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It didn't knock my socks off with insight, but I liked it. Willis' crying was far more realistic than either of the women's in the movie - I could feel his pain. The ending satisfies, dialogue is good and I loved the flashbacks. As a struggling single mother, though, it is hard to feel empathy for the rich lady who cries about having to be "responsible for everything" when she lives in a big fancy house, doesn't have to work out of the home, and has a husband who is too much fun. Seems the issues could have been more obviously painful, but maybe those are the things rich people have to complain about - hard to find reasons when the heros look like Michelle Pfeiffer and Bruce Willis, neither are unfaithful, and they have no money worries, huh? But, I liked it. | -1no label
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Wanna see a movie that will make you think about the meaning of war? See Flags of Our Fathers. You may very well feel like I did after watching this movie. I felt like I was assaulted as much as the enemy. I saw more war and blood than I expected. As movies go, this part of the movie was done as any good war movie should be done. You see the enemy, you kill while spilling blood all over the place, get killed while spilling blood all over the place, and then you make people cry. In Flags, you have more to deal with than blood and tears. You have to deal with the sweat and cold heartedness from both sides. Hmmm, both sides...? Maybe not for people like Ira Hayes. There was definitely more than 2 sides for Ira and maybe even for you. No matter who you are or what you are, there is something in Flags of Our Fathers that should make you notice the reality of war. Yes, I am saying this is a thoughtful movie. If you want war and blood and nothing else, you need a slasher movie. You will see how war is fought by people at all levels of life in more dimensions than are normally obvious. War sucks, people can suck, but this movie does not suck. To everyone involved, thanks for the reality check. Hopefully everyone who sees this movie can read between the lines - on all sides of all lines. The story is GOOD, the cold-hearted bast**ds are BAD and the war is UGLY. But you don't see Clint Eastwood. However, you do feel his million dollar touch and he will not go unforgiven. 8 out of 10 | -1no label
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] |
I have just watched long time dead and I must say I really enjoyed it. I went to see it not knowing what to expect, not knowing what is was about. An what I got was a good thriller with a psychological edge. The movie starts off introducing us to some student housemates, and there lives, quickly cutting off to a night out clubbing, and that is when the problems begin. Growing bored they decide to use and ouija board to contact dead spirits, but get more than they bargained for when they summon a fire demon. The Demon possesses one of the group, and gradually they all start dying one by one... Its not a typical slasher movie, and is different because its getting into your head, and is a very psychological based terror, although there a plenty of jumpy moments. Joe Absolom from Eastenders fame, reemerges in the movie, and is typical of scared Matthew. I am disappointed to see that this movie is not being released, with the right promotion, I think it could have done as well as scream, I know what you did last summer. All in all, a very modern, slick movie, with a nice little twist at the end. For this style, an 8 out of 10. | -1no label
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] |
I'm sure that writer-director Mike Sarne thought he was developing a new cinematic paradigm when he was making Joanna, but the end result is less than satisfying. Genevieve Waite's over-the-top performance only makes sense by the time you reach the film's self-mocking conclusion, and by then you've had your fill of her. Rod McKuen's music is cloying and his singing is, as always, horrendous. Scott Walker's 'When Joanna Loved Me' is wasted during a cringeworthy 'dream' sequence. The excellent Calvin Lockhart (Halls of Anger, Room 222) can't save this film from the wretched performances of Waite and Donald Sutherland, who I've never seen to worse effect in his role as a dying aristocrat. An interesting period piece that has aged very badly. | -1no label
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Clifton Webb as "Mr. Scoutmaster" is one of the all-time greats for comedy and remembering an innocence, now diminished in the world. I cannot understand why the networks like American Movie Classics and such do not show this movie, although I have requested it time and again. This movie should be shown to children now for its portrayal of loyalty, respect, dedication and resolve to achieve the best possible on an individual basis. There is so much low self-esteem talked about in present daily lives, but this movie, among many, many others, would be a wonderful learning tool for the present-day younger generation to see what can be accomplished by common sense and decency and pride in yourself and your achievements to better yourself. Sad that this type of movie does not appeal to modern audiences. It certainly appealed to us 'baby boomer' generation of yesterday. OLD LESSONS ARE UNIVERSAL AND TIMELESS. | 1pos
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] |
A pretty good crime drama of its time, on a par with PUBLIC ENEMY, LITTLE CEASAR, and others of the genre,good acting, too.Excellent acting by a very young Lew Ayres, an up-and-coming yet unknown James Cagney, here listed way down in the cast of players as a secondary, and I particularly enjoyed the fine characterization by pre-Dracula Dwight Frye. Much better than the common, cheesy melodramas of the period,this one holds the interest better due to its inferences and unseen sub-plots, an early gem by director Archie Mayo, ahead of its time for its imaginative storyline, and great scene shots, a captivating film as a whole simply for standing out among the rest! Watch this one, it's very good!! | -1no label
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Beauty and the Beast it's a classic of literature, but, there's no adaptation of any tale that has surpassed the original one as this. The visual style blends perfectly the paintings of Europeans like Goya and Rembrandt on the fascinating land of Provence in France, and the Gothic-terrific architecture with beasts, devils and dragons with the fascinating Romanesque-Renaissance grand flavor of color, spaces, and themes. The haunting music in the beginning mixed with the glasses telling the story of a feudatory prince that was transformed into a beast by a beautiful enchantress. That glasses blending medieval style and moons and heraldic blossom's and dazzling blonde enchantresses are a perfect introduction to what we are going to see. The characters, there's no one of them useless, all of them loving. The music, the score, the story itself. The perfect movie for those who love perfection. | -1no label
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] |
this show from the UK fallows "ghost hunters" many are interested in ghost and the paranormal but these people are just wacko, they scream run and get poss ed a lot, i cant decide if they are just crazy or if they deserve a award for best actors playing screwed up people! American shows such as ghost Hunters on the Sci-fi network is a much better and realistic show, as the REAL Ghost hunters on (ghost Hunters) are out not to prove that every thing could be paranormal they try to prove some things are not solid evidence and the evidence left and cant be disproven 100% is worthy to be looked at but not at all to be consider real proof, for they know you need solid evidence and they are looking for it. to sum this up if you like watching people be stupid and run at a flash of light or a odd shadow then watch Most Haunted. | -1no label
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I Mademoiselle Fifi to be something new. I think 30 minutes of the film take place in a stagecoach with a group of people who try to be as mean and nasty to each other as possible. A lunch provided by a peasant woman brings them all together. If this were a play this would be Part 1. The rest of the film is about kicking Prussians (stoic Germans) out of France. It is a resistance film, appropriate for the year 1944 when it was made. If you liked "The Return of the Scarlet Pimpernel" well... this is a more interesting film than that was. Most old movies are interesting to me because I feel I can learn something by observing the indirect attitudes of the media/generation of the time. I find many subjects now are taboo and we are not allowed to discuss them anymore via the media. I don't fault how things are now or were then. This is just how the media works- it is human nature to reflect biases of the time. This is definitely the case with this film. I liked it. It is worth watching once. | -1no label
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] |
I have seen Lookwell (the television show) which was canceled years ago without it been given a chance by NBC. Let me tell you that this show would have been bigger than Seinfeld, Married With Children, ER, Friends, Everybody Loves Raymond, Super Bowl VI, The Larry Sanders Show, Live With Regis and Kelly, Dallas, and Live With Emeril Lagasse COMBINED. OK, maybe I'm exaggerating, but Lookwell was the funniest thing I've ever seen. To my pleasant surprise I found out, right on this web site, who wrote the script for Lookwell. It was a young Conan O'Brien AND the guy who does the voice for Triumph The Insult Dog (Robert Smigel). I just pray that that show, the little of it that was recorded, becomes available on video so that I can buy it. People this was FUNNY with a capitol T. Americans should be making long lines in Macys department stores all across America to kiss Conan O'Brien's, Robert Smigel's, and Adam West's ass. No animals were hurt during the making of this memo. Enough of this, let me go make a sandwich. Sincerely kneeling [email protected] | -1no label
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] |
I don't know if I should be amused or insulted by drivel like this put out by "Lifetime: Television For Women" Should be renamed "Lifetime: Television For Shut In Drama Queens" because I've yet to see a movie that wasn't a tear jerking pot boiler. This film was no exception. You know a film's going to be bad when the biggest headliner is Tori Spelling, completely a creation of bad plastic surgery and spoiled privilege minus any real talent. Everyone else matched her in unbelievably bad acting and the storyline was beyond dumb, as if anyone could believe any of it. If I hadn't have been helpless on the sofa pinned down watching with the same fascination you view a gory car wreck I would have changed the channel. | 0neg
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There are not enough bad adjectives in the dictionary to describe this movie. The acting is a joke. Not one actor in this entire movie has talent. Not moderate nor slight talent. NO talent. The dialog is so laughable. "I'm going to slice you like a turkey" says one of the victims to the killer. "I don't scare easy and I'm pi$$ed" says another. The girls run around like descendants of Rambo, claiming they are going to kick some a$$. Oh yeah, that's real scary, watching chicks act like they have been shot up with a gallon of testosterone. Why do women have to try and act like men? The only scary in the this movie is the acting, the direction, and the fact that it was ever made. This movie is an embarrassment to the horror genre. Avoid at all costs! | -1no label
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] |
Not too keen on this really. The story is pretty horrid and unconvincing. I enjoyed the first 10 minutes, bill nunns good. After that it was pretty appalling. Tim doesn't fit the role, he comes across as a smug self inflated ass & Pruitt taylor vince is entirely unconvincing as a trumpet player. It's a idealist film and as a musician, feel slightly offended after watching it. There's no scenes of 1900 practising or playing with his fellow band mates, he's completely self indulgent. I find it hard to build any relationship with this kind of character, maybe i'm watching the wrong film. If you have no real passion for life or sense of what musics all about then happily indulge in the suspension of disbelief and watch this waffle. | 0neg
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] |
A very unusual, strange, but in the end not at all interesting, simil-horror anthology, based on a different interpretation of classical fables. A really warped uncle tell his nephew three different stories to try to convince him to sleep: the first is a sort of faerie tale with a couple of witches and their young male servant that try to resurrect one of their kind. But the boy falls for a knockout blond and so the story goes. The second is a retelling of Little Red Riding Hood, really strange and boring. The third segment, that is the only good one in this movie, is a sick and totally goofy version of Goldylocks, with the blonde girl as a crazy serial killer of young boyfriends that makes a strange alliance with the Bear family (in fact, a sort of mixture between Bonnie and Clyde and a farmer family coming out of Lil Abner) and find her true love in Baby. All in all, a forgettable attempt at innovation in a field crowded with better ideas | -1no label
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] |
Like Roger Ebert once stated about a movie, I'll use his words to state this one: (This movie)isn't even the bottom of the barrel, it doesn't even scrape the bottom of barrel. It doesn't even deserve to be mentioned in the same sentence as barrels. When you have a movie where Queen Latifah is the most experienced actor in the film, you know you are in trouble.The debut appearances of Giselle and Jimmy were awful. They did not get into character and made no connection between the the audience and the movie. It surprised me that such amateur actors in the movie business (jimmy is quite good in Saturday night live) were given such large roles. Also, the whole plot was ludicrous. Brazilian supermodels robbing a bank? In New York? Yeah, right. BS. Still wanna watch this movie? Watch it at your own risk! | -1no label
