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Produced by Carla Foust and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's note Minor punctuation errors have been corrected without notice. A few obvious typographical errors have been corrected, and they are listed at the end of this book. All other inconsistencies are as in the original. The author's spelling has been maintained. NARRATIVE OF RICHARD LEE MASON IN THE PIONEER WEST, 1819 Heartman's Historical Series No. 6 [Illustration: DR. RICHARD LEE MASON] NARRATIVE OF RICHARD LEE MASON IN THE PIONEER WEST 1819 One hundred and sixty copies printed for CHAS. FRED. HEARTMAN, New York City TO G. J. BARBER, Esq. this book is dedicated by Chas. Fred. Heartman Number____________of 150 copies printed on Fabriano hand-made paper. Also ten copies printed on Japan Vellum. In the late fall and early winter of the year 1819 Dr. Richard Lee Mason made a journey from Philadelphia to Illinois, through Pennsylvania, Ohio, Kentucky and Indiana. Some of his adventures were remarkable, and these, together with his observations on the country, the towns and the people whom he encountered, were recorded in a diary kept by him, which is now in the possession of his only surviving child, a daughter, who resides in Jacksonville, Ill. Dr. Mason was a remarkably intelligent observer, and his record of the people whom he encountered in Illinois more than three-quarters of a century ago, not to mention his notes of travel in other states, is unique and valuable. Richard Lee Mason, whose diary is being published in THE RECORD, was born in Port Tobacco, Md. In 1806 he was married to Mary Hodge Cochrane. Seven children were born to them, of whom five lived to maturity. Soon after his marriage he was graduated from the medical department of the University of Pennsylvania. For a time he did military service in the war of 1812, belonging to a cavalry company called "The White Horsemen." For this service he was awarded a large tract of bounty land near Alton, Ill. It was to locate and take possession of this land that the long journey from Philadelphia to St. Louis was taken. So pleased was Dr. Mason with his "promised land" and the west country, that he determined to send for his family and follow his profession in St. Louis. This he did, and he was held in high esteem, but he did not live long to enjoy the reunion with his family, and the appreciation of friends. The hardships of his trip and exposure to malarial atmosphere had impaired his health, and he died in 1824, having submitted gracefully to the heroic treatment of the day, which admitted of much bleeding and blistering. Dr. Mason was buried in a newly purchased masonic cemetery, some distance beyond the St. Louis city limits, in ground that is now Washington avenue, between Tenth and Eleventh streets. Subsequently this ground was found too wet for the purpose designed, and Dr. Mason's body was removed. It is of interest to know that he was the first mason interred with the honors of the order in the state of Missouri. His funeral was made the occasion of a grand procession, escorted by Capt. Archibald Gamble's troop of cavalry. * * * * * This record was published some twenty years ago in a newspaper from which this reprint is made Decoration Day, 1915. H. I.--PHILADELPHIA TO STEUBENVILLE Monday, Oct. 4, 1819.--Dr. Hall and myself left Philadelphia at 1 o'clock p. m. after taking an affectionate leave of friends and acquaintances. Fair and pleasant weather, and the roads very fine in consequence of a refreshing shower of rain which fell on the night previous to our setting out. After traveling twenty-two miles and passing some rich and well-cultivated farms we arrived at West Chester at 7 o'clock. West Chester contains about 600 inhabitants, several places of worship, a gaol, etc., etc. A man named Downey is confined in the gaol of this place for debt. He was once in affluence, but from misfortunes and some imprudence he became reduced in circumstances. During his confinement he determined to starve himself to death, and for seven days had refused nourishment of every description. Even the clergy waited on him and endeavored to dissuade him from his rash determination, offering him food of different kinds, but all without avail. He was able to stand. No doubt one or two more days will end his troubles. How long, O my country, will your cheeks continue to be crimsoned by the blush that must follow the plunging an innocent and unfortunate being, a debtor, in a dungeon, amongst murderers and cut-throats? Tuesday, Oct. 5.--Left West Chester at 7 o'clock a. m. Traveled a rough road. Passed some travelers on foot migrating to the west who were able to keep pace with us for a considerable distance. Breakfasted with an old Dutchman who, for unpolished manners and even a want of common politeness, surpassed in expectation even the wild men of Illinois. He had been a tavernkeeper for forty years. Roads rough. Lands tolerable, but so well farmed that the traveler is compelled in many places to admire them. Arrived in Strasburg at 6 o'clock p. m. Neat little village. Distance twenty-eight miles. Lodged at a private house near the village. Was treated with great civility. I was extremely sore and tired, riding on horseback. Saddlebags very heavy. A refreshing sleep fitted me for the labors of the next day. Wednesday, Oct. 6.--Left Mr. ---- at 6 o'clock a. m. The day pleasant. Roads rough. Traveled nine miles and arrived at Lancaster, a large and handsome inland town. Inhabitants principally German, very industrious and good farmers. Buildings chiefly brick. Considerable business done in this town. Left Lancaster, traveled ten miles and arrived at Columbia, situated on the bold Susquehanna, but placed without much taste or beauty. The bridge over the Susquehanna is the longest in the United States. It is placed on regular pillars for one and a quarter miles. Its beauty and strength reflect much credit on the designer and those who executed the work. Its erection has added much to the comfort and convenience of the public. Left Columbia 4 o'clock, and arrived at Little York at 6 o'clock p. m. Here the lands are rich, the inhabitants look healthy and appear happy and independent. The village is built with much taste and judgment and appears to be a place of business. No lands for sale for many years past in the neighborhood, but the supposed value about $200 per acre. The eyes of the traveler light on this part of the country with rapture. He would even venture to barter all his fair prospects in the west country, collected from travelers, for one of those beautiful farms to be seen every mile. Thursday, Oct. 7.--Left Little York 6 o'clock a. m., traveled twenty-nine miles and arrived at Gettysburg, a small village, at 5 o'clock p. m. The inhabitants very religious. Bad roads, owing to their making a new turnpike. Nineteen miles to be finished in six weeks. About 300 hands employed, principally Irishmen. Delightful weather for traveling. Friday, Oct. 8.--Left Gettysburg 5 o'clock a. m. Overtook and passed many travelers bound to the east and west. The lands only tolerable. Here we had the first view of the mountains, which present a romantic and novel scene to all who have never traveled out of the confines of large cities--or have never seen an object higher than a lamp-post or lower than a gutter. Traveled fifteen miles to breakfast on the top of the mountain. The landlord drunk, the fare bad and the house filled with company who had more the appearance of penitentiary society than gentlemen. Hard scuffle for breakfast. Ran an old hen down. "Moll" cut off the head with an ax. An old sow and a starved dog made a grab before the feathers were stripped. One got the head, the other the body. Then all hands were mustered to join in the chase, landlord and "Moll" with the broom, the hostler with his spade and all the boys with sticks and stones. In about ten minutes after hard fighting, the materials for breakfast were recovered, and in fifteen minutes the old hen made her appearance on the breakfast table, large as life. Bad appetite. Made a light breakfast and set out on our journey from the tavern at 10 o'clock a. m. Traveled over a rough, barren, mountainous and poor country to McDowell's, a distance of thirty-six miles. Every traveler must be astonished to find persons settled on a barren and mountainous country, whilst there are in the United States so many million acres of land of the first quality unoccupied and for sale at so low a rate that a day laborer can in one year with prudence lay up enough to purchase one quarter-section--160 acres. Saturday, Oct. 9.--Left McDowell's 7 o'clock a. m. Traveled over an extremely rugged, high and uneven range of mountains. The lands generally so poor not worth cultivating. Arrived at Dennis', on the old road, distance twenty-seven miles, near the Juniata. Breakfasted at Camel Town, a small village, one-half the houses taverns. Crossed the dreary and lofty mountains at 4 o'clock. This is called Sideling hill, where a Mr. McClennan was robbed on the 3d instant by the notorious villain and robber, D. Lewis, lately pardoned by Gov. Finley for forgery. McClennan had no arms, nor did he make the least resistance, yet one of Lewis' accomplices insisted on murdering him. He was robbed about 9 o'clock in the morning, and in sight of the house he breakfasted at. He was conducted to their camp, a little way from the road, threatened with death if he spoke. Although the stage passed full of passengers and several wagons in sight, he dared not give the alarm. After keeping him in a state of suspense for six hours and rifling his letters and pockets of a large sum of money, they left him. On the 8th instant they were taken at a little village fifty miles off, and a large amount of cash found on them--$2,800. The hardihood of this Lewis surpasses the boldness of most robbers of his day. When he and his two companions were found asleep they were handcuffed. One of the guards laid his pistol on the table, whilst Lewis was surrounded by twenty persons, and in a room. He knocked out the candle, seized the pistol, flashed at the nearest person, made his way through the crowd, outran them for fifty yards, and, when about to be overtaken, snapped a small pistol which he had concealed at his nearest pursuer. He knocked down the second with his handcuffs, then fell and was retaken. The poverty, barrenness, unevenness of this part of the country perhaps was never surpassed. But few homes on the road. Met a number of travelers and overtook some. About 4 o'clock it commenced raining. Unpleasant traveling. Wet to the skin. Arrived at the crossing at dark on the old road two miles from the turnpike. Tavern kept by Dennis. Bad house; high charges. Rainy night. Sunday, Oct. 10.--Left Dennis' 6 o'clock a. m. Breakfasted at a little village called Bloody Run. Great many travelers. Poor country. Reached Bedford at 2 o'clock. Whilst our horses were resting we walked to the celebrated springs, a distance of one and a half miles. These springs are romantically situated, gushing from the foot of a mountain. They are fitted up with great taste and beauty and offer to the wearied citizen a treat of retirement and enjoyment. Two of the houses are painted white. They are two stories high and 150 feet long. These springs are said to possess important medicinal properties. Arrived at Shellsburg at 6 o'clock, a distance of twenty-three miles. The road stony and unpleasant. Well entertained and the charge moderate. Monday, Oct. 11.--Left Shellsburg at 6 o'clock. Poor country, full of mountains. Crossed the lofty Allegheny. High ridges, deep valleys and steep precipices. Roads good for such steep mountains. Here one of the most sublime and beautiful scenes presented itself my eyes ever witnessed. After ascending the Allegheny nearly to the top, as far as human sight could reach, in every direction, there were chains of mountains, occasionally checkered by small farms and low bottoms, covered with forest trees. The cleared or cultivated land has lost the agreeable green, owing to the season, but we were amply compensated by the variety of color, the beautiful tints from the scarlet to the lighter shades, occasionally interspersed with evergreens, which were to be found on the sides of the mountains amongst the great variety of trees. Yellow, blue, green, orange, purple, black and all the shades between formed ornamental curtains to those cloudlike heights. Poets and painters would have envied us the sight. We continued our journey to the top of the mountains. Breakfasted at Stolter's. Arrived at Wray's log house at 6 o'clock, a distance of twenty-eight miles. Fare bad, charges high, pretty females with glowing faces. After resting and having supped, recollected that it was this day last week that we left home. Drew a long sigh for those left behind and almost involuntarily turned our heads to look for Philadelphia. Tuesday, Oct. 12.--Left Wray's log house at 6 o'clock a. m. Country poor and mountainous. Traveled thirty-five miles. Overtook some eastern and southern people, men, women and children, all travelling to Illinois. The roads a little improved, and the land a little better in quality. The towering mountains disappearing and hills substituted in their place. This being election day, passed a great many people on the road. All merry. Great contention between the Dutch and Irish. Arrived at a small village called... where the election was held. Saw a shocking fight, which ended in murder. A small man knocked down by his adversary and his intestines literally stamped out. I pressed through the crowd, and insisted on bleeding the unfortunate young man. Just as I was about to open a vein his senses returned. He begged I would not bleed him, as he had never been bled. I declined the operation. He died on the 14th instant. Left the election and arrived at a trifling village called Adams Town, where we overtook a number of travelers for the west. Left Adams Town 6 o'clock a. m., and arrived at Pittsburg at 11 o'clock, Hunters' tavern. In approaching this dirty hole I felt the height of disappointment. Pittsburg is situated in a valley surrounded by hills and mountains. It is placed a short distance above the junction of the Allegheny and Monongahela rivers, to form the Ohio, over which there are two neat and lengthy bridges, built on Wernwag's plan. In approaching Pittsburg the traveler would suppose the town was laid in ashes by fire. The surrounding heights, its low situation, the fogs from the rivers, together with the universal use of stone coal for fires, added to the smoke and dust from the large number of mills and manufactories, form a cloud which almost amounts to night, and overspreads Pittsburg with the appearance of gloom and melancholy. At this place we met a number of travelers, rich and poor, Gen. Miller and suite, straggling play actors, and others. Coal dust was well ground in until I might say with much truth that I did not see a white man or woman in the place. The more you wash, the blacker you get. I am confident that I carried some of this coal dust 1,000 miles in spite of my efforts to get rid of it. Convenient place for performing "Zanga" or "The Moor of Venice." Visited all the manufactories and curiosities of the place. Their glass manufactories seem to excel all others--a great treat to those who never saw a bottle blown. Pittsburg in appearance suggests the idea of Moscow smoking and in ruins. It is a town of considerable manufacturing importance. Its inhabitants deserve fortune and a more salubrious atmosphere to spend it in. Thursday, Oct. 14.--Remained this day at Hunters'. Had my good little horse shod. Careless smith pricked him and produced temporary lameness. Friday, Oct. 15.--Left Pittsburg at 7 o'clock. Traveled over a poor and hilly country for thirty-six miles. Passed a few travelers bound to Ohio. Remarkable fact: About eight miles from Steubenville passed out of Pennsylvania into Virginia, out of Virginia into Ohio in the short space of two hours. Crossed the Ohio river after night at Steubenville. Stopped at Jenkinson's, an intelligent, gentlemanly, hospitable man. Visited the market. Beef, good, 6-1/4 cents a pound. Saturday, Oct. 16.--I omitted to mention that we, on the mountains, fell in with Mr. Cooper of Philadelphia, who has been our companion for several days. We had to part with him today, which we did with much reluctance, as he proved a very agreeable companion. Rainy day, fatigued by the broken country, determined to spend this day in Steubenville, a busy little village on the bank of the Ohio. Purchased a plain Jersey wagon and harness for $60. II.--THROUGH OHIO AND KENTUCKY Sunday, Oct. 18.--Myself and friend proceeded on our journey. We arrived at Siers, a distance of thirty miles, at dusk, much relieved by the change from our horses to the wagon. The roads were muddy, the weather drizzly and the country hilly. Buildings indifferent. The land very fertile and black. Trees uncommonly tall. Passed the little village of Cadis. In this country a tavern, a store, a smith shop and two or three cabins make a town. Passed ten or fifteen travelers. Great contrast between the quality of the land from Chambersburg to Pittsburg, and that which we have already traveled over from Steubenville in Ohio. Monday, Oct. 19.--Left Siers at 6 o'clock a. m. The morning fair and cold. Roads extremely rough. Country fertile, but hilly. Log cabins, ugly women and tall timber. Passed a little flourishing village called Freeport, settled by foreigners. Yankee Quakers and mechanics. Remarkable, with two taverns in the village, there was nothing fit to drink, not even good water. The corn fields in the woods among dead trees and the corn very fine. We arrived at Adairs, a distance of twenty-seven miles, at 6 o'clock p. m. Passed some peddlers and a few travelers. Value of land from Steubenville to Adairs from $2 to $30 per acre. Lots in Freeport, eighteen months old, from $30 to $100. This day being Monday and the end of the second week since leaving home, our feelings were warm and our hearts beat high for those that are dear and behind us. Tuesday, Oct. 20.--Left Adairs at 6 o'clock a. m. The country extremely hilly and not quite so fertile. Independent people in log cabins. They make their own clothes, sugar and salt, and paint their own signs. They picture a lion like a dove, a cat like a terrapin, and Gen. Washington like a bird's nest. Salt wells and sugar orchards are common in this country. Steep hills, frightful precipices, little or no water, and even a scarcity of new whisky. Ragged and ignorant children and but little appearance of industry. Met a number of travelers inclining to the east, and overtook a larger number than usual bound to the land of promise. The evening being rainy, the roads soon became muddy. We arrived at Silver's Travelers' Rest at 6 o'clock. Distance twenty-nine miles. Passed a little village called Cambridge. Wednesday, Oct. 21.--Left Silver's at 7 o'clock and breakfasted at Zanesville, a very growing and flourishing village. It is situated on the Muskingum river, which is navigable for flat-bottomed boats. Zanesville is a lively and busy little town. There are several mills and manufactories in and at the place. Neat bridges and a canal cut at great labor and expense through a solid rock for a considerable distance, by which very important water power is gained. Left Zanesville and traveled twenty-three miles to a village called Somerset. The country very hilly and the lands not so fertile as those met with near Cadis. Rain continues. Roads extremely slippery. Met and overtook about sixty travelers, many on foot--Scotch, Irish, and Yankees. Oats, 25 cents; butter, 12-1/2 cents; brandy, 50 cents a half-pint; hay, $8 a ton. Thursday, Oct. 22.--Left Somerset at 7 o'clock a. m. Dull, drizzly weather. Deep roads. Horse lame in consequence of bad shoeing in Pittsburg. Heart a little heavy. Thought of home. Rallied again and arrived at a neat little town at the foot of a hill. It is called New Lancaster. Distance, eighteen miles. Stopped on the road for refreshment and found a Pennsylvania family whose kindness and hospitality deserve mention, as we had been denied water and sometimes other refreshments by the almost wild inhabitants west of Pittsburg to this place. Some brick houses and a few neat frame dwellings to be seen in the last two days' ride. Friday, Oct. 23--Left New Lancaster at 8 o'clock and arrived at Chillicothe, a distance of thirty-four miles. Passed some elegant farms and some neat dwellings. The people appear more polite and better educated. Chillicothe is situated on the Sciota, a stream navigable for flat-bottomed boats. The bridge over the Sciota is long, substantial and handsome. Chillicothe is a town of considerable business for its size. One of the branches of the United States bank is at this place. The bank was entered lately by a man named Harper, acting under the authority of the state, and a large amount of money was taken out. Harper and his attendants in gaol. Mob threatens to release them. Bank of the United States and all its branches are much abused by the inhabitants and some very impudent threats made. When the bank was entered by Harper no resistance was made by its officers. Passed Tarlton and Kingston, two inconsiderable villages. Saturday, Oct. 24.--Left Chillicothe at 7 o'clock a. m. Arrived at Sinking Springs, a little village, after traveling a distance of thirty-three miles. Passed over some rich bottoms, neat farms and very fertile prairies. A few poor ridges, part level, part mountainous. People look healthy, but are extremely impudent and lazy. Game is abundant deer, turkeys, partridges and squirrels. Sunday, Oct. 25.--Left Sinking Springs at 7 o'clock a. m. Traveled to West Union, a little village. Distance twenty-three miles. Lands of three qualities, broken, barren and mountainous. Miserable log huts. Inhabitants more polite and civil. Crossed Brush creek at the foot of a small mountain. At this place met some travelers, among them some Philadelphians. The inhabitants in this part of the country generally emigrants. Real Ohios, real savages in appearance and manners, destitute of every degree of politeness. Not uncommon for a man to follow three or four occupations. For example, John Noble follows both tailoring and saddlering. My barber is also a waiter on the table, assistant cook and hostler. In this town one man is a lawyer, a merchant and an apothecary. Monday, Oct. 26.--Left West Union at 10 o'clock a. m. My friend having business here, we lost one day. Traveled over a poor, hilly and mountainous country for seventeen miles and arrived at Limestone. Crossed the Ohio in a horse-boat and landed at Maysville, Ky., at 5 o'clock p. m., bidding a willing adieu to Ohio, not leaving behind a single individual whom we ever wished to see again. I must confess from the many favorable representations made of the habits, manners and state of society and quality of the lands in the state of Ohio, I was prepared to meet a different soil and a different people from those just left. Before I take a final leave of Ohio I must mention an occurrence that transpired a few days previous to our arrival in New Lancaster. Ten or fifteen friendly Indians were traveling from near New York to visit their red brethren in the west. They were poor, but peaceable and well behaved. When they were within about twenty-five miles of New Lancaster three of the Indians were unable to keep up with the leading party, a man, a young squaw and a child. Those unoffending and unfortunate people were waylaid by three monsters in human shape, ruffians belonging to the neighborhood. They lay hid until those three Indians got in a rake, and then fired upon them, intending to kill all at the same shot. The child and man escaped unhurt, but the unfortunate female had her thigh broken and received a ball in the abdomen. No hope was entertained of her recovery. The villains were taken and committed to prison. The only reason given by them for committing this extraordinary outrage was that during the war the Indians had murdered in battle some of their connections or relatives. Tuesday, Oct. 27.--Maysville is a growing little village, situated on the Ohio and reaching in a sou
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Produced by Roberta Staehlin, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) [Illustration] MISS ELLIS'S MISSION. BY MARY P. W. SMITH. BOSTON: AMERICAN UNITARIAN ASSOCIATION. 1886. _Copyright, 1886_, BY AMERICAN UNITARIAN ASSOCIATION. University Press: JOHN WILSON AND SON, CAMBRIDGE. TO POST-OFFICE MISSION WORKERS, WEST AND EAST, AND TO EARNEST PEOPLE EVERYWHERE. "_It was a very contemptible barley-loaf she had to offer, compared with your fine, white, wheaten cake of youth and riches and strength and learning; but remember she offered her best freely, willingly, faithfully; and when once a thing is offered, it is no longer the little barley-loaf in the lad's hand, but the miraculous satisfying Bread of Heaven in the hand of the Lord of the Harvest, more than sufficient for the hungry multitude._" * * * * * "_'And so there is an end of poor Miss Toosey and her Mission!'... Wait a bit! There is no waste in nature, science teaches us; neither is there any in grace, says faith. We cannot always see the results, but they are there as surely in grace as in nature._" MISS TOOSEY'S MISSION. MISS ELLIS'S MISSION. This little sketch of Miss Ellis's life and work owes its first suggestion to Rev. J. Ll. Jones, of Chicago, who soon after her death wrote: "Why not try for a little memorial of her, to be accompanied with some of the most touching and searching extracts from the letters both received and written by her, and make it into a little booklet for the instruction of Post Office Mission Workers?... Can you not make it something as touching as 'Miss Toosey,' and far more practical,--that is, for our own little household of faith?... We do not want it primarily as a missionary tool, but as a wee fragment of the spiritual history of the world,--something that will lift and touch the soul of everybody.... In short, give us an enlightened Miss Toosey; her mission being as much stronger as Sallie Ellis was more rational and mature than the original 'Miss Toosey'!" No one knowing Miss Ellis could read the touching little story of "Miss Toosey's Mission" without being struck by a resemblance in the characters, though a resemblance with a marked difference. As one said, "I never saw her going up the church aisle Sundays, with her audiphone, her little satchel, her bundle of books and papers, and her hymn-book, without thinking of Miss Toosey." In both lives a seemingly powerless and insignificant personality, through the force of a great yearning to do a bit of God's work in the world, achieved its longing far beyond its fondest dreams. As I read the many letters from all over the country that have come since Miss Ellis's death, as I realize how the spiritual force that burned in the soul of this small, feeble, seemingly helpless woman reached out afar and touched many lives for their enduring ennoblement, her life, so meagre and cramped in its outward aspect, so vivid and intense within and on paper, seems to me not without a touch of romance. To perpetuate a little longer the influence of that life is the object of this sketch. * * * * * SALLIE ELLIS was born in Cincinnati, March 13, 1835. The old-fashioned name Sallie, at that time popular in the South and West, was given her in honor of an aunt. She disliked sailing under the false colors of "Sarah." In letters she usually signed herself "S. Ellis," because, as she explained to one correspondent, "I do not know myself as _Sarah_, and Sallie is not dignified enough in writing to strangers; so I usually prefer plain S." Late in life, however, for reasons of dignity, she sometimes felt forced to adopt Sarah as what she called her "official signature." Her father, Mr. Rowland Ellis, was born in Boston, but while yet young removed to Cincinnati, where he still lives in a vigorous and honored old age. Although his mother, in all her later years at least, was a devoted attendant upon Theodore Parker's services, Mr. Ellis in early life was a Baptist. But when the Unitarian Church was founded at Cincinnati, in 1830, his name appears among the organizers, of whom he is almost the sole survivor. Of that church he has always been a devoted supporter and constant attendant. He was a leading banker of the West, and Sallie was born into one of the most elegant and luxurious homes in Cincinnati. The Ellises kept open house, exercised the most generous hospitality, and made, as one says who knew them well then, "such a beautiful use of their money. The Ellises were just the people who _ought_ to have money." Mrs. Ellis is described as a woman of unusual loveliness of character. Out of the eight children, Sallie was thought to be the mother's favorite, because, it was supposed, she was always puny, shy, and delicate. "Sallie shall always have what she wants," said the mother, "because she wants so little." But mothers _know_, and undoubtedly the mother saw deeper than others into the rare spiritual quality concealed from the world under her delicate child's quiet, reserved exterior. Her older sister remembers of Sallie's childhood: "As a very young child she exhibited strongly marked peculiarities of character. Her affection, conscientiousness, piety, and love of duty made her different from the rest of us as children. I remember well that at home or at school there were never any rebukes for Sallie. Though very social by nature, as young as at five and six years of age she loved to be alone, and would sit in the corner of her mother's room, with face turned to the corner, musing, and talking in a low tone to her doll. When our father and mother would take the children to entertainments of various descriptions, such as children enjoy, Sallie would invariably express her preference to remain at home. If she thought her parents wanted her to go, she went." For some years Sallie attended the private school of Mrs. Anne Ryland, an English Unitarian (a former parishioner, I think, of Rev. Laut Carpenter, and connected by marriage with Rev. Brooke Herford), a lady of noble character, and a teacher whose culture and methods were in advance of her age. In a volume of poetry presented Sallie by this teacher, is this inscription, whose old-fashioned quaintness of phrase pictures for us the Sallie Ellis of thirteen, then, as always, faithful to duty. "Mrs. Ryland has been much gratified by the general deportment of Miss Sallie Ellis since she has been under her charge. Miss Ellis has evinced an evident desire to please, by a strict observance of the rules of the school, and by assiduous and persevering attention to all her studies. She has made improvement in them all fully commensurate with her laudable endeavors, in Grammar, Geography, and Orthography particularly. It is with unfeigned regret that Mrs. Ryland has to add, to the foregoing expression of her approval of her dear pupil's conduct, the last word,--Farewell." Later, she attended the private school of Rev. William Silsbee, who says of her, "She was always studious and well-behaved, one of the most faithful of all my pupils." Mr. M. Hazen White, for so many years superintendent of the Unitarian Sunday school, was also one of her teachers. When seventeen, she was sent to Mrs. Charles Sedgwick's school, in Lenox, Mass. A schoolmate describes her then as a quite pretty, black-eyed girl, of delicate physique, a good and studious but not brilliant scholar, very quiet and retiring, and almost morbidly reserved. The few friends she made here, however, were life-long, and she corresponded with some of the Lenox schoolmates until her death. "She was a perfect dancer
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Produced by Annie R. McGuire [Illustration: HARPER'S YOUNG PEOPLE] * * * * * VOL. III.--NO. 133. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, May 16, 1882. Copyright, 1882, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration: PUSSY'S MUSIC LESSON.] THE SCARLET GLOW. BY PERCY EARL. "I wish I could take you both with me," said Mr. Hanway, as he kissed his children good-by, and stepped into the carriage that was to bear him up among the mountains on a visit to an old friend; "but Fletcher here will take good care of you, Amy, and I am sure neither of you will forget what I've told you about keeping away from the boats." Fletcher was ten and Amy eight, and the two, with their father, who was a widower, were stopping at a cozy little hotel on the shores of a lovely lake in Switzerland. It was only on very rare occasions that Mr. Hanway permitted himself to be separated from his children during their travels abroad, but as the hotel where they had now been staying for nearly a week was a very home-like one, and as he expected to be back in time for supper, he felt that he could safely leave them to amuse themselves for a few hours. Thus cast upon their own resources, the brother and sister read story-books and played in-door games until dinner-time. At the table were some American tourists just from the summit of the highest mountain in the place, and to their lively descriptions of the views to be had therefrom, and of the pretty nooks scattered all over it, both children listened with eager ears, and when one of the young ladies held up a bunch of "just the loveliest wild flowers" which she had gathered by the road-side, Amy whispered to her brother that she really must go a little way up that very afternoon. "But papa isn't here to take us," objected Fletcher, who longed to go as much as his sister, although he was old enough to understand that his father would not like to have them leave the hotel in his absence. "Papa didn't tell us we mustn't climb mountains--only boats," returned Amy, cunningly. "And, besides, didn't he say you could take care of me? and don't you think you can?" and the artful little tease looked up at her stout young brother with a most confiding air. Under these circumstances, what could Fletcher reply but that he was most certainly able to protect her, and that he would do so for a little way, a very little way, up the mountain, as they must be sure to be at the hotel when father came back. Greatly delighted at having gained her point, Amy ran off for her hat as soon as dessert was over, and having stuffed a paper of candy into her pretty little arm-basket, announced herself ready. And then the two set out, Fletcher, with his alpenstock, leading the way up through the town, on by the winding path through the woods, up, up, until the beautiful lake came into view below them. "Let's rest here a minute," proposed Fletcher. "This flat rock'll make a nice seat; and while we eat some candy, I'll teach you the names of the snow mountains over yonder." So the expedition halted while the captain pointed out what he _thought_ was Mont Blanc, the king of all the peaks; the beautiful Jungfrau, with its silver horn, and--But turning to see if Amy was looking in the right direction, Fletcher found her eyes closed, and her head just sinking to his shoulder. "Poor little thing, she's tired out. I'll let her have a short nap before we start down again." So, while Amy slept, her brother ate chocolate drops and studied the Alps. Now it would have been quite romantic and Babes-in-the-Woodsy if he too had been overcome with drowsiness, thus leaving them both lying there asleep on the mountain-side until an elf, giant, or some other rarely seen creature, came to wake them up and conduct them to a wonderful grotto, studded with diamonds and paved with pearls. But as this is not a fairy tale, nothing of the sort occurred, for Amy presently woke up of her own accord, and finding the basket empty, recollected what she had come for, upon which the two began searching for wild flowers. At first Fletcher rather affected to despise the occupation, but after they had gathered a few, he found them so pretty, and it grew to be so exciting to wonder where they would chance upon some more, that he speedily became as absorbed in the hunt as Amy herself, and both wandered over the mountain in every direction. At last the pretty little basket was filled to the top with still prettier contents, and at the same time Fletcher noticed that the sun was very near the tip of one of the snow mountains. "Come, Amy," he exclaimed, "we must hurry back, or papa'll be there before us;" and taking her by the hand, he set out for the path by which they had ascended. "But why can't we go down right here?" asked Amy. "It'll be such fun to go sort o' sliding down hill." "I guess we needn't slide," returned Fletcher, "for here's a kind of path we can take; so now hold on to me tight, and be careful not to slip;" and down the two started over the rough way, for the mountain-side was covered with stones, little and big, which the feet of the children sent rolling and crashing on ahead of them in quite a noisy fashion. With each advancing step the path grew fainter and fainter, until it finally disappeared entirely, and nothing was to be seen but trees and rocks and stones. "Shall we go back, Amy?" asked Fletcher, as they both came to a halt; and then he added: "But no, we haven't time; so we must keep on." "All right; but you don't think there are any snakes under these stones, do you, Flet?" Then they went on down again, but the way grew ever rougher and rougher, and the stones slipped from under their tired feet more and more frequently. "Oh dear! ain't we'most there?" half sobbed Amy, as she stubbed her toe against a rock in front of her, while a stone rolled down on her heel from behind. "I guess so. Shall I try to lift you over this place? See, there must have been a brook here in the spring;" and Fletcher pointed out a shallow ravine that crossed their path obliquely, and which was choked with stones and brush-wood. Without waiting for an answer, the kind-hearted boy threw his alpenstock across, and then picking Amy up in his arms, started over himself. He reached the opposite side in safety, and was about to step up to level ground again when his foot caught under a stone, and in trying to keep his sister from being harmed by his fall, he left no hand free with which to save himself. "Oh, Flet, are you hurt?" cried Amy, as she quickly scrambled to her feet. "Not much; only my ankle." But the "not much" proved to be a sprain serious enough to prevent his walking a step, and after attempting to do so once or twice, the brave little fellow was forced to fall back upon the rocks, with an expression of pain which he could not repress. And now the children's situation became quite a grave one. They were as yet, as well as they could judge, a mile or more above the town, the sun had already vanished behind the snowy peaks opposite, the autumn twilight was rapidly closing in, and, worse than all, Fletcher could not and Amy would not move. "How can I go away and leave you here?" she would say when urged to hurry back, so that father should not worry. "But I'm all right as long as I sit still," her brother would reply. "Besides, the sooner you go and tell them at the hotel, the quicker they can send somebody up for me." At length, convinced that under the circumstances this was the wisest thing to do, Amy set bravely out, but had not proceeded more than twenty feet before she came screaming back, declaring she had seen a snake, and that she could never, never go on through the dreadful woods alone. "Let me stay with you, Flet," she begged. "I'm sure when papa misses us he'll come right up here;" and her brother, seeing she had no doubts on this point, thought it best not to remind her that it was just as natural to suppose that he would look in a dozen other directions for them first. So the two sat together there on the mountain-side, watching the stars come out, and wondering if this was their punishment for being naughty. But presently Amy's eyelids grew heavy again, and leaning her head against Fletcher, she asked him to wake her "as soon as papa comes," when suddenly a reddish glare flashed forth out of the darkness beneath them; portions of mountain and lake appeared distinctly as by day, while trees and rocks and bushes stood revealed in startling vividness. "Oh, what is it, Flet?" cried Amy, hiding her face in terror. "Don't be afraid," he answered. "I guess it can't hurt us, whatever it is." Still the boy had dreadful visions of earthquakes and volcanoes, which he somehow imagined were much more common in Europe than in America. And now the red light had changed to green, this in turn to blue, then back to red again, and so on, until the brother and sister became completely mystified. On a sudden, while the red glare lit up everything around, there was a sound of rolling stones, a man's voice exclaimed, "Thank God for St. Jacques!" The next instant Mr. Hanway's strong arms were about both his children. "Oh, papa, I knew you'd come!" cried Amy, joyously. "But now you must put me down, and carry Flet, 'cause I was naughty, and he's hurt, and all from'sisting me." Then the situation was explained. Two young gentlemen from the hotel tenderly raised the helpless boy and carried him between them, and thus, the happy father still retaining his little girl, they started down the hill again, guided by the strange lights safely to the town. Fletcher soon recognized in his bearers two members of the party from the mountain-top that had been so enthusiastic at dinner, and they furthermore told him that it was at their suggestion that Mr. Hanway had first directed his steps to the hill-side, "for," said one,
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Produced by Colin Bell, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Transcriber's Note: Archaic, dialect and variant spellings (including quoted proper nouns) remain as printed, except where noted. Minor typographical errors have been corrected without note; significant amendments have been listed at the end of the text. Greek text has been transliterated and appears between {braces}. The oe ligature has been transcribed as [oe], _e.g._, Ph[oe]nician. THE ETHNOLOGY OF THE BRITISH ISLANDS. THE ETHNOLOGY OF THE BRITISH ISLANDS. BY R. G. LATHAM, M.D., F.R.S., CORRESPONDING MEMBER TO THE ETHNOLOGICAL SOCIETY, NEW YORK, ETC. [Device] LONDON: JOHN VAN VOORST, PATERNOSTER ROW. MDCCCLII. LONDON: PRINTED BY T. E. METCALF, 63, SNOW HILL. CONTENTS. CHAPTER I. PAGE Preliminary Remarks.--Present Populations of the British Isles.-- Romans, &c.--Pre-historic Period.--The Irish Elk.--How far Contemporaneous with Man.--Stone Period.--Modes of Sepulture.-- The Physical Condition of the Soil.--Its Fauna.--Skulls of the Stone Period.--The Bronze Period.--Gold Ornaments.--Alloys and Castings.--How far Native or Foreign.--Effect of the Introduction of Metals.--Dwellings. 1 CHAPTER II. Authorities for the Earliest Historical Period.--Herodotus.-- Aristotle.--Polybius.--Onomacritus.--Diodorus Siculus.--Strabo.-- Festus Avienus.--Ultimate sources.--Damnonii.--Ph[oe]nician Trade.--The Orgies.--South-Eastern Britons of Caesar.--The Details of his Attacks.--The Caledonians of Galgacus. 38 CHAPTER III. Origin of the Britons.--Kelts of Gaul.--The Belgae.--Whether Keltic or German.--Evidence of Caesar.--Attrebates, Belgae, Remi, Durotriges and Morini, Chauci and Menapii. 58 CHAPTER IV. The Picts.--List of Kings.--Penn Fahel.--Aber and Inver.--The Picts probably, but not certainly, Britons. 76 CHAPTER V. Origin of the Gaels
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Produced by Henry Gardiner and the Online Distributed Proofreading Team at http://www.pgdp.net * * * * * [Illustration: Part of the original title page.] * * * * * Transcriber's Note: The original publication has been replicated faithfully except as shown in the TRANSCRIBER'S AMENDMENTS near the end of the text. To preserve the alignment of tables and headers, this etext
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Produced by HTML version by Al Haines. The King of the Golden River by John Ruskin PREFACE "The King of the Golden River" is a delightful fairy tale told with all Ruskin's charm of style, his appreciation of mountain scenery, and with his usual insistence upon drawing a moral. None the less, it is quite unlike his other writings. All his life long his pen was busy interpreting nature and pictures and architecture, or persuading to better views those whom he believed to be in error, or arousing, with the white heat of a prophet's zeal, those whom he knew to be unawakened. There is indeed a good deal of the prophet about John Ruskin. Though essentially an interpreter with a singularly fine appreciation of beauty, no man of the nineteenth century felt more keenly that he had a mission, and none was more loyal to what he believed that mission to be. While still in college, what seemed a chance incident gave occasion and direction to this mission. A certain English reviewer had ridiculed the work of the artist Turner. Now Ruskin held Turner to be the greatest landscape painter the world had seen, and he immediately wrote a notable article in his defense. Slowly this article grew into a pamphlet, and the pamphlet into a book, the first volume of "Modern Painters." The young man awoke to find himself famous. In the next few years four more volumes were added to "Modern Painters," and the other notable series upon art, "The Stones of Venice" and "The Seven Lamps of Architecture," were sent forth. Then, in 1860, when Ruskin was about forty years old, there came a great change. His heaven-born genius for making the appreciation of beauty a common possession was deflected from its true field. He had been asking himself what are the conditions that produce great art, and the answer he found declared that art cannot be separated from life, nor life from industry and industrial conditions. A civilization founded upon unrestricted competition therefore seemed to him necessarily feeble in appreciation of the beautiful, and unequal to its creation. In this way loyalty to his mission bred apparent disloyalty. Delightful discourses upon art gave way to fervid pleas for humanity. For the rest of his life he became a very earnest, if not always very wise, social reformer and a passionate pleader for what he believed to be true economic ideals. There is nothing of all this in "The King of the Golden River." Unlike his other works, it was written merely to entertain. Scarcely that, since it was not written for publication at all, but to meet a challenge set him by a young girl. The circumstance is interesting. After taking his degree at Oxford, Ruskin was threatened with consumption and hurried away from the chill and damp of England to the south of Europe. After two years of fruitful travel and study he came back improved in health but not strong, and often depressed in spirit. It was at this time that the Guys, Scotch friends of his father and mother, came for a visit to his home near London, and with them their little daughter Euphemia. The coming of this beautiful, vivacious, light-hearted child opened a new chapter in Ruskin's life. Though but twelve years old, she sought to enliven the melancholy student, absorbed in art and geology, and bade him leave these and write for her a fairy tale. He accepted, and after but two sittings, presented her with this charming story. The incident proved to have awakened in him a greater interest than at first appeared, for a few years later "Effie" Grey became John Ruskin's wife. Meantime she had given the manuscript to a friend. Nine years after it was written, this friend, with John Ruskin's permission, gave the story to the world. It was published in London in 1851, with illustrations by the celebrated Richard Doyle, and at once became a favorite. Three editions were printed the first year, and soon it had found its way into German, Italian, and Welsh. Since then countless children have had cause to be grateful for the young girl's challenge that won the story of Gluck's golden mug and the highly satisfactory handling of the Black Brothers by Southwest Wind, Esquire. For this edition new drawings have been prepared by Mr. Hiram P. Barnes. They very successfully preserve the spirit of Doyle's illustrations, which unfortunately are not technically suitable for reproduction here. In the original manuscript there was an epilogue bearing the heading "Charitie"--a morning hymn of Treasure Valley, whither Gluck had returned to dwell, and where the inheritance lost by cruelty was regained by love: The beams of morning are renewed The valley laughs their light to see And earth is bright with gratitude And heaven with charitie. R.H. COE CONTENTS CHAPTER I HOW THE AGRICULTURAL SYSTEM OF THE BLACK BROTHERS WAS INTERFERED WITH BY SOUTHWEST WIND, ESQUIRE CHAPTER II OF THE PROCEEDINGS OF THE THREE BROTHERS AFTER THE VISIT OF SOUTHWEST WIND, ESQUIRE; AND HOW LITTLE GLUCK HAD AN INTERVIEW WITH THE KING OF GOLDEN RIVER CHAPTER III HOW MR. HANS SET OFF ON AN EXPEDITION TO THE GOLDEN RIVER, AND HOW HE PROSPERED THEREIN CHAPTER IV HOW MR. SCHWARTZ SET OFF ON AN EXPEDITION TO THE GOLDEN RIVER, AND HOW HE PROSPERED THEREIN CHAPTER V HOW LITTLE GLUCK SET OFF ON AN EXPEDITION TO THE GOLDEN RIVER, AND HOW HE PROSPERED THEREIN, WITH OTHER MATTERS OF INTEREST THE KING OF THE GOLDEN RIVER CHAPTER I HOW THE AGRICULTURAL SYSTEM OF THE BLACK BROTHERS WAS INTERFERED WITH BY SOUTHWEST WIND, ESQUIRE In a secluded and mountainous part of Stiria there was in old time a valley of the most surprising and luxuriant fertility. It was surrounded on all sides by steep and rocky mountains rising into peaks which were always covered with snow and from which a number of torrents descended in constant cataracts. One of these fell westward over the face of a crag so high that when the sun had set to everything else, and all below was darkness, his beams still shone full upon this waterfall, so that it looked like a shower of gold. It was therefore called by the people of the neighborhood the Golden River. It was strange that none of these streams fell into the valley itself. They all descended on the other side of the mountains and wound away through broad plains and by populous cities. But the clouds were drawn so constantly to the snowy hills, and rested so softly in the circular hollow, that in time of drought and heat, when all the country round was burned up, there was still rain in the little valley; and its crops were so heavy, and its hay so high, and its apples so red, and its grapes so blue, and its wine so rich, and its honey so sweet, that it was a marvel to everyone who beheld it and was commonly called the Treasure Valley. The whole of this little valley belonged to three brothers, called Schwartz, Hans, and Gluck. Schwartz and Hans, the two elder brothers, were very ugly men, with overhanging eyebrows and small, dull eyes which were always half shut, so that you couldn't see into THEM and always fancied they saw very far into YOU. They lived by farming the Treasure Valley, and very good farmers they were. They killed everything that did not pay for its eating. They shot the blackbirds because they pecked the fruit, and killed the hedgehogs lest they should suck the cows; they poisoned the crickets for eating the crumbs in the kitchen, and smothered the cicadas which used to sing all summer in the lime trees. They worked their servants without any wages till they would not work any more, and then quarreled with them and turned them out of doors without paying them. It would have been very odd if with such a farm and such a system of farming they hadn't got very rich; and very rich they DID get. They generally contrived to keep their corn by them till it was very dear, and then sell it for twice its value; they had heaps of gold lying about on their floors, yet it was never known that they had given so much as a penny or a crust in charity; they never went to Mass, grumbled perpetually at paying tithes, and were, in a word, of so cruel and grinding a temper as to receive from all those with whom they had any dealings the nickname of the "Black Brothers." The youngest brother, Gluck, was as completely opposed, in both appearance and character, to his seniors as could possibly be imagined or desired. He was not above twelve years old, fair, blue-eyed, and kind in temper to every living thing. He did not, of course, agree particularly well with his brothers, or, rather, they did not agree with HIM. He was usually appointed to the honorable office of turnspit, when there was anything to roast, which was not often, for, to do the brothers justice, they were hardly less sparing upon themselves than upon other people. At other times he used to clean the shoes, floors, and sometimes the plates, occasionally getting what was left on them, by way of encouragement, and a wholesome quantity of dry blows by way of education. Things went on in this manner for a long time. At last came a very wet summer, and everything went wrong in the country round. The hay had hardly been got in when the haystacks were floated bodily down to the sea by an inundation; the vines were cut to pieces with the hail; the corn was all killed by a black blight. Only in the Treasure Valley, as usual, all was safe. As it had rain when there was rain nowhere else, so it had sun when there was sun nowhere else. Everybody came to buy corn at the farm and went away pouring maledictions on the Black Brothers. They asked what they liked and got it, except from the poor people, who could only beg, and several of whom were starved at their very door without the slightest regard or notice. It was drawing towards winter, and very cold weather, when one day the two elder brothers had gone out, with their usual warning to little Gluck, who was left to mind the roast, that he was to let nobody in and give nothing out. Gluck sat down quite close to the fire, for it was raining very hard and the kitchen walls were by no means dry or comfortable-looking. He turned and turned, and the roast got nice and brown. "What a pity," thought Gluck, "my brothers never ask anybody to dinner. I'm sure, when they've got such a nice piece of mutton as this, and nobody else has got so much as a piece of dry bread, it would do their hearts good to have somebody to eat it with them." Just as he spoke there came a double knock at the house door, yet heavy and dull, as though the knocker had been tied up--more like a puff than a knock. "It must be the wind," said Gluck; "nobody else would venture to knock double knocks at our door." No, it wasn't the wind; there it came again very hard, and, what was particularly astounding, the knocker seemed to be in a hurry and not to be in the least afraid of the consequences. Gluck went to the window, opened it, and put his head out to see who it was. It was the most extraordinary-looking little gentleman he had ever seen in his life. He had a very large nose, slightly brass-colored; his cheeks were very round and very red, and might have warranted a supposition that he had been blowing a refractory fire for the last eight-and-forty hours; his eyes twinkled merrily through long, silky eyelashes; his mustaches curled twice round like a corkscrew on each side of his mouth; and his hair, of a curious mixed pepper-and-salt color, descended far over his shoulders. He was about four feet six in height and wore a conical pointed cap of nearly the same altitude, decorated with a black feather some three feet long. His doublet was prolonged behind into something resembling a violent exaggeration of what is now termed a "swallowtail," but was much obscured by the swelling folds of an enormous black, glossy-looking cloak, which must have been very much too long in calm weather, as the wind, whistling round the old house, carried it clear out from the wearer's shoulders to about four times his own length. Gluck was so perfectly paralyzed by the singular appearance of his visitor that he remained fixed without uttering a word, until the old gentleman, having performed another and a more energetic concerto on the knocker, turned round to look after his flyaway cloak. In so doing he caught sight of Gluck's little yellow head jammed in the window, with its mouth and eyes very wide open indeed. "Hollo!" said the little gentleman; "that's not the way to answer the door. I'm wet; let me in." To do the little gentleman justice, he WAS wet. His feather hung down between his legs like a beaten puppy's tail, dripping like an umbrella, and from the ends of his mustaches the water was running into his waistcoat pockets and out again like a mill stream. "I beg pardon, sir," said Gluck, "I'm very sorry, but, I really can't." "Can't what?" said the old gentleman. "I can't let you in, sir--I can't, indeed; my brothers would beat me to death, sir, if I thought of such a thing. What do you want, sir?" "Want?" said the old gentleman petulantly. "I want fire and shelter, and there's your great fire there blazing, crackling, and dancing on the walls with nobody to feel it. Let me in, I say; I only want to warm myself." Gluck had had his head, by this time, so long out of the window that he began to feel it was really unpleasantly cold, and when he turned and saw the beautiful fire rustling and roaring and throwing long, bright tongues up the chimney, as if it were licking its chops at the savory smell of the leg of mutton, his heart melted within him that it should be burning away for nothing. "He does look very wet," said little Gluck; "I'll just let him in for a quarter of an hour." Round he went to the door and opened it; and as the little gentleman walked in, there came a gust of wind through the house that made the old chimneys totter. "That's a good boy," said the little gentleman. "Never mind your brothers. I'll talk to them." "Pray, sir, don't do any such thing," said Gluck. "I can't let you stay till they come; they'd be the death of me." "Dear me," said the old gentleman, "I'm very sorry to hear that. How long may I stay?" "Only till the mutton's done, sir," replied Gluck, "and it's very brown." Then the old gentleman walked into the kitchen and sat himself down on the hob, with the top of his cap accommodated up the chimney, for it was a great deal too high for the roof. "You'll soon dry there, sir," said Gluck, and sat down again to turn the mutton. But the old gentleman did NOT dry there, but went on drip, drip, dripping among the cinders, and the fire fizzed and sputtered and began to look very black and uncomfortable. Never was such a cloak; every fold in it ran like a gutter. "I beg pardon, sir," said Gluck at length, after watching the water spreading in long, quicksilver-like streams over the floor for a quarter of an hour; "mayn't I take your cloak?" "No, thank you," said the old gentleman. "Your cap, sir?" "I am all right, thank you," said the old gentleman rather gruffly. "But--sir--I'm very sorry," said Gluck hesitatingly, "but--really, sir--you're--putting the fire out." "It'll take longer to do the mutton, then," replied his visitor dryly. Gluck was very much puzzled by the behavior of his guest; it was such a strange mixture of coolness and humility. He turned away at the string meditatively for another five minutes. "That mutton looks very nice," said the old gentleman at length. "Can't you give me a little bit?" "Impossible, sir," said Gluck. "I'm very hungry," continued the old gentleman. "I've had nothing to eat yesterday nor to-day. They surely couldn't miss a bit from the knuckle!" He spoke in so very melancholy a tone that it quite melted Gluck's heart. "They promised me one slice to-day, sir," said he; "I can give you that, but not a bit more." "That's a good boy," said the old gentleman again. Then Gluck warmed a plate and sharpened a knife. "I don't care if I do get beaten for it," thought he. Just as he had cut a large slice out of the mutton there came a tremendous rap at the door. The old gentleman jumped off the hob as if it had suddenly become inconveniently warm. Gluck fitted the slice into the mutton again, with desperate efforts at exactitude, and ran to open the door. "What did you keep us waiting in the rain for?" said Schwartz, as he walked in, throwing his umbrella in Gluck's face. "Aye! what for, indeed, you little vagabond?" said Hans, administering an educational box on the ear as he followed his brother into the kitchen. "Bless my soul!" said Schwartz when he opened the door. "Amen," said the little gentleman, who had taken his cap off and was standing in the middle of the kitchen, bowing with the utmost possible velocity. "Who's that?" said Schwartz, catching up a rolling-pin and turning to Gluck with a fierce frown. "I don't know, indeed, brother," said Gluck in great terror. "How did he get in?" roared Schwartz. "My dear brother," said Gluck deprecatingly, "he was so VERY wet!" The rolling-pin was descending on Gluck's head, but, at the instant, the old gentleman interposed his conical cap, on which it crashed with a shock that shook the water out of it all over the room. What was very odd, the rolling-pin no sooner touched the cap than it flew out of Schwartz's hand, spinning like a straw in a high wind, and fell into the corner at the further end of the room. "Who are you, sir?" demanded Schwartz, turning upon him. "What's your business?" snarled Hans. "I'm a poor old man, sir," the little gentleman began very modestly, "and I saw your fire through the window and begged shelter for a quarter of an hour." "Have the goodness to walk out again, then," said Schwartz. "We've quite enough water in our kitchen without making it a drying house." "It is a cold day to turn an old man out in, sir; look at my gray hairs." They hung down to his shoulders, as I told you before. "Aye!" said Hans; "there are enough of them to keep you warm. Walk!" "I'm very, very hungry, sir; couldn't you spare me a bit of bread before I go?" "Bread, indeed!" said Schwartz; "do you suppose we've nothing to do with our bread but to give it to such red-nosed fellows as you?" "Why don't you sell your feather?" said Hans sneeringly. "Out with you!" "A little bit," said the old gentleman. "Be off!" said Schwartz. "Pray, gentlemen." "Off, and be hanged!" cried Hans, seizing him by the collar. But he had no sooner touched the old gentleman's collar than away he went after the rolling-pin, spinning round and round till he fell into the corner on the top of it. Then Schwartz was very angry and ran at the old gentleman to turn him out; but he also had hardly touched him when away he went after Hans and the rolling-pin, and hit his head against the wall as he tumbled into the corner. And so there they lay, all three. Then the old gentleman spun himself round with velocity in the opposite direction, continued to spin until his long cloak was all wound neatly about him, clapped his cap on his head, very much on one side (for it could not stand upright without going through the ceiling), gave an additional twist to his corkscrew mustaches, and replied with perfect coolness: "Gentlemen, I wish you a very good morning. At twelve o'clock tonight I'll call again; after such a refusal of hospitality as I have just experienced, you will not be surprised if that visit is the last I ever pay you." "If ever I catch you here again," muttered Schwartz, coming, half frightened, out of the corner--but before he could finish his sentence the old gentleman had shut the house door behind him with a great bang, and there drove past the window at the same instant a wreath of ragged cloud that whirled and rolled away down the valley in all manner of shapes, turning over and over in the air and melting away at last in a gush of rain. "A very pretty business, indeed, Mr. Gluck!" said Schwartz. "Dish the mutton, sir. If ever I catch you at such a trick again--bless me, why, the mutton's been cut!" "You promised me one slice, brother, you know," said Gluck. "Oh! and you were cutting it hot, I suppose, and going to catch all the gravy. It'll be long before I promise you such a thing again. Leave the room, sir; and have the kindness to wait in the coal cellar till I call you." Gluck left the room melancholy enough. The brothers ate as much mutton as they could, locked the rest in the cupboard, and proceeded to get very drunk after dinner. Such a night as it was! Howling wind and rushing rain, without intermission. The brothers had just sense enough left to put up all the shutters and double-bar the door before they went to bed. They usually slept in the same room. As the clock struck twelve they were both awakened by a tremendous crash. Their door burst open with a violence that shook the house from top to bottom. "What's that?" cried Schwartz, starting up in his bed. "Only I," said the little gentleman. The two brothers sat up on their bolster and stared into the darkness. The room was full of water, and by a misty moonbeam, which found its way through a hole in the shutter, they could see in the midst of it an enormous foam globe, spinning round and bobbing up and down like a cork, on which, as on a most luxurious cushion, reclined the little old gentleman, cap and all. There was plenty of room for it now, for the roof was off. "Sorry to incommode you," said their visitor ironically. "I'm afraid your beds are dampish. Perhaps you had better go to your brother's room; I've left the ceiling on there." They required no second admonition, but rushed into Gluck's room, wet through and in an agony of terror. "You'll find my card on the kitchen table," the old gentleman called after them. "Remember, the LAST visit." "Pray Heaven it may!" said Schwartz, shuddering. And the foam globe disappeared. Dawn came at last, and the two brothers looked out of Gluck's little window in the morning. The Treasure Valley was one mass of ruin and desolation. The inundation had swept away trees, crops, and cattle, and left in their stead a waste of red sand and gray mud. The two brothers crept shivering and horror-struck into the kitchen. The water had gutted the whole first floor; corn, money, almost every movable thing, had been swept away, and there was left only a small white card on the kitchen table. On it, in large, breezy, long-legged letters, were engraved the words: SOUTH WEST WIND, ESQUIRE CHAPTER II OF THE PROCEEDINGS OF THE THREE BROTHERS AFTER THE VISIT OF SOUTHWEST WIND, ESQUIRE; AND HOW LITTLE GLUCK HAD AN INTERVIEW WITH THE KING OF THE GOLDEN RIVER Southwest Wind, Esquire, was as good as his word. After the momentous visit above related, he entered the Treasure Valley no more; and, what was worse, he had so much influence with his relations, the West Winds in general, and used it so effectually, that they all adopted a similar line of conduct. So no rain fell in the valley from one year's end to another. Though everything remained green and flourishing in the plains below, the inheritance of the three brothers was a desert. What had once been the richest soil in the kingdom became a shifting heap of red sand, and the brothers, unable longer to contend with the adverse skies, abandoned their valueless patrimony in despair, to seek some means of gaining a livelihood among the cities and people of the plains. All their money was gone, and they had nothing left but some curious old-fashioned pieces of gold plate, the last remnants of their ill-gotten wealth. "Suppose we turn goldsmiths," said Schwartz to Hans as they entered the large city. "It is a good knave's trade; we can put a great deal of copper into the gold without anyone's finding it out." The thought was agreed to be a very good one; they hired a furnace and turned goldsmiths. But two slight circumstances affected their trade: the first, that people did not approve of the coppered gold; the second, that the two elder brothers, whenever they had sold anything, used to leave little Gluck to mind the furnace, and go and drink out the money in the alehouse next door. So they melted all their gold without making money enough to buy more, and were at last reduced to one large drinking mug, which an uncle of his had given to little Gluck, and which he was very fond of and would not have parted with for the world, though he never drank anything out of it but milk and water. The mug was a very odd mug to look at. The handle was formed of two wreaths of flowing golden hair, so finely spun that it looked more like silk than metal, and these wreaths descended into and mixed with a beard and whiskers of the same exquisite workmanship, which surrounded and decorated a very fierce little face, of the reddest gold imaginable, right in the front of the mug, with a pair of eyes in it which seemed to command its whole circumference. It was impossible to drink out of the mug without being subjected to an intense gaze out of the side of these eyes, and Schwartz positively averred that once, after emptying it, full of Rhenish, seventeen times, he had seen them wink! When it came to the mug's turn to be made into spoons, it half broke poor little Gluck's heart; but the brothers only laughed at him, tossed the mug into the melting pot, and staggered out to the alehouse, leaving him, as usual, to pour the gold into bars when it was all ready. When they were gone, Gluck took a farewell look at his old friend in the melting pot. The flowing hair was all gone; nothing remained but the red nose and the sparkling eyes, which looked more malicious than ever. "And no wonder," thought Gluck, "after being treated in that way." He sauntered disconsolately to the window and sat himself down to catch the fresh evening air and escape the hot breath of the furnace. Now this window commanded a direct view of the range of mountains which, as I told you before, overhung the Treasure Valley, and more especially of the peak from which fell the Golden River. It was just at the close of the day, and when Gluck sat down at the window, he saw the rocks of the mountain tops, all crimson and purple with the sunset; and there were bright tongues of fiery cloud burning and quivering about them; and the river, brighter than all, fell, in a waving column of pure gold, from precipice to precipice, with the double arch of a broad purple rainbow stretched across it, flushing and fading alternately in the wreaths of spray. "Ah!" said Gluck aloud, after he had looked at it for a little while, "if that river were really all gold, what a nice thing it would be." "No, it wouldn't, Gluck," said a clear, metallic voice close at his ear. "Bless me, what's that?" exclaimed Gluck, jumping up. There was nobody there. He looked round the room and under the table and a great many times behind him, but there was certainly nobody there, and he sat down again at the window. This time he didn't speak, but he couldn't help thinking again that it would be very convenient if the river were really all gold. "Not at all, my boy," said the same voice, louder than before. "Bless me!" said Gluck again, "what is that?" He looked again into all the corners and cupboards, and then began turning round and round as fast as he could, in the middle of the room, thinking there was somebody behind him, when the same voice struck again on his ear. It was singing now, very merrily, "Lala-lira-la"--no words, only a soft, running, effervescent melody, something like that of a kettle on the boil. Gluck looked out of the window; no, it was certainly in the house. Upstairs and downstairs; no, it was certainly in that very room, coming in quicker time and clearer notes every moment: "Lala-lira-la." All at once it struck Gluck that it sounded louder near the furnace. He ran to the opening and looked in. Yes, he saw right; it seemed to be coming not only out of the furnace but out of the pot. He uncovered it, and ran back in a great fright, for the pot was certainly singing! He stood in the farthest corner of the room, with his hands up and his mouth open, for a minute or two, when the singing stopped and the voice became clear and pronunciative. "Hollo!" said the voice. Gluck made no answer. "Hollo! Gluck, my boy," said the pot again. Gluck summoned all his energies, walked straight up to the crucible, drew it out of the furnace, and looked in. The gold was all melted and its surface as smooth and polished as a river, but instead of reflecting little Gluck's head, as he looked in he saw, meeting his glance from beneath the gold, the red nose and sharp eyes of his old friend of the mug, a thousand times redder and sharper than ever he had seen them in his life. "Come, Gluck, my boy," said the voice out of the pot again, "I'm all right; pour me out." But Gluck was too much astonished to do anything of the kind. "Pour me out, I say," said the voice rather gruffly. Still Gluck couldn't move. "WILL you pour me out?" said the voice passionately. "I'm too hot." By a violent effort Gluck recovered the use of his limbs, took hold of the crucible, and sloped it, so as to pour out the gold. But instead of a liquid stream there came out, first a pair of pretty little yellow legs, then some coat tails, then a pair of arms stuck akimbo, and finally the well-known head of his friend the mug--all which articles, uniting as they rolled out, stood up energetically on the floor in the shape of a little golden dwarf about a foot and a half high. "That's right!" said the dwarf, stretching out first his legs and then his arms, and then shaking his head up and down and as far round as it would go, for five
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Produced by Clarity, RichardW, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) _The WORKS of VOLTAIRE_ _EDITION DE LA PACIFICATION_ _Limited to one thousand sets for America and Great Britain._ “_Between two servants of Humanity, who appeared eighteen hundred years apart, there is a mysterious relation. *    *    *    *    *    Let us say it with a sentiment of profound respect: JESUS WEPT: VOLTAIRE SMILED. Of that divine tear and of that human smile is composed the sweetness of the present civilization._” _VICTOR HUGO._ [Illustration: AT THIS INTERESTING MOMENT, AS MAY EASILY BE IMAGINED, WHO SHOULD COME IN BUT THE UNCLE] _EDITION DE LA PACIFICATION
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Produced by Chris Curnow, Chris Jordan and the Online Distributed Proofreading Team at http://www.pgdp.net with transcriptions from Stephen Rowland and Louise Hope =Transcriber's notes:= In the section "To The Reader" our author writes: _There be, no doubt, some faults committed by the =Printer=, both Literall and Materiall, and some Errors of the =Gravers= in the =Figures=, (as in the =Tetragrammaton=; in the Figure of =Arîon=; and in the =Proprieties= due to some other =Hieroglyphicks=); but, for the most part, they are such, as =Common-Readers= will never perceive; and I thinke, that they who are =Judicious= will so plainly finde them to be no faults of mine; that, leaving them to be amended by those, to whom they appertaine; and, =You=, to accept of these =Play-games= as you please: I bid you =Farewell=._ Therefore all oddities and inconsistencies have been left unchanged. They have been noted at the end of the transcription. An addendum of transcriptions and translations of the mottoes engraved around each emblem has been added to the final note as a convenience to the reader. A PREPOSITION to this FRONTISPIECE. This BOOKE contayning EMBLEMS, ’twas thought fit, A _Title-page_ should stand to usher it, That’s Emblematicall: And, for that end, Our AVTHOR, to the _Graver_ did commend A plaine Invention; that it might be wrought, According as his Fancie had forethought. Insteed thereof, the _Workeman_ brought to light, What, here, you see; therein, mistaking quite The true _Designe_: And, so (with paines, and cost) The first intended FRONTISPIECE, is lost. The AVTHOR, was as much displeas’d, as Hee In such Adventures, is inclin’d to bee; And, halfe resolv’d, to cast this PIECE aside, As nothing worth: but, having better ey’d Those _Errors_, and _Confusions_, which may, there, Blame-worthy (at the first aspect) appeare; Hee saw, they fitted many Fantasies Much better, then what _Reason_ can devise; And, that, the _Graver_ (by meere _Chance_) had hit On what, so much transcends the reach of _Wit_, As made it seeme, an Object of _Delight_, To looke on what, MISFORTVNE brought to light: And, here it stands, to try his _Wit_, who lists To pumpe the secrets, out of _Cabalists_. If any thinke this _Page_ will, now, declare The meaning of those _Figures_, which are there, They are deceiv’d. For, _Destinie_ denyes The utt’ring of such hidden _Mysteries_, In these respects: First, _This_ contayneth nought Which (in a proper sense) concerneth, ought, The _present-Age_: Moreover, tis ordain’d, That, none must know the _Secrecies_ contain’d Within this PIECE; but, they who are so wise To finde them out, by their owne _prudencies_; And, hee that can unriddle them, to us, Shall stiled be, the second OEDIPVS. Tis, likewise, thought expedient, now and then, To make some _Worke_, for those _All-knowing men_, (To exercise upon) who thinke they see The _secret-meanings_, of all things that bee. And, lastly, since we finde, that, some there are, Who best affect _Inuentions_, which appeare Beyond their understandings; _This_, we knew A _Representment_, worthy of their view; And, here, wee placed it, to be, to these, A FRONTISPIECE, in any sense they please. [Illustration: EMBLEMES. _Illustrated by_ Geo: Wither.] A COLLECTION OF EMBLEMES, ANCIENT AND MODERNE: Quickened With METRICALL ILLVSTRATIONS, both _Morall_ and _Divine_: And disposed into LOTTERIES, That _Jnstruction_, and _Good Counsell_, may bee furthered by an Honest and Pleasant _Recreation_. _By_ GEORGE WITHER. _The First Booke._ [Illustration: Decoration] LONDON, Printed by _A.M._ for _Richard Royston_, and are to be sold at his Shop in _Ivie_-Lane. MDCXXXV. _Recensui hoc Poëma, cui titulus est =(A Collection and Illustration of Emblems Ancient and Moderne)= in quo nihil reperio, quò minus cum utilitate imprimatur, ita tamen, ut si non intra septem menses proximè sequentes Typis mandetur, hæc licentia sit omninò irrita._ Ex ædibus Lambithanis _Iul. 2. 1634._ GVIL. BRAY. A WRIT OF PREVENTION Concerning the AVTHORS _Dedication_ of the foure following BOOKES, to those _Royall_, _Princely_, and _Illustrious_ PERSONAGES, whose Names are mentioned in this _Leafe_. I have not often us’d, with _Epigrames_, Or, with _Inscriptions_ unto many NAMES, To charge my _Bookes_: Nor, had I done it, now, If I, to pay the _Duties_ which I owe, Had other _meanes_; Or, any better Wayes To honour them, whose _Vertue_ merits praise. In _ARCHITECT_, it giveth good content, (And passeth for a praisefull _Ornament_) If, to adorne the _FORE-FRONTS_, _Builders_ reare The _Statues_ of their _Soveraigne-Princes_, there; And, trimme the _Outsides_, of the other SQVARES With _Portraitures_ of some Heroicke PEERES. If, therefore, I (the more to beautifie This _Portion_ of my MVSES _Gallerie_) Doe, here, presume to place, the _NAMES_ of those To whose _Deserts_, my LOVE remembrance owes, I hope ’twill none offend. For, most, who see Their worthy _mention_, in this BOOKE, to bee, Will thinke them honor’d: And, perhaps, it may (To their high praise) be found, another day, That, in these LEAVES their _Names_ wil stand unrac’d, When many fairer _STRVCTVRFS_, are defac’d. _In this =Hope=, I have placed on the FORE-FRONT (or before the =First Booke= of these EMBLEMS) a =Ioint-Inscription= to the KING and QVEENES most excellent MAIESTIE._ _Upon the =Right-Side-Front= of this =Building= (or before the =Second Booke=) One =Inscription= to the most hopefull =Prince, =CHARLES=, Prince of =Wales=; And, another to his deere =Brother, =IAMES=, Duke of =Yorke=, =&c.=_ _On the other =Side-Front=, (or before the =Third Booke=) One =Inscription= to the gratious Princesse, FRANCES Dutchesse-Dowager of RICHMOND and LENOX; And, another to her most noble Nephew, IAMES Duke of Lenox, &c._ _On the =Fourth Front= of our =Square=, (Or before the =Fourth Booke=) One =Inscription= to the right Honourable PHILIP Earle of =Pembrooke= and =Montgomery=, &c. And another to the right Honourable, HENRY Earle of =Holland=, &c._ To the MAJESTIE of Great _Britaine_, _France_, and _Ireland_, the Most Illustrious King, CHARLES; And his excellently beloved, the most gratious _Queene_ MARY. Sev’n yeares are full expired, Royall SIR, Since last I kneel’d, an offring to preferre Before your feete; where, now, my selfe I throw To pay once more, the _Tributes_ which I owe. _As many yeares are past, most beauteous QVEENE, Since witnesses, mine eares and eyes, have beene Of those Perfections; which the generall =Fame= Hath sounded forth, in honour of your =Name=._ And, both your _beaming-splendors_ (oh yee faire, Thrice blessed, and most fitly-matched PAIRE) Vpon each other, make such bright reflections; And have so sweetly mingled your _affections_, Your _Praise_, your _Pow’re_, your _Vertues_, and your _Beautie_: That, (if preserving of my _Soveraigne dutie_, This may be said) you doe appeare, to me, TWO PERSONS, in One MAIESTY, to be; To whom, there, appertaines (in veneration Of your large _Worth_) the right of some _Oblation_ And, best, I thought, my _Homage_ would be done, If, thus, the tender were to BOTH-in-ONE. Which, in this humble GVIFT, my _Love_ presents; And, wisheth it may adde to your Contents. Perhaps it shall: For, though I dare not shew These _Figures_, as well meriting your view; Nor boast, as if their _Moralls_ couched ought, By which your sacred _Wisdomes_ may be taught: Yet, I have humble _Hopings_, that, they might Prove, some way, an occasion of delight; Since, meane and common _Objects_, now and then, Beget contentments in the _greatest-men_. But, that before this _Booke_, I should propose Your praisefull NAMES, there is (as I suppose) A faire inducement: For, considering these Are EMBLEMS, whose intention is to please And profit vulgar Iudgements (by the view, Of what they ought to follow, or eschew.) And, I well knowing, that your MAIESTIES Set foorth before my _Booke_, in _Emblem-wise_, Throughout your Lands, more _Vertues_ might convay, Than many _Volumes_, of these _Emblems_, may; It seemed _Petty-treason_, to omit This good occasion of endeavouring it. For, (if your MAIESTIES, well heeded, were) YOV, double-treble-foure-fold _Emblems_ are; Which, fully to illustrate, would require The _Wit_ I want; or, meanes to raise, that, higher Which I have gain’d; (and, which, as yet, hath flowne By no incouragements, but by her owne.) Of all the _Vertues_ OECONOMICAL, Of _Duties_ MORAL and POLITICALL, Your _Lives_ are _Patternes_, and faire EMBLEMS; whether Considered apart, or both together. Your CHILDHOODS were bright _Mirrours_, which did show What Duties, _Children_, to their _Parents_ owe: And, by the sequele, we now understand, That, they who best _obay’d_, can best command. The glorious _Vertues_ of your NVPTIALL-_state_, Your _Courtiers_, find so hard to imitate, That, they admire them, rather; and would sweare, (Had others told, what, now they see and heare) That, all the former Times, were not acquainted, With such a _Paire_, when _Kings_ and _Queenes_ were _Sainted_. The chastest _Cupids_, and the gamesom’st _Graces_, Are alwaies mingled in your _Deare-embraces_. The mutuall enterchanges of your _Loves_, May teach affection to the _Turtle-doves_: And, such as are, with goodly sights, delighted, May see in _You_, all _Excellence_ united. You, SIR, who beare _Ioves_ Thunders in your Fist, And, (shake this _Ilands_ EMPIRE, when You list) Did never in your _Orbe_, a _Tempest_ move, But, by the Beautious _Mistresse_ of your _Love_ It might be calm’d. _And, in your lofty =Spheare=, Most lovely QVEENE, Your Motions ever, were So smoath, and, so direct; that, none can say, They have withdrawne his Royall-heart away From Iust =Designes=; Which, loudly speakes your =Praise=, And, intimates much more, than, yet, it saies._ Yea, both Your _Splendors_ doe so glorious growe, And, You, each other have out-vyed so, In these, and other _Vertues_; that, on You, Should I conferre what praise, I thinke, is due, My _Lines_, (which from that staine have, yet, beene cleare) Would Flatt’ry seeme, unto an envious eare. But, what needs _Flatt’ry_, where the _Truth_ may teach To praise, beyond immodest _Flatt’ries_ reach? Or, what needs he to feare a _sland’rous-mouth_, Who seekes no _meed_, nor utters more than Truth? Your Princely _Vertues_, what can better show, Than _Peace_, and _Plenty_, which have thrived so, Whilst You have raign’d that, yet, no people see, A _Richer_, or more _Peacefull_ time, than wee? Your _Civill Actions_ (to the publike eye) Are faire _examples_ of _Moralitie_, So manifest; That, if he Truth did sing, Who said, _The World doth imitate the King_; My _Muses_ dare, with boldnesse to presage, A Chast, a Pious, and a Prosperous _Age_: And, that, the stormes which, late, these Realmes deterr’d, Shall all be quite removed, or deferr’d Till you Ascend; And, future times have seene, That, your Examples have not followed beene. Thus, you are living _Emblems_, to this _Nation_: Which being mark’d with heedefull speculation, May serve, as well, to helpe us how to see Our _Happinesse_, As, what our _Duties_ be. And, if I might unlocke all _Mysteries_, Which doe declare, how in a _foure-fold-wise_, Your Lives are usefull EMBLEMS; I, perchance, Should vexe blind _Zeale_, or anger _Ignorance_; And, teach well-temper’d _Spirits_, how to see, That, we, for Blessings, oft, Vnthankefull be. For, as you, _Both_, Prime _Children_ are of those Two _Sister-Churches_, betwixt whom, yet, growes Vnseemely _strife_; So, _You_, perhaps, may be An _Emblem_, how those MOTHERS may agree. And, not by your _Example_, onely, show, How wrought it may be; but, effect it so. Yea, peradventure, GOD, united _You_, That, such a blessed VNION might ensue: And, that, Your _living-lovingly_, together; Your Christian _hopefullnesse_, of one another; Your milde _forbearance_, harsh attempts to proove; Your _mutuall-waiting_, untill _God_ shall move By some _calme-voice_, or peacefull _inspiration_, That _Heart_ Which needeth better _Information_; And, that, your _Charities_, might give a _signe_, How, all the _Daughters_, of the SPOVSE _Divine_ Might reconciled be; And, shew, that, _Swords_, _Flames_, _Threats_, and _Furie_, make no true _Accords_. GOD grant a better VNION may appeare: Yet, wish I not the _tollerating_, here, Of _Politicke-Agreements_; (further than Our wholsome _Lawes_, and, _Civill-vowes_ to man, With _Piety_, approve) but, such, as may Make up a blessed CONCORD, every way: Might it be so; your _Vertues_, would become A Glorious _Blessing_, to all CHRISTENDOME: Your EMBLEM should, by future _Generations_; Be plac’d among the famous _Constellations_, And, _after-times_ (though
