -1no label
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] |
Wes Craven has been created a most successful killer-thriller movies of all time. After watching he's movies, you will find your new fears. People don't know, which Wes Craven's thriller movie is the best, because they all different. In this movie, Lisa is terrorize by fellow-traveler. He coercible her to kill and if she don't do this, Jack will kill her father. Lisa is in the huge mess, because whatever she choose, she will kill. Acting was unreal. Rachel McAdams and Cillian Murphy acted unbelievable good. The emotions was in right choose. Idea and script of this movie is great too... Sometimes it reminds a "Scream", but he definitely better, than both "Screams" sequels together. And what can I say - this is the best killer-thriller movie in 21's century yet... | 1pos
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] |
Four young grade-school girls witness the murder of one of their classmates during what they thought was just an innocent game. The killer is a strange young boy named Milo Jeeder. Sixteen years later, the four survivors of the event re-unite under happier circumstances in the same town where it happened. They believe that Milo drowned in a river shortly after the murder, but soon learn that the demonic killer Milo has also returned, still a young boy, unchanged even after almost two decades. The cover for this movie makes it look really cool (yet I still expected a bad movie to come out of it). When I pop in the DVD into my player, the menu comes up and makes the film still look cool. Sadly, this movie isn't all that it got my excited about. The movie is your average attempt at a slasher film and when I say average, I mean just like all those other small-budget slasher movies that have never been welcomed with open arms into most members of the horror community (I'm talking about you, the horror fan). In other words, you could walk up to any horror fan and the majority of responses would be "this sucks". What mistakes did the movie make? First of all, the DVD cover art makes Milo look really dark but they blow it all by showing his face in the movie in many different scenes. He had the potential of being a very freaky character. Secondly, the back of the cover art tells Freddy, Jason, Chucky etc to pack their bags and move on out because Milo is so much better... why in the hell would you want to say something like that when it comes to a no-name, low-budget slasher film that has obviously failed? I mean, it just raises your expectations of the movie, making it harder to impress itself upon you. In a last ditch effort to attract attention, it says (in very big letters) "From the creator of Anaconda". Just shows you how low they're going to get as much attention as possible for the movie. The gore in the movie sucks, the director gives you some hideous angles when Milo attacks someone. The music isn't all that bad and I never once fell asleep during the movie (congratulations). I'm still trying to figure out what Milo actually is. My best bet would be that he is a zombie, if anyone else knows, tell me. Rest assured, I won't be losing any sleep over thinking about it. | 0neg
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Piece of subtle art. Maybe a masterpiece. Doubtlessly a special story about the ambiguity of existence. Tale in Kafka style about impossibility of victory or surviving in a perpetual strange world. The life is, in this film, only exercise of adaptation. Lesson about limits and original sin, about the frailty of innocence and error of his ways. Leopold Kessle is another Joseph K. Images of Trial and same ambiguous woman. And Europa is symbol of basic crisis who has many aspects like chimeric wars or unavailing search of truth/essence/golden age. Methaphor or parable, the movie is history of disappointed's evolution. War, peace, business or lie are only details of gelatin-time. Hypocrisy is a mask. Love- a convention. The sacrifice- only method to hope understanding a painful reality. | 1pos
| [
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] |
It was 1983 and I was 13. I watched Valley Girl on HBO one night when my parents were working. After it ended I wanted to talk with someone about it immediately. Turns out my best friend watched it too and it became our favorite movie. Every weekend after that we watched it until we could recite it. We woke her parents up late at night laughing hysterically. We began to worship the main character, Julie, played by the beautiful Deborah Foreman. I am not saying this is a great classic. Although it is for me personally. And I understand that the whole Valley Girl talk becomes annoying but that was the 80's. But deep down at the heart of the movie-it is a love story, and a familiar but good one. Girl meets boy and there are sparks from both sides, an instant connection. Julie's friends don't like him-he doesn't fit in, doesn't go to their school, doesn't have money. They like her better with her ex-boyfriend the football player even though he is a jerk. She makes the ultimate sacrifice-her own happiness for her friends' happiness. And she has these really cool supportive hippie parents. It is one of Nicholas Cage's first movies and his first starring role. One minute he is absolutely hilarious and the next incredibly touching and romantic. His friend Fred is pretty funny too. If you were a teenager in the 80's you will love this movie or at the very least it will bring back memories. It is no longer my favorite movie but it is still one of my favorites, probably in my top 10. I am eagerly awaiting it's release on DVD if they ever release it. You can go to Deborah Foreman's website to sign a petition to get it released on DVD and there are 2 soundtracks from the movie that are must haves if you like 80's music. | 1pos