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] |
Your ability to enjoy The Ashes of Time may depend on our expectations before stepping into the theater. Even its most strident supporters seem to agree that audiences can be split right up the middle in their appreciation of this unique film. Unlike most HK actioners, the battle scenes are curiously kept at a distance. When they do happen, they're rendered in a jerky style in which it's difficult to make out exactly what's occurring on screen. The dramatic scenes can be extravagantly beautiful, with the of Maggie Cheung, Brigitte Lin, and a roll-call of HK's top acting talent chewing up the scenery. As with some of Wong Kar-wai's early work, the dialog could be more precise. In short, The Ashes of Time requires a forgiving attitude. Released around the same time as Wong Kar-wai's spectacularly successful Chungking Express, it's clear that the director isn't as confident working with the elements of the martial arts film. Anyone looking for tense action is likely to be disappointed. But those intrigued by the director's aesthetic will likely find this a unique experience at the very least. | 0neg
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] |
The trouble with this film is it is very much of its time. It's hardly a film of the book, more an excuse to steal a few sparse ideas and try to string them together into a light-hearted comedy. There's really far too much slapstick, and 1950's style girl-chasing, no real sense of a journey as there is in the book. I wonder if anyone will ever make a proper adaption of the book, making proper use of JKJ's wonderful anecdotes? It would be tricky to do - they are often about completely different people from the three in the boat, but they are what make the book so good, and they've simply been discarded in the film. So, in summary, if you've never read the book, you're in for a nice surprise: comedy that is still funny after a hundred years and more, but don't let this film put you off. | -1no label
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] |
"Tourist Trap" is an odd thriller that came out in the 70's, it's about 5 friends Molly (Jocelyn Jones), Jerry (Jon Van Hess), Eileen (Robin Sherwood), Becky (Tanya Roberts) and Woody (Kevin McDermott), who stumble upon a cloesd down museum SLAUSEN'S LOST OASIS, a curious and eerie roadside museum. This goldmine of decaying, but strangely life-like mannequins is run by Slausen (Chuck Conners), an eccentric, but seemingly harmless has-been. Slausen has one warning for the youngsters: Stay away from Davey, Slausen's reclusive and disturbed brother. The youngsters' curiosity gets the best of them and they go exploring. The trap is sprung! Amidst flying objects, slamming doors, scarves that strangle on their own, empowered by some hidden force, the trap slowly closes in on the group. The "Creature" Davey and his army of murderous mannequins make quick and brutal work of the friends, until only one remains. Although not a Slasher movie "Tourist Trap" still contains elements of slasher movies such as the chase scenes and the stalking and the fact the killer wears a mask. The seemingly telekinetic abilities of the killer to lock bolts and animate the wax dummies, is used to great effect. Perhaps the scariest thing about this movie are the mannequins, which are admittedly scary enough to start off with, but are rally spooky here. The film succeeds despite, or perhaps because of, an obviously meagre budget. These wax figures are blatantly plastic shop dummies- but this only goes to serve as even more eerie when their eyes move with an incredible human The acting is actually pretty good, Chuck Conners gives a well rounded and creepy performance as Mr Slausen, Jocelyn Jones is great as the female lead. | 1pos
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] |
This is a movie that I watched when I was a young girl and never forgot. It is certainly not the best movie ever made, but there is something very special about it that I can't quite put my finger on. I LOVE it. I am the kind of person who likes everything explained to me though and for that reason alone this movie drives me crazy. Exactly what/Who is that mysterious witch-lady and what is her relationship with Tom? WHY and HOW did he become a Water Baby ... why was he raised on the earth? It is questions like these that are just eating at me! I thought if I read the book I would get answers, but I just read an article that the book from which this story is "based" is a lot different. So I guess I'll never know what the writer was thinking! I still love this movie though and I recently watched it with my two year old niece. She loves it too although she insists on calling it "Baby Water" for reasons unknown to me. She loves the part where he jumps in the water and then declares "I'm all clean." (You have to understand that my niece is the cleanest 2 year old in the world!) We watched that scene over and over. I am so glad that we can enjoy this film together! There should be more films like this. (But what is up with the gay seahorse??!!) | 1pos
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] |
In 1989, Aardman Animations introduced the two heros in The Grand Day Out. In 1993, they fought an evil penguin in The Wrong Trousers. And in 1995, they had to rescue sheep from an evil robot dog in A Close Shave. In 2005, they're back and they are going to fight something that used to be cute and cuddlely in The Curse of the Were-Rabbit. In this full feature film, Wallace and Gromit work in Anit-Pesto, a pest-control business. There's going to be a Giant Vegetable Competition, but rabbits keep eating the neighbors vegies. Wallace and Gromit takes care with that problem. But Wallace had an idea. He will brainwash the bunnies with his machine. After doing that, something suddenly eats all of the vegies in the neighborhood and it's big. It's up to Wallace and Gromit to save the day. As a fan of these two characters, I was impressed. It kept what the 3 previous chapters had and instead adding a lot of Hollywood actors for voice-overs, they put a no name cast to the job and boy, they did a fantastic job. Wallace and Gromit has not changed. Wallace is still the cheese-loving freak like he always was and Gromit is the silent newspaper reading dog. Also, the script was not too shabby like other family movies were. There is a twist of who the Were-Rabbit really is. The direction from Nick Park (the director of the 3 previous chapters) does a really good job with the storyline. Instead of adding the Hollywood formula in it, he just took the style of the previous chapters and adds a bit of a dark fantasy twist in it. Well done, Nick. The rabbits are also funny and adorable, but the funniest rabbit in the movie is one who has the mix of Wallace in him. The characters were not bad and they weren't annoying, but they'll never top Wallace and Gromit. The animation is indeed fantastic and wonderful. I've never seen a clay-animated movie that is so amazing since Chicken Run. Overall, fans of the two knuckleheads (including the teens) will love this fantastic film. It is a well done film that should get an Oscar next year. Hooray, Wallace and Gromit. 10/10 | 1pos
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] |
Judy Landers plays Susan. She jumps out of the shower, puts a pink aerobics outfit on, walks downstairs to seeing her mother strangled to death by Ray Sharkey(playing a killer named Silk). She runs out of house and into a construction site, meets up with Sharkey and falls. The fall doesn't kill her but gives her amnesia, so with some strings pulled by the man behind Silk's deeds - Susan is put into a sanatorium till she recovers her memory. Unfortunately for Susan, she is admitted to a mental institution run by Dr. Fletcher - the sultry Mary Woronov - who enjoys being sado-masochistic and experimenting on patients in a basement called Hellhole. The hospital is like no other. Most of the wards are playboy playmate caliber-looking girls. All of them disrobe quite freely. In fact this film has a lot of nudity in it with a cat-fight in the showers and a mud bath as standouts...anyway,...ah the mind wanders...Susan is being stalked by the man that killed her mother all the while learning about the atrocities committed by Dr. Fletcher. I found this film somewhat interesting for a number of reasons. It is outwardly a sleazy picture in many ways. It has a spin on the women-in-chains motif. Nudity and shock effects override storyline through much of it. The acting ranges from weird and bizarre(Sharkey) to competent(Richard Cox as the hero) to camp(Mary Woronov doing her best Dyanne Thorne impersonation) to less than credible(Judy Landers((but hey who cares right?))). There are a number of cool cameos by genre notables from the past. Terry Moore from Mighty Joe Young fame has a nice role, Marjoe Gortner has an intriguing yet thin role as a doctor in league with Woronov, and the aforementioned Dyanne Thorne has a brief cameo as a patient that thinks she is an actress. Director Pierre De Moro even has flashes of talent here and there. The opening sequence is somewhat chilling and the settings of Hellhole are very well-utilized in terms of atmosphere, lighting, etc... The ending is wholly predictable but somehow satisfying for a film of this ilk. But make no mistake, while outwardly a horror film, this is also a sexploitation film equally. Watch for Renee Vicary as Silk's girlfriend. Just lovely! | -1no label
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] |
...if only Disney had stayed away from it. See, I think that this movie has some potential. Well, the main character's situation does, at least. Take out the whole Jordan Cahill thing, and you've got the beginnings of a decent movie! Of course, you also lose more than half of the film, but, oh well. Not that much of a loss. So, here it goes: you take a typical, preppy, suburban teenage girl (Danielle Panabaker, who's actually a decent actress) whose best friends screech a lot, mostly over a "pop sensation" (I'm assuming it's a direct quote from the movie; movie's like this almost always involve that particular phrase) named Jordan Cahill. Except, of course, TPSTG wants more out of life. Enter Brenda Song's character, a sophisticated individual who is just what TPSTG needs (honestly, I don't care what the character's real name is, I like the acronym better). The two new friends go to see Jordan Cahill (one to drool, one to make fun of the droolers), and they come out of it with his cell phone. Hijinks ensue, and everything turns out alright in the end. If only Disney, or any major film studio for that matter, didn't have such a low opinion of 8 to 14 year olds. Or maybe if 8 to 14 year olds expected a little more out of the movies targeted at them. It's sugar-coated crap like this that make me more than a little unsure who to be more disgusted with (a little film called 'High School Musical' comes to mind...) | 0neg
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] |
What most fascinates me here is the different tastes people have; I simply can't believe it when people praise this film. It must be a joke! It has to be... This movie had nothing good in it except the WWII setting, which I hope would be exploited more. The characters were shallow and acted idiotic, emotional outbursts just came out of clear blue sky and ended in a few cheering words like 'it'll be OK..' It was like watching a cheap soap opera. Acting was terrible (apart from Ed Harris, who, BTW. didn't come across as a character who'd hang a little boy. Why did they have to put that there, wasn't there any other way of getting people interested in the outcome of the duel??? Why doesn't hollywood let us take our own sides instead of pushing us to a situation where there are no longer any options?). Jude Law, who I used to think as a good actor, landed on his butt in this one. He's SOOOO British, that it's kind of hard to accept him as a shepherd from the Urals! All in all, if you liked this movie then a) you're hot for either one of the lead actors and can not think clearly b) have a limited capability of understanding quality or c) you must be joking, which is probably the case. | -1no label
| [
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] |
I usually enjoy Asian films, but this was just a 2 hour drag... I felt deprived of a good old-fashioned revenge-film. When you read the back of the cover and look at the pictures it's obvious that the film is marketed as an action/revenge-film, yet there's only a few exciting moments in the entire (and BTW extremely long) 2 hours. Imagine going to grab a burger, you see the sign, the menu says "hamburger", and yet what you get is a salad. This film was to me like a salad in a burger-wrapping (I know,terrible analogy, but you get the point?). If you're expecting action, you'll be very disappointed. If drama is your cup of tea, then you might enjoy this. I didn't... | -1no label
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] |
I was surprised to note that the film was released in 2004; it has a very "1960's" European feel in look and soundtrack. None of the supposedly US characters looks or sounds American; the hairstyles and clothes, again, are very retro and much of the dialog appears to have been looped--without the appropriate background noise! None of this would matter if the conflicts or characters were involving--but the action is very formulaic and the acting poor.It certainly is difficult to come up with new approaches to disaster-type scenarios on limited budgets, but "China Syndrome" and countless earthquake films have already been done. As the Bible--and Spielberg in his Oscar acceptance speech--said: "In the beginning was the word..." With or without a significant budget, there first needs to be decent script, and this one just doesn't work. If the creators of Mystery Theater 3000 were still doing their magic, this film would be a perfect candidate for parody. | -1no label
| [
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] |
