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Produced by Laura McDonald (http://www.girlebooks.com) and Marc D'Hooghe (http:www.freeliterature.org) THE ADVENTURES OF ELIZABETH IN RUeGEN BY THE AUTHOR OF "ELIZABETH AND HER GERMAN GARDEN" New York THE MACMILLAN COMPANY LONDON: MACMILLAN & CO., LTD. 1904 [Illustration: map of Ruegen] CONTENTS THE FIRST DAY--From Miltzow to Lauterbach THE SECOND DAY--Lauterbach and Vilm THE THIRD DAY--From Lauterbach to Goehren THE FOURTH DAY--From Goehren to Thiessow THE FOURTH DAY (continued)--At Thiessow THE FIFTH DAY--From Thiessow to Sellin THE FIFTH DAY (continued)--From Sellin to Binz THE SIXTH DAY--The Jagdschloss THE SIXTH DAY (continued)--The Granitz Woods, Schwarze See, and Kiekoewer THE SEVENTH DAY--From Binz to Stubbenkammer THE SEVENTH DAY (continued)--At Stubbenkammer THE EIGHTH DAY--From Stubbenkammer to Glowe THE NINTH DAY--From Glowe to Wiek THE TENTH DAY--From Wiek to Hiddensee THE ELEVENTH DAY--From Wiek Home THE ADVENTURES OF ELIZABETH IN RUeGEN THE FIRST DAY FROM MILTZOW TO LAUTERBACH Every one who has been to school and still remembers what he was taught there, knows that Ruegen is the biggest island Germany possesses, and that it lies in the Baltic Sea off the coast of Pomerania. Round this island I wished to walk this summer, but no one would walk with me. It is the perfect way of moving if you want to see into the life of things. It is the one way of freedom. If you go to a place on anything but your own feet you are taken there too fast, and miss a thousand delicate joys that were waiting for you by the wayside. If you drive you are bound by a variety of considerations, eight of the most important being the horses' legs. If you bicycle--but who that loves to get close to nature would bicycle? And as for motors, the object of a journey like mine was not the getting to a place but the going there. Successively did I invite the most likely of my women friends, numbering at least a dozen, to walk with me. They one and all replied that it would make them tired and that it would be dull; and when I tried to remove the first objection by telling them how excellent it would be for the German nation, especially those portions of it that are still to come, if its women walked round Ruegen more often, they stared and smiled; and when I tried to remove the second by explaining that by our own spirits are we deified, they stared and smiled more than ever. Walking, then, was out of the question, for I could not walk alone. The grim monster Conventionality whose iron claws are for ever on my shoulder, for ever pulling me back from the harmless and the wholesome, put a stop to that even if I had not been afraid of tramps, which I was. So I drove, and it was round Ruegen that I drove because one hot afternoon when I was idling in the library, not reading but fingering the books, taking out first one and then another, dipping into them, deciding which I would read next, I came across Marianne North's _Recollections of a Happy Life_, and hit upon the page where she begins to talk of Ruegen. Immediately interested--for is not Ruegen nearer to me than any other island?--I became absorbed in her description of the bathing near a place called Putbus, of the deliciousness of it in a sandy cove where the water was always calm, and of how you floated about on its crystal surface, and beautiful jelly-fish, stars of purest colours, floated with you. I threw down the book to ransack the shelves for a guide to Ruegen. On the first page of the first one I found was this remarkable paragraph:-- 'Hearest thou the name Ruegen, so doth a wondrous spell come over thee. Before thine eyes it rises as a dream of far-away, beauteous fairylands. Images and figures of long ago beckon thee across to the marvellous places where in grey prehistoric times they dwelt, and on which they have left the shadow of their presence. And in thee stirs a mighty desire to wander over the glorious, legend-surrounded island. Cord up, then, thy light bundle, take to heart Shylock's advice to put money in thy purse, and follow me without fear of the threatening sea-sickness which may overtake thee on the short crossing, for it has never yet done any one more harm than imposing on him a rapidly-passing discomfort.' This seemed to me very irresistible. Surely a place that inspired such a mingling of the lofty and the homely in its guide-books must be well worth seeing? There was a drought just then going on at home. My eyes were hot with watching a garden parch browner day by day beneath a sky of brass. I felt that it only needed a little energy, and in a few hours I too might be floating among those jelly-fish, in the shadow of the cliffs of the legend-surrounded island. And even better than being surrounded by legends those breathless days would it be to have the sea all round me. Such a sea too! Did I not know it? Did I not know its singular limpidity? The divineness of its blue where it was deep, the clearness of its green where it was shallow, lying tideless along its amber shores? The very words made me thirsty--amber shores; lazy waves lapping them slowly; vast spaces for the eye to wander over; rocks, and seaweed, and cool, gorgeous jelly-fish. The very map at the beginning of the guide-book made me thirsty, the land was so succulently green, the sea all round so bland a blue. And what a fascinating island it is on the map--an island of twists and curves and inland seas called Bodden; of lakes, and woods, and frequent ferries; with lesser islands dotted about its coasts; with bays innumerable stretching their arms out into the water; and with one huge forest, evidently magnificent, running nearly the whole length of the east coast, following its curves, dipping down to the sea in places, and in others climbing up chalk cliffs to crown them with the peculiar splendour of beeches. It does not take me long to make up my mind, still less to cord up my light bundle, for somebody else does that; and I think it was only two days after I first found Marianne North and the guide-book that my maid Gertrud and I got out of a suffocating train into the freshness that blows round ryefields near the sea, and began
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Produced by Suzanne Shell, Beginners Projects, Dave Morgan and the Online Distributed Proofreading Team. THE WENDIGO Algernon Blackwood 1910 I A considerable number of hunting parties were out that year without finding so much as a fresh trail; for the moose were uncommonly shy, and the various Nimrods returned to the bosoms of their respective families with the best excuses the facts of their imaginations could suggest. Dr. Cathcart, among others, came back without a trophy; but he brought instead the memory of an experience which he declares was worth all the bull
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Produced by David Widger from page images generously provided by the Google Print project. THE STORY OF MY MIND How I Became a Rationalist By M. M. Mangasarian 1909 DEDICATION To My Children My Dear Children:-- You have often requested me to tell you how, having been brought up by my parents as a Calvinist, I came to be a Rationalist. I propose now to answer that question in a more connected and comprehensive way than I have ever done before. One reason for waiting until now was, that you were not old enough before, to appreciate fully the mental struggle which culminated in my resignation from the Spring Garden Presbyterian church of Philadelpha, in which, my dear Zabelle, you received your baptism at the time I was its pastor. Your brother, Armand, and your sister, Christine, were born after I had withdrawn from the Presbyterian church, and they have therefore not been baptised. But you are, all three of you, now sufficiently advanced in years, and in training, to be interested in, and I trust also, to be benefited by, the story of my religious evolution. I am going to put the story in writing that you may have it with you when I am gone, to remind you of the aims and interests for which I lived, as well as to acquaint you with the most earnest and intimate period in my career as a teacher of men. If you should ever become parents yourselves, and your children should feel inclined to lend their support to dogma, I hope you will prevail upon them, first to read the story of their grand-father, who fought his way out of the camp of orthodoxy by grappling with each dogma, hand to hand and breast to breast. I have no fear that you yourselves will ever be drawn into the meshes of orthodoxy, which cost me my youth and the best years of my life to break through, or that you will permit motives of self-interest to estrange you from the Cause of Rationalism with which my life has been so closely identified. My assurance of your loyalty to freedom of thought in religion is not based, nor do I desire it to be based, on considerations of respect or affection which you may entertain for me as your father, but on your ability and willingness to verify a proposition before assenting to it. Do not believe me because I am your parent, but believe what you have yourselves, by conscientious and earnest endeavor, found to be worthy of belief. It will never be said of you, that you have inherited your opinions from me, or borrowed them from your neighbors, if you can give a reason for the faith that is in you. I wish you also to know that during those years of storm and stress, when everything seemed so discouraging, and when my resignation from the church had left us exposed to many privations,--without money and without help, your mother's sympathy with me in my combat with the church--a lone man, and a mere youth, battling with the most powerfully intrenched institution in all the world, was more than my daily bread to me during the pain and travail of my second birth. My spirits, often depressed from sheer weariness, were nursed to new life and ardor by her patience and sympathy. One word more: Nothing will give your parents greater satisfaction than to see in you, increasing with the increase of years, a love for those ideals which instead of dragging the world backward, or arresting its progress, urge man's search to nobler issues. Co-operate with the light. Be on the side of the dawn. It is not enough to profess Rationalism--make it your religion. Devotedly, M. M. Mangasarian. CHAPTER I. In the Cradle of Christianity I was a Christian because I was born one. My parents were Christians for the same reason. It had never occurred to me, any more than it had to my parents, to ask for any other reason for professing the Christian religion. Never in the least did I entertain even the most remote suspicion that being born in a religion was not enough, either to make the religion true, or to justify my adherence to it. My parents were members of the Congregational church, and when I was only a few weeks old, they brought me, as I have often been told by those who witnessed the ceremony, to the Rev. Mr. Richardson, to be baptized and presented to the Lord. It was the vow of my mother, if she ever had a son, to dedicate him to the service of God. As I advanced in years, the one thought constantly instilled into my mind was that I did not belong to myself but to God. Every attempt was made to wean me from the world, and to suppress in me those hopes and ambitions which might lead me to choose some other career than that of the ministry. This constant surveillance over me, and the artificial sanctity associated with the life of one set apart for God, was injurious to me in many ways. Among other things it robbed me of my childhood. Instead of playing, I began very early to pray. God, Christ, Bible, and the dogmas of the faith monopolized my attention, and left me neither the leisure nor the desire for the things that make childhood joyous. At the age of eight years I was invited to lead the congregation in prayer, in church, and could recite many parts of the New Testament by heart. One of my favorite pastimes was "to play church." I would arrange the chairs as I had seen them arranged at church, then mounting on one of the chairs, I would improvise a sermon and follow it with an unctuous prayer. All this pleased my mother very much, and led her to believe that God had condescended to accept her offering. My dear mother is still living, and is still a devout member of the Congregational church. I have not concealed my Rationalism from her, nor have I tried to make light of the change which has separated us radically in the matter of religion. Needless to say that my withdrawal from the Christian ministry, and the Christian religion, was a painful disappointment to her. But like all loving mothers, she hopes and prays that I may return to the faith she still holds, and in which I was baptized. It is only natural that she should do so. At her age of life, beliefs have become so crystallized that they can not yield to new impressions. When my mother had convictions I was but a child, and therefore I was like clay in her hands, but now that I can think for myself my mother is too advanced in years for me to try to influence her. She was more successful with me than I shall ever be with her. That my mother had a great influence upon me, all my early life attests. As soon as I was old enough I was sent to college with a view of preparing myself for the ministry. Having finished college I went to the Princeton Theological Seminary, where I received instruction from such eminent theologians as Drs. A. A. Hodge, William H. Green, and Prof. Francis L. Patton. At the age of twenty-three, I became pastor of the Spring Garden Presbyterian church of Philadelphia. It was the reading of Emerson and Theodore Parker which gave me my first glimpse of things beyond the creed I was educated in. I was at this time obstinately orthodox, and, hence, to free my mind from the Calvinistic teaching which I had imbibed with my mother's milk, was a most painful operation. Again and again, during the period of doubt, I returned to the bosom of my early faith, just as the legendary dove, scared by the waste of waters, returned to the ark. To dislodge the shot fired into a wall is not nearly so difficult an operation as to tear one's self forever from the early beliefs which cling closer to the soul than the skin does to the bones. While it was the reading of a new set of books which first opened my eyes, these would have left no impression upon my mind had not certain events in my own life, which I was unable to reconcile with the belief in a "Heavenly Father", created in me a predisposition to inquire into the foundations of my Faith. An event, which happened when I was only a boy, gave me many anxious thoughts about the truth of the beliefs my dear mother had so eloquently instilled into me. The one thought I was imbued with from my youth was that "the tender mercies of God are over all his children," I believed myself to be a child of God, and counted confidently upon his special providence. But when the opportunity came for providence to show his interest in me, I was forsaken, and had to look elsewhere for help. My first disappointment was a severe shock. I got over it at the time, but when I came to read Rationalistic books, the full meaning of that early experience, which I will now briefly relate, dawned upon me, and helped to make my mind good soil for the new ideas. In 1877 I was traveling in Asia Minor, going from the Euphrates to the Bosphorus, accompanied by the driver of my horses, one of which I rode, the other carrying my luggage. We had not proceeded very far when we were overtaken by a young traveler on foot, who, for reasons of safety, begged to join our little party. He was a Mohammedan, while my driver and I professed the Christian religion. For three days we traveled together, going at a rapid pace in order to overtake the caravan. It need hardly be said that in that part of the world it is considered unsafe to travel even with a caravan, but, to go on a long journey, as we were doing, all by ourselves, was certainly taking a great risk. We were armed with only a rifle--one of those flint fire-arms which frequently refused to go off. I forgot to say that my driver had also hanging from his girdle a long and crooked knife sheathed in a black canvas scabbard. Both the driver, who was a Christian, and the Mohammedan, who had placed himself under our protection, were, I am sorry to say, much given to boasting. They would tell how, on various occasions, they had, single-handed, driven away the Kurdish brigands, who outnumbered them, ten to one; how that rusty knife had disemboweled one of the most renowned Kurdish chiefs, and how the silent and meek-looking flint-gun had held at bay a pack of those "curs" who go about scenting for human flesh. All this was reassuring to me--a lad of seventeen, and I began to think that I was indebted to Providence for my brave escort. On the morning of the 18th of February, 1877, we reached the valley said to be a veritable den of thieves, where many a traveler had lost his life as well as his goods. A great fear fell upon us when we saw on the wooden bridge which spanned the river at the base of the hills, two Kurds riding in our direction. I was at once disillusioned as to the boasted bravery of my comrades, and felt that it was all braggadocio with which they had been regaling me. As I was the one supposed to have money, I would naturally be the chief object of attack, which made my position the more perilous. But this sudden fear which seemed to paralyze me at first, was followed by a bracing resolve to cope with these "devils" mentally. As I look back now upon the events of that day, I am puzzled to know how I got through it all without any serious harm to my person. I was surprised also that I, who had been brought up to pray and to trust in divine help, forgot in the hour of real peril, all about "other help" and bent all my energies upon helping myself. But why did I not pray? Why did I not fall upon my knees to commit myself to God's keeping? Perhaps it was because I was too much pre-occupied--too much in earnest to take the time to pray. Perhaps my better instincts would not let me take refuge in words when something stronger was wanted. We may ask the good Lord not to burn our house, but when the house is actually on fire, water is better than prayer. Perhaps, again, I did not pray because of an instinctive feeling that this was a case of self-help or no help at all. Perhaps, again, there was a feeling in me, that if all the prayers my mother and I had offered did not save me from falling into the hands of thieves neither would any new prayer that I might offer be of any help. But the fact is that in the hour of positive and imminent peril--when face to face with death--I was too busy to pray. My mother, before I started on this journey, had made a bag for my valuables--watch and chain, etc.--and sewed it on my underflannels, next to my body. But my money (all in gold coins) was in a snuff-box, and that again in a long silk purse. I was, of course, the better dressed of the three--with long boots which reached higher than my knees, a warm English broadcloth cloak reaching down to my ankles, and an Angora collarette, soft and snow white, about my neck. I rode ahead, and the others, with the baggage horse, followed me. When the two Kurdish riders who were advancing in our direction reached me, they saluted me very politely, saying, according to the custom of the country, "God be with you," to which I timidly returned the customary answer, "We are all in his keeping." At the time it did not occur to me how absurd it was for both travelers and robbers to recommend each other to God while carrying fire-arms--the ones for attack, the others for defense. Of course now I can see, though I could not at the time I am speaking of, that God never interfered to save an _unarmed_ traveler from brigands--I say never, for if he ever did, and could, he would do it always. But as we know, alas, too well, that hundreds and thousands have been robbed and cut to pieces by these Kurds, it would be reasonable to infer that God is indifferent. Of course, the strongly-armed travelers, as a rule, escape, thanks to their own courage and firearms. For, we ask again, if the Lord can save one, why not all? And if he can save all, but will not, does he not become as dangerous as the robbers? But really if God could do anything in the matter, He would reform the Kurds out of the land, or--out of the thieving business. If God is the unfailing police force in Christian, lands, he is not that in Mohammedan countries, at any rate. As the two mounted Kurds passed by me, they scanned me very closely--my costume, boots, furs, cap and so on. Then I heard them making inquiries of my driver about me--who I was, where I was going, and why I was going at all. My driver answered these, inquiries as honestly as the circumstances permitted. Wishing us all again the protection of Allah, the Kurds spurred their horses and galloped away. For a moment we began to breathe freely--but only for a moment, for as our horses reached the bridge we saw that the Kurds had turned around and were now following us. And before we reached the middle of the bridge over the river, one of the Kurds galloping up close to me laid his hand on my shoulders and, unceremoniously, pulled me out of my saddle. At the same time he dismounted himself, while his partner remained on horseback with his gun pointed squarely in my-face, and threatening to kill me if I did not give him my money immediately. I can never forget his savage grin when at last he found my purse, and grabbing it, with another oath, pulled it out of its hiding place. I have already described that my coins were all in a little box hid away in my purse, hence, as soon as the robber had loosened the strings he took out the box, held it in his left hand, while with his right he kept searching in the inner folds of my long purse. While he was running his fingers through the tortuous purse, I slipped mine into his left hand, and, taking hold of the box, I emptied its contents into my pocket in the twinkling of an eye and handed it back to the robber. The Kurd incensed at finding nothing in the purse which he kept shaking and fingering, snatched the box from my hand, opened it, and finding it as empty as the purse, flung it away with an oath. "Are you Moslems or Christians?" inquired one of the Kurds, to my companions. "We are all Moslems, by Allah," they answered. In Turkey you are not supposed to speak the truth unless you say, "by Allah," which means "_by God_." Of course it was not true that I was a Mohammedan. My companions told the Kurds a falsehood about me, to save my life. There was no doubt the Kurds would have killed me, but for the lie _which I did not correct_. When I reached my destination many of my co-religionists declared that I had denied Christ by allowing the Kurds to think that I was a Moslem. As I feel now, my conscience does not trouble me for helping, by my silence, to deceive the Kurds about my religion. In withholding the truth from these would-be assassins I was doing them no evil, but protecting the most sacred rights of man, the Kurd's included. Here was an instance in which silence was golden. But I would not hesitate, any moment, to mislead a thief or a murderer, by speech, as well as by silence. If it is right to kill the murderer in self-defense, it is right to deny him also the truth. But young as I was, what alarmed me at the time was that we should have been led into the temptation of lying to save our lives. Why did a "Heavenly Father" deliver us to the brigands? And of what help was God to us, if, in real peril, we had to resort to fighting or falsehood for self-protection? In what way would the world have been worse off without a "Heavenly Father?" About a month after I arrived at my destination, I received a letter from my mother, to whom the driver, upon his return, had related my adventure with the Kurds. Without paying the least thought to the fact that we had to lie to save our lives, my mother claimed that it was her prayers which had saved _me_ from the brigands. _Sancta Simplicitas!_ But my hospitality to new tendencies did not in the least diminish the anguish and pain of the separation from the religion of my mother. Even after I began to seriously doubt many of the beliefs I had once accepted as divine, it seemed impossible to abandon them. Ten thousand obstacles blocked my way, and as many voices seemed to caution me against sailing forth upon an unknown sea. In a modest way, I was like Columbus, separated from the new world I was seeking, by the dark and tempestuous waste of waters. How often my heart sank within me! I was almost sure of a better and larger world beyond Calvin, or Christ even, but the huge sea rolled between and struck terror upon my mind. But if there are difficulties, there is a way out of them. I am glad that the difficulties, great and insurmountable as they seemed at the time, did not succeed in holding me back. Between Calvinism and Rationalism flowed the deep, dark sea of fear. I have crossed that sea. Behind me is theology with its mysteries and dogmas; before me are the sunny fields of science. Born in the world of John Calvin, baptised in the name of the Holy Trinity, and set apart for the Christian ministry,--I have become a Rationalist. The meaning of both these words, Calvinist and Rationalist, will, I hope, become clear to all the readers of this book. The difference between the Calvinist and the Rationalist is not that
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Produced by Charles Bowen from page scans provided by Google Books (the New York Public Library) Transcriber's Notes: 1. Page scan source: https://books.google.com/books?id=h9ghAAAAMAAJ (the New York Public Library) 2. The diphthong oe is represented by [oe]. AGNES SOREL. A Novel BY G. P. R. JAMES, ESQ., AUTHOR OF "LIFE OF VICISSITUDES," "PEQUINILLO," "THE FATE," "AIMS AND OBSTACLES," "HENRY SMEATON," "THE WOODMAN," &c., &c., &c. NEW YORK: HARPER & BROTHERS, PUBLISHERS, 329 & 331 PEARL STREET, FRANKLIN SQUARE. 1864. Entered, according to Act of Congress, in the year one thousand eight hundred and fifty-three, by GEORGE P. R. JAMES, in the Office of the Clerk of the District Court of the Southern District of New York. TO MAUNSELL B. FIELD, ESQ., NOT ONLY AS THE COMPANION OF SOME OF MY LITERARY LABORS, BUT AS MY DEAR FRIEND; NOT ONLY AS A GENTLEMAN AND A MAN OF HONOR, BUT AS A MAN OF GENIUS AND OF FEELING; NOT ONLY AS ONE WHO DOES HONOR TO HIS OWN COUNTRY, BUT AS ONE WHO WOULD DO HONOR TO ANY, This Book is Dedicated, with sincere Regard, BY G. P. R. JAMES. AGNES SOREL. CHAPTER I. How strange the sensation would be, how marvelously interesting the scene, were we to wake up from some quiet night's rest and find ourselves suddenly transported four or five hundred years back--living and moving among the men of a former age! To pass from the British fortress of Gibraltar, with drums and fifes, red coats and bayonets, in a few hours, to the coast of Africa, and find one's self surrounded by Moors and male petticoats, turbans and cimeters, is the greatest transition the world affords at present; but it is nothing to that of which I speak. How marvelously interesting would it be, also, not only to find one's self brought in close contact with the customs, manners, and characteristics of a former age, with all our modern notions strong about us, but to be met at every turn by thoughts, feelings, views, principles, springing out of a totally different state of society, which have all passed away, and moldered, like the garments in which at that time men decorated themselves. Such, however, is the leap which I wish the reader to take at the present moment; and--although I know it to be impossible for him to divest himself of all those modern impressions which are a part of his identity--to place himself with me in the midst of a former period, and to see himself surrounded for a brief space with the people, and the things, and the thoughts of the fifteenth century. Let me premise, however, in this prefatory chapter, that the object of an author, in the minute detail of local scenery and ancient customs, which he is sometimes compelled to give, and which are often objected to by the animals with long ears that browse on the borders of Parnassus, is not so much to show his own learning in antiquarian lore, as to imbue his reader with such thoughts and feelings as may enable him to comprehend the motives of the persons acting before his eyes, and the sensations, passions, and prejudices of ages passed away. Were we to take an unsophisticated rustic, and baldly tell him, without any previous intimation of the habits of the time, that the son of a king of England one day went out alone--or, at best, with a little boy in his company--all covered over with iron; that he betook himself to a lone and desolate pass in the mountains, traversed by a high road, and sat upon horseback by the hour together, with a spear in his hand, challenging every body who passed to fight him, the unsophisticated rustic would naturally conclude that the king's son was mad, and would expect to hear of him next in Bedlam, rather than on the throne of England. I let any one tell him previously of the habits, manners, and customs of those days, and the rustic--though he may very well believe that the whole age was mad--will understand and appreciate the motives of the individual, saying to himself, "This man was not a bit madder than the rest." However, this book is not intended to be a mere painting of the customs of the fifteenth century, but rather a picture of certain characters of that period, dressed somewhat in the garb of the times, and moved by those springs of action which influenced men in the age to which I refer. It has been said, and justly, that human nature is the same in all ages; but as a musical instrument will produce many different tones, according to the hand which touches it, so will human nature present many different aspects, according to the influences by which it is affected. At all events, I claim a right to play my own tune upon my violin, and what skills it if that tune be an air of the olden times. No one need listen who does not like it. CHAPTER II. There was a small, square room, of a very plain, unostentatious appearance, in the turret of a tall house in the city of Paris. The walls were of hewn stone, without any decoration whatever, except where at the four sides, and nearly in the centre of each, appeared a long iron arm, or branch, with a socket at the end of it, curved and twisted in a somewhat elaborate manner, and bearing some traces of having been gilt in a former day. The ceiling was much more decorated than the walls, and was formed by two groined arches of stone-work, crossing each other in the middle, and thus forming, as it were, four pointed arches, the intervals between one mass of stone-work and another being filled up with dark- oak, much after the fashion of a cap in a coronet. The spot where the arches crossed was ornamented with a richly-carved pendant, or corbel, in the centre of which was embedded a massive iron hook, probably intended to sustain a large lamp, while the iron sockets protruding from the walls were destined for flambeaux or lanterns. The floor was of stone, and a rude mat of rushes was spread over about one eighth of the surface, toward the middle of the room, where stood a table of no very large dimensions, covered with a great pile of papers and a few manuscript books. No lamp hung from the ceiling; no lantern or flambeau cast its light from the walls as had undoubtedly been the case in earlier times: the tall, quaint-shaped window, besides being encumbered by a rich tracery of stone-work, could not admit even the moonbeams through the thick coat of dust that covered its panes, and the only light which that room received was afforded by a dull oil lamp upon the table, without glass or shade. All the furniture looked dry and withered, as it were, and though solid enough, being balkily formed of dark oak, presented no ornament whatever. It was, in short, an uncomfortable-looking apartment enough, having a ruinous and dilapidated appearance, without any of the picturesqueness of decay. Under the table lay a large, brindled, rough-haired dog, of the stag-hound breed, but cruelly docked of his tail, in accordance with some code of forest laws, which at that time were very numerous and very various in different parts of France, but all equally unjust and severe. Apparently he was sound asleep as dog could be; but we all know that a dog's sleep is not as profound as a metaphysician's dream, and from time to time he would raise his head a little from his crossed paws, and look slightly up toward the legs of a person seated at the table. Now those
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Produced by Suzanne Shell, Graeme Mackreth and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Satanella [Illustration: "His next stride brought him on his head." (Page 133.) _Satanella._ _Frontispiece_] Satanella A Story of Punchestown By G.J. Whyte-Melville Author of "
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Produced by Marcia Brooks, Stephen Hutcheson and the online Distributed Proofreaders Canada team at http://www.pgdpcanada.net [Illustration: Haida Totem Poles Indian genealogical trees _From
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Produced by the Online Distributed Proofreading Team at http://www.pgdp.net/ Myths of the Norsemen From the Eddas and Sagas By H. A. Guerber Author of "The Myths of Greece and Rome" etc. London George G. Harrap & Company 15 York Street Covent Garden 1909 Printed by Ballantyne & Co. Limited Tavistock Street, Covent Garden, London CONTENTS Chap. Page I. The Beginning 1 II. Odin 16 III. Frigga 42 IV. Thor 59 V. Tyr 85 VI. Bragi 95 VII. Idun 103 VIII. Nioerd 111 IX. Frey 117 X. Freya 131 XI. Uller 139 XII. Forseti 142 XIII. Heimdall 146 XIV. Hermod 154 XV. Vidar 158 XVI. Vali 162 XVII. The Norns 166 XVIII. The Valkyrs 173 XIX. Hel 180 XX. AEgir 185 XXI. Balder 197 XXII. Loki 216 XXIII. The Giants 230 XXIV. The Dwarfs 239 XXV. The Elves 246 XXVI. The Sigurd Saga 251 XXVII. The Frithiof Saga 298 XXVIII. The Twilight of the Gods 329 XXIX. Greek and Northern Mythologies--A Comparison 342 LIST OF ILLUSTRATIONS Norsemen Landing in Iceland (Oscar Wergeland) Frontispiece To face page The Giant with the Flaming Sword (J. C. Dollman) 2 The Wolves Pursuing Sol and Mani (J. C. Dollman) 8 Odin (Sir E. Burne-Jones) 16 The Chosen Slain (K. Dielitz) 18 A Viking Foray (J. C. Dollman) 20 The Pied Piper of Hamelin (H. Kaulbach) 28 Odin (B. E. Fogelberg) 36 Frigga Spinning the Clouds (J. C. Dollman) 42 Tannhaeuser and Frau Venus (J. Wagrez) 52 Eastre (Jacques Reich) 54 Huldra's Nymphs (B. E. Ward) 58 Thor (B. E. Fogelberg) 60 Sif (J. C. Dollman) 64 Thor and the Mountain (J. C. Dollman) 72 A Foray (A. Malmstroem) 88 The Binding of Fenris (Dorothy Hardy) 92 Idun (B. E. Ward) 100 Loki and Thiassi (Dorothy Hardy) 104 Frey (Jacques Reich) 118 Freya (N. J. O. Blommer) 132 The Rainbow Bridge (H. Hendrich) 146 Heimdall (Dorothy Hardy) 148 Jarl (Albert Edelfelt) 152 The Norns (C. Ehrenberg) 166 The Dises (Dorothy Hardy) 170 The Swan-Maiden (Gertrude Demain Hammond, R.I.) 174 The Ride of the Valkyrs (J. C. Dollman) 176 Brunhild and Siegmund (J. Wagrez) 178 The Road to Valhalla (Severin Nilsson) 182 AEgir (J. P. Molin) 186 Ran (M. E. Winge) 190 The Neckan (J. P. Molin) 194 Loki and Hodur (C. G. Qvarnstroem) 202 The Death of Balder (Dorothy Hardy) 206 Hermod before Hela (J. C. Dollman) 210 Loki and Svadilfari (Dorothy Hardy) 222 Loki and Sigyn (M. E. Winge) 228 Thor and the Giants (M. E. Winge) 230 Torghatten 234 The Peaks of the Trolls 244 The Elf-Dance (N. J. O. Blommer) 246 The White Elves (Charles P. Sainton, R.I.) 248 Old Houses with Carved Posts 250 The Were-Wolves (J. C. Dollman) 260 A Hero's Farewell (M. E. Winge) 264 The Funeral Procession (H. Hendrich) 268 Sigurd and Fafnir (K. Dielitz) 274 Sigurd Finds Brunhild (J. Wagrez) 278 Odin and Brunhild (K. Dielitz) 280 Aslaug (Gertrude Demain Hammond, R.I.) 282 Sigurd and Gunnar (J. C. Dollman) 284 The Death of Siegfried (H. Hendrich) 288 The End of Brunhild (J. Wagrez) 290 Ingeborg (M. E. Winge) 304 Frithiof Cleaves the Shield of Helge (Knut Ekwall) 308 Ingeborg Watches her Lover Depart (Knut Ekwall) 312 Frithiof's Return to Framnaes (Knut Ekwall) 316 Frithiof at the Shrine of Balder (Knut Ekwall) 318 Frithiof at the Court of Ring (Knut Ekwall) 320 Frithiof Watches the Sleeping King (Knut Ekwall) 324 Odin and Fenris (Dorothy Hardy) 334 The Ride of the Valkyrs (H. Hendrich) 344 The Storm-Ride (Gilbert Bayes) 358 INTRODUCTION The prime importance of the rude fragments of poetry preserved in early Icelandic literature will now be disputed by none, but there has been until recent times an extraordinary indifference to the wealth of religious tradition and mythical lore which they contain. The long neglect of these precious records of our heathen ancestors is not the fault of the material in which all that survives of their religious beliefs is enshrined, for it may safely be asserted that the Edda is as rich in the essentials of national romance and race-imagination, rugged though it be, as the more graceful and idyllic mythology of the South. Neither is it due to anything weak in the conception of the deities themselves, for although they may not rise to great spiritual heights, foremost students of Icelandic literature agree that they stand out rude and massive as the Scandinavian mountains. They exhibit "a spirit of victory, superior to brute force, superior to mere matter, a spirit that fights and overcomes." [1] "Even were some part of the matter of their myths taken from others, yet the Norsemen have given their gods a noble, upright, great spirit, and placed them upon a high level that is all their own." [2] "In fact these old Norse songs have a truth in them, an inward perennial truth and greatness. It is a greatness not of mere body and gigantic bulk, but a rude greatness of soul." [3] The introduction of Christianity into the North brought with it the influence of the Classical races, and this eventually supplanted the native genius, so that the alien mythology and literature of Greece and Rome have formed an increasing part of the mental equipment of the northern peoples in proportion as the native literature and tradition have been neglected. Undoubtedly Northern mythology has exercised a deep influence upon our customs, laws, and language, and there has been, therefore, a great unconscious inspiration flowing from these into English literature. The most distinctive traits of this mythology are a peculiar grim humour, to be found in the religion of no other race, and a dark thread of tragedy which runs throughout the whole woof, and these characteristics, touching both extremes, are writ large over English literature. But of conscious influence, compared with the rich draught of Hellenic inspiration, there is little to be found, and if we turn to modern art the difference is even more apparent. This indifference may be attributed to many causes, but it was due first to the fact that the religious beliefs of our pagan ancestors were not held with any real tenacity. Hence the success of the more or less considered policy of the early Christian missionaries to confuse the heathen beliefs, and merge them in the new faith, an interesting example of which is to be seen in the transference to the Christian festival of Easter of the attributes of the pagan goddess Eastre, from whom it took even the name. Northern mythology was in this way arrested ere it had attained its full development, and the progress of Christianity eventually relegated it to the limbo of forgotten things. Its comprehensive and intelligent scheme, however, in strong contrast with the disconnected mythology of Greece and Rome, formed the basis of a more or less rational faith which prepared the Norseman to receive the teaching of Christianity, and so helped to bring about its own undoing. The religious beliefs of the North are not mirrored with any exactitude in the Elder Edda. Indeed only a travesty of the faith of our ancestors has been preserved in Norse literature. The early poet loved allegory, and his imagination rioted among the conceptions of his fertile muse. "His eye was fixed on the mountains till the snowy peaks assumed human features and the giant of the rock or the ice descended with heavy tread; or he would gaze at the splendour of the spring, or of the summer fields, till Freya with the gleaming necklace stepped forth, or Sif with the flowing locks of gold." [4] We are told nothing as to sacrificial and religious rites, and all else is omitted which does not provide material for artistic treatment. The so-called Northern Mythology, therefore, may be regarded as a precious relic of the beginning of Northern poetry, rather than as a representation of the religious beliefs of the Scandinavians, and these literary fragments bear many signs of the transitional stage wherein the confusion of the old and new faiths is easily apparent. But notwithstanding the limitations imposed by long neglect it is possible to reconstruct in part a plan of the ancient Norse beliefs, and the general reader will derive much profit from Carlyle's illuminating study in "Heroes and Hero-worship." "A bewildering, inextricable jungle of delusions, confusions, falsehoods and absurdities, covering the whole field of Life!" he calls them, with all good reason. But he goes on to show, with equal truth, that at the soul of this crude worship of distorted nature was a spiritual force seeking expression. What we probe without reverence they viewed with awe, and not understanding it, straightway deified it, as all children have been apt to do in all stages of the world's history. Truly they were hero-worshippers after Carlyle's own heart, and scepticism had no place in their simple philosophy. It was the infancy of thought gazing upon a universe filled with divinity, and believing heartily with all sincerity. A large-hearted people reaching out in the dark towards ideals which were better than they knew. Ragnarok was to undo their gods because they had stumbled from their higher standards. We have to thank a curious phenomenon for the preservation of so much of the old lore as we still possess. While foreign influences were corrupting the Norse language, it remained practically unaltered in Iceland, which had been colonised from the mainland by the Norsemen who had fled thither to escape the oppression of Harold Fairhair after his crushing victory of Hafrsfirth. These people brought with them the poetic genius which had already manifested itself, and it took fresh root in that barren soil. Many of the old Norse poets were natives of Iceland, and in the early part of the Christian era, a supreme service was rendered to Norse literature by the Christian priest, Saemund, who industriously brought together a large amount of pagan poetry in a collection known as the Elder Edda, which is the chief foundation of our present knowledge of the religion of our Norse ancestors. Icelandic literature remained a sealed book, however, until the end of the eighteenth century, and very slowly since that time it has been winning its way in the teeth of indifference, until there are now signs that it will eventually come into its own. "To know the old Faith," says Carlyle, "brings us into closer and clearer relation with the Past--with our own possessions in the Past. For the whole Past is the possession of the Present; the Past had always something true, and is a precious possession." The weighty words of William Morris regarding the Volsunga Saga may also be fitly quoted as an introduction to the whole of this collection of "Myths of the Norsemen": "This is the great story of the North, which should be to all our race what the Tale of Troy was to the Greeks--to all our race first, and afterwards, when the change of the world has made our race nothing more than a name of what has been--a story too--then should it be to those that come after us no less than the Tale of Troy has been to us." CHAPTER I: THE BEGINNING Myths of Creation Although the Aryan inhabitants of Northern Europe are supposed by some authorities to have come originally from the plateau of Iran, in the heart of Asia, the climate and scenery of the countries where they finally settled had great influence in shaping their early religious beliefs, as well as in ordering their mode of living. The grand and rugged landscapes of Northern Europe, the midnight sun, the flashing rays of the aurora borealis, the ocean continually lashing itself into fury against the great cliffs and icebergs of the Arctic Circle, could not but impress the people as vividly as the almost miraculous vegetation, the perpetual light, and the blue seas and skies of their brief summer season. It is no great wonder, therefore, that the Icelanders, for instance, to whom we owe the most perfect records of this belief, fancied in looking about them that the world was originally created from a strange mixture of fire and ice. Northern mythology is grand and tragical. Its principal theme is the perpetual struggle of the beneficent forces of Nature against the injurious, and hence it is not graceful and idyllic in character, like the religion of the sunny South, where the people could bask in perpetual sunshine, and the fruits of the earth grew ready to their hand. It was very natural that the dangers incurred in hunting and fishing under these inclement skies, and the suffering entailed by the long cold winters when the sun never shines, made our ancestors contemplate cold and ice as malevolent spirits; and it was with equal reason that they invoked with special fervour the beneficent influences of heat and light. When questioned concerning the creation of the world, the Northern scalds, or poets, whose songs
