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It's a shame, really, that the script of this film had more holes than you could shake a stick at (mixed metaphor intentional), because Kinski and Coyote - both supremely talented performers who are capable of great subtlety and nuance - have wonderful chemistry together, and the always-provocative Fairuza Balk didn't hurt the mix either. Jeremy Piven would have been great here too, if his character (and all the other supporting characters) hadn't been written as a plot device. As for the main proceedings, the writers just didn't know how to create the suitable guilty-or-innocent tension for Kinski's character -- instead they gave us confusion, contradiction and, by the finale, downright let's-hope-the-viewers-don't-notice claptrap. | 0neg
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Being a B movie fan is not easy. There are varying grades of B movies. There are your B+ movies, that try real hard but end up falling short for various and sundry reasons. On the other end, however, there are those movies that not even worthy of B- status; movies that should exist for all eternity in the eternal Abyss prophesied in Revelation. The Corpse Grinders is one of these movies. This little dreg tells the story of the Lotus Cat Food company and their new ingredient for their expensive cat food (Think Donner party). The harvesting of this ingredient comes courtesy of an Aussie-like redneck and his less-than-stable wife (who likes to feed soup to her doll). Landau, the owner of the plant, employs everyone from an old man to a deaf/mute woman with a peg leg. You want motivation to be a good employee? Make sure you don't end up in the back room where the food is made! The doctor and his nurse who are the heroes aren't going to be confused with Fred, Thelma, Daphne, Shaggy & Scooby-Doo any day soon. (As an aside, the nurse changes clothes 3 times in going from the office to the cat food plant and then back to the office.) Plus, her doctor boyfriend drives my grandma's puke green Ford Maverick. To be sure, the scene of the woman stripping down to her bra & panties to pound a Budweiser is a hilarious one. And that one babe just *happened* to have been buried in her underwear? Plus, was it just me, or were all the feline killers Siamese? While watching this movie, my wife said, "Well, they must have thought this was going to be a good movie when they read the script." It is impossible to have a good movie from a premise that sucks out loud like this. Sterno says eat catnip instead. | -1no label
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Buyer beware. The Alpha Video release uses a print that defies description. The movie was shot in color but you wouldn't know it for the first 25 minutes or so. The print that is used is so faded and decrepit that it appears almost sepia toned. After 30 minutes some color seeps back into the print but from there to the conclusion the color comes and goes. Keep in mind, even at it's best the color is pale and washed out. It looks like the print was recorded off a television that wasn't getting the best reception. Adding to this travesty is the most plodding delivery of lines that I can recollect. Even the voice over narration is stupor inducing. Every line is delivered in this irritating plodding demeanor. I found myself wishing that they would hurry and get the words out. For this reason I couldn't wait for this movie to end. It's one of those so-bad -it's- good movies but I wish that someone would find a half decent print. | 0neg
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This truly obscure neo-noir from 1988 is memorable as Uma Thurman's first starring role and also has a bit part from Steve Buscemi. Quentin Tarantino must have seen it since he cast both of them in "Pulp Fiction." The DVD retails at WalMart for $1.00, which is about what it's worth. "Kiss Daddy Goodbye" has an intriguing storyline but is so low-budget as to be literally unwatchable: the lighting is poor, the photography amateurish, and night scenes are literally invisible. On the plus side the eighteen-year old Uma oozes sex appeal and a sleazy sort of glamour which must have attracted Tarantino to her, and there are some gritty, realistic performances, particularly from Buscemi. The movie was produced with grants from the National Endowment for the Arts and the West German Kunstministerium, another example of taxpayers' money going to waste. | -1no label
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] |
its awful i cant believe that one of the greatest nonsenses in the world can be a blockbuster and the favorite movie of millions of people!!!!!!!!!!!!!!!!!!!!! a movie which has no story,again shahrukh khan has been appeared on the screen with nothing new the same as usual he is trying to make you cry by start scrambling his head for thousands of times,i think this is to much,pretty zinta spouse to act the character of a Pakistani girl i didn't know that there is enough facilities in Pakistan for the Pakistani girls to do so many plastic surgeries on their face and also there are enough make up facilities??!! and also i didn't know that an Indian can cross the March's between both countries,go to Pakistan and start dancing and singing may be Pakistani soldier's were sleeping!!!!!!!!! | 0neg
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No doubt that the indie flick Eddie Monroe is one of the better independent films I've seen in a long time. The highlight for me was the performance of Paul Vario. I first saw Paul, or "Big Paulie" as he was called in Danny Provenzano's hit indie, "This Thing Of Ours". Thankfully, the "Eddie Monroe" filmmaker(s) did the same and utilized Paul's undeniable skills in a principle (principal?) role. Out came a performance (on camera and voice-over utilization as well) that shows worthy of big-budget studio roles in the very near future. It's refreshing to see a trained actor who is committed to the trade, prove the same to the audience. Keep up the good work Big Paulie and we'll be seeing you in Hollywood real soon! Not bad for a kid from Canarsie, huh? | 1pos
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There's a great drinking game hidden in this movie. All of the scenes, plots, characters, settings, dialog seem to be lifted from other movies. Sadly, this movie would be better if they just cut and pasted all the clips from each movie together, rather than reshooting them. But I think if you recognize something ripped off from another movie, you should get to drink. ie. Star Wars: film opens with alien space ship passing before camera The Abyss: incidental appearance of nuclear attack submarine unfriendly commando(s) underwater research station aliens at the bottom of the ocean Operatic music when aliens appear husband and wife together in underwater base Deep Blue Sea: smart sharks that are team players Jaws: the beach scene, including water-level camera angle Jaws2: aircraft gets attacked by shark Alien: blue collar crewmen, sassing the female boss Aliens Pvt Hudson & the unwilling tech guy ("Game over man", vs. "I'm not going out there") The Black Hole cowardly dude gets what's coming after stealing the escape pod Leviathan: sunken cargo ship with dangerous cargo symbolical breaking to helpless support ship and lots, lots more. I'll stop here, because my BAC is approaching critical. Favorite bits: the seaplane approaching the base, yet with the shore only a few hundred yards away. Our heroes, who swim faster than a nuclear sub, and faster than the sound of the explosion which would have otherwise concussed them. Fearless leader, who suspects the health inspector is from the CIA, which is obviously your first choice when thinking about groups of really mean guys Sub Captain, who lets any old health inspector aboard his nuclear attack vessel, without making that phone call to check up on them, first. | -1no label
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] |
As a documentary, this is laughable in a campy sort of way -- a schlocky collection of re-created Biblical tableaux mixed in with solemn interviews of so-called "experts." Think of it as an infommercial which pushes Jesus instead of thigh-masters. However, the detailed crucifixion scene is, in terms of historical accuracy, superior to similar scenes in such widescreen Hollywood extravaganzas as "Ben-Hur," "King of Kings," and "The Greatest Story Ever Told." Rather than dragging his entire cross to Golgotha, for example, John Rubinstein simply carries his crossbeam strapped across his shoulders to his outstretched arms. Nails aren't driven through his palms but instead through his wrists. His feet aren't nailed separately but one is placed over the other so that just one nail need be used. Incidentally, Rubinstein's flogging prior to his crucifixion ranks 35th in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies." Of course, Rubinstein and the two thieves wear modest loincloths, which probably isn't true to the shameful reality of Roman crucifixions, but allowances must be made. Curiously, the "good" thief is positioned on the left hand of Jesus, which goes against a long-standing tradition. Just why this thief is played by a pudgy, overweight man is, however, a mystery, especially in view of the fact that the "bad" thief is something of a "hunk." | 0neg
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] |
The first question that would run across the mind of anyone who'd watch this movie is: "Can Diana Ross act?" The answer, I'm glad to say, is an unequivocal "Yes." And I think that's what the director wanted to clear up right from the very first scene, with a flash forward to Billie Holiday's drug bust while the credits were still on. Ms. Ross, devoid of make-up and with "crazy hair," put on an extremely convincing performance of heroin (or coke) withdrawal, replete with howling. Her performance is the highlight of the movie, which unfortunately felt like it ran way too long, and I found myself constantly checking the run time. It wasn't bad as a musical. As I had read previously, Ms. Ross didn't seek to imitate Billie Holiday's style, and instead created a distinct and appropriate - yet similar - jazz style of her own just for the movie (check out "Good Morning Heartache"), and I, being a fan, didn't mind the song interludes. What dragged the movie was the constant focus on Holiday's drug addiction (to showcase more of Ms. Ross's acting?). It felt like there was scene after scene of her being drug-addled, whining, and screaming, which began to abrade after a while. It's too bad, since with better direction and screenplay, coupled with Ms. Ross's capable acting and singing, this could've been one of the truly great musical biopics. | -1no label
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] |
This film gave me probably the most pleasant surprise of any I've ever seen. It was not a big-budget production and its premise, middle-age amateur jazz musicians get an unexpected professional engagement at a Catskills-like resort, seems rather modest. What's not modest is the film's success. This is a little slice-of-life movie that is most entertaining throughout. Director Frank D. Gilroy also wrote the script and it's full of interesting subplots and unexpected twists. The actors are journeymen who do a solid job. The biggest revelation to me was Cleavon Little. He plays a professional musician who is hired to fill in for an ailing band member. His attitude immediately clashes with the others. While they see it as an opportunity for big fun and a once in a lifetime thing, he sees it as his job and not a particularly interesting one. This leads to conflict but when the group gets in trouble, he steers them through. Little, who died too young, really showed me he was a fine actor with this film. This movie is a true sleeper, the kind that a film fan always hopes to discover. I recommend it wholeheartedly. | 1pos
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] |
This film got less attention than "League of Their Own," possibly because it has only one "name" star. But whereas women's professional baseball had only an eight year, Midwestern town existence, Japanese baseball is a vastly bigger entity, both in financial underwriting and popular support. That alone would make it the better movie. "Mr. Baseball" shows the facts of life of Japan-ball: the regimented cheering, the deference to umpires, the pressure of corporate owners on managers, the extreme conservatism of play - and no hot dog players welcome. It also touches upon the isolation that any gai-jin - but especially an American jock, not the people most versed in foreign cultures - feels living in Dai Nippon. And the Japanese, for their part, are not comfortable around foreigners and let it show in various ways ("the gai-jin strike zone," one American player complains, "bigger than a Buick.") The script may not have won any awards, playing once again on the "redemption by improved play" theme, but I found it considerably more enjoyable to watch than the pokey "League." Definitely recommended for those who want to see another angle on this great sport. | 1pos
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] |
After another raid in an empty village, the chief of the Vikings Timandahaf misunderstands the explanation of his adviser Cryptograf that "fear gives wings to the dwellers" and believes that fear actually makes the villagers fly. They decide to chase the champion of fear in Gaul to learn how to fly and make them invincible warriors. Meanwhile, the nephew of Vitalstatistix, Justforkix, is sent from Parisium to the Gaulish village to become a man and Asterix and Obelix are assigned to train the youngster. The stupid son of Cryptograf, Olaf, listens to a conversation of the coward Justforkix with Asterix and Obelix and kidnaps him. While returning to the Viking village, Justforkix meets Abba, the daughter of Timandahaf, and they fall in love for each other. But the Machiavellian and ambitious Cryptograf plan to marry his son Olaf with Abba and become powerful. In the end, Asterix realizes that it is not fear that gives wings, it is love. When I was a teenager, Asterix was my favorite comic book and I read all the Goscinny and Uderzo stories. This feature film shows all the original elements and humor of the comics in a delicious and wonderful animation. The romance of Justforkix and the gorgeous Abba is delightful and the situations Asterix and Obelix get involved are hilarious. My vote is ten. Title (Brazil): "Astérix e os Vikings" ("Astérix and the Vikings") | 1pos
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] |
