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Polish Library in Paris
Current dilemmas
other such centres which may be obliged either to be scattered or receive more fragile materials, as has already disastrously happened in the case of the decimated Polish Museum at Fawley Court, England.
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Quarter Circle A Ranch
Today
Quarter Circle A Ranch Today The Brinton Museum opened its new state-of-the-art Forrest E. Mars, Jr. Building on June 15, 2015. Located on the 620-acre historic Quarter Circle A Ranch in Big Horn, WY, the new 24,000-square-foot $15.8-million, eco-conscious museum houses one of the most significant and extensive 19th and 20th century Western and American Indian Art collections in the U.S. featuring Frederic Remington, Charles Russell, Thomas Moran, Edward Borein, Winold Reiss, and the largest Hans Kleiber collection in the world. It includes four galleries, a museum store and the Brinton Bistro, which offers indoor and outdoor dining with 180-degree
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views of the Bighorn Mountains. Many generous private donors and foundations helped to make the new Forrest E. Mars, Jr. Building possible. The new three-story space was designed by the Sheridan, WY Architecture/ Engineering firm of Malone Belton Abel P.C. to reveal and honor the beauty of the area, while aligning with the natural geography of the ranch. Nestled into the hillside, it is anchored by a two-foot thick, 51-foot high, 209-foot long arced structural rammed earth wall, the tallest in North America. Principal Architect Timothy Belton, AIA, explains the design as symbolically integrating the space, honoring both the original family
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that began the collection and the spiritual nature of its American Indian Art collections. Climate-controlled galleries and a 4,000-square foot high-tech storage facility can now accommodate thousands of pieces of art, allowing The Brinton Museum to better preserve and exhibit current and new works and collections by iconic artists. Because of this, The Gallatin Collection was recently gifted to the museum by Fr. Peter Powell of the Foundation for the Preservation of American Indian Art and Culture in Chicago. Originally compiled by the Gallatin Family in Big Horn, highlights of the collection have been on view at the Art Institute of
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Today
Chicago for more than 45 years. The complete collection features more than 100 pieces of American Indian art and artifacts, 60 of which are on permanent display in The Brinton Museum's new John and Adrienne Mars American Indian Gallery. Bradford Brinton's sister, Helen Brinton, founded The Brinton Museum in 1960, and it was opened to the public as the Bradford Brinton Memorial in June 1961. Her mission was to share Brinton's original collection of art, historic documents, books and furnishings assembled in the early 1900s, which showcase the elegant and eclectic tastes of a well-educated Western gentleman who befriended and supported
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Quarter Circle A Ranch
Today
the top artists of his time. Today, The Brinton Museum showcases its historic and contemporary collections in long-term and changing exhibitions in the original Brinton Ranch House and throughout its new Western, American Indian and contemporary galleries. The Quarter Circle A Ranch also includes expansive gardens and a greenhouse, Little Goose Creek Lodge, and multiple 1900s-era buildings such as the Carriage Barn that houses a historic automobile, J.I. Case truck and various farm implements, and a saddle barn full of horse gear. In the next two years, The Brinton Museum also will convert its original 5,000-square-foot museum space into an
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Quarter Circle A Ranch
Today
education center. “The Brinton Museum is the only museum in the U.S. that maintains a significant historic and ever-expanding Western and American Indian art collection on a beautifully maintained historic property at the foot of a mountain range,” said Schuster. “The art, as well as the Quarter Circle A Ranch property, are an American treasure.” The ranch was added to the National Register of Historic Places on August 10, 1976.
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Quyi
Quyi Quyi (Simplified: 曲艺; Traditional: 曲藝; pinyin: qǔyì) refers to such traditional art forms such as ballad singing (唱曲), Pingshu (评书), comic dialogues (小品), clapper talks (快板) and xiangsheng (相声) . This group of art forms has gained in popularity since the New Culture Movement. With the exception of the Cultural Revolution period, a great number of stories written for these arts have been preserved. Quyi is a Chinese performance art consisted of narrative storytelling using staged monologues and dialogues. It is mostly a spoken performance, and is generally not a full-fledged theatrical play. It should not be confused
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Quyi
History & Presentation
with Chinese opera. History While the storytelling art concept has been around for centuries, the narrative art concept was mostly recognized in the 1920s. Only after 1949 with the founding of the People's Republic of China did the term "quyi" become widely used. Prior to this, it was just classified as "Singing and Telling arts" (说唱艺术 / 說唱藝術, shuōchàng yìshù). This is one of the art category that gained momentum since the New Culture Movement. With the exception of the Cultural Revolution period, a great number of stories written for this art are preserved. Presentation The story is usually
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Quyi
Presentation
told by a small number of people. The most standard number is 1 or 2, sometimes extending to 4 or higher. Quyi is often accompanied by clappers, drums, or stringed instruments, with the presenter wearing costumes at times. Unlike Chinese operas which has a fixed style for costume, quyi costumes vary depending on the era of the story plot. Costumes range from dynastic period hanfu to the more modern qipao or even suits. The language used is usually associated with the spoken dialect of the local area. Sometimes it uses rhymed verse, some in prose, and some combine both.
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Quyi
Presentation & Regions
A lot of body movements may be used in the portrayal of the characters in the story. Each person may play multiple roles for multiple characters in the story. It is also this local and regional feel for the art that some would classify it as Chinese folk art. Regions Outside of mainland China, this entertainment form is also found in Taiwan.
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RAESR
Company & Tachyon Speed prototype
RAESR Company In 2017, RAESR completed production of their first prototype the Tachyon Speed. They are currently working on their first production model. Tachyon Speed prototype The RAESR Tachyon Speed is a prototype electric hypercar produced in-house by RAESR in Los Angeles, California. RAESR claims their design was inspired by a jet fighter and Le Mans Prototype. The Tachyon Speed's electric motors produce 1250+ horsepower and a cumulative torque value of 3650 lb/ft and can travel at a top speed of 240 mph. The car's battery pack is capable of generating power bursts of 1.4 megawatts and has a range of 150
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RAESR
Tachyon Speed prototype
miles.
