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There's a lot the matter with Helen and none of it's good. Shelley Winters and Debbie Reynolds play mothers of a pair of Leopold & Loeb like killers who move from the mid-west to Hollywood to escape their past. Reynolds, a starstruck Jean Harlow wannabe, opens a dance studio for children and Winters is her piano player. Soon Winters (as Helen) begins to crack up. It's all very slow going and although there are moments of real creepiness (nasty phone calls, a visit from wino Timothy Carey), the movie is devoid of any real horror. Nevertheless, it's still worthy entertainment. The acting divas are fine and the production values are terrific. A music score by David Raskin, cinematography by Lucien Ballard and Oscar-nominated costumes contribute mightily. With this, A PLACE IN THE SUN and LOLITA to her credit, does anyone do crazy as well as Winters? Directed by Curtis Harrington, a master at this type of not quite A-movie exploitation. In addition to Carey, the oddball supporting cast includes Dennis Weaver, Agnes Moorehead (as a very Aimee Semple McPherson like evangelist), Yvette Vickers and Micheál MacLiammóir (the Irish Orson Welles) as Hamilton Starr, aptly nicknamed hammy. | 0neg
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This movie really left me thinking ... but not about the plot, the direction, the characters, an underlying message, or a clever script. Far from it. I was left wondering what in Sam Hill went wrong behind the scenes. Clearly, something was badly amiss from the beginning. I'm amazed at the positive comments for the movie and for Jodie Foster's performance. From the get-go it was clear that Foster had phoned this one in. One earlier comment even made a favorable mention of her facial expressions. I must have been watching a different movie since Ms Foster (usually a personal favorite) seemed to be totally disinterested. In one of his first scenes with Foster, Fred Ward looks as though he, also, is distracted by her lack of energy and he struggles to deliver his own lines with any enthusiasm. By the time he's called upon to take part in a supposedly desperate search for runaway Foster, Ward also seems to have become embarrassingly half-hearted about the project. In my opinion, Dennis Hopper has always been a uni-dimensional performer, so I wasn't expecting much from him ... and he delivered. Yes, this one left me thinking long after it ended. The fact that Joe Pesci and Charlie Sheen refused to have their names attached to the project suggests that this was a real stinker for everyone involved. But to then learn that the Director preferred to hide behind a pseudonym speaks volumes. But why listen to me? I always think Foster looks ridiculous in a dress, yet she's sensational in lacy underwear. | 0neg
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] |
Purple Rain... what else can i say, the title speaks for itself. But i think all the actors were well picked. The movie had a great story. I loved it! Ever since i watched that movie, i've been stuck in the eighties, and I'm only 13! My favorite part of the movie was when his father died and he was picking up all of his music compositions, and the Apollonia was sitting on the stairwell with his earing in her hand. Critics say that its a drama but i think its more of a romance. Murphy Brown also did a great job in the movie, he actually acted like himself. I'm so glad I've seen this movie. The song Purple Rain, beautifully sung, was so heartfelt. I cried more than once. | 1pos
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] |
An independent "gay indie" film it might be, (Why was it Black & White?) but 'The Toilers and the Wayfarers' was really hard to watch. Even at just 76 minutes, I found myself hoping it was over all the way through. It was as if it were filmed in Germany, and the only exposure to "American Culture" was American TV or movies, as all the stereotypes were out in full force, as were homosexual/racial slurs. It was a nice first effort, I suppose, but so many scenes didn't mesh well with each other and apparently everyone speaks German. I guess that's good for the characters that either speak fluent German or only German. Personally, I've only met a few people in my entire life that spoke German, and here, everyone on the street speaks it. (Another reason, it feels like it was filmed overseas and played off like it was America. The spoken English feels so, well "dubbed.") It goes in so many directions, it's hard to describe, but one story line (of many) involve a teen, Dieter (an "Arch Hall, Jr." of MST3k's 'Eegah' fame) defending his new German-immigrant friend, Udo, from everyone, including everyone who thinks he's gay, especially his newly outed best friend, Phillip. Phillip's so obviously gay, I'm surprised they didn't make Dieter blind as well as just a bad actor. Then, all of a sudden, Dieter himself is gay and Phillip is sick and abruptly abandoned. Maybe he has AIDS or just the flu, we're never sure. (And still, Dieter sleeps with him, throwing caution to the wind sure he might have used a condom, but protection was never shown.) And story line #56, apparently, Udo is a wanted man for (???) reasons that might've been in some deleted scenes. The movie was a mess and strongly un-recommended. | -1no label
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] |
Playing out as a sort of pre runner to The Great Escape some 13 years later, this smashing little British film plays it straight with no thrills and dare do well overkill. First part of the movie is the set up and subsequent escape of our protagonists, whilst the second part concentrates on their survival whilst on the run as they try to reach Sweden. The film relies on pure characters with simple, effective, and yes, believable dialogue to carry it thru, and it achieves its aims handsomely. No little amount of suspense keeps the film ticking along, and as an adventure story it works perfectly for the time frame it adheres to, so a big thumbs to the film that may well be the first of its type ?. 7/10 | 1pos
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I just finished watching guinea pig - Devils experiment. I have to say that this movie, although having very good FX, better then I expected, was NOT a good movie. I honestly cant say that I enjoyed this movie at all. Of course It is effective in its way of being a shocking, realistic, twisted 43 minutes of torture, but I found it to be very boring (and not as gory as i hoped). And also I found that the torturers were very annoying, when they talked and loughed trying to sound tough all the time, that ruined it even more (and Im sure there's some people out there who will agree with me on that one). I have now seen guinea pig 1,2,3,5 and the best one out of those in my opinion is guinea pig 2 - Flowers of the flesh and blood. I wont say much more about Devils experiment, other than Great fx, descent acting from the girl, annoying fu**ing torturers, overall I give it 4 stars on account of the FX cos they are awesome. | 0neg
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] |
That Movie is not a great production but gives interesting lighting to some mankind old Obsessions. 1st : The Plot is a view of man's race against time.(42 hours to save Mankind) 2nd : The Relationship between the crew, underlines man's rejection of the difference. (Blair is a Half-Pilgrim, and so is Paladin) One claims it, and is rejected, the other one Behaves all the contrary but is just similar in the end (Keeping distance). 3rd : The Place chosen for the plot shows man fascination for new Frontiers. With new Frontiers, Man find new enemies, and this disguises that the Enemy is inside. Untolerance of the difference. Mankind wants a Universe for her, on her model. Everything seems nice, but I have a regret, the Production thought it would be better to target a public of teenagers, and this cost that movie Perfect rating. Yours sincerely. Jan. | -1no label
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] |
From the late teens to the 1920s, Stan Laurel was a solo act in films. During this time period, Laurel was definitely NOT among the upper echelons of talent and his humor isn't nearly as good as contemporaries such as Lloyd or Keaton. However, for second-tier short comedies, he did create a decent niche. As far as the quality of the films go, they varied wildly. Some, such as DR. PYCKLE AND MR. PRYDE, were terrific, whereas most were of average to below average in quality. FROZEN HEARTS is an odd film. Like many of the films he made for Hal Roach and distributed by Pathé during this period, the costumes were absolutely first-rate and the film looked very nice. However, despite this and having support from the likes of James Finlayson, one thing they forgot to include in this film was humor. None of the jokes seem to work and the film looks almost like a drama, not a comedy. Only the really silly intertitle cards betray the type film it's supposed to be. My advice is try to see all his Laurel and Hardy films and then see the solo films. In addition to DR. PYCKLE, try seeing THE SOILERS and MUD AND SAND--two of his more tolerable solo shorts. | 0neg
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] |
This unique and interesting film is actually more of a suspense thriller than a science fiction, although I think fans of both genres will be pleased. Dennis Quaid plays a heroic firefighter who was killed trying to rescue a runaway from a burning warehouse during the days of the Amazing Mets' World Series victory in October 1969. Jim Caviezel ("The Thin Red Line") plays his son, now a cop, thirty years later. Through some quirk of physics involving abnormal solar activity and the Aurora Borealis, the two make contact with each other across the 30-year span over a ham radio. The son is able to prevent his father's death, but changing the past also turns out to have unexpected consequences with which the two must deal. The film really works on all levels with good action sequences and suspense, a nice dose of humor and some very touching exchanges between father and son. It explores the "what if" scenario of one's being presented with the opportunity to change an event in the past and the way in which those affected must deal with the consequences in a very intelligent and thought-provoking manner. The acting is uniformly strong, with Quaid very appealing as the courageous firefighter and loving father who has an almost-childlike love for baseball (he even pulls off a Brooklyn accent nicely!); Caviezel is equally good as the present day version of Quaid's character's son. Caviezel brings a subtle sadness to the character, a quality one might expect from someone whose life hasn't quite worked out quite as well as it might have, possibly due to a void created by the absence of his father. One of the strongest aspects of Caviezel's performance was a subtle shift in personality following the changing of events in the past (a change which left him with memories both of his father's death and of time spent with his father in the intervening years). I have a good feeling about this film and think it has a chance to be a real surprise hit. It's certainly one of the best films of the year thus far. | -1no label
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] |
This is the best direct-to-DVD effort from Van Damme that I have seen yet. Van Damme plays a border patrol agent who is out to stop heroin smugglers trying to cross into the United States. The action in this movie is great and the fight scenes rank with Van Damme's best. Costar Scott Adkins shows why he should be the next big star in the martial arts genre. For further evidence check out "Undisputed 2". Adkins is so good in fact that before I watched "The Shepherd", I thought that Van Damme might not look very believable in defeating him on screen. Van Damme holds his own though and although he isn't quite as athletic as Adkins is, he can still kick with the best of them. All of the fight scenes in this film are very well done and the gun battles are above average for this type of film as well. The only negative thing I can say about this movie is that the story is a little underdeveloped. I think Van Damme's character's motives should have been presented earlier in the movie, especially in regard to why he carries around a rabbit. The reason he does is very cool but you don't find out until the very end. There are a couple of other things that are never really explained either but this is a Van Damme movie so you know where the priority lies in making this kind of movie and it ain't character development. Overall though, this is a solid action movie that I recommend. So run for the Damme border! | 1pos
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] |
This movie was quite maligned when it came out. Since I had been a big fan of both vivacious Jill Clayburgh and the manly James Brolin at the time I went to see it. Since I was a teen, I took a lot of what was portrayed as quite accurate. True it is a mostly fictionalized account of the two stars, but it has got some redeeming qualities. Namely, Brolin's dead on Gable. He is indeed very good, and I kept forgetting that it was not really Clark Gable. Clayburgh, as attractive as she is does not have Lombard's classic beauty or figure, but she's so gosh darn likable as Lombard one can overlook her shortcomings. Seeing it again recently, Jill Clayburgh as Lombard is a stretch, but I felt she put so much into the character, and a better script couldn't have hurt. Physical aspects aside, the two actors have great chemistry, and one gets the impression they are really crazy about each other. It's ashame that neither Brolin or Clayburgh got more to do...the story does meander at times and the film is a tad too long. Although it's not a great film, it's definitely worth checking out. Be on the lookout for Melanie Mayron as Dixie, before she went from frump to vixen. | -1no label
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] |
"Fracture" benefits mainly from the acting of two great actors, Ryan Gosling and Anthony Hopkins. The movie revolves around a battle of wits, a duel between their two characters and it's their charisma and skill that's the key for its success. The whole movie is almost like a game, about who can outsmart the other, who can win it all. A game with high stakes. The direction is above par, with nice, beautiful shots, maintaining a great deal of intensity throughout the movie. The script is tight as long as you don't over analyse it. "Fracture" is not a masterpiece, it won't change your life, but it's a chance to watch two generations, at work, at the top of their game. It keeps you watching, it keeps your interest and it entertains you. I do think the ending could have been much better, but still, it doesn't hurt the overall quality of the movie. "Fracture" is a safe bet, perfect for fans of the genre. A good effort by everyone involved. It doesn't disappoint. | -1no label
