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{"datasets_id": 160942, "wiki_id": "Q2743846", "sp": 12, "sc": 0, "ep": 14, "ec": 547} | 160,942 | Q2743846 | 12 | 0 | 14 | 547 | Phelios | Gameplay | Gameplay The player takes control of Apollo, who is mounted upon the back of his winged horse Pegasus; pressing the firing button makes his sword fire a tiny shot, while holding it down charges the sword up, and upon releasing the button the sword shoots a bigger fireball. Even the smallest enemies take multiple hits, so the standard shot is of little use - and each of the game's seven stages is divided into between two and four sections (the transition from one to another is indicated by a block of Japanese text appearing at the bottom of the screen |
{"datasets_id": 160942, "wiki_id": "Q2743846", "sp": 14, "sc": 547, "ep": 14, "ec": 1115} | 160,942 | Q2743846 | 14 | 547 | 14 | 1,115 | Phelios | Gameplay | and a change in music). At the end of every stage, Apollo must also defeat a boss character from Greek myth: Medusa, the Graeae, the Siren, Antaeus, Scylla (who has taken on the form of the "Crystal Brain" from the aforementioned Bakutotsu Kijūtei), Cerberus, and Typhon himself; once he has done so, he will proceed to the enchanted mirror at the back of the boss character temple, before the game segues into the next stage. Apollo can take up to four hits before dying (indicated by the "playing-cards" hearts at the bottom of the screen, and determined by how the |
{"datasets_id": 160942, "wiki_id": "Q2743846", "sp": 14, "sc": 1115, "ep": 14, "ec": 1675} | 160,942 | Q2743846 | 14 | 1,115 | 14 | 1,675 | Phelios | Gameplay | cabinet is set), but will die instantly if he flies into a wall or touches a boss's head - and this game also features voice samples (in Japanese for the original arcade and Japanese Mega Drive versions, but in English for the North American Genesis and European Mega Drive versions). And if the "rank select" option in the arcade version's option menu has been set to "on", players will also be able to select an "easy" or "hard" game mode, once they have inserted their coin; however, the "easy" mode only features the first four stages and does not feature |
{"datasets_id": 160942, "wiki_id": "Q2743846", "sp": 14, "sc": 1675, "ep": 14, "ec": 1730} | 160,942 | Q2743846 | 14 | 1,675 | 14 | 1,730 | Phelios | Gameplay | the game's complete ending sequence as a result of it. |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 2, "sc": 0, "ep": 6, "ec": 576} | 160,943 | Q721710 | 2 | 0 | 6 | 576 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Gameplay | Phoenix Wright: Ace Attorney − Trials and Tribulations Gameplay Trials and Tribulations is a visual novel adventure game in which the player takes the roles of Phoenix Wright and Mia Fey, defense attorneys who defend their clients in five different episodes. The gameplay remains unchanged from Justice for All, the previous title in the series.
From the start, only one episode is available to play; when the player completes an episode, a new one is unlocked. The episodes are divided into chapters, which consist of investigations and courtroom sessions. During investigation sections, the player aims to find evidence for use in |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 6, "sc": 576, "ep": 6, "ec": 1162} | 160,943 | Q721710 | 6 | 576 | 6 | 1,162 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Gameplay | the courtroom sessions; the game moves on to the next chapter within the episode when the player has gathered enough evidence. The player moves and performs actions through a menu with four options: "examine", which lets them move a cursor over the environment and examine items; "move", which shows a menu with locations the player can move to; talk, which shows a list of topics the player can discuss with witnesses in the area; and present, which lets the player show evidence or character profiles to a witness. Some witnesses do not want to discuss certain subjects, leading to a |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 6, "sc": 1162, "ep": 6, "ec": 1779} | 160,943 | Q721710 | 6 | 1,162 | 6 | 1,779 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Gameplay | lock symbol appearing over the subject. By showing the witness a magatama, the player is able to see the secret they are trying to hide in the form of locks, called a "Psyche-Lock"; by presenting correct evidence or character profiles, the player can break the locks and be able to discuss the subject.
During the courtroom sections, the player defends their client and cross-examines the witnesses. They can move back and forth between the statements in each testimony; if they find a contradiction between a statement and the evidence, they can point out the contradiction by presenting a relevant piece of |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 6, "sc": 1779, "ep": 6, "ec": 2381} | 160,943 | Q721710 | 6 | 1,779 | 6 | 2,381 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Gameplay | evidence or character profile. The player can also choose to question a statement, which sometimes leads to changes in the testimony. A life bar, representing the judge's patience, is shown in the upper right corner of the screen. If the player presents incorrect evidence or profiles, the bar will decrease; if it reaches zero, the player loses and their client is declared guilty. The bar will also decrease if the player makes mistakes while trying to break psyche-locks; however, the player can not lose while trying to break psyche-locks. 50% of the life bar gets restored when the player manages |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 6, "sc": 2381, "ep": 10, "ec": 519} | 160,943 | Q721710 | 6 | 2,381 | 10 | 519 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Gameplay & Characters | to break a psyche-lock, and it gets fully restored when the player completes an episode. Characters Similar to previous games, Trials and Tribulations focuses on the careers of defense attorneys Phoenix Wright and Mia Fey. Other featured characters include Maya Fey, Mia's sister and a spirit medium who acts as Phoenix's secretary and assistant, and her young cousin Pearl Fey. After Mia was killed during the events of Phoenix Wright: Ace Attorney; Phoenix took over her law practice. Nevertheless, he regularly consults with her on cases by having either Maya or Pearl channel her spirit, which allows them to assume |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 10, "sc": 519, "ep": 14, "ec": 312} | 160,943 | Q721710 | 10 | 519 | 14 | 312 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Characters & Story | her appearance. Phoenix also occasionally receives help from prosecutors Miles Edgeworth and Franziska von Karma, who both hold him in high regard. The game's featured antagonist is Godot, an eccentric, coffee-loving prosecutor who keeps his identity concealed behind a mask and who seems to harbor a personal grudge against Phoenix. Story Five years before the events of the game, Phoenix Wright, then a young university student, is charged with the murder of his classmate Doug Swallow. Mia, acting as his lawyer, exposes one of the prosecution's witnesses, Phoenix's girlfriend Dahlia Hawthorne, as the real murderer, revealing that she used Phoenix |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 14, "sc": 312, "ep": 14, "ec": 920} | 160,943 | Q721710 | 14 | 312 | 14 | 920 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Story | to hide evidence tying her to the poisoning case of Mia's former partner Diego Armando and then planned to kill him as well. For her efforts, Dahlia is arrested, convicted, and sentenced to death. Out of gratitude, Phoenix tells Mia that her defense of him inspired him to switch majors and to study to become an attorney.
Several years later, in the present, Phoenix, representing alleged thief Ron DeLite in court, faces off against rookie prosecutor, Godot. Though Phoenix is able to get Ron acquitted, he is subsequently arrested for the murder of his former boss Kane Bullard, based on evidence |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 14, "sc": 920, "ep": 14, "ec": 1556} | 160,943 | Q721710 | 14 | 920 | 14 | 1,556 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Story | Phoenix presented in his defense. At the very last second, he manages to identify Luke Atmey, a corrupt private investigator standing trial for theft, as the true culprit, having realized that Atmey framed Ron so he could use double jeopardy to escape punishment.
A few months later, Phoenix's reputation takes a hit when he fails to properly defend a former client, Maggey Byrde, against accusations that she poisoned a talented programmer, Glen Elg. Convinced that someone impersonated him, Phoenix secures a retrial and conducts his own investigation. He discovers that Elg was developing a computer virus on behalf of loan |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 14, "sc": 1556, "ep": 14, "ec": 2144} | 160,943 | Q721710 | 14 | 1,556 | 14 | 2,144 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Story | shark Furio Tigre, and that Tigre, needing money to repay a large debt, killed him to steal it, then arranged for Maggey to take the fall by posing as Wright and give a very weak defense in court. With no conclusive evidence, Phoenix manages to get Tigre arrested by making him say something only the real killer would know.
