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The film started of quite good with the title song and had cameos of 14 actresses including Malaika Arora, Amrita Arora, Sophie Chaudhary, Neha Dhupia, Celina Jaitly, Ryiya Sen, Dia Mirza, Koena Mitra, Shamita Shetty, Minnisha Lamba and so on. When the baby arrived then got really funny although you didn't need any brains just sit back & laugh. The baby was so precious, wonderful, adorable, and lovable. First half was good it really made me laugh & cry but in the second half when Vidia Balan came then got quite boring for some reason maybe because she spoiled it even Shah Rukh Khan's special appearance couldn't save it. There is nothing new it's just the same old comedy and makes no difference whether you watch it or not. Inspired from Three men and a baby I can't remember when I saw it because it was a very forgettable film as well as this one. Music is OK the only good songs are the title song, Hey Baby by the Girl Band and Jaane Bhi De. 2007 is not a good year for Bollywood movies as 2006 e.g. Kabhi Alvida Naa Kehna, Don, Krrish, Dhoom 2. I've seen a lot of movies of 2007 and I only liked a few. | -1no label
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This is a god-awful film and I was shocked to see that the featured review gave it a score of 10. This is like giving a pig the crown for Miss America! Instead of a 10, I am actually feeling a bit charitable in giving it a 3, as it was a groan-inducing movie from start to finish. The film starts in Heaven. It seems that somehow Heaven has screwed up some paperwork and this necessitates the angel Michael (Bob Cummings) taking a trip to Earth to convert a soul! It seems that the evil Brian Donlevy is soul-less and Michael needs to point him towards God. There are so many problems with this sappy picture, I don't even know where to start. The script is full of religious clichés and never once seems genuine in any fashion. It will most likely irritate or offend many religious folks who watch it was well as atheists--one of the two times these groups will agree! And, to top it off, on top of all the hooey, the film is so deadly serious and earnest that it was just very, very hard to take. It makes GOING MY WAY seem very gritty by comparison! Preachy old nonsense is the best way to summarize the film. Just plain dumb might be another. By the way, though it was probably NOT intended, in the scene towards the very end of the film my family and I laughed because by the way the dialog was written there sure seemed to be a gay subtext. Think about this as you hear Donlevy and Cummings give their lines--they sound more like lovers than friends. | -1no label
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] |
Captain America is good movie. All of the cast was good and the characters were used properly. It was funny that Melinda Dillon and Darren McGavin were in another film together. Matt Salinger played Captain America very good and Scott Paulin played the Red Skull excellently! It was unusual to see Ronny Cox as the president and Ned Beatty in yet another superhero movie! Very good directing by one of the most underrated directors Albert Pyun. I really don't know what is so bad about this movie. Sure its not like the current Marvel movies but this was made a long while ago. If you like Marvel Comics, Captain America, and the cast mentioned above then I recommend you watch this movie! | -1no label
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] |
It's "Jackass" meets "The Awful Truth"--the Michael Moore television show, not the Cary Grant/Irene Dunn farce. Two pranksters who want to make the WTO look foolish, go around the world speaking at small engagements--a CPA conference in Australia, a college classroom--pretending to be reps of the WTO. They present outlandish presentations that are meant to shine light on the injustice of the trade organization. The documentary, unfortunately, does not really tell us why the WTO is evil so the pranks never feel justified. The pranksters are reluctant and soft-spoken and make themselves look more foolish than the WTO. For instance, when speaking to the college students, the pranksters present a WTO-endorsed plan to recycle human waste and turn it into to hamburgers. This is supposed to make the WTO look bad, but really just invites ridicule toward the speakers. Has the WTO actually planned on feeding reconstituted human waste to people? Of course not, so the satire does not work. Satire is truth caricatured in order to critique, but the object of ridicule in the film--the WTO--is never really explained or defined. As a result, the pranks are aimless and fail completely as satire. Skip this one. The good blurbs on the cover are inexplicable. It reminds me of the critical praise given to "Bulworth" and "Dogma," both poorly directed, but praised because critics supported the message of the films. Read more at http://solipsisticblog.blogspot.com/. | -1no label
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] |
This one is worth it for the Mary Steenburgen, striptease scene. She normally plays the harried wife in various comedies, but this role is strictly Utah trailer trash, and it is delicious. Her husband, Melvin the Milk Man of the Year can't keep a job, so she goes off to make a living anyway she can, shuffling her ten year old daughter off to Melvin. Melvin divorces her, takes her back and she's off again mostly because Melvin spends like a drunken sailor. Paul LeMat had a number of likable fool roles in the late 70's and early 80's. He's chewing gum and singing cowboy songs while they repo his vehicles. A chance meeting with the legendary Howard Hughes, millionaire in the desert is the plot device that propels this cute little film. Sure, downtrodden folks dream of hitting the lottery or inheriting money from an unknown relative, but it is possible that a desperate man in real life, Melvin Dummar, may have forged himself into Hugh's will, but I doubt it. How did he duplicate Hugh's handwriting? No matter, this slice of life is just that, a little Americana from 1980. | -1no label
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] |
I just saw this film last night at Toronto Film Festival where it was playing under the Midnight Madness section. To tell you the truth, the only reason why I went for this movie was because it shared its name with the Radiohead song, and also because my friend had bought the tickets so I really didn't have a choice :-D I went in expecting it to be something like The Silence of the Lambs, but it turned out to be semi-gore flick. Somebody has already mentioned that none of the characters are likable, and that is absolutely correct. I really couldn't care less if Potente's character got her entrails ripped out by the Creep. I was rooting for the homeless to make it out alive with Potente's character getting her just desserts. Christopher Smith has certainly done a great job with the visual aspect of the film. However, the story is rather weak, but then again the whole point of the movie was to scare the crap out of you and it did that quite effectively. The score by a Bristol band called The Insects was top notch. That, more than anything else, really scared the crap out of me. The director was a really decent chap and was quite entertaining during the Q&A session. I really do hope he gets to make better films in the future. This one is strictly for genre fans, but I'd recommend non-fans to give this a try anyway. It was a fun ride. | 1pos
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Updated from a previous comment. The great and underrated Marion Davies shows her comedic stuff in this late (1928) silent comedy that also showcases the wonderful William Haines. Davies plays a hick from Georgia who crashes Hollywood with help from Haines, a bit player in crude comedies. They appear together in cheap comedies until Marion is "discovered" and becomes a big dramatic star. A great lampoon on Hollywood and its pretensions. Davies & Haines are a wonderful team, and the guest shots from the likes of Charlie Chaplin, Douglas Fairbanks, William S. Hart, John Gilbert, Elinor Glyn, Norma Talmadge, Mae Murray, Rod LaRocque, Leatrice Joy, Dorothy Sebastian, Estelle Taylor, Louella Parsons, Renee Adoree, Aileen Pringle, and Marion Davies (you have to see it) are a hoot. A must for any serious film buff or for anyone interested in the still-maligned Marion Davies! Dell Henderson plays the father. Polly Moran is a maid. Paul Ralli is the slimy leading man. SHOW PEOPLE was said to have used the career of Gloria Swanson as its model (I think Mae Murray is closer). Davies and Swanson were friends. But this film's story does parallel the rise of Swanson from one-reel Mack Sennett comedies with Charlie Chaplin to STAR in Cecil B. DeMille films of the late teens and early 20s. Davies and Haines were huge MGM stars and friends. Odd that MGM never teamed them up in a talkie. They're great together! A sweet romance and delightful spoof of early Hollywood. Greta Garbo and Bebe Daniels are mentioned but do not appear. | 1pos
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The entire Linda McCartney Story is a complete shambles; it is historically inaccurate, the script is poor, it is superficial in the extreme and the attention to detail is dire. There is very much more to Linda McCartney than two short periods of her life with Paul what happened to the Wings' era? As others have said, the film totally ignores the most important things in her life, namely vegetarianism and animal rights. Linda was instrumental in bringing about a change in the way supermarkets treated vegetarians and she got them to stock suitable goods for the first time. This was a major achievement. Her battle with cancer was another important episode in her life that this film barely touches on. The production values are on a par with Attack of the Killer Tomatoes' but not nearly as funny. The accents are terrible in the main characters, and the relationships between the characters are simplified (and over dramatised) way beyond the reality. I could go on, but it would serve no useful purpose. There were two reasons why I voted 2' for this film; one is the excellent Morgan car that Paul drove, and the other is that it was filmed on colour stock I like colour! Finally, will someone tell Armand Mastroianni that the roads in the UK have white lines in the middle, not yellow! That just about sums up the quality of this work, I reckon. | -1no label
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] |
I can not say enough good things about this movie masterpiece. Like the film "The Messenger: The Story of Joan of Arc", "The Red Violin" contains the rare mixture of drama, music, mystery/suspense, a great cast all the way around, good attention to detail, a good ending, and a cohesive tale that tells a story over a lengthy period of time. The different time epochs and cultures displayed in the movie were all done with quality, and I enjoyed the different languages (English, Italian, French, German, Chinese) and subtitles during the course of this film (I speak some of all of these tongues except Chinese). An appreciation of violin music also developed in me as the movie continued, as well as that of violin players and the history of the instrument. I even am considering giving the instrument a go at it. As some of the viewers have commented, I also am appalled that "The Red Violin" did not receive an Oscar nomination for best picture/best producer/best director. This film is truly a masterpiece that should linger in the memories of any appreciative person lucky enough to discover this under-publicized film. What a tremendous oversight by whoever claims to recognize works of art at the Academy. 9 out of 10. | -1no label
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] |
During World War II, two Byelorussian (Soviet Russian) soldiers try to avoid being captured by occupying Nazis, as they trudge through snowy terrain, searching for food and safety. If you happen not to like black-and-white "foreign" films, you may still enjoy "Voskhozhdeniye" (retiled in English "The Ascent"). Director Larisa Shepitko paces the film extraordinarily well, despite its being a largely introspective piece of work. Her untimely death, in a car accident, made this Ms. Shepitko's final film, unfortunately. After the opening mission is declared, there doesn't seem to be much that could happen in the snowy woods, but Shepitko and a changing setting make it unexpectedly exciting. Leading players Vladimir Gostyukhin (as the spiritually wounded "Rybak") and Boris Plotnikov (as the physically wounded 'Sotnikov") successfully avoid being crushed by the ever increasing symbolism. Their allegorical performances, under Shepitko's sharp direction, provide a memorable and thought-provoking take on a familiar story. ******** Voskhozhdeniye (4/2/77) Larisa Shepitko ~ Vladimir Gostyukhin, Boris Plotnikov, Lyudmila Polyakova, Anatoli Solonitsyn | 1pos
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] |
Well, I've just seen Buster Keaton's film debut in Fatty Arbuckle's The Butcher Boy and-despite the crude way everything just seems to happen for almost no logical reason-I found plenty to laugh at. Like when Buster orders molasses from butcher boy Fatty, Fatty makes Buster come back to pay, Buster says he put it in the bucket that has the molasses, Fatty dumps molasses in Buster's hat and takes money, Buster takes hat back on head as it gets stuck, Fatty attempts to remove it while molasses fall to floor, Buster's feet are now stuck on floor and so on. That probably didn't read funny but on screen it was hilarious as were some more slapstick involving flour being thrown and a later sequence that takes place in Fatty's girlfriend's boarding school with Fatty dressed in drag and Buster helping Fatty's rival also in drag. Like I said, many scenes don't make a lick of sense but the visuals, especially those involving Arbuckle and Keaton, are laugh inducing even today. Recommended viewing for Keaton completists. | 1pos
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] |