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Produced by Distributed Proofreaders BITS ABOUT HOME MATTERS. By H. H., Author of "Verses" and "Bits of Travel." 1873 Contents. The Inhumanities of Parents--Corporal Punishment The Inhumanities of Parents--Needless Denials The Inhumanities of Parents--Rudeness Breaking the Will The Reign of Archelaus The Awkward Age A Day with a Courteous Mother Children in Nova Scotia The Republic of the Family The Ready-to-Halts The Descendants of Nabal "Boys not allowed" Half an Hour in a Railway Station A Genius for Affection Rainy Days Friends of the Prisoners A Companion for the Winter Choice of Colors The Apostle of Beauty English Lodging-Houses Wet the Clay The King's Friend Learning to speak Private Tyrants Margin The Fine Art of Smiling Death-bed Repentance The Correlation of Moral Forces A Simple Bill of Fare for a Christmas Dinner Children's Parties After-supper Talk Hysteria in Literature Jog Trot The Joyless American Spiritual Teething Glass Houses The Old-Clothes Monger in Journalism The Country Landlord's Side The Good Staff of Pleasure Wanted--a Home Bits of Talk. The Inhumanities of Parents--Corporal Punishment. Not long ago a Presbyterian minister in Western New York whipped his three-year-old boy to death, for refusing to say his prayers. The little fingers were broken; the tender flesh was bruised and actually mangled; strong men wept when they looked on the body; and the reverend murderer, after having been set free on bail, was glad to return and take refuge within the walls of his prison, to escape summary punishment at the hands of an outraged community. At the bare mention of such cruelty, every heart grew sick and faint; men and women were dumb with horror: only tears and a hot demand for instant retaliation availed. The question whether, after all, that baby martyr were not fortunate among his fellows, would, no doubt, be met by resentful astonishment. But it is a question which may well be asked, may well be pondered. Heart-rending as it is to think for an instant of the agonies which the poor child must have borne for some hours after his infant brain was too bewildered by terror and pain to understand what was required of him, it still cannot fail to occur to deeper reflection that the torture was short and small in comparison with what the next ten years might have held for him if he had lived. To earn entrance on the spiritual life by the briefest possible experience of the physical, is always "greater gain;" but how emphatically is it so when the conditions of life upon earth are sure to be unfavorable! If it were possible in any way to get a statistical summing-up and a tangible presentation of the amount of physical pain inflicted by parents on children under twelve years of age, the most callous-hearted would be surprised and shocked. If it were possible to add to this estimate an accurate and scientific demonstration of the extent to which such pain, by weakening the nervous system and exhausting its capacity to resist disease, diminishes children's chances for life, the world would stand aghast. Too little has been said upon this point. The opponents of corporal punishment usually approach the subject either from the sentimental or the moral standpoint. The argument on either of these grounds can be made strong enough, one would suppose, to paralyze every hand lifted to strike a child. But the question of the direct and lasting physical effect of blows--even of one blow on the delicate tissues of a child's body, on the frail and trembling nerves, on the sensitive organization which is trying, under a thousand unfavoring conditions, to adjust itself to the hard work of both living and growing--has yet to be properly considered. Every one knows the sudden sense of insupportable pain, sometimes producing even dizziness and nausea, which follows the accidental hitting of the ankle or elbow against a hard substance. It does not need that the blow be very hard to bring involuntary tears to adult eyes. But what is such a pain as this, in comparison with the pain of a dozen or more quick tingling blows from a heavy hand on flesh which is, which must be as much more sensitive than ours, as are the souls which dwell in it purer than ours. Add to this physical pain the overwhelming terror which only utter helplessness can feel, and which is the most recognizable quality in the cry of a very young child under whipping; add the instinctive sense of disgrace, of outrage, which often keeps the older child stubborn and still through-out,--and you have an amount and an intensity of suffering from which even tried nerves might shrink. Again, who does not know--at least, what woman does not know--that violent weeping, for even a very short time, is quite enough to cause a feeling of languor and depression, of nervous exhaustion for a whole day? Yet it does not seem to occur to mothers that little children must feel this, in proportion to the length of time and violence of their crying, far more than grown people. Who has not often seen a poor child receive, within an hour or two of the first whipping, a second one, for some small ebullition of nervous irritability, which was simply inevitable from its spent and worn condition? It is safe to say that in families where whipping is regularly recognized as a punishment, few children under ten years of age, and of average behavior, have less than one whipping a week. Sometimes they have more, sometimes the whipping is very severe. Thus you have in one short year sixty or seventy occasions on which for a greater or less time, say from one to three hours, the child's nervous system is subjected to a tremendous strain from the effect of terror and physical pain combined with long crying. Will any physician tell us that this fact is not an element in that child's physical condition at the end of that year? Will any physician dare to say that there may not be, in that child's life, crises when the issues of life and death will be so equally balanced that the tenth part of the nervous force lost in such fits of crying, and in the endurance of such pain, could turn the scale? Nature's retributions, like her rewards, are cumulative. Because her sentences against evil works are not executed speedily, therefore the hearts of the sons of men are fully set in them to do evil. But the sentence always is executed, sooner or later, and that inexorably. Your son, O unthinking mother! may fall by the way in the full prime of his manhood, for lack of that strength which his infancy spent in enduring your hasty and severe punishments. It is easy to say,--and universally is said,--by people who cling to the old and fight against the new, "All this outcry about corporal punishment is sentimental nonsense. The world is full of men and women, who have grown up strong and good, in spite of whippings; and as for me, I know I never had any more whipping than I deserved, or than was good for me." Are you then so strong and clear and pure in your physical and spiritual nature and life, that you are sure no different training could have made either your body or your soul better? Are these men and women, of whom the world is full, so able-bodied, whole-souled, strong-minded, that you think it needless to look about for any method of making the next generation better? Above all, do you believe that it is a part of the legitimate outworking of God's plan and intent in creating human beings to have more than one-half of them die in childhood? If we are not to believe that this fearful mortality is a part of God's plan, is it wise to refuse to consider all possibilities, even those seemingly most remote, of diminishing it? No argument is so hard to meet (simply because it is not an argument) as the assumption of the good and propriety of "the thing that hath been." It is one of the devil's best sophistries, by which he keeps good people undisturbed in doing the things he likes. It has been in all ages the bulwark behind which evils have made stand, and have slain their thousands. It is the last enemy which shall be destroyed. It is the only real support of the cruel evil of corporal punishment. Suppose that such punishment of children had been unheard of till now. Suppose that the idea had yesterday been suggested for the first time that by inflicting physical pain on a child's body you might make him recollect certain truths; and suppose that instead of whipping, a very moderate and harmless degree of pricking with pins or cutting with knives or burning with fire had been suggested. Would not fathers and mothers have cried out all over the land at the inhumanity of the idea? Would they not still cry out at the inhumanity of one who, as things are to-day, should propose the substitution of pricking or cutting or burning for whipping? But I think it would not be easy to show in what wise small pricks or cuts are more inhuman than blows; or why lying may not be as legitimately cured by blisters made with a hot coal as by black and blue spots made with a ruler. The principle is the same; and if the principle be right, why not multiply methods? It seems as if this one suggestion, candidly considered, might be enough to open all parents' eyes to the enormity of whipping. How many a loving mother will, without any thought of cruelty, inflict half-a-dozen quick blows on the little hand of her child, when she could no more take a pin and make the same number of thrusts into the tender flesh, than she could bind the baby on a rack. Yet the pin-thrusts would hurt far less, and would probably make a deeper impression on the child's mind. Among the
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Produced by Clare Graham and Marc D'Hooghe at Free Literature (online soon in an extended version, also linking to free sources for education worldwide... MOOC's, educational materials,...) Images generously made available by the Internet Archive. All About Battersea, BY HENRY S. SIMMONDS. [Illustration: S. MARY'S, built according to Act of Parliament, 14. Geo. III. Opened Nov. 17, 1777. About 1823 an Entrance Portico of the Doric Order was added.] London: ASHFIELD, PRINTER, BRIDGE ROAD WEST, BATTERSEA. 1882. This small volume IS MOST RESPECTFULLY DEDICATED (BY PERMISSION) TO THE REV. JOHN ERSKINE CLARKE, M.A., _Honorary Canon of Winchester, Vicar of Battersea;_ AND TO THE INHABITANTS IN GENERAL. INDEX. PAGE. INTRODUCTION. Nine Elms Lane.--The King's Champion. 3 Thorne's Brewery.--What Battersea has been called. 4 London and South Western Railway Company's Goods Station and Locomotive Works. 4-7 Mill-Pond Bridge.--New Road. 8 A Royal Sturgeon caught in the wheel of the Mill at Mill-Pond Bridge. 9 Wallace's Vitriol Works. 10 Sleaford Street.--Coal. 11 Street Lighting. 12-13 London Gas-Light Company's Works and Vauxhall Gardens. 14-23 On a recently-exposed Section at Battersea. 23-24 Phillips' Fire Annihilating Machine Factory Destroyed.--Brayne's Pottery.--The Old Lime Kilns.--Laver's Cement & Whiting Works. 25 The Southwark and Vauxhall Water Works. 26 Water Carriers and Water Companies. 27-29 The Village of Battersea.--Growth of the Parish. 30-31 Boundaries.--A Legal Contest between Battersea and Clapham Parishes.--Clapham Common. 32-33 Lavender Hill.--The Seat of William Wilberforce.--Eminent Supporters of the Anti-Slavery Movement.--Frances Elizabeth Leveson Gower.--Mr. Thornton.--Philip Cazenove.--Charles Curling, Lady George Pollock, and others. 34-36 Battersea Market Gardens and Gardeners. 36-37 Stages set out for Battersea from the City.--Annual Fair.--Inhabitants supplied with Water from Springs.--The Manor of Battersea before the Conquest. 38 Battersea and its association with the St. Johns. 39 Henry St. John Lord Viscount Bolingbroke. 40-42 A Horizontal Air Mill. 43 St. Mary's Church. 44-46 The Indenture. 47-48 Epitaphs and Sepulchral Monuments. 49-51 Rectory and Vicarage. 52 A Petition or Curious Document. 53 Dr. Thomas Temple.--Dr. Thomas Church. 54 Cases of Longevity.--The Plague.--The Three Plague Years.--Deaths in Battersea. 55-56 Vicars of Battersea from Olden Times. 56-57 Thomas Lord Stanley.--Lawrence Booth. 57 York House. 58 Battersea Enamel Works.--Porcelain.--Jens Wolfe, Esq.--Sherwood Lodge.--Price's Patent Candle Factory. 59-62 Candlemas. 63-64 The Saw.--Mark Isambard Brunel's Premises at Battersea.--Establishment for the preservation of timber from the dry rot burnt down. 65 History of the Ferry.--The Old Wooden Bridge. 66-67 Albert Suspension Bridge. 68-69 Chelsea Suspension Bridge. 70 The Prince of Wales.--Freeing the Bridges "For Ever." 71-73 The Stupendous Railway Bridge across the Thames. 74 The spot where Cæsar and his legions are stated by some antiquarians to have crossed the river. 75 A haunted house.--Battersea Fields.--Duel between the Duke of Wellington and Lord Winchelsea. 76 The Red House. 77 "Gyp" the Raven.--Billy the Nutman.--Sports. 78 "The Old House at Home."--Sabbath Desecration. 79 Her Majesty's Commissioners empowered by Act of Parliament to form a Royal Park in Battersea Fields.--Wild Flowers.--Battersea Park. 80-84 London, Brighton and South-Coast Railway Company's two Circular Engine Sheds and West-End Goods Traffic Department. 85-86 Long-Hedge Farm.--London, Chatham and Dover Railway Locomotive Works. 87-90 A Canvas Cathedral. 91 H.P. Horse Nail Company's Factory 94 St. George's Church, its clergy, its graveyard, epitaphs and inscriptions (St. Andrew's Temporary Iron Church 96). 95-99 Christ Church, its clergy. 100 St. John's Church. 101 St. Paul's Church. 102 St. Philip's Church. 103 St. Mark's Church. 104 St. Luke's Chapel-of-Ease. 105 St. Saviour's Church. 106 St. Peter's Church. 107 Temporary Church of the Ascension.--St. Michael's Church. 108 All Saints' Temporary Iron Church.--Rochester Diocesan Mission, St. James', Nine Elms. 111 St. Aldwin's Mission Chapel.--The Church of our Lady of Mount Carmel and St. Joseph. 112 Church of the Sacred Heart.--The Old Baptist Meeting House, Revs. Mr. Browne, Joseph Hughes, M.A., (John Foster), Edmund Clark, Enoch Crook, I. M. Soule, Charles Kirtland. 113-116 Baptist Temporary Chapel, Surrey Lane. 116 Battersea Park Temporary Baptist Chapel. 117 Baptist (Providence) Chapel. 118 Baptist Chapel, Chatham Road.--Wesleyan Methodist Mission Room and Sunday School.--United Methodist Free Church, Church Road, Battersea.--The United Methodist Free Church, Battersea Park Road. 119 Primitive Methodist Chapel, New Road. 119 Primitive Methodist Chapel, Grayshott Road.--Primitive Methodist Chapel, Plough Lane. 121 St. George's Mission Hall.--Battersea Congregational Church, (Independent), Bridge Road. 122 Stormont Road Congregational Church, Lavender Hill. 123 Wesleyan Methodism in Battersea. 124-126 Methodist Chronology. 127 Wesleyan Chapel, Queen's Road. 128 Free Christian Church, Queen's Road. 129 Trinity Mission Hall, Stewart's Lane.--Plymouth Brethren. 130 "The Little Tabernacle."--Thomas Blood. 131 Battersea Priory.--Alien Priories. 132 Ursulines. 132-134 Battersea Grammar School,
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Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/ for Project Gutenberg (This file was produced from images generously made available by The Internet Archive/American Libraries.) NORTH CORNWALL FAIRIES AND LEGENDS By ENYS TREGARTHEN Author of 'The Piskey-Purse' With introduction by Howard Fox, F.G.S. Illustrated London Wells Gardner, Darton & Co., Ltd. 3, Paternoster Buildings, E.C. CONTENTS Page Introduction xi The Adventures of a Piskey in Search of his Laugh 1 The Legend of the Padstow Doombar 51 The Little Cake-bird 71 The Impounded Crows 99 The Piskeys' Revenge 113 The Old Sky Woman 125 Reefy, Reefy Rum 131 The Little Horses and Horsemen of Padstow 139 How Jan Brewer was Piskey-laden 149 The Small People's Fair 159 The Piskeys who did Aunt Betsy's Work 165 The Piskeys Who carried their Beds 177 The Fairy Whirlwind 183 Notes 189 LIST OF ILLUSTRATIONS Page Tintagel Castle Frontispiece King Arthur's Castle, looking North 9 Tintagel Castle 15 By Rough Tor's granite-piled height the bright little Lantern went 21 'Night-riders, Night-riders, please stop!' 37 'Which is still called King Arthur's Seat' 45 Lifeboat going over the bar of doom 53 Tristram Bird could see over the maiden's head into the pool 55 Trebetherick Bay 62 Chapel Stile 65 'It is the Mermaid's wraith,' cried an old Granfer man 67 Tregoss Moor 73 On the way to Tamsin's Cottage 75 'I hear them laughing. Listen, Grannie!' 83 The Roche Rocks 85 He stepped on to Phillida's nose as light as the feathers of the old Sky Woman 91 'All the crows in the parish came as they were bidden' 101 'Perhaps you would like to hear the crows' version of the tale?' 105 The Piskeys got in and ate up the bowl of junket, and passed out the biscuits 118 'The Old Sky Woman sweeping out the Sky Goose's house' 128 She took to her heels and ran for her life 135 Saw them standing on the tile-ridge 141 They galloped much faster than he could run 145 Ruins of Constantine Church 153 They began to dance round him 157 Nannie went on the moors again, and Tinker followed her 172 INTRODUCTION The tales contained in this little volume of North Cornwall fairy stories, by Enys Tregarthen, are either founded on folk-lore or they are folk-lore pure and simple. The scene of the first story is laid amid the ancient walls and gateways of 'Grim Dundagel thron'd along the sea,' and other places not quite so well known by those who live beyond the Cornish land, but which, nevertheless, have a fascination of their own, especially Dozmare Pool, where Tregeagle's unhappy spirit worked at his hopeless task of emptying the pool with a crozan or limpet-shell 'that had a hole in it.' This large inland lake, one mile in circumference, is of unusual interest, not only because of the Tregeagle legend that centres round Dozmare, but from a tradition, which many believe, that it was to this desolate moor, with its great tarn, that Sir Bedivere, King Arthur's faithful knight, brought the wounded King after the last great battle at Slaughter Bridge, on the banks of the Camel. A wilder and more untamed spot could hardly be found even in Cornwall than Dozmare Pool and the barren moors surrounding it. As one stands by its dark waters, looking away towards the bare granite-crowned hills and listening to the wind sighing among the reeds and rushes and the coarse grass, one can realize to the full the weird legends connected with it, and one can see in imagination the huge figure of Tregeagle bending over the pool, dipping out the water with his poor little limpet-shell. The Tregeagle legends are still believed in. When people go out to Dozmare Pool, they do not mention Tregeagle's name for fear that the Giant will suddenly appear and chase them over the moors! On the golden spaces of St. Minver sand-hills the legends about this unearthly personage are not so easily realized, except on a dark winter's night, when the wind rages fiercely over the dunes and one hears a fearful sound, which the natives say is Tregeagle roaring because the sand-ropes that he made to bind his trusses of sand are all broken. St. Minver is not only known for its connection with the legend of Tregeagle, but it is one of the many parishes beloved by the Small People or Fairy Folk with whom Enys Tregarthen's little book has mostly to do. Piskeys danced in their rings on many a cliff and common and moor in that delightful parish, and on other wild moors, commons and cliffs in many another parish in North and East Cornwall. Fairy horsemen, locally known as night-riders, used to steal horses from farmers' stables and ride them over the moors and commons till daybreak, when they left them to perish, or to find their way back to their stalls. Numberless stories of the little Ancient People used to be told, which the cottagers often repeated to each other on winter evenings as they sat round the peat fires, and some of these Enys Tregarthen has retold. The author writes concerning them: 'Many of the legends were told me by very old people long since dead. The legend of the Doombar was told me when I was quite a small child by a very old person born late in the eighteenth century. The one of Giant Tregeagle came, I think, from the same source, but it is too far back to remember. I only know it was one of the stories of my childhood, as were also the Mole legend and some of the Piskey-tales, handed down from a dim past by our Cornish forebears. 'The legends about the Little People are very old, and some assert to-day that the tales about the Piskeys are tales of a Pigmy race who inhabited Cornwall in the Neolithic Period, and that they are answerable for most of the legends of our Cornish fairies. If this be so, the older stories are legends of the little Stone Men. 'The legends are numerous. Some of them are very fragmentary; but they are none the less interesting, for they not only give an insight into the world of the little Ancient People, but they also show how strongly the Cornish peasantry once believed in them, as perhaps they still do. For, strange as it may seem in these matter-of-fact days, there are people still living who not only hold that there are Piskeys, but say they have actually seen them! One old woman in particular told me not many months ago that she had seen "little bits of men in red jackets" on the moors where she once lived. She used to be told about the Piskeys when she was a child, and the old people of her day used to tell how "the little bits of men" crept in through the keyhole of moorland cottages when the children were asleep to order their dreams.' These stories are given to the world in the hope that many besides children, for whom they are specially written, will find them interesting, and all lovers of folk-lore will be grateful to know that the iron horse and other modern inventions have not yet succeeded in driving away the Small People, nor in banishing the weird legends from our loved 'land of haunting charm.' H. F. THE ADVENTURES OF A PISKEY IN SEARCH OF HIS LAUGH '... A soft
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VOL. 93. SEPTEMBER 17, 1887*** E-text prepared by Neville Allen, Malcolm Farmer, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 33717-h.htm or 33717-h.zip: (http://www.gutenberg.org/files/33717/33717-h/33717-h.htm) or (http://www.gutenberg.org/files/33717/33717-h.zip) PUNCH, OR THE LONDON CHARIVARI VOLUME 93. SEPTEMBER 17, 1887. * * * * * OUR IGNOBLE SELVES. (_Lament by a Reader of "Letters to the Papers."_) [Illustration] OH! bless us and save us! Like men to behave us We Britons once held it our glory; Now Party bids fair to befool and enslave us. We're lost between Liberal and Tory! Some quidnunc inditeth a letter to GLADSTONE, The style of it, "Stand and deliver!" Its speech may be rude, and its tone quite a cad's tone, Its logic may make a man shiver. _Au contraire_ it _may_ be most lucid and modest, In taste and in pertinence equal (Though such a conjunction would be of the oddest), But what, anyhow, is the sequel? Rad papers _all_ cry, "We've once more before us An instance of folly inrushing." Whilst _all_ the Conservative Journals in chorus Declare "it is perfectly crushing!" "Little Pedlington's" snubbed by the Liberal Press, And urged such fool tricks to abandon. Cry Tories, "I guess the Old Man's in a mess, He hasn't a leg left to stand on!" Oh! save us and bless us! The shirt of old Nessus, Was not such a snare to the hero, As poisonous faction. Crass fools we confess us, With sense and with spirit at zero. If thus we comport us like blind sprawling kittens, Or pitiful partisan poodles, 'Twill prove Party makes e'en of freeminded Britons, A race of incontinent noodles! * * * * * "TO TEAPOT BAY AND BACK." LONDONERS who like but are weary of the attractions of Eastend-on-Mud, and want a change, can scarcely do better than spend twenty-four hours in that rising watering-place Teapot Bay. I say advisedly "rising," because the operation has been going on for more than forty years. In these very pages a description of the "juvenile town," appeared nearly half a century ago. Then it was said that the place was "so infantine that many of the houses were not out of their scaffold-poles, whilst others had not yet cut their windows," and the place has been growing ever since--but very gradually. The "ground plan of the High Street" of those days would still be useful as a guide, although it is only fair to say that several of the fields then occupied by cabbages are now to some extent covered with empty villas labelled "To Let." In the past the High Street was intersected by roads described as "a street, half houses, half potatoes," "a street apparently doing a good stroke of business," "a street, but no houses," "a street indigent, but houseless," "a street which appears to have been nipped in the kitchens," "a street thickly populated with three inhabitants," and last but not least, "a street in such a flourishing condition that it has started a boarding-house and seminary." The present condition of Teapot Bay is much the same--the roads running between two lines of cellars (contributions to houses that have yet to be built) are numerous and testify to good intentions never fulfilled. There is the same meaningless tower with a small illuminated clock at the top of it, and if the pier is not quite so long as it was thirty or forty years ago, it still seems to be occupying the same site. [Illustration: Cheap and Picturesque Roots for Tourists.] The means of getting to Teapot Bay is by railway. Although no doubt numbered amongst the cheap and picturesque routes for tourists, the place is apparently considered by the authorities as more or less of a joke. Margate, Ramsgate, Westgate and Broadstairs, are taken _au serieux_, and have trains which keep their time; but Teapot Bay, seemingly, is looked upon as a legitimate excuse for laughter. If two trains are fixed to start at 12, and 12.30, the twelve o'clock train will leave at 12.30, and the 12.30 at 1. The authorities endeavour to have a train in hand at the end of the day, and I fancy are generally successful in carrying out their intentions. But between London and Teapot Bay there are many slippery carriages, which stop at various Junctions, and refuse to go any further in the required direction. When this happens, the weary traveller has to descend, cross a platform, and try another line. If he is a man of determination, and is not easily disheartened, nine times out of ten he ultimately reaches Teapot Bay, where his arrival causes more astonishment than gratification. When I got to this "rising watering-place" the other day, I found an omnibus in waiting, ready to carry me to the town, which is some little distance from the station. We travelled by circular tour, which included a trot through many of the fields of my boyhood, now, alas! potatoless, and covered with weeds! In one of these fields I noticed a canvas booth, three or four flags, and a group of about twenty spectators, inspecting a gentleman in a scarlet coat, mounted on rather a large-boned horse. "They still have a country-fair here?" I suggested to the person who had collected my sixpence. "That isn't a fair, Sir--them's the Races," was the reply. "Not very well attended, I fear?" I observed. [Illustration: A Circular Tour.] "Better than they was last year--why the whole town has gone to see them this time." A little later we reached the principal inn of the place, which was described in a local Handbook as "an old-established hotel, but comfortable." Rather, to my annoyance (as I was anxious to preserve my _incognito_), I was received by the landlord with respectful cordiality. "Glad you have honoured us, Sir--proud of your presence." I made a sign to him not to betray me, and asked for my room. "Well, Sir, we must put _you_ into the Rotunda." Again by a gesture inviting silence as to my identity, I mounted a flight of stairs, and found myself in a room that once, I think, must have been entirely arbour. Much of the arbour still remained, but a large slice had been partitioned off affording space for a chimney-piece, two chairs, a washstand and a bed. By opening a window which reached to the ground, I found myself on a balcony covered in with creepers, and beneath which was a gas-lamp labelled "Hotel Tap." In front of me was a field with the foundation (long since completed) for some houses at the end of it. On my left another field in the same state of passive preparation, and on my right a side view of the Ocean. It was growing dark, so after an "old-fashioned but comfortable" dinner, I went out for a stroll. "Pleased you should honour us," said the landlord, as he opened the door to allow me to pass. Again to my annoyance, as it was vexatious to be thus identified in this out-of-the-way place as one of the celebrities of the hour. The visitors and other inhabitants of Teapot Bay had returned from the Races, and were walking on the pier listening to the band. The gentlemen were in flannels, the ladies decorated with yards of white ribbon. The band was more select than numerous. Its conductor beat time with his left hand, while with his right he played the "air" of the tune at the moment attracting his attention upon an elaborate instrument that looked like a cross between a clarionet and an old-fashioned brass serpent. There was not much drumming, because the drummer spent nearly all his ample leisure on more or less successful efforts to vend programmes. The band was in a gusty alcove at one end of the pier, a small room covered with placards of a Wizard who, after making the acquaintance of "The Crowned Heads of Europe," was to perform there "to-night," was at the other. Having soon exhausted the pleasure derivable from listening to the band, I sought out the wizard. "Oh, he ain't going to do it again until next Saturday," was the answer of a little girl who had charge of a turnstile, when I asked for a ticket. "But you can see him then." [Illustration: "You're up!"] I retired. As all the shops (possibly a couple of dozen) were closed, I returned to my hotel--really a very comfortable one. In the morning I thought I would have a sea-bath. There were a few machines, which were manipulated with ropes and windlasses. There was an elderly man in charge, who informed me that he could not lower one of these vehicles until his mate returned. "Gone to breakfast?" I suggested. "Breakfast--no one here has time for breakfast!" was the reply. When I left, the landlord again murmured his thanks for the honour I had done him by patronising his hotel. Still anxious to preserve my _incognito_, in bidding him adieu I begged him not to allow my name to appear in the Visitors' List. "You may be sure I won't Sir," said he with a bow as he opened the door, and a tip-inviting "boots" put my portmanteau on the omnibus starting for the station,--"_as I don't know it!_" On the whole I prefer Eastend-on-Mud to Teapot Bay! * * * * * A PRETTY CENTENARIAN. (_Mr. Bull's Song on Miss Columbia's Hundredth Birthday._) "The chief authorities of the several States of this Union have resolved to celebrate, on the 15th, 16th, and 17th days of September next, at Philadelphia, the first centennial anniversary of the framing of the Constitution of the United States, with military and industrial displays, and with other suitable ceremonies."--_Letter of Invitation to Mr. Gladstone from the Constitutional Centennial Commission._ [Illustration: _John Bull._ "A Hundred Years Old, my Dear! Who would have thought it! But then you have such a wonderful constitution!"] AIR.--"_I'm getting a Big Boy now._" YOU have passed through the troubles of national youth, (To have safely survived them's a boon,) You have out your eye-teeth, you look pretty, in truth, But much the reverse of a "spoon." We gaze on you fondly, admiringly, dear; Few traces of age on _your_ brow. A hundred this year? Then it's perfectly clear You are getting a great girl now. _Chorus._ You are getting a great girl now, And you know it, COLUMBIA, I trow. Philadelphia's "boom" Leaves for doubt little room That you're getting a great girl now. I feel like Papa, who though elderly's fresh, And with younkers can sympathise still; You are bone of my bone, you are flesh of my flesh, And I bear you the warmest good-will. _My_ centennial dates which have rapidly run, I have given up counting, somehow; Like me, you'll be learning life is not _all_ fun, For you're getting a great girl now. _Chorus._ You are getting a great girl now. With health and that radiant brow, One hardly would say You're a hundred to-day, Though you're getting a great girl now. You've gone in for Parties.--my plague, dear, at home; If anyone's sick of 'em _I_ am,-- Your land is so large you need hardly to roam, Yet you're known from St. James's to Siam. We greet you as Cousin, our family throng Is wide, but you're welcome, I vow. Come often, stay long, you can hardly do wrong, Though you're getting a great girl now. _Chorus._ You are getting a great girl now, The rawness of youth you outgrow. I am proud of your looks, Like your art, and your books; You _are_ getting a great girl now. To your big birthday party 'twas kind to invite My WILLIAM; I'm sure he'd have come And danced at your ball with the greatest delight, But for years, and some business at home. He's really a marvel, you know, for his age; At your great Philadelphia pow-wow He'd have reeled you off columns of talk, I'll engage, Though he's getting an Old Boy now. _Chorus._ He's getting an Old Boy now, Yet but for our big Irish row, He'd have come like a shot, And orated a lot, Though he's getting an Old Boy now. Your health, my COLUMBIA! A hundred? Seems queer! What a sweet Centenarian you make! I suppose it's your fine "Constitution," my dear; Which nothing, I hope, will e'er shake. You have proved you have not only swiftness, but stay; Well, long may you flourish and grow! Many happy--and hearty--returns of the Day! You are getting a great girl now! _Chorus._ You are getting a great girl now; May you prosper, and keep out of row; Shun bunkum and bawl, All that's shoddy and small, For you're getting a _great_ girl now! * * * * * THE FATHER OF THE MAN. A CASE of some interest to Self-made Men, the conviction of a boy fined half-a-crown for playing, with some other boys, the game of "brag," occasioned Mr. SHIEL, on the Southwark Bench, to observe that "Gambling was the first step towards crime. Boys who began with gambling, very often ended by being thieves." Too often, perhaps, but, it may be hoped, not always. The boy who begins by playing at pitch-and-toss, surely doesn't always grow up to be a man who actually commits manslaughter.
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Produced by Al Haines. [Illustration: Cover art] [Illustration: "A WILD PASSION OF EXCITEMENT, UPROAR, AND TUMULT POSSESSED THE VAST AUDIENCE."--_Page_ 216.] *SARITA, THE CARLIST* BY ARTHUR W. MARCHMONT _Author of "In the Name of a Woman," "For Love or Crown," "By Right of Sword," etc._ TORONTO McLEOD & ALLEN PUBLISHERS Entered according to Act of Parliament of Canada, in the year nineteen hundred and two, by McLEOD & ALLEN, at the Department of Agriculture. *CONTENTS.* CHAPTER. I. The Victim of a Woman's Preference II. The Gate of Hazard III. Carlists IV. Sarita Castelar V. The Explanation VI. "Counting All Renegades Lovers of Satan" VII. Sarita, the Carlist VIII. Sebastian Quesada IX. The Quesada Version X. In London XI. "The Ways of the Carlists Will be Hard" XII. Sarita's Welcome XIII. The Fight XIV. A Coward's Story XV. The Abduction XVI. After the Rescue XVII. War to the Knife XVIII. At the Opera House XIX. A Carlist Gathering XX. At the Hotel De l'Opera XXI. Sarita's Flight XXII. An Unexpected Meeting XXIII. News of Sarita XXIV. A Check XXV. At Calvarro's XXVI. The Plea of Love XXVII. Sarita Hears the Truth XXVIII. How Luck Can Change XXIX. Quesada Again XXX. Suspense XXXI. At the Palace XXXII. Livenza's Revenge XXXIII. The Hut on the Hillside XXXIV. A King's Riddle *SARITA, THE CARLIST* *CHAPTER I* *THE VICTIM OF A WOMAN'S PREFERENCE* If A won't marry B, ought C to be exiled? Stated in that bald fashion the problem looks not unlike an equation that has lost caste and been relegated to a nonsense book, or lower still, to some third-rate conundrum column. And yet it was the real crux of a real situation, and meant everything to me, Ferdinand Carbonnell, the victim of a woman's preference. It came about in this way. The Glisfoyle peerage, as everyone knows, is only a poor one, and originality not being a strong point with us, Lascelles, my elder and only brother, having taken counsel with my father, fell back upon the somewhat worn device of looking out for a wife with money. He was not very successful in the quest, but at length a desirable quarry was marked down in the person of a Mrs. Abner B. Curwen, the young widow of an American millionaire; and great preparations were made to lure her into the net that was spread in the most open and unabashed manner before her very eyes. But those eyes--bright, merry, and laughing--had a brain behind them that was practical and penetrating, and she saw the meshes quite plainly. She accepted the hospitality with pleasure, did her best to make a friend of my only sister, Mercy, was properly subdued, if not awed, in the presence of my father, and, in fact, did everything expected of her except the one thing--she would not let Lascelles make love to her, and completely out-manoeuvred him whenever he tried to bring matters to a head. Moreover, a crisis of another kind was in the brewing. Mrs. Curwen herself was not an American, but a north-country Englishwoman, who had used her pretty looks and sharp wits to captivate the rich American, and she took Mercy into her confidence one day to an extent that had results. "I am very fond of you, Mercy dear, and would give much to have you as my sister; but your brother, Lascelles, is too formal, too stiff in the backbone, for me. I have made one marriage for a reason that wasn't love: but I married an old man; and when I marry again it won't be for either position or money. I should dearly love to have you for my sister, as I say, but I could not marry your brother Lascelles. Ferdinand is just awfully nice--but I suppose he's a dreadful scapegrace." I think Mercy laughed hugely at this--her merry heart laughs at most things--and certainly, when she told me--as being my best particular chum she was bound to do immediately--we laughed heartily over it together. "She's a bright, jolly, little soul and beastly rich, but I'm not having any," said I, shaking my head. "I don't want to cut out poor old Cello"--this was an unrighteous nickname of ours for Lascelles, with a covert reference to his deep, solemn, twangy voice. "But you'd better tell the father." "You might do worse, Nand," declared my sister. "Her wealth would give you just the chance you want; and it would be awfully jolly to have a rich brother, and she's a good sort; and you could settle down and----" "Don't be a little humbug, Mercy. She's all right, I daresay; but I'm not made that way. If I were going to succeed the father I might think about selling myself for a good round sum; but no, thank you, I'm not in the market. You'd better let Cello and the father know that this little net of theirs has got fouled;" and with that I dismissed the matter, and with no thought of trouble went off on a fortnight's visit to an old Oxford friend. When I got back to town, however, matters had moved fast, and plans were cut and dried. Lascelles had come to the conclusion that if I were out of the way his suit would prosper, and he had grown to like the little widow as much as a person of his importance could care for anyone who did not wear his clothes. My father and he had, therefore, set to work with a burst of Irish zeal, and had succeeded in getting me made a kind of probationary attache at the Madrid Embassy; and expected me to be mightily pleased at the result of their innocent efforts on my behalf. My father told me the good news on my arrival, and the next morning there came the official confirmation. My father was in quite cheerful spirits. "Your foot is on the ladder, Ferdinand," he said, gleefully. He was very partial to this metaphor. Life to him was a maze of ladders, leading up and down and in all directions, of which, by the way, he had made very indifferent use. "You may climb where you will now, my boy. You've a steady head at times." "I trust I shall not be dizzied by the giddy height of this position, sir," I answered, not wholly without guile, for I was not enamoured of this prospective expatriation in the cause of fraternity. "I don't think it's a subject for feeble satire," exclaimed Lascelles, sourly. "You've not made such a brilliant success of things on your own account and during your years of vagrancy. I trust you'll remember who you are now, and endeavour to do the family credit, and seek to climb the ladder which our father rightly says is open to you." "I hope you won't marry a wretched Spanish woman to carry up with you," said Mercy, a little pungently. She resented my exile more than I did. "Such a remark is scarcely called for, Mercy," said Lascelles, always glad to pose as the much elder brother, and objecting to any reference to the subject of marriage at such a moment. But Mercy was as resentful as a nettle when handled tactlessly. "You mean we ought to taboo the subject of marriage just at present. Very well, dear," she said, demurely and humbly. My brother frowned and fidgetted on his chair, while I shut down a smile. "Madrid has a questionable climate, but I believe it is excellent for young strong men," said my father, obviously glad that he had not to go. "It is fortunate you have such a knowledge of Spanish, Ferdinand. It was that which turned the scale in your favour. Sir John Cullingworth told me so. It's what I've always said; all boys
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Produced by Charles Aldarondo, Charles Franks and the Online Distributed Proofreading Team PHILISTIA BY GRANT ALLEN CONTENTS. CHAPTER I. CHILDREN OF LIGHT II. THE COASTS OF THE GENTILES III. MAGDALEN QUAD IV. A LITTLE MUSIC V. ASKELON VILLA, GATH VI. DOWN THE RIVER VII. GHOSTLY COUNSEL VIII. IN THE CAMP OF THE PHILISTINES IX. THE WOMEN OF THE LAND X. THE DAUGHTERS OF CANAAN XI. CULTURE AND CULTURE XII. THE MORE EXCELLENT WAY XIII. YE MOUNTAINS OF GILBOA XIV. WHAT DO THESE HEBREWS HERE XV. EVIL TIDINGS XVI. FLAT REBELLION XVII. COME YE OUT AND BE YE SEPARATE! XVIII. A QUIET WEDDING XIX. INTO THE FIRE XX. LITERATURE, MUSIC, AND THE DRAMA XXI. OFF WITH THE OLD LOVE XXII. THE PHILISTINES TRIUMPH XXIII. THE STREETS OF ASKELON XXIV. THE CLOUDS BEGIN TO BREAK XXV. HARD PRESSED XXVI. IRRECLAIMABLE XXVII. RONALD COMES OF AGE XXVIII. TELL IT NOT IN GATH XXIX. A MAN AND A MAID XXX. THE ENVIRONMENT FINALLY TRIUMPHS XXXI. DE PROFUNDIS XXXII. PRECONTRACT OF MARRIAGE XXXIII. A GLEAM OF SUNSHINE XXXIV. HOPE XXXV. THE TIDE TURNS XXXVI. OUT OF THE HAND OF THE PHILISTINES XXXVII. LAND AT LAST: BUT WHAT LAND? CHAPTER I. CHILDREN OF LIGHT. It was Sunday evening, and on Sundays Max Schurz, the chief of the London Socialists, always held his weekly receptions. That night his cosmopolitan refugee friends were all at liberty; his French disciples could pour in from the little lanes and courts in Soho, where, since the Commune, they had plied their peaceful trades as engravers, picture-framers, artists'-colourmen, models, pointers, and so forth--for most of them were hangers-on in one way or another of the artistic world; his German adherents could stroll round, pipe in mouth, from their printing-houses, their ham-and-beef shops, or their naturalists' chambers, where they stuffed birds or set up exotic butterflies in little cabinets--for most of them were more or less literary or scientific in their pursuits; and his few English sympathisers, chiefly dissatisfied philosophical Radicals of the upper classes, could drop in casually for a chat and a smoke, on their way home from the churches to which they had been dutifully escorting their un-emancipated wives and sisters. Max Schurz kept open house for all on Sunday evenings, and there was not a drawing-room in London better filled than his with the very advanced and not undistinguished set who alone had the much-prized entree of his exclusive salon. The salon itself did not form any component part of Max Schurz's own private residence in any way. The great Socialist, the man whose mandates shook the thrones of Russia and Austria, whose movements spread terror in Paris and Berlin, whose dictates were even obeyed in Kerry and in Chicago, occupied for his own use two small rooms at the
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Produced by MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive). PERSONAL NARRATIVES OF EVENTS IN THE War of the Rebellion, BEING PAPERS READ BEFORE THE RHODE ISLAND SOLDIERS AND SAILORS HISTORICAL SOCIETY. Fifth Series.--No. 8. PROVIDENCE: PUBLISHED BY THE SOCIETY. 1898. SNOW & FARNHAM, PRINTERS. BATTLE OF THE CRATER AND Experiences of Prison Life. BY SUMNER U. SHEARMAN, [Late Captain, Fourth Rhode Island Volunteers.] PROVIDENCE: PUBLISHED BY THE SOCIETY. 1898. [Edition limited to two hundred and fifty copies.] Battle of the Crater; and Experiences of Prison Life. I have been asked by the Society under whose auspices we are gathered to-night to tell you something of my personal experiences in the Battle of the Mine, or of the Crater, as it is sometimes called, and to supplement those experiences with some account of my life in a Southern prison. At the time of the battle I was captain of Company A, Fourth Rhode Island Volunteers Infantry. The regiment to which I belonged was a portion of the Ninth Army Corps, under the command of General Burnside. The battle was fought on the 30th of July, 1864. But some months previous, as far back as January, 1863, the regiment, as also the corps, had been detached from the Army of the Potomac. Burnside, as you know, succeeded McClellan after the battle of Antietam in command of the Army of the Potomac; but he himself was removed from that command in January, 1863, and taken away from the Army of the Potomac. But the regiment to which I belonged ultimately became separated from the corps, and was on detached duty in the city of Norfolk, Virginia, and afterwards at Point Lookout, Maryland, where we were when the order came for us to rejoin the Ninth Corps, which had been brought back to the Army of the Potomac. We arrived in front of Petersburg, at a point on the line where the Ninth Army Corps was stationed, on the Fourth of July, 1864. The two lines, our line and the enemy's, were at this point very near each other, from one hundred and fifty to three hundred yards apart, the distance varying according to the line of the works. We were ordered to encamp in some woods in the rear of our line of rifle-pits, and not far from them. Shots from the enemy were continually coming into our camp, being fired at the men in the breastworks in front. We had to erect a barricade in the camp to protect ourselves, behind which we lived. Men of course strayed more or less away from the barricade, and every now and then some one would be wounded. Every three or four days it became our turn to take our places in the rifle-pits, where we had to stay forty-eight hours, and sometimes longer. We never went into the rifle-pits without some one being killed or wounded. While we were encamped in this way, we heard of the plan of Lieutenant-Colonel Henry Pleasants, of the Forty-eighth Pennsylvania Infantry, who was a practical miner, and his men were largely men who had worked in the coal mines of Pennsylvania. He conceived the idea of building a mine under a certain portion of the enemy's works, with the purpose of blowing them up. At a certain point in the enemy's line, opposite the point where we were located, was a very strong earthwork, mounting several guns of large calibre, which did very much damage to our fortifications and troops. It was but one hundred and fifty yards from our line to that point. Back of it, on higher ground, was a hill called Cemetery Hill, regarded as a strategic point. If we could capture that hill, it was believed that much would be done to force General Lee out of Richmond. This fort stood in the way. Colonel Pleasants believed that he could remove it by his plan of blowing it up. The idea was that, if the fort could be removed by the explosion, the enemy being taken by surprise, opportunity would be afforded for our troops, already in position, to charge in through the open space thus made, and, taking advantage of the surprise on the part of the enemy, to push on to the crest of Cemetery Hill. Colonel Pleasants met with no encouragement on the part of General Meade, in command of the Army of the Potomac; nevertheless, as General Burnside, his corps commander, approved of it, he was allowed to undertake it. No assistance whatever was afforded him by the Engineer Corps of the Army. He had to devise such methods as he could to accomplish his purpose, working at a great disadvantage all the time, but he finally accomplished the task. He began the work inside of our lines, under cover of a hill, at a point where the enemy could not perceive what was being done, and carried his tunnel through the earth the whole distance of one hundred and fifty yards, until he reached the fort. It was twenty feet beneath the surface of the ground at the point he reached. From thence he made a branch at right angles on either side, making it in the form of a letter T, as it were, at that point. In these branches he placed large wooden tanks in which powder was to be put. Four tons of powder were placed in these wooden boxes, and connected by a fuse at the entrance of the mine. The 30th of July, 1864, was fixed upon as the time for the explosion to take place. It was intended to have it take place somewhere about three o'clock in the morning. Troops were gotten into position the night before under cover of the darkness, ready to charge as soon as the mine should be exploded. I had been engaged for some days previous at the headquarters of the Third Division of the Ninth Army Corps, General Potter commanding, as judge advocate in connection with a court-martial. On the evening before the battle, the evening of the 29th, an order came to me to report to my regiment. I did so, and found that it was about to take its place in line of battle, ready to join in the charge on the morning of the next day. I had my supper in camp as usual, and we started to take up our position, carrying with us no food, nor anything in the way of clothing, except the clothes we had on. The time arrived when the explosion was expected to take place, but no explosion occurred. It was learned that the fuse had gone out. An officer of the Forty-eighth Pennsylvania volunteered to go in and relight the fuse; and, as I remember, it went out a second time, and was relighted. Shortly before five o'clock, just as the sun was rising, a sound as of thunder was distinctly heard, and in a moment the earth at the point where the mine had been constructed was thrown upward, slowly mounting into the air to a height of some two hundred feet, and then, spreading out like a fan, fell back again into the excavation made by the explosion. The soil was of a clayey character, and enormous boulders of clay were thrown up and fell back around the opening, resembling in some respects the crater of a volcano; hence the battle has sometimes been called the Battle of the Crater. The men who were in this fort, and the artillery, and everything pertaining to the fortifications, huge timbers, ammunition, tents, and everything that would be naturally located there, were all thrown heavenward. The men, of course, were either killed or wounded, with hardly an exception. A large number of men were in the fort. It has been estimated by some that there were a thousand. As soon as the explosion took place, the artillery all along the line on our side, some one hundred and twenty pieces or more, began firing at that point. The firing lasted some moments, and then the troops were directed to charge. It had been the plan of General Burnside to have his division of <DW52> troops lead the advance. There was in the Ninth Corps at that time a division of <DW52> troops. They had been drilled with the idea of taking the advance, but General Meade overruled Burnside's plan, and thought it best that the <DW52> troops should not be put in that position. So General Burnside called together his division commanders, and told them of the change of plan on the very night before the battle, and allowed them to draw lots to see which one should take the lead. The lot fell to General Ledlie, the least efficient of the division commanders in the Ninth Corps. When the Third Division, to which my regiment belonged, charged over our breastworks and across the space between our line and the enemy's line, they came upon the enemy's works to the right of the crater; but by that time the enemy had recovered from his surprise, and was concentrating a terrible fire upon all that region. The men instinctively sought shelter in the excavation made by the explosion, but when we arrived at that point we found the crater filled with troops of General Ledlie's division. There seemed to be complete chaos reigning there. The lieutenant-colonel of our regiment, who was in command, Colonel Buffum, tried to rally the men, as did officers of other regiments, and to push on to Cemetery Hill; but General Ledlie, who should have been with his command, remained behind in a bomb-proof. I remember seeing him, as we passed the front, secure in a bomb-proof. His troops had fallen into confusion in the way I have explained, and he was not there to remedy the situation. It seemed impossible for the officers to accomplish anything in the midst of the reigning confusion. The Fourth Rhode Island, the few of us that were together at that time, followed the colonel and the color bearer out beyond the enemy's works towards Cemetery Hill, but we encountered such a hurricane of shot and shell that it was impossible to face it, and we were driven back again into the shelter of the enemy's works, where we remained. The attempt to capture Cemetery Hill had proved a failure. Many of the men and officers tried to get back to our own line, but the enemy by that time had a raking fire over the space
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E-text prepared by Suzanne Shell, Matthew Wheaton, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 41828-h.htm or 41828-h.zip: (http://www.gutenberg.org/files/41828/41828-h/41828-h.htm) or (http://www.gutenberg.org/files/41828/41828-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://archive.org/details/generalbounceorl00whyt GENERAL BOUNCE [Illustration: "'Where have you been all day? You promised to drive me out--you know you did!'" _Page 77_] GENERAL BOUNCE or The Lady and the Locusts by G. J. WHYTE-MELVILLE Author of "Katerfelto," "The Interpreter," "Market Harborough," etc. Illustrated by Frances E. Ewan London Ward, Lock & Co., Limited New York and Melbourne PREFACE Where the rose blushes in the garden, there will the bee and the butterfly be found, humming and fluttering around. So is it in the world; the fair girl, whose sweetness is enhanced by the fictitious advantages of wealth and position, will ever have lovers and admirers enough and to spare. Burns was no bad judge of human nature; and he has a stanza on this subject, combining the reflection of the philosopher with the _canny_ discrimination of the Scot. "Away with your follies of beauty's alarms, The _slender_ bit beauty you clasp in your arms; But gi'e me the lass that has acres of charms, Oh, gi'e me the lass with the _weel-plenished_ farms." Should the following pages afford such attractive young ladies matter for a few moments' reflection, the author will not have written in vain. May he hope they will choose well and wisely; and that the withered rose, when she has lost her fragrance, may be fondly prized and gently tended by the hand that plucked her in her dewy morning prime. CONTENTS CHAP. PAGE I. My Cousin 9 II. The Abigail 26 III. The Handsome Governess 41 IV. "Libitina" 58 V. Uncle Baldwin 72 VI. The Blind Boy 85 VII. Boot and Saddle 101 VIII. The Ball 116 IX. Want 130 X. Superfluity 146 XI. Campaigning Abroad 161 XII. Campaigning at Home 177 XIII. The World 194 XIV. To Persons about to Marry 204 XV. Penelope and her Suitors 212 XVI. Forgery 225 XVII. Club Law 236 XVIII. The Strictest Confidence 247 XIX. Dispatches 259 XX. Dawn in the East 276 XXI. Hospital 292 XXII. The Widow 303 XXIII. "Stop her" 309 XXIV. King Crack 323 XXV. "Dulce Domum" 333 XXVI. "Eudaemon" 347 XXVII. Flood and Field 360 XXVIII. "The Sad Sea Wave" 374 GENERAL BOUNCE _OR, THE LADY AND THE LOCUSTS_ CHAPTER I MY COUSIN AN ENGLISHMAN'S HOLIDAY--ST. SWITHIN'S IN A CALM--THE MERCHANT'S AMBITION--"MON BEAU COUSIN"--CASTLES IN THE AIR--A LIVELY CRAFT--"HAIRBLOWER" AND HIS COLD BATH Much as we think of ourselves, and with all our boasted civilisation, we Anglo-Saxons are but a half-barbarian race after all. Nomadic, decidedly nomadic in our tastes, feelings, and pursuits, it is but the moisture of our climate that keeps us in our own houses at all, and like our Scandinavian ancestors (for in turf parlance we have several crosses of the old Norse blood in our veins), we delight periodically--that is, whenever we have a fortnight's dry weather--to migrate from our dwellings, and peopling the whole of our own sea-board, push our invading hordes over the greater part of Europe, nor refrain from thrusting our outposts even into the heart of Asia, till the astonished Mussulman, aghast at our vagaries, strokes his placid beard, and with a blessing on his Prophet that he is not as we are, soothes his disgust with a sentiment, so often repeated that in the East it has become a proverb--viz. that "There is one devil, and there are many devils; but there is _no_ devil like a Frank in a round hat!" It was but last autumn that, stepping painfully into our tailor's shop--for, alas! a course of London dinners cannot be persisted in, season after season, without producing a decided tendency to gout in the extremities--hobbling, then, into our tailor's warehouse, as he calls it, we were measured by an unfledged jackanapes, whose voice we had previously heard warning his brother fractions that "an old gent was a waitin' inside," instead of that spruce foreman who, for more years than it is necessary to specify, has known our girth to an inch, and our weight to a pound. Fearful that in place of the grave habit of broadcloth which we affect as most suitable to our age and manner, we might find ourselves equipped in one of the many grotesque disguises in which young gentlemen now-a-days deem it becoming to hide themselves, and described by the jackanapes, aforesaid, who stepped round us in ill-concealed admiration of our corpulence, as "a walking coat, a riding coat, a smoking coat, or a coat _to go to the stable in_!" we ventured to inquire for "the person we usually saw," and were informed that "the gent as waited on us last year had gone for a few months' holiday to the Heast." Heavens and earth, Mr. Bobstitch was even then in Syria! What a Scandinavian! rather degenerate to be sure in size and ferocity--though Bobstitch, being a little man, is probably very terrible when roused--but yet no slight contrast to one of those gaunt, grim, russet-bearded giants that made the despot of the Lower Empire quake upon his throne. And yet Bobstitch was but obeying the instinct which he inherits from the sea-kings his ancestors, an instinct which in less adventurous souls than a tailor's fills our watering-places to overflowing, and pours the wealth, while it introduces the manners, of the capital into every bight and bay that indents the shores of Britain. Doubtless the citizens are right. Let us, while we are in Scandinavian vein, make use of an old Norse metaphor, and pressing into our service the two Ravens of Odin, named Mind and Will, with these annihilate time and space, so as to be, like the Irish orator's bird, "in two places at once." Let us first of all take a retrospective glance at Mrs. Kettering's house in Grosvenor Square, one of the best houses, by the way, to be had in London for love or money. We recollect it well, not so many years ago, lit up for one of those great solemnities which novelists call "a rout," but which people in real life, equally martially as well as metaphorically, designate "a drum." To us creeping home along the pavement outside the _fete_, it seemed the realisation of fairyland. Row upon row, glaring carriage-lamps, like the fabulous monsters keeping watch, illuminated the square and adjoining streets, even to the public-house round the corner, that night driving a highly remunerative trade; whilst on a nearer inspection magnificent horses (horses, like ladies, look most beautiful by candle-light), gorgeous carriages--none of your Broughams and Clarences, but large, roomy, well-hung family coaches, with cartoons of heraldry on the panels--gigantic footmen, and fat coachmen, struck the beholder with admiration not totally unmixed with awe. Then the awning that was to admit the privileged to the inner realms of this earthly paradise, of which the uninitiated might know but the exterior; what a gauzy, gaudy transparency it was, no unfitting portal to that upper storey, from which the golden light was hardly veiled by jalousies and window-blinds. Ever and anon, much lashing of bay, brown, or chestnut sufferers, and the interference of a tall policeman, with a hat made on purpose to be assaulted by bludgeons, betokened the arrival of a fresh party, and angelic beings in white robes, with glossy hair, tripped daintily up the steps over a cloth, not of gold exactly, but of horse-hair, amongst a phalanx of unwashed faces, gazing half enviously at such loveliness in full dress. How beautiful we used to think these apparitions as we plodded home to our quiet chambers! but young Bareface, our connecting link with the great world, who goes to all the _best_ places, through the influence of his aunt, Lady Champfront, assures us they don't look half so beautiful inside, and that he sees quite as pretty faces, and hair quite as nicely done, at the little gatherings in Russell Square and Bloomsbury, to which even we might go if we liked. A radical dog! we don't believe a word of it. Never mind, let us look at that house in the dead time of year. Without and within, from attics to basement, from the balcony facing the square to the empty bird-cage overlooking a precipice of offices at the back, Repose and Ennui reign supreme. Were it not for the knocking of the workmen next door, we might as well be in the Great Desert. There _is_, we presume, a woman in possession, but she has gone to "get the beer," and if you have ever sighed for a town-house, now is the time to be satisfied with your rustic lot, and to hug yourself that you are not paying ground-rent and taxes, church-rate, poor's-rate, and water-rate, drainage, lighting, and paving, for that ghastly palace of soot and cobwebs, dust, dreariness, and decay. There is a scaffolding up in every third house in the square; and workmen in paper caps, with foot-rules sticking out of their fustian trousers, and complexions ingrained with lime-dust, and guiltless of fresh water, seem to be the only inhabitants of this deserted region, and even they are "between earth and heaven." Brown and parched are the unfortunate shrubs in those gardens of which discontented householders "round the corner" covet so to possess a key; and the very birds, sparrows, every feather of 'em, hop about in dirty suits of plumage that can only be described as of that colour unknown to naturalists, which other people call "grimy." Who would be in London in the autumn? Not Mrs. Kettering, certainly, if she might be elsewhere; and although she had possessed this excellent and commodious family mansion, with all its boudoirs, retreats, and appurtenances, so well described in the advertisement, but a short time, and was not the giver of that "reunion of fashionables" we have depicted above (indeed, the hostess of that evening has since been economising up two pair of stairs at Antwerp); yet Mrs. Kettering having plenty of money, and being able to do what she liked, had wisely moved herself, her fancies, her imperials, and her family to the coast, where, obeying the instinct for freedom that has driven Bobstitch to the desert, she was idly inhaling the salt breezes of the Channel, and dazzling her eyes with the sun-glint that sparkled over its dancing waves. Some few years have elapsed since the events took place which we shall endeavour to describe; but the white cliffs of our island change little with the lapse of time, though the sea does make its encroachments ever and anon when the wind has been blowing pretty steady from the south-west for a fortnight or so, and the same scene may be witnessed any fine day towards the middle of August as that which we are about to contrast with the dulness, closeness, and confinement of the great town-house in Grosvenor Square. First, we must imagine a real summer's day, such a day as in our island we seldom enjoy till summer has well-nigh given place to autumn, but which, when it does come, is worth waiting for. Talk of climate! a real fine day in England, like a really handsome Englishwoman, beats creation. Well, we must imagine one of these bright, hot, hay-making days, almost too warm and dusty ashore, but enjoyable beyond conception on the calm and oily waves, unruffled by the breeze, and literally as smooth as glass. A sea-bird occasionally dips her wing on the surface, and then flaps lazily away, as if she too was as much inclined to go to sleep as yonder moveless fleet of lugger, brig, bark, and schooner, with their empty sails, and their heads all round the compass. There is a warm haze towards the land, and the white houses of St. Swithin's seem to glow and sparkle in the heat, whilst to seaward a modified sort of mirage would make one fancy one could plainly distinguish the distant coast of France. Ashore, in those great houses, people are panting, and gasping, and creating thorough draughts that fill their rooms with a small white dust of a destructive tendency to all personal property. The children up-stairs are running about in linen under-garments, somewhat more troublesome than usual, with a settled flush on their little peach-like cheeks, and the shining streets are deserted, save by the perspiring pot-boy, and the fly-men drinking beer in their shirt sleeves. Only afloat is there a chance of being cool; and sailing-boat, gig, dinghy, and cobble, all are in requisition for the throng of amateur mariners, rushing like ducklings to the refreshing element. It was on just such a day as this that Mrs. Kettering found it extremely difficult to "trim the boat." A mile or so from the shore, that boat was slowly progressing, impelled by the unequal strength of her nephew Charles, commonly called "Cousin Charlie," and its worthy proprietor, a fine specimen of the genus "seaman," who certainly had a Christian name, and probably a patronymic, but had sunk both distinctions under the sobriquet of "Hairblower," by which appellation alone he was acknowledged by gentle and simple, bold and timid, delicate ladies and bluff fishermen, along many a mile of sea-board, up and down from St. Swithin
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Produced by Jon Ingram, David King, and the Online Distributed Proofreading Team The Crisis of the Naval War By ADMIRAL OF THE FLEET VISCOUNT JELLICOE OF SCAPA G.C.B., O.M., G.C.V.O. _With 8 Plates and 6 Charts_ 1920 CONTENTS CHAPTER 1. ADMIRALTY ORGANIZATION: THE CHANGES IN 1917 2. SUBMARINE CAMPAIGN IN THE EARLY PART OF 1917 3. ANTI-SUBMARINE OPERATIONS 4. THE INTRODUCTION OF THE CONVOY SYSTEM 5. THE CONVOY SYSTEM AT WORK 6. THE ENTRY OF THE UNITED STATES: OUR NAVAL POLICY EXPLAINED 7. PATROL CRAFT AND MINESWEEPING SERVICES 8. THE DOVER PATROL AND THE HARWICH FORCES 9. THE SEQUEL 10. "PRODUCTION" AT THE ADMIRALTY DURING 1917 11. NAVAL WORK 12. THE FUTURE INDEX LIST OF PLATES A Mine Exploding A German Submarine of the U-C Type A German Submarine of the later Cruiser Class A Smoke Screen for a Convoy The Dummy Deck-house of a Decoy Ship A Convoy Zigzagging A Convoy with an Airship Drifters at Sea A Paddle Minesweeper A German Mine on the Surface Two Depth Charges after Explosion The Tell-tale Oil Patch A Submarine Submerging Periscope of Submerged Submarine Travelling at Slow Speed A Submarine Submerged LIST OF CHARTS (CONTAINED IN THE POCKET AT THE END OF THE BOOK) A. Approach Areas and Typical Routes. B. Typical Approach Lines. C. Barred Zones Proclaimed by the Germans. D. Patrol Areas, British Isles. E. Patrol and Minesweeping Zones in the Mediterranean. F. Showing French and British Ports within Range of the German Bases at Ostend and Zeebrugge. To The Officers and Men of our Convoy, Escort, Patrol and Minesweeping Vessels and their Comrades of the Mercantile Marine by whose splendid gallantry, heroic self-sacrifice, and unflinching endurance the submarine danger was defeated INTRODUCTION Owing to the peculiar nature and demands of naval warfare, but few dispatches, corresponding to those describing the work and achievements of our great armies, were issued during the progress of the war. In a former volume I attempted to supply this defect in the historical records, which will be available for future generations, so far as the Grand Fleet was concerned, during my period as its Commander-in-Chief. The present volume, which was commenced and nearly completed in 1918, was to have been published at the same time. My departure on a Naval mission early in 1919 prevented me, however, from putting the finishing touches to the manuscript until my return this spring. I hesitated as to the publication of this portion of what is in effect one complete narrative, but eventually decided not to depart from my original purpose. There is some reason to believe that the account of the work of the Grand Fleet gave the nation a fuller conception of the services which the officers and men of that force rendered in circumstances which were necessarily not easily appreciated by landsmen. This second volume, dealing with the defeat of the enemy's submarine campaign, the gravest peril which ever threatened the population of this country, as well as of the whole Empire, may not be unwelcome as a statement of facts. They have been set down in order that the sequence and significance of events may be understood, and that the nation may appreciate the debt which it owes, in particular, to the seamen of the Royal Navy and the Mercantile Marine, who kept the seas during the unforgettable days of the intensive campaign. This book, therefore, gives the outline of the work accomplished by the Navy in combating the unrestricted submarine warfare instituted by the Central Powers in February, 1917. It would have been a labour of love to tell at greater length and in more detail how the menace was gradually overcome by the gallantry, endurance and strenuous work of those serving afloat in ships flying the White or the Red Ensigns, but I had not the necessary materials at my disposal for such an exhaustive record. The volume is consequently largely concerned with the successive steps taken at the Admiralty to deal with a situation which was always serious, and which at times assumed a very grave aspect. The ultimate result of all Naval warfare must naturally rest with those who are serving afloat, but it is only just to the Naval officers and others who did such fine work at the Admiralty in preparing for the sea effort, that their share in the Navy's final triumph should be known. The writing of this book appeared also to be the only way in which I could show my keen appreciation of the loyalty and devotion to duty of the Naval Staff, of the many clever, ingenious and audacious schemes developed and carried through for the destruction of submarines and the safeguarding of ocean-borne trade, and of the skilful organization which brought into being, and managed with such success, that great network of convoys by which the sea communications of the Allies were kept open. The volume shows how the officers who accompanied me to the Admiralty from the Grand Fleet at the end of 1916, in association with those already serving in Whitehall and others who joined in 1917, with the necessary and valuable assistance of our comrades of the Mercantile Marine, gradually produced the measures by which the Sea Service conquered the gravest danger which has ever faced the Empire. There were at times inevitable set-backs as the enemy gained experience of our methods, and new ones had then to be devised, and we were always most seriously handicapped by the strain imposed upon the Fleet by our numerous military and other commitments overseas, and by the difficulty of obtaining supplies of material, owing to the pre-occupation of our industries in meeting the needs of our Armies in equipment and munitions; but, generally speaking, it may be said that in April, 1917, the losses reached their maximum, and that from the following month and onwards the battle was being slowly but gradually won. By the end of the year it was becoming apparent that success was assured. The volume describes the changes carried out in the Admiralty Staff organization; the position of affairs in regard to submarine warfare in the early part of 1917; and the numerous anti-submarine measures which were devised and brought into operation during the year. The introduction and working of the convoy system is also dealt with. The entry of the United States of America into the war marked the opening of a new phase of the operations by sea, and it has been a pleasure to give particulars of our cordial co-operation with the United States Navy. The splendid work of the patrol craft and minesweepers is described all too briefly, and I have had to be content to give only a brief summary of the great services of the Dover and Harwich forces. Finally, an effort has been made to suggest the range and character of the work of the Production Departments at the Admiralty. It is impossible to tell this part of the story without conveying some suggestion of criticism since the output never satisfied our requirements. I have endeavoured also to indicate where it seemed to me that changes in organization were not justified by results, so that in future years we may benefit by the experience gained. But I would not like it to be thought that I did not, and do not, realize the difficulties which handicapped production, or that I did not appreciate to the full the work done by all concerned. It is unfortunate that attempts to draw attention to the lessons taught us by the war are regarded by many people either as complaints of lack of devotion to the country's interests on the part of some, or as criticisms of others who, in the years before the war or during the war, were responsible for the administration of the Navy. In anticipation of such an attitude, I wish to state emphatically that, where mention is made of apparent shortcomings or of action which, judged by results, did not seem, to meet a particular situation, this is done solely in order that on any future occasion of a similar character--and may the day be long postponed--the nation may profit by experience. Those who are inclined to indulge in criticism should ever bear in mind that the Navy was faced with problems which were never foreseen, and could not have been foreseen, by anyone in this country. Who, for instance, would have ever had the temerity to predict that the Navy, confronted by the second greatest Naval Power in the world, would be called upon to maintain free communications across the Channel for many months until the months became years, in face of the naval forces of the enemy established on the Belgian coast, passing millions of men across in safety, as well as vast quantities of stores and munitions? Who would have prophesied that the Navy would have to safeguard the passage of hundreds of thousands of troops from the Dominions to Europe, as well as the movement of tens of thousands of labourers from China and elsewhere? Or who, moreover, would have been believed had he stated that the Navy would be required to keep open the sea communications of huge armies in Macedonia, Egypt, Palestine, Mesopotamia and East Africa, against attack by surface vessels, submarines and mines, whilst at the same time protecting the merchant shipping of ourselves, our Allies, and neutral Powers against similar perils, and assisting to ensure the safety of the troops of the United States when they, in due course, were brought across the Atlantic? Compare those varied tasks with the comparatively modest duties which in pre-war days were generally assigned to the Navy, and it will be seen how much there may be to learn of the lessons of experience, and how sparing we should be of criticism. Wisdom distilled from events which were unforeseeable should find expression not in criticisms of those who did their duty to the best of their ability, but in the taking of wise precautions for the future. Little mention is made in this volume of the work of the Grand Fleet during the year 1917, but, although that Fleet had no opportunity of showing its fighting power, it must never be forgotten that without the Grand Fleet, under the distinguished officer who succeeded me as Commander-in-Chief at the end of 1916, all effort would have been of no avail, since every operation by sea, as well as by land, was carried out under the sure protecting shield of that Fleet, which the enemy could not face. I am conscious of many shortcomings in the book, but it may prove of interest to those who desire to know something of the measures which gradually wore down the German submarine effort, and, at any rate, it is the only record likely to be available in the near future of the work of fighting the submarines in 1917. June, 1920. CHAPTER I ADMIRALTY ORGANIZATION; THE CHANGES IN 1917 It is perhaps as well that the nation generally remained to a great extent unconscious of the extreme gravity of the situation which developed during the Great War, when the Germans were sinking an increasing volume of merchant tonnage week by week. The people of this country as a whole rose superior to many disheartening events and never lost their sure belief in final victory, but full knowledge of the supreme crisis in our history might have tended to undermine in some quarters that confidence in victory which it was essential should be maintained, and, in any event, the facts could not be disclosed without benefiting the enemy. But the position at times was undoubtedly extremely serious. At the opening of the war we possessed approximately half the merchant tonnage of the world, but experience during the early part of the struggle revealed that we had not a single ship too many for the great and increasing oversea military liabilities which we were steadily incurring, over and above the responsibility of bringing to these shores the greater part of the food for a population of forty-five million people, as well as nearly all the raw materials which were essential for the manufacture of munitions. The whole of our war efforts, ashore
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SOUTH*** E-text prepared by Juliet Sutherland and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 28491-h.htm or 28491-h.zip: (http://www.gutenberg.net/dirs/2/8/4/9/28491/28491-h/28491-h.htm) or (http://www.gutenberg.net/dirs/2/8/4/9/28491/28491-h.zip) DISHES & BEVERAGES OF THE OLD SOUTH by Martha McCulloch-Williams Author of "Field Farings," "Two of a Trade," "Milre," "Next to the Ground," etc. Decorations by Russel Crofoot [Illustration] New York McBride Nast & Company 1913 Copyright, 1913, by Mcbride, Nast & Co. Published, October, 1913 CONTENTS PAGE GRACE BEFORE MEAT 9 THE STAFF OF LIFE 26 SAVING YOUR BACON 39 HAMS AND OTHER HAMS 59 FOR THIRSTY SOULS 72 PASTE, PIES, PUDDINGS 90 CREOLE COOKERY 118 CAKES, GREAT AND SMALL 136 MEAT, POULTRY, GAME, EGGS 158 SOUPS, SALADS, RELISHES 185 VEGETABLES, FRUIT DESSERTS, SANDWICHES 202 PICKLES, PRESERVES, COFFEE, TEA, CHOCOLATE 220 WHEN THE ORCHARDS "HIT" 239 UPON OCCASIONS 257 SOAP AND CANDLES 292 Dishes & Beverages of the Old South [Illustration: _Grace before Meat_] "Let me cook the dinners of a nation, and I shall not care who makes its laws." Women, if they did but know it, might well thus paraphrase a famous saying. Proper dinners mean so much--good blood, good health, good judgment, good conduct. The fact makes tragic a truth too little regarded; namely, that while bad cooking can ruin the very best of raw foodstuffs, all the arts of all the cooks in the world can do no more than palliate things stale, flat and unprofitable. To buy such things is waste, instead of economy. Food must satisfy the palate else it will never truly satisfy the
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Produced by Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team. The Works of E. P. Roe VOLUME TEN WHAT CAN SHE DO? ILLUSTRATED DEDICATION IF I WERE TO DEDICATE THIS BOOK IT WOULD BE TO THOSE GIRLS WHO RESOLVE THAT THEY WILL NOT PLAY THE POOR ROLE OF MICAWBER, THEIR ONLY CHANCE FOR LIFE BEING THAT SOME ONE WILL "TURN UP" WHOM THEY MAY BURDEN WITH THEIR HELPLESS WEIGHT PREFACE This book was not written to amuse, to create purposeless excitement, or to secure a little praise as a bit of artistic work. It would probably fail in all these things. It was written with a definite, earnest purpose, which I trust will be apparent to the reader. As society in our land grows older, and departs from primitive simplicity, as many are becoming rich, but more poor, the changes that I have sought to warn against become more threatening. The ordinary avenues of industry are growing thronged, and it daily involves a more fearful risk for a woman to be thrown out upon the world with unskilled hands, an untrained mind, and an unbraced moral nature. Impressed with this danger by some considerable observation, by a multitude of facts that might wring tears from stony eyes, I have tried to write earnestly if not wisely. Of necessity, it touches somewhat on a subject delicate and difficult to treat--the "skeleton in the closet" of society. But the evil exists on every side, and at some time or other threatens every home and life. It is my belief that Christian teachers should not timidly or loftily ignore it, for, mark it well, the evil does not let us or ours alone. It is my belief that it should be dealt with in a plain, fearless, manly manner. Those who differ with me have a right to their opinion. There is one other thought that I wish to suggest. Much of the fiction of our day, otherwise strong and admirable, is discouraging in this respect. In the delineation of character, some are good, some are bad, and some indifferent. We have a lovely heroine, a noble hero, developing seemingly in harmony with the inevitable laws of their natures. Associated with them are those of the commoner or baser sort, also developing in accordance with the innate principles of their natures. The first are presented as if created of finer clay than the others. The first are the flowers in the garden of society, the latter the weeds. According to this theory of character, the heroine must grow as a moss-rose and the weed remain a weed. Credit is not due to one; blame should not be visited on the other. Is this true? Is not the choice between good and evil placed before every human soul, save where ignorance and mental feebleness destroy free agency? In the field of the world which the angels of God are to reap, is it not even possible for the tares to become wheat? And cannot the sweetest and most beautiful natural flowers of character borrow from the skies a fragrance and bloom not of earth? So God's inspired Word teaches me. I have turned away from many an exquisite and artistic delineation of human life, sighing, God might as well never have spoken words of hope, warning, and strength for all there is in this book. The Divine and human Friend might have remained in the Heavens, and never come to earth in human guise, that He might press His great heart of world-wide sympathy against the burdened, suffering heart of humanity. He need not have died to open a way of life for all. There is nothing here but human motive, human strength, and earthly destiny. We protest against this narrowing down of life, though it be done with the faultless skill and taste of the most cultured genius. The children of men are not orphaned. Our Creator is still "Emmanuel--God with us." Earthly existence is but the prelude of our life, and even from this the Divine artist can take much of the discord, and give an earnest of the eternal harmonies. We all are honored with the privilege of "co-working with Him." If I in my little sphere can by this book lead one father to train his children to be more strong and self-reliant, one mother to teach her daughters a purer, more patient, more heroic womanhood--if I have placed one more barrier in the tempter's way, and inspired one more wholesome fear and principle in the heart of the tempted--if, by lifting the dark curtain a moment, I can reveal enough to keep one country girl from leaving her safe native village for unprotected life in some great city--if I can add one iota toward a public opinion that will honor useful labor, however humble, and condemn and render disgraceful idleness and helplessness, however gilded--if, chief of all, I lead one heavy-laden heart to the only source of rest, I shall be well rewarded, whatever is said of this volume. CONTENTS CHAPTER I THREE GIRLS CHAPTER II A FUTURE OP HUMAN DESIGNING CHAPTER III THREE MEN CHAPTER IV THE SKIES DARKENING CHAPTER V THE STORM THREATENING CHAPTER VI THE WRECK CHAPTER VII AMONG THE BREAKERS CHAPTER VIII WARPED CHAPTER IX A DESERT ISLAND CHAPTER X EDITH BECOMES A "DIVINITY" CHAPTER XI MRS. ALLEN'S POLICY CHAPTER XII WAITING FOR SOME ONE TO TURN UP CHAPTER XIII THEY TURN UP CHAPTER XIV WE CAN'T WORK CHAPTER XV THE TEMPTATION CHAPTER XVI BLACK HANNIBAL'S WHITE HEART CHAPTER XVII THE CHANGES OF TWO SHORT MONTHS CHAPTER XVIII IGNORANCE LOOKING FOR WORK CHAPTER XIX A FALLING STAR CHAPTER XX DESOLATION CHAPTER XXI EDITH'S TRUE KNIGHT CHAPTER XXII A MYSTERY CHAPTER XXIII A DANGEROUS STEP CHAPTER XXIV SCORN AND KINDNESS CHAPTER XXV A HORROR OF GREAT DARKNESS CHAPTER XXVI FRIEND AND SAVIOUR CHAPTER XXVII THE MYSTERY SOLVED CHAPTER XXVIII EDITH TELLS THE OLD, OLD STORY CHAPTER XXIX HANNIBAL LEARNS HOW HIS HEART CAN BE WHITE CHAPTER XXX EDITH'S AND ARDEN'S FRIENDSHIP CHAPTER XXXI ZELL CHAPTER XXXII EDITH BRINGS THE WANDERER HOME CHAPTER XXXIII EDITH'S GREAT TEMPTATION CHAPTER XXXIV SAVED CHAPTER XXXV CLOSING SCENES CHAPTER XXXVI LAST WORDS CHAPTER I THREE GIRLS It was a very cold blustering day in early January, and even brilliant thronged Broadway felt the influence of winter's harshest frown. There had been a heavy fall of snow which, though in the main cleared from the sidewalks, lay in the streets comparatively unsullied and unpacked. Fitful gusts of the passing gale caught it up and whirled it in every direction. From roof, ledges, and window-sills, miniature avalanches suddenly descended on the startled pedestrians, and the air was here and there loaded with falling flakes from wild hurrying masses of clouds, the rear-guard of the storm that the biting northwest wind was driving seaward. It was early in the afternoon, and the great thoroughfare was almost deserted. Few indeed would be abroad for pleasure in such weather, and the great tide of humanity that must flow up and down this channel every working day of the year under all skies had not yet turned northward. But surely this graceful figure coming up the street with quick, elastic steps has not the aspect of one driven forth by grave business cares, nor in the natural course of things would one expect so young a lady to know much of life's burdens and responsibilities. As she passes I am sure the reader would not turn away from so pleasant a vision, even if Broadway were presenting all its numberless attractions, but at such a time would make the most of the occasion, assured that nothing so agreeable would greet his eyes again that sombre day. The fierce gusts make little impression on her heavy, close-fitting velvet dress, and in her progress against the wind she appears so trim and taut that a sailor's eye would be captivated. She bends her little turbaned head to the blast, and her foot strikes the pavement with a decision that suggests a naturally brave, resolute nature, and gives abundant proof of vigor and health. A trimming of silver fox fur caught and contrasted the snow crystals against the black velvet of her dress, in which the flakes catch and mingle, increasing the sense of lightness and airiness