-***WARNING*** for those of you who have not seen this movie yet,this comment contains MAJOR SPOILERS. Given the small number of people who have rated this movie, I must conclude that this "mini"-series is not well known at all, but the people who have seen it may be interested in what I am going to point out: I saw it in December 2004, that is to say 6 months before "Lost" was aired on TV in western Europe. Having greatly enjoyed it, I couldn't help thinking that "Lost" reminded me of something, and it did not take me a long time to figure out of what: "Tribe"!!! The similarities between the two series are quite obvious: first of all, in both series. a brutal event (an airplane crash in "Lost", a hijacked boat in"Tribe"), leaves a group of very different people stranded on an island; second, these people, despite their very different personalities, are forced to organize themselves in order to live together, and this cannot be without some conflicts; other elements are also common to the two series: the island on which both "tribes" are stranded on contains some traps and there are also the "bad ones" (the "others" about whom the survivors in "Lost" are warned about by the French woman in Season 1, and the bad encounter that the group of people who leave the island on the raft make are obviously similar to the sea pirates returning to the island in "Tribe", etc... etc...)And the name of one of the major characters in both "Tribe" and "Lost" is... JACK!!!Strange, isn't it? I therefore highly suspect that the creators of "Lost" may have been inspired by "Tribe", even if I cannot prove it at all... However, given the so high number of similarities (there are others that would be too long to enumerate), I cannot believe that all this is pure coincidence... | -1no label
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] |
Well, I should say, "the only film related to club/dj/electronic music and raves...that ravers respect". Seriously now. It's a gloriously fun, fast paced and fairly accurate portrayal of the night of a raver. Albeit, its in a club, its in Wales and its somewhat dated. The film leaves out some of the sketchier elements of club life, but doesn't disassociate from them altogether. It presents a idyllic yet serious portrayal of the ups and downs of the characters lives. At the core of the film, and the best element of Justin Kerrigan's script, is the characters, eccentric, unique yet completely understandable and accessible. This film simple would not work and be infinitely less entertaining were it not for Jip, Koop, Nina, Moff and Lulu. Viewers can deny the political and social implications of the subtext of Human Traffic as a drug film, Trainspotting wannabe, important peg in British youth culture circa 90's, BUT....they can't deny that these are engaging characters. It's frantic, its brutally honest, it's sobering, it's over the top, but its a great comedy. Raves are a complex thing, so are the drugs that are taken at these events, so are the people you will encounter. But from someone who has gone to parties, become jaded and still goes...Human Traffic is the best snapshot that could be taken of the subculture. Just whatever you do, avoid "Groove" as its the antithesis of all that is good about Human Traffic. | 1pos
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] |
Darkman 3: Die Darkman Die is directed by Bradford May, the same guy who made the first Darkman sequel too. Darkman 3 is worse than Darkman 2, and is nothing special, in my opinion. Larry Drake is no more as a main villain, who is now played by great Jeff Fahey, whose character once again wants to get Darkman's work and create this time some ultra strong humans in order to get the leadership of the whole city. The film is pretty much the same in plot and execution as Darkman 2, but I was mostly irritated by the presence of many scenes from Darkman 2. These sequels were made in short time and with little money, so these kind of decisions had to be made. Couple of scenes are pretty stylish and exiting, but still this is pretty tired film and often irritatingly stupid, too. The characters scream and laugh too much and it is very annoying. There is no any philosophical depth in the film, and this is like a remake of Darkman 2 which it still cannot equal. Darkman 2 had many great scenes and stylish camera work, and Larry Drake's ability to play great villain. Darkman 3 offers only some nice scenes and moments, but mostly this film is tired and full of cliches. The few positive things in this movie are flashback edits (Westlake's nightmares) and couple of truly surprising plot turns and tricks. And worth mentioning is also pretty nasty death scene of the main villain which was pretty comic book like and inventive without any gore. Far more interesting than the death of main villain in part two. Darkman 3 is worst in the whole series, and we must remember that these two sequels were made directly to video and they don't come even close to Raimi's original Darkman with Liam Neeson. Darkman 2 was okay actioner with plenty of great scenes and suspense, but this last (?) entry is tired and often stupid and boring piece of sequel. It has some merits as mentioned, but overall feeling is that this should not been made in the first place. May is talented director so hopefully he can get some more noteworthy projects in the future. 3/10 | 0neg
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] |
Contrary to most other commentators, I deeply hate this series. It starts out looking interesting, with mysterious aliens and giant robots, and I kept my hopes up until the very last episode. At the end of it, I still didn't understand what the alien attacks were all about (maybe I missed something, who knows?), and realized that I had sat through 26 episodes consisting mainly of the characters' own self-hating, selfishness and self-pitying. It actually flips between alien/robot fights and these dark, depressing blinking-on-and-off scenes where one or more characters can just say or shout "I hate me/you/it" 10-12 times in a row. I can't really see either Shinji or Asuka (two of the main characters) showing growth or change. (Nor can I see any of the other characters learning or growing either, for that matter.) I wanted to kick them and tell them to get a bloody life during the first episodes, and the feeling didn't change during the last ones. Shinji truly possesses the kind of helpless hopelessness that makes people angry rather than charitable, and Asuka is such an infuriating know-it-all that I wanted to smash the TV screen every time she came into view. Oh, and more than anyone else, these two hate everything, and say it veeeeeeeery often. I'm otherwise a big fan of animé and manga, and never before have I disliked one so much. I read that the series creator/writer wrote this while suffering from a depression, and I can believe that; it made me depressed to watch it. Is that the aim of this series? I'm honestly asking. Is it designed to make the viewer confused and annoyed? And if suffering from a depression, why just not write a book or biography about it, instead of mixing it up with aliens and mecha's? This alien war plot, as far as I could tell, lead to absolutely nowhere. Finally, since I'm truly fascinated by how many people claim to love this patchwork of dead-end plots, I can't help but wonder how many of them actually find it good, and how many say they do because they've been told it is. | 0neg
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] |
Martin Short and Danny Glover star in PURE LUCK, and the title plus Short should be a tipoff as to the quality of this obvious tax writeoff. Investigator Glover is assigned to find a missing heiress in Mexico and Short is sent along as someone who shares the heiress' constant state of bad luck (running into doors, falling down, etc.). Somehow this is supposed to mean Short will be able to find the lady, who has been kidnapped. I can't imagine anyone sitting through this inept, unfunny flick in a theater. I couldn't finish it on TV. Short has fallen a long, long way from his INNERSPACE days, and Glover simply looks embarrassed. He also mumbles most of his dialog. PURE LUCK makes THE MAN, with Eugene Levy and Sam Jackson playing similar roles, look like CITIZEN KANE. It is fair to say Short's auburn-dyed, permed hairdo in PURE LUCK outperforms Short at every turn. Avoid at all costs. | -1no label
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] |
So it's a Romeo and Juliet type movie only it has to do with class differences and color In Mexico, there is much racism and hate against dark and poor people but these two young lovers do not care. They fight against all odds to continue their relationship but this all ends in tragedy. Cute guys! Great actors and lots of fun too! Most of the youth in this movie began acting careers as children. I recommend this movie as well as others like Sexo Pudor y Lagrimas, Amores Perros and Ladies Night although this last one is more like a "chick flick" because there are male strippers, a bachelorette party, many guys and lots of fun! The others are great though! NONA | -1no label
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] |
This is a real stinker. I can think of nothing to recommend this film. The film transfer is from a completely washed out print, the audio is muffled and muddy and the dubbing is out of sync. And that's just the technical problems. The story line goes nowhere. The acting makes those Mexican movies from the early 60's (remember 'K.Gordon Murray presents') appear to be Citizen Kane. For offering itself as a vampire movie I really don't recall seeing any blood in it. I think once or twice I did see someone bare their fangs-the five and dime store plastic variety. I picked this one up for $1.00 and boy did I get gypped. I forgot to mention this is part of a "drive in treasures" collection so there are intros and wrap-arounds with two unfunny individuals pretending they are sitting in a car at the drive-in. Even the intermission tag they use is faded and scratchy and appears to be about 10 generations from the original. This is a complete waste of time. Not even one of those so-bad-it's-good movies. Stay away. | -1no label
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] |
My wife and I watched this movie because we plan to visit Sicily and Stromboli soon. Fortunately (or unfortunately) the landscape and seascape (complete with tuna) are the only believable members of this cast. We expected reasonable well-written and well-acted movie, but were disappointed. Its only redeeming grace is an extended and remarkable fishing sequence full of authenticity: thrashing tuna, nets, wooden boats with long oars, and passionate, if superstitious, fishermen. The movie's sequencing is stagy, its dialogue stilted, and the acting ranges from stiff to completely "over-the-top." One scene, in which Bergman stresses out as her macho, native and naïve husband sics his ferret on an "innocent" (but apparently already deceased) rabbit would be perfect grist for a Monty Python skit. When the volcano blew we hoped for a merciful end to the suffering (ours and the casts'). Unfortunately, the movie continues to flail on, staggering finally to a melodramatic and absurd ending. Unless you're really into old-time tuna fishing, pass this hokey effort by. | 0neg
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] |
I had been waiting eagerly to see this movie, but when I finally got the chance, I was very disappointed. I had to stop half-way (or was it quarter-way?) because of the poor script and directing. Not to mention the poor cast! Josh Hartnett is the only one who can act, and he's much more suitable to be the hero of the story. Well, basically the story is just about a loose girl from the country who cheated on her long-time decent boyfriend only to have meaningless sex with a spoiled rich brat. This movie failed to draw my sympathy, not even when the writer intended to. I wonder where the moral values go? The actors are so stiff that when I resume the movie (few weeks after it was interrupted due to its boring nature), they still failed to make me pay attention. The spoiled couple can only disgust me! What a movie! I think all the people involved in this production need to sit down and review it together so that they won't make the same mistakes next time round. And next time they might consider Josh Hartnett as the protagonist... | 0neg
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] |
Yeah... This one is most definitely Wonder Bread style of "we're number one, we're number one" USA flag-waving. Patriarchial "Morning in America" fluff . This movie tries not to be mean and frightful during war-time. Unlike most of the WWII melodramas and action films that typically come from the west, it relies on the HallMark Greeting Card/Boys Life Magazine view of dark and light, and not The Shadow Knows pulp fear most of this era's wartime drama relies upon. Too often, this film pulls what politicians through the ages (most embarrassingly right now ) in skirting issues with massaging its audience's ego to ensure no one questions any flaws in the image of any "greater good". A trick to get basically decent people to fall in step and accept or perform some horrible things all in the name of Homefront, Homeland, and the like. I do understand when it was made and what was happening to the world. But I also understand these films were made in close partnership with our own propaganda offices in US Government. Even in a war that had to be fought in its time, this film's simplistic, condescending emotional symbolism, and manipulation, are exactly the smoke and mirrors that are used right now on this generation's "every person USA". It tells it audience to be adults and stand up. But more often than not, it tells us (like ill- informed children) to lock in step. Not only in needed physical action to "fight the good fight", but also in our intellectual understanding of complex issues at home at around the world. Hmmm... Just like the current echo-machinery. Some things never change...in a country too enamored by celebrity, wealth, authority, and power... sigh. And I agree with some about the plot. You know exactly what will happen to everyone in the very first 10 minutes of this film. You really do know everything that will happen. Lastly, in it's well intentioned "understanding" of the Great Melting Pot, this film performs MAJOR racial/ethnic/sexual insults regularly. I thought I was going to puke during many scenes and lines that, however tamed down, were just quieter racial and sexual stereotyping, still echoing throughout America today, by either well meaning and mostly caucasian "moderate" liberals or conservatives. | -1no label
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] |
Though I strongly feel that SITR is the best Gene Kelly movie, but this a pretty good one. I liked the music and the dancing and the ending on how Gene got the girl. My favorite part though without a doubt is Gene's dance with his alter ego. I love watching two Gene Kelly's for the price of one. It shows what talent Mr. Kelly really was. It is a movie that I think that everyone should watch at least once in their life time. So you have not seen it go out and find to watch it today! I'm sure that everyone out there has a Gene Kelly friend that has this movie in their collection. So go over to their house and pop some popcorn and enjoy! | 1pos