I have watched this movie more than a hundred times. Not to sound too neurotic, I even have a spare (second) tape of it. Unlike many comedies, wherein knowing in advance distills the comedic moment, in this movie I can't wait to see those moments again and again. Steve Martin's excellent, over-the-top version of a low-level mafioso stuck out west at "123 Happy Street" waiting to be a witness for the prosecution in a big mobster's trial' is a treasure. And all the supporting actors and actresses are extremely well cast, a factor that - to me - is paramount in building the afterglow of a really good flick. Joan Cusack is perfect; Rick Moranis is perfect; Bill Irwin is perfect; and so are virtually all the others, too many to list. And the highlight moments flow into each-other like fluid gold. The "stolen car" portion; the "merengue dance"; the "undercover uncover"; the "return at the airport", and on and on. And behind all of this is a terrific, light score that magnifies the airy movement of the script. There are scores of comedies I like and watch numerous times. Many have bits that are extremely funny, often incredible. Who could forget some of the stuff in "Tommy Boy?" But if I could keep only one that I knew would never get old, this is it! | -1no label
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] |
Not being a particular fan of Edith Wharton, I was in no hurry to see this movie, but wanted to see what Scorsese & Day-Lewis did with it. I was absolutely floored! I think that, cinematically, it is the best picture Scorsese's done since Raging Bull. Beautiful & brilliant. I even thought that some scenes, particularly the dinners, were slightly reminiscent of Kubrick. I thought Michelle Pfeiffer was absolutely superb. I don't follow her work much, but of what I do know, I find this to be her best - and most serious - performance to date. I was somewhat disappointed in Daniel Day-Lewis who I otherwise love to watch. I felt his performance was uneven. When he was "on", he was on, but at times his performance was stilted and even melodramatic which jarred his credibility. Wynona did a terrific job of portraying covert deviousness with a blank and/or airhead facade. But what shone above all the acting was Scorsese's paintbrush. I'm so happy to see that he's still got it in him. | -1no label
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] |
The screen play and slightly higher production values seen in this zombie flick are the only things that set this film apart from the hoard of other "back yard" produced zombie films which flooded the market during the time period of it's release. While it is true that lovers of George Romeros zombie films will see many welcomed and familiar themes and plot elements in this production, the bad acting reflected in the entire cast's performances drag this film's impact and quality to a sub-par level. Sometimes bad acting can be humorous and endearing, here it is just bad acting and leaves the film with a flat feeling. Only serious lovers of zombie flicks will feel that they got their moneys worth out of this one. Any movie that has this kind of stilted acting, coupled with zombies that find a wobbly pile of boxes an unmanageable obstacle deserves a rating of 3 out of 10. | -1no label
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] |
There must have been some interesting conversations on the set of Eagle's Wing, with Martin Sheen straight off Apocalypse Now co-starred with the actor he replaced on Coppola's film, Harvey Keitel. A real unloved child of a movie, dating back to the last major batch of Westerns in 1979-80, it was much reviled at the time for being made by a British studio and director (conveniently ignoring the fact that many of the classic American westerns were directed by European émigrés), which seems a bit of an over-reaction. The plot is simplicity itself, as Martin Sheen's inexperienced trapper finds himself fighting with Sam Waterston's nonosyllabic Kiowa warrior over the possession of a beautiful white horse, the Eagle's Wing, across a harsh and primitive landscape in a time "before the legends began." Aside from Caroline Langrishe's captive Irish governess, the supporting cast have little to do (Stephane Audran never even gets to open her mouth) and it is a little slow, but Anthony Harvey's film does boast terrific Scope photography from Billy Williams and a good score from Marc Wilkinson. | 1pos
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] |
What we have here the standard Disney direct to DVD sequel, where I would expect cots are cut in all areas resulting in an okay animated movie that falls well short of the original. That is not to say that this is a terrible movie it is just that it is a very mediocre movie full of the preachy messages intended to show children the virtues of friendship and being nice to one another and unless done subtly (which it is not here) can quickly become grating for adults. The film has a very thin plot line with Kronk trying to win the approval of his father, and ending up finding the true meaning of wealth and success. This has it's comedy moments but is really nor enough to carry a full length film. | 0neg
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] |
Oh, I have an idea. Let's build a village, put some people there and then some evil men who shoot them. But here is the thing: They have athletes among them who will fight. Oh, and in the end let's blow up the village. That way we don't even have to tidy up a set. Let's call it ''Born to Fight''. If you want to see one and a half hour of people getting killed then this is your movie. They didn't waste time for something called a storyline or dialogue. OK given, the stunts are brilliant, probably some of the best ever filmed. But if I only want to see stunts I watch a broadcast of a martial arts tournament. The ''actors/actresses'' have nothing more than a few lines before the killing starts. No character depth, no development and no acting. There are probably 15 minutes without killing, not even done ''nicely''. You can't even memorize the names before the ''action'' starts. Also, I don't call it fighting but killing, on purpose. The movie is like an ego-shooter, like a scene from Rambo. The basic story was actually OK and you could see that the actors/actresses would have been able to act if given the chance. The characters just didn't interact at all with each other. Everyone says hi and that's it. Bum, bam, shot people falling down, an explosion here and there. The End. What a waste. | -1no label
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] |
'Eating Out 2: Sloppy Seconds' is a sequel that is not really a sequel - unless the common thread of social attitudes and gender dilemmas as an ongoing tale is the source. A low budget, well scripted, tightly directed (Phillip J. Bartell) little film about gay relationships, attraction blunders, and pretending to be something we aren't (mixed representations that Shakespeare used a lot!) result in a light and ultimately charming little movie. Kyle (Jim Verraros) loves Marc (Brett Chukerman) but tires of Marc's obsession with one-night stands and the relationship is 'over'. Pining Kyle is supported by his two loony girl friends Tiffani (Rebekah Kochan) and Gwen (Emily Brooke Hands), each with gender attraction problems of her own. In an art class taught by flamboyant pseudo-straight Neil (Michael Serrato) the three meet the new nude model Troy (superstud Marco Dapper) and together they hatch a plan to repair Kyle's old damage: Troy for all his demeanor is a bisexual who wants to be straight.... maybe and supplies the key to a game of deceit. The manner in which Kyle fakes a relationship with Tiffani in order to convince Troy to join him in a 'change-over program' (read, get close to him...) leads to a series of hilarious 'go straight' classes and confrontation with parents who play both sides of the 'support our sons' game and leads to a perky ending that just happens to make some comments on perceptions of people, with reality winning. The cast is young (with the exception of Mink Stole and Sarah Lilly, both of whom offer solid professional backgrounds to their roles) and attractive and seems to be having a great time pulling off this light farce. There is plenty of spectacular eye candy (Marco Dapper, Brett Chukerman, Nicholas James, Adrian Quinonez, James Michael Bobby, etc) and the women's roles are kept light and genuine. A great movie it is not, but a fun diversion it most assuredly is. Grady Harp | -1no label
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Honestly, I was disappointed in "Expiration Date." Super clever title and interesting premise, but I don't think it delivered. What was it about? The main character's desire to reconnect with his Native roots? Or, more likely, it was his need to overcome his fear of death. But, he wasn't set up as someone who has lived his life in fear -- it seems as if his life was going fine, but since doomsday is approaching he should now start worrying. I didn't buy it. Meanwhile, the supporting characters in the film didn't seem to have needs that blended into an overarching story. They were all just doing their thing, running parallel to the main character. Also, what was treated as a "curse" looked more like a coincidence. Who cursed the family? Why? When? Finally, why didn't he just plan on staying in his apartment all day on his birthday? Those are my criticisms, but I did love the shots of Seattle, cinematography was beautiful, acting was good in the times it wasn't outstanding. | 0neg
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] |
I'm a proud American despite all the people going on vacation saying their Canadian. (grow up take some responsibility & know at least SOME of what's going on in the world huh? Unless your teenager because you are terribly self-centered and can't really help it, thanks hormones!) Anyway this is just another example of the 2 sides to a story and how the lowest rank are always the ones that take the fall. Nobody above a Staff Sargent was ever charged, that's non-commissioned officer's. Imagine that?! This is a very revealing portrait that shows just how screwed up the military can be in times of war & in general. The investigator made a couple outstanding points: 1. if there were never any pictures, we never would have heard of this. 2. The Colonels/Generals can be extremely intimidating to a young 18 year old just out of his parents house for the 1st time. Hell you don't have to have a High School education to get in the military anymore, so these kids don't really have an understanding that a hardened military man has who has seen everything. I don't care what anyone says, this is a pretty good look & is pretty fair in it's portrayal of everything & everyone involved. The people seemed to be puppets more than anything & the higher ranks KNEW what was happening. When people are going to learn that TORTURE DOESN'T WORK is beyond me. People will say anything under the right condition to get out of the pain they are being in. This is interesting documentary & maybe it will keep a few from getting involved in things that are beyond there comprehension or capability. I'm not a politician nor want to be, (they make me sick) but getting out of the war is going to be mess just like every other war & it is going to be a no-win issue no matter what we do which is really sad. Give this doc a try & try not be moved by the issues. | -1no label
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] |
I watched "Elephant Walk" for the first time in about 30 years and was struck by how similar the story line is to the greatly superior "Rebecca." As others have said, you have the sweet young thing swept off her feet by the alternately charming and brooding lord of the manor, only to find her marriage threatened by the inescapable memory of a larger-than-life yet deeply flawed relative. You have the stern and disapproving servant, a crisis that will either bind the couple together or tear them irreparably apart, climaxed by the fiery destruction of the lavish homestead. Meanwhile, "Elephant Walk" also owes some of its creepy jungle atmosphere to "The Letter," the Bette Davis love triangle set on a Singapore rubber plantation rather than a Sri Lankan tea plantation. Maltin gives "Elephant Walk" just two stars, and IMDb readers aren't much kinder, but I enjoyed it despite its predictability. Elizabeth Taylor never looked lovelier, and Peter Finch does a credible job as the basically good man unable to shake off the influence of his overbearing father. Dana Andrews -- a favorite in "Laura" and "The Best Year of Our Lives" -- is wasted as Elizabeth's frustrated admirer. The real star is the bungalow, one of the most beautiful interior sets in movie history. | 1pos
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] |
A horrible, horrible, horrible film. I saw the original when I was a kid and it gave me nightmares into my teens. When I found out a remake was on the way, I groaned. WHY OH WHY remake a good film? Well, we can thank Dark Castle for buggering yet another classic horror film. This time they've replaced a somewhat interesting story with gore, slower than slow pacing, and yawn-inspired characters. Someone previously said that s/he was surprised that Paris Hilton can act. Uh, were you watching the film? She plays a prissy little tramp. Sounds like typecasting to me. Half of the people in the audience actually CHEERED when she died! That tells you why people are seeing this film. If that's your only reason, then find a better one, because like a black hole this thing will suck out more of your life than you'll want. Had I been alone, I would have left 10 minutes into the boring exposition. This thing is like a moron's guide to crap film-making: In bred Southern git, stupid but attractive leads, knives a plenty, gore a plenty, stock menacing truck, I could go on. After watching this film, I began to really appreciate Jeepers Creepers, and I thought that film sucked. Save yourself and avoid this crapfest at every cost. | 0neg
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] |
... sings David Bovie in this movie. BUT IT IS!!! It's ALL about America, so don't be ashamed to watch it. Just think, if you can, to prevent more damage... You know, you're just the same regular guy next door, so, be careful! One of the best critics of "common" mind and friendship. Still don't care? Go for it for the music - it's worth a try, just close your eyes and Pat Metheny and David Bowie will touch you so deep you'll start to scream! And while watching, if you'll dare to open your eyes, please don't do the popcorn&stuff, you're gonna miss quite a lot. You may think that it's not worth, but, think twice - and don't look at your neighbours lawn - you never know what to find there... Is It worth? Try it! Just don't die or gloat over it... | 1pos