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Produced by Joshua Hutchinson and PG Distributed Proofreaders THE TRESPASSER By D. H. Lawrence 1912 _Chapter 1_ 'Take off that mute, do!' cried Louisa, snatching her fingers from the piano keys, and turning abruptly to the violinist. Helena looked slowly from her music. 'My dear Louisa,' she replied, 'it would be simply unendurable.' She stood tapping her white skirt with her bow in a kind of a pathetic forbearance. 'But I can't understand it,' cried Louisa, bouncing on her chair with the exaggeration of one who is indignant with a beloved. 'It is only lately you would even submit to muting your violin. At one time you would have refused flatly, and no doubt about it.' 'I have only lately submitted to many things,' replied Helena, who seemed weary and stupefied, but still sententious. Louisa drooped from her bristling defiance. 'At any rate,' she said, scolding in tones too naked with love, I don't like it.' '_Go on from Allegro_,' said Helena, pointing with her bow to the place on Louisa's score of the Mozart sonata. Louisa obediently took the chords, and the music continued. A young man, reclining in one of the wicker arm-chairs by the fire, turned luxuriously from the girls to watch the flames poise and dance with the music. He was evidently at his ease, yet he seemed a stranger in the room. It was the sitting-room of a mean house standing in line with hundreds of others of the same kind, along a wide road in South London. Now and again the trams hummed by, but the room was foreign to the trams and to the sound of the London traffic. It was Helena's room, for which she was responsible. The walls were of the dead-green colour of August foliage; the green carpet, with its border of polished floor, lay like a square of grass in a setting of black loam. Ceiling and frieze and fireplace were smooth white. There was no other colouring. The furniture, excepting the piano, had a transitory look; two light wicker arm-chairs by the fire, the two frail stands of dark, polished wood, the couple of flimsy chairs, and the case of books in the recess--all seemed uneasy, as if they might be tossed out to leave the room clear, with its green floor and walls, and its white rim of skirting-board, serene. On the mantlepiece were white lustres, and a small soapstone Buddha from China, grey, impassive, locked in his renunciation. Besides these, two tablets of translucent stone beautifully clouded with rose and blood, and carved with Chinese symbols; then a litter of mementoes, rock-crystals, and shells and scraps of seaweed. A stranger, entering, felt at a loss. He looked at the bare wall-spaces of dark green, at the scanty furniture, and was assured of his unwelcome. The only objects of sympathy in the room were the white lamp that glowed on a stand near the wall, and the large, beautiful fern, with narrow fronds, which ruffled its cloud of green within the gloom of the window-bay. These only, with the fire, seemed friendly. The three candles on the dark piano burned softly, the music fluttered on, but, like numbed butterflies, stupidly. Helena played mechanically. She broke the music beneath her bow, so that it came lifeless, very hurting to hear. The young man frowned, and pondered. Uneasily, he turned again to the players. The
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Produced by Charles Bowen from page scans provided by the Web Archive (University of Toronto) Transcriber's Notes: 1. Page scan source: Web Archive https://archive.org/details/ticonderogastory00jameuoft (University of Toronto) [Book Cover: Ticonderoga By G. P. R. JAMES] [Illustration By J. Watson Davis: As a tall dark figure gilded into the room, Lord H---- drew Edith suddenly back and placed himself before her. Page 99. _Frontispiece_. --_Ticonderoga_] ----------------------------------------------------- _A Story of Early Frontier Life in the Mohawk Valley_ ----------------------------------------------------- _By G. P. R. JAMES_ _Author of "Darnley, A Romance of the times of Henry VIII."; "Richelieu, A Tale of France in the Reign of King Louis XIII_." ----------------------------------------------------- A. L. BURT COMPANY, PUBLISHERS, NEW YORK ----------------------------------------------------- TICONDEROGA CHAPTER I The house was a neat, though a lowly one. It bore traces of newness, for the bark on the trunks which supported the little veranda had not yet mouldered away. Nevertheless, it was not built by the owner's own hands; for when he came there he had much to learn in the rougher arts of life; but with a carpenter from a village some nine miles off, he had aided to raise the building and directed the construction by his own taste. The result was satisfactory to him; and, what was more, in his eyes, was satisfactory to the two whom he loved best--at least, it seemed satisfactory to them, although those who knew them, even not so well as he did, might have doubted, and yet loved them all the better. The door of the house was open, and custom admitted every visitor freely, whatever was his errand. It was a strange state of society that, in which men, though taught by daily experience that precaution was necessary, took none. They held themselves occasionally ready to repel open assault, which was rare, and neglected every safeguard against insidious attack, which was much more common. It was the custom of the few who visited that secluded spot to enter without ceremony, and to search in any or every room in the house for some one of the inhabitants. But on this occasion the horse that came up the road stopped at the gate of the little fence, and the traveler, whoever he was, when he reached the door after dismounting, knocked with his whip before he entered. The master of the house rose and went to the door. He was somewhat impatient of ceremony, but the aspect and demeanor of his visitor were not of a kind to nourish any angry feeling. He was a young and very handsome man, probably not more than thirty years of age, sinewy and well formed in person, with a noble and commanding countenance, a broad, high brow, and a keen but tranquil eye. His manner was courteous, but grave, and he said, without waiting to have his errand asked: "I know not, sir, whether I shall intrude upon you too far in asking hospitality for the night, but the sun is going down, and I was told by a lad whom I met in the woods just now that there is no other house for ten miles farther; and, to say the truth, I am very ignorant of the way." "Come in," said the master of the cottage. "We never refuse to receive a visitor here, and, indeed, have sometimes to accommodate more than the house will well hold. We are alone, however, now, and you will not have to put up with the inconveniences which our guests are sometimes obliged to encounter. Stay! I will order your horse to be taken care of." Thus saying, he advanced a step or two beyond the door and called in a loud voice for someone whom he named Agrippa. He had to shout more than once, however, before a <DW64> appeared, blind in one eye, and somewhat lame withal, but yet, apparently, both active and intelligent. The necessary orders were soon given, and in a moment after the traveler was seated with his host in the little parlor of the cottage. The manner of the latter could not be called cordial, though it was polite and courteous. The other seemed to feel it in some degree, and a certain stateliness appeared in his demeanor which was not likely to warm his host into greater familiarity. But suddenly the chilly atmosphere of the room was warmed in a moment, and a chain of sympathy established between the two by the presence of youth. A boy of sixteen, and a girl a little more than a year older, entered with gay and sunshiny looks, and the cloud was dispelled in a moment. "My daughter Edith--my son Walter," said the master of the house, addressing the stranger, as the two young people bounded in; and then he added, with a slight inclination of the head: "It was an ancient and honorable custom in Scotland, when that country was almost as uncivilized as this, and possessed all the uncivilized virtues, never to inquire the name of a guest; and therefore I cannot introduce you to my children; but doubtless they will soon acknowledge you as their nameless friend." "I am a friend of one of them already," answered the stranger, holding out his hand to the lad. "This is the young gentleman who told me that I should find the only house within ten miles about this spot, and his father willing to receive me, though he did not say that I should find a gem in the wilderness, and a gentleman in these wild woods." "It has been a foolish fancy, perhaps," said the master of the house, "to carry almost into the midst of savage life some remnants of civilization. We keep the portraits of dead friends--a lock of hair--a trinket--a garment of the loved and departed. The habits and the ornaments of another state of society are to me like those friends, and I long to have some of their relics near me." "Oh, my dear father," said Edith, seating herself by him and leaning her head upon his bosom, without timidity or restraint, "you could never do without them. I remember when we were coming hither, now three years ago, that you talked a great deal of free, unshackled existence; but I knew quite well, even then, that you could not be content till you had subdued the rough things around you to a more refined state." "What made you think so, Edith?" asked her father, looking down at her with a smile. "Because you never could bear the parson of the parish drinking punch and smoking tobacco pipes," answered the beautiful girl, with a laugh; "and I was quite sure that it was not more savage life you sought, but greater refinement." "Oh, yes, my father," added the lad; "and you often said, when we were in England, that the red Indian had much more of the real gentleman in him than many a peer." "Dreams, dreams," said their father, with a melancholy smile; and then, turning to the stranger, he added: "You see, sir, how keenly our weaknesses are read by even children. But come, Edith, our friend must be hungry with his long ride; see and hasten the supper. Our habits are primeval here, sir, like our woods. We follow the sun to bed, and wake with him in the morning." "They are good habits," answered the stranger, "and such as I am accustomed to follow much myself. But do not, I pray you, hasten your supper for me. I am anything but a slave of times and seasons. I can fast long, and fare scantily, without inconvenience." "And yet you are an Englishman," answered the master of the house, gravely, "a soldier, or I mistake; a man of station, I am sure; though all three would generally infer, as the world goes at this present time, a fondness for luxurious ease and an indulgence of all the appetites." A slight flush came into his young companion's cheek, and the other hastened to add: "Believe me, I meant nothing discourteous. I spoke of the Englishman, the soldier, and the man of rank and station generally, not of yourself. I see it is far otherwise with you." "You hit hard, my good friend," replied the stranger, "and there is some truth in what you say. But perhaps I have seen as many lands as you, and I boldly venture to pronounce that the fault is in the age, not in the nation, the profession, or the class." As he spoke he rose, walked thoughtfully to the window, and gazed out for a moment or two in silence; and then, turning round, he said, addressing his host's son: "How beautifully the setting sun shines down yonder glade in the forest, pouring, as it were, in a golden mist through the needle foliage of the pines. Runs there a road down there?" The boy answered in the affirmative, and drawing close to the stranger's side pointed out to him, by the undulation of the ground and the gaps in the tree tops, the wavy line that the road followed, down the side of the gentle hill, saying: "By a white oak and a great hemlock tree, there is a footpath to the left; at a clump of large cedars on the edge of the swamp the road forks out to the right and left, one leading eastward toward the river, and one out westward to the hunting grounds." The stranger seemed to listen to him with pleasure, often turning his eyes to the lad's face as he spoke, rather than to the landscape to which he pointed; and when he had done he laid his hand on his shoulder, saying, "I wish I had such a guide as you, Walter, for my onward journey." "Will it be far?" asked the youth. "Good faith, I cannot well tell," answered the other. "It may be as far as Montreal, or even to Quebec, if I get not satisfaction soon." "I could not guide you as far as that," replied the boy, "but I know every step toward the lakes, as well as an Indian." "With whom he is very fond of consorting," said his father, with a smile. But before the conversation could proceed farther, an elderly, respectable woman servant entered the room and announced that supper was on the table. Edith had not returned, but they found her in a large, oblong chamber to which the master of the house led the way. There was a long table in the midst, and four wooden chairs arranged round one end, over which a snowy tablecloth was spread. The rest of the table was bare, but there were a number of other seats and two or three benches in the room, while at equal distances on either side, touching the walls, lay a number of bear and buffalo skins, as if spread out for beds. The eye of the stranger glanced over them as he entered, but his host replied to his thoughts, with a smile: "We will lodge you somewhat better than that, sir. We have, just now, more than one room vacant; but you must know there is no such thing as privacy in this land, and when we have any invasion of our Indian friends those skins make them supremely happy. I often smile to think how a redman would feel in Holland sheets. I tried it once, but it did not succeed. He pulled the blankets off the bed and slept upon the floor." Seated at the table, the conversation turned to many subjects, general, of course, but yet personally interesting to both the elder members of the party. More than an hour was beguiled at the table--a longer period than ordinary--and then the bright purple hues which spread over the eastern wall of the room, opposite the windows, told that the autumnal sun had reached the horizon. The master of the house rose to lead the way into another room again, but ere he moved from the table another figure was added to the group around it, though the foot was so noiseless that no one heard its entrance into the chamber. The person who had joined the little party was a man of middle age, of a tall, commanding figure, upright and dignified carriage, and fine, but somewhat strongly marked features. The expression of his countenance was grave and noble, but yet there was a certain strangeness in it--a touch of wildness, perhaps I might call it--very difficult to define. It was not in the eyes, for they were good, calm, and steadfast, gazing straight at any object of contemplation, and fixed full upon the face of anyone he addressed. It was not in the lips, for, except when speaking, they were firm and motionless. Perhaps it was in the eyebrow, which, thick and strongly marked, was occasionally suddenly raised or depressed, without apparent cause. His dress was very strange. He was evidently of European blood, although his skin was embrowned by much exposure to sun and weather. But yet he wore not altogether the European costume, the garb of the American backwoodsman, or that of the Indian. There was a mixture of all, which gave him a wild and fantastic appearance. His coat was evidently English, and had straps of gold lace upon the shoulders; his knee breeches and high riding boots would have looked English, also, had not the latter been destitute of soles, properly so called; for they were made somewhat like a stocking, and the part beneath the foot was of the same leather as the rest. Over his shoulder was a belt of rattlesnake skin, and round his waist a sort of girdle, formed from the claws of the bear, from which depended a string of wampum, while two or three knives and a small tomahawk appeared on either side. No other weapons had he whatever. But under his left arm hung a common powder flask, made of cow's horn, and beside it, a sort of wallet, such as trappers commonly used for carrying their little store of Indian corn. A round fur cap of bearskin, without any ornament whatever, completed his habiliments. It would seem that in that house he was well known, for its master instantly held forth his hand to him, and the young people sprang forward and greeted him warmly. A full minute elapsed before he spoke, but nobody uttered a word till he did so, all seeming to understand his habits. "Well, Mr. Prevost," he said, at length, "I have been a stranger to your wigwam for some time. How art thou, Walter? Not a man yet, in spite of all thou canst do? Edith, my sweet lady, time deals differently with thee from thy brother. He makes thee a woman against thy will." Then turning suddenly to the stranger, he said: "Sir, I am glad to see you. Were you ever at Kielmansegge?" "Once," replied the stranger, laconically. "Then we will confer presently," replied the newcomer. "How have you been this many a day, Mr. Prevost? You must give me food, for I have ridden far. I will have that bearskin, too, for my night's lodging place, if it be not pre-engaged. No, not that one, the next. I have told Agrippa to see to my horse, for I ever count upon your courtesy." There was something extremely stately and dignified in his whole tone, and with frank straightforwardness, but without any indecorous haste, he seated himself at the table, drew toward him a large dish of cold meat, and while Edith and her brother hastened to supply him with everything else he needed, proceeded to help himself liberally
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Produced by Clare Graham & Joyce McDonald at http://www.girlebooks.com - Marc D'Hooghe at http://www.freeliterature.org RUTLEDGE By MIRIAM COLES HARRIS NEW YORK: DERBY & JACKSON, 498 BROADWAY. 1860. CHAPTER I. "Heavily hangs the broad sunflower, Over its grave i' the earth so chilly; Heavily hangs the hollyhock, Heavily hangs the tiger lily." TENNYSON. It was the gloomy twilight of a gloomy November day; dark and leaden clouds were fast shutting out every lingering ray of daylight; and the wind, which moaned dismally around the house, was tossing into mad antics the leaves which strewed the playground. The lamps were not lighted yet; of visible fires the _pensionnat_ of St. Catharine's was innocent; a dull black stove, more or less gigantic, according to the size of the apartment, gloomed in every one, and affected favorably the thermometer, if not the imagination. We paced untiringly up and down the dim corridor--Nelly, Agnes and I--three children, who, by virtue of our youth, ought to have been let off, one would have thought, for some years yet, from the deep depression that was fast settling on our spirits. In truth we were all three very miserable, we thought--Nelly and Agnes, I am afraid, more so than I, who in common justice ought to have participated deeply in, as I was the chief occasion of, their grief. My trunk was packed and strapped, and stood outside the door of my dormitory, ready for the porter's attention. In it lay my school-books, closed forever, as I hoped; and souvenirs innumerable of school friendships and the undying love of the extremely young persons by whom I was surrounded. From them I was to be severed to-morrow, as was expected, and "It might be for years, and it might be for ever," as Nelly had just said, choking up on the last sentence. I _did_ feel unhappy, and very much like "choking up" too, when I passed the great windows, that looked into the playground, and remembered all the mad hours of frolic I had passed there; when I took down my shawl from the peg where it had hung nightly for five years, and remembered, with a thrill, it was "the last time;" when the lid of my empty desk fell down with an echo that sounded drearily through the long school-room; when I thought "where I might be this time to-morrow," and when Agnes' and Nelly's arms twined about me, reminded me of the rapidly approaching hour of separation from those who had represented the world to me for five years--whom I had loved and hated, and by whom I had been loved and hated, with all the fervor of sixteen. The hatreds now were softened down by the nearness of the parting; all my ancient foes, (and they had not been few), had "made up" and promised forgiveness and forgetfulness entire; and all ancient feuds were dead. All my friends now loved me with tenfold the ardor they had ever felt before; all the staff of teachers, who had, I am afraid, a great deal to forgive, of impatient self-will, mad spirits and thoughtless inattention, were good enough to forget all, and remember only what they were pleased to call the truth and honesty and courage, that in the years we had been together, they had never known to fail. They little knew how their unlooked for praise humbled me; and how far more deeply than any reproach, it made me realize the waste of time and talents that I had to look back upon. So, most unexpectedly to myself, I found that I was going off with flying colors; that all were joining to deplore my departure and laud my good qualities; and that, from being rather a "limb" in the eyes of the school, and a hopeless sinner in my own, I was promoted, temporarily, to the dignity of heroine at St. Catharine's. It was with a very full heart that I remembered all this; and deeper feelings than I had known since my childhood were stirred by the kindness I was certain was as undeserved as it was unexpected. But such a future dawned before me, that tender regret struggled hard with giddy hope for the mastery. In almost every girl's life, leaving school is a marked and important event; and imagination has always a wide, and generally well-cultivated field for its powers, even when home and future are as certain as things mundane can be. But in my case there was so much room for dreaming, so much raw material for fancy to work up, that a tamer and less imaginative child than I was, would have been tempted into castle-building. The sad event that five years before had placed me, a stunned, bewildered, motherless child, in the midst of strangers, had largely developed the turn for dreaming that such children always possess. The sympathy and love that God provides for every child that is born into the world, withdrawn, they turn "not sullen, nor in scorn," but from an instinct He has himself implanted, inward, for their sympathy and counsel. So it happened, that though Nelly and Agnes, and a dozen merry girls beside, were my sworn friends and very firmest allies, none of them knew anything of the keen wonder and almost painful longing with which I pictured the future to myself. They knew, of course, the simple facts, that as I had no father or mother, I was to go and live with my aunt, who had been in Europe until this summer and whom I had not seen since my mother died; that she had three daughters, one older, two younger than myself; that she had sent me some pretty things from Paris, and was, probably, very kind, and I should have a very nice time. They knew only these bare beams and framework of the gorgeous fabric I had reared upon them; they little knew the hours of wakefulness in which I wondered whether I should be happy or miserable in that new home; whether my aunt would love me as I already most ardently loved her; whether the new cousins were at all like Nelly and Agnes; and whether they were prepared to value the wealth of affection I had in reserve for them. But time would soon settle all this into certainty; and my aunt's last letter, containing all the final arrangements for my journey, I at present knew by heart. The only possible shade of uncertainty about my starting, lay in the chance of the gentleman who was to be my escort, being detained by business a day or two longer at C----, and not arriving to-night, as had been considered probable. Nelly built greatly upon this possibility, and as the twilight deepened, and the moaning wind and growing darkness pressed more and more upon us, we turned to that as our only chance of comfort. Nelly had said, for the twentieth time, "I am sure he will not come till to-morrow, it is too late for him now," when a sharp ring at the bell made us all start, and sent the blood swiftly enough through _my_ veins, and, I suppose, no less swiftly through my young companions'; for Nelly convulsively clasped me round the neck and burst into tears, while Agnes said, in a choking voice, "I'm certain of it!" And for three dreadful minutes of suspense we stood motionless, holding our breath, and watching for the first token of the approach of the messenger who should confirm or confute our forebodings. At last, steps echoed along the hall, and bearing a dim candle, which blinked nervously at every step, appeared the Biddy who officiated as waiter at St. Catharine's. She had a card in her hand, and our end of the corridor seemed her destination, and our party the party she was in search of. "Well?" said Agnes, making a distracted effort to break the silence, as Biddy groped stupidly and slowly toward us. "A gentleman," she said, "a gentleman to see you, miss," and she handed me the card. "I knew it," said Agnes, with a deep sigh, as, per favor of the blinking candle, the three heads, clustered over the card, made out the name, "Mr. Arthur Rutledge." "Oh, I am so frightened!" I said, sitting down on the lowest step of the stairs. "Girls, what shall I do?" Nelly shook her head; she did not wonder I was afraid; for five years I had encountered no gentlemen more alarming than the professors, and no strangers more intimidating than occasional new scholars; and knew no more how to conduct myself on this occasion, than if I had not received Miss Crowen's valuable instructions on deportment. I had been taught to swim, theoretically, on shore, and now was to be pushed suddenly out into deep water, to make the best use I could of my scientific knowledge. As was to be supposed, I found myself not much the better for it. "He's not a young gentleman though," said Agnes, "and I shouldn't mind it much if I were you." "Oh, of course he's not young, or Aunt Edith would not have had me go with him. He's as old as the hills, I know but that makes it so much the worse; and then, he was abroad with my aunt and cousins, and knows them all so well; and Aunt Edith calls him 'an accomplished gentleman of high standing;' and oh! I am sure I shall blush and act like a fool, and disgrace myself; and aunt is so particular." Nelly condoled, Agnes counselled, and I stood shivering in an agony of apprehension and dismay, when the heavy tread of Miss Crowen on the stairs, gave an impetus to my faltering steps, and sent me parlor-wards with emphasis. "If you don't hurry," whispered Agnes. "Miss Crowen will drag you in, and make one of her horrible speeches about educational advantages and mental culture, and put you through a course of mathematical problems, and make you show off on the piano, if not sing." The wily Agnes had touched the right chord. Threatened with this new horror, I grew reckless, and without a moment more of hesitation, bolted into the parlor, and stood confronting the object of my terror, before I had had time in the least to prepare my line of conduct. I stood for a moment with burning cheeks and downcast eyes, unable to articulate a word, and saw nothing, heard nothing, till I found myself seated on the sofa, and being talked to in a kind manner by the dreaded stranger, who sat beside me. If my "Yes sir," and "No sir," came in in the right places, I can claim no sort of credit for it; for neither then nor now, had or have I the faintest apprehension of anything he said. By and by, however, under the influence of that steady unmoved voice, my alarm began to subside, and my scared senses, after fluttering hopelessly about, like a dislodged brood of swallows, began at last to collect themselves again, and resume their proper functions. By degrees I began to comprehend what he was talking about, and in process of time, commanded my voice sufficiently to answer him audibly, and before the interview was over, had the courage to raise my eyes, and satisfy myself as to the personal appearance of this my destined protector in the three days' journey we had in prospect. And the result of this investigation was, the instant establishment, upon a firm basis, of ease and confidence. For few men or women, much less children or girls, ever looked into Mr. Rutledge's face, without feeling that they saw their master, but withal so firm and kind a master, that all thought of resistance to his will, or stubborn maintenance of their own, together with all foolish vanity and consciousness, vanished at once and forever, or returned but seldom, and was soon conquered. If I had cherished any romantic hope that this "accomplished gentleman" might prove anything out of which I could make that dearest dream of schoolgirl's heart, a lover, I likewise relinquished that most speedily, for nothing in the person before me, gave encouragement to such an idea. Rather below than above the medium size, and of a firm, well-proportioned figure, Mr. Rutledge gave one, from his commanding and decided carriage, the impression of a much larger man. His dark hair was slightly dashed with grey, his eyes were keen and cold, the lines of care and thought about his brow were deep and strong. If his face could be said to have an attraction, it lay in the rare smile that sometimes changed the sternness of his mouth into winning sweetness and grace. But this was so rare that it could hardly be called a characteristic of his habitually cold stern face. That it wore it that evening however, I knew then as now, was because I was a child, and a miserable, frightened one besides. I never doubted that he knew how I felt, and read me thoroughly. The interview was, according to the prim little clock on the mantelpiece, by no means a long one; and after introducing (with but indifferent grace) Miss Crowen, who entered the room with elephantine tread, to my visitor, he took leave, having arranged to come for me the next morning at six. That last evening, with its half-strange, excited novelty of leave-taking, and last messages and last thoughts, is still distinct in my memory; and the start with which I answered Biddy's call in the darkness of the November morning, the dressing with cold hurried hands that were not half equal to the task, the wild way in which everything came dancing through my mind, as I tried to say my prayers, the utter inability to taste a mouthful of the breakfast Miss Crowen herself had superintended, the thrill with which I heard the carriage drive up to the door, are as vivid as recollections can well be. And I am in no danger, either of forgetting the moment, when, with half a dozen of my schoolfellows who had been allowed to see me off, I descended the steps toward the carriage, the door of which Mr. Rutledge was holding open. The kind good bye of Miss Crowen, the warm embraces of the girls, Nelly's tears, Agnes' wistful look, are memories I cannot part with if I would. The carriage door shut to with a snap, the horses started forward at a brisk pace, and we were off, and I had left school and childhood behind me forever. I did not cry at all, though I felt desperately like it; but the consciousness that Mr. Rutledge looked sharply at me to see how I took it, made me struggle harder to keep back my tears, and seem womanly and composed. In this I succeeded beyond my hopes, and before half an hour had passed, the bracing air of the fine autumn morning, the rapid pace at which we rolled along, and the new delight to my cloistered eyes, of farms, and villages, woods rich in the many colors of the fall, and meadows and uplands basking in its sunshine, made me feel as if I had been months away from school, and as if the melancholy of last night were some strange distant dream. Seventeen never dreamed more fantastic dreams than I did that morning, however, as I leaned back in the carriage and idly watched the gay landscape past which we were hurrying. It was quite a relief to me that my companion, after attending to my comfort in every necessary way, settled himself in his corner of the carriage, and taking a book from his valise, devoted himself to its perusal, and left me to my own thoughts the entire morning. He did not put it up till we reached the town where we were to dine and wait for the cars. Dinner did not prove a very animated meal; my companion, after asking me about school, and whether I felt sorry to leave it, and a few more questions of the same nature (such as people always put to school-girls, and by which they unconsciously give great offence), seemed to consider his conversational duty performed, and fell into a state of abstraction, which made his face look harder and colder than ever; and as I stealthily regarded him from under my eyelashes, some of last night's alarm threatened to return. But I tried to overcome it, and endeavored to reassure myself by remembering how kind he was when I was so much embarrassed, and how well he had helped me through the interview that he might have made so terrible; and that he did not talk to me--why, certainly it was not strange that a gentleman of his age should not have much in common with a girl of mine. By and by the cars came tearing through the town with a whoop and a shriek, that seemed to excite everybody wonderfully, considering the frequency of the occurrence. Passengers, porters, newsboys, in one mad crowd, rushed toward the depot, each emulating in his own proper person, the noble rage of the snorting, impatient monster, upon whose energy we were all depending. The only individual entirely unexcited, was my escort, who never for a moment lost the appearance of sang froid and indifference that an earthquake would not have startled him out of, I was convinced. Though we did not hurry, we were, before many of our fellow-voyagers, in possession of the best seats, and most commodiously, because most deliberately, settled for the journey. Mr. Rutledge was emphatically a good traveller, carrying the clear-sighted precision and deliberation of his mind into all the details of travel, and thereby securing himself from the petty annoyances that people often think unworthy of attention, but which do more than they suspect, toward marring pleasure and destroying comfort. I aptly followed his manner, and was a marvel of unconcerned deliberation in the matter of securing my seat and arranging my shawls, books and bags; which drew from him the remark, with an approving glance, that he perceived I was used to travelling. That observation, either from the fact of its being so absurdly incorrect in its premises, or from the stronger fact of its being the only one addressed to me until 7 P.M., when we stopped at F---- for purposes of refreshment, impressed itself very much upon my mind. After the wretched meal, called by compliment tea, which we were allowed twenty minutes to partake of, had been dispatched, and we were again settled in the cars in which we were to travel all night, commenced the trials of the journey--to me, at least, for I was an entire novice, not having been twenty miles away from St. Catharine
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Produced by Al Haines. *GREENACRE GIRLS* BY IZOLA L. FORRESTER THE WORLD SYNDICATE PUBLISHING CO. CLEVELAND, O. NEW YORK, N.Y. _Copyright, 1915, by George W. Jacobs & Company All rights reserved_ _Printed in the United States of America_ *CONTENTS* CHAPTER I The Finger of Providence II The Motherbird and Her Robins III Breakers Ahead IV The Queen's Privy Council V Kit Rebels VI White Hyacinths VII The Land o' Rest VIII Spying the Promised Land IX The Lady Managers Choose a Name X Settling the Nest XI Ma Parmelee's Chicks XII Gilead's Girl Neighbors XIII Cousin Roxy to the Rescue XIV The Lawn Fete XV Kit Pulls Anchor XVI Guests and Ghosts XVII Billie Meets Trespassers XVIII Harvesting Hopes XIX Ralph and Honey Take the Long Trail XX Roxana's Romance *GREENACRE GIRLS* *CHAPTER I* *THE FINGER OF PROVIDENCE* "It does seem to me, folkses," said Kit warmly, "that when anyone is trying to write, you might be a little quiet." The three at the end of the room heeded not the admonition. Doris was so interested that she had almost succeeded in reclining like a Roman maiden on the library table, trying to see over Helen's shoulder. Jean was drawing up the plan for action. The list of names lay before her, and she tapped her pencil on her nose meditatively as she eyed it. "Now, listen, Jean," Helen proposed. "This would really be a novelty. Let's have a Cupid for postman and not give out our valentines until after the games. And just when we've got them all seated for supper have the bell ring, and a real postman's whistle blow, and enter Cupid!" "It's too cold for wings," Doris interposed mildly. "Oh, Dorrie, you goose. He'd be all dressed up beautifully. Buster Phelps is going to be Cupid, only we were going to have him sit in front of a Valentine box and just hand them out. We'll put a little white suit on him with red hearts dangling all over him, and curl his hair angelically." "You'd better have red heart favors too, Helen," Jean added; "something that opens and shuts, with something else inside for a surprise. And we'll put red crepe shades on all the electric bulbs. Could we get those, do you think, girls?" "We can get anything if Dad and Mother are home by that time," answered Helen. The rest were silent. Kit, sitting at her mother's desk beside the wide bay window, looked up and frowned at the stuffed golden pheasant on top of the nearest bookcase. Outside snow was falling lightly. The view of the Sound was obscured. A pearly grayness seemed to be settling around the big house as if it were being cut off from the rest of the world by some magic spell. "Hope Dad's feeling all right by now," Kit said suddenly, pushing back her thick, dark curls restlessly. "They sail from Sanibel Island the 8th. Wasn't it the 8th, Jean?" "Oh, they'll be home in plenty of time," Jean exclaimed. "Here we all
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(HAWAIIAN MYTHOLOGY)*** E-text prepared by Bryan Ness, Katie Hernandez, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by the Google Books Library Project (http://books.google.com)
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Produced by Marc-AndrA(C) Seekamp, Ann Jury and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) AUTUMN IMPRESSIONS OF THE GIRONDE In Crown 8vo, Cloth Gilt. Price 6s. RUSSIA OF TO-DAY BY
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Produced by Lee Dawei, Seth Hadley, and Project Gutenberg Distributed Proofreaders FRANCE AND ENGLAND IN NORTH AMERICA, A SERIES OF HISTORICAL NARRATIVES, PART THIRD. THE DISCOVERY OF THE GREAT WEST BY FRANCIS PARKMAN 1870 TO THE CLASS OF 1844, HARVARD COLLEGE, THIS BOOK IS CORDIALLY DEDICATED BY ONE OF THEIR NUMBER. PREFACE. The discovery of the "Great West," or the valleys of the Mississippi and the Lakes, is a portion of our history hitherto very obscure. Those magnificent regions were revealed to the world through a series of daring enterprises, of which the motives and even the incidents have been but partially and superficially known. The chief actor in them wrote much, but printed nothing; and the published writings of his associates stand wofully in need of interpretation from the unpublished documents which exist, but which have not heretofore been used as material for history. This volume attempts to supply the defect. Of the large amount of wholly new material employed in it, by far the greater part is drawn from the various public archives of France, and the rest from private sources. The discovery of many of these documents is due to the indefatigable research of M. Pierre Margry, assistant custodian of the Archives of the Marine and Colonies at Paris, whose labors, as an investigator of the maritime and colonial history of France can be appreciated only by those who have seen their results. In the department of American colonial history, these results have been invaluable; for, besides several private collections made by him, he rendered important service in the collection of the French portion of the Brodhead documents, selected and arranged the two great series of colonial papers ordered by the Canadian government, and prepared, with vast labor, analytical indexes of these and of supplementary documents in the French archives, as well as a copious index of the mass of papers relating to Louisiana. It is to be hoped that the valuable publications on the maritime history of France which have appeared from his pen are an earnest of more extended contributions in future. The late President Sparks, some time after the publication of his life of La Salle, caused a collection to be made of documents relating to that explorer, with the intention of incorporating them in a future edition. This intention was never carried into effect, and the documents were never used. With the liberality which always distinguished him, he placed them at my disposal, and this privilege has been, kindly continued by Mrs. Sparks. Abbe Faillon, the learned author of "La Colonie Francaise en Canada," has sent me copies of various documents found by him, including family papers of La Salle. Among others who in various ways have aided my inquiries, are Dr. John Paul, of Ottawa, Ill.; Count Adolphe de Circourt and M. Jules Marcou, of Paris; M. A. Gerin Lajoie, Assistant Librarian of the Canadian Parliament; M. J. M. Le Moine, of Quebec; General Dix, Minister of the United States at the Court of France; O. H. Marshall, of Buffalo; J. G. Shea, of New York; Buckingham Smith, of St. Augustine; and Colonel Thomas Aspinwall, of Boston. The map contained in the book is a portion of the great manuscript map of Franquelin, of which an account will be found in the Appendix. The next volume of the series will be devoted to the efforts of Monarchy and Feudalism under Louis XIV. to establish a permanent power on this continent, and to the stormy career of Louis de Buade, Count of Frontenac. BOSTON, 16 September, 1869. CONTENTS INTRODUCTION CHAPTER I. 1643-1669. CAVELIER DE LA SALLE. The Youth of La Salle.--His Connection with the Jesuits.--He goes to Canada.--His Character.--His Schemes.--His Seigniory at La Chine.--His Expedition in Search of a Western Passage to India. CHAPTER II. 1669-1671. LA SALLE AND THE SULPITIANS. The French in Western New York.--Louis Joliet.--The Sulpitians on Lake Erie.--At Detroit.--At Saut Ste. Marie.--The Mystery of La Salle.--He discovers the Ohio.--He descends the Illinois.--Did he reach the Mississippi? CHAPTER III. 1670-1672. THE JESUITS ON THE LAKES. The Old Missions and the New.--A Change of Spirit.--Lake Superior and the Copper Mines.--Ste. Marie.--La Pointe.--Michillimackinac.-- Jesuits on Lake Michigan.--Allouez and Dablon.--The Jesuit Fur-Trade. CHAPTER IV. 1667-1672. FRANCE TAKES POSSESSION OF THE WEST. Talon.--St. Lusson.--Perrot.--The Ceremony at Saut Ste. Marie.-- The Speech of Allouez.--Count Frontenac. CHAPTER V. 1672-1675. THE DISCOVERY OF THE MISSISSIPPI. Joliet sent to find the Mississippi.--Jacques Marquette.--Departure.-- Green Bay.--The Wisconsin.--The Mississippi.--Indians.--Manitous. --The Arkansas.--The Illinois.--Joliet's Misfortune.--Marquette at Chicago.--His Illness.--His Death. CHAPTER VI. 1673-1678. LA SALLE AND FRONTENAC. Objects of La Salle.--His Difficulties.--Official Corruption in Canada.-- The Governor of Montreal.--Projects of Frontenac.--Cataraqui.-- Frontenac on Lake Ontario.--Fort Frontenac.--Success of La Salle. CHAPTER VII. 1674-1678. LA SALLE AND THE JESUITS. The Abbe Fenelon.--He attacks the Governor.--The Enemies of La Salle.--Aims of the Jesuits.--Their Hostility to La Salle. CHAPTER VIII. 1678. PARTY STRIFE. La Salle and his Reporter.--Jesuit Ascendancy.--The Missions and the Fur-Trade.--Female Inquisitors.--Plots against La Salle.--His Brother the Priest.--Intrigues of the Jesuits.--La Salle poisoned.-- He exculpates the Jesuits.--Renewed Intrigues. CHAPTER IX. 1677-1678. THE GRAND ENTERPRISE. La Salle at Fort Frontenac.--La Salle at Court.--His Plans approved.-- Henri de Tonty.--Preparation for Departure. CHAPTER X. 1678-1679. LA SALLE AT NIAGARA. Father Louis Hennepin.--His Past Life; His Character.--Embarkation. --Niagara Falls.--Indian Jealousy.--La Motte and the Senecas.-- A Disaster.--La Salle and his Followers. CHAPTER XI. 1679. THE LAUNCH OF THE "GRIFFIN." The Niagara Portage.--A Vessel on the Stocks.--Suffering and Discontent.--La Salle's Winter Journey.--The Vessel launched.--Fresh Disasters. CHAPTER XII. 1679. LA SALLE ON THE UPPER LAKES. The Voyage of the "Griffin."--Detroit.--A Storm.--St. Ignace of Michillimackinac.--Rivals and Enemies--Lake Michigan.--Hardships. --A Threatened Fight.--Fort Miami.--Tonty's Misfortunes.-- Forebodings. CHAPTER XIII. 1679-1680 LA SALLE ON THE ILLINOIS. The St. Joseph.--Adventure of La Salle.--The Prairies.--Famine.-- The Great Town of the Illinois.--Indians.--Intrigues.--Difficulties. --Policy of La Salle.--Desertion.--Another Attempt to poison him. CHAPTER XIV. 1680. FORT CREVECOEUR. Building of the Fort.--Loss of the "Griffin."--A Bold Resolution.-- Another Vessel.--Hennepin sent to the Mississippi.--Departure of La Salle. CHAPTER XV. 1680. HARDIHOOD OF LA SALLE. The Winter Journey.--The Deserted Town.--Starved Rock.--Lake Michigan.--The Wilderness.--War Parties.--La Salle's Men give out.--Ill Tidings.