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] |
Like a few other Australian entries from 1999, 'Strange Planet' is gorgeously filmed but appallingly scripted and acted. The story sees two sets of three friends (three girls and three guys) who stumble to and from bad relationships. In a nutshell, that's basically the plot. Spanning a year, the film certainly covers a lot of time. And neatly too. Each new month is visually introduced by some stunning time-lapse sequences of Syndey. However, once plot and character development come into swing, then the movie just falls flat on its face. Dialogue feels too sparse and wanna-be offbeat, not to mention being so predictable and underdeveloped that it feels more like a synopsis than dialogue. The 'witty' nihilist-turned-romantic banter about relationships is anything but. The plot likewise feels all too familiar, and the ending comes paradoxically unsurprising and undeveloped, so undeveloped that the last shot (an overhead of the six eating breakfast) feels like an insulting attempt at gratifying the audience. Yet another sad triumph of of style over substance. Try 'The Big Night Out' for similar results. 2/5 | -1no label
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] |
This movie shows us why Jet Li is the bonafide martial arts superstar. With the right people behind the movie's production, maybe I shouldn't be so surprised that I actually found this film to be slick, exhilirating, and VERY STYLISH (much like La Femme Nikita). I walked out from the theatre satisfied and entertained. Thanks to Luc Besson, the movie also gets Thierry Arbogast, who is a GREAT technician when it comes to creating the saturated atmosphere. This movie, essentially Jet Li with a touch of French vanilla flavour, turns out to be a surprising winner in my jaded film logbook. Sure the movie has plot holes and some unintentionally hilarious continuity problems that will leave some of us scratching heads. But in the end I didn't care; this movie is so stylish-looking and well-acted, sometimes I forgot I was watching a martial arts flick. Great fight scenes, especially at the end where Li's character uses cramped office space to his advantage (a very smart move). To my delightful surprise, Bridget Fonda gave a stellar effort, because she didn't put on lazy acting as if it's just another film project that pays her money - big kudos to her. Jet Li proved to everyone that with the right movie material, he can show that he is rarity among martial arts actors since Li can act pretty well, which helps the audience to sympathize with Li's character. Karyo's character is made too obviously evil from the beginning, but never mind that - he is so much fun to watch. It's great to see that Li and Fonda do show strong on-screen chemistry, because after all I never expected so much quality from any martial arts movies. All in all, not since "Fist of Legend" or "Once Upon a Time in China II" did I felt this good about watching Li in action. Very nice effort!!! | -1no label
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] |
Missing in Action (1984) was the first in the Col. Braddock series. Shot in the Phillipines (yes, with Filipinos playing Vietnamese). This Cannon Films Production launched the "bring back the P.o.w.s" genre during the mid 80's. Chuck Norris plays Col. Braddock, an unconventional officer who'll do anything to "bring back the boys that were all but forgotten". Filled with mindless chop-socky and very uninspired action scenes, Missing in Action is a movie for die-hard Chuck Norris fans, lovers of Cannon Films or Grade Z action films. Watch Chuck break international law and defy the laws of logic and realism in Missing In Action!!! Terminally bad Chuck Norris film. But a masterpiece compared to it's nonsensical sequels. Chuck doesn't even dress or have the presence of an officer. I mean who would take this person seriously? Not recommended for viewing unless A.) You and your friends want to watch a bad movie or B.) You're too lazy to change the channel because you lost your remote. If I were you I would get up and change it manually. Not recommended. Filipinos don't even look like Vietnamese people. | -1no label
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] |
Off the blocks let me just say that I am a huge zombie fan so I don't make statements like the above lightly. Secondly let me say that this is an Italian zombie film and Fulci only directed 15 minutes of it before handing over to Bruno (Rats, Night Of Terror) Mattei. This is no Dawn of the Dead folks. That said this is easily one of the most entertaining zombie films I have ever seen. The script is wonderfully horrible. Just check out the two scientists trying to find an antidote ("Let's try putting these two molecules together"). The zombies come in all varieties. From moaning shufflers, to machete wielding maniacs, to birds! The gore is plentiful. Legs are bitten off, arms amputated, stomachs burst open. The pace is fast, flying from one zombie attack to the next. Then there's the head in the fridge. Oh the head in the fridge! One of the greatest moments in horror since Ash got his hand possessed in Evil Dead 2. You should know already whether you're the sort of person who's going to like this sort of film. Get some mates and some beer and you'll be in for a fun night. Did I mention the head in the fridge?!?!? | 1pos
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] |
The final installment sees Sho Aikawa and Riki Takeuchi (looking cooler than ever in his reversible overcoat!) pitched against each other for one last battle, this time in the future. The plot owes a lot to Blade Runner, but done in Takashi Miike's low budget, frenetic, comic style. I did feel that it was the weakest of the three DOA films, and although the ending was still outrageous, it lacked the shock value of the previous two. Compared to the likes of Ichi the Killer and Visitor Q, DOA:Final is nowhere near as extreme, but is faithful to the other two films in the trilogy. That said, fans of the first two (and fans of Miike) will get a lot from this as it ties all three films together and gives a final explanation of the relationship between the two protagonists. | 1pos
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] |
Hubert Selby Jr. gave us the book "Requiem For A Dream" and co-wrote the screenplay to Aronofsky's movie of it. That movie succeeded on every level by delivering an intimate, and unbiased portrait of the horrors of the characters lives and the vices that destroyed them. "Last Exit To Brooklyn" still has the vice and the multiple characters living sad lives, but it hardly does them the same justice Aronofsky did. The film seems laughably anti-gay at times. Especially when in the film homosexuality equals death. One gay character gets stoned, is launched skyward by a speeding car, and lands dead on the pavement. Another is crucified and still more are simply beat up. Another exaggerated piece of shock value, that might actually have been compelling if it were done well, are scenes of the union workers literally doing battle with the strike-breakers. Who'd have thought a drama about Brooklyners would feature action sequences and truck explosions? The director, Uli Edel has a skill level like that of a TV director, but he is far below the cut for real movies. The film is clunky that can't even seem to settle on a genre. Lake is given a useless role that any mannequin could have filled and Baldwin only seems to know how to look stupid in his equally meager part. And then comes Jennifer Jason Leigh as our lead, a loathsome hooker named Tralala (believe it or not, I'm not joking). Her performance is nothing great and the fate of her character is dirty to say the least. Poor use of color and composition make it look cheaper than it is, and also takes the "real" edge off the more provocative bits. A failure. | 0neg
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] |
I cannot say less, at the beginning I didn't want to watch it, I thought: "another mix of gore and mystery with nothing good to make you think" (something like millennium) But finally I found at least three good reasons because the Collector it's one of the best shows 1- Unpredictable: from the first episode you'll never know when there's a "happy ending", the stories are very dark but there's no use of unnecessary violence, everything has a reason. 2- Deep: "The collector" it's not an "easy to watch show", there's always a message to think, some lesson, reflection about life and the way we live. 3- Epic: "the collector" talks about the inner war, I mean: the battle between light and darkness of every human being, for their own private desires, the price to make the dreams come true specially when we destroy the life of other people. The stories have a lot of symbols, lot of fantasy but the way the producers use it end in a very realistic message. More reason: the acting it's good, the specially effects, and as I said in the first point: This is the kind of show where the producer don't have fear to make the necessary changes to make the stories better, so it's very unpredictable. It's not the kind of show about mysteries: you know from the beginning the rules of the main story but as the season goes you are gonna find the details, the true reasons a secrets of every character, everything from the autistic boy to the past of Morgan has a reason, and that make this a better far better than many things we usually find in the TV. | -1no label
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] |
The Secret Garden is a classic with all ages. This version is best of all. Actors and scenery captures the story for us, of a little boy, motherless because of an accident and the garden that claimed her life. The boys father keeps the garden hidden from all. Over grown like that of in 'sleeping beauty' no one even knows it is there, till the boy's cousin comes to visit a little girl, who breathes life back into the home, the family and this poor crippled boy. Family entertainment to a "T". Might need one hankie, for it can be very heart rending at times. Great film to have in your movie library. | -1no label
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] |
What kind I say about this movie. well for starters, I thought that this film was okay, not the greatest not worst. I said this cause I thought that the script was great and original, really different and refreshing. Now I wouldn't say that it's the greatest film that I've seeing cause of the acting. The actors that played each role, seems that they played them without emotions, as if they took the life out of them. When the wife laughed or cried, this didn't look real to me for some reason, that's just an example, but sincerely all the characters didn't act real at all. I wish I could say more positive things about this film so you guys can see it at least once but how can I do that since I know that I'm not going to see this movie again. I rented this film from the library of my school, without hearing anything about the film itself or the director. I took a chance because the story that was describe on the back sounded really interesting and it really was. | 1pos
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] |
what is wrong with this film? absolutely nothing. the story is MORE believable than analyze this to which this has been compared but there is no comparison-they're both great movies in there own right and totally different genres. analyze this is a straight up fantastical farce where gun shy is a dramatic romantic comedy more in the same vein as whole nine yards (but done much better). the soundtrack is excellent (you can't lose with tom waites!)the editing is wonderful(liam's "perception" in the 1st scene is hysterical) and the storyline flows. charlie and fulvio's developing fiendship shows insight to the harshness of choosing a dangerous perfession and being born into it. either way you look at it, they are just two guys that hate their jobs just like the guys in the group sessions. wheather your a cop, thug, banker, lawyer, or stockbroker; life gets to a point where it all blends into an unfulfilling mess and you feel as if your drowning. i noticed a lot of negitive reviews and am surprised at that. (like the gay thing-no one in this film is what they seem - get it?) maybe this is too complicated of a movie for everyone to enjoy. maybe hollywood has been putting out too much mission impossible eye candy that thinking about a movie and an underlying concept just shouldn't be expected anymore. this is a funny, sweet, real film. give it a chance. | -1no label
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] |
Any screen adaptation of a John Grisham story deserves a mainstream Hollywood approach, and Robert Altman is about the last director I would go to for a mainstream take on anything. But this southern-fried pot-boiler is pretty good. While it's not among Altman's best, it certainly isn't among the films he's made that leave you scratching your head and wondering what he was thinking. Altman had tipped his hat to the mystery thriller with noir overtones before, in his 1973 film "The Long Goodbye." "The Gingerbread Man" is nowhere near as good as that film, but it holds up fairly well on its own. Kenneth Branagh is a cocky attorney who finds himself framed for murder after he gets involved with a client (Embeth Davidtz) who has enlisted his help in protecting her from her cuckoo father (Robert Duvall). The film is set in Savannah, Georgia during the approach of a tropical storm, which lends the film an oppressive atmosphere that I very much liked. The twists and turns toward the film's end become clunkier and clunkier, and Altman proves himself to be not all that adept at staging shootouts, but overall the film is not a bad addition to Altman's canon. Also starring Robert Downey, Jr., Daryl Hannah, Tom Berenger and Famke Janssen. Grade: B | 1pos
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] |
Anyone who's been following movies for the last few years probably has a strong opinion of director Brett Ratner. Personally, I think he's a mediocre director at best, who simply makes faceless, anonymous popcorn flicks that make lots of money. I guess what irks most Ratner-haters is the fact that he seems to think he's the second coming, plays the Hollywood PR machine, and overloads his DVD's with WAY too much information about himself, as if anyone watching Rush Hour 2 wondered "Wow, did Truffaut direct this? I've got to find out more about this guy!" After the competent yet totally un-necessary Red Dragon, Ratner's moved on to After the Sunset, which at first glance looks like a high-tech crime caper, but grows into a fairly adult, mature character study, not unlike Tarantino's Jackie Brown. And like that film, audiences may find themselves confused and bored over the lack of action and plot twists (this film has probably the least amount of surprises of any heist film in recent memory - but when you become emotionally invested in the characters like this, that's a good thing). Ratner's gone on record in interviews in saying that this is a love story, not between Brosnan and Hayek, but between Brosnan and Harrelson, and if you look at the film that way, you'll probably enjoy it a bit more than if you were expecting a Bond film or a slam-bang actioner. Their relationship is the center of the film, and provides a few touching scenes as well as some good laughs. As for the heist itself, well, it's kinda rushed, totally unbelievable, and VERY reminiscent of Brosnan's remake of The Thomas Crown Affair, but all in all, it's a quick, fun 90 minutes, with fun performances, lots of eye candy for the guys (and girls), and shows Ratner may be maturing as a film-maker. | -1no label