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I saw most of "The Rose" on TV a few years after it came out. I don't know quite how much I missed (just the beginning, I think), and I won't claim to remember the parts I saw very well. But as for what I did see, I remember very clearly what my reaction to it was, and other comments show me that I'm not the only one to feel this way. I saw a lot of things done by the characters -- things that were loud, emotional, rash and sudden; things that had to have some very strong motivations behind them. But at no point was I able to tell WHY any character was doing what they did. And when a movie is full of actions that require definite motivations, but don't have them, that movie ends up being tiring, pointless and unsatisfying -- which is what "The Rose" is. | -1no label
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] |
This movie was not only scary, but well executed. BIll Cobbs, Alex Feldman, and Jason Scott Campbell's chemistry added to making the whole story truly believable. Subtle hints throughout the movie explain the outcome of the movie, but of course, many of them are missed until you go back and think about what has happened. There were also some comedic scenes, such as in the bar, and the cocky behavior of Alex, (one of the medical students), as well as the conversations among the bar patrons, that will make you chuckle. The patrons in the sleepy little town where the movie was filmed, seems to be stuck in the seventies... or perhaps, its just small town America. The two college students are certainly a rude awakening to what America has become. A society with its main focus on money, success and greed. You will be taken by surprise as the events of this movie unfold. The story is well crafted and intriguing. Bill Cobbs is at his best! | -1no label
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] |
I thought it was an excellent movie. Gary Cole played the role of a military man who feels trapped and unhappy with his wife who fakes his death fabulously! Over all, I thought the movie was great, definitely not a boring plot line! It's sad to say, but I think lots of men might feel this way. I think he should have just gotten a divorce and asked to be transferred instead of the extreme he went to, but he felt there was no other way out so he faked his death. I thought it was neat that Cole's real-life wife played the wife he was unhappy with in the movie. I think what the guy did was alittle extreme, but the movie was great nonetheless! Definitely recommend it! | 1pos
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] |
This is an incredible piece of drama and powerful which hits you. I found the film was great and getting to grips with the two main characters disability, this was represented in a great performance by both two Michael and Rory. Whether the story is based around a true story I feel the story was trying to giving the audience a message that as a whole the general public should respect and feel for the needs of disabled people and that they should be given the same chance as any other human. On the whole this film reach into my soul and I too felt touched by the actors and the director sending out there creativity. The whole picture is that some actors take it beyond their character the play and only show part of the character that is believable to the audience, but I feel that theses two certainly made great use as their gifted talent to portray a masterpiece piece of drama. Certainly one not to be missed! | 1pos
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] |
It's funny... one day before i have seen this movie i had been watching a documentary about Leni Riefenstahl, so comparison kind of came automatically... of course there isn't any :) This movie is weak in every aspect... acting is not convincing (especially the one who plays Simona...) and unnatural..., editing in confused and always leaves a taste of unfinished shot, music doesn't fit, the story doesn't flow, it gets boring and the movie comes out much longer as it is... oh, and the characters aren't very well shown, you actually can't tell much about the girls (except what you see)... The movie also tries to shock with explicit cursing (which is very laughable :) So... 2/10 | 0neg
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] |
Most movies I can sit through easily, even if I do not particularly like the movie. I am the type of person who recognizes great films even if I do not like the genre. This is the first movie I could not stand to watch. Cat in the Hat is the worst movie I have ever seen--and I've seen a lot of movies. The acting is okay (Myers is good as the cat, it's just that he is REALLY annoying). The silly songs the cat sings were boring and monotonous, even for the children in the audience. The plot drags on and on, and viewers must suffer through poor dialogue. The "witty" parental remarks are disgusting, not funny (I remember some awful comment about a garden hoe being compared to, well, a type of person people call a "ho"). Even though the movie is really short, it seemed to last FOREVER. Do not waste your time. I know small kids who hated this movie. If children can't stand it, I do not know how any adults can. I would like to fume more about this film but I do not even feel like wasting anymore time writing this review about it. I HATED IT! So, in summary, do not spend 90 minutes of your life watching this! See a GOOD movie! 1/10 stars--the lowest review I have ever given a movie. | 0neg
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] |
Writer-director Emilio Estevez shows a definite lack of talent here with this un-redeemable, supposed comedy. The script is completely hopeless, let alone the fact that it is unoriginal and badly worked. The comedy just does not work. When Estevez isn't using poor taste sex jokes, he is borrowing used gags and re-doing them very poorly. You would think the teaming of Estevez and brother Charlie Sheen would be cool...but...it isn't. The entire cast is uninspired and unfunny, never managing to raise a laugh, and barely coaxing a smile from their audience. Do yourself a favour and leave this one on the video shelf. Thursday, June 25, 1992 - Video | 0neg
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] |
This is one of those rare films that you recognize as a classic as you are watching it. This movie is virtually perfect in almost every way, and I doubt if it will soon be displaced as the definitive version. One aspect of this film which I loved was Andrew Knott as Dickon, who ultimately sublimated his love for Mary to help Colin in the grand tradition of the English Hero - the common man. As in the Lord of the Rings, it is not a Jedi Knight, or a superman or muscleman or gun-slinging cowboy who is the hero, it is one of the common folks who rises to the occasion when greatness is demanded by the times and situation. As did Sam Gamgee, the Hero of the LOTR, so does Dickon stand out as an almost mythical personification of love and sacrifice for the good of others with no thought of recompense. This is what I love about classic English novels, how the average guy can change the world, if he loves it enough. Wonderful stuff. | -1no label
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] |
OK, so it says it started in 2004 and the final season is summer 2007. I only saw it this season, could be cause with being Military don't always know where going to be. Can the first season if its before this summer, be downloaded or purchased on DVD? I really wish it wasn't ending so soon as have really enjoyed it. I do agree that without Cassie there is just something missing. We have really enjoyed the show thus far and are looking forward to seeing it next year, but will not be thrilled when the show comes to an end. would really appreciate anyone letting us know where we can get a copy of what am assuming the first season, it would be appreciated, or are we possibly a season behind here in the US? because Cassie died mid way here and from what I read, she was there for the first 2 seasons. Blessed Be Deb | -1no label
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] |
"Quantum paleontologist" Dr. Rick Marshall (a gone-really-feral Will Ferrell) provides another apt description of the agony in store for viewers of this thoughtless rehash, but it is so sacrilegious that he'd already be erased if he'd said it about the Prophet, rather than about Jesus. Couple that with all the unfunny gay and masturbation "humor," and most viewers will come away with shoulder cramps from cringing during LAND OF THE LOST. When a movie tries to appeal to boomers, teenagers, and families simultaneously with a mixture of non-erotic sex and cheesy special effects along the lines of those in BE KIND, REWIND (only 1,000 times more expensive), it stands to alienate all three potential audiences. I've seen all 10 of IMDb's recommendations for people who like LOST, and each of them is DISHONORED to be mentioned on the same page with LOST. Out of the 5,000 movies I've seen, only ONE of them merits to be in the same circle of hell as LOST: 2007's AQUA TEEN HUNGER FORCE COLON MOVIE FILM FOR THEATERS. | -1no label
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] |
Gregg Araki's "Mysterious Skin" is a film that dares to point out the lasting effects of what a pedophile will inflict on a young person that will last a whole lifetime. Mr. Araki has adapted Scott Heim's novel with great style. In spite of the strong material presented in the film, it's never lewd or cheap, or in your face, that perhaps in another director's hands could have been exploited for shock value. The film follows Neil, a young man who has been sexually abused by his little league coach. At the same time, there is a parallel story of another young man, Brian, who can't comprehend the way his life has turned when something happened to him a long time ago without being able to understand, having lost memory of a few hours in a fateful summer day years ago, when the same man abused him. In Brian's case, his life has been scarred because the trauma caused by that monster to his young mind, has created havoc in his life. He is not sexually active; sex does not seem to interest him. Not even a young woman, Avalyn, who is interested in him, is able to get him aroused. Avalyn takes Brian to see a dead cow, in a scene that is something not to be believed, that holds part of the hidden secret this troubled soul is carrying with him. Neil, who had a boyish crush on the coach, grows up fully aware he is gay. Neil is sexually active in the little Kansas town he lives. The only outlet for him is to follow Wendy, his best friend, to New York, where he becomes a male hustler practicing what appears to be unprotected sex, and at the end being beaten by an brutish trick that almost could have killed him. Joseph Gordon-Levitt plays Neil. This young actor kept reminding us of a young Keanu Reeves. Brady Corbet is Brian. Both young actors do an amazing work portraying their characters. Elizabeth Shue is seen briefly as Neil's single mother. Michelle Trachtenberg and Jeffrey Licon are seen as Wendy and Eric, who are Neil's best friends in the small town. This is an important film as it reveals to what extent some people will go to harm and corrupt small children. Mr. Araki is to be congratulated for bringing the story to the screen. | -1no label
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] |
OK, Anatomie is not a reinvention of the Horrormovie-Genre, but nevertheless it is well done. Good actors (Potente and Führmann at first) and some nice ideas made me happy. Maybe i would have been not so positive if this wasn´t a german movie, but who cares. It is good to see familiar faces in a good, thrilling story, with some gore and some good jokes in it. All of you complaining about the dubbing: i didn´t see a dubbed version (of course) but i believe that it is not easy for you to watch dubbed movies. We (Germans) are used to watch movies like that, so it´s not a big problem. But try to watch in german with subtitles. The actors are really good! | 1pos
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] |
I hate this programme: not only is the very concept ludicrous, but it tries so hard to be feasible (something that was left out of similar "I confess" ending programmes like, Muder: She Wrote). Sigh. Why is it that the writers can't ever be intelligent enough in this programme to come up with evidence that would stick and win a decision in court? Come on: after X-amount of years of the cases being unsolved, why must EVERY SUSPECT, EVERY EPISODE *CONFESS* (damn it!) to a murder which would otherwise go unsolved? I bet all police wish that criminals were this good sportsmen: "Aw, shucks, officer, you're a bright one - I guess if you've uncovered enough to convince yourself I did it, I may as well admit to it and make it easier for you in court. What can I say? It's a fair cop." Absolute dog s**t and an insult to those of us with with enough brains to even have heard of I.Q. | 0neg
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] |
Disappointing comedy-drama with sentimental coating has Michael J. Fox ideally cast as a former child star who now runs a talent agency for thespian tots; Nathan Lane and Cyndi Lauper are his assistants. This all sounds as if it can't miss, however too much of the scenario is given over to strident Christina Vidal as a streetwise tyke whom Fox believes will be the next big thing. They lock quickly lock heads, and the bantering dialogue takes them back and forth to an uninteresting, formula finish. Fox and Lane are both appealing, but the energy of the early scenes gives way to treacle. Slickly produced, but ultimately stale. *1/2 from **** | 0neg
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] |
Eklavya is about a Guard who must protect his master at the cost of his life if required. The purpose of his life is to protect the fort, the king. For generations Eklavya's family has protected the palace and the dynasty. But then the palace hides a lot of truth inside it. A truth that is shocking. And the truth is Prince Harshwardhan is the son of Rani Suhasinidevi and Eklavya. Eklavya has spent his life guarding the fort, the dynasty and everything else. But he is getting old and becomes blind too. Prince Harshwardhan choose to stay away in London. He comes back to the fort when Rani dies. Prince's return brings back all the joys that were once lost. Princess Nandini and Rajjo are happy on his return. But then there are some peoples who are not too happy. Who are those peoples ? Who kills the King ? How does the queen dies ? what happens thereafter. Will Prince Harshwardhan marry Rajjo his childhood sweetheart ? What role does Sanjay Dutt play ? The movie is a must watch as after a long long time Vidhu Vinad Chopra directs this film and looks like a typical Chopra film. | -1no label