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] |
My wife and I watched this marvelous movie this evening because we will watch Russian Dolls tomorrow and the first is important to see before the second. We both loved The Spaniah Apartment and will enjoy following some of the characters through the early years of their lives-now in St. Pertersburg, Russia. We both identified slightly with the rough framework of the story because we were students, Florence Italy for us, so the script was not completely foreign to our early lives. Our living was considerably different but as with this movie, anytime you throw together young people passing through the same life-hoops as any developed world people they will experience much the same life situations. The collection of people and the personal difficulties that they faced were universals and therein lies the beauty of this film and probably its sequence that I will see tomorrow. As I wrote, the characters as well as these situations are familiar to all of us and therefore we can enjoy living their lives for awhile. This must be one of the film's great strengths-allowing the viewer to vicariously experience the emotional upheavals of the people involved and yet remain aloof. The viewer can, through that distance, chuckle to themselves thinking, "I wouldn't have done something that dumb" or "I would have avoided that trap". Maybe that's why we go to movies. | 1pos
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] |
Little Britain is one of those shows that just makes you laugh regardless of what you think is funny. I personally hate the vulgar humor sported by Madtv, but for some reason Little Britain doesn't seem to bother me, although it is more crude. The characters do repeat themselves and most of the skits are the same joke, but that's what makes it so funny! You know the joke is coming and still it makes you laugh. Take Lou and Andy for example. Andy is always changing his mind, and getting up and running around while Lou's back is turned, but the joke is always funny because it is always new in some small way. In the United States, we're so worried about being politically correct that we avoid what is truly funny, and we show horrible programming. Little Britain is a refreshing change for me, and it has killed my interest in American broadcasts. | -1no label
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] |
I'm giving ten out of ten it's one of the best movies ever. Absolutely smashed, stunned and dazed by the whole picture, marvellous playing of Jason Statham, Ray Liotta and all the crew, amazing plot... Just look into yourself and pluck up your courage to admit-it touched your soul, because it's strange, but there are all the answers you've been ever looking for... The very best, mr. Ritchie! THE VERY BEST EVER. Those who were looking for a simple figtings and skirmish keep yelling they are disappointed. But there are lots of shallow movies in Hollywood nowadays, you can't remember what it was about the next day you had seen it. On the contrary, Revolver is unique, I could have hardly expected it's possible to portray such a clear and genius picture of myself, of everyone who was to watch it. Absolutely unsurpassed, astounding, dazzling... One can get insight watching this, I have no doubt about that. Actually, no words can express my admiration... I'm still wondering how it was possible to shoot such a movie after years of giddy Hollywood rubbish we had been watching. Thank you from all heart, it's simply the best. | 1pos
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] |
WARNING!!! TONS OF DEAD GIVEAWAYS!!! DON'T READ IF YOU HAVEN'T SEEN THIS SERIES! OR YOU CAN, WHATEVER. They're are few words to describe a movie that claims to be the last and comes out with another; Liars, Cheats, maybe even some words that can't be uttered. But When Elm Street 6: Freddy's Dead shows everyone who thought the series got old, and wanted to stop seeing him, or people who wanted their hero (or Villian) just stops for his final breath, This film was it. This film starts with a parody of Wizard of Oz, Then you see a kid who is named only as John Doe, Who is the last child in Springwood, Ohio, leaves and gets out of Freddy territory. A woman who resides at a hospital/ place to get kids off their feet kind of place meets this boy, and at the same time, has a dream about a man, a water tower, and a promise of a secret floating in her mind, goes back to Springwood to figure out this frightening vision, and soon finds out that she is Freddy's child, And we soon find out that Freddy can only leave Springwood if his daughter can be a sort of host for him. And beyond that, fright ensues. This film seems to hit the nail on the head of everything you wanted to know. This film has tons of humor, and cameo appearences, like Rosanne Barr and Tom Arnold, Alice Cooper, Johnny Depp, and a very young Breckin Meyer playing a teenage stoner who sees psychadelic vision of flowers and Iron Butterfly's "In-a-gadda-da-vida", then gets stuck in a super Mario parody of sorts. This film will either make you hate this movie, or like Krueger even more. The best of the best. | 1pos
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] |
To comment on this movie, there are two main sides: First one would be Adam Sandler, I have always liked his movies, for the light kind of comedy he presents, you watch and you laugh but you don't expect to come out of the movie with a deeper message or something remotely philosophic to think about, I find that when Adam Sandler tries to go deep, his movies become quite depressing and nonsensical, "Click" quickly comes to mind. The thing about the Zohan, is that I laughed a lot in some parts, but I find his affairs with the older ladies to be a bit repetitive and leaning towards downright BORING. Also the crude language and the oh-too-much "crotch" view makes it quite impossible to let your kids watch the movie, which is a pity, because I find the hilarious fight scenes and the Zohan's "supernatural" cool stunts would have been fun for kids to watch. Second point of view would be from an Arab point of view; I started watching this movie, preparing myself to get offended, and mind you I am a very broad minded person ... However, I was pleasantly surprised, for the first time in my life I see a movie that does not picture Arabs as animal-like, heartless, brainless killing machines. They are just people, trying to make a living, even the avenging one has a reason, the Zohan stole his goat. Watching this movie, I tried to forget that I am an Arab, and I see that it is portraying - in a very silly and somehow inaccurate way - two opposing sides, and suggesting that they stop fighting, get over their differences to see that they are in fact similar. The movie makers get my personal "thank you" for that, it is no different than watching a movie about the conflict between "black" and "white" people after the civil war, or about Americans and Japanese directly after WWII, there is no prejudices against Arabs here. For the very first time, someone has discovered that Arabs are human beings too. So THANK YOU. | -1no label
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] |
As this happens to be one of most favorite novels , I was very excited to see the move. I was not disappointed! Yes of course there are a few things that I could pick on , but I think that the movie stuck true to the book, and was a really good movie. It seems that Stephen King films mostly get a bad review , but this is one of the good ones. It is such a dark story , which I guess is why I like it .. and what is better than the dead coming to life.. and something about animals returning from the grave is quite creepy too. If you have seen the movie do yourself a huge favor and now read the book!! It is a well written screen play , the actors could have done a better job ( I only say this for Rachel , and Ellie .. she was so whinny ) I liked everyone else a lot.. and most important to me .. it stuck true with the novel. | 1pos
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] |
Terry Jones as the host was a brilliant choice. The series is an excellent mix of history and humor. However it is quite biased against the Crusaders. It appears that the producers tried to make it seem that the Crusades were unprovoked hostility toward the Muslims who were living in peace with their Christian and Jewish neighbors. This is inaccurate. The Crusades were a provoked response by Europeans against increasing encroachment of Jihadists into European territory. Let's not forget that Spain was conquered by the Muslims in the 8th century (300 years BEFORE the Crusades). After that they conducted several invasions into France and Italy. Read about Charles Martel and Tours. The Muslims had been attacking Constantinople for centuries and were also attacking Christian Pilgrims on their way to the Holy Land. As far as Muslims living in peace with their non-Muslim neighbors...true, to a point. Before invading a territory, Muslim commanders were required to give their enemy three choices: 1. Accept Islam and everything that is required of a Muslim (you know, fun stuff like, no pork, no alcohol, paying zakat, praying five times a day, oh yeah...and circumcision). 2. They could pay the non-Muslim tax and live as Dhimmi. Which means protected or a liability or guilty. These were Jews and Christians sometimes others such as Buddhists, Sikhs, Hindus, and Zoroastrians whose right to practice their religion is tolerated under Islamic law, but with lower legal status. 3. Die. Not much of a choice. For a person just becoming interested in the Crusades period of history, this miniseries is just right. However, research on your own is important. Do not take everything in this program at face value. You will be much the wiser for it. | -1no label
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] |
I have seen "Virus" at a sneak preview at a local cinema. That was luck for the producers! If I had visited the film intentionally and paid for it knowing it was to be shown, I would have been seriously worried about the way I spend my money. Not only the story was it, what was so horrible. In fact, there wasn't any story. A few good men enter a Russian ship and have to face an evil alien. Haha. there might be some people on this planet, who would've made a good movie out of this, but the producers of "Virus" didn't. The bad special effects, a mixture of elements of films like "Star Trek", "Alien" or "The Abyss", and the missing atmosphere make this movie one of the worst I've ever seen. | -1no label
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] |
I have seen it. It's not "good" but interesting in an understated way. The boys in it are quite naturalistic but................the graphic/gratuitous final gang rape scene is repugnant and -oh yes- the arbitrary insertion of second world war footage is offensive in the way it attempts to compare real horror with this misogynistic contrivance. Real atrocity is real- this film is just atrocious. However, the film has a look which can draw you in. But it seems to me that is the "Emperor's New Clothes", but in fact in reverse. The film looks good, but the direction, story, content and final feeling you take away from this film is vacuous. If a feeling can be vacuous-this is it. | 0neg
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] |
I was very fond of this film. It kept me guessing till just before the very end what would happen. One of the better movies about the partition that I have seen. Urmila Matondkar is gorgeous too. This is one of the most personal and down-to-earth films I've seen on the partition. It's a little less mainstream than Gadar, and is really an emotional roller coaster where you start out with one opinion of what is going on, and come out completely one the other side. This isn't typical bollywood fare, but rather an art-house type film. The best part of this movie is that it doesn't dehumanize one side of the partition conflict when focusing on the story of another. It doesn't blame or castigate but rather lets you draw your own conclusions about things. | 1pos
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] |
I was an extra on this film but wish i wasn't because its rubbish. the worst thing about this film is the music but the acting, script, editing, directing and story are terrible as well. the main reason its bad is because the budget is so low and the only way to make good film on a low budget is to have a good script. the script which should have been ripped up before the film was made isn't funny, i didn't laugh once. what did make me laugh is how makers probably think the most important thing was getting the film made, who cares if its total rubbish. the film needed about million pound more budget and a better writer. the only reason i didn't give the film one out of ten is because i felt sorry for the guy who is gonna lose a few hundred grand making this, if you do go and see it just make sure your drunk at the time. ha ha | 0neg
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] |
What a film! It was hyped up during it's release, so when I saw it, I understood why! It's set in Swansea, (Only 8 miles from where I live!), so I could really connect with the surroundings and the larger than life characters. Mind you, the storyline was something I wouldn't have associated with the city...yeah right! Rhys Ifans' and Dougray Scott's break out roles, this one oozes great performance's. Some people knock the acting 'cos it seems 'hammed up', but the Welsh are like that. We do tend to go OTT sometimes, we are larger than life people! And as the script shows, we are very nationalistic. Great direction, and with nearly every recognisable Welsh actor in it, this is a dark, funny, and entertaining film. The script is fresh, and the plot is good. And as the caption on the sleeve states, the film DOES "raise an index finger to Hollywood". Rating? nothing short of perfect 10! Go and see it NOW! I promise you, you will not be dissapointed! | -1no label
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] |