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Mary O'Hara must be doing spins in her grave! It was bad enough what Hollywood did originally to her books (all three of them in the series) without this version hitting the screen. This was not a "kid's book" (I've seen the reference...obviously from someone who never read the books); it was a series of books about the complex relationships of a family living in 1940's Wyoming: A loving mother, father, TWO sons, and an infant daughter. The father/son conflict between the younger son and the father, and the relationship between the brothers, Ken and Howard, were well crafted; as was the very deep (and at times) troubled love relationship between Rob and Nell. What could have been a sweeping family saga was turned into a sappy boy loves horse opus for Roddy McDowell (great actor!), shortly after his successes in the Lassie boy loves dog films. Just once, I'd like to see Hollywood get it right. If the book ain't broke, don't fix it!! | -1no label
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Great White isn't to bad of a film. I was expecting worse if they had to sue a law-suit. Anyway, i watched it online and loved it! Plot: Writer Peter Benton soon finds out a shark has been terrorizing there beach and wants to put a stop to it. his daughter, Jenny, loses her leg to a shark, a toy helicopter crashes replacing real one, a man's legs is torn of, oh and it made me smarter because in the movie, sharks roar, are made out of rubber, bob up and down, and look real fake. the shark looks real fake, and roars which disappoints me. i did enjoy the film, and am probably going to buy it. I think it was a decent film. 10/1o stars. | -1no label
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To the small minority seen here praising this film GET SERIOUS. I know it's down to peoples personal opinion at the end of the day, but anyone with more than a couple of brain cells can surely see that this is total rubbish. So bad it does not deserve to be part of this franchise. I can only assume those saying how great this is are friends with somebody involved in the film and are trying to give their career a push. Poor in every way, don't con people by saying otherwise. Storyline is a weak rehash of the previous entries, script is likewise. Attempts to hide the lack of originality by using a girl instead (WOW!) don't disguise the film-makers lack of ideas,and there is sadly a complete lack of any scares. Absolutely no redeeming qualities, utter utter turd. I've awarded this pair of chancers one mark simply for having had the nous to get someone to fund this piece of crap. They must have put more effort into that than they did into actually making the film. Shame. | 0neg
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It is a pity that you cannot vote zero stars on IMDb, because I would not have hesitated! In fact I would go so far as to say that this film was in the negative stars. I, like many others, bought this film thinking that because it has Michael Madsen in it, it could be good... No chance! This film was shocking! Imagine a movie length 'The Bold and the Beautiful', well, Primal Instinct did not even come close to that good, and I had previously thought that there would be nothing worse than a movie length 'The Bold and the Beautiful'. Michael Madsen, how could you do this to us? The worst part is, I didn't fast forward a bit, I was hoping that at the end they would reveal that it was all some sort of sick joke, that they thought it would be funny to make us watch such a horribly bad film. Where do I start...? Directing - Zero Stars, Screenplay - Zero Stars, Acting - Zero Stars, Cinematography - Zero Stars, Digital Effects - Zero Stars, Production Design - Zero Stars, Make-up - Zero Stars, Casting - Zero Stars, Editing - Zero Stars, Trailer - Half a Star, Graphic Design - Half a Star, DVD Menu - Half a Star. However I think that it is very important to have seen bad films just so that you know what a really bad film is, so for that reason I am happy that I saw this film, just so that I have a bad film to put at the bottom of my list. | 0neg
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] |
The new action-thriller, Terminator Salvation is not great, but if it proves one thing: an action film can be mindless and moodless and still be good. Terminator 3 was terrible, yet a lot of people still liked it. Terminator Salvation is good, but people seem to hate it. This is a sign that more and more people these days have to see sophisticated films in the theater, even if it means seeing mostly bad films. Yes, there are a lot of good sophisticated films, but when something as brainless and moodless as this comes around, I'm still able to enjoy it. This movie nicely follows two stories mashed into one: John Connor (Christian Bale) waking up and discovering a whole new world, and then meeting Kyle Reese (Anton Yelchin), and Marcus Wright (Sam Worthington) fighting war on the other side of the new world. I respect, and quite like what they're trying to do here: telling us what we might of missed in the other Terminator movies. The film is nothing new or special, but just a good old recommendable fun time at the movies. PS, anyone looking forward to the Arnold Schwarzenegger cameo will not be let down. | -1no label
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] |
On paper this looks a good film . Michael Caine plays a tough and ruthless boxing promoter who's son is up for a title eliminator . The pity is that when the story is transferred from paper to my television screen it loses a certain everything . I had hoped we'd be seen emulating his definitive role in GET CARTER and as the film progresses it does seem to take on the qualities of a tough gritty revenge thriller but the whole tone of the film jumps around so much you'll be confused as to what genre it's trying to fit in to . For example Caine ( Who you can't believe in as Billy " Shiner " Simpson , he's simply Michael Caine ) has a laugh out line as he refers to someone as " Hattie Jacques " then in a supposedly humorous moment has his henchmen break someone's arm . Oh how I laughed . I mean it's supposed to elicit a laugh the way it plays out on screen isn't it ? But these seems at odds with the way the rest of the film plays out Obviously director John Irvin doesn't know what approach to take with Scott Cherry's screenplay . Irvin isn't a bad director and is well regarded for his war films such as THE DOGS OF WAR and HAMBURGER HILL but he's ill suited to this type of violent drama and one can't help but feel he might have been intimidated somewhat by a living legend like Caine . Caine does give the impression he's just doing it for the money and the well known faces in supporting roles like Landua and Cranham are basically just cameos who could be played by anyone | 0neg
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] |
My husband and I are the parents of an autistic little boy who lives in the same township as the screenwriter of this movie. We were very upset that the JCC is bringing this movie to its Jewish film festival because of the way that the mentally disabled character Frankie is portrayed. We went to see this movie at the local theater when it came out. We demanded out money back. We would encourage the screenwriter to donate a portion of the funds to the JCC's Achad program to apologize. We did not like seeing Frankie - a mentally disabled and perhaps even autistic teenager - as part of a joke in which he keeps dropping something to look at the nanny's breasts. There was no point to Frankie's character other than to say "hey, being mentally disabled is funny." Challenges like Frankie's are a serious matter. Families like mine are truly suffering. The screenwriter needs to explain herself. Does she know families with disabled kids? Does she see the families with disabled kids week after week at the JCC pool? | 0neg
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] |
According to this hilariously awful disaster movie, a swarm of African killer bees looks like a bunch of chocolates doing a Mexican wave. At least, that's what Sheriff Lyndon Harris finds when he spots a truck full of the insects crash. He must try to warn the people of his town before a Honey Festival (a really lame excuse to attract the bees) takes place. Even the '70s thriller 'The Swarm' had better special effects than this, probably because the makers didn't automatically switch to a digital solution every time a stunt was involved. All in all, the acting is terrible, the plot is awful and the best special effect in the whole movie is the farmer's decomposing body after he swallows a bee in his beer. | -1no label
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] |
I have to be honest and admit that this movie did basically nothing for me except baffle me completely. It's burdened with a plot that revolves around the mysterious murders of several young women, which then gets linked to the discovery of a body over 40 years old. The story never really seems to make much sense, especially when Robicheaux (played by Tommy Lee Jones) starts having his conversations with Confederate General John Bell Hood (I never really did figure that out.) Jones was OK in his role, although I thought he was really starting to show his age here. Horribly miscast was John Goodman as Julie "Baby Feet" Balboni, who I guess is supposed to be some sort of local mob figure. I simply didn't think Goodman worked in this role, although I'll admit that just could be because I'm not much of a John Goodman fan. Somewhere in the mix appeared Justina Machado as an FBI agent, although I never really did understand what the FBI was involved in, which could mean simply that my attention kept wandering from the screen. If it was explained, though, I missed it completely. Fortunately, this is a fairly short movie, so you won't waste too much of your life on it. 2/10 | 0neg
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] |
Subhash Ghai makes a beautiful film after the disastrous Yaadein. The highlight of this film is most definitely Rehman's soul-stirring music! It is absolutely excellent! My favorites are Hum Hain Is Pal Yahan, the flute-piano theme, and My Wish Comes True. What I appreciate is that the revolution, fight for Indian independence, and Hindu-Muslim riots were kept as a backdrop and that the movie didn't sidetrack into a historical film. It is a love story from the beginning to the end. It is an interesting illustration of how love can cross cultures and is not skin-deep. The movie also shows good examples of where the British and Indian cultures/societies blend to create harmony and clash to create havoc. I thought everyone gave a good performance. The visuals are simply stunning. This movie has a very good script with excellent scenes that truly touches your emotions. The only thing I didn't like is the picturization of the songs during the church scene. It was unnecessarily melodramatic and just plain out weird. Also, two beautiful songs are just jammed into each other in an ear-screeching fashion. Other than that, though, this movie is an awesome romantic adventure. | -1no label
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] |
I haven't read through all the comments, but at least one poster mentioned that the 30 minute version might possibly be abridged. I'm curious about that myself because the later parts of the film just didn't make much sense to me even when I rewatched them. 30 minutes seems really short for a movie in 1917 also. "Poor Little Rich Girl" which was Tourneur's next film is 65 minutes long and "Pride of the Clan" which was his previous feature was 84 minutes long. So I'm relieved to see that I wasn't crazy, there must be part of this film missing and that's why the resolution didn't make much sense. It's hard to review or comment on a movie that you're only able to see half of... but I would recommend this film anyway because of the really fascinating view that it provides us of the insides of an East Coast movie studio of the time. It's the earliest film I've personally seen that's based on the movie industry itself. The main character is a movie star played by Robert Warwick, who was later a mainstay Hollywood character actor and appeared in almost all of Preston Sturges' films. He plays a western actor perhaps vaguely modeled on William S. Hart, who Warwick does resemble somewhat. After the really fascinating sequences set in the studio we see them on a location shoot where he discovers a country girl (Doris Kenyon) and convinces her to come to New Jersey for a screen test which goes very poorly. After that point the movie seems to be missing major pieces in the form we have now. Again, I'd recommend it to anyone who's interested in film history for the documentary value, but in the form we have it doesn't hold up much as a movie and isn't a particularly good example of Maurice Tourneur's work. | 1pos
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] |
I, too, found "Oppenheimer" to be a brilliant series and one of the finest offerings ever on American PBS. David Suchet was particularly effective as Edward Teller, as I recall, and the overall conception was spectacularly good. The only reason that the series doesn't rate a full 10/10 is for the low-budget production values in some areas. Actual content is absolutely first-rate in my recollection. The Oppenheimer miniseries will be released in the UK on July 31st! It will be a Region 2/PAL set, but it would seem that a Region 1/NTSC set should be soon in the offing. If you have a universal player in the US, you can order the series right now from Amazon UK. http://tinyurl.com/znyyq Huzzah!! | 1pos
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] |
What a dumb movie. The special effects were so horrible I started to think this was really just a 3rd grade class project. The creators decided to cast some moderately pretty women in this film to make up for the complete lack of acting, personality, or talent. I can only imagine the budget for this film being in the realm of some kid's allowance. An incredibly poorly-done "movie" based on an incredible story. If you don't have the budget or talent to do the original story justice, then hands off please. With series like Battlestar Galactica out there, I expect rental DVDs to be of at least decent quality. The giant ape was a joke, the scorpions were moronic, and those flying dragon things? Please. And how come the flight attendant mistook her own plane for a fighter jet? | -1no label