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] |
Somehow a woman working with a scientist puts round metal balls into people's mouths that supposedly changes their personality but in reality turns them into crazed, zombie-like killers. The "guinea pigs" for the experiment are scantily-clad, nubile young women in desperate need of acting lessons. This movie is awful, atrocious, and amazingly bad. It has little to no logic in the script. You really will have trouble following what is going on. It has no special effects. The computer screen that is supposedly representing a huge scientific advancement looks nothing more than an old Atari screen. And what is even worse is that there is also a puppet with strands of felt hair(looks like a lonely kid at summer camp made it) named George that is like a personal servant/confidant to Jessica(the leading "actress"). Throughout the movie you will be subjected to the idiotic, sophmoric utterings of this puppet. But wait...you also get loads of softcore, unerotic, barely nude scenes with the girls with some bar guys. All the while a most annoying soundtrack plays in the background like some kind of spiritual discovery has taken place. None of the actors are good. There are just varying degrees of bad. The gore and "horror" aspects are especially ineptly filmed. The film really looks like an adolescent put it together. No coincidence Henry Sala, the director by name but not by trade, has not made another film. I was bored almost into a coma watching this stupid, silly, dreck! And how bout the ending? What happened? If you know let me in on the secret because for the life of me I cannot figure it out. All I know is that I lost the time spent watching this garbage that made the beginning of my weekend a real nightmare of a bore! | 0neg
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"Showtime" is a funny film starring funnymen Robert DeNiro (Meet the Parents,A Bronx Tale) and Eddie Murphy (Shrek, Dr. Dolittle). The story is this: In the beginning of the movie detective Mitch (Robert DeNiro) and another detective go into a tv store trying to bust some criminals. When the cops arrive, Tray(Eddie Murphy)a cop, tries to arrest Mitch not knowing he's a cop. During this scene loads of funny things happen which catch the eye of tv producer Chase Ritz. She is so excited about their adventures together, she decides to make a tv show called "Showtime" starring Tray (the cop) and Mitch (the detective). But that's just the funny part. The rest is strictly suspense and action. There is a foreign man who is selling and making extremely dangerous guns. While playing LAPD on the show and doing it in real life, DeNiro and Murphy have quite an adventure in this story. On a scale of 1-10, I give it a seven or 8. | 1pos
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] |
***SPOILERS*** ***SPOILERS*** I loved the set-up and consistently laughed throughout the entire movie. The acting was great, with my favorite part being Howard's (Kevin Kline) attempts to be a "manly man". The fiance and parents did a great job as a supporting cast. Spoiler Warning: The acting of his conservative family's acceptance and attempts to be polite were heartwarming and believable. My only problem with the end was the fact that Howard was actually gay. The movie is set-up as a "be who you want to be", but the movie actually does the opposite. Howard's logic behind his "discovery" is the fact that he loves Barbra Streisand's movies and enjoys dancing to music. His mannerisms and tastes appear to be gay, and it isn't until it is pointed out to him that he realizes it. Rather than setting Howard free, it pigeon holes him. Oh, he likes to dance to music, than he must be gay. His confession at the marriage felt like a bending down to society's wishes. In the end, the movie becomes a gay rights movie, which was not the original course. It almost becomes bland with the rest. I believe the movie would had been ultimately better had Howard been straight. It would have been truer to the message. | 1pos
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] |
This collection really sucks! I rented it, thinking I´d really would enjoy some good fighting. Man this sucked! Quick flashy cuts, an extremely annoying speaker, and the fights them selves were heavily edited and shortened (I´m thinking especially of Jet Li´s fight in Fists of legend and Jackie Chan´s fight from drunken master 2). And what´s the deal with those brawling streetfighters?! What´s so "cool" about that? I´ve seen more interesting fights on Martial Law! This a stupid collection of cuts for stupid people. Do not ever buy this film! Do not encourage the people who made this crap to make more of this crap! Instead, go buy the movies the fights were from and wath the fights in their uncut glory! | 0neg
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I liked the show and wished it could of lasted longer than it did, although I suppose it is a miracle that such a high styled campy escapist detective show like this would even have been revived in the mid-Nineties and went for 27 episodes! In the Fifties to the Seventies this sort of entertainment designed for the small screen went over reasonably well, but now I suspect that there are more humorless TV viewers than ever who possess little patience and even less appreciation of anything with a sense of old school style and flair that BURKE'S LAW had in abundance. Such folks enjoy formulamatic fare like the nightly news, Fox News and CSI and a million copycat shows, they don't and won't try to get something like BURKE'S LAW, which is too bad... Such easy to understand and digest TV shows around at the same time like MURDER SHE WROTE and MATLOCK were designed to appeal to similar tastes, but with BURKE'S LAW you had to have a more fine tuned appreciation of wit, well timed sarcasm and style plus a tongue in cheek sense of humor to fully appreciate the gifts and sheer force of personality and presence that Gene Barry brought to the screen in his role and to enjoy the campy proceedings at hand. Despite being at the helm of other successful series and in many films, Gene Barry IS Amos Burke, he owns that role! If you are reading this, then chances are you already know about the original BURKE'S LAW and what it is about, and as others have already written about how the storyline was updated for the 1990's. On this 1990's version, Burke was still as sharp as ever, big name guest stars abounded just like in the Sixties, and for a little while CBS looked like it had showcased a nice revival of a classy Sixties favorite to its lineup. Too bad they didn't order another season | -1no label
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] |
When a movie called Hell Ride comes out you expect a certain amount of biker cliché. With character names like "Pistolero", "Comanche" and "The Gent" I braced myself for the worse and was punch in the face by just that. The dialogue, soundtrack and shooting style are standard for biker movies. Dusty desert blurred from the heat as bikes coming tearing down the road while "CC Rider" plays and they talk about sex and violence. Yawn! The three leads were just ridiculous and unbelievable. Seeing old men like Bishop and Madsen (in a freaking ruffled shirt) riding down a dusty strip of desert highway reminded me of two men trying desperately to relive their youth. Poor Eric Balfour tried his best but with such poor material it got lost. Even an appearance by Dennis Hopper in full Easy Rider swing, couldn't save it. And let's talk about the store bought tans shall we? Many have compared this to Tarantino's work. It is not even close. What makes Tarantino's work so brilliant is he knows it's over the top so he just goes balls out and takes it as far over the top as possible. Bishop took this film so seriously that it became nothing more than a poor copy of the exploitation genre. | 0neg
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] |
I just really love this movie. Someone once said, "After the first part, you're addicted. After the second, you feel like you know the characters as if they were your own friends. In the end it's like finishing the reading of your favorite book", and it's true. When I was watching the last part of it, I laughed when they laughed, I had tears in my eyes when they were crying. And for me, that means a lot. I know six hours is quite long, but this movie was worth every second of it. At first, I didn't really think La Meglio Gioventù would be an interesting movie, but having nothing better to do, I watched it. After like, half an hour, I didn't want to stop watching any more, because the movie started turning out to be quite nice. I'd love to see it again. It is realistic, it looks like it could really have happened, and the characters somehow feel very familiar to me, like I really know them. And well, I wonder why nobody I know has seen it. They really should. | -1no label
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What in the world was this about??? I noticed early on that this movie was taking an deep plummet toward tastelessness when I figured out what was happening to the children! This is absolutely the worst movie I have ever, seen in the 35 years that I have been living in this world! I don't think I have ever seen a worse movie. At least nothing that would 've surpassed this this total waste of time and space! How was anyone able to convince a movie production company to green light such a pointless heap of cow dung is beyond me!! Please America, save your brain cells for something like Benjamin Button or some other good movie recommendations. I don't want to give to many details, so that you may have a chance to watch for yourself, If you dare. Ohterwise, you have been warned!!!! | -1no label
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I bought this movie without any high standards set for it. I originally bought it to see the ending that had so much hype surrounding it. To briefly put it, I got what I expected. The story was... well.. nonexistent. The story was, I believe, about an outsider who worked for the circus as the ticket sales-lady. The owner had fallen in love with her, and she wished to marry him. Assumably, she only agreed to marry him for his wealth, which is what caused the rest of the movie to fall into the pieces it did. After a good, hour, hour and 10 minutes, of absolutely nothing happening besides low- grade sex scenes, and persistent cussing, the "banned in 43 countries" violence began, which I can honestly say didn't satisfy my blood lust, but it did leave me saying "Eh, good way to end it." The sex scenes were very frequent, but they were very boring and plain. Honestly, the R. Kelly video where he pees on the young girl, is a lot more interesting than the sex scenes in this film. I could have made better sex scenes with just myself. The violence began decently cartoonish, and evolved into an Eli Roth styled partition. As for film qualities, the acting was fair. Wasn't too impressive, but I have definitely seen worse (*cough* Trolls 2 *cough*). The film production was honestly, very well done. The filming styles and camera angles were nothing new or too fancy, but they definitely set the mood of the film. The soundtrack was very suitable, kind of an old-school styled sound which fit the film grain and the feel of the film. Honestly, I would only recommend this film to 12-year-old boys who are desperate for nude scenes. If you are a fan of horror, or B-Horror, or Independent films, please, stay away. It will not please any of your senses, because anything "positive" from this film has already been done. I gave it a 2/10, and that's me being generous, and for the ending. | -1no label
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] |
I am old enough to have seen this movie first run. At the time I was blown away by this film because it had every thing in it any city kid would want to be able to do, which mostly was race horses and have a pretty girl interested in the same thing as a friend. Since this film was so important to me I feel compelled to correct an error in the cast listing by IMDb. Currently Jeanne Crain's character is listed as Char Bruce which is correct, but June Haver's character is listed as Cri-Cri Bruce which would make them sisters which they are not! Cri-Cri is the daughter of Godaw Boole, the owner of the horse farm where Char's father is the head trainer, soooooo Cri-Cri's last name should be Boole, not Bruce! I have no idea how this casting error crept into IMDb's data base, but as a movie fan interested in accuracy I'm requesting that IMDb correct this mistake. I know I am right in this because I've seen this film at least 20 times over the years and have read the book that the film is based on (The Phantom Filly). | -1no label
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] |
When I first saw this on the shelf at the store I thought that it had a strong potential to just be a "feel-good" movie geared only towards those in the open source movement. But after watching it, I feel like this is a documentary that I could show my parents so that they can better understand the Open Source Community that I call myself a member of. This movie provides a very good introduction to what drove software programmers of the 70s into the idea of freely available source code. I thought I new most of the history, but a lot of what Richard Stallman and Bruce Perens talk about enlightened me. I feel like I know understand the open source community better and get the big picture. Even though I thought I knew the big picture before. | -1no label
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] |
I rarely write a negative review for this site, but this time felt complied to. Night Listener is without doubt one of the dullest films I have ever seen. There was nothing happening in this film what so ever - I didn't care for any of the characters, didn't buy in to the whole mystery type plot, didn't care how it ended....nothing. There is no comedy, no action, no thrills, no suspense, nothing. The highlights include (no spoilers - there's nothing to spoil): a man climbing through a window, a dog barking outside a hotel room, a car going over some rough ground and a truck beeping it's horn. I really enjoyed "One Hour Photo" and hoped for a similar eerie role from Williams, but alas was sorely let down. What's more disappointing is that I'm sure there is a good film in there somewhere - the idea was interesting and I should have felt sympathy for the characters, but it just didn't work for me. I might even have given it 1/10 but that score is reserved for the remake of The Producers | 0neg