Charming feel good story set during the Korean War. Hard to believe but true! The characters are easy to identify with, and draw you into the story. They are fairly believable, with the slight exception of the North Korean commander who seems perhaps too heroic. It verges on being trite or cheesy at times, idolizing the "quaint" village, but for the most part stays away from that. The film is even handed in its treatment of all sides in this war, other than perhaps the military command, as it is quite anti-war. There is a bit of violence and gore, so it isn't for young children. I would recommend this to anyone; go in expecting a fairly romanticized comedy and you shouldn't be disappointed. | -1no label
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] |
BAFTA winning Rowan Atkinson returns as the nasty and very cunning Edmund Blackadder, this is the last series in the popular sitcom. But don't worry, there's Back and Forth! This time we are in the trenches of World War 1 with Captain Blackadder, Leiutenant George (Hugh Laurie) and Private Baldrick (Tony Robinson). Blackadder is always trying to get out of the war in any way possible with the (useless) help of his thick friends. General Melchett (Stephen Fry) and Captain Kevin Darling (Tim McInnerny) are making sure he stays there for the big push. The series concludes with the teary 'big push', it was number 13 on The 100 Greatest Tearjerkers. Throughout the series there are some stars to look out for including: Rik Mayall as Lord Flasheart (who appeared in series 2, Adrian Edmondson as Baron Von Richtoven, Gabrielle Glaister as Driver Bob Parker (Bob also appeared in series 2, Miranda Richardson as Nurse Mary (appeared in series 2 and 3) and Geoffrey Palmer in a special appearance as Field Marshal Haig (in the last episode). It won the BAFTA for Best Comedy Series. Rowan Atkinson was number 18 on The 50 Greatest British Actors, he was number 24 on The Comedians' Comedian, and he was number 8 on Britain's Favourite Comedian, Edmund Blackadder was number 3 on The 100 Greatest TV Characters, and he was number 3 on The World's Greatest Comedy Characters, and Blackadder (all four series) was number 2 on Britain's Best Sitcom, and this series was number 16 on The 100 Greatest TV Programmes. Outstanding! | -1no label
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] |
I thought this film was excellent! I heard some people complaining and saw some of the complaints here on IMDb, but this film is genius. Of course it shows the same scene over and over- that is the entire premise of the movie! So for people to say that it bothered them...well, they must like more uninformative plots, i.e. Jumper. The film starts off with a stickler of a news producer shouting off orders to camera men as the President enters for a speech at a world meeting in Spain. The President, obviously, is shot, but it was the loud and unexpected BOOM that caused me to jump. From there the story rewinds to 23 minutes earlier at 12:00. It replays from all the different vantage points several times. Seeing it over and over is not annoying, though, again, those who might prefer a less engaging story might think it is. Each time the scene rewinds we learn something new about the conference, the people attending, and where the "gunmen" are located. Each scene leaves you on the edge of your seat exhaling slowly as you wait for your adrenaline to slow. The ending is also so explosive and heart-pounding, I held my husband's hand with the "grip of death" in anticipation. This film is definitely worth the overpriced ticket at the box office. It deserves to be seen on the big screen. | -1no label
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The third movie produced by Howard Hughes, this gem was thought to be lost. It was recently restored and shown on TCM (12/15/04). The plot is a familiar one - two WW I soldiers escape from a German prison camp (guarded by an extremely lethargic German shepherd, who practically guides them out of the camp), stow away on a ship, and end up in "Arabia", where they rescue the lovely Mary Astor. The restoration is very good overall, although there are two or three very rough sequences. The production is very good, and there are some very funny scenes. And did I mention that Mary Astor is in it? The film won an Academy Award for the now-defunct category of "Best Direction of a Comedy". | -1no label
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Well. Astronaut Steve West sits in a plastic space capsule, commenting that "you haven't lived until you've seen the sun through the rings of Saturn", all the while the obvious mid-day sunlight is streaming through the window, when suddenly he has a nose bleed. Next, West is back home in some secret hospital, a melting gelatinous mass who goes berserk and causes a chunky nurse to run through a fake glass door. Apparently, West "gets stronger as he melts", which makes about as much sense as anything in this hopelessly purile, adle-brained moovie. Then this dopey "Army Brass", who looks kind of like Coleman Francis (director of many bad moovies) tries to cover the info up, but goo man runs around killing everyone he sees because he is melting. He attacks a bickering old couple because he is melting. He makes one terrible actress scream and moan helplessly for about 10 minutes because he is melting. He is melting because he is melting. The fx by the slumming Rick Baker are supposed to be the star here, but they just look hokey. The film is poorly shot and everything looks so dark and muddled that it's very difficult making out what's what - not that it would help any. MooCow says who cut the cheese with this one?? :=8P ps - "Didn't you get any crackers?" | 0neg
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] |
This movie is very underrated. It's highly imaginative, creative and clever. It's just plain fun and in my opinion this film tops the first one. But the film was forgotten when it first came out, and became even more overlooked as the years passed. "Bill & Ted's Bogus Journey" also bombed at the box office, whereas the first one was a pretty good hit and very popular. I think the problem may be that this film was just released a couple years too late. In 1991, Bill and Ted already seemed "so '80s". Even though the '80s were only a couple years ago back at that time, the landscape of the music and style for kids had changed so radically with gangsta rap, hip hop, Pearl Jam, Nirvana, grunge and the Seattle sound. Bill and Ted with their Ozzy Osbourne, Van Halen and Guns N' Roses music along with their '80s style seemed so out of place and very outdated in '91, and I think that's one BIG reason the film bombed at the box office. Nobody but surfers were still saying stuff like "excellent!" and "bogus!" in 1991. "Gremlins 2" which also came out in the early '90s suffered a similar fate of being a good film that bombed at the box office because it was too associated with the '80s. The transition from the '80s to the '90s was a much faster change then now with the '90s and '00s. 1991 was nothing like 1988 or 1989, whereas right now, 2002 and last year 2001 still looks/looked like 1995 or 1996. If only "Excellent Adventure" which was made in 1988, was released THAT YEAR instead of 1989, and "Bogus Journey" was made quickly and released in 1989, then it too would have probably been just as wildly received as the first. | 1pos
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] |
I was disappointed with the third film in the "Death Wish" series and wouldn't recommend this unless you are really into Bronson. He is his usual self in this one, maybe a bit lighter hearted than in the others; the rest of the cast is good if your watching a movie of the week on T.V. - the whole film has the production value of a bad episode of the A-Team and I like the escapism fun of a show like the A-Team but not on the big screen, even if it is an action movie that doesn't claim to be anything to sophisticated. The film takes a while to get going and then when it finally does, it gets out of control to the point of ridiculousness. The plot is something out of an episode of "Highway to Heaven" and Bronson seems like a fish out of water with the majority senior citizen cast and the gun play is so out of control you don't even get any satisfaction from Bronson's revenge against the bad guys. Skip this and go on to the 4th installment which I highly recommend. | 0neg
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] |
They used footage of some real protest spliced with some woman talking about a society with no men to make it seem like these people were cheering for the 'gendercide' of men. The funny thing is, you can see a man cheering on his own death in the background. OK, the plot. Some lady says there should be a society with no men, and the crowd in front of her (which contains some men) think its a great idea. So then all the men are killed or something. So there are no more. Then this blonde scientist creates a man, but removes some chromosomes so he can't be violent. The male grows very quickly and soon is a full grown man. Not long after, he takes the blonde's' Volkswagen beetle and drives into the city where he's discovered. Now you would think the lone man in a city full of lesbians would be the happiest guy ever but no way. The police chase him. I didn't watch the rest but it probably ends up that they've got to race against the clock and some people, or something bad will probably happen. Somehow the man ends up in a stadium with some other men who want him to lead the rebellion. These brave warriors hiding in a stadium might have had some sort of plan which laid out the details of how they'd single handedly get rid of a planet full of women, but I didn't watch. And neither should you. If you're up late and channel surfing and this happens to come on, don't watch. Watch anything but this. You'll find those ads for Bowflex or the ones with women in bathing suits asking you to 'pick up the phone to meet women just like these' in your area will be more satisfying entertainment. (Oh yeah, there's this funny thing when they're pulling in with their cars. I don't know what they did, it looks like they drove in real slow and careful but then tried to speed up the film to compensate but it just looks really weird.) The blonde girl was kind of cute and I'm feeling generous, so... 2/10. | 0neg
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] |
Leave off without Off Season After having driven to the Viking hotel in Portland (ME) from Manhattan during the off season, a playwright and his girlfriend settle in to their new home only to find strange things abound. They both begin to experience the strange things, yet neither seem interested in revealing those experiences to each other - for no good reason. The oddities soon take a toll on their relationship physically manifesting mainly against the girlfriend (probably because she doesn't walk around in the hotel room naked like any respectable B-Horror actress should). She suffers dearly getting the paranormal flu (who knew the afterlife was so unsanitary?!), booted from her job (as a part time librarian?), dumped by the boyfriend (for the company of the day drinking town hooligan; a guy that hangs out across the street from the hotel and flips off the manager when confronted - oooooh....scary), and a sweltering shiner (beware of the dangerous library book). No worries for her though because a dead relative that talks through the answering machine (only after the beep) to her will help guide her through the advances of dirty old men wielding small cactus, long haired freaky wet men cowering in the shower (don't get hopes up for any nudity!), and homicidal book smacking psycho chicks. Our heroine triumphs in the end writing her own best seller exposing the exploits of another best selling novelist that co-incidentally lived in the same hotel before she arrived. Believe me when I say I am making this movie sound better than it is. It is an incredibly bad movie that attempts weakly to capture small town colloquialisms by spinning them into a yarn of mystery and horror (which it doesn't). The problem is the writing and the direction. The plot is almost impossible to follow (not in a good way) and is filled with a myriad of ridiculousness (would the makers of this movie please decide if it is cold or warm or what is the actual weather pattern in Portland during the off season! Sheez!). For the psychological thriller fan, the story is not tight and the characters hold no interest. For the B-horror fan, this movie is missing all the elements - no gratuitous nudity, no slashing, and no chasing. The only screams are coming from the people that paid to see this movie. Don't say I didn't warn you!! | -1no label
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] |
Joseph Wambaugh disowned this film-adaptation of his bestseller about department low-lifes within the Los Angeles police force, but the experience probably shamed him anyway--and anyone who gets through the picture will feel shame for him. Half-assed mixture of smut-minded hijinks and 'sobering' cop drama is so sloppily constructed I am amazed director Robert Aldrich didn't remove his name as well. Aldrich, once a filmmaker of merit, seems to have nothing on his agenda here except earning a paycheck (ditto cinematographer Joseph Biroc, who does some of the gloppiest, ugliest work I have ever seen in a major movie). The mostly-male cast members continually smirk and leer throughout (it's difficult to distinguish the characters' loutish behavior from the actual actors themselves--everyone comes off looking pathetic). The low-point of the movie comes when snarling cop Tim McIntire (in a career-ending turn) is hand-cuffed to a tree without his pants and is spotted by a mincing homosexual. McIntire threatens to tear out the guy's liver and break his spleen if he comes near him. Everyone on screen is doubled over with laughter, but the viewer is the butt of the joke. * from **** | -1no label
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] |
I agree that Move Over Darling is a very good remake of My Favorite Wife, but Doris Day and James Garner, much as I like them, cannot reach the level of sophistication of Grant/Dunne. Randolph Scott does nothing to detract from the picture. Certainly no more than Chuck Connors does in the same role in Move Over Darling. The courtroom scenes with Grant and Granville Bates as the judge are superior, and Donald McBride as the hotel clerk is exceptional. Cary Grant's facial expression on the elevator when he first sees Dunne after 7 years is so memorable that I can still remember it 35 years after first seeing it. If you are a Grant fan, you have to see this movie. | -1no label
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] |