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E-text prepared by sp1nd, Eleni Christofaki, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 42093-h.htm or 42093-h.zip: (http://www.gutenberg.org/files/42093/42093-h/42093-h.htm) or (http://www.gutenberg.org/files/42093/42093-h.zip) Images of the original pages are available through Internet Archive. See http://archive.org/details/moragtaleofhighl00raemiala Transcriber's note: Text enclosed by underscores is in italics (_italics_). MORAG: A Tale of the Highlands of Scotland. New York: Robert Carter and Brothers, 530 Broadway. 1875. CONTENTS. PAGE I. _The First Morning in the Glen_ 5 II. _Blanche Clifford_ 19 III. _Morag's Home_ 37 IV. _The Fir-wood_ 52 V. _A Discovery_ 75 VI. _Kirsty Macpherson_ 104 VII. _Morag's Visit to Kirsty, and How It Came About_ 140 VIII. _The Gypsies At Last_ 157 IX. _Vanity Fair_ 205 X. _The Kirk in the Village_ 219 XI. _The Loch_ 244 XII. _The Empty Hut_ 274 XIII. _Back in London_ 288 XIV. _Visit to the Fairy_ 306 XV. _A Ride in the Park_ 318 XVI. _The Borders of the Far-off Land_ 331 XVII. _Morag's Journey into the World Beyond the Mountains_ 348 MORAG I. _THE FIRST MORNING IN THE GLEN._ DO you know the joyous feeling of opening your eyes on the first morning after your arrival among new scenes, and of seeing the landscape, which has been shrouded by darkness on the previous evening, lying clear and calm in the bright morning sunlight? This was Blanche Clifford's experience as she stood at an eastward window, with an eager face, straining her eye across miles of moorland, which undulated far away, like purple seas lying in the golden light. Away, and up and on stretched the heather, till it seemed to rear itself into great waves of rock, which stood out clear and distinct, with the sunlight glinting into the gray, waterworn fissures, lighting them up like a smile on a wrinkled face. And beyond, in the dim distance, hills on hills are huddled, rearing themselves in dark lowering masses against the blue sky, like the shoulders of mighty monsters in a struggle for the nearest place to the clouds. For many weeks Blanche had been dreaming dreams and seeing visions of this scene, as she sat in her London schoolroom. "And this is Glen Eagle!" she murmured, with a satisfied sigh, when at last she turned her eyes from the more distant landscape, and climbing into the embrasured window of the quaint old room in which she awoke that morning, leant out to try and discover what sort of a building this new home might be. A perpendicular, gaunt wall, so lichen-spotted that it seemed as if the stones had taken to growing, was all that she could see; and under it there stretched a smooth grassy <DW72>, belted by a grove of ancient ash-trees. A pleasant breeze, wafting a delicious scent of heather, came in at the open window, and played among Blanche's curls, reminding her how delightful it would be to go out under the blue sky; so she ran off in search of her papa, that she might begin her explorations at once. Mr. Clifford, Blanche's father, was very fond of sport, and generally spent the autumn months on the moors, either in Ireland or Scotland. Hitherto his little motherless daughter had not accompanied him on any of his journeys, but had been left to wander among trim English lanes, or to patrol the parade of fashionable watering-places, under the guardianship of her governess, Miss Prosser. This year, however, Blanche had been so earnest in her entreaties to be taken among the hills, that her father had at last yielded, and it was arranged that she should accompany him to Glen Eagle, where he had taken shootings. Miss Prosser looked on the projected journey to the Highlands of Scotland as rather a wild scheme for herself and her little charge, having no special partiality for mountain scenery, and a dislike to change the old routine. But to Blanche, the prospect was full of the most delicious possibilities; the unknown mountain country was to her imagination an enchanted land of peril and adventure, where she could herself become the heroine of a new tale of romance. The "History of Scotland" suddenly became the most interesting of books, and the records of its heroic days were studied with an interest which they had never before excited. In the daily walks in Kensington Park, on hot July afternoons, Blanche Clifford wove many a fancy concerning these autumn days to be; but in the midst of all her imaginings, as she peopled the hills and valleys of Stratheagle with followers of the Wallace and the Bruce lurking among the heather, with waving tartans and glancing claymores, she did not guess what a lowly object of human interest was to be the centre of all her thoughts. On the evening of the 9th of August Blanche stood with her governess on the platform of the Euston Station, ready to start by the crowded Scotch mail. Mr. Clifford having seen to the travelling welfare of his dogs, proceeded to arrange his little party for the night. The shrill whistle sounded at last, and they were soon whirling through the darkness on their northern way. The long railway journey was broken by a night's rest at a hotel, which Blanche thought very uninteresting indeed, and begged to be allowed to go on with her papa, who left her there. After the region of railways was left behind, there was a journey in an old mail-coach, which seemed to Blanche to be at last a beginning of the heroic adventures, as she spied a little girl of her own size scaling a ladder to take her place in one of the outside seats, to all appearance delightfully suspended in mid-air. She was about to follow in great glee, when she was pulled back by Miss Prosser, and condemned to a dark corner inside of the coach, where a stout old gentleman entirely obstructed her view. Neither was Blanche a pleasant companion; she felt very restless and rebellious at her unhappy fate, and every time the coach stopped and she was allowed to put her head out of the window for a few precious minutes, she cast envious glances at the happy family whose legs dangled above. The coach stopped at last to change horses at a low white inn, and Blanche's delight was great to recognise her father's open carriage waiting to take them to Glen Eagle, which was still many miles distant. The change was delicious, Blanche thought as they were driven swiftly along the white, winding road, round the base of hills higher than she had ever seen, through dark pine forests, which cast solemn shadows across the road, along sea-like expanses of moor, stretching out on either side. Blanche was lost in wonder and delight at those first glimpses of the mountain-land of her dreams. Her geographical inquiries were most searching, and her governess had to acknowledge ignorance when her pupil wished to identify each hill with the mountain-ranges depicted on a map-drawing, which Blanche had made in view of the journey. They were still several miles from their destination, when a heavy white cloud of mist came coiling round the hills, creeping along the lower ridges of rock as if it started to reach the top, like some thinking creature possessed with an evil purpose. At first the mist seemed only to add an additional charm to the wild landscape in Blanche's eyes. "O Miss Prosser!" she exclaimed, in great glee, "isn't it so pretty? It seems as if the fleecy clouds that live in the sky had come to pay a visit to the moors, and were going to take possession of everything." "Why, Blanche, how fanciful you are! It is nothing more nor less than that wretched wetting Scotch mist one hears of. Come, child, and get into your furs. How thoughtful of Ellis to have brought them. Commend me to Devonshire and muslins at this season of the year," said Miss Prosser, as she drew the rug more closely around her, and shrugged her shoulders. The mist was creeping silently over the valley, and coming nearer and nearer, till at last there seemed hardly enough space for the horses to make their way through, and Blanche thought matters looked very threatening indeed. Seating herself by Miss Prosser's side with a shiver, she said, in a frightened tone, "I do wish papa were here. These clouds look as if they meant to carry us right up with them. Don't you begin to feel rather frightened, Miss Prosser?" When her governess suggested that the carriage should be closed, Blanche felt rather relieved on the whole, and becoming very quiet and meditative, finally fell fast asleep, curled up on one of the seats, from whence she was carried by her father, when the carriage reached its destination. She never thoroughly awoke till the bright morning sun came streaming in at the curtainless, deep mullioned window of the old Highland keep where she found herself. Attached to the shootings of Glen Eagle was a half-ruinous castle, which Mr. Clifford had put into a sort of repair, fitting up a part of the building for the use of his household, though there was still many an unused room, dim with the dust of years, among the winding passages and cork-screw stairs. In old times it had been a fortified place, and Scottish chieftains had reigned there, and from its grey towers kept watch and ward over the strath, where were scattered the dwellings of the clansmen. It stood in the heart of the glen, rearing itself grim and gaunt and grey, surrounded by a massive wall, which had once been for defence, but was ruinous now, and pleasant turf sloped down from the castle, and flourished along its cope. Though so long untenanted, there were still some remains of its ancient furnishings, which the Highland lord on whose land it stood left unmolested, in honor of the home of his ancestors. In the large dimly-lighted entrance-hall, there hung many relics of the olden time. Dirks and claymores that had done deadly work long ago, were beautifully arranged in various patterns, on the dark panelled walls; numberless trophies from the glen were ranged round--stately stags' heads with branching horns, and outspread wings of mountain birds; and a fox too, whose glass eyes seemed to leer as cunningly as the original orbs when they cast longing glances at the feathered inhabitants of the farm-yard. Blanche had descended the broad staircase, and now gazed timidly round at these strange ornaments of the ancient hall. She felt as if she could not endure the leer of the fox one minute longer, and catching a glimpse of the pleasant greensward through the great door, which stood open, she darted out. The mountain breeze had a reassuring effect, and Blanche felt safe and happy again, as she stood gazing on the fair scene, in which the bleak and the beautiful strangely blended. To the left of the castle, on banks which sloped towards the river, were masses of feathery
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Produced by David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) _The_ CURLYTOPS AT UNCLE FRANK'S RANCH HOWARD R. GARIS [Illustration: "YOU'VE GOT TO GROAN AND PRETEND YOU'VE BEEN SHOT." _The Curlytops at Uncle Frank's Ranch_ _Page 7_] THE CURLYTOPS AT UNCLE FRANK'S RANCH OR _Little Folks on Ponyback_ BY HOWARD R. GARIS AUTHOR OF "THE CURLYTOPS SERIES," "BEDTIME STORIES," "UNCLE WIGGILY SERIES," ETC. _Illustrations by JULIA GREENE_ NEW YORK CUPPLES & LEON COMPANY THE CURLYTOPS SERIES By HOWARD R. GARIS 12mo. Cloth. Illustrated. _THE CURLYTOPS AT CHERRY FARM Or, Vacation Days in the Country_ _THE CURLYTOPS ON STAR ISLAND Or, Camping Out With Grandpa_ _THE CURLYTOPS SNOWED IN Or, Grand Fun With Skates and Sleds_ _THE CURLYTOPS AT UNCLE FRANK'S RANCH Or, Little Folks on Ponyback_ CUPPLES & LEON COMPANY, New York COPYRIGHT, 1918, BY CUPPLES & LEON COMPANY THE CURLYTOPS AT UNCLE FRANK'S RANCH Printed in U. S. A. CONTENTS CHAPTER PAGE I TROUBLE'S TUMBLE 1 II NICKNACK AND TROUBLE 13 III OFF FOR THE WEST 28 IV THE COLLISION 40 V AT RING ROSY RANCH 55 VI COWBOY FUN 63 VII BAD NEWS 72 VIII A QUEER NOISE 87 IX THE SICK PONY 101 X A SURPRISED DOCTOR 114 XI TROUBLE MAKES A LASSO 122 XII THE BUCKING BRONCO 140 XIII MISSING CATTLE 153 XIV LOOKING FOR INDIANS 167 XV TROUBLE "HELPS" 175 XVI ON THE TRAIL 189 XVII THE CURLYTOPS ALONE 196 XVIII LOST 209 XIX THE HIDDEN VALLEY 222 XX BACK TO RING ROSY 237 THE CURLYTOPS AT UNCLE FRANK'S RANCH CHAPTER I TROUBLE'S TUMBLE "Say, Jan, this isn't any fun!" "What do you want to play then, Ted?" Janet Martin looked at her brother, who was dressed in one of his father's coats and hats while across his nose was a pair of spectacles much too large for him. Janet, wearing one of her mother's skirts, was sitting in a chair holding a doll. "Well, I'm tired of playing doctor, Jan, and giving your make-believe sick doll bread pills. I want to do something else," and Teddy began taking off the coat, which was so long for him that it dragged on the ground. "Oh, I know what we can do that'll be lots of fun!" cried Janet, getting up from the chair so quickly that she forgot about her doll, which fell to the floor with a crash that might have broken her head. "Oh, my _dear_!" cried Janet, as she had often heard her mother call when Baby William tumbled and hurt himself. "Oh, are you hurt?" and Janet clasped the doll in her arms, and hugged it as though it were a real child. "Is she busted?" Ted demanded, but he did not ask as a real doctor might inquire. In fact, he had stopped playing doctor. "No, she isn't hurt, I guess," Jan answered, feeling of her doll's head. "I forgot all about her being in my lap. Oh, aren't you going to play any more, Ted?" she asked as she saw her brother toss the big coat on a chair and take off the spectacles. "No. I want to do something else. This is no fun!" "Well, let's make-believe you're sick and I can be a Red Cross nurse, like some of those we saw in the drugstore window down the street, making bandages for the soldiers. You could be a soldier, Ted, and I could be the nurse, and I'd make some sugar pills for you, if you don't like the rolled-up bread ones you gave my doll." Teddy Martin thought this over for a few seconds. He seemed to like it. And then he shook his head. "No," he answered his sister, "I couldn't be a soldier." "Why not?" "'Cause I haven't got a gun and there isn't any tent." "We could make a tent with a sheet off the bed like we do lots of times. Put it over a chair, you know." "But I haven't a gun," Teddy went on. He knew that he and Janet could make a tent, for they had often done it before. "Couldn't you take a broom for a gun?" Janet asked. "I'll get it from the kitchen." "Pooh! What good is a broom for a gun? I want one that shoots! Anyhow I haven't a uniform, and a soldier can't go to war without a uniform or a sword or a gun. I'm not going to play that!" Janet did not know what to say for a few seconds. Truly a soldier would not be much of one without a gun or a uniform, even if he was in a tent. But the little girl had not given up yet. The day was a rainy one. There was no school, for it was Saturday, and staying in the house was no great fun. Janet wanted her brother to stay and play with her and she knew she must do something to make him. For a while he had been content to play that he was Dr. Thompson, come to give medicine to Jan's sick doll. But Teddy had become tired of this after paying half a dozen visits and leaving pills made by rolling bread crumbs together. Teddy laid aside his father's old hat and scratched his head. That is he tried to, but his head was so covered with tightly twisted curls that the little boy's fingers were fairly entangled in them. "Say!" he exclaimed, "I wish my hair didn't curl so much! It's too long. I'm going to ask mother if I can't have it cut." "I wish I could have mine cut," sighed Janet. "Mine's worse to comb than yours is, Ted." "Yes, I know. And it always curls more on a rainy day." Both children had the same curly hair. It was really beautiful, but they did not quite appreciate it, even though many of their friends, and some persons who saw them for the first time, called them "Curlytops." Indeed the tops of their heads were very curly. "Oh, I know how we can do it!" suddenly cried Janet, just happening to think of something. "Do what?" asked her brother. "Play the soldier game. You can pretend you were caught by the enemy and your gun and uniform were taken away. Then you can be hurt and I'll be the Red Cross nurse and take care of you in the tent. I'll get some real sugar for pills, too! Nora'll give me some. She's in the kitchen now making a cake." "Maybe she'd give you a piece of cake, too," suggested Teddy. "Maybe," agreed Janet. "I'll go and ask her." "Ask her for some chocolate," added Ted. "I guess, if I've got to be sick, I'd like chocolate pills'stead of sugar." "All right," said Janet, as she hurried downstairs from the playroom to the kitchen. In a little while she came back with a plate on which were two slices of chocolate cake, while on one edge of it were some crumbs of chocolate icing. "I'll make pills of that after we eat the cake," Janet said. "You can pretend the cake made you sick if you want to, Ted." "Pooh! who ever heard of a soldier getting sick on cake? Anyhow they don't have cake in the army--lessen they capture it from the enemy." "Well, you can pretend you did that," said Janet. "Now I'll put my doll away," she went on, as she finished her piece of cake, "and we'll play the soldier game. I'll get some red cloth to make the cross." Janet looked "sweet," as her mother said afterward, when she had wound a white cloth around her head, a red cross, rather ragged and crooked, being pinned on in front. The tent was made by draping a sheet from the bed across two chairs, and under this shelter Teddy crawled. He stretched out on a blanket which Janet had spread on the floor to be the hospital cot. "Now you must groan, Ted," she said, as she looked in a glass to see if her headpiece and cross were on straight. "Groan? What for?" "'Cause you've been hurt in the war, or else you're sick from the cake." "Pooh! a little bit of cake like _that_ wouldn't make _me_ sick. You've got to give me a _lot_ more if you want me to be real sick." "Oh, Teddy Martin! I'm not going to play if you make fun like that all the while. You've got to groan and pretend you've been shot. Never mind about the cake." "All right. I'll be shot then. But you've got to give me a lot of chocolate pills to make me get better." "I'm not going to give 'em to you all at once, Ted Martin!" "Well, maybe in two doses then. How many are there?" "Oh, there's a lot. I'm going to take some myself." "You are not!" and Teddy sat up so quickly that he hit the top of the sheet-tent with his head and made it slide from the chair. "There! Look what you did!" cried Janet. "Now you've gone and spoiled everything!" "Oh, well, I'll fix it," said Ted, rather sorry for what he had done. "But you can't eat my chocolate pills." "I can so!" "You cannot! Who ever heard of a nurse taking the medicine from a sick soldier?" "Well, anyhow--well, wouldn't you give me some chocolate candy if you had some, and I hadn't?" asked Janet. "Course I would, Jan. I'm not stingy!" "Well, these pills are just like chocolate candy, and if I give 'em all to you----" "Oh, well, then I'll let you eat _some_," agreed Ted. "But you wanted me to play this game of bein' a sick soldier, and if I'm sick I've got to have the medicine." "Yes, I'll give you the most," Janet agreed. "Now you lie down and groan and I'll hear you out on the battlefield and come and save your life." So, after Janet had fixed the sheet over him again, Teddy lay back on the blanket and groaned his very best. "Oh, it sounds as real as anything!" exclaimed the little girl in delight. "Do it some more, Ted!" Thereupon her brother groaned more loudly until Janet stopped him by dropping two or three chocolate pills into his opened mouth. "Oh! Gurr-r-r-r! Ugh! Say, you'most choked me!" spluttered Ted, as he sat up and chewed the chocolate. "Oh, I didn't mean to," said Janet as she ate a pill or two herself. "Now you lie down and go to sleep, 'cause I've got a lot more sick soldiers to go to see." "Don't give 'em any of my chocolate pills," cautioned Ted. "I need 'em all to make me get better." "I'll only make-believe give them some," promised Janet. She and her brother played this game for a while, and Teddy liked it--
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) The Shadow of Life The Shadow of Life BY Anne Douglas Sedgwick AUTHOR OF "THE RESCUE," "THE CONFOUNDING OF CAMELIA," "PATHS OF JUDGEMENT," ETC. [Illustration: colophon] NEW YORK The Century Co. 1906 Copyright, 1906, by The Century Co. _Published February, 1906_ THE DE VINNE PRESS THE SHADOW OF LIFE [Illustration: colophon] PART I The Shadow of Life I Elspeth Gifford was five years old when she went to live at Kirklands. Her father, an army officer, died in her babyhood, and her mother a few years later. The uncle and aunts in Scotland, all three much her mother's seniors, were the child's nearest relatives. To such a little girl death had meant no more than a bewildered loneliness, but the bewilderment was so sharp, the loneliness so aching, that she cried herself into an illness. She had seen her dead mother, the sweet, sightless, silent face, familiar yet amazing, and more than any fear or shrinking had been the suffocating mystery of feeling herself forgotten and left behind. Her uncle Nigel, sorrowful and grave, but so large and kind that his presence seemed to radiate a restoring warmth, came to London for her and a fond nurse went with her to the North, and after a few weeks the anxious affection of her aunts Rachel and Barbara built about her, again, a child's safe universe of love. Kirklands was a large white house and stood on a <DW72> facing south, backed by a rise of thickly wooded hill and overlooking a sea of heathery moorland. It was a solitary but not a melancholy house. Lichens yellowed the high-pitched slate roof and creepers clung to the roughly "harled" walls. On sunny days the long rows of windows were golden squares in the illumined white, and, under a desolate winter sky, glowed with an inner radiance. In the tall limes to the west a vast colony of rooks made their nests; and to Eppie these high nests, so dark against the sky in the vaguely green boughs of spring or in the autumn's bare, swaying branches, had a weird, fairy-tale charm. They belonged neither to the earth nor to the sky, but seemed to float between, in a place of inaccessible romance, and the clamor, joyous yet irritable, at dawn and evening seemed full of quaint, strange secrets that only a wandering prince or princess would have understood. Before the house a round of vivid green was encircled by the drive that led through high stone gates to the moorland road. A stone wall, running from gate to gate, divided the lawn from the road, and upon each pillar a curiously carved old griffin, its back and head spotted with yellow lichens, held stiffly up, for the inspection of passers-by, the family escutcheon. From the windows at the back of the house one looked up at the hilltop, bare but for a group of pine-trees, and down into a deep garden. Here, among utilitarian squares of vegetable beds, went overgrown borders of flowers--bands of larkspurs, lupins, stocks, and columbines. The golden-gray of the walls was thickly embroidered with climbing fruit-trees, and was entirely covered, at one end of the garden, by a small snow-white rose, old-fashioned, closely petaled; and here in a corner stood a thatched summer-house, where Eppie played with her dolls, and where, on warm summer days, the white roses filled the air with a fragrance heavy yet fresh in its wine-like sweetness. All Eppie's early memories of Kirklands centered about the summer-house and were mingled with the fragrance of the roses. Old James, the gardener, put up there a little locker where her toys were stored, and shelves where she ranged her dolls' dishes. There were rustic seats, too, and a table--a table always rather unsteady on the uneven wooden floor. The sun basked in that sheltered, windless corner, and, when it rained, the low, projecting eaves ranged one safely about with a silvery fringe of drops through which one looked out over the wet garden and up at the white walls of the house, crossed by the boughs of a great, dark pine-tree. Inside the house the chief room was the fine old library, where, from long windows, one looked south over the purples and blues of the moorland. Books filled the shelves from floor to ceiling--old-fashioned tomes in leather bindings, shut away, many of them, behind brass gratings and with all the delightful sense of peril connected with the lofty upper ranges, only to be reached by a courageous use of the library steps. Here Uncle Nigel gave Eppie lessons in Greek and history every morning, aided in the minor matters of her education by a submissive nursery governess, an English
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) [Illustration: THE NEEDLES] ISLE OF WIGHT PAINTED BY A. HEATON COOPER DESCRIBED BY A. R. HOPE MONCRIEFF [Illustration: colophon] LONDON ADAM AND CHARLES BLACK 1908 Contents CHAPTER PAGE I. THE ISLAND 1 II. RYDE 19 III. NEWPORT 33 IV. THE EAST SIDE 54 V. THE UNDERCLIFF 77 VI. THE BACK OF THE ISLAND 92 VII. FRESHWATER AND THE NEEDLES 104 VIII. YARMOUTH 119 IX. COWES 139 X. THE GATES OF THE ISLAND 154 List of Illustrations 1. The Needles _Frontispiece_ FACING PAGE 2. Ryde--Moonrise 20 3. Newchurch--the Mother Church of Ryde 24 4. Newport 34 5. Carisbrooke Castle 40 6. Godshill 50 7. Water Meadows of the Yar near Alverstone 58 8. Sandown Bay 60 9. Shanklin Village--Moonlight after rain 72 10. Shanklin Chine 74 11. Bonchurch Old Church near Ventnor 84 12. The Landslip near Ventnor 86 13. The Undercliff near Ventnor 90 14. Blackgang Chine 96 15. Shorwell 100 16. Farringford House 106 17. Freshwater Bay 112 18. Totland Bay 118 19. Yarmouth 120 20. Shalfleet 124 21. Calbourne 138 22. Yachting at Cowes 144 23. Osborne House 148 24. Whippingham Church 152 _Map at end of volume_ ISLE OF WIGHT THE ISLAND _The_ Island, as its people are in the way of styling it, while not going so far as to deny existence to the adjacent islands of Great Britain and Ireland--the Wight, as it is sometimes called by old writers--has for the first fact in its history that it was not always an island. It once made a promontory of Dorset, cut off from the mainland by a channel, whose rush of encountering tides seems still wearing away the shores so as to broaden a passage of half a dozen miles at the most, narrowed to about a mile between the long spit of Hurst and the north-western corner of the Island. It may be that what is now a strait has been the estuary of a great river, flooding itself into the sea, which, like Hengist and Horsa, is apt to prove an invading ally difficult to get rid of. _Wight
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Produced by Clare Graham and Marc D'Hooghe; Images generously made available by the Internet Archive THE MUMMY! A TALE OF THE TWENTY-SECOND CENTURY. By Jane Webb (Mrs. Loudon). "Why hast thou disquieted me, to bring me up?" I SAM., xxviii. 15. LONDON: HENRY COLBURN, NEW BURLINGTON STREET. 1827. TABLE OF CONTENTS. INTRODUCTION. CHAPTER I. CHAPTER XVII. CHAPTER II. CHAPTER XVIII. CHAPTER III. CHAPTER XIX. CHAPTER IV. CHAPTER XX. CHAPTER V. CHAPTER XXI. CHAPTER VI. CHAPTER XXII. CHAPTER VII. CHAPTER XXIII. CHAPTER VIII. CHAPTER XXIV. CHAPTER IX. CHAPTER XXV. CHAPTER X. CHAPTER XXVI. CHAPTER XI. CHAPTER XXVII. CHAPTER XII. CHAPTER XXVIII. CHAPTER XIII. CHAPTER XXIX. CHAPTER XIV. CHAPTER XXX. CHAPTER XV. CHAPTER XXXI. CHAPTER XVI. CHAPTER XXXII. [Transcriber's note: _The Mummy!_ was originally published in three volumes. The chapters have been renumbered in this edition, and the volume breaks indicated (ends of chapters XI and XXIV).] INTRODUCTION. I have long wished to write a novel, but I could not determine what it was to be about. I could not bear any thing common-place, and I did not know what to do for a hero. Heroes are generally so much alike, so monotonous, so dreadfully insipid--so completely brothers of one race, with the family likeness so amazingly strong--"This will not do for me," thought I as I sauntered listlessly down a shady lane, one fine evening in June; "I must have something new, something quite out of the beaten path:--but what?"--ay, that was the question. In vain did I rack my brains--in vain did I search the storehouse of my memory: I could think of nothing that had not been thought of before. "It is very strange!" said I, as I walked faster, as though I hoped the rapidity of my motion would shake off the sluggishness of my imagination. It was all in vain! I struck my forehead and called wit to my assistance, but the malignant deity was deaf to my entreaty. "Surely," thought I, "the deep mine of invention cannot be worked out; there must be some new ideas left, if I could but find them." To find them, however, was
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Text file produced by Jonathan Ingram, David Widger and the Online Distributed Proofreading Team HELEN By Maria Edgeworth Tales And Novels In Ten Volumes With Engravings On Steel Vol. X. 1857 CONTENTS HELEN VOLUME THE FIRST. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII CHAPTER VIII
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Produced by Linda M. Everhart, Blairstown, Missouri STEEL TRAPS. [Illustration: NEWHOUSE TRAPS--ALL SIZES.] STEEL TRAPS. Describes the Various Makes and Tells How to Use Them--Also Chapters on Care of Pelts, Etc. BY A. R. HARDING. PUBLISHED BY A. R. HARDING PUBLISHING CO. COLUMBUS, OHIO Copyright 1907 By A. R. Harding. CONTENTS. I. Sewell Newhouse II. Well Made Traps III. A Few Failures IV. Some European Traps V. Proper Sizes VI. Newhouse Traps VII. Double and Webbed Jaw Traps VIII. Victor and Hawley & Norton Traps IX. Jump Traps X. Tree Traps XI. Stop Thief Traps XII. Wide Spreading Jaws XIII. Caring For Traps XIV. Marking Traps XV. How to Fasten XVI. How to Set XVII. Where to Set XVIII. Looking at Traps XIX. Mysteriously Sprung Traps XX. Good Dens XXI. The Proper Bait XXII. Scent and Decoys XXIII. Human Scent and Sign XXIV. Hints on Fall Trapping XXV. Land Trapping XXVI. Water Trapping XXVII. When to Trap XXVIII. Some Deep Water Sets XXIX. Skinning and Stretching XXX. Handling and Grading XXXI. From Animal to Market XXXII. Miscellaneous Information LIST OF ILLUSTRATIONS. Newhouse Traps--All Sizes Mr. Sewell Newhouse The First Shop Old Newhouse Trap A Well Made Trap Limb Growing Thru Jaws "Bob Tail" Trap Defective Pan Bearing The All Steel The Modified All Steel Poor Setting Device Double Jaw Without Dog The Duplex The "No Cross" German Fox Trap English Rabbit Trap Awaiting The Trapper Wisconsin Trapper, Furs and Traps Mink, Trapped Under An Old Root No. 0 Newhouse Trap No. 1 Newhouse Trap No. 1 1/2 or Mink Trap No. 2 or Fox Trap No. 3 or Otter Trap No. 4 or Wolf Trap No. 2 1/2 or Otter Trap With Teeth No. 3 1/2 or Extra Strong Otter Trap No. 21 1/2 Without Teeth Offset Jaw Beaver Trap Detachable Clutch Trap Newhouse Special Wolf Trap Small Bear Trap Small Bear Trap With Offset Jaws Standard Bear Trap Regular Bear Trap With Offset Jaws Grizzly Bear Trap Bear Trap Chain Clevis Steel Trap Setting Clamp No. 81 or Webbed Jaw Trap No. 91 or Double Jaw Trap A Morning Catch of Skunk No. 1 Victor Trap No. 4 Victor Trap No. 1 Oneida Jump No. 4 Oneida Jump A "Jump" Trap Trapper The Tree Trap Tree Trap Set and Animal Approaching Animal Killed in Tree Trap Stop Thief Trap Method of Setting Stop Thief Trap Trapper's Cabin and Pack Horses Trapper Making Bear Set Washing and Greasing Traps Putting the Traps in Order Traps and Trapper Marked and Ready to Set The Sliding Pole A Staple Fastening Shallow Water Set Hole Set Before Covering Another Hole Set Before Covering Hole Set After Covering Wrong Position Set The Three Log Set Marten Shelf Set Big Game Set Ring or Loop Fastening Caught Within the Limits of Chicago Fox, Wolf or Coyote Trail Fox, Wolf or Coyote on the Run Muskrat Tracks Mink and Opossum Tracks Wisconsin Trapper--Knows Where to Set Profitable Day's Catch Snowshoeing Over the Trapping Line Once Over the Line--White Weasel Caught Just Before a Cold Snap Bait Stealer--Bird Northern Trapper With Pack Basket Some Northern Furs Nebraska Trapper's One Night Catch Night's Catch by Colorado Trapper Both Trappers--Father and Daughter Part of Connecticut Trapper's Catch Eastern Trapper's Catch Caught Where Scent Is Much Used Young Trappers Discussing Scent Teaching The Boy Art Of Trapping Trapper's Home In Colorado A Few Days' Catch The Inside of Northern Trapper's Cabin Coyote Trapping on the Cattle Ranches Eastern Mink--November Caught Muskrat House Wolf Caught at "Bank Set" Lynx Caught in Steel Trap Marten Caught in Shelf Set Shelf Set and Fastening Squirrel Caught on Stump Raccoon Caught in Oneida Jump Red Fox Caught at Dry Land Set Opossum Caught in No. 1 Newhouse Black Skunk in No. 1 1/2 Victor Baited and Caught at Cubby Set There To Stay-In A Newhouse Mountain Lion Securely Caught Beaver, Trap and Trapper Large Otter Caught in No. 3 Newhouse Muskrat Caught in Double Jaw A Morning's Catch of Rats The Black Water Marsh Just After the Season Opens Deep Water Set Trap Fastening Skinning a Bob Cat Single and Three Board Stretcher Some Stretching Patterns Dakota Trapper's Method Holder For Skinning Wire <DW53> Method Wire and Twig <DW53> Method Size of Stretching Boards Pole Stretchers Fleshing Board Stretching Frame Skin on Stretcher Hoop Stretcher The Home Shanty A Line Shanty [Illustration: A. R. Harding.] INTRODUCTION. To those that have followed the setting of Steel Traps there is a fascination or "fever" which comes over them every fall about the time of the first frosts. The only remedy seems to be a few weeks on the trap line. While some look upon trapping as an unprofitable business, yet the number is becoming rapidly less, for more and more people are yearly deriving pleasure, profit and health from out-door life such as trapping, hunting, etc. There are thousands of trappers scattered over America who are reaping a harvest of fur each year from their Steel Traps valued at hundreds of dollars in addition to the healthful sport they enjoy. In some parts of Canada and the Northwest a trapper in a year catches fur the value of which together with the bounty brings him $1,000.00 to $2,000.00. It is said on pretty good authority that a trapper in British Columbia a few years ago caught upwards of $6,000 worth of fur, principally marten, in one season. There are many thousands of trappers scattered from the Gulf of Mexico to the Arctic Ocean and from the Pacific to the Atlantic that make hundreds of dollars each year with Steel Traps. There is also a vast number who trap only a few weeks each season. This includes boys and farmers after the busy season. The actual number engaged in trapping is not known. Neither is the actual value of the raw fur catch, but it is thought to exceed $10,000,000 yearly. Is it any wonder then that so many want to know more about Steel Traps and Trapping? Considerable of the information herein in regard to traps, scent, decoy, etc., is gathered from old and experienced trappers from all parts of America as well as from the great trap manufacturers, Oneida Community Ltd., so that readers can rely upon the information imparted in this book as being trustworthy. Some books, purporting to be of value to hunters and trappers, are written by men who have never followed a line of traps or been in close touch with trappers. The author of this work has been engaged for many years in trapping and collecting furs and has come into close contact with many of the leading trappers of the country. Steel Traps are far superior to Snares or Deadfalls from the fact that they can be used for both land and water trapping while Snares and Deadfalls are adapted to Land Trapping only. A. R. Harding. CHAPTER I. SEWELL NEWHOUSE. Mr. Sewell Newhouse, the inventor of the Newhouse Trap grew up surrounded by the Iroquois Indians of the Oneida Tribe; that tribe which alone of all the Red men cast in their lot with the Americans in our great struggle for liberty. [Illustration: MR. SEWELL NEWHOUSE.] At an early age he learned the gunsmith's trade. In those days guns were all made by hand, and in small shops. Mr. Newhouse soon became very skillful both in making and shooting the rifle. At that time "Turkey Shoots" were very popular, and Mr. Newhouse was always sure of his bird at sixty to eighty rods. It was a puzzle to many of the old hands how he managed to shoot so accurately, even when the wind was blowing "half a gale" till it was finally discovered that he had fitted his rifle with an adjustable wind sight. This was one of his early inventions that has now come into common use in target shooting. The Indians were very fond of shooting at a mark both with the rifle and the bow and arrow, but they would seldom try conclusions with "Sewell"--as they all called him--for he could always out shoot them with the rifle, and very few of the tribe were as skillful as he with the bow and arrow. In wrestling too, a favorite game of the day, Mr. Newhouse was more than a match for the best men of his time both white and red. Some time before the year 1840, Mr. Newhouse undertook the manufacture of traps and so popular had his traps become that in 1842 they were well known to all the tribes of the state, so that about this year, when a large part of the Oneidas moved to Green Bay, Wisconsin Territory, an essential part of this outfit was a stock of Newhouse's traps. Thus their fame spread to the West. It is related that a delegation of chiefs from one of the Algonquin tribes of the Great Lake region once called at Mr. Newhouse's Shop. They had used some traps from a rival manufacturer but were much disgusted with them for in the intense cold of their country the springs would break. "As breaks the pipe of peace in war time." They looked over his stock of Traps, pressed down the springs with their moccasined feet, grunted and shook their heads in disapproval. Then Sewell went out to the frozen creek nearby, the savages watching in silence. He chopped out a huge piece of ice, and bringing it to the shop broke it into pieces which he threw into a large tub of water, then setting half a dozen of the Traps he plunged them into the water, and in sight of the astonished and pleased Red Men he sprung them all off. This severe test was enough for the visitors, and at his own price Mr. Newhouse sold them his entire stock of traps. The affair greatly pleased the neighboring Oneidas for well they knew when their "Sewell" made and tempered a trap spring by his secret and "magical" process it would stand up to its work under any and all circumstances. [Illustration: THE FIRST SHOP.] Early in the fifties Mr. Newhouse removed from his home at The Oneida Castle up the Valley to a spot now known as Kenwood. Here close by the bank of the rushing Oneida he established himself in a little smithey and began to make his famous traps on a larger scale. He was soon after assisted by some of the mechanics of the Oneida Association--as the old Oneida Community was then called--of which Mr. Newhouse had become a member. In a few years it became evident from the increasing demand that the business must be enlarged and a small factory was built for the purpose. Still the demand continued to increase as the Community began to send out an agent to solicit orders in the West. The great Hudson Bay Company sent in some large orders a custom by the way, which they have continued annually from that early time until the present day. More shops were erected, water power and special machinery were introduced but still the demand outgrew the supply, till finally the Community was obliged to build on a much larger scale at the present site of its factory, where the waters of Sconondoa Creek furnished for a long time ample power for the business. Here Mr. Newhouse for many years after he ceased to work at the bench and forge, spent his time in perfecting the manufacture and in the general oversight and inspection of the work. With the eye of a lynx he was ever alert to see that no trap bearing his name went out of the factory except in perfect condition. Here before he left this world for his long, long rest he carefully educated and trained a number of men to continue the business with the same painstaking spirit he had so long maintained. The Trap illustrated here is one of the earliest made by S. Newhouse after the business was established in the Oneida Community Shops about the year 1853. [Illustration: OLD NEWHOUSE TRAP.] Every piece was hand forged from wrought iron or steel. It was roughly but strongly made and has endured for over half a century. This trap belonged to one of the pioneers of Wisconsin who had used it for many years. It is still in good working order, the spring being as lively as on the day Mr. Newhouse so carefully and skillfully forged and tempered it. CHAPTER II. WELL MADE TRAPS. Among the first requisites and of the utmost importance to successful trapping is the possession of an outfit of _well made Steel Traps_. That the young trappers may understand what are the requisites of a good trap we will describe in detail one that has held its own in the estimation of the professional trappers for sixty years, and then we will endeavor to point out wherein the many so-called "improvements," that have been put on the market, have uniformly failed of success. What the main spring is to a watch, a trap spring is to a trap, and unless the spring is made of a properly compounded steel and is of the right form and proportion and correctly tempered it will surely fail and make the whole trap worse than useless. Certain mixtures of pig iron are used in making spring steel and if these mixtures are varied from in any particular or if the steel has a surplus of carbon, or is deficient in that element, it will not take a proper temper and consequently is of no value. A proper manipulation in the rolling mill is also necessary, or the steel may be entirely ruined in rolling. A good spring when set should show a nearly uniform curve throughout. This indicates that it is properly tapered so as to bring a uniform strain on the steel. The lasting qualities of a spring are greatly dependent on the correctness of this point. [Illustration: A WELL MADE TRAP.] The "bows" or holes in the spring must be of a proportion to properly fit the jaws and have such a "twist" as will allow them to lie flat when set, and the temper must be so moderated as not to be brittle or "high", otherwise they may break if sprung without anything between the jaws. For it is well known that it is a much harder strain on any trap to be sprung thus than to snap on to the leg of an animal. Another very important thing is to have the strength of the spring proportioned to the size of the trap, for an excessively stiff spring is more apt to break the leg bone of the animal and increase the liability of "legging" as the trappers call it, while a very weak spring may allow a vigorous animal to draw its foot out, especially if caught low down. And last but more important than anything else, the spring must have just the right temper, for a bad tempered trap spring is like a bad tempered wife, a worse than useless encumbrance. And do not let the tyro imagine that it is easy to temper a trap spring, for it requires a long experience and very expensive and carefully studied conditions and apparatus to produce anything like uniform results. Few persons realize the unusually trying conditions under which a trap spring has to do its work, and it is safe to say that no mechanical contrivance performs its functions with greater precision than a well made and tempered trap spring. A No. 1 spring weighs less than three ounces and will exert a force of between 70 and 80 lbs., and one of these has been known to remain under strain for over thirty years and then spring as promptly as though just set. The jaw of a trap should have a good wide bearing surface, otherwise it will be apt to break the animal's leg bone, a calamity always to be avoided, especially in dry land trapping, for as before remarked "legging" is thus likely to follow. Anything like a sharp cutting edge or a saw tooth is especially objectionable, for our object in catching an animal is to obtain its fur and not to amputate its limbs. As a prevention of "legging" the Nos. 81, 91, 91 1/2 traps, described elsewhere, are especially designed. The pintle or end bearings of the jaws should fit loosely in the holes to allow for rusting and a little freezing, and there should also be a slight end play for the same reason. The weight and strength of a jaw should be sufficient to prevent it from being sprung or bent enough to throw it out of its bearing when it is set or when sprung by the animal. Much diversity of opinion obtains regarding the proportionate size of the pan or treadle. Some trappers like a large pan similar to that used in the Jump trap, but it is safe to say that the greater majority, especially among the old and experienced trappers, prefer the smaller sizes, and for obvious reasons. When an animal steps on a small pan he is caught to stay, but with a large one he may be "nipped" or his foot may be thrown out altogether. At any rate his education has been immensely advanced and it will take a trapper with a "long head" to get him into a trap next time. The pan should fit loosely in its bearing for as is well known, rusting increases the size of a piece of iron and as there are four surfaces to rust in a pan bearing, ample room must be left. [Illustration: LIMB GROWING THRU JAWS. This trap was made about 1875 and no part had given way from the tremendous pressure. Surely a good Newhouse.] The dog or latch should be thick and narrow rather than wide, as presenting less surface for the animal to step on. It should be curved and pointed in such a way as to hold up the pan but so as to "go off" "easy" or "hard" in proportion to the size of the animal trapped for. This is a nice point for each trapper to decide for himself and it is this susceptibility to adjustment by curving or straightening the dog that makes this old "trigger arrangement" superior to any other that has been invented. Of course, the cross and bottom pieces must be made in proportion to the other parts of the trap and the experienced trapper or inspector knows how to so bend them as to make them conform correctly therewith. The chain should be strong enough to hold any animal for which the trap is designed. It goes without saying that a good swivel is indispensable, as well as a reliable ring and wedge for fastening, and the "S" Hook sometimes furnished will be found very convenient as a means for attaching the trap to a drag. CHAPTER III. A FEW FAILURES. We present herewith a few photos taken from a collection of experimental traps and will endeavor to point out wherein these failed to prove themselves of practical value. [Illustration: BOB TAIL TRAP.] This trap was sometimes called the "Bob Tail" on account of its lack of a dog, and this feature was thought to be a valuable one as there was nothing to throw the animal's foot out, but it was found to be deficient in that it was not sensitive enough and it lacked any adjustability in its setting device. [Illustration: DEFECTIVE PAN BEARING.] This model was put on the market and sold for some time and seemed to be a very good trap. It was discovered, however, that the bearing of the pan was too low down for a delicate set and also sometimes caused trouble by freezing in mud. [Illustration: THE ALL STEEL.] This trap was at one time thought to be good and was tried by many trappers. It was found, however, to be very faulty in many respects. The bearing of the pan lay flat in the mud and would freeze. The setting device lacked any kind of adjustability and might either go off so hard that nothing could spring it or so easily that it would not stay set at all. The jaws which were made of thin sheet steel were not durable. [Illustration: THE MODIFIED ALL STEEL.] In this trap the method of attaching the pan was changed and the jaws were rendered more durable, but as the holding edges were made much thinner they were more liable to cut the animal's legs and on the whole the trap was not improved. [Illustration: POOR SETTING DEVICE.] This trap was invented to do away with the throwing out motion of the dog. It accomplished it, however, at such a sacrifice of other valuable features as to render it a useless invention. Its pan like others mentioned was liable to freeze up and it also lacked in easy adjustability and sensitiveness. Few of them were sold as they did not meet the approval of trappers of experience. [Illustration: DOUBLE JAW WITHOUT DOG.] A Double Jaw Trap was made without a dog as shown by the setting device, although ingenious in construction, was not sensitive. The holding power of the double jaw was good, especially in a dry land set, as all know who have tried the Newhouse No. 91 or 91 1/2. [Illustration: THE DUPLEX.] This trap was designed by a man who thought it desirable to fasten the bait to the pan. Only a novice at trapping would think of doing such a thing as that, as drawing the animal's attention to the trap is sure to excite his suspicion and to catch him by the head is not desirable, even if possible. A common trap is quite certain to only nip him and slip off. The trap as will be seen could be used also like a common one, but presented a very awkward appearance. A few experienced trappers gave it a trial but none of them seemed to favor it. [Illustration: THE NO CROSS.] This style was never put on the market. There have been invented quite a number of traps that have no cross piece but we do not know that any of them have been sold. CHAPTER IV. SOME EUROPEAN TRAPS. German Fox Trap. The cut below represents a German Trap, as made at the present time, and there are several German makers of similar traps. They are mostly hand made and vary slightly in style of construction from one another. The sizes cover all the different fur-bearing animals, but the traps are clumsily made and much more expensive than those of American Manufacture. [Illustration: GERMAN FOX TRAP.] It will be observed that the Pan is very large, in fact, it so nearly fills the space between the jaws, that there is quite a good chance that an animal would be thrown clear of the jaws when springing it. The setting devise has no delicacy of adjustment and the fulcrum of the pan is so low down it would be very likely to freeze solid in the mud. These traps are all provided with many large sharp teeth, and if the animal is caught high up they may do great injury to a valuable pelt. English Rabbit Trap. This remarkably clumsy looking concern is made in England and is used mostly in Australia and New Zealand for catching rabbits, which have become such a pest in those far away "Islands of the Sea." [Illustration: ENGLISH RABBIT TRAP.] The Australian rabbit trappers are mostly of English descent and like their forefathers are very conservative in their ideas, so in spite of its many defects, they stick to the use of this antiquated machine. Notice the size of the pan almost filling the opening in the jaw, width of the dog both tending to throw out the animal's foot. The sharp toothed jaws with thin cutting edges so apt to break the bone and help the rabbit to free itself. Note also the short half spring which the trappers say will not endure more than one or two years use and which is stationary and sets high up, thus making it hard to conceal. That there is need of something better than this to keep down these pests, may be believed, for it is stated that in spite of the fact that over two million dollars worth of their pelts and flesh are shipped to Europe annually, they are still on the increase. They have lately made their appearance in regions hitherto free from them. Owing to the enormous fecundity, they soon take nearly complete possession of a place as it is calculated that one pair may increase to about two million in a couple of years. Until the trappers adopt some more efficient trap it is difficult to see how they are to make much headway against this scourge of the land. CHAPTER V. PROPER SIZES. Trappers have done much, by pushing into the wilderness after fur-bearing animals and game, to advance civilization. Had the slower pursuits of logging, farming, etc., been depended upon the United States and Canada today would not be nearly so far advanced as they are. While in sections, the larger game is gone yet there is in parts of the North, West and South, much good trapping territory that will pay the hardy trapper for years to come. Even in the more thickly settled districts, trapping can be made a good paying business if the correct sizes are used and trappers pay attention to the proper season to trap. It seems that red
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Produced by Sonya Schermann, Carol Brown and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) AN ACCOUNT OF _THE LATE IMPROVEMENTS_ IN GALVANISM, WITH A SERIES OF CURIOUS AND INTERESTING _EXPERIMENTS_ PERFORMED BEFORE THE COMMISSIONERS OF THE FRENCH NATIONAL INSTITUTE, AND REPEATED LATELY IN THE ANATOMICAL THEATRES OF LONDON. BY JOHN ALDINI, PROFESSOR OF EXPERIMENTAL PHILOSOPHY IN THE UNIVERSITY OF BOLOGNA, MEMBER OF THE MEDICAL AND GALVANIC SOCIETIES OF PARIS, OF THE MEDICAL SOCIETY OF LONDON, ETC. TO WHICH IS ADDED, AN APPENDIX, CONTAINING THE AUTHOR’S EXPERIMENTS ON THE BODY OF A MALEFACTOR EXECUTED AT NEWGATE. _&c. &c._ _ILLUSTRATED WITH ENGRAVINGS._ [Illustration: Medallions] _LONDON_: PRINTED FOR CUTHELL AND MARTIN, MIDDLE-ROW, HOLBORN, AND J. MURRAY, NO. 32, FLEET-STREET, BY WILKS AND TAYLOR, CHANCERY-LANE. 1803. EDITOR’S PREFACE. Few discoveries in modern times have excited so much curiosity as that of Galvanism. Ever since it was first made known by its celebrated Author, it has engaged the attention of the most eminent philosophers in Europe; and various researches have been undertaken to ascertain the principles on which it depends; and the laws to which it is subject. Though some of its singular properties are fully established, it must be allowed that the discovery is still in its infancy; but enough of it is known to prove its importance, and to induce philosophers to continue their researches, which there is every reason to suppose may lead to some very curious results. The experiments, indeed, which have already been made, seem to indicate that it may open a new field in the healing art; and it appears by a late report presented to the Class of the Exact Sciences of the Academy of Turin, that the medical application of it has been attended with the most beneficial effects in a case of confirmed hydrophobia. While Galvanism, independently of other advantages, holds out such hopes of utility in regard to objects so interesting to mankind; a work containing a full account of the late improvements which have been made in it, illustrated by a complete course of experiments, cannot fail of being acceptable to the public in general, and in particular to medical men, to whose department, in one point of view, it more essentially belongs. When Professor Aldini left this country, the manuscript, written in French, together with two printed Latin Dissertations, was put into the Editor’s hands, in order that they might be prepared for the press. A translation of these forms the principal part of the work: and an Appendix has been added, containing the author’s experiments on the body of a malefactor executed at Newgate; experiments of a similar kind on the bodies of three criminals decapitated at Bologna; and an experiment lately made at Calais, which seems to show that Galvanism is susceptible of being conveyed to a very considerable distance through the water of the sea. The Editor thinks it necessary to observe, that the principal experiments, of which an account is given in this work, are illustrated by proper engravings, and that the title page is embellished with a representation of the gold medal presented to the Author, as a mark of their respect, by the medical professors and pupils of Guy’s and St. Thomas’s Hospitals. LONDON, _May 12th, 1803_. CONTENTS. PART I. PAGE OF THE NATURE AND GENERAL PROPERTIES OF GALVANISM. PROPOSITION I. _Muscular contractions are excited by the development of a fluid in the animal machine, which is conducted from the nerves to the muscles without the concurrence or action of metals_ 3 PROP. II. _The Galvanism excited, in the preceding experiments, is not owing to the communication nor to the transfusion of the general electricity, but to an electricity peculiar to animals, which acts a very distinguished part in the animal economy_ 6 PROP. III. _Galvanism develops itself in a powerful manner, independently of metals, by means of the human animal machine_ 8 PROP. IV. _Muscular contractions can be excited, under certain conditions, without establishing a continued arc from the nerves to the muscles_ 11 PROP. V. _The effects of Galvanism, in the preceding experiments, do not depend on the action of any stimulant, which occurs in performing the experiments, and ought not to be confounded with the effects of that action_ 12 PROP. VI. _Galvanism is excited in the animal machine without any intermediate body, and merely by the application of the nerves to the muscles_ 14 PROP. VII. _The heterogeneity of metals contributes, in a great degree, to excite muscular contractions with more facility, but is not absolutely necessary to their production_ 19 PROP. VIII. _The Leyden flask, the Voltaic pile, and animal substances, have the faculty of absorbing principles from the atmospheric air in an insulated plenum_ 21 PROP. IX. Flame _prevents the action of the Leyden flask, as well as that of the pile, and also muscular contractions_ 27 PROP. X. _Certain fluids, applied to the whole surface of the pile, or of animal parts, do not prevent the action of Galvanism_ 29 PROP. XI. _Mere electrization, by means of the common kinds of apparatus, does not increase the action of Galvanism_ 32 PROP. XII. _The Galvanic action is increased by employing as part of the arc the apparatus of Volta, or the electrified Leyden flask_ 34 PROP. XIII. _Galvanism, in animals and in the pile, traverses large spaces with the same rapidity as the electric fluid_ 36 PROP. XIV. _The muscular contractions, which, according to the observations of Galvani, are produced by an electric atmosphere whether natural or artificial, correspond entirely with those produced by the pile, or by similar kinds of apparatus_ 37 PROP. XV. _Opium, cinchona, and other stimulants of a similar kind, which exercise a powerful action on the animal machine, contribute also to excite the action of the pile_ 41 PROP. XVI. _If the general relation between Galvanism and electricity be examined, such a correspondence will be found between them, as tends to confirm the analogy already stated_ 44 PROP. XVII. _The hypothesis of an animal pile, analogous to that formed artificially, seems well calculated to explain the sensations and contractions in the animal machine_ 47 PART THE SECOND. ON THE INFLUENCE WHICH GALVANISM HAS ON THE VITAL POWERS 53 SECTION I. _Galvanism applied to various quadrupeds, birds, and other warm-blooded animals_ 54 SECTION II. _Experiments made on human bodies after death_ 67 PART THE THIRD. ON THE POWER OF GALVANISM AS APPLIED TO MEDICINE 97 SECT. I. _Advantages which the medical administration of Galvanism has over that of common electricity_ 99 SECT. II. _Application of Galvanism to the organs of hearing and of sight_ 101 SECT. III. _Application of Galvanism in cases of asphyxia and drowning_ 110 SECT. IV. _Galvanism applied to the cure of melancholy madness_ 113 SECT. V. _General reflections on the action and influence which Galvanism, considered in a medical point of view, exercises on the animal œconomy_ 123 DISSERTATION _on animal electricity, read in the Institute of Bologna in the year 1793_ 133 SECOND DISSERTATION _on animal electricity, read in the Institute of Bologna in the year 1794_ 155 _Conclusion_ 186 APPENDIX 189 No. I. _An account of the experiments performed, by J. Aldini, on the body of a malefactor executed at Newgate Jan. 17, 1803_ ib. No. II. _Report presented to the Class of the Exact Sciences of the Academy of Turin, 15th August 1802, in regard to the Galvanic experiments made by_ C. VASSALI-EANDI, GIULIO, _and_ ROSSI, _on the 10th and 14th of the same month, on the bodies of three men a short time after their decapitation_. _By_ C. GIULIO 204 No. III. _Account of an experiment made at Calais, on the transmission of Galvanism through an arm of the sea_ 217 AN ACCOUNT OF THE LATE IMPROVEMENTS IN GALVANISM. A just tribute of applause has been bestowed on the celebrated Professor Volta for his late discovery; and I have no desire to deprive him of any part of that honour to which he is so justly entitled; but I am far from entertaining an idea that we ought, on this account, to neglect the first labours of Galvani. Though these two philosophers pursued different routes, they concurred to throw considerable light on the same points of science; and the question now is, to determine which of them deduced the most just consequences from the facts he observed; and then to ascertain whether the facts established by Galvani lead to the theory of Volta, or whether those discovered by Volta are connected with the theory of Galvani. For my part, I am of opinion that these two theories may serve in an eminent degree to illustrate each other. Last year Professor Volta announced to the public the action of the metallic pile. I here propose to exhibit, according to the principles of Professor Galvani, the action of the animal pile. Such is the plan I have conceived in order to reconcile the systems of these two illustrious philosophers: it forms the object of the present work, which is divided into three parts. In the first I shall exhibit the action of Galvanism independently of metals, and explain some of its general properties. The second will contain experiments on the power of Galvanism to excite the vital forces. In the third I shall propose some useful applications of it to medicine, and explain the principles on which the new medical administration of Galvanism is founded. To render the work as methodical as possible, I have endeavoured to arrange the experiments in such a manner that they may serve as proofs to a series of general propositions, which, it is hoped, will be of use to physiology and to the doctrine of the animal economy. PART THE FIRST. OF THE NATURE AND GENERAL PROPERTIES OF GALVANISM. PROPOSITION I. _Muscular contractions are excited by the development of a fluid in the animal machine, which is conducted from the nerves to the muscles without the concurrence or action of metals._ EXPERIMENT I. Having provided the head of an ox, recently killed, I thrust a finger of one of my hands, moistened with salt water, into one of the ears (Plate I. fig. 1.), at the same time that I held a prepared frog in the other hand, in such a manner that its spinal marrow touched the upper part of the tongue. When this arrangement was made, strong convulsions were observed in the frog; but on separating the arc all the contractions ceased. This experiment will succeed still better if the arc be conveyed from the tongue of the ox to the spinal marrow of the frog. This method was found to be exceedingly convenient for trying the effect of Galvanism on several calves. EXPERIMENT II. Having provided the trunk of a calf, I conveyed the arc from the muscles of the abdomen to the spinal marrow of a frog, prepared and arranged in the usual manner. The frog seemed much affected, and the contractions were exceedingly violent when the arc was composed of a chain of different persons, united together by the hands moistened with salt water. EXPERIMENT III. I connected, by means of one chain of moisture, the heads of two or three calves, and observed that by this combination the force of the Galvanism was exerted with more energy: a frog, which was not affected by touching one head, experienced violent contractions when applied to a series of several heads connected together. EXPERIMENT IV. I think it proper here to mention a very curious observation which I made lately at Paris, in company with professor Huzzard, and in the presence of the Commissioners of the National Institute. On applying the spinal marrow of a prepared frog to the cervical muscles of a horse’s head, separated from the body, no muscular convulsions took place; but if, at the same time, another person touched with his hand, moistened by a solution of muriate of soda, the spinal marrow of the horse, convulsions were always produced in the frog, though there was no communication between the persons, except that formed by a floor on which they stood. PROPOSITION II. _The Galvanism excited, in the preceding experiments, is not owing to the communication nor to the transfusion of the general electricity, but to an electricity peculiar to animals, which acts a very distinguished part in the animal economy._ EXPERIMENT I. Having placed the trunk of a calf (Plate I. fig. 2.) on an insulated table, I made a longitudinal incision in the breast, in order to obtain a long series of muscles uncovered. I then arranged two insulated persons in such a manner that the one with a finger, moistened by salt water, touched the spinal marrow of the calf, while the other applied the spinal marrow of a frog to the muscles of the trunk. Every time this arc was formed, muscular contractions were produced in the frog. When the two persons let go each other’s hands, the contractions ceased. I repeated this experiment, with the same success, on the insulated head of an ox, conveying the arc from the spinal marrow of the frog to the tongue. Frogs were as violently affected when the experiment was made with the insulated trunks of different kinds of birds. This experiment, in my opinion, affords a decisive proof that the Galvanic fluid is peculiar to the animal machine, independently of the influence of metals, or of any other foreign cause. In these experiments, indeed, we have some animal machines, so combined that the result is strong contractions in the frog. All the bodies were insulated; and, therefore, it cannot be supposed that the contractions were occasioned by the direct influence of that general principle, which pervades every body in nature. Hence it is evident, whether it be ascribed to the action of the animal chain, formed by the arms of the persons, or to the animal pile, formed by the trunk of the calf, that we shall still be obliged to acknowledge the action of a principle which belongs to the organization of the animal machine, without having any dependence on metals. * * * * * To prove in the animal body the existence of a principle which philosophers can by certain means excite and direct at pleasure in their experiments, is a matter of the greatest importance; though the manner in which it is put in action by nature, however wonderful, is unknown to us. Here then we have developed a very energetic fluid, capable of transmission, and deriving its origin from the action of the animal forces; since the parts of bodies separated from the common reservoir of general electricity have still of themselves the faculty of reproducing it, and of causing it to circulate in a manner proper for exciting muscular contractions. PROPOSITION III. _Galvanism develops itself in a powerful manner, independently of metals, by means of the human animal machine._ EXPERIMENT I. If you hold in your hand, moistened with salt water, the muscles of a prepared frog, and apply the crural nerves to the tip of your tongue, you will immediately see violent contractions produced in the frog. All suspicion of any stimulant exerting an action in this case, may be removed by repeating the experiment with the frog held in the dry hand: the muscular contractions will then cease, unless the action of Galvanism in the frog, or in the animal machine, be uncommonly powerful; in which case contractions may be produced without establishing an arc from the nerves to the muscles. EXPERIMENT II. I held the muscles of a prepared frog in one of my hands, moistened by salt water, and brought a finger of the other hand, well moistened, near to the crural nerves. When the frog possessed a great deal of vitality the crural nerves gradually approached my hand, and strong contractions took place at the point of contact. This experiment proves the existence of a very remarkable kind of attraction, observed not only by myself, but also by those whom I requested to repeat the experiment. EXPERIMENT III. The above experiment requires great precision in the preparation, and a considerable degree of vital power in the frog. I have been informed by Professor Fontana, in a letter lately received from him, that this phænomenon depends on very delicate circumstances, which he proposes to explain. He assures me, at the same time, that he has twice seen the nerve attracted, in this manner, by the muscle. Being desirous to render this phænomenon more evident, I formed the arc, by applying one of my hands to the spinal marrow of a warm-blooded animal, while I held a frog in the other, in such a manner that the crural nerves were brought very near to the abdominal muscles. By this arrangement the attraction of the nerves of the frog became very sensible. I performed this experiment for the first time, at Oxford, before Sir Christopher Pegge and Dr. Bancroft, and repeated it in the anatomical theatres of St. Thomas’s and Guy’s hospitals. EXPERIMENT IV. I made the same observations on the body of a man as I had before made on the head and trunk of an ox. Having obtained the body of an executed criminal, I formed an arc from the spinal marrow to the muscles, a prepared frog being placed between, and always obtained strong contractions without the aid of the pile, and without the least influence from metals. I obtained the same result, in a certain degree, from the bodies of men who had died a natural death. EXPERIMENT V. Let four or more persons hold each other by the hands, moistened by a solution of muriate of soda, so as to form a long animal chain. If the first hold in his hand the muscles of a prepared frog; and if the last, at the other end of the chain, touch the spinal marrow or the crural nerves, contractions will be produced: if the animal chain be broken, the contractions will immediately cease. I performed this experiment, making the animal chain to consist of two persons, before the Galvanic Society at Paris, and in Mr. Wilson’s anatomical theatre, Windmill-street. PROPOSITION IV. _Muscular contractions can be excited, under certain conditions, without establishing a continued arc from the nerves to the muscles._ EXPERIMENT. Having obtained the body of an executed criminal, I caused the biceps muscle to be laid bare, and brought near to it the spinal marrow of a prepared frog. By these means contractions were produced in it much stronger than I had ever obtained in warm-blooded animals. I repeated the experiment, being myself insulated, and observed no signs of contraction. The same phænomena were exhibited with the head of an ox, which possessed an extraordinary degree of vitality. PROPOSITION V. _The effects of Galvanism, in the preceding experiments, do not depend on the action of any stimulant, which occurs in performing the experiments, and ought not to be confounded with the effects of that action._ EXPERIMENT I. In the experiment of the frog applied to the uncovered biceps muscle of the body of the malefactor, if any other body be made to touch the frog it will remain motionless. This proves that the contractions produced in the frog do not arise from the impulse of the mere contact of the spinal marrow with the muscle of the human animal machine. EXPERIMENT II. To remove still further all suspicion of the action of stimulants, in the preceding experiments, I prepared two frogs, and connected the extremities of one with the spinal marrow of the other. I then held in my hand the extremities of one of the frogs, and applied the spinal marrow of the other to the uncovered muscles of the head of an ox, which possessed a great degree of vitality. By these means contractions were produced in both the frogs. It is evident, in this experiment, that the force of the stimulant, if there were any, might act on the second frog, but not on the first. PROPOSITION VI. _Galvanism is excited in the animal machine without any intermediate body, and merely by the application of the nerves to the muscles._ Several philosophers have endeavoured to obtain this interesting result. Professor Volta, in a letter which he addressed to me, in Brugnatelli’s Journal, observed, “that various parts of animals can excite Galvanism, independently of metals.” Galvani, a short time before his death, proposed two ingenious methods of obtaining this result, and gave me a description of them. This, however, has not been able to destroy the incredulity of some philosophers, who hitherto have confounded Galvanism with metallic electricity, under an idea that all contractions proceed from irritation, produced by the action of metals. For this reason I have, with confidence, announced my method, which enables any one to observe this important result. EXPERIMENT I. Having prepared a frog in the usual manner, I hold the spinal marrow in one hand (Plate I. fig. 3.), and with the other form an angle with the leg and foot, in such a manner that the muscles of the leg touch the crural nerves. On this contact strong contractions, forming a real electrico-animal alarum (_carillon_), which continue longer or shorter according to the degree of vitality, are produced in the extremity left to itself. In this experiment, as well as in the following, it is necessary that the frogs should be strong and full of vitality, and that the muscles should not be overcharged with blood. EXPERIMENT II. By observing the directions already given, very strong convulsions will be obtained; but they must not be ascribed to the impulse produced by bringing the nerve into contact with the muscle. If the experiment be repeated, covering the muscle, at the place of contact, with a non-conducting substance, the contractions will entirely cease; but they will be re-produced as soon as the nerve is made to touch the muscular substance. In performing this experiment, in public, I obtained several times more than two hundred successive contractions; but this was never the case when I formed the same contact with the muscle by means of a conducting substance, and even with a plate of metal. To ensure the success of this interesting experiment, the nerves must be prepared as speedily as possible, by disengaging them from every foreign substance. It will be proper also to apply the nerves not to one but to several points of the muscle, throughout its whole length. It is observed, that the contact of the nerves with the tendinous parts which communicate with the muscles, often serves to increase the muscular contractions. I performed the above experiment before several able professors, among whom were the celebrated Brugnatelli and Carcano, who, with that modesty peculiar to them, made several ingenious observations on the precision which might be given to it. Professor Brugnatelli was apprehensive that, as I had accidentally touched some metals before I performed the experiment, metallic particles might have adhered to my fingers, and thus have served, in some measure, as invisible arming, sufficient of itself to excite muscular contractions. This suspicion, however, I removed, by immersing my hands in water, to detach every foreign substance. He then observed that animal moisture, independently of the circulation of the Galvanic fluid from the nerves to the muscles, might also excite muscular contractions; and he requested that the crural nerves might be washed in common water. This was accordingly done; and the humidity of the nerves being thus externally removed, very strong contractions were still produced, as the professor found, to his full conviction, on repeating the experiment himself several times[1]. [1] It may not be improper here to observe, that my method of exciting muscular contractions, without metals, is very different from that proposed by others. I do not know that convulsions have ever been obtained in cold-blooded animals by means of warm-blooded. From observations I have made, I flatter myself with the hope of being able to obtain contractions without metals, even in the muscles of warm-blooded-animals. But to ensure the certainty of this method would require long practice, and a preparation attended with considerable difficulty. I however propose to attempt it on my return to Italy. Some philosophers, indeed, had conceived the idea of producing contractions in a frog without metals; and ingenious methods proposed by my uncle Galvani induced me to pay attention to the subject, in order that I might attain to greater simplicity. He made me sensible of the importance of the experiment, and therefore I was long ago inspired with a desire of discovering that interesting process. It will be seen in the _Opuscoli of Milan_, that I shewed publicly, to the Institute of Bologna, contractions in a frog without the aid of metals, so far back as the year 1794. The experiment, as described in a memoir addressed to M. Amorotti, is as follows: “I immersed a prepared frog in a strong solution of muriate of soda. I then took it from the solution, and, holding one extremity of it in my hand, I suffered the other to hang freely down. While in this situation, I raised up the nerves with a small glass rod, in such a manner that they did not touch the muscles. I then suddenly removed the glass rod, and every time that the spinal marrow and nerves touched the muscular parts, contractions were excited. Any idea of a stimulus arising either from the action of the salt, or from the impulse produced by the fall of the nerves, may be easily removed. Nothing will be necessary but to apply the same nerves to the muscles of another prepared frog, not in a Galvanic circle; for, in this case, neither the salt, nor the impulse even if more violent, will produce muscular motion. EXPERIMENT III. The Commissioners of the French National Institute remarked, that, in order to give the greatest precision possible to these experiments, it would be necessary to insulate entirely the nervous and muscular systems. For this purpose, I applied these parts to each other by means of glass rods, and each time they were brought into contact I obtained muscular contractions. The case was the same when an animal arc was applied to two insulated frogs: contractions were produced in them both. The apparatus employed for this purpose may be seen in Plate I. fig. 5 and 6. EXPERIMENT IV. Having prepared a frog according to the usual method, I cut one of its crural nerves in such a manner that the trunk was united to the spinal marrow by means of the other nerve, which remained uncut, and also by a blood-vessel contiguous and parallel to the cut nerve. I then repeated the above experiment; and, though only one nerve was in contact with the muscles, I obtained the same results. EXPERIMENT V. A ligature was placed loosely around the middle of the crural nerves, and one of these nerves at the ligature applied to the corresponding muscles: strong contractions ensued; which, however, did not take place, when the ligature was drawn tight, at the insertion of the nerves into the muscles of the thigh. PROPOSITION VII. _The heterogeneity of metals contributes, in a great degree, to excite muscular contractions with more facility, but is not absolutely necessary to their production._ This proposition I could demonstrate in a direct manner, by means of experiments, which I published formerly, on the contractions excited by very pure mercury, and which were repeated, in different ways, by the celebrated Humboldt. I am, however, happy to have an opportunity of examining the influence of arming with heterogeneous substances; and I shall endeavour to prove that it cannot, of itself, produce the effect of muscular contractions. EXPERIMENT I. If several prepared frogs, ten or more for example, be placed on a table (Plate I. fig. 7.), and arranged parallel to each other, in such a manner that the whole system of the nerves shall be at one end, and that of the muscles at the other,—on applying two armatures and a metallic arc to the first of these frogs, muscular convulsions will be immediately excited, not only in the first frog, but in all the rest. EXPERIMENT II. If the experiment be repeated with the frogs arranged in such a manner that the spinal marrow and muscles are not each at one end (Plate I. fig. 8.), but disposed alternately so that the spinal marrow of one touches sometimes the muscles of another, or vice versa, convulsions will then be produced only in some of the frogs, and not in the whole series. This experiment proves that the effect does not, in any manner, depend on the action of metals; because metallic electricity in the first experiment ought to exercise an action only on the first frog, and not on the rest; and, in the second, ought to cause them all to move together, or to leave them motionless. I shall now proceed to those experiments which appear to be best calculated to support the opinion of the great analogy between electricity and Galvanism. PROPOSITION VIII. _The Leyden flask, the Voltaic pile, and animal substances, have the faculty of absorbing principles from the atmospheric air in an insulated plenum._ EXPERIMENT I. By means of a metallic point, I electrified the interior side of a glass jar, which I inverted and placed on a plate of metal, so as to form an insulated plenum. In a little time, I saw the water rise in the glass several lines; and I then flattered myself with the hopes of obtaining some remarkable effects by another method. EXPERIMENT II. I provided for this experiment a Leyden flask, seven inches in height and about three in diameter, coated in the usual manner with tin foil: the exterior end of the wire terminated in a sharp point, so that the electric fluid which escaped from it could easily combine with the principles of the atmospheric air, with which it had a greater affinity. I then electrified the jar, and covered it with a glass receiver of such a size that its electricity could not be weakened by the sides of the latter. I thus formed an insulated plenum, and at the end of half an hour I saw the water ascend in the receiver in a very sensible manner. EXPERIMENT III. Having made the wire to terminate, not in a point, but in a metallic knob, as usual, I again charged the jar, and having placed it under a common receiver, at the end of about half an hour I found that the elevation of the water was much greater. To remove every suspicion that this might arise from the water employed in the preceding experiment, to insulate the plenum, I substituted mercury in its stead; and though the elevations were less, they were, however, analogous to those which had been observed a little before with water. By repeating this experiment with a similar jar, not electrified, one may be easily convinced, that the elevation of the water in the bell ought not to be ascribed to a difference in the temperature of the air within it. EXPERIMENT IV. I placed under a bell-glass, forming
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Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net POLLY OF LADY GAY COTTAGE BY EMMA C. DOWD WITH ILLUSTRATIONS NEW YORK GROSSET & DUNLAP PUBLISHERS Made in the United States of America COPYRIGHT, 1913, BY EMMA C. DOWD ALL RIGHTS RESERVED [Illustration: HAROLD WESTWOOD!] TO MY CRITIC, COUNSELOR AND COMRADE CONTENTS I. THE ROSEWOOD BOX 1 II. LEONORA'S WONDERFUL NEWS 12 III. A WHIFF OF SLANDER 20 IV. COUSINS 36 V. A MONOPOLIST AND A FANFARON 46 VI. "NOT FOR SALE" 66 VII. THE BLIZZARD 73 VIII. THE INTERMEDIATE BIRTHDAY PARTY 89 IX. THE EIGHTH ROSE 105 X. A VISIT FROM ERASTUS BEAN 119 XI. UNCLE MAURICE AT LADY GAY COTTAGE 125 XII. LITTLE CHRIS 138 XIII. ILGA BARRON 152 XIV. POLLY IN NEW YORK 165 XV. AN UNEXPECTED GUEST 175 XVI. ROSES AND THORNS 184 XVII. A SUMMER NIGHT MYSTERY 194 XVIII. AT MIDVALE SPRINGS 212 XIX. TWO LETTERS 237 XX. MRS. JOCELYN'S DINNER-PARTY 250 POLLY OF LADY GAY COTTAGE CHAPTER I THE ROSEWOOD BOX The telephone bell cut sharp into Polly's story. She was recounting one of the merry hours that Mrs. Jocelyn had given to her and Leonora, while Dr. Dudley and his wife were taking their wedding journey. Still dimpling with laughter, she ran across to the instrument; but as she turned back from the message her face was troubled. "Father says I am to come right over to the hospital," she told her mother. "Mr. Bean--you know, the one that married Aunt Jane--has got hurt, and he wants to see me. I hope he isn't going to die. He was real good to me that time I was there, as good as he dared to be." "I will go with you," Mrs. Dudley decided. And, locking the house, they went out into the early evening darkness. The physician was awaiting them in his office. "Is he badly hurt?" asked Polly anxiously. "What does he want to see me for?" "We are afraid of internal injury," was the grave answer. "He was on his way to you when the car struck him." "To me?" Polly exclaimed. "He was fetching a little box that belonged to your mother. Do you recollect it--a small rosewood box?" "Oh, yes!" she cried. "I'd forgotten all about it--there's a wreath of tiny pearl flowers on the cover!" The Doctor nodded. "Mr. Bean seems to attach great value to the box or its contents." "Oh, what is in it?" "I don't know. But he kept tight hold of it even after he was knocked down, and it was the first thing he called for when he regained consciousness. I thought he had better defer seeing you until to-morrow morning; but he wouldn't hear to it. So I let him have his own way." "Have you sent word to Aunt Jane?" inquired Polly, instinctively shrinking from contact with the woman in whose power she had lived through those dreadful years. Dr. Dudley gave a smiling negative. "He begged me not to let her know." "I don't blame him!" Polly burst out. "I guess he's glad to get away from her, if he did have to be hurt to do it." "Probably he wishes first to make sure that the box is in your hands," observed the Doctor, rising. "She will have to be notified. Come, we will go upstairs. The sooner the matter is off Mr. Bean's mind, the better." Polly was dismayed at sight of the little man's face. In their whiteness his pinched features seemed more wizen than ever. But his smile of welcome was eager. "How do you do, my dear? My dear!" the wiry hand was extended with evident pain. Polly squeezed it sympathetically, and told him how sorry she was for his accident. Mr. Bean gazed at her with tender, wistful eyes. "My little girl was'most as big as you," he mused. "Not quite; she wasn't but six when she--went. But you look consider'ble like her--wish't I had a picture o' Susie! I wish't I had!" He drew his breath hard. Polly patted the wrinkled hand, not knowing what to say. "But I've got a picture here you'll like," the little man brightened. "Yer'll like it first-rate." His hand moved gropingly underneath the bed covers, and finally brought out the little box that Polly instantly recognized. "Oh, thank you! How pretty it is!" She received it with a radiant smile. Mr. Bean's face grew suddenly troubled. "Yer mustn't blame Jane too much," he began pleadingly. "I guess she kind o' dassent give it to yer, so long afterwards. It's locked,"--as Polly pulled at the cover,--"and there ain't no key," he mourned. "I do' know what Jane's done with it. Yer'll have to git another,--there wa'n't no other way." His voice was plaintive. "That's all right," Polly reassured him. The pleasure of once more holding the little box in her hand was enough for the moment. "I see it in her bureau drawer the day we was first married," he went on reminiscently, "an' she opened it and showed me what was in it. Ther''s a picture of yer mother--" "Oh!" Polly interrupted excitedly, "of mamma?" "Yis, so she said. Looks like you, too,--same kind o' eyes. It was goin' to be for your birthday--that's what she had it took for, Jane said." Polly had been breathlessly following his words, and now broke out in sudden reproach:-- "Oh! why didn't Aunt Jane let me have it! How could she keep it, when I wanted a picture of mamma so!" The reply did not come at once. A shadow of pain passed over the man's face, leaving it more drawn and pallid. "It's too bad!" he lamented weakly. "I tol' Jane so then; but she thought 'twould kind o' upset yer, likely, and so--" His voice faltered. He began again bravely. "You mustn't blame Jane too much, my dear! Jane's got some good streaks, real good streaks." Polly looked up from the little box. Her eyes were wet, but she smiled cheerfully into the anxious face. "I ought not to blame her, now she's sent it," she said sweetly; "and I thank you ever so much for bringing it." A hint of a smile puckered the thin lips. "Guess if I'd waited f'r her to send it," he murmured, "'t 'ud been the mornin' Gabriel come! But Jane's got her good streaks," he apologized musingly. Then he lay silent for a moment, feeling after courage to go on. "Ther''s a letter, too," he finally hazarded. "Jane said it was about some rich relations o' yours some'er's--I forgit where. She said likely they wouldn't care nothin' 'bout you, seein''s they never'd known yer, and it would only put false notions into yer head, and so she didn't"--he broke off, his eyes pleading forgiveness for the woman whose "good streaks" needed constant upholding. But Polly was quite overlooking Aunt Jane. This astonishing bit of news had thrown her mind into a tumult, and she breathlessly awaited additional items. They were slow in coming, and she grew impatient. "What relatives are they?" she prodded. "Papa's, or mamma's?" Mr. Bean could not positively say. He had not read the letter, and recollected little that his wife had told him. "Seems kind o''s if they was Mays," he mused; "but I ain't noways sure. Anyhow they was millionaires, Jane said she guessed, and she was afraid 't 'ud spile yer to go and live with 'em,--" At this juncture Dr. Dudley interposed, his fingers trying his patient's pulse. "No more visiting to-night," he smiled, yet the smile was grave and of short life. Polly went away directly, carrying the little rosewood box, after again expressing her grateful thanks to Mr. Bean. Down in the office her tongue ran wild, until her mother was quite as excited as she. But there was a difference; Polly's wondering thoughts flew straight to her lips, Mrs. Dudley's stayed in her heart, restless and fearsome. Next morning the injured man seemed no worse, though the physicians still had grave doubts of his recovery. Dr. Dudley, while appreciating Mr. Bean's kind intentions towards Polly, and putting out of account the serious accident, grimly wished to himself that the little man had suffered the rosewood box to remain hidden in his wife's bureau drawer. Of course, Polly was legally his own, yet these unknown relatives of hers,--with what convincing arguments might they confront him, arguments which he could not honestly refute! Yet he carried the box to the locksmith's, and he conjectured cheerfully with Polly regarding the contents of the letter. Late in the afternoon he put both box and key into Polly's hands. "Oh!" she squealed delightedly. "Have you opened it?" "Most certainly not. That pleasure is left for you." She eagerly placed the key in the lock, and carefully raised the cover. A folded tissue paper lay on top, which she caught up, and the photograph was disclosed. "Mamma!" she half sobbed, pressing the picture to her lips. But Dr. Dudley scarcely noticed her emotion, for the displacement of the card had revealed only an empty box--the letter was gone! He looked across at his wife, and their eyes met in perfect understanding. The moment they had both dreaded was postponed, and they felt a sudden relief. Still, there had been a letter, the Doctor silently reasoned, and sooner or later its contents must be faced. "See!" Polly was holding before him the portrait of a lovely, girlish woman, with dark, thoughtful eyes and beautiful, curving mouth. "It looks just like her!" came in tremulous tones. "Isn't she sweet?" She leaned lightly against her father, drawing a long breath of joy and sorrow. As he threw his arm about her, the Doctor could feel her efforts to be calm. "But where's the letter?" she asked, with sudden recollection, turning from their satisfying praise of the one she loved, to gaze into the empty box. She regarded it disappointedly when she heard the truth. "Now I shan't ever know," she lamented, "whether I have any grandfather or grandmother, or uncles or aunts,--or anybody! And I thought, may be, there'd be some cousins too! But, then," she went on cheerfully, "it isn't as if the letter was from somebody I'd ever known. I'm glad it is that that's lost, instead of this," clasping the photograph to her heart. Mrs. Dudley glanced over to her husband. "Better not tell her!" his eyes said, and her own agreed. It seemed that Polly did not dream of what was undoubtedly the case,--that the letter was from her mother, written as a birthday accompaniment to the picture, and giving hitherto withheld information concerning her kindred. It was far better for Polly's peace of heart that the probable truth was not even surmised, and presently she carried the photograph up to her own little room, there to feast her eyes upon the well-remembered face until time was forgotten. CHAPTER II LEONORA'S WONDERFUL NEWS "Polly!" Dr. Dudley waited at the foot of the short staircase. He had just come in from an early morning visit to a hospital patient. "Yes, father," floated down to him, followed by a scurry of light feet in the corridor overhead. Directly Polly appeared at the top of the flight, one side of her hair in soft, smooth curls, the other a mass of fluffy waves. "Leonora sent word for you to come over 'just as soon as you possibly can,'" smiled the Doctor. "She has something to tell you." "I don't see what it can be," replied Polly. "Do you know, father?" "You wouldn't wish me to rob Leonora of the first telling of her news," he objected. "No," she admitted slowly; "but I can't imagine why she's in such a hurry. I wonder if she is to stay at the hospital longer than she expected--that isn't it, is it?" Dr. Dudley shook his head. "My advice is to make haste with your toilet and run over to the hospital and find out." "Yes," Polly agreed, "I will." Yet she stood still, her forehead puckered over the possible good things that could have happened to her friend. Dr. Dudley turned away, and then halted. "Isn't your mother waiting for you?" he suggested. "Oh, I forgot!" she cried, and flew back to where Mrs. Dudley sat, brush and comb in hand. "How my hair grows!" commented Polly, after discussing the news awaiting her, and silently concluding that whatever her mother knew she did not intend to disclose. "It will be a year next week since it was cut. I shall have mermaid tresses before I