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Rahmi M. Koç Museum
History
Rahmi M. Koç Museum History A visit of Rahmi Koç to the Henry Ford Museum in Dearborn, Michigan, United States inspired him to create this museum. The Koç Foundation bought the first museum building in 1991, which was left derelict and seriously damaged after a roof fire in 1984. This building (in Turkish: Lengerhane), was initially used for casting anchors and chains for the Ottoman navy, during the rule of Ahmet III (1703–1730). It was restored during the reign of Selim III (1789–1807) before passing into the ownership of Ministry of Finance in the Ottoman Empire. During the Republican era,
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Rahmi M. Koç Museum
History
the State Monopoly and Tobacco Co. then used the building as a warehouse until 1951. The Koç Foundation spent two and half years for the restoration work of this class II historical monument. In July 2001, the museum opened a new building to improve the display of its collection of industrial and scientific artifacts. This new section was a disused historical dockyard, founded in 1861 by the former Ottoman Maritime Company (Şirket-i Hayriye) for the maintenance and repair of its own ships. The Koç Foundation bought the building in 1996. The two buildings are on the same road, on opposite sides: the
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Rahmi M. Koç Museum
History
dockyard part of the complex is on the shores of the Golden Horn. A glass-sided ramp leads down to the basement exhibition area of the Lengerhane.
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Ram Kumar (artist)
Early Life and education
Ram Kumar (artist) Early Life and education Ram Kumar Verma was born in Shimla, the capital of the Indian state of Himachal Pradesh in a large middle-class family of eight brothers and sisters. His father was a government employee from Patiala in Punjab, India who worked in the Civil and Administrative Division in the British Government. While pursuing M.A. in Economics from St. Stephen's College, Delhi, he chanced upon an art exhibition in 1945. One evening, after "loitering" around Connaught Place with his friends from St Stephen's College, he landed up at an art exhibition. I saw paintings like that for the
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Ram Kumar (artist)
Early Life and education
first time and it made me so intrigued that I returned several times". Ram Kumar took classes at the Sharda Ukil School of Art under Sailoz Mukherjee and gave up employment at a bank in 1948 to pursue art. Sailoz Mukherjee was a painter from Shantiniketan School who introduced him to still life painting with live models. While a student there, he met Raza at an exhibition. Raza and Ram became good friends. He convinced his father to pay for a one-way ticket to Paris and studied further there under Andre Lhote and Fernand Léger. In Paris, the pacificist peace movement
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Ram Kumar (artist)
Early Life and education & Career
attracted him and he joined the French Communist Party. Seeking inspiration in the Social Realists such as Kathe and Fourgenon. He was befriended by S.H. Raza and MF Hussain who are two major artists. Career Ram Kumar painted abstract landscapes, usually in oil or acrylic. He was also associated with the Progressive artist's group. Ram Kumar has participated in various exhibitions in and out of India, including the 1958 Venice Biennale and the Festival of India shows in the then USSR and Japan in 1987 and 1988. One of Ram Kumar's latest solo exhibition was in 2008 in Delhi. Ram Kumar
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Ram Kumar (artist)
Career
also writes in Hindi and eight collections of his works have been published, as well as two novels and a travelogue. The human condition is the main concern of the painter manifested in his early works by the alienated individual within the city. Later the city, specifically Varanasi with its dilapidated, crammed houses, conveys a sense of hopelessness. Increasingly abstract works done in sweeping strokes of paint evoke both exultation of natural spaces and more recently an incipient violence within human habitation. As the interest in Indian art has grown, paintings by Ram Kumar are getting increasing recognition in the art market. Ram
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Ram Kumar (artist)
Career & Personal life
Kumar received the Padma Shri in 1972 and the Padma Bhushan, India's third highest civilian honour, in 2010. Personal life Ram Kumar was also the older brother of the famous Hindi writer, Nirmal Verma and younger brother of Colonel, Raj Kumar Verma. He lived and worked in Delhi until his death in 2018.
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Rastok
Organizers
Rastok Organizers UMF Rastok Organizer is a united youth organization of young people from Jelah. The festival, organized by activists from JOM and a large number of volunteers, is for mostly young people from Bosnia and Herzegovina and other countries.
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Real Monarchs
History
Real Monarchs History RSL Academy coach Freddy Juarez was named Head Coach on December 23, 2014. The Monarchs played the LA Galaxy II to a scoreless tie in their USL debut on March 22, 2015 in Carson, California. At the end of the 2016 season, Freddy Juarez was promoted to be an assistant coach for the Monarchs' parent team, Real Salt Lake and Mike Petke was brought in as his replacement along with Mark Briggs and Jamison Olave as his assistants. On March 29, 2017, Petke was promoted to Real Salt Lake's head coach following the dismissal of Jeff Cassar, and
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Real Monarchs
History
Briggs was announced as his replacement. On June 19, 2017, the Real Monarchs broke the All-Time USL Record with nine consecutive victories by beating Reno 1868 2–1 at Rio Tinto Stadium. The club won their first ever trophy on October 7, 2017, claiming the USL's regular season title with a 1–1 draw against Whitecaps FC 2. The 2018 Season finished with a first round playoff exit after Head Coach Mark Briggs was replaced by interim coach Jamison Olave. Prior to the 2019 season, Martin Vasquez was named head coach. Vasquez resigned from the head coaching position on July 1, 2019. Jamison Olave
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Real Monarchs
History & Stadium & Broadcasting
took over once again as interim coach. On July 13, 2019, Douglas Martinez Jr. recorded the club's first ever hat trick in a 5-0 win over Tacoma Defiance at Zions Bank Stadium. Stadium Beginning in 2018, Real Monarchs will play home matches at Zions Bank Stadium, a 5,000-seat soccer-specific stadium in Herriman. The stadium is adjacent to the training facilities and academy for Real Salt Lake. Real Monarchs played their first three seasons at Rio Tinto Stadium in Sandy, the 20,000-seat home of Real Salt Lake. Broadcasting As part of their broadcast rights with its parent team, KMYU (TV) and the KSL
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Real Monarchs
Broadcasting & Supporters
website and apps (streaming) have occasionally aired Monarchs matches. All games are broadcast on ESPN+ as part of the USL Championship's deal with ESPN. The team's current broadcasters are Landon Southwick (Play-by-Play) and David Horst (Color). Supporters The Wasatch Legion is the official Supporters Group for the Monarchs. The group stands behind the North Goal at Zions Bank Stadium.