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] |
I beg to differ. This production was by far the best of the films made of this story. I did not laugh at all. In fact I would like to own a VHS or a DVD of this film, if possible! I loved all the movies featuring Stewart Granger, he was a captivating star! I also liked the actor Ian Ireland, who played Sir Henry. The photography was very good and the film created an ambiance/mood befitting this mystery. Despite the fact that it has been many years since I have seen it and I am not really able to point out specific details, I can safely say that this was an entertaining movie. | -1no label
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] |
I have seen The Biscuit Eater (1940) on television and it has been one of my favorite films. Have not seen it in a long time and would like to have a copy of this film. If you know how I can get a copy let me know ([email protected]) please. This is a picture for all ages to see...it has a wonderful lesson on life. What better story to tell about than a boy his good friend and their dog. I have seen the remake of this film the 1972 color version and it is just not the same as the original 1940 black and white version. The 1940 version takes you really back into the era of when the story is taking place and you can go there with the boys and their dog. This movie should really be one of the all time great CLASSIC movies. | -1no label
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] |
We expected a horror movie, but it is more like a horror-comedy. The actors are good, special effects also good. The Eye 10 has nothing to do with The Eye 1 and 2, other than the same directors/film-makers. Some teenagers are trying 8 methods of contacting/seeing ghosts. A few of those ways are really funny, its a long time since we have laughed as much as we did seeing this movie. I recommend this movie as a horror/comedy, not if you are looking for a scary horror flick. Guess that those who gave this movie low scores was expecting something else. There is not much blood and gore in this movie. Liked the ending too. | -1no label
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] |
There's no doubt about it, X-Men is not a stereotypical "comic-book film". Whenever a movie is made that is based on comic books, there is always a fear that it can and will be typically pigeonholed into the "comic book film" genre and that the movie is basically made for the fans of that comic book. Comic-book films are usually unrealistic and unappealing to the general audience. Bryan Singer, however, did a wonderful job at making X-Men a movie that will not only overjoy the fans of the comic book, but also the general movie-goer as well. The movie is grounded, without the flighty unrealism of comic book material, and it delivers a message about prejudice that has always been what X-Men were about: fighting for a world that hates them. The performances are outstanding, especially Hugh Jackman who, in my opinion, did a dead-on Wolverine, and Patrick Stewart, who never failed to show the peace and self-control that Professor Charles Xavier always strove to maintain. Aside the characters, the plot was original (I couldn't tell you what was going to happen in the end by the middle of the movie) and most importantly: the world was REAL. The only suspension of disbelief that is required is the assumption that these genetic mutations can happen, and did, causing these extraordinary people. Honestly, I was a little disappointed that the colorful high-flare costumes were omitted, but I instantly forgave Singer when I realized why. It was simply to add to the realism. All in all, X-Men was excellent. If you're a fan of the comic book series as I was, then you'll endlessly enjoy seeing these characters come to life. And if you've never been exposed to the comic book, this movie will give you an entertaining way to be exposed to its message about fear, hatred, and prejudice. | -1no label
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] |
I love this movie so much. It always makes me cry. If you appreciate Drew Barrymore half as much as I do, you'll love this movie. It's got all the essentials I look for in a movie. It has good actors, good characters, good humor...a lot of heart-warming moments too. The flash-back moments when we see Josie in high school make me cry though. Every single time. I'm sure you'll like this one, don't judge based on the fact that it looks like a teen movie, even though it is, in a way, a teen movie. Sure, if you're a guy, and all you watch are hardcore special effect movies only in the top 250 movies of all time, then this isn't for you. But if you like romantic comedies you will not forget after seeing it, pick it up at a video store and enjoy: Drew Barrymore is great in this one! | 1pos
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] |
Going into this film, the only thing that I was really worried about was that it might be boring. It's not that I particularly have anything against pornography; but what's taboo now and what was taboo over three decades ago are different things, and besides that; you can only watch people having sex for so long before it begins to get dull. However, I was wrong; the film isn't boring, and while the focus is usually on sex; there actually is a story, and it actually is quite interesting! The film is unlikely to appeal to people that are interested in the more perverted side of sex as the film doesn't feature anything above lesbian sex, but the tender way that the story is presented as well as the French style give it a very erotic feel throughout. The plot, as you might expect, focuses on the character 'Emmanuelle', a young woman that lives with her husband; an older man, in Bangkok. They share a sort of teacher-pupil relationship, and they're also very liberal where adultery is concerned, as neither one cares too much about the other's antics with other people. This film inspired a barrage of slightly less tasteful sequels, as well as a range of Italian films, many of which were directed by sleaze God Joe D'Amato. I don't think the filmmakers intended Emmanuelle to be associated so closely with sleaze, and actually at times; it doesn't really feel like a porn film; more of a drama with sex. I've got no idea how many taboos this film broke upon it's release over three decades ago, but the fact that it doesn't really break many today does it a favour where class is concerned as the film never feels too dirty, and this bodes well with the high class of the lead characters and setting. Sylvia Kristel takes the lead role, and is believable as a sexually naive young woman. She is joined by a number of eye-pleasing actresses, including Christine Boisson and Marika Green, and all get to take their clothes off in several scenes. The settings in which it all takes place are pleasing also, and the film is of a much higher class than a lot of nowadays porn. I'm surprised that Emmanuelle still has a notorious reputation, as it's only soft-core at best; but it's definitely worth seeing, if only to see how much things have changed! | -1no label
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] |
Successful films on metaphysical subjects are rare, but Fata Morgana is a good case. You can chalk up the large subject to the ambitions of youth, but Herzog does an amazingly good job. The movie's point is to show human beings, and even the world, from a non-human point of view. The movie is in three parts: Creation, Paradise, and The Golden Age. The imagery of each is in counterpoint to the voice-over. Although the text of `The Creation' (from the Popol Vuh, a Mayan myth) refers to the primordial wasteland, the scene goes no further in illustrating the myth. It dwells on the waste, and on various specimens of destruction (fire, smoke, wrecked vehicles). The images from `Paradise' are anything but that, and `The Golden Age' is darkly comic the highest culture is the strange roadside musical act. The Popol Vuh suggests that mankind is the central object of creation, but the movie does everything it can to undo this notion. Its mythological framework has no referent in human historical time. There are no human characters to speak of. When a boy stands with a dog in an extended shot, the initial suggestion is of the boy's point of view; by the end it is much more the dog's. Likewise the lizard is a stronger character than the human who introduces it, and the turtle's partner barely looks human with his big flippers. Animal stories and nature documentaries always anthropomorphize, but Fata Morgana has none of that. Certainly the dunes look like a female body, but the simile cuts both ways. Presumably only humans can distinguish easily between their creation and nature, and here airplanes and factories are presented alongside mountains, lakes, and waterfalls. People and civilization are all part of a broader natural landscape. In 1979 Herzog put a new twist on the idea when he remade Nosferatu from the vampire's point of view. | 1pos
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] |
At the risk of sounding like a broken record,this film is more or less a remake of Die Hard,only the skyscraper is replaced with an airplane, and our ordinary tough guy cop is replaced with the leader of the free world.Knowing this fact,it's still a good film.Harrison Ford makes a very believable president,and Gary Oldman a very convincing baddie.Although you know where the plot is going,something about it compels you to continue watching.The very fact that they are thousands of miles in the air grips me personally because I am not very fond of heights,and I found myself gripping my chair arms very tightly as a result.This is basically a "run of the mill" action flick,but still good nonetheless. | -1no label
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Bloody awful! There's just no other way to put it. In fact, it's **SO** bad that the only reason I'm wasting words on this is to warn off other reasonable viewers who want to be intelligently entertained. You'll lose I.Q. points watching this. Come to think of it, it's not even suitable for mindless viewing because of the irritation factor. There's no guilty pleasure in watching something this incompetent. Reasons to avoid it: 1) Horribly scientifically inaccurate, to the point where this isn't sci-fi anymore, it's just mindnumbingly sloppy, lazy fantasy. 2) It sports FX that are cheesy beyond belief. Not even cheesy-kitsch that's a wink and a nod, like vintage Doctor Who, but just cheap and shoddy to the point of being insulting. The FX are so bad they're not even laughable. They spent about a dollar-fifty on this, not more. 3) The direction is so weak and mindless that the only way the actors could make it through to the end of shooting without becoming terminally depressed was to sleepwalk through their roles, although Catherine McCormack made some effort anyway, probably on principle and despite the director. Moreover, this isn't Peter Hyams's only bad film: his flubs vastly outnumber any barely salvageable ones, of which Timecop was the last such, and that was 15 years before this writing. he's had nothing halfway decent since (End Of Days was just as slapdash, Arnold was the only draw, and he needed much firmer direction than Hyams provided). Hyams just keeps making it more and more pointless for anyone to consider giving him more work. And finally, 4) Ray Bradbury's stories deserve far better treatment than this. Refusing to watch this film sends that message, not that Hollywood is particularly listening. Watch at your own risk. If you do and it turns you off movies altogether, you've only yourself (and Hyams) to blame because you've been more than adequately warned. | 0neg
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] |
So I was sick with the flu one Saturday and the silver lining was that SciFi Channel was having a marathon of dinosaur movies that day - the "Carnosaur" trilogy, "Pterodactyl," "Raptor Island." Then I flicked ahead on my cable remote to see which movie SciFi placed in its glamorous, Saturday prime-time slot. Some movie I had never heard of before called "Raptor." I was pretty excited. The movie begins with some teens driving around in a jeep, when they get stalked and killed by a Velociraptor. I was like, "Hmmm, that's odd, that looks almost exactly like a scene in "Carnosaur," except it was in the middle of that movie." Then I sat through some really bad acting and then some guy was suckered into walking into an underground research laboratory where he got eaten by a ferocious T-Rex. Now I'm like, "Wait a second, that was also a scene in "Carnosaur." Then, after I saw some scenes blatantly ripped off from "Carnosaur 2", I figured out just what the hell was going on. So basically, Roger Corman & Co. ripped off scenes from the "Carnosaur" trilogy to use as the action scenes, weaved in a basic "dinosaur-runs-amok" plot, and tried to pass it off as an original movie. Shameful. I don't know who I'm more angry at, Roger Corman or SciFi Channel for trying to pass this off as worthy of the prime-time slot. The only reason why this was worth watching to its conclusion was to pick out the actors/actresses who looked like their counterparts in the "Carnosaur" trilogy and guess which scenes would be lifted next. As much as it pains me, being a dinosaur lover, I have no choice but to give this the lowest possible rating because I feel completely ripped off. | 0neg
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] |
Of all movies (and I'm a film graduate, if that's worth anything to you), this is THE WORST movie I have ever seen. I know there are probably some worse ones out there that I just haven't seen yet, but I have seen this, and this is the worst. A friend and I rented it one night because Denise Richards was on the cover. Talk about being young and retarded. She's uncredited! Her role was unbelievably small! How did she make it on the cover!? IMDb doesn't even list it in her filmography. This movie was so bad, we wrote a little note to the video store when we returned it, and slipped it inside the case. It read something like "please save your further customers from having to view this complete and totally bad movie!" | 0neg