The fourth case takes place during the beginning of the fifth, with an injured Phoenix reviewing Mia's first case six years earlier, in which she and Armando worked to defend death row inmate Terry Fawles, who was under suspicion of murdering policewoman |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 14, "sc": 2144, "ep": 14, "ec": 2759} | 160,943 | Q721710 | 14 | 2,144 | 14 | 2,759 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Story | Valerie Hawthorne during an escape attempt. Mia's persistence pays off when she learns the truth: years earlier, Terry, Valerie, and her younger sister Dahlia staged a kidnapping to steal a large jewel from her family. Dahlia then faked her death, leaving Terry to be convicted of murder based on Valerie's testimony. Terry had escaped in the hopes of learning the truth, but unbeknownst to him, Dahlia had already killed Valerie and planted the body in his car. Before judgement can be passed, Terry commits suicide by swallowing poison, forcing a mistrial and freeing Dahlia. After learning that Armando had been |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 14, "sc": 2759, "ep": 14, "ec": 3363} | 160,943 | Q721710 | 14 | 2,759 | 14 | 3,363 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Story | investigating her further, Dahlia also poisoned him and gave the bottle to Phoenix, ensuring that they would both cross paths with Mia.
In the fifth and final case, Phoenix is visiting a mountain retreat with Maya and Pearl when a fellow guest, Elise Deauxnim, is murdered. While looking for Maya, he falls into a river and becomes ill, forcing Edgeworth and Franziska to temporarily fill in as attorney and prosecutor to keep his client, a nun named Iris, from being found guilty. When Phoenix returns, he explains that Elise is really Maya's long-lost mother, Misty Fey, and that her death was |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 14, "sc": 3363, "ep": 14, "ec": 3948} | 160,943 | Q721710 | 14 | 3,363 | 14 | 3,948 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Story | the result of a plan engineered by her sister Morgan to kill Maya with the help of the now deceased Dahlia, who turns out to be Iris's twin. Through cross-examination, Phoenix reveals that not only is Dahlia impersonating Iris, she is using Maya's body to do so. With Mia's help, Dahlia is exorcised from Maya and Iris is declared innocent. Godot is revealed as the one responsible for killing Misty to protect Maya, leading to the discovery of his true identity: Diego Armando. Having spent many years blaming Phoenix for Mia's death, he sought revenge, but concedes that Phoenix has |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 14, "sc": 3948, "ep": 18, "ec": 263} | 160,943 | Q721710 | 14 | 3,948 | 18 | 263 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Story & Development | done more to continue her legacy than him. Iris also reveals that she posed as Dahlia while Phoenix was attending college to protect him, ended up falling in love with him, and that she regrets her failure to stop her sister from becoming a criminal. Reuniting with his friends, Phoenix celebrates finally being free of his past. Development Trials and Tribulations was written and directed by Shu Takumi, with art by Tatsuro Iwamoto and music by Noriyuki Iwadare. After development of the original Phoenix Wright: Ace Attorney was finished, Takumi's boss, Shinji Mikami, told him that they should make an |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 18, "sc": 263, "ep": 18, "ec": 833} | 160,943 | Q721710 | 18 | 263 | 18 | 833 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Development | Ace Attorney trilogy, with a grand finale in the third game's last case. As Takumi wanted the three first Ace Attorney games to be parts of a larger work, he avoided making a lot of changes: art for main characters such as Phoenix, Maya and Edgeworth was reused from the first game, to avoid having the previous games look outdated in comparison to newer games in the series; and no new gameplay mechanics were added for Trials and Tribulations, as Takumi was happy with the gameplay after having added the psyche-lock mechanic for Justice for All. He wanted the series |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 18, "sc": 833, "ep": 18, "ec": 1410} | 160,943 | Q721710 | 18 | 833 | 18 | 1,410 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Development | to end with Trials and Tribulations, as he had explored Phoenix's character fully and wanted to avoid the series becoming "a shadow of its former self", saying that he thinks it is important to know when to end a story.
Because the dialogue-integrated tutorial in the first game had been well received, it was considered a major point for future games in the series. In the first game, Takumi had Phoenix being guided through his first trial by the judge and Mia, and for the second game, he had Phoenix suffer from amnesia; when writing the third game, Takumi did not |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 18, "sc": 1410, "ep": 18, "ec": 1956} | 160,943 | Q721710 | 18 | 1,410 | 18 | 1,956 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Development | know what to do, as it would not seem credible if Phoenix had amnesia a second time. Eventually he came up with the idea of using a flashback to a case where Mia had just become an attorney; he developed this idea further, and ended up using flashbacks as a major theme for the game's story. He decided that he wanted to include a case where Mia faces off against Edgeworth back when he was a rookie prosecutor, but encountered a problem: both characters had previously been established as never having lost a single case. Trying to come up with |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 18, "sc": 1956, "ep": 18, "ec": 2494} | 160,943 | Q721710 | 18 | 1,956 | 18 | 2,494 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Development | a way for a case in the past to work with neither of them winning or losing, he came up with the story for Terry Fawles, who dies during the trial. The game's main theme was "not everything is always what it seems on the surface".
As Edgeworth had been a popular character ever since start of the series, Takumi found it difficult to come up with a way to bring him back without having him, a supposedly great prosecutor, always lose to Phoenix. While he was writing the story for the game's final case, he thought of the idea to |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 18, "sc": 2494, "ep": 18, "ec": 3080} | 160,943 | Q721710 | 18 | 2,494 | 18 | 3,080 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Development | have Edgeworth become a player character; he liked this idea so much that he immediately started to rewrite the case. In order to allow Edgeworth to be the player character, the first thing he did was to "get rid of" Phoenix by having him fall from a bridge into an icy river. He enjoyed writing from another character's perspective, who thought differently from Phoenix; he also used the case to explore the relationship between Edgeworth and Gumshoe. The third episode of the game, "Recipe for Turnabout", was originally intended as the fourth episode of Justice for All but had been |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 18, "sc": 3080, "ep": 22, "ec": 548} | 160,943 | Q721710 | 18 | 3,080 | 22 | 548 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Development & Hardware limitations and art direction | cut due to memory limitations. Hardware limitations and art direction The development team had troubles fitting the entire game on a single Game Boy Advance cartridge: while they had the same amount of memory available as when they made the first Ace Attorney game, Trials and Tribulations was 2.3 times as large content-wise. To accomplish this, they made use of "tricks and workarounds" they had figured out since working on the first game: for instance, they worked to create better structures for storing data efficiently, better compression of the graphical data, and good sounds that only use little data. Takumi |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 22, "sc": 548, "ep": 22, "ec": 1101} | 160,943 | Q721710 | 22 | 548 | 22 | 1,101 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Hardware limitations and art direction | found these constraints fun, as it was a chance to improve the team's abilities and a source of inspiration for doing as much as possible within the memory limitations. They still ended up having to cut or change several features: along with the art of the younger Mia, Phoenix and Edgeworth in the flashback episodes, they had planned to have new art assets for a younger Gumshoe, with his tie tied tightly and with only one hair spike, but had to settle for giving him a new coat. The character Oldbag from the first game was first cut, then included |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 22, "sc": 1101, "ep": 22, "ec": 1677} | 160,943 | Q721710 | 22 | 1,101 | 22 | 1,677 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Hardware limitations and art direction | as a cameo at the end when they realized that they had just enough space for her; Takumi wanted to have her wear a lei as she would have just come back from a Hawaii trip, but was unable to due to memory limitations. Due to miscalculations of the game asset size, they had to make the character Bikini shorter in order to save some memory.
After all text was written, the development team decided which scenes should have illustrations made for them; Takumi drew rough sketches of these. He also drew the storyboards for the episodes' openings. While episode openings |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 22, "sc": 1677, "ep": 22, "ec": 2245} | 160,943 | Q721710 | 22 | 1,677 | 22 | 2,245 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Hardware limitations and art direction | in previous Ace Attorney games consisted of series of illustrations, the development team decided to change to make use of a "more animated and dramatic presentation" in Trials and Tribulations: by using moving graphics on top of still images, they were still able to limit the amount of data used. The first opening they did was for episode 2; it used animation a lot, and was liked by the development team, inspiring Takumi to make even better openings for the rest of the episodes and leading the team to think of movie effects that could be used. For one opening, |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 22, "sc": 2245, "ep": 22, "ec": 2848} | 160,943 | Q721710 | 22 | 2,245 | 22 | 2,848 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Hardware limitations and art direction | they gave it a "vintage movie feel": by setting the color palette to monochrome, they were able to limit the color data.