--Mutiny.--Chastisement of the Mutineers. CHAPTER XVI. 1680. INDIAN CONQUERORS. The Enterprise renewed.--Attempt to rescue Tonty.--Buffalo.--A Frightful Discovery.--Iroquois Fury.--The Ruined Town.--A Night of Horror.--Traces of the Invaders.--No News of Tonty. CHAPTER XVII. 1680. TONTY AND THE IROQUOIS. The Deserters.--The Iroquois War.--The Great Town of the Illinois.-- The Alarm.--Onset of the Iroquois.--Peril of Tonty.--A Treacherous Truce.--Intrepidity of Tonty.--Murder of Ribourde.--War upon the Dead. CHAPTER XVIII. 1680. THE ADVENTURES OF HENNEPIN. Hennepin an Impostor.--His Pretended Discovery.--His Actual Discovery. --Captured by the Sioux.--The Upper Mississippi. CHAPTER XIX. 1680, 1681. HENNEPIN AMONG THE SIOUX. Signs of Danger.--Adoption.--Hennepin and his Indian Relatives.--The Hunting-Party.--The Sioux Camp.--Falls of St. Anthony.--A Vagabond Friar.--His Adventures on the Mississippi.--Greysolon Du Lhut.--Return to Civilization. CHAPTER XX. 1681. LA SALLE BEGINS ANEW. His Constancy.--His Plans.--His Savage Allies.--He becomes Snow-blind. --Negotiations.--Grand Council.--La Salle's Oratory.--Meeting with Tonty.--Preparation.--Departure. CHAPTER XXI. 1681-1682. SUCCESS OF LA SALLE. His Followers.--The Chicago Portage.--Descent of the Mississippi.--The Lost Hunter.--The Arkansas.--The Taensas.--The Natchez.--Hostility.--The Mouth of the Mississippi.--Louis XIV. proclaimed Sovereign of the Great West. CHAPTER XXII. 1682-1683. ST. LOUIS OF THE ILLINOIS. Louisiana.--Illness of La Salle.--His Colony on the Illinois.--Fort St. Louis.--Recall of Frontenac.--Le Fevre de la Barre.--Critical Position of La Salle.--Hostility of the New Governor.--Triumph of the Adverse Faction.--La Salle sails for France. CHAPTER XXIII. 1684. A NEW ENTERPRISE. La Salle at Court.--His Proposals.--Occupation of Louisiana.--Invasion of Mexico.--Royal Favor.--Preparation.--The Naval Commander.--His Jealousy of La Salle.--Dissensions. CHAPTER XXIV. 1684-1685. LA SALLE IN TEXAS. Departure.--Quarrels with Beaujeu.--St. Domingo.--La Salle attacked with Fever.--His Desperate Condition.--The Gulf of Mexico.--A Fatal Error.--Landing.--Wreck of the "Aimable."--Indian Attack.--Treachery of Beaujeu.--Omens of Disaster. CHAPTER XXV. 1685-1687. ST. LOUIS OF TEXAS. The Fort.--Misery and Dejection.--Energy of La Salle.--His Journey of Exploration.--Duhaut.--Indian Massacre.--Return of La Salle. --A New Calamity.--A Desperate Resolution.--Departure for Canada.--Wreck of the "Belle."--Marriage.--Sedition.--Adventures of La Salle's Party.--The Cenis.--The Camanches.--The Only Hope.--The Last Farewell. CHAPTER XXVI. 1687. ASSASSINATION OF LA SALLE. His Followers.--Prairie Travelling.--A Hunter's Quarrel.--The Murder of Moranget.--The Conspiracy.--Death of La Salle.--His Character. CHAPTER XXVII. 1687, 1688. THE INNOCENT AND THE GUILTY. Triumph of the Murderers.--Joutel among the Cenis.--White Savages. --Insolence of Duhaut and his Accomplices.--Murder of Duhaut and Liotot.--Hiens, the Buccaneer.--Joutel and his Party.--Their Escape.--They reach the Arkansas.--Bravery and Devotion of Tonty.--The Fugitives reach the Illinois.--Unworthy Conduct of Cavelier.--He and his Companions return to France. CHAPTER XXVIII. 1688-1689. FATE OF THE TEXAN COLONY. Tonty attempts to rescue the Colonists.--His Difficulties and Hardships. --Spanish Hostility.--Expedition of Alonzo De Leon.--He reaches Fort St. Louis.--A Scene of Havoc.--Destruction of the French.--The End. APPENDIX. I. Early unpublished Maps of the Mississippi and the Great Lakes. II. The Eldorado of Mathieu Sagean. INDEX [Illustration: LA SALLE'S COLONY on the Illinois FROM THE MAP OF FRANQUELIN, 1684.] INTRODUCTION. The Spaniards discovered the Mississippi. De Soto was buried beneath its waters; and it was down its muddy current that his followers fled from the Eldorado of their dreams, transformed to a dismal wilderness of misery and death. The discovery was never used, and was well-nigh forgotten. On early Spanish maps, the Mississippi is often indistinguishable from other affluents of the Gulf. A century passed after De Soto's journeyings in the South, before a French explorer reached a northern tributary of the great river. This was Jean Nicollet, interpreter at Three Rivers on the St. Lawrence. He had been some twenty years in Canada, had lived among the savage Algonquins of Allumette Island, and spent eight or nine years among the Nipissings, on the lake which bears their name. Here he became an Indian in all his habits, but remained, nevertheless, a zealous Catholic, and returned to civilization at last because he could not live without the sacraments. Strange stories were current among the Nipissings of a people without hair and without beards, who came from the West to trade with a tribe beyond the Great Lakes. Who could doubt that these strangers were Chinese or Japanese? Such tales may well have excited Nicollet's curiosity; and when, in or before the year 1639, he was sent as an ambassador to the tribe in question, he would not have been surprised if on arriving he had found a party of mandarins among them. Possibly it was with a view to such a contingency that he provided himself, as a dress of ceremony, with a robe of Chinese damask embroidered with birds and flowers. The tribe to which he was sent was that of the Winnebagoes, living near the head of the Green Bay of Lake Michigan. They had come to blows with the Hurons, allies of the French; and Nicollet was charged to negotiate a peace. When he approached the Winnebago town, he sent one of his Indian attendants to announce his coming, put on his robe of damask, and advanced to meet the expectant crowd with a pistol in each hand. The squaws and children fled, screaming that it was a manito, or spirit, armed with thunder and lightning; but the chiefs and warriors regaled him with so bountiful a hospitality that a hundred and twenty beavers were devoured at a single feast. From the Winnebagoes, he passed westward, ascended Fox River, crossed to the Wisconsin, and descended it so far that, as he reported on his return, in three days more he would have reached the sea. The truth seems to be, that he mistook the meaning of his Indian guides, and that the "great water" to which he was so near was not the sea, but the Mississippi. It has been affirmed that one Colonel Wood, of Virginia, reached a branch of the Mississippi as early as the year 1654, and that, about 1670, a certain Captain Bolton penetrated to the river itself. Neither statement is improbable, but neither is sustained by sufficient evidence. Meanwhile, French Jesuits and fur-traders pushed deeper and deeper into the wilderness of the northern lakes. In 1641, Jogues and Raymbault preached the DISCOVERY OF THE GREAT WEST. THE DISCOVERY OF THE GREAT WEST. CHAPTER I. 1643-1669. CAVELIER DE LA SALLE. THE YOUTH OF LA SALLE.--HIS CONNECTION WITH THE JESUITS.--HE GOES TO CANADA.--HIS CHARACTER.--HIS SCHEMES.--HIS SEIGNIORY AT LA CHINE.--HIS EXPEDITION IN SEARCH OF A WESTERN PASSAGE TO INDIA. Among the burghers of Rouen was the old and rich family of the Caveliers. Though citizens and not nobles, some of their connections held high diplomatic posts and honorable employments at Court. They were destined to find a better claim to distinction. In 1643 was born at Rouen Robert Cavelier, better known by the designation of La Salle. [Footnote: The following is the _acte de naissance_, discovered by Margry in the _registres de l'etat civil_, Paroisse St. Herbland, Rouen. "Le vingt- deuxieme jour de novembre 1643, a ete baptise Robert Cavelier, fils de honorable homme Jean Cavelier et de Catherine Geest; ses parrain et marraine honorables personnes Nicolas Geest et Marguerite Morice."] La Salle's name in full was Rene-Robert Cavelier, Sieur de la Salle. La Salle was the name of an estate near Rouen, belonging to the Caveliers. The wealthy French burghers often distinguished the various members of their families by designations borrowed from landed estates. Thus, Francois Marie Arouet, son of an ex-notary, received the name of Voltaire, which he made famous.] His father Jean and his uncle Henri were wealthy merchants, living more like nobles than like burghers; and the boy received an education answering to the marked traits of intellect and character which he soon, began to display. He showed an inclination for the exact sciences, and especially for the mathematics, in which he made great proficiency. At an early age, it is said, he became connected with the Jesuits; and though doubt has been expressed of the statement, it is probably true. [Footnote: Margry, after investigations at Rouen, is satisfied of its truth.--_Journal General de l'Instruction Publique_, xxxi. 571. Family papers of the Caveliers, examined by the Abbe Faillon, and copies of some of which he has sent to me, lead to the same conclusion. We shall find several allusions hereafter to La Salle's having in his youth taught in a school, which, in his position, could only have been in connection with some religious community. The doubts alluded to have proceeded from the failure of Father Felix Martin, S.J., to find the name of _La Salle_ on the list of novices. If he had looked for the name of _Robert Cavelier_, he would probably have found it. The companion of La Salle, Hennepin, is very explicit with regard to this connection with the Jesuits,--a point on which he had no motive for falsehood.] La Salle was always an earnest Catholic; and yet, judging by the qualities which his after life evinced, he was not very liable to religious enthusiasm. It is nevertheless clear, that the Society of Jesus may have had a powerful attraction for his youthful imagination. This great organization, so complicated yet so harmonious, a mighty machine moved from the centre by a single hand, was an image of regulated power, full of fascination for a mind like his. But if it was likely that he would be drawn into it, it was no less likely that he would soon wish to escape. To find himself not at the centre of power, but at the circumference; not the mover, but the moved; the passive instrument of another's will, taught to walk in prescribed paths, to renounce his individuality and become a component atom of a vast whole,--would have been intolerable to him. Nature had shaped him for other uses than to teach a class of boys on the benches of a Jesuit school. Nor, on his part, was he likely to please his directors; for, self-controlled and self-contained as he was, he was far too intractable a subject to serve their turn. A youth whose calm exterior hid an inexhaustible fund of pride; whose inflexible purposes, nursed in secret, the confessional and the "manifestation of conscience" could hardly drag to the light; whose strong personality would not yield to the shaping hand; and who, by a necessity of his nature, could obey no initiative but his own,--was not after the model that Loyola had commended to his followers. La Salle left the Jesuits, parting with them, it is said, on good terms, and with a reputation of excellent acquirements and unimpeachable morals. This last is very credible. The cravings of a deep ambition, the hunger of an insatiable intellect, the intense longing for action and achievement subdued in him all other passions; and in his faults, the love of pleasure had no part. He had an elder brother in Canada, the Abbe Jean Cavelier, a priest of St. Sulpice. Apparently, it was this that shaped his destinies. His connection with the Jesuits had deprived him, under the French law, of the inheritance of his father, who had died not long before. An allowance was made to him of three or, as is elsewhere stated, four hundred livres a year, the capital of which was paid over to him, and with this pittance he sailed for Canada, to seek his fortune, in the spring of 1666. [Footnote: It does not appear what vows La Salle had taken. By a recent ordinance, 1666, persons entering religious orders could not take the final vows before the age of twenty-five. By the family papers above mentioned, it appears, however, that he had brought himself under the operation of the law, which debarred those who, having entered religious orders, afterwards withdrew, from claiming the inheritance of relatives who had died after their entrance.] Next, we find him at Montreal. In another volume, we have seen how an association of enthusiastic devotees had made a settlement at this place. [Footnote: "The Jesuits in North America," c. xv.] Having in some measure accomplished its work, it was now dissolved; and the corporation of priests, styled the Seminary of St. Sulpice, which had taken a prominent part in the enterprise, and, indeed, had been created with a view to it, was now the proprietor and the feudal lord of Montreal. It was destined to retain its seignorial rights until the abolition of the feudal tenures of Canada in our own day, and it still holds vast possessions in the city and island. These worthy ecclesiastics, models of a discreet and sober conservatism, were holding a post with which a band of veteran soldiers or warlike frontiersmen would have been better matched. Montreal was perhaps the most dangerous place in Canada. In time of war, which might have been called the normal condition of the colony, it was exposed by its position to incessant inroads of the Iroquois, or Five Nations, of New York; and no man could venture into the forests or the fields without bearing his life in his hand. The savage confederates had just received a sharp chastisement at the hands of Courcelles, the governor; and the result was a treaty of peace, which might at any moment be broken, but which was an inexpressible relief while it lasted. The priests of St. Sulpice were granting out their lands, on very easy terms, to settlers. They wished to extend a thin line of settlements along the front of their island, to form a sort of outpost, from which an alarm could be given on any descent of the Iroquois. La Salle was the man for such a purpose. Had the priests understood him,--which they evidently did not, for some of them suspected him of levity, the last foible with which he could be charged,--had they understood him, they would have seen in him a young man in whom the fire of youth glowed not the less ardently for the veil of reserve that covered it; who would shrink from no danger, but would not court it in bravado; and who would cling with an invincible tenacity of gripe to any purpose which he might espouse. There is good reason to think that he had come to Canada with purposes already conceived, and that he was ready to avail himself of any stepping-stone which might help to realize them. Queylus, Superior of the Seminary, made him a generous offer; and he accepted it. This was the gratuitous grant of a large tract of land at the place now called La Chine, above the great rapids of the same name, and eight or nine miles from Montreal. On one hand, the place was greatly exposed to attack; and on the other, it was favorably situated for the fur-trade. La Salle and his successors became its feudal proprietors, on the sole condition of delivering to the Seminary, on every change of ownership, a medal of fine silver, weighing one mark. [Footnote: _Transport de la Seigneurie de St. Sulpice_, cited by Faillon. La Salle called his new domain as above. Two or three years later, it received the name of La Chine, for a reason which will appear.] He entered on the improvement of his new domain, with what means he could command, and began to grant out his land to such settlers as would join him. Approaching the shore where the city of Montreal now stands, one would have seen a row of small compact dwellings, extending along a narrow street, parallel to the river, and then, as now, called St. Paul Street. On a hill at the right stood the windmill of the seigneurs, built of stone, and pierced with loop-holes to serve, in time of need, as a place of defence. On the left, in an angle formed by the junction of a rivulet with the St. Lawrence, was a square bastioned fort of stone. Here lived the military governor, appointed by the Seminary, and commanding a few soldiers of the regiment of Carignan. In front, on the line of the street, were the enclosure and buildings of the Seminary, and, nearly adjoining them, those of the Hotel-Dieu, or Hospital, both provided for defence in case of an Indian attack. In the hospital enclosure was a small church, opening on the street, and, in the absence of any other, serving for the whole settlement. [Footnote: A detailed plan of Montreal at this time is preserved in the Archives de l'Empire, and has been reproduced by Faillon. There is another, a few years later, and still more minute, of which a fac-simile will be found in the Library of the Canadian Parliament.] Landing, passing the fort, and walking southward along the shore, one would soon have left the rough clearings, and entered the primeval forest. Here, mile after mile, he would have journeyed on in solitude, when the hoarse roar of the rapids, foaming in fury on his left, would have reached his listening ear; and, at length, after a walk of some three hours, he would have found the rude beginnings of a settlement. It was where the St. Lawrence widens into the broad expanse called the Lake of St. Louis. Here, La Salle had traced out the circuit of a palisaded village, and assigned to each settler half an arpent, or about a third of an acre, within the enclosure, for which he was to render to the young seigneur a yearly acknowledgment of three capons, besides six deniers--that is, half a sou-- in money. To each was assigned, moreover, sixty arpents of land beyond the limits of the village, with the perpetual rent of half a sou for each arpent. He also set apart a common, two hundred arpents in extent, for the use of the settlers, on condition of the payment by each of five sous a year. He reserved four hundred and twenty arpents for his own personal domain, and on this he began to clear the ground and erect buildings. Similar to this were the beginnings of all the Canadian seigniories formed at this troubled period. [Footnote: The above particulars have been unearthed by the indefatigable Abbe Faillon. Some of La Salle's grants are still preserved in the ancient records of Montreal.] That La Salle came to Canada with objects distinctly in view, is probable from the fact that he at once began to study the Indian languages, and with such success that he is said, within two or three years, to have mastered the Iroquois and seven or eight other languages and dialects. [Footnote: _Papiers de Famille_, MSS. He is said to have made several journeys into the forests, towards the North, in the years 1667 and 1668, and to have satisfied himself that little
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Produced by Charles Aldarondo, Charles Franks and the Online Distributed Proofreading Team THE VALLEY OF VISION A Book Of Romance And Some Half-Told Tales By Henry Van <DW18> _"Your old men shall dream dreams, Your young men shall see visions."_ TO MY CHILDREN AND CHILDREN'S CHILDREN WHO MAY REMEMBER THESE TROUBLOUS TIMES WHEN WE ARE GONE ON NEW ADVENTURE PREFACE "Why do you choose such a title as _The Valley of Vision_ for your book," said my friend; "do you mean that one can see farther from the valley than from the mountain-top?" This question set me thinking, as every honest question ought to do. Here is the result of my thoughts, which you will take for what it is worth, if you care to read the book. The mountain-top is the place of outlook over the earth and the sea. But it is in the valley of suffering, endurance, and self-sacrifice that the deepest visions of the meaning of life come to us. I take the outcome of this Twentieth Century War as a victory over the mad illusion of world-dominion which the Germans saw from the peak of their military power in 1914. The united force of the Allies has grown, through valley-visions of right and justice and human kindness, into an irresistible might before which the German "will to power" has gone down in ruin. There are some Half-Told Tales in the volume--fables, fantasies--mere sketches, grave and gay, on the margin of the book of life, "Where more is meant than meets the ear." Dreams have a part in most of the longer stories. That is because I believe dreams have a part in real life. Some of them we remember as vividly as any actual experience. These belong to the imperfect sleep. But others we do not remember, because they are given to us in that perfect sleep in which the soul is liberated, and goes visiting. Yet sometimes we get a trace of them, by a happy chance, and often their influence remains with us in that spiritual refreshment with which we awake from profound slumber. This is the meaning of that verse in the old psalm: "He giveth to His beloved in sleep." The final story in the book was written before the War of 1914 began, and it has to do with the Light of the World, leading us through conflict and suffering towards Peace. AVALON, November 24, 1918. CONTENTS A Remembered Dream Antwerp Road A City of Refuge A Sanctuary of Trees The King's High Way HALF-TOLD TALES The Traitor in the House Justice of the Elements Ashes of Vengeance The Broken Soldier and the Maid of France The Hearing Ear Sketches of Quebec A Classic Instance HALF-TOLD TALES The New Era and Carry On The Primitive and His Sandals Diana and the Lions The Hero and Tin Soldiers Salvage Point The Boy of Nazareth Dreams ILLUSTRATIONS The sails and smoke-stacks of great shift were visible, all passing out to sea The cathedral spire... was swaying and rocking in the air like the mast of a ship at sea All were fugitives, anxious to be gone... and making no more speed than a creeping snail's pace of unutterable fatigue "I will ask you to choose between your old home and your new home now" "I'm going to carry you in,'spite of hell" "I was a lumberjack" "I am going to become a virtuous peasant, a son of the soil, a primitive" The Finding of Christ in the Temple A REMEMBERED DREAM This is the story of a dream that came to me some five-and-twenty years ago. It is as vivid in memory as anything that I have ever seen in the outward world, as distinct as any experience through which I have ever passed. Not all dreams are thus remembered. But some are. In the records of the mind, where the inner chronicle of life is written, they are intensely clear and veridical. I shall try to tell the story of this dream with an absolute faithfulness, adding nothing and leaving nothing out, but writing the narrative just as if the thing were real. Perhaps it was. Who can say? In the course of a journey, of the beginning and end of which I know nothing, I had come to a great city, whose name, if it was ever told me, I cannot recall. It was evidently a very ancient place. The dwelling-houses and larger buildings were gray and beautiful with age, and the streets wound in and out among them wonderfully, like a maze. This city lay beside a river or estuary--though that was something that I did not find out until later
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Produced by Chris Curnow, Joseph Cooper, Stephen Hutcheson, and the Online Distributed Proofreading Team at http://www.pgdp.net BIRDS AND NATURE. ILLUSTRATED BY COLOR PHOTOGRAPHY. Vol. XII. OCTOBER, 1902. No. 3. CONTENTS. AUTUMN WOODS. 97 THE PHILIPPINE SUN-BIRD. (_Cinnyris jugularis_.) 98 Fly, white butterflies, out to sea 98 THE ANIMALS’ FAIR. PART II—THE FAIR. 101 A DAY. 104 THE GREAT GRAY OWL. (_Scotiaptex cinerea_.) 107 MY SUMMER ACQUAINTANCES. 108 THE BIRD OF PEACE. 109 THE GREEN-CRESTED FLYCATCHER. (_Empidonax virescens_.) 110 CHARACTER IN BIRDS. 113 Frowning, the owl in the oak complained him 116 THE LOUISIANA WATER-THRUSH. (_Seiurus motacilla_.) 119 SOME DOGS. 120 PECULIAR MEXICAN BREAD. 121 NATURE’S GLORY. 121 LAPIS LAZULI, AMBER AND MALICHITE. 122 THE LEAF BUTTERFLY. (_Kallima paralekta_.) 131 IN AUTUMN. 132 BEAUTIFUL VINES TO BE FOUND IN OUR WILD WOODS. 133 SOME SNAILS OF THE OCEAN. 134 JOIN A SUNRISE CLUB. 140 THE TOMATO. (_Lycopersicum esculentum_.) 143 THE BROOK. 144 AUTUMN WOODS. Ere, in the northern gale, The summer tresses of the trees are gone, The woods of Autumn, all around our vale, Have put their glory on. The mountains that infold, In their wide sweep, the colored landscape round, Seem groups of giant kings, in purple and gold, That guard the enchanted ground. I roam the woods that crown The uplands, where the mingled splendors glow, Where the gay company of trees look down On the green fields below. My steps are not alone In these bright walks; the sweet southwest, at play, Flies, rustling, where the painted leaves are strown Along the winding way. And far in heaven, the while, The sun, that sends that gale to wander here, Pours out on the fair earth his quiet smile— The sweetest of the year. —William Cullen Bryant. THE PHILIPPINE SUN-BIRD. (_Cinnyris jugularis_.) Darlings of children and of bard, Perfect kinds by vice unmarred, All of worth and beauty set Gems in Nature’s cabinet: These the fables she esteems Reality most like to dreams. —Ralph Waldo Emerson, “Nature.” The sun-birds bear a similar relation to the oriental tropics that the humming birds do to the warmer regions of the Western hemisphere. Both have a remarkably brilliant plumage which is in harmony with the gorgeous flowers that grow in the tropical fields. It is probable that natives of Asia first gave the name sun-birds to these bright creatures because of their splendid and shining plumage. By the Anglo-Indians they have been called hummingbirds, but they are perching birds while the hummingbirds are not. There are over one hundred species of these birds. They are graceful in all their motions and very active in their habits. Like the hummingbirds, they flit from flower to flower, feeding on the minute insects which are attracted by the nectar, and probably to some extent on the honey, for their tongues are fitted for gathering it. However, their habit while gathering food is unlike that of the hummingbird, for they do not hover over the flower, but perch upon it while feeding. The plumage of the males nearly always differs very strongly from that of the females. The brilliantly colored patches are unlike those of the hummingbirds for they blend gradually and are not sharply contrasted, though the iridescent character is just as marked. The bills are long and slender, finely pointed and curved. The edges of the mandibles are finely serrated. The nests are beautiful structures suspended from the end of a bough or even from the underside
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Produced by Turgut Dincer, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) WALKING ESSAYS WALKING ESSAYS BY A. H. SIDGWICK LONDON EDWARD ARNOLD 1912 _All rights reserved_ _DEDICATION_ _COMITIBUS_ _O you who walked the ways with me On hill and plain and hollow: I ask your pardon, frank and free, For all the things that follow. Let me at least make one thing clear; In these--I know no name for them-- These dreary talks on futile themes, Dim visions from a dullards dreams, At least you take no blame for them._ _You cheered my heart, made short the road, And kept me philanthropic; I only write this little ode Which desecrates the topic. You trode with me the mountain ridge And clove the cloud wreaths over it; I take the web of memories We wove beneath the summer skies And lo! the ink-spots cover it._ _How vain my effort, how absurd, Considered as a symbol! How lame and dull the written word To you the swift and nimble! How alien to the walkers mind, Earth-deep, heaven-high, unfillable, These petty snarls and jests ill-laid And all the profitless parade Of pompous polysyllable!_ _But yet, I feel, though weak my phrase, My rhetoric though rotten, At least our tale of Walks and Days Should not go unforgotten; At least some printed word should mark The walker and his wanderings, The strides which lay the miles behind And lap the contemplative mind In calm, unfathomed ponderings._ _And one rebuke I need not fear From those of our profession, That Walking Essays should appear To be one long digression. Let others take the hard high-road And earn its gift, callosity: For us the path that twists at will Through wood and field, and up the hill In easy tortuosity._ _Therefore, companions of the boot, Joint-heirs of wind and weather, In kindness take this little fruit Of all our walks together. For aught it has of wit or truth I reckon you my creditors; Its dulness, errors, want of taste, Inconsequence, may all be placed To my account, the editor’s._ _And haply you skim the work In skilled eclectic hurry, Some word may find the place where lurk Your memories of Surrey; Or, as you read and doze and droop Well on the way to slumberland, Before you some dim shapes will float, Austere, magnificent, remote, Their Majesties of Cumberland._ _Dream but awhile: and clouds will lift To show the peaks at muster, The driving shadows shape and shift Before the hill-wind’s bluster: Below far down the earth lies spread With all its care and fretfulness, But here the crumpled soul unfolds, And every rock-strewn gully holds The waters of Forgetfulness._ _So dream; and through your dreams shall roll The rhythm of limbs free-striding, Which moulds your being to a whole And heals the worlds dividing; So dream, and you shall be a man Free on the open road again; So dream the long night through, and wake With better heart to rise and take The burden of your load again._ PREFATORY NOTES 1. I have to thank two friends, who read or listened to large portions of this work, for their sympathy, long-suffering, and good advice, and to acquit them of all further complicity. 2. I must also thank a fellow-walker, who, on Maundy Thursday of 1910, as we climbed the road out of Marlborough into Savernake Forest, suggested to me the magnificent quotation from Cicero which heads the essay on Walking and Music. 3. I have stolen the substance of one epigram from an _obiter dictum_ in ‘My System for Ladies,’ by J. P. Müller; but it was too good to miss. 4. None of the remarks about beer apply to Munich beer. A. H. S. _August 1912._ CONTENTS PAGE DEDICATION, v I. WALKING AND CONVERSATION, 3 II. WALKER MILES, 43 III. WALKING AND MUSIC, WITH A DIGRESSION ON DANCING, 65 IV. WALKING, SPORT AND ATHLETICS, 109 V. WALKING AS A SOCIAL FORM, 147 VI. WALKING IN LITERATURE, 181 VII. WALKING EQUIPMENT, 215 VIII. WALKING ALONE, WITH A DIGRESSION ON LONDON WALKING, 249 EPILOGUE, 273 I WALKING AND CONVERSATION ‘The heavenly bodies is philosophy, and the earthly bodies is philosophy. If there’s a screw loose in a heavenly body, that’s philosophy; and if there’s a screw loose in an earthly body, that’s philosophy too; or it may be that sometimes there’s a little metaphysics in it, but that’s not often. Philosophy’s the chap for me.’ I WALKING AND CONVERSATION About the year 1887 there was still in existence a nursery joke:-- ‘King Charles walked and talked; Half an hour after his head was cut off.’ This, pronounced as a consecutive sentence, gave the infant mind its first experience of paradox. At the time we thought it funny. Later on, in the last decade of Victorianism, when we were struggling with ‘post,’ ‘postquam,’ and ‘postea,’ the joke appeared less funny. But later still, in Edwardian times, a deep moral meaning began (as was customary in those times) to appear underlying the joke. Take the two sentences as they stand above: construe ‘walk’ and ‘talk’ in their strict sense: generalise King Charles: convert the ‘post hoc’ into a ‘propter hoc’; and you will have a motto to which all good walkers will add ‘ὣς ἀπόλοιτο....’ I do not mean, of course, that any or all forms of walking and talking are incompatible. It is possible, simultaneously, to stroll and to babble, to stroll and to talk, to walk and to babble. Strolling, the mere reflex action of the legs, is compatible with that sustained and coherent activity of the mind which alone deserves the name of talking. Babbling, the corresponding reflex action of the mind, is equally compatible with that supreme activity of the whole being which men call walking. But the attempt so often made to combine real walking with real talking is disastrous. Better the man who babbles and strolls, who trails his feet across country and his tongue across commonplace, than the man who tries to ventilate fundamental things while his body is braced to the conquest of
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Produced by Nick Hodson of London, England Into the Unknown, by Lawrence Fletcher. ________________________________________________________________________ ________________________________________________________________________ INTO THE UNKNOWN, BY LAWRENCE FLETCHER. Into the Unknown--by Lawrence Fletcher CHAPTER ONE. THE GHOSTS' PASS. "Well, old man, what do we do next?" The speaker, a fine young fellow of some five-and-twenty summers, reclining on the rough grass, with clouds of tobacco-smoke filtering through his lips, looked the picture of comfort, his appearance belying in every way the discontent expressed in his tones as he smoked his pipe in the welcome shade of a giant rock, which protected him and his two companions from the mid-day glare of a South African sun. Alfred Leigh, second son of Lord Drelincourt, was certainly a handsome man: powerfully and somewhat heavily built, his physique looked perfect, and, as he gradually and lazily raised his huge frame from the rough grass, he appeared--what he was, in truth--a splendid specimen of nineteenth-century humanity, upwards of six feet high, and in the perfection of health and spirits; a fine, clear-cut face, with blue eyes and a fair, close-cropped beard, completed a _tout ensemble_ which was English to a degree. The person addressed was evidently related to the speaker, for, though darker than his companion, and by no means so striking in face or figure, he still had fair hair, which curled crisply on a well-shaped head, and keen blue eyes which seemed incessantly on the watch and were well matched by a resolute mouth and chin, and a broad-shouldered frame which promised strength from its perfect lines. Dick Grenville, _aetat._ thirty, and his cousin, Alf Leigh, were a pair which any three ordinary mortals might well wish to be excused from taking on. The third person--singular he certainly looked--was a magnificent creature, a pure-blooded Zulu chief, descended from a race of warriors, every line of his countenance grave and stern, with eyes that glistened like fiery stars under a lowering cloud, the man having withal a general "straightness" of appearance more easily detected than described. A "Keshla," or ringed man, some six feet three inches high, of enormously powerful physique, armed with a murderous-looking club and a brace of broad-bladed spears, and you have a faithful picture of Myzukulwa, the Zulu friend of the two cousins. The scene is magnificently striking, but grand with a loneliness awful beyond description, for, so far as the eye can reach, the fervid sun beats upon nothing but towering mountain-peaks, whose grey and rugged summits pierce the fleecy heat-clouds, and seem to lose themselves in a hopeless attempt to fathom the unspeakable majesty beyond. "Do next, old fellow?" The words came in cool, quiet tones. "Well, if I were you, Alf, I should convey my carcass out of the line of fire from yonder rifle, which has been pointed at each of our persons in succession during the last two minutes;" and Grenville, with the stem of his pipe, indicated a spot some three hundred yards away, where his keen eye had detected the browned barrel of a rifle projected through a fissure in the rock; then, in quick, incisive tones, suiting the action to the word, "Lie down, man!" and not a moment too soon, as an angry rifle-bullet sang over his head and flattened against the rock. In another instant all
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Produced by Brian Coe, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) HOW RIFLEMAN BROWN CAME TO VALHALLA BY GILBERT FRANKAU NEW YORK FEDERAL PRINTING COMPANY 1916 Copyright, 1916 Gilbert Frankau _All rights reserved_ How Rifleman Brown Came to Valhalla By GILBERT FRANKAU To the lower Hall of Valhalla, to the heroes of no renown, Relieved from his spell at the listening-post, came Rifleman Joseph Brown. With never a rent in his khaki, nor smear of blood on his face, He flung his pack from his shoulders and made for an empty place. The Killer-men of Valhalla looked up from the banquet board At the unfouled breech of his rifle, at the unfleshed
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Produced by Roger Frank, D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net WITH ETHAN ALLEN AT TICONDEROGA by W. BERT FOSTER Author of "With Washington at Valley Forge" etc Illustrated by F. A. Carter THE PENN PUBLISHING COMPANY PHILADELPHIA MCMIV Copyright 1903 by The Penn Publishing Company With Ethan Allen at Ticonderoga [Illustration: "FORWARD!" HE SHOUTED] CONTENTS CHAPTER PAGE I A Boy of the Wilderness 5 II Enoch Harding Feels Himself a Man 19 III The Ambush 31 IV 'Siah Bolderwood's Stratagem 45 V The Pioneer Home 60 VI The Stump Burning 76 VII A Night Attack 94 VIII The Tra
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Produced by Richard Tonsing, Brian Coe and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE MEMOIRS OF THE DUKE DE ST. SIMON Newly translated and edited by FRANCIS ARKWRIGHT. _In six volumes, demy 8vo, handsomely bound in cloth gilt, with illustrations in photogravure, 10/6 net each volume._ NAPOLEON IN EXILE AT ELBA (1814-1815) By NORWOOD YOUNG, Author of "The Growth of Napoleon," etc.; with a chapter on the Iconography by A. M. Broadley. _Demy 8vo, cloth gilt, with frontispiece and 50 illustrations_ (from the collection of A. M. Broadley), _21/- net_. NAPOLEON IN EXILE AT ST. HELENA (1815-1821) By NORWOOD YOUNG, Author of "Napoleon in Exile at Elba," "The Story of Rome," etc. _In two volumes, demy 8vo, cloth gilt, with two frontispieces and one hundred illustrations_ (from the collection of A. M. Broadley), _32/- net_. JULIETTE DROUET'S LOVE-LETTERS TO VICTOR HUGO Edited with a Biography of Juliette Drouet by LOUIS GUIMBAUD; translated by Lady THEODORA DAVIDSON. _Demy 8vo, cloth gilt, with many illustrations, 10/6 net._ THE NEW FRANCE =Being a History from the Accession of Louis Philippe in 1830 to the Revolution of 1848, with Appendices.= By ALEXANDRE DUMAS. Translated into English, with an introduction and notes, by R. S. GARNETT. _In two volumes, demy 8vo, cloth gilt, profusely illustrated with a rare portrait of Dumas and other pictures after famous artists, 24/- net._ [Illustration: MEDALS AWARDED TO SERGEANT-MAJOR, LATER QUARTERMASTER, CHARLES WOODEN, 17TH LANCERS, ONE OF THE LIGHT BRIGADE. _Frontispiece_] WAR MEDALS AND THEIR HISTORY BY W. AUGUSTUS STEWARD OFFICIER D'ACADÉMIE AUTHOR OF "FROM THE BREASTS OF THE BRAVE," ETC. _With 258 Illustrations in Half-tone and Line_ LONDON STANLEY PAUL & CO 31 ESSEX STREET STRAND W.C. _First published in 1915_ FOREWORDS If any excuse were needed for penning this, it is to be found in the exceeding interest which was taken in my monograph "Badges of the Brave." Indeed, many readers have requested me to deal, at greater length, with a subject which not only opens up a great historical vista and awakens national sentiment, but, incidentally, serves an educational mission to those who collect and those who sell the metallic records of many a hard-fought field, which, when collated, form an imperishable record of our island story. The War Medal is a comparatively modern institution, otherwise we might have learned the names of the common folk who fought so tenaciously in the old wars, as, for instance, the Welsh infantry and Irish soldiers who, with the English bowmen, comprised the army of 30,000 which at Crécy routed an army of 120,000; the followers of the Black Prince who captured the impetuous King John at Poitiers, or the English archers whose deadly volleys made such havoc at Agincourt, on that fateful day in October nearly five hundred years ago; the brave seamen who, under Lord Howard, Drake, Hawkins, and Frobisher, fought the "Invincible Armada"; and those who, under Raleigh, vigorously pursued the Spaniards on the high seas. We might have learned something of the men who composed the Royal Scots and the 18th Royal Irish, and helped to vindicate the reputation of the British soldier at Namur, and covered themselves with glory at Blenheim; the gallant Coldstream Guards who did such excellent service under Marlborough at Oudenarde and Malplaquet, as well as the Gloucesters and Worcesters who fought so well at Ramillies, or the Royal Welsh Fusiliers who served under George II at Dettingen. When, however, war medals were designed for distribution among successful combatants, a means of decorating surviving soldiers and sailors was established, and at the same time a sentimental and substantial record of a man's labours for his country upon the field of battle. So that, if the veterans of Drake's historic fleet, or Marlborough's dauntless soldiers, were not possessed of badges to distinguish them from the soldiers of industry, we, at any rate, may hold in our hands the medals which were awarded to those who served the immortal Nelson, and be proud to possess the medals which shone upon the breasts of our great grandparents who defied the Conqueror of Europe on that memorable Sunday, and made his sun to set upon the battlefield of Waterloo. Have you listened to the smart British veteran as he explains the disposition of the troops on that historic occasion--how the French cavalry "foamed itself away" in the face of those steady British squares? How he makes the Welsh blood tingle as he records the glorious deeds and death of Sir Thomas Picton, and the Scotsman's dance through his veins as he explains how, with the cold steel of their terrible bayonets, the Black Watch at Quatre Bras, and its second battalion, the Perthshires, at Waterloo, waited for the charge of the cuirassiers; and how Sergeant Ewart of the Scots Greys captured the Eagle of the 45th, and then, with the rest of the Union Brigade (the English Royals and the Irish Inniskillings), crashed through the ranks of the faltering French, and scattered the veterans of Napoleon's army! Have you seen how the mention of the Guards holding the Château of Hougomont brightens the eye of the Englishman? Yes! Then just think what it is to touch and possess the solid proofs of the deeds that those men did, and to feel that you have in your possession the only recompense those brave and daring men received from a grateful country. =Historical Value.=--My collection of medals enables me to cover over a hundred years of history; takes me back to the stirring times when men yet met face to face in the Peninsula and at Waterloo; to the men who founded our Indian Empire. It enables me to keep in touch with sailors who fought in the battle of the Nile, at Trafalgar, and at Navarino, that last of all naval battles in which we British took part--our allies were then the French and Russians--until our battleships met those of the Germans in the great war now waging. It reminds me of the horsemen who made the world wonder ere, with deathless glory, they passed their little day, and of that "thin red line" of Scots, whose cool daring at Balaklava has only been bedimmed by the gallantry of the Light Brigade. It enables me to think more intimately of the men I know who faced the Russians in that terrible winter, and then, like heroes, plodded through the inferno of the Mutiny. It brings back vividly to my mind the days of the Zulu War and the heroism of Rorke's Drift. It reminds me of the daring march to Kandahar and the frontier wars so necessary to hold back the turbulent human surf which beats on the shores of our great Eastern Empire. It enables me to keep closely in touch with those who so quickly dealt with Arabi Pasha and later faced the fanatical hordes of the Mahdi; the young men of this generation who fought so stubbornly at the Modder River, and who stormed the Tugela Heights. It enables me to keep in touch with those "handymen" and scouts on the fringe of Empire who in Somaliland, Gambia, Benin, Matabeleland, and Bechuanaland uphold the dignity of Britain. We sometimes read of a man or woman who has shaken hands, sixty, seventy, or eighty years ago, with some great person, or some one whose deeds have made him or her a name in history. The possession of war medals and decorations, or of medals of honour gained by brave deeds in time of peace, brings us in close touch with those who honourably gained them. That is an aspect of medal-collecting which appeals to me, and should to every one who admires pluck, grit, daring, and the willingness to personal sacrifice which these badges of the brave denote. Finally there is an exceptional feature in the collection of war medals which will also appeal, for, as Sir James Yoxall has pointed out in "The A B C About Collecting," the collector of war medals "has concentrated upon a line which can be made complete." If, however, his inclinations or his means will not permit of the acquisition of a complete set he may specialise in either Military or Naval Medals, or those awarded to special regiments or ships, or to men of his own name, or those earned by boys or nurses. In order to facilitate the search for bars issued with the various medals, the names inscribed thereon are printed in the text in small capitals: these, of course, must not be taken as representing the type used on the official bars; reference must be made to the illustrations, which, being the same size as the original medals, will materially assist the reader in recognising official lettering. In conclusion I have to express my sincere thanks for the help afforded and the deep interest taken in my book by Dr. A. A. Payne, whose kindness in providing photographs of examples in his unique collection has enabled me to illustrate many interesting and rare medals; to G. K. J. and F. W. G. for clerical assistance; G. T. F. for sketches; and to Messrs. Heywood & Co., Ltd., for the loan of several of the blocks of medals which had been used in monographs I had written for publication by them. W. AUGUSTUS STEWARD. LONDON. CONTENTS MILITARY SECTION PAGE FIRST CAMPAIGN MEDALS 1 EARLY MEDALS GRANTED BY THE HONOURABLE EAST INDIA COMPANY 9 FIRST MEDAL FOR EGYPT, 1801 16 THE MAHRATTA WAR 20 FIRST OFFICIAL MILITARY OFFICERS' MEDAL 25 THE PENINSULAR WAR 26 CONTINENTAL PENINSULAR WAR MEDALS 66 WATERLOO AND QUATRE BRAS 70 BRITISH AND CONTINENTAL WATERLOO MEDALS 81 NEPAUL, 1814-15 86 FIRST BURMESE WAR 90 FIRST AFGHAN WAR 94 FIRST CHINESE WAR 98 SECOND AFGHAN WAR 100 THE GWALIOR CAMPAIGN 109 THE SIKH WARS 111 SECOND PUNJAB CAMPAIGN 119 FIRST NEW ZEALAND WAR 124 MILITARY GENERAL SERVICE MEDAL GRANTED 128 INDIA GENERAL SERVICE MEDAL GRANTED 133 FIRST KAFFIR WARS 134 SECOND BURMESE WAR 137 THE CRIMEAN WAR 139 PERSIAN WAR 155 INDIAN MUTINY 156 SECOND CHINESE WAR