At the beginning of this film, which I found myself watching on IFC in the wee hours of the morning, I was filled with a sense of claustrophobia and general discomfort. The feeling of being trapped with no way to escape was so powerful that I didn't know if I wanted to continue watching...although it didn't really seem to me that I had much of a choice, so compelling was the situation. Gradually, though, that feeling of discomfort waned (although it never really disappeared entirely), and I felt drawn into Tessa & Bobby's predicaments, and really just hoping against hope that they might get back together. Really just a moving, powerful story fit snugly into a tiny package. I had no idea that Sarah Polley had anything to do with it until perusing her trivia, so now I love it even more. I definitely recommend it. ...If your lucky enough to catch it on the Independent Film Channel sometime, or wily enough to figure out some other way to view it. | 1pos
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] |
It had potential...it really did. But there is so much about the movie that was ridiculous and laughable. I'm a horror movie weenie and I thought it was stupid; as did my 13-year old! I was expecting to be at least creeped-out. And, yes, the gross-factor of the vines squirming in the people was there; however, the lead-up to getting to the ruins is just dumb, dumb, dumb. I mean really who goes on a hike...in a jungle... with a total stranger... with a little water and a few snacks...IN FLIP FLOPS, NO LESS?! Puh-lease! Better still who goes to a foreign country and leaves the tourist area without an interpreter or being able to speak a bit of the language? Are these people complete morons? The German's brother isn't heard from and he doesn't call for assistance? Who doesn't do that? He just finds some Greeks and Americans to go on a little search and find? | 0neg
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] |
Caught this film at the Arizona International Film Festival. I wasn't expecting a lot (though the festival's director told me it was one of the best films submitted). Five minutes into it I was sold. Shot in B & W on a shoestring budget, this film is hilarious. The acting is solid, the writing is solid and the look of the film is solid. The acting is probably the biggest revelation, since most films shot on low budgets tend to have amateur or stagey acting. Not this one. It features one of the most convincing, endearing and funny portrayals of a character with Tourette's Syndrome I've ever seen. The plot is convoluted without being confusing and raunchy without being gratuitous. If you get the chance, see this movie. Filmmakers like Majkowski (hope I got that right) deserve the chance to strut their stuff to a wider audience. | 1pos
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] |
After 65 years, this film still rings true in many ways. Several people have mentioned the "bathing the baby" scene, but my favourite is the alarm clock scene. One thing I appreciate is that Dunne and Grant's new baby actually looks fairly new, jerky movements and all - maybe not 5 weeks old, as stated, but definitely younger than the usual Hollywood "newborn". I'm sure that at the time, this movie was quite educational for many people like the two main characters, who thought that you adopt a baby by going to the nearest orphanage, picking out the one you like, and walking out with it. I only wish the filmmakers had taken the opportunity to really underline the fact that *everybody* wants a 2-year-old with curly (preferably blond) hair, blue eyes, and dimples, but what about the 99.999% of less "perfect" children very much in need of a good home? The film does slide toward melodrama on occasion - did it take a full-blown earthquake for Irene Dunne's character to have a miscarriage? One thing I noticed is that this film actually shows a married couple sharing the same bed! Mind you, Irene Dunne is lying on top of the cover with her dressing gown on, tensely waiting for the baby's next feeding, while Cary Grant is off to sleep, but I still wonder how it got past the Hays office. The little girl who plays 6-year-old Trina is not *too* saccharine (except for her voice), but at the end of each speech, she is obviously remembering that she's been told to "Smile, dear, smile!". What ruins it for me is the ending - their little girl has been dead for only a few *days*, and her parents are ready to start with another baby. IMO, at this point, any normal parents would react with revulsion to the thought of "replacing" their dead child. As another reviewer mentioned, in this film it's like replacing a dead goldfish. If only the filmmakers had implied that several *months*, or better yet, a year or more, had passed, and shown the couple finding each other again first, it would have been much more believable and touching. BTW, several reviewers have mentioned the poor quality of the DVD or video they watched, but the one I had from Triton Multimedia was, not outstanding, but quite all right. | -1no label
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] |
This was on the Sci-fi channel, on a Saturday night (11/7/04), at 9 p.m. What a waste of prime-time real estate. I'd thought they had dusted off and aired just about every horribly movie ever made, but this one was a new one to me. It was so terrible that any negative adjective would adequately describe this mess. Do not watch it, don't rent it, email Sci-fi channel for even airing it, and consider yourself lucky if you missed it. Possibly the worst character development, acting, dialogue, and plot devices ever used on an audience. I can't even compare it to another movie because it was so dreadful. Trust me that I'm being nice because of the IMDb filters with certain words. It was like a car wreck that you just can't take your eyes off of; which I should have, but I wanted to be able to say that at least I saw it in full. | -1no label
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] |
Bob Newhart followed his first series becoming an Inn Keeper in Vermont. The setting worked out perfect as more comedy came from this sitcom than many others. Verterans such as Tom Poston got a chance to shine. So did many newcomers. Much like his previous series, Dick Louden (Newhart) always manages to make his ensemble into stars. This series had a lot more cast members than the previous one. It starts so slow with it's sleepy theme song & great country scenery that you could almost go to sleep. Mary Frann (Dick's wife) & others would then wake you up. Instead, many woke up to more genius. Larry, Daryl & Daryl even got jobs doing commercials after this show went off, they became so famous. It is amazing between this & his previous series how much Bob Newhart became a part of everyones TV viewing lives. This series ended on a high when (spoiler) in the last episode they tied it back directly to The Bob Newhart Show. Between the downtown setting of the first show & the country setting of this show, Bob Newhart never missed a beat. | -1no label
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] |
Sadly, this film didn't deliver on its promise or premise. On paper, it sounds great - in execution, not so much. It starts off well enough, introducing us to our leads: a juvenile delinquent, and a grizzled old ex-policeman working for some secret CIA-esquire unit. But then it stops making sense fairly quickly. Why is it that our heroine, able to single-handedly fight off a roomful of cops, is easily taken down by a few thugs? And why is it that later in the film she's able to take down the same group of thugs without breaking a sweat? The villains aren't particularly well fleshed out. No explanation is given as to why the head thug has amazing seductive powers over women, without even saying a word, yet it seems every female character falls madly in love with him. A sub-plot about websites for tormented teens, is convoluted and nonsensical. Ridiculousness abounds, and not in a good/funny way: at one point, for example, a ten-minute monologue takes place entirely by text messaging. Really? They couldn't just, say, call? But the main problem with Yo-Yo Girl Cop is simple: not enough yo-yo-ing! The yo-yo weapon is introduced early on, and then only teased at until the last reel. Even then, it's not terribly exciting to watch in action. For those hoping this would be non-stop cute Japanese girls kicking ass with yo-yos, prepare yourselves for disappointment. 3/10 for the cute girls. The lack of yo-yo action left me feeling a little ripped off, though. | -1no label
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] |
Having watched both the Lion King and Lion King II and enjoyed both thoroughly. I thought Lion King 1.5 might be worth watching. What a disappointment ! Disney must be getting desperate for revenues. Especially now that they lost the deal with pixar. Basically, they just picked up some bits of footage that were left on the editor's floor (or garbage can) and glued them together to make a quick buck. Unlike LK I & II, both of which had strong story lines. This movie hardly has a story at all. While the characters and animation are always fun to look at, there is simply not enough material here for a movie. Some of the bits could have been good 2nd disk fillers on the original offerings. Disney - Shame on you for putting this trash out to make a quick buck! Next time take the time and effort and put our an enduring work. | 0neg
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] |
This is a case where the script plays with the audience in a manner that serves only in extending this story to 90 minutes. Story starts out in 1969 where a young girl named Faith (Cameron Diaz) travels to Europe with her boyfriend Wolf (Christopher Eccleston) but she dies under mysterious circumstances. Then in 1976 Faith's sister Phoebe (Jordana Brewster) decides to travel to Europe as well and try and find out what happened to her sister. In France she looks up Wolf who has stayed there and she wants him to help her retrace the steps her sister took and answer some questions. He is reluctant but decides to travel with her. Along the way he fills in the gaps of the occurrences and tells Phoebe that Faith had joined up with the Red Army who are an extremist group that is involved in terrorism. Phoebe and Wolf engage in a romance and this complicates the trip to Portugal where Faith died. Their is several things wrong with this film and it all has to do with the script. First, the romance between Wolf and Phoebe is all wrong and does nothing for the story. It rings completely false and comes across as forced. It seems weird that Wolf would engage in a romance with his dead girlfriends sister. Secondly, Wolf knows completely what happened to Faith but only lets out little chunks of information every 15 minutes or so. Wolf will look at Phoebe every 15 minutes and say, "There is something I didn't tell you"! Gee, thanks a lot Wolf! If Wolf had come clean the first time he talked to Phoebe then the film would have been over in about 30 minutes. Another thing that bothered me was that I don't think this film recreated the 1960's at all. Diaz wears hippie clothes but the time period just didn't ring true. I did enjoy a few things like the authentic locations where the film was shot. It is a very good looking film and the scenery is beautiful. The performances are all good especially by Brewster and Diaz. Besides "The Fast and the Furious" I had never really seen Brewster in anything. But after watching her performance in this film I came away very impressed. She's very good here and I hope better roles come her way. The script is told in a very contrived way and the film never comes across as believable. | 1pos
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] |
What can you expect from a direct to DVD film? You know what you are getting yourself into when you rent this. The quality of the cinematography reminds me of reality TV shows. Why are they shots always up so close to the actors!? And why are they always centered? There isn't anything to look at. (And the actors are that great looking, so that blows.) The writing and dialogue is just plain awful. That intro scene, with the British Guy is hilarious. Just try and listen this words, they hardly make any sense, just goes around in circles. The lines in the rest of the movie sounds like they were pull out of romance and sci-fi novels, as if the writers had no idea what they were doing. The characters definitely sound like they have no idea what they're saying. This is a terrible movie. I feel bad for the actors tied to this project. Embarrassing! | 0neg
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] |
After viewing ?, upon my travels to the US a fort-night ago, I have developed a whole new sense for comedy. At first, I was taken back by the film's unyielding, in-your-face, wicked humor and plots, however, upon completing this remarkable piece of cinema, I was able to digest and grip what the main characters' (West, Art, 'Nancy' - boy is she a hoot -) social positions in our/their world must be like. The pain, the disillusionment of being an outcast or mentally disabled, while lost in a cruel vortex of reality. ? movie is gripping, perverse, and brilliant. Hilarious, off-the-wall, while oddly majestic. The hidden, real-life camera scenes are exquisitely juxtaposed to its fictional storyline, and will perplex; awe extensively. This new American comedy is what Monty Python and Peter Sellers were to us, altering the view of what humor can and will be. Fantastic! | -1no label
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] |