The character Grossberg's design was changed for Trials and Tribulations, with his brown suit changed to a red one: this was because the Game Boy Advance system's screen made his previous design blend in too much with the brown courtroom. Iwamoto based the design of Godot on Rutger Hauer's role in Blade Runner. He was originally going to be depicted as drinking bourbon whiskey and smoking, as part of his "hard-boiled" image; when the development team realized that this |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 22, "sc": 2848, "ep": 26, "ec": 12} | 160,943 | Q721710 | 22 | 2,848 | 26 | 12 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Hardware limitations and art direction & Release | could have a bad influence on children, they made him drink coffee instead. As Takumi and Hideki Kamiya had joined Capcom around the same time and had desks near each other, Kamiya had asked Takumi for a voice role ever since the development of Justice for All; eventually, Takumi gave him the role of Godot. Takumi explained the role as a hard-boiled guy, so Kamiya decided to adapt the dialogue and shout "Objection, baby!". Takumi said that it was a good take, but that the in-game graphics just say "Objection!", so it could not be used. Release The game was |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 26, "sc": 12, "ep": 26, "ec": 577} | 160,943 | Q721710 | 26 | 12 | 26 | 577 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Release | originally released for the Game Boy Advance on January 23, 2004 in Japan; a Microsoft Windows version followed on March 31, 2006, also in Japan. A Nintendo DS version was released on August 23, 2007 in Japan, on October 23, 2007 in North America, and on October 3, 2008 in Europe. It was released for the Wii via WiiWare on February 23, 2010 in Japan, on May 10, 2010 in North America, and on May 21, 2010 in Europe.
A high-definition version of the first three Ace Attorney games, Ace Attorney: Phoenix Wright Trilogy HD, was released for iOS and Android |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 26, "sc": 577, "ep": 30, "ec": 65} | 160,943 | Q721710 | 26 | 577 | 30 | 65 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Release & Localization | in Japan on February 7, 2012, and for iOS in the West on May 30, 2013. Another collection of the first three games, Phoenix Wright: Ace Attorney Trilogy, was released for the Nintendo 3DS in Japan on April 17, 2014, in North America on December 9, 2014, and in Europe on December 11, 2014. It was also released for Nintendo Switch, PlayStation 4, and Xbox One on February 21, 2019 in Japan, and on April 9, 2019 internationally; a Microsoft Windows version was released internationally on the same date. Localization The localization of Trials and Tribulations was directed by Janet |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 30, "sc": 65, "ep": 30, "ec": 711} | 160,943 | Q721710 | 30 | 65 | 30 | 711 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Localization | Hsu, with editing help from fellow localization director Andrew Alfonso. They changed several character names for the localization: Dahlia Hawthorne's English name came from the X Japan album Dahlia (1996), which Hsu was listening to at the time of the localization, as well as the short story "Rappaccini's Daughter". Her nickname, Dollie, was a reference to an attempted fan translation of Trials and Tribulations, in which she was named Dolly. Among the initial ideas for Diego Armando's name were Joseph Cuppa, Xavier Barstucks, and William Havamug. Luke Atmey's catchphrase, rendered as "Zuvari" (ズヴァリ) in the Japanese version, was going to |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 30, "sc": 711, "ep": 30, "ec": 1334} | 160,943 | Q721710 | 30 | 711 | 30 | 1,334 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Localization | be changed to "Schwing!" at one point; Hsu eventually changed it to "Zvarri!", as she found it "catchy and eccentric like Atmey himself". Because Alfonso, who is from Canada, wanted to "show his Maple Pride", it was decided to make the judge's brother a Canadian.
The localization team faced some issues when localizing the character Jean Armstrong: in the Japanese version, he is portrayed as an okama character, which at the time of the game's development was a general word for effeminate men, often implying homosexuality, but also used for biologically male persons who do drag or speak like women, regardless |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 30, "sc": 1334, "ep": 30, "ec": 1904} | 160,943 | Q721710 | 30 | 1,334 | 30 | 1,904 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Localization | of their sexuality and gender, and even including trans women. Because of this, they only had a vague concept of "gay", and had to make it understandable for English-speaking players. Hsu looked through all information that is given about Jean in the game, and came to the conclusion that he is a gay cis man who likes to perform non-passing drag. Looking back at the game in 2014, Hsu said that she still thought Jean caused confusion due to the general public having a less informed and nuanced understanding of gender and sexuality at the time of the game's release. |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 32, "sc": 0, "ep": 34, "ec": 591} | 160,943 | Q721710 | 32 | 0 | 34 | 591 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Wii version | Wii version Corbie Dillard at Nintendo Life criticized the Wii version for using resized graphics from the Nintendo DS version without doing any "touch-ups", resulting in a pixelated look. He also disliked the Wii Remote-based gameplay changes, saying that they were annoying for people who have already played the portable versions of the game. Lucas M. Thomas at IGN also found it disappointing how the graphics, audio and content had not been changed at all compared to the Nintendo DS release, saying that the visuals did not look attractive when resized to fit a larger screen; he concluded that it |
{"datasets_id": 160943, "wiki_id": "Q721710", "sp": 34, "sc": 591, "ep": 34, "ec": 826} | 160,943 | Q721710 | 34 | 591 | 34 | 826 | Phoenix Wright: Ace Attorney − Trials and Tribulations | Wii version | did not seem like the Wii version had been given "any extra love and attention at all". Marissa Meli at GameZone called it a "3/10 interpretation of a 9/10 title", saying that the pixelated graphics made the game look ugly and shoddy. |
{"datasets_id": 160944, "wiki_id": "Q2670872", "sp": 2, "sc": 0, "ep": 10, "ec": 112} | 160,944 | Q2670872 | 2 | 0 | 10 | 112 | Pinball, 1973 | Plot introduction & Plot summary | Pinball, 1973 Plot introduction Despite being an early work, Pinball shares many elements with Murakami's later novels. It describes itself in the text as "a novel about pinball," but also explores themes of loneliness and companionship, purposelessness, and destiny. As with the other books in the "Trilogy of the Rat" series, three of the characters include the protagonist, a nameless first-person narrator, his friend The Rat, and J, the owner of the bar where they often spend time. Plot summary The plot centers on the narrator's brief but intense obsession with pinball, his life as a freelance translator, |
{"datasets_id": 160944, "wiki_id": "Q2670872", "sp": 10, "sc": 112, "ep": 10, "ec": 709} | 160,944 | Q2670872 | 10 | 112 | 10 | 709 | Pinball, 1973 | Plot summary | and his later efforts to reunite with the old pinball machine that he used to play. He describes living with a pair of identical unnamed female twins, who mysteriously appear in his apartment one morning, and disappear at the end of the book. Interspersed with the narrative are his memories of the Japanese student movement, and of his old girlfriend Naoko, who hanged herself. The plot alternates between describing the life of narrator and that of his friend, The Rat. Many familiar elements from Murakami's later novels are present. Wells, which are mentioned often in Murakami's novels and |
{"datasets_id": 160944, "wiki_id": "Q2670872", "sp": 10, "sc": 709, "ep": 10, "ec": 1084} | 160,944 | Q2670872 | 10 | 709 | 10 | 1,084 | Pinball, 1973 | Plot summary | play a prominent role in The Wind-Up Bird Chronicle, occur several times in Pinball. There is also a brief discussion of the abuse of a cat, a plot element which recurs elsewhere in Murakami's fiction, especially Kafka on the Shore and The Wind-Up Bird Chronicle (in which the search for a missing cat is an important plotline). Rain and the sea are also prominent motifs. |
{"datasets_id": 160945, "wiki_id": "Q3099455", "sp": 2, "sc": 0, "ep": 6, "ec": 356} | 160,945 | Q3099455 | 2 | 0 | 6 | 356 | Planchón-Peteroa | September 6, 2010 eruption | Planchón-Peteroa September 6, 2010 eruption Planchón-Peteroa Volcano erupted on September 6 followed by a stronger eruption on September 18. On September 21, the volcano erupted once again emitting a dark gray plume of ash. As winds cause volcanic ash to blow southeast into Argentina, residents there were warned by authorities to evacuate the nearby areas before Planchón-Peteroa would erupt again. |
{"datasets_id": 160946, "wiki_id": "Q2672480", "sp": 2, "sc": 0, "ep": 14, "ec": 308} | 160,946 | Q2672480 | 2 | 0 | 14 | 308 | Pleasantville, Ohio | History & Geography & 2010 census | Pleasantville, Ohio History Pleasantville was laid out in 1828. A post office has been in operation at Pleasantville since 1828. Geography Pleasantville is located at 39°48′37″N 82°31′20″W (39.810168, -82.522348).
According to the United States Census Bureau, the village has a total area of 0.27 square miles (0.70 km²), all land. 2010 census As of the census of 2010, there were 960 people, 358 households, and 234 families residing in the village. The population density was 3,555.6 inhabitants per square mile (1,372.8/km²). There were 392 housing units at an average density of 1,451.9 per square mile (560.6/km²). The racial makeup of the village |
{"datasets_id": 160946, "wiki_id": "Q2672480", "sp": 14, "sc": 308, "ep": 14, "ec": 905} | 160,946 | Q2672480 | 14 | 308 | 14 | 905 | Pleasantville, Ohio | 2010 census | was 95.4% White, 0.1% African American, 0.5% Native American, 0.3% Asian, 0.5% Pacific Islander, 0.8% from other races, and 2.3% from two or more races. Hispanic or Latino of any race were 0.8% of the population.