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Produced by David Newman in honor of Barbara Talmage Griffin (1918-2004), great-granddaughter of the subject of this biography. FORTY YEARS IN SOUTH CHINA The Life of Rev. John Van Nest Talmage, D.D. by Rev. John Gerardus Fagg Missionary of the American Reformed (Dutch) Church, at Amoy, China 1894 INTRODUCTION. BY REV. T. DE WITT TALMAGE, D.D. Too near was I to the subject of this biography to write an impartial introduction. When John Van Nest Talmage went, my last brother went. Stunned until I staggered through the corridors of the hotel in London, England, when the news came that John was dead. If I should say all that I felt I would declare that since Paul the great apostle to the Gentiles, a more faithful or consecrated man has not lifted his voice in the dark places of heathenism. I said it while he was alive, and might as well say it now that he is dead. "He was the hero of our family." He did not go to a far-off land to preach because people in America did not want to hear him preach. At the time of his first going to China he had a call to succeed Rev. Dr. Brodhead, of Brooklyn, the Chrysostom of the American pulpit, a call with a large salary, and there would not have been anything impossible to him in the matters of religious work or Christian achievement had he tarried in his native land. But nothing could detain him from the work to which God called him years before he became a Christian. My reason for writing that anomalous statement is that when a boy in Sabbath-school at Boundbrook, New Jersey, he read a Library book, entitled "The Life of Henry Martyn, the Missionary," and he said to our mother, "Mother! when I grow up I am going to be a missionary!" The remark made no especial impression at the time. Years passed on before his conversion. But when the grace of God appeared to him, and he had begun his study for the ministry, he said one day, "Mother! Do you remember that many years ago I said, 'I am going to be a missionary'?" She replied, "Yes! I remember you said so." "Well," said he, "I am going to keep my promise." And how well he kept it millions of souls on earth and in heaven have long since heard. But his chief work is yet to come. We get our chronology so twisted that we come to believe that the white marble of the tomb is the mile-stone at which a good man stops, when it is only a mile-stone on a journey, the most of the miles of which are yet to be travelled. The Dictionary which my brother prepared with more than two decades of study, the religious literature he transferred from English into Chinese, the hymns he wrote for others to sing, although himself could not sing at all, (he and I monopolizing the musical incapacity of a family in which all the rest could sing well), the missionary stations he planted, the life he lived, will widen out, and deepen and intensify through all time and all eternity. I am glad that those competent to tell of his magnificent work have undertaken it. You could get nothing about it from him at all. Ask him a question trying to evoke what he had done for God and the church, and his lips were as tightly shut as though they had never been opened. He was animated enough when drawn out in discussion religious, educational, or political, but he had great powers of silence. I once took him to see General Grant, our reticent President. On that occasion they both seemed to do their best in the art of quietude. The great military President with his closed lips on one side of me, and my brother with his closed lips on the other side of me, I felt there was more silence in the room than I ever before knew to be crowded into the same space. It was the same kind of reticence that always came upon John when you asked him about his work. But the story has been gloriously told in the heavens by those who through his instrumentality have already reached the City of Raptures. When the roll of martyrs is called before the Throne of God, the name of John Van Nest Talmage will be called. He worked himself to death in the cause of the world's evangelization. His heart, his brain, his lungs, his hands, his muscles, his nerves, all wrought for others until heart and brain, and lungs and hands, and muscles and nerves could do no more. He sleeps in the cemetery near Somerville, New Jersey, so near father and mother that he will face them when he rises in the Resurrection of the Just, and amid a crowd of kindred now slumbering on the right of him, and on the left of him, he will feel the thrill of the Trumpet that wakes the dead. Allelujah! Amen! BROOKLYN, June, 1894. PREFACE. The accompanying resolution of the Board of Foreign Missions of the Reformed Church in America, November 16, 1892, explains the origin of this
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Produced by Mark C. Orton, Linda McKeown, Sankar Viswanathan, and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note: The author of this book is Metta Victoria Fuller Victor writing under the Pen name of Walter T. Gray. But the Author's name is not given in the original text. The Table of Contents is not part of the original text. THE BLUNDERS OF A BASHFUL MAN. _By the Author of_ "A BAD BOY'S DIARY" COPYRIGHT, 1881, BY STREET & SMITH. NEW YORK: J. S. OGILVIE PUBLISHING COMPANY. 57 ROSE STREET. * * * * * CONTENTS CHAPTER I. HE ATTENDS A PICNIC. II. HE MAKES AN EVENING CALL. III. GOES TO A TEA-PARTY. IV. HE DOES HIS DUTY AS A CITIZEN. V. HE COMMITS SUICIDE. VI. HE IS DOOMED FOR WORSE ACCIDENTS. VII. I MAKE A NARROW ESCAPE. VIII. HE ENACTS THE PART OF GROOMSMAN. IX. MEETS A PAIR OF BLUE EYES. X. HE CATCHES A TROUT AND PRESENTS IT TO A LADY. XI. HE GOES TO THE CIRCUS. XII. A LEAP FOR LIFE. XIII. ONE OF THE FAIR SEX COMES TO HIS RESCUE. XIV. HIS DIFFIDENCE BRINGS ABOUT AN ACCIDENT. XV. HE BECOMES ACQUAINTED WITH A CHICAGO WIDOW. XVI. AT LAST HE SECURES A TREASURE. XVII. HE ENJOYS HIMSELF AT A BALL. XVIII. HE OPENS THE WRONG DOOR. XIX. DRIVEN FROM HIS LAST DEFENCE. * * * * * THE BLUNDERS OF A BASHFUL MAN. CHAPTER I. HE ATTENDS A PICNIC. I have been, am now, and shall always be, a bashful man. I have been told that I am the only bashful man in the world. How that is I can not say, but should not be sorry to believe that it is so, for I am of too generous a nature to desire any other mortal to suffer the mishaps which have come to me from this distressing complaint. A person can have smallpox, scarlet fever, and measles but once each. He can even become so inoculated with the poison of bees and mosquitoes as to make their stings harmless; and he can gradually accustom himself to the use of arsenic until he can take 444 grains safely; but for bashfulness--like mine--there is no first and only attack, no becoming hardened to the thousand petty stings, no saturation of one's being with the poison until it loses its power. I am a quiet, nice-enough, inoffensive young gentleman, now rapidly approaching my twenty-sixth year. It is unnecessary to state that I am unmarried. I should have been wedded a great many times, had not some fresh attack of my malady invariably, and in some new shape, attacked me in season to prevent the "consummation devoutly to be wished." When I look back over twenty years of suffering through which I have literally stumbled my way--over the long series of embarrassments and mortifications which lie behind me--I wonder, with a mild and patient
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) JEWISH LITERATURE AND OTHER ESSAYS JEWISH LITERATURE AND OTHER ESSAYS BY GUSTAV KARPELES PHILADELPHIA THE JEWISH PUBLICATION SOCIETY OF AMERICA 1895 Copyright 1895, by THE JEWISH PUBLICATION SOCIETY OF AMERICA Press of The Friedenwald Co. Baltimore PREFACE The following essays were delivered during the last ten years, in the form of addresses, before the largest associations in the great cities of Germany. Each one is a dear and precious possession to me. As I once more pass them in review, reminiscences fill my mind of solemn occasions and impressive scenes, of excellent men and charming women. I feel as though I were sending the best beloved children of my fancy out into the world, and sadness seizes me when I realize that they no longer belong to me alone--that they have become the property of strangers. The living word falling upon the ear of the listener is one thing; quite another the word staring from the cold, printed page. Will my thoughts be accorded the same friendly welcome that greeted them when first they were uttered? I venture to hope that they may be kindly received; for these addresses were born of devoted love to Judaism. The consciousness that Israel is charged with a great historical mission, not yet accomplished, ushered them into existence. Truth and sincerity stood sponsor to every word. Is it presumptuous, then, to hope that they may find favor in the New World? Brethren of my faith live there as here; our ancient watchword, "Sh'ma Yisrael," resounds in their synagogues as in ours; the old blood-stained flag, with its sublime inscription, "The Lord is my banner!" floats over them; and Jewish hearts in America are loyal like ours, and sustained by steadfast faith in the Messianic time when our hopes and ideals, our aims and dreams, will be realized. There is but one Judaism the world over, by the Jordan and the Tagus as by the Vistula and the Mississippi. God bless and protect it, and lead it to the goal of its glorious future! To all Jewish hearts beyond the ocean, in free America, fraternal greetings! GUSTAV KARPELES BERLIN, Pesach 5652/1892. CONTENTS A GLANCE AT JEWISH LITERATURE THE TALMUD THE JEW IN THE HISTORY OF CIVILIZATION WOMEN IN JEWISH LITERATURE MOSES MAIMONIDES JEWISH TROUBADOURS AND MINNESINGERS HUMOR AND LOVE IN JEWISH POETRY THE JEWISH STAGE THE JEW'S QUEST IN AFRICA A JEWISH KING IN POLAND JEWISH SOCIETY IN THE TIME OF MENDELSSOHN LEOPOLD ZUNZ HEINRICH HEINE AND JUDAISM THE MUSIC OF THE SYNAGOGUE A GLANCE AT JEWISH LITERATURE In a well-known passage of the _Romanzero_, rebuking Jewish women for their ignorance of the magnificent golden age of their nation's poetry, Heine used unmeasured terms of condemnation. He was too severe, for the sources from which he drew his own information were of a purely scientific character, necessarily unintelligible to the ordinary reader. The first truly popular presentation of the whole of Jewish literature was made only a few years ago, and could not have existed in Heine's time, as the most valuable treasures of that literature, a veritable Hebrew Pompeii, have been unearthed from the mould and rubbish of the libraries within this century. Investigations of the history of Jewish literature have been possible, then, only during the last fifty years. But in the course of this half-century, conscientious research has so actively been prosecuted that we can now gain at least a bird's-eye view of the whole course of our literature. Some stretches still lie in shadow, and it is not astonishing that eminent scholars continue to maintain that "there is no such thing as an organic history, a logical development, of the gigantic neo-Hebraic literature"; while such as are acquainted with the results of late research at best concede that Hebrew literature has been permitted to garner a "tender aftermath." Both verdicts are untrue and unfair. Jewish literature has developed organically, and in the course of its evolution it has had its spring-tide as well as its season of decay, this again followed by vigorous rejuvenescence. Such opinions are part and parcel of the vicissitudes of our literature, in themselves sufficient matter for an interesting book. Strange it certainly is that a people without a home, without a land, living under repression and persecution, could produce so great a literature; stranger still, that it should at first have been preserved and disseminated, then forgotten, or treated with the disdain of prejudice, and finally roused from torpid slumber into robust life by the breath of the modern era. In the neighborhood of twenty-two thousand works are known to us now. Fifty years ago bibliographers were ignorant of the existence of half of these, and in the libraries of Italy, England, and Germany an untold number awaits resurrection. In fact, our literature has not yet been given a name that recommends itself to universal acceptance. Some have called it "Rabbinical Literature," because during the middle ages every Jew of learning bore the title Rabbi; others, "Neo-Hebraic"; and a third party considers it purely theological. These names are all inadequate. Perhaps the only one sufficiently comprehensive is "Jewish Literature." That embraces, as it should, the aggregate of writings produced by Jews from the earliest days of their history up to the present time, regardless of form, of language, and, in the middle ages at least, of subject-matter. With this definition in mind, we are able to sketch the whole course of our literature, though in the frame of an essay only in outline. We shall learn, as Leopold Zunz, the Humboldt of Jewish science, well says, that it is "intimately bound up with the culture of the ancient world, with the origin and development of Christianity, and with the scientific endeavors of the middle ages. Inasmuch as it shares the intellectual aspirations of the past and the present, their conflicts and their reverses, it is supplementary to general literature. Its peculiar features, themselves falling under universal laws, are in turn helpful in the interpretation of general characteristics. If the aggregate results of mankind's intellectual activity can be likened unto a sea, Jewish literature is one of the tributaries that feed it. Like other literatures and like literature in general, it reveals to the student what noble ideals the soul of man has cherished, and striven to realize, and discloses the varied achievements of man's intellectual powers. If we of to-day are the witnesses and the offspring of an eternal, creative principle, then, in turn, the present is but the beginning of a future, that is, the translation of knowledge into life. Spiritual ideals consciously held by any portion of mankind lend freedom to thought, grace to feeling, and by sailing up this one stream we may reach the fountain-head whence have emanated all spiritual forces, and about which, as a fixed pole, all spiritual currents eddy."[1] The cornerstone of this Jewish literature is the Bible, or what we call Old Testament literature--the oldest and at the same time the most important of Jewish writings. It extends over the period ending with the second century before the common era; is written, for the most part, in Hebrew, and is the clearest and the most faithful reflection of the original characteristics of the Jewish people. This biblical literature has engaged the closest attention of all nations and every age. Until the seventeenth century, biblical science was purely dogmatic, and only since Herder pointed the way have its aesthetic elements been dwelt upon along with, often in defiance of, dogmatic considerations. Up to this time, Ernest Meier and Theodor Noeldeke have been the only ones to treat of the Old Testament with reference to its place in the history of literature. Despite the dogmatic air clinging to the critical introductions to the study of the Old Testament, their authors have not shrunk from treating the book sacred to two religions with childish arbitrariness. Since the days of Spinoza's essay at rationalistic explanation, Bible criticism has been the wrestling-ground of the most extravagant exegesis, of bold hypotheses, and hazardous conjectures. No Latin or Greek classic has been so ruthlessly attacked and dissected; no mediaeval poetry so arbitrarily interpreted. As a natural consequence, the aesthetic elements were more and more pushed into the background. Only recently have we begun to ridicule this craze for hypotheses, and returned to more sober methods of inquiry. Bible criticism reached the climax of absurdity, and the scorn was just which greeted one of the most important works of the critical school, Hitzig's "Explanation of the Psalms." A reviewer said: "We may entertain the fond hope that, in a second edition of this clever writer's commentary, he will be in the enviable position to tell us the day and the hour when each psalm was composed." The reaction began a few years ago with the recognition of the inadequacy of Astruc's document hypothesis, until then the creed of all Bible critics. Astruc, a celebrated French physician, in 1753 advanced the theory that the Pentateuch--the five books of Moses--consists of two parallel documents, called respectively Yahvistic and Elohistic, from the name applied to God in each. On this basis, German science after him raised a superstructure. No date was deemed too late to be assigned to the composition of the Pentateuch. If the historian Flavius Josephus had not existed, and if Jesus had not spoken of "the Law" and "the prophets," and of the things "which were written in the Law of Moses, and in the Prophets, and in the Psalms," critics would have been disposed to transfer the redaction of the Bible to some period of the Christian era. So wide is the divergence of opinions on the subject that two learned critics, Ewald and Hitzig, differ in the date assigned to a certain biblical passage by no less than a thousand years! Bible archaeology, Bible exegesis, and discussions of grammatical niceties, were confounded with the history of biblical literature, and naturally it was the latter that suffered by the lack of differentiation. Orthodoxy assumed a purely divine origin for the Bible, while sceptics treated the holy book with greater levity than they would dare display in criticising a modern novel. The one party raised a hue and cry when Moses was spoken of as the first author; the other discovered "obscene, rude, even cannibalistic traits"[2] in the sublime narratives of the Bible. It should be the task of coming generations, successors by one remove of credulous Bible lovers, and immediate heirs of thorough-going rationalists, to reconcile and fuse in a higher conception of the Bible the two divergent theories of its purely divine and its purely human origin. Unfortunately, it must be admitted that Ernest Meier is right, when he says, in his "History of the National Poetry of the Hebrews," that this task wholly belongs to the future; at present it is an unsolved problem. The aesthetic is the only proper point of view for a full recognition of the value of biblical literature. It certainly does not rob the sacred Scriptures, the perennial source of spiritual comfort, of their exalted character and divine worth to assume that legend, myth, and history have combined to produce the perfect harmony which is their imperishable distinction. The peasant dwelling on inaccessible mountain-heights, next to the record of Abraham's shepherd life, inscribes the main events of his own career, the anniversary dates sacred to his family. The young count among their first impressions that of "the brown folio," and more vividly than all else remember "The maidens fair and true, The sages and the heroes bold, Whose tale by seers inspired In our Book of books is told. The simple life and faith Of patriarchs of ancient day Like angels hover near, And guard, and lead them on the way."[3] Above all, a whole nation has for centuries been living with, and only by virtue of, this book. Surely this is abundant testimony to the undying value of the great work, in which the simplest shepherd tales and the naivest legends, profound moral saws and magnificent images, the ideals of a Messianic future and the purest, the most humane conception of life, alternate with sublime descriptions of nature and the sweet strains of love-poems, with national songs breathing hope, or trembling with anguish, and with the dull tones of despairing pessimism and the divinely inspired hymns of an exalted theodicy--all blending to form what the reverential love of men has named the Book of books. It was natural that a book of this kind should become the basis of a great literature. Whatever was produced in later times had to submit to be judged by its exalted standard. It became the rule of conduct, the prophetic mirror reflecting the future work of a nation whose fate was inextricably bound up with its own. It is not known how and when the biblical scriptures were welded into one book, a holy canon, but it is probably correct to assume that it was done by the _Soferim_, the Scribes, between 200 and 150 B.C.E. At all events, it is certain that the three divisions of the Bible--the Pentateuch, the Prophets, and the miscellaneous writings--were contained in the Greek version, the Septuagint, so called from the seventy or seventy-two Alexandrians supposed to have done the work of translation under Ptolemy Philadelphus. The Greek translation of the Bible marks the beginning of the second period of Jewish literature, the Judaeo-Hellenic. Hebrew ceased to be the language of the people; it was thenceforth used only by scholars and in divine worship. Jewish for the first time met Greek intellect. Shem and Japheth embraced fraternally. "But even while the teachings of Hellas were pushing their way into subjugated Palestine, seducing Jewish philosophy to apostasy, and seeking, by main force, to introduce paganism, the Greek philosophers themselves stood awed by the majesty and power of the Jewish prophets. Swords and words entered the lists as champions of Judaism. The vernacular Aramaean, having suffered the Greek to put its impress upon many of its substantives, refused to yield to the influence of the Greek verb, and, in the end, Hebrew truth, in the guise of the teachings of Jesus, undermined the proud structure of the heathen." This is a most excellent characterization of that literary period, which lasted about three centuries, ending between 100 and 150 C. E. Its influence upon Jewish literature can scarcely be said to have been enduring. To it belong all the apocryphal writings which, originally composed in the Greek language, were for that reason not incorporated into the Holy Canon. The centre of intellectual life was no longer in Palestine, but at Alexandria in Egypt, where three hundred thousand Jews were then living, and thus this literature came to be called Judaeo-Alexandrian. It includes among its writers the last of the Neoplatonists, particularly Philo, the originator of the allegorical interpretation of the Bible and of a Jewish philosophy of religion; Aristeas, and pseudo-Phokylides. There were also Jewish _litterateurs_: the dramatist Ezekielos; Jason; Philo the Elder; Arist
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Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Minor typographical errors have been corrected without note. Irregularities and inconsistencies in the text have been retained as printed. Words printed in italics are noted with underscores: _italics_. The cover of this
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Produced by Sonya Schermann, sp1nd and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Notes. Where no illustration caption appeared below the image, the corresponding wording from the list of illustrations has been included as a caption. Italics are surrounded with _ _. The oe ligature has been replaced in this version by the letters oe. Some words have been represented in the print version as the first three letters of the word followed by the last letter as a superscript and with a dot underneath. The superscripted letters have been represented in this version as ^[.x]. On p. 59 of the original book, a presumed printer's error has been corrected: "She seems 'em now!" (as printed in the original) has been changed to "She sees 'em now!" (in this version) On p. 201, the date 1543 has been changed to 1534. This can be fairly presumed to be the intended date based on historical occurrences referred to and based on the continuity of entries. THE HOUSEHOLD OF SIR THO^[.S] MORE By the same Author _In crown 8vo, cloth, gilt top, 6s._ Illustrated by JOHN JELLICOE and HERBERT RAILTON The Old Chelsea Bun-Shop: A Tale of the Last Century Cherry & Violet: A Tale of the Great Plague The Maiden and Married Life of Mary Powell, afterwards Mrs. Milton _The many other interesting works of this author will be published from time to time uniformly with the above._ [Illustration: The Household of SIR THO^[.S] MORE _Illvstrations by_ John Jellicoe & Herbert Railton _Introdvction by_ The Rev^[.d] W. H. Hutton LONDON John C. NIMMO MDCCCXCIX ] [Illustration: LIBELLUS A MARGARETA MORE QVINDECIM ANNOS NATA CHELSELAE INCEPTVS _Nvlla dies sine linea_ ] [Illustration: "Anon we sit down to rest and talk"] THE HOUSEHOLD OF SIR THO^[.S] MORE WITH AN INTRODUCTION BY THE REV. W. H. HUTTON, B.D. FELLOW OF S. JOHN'S COLLEGE, OXFORD AND TWENTY-FIVE ILLUSTRATIONS BY JOHN JELLICOE AND HERBERT RAILTON LONDON JOHN C. NIMMO NEW YORK: CHARLES SCRIBNER'S SONS MDCCCXCIX Printed by BALLANTYNE, HANSON & CO. At the Ballantyne Press LIST OF ILLUSTRATIONS _From Drawings by_ JOHN JELLICOE _and_ HERBERT RAILTON. "ANON WE SIT DOWN TO REST AND TALK." _Drawn by_ JOHN JELLICOE _and_ HERBERT RAILTON _Frontispiece_ PAGE TITLE-PAGE. _Designed by_ HERBERT RAILTON iii MOTTO OF MARGARET MORE. _Designed by_ HERBERT RAILTON iv SIR THOMAS MORE'S HOUSE. _Drawn by_ HERBERT RAILTON 1 ERASMUS AND THE PEACOCKS. _Drawn by_ JOHN JELLICOE _To face_ 6 JACK AND CECY. _Drawn by_ JOHN JELLICOE 26 MORE IN THE BARROW. _
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*** Text file produced by Tokuya Matsumoto HTML file produced by David Widger A JOURNAL OF THE PLAGUE YEAR By Daniel Defoe being observations or memorials of the most remarkable occurrences, as well public as private, which happened in London during the last great visitation in 1665. Written by a Citizen who continued all the while in London. Never made public before It was about the beginning of September, 1664, that I, among the rest of my neighbours, heard in ordinary discourse that the plague was returned again in Holland; for it had been very violent there, and particularly at Amsterdam and Rotterdam, in the year 1663, whither, they say, it was brought, some said from Italy, others from the Levant, among some goods which were brought home by their Turkey fleet; others said it was brought from Candia; others from Cyprus. It mattered not from whence it came; but all agreed it was come into Holland again. We had no such thing as printed newspapers in those days to spread rumours and reports of things, and to improve them by the invention of men, as I have lived to see practised since. But such things as these were gathered from the letters of merchants and others who corresponded abroad, and from them was handed about by word of mouth only; so that things did not spread instantly over the whole nation, as they do now. But it seems that the Government had a true account of it, and several councils were held about ways to prevent its coming over; but all was kept very private. Hence it was that this rumour died off again, and people began to forget it as a thing we were very little concerned in, and that we hoped was not true; till the latter end of November or the beginning of December 1664 when two men, said to be Frenchmen, died of the plague in Long Acre, or rather at the upper end of Drury Lane. The family they were in endeavoured to conceal it as much as possible, but as it had gotten some vent in the discourse of the neighbourhood, the Secretaries of State got knowledge of it; and concerning themselves to inquire about it, in order to be certain of the truth, two physicians and a surgeon were ordered to go to the house and make inspection. This they did; and finding evident tokens of the sickness upon both the bodies that were dead, they gave their opinions publicly that they died of the plague. Whereupon it was given in to the parish clerk, and he also returned them to the Hall; and it was printed in the weekly bill of mortality in the usual manner, thus-- Plague, 2. Parishes infected, 1. The people showed a great concern at this, and began to be alarmed all over the town, and the more, because in the last week in December 1664 another man died in the same house, and of the same distemper. And then we were easy again for about six weeks, when none having died with any marks of infection, it was said the distemper was gone; but after that, I think it was about the 12th of February, another died in another house, but in the same parish and in the same manner. This turned the people's eyes pretty much towards that end of the town, and the weekly bills showing an increase of burials in St Giles's parish more than usual, it began to be suspected that the plague was among the people at that end of the town, and that many had died of it, though they had taken care to keep it as much from the knowledge of the public as possible. This possessed the heads of the people very much, and few cared to go through Drury Lane, or the other streets suspected, unless they had extraordinary business that obliged them to it This increase of the bills stood thus: the usual number of burials in a week, in the parishes of St Giles-in-the-Fields and St Andrew's, Holborn, were from twelve to seventeen or nineteen each, few more or less; but from the time that the plague first began in St Giles's parish, it was observed that the ordinary burials increased in number considerably. For example:-- From December 27 to January 3 { St Giles's 16 " { St Andrew's 17 " January 3 " " 10 { St Giles's 12 " { St Andrew's 25 " January 10 " " 17 { St Giles's 18 " { St Andrew's 28 " January 17 " " 24 { St Giles's 23 " { St Andrew's 16 " January 24 " " 31 { St Giles's 24 " { St Andrew's 15 " January 30 " February 7 { St Giles's 21 " { St Andrew's 23 " February 7 " " 14 { St Giles's 24 The like increase of the bills was observed in the parishes of St Bride's, adjoining on one side of Holborn parish, and in the parish of St James, Clerkenwell, adjoining on the other side of Holborn; in both which parishes the usual numbers that died weekly were from four to six or eight, whereas at that time they were increased as follows:-- From December 20 to December 27 { St Bride's 0 " { St James's 8 " December 27 to January 3 { St Bride's 6 " { St James's 9 " January 3 " " 10 { St Bride's 11 " { St James's 7 " January 10 " " 17 { St Bride's 12 " { St James's 9 " January 17 " " 24 { St Bride's 9 " { St James's 15 " January 24 " " 31 { St Bride's 8 " { St James's 12 " January 31 " February 7 { St Bride's 13 " { St James's 5 " February 7 " " 14 { St Bride's 12 " { St James's 6 Besides this, it was observed with great uneasiness by the people that the weekly bills in general increased very much during these weeks, although it was at a time of the year when usually the bills are very moderate. The usual number of burials within the bills of mortality for a week was from about 240 or thereabouts to 300. The last was esteemed a pretty high bill; but after this we found the bills successively increasing as follows:-- Buried. Increased. December the 20th to the 27th 291 ... " " 27th " 3rd January 349 58 January the 3rd " 10th " 394 45 " " 10th " 17th " 415 21 " " 17th " 24th " 474 59 This last bill was really frightful, being a higher number than had been known to have been buried in one week since the preceding visitation of 1656. However, all this went off again, and the weather proving cold, and the frost, which began in December, still continuing very severe even till near the end of February, attended with sharp though moderate winds, the bills decreased again, and the city grew healthy, and everybody began to look upon the danger as good as over; only that still the burials in St Giles's continued high. From the beginning of April especially they stood at twenty-five each week, till the week from the 18th to the 25th, when there was buried in St Giles's parish thirty, whereof two of the plague and eight of the spotted-fever, which was looked upon as the same thing; likewise the number that died of the spotted-fever in the whole increased, being eight the week before, and twelve the week above-named. This alarmed us all again, and terrible apprehensions were among the people, especially the weather being now changed and growing warm, and the summer being at hand. However, the next week there seemed to be some hopes again; the bills were low, the number of the dead in all was but 388, there was none of the plague, and but four of the spotted-fever. But the following week it returned again, and the distemper was spread into two or three other parishes, viz., St Andrew's, Holborn; St Clement Danes; and, to the great affliction of the city, one died within the walls, in the parish of St Mary Woolchurch, that is to say, in Bearbinder Lane, near Stocks Market; in all there were nine of the plague and six of the spotted-fever. It was, however, upon inquiry found that this Frenchman who died in Bearbinder Lane was one who, having lived in Long Acre, near the infected houses, had removed for fear of the distemper, not knowing that he was already infected. This was the beginning of May, yet the weather was temperate, variable, and cool enough, and people had still some hopes. That which encouraged them was that the city was healthy: the whole ninety-seven parishes buried but fifty-four, and we began to hope that, as it was chiefly among the people at that end of the town, it might go no farther; and the rather, because the next week, which was from the 9th of May to the 16th, there died but three, of which not one within the whole city or liberties; and St Andrew's buried but fifteen, which was very low. 'Tis true St Giles's buried two-and-thirty, but still, as there was but one of the plague, people began to be easy. The whole bill also was very low, for the week before the bill was but 347, and the week above mentioned but 343. We continued in these hopes for a few days, but it was but for a few, for the people were no more to be deceived thus; they searched the houses and found that the plague was really spread every way, and that many died of it every day. So that now all our extenuations abated, and it was no more to be concealed; nay, it quickly appeared that the infection had spread itself beyond all hopes of abatement. That in the parish of St Giles it was gotten into several streets, and several families lay all sick together; and, accordingly, in the weekly bill for the next week the thing began to show itself. There was indeed but fourteen set down of the plague, but this was all knavery and collusion, for in St Giles's parish they buried forty in all, whereof it was certain most of them died of the plague, though they were set down of other distempers; and though the number of all the burials were not increased above thirty-two, and the whole bill being but 385, yet there was fourteen of the spotted-fever, as well as fourteen of the plague; and we took it for granted upon the whole that there were fifty died that week of the plague. The next bill was from the 23rd of May to the 30th, when the number of the plague was seventeen. But the burials in St Giles's were fifty- three--a frightful number!--of whom they set down but nine of the plague; but on an examination more strictly by the justices of peace, and at the Lord Mayor's request, it was found there were twenty more who were really dead of the plague in that parish, but had been set down of the spotted-fever or other distempers, besides others concealed. But those were trifling things to what followed immediately after; for now the weather set in hot, and from the first week in June the infection spread in a dreadful manner, and the bills rose high; the articles of the fever, spotted-fever, and teeth began to swell; for all that could conceal their distempers did it, to prevent their neighbours shunning and refusing to converse with them, and also to prevent authority shutting up their houses; which, though it was not yet practised, yet was threatened, and people were extremely terrified at the thoughts of it. The second week in June, the parish of St Giles, where still the weight of the infection lay, buried 120, whereof though the bills said but sixty-eight of the plague, everybody said there had been 100 at least, calculating it from the usual number of funerals in that parish, as above. Till this week the city continued free, there having never any died, except that one Frenchman whom I mentioned before, within the whole ninety-seven parishes. Now there died four within the city, one in Wood Street, one in Fenchurch Street, and two in Crooked Lane. Southwark was entirely free, having not one yet died on that side of the water. I lived without Aldgate, about midway between Aldgate Church and Whitechappel Bars, on the left hand or north side of the street; and as the distemper had not reached to that side of the city, our neighbourhood continued very easy. But at the other end of the town their consternation was very great: and the richer sort of people, especially the nobility and gentry from the west part of the city, thronged out of town with their families and servants in an unusual manner; and this was more particularly seen in Whitechappel; that is to say, the Broad Street where I lived; indeed, nothing was to be seen but waggons and carts, with goods, women, servants, children, &c.; coaches filled with people of the better sort and horsemen attending them, and all hurrying away; then empty waggons and carts appeared, and spare horses with servants, who, it was apparent, were returning or sent from the countries to fetch more people; besides innumerable numbers of men on horseback, some alone, others with servants, and, generally speaking, all loaded with baggage and fitted out for travelling, as anyone might perceive by their appearance. This was a very terrible and melancholy thing to see, and as it was a sight which I could not but look on from morning to night (for indeed there was nothing else of moment to be seen), it filled me with very serious thoughts of the misery that was coming upon the city, and the unhappy condition of those that would be left in it. This hurry of the people was such for some weeks that there was no getting at the Lord Mayor's door without exceeding difficulty; there were such pressing and crowding there to get passes and certificates of health for such as travelled abroad, for without these there was no being admitted to pass through the towns upon the road, or to lodge in any inn. Now, as there had none died in the city for all this time, my Lord Mayor gave certificates of health without any difficulty to all those who lived in the ninety-seven parishes, and to those within the liberties too for a while. This hurry, I say, continued some weeks, that is to say, all the month of May and June, and the more because it was rumoured that an order of the Government was to be issued out to place turnpikes and barriers on the road to prevent people travelling, and that the towns on the road would not suffer people from London to pass for fear of bringing the infection along with them, though neither of these rumours had any foundation but in the imagination, especially at-first. I now began to consider seriously with myself concerning my own case, and how I should dispose of myself; that is to say, whether I should resolve to stay in London or shut up my house and flee, as many of my neighbours did. I have set this particular down so fully, because I know not but it may be of moment to those who come after me, if they come to be brought to the same distress, and to the same manner of making their choice; and therefore I desire this account may pass with them rather for a direction to themselves to act by than a history of my actings, seeing it may not be of one farthing value to them to note what became of me. I had two important things before me: the one was the carrying on my business and shop, which was considerable, and in which was embarked all my effects in the world; and the other was the preservation of my life in so dismal a calamity as I saw apparently was coming upon the whole city, and which, however great it was, my fears perhaps, as well as other people's, represented to be much greater than it could be. The first consideration was of great moment to me; my trade was a saddler, and as my dealings were chiefly not by a shop or chance trade, but among the merchants trading to the English colonies in America, so my effects lay very much in the hands of such. I was a single man, 'tis true, but I had a family of servants whom I kept at my business; had a house, shop, and warehouses filled with goods; and, in short, to leave them all as things in such a case must be left (that is to say, without any overseer or person fit to be trusted with them), had been to hazard the loss not only of my trade, but of my goods, and indeed of all I had in the world. I had an elder brother at the same time in London, and not many years before come over from Portugal: and advising with him, his answer was in three words, the same that was given in another case quite different, viz., 'Master, save thyself.' In a word, he was for my retiring into the country, as he resolved to do himself with his family; telling me what he had, it seems, heard abroad, that the best preparation for the plague was to run away from it. As to my argument of losing my trade, my goods, or debts, he quite confuted me. He told me the same thing which I argued for my staying, viz., that I would trust God with my safety and health, was the strongest repulse to my pretensions of losing my trade and my goods; 'for', says he, 'is it not as reasonable that you should trust God with the chance or risk of losing your trade, as that you should stay in so eminent a point of danger, and trust Him with your life?' I could not argue that I was in any strait as to a place where to go, having several friends and relations in Northamptonshire, whence our family first came from; and particularly, I had an only sister in Lincolnshire, very willing to receive and entertain me. My brother, who had already sent his wife and two children into Bedfordshire, and resolved to follow them, pressed my going very earnestly; and I had once resolved to comply with his desires, but at that time could get no horse; for though it is true all the people did not go out of the city of London, yet I may venture to say that in a manner all the horses did; for there was hardly a horse to be bought or hired in the whole city for some weeks. Once I resolved to travel on foot with one servant, and, as many did, lie at no inn, but carry a soldier's tent with us, and so lie in the fields, the weather being very warm, and no danger from taking cold. I say, as many did, because several did so at last, especially those who had been in the armies in the war which had not been many years past; and I must needs say that, speaking of second causes, had most of the people that travelled done so, the plague had not been carried into so many country towns and houses as it was, to the great damage, and indeed to the ruin, of abundance of people. But then my servant, whom I had intended to take down with me, deceived me; and being frighted at the increase of the distemper, and not knowing when I should go, he took other measures, and left me, so I was put off for that time; and, one way or other, I always found that to appoint to go away was always crossed by some accident or other, so as to disappoint and put it off again; and this brings in a story which otherwise might be thought a needless digression, viz., about these disappointments being from Heaven. I mention this story also as the best method I can advise any person to take in such a case, especially if he be one that makes conscience of his duty, and would be directed what to do in it, namely, that he should keep his eye upon the particular providences which occur at that time, and look upon them complexly, as they regard one another, and as all together regard the question before him: and then, I think, he may safely take them for intimations from Heaven of what is his unquestioned duty to do in such a case; I mean as to going away from or staying in the place where we dwell, when visited with an infectious distemper. It came very warmly into my mind one morning, as I was musing on this particular thing, that as nothing attended us without the direction or permission of Divine Power, so these disappointments must have something in them extraordinary; and I ought to consider whether it did not evidently point out, or intimate to me, that it was the will of Heaven I should not go. It immediately followed in my thoughts, that if it really was from God that I should stay, He was able effectually to preserve me in the midst of all the death and danger that would surround me; and that if I attempted to secure myself by fleeing from my habitation, and acted contrary to these intimations, which I believe to be Divine, it was a kind of flying from God, and that He could cause His justice to overtake me when and where He thought fit. These thoughts quite turned my resolutions again, and when I came to discourse with my brother again I told him that I inclined to stay and take my lot in that station in which God had placed me, and that it seemed to be made more especially my duty, on the account of what I have said. My brother, though a very religious man himself, laughed at all I had suggested about its being an intimation from Heaven, and told me several stories of such foolhardy people, as he called them, as I was; that I ought indeed to submit to it as a work of Heaven if I had been any way disabled by distempers or diseases, and that then not being able to go, I ought to acquiesce in the direction of Him, who, having been my Maker, had an undisputed right of sovereignty in disposing of me, and that then there had been no difficulty to determine which was the call of His providence and which was not; but that I should take it as an intimation from Heaven that I should not go out of town, only because I could not hire a horse to go, or my fellow was run away that was to attend me, was ridiculous, since at the time I had my health and limbs, and other servants, and might with ease travel a day or two on foot, and having a good certificate of being in perfect health, might either hire a horse or take post on the road, as I thought fit. Then he proceeded to tell me of the mischievous consequences which attended the presumption of the Turks and Mahometans in Asia and in other places where he had been (for my brother, being a merchant, was a few years before, as I have already observed, returned from abroad, coming last from Lisbon), and how, presuming upon their professed predestinating notions, and of every man's end being predetermined and unalterably beforehand decreed, they would go unconcerned into infected places and converse with infected persons, by which means they died at the rate of ten or fifteen thousand a week, whereas the Europeans or Christian merchants, who kept themselves retired and reserved, generally escaped the contagion. Upon these arguments my brother changed my resolutions again, and I began to resolve to go, and accordingly made all things ready; for, in short, the infection increased round me, and the bills were risen to almost seven hundred a week, and my brother told me he would venture to stay no longer. I desired him to let me consider of it but till the next day, and I would resolve: and as I had already prepared everything as well as I could as to MY business, and whom to entrust my affairs with, I had little to do but to resolve. I went home that evening greatly oppressed in my mind, irresolute, and not knowing what to do. I had set the evening wholly--apart to consider seriously about it, and was all alone; for already people had, as it were by a general consent, taken up the custom of not going out of doors after sunset; the reasons I shall have occasion to say more of by-and- by. In the retirement of this evening I endeavoured to resolve, first, what was my duty to do, and I stated the arguments with which my brother had pressed me to go into the country, and I set, against them the strong impressions which I had on my mind for staying; the visible call I seemed to have from the particular circumstance of my calling, and the care due from me for the preservation of my effects, which were, as I might say, my estate; also the intimations which I thought I had from Heaven, that to me signified a kind of direction to venture; and it occurred to me that if I had what I might call a direction to stay, I ought to suppose it contained a promise of being preserved if I obeyed. This lay close to me, and my mind seemed more and more encouraged to stay than ever, and supported with a secret satisfaction that I should be kept. Add to this, that, turning over the Bible which lay before me, and while my thoughts were more than ordinarily serious upon the question, I cried out, 'Well, I know not what to do; Lord, direct me!' and the like; and at that juncture I happened to stop turning over the book at the ninety-first Psalm, and casting my eye on the second verse, I read on to the seventh verse exclusive, and after that included the tenth, as follows: 'I will say of the Lord, He is my refuge and my fortress: my God, in Him will I trust. Surely He shall deliver thee from the snare of the fowler, and from the noisome pestilence. He shall cover thee with His feathers, and under His wings shalt thou trust: His truth shall be thy shield and buckler. Thou shalt not be afraid for the terror by night; nor for the arrow that flieth by day; nor for the pestilence that walketh in darkness; nor for the destruction that wasteth at noonday. A thousand shall fall at thy side, and ten thousand at thy right hand; but it shall not come nigh thee. Only with thine eyes shalt thou behold and see the reward of the wicked. Because thou hast made the Lord, which is my refuge, even the most High, thy habitation; there shall no evil befall thee, neither shall any plague come nigh thy dwelling,' &C. I scarce need tell the reader that from that moment I resolved that I would stay in the town, and casting myself entirely upon the goodness and protection of the Almighty, would not seek any other shelter whatever; and that, as my times were in His hands, He was as able to keep me in a time of the infection as in a time of health; and if He did not think fit to deliver me, still I was in His hands, and it was meet He should do with me as should seem good to Him. With this resolution I went to bed; and I was further confirmed in it the next day by the woman being taken ill with whom I had intended to entrust my house and all my affairs. But I had a further obligation laid on me on the same side, for the next day I found myself very much out of order also, so that if I would have gone away, I could not, and I continued ill three or four days, and this entirely determined my stay; so I took my leave of my brother, who went away to Dorking, in Surrey, and afterwards fetched a round farther into Buckinghamshire or Bedfordshire, to a retreat he had found out there for his family. It was a very ill time to be sick in, for if any one complained, it was immediately said he had the plague; and though I had indeed no symptom of that distemper, yet being very ill, both in my head and in my stomach, I was not without apprehension that I really was infected; but in about three days I grew better; the third night I rested well, sweated a little, and was much refreshed. The apprehensions of its being the infection went also quite