It was Jon Pertwee who said " It`s very difficult to be funny but very easy to be silly " . Well if that`s the case PASTY FACES is " Very easy " . David Baker ( As Director /Screenwriter ) and his cast seem to be under the impression that comedy involves stealing scenes and style from superior Britcoms like LOCK STOCK.. and TRAINSPOTTING , using a completely underdeveloped script and jumping up and down speaking in a very fast voice very loudly . Alan McCaffrey especially suffers from this type of OTT performance but not enough to ruin the film because there`s not enough of a film to ruin . PASTY FACES is terrible on all fronts especially scriptwise . I couldn`t understand why it ended the way it did , it just seemed to stop in a very abrupt and silly manner . Oh and other glaring errors are that you need a visa to visit the USA and a green card in order to work there - This film would have you believe you can get off a plane and start a new life in America without any authorisation - that you still get paid to donate blood in America - People who I know in America , and who donate blood tell me payment for donations stopped several years ago - and that you can buy any type of weapon from a gun shop . As far as I know gun laws in America differ from state to state but no gun shops sell anti tank guns over the counter . So we`ve got a very erroneous view of America from a very unreal and oh so unfunny film . Maybe this is revenge for BRAVEHEART a very Hollywood view of the Scots ? Perhaps , but this doesn`t stop PASTY FACES from being a crap comedy | 0neg
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] |
Take Malcolm McDowell who dies quickly, rather like the plot of this film. He is the only star in the film. I did recognise Chris Penn but I don't know what I've seen him in before, possibly Reservoir Dogs. Wrestling fans may recognise a brief appearance by Leon White also known as WCW and WWE Superstar Big Van Vader. His fight scene is most likely the best and well organised fight in the whole film. This is a manga comic or anime film that has been made into live action and it was obviously a really bad idea. No script, bad story, really bad acting and some really bad fighting scenes. I really wish I hadn't bothered watching it. | -1no label
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] |
Alonzo is a circus performer, who uses his feet to throw knives since he appears to have no arms. In love with the circus owner's daughter, Alonzo kills the circus owner when he discovers he really does have arms. Nanon (the daughter) sees the murder but doesn't recognize Alonzo and develops a fear of men's arms. Malabar the strong man competes for Nanon's attention and, unbeknownst to Alonzo, helps her get over her fear of men's arms. Alonzo, fearing that if he revealed his secret to Nanon that she would recognize he was her father's killer since few men have an extra thumb, blackmailed a doctor into removing his arms. On his return from hospital, he finds that Malabar and Nanon are engaged, so he attempts to have Malabar killed in a circus accident. Does he succeed? You'll have to watch the movie. Tod Browning directed this tragic romantic thriller and it shows a style very much like that of his later film "Freaks". It is a relatively simple plot with a very linear progression that is carried by the wonderful performance of Lon Chaney. I have never seen a performance by the Man with 1000 faces that I did not like and this is no exception. This is a sad tale of unrequited love more than a horror movie and it is touching. Though one might not agree with Alonzo's attempts to kill Malabar, the viewer can at least sympathize with his motive after all that he has gone through to win Nanon's affection. Just like in "Freaks" Tod Browning has managed to create sympathetic characters, even when they are doing some not so nice deeds. And while I like that movie better, this one is definitely worth watching. | -1no label
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] |
Billy Connolly stars a florist who finds out he has a brain tumor and that his wife wants a divorce all in the same day. Mr. Connolly's bad day is not over because he takes off from work in search of adventure and runs smack into Sharon Stone. Ms. Stone plays a woman with a gambling problem and drags along two kids with her that apparently have no father. The only other movie I have seen Mr. Connolly in was an old Columbo episode where he was caught partially by the evidence of him marking the rum bottle with his thumbnail so he would know when he had enough. You will be marking your DVD with your thumbnail early on on this clunker because about 5 minutes of this stinker is 5 minutes too much. Ms. Stone's accent was almost enough to send my foot through the screen. It was the worst attempt at an accent since-well since Ms. Stone's accent in the remake of "Gloria". Mild Spoilers I think that anyone can figure out where this movie is going (Connolly will bond with the kids and eventually with Sharon Stone) but I did want to mention the silent kid. It reminded me of the old joke where the a kid has never said anything his whole life until he sees a bull charging at his father. He yells a warning out to his father who gets out of the way of the bull. He asks his son why he has never spoken before and his son replies that he never had anything to say before now. The boy in this movie speaks for the very same reason. Last thought If a DVD can have features such as different languages- can't we get one where it can remove a bad accent from the movie and we hear the actress in their normal voice? rating 1 out of 10 | -1no label
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] |
I was pleasantly surprised with this funny flick. I was in the mood for a fun family film, and this delivered. If you don't expect an academy award winner, then you should find this movie very entertaining. Eddie Murphy really puts in a highly energized performance and so does Hayden Church. Watching these two duke it out in their financial meetings is pure comic gold. Best part has to be when Murphy goes through his stock pick notes that have been doodled on my his daughter - "this stock is gonna drop its pants because they have a poopy diaper...........". This movie makes me want to go find an imaginary person and become friends with them. Awesome. | -1no label
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] |
The whole exercise is pointless. Why make the film at all? The lighting is ghastly, but the sound is just a joke. Like a high-school production. Whoever put the budget together for this film should be drawn and quartered for allowing it to be made without the proper budget for soundmen with equipment fit for recording. So much dialog is unintelligible due to losses in echo or the lack of proximity to the mic. Economy should have been made on any other area. The whole production is lifeless and just LAME with such amateurish half-arsed production. It lacks warmth, clarity, and has no design to it. | 0neg
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] |
So I'm at home, flipping channels one night, and I come across this man wearing heels and makeup, standing in front of a colored background on HBO. Naturally, I did a double-take and decided I'd watch for a little while. I didn't change the channel until he was finished, it was so incredibly hilarious. The next time it was on, I made sure to tape it so I could watch it over and over again, and it has remained one of my favorite things to watch. During the first couple of minutes, you can tell that the audience isn't quite sure what to think, but he quickly wins them over with his incredible humor and wit. While many stand-up comedians mesh together in my brain, Eddie Izzard stands out as one of the best. His style is incredibly refreshing, and it is nice to hear jokes about things like history and puberty when most comedians stick to current events. His show stayed with me afterwards. I went to Italy over the summer, and all I could think about while I was there was how "Italians are always on scooters going 'CIAO...'" 10 out of 10. See it. You won't regret it. | 1pos
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] |
Definitely one of the lesser of the Astaire/Rogers musicals. It's just very poorly plotted and paced. It only runs a few minutes longer than Swing Time, for example, but it feels a heck of a lot longer. This is partly due to the secondary romance between Randolph Scott and Harriet Hilliard. Scott is rarely ever interesting. I like Hilliard. She's sweet, and I love at least one of her songs, "But Where Are You?" ("Get Thee Behind Me Satan", her other number, is a weak leftover from Top Hat, thankfully cut from that masterpiece). Follow the Fleet would actually be a bad film if not for at least three brilliant dance sequences between Astaire and Rogers. The dancing contest vies for the top spot of any of their numbers. The dance is just fantastic. "I'm Putting All My Eggs in One Basket" presents the two rehearsing a dance that they don't quite have perfected yet. Its imperfections make it all the more perfect. And "Let's Face the Music and Dance" is easily one of Irving Berlin's best songs. So the film is well worth watching for its great moments. | 1pos
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] |
I went to this movie expecting an artsy scary film. What I got was scare after scare. It's a horror film at it's core. It's not dull like other horror films where a haunted house just has ghosts and gore. This film doesn't even show you the majority of the deaths it shows the fear of the characters. I think one of the best things about the concept where it's not just the house thats haunted its whoever goes into the house. They become haunted no matter where they are. Office buildings, police stations, hotel rooms... etc. After reading some of the external reviews I am really surprised that critics didn't like this film. I am going to see it again this week and am excited about it. I gave this film 10 stars because it did what a horror film should. It scared the s**t out of me. | 1pos
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] |
this was one of those $.50 cent deals of yore---and far more complex than most realize---and it was in color! not only are the effects extraordinary, vs. crap like 'earth vs. the flying saucers'---the real 'killer' is the 'universality of plot'---everything hinges on two principles---the ancient concept of a hidden incestuous-thinking father's desire for his daughter, and the idea of what would happen should a world's tech reach the point where all citizen's desires become manifest. needless to say if everyone we wished dead gets dead, not many, if any left---and that became the fate of the 'forbidden' planet's populace---rather modern, actually. unfortunately the 'gear' of 'The Krell'---wasted by ignorance, remains, and 'Morpheus', the incestuous father, knows how to access such tech---and does so, to prevent losing his daughter to another. ancient plot, beautifully rendered. and considering its age, it remains a stunning suspense, action, human-emotion classic---and visually very modern---don't pass this one up---it presages all modern sci-fi---and its pscychological content elevates it, beyond any genre---a timeless work--- and the soundtract! you will see/hear no pure 'synth' and perfectly syched Moog background---a 'not miss'--- | 1pos
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] |
"Analyze This" is a wickedly funny tale of where a tough, foul-mouthed New York mob boss Paul Vitti (Robert De Niro) suddenly loses his mind and is persuaded by Jelly (Joe Viterelli), one of his two bodyguards to go see a shrink a few weeks before a big meeting. At first, Vitti doesn't like the idea, but goes ahead. The first time that Vitti and Ben Sobel (Billy Crystal), a calm shrink meet face to face is okay, but the events that happen after that are serious and down-right funny. The dialogue that Crystal and De Niro are well-written and well-acted. Lisa Kudrow, Joe Viterelli, and Chazz Palminterri also give very solid supporting performances in this movie. Kyle Sahiby is good as Sobel's son who has fun nitpicking Sobel. Harold Ramis has made some good films in the past (Caddyshack) and his careful direction here pays off. The best scene of the movie is the opening scene is masterfully written to perfection and it's just hilarous. One good example is Vitti's dad and a friend of his hijack a farmer who's on his John Deere tractor and drive through the corn field. Overall, De Niro and Crystal make a great comedy team. | -1no label
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] |
While returning from a Christmas Eve shopping trip, an abused suburban housewife (Basinger) finds herself in a fight for survival after a disagreement with a group of delinquent youths takes a violent turn. Suffering the indignity of a straight to DVD release here in the U.K., Susan Montford's directorial debut will perhaps not be given the recognition it deserves. This is a shame, as the standard of the writing, directing and acting is very good indeed, and certainly surpasses the quality of your average straight to DVD flick. Kim Basinger gives her best performance in some time as the downtrodden wife of an abusive husband (Craig Sheffer). While Sheffer is not really given anything more to do than be a threatening presence, it is in their brief scenes together that Basinger connects - showing painful vulnerability yet hinting at the rage that will eventually boil over in her confrontations with the youths. It's a truly great, understated performance, her transformation from victim to aggressor is seamlessly played. Lukas Haas I initially thought was miscast, as he (along with the other three youths) just did not seem much of a threat. However, had all four youths been more physically imposing, the later scenes in which Basinger turns the tables against them would not have worked at all. The fact that these are four average men, albeit slightly unhinged, is the key to why the film works as well as it does. Apart from a few pacing issues during the latter half of the movie and a couple of cheesy lines here and there, what we have here is a great thriller that actually leaves the viewer with something to think about when the film is over. Some may be put off by the slow - burn nature of the opening scenes, or the abrupt ending. Others by the at times brutal violence. I say give it a chance, it's certainly more deserving of your time than Saw V. | 1pos
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] |