Parasomnia has an interesting premises, but the story is poorly done without any tension or even a logical approach. The cast in unconvincing, even Patrick Kilpatrick, who played great roles in movies like Scanner Cop 2, Open Fire, Under Siege 2 and Eraser. The rest of the cast is unknown (and not very good) with the exception of Jeffrey Combs. (Herbert West from the great Re-Animator trilogy). But he can play roles like this in his sleep (which is a little what he does here). The main problem is that the actions of the characters make no sense at all. The story is rather dull and predictable with cheap computer effects mixed with some gory scenes, especially at the end. This could have been so much better, I do not get the good reviews on this one. It is below average really. | 0neg
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] |
What an appalling film. Don't get me wrong, Gene Hackman and Denzel Washington are good actors, but aside from a few interesting set pieces, the film is mostly taken up with hysterical submariners shouting, crying, sweating and generally freaking out when anything goes wrong. Take that with simplistic asides to make sure the audience still understand what's going on (the scene where Denzel Washington explains to a radio repairman how he must be like Scotty in Star Trek is nothing more than a joke) and you have a dumbed down thriller not worthy of the acting. Let us just hope that the real nuclear US Navy is not in the hands of such a script! | 0neg
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] |
I managed to obtain an original BBC broadcast of this film on video and loved it so much I had to try and locate the original video in its original box; thanks go to Ebay. Deleted on any format since 1990, this exceptional wildlife film is finely constructed and well acted. Directed by Stewart Raffil (MAC & Me), the scenes of leaping Tigers running through the Alaskan wilderness is nothing short of stunning and its timeless tale of a trapper trying to survive on his own in the frozen wastes with two young tiger cubs is moving on each viewing. Why no major company has picked up this movie to distribute on DVD is a big wonder; but makes it that extra special to know its also hard to locate. If you find this film by chance or eventually track it down to add to your collection, make sure never to let it vanish out of your grasp. Films of this calibre, as shown, don't come often. A true masterpiece in every sense of the word, and highly worthy of its praised comments, "WHEN THE NORTH WIND BLOWS" will sink deep into your heart as soon as you see it. | 1pos
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] |
I'm a 14 year old and I still love this movie! why? Because Thomas the Tank engine has been a part of my youth since I was a baby! And since I like trains naturally, this was perfect. One thing I liked was the plot, An evil Diesel with a giant claw who's trying to find a magic engine so he can destroy all steam engines. Short, sweet, and to the point! Not that complicated! unlike some movies *Cough* LordoftheRings! *Cough* Another thing was the change from small little action figures to actual humans! And I got a feeling of nostalgia when I saw they kept the same woman from the Shining Time Station series. Also, It's a nice change to see someone who's a true..."Villain" In the Thomas Series. Overall, this is a great movie for kids, and teens who are looking to relive some happy memories of their youth. | -1no label
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] |
I saw "Rachel's Attic," thinking that I would be in for an enjoyably visceral, ride. However, it was not to be the case. Visceral, yes, but enjoyable? That would be a big, fat, no! In fact, the only reason that I gave it a "3," is due to the fact that Gunnar Hansen appears (ever so briefly) as one of the film's reprehensible characters. How they ever lured Mr. Hansen into this piece of...work, I'll never know. The story idea is interesting but poorly executed. The direction is pedestrian and the acting is mediocre. The only thing that is worse than that, are the special effects. YIKES!!! I've seen better effects in a grade school play. Give it up, Mr. W, it's time for a career change...I hear they're hiring at Mel's Diner! There are very few, well made, Inde movies coming out of Michigan...and "Rachel's Attic" isn't one of them. | 0neg
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] |
It's informative, all right, but after a very short while you realize that all you're watching is a bunch of clips of junk exploitation pix & mostly fatuous comments on them. OK, so Tarantino (we're not on a first name basis) was blown way by the outrageous idea of having an almost nude woman as a hood ornament on a car. So what? Some tastelessness is highly enjoyable (most of Tarrantino's work is) because of style, panache & great dialogue. With rare exceptions, the Ozploitation stuff shown in this pic is not. It's just juvenile & I'm old enough to be sorry I wasted my time watching this one. Most of the reviewers have disagreed or will disagree with this comment. Well, that's Show Biz. | -1no label
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] |
people claim its edited funny but they had to cut it down substantially in post production. i have harry as a professor right now at ucsd, and honestly its one of the best classes I've had, its rather funny to here about what happened in making the film cause harry is so animated. i originally watched "joy of life" for another class where harry did a voice over in the film, and started watching this film after i started the class. Harry originally did some performance work, and is really genuine about creating moments that move you, especially when you have to re edit things until you hit on that moment, but its something you see in this film. | 1pos
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] |
This is a great animated feature film.It was so cool to see He-Man and She-Ra and Skeletor and Hordak together!I loved it when He-Man and She-Ra did their transformation after each other near then! That was wonderful!I loved that!Most of the characters from both series' were in the film and the music was great as always!If you like He-Man and She-Ra then watch this masterpiece.In My opinion this was one of the greatest animated features ever!Just like the series' its a classic and I think it'll be hard for something to top this!I really love this movie and I don't think you'll be disappointed! | -1no label
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] |
In Amu, a twenty-one year old Indian girl named Kaju goes back to her homeland after eighteen years to discover her roots. Adopted at age three by doctor Keya, Kaju was taken to the United States to escape the political turmoil of 1984 riots in India. Upon Kaju's return, she soon discovers that her stroll down memory lane has some obstacles and at the end awaits a bitter truth about her family. Most of the cast fit their roles wonderfully, especially Konkona Sen Sharma as Kaju and Brinda Karat as Keya. Ankur Khanna did seem out of place as Kabir, whose Keanu Reeves' (The Matrix, Constantine) type of unenthusiastic, hardened character wasn't played out well in this dramatic film. The story also seemed a bit weak, especially the tie between Kaju's background and the 1984 riots in India. The history of the riots was summed up in a few short dialogues and an approximate 10-minute clip during the climax. The dialogue for Kabir also seemed a bit repetitive as he frequently asked the same question concerning the 1984 riots. The directing was another great element in this film along with the great performances by Sharma and Karat. The scenes were well staged; especially the scene with the dancing boy and the scenes at the train station. The flashbacks that Kaju experienced were also exceptional and helped the story give a sense of depth, the feeling that something deeper has happened that Kaju's relatives are hiding from her. With the exception of Kabir's roles and the slightly melodramatic tone in some of the scenes, Amu was directed well and great performances by the other main and supporting characters. Amu also showed the true political chaos that corrupts India today. Eight out of ten. | -1no label
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] |
I have a question for the writers and producers of "Prozac Nation": What is the root cause and what is the solution to the widespread problem of personal depression in America? In the moving performance of Christina Ricci as Liz Wurtzel, the film portrays a young woman with unlimited potential as a Harvard student and as a writer. But this is not a story of success, only one of self-destruction as we watch Liz bring misery into the lives everyone who comes in contact with her. The film examines divorce, family dysfunction, drugs, alcohol, and prescription medication as possible reasons for Liz's unhappiness. But none of those superficial explanations are satisfactory. At some point in the film, it would have been helpful to suggest that Liz needs to take responsibility for her life and her problems. No light was shed on what the film alleged to be a runaway problem in "The United States of Depression." In the story, Liz had a caring therapist (Anne Heche), a caring roommate (Michele Williams), a caring boyfriend (Jason Biggs), and a troubled but caring parent (Jessica Lange). In a key scene in the film, Liz is lying in a hospital bed watching the break-up of the space shuttle Challenger. Instead of equating Challenger with Liz's life, the film should have used the image as a starting point for her healing and recovery. This film reminded me of a generic made-for-cable "victim" film on the Lifetime network. An excellent cast was wasted, especially in the earnest performance of Christina Ricci. The real-life Elizabeth Wurtzel obviously found within herself the resources to cope with her depression and become a successful author. It is unfortunate that the film could not offer us even the slightest glimpse into her courageous spirit. | 0neg
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] |
Storywise, this film is perfect. Seriously, this is more or less the exact story i wish movies told. I don't know why there aren't more movies like it, really. Not only is it by far my favorite "twentysomething mopey slacker" movie (the only good one, really), but it ranks up there in the tragic love story department as well. Unfortunately, in terms of actual "filmmaking" the story isn't really done justice, although it's not so bad that it really weakens the film significantly. The cinematography and so on is competent but never really inspired. Pretty bland (some nice lighting though at parts). And the pace and tone are somewhat uneven, particularly towards the beginning. The film starts pretty choppy, narratively speaking, and at first it goes way too fast. Eventually it settles into a good groove though and towards the later part of the film the pace has adjusted itself comfortably. It also focuses tone-wise as the film progresses. At first the tone is a little haphazard and there are some attempts at cuteness and quirkiness that don't go over so well. The soul of the film is clearly a drama and not a comedy, and the director seemed to realize this part of the way through. But it's safe to say that overall the moments of greatness far outweigh the few awkward, misdirected moments. And in any case, i like the story enough that it can carry almost anything. | -1no label
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] |
The first time I came upon Delirious, I only heard it. I listened to the entire comedic performance and never have I laughed so much in my life. Eddie's ability to paint hilarious pictures in our minds and do great imitation is captivating. When I finally got to see him perform this act, I had to have it. Eddie Murphy's performance on Delirious shows his genius! With it being the new millennium, his acts in 1983 is just as funny today as it was then. My parents loved it as teenagers and I (age eighteen) love it as well. From that point on, I had to view Murphy's other movies such as Coming To America and Harlem Nights. There will be no other comedian like Eddie. | 1pos
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] |
I really liked the movie. The only thing I didn't like was the actual town, Halloweentown, because it was smaller. It was just the pumpkin in the middle and some buildings around it. That was really boring and not as special as the first one. That could have been better.I didn't like that at all. It should have been like the 1st one a big town and with more depth that really sucked. But other than that I really liked the acting and the script. I really love the costumes and the cool special effects. They might not be as good as some other movies but is really interesting and fun. Kids will love this movie. Especially kids that were born in October or even November. The whole series is great and fun for the whole family. | -1no label
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] |
Why did they have to waste money on this crap?! WARNING! CONTAINS SPOILERS!!! The plot: down-to-earth-good-kind-girl meets a rich-snob-ignorant guy. Her boyfriend gets jealous and with the guy, they burn down a resturant? (Over an UGLY girl?) Guy has to stay in town to build a new resturant, perfect for the love story to begin. But, hark!!! The girl is dying!!! Isn't that a surprise boys and girls? But she teaches him love life, and enjoy it. He's sad she is dying. She dies. He is sad. But has now learned to love life. What's the moral of the story? When, dying, teach another person to love life. LIKE EVERY OTHER LOVE MOVIE EVER MADE!!!! AAAAAH! This movie was the crapiest thing I have ever seen!!!! Did the director want to try to make this plot original?! AAAH! And the friggin' girl would not die!!! It took her a half hour?! I felt no pity for the charactors, and the love story died the first hour of the movie. 1/10 DON'T WATCH THIS MOVIE, UNLESS YOU WANT TO BE BORED OR GET A HEAD ACHE!!!! | 0neg
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] |
After summarizing this movie in the Summary, I find little else to say except to repeat, to wit, this movie is a slow 97 minutes, but interest never flags, especially if you're hot for Marguerite Moreau, as she's in a large majority of scenes. The action, as it were, moves forward less on plot than on slice-of-life vignettes while our heroine -- who had a history of poorly-chosen paramours, of men who didn't appreciate her, leaving break-up messages on her phone machine during the opening credits -- copes with the ups and downs of dealing with two who finally do. Watching Moreau's portrayal through these transitions lends a real-life atmosphere to the proceedings, and is the primary delight of this film. All in all, an easy watch. | -1no label
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] |