There were 358 households of which 39.4% had children under the age of 18 living with them, 45.3% were married couples living together, 14.8% had a female householder with no husband present, 5.3% had a male householder with no wife present, and 34.6% were non-families. 29.3% of all households were made up of individuals and 10% had someone living alone who was 65 years of |
{"datasets_id": 160946, "wiki_id": "Q2672480", "sp": 14, "sc": 905, "ep": 18, "ec": 133} | 160,946 | Q2672480 | 14 | 905 | 18 | 133 | Pleasantville, Ohio | 2010 census & 2000 census | age or older. The average household size was 2.62 and the average family size was 3.29.
The median age in the village was 32.4 years. 29.9% of residents were under the age of 18; 9.5% were between the ages of 18 and 24; 28.3% were from 25 to 44; 22.2% were from 45 to 64; and 10.2% were 65 years of age or older. The gender makeup of the village was 50.0% male and 50.0% female. 2000 census As of the census of 2000, there were 877 people, 310 households, and 235 families residing in the village. The population density was |
{"datasets_id": 160946, "wiki_id": "Q2672480", "sp": 18, "sc": 133, "ep": 18, "ec": 757} | 160,946 | Q2672480 | 18 | 133 | 18 | 757 | Pleasantville, Ohio | 2000 census | 3,155.5 people per square mile (1,209.3/km²). There were 332 housing units at an average density of 1,194.5 per square mile (457.8/km²). The racial makeup of the village was 97.61% White, 0.11% African American, 0.34% Native American, 0.57% Asian, 0.11% from other races, and 1.25% from two or more races. Hispanic or Latino of any race were 0.57% of the population.
There were 310 households out of which 39.0% had children under the age of 18 living with them, 54.2% were married couples living together, 15.8% had a female householder with no husband present, and 23.9% were non-families. 20.3% of all households |
{"datasets_id": 160946, "wiki_id": "Q2672480", "sp": 18, "sc": 757, "ep": 18, "ec": 1287} | 160,946 | Q2672480 | 18 | 757 | 18 | 1,287 | Pleasantville, Ohio | 2000 census | were made up of individuals and 10.6% had someone living alone who was 65 years of age or older. The average household size was 2.80 and the average family size was 3.19.
In the village, the population was spread out with 29.8% under the age of 18, 9.0% from 18 to 24, 26.6% from 25 to 44, 20.6% from 45 to 64, and 14.0% who were 65 years of age or older. The median age was 34 years. For every 100 females there were 89.4 males. For every 100 females age 18 and over, there were 93.1 males.
The median income for |
{"datasets_id": 160946, "wiki_id": "Q2672480", "sp": 18, "sc": 1287, "ep": 18, "ec": 1645} | 160,946 | Q2672480 | 18 | 1,287 | 18 | 1,645 | Pleasantville, Ohio | 2000 census | a household in the village was $32,150, and the median income for a family was $34,375. Males had a median income of $26,842 versus $20,268 for females. The per capita income for the village was $12,631. About 10.8% of families and 11.3% of the population were below the poverty line, including 10.4% of those under age 18 and 12.5% of those age 65 or over. |
{"datasets_id": 160947, "wiki_id": "Q3398300", "sp": 2, "sc": 0, "ep": 4, "ec": 466} | 160,947 | Q3398300 | 2 | 0 | 4 | 466 | Port-Noir | Port-Noir Marina like harbor situated at the end of Quai Gustave-Ador and the beginning of the Quai de Cologny in Geneva, Switzerland.
Here you can see the statue La Brise (The Breeze) which was sculpted by Henry Koenig in 1939.
This is a location of historical and symbolic importance: it was here that on 1 June 1814 two Swiss contingents, Soleure and Fribourg, landed. This event led to the integration of Geneva into the Swiss confederation on 19 May 1815. |
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{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 2, "sc": 0, "ep": 6, "ec": 596} | 160,948 | Q7232527 | 2 | 0 | 6 | 596 | Portswood | History | Portswood History The Manor of Portswood, which originally included the modern-day Bevois Town, Swaythling, St Denys and Highfield, was first named in a charter dating from 1045. The name Portswood comes from the Old English Porteswuda, meaning "wood of the town".
The manor was granted to St. Denys Priory by Richard I in 1189, and it remained under their ownership until the Dissolution of the Monasteries by Henry VIII in 1536. The land, and the title Lord of the Manor, were purchased by Francis Dawtrey in 1538, and passed through several hands before being bought by Giles Stibbert in 1771. Stibbert, |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 6, "sc": 596, "ep": 6, "ec": 1212} | 160,948 | Q7232527 | 6 | 596 | 6 | 1,212 | Portswood | History | Lieutenant-General with the East India Company and later Commander-in-Chief of India, built the first Portswood House on the estate to the design of a Mr. Crunden.
The house, which stood in the area now bounded by Spring Crescent and Lawn Road, was demolished in 1852 to make way for more housing, and the name Portswood House transferred to the nearby Portswood Lodge. The estate was gradually sold for development, and the second Portswood House was demolished in 1923, allowing the whole estate to be sold by 1928.
In 1871 an attempt by the Southampton board of health to improve the local sewage |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 6, "sc": 1212, "ep": 10, "ec": 502} | 160,948 | Q7232527 | 6 | 1,212 | 10 | 502 | Portswood | History & Governance | system was opposed over concerns about higher taxes. Improvements were eventually begun in 1875. Governance Prior to 1894, Portswood was a tithing in the parish of South Stoneham, a parish more than ten times the size of Portswood Ward today, stretching as far as Eastleigh to the north. A parliamentary paper from 1837 indicates that the Village of Portswood consisted of about thirty houses at this time, and in the 1861 Census, the population of the entire tithing was placed at 3,546.
The Local Government Act 1894 divided South Stoneham into multiple parts, and Portswood became a civil parish in |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 10, "sc": 502, "ep": 14, "ec": 132} | 160,948 | Q7232527 | 10 | 502 | 14 | 132 | Portswood | Governance & Education | its own right. The population of Portswood civil parish was 10,038 in 1891, grew to 17,958 in 1901, and had reached 22,501 by 1911. Portswood parish at that time included parts of Bitterne and was approximately 1,037 acres (1.62 square miles) by comparison with today's 690 acres (1.08 square miles).
Today, Portswood is an electoral ward of the City of Southampton, and falls within the Southampton Test constituency of the UK Parliament. The ward elects three councillors to Southampton City Council. Education Portswood Ward includes the main Highfield Campus of the University of Southampton. The University's first presence in Highfield was |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 14, "sc": 132, "ep": 18, "ec": 136} | 160,948 | Q7232527 | 14 | 132 | 18 | 136 | Portswood | Education & Public services | in 1914, although the outbreak of the First World War meant the site became a military hospital and was not used for lectures until 1920.
The ward has three state-run primary schools; Portswood Primary School on Somerset Road, Highfield School on Hawthorn Road, and St Denys School on Dundee Road. There is also a small independent primary school, St Winifred's School, on Winn Road.
The nearest secondary schools are Cantell School in Bassett Green, and Bitterne Park School. Public services Portswood Library opened on 25 October 1915 despite a failed application for Carnegie funding in 1914 and the subsequent outbreak of the |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 18, "sc": 136, "ep": 22, "ec": 79} | 160,948 | Q7232527 | 18 | 136 | 22 | 79 | Portswood | Public services & Landmarks | First World War. Built immediately to the north of the old Palladium Cinema on Portswood Road, the building was designed by J A Crowther, the Borough Surveyor, on land acquired by Portswood councillor Sidney Kimber following the break-up of the Portswood House estate.
Portswood Police Station on St Denys Road, run by the Hampshire Constabulary, serves the local policing areas Banister Park & Bevois, Bassett, Highfield, St. Denys and Swaythling.
Portswood is served by the Hampshire Fire and Rescue Service and by the fire station in St Mary's. Landmarks The lodge to the original Portswood House was preserved after the demolition of |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 22, "sc": 79, "ep": 26, "ec": 53} | 160,948 | Q7232527 | 22 | 79 | 26 | 53 | Portswood | Landmarks & Culture | the house itself in 1852, and is now a Grade II listed building, standing at 324 Portswood Road.