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Redfield, South Dakota
Geography & History
Redfield, South Dakota Geography Redfield is located at 44°52′31″N 98°31′04″W. According to the United States Census Bureau, the city has a total area of 1.92 square miles (4.97 km²), of which, 1.89 square miles (4.90 km²) is land and 0.03 square miles (0.08 km²) is water. Redfield has been assigned the ZIP code 57469 and the FIPS place code 53460. History The first settlers arrived in the Redfield area in 1878, and a post office was established two years later under the name "Stennett Junction." The "Redfield" name was adopted in 1881. The town became the seat of Spink County in 1886, following a six-year
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870
Redfield, South Dakota
History
legal and political battle among several Spink County towns. Redfield rapidly became a major town in the region, due in part to its status as a railroad center—the town was a crossroads of two lines of the Chicago and North Western Railway, and was also served by the Milwaukee Road Railroad. Railroads brought supplies, people, and animals, and also provided for transportation of crops back East. Redfield College was established in the town in 1887, and operated until 1932. In 1902 the "Northern Hospital for the Insane," a state institution, opened on a campus just north of town. That facility remains
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Redfield, South Dakota
History & 2010 census
in operation today as the South Dakota Developmental Center. 2010 census As of the census of 2010, there were 2,333 people, 1,057 households, and 593 families residing in the city. The population density was 1,234.4 inhabitants per square mile (476.6/km²). There were 1,187 housing units at an average density of 628.0 per square mile (242.5/km²). The racial makeup of the city was 96.9% White, 0.5% African American, 0.9% Native American, 0.1% Asian, 0.5% from other races, and 1.1% from two or more races. Hispanic or Latino of any race were 1.4% of the population. There were 1,057 households of which 25.4%
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Redfield, South Dakota
2010 census
had children under the age of 18 living with them, 43.3% were married couples living together, 8.9% had a female householder with no husband present, 3.9% had a male householder with no wife present, and 43.9% were non-families. 39.5% of all households were made up of individuals and 21.2% had someone living alone who was 65 years of age or older. The average household size was 2.13 and the average family size was 2.82. The median age in the city was 47.3 years. 22.4% of residents were under the age of 18; 5.8% were between the ages of 18 and 24;
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Redfield, South Dakota
2010 census & 2000 census
19% were from 25 to 44; 26.7% were from 45 to 64; and 26.2% were 65 years of age or older. The gender makeup of the city was 46.7% male and 53.3% female. 2000 census As of the census of 2000, there were 2,897 people, 1,123 households, and 656 families residing in the city. The population density was 1,670.3 people per square mile (646.6/km²). There were 1,261 housing units at an average density of 727.1 per square mile (281.4/km²). The racial makeup of the city was 95.37% White, 0.41% African American, 3.00% Native American, 0.10% Asian, 0.03% Pacific Islander, 0.21%
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Redfield, South Dakota
2000 census
from other races, and 0.86% from two or more races. Hispanic or Latino of any race were 0.66% of the population. There were 1,123 households out of which 26.2% had children under the age of 18 living with them, 46.9% were married couples living together, 8.6% had a female householder with no husband present, and 41.5% were non-families. 38.6% of all households were made up of individuals and 23.2% had someone living alone who was 65 years of age or older. The average household size was 2.15 and the average family size was 2.87. In the city, the population was spread out
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1,000
18
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Redfield, South Dakota
2000 census
with 21.3% under the age of 18, 7.8% from 18 to 24, 27.2% from 25 to 44, 20.0% from 45 to 64, and 23.7% who were 65 years of age or older. The median age was 41 years. For every 100 females, there were 106.8 males. For every 100 females age 18 and over, there were 104.2 males. As of 2000 the median income for a household in the city was $27,743, and the median income for a family was $37,500. Males had a median income of $27,566 versus $20,938 for females. The per capita income for the city was $15,505.
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Redfield, South Dakota
2000 census
About 9.6% of families and 10.5% of the population were below the poverty line, including 9.9% of those under age 18 and 11.8% of those age 65 or over.
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Reichenbach (Litschau)
Housing Development
Reichenbach (Litschau) Housing Development At the turn of 1979/1980 there was a total of 20 building plots with 12.073 m² and 19 gardens with 8.481 m², 1989/1990 there were 29 buildings plots. At the turn of 1999/2000, the number of buildings plots had increased to 79 and at the turn of 2009/2010 there were 34 buildings on 64 building plots.
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Renaissance architecture in Portugal
Religious architecture
Renaissance architecture in Portugal Religious architecture One of the most important examples of Manueline style is the Jerónimos Monastery at Lisbon, in which Renaissance ornaments decorate portals, church columns and cloisters. The definitive abandonment of Gothic architecture and the first "pure" Renaissance structures appear later in the 16th century, under King John III, like the Chapel of Nossa Senhora da Conceição in Tomar (1532–40), the Porta Especiosa of Coimbra Cathedral and the Graça Church at Évora (c. 1530-1540), as well as the cloisters of the Cathedral of Viseu (c. 1528-1534) and Convent of Christ in Tomar (John III Cloisters, 1557–1591). Manueline
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Renaissance architecture in Portugal
Religious architecture
churches like that of Jerónimos Monastery anticipated the unification of inner space (see Hall Church) that would characterise Renaissance churches like the Mercy Church of Santarém (after 1559), the Santo Antão Church of Évora (1557–63) and the cathedrals of Leiria (after 1550) and Portalegre (after 1556). São Roque Church (1565–87) and the Mannerist Monastery of São Vicente de Fora (1582–1629), both located in Lisbon, heavily influenced religious architecture in both Portugal and its colonies overseas in the next centuries. Mannerist churches influenced by these include the Jesuit churches of Coimbra (New Cathedral of Coimbra, started 1598) and Salvador da Bahia, in
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Renaissance architecture in Portugal
Religious architecture & Secular architecture
Brazil (now Cathedral of Salvador, second half of the 17th century). Secular architecture An important and rare example of urban palace of the Renaissance is the Casa dos Bicos (c. 1525) in Lisbon, with a façade covered with diamond reliefs in Italian fashion. During the first half of the 16th century, the Portuguese nobility built various quintas (manor houses) in the area surrounding Lisbon. Among these, the Quinta da Bacalhoa (1528–1554), near Setúbal, is the most important, although recently ruined and degraded after its sale to a winery. In contrast to Portuguese mediaeval palaces, like the Royal Palace at Sintra,
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Renaissance architecture in Portugal
Secular architecture
the façades of Bacalhoa palace have a symmetrical arrangement of windows, loggias and towers and the building is surrounded by an artificial lake and geometrical gardens, an ensemble that reveals Italian inspiration. Also near Setúbal is located the Quinta das Torres (c. 1560), also characterised by its symmetrical façades and a tempietto pavilion in the middle of its artificial lake. The Ribeira Palace of Lisbon, a royal palace built in the early 16th century in Manueline style by King Manuel I, was remodelled towards the end of the 16th century by the orders of Philip I (Philip II of Spain). At
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Renaissance architecture in Portugal
Secular architecture
this time the façade of the palace was modernised and a large Renaissance-style tower with a dome was built by the Tagus river. The palace and its prominent tower dominated the cityscape of Lisbon until 1755, when the Great Lisbon earthquake destroyed it. With the royal palace destroyed, perhaps the most important late Renaissance palace in Portugal is the Ducal Palace of Vila Viçosa, built between the late 16th and early 17th centuries for the Dukes of Braganza.