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] |
Hmmm, yeah this episode is extremely underrated. Even though there is a LOT of bad writing and acting at parts. I think the good over wins the bad. I love the origami parts and the big 'twist' at the end. I absolutely love that scene when Michelle confronts Tony. It's actually one of my favorite scenes of Season 1. For some reason, people have always hated the Reincarnation episodes, yet I have always liked them. They're not the best, in terms of writing. but the theme really does interest me, I'm gonna give it a THREE star, but if the writing were a little more consistent i'd give it FOUR. | 1pos
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] |
I seen this movie when it came out. I thought what an average movie. I have now realized that this director was ahead of his time. This is a great movie and great soundtrack. I have seen my share of rock films but although this is far from spinal tap (which I did not like)> This film does take us into the life of an 80s rocker wanting to be nothing but. This is nothing more than our inner child wanting to grow up and to be a *ROCK STAR* Yeah I said it. Everyone wants to grow up and be on the spot light( Weather said or not). This movie just puts you in the core of emotions and you can almost feel the excitement of Izzy. I must admit the acting was less par but still the music and story was enough to hold you in to it, till the credits rolled. Worth the watch especially if you are a fan of ye Ole mighty hair bands. | 1pos
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] |
Well, as promised in first part, Russian folk hero Danila goes to USA to revenge a friend and give "kirdyk"(apocalypse) to America. Everyone who stands in his way is done for. He meets and gets to know Russian Pamela Anderson look-alike and foxy black girl. In the firefight, no cops, neither negro gun-runners and pimps, not even Russian, Ukrainian and Italian mafia can stop him. He get to the BIG BOSS and demands his million dollars, and then goes home victorious. As we can see from the plot, it is kind of a fairy-tale that is transformed into the RP(Russian-Power) action flick. Although the plot is unrealistic at best, everything else is top-notch - the movie has best Russian actors (Sergej Bodrov Jr. R.I.P.,Sergej Makovetsky, Viktor Sukhorukov), director (Alexej Balabanov), and excellent soundtrack. And of course lots Russian humor. Also some episodes are just unforgettable - like "weapon-bying" or "child poem". And of course an epic showdown in Mtro club. 10/10. | -1no label
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] |
There are some okay sections of this piece, but then we have characters acting and reacting to things in ways that make no sense at all. I lived in San Antonio for a few years in college, so I was familiar with the famous "Ghost Tracks" that are on the south side of SA. On a road called "Shane," I believe, that is sandwiched between two huge burial parks(Fitting). Anyway, it was good to see an attempt at writing something based on that area and story, but there were just too many places with characters doing things that make no sense at all. There is some bad acting in this film too. An overall good attempt at making a film, it just needed some work to the script and to the directing in parts. | -1no label
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] |
I am ashamed of myself that I actually went to the theatre to watch this movie when it was first released. While I suppose its thinly veiled depiction of the Aristotle Onassis and Jackie Kennedy story is well enough done, it's a movie that should never have been made in the first place; hence, my low rating. The film chronicles the tale of a wealthy Greek business shark called Theo Tomasis, who woos and wins the lovely young widow, Liz Cassidy, of a slain American President. Sound familiar? Yes, everything except the names. The cast is not to be faulted. Anthony Quinn plays the Greek tycoon to perfection, and at least it's some consolation, having just read that Ari himself requested Quinn for the role. Jacqueline Bisset is of course beautiful and sophisticated in the part of (for all intents and purposes) Jackie, and James Franciscus has the all American good looks of the President. I haven't seen this movie since it came out, nor do I wish to see it again. I seem to recall a fair bit of bad language and some general crudeness. Otherwise, I suppose it's a sensational and supposedly intimate glimpse into the jet setting lives of the rich and famous, frolicking aboard their yachts, beaches, pools etc. Yes, the scenery of the Greek islands is spectacular, the best part of the movie. Of its type, it's okay, I suppose. There are no end of TV movies about the Kennedys, which I confess to occasionally tuning in to, and not to my credit. This is basically just another. Far better to allow Aristotle and Jacqueline Kennedy Onassis to rest in peace. | 0neg
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] |
Gutted, completely gutted. Completely the worst adaptation since One Flew over the Cuckoos Nest " The Musical ". In fact, the book - to - screenplay adaptation was so mangled that 20 minutes into it I wondered if it was actually based on Susan Coopers book - maybe I had misunderstood ? I am a HUGE fan of the books - but even with my many readings and understanding of the plot - it was still at least 45 minutes in before I figured out who Merriman was :( Some good actors in there - I often wondered how they must feel, locked into a contract and just KNOWING that they are involved in something truly awful. The saddest thing is this could have been a good franchise - maybe even a great one - since in my opinion the Dark is Rising series is at lest as good as the CS Lewis stuff. Bad studio ! BAD ! | -1no label
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] |
Several features of this film immediately date it. The sound is rather shrill and one realizes what great strides have been accomplished in sound reproduction in the ensuing years. The language of the dialogue is rather quaint and unnatural and the acting is still reminiscent of its transition from the stage techniques. Bette Davis always gives a strong performance in all her films as she does in this early period of her very successful career. I do feel however that somehow the cockney accent does not fit the facial expression. I think it is the assumed cockney accent that does not ring true for me. Somerset Maughan loves to delve into human relationships of great dramatic intensity which will please all movie-goers. As in so many of her character roles, Bette Davis can switch from a beautiful seductive woman to a viper full of fiery hatred. Leslie Howard is well cast as the withdrawn English artist with a club foot desperately seeking a partner and making a bad choice in a scheming little waitress. Towards the end of the film the young doctor meets his true love in a busy street. They cross through the traffic completely oblivious to a multitude of horns and whistles screaming at them. This scene is possibly meant to be funny, but i find it quite ridiculous in this otherwise very serious film. It is probably construed to send you home with a smile on your face. And after all as far as we can see (and hope for) it is a happy ending. | 1pos
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] |
I saw Anatomy when it came out and recently bought it and the 2003 sequel and as I watch a lot of foreign films in various genres, you have to watch movies in their original language for sure. Not only is it annoying to know the voices don't belong to the actors, but they always seem cheerful, like the whole movie is one big long toothpaste commercial or something. It makes an otherwise awesome movie seem horrible and I have had to convert a lot of my friends who used to think foreign films aren't as good as North American films - that they aren't "Hollywood enough". Also, they translation is never right, it's too literal, and screws up the vibe of the movie, even if it's basically saying the same thing. I watched Anatomy by myself the other week in German then with subtitles with my roommate because he was on his laptop and didn't want to have to miss parts when he couldn't see the subtitles because he was typing. 30 mins in and he begged me to let him finish his work then start the movie over with subtitles. He loved it! Both movies are awesome as intellectual horror films! Kelly | 1pos
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] |
A really cool flick. A must for any music snob. You don't really have to know about the bands to enjoy the movie. Before the movie, I only heard only two songs from the Dandy Warhols. The only thing is required is an open mind. The movie centers around the Brian Jonestown Massacre. The Dandy Warhols have a role in the film, as the 'rival band,' but they are second fiddle to the BJM. The Dandy Warhols don't play as big of a role in the film as I originally guessed, but then again, they didn't have the element of excitement and unpredictability of the BJM.You can't help but be fascinated by the band and its very charismatic front man, Anton Newcombe. By itself, it's an insightful film and study on the music industry. Just watch this film and enjoy. | 1pos
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Knowing the kind of work of which actors Alan Arkin and Peter Falk and writer Andrew Bergman are capable, the blame for this jumbled, poorly made "comedy" can only be laid at the feet of director John Cassavetes, or whoever it was who was responsible for it. Supposedly Cassavetes didn't direct most of it but was brought in to replace a director who was fired. If that's so, it's understandable why he was fired. If it's not so, then it's Cassavetes who should have been fired. While all accounts I've read about Cassavetes mention that one of his most endearing traits was his wild sense of humor, there's certainly no evidence of that in this misfire. Falk tries valiantly to breathe some life into this lumbering mess, but Arkin seems to be waiting for someone to tell him what to do--or at least to give him something funny to say. If the producers had wanted to make a sequel to the hilarious Falk/Arkin "The In-Laws," then that's what they should have done. The picture is somewhat schizophrenic--it SEEMS to be a sequel to "The In-Laws," and was advertised as such, but Arkin's and Falk's characters and situations have been changed so drastically that it's really a completely different picture. Anyway, the film is virtually a complete dud. The few gags that made it into the picture are ruined by bad timing and poor editing. In addition, much of the film makes no sense whatsoever (there were major production problems, with constant cast and crew changes, and it shows) and the movie did no good for anyone connected with it--especially the audience. While "The In-Laws" was a major hit, this thing came and went pretty much overnight. It was savaged by critics and ignored by audiences--justifiably on both counts. If you're not in the mood to see otherwise extremely talented people embarrass themselves, do yourself--and them--a favor and skip this. | -1no label
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] |
This is the WORST musical ever made, for film or stage. First off it's COMPLETELY biblically inaccurate. The best voice is a random slave, who looks like he's actually Native American. THere is NO age progression on the queen of Egypt, or Moses' mother, in acting or in make- up save for her horrible wig that becomes gray. The choreography is atrocious, as is the set. Most of the interesting effects are done for the DVD, therefore i'm not sure what the audience even got to see at the Kodak theater. It seems as though a bunch of people who meant well and really liked musicals ( MAC makeup, Max Azairi(costumes), Travis Payne(choreography)) got together and attempted to make one of their own without even trying to learn how beforehand. Lastly, every time the original Ramses king is on stage, he glows gold in a really odd way, especially from his crotch. whenever he came on stage my friend would scream "I LOVE GOOOLLDD" a la Austin Powers. Honestly i wanted to shoot myself the whole time. I collect horrible movies for entertainment value and this is definitely the crown jewel | -1no label
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] |
I've watched only 4-5 serials, so I don't have a lot to compare this to, but so far it's easily the worst of the lot. The overlap from chapter to chapter is too great (too much material repeated in the new episode that was seen in the previous episode). The acting is poor, especially Ralph Byrd (if he stood still for a moment, he'd be attacked by a woodpecker). The "comedy" of Smiley Burnett is nothing to smile about (he's even worse here than in the Gene Autry movies). The character with the most brains in this serial is actually the 12 year old kid, played by Lee Van Atta. And perhaps most of all, has anybody seen Dick Tracy in this film? I must have missed him, because no one in this movie even remotely resembled the comic strip character. Low budget is not enough of an excuse for low tech here. At least the director could have put a watch on Ralph Byrd's wrist, & pretended it was radio controlled. The two low budget jungle serials I watched with Phyllis Coates ("Panther Girl of the Congo" & "Jungle Drums of Africa") were way better than this, & so was a low budget jungle serial with Clyde Beatty ("Lost Jungle"). Not that those were great serials, but they were better than this one, so tells you something about Dick Tracy. If you'd like to watch a better crime serial, I recommend "The Green Archer." That & the serial I'm in the middle of now, "Captain Marvel," are far superior to Dick Tracy. I rate it 3/10. | -1no label
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] |
Van Damme made a couple of terrible movies after the success with "Bloodsport", and this one is without doubt one of them. Although this is said to be a sequel to "Masters of the Universe", I really don't understand why, because I have problems in finding any connections between the two movies. Then, over to this movie. In fighting movies, I usually don't care about story at all. But here, I just had to. It was so bad that I just couldn't believe it. Things seem to happen without a specific reason. For example, I never could figure out why the bad guy (Bender) was bad. He just did what he did, without proper explanation. The fighting is bad too. Many of the fight scenes include use of knives, it was too much of that in my opinion. And when it comes to the final scenes, that was so typical B-action. It was also so extremely bad that i sat and laughed through it. That's really not a sign of quality, especially in a movie that totally lacks self-irony. | -1no label