'Nanny McPhee' is a good movie in its own right, not merely as a kid's movie, or an art movie. Emma Thompson keeps on amazing us all with her screen writing (she is an Oscar winner for that, after all!), and her acting (ditto on the awards). Nanny McPhee is weird, to be sure--- but not just weird for weird's sake, such as a Tim Burton movie. Rather, the weirdness seems to take real life issues, and issues relating to parenting, and turn them around artistically into genuine entertainment. The cast is stupendous. Colin Firth, great as always. The very pleasant surprise for me was Angela Lansbury. She must be 111 by now--- she was already a big Hollywood star back in 1941, after all. But here she played a classic old eccentric English character, SORT OF in the Margaret Rutherford vein, but unique, fresh, and amazing in its own right. It took me half an hour to place Lansbury, her character was so spot-on, and so wonderful. Her presence in the movie is a treat, in and of itself. Children's movies have their own criteria for judgement, of course. But sadly, often kid movies are judged favorably if they posses a certain type of 'fairy-tale-ness', even if the movie is otherwise a load of crap. Like the some Tim Burton movies, in my humble opinion, or to some extent, even the recent Willy Wonka effort--- 'Charlie and the Chocolate Factory'. That movie was 'ok', but was substantially dark and creepy, as is most of Roald Dahl's work. But he smacks of Kid Movie Heaven, so critics and parents seem to praise his stuff irrespective of its true quality. Anyway, that's my view. 'Nanny McPhee' is light, airy, and very positive. As well as being a cracker of a movie. I would take my kids to it. I think the message for kids is overall positive, and something parents could be comfortable with exposing their children to. | -1no label
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I really enjoyed the movie and got a chance to see Bishop TD Jakes from a different perspective. I believe this is the side of ministers that we don't see, where they visit the sick, prisoners, etc. And unless we have a crisis in our family probably will never see. Since I missed the first few moments I was a little confused by what was going on since the scenes jumped from the jail cell to the church to the past. However, the plot is not hard to follow. The characters were all great and did an excellent job in there parts. I sure many feel its a movie for women and that is not necessarily so. After watching the movie I am definitely interested in reading the book. | -1no label
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Caught the tail end of this movie channel surfing through the cable movie channels, and was so intrigued I sought out the next showing. I really didn't know what to expect after reading the program summary, but I came away from this movie feeling quite disturbed and distressed. It also gave me as adult who attended high school in the 80's, a little better insight into what our kids have to contend with these days. The fact that you don't see the shooting only adds to the chillness of the plot. To see both child and adult alike struggle to comprehend and come to terms with the senseless shootings was at times overwhelming. And will admit that I shed quite a few tears throughout. On the whole, not a movie that I would seek out to what, however I am sure glad I did see it. | 1pos
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There's no better way to describe the HORRENDOUS experience that's to watch Mamma Mia: Hitler must be looking up, saying to the pseudo-director Phyllida Lloyd 'You monster, what have you done?' Everything about the movie is wrong. Just
Wrong! Even its success, which is unexplainable. I can understand when those crappy parody movies, like Epic Movie, make their minimal share of money and turn profit just because they're cheap (of course they are!). But when something like Mamma Mia makes 450 million dollars worldwide, you think 'what the hell is wrong with the world?' And to think we have Meryl Streep, one of the greatest alive actresses of the world, in it? What was she thinking? 'I need the money', she could say. Well then, sell one of your grandchildren, even that would be less embarrassing. It's not that Meryl is good in a disastrous piece of, err, 'movie'. She's also disastrous! When she sings, even though she's got the vocals, it's ridiculous. Worse than her only Pierce Brosnan. He used to be James Bond. Now he's singing Abba in a purple spandex during the credits of the worst movie ever. Really? And when I mention Abba, not that I have anything against the band and their music. Though it doesn't help them when actors started singing (badly), dancing (worse) and the extras join then (They pop out of nowhere! Frequently!) to present one terrible musical sequences after the other. You wanna cry when the music starts. And I love musicals! But this is the first in the genre where you PRAY for actual silence. I could keep going. The list goes on forever. You could write a Stephen King novel with the complete list of mistakes in this movie. To sum up: go watch it! Really! You've got to witness to understand!! And since it's already a huge success, who cares if it makes a few more dollars from you? And it's not liking you're selling your soul to the devil. Meryl did that before. For the whole mankind. And now the world must end, because we've committed the ultimate evil and we must be destroyed. | 0neg
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] |
Thankfully saw this on a plane to Singapore recently (thought I'd missed it at the Cinemalaya filmfest). Paris, je t'aime is a collection of 20 short films (about 5 mins each) by 20 directors showing love in various pockets of contemporary Paris. One of my fave segments is 'Parc Monceau' by Alfonso Cuarn (Great Expectations, Harry Potter and the Prisoner of Azkaban), which was done in one continuous shot and features Nick Nolte. The Coen brothers' 'Tuileries' starring Steve Buscemi as a tourist in the metro was hilarious ! Juliette Binoche and Willem Dafoe in 'Place des Victoires' was haunting. For Maggie Gyllenhaal as an American actress/druggie in 'Quartier des Enfants Rouges' to have portrayed anticipation and heartbreak in such a short period of time was just brilliant. Elijah Wood as a vampire victim in 'Quartier de la Madeleine' was pretty surreal, while Emily Mortimer and Rufus Sewell played a cute couple in Wes Craven's 'Pre-Lachaise'. Natalie Portman was beautiful as usual as the actress girlfriend of a visually impaired French boy in 'Faubourg Saint-Denis'. But despite the many portrayals of young love, a more mature execution by Gena Rowlands in 'Quartier Latin' was equally aww-inducing. This movie is perfect for those with ADHD because each sequence is driven and carefully thought of. There are also a number of memorable quotes. One in particular is this one from a cheating husband who eventually leaves his mistress to stay with his dying wife in her last days: "In pretending to be a man in love, he became a man in love." | 1pos
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] |
All the ingredients of low-brow b-movie cult cinema. Topless (and bottomless) girls, kung-fu kicking chefs, slave traders, evil Germans with mustaches, Cameron Mitchell and sword-wielding zombies. And, of course the breasts of Camille Keaton, who's best known display occurs in the feminist exploitation classic I Spit on Your Grave. We also must mention the hooters of jewel Shepard, who play a hooker in the recent film The Cooler. Lots of blood and action with knives and swords and martial arts among topless dancers in a bar, in a whorehouse, and on a boat load of martial artists heading to some zombie island where bad martial artists go to die or something like that. Tops and bottoms come off easily and frequently as travelers are well lubricated thanks to the boat owner. Then disaster strikes as their boat is destroyed and they land on the zombie island where mas monks sacrifice young girls to the dead martial artists to bring them back to life. Just when you thought it had everything, there are piranhas in the water. Yum Yum A big fat German for dinner. Just the thing for your next zombie fest. | 0neg
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The Emperor's New Groove was a great twist for Disney. It wasn't a musical! It had clean, fresh jokes and no political twists. It was just a darn funny movie. Kronk's New Groove, on the other hand, is tired and weak. My 3-year-old still loves Emperor's New Groove, but fell asleep during Kronk's. There really isn't any really conflict (that, in the first movie, lead to all of the wacky adventures). Because of the lack of conflict, it almost seems like the animators threw out the writers and just made the storyline up as they went along. I kept waiting for something to happen that would make the movie fun . . . and still am. | 0neg
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] |
Yes, this gets the full ten stars. It's plain as day that this fill is genius. The universe sent Trent Harris a young, wonderfully strange man one day and Harris caught him on tape, in all that true misfit glory that you just can't fake. Too bad it ended in tragedy for the young man, if only an alternate ending could be written for that fellow's story. The other two steps in the trilogy do retell the story, with Sean Penn and Crispin Glover in the roles of the young men, respectively. The world is expanded upon and the strangeness is contextualized by the retelling, giving us a broader glimpse into growing up weird in vanilla America. Recommended for anyone and everyone! | 1pos
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] |
VOYAGE TO THE END OF THE UNIVERSE is one of those rare treats, a mostly routine programmer with enough unconventional elements to hold your interest. The story opens with the ship, having nearly completed its voyage, being threatened for destruction by a demented crewmember. The story then segues into flashback, showing the mission from the beginning up to that time. One unconventional incident during the voyage occurs when the ship encounters a wrecked spaceship, and dispatches a boarding party. The boarding party discovers that the wreck is a space gambling casino, complete with roulette wheels, card tables and humanoid remains. Unfortunately, the casino is also booby-trapped. I would love to see this movie in color. Unfortunately, in perhaps the only instance American International Pictures choose to do so, the film was released in the United States in black and white only (Columbia Pictures used to do this fairly routinely; I've seen at least three Columbia films made in color and released in Black and White). The ending of this film is quite predictable. However, I can certainly think of worse ways to spend 90 minutes. | -1no label
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] |
I remember watching this film on Saturday afternoon TV in the 1950s or 60s. It was well presented but I do remember there was a message of hope broadcast from transmitters secreted in lamposts in one of the last maniacal executions for impending liberation. I'm not sure that squares with the facts. Still the film is well done. The German High Command reports wryly without emotion "The Russians are advancing down The Fredrich Strasse" as if all went according to plan. it was my impression that this film and a later American made for TV knock-off was based on the British historian Trevor-Roper's account by a similar title Last Days of Hitler. I was surprised to see no credit to Trevor-Roper. I agree the newest German film on the subject DOWNFALL was as well done as the classic. The American knock-off was a little flat. Few figures have attracted as much attention from the cinema as Adolph. Yet I find it interesting that none of the many films and books that have come out ever speak of Hitler's double alluded to in passing in John Toland's magnificent historical piece. Was gibs? | 1pos
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] |
I recently rented the animated version of The Lord of the Rings on video after seeing the FANTASTIC 2001 live action version of the film. The Lord of the Rings live action trilogy directed by Peter Jackson will undoubtably be far better than George Lucas' Star Wars "prequel" trilogy (Episodes 1-3) will ever be as the real fantasy film series of the 21st century! I remember seeing the animated version as a child, and I didn't quite understand the depth of the film at that time. Now that I have read the books, I understand what the whole storyline is all about. To be sure, some of the characters are quite silly, (Samwise Gangee is particularly annoying, almost as much as Jar Jar Binks in Star Wars Episode One, (AWFUL!)) but, I have to say it follows the book rather closely, and it goes into part of book two, The Two Towers. The good things are that the action is somewhat interesting and some of the animation is quite remarkable for it's time. The bad things are that it ends upruptly halfway through The Two Towers without any result of Frodo's quest to destroy the one ring, and the animation looks quite dated compared to today's standards. Overall, not AS bad as many say it is. BUT, the 2001 live action version is the new hallmark of The Lord of the Rings! At least Ralph Bakshi took the script seriously! Peter Jackson has said that the animated version inspired him to read the books, which in turn caused him to create one of the greatest fantasy series ever put on film, so we can at least thank Ralph Bakshi for that matter! I'll take the animated version of Lord of the Rings over the live version of Harry Potter anyday! A 7 out of a scale of 1-10, far LESS violent than the 2001 live action version, but NOWHERE near as good! For diehard fans of the books and film versions of The Lord of the Rings. | 1pos
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] |
This movie is nothing to be psyched about! It was hard to follow, confusing, and just ridiculous to ever put the label "Horror" on it. Something about a psycho woman witnessing her sons death and becoming obsessed with finding her sons killer (and i only know that from reading the movie cover). Its a waste of time and money, not even bad enough to be laughed at. The only reason the actors could categorized as "good" actors is because they had a maximum of three lines each in the movie! The entire time my head was ringing with some shitty Michael Myers/Circus/hypnotizing music sh*!... The only reason I rated it a 2 instead of a 1 is because I was put through the high school movie production of "Near Death" last night. | -1no label
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] |