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Rian Adkinson
History
Rian Adkinson History Adkinson released his debut EP Disasterpiece in August 2004, his first venture as a solo singer/songwriter after many years playing drums in punk, rock, funk and progressive rock bands. Over time, Adkinson built a loyal following throughout the southern US, playing in college towns and opening for Lovedrug, Patterson Hood (Drive-by Truckers), Edwin McCain, Copeland and more. In 2007, Adkinson released his second EP, Bipolaroid moving away from the acoustic based pop of Disasterpiece and into electronic music with more progressive leanings. Shortly after the release of Bipolaroid, Adkinson embarked on a 180-date tour of the United States. In
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Rian Adkinson
History
2012, Adkinson began work on another EP, 1984 with producer/engineer Brandon Ham at Red Sparrow Studios in Wilson, North Carolina. The sessions heralded the tracks 'Say Something', 'Diamond Girl' and 'Even Now'. It was during this same period that Adkinson traveled to Charleston Sound Studios in Charleston, South Carolina to record a new batch of songs. These sessions provided Adkinson with the hit song 'Cutthroat', which was featured in PROG magazine. In 2013, with the success of 1984 and the Charleston sessions, Adkinson began work on what was to become his first full-length album, Villain with producer/engineer Brandon Ham. After 18 months
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Rian Adkinson
History
in the studio writing and recording, Adkinson released Villain independently on September 22, 2014. The album was well received and has sold over 10,000 copies as of April 2015. Adkinson is currently working on his new studio album Heathens with producer Brandon Ham (Set It Off (band), Sent by Ravens, Divided By Friday) once again, alongside engineer Chris Wenner (Toro y Moi, Say Brother, The Jackson Spells). In an interview released on Adkinson's Facebook page in June 2016, Adkinson confirmed that he was working with UK based production company Crystal Spotlight (Steven Wilson, Jethro Tull, Haken) on a music video for
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Rian Adkinson
History
Judas, the lead single from Heathens. Adkinson's second studio album Heathens is due for release in Spring 2017. A single, Judas, was released on Friday 13 January 2017.
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Robert C. Jackson
Biography & Career
Robert C. Jackson Biography Jackson graduated in 1986 from the University of Delaware with a BS degree in electrical engineering. As an elective during his senior year in college, Jackson took his first painting class. From 1986 to 1990 he worked at Motorola as a systems engineer and designed radio systems. He was an assistant pastor for Cedar Ridge Community Church in the Washington DC suburbs from 1990 to 1996. He has been working full-time as an artist since 1996. Jackson was the Evansville Museum of Arts, History and Science's 2012 artist-in-residence. Career Jackson's paintings are considered representational and influenced
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Robert C. Jackson
Career
by pop art. His usual medium is oil painting on stretched linen. He primarily works from life, setting up unique arrangements when possible in his studio before executing the paintings. His works contain themes of humor and nostalgia. A monograph about his work was published in 2012 by Philip Eliasoph: “The paintings ... are inescapably a bundle of contradictions, satirical complexities, and witty subterfuge. Essentially, Jackson is a uniquely self-realized painter. His feisty independence is fortified with healthy dosages of non-conforming eccentricity, with a small touch of screwball nuttiness.” His work has been shown in over 30 solo exhibitions and 100
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Robert C. Jackson
Career & Published works
group exhibitions in the United States and is in numerous private, corporate, and museum collections. Solo museum exhibits include the Evansville Museum of Arts, History and Science and the South Dakota Art Museum. Group exhibitions include the Delaware Art Museum, Philbrook Museum of Art, Hunter Museum, Greenville County Museum of Art, John F. Peto Studio Museum, Islip Art Museum, Noyes Museum of Art, and the Brandywine River Museum. Public collections include the Brandywine River Museum, New Britain Museum of American Art, Delaware Art Museum, Seven Bridges Foundation, South Dakota Art Museum, and the Evansville Museum of Arts, History and Science. Published works Behind
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Robert C. Jackson
Published works
the Easel: The Unique Voices of 20 Contemporary Representational Painters (2014) The book became the basis for the Delaware Art Museum exhibition “Truth & Vision: 21st Century Realism” in 2016.
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Robert R. Lawson
Life
Robert R. Lawson Robert R. Lawson (c. 1872 – November 24, 1934) was an American newspaper editor, lawyer and politician from New York. Life He was born about 1872 in Brooklyn, Kings County, New York. He was a special correspondent, reporter and editorial writer for several New York City newspapers for about fifteen years. Then he studied law, graduated LL.B. in 1905, and practiced law in Brooklyn. Lawson was a member of the New York State Senate (9th D.) from 1915 to 1918, sitting in the 138th, 139th, 140th and 141st New York State Legislatures. In September 1917, he ran in the
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Robert R. Lawson
Life
Republican primary election for Borough President of Brooklyn, but was defeated by the incumbent Lewis H. Pounds who subsequently was defeated for-re-election. In November 1918, Lawson ran for re-election to the State Senate but was defeated by Democrat Charles E. Russell. The Citizens Union said that "Senator Lawson has continued to demonstrate his unfitness for legislative office," and endorsed his Democratic opponent Russell. In September 1920, Lawson ran in the Republican primary for Secretary of State of New York but was defeated by John J. Lyons. Lawson died on November 24, 1934, at his home at 24 Woodbine Street in Brooklyn, after a
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Robert R. Lawson
Life
long illness.