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Produced by Polly Stratton and Andrew Sly The Broad Highway by Jeffery Farnol To Shirley Byron Jevons The friend of my boyish ambitions This book is dedicated As a mark of my gratitude, affection and esteem J. F. ANTE SCRIPTUM As I sat of an early summer morning in the shade of a tree, eating fried bacon with a tinker, the thought came to me that I might some day write a book of my own: a book that should treat of the roads and by-roads, of trees, and wind in lonely places, of rapid brooks and lazy streams, of the glory of dawn, the glow of evening, and the purple solitude of night; a book of wayside inns and sequestered taverns; a book of country things and ways and people. And the thought pleased me much. "But," objected the Tinker, for I had spoken my thought aloud, "trees and suchlike don't sound very interestin'--leastways--not in a book, for after all a tree's only a tree and an inn, an inn; no, you must tell of other things as well." "Yes," said I, a little damped, "to be sure there is a highwayman--" "Come, that's better!" said the Tinker encouragingly. "Then," I went on, ticking off each item on my fingers, "come Tom Cragg, the pugilist--" "Better and better!" nodded the Tinker. "--a one-legged soldier of the Peninsula, an adventure at a lonely tavern, a flight through woods at midnight pursued by desperate villains, and--a most extraordinary tinker. So far so good, I think, and it all sounds adventurous enough." "What!" cried the Tinker. "Would you put me in your book then?" "Assuredly." "Why then," said the Tinker, "it's true I mends kettles, sharpens scissors and such, but I likewise peddles books an' nov-els, an' what's more I reads 'em--so, if you must put me in your book, you might call me a literary cove." "A literary cove?" said I. "Ah!" said the Tinker, "it sounds better--a sight better--besides, I never read a nov-el with a tinker in it as I remember; they're generally dooks, or earls, or barronites--nobody wants to read about a tinker." "That all depends," said I; "a tinker may be much more interesting than an earl or even a duke." The Tinker examined the piece of bacon upon his knifepoint with a cold and disparaging eye. "I've read a good many nov-els in my time," said he, shaking his head, "and I knows what I'm talking of;" here he bolted the morsel of bacon with much apparent relish. "I've made love to duchesses, run off with heiresses, and fought dooels--ah! by the hundred--all between the covers of some book or other and enjoyed it uncommonly well--especially the dooels. If you can get a little blood into your book, so much the better; there's nothing like a little blood in a book--not a great deal, but just enough to give it a 'tang,' so to speak; if you could kill your highwayman to start with it would be a very good beginning to your story." "I could do that, certainly," said I, "but it would not be according to fact." "So much the better," said the Tinker; "who wants facts in a nov-el?" "Hum!" said I. "And then again--" "What more?" I inquired. "Love!" said the Tinker, wiping his knife-blade on the leg of his breeches. "Love?" I repeated. "And plenty of it," said the Tinker. "I'm afraid that is impossible," said I, after a moment's thought. "How impossible?" "Because I know nothing about love." "That's a pity," said the Tinker. "Under the circumstances, it is," said I. "Not a doubt of it," said the Tinker, beginning to scrub out the frying-pan with a handful of grass, "though to be sure you might learn; you're young enough." "Yes, I might learn," said I; "who knows?" "Ah! who knows?" said the Tinker. And after he had cleansed the pan to his satisfaction, he turned to me with dexter finger upraised and brow of heavy portent. "Young fellow," said he, "no man can write a good nov-el without he knows summat about love, it aren't to be expected--so the sooner you do learn, the better." "Hum!" said I. "And then, as I said afore and I say it again, they wants love in a book nowadays, and wot's more they will have it." "They?" said I. "The folk as will read your book--after it is written." "Ah! to be sure," said I, somewhat taken aback; "I had forgotten them." "Forgotten them?" repeated the Tinker, staring. "Forgotten that people might went to read it--after it is written." "But," said the
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Produced by Chris Pinfield and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note. Apparent typographical errors have been corrected. The use of hyphens has been rationalised. Variations in the use of accents have been retained. Italics are indicated by _underscores_. Small capitals have been replaced by full capitals. Two lines in blackletter font are indicated by +plus signs+. IN A SYRIAN SADDLE BY A. GOODRICH-FREER AUTHOR OF "INNER JERUSALEM," "OUTER ISLES," ETC. METHUEN & CO 36 ESSEX STREET W.C. LONDON _First Published in 1905_ THIS RECORD IS DEDICATED BY THE LADY TO THE DOCTOR ON THE EVE OF STARTING TOGETHER UPON A LONGER JOURNEY CONTENTS CHAPTER PAGE IN MOAB I. GOING TO JERICHO 1 II. STEPPING EASTWARD 20 III. MADABA 51 IV. MSHATTA 64 V. AMMÂN 93 VI. JERASH, AND THE FORDS OF JABBOK 116 VII. ES-SALT 145 VIII. THE JORDAN VALLEY 161 IN GALILEE AND SAMARIA I. TO NABLUS 178 II. TO SAMARIA 194 III. TO TAANAK AND MEGIDDO 217 IV. HAIFA AND CARMEL 244 V. NAZARETH AND TABOR 258 VI. THE SEA OF GALILEE 277 VII. TIBERIAS AND BESAN 302 VIII. WEST OF THE JORDAN 323 INDEX 347 IN A SYRIAN SADDLE IN MOAB CHAPTER I GOING TO JERICHO "A certain man went down from Jerusalem to Jericho" Life is, in many respects, made very easy in the Holy Land. You can return home in the afternoon with no anxious forebodings as to how much waste of time is awaiting you in the shape of cards and notes on the hall table; you may wear clothes for covering, you may eat for nourishment; without taking thought for fashion in the one case, or of competition with your neighbour's cook or gardener in the other. But—according
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Produced by Richard Tonsing, Heather Clark and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) +------------------------------------------------------------------+ | | | VOL. I. JANUARY, 1847. NO. 1. | | | +------------------------------------------------------------------+ | | | NEW ENGLAND | | Historical & Genealogical Register: | | | | | | PUBLISHED QUARTERLY, | | | | UNDER THE DIRECTION OF THE | | NEW ENGLAND HISTORIC, GENEALOGICAL SOCIETY. | | | | REV. WILLIAM COGSWELL, D. D., EDITOR. | | | | [Illustration] | | | | BOSTON: | | SAMUEL G. DRAKE, PUBLISHER, | | NO. 56 CORNHILL. | | 1847. | | | +------------------------------------------------------------------+ | | | COOLIDGE & WILEY. Printers, Water Street. | | | +------------------------------------------------------------------+ CONTENTS. Page. Memoir of John Farmer, M. A., 9 Genealogical Memoir of the Farmer Family, 21 Memoirs of Graduates of Harvard College, 34 Congregational Ministers and Churches in Rockingham County, N. H., 40 Foreign Missionaries from Norwich, Ct., 46 Passengers in the Mayflower in 1620, 47 Major Pendleton's Letter, 53 Capt. Miles Standish's Inventory of Books, 54 Juridical Statistics of Merrimack County, N. H., 54 Biographical Notices of Deceased Physicians in Massachusetts, 60 Extract from a Letter of Hon. William Cranch, 65 Letter from Rev. John Walrond to Rev. William Waldron, 66 Form of a Family Register, 67 Genealogy of the Chase Family, 68 " " " Dudley Family, 71 Epitaphs, 72 Instances of Longevity in Belfast, Me., 73 Scraps from Interleaved Almanacs, 73 Decease of the Fathers of New England, 74 Notice of Governor Bradstreet, 75 Sketches of Alumni at the different Colleges in New England, 77 The Fathers of New England, 91 Governor Hinckley's Verses on the Death of his second Consort, 92 Biographical Notices of Physicians in Kingston, N. H., 95 Register of Births in Dedham, 99 Anniversary of the New England Society at Cincinnati, 100 Notices of New Publications, 100 [Illustration: G. L. Brown. S. Schoff. LANDING OF THE PILGRIMS AT PLIMOUTH 11ᵗʰ DEC. 1620.] [Illustration: _T. Moore direxit, Boston._ JOHN FARMER, M. A. Cor. Sec'ry N. H. Historical Society. From a miniature painted in 1824. _Engraved for the American Quarterly Register._] NEW ENGLAND HISTORICAL AND GENEALOGICAL REGISTER. ===================================== VOL. I. JANUARY, 1847. NO. 1. ===================================== MEMOIR OF JOHN FARMER, M. A., LATE CORRESPONDING SECRETARY OF THE NEW HAMPSHIRE HISTORICAL SOCIETY. John Farmer, who was the most distinguished Genealogist and Antiquary of this country, was born at Chelmsford, Ms., June 12, 1789.[1] He was the eldest son of John Farmer, who married, January 24, 1788, Lydia Richardson, daughter of Josiah Richardson of Chelmsford, Ms. His father was the son of Oliver Farmer, born July 31, 1728, who was the son of Edward, born at Ansley, Warwickshire, England, who emigrated to this country about the year 1670, and settled at Billerica, Ms.[2] Mr. Farmer inherited a feeble constitution. From early life till death, his appearance was that of a person in the last stage of a consumption. But notwithstanding his great bodily infirmity, he was enabled by his industry and perseverance to accomplish wonders. From childhood, he was fond of books and study; ever diligent as a scholar, and excelling most of his school-fellows in his acquisitions of knowledge. Hours which, during recess or vacation, the more hardy and robust would spend in athletic games and youthful sports, he was disposed to employ in poring over books of history, geography and chronology, inquiring after ancient records and papers, looking into the genealogy of families, and copying and treasuring up anecdotes and traditions of Indians and Revolutionary struggles. In his fondness for writing, and for copying antiquarian, civil, ecclesiastical and literary matters, he almost insensibly acquired a beautiful style of penmanship, which gave to all his manuscripts a peculiar air of neatness and grace. A favorite of the clergyman of his native place, he was allowed free access to his books and papers, and thus he imbibed those impressions of filial respect for the ministers of the gospel, which he exhibited on all occasions through life. He regarded, with great reverence, the clerical profession, looking upon the ministers of the cross as indeed "the messengers of God." At the age of sixteen, he became a clerk in a store at Amherst, N. H. Here he remained five years, giving diligent attention to the business of his employers, and devoting his leisure hours to literary studies and correspondence. In a letter to the Rev. Hezekiah Packard, D. D., who had been his teacher before he went to Amherst, Mr. Farmer spoke with affection and gratitude of his early Instructor; and in a reply, dated Wiscasset, Me., Dec. 4, 1809, the Doctor says, "If any of my friendly and religious counsels, or any books I put into your hands, made deep and lasting impressions upon your tender mind, you will join me in giving praise and glory to God and the Redeemer. I can truly say of my pupils, as St. John did of those he had converted to the Christian faith, 'I have no greater joy than seeing them walking in the truth.' I am much pleased with the account you give of your industry and progress. If you have no idea of a college education, it might appear as useful to you to become more familiar with your favorite branches, geography, history, the constitutions of our State governments and that of our common country, as well as with the origin and progress of wars, and other calamities of the eastern world." No pupil, probably, ever more highly valued an instructor, than did young Farmer; and that he placed a high estimate upon the teachings of Dr. Packard, is sufficiently shown by his affectionate remembrance of him, and by his pursuits in after life, and the results of his many labors. In the course of the year 1810, finding the labors of his station too arduous for his feeble health, Mr. Farmer left the store, and engaged in teaching school, an employment in which he is said to have greatly excelled. Two or three years previous to this, a literary association for mutual improvement was formed at Amherst, the members of which met weekly for debate, the rehearsal of pieces, and reading original compositions. Of this society, Mr. Farmer was for about eleven years the chief supporter, contributing largely to the interest and usefulness of the meetings by his own performances, and by inviting and attracting to it the young men of promise that were about him. The neighboring clergy were made honorary members of it, and frequently attended its meetings, and participated in the discussions. While engaged in school-keeping, Mr. Farmer cultivated his natural taste, and pursued, with industry, historical inquiries. In 1813, becoming known to some of the Members of the Massachusetts Historical Society, he was elected a Corresponding Member of it, and immediately became a contributor to its Collections, which have been published. In 1816, he published, in a pamphlet form, his "Historical Sketch of Billerica," and furnished many valuable facts towards the materials for the History of Chelmsford, afterwards published by the Rev. Mr. Allen. In 1820, he published "An Historical Sketch of Amherst from the first settlement of the town," in pamphlet form. In these two publications, the marked peculiarities of his mind are strongly exhibited. He evinced a memory wonderfully tenacious of particular facts, dates, and names, sound judgment in collecting, selecting, and arranging his materials, and an exquisite niceness and exactness in all the details of these histories. About this time, Mr. Farmer commenced the study of medicine with Dr. Matthias Spalding, an eminent Physician of Amherst; but after a few months, foreseeing that he should be unfitted to discharge the laborious duties of the profession, he relinquished the study; and in 1821, removed to Concord. He there formed a connection in business with Dr. Samuel Morril, and opened an apothecary's store, from which circumstance he received the title of _Doctor_. His feeble health not allowing any kind of hard manual labor, or exposure to the changes of weather out of doors, he, partly of necessity and partly of choice, adopted a very sedentary mode of life. He was rarely away from his place of residence. He deemed it hazardous for him to leave home. In 1836, however, after a lapse of eighteen years, he visited Boston, where he was treated with marked respect and attention by the _literati_ of the city; but was quite ill, while there, and unable to enjoy very much of what he expected from his visit. He soon returned home, restored to comparative health. From the time of his removal to Concord, Mr. Farmer devoted himself _principally_ to what had become his favorite studies and pursuits. He gathered together books of ancient date, early records of the towns, and notices of the first settlers of the country; inquired into the names, ages, characters and deaths of distinguished men of every profession; and entered into extensive correspondence with individuals who might be able to furnish him with facts, relating to the subjects of his inquiry. In short, he soon became known as an Antiquary, distinguished beyond any of his fellow-citizens, for exact knowledge of facts and events relative to the history of New Hampshire, and of New England generally. His mind was a wonderful repository of names, and dates, and particular incidents; and so general and well established was his reputation for accuracy of memory, that his authority was relied on as decisive in historical and genealogical facts. And though at times, he might have been inaccurate, it is to be remembered, that, while he was the greatest Genealogist and Antiquary of the country, he was also the _Pioneer_ in this department of knowledge; and while some, who shall follow him, may _occasionally_ discover a mistake, the _honor_ of _this_ is not to be compared to the _honor_ of _projecting_ and _executing_ such works as Mr. Farmer's. In 1822, Mr. Farmer, in connection with Jacob B. Moore, Esq., commenced a Periodical Miscellany, devoted principally to, "1. Historical Sketches of Indian wars, battles, and exploits; of the adventures and sufferings of the captives: 2. Topographical Descriptions of towns and places in New Hampshire, with their history, civil and ecclesiastical: 3. Biographical Memoirs and Anecdotes of eminent and remarkable persons who lived in New Hampshire, or who have had connection with its settlement and history: 4. Statistical Tables; Tables of Births, Diseases, and Deaths: 5. Meteorological Observations, and facts relating to climate." Three volumes of this work were published. In the same year he received the honorary degree of Master of Arts from Dartmouth College; and in the following year he was complimented with the appointment of Justice of the Peace for the newly constituted county of Merrimack, but he did not deem the office of sufficient importance, ever to act under his commission. The New Hampshire Historical Society was established, May 20, 1823; and, although Mr. Farmer was unable to be present at any of the early meetings of its founders, he took a deep interest in its establishment, and contributed much towards its organization and success. Though he was never more than once or twice present at the meetings of the Society, yet he never failed to communicate with the members, by letter or otherwise, on such occasions. He was Corresponding Secretary of the Society till his death, the duties of which office he discharged with rare ability and fidelity. Of the five volumes of Collections, published by the Society, he was on the Publishing Committee of four. The fifth volume was wholly compiled by him, and all the preceding volumes are enriched by his contributions. In 1823, Mr. Farmer, with an associate, Jacob B. Moore, Esq., published "A Gazetteer of the State of New Hampshire, comprehending, 1. A concise description of the several towns in the State, in relation to
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The Irish Ecclesiastical Record Volume 1. November, 1864 CONTENTS The Holy See And The Liberty Of The Irish Church At The Beginning Of The Present Century. I. From Mgr. Brancadoro to Father Concanen, O.P., Agent at Rome for the Irish Bishops. Dalla Propaganda. 7 Agosto, 1801. II. From the same to the same. Dalla Propaganda, 25 Settembre, 1805. A Recent Protestant View Of The Church Of The Middle Ages. The Mss. Remains Of Professor O'Curry In The Catholic University. No. II. The Destiny Of The Irish Race. Liturgical Questions. (_From M. Bouix's __"__Revue des Sciences Ecclesiastiques__"_). Documents. I. Condemnation Of Dr. Froschammer's Works. II. Decree Of The Congregation Of Rites. Notices Of Books. Footnotes THE HOLY SEE AND THE LIBERTY OF THE IRISH CHURCH AT THE BEGINNING OF THE PRESENT CENTURY. All students of Irish Catholic affairs must feel, at every moment, that we are at a great loss for a collection of ecclesiastical documents connected with our Church. The past misfortunes of Ireland explain the origin of this want. During the persecutions of Elizabeth, of James the First, and Cromwell, our ancient manuscripts, and the archives of our convents and monasteries, were ruthlessly destroyed. At a later period, whilst the penal laws were in full operation, it was dangerous to preserve official ecclesiastical papers, lest they should be construed by the bigotry and ignorance of our enemies into proofs of sedition or treason. Since liberty began to dawn on our country, things have undergone a beneficial change, and recently great efforts have been made to rescue and preserve from destruction every remaining fragment of our ancient history, and every document calculated to throw light on the annals of our Church. We are anxious to cooeperate in this good work, and we shall feel deeply grateful to our friends if they forward to us any official ecclesiastical papers, either ancient or modern, that it may be desirable to preserve. Receiving such papers casually, we cannot insert them in the RECORD in chronological order, but by aid of an Index, to be published at the end of each volume, the future historian will be able to avail himself of them for his purposes. To-day we insert in our columns two letters never published before, as far as we can learn, in their original language. They were addressed, in the beginning of this century, by the learned Archbishop of Myra, Monsignore Brancadoro, Secretary of the Propaganda, to a distinguished Dominican, Father Concanen, then agent of the Irish bishops, who was afterwards promoted to the See of New York, and who died at Naples, in the year 1808, before he could take possession of his diocese. The first letter, dated the 7th August, 1801, refers to certain resolutions adopted by ten Irish prelates, in January, 1799, at a sad period of our history, when Ireland was in a state of utter prostration, and abandoned to the fury of an Orange faction. In such circumstances, we are not to be surprised that the Catholics of Cork, Waterford, Wexford, and many other parts of Ireland, in the hope of preserving their lives and property, should have petitioned to be united to England; or that Catholic prelates, anxious to gain protection for their flocks, should have endeavoured to propitiate those who had the power of the government in their hands, by taking into consideration the proposals then made--that the state should provide for the maintenance of the clergy, and that a right should be given to the state to inquire into the loyalty of such ecclesiastics as might be proposed for the various sees of Ireland. The celebrated Dr. Milner, treating of the resolutions just referred to, observes in his _Supplementary Memoirs_, p. 115, that they had nothing in common with the veto which was afterwards proposed by government in 1805, and several times in succeeding years, and adds, that the prelates "stipulated for their own just influence, and also for the consent of the Pope in this important business." According to the wise determination of the prelates, the matters they had agreed to were referred to the judgment of the Supreme Head of the Church. A speedy answer, however, could not be obtained. At that time the great Pontiff, Pius the Sixth, was a captive in the hands of the French Republicans, and soon after died a martyr at Valence in France. The Holy See was then vacant for several months, until, by the visible interposition of Providence, Italy was freed from her invaders, and the cardinals were enabled to assemble in conclave to elect a new Pope. Soon after his promotion, Pius the Seventh occupied himself with the affairs of our Church, and the secretary of the Propaganda received instructions to communicate through Father Concanen to the Irish Prelates the wishes of his Holiness. The substance of the official note of Monsignore Brancadoro is, 1. That his Holiness is thankful to the British government for the relaxation of the penal laws to which Catholics had been so long subjected, and for any other acts of liberality or kindness conferred on them. 2. That the Irish prelates, whilst manifesting their gratitude for the favours they had received, should prove, by their conduct, that it was not through a feeling of self-interest, or through hopes of temporal advantages, that they inculcated on their flocks the necessity of obedience to the laws and the conscientious fulfilment of the duties of good citizens; but that they did so through a spirit of religion, and in conformity with the dictates of the gospel. 3. That to prove how sincerely they were animated with those feelings, the Irish prelates should refuse the proffered pension, and continue to act and support themselves as they have done for the past, thus giving an example of Christian perfection which would not fail to give general edification. The second letter is also from the secretary of Propaganda to Father Concanen, and is dated 25th of Sept., 1805, in which year Dr. Milner had just brought under the notice of the Holy See some new projects of government interference with the Catholic clergy, which had lately been introduced into Parliament by Sir John Hippisley, at that time a supporter of Emancipation, but who afterwards gave proofs of a great desire to enslave the Catholic Church. In the second letter Monsignore Brancadoro states the apprehension felt by the S. Congregation, lest the moment of the Catholic triumph should prove the one most dangerous to the purity and stability of the Catholic religion since the Reformation; that it would be no injustice to suspect the British Government of being influenced by designs to that very effect; that the Bishops should, therefore, as a general principle, renounce all idea of advancing their own proper interests, or of securing any temporal advantages, lest through human frailty they should inadvertently be surprised into any concessions which in course of time might prove injurious to the interests of religion. The Secretary then goes on to say that the S. Congregation found serious difficulties, more or less, in all the plans which, as Dr. Milner had reported, had been proposed by the statesmen of the day in England. These plans were:--1. The pensioning of the clergy. 2. State interference in the nomination of Bishops. 3. The restoration of the Hierarchy in England. 4. The concession to the ministry of the right to examine the communications which might pass between the English and Irish Catholics and the Holy See. As to the plan of pensioning the clergy, Monsignore Brancadoro points out the dangers to which its adoption would expose them. If they accept a pension from government, the offerings of the faithful will be undoubtedly withdrawn, and the priesthood will be left quite dependent on the caprice of those in power. He recalls to Father Concanen's memory, that in his previous letter of the 7th of August, 1801, he had announced to him the Pope's wish that the Irish clergy should decline all pensions from the government, and mentions that the Irish Bishops, in reply, had stated that they willingly renounced all temporal advantages in order to preserve religion uninjured. The secretary of the Propaganda next reminds his correspondent that Pius VI., in a brief of 20th March, 1791, had condemned a decree of the National Assembly of France, by which the clergy of that country were made pensioners of the state; and he adds that the Holy See had resisted a similar attempt of the English government in regard to the clergy of Corsica, when that island had fallen into their hands. Examining the various vetoistical plans mentioned by Dr. Milner, Monsignore Brancadoro quotes the authority of the great and learned Pontiff, Benedict XIV., to show how decidedly opposed the Holy See has always been to every project directed to vest Catholic ecclesiastical appointments in the hands of a Protestant sovereign. This question is discussed in a brief of that Pope addressed to the Bishop of Breslau on the 15th of May, 1748, and his words are as follows: "There is not recorded in the whole history of the Church a single example in which the appointment of a bishop or abbot was conceded to a sovereign of a different religion". He adds "that he would not, and could not, introduce a practice calculated to scandalize the Catholic world, and which, besides bringing on him a dreadful judgment in another world, would render his name odious and accursed during life, and much more so after death". 2. The learned writer then proceeds to examine the various plans of granting to government certain powers in regard to the nomination of bishops, and explodes them all as replete with danger to religion, and well calculated to enslave the Church. The plans proposed to lessen the Pope's unwillingness to grant to the sovereign the right of nomination were the following:--Some thought that the nomination should be limited to a certain class of persons who should have been approved of by the episcopal body after an examination and trial. Such a body might be the vicars-general, of whom two should be appointed for each diocese. The government was to be bound to choose the bishops out of this body. This plan was rejected, first, because it would really amount to vesting the nomination of bishops in a non-Catholic sovereign; and secondly, on account of difficulties created by the circumstances of the time and place. Others proposed to give the government the right of excluding from the episcopal charge those obnoxious to itself. Monsignore Brancadoro says of this plan, that unless this right of exclusion were restricted by limits, it would be equivalent to a real power of nomination. But even so, even after due limitation, it was an absolute novelty in the Church, and no one could tell what its consequences might be. Besides, it was uncalled for, since the experience of so many centuries ought to have convinced the government that the ecclesiastics appointed to govern dioceses were always excellent citizens. Besides, it was the custom of the Holy See not to appoint to a vacant diocese until it had received the recommendation of the metropolitans and the diocesan clergy. This was a safeguard against improper appointments. 3. With respect to the restoration of the Hierarchy in England, Monsignore Brancadoro blames the motive which induced the English nobles to petition for such a change of church government, namely, the desire they felt to have bishops less bound to the Holy See. He declares that, although differing _quoad jus_, bishops and vicars-apostolic did not differ in reality, and that the Holy See was equally well satisfied with the bishops of Ireland, and the vicars-apostolic of England and Scotland. 4. The Secretary condemns, as worst of all, the plan of giving to the ministers the right to examine the communications that pass between the Holy See and the British and Irish Catholics. Such a right has never been allowed, even to a Catholic power, much less should it be allowed to a Protestant government. The case of France was not to the point, for there the right was limited to provisions of benefices alone. The government has no reason to be afraid: the Holy See has expressly declared to bishops and vicars-apostolic, that it does not desire any political information from them. The two official notes we insert will be read in their original language with great interest. They are noble monuments of the zeal of the holy Pontiff, Pius VII., and of the vigilance with which the Holy See has always endeavoured to uphold the rights and independence of our ancient Church. Undoubtedly the wise instructions given in those letters had no small share in arousing that spirit with which a few years later our clergy and people resisted and defeated all the efforts of British statesmen to deprive our Church of her liberties, and to reduce her to the degraded condition of the Protestant establishment. The notes of the secretary of Propaganda are a fine specimen of ecclesiastical writing, illustrating the maxim _fortiter in re, suaviter in modo_. I. From Mgr. Brancadoro to Father Concanen, O.P., Agent at Rome for the Irish Bishops. Dalla Propaganda. 7 Agosto, 1801. Informata la Santita di Nostro Signore del nuovo piano ideato de Governo Brittannico in supposto vantaggio della ecclesiastica Gerarchia dei cattolici d'Irlanda, non ha punto esitato a manifestare la piu viva reconoscenza verso la spontanea e generosa liberalita del prelodato Governo, cui professera sempre la massima gratitudine, per l'assistenze, e favori, che accorda ai mentovati cattolici de' suoi dominj. Tenendo poi la Santita Sua per indubitato, che la sperimentata fedelta di quel Clero Cattolico Romano al legittimo suo Sovrano derivi interamente dalle massime di nostra S. Religione, le quali non possono mai esser soggette a verun cambiamento, desidera il suddetto Governo resti assicurato, che i Metropolitani, i Vescovi e il Clero tutto della Irlanda conoscera sempre un tal suo stretto dovere, e lo adempira esattamente in qualunque incontro. Brama pero ad un tempo vivissimamente il S. Padre, che l'anzidetto Clero seguitando il plausibile sistema da lui osservato finora si astenga scrupolosamente dall' avere in mira qualunque suo proprio temporale vantaggio, e che dimostrando sempre con parole, e con fatti la sincera invariabilita del suo attacamento, riconoscenza, e sommissione al Governo Brittanico, gli faccia vieppiu conoscere la realta di sua gratitudine alle offerte nuove beneficenze, dispensandosi dal profittarne, e dando con cio una luminosa prova di quel costante disinteresse stimato tanto conforme all' Apostolico zelo dei ministri del Santuario, e tanto giovevole, e decoroso alla stessa cattolico Religione, come quello che concilia in singular modo la stima, e il respetto verso dei sagri ministeri, e che li
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Produced by Marilynda Fraser-Cunliffe, Lesley Halamek and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was made using scans of public domain works from the University of Michigan Digital Libraries.) Transcriber's Note: As far as possible, I have followed the layout of the original book, which is somewhat irregular... (T. N. cont. at end of book). ----------------------------------------- "A COMEDY OF ERRORS" IN SEVEN ACTS BY SPOKESHAVE ALIAS OLD FOGY SUPPLEMENTED BY "SIR WINDBAG CONSULTS COUNT LUIE," "AN IMAGINARY OFFICIAL CONSULTATION," "A DEMOCRATIC WAKE," "A COUNCIL OF WAR" AND "A SOLEMN CONCLAVE" BY OLD FOGY LUZON PRESS E. J. HABERER, PUBLISHER. 1914 _PREFACE_ _As many were not able to secure all the Acts of "A Comedy of Errors" owing to the editions having been exhausted, and as numerous friends have expressed a desire to secure it entire, the author has concluded to publish it, supplemented by four more recent compositions._ _With malice towards none and charity to all, this modest booklet is launched on the uncertain sea of literature._ _--Old Fogy._ _Manila, November 15th, 1914._ A COMEDY OF ERRORS BY SPOKESHAVE * * * * * ACT I Dramatis Personae _Caesar_... _Ruler of the State._ _Francos_ .. _Governor General of a Province._ _Quezox_... _Resident Delegate from the Province._ _Page._ _Scene: Throne Room at the Capitol_ _Caesar:_ Most noble Francos, I greet thee heartily. A function truly noble falls within thy grasp; And thou wilt with it deal as only sages can. The distant Isles are now crushed by the pow'r Of ruthless tyrants, who on plunder bent, Oppress a helpless, but a worthy race, Which groans beneath a yoke of foreign make, And hence it fitteth not the sable necks On which it now, relentless, firmly rests. 'Tis well, we know, how, filled with visions vain, Our predecessor sought to stuff those minds With mental food fit only for those born To skins of whiter tint, and hence with grasp Of firmer structure, built by kindly Time, Who fashioned us in more ennobled mold; While power divine to cap the climax grand, With hand so deft, gave it its final touch. These men with vision faint who planned so vain Knew not the knightly thought bred in the south. The north winds chill and stunt the subtle power Which flourishes alone 'neath southern skies, To read unerring from the page of truth That God has fashioned some to mount aloft, While others grovel on a lower plane. Hence we must cherish ever in our hearts, The thought that pigment marks the subtle line; And so throw off a burden on us laid By those who blindly cast their shoulders down, To bear a load which deep ingratitude Alone will be the recompense for all our pains. _Francos:_ My liege, I grasp the thought: a burden dark, Which now each year a golden tribute calls, Must be disposed of quickly, but so sly That watching nations may not fling a slur Upon our honor as we cast adrift This alien race to face the world alone. _Caesar:_ Sweet Francos, truly thou hast quick discerned The thought which wisdom fathered in my mind. "Be wise as serpent, harmless as the dove," Should be our watchword as we scuttle ship, For there be those who speak with venomed tongues Of serpents, as we cast them helpless off. But if we of politicos make use, And to their clamour lend approving smile, We may while coolly thrusting them aside, Meet with the thoughtless world's approving nod. _Francos:_ Ha! Ha! methinks I see my path made clear 'Twere wise to fellowship with only those Who, longing for the flesh pots, lend their aid To further us in this our deep design. _Caesar:_ Hold! Francos, hold! The very walls have ears. Suspicion once aroused our game is up In silence let our worthy scheme mature; An utterance unwise may spell defeat. _Francos:_ Most noble Caesar, thou at wisdom's fount Hast drunk until the fountain hath run dry. I ready stand to follow each command Ignoring every judgment of mine own. _Caesar:_ When I before the gods did minister, I learned that strategy cured many ills; And when Parnassus high I made my throne, I found it well to wield an iron hand. And now to work our pleasure in these Isles, 'Twere best to blend these methods in our scheme, Whilst thou with honeyed tongue shall words employ The callow forum shall my will obey. But silence! put a padlock on thy tongue; A word unspoken never worketh harm. While he who babbles layeth down his shield, And thus an enemy may work his death. _Francos:_ Mine ears are open to thine every word, Would that they could but hear in distant Isles; For when I beard the lion in his den, Thy potent thoughts were then a healing balm. _Caesar:_ Thou sayest well, Francos, but lend an ear; Avoid our enemies; they counsel ill. _(To Page)_ But, page, entreat sweet Quezox to attend While we in converse measure every act. _Enter Quezox:_ Most honored sire, I come at thy command, And wait your pleasure; if by any means My words, convincing, can this matter solve: The land that bore me bids me loud proclaim. So we consider wisely, let us call The Commoner, whose wisdom is renowned. That he may with us weigh each tangled point, And thus make our solution doubly sure. _Caesar:_ Sweet Quezox, caution is a precious thing. And while 'tis known that council oft is wise, Yet it were better Wilhelm were left out For he hath visions which from tender plants To forest monarchs grow, with roots so deep Emplanted in the soil, that naught can stir. Beside, financial ills have him beset, And he now eager, filthy lucre seeks. _Francos:_ Most honored sire, I would from Quezox learn What stern encounters I must early meet. He from the first did see the canker grow And hath a remedy, methinks, conceived. _Caesar:_ Speak, Quezox, speak! and free thy surging mind. For well I know abuses rankle there. Our enemies politic, firm entrenched, Have borne with heavy hand upon thy race. _Quezox:_ Ah noble sire, how well thy mind conceives The ills which bear my hapless people down. Much learning fits thee for the ruler's seat And keen discernment flashes from thine eye. There pigmies move within a circle charmed And fatten on rich spoils with cruel glee. They force their alien ways with tyrant hands Upon my people; and with cold disdain Refuse our council, when 'twere meet and wise. I beg thee, cast them out, both root and branch And clean official nests from grafty filth. Our patriots, able, then can claim their own And on the ruins build a blissful state. _Caesar:_ Most noble Quezox, thou hast touched the sore. In Francos thou wilt find a helping hand, Council him wise for he the subtle wiles Of crafty scheming men may not discern. _Quezox:_ Ah, noble sir, if I advice may breathe, It were to shun the brood of vultures well. They're skilled indeed to sing the siren's song, And play with flattery on honest minds. I feel 'twere well to journey to these Isles In company with Francos, at thy will, Thus guarding him from every idle tongue, Which might make impress on an open heart. _Caesar:_ Sweet Quezox, thou art wise, it shall be done. And as you journey, meditate and plan To lop off every head that blocks thy way, Or lacks in sympathy for thy great work. For Francos hath been trained for civic life Where virtue reigns and intrigue hath no place. But with thine aid and to guide a fearless soul, And Tammany his pattern, all were well. _Francos:_ Great Caesar, trust me well; I smell the rot that distance cannot smother, and will clean The halls of state, and there implant true men. _Caesar:_ And silence! speak nor write not idle words, For they are often swords which cleave the soul; When enemies who wield a cunning hand Shall thrust them back, and laugh in gleeful scorn. E'en I regret what in an idle hour, I thoughtless paged regarding freedom's gift. And now they sting me, sting me to the soul. Oh that I ne'er had penned such childish thoughts! Hence hold thy tongue or honeyed words proclaim Which may mean little or perchance mean much. And now farewell, and hie thee on thy way: Again I say a padlock on thy tongue. _Quezox and Francos moving backward, and making obeisances._
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Produced by Suzanne Shell, Diane Monico, and The Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: (cover)] [Illustration: (frontispiece)] "SOME SAY" NEIGHBOURS IN CYRUS BY LAURA E. RICHARDS Author of "Captain January," "Melody," "Queen Hildegarde," "Five-Minute Stories," "When I Was Your Age," "Narcissa," "Marie," "Nautilus," etc. TWELFTH THOUSAND [Illustration] BOSTON DANA ESTES & COMPANY PUBLISHERS _Copyright, 1896_, BY ESTES & LAURIAT _All rights reserved_ Colonial Press: C. H. Simonds & Co., Boston, Mass., U.S.A. Electrotyped by Geo. C. Scott & Sons "SOME SAY" TO MY Dear Sister, FLORENCE HOWE HALL, THIS VOLUME IS AFFECTIONATELY DEDICATED * * * * * "SOME SAY." Part I. "And some say, she expects to get him married to Rose Ellen before the year's out!" "I want to know if she does!" "Her sister married a minister, and her father was a deacon, so mebbe she thinks she's got a master-key to the Kingdom. But I don't feel so sure of her gettin' this minister for Rose Ellen. Some say he's so wropped up in his garden truck that he don't know a gal from a gooseberry bush. He! he!" The shrill cackle was answered by a slow, unctuous chuckle, as of a fat and wheezy person; then a door was closed, and silence fell. The minister looked up apprehensively; his fair face was flushed, and his mild, blue eyes looked troubled. He gazed at the broad back of his landlady, as she stood dusting, with minute care, the china ornaments on the mantelpiece; but her back gave no sign. He coughed once or twice; he said, "Mrs. Mellen!" tentatively, first low, then in his ordinary voice, but there was no reply. Was Mrs. Mellen deaf? he had not noticed it before. He pondered distressfully for a few moments; then dropped his eyes, and the book swallowed him again. Yet the sting remained, for when presently the figure at the mantelpiece turned round, he looked up hastily, and flushed again as he met his hostess' gaze, calm and untroubled as a summer pool. "There, sir!" said Mrs. Mellen, cheerfully. "I guess that's done to suit. Is there anything more I can do for you before I go?" The minister's mind hovered between two perplexities; a glance at the book before him decided their relative importance. "Have you ever noticed, Mrs. Mellen, whether woodcocks are more apt to fly on moonshiny nights, as White assures us?" "Woodbox?" said Mrs. Mellen. "Why, yes, sir, it's handy by; and when there's no moon, the lantern always hangs in the porch. But I'll see that Si Jones keeps it full up, after this." Decidedly, the good woman was deaf, and she had not heard. Could those harpies be right? If any such idea as they suggested were actually in his hostess' mind, he must go away, for his work must not be interfered with, and he must not encourage hopes,--the minister blushed again, and glanced around to see if any one could see him. But he was so comfortable here, and Miss Mellen was so intelligent, so helpful; and this seemed the ideal spot on which to compile his New England "Selborne." He sighed, and thought of the woodcock again. Why should the bird prefer a moonshiny night? Was it likely that the creature had any appreciation of the beauties of nature? Shakespeare uses the woodcock as a simile of folly, to express a person without brains. Ha! The door opened, and Rose Ellen came in, her eyes shining with pleasure, her hands full of gold and green. "I've found the 'Squarrosa,' Mr. Lindsay!" she announced. "See, this is it, surely!" The minister rose, and inspected the flowers delightedly. "This is it, surely!" he repeated. "Stem stout, hairy above; leaves large, oblong, or the lower spatulate-oval, and tapering into a marginal petiole, serrate veiny; heads numerous; seeds obtuse or acute; disk-flowers, 16 x 24. This is, indeed, a treasure, for Gray calls it 'rare in New England.' I congratulate you, Miss Mellen." "Late, sir?" said Mrs. Mellen, calmly. "Oh, no, 'tisn't hardly five o'clock yet. Still, 'tis time for me to be thinkin' of gettin' supper." "Don't you want I should make some biscuit for supper, mother?" asked Rose Ellen, coming out of her rapt contemplation of the goldenrod that Gray condescended to call rare, he to whom all things were common. Her mother made no answer. "Don't you want I should make a pan of biscuit?" Rose Ellen repeated. Still there was no reply, and the girl turned to look at her mother in some alarm. "Why, mother, what is the matter? why don't you answer me?" "Your mother's deafness," the minister put in, hurriedly, "seems suddenly increased: probably a cold,--" "Was you speakin' to me, Rose Ellen?" said Mrs. Mellen. "Why, yes!" said the girl, in distress. "Why, mother, how did you get this cold? you seemed all right when I went out." "Gettin' old!" cried Mrs. Mellen. "'Tis nothin' of the sort, Rose Ellen! I've took a cold, I shouldn't wonder. I went out without my shawl just for a minute. I expect 'twas careless, but there! life is too short to be thinkin' all the time about the flesh,'specially when there's as much of it as I have. I've ben expectin' I should grow hard of hearin', though, these two years past. The Bowlers do, you know, Rose Ellen, 'long about middle life. There was your Uncle Lihu. I can hear him snort now, sittin' in his chair, like a pig for all the world, and with no idea he was makin' a sound." "But it's come on so sudden!" cried Rose Ellen, in distress. "That's Bowler!" said her mother. "Bowler for all the world! They take things suddin, whether it's hoarsin' up, or breakin' out, or what it is. There! you've heard me tell how my Aunt Phoebe 'Lizabeth come out with spots all over her face, when she was standin' up to be married. Chicken-pox it was, and they never knew where she got it; but my grand'ther said 'twas pure Bowler, wherever it come from." She gazed placidly at her daughter's troubled face; then, patting her with her broad hand, pushed her gently out of the room before her. "Mr. Lindsay's heard enough of my bein' hard of hearin', I expect," she said, cheerfully, as they passed into the kitchen. "Don't you fret, Rose Ellen! You won't have to get a fog-horn yet awhile. I don't know but it would be a good plan for you to mix up a mess o' biscuit, if you felt to: Mr. Lindsay likes your biscuit real well, I heard him say so." "That's what I was going to do," said Rose Ellen, still depressed. "I wish't you'd see the doctor, mother. I don't believe but he could help your hearing, if you take it before it's got settled on you." "Well, I won't, certain!" said Mrs. Mellen. "The idea, strong and well as I be! Bowler blood's comin' out, that's all; and the only wonder is it hasn't come out before." All that day, and the next, the minister did not seem like himself. He was no more absent-minded than usual, perhaps,--that could hardly be. But he was grave and troubled, and the usual happy laugh did not come when Rose Ellen checked him gently as he was about to put pepper into his tea. Several times he seemed about to speak: his eye dwelt anxiously on the cream-jug, in which he seemed to be seeking inspiration; but each time his heart failed him, and he relapsed with a sigh into his melancholy reverie. Rose Ellen was silent, too, and the burden of the talk fell on her mother. At supper on the second day, midway between the ham and the griddle-cakes, Mrs. Mellen announced: "Rose Ellen, I expect you'd better go down to Tupham to-morrow, and stay a spell with your grandm'ther. She seems to be right poorly, and I expect it'd be a comfort to her to have you with her. I guess you'd better get ready to-night, and Calvin Parks can take you up as he goes along." Rose Ellen and the minister both looked up with a start, and both flushed, and both opened wide eyes of astonishment. "Why, mother!" said the girl. "I can't go away and leave you now, with this cold on you." Her mother did not hear her, so Rose Ellen repeated the words in a clear, high-pitched voice, with a note of anxiety which brought a momentary shade to Mrs. Mellen's smooth brow. The next moment, however, the brow cleared again. "I guess you'd better go!" she said again. "It'd be a pity if Mr. Lindsay and I couldn't get along for a month or six weeks; and I wrote mother yesterday that you would be up along to-morrow, so she'll be looking for you. I don't like to have mother disappointed of a thing at her age, it gives her the palpitations." "You--wrote--that I was coming!" repeated Rose Ellen. "And you never told me you was writing, mother? I--I should have liked to have known before you wrote." "Coat?" said
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Produced by Charles Aldarondo, Keren Vergon, Gene Smethers and PG Distributed Proofreaders CHOICE SPECIMENS OF AMERICAN LITERATURE, AND LITERARY READER, BEING SELECTIONS FROM THE CHIEF AMERICAN WRITERS, BY PROF. BENJ. N. MARTIN, D.D., L.H.D., PROFESSOR OF THE UNIVERSITY OF THE CITY OF NEW YORK. 1874 PREFACE TO THE SECOND EDITION. The former edition of this work was prepared simply as a supplement to Shaw's "Choice Specimens of English Literature." Though it extended to a larger size than had been anticipated, and was therefore issued in a separate volume, it still proved so straitened in point of space as to be in some important respects defective and inadequate. The decision of the publishers to reprint it in an enlarged form furnishes to the editor a welcome opportunity to correct its deficiencies, and to make several important emendations. When the work of collecting suitable extracts from the great body of our literature was fairly entered upon, it soon became apparent that little aid could be had from the earlier manuals. Besides being in great measure obsolete, they were from the beginning disproportionate, and geographically too local in subject and spirit; both of which may be deemed grave defects. The last twenty years have made great changes in American authorship. Many new names must now be added to the older lists, and many formerly familiar ones must be dropped from them. Hence these extracts have for the most part been derived, with assiduous care, directly from the collected works of our standard authors. This part of my labor has been greatly facilitated by the courtesy of the gentlemen connected with the Society, the Mercantile, and the Astor, Library, whose constant kindness I gratefully acknowledge. The principal alterations which will be found in this edition are the following. 1. The extracts, formerly, of necessity, brief and fragmentary, have given place to more extended and coherent passages. 2. A much larger space has been allotted to the more eminent authors. Such writers as Franklin, Jefferson, Calhoun, Webster, Wirt, Irving, Cooper, Hawthorne, Channing, Beecher, Prescott, Motley, Shea, Bryant, Poe, Emerson, and Lowell, have been much more adequately exhibited. 3. Many later writers have been added, so that the work more fully represents the rapid development of literary effort among us. 4. A few writers, formerly included, have been dropped from the list, not always as less deserving a place, but sometimes as having less adaptation to the purposes of the book. Much care has been bestowed upon the dates of the several authors, and in bringing up details of information to the latest period. The same pains have been taken to furnish a just representation of the writers, too often overlooked in our manuals, of the Southern and Western portions of our country. Though often wanting in mere grace of style, they are apt to be original and vigorous; and often possessing valuable material, they are well worthy of perusal. In all these respects this collection has been carefully elaborated; and the editor hopes that it will be found to give a somewhat proportionate and complete view for its compass, of our best literature. In adapting the selections to Mr. Tuckerman's interesting "Sketch of American Literature," specimens have generally been taken from several authors in each of his groups. Some names not found in his "Sketch," have been introduced, chiefly for the fuller illustration of the literature of the south and west. In this particular, Coggeshall's "Poets and Poetry of the West" has afforded great assistance. Among the more recent aids of the same kind, I must also mention Davidson's "Living Writers of the South," and Raymond's "Southland Writers." Especial acknowledgment is due to the "Cyclopedia" of the Messrs. Duyckinck; Appleton's "Annual Cyclopedia" has furnished many important dates; and I have occasionally been indebted to the works of Allibone, Cheever, Griswold, Cleveland, Hart, and Underwood. Not only the local literature however, but the several professions, and the great religious denominations, are also represented by prominent writers. It seemed unnecessary to treat the female writers as a distinct class; they are, therefore, arranged under the departments to which they respectively belong, as Essayists, Novelists, Poets, &c. I should be claiming a merit which does not belong to me, should I fail to say, that, for much of the labor which this treatise has involved, I am indebted to the co-operation of my brother, Mr. William T. Martin, whose acquaintance with our literature has not often been surpassed, and whose valuable aid and counsel have been freely afforded me. The hours which have been spent in culling extracts from so many able and entertaining writers, though laborious, have been to the editor full of interest, and often of delight. He trusts that these fruits of his labor will be useful, in imparting, especially to his youthful readers, not only an acquaintance with the best of our national authors, but a taste for literature, and a good ideal of literary excellence, than which few things in intellectual education are more to be esteemed. If successful in these respects, he will be abundantly satisfied; and in this
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Produced by Patricia C. Franks, Lisa Carter, Danette Dulny, Charles Duvall, Cheri Ripley, and Cheryl Sullivan BIRDS AND BEES SHARP EYES AND OTHER PAPERS By John Burroughs With An Introduction By Mary E. Burt And A Biographical Sketch CONTENTS Biographical Sketch Introduction By Mary E. Burt Birds Bird Enemies The Tragedies of the Nests Bees An Idyl of the Honey-Bee The Pastoral Bees BIOGRAPHICAL SKETCH. Nature chose the spring of the year for the time of John Burroughs's birth. A little before the day when the wake-robin shows itself, that the observer might be on hand for the sight, he was born in Roxbury, Delaware County, New York, on the western borders of the Catskill Mountains; the precise date was April 3, 1837. Until 1863 he remained in the country about his native place, working on his father's farm, getting his schooling in the district school and neighboring academies, and taking his turn also as teacher. As he himself has hinted, the originality, freshness, and wholesomeness of his writings are probably due in great measure to the unliterary surroundings of his early life, which allowed his mind to form itself on unconventional lines, and to the later companionships with unlettered men, which kept him in touch with the sturdy simplicities of life. From the very beginnings of his taste for literature, the essay was his favorite form. Dr. Johnson was the prophet of his youth, but he soon transferred his allegiance to Emerson, who for many years remained his "master enchanter." To cure himself of too close an imitation of the Concord seer, which showed itself in his first magazine article, Expression, he took to writing his sketches of nature, and about this time he fell in with the writings of Thoreau, which doubtless confirmed and encouraged him in this direction. But of all authors and of all men, Walt Whitman, in his personality and as a literary force, seems to have made the profoundest impression upon Mr. Burroughs, though doubtless Emerson had a greater influence on his style of writing. Expression appeared in The Atlantic Monthly in 1860, and most of his contributions to literature have been in the form of papers first published in the magazines, and afterwards collected into books. He more than once paid tribute to his teachers in literature. His first book, now out of print, was Notes on Walt Whitman, as Poet and Person, published in 1867; and Whitman: A Study, which appeared in 1896, is a more extended treatment of the man and his poetry and philosophy. Birds and Poets, too, contains a paper on Whitman, entitled The Flight of the Eagle, besides an essay on Emerson, whom he also treated incidentally in his paper, Matthew Arnold on Emerson and Carlyle, in Indoor Studies; and the latter volume contains his essay on Thoreau. In the autumn of 1863 he went to Washington, and in the following January entered the Treasury Department. He was for some years an assistant in the office of the Comptroller of the Currency, and later chief of the organization division of that Bureau. For some time he was keeper of one of the vaults, and for a great part of the day his only duty was to be at his desk. In these leisure hours his mind traveled off into the country, where his previous life had been spent, and with the help of his pen, always a faithful friend and magician, he lived over
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Transcribed from the 1913 Hodder and Stoughton edition by David Price, email [email protected] [Picture: Woman in church] THE REVOLUTION IN TANNER’S LANE BY MARK RUTHERFORD [Picture: Decorative graphic] HODDER & STOUGHTON’S SEVENPENNY LIBRARY * * *
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E-text prepared by Roger Frank and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 28531-h.htm or 28531-h.zip: (http://www.gutenberg.net/dirs/2/8/5/3/28531/28531-h/28531-h.htm) or (http://www.gutenberg.net/dirs/2/8/5/3/28531/28531-h.zip) THE BANNER BOY SCOUTS SNOWBOUND Or A Tour on Skates and Iceboats by GEORGE A. WARREN Author of "The Banner Boy Scouts," "The Musket Boys of Old Boston," Etc. Illustrated [Illustration: "LOOK OUT! THE SECOND CAT!" YELLED PAUL. _The Banner Boy Scouts Snowbound Page 161_] The Saalfield Publishing Co. Akron, Ohio--New York Made In U. S. A. Copyright, 1916, by Cupples & Leon Company CONTENTS CHAPTER PAGE I. On the Frozen Bushkill 1 II. When the Old Ice-House Fell 8 III. The Rescue 15 IV. A Quick Return for Services Rendered 23 V. A Startling Interruption 30 VI. A Gloomy Prospect for Jud 38 VII. Paul Takes a Chance 46 VIII. Bobolink and the Storekeeper 54 IX. "Fire!" 62 X. The Accusation 69 XI. Friends of the Scouts 76 XII. The Iceboat Squadron 84 XIII. On the Way 91 XIV. The Ring of Steel Runners 98 XV. Tolly Tip and the Forest Cabin 105 XVI. The First Night Out 112 XVII. "Tip-Ups" for Pickerel 119 XVIII. The Helping Hand of a Scout 126 XIX. News of Big Game 134 XX. At the Beaver Pond 141 XXI. Setting the Flashlight Trap 149 XXII. Waylaid in the Timber 157 XXIII. The Blizzard 165 XXIV. The Duty of the Scout 172 XXV. Among the Snowdrifts 180 XXVI. Dug Out 187 XXVII. "First Aid" 194 XXVIII. More Startling News 202 XXIX. The Wild Dog Pack 211 XXX. A Change of Plans 219 XXXI. Good-Bye to Deer Head Lodge 227 XXXII. The Capture of the Hobo Yeggmen 235 XXXIII. Conclusion 243 PREFACE DEAR BOYS:-- Once more it is my privilege to offer you a new volume wherein I have endeavored to relate further interesting adventures in which the members of Stanhope Troop of Boy Scouts take part. Most of my readers, I feel sure, remember Paul, Jud, Bobolink, Jack and many of the other characters, and will gladly greet them as old friends. To such of you who may be making the acquaintance of these manly young chaps for the first time I can only say this. I trust your interest in their various doings along the line of scoutcraft will be strong enough to induce you to secure the previous volumes in this series in order to learn at first hand of the numerous achievements they have placed to their credit. The boys comprising the original Red Fox Patrol won the beautiful banner they own in open competition with other rival organizations. From that day, now far in the past, Stanhope Troop has been known as the Banner Boy Scouts. Its possession has always served as an inspiration to Paul and his many staunch comrades. Every time they see its silken folds unfurled at the head of their growing marching line they feel like renewing the vows to which they so willingly subscribed on first joining the organization. Many of their number, too, are this day proudly wearing on their chests the medals they have won through study, observation, service, thrift, or acts of heroism, such as saving human life at the risk of their own. I trust that all my many young readers will enjoy the present volume fully as much as they did those that have appeared before now. Hoping, then, to meet you all again before a great while in the pages of another book; and with best wishes for every lad who aspires to climb the ladder of leadership in his home troop, believe me, Cordially yours, GEORGE A. WARREN. THE BANNER BOY SCOUTS SNOWBOUND CHAPTER I ON THE FROZEN BUSHKILL "Watch Jack cut his name in the ice, fellows!" "I wish I could do the fancy stunts on skates he manages to pull off. It makes me green with envy to watch Jack Stormways do that trick." "Oh, shucks! what's the use of saying that, Wallace Carberry, when everybody knows your strong suit is long-distance skating? The fact is both the Carberry twins are as much at home on the ice as I am when I get my knees under the supper table." "That's kind of you to throw bouquets my way, Bobolink. But, boys, stop and think. Here it is--only four days now to Christmas, and the scouts haven't made up their minds yet where to spend the glorious holidays." "Y-y-yes, and b-b-by the same token, this year we're g-g-going to g-g-get a full three-weeks' vacation in the b-b-bargain, b-b-because they have t-t-to overhaul the f-f-furnaces." "Hold on there, Bluff Shipley! If you keep on falling all over yourself like that you'll have to take a whole week to rest up." "All the same," remarked the boy who answered to the odd name of Bobolink, "it's high time we scouts settled that important matter for good." "The assistant scout-master, Paul Morrison, has called a meeting at headquarters for to-night, you understand, boys," said the fancy skater, who had just cut the name of Paul Morrison in the smooth, new ice of the Bushkill river. "We must arrange the programme then," observed Bobolink, "because it will take a couple of days to get everything ready for the trip, no matter where we go." "Huh!" grunted another skater, "I can certainly see warm times ahead for the cook at _your_ house, Bobolink, provided you've still got that ferocious appetite to satisfy." "Oh! well, Tom Betts," laughed the other, "I notice that you seldom take a back seat when the grub is being passed around. As for me I'm proud of my stowage ability. A good appetite is one of the greatest blessings a growing boy can have." "Pity the poor father though," chuckled Wallace Carberry, "because he has to pay the freight." "Just to go back to the important subject," said Bluff Shipley, who could speak as clearly as any one when not excited, "where do you think the scouts will hike to for their Christmas holidays?" "Well, now, a winter camp on Rattlesnake Mountain wouldn't be such a bad stunt," suggested Tom Betts, quickly. "For my part," remarked Bobolink, "I'd rather like to visit Lake Tokala again, and see what Cedar Island looks like in the grip of Jack Frost. The skating on that sheet of water must be great." "We certainly did have a royal good time there last summer," admitted Jack, reflectively. "All the same," ventured Tom, "I think I know one scout who couldn't be coaxed or hired to camp on Cedar Island again." "Meaning Curly Baxter," Bobolink went on to say scornfully, "who brazenly admits he believes in ghosts, and couldn't be convinced that the place wasn't haunted." "Curly won't be the only fellow to back out," suggested Jack. "While we have a membership of over thirty on the muster roll of Stanhope Troop, it isn't to be expected that more than half of them will agree to make the outing with us." "Too much like hard work for some of the boys," asserted Tom. "I know a number who say they'd like to be with us, but their folks object to a winter camp," Wallace announced. "So if we muster a baker's dozen we can call ourselves lucky." "Of course it must be a real snow and ice hike this time," suggested Bluff. "To be sure--and on skates at that!" cried Wallace, enthusiastically. "Oh! I hope there's a chance to use our iceboats too!" sighed Tom Betts, who late that fall had built a new flier, and never seemed weary of sounding the praises of his as yet untried "Speedaway." "Perhaps we may--who knows?" remarked Jack, mysteriously. The others, knowing that the speaker was the nearest and dearest chum of Paul Morrison, assistant scout-master of Stanhope Troop of Boy Scouts, turned upon him eagerly on hearing this suggestive remark. "You know something about the plans, Jack!" "Sure he does, and he ought to give us a hint in the bargain!" "Come, take pity on us, won't you, Jack?" But the object of all this pleading only shook his head and smiled as he went on to say: "I'm bound to secrecy, fellows, and you wouldn't have me break my word to our patrol leader. Just hold your horses a little while longer and you'll hear everything. We're going to talk it over to-night and settle the matter once for all. Now let's drop the subject. Here's a new wrinkle I'm trying out." With that Jack started to spin around on his skates, and fairly dazzled his mates with the wonderful ability he displayed as a fancy skater. While they are thus engaged a few words of explanation may not come in amiss. Stanhope Troop consisted of three full patrols, with another almost completed. Though in the flood tide of success at the time we make the acquaintance of the boys in this volume there were episodes in the past history of the troop to which the older scouts often referred with mingled emotions of pride and wonder. The present status of the troop had not been maintained without many struggles. Envious rivals had tried to make the undertaking a failure, while doubting parents had in many cases to be shown that association with the scouts would be a thing of unequalled advantage to their boys. Those who have read the previous books of this series have doubtless already formed a warm attachment for the members of the Red Fox Patrol and their friends, and will be greatly pleased
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The Project Gutenberg Etext of Two Years Before the Mast by Richard Henry Dana Also see another Project Gutenberg edition of this book at: Feb 2000 Two Years Before the Mast, by Richard Henry Dana [2yb4mxxx.xxx]2055 Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before distributing this or any other Project Gutenberg file. We encourage you to keep this file, exactly as it is, on your own disk, thereby keeping an electronic path open for future readers. Please do not remove this. This header should be the first thing seen when anyone starts to view the etext. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need to understand what they may and may not do with the etext. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *****These Etexts Are Prepared By Thousands of Volunteers!***** Information on contacting Project Gutenberg to get etexts, and further information, is included below. We need your donations. The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 Title: Two Years Before the
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XIII*** E-text prepared by Juliet Sutherland, Charlie Kirschner, and the Project Gutenberg Online Distributed Proofreading Team LORD'S LECTURES BEACON LIGHTS OF HISTORY, VOLUME XIII GREAT WRITERS. Dr Lord's Uncompleted Plan, Supplemented with Essays by Emerson, Macaulay, Hedge, And Mercer Adam BY JOHN LORD, LL.D., AUTHOR OF "THE OLD ROMAN WORLD," "MODERN EUROPE," ETC., ETC. PUBLISHERS' PREFACE. This being the last possible volume in the series of "Beacon Lights of History" from the pen of Dr. Lord, its readers will be interested to know that it contains all the lectures that he had completed (although not all that he had projected) for his review of certain of the chief Men of Letters. Lectures on other topics were found among his papers, but none that would perfectly fit into this scheme; and it was thought best not to attempt any collection of his material which he himself had not deemed worthy or appropriate for use in this series, which embodies the best of his life's work,--all of his books and his lectures that he wished to have preserved. For instance, "The Old Roman World," enlarged in scope and rewritten, is included in the volumes on "Old Pagan Civilizations," "Ancient Achievements," and "Imperial Antiquity;" much of his "Modern Europe" reappears in "Great Rulers," "Modern European Statesmen," and "European National Leaders," etc. The consideration of "Great Writers" was reserved by Dr. Lord for his final task,--a task interrupted by death and left unfinished. In order to round out and complete this volume, recourse has been had to some other masters in literary art, whose productions are added to Dr. Lord's final writings. In the present volume, therefore, are included the paper on "Shakspeare" by Emerson, reprinted from his "Representative Men" by permission of Messrs. Houghton, Mifflin & Co., the authorized publishers of Emerson's works; the famous essay on "Milton" by Macaulay; the principal portion--biographical and generally critical--of the article on "Goethe," from "Hours with the German Classics," by the late Dr. Frederic H. Hedge, by permission of Messrs. Little, Brown & Co., the publishers of that work; and a chapter on "Tennyson: the Spirit of Modern Poetry," by G. Mercer Adam. A certain advantage may accrue to the reader in finding these masters side by side for comparison and for gauging Dr. Lord's unique life-work by recognized standards, keeping well in view the purpose no less than the perfection of these literary performances, all of which, like those of Dr. Lord, were aimed at setting forth the services of _selected forces_ in the world's life. NEW YORK, September 15, 1902. CONTENTS. ROUSSEAU. SOCIALISM AND EDUCATION. Jean Jacques Rousseau and Edmund Burke Rousseau representative of his century Birth Education and early career; engraver, footman Secretary, music teacher, and writer Meets Therese His first public essay in literature Operetta and second essay Geneva; the Hermitage; Madame d'Epinay. The "Nouvelle Heloise;" Comtesse d'Houdetot "Emile;" "The Social Contract" Books publicly burned; author flees England; Hume; the "Confessions" Death, career reviewed Character of Rousseau Essay on the Arts and Sciences "Origin of Human Inequalities" "The Social Contract" "Emile" The "New Heloise" The "Confessions" Influence of Rousseau SIR WALTER SCOTT. THE MODERN NOVEL. Scott and Byron Evanescence of literary fame Parentage of Scott Birth and childhood Schooling and reading Becomes an advocate His friends and pleasures Personal peculiarities Writing of poetry; first publication Marriage and settlement "Scottish Minstrelsy" "Lay of the Last Minstrel;" Ashestiel rented The Edinburgh Review: Jeffrey, Brougham, Smith The Ballantynes "Marmion" Jeffrey as a critic Quarrels of author and publishers; Quarterly Review Scott's poetry Duration of poetic fame Clerk of Sessions; Abbotsford bought "Lord of the Isles;" "Rokeby" Fiction; fame of great authors "Waverley" "Guy Mannering" Great popularity of Scott "The Antiquary" "Old Mortality;" comparisons "Rob Roy" Scotland's debt to Scott Prosperity; rank; correspondence Personal habits Life at Abbotsford Chosen friends Works issued in 1820-1825 Bankruptcy through failure of his publishers Scott's noble character and action Works issued in 1825-1831 Illness and death Payment of his enormous debt Vast pecuniary returns from his works LORD BYRON. POETIC GENIUS. Difficulty of depicting Byron Descent; birth; lameness Schooling; early reading habits College life Temperament and character First publication of poems Savage criticism by Edinburgh Review "English Bards and Scotch Reviewers" Byron becomes a peer Loneliness and melancholy; determines to travel Portugal; Spain Malta; Greece; Turkey Profanity of language in Byron's time "Childe Harold" Instant fame and popularity Consideration of the poem Marries Miss Milbanke; separation Genius and marriage "The Corsair;" "Bride of Abydos" Evil reputation; loss of public favor Byron leaves England forever Switzerland; the Shelleys; new poems Degrading life in Venice Wonderful labors amid dissipation The Countess Guiccioli Two sides to Byron's character His power and fertility Inexcusable immorality; "Don Juan" "Manfred" and "Cain" not irreligious but dramatic Byron not atheistical but morbid Many noble traits and actions Generosity and fidelity in friendship Eulogies by Scott and Moore Byron's interest in the Greek Revolution Devotes himself to that cause Raises L10,000 and embarks for Greece Collects troops in his own pay His latest verses Illness from vexation and exposure Death and burial The verdict THOMAS CARLYLE. CRITICISM AND BIOGRAPHY. Froude's Biography of Carlyle Brief resume of Carlyle's career Parentage and birth Slender education; school-teaching Abandons clerical intentions to become a writer "Elements of Geometry;" "Life of Schiller;" "Wilhelm Meister" Marries Jane Welsh Her character Edinburgh and Craigenputtock Essays: "German Literature" Goethe's "Helena" "Burns" "Life of Heyne;" "Voltaire" "Characteristics" Wholesome and productive life at Craigenputtock "Dr. Johnson" Friendship with Ralph Waldo Emerson "Sartor Resartus" Carlyle removes to London Begins "The French Revolution" Manuscript accidentally destroyed Habits of great authors in rewriting Publication of the work; Carlyle's literary style Better reception in America than in England Carlyle begins lecturing Popular eloquence in England Carlyle and the Chartists "Heroes and Hero Worship" "Past and Present" Carlyle becomes bitter "Latter-Day Pamphlets" "Life of Oliver Cromwell" Carlyle's confounding right with might Great merits of Carlyle as historian Death of Mrs. Carlyle Success of Carlyle established "Frederick the Great" Decline of the author's popularity Public honors; private sorrow Final illness and death Carlyle's place in literature LORD MACAULAY. ARTISTIC HISTORICAL WRITING. Macaulay's varied talents Descent and parentage Birth and youth Education Character; his greatness intellectual rather than moral College career Enters the law His early writings; poetry; essay on Milton Social success; contemporaries Enters politics and Parliament Sent to India; secretary board of education Essays in the Reviews Limitations as a statesman Devotion to literature Personal characteristics Return to London and public office Still writing essays; "Warren Hastings," "Clive" Special public appreciation in America Drops out of Parliament; begins "History of England" Prodigious labor; extent and exactness of his knowledge Self-criticism; brilliancy of style Some inconsistencies Public honors Remarkable successes; re-enters Parliament Illness and growing weakness Conclusion of the History; foreign and domestic honors Resigns seat in Parliament Social habits Literary tastes Final illness and death; his fame SHAKSPEARE; OR, THE POET. BY RALPH WALDO EMERSON. The debt of genius to its age and preceding time. The era of Shakspeare favorable to dramatic entertainments. The stage a substitute for the newspaper of his era. The poet draws upon extant materials--the lime and mortar to his hand. Plays which show the original rock on which his own finer stratum is laid. In drawing upon tradition and upon earlier plays the poet's memory is taxed equally with his invention. All originality is relative; every thinker is retrospective. The world's literary treasure the result of many a one's labor; centuries have contributed to its existence and perfection. Shakspeare's contemporaries, correspondents, and acquaintances. Work of the Shakspeare Society in gathering material to throw light upon the poet's life, and to illustrate the development of the drama. His external history meagre; Shakspeare is the only biographer of Shakspeare. What the sonnets and the dramas reveal of the poet's mind and character. His unique creative power, wisdom of life, and great gifts of imagination. Equality of power in farce, tragedy, narrative, and love-songs. Notable traits in the poet's character and disposition; his tone pure, sovereign, and cheerful. Despite his genius, he shares the halfness and imperfection of humanity. A seer who saw all things to convert them into entertainments, as master of the revels to mankind. JOHN MILTON: POET AND PATRIOT. BY THOMAS BABINGTON MACAULAY. His long-lost essay on Doctrines of Christianity. As a poet, his place among the greatest masters of the art. Unfavorable circumstances of his era, born "an age too late". A rude era more favorable to poetry. The poetical temperament highest in a rude state of society. Milton distinguished by the excellence of his Latin verse. His genius gives to it an air of nobleness and freedom. Characteristics and magical influence of Milton's poetry. Mechanism of his language attains exquisite perfection. "L'Allegro" and "II Penseroso," "Comus" and "Samson Agonistes" described. "Comus" properly more lyrical than dramatic. Milton's preference for "Paradise Regained" over "Paradise Lost". Contrasts between Milton and Dante. Milton's handling of supernatural beings in his poetry. His art of communicating his meaning through succession of associated ideas. Other contrasts between Milton and Dante--the mysterious and the picturesque in their verse. Milton's fiends wonderful creations, not metaphysical abstractions. Moral qualities of Milton and Dante. The Sonnets simple but majestic records of the poet's feelings. Milton's public conduct that of a man of high spirit and powerful intellect. Eloquent champion of the principles of freedom. His public conduct to be esteemed in the light of the times, and of its great question whether the resistance of the people to Charles I. was justifiable or criminal. Approval of the Great Rebellion and of Milton's attitude towards it. Eulogium on Cromwell and approval of Milton's taking office (Latin Secretaryship) under him. The Puritans and Royalists, or Roundheads and Cavaliers. The battle Milton fought for freedom of the human mind. High estimate of Milton's prose works. JOHANN WOLFGANG VON GOETHE. GERMANY'S GREATEST WRITER. BY FREDERIC HENRY HEDGE. Fills highest place among the poets and prose-writers of Germany. Influences that made the man. Self-discipline and educational training. Counsellor to Duke Karl August at Weimar, where he afterwards resides. Visits Italy; makes Schiller's acquaintance; Goethe's personal appearance. His unflagging industry; defence of the poet's personal character. The "Maerchen," its interpretation and the light it throws on Goethe's political career. Lyrist, dramatist, novelist, and mystic seer. His drama "Goetz von Berlichingen," and "Sorrows of Werther". Popularity of his ballads; his elegies, and "Hermann und Dorothea". "Iphigenie auf Tauris;" his stage plays "Faust" (First Part) and "Egmont". The prose works "Wilhelm Meister" and the "Elective Affinities". His skill in the delineation of female character. "Faust;" contrasts in spirit and style between the two Parts. Import of the work, key to or analysis of the plot. ALFRED (LORD) TENNYSON. THE SPIRIT OF MODERN POETRY. BY G. MERCER ADAM. Tennyson's supreme excellence--his transcendent art. His work the perfection of literary form; his melody exquisite. Representative of the age's highest thought and culture. Keen interpreter of the deep underlying spirit of his time. Contemplative and brooding verse, full of rhythmic beauty. The "Idylls of the King," their deep ethical motive and underlying purpose. His profound religious convictions and belief in the eternal verities. Hallam Tennyson's memoir of the poet; his friends and intimates. The poet's birth, family, and youthful characteristics Early publishing ventures; his volume of 1842 gave him high rank. Personal appearance, habits, and mental traits. "In Memoriam," its noble, artistic expression of sorrow for Arthur Hallam. "The Princess" and its moral, in the treatment of its "Woman Question" theme. The metrical romance "Maud," and "The Idylls of the King," an epic of
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Produced by Giovanni Fini and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) TRANSCRIBER’S NOTES: —Obvious print and punctuation errors were corrected. —This work is divided into three volumes, all of them available on PG; index is on third volume. It has been splitted replacing every item in the volume where they belong. A full version of index has been mantained at the end of third volume. HISTORICAL PARALLELS. IN THREE VOLUMES. VOL. II. LONDON: CHARLES KNIGHT & Co., LUDGATE STREET. 1846. LONDON: WILLIAM CLOWES AND SONS, STAMFORD STREET CONTENTS. Page CHAPTER VII. Marathon—Battle of Tours—Poema del Cid—Siege of Vienna by the Turks in 1683—Battle of Morgarten—Battle of Sempach 5 CHAPTER VIII. Thermopylæ—Battle of St. Jacques, near Basle—Siege of Malta in 1565—Destruction of the “Sacred Band” in the Greek Revolution—Roncesvalles 55 CHAPTER IX. Salamis—Siege of Leyden—Spanish Armada 86 CHAPTER X. Sequel of the Life of Miltiades—of Aristides—of Themistocles 127 CHAPTER XI. Prosecution of the Persian war—Rise of Athens to maritime empire and consequent undermining of the aristocratical interest—Administration of Cimon—of Pericles—Education of the Athenians—Commencement of the Peloponnesian war 141 CHAPTER XII. Historians of the Plague—Sketch of the four chief pestilences recorded—Origin of the disease—Plague of Athens—Of Constantinople—Of Florence—Of Milan—State of medical knowledge—Plague of London 164 INDEX 232 HISTORICAL PARALLELS. CHAPTER VII. [Illustration] Marathon—Battle of Tours—Poëma del Cid—Siege of Vienna by the Turks in 1683—Battle of Morgarten—Battle of Sempach. Upon the expulsion of Hippias the direction of Athenian politics passed into the hands of Cleisthenes, son of Megacles, the head of the Alemæonidæ. He soon found a rival in Isagoras, a man of noble extraction, whose popularity with the rich and noble preponderated over his own; and being in consequence driven to advocate the popular cause, and thus recovering the ascendant, he introduced several changes tending to make the constitution more democratical. Isagoras sought to regain his advantage by foreign aid; and at his suggestion Cleomenes, one of the kings of Sparta, required the expulsion of the Alemæonidæ, as an atonement for the sacrilegious murder of Cylon’s partisans, in which they had been the chief actors. Offensive as such an interference appears, the religious feelings of Greece gave weight to the requisition, which was besides backed by the whole power of Sparta: and in obedience to it, Cleisthenes and his chief supporters withdrew. Not content with this, the Spartan king went with a small force to Athens, and proceeded to banish seven hundred families as concerned in the sacrilege, to change the forms of the constitution, and place all power in the hands of Isagoras and his friends. But he miscalculated the forbearance of the Athenians. Fearful as they were of a rupture with their powerful rival, they flew to arms, and besieged Cleomenes in the citadel. On the third day he and his troops surrendered on condition that they should be allowed to depart, and Cleisthenes, returning, reassumed the direction of affairs. His first object was to find some assistance in the war which appeared inevitable; and as the Persian empire was now at its height, he sent ambassadors to Sardis, where the satrap or governor of Lydia resided, to request admission to the Persian alliance. The satrap inquired who the Athenians were, and where they lived, and then scornfully answered, that if they would give earth and water to King Darius, in token of subjection, their request should be granted; otherwise they must depart. The ambassadors complied, but on returning to Athens they were strongly censured. This was the first public transaction between Greece and Persia. As was expected, the Lacedæmonians invaded Attica, but the Corinthians refused to support them, and this attempt to procure the restoration of Hippias failed. Thus baffled, they summoned a meeting of their allies, at which the banished chief was invited to be present; but here again their views were frustrated by the agency of the Corinthians. Hippias returning to Sigeum went thence to Sardis, with the view of persuading the satrap Artaphernes to reduce Athens, and replace him in the monarchy, under vassalage to the Persian monarch. The Athenians on receiving these tidings sent to request Artaphernes not to listen to their banished subjects; but they were met by a peremptory command to receive back Hippias as they wished to be safe. From this time they considered themselves openly at war with Persia. Under these circumstances, when an insurrection broke out among the Asiatic Greeks of Ionia and Æolis, the Athenians readily gave their assistance to the revolters. Twenty ships of theirs, with five of the Eretrians, joined the Ionian fleet; the collective force disembarked at Ephesus, marched sixty miles into the interior, took Sardis by surprise, and burnt it. Returning, they were entirely defeated under the walls of Ephesus, and the Athenians then withdrew their ships, and took no further part in the war. These events took place B.C. 499. After the Ionians were subdued, Darius bent himself to revenge the destruction of Sardis upon the Athenians and Eretrians. In the year 492 Mardonius led an army against them through Macedonia, but it suffered such severe losses by land and sea, that he returned to winter in Asia, without having reached even the borders of Greece. The following year heralds were sent into Greece to demand of every city earth and water in token of submission. Many obeyed, but Lacedæmon and Athens refused, and cruelly threw the heralds at the one place into a pit, at the other into a well, bidding them take from thence earth and water. In 490 Darius sent a second armament under command of Datis and Artaphernes. They crossed the Ægean Sea, to avoid the tedious march through Macedonia, landed in Eubœa, reduced and enslaved the Eretrians, and thence under the guidance of Hippias sailed to Marathon, on the north–east coast of Attica. Athens was fortunate in numbering among her citizens, at this critical period, men able, in the proud boast of Themistocles, to make a great city of a small one. In the time of Pisistratus, the Dolonci, a tribe of Thracians who lived in the Thracian Chersonese, being pressed in war by the Apsinthii, sent to the Delphic oracle to request advice. They were directed to invite him who should first admit them to his hospitality, to become the founder of a colony in their country. Departing, they passed through Phocis and Bœotia without being offered entertainment by any person; then entering Attica, they passed the house of Miltiades, son of Cypselus, an Athenian of the noblest extraction, being descended from the heroes Æacus and the Salaminian Ajax, whose son Philæus became an Athenian citizen, and founded the family of which we speak. Miltiades was sitting in his porch, and observing persons in a foreign dress pass by, bearing lances in their hands, a practice long disused by the Athenians, he called to them, and offered them refreshment and rest. Upon this they explained the object of their mission, and entreated him to comply with the god’s directions. Miltiades, discontented with the superiority assumed by Pisistratus, was well inclined to accede