Oh my God... where to begin? "Chupacabra Terror" is one of the worst B-Horror movies ever made. This crap makes "Demon Slayer" look like "The Exorcist". Special note: A Horror B-movie needs to have at least one sex scene. Don't expect even a hot girl in this one. With that inexcusable mistake, I should begin with the complete bash. First of all, if you're going to make a Horror monster movie, you should spend big part of the budget in creating a "cool" monster outfit. The monster in this movie looks like a $10 Halloween costume. There is no way the Chupacabras (yes, this is how it is spelled) looks menacing in the movie. It's an actor in a Halloween outfit please!! it looks so cheap it makes me mad. Second, the gore effects are the spinal cord of any direct to video monster Horror movie. Again, the producers decided not to spend for decent gore effects. The blood looks damn fake! Please take a close look at the guy that gets chopped in two. That's probably the best scene in the movie and it lasts for about ten seconds. The ending is a very poor scene that won't leave you satisfied. The acting is the last thing you should expect to have quality in these kind of movies; but in this movie it's beyond terrible. A cast of nobodies with no acting experience make the fool out of themselves for about 85 minutes. Special mention deserves a blonde guy with curly hair that tries to convince SWAT members that he is sick. The coughing he fakes is beyond laughable. He's probably the worst actor ever in a B-Horror movie, no kidding. Also, Captain Peña delivers a terrible performance in the first ten minutes of the flick. The TRUE story behind the Chupacabras is not even told. All you get to know is that the monster sucks goat's blood. Why bother with this piece of crap? Plesae, do not even watch it even if you have the chance. Not even if it airs on cable. I usually support low budget Horror movies because the people involved in them at least try to do something "different" than Hollywood but that doesn't means that Horror fans like me should accept this kind of garbage. | 0neg
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] |
Remember back in the late 80's there were thesestr8video films about underground fight-clubs that only the rich and powerful had access to and Lorenzo-Lamas had to go under-cover to expose. Now with every neighborhood having a garage fight-club or back-yard wrestling league they seem outdated. Well between Courtney Cox's show dirt and TMZ this movie is sadly outdated and horribly tame. It advertises itself as a look inside the secret drug and cocaine fueled world of Hollywood's blonde haired bronze skinned chosen ones. Who make million dollars deals all-day and go clubbing all-night and
.Start-off cocaine fueled sex doesn't happen on grammas' old king sized bed. It happens in club bathrooms, fancy restaurants kitchen floors parking lots pools and limos. And it involves a lot more Oral sex. As for the clubbing they go to one club as I remember and they didn't even get into the VIPs room. It s was the main club floor that's it. Characters are introduced by some named older actor playing their handler and screaming at them about their life of excess and how they're going to get themselves in trouble. Thanks mom. One character is chewed out for having sex with a 15 yoa. The show Dirt had an action adventure star caught on a "To catch a predator" type under-cover sting. This movie was supposed to take you inside the secret world tell you something you didn't know. Hell I know more about the secret world of Hollywood VIP's than this writer and director. And there was no suspense or sense of adventure. No-one caught a beating or a dick they didn't want because of a drug debt. Nothing happened nothing happened. Except Mickey Rourke turned in another fine sleazy performance. | -1no label
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] |
Fritz Lang did a great job with this well-acted, uniquely photographed drama from the '30s. It's not anything to see if you're looking for a lift, though. Henry Fonda and Sylvia Sidney, so young it's unbelievable, play a husband and wife escaping the law. Sidney is a secretary who falls in love with a convict and marries him as soon as he gets out of prison. He's a three-time felon and has a tough time getting back into society. Ultimately, he's convicted of a crime he didn't commit and sent to death row. He escapes with Sidney and they become sort of a Bonnie and Clyde on the run for the Canadian border. There are some plot problems, for instance, how Fonda got the gun in order to escape. Also, the boss at the trucking firm where he works is over the top in his dislike for Fonda and refuses to give him another chance. The acting is very intense from both Sidney and Fonda. Looking at the young Fonda, one can really see where Jane got her looks. This isn't a big film, nor is it a happy one, but it's worth seeing. | -1no label
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] |
I would love to know how to get a copy of the end credit song "Death Above Ground" by Scott Trammell. I believe the movie was typical yet good. I have read the other posts and say they concentrate on too many things besides first person viewing. I "heard" a lot of the same comments when "Evil Dead" first hit the scene, but they were smaller in volume due to the inability of a--holes to be able to post their remarks everywhere! Oh ell, to each their own. Most people here are probably renters who have seen the screener and like nothing more than to post their ridiculous views based on their unintentional love of the mass populous favorings. But that is just their way of saying hey, I have become a sheep. | -1no label
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] |
There are few movies in the Cinemaverse, which can top the detritus of Andy Warhol, and I mean that, in the reverse. His films were the worst kind of popular tripe, the dialog so bad that it equates unintentional camp, the sets so cheesy that most of his works were filmed in someone's garage. And then there's Andy Warhol's Dracula. This one tops the rest as far as how BAD a movie can be. Some have called it original, creative, even a "loose" adaptation of Bram Stoker's masterpiece. I'm here to tell you that these descriptions are NOT the case. This work is pure garbage! There is NOTHING, not ONE redeeming quality about this "movie." Don't waste your time. You'd have more enjoyment from a root canal. It rates a 2.2/10 from... the Fiend :. | -1no label
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] |
Four British actors in pursuit of the increasingly evanescent formula that gave us four weddings. It's made enjoyable by the elan of the actors who are, in general, used to doing more weighty things. The big surprise is Ray Winstone, a foggy character who fulfils the role of a shrink, listening to Joe Fiennes whining. Nick Hamm keeps it moving along though, weaving the relationship threads together competently enough whilst Hollander and Sewell give pat representations of their character-tropes. Joe Fiennes is rather good in this sort of genre but I liked Monica Potter best of all, the American chick stuck on the end of the hook for the big US theatre going fish. Unremarkable but inoffensive. 4/10 | -1no label
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] |
Gandhi, the Great : Greatness in the world is associated with people like Alexanader the great, Ashoka the Great for their greatness lied in being glorified as more than humans. Gandhi is called great for actually not being a Great but being more human, for I always believe bringing out the humanity in us is where the greatness of being human lies.Gandhi was a human with humanity and one who strived for humanity ready to sacrifice himself in the battle for humanity but not his enemies. Let me move to the movie review now. About Gandhi My Father : Gandhi My father is a film not about Gandhi but about his son Harilal Gandhi.On telling the story of a son whose father was one of the greatest humans to walk this earth, the director succeeds in portraying the tale.The film succeeds in telling the story of a mislead son of a father who lead a nation to greatness.The movie is termed as a criticism of Gandhi's failure as a father to his son, I would rather say it is of a sacrifice Gandhi had made as a father of a son to do justice as a father of a nation. I wish the essence of this movie prevails not just in India, the Gandhian land, but through the hearts of all the people of this world. Gandhi the true Human. Jaihind. | 1pos
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] |
Getting Eaten By A Bunch Of Snakes Is More Entertaining Than This Film Getting Eaten By A Bunch Of Snakes Is More Entertaining Than This Film Getting Eaten By A Bunch Of Snakes Is More Entertaining Than This Film Getting Eaten By A Bunch Of Snakes Is More Entertaining Than This Film Getting Eaten By A Bunch Of Snakes Is More Entertaining Than This Film Getting Eaten By A Bunch Of Snakes Is More Entertaining Than This Film Getting Eaten By A Bunch Of Snakes Is More Entertaining Than This Film Getting Eaten By A Bunch Of Snakes Is More Entertaining Than This Film Getting Eaten By A Bunch Of Snakes Is More Entertaining Than This Film Getting Eaten By A Bunch Of Snakes Is More Entertaining Than This Film | 0neg
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] |
Death Screams or as i rented it under House Of Death has to be one of the worst horror movies ever made. the first 2 min are ok then the opening credits come on and are about 5 min with the worst music i ever heard in my life. the movie is so boring like the 35 min carnival scene. then there are like 7 kills in like 10 min too much too fast. they don't even show the kills. the back of the box makes the movie sound cool but don't be fooled like i was. Death Screams aka House Of Death is so bad and boring i give it 0/10. skip this one if you don't you will regret it big time 85min of my life was wasted on this trash | -1no label
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I understand that the book was episodic, but that does not mean it translates into a good film that way.Poorly directed and acted, not to mention produced. How tough would it have been for the actors to at least have gotten haircuts? Not the best film about WW1. Not even close. Perhaps having one person being the producer, writer and director is not the best idea? The actors were not in the least convincing.Someone should have said "Whoa" before this was put together. Oh, and I wrote this review using the same disjointed style the director of this movie used. Do you think it made for a better review this way? I did not think so. | -1no label
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I say "flick" because this doesn't deserve the appellation "movie", and certainly not "film". I regret paying for the rental, and although I've never walked out on a movie before, this would have been it, had I seen it in a theatre. A society living underground in the future (oooh, THAT'S original), lots of burning barrel drums, unexplained ambient light shining through windows, an ungrateful woman and her shock-muted son...the list goes on and on. C. Thomas Howell affects the husky voice of the stereotypical loner; you know like Eastwood's been done to death. He needs special sunglasses to remember his wife and child, yet in the flashbacks, he's the same age! Talk about a poor memory! I stared incredulously when the little boy Abe randomly pushes a code into a door and it opens! No tension, pithy religious (what religion?) under/overtones...saddest of all: I expected better from Roddy Piper; Quite possibly the worst movie experience in my life. | 0neg
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] |
This is a film that revolves around two mysteries (which I have now demystifed). First, did the film makers understand the concept of 'parody' before using it to carpet bomb the audience throughout the film? Parody is when a reproduction attempts to mock, comment on, or pay homage through self-depreciating humour to, the original work. In other words, there should be reasons to parody such work, and they should definitely be clever. I didn't see any of those in the film. I did see some awful 10 seconds jokes that fell flat within 2 seconds of delivery. Bryan Stoller probably went to Eric Roberts and said "hey, I was drunk last night, watching Survivors, and had this brain fart for a straight to DVD release. I want you on board without reading the script...because I plan to direct this film without one!" And herein lies the second mystery: Eric Robert's career. I use to think Eric Roberts had the career he had because he was unlucky. Now I realize it's because he is stupid (and therefore deserves the career that he had). After watching this movie, it is apparent that he would have been better off had he gone into mainstream adult films, which has higher budgets, more...intense...scenes and roles, better acting and direction, more elaborate and compelling plot lines, and a much wider audience than this B-movie reject (C-movie?). | 0neg
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] |
Simply boring! This is one of the worst movies I've ever seen. Colombians must have interests on this movie because you MUST take 5 cups of coffee to avoid sleeping. I don't know why the director (she) never uses music in all the film. The dialogs are very strange and th story ends giving nothing but a need to ask for a refund on the video club. The sound on the movie is really awful. I'm tired of seeing productions where you don't know in what year you're talking about. There's a misconception of time in all the movie. The only thing you can save is photography and Moran's acting. Belloso is on of the best actors in Argentina and the role he plays is for a beginner not for THE actor. That's why I think it deserves a 2. | -1no label
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This must be one of the all time worst films that I have ever had the misfortune of viewing. It appears that the writers did not have their wits about them when they were attempting to develop a plot. They completely destroyed an all time classic -- "Frankenstein." As for the other horror characters in the film, what were they thinking??? The special effects were nothing to rave about either. And to add insult to injury, they didn't have a clue about either geography or topography!!! What was amazing is that the female lead didn't even twist her ankle while doing acrobatic stunts in high heels! How far into fantasy do we have to go before we get slapped with a dose of reality? | -1no label
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] |