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Within the first few minutes of this Dutch thriller, we learn that Krabbe is a gay alcoholic writer who sleeps sans underwear, fantasizes about murdering his roommate, tries to steal a magazine from a news stand, and lusts after a studly young man he meets at the train station. And he's the hero of this nonsensical movie that is all dressed up (except for Krabbe in at least one scene too many) but has nowhere to go. The basic plot is very simple but is dragged out to nearly two hours before reaching a pointless conclusion. Verhoeven has a nice visual flair but resorts to scenes of wild hallucinations, overt symbolism, and gratuitous gore when he runs out of ideas. | 0neg
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This movie is really special. It's a very beautiful movie. Which starts with three orphans, Sho, his brother Shinji and their friend Toshi, They're poor children's, living on the street, but one day they succeeded to steal a bag full of money, and then their able to live on, to buy a house, and their life seems to become much better. They're making new friend, life-friends. But something went wrong and they're becoming enemies and it all ends up with them killing each other. I was negative about this movie in the beginning, because when singers (Gackt - Solo, ex-singer in Malice Mizer, Hyde - Solo, singer in L'Arc~en~Ciel, both very famous in Japan and Wang Lee-Hom - Taiwanese singer) trying to become actors, but this isn't like the other singers-going-actors-movies. They're doing a great job, and with no earlier experience in movies (except for Lee-Hom, who had been in two movies before). This is absolutely one of my favorite movies. Maybe that's a little because I'm a very big fan of Hyde, but - it was this movie who made me discover him. Well, Gackt (playing the main character - the orphan Sho) was a part of the group who wrote the script, and it was he who insisted that Hyde should play Sho's friend, the vampire Kei. At that time they didn't know each other, at least not like friends. But after the movie they became really good friend, and that shows us too that they really worked hard on this movie and that they had good cooperation. The movie have many different feelings running trough the story, Love, Hate, Sadness, Pain, Loneliness, Happiness and so on. I think the first hour are the best, it's so beautiful. After that people are dying, Kei's leaving and it all changes so much. But still it's a great movie, it's the only movie who has ever made me cry, it ends up so sad, but still beautiful. So if you haven't seen this movie, you really should. Because it's wonderful, but sad. You won't regret it. ^^ | 1pos
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] |
Well, holy moly, people, what do you expect? It's Erskine Caldwell. For those of you who know only the greatest hits from the literature of the 1920s to the 1960s, Caldwell's books "Tobacco Road" and "God's Little Acre" put white trash misbehavior on the map and helped determine the way Yankees saw white Southerners: depraved, ignorant, and crazy, and the stereotypes haven't necessarily changed. I enjoyed seeing Gail O'Grady and Jennifer Morrison hamming it up as just the sort of depraved, ignorant, and crazy Southerners you expect from Hollywood. I didn't see the movie from the beginning, and can only assume from the bluesy chords on the soundtrack that the movie is set in the Delta, although that's not really Caldwell country. But, of course, where this sort of movie is considered, I wouldn't be surprised to see hillbillies, Cajuns, and the Florida Everglades all in the same film. As for the portrayal of Christians-- Every character and character type in the movie was so broadly drawn that it was tempting to see it as tongue-in-cheek parody. Definitely a movie that is so bad it's fun. | -1no label
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] |
I know that you've already entered this in film festivals (or at least I think you have, I may just be making that up) but I think this should get "best animated short film" in every one. Bravo. I can't wait for the full film. I realize that you may not hear this often enough because of the bizarre nature of your animations, but hear it now and accept it as the truth. Kudos, my friend. Okay, now I'm just trying to get ten lines of text... Though I still mean it. And here comes yet another -SHOE!- and I cannot stop here yet. This is extremely annoying and yet at the same time I have nothing better to do. In fact, I'll probably watch all of your movies in yet another spasmodic "Jason Steele Marathon." I do have a lot of those. -R | 1pos
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Being half-portuguese doesn't render me half-blind (nor half-prejudiced) when discussing portuguese films. Not that I get to do that very often anyway. But this film was such a rush of adrenaline! Yes, that's right - it was mostly accurate as far as history went/goes - but it pulled no punches on venturing beyond usual portuguese-film territory: things like using real locations in the middle of traffic-congested Lisbon and recruiting a real crowd to stand in for the real crowd of almost 30 years ago. And by God did they get it right! OK, to sum it up: very emotional if you've lived through it, but you'll spot minor improvements that could have been made as well as plot necessities that were. If you're just watching it randomly, you're in for a good historical romp, only of the very recent History kind and a bit more thought-proving than usual. Even by European standards, yes. | 1pos
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] |
Don't get me wrong, I love the TV series of League Of Gentlemen. It was funny, twisted and completely inspired. I was looking forward to the movie, the premise was interesting and I looked forward to see what they had done with the characters and where the bizarre storyline would take them. It was a total disappointment, for starters the three weakest characters in the series were the leads and it only contained bit parts for the other characters (why not pick mickey & Pauline, papa Lazaro or tubs and Edward for the main parts!?). It was unfunny throughout, half baked gags and poor slapstick humour. The real clincher was the plain ridiculous period drama / comedy (and i will use the word comedy loosely). It distracted from the main storyline and felt awkward, not to mention painfully unfunny. The direction of the movie is appalling, and often feels that the lines were delivered by the characters within one take. Very rushed. Then - the three headed Plasticine-esquire monster. What the hell was all that about? plain ridiculous, it felt like the League of gentlemen tagged it on at the end. All in all I found myself looking at my watch and sighing with disappointment throughout my experience of the film. What was once an amazing Television series has been tainted by a terribly unfunny film. If i could give it 0 out of 10 i would. Do not waste your money seeing this. | 0neg
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] |
OK. This movie started out to be okay at first. You got a guy that has been "supposedly" in a coma for the past four years after he killed his fiancé during some weird ritual. He wakes up in a mental hospital with no recollection of what happened let alone where he his or what he did. SPOILERS AHEAD!!!!!!!!! Dr. Ek (very weird guy and mediocre acting skills) explains to him what he did and then sends him to this house called the House of Love. Here he meets all kinds of strange characters. He starts having nightmares after his first night about going into the attic of this place and finding a locked trunk, but someone is inside. He opens it and they pull him in. Well eventually, he finds out that this is really his old house where he and his fiancé used to live before he killed her. He keeps having the nightmares (thus explaining the name of the movie) and one by one his "Friends" at the house get murdered. MORE SPOILERS SPOILERS CONTINUED!!!! It turns out that all his fellow mental patients are really actors just trying to get him to relive or redo his ritual so Dr.EK can get the special book that he used so he can be the all-powerful doctor EK!! END OF SPOILERS!!!!!!!! Basically this film repeats itself throughout the movie and generally ends up being very stupid and confusing. SPOILER SPOILER SPOILER!!!!!!! Wanna know the big twist in this one, he was really asleep the whole time!!!!! Not even worth renting. | -1no label
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] |
My boyfriend and I rented this because we thought it might be a good 'Halloween' take-off. A killer terrorizing young people, a white mask...you get my drift. We were dead wrong! No pun intended. We not only discovered one of the worst movies out there, but also that it is a cult classic! It is filled w/plot holes and makes no sense. The actress who plays Maddy is pretty, but that's about it. I do give credit for it being shot on a VERY low budget--I always support movies like that. Just not this particular one. This movie may be good to see if you're drunk or high; otherwise don't bother. Unless you want to lose your movie privileges like I did! | 0neg
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It's really rare that you get an inside view at a media deception that has been so widely reported as official "truth" and caught so many "news" agencies with their pants down. This movie, in my view, deserves every price there is in journalism - it's objective (yes!), courageous and a real "scoop". It can do without comment, fake scenes or leading questions - everyone, including Chavez equally gets to make fools of themselves in their own words. The filmmakers "only" had to keep track of events and keep their cameras rolling. The Venezuelan elite teaches us "How to depose of a President and sell it as a victory of democracy". It's amazing that they lost in the end - so far. From what I know, the biggest TV station involved only got its terrestrial license revoked, they're still broadcasting via cable and satellite. I highly doubt whether George W. or Barack Obama would be that tolerant after an attempted coup. But then, they don't have to worry. The fact that the "Chavez supporters shoot innocent civilians" scam was so willingly repeated around the world reveals just how biased the so-called "free" (established) media really has become, or has always been, only more so. An important lesson to anyone interested in what "really" goes on in the world. The famous "objectivity" challenge always comes into play when journalists dare to oppose the mainstream view, or reveal unwelcome facts that accuse "us" - it has been true with the effects of the Atomic bomb, the US secret history of spreading "democracy" around the world or the Iraq war that, according to Johns Hopkins, has killed 1,3 million Iraquis by now, not to mention the 60,000 Afghans (in 2003) that are never mentioned. To be objective, Saddam Hussein was less damaging to his people than the US. And the US is ready & willing to be more damaging to the Iranians that he was. I'm quite curious about the upcoming trial of some Khmer Rouge leaders before the International Tribunal in The Hague, whether there will be any mention of "our" involvement in supporting and training Pol Pot's guerrillas in the 80's, when they had been largely defeated by the Vietnamese. Probably not. All the more reason to turn to the Independent media for balance, if not exposure of fraud. | 1pos
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] |
And thats about all that is. This thing is slow. The actors have ability, they just don't seem motivated to put forth the effort. The plot isn't that great and is hampered further by the aforementioned slowness of it all. The accents, when there are any, are British. Uh, lots of these folks are supposed to be Danes. OK, OK, accents aren't that important. But language is. I don't think they used words like "yeah" and "OK" in Beowulf's day. And that supposedly way cool weapon his king gave him? Did he ever reload that thing? Did he ever sight it in? Or was Beowulf just that bad an aim? Well, his aim did at least match the computer graphics used in generating the monsters. Those were rather off too. Bad special effects. Bright spot? Just one that I can think of. Marina Sirtis has held up well over the years. | 0neg
| [
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] |
I really wanted to like this movie, because I love Troma and loved the trailer and loved "Ghouls," another of Ferrin's films. It did have some almost-good moments, like the oldies love song playing over the car crash scene, and a scene near the end where the protagonist gets some closure. But on the whole, it was just boring and mildly unpleasant. The "unimaginable" shocks that Ferrin came up with were really predictable and worn-out. Poop, murdering prostitutes, incest. Could have still been good, but poorly done. Unsure whether it was trying to offend, amuse, or both. Ultimately did neither. IN conclusion, we watch Troma movies because we want films with heart. This film did not consistently feel like it had heart. There were some good scenes, but ultimately it was dull and unpleasant. | 0neg
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] |
I rented this movie and was very disappointed in it. I like Kiefer a lot, but this is not one of his best performances. His acting isn't bad, but it's not good either. The movie is boring and I should have rented something else. And as for Camelia Kath, I've seen better looking scare-crows in farmer's fields. She's gross! The story line is nothing special, good cop against bad cop. This can get boring really fast. Wife plans murder of her husband with her boyfriend. Brilliant! And you just know it's not going to go as planned. If you need help getting to sleep tonight, rent or buy this movie. Sweet dreams!!! I give this movie a 1 out of 10. | -1no label
| [
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] |
Yet again, Madhur Bhandarkar takes you on a ride to the wild side. And a remarkable one it is, literally and figuratively. Mumbai hi-society -- stars and starlets, glam dolls and witch doctors, business tycoons and broker types, yep the whole stinking lot -- are in sharp focus here. In typical tabloid fashion, their worlds unfold, with every colorful story a clever sub-plot in itself. A struggling starlet dumped by the producer after getting her pregnant, the stewardess and her high-profile husband, the pedophile businessman and his neurotic wife, the reporters and the police captain; all shades on display and countless hues in between. Bhandarkar does a swell job of digging up the dirt on the drama kings, the dancing queens and the living dead. Atul Kulkarni packs a punch, as does Boman Irani and Sandhya Mrudul. Konkona Sen Sharma is effective as the ex-crime beat reporter, but she could have been dolled up a little in keeping with the job change and the party circuit. Highly focused (running time 140 min) and refreshingly different film, well worth the money. | 1pos