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Produced by Dianna Adair, Stephen Hutcheson, Rod Crawford, Dave Morgan and the Online Distributed Proofreading Team at http://www.pgdp.net The Iron Boys on the Ore Boats OR Roughing It on the Great Lakes By JAMES R. MEARS Author of The Iron Boys in the Mines, The Iron Boys as Foremen, The Iron Boys in the Steel Mills, etc. Illustrated PHILADELPHIA HENRY ALTEMUS COMPANY COPYRIGHT, 1913, BY HOWARD E. ALTEMUS Illustration: Both Boys Were Hurled Forward CONTENTS CHAPTER PAGE I. TO THE INLAND SEAS 7 II. THE IRON BOYS AS CARGO 20 III. A SURPRISED SKIPPER 31 IV. THE BOYS STAND THE TEST 42 V. TROUBLE IN THE STOKE HOLE 54 VI. THE FIRST STEP UPWARD 63 VII. THE IRON BOYS ON DECK 70 VIII. THE CRASH IN THE FOG 82 IX. A TRAGEDY OF THE LAKES 93 X. TOSSED UP BY THE WAVES 104 XI. BY PLUCK ALONE 113 XII. ON THE ROAD TO CONNEAUT 122 XIII. IN THE GRIP OF A GIANT SHELL 129 XIV. STEVE SAVES THE CAPTAIN 135 XV. AT THE WHEEL 151 XVI. THROUGH THE ROCKY CUT 163 XVII. THE BLOW IN THE DARK 172 XVIII. VISITORS ON THE "RICHMOND" 181 XIX. IN THE GRIP OF THE WAVES 190 XX. AN EXCITING RESCUE 202 XXI. A NEW HAND AT THE WHEEL 210 XXII. LEADING A LIVELY CHASE 219 XXIII. THE WIRELESS MESSAGE 223 XXIV. CONCLUSION 245 The Iron Boys on the Ore Boats CHAPTER I TO THE INLAND SEAS "WHAT are we to do?" "The first duty of an inspector is to inspect, I should say," answered Steve Rush, with a soft laugh, in answer to his companion's question. Bob Jarvis made a wry face. "You think you are very smart this morning, seeing that you have been complimented by the president of the mining company," grumbled Jarvis. "I don't know whether I like this new job or not. We were making pretty good money in the mines and we were bosses at that. Are we going to do any bossing when we get on the lakes?" "I think not. We shall be ordinary seamen. Somebody else will do the bossing in this instance and we shall be the victims. Mr. Carrhart will tell us all about it in a minute. He is arranging for our work now. It will be a great change, and while we shall be working pretty hard we shall be adding to our store of knowledge, Bob. We are lucky to possess so fully the confidence of our superiors. Let's try to show that we are worthy of their confidence in our new places." "When do we start?" "I don't know. Mr. Carrhart is looking that matter up now." The lads were sitting in the private office of the president of the mining company, whither they had been summoned from their work at the mines. Mr. Carrhart, the president, stepped briskly into the office at that juncture. "Well, lads, I have arranged for your transportation." "May I ask on what ship we are to sail, sir?" questioned Steve. "The 'Wanderer.' She is not one of our newest ships, but she is a staunch old vessel with about as many conveniences as are to be found on the newer and more modern boats. I sometimes think we are getting further away from what a ship should be--but then, I am not a sailor. I am not supposed to know anything about ships," laughed the president. "When do we sail?" "Some time to-night. The 'Wanderer' is not yet in. She passed the Soo nearly forty hours ago and should dock some time this afternoon. She is coming up light this time, for a change." "How long does it take to load the ship with ore?" asked Steve, his active mind already in search of knowledge along the line of their new calling. "Eight hours or so." "That is quick time," nodded Jarvis. "It strikes me as being a long time," remarked Rush. "That is the point exactly," agreed Mr. Carrhart. "If you boys can find a way to shorten the loading time you will have served your purpose well. That is exactly why we are sending you out on this inspecting tour--that is, it is one of the reasons. We want to know where we can save money and time in the shipment of ores to the furnaces." "But, sir, we know nothing about this branch of the business," protested Steve. "Are there not others better qualified than ourselves?" "They think they are," answered the president reflectively. "We have tried them out. Most of them are wedded to old methods. What we want is new methods as well as new blood. Besides, you lads have expressed yourselves as being anxious to learn everything about the mining and steel business. I am taking you at your word. You are thoroughly posted on the mining end. I do not believe you could be much more so were you to spend three years more underground. The shipment of the ore is the next step. You have followed the ore down from the mines to the shipping point, here in Duluth. Now I am going to have you spend a few months on the Great Lakes." "That will be a fine experience, sir." "I think so." "Is the purpose of our going to sea on the lakes known, or is it not to be known to any one outside of ourselves?" "Certainly not. The mission might fail of its purposes were such to be the case. To all intents and appearances, you two boys will be plain, everyday sailors. You will find many hardships in the life of a Great Lakes sailor, but then, if I know you, I do not believe you will mind these very much," added Mr. Carrhart, with an indulgent smile. "We certainly shall not," answered Rush, with emphasis. "The harder the work the better it seems to agree with me." "But not with me," retorted Jarvis. The president laughed. "That doesn't agree with what the reports show. For industry and attention to duty you are a close second to your friend Rush. I presume, Rush, that we shall be losing you one of these days?" "What do you mean, sir?" "You will wish to go on to the mills, eh?" Steve thought briefly. "Yes, sir; that is our ambition." "I thought so. You may depend upon me to use my influence to further your ambition, though I shall very much dislike to lose you." "You are very kind, sir." "What I hoped you would do was to remain with the mining end of our business, where one of these days you would rise to the grade of general superintendent. Perhaps after you have had your experiences at the other end of the line, you will decide to come back. If I am still president of the mining company you will be well taken care
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Produced by Richard Tonsing, Richard Hulse and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration] ------------------------------------------------------------------------ [Illustration: لا لابرار كلّ شي تبر] “TO THE PURE ALL THINGS ARE PURE.” (Puris omnia pura) —_Arab Proverb._ “Niuna corrotta mente intese mai sanamente parole.” —“_Decameron_”—_conclusion_. “Erubuit, posuitque meum Lucretia librum Sed coram Bruto. Brute! recede, leget.” —_Martial._ “Mieulx est de ris que de larmes escripre, Pour ce que rire est le propre des hommes.” —RABELAIS. “The pleasure we derive from perusing the Thousand-and-One Stories makes us regret that we possess only a comparatively small part of these truly enchanting fictions.” —CRICHTON’S “_History of Arabia_.” ------------------------------------------------------------------------ [Illustration] ------------------------------------------------------------------------ _A PLAIN AND LITERAL TRANSLATION OF THE ARABIAN NIGHTS ENTERTAINMENTS. NOW ENTITULED_ _THE BOOK OF THE_ Thousand Nights and a Night _WITH INTRODUCTION EXPLANATORY NOTES ON THE MANNERS AND CUSTOMS OF MOSLEM MEN AND A TERMINAL ESSAY UPON THE HISTORY OF THE NIGHTS_ VOLUME VI. BY RICHARD F. BURTON [Illustration] PRINTED BY THE BURTON CLUB FOR PRIVATE SUBSCRIBERS ONLY ------------------------------------------------------------------------ Shammar Edition Limited to one thousand numbered sets, of which this is Number _547_ PRINTED IN U. S. A. ------------------------------------------------------------------------ I INSCRIBE THIS VOLUME TO MY OLD AND VALUED CORRESPONDENT, IN WHOSE DEBT I AM DEEP, PROFESSOR ALOYS SPRENGER (OF HEIDELBERG), ARABIST, PHILOSOPHER AND FRIEND. R. F. BURTON. CONTENTS OF THE SIXTH VOLUME. PAGE SINDBAD THE SEAMAN AND SINDBAD THE LANDSMAN 1 (_Lane, Vol. III., Chapt. XXII., Story of Es Sindbad of the Sea and Es Sindbad of the Land. pp. 1–78._) _a._ THE FIRST VOYAGE OF SINDBAD THE SEAMAN 4 _b._ THE SECOND VOYAGE OF SINDBAD THE SEAMAN 14 _c._ THE THIRD VOYAGE OF SINDBAD THE SEAMAN 22 _d._ THE FOURTH VOYAGE OF SINDBAD THE SEAMAN 34 _e._ THE FIFTH VOYAGE OF SINDBAD THE SEAMAN 48 _f._ THE SIXTH VOYAGE OF SINDBAD THE SEAMAN 58 _g._ THE SEVENTH VOYAGE OF SINDBAD THE SEAMAN 68 THE SEVENTH VOYAGE OF SINDBAD THE SEAMAN (_according to 78 the version of the Calcutta Edition_) THE CITY OF BRASS 83 (_Lane, Vol. III., Chapt. XXIII. Story of the City of Brass. pp. 118–152._) THE CRAFT AND MALICE OF WOMAN 122 (_Lane, Vol. III., Chapt. XXI., Abstract of the Story of the King and his Son and the Damsel and the Seven Wezeers. pp. 158–183._) _a._ THE KING AND HIS WAZIR’S WIFE 129 _b._ THE CONFECTIONER, HIS WIFE, AND THE PARROT 132 _c._ THE FULLER AND HIS SON 134 _d._ THE RAKE’S TRICK AGAINST THE CHASTE WIFE 135 _e._ THE MISER AND THE LOAVES OF BREAD 137 _f._ THE LADY AND HER TWO LOVERS 138 _g._ THE KING’S SON AND THE OGRESS 139 _h._ THE DROP OF HONEY 142 _i._ THE WOMAN WHO MADE HER HUSBAND SIFT DUST 143 _j._ THE ENCHANTED SPRING 145 _k._ THE WAZIR’S SON AND THE HAMMAM-KEEPER’S WIFE 150 _l._ THE WIFE’S DEVICE TO CHEAT HER HUSBAND 152 _m._ THE GOLDSMITH AND THE CASHMERE SINGING-GIRL 156 _n._ THE MAN WHO NEVER LAUGHED DURING THE REST OF HIS DAYS 160 _o._ THE KING’S SON AND THE MERCHANT’S WIFE 167 _p._ THE PAGE WHO FEIGNED TO KNOW THE SPEECH OF BIRDS 169 _q._ THE LADY AND HER FIVE SUITORS 172 _r._ THE THREE WISHES, OR THE MAN WHO LONGED TO SEE THE NIGHT 180 OF POWER _s._ THE STOLEN NECKLACE 182 _t._ THE TWO PIGEONS 183 _u._ PRINCE BEHRAM AND THE PRINCESS AL-DATMA 184 _v._ THE HOUSE WITH THE BELVEDERE 188 _w._ THE KING’S SON AND THE IFRIT’S MISTRESS 199 _x._ THE SANDAL-WOOD MERCHANT AND THE SHARPERS 202 _y._ THE DEBAUCHEE AND THE THREE-YEAR-OLD CHILD 208 _z._ THE STOLEN PURSE 209 _aa._ THE FOX AND THE FOLK 211 JUDAR AND HIS BRETHREN 213 (_Lane, Vol. III, Chapt. XXII., Story of Joodar. pp. 183–233._) THE HISTORY OF GHARIB AND HIS BROTHER AJIB 257 SINDBAD THE SEAMAN[1] AND SINDBAD THE LANDSMAN. There lived in the city of Baghdad, during the reign of the Commander of the Faithful, Harun al-Rashid, a man named Sindbád the Hammál,[2] one in poor case who bore burdens on his head for hire. It happened to him one day of great heat that whilst he was carrying a heavy load, he became exceeding weary and sweated profusely, the heat and the weight alike oppressing him. Presently, as he was passing the gate of a merchant’s house, before which the ground was swept and watered, and there the air was temperate, he sighted a broad bench beside the door; so he set his load thereon, to take rest and smell the air,——And Shahrazad perceived the dawn of day and ceased saying her permitted say. Now when it was the Five Hundred and Thirty-seventh Night, She said, It hath reached me, O auspicious King, that when the Hammal set his load upon the bench to take rest and smell the air, there came out upon him from the court-door a pleasant breeze and a delicious fragrance. He sat down on the edge of the bench, and at once heard from within the melodious sound of lutes and other stringed instruments, and mirth-exciting voices singing and reciting, together with the song of
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E-text prepared by Produced by Steven Gibbs, Richard J. Shiffer, and Distributed Proofreading volunteers (http://www.pgdp.net) for Project Gutenberg Transcriber's note: Every effort has been made to replicate this text as faithfully as possible, including obsolete and variant spellings and other inconsistencies. Text that has been changed to correct an obvious error is noted at the end of this ebook. Many occurrences of mismatched single and double quotation marks remain as they were in the original. Text enclosed by equal signs was in bold face in the original (=bold=). THE GREAT WAR AND HOW IT AROSE 1915 Parliamentary Recruiting Committee 12, Downing Street, London, S.W. CONTENTS. PAGE. Serbia's Position 3 Russia's Position 6 Germany's Position 6 Italy's Position 8 Germany's Selected Moment 8 Peace Thwarted by Germany 10 I. Attempt to Extend Time-Limit of Austro-Hungarian Ultimatum 11 II. Question of Delay of Hostilities between Austria-Hungary and Serbia 11 III. Suggested Mediation by the Four Powers 12 IV. Germany Asked to State Form of Mediation between Russia and Austria-Hungary 13 V. Russia Suggests Direct Negotiations with Austria-Hungary 14 VI. Russia's Final Attempt at Peace 15 German Militarism Wins 17 How France Came In 19 How Great Britain Came In 19 War with Austria 22 Japan's Ultimatum to Germany 22 Allies' Declaration of Common Policy 23 Turkey Joins Germany 24 More German Intrigues 26 The Near East 26 The Far East 27 West Africa 28 South Africa 28 How the Germans Make War 29 Germany's Attempted Bribery 36 APPENDIXES. A. Germany's Knowledge of Contents of Austro-Hungarian Ultimatum 40 B. How Germany Misled Austria-Hungary 46 C. Some German Atrocities in Belgium 48 D. Germany's Employment of Poisonous Gas 52 E. Efforts of German Ministers of State to lay Blame on England 52 F. List of Parliamentary Publications respecting the War 55 THE GREAT WAR. SERBIA'S POSITION. On June 28, 1914, the Austrian Archduke Ferdinand and the Archduchess were assassinated on Austrian territory at Serajevo by two Austrian subjects, both Bosniaks. On a former occasion one of these assassins had been in Serbia and the "Serbian authorities, considering him suspect and dangerous, had desired to expel him, but on applying to the Austrian authorities, found that the latter protected him, and said that he was an innocent and harmless individual."[1] After a "magisterial" investigation, the Austro-Hungarian Government formally fixed upon the Serbians the guilt both of assisting the assassins and of continually conspiring against the integrity of the Austro-Hungarian Empire, and on July 23, 1914, sent an ultimatum to Serbia of which the following were the chief terms[2]:-- "The Royal Serbian Government shall publish on the front page of their 'Official Journal' of the 13-26 July the following declaration:-- "'The Royal Government of Serbia condemn the propaganda directed against Austria-Hungary--_i.e._, the general tendency of which the final aim is to detach from the Austro-Hungarian Monarchy territories belonging to it, and they sincerely deplore the fatal consequences of these criminal proceedings. "'The Royal Government regret that Serbian officers and functionaries participated in the above-mentioned propaganda...." "The Royal Serbian Government further undertake: "To suppress any publication which incites to hatred and contempt of the Austro-Hungarian Monarchy and the general tendency of which is directed against its territorial integrity;... "To eliminate without delay from public instruction in Serbia, both as regards the teaching body and also as regards the methods of instruction, everything that serves, or might serve, to foment the propaganda against Austria-Hungary; "To remove from the military service, and from the administration in general, all officers and functionaries guilty of propaganda against the Austro-Hungarian Monarchy whose names and deeds the Austro-Hungarian Government reserve to themselves the right of communicating to the Royal Government; "To accept the collaboration in Serbia of representatives of the Austro-Hungarian Government for the suppression of the subversive movement directed against the territorial integrity of the Monarchy; "To take judicial proceedings against accessories to the plot of the 28th June who are on Serbian territory; delegates of the Austro-Hungarian Government will take part in the investigation relating thereto." In effect Austria wished to force Serbia (_a_) to admit a guilt which was not hers; (_b_) to condemn officers in her army without trial at Austria's direction[3]; (_c_) to allow Austrian delegates to dispense such justice in Serbian Courts as they might think fit. In other words, Serbia was to lose her independence as a Sovereign State. And to all these claims Austria demanded an acceptance within 48 hours--until 6 p.m. on July 25, 1914. Yet, in spite of this, Serbia, within the specified time, sent her reply[4], which amounted to an acceptance of Austria's demands, subject, on certain points, to the delays necessary for passing new laws and amending her Constitution, and subject to an explanation by Austria-Hungary of her precise wishes with regard to the participation of Austro-Hungarian officials in Serbian judicial proceedings. The reply went far beyond anything which any Power--Germany not excepted--had ever thought probable. But the same day the British Ambassador at Vienna reported that the tone of the Austrian press left the impression that a settlement was not desired, and he later reported that the impression left on his mind was that the Austrian note was so drawn up as to make war inevitable. In spite of the conciliatory nature of Serbia
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Produced by Charles Bidwell and PG Distributed Proofreaders [Illustration: Portrait of Thoreau] MR. THOREAU'S WRITINGS. I. WALDEN. 1 vol. 16mo. Price $1.25. II. A WEEK ON THE CONCORD AND MERRIMACK RIVERS. 1 vol. 12mo. Price $1.50. EXCURSIONS. BY HENRY D. THOREAU. 1863 CONTENTS. BIOGRAPHICAL SKETCH NATURAL HISTORY OF MASSACHUSETTS A WALK TO WACHUSETT THE LANDLORD A WINTER WALK THE SUCCESSION OF FOREST TREES WALKING AUTUMNAL TINTS WILD APPLES NIGHT AND MOONLIGHT BIOGRAPHICAL SKETCH. BY R.W. EMERSON. HENRY DAVID THOREAU was the last male descendant of a French ancestor who came to this country from the Isle of Guernsey. His character exhibited occasional traits drawn from this blood in singular combination with a very strong Saxon genius. He was born in Concord, Massachusetts, on the 12th of July, 1817. He was graduated at Harvard College in 1837, but without any literary distinction. An iconoclast in literature, he seldom thanked colleges for their service to him, holding them in small esteem, whilst yet his debt to them was important. After leaving the University, he joined his brother in teaching a private school, which he soon renounced. His father was a manufacturer of lead-pencils, and Henry applied himself for a time to this craft, believing he could make a better pencil than was then in use. After completing his experiments, he exhibited his work to chemists and artists in Boston, and having obtained their certificates to its excellence and to its equality with the best London manufacture, he returned home contented. His friends congratulated him that he had now opened his way to fortune. But he replied, that he should never make another pencil. "Why should I? I would not do again what I have done once." He resumed his endless walks and miscellaneous studies, making every day some new acquaintance with Nature, though as yet never speaking of zoology or botany, since, though very studious of natural facts, he was incurious of technical and textual science. At this time, a strong, healthy youth, fresh from college, whilst all his companions were choosing their profession, or eager to begin some lucrative employment, it was inevitable that his thoughts should be exercised on the same question, and it required rare decision to refuse all the accustomed paths, and keep his solitary freedom at the cost of disappointing the natural expectations of his family and friends: all the more difficult that he had a perfect probity, was exact in securing his own independence, and in holding every man to the like duty. But Thoreau never faltered. He was a born protestant. He declined to give up his large ambition of knowledge and action for any narrow craft or profession, aiming at a much more comprehensive calling, the art of living well. If he slighted and defied the opinions of others, it was only that he was more intent to reconcile his practice with his own belief. Never idle or self-indulgent, he preferred, when he wanted money, earning it by some piece of manual labor agreeable to him, as building a boat or a fence, planting, grafting, surveying, or other short work, to any long engagements. With his hardy habits and few wants, his skill in wood-craft, and his powerful arithmetic, he was very competent to live in any part of the world. It would cost him less time to supply his wants than another. He was therefore secure of his leisure. A natural skill for mensuration, growing out of his mathematical knowledge, and his habit of ascertaining the measures and distances of objects which interested him, the size of trees, the depth and extent of ponds and rivers, the height of mountains, and the air-line distance of his favorite summits,--this, and his intimate knowledge of the territory about Concord, made him drift into the profession of land-surveyor. It had the advantage for him that it led him continually into new and secluded grounds, and helped his studies of Nature. His accuracy and skill in this work were readily appreciated, and he found all the employment he wanted. He could easily solve the problems of the surveyor, but he was daily beset with graver questions, which he manfully confronted. He interrogated every custom, and wished to settle all his practice on an ideal foundation. He was a protestant _a l'outrance_, and few lives contain so many renunciations. He was bred to no profession; he never married; he lived alone; he never went to church; he never voted; he refused to pay a tax to the State: he ate no flesh, he drank no wine, he never knew the use of tobacco; and, though a naturalist, he used neither trap nor gun. He chose, wisely, no doubt, for himself, to be the bachelor of thought and Nature. He had no talent for wealth, and knew how to be poor without the least hint of s
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Idle Hours in a Library ------------------------------------------------------------------------ ┌───────────────────────────────────┐ │ │ │ By the same Author │ │ │ │ _The Church and the Stage_ │ │ │ │ _Introduction to the Philosophy │ │ of Herbert Spencer_ │ │ │ │ _Studies in Interpretation_ │ │ │ └───────────────────────────────────┘ ------------------------------------------------------------------------ Idle Hours in a Library By William Henry Hudson Professor of English Literature, Stanford University [Illustration] William Doxey At the Sign of the Lark San Francisco ------------------------------------------------------------------------ COPYRIGHT, 1897 WILLIAM DOXEY THE DOXEY PRESS ------------------------------------------------------------------------ TO F. E. H. IN REMEMBRANCE OF THE DEAR OLD DAYS ------------------------------------------------------------------------ Preface The title of this little volume was chosen because it seems to indicate a characteristic possessed in common by the otherwise unrelated essays here brought together. They may all be described in a general way as holiday tasks—the results of many hours of quiet but rather aimless browsing among books, and not of special investigations, undertaken with a view to definite scholastic ends. They are, moreover, as will readily be seen, completely unacademic in style and intention. Three of the papers were originally put into shape as popular lectures. The remaining one—that on the Restoration novelists—was written for a magazine which appeals not to a special body of students, but to the more general reading public. The title, hit upon after some little searching, will, I believe, therefore be accepted as fairly descriptive, and will not, I hope, be condemned as overfanciful. A word or two of more detailed explanation may, perhaps, be permitted. Of the essays on Pepys’s Diary and the “Scenes of Bohemian Life,” I would simply say that they may be taken to testify to the unfailing sources of unalloyed enjoyment I have found in these delightful books; and I should be pleased to think that, while they may renew for some readers the charm of old associations, they may perhaps send others here and there for the first time to the works themselves—in which case I shall be sure of the gratitude of some at least of those into whose hands this little volume may chance to fall. I can scarcely say as much as this for the study of Mrs. Behn and Mrs. Manley—for most readers will be quite as well off if they leave the lucubrations of these two ladies alone. But in these days we all read novels; and it has seemed to me, therefore, that my brief account of some of the early experiments in English fiction may not be altogether lacking in interest and suggestiveness. Thus, after some hesitation, I decided to find a place for the authors of “Oroonoko” and “The New Atalantis” in these pages. So far as the chapter on Shakspere’s London is concerned, it is needless to do more than indicate the way in which it came to be written. A number of years ago, while engaged for other purposes in the study of Elizabethan popular literature, and more especially of the drama of the period, I began, for my own satisfaction, to jot down, as I lighted upon them, the more striking references and allusions to manners, customs, and the social life of the time. I presently found that I had thus gathered a good deal of miscellaneous material; and it then occurred to me that, properly organized, my memoranda might be made into an interesting popular lecture. The lecture was presently prepared, and was frequently delivered, both in England and in this country. Naturally enough, the paper can lay no claim to exhaustiveness; it is scrappy, formless, and sometimes superficial. But the reader of Shakspere may find it of some value, so far as it goes. The essay on the Restoration novel is reproduced, greatly changed and somewhat amplified, from the English magazine, “Time.” The remainder of the volume has not before been in print. In such a book as this, it would be pedantic to make a display of authorities and references, though I hope that any direct indebtedness has always been duly recorded in the proper place. But I must do myself the pleasure of adding, that here, as elsewhere in my work, I have gained more than I can say from the help and encouragement of my wife. WILLIAM HENRY HUDSON. _Stanford University, California, 1897_ ------------------------------------------------------------------------ Contents Page London Life in Shakspere’s Time 1 Pepys and His Diary 65 Two Novelists of the English Restoration 125 A Glimpse of Bohemia 181 ------------------------------------------------------------------------ London Life in Shakspere’s Time ------------------------------------------------------------------------ London Life in Shakspere’s Time It is the purpose of the present paper to give some glimpses of every-day life in the English metropolis in the latter part of the sixteenth and the early part of the seventeenth centuries. Our subject will take us from the main highways of history into by-paths illuminated by the popular literature of the time. It is not the grave historian, the statesman, or the philosopher, but rather the common playwright, the ballad-monger, the pamphleteer, whom we must take here as our guides. Yet ere we intrust ourselves to their care it will not be amiss if, with the view of making the clearer what we shall presently have to say, we pause for a moment at the outset to consider some of the more general aspects of the period with which we are to deal. Looking, then, first of all, at the political conditions of the time, we may describe the history of the reign of Elizabeth as the history of consolidation rather than of superficial change. What strikes us most is not the addition of fresh culture-elements, but the reorganization and expansion of elements already existing. The forces of evolution had turned inward, acting more upon the internal structure than upon the external forms of society. The Wars of the Roses were now things of recollection only, the fierce contentions which the struggle between York and Lancaster had produced having subsided with most of the bitter feelings engendered by them. Save for the collision with Spain, which ended in the defeat of the great Armada, England enjoyed a singular immunity from complications with foreign powers; and an opportunity, freely made use of, was thus offered for the development of foreign trade. The growth of a strong commercial sentiment, consequent on this, acted as a powerful solvent in the dissolution of feudal ideas and the disintegration of feudal forms of life. The conflict was now mainly between opinions—between rival forces of an intellectual and moral character. The power of the upper classes—the representatives of the ancient _régime_ of chivalry—was on the wane; the power of the middle classes—the representatives of the modern _régime_ of commerce—showed corresponding growth. The voice of the people, through their delegates in Parliament, began to be acknowledged by the caution exhibited on sundry critical occasions by the crown; the country at large was growing richer and stronger; the sense of English unity was intensified by the very dangers which menaced the national life; and as men came more and more to recognize their individualities, they demanded greater freedom of thought and speech. “England, alone of European nations,” as Mr. Symonds pointed out, “received the influences of both Renaissance and Reformation simultaneously.” The mighty forces generated by these two movements in combination—one emancipating the reason, the other the conscience, from the trammels of the Middle Ages—told in countless ways upon the masses of society. But with all this,—partly, indeed, in consequence of all this,—there was a deep-seated restlessness at the very springs of life. The contests of opposing parties were carried on with a fierceness and acerbity of which we know little in these more moderate days; the minds of men were set at variance and thrown into confusion by a thousand distracting issues; and, unrealized as yet in all their significance and power, those Titanic religious and political agencies were beginning to take shape which were by and by to rend English society to its very core. When we turn from the political character of the age to the moral character of the people, we find it difficult to avoid having recourse to a series of antitheses, after the familiar manner of Macaulay, so violent and surprising are the contrasts, so diverse the component qualities which analysis everywhere brings to light. The age was virile in its power, its restlessness, its amazing energy and fertility; it was virile, too, in its unrestraint, its fierceness, its licentiousness and brutality. Men gloried in their newly conquered freedom, and in that wider knowledge of the world which had been opened up to them by the study of the past, by the scientific researches of Copernicus, Kepler, and Galileo, by the discoveries of Amerigo Vespucci, Columbus, Jenkinson, Willoughby, Drake. National feeling was strong; the national pulse beat high. Yet, in spite of Protestantism and an open Bible, it was essentially a pagan age; in spite of its Platonism and Euphuism, a coarse and sensual one. You had only to scratch the superficial polish to find the old savagery beneath. Your smiling and graceful courtier would discourse of Seneca and Aristotle, but he would relish the obscenest jest and act his part in the grossest intrigue. Your young gallant would turn an Italian sonnet, or “tune the music of an ever vain tongue,” but within an hour he might have been found in all the blood and filth and turmoil of the cockpit or the bear-ring. The unseemliest freedom prevailed throughout society—amidst the noble ladies in immediate attendance upon the queen, and thence all down the social scale. Laws were horribly brutal, habits revoltingly rude. All the powerful instincts of a fresh, buoyant, self-reliant, ambitious, robust, sensuous manhood had burst loose, finding expression now in wild extravagance, indulgence, animalism, now in great effort on distant seas, now in the mighty utterances of the drama; for these things were but different facets of the same national character. Still, with all its gigantic prodigality of energy, with all its untempered misuse of genius and power, the English Renaissance kept itself free from many of the worst features of the Spanish and Italian revivals. It was all very well for Benvenuto Cellini to call the English “wild beasts.” Deep down beneath the casuistry and Euphuism, beneath the artificiality and the glittering veneer, beneath the coarseness and the brutalism, there was ever to be found that which was lacking in the Southern character—a stern, hardy, tough-fibred moral sense, which in that critical period of disquietude and upheaval formed indeed the very sheet-anchor of the nation’s hopes. It must never be forgotten that it was this age of new-found freedom, and of that license which went with it like its shadow, that produced such types of magnificent manhood as Raleigh, strong “the fierce extremes of good and ill to brook”; as Spenser, sweetest and purest of poets and of men; as Sidney, whom that same Spenser might well describe as “the most noble and virtuous gentleman, most worthy of all titles, both of learning and chivalry”; as Shakspere, whom, all slanders notwithstanding, we, like his own close friends, still think and speak of as our “Gentle Will.” Such, so far as we are able to sum them up in a few brief sentences, were some of the salient characteristics of the great age of the Virgin Queen—an age, as Dean Church has said, “of vast ambitious adventure, which went to sea, little knowing whither it went, and ill-provided with knowledge or instrument”; but an age of magnificent enterprise and achievement, none the less. And now it is for us to follow down into some of the details of their private, every-day existence the men and women who, to use a suggestive phrase of Goethe’s, were the citizens of this period, and whose little lives shared, no matter in how small and obscure a way, in the movements and destinies of the large world into which they were born. * * * * * Just a quarter of a century before Queen Elizabeth’s death, a proclamation was issued, reciting that her Majesty foresaw that “great and manifold inconveniences and mischiefs” were likely to arise “from the access and confluence of the people” to the metropolis, and making certain stringent provisions with a view to keeping down the population of the city. This enactment is useful as showing us that even at that early date,—as later on, in the time of Smollett,—the enormous growth of London was held to be matter for alarm. London was indeed increasing rapidly in extent, population, wealth, and power; and Lyly was hardly guilty of extravagance when, in his “Euphues,” he wrote of it as a place that “both for the beauty of building, infinite riches, variety of all things,” “excelleth all the cities of the world; insomuch that it may be called the storehouse or mart of all Europe.” Yet we are most of us probably unable without much effort to realize how different was the English metropolis of Elizabeth’s time from the metropolis of the present day. We have to remember, in the first place, that the London with which we are now concerned was a walled city, and that the territory which lay within the walls,—that is, the metropolis proper,—represented but a very small portion of what is now included within the civic area. Newgate, Ludgate, Aldgate, Bishopsgate, Cripplegate, and Aldersgate, still mark out and perpetuate by their names the narrow lines of those protecting walls which held snug and secure the mere handful of folk of which London was then composed. At nine o’clock in the evening, when Bow-bell rang, and the voices of the other city churches took up the curfew-strain, the gates were shut for the night, and the citizens retired to their dwellings under the protection of armed watchmen who guarded their slumbers along the walls. Westward from Fleet Street and Holborn, beyond which so much of modern London lies, the city had not then penetrated. Within and about the walls there were many “fair churches for divine service,” with old St. Paul’s in their midst—the Gothic St. Paul’s of the days before the great fire; and many prisons to help the churches in their philanthropic work. Open spaces were very numerous; trees were everywhere to be seen; fields invaded the most sacred strongholds of commercial activity; conduits and brooks (whereof Lamb’s Conduit Street to-day carries a nominal reminiscence) flowed through every part of the town. The narrow, straggling streets ran hither and thither with no very marked definity of aim; for county councils had not as yet come into existence, and metropolitan improvements were still hidden in the womb of time; and so unsanitary were the general conditions that they were seldom free from epidemic disease. Cheap, with its old cross just opposite the entrance to Wood Street,
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Produced by Al Haines The Orpheus Series No. 1 THE HERO IN MAN BY A. E. [Transcriber's note: "A.E." is a pseudonym of George William Russell] The Orpheus Press, 1910 First Edition (1,000 copies), May, 1909. Second Edition (1,000 copies), September, 1910. PRELUDE. [Greek: _lampadia echontes diadosousin allelois_.]--PLATO. We who live in the great cities could not altogether avoid, even if we would, a certain association with the interests of our time. Wherever we go the minds of men are feverishly debating some new political measure or some new scheme for the reconstruction of society. Now, as in olden times, the rumours of an impending war will engulf the subtler interests of men, and unless we are willing to forego all intercourse we find ourselves involved in a hundred sympathies. A friendly group will gather one evening and open their thoughts concerning the experiences of the soul; they will often declare that only these matters are of profound interest, and yet on the morrow the most of them regard the enthusiasms of the mind as far away, unpractical, not of immediate account. But even at noon the stars are above us and because a man in material difficulties cannot evoke the highest experiences that he has known they have not become less real. They pertain to his immortal nature and if in the circumstance of life he loses memory of them it is because he is likewise mortal. In the measure that we develop our interior selves philosophy becomes the most permanent of our interests and it may well be that the whole aim of Man is to acquire an unbroken and ever-broadening realisation of the Supreme Spirit so that in a far-off day he may become the master of all imaginable conditions. He, therefore, who brings us back to our central selves and shows us that however far we may wander it is these high thoughts which are truly the most real--he is of all men our greatest benefactor. Now those who thus care for the spiritual aspect of life are of two kinds,--the intellectual and the imaginative. There are men of keen intellect who comprehend some philosophic system, who will defend it with elaborate reasonings and proclaim themselves its adherents, but the earth at their feet, the stars in the firmament, man himself and their own souls have undergone no transfiguration. Their philosophies are lifeless, for imagination is to the intellect what breath is to the body. Thoughts that never glow with imagination, that are never applied to all that the sense perceives or the mind remembers--thoughts that remain quite abstract, are as empty husks of no value. But there are those who have studied by the light of imagination and these know well that the inner life of thought, of experiment, and of wonder, though it may often be over-clouded, is the only life which can henceforth give them content. They know that it was not when they were most immersed in the affairs of the day but rather when the whole world appeared for a little while to be pulsating with an almost uncontainable splendour, that they were most alive. For the best mood we have ever known, though it be lost for long, is yet the clearest revelation of our true selves, and it is then that we learn most nearly what marvels life may hold. If we read with imagination the Dialogues of Plato we dwell for a while among those ardent Greeks for whom the universe was changed by the words of the poet-philosopher. So too when we read the letter that was written by Plotinus to Flaccus, perhaps the serenest height the human soul has ever attained, we become ourselves the recipients. In either case we feel that we have lived in the presence of a princely soul. It is an inspiration to realise that we are of the one race with these and may look out on the same beauty of earth and heaven. Yet the magic of the mind is not enduring and to dream overlong of a bygone beauty is to make sorrowful the present. What imaginative reader of Plato but has desired with a fruitless ardour that he might in truth have been numbered with those who walked on the daisied lawns of the Academy, might in truth have heard the voice of the hardly human initiate, have seen him face to face, have responded to the influence of his presence? who but would willingly translate his life to another century if he could but hear Plotinus endeavouring to describe in human language an ecstasy which makes of man a god? I know that one may easily injure whatever one most loves by speaking of it in superlative praise to those who as yet remain aloof with interest unaroused, but for me it is hard to refrain from an expression of that admiration, and I would fain say also that affection, which burns up within me when I read the writings of A.E. For they cause me to think of him as one of those rare spirits who bring to men the realisation of their own divinity, who make the spiritual life seem adventurous, attractive, and vivid, so that we go forth into the world with a new interest and a new joy at heart. That, as I have sought to show in the opening of this note, is the greatest of all things that anyone can do. The life of such a man makes beautiful the generation with which it coincides. If we penetrate the human words and inhabit, so far as we are able, the mood which was passing in the soul as it shaped them, we may learn from the reveries that are here reprinted how to the mystic of this material age the world remains equally wonderful and human life equally holy as either seemed in the far-off days when beauty was more greatly desired. For of deeper value at all times than any particular thought is the pervading mood. Perhaps the reader will remember here the following passage by Robert Louis Stevenson:--"Such are the best teachers; a dogma learned is only a new error--the old one was perhaps as good; but a spirit communicated is a perpetual possession. These best teachers climb beyond teaching to the plane of art; it is themselves, and what is best in themselves, that they communicate." To read the essays that follow, or the three volumes of poetry that A.E. has published, is to recognise one who has endeavoured always to communicate the "best in himself," and the mood which they induce is a mood from which we may see the world once more in its primal beauty, may recover a sense of the long-forgotten but inextinguishable grandeur of the soul. CLIFFORD BAX. _April_, 1909. THE HERO IN MAN. I. There sometimes comes on us a mood of strange reverence for people and things which in less contemplative hours we hold to be unworthy; and in such moments we may set side by side the head of Christ and the head of an outcast, and there is an equal radiance around each, which makes of the darker face a shadow and is itself a shadow around the head of light. We feel a fundamental unity of purpose in their presence here, and would as willingly pay homage to the one who has fallen as to him who has become a master of life. I know that immemorial order decrees that the laurel and the crown be given only to the victor, but in those moments I speak of a profound intuition changes the decree and sets the aureole on both alike. We feel such deep pity for the fallen that there must needs be a justice in it, for these diviner feelings are wise in themselves and do not vaguely arise. They are lights from the Father. A justice lies in uttermost pity and forgiveness, even when we seem to ourselves to be most deeply wronged; or why is it that the awakening of resentment or hate brings such swift contrition? We are ever self-condemned; and the dark thought which went forth in us brooding revenge, when suddenly smitten by the light, withdraws and hides within itself in awful penitence. In asking myself why it is that the meanest are safe from our condemnation when we sit on the true seat of judgment in the heart, it seemed to me that their shield was the sense we have of a nobility hidden in them under the cover of ignoble things; that their present darkness
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) ROMA BEATA [Illustration: _Terrace of the Palazzo Rusticucci_ From a pencil drawing in the Collection of Miss Mabel Norman] ROMA BEATA Letters from the Eternal City BY MAUD HOWE AUTHOR OF “A NEWPORT AQUARELLE,” “THE SAN ROSARIO RANCH,” “MAMMON,” “PHILLIDA,” “LAURA BRIDGMAN,” ETC. _With Illustrations from Drawings by John Elliott and from Photographs_ BOSTON LITTLE, BROWN, AND COMPANY 1909 _Copyright, 1903, 1904_, BY J. B. LIPPINCOTT & COMPANY. _Copyright, 1904_, BY THE CENTURY CO. _Copyright, 1904_, BY AMERICA COMPANY. _Copyright, 1904_, BY THE OUTLOOK COMPANY. _Copyright, 1904_, BY LITTLE, BROWN, AND COMPANY. _All rights reserved_ Printers S. J. PARKHILL & CO., BOSTON, U. S. A. TO MY SISTER LAURA E. RICHARDS CONTENTS PAGE I. LOOKING FOR A HOME 1 II. CADENABBIA--WOERISHOVEN--PFARRER SEBASTIAN KNEIPP 31 III. A VISIT TO QUEEN MARGARET 50 IV. A PRESENTATION TO LEO THE THIRTEENTH 76 V. IN THE ABRUZZI MOUNTAINS 97 VI. SCANNO 119 VII. VIAREGGIO--LUCCA--RETURN TO ROME 142 VIII. ROMAN CODGERS AND SOLITARIES 163 IX. BLACK MAGIC AND WHITE--WITCH’S NIGHT 187 X. ISCHIA 215 XI. OLD AND NEW ROME--PALESTRINA 239 XII. THE ANNO SANTO 264 XIII. THE QUEEN’S VISIT 292 XIV. STRAWBERRIES OF NEMI 314 XV. THE KING IS DEAD. LONG LIVE THE KING 338 LIST OF ILLUSTRATIONS PAGE Terrace of the Palazzo Rusticucci _Frontispiece_ From a pencil drawing in the Collection of Miss Mabel Norman The Appian Way 30 From a photograph The Madonna of St. Agostino 72 From a photograph The Pincian Gate and Wall of Rome 76 From a photograph Roccaraso 98 From a pencil drawing Marta, a Vestal of the Abruzzi 107 From a pencil drawing in the Collection of Mrs. Whitman The Tiber, at the Ponte Nomantana 158 From a photograph A Lost Love 202 From a red chalk drawing in the Collection of Mr. Thomas W. Lawson Ischia 216 From a photograph The Lady K. 250 From a red chalk drawing in the Collection of Mr. Thomas W. Lawson Dante 311 From a pastel drawing in the Collection of Mrs. David Kimball The Palace of the Orsini at Nemi 318 From a photograph ROMA BEATA I LOOKING FOR A HOME ROME, January 20, 1894. Rome, which we reached Thursday, is very much changed since I last saw it; imagine the Fountain of Trevi, all the principal streets, even many of the smaller ones, gleaming with electric lights! We at once engaged an apartment bathed with sun in the Piazza di Spagna, sun from early morning till late afternoon. But when we moved into it, the day was overcast. The apartment which had been tropical with the sun when we hired it was arctic without it! We interviewed our _padrona_ (landlady), an immense woman, and demanded a fire. “But, Excellency, it is not good for the health.” We told her we understood our health better than she, and reminded her that fires had been promised. “Excellency, yes, if it makes cold; but to-day it makes an immense heat. _Diamine!_ this saloon is a furnace.” The thermometer could not have stood above forty-two degrees, but she was not to be bullied or cajoled. Then J. went out and bought wood “unbeknownst” to her and lighted a fire in the parlor grate. All the smoke poured into the room. The _padrona_ charged with fixed bayonets. “Gentry, we are ruined! Not is possible to make fire here.” “Why did you not say so before?” “Who could figure to himself that gentry so instructed would do a thing so strange?” These people are so polite that this was an insult, meant as such, taken as such. In the end J. prevailed. A small fireplace was unearthed from behind the wardrobe in our bedroom. He worked like a stoker, but the badly constructed chimney swallowed all the heat. For three days I was never warm, save when in bed. Monday we forfeited three months’ rent, paid in advance, and went, tame and crestfallen, to a _pension_, a sadder and a wiser pair. PALAZZO SANTO CROCE, March 10, 1894. The warm weather has come, bright and beautiful, and here we are again, in a furnished apartment, but with what a difference! These pleasant rooms belong to Marion Crawford. That princely soul, having let his lower suite to the William Henry Hurlburts, lends us the pretty little suite he fitted up for the “four-in-hand,” as he calls his quartette of splendid babes. We are to remain here till our own apartment is found. We have bought our linen, blankets, _batterie de cuisine_, and other beginnings of housekeeping, and yesterday--am I not my mother’s own child?--I gave a tea-party for two American girls. They wanted to see some artists, so I asked the few I know, Apolloni (well named the big Apollo), Sartorio, and Mr. Ross, he who spoke of the cherubs in a certain Fra Angelico picture as “dose dear leetle angles bimbling round in de corner.” I invited also Mr. and Mrs. Muirhead; he is the author of the American Baedeker, the editor of all English Baedekers. I expected to see him bound in scarlet instead of dressed in hodden-gray. We had much tea, more talk, and most _panettone_--half bread, half cake, with _pignoli_ and currants; when fresh, it seems the best thing to eat in the world, until you get it the next day toasted for breakfast, when it is better. My rooms are still ablaze with yesterday’s flowers. I bought for two francs in the Piazza di Spagna what I thought a very extravagant bunch of white and purple flags and white and purple lilacs, like those in our old garden at Green Peace. Helen came in a little later with a bunch twice as big and a glow of pink peonies added; in the middle of the tea-drinking Sartorio arrived with a gigantic armful of yellow gorse. Spring is really here! The trees are all green now. When we first came the stone pines were the chief glory; now the Pincio is gay with snow-white maple trees and flowering shrubs, mostly white and purple. Is there any rotation of color in flowers? It has often struck me there must be! Sometimes everything in blossom seems to be lilac, another season it is all yellow, then all red. I notice the reds come last, in midsummer chiefly,--has this to do with the heat? Max Nordau--cheerful person that, by the way--says that red is hysterical peoples’ favorite color; violet, melancholiacs’. There is a boy who sits all day under my window selling bird whistles, on which he warbles pleasantly. He is never without a red rosebud worn over his left ear. I wonder if he is hysterical! Now that the good weather has come, I often go to the churches to hear the music. At the _festa_ of Our Lady of Good Counsel the scholars of the Blind Institution furnished the music--a good band, though not equal to that of the Perkins Institution, in Boston. The church was crammed with very dirty people and many children. One mother carried a strapping yearling, a splendid angel of a child; three toddlers clung to her skirts, and a newborn baby howled in the grandam’s arms. After a time the two women exchanged babies, the grandam took the heavy youngster, the mother took the new-born, and, squatting down, calmly suckled it. The music was marred by the wailing of this and other infants, but no one seemed to mind. After all, it was the only way the women could have heard mass; the little ones were too young to be left alone at home. The Romans are devoted to their children, although their ways are not our ways; no woman of the upper class nurses her child, baby carriages are unknown, and swaddling is still in vogue, at least with the lower classes. I know a young American lady, married to a Roman, who imported a perambulator for her first baby. The _balia_ (wet-nurse), a superb cow of a woman, refused to trundle it, saying she was not strong enough, although I saw her carry a heavy trunk upstairs on her head while I was calling at the house! The baby is now a big eighteen-months-old boy; every day the _balia_ goes out to give him an airing, carrying him in her arms! Here, leading-strings are facts, not symbols. In Trastavere, where I went sightseeing yesterday with Helen--peering, as she calls it,--the best sight we saw was a darling red-haired baby in leading-strings stumbling along in front of its grandmother. In the division of labor, the care of the children falls upon the grandmother; the mother’s time is too valuable; if she is not actually employed in earning money, there is the heavier work of the household to do. To use the pet phrase of the boarders, “things are different here from what they are at home.” PALAZZO RUSTICUCCI, July 10, 1894. Here we are in a home of our own! One moonlight night J. came in with the news that he had found the very apartment he had been looking for; if I didn’t mind, we would go and see it at once. Naturally, I didn’t “mind.” We took a _botte_ and threaded the network of narrow streets that lead down to the Tiber. We crossed the river, a huge brown flood, silver where it swirled about the piers; drove past the Castle of St. Angelo to the dingy old palace at the junction of the Borgo Nuovo and the Piazza San Pietro. He would not let me stop to look at anything, but hurried me through the entrance, along the corridor, past a courtyard with orange trees and a fountain where the nightingales were singing, up a high, wide stairway guarded by recumbent statues of terra-cotta Etruscan ladies, to a rusty old green door. We pulled a bell-rope and set a bell jangling inside. The door was opened by the _esattore_ (agent), a brisk young man, who carried a three-beaked brass lamp by whose light we explored the apartment. They hurried me so that I could only see that the high ceilings were of carved wood, that the windows were large, and that I liked the shape of the rooms. J. kept saying, “Wait till you see the terrace.” The terrace, or house-top, is a flat roof; it covers the whole length and breadth of the apartment, and belongs exclusively to it. A parapet three feet high runs around it; at one end is a small room with a second smaller terrace on its roof, reached by a flight of stone steps; at the other end is a high wall with a little, open belfry on top. The view is sublime; you look down into the Square of St. Peter’s with the Egyptian obelisk in the middle, Bernini’s great colonnades on either side, the Church of St. Peter’s at the end, with the Vatican, a big, awkward mass of a building, behind it, and in the foreground the twin fountains sending up their columns of powdered spray. On the left loomed the Castle of St. Angelo; it was light enough to see the time by the clock. You can imagine all the rest,--the city spread out like a map, the dark masses of trees marking the Pincio and the Villa Borghese, the Campagna, the Sabine and the Alban hills beyond, Mt. Soracte, our familiar friend, on the left, over and under all the soft deep notes of the big bell of St. Peter’s throbbing out the Angelus. The bargain was struck that very night! But when we went over the next day J. let the cat out of the bag by saying, “I was afraid if you went by daylight, and saw what an old ruin it was, you would never consent to our taking it!” It did look discouraging. The last tenant, a monsignore, who lived here thirty years, never allowed the owners to make any repairs; he said he could not be bothered with workmen. He died a short time ago, leaving a red rose growing in a wooden half-barrel on the terrace. The owner of the palace, Signor Mazzocchi, armorer to the Pope, waited till the new tenant should turn up before making any changes. The palace was built in 1661. It has gone to wrack and ruin, but it is a magnificent old wreck. It stands on the site of the house the great architect Bramante built for Raphael, one pier of which is still standing, built into our walls. It once belonged to a Cardinal Rusticucci, whose arms are cut in stone over one of the doors; he was of the same family as the gentleman Dante met in one of the lower circles of the Inferno. “_Ed io, che posto son con loro in croce, Jacopo Rusticucci fui; e certo la fiera moglie più ch’altro mi nuoce._” “And I who am placed on the cross with these was Jacob Rusticucci. It is certain my proud wife harmed me more than another!” The palace seems to be called indifferently Rusticucci, Accoramboni, and Mazzocchi. We hesitated for some time between the three names; finally the Dantesque name carried the day, and I have had Palazzo Rusticucci engraved upon our cards. It is considered very plebeian here to have your address on your cards, but I cling to my American ideas. The monsignore’s red rose on the terrace looked so lonely that I went last Wednesday to Rag Fair in the Campo dei Fiori and bought a pink ivy geranium, some <DW29>s, and a white carnation to keep it company; they were absurdly cheap; flowers are a necessity here, not a luxury. I also bought a sack of earth, some flower-pots, and a watering-can. I got up at dawn the next morning and potted my plants; hard work! When J. came up at seven o’clock for coffee, there they stood in a row at the end of the terrace.
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BIRDS, SECOND SERIES*** E-text prepared by Chris Curnow and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 41550-h.htm or 41550-h.zip: (http://www.gutenberg.org/files/41550/41550-h/41550-h.htm) or (http://www.gutenberg.org/files/41550/41550-h.zip) Images of the original pages are available through Internet Archive. See http://archive.org/details/nestseggsoffamil00adamiala Transcriber's note: Text enclosed by underscores is in italics (_italics_). NESTS AND EGGS OF FAMILIAR BRITISH BIRDS, Described and Illustrated; With an Account of the Haunts and Habits of the Feathered Architects, and Their Times and Modes of Building; SECOND SERIES. by H. G. ADAMS. Author of "Favorite Song Birds," "Beautiful Butterflies," "Humming Birds," &c., &c. With Eight Coloured Plates of Eggs, Containing Thirty-Eight Different Species. London: Groombridge and Sons, 5, Paternoster Row. M DCCC LVII. INTRODUCTION. WHAT IS AN EGG? It may at first strike our young readers that this is a question very easily answered; if they think so, let them try what sort of an answer they can give to it, and if they break down in the definition, we will endeavour to help them, as we are told in the old fable, Jupiter did the waggoner; but it is best for young people to _try_, and, for that matter, old people too; let them never believe that they _can't_ do a thing--"where there's a will there's a way." Many a boy that will take a deal of pains, and incur no inconsiderable risk of life and limb, to climb up a tree after a bird's nest, finds it too much trouble to read and learn about the habits of the creature he is thus ready to deprive of its warm comfortable home and beautiful eggs. He cannot tell you, if you ask him, of what the nest is composed, nor how, nor when it was built, much less can he answer the question which we have just put to our readers,-- WHAT IS AN EGG? "Well," we hear some one say, "an Egg is a thing of an oval shape, large or small, white or coloured and speckled, as the case may be; it has a shell which breaks if you knock it, because it is brittle; and inside is a yellow substance called the yolk, surrounded by a white, clear liquid; if you boil it for a little time it becomes _set_, so that you can take it up in a spoon, and in this state it is good to eat. Oh! very good, I like an egg, especially for breakfast, with a little salt; and then eggs, and other things with them, make custards, and pancakes, and puddings, and all sorts of nice things; and then I recollect some such funny '_Stanzas to an Egg by a Spoon_,' which begin, 'Pledge of a feathered pair's affection, Kidnapped in thy downy nest, Soon for my breakfast--sad reflection! Must thou in yon pot be drest.'" Well, never mind the rest. Now listen to our definition of an Egg. The word itself, we may observe first of all, is of Saxon origin; that this is how the ancient dwellers on our island used to write it aeg, you may call it _aeg_ or _oeg_, which you like. Johnson says the term means, "That which is laid by feathered and some other animals, from which their young is produced;" it is also, we are told by the same authority, "the spawn or sperm of other creatures," as fish, which are said, you know, not to lay eggs, but to _spawn_. Another dictionary-maker defines it to be "the _ovum_ of birds," giving us here the Latin for egg, hence that peculiar shape is called _oval_, and the science of eggs is sometimes termed OVOLOGY. As we have told you in the first volume of this series, _Oology_ is another term for this science, which has occupied the attention of many learned men, who have gone deeper into Eggs than ever you or I shall, and told us such strange things about them, as would scarcely be believed by the very hens that laid them. Little does the happy mother think, when she goes cackling about the yard, proclaiming the event, that she has produced such a wonderful object. It looks a simple affair enough, one might make a thing very like it with a piece of chalk; touch it, roll it about; boil it, eat it, or crack it, and let the inside flow out; there's the yellow, and there's the white; there's nothing very particular in that, all eggs are so. Well, who made them so? and of what _are_ they made? and what reason is there for this peculiar arrangement of the different parts of an Egg? and how is it that, under certain circumstances, so complete a change should take place in the nature of its contents--that the fluids should be gradually absorbed into a solid body, and that, by and by, at the end of a period which can be calculated to a nicety, the shell should be burst open, and there should come forth a living creature? Truly this _is_ wonderful; but we are surrounded by wonders, and only heed them not because they are so common. _Common_ is the vital air, _Common_ is the azure sky, _Common_ flowers are everywhere, _Common_ stars shine out on high: Music of the forest bird, Cometh without stint or measure, Friendly smile and loving word, _Common_ are as joy and pleasure; Why from _common_ things then turn, And for the _uncommon_ yearn? But about this common thing, an Egg? It is the germ or seed, so to speak, of animal life; in it is contained all that is necessary for the formation of the perfect living creature; in that little oval case lie snugly packed up, bones, and muscles, and sinews, and all the delicate parts, organs, as they would be called, from a Greek word signifying an instrument, thus the tongue is an organ of speech, the eye of sight, and so on. But all these organs are in an _undeveloped_ state, as the flower is in the bud; develope is a French word, and signifies to unroll, or unfold. The animal is there in _embryo_; this again is Greek, and means a thing unperfected, or unfinished, so the poet Thompson says:-- "While the promised fruit Lies yet a little _embryo_ unperceived, Within its crimson folds." And so with closer reference to our subject, we might say, While the promised bird Lies yet a little _embryo_ unperceived, Within its oval shell. Dr. Harvey, who made that great discovery, the circulation of the blood, uttered a truth when he said _omne animal ex ovo_, every animal is born of an egg, for although some animals are _oviparous_, and others _viviparous_,--the two words come from _ovum_ egg, _vivum_ life, and _pario_ to bring forth--yet may the first stage of all animal life be compared to an Egg. From the smallest insect up to the most huge and unwieldy creature that swims in the deep sea, or walks upon the land. All were at one time alike, mere specks, surrounded by fluid matter, which afforded the material for growth and nourishment, and enclosed in some kind of a case, which if not exactly like an egg shell, answers the same purpose of protection from injury. What a vast difference is there between the bright-winged insect, whose history we traced in our volume on Butterflies, and the bird with downy plumage and the voice of melody; between that again and the great crocodile, in his scaly coat of mail; the mighty boa constrictor, king of serpents; or that tyrant of the deep, the fierce voracious shark; and yet all these come from Eggs, very similar in form, and precisely so in their nature and internal construction. Look too at the difference in size, between the egg of the Humming Bird, no bigger than a pea, and that of the Ostrich, as large as a man's head nearly, or bigger still that of the Epyornis, of which fossil remains have been found in Madagascar, the contents of which must have been equal to six ostrichs', or one hundred and forty-eight common hens' eggs, that is about seventeen English pints; and yet in all these the germ, or as it would be called, the vital principle, that is, the principle of life, is but a tiny speck, or circle, which is attached to the membrane that surrounds the yellow portion, or yolk; it is from this that the animal in embryo derives nourishment, and the size of it, and consequently of the whole egg, is in proportion to the quantity that is required to sustain life, until the protection of the shell is no longer necessary. There is only so much food stored up as the bird, or reptile, or whatever it may be, requires before it is strong enough to make an opening in its prison, and come forth to provide for itself, or be fed by the parent. Some creatures that eventually attain a large size are born, or _hatched_, as it is termed, comparatively small; thus the size of the egg is not always in proportion to that of the animal which lays it; the crocodile's egg, for instance, is but little larger than that of the common fowl; the young comes forth like a small lizard, about two or three inches long, takes to the water at once, and begins to catch insects on its own account; its mother may be twenty or thirty feet in length. Most creatures that produce eggs small in proportion to their size lay a great many; this is especially the case with fish, whose _spawn_ must be numbered by millions: it has been calculated that if the young of a single pair of herrings were suffered to breed undisturbed, they would in twenty years together make up a bulk six times the size of the earth; but so many creatures feed upon this spawn, that few of the eggs of which it is composed ever come to young fish, that is comparatively few, for the vast shoals which every year visit our shores, for the purpose of depositing their spawn in shallow water, shew that immense numbers must escape the dangers to which they are exposed. There are some fish of the fierce and rapacious kind, such as the Ray, the Dog-fish, and the Shark, which attain a considerable size before they lose the protection of the egg-shell, which is of a very peculiar shape and construction, being of a leathery texture, flat, and four-cornered, with a long curling string-like projection from each corner; frequenters of the coast, to whom they are very familiar objects, being often cast up on the beach, call them Mermaid's purses, and Fairy-purses, while the clustered Eggs of the Cuttle-fish they term Sea Grapes. All eggs require warmth to hatch them; the fishes know this, not as we know it, because we have read, or been told so, and can _reason_ upon causes and consequences, and so understand _why_, but they know it _instinctively_; they possess, in common with all unreasoning creatures, what we call _instinct_, that is, a natural impulse to do in the right way, and at the proper time, whatever may be necessary for the maintenance of that state of existence in which God has placed them; so instinct directs the fishes when the time for spawning has arrived, to leave the deep waters, where they generally remain safe from the pursuit of man, for the shores, where the warmth of the sun can reach the eggs, and awaken the principle of life within them. So instinct teaches the bird to leave its winter home, in some far southern country, and fly hundreds of miles across land and ocean, to reach a spot suitable for the purpose of breeding and rearing its young; to collect the materials and to build its nest, and after the eggs are laid, to sit patiently on them the appointed time; to select the food proper for those little gaping bills, and to tend the fledglings carefully, until they are able to fly and provide for themselves, and then, when their wings are strong enough for the journey, and their food begins to get scarce, away they go back to the south of Europe, or Africa, straight as an arrow, and the young ones, which have never flown that way before, seem to know it as well as those which have been backwards and forwards, often and often. But the egg, what of that? Can we describe its nature and construction in a way sufficiently clear for our readers to understand? Let us try:--it is like a series of cases or envelopes, one within the other; the outer one only, which is the last formed, being hard and unelastic, that is, it will not stretch or change its shape. Like the shells of some fish, and other testaceous animals, it is composed of carbonate of lime, which the animal has the power of secreting, as it is called, from its food. Hens sometimes lay soft eggs, without a shell; this shews a deficiency of the secreting power, or a want of the necessary material, and may generally be remedied by mixing some chalk with the food, or scattering it about the yard. Next to the shell is a skin called the _membrana putaminis_, that means the membrane or skin of the shell; it has also a Greek name--_chorian_; it is divided into two layers, which separate at the larger end, and leave a space called the _vesicula aeris_, that is, air vesicle, or little bladder; this contains the air necessary for the chick to breathe before it chips the shell. Enclosed in this membrane is the _albumen_, or white fluid, sometimes called the _glair_, from the Latin _glarea_; in the same language _albus_ means white; and our readers who live in Albion, so called from her chalky cliffs, ought to see at once from whence we derive the word _albumen_; the little chords by which this bag of fluid is suspended are called _chalaza_; this word comes
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Produced by Annie McGuire. This book was produced from scanned images of public domain material from the Google Print archive. AT START AND FINISH BY THE SAME AUTHOR APPLES OF ISTAKHAR AT START AND FINISH William Lindsey [Illustration] Boston Small, Maynard & Company 1899 _Copyright, 1896,_ by COPELAND AND DAY * * * * * _Copyright, 1899,_ by SMALL, MAYNARD & COMPANY TO THE ATHLETIC TEAMS OF OLD ENGLAND AND NEW ENGLAND, OXFORD, CAMBRIDGE, HARVARD, AND YALE, WHO MET IN LONDON JULY 22, 1899, GOOD WINNERS AND PLUCKY LOSERS, I DEDICATE THIS BOOK NOTE. In the present volume I have drawn freely on my previous collection (now out of print), "Cinder-path Tales," omitting some material, but adding much more that is new. I have also added headpieces, in which my suggestions have been very cleverly carried out by the artist, W. B. Gilbert. W. L. CONTENTS PAGE OLD ENGLAND AND NEW ENGLAND 1 MY FIRST, FOR MONEY 36 THE HOLLOW HAMMER 62 HIS NAME IS MUD 91 HOW KITTY QUEERED THE "MILE" 107 ATHERTON'S LAST "HALF" 131 THE CHARGE OF THE HEAVY BRIGADE 153 A VIRGINIA JUMPER 176 AND EVERY ONE A WINNER 213 [Illustration: Old England and New England] It is something of an experience for an Englishman, after thirty years' absence, to stand on the steps of "Morley's" and face the sunlight of Trafalgar Square. He may not own a foot of English soil, he may have no friend left to meet him, he may even have become a citizen of the Great Republic, but he cannot look at the tall shaft on which the "little sailor" stands without a breath of pride, a mist in his eye, and a lump in his throat. It was early afternoon of a warm July day. There was barely enough wind to blow the spray of the fountains, and the water itself rose straight in the soft air. I stood contentedly watching the endless procession of busses, hansoms, and four-wheelers, with the occasional coster's cart, and asked for nothing more. Long-eared "Neddy" dragging "Arry," "Arriet," and a load of gooseberries was a combination on which my eye rested with peculiar fascination. No amateur "whip" in a red coat on a bottle-green coach could handle the "ribbons" over four "choice uns" with a finer air than "Arry" as he swung through the line and came clicking up the street. I would rather see him pass than the Lord Mayor in his chariot. I must have stood on the top step of "Morley's" for a good half-hour, not caring even to smoke, so sweet was the smell of a London street to me. I was thinking, as a man must at such a time, of old days and old friends,--not dismally, but with a certain sense of loss,--when a tall gentleman came slowly up the steps and stopped immediately in front of me. I moved aside, although there was plenty of room for him to pass; but still he looked at me gravely, and at last held out a big brown hand and said, as if we had parted only yesterday, "Well, Walter, old man, how are you?" I was a bit in doubt at first. He was so tall that his eyes were nearly on a level with my own, his figure erect and soldierly, his face bronzed as if from long exposure to a tropic sun. Only when he smiled did I know him, and then we gripped hands hard, our fingers clinging until we saw we were attracting the notice of those around us. Then our hands unclasped, and feeling a bit foolish over our emotion, we sat down together. At first we talked of commonplaces, though all the time I was thinking of an evening more than thirty years ago when we stood together on the river path, under the shadows of old Oxford towers, and said, "Good-bye." He then offered to stand by me when the friendship would have cost him something, and I declined the sacrifice. Would it have been better? Who can tell? Our first thoughts were a bit serious, perhaps, but our second became decidedly cheerful at meeting again after so long a time. I learned that he was "Colonel" Patterson, having gained his regiment a good ten years ago; that he had spent nearly all his time in India; that he had been invalided home; that he was, like myself, unmarried, and that he found himself rather "out of it" after all these years away from the "old country." I told how I had gone to America, where, finding all other talents unmarketable, I had become first a professional runner, and later a college trainer. To this occupation, in which I had been something of a success, I had given many years until a small invention had made me independent, and a man of leisure in a modest way. I saw he was a bit disappointed when I told him I had been forced to "turn pro." in order to obtain my bread and butter. I knew exactly how he felt, and well did I remember my sorrow when I dropped the "Mr." from my name. It is not a particularly high-sounding title, but to appreciate it at its true value a man need only to lose it and become plain "Smith," "Jones," or "Robinson." That nothing could raise the "pale spectre of the salt" between Frank Patterson and myself, not even going outside the pale of the "gentleman amateur," I was very certain. But when I told him a little later that I had become a full-fledged citizen of the United States, he could not conceal his surprise, although he said but little at first. We talked of other things for a while, and then my friend came back to what I knew he had been thinking about all the time, and he asked me bluntly how it was I had come to give up the nation of my birth. "It seemed only fair," I answered, "that I should become a citizen of the country in which I obtained my living, whose laws protected me, in which most of my friends were resident, and where I expected sometime to be buried." At this the Colonel was silent for a little while, and then he remarked rather doubtfully: "I cannot make up my mind just what the Americans are like. Are they what Kipling declared them in the 'Pioneer Mail' some ten years ago, when he cursed them root and branch, or what the same man said of them a few years later, when he affirmed just as strongly, 'I love them' and 'They'll be the biggest, finest, and best people on the surface of the globe'? Such contradictory statements are confusing to a plain soldier with nothing more than the average amount of intelligence. What is the use, too, of calling them Anglo-Saxon? They are, in fact, a mixture of Celt, Teuton, Gaul, Slav, with a modicum of Saxon blood, and I know not what else." I could not help smiling a little at the Colonel's earnestness. I tried to tell him that the American was essentially Anglo-Saxon in spite of all the mixture; that his traditions, aims, and sentiments were very much like his own; that he had the same language, law, and literature; that the boys read "Tom Brown at Rugby," and the old men Shakespeare, Browning, and Kipling. I told him that the boys played English games with but slight changes, and that they boxed like English boys, and their fathers fought like English men. "Yes," said the Colonel, at last interrupting my flow of eloquence, "I heard the statement made at the Army and Navy Club only last night, that the American soldier was close to our 'Tommy,' and that the Yankee sailor was second to none. Yet all the time I cannot adjust myself to the fact that he is 'one of us.' Perhaps if I saw some typical Americans I should be a little less at sea." "Well," I answered, "if that is what you want,
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Produced by Turgut Dincer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) WOODSTOCK AN HISTORICAL SKETCH BY CLARENCE WINTHROP BOWEN, PH.D. READ AT ROSELAND PARK, WOODSTOCK, CONNECTICUT, AT THE BI-CENTENNIAL CELEBRATION OF THE TOWN, ON TUESDAY, SEPTEMBER 7, 1886 NEW YORK & LONDON G. P. PUTNAM'S SONS The Knickerbocker Press 1886 COPYRIGHT BY CLARENCE WINTHROP BOWEN 1886 Press of G. P. PUTNAM'S SONS New York As a full history of Woodstock has been in preparation for several years and will, it is hoped, be published in the course of another year, this brief sketch is issued as it was read at the Bi-Centennial Anniversary of the town. CONTENTS. PAGE I. INTRODUCTION 7 II. THE SETTLEMENT OF MASSACHUSETTS BAY AND OF ROXBURY 8 III. THE NIPMUCK COUNTRY AND THE VISIT OF JOHN ELIOT TO THE INDIANS AT WABBAQUASSET, OR WOODSTOCK 12 IV. THE SETTLEMENT OF NEW ROXBURY, OR WOODSTOCK 20 V. THE CHANGE OF THE NAME OF NEW ROXBURY TO WOODSTOCK 28 VI. THE GROWTH OF THE NEW TOWNSHIP--1690-1731 32 VII. ECCLESIASTICAL AFFAIRS 36 VIII. THE TRANSFER OF WOODSTOCK FROM MASSACHUSETTS TO CONNECTICUT 43 IX. MILITARY RECORD 46 X. EDUCATIONAL MATTERS 53 XI. DISTINGUISHED CITIZENS 55 XII. CHARACTERISTICS OF WOODSTOCK 58 XIII. CONCLUSION 61 INDEX 63 I. The history of the town of Woodstock is associated with the beginnings of history in New England. The ideas of the first settlers of Woodstock were the ideas of the first settlers of the Colony of Plymouth and the Province of Massachusetts Bay. The planting of these colonies was one of the fruits of the Reformation. The antagonism between the Established Church of England and the Non-Conformists led to the settlement of New England. The Puritans of Massachusetts, at first Non-Conformists, became Separatists like the Pilgrims of Plymouth. Pilgrims and Puritans alike accepted persecution and surrendered the comforts of home to obtain religious liberty. They found it in New England; and here, more quickly than in the mother country, they developed also that civil liberty which is now the birthright of every Anglo-Saxon. II. The settlement of Woodstock is intimately connected with the first organized settlement on Massachusetts Bay; and how our mother town of Roxbury was first established is best told in the words of Thomas Dudley in his letter to the Countess of Lincoln under date of Boston, March 12, 1630-1: "About the year 1627 some friends, being together in Lincolnshire, fell into discourse about New England and the planting of the gospel there. In 1628 we procured a patent from his Majesty for our planting between the Massachusetts Bay and Charles River on the South and the River of Merrimack on the North and three miles on either side of those rivers and bay... and the same year we sent Mr. John Endicott and some with him to begin a plantation. In 1629 we sent divers ships over with about three hundred people. Mr. Winthrop, of Suffolk (who was well known in his own country and well approved here for his piety, liberality, wisdom, and gravity), coming in to us we came to such resolution that in April, 1630, we set sail from Old England.... We were forced to change
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) SINISTER STREET BY COMPTON MACKENZIE AUTHOR OF "CARNIVAL," "YOUTH'S ENCOUNTER," ETC. NEW YORK D. APPLETON AND COMPANY 1919 COPYRIGHT, 1914, BY D. APPLETON AND COMPANY CONTENTS BOOK ONE DREAMING SPIRES CHAPTER PAGE I. THE FIRST DAY 3 II. THE FIRST WEEK 32 III. THE FIRST TERM 47 IV. CHEYNE WALK 63 V. YOUTH'S DOMINATION 84 VI. GRAY AND BLUE 110 VII. VENNER'S 143 VIII. THE OXFORD LOOKING-GLASS 165 IX. THE LESSON OF SPAIN 183 X. STELLA IN OXFORD 209 XI. SYMPATHY 225 XII. 202 HIGH 245 XIII. PLASHERS MEAD 269 XIV. 99 ST. GILES 288 XV. THE LAST TERM 308 XVI. THE LAST WEEK 319 XVII. THE LAST DAY 333 BOOK TWO ROMANTIC EDUCATION CHAPTER PAGE I. OSTIA DITIS 349 II. NEPTUNE CRESCENT 371 III. THE CAFE D'ORANGE 401 IV. LEPPARD STREET 427 V. THE INNERMOST CIRCLE 481 VI. TINDERBOX LANE 496 VII. THE GATE OF IVORY 552 VIII. SEEDS OF POMEGRANATE 583 IX. THE GATE OF HORN 602 X. THE OLD WORLD 652 EPILOGICAL LETTER TO JOHN NICOLAS MAVROGORADATO 655 BOOK ONE DREAMING SPIRES Bright memories of young poetic pleasure In free companionship, the loving stress Of all life-beauty, lull'd in studious leisure, When every Muse was jocund with excess Of fine delight and tremulous happiness; The breath of an indolent unbridled June, When delicate thought fell from the dreamy moon: But now strange care, sorrow, and grief oppress. ROBERT BRIDGES. CHAPTER I THE FIRST DAY Michael felt glad to think he would start the adventure of Oxford from Paddington. The simplicity of that railway station might faintly mitigate alarms which no amount of previous deliberation could entirely disperse. He remembered how once he had lightly seen off a Cambridge friend from Liverpool Street and, looking back at the suburban tumult of the Great Eastern Railway, he was grateful for the simplicity of Paddington. Michael had been careful that all his heavy luggage should be sent in advance; and he had shown himself gravely exacting toward Alan in this matter of luggage, writing several times to remind him of his promise not to appear on the platform with more than a portmanteau of moderate size and a normal kit-bag. Michael hoped this precaution would prevent at any rate the porters from commenting upon the freshness of him and his friend. "Oxford train?" inquired a porter, as the hansom pulled up. Michael nodded, and made up his mind to show his esteem when he tipped this promethean. "Third class?" the porter went on. Michael mentally doubled the tip, for he had neglected to assure himself beforehand about the etiquette of class, and nothing could have suited so well his self-consciousness as this information casually yielded. "Let me see, you didn't have any golf-clubs, did you, sir?" asked the porter. Michael shook his head regretfully, for as he looked hurriedly up and down the platform in search of Alan, he perceived golf-clubs everywhere, and when at last he saw him, actually even he had a golf-bag slung over his shoulder. "I never knew you played golf," said Michael indignantly. "I don't. These are the governor's. He's given up playing," Alan explained. "Are you going to play?" Michael pursued. He was feeling rather envious of the appearance of these veteran implements. "I may have a shot," Alan admitted. "You might have told me you were going to bring them," Michael grumbled. "My dear old ass, I never knew I was, until the governor wanged them into my lap just as I was starting." Michael turned aside and bought a number of papers, far too many for the short journey. Indeed, all the way they lay on the rack unregarded, while the train crossed and recrossed the silver Thames. At first he was often conscious of the other undergraduates in the compartment, who seemed to be eying him with a puzzled contempt; but very soon, when he perceived that this manner of looking at one's neighbor was general, he became reconciled to the attitude and ascribed it to a habit of mind rather than to the expression of any individual distaste. Then suddenly, as Michael was gazing out of the window, the pearly sky broke into spires and pinnacles and domes and towers. He caught his breath for one bewitched moment, before he busied himself with the luggage on the rack. On the platform Michael and Alan decided to part company, as neither of them felt sure enough whether St. Mary's or Christ Church were nearer to the station to risk a joint hansom. "Shall I come and see you this afternoon?" Michael rashly offered. "Oh, rather," Alan agreed, and they turned away from one another to secure their cabs. All the time that Michael was driving to St. Mary's, he was regretting he had not urged Alan to visit him first. A growing sensation of shy dread was making him vow that once safe in his own rooms at St. Mary's nothing should drag him forth again that day. What on earth would he say when he arrived at the college? Would he have to announce himself? How would he find his rooms? On these points he had pestered several Old Jacobeans now at Oxford, but none of them could remember the precise ceremonies of arrival. Michael leaned back in the hansom and cursed their inefficient memories. Then the cab pulled up by the St. Mary's lodge, and events proceeded with unexpected rapidity. A cheerful man with red hair and a round face welcomed his luggage. The cabman was paid the double of his correct fare, and to Michael's relief drove off instantly. From a sort of glass case that filled half the interior of the lodge somebody very much like a family butler inquired richly who Michael was. "Mr. C. M. S. Fane?" rolled out the unctuous man. Michael nodded. "Is there another Fane?" he asked curiously. "No, sir," said the head porter, and the negative came out with the sound of a drawn cork. "No, sir, but I wished to hessateen if I had your initials down correct in my list. Mr. C. M. S. Fane," he went on, looking at a piece of paper. "St. Cuthbert's. Four. Two pair right. Your servant is Porcher. Your luggage has arrived, and perhaps you'll settle with me presently. Henry will show you to your rooms. Henry! St. Cuthbert's. Four. Two pair right." The red-headed under-porter picked up Michael's bag, and Michael was preparing to follow him at once, when the unctuous man held up a warning hand. Then he turned to look into a large square pigeon-hole labeled Porcher. "These letters are for you, sir," he explained pompously. Michael took them, and in a dream followed Henry under a great gothic gateway, and along a gravel path. In a doorway numbered IV, Henry stopped and shouted "Porcher!" From an echoing vault came a cry in answer, and the scout appeared. "One of your gentlemen arrived," said Henry. "Mr. Fane." Then he touched his cap and retired. "Any more luggage in the lodge, sir?" Porcher asked. "Not much," said Michael apologetically. "There's a nice lot of stuff in your rooms," Porcher informed him. "Come in yesterday morning, it did." They were mounting the stone stairway, and on each of the floors Michael was made mechanically aware by a printed notice above a water-tap that no slops must be emptied there. This prohibition stuck in his mind somehow as the first ascetic demand of the university. "These are your rooms, sir, and when you want me, you'll shout, of course. I'm just unpacking Mr. Lonsdale's wine." Michael was conscious of pale October sunlight upon the heaped-up packing-cases; he was conscious of the unnatural brilliancy of the fire in the sunlight; he was conscious that life at Oxford was conducted with much finer amenities than life at school. Simultaneously he was aware of a loneliness; yet as he once more turned to survey his room, it was a fleeting loneliness which quickly perished in the satisfaction of a privacy that hitherto he had never possessed. He turned into the bedroom, and looked out across the quad, across the rectangle of vivid green grass, across the Warden's garden with its faint gaiety of autumnal flowers and tufted gray walls, and beyond to where the elms of the deer-park were massed against the thin sky and the deer moved in leisurely files about the spare sunlight. It did not take Michael long to arrange his clothes; and then the problem of undoing the packing-cases presented itself. A hammer would be necessary, and a chisel. He must shout for Porcher. Shouting in the tremulous peace of this October morning would inevitably attract more attention to himself than would be pleasant, and he postponed the summons in favor of an examination of his letters. One after another he opened them, and every one was the advertisement of a tailor or hairdresser or tobacconist. The tailors were the most insistent; they even went so far as to announce that representatives would call upon him at his pleasure. Michael made up his mind to order his cap and gown after lunch. Lunch! How should he obtain lunch? Where should he obtain lunch? When should he obtain lunch? Obviously there must be some precise manner of obtaining lunch, some ritual consecrated by generations of St. Mary's men. The loneliness came back triumphant, and plunged him dejectedly down into a surprisingly deep wicker-chair. The fire crackled in the silence, and the problem of lunch remained insoluble. The need for Porcher's advice became more desperate. Other freshmen before him must have depended upon their scout's experience. He began to practice calling Porcher in accents so low that they acquired a tender and reproachful significance. Michael braced himself for the performance after these choked and muffled rehearsals, and went boldly out on to the stone landing. An almost entranced silence held the staircase, a silence that he could not bring himself to violate. On the door of the rooms opposite he read his neighbor's name--_Mackintosh_. He wished he knew whether Mackintosh were a freshman. It would be delightful to make him share the responsibility of summoning Porcher from his task of arranging Lonsdale's wine. And who was Lonsdale? _No slops must be emptied here! Mackintosh! Fane!_ Here were three announcements hinting at humanity in a desolation of stillness. Michael reading his own name gathered confidence and a volume of breath, leaned over the stone parapet of the landing and, losing all his courage in a sigh, decided to walk downstairs and take his chance of meeting Porcher on the way. On the floor beneath Michael read _Bannerman_ over the left-hand door and _Templeton-Collins_ over the right-hand door. While he was pondering the personality and status of Templeton-Collins, presumably the gentleman himself appeared, stared at Michael very deliberately, came forward and, leaning over the parapet, yelled in a voice that combined rage, protest, disappointment and appeal with the maximum of sound: "Porcher!" After which, Templeton-Collins again stared very deliberately at Michael and retired into his room, while Michael hurried down to intercept the scout, hoping his dismay at Templeton-Collins' impatience would not be too great to allow him to pay a moment's attention to himself. However, on the ground floor the silence was still unbroken, and hopelessly Michael read over the right-hand door _Amherst_, over the left-hand door _Lonsdale_. What critical moment had arrived in the unpacking of Lonsdale's wine to make the scout so heedless of Templeton-Collins' call? Again it resounded from above, and Michael looking up involuntarily, caught the downward glance of Templeton-Collins himself. "I say, is Porcher down there?" the latter asked fretfully. "I think he's unpacking Lonsdale's wine." "Who's Lonsdale?" demanded Templeton-Collins. "You might sing out and tell him I want him." With this request Templeton-Collins vanished, leaving Michael in a quandary. There was only one hope of relieving the intolerable situation, he thought, which was to shout "Porcher" from where he was standing. This he did at the very moment the scout emerged from Lonsdale's rooms. "Coming, sir," said Porcher in an aggrieved voice. "I think Mr. Templeton-Collins is calling you," Michael explained, rather lamely he felt, since it must have been obvious to the scout that Michael himself had been calling him. "And I say," he added hurriedly, "you might bring me up a hammer or something to open my boxes, when you've done." Leaving Porcher to appease the outraged Templeton-Collins, Michael retreated to the security of his own rooms, where in a few minutes the scout appeared to raise the question of lunch. "Will you take commons, sir?" Michael looked perplexed. "Commons is bread and cheese. Most of my gentlemen takes commons. If you want anything extra, you go to the kitchen and write your name down for what you want." This sounded too difficult, and Michael gratefully chose commons. "Ale, sir?" Michael nodded. If the scout had suggested champagne, he would have assented immediately. Porcher set to work and undid the cases; he also explained where the china was kept and the wood and the coal. He expounded the theory of roll-calls and chapels, and was indeed so generous with information on every point of college existence that Michael would have been glad to retain