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Roman Catholic Diocese of Pavia
History
Roman Catholic Diocese of Pavia History Pavia was the capital of the Lombard Kingdom of Italy (from 570), and of their successors, the Holy Roman Emperors as Kings of Italy. There was a royal palace in Pavia, which saw frequent visits from the Emperors. Pope Hormisdas (517–523) is said to have granted Bishop Ennodius and his successors as Bishops of Pavia the use of the pallium. This claim has, however, been challenged. Pope John VIII also granted the Bishops of Pavia the same privilege in a letter of 24 August 877. In the last week of June 743, Pope Zacharias (741–752) visited
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Roman Catholic Diocese of Pavia
History
Pavia and solemnly celebrated the Feast of S. Peter at the monastery of S. Pietro in Ciel d'oro. Bishop Joannes (II) (874–911 ?) signed the confirmation of the accession of Charles the Bald and took the oath of allegiance in February 876. Pope John VIII held a synod at Pavia in December 878, as he was returning to Rome from his trip to France. In 885, Pope Stephen V (885–891) granted the Bishop of Pavia the duchy of Comacchio. A synod met in Pavia in 889 to ratify the selection of Guido of Spoleto as King of Italy, and to swear feudal allegiance. A council
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Roman Catholic Diocese of Pavia
History
was held at Pavia in 933 to expel Bishop Ratherius of Verona from his diocese for three years, because of his opposition to Hugh of Arles, King of Italy. He was restored by a synod under orders from Pope John XII. On 2 April 987, Bishop Guido and the Canons of the Cathedral received a rebuke from Pope John XV because they had been harassing the monastery of S. Pietro in Ciel d'oro. In 997, Pope Gregory V (Bruno of Carinthia) held a synod in Pavia. He had been expelled from Rome shortly after the Coronation of the Emperor Otto III, his
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Roman Catholic Diocese of Pavia
History
cousin, who had procured his election to the papal throne, at the request of the Romans themselves. Shortly after his coronation, Otto condemned and expelled from Rome the former dictator of the City, Crescentius of Nomentum. As soon as Otto left the city, Crescentius returned and drove out Pope Gregory, who fled to Pavia. At the synod of Pavia, the rule against making agreements about a future pope during the lifetime of the present pope was reenacted, as were rules against simony. Crescentius was excommunicated, and, on the Pope's return to Rome, was beheaded in the Castel S. Angelo. On 15
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Roman Catholic Diocese of Pavia
History
April 1123, Pope Calixtus II confirmed all the privileges belonging to the Church of Pavia, and issued a ruling that, at Roman synods, the Bishop of Pavia should hold the first seat on the left of the pope, perpetualiter. Bishop Pietro Toscani (1148–1180) was deprived of his episcopal cross and his pallium by Pope Alexander III in 1175 or 1176, because of his support for the Antipope Victor IV and the excommunicated Frederick Barbarossa. Frederick continued to protect him, however, even though the city of Pavia joined the Lombard League. After the Lombard League triumphed over Frederick at the Battle of
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Roman Catholic Diocese of Pavia
History
Legnano, the Bishop's position became precarious. When Alexander reached an agreement with Frederick at their conference at Venice, Bishop Pietro was among those forgiven for their crimes. The Studium Generale (University) of Pavia was founded on 13 April 1361, by a diploma of the Emperor Charles IV, at the request of Galeazzo Visconti of Milan. The University Library was established in 1754 by order of the Empress Maria Theresa, who refounded the entire university, which had fallen into a long decadence. In 1867 the University had 926 students. On 15 February 1743, by an Apostolic Brief of Pope Benedict XIV, the diocese
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Roman Catholic Diocese of Pavia
History & Cathedral and Chapter
of Pavia was united with the metropolitan diocese of Amaseia (Hellespont, Turkey). Thereafter the Bishop of Pavia was also an Archbishop. Cathedral and Chapter The Cathedral Chapter, in 1571, consisted of four dignities (the Provost, the Archdeacon, the Archpriest, and the Cantor) and twelve Canons. On 29 February 1572, Bishop Ippolito Rossi (1564–1591), acting in accordance with the Bull In Eminenti of Pope Pius IV of 30 May 1571, suppressed the Collegiate Church of Santa Maria in Pertica in the city of Pavia, and transferred its Provost and seven Canons to the Cathedral Chapter. The title of the Provost of
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Roman Catholic Diocese of Pavia
Cathedral and Chapter
Santa Maria was changed to that of Dean of the Cathedral Chapter, which thereafter had five dignities and nineteen Canons. In 1672 there were five dignities and sixteen Canons. On 25 April 1577 Bishop Rossi also provided new regulations for the College of Chaplains in the Cathedral. That college was led by a Prior, Mansionarii, and a Curate. In 1110, Bishop Guido (1103–1118) granted the Cathedral Chapter of Pavia the right to the decima in the city of Pavia and for eight miles round about. This grant was confirmed by Bishop Petrus Spelta (1343–1356) on 4 November 1350. On 4 December 1341,
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Roman Catholic Diocese of Pavia
Cathedral and Chapter
Canon Mascarino Tacconi, Vicar General of Bishop Giovanni Fulgesi (1328–1342), issued Statutes for the Cathedral Chapter of Pavia. The Canons, however, became more and more lax, until the Franciscan Bishop Guilelmus (1386–1402) issued a warning on 12 January 1387 concerning certain duties which they were expected to perform, including the obligation to say Mass in the Cathedral; the Bishop's warning included penalties for failing to comply. On 7 March, the Chapter passed on the warnings to the Chaplains of the Cathedral, with extensive instructions. On 3 September 1484, the Cathedral Chapter on its own initiative compiled a new edition of the
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Roman Catholic Diocese of Pavia
Cathedral and Chapter & Diocesan synods
Statutes of the Cathedral Chapter. On 9 August 1507, Canon Vincenzo Beccaria, the Vicar General of the Bishop, Cardinal Francesco Alidosio (who was absent, serving as Papal Legate in Bologna), issued Statutes for the Canons and Chaplains of the Cathedral. The Canons themselves issued more specific regulations regarding residence and the performance of choir duties on 21 January 1518; these were confirmed on 6 February by Canon Girolamo della Porta, the Vicar General of Cardinal Antonio Ciocchi del Monte, who was not residential. Diocesan synods A meeting, sometimes called a synodus, was held in Pavia by the Emperor Louis II,
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Roman Catholic Diocese of Pavia
Diocesan synods
the son of Lothair I. It was also called the Conventus Ticinensis, and was presided over by Archbishop Angilbertus of Milan, the Patriarch Theodemar of Aquileia, and Bishop Joseph the Archchaplain. Twenty-four canons regarding ecclesiastical discipline were agreed upon, and five chapters concerning political matters. Immediately thereafter, the Emperor visited Rome, where he was crowned emperor by Pope Leo IV. He held two other meetings in Pavia, with the same high ecclesiastical vassals presiding, one in February 855 and the other in July 855. Bishop Guido Langasco (1295–1311) held a diocesan synod in 1297. A diocesan synod was held in the Cathedral
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Roman Catholic Diocese of Pavia
Diocesan synods
Chapter house in Pavia on 16 February 1317, during the Administratorship of Giovanni Beccaria, O.Min. (1320–1324), Latin Patriarch of Antioch (Syria). The Patriarch was not present, but was rather serving at the Papal Court in Avignon, dicto domino patriarcha administratore apud sedem apostolicam existente. The synod was therefore presided over by the Patriarch's two Vicars, the Archdeacon Bonifazio de Frascarolo, and Zonfredus de Castana, Canon of Monza. The decisions of the synod had mostly to do with legal matters, oaths, thieves, punishments, and with the collection of the decima. Bishop Giovanni Fulgesi (1328–1342) held another synod c. 1343, with exhortations
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Roman Catholic Diocese of Pavia
Diocesan synods
and regulations concerning the seven sacraments, burials, the preaching of indulgences, and the decima and clerical debtors. In 1518 a diocesan synod was held, though the Administrator of the diocese, Cardinal Antonio Maria Ciocchi del Monte (1511–1521) did not attend. He did send a letter of thanks to his Vicar, Giovanni Luchini Curzio, who presided and gave the opening address. Among other matters, the synod legislated on the sons of priests, the cohabitation of clerics and women, and clerical non-residence (the clergy of the Cathedral being exempted). A diocesan synod was held by Cardinal Ippolito Rossi (1564–1591) on 14
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Roman Catholic Diocese of Pavia
Diocesan synods
November 1566. On 19 July 1576, the Apostolic Visitor by the mandate of Pope Gregory XIII, Bishop Angelo Peruzzi, Auxiliary Bishop of Bologna and titular bishop of Caesarea, issued a set of decrees for the diocese of Pavia in thirty-eight chapters, on the same themes as appear regularly in diocesan statutes. These statutes, however, took account of the various decrees of the recently concluded Council of Trent. Bishop Peruzzi had previously conducted a visitation of the diocese of Modena to the satisfaction of the Pope, who then assigned him to do the same at Pavia, Piacenza, and Parma. Bishop Giovanni Battista
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Roman Catholic Diocese of Pavia
Diocesan synods
Biglia (1609–1617) held a synod in 1612. A synod was held by Bishop Francesco Biglia ((1648–1659) in 1652. Bishop Agostino Gaetano Riboldi (1877–1901) held a diocesan synod in Pavia on 10–12 September 1878, and had the decrees of the synod published. The diocese's 100 parishes are all located in the (civil) region Lombardy: 97 in the Province of Pavia and 2 in the Province of Milan. There is one priest for every 1291 Catholics.