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] |
When the scientist and family man Matt Winslow (Robert Urich) finally accepts the invitation to work the Micro-Digitech Corporation in a space suit project, he moves with his beloved wife Patricia (Joanna Cassidy) and their son Robbie (Barret Oliver) and daughter Chrissy (Soleil Moon Frye) to a huge modern house in the corporation compound. They meet their friend Tom Peterson (Joe Regalbuto) and his family completely adapted to the new lifestyle, and Tom invites the Winslow family to join the Steaming Springs Country Club. Tom tries to seduce Matt telling him that every member of the club has a meteoric professional ascension in Micro-Digitech, but Matt is not tempted with the offer. Later he is introduced to the director of the club, Jessica Jones (Susan Lucci) that befriends Patricia and convinces her to join the club with her children. Matt feels the changing in the behavior of his family and decides to investigate the club, finding an evil secret about Jessica and the members. In the 80's, when I saw "Invitation to Hell", I liked this movie that partially recalls "The Stepford Wives", with people changing the behavior in a suburban compound. I have just seen it today, and I found a great metaphoric message against the big corporations, when people literally sell their souls to the devil to climb positions and earn higher salaries. I am not sure whether the author intended to give this interpretation to the story, but I believe it fits perfectly. My vote is seven. Title (Brazil): "Convite Para o Inferno" ("Invitation to Hell") | 1pos
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] |
The actors were not believable, The story was really weak, total sap, and completely predictable. Really disappointed in Depardieu. It was a shame that they did not focus more on the struggle of the Canadian fight for independence. We have seen this love story many times before, only with better actors! We had to wait for the last 15 minutes for a small sense of drama! The soundtrack was totally disturbing. The underscore hit you over the head with sentimentality. But really over the top. The only thing we found OK was the fact that they let the Indians speak their language. And we found the cinematography, of the Indian village relatively realistic. | 0neg
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] |
Can anyone give me a reason why only one American dies in this movie, and when he does, it is supposed to be a very emotional scene, yet when the Operation Delta Force team kills hundreds of Russians, in slow-motion action scenes, or thousands of Arabs, also in slow-motion action scenes, you are supposed to cheer and say "Take that, you non-American monsters!". I know I used "slow-motion action scenes" a lot, but that is because every action scene in this movie is in, you guessed it, slow-motion. Every last one of them... And this squad should be called "Invincible Slow-Motion Bullet-Dodging Force", since they seem to have supernatural powers that help them to dodge bullets. And if this supernatural power fails, they have some kind of regeneration superpower, which is all they need to kill the complete non-American army that stands between them and victory. By this point, nobody cares since they have been put to sleep by another laughable slow-motion action scene... That is if they are not laughing out loud at the bad acting, cheesy dialogues and incredibly poor story. Which is what I did... The cast is made of unknown actors, which will probably remain unknown since they don't even play characters. They are just playing guys with guns(and, lets not forget, superpowers)... The only quality is that the special effects are surprisingly not that bad(although they are in slow-motion) for a TV movie... But it still sucks... and at the same time is so bad it's good... OK, maybe at the end it gets a little too repetitive... 25% | 0neg
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] |
"A stage company cast finds themselves terrified when a bizarre killer known as 'The Fiend' targets them for death. A pair of reporters and their clumsy photographer set out to work the story of 'The Fiend' and find themselves targets as well. Just as you think our trio of heroes has the case solved, you're thrown another twist that has you wondering who the killer really is," according to the DVD sleeve's synopsis. Taking "The Hunchback of Notre Dame" to Hollywood, producer Sam Katzman's lack of studio settings probably helps "A Face in the Fog" look interesting, especially toward the end (1930s traffic). The direction could be improved upon; for example, the camera angle on the fight scene is not helpful. The budget appears slight. Under the circumstances, most of the silent/talkie crossover cast perform it amiably. **** A Face in the Fog (2/1/36) Robert F. Hill ~ Lloyd Hughes, June Collyer, Al St. John | 0neg
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] |
Wow! Not one of Fulcis best! Actually quite dreary, devoid of suspense and atmosphere. I should also say logic, but thats not to be expected from a Fulci-flick. Its sad because the locations look quite good, and this could have been an effective movie if he'd had the skills. There is virtually no buildup of tension, the music is boring and the dubbing of the kid is annoying. There are some attempts at foreboding images, like the picture of the house and the mannequin, but they are not enough to sustain interest. The subplot with a little girl from the past is poorly handled and the Freudstein ending is totally laughable. Even a movie with nonlinear and dreamlike structure should have some focus and coherence. Fulci managed that in his effective "The Beyond" but here it is completely absent. For fans only. | -1no label