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Produced by Chris Curnow, Hazel Batey, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net THE AUGUSTAN REPRINT SOCIETY SIR ROGER L'ESTRANGE CITT AND BUMPKIN (1680) _INTRODUCTION_ BY B. J. RAHN [Illustration] PUBLICATION NUMBER 117 WILLIAM ANDREWS CLARK MEMORIAL LIBRARY UNIVERSITY OF CALIFORNIA, LOS ANGELES 1965 GENERAL EDITORS Earl Miner, _University of California, Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Lawrence Clark Powell, _Wm. Andrews Clark Memorial Library_ ADVISORY EDITORS Richard C. Boys, _University of Michigan_ John Butt, _University of Edinburgh_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of California, Los Angeles_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California, Los Angeles_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ CORRESPONDING SECRETARY Edna C. Davis, _Wm. Andrews Clark Memorial Library_ INTRODUCTION According to discoveries made by Titus Oates in the autumn of 1678, England was threatened by a Roman Catholic conspiracy headed by the Pope and the King of France, whose objectives were: 1) to murder the King, 2) to overthrow the government, and 3) to destroy the Protestant religion. Although Oates was subsequently exposed as a charlatan, in 1678-81 a panic held the nation in an iron grip, and belief in the Plot fostered irrational and reprehensible excesses. The Popish Plot was not so much a religious fraud as a political _cause celebre_, the significance of which can be assessed only in the context of the republican movement of the seventeenth century to redistribute power within the state. The conflict which developed between Charles II and the Parliament during the 1670's reflects the struggle for ascendance of two opposing theories of government: absolute versus limited monarchy. Charles, supported by the Tories and the Anglican clergy, was determined to maintain all the hereditary privileges and powers of an English monarch, while the Whig coalition in Parliament, led by the Earl of Shaftesbury, was intent upon subordinating the power of the Crown to the will of Parliament. The Opposition realized almost immediately that in the Popish Plot lay means for furthering their schemes of political reform. Under the guise of counteracting the Plot, they hoped to enact legislation to: 1) increase parliamentary power, 2) limit the prerogatives of the King, 3) control the succession, and 4) curtail the influence of the prelacy. Published in 1680 when the Plot crisis was at its peak, _Citt and Bumpkin_ is one of a series of pamphlets by Sir Roger L'Estrange written to support the policies of Charles II and to defend the government from attacks by the Whig Opposition. Since James, Duke of York, had given the Whigs every reason to believe that he would oppose their policies vehemently after he came to the throne, they decided to take advantage of the public resentment against him as a Roman Catholic to try to pass a bill in Parliament to exclude
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The Project Gutenberg Etext of Supplemental Nights, Volume 2 by Richard F. Burton #13 in our series by Sir Richard Francis Burton Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before distributing this or any other Project Gutenberg file. We encourage you to keep this file, exactly as it is, on your own disk, thereby keeping an electronic path open for future readers. Please do not remove this. This header should be the first thing seen when anyone starts to view the etext. Do not change or edit it without written permission. 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Special rules, set forth below, apply if you wish to copy and distribute this etext under the "PROJECT GUTENBERG" trademark. Please do not use the "PROJECT GUTENBERG" trademark to market any commercial products without permission. To create these etexts, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's etexts and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective
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Produced by Darleen Dove, Beth, Shannon Barker and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) A HUMBLE ENTERPRISE BY ADA CAMBRIDGE AUTHOR OF "THE THREE MISS KINGS," "FIDELIS," "A LITTLE MINX," ETC. _WITH ILLUSTRATIONS BY ST. CLAIR SIMMONS_ Second Edition LONDON WARD, LOCK, & BOWDEN, LIMITED WARWICK HOUSE, SALISBURY SQUARE, E.C. NEW YORK AND MELBOURNE 1896 [_All rights reserved_] [Illustration: "Pinned the fragrant morsel to her throat." _A Humble Enterprise._ _Page 97._] CONTENTS. CHAP. PAGE I. THE GOVERNOR-GENERAL 9 II. HER FIRST FRIEND 24 III. AFLOAT 33 IV. THE HERO 45 V. HE MEETS THE HEROINE 56 VI. THE INEVITABLE ENSUES 69 VII. THERE ARE SUCH WOMEN IN THE WORLD 82 VIII. ANOTHER POINT OF VIEW 92 IX. THE POTENTIAL HUSBAND 105 X. AS THE WIND BLOWS 115 XI. NATURE SPEAKS 125 XII. TWO WISE MEN 138 XIII. TWO UNWISE WOMEN 150 XIV. A WEAK FATHER 159 XV. A STRAW AGAINST THE TIDE 171 XVI. A STAR IN TWILIGHT 184 XVII. "YOU NEED NOT EXPECT ME BACK" 193 XVIII. JENNY IS TREATED LIKE A LADY 204 XIX. WOMAN'S RIGHTS REFUSED 216 XX. SHE CARES NOT 228 XXI. THE BEST AVAILABLE 236 A HUMBLE ENTERPRISE CHAPTER I THE GOVERNOR-GENERAL Joseph Liddon was deaf, and one day, when he was having a holiday in the country, he crossed a curving railway line, and a train, sweeping round the corner when he was looking another way, swept him out of existence. On his shoulder he was carrying the infrequent and delightful gun--reminiscent of happy days in English coverts and stubble fields--and in his hand he held a dangling hare, about the cooking of which he was dreaming pleasantly, wondering whether his wife would have it jugged or baked. When they stopped the train and gathered him up, he was as dead as the hare, dissolved into mere formless tatters, and his women-folk were not allowed to see him afterwards. They came up from town to the inquest and funeral--wife and two daughters, escorted by a downy-lipped son--all dazed and bewildered in their suddenly transformed world; and a gun and a broken watch and a few studs, that had been carefully washed and polished, were the only "remains" on which they could expend the valedictory kiss and tear. Their last memory of him was full of the gay bustle of farewell at Spencer Street when he set forth upon his trip. It was such an event for him to have a holiday, and to go away by himself, that the whole family had to see him off. Even young Joe was on the platform to carry his father's bag, and buy him the evening papers, his train being the Sydney express, which did not leave till after office hours. When they knew how the holiday had ended, their bitter regrets for not having accompanied him further were greatly soothed by the knowledge that they had gone with him so far--had closed their life together with an act of love that had made him happy. He had been born a gentleman in the technical sense, and had lived a true man in every sense. In spite of this--to a great extent, probably, because of it--he had not been very successful in the world; that is to say, he had not made himself important or rich. Money had not come to him with his gentle blood, and he had not had the art to command it, nor ever would have had. It is a pursuit that requires the whole energies of one's mind, and his mind had been distributed a good deal
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Produced by Bryan Ness, Chris Logan and the Online Distributed Proofreading Team at http://www.pgdp.net FROM SAIL TO STEAM RECOLLECTIONS OF NAVAL LIFE BY CAPT. A. T. MAHAN U.S.N. (RETIRED) AUTHOR OF "THE INFLUENCE OF SEA-POWER UPON HISTORY" ETC. HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON MCMVII Copyright, 1906, 1907, by HARPER & BROTHERS. _All rights reserved._ Published October, 1907. CONTENTS CHAP. PAGE PREFACE v INTRODUCING MYSELF ix I. NAVAL CONDITIONS BEFORE THE WAR OF SECESSION--THE OFFICERS AND SEAMEN 3 II. NAVAL CONDITIONS BEFORE THE WAR OF SECESSION--THE VESSELS 25 III. THE NAVAL ACADEMY IN ITS RELATION TO THE NAVY AT LARGE 45 IV. THE NAVAL ACADEMY IN ITS INTERIOR WORKINGS--PRACTICE CRUISES 70 V. MY FIRST CRUISE AFTER GRADUATION--NAUTICAL CHARACTERS 103 VI. MY FIRST CRUISE AFTER GRADUATION--NAUTICAL SCENES AND SCENERY--THE APPROACH OF DISUNION 127 VII. INCIDENTS OF WAR AND BLOCKADE SERVICE 156 VIII. INCIDENTS OF WAR AND BLOCKADE SERVICE--CONTINUED 179 IX. A ROUNDABOUT ROAD TO CHINA 196 X. CHINA AND JAPAN 229 XI. THE TURNING OF A LONG LANE--HISTORICAL, NAVAL, AND PERSONAL 266 XII. EXPERIENCES OF AUTHORSHIP 302 PREFACE When I was a boy, some years before I obtained my appointment in the navy, I spent many of those happy hours that only childhood knows poring over the back numbers of a British service periodical, which began its career in 1828, with the title _Colburn's United Service Magazine_; under which name, save and except the Colburn, it still survives. Besides weightier matters, its early issues abounded in reminiscences by naval officers, then yet in the prime of life, who had served through the great Napoleonic wars. More delightful still, it had numerous nautical stories, based probably on facts, serials under such entrancing titles as "Leaves from my Log Book," by Flexible Grommet, Passed Midshipman; a pen-name, the nautical felicity of which will be best appreciated by one who has had the misfortune to handle a grommet[1] which was not flexible. Then there was "The Order Book," by Jonathan Oldjunk; an epithet so suggestive of the waste-heap, even to a landsman's ears, that one marvels a man ever took it unto himself, especially in that decline of life when we are more sensitive on the subject of bodily disabilities than once we were. Old junk, however, can yet be "worked up," as the sea expression goes, into other uses, and that perhaps was what Mr. Oldjunk meant; his early adventures as a young "luff" were, for economical reasons, worked up into their present literary shape, with the addition of a certain amount of extraneous matter--love-making, and the like. Indeed, so far from uselessness, that veteran seaman and rigid economist, the Earl of St. Vincent, when First Lord of the Admiralty, had given to a specific form of old junk--viz., "shakings"--the honors of a special order, for the preservation thereof, the which forms the staple of a comical anecdote in Basil Hall's _Fragments of Voyages and Travels_; itself a superior example of the instructive "recollections," of less literary merit, which but for Colburn's would have perished. Any one who has attempted to write history knows what queer nuggets of useful information lie hidden away in such papers; how they often help to reconstruct an incident, or determine a mooted point. If the Greeks, after the Peloponnesian war, had had a Colburn's, we should have a more certain, if not a perfect, clew to the reconstruction of the trireme; and probably even could deduce with some accuracy the daily routine, the several duties, and hear the professional jokes and squabbles, of their officers and crews. The serious people who write history can never fill the place of the gossips, who pour out an unpremeditated mixture of intimate knowledge and idle trash. Trash? Upon the whole is not the trash the truest history? perhaps not the most valuable, but the most real? If you want contemporary color, contemporary atmosphere, you must seek it among the impressions which can be obtained only from those who have lived a life amid particular surroundings, which they breathe and which colors them--dyes them in the wool. However skilless, they cannot help reproducing, any more than water poured from an old ink-bottle can help coming out more or less black; although, if sufficiently pretentious, they can monstrously caricature, especially if they begin with the modest time-worn admission that they are more familiar with the marling-spike than with the pen. But even the caricature born of pretentiousness will not prevent the unpremeditated betrayal of conditions, facts, and incidents, which help reconstruct the _milieu_; how much more, then, the unaffected simplicity of the born story-teller. I do not know how Froissart ranks as an authority with historians. I have not read him for years; and my recollections are chiefly those of childhood, with all the remoteness and all the vividness which memory preserves from early impressions. I think I now might find him wearisome; not so in boyhood. He was to me then, and seems to me now, a glorified Flexible Grommet or Jonathan Oldjunk; ranking, as to them, as Boswell does towards the common people of biography. That there are many solid chunks of useful information to be dug out of him I am sure; that his stories are all true, I have no desire to question; but what among it all is so instructive, so entertaining, as the point of view of himself, his heroes, and his colloquists--the particular contemporary modification of universal human nature in which he lived, and moved, and had his being? If such a man has the genius of his business, as had Froissart and Boswell, he excels in proportion to his unconsciousness of the fact; his colors run truer. For lesser gobblers, who have not genius, the best way to lose consciousness is just to IT themselves go; if they endeavor to paint artistically the muddle will be worse. To such the proverb of the cobbler and his last is of perennial warning. As a barber once sagely remarked to me, "You can't trim a beard well, unless you're born to it." It is possible in some degree to imitate Froissart and Boswell in that marvellous diligence to
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Produced by Irma Spehar, Jennifer Linklater and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) THE ORNITHOLOGY OF SHAKESPEARE. [Illustration: WILLIAM SHAKESPEARE From the Chandos Portrait] THE ORNITHOLOGY OF SHAKESPEARE. CRITICALLY EXAMINED, EXPLAINED, AND ILLUSTRATED. BY JAMES EDMUND HARTING, F.L.S., F.Z.S., MEMBER OF THE BRITISH ORNITHOLOGISTS' UNION, AUTHOR OF "THE BIRDS OF MIDDLESEX," ETC., ETC. [Illustration: Publisher's Logo] LONDON: JOHN VAN VOORST, PATERNOSTER ROW. MDCCCLXXI. LONDON: PRINTED BY WOODFALL AND KINDER, MILFORD LANE, STRAND, W.C. PREFACE. Of no other author, perhaps, has more been written than of Shakespeare. Yet whatever other knowledge his commentators professed, few of them appear to have been naturalists, and none, so far as I am aware, have examined his knowledge of Ornithology. An inquiry upon this subject, undertaken in the first instance for my own amusement, has resulted in the bringing together of so much that is curious and entertaining, that to the long list of books already published about Shakespeare, I have been bold enough to add yet another. In so doing, I venture to hope that the reader may so far appreciate the result of my labour as not to consider it superfluous. As regards the treatment of the subject, a word or two of explanation seems necessary. In 1866, from the notes I had then collected, I contributed a series of articles on the birds of Shakespeare to _The Zoologist_. In these articles, I referred only to such birds as have a claim to be considered British, and omitted all notice of domesticated species. I had not then considered any special arrangement or grouping, but noticed each species _seriatim_ in the order adopted by Mr. Yarrell in his excellent "History of British Birds." Since that date, I have collected so much additional information on the subject, that, instead of eighty pages (the extent of my first publication), three hundred have now passed through the printers' hands. With this large accession of material, it was found absolutely necessary to re-arrange and re-write the whole. The birds therefore have been now divided into certain natural groups, including the foreign and domesticated species, to each of which groups a chapter has been devoted; and I have thought it desirable to give, by way of introduction, a sketch of Shakespeare's general knowledge of natural history and acquaintance with field-sports, as bearing more or less directly on his special knowledge of Ornithology, which I propose chiefly to consider. After I had published the last of the series of articles referred to, I received an intimation for the first time, that, twenty years previously, a notice of the birds of Shakespeare had appeared in the pages of _The Zoologist_. I lost no time in procuring the particular number which contained the article, and found that, in December, 1846, Mr. T. W. Barlow, of Holmes Chapel, Cheshire, had, to a certain extent, directed attention to Shakespeare's knowledge as an Ornithologist. His communication, however, did not exceed half a dozen pages, in which space he has mentioned barely one-fourth of the species to which Shakespeare has referred. From the cursory nature of his remarks, moreover, I failed to discover a reference to any point which I had not already investigated. It would be unnecessary for me, therefore, to allude to this article, except for the purpose of acknowledging that Mr. Barlow was the first to enter upon what, as regards Shakespeare, may be termed this new field of research. The labour of collecting and arranging Shakespeare's numerous allusions to birds, has been much greater than many would suppose, for not only have I derived little or no benefit from the various editions of his works which I have consulted, but reference to a glossarial index, or concordance, has, in nine cases out of ten, resulted in disappointment. It is due to Mr. Staunton, however, to state that I have found some of the foot-notes to his library edition of the Plays very useful. Although oft-times difficult, it has been my endeavour, as far as practicable, to connect one with another the various passages quoted or referred to, so as to render the whole as readable and as entertaining as possible. With this view, many allusions have been passed over as being too trivial to deserve separate notice, but a reference to them will be found in the Appendix at the end of the volume,[1] where all the words quoted are arranged, for convenience, in the order in which they occur in the plays and poems. In spelling Shakespeare's name, I have adopted the orthography of his friends Ben Jonson and the editors of the first folio.[2] As regards the illustrations, it seems desirable also to say a few words. In selecting for my frontispiece a portrait of Shakespeare as a falconer (a character which I am confident could not have been foreign to him), I have experienced considerable difficulty in making choice of a likeness. Those who have made special inquiries into the authenticity of the various portraits of Shakespeare, are not agreed in the results at which they have arrived. This is to be attributed to the fact that, with the exception of the Droeshout etching, to which I shall presently state my objection, no likeness really exists of which a reliable history can be given without one or more missing links in the chain of evidence. There are four portraits which have all more or less claim to be considered authentic. These are "the Jansen portrait," 1610; "the Stratford bust," prior to 1623; "the Droeshout etching," 1623; and "the Chandos portrait," of which the precise date is uncertain, but which must have been painted some years prior to 1616, the year of Shakespeare's death. It would be impossible, within the compass of this preface, to review all that has been said for and against these four portraits. Neither will space permit me to give the history of each in detail. I can only briefly allude to the chief facts in connection with each, and state the reasons which have influenced me in selecting the Chandos portrait. Mr. Boaden, who was the first to examine into the authenticity of reputed Shakespeare portraits,[3] has evinced a preference for the so-called "Jansen portrait," in the collection of the Duke of Somerset, considering it to have been painted by Cornelius Jansen, in 1610, for Lord Southampton, the great patron, at that date, of art and the drama. The picture, indeed, bears upon the face of it an inscription-- AE^te 46 1610 --which gives much weight to the views expressed by Mr. Boaden. It is certain that, in the year mentioned, Jansen was in England, and that he painted several pictures for Lord Southampton; it is equally true, that at that date Shakespeare was in his forty-sixth year. But Mr. Boaden fails to prove that this particular picture was painted by Jansen, and that it was ever in the possession of Lord Southampton, or painted by his order. As a fine head, and a work of art, it is the one of all others that I should like to think resembled Shakespeare, could its history be more satisfactorily detailed. Many regard as a genuine portrait, the Bust at Stratford-on-Avon, which is stated to have been executed by Gerard Johnson, and "probably" under the superintendence of Dr. John Hall. The precise date of its erection is not known, but we gather that it was previous to 1623, from the fact that Leonard Digges has referred to it in his Lines to the Memory of Shakespeare, prefixed to the first folio edition of the Plays published in that year. Mr. Wivell relies very strongly on the circumstance of its having been originally to nature.[4] Hence tradition informs us that the eyes were hazel, the hair and beard auburn. It must be admitted, however, that a portrait after death can never be so faithful as a picture from the life, while no sculptor who examines this bust can maintain that it was executed from a cast.[5] Those who approve of the Droeshout etching, published in 1623, as a frontispiece to the first folio, find a strong argument in favour of its being a likeness in the commendatory lines by Ben Jonson, which accompany it. Jonson knew Shakespeare well, and he says of this picture:-- "This figure that thou here seest put, It was for gentle Shakespeare cut; Wherein the graver had a strife With Nature to outdoo the life. O, could he but have drawne his wit As well in brasse as he hath hit His face, the print would then surpasse All that was ever writ in brasse; But since he cannot, reader, looke Not on his picture, but his booke." As a work of art it is by no means skilful, and is confessedly inferior not only to other engravings of that day, but also to other portraits by Martin Droeshout. That it bore some likeness to Shakespeare _as an actor_, I do not doubt, but that it resembled him as a private individual when off the stage, I cannot bring myself to believe. The straight hair and shaven chin which are not found in other portraits having good claims to be considered authentic, and the unnaturally high forehead, which would be caused by the actor's wearing the wig of an old man partially bald, suggest at once that when the original portrait was taken, from which Droeshout engraved, Shakespeare was dressed as if about to sustain a part in which he was thought to excel as an actor. Boaden has conjectured that this portrait represents Shakespeare in the character of old Knowell, in Ben Jonson's _Every Man in his Humour_, a part which he is known to have played in 1598, and this would easily account for Ben Jonson's commendation.[6] This conjecture is so extremely probable, that I have no hesitation in endorsing it. We come, then, now to "the Chandos portrait." With the longest pedigree of any, it possesses at least as much collateral evidence of probability, and is, moreover, important as belonging to the nation.[7] It has been traced back to the possession of Shakespeare's godson, William, afterwards Sir William, Davenant, and all that seems to be wanting materially, is the artist's name. The general opinion is, that it was painted either by Burbage or Taylor, both of whom were fellow-players of Shakespeare. It is styled the Chandos portrait from having come to the trustees of the National Portrait Gallery from the collection of the Duke of Chandos and Buckingham, through the Earl of Ellesmere, by whom it was purchased and presented. The history of the picture, so far as it can be ascertained, is as follows:-- It was originally the property of Taylor, the player (our poet's Hamlet), by whom, or by Richard Burbage, it was painted.[8] Taylor dying about the year 1653, at the advanced age of seventy,[9] left this picture by will to Davenant.[10] At the death of Davenant, who died intestate in 1663, it was bought, probably at a sale of his effects, by Betterton, the actor. While in Betterton's possession, it was engraved by Van der Gucht, for Rowe's edition of Shakespeare, in 1709. Betterton dying without a will and in needy circumstances, his pictures were sold. Some were bought by Bullfinch, the printseller, who sold them again to a Mr. Sykes. The portrait of Shakespeare was purchased by Mrs. Barry, the actress, who afterwards sold it for forty guineas to Mr. Robert Keck, of the Inner Temple. While in his possession, an engraving was made from it, in 1719, by Vertue, and it then passed to Mr. Nicholls, of Southgate, Middlesex, who acquired it on marrying the heiress of the Keck family. The Marquis of Caernarvon, afterwards Duke of Chandos, marrying the daughter of Mr. Nicholls, it then became his Grace's property. When his pictures were sold at Stowe, in September, 1848, this portrait was purchased for three hundred and fifty-five guineas by the Earl of Ellesmere, who, in March, 1856, presented it to the Trustees of the National Portrait Gallery, in whose hands it still remains. Notwithstanding this pedigree, the picture has been objected to on the ground that the dark hair and foreign complexion could never have belonged to our essentially English Shakespeare. Those who make this objection, seem to forget entirely the age of the portrait, and the fact that it is painted in oil and on canvas, a circumstance which of itself is quite sufficient, after the lapse of two centuries and a half, to account for the dark tone which now pervades it, to say nothing of the numerous touches and retouches to which it has been subjected at the hands of its various owners. Notwithstanding the missing links of evidence, it seems to me that, having traced the picture back to the possession of Shakespeare's godson, we have gone far enough to justify us in accepting it as an authentic portrait in preference to many others. For we cannot suppose that Sir William Davenant would retain in his possession until his death a picture of one with whom he was personally acquainted, unless he considered that it was sufficiently faithful as a likeness to remind him of the original. On the score of pedigree, then, and because I believe that the only well-authenticated portrait (_i.e._, the Droeshout) represents Shakespeare as an actor, and not as a private individual, I have selected the Chandos portrait for my frontispiece. By obtaining a reduced photograph of this _upon wood_, from the best engraving, and "vignetting" it, I have been enabled to place upon the left hand a hooded falcon, drawn by the unrivalled pencil of Mr. Wolf, and thus to entrust to the engraver, Mr. Pearson, a faithful likeness of man and bird. As regards the other illustrations, my acknowledgments are due to Mr. J. G. Keulemans for the artistic manner in which he has executed my
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Produced by Heiko Evermann, Paul Clark, Peter-John Parisis (scanning, posting to archive.org) and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible. Italic text has been marked with _underscores_. Bold text has been marked with =equals signs=. Money: Thoughts for God's Stewards By Rev. Andrew Murray. Authorized Editions, upon which royalties are paid to the author. =Abide in Christ.= 16mo, paper, _net_, 25c.; cloth, 50c.; 12mo, cloth $1.00 =Like Christ.= 16mo, paper, _net_, 25c.; cloth, 50c.; 12mo, cloth 1.00 =With Christ= in the School of Prayer. 16mo, paper, _net_, 25c.; cloth, 50c.; 12mo, cloth 1.00 =Holy in Christ.= 16mo, paper, _net_, 25c.; cloth, 50c.; 12mo, cloth 1.00 =The Spirit of Christ.= 16mo, paper, _net_, 25c.; cloth, 50c.; 12mo, cloth 1.00 =The Children for Christ.= 12mo, cloth 1.00 =The Master's Indwelling=; Northfield Addresses, 1895. 16mo, cloth, 50c.; 12mo, cloth .75 =The New Life.= Words of God for Young Disciples of Christ. 12mo, cloth 1.00 =Be Perfect.= Message from the Father in Heaven to His Children on Earth. Meditations for a month. 16mo, cloth .50 =Why Do You Not Believe?= 16mo, cloth .50 =Let Us Draw Nigh.= 16mo, cloth .50 =Waiting on God.= Daily Messages for a month. 16mo, cloth .50 =Humility.= The Beauty of Holiness. 18mo, cloth .50 =The Deeper Christian Life.= An aid to its Attainment. 18mo, cloth .50 =Jesus Himself.= With Portrait of the Author. 18mo, cloth .35 =Love Made Perfect.= 18mo, cloth .35 =The Holiest of All.= An Exposition of the Epistle to the Hebrews. 8vo, cloth, _net_ 2.00 =The Power of the Spirit=, and other selections from the writings of William Law. With Introduction. 12mo, cloth 1.00 Fleming H. Revell Company NEW YORK: 112 Fifth Ave. CHICAGO
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Produced by Chris Curnow, Wayne Hammond and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Transcriber’s Note: This project uses utf-8 encoded characters. If some characters are not readable, check your settings of your browser to ensure you have a default font installed that can display utf-8 characters.] TRAVELS TO DISCOVER THE SOURCE OF THE NILE, In the Years 1768, 1769, 1770, 1771, 1772, and 1773. IN FIVE VOLUMES. BY JAMES BRUCE OF KINNAIRD, ESQ. F.R.S. [Illustration: _Heath Sc_] VOL. III. _Nilus in extremum fugit perterritus orbem_, _Occuluitque caput, quod adhuc latet._---- OVID. Metam. EDINBURGH: PRINTED BY J. RUTHVEN, FOR G. G. J. AND J. ROBINSON, PATERNOSTER ROW, LONDON. M.DCC.XC. CONTENTS OF THE THIRD VOLUME. BOOK V. ACCOUNT OF MY JOURNEY FROM MASUAH TO GONDAR--TRANSACTIONS THERE--MANNERS AND CUSTOMS OF THE ABYSSINIANS. CHAP. I. _Transactions at Masuah and Arkeeko_, 1 CHAP. II. _Directions to Travellers for preserving Health--Diseases of the Country--Music--Trade_, &c. _of Masuah--Conferences with the Naybe_, 31 CHAP. III. _Journey from Arkeeko over the Mountain Taranta, to Dixan_, 64 CHAP. IV. _Journey from Dixan to Adowa, Capital of Tigré_, 93 CHAP. V. _Arrive at Adowa--Reception there--Visit Fremona--And Ruins of Axum--Arrive at Siré_, 118 CHAP. VI. _Journey from Siré to Addergey, and Transactions there_, 152 CHAP. VII. _Journey over Lamalmon to Gondar_, 172 CHAP. VIII. _Reception at Gondar--Triumphal Entry of the King--The Author’s first Audience_, 197 CHAP. IX. _Transactions at Gondar_, 233 CHAP. X. _Geographical Division of Abyssinia into Provinces_, 248 CHAP
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Produced by V. L. Simpson, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Internet Archive/American Libraries.) John Brown Soldier of Fortune A Critique [Illustration: John Brown] JOHN BROWN SOLDIER OF FORTUNE _A Critique_ BY HILL PEEBLES WILSON [Illustration] _Mr. Vallandigham_: Mr. Brown, who sent you here? _John Brown_: No man sent me here; it was my own prompting and that of my Maker, or that of the Devil, whichever you please to ascribe it to. I acknowledge no master in human form. _Post, 313_ THE CORNHILL COMPANY BOSTON Copyright, 1913 HILL PEEBLES WILSON Copyright, 1918 THE CORNHILL COMPANY TO THE MEMORY OF MRS. SARA T. D. ROBINSON OF KANSAS PREFACE The writer of this book is not an iconoclast, neither has he prejudged John Brown. In 1859 the character was impressed upon his attention in a personal way. An older brother, Joseph E. Wilson, was a member of the company of marines that made the assault on the engine-house at Harper's Ferry, on the morning of October 18th; and from him he heard the story of the fight, and about Brown. In 1889 the Topeka (Kansas) _Daily Capital_ took a poll of the members of the Kansas Legislature on the question: "Who was the most distinguished Kansan?" or something to that effect. At that time the writer held the opinion that the public services rendered by John Brown in Kansas Territory, were of paramount importance in the settlement of the Free-State contention; and since the course which the nation was at that time pursuing had been arrested by the result of that contention, and diverted into the path which led to the marvelous achievements of the succeeding years; he, therefore, over his signature cast his vote in favor of John Brown; saying, among other things, in his little panegyric, that Brown is the only Kansan whose fame was immortal. In 1898 he reformed his opinions concerning Brown's character and conduct, and the importance of his public services in Kansas. The change came about through an effort on his part to write a sketch of his life for a work entitled "Eminent Men of Kansas." In good faith, and with much of the confidence and enthusiasm characteristic of Brown's eulogists, he began an investigation of the available historical data relating to the subject; when he found to his surprise, and disgust, that the history of Brown's career contained nothing to justify the public estimate of him. Reporting to his associate that he would not write the sketch, he said that he "could find but little in the record of his life which gave him creditable distinction, and that he did not wish to write the discreditable things about him which it contained." Later he gathered up the threads of Brown's life and has woven them, conscientiously, into the web of history. The story reveals little which is creditable to Brown or worthy of emulation and much that is abhorrent. But he indulges the hope that he has made it clear that his conceptions of the character have not been inspired by "prejudice," "blind" or otherwise, for he has examined the records in the case; an examination which has led him through all the existing testimony concerning Brown; except, that he has not explored the writings which have been put forth by those who have sought, viciously, to attack Brown's character. The opinions therefore which he has set forth are convictions resulting from serious investigation and thought. In conclusion, the author takes great pleasure in acknowledging the deep sense of his obligation to the late Mrs. Sara T. D. Robinson, wife of Charles Robinson of Kansas, whose generosity, and deep interest in the history of our country, made the publication of this book possible. Also, he desires to express his gratitude to Dr. William Watson Davis, of the University of Kansas, for the cordial encouragement which he received from him while preparing the work, and for his kindly assistance in molding the text into its present form. Also, to Dr. William Savage Johnson, and to Professor William Asbury Whitaker, Jr., both of the University of Kansas, he wishes to return his thanks for many valuable suggestions. Lawrence, Kansas, April 15, 1913. CONTENTS I THE SUBJECT MATTER 15 II THE MAN 26 III KANSAS--A CRISIS IN OUR NATIONAL HISTORY 55 IV HIS PUBLIC SERVICES 72 V ROBBERY AND MURDER ON THE POTTAWATOMIE 95 VI BLACK JACK 135 VII OSAWATOMIE 154 VIII HYPOCRISY 181 IX A SOLDIER OF FORTUNE 223 X THE PROVISIONAL GOVERNMENT 243 XI THE SHUBEL MORGAN PLUNDER COMPANY 259 XII MOBILIZING THE PROVISIONAL ARMY 283 XIII THE FIASCO 296 XIV A PERVERSION OF HISTORY 323 XV HIS GREAT ADVENTURE 341 XVI A SOLDIER OF THE CROSS 364 XVII "YET SHALL HE LIVE" 395 APPENDICES I CORRESPONDENCE WITH THE LATE D. W. WILDER CONCERNING JOHN BROWN 411 II RECOLLECTIONS OF JOHN BROWN AT HARPER'S FERRY BY ALEXANDER BOTELER, A VIRGINIAN WHO WITNESSED THE FIGHT 414 III CONSTITUTION AND ORDINANCE FOR THE PEOPLE OF THE UNITED STATES 417 IV JOHN BROWN'S AUTOBIOGRAPHY 431 ILLUSTRATIONS JOHN BROWN Frontispiece Steel engraving made from a photograph compared with a photogravure. The photograph was taken about 1859. Original in the Kansas State Historical Society. The photogravure is from Mr. Oswald Garrison Villard's book: John Brown--A Biography Fifty Years After. JOHN BROWN facing page 98 Steel engraving, made as above. The photograph was copied from a daguerreotype taken in 1856. Original in the Kansas State Historical Society. CHAPTER I THE SUBJECT MATTER _Truth, crushed to earth shall rise again;_ --BRYANT The object of the writer, in publishing this book, is to correct a perversion of truth, whereby John Brown has acquired fame, as an altruist and a martyr, which should not be attributed to him. The book is a review of the historical data that have been collected and published by his principal biographers: Mr. James Redpath, Mr. Frank B. Sanborn and Mr. Oswald Garrison Villard. It is also a criticism of these writers, who have sought to suppress, and have suppressed, important truths relating to the subject of which they wrote, and who have misinformed and misled the public concerning the true character of this figure in our national history; and have established in its stead a fictitious character, which is wholly illogical and inconsistent with the facts and circumstances of Brown's life. Mr. Redpath, his first and most lurid biographer, was a newspaper correspondent of the type now generally called "yellow." He was a "Disunionist," and seems to have been a malcontent, who went to Kansas Territory to oppose the policy which the Free-State men had adopted for a safe and sane solution of the Free-State problem; and who sought to thwart their efforts to create a free state by peaceable means. He said:[1] I believed that a civil war between the North and South would ultimate in insurrection and that the Kansas troubles would probably create a military conflict of the sections. Hence, I left the South, and went to Kansas; and endeavored personally, and by my pen, to precipitate a revolution. After Brown's spectacular fiasco in Virginia, and tragical death, his cultured partisans, in most conspicuous eloquence proclaimed him to have been a philanthropist--an altruistic hero; and placed a martyr's crown upon his brow. Mr. Redpath's purpose, in putting forth his work, was to make Brown over to fit the part; to make his life appear to conform with the extravagant attributes of his improvised estate. In pursuance thereof he sought to conceal the facts concerning the actions and purposes of his life, rather than to develop them; and to blind the trails leading to the facts with masses of sentimental rubbish; and to divert public attention away from them. Upon the publication of his book, _The Public Life of Captain John Brown_, Mr. Charles Eliot Norton, in a review of the work, expressed his disapproval of it in vigorous language. He said:[2] It would be well had this book never been written. Mr. Redpath has understood neither the opportunities opened to him, nor the responsibilities laid upon him, in being permitted to write the "authorized" life of John Brown. His book, in whatever light it is viewed--whether as the biography of a remarkable man, as an historic narrative of a series of important events, or simply as a mere piece of literary job-work--is equally unsatisfactory.... There never was more need for a good life of any man than there was for one of John Brown.... Those who thought best of him, and those who thought the worst, were alike desirous to know more of him than the newspapers had furnished, and to become acquainted with the course of his life, and the training which had prepared him for Kansas and brought him to Harper's Ferry. Whatever view be taken of his character, he was a man so remarkable as to be well worthy of study.... In seasons of excitement, and amid the struggles of political contention, the men who use the most extravagant and the most violent words have, for a time, the advantage; but, in the long run, they damage whatever cause they may adopt; and the truth, which their declamations have obscured or their falsehoods have violated, finally asserts itself.... Extravagance in condemnation has been answered by extravagance in praise of his life and deeds. Twenty-five years later, when Mr. Sanborn published his book, _Life and Letters of John Brown, Liberator of Kansas, and Martyr of Virginia_, Mr. John F. Morse, Jr., voiced the disappointment felt by discriminating persons, in an article published in February, 1886.[3] He said: So grand a subject cannot fail to inspire a writer able to do justice to the theme; and when such an one draws Brown, he will produce one of the most attractive books in the language. But meantime the ill-starred "martyr" suffers a prolongation of martyrdom, standing like another St. Sebastian to be riddled with the odious arrows of fulsome panegyrists. With other unfortunate men of like stamp, he has attracted a horde of writers, who, with rills of versicles and oceans of prose, have overwhelmed his simple noble memory beneath torrents of wild extravagant admiration, foolish thoughts expressed in appropriately silly language, absurd adulation inducing only protest and a dangerous contradictory emotion. Amid this throng of ill advised worshippers, Mr. Sanborn, by virtue of his lately published biographical volume, has assumed the most prominent place. Referring to the opinions expressed by these writers, Mr. Villard, in the preface to his book, _John Brown, A Biography Fifty Years After_, says: "Since 1886 there have appeared five other lives of Brown,[4] the most important being that of Richard J. Hinton, who, in his preface gloried in holding a brief for Brown and his men." Concerning his book he says: The present volume is inspired by no such purpose, but is due to a belief that fifty years after the Harper's Ferry tragedy, the time is ripe for a study of John Brown, free from bias, from the errors of taste and fact of the mere panegyrist, and from the blind prejudice of those who can see in John Brown nothing but a criminal. The pages that follow were written to detract from or champion no man or set of men, but to put forth the essential truths of history as far as ascertainable, and to judge Brown, his followers and associates, in the light thereof. How successful this attempt has been is for the reader to judge. That this volume in no wise approaches the attractiveness which Mr. Morse looked for, the author fully understands. On the other hand no stone has been left unturned to make accurate the smallest detail; the original documents, contemporary letters and living witnesses, have been examined in every quarter of the United States. Materials never before utilized have been drawn upon, and others discovered whose existence has heretofore been unknown.... Under this broad pledge of personal fidelity to the subject, this historian introduced his volume, and has asked the public to give him its full confidence and to accept his work as a faithful and complete record of the ascertainable truths of history relating to the subject. For the ardor which he has exhibited, and for the great labor which he has expended in his compilation, and for much material of minor importance, which he has uncovered, the student of history will not fail to acknowledge to Mr. Villard the sense of his obligation. In these respects, and in the scholarly features characteristic of the writings, it is an interesting and dramatic contribution to this literature. But, he will not be stampeded by protestations of zeal, and by professions of integrity, to accept it as a presentation of the ascertainable truth. The work is more conspicuous for the absence from its pages of important historical truths, and for the contradiction of others which have been authenticated, than it is for the great volume of trivial facts which it presents. A line of derelictions conspicuously prevailing throughout the pages of the book, amply justify the charge that it was not written, primarily, for an historical purpose--"to put forth the truths of history as far as ascertainable, and to judge Brown and his followers in the light thereof." The true purpose seems to be ulterior to that which is effusively proclaimed in the prefatory declarations. He has written into the history of our country a concept of the character of John Brown which is incongruous with the actions and circumstances of Brown's life. He has created a semi-supernatural person--"a complex character"--embodying the virtues of the "Hebrew prophets" and "Cromwellian Roundheads" with the depraved instincts and practices of thieves and murderers. He presents a man who, for righteous purposes, "violated the statute and moral laws"; whose conduct was vile, but whose aims were pure; whose actions were brutal and criminal, but whose motives were unselfish. If this author had redeemed the pledge which he solemnly gave to the public, to put forth the truths of history as far as ascertainable, and, judging Brown and his followers in the light of them, had justified his "terrible violation of the statute and moral laws," the nature of this criticism would be different; it would be directed against his discrimination or, perhaps, against his intelligence. But that is not the case. The author referred to has sifted the truths of this history, and from the fragments has framed an hypothetical case; and has judged Brown and his followers in the light of that creation. "How may the killings on the Pottawatomie, this terrible violation of the statute and the moral law be justified? This is the question that has confronted every student of John Brown's life since it was definitely established that Brown was, if not actually a principal in the crime, an accessory and an instigator,"[5] is not the language of an impartial historian; but it is consistently the language of an advocate who writes for a specious, for an ulterior purpose. Why should an historian seek to justify a crime? Why should this author, if he intended to write impartially, seek for evidence to justify this horror? It was the desire to justify the crime that impelled the author to seek for pretexts for justification of it among the surviving criminals, and to garble the historical facts concerning it. The crime was the theft of a large number of horses; to accomplish it, and to safeguard the loot, it was necessary to kill the owners thereof. It was a premeditation. The plans for it were laid several weeks before it was executed, and during a time of profound peace. The principals were John Brown; his unmarried sons; Henry Thompson, his son-in-law; Theodore Weiner, and four confederates: Jacob Benjamin, B. L. Cochrane, John E. Cook and Charles Lenhart, whose names are herein associated with this crime for the first time in history. These confederates received from Brown's party the horses which belonged to the men whom they murdered, and ran them out of the country; leaving with Brown a number of horses, "fast running horses," which they had stolen in the northern part of the Territory. That is the crime which this author seeks to justify; he has concealed these truths, and has suppressed the evidence concerning them. Pretending to put forth the "exact facts as to the happenings on the Pottawatomie," he has suppressed the evidence concerning the most important of the happenings, and has added no material fact concerning them which James Townsley had not, years before, put forth in his confession. The public should know that as early as April 16, 1856, John Brown and his unmarried sons planned to abandon Kansas and the Free-State Cause and had disbanded the Free-State company to which they belonged, the "Liberty Guards," of which John Brown was captain; also, that the "Pottawatomie Rifles" had been organized in its stead, with John Brown, Jr., as captain; and that neither John Brown nor his unmarried sons belonged to it. They were "a
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Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/ for Project Gutenberg. THE TRIBES AND CASTES OF THE CENTRAL PROVINCES OF INDIA By R.V. RUSSELL Of the Indian Civil Service Superintendent of Ethnography, Central Provinces Assisted by Rai Bahadur Hira Lal Extra Assistant Commissioner Published Under the Orders of the Central Provinces Administration In Four Volumes Vol. III. Macmillan and Co., Limited St. Martin's Street, London. 1916
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Produced by David Widger THE GOLD OF FAIRNILEE By Andrew Lang TO JEANIE LANG, LARRA Dear Jeanie, For you, far away on the other side of the world, I made this little tale of our own country. Your father and I have dug for treasure in the Camp of Rink, with our knives, when we were boys. We did not find it: the story will tell you why. Are there Fairies as well as Bunyips in Australia? I hope so. Yours always, WHUPPITY STOORIE'S SONG IN THIS TALE IS BY THE AUTHOR'S FRIEND, F. De Q. M. THE GOLD OF FAIRNILEE [Illustration: Page 237] [Illustration: Chapter One] CHAPTER I.--_The Old House_ YOU may still see the old Scotch house where Randal was born, so long ago. Nobody lives there now. Most of the roof has fallen in, there is no glass in the windows, and all the doors are open. They were open in the days of Randal's father--nearly four hundred years have passed since then--and everyone who came was welcome to his share of beef and broth and ale. But now the doors are not only open, they are quite gone, and there is nobody within to give you a welcome. So there is nothing but emptiness in the old house where Randal lived with Jean, three hundred and sixty years or so before you were born. It is a high old house, and wide, with the broken slates still on the roof. At the corner there are little round towers, like pepperboxes, with sharp peaks. The stems of the ivy that covers the walls are as thick as trees. There are many trees crowding all round, and there are hills round it too; and far below you hear the Tweed whispering all day. The house is called Fairnilee, which means "the Fairies' Field;" for people believed in fairies, as you shall hear, when Randal was a boy, and even when my father was a boy. Randal was all alone in the house when he was a little fellow--alone with his mother, and Nancy the old nurse, and Simon Grieve the butler, who wore a black velvet coat and a big silver chain. Then there were the maids, and the grooms, and the farm folk, who were all friends of Randal's. He was not lonely, and he did not feel unhappy, even before Jean came, as you shall be told. But the grown-up people were sad and silent at Fairnilee. Randal had no father; his mother, Lady Ker, was a widow. She was still quite young, and Randal thought her the most beautiful person in the world. Children think these things about their mothers, and Randal had seen no ladies but his mother only. She had brown hair and brown eyes and red lips, and a grave kind face, which looked serious under her great white widow's cap with the black hood over it. Randal never saw his mother cry; but when he was a very little child indeed, he had heard her crying in the night: this was after his father went away. [Illustration: Chapter Two] CHAPTER II.--_How Randal's Father Came Home_ RANDAL remembered his father's going to fight the English, and how he came back again. It was a windy August evening when he went away: the rain had fallen since morning. Randal had watched the white mists driven by the gale down through the black pine-wood that covers the hill opposite Fairnilee. The mist looked like armies of ghosts, he thought, marching, marching through the pines, with their white flags flying and streaming. Then the sun came out red at evening, and Randal's father rode away with all his men. He had a helmet on his head, and a great axe hanging from his neck by a chain, and a spear in his hand. He was riding his big horse, _Sir Hugh_, and he caught Randal up to the saddle and kissed him many times before he clattered out of the courtyard. All the tenants and men about the farm rode with him, all with spears and a flag embroidered with a crest in gold. His mother watched them from the tower till they were out of sight. And Randal saw them ride away, not on hard, smooth roads like ours, but along a green grassy track, the water splashing up to their stirrups where they crossed the marshes. [Illustration: Page 240] Then the sky turned as red as blood, in the sunset, and next it grew brown, like the rust on a sword; and the Tweed below, when they rode the ford, was all red and gold and brown. Then time went on; that seemed a long time to Randal. Only the women were left in the house, and Randal played with the shepherd's children. They sailed boats in the mill-pond, and they went down to the boat-pool and watched to see the big copper- salmon splashing in the still water. One evening Randal looked up suddenly from his play. It was growing dark. He had been building a house with the round stones and wet sand by the river. He looked up, and there was his own father! He was riding all alone, and his horse, _Sir Hugh_, was very lean and lame, and scarred with the spurs. The spear in his father's hand was broken, and he had no sword; and he looked neither to right nor to left. His eyes were wide open, but he seemed to see nothing. Randal cried out to him, "Father! Father!" but he never glanced at Randal. He did not look as if he heard him, or knew he was there, and suddenly he seemed to go away, Randal did not know how or where. Randal was frightened. He ran into the house, and went to his mother. "Oh, mother," he said, "I have seen father! He was riding all alone, and he would not look at me. _Sir Hugh_ was lame!" "Where has he gone?" said Lady Ker, in a strange voice. "He went away out of sight," said Randal. "I could not see where he went." Then his mother told him it could not be, that his father would not have come back alone. He would not leave his men behind him in the war. But Randal was so sure, that she did not scold him. She knew he believed what he said. He saw that she was not happy. All that night, which was the Fourth of September, in the year 1513, the day of Flodden fight, Randal's mother did not go to bed. She kept moving about the house. Now she would look from the tower window up Tweed; and now she would go along the gallery and look down Tweed from the other tower. She had lights burning in all the windows. All next day she was never still. She climbed, with two of her maids, to the top of the hill above Yair, on the other side of the river, and she watched the roads down Ettrick and Yarrow. Next night she slept little, and rose early. About noon, Randal saw three or four men riding wearily, with tired horses. They could scarcely cross the ford of Tweed, the horses were so tired. The men were Simon Grieve the butler, and some of the tenants. They looked very pale; some of them had their heads tied up, and there was blood on their faces. Lady Ker and Randal ran to meet them. Simon Grieve lighted from his horse, and whispered to Randal's mother. Randal did not hear what he said, but his mother cried, "I knew it! I knew it!" and turned quite white. "Where is he?" she said. Simon pointed across the hill. "They are bringing the corp," he said. Randal knew the "corp" meant the dead body. He began to cry. "Where is my father?" he said, "where is my father?" His mother led him into the house. She gave him to the old nurse, who cried over him, and kissed him, and offered him cakes, and made him a whistle with a branch of plane tree, So in a short while Randal only felt puzzled. Then he forgot, and began to play. He was a very little boy. Lady Ker shut herself up in her own room--her "bower," the servants called it. Soon Randal heard heavy steps on the stairs, and whispering. He wanted to run out, and his nurse caught hold of him, and would not have let him go, but he slipped out of her hand, and looked over the staircase. They were bringing up the body of a man stretched on a shield. It was Randal's father. He had been slain at Flodden, fighting for the king. An arrow had gone through his brain, and he had fallen beside James IV., with many another brave knight, all the best of Scotland, the Flowers of the Forest. What was it Randal saw, when he thought he met his father in the twilight, three days before? He never knew. His mother said he must have dreamed it all. The old nurse used to gossip about it to the maids. "He's an unco' bairn, oor Randal; I wush he may na be fey." She meant that Randal was a strange child, and that strange things would happen to him. [Illustration: Chapter Three] CHAPTER III.--_How Jean was brought to Fairnlee_ THE winter went by very sadly. At first the people about Fairnilee expected the English to cross the Border and march against them. They drove their cattle out on the wild hills, and into marshes where only they knew the firm paths, and raised walls of earth and stones--_barmkyns_, they called them--round the old house; and made many arrows to shoot out of the narrow windows at the English. Randal used to like to see the arrow-making beside the fire at! night. He was not afraid; and said he would show the English what he could do with his little bow. But weeks went on and no enemy came. Spring drew near, the snow melted from the hills. One night Randal was awakened by a great noise of shouting; he looked out of the window, and saw bright torches moving about. He heard the cows "routing," or bellowing, and the women screaming. He thought the English had come. So they had; not the English army, but some robbers from the other side of the Border. At that time the people on the south side of Scotland and the north side of England used to steal each other's cows time about. When a Scotch squire, or
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Transcribed from the 1894 Chapman and Hall "Christmas Stories" edition by David Price, email [email protected] MRS. LIRRIPER'S LEGACY CHAPTER I--MRS. LIRRIPER RELATES HOW SHE WENT ON, AND WENT OVER Ah! It's pleasant to drop into my own easy-chair my dear though a little palpitating what with trotting up-stairs and what with trotting down, and why kitchen stairs should all be corner stairs is for the builders to justify though I do not think they fully understand their trade and never did, else why the sameness and why not more conveniences and fewer draughts and likewise making a practice of laying the plaster on too thick I am well convinced which holds the damp, and as to chimney-pots putting them on by guess-work like hats at a party and no more knowing what their effect will be upon the smoke bless you than I do if so much, except that it will mostly be either to send it down your throat in a straight form or give it a twist before it goes there. And what I says speaking as I find of those new metal chimneys all manner of shapes (there's a row of 'em at Miss Wozenham's lodging-house lower down on the other side of the way) is that they only work your smoke into artificial patterns for you before you swallow it and that I'd quite as soon swallow mine plain, the flavour being the same, not to mention the conceit of putting up signs on the top of your house to show the forms in which you take your smoke into your inside. Being here before your eyes my dear in my own easy-chair in my own quiet room in my own Lodging-House Number Eighty-one Norfolk Street Strand London situated midway between the City and St. James's--if anything is where it used to be with these hotels calling themselves Limited but called unlimited by Major Jackman rising up everywhere and rising up into flagstaffs where they can't go any higher, but my mind of those monsters is give me a landlord's or landlady's wholesome face when I come off a journey and not a brass plate with an electrified number clicking out of it which it's not in nature can be glad to see me and to which I don't want to be hoisted like molasses at the Docks and left there telegraphing for help with the most ingenious instruments but quite in vain--being here my dear I have no call to mention that I am still in the Lodgings as a business hoping to die in the same and if agreeable to the clergy partly read over at Saint Clement's Danes and concluded in Hatfield churchyard when lying once again by my poor Lirriper ashes to ashes and dust to dust. Neither should I tell you any news my dear in telling you that the Major is still a fixture in the Parlours quite as much so as the roof of the house, and that Jemmy is of boys the best and brightest and has ever had kept from him the cruel story of his poor pretty young mother Mrs. Edson being deserted in the second floor and dying in my arms, fully believing that I am his born Gran and him an orphan, though what with engineering since he took a taste for it and him and the Major making Locomotives out of parasols broken iron pots and cotton-reels and them absolutely a getting off the line and falling over the table and injuring the passengers almost equal to the originals it really is quite wonderful. And when I says to the Major, "Major can't you by _any_ means give us a communication with the guard?" the Major says quite huffy, "No madam it's not to be done," and when I says "Why not?" the Major says, "That is between us who are in the Railway Interest madam and our friend the Right Honourable Vice-President of the Board of Trade" and if you'll believe me my dear the Major wrote to Jemmy at school to consult him on the answer I should have before I could get even that amount of unsatisfactoriness out of the man, the reason being that when we first began with the little model and the working signals beautiful and perfect (being in general as wrong as the real) and when I says laughing "What appointment am I to hold in this undertaking gentlemen?" Jemmy hugs me round the neck and tells me dancing, "You shall be the Public Gran" and consequently they put upon me just as much as ever they like and I sit a growling in my easy-chair. My dear whether it is that a grown man as clever as the Major cannot give half his heart and mind to anything--even a plaything--but must get into right down earnest with it, whether it is so or whether it is not so I do not undertake to say, but Jemmy is far out-done by the serious and believing ways of the Major in the management of the United Grand Junction Lirriper and Jackman Great Norfolk Parlour Line, "For" says my Jemmy with the sparkling eyes when it was christened, "we must have a whole mouthful of name Gran or our dear old Public" and there the young rogue kissed me, "won't stump up." So the Public took the shares--ten at ninepence, and immediately when that was spent twelve Preference at one and sixpence--and they were all signed by Jemmy and countersigned by the Major, and between ourselves much better worth the money than some shares I have paid for in my time. In the same holidays the line was made and worked and opened and ran excursions and had collisions and burst its boilers and all sorts of accidents and offences all most regular correct and pretty. The sense of responsibility entertained by the Major as a military style of station-master my dear starting the down train behind time and ringing one of those little bells that you buy with the little coal-scuttles off the tray round the man's neck in the street did him honour, but noticing the Major of a night when he is writing out his monthly report to Jemmy at school of the state of the Rolling Stock and the Permanent Way and all the rest of it (the whole kept upon the Major's sideboard and dusted with his own hands every morning before varnishing his boots) I notice him as full of thought and care as full can be and frowning in a fearful manner, but indeed the Major does nothing by halves as witness his great delight in going out surveying with Jemmy when he has Jemmy to go with, carrying a chain and a measuring-tape and driving I don't know what improvements right through Westminster Abbey and fully believed in the streets to be knocking everything upside down by Act of Parliament. As please Heaven will come to pass when Jemmy takes to that as a profession! Mentioning my poor Lirriper brings into my head his own youngest brother the Doctor though Doctor of what I am sure it would be hard to say unless Liquor, for neither Physic nor Music nor yet Law does Joshua Lirriper know a morsel of except continually being summoned to the County Court and having orders made upon him which he runs away from, and once was taken in the passage of this very house with an umbrella up and the Major's hat on, giving his name with the door-mat round him as Sir Johnson Jones, K.C.B. in spectacles residing at the Horse Guards. On which occasion he had got into the house not a minute before, through the girl letting him on the mat when he sent in a piece of paper twisted more like one of those spills for lighting candles than a note, offering me the choice between thirty shillings in hand and his brains on the premises marked immediate and waiting for an answer. My dear it gave me such a dreadful turn to think of the brains of my poor dear Lirriper's own flesh and blood flying about the new oilcloth however unworthy to be so assisted, that I went out of my room here to ask him what he would take once for all not to do it for life when I found him in the custody of two gentlemen that I should have judged to be in the feather-bed trade if they had not announced the law, so fluffy were their personal appearance. "Bring your chains, sir," says Joshua to the littlest of the two in the biggest hat, "rivet on my fetters!" Imagine my feelings when I pictered him clanking up Norfolk Street in irons and Miss Wozenham looking out of window! "Gentlemen," I says all of a tremble and ready to drop "please to bring him into Major Jackman's apartments." So they brought him into the Parlours, and when the Major spies his own curly- brimmed hat on him which Joshua Lirriper had whipped off its peg in the passage for a military disguise he goes into such a tearing passion that he tips it off his head with his hand and kicks it up to the ceiling with his foot where it grazed long afterwards. "Major" I says "be cool and advise me what to do with Joshua my dead and gone Lirriper's own youngest brother." "Madam" says the Major "my advice is that you board and lodge him in a Powder Mill, with a handsome gratuity to the proprietor when exploded." "Major" I says "as a Christian you cannot mean your words." "Madam" says the Major "by the Lord I do!" and indeed the Major besides being with all his merits a very passionate man for his size had a bad opinion of Joshua on account of former troubles even unattended by liberties taken with his apparel. When Joshua Lirriper hears this conversation betwixt us he turns upon the littlest one with the biggest hat and says "Come sir! Remove me to my vile dungeon. Where is my mouldy straw?" My dear at the picter of him rising in my mind dressed almost entirely in padlocks like Baron Trenck in Jemmy's book I was so overcome that I burst into tears and I says to the Major, "Major take my keys and settle with these gentlemen or I shall never know a happy minute more," which was done several times both before and since, but still I must remember that Joshua Lirriper has his good feelings and shows them in being always so troubled in his mind when he cannot wear mourning for his brother. Many a long year have I left off my widow's mourning not being wishful to intrude, but the tender point in Joshua that I cannot help a little yielding to is when he writes "One single sovereign would enable me to wear a decent suit of mourning for my much-loved brother. I vowed at the time of his lamented death that I would ever wear sables in memory of him but Alas how short-sighted is man, How keep that vow when penniless!" It says a good deal for the strength of his feelings that he couldn't have been seven year old when my poor Lirriper died and to have kept to it ever since is highly creditable. But we know there's good in all of us,--if we only knew where it was in some of us,--and though it was far from delicate in Joshua to work upon the dear child's feelings when first sent to school and write down into Lincolnshire for his pocket- money by return of post and got it, still he is my poor Lirriper's own youngest brother and mightn't have meant not paying his bill at the Salisbury Arms when his affection took him down to stay a fortnight at Hatfield churchyard and might have meant to keep sober but for bad company. Consequently if the Major _had_ played on him with the garden- engine which he got privately into his room without my knowing of it, I think that much as I should have regretted it there would have been words betwixt the Major and me. Therefore my dear though he played on Mr. Buffle by mistake being hot in his head, and though it might have been misrepresented down at Wozenham's into not being ready for Mr. Buffle in other respects he being the Assessed Taxes, still I do not so much regret it as perhaps I ought. And whether Joshua Lirriper will yet do well in life I cannot say, but I did hear of his coming, out at a Private Theatre in the character of a Bandit without receiving any offers afterwards from the regular managers. Mentioning Mr. Baffle gives an instance of there being good in persons where good is not expected, for it cannot be denied that Mr. Buffle's manners when engaged in his business were not agreeable. To collect is one thing, and to look about as if suspicious of the goods being gradually removing in the dead of the night by a back door is another, over taxing you have no control but suspecting is voluntary. Allowances too must ever be made for a gentleman of the Major's warmth not relishing being spoke to with a pen in the mouth, and while I do not know that it is more irritable to my own feelings to have a low-crowned hat with a broad brim kept on in doors than any other hat still I can appreciate the Major's, besides which without bearing malice or vengeance the Major is a man that scores up arrears as his habit always was with Joshua Lirriper. So at last my dear the Major lay in wait for Mr. Buffle, and it worrited me a good deal. Mr. Buffle gives his rap of two sharp knocks one day and the Major bounces to the door. "Collector has called for two quarters' Assessed Taxes" says Mr. Buffle. "They are ready for him" says the Major and brings him in here. But on the way Mr. Buffle looks about him in his usual suspicious manner and the Major fires and asks him "Do you see a Ghost sir?" "No sir" says Mr. Buffle. "Because I have before noticed you" says the Major "apparently looking for a spectre very hard beneath the roof of my respected friend. When you find that supernatural agent, be so good as point him out sir." Mr. Buffle stares at the Major and then nods at me. "Mrs. Lirriper sir" says the Major going off into a perfect steam and introducing me with his hand. "Pleasure of knowing her" says Mr. Buffle. "A--hum!--Jemmy Jackman sir!" says the Major introducing himself. "Honour of knowing you by sight" says Mr. Buffle. "Jemmy Jackman sir" says the Major wagging his head sideways in a sort of obstinate fury "presents to you his esteemed friend that lady Mrs. Emma Lirriper of Eighty-one Norfolk Street Strand London in the County of Middlesex in the United Kingdom
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Produced by Chris Curnow, Cindy Horton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Italic text is denoted by _underscores_ and bold text by =equal signs=. THE LABOUR-SAVING HOUSE _BY THE SAME AUTHOR_ WAR RATION COOKERY (The Eat-less-meat Book) LEARNING TO COOK 10/- A HEAD FOR HOUSE BOOKS NOVELS THE HAT SHOP MRS. BARNET-ROBES
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Produced by Giovanni Fini, MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) FROM DARTMOUTH TO THE DARDANELLES SOLDIERS’ TALES OF THE GREAT WAR Each volume cr. 8vo, cloth. 3_s._ 6_d._ net. I. WITH MY REGIMENT. By “PLATOON COMMANDER.” II. DIXMUDE. The Epic of the French Marines. Oct.-Nov. 1914. By CHARLES LE GOFFIC. _Illustrated_ III. IN THE FIELD (1914-15). The Impressions of an Officer of Light Cavalry. IV. UNCENSORED LETTERS FROM THE DARDANELLES. Notes of a French Army Doctor. _Illustrated_ V. PRISONER OF WAR. By ANDRÉ WARNOD. _Illustrated_ VI. “CONTEMPTIBLE.” By “CASUALTY.” VII. ON THE ANZAC TRAIL. By “ANZAC.” VIII. IN GERMAN HANDS. By CHARLES HENNEBOIS. LONDON: WILLIAM HEINEMANN 21 BEDFORD STREET, W.C. FROM DARTMOUTH TO THE DARDANELLES A MIDSHIPMAN’S LOG EDITED BY HIS MOTHER LONDON [Illustration: LOGO] WILLIAM HEINEMANN _First Published June 1916._ _New Impressions July, September, October 1916._ _London: William Heinemann, 1916._ _FOREWORD_ _THE responsibility for the publication of this book lies with me, and with me alone. I trust that that great “Silent Service,” one of whose finest traditions is to “do” and not to “talk,” will see in it no indiscretion._ _To state that these pages make no claim to literary merit seems almost superfluous, since they are simply a boy’s story of ten months of the Great War as he saw it. In deference to the said tradition the names of officers and ships concerned have been suppressed—those of the midshipmen mentioned are all fictitious._ _The story has been compiled from a narrative written by my son during a short spell of sick leave in December 1915. Considering that all his diaries were lost when his ship was sunk, it may at least be considered a not inconsiderable feat of memory. Originally it was intended only for private circulation, but many who have read it have urged me to put it into print; and I have decided to do so in the hope that their prediction that it would prove of interest to the public may be justified._ _In so far as was practicable, I have tried to tell the story in my son’s own words; but it may possibly be argued that at times words and phrases are such as would not normally be used by a boy of barely sixteen. To that charge I can only reply that in the main even the words are his own, and I have faithfully reproduced his ideas and opinions._ _Those who have come in contact with the boys who left us as children, and returned to us dowered by their tremendous experiences with knowledge and insight so far in advance of their years, will find nothing incongruous in reflections commonly foreign to such extreme youth. It is one of the logical results of the fiery crucible of War._ _Let it be remembered that these boys have looked Death in the face—not once only, but many times; and that, like our soldiers in the trenches—who no longer say of their “pals” “He is dead,” but only “He has gone west”—they have learned to see in the Great Deliverer not a horror, not an_ end, _but a mighty and glorious Angel, setting on the brows of their comrades the crown of immortality; and so when the call comes they, like Sir Richard Grenville of old, “with a joyful spirit die.”_ _What would be unnatural is that their stupendous initiation could leave them only the careless children of a few months back._ _The mobilisation of the Dartmouth Cadets came with a shock of rather horrified surprise to a certain section of the public, who could not imagine that boys so young could be of any practical utility in the grim business of War. There was, indeed, after the tragic loss of so many of them in the_ Cressy, _the_ Aboukir, _and the _Hogue, _an outburst of protest in Parliament and the Press. In the first shock of grief and dismay at the sacrifice of such young lives, it was perhaps not unnatural; but it argued a limited vision. Did those who agitated for these Cadets to be removed from the post of danger forget, or did they never realise, that on every battle-ship there is a large number of boys, sons of the working classes, whose service is indispensable?_ _It seemed to me that if my son was too young to be exposed to such danger, the principle must apply equally to the son of my cook, or my butcher, or my gardener, whose boys were no less precious to them than mine was to me._ _In the great band of Brothers who are fighting for their country and for the triumph of Right and Justice there can be no class distinction of values. Those who belong to the so-called “privileged classes” can lay claim only to the privilege of being_ leaders—_first in the field and foremost at the post of danger. It is the only possible justification of their existence; and at the post of danger they have found their claim to priority hotly and gloriously contested by the splendid heroes of the rank and file._ _Presumably the Navy took our boys because they were needed, and no one to-day will feel inclined to deny that those Dartmouth Cadets have abundantly proved their worth._ _For the rest, if there be any merit in this record, the credit lies with the boy who provided the material from which it has been written: for any feebleness, inadequacy, or indiscretion the blame must fall on that imperfect chronicler—_ _HIS MOTHER_ CONTENTS CHAP. PAGE I DARTMOUTH COLLEGE 1 II MANŒUVRES 12 III THE BEGINNING OF THE “REAL THING” 24 IV WE JOIN OUR SHIP 34 V ALARUMS AND EXCURSIONS 49 VI WE LEAVE HOME WATERS 65 VII FROM EGYPT TO MOMBASA 88 VIII THE BOMBARDMENT OF DAR-ES-SALAAM 118 IX ORDERED TO THE DARDANELLES 130 X IN ACTION 140 XI THE SINKING OF THE SHIP 152 XII HOME 165 CHAPTER I DARTMOUTH COLLEGE MY first term at Dartmouth commenced on the 7th of May 1914—previously I had, of course, been through the regulation two years at Osborne College in the Isle of Wight. Most of my term-mates came down from London by the special cadet train, and I should have greatly preferred to have travelled with them, but my home was so far away that I had to do the journey in solitary state, and when I arrived at Kingswear Station at 9.30 on that beautiful spring evening, I found myself a belated last comer. A servant had been sent to meet me, and when he had collected my luggage we embarked on the _Otter_, one of the steamboats belonging to the College, which was lying alongside the pontoon. The passage of the river Dart only took a few minutes, and we landed at Sandquay, where are situated the engineering shops, in which no small proportion of my brief time at Dartmouth was destined to be spent. Compared with the collection of low, one-storied, bungalow-like buildings which comprise the Osborne premises, the College, standing high upon a hill above the river, appeared to me a very imposing structure, and pleasantly suggestive of a distinct advance towards the goal of my ambitions—a goal destined to be reached so swiftly, and by such unexpected paths, as I at that moment little dreamed of. A long flight of stone steps leads up through the grounds from the workshops, and after climbing these I found myself in the big entrance-hall of the College, where I was met by a warrant officer, who took me to his office, and, after filing my health certificate, showed me the way to the vast mess-room where the five hundred or so of cadets in residence have all their meals. Here I had supper, consisting of cold meat and bread-and-cheese; and when I had finished, the gunner took me to my dormitory, pointed out my sea-chest and bed, and then left me to turn in. By this time it was about 10.30, my messmates were all asleep, and the long room was only dimly illuminated by the “dead lights” which are kept burning all night, as no matches or candles are allowed. Removing my boots, I tiptoed round the chests adjoining mine to see by the nameplates who my immediate neighbours might be, and then, folding up my clothes in regulation fashion, I jumped into bed and was soon fast asleep. At 6 o’clock next morning we were all awakened by the réveillé, and trooped down in a body to the bath-rooms for the cold plunge with which, unless excused by doctor’s orders, every cadet must begin the day. Then, having been informed by the senior cadets who were placed in authority over us that if we were not dressed in one and a half minutes the consequences would be unpleasant, we threw on as many clothes as possible, and ran out of the dormitory surreptitiously carrying boots, ties and collars, and finished dressing in the gun-room. Then we waited about, greeted friends, and exchanged reminiscences of the past “leave” until summoned to breakfast at 7.30. This meal was served in the mess-room in which I had had my supper the night before, and we all scrambled and fought our way up some stairs to a gallery where were situated the four long tables reserved for the use of the junior term. Breakfast over, the cadet captains (who correspond to the monitors of our public schools) showed us over the College grounds, and drew our attention to the various rules, regulations, and notices posted up at different points. We also paid a visit to the canteen, where may be purchased ices, buns, sweets, and similar delicacies dear to all schoolboys. As a more detailed description of my first day would not be particularly interesting, I will just describe one in mid-term as fairly typical of the College routine. At 6 o’clock, roused by the réveillé, we scurry to the bath-room, take the prescribed cold plunge, and then dress. Hot cocoa and ship’s biscuit are served in the mess-room and followed by an hour’s study. At 7.30 “fall in” in the long corridor called the “covered way,” which leads from the dormitories to the mess-room. All the other terms having gone in to breakfast, our particular batch of cadets is called to “attention.” Then comes the order: “Right turn! Double march!”—and helter-skelter, as fast as we can lay foot to the ground, we rush along the hundred yards of corridor to the mess-room door and fight our way through that narrow opening. Woe betide the unfortunate who falls in the _mêlée_! He will get trampled on by all behind, and when finally he is able to rise to his feet, dazed and bruised, after the rush has gone by, he will be assisted on his way by the unsympathetic toes of the cadet captain’s boots. Moral: Keep your footing! After a brief grace we fall to and devour porridge with brown sugar and fresh, creamy, Devon milk, rolls and butter, supplemented by kippers, bacon and eggs, or some similar fare. As no grace is said after breakfast, each cadet is at liberty to leave as soon as he has finished, and to repair to his own gun-room until the bugle sounds for divisions at 9 o’clock. At the call we all “fall in” by terms in the big hall which is called the quarter-deck. The Lieutenant of each term then inspects his cadets and reports to the Commander that they are “correct,” after which the Commander in his turn reports the whole six terms to the Captain. Then the Chaplain comes in, the Commander calls all present to “attention,” and gives the order “Off caps.” The Padre gives out the number of some familiar hymn, and, after a few verses have been sung, he reads some short prayers. Then caps are replaced, and, in obedience to the word of command, the respective terms in order of seniority march off to the studies. Let it be supposed that my term has to go to the engineering works at Sandquay on this particular morning. Procedure is as follows: “Divisions” over, we fall in on a path outside the College and the Engineer Lieutenant marches us down to the workshops. Dismissed from marching order we go into the lobby and shift into overalls, after which we repair in batches to the various shops. Here we construct and fit together parts of the many different types of marine engines; dealing in the process with such work as the casting, forging, and turning of steel and brass. After two hours of this practical work we shift out of our overalls, resume our uniform jackets and caps, and go to one of the lecture-rooms where, for the remaining hour an engineer officer instructs us in the theory of motors, and turbines, and various other engineering technicalities. Then we are again fallen in outside the shops and marched up to the College, where we have a “break” of a quarter of an hour in which to collect the books required for the succeeding hour of ordinary school work. One o’clock finds us once more assembled in the covered way to double along to the mess-room for lunch. After this meal every one must stay in his place until grace is said, when each term rises in order of seniority and doubles out of the mess-room to the different gun-rooms. It may be here noted that everything at Dartmouth is done at the “double,” _i.e._ at a run. Strolling around with your hands in your pockets after the fashion of most public schools is of course not allowed in an establishment where naval discipline prevails. After half an hour allowed for digestion we collect our books and go to the studies for another two hours’ work. At 4 o’clock we are mustered again for “quarters” as at “divisions” in the morning, and when dismissed double away to shift into flannels for recreation. The choice of play and exercise is very varied, but no one is allowed to “loaf.” Every cadet must do what is called a “log,” and the manner in which he has spent his recreation time is duly entered against his name each day. The “log” in question may consist of a game of cricket, a two-mile row on the river, two hours’ practice at the nets followed by the swimming of sixty yards in the baths, or a set of tennis or fives. Any cadet who cannot swim must learn without delay. The bath, eight feet deep at one end and three feet at the other, is thirty yards long. It is opened at 6 p.m., and there is always a large attendance. A spring board for diving is provided, as well as various ropes suspended six feet above the water by means of which the more agile spirits swing themselves along, as monkeys swing from tree to tree. All exercise is purposely strenuous, for the four years’ preparation is a test of physical as much as of mental strength, and every year some boys are “chucked,” to their bitter disappointment, because they cannot attain to the standard of physical fitness indispensable for the work they, as naval officers, would be expected to perform. Defective eyesight is one of the commonest causes of rejection, for it is obvious that full normal vision is essential for the Navy. On the river there is the choice of two kinds of boat—five-oared gigs and skiffs. A long and muddy creek, known as Mill Creek, branches off from the river just above the College. Great trees overhang its banks on either side and, if one cares to risk disobedience to orders, a very pleasant way of passing an afternoon is to tie up one’s boat in the shade and settle down with a book and some smuggled cigarettes. But it is well to remember that the tide here is very treacherous. Once I saw three cadets marooned on a mud-bank quite forty yards from the water’s edge. At 6.30 every one must be within the College buildings, and by a quarter to 7 all cadets must have shifted into proper uniform and be ready for tea. At 7.30 there is “prep.,” which lasts till 8.30, when the “cease fire” bugle sounds. Then the band plays on the quarter-deck, and there is dancing till 9, after which every one “falls in” for five minutes’ prayer. Then the terms double away to their dormitories. At 9.30 the Commander goes “rounds,” and every one must be in bed. As soon as he has passed lights are put out and the day is over. CHAPTER II MANŒUVRES THIS summer term of 1914, destined surely to be the most momentous in the whole history of the College, nevertheless pursued its normal course until July 18, on which date began the great test mobilisation of the “Fleet in being,” to which we had all been eagerly looking forward for some weeks. It is, perhaps, too soon to speculate on the influence which this most opportune concentration of sea power brought to bear on the course of the War. Was it due to foresight? Was it a deliberate warning to trespassers not to tread on Great Britain’s toes? Or was it just a gorgeous piece of luck? Who shall say? Certainly not a mere “snottie”! Anyway, it is a matter of history that after manœuvres the Fleet was not demobilised, with the result that the swift, murderous assault on our open sea-coast towns which, judging by the light of subsequent