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Produced by Clare Boothby and the Online Distributed Proofreading Team at http://www.pgdp.net +------------------------------------------------------------+ | Transcriber's Note: | | | | Obvious typographical errors have been corrected in | | this text. For a complete list, please see the bottom of | | this document. | | | | The children's letters on page 108 have been reproduced in | | this text as diagrams. | +------------------------------------------------------------+ ESSAY ON THE CREATIVE IMAGINATION BY TH. RIBOT TRANSLATED FROM THE FRENCH BY ALBERT H. N. BARON FELLOW IN CLARK UNIVERSITY LONDON KEGAN PAUL, TRENCH, TRUBNER & CO., LTD. 1906 COPYRIGHT BY THE OPEN COURT PUBLISHING CO. CHICAGO, U. S. A. 1906 _All rights reserved._ TO THE MEMORY OF MY TEACHER AND FRIEND, Arthur Allin, Ph. D., PROFESSOR OF PSYCHOLOGY AND EDUCATION, UNIVERSITY OF COLORADO, WHO FIRST INTERESTED ME IN THE PROBLEMS OF PSYCHOLOGY, THIS BOOK IS DEDICATED, WITH REVERENCE AND GRATITUDE, BY THE TRANSLATOR. TRANSLATOR'S PREFACE. The name of Th. Ribot has been for many years well known in America, and his works have gained wide popularity. The present translation of one of his more recent works is an attempt to render available in English what has been received as a classic exposition of a subject that is often discussed, but rarely with any attempt to understand its true nature. It is quite generally recognized that psychology has remained in the semi-mythological, semi-scholastic period longer than most attempts at scientific formulization. For a long time it has been the "spook science" _per se_, and the imagination, now analyzed by M. Ribot in such a masterly manner, has been one of the most persistent, apparently real, though very indefinite, of psychological spooks. Whereas people have been accustomed to speak of the imagination as an entity _sui generis_, as a lofty something found only in long-haired, wild-eyed "geniuses," constituting indeed the center of a cult, our author, Prometheus-like, has brought it down from the heavens, and has clearly shown that _imagination is a function of mind common to all men in some degree_, and that it is shown in as highly developed form in commercial leaders and practical inventors as in the most bizarre of romantic idealists. The only difference is that the manifestation is not the same. That this view is not entirely original with M. Ribot is not to his discredit--indeed, he does not claim any originality. We find the view clearly expressed elsewhere, certainly as early as Aristotle, that the greatest artist is he who actually embodies his vision and will in permanent form, preferably in social institutions. This idea is so clearly enunciated in the present monograph, which the author modestly styles an essay, that when the end of the book is reached but little remains of the great imagination-ghost, save the one great mystery underlying all facts of mind. That the present rendering falls far below the lucid French of the original, the translator is well aware; he trusts, however, that the indulgent reader will take into account the good intent as offsetting in part, at least, the numerous shortcomings of this version. I wish here to express my obligation to those friends who encouraged me in the congenial task of translation. A. H. N. B. AUTHOR'S PREFACE Contemporary psychology has studied the purely reproductive imagination with great eagerness and success. The works on the different image-groups--visual, auditory, tactile, motor--are known to everyone, and form a collection of inquiries solidly based on subjective and objective observation, on pathological facts and laboratory experiments. The study of the creative or constructive imagination, on the other hand, has been almost entirely neglected. It would be easy to show that the best, most complete, and most recent treatises on psychology devote to it scarcely a page or two; often, indeed, do not even mention it. A few articles, a few brief, scarce monographs, make up the sum of the past twenty-five years' work on the subject. The subject does not, however, at all deserve this indifferent or contemptuous attitude. Its importance is unquestionable, and even though the study of the creative imagination has hitherto remained almost inaccessible to experimentation strictly so-called, there are yet other objective processes that permit of our approaching it with some likelihood of success, and of continuing the work of former psychologists, but with methods better adapted to the requirements of contemporary thought. The present work is offered to the reader as an essay or first attempt only. It is not our intention here to undertake a complete monograph that would require a thick volume, but only to seek the underlying conditions of the creative imagination, showing that it has its beginning and principal source in the natural tendency of images to become objectified (or, more simply, in the motor elements inherent in the image), and then following it in its development under its manifold forms, whatever they may be. For I cannot but maintain that, at present, the psychology of the imagination is concerned almost wholly with its part in esthetic creation and in the sciences. We scarcely get beyond that; its other manifestations have been occasionally mentioned--never investigated. Yet invention in the fine arts and in the sciences is only a special case, and possibly not the principal one. We hope to show that in practical life, in mechanical, military, industrial, and commercial inventions, in religious, social, and political institutions, the human mind has expended and made permanent as much imagination as in all other fields. The constructive imagination is a faculty that in the course of ages has undergone a reduction--or at least, some profound changes. So, for reasons indicated later on, the mythic activity has been taken in this work as the central point of our topic, as the primitive and typical form out of which the greater number of the others have arisen. The creative power is there shown entirely unconfined, freed from all hindrance, careless of the possible and the impossible; in a pure state, unadulterated by the opposing influence of imitation, of ratiocination, of the knowledge of natural laws and their uniformity. In the first or analytical part, we shall try to resolve the constructive imagination into its constitutive factors, and study each of them singly. The second or genetic part will follow the imagination in its development as a whole from the dimmest to the most complex forms. Finally, the third or concrete part, will be no longer devoted to the imagination, but to imaginative beings, to the principal types of imagination that observation shows us. May, 1900. ANALYTICAL TABLE OF CONTENTS. PAGE Translator's Preface v Author's Preface vii INTRODUCTION. THE MOTOR NATURE OF THE CONSTRUCTIVE IMAGINATION. Transition from the reproductive to the creative imagination.--Do all representations contain motor elements?--Unusual effects produced by images: vesication, stigmata; their conditions; their meaning for our subject.--The imagination is, on the intellectual side, equivalent to will. Proof: Identity of development; subjective, personal character of both; teleologic character; analogy between the abortive forms of the imagination and abulias. 3 FIRST PART. ANALYSIS OF THE IMAGINATION. CHAPTER I. THE INTELLECTUAL FACTOR. Dissociation, preparatory work.--Dissociation in complete, incomplete and schematic images.--Dissociation in series. Its principal causes: internal or subjective, external or objective.--Association: its role reduced to a single question, the formation of new combinations.--The principal intellectual factor is thinking by analogy. Why it is an almost inexhaustible source of creation. Its mechanism. Its processes reducible to two, viz.: personification, transformation. 15 CHAPTER II. THE EMOTIONAL FACTOR. The great importance of this element.--All forms of the creative imagination imply affective elements. Proofs: All affective conditions may influence the imagination. Proofs: Association of ideas on an emotional basis; new combinations under ordinary and extraordinary forms.--Association by contrast.--The motor element in tendencies.--There is no creative instinct; invention has not _a_ source, but _sources_, and always arises from a need.--The work of the imagination reduced to two great classes, themselves reducible to special needs.--Reasons for the prejudice in favor of a creative instinct. 31 CHAPTER III. THE UNCONSCIOUS FACTOR. Various views of the "inspired state." Its essential characteristics; suddenness, impersonality.--Its relations to unconscious activity.--Resemblances to hypermnesia, the initial state of alcoholic intoxication and somnambulism on waking.--Disagreements concerning the ultimate nature of unconsciousness: two hypotheses.--The "inspired state" is not a cause, but an index.--Associations in unconscious form.--Mediate or latent association: recent experiments and discussions on this subject.--"Constellation" the result of a summation of predominant tendencies. Its mechanism. 50 CHAPTER IV. THE ORGANIC CONDITIONS OF THE IMAGINATION. Anatomical conditions: various hypotheses. Obscurity of the question. Flechsig's theory.--Physiological conditions: are they cause, effect, or accompaniment? Chief factor: change in cerebral and local circulation.--Attempts at experimentation.--The oddities of inventors brought under two heads: the explicable and inexplicable. They are helpers of inspiration.--Is there any analogy between physical and psychic creation? A philosophical hypothesis on the subject.--Limitation of the question. Impossibility of an exact answer. 65 CHAPTER V. THE PRINCIPLE OF UNITY. Importance of the unifying principle. It is a fixed idea or a fixed emotion.--Their equivalence.--Distinction between the synthetic principle and the ideal, which is the principle of unity in motion: the ideal is a construction in images, merely outlined.--The principal forms of the unifying principles: unstable, organic or middle, extreme or semi-morbid.--Obsession of the inventor and the sick: insufficiency of a purely psychological criterion. 79 SECOND PART. THE DEVELOPMENT OF THE IMAGINATION. CHAPTER I. IMAGINATION IN ANIMALS. Difficulties of the subject.--The degree of imagination in animals.--Does creative synthesis exist in them? Affirmation and denials.--The special form of animal imagination is motor, and shows itself through play: its numerous varieties.--Why the animal imagination must be above all motor: lack of intellectual development.--Comparison with young children, in whom the motor system predominates: the roles of movements in infantile insanity. 93 CHAPTER II. IMAGINATION IN THE CHILD. Division of its development into four principal periods.--Transition from passive to creative imagination: perception and illusion.--Animating everything: analysis of the elements constituting this moment: the role of belief.--Creation in play: period of imitation, attempts at invention.--Fanciful invention. 103 CHAPTER III. PRIMITIVE MAN AND THE CREATION OF MYTHS. The golden age of the creative imagination.--Myths: hypotheses as to the origin: the myth is the <DW43>-physical objectification of man in the phenomena that he perceives. The role of imagination.--How myths are formed. The moment of creation: two operations--animating everything, qualifying everything. Romantic invention lacking in peoples without imagination. The role of analogy and of association through "constellation."--The evolution of myths: ascension, acme, decline.--The explanatory myths undergo a radical transformation: the work of depersonification of the myth. Survivals.--The non-explanatory myths suffer a partial transformation: Literature is a fallen and rationalized mythology.--Popular imagination and legends: the legend is to the myth what illusion is to hallucination.--Unconscious processes that the imagination employs in order to create legends: fusion, idealization. 118 CHAPTER IV. THE HIGHER FORMS OF INVENTION. Is a psychology of great inventors possible? Pathological and physiological theories of genius.--General characters of great inventors. Precocity: chronological order of the development of the creative power. Psychological reasons for this order. Why the creator commences by imitating.--Necessity or fatalism of vocation.--The representative character of great creators. Discussion as to the origin of this character--is it in the individual or in the environment?--Mechanism of creation. Two principal processes--complete, abridged. Their three phases; their resemblances and differences.--The role of chance in invention: it supposes the meeting of two factors--one internal, the other external.--Chance is an occasion for, not an agent of, creation. 140 CHAPTER V. LAW OF THE DEVELOPMENT OF THE IMAGINATION. Is the creative imagination, in its evolution, subject to any law?--It passes through two stages separated by a critical phase.--Period of autonomy; critical period; period of definite constitution. Two cases: decay or transformation through logical form, through deviation.--Subsidiary law of increasing complexity.--Historical verification. 167 THIRD PART. THE PRINCIPAL TYPES OF IMAGINATION. PRELIMINARY. The need of a concrete study.--The varieties of the creative imagination, analogous to the varieties of character. 179 CHAPTER I. THE PLASTIC IMAGINATION. It makes use of clear images, well determined in space, and of associations of objective relations.--Its external character.--Inferiority of the affective element.--Its principal manifestations: in the arts dealing with form; in poetry (transformation of sonorous into visual images); in myths with clear outline; in mechanical invention.--The dry and rational imagination its elements. 184 CHAPTER II. THE DIFFLUENT IMAGINATION. It makes use of vague images linked according to the least rigorous modes of association. Emotional abstractions; their nature.--Its characteristic of inwardness.--Its principal manifestations: revery, the romantic spirit, the chimerical spirit; myths and religious conceptions, literature and the fine arts (the symbolists), the class of the marvelous and fantastic.--Varieties of the diffluent imagination: first, numerical imagination; its nature; two principal forms,
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Produced by Irma Spehar, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Transcriber's Note. Bold text is indicated with =equals signs=. Italic text is indicated with _underscores_. Further transcriber's notes may be found at the end of the book. QUEENS OF THE RENAISSANCE BY M. BERESFORD RYLEY WITH TWENTY-FOUR ILLUSTRATIONS METHUEN & CO. 36 ESSEX STREET W.C. LONDON _First Published in 1907_ [Illustration: BEATRICE AND LUDOVICO KNEELING ALTAR-PIECE BY ZENALE] To B---- CONTENTS PAGE PREFACE ix CATHERINE OF SIENA 1 BEATRICE D'ESTE 53 ANNE OF BRITTANY 104 LUCREZIA BORGIA 150 MARGARET D'ANGOULÊME 202 RENÉE, DUCHESS OF FERRARA 251 PREFACE There are no two people who see with the same kind of vision. It is for this reason that, though twenty lives of the six women chosen for this book had been written previously, there would still, it seems to me, be room for a twenty-first. For though the facts might remain identical, there is no possible reiteration of another mind's exact outlook. Hence I have not scrupled to add these six character studies to the many volumes similar in scope and subject. The book is called "Queens of the Renaissance," but Catherine of Siena lived before the Renaissance surged into being, and Anne of Brittany, though her two husbands brought its spirit into France, had not herself a hint of its lovely, penetrating eagerness. They are included because they help, nevertheless, to create continuity and coherence of impression, and the six leading, as they do naturally, one to the other, convey, in the mass, some co-ordinated notion of the Renaissance spirit. The main object, perhaps, in writing at all lies in the intrinsic interest of any real life lived before us. For every existence is a _parti pris_ towards existence; every character is a personal opinion upon the value of character, feeling, virtue, many things. No personality repeats another, no human drama renews just the same intricate complications of other dramas. In every life and in every person there is some element of uniqueness, some touch of speciality. Because of this even the dullest individuality becomes quickening in biography. It has, if no more, the pathos of its dulness, the didactic warnings of its refusals, the surprise of its individualizing blunders. All the following lives convey inevitably and unconsciously some statement concerning the opportunity offered by existence. To one, it seemed a place for an ecstasy of joy, success, gratification; to another, a great educational establishment for the soul; to a third, an admirable groundwork for practical domestic arrangements and routine; to Renée of Ferrara, a bewildering, weary accumulation of difficulties and distress; to her more charming relative, an enigma shadowed always by the still greater and grimmer enigma of mortality. And lastly, for the strange, elusive Lucrezia, it is difficult to conceive what it must have meant at all, unless a sequence of circumstances never, under any conditions, to be dwelt upon in their annihilating entirety, but just to be taken piecemeal day by day, reduced and simplified by the littleness of separate hours and moments. In a book of this kind, where the intention is mainly concerned with character, and for which the reading was inevitably full of bypaths and excursions, a complete bibliography would merely fill many pages, while seeming to a great extent to touch but remotely upon the ladies referred to, but among recent authors a deep debt of gratitude for information received is due to the following: Jacob Burckhardt, Julia Cartwright, Augusta Drane, Ferdinand Gregorovius, R. Luzio, E. Renier, E. Rodoconarchi, and J. Addington Symonds. Finally, in reference to the portraits included in the life of Beatrice D'Este, a brief statement is necessary. For not only that of Bianca, wife of Giangaleazzo, but also those of Il Moro's two mistresses, Cecilia Gallerani and Lucrezia Crivelli, are regrettably dubious. The picture of Bianca, however, by Ambrogio da Predis, is more than likely genuinely that of Bianca, though some writers still regard it as a likeness of Beatrice herself. It is to be wished that it were; her prettiness then would have been incontestable and delicious. But in reality there is no hope. One has but to look at the other known portraits of Beatrice to see that her face was podgy, or nearly so, and that her charm came entirely and illusively from personal intelligence. It evaporated the moment one came to fix her appearance in sculpture or on canvas. Nature had not really done much for her. There was no outline, no striking feature, no ravishing freshness of colouring. On a stupid woman Beatrice's face would have been absolutely ugly. But she, through sheer "aliveness," sheer buoyant trickery of expression, conveyed in actuality the equivalent of prettiness. But it was all unconscious conjuring,--in reality Beatrice was a plain woman, with sufficient delightfulness to seem a pretty one, while the portrait of Bianca is unmistakably and lovingly good-looking. As regards the portraits, again, of Il Moro's two mistresses, Cecilia Gallerani and Lucrezia Crivelli, there is no absolute certainty. The portrait facing page 6 in the life of Beatrice has been recently discovered in the collection of the Right Hon. the Earl of Roden, and in an article published by the _Burlington Magazine_ it has been tentatively looked upon as that of Lucrezia Crivelli. This does not, however, appear probable, because Lucrezia, at the time of Il Moro's infatuation, was a young girl, and the picture by Ambrogio da Predis is certainly that of a woman, and a woman, moreover, whose experiences have brought her perilously near the verge of cynicism. At the same time, the portrait is not only beyond doubt that of a woman loved by Il Moro, but was presumably painted while his affection for her still continued, as not only are the little heart-shaped ornaments holding together the webs of her net thought to represent Il Moro's badge of a mulberry-leaf, but painted exquisitely in a space of ⅜ by ⅝ inch upon the plaque at the waistbelt is a Moor's head, another of Ludovico's badges, while the letters L. O. are placed on either side of it, and the two Sforza S. S. at the back. A discarded mistress, if Ambrogio--one of Il Moro's court painters--had painted her at all, would have had the discretion not to wear symbols obviously intended only for one beloved at that moment. There seems--speculatively--every reason to suppose that the picture represents Cecilia Gallerani, who was already beyond the charm of youth before Ludovico reluctantly discarded her, and whom he not only cared for very greatly, but for quite a number of years. Cecilia Gallerani, besides, to strengthen the supposition, was an exceptionally intellectual woman, and the portrait in the possession of the Earl of Roden expresses above everything to an almost disheartened intelligence. To think deeply while in the position of _any_ man's mistress must leave embittering traces, and Cecilia became famous less even for physical attractions than because her mind was so intensely rich and receptive. The other two--the pictures of "La Belle Ferronière" and the "Woman with the Weasel,"--by Leonardo da Vinci, have both a contested identity. But since the first is now almost universally looked upon as being the portrait of Lucrezia Crivelli, the second must surely represent her also. For in both there is the same beautiful oval, the same youth, the same unfathomable eyes and gentle deceit of expression. Both, besides, represent to perfection the kind of beautiful girl likely to have drawn Ludovico into passionate admiration. He was no longer young when he cared for Lucrezia, and if Leonardo's paintings are really portraits of her, she was like some emblematical figure of perfect youthfulness,--unique and unrepeatable. M. B. R. LIST OF ILLUSTRATIONS TO FACE PAGE BEATRICE AND LUDOVICO KNEELING. ALTAR PIECE BY ZENALE AT BRERA _Frontispiece_ _From a Photograph by Messrs. Anderson_ STATUE IN WOOD OF ST. CATHERINE, BY NEROCCIO LANDI 2 _From a Photograph by Messrs. Lombardi_ ST. CATHERINE'S HOUSE AT SIENA 16 _From a Photograph by Messrs. Lombardi_ CATHERINE PRAYING AT AN EXECUTION. FRESCO BY SODOMA 18 THE BRIDGE AT PAVIA 61 BEATRICE D'ESTE. BUST IN THE LOUVRE 64 _From a Photograph by Messrs. Levy_ PORTRAIT, PROBABLY OF CECILIA GALLERANI, SAID TO BE BY AMBROGIO DA PREDIS 90 _From the Collection of the Earl of Roden_ LUCREZIA CRIVELLI, BY LEONARDO DA VINCI 96 _From a Photograph by Messrs. Mansell_ PROBABLE PORTRAIT OF BIANCA SFORZA, WIFE OF GALEAZZO SANSEVERINO 98 _From a Photograph by Messrs. Mansell_ CHURCH OF ST. MARIA DELLE GRAZIE AT MILAN 100 _From a Photograph by Messrs. Brogi_ EFFIGY OF BEATRICE D'ESTE AT SOUTH KENSINGTON MUSEUM 102 FROM THE CALENDRIER, IN ANNE'S BOOK OF HOURS IN THE BIBLIOTHÈQUE NATIONALE, PARIS 120 _From a Photograph by Messrs. Berthaud_ ANNE KNEELING. FROM THE BOOK OF HOURS IN THE BIBLIOTHÈQUE NATIONALE 128 _From a Photograph by Messrs. Berthaud_ ST. URSULA. FROM ANNE'S BOOK OF HOURS IN THE BIBLIOTHÈQUE NATIONALE 140 _From a Photograph by Messrs. Berthaud_ PROBABLE PORTRAIT OF LUCREZIA IN "ST. CATHERINE AND THE ELDERS," BY PINTORRICCHIO 152 _From a Photograph by Messrs. Brogi_ VIRGIN AND CHILD, BY PINTORRICCHIO, IN THE HALL OF ARTS AT THE VATICAN 159 _From a Photograph by Messrs. Anderson_ THE ANNUNCIATION. FROM THE SERIES OF FRESCOES PAINTED BY PINTORRICCHIO AT THE VATICAN 171 _From a Photograph by Messrs. Anderson_ SUSANNAH AND THE ELDERS. FROM THE SERIES OF FRESCOES PAINTED BY PINTORRICCHIO AT THE VATICAN 188 _From a Photograph by Messrs. Anderson_ HEAD OF GASTON DE FOIX 206 _From the Monument at Milan_ CHARLES V. 226 _From a Photograph by Messrs. Giraudon_ MARGARET D'ANGOULÊME. FROM A DRAWING AFTER CORNEILLE DE LYON 248 _From a Photograph by Messrs. Giraudon_ RENÉE OF FERRARA, AGED FIFTEEN, BY CORNEILLE DE LYON 254 _From a Photograph by Messrs. Giraudon_ THE CASTELLO AT FERRARA 260 RENÉE, DUCHESS OF FERRARA. FROM A DRAWING AT THE BIBLIOTHÈQUE NATIONALE 294 _From a Photograph by Messrs. Giraudon_ QUEENS OF THE RENAISSANCE CATHERINE OF SIENA 1347-1380 Catherine of Siena does not actually belong to the Renaissance. At the same time she played an indirect part in furthering it, and she represented a strain of feeling which continued to the extreme limits of its duration. During the best period of the desire for culture, a successor--and imitator--of Catherine's, Sister Lucia, became a craze in certain parts of Italy. Duke Ercole of Ferrara, then old and troubled about his soul, took as deep and personal an interest in enticing her to Ferrara as he did in the details of his son's marriage to Lucrezia Borgia, just then being negotiated. The atmosphere Catherine created is never absent from the Renaissance. She fills out what is one-sided in the impression conveyed by the women who follow. She was also the contemporary of Petrarch and Boccaccio, the acknowledged forerunners of the intellectual awakening that came after them, and being so, is well within the dawn, faint though it still was, of the coming Renaissance day. Finally, in her own person she contained so much power and fascination that to omit her, when there exists the least excuse for inclusion, would be wilfully to neglect one of the most enchanting characters among the women of Italian history. The daughter of a well-to-do tradesman, Giacomo Benincasa, Catherine was born in Siena in 1347. Her father possessed several pleasant qualities, and a great reserve of speech, hating inherently all licence of expression. Catherine's mother, Lapa, on the other hand, belonged to an ordinary type of working woman--laborious, but irritable and narrow. She brought twenty-five children into the world, and her irascibility may have been not unconnected with this heroic achievement. The sons also, after their marriages, continued to live, with their wives--it being the custom at that time--under the parental roof. Even a sociable temperament would easily have found such a community difficult always to handle cordially. [Illustration: STATUE IN WOOD OF ST. CATHERINE BY NEROCCIO LANDI] Catherine was Benincasa's youngest child. As a baby she proved extraordinarily attractive. She was, in fact, so sweet and radiant that the neighbours nicknamed her Euphrosyne, and her little person was much enticed and humoured. Unfortunately, like all children of that period, she became bewilderingly precocious, and with the first development of intelligence, the religious passion revealed itself. With Catherine the desire for spirituality was inborn. At five years old she formed the habit of going upstairs on her knees, reciting the "Hail, Mary," at every step. She delighted in being taken to churches and places of devotion, and at the age of six years her deliberate and piteous self-martyrdom commenced. The child, during an errand on which she was sent, believed herself to have seen a holy vision. The incident had nothing extraordinary, for her imagination was keen, and her temperament nervous. In a later century, fed upon fairy stories, she would have seen gnomes, sprites, or golden-haired princesses. Instead, saturated in religious legends, she perceived Jesus Christ in magnificent robes, and with a tiara on His head, while on each side of Him stood a saint, and several nuns in white garments. This unchallenged vision produced colossal consequences. The child went home convinced that God Himself had come to call her to a better life; proud, frightened, and exultant, she set her mind to find out, therefore, how she might best become as good as God wanted her to be. This beginning of Catherine's religious life is painful to remember. She decided primarily that she must give up childish amusements; in addition, she determined to eat the least possible amount of food, and to fill up her life with penances in the manner of the grown-up holy men and women about her. She also procured some cord, and, having knotted it into a miniature scourge, formed the habit of secretly scourging herself until her back was lined with weals. Describing these first spiritual struggles of a child of six years old, Cafferini, her contemporary and biographer, says, "Moreover, by a secret instinct of grace, she understood that she had now entered on a warfare with nature, which demanded the mortification of every sense. She resolved, therefore, to add fasting and watching to her other penances, and in particular to abstain entirely from meat, so that when any was placed before her, she either gave it to her brother Stephen, who sat beside her, or threw it under the table to the cats, in such a manner as to avoid notice." This pitiable "warfare with nature" continued until she reached the age of twelve. Her parents
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Produced by Julia Miller and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note A number of typographical errors have been maintained in this version of this book. They have been marked with a [TN-#], which refers to a description in the complete list found at the end of the text. Inconsistent spelling, hyphenation, and capitalization have been maintained. A list of inconsistently spelled words is found at the end of the text. THE BATTLE AND THE RUINS OF CINTLA BY DANIEL G. BRINTON, M. D., LL. D., D. Sc. PROFESSOR OF AMERICAN ARCHAEOLOGY AND LINGUISTICS IN THE UNIVERSITY OF PENNSYLVANIA [REPRINTED FROM THE _AMERICAN ANTIQUARIAN_, SEPTEMBER, 1896] CHICAGO 1896 THE BATTLE AND THE RUINS OF CINTLA. BY DANIEL G. BRINTON, M. D. The first battle on the American continent in which horses were used was that of Cintla in Tabasco, March, 1519, the European troops being under the leadership of Hernando Cortes. This fact attaches something more than an ordinary historic interest to the engagement, at least enough to make it desirable to ascertain its precise locality and its proper name. Both of these are in doubt, as well as the ethnic stock to which the native tribe belonged which opposed the Spanish soldiery on the occasion. I propose to submit these questions to a re-examination, and also to describe from unpublished material the ruins which,--as I believe--, mark the spot of this first important encounter of the two races on American soil. The engagement itself has been described by all the historians of Cortes' famous conquest of Mexico, as it was the first brilliant incident of that adventure. We have at least four accounts of it from participants. One prepared under the eye of Cortes himself, one by the anonymous historian of his expedition, a third by Cortes' companion-in-arms, the redoubtable Bernal Diaz del Castillo, and a fourth by Andres de Tapia.[3-1] The most satisfactory narrative, however, is given by the chaplain of Cortes, Francisco de Gomara, and I shall briefly rehearse his story, adding a few points from other contemporary writers.[3-2] Cortes with his armada cast anchor at the mouth of the River Grijalva in March, 1519. The current being strong and the bar shallow, he with about eighty men proceeded in boats up the river for about two miles, when they descried on the bank a large Indian village. It was surrounded with a wooden palisade, having turrets and loopholes from which to hurl stones and darts. The houses within were built of tiles laid in mortar, or of sun-dried brick (adobes), and were roofed with straw or split trees. The chief temple had spacious rooms, and its dependences surrounded a court yard. The interpreter Aguilar, a Spaniard who had lived with the Mayas in Yucatan, could readily speak the tongue of the village, which was therefore a Mayan dialect. The natives told him that the town was named Potonchan, which Aguilar translated "the place that smells or stinks," an etymology probably correct in a general way. The natives were distrustful, and opposed the landing of the Europeans rather with words and gestures than with blows. Their warriors approached Cortes in large boats, called in their tongue _tahucup_, and refused him permission to land. After some parleying, Cortes withdrew to an island in the river near by, and as night drew on, he sent to the ships for reinforcements, and despatched some of the troops to look for a ford from the island to the mainland; which they easily found. The next morning he landed some of his men by the boats, and attacked the village on the water side, while another detachment crossed the ford and making a circuit assaulted it in the rear. The Indians were prepared, having sent their women and children away. They were in number about four hundred, and made at first a brisk resistance, but being surprised by the rear assault, soon fled in dismay. No Spaniard was killed, though many were wounded. Cortes established himself in the village and landed most of his troops and ten out of his thirteen horses. When his men were rested and the injured had had their wounds dressed with fat taken from dead Indians[4-1] (!) he sent out three detachments on foot to reconnoitre. After
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Produced by Therese Wright, Larry B. Harrison and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE LAST WORDS OF DISTINGUISHED MEN AND WOMEN THE LAST WORDS (REAL AND TRADITIONAL) OF DISTINGUISHED MEN AND WOMEN COLLECTED FROM VARIOUS SOURCES BY FREDERIC ROWLAND MARVIN The tongues of dying men Enforce attention like deep harmony; Where words are scarce they're seldom spent in vain, For they breathe truth that breathe their words in pain. --_Shakspeare_ NEW YORK CHICAGO TORONTO FLEMING H. REVELL COMPANY 1901 Copyright 1901 by FREDERIC ROWLAND MARVIN (June) To my Wife this Book is most Lovingly Dedicated Neither is there anything of which I am so inquisitive, and delight to inform myself, as the manner of men's deaths, their words, looks, and bearing; nor any places in history I am so intent upon; and it is manifest enough, by my crowding in examples of this kind, that I have a particular fancy for that subject. If I were a writer of books, I would compile a register, with a comment, of the various deaths of men: he who should teach men to die, would at the same time teach them to live.--MONTAIGNE. Last Words of Distinguished Men and Women. ADAM (Alexander, Dr., headmaster at the High School in Edinburgh, and the author of "Roman Antiquities"), 1741-1809. "_It grows dark, boys. You may go._" "It grows dark, boys. You may go." (Thus the master gently said, Just before, in accents low, Circling friends moaned, "He is dead.") Unto him, a setting sun Tells the school's dismissal hour, Deeming not that he alone Deals with evening's dark'ning power. All his thought is with the boys, Taught by him in light to grow; Light withdrawn, and hushed the noise, Fall the passwords, "You may go." Go, boys, go, and take your rest; Weary is the book-worn brain: Day sinks idly in the west, Tired of glory, tired of gain. Careless are the shades that creep O'er the twilight, to and fro; Dusk is lost in shadows deep: _It grows dark, boys. You may go._ _Mary B. Dodge._ ABD-ER-RAHMAN III. (surnamed An-Nasir-Lideen-Illah or Lidinillah, that is to say, "the defender of the religion of God," eighth Sultan and first Caliph of Cordova. Under Abd-er-Rahman III. the Mohammedan empire in Spain attained the height of its glory), 886-961. "_Fifty years have passed since I became Caliph. Riches, honors, pleasures--I have enjoyed all. In this long time of seeming happiness I have numbered the days on which I have been happy. Fourteen._" Though these sad words correctly express the spirit of the man who is reported to have spoken them, they are purely traditional. ADAMS (John, second President of the United States), 1735-1826. "_Independence forever!_" He died on the Fourth of July, the anniversary of the Declaration of Independence; and it is thought that his last words were suggested by the noise of the celebration. Some say his last words were, "Jefferson survives;" if so, he was mistaken, for Jefferson passed away at an earlier hour the same day. ADAMS (John Quincy, sixth President of the United States), 1767-1848. "_It is the last of earth! I am content!_" On the twenty-first of February, 1848, while in his seat in the Capitol, he was struck with paralysis, and died two days later. ADDISON (Joseph, poet and essayist), 1672-1719. "_See in what peace a Christian can die!_" These words were addressed to Lord Warwick, an accomplished but dissolute youth, to whom Addison was nearly related. ADRIAN or HADRIAN (Publius AElius, the Roman Emperor), 76-138. "_O my poor soul, whither art thou going?_" Adrian wrote both in Greek and Latin. Among his Latin poems (preserved by Spartianus, who wrote his life), are these lines addressed to his own soul: Animula vagula blandula, Hospes comesque corporis, Quae nunc abibis in loca? Pallidula, rigida, nudula, Nec, ut soles, dabis jocos. Soul of me! floating and flitting, and fond! Thou and this body were house-mates together; Wilt thou begone now, and whither? Pallid, and naked, and cold; Not to laugh, nor be glad, as of old. Adrian is known in history as one of the greatest of the Roman Emperors. It is hardly too much to say that, by his progress through all the provinces and his policy of peace, he was the consolidater of the empire founded a century and a half before by Augustus. He was the author of the Roman Wall between England and Scotland; he beautified the city of Athens; he founded the modern Adrianople; he built for his own mausoleum what is now the Castle of St. Anglo at Rome. He was also a patron of the fine arts and of literature. Of the famous lines, "The Dying Adrian's Address to His Soul," no fewer than one hundred and sixteen translations into English have been collected, the translators including Pope, Prior, Byron, Dean Merivale, and the late Earl of Carnarvon. It should be added that Pope's familiar version, beginning "Vital spark of heav'nly flame," is a paraphrase rather than a translation. I quote Prior's version: "Poor little, quivering, fluttering thing, Must we no longer live together? And dost thou prune thy trembling wing, To take thy flight thou know'st not whither? "Thy humorous vein, thy pleasing folly Lie all neglected, all forgot: And pensive, wavering, melancholy, Thou dread'st and hop'st thou know'st not what." This is the only certain composition of Adrian that has been preserved, though he is reported to have attempted many forms of literature. The authenticity of a letter ascribed to him with a reference to the Christians, is open to grave doubt. But now the sands of Egypt, which are daily yielding up so many secrets of antiquity, have given us what purports to be a private letter addressed by the Emperor Adrian to his successor, Antoninus Pius, and--what is more interesting--it is written, like the address to his soul, in view of his approaching death. Unfortunately the papyrus is very fragmentary, but its general meaning seems clear. We have evidently only the commencement of an elaborate epistle. After the assertion that his death is neither unexpected, nor lamentable, nor unreasonable, he says that he is prepared to die, though he misses his correspondent's presence and loving care. He goes on: "I do not intend to give the conventional reasons of philosophy for this attitude, but to make a plain statement of facts.... My father by birth died at the age of forty, a private person, so that I have lived more than half as long again as my father, and have reached about the same age as that of my mother when she died." All this accords with the known facts about Adrian. He died at the age of sixty-two, after a long illness, during which he was assiduously tended by Antoninus. Just before the end he withdrew to Baiae, leaving Antoninus in charge at Rome. His father had died when his son was ten years old; of his mother we know nothing. _Prima facie_, there is no improbability that letters of Adrian should be in circulation in Egypt, which he visited at least once. His freedman Phlegon is reported to have published a collection of them after his death. On the other hand, it should be frankly admitted that some suspicious circumstances attach to the letter. Of the antiquity of the papyrus there is no doubt, for the handwriting cannot be later than the end of the second century A. D., bringing it within sixty years (at farthest) from Adrian's death. But it is written as a school exercise on the back of a taxing-list, which naturally gives rise to the suspicion that it may be merely the composition of the schoolmaster. The actual form of