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] |
Don't know how these good reviews came about. Must have been related to the actors. This is beyond atrocious. Let me count the ways: 1. cringingly over-acted by supposed 'high school' students who look about twenty-five years old. They even ride a little yellow bus to school. Totally absurd. My 5 year old niece has performed "I'm a Little Teapot" with more skill. Hell, she's like Brando next to these people. 2. the killer, once revealed, chases the unsuspected 'teens' through a warehouse whilst slowly meandering around taking her old sweet time to do her 'deeds'. Of course the 'teens' can't get away from her despite her slow knife-wielding saunter through the hallways-- she's like Michael Myers with a D cup. (Although that is an insult to Michael Myers.) 3. the 'teens', whilst running from this hideous frightening killer (who wears a snarl like she's posing for her 'high school' picture on a bad hair day), look like they studied acting with cartoon characters right down to the double takes, the "I want to get away, someones chasing me, but I think I'll stand here and wait for her to come down the hall", and rounding the corners as if wearing clown shoes. I could go on, but suffice it to say, in a few final words: avoid like the plague. Although even the plague would be preferable. | -1no label
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] |
Its easy to see why people think this film is over violent and trying to shock, but then thats because they just don't get the finer nuances. This film is Excellent. The direction is amazing and Bettany, Thewlis and McDowell are all superb. The film runs from the point of view of the main character, Gangster, He shows how he got to the top of his game to be Gangster No1. All of the violence in the film makes a valid point some of it is horrific, none of it is unnecessary. The film also comments on the social avarice that penetrates our society, wealth, power and fame, I think the points it makes are truly justified. Why do some people dislike this film? They are uncomfortable with people being portrayed as being comfortable with violence, and thats because the director wants you to be, and because the Actors are so good at it. The film freaked me out in two scenes and there was no violence just excellent direction and Acting. Well worth watching, well worth buying on DVD. | -1no label
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] |
MCBOING BOING is one of the cartoons that have stuck in my head over the years and finally decided to look into it as was pleasantly surprised and was also surprised on the people involved with the production. If I remember correctly we had to watch it on a UHF station and this meant using a converter in those days UHF not part of regular TV to tune in the local station to watch the cartoon a big deal in those days which made the show even more mysterious. I remember all the sound effects that Gerald used to talk. A great memory from 50+ years ago. I'll have to see what other memories might be hiding on the web. By the way I try to do computer animation thats where the johnl3d comes into the picture | 1pos
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] |
I watched this movie several times because it didn't flow well at all but it had some great information in it. The beginning seems about one subject and suddenly it becomes an entirely different plot. Maybe the writers and director didn't want to spoon feed the audience into anticipating everything. The whole film had a home movie quality about it but there are some very good performances in spite of this. Maybe someone will remake this and fix the problems. I wonder which story they will go with?? Really though, either story in this film is worth watching. And it could be fixed where the first story could move into the second smoothly. That would be my preference. If they did that I would watch it again to see who plays the surprising characters in that one. There are several characters that are very much worth watching. | -1no label
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] |
This movie plays like a parody. The girls are brainless, and constantly make stupid choices (hmm? strange mansion? free bathing suits? let's go swimming!), and the ending, as other reviewers have mentioned, is baffling. The two thugs who corral the women here have mixed motives...are they thugs? good guys? perverts? The movie doesn't bother to tell us. In fact, it leaves out most of the things (e.g., character backgrounds and motivations...in fact just characterisation in general is lacking in this movie) that might make its story logical. In short, this is the kind of movie that sits on your head and squeezes it while you yell, "why! why! why!" Only watch with friends and only if you intend to do a "Mystery Science..." type riffing session during it. | -1no label
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] |