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Roman Road (film)
Plot summary
Roman Road (film) Plot summary Vince is a writer who suddenly decides to visit his old college friend Matt (who knows more than a bit about map-reading) to join him on an expedition. They both set off to walk the Roman road from Chichester to London, but it doesn't take long for it to become apparent that they're being chased by a mystery man in a fast car. It seems Vince has something in his backpack that someone wants very badly indeed.
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Royal Military Academy, Woolwich
Origins in the Royal Arsenal
Royal Military Academy, Woolwich Origins in the Royal Arsenal An attempt had been made by the Board of Ordnance in 1720 to set up an academy within its Arsenal (then known as the Warren) to provide training and education for prospective officers of its new Regiment of Artillery and Corps of Engineers (both of which had been established there in 1716). A new building was being constructed in readiness for the Academy and funds had been secured, seemingly, through investment in the South Sea Company; but the latter's collapse led to plans for the Academy being placed on hold. After this
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Royal Military Academy, Woolwich
Origins in the Royal Arsenal
false start, the Academy was opened by authority of a Royal Warrant in 1741: it was intended, in the words of its first charter, to produce "good officers of Artillery and perfect Engineers". Its 'gentlemen cadets' initially ranged in age from 10 to 30. To begin with they were attached to the marching companies of the Royal Artillery, but in 1744 they were formed into their own company, forty in number (enlarged to forty-eight, two years later) overseen by a Captain-Lieutenant. To begin with the cadets were accommodated in lodgings in the town of Woolwich, but this arrangement was deemed
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Royal Military Academy, Woolwich
Origins in the Royal Arsenal
unsatisfactory (the cadets gained a reputation for riotousness) so in 1751 a Cadets' Barracks was built just within the south boundary wall of the Warren and the cadets had to adjust to a more strict military discipline. (The Cadets' Barracks was demolished in the 1980s for road widening.) Education in the Academy focused at first on mathematics and the scientific principles of gunnery and fortification; French was also taught, for a small fee. In addition to their theoretical studies, the cadets shared (with all ranks of the Artillery) in what was called 'the Practice' of gunnery, bridge building, magazine technique and
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Royal Military Academy, Woolwich
Origins in the Royal Arsenal
artillery work. While an Artillery officer attended each class to keep order, teaching in the Academy was provided by civilians: a First Master (later called Professor of Fortification and Gunnery), a Second Master (later Professor of Mathematics) and additional tutors in French, Arithmetic, Classics and Drawing. In 1764 the Royal Academy (as it had been known) had the word 'Military' added to its title, and at the same time a senior officer was appointed to serve as Lieutenant-Governor (de facto head of the institution). Moreover, the institution was split: younger cadets entered the Lower Academy, where they were taught reading,
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Royal Military Academy, Woolwich
Origins in the Royal Arsenal & Closure and aftermath
writing, arithmetic, Latin, French and drawing. If they performed well in examinations they were allowed to proceed to the Upper Academy, where they learned military skills and sciences (as well as fencing and dancing – required skills for prospective officers). Closure and aftermath Following the demise of the Board of Ordnance, Parliament had explored the possibility of a merger between the Royal Military Academy and the Royal Military College, Sandhurst (which only trained officers for the Infantry and Cavalry); although senior Army officers rejected the idea at the time it persisted into the twentieth century. Arguments in favour of a
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Royal Military Academy, Woolwich
Closure and aftermath
merger gained momentum in the 1920s when the specialist and scientific training which had been Woolwich's preserve began to be outsourced to other locations. In 1936 it was decided that the merger should take place; but the Second World War intervened and in 1939 both institutions closed as their cadets were called up for active service. The Royal Military Academy Woolwich closed in 1939 and in 1947 the Royal Military Academy Sandhurst was formed on the site of the former Royal Military College with the objective of providing officer training for all arms and services. Thereafter, the old Academy site became part
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Royal Military Academy, Woolwich
Closure and aftermath & Sale and redevelopment
of Woolwich Garrison, housing troops of various types in the years that followed. The central block was taken over by the Royal Artillery Institution and housed a museum, archives and offices. The chapel (commissioned in 1902 by Commandant Richard Henry Jelf, commemorated by a brass plaque in the chapel) became the Garrison Church (replacing the bombed out Garrison Church of St George). In this way the old Academy continued in military use through the 20th century, but with the number of personnel based in Woolwich having steadily decreased, the site was in 2002 declared surplus to requirements. Sale and redevelopment
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Royal Military Academy, Woolwich
Sale and redevelopment & Education and training
Durkan Group bought the Woolwich site by public tender in 2006 and redevelopment started in 2008. The Woolwich buildings, several of which are grade II listed, are now being converted and extended into 334 houses and apartments, including 150 for a housing association. In 2017 the scaffolding around the main facade has been removed and refurbishment is nearing completion. Since 2013 the RMA cricket field, one of the oldest in the UK, is being used again by the 3rd and 4th team of Blackheath Cricket Club. Education and training Until 1870 prospective officers in the British Army had for the most
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Royal Military Academy, Woolwich
Education and training & Architecture & Slang
part to purchase their commissions, and education or training was not seen as a requirement for the rôle. The Board of Ordnance's establishment of a Military Academy represented a very different approach, whereby training and education were obligatory for aspiring officers of its corps, and promotion was offered according to merit (those with highest achievement in their exams being given the first choice of opportunities). Architecture The main Academy buildings are described by Historic England as "an outstanding example of Wyatt's Gothick style, and one of the most important pieces of military architecture in the country". Slang A phrase said
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Royal Military Academy, Woolwich
Slang
to have entered common parlance from the Academy is "talking shop" (meaning "to discuss subjects not understood by others"). The name of the cue game "snooker" (reputedly invented by a former cadet of the Academy) is said to derive from a slang term for newly arrived cadets: the French term "les neux", which was later corrupted into "snooks".