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Produced by David Widger MOTLEY'S HISTORY OF THE NETHERLANDS, PG EDITION, 1566-1574, Complete THE RISE OF THE DUTCH REPUBLIC By JOHN LOTHROP MOTLEY 1855 VOLUME 2, Book 1., 1566 1566 [CHAPTER VIII.] Secret policy of the government--Berghen and Montigny in Spain-- Debates at Segovia--Correspondence of the Duchess with Philip-- Procrastination and dissimulation of the King--Secret communication to the Pope--Effect in the provinces of the King's letters to the government--Secret instructions to the Duchess--Desponding statements of Margaret--Her misrepresentations concerning Orange, Egmont, and others--Wrath and duplicity of Philip--Egmont's exertions in Flanders--Orange returns to Antwerp--His tolerant spirit--Agreement of 2d September--Horn at Tournay--Excavations in the Cathedral--Almost universal attendance at the preaching-- Building of temples commenced--Difficult position of Horn--Preaching in the Clothiers' Hall--Horn recalled--Noircarmes at Tournay-- Friendly correspondence of Margaret with Orange, Egmont, Horn, and Hoogstraaten--Her secret defamation of these persons. Egmont in Flanders, Orange at Antwerp, Horn at Tournay; Hoogstraaten at Mechlin, were exerting themselves to suppress insurrection and to avert ruin. What, meanwhile, was the policy of the government? The secret course pursued both at Brussels and at Madrid may be condensed into the usual formula--dissimulation, procrastination, and again dissimulation. It is at this point necessary to take a rapid survey of the open and the secret proceedings of the King and his representatives from the moment at which Berghen and Montigny arrived in Madrid. Those ill-fated gentlemen had been received with apparent cordiality, and admitted to frequent, but unmeaning, interviews with his Majesty. The current upon which they were embarked was deep and treacherous, but it was smooth and very slow. They assured the King that his letters, ordering the rigorous execution of the inquisition and edicts, had engendered all the evils under which the provinces were laboring. They told him that Spaniards and tools of Spaniards had attempted to govern the country, to the exclusion of native citizens and nobles, but that it would soon be found that Netherlanders were not to be trodden upon like the abject inhabitants of Milan, Naples, and Sicily. Such words as these struck with an unaccustomed sound upon the royal ear, but the envoys, who were both Catholic and loyal, had no idea, in thus expressing their opinions, according to their sense of duty, and in obedience to the King's desire, upon the causes of the discontent, that they were committing an act of high treason. When the news of the public preaching reached Spain, there were almost daily consultations at the grove of Segovia. The eminent personages who composed the royal council were the Duke of Alva, the Count de Feria, Don Antonio de Toledo, Don Juan Manrique de Lara, Ruy Gomez, Quixada, Councillor Tisnacq, recently appointed President of the State Council, and Councillor Hopper. Six Spaniards and two Netherlanders, one of whom, too, a man of dull intellect and thoroughly subservient character, to deal with the local affairs of the Netherlands in a time of intense excitement! The instructions of the envoys had been to represent the necessity of according three great points--abolition of the inquisition, moderation of the edicts, according to the draft prepared in Brussels, and an ample pardon for past transactions. There was much debate upon all these propositions. Philip said little, but he listened attentively to the long discourses in council, and he took an incredible quantity of notes. It was the general opinion that this last demand on the part of the Netherlanders was the fourth link in the chain of treason. The first had been the cabal by which Granvelle had been expelled; the second, the mission of Egmont, the main object of which had been to procure a modification of the state council, in order to bring that body under the control of a few haughty and rebellious nobles; the third had been the presentation of the insolent and seditious Request; and now, to crown the whole, came a proposition embodying the three points--abolition of the inquisition, revocation of the edicts, and a pardon to criminals, for whom death was the only sufficient punishment. With regard to these three points, it was, after much wrangling, decided to grant them under certain restrictions. To abolish the inquisition would be to remove the only instrument by which the Church had been accustomed to regulate the consciences and the doctrines of its subjects. It would be equivalent to a concession of religious freedom, at least to individuals within their own domiciles, than which no concession could be more pernicious. Nevertheless, it might be advisable to permit the temporary cessation of the papal inquisition, now that the episcopal inquisition had been so much enlarged and strengthened in the Netherlands, on the condition that this branch of the institution should be maintained in energetic condition. With regard to the Moderation, it was thought better to defer that matter till, the proposed visit of his Majesty to the provinces. If, however, the Regent should think it absolutely necessary to make a change, she must cause a new draft to be made, as that which had been sent was not found admissible. Touching the pardon general, it would be necessary to make many conditions and restrictions before it could be granted. Provided these were sufficiently minute to exclude all persons whom it might be found desirable to chastise, the amnesty was possible. Otherwise it was quite out of the question. Meantime, Margaret of Parma had been urging her brother to come to a decision, painting the distracted condition of the country in the liveliest colors, and insisting, although perfectly aware of Philip's private sentiments, upon a favorable decision as to the three points demanded by the envoys. Especially she urged her incapacity to resist any rebellion, and demanded succor of men and money in case the "Moderation" were not accepted by his Majesty. It was the last day of July before the King wrote at all, to communicate his decisions upon the crisis which had occurred in the first week of April. The disorder for which he had finally prepared a prescription had, before his letter arrived, already passed through its subsequent stages of the field-preaching and the image-breaking. Of course these fresh symptoms would require much consultation, pondering, and note-taking before they could be dealt with. In the mean time they would be considered as not yet having happened. This was the masterly procrastination of the sovereign, when his provinces were in a blaze. His masterly dissimulation was employed in the direction suggested by his councillors. Philip never originated a thought, nor laid down a plan, but he was ever true to the falsehood of his nature, and was indefatigable in following out the suggestions of others. No greater mistake can be made than to ascribe talent to this plodding and pedantic monarch. The man's intellect was contemptible, but malignity and duplicity, almost superhuman; have effectually lifted his character out of the regions of the common-place. He wrote accordingly to say that the pardon, under certain conditions, might be granted, and that the papal inquisition might cease--the bishops now being present in such numbers, "to take care of their flocks," and the episcopal inquisition being, therefore established upon so secure a basis. He added, that if a moderation of the edicts were still desired, a new project might be sent to Madrid, as the one brought by Berghen and Montigny was not satisfactory. In arranging this wonderful scheme for composing the tumults of the country, which had grown out of a determined rebellion to the inquisition in any form, he followed not only the advice, but adopted the exact language of his councillors. Certainly, here was not much encouragement for patriotic hearts in the Netherlands. A pardon, so restricted that none were likely to be forgiven save those who had done no wrong; an episcopal inquisition stimulated to renewed exertions, on the ground that the papal functionaries were to be discharged; and a promise that, although the proposed Moderation of the edicts seemed too mild for the monarch's acceptance, yet at some future period another project would be matured for settling the matter to universal satisfaction--such were the propositions of the Crown. Nevertheless, Philip thought he had gone too far, even in administering this meagre amount of mercy, and that he had been too frank in employing so slender a deception, as in the scheme thus sketched. He therefore summoned a notary, before whom, in presence of the Duke of Alva, the Licentiate Menchaca and Dr. Velasco, he declared that, although he had just authorized Margaret of Parma, by force of circumstances, to grant pardon to all those who had been compromised in the late disturbances of the Netherlands, yet as he had not done this spontaneously nor freely, he did not consider himself bound by the authorization,
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Produced by David Widger from page images generously provided by the Internet Archive OLIVER TWIST, Or, The Parish Boy's Progress By Charles Dickens CONTENTS I TREATS OF THE PLACE WHERE OLIVER TWIST WAS BORN AND OF THE CIRCUMSTANCES ATTENDING HIS BIRTH II TREATS OF OLIVER TWIST'S GROWTH, EDUCATION, AND BOARD III RELATES HOW OLIVER TWIST WAS VERY NEAR GETTING A PLACE WHICH WOULD NOT HAVE BEEN A SINECURE IV OLIVER, BEING OFFERED ANOTHER PLACE, MAKES HIS FIRST ENTRY INTO PUBLIC LIFE V OLIVER MINGLES WITH NEW ASSOCIATES. GOING TO A FUNERAL FOR THE FIRST TIME, HE FORMS AN UNFAVOURABLE NOTION OF HIS MASTER'S BUSINESS VI OLIVER, BEING GOADED BY THE TAUNTS OF NOAH, ROUSES INTO ACTION, AND RATHER ASTONISHES HIM VII OLIVER CONTINUES REFRACTORY VIII OLIVER WALKS TO LONDON. HE ENCOUNTERS ON THE ROAD A STRANGE SORT OF YOUNG GENTLEMAN IX CONTAINING FURTHER PARTICULARS CONCERNING THE PLEASANT OLD GENTLEMAN, AND HIS HOPEFUL PUPILS X OLIVER BECOMES BETTER ACQUAINTED WITH THE CHARACTERS OF HIS NEW ASSOCIATES; AND PURCHASES EXPERIENCE AT A HIGH PRICE. BEING A SHORT, BUT VERY IMPORTANT CHAPTER, IN THIS HISTORY XI TREATS OF MR. FANG THE POLICE MAGISTRATE; AND FURNISHES A SLIGHT SPECIMEN OF HIS MODE OF ADMINISTERING JUSTICE XII IN WHICH OLIVER IS TAKEN BETTER CARE OF THAN HE EVER WAS BEFORE. AND IN WHICH THE NARRATIVE REVERTS TO THE MERRY OLD GENTLEMAN AND HIS YOUTHFUL FRIENDS. XIII SOME NEW ACQUAINTANCES ARE INTRODUCED TO THE INTELLIGENT READER, CONNECTED WITH WHOM VARIOUS PLEASANT MATTERS ARE RELATED, APPERTAINING TO THIS HISTORY XIV COMPRISING FURTHER PARTICULARS OF OLIVER'S STAY AT MR. BROWNLOW'S, WITH THE REMARKABLE PREDICTION WHICH ONE MR. GRIMWIG UTTERED CONCERNING HIM, WHEN HE WENT OUT ON AN ERRAND XV SHOWING HOW VERY FOND OF OLIVER TWIST, THE MERRY OLD JEW AND MISS NANCY WERE XVI RELATES WHAT BECAME OF OLIVER TWIST, AFTER HE HAD BEEN CLAIMED BY NANCY XVII OLIVER'S DESTINY CONTINUING UNPROPITIOUS, BRINGS A GREAT MAN TO LONDON TO INJURE HIS REPUTATION XVIII HOW OLIVER PASSED HIS TIME IN THE IMPROVING SOCIETY OF HIS REPUTABLE FRIENDS XIX IN WHICH A NOTABLE PLAN IS DISCUSSED AND DETERMINED ON XX WHEREIN OLIVER IS DELIVERED OVER TO MR. WILLIAM SIKES XXI THE EXPEDITION XXII THE BURGLARY XXIII WHICH CONTAINS THE SUBSTANCE OF A PLEASANT CONVERSATION BETWEEN MR. BUMBLE AND A LADY; AND SHOWS THAT EVEN A BEADLE MAY BE SUSCEPTIBLE ON SOME POINTS XXIV TREATS ON A VERY POOR SUBJECT. BUT IS A SHORT ONE, AND MAY BE FOUND OF IMPORTANCE IN THIS HISTORY XXV WHEREIN THIS HISTORY REVERTS TO MR. FAGIN AND COMPANY XXVI IN WHICH A MYSTERIOUS CHARACTER APPEARS UPON THE SCENE; AND MANY THINGS, INSEPARABLE FROM THIS HISTORY, ARE DONE AND PERFORMED XXVII ATONES FOR THE UNPOLITENESS OF A FORMER CHAPTER; WHICH DESERTED A LADY, MOST UNCEREMONIOUSLY XXVIII LOOKS AFTER OLIVER, AND PROCEEDS WITH HIS ADVENTURES XXIX HAS AN INTRODUCTORY ACCOUNT OF THE INMATES OF THE HOUSE, TO WHICH OLIVER RESORTED XXX RELATES WHAT OLIVER'S NEW VISITORS THOUGHT OF HIM XXXI INVOLVES A CRITICAL POSITION XXXII OF THE HAPPY LIFE OLIVER BEGAN TO LEAD WITH HIS KIND FRIENDS XXXIII WHEREIN THE HAPPINESS OF OLIVER AND HIS FRIENDS, EXPERIENCES A SUDDEN CHECK XXXIV CONTAINS SOME INTRODUCTORY PARTICULARS RELATIVE TO A YOUNG GENTLEMAN WHO NOW ARRIVES UPON THE SCENE; AND A NEW ADVENTURE WHICH HAPPENED TO OLIVER XXXV CONTAINING THE UNSATISFACTORY RESULT OF OLIVER'S ADVENTURE; AND A CONVERSATION OF SOME IMPORTANCE BETWEEN HARRY MAYLIE AND ROSE XXXVI IS A VERY SHORT ONE, AND MAY APPEAR OF NO GREAT IMPORTANCE IN ITS PLACE, BUT IT SHOULD BE READ NOTWITHSTANDING, AS A SEQUEL TO THE LAST, AND A KEY TO ONE THAT WILL FOLLOW WHEN ITS TIME ARRIVES XXXVII IN WHICH THE READER MAY PERCEIVE A CONTRAST, NOT UNCOMMON IN MATRIMONIAL CASES XXXVIII CONTAINING AN ACCOUNT OF WHAT PASSED BETWEEN MR. AND MRS. BUMBLE, AND MR. MONKS, AT THEIR NOCTURNAL INTERVIEW XXXIX INTRODUCES SOME RESPECTABLE CHARACTERS WITH WHOM THE READER IS ALREADY ACQUAINTED, AND SHOWS HOW MONKS AND THE JEW LAID THEIR WORTHY HEADS TOGETHER XL A STRANGE INTERVIEW, WHICH IS A SEQUEL TO THE LAST CHAMBER XLI CONTAINING FRESH DISCOVERIES, AND SHOWING THAT SUPRISES, LIKE MISFORTUNES, SELDOM COME ALONE XLII AN OLD ACQUAINTANCE OF OLIVER'S, EXHIBITING DECIDED MARKS OF GENIUS, BECOMES A PUBLIC CHARACTER IN THE METROPOLIS XLIII WHEREIN IS SHOWN HOW THE ARTFUL DODGER GOT INTO TROUBLE XLIV THE TIME ARRIVES FOR NANCY TO REDEEM HER PLEDGE TO ROSE MAYLIE. SHE FAILS. XLV NOAH CLAYPOLE IS EMPLOYED BY FAGIN ON A SECRET MISSION XLVI THE APPOINTMENT KEPT XLVII FATAL CONSEQUENCES XLVIII THE FLIGHT OF SIKES XLIX MONKS AND MR. BROWNLOW AT LENGTH MEET. THEIR CONVERSATION, AND THE INTELLIGENCE THAT INTERRUPTS IT L THE PURSUIT AND ESCAPE LI AFFORDING AN EXPLANATION OF MORE MYSTERIES THAN ONE, AND COMPREHENDING A PROPOSAL OF MARRIAGE WITH NO WORD OF SETTLEMENT OR PIN-MONEY LII FAGIN'S LAST NIGHT ALIVE LIII AND LAST CHAPTER I -- TREATS OF THE PLACE WHERE OLIVER TWIST WAS BORN AND OF THE CIRCUMSTANCES ATTENDING HIS BIRTH Among other public buildings in a certain town, which for many reasons it will be prudent to refrain from mentioning, and to which I will assign no fictitious name, there is one anciently common to most towns, great or small: to wit, a workhouse; and in this workhouse was born; on a day and date which I need not trouble myself to repeat, inasmuch as it can be of no possible consequence to the reader, in this stage of the business at all events; the item of mortality whose name is prefixed to the head of this chapter. For a long time after it was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child would survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared; or, if they had, that being comprised within a couple of pages, they would have possessed the inestimable merit of being the most concise and faithful specimen of biography, extant in the literature of any age or country. Although I am not disposed to maintain that the being born in a workhouse, is in itself the most fortunate and enviable circumstance that can possibly befall a human being, I do mean to say that in this particular instance, it was the best thing for Oliver Twist that could by possibility have occurred. The fact is, that there was considerable difficulty in inducing Oliver to take upon himself the office of respiration,--a troublesome practice, but one which custom has rendered necessary to our easy existence; and for some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next: the balance being decidedly in favour of the latter. Now, if, during this brief period, Oliver had been surrounded by careful grandmothers, anxious aunts, experienced nurses, and doctors of profound wisdom, he would most inevitably and indubitably have been killed in no time. There being nobody by, however, but a pauper old woman, who was rendered rather misty by an unwonted allowance of beer; and a parish surgeon who did such matters by contract; Oliver and Nature fought out the point between them. The result was, that, after a few struggles, Oliver breathed, sneezed, and proceeded to advertise to the inmates of the workhouse the fact of a new burden having been imposed upon the parish, by setting up as loud a cry as could reasonably have been expected from a male infant who had not been possessed of that very useful appendage, a voice, for a much longer space of time than three minutes and a quarter. As Oliver gave this first proof of the free and proper action of his lungs, the patchwork coverlet which was carelessly flung over the iron bedstead, rustled; the pale face of a young woman was raised feebly from the pillow; and a faint voice imperfectly articulated the words, 'Let me see the child, and die.' The surgeon had been sitting with his face turned towards the fire: giving the palms of his hands a warm and a rub alternately. As the young woman spoke, he rose, and advancing to the bed's head, said, with more kindness than might have been expected of him: 'Oh, you must not talk about dying yet.' 'Lor bless her dear heart, no!' interposed the nurse, hastily depositing in her pocket a green glass bottle, the contents of which she had been tasting in a corner with evident satisfaction. 'Lor bless her dear heart, when she has lived as long as I have, sir, and had thirteen children of her own, and all on 'em dead except two, and them in the wurkus with me, she'll know better than to take on in that way, bless her dear heart! Think what it is to be a mother, there's a dear young lamb do.' Apparently this consolatory perspective of a mother's prospects failed in producing its due effect. The patient shook her head, and stretched out her hand towards the child. The surgeon deposited it in her arms. She imprinted her cold white lips passionately on its forehead; passed her hands over her face; gazed wildly round; shuddered; fell back--and died. They chafed her breast, hands, and temples; but the blood had stopped forever. They talked of hope and comfort. They had been strangers too long. 'It's all over, Mrs. Thingummy!' said the surgeon at last. 'Ah, poor dear, so it is!' said the nurse, picking up the cork of the green bottle, which had fallen out on the pillow, as she stooped to take up the child. 'Poor dear!' 'You needn't mind sending up to me, if the child cries, nurse,' said the surgeon, putting on his gloves with great deliberation. 'It's very likely it _will_ be troublesome. Give it a little gruel if it is.' He put on his hat, and, pausing by the bed-side on his way to the door, added, 'She was a good-looking girl, too; where did she come from?' 'She was brought here last night,' replied the old woman, 'by the overseer's order. She was found lying in the street. She had walked some distance, for her shoes were worn to pieces; but where she came from, or where she was going to, nobody knows.' The surgeon leaned over the body, and raised the left hand. 'The old story,' he said, shaking his head: 'no wedding-ring, I see. Ah! Good-night!' The medical gentleman walked away to dinner; and the nurse, having once more applied herself to the green bottle, sat down on a low chair before the fire, and proceeded to dress the infant. What an excellent example of the power of dress, young Oliver Twist was! Wrapped in the blanket which had hitherto formed his only covering, he might have been the child of a nobleman or a beggar; it would have been hard for the haughtiest stranger to have assigned him his proper station in society. But now that he was enveloped in the old calico robes which had grown yellow in the same service, he was badged and ticketed, and fell into his place at once--a parish child--the orphan of a workhouse--the humble, half-starved drudge--to be cuffed and buffeted through the world--despised by all, and pitied by none. Oliver cried lustily. If he could have known that he was an orphan, left to the tender mercies of church-wardens and overseers, perhaps he would have cried the louder. CHAPTER II -- TREATS OF OLIVER TWIST'S GROWTH, EDUCATION, AND BOARD For the next eight or ten months, Oliver was the victim of a systematic course of treachery and deception. He was brought up by hand. The hungry and destitute situation of the infant orphan was duly reported by the workhouse authorities to the parish authorities. The parish authorities inquired with dignity of the workhouse authorities, whether there was no female then domiciled in 'the house' who was in a situation to impart to Oliver Twist, the consolation and nourishment of which he stood in need. The workhouse authorities replied with humility, that there was not. Upon this, the parish authorities magnanimously and humanely resolved, that Oliver should be 'farmed,' or, in other words, that he should be dispatched to a branch-workhouse some three miles off, where twenty or thirty other juvenile offenders against the poor-laws, rolled about the floor all day, without the inconvenience of too much food or too much clothing, under the parental superintendence of an elderly female, who received the culprits at and for the consideration of sevenpence-halfpenny per small head per week. Sevenpence-halfpenny's worth per week is a good round diet for a child; a great deal may be got for sevenpence-halfpenny, quite enough to overload its stomach, and make it uncomfortable. The elderly female was a woman of wisdom and experience; she knew what was good for children; and she had a very accurate perception of what was good for herself. So, she appropriated the greater part of the weekly stipend to her own use, and consigned the rising parochial generation to even a shorter allowance than was originally provided for them. Thereby finding in the lowest depth a deeper still; and proving herself a very great experimental philosopher. Everybody knows the story of another experimental philosopher who had a great theory about a horse being able to live without eating, and who demonstrated it so well, that he had got his own horse down to a straw a day, and would unquestionably have rendered him a very spirited and rampacious animal on nothing at all, if he had not died, four-and-twenty hours before he was to have had his first comfortable bait of air. Unfortunately for, the experimental philosophy of the female to whose protecting care Oliver Twist was delivered over, a similar result usually attended the operation of _her_ system; for at the very moment when the child had contrived to exist upon the smallest possible portion of the weakest possible food, it did perversely happen in eight and a half cases out of ten, either that it sickened from want and cold, or fell into the fire from neglect, or got half-smothered by accident; in any one of which cases, the miserable little being was usually summoned into another world, and there gathered to the fathers it had never known in this. Occasionally, when there was some more than usually interesting inquest upon a parish child who had been overlooked in turning up a bedstead, or inadvertently scalded to death when there happened to be a washing--though the latter accident was very scarce, anything approaching to a washing being of rare occurrence in the farm--the jury would take it into their heads to ask troublesome questions, or the parishioners would rebelliously affix their signatures to a remonstrance. But these impertinences were speedily checked by the evidence of the surgeon, and the testimony of the beadle; the former of whom had always opened the body and found nothing inside (which was very probable indeed), and the latter of whom invariably swore whatever the parish wanted; which was very self-devotional. Besides, the board made periodical pilgrimages to the farm, and always sent the beadle the day before, to say they were going. The children were neat and clean to behold, when _they_ went; and what more would the people have! It cannot be expected that this system of farming would produce any very extraordinary or luxuriant crop. Oliver Twist's ninth birthday found him a pale thin child, somewhat diminutive in stature, and decidedly small in circumference. But nature or inheritance had implanted a good sturdy spirit in Oliver's breast. It had had plenty of room to expand, thanks to the spare diet of the establishment; and perhaps to this circumstance may be attributed his having any ninth birth-day at all. Be this as it may, however, it was his ninth birthday; and he was keeping it in the coal-cellar with a select party of two other young gentleman, who, after participating with him in a sound thrashing, had been locked up for atrociously presuming to be hungry, when Mrs. Mann, the good lady of the house, was unexpectedly startled by the apparition of Mr. Bumble, the beadle, striving to undo the wicket of the garden-gate. 'Goodness gracious! Is that you, Mr. Bumble, sir?' said Mrs. Mann, thrusting her head out of the window in well-affected ecstasies of joy. '(Susan, take Oliver and them two brats upstairs, and wash 'em directly.)--My heart alive! Mr. Bumble, how glad I am to see you, sure-ly!' Now, Mr. Bumble was a fat man, and a choleric; so, instead of responding to this open-hearted salutation in a kindred spirit, he gave the little wicket a tremendous shake, and then bestowed upon it a kick which could have emanated from no leg but a beadle's. 'Lor, only think,' said Mrs. Mann, running out,--for the three boys had been removed by this time,--'only think of that! That I should have forgotten that the gate was bolted on the inside, on account of them dear children! Walk in sir; walk in, pray, Mr. Bumble, do, sir.' Although this invitation was accompanied with a curtsey that might have softened the heart of a church-warden, it by no means mollified the beadle. 'Do you think this respectful or proper conduct, Mrs. Mann,' inquired Mr. Bumble, grasping his cane, 'to keep the parish officers a waiting at your garden-gate, when they come here upon porochial business with the porochial orphans? Are you aweer, Mrs. Mann, that you are, as I may say, a porochial delegate, and a stipendiary?' 'I'm sure Mr. Bumble, that I was only a telling one or two of the dear children as is so fond of you, that it was you a coming,' replied Mrs. Mann with great humility. Mr. Bumble had a great idea of his oratorical powers and his importance. He had displayed the one, and vindicated the other. He relaxed. 'Well, well, Mrs. Mann,' he replied in a calmer tone; 'it may be as you say; it may be. Lead the way in, Mrs. Mann, for I come on business, and have something to say.' Mrs. Mann ushered the beadle into a small parlour with a brick floor; placed a seat for him; and officiously deposited his cocked hat and cane on the table before him. Mr. Bumble wiped from his forehead the perspiration which his walk had engendered, glanced complacently at the cocked hat, and smiled. Yes, he smiled. Beadles are but men: and Mr. Bumble smiled. 'Now don't you be offended at what I'm a going to say,' observed Mrs. Mann, with captivating sweetness. 'You've had a long walk, you know, or I wouldn't mention it. Now, will you take a little drop of somethink, Mr. Bumble?' 'Not a drop. Nor a drop,' said Mr. Bumble, waving his right hand in a dignified, but placid manner. 'I think you will,' said Mrs. Mann, who had noticed the tone of the refusal, and the gesture that had accompanied it. 'Just a leetle drop, with a little cold water, and a lump of sugar.' Mr. Bumble coughed. 'Now, just a leetle drop,' said Mrs. Mann persuasively. 'What is it?' inquired the beadle. 'Why, it's what I'm obliged to keep a little of in the house, to put into the blessed infants' Daffy, when they ain't well, Mr. Bumble,' replied Mrs. Mann as she opened a corner cupboard, and took down a bottle and glass. 'It's gin. I'll not deceive you, Mr. B. It's gin.' 'Do you give the children Daffy, Mrs. Mann?' inquired Bumble, following with his eyes the interesting process of mixing. 'Ah, bless 'em, that I do, dear as it is,' replied the nurse. 'I couldn't see 'em suffer before my very eyes, you know sir.' 'No'; said Mr. Bumble approvingly; 'no, you could not. You are a humane woman, Mrs. Mann.' (Here she set down the glass.) 'I shall take a early opportunity of mentioning it to the board, Mrs. Mann.' (He drew it towards him.) 'You feel as a mother, Mrs. Mann.' (He stirred the gin-and-water.) 'I--I drink your health with cheerfulness, Mrs. Mann'; and he swallowed half of it. 'And now about business,' said the beadle, taking out a leathern pocket-book. 'The child that was half-baptized Oliver Twist, is nine year old to-day.' 'Bless him!' interposed Mrs. Mann, inflaming her left eye with the corner of her apron. 'And notwithstanding a offered reward of ten pound, which was afterwards increased to twenty pound. Notwithstanding the most superlative, and, I may say, supernat'ral exertions on the part of this parish,' said Bumble, 'we have never been able to discover who is his father, or what was his mother's settlement, name, or condition.' Mrs. Mann raised her hands in astonishment; but added, after a moment's reflection, 'How comes he to have any name at all, then?' The beadle drew himself up with great pride, and said, 'I inwented it.' 'You, Mr. Bumble!' 'I, Mrs. Mann. We name our fondlings in alphabetical order. The last was a S,--Swubble, I named him. This was a T,--Twist, I named _him_. The next one comes will be Unwin, and the next Vilkins. I have got names ready made to the end of the alphabet, and all the way through it again, when we come to Z.' 'Why, you're quite a literary character, sir!' said Mrs. Mann. 'Well, well,' said the beadle, evidently gratified with the compliment; 'perhaps I may be. Perhaps I may be, Mrs. Mann.' He finished the gin-and-water, and added, 'Oliver being now too old to remain here, the board have determined to have him back into the house. I have come out myself to take him there. So let me see him at once.' 'I'll fetch him directly,' said Mrs. Mann, leaving the room for that purpose. Oliver, having had by this time as much of the outer coat of dirt which encrusted his face and hands, removed, as could be scrubbed off in one washing, was led into the room by his benevolent protectress. 'Make a bow to the gentleman, Oliver,' said Mrs. Mann. Oliver made a bow, which was divided between the beadle on the chair, and the cocked hat on the table. 'Will you go along with me, Oliver?' said Mr. Bumble, in a majestic voice. Oliver was about to say that he would go along with anybody with great readiness, when, glancing upward, he caught sight of Mrs. Mann, who had got behind the beadle's chair, and was shaking her fist at him with a furious countenance. He took the hint at once, for the fist had been too often impressed upon his body not to be deeply impressed upon his recollection. 'Will she go with me?' inquired poor Oliver. 'No, she can't,' replied Mr. Bumble. 'But she'll come and see you sometimes.' This was no very great consolation to the child. Young as he was, however, he had sense enough to make a feint of feeling great regret at going away. It was no very difficult matter for the boy to call tears into his eyes. Hunger and recent ill-usage are great assistants if you want to cry; and Oliver cried very naturally indeed. Mrs. Mann gave him a thousand embraces, and what Oliver wanted a great deal more, a piece of bread and butter, less he should seem too hungry when he got to the workhouse. With the slice of bread in his hand, and the little brown-cloth parish cap on his head, Oliver was then led away by Mr. Bumble from the wretched home where one kind word or look had never lighted the gloom of his infant years. And yet
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Produced by sp1nd, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) CORLEONE THE NOVELS OF F. MARION CRAWFORD. _New Uniform Edition. Crown 8vo. 3s. 6d. each._ MR. ISAACS: A Tale of Modern India. DOCTOR CLAUDIUS: A True Story. ROMAN SINGER. ZOROASTER. TALE OF A LONELY PARISH. KHALED: A Tale of Arabia. WITCH OF PRAGUE. THREE FATES. MARION DARCHE: A Story without Comment. CHILDREN OF THE KING. KATHERINE LAUDERDALE. MARZIO'S CRUCIFIX. PAUL PATOFF. WITH THE IMMORTALS. GREIFENSTEIN. SANT' ILARIO. CIGARETTE-MAKER'S ROMANCE. PIETRO GHISLERI. DON ORSINO. RALSTONS. CASA BRACCIO. ADAM JOHNSTONE'S SON. ROSE OF YESTERDAY. TAQUISARA. A Novel. CORLEONE. VIA CRUCIS. A Romance of the Second Crusade. Crown 8vo. 6s. IN THE PALACE OF THE KING. Crown 8vo. 6s. MARIETTA: A Maid of Venice. Crown 8vo. 6s. WHOSOEVER SHALL OFFEND. Crown 8vo. 6s. THE HEART OF ROME: A Tale of the "Lost Water." Crown 8vo. 6s. CECILIA: A Story of Modern Rome. Crown 8vo. 6s. LOVE IN IDLENESS. A Bar Harbour Tale. Fcap. 8vo. 2s. MACMILLAN AND CO., LTD., LONDON. CORLEONE A Tale of Sicily BY F. MARION CRAWFORD London MACMILLAN AND CO., LIMITED NEW YORK: THE MACMILLAN COMPANY 1905 _All rights reserved_ COPYRIGHT 1896 BY F. MARION CRAWFORD _First Edition (2 Vols. Globe 8vo) 1897_ _Second Edition (Crown 8vo) 1898_ _Reprinted 1902, 1905_ CHAPTER I 'If you never mean to marry, you might as well turn priest, too,' said Ippolito Saracinesca to his elder brother, Orsino, with a laugh. 'Why?' asked Orsino, without a smile. 'It would be as sensible to say that a man who had never seen some particular thing, about which he has heard much, might as well put out his eyes.' The young priest laughed again, took up the cigar he had laid upon the edge of the piano, puffed at it till it burned freely, and then struck two or three chords of a modulation. A sheet of ruled paper on which several staves of music were roughly jotted down in pencil stood on the rack of the instrument. Orsino stretched out his long legs, leaned back in his low chair, and stared at the old gilded rosettes in the square divisions of the carved ceiling. He was a discontented man, and knew it, which made his discontent a matter for self-reproach, especially as it was quite clear to him that the cause of it lay in himself. He had made two great mistakes at the beginning of life, when barely of age, and though neither of them had ultimately produced any serious material consequences, they had affected his naturally melancholic temper and had brought out his inherited hardness of disposition. At the time of the great building speculations in Rome, several years earlier, he had foolishly involved himself with his father's old enemy, Ugo del Ferice, and had found himself at last altogether in the latter's power, though not in reality his debtor. At the same time, he had fallen very much in love with a young widow, who, loving him very sincerely in her turn, but believing, for many reasons, that if she married him she would be doing him an irreparable injury, had sacrificed herself by marrying Del Ferice instead, selling herself to the banker for Orsino's release, without the latter's knowledge. When it was all over, Orsino had found himself a disappointed man at an age when most young fellows are little more than inexperienced boys, and the serious disposition which he inherited from his mother made it impossible for him to throw off the impression received, and claim the youth, so to speak, which was still his. Since that time, he had been attracted by women, but never charmed; and those that attracted him were for the most part not marriageable, any more than the few things which sometimes interested and amused him were in any sense profitable. He spent a good deal of money in a careless way, for his father was generous; but his rather bitter experience when he had attempted to occupy himself with business had made him cool and clear-headed, so that he never did anything at all ruinous. The hot temper which he had inherited from his father and grandfather now rarely, if ever, showed itself, and it seemed as though nothing could break through the quiet indifference which had become a second outward nature to him. He had travelled much, of late years, and when he made an effort his conversation was not uninteresting, though the habit of looking at both sides of every question made it cold and unenthusiastic. Perhaps it was a hopeful sign that he generally had a definite opinion as to which of two views he preferred, though he would not take any trouble to convince others that he was right. In his own family, he liked the company of Ippolito best. The latter was about two years younger than he, and very different from him in almost every way. Orsino was tall, strongly built, extremely dark; Ippolito was of medium height, delicately made, and almost fair by comparison. Orsino had lean brown hands, well knit at the base, and broad at the knuckles; Ippolito's were slender and white, and rather nervous, with blue veins at the joints, the tips of the fingers pointed, the thumb unusually delicate and long, the nails naturally polished. The elder brother's face, with its large and energetic lines, its gravely indifferent expression and dusky olive hue, contrasted at every point with the features of the young priest, soft in outline, modelled in wax rather than chiselled in bronze, pale and a little transparent, instead of swarthy,--feminine, perhaps, in the best sense of the word, as it can be applied to a man. Ippolito had the clear, soft brown eyes which very gifted people so often have, especially musicians and painters of more talent than power. But about the fine, even, and rather pale lips there was the unmistakable stamp of the ascetic temperament, together with an equally sure indication of a witty humour which could be keen, but would rather be gentle. Ippolito was said to resemble his mother's mother, and was notably different in appearance and manner from the rest of the numerous family to which he belonged. He was a priest by vocation rather than by choice. Had he chosen deliberately a profession congenial to his gifts, he would certainly have devoted himself altogether to music, though he would probably never have become famous as a composer; for he lacked the rough creative power which hews out great conceptions, though he possessed in a high degree the taste and skill which can lightly and lovingly and wisely impart fine detail to the broad beauty of a well-planned whole. But by vocation he was a priest, and the strength of the conviction of his conscience left the gifts of his artistic intelligence no power to choose. He was a churchman with all his soul, and a musician with all his heart. Between the two brothers there was that sort of close friendship which sometimes exists between persons who are too wholly different to understand each other, but whose non-understanding is a constant stimulant of interest on both sides. In the midst of the large and peaceable patriarchal establishment in which they lived, and in which each member made for himself or herself an existence which had in it a certain subdued individuality, Orsino and Ippolito were particularly associated, and the priest, when he was at home, was generally to be found in his elder brother's sitting-room, and kept a good many of his possessions there. It was a big room, with an old carved and gilded ceiling, three tall windows opening to the floor, two doors, a marble fireplace, a thick old carpet, and a great deal of furniture of many old and new designs, arranged with no regard to anything except usefulness, since Orsino was not afflicted with artistic tastes, nor with any undue appreciation of useless objects. Ippolito's short grand piano occupied a prominent position near the middle window, and not far from it was Orsino's deep chair, beside which stood a low table covered with books and reviews. For, like most discontented and disappointed people who have no real object in life, Orsino Saracinesca read a good deal, and hankered after interest in fiction because he found none in reality. Ippolito, on the contrary, read little, and thought much. After Orsino had answered his remark about marriage, the priest busied himself for some time with his music, while his brother stared at the ceiling in silence, listening to the modulations and the fragments of tentative melody and experimental harmony, without in the least understanding what the younger man was trying to express. He was fond of any musical sound, in an undefined way, as most Italians are, and he knew by experience that if he let Ippolito alone something pleasant to hear would before long be evolved. But Ippolito stopped suddenly and turned half round on the piano stool, with a quick movement habitual to him. He leaned forward towards Orsino, tapping the ends of his fingers lightly against one another, as his wrists rested on his knees. 'It is absurd to suppose that in all Rome, or in all Europe, for that matter, there is nobody whom you would be willing to marry.' 'Quite absurd, I suppose,' answered Orsino, not looking at his brother. 'Then you have not really looked about you for a wife. That is clear.' 'Perfectly clear. I do not argue the point. Why should I? There is plenty of time, and besides, there is no reason in the world why I should ever marry at all, any more than you. There are our two younger brothers. Let them take wives and continue the name.' 'Most people think that marriage may be regarded as a means of happiness,' observed Ippolito. 'Most people are imbeciles,' answered Orsino gloomily. Ippolito laughed, watching his brother's face, but he said nothing in reply. 'As a general rule,' Orsino continued presently, 'talking is a question of height and not of intelligence. The shorter men and women are, the more they talk; the taller they are, the more silent they are, in nine cases out of ten. Of course there are exceptions, but you can generally tell at a glance whether any particular person is a great talker. Brains are certainly not measurable by inches. Therefore conversation has nothing to do with brains. Therefore most people are fools.' 'Do you call that an argument?' asked the priest, still smiling. 'No. It is an observation.' 'And what do you deduce from it?' 'From it, and from a great many other things, I deduce and conclude that what we call society is a degrading farce. It encourages talking, when no one has anything to say. It encourages marriage, without love. It sets up fashion against taste, taste against sense, and sense against heart. It is a machinery for promoting emotion among the unfeeling. It is a--' Orsino stopped, hesitating. 'Is it anything else?' asked Ippolito mildly. 'It is a hell on earth.' 'That is exactly what most of the prophets and saints have said since David,' remarked the priest, moving again in order to find his half-smoked cigar, and then carefully relighting it. 'Since that is your opinion, why not take orders? You might become a prophet or a saint, you know. The first step towards sanctity is to despise the pomps and vanities of this wicked world. You seem to have taken the first step at a jump, with both feet. And it is the first step that costs the most, they say. Courage! You may go far.' 'I am thinking of going further before long,' said Orsino gravely, as though his brother had spoken in earnest. 'At all events, I mean to get away from all this,' he added, as though correcting himself. 'Do you mean to travel again?' inquired Ippolito. 'I mean to find something to do. Provided it is respectable, I do not care what it is. If I had talent, like you, I would be a musician, but I would not be an amateur, or I would be an artist, or a literary man. But I have no talent for anything except building tenement houses, and I shall not try that again. I would even be an actor, if I had the gift. Perhaps I should make a good farmer, but our father will not trust me now, for he is afraid that I should make ruinous experiments if he gave me the management of an estate. This is certainly not the time for experiments. Half the people we know are ruined, and the country is almost bankrupt. I do not wish to try experiments. I would work, and they tell me to marry. You cannot understand. You are only an amateur yourself, after all, Ippolito.' 'An amateur musician--yes.' 'No. You are an amateur priest. You support your sensitive soul on a sort of religious ambrosia, with a good deal of musical nectar.