This is the single worst movie I have ever seen. I cannot express how bad it is. I honestly wanted to kill myself several times through this atrocious experience just to have the pain end. I recommend instead of seeing this movie, you bathe in acid then you will at least know a fraction of the pain without all of the scars. I had such high expectations when I read the back of the DVD case, and when in the beginning it added that Jesus was following them I was so excited... then by the end I wanted to kill myself. I mean a twenty-three minute introduction to the most annoying characters in the history of cinema... JUST PAIN! Monkeys could have done a better job editing this trash. At least they would have thrown feces and blurred some of the garbage. It would have made it better to have not seen any of the horror. It wasn't that I didn't get the jokes, it's that they were not only not funny, they repeated themselves like twenty times. Apparently, something isn't funny unless you see it like a million times. Do not under any circumstances see this. People have rated 'Manos the Hands of Fate' as the worlds worst movie. I have seen that too and agree that it is bad... but ALAS it is only the second worst. 'Fatty Drives the Bus' is by far worse. This deserves all kind of harsh language, but I can't write that here so just imagine I swore a whole bunch. | 0neg
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] |
It's not the company you keep but the one you work for at issue here in this taut film about an ex-CIA agent who goes to work for a company that specializes in helping their corporate clients get the upper hand in any and all situations by any means necessary, but especially blackmail, as the central plot revolves around soborning a judge who has severely compromised his integrity by mounting up impressive gambling debts and extra-marital infidelity. Ellen Barkin plays the devious (bad) company recruiter who signs on ex agent Laurence Fishbourne whose 140 IQ proves no match for her physical talents. By bribing the compromised judge (David Ogden Stiers) they will rescue their client Walter Curl (Spalding Grey) from a lawsuit that claims that his company dumped cancer causing pollutants. Though the judge is a gambling philanderer, he's in nobody's pocket, and thus, after taking the bribe, votes his conscience on the case in question, and then opts out after sending his girlfriend (Gia Carides) to the Bahamas with the money. Meanwhile Barkin maneuvers Fishbourne through sex into killing company head Frank Langella, showing that IQ comes in a distant second to sex appeal. Nobody (except maybe Carides and Stiers, and to a certain extent Fishbourne) is going to win much sympathy from the audience, but the story stays on task all the way through, and the observations it casts on corportate behavior are not so far out. | -1no label
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] |
Both if you are interested or not in politic, or if you have different political ideas with the Director, you may see this film. New generations of every Latin American country must know what happened and how happened the facts, and Solanas shows everything in a perfect way. Anybody can see this documentary film, even if don't have any previous knowledge about the issue, and can understand the real reasons of the most important political, social, institutional and moral crisis in the whole Argentinian history. Like in "The Hour of the Furnaces" Solanas make too much with few economical resources but a lot of talent. Thanks Solanas for your dignity and your work. | -1no label
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] |
Man, what an awful film. As with many terrible films, the structure of its awfulness lies in the script. This is such a pathetic attempt at a psychological thriller that it gives the entire genre a bad name. Okay, here's one major problem: Sandra Bullock's character is abducted by Jeff Bridges in his car at a busy convenience store in broad daylight. Somehow, her boyfriend Kiefer Sutherland doesn't find a single witness to this act and subsequently spends most of the movie completely clueless as to her whereabouts. Come on! Personally, I find this completely insulting to even the dimmest of audience members. Yet we are forced to buy into this nonsense. Of equal frustration is the poorly explained motive for Jeff Bridges's actions. His character is a bit of an eccentric academic, to be sure, but far from the sociopath who would do these things. He goes through about ten minutes, give or take, spilling his beans to Sutherland as to why he has performed his cruel actions. But the explanation itself lacks even the most elementary sense of logic. Therefore, no intelligent audience member can really believe in the possibility of his evil. And if you subtract that element from the story, the entire thing falls apart. Also of major concern: -Jeff Bridges using a weird, pseudo-French accent for no reason. -The entire boring subplot involving Nancy Travis, most especially her saving the day by turning the tables on Bridges. -The crazy woman who somehow manages to remember Jeff Bridges' license plate number despite also thinking that the Lucky Charms leprechaun is real. -Sandra Bullock's character's name, Diane Shaver, conveniently re-scrambles to form the word "vanished". Are you friggin' kidding me?? -The logistical impossibility of drugging, abducting, and burying (in a very remote location) a human being within the span of forty minutes (as Bridges specifically alludes to). This is a movie that made me remember the fictional, impossibly stupid (yet very successful) Donald Kaufman character in Adaptation. Many screenwriters are brilliant, inspired artists. Some are just bozos who convince the nitwits running the studios to make their drivel. This particular script is so stunningly dimwitted that Donald Kaufman himself would have managed to sell it. Unfortunately for all of us in the real world, Todd Graff actually did. | 0neg