Portswood once had two cinemas, both of which have since closed. While the Palladium Cinema (1913–1958) was converted into a supermarket and lost its distinctive facade, the old Broadway Cinema remains a prominent landmark. The cinema opened on 6 June 1930 with a showing of the film Rookery Nook and remained open for 33 years until 26 October 1963. After a period of time as a Mecca Bingo Hall, it is now a church. Culture Portswood has a dedicated live music venue—The Brook, |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 26, "sc": 53, "ep": 26, "ec": 643} | 160,948 | Q7232527 | 26 | 53 | 26 | 643 | Portswood | Culture | on Portswood Road. The Brook is a 600-capacity venue which has seen performances from established rock figures Midge Ure and Bill Wyman, as well as more contemporary outfits such as The Hoosiers and Mr. Scruff. The venue went into liquidation in May 2007, but it was put on the market for £900,000, and was saved in August that year.
There are a number of pubs in the area covering different tastes from sports bars, student-friendly pubs and real ale pubs. A popular student club in Portswood is Clowns and Jesters nightclub, located on the Bevois Valley Hill. Other local venues |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 26, "sc": 643, "ep": 26, "ec": 1279} | 160,948 | Q7232527 | 26 | 643 | 26 | 1,279 | Portswood | Culture | include The Hobbit pub, The Shooting Star, and Sobar.
Another hub of note is October Books, a bookseller run by a not-for-profit co-operative and based in Portswood's main high street. As well as mainstream publications, it also sells a range of Fairtrade and organic products, in addition to magazines and books focusing on environmental, political, social and vegan/vegetarian subjects. For these reasons, it is also a community focus for Southampton's left wing and alternative scenes and has regular seed swaps. Founded in 1977 on Onslow Road, it moved to its current address in 2003 and recently managed to raise £6,000 to |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 26, "sc": 1279, "ep": 30, "ec": 539} | 160,948 | Q7232527 | 26 | 1,279 | 30 | 539 | Portswood | Culture & Transport | cover the cost of its ongoing lease. Transport The nearest railway station is St Denys 0.8 miles away, which is on the London Waterloo to Weymouth mainline and the West Coastway Line. There are also regular bus services to the city centre and other parts of Southampton from Bluestar, Unilink and First Hampshire & Dorset.
From 1879 to 1949, Portswood was home to one of the two Southampton Corporation Tramways depots, and a tram service ran from the site on Portswood Road to Stag Gates, at the junction of the Avenue and Lodge Road. Many of the corporation's trams were built |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 30, "sc": 539, "ep": 34, "ec": 135} | 160,948 | Q7232527 | 30 | 539 | 34 | 135 | Portswood | Transport & Notable residents | in the depot during this time. It was converted to a bus depot in 1949, and was the head office of First Hampshire & Dorset. The site now belongs to Sainsburys Superstore, which opened in February 2012. The site includes a Customer Restaurant, Underground Parking, and Play Park as well as an enclosed delivery bay for the store. There is also space above for retail property or a library although this has yet to be finalised. Notable residents R. J. Mitchell, chief designer of the Supermarine Spitfire, lived at 2 Russell Place in Portswood during its development, and until his |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 34, "sc": 135, "ep": 34, "ec": 783} | 160,948 | Q7232527 | 34 | 135 | 34 | 783 | Portswood | Notable residents | death in 1937. In 2005, English Heritage commemorated Mitchell with a Blue Plaque at his former home.
According to a report in the Daily Echo, Coldplay drummer Will Champion used to live in Portswood, and used to attend a youth activities group at Highfield Church.
Captain Edward J. Smith, an English naval officer and ship's captain who commanded the RMS Titanic during her maiden voyage, lived in an imposing red brick, twin-gabled house known as "Woodhead" on Winn Road. The house no longer stands today and has been replaced with an apartment complex.
Broadcaster and naturalist, Chris Packham, lived in Portswood as a |
{"datasets_id": 160948, "wiki_id": "Q7232527", "sp": 34, "sc": 783, "ep": 34, "ec": 843} | 160,948 | Q7232527 | 34 | 783 | 34 | 843 | Portswood | Notable residents | child, according to his memoir, Fingers in the sparkle jar. |
{"datasets_id": 160949, "wiki_id": "Q7242576", "sp": 2, "sc": 0, "ep": 4, "ec": 329} | 160,949 | Q7242576 | 2 | 0 | 4 | 329 | Price Cutter Charity Championship | Price Cutter Charity Championship The Price Cutter Charity Championship presented by Dr Pepper is a regular golf tournament on the Korn Ferry Tour. It is played at the Highland Springs Country Club in Springfield, Missouri, United States. It is one of four original Tour events still played.
The 2017 purse was $675,000, with $121,500 going to the winner. |
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{"datasets_id": 160950, "wiki_id": "Q39406", "sp": 2, "sc": 0, "ep": 10, "ec": 39} | 160,950 | Q39406 | 2 | 0 | 10 | 39 | Progetto Calcio Sant'Elia | History & Colours and badge | Progetto Calcio Sant'Elia History The club was founded in 1998. After several years in the regional championships, in the 2010-11 season they won Eccellenza Sardinia and so were promoted to Serie D for the first time. In its first Serie D season, in 2011-12, the company avoided relegation against Monterotondo in the playoff (after finishing the season in fifteenth place). Progetto Calcio Sant'Elia has been relegated in the 2012-13 season to Eccellenza Sardinia.
The club bankrupt in 2015. Colours and badge The team's colours were blue and white. |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 2, "sc": 0, "ep": 6, "ec": 586} | 160,951 | Q78819 | 2 | 0 | 6 | 586 | Raimund Abraham | Early life and formal education | Raimund Abraham Early life and formal education Raimund Johann Abraham was born in 1933, in the town of Lienz, Tyrol in Austria, and he died on March 4, 2010, in Los Angeles, California. Throughout a 40-year career, Abraham created visionary projects and built works of architecture, in Europe and the United States. From 1952-1958, Abraham studied at the Technical University of Graz, and in 1959, he established a studio in Vienna, where he explored the depths and boundaries of architecture through building, drawing, and montage. Abraham's first book, the 1965 publication "Elementare Architektur" was made at a time of transition |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 6, "sc": 586, "ep": 10, "ec": 340} | 160,951 | Q78819 | 6 | 586 | 10 | 340 | Raimund Abraham | Early life and formal education & Architecture career | between architecture studies and practice. In this early volume on elemental structures, Abraham explores the built environment, absent aesthetic speculation, and determinations about design instead coming from the relative level of knowledge and also the desires of the builder. In 1964, Abraham emigrated to the United States. Architecture career Abraham was an influential architect in his native Austria and the New York avant-garde. Abraham's poetic architectural vision was influenced by the Viennese tradition to align architecture with sculpture, and also by the Austrian physicist and philosopher Ernst Mach. Abraham theorized architecture on a collision course with the needs of |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 10, "sc": 340, "ep": 10, "ec": 1011} | 160,951 | Q78819 | 10 | 340 | 10 | 1,011 | Raimund Abraham | Architecture career | humans, yet striving for coexistence, in a constant state of creative tension. Beginning in the late 1950s, his enigmatic architecture placed Abraham among the avant-garde, such as Hans Hollein, Walter Pichler and Günther Domenig. In 1958, Abraham collaborated with Friedrich St. Florian, placing 3rd in an international competition to design the Pan Arabian University of Saudi Arabia, and in 1959, placing 2nd, for the design of the Democratic Republic of the Congo Cultural Center in Léopoldville. Abraham criticized mainstream architecture's preoccupation with style, it's indifference to history, and the rigid definition of Modernism at that time. Abraham went on |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 10, "sc": 1011, "ep": 10, "ec": 1764} | 160,951 | Q78819 | 10 | 1,011 | 10 | 1,764 | Raimund Abraham | Architecture career | to influence generations of professional architects through architectural drawings, projects, and teaching.
A self-described incurable formalist, Abraham's notable built architecture includes House Dellacher (1963–67), in the Oberwart District of Burgenland, Austria, Public Housing Complex, (1968–69), and Experimental Kindergarten (1969-70) in Providence, Rhode Island. In 1973, Abraham was awarded the commission for Rainbow Plaza in Niagara Falls, New York, which he co-designed with Giuliano Fiorenzoli. The same year, Abraham was asked to transform the New Essex Market Courthouse building, located at 32 Second Avenue, New York City, for reuse as the Anthology Film Archives (1980–89), with collaborator-architects Kevin Bone and Joseph |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 10, "sc": 1764, "ep": 10, "ec": 2430} | 160,951 | Q78819 | 10 | 1,764 | 10 | 2,430 | Raimund Abraham | Architecture career | Levin. The portfolio Untitled marked the occasion.