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E-text prepared by Barbara Tozier, Bill Tozier, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) GRADED MEMORY SELECTIONS Arranged by S. D. WATERMAN, Superintendent of Schools, Berkeley, Cal. J. W. McCLYMONDS, Superintendent of Schools, Oakland, Cal. C. C. HUGHES, Superintendent of Schools, Alameda, Cal. Educational Publishing Company Boston New York Chicago San Francisco Copyrighted by Educational Publishing Company 1903. PREFACE. It is unfortunately true that the terms education and culture are not synonymous. Too often we find that the children in our public schools, while possessed of the one, are signally lacking in the other. This is a state of things that cannot be remedied by teaching mere facts. The Greeks, many years ago, found the true method of imparting the latter grace and we shall probably not be able to discover a better one to-day. Their youths learned Homer and the other great poets as a part of their daily tasks, and by thus constantly dwelling upon and storing in their minds the noblest and most beautifully expressed thought in their literature, their own mental life became at once refined and strong. The basis of all culture lies in a pure and elevated moral nature, and so noted an authority as President Eliot, of Harvard University, has said that the short memory gems which he learned as a boy in school, have done him more good in the hour of temptation than all the sermons he ever heard preached. A fine thought or beautiful image, once stored in the mind, even if at first it is received indifferently and with little understanding, is bound to recur again and again, and its companionship will have a sure, if unconscious, influence. The mind that has been filled in youth with many such thoughts and images will surely bear fruit in fine and gracious actions. To the teachers who are persuaded of this truth, the present collection of poems has much to recommend it. The selections have been chosen both for their moral influence and for their permanent value as literature. They have been carefully graded to suit the needs of every class from the primary to the high school. Either the whole poem or a sufficiently long quotation has been inserted to give the child a complete mental picture. The teacher will thus escape the difficulty of choosing among a too great abundance of riches, or the still greater one of finding for herself, with few resources, what serves her purpose. This volume has a further advantage over other books of selections. It is so moderate in price that it will be possible to place it in the hands of the children themselves. The compilers desire to thank Messrs. Houghton, Mifflin & Co., Charles Scribner's Sons, Bowen, Merrill & Co., Whittaker & Ray Co., and Doubleday & McClure Co., for their kindness in permitting the use of copyrighted material. S. D. WATERMAN. CONTENTS. FIRST GRADE. The Baby _George Macdonald_ The Little Plant _Anon._ Sleep, Baby, Sleep _E. Prentiss_ One, Two, Three _Margaret Johnson_ Three Little Bugs in a Basket _Alice Cary_ Whenever a Little Child is Born _Agnes L. Carter_ Sweet and Low _Alfred Tennyson_ The Ferry for Shadowtown _Anon._ My Shadow _R. L. Stevenson_ Quite Like a Stocking _Anon._ The Owl and the Pussy-Cat _Edward Lear_ Forget-me-not _Anon._ Who Stole the Bird's Nest? _Anon._ Two Little Hands _Anon._ The Dandelion _Anon._ A Million Little Diamonds _M. Butts_ Daisy Nurses _Anon._ At Little Virgil's Window _Edwin Markham_ Dandelions _Anon._ Memory Gems _Selected_ SECOND GRADE. Seven Times One _Jean Ingelow_ Christmas Eve _Anon._ Morning Song _Alfred Tennyson_ Suppose, My Little Lady _Phoebe Cary_ The Day's Eye _Anon._ The Night Wind _Eugene Field_ The Blue-bird's Song _Anon._ Suppose _Anon._ Autumn Leaves _Anon._ If I Were a Sunbeam _Lucy Larcom_ Meadow Talk
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Produced by Jonathan Ingram, David King, and the Online Distributed Proofreading Team THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. VOL. 19. No. 547.] SATURDAY, MAY 19, 1832 [PRICE 2d. * * * * * WILTON CASTLE. [Illustration: Wilton Castle.] Here is one of the ivy-mantled relics that lend even a charm to romantic nature on the banks of the Wye. Its shattered tower and crumbling wall, combine with her wild luxuriance, to form a scene of great picturesque beauty, though, as Gilpin observes, "the scene wants accompaniments to give it grandeur." These ruins stand opposite to Ross, on the western bank of the Wye. The Castle was for several centuries the baronial residence of the Greys of the south, who derived from it their first title, and who became owners in the time of Edward the First. It may therefore be presumed to have been one of the strongholds, in the great struggles for feudal superiority with Wales, which were commenced by Edward, whose "active and splendid reign may be considered as an attempt to subject the whole island of Great Britain to his sway."[1] Or, in earlier times, being situated on the ancient barrier between England and Wales, it may have been a station of some importance, from its contiguity to Hereford, which city was destroyed by the Welsh, but rebuilt and fortified by Harold, who also strengthened the castle. The whole district is of antiquarian interest, since, at the period of the Roman invasion, Herefordshire was inhabited by the Silures, who also occupied the adjacent counties of Radnor, Monmouth, and Glamorgan, together with that part of Gloucestershire which lies westward of the Severn. The Silures, in conjunction with the Ordovices, or inhabitants of North Wales, retarded, for a considerable period, the progress of the Roman victors, whose grand object seems to have been the conquest of these nations, who had chosen the gallant Caractacus as their chieftain, and resolutely exhausted every effort in defence of the independence of their country. [1] Mackintosh's Hist. England, vol. i, p. 247. The present demolished state of the Castle is referred to the Royalist Governors of Hereford, by whose orders it was burnt to the bare walls during the reign of Charles I. in the absence of its then possessor, Sir J. Brydges. The scenery of the WYE, at this point is thus described by tourists: "From Hereford to Ross, its features occasionally assume greater boldness; though more frequently their aspect is placid; but at the latter town wholly emerging from its state of repose," it resumes the brightness and rapidity of its primitive character, as it forms the admired curve which the churchyard of Ross commands. The celebrated spire of Ross church, peeping over a noble row of elms, here fronts the ruined Castle of Wilton, beneath the arches of whose bridge, the Wye flows through a charming succession of meadows, encircling at last the lofty and well-wooded hill, crowned with the majestic fragments of Gooderich Castle, and opposed by the waving eminences of the forest of Dean. The mighty pile, or peninsula, of Symonds' Rock succeeds, round which the river flows in a circuit of seven miles, though the opposite points of the isthmus are only one mile asunder. Shortly afterwards, the Wye quits the county, and enters Monmouthshire at the New Wear. The Rev. Mr. Gilpin, in his charming little volume on Picturesque Beauty,[2] has a few appropriate observations: after passing Wilton-- [2] Observations on the River Wye, &c. By William Gilpin, M.A.--Fifth Edition. "We met with nothing for some time during our voyage but grand, woody banks, one rising behind another; appearing and vanishing by turns, as we doubled the several capes. But though no particular objects characterized these different scenes, yet they afforded great variety of pleasing views, both as we wound round the several promontories, which discovered new beauties as each scene opened, and when we kept the same scene a longer time in view, stretching along some lengthened reach, where the river is formed into an irregular vista by hills shooting out beyond each other and going off in perspective." We ought not to forget to mention Ross, and its association with one of the noblest works of GOD--honest John Kyrle, celebrated as the Man of Ross. Pope, during his visits at Holm-Lacey, in the vicinity, obtained sufficient knowledge of his beneficence, to render due homage to his worth in one of the brightest pages of the records of human character. * * * * * "MOTHER CAREY'S CHICKENS"--EGGS. (_For the Mirror._) In a paper on the _Superstitions of the Sea_, a few years ago,[3] I slightly alluded to the nautical belief that the appearance of the Stormy Petrel, and other marine birds at sea, was often considered to be the forerunner of peril and disaster; and as your excellent correspondent, _M.L.B._, in a recent number, expresses a wish to know the origin of the _soubriquet_ of _Mother Carey's Chickens_, which the former birds have obtained, I now give it with all the brevity which is consistent with so important a narration. It appears that a certain outward-bound Indiaman, called the _Tiger_, (but in what year I am unable to state,) had encountered one continued series of storms, during her whole passage; till on nearing the Cape of Good Hope, she was almost reduced to a wreck. Here, however, the winds and waves seemed bent on her destruction; in the midst of the storm, flocks of strange looking birds were seen hovering and wheeling in the air around the devoted ship, and one of the passengers, a woman called "Mother Carey," was observed by the glare of the lightning to laugh and smile when she looked at these foul-weather visitants; on which she was not only set down as a witch, but it was also thought that they were her familiars, whom she had invoked from the _Red Sea_; and "all hands" were seriously considering on the propriety of getting rid of the old beldam, (as is usual in such cases,) by setting her afloat, when she saved them the trouble, and at that moment jumped overboard, surrounded by flames; on which the birds vanished, the storm cleared away, and the tempest-tossed _Tiger_ went peacefully on her course! Ever since the occurrence of this "astounding yarn," the birds have been called "Mother Carey's Chickens," and are considered by our sailors to be the most unlucky of all the feathered visitants at sea. [3] See Mirror, No. 205, vol. xi. To turn by a not unnatural transition from _birds_ to _eggs_, permit me to inform your Scottish correspondent, _S.S._ (see No. 536,) where he asserts that the plan of rubbing eggs with grease in order to preserve them, "is not so much as known in our own boasted land of stale eggs and bundlewood;" that the said _discovery_ has long been known and practised in many parts of old England; and that the repeated experience of several friends warrants me in giving a decided negative to his assertion that eggs so prepared "_will keep any length of time perfectly fresh_." If kept for a considerable period, though they do not become absolutely bad, yet they turn _very stale_. I happen to know something of Scotland, and was never before aware that the raw clime of our northern neighbours was so celebrated for its poultry. _M.L.B._ is certainly misinformed in speaking of the trade in _Scotch_ eggs to _America_. The importation of eggs from the continent into England is very extensive: the duty in 1827 amounted at the rate of 10_d_. per 120, to 23,062_l_. 19_s_. 1_d_.; since which period there has, we believe, been an increase. The importation of eggs from Ireland is also very large. If _S.S._ resides in London, he may have occasion to sneer at "our boasted land of stale eggs;" but he should rather sneer at the preserved French eggs, with which the London dealers are principally supplied. VYVYAN. * * * * * THE CURFEW BELL. (To the Editor.) In addition to the remarks made by _Reginald_, in No. 543, and by _M.D._, and _G.C._, in No. 545 of _The Mirror_, let me add that the Curfew is rung every night at eight, in my native town, (Winchester,) and the bell, a large one, weighing 12 cwt., is appropriated for the purpose, (not belonging to a church) but affixed in the tower of the Guildhall, and used only for this occasion, or on an alarm of fire. In that city the Curfew was first established under the command of the Conqueror, and the practice has continued to the present day. I have been assured by many old residents, that it formerly was the custom to ring the bell every morning at four o'clock, but the practice being found annoying to persons living near, the Corporation ordered it to be discontinued. To such of your readers who, like myself, are fond of a solitary ramble along the sea shore by moonlight, I would say, go to Southampton or the Isle of Wight; take an evening walk from Itchen through the fields to Netley, thence to the Abbey and Fort ruins, under woods that for a considerable distance skirt the coast; or on the opposite side, through the Forest of Oaks, from Eling to Dibden, and onwards over the meadows to Hythe: there they may, in either, find ample food for reflection, connected with the Curfew Bell. Seated on a fragment of the towers of Netley Abbey, whose pinnacles were so often hailed by seamen as well known landmarks, but whose Curfew has for centuries been quiet, the spectator may see before him the crumbling remains of a fort, erected hundreds of years ago. On the left is an expanse of water as far as the eye can reach, and in his front the celebrated New Forest,-- Majestic woods of ever vigorous green, Stage above stage, high waving o'er the bills; Or to the far horizon wide diffus'd, A boundless deep immensity of shade-- the scene of William's tyranny and atrocity, the spot where his children met their untimely end, and where may be seen the _tumuli_ erected over the remains of the Britons who fell in defence of their country. In the deep recesses of a wood in the south-east prospect, the eye may faintly distinguish the mouldering remains of the Abbey of Beaulieu, famed in days of yore for its Sanctuary, the name of which is now only recorded in history. Even the site of the tower is unknown, whose Curfew has long ceased to warn the seamen, or draw the deep curse from the forester. There they may "On a plat of rising ground, Hear the far off Curfew sound, Over the wide watered shore, Swinging slow with sullen roar." The Curfew is rung at Southampton, Downton, Ringwood, and many other towns in the west, every night at eight. P.Q. * * * * * THE SELECTOR; AND LITERARY NOTICES OF _NEW WORKS_. * * * * * SPANISH SCENERY. The following is from the delightful pencil of Washington Irving: it will be seen to bear all the polish of his best style:-- "Many are apt to picture Spain to their imaginations as a soft southern region, decked out with all the luxuriant charms of voluptuous Italy. On the contrary, though there are exceptions in some of the maritime provinces, yet, for the greater part, it is a stern, melancholy country, with rugged mountains, and long sweeping plains, destitute of trees, and indescribably silent and lonesome, partaking of the savage and solitary character of Africa. What adds to this silence and loneliness, is the absence of singing-birds, a natural consequence of the want of groves and hedges. The vulture and the eagle are seen wheeling about the mountain-cliffs, and soaring over the plains, and groups of shy bustards stalk about the heaths; but the myriads of smaller birds, which animate the whole face of other countries are met with in but few provinces in Spain, and in those chiefly among the orchards and gardens which surround the habitations of man. "In the interior provinces the traveller occasionally traverses great tracts cultivated with grain as far as the eye can reach, waving at times with verdure, at other times naked and sunburnt, but he looks round in vain for the hand that has tilled the soil. At length, he perceives some village on a steep hill, or rugged crag, with mouldering battlements and ruined watch tower; a stronghold, in old times, against civil war, or Moorish inroad; for the custom among the peasantry of congregating together for mutual protection, is still kept up in most parts of Spain, in consequence of the maraudings of roving freebooters. "But though a great part of Spain is deficient in the garniture of groves and forests, and the softer charms of ornamental cultivation, yet its scenery has something of a high and lofty character to compensate the want. It partakes something of the attributes of its people; and I think that I better understand the proud, hardy, frugal, and abstemious Spaniard, his manly defiance of hardships, and contempt of effeminate indulgences, since I have seen the country he inhabits. "There is something, too, in the sternly simple features of the Spanish landscape, that impresses on the soul a feeling of sublimity. The immense plains of the Castiles and of La Mancha, extending as far as the eye can reach, derive an interest from their very nakedness and immensity, and have something of the solemn grandeur of the ocean. In ranging over these boundless wastes, the eye catches sight here and there of a straggling herd of cattle attended by a lonely herdsman, motionless as a statue, with his long, slender pike tapering up like a lance into the air; or, beholds a long train of mules slowly moving along the waste like a train of camels in the desert; or, a single herdsman, armed with blunderbuss and stiletto, and prowling over the plain. Thus the country, the habits, the very looks of the people, have something of the Arabian character. The general insecurity of the country is evinced in the universal use of weapons. The herdsman in the field, the shepherd in the plain, has his musket and his knife. The wealthy villager rarely ventures to the market-town without his trabuco, and, perhaps, a servant on foot with a blunderbuss on his shoulder; and the most petty journey is undertaken with the preparation of a warlike enterprise. "The dangers of the road produce also a mode of travelling, resembling, on a diminutive scale, the caravans of the east. The arrieros, or carriers, congregate in convoys, and set off in large and well-armed trains on appointed days; while additional travellers swell their number, and contribute to their strength. In this primitive way is the commerce of the country carried on. The muleteer is the general medium of traffic, and the legitimate traverser of the land, crossing the peninsula from the Pyrenees and the Asturias to the Alpuxarras, the Serrania de Ronda, and even to the gates of Gibraltar. He lives frugally and hardily: his alforjas of coarse cloth hold his scanty stock of provisions; a leathern bottle, hanging at his saddle-bow, contains wine or water, for a supply across barren mountains and thirsty plains. A mule-cloth spread upon the ground, is his bed at night, and his pack-saddle is his pillow. His low, but clean-limbed and sinewy form betokens strength; his complexion is dark and sunburnt; his eye resolute, but quiet in its expression, except when kindled by sudden emotion; his demeanour is frank, manly, and courteous, and he never passes you without a grave salutation: 'Dios guarde a usted!' 'Va usted con Dios, Caballero!' 'God guard you! God be with you, Cavalier!' "As these men have often their whole fortune at stake upon the burthen of their mule, they have their weapons at hand, slung to their saddles, and ready to be snatched out for desperate defence. But their united numbers render them secure against petty bands of marauders, and the solitary bandolero, armed to the teeth, and mounted on his Andalusian steed, hovers about them, like a pirate about a merchant convoy, without daring to make an assault. "The Spanish muleteer has an inexhaustible stock of songs and ballads, with which to beguile his incessant wayfaring. The airs are rude and simple, consisting of but few inflexions. These he chants forth with a loud voice, and long, drawling cadence, seated sideways on his mule, who seems to listen with infinite gravity, and to keep time, with his paces, to the tune. The couplets thus chanted, are often old traditional romances about the Moors, or some legend of a saint, or some love-ditty; or what is still more frequent, some ballad about a bold contrabandista, or hardy bandolero, for the smuggler and the robber are poetical heroes among the common people of Spain. Often the song of the muleteer is composed at the instant, and relates to some local scenes or some incident of the journey. This talent of singing and improvising is frequent in Spain, and is said to have been inherited from the Moors. There is something wildly pleasing in listening to these ditties among the rude and lonely scenes that they illustrate; accompanied, as they are, by the occasional jingle of the mule-bell. "It has a most picturesque effect also to meet a train of muleteers in some mountain-pass. First you hear the bells of the leading mules, breaking with their simple melody the stillness of the airy height; or, perhaps, the voice of the muleteer admonishing some tardy or wandering animal, or chanting, at the full stretch of his lungs, some traditionary ballad. At length you see the mules slowly winding along the cragged defile, sometimes descending precipitous cliffs, so as to present themselves in full relief against the sky, sometimes toiling up the deep arid chasms below you. As they approach, you descry their gay decorations of worsted tufts, tassels, and saddle-cloths, while, as they pass by, the ever-ready trabuco slung behind the packs and saddles, gives a hint of the insecurity of the road. "The ancient kingdom of Granada, into which we are about to penetrate, is one of the most mountainous regions of Spain. Vast sierras, or chains of mountains, destitute of shrub or tree, and mottled with variegated marbles and granites, elevate their sun-burnt summits against a deep-blue sky; yet in their rugged bosoms lie engulfed the most verdant and fertile valley, where the desert and the garden strain for mastery, and the very rock is, as it were, compelled to yield the fig, the orange, and the citron, and to blossom with the myrtle and the rose. "In the wild passes of these mountains the sight of walled towns and villages, built like eagles' nests among the cliffs, and surrounded by Moorish battlements, or of ruined watch-towers perched on lofty peaks, carries the mind back to the chivalric days of Christian and Moslem warfare, and to the romantic struggle for the conquest of Granada. In traversing these lofty sierras the traveller is often obliged to alight and lead his horse up and down the steep and jagged ascents and descents, resembling the broken steps of a staircase. Sometimes the road winds along dizzy precipices, without parapet to guard him from the gulfs below, and then will plunge down steep, and dark, and dangerous declivities. Sometimes it straggles through rugged barrancos, or ravines, worn by winter torrents, the obscure path of the contrabandista; while, ever and anon, the ominous cross, the monument of robbery and murder, erected on a mound of stones at some lonely part of the road, admonishes the traveller that he is among the haunts of banditti, perhaps at that very moment under the eye of some lurking bandolero. Sometimes, in winding through the narrow valleys, he is startled by a hoarse bellowing, and beholds above him on some green fold of the mountain side a herd of fierce Andalusian bulls, destined for the combat of the arena. There is something awful in the contemplation of these terrific animals, clothed with tremendous strength, and ranging their native pastures in untamed wildness, strangers almost to the face of man: they know no one but the solitary herdsman who attends upon them, and even he at times dares not venture to approach them. The low bellowing of these bulls, and their menacing aspect as they look down from their rocky height, give additional wildness to the savage scenery around." (From _The Alhambra_, or _New Sketch Book_, to which we propose to return in a _Supplement_ in a fortnight.) * * * * * ANECDOTE GALLERY. * * * * * THE UNLUCKY PRESENT: A TALE. A Lanarkshire minister (who died within the present century) was one of those unhappy persons, who, to use the words of a well known Scottish adage, "can never see green cheese but their een reels." He was _extremely covetous_ and that not only of nice articles of food, but of many other things which do not generally excite the cupidity of the human heart. The following story is in corroboration of this assertion:--Being on a visit one day at the house of one of his parishioners, a poor lonely widow, living in a moorland part of the parish, he became fascinated by the charms of a little cast-iron pot, which happened at the time to be lying on the hearth, full of potatoes for the poor woman's dinner, and that of her children. He had never in his life seen such a nice little pot--it was a perfect conceit of a thing--it was a gem--no pot on earth could match it in symmetry--it was an object altogether perfectly lovely. "Dear sake! minister," said the widow, quite overpowered by the reverend man's commendations of her pot; "if ye like the pot sae weel as a' that, I beg ye'll let me send it to the manse. It's a kind o' orra (_superfluous_) pot wi' us; for we've a bigger ane, that we use for ordinar, and that's mair convenient every way for us. Sae ye'll just tak a present o't. I'll send it ower the morn wi' Jamie, when he gangs to the schule." "Oh!" said the minister, "I can by no means permit you to be at so much trouble. Since you are so good as to give me the pot, I'll just carry it home with me in my hand. I'm so much taken with it, indeed, that I would really prefer carrying it myself." After much altercation between the minister and the widow, on this delicate point of politeness, it was agreed that he should carry home the pot himself. Off then he trudged, bearing this curious little culinary article, alternately in his hand and under his arm, as seemed most convenient to him. Unfortunately the day was warm, the way long, and the minister fat; so that he became heartily tired of his burden before he got half-way home. Under these distressing circumstances, it struck him, that, if, instead of carrying the pot awkwardly at one side of his person, he were to carry it on his head, the burden would be greatly lightened; the principles of natural philosophy, which he had learned at college, informing him, that when a load presses directly and immediately upon any object, it is far less onerous than when it hangs at the remote end of a lever. Accordingly, doffing his hat, which he resolved to carry home in his band, and having applied his handkerchief to his brow, he clapped the pot, in inverted fashion, upon his head, where, as the reader may suppose, it figured much like Mambrino's helmet upon the crazed capital of Don Quixote, only a great deal more magnificent in shape and dimensions. There was, at first, much relief and much comfort in this new mode of carrying the pot; but mark the result. The unfortunate minister having taken a by-path, to escape observation, found himself, when still a good way from home, under the necessity of leaping over a ditch, which intercepted him, in passing from one field to another. He jumped; but surely no jump was ever taken so completely _in_, or, at least _into_, the dark as this. The concussion given to his person in descending caused the helmet to become a hood; the pot slipped down over his face, and resting with the rim upon his neck, stuck fast there; enclosing his whole head as completely as ever that of a new born child was enclosed by the filmy bag, with which nature, as an indication of future good fortune, sometimes invests the noddles of her favourite offspring. What was worst of all, the nose, which had permitted the pot to slip down over it, withstood every desperate attempt, on the part of its proprietor, to make it slip back again; the contracted part, or neck, of the _patera_, being of such a peculiar formation as to cling fast to the base of the nose, although it had found no difficulty in gliding along its hypothenuse. Was ever minister in a worse plight? Was there ever _contretemps_ so unlucky? Did ever any man--did ever any minister, so effectually hoodwink himself, or so thoroughly shut his eyes, to the plain light of nature? What was to be done? The place was lonely; the way difficult and dangerous; human relief was remote, almost beyond reach. It was impossible even to cry for help; or, if a cry could be uttered, it might reach, in deafening reverberation, the ear of the utterer, but it would not travel twelve inches farther in any direction. To add to the distresses of the case, the unhappy sufferer soon found great difficulty in breathing. What with the heat occasioned by the beating of the sun on the metal, and what with the frequent return of the same heated air to his lungs, he was in the utmost danger of suffocation. Every thing considered, it seemed likely that, if he did not chance to be relieved by some accidental wayfarer, there would soon be _death in the pot_. The instinctive love of life, however, is omni-prevalent; and even very stupid people have been found, when put to the push by strong and imminent peril, to exhibit a degree of presence of mind, and exert a degree of energy, far above what might have been expected from them, or what they were ever known to exhibit, or exert, under ordinary circumstances. So it was with the pot-ensconced minister. Pressed by the urgency of his distresses, he fortunately recollected that there was a smith's shop at the distance of about a mile across the fields, where, if he could reach it before the period of suffocation, he might possibly find relief. Deprived of his eyesight, he acted only as a man of feeling, and went on as cautiously as he could, with his hat in his hand. Half crawling, half sliding, over ridge and furrow, ditch and hedge, somewhat like Satan floundering over chaos, the unhappy minister travelled with all possible speed, as nearly as he could guess, in the direction of the place of refuge. I leave it to the reader to conceive the surprise, the mirth, the infinite amusement of the smith, and all the hangers-on of the _smiddy_, when, at length, torn and worn, faint and exhausted, blind and breathless, the unfortunate man arrived at the place, and let them know (rather by signs than by words) the circumstances of his case. In the words of an old Scottish song, "Out cam the gudeman, and high he shouted; Out cam the gudewife, and low she louted; And a' the town neighbours were gathered about it: And there was he, I trow." The merriment of the company, however, soon gave way to considerations of humanity. Ludicrous as was the minister, with such an object where his head should have been, and with the feet of the pot pointing upwards, like the horns of the great Enemy, it was, nevertheless, necessary that he should be speedily restored to his ordinary condition, if it were for no other reason than that he might continue to live. He was accordingly, at his own request led into the smithy, multitudes flocking around to tender him their kindest offices, or to witness the process of release; and, having laid down his head upon the anvil, the smith lost no time in seizing and poising his goodly forehammer. "Will I come sair on, minister?" exclaimed the considerate man of iron, in at the brink of the pot. "As sair as ye like," was the minister's answer; "better a chap i' the chafts than die for want of breath." Thus permitted, the man let fall a blow, which fortunately broke the pot in pieces, without hurting the head which it enclosed, as the cook-maid breaks the shell of the lobster, without bruising the delicate food within. A few minutes of the clear air, and a glass from the gudewife's bottle, restored the unfortunate man of prayer; but, assuredly, the incident is one which will long live in the memory of the parishioners of C----.--_Chambers' Edinburgh Journal._ * * * * * THE NATURALIST. * * * * * LOUDON'S MAGAZINE OF NATURAL HISTORY. Sundry and manifold are our obligations to this delightful Journal. From the Number (26) for the present month we glean the following: _The Gurnard and Sprat._ Mr. J. Couch, in an interesting paper on the fishes of Cornwall, has the following notes: "Ray observes that the word gurnard, which may be regarded as the English term, is derived _a grunnitu_, from grunting like a hog. In this, however, I venture to think this eminent naturalist mistaken. Pengurn is the ancient Cornu-British name for these fishes, and signifies hard head; and its English translation is now sometimes given to the grey gurnard. From the Cornish word _gurn_ (hard), I therefore derive the name, as descriptive of the head of these species. This is a common fish at all seasons; but in December and January it sometimes abounds to such a degree, that, as they are not much esteemed, I have known them sold at thirty for a penny. It keeps near the bottom commonly, at no great distance from land; but sometimes multitudes will mount together to the surface; and move along with the first dorsal fin above the water: they will even quit their native element, and spring to the distance of a yard; thus imitating the flying gurnard, though not to the same extent. In summer they are found basking in the sun, perhaps asleep, as they will at times display no signs of animation, until an attempt is made to seize them. "In reference to some observations by Mr. Yarrell, in the _Zoological Journal
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Produced by RichardW and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Library of Congress) HOCUS POCUS; OR THE WHOLE ART OF LEGERDEMAIN, IN PERFECTION. BY HENRY DEAN. [Illustration: Strange feats are herein taught by slight of hand, With which you may amuse yourself and friend, The like in print was never seen before, And so you’ll say when once you’ve read it o’er. ] HOCUS POCUS; OR THE WHOLE ART OF _LEGERDEMAIN_, IN PERFECTION. By which the meaneſt capacity may perform the whole without the help of a teacher. _Together with the Uſe of all the Inſtruments_ _belonging thereto._ TO WHICH IS NOW ADDED, Abundance of New and Rare Inventions. BY HENRY DEAN. _The ELEVENTH EDITION, with large_ _Additions and Amendments._ PHILADELPHIA: PRINTED FOR MATHEW CAREY, NO. 118, MARKET-STREET. 1795. THE PREFACE TO THE READER. KIND READER, Having _in my former_ book _of_ LEGERDEMAIN, _promiſed you farther improvements, accordingly I have diſcovered herein to you the greateſt and moſt wonderful ſecrets of this_ ART, _never written or publiſhed by any man before: therefore I do not doubt but herein you will find pleaſure to your full ſatisfaction; which is all my deſire_. HENRY DEAN. The Whole ART of LEGERDEMAIN; OR, HOCUS POCUS IN PERFECTION, &c. Legerdemain is an operation whereby one may seem to work wonderful, impossible, and incredible things, by agility, nimbleness, and slight of hand. The parts of this ingenious art, are principally four. First, In conveyance of balls. Secondly, In conveyance of money. Thirdly, In cards, Fourthly, In confederacy. _A Description of the Operation._ 1. He must be one of a bold and undaunted resolution, so as to set a good face upon the matter. 2. He must have strange terms, and emphatical words, to grace and adorn his actions; and the more to amaze and astonish the beholders. 3. And lastly, He must use such gestures of body, as may take off the spectators eyes from a strict and diligent beholding his manner of performance. _How to pass the Balls through the Cups._ You must place yourself at the farther end of the table, and then you must provide yourself three cups, made of tin, and then you must have your black sticks of magic to shew your wonders withal; then you must provide four small cork balls to play with; but do not let more than three of them be seen upon the table. Note. Always conceal one ball in the right hand, between your middle finger and ring finger: and be sure make yourself perfect to hold it there, for, by this means, all the tricks of the cups are done. Then say as followeth. _Gentlemen, three cups—’tis true_ _They are but tin, the reason why,_ _Silver is something dear._ _I’ll turn them in gold, if I live, &c._ _No equivocation at all:_ _But if your eyes are not as quick as my hands_ _I shall deceive you all._ _View them within,_ _View them all round about,_ _Where there is nothing in,_ _There’s nothing can come out._ Then take your four balls privately between your fingers, and so sling one of them upon the table, and say thus, _The first trick that e’er learn’d to do,_ _Was, out of one ball to make it into two:_ _Ah! since it cannot better be,_ _One of these two, I’ll divide them into three,_ _Which is call’d the first trick of dexterity._ So then you have three balls on the table to play with, and one left between the fingers of your right hand. _The Operation of the Cups is thus._ [Illustration] Lay your three balls on the table, then say, Gentlemen, you see here are three balls, and here are three cups, that is, a cup for each ball, and a ball for each cup. Then, taking that ball that you had in your right hand, (which you are always to keep private) and clapping it under the first cup, then taking up one of the three balls, with your right hand, seeming to put it into your left hand, but retain it still in your right, shutting your left hand in due time, then say, _Presto, be gone_. [Illustration] Then taking the second cup up, say, Gentlemen, you see there is nothing under my cup; so clap the ball that you have in your right hand under it, and then take the second ball up with your right hand, and seem to put it into your left, but retain it in your right hand, shutting your left in due time, as before, saying, _Verda, be gone_. [Illustration] Then take the third cup, saying, Gentlemen, you see there is nothing under my last cup; then clapping the ball you have in your right hand under it, then take the third ball up with your right hand, and seeming to put it into your left hand, but retain it in your right; shutting your left hand in due time, as before, saying, _Presto, make haste_; so you have your three balls come under your three cups, as thus: and so lay your three cups down on the table. [Illustration] Then with your right hand take up the first cup, and there clap that ball under, that you have in your right hand; then saying, Gentlemen, this being the first ball, I will put it into my pocket; but that you must still keep in your hand to play withal. [Illustration] So take up the second cup with your right hand, and clap that ball you have concealed under it, and then take up the second ball with your right hand, and say, this likewise, I take and put into my pocket. [Illustration] Likewise, take up the third cup, and clapping the cup down again, convey that ball you have in your right hand under the cup, then taking the third ball, say, Gentlemen, this being the last ball, I take and put this into my pocket. Afterwards say to the company, Gentlemen, by a little of my fine powder of experience, I will command these balls under the cups again. As thus, [Illustration] So lay them all along upon the table to the admiration of all the beholders. Then take up the first cup, and clap the ball you have in your right hand under it, then taking the first ball up with your right hand, seem to put the same into your left hand, but retain it still in your right, then say, _Vade, quick be gone when I bid you, and run under the cup_. [Illustration] Then taking that cup up again, and flinging that you have in your right hand under it, you must take up the second ball, and seem to put it into your left hand, but retain it in your right hand, saying, Gentlemen, see how the ball runs on the table. So seemingly fling it away, and it will appear as thus. [Illustration] So taking the same cup again, then clapping the ball under again, as before, then taking the third ball in your right hand, and seem to put it under your left, but still retain it in your right, then with your left hand seem to fling it in the cup, and it will appear thus; all the three balls to be under one cup. [Illustration] And if you can perform these actions with the cups, you may change the balls into apples pears, or plumbs, or to living birds, to what your fancy leads you to. I would have given you more examples, but I think these are sufficient for the ingenious, so that, by these means, you may perform all manner of actions with the cups. Note. The artificial cups cannot well be described by words, but you may have them of me, for they are accounted the greatest secrets in this art: therefore, I advise you to keep them as such, for this was never known to the world before. _How to shew the wonderful_ Magic Lanthorn. This is the magic lanthorn that has made so much wonder in the world, and that which Friar Bacon used to shew all his magical wonders withal. This lanthorn is called magic, with respect to the formidable apparitions that by virtue of light it shews upon the white wall of a dark room. The body of it is generally made of tin, and of a shape of the lamp; towards the back part, is a concave looking glass of metal, which may either be spherical or parabolical, and which, by a grove made in the bottom of the lanthorn, may either be advanced nearer or put farther back from the lamp, in which is oil or spirit of wine, and the match ought to be a little thick, that when it is lighted, it may cast a good light that may easily reflect from the glass to the fore part of the lanthorn, where there is an aperture with the perspective in it, composed of two glasses that make the rays converge and magnify the object. When you mean to make use of this admirable machine, light the lamp, the light of which will be much augmented by the looking glass at a reasonable distance. Between the fore-part of the lanthorn, and the perspective glass, you have a trough, made on purpose, in which you are to run a long, flat thin frame with different figures, painted with transparent colours upon glass; then all these little figures
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Produced by Michael Wooff The Legend of Sister Beatrix Charles Nodier (1780-1844) Not far from the highest peak in the Jura, but descending a little down its <DW72> facing west, one could still see, going on for half a century ago, a mass of ruins that had belonged to the church and the convent of Our Lady of the Flowering Thorns. It is at one end of a deep and narrow gorge, much more sheltered to the north, which produces each year, thanks to its favourable aspect, the rarest flowers of that region. Half a league from there, from the opposite end of the gorge, the debris of an ancient manor house is visible which has itself disappeared like the house of God. We only know that it used to be lived in by a family renowned for its feats of arms and that the last of the noble knights to bear its name died in winning back the tomb of Jesus Christ for Christians without an heir to propagate his line. His inconsolable widow would not abandon a place so conducive to the upkeep of her melancholy, but the rumour of her piety spread far and wide as did her works of charity and a glorious tradition has perpetuated her memory for future generations of Christians. The people, who have forgotten all her other names, still call her THE SAINT. On one of those days when winter, coming to an end, suddenly relaxes its rigour under the influence of a temperate sky, THE SAINT was walking, as usual, down the long driveway leading to her castle, her mind given over to pious meditations. She came in this way to the thorny bushes that still mark its end, and saw, with no little surprise, that one of these shrubs had taken on already all its springtime finery. She hastened to get nearer to it in order to assure herself that this semblance was not produced by a remnant of snow that had failed to melt, and, delighted to see it crowned, in effect, by an innumerable multitude of beautiful little white stars with rays of crimson, she carefully detached a branch to hang it in her oratory before a picture of the Virgin Mary she had held in great reverence since childhood, and went back joyfully to take to her this innocent offering. Whether this modest tribute really pleased the divine mother of Jesus or whether a special pleasure, which it is difficult to define, is reserved for the least outpouring of a tender heart to the object of its affection, never had the soul of the chatelaine been as open to more ineffable emotions than those she felt that mild evening. She promised herself, with a joy that was ingenuous, to go back every day to the bush in bloom in order to daily bring back a fresh garland. We may well believe that she was faithful to that promise. One day, however, when her care for the poor and sick had kept her busy longer than usual, it was in vain that she hurried to reach her wild flowerbed. Night got there before her, and it is said that she started to regret having let herself be taken over quite so much by this solitary place, when a clarity calm and pure, like that which comes to us with daylight, suddenly showed her all her flowering thorns. She stopped walking for a moment, struck by the thought that this light might emanate from a camp fire made by bandits, for it was impossible to imagine it having been produced by myriads of glow-worms, hatched before their time. The year was not far gone enough for the warm and peaceful nights of summer. Nevertheless, her self-imposed obligation came to mind and gave her courage. She walked lightly, holding her breath, towards the bush with the white flowers, seized in a trembling hand a branch which seemed to
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Produced by Greg Bergquist, Ernest Schaal, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) THE DOCTOR'S CHRISTMAS EVE [Illustration] THE MACMILLAN COMPANY NEW YORK. BOSTON. CHICAGO ATLANTA. SAN FRANCISCO MACMILLAN & CO., LIMITED LONDON. BOMBAY. CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, LTD. TORONTO THE DOCTOR'S CHRISTMAS EVE _Secretum meum mihi_ FRANCIS OF ASSISI BY JAMES LANE ALLEN AUTHOR OF "THE BRIDE OF THE MISTLETOE," "THE CHOIR INVISIBLE," "A SUMMER IN ARCADY," ETC. =New York= THE MACMILLAN COMPANY 1910 _All rights reserved_ COPYRIGHT, 1910, BY THE MACMILLAN COMPANY. * * * * * Set up and electrotyped. Published November, 1910. =Norwood Press= J. S. Cushing Co.--Berwick & Smith Co. Norwood, Mass., U.S.A. TO THE SOWER PREFACE THIS work now published under the title of "The Doctor's Christmas Eve" is the one earlier announced for publication under the title of "A Brood of the Eagle." "The Doctor, Herbert and Elsie's father, our nearest neighbor, your closest friend now in middle life--do you ever tire of the Doctor and wish him away?" "The longer I know him, the more I like him, honor him, trust him." --_The Bride of the Mistletoe._ CONTENTS PART FIRST I PAGE THE CHILDREN OF DESIRE 1 II WHEN A SON FINDS OUT ABOUT HIS FATHER 32 III THE BOOKS OF THE YEAR 69 IV THE BOOK OF THE YEARS 107 V EVERGREEN AND THORN TREE 195 PART SECOND I TWO OTHER WINTER SNOWBIRDS AT A WINDOW 213 II FOUR IN A CAGE 233 III THE REALM OF MIDNIGHT 258 IV TIME-SPIRIT AND ETERNAL SPIRIT 271 V WHEN A FATHER FINDS OUT ABOUT A SON 285 VI LIVING OUT THE YEARS 297 PART I THE DOCTOR'S CHRISTMAS EVE I THE CHILDREN OF DESIRE THE morning of the twenty-fourth of December a quarter of a century ago opened upon the vast plateau of central Kentucky as a brilliant but bitter day--with a wind like the gales of March. Out in a neighborhood of one of the wealthiest and most thickly settled counties, toward the middle of the forenoon, two stumpy figures with movements full of health and glee appeared on a hilltop of the tree