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] |
Sony Pictures Classics, I'm looking at you! Sony's got the rights to Harry records -- you need to distribute the film and you'll get radically increased sales of his back catalog! Anyhow, this is a great study of a fascinating musician, woefully underknown, full of great stories, greater music, and it could have been 3 hours longer and I'd have loved it even more. Saw it at the American Cinemateque Mods & Rockers Festival at the Aero Theatre in Santa Monica, where it played to a packed house. They were turning people away at the door! I went to many of the Mods & Rockers festival films, and let me assure you that no other film came even close to selling out, let alone turning people away. See it in the theatre, buy the DVD, and make sure some slow-on-the-uptake company [*cough SONY cough*] picks it up ASAP! | 1pos
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] |
Veterans Borgnine and Lupino (who was also part of the cast of the awful "the food of the gods") tried to regain prestige in horror movies as Bette Davis or Joan Bennett did.But "the devil's rain" was not a good choice,by a long shot.The story is nonexistent,I dare anybody to find something looking like a plot in this flick.Pre-"Star trek" William Shattner is tortured all film long.Pre-"Saturday night fever" Travolta is featured,but where? Special effects are ridiculous,overlong ,and the sect chants in the grand tradition of "Rosemary's baby" .Satan inspired a lot of movies,but this one seems the worst of them all.Avoid at any price. | -1no label
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] |
Death Race is an action movie masterclass that stays very true to it's genre. It's fast, brutal and painstakingly brilliant. From the films opener to it's drooling and exceptional ending, Death Race is a man's movie. Jason Stathem, Ian Mcshay and Joan Allen also make this action movie worth watching. Watch for the humour, and believe me there is some, the fast paced story line that develops very quickly but without being rushed and of coarse the thrilling and viscerally brutal action. Jason Ames(Statham) who is wrongly accused for the murder of his wife is forced upon to take part in a deadly race that takes place over three days on a remote island. He and the other in-mates must fight to the death in a brutal style of fast paced explosive action If Ames wins though he is granted his freedom Girls, Guns, Cars and Action. What more could you want! | -1no label
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] |
I caught this at a film festival, and I won't be surprised if it gets pulled the weekend after it opens in its limited release in New York and Los Angeles. It's just not watchable. This is a disappointing sophomore attempt by Jamal, who resorts to the same old one-liners delivered by stereotypical characters - so wooden and absent of any development that the viewer never quite connects with any of them. Loretta Devine is good - but not great. I've seen her in far better work. Her skills are out of place with the pedestrian acting capabilities of the rest of the cast and the "phone-it-in" direction. The only thing worse than the terrible production values is the predictable story. I found myself looking at my watch half way through the film, hoping for the end after I finally realized I didn't care about the story, the characters, or the outcome of the plot. What a disappointment for the black LGBT community. Save your money - my hunch is that this will be buried in the 99 cent give-away bin at local drugstores. | -1no label
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] |
Will Farmer (Lanter) plays a computer game that simulates a terrorist attack, and Ripley, the super government computer, designed to profile potential terrorists, tracks him because Will borrowed (by hacking) some money from his next door neighbor's bank account to pay for a class trip to play chess in Philadelphia. The next door neighbor whose computer Will was fixing, has relatives in the mid-east who thru their bank send money to the neighbor's bank , and Ripley sees a terrorist connection. Ripley has the power to call up missile strikes. Oh, oh! This version of War Games has a much faster pace and more aggressiveness than the War Games movie in the early 1980s. Well, the electronic industry has so much more to work with these days. Makes sense. So the movie dazzles us with fantastic CGI on computer screens, and once Joshua, the forerunner to Ripley, is found operational, we are left with watching computer against computer and the humans are cringing, hoping, praying
.sort of, oh-oh-ing, OMG-ing, and more cringing hoping things will go their way. In other words we are now experiencing a made-for-TV type movie, and it's Oh Hum Time. Go back to the 1980s and watch the original War Games movie. It's much better. But, we really have to ask ourselves: are we making computers too intelligent where one day, in time, they will rule us? Hmmm
.. Violence: Yes. Sex: No. Nudity: No. Language: No. | 0neg
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] |
hello there; i would just like to say how much i enjoyed your review and comments about that excellent film 'intruder in the dust'. i believe that the points you made were insightful, intelligent and totally valid. it's also a shame that this film is hardly ever shown on TV these days and that it isn't available on DVD region 2 - i live in england. once again, many thanks for your review. the actor juano hernandez was in another brilliant film, 'young man with a horn', which also starred kirk douglas and lauren bacall. that was a very evocative and stylish film with some superb music. i wish that someone with influence could release the entire back catalogues of films like 'johnny belinda', 'i remember mama', and 'the yearling' on DVD region 2, we love these movies in great Britain. i'm not of pensionable age, i'm still reasonably young and my family and i love classic films!!films like these were so beautifully made and they bring back wonderful memories. anyway...! many thanks for your comments! | 1pos
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] |
Cheaply done fast-food sci-fi that actually works pretty well for the most part. A small British isle inexplicably has temps soar into the 90's, in the dead of winter when the temp should be around 30. A mysterious scientist named Dr. Hanson (Christopher Lee) is seen sneaking around and bizarre noises can be heard from time to time by the few island residents. The movie carefully builds tension of the unseen danger, by scattering a few clues about the nature of what the islanders are up against, without showing the menace until deep into the film. Lee has shared the screen with Peter Cushing before, and does here again. Cushing is a local medical doctor, who, like most of the characters, hangs out at a pub owned by an author named Jeff Callum (Patrick Allen). Good acting by the entire cast, and the characters are developed well. There's some good old time "monster encounter" action at a spot called (love this name) "the pit", and the film's "unseen monster" approach works well because of it. When the creatures aren't around, the film provides for plenty of interesting subplot conflicts among the characters. There are a few clichés, but they were probably fresher plot devices in the '60's when this was made. The big negative on this movie is the abrupt and poorly thought out ending, which nullifies most of the value of what the characters had been doing throughout the whole story. It's like they simply ran out of money, and quit. The movie has a dud ending, but otherwise it's a good watch for better than average sci-fi. | -1no label
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] |
This effort from Johnny To and his Milky Way cronies is unfortunately a huge step back for the company. While it can be admired that To (along with co-director Wai Ka Fai) is attempting a new genre, the romantic comedy, the cheap gags definitely threaten to bog down the entire picture. Andy Lau and Sammi Cheng star as Andy and Kinki, a pair of office drones in a company that somehow deals with computer chips. You can guess what happens next. The only saving grace here is Cheng's neurotic, charming performance. However, with Kinki's constant putdowns and desperate antics, this character makes Ally McBeal look like a model of feminist restraint. Lau takes his role a little too seriously and his temper tantrums threaten to turn this seemingly lightweight effort into something far more serious. A subplot about an Internet millionaire's affections for Kinki (which could've been nicely lampooned is instead squandered) never takes off. This is generally an unwatchable effort, which is hopefully only a temporary detour for Milky Way. | -1no label
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] |
This has to be the best movie of all time (in my opinion). It really taught me when i watched when i was 10 (in 2000) that the freedom of a being a child slips away sooner then we expect it to. Also Joseph Mazzello has to be my favorite actor ever, and i think that him and elijah wood did a Great job in the roles of brothers. This movie is quite sad, and some people don't understand the ending. But the story itself is quite incredible, the thought of a poor 7 year boy (bobby)getting abused by drunken step father is horrible, and what the two boys do about this is sad, and important. My favorite part of the movie is when Tom Hanks (older Mike) lists the 7 things of being a kid that are lost to the grownup world. However there are some parts that could have been done better in this movie, such as the casting of the mother (lorraine braco), who i think is a horrible actor. "the king" played his role well, since it is a hard role to play. Joseph and Elijah definitely were the stars of the movie. i couldn't believe how well they played victims of a abusing stepfather, being the age that they were (7 and 9). But overall, i recommend this movie to anyone, who loves great child actors, and a great movie. :) | 1pos
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] |
******SPOILER/S(I guess)****** Actually, I think the, um, band(?) featured in "Pod People" is singing "Hear the engines roll now." Which doesn't make much more sense than what Joel and the 'bots imagine they're singing (their own version is a gas) or excuse the fact that the song just plain sucks. And if the music sucks, it can only be because the, ah, movie(s?) in which it is featured also sucks. As Mad Scientist Dr. Clayton Forrester puts it "it has nothing to do with pods, nothing to do with people and everything to do with hurting." Fortunately, some of the aches and pains may be caused by MST3K-induced laughter. | -1no label
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The people who are bad-mouthing this film are those who don't understand film to begin with. These are the people who love movie blockbusters and adverse to any movie that doesn't star Leonardo DiCaprio. Wilder Napalm is a neat little film that may seem quirky and maybe even stupid at first, but what it lacks in plot, it more than makes up for in substance. One thing in particular about the movie that impressed me was it's use of music, which plays a large part. Those students of film music will notice how important music is in the movie, both in Vida and Wilder's life, and in the background. Wilder's theme, Vida's theme, and Wallace's theme are all heard in the opening sequence, and it is funny how some of the lyrics play out. For instance, in the scene where the men are singing "Duke of Earl", Vida is with Wilder when the men sing something like "She is my girl", and then she goes over to Wallace to give him something when the men sing the lyric "She will be my girl" cleverly showing the tension between the two brothers There are all sorts of little intricacies like this inside the movie, and while it may look like a flop on the outside, the real student of film will notice how good this movie really is. | 1pos
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] |
Bobby is a goofy kid who smiles far too much and wants sex. So he buys a van to aid in this quest. The acting is lame, the comedy is pathetic and the script is no more than a loosely strung chain of clichés and cheap thrills. The makers of the film obviously wanted to capture some of the out there craziness of other films of the time, but fell a long way short. They even resort to Bobby slipping on a banana skin, because this will supposedly add comedic value. I'm struggling to find a redeeming feature of the film. If you like DeVito, this is another classic DeVito kind of role - but he's only a supporting actor and there for cliché value. | 0neg
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] |
I've never been a big RTS fan. In fact Starcraft and it's expansion have been the only two RTS games I've ever played. Having said that. Starcraft is the only RTS game I need to play. I have a feeling that most other RTS games would pale in comparison. You get to play as three species. Terran are humans, Zerg which are ferocious "Alien" inspired creatures, and Protoss which are unique no mouthed aliens. Each species has their own ups and downs in combat, but that's what makes the game so diverse. Trying to build your base and protect it while building an army for war is a fun challenge. The storyline is great. Really sets the mood that all three species are at each other's throats in one way or another. It's set up so that the player has to play an individual campaign of each species. With each species getting their own storyline that eventually brings everything full circle. If there's one thing I have to give this game above all else. It's a really difficult game in the later levels of each campaign. In my opinion it still holds up today 8 years after it's creation. Great game. Good graphics. Intriguing storyline. A fun challenge. This game has a little bit for everybody if you're into RTS games. | -1no label
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] |
Replace Sean with Ajay, Nicholas with Ashish (Awful replacement) and Michael Biehn with Sunil Shetty. The team that infiltrates the abandoned prison (Alcatraz in THE ROCK) is CBI task force instead of the Navy Seals. Additions: Laila (An overacting Isha) Sapna (Who is it?)and The Ever crying Neha Dhupia. End result: A messy remake of the Hollywood hit with Ajay Devgan making a Vain attempt to raise the the status of the movie. The Chief Minister of Maharashtra doesn't show any consideration about the hostages and giving 'Rachit' and 'Rahul' a chance to complete the mission. Why does Neha exist? Is Isha included only for her physical beauty? The quality of the movie does not matter with of without their existence in the movie. It is also an absurd time so show a villainous Pakistan when Indo-Pak diplomatic ties are underway. Better Luck Next time Ajay | -1no label