In the mid-1980s, Abraham won the architecture competition to build a mixed-use residential and commercial complex, IBABERLIN, in
Friedrichstraße 32-33 (1985–88), a major street in central Berlin, which forms the core of the Friedrichstadt neighborhood. The area was originally constructed to extend the city center, during the first half of the 18th century, in the Baroque style, and after significant damage during World War II, and then partly rebuilt before the division of the Berlin Wall. Abraham explained the work as a tribute to "a city of memories, hope and despair. A City mutilated and |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 10, "sc": 2430, "ep": 10, "ec": 3186} | 160,951 | Q78819 | 10 | 2,430 | 10 | 3,186 | Raimund Abraham | Architecture career | fragmented by war, offended through reconstruction and isolated by political manipulations. Historical fragments remain, monuments of the past, elements for a new architectural beginning. New elements are suggested. First independent, then connected to form a dialectical topography of urban Architecture."
Abraham contributed the design for Traviatagasse (1987-1991), in Vienna, with Carl Pruscha. Other buildings designed by Abraham include Residential/Commercial Building (1990–93), in Graz, Austria; House Bernard (1985), Hypo-Bank and Hypo-House (1993–96), situated in the historic center of the small town of Tyrol, in Lienz, Austria. In later years, Abraham designed his own home in Mazunte, Mexico.
Among Abraham's many well known |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 10, "sc": 3186, "ep": 10, "ec": 3828} | 160,951 | Q78819 | 10 | 3,186 | 10 | 3,828 | Raimund Abraham | Architecture career | hypothetical projects is Seven Gates to Eden, a bold hand-drawn analysis of the suburban house, exhibited in the 1976 Venice Biennale, curated by Francesco Dal Co, and included in a 1981 show at the Yale School of Architecture, entitled Collisions, curated by New York architect George Ranalli. Abraham's City Of Twofold Vision, Cannaregio West, (1978–80), is sited in Cannaregio, the northernmost of the six historic districts of the historic city of Venice, Italy. Abraham also designed the Les Halles Redevelopment project (1980) for Paris, France, and Interior (2001), and his design for The New Acropolis Museum (2002) in Athens, Greece |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 10, "sc": 3828, "ep": 10, "ec": 4490} | 160,951 | Q78819 | 10 | 3,828 | 10 | 4,490 | Raimund Abraham | Architecture career | articulates new ideas about the contextualization of monuments. In 2002, Abraham contributed a poetic artistic response to New York's World Trade Center attack on September 11, 2001. Abraham's proposal is a poignant symbol to regain footing while envisioning a new future architecture for the City of New York.
Perhaps Abraham's best known work of architecture is the Austrian Cultural Forum New York (1993-02), at 11 East 52nd Street; a building ingeniously arranged onto a site only 25 feet wide. Architectural historian Kenneth Frampton as recognized the Austrian Cultural Forum as "the most significant modern piece of architecture to be realized in |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 10, "sc": 4490, "ep": 10, "ec": 5193} | 160,951 | Q78819 | 10 | 4,490 | 10 | 5,193 | Raimund Abraham | Architecture career | Manhattan since the Seagram Building and Guggenheim Museum in 1959." Another notable project, Musikerhaus or House for Musicians (1999), in Hombroich, near to Düsseldorf, Germany. The built atop a former NATO missile base. Abraham adapted the site for reuse as an artists' residence and exhibition gallery. Abraham's Musikerhaus was completed posthumously, under the supervision of Abraham's daughter Una, in 2013. In 2015, The German Architecture Museum (DAM) identified Abraham's Musikerhaus as a significant new building constructed in Germany.
Abraham was awarded a Stone Lion (1985), at the 3rd International Architecture Exhibition for "Progetto Venezia," an international competition |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 10, "sc": 5193, "ep": 10, "ec": 5888} | 160,951 | Q78819 | 10 | 5,193 | 10 | 5,888 | Raimund Abraham | Architecture career | sponsored by the Venice Biennale, under the directorship of Aldo Rossi. He also earned the Grand Prize of Architecture (1995), and Gold Medal of Honor (2005) for meritorious service to the Province of Vienna.
In 2011, Abraham was part of the ensemble cast in the film "Sleepless nights stories," which included Marina Abramovic, Thomas Boujut, Louise Bourgeois, Simon Bryant, Phong Bui, Pip Chodorov, Louis Garrel, Björk Gudmundsdottir, Flo Jacobs, Ken Jacobs, Harmony Korine, Lefty Korine, Rachel Korine-Simon, Kris Kucinskas, Hopi Lebel, Jean-Jacques Lebel, Diane Lewis, Jonas Lozoraitis, Adolfas Mekas, Oona Mekas, Sebastian Mekas, DoDo Jin Ming, Dalius Naujokaitis, Benn Northover, |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 10, "sc": 5888, "ep": 14, "ec": 296} | 160,951 | Q78819 | 10 | 5,888 | 14 | 296 | Raimund Abraham | Architecture career & Drawing architecture | Hans Ulrich Obrist, Yoko Ono, Nathalie Provosty, Carolee Schneeman, Patti Smith, and Lee Stringer. The March 22, 2015 premiere of Scenes from the Life of Raimund Abraham (2013), by film diarist Jonas Menkas, is a cinéma vérité style documentary of the lift of Raimund Abraham which carries its subject, the visionary architect, into the future. Drawing architecture Abraham's article entitled ''The Meaning of Place in Art and Architecture", published in 1983 refutes the opposition of Art and Architecture. Abraham is known for creating visionary architectural hand-drawings dominated by the elemental and archaic described in a few basic shapes. Throughout his |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 14, "sc": 296, "ep": 14, "ec": 956} | 160,951 | Q78819 | 14 | 296 | 14 | 956 | Raimund Abraham | Drawing architecture | career, Abraham asserted the autonomous, fundamental value of a drawing as a manifestation of architecture, stating, "The drawing is one of the tools we have available for the realization of an architectural idea." To Abraham, drawing was as much the work of the architect as building. Critics describe Abraham's drawings as architectural poetry on paper. Many of his visionary drawings are exhibited and collected as fine art.
During the 1960s and 70s, Abraham's interest in the typology of the house inspired masterful, visually compelling, imaginative architectural drawings, accompanied by evocative titles and texts, such as Glacier City, from |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 14, "sc": 956, "ep": 14, "ec": 1683} | 160,951 | Q78819 | 14 | 956 | 14 | 1,683 | Raimund Abraham | Drawing architecture | the Linear City Series Project, Sectional perspective (1964) - an invisible city, between walls, on either side of a wide valley; Universal City, project, Sectional perspective (1966); Earth-Cloud House, project (1970); and The House with Curtains Project, Perspective (1972), about which Abraham notes, in the accompanying poem entitled "Elements of the House," the opposing sensations and feelings, natural elements and cycles, and spatial components characterizing his subject,The House without Rooms, project, elevation and plan (1974). Abraham's drawn architecture explores human dwellings, the ritual of habitation, and the subjectivity of spatial conditions, especially interiority. Abraham's shadowy visions, such as |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 14, "sc": 1683, "ep": 14, "ec": 2410} | 160,951 | Q78819 | 14 | 1,683 | 14 | 2,410 | Raimund Abraham | Drawing architecture | Radar Cities, Terza Mostra d' Architettura, (1985); Jewish Museum Project, Judenplatz, Vienna, Austria Project, Exterior perspective (1997); and Metropolitan Core (2010) propose thoughtful architectural prototypes. The work is a prescient meditation on architectural scale, not only its relationship to the scale of the human body, but also the impact of scale upon multi-sensory perception and imagination.