I was lucky enough to see this little slice of film crime noir at the LACMA during the weekly Tuesday Matinée, and let me tell you, but for all the old ladies and grandpas in the theater I felt I had been transported back to the golden age of Los Angeles Film Noir. This title ranks up there with White Heat as one of the best crime thrillers using the City of Angels as its locale. After renting Kubrick's The Killing on DVD I jumped at the chance to see another heist film with Sterling Hayden, in my opinion the meanest S.O.B. Noir actor. He is awesome as usual in this movie with his characteristic scowl frozen on his face. Also for a film made half a century ago it has remarkably stood up to the test of time quite well. It's really a lean, mean little crime thriller. Please whoever owns the rights to this gem, release this forgotten classic on DVD!! You still have the chance to release a 50th anniversary edition this year!! | -1no label
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] |
I couldn't believe my eyes once I've watched this movie. There's no point in it either then blood and violence. Unlike other scary movies that had gore and a meaning to it this movie is just blood, gore, and killing one after another. This movie isn't interesting at all, has no meaningful plot or story line, nor does it have an intelligence in it. The blood looks very fake and this movie overall, is pointless. Don't even waste your time with it. It's just an hour or two of mindless violence. It has many bloody scenes that aren't scary but just plain revolting. This is probably the worst horror film I have ever watched out of all the horror films I ever saw. | 0neg
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] |
I watch many movies, but presently my genre number one is Asian horror. I have just bought this DVD and I initially found "Janghwa, Hongryeon" an intriguing but confused film, since I had not understood many parts of the story. But I saw in IMDb Board a message titled "Explanation of a Masterpiece (all your questions answered) Faster load", written by opiemar, and I was really impressed with the high quality of the explanations this user provided to viewers like me that missed points of the story. I would like to congratulate opiemar for his excellent work and suggest him to write a correct summary of this movie in IMDb to help and guide other viewers. In the end, I agree that "Janghwa, Hongryeon" is a great Korean film, but I do not give ten in my vote because very few people can afford to see the same movie more than once, like this film demands, and without the great support of opiemar, I would not be able to understand the story as a whole. I intend to see this movie again in a near future. My vote is eight. Title (Brazil): "Medo" ("Fear") | 1pos
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] |
This movie had potential in its storyline. Very enthralling basis about a witch who is summoned to the twentieth-century and wreaks havoc upon the descendent of the man who is her lover and persecutor centuries before. While this plot is fascinating, the film itself flounders with typical and hackneyed evil spells and tricks used by the witch, which make the true fiber of the story into a peripheral byline until the very end. I saw this movie in the early eighties and the fact that I can remember so much about the storyline is a testament to what this movie could have been. However, it is a big disappointment and you will kick yourself for having wasted your time to watch it. | -1no label
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] |
While the only downside in this cartoon is that Sylvester didn't speak, this is still an classic by the late Chuck Jones. Porky and Sylvester arrive an an run down house (the last that the real estate agent had,) right away the cat gets scared by an bat. Porky loves the house and decides to turn in while Sylvester sleeps in the kitchen. That's where the fun really starts. He gets scared by every little thing and runs to Porky who is trying to sleep. In one scene they're outside and Porky asked Sylvester to closed the window which launches the bed back to the house which was an good gag. Eventually, Porky is fed up with Sylvester and checks it out for himself. The pig gets tied up and gagged and Sylvester runs away. Then his angel arrived and convinces him to remove the mice. Which he did expect 1 who drops an bowling ball on Sylvester's head. Like I said, the downside is that Sylvester is silent but it's still an classic by Chuck Jones. I highly recommend it and its squeal Claws for Alarm. Final Score: an 9 out of 10. | -1no label
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] |
What is there to like about this movie? Some bumbling incompetent astronauts blunder their way 500 years into the future. Once there they notice that civilization has been all but destroyed in a nuclear war caused by the warlike suspicious tendencies prevalent in the 20th century world they left. They have no moral authority to lecture the survivors about anything, but they do just that. They accuse the (understandably) pacifist survivors of complacency when they refuse to take up once again the weapons that destroyed their world, to wage an unjustified eugenic war of extermination against the deformed (but obviously human) surface dwellers. "World Without End" is a sorry piece of Cold War propaganda, combining a justification of aggression with a dismissal of the danger of nuclear holocaust. It is really quite immoral in its own way, and if it weren't so crudely and cheaply done, it would make me even madder. | -1no label
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] |
Von Trier once explained how he created such strong involvement from the viewer with his movies by placing his movie world in about the middle of the real world and the imagined world. So as viewers we think we watch a "true" story while in fact we are thoroughly manipulated, often to the point that the movie works disturbing (Dancer in the Dark) or painful (The Idiots/ Idioterne). Of course the Dogme-films acted only as a vehicle for this theory (besides creating some welcome spotlight on Von Trier). The story is typical for Von Trier: our hero is idealistic, seems to balance his relations with everybody else, but soon becomes the victim of the problems others have created in the past for themselves. The idealist inevitably has to reject society in order to stay idealistic and becomes the terrorist. Mankind is spoiled and purity only leads to (self-)destruction. (These elements were also very omnipresent in Breaking the Waves and Dancer in the Dark.) The movie is also full of cynical (even humorous) undertones about the role of the Germans and Americans in post-war Germany. As a technical achievement the movie is wonderfully designed: shifting and fading washed-out colors, screen overlays, action on different overlays (with the shooting of the soon-to-be mayor as the most interesting). In this movie we can see how good Von Trier's handles film as a technical medium. In his later works he seems to step down from this (as if he is not longer interested in technical achievements because they become so easily available). | 1pos
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] |
While many people found this film simply too slow and simplistic I really connected with it. There is no plot as such, rather the film takes the form of a human survival story about three people trapped up a tree with a man eating crocodile lurking somewhere in the water beneath them. Personally, I thought the acting was mostly very good, despite the roles being quite demanding at times, and I felt a sense of warmth for the characters. The situation they were in was quite terrifying and I really felt nervous for them. I found the whole film quite nerve wracking because of the sheer helplessness of their situation and the constant threat to their survival. The crocodile effects were handled surprisingly well for such a low budget film, and believe me, I have seen my fair share of dodgy croc movies. The creature moved well and had real menace and, although the audience I was with didn't seem too keen on the film as a whole, they still jumped and gasped whenever the crocodile appeared. Script-wise, I would have made a few changes, particularly towards the end, but this was not a major problem. For fans of slow-burning survival horror set within the realms of reality this will be an engaging film but unfortunately I think for many audiences seeking a thrill ride and higher production values from their cinema experience the point will simply be missed. | 1pos
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] |
Having just watched this movie at its premier as part of the London Film Festival 2003, I have to say I came out being sorely disappointed. The movie is basically a series of loosely coupled cinematic clichés stitched together in a rom-com template. First timer Karl Golden has mistakenly crammed too many tricks on to the screen, and the jarring jump-cuts, grainy stock and jerky camera movements are not innovative, merely annoying and nauseating. It is truly a sad indictment of the state of the British film industry when funding can be made available for predictable, plodding, saccharine nonsense like this at the expense of other more worthy projects. | -1no label
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] |
What it's like: If you took the story ("Mimsy Were the Borogoves" by "Lewis Padgett"--Henry Kuttner and Catherine L. Moore), and gave it to latter-day hippies (such as script-repurposer Bruce Joel Rubin) to make as one of the sharper episodes of the revived THE OUTER LIMITS (it's slightly wittier and better-done than the "Sandkings" pilot). Less rancid and dumb than the typical Spielberg-gang outing, slightly less sanitized (for your protection) than the common Disney production (even if Michael Clarke Duncan's role is straight out of LILO AND STITCH), this film will annoy Kuttner/Moore purists. What's good about it: the actors are pretty deft, for the most part, including the kid sibs. Kathryn Hahn (of CROSSING JORDAN) and Rainn Wilson (of THE OFFICE and SIX FEET UNDER) are just about the go-to couple for the kind of reasonably latter-day hippies they portray here, and Timothy Hutton and Joely Richardson do well by their increasingly-freaked parent roles. Nice early touch on how the first toy appears differently to our kid protags and to their mother. Some visuals not too shabby, if unspectacular. What's not so good: the product-placement goes from blatant to, at a key point, annoyingly unbelievable; the framing device, particularly at the end. The changed nature and reason for the transport of the toy package. What it would be paired with at the Kailua Drive-In or Holiday Theaters for double-features corresponding to those of my youth: DEJA VU or other more innocuous skiffy; probably not with 300. Another reason it's clearly not directed by Joe Dante: No one's watching THE TWONKY at any point. | -1no label
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] |
This film is the rightful butt of every bad-movie joke ever told. One of the worst and weakest of all films, it fails in ways beyond comprehension. Few movies have been any less funny or less emotionally involving for an unfortunate audience. At least with, say, Showgirls or Wild Wild West, you have something so bad it's funny. Two If By Sea does not have so lucky an audience. It's the worst kind of bad film, one that doesn't even have the decency to be humorously bad, so profoundly bad you can laugh at it. It is far, far worse. This movie makes Mortal Kombat Annihilation look like L.A. Confidential. I'm certain that watching Two If By Sea is considered torture in some parts of the world. | -1no label
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] |
Based on the descriptions appearing on the front and back cover of the movie case, one would expect this movie to chronicle the life and times of Blackbeard. Instead the movie focuses more on a fictional love story than the historical figure for which it is titled. Blackbeard's more notable conquests and actions are not even eluded to. One would think given 169 minutes they might have squeezed in a little something more. His reputation with no specifics is only referenced. This film unfortunately is primarily focused on a fictional love story. There are far more elements of fiction than fact in this film. In short, much like judging a book by it's cover, do not buy/view this movie based on it's box. | -1no label
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] |
I'm from Chicago and go to school in Michigan and found this movie offensive. Although not from the South, I thought this film was very unsympathetic to and caricatured Southern culture and history. It's also very questionable that history would look anything like they're portraying it if the South had in fact won. I don't think world agriculture or sentiment would have made slavery viable for more than another 50-70 years even if the South had won its independence or conquered the northern states. Also, this movie was simply poorly made. Its actors, commercials, and PBS-style program all seem to be aimed more at making fun of the South than at providing a realistic attempt at an actual documentary and commercials on what would be modern Confederate television. | -1no label
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] |
I didn't like watching DS9 compared to other Star Treks even Enterprise, but I didn't like Babylon 5, and now I know why. They are the same show. I just read the old news that Paramount stole the idea from the creator of Babylon 5, but they chose not to sue for a reason I don't know or care, but seeing as a Star Trek series is based off another even nerdier show is just to much to bare, now I will condemn anyone who even mentions the DS9 when talking about the series. Original, TNG, and Voyager are my favorites in that order. Before I didn't understand why everyone thinks DS9 is great and I didn't, but know I know. It's also because the captain has a real anger problem, and I hate people that act cool, but freak out, out of no where; and he seems to on every episode. | 0neg
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] |