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Produced by Adrian Mastronardi, The Philatelic Digital Library Project at http://www.tpdlp.net, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) AN HISTORICAL SUMMARY OF THE POST OFFICE IN SCOTLAND, COMPILED FROM AUTHENTIC RECORDS AND DOCUMENTS. BY T. B. LANG, ESQ. CONTROLLER, SORTING DEPARTMENT, GENERAL POST OFFICE, EDINBURGH. FOR PRIVATE CIRCULATION. EDINBURGH: PRINTED BY W. H. LIZARS, ST. JAMES' SQUARE. 1856. NOTE. _This Historical Summary, compiled by_ MR. LANG, _was originally contained in a Letter addressed to the Secretary to the General Post Office in Scotland, with a view to its being included in the Annual Report of the Postmaster-General, presented to both Houses of Parliament at the commencement of the present Session, but it not being considered necessary to include the whole Summary in the Report, Extracts only were published in the Appendix. The whole Summary is therefore now printed, with his Grace's sanction, for private distribution._ AN HISTORICAL SUMMARY OF THE POST OFFICE IN SCOTLAND. The earliest records that can be found relating to the conveyance of Despatches or Letters in Scotland, do not date earlier than the fourteenth and fifteenth centuries. In these early records, special messengers for the conveyance of the King's Despatches and Correspondence are called "_Nuncii_" or "_Cursores_;" but the information as to their mode of travelling, and regulations for their guidance, is imperfect and limited. Messengers of this description were also employed to convey despatches from foreign countries, for which they received gratuities on their arrival at the Scottish Court. About the year 1500, the name of Post is found to apply to messengers travelling with the utmost rapidity then attainable in charge of despatches.[1] On the 1st of April 1515, the English envoy in Scotland wrote from Stirling to Henry VIII. of England--"This Friday, when I came home to dyner, I received your most honorable letters by Post, dated at your mansion, Greenwich, 26th March."[2] These letters, which appear to have occupied five or six days in transit from Greenwich to Stirling, must have been conveyed by one of these special Court Messengers. It was not long after this period that the municipal corporations and private persons of consequence also introduced messengers of this description. For example, in 1590, a Post was established by the Magistrates of Aberdeen for carrying their despatches to and from Edinburgh and other places of royal residence. They appointed a person for conducting these despatches, under the name of the Council Post, who was dressed in a garment of blue cloth, with the town's armorial bearings in silver upon the right sleeve.[3] In 1635 a public Post was first established in Britain, under Government authority by Charles I.[4] Its main object was to establish regular and certain communication between London and Edinburgh. The journey was limited to three days, and the rate of Postage for a single letter was fixed at 6d. sterling. Mails were despatched between these two cities usually twice a week, sometimes only once. About two years after this period, the Post as the medium of communication, became so insecure, that in 1638 a person in England wrote to his friend in Scotland--"I hear the Posts are waylaid, and all letters taken from them, and brought to Secretary Cooke; therefore will I not, nor do you, send by that way hereafter." The Post at this time was called the Merchant Post, but it did not prosper.[5] In 1649, the Commonwealth took the Scottish Posts under its jurisdiction, and in connection with that measure they appear to have removed many, if not all the officers. The Posts were then placed upon a better footing, and the system was still further improved by Cromwell. In 1654 the Postage from England to Scotland was lowered to 4d. sterling. In 1656 the revenues of the Post Office in Great Britain and Ireland were farmed to John Manley, Esq., who was appointed Postmaster-General, and the rate of Postage in Scotland was fixed at 2d. for a single letter under 80 miles, for all distances above 80 miles 3d., to England 4d., and to Ireland 6d.[6] On the 16th December 1661, Charles II. re-appointed Robert Mein "Sole Keeper of the Letter Office in Edinburgh," an office from which he had been removed during the Commonwealth.[7] By grant under the Privy Seal, dated at Whitehall on the 14th September 1662, King Charles II. bestowed upon Patrick Grahame of Inchbrakie the office of Postmaster-General of Scotland[8]--"officium precipui magistri cursoris lie Postmaster-Generall et Censoris omnium cursorum dicti regni Scotie"--for all the days of his life, with power to appoint Postmasters at the stages necessary for forwarding the King's letters from place to place. The grant conveyed to Grahame all the rights and privileges which any Postmaster-General had previously enjoyed in Scotland, and specially bestowed on him a salary of L500 Scots yearly.[9] On the 16th September 1662, the Privy Council of Scotland commissioned Robert Mein, merchant,[10] and Keeper of the Letter Office, Edinburgh, to establish posts between Scotland and Ireland, and ordained that Linlithgow, Kilsyth, Glasgow, Kilmarnock, Dumboag, Ballintrae, and Port Patrick, should be stages on the route, and granted him the sum of L200 sterling, to build a packet boat to carry the Mail from Port Patrick to Donaghadee, and further gave him the sole privilege of carrying letters on this line of road, for which he was allowed to charge for each letter to Glasgow, 2s. Scots, and from thence to any part within Scotland, 3s. Scots, and for letters to Ireland, 6s. Scots.[11] In 1665, by grant under the Privy Seal dated at Edinburgh on the 1st March, King Charles II. bestowed the office of Postmaster of Haddington upon William Seton, who was at the time Provost and Postmaster. The office which had been previously held by Cornelius Ramsay, is described to be "allswell for the carrieng and convoyeing of all such packetts from Haddington by Post to Colbrandspath as shall be directed to them,[12] and for the despatching and carrieng by Post frae Haddingtoune to Canongait, and carieng and convoyeing of all such packetts as shall be directed to England to anie of our Privie Counsell of this our kingdome of Scotland, or to anie of our officers for our affairs and service." The salary is stated to be L600 Scots yearly.[13] In 1669 the Privy Council passed an Act for erecting a Foot Post between Edinburgh and Inverness once a week, and between Edinburgh and Aberdeen twice a week, "wind and weather serving," and fixed the rate of Postage for a letter not exceeding one sheet of paper, carried 40 miles Scots (about 60 English), at 2s. Scots; for a single letter carried 60 miles, 3s. Scots; and for an ounce weight, 7s. 6d. Scots; and for every single letter carried above 80 miles Scots, within Scotland, 4s. Scots; for an ounce weight 10s., and so proportionably.[14] The same Act, "for the more effectual prosecution and performance of the premises," discharges "all other Posts established, or pretending to be established upon the Aberdeen and Inverness roads."[15] To show the difficulties in the way of rapid communication at this period, from the condition of the roads in Scotland, it may be stated, that in 1678 an agreement was made to run a coach between Edinburgh and Glasgow (a distance of forty-four miles), which was to be drawn by six horses, and to perform the journey to Glasgow and back in six days. The undertaking was considered so arduous, that the contractor was to receive "200 merks a-year for five years, to assist him; but the speculation turned out so unprofitable that it was soon abandoned."[16] In 1685, the intelligence of the death of Charles II., who died on 6th February, was received in Edinburgh at one o'clock in the morning of the 10th, by an express from London.[17] In 1688 it occupied three months to convey the tidings of the abdication of James II. of England and VII. of Scotland to the Orkneys. The Post Office in Scotland again received the sanction of parliamentary authority in 1695, although "several public Posts" had already been established for carrying letters "to and from most parts and places in this kingdom," for the maintaining of mutual correspondence, and preventing the many inconveniences that happen by private Posts. And the "well ordering of these public Posts being a matter of general concern, and of great advantage, and that the best means for that end will be the settling and establishing a General Post Office," the Scottish Parliament "ordains and appoints a General Post Office to be kept within the city of Edinburgh, from whence all letters and pacquets whatsoever may be with speed and expedition sent into any part of the kingdom, or any other of his Majesty's dominions, or into any kingdom or country beyond seas, by the pacquet that goes sealed to London." It is also enacted, that a Postmaster-General shall be appointed by letters patent under the Privy Seal, or that the office of Postmaster-General may be set in tack by the Lords of Treasury and Exchequer. The rates of Postage were fixed at 2d. for a single letter to Berwick, or within fifty miles of Edinburgh; above fifty miles and not exceeding 100 miles, 3d.; and all single letters to any place in Scotland, above 100 miles, to pay 4d.: common carriers were prohibited from carrying letters, except where no Post Offices were established, and if convicted, they became liable "to be imprisoned for six days for ilk fault, and fined in the sum of six pounds Scots 'toties quoties.'" This Act also authorizes a weekly Post between Scotland and Ireland, and orders boats to be maintained for carrying the Mails between Portpatrick and Donaghadee; and a special provision is made, that Ireland is not to be put to any expense, but that the Postmaster-General should be allowed the sum expended on the packet boats in his intromissions with the Treasury. And lastly, the Postmaster-General is ordered to take care that Posts are established over all the kingdom at places most convenient.[18] In 1698, Sir Robert Sinclair of Stevenson, had a grant from King William of the whole revenue of the Post Office in Scotland, with a pension of L300 per annum to keep up the Post. The Post Office at this time appears to have been any thing but a profitable concern, as Sir Robert, after due deliberation, gave up the grant, thinking it disadvantageous.[19] From the 11th November 1704 till Whitsunday 1707, George Main, jeweller in Edinburgh, accounts in Exchequer for the duties of
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Produced by Geoff Palmer A MINSTREL IN FRANCE BY HARRY LAUDER [ILLUSTRATION: _frontispiece_ Harry Lauder and his son, Captain John Lauder. (see Lauder01.jpg)] TO THE MEMORY OF MY BELOVED SON CAPTAIN JOHN LAUDER First 8th, Argyle and Sutherland Highlanders Killed in France, December 28, 1916 Oh, there's sometimes I am lonely And I'm weary a' the day To see the face and clasp the hand
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Produced by Brownfox and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) TRANSCRIBERS' NOTES Italic text in the original is surrounded by _underscores_. Blackletter (Gothic type) text is surrounded by =equals=. Corrections and other notes are recorded at the end of the text. =My Father.= [Illustration: Wm. Scoresby] MEMORIALS OF THE SEA. =My Father:= BEING RECORDS OF THE ADVENTUROUS LIFE OF THE LATE WILLIAM SCORESBY, ESQ. OF WHITBY. BY HIS SON THE REV. WILLIAM SCORESBY, D.D. FELLOW OF THE ROYAL SOCIETIES OF LONDON AND EDINBURGH; MEMBER OF THE INSTITUTE OF FRANCE; OF THE AMERICAN INSTITUTE, PHILADELPHIA, ETC. ETC. LONDON: LONGMAN, BROWN, GREEN, AND LONGMANS. 1851. LONDON: PRINTED BY M. MASON, IVY LANE, PATERNOSTER ROW. TO THE LADY MATILDA MAXWELL, WHOSE DISCERNMENT OF AN UNUSUAL AND SUPERIOR CHARACTER IN A MERCHANT SEAMAN, WHEN KNOWN ONLY BY REPORT, FIRST LED TO THE GATHERING OF RECORDS CONCERNING HIM; AND TO WHOSE EXPRESSIONS OF DEEP AND ADMIRING INTEREST IN THE RELATION, REPEATEDLY SOLICITED, OF MANY CHARACTERISTIC INCIDENTS, THEIR PUBLICATION IS STRICTLY DUE,-- =This Volume,= COMPRISING THE OFT-TOLD STORIES, WITH ADDITIONAL RECORDS, OF THE ADVENTUROUS LIFE OF =His Father,= IS, WITH GREAT RESPECT AND SINCERE REGARD, NOW ADDRESSED, BY HER LADYSHIP'S FAITHFUL AND OBLIGED FRIEND, THE AUTHOR. _Torquay, Feb. 3, 1851._ =My Father.= CONTENTS. Page CHAPTER I.--EARLY LIFE AND PROGRESS AS A SEAMAN 3 SECT. 1. My Father's early Life 3 2. His First Year's Apprenticeship 12 3. His Progress as a Seaman, with Incidents of Sea-life 20 4. Capture by the Enemy, and Escape from a Spanish Prison 26 5. Rewards of Masterly Seamanship 31 6. Entrance on, and Progress in Training in, the Greenland Whale-fishery 36 CHAPTER II.--COMMENCEMENT AND PROGRESS IN WHALE-FISHING ENTERPRISE AS COMMANDER 42 SECT. 1. Disappointment in his First Command 42 2. His Second Adventure and commencing Prosperity 52 3. Further Successes, with their comparative Relations, in the Ship Henrietta 55 4. Episodical Incident--the Rescue of endangered Pleasurers 65 5. The Greenland Doctor 71 6. Taming of a Bear--interesting Recognition 78 CHAPTER III.--THE SHIP DUNDEE, OF LONDON 86 SECT. 1. Entrance on, and general Results of, this new Command 86 2. Dangerous Accident--admirable Tact 89 3. The Dandy Sailor, or "Fine Tommy" 92 4. Unfortunate Voyage, and Adventure in the Greenland Ices 96 5. Successful Stratagem in War 103 6. Extraordinary Exploit in "cutting in," single-handed, a moderately-grown young Whale 108 CHAPTER IV.--THE SHIP RESOLUTION, OF WHITBY 116 SECT. 1. Continued Prosperity; the Results, comparatively and generally, of this fresh Enterprise 116 2. Treatment and Recovery of a half-frozen Seaman 126 3. Judicious Treatment of Men having suffered from severe Exposure 129 4. The Crow's Nest 135 5. Extraordinary Celerity in preparing an empty Boat for the Fishery 139 6. Tact and Bravery in attacking and killing a dangerously-resisting Whale 144 7. Remarkable Enterprise: the nearest Approach to the North Pole 152 8. Devotional Habits, at Sea and on Shore 164 CHAPTER V.--FURTHER ENTERPRISES: GENERAL RESULTS 171 SECT. 1. The Greenock Whale-fishing Company 171 2. "Cum au greim a gheibhthu" 174 3. Subsequent and concluding Enterprises 178 4. General Results of his entire Whale-fishing Adventures 185 5. Unusual Capture of Walruses 189 CHAPTER VI.--GENERAL CHARACTERISTICS, AND MISCELLANEOUS NOTICES 195 SECT. 1. Superiority as an Arctic Navigator 195 2. Natural Science 203 3. Improvements and Inventions 215 4. Miscellaneous and concluding Notices 224 MEMORIALS OF THE SEA. =My Father.= CHAPTER I. EARLY LIFE AND PROGRESS AS A SEAMAN. SECTION I.--_My Father's early Life._ The name of SCORESBY, it is believed, is entirely unknown, in this country, except in the case of the family, and one or two relations, of the subject of the present records. My Father's "more immediate ancestors," as a short biographical account of him by a friend, states,[A] "occupied respectable stations in the middle walks of life, supporting, in each case, unblemished character, and possessing, at times, considerable property;" and, in periods rather remote, holding conspicuous stations. In Drake's History of York, the family name, varying in the spelling in a progress through several centuries, repeatedly occurs. But the single line traceable through my Father's ancestors, now alone appears to exist in Britain. Walter de Scourby was "bayliffe of York," in the year 1312; and in the seventh and ninth years of Edward III., Nicholas de Scor[=e]by, it appears, was Member for York. Subsequently, we find, under the date of 1463, Thomas Scawsby, holding the office of Lord Mayor of that city. Some member of the family, after the name assumed its present form, must have given the designation of "Scoresby Manor" and "Scoresby Lodge," to places still known in the neighbourhood of York. At the period, however, of this memoir, the family occupied more humble stations in life, chiefly in the class of yeomen,--a class once of much importance in this country, but now, unhappily, so diminished in numbers, under the absorbing influence of extensive properties, as to be scarcely recognised as a designation. William Scoresby, my Father, 'was born on the 3d of May 1760, on a small estate farmed by his parent, called Nutholm, in the township of Cropton, about twenty miles south-west of Whitby, in the county of York. In this place the periods of his childhood and boyhood were spent.' The memoir, here again quoted, refers to some incidents among his earliest recollections, by which his life was greatly imperilled, marking 'the superintending providence of God, which, on all occasions, he gratefully acknowledged.' At an endowed school, in the nearest adjoining village, Cropton, his early, and indeed chief, education was received. But the distance being considerable, and the roads indifferent, his attendance was much interrupted, and, in winter, totally suspended. His progress, therefore, was far from being satisfactory. Nor was this disadvantage compensated by any long continuance of opportunities for obtaining scholastic instruction; for, at the age of nine, he was removed, and from that time forward employed, as his strength and years might qualify him, in occupations among the cattle, and about the farm. Occasionally, during his advance towards manhood, he was engaged with the neighbouring farmers, when, during such occupation, an incident, of _apparently_ no material importance, occurred, which constituted, under the ordering of an allwise and gracious Providence, the grand turning-point in his destiny, from a probable ordinary and unobserved occupation, to a stirring, adventurous and conspicuous life. The change was induced by some unpleasant treatment he received from the family with whom he was residing. He became disgusted with a position which, without satisfying the natural capabilities and enterprise of his mind, exposed him to such indignities. The idea had, probably, been often in his mind before; but he now first resolved on leaving the occupation for which his father had destined him, and on trying at the nearest sea-port, Whitby, the adventure of a seafaring life. It is somewhat curious that the course of life, in respect to the adoption of a seafaring profession, of two individuals,--Captain Cook and my Father,--whose names are associated with much of interest in the history of Whitby, and who became, in their relative degrees, conspicuous as adventurous seamen,--turned upon apparently trifling incidents; and, as to the exciting of feelings of disgust with their previous occupations, of a similar character. James Cook, like my Father, was, in early youth, employed along with his father, in agricultural labours.[B] His turn of mind, however, being suited to something requiring more tact than the ordinary toils in which farmers' boys were wont to be engaged, he was removed from the work of the field to that of the counter, with the view of learning the business of a country shopkeeper. It was at the fishing town of Staiths, about ten miles north-west of Whitby, and at the shop of a Mr. W. Sanderson, haberdasher, where Cook, at the age of sixteen or seventeen, entered on his new employment; and it was whilst there that the incident, which led to his abandonment of domestic trade for sea-life, occurred. It happened, as the early record goes, that, at a period when the coinage generally in circulation was much defaced and worn, a new and fresh looking shilling was paid in by a customer. Cook, attracted by the comparative beauty of the coin, and thinking with regret of its going forth again in the ordinary progress of business, substituted the sterling value, and appropriated the new coin, as "a pocket-piece," to himself. It was ill-advised that he did so without previously asking permission or intimating his purpose; for the shilling had been observed by his master, its abstraction was detected, and Cook was suspected and charged with dishonesty,--a charge which the production of the shilling from his pocket _seemed_ to confirm. His keen sense of right feeling, and of what was due to himself, rendered this incident so painful, that he determined, if he could get permission to do so, to leave his employment, as a shopkeeper, and, indulging a strongly imbibed prepossession, turn to the sea. The unmerited suffering was abundantly compensated by that good and gracious Providence, whose dispensations reach to the humblest, and specially regards the oppressed. The young shopkeeper--turned apparently by this fretful incident from his monotonous pursuits, and stimulated to seek an adventurous profession, and not opposed, but kindly aided, by his master, who had become perfectly satisfied of his integrity--was led into those paths of distinction whereby he became so highly conspicuous, if not chief among the circumnavigators of the globe! "It is worthy of remark," says Dr. Young, in his life of Cook, "that the coin which so forcibly attracted his notice was what is called a _South-sea_ shilling, of the coinage of George I., marked on the reverse S.S.C., for _South-sea Company_; as if the name of the piece had been intended to indicate the principal fields of his future discoveries." If the result of disgust at his experienced indignity turned not to account, with my Father, in so eminent a degree,--it yet was so over-ruled for good as to place him at the head of the adventurers engaged in the whale-fishery of the Greenland seas, and to render his example, perseverance, and talent, highly beneficial to his country in the furtherance of that, then, extremely important branch of national enterprise. It was in the winter of 1779-80, that my Father proceeded to carry his resolve into effect, by leaving his place and travelling to Whitby. Guided by the suggestions of a relative, to whom he had communicated his intentions, he was recommended to Mr. Chapman,--an opulent and respectable ship-owner, and a member of the Society of Friends,--with whom he engaged himself to serve as an apprentice, for three years, in a ship called the Jane, commanded by a son of the owner. As his services, however, were not required till the ensuing spring,--because of the practice, as to ships trading to the Baltic and Archangel, "of laying them up" for the winter,--he returned immediately home, informed his father of what he had done, and then, at his suggestion, went back to the farm he had somewhat abruptly left, and there remained until his place could be satisfactorily supplied. This being speedily accomplished, he set himself arduously to work to the studying, by the help of whatever suitable books he could get hold of, of the subjects connected with his new profession. On the 1st of February 1780, according to previous arrangement, he repaired to Whitby for the ratification of his agreement, and for receiving directions as to when and how his services would be required. His anxiety on this occasion, to proceed with his studies in the manner in which he found himself making gradual and encouraging progress, led him at once into an adventure of much peril, and into circumstances in which his acquirements in the _principles_ of navigation had their first, yet most successful and important, application. Finding that his services would not be required until the month of April, he determined, being full of ardour for self-improvement, not to lose a single day; so that, although the afternoon had arrived before he finished his arrangements with Mr. Chapman, he set out on his pedestrian course towards the Moors, intending to sleep at the village of Sleights. Urged, however, by his feelings, and tempted by the fineness of the evening, and the brilliant sunset, by which the distant hills (then covered with snow) were illumined and gilded, he resolved on proceeding to Salter Gate, a position, in the midst of the Moors, eight miles further in advance, and attainable only by a not very well-defined line of road across a heath-clad and totally uninhabited country. It was a region, therefore, of complete desolateness, through which he prepared to pass, and, on occasions of snow-storms, one of great danger to any travellers who might be unfortunately overtaken by them whilst in the midst of the Moors;--for, at the period of which we now write, there were neither fences to confine, nor poles (as in subsequent years were erected) to mark, the line of road, so that an hour's continuance of thick drifting snow might totally obliterate, in many places, the distinctions betwixt the highway and the general trackless heath. Hence it happened, that scarcely a winter passed over without yielding the records of perilous or fatal adventures; and, whenever snow-storms abounded, of travellers, more or less in number, perishing by being overwhelmed in the snow-drifts. It was not long before our traveller, advancing rapidly with vigorous and elastic step within the region of lonesome moorland, became aware that he had entered upon a critical adventure; for having arrived near the sixth milestone on the high-moors over Whitby, he became unexpectedly encircled by a dense and gloomy cloud, attended with a sudden and furious storm of wind and fleecy snow, the snow descending so thick as to envelope him in such dark obscurity, that, for some little time, he could neither see his way to advance nor to return. Recovering somewhat from his first embarrassment, and considering what might be well to be done, he determined, adventurous as the attempt might be, to go forward toward Salter Gate, yet six miles distant, and not a house on the road. He had made but little progress, however,
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Produced by MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) THE WALCOTT TWINS BY LUCILE LOVELL ILLUSTRATED BY IDA WAUGH THE PENN PUBLISHING COMPANY PHILADELPHIA MCM Copyright 1900 by The Penn Publishing Company CONTENTS CHAPTER PAGE I Gay and May 5 II The First Separation 11 III Just for Fun 16 IV A Remarkable Household 23 V More Confusion 30 VI Being a Boy 37 VII Being a Girl 44 VIII A Scene at Rose Cottage 49 IX Saw and Axe 56 X A Course of Training 62 XI The Training Begins 68 XII A Silver-haired Lady 75 XIII A Plan that Failed 82 XIV The Boy Predominates 89 XV Gay's Popularity Begins 97 XVI A Squad of One 106 XVII Concerning Philip 114 XVIII Dark Days 122 XIX The Event of the Season 130 XX The Belle of Hazelnook 141 XXI The Sky Brightens 151 XXII The Dearest Girl 162 XXIII A Great Game 172 XXIV The Idol Totters 181 XXV The Girls make Peace 189 XXVI All's Right Again 194 XXVII Happy People 199 THE WALCOTT TWINS CHAPTER I GAY AND MAY The Mistress of the house lay among her pillows, her brows drawn into the nearest semblance of a frown that her gentle countenance could assume. Nurse—bearing a tiny, moving bundle of muslin and flannel—and the father were at the bedside. The father's forehead wore an unmistakable frown. It was evident that something displeased him, but who would have dreamed that it was the gurgling mite in the flannel blanket? Yet he pointed in that direction as he said,— "Take him away. He has made trouble enough." "H'indeed, Mr. Walcott," cried nurse, "'E's the best baby h'I' ave ever seen h'in this 'ouse! 'E's never cried before." "Take him away!" repeated the father, still frowning. "He may be the best baby in the world—a future President of the United States, even,—but he can't stay in this room another minute. Do you understand?" "Certainly, sir," nurse replied somewhat tartly. Nurse thought the father a great bear. Of course she could not tell him so, but she could and she did show him that an imported English nurse chooses her own rate of speed. She moved slowly toward the door, holding her head with its imposing white cap well up in the air, and looking at Baby as though he were a Crown Prince, instead of the youngest nursling in an American flock of five. While the door was open for nurse and her precious burden to pass through, sounds of boisterous mirth floated into the quiet chamber. It was only the twins, Gay and May, and little Ned—Alice was in the country—at play in the nursery, but one would have said that half the children in New York city were shouting together. The invalid tried to stifle a sigh which did not escape the father's ear. "Those torments must go, Elinor!" he exclaimed. "That is the only way to ensure your recovery." "Oh, Edward, how can I live without my dear little ones!" murmured the gentle mother. Mr. Walcott took his wife's transparent hands in his own and caressed them tenderly. "Do you want our children's mother to have nerves as much out of tune as a cracked bell?" said he. "No." "Then they must go to-morrow." "Not Ned—he is too young to be sent away from me." "Very well; Ned shall stay—three servants may be able to keep him in order! Now let me see those letters." Mrs. Walcott drew two letters from beneath her pillow and passed them to her husband. "Read them aloud," said she; "I half-read them." Mr. Walcott drew from one of the envelopes a single sheet of blue thin paper covered with small precise characters traced in the blackest of ink, with the bluntest of quills. As he moved it a gritty shower fell, showing the writer to be of the old school which prefers sand to blotting paper. "My Dear Nephew," Mr. Walcott began, "It gives me great pain to learn that your dear wife remains ill. Now, I have a proposition to make; send Gay up here for a fortnight. His presence will be inexpressibly grateful to me, and his absence may be a relief to you at this time. Wire me your decision. My compliments to Elinor, and believe me to be, "Yours truly, "HAROLD S. HAINES." "P. S. You may think it singular that I have not included May in my invitation, but, candidly, a woman child under my roof would be sufficient excuse for me to leave it altogether, so I trust you will understand and pardon my omission. Tell Elinor that Sarah will take the best of care of the young rascal. "H. S. H." "Cedarville, N. Y. Aug. 6, 19——." "A characteristic postscript," laughed Mr. Walcott. "Uncle Harold's antipathy to 'a petticoat', as he is fond of calling one of your sex, dear, seems to increase." "His antipathy is quite out of proportion to our little daughter's half-yard petticoat," responded the Mistress, smiling faintly. "But go on, please, with Auntie's letter." The second letter was quite unlike the first; it was penned in the most delicate handwriting, on fine white paper, ornamented with a silver crest, and as Mr. Walcott unfolded it a faint odor of that old-fashioned scent, lavender, was shed on the air. "A gentlewoman's letter," one would have said at once. "Dear Niece Elinor," read Mr. Walcott. "We were deeply grieved to hear of your protracted illness, and we are sure that if you were to be relieved of the care of one of the children your recovery would be rapid. Will you not send May to us for a fortnight? You need give yourself no uneasiness about the dear child's welfare; it will be Celia's and my pleasure to take the best care of her. Let us know by telegram when she will leave New York and we will make arrangements for her to come from the railway station by the stage that passes our door—the driver is a most reliable person. With best wishes for your speedy return to health, and with kind remembrances to Edward, in which Celia joins, I am, my dear niece, "Your affectionate aunt, "BEULAH LINN." "P. S. Celia suggests that you may think it odd that we have not included Gay in our invitation, but the truth is, we should not know what to do with a lively, noisy boy. We shall enjoy May very much if she is like Alice, wholly without those failings of modern childhood—a pert tongue, boisterous manners, and slang. "B. L." "Hazelnook, N. Y., Aug. 6, 19——." "It is rather strange, isn't it, Edward, that the aunts will have none of Gay, while the uncle disdains May? It will break their hearts to separate them." "It is better so, my dear. Doting father that I am I cannot deny that Gay and May make a team that gentle maiden ladies or a quiet old bachelor would find difficult to manage! Shall I go out now and wire our good relatives that they may expect the children to-morrow?" "Yes," the Mistress replied, with a sigh of resignation. "And send Gay and May to me, please—they will receive their sentence of banishment best from my lips." CHAPTER II THE FIRST SEPARATION They stole across the nursery floor and through the hall on tiptoe; because they had promised father to be "as still as mice." So far so good! Not the slyest nibbler of cheese in the house could have moved more softly than Gay and May. It was the quietest procession that ever marched until it reached the threshold of the Mistress's chamber when it fell into wild confusion; Gay, in his desire to catch the first glimpse of mother, stepped on May's heel and that made May scream. It wasn't a loud scream, to be sure, but it was louder than the most frantic mouse could squeak, and quite loud enough to rouse the mother from the light slumber into which she had fallen. She opened her eyes, then closed them again as she lay there on her couch so motionless that her children crept to her side and touched her to see if she slept. Then she opened her eyes once more and smiled; not her old joyous smile, but one so faint that Gay's eyes filled with tears. Taking his mother's pale, beautiful face between his hands he kissed it gently—not very gently, perhaps, for a boy's kiss is rarely as light as a fairy's, although his heart is quite as tender—and this won for him a kiss in return. "We meant to be very quiet, mother," said Gay, with another penitent kiss. "But something always happens." "Yes, something always happens," said May, who invariably echoed Gay's sentiments and followed his example, as became a twin sister. "Mother understands, my darlings," the Mistress softly murmured. "It was one of our mishaps," continued Gay. "You know we can't keep out of them, mother. When we don't go to them they just follow right round after us, as if they were alive!" In truth, it seemed as if this were so. Their eleven years had been crowded with adventures; not particularly stirring nor remarkable, but harmless and ludicrous adventures such as seem to come to some children unsought. It must be owned, however, in their case, that had not the adventure appeared promptly on the scene they would have gone in search of it, Gay leading and May a close second. As they apparently led a charmed life, emerging unscathed from their scrapes, no one was disposed to criticise them severely. Alice once said: "Gay and May are just like cats; no matter how badly they may be placed, when they jump they always land on their feet!" And the
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Produced by Peter Podgoršek, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration] DIARY OF AN ENLISTED MAN BY LAWRENCE VAN ALSTYNE SHARON, CONN. NEW HAVEN, CONN. THE TUTTLE, MOREHOUSE & TAYLOR COMPANY 1910 Copyrighted 1910 by LAWRENCE VAN ALSTYNE WITH LOVING REGARD FOR THE MEMORY OF MY PARENTS WHO WATCHED FOR AND EAGERLY READ THE DIARY AS FROM TIME TO TIME IT CAME TO THEM AND TO MY COMRADES-IN-ARMS WHETHER LIVING OR DEAD THIS VOLUME IS AFFECTIONATELY DEDICATED. PREFACE In the multitude of books written about the Civil War, very little is said of the enlisted man. His bravery and his loyalty are admitted and that is about all. Of his everyday life, the very thing his family and friends cared most to know about, there is hardly anything said. It is to remedy this omission in some degree that the following pages are published. They were written by an enlisted man and are mostly about enlisted men. They are filled with details that history has no room for, and for that reason may have an interest quite their own. They were written at different times, in different places, and under a great variety of circumstances and conditions. Some were written as the line halted for rest while marching from place to place, some while waiting for trains or other modes of transportation, but the most were written by the light of a candle or a smoldering camp-fire while my comrades, no more weary than I, were sleeping about me. All were written amid scenes of more or less confusion, and many times of great excitement. They were written because of a promise made to my parents that I would make notes of my wanderings and of the adventures I met with. At first I found it an irksome task, taking time I really needed for rest; but as time went on the habit became fixed, and I did not consider the day's work done until I had written in my diary of the events that came with it. The diary was kept in small pocket notebooks, of a size convenient to carry in my pocket, and be ever ready for use. There was never a lack of subjects to write about. Events crowded upon each other so fast that each day furnished plenty of material for the time I could give it. I had never been far from home. The sights I saw were new and strange to me and made deep impressions. These, as best I could, I transferred to the pages of my diary, so the friends at home could, in a way, see the sights I saw and that seemed so wonderful to me. When pages enough were written for a letter, I cut them out and sent them home to be read by any who cared to, after which they were strung together on a string and saved for me to read again, should I ever return to do it. When I did return I found the leaves had so accumulated as to make a large bundle. There was no need for me to read them at that time, for the story they told was burned too deep in my memory to be easily forgotten. So I tied them in a bundle and put them away in an unused drawer of my desk, where they lay, unread and undisturbed for the next forty-five years. But while the old diary lay hidden in my desk a new generation had crept upon the stage. We no longer occupied the center of it. One by one we had been crowded off, and our ranks were getting so thin we had to feel around for the touch of a comrade's elbow. Every year there were more comrades' graves to decorate, and every year there were fewer of us left to decorate them. At last we had met an enemy we could not even hope to conquer. With sadness we saw first one and then another called out, and they did not return. They had answered the last roll call, and it was only a question of a little time when the last name would be called, and the muster-out rolls be folded up and filed away. It was with a feeling of ever-increasing loneliness that I untied the
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Produced by Larry B. Harrison, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) _William Nelson._ [Illustration: Yours Faithfully William Nelson] _William Nelson_ A MEMOIR BY SIR DANIEL WILSON, LL.D., F.R.S.E., PRESIDENT OF THE UNIVERSITY OF TORONTO. [Illustration: colophon] Printed for Private Circulation. _T. Nelson and Sons, Edinburgh._ _1889._ TO Mrs. William Nelson THIS MEMOIR OF HER HUSBAND IS AFFECTIONATELY DEDICATED BY HIS OLD FRIEND AND SCHOOLMATE FOREWORD. The volume here produced for the eye of friends is the memorial of one whose life presented a rare example of simplicity, of thoroughness in working up to a high standard in all that he undertook, and fidelity in his responsible stewardship as a man of wealth and a captain of industry. The friendship between us extended in uninterrupted union, with the maturing estimation of years and experience, from early boyhood till both had passed the assigned limits of threescore years and ten. It would have been easy to swell the volume into the bulky proportions of modern biography: for William Nelson keenly enjoyed the communion of friendship; and his correspondence furnishes many passages calculated to interest others besides those who knew and loved him as a friend. But the aim has been simply to present him “in his habit as he lived;” and thus to preserve for relatives, personal friends, and for his fellow-workers of all ranks, such a picture as may pleasantly recall some reflex of a noble life; and record characteristic traits of one of whom it can be so truly said: “To live in hearts of those we love is not to die.” D. W. UNIVERSITY OF TORONTO, _September 26, 1889_. CONTENTS. I.
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Project Gutenberg Etext of Cromwell attributed in part to Shakespeare PG has multiple editions of William Shakespeare's Complete Works Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Cromwell by William Shakespeare [Apocrypha] May, 1999 [Etext #1736] Project Gutenberg Etext of Cromwell attributed in part to Shakespeare ******This file should be named 1736.txt or 1736.zip****** This etext was prepared by the PG Shakespeare Team, a team of about twenty Project Gutenberg volunteers. Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT! keep these books in compliance with any particular paper edition. We are now trying to release all our books one month in advance of the official release dates, leaving time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month. Since our ftp program has a bug in it that scrambles the date [tried to fix and failed] a look at the file size will have to do, but we will try to see a new copy has at least one byte more or less. Information about Project Gutenberg (one page) We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar then we produce $2 million dollars per hour this year as we release thirty-six text files per month, or 432 more Etexts in 1999 for a total of 2000+ If these reach just 10% of the computerized population, then the total should reach over 200 billion Etexts given away this year. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] This is ten thousand titles each to one hundred million readers, which is only ~5% of the present number of computer users. At our revised rates of production, we will reach only one-third of that goal by the end of 2001, or about 3,333 Etexts unless we manage to get some real funding; currently our funding is mostly from Michael Hart's salary at Carnegie-Mellon University, and an assortment of sporadic gifts; this salary is only good for a few more years, so we are looking for something to replace it, as we don't want Project Gutenberg to be so dependent on one person. We need your donations more than ever! All donations should be made to "Project Gutenberg/CMU": and are tax deductible to the extent allowable by law. (CMU = Carnegie- Mellon University). For these and other matters, please mail to: Project Gutenberg P. O. Box 2782 Champaign, IL 61825 When all other email fails...try our Executive Director: Michael S. Hart <[email protected]> [email protected] forwards to [email protected] and archive.org if your mail bounces from archive.org, I will still see it, if it bounces from prairienet.org, better resend later on.... We would prefer to send you this information by email. ****** To access Project Gutenberg etexts, use any Web browser to view http://promo.net/pg. This site lists Etexts by author and by title, and includes information about how to get involved with Project Gutenberg. You could also download our past Newsletters, or subscribe here. This is one of our major sites, please email [email protected], for a more complete list of our various sites. To go directly to the etext collections, use FTP or any Web browser to visit a Project Gutenberg mirror (mirror sites are available on 7 continents; mirrors are listed at http://promo.net/pg). Mac users, do NOT point and click, typing works better. Example FTP session: ftp sunsite.unc.edu login: anonymous password: your@login
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SHUTTERS*** E-text prepared by David Clarke, Martin Pettit, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) THE HOUSE WITH THE GREEN SHUTTERS by GEORGE DOUGLAS [Illustration: Publisher's logo] Thomas Nelson and Sons, Ltd. London, Edinburgh, and New York THE HOUSE WITH THE GREEN SHUTTERS. CHAPTER I. The frowsy chambermaid of the "Red Lion" had just finished washing the front door steps. She rose from her stooping posture and, being of slovenly habit, flung the water from her pail
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) THE RIVERS AND STREAMS OF ENGLAND AGENTS AMERICA THE MACMILLAN COMPANY 64 & 66 FIFTH AVENUE, NEW YORK AUSTRALASIA THE OXFORD UNIVERSITY PRESS 205 FLINDERS LANE, MELBOURNE CANADA THE MACMILLAN COMPANY OF CANADA, LTD. ST. MARTIN'S HOUSE, 70 BOND STREET, TORONTO INDIA MACMILLAN & COMPANY, LTD. MACMILLAN BUILDING, BOMBAY 309 BOW BAZAAR STREET, CALCUTTA [Illustration] [Illustration: THE DERWENT, HIGH TOR, MATLOCK, DERBYSHIRE] THE RIVERS & STREAMS OF ENGLAND PAINTED BY SUTTON PALMER DESCRIBED BY A. G. BRADLEY [Illustration: colophon] PUBLISHED BY 4 SOHO SQUARE ADAM AND CHARLES LONDON, W BLACK MCMIX PREFACE Though this is not a book on angling, a life-long attachment to the fly-rod on the part of the author, and to the delightful scenes into which such predilections notoriously lead one, makes it at once more difficult and more easy to write than if one were approaching the subject as a stranger to the atmosphere, and merely to "write round" the pictures Mr. Palmer has so admirably painted. But in my case it is by no means only this. A predilection for British landscape in general, and all that thereby hangs, has stimulated a far wider acquaintance with it than any mere angling rambles could achieve, and resulted in the publication of several books concerned with such things, and covering more or less about twenty counties. I feel this explanation is desirable, lest the note of intimacy with many far-sundered streams, in allusion and otherwise, that must occur in these pages may be suspect. The more so, as from the fascination of the Cook's ticket or what not, comparatively few of my countrymen have any considerable knowledge of their own land. The Rhine is certainly better known than the Wye, and the Danube probably than the Severn. But these very experiences made the first proposal to write a book, other than a mere encyclopaedia, within a brief space on such a big subject, seem almost hopeless. Rivers and streams from every direction, by scores, came surging out upon the memory at the very thought of it, in quite distracting fashion. It was finally agreed, however, that the literary part of the book should take shape in a series of essays or chapters dealing with the rivers mainly in separate groups or water-sheds, leaving the proportions to my discretion. Capricious in a measure this was bound to be. Selection was inevitable. It is not of supreme importance. _Caeteris paribus_, and without diverging more than necessary from the skilful illustrator, I have dealt more freely with the rivers I know best, and also with those I hold to be more worthy of notice. There are, of course, omissions, this book being neither a guide nor an encyclopaedia, but rather a collection of descriptive essays and of water-colour sketches covering, though necessarily in brief, most of the groups. In this particular subject there is happily no need for author and illustrator to keep close company in detail. What inspires the pen, and in actual survey stirs the blood, is often unpaintable. What makes a delightful picture, on the other hand, tells sometimes but a dull tale in print. I have had to leave to the artist's capable brush, owing to the necessary limitations of the letterpress, several subjects; a matter, however, which seems to me as quite immaterial to the general purport of the book, as it is unavoidable. But otherwise I think we run reasonably together. At first sight the omission of the Thames in description may seem outrageous. A moment's reflection, however, will, I am sure, conduce to a saner view. Illustration is wholly another matter; but to attempt ten or fifteen pages on that great and familiar river, dealt with, too, in bulk and brief by innumerable pens, that could serve any purpose or gratify any reader, seems to me a fatuous undertaking. The Severn, on the other hand, as great, almost as important as the Thames, and still more beautiful, is by comparison an absolutely unknown river, and we have given it the first place. A. G. B. CONTENTS CHAPTER I PAGE THE SEVERN 1 CHAPTER II THE WYE 39 CHAPTER III THE CHALK STREAMS 64 CHAPTER IV THE BORDER RIVERS 101 CHAPTER V TWO AVONS 149 CHAPTER VI THE RIVERS OF DEVON 161 CHAPTER VII THE RIVERS OF THE SOUTH-EAST 209 CHAPTER VIII THE YORKSHIRE DALES 227 CHAPTER IX AN EAST ANGLIAN RIVER 269 LIST OF ILLUSTRATIONS 1. The Derwent, High Tor, Matlock _Frontispiece_ FACING PAGE 2. The Severn, near Arley, Shropshire 6 3. The Severn, Bridgenorth, Shropshire 18 4. The Severn, near Cam, Gloucestershire 30 5. Chepstow with Wye and Severn 34 6. The Wye, Haddon Hall, Derbyshire 38 7. The Wye, Hay, Breconshire 40 8. The Wye, Ross, Herefordshire 46 9. The Monnow, Old Bridge, Monmouth 52 10. The Wye, Symond's Yat, Herefordshire 60 11. The Wye, Tintern, Monmouthshire 62 12. The Thames, looking towards Henley 64 13. The Avon, near Salisbury 66 14. The Thames, the Bells of Ouseley, Old Windsor 70 15. Stapleford on the Wiley 82 16. The Itchen, St. Cross, Winchester 88 17. The Itchen, and St. Giles' Hill, Winchester 94 18. The Dove, Dovedale, Derbyshire 100 19. The Tyne, Hexham, Northumberland 102 20. The Coquet, and Warkworth Castle, Northumberland 124 21. The Eden, Samson's Chamber, near Carlisle 136 22. The Eden, near Lazonby, Cumberland 140 23. The Derwent, Grange, Borrowdale 142 24. Skelwith Force, near Ambleside, Westmoreland 144 25. The Derwent, Borrowdale, Cumberland 146 26. The Brathay, Langdale, Westmoreland 150 27. The Thames, Backwater by the Islands, Henley 152 28. The Avon at Clifton 154 29. The Avon, Stratford, Warwickshire 158 30. A Glimpse of the Thames, Kew 160 31. The Hamoaze, Devonport, from Mount Edgcumbe 162 32. The Dart, Dittisham, Devon 166 33. The Erme, Ivy Bridge, Devon 172 34. The Tamar, Cotehele, Cornwall 178 35. The Tamar, near Calstock, Cornwall 182 36. The Tavy, Tavistock, Devon 186 37. The Okement, Oakhampton, Devon 192 38. On the West Lynn, Lynmouth, Devon 198 39. The Exe, Countess Weir, Devon 200 40. The Exe, Topsham, Devon 202 41. The Axe, Axmouth, Devon 204 42. The Thames, Eton 208 43. The Thames, Richmond 208 44. The Arun, Arundel Castle, Sussex 208 45. The Arun, Amberley, Sussex 210 46. The Ouse, near Barcombe Mills, Sussex 212 47. The Ouse, near Lewes, Sussex 214 48. A Stream, near Leith Hill, Surrey 216 49. The Rother, Fittleworth, Sussex 216 50. The Wey, Surrey 218 51. The Medway, Aylesford, Kent 220 52. The Wey, Elstead, Surrey 222 53. The Medway, Maidstone, Kent 224 54. The Medway, Rochester 226 55. The Trent, Nottingham 228 56. The Wharfe, Bolton Abbey, Yorkshire 230 57. The Wharfe, the Strid, Yorkshire 234 58. The Wharfe, Barden Tower, Yorkshire 238 59. The Nidd, Knaresborough, Yorkshire 242 60. The Ure, near Ripon, Yorkshire 246 61. The Ure, Aysgarth Force, Yorkshire 250 62. The Swale, Richmond, Yorkshire 252 63. The Swale, Richmond, Yorkshire 254 64. The Swale, Richmond, Yorkshire 256 65. The Swale, Easby Abbey, Yorkshire 258 66. High Force, Tees, Yorkshire 260 67. The Tees, Cotherstone, Yorkshire 264 68. The Tees, Barnard Castle, Durham 266 69. The Stour, Bergholt, Suffolk 268 70. The Ouse, near St. Ives, Huntingdonshire 268 71. The Ouse, Huntingdonshire 270 72. The Ouse, Houghton Mill, Huntingdonshire 272 73. The Ouse, Hemingford Abbots, Huntingdonshire 274 74. The Ouse, near Holywell, Huntingdonshire 276 75. The Stour, near Dedham, Essex 278 _Sketch Map at end of Volume._ RIVERS AND STREAMS OF ENGLAND CHAPTER I THE SEVERN There is surely some peculiar fascination in the birthplace of a famous river when this lies in the heart of moors and mountains. For myself, I admit at once to but scant interest in the infant springs of even such slow running rivers as I have some personal affection for. There is neither mystery, nor solitude, nor privacy about their birth. They come into the world amid much the same surroundings as those in which they spend the greater part of their mature existence--amid ploughed fields, cattle pastures, and villages, farmyards, game covers, and ozier beds. When full they are inevitably muddy, and when empty are very empty indeed; lifeless, and mute at the best, at the worst actually dry. The river of low-country birth acquires, in short, neither character nor
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Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/ for project Gutenberg (This file was produced from images generously made available by The Internet Archive) Philippine Bureau of Agriculture. Farmer's Bulletin No. 2. CACAO CULTURE IN THE PHILIPPINES By WILLIAM S. LYON, In charge of seed and plant introduction. Prepared under the direction of the Chief of the Bureau. Manila: Bureau of Public Printing. 1902. CONTENTS. Page. Letter of transmittal 4 Introduction 5 Climate 6 The plantation site 7 The soil 7 Preparation of the soil 8 Drainage 8 Forming the plantation 9 Selection of varieties 10 Planting 11 Cultivation 13 Pruning 13 Harvest 16 Enemies and diseases 18 Manuring 19 Supplemental notes 21 New varieties 21 Residence 21 Cost of a cacao plantation 22 LETTER OF TRANSMITTAL. Sir: I submit herewith an essay on the cultivation of cacao, for the use of planters in the Philippines. This essay is prompted first, because much of the cacao grown here is of such excellent quality as to induce keen rivalry among buyers to procure it at an advance of quite 50 per cent over the common export grades of the Java bean, notwithstanding the failure on the part of the local grower to "process" or cure the product in any way; second, because in parts of Mindanao and <DW64>s, despite ill treatment or no treatment, the plant exhibits a luxuriance of growth and wealth of productiveness that demonstrates its entire fitness for those regions and leads us to believe in the successful extension of its propagation throughout these Islands; and lastly because of the repeated calls upon the Chief of the Agricultural Bureau for literature or information bearing upon this important horticultural industry. The importance of cacao-growing
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Produced by David Widger from page images generously provided by the Internet Archive DAIREEN Volume 2 of 2 By Frank Frankfort Moore (Transcriber's Note: Chapters XX to XXIV were taken from a print copy of a different edition as these chapters were missing from the 1889 print edition from which the rest of the Project Gutenberg edition was taken. In the inserted four chapters it will be noted that the normal double quotation marks were printed as single quote marks.) CHAPTER XXIII. I have heard of your paintings too. _Hamlet_. His form and cause conjoined, preaching to stones, Would make them capable. Do not look upon me, Lest... what I have to do Will want true colour.... Do you see nothing there? _Queen_. No, nothing but ourselves. _Hamlet_. Why, look you there... Look, where he goes, even now, out at the portal. _Hamlet._ |I AM so glad to be beside some one who can tell me all I want to know' said Lottie, looking up to Colonel Gerald's bronzed face when Mrs. Crawford and Markham had walked on. 'My dear Lottie, you know very well that you know as much as I do,' he answered, smiling down at her. 'Oh, Colonel Gerald, how can you say such a thing?' she cried innocently. 'You know I am always getting into scrapes through my simplicity.' 'You have managed to get out of a good many in your time, my dear. Is it by the same means you got out of them, Lottie-your simplicity?' 'Oh, you are as amusing as ever,' laughed the young thing. 'But you must not be hard upon poor little me, now that I want to ask you so much. Will you tell me, like a dear good colonel--I know you can if you choose--what is the mystery about this Mr. Markham?' 'Mystery? I don't hear of any mystery about him.' 'Why, all your friends came out in the some steamer as he did. They must
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Produced by Annie R. McGuire [Illustration: HARPER'S YOUNG PEOPLE AN ILLUSTRATED WEEKLY.] * * * * * VOL. II.--NO. 61. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, December 28, 1880. Copyright, 1880, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration: THE FIRST NEW-YEAR'S CALL.--SEE NEXT PAGE.] A HAPPY NEW YEAR. On the first page of this New-Year's number of HARPER'S YOUNG PEOPLE is a picture of the first New-Year's call of the season, which is one made at the door of every house in the land just as the clock strikes twelve on New-Year's Eve. The little fur-clad figure knocking for admittance is that of New Year himself, Master Eighteen Eighty-One, laden with promises and good wishes that will, we hope, insure him a warm welcome from the sleepy watchers within the cozy room to which he seeks to enter. Even Miss Dolly, whom the children have left on the cricket in the corner to watch the old year out and the new one in, and who does not look at all sleepy, will welcome the little stranger in her own way, and he will quickly be made to feel at home. Now watch for him, dear children; he will surely come to every door, and when he arrives, welcome him warmly, and make up your minds to do everything in your power to make him the very happiest New Year that ever was. "PRINCE CHARLIE." BY KATHERINE KAMERON. Christmas was over. The twins, Allan and Jessie, had romped and played away the whole delightful day, in doors and out. Wonderful to tell, they had wearied of all the pretty new toys, and found an end to play. After tea they sat quietly in the fire-glow, talking with mamma about the beautiful new picture that was her gift to them. It was a charming group of gayly dressed children--little Princes and a Princess, the children of the unhappy King Charles I. of England. The tallest
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Produced by Sigal Alon, Christine P. Travers and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) [Transcriber's note: Obvious printer's errors have been corrected, all other inconsistencies are as in the
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Produced by Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team. THE HISTORY OF A MOUTHFUL OF BREAD: And Its Effect on the Organization of Men and Animals. BY JEAN MACE. Translated Prom the Eighth French Edition, By Mrs. Alfred Gatty. EXTRACTS FROM THE PREFACE TO THE ENGLISH EDITION. The volume of which the following pages are a translation, has been adopted by the _University Commission at Paris_ among their prize books, and has reached an eighth edition. Perhaps these facts speak sufficiently in its favor; but as translator, and to some extent editor, I wish to add my testimony to the great charm as well as merit of the little work. I sat down to it, I must own, with no special predilection in favor of the subject as a suitable one for young people; but in the course of the labor have become a thorough convert to the author's views that such a study--perhaps I ought to add, so pursued as he has enabled it to be--is likely to prove a most useful and most desirable one. The precise age at which the interest of a young mind can be turned towards this practical branch of natural history is an open question, and not worth disputing about. It may vary even in different individuals. The letters are addressed to a _child_--in the original even to a _little girl_--and most undoubtedly, as the book stands, it is fit for any child's perusal who can find amusement in its pages: while to the rather older readers, of whom I trust there will be a great many, I will venture to say that the advantage they will gain in the subject having been so treated as to be brought within the comprehension and adapted to the tastes of a child, is pretty nearly incalculable. The quaintness and drollery of the illustrations with which difficult scientific facts are set forth will provoke many a smile, no doubt, and in some young people perhaps a tendency to feel themselves treated _babyishly_; but if in the course of the babyish treatment they find themselves
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Produced by Judy Boss. HTML version by Al Haines. Transcriber's Note: I have closed contractions in the text, e.g., "did n't" becoming "didn't" for example; I have also added the missing period after "caress" in line 11 of page 61, and have changed "ever" to "over" in line 16 of page 121. OLDPORT DAYS. BY THOMAS WENTWORTH HIGGINSON. BOSTON: LEE AND SHEPARD, PUBLISHERS. NEW YORK: CHARLES
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TOMO III (OF 3)*** E-text prepared by Carlo Traverso, Claudio Paganelli, Barbara Magni, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/lapromessasposad00scot All three volumes are included in this one book. Project Gutenberg has the other two volumes of this work. Volume I: see http://www.gutenberg.org/ebooks/42881 Volume II: see http://www.gutenberg.org/ebooks/42882 ROMANZI STORICI DI WALTER SCOTT _TOMO TERZO_ LA PROMESSA SPOSA DI LAMMERMOOR O NUOVI RACCONTI DEL MIO OSTIERE RACCOLTI E PUBBLICATI DA JEDEDIAH CLEISHBOTHAM MAESTRO DI SCUOLA, E SAGRESTANO DELLA PARROCCHIA DI GANDERCLEUGH VOLGARIZZATI _DAL PROFESSORE_ GAETANO BARBIERI _TOMO III._ FIRENZE TIPOGRAFIA COEN E COMP. MDCCCXXVI. LA PROMESSA SPOSA DI LAMMERMOOR CAPITOLO PRIMO. „ Tal de' suoi figli al numeroso stuolo Segnò d'angosce miserando calle Il primo padre! Almen compagna al duolo In questo dell'esilio amara valle Ebbe una sposa; io derelitto e solo All'albergo natio volgo le spalle. „ _Waller._ Non m'arresterò a descrivere, perchè superiori ad ogni descrizione, i sentimenti di sdegno e di cordoglio che si straziavano a vicenda il cuore del sere di Ravenswood nell'allontanarsi dal castello de' suoi antenati. Il biglietto di lady Asthon era concepito in termini sì sgradevoli, che non gli sarebbe stato permesso il rimanere un istante di più entro il recinto di quelle mura, e mostrarsi consentaneo a quella alterezza, che in lui anche troppo allignava. Il marchese di Athol ravvisava in parte, come arrecato a se stesso, l'affronto sofferto dal suo parente; ma coll'animo di far qualche tentativo a fine di riconciliare gli animi delle due parti, lo lasciò partir solo, dopo averne ottenuta la promessa che lo aspetterebbe alla _Tana della Volpe_, picciola
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JANUARY, 1861*** E-text prepared by Joshua Hutchinson, Tonya Allen, and Project Gutenberg Distributed Proofreaders THE ATLANTIC MONTHLY. A MAGAZINE OF LITERATURE, ART, AND POLITICS. VOL. VII.--JANUARY, 1861.--NO. XXXIX. WASHINGTON CITY. Washington is the paradise of paradoxes,--a city of magnificent distances, but of still more magnificent discrepancies. Anything may be affirmed of it, everything denied. What it seems to be it is not; and although it is getting to be what it never was, it must always remain what it now is. It might be called a city, if it were not alternately populous and uninhabited; and it would be a wide-spread village, if it were not a collection of hospitals for decayed or callow politicians. It is the hybernating-place of fashion, of intelligence, of vice,--a resort without the attractions of waters either mineral or salt, where there is no bathing and no springs, but drinking in abundance and gambling in any quantity. Defenceless, as regards walls, redoubts, moats, or other fortifications, it is nevertheless the Sevastopol of the Republic, against which the allied army of Contractors and Claim-Agents incessantly lay siege. It is a great, little, splendid, mean, extravagant, poverty-stricken barrack for soldiers of fortune and votaries of folly. Scattered helter-skelter over an immense surface, cut up into scalene triangles, the oddity of its plan makes Washington a succession of surprises which never fail to vex and astonish the stranger, be he ever so highly endowed as to the phrenological bump of locality. Depending upon the hap-hazard start the ignoramus may chance to make, any particular house or street is either nearer at hand or farther off than the ordinary human mind finds it agreeable to believe. The first duty of the new-comer is to teach his nether extremities to avoid instinctively the hypothenuse of the street-triangulation, and the last lesson the resident fails to learn is which of the shortcuts from point to point is the least lengthy. Beyond a doubt, the corners of the streets were constructed upon a cold and brutal calculation of the greatest possible amount of oral sin which disappointed haste and irritated anxiety are capable of committing; nor is any relief to the tendency to profanity thus engendered afforded by the inexcusable nomenclature of the streets and avenues,--a nomenclature in which the resources of the alphabet, the arithmetic, the names of all the States of the Union, and the Presidents as well, are exhausted with the most unsystematic profligacy. A man not gifted with supernatural acuteness, in striving to get from Brown's Hotel to the General Post-Office, turns a corner and suddenly finds himself nowhere, simply because he is everywhere,--being at the instant upon three separate streets and two distinct avenues. And, as a further consequence of the scalene arrangement of things, it happens that the stranger in Washington, however civic his birth and education may have been, is always unconsciously performing those military evolutions styled marching to the right or left oblique,--acquiring thereby, it is said, that obliquity of the moral vision--which sooner or later afflicts every human being who inhabits this strange, lop-sided city-village. So queer, indeed, is Washington City in every aspect, that one newly impressed by its incongruities is compelled to regard Swift's description of Lilliputia and Sydney Smith's account of Australia as poor attempts at fun. For, leaving out of view the pigmies of the former place, whose like we know is never found in Congress, what is there in that Australian bird with the voice of a jackass to excite the feeblest interest in the mind of a man who has listened to the debates on Kansas? or what marvel is an amphibian with the bill of a duck to him who has gazed aghast at the intricate anatomy of the bill of English? It is true that the ignorant Antipodes, with a total disregard of all theories of projectiles, throw their boomerangs behind their backs in order to kill an animal that stands or runs before their faces, or skim them along the ground when they would destroy an object flying overhead. And these feats seem curious. But an accomplished "Constitutional Adviser" can perform feats far more surprising with a few lumps of coal or a number of ships-knees, which are but boomerangs of a larger growth. Another has invented the deadliest of political missiles, (in their recoil,) shaped like mules and dismantled forts, while a third has demolished the Treasury with a simple miscalculation. Still more astonishing are the performances of an eminent functionary who encourages polygamy by intimidation, purchases redress for national insult by intercepting his armies and fleets with an apology in the mouth of a Commissioner, and elevates the Republic in the eyes of mankind by conquering at Ostend even less than he has lost at the Executive Mansion. In truth, the list of Washington anomalies is so extensive and so various, that no writer with a proper regard for his own reputation or his readers' credulity would dare enumerate them one by one. Without material injury to the common understanding, a few may be mentioned; but respect for public opinion would urge that the enormous whole be summed up in the comparatively safe and respectful assertion, that the one only absolutely certain thing in Washington is the absence of everything that is at all permanent. The following are some of the more obnoxious astonishments of the place. Traversing a rocky prairie inflated with hacks, you arrive late in the afternoon at a curbed boundary, too fatigued in body and too suffocated with dust to resent the insult to your common-sense implied in the announcement that you have merely crossed what is called an Avenue. Recovered from your fatigue, you ascend the steps of a marble palace, and enter but to find it garrisoned by shabby regiments armed with quills and steel pens. The cells they inhabit are gloomy as dungeons, but furnished like parlors. Their business is to keep everybody's accounts but their own. They are of all ages, but of a uniformly dejected aspect. Do not underrate their value. Mr. Bulwer has said, that, in the hands of men entirely great, the pen is mightier than the sword. Suffer yourself to be astonished at their numbers, but permit yourself to withdraw from their vicinity without questioning too closely their present utility or future destination. No personal affront to the public or the nineteenth century is intended by the superfluity of their numbers or the inadequacy of their capacities. Their rapid increase is attributable not to any incestuous breeding in-and-in among themselves, but to a violent seduction of the President and the Heads of Department by importunate Congressmen; and you may rest assured that this criminal multiplication fills nobody with half so much righteous indignation and virtuous sorrow as the clerks themselves. Emerging from the palace of quill-drivers, a new surprise awaits you. The palace is surmounted by what appear to be gigantic masts and booms, economically, but strongly rigged, and without any sails. In the distance, you see other palaces rigged in the same manner. The effect of this spectacle is painful in the extreme. Standing dry-shod as the Israelites were while crossing the Red Sea, you nevertheless seem to be in the midst of a small fleet of unaccountable sloops of the Saurian period. You question whether these are not the fabulous "Ships of State" so often mentioned in the elegant oratory of your country. You observe that these ships are anchored in an ocean of pavement, and your no longer trustworthy eyes search vainly for their helms. The nearest approach to a rudder is a chimney or an unfinished pillar; the closest resemblance to a pilot is a hod-carrying workman clambering up a gangway. Dismissing the nautical hypothesis, your next effort to relieve your perplexity results in the conjecture that the prodigious masts and booms may be nothing more than curious gibbets, the cross-pieces to which, conforming rigidly to the Washington rule of contrariety, are fastened to the bottom instead of the top of the upright. Your theory is, that the destinies of the nation are to be hanged on these monstrous gibbets, and you wonder whether the laws of gravitation will be complaisant enough to turn upside down for the accommodation of the hangman, whoever he may be. It is not without pain that you are forced at last to the commonplace belief that these remarkable mountings of the Public Buildings are neither masts nor booms, but simply derricks,--mechanical contrivances for the lifting of very heavy weights. It is some consolation, however, to be told that the weakness of these derricks has never been proved by the endeavor to elevate by means of them the moral character of the inhabitants of Washington. Content yourself, after a reasonable delay for natural wonderment, to leave the strange scene. This shipping-like aspect of the
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Produced by sp1nd and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: How the Conqueror deals with Rebels.] THE SIEGE OF NORWICH CASTLE _A STORY OF THE LAST STRUGGLE AGAINST THE CONQUEROR_ BY M. M. BLAKE _With Illustrations by the Author_ LONDON SEELEY AND CO. LIMITED ESSEX STREET, STRAND 1893 TO MY FATHER THIS STORY IS AFFECTIONATELY INSCRIBED CONTENTS. CHAP. PAGE I. THE SUZERAIN'S 'NAY,' 9 II. LOVE OR LOYALTY, 25 III. JEST AND EARNEST, 37 IV. HORSE, HAWK, AND HOUND, 53 V. NORMAN AND SAXON, 65 VI. THE BRIDE-ALE, 74 VII. DELILAH SHEARS SAMSON, 91 VIII. KNIGHT-ERRANT AND MERCENARY, 100 IX. NORWICH, 113 X. LANFRANC, 127 XI. THE CASTELLAN OF BLAUNCHEFLOUR, 139 XII. THE STANDARD OF REVOLT, 148 XIII. ST. NICHOLAS FOR GUADER! 160 XIV. HOW THE CONQUEROR DEALS WITH REBELS, 173 XV. 'O HIGH AMBITION LOWLY LAID!' 189 XVI. WIFE OR WIDOW? 206 XVII. HOW RALPH CAME HOME, 222 XVIII. BESIEGED, 234 XIX. 'STONE WALLS DO NOT A PRISON MAKE,' 244 XX. A OUTRANCE, 256 XXI. THE ORDEAL BY FIRE, 272 XXII. A SUBTERRANEAN CONFLICT, 285 XXIII. HOW OLIVER DIED, 299 XXIV. FAMINE, 313 XXV. BRETAGNE, 327 XXVI. CONCLUSION, 336 APPENDIX, 347 LIST OF ILLUSTRATIONS. PAGE HOW THE CONQUEROR DEALS WITH REBELS, _Frontispiece_ EMMA FITZOSBERN ACCEPTS THE TASSEL-GENTLE, 62 JUDITH WATCHES HER SLEEPING SPOUSE, 92 LANFRANC JESTS WITH THE CONQUEROR, 130 WALTHEOF'S HUMILIATION, 136 BISHOP ODO MEETS DE GUADER, 170 THE TOWER STAIRS, 178 THE RESCUE OF THE EARL, 198 EMMA'S FIRST SIGHT OF THE FOE, 240 THE BIG RAT HAS GONE INTO HIS HOLE, 292 A WARRENNE! A WARRENNE! FOR WILLIAM THE NORMAN! 300 DE GUADER DONS THE CROSS, 342 THE SIEGE OF NORWICH CASTLE CHAPTER I. THE SUZERAIN'S 'NAY.' It was towards the close of the year of our Lord 1073. As we now reckon, it would have been some way into 1074, but in those old times they began their twelve-month on March 25th. So, notwithstanding that the daffy-down-dillies were pushing their grey-green blades through the softening earth, and that the partridges had chosen their mates for the season, it was the end of 1073, and just before Easter. The fair Emma Fitzosbern, sister and ward of Roger, Earl of Hereford, a young damsel of splendid beauty, in whose honour the chivalric champions of Normandy and Bretagne were busy cracking each other's heads, according to the fashion of the times, had followed the example of the partridges, and promised her hand in marriage. The mate she had chosen was splendid and brave, and, after the king, was equalled in power and wealth but by two other men in all England. Ralph de Guader or Wader had received the earldom of Norfolk and Suffolk, and the post of Constable of Norwich Castle, from the Conqueror, in return for his services at Hastings and his prowess in beating back the Danes from the eastern coast. His father and grandfather had held lands in England, and he claimed English blood when it suited his purpose, being the only Englishman who bore the rank of earl, save Waltheof Siwardsson, Earl of Huntingdon, Northampton, and Northumberland; but, to his shame be it spoken, he was also the only Englishman against whom it could be told that he fought on William's side at Hastings. He had been deprived of the lands of his father, Ralph the Staller, the chronicles record not wherefore, but it might well be that the house of Godwin, when they wrought on King Eadward the Confessor, of sainted memory, to drive his Norman favourites from the land, included Ralph amongst them on account of his Breton mother, whose influence, doubtless, inclined the lad to love the folks from over the sea, and who would have taught him to speak French and demean himself in French ways, and, that so, a very bitter and personal feud lay between him and Harold Godwinsson. He had retired to his mother's estates of Guader and Montfort, in Bretagne, and had returned thence with a proud following of Breton knights and fighting men, under William of Normandy's banner, making the Norman invasion his opportunity to win back his lands at the sword's point, and to gain other broad acres with them. In 1073, he, and the man whose brother-in-law he wished to become, young Roger Fitzosbern, Earl of Hereford, and Earl Waltheof, nephew-in-law to the king, were the three most powerful nobles in the country. Their estates almost met across England, and, united together, they might have done much as they wished with the kingdom. The Conqueror by no means desired their closer alliance, as we shall see. But to Ralph de Guader and Roger of Hereford nothing seemed more reasonable and in every way satisfactory than the union of their houses by marriage. The former especially was wildly eager to cement their friendship by this solid bond, for the very good reason that he was deeply in love with the beautiful and high-spirited Emma, and had carried her favour in tilt and tourney with such determination and fury, that champions were shy of accepting his challenge when he took his place in the lists. A slight hindrance had marred the progress of the _fiancailles_. William, the Conqueror of England, was also Duke of Normandy, and his restless vassals across the straits were apt to get weary of his continued absence in his new kingdom. Robert of Flanders, his ancient enemy, in battle with whom Emma's father, the famous William Fitzosbern, whom Holingshed calls the king's _coosine_, had lost his life, was always ready to foment any little disputes that might arise amongst them, and King Philip of France had now joined the troublesome Frisian hand and glove. So William thought it wise to go in person to Normandy, to keep guard over the movements of the twain. Of course the marriage could not take place until the king's consent was obtained, and messengers had been despatched to Normandy by the two earls, praying his consent. Their return was more than due, and was awaited with some anxiety, as Lent was so near at hand, during which, according to the Roman Church, no marriage could take place. However, travelling in those days was very different to what it is in ours. The Channel could not be crossed in all weathers and all winds, and it was supposed that unfavourable breezes detained the messengers. Not for a moment was there any doubt that the answer, when it did come, would be in the affirmative. Permission had been asked merely as a matter of form. Meanwhile, every effort was made to entertain the guests at Hereford Castle, and to prevent the time of their prolonged sojourn from hanging heavy on their hands. In Domesday Book there figures a certain Adelina, a female juggler, as having received lands in the county of Hants, having previously enjoyed fee and salary from one Roger, a Norman earl. The talents of this lady were in requisition, and, a heavy downpour of rain and sleet having rendered outdoor sports unpleasant, a large company of knights and ladies were watching her agile movements and ingenious deceptions; shouts and ripples of laughter testifying to their appreciation of her cleverness. She performed at one end of the great banqueting-hall, and was clad in a scarlet dress made Eastern fashion, having a gold-broidered jacket of the shape we are accustomed to call Zouave, with loose trousers, and slippers turned up at the toes; she wore a turban upon her head, from beneath which her long black hair streamed unconfined to her waist, around which she wore a girdle of snake-skins; her bare arms were covered with bangles, and in her hand she held a wand on which a child's skull took the place of the Punch's head which adorns the staff of a Polichinello. She had for assistants two brown-skinned, almond-eyed, white-toothed boys, evidently of Moorish origin, and active as the leopards, whose skins they wore, had been when alive in their native jungle; and the bowls, spheres, and other appliances she used were marked with cabalistic signs in the Arabian alphabet. Evidently, whether or no she was herself of Moorish blood, she had learned her trade from the jugglers of the East, whose skill therein still surpasses all others. In those days the dark-skinned races were identified with Antichrist, and the entertainment therefore afforded that flavour of the forbidden which seems so necessary to the enjoyment of some folks. A gibbering monkey, which perched on her shoulder, and performed strange antics at her bidding, alternately with wild freaks of mischief of its own invention, added to the air of _diablerie_ which made the exhibition attractive. The young Earl of Hereford, his countess, and their two little sons, were foremost among the spectators, the earl laughing heartily at the tricks of his favourite, and rewarding her
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Produced by Dagny; John Bickers UNCLE WILLIAM THE MAN WHO WAS SHIF'LESS By Jennette Lee TO GERALD STANLEY LEE "Let him sing to me Who sees the watching of the stars above the day, Who hears the singing of the sunrise On its way Through all the night. * * * * * Let him sing to me Who is the sky-voice, the thunder-lover, Who hears above the winds' fast flying shrouds The drifted darkness, the heavenly strife, The singing on the sunny sides of all the clouds Of his own life." UNCLE WILLIAM I "Yes, I'm shif'less. I'm gen'ally considered shif'less," said William Benslow. He spoke in a tone of satisfaction, and hitched his trousers skilfully into place by their one suspender. His companion shifted his easel a little, squinting across the harbor at the changing light. There was a mysterious green in the water that he failed to find in his color-box. William Benslow watched him patiently. "Kind o' ticklish business, ain't it?" he said. The artist admitted that it was. "I reckon I wouldn't ever 'a' done for a painter," said the old man, readjusting his legs. "It's settin'-work, and that's good; but you have to keep at it steady-like--keep a-daubin' and a-scrapin' and a-daubin' and a-scrapin', day in and day out. I shouldn't like it. Sailin''s more in my line," he added, scanning the horizon. "You have to step lively when you do step, but there's plenty of off times when you can set and look and the boat just goes skimmin' along all o' herself, with the water and the sky all round you. I've been thankful a good many times the Lord saw fit to make a sailor of me." The artist glanced a little quizzically at the tumble-down house on the cliff above them and then at the old boat, with its tattered maroon sail, anchored below. "There's not much money in it?" he suggested. "Money? Dunno's there is," returned the other. "You don't reely need money if you're a sailor." "No, I suppose not--no more than an artist." "Don't you need money, either?" The old man spoke with cordial interest. "Well, occasionally--not much. I have to buy canvas now and then, and colors--" The old man nodded. "Same as me. Canvas costs a little, and color. I dye mine in magenta. You get it cheap in the bulk--" The artist laughed out. "All right, Uncle William, all right," he said. "You teach me to trust in the Lord and I'll teach you art. You see that color out there,--deep green like shadowed grass--" The old man nodded. "I've seen that a good many times," he said. "Cur'us, ain't it?--just the color of lobsters when you haul 'em." The young man started. He glanced again at the harbor. "Hum-m!" he said under his breath. He searched in his color-box and mixed a fresh color rapidly on the palette, transferring it swiftly to the canvas. "Ah-h!" he said, again under his breath. It held a note of satisfaction. Uncle William hitched up his suspender and came leisurely across the sand. He squinted at the canvas and then at the sliding water, rising and falling across the bay. "Putty good," he said approvingly. "You've got it just about the way it looks--" "Just about," assented the young man, with quick satisfaction. "Just about. Thank you." Uncle William nodded. "Cur'us, ain't it? there's a lot in the way you see a thing." "There certainly is," said the painter. His brush moved in swift strokes across the canvas. "There certainly is. I've been studying that water for two hours. I never thought of lobsters." He laughed happily. Uncle William joined him, chuckling gently. "That's nateral enough," he said kindly. "You hain't been seein' it every day for sixty year, the way I hev." He looked at it again, lovingly, from his height. "What's the good of being an artist if I can't see things that you can't?" demanded the young man, swinging about on his stool. "Well, what _is_ the use? I dunno; do you?" said Uncle William, genially. "I've thought about that a good many times, too, when I've been sailin'," he went on--"how them artists come up here summer after summer makin' picters,--putty poor, most on 'em,--and what's the use? I can see better ones settin' out there in my boat, any day.--Not but that's better'n some," he added politely, indicating the half-finished canvas. The young man laughed. "Thanks to you," he said. "Come on in and make a chowder. It's too late to do any