I saw this when it first came out, and found it to be a work of some genius; but I must confess I was clearly in the minority at the time. For me, the progressive lunacy of the proprietors of Guest House Paradiso just gets better and better throughout the film, with one of the most hilarious climaxes to a film ever. But I wouldn't recommend it to Mother. Lovers of gross-out comic book style humour will appreciate this movie; there are subtle jokes hidden away, but they are usually quickly flattened by a comedy frying pan. Rik Mayall and Ade Edmondson are superb, and the deadpan, unsuspecting guests are also excellent. | 1pos
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] |
I'm generally not a fan of high school comedies, they rely heavily on humor in bad taste and rarely stray far from clichéd story lines and characters and downright dull dialog. However, I've had my share of guilty pleasures, particularly when I was still in high school myself. Seeing the oh-so-recognizable teacher figures get their butts kicked always cheered me up and an occasional laugh could also be the case. These movies only work if at least one of the characters is an instantly likable one, this was not the case in 'Cheats', especially not the protagonist. Of course, it didn't help that the actor in play was one of the most irritating, no-talent, arrogant kids I've ever seen in a comedy. To act in a comedy is no joke, it's hard to be funny: the delivery has to be just right or the material goes to waste. In this case there wasn't much good stuff to begin with and the jokes that were half-funny were screwed up professionally by the cast. This movie felt 3 hours long, the director never heard of pacing obviously. Stay away from this one, there are many other enjoyable teen comedies out there such as 10 Things I Hate About You, Who's Your Daddy and Superbad. | 0neg
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] |
This is probably one of the worst movies I have ever seen, everything about it is weak and incoherent. The acting is absurd, the costumes even crummier and the story is non-existent. This 'poverty row' sword and adventure film was meant to capture some of the success that "Beastmaster" and "Conan" enjoyed but it doesn't give us any reason to follow along. The lead character is tepid and dull, he can't even fight with a sword and the sword is from the 16th Century. All the action sequences are like that, slow and unrealistic, not to mention the castle and the horribly dated music playing whenever they are riding a horse. Don't even bother with this crap. | 0neg
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] |
Victor Jory never became a major star. He is better known for later character roles than for his early leads. But he was very handsome and an excellent actor. His love scenes with Loretta Young in this romantic adventure thriller are passionate. Their kisses look very real. And very modern. Vivienne Osborne is a standout here also. She plays a woman with a reputation. But the character has a good heart. The print I saw was not clear. But what a joy that rare movies like this are turning up! And they are, in some sort of watchable condition, still intact. This is nothing truly special. But if one is willing to sift through movies of its era with similarly intriguing titles, one is likely to find some suprtb movies. | 0neg
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] |
Wow - this movie really blew me away. It managed to tackle an extremely difficult subject with Honor, Love, and Respect for both sides of the issue. I agree with another reviewer that Judith Light was overlooked for an Oscar Nomination that year. What an incredible performance.Cad Allen, too I think gave one of his best performances to date. Can you believe that this is the writer's only work, so far? I hope he is working on other things, as a writer. If anyone who worked on this film reads this....a big CONGRATULATIONS & THANKS! This is what film making should be about. A film that can help to bridge gaps with honesty, understanding, and self awareness. | -1no label
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] |
This is the single greatest movie I have ever seen. Davey/Mr. Slaussen is simultaneously: 1) Tortured about his talents (e.g., "I can control it; I can! I shouldn't have to hiiiide it! It feeeeeeeeeels good!"); 2) Desperate to make friends, e.g., "How's the soup? "The soup is very good." "Would you like some crackers with your soup?" "I'd like some more crackers, please." "How's that?" "Yes, the soup is very good." 3) Proud of his accomplishments (e.g. "Pretty neat trick, huh?") 4) A ladies man (e.g., "You're so pretty. Why don't you like me?"); and 5) Sometimes, very, very angry (e.g., "You can't get away!") Connors should have received an academy award for best actor for this movie. I mean, who was possibly better?! Tanya Roberts rocketed to the stratosphere following her performance in TT. It's a wonder not all of the stars of this masterpiece did not go on to have brilliant careers. I highly, highly recommend this film! It's available on amazon.com. Everyone should own it. Make a night of it and have a bowl of soup while you watch. | 1pos
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] |
Have no illusions, this IS a morality story. Granger is the troubled ex-buffalo hunter, tempted back to the plains one more time by kill-crazed Taylor. Granger can see the end is near, and feels deeply for the cost of the hunt-on the herds, the Indians and the land itself. Taylor, on the other hand admittedly equates killing buffalo, or Indians to 'being with a woman.' While Granger's role of the tortured hunter is superb, it's Taylor who steals the show, as the demented, immoral 'everyman' out for the fast buck and the goodtimes. There's not a lot of bang-bang here, but the story moves along quickly, and we are treated to a fine character performance by Nolan. The theme of this story is just as poignant today, as in the 1800s-man's relationship to the land and what's on it, and racism. Considering when this was made, the Censors must have been wringing their hankies during the scenes in the 'bawdy house', Taylor's relationship with the squaw, and much of the dialogue. Although downbeat, this is truly a great western picture. | 1pos
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] |
Michael Rooker is a decent actor, but he has no business being the lead except in a low budget movie. He really does not have much charisma. Ryo Ishibashi has a lot more screen presence, and sadly he is not really the main character. Most of the screen time goes to the brick-faced Rooker. Danielle Harris (from the Halloween 4 and 5 movies) plays his daughter, and she is cute and entertaining but she is written as not being too smart and one of her dumb mistakes gets one of the main characters killed. Comedians Fred Willard, Bobcat Goldthwait, and Stephen Furst are here in interesting roles. Just watching what happens to these characters is priceless. Vincent Schiavelli plays the Consigliare to the local Mafia Godfather, and it is hard to tell whether or not he is working the movie as a comedy. Tim Thomerson is also in this movie. He seems to be in every extremely low budget direct-to-video action movie. Thomerson is also in some low-budget comedies. Seeing so many comedians and comic actors in this film made it feel like a spoof. Is it a parody of a Yakuza movie? It is hard to tell at some points. There is certainly very little Yakuza action. The supporting cast of Thugs and Goons is menacing and well cast. Some of these kinds of movies have Thugs that look like they work at the local Comic Book Store or as stock boys at Piggly-Wiggly. Overall this movie is very uneven. At some points it seems like a comedy or a parody. Then at other points it works as a good action movie. Then it sputters to an end. Without the contributions of Danielle Harris and Ryo Ishibashi this movie would rate a Zero in my humble opinion. | 0neg
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] |
There was a movie. With a lighthouse. A serial killer is loose and the audience is agonising, and not because the film is terrifying. The film is terrifyingly bad with awful characters, awful acting and an awful end. The serial killer was the ugliest bastard I'd ever seen, and he does not utter a word throughout the movie!!!!The whole film has a strange surrealistic atmosphere, as if the actors had been teleported into a parallel bad movie dimension. The "traumatic scenes" of the movie were more like comedy than anything else, like some awesomely bad joke told by my sister. By watching this movie I experienced no feeling of being entertained at all, it is definitely good for the trashcan. | -1no label
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] |
A movie theater with a bad history of past gruesome murders reopens. Of course, the bloody killings start anew. Written, directed, shot, scored and edited with an appalling lack of flair and finesse by the singularly talentless Rick Sloane (who later disgraced celluloid some more with the absolutely atrocious "Hobgoblins"), this horrendously ham-fisted attempt at a slasher spoof strikes out something rotten in every conceivable way: the excruciatingly lethargic pacing, the painfully static, grainy cinematography (there's a stinky surplus of drab master shots featured throughout), an annoyingly droning and redundant hum'n'shiver synthesizer score, the flat (non)direction, a tediously talky and uneventful script, the groan-inducing sophomoric sense of lowbrow humor, the bloodless murder set pieces, a pitifully unscary killer (he's just some wrinkled-up old guy in pasty make-up), the uniformly obnoxious and unappealing characters, a dissatisfyingly abrupt ending, and lifeless performances from a noticeably uninspired cast all ensure that watching this schlocky swill is about as fun and rewarding as eating rancid raw eels drenched with sour vinegar. This crud totally lacks the necessary crude charm and sleazy vigor required to be enjoyable junk. Instead it's just a bland, plodding and meandering stiff that never catches fire or becomes even remotely amusing in a so-shoddy-it's-smoking sort of way. Only a smidgen of nudity and the delightful presence of the always dependable Mary Woronov as a snarky, sardonic secretary provide a little relief from the overall crumminess of this lousy loser. | 0neg
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] |
Blackadder 3 is probably the Blackadder series that people have least heard of - it has basically the same principles as the second and fourth ones and has nothing revolutionary in it. But it is still great - a fiery Duke of Wellington and a fat foolish Dr Johnson (writer of the first dictionary in England) make this series one to be reckoned with. There are still more hilarious one-liners to be delivered in this series, and it brings out the humour in a lesser-known era - in historically accurate and enjoyable episodes. Blackadder's third outing is not the most famous and well-known of the lot, but Rowan Atkinson's role as a butler to a stupid prince is a funny and effectively done one, and Hugh Laurie is at his best in this series. Very good! 9/10 | 1pos
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] |
Lady in Cement - PI spoof with ole Blue Eyes.Frank Sinatra is a shamus on a houseboat in Miami in this rarely funny "comedy".Burdened by an annoying and repetitious Hugo Montenegro score and bunch of misfiring punchlines this 1968 flick just never rises above slightly too bawdy to be on TV made for television movie status.Dan Blocker is effective in the Mike Mazurski/Ted De Corsia big galoot role and Raquel Welch should thank her personal trainer.The only thing that makes the DVD worth keeping or seeing is the collection of cheesy trailers for Welch flicks like Bandolero,Fantastic Voyage , Mother ,Jugs & Speed and Myra Breckinridge.Even if you get the DVD-skip the predictable movie and go for the trailer library in the special features.Besides tons of mysoginistic asides-Sinatra lisps @ the homosexual owners of the local Go-Go bar.A relic that needs to be put back in the time capsule. D | 0neg
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] |
It is hard to give a rating to old movies like this. This Italian/French film is a predecessor to modern fare like Meteor or Armegeddon. No Bruce Willis, but Paul Hubschmid, the first Swiss film star. He is on a team of astronauts that included a Frenchman and a Russian and was selected for the first mission in space. Such international cooperation! Absolutely brilliant for the time. It will be even more amazing as the film goes on. Don't look for great acting or fancy special effects. Stock footage is the norm and the dialog is corny, but there is a bright shining moment when they know they are all doomed and some scientist wigs out. The solution to the falling meteor is the use of all the nation's atomic warheads. Like that would happen. You know the USA or Russia, probably both, would hold a few in reserve. I am sure the USA did, as I saw no missiles leaving silos. It's interesting to see the first films of this type before CGI, which is why I am investing the week exploring them. | -1no label
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] |
I watched it Saturday, along with all the special features. It was a tough movie. If you don't like indie film, you might have a hard time with it. If you do, it's an astonishing achievement. All the acting is uniformly excellent. I don't mean to undercut the obviously painstaking work Tilda Swinton did in creating her character... ...but this is Amber Tamblyn's movie. Period. Anyone who watched Joan Of Arcadia already knew she could act her heart out. But what she does here is nothing short of phenomenal. She gets every nuance of Stephanie --- someone VERY different from her own flaky, artsy hippie-chick personality --- absolutely right. There's not one minute of "acting" in her time on screen. I promise you that if you give yourself to this story you will not come out of it the same. And you will not soon forget it. | -1no label
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] |