Went to the movie expecting a funny comedy and was disappointed. Where the movie set up a scene where a joke was expected, what was offered was weak and flat. The whole movie had a been there, done that feel with no real saving graces except the female lead, she was good. The rest of the actors were okay, but nothing special. This was the first movie in a long time that I was sorry I went to. The script seemed to need another once over and a lot of the scenes should have been done again. The best part was the fact that all of the students in Berkley went into San Francisco for fun and frolic. The best and one of the few funny parts came at the very end and had nothing to do with the story. The whole movie had a "John Hughes" 1985 feel to it which may explain the "Sixteen Candles" and "Breakfast Club" posters which pop up in the movie. This film is more like them than "American Pie", but not as good as the 1980's films. | -1no label
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] |
A few people on this page have compared SECRETS to a sort of Aussie 60s version of THE BREAKFAST CLUB but I have to steadfastly disagree . THE BREAKFAST CLUB was one of those productions that Hollywood used to churn out in the mid 1980s in order to sell a few records . SECRETS has an entirely different feel to it , in many ways it feels neither like a cynical marketing excersise nor a feature film but more like a theater play , and even though I haven`t bothered to check I`m probably right in saying SECRETS started life off as a play . Check out the character of Randolf who starts off by speaking in a scouse accent then when he gets found out reverts to an Australian accent . This type of deliberate internal logic gaffe is not uncommon in stage plays since it gives actors the chance to show off a bit and of course the story is entirely low concept just like you`d expect from a stage play . This is a very uncinematic movie and the director seems to be lost in what to do with the characters . Check out the early scenes where Didi sits alone drawing . She`s been down the basement with Danny but neither of them have said two words to one another . Very difficult to believe . But I guess the selling point to this movie is more to do with the music of The Beatles rather than character interaction but the music featured here is of the band`s early stuff and I much prefer their later material As a strange footnote last year Paul McCartney`s daughter Stella was married on the island of Bute where I live . We had some really big name celebs like Madonna and Gyneth Paltrow over for the wedding and the local population were totally star struck just like the characters in this film . Quite pathetic really | -1no label
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] |
Aside from being a total rip-off of the Halloween series (escaped mental patient returns home; a sibling is attached in the plot line; the killer wears a mask and coveralls, doesn't talk, appears and disappears, gets purposely rammed by a car, etc), the original Texas Chainsaw Massacre (the whole crazy hitchhiker part; the main character escapes by jumping out a window), House of 1,000 Corpses (the neon lighting and the whole "horror ride" setting, the hitchhiker looking like Baby and wearing a cowboy hat and having an annoying laugh), the movie itself was cliché to hell! I was able to say lines before the characters because it was so obvious where the story was going (i.e. "they were my cousins"). I was also able to say, "insert tedious cheap scare... now" and it would always happen. The script was awful! The characters were saying the cheapest one-liners and moronic high-school dialogue that I had to wonder how it got greenlighted. Someone else wrote that it reminded them of an episode of Are You Afraid of the Dark - and it really did! The reason why for me was because it seemed like little more than a cheap Canadian kids sit-com slightly vamped up with some gore and a few breast shots. Did it seem a little strange to anyone that the whole ride was connected to a few wires? I mean, flip one switch and you have endless fog, strobe lights, music, etc? The ending was obvious too. Did the same people make this that made that Gawd-awful Canadian TV version of Carrie? I'm disappointed Christopher Young's name and music were attached to this. Looks like that girl from the Sopranos and the kid from The Sandlot have nothing to look forward to in the way of acting careers, although it wouldn't surprise me if there was a sequel, what with the way it was all set up. Hey Lion's Gate, I want my money back, and how about paying royalties to John Carpenter, Tobe Hooper and Rob Zombie while you're at it? | -1no label
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] |
The only footage of Zeppelin I've seen prior to this DVD is 'The Song Remains the Same' movie from 1976. We used to spend hours round a friends house watching this, but I never really liked it and hated the fantasy sequences.... So what of this DVD? I didn't know it existed until browsing for the Physical Graffiti CD.....'When did this come out?' I thought For some reason I thought that Page wasn't a great live guitarist, but to say that watching this DVD has changed my opinion is a massive understatement. There's 'White Summer' from 1970 - 10 minutes of guitar wizardry. There's an acoustic set from 1975 - 'Bron-y-aur Stomp' has a brilliant finger-picking improv section. The 'In my Time of Dying' and 'Trampled Underfoot' performances (also from '75) are breathtaking - with Page and Bonham tearing things to pieces like no one else ever has. Demonic possessions of rawk!! The magic continues into the Knebworth 1979 section. The rendition of 'Achillies Last Stand', considering their various drug-addled states just beggars belief! A song of complex guitar overdubs, Page arranged it in a way that lets him just 'punk it out' live - the effect is totally mesmerising. 'In the Evening' - I never liked this on disc but it zings along here. 'Sick Again' - great piece of sleaze-rock. The footage from Knebworth is very interesting, cutting between big screen, various rostrums and bootleg footage to great effect. Plant is amazing throughout all the performances. Page, despite being painfully thin, looks like a six-year old kid having the most fun of his life at the Knebworth concert - and makes infectious viewing. One thing that puzzled me - The 'Black Dog' performance from 1973 sounds very 'camped up'!! Robert Plant always did love a little 'mince' and those jeans are absolutely ridiculous - and would warrant an arrest nowadays. All very different from the muscle-bound kick-a$$$ studio version. I love this DVD. It has reminded me how good Zeppelin were and remain. | 1pos
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] |
One of my favourite films. It has everything - rocking soundtrack, courtesy of Eddie Clark, ex Motorhead, loads of action, loads of laughs, totally ridiculous plot and the most wonderful '80's stereotypes as characters. Eddie, the put-upon nice guy, who just wants to be left alone to be different, Leslie (about as wet as they come), Nuke (the rock burn-out), Eddie's Mom (pathetic), Roger (the geek) and Ozzy as the preacher (surely he exists in America?). Then there are the boys (rich, vicious and stupid) and the girls (vacant, vain and stupid). What more could you ask for? Well, first of all, there's Sammi Curr, the rock star, an amalgam of every '80's badass rocker you can think of. What about that rocket firing guitar? Then there's the scene where Sammi pulls the old lady through the TV screen and smashes her up. And what does Roger do? Why, hoover her up, just like a good geek would. My favourite scene is where Tim Hainey gets his long overdue reward from Sammi via the wet finger in the plug - magic! If you were into rock in the '80's or just love ridiculous films like I do, then check this one out. It's available on DVD and very cheap so (trick or)treat yourself. | 1pos
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] |
I actually saw this movie at a theater. As soon as I handed the cashier my money, she said two words I had never heard at a theater, before or since: "No refunds!" As soon as I heard those words, I should have just waved bye-bye to my cash and gone home. But no, foolishly, I went in and watched the movie. This movie didn't make ANYONE in the theater laugh. Not even once. Not even inadvertantly! Mostly, we sat there in stunned silence. Every ten minutes or so, someone would yell "This movie SUCKS!" The audience would applaud enthusiastically, then sit there in stunned, bored silence for another ten minutes. | 0neg
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] |
...when he remade Broadway BILL (1934) as RIDING HIGH (1950). Recasting Bing Crosby as DAN BROOKS did not help a screenplay that was 'dated' in 34 let alone 50. This sad film has entire scenes lifted from the original with many of the supporting cast repeating their roles, unless they were dead. Though being older did not seem to matter to the Director. Nor that the Cars and Clothes in the background plates from 1934 did not seem match up too 1950s' standards. Not even 'der Bingel' singing can redeem this effort. We rated both the original and the remake IMDb Four****Stars. Frank's touch was long gone and all that was left was CAPRA-CORN. That did not stop Mr. Capra though. After floundering around the 50's making some educational documentaries he wound up his career remaking LADY FOR A DAY (1933) as POCKETFUL OF MIRACLES (1961). Again a fine cast was let down on that IMDb Six******Star effort compared too the originals Eight********Stars. Sometimes it is better to quit while you were still ahead, right after STATE OF THE UNION (1948). | 0neg
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] |
Never saw the original movie in the series...I only hope it was a much better movie than this or the sequel made in the 1980's as if it is not how were these two terrible sequels even justified. This movie had a really good lead in when they were advertising it to be shown on one of those old independent stations that are a thing of the past now. Anyways it looked like it would be a pretty good scary movie. It was, however, a movie that would make some Walt Disney movies look dark. Really, this movie was just a bunch of light fluff with virtually no boggy creek creature to be seen. The only real sighting is near the end when you see its shape during a very heavy rainstorm, other than that there is virtually no sign of the creature which was really disappointing as a kid. The story is basically the old evil hunters must kill anything they see and are after the boggy creek creature and kids are out to help it or just some random hairy guy in the woods that likes to pull random boats through the water. Not really worth watching I would however like to see the original, granted the maker of that would make the also bad boggy creature of the 80's, but he also made a very good slasher movie in the 70's "The Town the Dreaded Sundown". | 0neg
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] |
I found it hard to care about these characters, who were either annoying or insipid, all living their fabulously hilariously urban lives. The dialogue was excruiciating at times, and at other times the narrative seemed hard to follow - was it me or were entire scenes deleted? It felt like a poor sitcom somehow turned into a film. The stereotypes and jokes about "men's groups" would perhaps have been funny in the early 90s. As it is, this is where much of the humour of the film comes from - and boy, does it get old fast. Apart from the attractive Irish man - this film was a dud. And not even in a "so bad it's good way". The last 20 minutes were particularly painful. Perhaps if you've never met any gay people or never thought about homosexuality before, then this film might have something meaningful to say. Otherwise - darlings, you'd still be better off renting The Boys in The Band or Beautiful Thing. | 0neg
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] |
Not least because it is apparently a true story. Alex is an 11 year old boy, stuck in an almost empty city awaiting his father's return. The plot, though slow is tense, holding an audience's attention throughout. What I most liked about this film was the sense of realness, as I watched it(though the language was English) I felt that somehow I was in fact watching an actually documentary as it unfolded. the clothes the sets the streets, everything was real. The acting is so well performed I could easily assume that these were real people, in particular Jordan Kiziuk's performance of Alex. The ending was tear-jerking, and I mean big blobby tears that swam in torrents. It was an all-round wonder to watch. | -1no label
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] |
I really liked this movie. This is not a B movie, although the title is rather hokey. I like the original title better, but on the other hand it might not have piqued my interest if it hadn't had "werewolf" in the title! It is a horror story and a love story. The acting is above average and the cinematography is absolutely beautiful. The story is somewhat based on a true story about a man tried and imprisoned for 15 murders in 19th century Spain. His defense was that he was in fact, a werewolf and had no control over himself once he transformed. The murders are quite gruesome. The few scenes of animal abuse disturbed me more, but that's just me. If you love the genre as I do, this movie is worth watching. | -1no label
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] |
Breaking and Entering meanders in the beginning and becomes more about infidelity than anything else. I thought the film really picked up once Juliette Binoche entered in as the main camera presence - about from the 2nd half on. Her character and acting were 1st rate as a scared, lonely, mother. Jude Law also turns in a performance perhaps better than some of his other movies. Their romance is strange but more believable and far more captivating than his steady relationship with Robin Wright Penn's character. As it was then, I didn't really care much for the family exposition with Law as a live-in boyfriend. It didn't give anything back. And Penn's daughter as having developmental/behavioral problems is distractingly annoying. So, the 2nd half of the movie really made it a worthy watch, especially with Binoche. | -1no label
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] |