Abraham explained the inspiration for Nine Projects for Venice (1979–80): "the absence of the mechanical scale of land-bound transportation, Venice, as no other City, has been able to retain a physiological morphology which has consistently reversed all known spatial principles of Cartesian origins." Abraham |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 14, "sc": 2410, "ep": 18, "ec": 105} | 160,951 | Q78819 | 14 | 2,410 | 18 | 105 | Raimund Abraham | Drawing architecture & Architecture education | populates the city of Venice with architectural inventions, such as Wall of Lost Journeys, House For Boats, Square of Solitude, and Tower of Wisdom. Abraham's drawn architecture is symbolic of the mythology for collisions and the potential of architectural expression. In the collection Reynolda House Museum of American Art, Abraham's Untitled (1982) drawing of a geometric structure set in a hilly landscape; along the edge is composed (from top to bottom) of an isometric view, a side elevation, and cross-section. Architecture education After arriving in the United States in the mid-1960s, Abraham taught at Rhode Island School of Design, in |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 18, "sc": 105, "ep": 18, "ec": 809} | 160,951 | Q78819 | 18 | 105 | 18 | 809 | Raimund Abraham | Architecture education | Providence, Rhode Island, and then for 31-years, he was a professor of architecture at the Cooper Union School of Art and Architecture, New York, N.Y., and adjunct faculty member at Pratt Institute, Brooklyn, New York. Abraham was also variously a visiting professor in architecture design at the Open Atelier of Design and Architecture (OADA) in New York City; Hines College of Architecture at the University of Houston, Texas; Yale School of Architecture and Environmental Studies; Harvard Graduate School of Design; Architectural Association School of Architecture, London; Southern California Institute of Architecture (SCI-Arc), Los Angeles, California; Technical Universities, Graz; and University |
{"datasets_id": 160951, "wiki_id": "Q78819", "sp": 18, "sc": 809, "ep": 22, "ec": 484} | 160,951 | Q78819 | 18 | 809 | 22 | 484 | Raimund Abraham | Architecture education & Exhibitions | of Strasbourg. Exhibitions The work of Raimund Abraham has been exhibited widely at museums and galleries worldwide, including Moderna Museet, Stockholm, Sweden; Museo Correr, Venice, Italy; Centre Pompidou, Paris, France; Pinacotheca, Athens, Greece; National Gallery (Berlin); Venice Biennale; German Architecture Museum, Frankfurt; Krinzinger Gallery, Innsbruck; Graham Foundation for Advanced Studies in the Fine Arts of Chicago, Illinois; and the Museum of Modern Art and Architectural League of New York. |
{"datasets_id": 160952, "wiki_id": "Q13114355", "sp": 2, "sc": 0, "ep": 6, "ec": 643} | 160,952 | Q13114355 | 2 | 0 | 6 | 643 | Raja Kesavadas | Early life | Raja Kesavadas Early life Raja Kesavadas was born as Kesava Pillai at a small hamlet called Kunnathur village Southern Travancore, in Kanyakumari district on March 17, 1745 in the erstwhile Kingdom of Travancore. Although he had little formal education, knowing his abilities in mathematics, Puthukkada Chettiyar, a wealthy merchant from Palliyadi, appointed Kesava Pillai as his accountant. Later he was appointed as the apprentice of Pokkumoosa Marickar, a leading merchant and exporter. Pokumoosa was very faithful to the Maharaja of Travancore, Karthika Thirunal Rama Varma and during a visit to his palace Kesava Pillai accompanied him. The maharaja was impressed |
{"datasets_id": 160952, "wiki_id": "Q13114355", "sp": 6, "sc": 643, "ep": 10, "ec": 549} | 160,952 | Q13114355 | 6 | 643 | 10 | 549 | Raja Kesavadas | Early life & In Royal Service | by the skills of Kesava Pillai and he was appointed to the Travancore palace. In Royal Service When Tippu Sultan of Mysore attacked Travancore, Kesava Pillai was the commandant of the state army. Travancore army fought against the Mysore force under the leadership of Kesava Pillai and Tippu was forced to retreat.
Recognizing his victory over the Mysore, the Karthika Thirunal Maharaja of Travancore appointed Kesava Pillai as Diwan of Travancore. He was glorified by the British Governor Mornington, by the title Raja in appreciation of his administrative talents. As Diwan, Raja Kesavadas was responsible for shifting the capital of |
{"datasets_id": 160952, "wiki_id": "Q13114355", "sp": 10, "sc": 549, "ep": 14, "ec": 441} | 160,952 | Q13114355 | 10 | 549 | 14 | 441 | Raja Kesavadas | In Royal Service & Later Years | Travancore from Padmanabhapuram to Thiruvananthapuram. Later Years His tenure of Diwan ended with demise of Dharma Raja Karthika Thirunal in 1798. Balarama Varma, his successor aged fourteen became the crown prince who was too young in the hands of Jayanthan Sankaran Nampoothiri. Raja Kesavadas was proclaimed as a traitor and kept under house arrest which helped Jayanthan Sankaran Nampoothiri to usurp the post of Diwan. Later his family assets were confiscated and was poisoned to death on 21 April 1799. |
{"datasets_id": 160953, "wiki_id": "Q3420667", "sp": 2, "sc": 0, "ep": 4, "ec": 650} | 160,953 | Q3420667 | 2 | 0 | 4 | 650 | Raymond Beazley | Raymond Beazley Sir Charles Raymond Beazley (3 April 1868 – 1 February 1955) was a British historian. He was Professor of History at the University of Birmingham from 1909-1933.
Born in Blackheath, he was the son of Rev. Joseph and Louisa Beazley. He was educated at St Paul's School, King's College London and Balliol College, Oxford. His academic career was as a Fellow of Merton College, Oxford, until his chair at Birmingham.
Associated with a pro-German tendency within the British political and intellectual establishment in the inter-war years, Beazley was a regular contributor to the Anglo-German Review, established in 1936. He subsequently |
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{"datasets_id": 160953, "wiki_id": "Q3420667", "sp": 4, "sc": 650, "ep": 4, "ec": 718} | 160,953 | Q3420667 | 4 | 650 | 4 | 718 | Raymond Beazley | sat on the National Council of the Link, a pro-German organisation. |
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{"datasets_id": 160954, "wiki_id": "Q973783", "sp": 2, "sc": 0, "ep": 6, "ec": 517} | 160,954 | Q973783 | 2 | 0 | 6 | 517 | Reg E. Cathey | Early life | Reg E. Cathey Early life Cathey was born in Huntsville, Alabama, to Red Cathey, an Army colonel, who fought in three wars (World War II, Korean War and Vietnam War) and his wife, who was a DOD worker and an educator. He had a sister, Donza. He spent his childhood with his family on a rural farm in West Germany before returning to Alabama at the age of 14. His interest in theater began at age 9, after attending a United Service Organization show in West Germany. Cathey graduated from J.O. Johnson High School, where he acted in plays such |
{"datasets_id": 160954, "wiki_id": "Q973783", "sp": 6, "sc": 517, "ep": 10, "ec": 458} | 160,954 | Q973783 | 6 | 517 | 10 | 458 | Reg E. Cathey | Early life & Career | as To Kill a Mockingbird. He subsequently studied theatre at the University of Michigan and the Yale School of Drama. Career One of Cathey's earliest roles was starring in the children's television show Square One. This was followed by guest roles in such series as Star Trek: The Next Generation and Homicide: Life on the Street. In 1994, he appeared in The Mask as Freeze, the main antagonist's friend and bodyguard who gets inadvertently killed by the title character. He also appeared in 1995's Se7en as the coroner. He played the villain Dirty Dee in the cult comedy film Pootie |
{"datasets_id": 160954, "wiki_id": "Q973783", "sp": 10, "sc": 458, "ep": 10, "ec": 1025} | 160,954 | Q973783 | 10 | 458 | 10 | 1,025 | Reg E. Cathey | Career | Tang and had a regular role on the HBO series The Wire as Norman Wilson during the fourth and fifth seasons. He also worked with The Wire creator David Simon on the Emmy Award-winning miniseries The Corner; Cathey played a drug addict known as Scalio. He had a recurring role on the HBO prison drama Oz as unit manager Martin Querns. In the film Tank Girl, he played the role of Deetee. He narrated Aftermath: Population Zero, a National Geographic Channel special which imagines what Earth might be like if humanity no longer existed. He played the homeless man Al, |
{"datasets_id": 160954, "wiki_id": "Q973783", "sp": 10, "sc": 1025, "ep": 10, "ec": 1668} | 160,954 | Q973783 | 10 | 1,025 | 10 | 1,668 | Reg E. Cathey | Career | murdered by Patrick Bateman, in the film American Psycho. He narrated TLC's Wonders of Weather, a TV series. On Between the Lions, he played King Ray in the story of "Rumpelstitlkstin" in the episode, "Hay Day".
In 2009, Cathey performed in The People Speak, a documentary feature film that uses dramatic and musical performances of the letters, diaries, and speeches of everyday Americans, based on historian Howard Zinn's A People's History of the United States.
In Fall 2009, Cathey played the role of Ellis Boyd "Red" Redding in a theatrical production of The Shawshank Redemption at Wyndham's Theatre, London. He has made |
{"datasets_id": 160954, "wiki_id": "Q973783", "sp": 10, "sc": 1668, "ep": 10, "ec": 2274} | 160,954 | Q973783 | 10 | 1,668 | 10 | 2,274 | Reg E. Cathey | Career | two guest appearances on Law & Order: Special Victims Unit, as an undercover police officer involved with animal smuggling (episode: "Wildlife") and later as a high-priced defense attorney to a hooker (episode: "Rhodium Nights"). He also made a guest appearance on Law & Order: Criminal Intent in the episode "Anti-Thesis" as a college professor suspected of murder. He also played boxing promoter Barry K. Word on the FX series Lights Out.