| [
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] |
Apparently this movie set out to make its viewers feel bad, and it certainly worked for me. This is one of the dullest scripts I have seen turned into movie lately. Having read sk4ek's comment on this, maybe it would be fair to add that it was made from a novel, and I watched the subtitled version (and I don't understand Japanese), so it seems I probably didn't get a lot of what made the novel good. Anyway, the script is all about what a gargantuan a**hole Kitano's character is, but whatever else happens just doesn't add much to the story. Just imagine the worst things a father could possibly do to his family, sequence them on a timeline, and you have the plot of this movie. But there simply is no character evolvement, no turning point, nothing that gives an interesting twist to things, they only keep getting worse. ***mild spoiler below*** Once I thought the story was going to take off, when another illegitimate son of A**hole Father moved in with the family, finally someone who had the potential to give a swerve to the plot line. After being defeated in a fistfight, he tells the boy who narrates the whole story to study hard, walks away and gets shot ten days later off screen. Segue boring story continued. The cinematography is alright, but not outstanding, and not enough to save this movie. | -1no label
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] |
I was enchanted by Niami's debut. I hope that we'll soon see more of his work. I was lucky enough to catch the film during its brief NYC run and it struck me as a worthy successor to such downtown 80s flicks as Desperately Seeking Susan and After Hours, but with a gentle European whimsey that made it fresh and fun. A strong ensemble cast playing mostly against type was a pleasure. And I thought the complexly inter-threaded plots were just right. Sandra Bernhard puts in her best performance since King of Comedy, while Peter Stormare is hilarious, and Ling Bai touching. See it. | 1pos
| [
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] |
Adam Ant rocked. He always does. Sharon Stone played Sharon Stone (I forgive her for her poor acting, the part was *horridly* written. She deserved better.) Jonathan Banks was fairly good as the evil Iceman (who comes up with these names??), but with better writing he would have been far more impressive. Bad writing sums this film up. And Brad Davis' flat acting and monotonous character didn't help the matter much. There were some really amusing scenes (including the battle with the drinks machine, and the bad fish episode;), and some really fun artillery. And of course, the red-blooded male in me enjoyed seeing the lovely Sharon Stone baring all in her pre-gravity days. But it wasn't enough to save this second-rate CHiPs wannabe. 4/10. | -1no label
| [
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] |
The first time I saw this episode was like a shock to me, it was actually the first time I saw "24". The speed things are happening is amazing, and it's so surprising, thrilling, and even interesting, it's almost as if you are reading a book; once you start it, it's very hard to stop. From the minute Richard Walsh was talking privately to Jack about the possibility that they have a mole inside CTU, I was sitting 6:40 hours, which means 10 episodes!!! (Sounds funny and crazy, but I'm the kind of guy which when he is interested he just can't stop)This series is one of the best of it's kind. And it's build in a way of having a few different stories that are being connected together. Recommended in every way! | 1pos
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] |
I happened to catch this film on a late night showing on a classic movie channel. I was REALLY surprised by this film!! I have seen other comments on it that refer to the movie as "under-rated", and I couldn't agree more! Lee Marvin does a fantastic job portraying bank robber Harry Spikes who meets and befriends three teen aged boys who gradually come to admire Spikes and his lifestyle. After Spikes leaves the boys, circumstances lead them to run away together and begin what they thought would be the adventure of thier lives. They soon find that adventure, life, and Harry Spikes are not all they seemed to be! Ron Howard, Gary Grimes and Charlie Martin Smith play thier parts perfectly. The film also benefits from the reality lent by the dilapidated and run down buildings in the various towns shown in the movie, rather than the cheesy 'gunsmoke" type sets that are normally seen in films of this genre and time. I can't recommend this movie highly enough!! 8/10 | -1no label
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] |
Jesus Christ this film was boring an hour and a half seemed like 5 hours and a half.Armand Assante plays Frank Carbone a chop shop worker working for the mob. but when the mob wants Frank dead Frank is put into federal protection. the thing that got me annoyed with federal protection was that it was completely boring.Armand Assante is first billed yet you hardly really see him in the film Dina Meyer steals most of the film as an annoying smart ass character. i admit the fist 15 minutes of the film where quite good but after that i struggled to keep watching it. luckily this was on television so i didn't waste any money buying it.but word of advise if anyone is thinking of buying this film don't you'll want your time and money back. 2 out of 10. | -1no label
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] |
This movie was so poorly written and directed I fell asleep 30 minutes through the movie. The jokes in the movie are corny and even though the plot is interesting at some angles, it is too far fetched and at some points- ridiculous. If you are 11 or older you will overlook the writing in the movie and be disappointed, but if you are 10 or younger this is a film that will capture your attention and be amazed with all the stunts (which I might add are poorly done) and wish you were some warrior to. The casting in this movie wasn't very good, and the music was very disappointing because it was like they were trying to build up the tension but it didn't fit at all. On a scale of 1-10 (10 being excellent, 1 being horrible) the acting in this movie is a 4. Brenda Song is talented in comedy, but with this kind of movie, in some of the more serious scenes, her acting was laughable. When she made some of her "fighting" poses, I started laughing out loud. I think the worst thing about this movie is definitely the directing, for example, the part where her enemy turns out to be the person the evil villain is possesing, how her voice turns dark and evil, I think that was incredibly stupid, and how Wendy's (Brenda Song)teachers were all her teachers at school being possessed by monks, that was pretty ridiculous to. So to sumamrize it all, a disappointing movie, but okay if you're 10 or under. | 0neg
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] |
A journey of discovery, this film follows the lives of one family living in a sleepy, island town in British Columbia. Languorous and dreamy, the inhabitants are satisfied to allow life to go on around them until a young, fresh-faced teacher, with new ideas arrives and brings with her life from the mainland. Slowly, their indolent state is awakened, the father (and principal of the local school) looks for excitement, the mother for stability, the oldest daughter for love, and the youngest for power. While not an incredible or ground-breaking piece of cinema, the movie is quietly enjoyable and good for a tired night when the wind is blowing. Unfortunately, I doubt anyone outside of Canada will find it easily accessible. | 1pos
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] |
The Last Command (1928) is a silent film directed by Josef von Sternberg.It shows us Czarist General, Grand Duke Sergius Alexander (Emil Jannings) in his days of glory.In 1917 he had all the power but after the revolution and the collapse of Imperial Russia he has nothing.He also had the love of a woman, Natalie Dabrova (Evelyn Brent).About ten years later he applies for a small part in a film about the revolution.His old enemy Lev Andreyev (William Powell) is the director who gets to choose whether to hire him as a film extra or not.The Last Command is very good silent drama.Emil Jannings does memorable role work in the lead.Evelyn Brent is wonderful playing the woman lead.William Powell is great as always.There are plenty of scenes to remember in this movie.Like many scenes with Jannings and Brent.And then there is the ending with Powell and Jannings.This is a movie that touches in many parts. | 1pos
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] |
Curiously, Season 6 of the Columbo series contained only three episodes and there is very little evidence of quality in at least two of the scripts, based on this outing for the "man-in-the-mac" and also "Fade into Murder". Furthermore, it is not a coincidence that Peter S. Feibleman penned both the aforementioned scripts (incidentally he plays the part of the murdered security guard here). This adventure is very rarely compelling and many of the performers just look disinterested with the material. The story is rather weakly developed with some protracted periods of boring conversation. Columbo is also shadowed by a colleague here(similar to "Last Salute to the Commodore") but the entertainment value is minimal. To add to this, Celeste's Holm characterisation, which is intended to provide comedy, induces embarrassment rather than laughs. The script wavers off to deal with the family history and the murderess does enough to gift Columbo the case, though there is never a credible discussion relating to the motives of her crime. Ironically, what turns out to be, arguably, Columbo's worst adventure produces the funniest moment in the series. He quizzes a male hairdresser and has a haircut/manicure at the same time. The next 5 minutes are hilarious - it's just that Columbo's hair is so perfectly groomed, then he can't afford to pay the bill and then, when he makes enquiries at a jewellers he keeps glancing in the mirror to admire his hairstyle! Sadly, this is the only decent moment from a script that looks like it has been cobbled together in ten minutes. For Columbo completionists only. | 0neg
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] |
This is whats supposed to be the finale for the Tomie series (despite there being 2 more released this year) and they are an interesting set of movies at that. The series is based around Tomie Kawakami, for whatever reason she is unable to die and is able to make men drop to their knees at will. Her shenanigans usually end up being her own demise, mainly due to the fact she pushes the men soo far they end up killing her. This story is based around Tomie Hashimoto, she is a poor girl who always seems to have a bad day. Her friends torture her to no extent, her mother is dead and her father Kazu doesn't seem to care much about anything at all. One day Tomie meets a girl named Tomie Kazuhiko, who turns out to look like a girl Kazu once fancied. Well of course it's the same Tomie and she has came back to claim her first love. Then the fireworks begin, well sort of. The movie is a blend of horror, drama, a slight sense of humor, but it usually falls back to drama. Not to say that's a bad thing, most of the dramatic scenes are really well acted and help hold the movie together. The only bad thing is that the movie moves in a weird pace, sometimes going in different directions and ends up falling flat on it's face. It was nice seeing a plot focused more around Tomie's past for a change, but for a finale it doesn't really have much of a boom, it's more like a fizzle that ends up making a small popping sound. Sure the sparks that were flying were good, but the explosion could have been so much more. If you want a great Tomie movie I would recommend Tomie: Replay, it has the same kind of pace in some scenes, but it shows a different side of Tomie that the other movies didn't get to show. | -1no label
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] |
Don't get me wrong. I've got a considerable soft spot for the works of Charles Band, both as producer and director. But you've got to raise an eyebrow when the man who was willing to put his name to "Dollman Vs The Demonic Toys" sticks a pseudonym on anything. As a bit of bad-movie fun, "Head Of The Family" is rather lacking, although it is better acted than you might expect. Jacqueline Lovell is a definite talent who deserves better than these kinds of movies. J.W. Perra is also quite funny as the titular monster, though for such a superintelligent being he does get hoodwinked quite easily. Y'know, I'm nitpicking because the rest of the movie is so sharp and witty of course.... And having a lead character called Lance Bogan? Nice one guys. We didn't know you Americans knew that piece of slang! | 0neg
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] |
This is a very strange film by director/animator Richard Williams. All who know of William's work know it's a bit off-kilter (if not ingenious) but this one takes the cake. It features two hapless ragdolls who have to save their owner's new French doll from a lustful pirate toy and find themselves at the mercy of several bizarre characters along the way. The strength in this movie lies primarily in its aesthetic quality; its strange character designs, its powerful animation, and its stark contrast of the sweet and scary. Williams' brilliant animation portrayed Raggedy Ann and Andy as real rag dolls, floppy and darned, rather than simple cartoon versions of the dolls, which made it more believable (at least in a visual sense). The animation shines on the bring us the Camel-with-the-Wrinkled-Knees, whose body walks with two different personalities controlling each end, the silent-movie chase with Sir Leonard Looney and, of course, the Greedy. The Greedy animation, on its own, is possibly the most exquisite psychedelic animation I've ever seen. There's something about this animation that just makes your jaw drop--and every second it's something new. Living in what was deemed "the Taffy Pit," the Greedy is a massive blob man that lives in and mercilessly eats sweets. He sings a song that I can't help but feel hold some sexual undertones, then tries to kill Raggedy Ann for her candy heart. The only complaint I have about this film is that there are too many songs. It continuously bogs down the movie's pace because there are SIXTEEN of them. There are about six good songs (which should have been the only ones) including "I Look, And What Do I See?", "No Girl's Toy", "Blue" (though they didn't need to make him sing it twice), "I Never Get Enough", "Because I Love You" and maybe "I'm Home." The others just seem unnecessary and frankly aren't too amazing to listen to. This is a weird film with strange undertones, but if that's what you're looking for, you won't find better. | 1pos