When this series aired I watched most of it. I think it was supposed to be a long running series in the vein of "The Fugitive" and "The Incredible Hulk" where the protagonist is being chased around the country looking for a solution to his problems. In this case the hero's problem is his progressive aging in reverse. I liked what I saw of these shows. The acting was good especially the sorrowful relationship between the lead character and his wife. Problem is: They cancelled it before it had a chance to end. (either that or I missed the last episodes). They never got a chance to wrap up the story either, knowing it had been cancelled. Poof it was just gone. However, like I said before I might have missed the last episodes. But my proof to the contrary is this: I rented the tape. Where I left off in the series. The lead character's wife dies in a fire started by a chase involving King's famous organization the Shop. While getting away hero is kidnapped. It ends with his friends realizing they have to go save him from the Shop. The end. Last episode. On the video: His wife does not die but escapes the fire with him. Right when he should get nabbed by the Shop, he and his wife share a weird moment then phase out of existence. Abrupt, silly and cheap to the extreme. They just wanted to put this video out and decided to tag on an ending not caring how bad it was. They might as well of just shown some stock footage of the first atomic bomb detonations. Almost Pythonesque. The show did have a cool opening title sequence set to the David Bowie song of the same name | 0neg
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] |
I was very moved and impressed by Keane, it is the kind of movie that you just can't shake, it keeps coming back into your mind. Lodge Kerrigan has created a very special film and Damian Lewis is brilliant as the title character. He is on screen every minute of the film and we learn about the life of William Keane in a simple and realistic manner. You feel great empathy for this man as he struggles to find his lost child lost in the urban jungle and make sense out of his confusing and challenging world. The movie is heartbreaking and hopeful but yet unpretentious and simply told. I just read that the film will be released soon, if you get a chance - see this movie! | -1no label
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] |
This movie was so badly written, directed and acted that it beggars belief. It should be remade with a better script, director and casting service. The worst problem is the acting. You have Jennifer Beals on the one hand who is polished, professional and totally believable, and on the other hand, Ri'chard, who is woefully miscast and just jarring in this particular piece. Peter Gallagher and Jenny Levine are just awful as the slave owning (and keeping) couple, although both normally do fine work. The actors (and director) should not have attempted to do accents at all--they are inconsistent and unbelievable. Much better to have concentrated on doing a good job in actual English. The casting is ludicrous. Why have children of an "African" merchant (thus less socially desirable to the gens de couleur society ) been cast with very pale skinned actors, while the supposedly socially desirable Marcel, has pronounced African features, including an obviously dyed blond "fro"? It's as if the casting directors cannot be bothered to read the script they are casting and to chose appropriate actors from a large pool of extremely talented and physically diverse actors of color. It's just so weird! This could be a great movie and should be re-made, but with people who respect the material and can choose appropriate and skilled actors. There are plenty of good actors out there, and it would be fun to see how Jennifer Beals, Daniel Sunjata and Gloria Reuben would do with an appropriate cast, good script and decent direction. | 0neg
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] |
I watched 'bugcrush' last night and had such mixed feelings about it. I went online tonight and tried to find the short story by Scott Treleaven. It was one of the gay horror stories in Queer Fear 2 published in 2003. I was surprised by a few of the overly negative comments posted here. Yes, I was a little shocked and disturbed by the ending of the story, but it was a horror story. How many horror stories have we seen using the same seductions and with the same outcome. As a gay man I must have a thicker skin than most. I was spellbound by the direction. The acting was good and sometimes better than good. I had to re-watch the ending several times to come to grips with what just happen. Looking back in the story I realized that the author/director had warned us several times of the coming doom. How many of us have been lured by the danger in the quest for fulfillment. A lesson for all who take the risk with expectations of delight. | -1no label
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] |
If you've seen the classic Roger Corman version starring Vincent Price it's hard to put it out of your head, but you probably should do because this one is totally different. Subtlety has been abandoned in favour of gross-out horror - nudity, gore and all-round unpleasantness. OK it's ridiculous, trashy, sensationalised and historically dubious (did any members of the Inquisition really wear horn-rimmed glasses?), but despite all this it is strangely compelling. I literally couldn't tear myself away from the screen until the end of the movie. If there's a bigger compliment you can pay to a film I don't know what it is. | -1no label
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] |
I found Super Troopers only mildly amusing at best (seemed like a glorified Police Academy ripoff to me), and I rented this movie in hopes of it being better. It wasn't. The writing is absolutely horrible and the pacing of this film is even worse. It doesn't feel like a whole lot happens in this film, or that it really gives us a reason to give a damn about any of the characters. The actor who plays Felix is totally uninspired, though possibly due in part to the dialogue he had to work with. In short, this movie just went wrong in so many places. I get the impression that since films like Clerks, independent filmmakers seem to think that they can make movies like this with long, rambling scenes of dialogue where characters are trying to be funny. But, where dialogue in Clerks pushes the story forward, in this movie, it hopelessly weighs it down. Films are supposed to have a decent balance of action and dialogue, and as tempting as it is for filmmakers to try to have tons of snappy, funny dialogue, it just doesn't always work. Especially if they're not that good at writing dialogue. I hate to say it, but even "Extreme Heist" was more interesting than this movie- and that movie was so low-budget it was shot on video. | 0neg
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] |
I am a HUGE fan of Nandita Das. She is my favourite Indian actress, by a long way. When I bought this movie I knew that it would not be a Bollywood type cheese-fest. It wasn't. What I liked about it: The pairing of Sanjay and Nandita was very good. They were very believable as an ordinary married couple. Committed to each other and their children. No glamour, no implausible wealth for them. Just sincere, real people. Both were very good in their roles. Nandita is a beautiful woman, who seem literally luminescent, with her intelligence and passion radiating out from within. Sanjay was excellent as the tortured father. Om Puri was frighteningly good as the psycho Dad from hell, and the supporting cast all played their parts well. This movie doesn't pull any punches, either metaphorically or literally. It was one of the most taxing movies I've watched in a long time, but ti was worth it. If you're looking for Main Hoon Na or DDLJ, look elsewhere. If you want powerful, affecting cinema, with a good cast and great performances, give Pitaah a try. | -1no label
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] |
Good Movie, acting was terrific especially from Eriq Ebouaney(Lumumba)and very well directed. It also shows how Lumumba was cornered by the Belgians, U S A and United Nations and how they labelled him a `communist' to scare people as they did to all the Honest True African leaders like Nkrumah, Kenyatta, Nyerere and many others. It shows how western countries preach democracy while they have something else on the back of their minds. It is a story of injustice, struggle and brutality. It shows how Lumumba couldn't control his people, yes they were his people, but before we put the blame on him, was he getting enough if any from the people he appointed in his government like Mobutu? Or his colleague had other things in their minds, to find out go and see the movie! Certainly Mobutu did, went on to loot the country for the next 35 yrs, before he was overthrown and fled the country. Died a billionaire. Some flaws: There was too little explanation how the man (Lumumba) got to rise in the first place. Also there should have been more explanation about the country, Congo Kinshasa (after independence), now known as Democratic Republic of Congo formerly known as Zaire when it was under Mobutu. There should have been an explanation why he (Lumumba) couldn't keep the second largest country in Africa in one piece. And also what was going on with Tshombe and Katanga . Just heads up if you gonna watch the movie Tshombe was controlling the Katanga region which (if I am not mistaken) is the number one copper producer in the world. In all it is a good movie to see. You will learn something new about Africa, it's leaders and it's people and probably will open your eyes why this continent is ridden with wars. | 1pos
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] |
This movie documents the Harlem ball circuit of the mid eighties. Much more fun than than Palazzo Volpi, though just as diseased, this movie is a true gem of squalor. One cannot help but sympathize with the characters because of their freakness . The sole purpose of middle class intellectuals is to document the phenomenons of the trash and the glitz. Here the most genius of trash is extremely well documented and duly glamorized. The characters' penchant for idolatry of all that is glamorous inspires even more adoration of the characters themselves on part of the viewer, creating a "phenomenon of a phenomenon" effect which makes this movie a piece of art. | 1pos
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] |
Just happened upon this channel hopping In the early hours saw Steve Buscemi and wondered what's going on here? Not a lot as It seemed but that's not the point. Just sit back - preferably with a lager and allow Tree's Lounge to charm your trousers off. Wonderfully subdued comedy showing that Buscemi Is not only a cult anti hero on screen but that he has much promise as a director. The characters stand out as they can be related to - everyone will recognise the Bill type regular permanently attached to the counter. Mark Boone's wife also as a seriously difficult woman who hasn't a clue what she really wants, stereotypically so. Tommy yes, Is a manchild aimlessly squandering his life away, for sure It Isn't a good role model to aspire to approaching middle age but hey that's his perogative. This Is Steve's film and he's got charisma by the barrow full to make Tree's Lounge a real treat. That trick with the glasses will work once - provided your not too hammered practising. But It's Uncle Al who gets the best lines - "he loves your mothers", his excuse for his lecherous behaviour on the couch will bail a lot of people out of a lot of trouble. This film Is very hard to track down, 90% of video shops I went to hadn't even heard of It and It's been on terrestrial Tele twice - once a week late- the reward Is well worth the effort. | -1no label
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] |
The low-budget origins and "arty" look initially had me worried this would be another Shinya Tsukamoto-esque Japanese film, high on style but low on content. Thankfully, HELLEVATOR is a very accessible, very watchable science fiction flick that is not trying to answer the meaning of life, just deliver 90 minutes of first class entertainment. It resembles CUBE in that respect, making the absolute most of its location, and building the tension around the personalities of the characters accidentally thrust together in a high-stress situation. In fact, it could be seen as an ultra-minimalist riff on that film, confining the action to just one single room, but providing breathing room via the schoolgirl's telepathic "visions", and varying the tone via the comical parade of passengers getting on and off. Great fun. | -1no label
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] |
Emilio Estevez takes the wonderful play HOMEFRONT and makes it into an engaging movie. THE WAR AT HOME has an exceptionally strong cast -- all seemingly digging deep into their characters. The acting here is TOP NOTCH! Credit must also go to director Emilio Estevez. The visual transitions between past and present were ultra smooth. The sound effects during the battle scenes were chilling and effectively added to the tension. Remove all of the Viet Nam elements from the story, and still left would be interesting characters wrestling with the good and bad of the full range of family dynamics. (A viewer might see this point more clearly by keeping in mind the "discovering the old photo" scene from the beginning as the rest of the movie is watched). As a movie, I found THE WAR AT HOME to be more direct and to the point than BORN ON THE 4TH OF JULY. A fine effort -- almost a 10. | 1pos
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] |