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Produced by Suzanne Shell, Gary Houston and the Online Distributed Proofreading Team at http://www.pgdp.net ENGLAND IN AMERICA 1580-1652 By Lyon Gardiner Tyler, LL.D. J. & J. Harper Editions Harper & Row, Publishers New York and Evanston 1904 by Harper & Brothers. [Illustration: SIR WALTER RALEIGH (1552-1618). From an engraving by Robinson after a painting by Zucchero.] CONTENTS CHAP. PAGE EDITOR'S INTRODUCTION xiii AUTHOR'S PREFACE xix I. GENESIS OF ENGLISH COLONIZATION (1492-1579) 3 II. GILBERT AND RALEIGH COLONIES (1583-1602) 18 III. FOUNDING OF VIRGINIA (1602-1608) 34 IV. GLOOM IN VIRGINIA (1608-1617) 55 V. TRANSITION OF VIRGINIA (1617-1640) 76 VI. SOCIAL AND ECONOMIC CONDITIONS OF VIRGINIA (1634-1652) 100 VII. FOUNDING OF MARYLAND (1632-1650) 118 VIII. CONTENTIONS IN MARYLAND (1633-1652) 134 IX. FOUNDING OF PLYMOUTH (1608-1630) 149 X. DEVELOPMENT OF NEW PLYMOUTH (1621-1643) 163 XI. GENESIS OF MASSACHUSETTS (1628-1630) 183 XII. FOUNDING OF MASSACHUSETTS (1630-1642) 196 XIII. RELIGION AND GOVERNMENT IN MASSACHUSETTS (1631-1638) 210 XIV. NARRAGANSETT AND CONNECTICUT SETTLEMENTS (1635-1637) 229 XV. FOUNDING OF CONNECTICUT AND NEW HAVEN (1637-1652) 251 XVI. NEW HAMPSHIRE AND MAINE (1653-1658) 266 XVII. COLONIAL NEIGHBORS (1643-1652) 282 XVIII. THE NEW ENGLAND CONFEDERATION (1643-1654) 297 XIX. EARLY NEW ENGLAND LIFE 318 XX. CRITICAL ESSAY ON AUTHORITIES 328 INDEX 341 MAPS ROANOKE ISLAND, JAMESTOWN, AND ST. MARY'S (1584-1632) _facing_ 34 CHART OF VIRGINIA, SHOWING INDIAN AND EARLY ENGLISH SETTLEMENTS IN 1632 76 VIRGINIA IN 1652 99 MARYLAND IN 1652 133 NEW ENGLAND (1652) _facing_ 196 MAINE IN 1652 265 NEW SWEDEN AND NEW NETHERLAND 296 [Transcriber's Note: This text retains original spellings. Also, superscripted abbreviations or contractions are indicated by the use of a caret (^), such as w^th (with).] EDITOR'S INTRODUCTION Some space has already been given in this series to the English and their relation to the New World, especially the latter half of Cheyney's _European Background of American History_, which deals with the religious, social, and political institutions which the English colonists brought with them; and chapter v. of Bourne's _Spain in America_, describing the Cabot voyages. This volume begins a detailed story of the English settlement, and its title indicates the conception of the author that during the first half-century the American colonies were simply outlying portions of the English nation, but that owing to disturbances culminating in civil war they had the opportunity to develop on lines not suggested by the home government. The first two chapters deal with the unsuccessful attempts to plant English colonies, especially by Gilbert and Raleigh. These beginnings are important because they proved the difficulty of planting colonies through individual enterprise. At the same time the author brings out clearly the various motives for colonization--the spirit of adventure, the desire to enjoy a new life, and the intent to harm the commerce of the colonies of Spain. In chapters iii. to vi. the author describes the final founding of the first successful colony, Virginia, and emphasizes four notable characteristics of that movement. The first is the creation of colonizing companies (a part of the movement described in its more general features by Cheyney in his chapters vii. and viii.). The second is the great waste of money and the awful sacrifice of human life caused by the failure of the colonizers to adapt themselves to the conditions of life in America. That the people of Virginia should be fed on grain brought from England, should build their houses in a swamp, should spend their feeble energies in military executions of one another is an unhappy story made none the pleasanter by the knowledge that the founders of the company in England were spending freely of their substance and their effort on the colony. The third element in the growth of Virginia is the introduction of the staple crop, always in demand, and adapted to the soil of Virginia. Tobacco, after 1616, speedily became the main interest of Virginia, and without tobacco it must have gone down. A fourth characteristic is the early evidence of an unconquerable desire for self-government, brought out in the movements of the first assembly of 1619 and the later colonial government: here we have the germ of the later American system of government. The founding of the neighboring colony of Maryland (chapters vii. and viii.) marks the first of the proprietary colonies; it followed by twenty-five years and had the advantage of the unhappy experience of Virginia and of very capable management. The author shows how little Maryland deserves the name of a Catholic colony, and he develops the Kent Island episode, the first serious boundary controversy between two English commonwealths in America. To the two earliest New England colonies are devoted five chapters (ix. to xiii.), which are treated not as a separate episode but as part of the general spirit of colonization. Especial attention is paid to the development of popular government in Massachusetts, where the relation between governor, council, and freemen had an opportunity to work itself out. Through the transfer of the charter to New England, America had its first experience of a plantation with a written constitution for internal affairs. The fathers of the Puritan republics are further relieved of the halo which generations of venerating descendants have bestowed upon them, and appear as human characters. Though engaging in a great and difficult task, and while solving many problems, they nevertheless denied their own fundamental precept of the right of a man to worship God according to the dictates of his own conscience. Chapters xiv. to xvi. describe the foundation of the little settlements in Connecticut, Rhode Island, New Haven, New Hampshire, and Maine; and here we have an interesting picture of little towns for a time standing quite independent, and gradually consolidating into commonwealths, or coalescing with more powerful neighbors. Then follow (chapters xvii. and xviii.) the international and intercolonial relations of the colonies, and especially the New England Confederation, the first form of American federal government. A brief sketch of the conditions of social life in New England (chapter xix.) brings out the strong commercial spirit of the people as well as their intense religious life and the narrowness of their social and intellectual status. The bibliographical essay is necessarily a selection from the great literature of early English colonization, but is a conspectus of the most important secondary works and collections of sources. The aim of the volume is to show the reasons for as well as the progress of English colonization. Hence for the illustration Sir Walter Raleigh has been chosen, as the most conspicuous colonizer of his time. The freshness of the story is in its clear exposition of the terrible difficulties in the way of founding self-sustaining colonies--the unfamiliar soil and climate, Indian enemies, internal dissensions, interference by the English government, vague and conflicting territorial grants. Yet out of these difficulties, in forty-five years of actual settlement, two southern and six or seven northern communities were permanently established, in the face of the opposition and rivalry of Spain, France, and Holland. For this task the editor has thought that President Tyler is especially qualified, as an author whose descent and historical interest connect him both with the northern and the southern groups of settlements. AUTHOR'S PREFACE This book covers a period of a little more than three-quarters of a century. It begins with the first attempt at English colonization in America, in 1576, and ends with the year 1652, when the supremacy of Parliament was recognized throughout the English colonies. The original motive of colonization is found in English rivalry with the Spanish power; and the first chapter of this work tells how this motive influenced Gilbert and Raleigh in their endeavors to plant colonies in Newfoundland and North Carolina. Though unfortunate in permanent result, these expeditions familiarized the people of England with the country of Virginia--a name given by Queen Elizabeth to all the region from Canada to Florida--and stimulated the successful settlement at Jamestown in the early part of the seventeenth century. With the charter of 1609 Virginia was severed from North Virginia, to which Captain Smith soon gave the name of "New England"; and the story thereafter is of two streams of English emigration--one to Virginia and the other to New England. Thence arose the Southern and Northern colonies of English America, which, more than a century beyond the period of this book, united to form the great republic of the United States. The most interesting period in the history of any country is the formative period; and through the mass of recently published original material on America the opportunity to tell its story well has been of late years greatly increased. In the preparation of this work I have endeavored to consult the original sources, and to admit secondary testimony only in matters of detail. I beg to express my indebtedness to the authorities of the Harvard College Library and the Virginia Library for their courtesy in giving me special facilities for the verification of my authorities. LYON GARDINER TYLER. ENGLAND IN AMERICA CHAPTER I GENESIS OF ENGLISH COLONIZATION (1492-1579) Up to the last third of the sixteenth century American history was the history of Spanish conquest, settlement, and exploration. Except for the feeble Portuguese settlements in Brazil and at the mouth of the La Plata, from Florida and the Gulf of Mexico, around the eastern and western coasts of South America, and northward to the Gulf of California, all was Spanish--main-land and islands alike. The subject of this volume is the bold assertion of England to a rivalry in European waters and on American coasts. How came England, with four millions of people, to enter into a quarter of a century of war with the greatest power in Europe? The answer is that Spain was already decaying, while England was instinct with the spirit of progress and development. The contrast grew principally out of the different attitude of the two nations towards the wealth introduced into Europe from America, and towards the hitherto established religion of the Christian world. While the treasure from Mexico and Peru enabled Charles V. and Philip II. to carry on great wars and to establish an immense prestige at the different courts of Europe, it created a speculative spirit which drew their subjects away from sober employment. For this reason manufacturing and agriculture, for which Spain was once so distinguished, were neglected; and the kingdom, thinned of people and decreasing in industry, grew dependent
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Produced by Jonathan Ingram, Beth Trapaga and the Online Distributed Proofreading Team STEPHEN ARCHER AND OTHER TALES By George Macdonald CONTENTS. STEPHEN ARCHER THE GIFTS OF THE CHILD CHRIST THE HISTORY OF PHOTOGEN AND NYCTERIS THE BUTCHER'S BILLS POET IN A STORM IF I HAD A FATHER STEPHEN ARCHER Stephen Archer was a stationer, bookseller, and newsmonger in one of the suburbs of London. The newspapers hung in a sort of rack at his door, as if for the convenience of the public to help themselves in passing. On his counter lay penny weeklies and books coming out in parts, amongst which the _Family Herald_ was in force, and the _London Journal_ not to be found. I had occasion once to try the extent of his stock, for I required a good many copies of one of Shakspere's plays--at a penny, if I could find such. He shook his head, and told me he could not encourage the sale of such productions. This pleased me; for, although it was of little consequence what he thought concerning Shakspere, it was of the utmost import that he should prefer principle to pence. So I loitered in the shop, looking for something to buy; but there was nothing in the way of literature: his whole stock, as far as I could see, consisted of little religious volumes of gay binding and inferior print; he had nothing even from the Halifax press. He was a good-looking fellow, about thirty, with dark eyes, overhanging brows that indicated thought, mouth of character, and no smile. I was interested in him. I asked if he would mind getting the plays I wanted. He said he would rather not. I bade him good morning. More than a year after, I saw him again. I had passed his shop many times, but this morning, I forget why, I went in. I could hardly recall the former appearance of the man, so was it swallowed up in a new expression. His face
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Produced by An Anonymous Volunteer CHRONICLES OF THE CANONGATE. By Sir Walter Scott, Bart. Transcriber's Note: Footnotes and references to the notes at the end of the printed book have been inserted in the etext in square brackets ("[]") close to the place where they were indicated by a suffix in the original text. The notes at the end are now numbered instead of using pages to identify them as was done in the printed text. Text in italics has been written in capital letters. The Pound Sterling symbol has been written as "L". CONTENTS. Introduction to Chronicles of the Canongate. Appendix to Introduction--The Theatrical Fund Dinner. Introductory--Mr. Chrystal Croftangry. The Highland Widow. The Two Drovers. Notes. INTRODUCTION TO CHRONICLES OF THE CANONGATE. The preceding volume of this Collection concluded the last of the pieces originally published under the NOMINIS UMBRA of The Author of Waverley; and the circumstances which rendered it impossible for the writer to continue longer in the possession of his incognito were communicated in 1827, in the Introduction to the first series of Chronicles of the Canongate, consisting (besides a biographical sketch of the imaginary chronicler) of three tales, entitled "The Highland Widow," "The Two Drovers," and "The Surgeon's Daughter." In the present volume the two first named of these pieces are included, together with three detached stories which appeared the year after, in the elegant compilation called "The Keepsake." "The Surgeon's Daughter" it is thought better to defer until a succeeding volume, than to "Begin, and break off in the middle." I have, perhaps, said enough on former occasions of the misfortunes which led to the dropping of that mask under which I had, for a long series of years, enjoyed so large a portion of public favour. Through the success of those literary efforts, I had been enabled to indulge most of the tastes which a retired person of my station might be supposed to entertain. In the pen of this nameless romancer, I seemed to possess something like the secret fountain of coined gold and pearls vouchsafed to the traveller of the Eastern Tale; and no doubt believed that I might venture, without silly imprudence, to extend my personal expenditure considerably beyond what I should have thought of, had my means been limited to the competence which I derived from inheritance, with the moderate income of a professional situation. I bought, and built, and planted, and was considered by myself, as by the rest of the world, in the safe possession of an easy fortune. My riches, however, like the other riches of this world, were liable to accidents, under which they were ultimately destined to make unto themselves wings, and fly away. The year 1825, so disastrous to many branches of industry and commerce, did not spare the market of literature; and the sudden ruin that fell on so many of the booksellers could scarcely have been expected to leave unscathed one whose career had of necessity connected him deeply and extensively with the pecuniary transactions of that profession. In a word, almost without one note of premonition, I found myself involved in the sweeping catastrophe of the unhappy time, and called on to meet the demands of creditors upon commercial establishments with which my fortunes had long been bound up, to the extent of no less a sum than one hundred and twenty thousand pounds. The author having, however rashly, committed his pledges thus largely to the hazards of trading companies, it behoved him, of course, to abide the consequences of his conduct, and, with whatever feelings, he surrendered on the instant every shred of property which he had been accustomed to call his own. It became vested in the hands of gentlemen whose integrity, prudence, and intelligence were combined with all possible liberality and kindness of disposition, and who readily afforded every assistance towards the execution of plans, in the success of which the author contemplated the possibility of his ultimate extrication, and which were of such a nature that, had assistance of this sort been withheld, he could have had little prospect of carrying them into effect. Among other resources which occurred was the project of that complete and corrected edition of his Novels and Romances (whose real parentage had of necessity been disclosed at the moment of the commercial convulsions alluded to), which has now advanced with unprecedented favour nearly to its close; but as he purposed also to continue, for the behoof of those to whom he was indebted, the exercise of his pen in the same path of literature, so long as the taste of his countrymen should seem to approve of his efforts, it appeared to him that it would have been an idle piece of affectation to attempt getting up a new incognito, after his original visor had been thus dashed from his brow. Hence the personal narrative prefixed to the first work of fiction which he put forth after the paternity of the "Waverley Novels" had come to be publicly ascertained; and though many of the particulars originally avowed in that Notice have been unavoidably adverted to in the Prefaces and Notes to some of the preceding volumes of the present collection, it is now reprinted as it stood at the time, because some interest is generally attached to a coin or medal struck on a special occasion,
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Produced by David Starner, Brownfox and the Online Distributed Proofreading Team at http://www.pgdp.net TRANSCRIBERS' NOTES This e-book contains the text of _The Prince of Parthia_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819. Comments and background to all the plays and the other plays are available at Project Gutenberg. Spelling as in the original has been preserved. THE PRINCE OF PARTHIA _A TRAGEDY_ THOMAS GODFREY, JR. (1736-1763) Thomas
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Produced by Brian Foley, Jana Srna and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [ Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible, including inconsistencies in spelling and hyphenation; changes (corrections of spelling and punctuation) made to the original text are listed at the end of this file. ] Sketch of A New Esthetic of Music by FERRUCCIO BUSONI Translated from the German by Dr. TH. BAKER NEW YORK: G. SCHIRMER 1911 Copyright, 1907 By FERRUCCIO BUSONI Copyright, 1911 By G. SCHIRMER 22375 SKETCH OF A NEW ESTHETIC OF MUSIC "What seek you? Say! And what do you expect?"-- "I know not what; the Unknown I would have! What's known to me, is endless; I would go Beyond the end: The last word still is wanting." ["_Der mächtige Zauberer._"] LOOSELY joined together as regards literary form, the following notes are, in reality, the outcome of convictions long held and slowly matured. In them a problem of the first magnitude is formulated with apparent simplicity, without giving the key to its final solution; for the problem cannot be solved for generations--if at all. But it involves an innumerable series of lesser problems, which I present to the consideration of those whom they may concern. For it is a long time since any one has devoted himself to earnest musical research. It is true, that admirable works of genius arise in every period, and I have always taken my stand in the front rank of those who joyfully acclaimed the passing standard-bearers; and still it seems to me that of all these beautiful paths leading so far afield--none lead _upward_. _The spirit of an art-work, the measure of emotion, of humanity, that is in it--these remain unchanged in value through changing years; the form which these three assumed, the manner of their expression, and the flavor of the epoch which gave them birth, are transient, and age rapidly._ Spirit and emotion retain their essence, in the art-work as in man himself; we admire technical achievements, yet they are outstripped, or cloy the taste and are discarded. Its ephemeral qualities give a work the stamp of "modernity;" its unchangeable essence hinders it from becoming "obsolete." Among both "modern" and "old" works we find good and bad, genuine and spurious. There is nothing properly modern--only things which have come into being earlier or later; longer in bloom, or sooner withered. The Modern and the Old have always been. Art-forms are the more lasting, the more closely they adhere to the nature of their individual species of art, the purer they keep their essential means and ends. Sculpture relinquishes the expression of the human pupil, and effects of color; painting degenerates, when it forsakes the flat surface in depiction and takes on complexity in theatrical decoration or panoramic portrayal. Architecture has its fundamental form, growth from below upward, prescribed by static necessity; window and roof necessarily provide the intermediate and finishing configuration; these are eternal and inviolable requirements of the art. Poetry commands the abstract thought, which it clothes in words. More independent than the others, it reaches the furthest bounds. _But all arts, resources and forms ever aim at the one end, namely, the imitation of nature and the interpretation of human feelings._ * * * Architecture, sculpture, poetry and painting are old and mature arts; their conceptions are established and their objects assured; they have found the way through uncounted centuries, and, like the planets, describe their regular orbits.[A] [A] None the less, in these arts, taste and individuality can and will unceasingly find refreshment and rejuvenation. Music, compared with them, is a child that has learned to walk, but must still be led. It is a virgin art, without experience in life and suffering. It is all unconscious as yet of what garb is becoming, of its own
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Produced by Barbara Watson and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) SONGS OF THE PRAIRIE BY ROBERT J. C. STEAD Author of "PRAIRIE BORN." New York THE PLATT & PECK CO. Copyright 1912, By The Platt & Peck Co. CONTENTS PAGE The Prairie 1 The Gramophone 4 The Plow 8 The Mothering 12 Hustlin' in My Jeans 15 The Homesteader 20 Vain Suitors 24 God's Signalman 26 Going Home 32 Just Be Glad 38 The Canadian Rockies 40 A Prairie Heroine 42 The Seer 51 The Son of Marquis Noddle 56 The Prodigals 62 The Squad of One 64 Alkali Hall 70 Prairie Born 76 "A Colonial" 81 Little Tim Trotter 84 The Vortex 86 The Old Guard 91 Kid McCann 93 Who Owns the Land? 99 A Race for Life 103 THE PRAIRIE The City? Oh, yes, the City Is a good enough place for a while, It fawns on the clever and witty, And welcomes the rich with a smile; It lavishes money as water, It boasts of its palace and hall, But the City is only the daughter-- The Prairie is mother of all! The City is all artificial, Its life is a fashion-made fraud, Its wisdom, though learned and judicial, Is far from the wisdom of God; Its hope is the hope of ambition, Its lust is the lust to acquire, And the larger it grows, its condition Sinks lower in pestilent mire. The City is cramped and congested, The haunt and the covert of crime; The Prairie is broad, unmolested, It points to the high and sublime; Where only the sky is above you And only the distance in view, With no one to jostle or shove you-- It's there a man learns to be true! Where the breeze whispers over the willows Or sighs in the dew laden grass, And the rain clouds, like big, stormy billows, Besprinkle the land as they pass; With the smudge-fire alight in the distance, The wild duck alert on the stream, Where life is a psalm of existence And opulence only a dream. Where wide as the plan of creation The Prairies stretch ever away, And beckon a broad invitation To fly to their bosom, and stay; The prairie fire smell in the gloaming-- The water-wet wind in the spring-- An empire untrod for the roaming-- Ah, this is a life for a king! When peaceful and pure as a river They lie in the light of the moon, You know that the Infinite Giver Is stringing your spirit a-tune; That life is not told in the telling, That death does not whisper adieu, And deep in your bosom up-welling, You know that the Promise is true! To those who have seen it and smelt it, To those who have loved it alone To those who have known it and felt it-- The Prairie is ever their own; And far though they wander, unwary, Far, far from the breath of the plain, A thought of the wind on the Prairie Will set their blood rushing again. Then you to the City who want it, Go, grovel its gain-glutted streets, Be one of the ciphers that haunt it, Or sit in its opulent seats; But for me, where the Prairies are reaching As far as the vision can scan-- Ah, that is the prayer and the preaching That goes to the heart of a man! THE GRAMOPHONE Where the lonely settler's shanty dots the plain, And he sighs for friends and comradeship in vain, Through the silences intense Comes a sound of eloquence Shrilling forth in steely, brazen, waxen strain-- The deep, resonant voice of Gladstone calling from the tomb, Or Ingersoll's deliverance before his brother's bier; Then a saucy someone singing, "When the daisies are in bloom," And the fife and drummers rendering "The British Grenadier." Back as far into the hills as they could get, They've a roof that turns the winter and the wet, They are grizzled but they're gay, They've a daily matinee, They are happy though they're head and ears in debt-- "I wish I had my old girl back again," "If the wind had only blown the other way," Uncertain voices join an old refrain And repeat the same performance every day. There's a Scotchman holding down a mining claim All unknown to Fortune, Influence or Fame, But a few of Harry's songs Are a solace for his wrongs And he sings them ev'ry evening in his "hame"-- "I'm courtin' Bonnie Leezy Lindsay noo," "When I get back again"--you know the lilt-- "We parted on the shore," "I'm fou', I'm fou'," "And that's the reason noo I wear the kilt." There's a son of Erin in Saskatchewan, He's at work a half an hour before the dawn, But before he goes to bunk He makes a table of his trunk And he sets his clock-work concert thereupon-- "The harp that once through Tara's halls," "St Patrick's day in the mornin'," "The last rose of summer," and Fancy recalls A glimpse of his "Kathleen Mavourneen." There's an Englishman who's living in a shack, He's a victim of the gramophone attack, With a half-a-dozen kids (He has half that many "quids") But he dances with the youngest on his back-- Though he's living in the country of the Cree The horn that hangs a fathom from his head Stretches out a thousand leagues across the sea And sings in dear old London town instead. They are far from auditorium or hall, But their minds are still a-tune to Music's call, They can hear Caruso sing, Or the bells of Shandon ring, As they smoke and count the cracks along the wall. * * * * * * * _I'm a miracle of eloquence imprisoned in the wax, I'm a mental inspiration operated by a spring, I'm a nightly consolation from Yukon to Halifax, And the ends of all creation sit and listen while I sing: I'm the Voice of all that man has sought and gained; I'm the throb of ev'ry heart that ever pained; I'm the Genesis of Fate, I'm the Soul of Love and Hate, I'm the humanly impossible attained!_ THE PLOW What power is this that stands behind the steel?-- A homely implement of blade and wheel-- Neglected by the margin of the way, And flashing back the blaze of dying day; Or dragging slow across the yellow field In silent prophecy of lavish yield, It marks the pace of innocence and toil, And taps the boundless treasure of the soil. Before you came the red man rode the plain. Untitled lord of Nature's great domain; The shaggy herds, knee deep in mellow grass; The lazy summer hours were wont to pass; The wild goose nested by the water side; The red deer roamed upon the prairie wide; The black bear trod the woods in solemn might; The lynx stole through the bushes in the night. No sound of toil was heard in all the land; No joyous laugh of voice or sharp command, No cloud of smoke from iron funnels thrown Was through the autumn hazes gently blown; No edge of steel tore up the virgin sod; No church its shining finger turned to God; No tradesman labored over bench and tool; No children chattered on their way to school. But all the land lay desolate and bare, Its wealth of plain its forest riches rare Unguessed by those who saw it through their tears, And Nature--miser of a thousand years-- Was adding still to her immense reserve That shall supply the world with brawn and nerve: But all lay silent, useless, and unused, And useless 'twas because it was unused. You came. Straightway the silent plain Grew mellow with the glow of golden grain; The axes in the solitary wood Rang out where stately oak and maple stood; The land became alive with busy din, And as the many settled, more came in; The world looked on in wonder and dismay-- The building of a nation in a day! By lake and river, rock and barren waste, A peaceful army toiled in eager haste; Ten thousand workers sweating in the sun Pressed on the task so recently begun; Their outworks every day were forced ahead-- And every day they gave their toll of dead-- Until at length the double lines of steel Received the steaming steed and whirling wheel! Where yesterday the lazy bison lay A city glitters in the sun to-day; His paths are turned to streets of wood and stone, And thousands tread the way he trod alone; The mighty hum of industry and trade Fills all the place where once he held parade, And far away the unheard river's play Makes joyous night still brighter than the day! Upon the plains a thousand towns arise, And quickly each to be a city tries; The sound of trade is heard on every hand And sturdy men rise to possess the land; Awhile they lingered, thinking it a dream, But now they flow in a resistless stream That seems to fill the prairie far and near, Yet in its vastness soon they disappear. Where once the silent red man spurned the ground A land of peace and plenty now is found, A land by Nature destined to be great, Where every man is lord of his estate; Where men may dwell together in accord, And honest toil receive its due reward; Where loyal friends and happy homes are made, And culture follows hard the feet of trade. This you have made it. Is it vain to hope The sons of such a land will climb and grope Along the undiscovered ways of life, And neither seek nor be found shunning strife, But ever, beckoned by a high ideal, Press onward, upward, till they make it real; With feet sure planted on their native sod, And will and aspirations linked with God? THE MOTHERING I had lain untrod for a million years from the line to the Arctic sea; I had dreamed strange dreams of the vast unknown, Of the lisping wind and the dancing zone Where the Northland fairies' feet had flown, And it all seemed good to me. At the close of a thousand eons of sleep came a pang that was strange to me; The pang of a new life in my breast, The swell of a vast and a vague unrest, And it thrilled my soul from East to West As it fluttered to be free. But I steeled my heart to the biped thing; of vast presumption he: He would lure my lonely thoughts away, He would sport himself on the sacred clay Where
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Produced by Demian Katz and the Online Distributed Proofreading Team at http://www.pgdp.net (Images courtesy of the Digital Library@Villanova University (http://digital.library.villanova.edu/)) CONTENTS Guy Kenmore's Wife; or, Her Mother's Secret Chapter I. Chapter II. Chapter III. Chapter IV. Chapter V. Chapter VI. Chapter VII. Chapter VIII. Chapter IX. Chapter X. Chapter XI. Chapter XII. Chapter XIII. Chapter XIV. Chapter XV. Chapter XVI. Chapter XVII. Chapter XVIII. Chapter XIX. Chapter XX. Chapter XXI. Chapter XXII. Chapter XXIII. Chapter XXIV. Chapter XXV. Chapter XXVI. Chapter XXVII. Chapter XXVIII. Chapter XXIX. Chapter XXX. Chapter XXXI. Chapter XXXII. Chapter XXXIII. Chapter XXXIV. Chapter XXXV. Chapter XXXVI. Chapter XXXVII. Chapter XXXVIII. Chapter XXXIX. Chapter XL. Chapter XLI. Chapter XLII. Chapter XLIII. Chapter XLIV. Chapter XLV. Chapter XLVI. Chapter XLVII. Chapter XLVIII. Chapter XLIX. Chapter L. Chapter LI. Chapter LII. The Rose and the Lily; or, Love Wins Love Chapter I. Chapter II. Chapter III. Chapter IV. Chapter V. Chapter VI. Chapter VII. Chapter VIII. Chapter IX. Chapter X. Chapter XI. Chapter XII. Chapter XIII. Chapter XIV. Chapter XV. Chapter XVI. Chapter XVII. Chapter XVIII. Chapter XIX. Chapter XX. Chapter XXI. Chapter XXII. Chapter XXIII. Chapter XXIV. Chapter XXV. Chapter XXVI. Chapter XXVII. Chapter XXVIII. No. 198 (EAGLE SERIES) 10 Cents GUY KENMORE'S WIFE AND THE ROSE AND THE LILY [Illustration] BY MRS. ALEX. McVEIGH MILLER STREET & SMITH, PUBLISHERS, NEW YORK THE EAGLE SERIES STREET & SMITH, Publishers _The Pioneer Line of Ten-Cent Novels, and the Leader_ RETAIL PRICE, 10 Cents This famous line was the original series of ten-cent books. Its success was instantaneous. Millions of copies have been sold, and an increasing demand for the entire series continues. The following titles are in print, and can be supplied by all newsdealers. ..=199--Geoffrey's Victory. By Mrs. Georgie Sheldon= ..=198--Guy Kenmore's Wife, and The Rose and the Lily. By Mrs. Alex. McVeigh Miller= ..197--A Woman Scorned. By Effie Adelaide Rowlands. ..196--A Sailor's Sweetheart. By St. George Rathborne. ..195--Her Faithful Knight. By Gertrude Warden. ..194--A Sinless Crime. By Geraldine Fleming. ..193--A Vagabond's Honor. By Ernest De Lancey Pierson. ..192--An Old Man's Darling, and Jaquelina. By Mrs. Alex. McVeigh Miller. ..191--A Harvest of Thorns. By Mrs. H. C. Hoffman. ..190--A Captain of the Kaiser. By St. George Rathborne. ..189--Berris. By Katharine S. Macquoid. ..188--Dorothy Arnold's Escape. By Mrs. Georgie Sheldon. ..187--The Black Ball. By Ernest De Lancey Pierson. ..186--Beneath a Spell. By Effie Adelaide Rowlands. ..185--The Adventures of Miss Volney. By Ella Wheeler Wilcox. ..184--Sunlight and Gloom. By Geraldine Fleming. ..183--Quo Vadis. By Henryk Sienkiewicz. ..182--A Legal Wreck. By William Gillette. ..181--The Baronet's Bride. By May Agnes Fleming. ..180--A Lazy Man's Work. By Frances Campbell Sparhawk. ..179--One Man's Evil. By Effie Adelaide Rowlands. ..178--A Slave of Circumstances. By Ernest De Lancey Pierson. ..177--A True Aristocrat. By Mrs. Georgie Sheldon. ..176--Jack Gordon, Knight Errant. By William C. Hudson (Barclay North) ..175--For Honor's Sake. By Laura C. Ford. ..174--Wild Margaret. By Geraldine Fleming. ..173--A Bar Sinister. By the Author of Dr. Jack. ..172--A King and a Coward. By Effie Adelaide Rowlands. ..171--That Dakota Girl. By Stella Gilman. ..170--A Little Radical. By Mrs. J. H. Walworth. ..169--The Trials of an Actress. By Wenona Gilman. ..168--Thrice Lost, Thrice Won. By May Agnes Fleming. ..167--The Manhattaners. By Edward S. Van Zile. ..166--The Masked Bridal. By Mrs. Georgie Sheldon. ..165--The Road of the Rough. By Maurice M. Minton. ..164--Couldn't Say No. By the author of Helen's Babies. ..163--A Splendid Egotist. By Mrs. J. H. Walworth. ..162--A Man of the Name of John. By Florence King. ..161--Miss Fairfax of Virginia. By the author of Dr. Jack. ..160--His Way and Her Will. By Frances Aymar Mathews. ..159--A Fair Maid of Marblehead. By Kate Tannatt Woods. ..158--Stella, the Star. By Wenona Gilman. ..157--Who Wins? By May Agnes Fleming. ..156--A Soldier Lover. By Edward S. Brooks. ..155--Nameless Dell. By Mrs. Georgie Sheldon. ..154--Husband and Foe. By Effie Adelaide Rowlands. ..153--Her Son's Wife. By Hazel Wood. ..152--A Mute Confessor. By Will N. Harben. ..151--The Heiress of Glen Gower. By May Agnes Fleming. ..150--Sunset Pass. By General Charles King. ..149--The Man She Loved. By Effie Adelaide Rowlands. ..148--Will She Win. By Emma Garrison Jones. ..147--Under Egyptian Skies. By the author of Dr. Jack. ..146--Magdalen's Vow. By May Agnes Fleming. ..145--Country Lanes and City Pavements. By Maurice M. Minton. ..144--Dorothy's Jewels. By Mrs. Georgie Sheldon. ..143--A Charity Girl. By Effie Adelaide Rowlands. ..142--Her Rescue from the Turks. By the author of Dr. Jack. ..141--Lady Evelyn. By May Agnes Fleming. ..140--That Girl of Johnsons'. By Jean Kate Ludlum. ..139--Little Lady Charles. By Effie Adelaide Rowlands. ..138--A Fatal Wooing. By Laura Jean Libbey. ..137--A Wedded Widow. By T. W. Hanshew. ..136--The Unseen Bridegroom. By May Agnes Fleming. ..135--Cast Up by the Tide. By the author of Half a Truth. ..134--Squire John. By the author of Dr. Jack. ..133--Max. By Mrs. Georgie Sheldon. ..132--Whose Was the Crime? By Gertrude Warden. ..131--Nerme's Second Choice. By Adelaide Stirling. ..130--A Bitter Bondage. By Bertha M. Clay. ..129--In Sight of St. Paul's. By Sutton Vane. ..128--The Scent of the Roses. By the author of Half a Truth. ..127--Nobody's Daughter. By Clara Augusta. ..126--The Girl from Hong Kong. By the author of Dr. Jack. ..125--Devil's Island. By A. D. Hall. ..124--Prettiest of All. By Julia Edwards. ..123--Northern Lights. By A. D. Hall. ..122--Grazia's Mistake. By Mrs. Georgie Sheldon. ..121--Cecile's Marriage. By Lucy Randall Comfort. ..120--The White Squadron. By T. C. Harbaugh. ..119--An Ideal Love. By Bertha M. Clay. ..118--Saved From the Sea. By Richard Duffy. ..117--She Loved Him. By Charles Garvice. ..116--The Daughter of the Regiment. By Mary A. Denison. ..115--A Fair Revolutionist. By the author of Dr. Jack. ..114--Half a Truth. By a popular author. ..113--A Crushed Lily. By Mrs. Alex. McVeigh Miller. ..112--The Cattle King. By A. D. Hall. ..111--Faithful Shirley. By Mrs. Georgie Sheldon. ..110--Whose Wife Is She? By Annie Lisle. ..109--A Heart's Bitterness. By Bertha M. Clay. ..108--A Son of Mars. By the author of Dr. Jack. ..107--Carla; or, Married at Sight. By Effie Adelaide Rowlands. ..106--Lilian, My Lilian. By Mrs. Alex. McVeigh Miller. ..105--When London Sleeps. By Chas. Darrell. ..104--A Proud Dishonor. By Genie Holzmeyer. ..103--The Span of Life. By Sutton Vane. ..102--Fair But Faithless. By Bertha M. Clay. ..101--A Goddess of Africa. By the author of Dr. Jack. ..100--Alice Blake. By Francis S. Smith. ...99--Audrey's Recompense. By Mrs. Georgie Sheldon. ...97--The War Reporter. By Warren Edwards. ...96--The Little Minister. By J. M. Barrie. ...95--'Twixt Love and Hate. By Bertha M. Clay. ...94--Darkest Russia. By H. Grattan Donnelly. ...93--A Queen of Treachery. By T. W. Hanshew. ...92--Humanity. By Sutton Vane. ...91--Sweet Violet. By Mrs. Alex. McVeigh Miller. ...90--For Fair Virginia.
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Produced by Bryan Ness, Lesley Halamek and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Library of Congress) [Illustration: VOL.I. NO.1. GARDEN AND FOREST .A.JOURNAL.OF.HORTICULTURE..LANDSCAPE.ART.AND.FORESTRY. .FEBRUARY.29, 1888.] PRICE TEN CENTS.] Copyright, 1888, by THE GARDEN AND FOREST PUBLISHING COMPANY, LIMITED. [$4.00 A YEAR, IN ADVANCE.] IMPORTANT NEW BOOKS. I. By WILLIAM DEAN HOWELLS. APRIL HOPES. A Novel. By WILLIAM DEAN HOWELLS. 12mo, Cloth, $1 50. _Mr. Howells never wrote a more bewitching book. It is useless to deny the rarity and worth of the skill that can report so perfectly and with such exquisite humor the manifold emotions of the modern maiden and her lover._--Philadelphia Press. MODERN ITALIAN POETS. Essays and Versions. By WILLIAM DEAN HOWELLS. Author of "April Hopes," &c. With Portraits. 12mo, Half Cloth, Uncut Edges and Gilt Tops, $2 00. _A portfolio of delightsome studies.... No acute and penetrating critic surpasses Mr. Howells in true insight, in polished irony, in effective and yet graceful treatment of his theme, in that light and indescribable touch that fixes your eye on the true heart and soul of the theme._--Critic, _N. Y._ II. CONCLUSION OF KINGLAKE'S CRIMEAN WAR. KINGLAKE'S CRIMEAN WAR. The Invasion of the Crimea: its Origin, and an account of its Progress down to the Death of Lord Raglan. By ALEXANDER WILLIAM KINGLAKE. With Maps and Plans. Five Volumes now ready. 12mo, Cloth, $2 00 per vol. Vol. V. From the Morrow of Inkerman to the Fall of Canrobert; _just published_.--Vol. VI. From the Rise of Pelissier to the Death of Lord Raglan--completing the work--_nearly ready_. _The charm of Mr. Kinglake's style, the wonderful beauty of his pictures, the subtle irony of his reflections, have made him so long a favorite and companion, that it is with unfeigned regret we read the word "farewell" with which these volumes close._--Pall Mall Gazette, _London._ III. T. ADOLPHUS TROLLOPE'S AUTOBIOGRAPHY. WHAT I REMEMBER. By T. ADOLPHUS TROLLOPE. With Portrait. 12mo, Cloth, $1 75. _The most delightful pot-pourri that we could desire of the time just anterior to our own.... Mr. Trollope preserves for us delightful, racy stories of his youth and the youth of his century, and gives us glimpses of loved or worshipped faces banished before our time. Hence the success of these written remembrances._--Academy, _London._ IV. BY THE AUTHOR OF "SELF-HELP." LIFE AND LABOR; or, Characteristics of Men of Industry, Culture, and Genius. By SAMUEL SMILES, LL.D., Author of "Self-Help," &c. 12mo, Cloth, $1 00. _Commends itself to the entire confidence of readers. Dr. Smiles writes nothing that is not fresh, strong, and magnetically bracing. He is one of the most helpful authors of the Victorian era.... This is just the book for young men._--N. Y. Journal of Commerce. V. THOMAS W. HIGGINSON'S NEW BOOK. WOMEN AND MEN. By THOMAS W. HIGGINSON, Author of "A Larger History of the United States," &c. 16mo, Cloth, $1 00. _These essays are replete with common-sense ideas, expressed in well-chosen language, and reflect on every page the humor, wit, wisdom of the author._--N. Y. Sun. VI. Plain, sensible, sturdy advice.--Chicago News. BIG WAGES, AND HOW TO EARN THEM. By A FOREMAN. 16mo, Cloth, 75 cents. _The views of an intelligent observer upon some of the foremost social topics of the day. The style is simple, the logic cogent, and the tone moderate and sensible._--N. Y. Commercial Advertiser. VII. The standard authority upon the Inquisition.--Philadelphia Ledger. HISTORY OF THE INQUISITION OF THE MIDDLE AGES. By HENRY CHARLES LEA. To be completed in THREE VOLUMES. 8vo, Cloth, Uncut Edges and Gilt Tops, $3 00 per volume. Vols. I. and II. _now ready_. Vol. III. _nearly ready_. _Characterized by the same astounding reach of historical scholarship as made Mr. Le
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Produced by David Widger LITERARY FRIENDS AND ACQUAINTANCES by William Dean Howells CONTENTS: Biographical My First Visit to New England First Impressions of Literary New York LITERARY FRIENDS AND ACQUAINTANCES--First Visit to New England BIBLIOGRAPHICAL Long before I began the papers which make up this volume, I had meant to write of literary history in New England as I had known it in the lives of its great exemplars during the twenty-five years I lived near them. In fact, I had meant to do this from the time I came among them; but I let the days in which I almost constantly saw them go by without record save such as I carried in a memory retentive, indeed, beyond the common, but not so full as I could have wished when I began to invoke it for my work. Still, upon insistent appeal, it responded in sufficient abundance; and, though I now wish I could have remembered more instances, I think my impressions were accurate enough. I am sure of having tried honestly to impart them in the ten years or more when I was desultorily endeavoring to share them with the reader. The papers were written pretty much in the order they have here, beginning with My First Visit to New England, which dates from the earliest eighteen-nineties, if I may trust my recollection of reading it from the manuscript to the editor of Harper's Magazine, where we lay under the willows of Magnolia one pleasant summer morning in the first years of that decade. It was printed no great while after in that periodical; but I was so long in finishing the study of Lowell that it had been anticipated in Harper's by other reminiscences of him, and it was therefore first printed in Scribner's Magazine. It was the paper with which I took the most pains, and when it was completed I still felt it so incomplete that I referred it to his closest and my best friend, the late Charles Eliot Norton, for his criticism. He thought it wanting in unity; it was a group of studies instead of one study, he said; I must do something to draw the different sketches together in a single effect of portraiture; and this I did my best to do. It was the latest written of the three articles which give the volume substance, and it represents mare finally and fully than the others my sense of the literary importance of the men whose like we shall not look upon again. Longfellow was easily the greatest poet of the three, Holmes often the most brilliant and felicitous, but Lowell, in spite of his forays in politics, was the finest scholar and the most profoundly literary, as he was above the others most deeply and thoroughly New England in quality. While I was doing these sketches, sometimes slighter and sometimes less slight, of all those poets and essayists and novelists I had known in Cambridge and Boston and Concord and New York, I was doing many other things: half a dozen novels, as many more novelettes and shorter stories, with essays and criticisms and verses; so that in January, 1900, I had not yet done the paper on Lowell, which, with another, was to complete my reminiscences of American literary life as I had witnessed it. When they were all done at last they were republished in a volume which found instant favor beyond my deserts if not its own. There was a good deal of trouble with the name, but Literary Friends and Acquaintance was an endeavor for modest accuracy with which I remained satisfied until I thought, long too late, of Literary Friends and Neighbors. Then I perceived that this would have been still more accurate and quite as modest, and I gladly give any reader leave to call the book by that name who likes. Since the collection was first made, I have written little else quite of the kind, except the paper on Bret Harte, which was first printed shortly after his death; and the study of Mark Twain, which I had been preparing to make for forty years and more, and wrote in two weeks of the spring of 1910. Others of my time and place have now passed whither there is neither time nor place, and there are moments when I feel that I must try to call them back and pay them such honor as my sense of their worth may give; but the impulse has as yet failed to effect itself, and I do not know how long I shall spare myself the supreme pleasure-pain, the "hochst angenehmer Schmerz," of seeking to live here with those who live here no more. W. D. H. LITERARY FRIENDS AND ACQUAINTANCE--My First Visit to New England MY FIRST VISIT TO NEW ENGLAND If there was any one in the world who had his being more wholly in literature than I had in 1860, I am sure I should not have known where to find him, and I doubt if he could have been found nearer the centres of literary activity than I then was, or among those more purely devoted to literature than myself. I had been for three years a writer of news paragraphs, book notices, and political leaders on a daily paper in an inland city, and I do not know that my life differed outwardly from that of any other young journalist, who had begun as I had in a country printing-office, and might be supposed to be looking forward to advancement in his profession or in public affairs. But inwardly it was altogether different with me. Inwardly I was a poet, with no wish to be anything else, unless in a moment of careless affluence I might so far forget myself as to be a novelist. I was, with my friend J. J. Piatt, the half-author of a little volume of very unknown verse, and Mr. Lowell had lately accepted and had begun to print in the Atlantic Monthly five or six poems of mine. Besides this I had written poems, and sketches, and criticisms for the Saturday Press of New York, a long-forgotten but once very lively expression of literary intention in an extinct bohemia of that city; and I was always writing poems, and sketches, and criticisms in our own paper. These, as well as my feats in the renowned periodicals of the East, met with kindness, if not honor, in my own city which ought to have given me grave doubts whether I was any real prophet. But it only intensified my literary ambition, already so strong that my veins might well have run ink rather than blood, and gave me a higher opinion of my fellow-citizens, if such a thing could be. They were indeed very charming people, and such of them as I mostly saw were readers and lovers of books. Society in Columbus at that day had a pleasant refinement which I think I do not exaggerate in the fond retrospect. It had the finality which it seems to have had nowhere since the war; it had certain fixed ideals, which were none the less graceful and becoming because they were the simple old American ideals, now vanished, or fast vanishing, before the knowledge of good and evil as they have it in Europe, and as it has imparted itself to American travel and sojourn. There was a mixture of many strains in the capital of Ohio, as there was throughout the State. Virginia, Kentucky, Pennsylvania, New York, and New England all joined to characterize the manners and customs. I suppose it was the South which gave the social tone; the intellectual taste among the elders was the Southern taste for the classic and the standard in literature; but we who were younger preferred the modern authors: we read Thackeray, and George Eliot, and Hawthorne, and Charles Reade, and De Quincey, and Tennyson, and Browning, and Emerson, and Longfellow, and I--I read Heine, and evermore Heine, when there was not some new thing from the others. Now and then an immediate French book penetrated to us: we read Michelet and About, I remember. We looked to England and the East largely for our literary opinions; we accepted the Saturday Review as law if we could not quite receive it as gospel. One of us took the Cornhill Magazine, because Thackeray was the editor; the Atlantic Monthly counted many readers among us; and a visiting young lady from New England, who screamed at sight of the periodical in one of our houses, "Why, have you got the Atlantic Monthly out here?" could be answered, with cold superiority, "There are several contributors to the Atlantic in Columbus." There were in fact two: my room-mate, who wrote Browning for it, while I wrote Heine and Longfellow. But I suppose two are as rightfully several as twenty are. II. That was the heyday of lecturing, and now and then a literary light from the East swam into our skies. I heard and saw Emerson, and I once met Bayard Taylor socially, at the hospitable house where he was a guest after his lecture. Heaven knows how I got through the evening. I do not think I opened my mouth to address him a word; it was as much as I could do to sit and look at him, while he tranquilly smoked, and chatted with our host, and quaffed the beer which we had very good in the Nest. All the while I did him homage as the first author by calling whom I had met. I longed to tell him how much I liked his poems, which we used to get by heart in those days, and I longed (how much more I longed!) to have him know that: "Auch ich war in Arkadien geboren," that I had printed poems in the Atlantic Monthly and the Saturday Press, and was the potential author of things destined to eclipse all literature hitherto attempted. But I could not tell him; and there was no one else who thought to tell him. Perhaps it was as well so; I might have perished of his recognition, for my modesty was equal to my merit. In fact I think we were all rather modest young fellows, we who formed the group wont to spend some part of every evening at that house, where there was always music, or whist, or gay talk, or all three. We had our opinions of literary matters, but (perhaps because we had mostly accepted them from England or New England, as I have said) we were not vain of them; and we would by no means have urged them before a living literary man like that. I believe none of us ventured to speak, except the poet, my roommate, who said, He believed so and so was the original of so and so; and was promptly told, He had no right to say such a thing. Naturally, we came away rather critical of our host's guest, whom I afterwards knew as the kindliest heart in the world. But we had not shone in his presence, and that galled us; and we chose to think that he had not shone in ours. III At that time he was filling a large space in the thoughts of the young people who had any thoughts about literature. He had come to his full repute as an agreeable and
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Produced by Barbara Tozier, Bill Tozier, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. THE WORKS OF HONORE De BALZAC About Catherine de' Medici Seraphita AND OTHER STORIES With Introductions by GEORGE SAINTSBURY UNIVERSITY EDITION AVIL PUBLISHING COMPANY PHILADELPHIA. COPYRIGHTED 1901 BY John D. Avil _All Rights Reserved_ CONTENTS PART I PAGE _INTRODUCTION_ ix _ABOUT CATHERINE DE' MEDICI_: (_Sur Catherine de Medicis_) PREFACE 3 PART I. THE CALVINIST MARTYR 44 " II. THE RUGGIERI'S SECRET 233 " III. THE TWO DREAMS 308 _GAMBARA_ 327 (_Gambara_) PART II _INTRODUCTION_ ix _SERAPHITA_: (_Seraphita_) I. SERAPHITUS 2 II. SERAPHITA 22 III. SERAPHITA--SERAPHITUS 40 IV. THE CLOUDS OF THE SANCTUARY 82 V. THE FAREWELL 112 VI. THE ROAD TO HEAVEN 123 VII. THE ASSUMPTION 134 _LOUIS LAMBERT_ 145 (_Louis Lambert_) _THE EXILES_ (_Les Proscrits_) ALMAE SORORI 259 _MAITRE CORNELIUS_ 293 (_Maitre Cornelius_) _THE ELIXIR OF LIFE_ 359 (_L'Elixir de longue Vie_) (Translators, CLARA BELL AND JAMES WARING) ILLUSTRATIONS PART I QUADRANGLE OF THE COLLEGE OF VENDOME WHERE BALZAC WAS EDUCATED _Frontispiece_ PAGE "I AM CHAUDIEU!" 53 PLACED HIMSELF IN FRONT OF A LOOKING-GLASS 328 PART II TOWER IN WHICH BALZAC PASSED MOST OF HIS TIME AT COLLEGE 164 HE NOW SAW WITH A TERRIFIED SHUDDER THAT THERE WAS A BRIGHT LIGHT ON THE STAIRS, AND PERCEIVED CORNELIUS, IN HIS OLD DALMATIC, CARRYING HIS LAMP 324 ABOUT CATHERINE DE' MEDICI AND GAMBARA INTRODUCTION This book (as to which it is important to remember the _Sur_ if injustice is not to be done to the intentions of the author) has plenty of interest of more kinds than one; but it is perhaps more interesting because of the place it holds in Balzac's work than for itself. He had always considerable hankerings after the historical novel: his early and lifelong devotion to Scott would sufficiently account for that. More than one of the _Oeuvres de Jeunesse_ attempts the form in a more or less conscious way: the _Chouans_, the first successful book, definitely attempts it; but by far the most ambitious attempt is to be found in the book before us. It is most probable that it was of this, if of anything of his own, that Balzac was thinking when, in 1846, he wrote disdainfully to Madame Hanska about Dumas, and expressed himself towards _Les Trois Mousquetaires_ (which had whiled him through a day of cold and inability to work) nearly as ungratefully as Carlyle did towards Captain Marryat. And though it is, let it be repeated, a mistake, and a rather unfair mistake, to give such a title to the book as might induce readers to regard it as a single and definite novel, of which Catherine is the heroine, though it is made up of three parts written at very different times, it has a unity which the introduction shows to some extent, and which a rejected preface given by M. de Lovenjoul shows still better. To understand this, we must remember that Balzac, though not exactly an historical scholar, was a considerable student of history; and that, although rather an amateur politician, he was a constant thinker and writer on political subjects. We must add to these remembrances the fact of his intense interest in all such matters as Alchemy, the Elixir of Life, and so forth, to which the sixteenth century in general, and Catherine de' Medici in particular, were known to be devoted. All these interests of his met in the present book, the parts of which appeared in inverse order, and the genesis of which is important enough to make it desirable to incorporate some of the usual bibliographical matter in the substance of this preface. The third and shortest, _Les Deux Reves_, a piece partly suggestive of the famous _Prophecy of Cazotte_ and other legends of the Revolution (but with more retrospective than prospective view), is dated as early as 1828 (before the turning-point), and was actually published in a periodical in 1830. _La Confidence des Ruggieri_, written in 1836 (and, as I have noted in the general introduction, according to its author, in a single night) followed, and _Le Martyr Calviniste_, which had several titles, and was advertised as in preparation for a long time, did not come till 1841. It is unnecessary to say that all are interesting. The personages, both imaginary and historical, appear at times in a manner worthy of Balzac; many separate scenes are excellent; and, to those who care to perceive them, the various occupations of the author appear in the most interesting manner. Politically, his object was, at least by his own account, to defend the maxim that private and public morality are different; that the policy of a state cannot be, and ought not to be, governed by the same considerations of duty to its neighbors as those which ought to govern the conduct of an individual. The very best men--those least liable to the slightest imputation of corrupt morals and motives--have endorsed this principle; though it has been screamed at by a few fanatics, a somewhat larger number of persons who found their account in so doing, and a great multitude of hasty, dense, or foolish folk. But it was something of a mark of that amateurishness which spoilt Balzac's dealing with the subject to choose the sixteenth century for his text. For every cool-headed student of history and ethics will admit that it was precisely the abuse of this principle at this time, and by persons of whom Catherine de' Medici, if not the most blamable, has had the most blame put on her, that brought the principle itself into discredit. Between the assertion that the strictest morality of the Sermon on the Mount must obtain between nation and nation, between governor and governed, and the maxim that in politics the end of public safety justifies _any_ means whatever, there is a perfectly immense gulf fixed. If, however, we turn from this somewhat academic point, and do not dwell very much on the occult and magical sides of the matter, interesting as they are, we shall be brought at once face to face with the question, Is the handling of this book the right and proper one for an historical novel? Can we in virtue of it rank Balzac (this is the test which he would himself, beyond all question, have accepted) a long way above Dumas and near Scott? I must say that I can see no possibility of answer except, "Certainly not." For the historical novel depends almost more than any other division of the kind upon interest of story. Interest of story is not, as has been several times pointed out, at any time Balzac's main appeal, and he has succeeded in it here less than in most other places. He has discussed too much; he has brought in too many personages without sufficient interest of plot; but, above all, he exhibits throughout an incapacity to handle his materials in the peculiar way required. How long he was before he grasped "the way to do it," even on his own special lines, is the commonplace and refrain of all writing about him. Now, to this special kind he gave comparatively little attention, and the result is that he mastered it less than any other. In the best stories of Dumas (and the best number some fifteen or twenty at least) the interest of narrative, of adventure, of what will happen to the personages, takes you by the throat at once, and never lets you go till the end. There is little or nothing of this sort here. The three stories are excellently well-informed studies, very curious and interesting in divers ways. The _Ruggieri_ is perhaps something more; but it is, as its author no doubt honestly entitled it, much more an _Etude Philosophique_ than an historical novelette. In short, this was not Balzac's way. We need not be sorry--it is very rarely necessary to be that--that he tried it; we may easily forgive him for not recognizing the ease and certainty with which Dumas trod the path. But we should be most of all thankful that he did not himself enter it frequently, or ever pursue it far. The most important part of the bibliography of the book has been given above. The rest is a little complicated, and for its ins and outs reference must be made to the usual authority. It should be enough to say that the _Martyr_, under the title of _Les Lecamus_, first appeared in the _Siecle_ during the spring of 1841. Souverain published it as a book two years later with the other two, as _Catherine de Medicis Expliquee_. The second part, entitled, not _La Confidence_, but _Le Secret des Ruggieri_, had appeared much earlier in the _Chronique de Paris_ during the winter of 1836-37, and had been published as a book in the latter year; it was joined to _Catherine de Medicis Expliquee_ as above. The third part, after appearing in the _Monde_ as early as May 1830, also appeared in the _Deux Mondes_ for December of the same year, then became one of the _Romans et Contes Philosophiques_, then an _Etude Philosophique_, and in 1843 joined _Catherine de Medicis Expliquee_. The whole was inserted in the _Comedie_ in 1846. G. S. * * * * * _Gambara_ exhibits a curious and, it must be admitted, a somewhat incoherent mixture of two of Balzac's chief outside interests--Italy and music. In his helter-skelter ramblings, indulged in despite his enormous literary labors, he took many a peep at Italy; and it is evident that for him the country exercised a powerful fascination. In his eyes it was ideal--ideal in its music, in its painting, and in those who fanned the fires divine. His affection for Italy was, in fact, about as ardent and untutored as that for the arts. The story of _Gambara_ is an illustration of these two sentiments; it can best be understood when the author's attitude is known. There is a little about the forceful character of Andrea Marcosini that reminds one of de Marsay. He has an inherent nobleness unknown to the latter, but unfortunately made subservient to a banality which even the genius of Balzac cannot efface. This marring clause of the Count and Marianna is hardly to be excused on the ground of dramatic necessity, since other themes of this nature are not cloyed by baser earth. The introductory scene in the restaurant is good, and stands out brightly contrasted with Gambara's music-ravings and the faint echo of Giardini's cookery conceits. Each is but the quest of something unattained--a note more grandly uttered in _La Peau de Chagrin_, or _La Recherche de l'Absolu_, or the wonderful sketch, _Le Chef d'Oeuvre Inconnu_. But as a fresh embodiment of this thought, _Gambara_ may be welcomed, for in such themes as these the novelist is most distinctly in his element. The first appearance of _Gambara_ was in the _Revue et Gazette Musicale de Paris_ during July and August 1837, in four chapters and a conclusion. In 1839 it was included in a book with the _Cabinet des Antiques_. Ten years later it was included as _Le Livre des Douleurs_ with _Seraphita_, _Les Proscrits_, and _Massimilla Doni_. It took its place in the _Comedie_ in 1846. ABOUT CATHERINE DE' MEDICI _To Monsieur le Marquis de Pastoret, Member of the Academie des Beaux-Arts._ When we consider the amazing number of volumes written to ascertain the spot where Hannibal crossed the Alps, without our knowing to this day whether it was, as Whitaker and Rivaz say, by Lyons, Geneva, the Saint-Bernard, and the Valley of Aosta; or, as we are told by Letronne, Follard, Saint-Simon, and Fortia d'Urban, by the Isere, Grenoble, Saint-Bonnet, Mont Genevre, Fenestrella, and the Pass of Susa, or, according to Larauza, by the Mont Cenis and Susa; or, as Strabo, Polybius and de Luc tell us, by the Rhone, Vienne, Yenne, and the Mont du Chat; or, as certain clever people opine, by Genoa, la Bochetta, and la Scrivia--the view I hold, and which Napoleon had adopted--to say nothing of the vinegar with which some learned men have dressed the Alpine rocks, can we wonder, Monsieur le Marquis, to find modern history so much neglected that some most important points remain obscure, and that the most odious calumnies still weigh on names which ought to be revered?--And it may be noted incidentally that by dint of explanations it has become problematical whether Hannibal ever crossed the Alps at all. Father Menestrier believes that the Scoras spoken of by Polybius was the Saome; Letronne, Larauza, and Schweighauser believe it to be the Isere; Cochard, a learned man of Lyons, identifies it with the Drome. But to any one who has eyes, are there not striking geographical and linguistic affinities between Scoras and Scrivia, to say nothing of the almost certain fact that the Carthaginian fleet lay at la Spezzia or in the Gulf of Genoa? I could understand all this patient research if the battle of Cannae could be doubted; but since its consequences are well known, what is the use of blackening so much paper with theories that are but the Arabesque of hypothesis, so to speak; while the most important history of later times, that of the Reformation, is so full of obscurities that the name remains unknown of the man[A] who was making a boat move by steam at Barcelona at the time when Luther and Calvin were inventing the revolt of mind? We, I believe, after having made, each in his own way, the same investigation as to the great and noble character of Catherine de' Medici, have come to the same opinion. So I thought that my historical studies on the subject might be suitably dedicated to a writer who has labored so long on the history of the Reformation; and that I should thus do public homage, precious perhaps for its rarity, to the character and fidelity of a man true to the Monarchy. PARIS, _January 1842_. FOOTNOTES: [A] The inventor of this experiment was probably Salomon of Caux, not of Caus. This great man was always unlucky; after his death even his name was misspelt. Salomon, whose original portrait, at the age of forty-six, was discovered by the author of the _Human Comedy_, was born at Caux, in Normandy. PREFACE When men of learning are struck by a historical blunder, and try to correct it, "Paradox!" is generally the cry; but to those who thoroughly examine the history of modern times, it is evident that historians are privileged liars, who lend their pen to popular beliefs, exactly as most of the newspapers of the day express nothing but the opinions of their readers. Historical independence of thought has been far less conspicuous among lay writers than among the priesthood. The purest light thrown on history has come from the Benedictines, one of the glories of France--so long, that is to say, as the interests of the monastic orders are not in question. Since the middle of the eighteenth century, some great and learned controversialists have arisen who, struck by the need for rectifying certain popular errors to which historians have lent credit, have published some remarkable works. Thus Monsieur Launoy, nicknamed the Evicter of Saints, made ruthless war on certain saints who have sneaked into the Church Calendar. Thus the rivals of the Benedictines, the two little known members of the Academie des Inscriptions et Belles-lettres, began their _memoires_, their studious notes, full of patience, erudition, and logic, on certain obscure passages of history. Thus Voltaire, with an unfortunate bias, and sadly perverted passions, often brought the light of his intellect to bear on historical prejudices. Diderot, with this end in view, began a book--much too long--on a period of the history of Imperial Rome. But for the French Revolution, criticism, as applied to history, might perhaps have laid up the materials for a good and true history of France, for which evidence had long been amassed by the great French Benedictines. Louis XVI., a man of clear mind, himself translated the English work, which so much agitated the last century, in which Walpole tried to explain the career of Richard III. How is it that persons so famous as kings and queens, so important as generals of great armies, become objects of aversion or derision? Half the world hesitates between the song on Marlborough and the history of England, as they do between popular tradition and history as concerning Charles IX. At all periods when great battles are fought between the masses and the authorities, the populace creates an _ogresque_ figure--to coin a word for the sake of its exactitude. Thus in our own time, but for the _Memorials of Saint-Helena_, and the controversies of Royalists and Bonapartists, there was scarcely a chance but that Napoleon would have been misunderstood. Another Abbe de Pradt or two, a few more newspaper articles, and Napoleon from an Emperor would have become an Ogre. How is error propagated and accredited? The mystery is accomplished under our eyes without our discerning the process. No one suspects how greatly printing has helped to give body both to the envy which attends persons in high places, and to the popular irony which sums up the converse view of every great historical fact. For instance, every bad horse in France that needs flogging is called after the Prince de Polignac; and so who knows what opinion the future may hold as to the Prince de Polignac's _coup d'Etat_? In consequence of a caprice of Shakespeare's--a stroke of revenge perhaps, like that of Beaumarchais on Bergasse (Begearss)--Falstaff, in England, is a type of the grotesque; his name raises a laugh, he is the King of Buffoons. Now, instead of being enormously fat, ridiculously amorous, vain, old, drunken, and a corrupter of youth, Falstaff was one of the most important figures of his time, a Knight of the Garter, holding high command. At the date of Henry V.'s accession, Falstaff was at most four-and-thirty. This General, who distinguished himself at the battle of Agincourt, where he took the Duc d'Alencon prisoner, in 1420 took the town of Montereau, which was stoutly defended. Finally, under Henry VI., he beat ten thousand Frenchmen with fifteen hundred men who were dropping with fatigue and hunger. So much for valor! If we turn to literature, Rabelais, among the French, a sober man who drank nothing but water, is thought of as a lover of good cheer and a persistent sot. Hundreds of absurd stories have been coined concerning the author of one of the finest books in French literature, _Pantagruel_. Aretino, Titian's friend, and the Voltaire of his day, is now credited with a reputation, in complete antagonism with his works and character, which he acquired by his over free wit, characteristic of the writings of an age when gross jests were held in honor, and queens and cardinals indited tales which are now considered licentious. Instances might be infinitely multiplied. In France, and at the most important period of our history, Catherine de' Medici has suffered more from popular error than any other woman, unless it be Brunehaut or Fredegonde; while Marie de' Medici, whose every action was prejudicial to France, has escaped the disgrace that should cover her name. Marie dissipated the treasure amassed by Henri IV.; she never purged herself of the suspicion that she was cognizant of his murder; Epernon, who had long known Ravaillac, and who did not parry his blow, was _intimate_ with the Queen; she compelled her son to banish her from France, where she was fostering the rebellion of her other son, Gaston; and Richelieu's triumph over her on the _Journee des Dupes_ was due solely to the Cardinal's revealing to Louis XIII. certain documents secreted after the death of Henri IV. Catherine de' Medici, on the contrary, saved the throne of France, she maintained the Royal authority under circumstances to which more than one great prince would have succumbed. Face to face with such leaders of the factions and ambitions of the houses of Guise and of Bourbon as the two Cardinals de Lorraine and the two "Balafres," the two Princes de Conde, Queen Jeanne d'Albret, Henri IV., the Connetable de Montmorency, Calvin, the Colignys, and Theodore de Beze, she was forced to put forth the rarest fine qualities, the most essential gifts of statesmanship, under the fire of the Calvinist press. These, at any rate, are indisputable facts. And to the student who digs deep into the history of the sixteenth century in France, the figure of Catherine de' Medici stands out as that of a great king. When once calumnies are undermined by facts laboriously brought to light from under the contradictions of pamphlets and false anecdotes, everything is explained to the glory of this wonderful woman, who had none of the weakness of her sex, who lived chaste in the midst of the gallantries of the most licentious Court in Europe, and who, notwithstanding her lack of money, erected noble buildings, as if to make good the losses caused by the destructive Calvinists, who injured Art as deeply as they did the body politic. Hemmed in between a race of princes who proclaimed themselves the heirs of Charlemagne, and a factious younger branch that was eager to bury the Connetable de Bourbon's treason under the throne; obliged, too, to fight down a heresy on the verge of devouring the Monarchy, without friends, and aware of treachery in the chiefs of the Catholic party and of republicanism in the Calvinists, Catherine used the most dangerous but the surest of political weapons--Craft. She determined to deceive by turns the party that was anxious to secure the downfall of the House of Valois, the Bourbons who aimed at the Crown, and the Reformers--the Radicals of that day, who dreamed of an impossible republic, like those of our own day, who, however, have nothing to reform. Indeed, so long as she lived, the Valois sat on the throne. The great de Thou understood the worth of this woman when he exclaimed, on hearing of her death: "It is not a woman, it is Royalty that dies in her!" Catherine had, in fact, the sense of Royalty in the highest degree, and she defended it with admirable courage and persistency. The reproaches flung at her by Calvinist writers are indeed her glory; she earned them solely by her triumphs. And how was she to triumph but by cunning? Here lies the whole question. As to violence--that method bears on one of the most hotly disputed points of policy, which, in recent days, has been answered here, on the spot where a big stone from Egypt has been placed to wipe out the memory of regicide, and to stand as an emblem of the materialistic policy which now rules us; it was answered at les Carmes and at the Abbaye; it was answered on the steps of Saint Roch; it was answered in front of the Louvre in 1830, and again by the people against the King, as it has since been answered once more by la Fayette's "best of all republics" against the republican rebellion, at Saint-Merri and the Rue Transnonnain. Every power, whether legitimate or illegitimate, must defend itself when it is attacked; but, strange to say, while the people is heroic when it triumphs over the nobility, the authorities are murderers when they oppose the people! And, finally, if after their appeal to force they succumb, they are regarded as effete idiots. The present Government (1840) will try to save itself, by two laws, from the same evil as attacked Charles X., and which he tried to scotch by two decrees. Is not this a bitter mockery? May those in power meet cunning with cunning? Ought they to kill those who try to kill them? The massacres of the Revolution are the reply to the massacre of Saint-Bartholomew. The People, being King, did by the nobility and the King as the King and the nobility did by the rebels in the sixteenth century. And popular writers, who know full well that, under similar conditions, the people would do the same again, are inexcusable when they blame Catherine de' Medici and Charles IX. "All power is a permanent conspiracy," said Casimir Perier, when teaching what power ought to be. We admire the anti-social maxims published by audacious writers; why, then, are social truths received in France with such disfavor when they are boldly stated? This question alone sufficiently accounts for historical mistakes. Apply the solution of this problem to the devastating doctrines which flatter popular passion, and to the conservative doctrines which would repress the ferocious or foolish attempts of the populace, and you will see the reason why certain personages are popular or unpopular. Laubardemont and Laffemas, like some people now living, were devoted to the maintenance of the power they believed in. Soldiers and judges, they obeyed a Royal authority. D'Orthez, in our day, would be discharged from office for misinterpreting orders from the Ministry, but Charles X. left him to govern his province. The power of the masses is accountable to no one; the power of one is obliged to account to its subjects, great and small alike. Catherine, like Philip II. and the Duke of Alva, like the Guises and Cardinal Granvelle, foresaw the future to which the Reformation was dooming Europe. They saw monarchies, religion, and power all overthrown. Catherine, from the Cabinet of the French kings, forthwith issued sentence of death on that inquiring spirit which threatened modern society--a sentence which Louis XIV. finally carried out. The revocation of the Edict of Nantes was a measure that proved unfortunate, simply in consequence of the irritation Louis XIV. had aroused in Europe. At any other time England, Holland, and the German Empire would not have encouraged on their territory French exiles and French rebels. Why, in these days, refuse to recognize the greatness which the majestic adversary of that most barren heresy derived from the struggle itself? Calvinists have written strongly against Charles IX.'s stratagems; but travel through France: as you see the ruins of so many fine churches destroyed, and consider the vast breaches made by religious fanatics in the social body; when you learn the revenges they took, while deploring the mischief of individualism--the plague of France to-day, of which the germ lay in the questions of liberty of conscience which they stirred up--you will ask yourself on which side were the barbarians. There are always, as Catherine says in the third part of this Study, "unluckily, in all ages, hypocritical writers ready to bewail two hundred scoundrels killed in due season." Caesar, who tried to incite the Senate to pity for Catiline's party, would very likely have conquered Cicero if he had had newspapers and an Opposition at his service. Another consideration accounts for Catherine's historical and popular disfavor. In France the Opposition has always been Protestant, because its policy has never been anything but negative; it has inherited the theories of the Lutherans, the Calvinists, and the Protestants on the terrible texts of liberty, tolerance, progress, and philanthropy. The opponents of power spent two centuries in establishing the very doubtful doctrine of freewill. Two more were spent in working out the first corollary of freewill--liberty of conscience. Our age is striving to prove the second--political liberty. Standing between the fields already traversed and the fields as yet untrodden, Catherine and the Church proclaimed the salutary principle of modern communities, _Una fides, unus Dominus_, but asserting their right of life and death over all innovators. Even if she had been conquered, succeeding times have shown that Catherine was right. The outcome of freewill, religious liberty, and political liberty (note, this does not mean _civil_ liberty) is France as we now see it. And what is France in 1840? A country exclusively absorbed in material interests, devoid of patriotism, devoid of conscience; where authority is powerless; where electoral rights, the fruit of freewill and political liberty, raise none but mediocrities; where brute force is necessary to oppose the violence of the populace; where discussion, brought to bear on the smallest matter, checks every action of the body politic; and where individualism--the odious result of the indefinite subdivision of property, which destroys family cohesion--will devour everything, even the nation, which sheer selfishness will some day lay open to invasion. Men will say, "Why not the Tzar?" as they now say, "Why not the Duc d'Orleans?" We do not care for many things even now; fifty years hence we shall care for nothing. Therefore, according to Catherine--and according to all who wish to see Society soundly organized--man as a social unit, as a subject, has no freewill, has no right to accept the dogma of liberty of conscience, or to have political liberty. Still, as no community can subsist without some guarantee given to the subject against the sovereign, the subject derives from that certain liberties under restrictions. Liberty--no, but liberties--yes; well defined and circumscribed liberties. This is in the nature of things. For instance, it is beyond human power to fetter freedom of thought; and no sovereign may ever tamper with money. The great politicians who have failed in this long contest--it has gone on for five centuries--have allowed their subjects wide liberties; but they never recognize their liberty to publish anti-social opinions, nor the unlimited freedom of the subject. To them the words _subject_ and _free_ are, politically speaking, a contradiction in terms; and, in the same way, the statement that all citizens are equal is pure nonsense, and contradicted by Nature every hour. To acknowledge the need for religion, the need for authority, and at the same time to leave all men at liberty to deny religion, to attack its services, to oppose the exercise of authority by the public and published expression of opinion, is an impossibility such as the Catholics of the sixteenth century would have nothing to say to. Alas! the triumph of Calvinism will cost France more yet than it has ever done; for the sects of to-day--religious, political, humanitarian, and leveling--are the train of Calvinism; and when we see the blunders of those in power, their contempt for intelligence, their devotion to those material interests in which they seek support, and which are the most delusive of all props, unless by the special aid of Providence the genius of destruction must certainly win the day from the genius of conservatism. The attacking forces, who have nothing to lose, and everything to win, are
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Produced by Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) HISTORIC HIGHWAYS OF AMERICA VOLUME 8 [Illustration: THE OLD VINCENNES TRACE NEAR XENIA, ILLINOIS] HISTORIC HIGHWAYS OF AMERICA VOLUME 8 Military Roads of the Mississippi Basin The Conquest of the Old Northwest BY ARCHER BUTLER HULBERT _With Maps and Illustrations_ [Illustration] THE ARTHUR H. CLARK COMPANY CLEVELAND, OHIO 1904 COPYRIGHT, 1904 BY THE ARTHUR H. CLARK COMPANY ALL RIGHTS RESERVED CONTENTS PAGE PREFACE 11 I. THE CLARK ROUTES THROUGH ILLINOIS 15 II. MIAMI VALLEY CAMPAIGNS 72 III. ST. CLAIR'S CAMPAIGN 108 IV. WAYNE AND FALLEN TIMBER 160 APPENDIXES 219 ILLUSTRATIONS I. THE OLD VINCENNES TRACE NEAR XENIA, ILLINOIS _Frontispiece_ II. SKETCH MAP OF PART OF ILLINOIS, SHOWING CLARK'S ROUTES 21 III. HUTCHINS'S SKETCH OF THE WABASH IN 1768 (showing trace of the path to Kaskaskia; from the original in the British Museum) 35 IV. THE ST. LOUIS TRACE NEAR LAWRENCEVILLE, ILLINOIS 62 V. A PART OF ARROWSMITH'S MAP OF THE UNITED STATES, 1796 (showing the region in which Wilkinson, Scott, Harmar, St. Clair, and Wayne operated) 117 VI. DR. BELKNAP'S MAP OF WAYNE'S ROUTE IN THE MAUMEE VALLEY, 1794 (from the original in the Library of Harvard University) 197 PREFACE This volume treats of five of the early campaigns in the portion of America known as the Mississippi Basin--Clark's campaigns against Kaskaskia and Vincennes in 1778 and 1779; and Harmar's, St. Clair's, and Wayne's campaigns against the northwestern Indians in 1790, 1791, and 1793-94. Much as has been written concerning Clark's famous march through the "drowned lands of the Wabash," the important question of his route has been untouched, and the story from that standpoint untold. The history of the campaign is here made subservient to a study of the route and to an attempted identification of the various places, and a determination of their present-day names. Four volumes of the Draper Manuscripts in the library of the State Historical Society of Wisconsin give a vast deal of information on this subject. They are referred to by the library press-mark. Turning to the study of Harmar's, St. Clair's, and Wayne's routes into the Northwest, the author found a singular lack of detailed description of these campaigns, and determined to combine with the study of the military roadway a comparatively complete sketch of each campaign, making use, in this case as in that of Clark's campaigns, of the Draper Manuscripts. A great debt of thanks is due to Mr. Reuben Gold Thwaites, Secretary of the State Historical Society of Wisconsin, for assistance and advice; to Josiah Morrow of Lebanon, Ohio, the author is indebted for help in determining portions of Harmar's route; and to Francis E. Wilson, President of the Greenville Historical Society, many thanks are due for help in questions concerning the pathway of the intrepid leader known to the East as "Mad Anthony" Wayne, but remembered in the West as the "Blacksnake" and the "Whirlwind," because he doubled his track like a blacksnake and swept over his roads like a whirlwind. A. B. H. MARIETTA, OHIO, September 14, 1903. Military Roads of the Mississippi Basin The Conquest of the Old Northwest CHAPTER I THE CLARK ROUTES THROUGH ILLINOIS On the twenty-fourth of June, 1778, George Rogers Clark, with about one hundred and seventy-five patriot adventurers, left the little pioneer settlement on Corn Island, in the Ohio River, opposite the present site of Louisville, Kentucky, for the conquest of the British posts of Kaskaskia and Vincennes in the "Illinois country."[1] The boats running day and night, the party reached Clark's first stopping-place, an island in the Ohio near the mouth of the Tennessee River, in four days. Just below this island was the site of old Fort Massac--now occupied by Metropolis, Massac County, Illinois--built probably by a vanguard from Fort Duquesne, a generation before, when the French clearly foresaw the end of their reign on the upper Ohio. Here, almost a century before that, was the old trading-station of Juchereau and the mission of Mermet--the
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Produced by Adrian Mastronardi, Carla Foust, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Transcriber's note Minor punctuation errors have been changed without notice. Printer errors have been changed and are listed at the end. All other inconsistencies are as in the original. ESSAYS: SCIENTIFIC, POLITICAL, & SPECULATIVE. BY HERBERT SPENCER. LIBRARY EDITION, (OTHERWISE FIFTH THOUSAND) _Containing Seven Essays not before Republished, and various other additions._ VOL. I. WILLIAMS AND NORGATE, 14, HENRIETTA STREET, COVENT GARDEN, LONDON: AND 20. SOUTH FREDERICK STREET. EDINBURGH. 1891. LONDON: G. NORMAN AND SON, PRINTERS, HART STREET, COVENT GARDEN. PREFACE Excepting those which have appeared as articles in periodicals during the last eight years, the essays here gathered together were originally re-published in separate volumes at long intervals. The first volume appeared in December 1857; the second in November 1863; and the third in February 1874. By the time the original editions of the first two had been sold, American reprints, differently entitled and having the essays differently arranged, had been produced; and, for economy's sake, I have since contented myself with importing successive supplies printed from the American stereotype plates. Of the third volume, however, supplies have, as they were required, been printed over here, from plates partly American and partly English. The completion of this final edition of course puts an end to this make-shift arrangement. The essays above referred to as having been written since 1882, are now incorporated with those previously re-published. There are seven of them; namely--"Morals and Moral Sentiments," "The Factors of Organic Evolution," "Professor Green's Explanations," "The Ethics of Kant," "Absolute Political Ethics," "From Freedom to Bondage," and "The Americans." As well as these large additions there are small additions, in the shape of postscripts to various essays--one to "The Constitution of the Sun," one to "The Philosophy of Style," one to "Railway Morals," one to "Prison Ethics," and one to "The Origin and Function of Music:" which last is about equal in length to the original essay. Changes have been made in many of the essays: in some cases by omitting passages and in other cases by including new ones. Especially the essay on "The Nebular Hypothesis" may be named as one which, though unchanged in essentials, has been much altered by additions and subtractions, and by bringing its statements up to date; so that it has been in large measure re-cast. Beyond these respects in which this final edition differs from preceding editions, it differs in having undergone a verification of its references and quotations, as well as a second verbal revision. Naturally the fusion of three separate series of essays into one series, has made needful a general re-arrangement. Whether to follow the order of time or the order of subjects was a question which presented itself; and, as neither alternative promised satisfactory results, I eventually decided to compromise--to follow partly the one order and partly the other. The first volume is made up of essays in which the idea of evolution, general or special, is dominant. In the second volume essays dealing with philosophical questions, with abstract and concrete science, and with aesthetics, are brought together; but though all of them are tacitly evolutionary, their evolutionism is an incidental rather than a necessary trait. The ethical, political, and social essays composing the third volume, though mostly written from the evolution point of view, have for their more immediate purposes the enunciation of doctrines which are directly practical in their bearings. Meanwhile, within each volume the essays are arranged in order of time: not indeed strictly, but so far as consists with the requirements of sub-classing. Beyond the essays included in these three volumes, there remain several which I have not thought it well to include--in some cases because of their personal character, in other cases because of their relative unimportance, and in yet other cases because they would scarcely be understood in the absence of the arguments to which they are replies. But for the convenience of any who may wish to find them, I append their titles and places of publication. These are as follows:--"Retrogressive Religion," in _The Nineteenth Century_ for July 1884; "Last Words about Agnosticism and the Religion of Humanity," in _The Nineteenth Century_ for November 1884; a note to Prof. Cairns' Critique on the _Study of Sociology_, in _The Fortnightly Review_, for February 1875; "A Short Rejoinder" [to Mr. J. F. McLennan], _Fortnightly Review_, June 1877; "Prof. Goldwin Smith as a Critic," _Contemporary Review_, March 1882; "A Rejoinder to M. de Laveleye," _Contemporary Review_, April 1885. LONDON, _December, 1890_. CONTENTS OF VOL. I. PAGE THE DEVELOPMENT HYPOTHESIS 1 PROGRESS: ITS LAW AND CAUSE 8 TRANSCENDENTAL PHYSIOLOGY 63 THE NEBULAR HYPOTHESIS 108 ILLOGICAL GEOLOGY 192 BAIN ON THE EMOTIONS AND THE WILL 241 THE SOCIAL ORGANISM
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Produced by Chris Curnow, Mary Akers and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's note: This book was published in two volumes, of which this is the second. The first volume was released as Project Gutenberg ebook #45394, available at http:www.gutenberg.org/ebooks/45394. Italic text has been marked with _underscores_. Please see the end of this Project for further notes. THE LIFE OF SIR HUMPHRY D
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Produced by Taavi Kalju, Woodie4, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's notes: Captions have been added to the illustration markers for the convenience of some readers. These have been indicated by an asterisk. A list of some of the author's other books has been moved from the front papers to the end of the book. [Illustration: Front cover]* [Illustration: Title page: RAGGED DICK SERIES BY HORATIO ALGER JR. BEN THE LUGGAGE BOY] BEN, THE LUGGAGE BOY; OR, AMONG THE WHARVES. BY HORATIO ALGER, JR., AUTHOR OF "RAGGED DICK," "FAME AND FORTUNE," "MARK, THE MATCH BOY," "ROUGH AND READY," "CAMPAIGN SERIES," "LUCK AND PLUCK SERIES," ETC. THE JOHN C. WINSTON CO., PHILADELPHIA, CHICAGO, TORONTO. TO ANNIE, THIS VOLUME IS DEDICATED In Tender Remembrance, BY HER _AFFECTIONATE BROTHER_ PREFACE. In presenting "Ben, the Luggage Boy," to the public, as the fifth of the Ragged Dick Series, the author desires to say that it is in all essential points a true history; the particulars of the story having been communicated to him, by Ben himself, nearly two years since. In particular, the circumstances attending the boy's running away from home, and adopting the life of a street boy, are in strict accordance with Ben's own statement. While some of the street incidents are borrowed from the writer's own observation, those who are really familiar with the different phases which street life assumes in New York, will readily recognize their fidelity. The chapter entitled "The Room under the Wharf" will recall to many readers of the daily
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