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] |
Pauly Shore is just not funny. How can one man continually create such irritatingly grating roles one after another and still be allowed to make more movies ? Answer: if Adam Sandler, Jim Carrey, Chris Elliott, and Tom Green can do it, why not ? The one thing that does carry this film is by filling it with actors who do know what they are doing so that he can ride on their coat tails and stay in the minds of a tiny legion of fans blind to the truth. Tia Carrera shines in this movie as she struggles to remain aloft, but Shore just drags her down to his level at the end. Richard Riehle starts out like everyone else wondering how he got into this mess and how to get out, but then gets brainwashed to down to Shore's level. Some of the film is funny, much of it is not. Shore's dog, a long-haired chihuahua, does a better job at being funny as well as carrying the movie. Another thing which makes the movie is spotting the celebrity cameos through out the plot. If only they got rid of Shore, maybe it would have worked! | -1no label
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] |
The story of "Simon says" is nothing new. Some teenagers in the wood get hunted down by some sicko. So, I didn't expect much anyway in that regard. Still, the movie disappointed me. The teenagers are just your basic clichés for this kind of movie, which is not necessarily bad, but the main problem is the main character, Simon. In my opinion he's just way overdone. The acting is almost like a caricature. So, what should be a threatening character ends up being a (sadly bad) joke. The kills are good, but that's about it. Everything else in this movie just is below par, even for the genre. Still, with a better Simon this movie could be fun. With that guy it's more a pain to watch than anything else. Avoid this movie. | -1no label
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] |
This film is about the life of a young gay man who has been sentenced to prison for credit card fraud. In prison, he meets the love of his life and strives to maintain the relationship. The film obviously has a very low budget. From the state of the set, the number of actors, lack of cinematography and soundtrack shows the incredibly low budget. The plot is so unbelievable. I know it is an erotic fantasy, but still it is laughably unrealistic. Everyone in the prison, including the guards are gay! Prison guards spying on the inmates' gay sex...that's not very likely to happen in the real world. The dialog is bad. The acting is bad, apart from the lead actor Marcel Schlutt. He is the only one who showed acting skills in the whole movie. All other characters are unable to handle more than 2 lines of script. The film tries not to be viewed as porn, so it has no hardcore sex scenes. However, it is filled with various fantasies, including spit, power and submission. Oh there was conveniently a scene of a man pissing down the toilet. It is a scene which could have been cut out, and was not because of the sexual appeal. Though the thought of a gay romance story in the prison is appealing and even a turn on for some people, this film fails to ignite in any aspect. | -1no label
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] |
Notorious for more than a quarter century (and often banned), it's obscurity was its greatest asset it seems. Hey, it's often better to be talked about, rather than actually seen when you can't back the "legend" up with substance. The film has played in Los Angeles a couple of times recently, and is available on home video, so that veil is slowly being lifted. While there is still plenty to offend the masses, it is more likely to bore them, than arouse much real passion. Except for a gratuitous and protracted XXX sex scene between a pair of horses ("Nature Documentary" anyone?), there follows nearly an hour of a dull arranged marriage melodrama. Once the sex and nudity begins, it is a nonstop sequence involving masturbation, a looooooooong flashback to an alleged 'beauty and the beast' encounter, and a naked woman running around the mansion (nobody, even her supposedly protective Aunt, seems to even think of putting some clothes on her!). On video, I guess you can fast-forward thru the banality, but it's not really worth the effort. The nudity doesn't go beyond what is seen in something much more substantive such as Bertolucci's THE DREAMERS. Try as one might to find some 'moral' or 'symbolism' in the carnality, I doubt it's worthy of anyone's effort. Unfortunately, for LA BETE, now that you can more easily see the film, the notoriety of something once 'forbidden' has been lifted. And this beast has been tamed. | 0neg
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] |
I have an awful pan-and-scan videotape of "Boom!", and I want to see it in all its widescreen glory. So I voted "1" and hope you will too. Together, we can pull this movie down into the pits of cinematic dross, and hope that someone will see an opportunity for BIG MONEY in releasing "Boom!" in its Director's Cut Extended Version. The movie is one of my howling favorites
you just look at the people involved, the director, the actors, the cameraman, and you say to yourself, "Yep, I guess you can fool some of the people for a lot of time." Producers considering the DVD release of "Boom!" should note that, everywhere it's been shown, there have been sellout crowds in the theaters. But it hasn't been up to Frostbite Falls yet. | 0neg