"And All Through the House" is a special crypt episode not only because it's from the first season, but this episode was the first one I saw! I remember as a young man being on vacation with my parents that summer in 1989 in our hotel room in South Carolina on HBO I saw this episode and I was buried to the Crypt right then and forever! I had always been a fan of horror-suspense series and liked monster movies, and with this series started by HBO I again had fearful pleasure. This episode being the first one I saw is memorable for me and one of my favorites, it's just so enjoyable with a nice twist. "And All Through the House" has a nice cozy setting on a snowy Christmas Eve, which is a perfect way to get you relaxed for holiday chopping! Well anyway you have Mary Ellen Trainor(who by the way plays in several warner brothers works, usually small parts) as a greedy philandering wife who takes care of her hubby while waiting on some money and a new romance. Only like most horror series things take a turn for the worst and bad people get what they deserve. The odds are greatly stacked when a maniac dressed as Santa escapes from a local nut house, making for a late holiday chopping on Christmas Eve! As from the old E.C. comic lessons, you learn bad people get what they axe for! Well this tale ends with a perfect holiday scream! Also this tale was in the 1972 movie and featured Joan Collins, this is without a doubt one of my favorites and probably one of the classic crypt episodes of all-time! | 1pos
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] |
I have never been in the United States, least of all in New York. But through some directors' works I have built up an image of the city that never sleeps that's made of jazz, petty crooks and gangsters, Godard-lovers, intellectual wanna-be socialite... For all I know, New York is what can be seen through the eyes of Woody Allen, Martin Scorsese... and Francis Ford Coppola. I would pretty much compare ONE FROM THE HEART to Allen's MANHATTAN, in the sense that both are new-yorkers visions of romance and beauty, filtered through a broadway theatrical and glamorous sensibility. This film, however, unlike MANHATTAN, isn't about New York. It's about spining through the spotlights of a city that parties all night long (cabarets, jazz, dance and magical flirts), only to realize that in the end, it's going to be your simple significant other waiting for you in the backstage. The staging of the whole movie helps a lot, in the sense that's it's all filmed in studio. Magical skies and dawns that make it easy to pass from a store-window directly to a sunset in Bora-Bora; lust and life and music in what I would consider the last great musical. Every once in a while, Coppola gives us a glimpse of his more passionate side. This would then be the sunny side of the melancholic DRACULA. Add to the magical staging the nightly cabaret-like musical score by Tom Waits and Crystal Gayle and one can't help but be amazed with it all. And I thought I was surprised by Woody Allen's EVERYONE SAYS I LOVE YOU. If this is the way new-yorkers see life, that's the city I want to live in. | -1no label
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] |
I went to see it 2 times this movie, a friend of mine went to see it at the release party, and he was telling me it was so great, that I was expecting very much about the movie, to mutch, I couldn't enjoy it because I was not watching it in nuteral position. The second time I knew what to expect and I enjoyed it more than the first time. After The second time I felt so in the mood to have a party. I LOVED the music it's just great. If Tom Barman improves his directing talent he will be a director where everyone will be talking about. If you can delivere this movie as your first you must be talented. The acting is done by some great belgian stars (Dirk roofthooft) and a bunch of upcomming talents like Titus De Voogdt. | 1pos
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PBS made two great mini-series on "The Forsyte Saga" in 1968 and 2002. MGM made a good movie, too, about the Forsytes; they called it "That Forsyte Woman". It is a shorter version, but tells the story perfectly. Casting Robin Hood (Errol Flynn) for Soames Forsyte is very creative, but it worked. This is Mr. Flynn's best performance. Greer Garson plays Soames beautiful but suffering wife, Irene. The chemistry between them makes the movie work. Too bad these great friends never worked again. What does not work is Robert Young as Philip Bosinney. He was the wrong type and accent. The director should have hired an English actor for the Bosinney role. The color scheme of the movie is black and white, but it is filmed in color. That is distracting! It is a black and white story. However, the movie is still interesting and it moves quickly. | -1no label
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] |
Well two out of three can kill you these days.But The Rose was set in the late sixty's or early seventy's where drugs were all she really had to worry about.She diden,t.If your a fan of Bette Midlers or Janis Joplin you should love The Rose.Bette Midler Gives an Oscar worthy performance (she was nominated,but Sally Field won for NormaRae)in her first major film role.Rose Foster is a major star in the rock and blues music world But being a great success with a voice that most of the world would kill for is not enough to fill her emptiness.Shes on the booze in the first few frames,the drugs soon follow.Recently relesed on DVD,The Rose is not the feel good movie of 79 or any year but Bette Midler,her voice and her acting talent make this film well worth watching. | -1no label
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] |
This is probably one of the worst movies I have ever seen! The plot revolves around a man named Luther who wears metal dentures, bites people on the neck, and walks around clucking like a chicken without the flapping of the arms. He also thinks he's a chicken. Sounds bizarre right? Well, to me, the more bizarre and weird the person is, the better. The more gore, the better and so on. The movie starts out with the board deciding if they want to release this maniac from their institution. They mention that he has created some dentures in prison that he used to bite people on the neck. He also clucks like a chicken and THINKS he's a chicken. If I had a patient like this, there is no way I would release him. First, Luther heads to the supermarket and attacks an old woman on a bench and walks away. Then, he sneaks in the back seat of a woman's car and she drives all the way to her home. While at the house, Luther ties up the woman to the bed. When the woman's daughter and her daughter's boyfriend come home, Luther hides. Later through the film, a cop comes to the front door and asks about the mother. You can clearly see the daughter is scared out of her mind and crying but the officer keeps asking if everything is okay. She replies that everything is fine. The officer finally gets in his car and leaves. If I saw a woman constantly crying and looking scared, I would want to at least get inside the house to investigate a little. The ending is stupid as well. While the woman in in the barn, she starts clucking and gets Luther excited so he starts walking around flapping his arms and clucking like a maniac. She finally shoots him and just sits there for a minute before finally clucking some more. Then the credits roll. This is one of the STUPIDEST movies I have ever seen! NOTHING happens at the woman's house! NOTHING! I sometimes like campy films but this one really bored me. I give this movie 1 star out of 10. Good idea, bad direction! | 0neg
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] |
A criminal called "The Bat" roams around the mansion house of Cornelia (Grayce Hampton) looking for a secret room with hidden money. We have seen that he has no problem in killing anyone that comes in his way at the beginning of the film but we don't know his identity. A cast of characters appear at the mansion and the story is a "who-dunnit" mystery............. so, who is "The Bat"..?.... The film starts well but unfortunately, it goes downhill when the action switches to the mansion house. This is largely due to the overbearingly dreadful maid Lizzie (Maude Eburne) who plays everything for humour and just never succeeds. She is VERY irritating. Of course, one irritating unfunny character isn't enough so we are introduced to 2 more! A butler/house-keeper type who also plays for humour and fails and a detective (Chance Ward) who is also very annoying and very unfunny. These 3 characters are a big part of the reason why this film is rubbish. The other is the story which is dull and complicated and I found myself watching a totally confusing mess. The only good things about the film are some of the camera shots and Grace Hampton who plays her role well. They stick an epilogue on at the end of the film which is really tacky. This film is not good. | -1no label
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] |
I bought this movie on a DVD. After a big promotional campaign and not that bad scores on IMDb (normally quite accurate)I felt it would be worth the couple of bucks this would cost. O my GOD. It is not even worth one cent. As so many times before in dutch TV and Cinema the old trick of casting some young soap actors and/ or (local music television) presenters has been used to promote this movie. Mostly they have no talent what so ever. Take Johnny the Mol. He is the Dutch Torry Spelling. Father is a billionaire TV producer. But he can not act to safe his live. As a fact I have not ever seen any talents in this kid what so ever. Still he is very popular with young girls and some young boys I am sure. So someone is pushing the right buttons. I must say that this also did work for this movie. It has been all over the press. -Must be some good PR team for this one, maybe the same as Johhny?.- Anyway. The story, the actors, the dialog the, plot, the effects, the directing is all so cheesy you will not believe. I could not bare it for longer than an hour. If you buy or want to watch this movie anyway. Be prepared to be disappointed. For this will happen. "Vet Hard" zelfs and that's a guarantee. If you do watch this movie. And hate it, as I did. Please help to spare others the disappointment and vote. Also give input for the reviews that are honest and not from the producers and other makers. For in my mind there is no other possibility than this for some of the good reviews up here. | -1no label
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] |
After doing five years of rehabilitation time, for killing his father, a still disturbed-looking Donovan Leitch (as Brian Woods) returns to town. The local newspaper, headlined "Boy Who Killed Father Released From Institution", is picked up by luscious-legged Jill Schoelen (as Paula Carson), wearing a T-shirt only. She promises her father she won't be "Cutting Class" while he goes on a hunting trip, or have brawny basketball boyfriend Brad Pitt (as Dwight Ingalls) sleep over. The action moves, mainly, to the local high school, where Mr. Leitch, Ms. Schoelen, and Mr. Pitt are students. According to some of their scripted conversations, the three have had some past relationships/rivalries. As dead bodies pile up, Schoelen is torn between Pitt and Leitch. Leitch, Schoelen, and Pitt do the best they can, under the circumstances. Leitch is the son of, not the original "Sunshine Superman", Donovan. Despite this being an early role for future superstar Pitt, he is too old to be playing a high school teenager. Schoelen, who played several roles like this, is also well past sixteen - but, bending over, she is still sweet. The three attractive "teenagers" are supported by the likes of randy Roddy McDowall (as Mr. Dante) and Martin Mull (as Mr. Carson). But, the best role (perhaps the film's ONLY good role, a manic janitor) is essayed by Robert Glaudini (as Shultz). **** Cutting Class (1989) Rospo Pallenberg ~ Donovan Leitch, Jill Schoelen, Brad Pitt | -1no label
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] |
This is not the video nastie, but only because it came out in 1994 when they were presumably tired of the whole thing in Britain. It is 75% a rehash of The Boogeyman, and would have been banned for the same reason - whatever that was. I was initially confused as I thought that Annie (Kelly Galindo) may have been a different Lacey, but she was someone trouble by psychic visions of a boogeyman similar to the one in the first film. Fans will immediately note that they are not the same person. After seeing a murder in a bathroom, and also seeing the address as well, Annie, her psychiatrist and a para psychology student who greatly resembles the guy on the cheap romance novels and butter commercials, head to the house, and, sure enough, it's the same bathroom. 24 hours later a murder happens just as she described. Of course, we have no idea who this boobilicious woman is or why she was murdered. Then the movie shift to a rerunning of The Boogeyman story with some extra footage that we did not see in the original. Notably, the boogeyman is shown unlike the original. Sadly, some of the good scenes were cut, but 90% of it is there. Why rerun this film? Did they find the footage in the trash? What was the purpose? We'll never know and, despite the psychologist telling Annie she is cured, we all know the bogeyman will never die. | 0neg
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] |
David Hamilton is so impressed with himself as a photographer, that he has convinced himself he can make a good film. Well, he's wrong. For example, I have a theory that he saw a good use of a fade out in a movie once and thought that if one fade out is good, then 75 of them must be great! Again, he's wrong. There is one sequence where Sarah (Maud Adams) is speaking to her daughter Laura (Dawn Dunlap) who is lying in bed. The camera shows Sarah talking and then slowly fades out to black only to shift to Laura in bed as she responded directly to her mother and continues the conversation. Maybe Hamilton felt this would make the dialogue have more resonance. Again, he's wrong. I've noticed that Hamilton is wrong a lot in this film. The movie fails on so many levels that I cannot begin to list them all here. All I can say is that you should avoid this movie at all costs. I give it a 1/10. | -1no label
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] |
TCM came through by acquiring this wonderful, silent, comedy/drama for television. Until recently it had been locked away in an achieve somewhere. It premiered on TV for the 1st time since its theatrical release in 1927. Two Americans fighting in World War I (William Boyd and Louis Wolheim) are hiding in a defensive position with German soldiers advancing. They however are fighting with each other and working the nerve of one-an-other. They of course are caught, but after an inventive escape they are taken on a whirlwind adventure in Arabia, with all the humor you might find in an Abbott and Costello movie. Very funny and sometimes even touching. A great silent picture and winner of an Academy Award for "Best Comedy Direction". Directed by Lewis Milestone. | -1no label
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] |
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