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There is no word can describe how awful this movie! The acting is actually very bad, no; it was the most hideous act I have ever saw. The cinematography is very poor to the point will convince you that the movie was filmed by an armature camera man using normal portable camera on the planet which didn't discover the film effect yet ! If somebody can stand more that 5 minutes watching this film, he/she must suffer with a severe brain damage ! I wished it had at least some nudity, & even if it does, I bet it will be boring ! If you think that you have saw a bad boring film before this one, you are wrong ! what a waste of time.. | -1no label
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] |
I thought the movie started out a bit slow and disjointed for the first hour. However, it became more absorbing, fascinating, and surprising in its last two hours. So, while it starts out like a cheap horror film, it evolves into a beautiful and wonderful fantasy film. Bridget Fonda stands out as the Snow Queen. This was her best performance and it is sad that this apparently was her last performance, as she has not acted in the last 7 years. She absolutely personifies both the beauty and coldness of Winter. My daughter, age 14, found the film a bit frightening, so if you are showing it as family entertainment, please stay with your child and reassure her or him that it is just a fairy tale fantasy and not to take it too seriously. It is really one of the best fantasy films that I have seen in a long time, slightly better than "Eragon" or any of the "Lord of the Rings." It is about as good as "The Golden Compass". | 1pos
| [
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] |
wow. i love this film. i saw it when i was pretty young and absolutely loved it, as i do much of Dante's flicks from this time - The Burbs, Gremlins, InnerSpace - and i still love it to this very day. in fact, i understand the ending a little better now. i remember the ending being quite disappointing in some senses - the aliens just dont live up to the majesty that proceeds them - but this is exactly how the main character played by Ethan Hawke feels. So in some senses this could be seen as truly amazing film-making. But maybe i am being a little silly through my love of the film, which also i must add, has one of the best themes. A theme which only arrives half way through the film, when their craft is almost finished in its building. I love this film, but i can understand that some people may not enjoy it or even find it to be that good a film. I of course dont agree with this in any way - and less than 6/10? Outrageous. it deserves at least 7 anyway. But nevertheless, people have their opinions, and in mine i shall give it 8.5/10. | -1no label
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] |
Let's begin by acknowledging that there are arguably three types of horror films: good, bad, and utterly embarrassing reels that make the entire genre suffer in every way. Dark Harvest promises big with its Artisan DVD cover, but rest assured that is where the show stops. Following a grueling opening montage, we soon discover that the film consists of a very poorly written script, extremely under qualified (even for a beginners film) acting, disastrous lighting and even worse special effects. Seriously, could no one afford anything more than a mask for the villain, or did they just think it was good enough for Jason Voorhees and Michael Myers , so it's good enough for us? Well, it did not work at all to create a scary villain. At any rate, this is one of the movies that make you check your watch, sigh and curse your own gullibility. The timing in every scene is painful, and the entire production has a middle school feeling to it (come to think of it, I have seen better middle school stage productions, right down to the special effects). I'm trying to think of some way to end this review on a positive note, so let me suggest that all copies of this train wreck be donated as drink coasters, Frisbees, wind chimes.......I'd say "go see your yourself", but that would just be cruel. Check out the rest of this production company's reviews and you'll find the same for every one of their movies. They claim to honor the contract between film and audience (i.e. please the fans) but all they have done is chuckle and dumped a load on our heads for the cash (of which I am sure they saw very little for this). Sorry people, the high ratings and favorable reviews are obviously posted by those either directly or indirectly connected to this travesty. 1 star out of 10 because it is the lowest possible rating. Giving it even one makes me angry. | 0neg
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] |
I also saw this movie at the Brooklyn Film Festival, with my husband, and we LOVED it. We see a lot of independent movies and like to see films that are a little bit different, so this movie really appealed to us. The plot is clever and interesting, in fact, I think it is one of the most original scripts, but interestingly, also one in which most people can relate to (or if not from New York, at least have heard about!). The twists and turns of the movie keep you guessing to the end - really. When was the last time you saw a really interesting movie, with an intriguing plot? The acting is superb. The characters again are unusual, you can throw out all of your pre-conceived ideas of femme fatale (apart from the sexy part). The two main characters add to the generally quirky vibe of the film and this is really refreshing. Basically,this movie is fun, it's a really well made black comedy with a few surprises. Go see it if you get the chance. | -1no label
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] |
First of all yes I'm white, so I try to tread lightly in the ever delicate subject of race... anyway... White People Hating Black people = BAD but Black People Hating White people = OK (because apparently we deserved it!!). where do i start? i wish i had something good to say about this movie aside unintended comedy scenes: the infamous scene were Ice Cube and co. get in a fight with some really big, really strong, really really angry and scary looking Neo-Nazis and win!!! the neo-Nazi where twice the size :), and the chase! the chase is priceless... This is NOT a movie about race, tolerance and understanding, it doesn't deliver... this is a racist movie that re-affirm all the cliché stereotypes, the white wimpy guy who gets manhandled by his black roommate automatically transform in a skinhead...cmon simply awful I do regret ever seeing it. Save your time and the dreadful experience of a poorly written ,poorly acted, dull and clearly biased picture, if you are into the subject, go and Rent American History X, now thats a movie | 0neg
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] |
Unbelievably close to real life feelings and emotions captured by Joseph Mazzello as a hemophiliac child affected by AIDS and his new young neighbor, a wanna-be tough redneck played to perfection by Brad Renfro. Although the story may seem slightly farfetched (the two boys attempt to river-raft several hundred miles to find a doctor who claims to have the cure to AIDS), the emotion, actions and interactions of all characters involved are tragically close to real life. Being a "big brother" to a boy in a similar situation who died a few years after this film was released, I strongly recommend this picture to anyone who has ever wondered what really happens in the life of a child with AIDS. Superb direction by Peter Horton creates the perfect mood and setting for each scene and draws the viewer into the various emotions affected by friendship, illness, prejudice and the final parting of two friends who fought hard to overcome adversity. | 1pos
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] |
I saw this film at the Cleveland Film Festival, it was one of the few US films showing, so I wanted to see it, but after reading the review in the festival magazine, my expectations were low. The only reason I call this film "kind of original" is because the concept was original, yet the humor that was employed, has kind of already been done. It is about an aspiring actor in Los Angles, who is considered a failure by most around him. Because of his failure, he creates an imaginary "audience" (that's you), that watches him as he goes through daily life. He goes to great extents to impress his audience by doing things like attacking random suspicious-looking characters on the street. After a few violations, a judge has him see a psychiatrist, and from there, things start getting a little bit more interesting. It was a pretty upbeat movie, and a few parts had me laughing, but it mostly consisted of making-fun of common film clichés and stereotypes, and despite this, the film still employed a few of these on its own. The main character often talks directly to the audience, which gets sort of irritating and there's also this villain that runs around, who also becomes annoying. The acting was nothing special, but I will give the writer a bit of credit, sometimes you are left wondering where he will go next, but for the most part the film manages to remain entertaining. Pretty average: 5/10. | -1no label
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] |
This is not a review of the film.This is a spoiler.Haha.To begin with...well,let me just say that Dracula can't beat Frankenstein's Monster.The original monster has the combined strength of a 100 men and,as we all know,he's INDESTRUCTIBLE!But Al didn't know that and obviously he was a Dracula fan.So,the monster became an "artificially created man" which was torn apart in the end by Dracula.If Boris Karloff was in that forest,in which the "final battle" takes place,he would have pounded them BOTH into oblivion.But fear not Frankenstein fans!There are other films(not to mention comic books)in which the monster defeats the "lord of the manner of Corpathia".If you are a Dracula fan,then enjoy this.You will never see Dracula defeating the "monster" again.But If you are a Frankenstein fan,then please avoid it. | -1no label
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] |
Daniel Day-Lewis is the most versatile actor alive. English aristocratic snob in A Room With a View, passionate Irish thief in In the Name of the Father, an impudent, violent butcher in Gangs of New York (in a performance ten times stronger than Adrian Brody's in the Pianist) and as the outrageous Cristy Brown with cerebral palsy in My Left Foot (just to name a few). His roles all influence eachother, but each is seperate, and utterly unique. He changes completely, with each character he takes on. And I'm beginning to believe that he can act as anything. Anything. As Cristy Brown he is stunning. He does not ridicule the character, and he does not pity the character. A difficult achievement. And Cristy Brown comes to life. A smart man. An outrageous man. Human. This movie, despite small scene-transition faults and the like, is an inspiration. Yes, it's predictable. But is it stupidly sentimental? No. I laughed. I cried. Not a single moment of cheese. Proof that this isn't a Hollywood movie. My favourite scene is the scene in the restaurant, when Cristy is discussing painters with Eileen, Peter and her friends. Here's where Daniel Day-Lewis reaches an acting climax. "I'll kick you in the only part of your anatomy that's animated." "Wheel out the cripple!" And his performance never slows down, never falters, and is beautiful. Simply. He has a lot of screen time here. I watch it again again, and I never get tired of Cristy's perspicacious eyes, twitching and guttural speeches. A must-see. Fo sho, yo! | 1pos
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] |
Lars Von Trier is never backward in trying out new techniques. Some of them are very original while others are best forgotten. He depicts postwar Germany as a nightmarish train journey. With so many cities lying in ruins, Leo Kessler a young American of German descent feels obliged to help in their restoration. It is not a simple task as he quickly finds out. His uncle finds him a job as a night conductor on the Zentropa Railway Line. His job is to attend to the needs of the passengers. When the shoes are polished a chalk mark is made on the soles. A terrible argument ensues when a passenger's shoes are not chalked despite the fact they have been polished. There are many allusions to the German fanaticism of adherence to such stupid details. The railway journey is like an allegory representing man's procession through life with all its trials and tribulations. In one sequence Leo dashes through the back carriages to discover them filled with half-starved bodies appearing to have just escaped from Auschwitz . These images, horrible as they are, are fleeting as in a dream, each with its own terrible impact yet unconnected. At a station called Urmitz Leo jumps from the train with a parceled bomb. In view of many by-standers he connects the bomb to the underside of a carriage. He returns to his cabin and makes a connection to a time clock. Later he jumps from the train (at high speed) and lies in the cool grass on a river bank. Looking at the stars above he decides that his job is to build and not destroy. Subsequently as he sees the train approaching a giant bridge he runs at breakneck speed to board the train and stop the clock. If you care to analyse the situation it is a completely impossible task. Quite ridiculous in fact. It could only happen in a dream. It's strange how one remembers little details such as a row of cups hanging on hooks and rattling away with the swaying of the train. Despite the fact that this film is widely acclaimed, I prefer Lars Von Trier's later films (Breaking the Waves and The Idiots). The bomb scene described above really put me off. Perhaps I'm a realist. | 1pos
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] |
AND THE ANGELS SING is a utterly entertaining comedy/musical starring Dorothy Lamour and Fred MacMurray with rising young actresses Betty Hutton and Diana Lynn in featured roles. This movie doesn't have much of a reputation thanks to the fact it curiously has been seldom seen in recent decades. It has never aired on any major national cable channel to my knowledge yet it was a major Paramount film and a big hit at the time. Lamour and Hutton are the main attractions in a sister singing quartet who get the shaft from sneaky band leader Fred MacMurray. Eventually Betty pursues Fred - and Fred pursues Dorothy. The songs in this film are sensational - Lamour croons the lovely "It Could Happen to You", Hutton stops the show with the outrageous "My Rocking Horse Ran Away", and the sister act sings a lot of songs in best Andrew Sisters harmony including the very charming "The First Hundred Years" and the sassy "Knocking On Your Own Front Door". Too bad TCM didn't get this for their retrospective on Hutton films a few years ago - it's one of her best even if she does play second fiddle to Lamour (though she holds her own). And Dorothy Lamour gives one of her best performances, she can handle comedy and music with equal ease and of course is one of the best lookers ever in movies as icing on the cake. | -1no label