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Ruby, Wisconsin
Geography & History
Ruby, Wisconsin Geography The town of Ruby is 6 miles (10 km) wide and 9 miles (14 km) from north to south. It occupies the northeast corner of Chippewa County and is bordered by Rusk County to the north and Taylor County to the east. According to the United States Census Bureau, the town has a total area of 53.6 square miles (138.9 km²), of which 53.4 square miles (138.4 km²) is land and 0.2 square miles (0.5 km²), or 0.34%, is water. History The area that would become Ruby was first surveyed in 1852 by two crews working for the U.S. government. From September
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Ruby, Wisconsin
History
into October a crew marked all the section corners in the northern 6 miles (10 km) of the township, walking through the woods and slogging through the swamps on foot, measuring with chain and compass. When done, the deputy surveyor filed this general description: This Township contains, but little land fit for cultivation, considerable Tamarac swamp, and but little Grass land(?) in Hay meddow. The surface is level except in a few places, where it is uneven(?) not Hilley. None of it above 3rd rate. Timber Hemlock, Pine, Birch Sugar and Balsom. The Pine on and near Fisher and Jump River is
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Ruby, Wisconsin
History
of the best quallity and in Considerable quantity. Fisher River Enters the Township in section 25 and keeps a westerly direction across the Township, leaving it on section 18. The stream has a rapid current and Rockey bed. Jump River Enter on sec 5 and leaves on section 6. Rapid Rocky Stream. Some good Pine on its Banks. Ruby was named for the only daughter of E. L. Hawn, who arrived in 1902 and founded the Ruby Lumber Company.
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Ryan Rhodes
Professional career
Ryan Rhodes Professional career Rhodes took up boxing at a young age, training at Brendan Ingle's gym in the Wincobank district of Sheffield. At the age of 20, he defeated another Sheffield boxer Paul "Silky" Jones with a technical knock out in the eighth round to become the youngest post-war holder of the British title. He went on to win the belt outright in a record time of 90 days with wins over Peter Waudby and Del Bryan. On 13 December 1997, Rhodes stepped up a weight division to middleweight to challenge the Canadian Otis Grant for the vacant WBO title
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Ryan Rhodes
Professional career
but was defeated by a unanimous decision. On 18 April 2008, Rhodes knocked out Gary Woolcombe 37 seconds into the 9th round to regain the British light middleweight title, 11 years after he first won it. He defended his title for the first time as the main event on the Hayemaker Promotions boxing show in Sheffield. His opponent was Jamie Coyle, whom he defeated by a unanimous decision. Since then he has defeated Vincent Vuma of South Africa to win the WBC International light middleweight title and in doing so obtained a ranking in the top ten in the world. Rhodes was due
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Ryan Rhodes
Professional career
to defend his British light middleweight title against the Londoner Anthony Small at the Echo Arena in Liverpool on 28 March 2008, but withdrew because of an illness during his training camp. He defeated Jamie Moore in the seventh round of their European title fight on 23 October 2009. He defended the title again on 21 May 2010 at home against the Italian Luca Messi, with a technical knock out in the sixth round. Rhodes lost his WBC light middleweight challenge bout against Canelo Álvarez with a technical knockout in the twelfth round on 18 June 2011 in Guadalajara, Mexico. Rhodes announced his
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Ryan Rhodes
Professional career
retirement from professional boxing on 4 September 2012.
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São Paulo Metro
History
São Paulo Metro History The Companhia do Metropolitano de São Paulo (Metrô) was founded on April 24, 1968. Eight months later, work on North-South line was initiated. In 1972, the first test train trip occurred between Jabaquara and Saúde stations. On September 14, 1974, the segment between Jabaquara and Vila Mariana entered into commercial operation. The first line, Norte/Sul (North/South), later renamed "Blue Line" or Line 1 - Blue, was opened on September 18, 1972, with an experimental operation between Saúde and Jabaquara stations. Commercial operations started on September 14, 1974, after an eight-year "gestation" period that began in 1966, under
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São Paulo Metro
History
Mayor Faria Lima's administration. Expansion of the metro system includes new lines. As of late 2004, construction began on a US$1 billion, 12.8 km (8.0 mi) all-underground line (Line 4 - Yellow), with eleven stations, aimed at transporting almost one million people per day. By 2004, Line 2 was also being expanded, with two new stations open in 2006 and another one in 2007. An 10.5-kilometre (6.5 mi) expansion of Line 5 was completed in 2018. As of May 2019, tickets cost R$4.30. In 2006, the São Paulo Metro system has started to use a smart card, called "Bilhete Único" (or "Single Ticket" in English).