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] |
William Shatner in small doses is tolerable. Unfortunately, instead of leaving his character as a minor irritation, and in that moderately amusing, it has been seen fit to enlarge his role and overdo it. Just as occurred in the original Star Trek series. I guess I will never understand American humour, which frequently goes 'over the top' to get the message through. I vote with my feet. I no longer watch the show, which is a shame, because the rest of the cast were good. It is pity that Shatner's overdone role also, affects James Spader's performance. But the majority demonstrate the way society is going, I guess. I don't travel the same routes. Frank | 0neg
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] |
There's hardly a smile to be found in this dark, brooding, oppressively heavy drama which tells of an American DEA agent (Keitel) who comes to London to assist in the capture of a drug trafficker as the UK bends under the strain of a virulent drug trade. The camera spends most of the time examining the bleak, grim, and sad expressions of police, innocents, and others caught up in the drug war leaving the plot muddled and somewhat buried in its attempt to show that where drugs are involved there are no winners. A powerfully compelling drama for those who can appreciate the reality of the lose-lose nature of crime. | -1no label
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] |
From the first moment, this "thing" is just an awful sequence of extremely short cuts of blurry camera work. While the overall plot has every potential for a thriller, the story is so badly told that I'm unable to buy it. From the middle of the film, the actions of characters don't make sense to me. Stop reading now to avoid SPOILERS. For instance, Ed's idea to have Edna make coffee for them after having shot off her son's arm is way below his alleged experience; it's just an extremely stupid idea. Domino not questioning the fragmentary orders she receives from Claremont Williams over a breaking-up phone connection just eludes me; shouldn't she be long suspicious that Williams is turning them in? Those FBI agents seem out of their minds showing up with just one single helicopter to something they have every reason to consider a capital mafia shoot-out. Besides, what they do by withholding and leaking information towards Cigliutti is pretty much incitement to murder; it seems to me like farewell to justice if that's they way the FBI does investigations. In reality, they'd have a case messed up beyond repair if they acted like this. We get to see a car accident which normally would have at least seriously injured if not killed most of the passengers but miraculously leaves all of them with just a few bruises. Quite the contrary, the accident is immediately followed by Domino making love to Choco, which is from Domino's viewpoint in no way founded by previous events but just by being drugged to the eyeballs. The whole sequence of scenes starting from the phone call of Claremont Williams appears to me just as want-to-be dramatic razzle-dazzle. This combined with the awful, uneasy camera work just makes a piece I hesitate to call a movie. I'm sorry for the wasted effort of the main actors, whose talent is out of question. | 0neg
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] |
The best thing about this romantic comedy is how good it looks thanks to cinematographer Sidney Hickok. This 1935 but the interior scenes look like they were shot in the 1950's. Hickok was a brilliant cinematographer whose career began in the silents and he would go on to shoot such films as The Big Sleep, Dark Passage, To Have and Have Not, A slight Case of Murder, Gentleman Jim and the sci-fi classic Them. Charles Kenyon wrote the story and the screenplay about a woman who overhears the woman who stole away her husband planning a weekend affair with another man so she hatches an elaborate plan to embarrass the woman and her ex by diverting the cheating couple to her home and getting her ex to come over to catch them. Another couple who are jewel thieves are inadvertently lured into her trap and things start getting complicated. It's a good story and a good cast with Kay Francis, George Bret, Genevieve Tobin, John Eldredge, Claire Dodd, Ralph Forbes, William Austin and Helen Lowell. With the rampant infidelity theme this story was probably written with pre-code Hollywood in mind but with the code going into effect the year before it's release it was filmed as a little less salacious. Alfred E. Green who would make such films as The Jolson Story and The Jackie Robinson Story directs. it's a fun little film and I would give it a 7.0 out of 10. | -1no label
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This is an under-appreciated Western, perhaps due to the unorthodox casting on a Tasmanian native as the lead. Nevertheless, Errol Flynn does a creditable job. With Guinn Big Boy Williams and Alan Hale supplying the comic sidekick roles, the movie moves along at a steady and enjoyable pace. Flynn is the cowboy finally willing to clean up the town after the death of a boy. He gives the "enough is enough" line, and takes over. Olivia de Havilland is the love interest. Veteran movie baddies Bruce Cabot and Victor Jory are the villains. Frank McHugh adds charm to his role as a newspaper editor. Director Michael Curtiz kept the movie well paced. The action is fast and plausible. Each time I see it I grow to enjoy it more. | -1no label
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