In 2013, Cathey began a recurring role as Freddy Hayes, the owner of Freddy's BBQ, in Netflix's original series House of Cards, as well as on Grimm, in the |
{"datasets_id": 160954, "wiki_id": "Q973783", "sp": 10, "sc": 2274, "ep": 10, "ec": 2871} | 160,954 | Q973783 | 10 | 2,274 | 10 | 2,871 | Reg E. Cathey | Career | recurring role of Baron Samedi. His portrayal of Hayes in the second, third, and fourth seasons of House of Cards earned three Emmy nominations and one win for Outstanding Guest Actor in a Drama Series.
Cathey had expressed a wish to appear in the Irish soap opera Fair City.
Cathey co-starred in Josh Trank's Fantastic Four (2015), as Dr. Franklin Storm, the father of The Invisible Woman and The Human Torch. He also played the county sheriff in the city of Rome, WV, in the Cinemax series Outcast. One of Cathey's final TV roles was portraying James Lucas in the Netflix series |
{"datasets_id": 160954, "wiki_id": "Q973783", "sp": 10, "sc": 2871, "ep": 14, "ec": 191} | 160,954 | Q973783 | 10 | 2,871 | 14 | 191 | Reg E. Cathey | Career & Death | Marvel's Luke Cage. Death Cathey died at his home in New York City on February 9, 2018, at the age of 59. He was reported to have had lung cancer. He was cremated, and his ashes were spread somewhere in New York City. |
{"datasets_id": 160955, "wiki_id": "Q3500514", "sp": 2, "sc": 0, "ep": 4, "ec": 587} | 160,955 | Q3500514 | 2 | 0 | 4 | 587 | Regalia of the Netherlands | Regalia of the Netherlands The regalia of the Netherlands consists of a number of items symbolising the Dutch monarch's authority and dignity. In comparison to many European monarchies' regalia, the Dutch regalia are relatively new: having been commissioned by King William II in 1840. An earlier, more modest set of regalia made of silver was commissioned by King William I in 1815.
Dutch monarchs are not and have never been crowned but are instead sworn-in and inaugurated in a ceremony at the Nieuwe Kerk in Amsterdam. The regalia (not including the royal mantle) are never bestowed upon or worn by the |
|
{"datasets_id": 160955, "wiki_id": "Q3500514", "sp": 4, "sc": 587, "ep": 8, "ec": 285} | 160,955 | Q3500514 | 4 | 587 | 8 | 285 | Regalia of the Netherlands | Usage | monarch. Instead, the crown, sceptre, and orb are placed on what is called a credence table during the ceremony while the sword and standard are carried by different officials.
A number of jewellery worn by the Dutch royal family are termed as the Crown Jewels and are not part of the regalia. Usage Dutch monarchs have never been physically crowned. During royal inaugurations, the crown, sceptre and orb are displayed on a table in the Nieuwe Kerk in Amsterdam, where the inaugurations take place. The Gonfalon of State and Sword of State are carried in the royal procession from Dam |
{"datasets_id": 160955, "wiki_id": "Q3500514", "sp": 8, "sc": 285, "ep": 8, "ec": 399} | 160,955 | Q3500514 | 8 | 285 | 8 | 399 | Regalia of the Netherlands | Usage | Palace to the Church and are held on either side of the royal dais in the Church during the swearing in ceremony. |
{"datasets_id": 160956, "wiki_id": "Q7321386", "sp": 2, "sc": 0, "ep": 10, "ec": 215} | 160,956 | Q7321386 | 2 | 0 | 10 | 215 | Rhondda (Assembly constituency) | Boundaries & Voting | Rhondda (Assembly constituency) Boundaries The constituency was created for the first election to the Assembly, in 1999, with the name and boundaries of the Rhondda Westminster constituency. It is entirely within the preserved county of Mid Glamorgan.
The other seven constituencies of the region are Cardiff Central, Cardiff North, Cardiff South and Penarth, Cardiff West, Cynon Valley, Pontypridd and Vale of Glamorgan. Voting In general elections for the National Assembly for Wales, each voter has two votes. The first vote may be used to vote for a candidate to become the Assembly Member for the voter's constituency, elected by the first |
{"datasets_id": 160956, "wiki_id": "Q7321386", "sp": 10, "sc": 215, "ep": 10, "ec": 467} | 160,956 | Q7321386 | 10 | 215 | 10 | 467 | Rhondda (Assembly constituency) | Voting | past the post system. The second vote may be used to vote for a regional closed party list of candidates. Additional member seats are allocated from the lists by the d'Hondt method, with constituency results being taken into account in the allocation. |
{"datasets_id": 160957, "wiki_id": "Q7321988", "sp": 2, "sc": 0, "ep": 4, "ec": 681} | 160,957 | Q7321988 | 2 | 0 | 4 | 681 | Rhythms NetConnections | Rhythms NetConnections Rhythms NetConnections Inc. (Former NASDAQ: RTHM) was in the business of providing broadband local-access communication services to large enterprises, telecommunications carriers and their internet service provider (ISP) affiliates and other ISPs. The company's services included a range of high-speed, always-on connections that were designed to offer customers both cost and performance advantages when accessing the Internet or private networks. The Company used multiple digital subscriber line (DSL) technologies to provide data transfer rates ranging from 128 kbit/s to 8.0 Mbit/s delivering data to the end user, and from 128 kbit/s to 1.5 Mbit/s receiving data from the end |
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{"datasets_id": 160957, "wiki_id": "Q7321988", "sp": 4, "sc": 681, "ep": 8, "ec": 266} | 160,957 | Q7321988 | 4 | 681 | 8 | 266 | Rhythms NetConnections | Legal Action | user. The company was delisted from NASDAQ in May 2001. On August 2, 2001, the Company and all of its wholly owned United States subsidiaries voluntarily filed for reorganization under Chapter 11 of the United States Bankruptcy Code. Also in August 2001, the Company sent 31-day service termination letters to all of its customers. Legal Action A protracted class action securities lawsuit against the officers and directors of Rhythms NetConnections was settled on April 3, 2009. Judge John K. Lane of the U.S. District Court for the District of Colorado gave his final approval to a $17.5 million settlement. |
{"datasets_id": 160957, "wiki_id": "Q7321988", "sp": 8, "sc": 266, "ep": 8, "ec": 894} | 160,957 | Q7321988 | 8 | 266 | 8 | 894 | Rhythms NetConnections | Legal Action | Judge Lane also awarded the plaintiffs' attorneys, Milberg LLP, Stull Stull & Brody and The Shuman Law Firm, 30% of the settlement fund and an additional $2.6 million in expenses from the fund.
A class of shareholders, who purchased shares in Rhythms NetConnections between Jan. 6, 2000, and April 2, 2001, brought the case. The lawsuit alleged that the officers and directors “knowingly or recklessly” made false statements about the company's subscriber line count, growth and financial condition in an effort to inflate its stock price.
At one time, Enron owned 5.4M shares of Rhythms NetConnections stock. |
{"datasets_id": 160958, "wiki_id": "Q7333002", "sp": 2, "sc": 0, "ep": 6, "ec": 541} | 160,958 | Q7333002 | 2 | 0 | 6 | 541 | Ridley, Kent | History | Ridley, Kent History Ridley is mentioned in the Domesday Book as Redlege and is also recorded elsewhere as Redlegh. The parish consisted of a single manor and a court leet and court baron were held for this manor, the court lodge (Ridley Court) being near the church.
In the 19th century the population of Ridley rose from 47 in 1801 to maximum of 101 in 1861, but then declined to 73 by 1921. In 1951 it had a population of 70. Between 1849 and 1880 there was a Church School at Ridley.
Even after parish councils were established in 1894 under |
{"datasets_id": 160958, "wiki_id": "Q7333002", "sp": 6, "sc": 541, "ep": 14, "ec": 211} | 160,958 | Q7333002 | 6 | 541 | 14 | 211 | Ridley, Kent | History & Local government & Church | the Local Government Act 1894, Ridley continued to be governed by its Parish Meeting.
The parish was united with Ash on 1 April 1955, as part of a general revision of boundaries for parishes within Dartford Rural District. Local government Hodsoll Street and Ridley is one of the four wards of Ash-cum-Ridley parish council. Hodsoll Street was previously part of Ash parish Church Ridley is within the ecclesiastical jurisdiction of the Diocese of Rochester. The church, which stands in the southern part of the parish, is dedicated to St. Peter. It is very small, having only one aisle and a |
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