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] |
This programme bugs me! There is no humour to it and is far too serious to be called "fun"! It's just far too educational for my liking! The characters are very stereotyped and unappealing. The plots are redundant and the morals are just repeated over and over again. Where's the fun in it? Also I feel this has been on the BBC for far too long and is broadcast way too much. Does it really need to have a slot on T.V every 2 or 3 months when a brand new show runs out of episodes? I think it's time that the BBC starting bringing back some of their older shows like: Inspector Gadget, Bananaman, The Smurfs, Snorks, Moomins, the Raccoons and Count Duckula other than continually giving contracts to these newer shows! I thought the BBC where bring back Danger Mouse, so what's going on with that?! 3/10 | 0neg
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] |
Even an old cynical DOCTOR WHO fan like myself can be left breathless by watching an episode of my favourite show . It happened previously during Eccleston's finale and it happened watching this episode . It doesn't happen often though but The Impossible Planet is an example of both the show and of television at its very , very best . This is stunning television The Doctor and his companion land in a mysterious place where they see strange writing on the wall and the audience ( Many of who will be moving behind the sofa ) are instantly transfixed . A door opens and horrible monsters start stalking the time travellers . This might have taken up an entire 25 minute episode in the original show but all this takes place in he pre title sequence . You may miss the longer drawn out format of the original show but at least this new series is tightly plotted and if we're treated to a disappointing story then at least it's usually only for one week There is nothing to disappointment a viewer here . It is DOCTOR WHO at its most traditional best . Writer Matt Jones and director James Strong have gone out of their way to make a story that will be regarded for years to come . They do this by constructing a doom laden narrative . The Doctor and Rose lose the Tardis and they're stuck with the protagonists in the far flung future . It's interesting how many stories never feature this type of plot point where the Doctor and his companions no longer have access to the Tardis which makes for a more intriguing type of story . Without doubt the highlight is the scene where Scooti goes to look for Toby only to find him standing on the surface of the planet where he turns and beckons her outside . Everything from acting , make up and Murray Gold's music makes this a scene that genuinely shocks its audience I can imagine immediately after this episode the BBC switchboards received a tsunami of complaints for distressed parents saying how traumatised their children were . That it took them several hours to get them from behind the family sofa and that they're now refusing to sleep with the lights out . To do this complaining would be to deny the magic of DOCTOR WHO . Yes it can terrify and yes such images will burn themselves in to the mind of a child , something they will never forget even if hey live to be a hundred . But I will bet my life that these same " traumatised " children would have spent the week begging that no matter what they'll be allowed to watch the next episode | 1pos
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] |
Vincente Minnelli takes the audience on a tour of the "how to make movies" idea in The Bad and the Beautiful, a heartfelt and poignant story about a ruthless producer trying to get back into the position of successful producer with the help of three people he launched careers for. Unfortunately, they all were tragically affected by him in one way or another, so they all refuse. If anything, this movie shows how quickly your fortune can turn in the movie business. Jonathan Shields, played remarkably by Kirk Douglas, goes from poor, unknown movie producer, to becoming one of the richest and most powerful men in Hollywood. This film reminded me of a sort of mix between Sunset Blvd. and Ace in the Hole, ironically the latter being a film in which Douglas also starred in and playing the same type of character. Taking a rather unflinching look at the inner workings of film making and the consequences that come about from such a lavish lifestyle, Minnelli paints a bleak portrait of the people we think have it all. It may not be as powerful or well made as Sunset Blvd, but it still has a great quality to it that makes it one of the better works of Vincente Minnelli. | -1no label
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] |
***SPOILERS*** I should have known this one was going to be bad just by looking at the cover. It wants to be cool yet wants to be scary and fails miserably at both. It involves a group of local bureaucrats who are trying to foreclose on a pig slaughterhouse which used to be the bread and butter of the town. The owner doesn't appreciate it much so he gets his son who cannot talk other than making pig noises to off each of the fat cats one by one. This is a very lame attempt at a slasher film, and anyone looking for a scare or a good time should avoid "Slaugherhouse" like the plague, for it is horror for the mentally challenged. 0 out of 10. | -1no label
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] |
Odd slasher movie from Producer Charles Band. In the days of Full Moon's greatest success Band said that he would never make "real killer films" because he felt that little puppets and big monsters added a fantasy element that made the films better - people killing each other is thus real and less fun. A nice philosophy and a true shame that Band, having destroyed the Full Moon studio through possible shoddy business dealings became so desperate for home cinema profits that he started making exactly what the likes of Blockbuster wanted and therefore sacrificed creativity and originality. The team behind this one also worked on 'Delta Delta Die!' and 'Birth Rite' - both equally bland by Full Moon standards. Debbie Rochon is on usual top form here as a newbie to a gang of dudes and dudettes who decide to make up a story about a 'murder club'. She - as one would obviously - does all she can to join and then panic sets in because it was not a true story and silly Ms Rochon believed it and now everybody will have to run around getting covered in blood and maybe killing each other or maybe not. The choice is there's and with regard to this movie its yours...not recommended but not entirely bad either. | 0neg
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] |
My theory: The producers of this film first made the movie "Gor". It only took them four days. Then someone noticed that they still had three days left on their equipment rentals, so they decided to film a second movie. Someone put together a script while on a potty break. They used the same sets, the same props, and much the same cast. The end result was "Outlaw of Gor". Jack Palance must have been hard-up for money to do this. It ranks up there with the biggest wastes of talent in movie history, right next to Max von Sydow in "Strange Brew" and Sir Lawrence Olivier in "Clash of the Titans". | -1no label
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] |
Twins separated at birth meet again blah blah But it's fun to watch and you get to see Jackie Chan's hilariously imaginative fight scenes! With a couple of babes thrown in and the inadvertent swapping of partners from one twin to the other, you can but tempt to imagine the glorious fun that results. This is Jackie at his silly best, a dignified world-famous conductor in one role whilst a bumbling bad-ass mechanic in the other, we get to see how versatile, if unique, an actor he is. For much of the film, both twins keep meddling in each other's lives causing havoc and confusion without knowing the cause until finally they come face to face... I saw it 10 years ago, several times because of its watchability. The soundtrack was excellent -- I still remember some of the tunes now. Feeling down, need a lift? This flick will rejuvenate your spirit for open-hearted fun living. 9/10 | -1no label
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] |
WOW! i didn't know that someone would make this movie! its awful! I have written down 5 things that can tell why u do not want to see this movie. number 1: "its the biggest rave ever" where is the that rave? i could only see a few people dancing around.. 2. when they are on the rave,they can ONLY see blood everywhere,no people,two ruined tents and one stage.. and what do they do!? they drink! 3.the worst actors i have ever seen! the captain and his crew.. awful! 4. when one of the people is firing an ordinary gun, he shoots almost 30 times without reloading! 5. i didn't knew every person in the world could fight as a pro! must be a new thing.. i wonder what the producer was thinking! "this is going to be a big hit, its gonna be a classic" .. sure u dumb s**t anyway don't see this movie, its a waist of time. MY EYES ARE STILL BLEEDING! | 0neg
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] |
To surmise, this film involves two actors (Caine and Moran) trying to con a gangster. The plot is flimsy at best as several plot holes occur throughout. However this normally shouldn't matter as the comedy should carry a film like this. There are some genuinely funny bits (mostly provided by Dylan Moran). However, other times, there are long melodramatic scenes that fail to add anything to the movie. Caine's character seemed overdone to me. Especially at the start, he continually quotes Shakespeare and acts like a pompous actor. One could say he was playing the part properly but the character seemed to me flat and unfunny. Overall I would say see only if a fan of the actors involved. Otherwise wait for video or tv. | 1pos
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] |
Mimicking its long title the movie finds ways to come close to the 90' mark. The beautiful sets are here with all that made the Hamer production values a trademark, yet Paris drowned in the fog is a sign of indolent neglect. The story is obvious and can be summed up in a dozen words so there comes nothing unexpected and nothing worth more than 5% of your attention to be expected. The directing is heavy as a direct transfer from the stage play, actors are mostly stiff as wax figures (ok this is a Hamer feature, only it's sometimes better featured in the whole package). My conclusion: this movie is trash, not worth the time I spend that evening. Eternal life is a boring matter and I should have hoped the guys in charge of programming at the Cinemathèque would have known better. | 0neg
| [
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Leland P. Fitzgerald (Ryan Gosling) has committed an unspeakable crime, the stabbing of the retarded younger brother of his ex-girlfriend Becky (Jena Malone). No one, least of all Leland himself, can explain why he's done what he's done, whether the act was premeditated or spontaneous, done out of hatred or love. In the detention center, Leland meets Pearl Madison (Don Cheadle), a onetime novel writer who sees in Leland's case a second opportunity. But Pearl also wants to understand Leland's motivation and takes him under his wing as a confidante in the prison. The film jumps from the past to the present several times, often allowing the past to act as a context to the present, and vice versa. Writer/director Matthew Ryan Hodge shows how Leland's crime - and the events leading up to it - affect the people in his life, from Becky to her family to Leland's mother (Lena Olin) and estranged father (Kevin Spacey) to Allen (Chris Klein), a young man who is staying with Becky's family after the death of his own mother. The chief asset in the movie is Gosling, who is perfectly cast as the 15-year-old pseudopsychopath. Like Bartleby the Scrivener, Gosling's Leland just exists; he shows little emotion during the film, but instead his expressions belie an ocean of guilt, sadness, love, and rage. Each of the main actors offered perhaps their best work to date, save Spacey (who's not exactly a novice). Special praise is due to Malone and Klein, two young performers who are better known for lighthearted comedy fare than the heavy drama of this movie. Another huge benefit in terms of the story is that none of the characters is flawless; none are heroes out to save the day. This is simply not a black-and-white movie. | 1pos
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] |
this zombie movie was just corny,and made no sense.It was also so slow the jokes were just hours long and the dialogue was cut and so slow this was one of the worst movies i have ever seen by far.Mostly I never read ratings and decide if the movie is bad or not on my own but this was one of those cases when you should.There's bad and there's horribly stupid disgusting waist of time and this is past that.The makeup was horrible and was more of a porno then a zombie movie,The acting was the worst i have ever seen, a 5 year old could do better.Wow I'm still disgusted on how horribly bad this movie is blah!blah!blah! It reminded me of a 13year old kid in the neighborhood making a movie with there friends it was seriously that bad,Maybe the 13 year olds would of been better. | -1no label
| [
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] |
This film is something like a sequel of "White Zombie", since it is made by the same man (Halperin) and features zombies. Halperin, the George A. Romero of his day, fails to deliver with this one, though. We have a man who can control the minds of people in Cambodia, and a search to destroy the source of his power so the zombies can be sent free. Also, a love interest for the evil man. Where this film really excels is in the imagery. The Cambodian temples and dancers are very nice and the zombie look very powerful in their large numbers. Unfortunately, we don't really get to see much of the zombies in action and the love story seems to play a much too large role for a horror film (though this has a valid plot reason later on). I would have loved to see some 1930s zombies attack helpless city folk, but this film just did not deliver. And no strong villain (like Bela Lugosi) was waiting to do battle against our heroes. And the use of Lugosi's eyes? A nice effect, but misleading as he is never in the film... why not recreate this with the new actor's eyes? Overall, a film that could be a great one with a little script re-working and could someday be a powerful remake (especially if they keep it in the same post-war time frame). Heck, if they can fix up "The Hills Have Eyes" then this film has hope. | 0neg
| [
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] |
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