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São Paulo Metro
Current operational data
Current operational data The metro system consists of six color-coded lines: Line 1 (Blue), Line 2 (Green), Line 3 (Red), Line 4 (Yellow), Line 5 (Lilac) and Line 15 (Silver), operating from Sunday to Saturday, from 4:40 AM to midnight (1:00 AM on Saturdays). Line 15 (Silver), is a high-capacity monorail. In 2016, the five lines operated by CMSP (Lines 1, 2, 3, 5 and 15) achieved an average weekday ridership of 4.3 million, and provided 1,107 billion rides over the course of 2016. The greatest number of passengers ever carried by the Metro on a single day is 4,916,659, which
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São Paulo Metro
Current operational data & Bus terminals
took place on November 14, 2013. During that year, the São Paulo Metro transported a total of more than 1,297 billion passengers. Bus terminals In May 1977, Metro assumed the administration and commercial utilization of the Inter-City Jabaquara Intermunicipal Terminal, and inaugurated, in May 1982, the modern Inter-city Tietê Bus Terminal, replacing the former Júlio Prestes Terminal. This agreement established that Metro would be in charge of the studies for the planning, implementation, and operation of passenger transportation in the municipal district of São Paulo, either directly or through third parties. Later, the other inter-city bus terminals were integrated into the system,
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São Paulo Metro
Bus terminals & Rolling stock
such as Bresser, in January 1988, and Palmeiras-Barra Funda, in December 1989. In January 1990 the inter-city bus terminals were outsourced by Metrô, which through public bidding, contracted Consortium Prima for the administration and commercial utilization of the 4 inter-city bus terminals of the city of São Paulo. This contract included the responsibility for maintenance and conservation of the existing installations, as well as of the expansion and modernisation of the terminals. Rolling stock The first cars started operating in 1974, the same year the company's commercial activities were initiated. This model was named Series 100, whose cars received the
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Rolling stock
numbers of 1001 to 1306 (51 trains of 6 cars each). They were designed in United States by the Budd Company, and the national rolling stock manufacturer Mafersa did the final assembly. The model was based off the Class A trains from the BART system, even using the same Westinghouse 1460 series chopper traction controls, and was to be used along the North-South line, now known as Line 1 - Blue. The initially they operated with two car trains with cars added as demand increased, up to a maximum of six cars. All of them have a pair of electric
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São Paulo Metro
Rolling stock
motors and a cab. Today, this stock is known by "A stock" and all operate in the full six car consists. The entire "A stock" was planned to be entirely phased out by the beginning of 2015, as the recent modernization processes saw them being converted into two different stocks: I and J. The last A stock train was withdrawn from service in February 2018. To reduce the manufacturing costs, the Cobrasma company decided to provide, for the East-West Line, now Line 3. Trains had cabs only and made use of more advanced ventilation and maintenance systems. This stock was known
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Rolling stock
by the name of "C". The batch of trains designed for this line were produced by two different national companies, Cobrasma and Mafersa (whose trains got named as "D"). The trains entered service between 1984 and 1986 on Line 3 and remained there for their entire service lives, although in their final years, some of the D stock trains were transferred to Line 1 where they ran with the older A stock trains. The only difference between the two is the front mask and some structural framework. Their original technical nomenclature was 300. According to it, the C stock was numbered
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Rolling stock
from 301 (C01) to 325 (C25), and the D stock had trains numbered from 326 (D26) to 347 (D47). The C stock trains were already refurbished as K stock and the D stock was refurbished and created the L cars. The refurbishment program for the entire stock of A, C and D trains was completed in 2018. Today the rolling stock of the São Paulo Metro consists of 11 stocks, 232 trains and 1,419 cars and it is divided as follows: E stock: Built by Alstom and entered service between 1998 and 1999. They currently operate on Lines 1 - Blue. F stock:
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Rolling stock
Alstom trains specially built for Line 5 - Lilac between 2001 and 2002. G stock: Also built by Alstom and entered service in 2008. They currently run on Lines 1 - Blue and 3 - Red. H stock: Streamlined CAF-built trains built in 2010 which operate exclusively on Line 3 - Red since 2014. I and J stock: Refurbished A stock trains which operate on Lines 1 - Blue and 2 - Green from 2011. They differ cosmetically as well as mechanically. I stock was rebuilt by Alstom and Siemens while J stock was rebuilt by Bombardier, Temoinsa, BTT and Tejofran. K stock:
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São Paulo Metro
Rolling stock & Security
Refurbished C stock trains rebuilt by a consortium consisting of T’trans, MTTrens, MPE and Temoinsa. They operate on Line 3 - Red just like the original trains. L stock: D stock refurbished by Alstom and IESA and operates on Line 1 - Blue M stock: The Monorail stock built by Bombardier between 2013 and 2016 and operates on Line 15 - Silver. P stock: CAF-built trains from 2013 which run on Line 5 - Lilac alongside the former F stock. 400 series: Driverless trains built in 2009-2010 and 2016-2017 by Hyundai Rotem for Line 4 - Yellow Security Metro's security agents have police powers
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São Paulo Metro
Security
and in case of need they will provide assistance. All police matters that occur within the system are directed to the police station of the subway system, DELPOM (Delegacia de Polícia do Metropolitano de São Paulo), located at Palmeiras-Barra Funda station.
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Safidon
History
Safidon History . The area was first occupied by a Pre-Harappan Chalcolithic agricultural community, whose pottery has been recovered from a number of places near Safidon, including Hatt, Harigarh (Hattkeshawar), Anta, Morkhi, and Beri Khera. The area was irrigated during the reign of Firuz Shah Tughlaq (1351-1388) of the Tughlaq dynasty, who built a canal from the Yamuna which entered the district at Anta, and thence flowing through the present Jind tehsil from east to west in the line of the old Chutang nadi past the town of Safidon and Jind, reached up to Hisar. Firoz also made administrative changes, creating
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Safidon
History
a separate Iqta of Safidon and placed the entire area of the present district under its Mukta, Yalkhan, a trusted noble. He also changed the name of Safidon to Tughluqpur. After Firoz's death, discord disrupted the Delhi Sultanate, and the Tughlaq dynasty lost Safidon and Jind. Timur attacked northern India in 1398, entering Haryana from Punjab. The district of Jind did not suffer much at his hands; during his march from Kaithal to Panipat he touched only the outskirts of the district except for a short distance of a few kilometres from Muana (the biggest village of district)to Safidon and a
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Safidon
History
little beyond. While local inhabitants fled, the fort of Safidon was burned. Gajpat Singh, a great-grandson of Phul, the founder of the Phulkian Misl, one of the 12 confederacies of the Sikhs in the 18th century took advantage of the above situation. He took part in the attack of the Sikhs on the province of Sirhind in 1763 in which Zain Khan, the Afghan governor of the province, was killed. Gajpat Singh occupied a large tract of the country including Jind and Safidon as his share of the spoil. Safidon is the basically the land of Jat Sikh people . After Partition
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Safidon
History
of India in 1947, several Jat Sikhs settle down in Safidon city and nearby villages. Major clans of them are : Virk, Dhaliwal, Chahal, Maan, Sandhu, Cheema, Dhillon, Randhawa, Sahi, Kahlon, etc. Mostly migrations were from the districts of Gujranwala, Sheikhupura, Multan, Bhawalnagar and Jhang (now in modern Pakistan). During the reorganization of the Punjab in 1966, the Sangrur district was divided and Jind and Narwana Tehsils were allocated to Haryana and were constituted into Jind district. The Jind tehsil was divided into two tehsils of Jind and Safidon in 1967. In January 1973, five villages of Kaithal Tehsil were transferred