The Bloodsucker Leads the Dance - what a laughable title, it's so utterly misleading. It's not surprising that the film-makers try and mislead us though because this is one terrible movie. The story basically involves a murder mystery in a castle on a remote island. Very little happens in this film. And when something does wake the viewer from his stupor, it invariably is unintentional comedy in the form of atrocious dialogue delivered by a hopeless group of voice-artists. These guys are so bad they make the actors they deliver voices for appear like a group of remedial-level morons. It really is hard to determine how bad the acting is when you have dubbing this abysmal. But the voice-artists cannot be blamed for the script. It's a travesty. Unintentionally funny at best, pathetic at worst. The story in general is, to say the least, uneven. The women characters are particularly idiotic; the men are either creepy or tedious. The whole enterprise smacks of pure exploitation of the audience. It doesn't remotely deliver what it promises and even when the murders (finally) start happening, they all occur off screen. All we get is a few half-hearted severed head shots. A few people have said that this movie is a giallo. I cannot agree less with this opinion. Anyone who enjoys Italian thrillers should give this movie a wide berth as there is nothing remotely thrilling about it. It's basically a soft-core porn film with a horror angle. But it's not very erotic either. I can't recommend this to anyone. | 0neg
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] |
Oh joy,, another foreign torture/bloody movie that sadistic gore hounds try to convince themselves and other people that it has value or merit. To anyone with an IQ higher than a rock this is NOT a good horror movie, it's just another mindless, silly gore fest. While the movie "Inside" at least had suspense in the first half of the film, in the end , the movie Broken is just another excuse to show how much the human body can take getting ripped apart and how much an audience can stomach it. Storyline takes another back seat to "special blood effects".. (yawn) It's not scary people, it just fossil fuel for the sick. I really think those men that get excited over movies like this should have a" I love tortured women" printed on their forehead, so that we know to keep our daughters and sisters away from your twisted selves.. :) LOL | -1no label
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] |
I first started watching this show probably around the year of 2003 or 2004 with my friends. Of course, at the time I was younger and enjoyed some of the jokes on this show. I was 11 in 2003, and I am 14 now (2007). Though my age probably plays a major role in how I judge this show, after reading other's reviews, I have come to see that after the third season, this show went down the tubes. I agree. This show is obnoxious, repetitive and usually focuses on the same plot. The show revolves around Timmy Turner, who was granted two Fairy Godparents because basically his life was horrible - his parents were never around, and he had a nasty baby-sitter. The plot of the entire show is that this kid (Timmy) and his Godparents always wish up some destruction that cannot be prevented by making another wish, because something in "Da Rules" says they can't. The show has a lot of lines that keep being repeated, like "magic cannot break true love, super toilet" or even just some scummy jokes lines that Nickelodeon probably thought was funny and decided to put in the episode various times. The show is aimed at kids younger than 10, because it involves gross situations and "kid humor" that most kids of my age wouldn't care for. The character voice selection could've been better too. Timmy has an extremely loud, shrill, feminine voice as does Cosmo. Wanda sounds like an old lady. Timmy's dad sounds like some announcer or game show host, Timmy's mom's voice is too exaggerated to sound feminine. Attitudes in this show are: in some episodes, Timmy talks back and acts spoiled and snobbish. Wanda apparently is smart and wise. Cosmo is stupid, dumb and incapable of thinking as is Timmy's dad. Timmy's mom seems to end up doing whatever Timmy's dad does. The show is too far flung from reality to get my likings anymore. Maybe as a younger kid, I could see more of the humor in this show, but as I grow up, it really grows old. And not to sound conceded or "trashing" but the show does have that mentality that makes you want to commit homicidal activity towards the characters. A show like this just has to be your attitude, if you know what I mean. If not, it basically disgusts you. | 0neg
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] |
"In 1927 a young man, alone in a single engine aeroplane, flew non-stop from Roosevelt Field in New York across the entire North Atlantic Ocean to Le Bourget Field in Paris, a distance of three thousand six hundred and ten miles. In this triumph of mind, body and spirit, Charles A. Lindbergh influenced the lives of everyone on earth--for in the 33 hours and thirty minutes of his flight the air age became a reality. This is the story of that flight". Billy Wilder adapts from Charles A. Lindbergh's Pulitzer Prize winning novel of the same name, in what is re-creation of Lindbergh's historical 1927 solo flight. Boosted by a considerably strong lead performance from James Stewart {himself a pilot} as Lindberg, and containing an intelligent screenplay from Wilder and Wendell Mayes, Spirit Of St. Louis is a sincerely well told story. In what at times threatens to become a monotonous film, Wilder keeps it ticking over by using flashbacks to Lindbergh's life. After the nicely told build up to the event, such as the peril being realised as Nungesser and Coli go missing {never to be found} whilst attempting the same trip in reverse, we learn stuff like how he come to buy his first plane and his work with the flying circus. This is all relative to understanding the man and his obvious passion for flying. This also helps to give us a complete picture of Lindbergh, thus putting us with him in his isolated cockpit as he undertakes this dangerous journey. Battling isolation {his only company is a fly} and chronic tiredness, it's here where Stewart perfectly portrays Lindbergh's devotion to the task. Aided by a terrific score from Franz Waxman and Academy Award nominated effects by Louis Lichtenfield, Wilder's movie turns out to be an engaging human interest story that got a thoroughly professional production. 7/10 | 1pos
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] |
This is my first review on IMDb as a side-note. Mulberry Street circles around a somewhat worn out theme regarding people deprived of the basics. Fair as some may say, several other directors have approached the matter increasingly (and) specially since the acclaimed '28 days later' by Danny Boyle and Zack Snyder's remake of 'Dawn of the dead'. It may be a bit inappropriate to place all of them on the same step however, there are common aspects which i consider important - the scripting, final plot and directing. Jim Mickle's approach strikes me as a very mature use of directing skills and resources to convey a heavy and raw presentation of gruesomeness. On a final note, there is a conscious developing social reality theme throughout the movie. It helps to build the story line and consolidate the unravelling of the characters, each of which short of being shallow or even forsaken by Mickle and Nick Damici. A definite must for those who appreciate more mature approaches to thriller and horror sub-genres. | -1no label
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] |
Jack Webb's movie 'The D.I' came about from the real life investigation into the deaths of several trainees in a swamp in Paris Isle in the 50's. As always, Webb, being the patriot that he is, came to the defense much like all the rest of his shows. I actually found this movie tame by 1957 standards. I served in the Army and can understand the intensity of the training at Parris Island (Camp Death by some)so this movie can never come close as does 'Full Metal Jacket'. I think this is a good movie which is more patriot than it is actual. But again, think of the time period it was made (1957) and what could be allowed and said on film at that time. I have always found Jack Webb to be clean cut and very loyal. I know many have criticized the film as one-sided and government propaganda. If you feel this way, watch 'Full Metal Jacket' with R Lee Ermey. I am a Webb fan and enjoy the movie for it's merit, not accuracy. As I have said, Webb believed in this country and held institutions to high moral standards (LAPD-Dragnet,Adam 12, Emergency etc). Just sit back and enjoy this one from a very strict moral time period in this country. Don't be too judgemental of Mr. Webb. Mark Lockwood Lubbock Texas.. | 1pos
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] |
Okay so there were the odd hole in the plot you could drive a zeppelin through, but how well was the emotional stuff handled? It would have been so easy to descend into cheesiness but the writer pulled it off. The image of the ex female cyberman making crying noises as she/it saw her reflection after regaining her emotions is one that will stay with me forever. That's twice now the monsters have shown a soft side and been presented fleetingly sympathetically, the previous being the last Dalek from series one, but by Jove it's worked. Add to that the other ex-female who had been "upgraded" on the eve of her wedding, and Jackie Tyler recognising her husband after she had become "cyber" and you have a permanent throat lump. Keep it up! | 1pos
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] |
I really wanted to like this movie, but it never gave me a chance. It's basically meant to be Spinal Tap with a hip hop theme, but it fails miserably. It consistently feels like it was written and acted by high-school kids for some school project, and that's also the level the humor seems to be aimed at. There is no subtlety and, more damningly for a mockumentary, it never once feels like a documentary. And while the lines aren't funny in the first place, an attempt at dead-pan delivery would have helped -- certainly, anything would be better than the shrill overacting we are subjected to. I'd recommend this to people who like "comedies" in the vein of "Big Momma's House" or "Norbit"; people who think that words like "butt" are inherently hysterically funny. Other people should stay away and not waste their time. | 0neg
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] |
Now, I've seen many many B-grade films in my 15 years of living, and I must say that this was one of the better ones. I personally enjoyed the real estate and the storyline, but it did suffer from amateur acting (although Adrienne Barbeau did give a decent performance as Lisa Grant). Joseph Bottoms couldn't hold his part well enough to be considered good. The other performance which really fit the film was that of Barry Hope (Barney Resnick). It begins with an eager real estate agent taking an Asian couple through a house, only to find there's a dead girl in the shower of the showhome. It progresses with detective speculating, and introduces the key characters with reasonable grace. I think that for any person who's in for a giggle at the over-the-top drama the victim realtors provide during the over-the-top gory scenes, this truly is a gem... XD Who am I kidding? It's not that great, but worth a watch if you're insanely bored. | 1pos
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] |
I heard about this series in 2001 which a friend of mine was recording off the television each week. I never bothered to watch though I became acquainted with the series through the magazine which I looked at every now and then in bookstores. I recently purchased series one on DVD and have become addicted to this fascinating and original series. The characters at first seem unlikeable but it is amazing how fast they grow and develop into a united force. As they begin to care for one another it becomes easy to care what happens to them (bearing in mind that this is only a TV series and they are fictional). However it isn't the PC world of Star Trek and so whilst every character shows a good trait they each have their own flaws and demons that they must deal with. Indivual story lines mixed in with an overall multiple story-arc make this one of the most complex and rewarding television experiences I have ever had the pleasure of viewing. I absolutely enjoy watching each of the characters interact with one another. This strange new world we are introduced to is brilliantly portrayed through the eyes of astronaut John Crichton and as he learns and adapts to being on the other side of the galaxy, strange alien creatures, different cultures, being hunted by a character that wants him dead and being treated as inferior by his comrades we can easily relate to what he must be feeling. As he becomes used to his surroundings so do the viewers and his compassionate, strong-willed and brave character is a joy to watch. I have watched only seven episodes of Farscape season one and look forward to continuing through seasons two-four and the mini-series. Maybe one day we can all enjoy a season five. Highly recommended viewing and well worth setting time aside to watch. Buy and enjoy! 10/10. | 1pos
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] |
I was pleasantly surprised by how good the movie was. Whether you're a gore fan or a suspense fan; you'll love this. I used to dislike horror movies, considered them stupid. But, anyway, it happens I make exceptions. I find something really extraordinary in this film. Rarely have I ever seen a film that has scared the crap out of me but I tell you the truth this film gave me shivers down my neck. Unlike most horror films this one cares about the development of the characters. I highly recommend this film and I'm glad that Asylum are finally bringing out good horror movies these days I recommend! Enjoy! | 1pos
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] |
This movie is a terrible attempt at a spoof. Its attempts to parody various sports movies are half-baked and not at all funny. Even things that should be funny - like the female kicker from India who's always wearing traditional dress over her uniform - aren't really funny. The fact that the football team studies and gets good grades which makes the coach mad didn't get any laughs either. The plot of having a traditional loser get one more chance by coaching a loser high school football team really had potential as a spoof. It's a classic and trite sports theme. But alas, the screenplay was too weak for ANY cast to pull it off. And this cast is no exception. There is gratuitous use of women in bikinis and underwear, so it's not all bad from that aspect. But Animal House or Talladega Nights, this is not. | 0neg
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