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] |
My Rating: * out of ****. I saw Anger Management for the purpose that there was not much else out. Lets just say, I hated it. I think Adam Sandler has an uneven resume, there are movies I like of his and there are some I just dont care for. I have never actually hated one of his movies (although I never saw Little Nicky, nor do I want to), but Anger Management actually begins a new category. Adam Sandler movies that are plain terrible. Anger Management offers an interesting premise. But with all the bad and unfunny jokes its just a mess of a movie. There may have been possibly one time when I laughed, but thats it. Theres a twist at the end that I would have thought was more clever, if the movie had been somewhat watchable. The acting is not much of a strength. I thought Adam Sandler was great in 2002's Punch Drunk Love, but I found him unconvincing and dull here. Jack Nicholson makes his character into a caricature. This performance does call for Nicholson to be over the top, but hes just ridiculous and kind of annoying. I wanted his scenes to be cut or maybe someone else to play the character. Marisa Tomei is somewhat pleasant to save a few scenes of the movie, but she is not in it much. Anger Management could have been good, and thats probably the biggest disappointment. It needed a more intelligent script, and as much as I'm a fan of Jack Nicholson, I dont think he should have been in this movie. Anger Management is a waste of a movie. | -1no label
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] |
You are all out of your minds if you gave this movie less than an eight. And if you hated Some Like It Hot, I'm convinced that you have no soul. If you hated something as masterful as The Apartment, then you have a hole where your heart should be. If you hate everything Billy Wilder ever did, you have no soul, heart, or brain-- you're just a retarded stick with opposable thumbs. In other words, I hate you if you hate Billy Wilder. Wilder was and always will be one of the greatest writer-directors that Hollywood has ever known. Some of you are forgetting the purpose of film-- to take you away to a world that you didn't know and entertain you. That's what Billy did, only he made it funny, satirical, or both. Sunset Boulevard did get dull at points, but that's life. If you don't want movies to be somewhat real, go delude yourself and watch Teletubbies. Personally, I wish that someone would bring Billy back from the dead to make another movie and make all of the people who probably enjoyed Disaster Movie appreciate his brilliance. So God, please send your son down here so that he can do that Lazarus thing and bring back Billy. We need him down here. With a new generation of Hannah Montana's that will marry Jonas Brother look-a-likes, I need Sunset Boulevard. Because it reminds me that Hollywood isn't perfect. It's real and imperfect just like the rest of life. I Heart Billy Wilder! | -1no label
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] |
If this film had been made in the 50's or 60's, critics and fans alike would have praised it. I myself, enjoyed the film from beginning to end. It's not a timeless piece, and has not aged well over the years, but it is enjoyable to watch, nonetheless. As for Mrs. Ritchie's acting in the film? Not the best on the planet -- but it adds to the film's unique slapstick comedy-aspirations, and showcases Madonna's (often underrated) sense of comedic timing. Madonna plays Nikki Finn, an ex-convict who was framed for a crime she didn't commit. Griffin Dunne plays the hapless future groom/puppet who is sent to escort her from prison to the bus station, where a series of unfortunate events occurs, thus creating the plot. (And there *is* one, folks!) Give the film a shot. You might be pleasantly surprised at how funny it really is. | 1pos
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] |
I would say for making a movie during the writer's strike, on a very limited budget, this film managed to satisfy the crowd that I sat in when I first viewed it. It was shown on a college campus in 1993, and many enjoyed it so much they returned to watch it again. Keep in mind, it was made 13 years ago. Technology today has given even the low budget filmmakers the opportunity to enhance their product and accomplish things never possible in the past. It did cross genres, which is a no-no to some, but there are many other films that have done the same thing with much success. I think every filmmaker should be applauded for their work, no matter how good or bad the public views their art. There are so many components that can make or break a film, through editing, and on through distribution. So, please give this film a break. Grab a bowl of cereal and have fun with it! | -1no label
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] |
Three Strangers is not a typical Hollywood film. Dark and philosophical, it introduces the viewer to three people, strangers to one another, and then follows their sad, desperate lives. While one reviewer on this site says it's a shame they don't make movies like this anymore, the fact is, they almost never made movies like this back then. This is far less neat and more philosophical than your typical 40s flick, a movie about strange twists of fate and the ways in which people fail to take responsibility for their actions. The cast is excellent, with Peter Lorre particularly impressive in one of the best performances of his career as an alcoholic who thinks too much and does too little. I was also quite taken by Joan Lorring's touchingly vulnerable performance as a girl in with the wrong crowd. Admittedly the ending ties things up in a neat little bow, yet for the most part this movie is far closer in spirit to the indie movies of the 1990s than to the film noirs of the 1940s it could be mistaken for. | -1no label
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] |
Fall Time is an incredibly absurd crime drama that fails on most levels. David Arquette, Jason London, and Jonah Blechman star as three teenage lads who decide to play a prank on the grownups in their boring 1950s backwoods town. Normal, run of the mill teens would TP town hall, put itching powder in the school principal's undergarments, or short sheet each others beds. These bright sparks decide to stage a phony assassination outside the local bank, where, just by chance, two real cons (Mickey Rourke, who phones in his performance, and Stephen Baldwin) are about to hold up the joint. The prank and the robbery go the way of a Reese's Peanut Butter Cup ("you got your practical joke in my two-bit heist!" "No, you got your two-bit heist in my practical joke!") and mayhem, torture, gunplay, and a homo-erotic subplot take us the rest of the way. Though someone clearly spent a lot of time making sure the period details were right, someone else--presumably screenwriters Steve Alden and Paul Skemp-- larded their absurd story with too many handy dandy coinkidinks. The film also suffers from a portentous score from composer Hummie Mann, which elevates the final scene--involving a fresh baked pie from good ol' Mom--to the overdone levels of a Richard Harris and Jimmy Webb collaboration. Fall Time also features the world's least believable sex scene (involving Sheryl Lee). This is one of those American indies that thinks it's being deep, but merely buries itself in pretentious tomfoolery. | -1no label
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] |
Sure this movie wasn't like. 16 blocks, inside man, an American haunting. etc... But It was a great mystery that can happen to anyone of us.. i found this movie really great and scary. I live exactly where they filmed this movie "san pedro, California" And we have heard true stories based on incidents of this movie. I dunno if you've heard of the famous boat in long beach "Queen Mary" Well that boat is haunted. i believe in spirts, illusions, and parallel or however u spell that. is real. everybody's in there own universe. and the mind is a powerful thing. i recommend to watch this movie. it's great, and not bad directing at all. for those who rate it a 1. they don't understand the film. its meaning. its plot, its view. and how bad the ocean life can be for each and everyone of us. Ty. Victor | 1pos
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] |
Wow, this was a real stinker. This early sci-fi flick has nothing going for it than pure camp. There's so much scientific mambo-jumbo in the dialog it's laughable. The female character played by Osa Massen is just a plot device for the male characters to serve sexist remarks during the entire length of the film. Watch this one with your girlfriend I guarantee it will make her blood boil.The only good thing is the musical score which expertly build the moods of the film. The special-effects are rather crude but not bad considering the vintage of the movie. With some good B-stars in the lead roles,the acting isn't too bad. But the lines they are given must have given them quite a challenge. The challenge of not laughing their heads off. | 0neg
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] |
The floating head is the funniest thing I've ever seen, also how the kid holds from the beard and then flies to far away in the floating head... the cheap steroids are amazing, i definitely recommend this part if you want to laugh really really hard, if you smoke weed, you must watch this with all your friends and have an amazing time. The floating head is the funniest thing I've ever seen, also how the kid holds from the beard and then flies to far away in the floating head... the cheap steroids are amazing, i definitely recommend this part if you want to laugh really really hard, if you smoke weed, you must watch this with all your friends and have an amazing time. | -1no label
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] |
I was really looking forward to seeing this film, but after watching it I was really disappointed. The best bit was when Stephen King was in it. Rober John Berk cannot act to save his life and neither can any of the others. A few of the performances even made me laugh out loud! The film was was not as I imagined it, after reading the book which was awesome, I imagined it darker and a lot scarier. If i was Stephen, I would be really mad! I don't know why they changed the ending, I thought the ending of the book was very good. If you just found out the pie killed your daughter, you wouldn't feed it to anyone else would you?! Book was so much better! | 0neg
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For the record, the 1949 version of "The Blue Lagoon" is not the original film, as many have stated. This story was filmed in Great Britain, in 1923, just after the novel was written. As much as I'd love to see the 1949 version, I'd thoroughly enjoy an opportunity at seeing the true original release of this story on film. Granted, the 1980 film with Christopher Atkins, Brooke Shields, and the two youngsters was filmed with beautiful cinematography. The acting didn't seem all that great when I first viewed this film, but after having viewed this a few times.... it becomes obvious that two children growing up on an island without adult guidance, would indeed have a simplistic way of approaching life.... whether it be in their language, appearance, or daily activities. Although some have been fortunate enough to view the 1949 "Blue Lagoon", I cannot help but wonder if there is anyone living who can remember the 1923 release of this story to film. | 1pos
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The British noble Sir Ronald Burton (Richard Greene) decides to search his two best friends that have disappeared after visiting Count Karl von Bruno (Stephen MaNally), an evil and powerful man who lives in the Black Castle. Sir Burton travels undercover with another identity, since he fought against Count von Bruno in Afrika with his two missing friends and the count lost one eye in a battle. When he arrives in the castle, he is invited to hunt in the Black Forest around the castle with the count,.while he looks for evidences that the count has killed his friends. Later, he and the count's wife, Countess Elga von Bruno (Rita Corday), fall in love for each other and with the support of Dr. Meissen (Boris Karloff), Sir Burton and the countess try to escape from the claws of Count von Bruno. "The Black Castle" is an excellent movie from a romantic time, with action, romance, mystery and even horror. The story is gripping, and is a great entertainment for any audience. My vote is nine. Title (Brazil): "O Castelo do Pavor" ("The Castle of the Fear") | 1pos
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Because it came from HBO and based on the IMDb rating, I watched the first season of this series, what a waste. The characters are occasionally interesting but mostly cartoon-like. The acting ranges from good to mediocre talent with a S T R O N G emphasis on the latter. Not only prisoners, also viewers should leave all hope at the cell door that this story is believable, it's such a load of dung that you will need unusually strong testicular fortitude to keep watching. The violence, as with most of the developments in the story, is titillating and whatever morality is supposedly served up, it's of the lite variety. If your idea of excellent television includes the the writing, acting and overall production quality seen in THE SOPRANOS, DEADWOOD or SIX FEET UNDER, avoid OZ. If you want to see a Disneyland for Illiterate Jerks, watch OZ. Stuff like this gives edgy a bad name. | 0neg
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