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Produced by Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) 3 THE RECONSTRUCTION OF GEORGIA STUDIES IN HISTORY, ECONOMICS AND PUBLIC LAW EDITED BY THE FACULTY OF POLITICAL SCIENCE OF COLUMBIA UNIVERSITY VOLUME XIII] [NUMBER 3 THE RECONSTRUCTION OF GEORGIA BY EDWIN C. WOOLLEY, Ph.D. New York THE COLUMBIA UNIVERSITY PRESS THE MACMILLAN COMPANY, AGENTS LONDON: P. S. KING & SON 1901 TABLE OF CONTENTS PAGE CHAPTER I Presidential Reconstruction 9 CHAPTER II The Johnson Government 16 CHAPTER III Congress and the Johnson Governments--The Reconstruction Acts of 1867 24 CHAPTER IV The Administrations of Pope and Meade 38 CHAPTER V The Supposed Restoration of 1868 49 CHAPTER VI The Expulsion of the <DW64>s from the Legislature and the Uses to which this Event was applied 56 CHAPTER VII Congressional Action Regarding Georgia from December, 1868, to December, 1869 63 CHAPTER VIII The Execution of the Act of December 22, 1869, and the Final Restoration 72 CHAPTER IX Reconstruction and the State Government 87 CHAPTER X Conclusion 109 Bibliography 111 LIST OF ABBREVIATIONS A. A. C. = American Annual Cyclopaedia. B. A. = Address of Bullock to the people of Georgia, a pamphlet dated 1872. B. L. = Letter from Bullock to the chairman of the Ku Klux Committee, published in Atlanta in 1871. C. G. = Congressional Globe. C. R. = Report of the State Comptroller. E. D. = United States Executive Documents. E. M. = Executive Minutes (of Georgia). G. O. D. S. = General Orders issued in the Department of the South. G. O. H. = General Orders issued from the headquarters of the army. G. O. M. D. G. = General Orders issued in the Military District of Georgia. G. O. T. M. D. = General Orders issued in the Third Military District. H. J. = Journal of the Georgia House of Representatives. H. M. D. = United States House Miscellaneous Documents. J. C., 1865 = Journal of the Georgia Constitutional Convention of 1865. J. C., 1867-8 = Journal of the Georgia Constitutional Convention of 1867-8. K. K. R. = Ku Klux Report (Report of the Joint Committee of Congress on the Conditions in the Late Insurrectionary States, submitted at the 2d session of the 42d Congress, 1872). M. C. U. = Milledgeville _Confederate Union_. M. F. U. = Milledgeville _Federal Union_. R. C. = Reports of Committees of the United States House of Representatives. R. S. W. = Report of the Secretary of War. S. D. = United States Senate Documents. S. J. = Journal of the Georgia Senate. S. L. = Session Laws of Georgia. S. R. = United States Senate Reports. S. O. M. D. G. = Special Orders issued in the Military District of Georgia. S. O. T. M. D. = Special Orders issued in the Third Military District. U. S. L. = United States Statutes at Large. CHAPTER I PRESIDENTIAL RECONSTRUCTION The question, what political disposition should be made of the Confederate States after the destruction of their military power, began to be prominent in public discussion in December, 1863. It was then that President Lincoln announced his policy upon the subject, which was to restore each state to its former position in the Union as soon as one-tenth of its population had taken the oath of allegiance prescribed in his amnesty proclamation and had organized a state government pledged to abolish slavery. This policy Lincoln applied to those states which were subdued by the federal forces during his administration, viz., Tennessee, Arkansas and Louisiana. When the remaining states of the Confederacy surrendered in 1865, President Johnson applied the same policy, with some modifications, to each of them (except Virginia, where he simply recognized the Pierpont government). Before this policy was put into operation, however, an effort was made by some of the leaders of the Confederacy to secure the restoration of those states to the Union without the reconstruction and the pledge required by the President. After the surrender of Lee's army (April 9, 1865), General J. E. Johnston, acting under the authority of Jefferson Davis and with the advice of Breckenridge, the Confederate Secretary of War, and Reagan, the Confederate Postmaster General, proposed to General Sherman the surrender of all the Confederate armies then in existence on certain conditions. Among these was the condition that the executive of the United States should recognize the lately hostile state governments upon the renewal by their officers of their oath of allegiance to the federal Constitution, and that the people of the states so recognized should be guaranteed, so far as this lay in the power of the executive, their political rights as defined by the federal Constitution. Sherman signed a convention with Johnston agreeing to these terms, on April 18. That he intended by the agreement to commit the federal government to any permanent policy is doubtful. But when the convention was communicated for ratification to his superiors at headquarters, they showed the most decided opposition to granting the terms proposed even temporarily. The convention was emphatically disavowed, and on April 26 Sherman had to content himself with the surrender of Johnston's army only, agreed to on purely military terms.[1] Georgia formed a part of the district under the command of General Johnston. As soon, therefore, as the news of the surrender could reach that state, hostilities there ceased. On May 3, Governor Brown issued a summons for a meeting of the state legislature to take place on May 22, in order that measures might be taken "to prevent anarchy, restore and preserve order, and save what [could be saved] of liberty and civilization."[2] At a time of general consternation, when military operations had displaced local government and closed the courts in many places, when the whole population was in want[3] through the devastation of the war or through the collapse of the Confederate currency which followed the collapse of the Confederate army,[4] the need of such measures was apparent. The calling of the legislature incurred the disapproval of the federal authorities for two reasons. First, they regarded it as an attempt to prepare for further hostilities, and they accordingly arrested Brown, carried him to Washington, and put him in prison.[5] Second, in any case, as the disavowal of the convention of April 18 had shown, they did not intend to allow the state governments of the South to resume their regular activities at once, and accordingly the commander of the Department of the South issued orders on May 15, declaring void the proclamation of Joseph E. Brown, "styling himself Governor of Georgia," and forbidding obedience thereto.[6] The federal army now took control of the entire state government. Detachments were stationed in all the principal towns and county seats, and the commanders sometimes removed the civil officers and appointed others, sometimes allowed them to remain, subject to their direction. Military orders were issued regarding a wide range of civil affairs, such as school administration, sanitary provisions, the regulation of trade, the fixing of prices at which commodities should be sold, etc.[7] The provost marshal's courts were further useful, to some extent, as substitutes for the state courts, whose operations were largely interrupted.[8] Directions to the officers of the Department admonished them that "the military authority should sustain, not assume the functions of, civil authority," except when the latter course was necessary to preserve the peace.[9] This admonition from headquarters, issued after the President's plan for reinstating Georgia in the Union had been put into operation, reflects his desire for a quick restoration of normal government. President Johnson announced his policy toward the seceded states in his proclamation of May 29, 1865, regarding North Carolina. By it a provisional governor was appointed for that state, with the duty of making the necessary arrangements for the meeting of a constitutional convention, to be composed of and elected by men who had taken the oath of allegiance prescribed by, the President's amnesty proclamation of the same date, and who were qualified voters according to the laws of the state in force before the war. The proclamation did not state what the President would require of the convention, but we may mention by way of anticipation that his requirements were the revocation of the ordinance of secession, the construction of a new state government in place of the rebel government, the repudiation of the rebel debt, and the abolition of slavery within the state. The provisional governor was further authorized to do whatever was "necessary and proper to enable [the] loyal people of the state of North Carolina to restore said state to its constitutional relations to the federal government."[10] For each of the states subdued in 1865, except Virginia, a provisional governor was appointed by a similar proclamation. On June 17, James Johnson, a citizen of Georgia, was appointed to the position in that state.[11] On July 13th, he issued a proclamation providing for the election of the convention. Delegates were distributed on the basis of the legislature of 1860; the first Wednesday in October was set for the election, and the fourth Wednesday in the same month for the meeting of the convention.[12] Next, the provisional governor undertook the task of securing popular support to the programme of restoration. To encourage subscription to the amnesty oath (a prerequisite to voting for delegates to the convention) he removed the disagreeable necessity of taking it before the military authorities by directing the ordinary and the clerk of the Superior Court of each county to administer it.[13] He made many speeches throughout the state urging the citizens to take the amnesty oath, to enter earnestly into the election of the convention, and to submit quietly to the conditions imposed by the President. His efforts were very successful. This was partly due to the place he held in public estimation. He was a lawyer widely known and universally respected. It was also partly due to the attitude of Governor Brown. Brown, after a confinement of several weeks in prison at Washington, secured an interview with President Johnson, and satisfied the President that his object in calling the legislature was simply public relief, that he had no intention to prolong the war, but calmly submitted to the fact that his side was defeated.[14] This explanation and the spirit displayed were so satisfactory to Johnson that Brown was released, and permitted to return to Georgia. His return, remarked Johnson, "can be turned to good account. He will at once go to work and do all he can in restoring the state."[15] This prediction proved correct. The war governor of Georgia became the type of those Secessionists who practised and counseled quiet acceptance of the terms imposed by the conqueror, as the most sensible and advantageous course. On June 29th he issued an address to the people of Georgia, resigning the governorship, and advising acquiescence in the abolition of slavery and active participation in the reorganization of the state government according to the President's wishes.[16] The assumption of this attitude by Brown grieved and offended some of his fellow Secessionists. But the majority shared his opinion. The provisional governor was welcomed, and his speeches approved on all sides.[17] The result was that the convention which met on October 25th was a body distinguished for the reputation and ability of its members. The convention was called to order by the provisional governor, and chose as permanent chairman Herschel V. Johnson.[18] Then a message from the provisional governor was read, suggesting certain measures of finance and other state business requiring immediate action, suggesting also certain alterations in the state judiciary, but especially pointing out the chief objects of the convention, viz., the passage of those acts requisite for the restoration of the state.[19] These measures the convention quickly proceeded to pass. On October 26th it repealed the ordinance of secession and the ordinance ratifying the Confederate constitution;[20] by paragraph 20 of article I. of the new constitution it abolished slavery in the state; and on November 8th, the last day of the session, it declared the state debt contracted to aid the Confederacy void.[21] The convention provided for a general state election on the following November 15th, and to expedite complete restoration, anticipated the regular work of the legislature by creating congressional districts, in order that Georgia's representatives might be chosen at that election.[22] One thing now remained to be done before the President would withdraw federal power and leave the state to its own government, viz., ratification of the Thirteenth Amendment. The legislature elected on November 15th assembled on December 4th.[23] The provisional governor, according to the President's directions,[24] laid the Thirteenth Amendment before it. The Amendment was ratified on December 9th.[25] After this the provisional governor was relieved, the governor elect was inaugurated (December 14th), and the President sent a courteous message of recognition to the latter.[26] Thus the President, having reconstructed the state government, had restored Georgia to statehood so far as its internal government was concerned. There remained only the admission of its representatives to Congress to complete the restoration. CHAPTER II THE JOHNSON GOVERNMENT From the conduct of the state governments formed in Georgia and the other southern states under the direction of President Johnson, the public opinion of the North drew conclusions regarding three things; the disposition of the people represented by those governments toward the emancipated slaves, their attitude toward the cause for which they had fought, and their feeling toward the power which had subdued them. This chapter treats the Johnson government of Georgia from the same points of view. Whatever may have been the prevailing disposition of the white people toward the slaves while slavery flourished, shortly before the close of the war that disposition was characterized by benevolence and gratitude. In spite of the opportunities of escape, and of plunder and other violence, offered by the times, the slaves had acted with singular faithfulness and devotion.[27] The gratitude of their masters even went so far as to propose plans for the general education of the <DW64>s.[28] The close of the war and the
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Produced by Jason Isbell, Suzan Flanagan, and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: THE KING OF ROOT VALLEY A FAIRY TALE] [Illustration] THE KING OF ROOT VALLEY AND HIS CURIOUS DAUGHTER. A Fairy Tale. BY R. REINICK. With Eight Illustrations, by T. Von Oer and R. Reinick. LONDON: CHAPMAN AND HALL, 193, PICCADILLY. 1856. PRINTED BY JOHN EDWARD TAYLOR, LITTLE QUEEN STREET, LINCOLN'S INN FIELDS. Contents. CHAPTER THE FIRST. PAGE THE ROOT-VALLEY AND ITS INHABITANTS.--THE STORY-TELLING GUESTS.--THE KING OF ROOT-VALLEY AND HIS CURIOUS DAUGHTER.--THE AERIAL CHARIOT.--FESTIVITIES IN THE TOWN.--RETURN THROUGH THE AIR FROM THE ROOF OF THE TOWN-HOUSE.--WHIMS OF THE PRINCESS 1 CHAPTER THE SECOND. THE SPRING FESTIVAL IN ROOT-VALLEY.--THE NUT-FIELD.--THE MIGRATING BIRDS.--A STRANGE PEOPLE MAKE THEIR APPEARANCE.--NUTCRACKER AND HARLEQUIN.--THE PRINCESS FALLS INTO RAPTURES 7 CHAPTER THE THIRD. THE WONDERFUL BROOK.--THE OVERTURNED CARRIER'S WAGGON.--NUTCRACKER AND HARLEQUIN COME TO LIFE.--THE THREE WISHES.--THE BOX OF NUREMBERG TOYS.--THE WANDERING RATS.--HOW HARLEQUIN BRINGS TO LIFE A WHOLE NATION AND ARMY.--BATTLE WITH THE RATS.--HOMAGE.--PROCESSION TO THE ROOT-VALLEY 11 CHAPTER THE FOURTH. NUTCRACKER IS BETROTHED TO THE PRINCESS OF ROOT-VALLEY, AND TAKES POSSESSION OF THE NUTFIELD.--THE BIRDS DEPART.--WHAT ILL COMES OF IT.--WEDDING AND PARTING 19 CHAPTER THE FIFTH. THE PUPPET-KINGDOM IS SET IN ORDER.--HAUGHTINESS OF NUTCRACKER, HIS WIFE, AND SUBJECTS.--ANTIPATHY OF THE TWO PEOPLES.--THE ROOT-KING ABDICATES HIS CROWN.--NUTCRACKER A TYRANT.--PREPARATIONS FOR WAR IN ROOT-VALLEY.--THE WAR.--HARLEQUIN'S DEATH.--FLIGHT AND DESTRUCTION OF THE PUPPET-KINGDOM.--NUTCRACKER'S DEATH.--THE PRINCESS SAVED 22 CHAPTER THE SIXTH. THE BIRDCATCHER AND HIS FAMILY.--HOW THE CHILDREN RETURN HOME WITH RARE TREASURES.--NUTCRACKER'S DEAD BODY.--THE LITTLE MAIDEN IN THE STORK'S NEST, AND WHO SHE WAS.--AFFECTING RECONCILIATION ON THE NUTFIELD.--THREATENING DANGER TO THE ROOTMEN.--EMIGRATION OF THE ROOTMEN 28 [Illustration: First Chapter.] The King of Root Valley AND His Curious Daughter. CHAPTER THE FIRST. THE ROOT-VALLEY AND ITS INHABITANTS.--THE STORY-TELLING GUESTS.--THE KING OF ROOT-VALLEY AND HIS CURIOUS DAUGHTER.--THE AERIAL CHARIOT.--FESTIVITIES IN THE TOWN.--RETURN THROUGH THE AIR FROM THE ROOF OF THE TOWN-HOUSE.--WHIMS OF THE PRINCESS. The road between Nuremberg and Leipsic ran in former times, in one part, along the edge of a dark forest, which stretched into the country far over the mountains. In the middle of this forest the rocks enclosed a deep green valley, bordered by almost impenetrable hedges, so that neither man nor beast could enter it. Here dwelt at that time the merry little people of the Rootmen. They were pretty little creatures, in form and look like human beings,--the tallest about six inches high, and the smallest as long as your little finger. In summer they lived in mossy bowers and under the leaves of the tall fern; in winter they nestled among the roots of trees, in the holes of some gnarled old trunk, and crept into the clefts in the rocks. Their dress was fine
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Produced by deaurider and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) FAMOUS FROSTS AND FROST FAIRS. _Number 389_ _Of Four-Hundred Copies printed._ [Illustration: FROST FAIR ON THE RIVER THAMES, IN 1814.] FAMOUS FROSTS AND FROST FAIRS IN GREAT BRITAIN. Chronicled from the Earliest to the Present Time. BY _WILLIAM ANDREWS, F.R.H.S._, Author of “Historic Romance,” “Modern Yorkshire Poets,” etc. LONDON: GEORGE REDWAY, YORK STREET, COVENT GARDEN. 1887. PREFACE. The aim of this book is to furnish a reliable account of remarkable frosts occurring in this country from the earliest period in our Annals to the present time. In many instances, I have given particulars as presented by contemporary writers of the scenes and circumstances described. In the compilation of this Chronology, several hundred books, magazines, and newspapers, have been consulted, and a complete list would fill several pages. I must not, however, omit to state that I have derived much valuable information from a scarce book printed on the Ice of the River Thames, in the year 1814, and published under the title of “Frostiana.” I have gleaned information from the late Mr. Cornelius Walford’s “Famines of the World,” which includes a carefully prepared summary of “The Great Frosts of History.” Some of the poems in my pages, bibliographical notes and facts, are culled from Dr. Rimbault’s “Old Ballads Illustrating the Great Frost of 1683-4,” issued by the Percy Society. It will be also observed that I have drawn curious information from Parish Registers and old Parish Accounts. Several ladies and gentlemen have rendered me great assistance, and amongst the number must be named, with gratitude, Mrs. George Linnæus Banks, author of “The Manchester Man;” Mr. Jesse Quail, F.S.S., editor of the _Northern Daily Telegraph_; Mr. C. H. Stephenson, actor, author, and antiquary; Mr W. H. K. Wright, F.R.H.S., editor of the _Western Antiquary_; Mr. W. G. B. Page, of the Hull Subscription Library; Mr. Frederick Ross, F.R.H.S., and Mr. Ernest E. Baker, editor of the “Somersetshire Reprints.” Mr. E. H. Coleman kindly prepared for me a long list of books and magazines containing articles on this subject. I have to thank Mr. Mason Jackson, the author of “The Pictorial Press,” for kindly presenting to me the quaint cut which appears on page 29 of my work. In 1881, the greater part of the matter contained in this book appeared in the _Bradford Times_, a well-conducted journal, under the able editorship of Mr. W. H. Hatton, F.R.H.S. The articles attracted more than local attention, and I was pressed to reproduce them in a volume, but owing to various circumstances, I have not been able to comply with the request until now. The record is now brought up to date, and many facts and particulars, gleaned since the articles appeared, have been added. WILLIAM ANDREWS. Rose Cottage, Hessle, Hull, January, 1887. [Illustration] Famous Frosts and Frost Fairs in Great Britain. [Sidenote: A.D.] [Sidenote: 134] Thames frozen over for two months. [Sidenote: 153] Very severe frost, lasting nearly three months. English rivers frozen, including the Thames. [Sidenote: 173] A frost lasted three months, and was followed by a dearth. [Sidenote: 220] A continuous frost of five months in Britain. [Sidenote: 250] Thames frozen for nine weeks. [Sidenote: 290-91] Severe frost lasted six weeks. English rivers frozen. [Sidenote: 359] The frost very severe in England and Scotland. It lasted fourteen weeks in the latter country. [Sidenote: 474] Four months’ frost, and great snow. [Sidenote: 507-8] Frost lasted two months: rivers frozen. [Sidenote: 525] Thames frozen for six weeks. [Sidenote: 604] A frost lasting four months, followed by dearth in Scotland: also very severe in England. [Sidenote: 670] “A fatal frost.”--SHORT. [Sidenote: 695] Thames frozen for six weeks, and booths erected on the ice. [Sidenote: 759-60] Frost from October 1st, 759, to February 26th, 760. [Sidenote: 821] Great frost after two or three weeks’ rain. [Sidenote: 827] Thames frozen for nine weeks. [Sidenote: 908] The greater part of the English rivers frozen for two months. [Sidenote: 923] Thames frozen for thirteen weeks. [Sidenote: 962] The frost this year was so great as to cause a famine. [Sidenote: 975] Severe frost. [Sidenote: 987] This year is notable for a frost lasting one hundred and twenty days. [Sidenote: 998] Thames frozen for five weeks. [Sidenote: 1020] Very severe frost. [Sidenote: 1035] Short says: “Frost on Midsummer day; all grass and grain and fruit destroyed; a dearth.” [Sidenote: 1059] Great frost, followed by a severe plague and famine. [Sidenote: 1061] Thames frozen for seven weeks. [Sidenote: 1063] Fourteen weeks’ frost: Thames frozen. [Sidenote: 1076-7] Frost lasted from 1st November, 1076, to 15th April, 1077. It is recorded in the “Harleian Miscellany,” iii, page 167, that: “In the tenth year of his [William the Conqueror] reign, the cold of winter was exceeding memorable, both for sharpness and for continuance; for the earth remained hard from the beginning of November until the midst of April then ensuing.” [Sidenote: 1086] According to Walford’s “Insurance Cyclopædia,” “The weather was so inclement that in the unusual efforts made to warm the houses, nearly all the chief cities of the kingdom were destroyed by fire, including a great part of London and St. Paul’s.” [Sidenote: 1092] In this year occurred a famous frost, and it is stated, in the quaint language of an old chronicler, that “the great streams [of England] were congealed in such a manner that they could draw two hundred horsemen and carriages over them; whilst at their thawing, many bridges, both of wood and stone, were borne down, and divers water-mills were broken up and carried away.” [Sidenote: 1095-99] Very severe winters. [Sidenote: 1114-15] The following is from an “Old Chronicle:” “Great frost; timber bridges broken down by weight of ice. This year was the winter so severe with snow and frost, that no man who was then living ever remembered one more severe; in consequence of which there was great destruction of cattle.” [Sidenote: 1121-22] A severe frost killed the grain crops. A famine followed. [Sidenote: 1128] Very severe frost. [Sidenote: 1149-50] Frost lasted from 10th December to 19th February. [Sidenote: 1154] A great frost. [Sidenote: 1176] A frost lasted from Christmas to Candlemas. [Sidenote: 1205] In Stow’s “Chronicle,” it is recorded that on the 14th day of January, 1205, “began a frost which continued till the 20th day of March, so that no ground could be tilled; whereof it came to passe that, in the summer following, a quarter of wheat was sold for a mark of silver in many places of England, which for the most part, in the days of King Henry II., was sold for twelve pence; a quarter of oats for forty pence, that were wont to be sold for fourpence. Also the money was so sore clipped that there was no remedy but to have it renewed.” Short states, “Frozen ale and wine sold by weight.” [Sidenote: 1207] Fifteen weeks’ frost. [Sidenote: 1209] A long and hard winter followed by dearth. [Sidenote: 1221] Severe frost. [Sidenote: 1226] Severe frost and snow. [Sidenote: 1233] Frost lasted until Candlemas. [Sidenote: 1234-35] Penkethman gives the following particulars of this frost: “18 Henry III. was a great frost at Christmasse, which destroyed the corne in the ground, and the roots and hearbs in the gardens, continuing till Candlemasse without any snow, so that no man could plough the ground, and all the yeare after was unseasonable weather, so that barrenesse of all things ensued, and many poor folks died for the want of victualls, the rich being so bewitched with avarice that they could yield them no reliefe.” [Sidenote: 1241] A great frost after a heavy fall of snow. [Sidenote: 1250] Very severe frost. [Sidenote: 1254] A severe frost from 1st January to 14th March. [Sidenote: 1263] On St. Nicholas’s Day a month’s hard frost set in. [Sidenote: 1269] A frost lasted from 30th November to the 2nd February. [Sidenote: 1281-2] “From Christmas to the Purification of Our Lady, there was such a frost and snow as no man living could remember the like: where, through five arches of London Bridge, and all Rochester Bridge, were borne downe and carried away by the streame; and the like hapned to many other bridges in England. And, not long after, men passed over the Thames between Westminster and Lambeth dryshod.”--Stow,
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[Illustration: "MR. LOFTUS DEACON LAY IN A POOL OF BLOOD" (_p. 209_).] THE DORRINGTON DEED-BOX THE DORRINGTON DEED-BOX BY ARTHUR MORRISON AUTHOR OF "A CHILD OF THE JAGO," "TALES OF MEAN STREETS," "MARTIN HEWITT: INVESTIGATOR," ETC. _ILLUSTRATED_. LONDON: WARD, LOCK & CO., LIMITED, WARWICK HOUSE, SALISBURY SQUARE, E.C. NEW YORK AND MELBOURNE. CONTENTS PAGE I. THE NARRATIVE OF MR. JAMES RIGBY 1 II. THE CASE OF JANISSARY 53 III. THE CASE OF THE "MIRROR OF PORTUGAL" 101 IV. THE AFFAIR OF THE "AVALANCHE BICYCLE AND TYRE CO., LIMITED" 151 V. THE CASE OF MR. LOFTUS DEACON 199 VI. OLD CATER'S MONEY 255 _THE NARRATIVE OF MR. JAMES RIGBY_ THE DORRINGTON DEED-BOX I The Narrative of Mr. James Rigby I shall here set down in language as simple and straightforward as I can command, the events which followed my recent return to England; and I shall leave it to others to judge whether or not my conduct has been characterised by foolish fear and ill-considered credulity. At the same time I have my own opinion as to what would have been the behaviour of any other man of average intelligence and courage in the same circumstances; more especially a man of my exceptional upbringing and retired habits. I was born in Australia, and I have lived there all my life till quite recently, save for a single trip to Europe as a boy, in company with my father and mother. It was then that I lost my father. I was less than nine years old at the time, but my memory of the events of that European trip is singularly vivid. My father had emigrated to Australia at the time of his marriage, and had become a rich man by singularly fortunate speculations in land in and about Sydney. As a family we were most uncommonly self-centred and isolated. From my parents I never heard a word as to their relatives in England; indeed to this day I do not as much as know what was the Christian name of my grandfather. I have often supposed that some serious family quarrel or great misfortune must have preceded or accompanied my father's marriage. Be that as it may, I was never able to learn anything of my relatives, either on my mother's or my father's side. Both parents, however, were educated people, and indeed I fancy that their habit of seclusion must first have arisen from this circumstance, since the colonists about them in the early days, excellent people as they were, were not as a class distinguished for extreme intellectual culture. My father had his library stocked from England, and added to by fresh arrivals from time to time; and among his books he would pass most of his days, taking, however, now and again an excursion with a gun in search of some new specimen to add to his museum of natural history, which occupied three long rooms in our house by the Lane Cove river. I was, as I have said, eight years of age when I started with my parents on a European tour, and it was in the year 1873. We stayed but a short while in England at first arrival, intending to make a longer stay on our return from the Continent. We made our tour, taking Italy last, and it was here that my father encountered a dangerous adventure. We were at Naples, and my father had taken an odd fancy for a picturesque-looking ruffian who had attracted his attention by a complexion unusually fair for an Italian, and in whom he professed to recognise a likeness to Tasso the poet. This man became his guide in excursions about the neighbourhood of Naples, though he was not one of the regular corps of guides, and indeed seemed to have no regular occupation of a definite sort. "Tasso," as my father always called him, seemed a civil fellow enough, and was fairly intelligent; but my mother disliked him extremely from the first, without being able to offer any very distinct reason for her aversion. In the event her instinct was proved true. [Illustration: HIS ASSAILANT FELL DEAD.] "Tasso"--his correct name, by the way, was Tommaso Marino--persuaded my father that something interesting was to be seen at the Astroni crater, four miles west of the city, or thereabout; persuaded him, moreover, to make the journey on foot; and the two accordingly set out. All went well enough till the crater was reached, and then, in a lonely and broken part of the hill, the guide suddenly turned and attacked my father with a knife, his intention, without a doubt, being murder and the acquisition of the Englishman's valuables. Fortunately my father had a hip-pocket with a revolver in it, for he had been warned of the danger a stranger might at that time run wandering in the country about Naples. He received a wound in the flesh of his left arm in an attempt to ward off a stab, and fired, at wrestling distance, with the result that his assailant fell dead on the spot. He left the place with all speed, tying up his arm as he went, sought the British consul at Naples, and informed him of the whole circumstances. From the authorities there was no great difficulty. An examination or two, a few signatures, some particular exertions on the part of the consul, and my father was free, so far as the officers of the law were concerned. But while these formalities were in progress no less than three attempts were made on his life--two by the knife and one by shooting--and in each his escape was little short of miraculous. For the dead ruffian, Marino, had been a member of the dreaded Camorra, and the Camorristi were eager to avenge his death. To anybody acquainted with the internal history of Italy--more particularly the history of the old kingdom of Naples--the name of the Camorra will be familiar enough. It was one of the worst and most powerful of the many powerful and evil secret societies of Italy, and had none of the excuses for existence which have been from time to time put forward on behalf of the others. It was a gigantic club for the commission of crime and the extortion of money. So powerful was it that it actually imposed a regular tax on all food material entering Naples--a tax collected and paid with far more regularity than were any of the taxes due to the lawful Government of the country. The carrying of smuggled goods was a monopoly of the Camorra, a perfect organisation existing for the purpose throughout the kingdom. The whole population was terrorised by this detestable society, which had no less than twelve centres in the city of Naples alone. It contracted for the commission of crime just as systematically and calmly as a railway company contracts for the carriage of merchandise. A murder was so much, according to circumstances, with extras for disposing of the body; arson was dealt in profitably
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E-text prepared by Nicole Apostola, Charles Franks, and the Online Distributed Proofreading Team HARRY HEATHCOTE OF GANGOIL A Tale of Australian Bush-Life. by ANTHONY TROLLOPE, Author of "The Warden", "Barchester Towers," "Orley Farm," "The Small House at Arlington", "The Eustace Diamonds," &c., &c. Illustrated. HARRY HEATHCOTE CHAPTER I. GANGOIL. Just a fortnight before Christmas, 1871, a young man, twenty-four years of age, returned home to his dinner about eight o'clock in the evening. He was married, and with him and his wife lived his wife's sister. At that somewhat late hour he walked in among the two young women, and another much older woman who was preparing the table for dinner. The wife and the wife's sister each had a child in her lap, the elder having seen some fifteen months of its existence, and the younger three months. "He has been out since seven, and I don't think he's had a mouthful," the wife had just said. "Oh, Harry, you must be half starved," she exclaimed, jumping up to greet him, and throwing her arm round his bare neck. "I'm about whole melted," he said, as he kissed her. "In the name of charity give me a nobbler. I did get a bit of damper and a pannikin of tea up at the German's hut; but I never was so hot or so thirsty in my life. We're going to have it in earnest this time. Old Bates says that when the gum leaves crackle, as they do now, before Christmas, there won't be a blade of grass by the end of February." "I hate Old Bates," said the wife. "He always prophesies evil, and complains about his rations." "He knows more about sheep than any man this side of the Mary," said her husband. From all this I trust the reader will understand that the Christmas to which he is introduced is not the Christmas with which he is intimate on this side of the equator--a Christmas of blazing fires in-doors, and of sleet arid snow and frost outside--but the Christmas of Australia, in which happy land the Christmas fires are apt to be lighted--or to light themselves--when they are by no means needed. The young man who had just returned home had on a flannel shirt, a pair of mole-skin trowsers, and an old straw hat, battered nearly out of all shape. He had no coat, no waistcoat, no braces, and nothing round his neck. Round his waist there was a strap or belt, from the front of which hung a small pouch, and, behind, a knife in a case. And stuck into a loop in the belt, made for the purpose, there was a small brier-wood pipe. As he dashed his hat off, wiped his brow, and threw himself into a rocking-chair, he certainly was rough to look at, but by all who understood Australian life he would have been taken to be a gentleman. He was a young squatter, well known west of the Mary River, in Queensland. Harry Heathcote of Gangoil, who owned 30,000 sheep of his own, was a magistrate in those parts, and able to hold his own among his neighbors, whether rough or gentle; and some neighbors he had, very rough, who made it almost necessary that a man should be able to be rough also, on occasions, if he desired to live among them without injury. Heathcote of Gangoil could do all that. Men said of him that he was too imperious, too masterful, too much inclined to think that all things should be made to go as he would have them. Young as he was, he had been altogether his own master since he was of age--and not only his own master, but the master also of all with whom he was brought into contact from day to day. In his life he conversed but seldom with any but those who were dependent on him, nor had he done so for the last three years. At an age at which young men at home are still subject to pastors and masters, he had sprung at once into patriarchal power, and, being a man determined to thrive, had become laborious and thoughtful beyond his years. Harry Heathcote had been left an orphan, with a small fortune in money, when he was fourteen. For two years after that he had consented to remain quietly at school, but at sixteen he declared his purpose of emigrating. Boys less than himself in stature got above him at school, and he had not liked it. For a twelvemonth he was opposed by his guardian; but at the end of the year he was fitted forth for the colony. The guardian was not sorry to be quit of him, but prophesied that he would be home again before a year was over. The lad had not returned, and it was now a settled conviction among all who knew him that he would make or mar his fortune in the new land that he had chosen. He was a tall, well-made young fellow, with fair hair and a good-humored smile, but ever carrying in his countenance marks of what his enemies called pig-headedness, his acquaintances obstinacy, and those who loved him firmness. His acquaintances were, perhaps, right, for he certainly was obstinate. He would take no man's advice, he would submit himself to no man, and in the conduct of his own business preferred to trust to his own insight than to the experience of others. It would sometimes occur that he had to pay heavily for his obstinacy. But, on the other hand, the lessons which he learned he learned thoroughly. And he was kept right in his trade by his own indefatigable industry. That trade was the growth of wool. He was a breeder of sheep on a Queensland sheep-run, and his flocks ran far afield over a vast territory of which he was the only lord. His house was near the river Mary, and beyond the river his domain did not extend; but around him on his own side of the river he could ride for ten miles in each direction without getting off his own pastures. He was master, as far as his mastership went, of 120,000 acres--almost an English county--and it was the pride of his heart to put his foot off his own territory as seldom as possible. He sent his wool annually down to Brisbane, and received his stores, tea and sugar, flour and brandy, boots, clothes, tobacco, etc., once or twice a year from thence. But the traffic did not require his own presence at the city. So self-contained was the working of the establishment that he was never called away by his business, unless he went to see some lot of highly bred sheep which he might feel disposed to buy; and as for pleasure, it had come to be altogether beyond the purpose of his life to go in quest of that. When the work of the day was over, he would lie at his length upon rugs in the veranda, with a pipe in his mouth, while his wife sat over him reading a play of Shakspeare or the last novel that had come to them from England. He had married a fair girl, the orphan daughter of a bankrupt squatter whom he had met in Sydney, and had brought her and her sister into the Queensland bush with him. His wife idolized him. His sister-in-law, Kate Daly, loved him dearly--as she had cause to do, for he had proved himself to be a very brother to her; but she feared him also somewhat. The people about the Mary said that she was fairer and sweeter to look at even than the elder sister. Mrs. Heathcote was the taller of the two, and the larger-featured. She certainly was the higher in intellect, and the fittest to be the mistress of such an establishment as that at Gangoil. When he had washed his hands and face, and had swallowed the very copious but weak allowance of brandy-and-water which his wife mixed for him, he took
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Produced by Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Sophie May’s Complete Works Any Volume Sold Separately LITTLE FOLKS’ BOOKS LITTLE PRUDY’S CHILDREN _Illustrated_ _Per Volume 75 cents_ Wee Lucy Jimmie Boy Kyzie Dunlee _Other Volumes in Preparation_ LITTLE PRUDY STORIES _Six Volumes_ _Illustrated_ _Per Volume 75 cents_ Little Prudy Little Prudy’s Sister Susie Little Prudy’s Captain Horace Little Prudy’s Cousin Grace Little Prudy’s Story Book Little Prudy’s Dotty Dimple DOTTY DIMPLE SERIES _Six Volumes_ _Illustrated_ _Per Volume 75 cents_ Dotty Dimple at Her Grandmother’s Dotty Dimple Out West Dotty Dimple at School Dotty Dimple at Home Dotty Dimple at Play Dotty Dimple’s Flyaway LITTLE PRUDY FLYAWAY SERIES _Six Volumes_ _Illustrated_ _Per Volume 75 cents_ Little Folks Astray Prudy Keeping House Aunt Madge’s Story Little Grandmother Little Grandfather Miss Thistledown FLAXIE FRIZZLE STORIES _Six Volumes_ _Illustrated_ _Per Volume 75 cents_ Flaxie Frizzle Doctor Papa Little Pitchers Twin Cousins Flaxie’s Kittyleen Flaxie’s Growing Up “GIRLHOOD” BOOKS THE QUINNEBASSET SERIES _Six Volumes_ _Illustrated_ _Per Volume $1.50_ The Doctor’s Daughter Quinnebasset Girls In Old Quinnebasset Our Helen The Asbury Twins Janet; A Poor Heiress HER FRIEND’S LOVER A Novel _Paper 50 cts. cloth $1.25_ _An Illustrated Catalogue of “Sophie May’s Stories” sent by mail postpaid on application_ LEE AND SHEPARD PUBLISHERS BOSTON _FLAXIE FRIZZLE STORIES._ LITTLE PITCHERS. BY SOPHIE MAY, AUTHOR OF “LITTLE PRUDY STORIES,” “DOTTY DIMPLE STORIES,” “LITTLE PRUDY’S FLYAWAY STORIES,” “FLAXIE FRIZZLE,” “DOCTOR PAPA,” ETC. _ILLUSTRATED._ BOSTON 1895 LEE AND SHEPARD PUBLISHERS 10 MILK STREET NEXT “THE OLD SOUTH MEETING HOUSE” COPYRIGHT, 1878, BY LEE AND SHEPARD _All rights reserved._ CONTENTS. CHAPTER PAGE I. POLLIO AND POSY 9 II. GOING TO SCHOOL 26 III. “THE FINNY-CASTICS” 40 IV. NOT THE END OF IT 61 V. ON ALL-FOURS 79 VI. BEPPO TALKING 94 VII. THE LAKE OF LILIES 113 VIII. POSY’S ROSEBUD 127 IX. GOING VISITING 143 X. THE QUAKER MEETING 157 XI. POLLIO MAKES UP HIS MIND 175 XII. HOP-CLOVER’S HOME 190 LITTLE PITCHERS. CHAPTER I. POLLIO AND POSY. THERE were seven Pitchers in the family,—Judge Pitcher and his wife and five children; but, as the twins were the youngest of all, they were often called “the Little Pitchers.” They were Flaxie Frizzle’s cousins; and the more I think about them, the more I think I will try to put them into a story. They lived so far away from New York, that Flaxie had never seen, and had scarcely ever heard of them. Their home was in a town we will call Rosewood, on the banks of a beautiful river, and so high up that the air was very pure and cool; only it did not seem like living on a hill, for, as far as you could see, the whole country looked nearly as flat as a table. The twins were four years old. I don’t mean that was always their age; but they were four when our story begins. If you had looked in the great gilt-edged family Bible on the parlor-table, you would have seen that their whole names were Napoleon Bonaparte Pitcher, and Josephine Bonaparte Pitcher; but it did no great harm, for nobody called them any thing worse than Pollio and Posy. “_I_ don’t fink we’re twins,” said Pollio, the boy; “I fink we’re _odds_. We don’t look any bit alike.” And they didn’t. Strangers often asked if Pollio belonged to the family; for he looked like a French boy, with his straight dark hair, brown eyes, and brown skin. Posy’s hair fell in golden curls; her eyes were blue, and her face very fair. Pollio was so homely and funny that it made you laugh; and she was so beautiful that it made you smile. They had two high chairs exactly alike; only Pollio had rubbed the arms of his with his elbows, and scratched them sadly with his fork. They had each a fur cap and tippet to wear in the winter; only Posy kept hers on a nail, and Pollio threw his down wherever he happened to be. No, they were not “any bit alike;” but what loving little friends they were, and how gayly they did trudge about the grounds at home, and up and down the village street, with their arms around each other’s waists! The neighbors came to the windows of their houses as the little couple passed by, saying, “See those little Pitchers! Don’t they look like Tom Thumb and his wife?” When people spoke to them, Posy dropped her eyes, and blushed; but Pollio held up his head, and made answer for both. Once, in the winter, when they were going out walking, and Posy was half stifled with her fur cap and a big comforter wound twice round her neck, Pollio said,— “She wants to walk _sturbously_ free, and not be mumbled up.” “Sturbously” was one of his big words that mamma had to guess at; but she unwound the comforter, and Pollio said,— “Fank you. It’s awful mild, and she fought she’d choke. Good-by now: we’re going.” “Posy would never have complained of the comforter; but she has a brother who is always ready to scold for her,” said mamma, looking fondly after her darlings. “Don’t you be afraid; there sha’n’t any dogs hurt _you_,” she heard him say to his timid little sister, as Dr. Field’s Fido barked at their heels. He often promised to protect his mother and his aunt Ann from the same dog, and from all the horses in town; for Pollio was a very brave boy. “Good-morning, General Pollio! Good-morning, Mrs. _Posio_! Guess what I’ve got in my jug,” called out Bobby Thatcher. So of course the children followed him; and when they came home from their walk, instead of being “mumbled up,” Pollio had left his ulster at Mrs. Thatcher’s, and his jacket was sticky with maple-sirup. “What _did_ you wipe your hands on?” asked aunt Ann. “On my apron.” But looking down, and seeing he wore none, he added promptly, “_If I’d had one on._” Aunt Ann laughed, and “hoped he had not been teasing the neighbors for something to eat.” “What you s’pose?” cried Pollio indignantly. “I only told Mrs. Fatcher, ‘Oh, _dear_, we’re so hunger-y!’” Mrs. Thatcher spoiled the twins a little; and so, I fear, did most of the neighbors, as well as the family at home; but they _did_ have such a good time in this bright, fresh, beautiful world! Pollio had what his uncle Rufus called “a strong sense of the funny,” and could imitate all sorts of noises. He could crow, bark, and mew, and even bray like a donkey. Teddy, the boy next older, was handsomer and behaved better; but Posy thought the sun never shone on a boy so bright as “her Pollio.” Their papa was gone from home a great deal, attending court. The twins had no idea what a court might be; but Pollio “fought” it was some kind of a store, for papa always came home from it with his pockets full of presents. He was a great fleshy man, a little gray and a little bald, with the most winning smile around the corners of his mouth. He liked to see his children all about him when he was at home; so he would not stay up stairs in his study, but wrote every evening at the parlor-table between the two front-windows. Nunky—that was uncle Rufus Gilman—sat in the corner, reading; Nanty—that was aunt Ann Pitcher—sat by a little basket-table, sewing; Edith and Dick—the older brother and sister—pretended to study; and mamma—well, mamma spent half her time keeping the three youngest children away from papa’s inkstand. One evening Pollio got down on all-fours, put up his back, and hissed like a cat. His father only laughed till he hit the table and upset the inkstand, and then he had to be sent out of the room. Posy begged to go too: she always wanted to be punished with Pollio. Eliza Potter, the cook, was washing dishes when they came into the kitchen. “O you little witch, quit that!” said she to Pollio, as he began to build houses with the knives and forks. It always amused him to hear her say “Quit that!” and to see her wink her eyelashes. The more she scolded, the faster she winked. Next evening Pollio was noisy again in the parlor; but nobody minded it till he said,— “Don’t you see I’m naughty, mamma? Why don’t you send me out in the kitchen?” He wanted to tease Eliza again; but his mother punished him this time by sending him to bed. It seemed pretty hard; for he was very wide awake, and, though not afraid, found it rather lonesome without his bed-fellow, Teddy. In a few moments he was heard screaming, and his mother ran up to see what was the matter. “O Lord! I’m a poor little boy all alone in the dark. Do send me a la-amp, a la-amp, a _la-amp_!” “Pollio!” exclaimed his mother as soon as she could reach his chamber. “Why, mamma,” said he, looking up in her face very innocently, “I was only _praying_! You want me to pray, don’t you?” Mamma told Nunky afterwards that she did not know what to say to her queer little boy. He and Posy both had such strange ideas about God, that she wished Nunky would talk with them some time and try to make them understand who He is and why we should pray to Him. Nunky said, perhaps they were too young; but he would do the best he could. He was like a father to them when their own father was gone. He was quite a young man, and an artist. And here I will stop a moment, and tell you more about him. He had a room at the very top of the house, called a studio; and you climbed some crooked stairs to reach it. He spent all his mornings in this room, with the door locked but once or twice the twins had peeped in and seen him sitting before a great easel painting pictures. He wore a gray dressing gown, and velvet cap with a tassel; and the sun poured straight down on his head through a hole in the roof. “Ho yo! that’s jolly!” shouted Pollio. Instantly the door was shut in his face. So unkind of Nunky! The twins wouldn’t have meddled with his paints, of course: hadn’t they _told_ him they wouldn’t meddle? “If we once got in, he’d want us to stay: he finks _everyfing_ of us,” said Pollio to Posy. “Let’s get in,” said she. So one day they crept up stairs and knocked. Posy had her doll, and Pollio his drum; for they meant to make it very pleasant for Nunky. Knock! knock! “We won’t be _sturbous_!” said Pollio. “Can’t we come in a tinty minute?” pleaded Posy, fumbling at the keyhole; while Pollio’s drum tumbled down stairs, rattlety bang. Instead of answering, Nunky growled like a bear, and roared like a lion; and they were obliged to go at last; for they might have stood all day without getting in. Nunky was a man that couldn’t be coaxed. But that very evening, when his work was done, he was perfectly lovely, and played for them on his flute. The tune Pollio liked best was “The Shepherd’s Pipe upon the Mountain.” He thought it was a meerschaum like papa’s, and the shepherd was smoking it as he drove his sheep along. Nunky forgot to say he was making his flute sound like a _bagpipe_. But the tune Posy liked best was “The Mother’s Prayer,” low and faint at first, then growing clearer and sweeter. “Well, darling, what does it make you think of?” said Nunky as she sat on his knee, her wee hands folded, and her eyes raised to his face. “Makes me fink of the heaven-folks,” replied she solemnly. “I wish little Alice would come down here and live again. Me and Pollio, we’d be very glad.” Alice was a little sister she had never seen. “I’ve asked God to send her down,” said Pollio; “but He won’t. I sha’n’t pray to God any more. _You_ may if you want to, Posy; but _I_ sha’n’t. I keep a-talkin’, and He don’t say a word.” Now was the time for Nunky to tell them something about God; but what should he say? What could they understand? “God does speak to you, Pollio: not in words; but he speaks to your _heart_.” “Oh! does He? I know where my heart is,—right here under my jag-knife pocket.” “Well, there is a voice in there sometimes, that tells you when you do wrong.” “Is there?—-Put your ear down, Posy. Can you hear anyfing?” “No, no,” said Nunky, trying not to smile: “the voice isn’t heard; it is _felt_. Tell me, little ones, don’t you _feel_ sorry when you do wrong?” “When I get sent to bed I do,” said Pollio. “Once I felt awful bad when I fell down cellar,” remarked Posy. Nunky smiled outright then, and had a great mind not to say any more; but he did so wish to plant a seed of truth in these little minds! “Was it right, Pollio, to take those tarts yesterday without leave?” The little boy hung his head, and wondered how Nunky knew about that. “Didn’t something tell you it was wrong?” “Yes, sir,” whispered Pollio faintly. “Well, that was God’s voice. He spoke to your heart then.” “Oh!” Pollio began to understand. “That is the way He speaks. Now, I don’t want to hear you say again, ‘I keep a-talkin’ and a-talkin’, and He don’t say a word.’” “No, I won’t,” said Pollio, his brown face lighting up. “He whispers right under your pocket. I’m going to pray some more now: I’d just as lief pray as not.” “So’d I,” said Posy. “But I sha’n’t ask him to ‘bless papa and mamma, and _everybody_,’ ’cause I don’t want him to bless the naughty Indians; do _you_, Nunky?” “Ask him to make them good,” replied Nunky, stroking the little golden head, and wondering how much Posy understood of what he had been saying. “Well, I will. I love God and the angels better’n I do you, Nunky. Of course I _ought_ to love the heaven-folks best.” “Does God do just what you ask him to when you pray?” said Pollio, who had been for some moments lost in thought. “Yes, if He thinks it best, he does.” “Well, then, I sha’n’t say, ‘Accept me through thy Son;’ for the _sun_ is too hot: I’d rather go through the _moon_.” Nunky had to turn his head away to laugh. He did not try in the least to explain any thing more to Pollio that evening, and he really thought all his words had been thrown away. But this was a mistake. A new idea had entered the children’s minds,—an idea they would never forget. Nunky found this out a long while afterward, and was very glad he had taken so much pains. But just now he had talked long enough; so he dropped the children from his knee suddenly, pretending he hadn’t known they were there. “What! _you_ here, little Pitchers? Off with you this minute!—Oh, no! come back: you haven’t thanked me for the music.” Nunky was careful of their manners; but I think, too, he had “a strong sense of the funny” as well as Pollio, and enjoyed seeing his nephew pull his front-hair and make a bow; while Posy dropped a deep, deep courtesy, and they both lisped out,— “Fank you, Nunky.” You know, Pollio’s hair was uncommonly straight and black, and he twitched it as if he were pulling a bell-rope; and Posy, being rather fat, bounced up and down like a rubber ball. I am sure their uncle made them say “Fank you” when there wasn’t the least need of it, just to see how comical they looked. CHAPTER II. GOING TO SCHOOL. WHEN the twins were five years old, they began to go to school. As they were trudging along with Teddy and the dog on the first morning, feeling very happy and very important, Edith called aunt Ann to see how cunning they looked,—Posy in a white frock and sun-bonnet; and Pollio all in blue, with a white sailor-hat. Posy had curled some dandelion-stems, and Teddy had tied them to the dog’s ears; so Beppo was as fine as the twins. Dr. Field met the merry party on the street. “Good-morning, little _twimlings_! Going to school? Well, don’t be _sturbous_, my dears.” Pollio pulled Posy along with a jerk. “Oh! give my regards to the family when you go home, and tell your mamma I disapprove of your studying too hard.” Pollio ran faster yet. He never could see the least fun in the doctor’s jokes. The schoolhouse was a large brick building, half a mile away; and the teacher seemed very glad to see the twins (of course they knew she would be), and she let them sit together. They liked it extremely, till Pollio happened to observe that he was one boy in the midst of forty girls: whereupon he stalked out to Miss Chase, and said with great dignity,— “If you’ll scuse me, I want to sit the way the other folks do.” Miss Chase smiled, and seated him beside Jamie Cushing (a boy of eight), and Posy beside a lame girl of seven. Pollio liked Jamie, because he had a pop-gun in his desk, and promised to show him at recess how to fire it off. Posy liked _her_ seat-mate, because she had a very sweet face, and because she hopped on one foot, and dragged the other as a tired bird does; but her clothes were very ragged. “I know who you are: you are Posy Pitcher.” Posy nodded. “And I’m Lucinda Outhouse.” “Oh! are you? And does your mamma know you have such big holes in your clo’es, _Lucy-vindy_?” “Oh! this woman I live with isn’t my mamma: my mamma’s dead.” Posy looked sorry. “My papa died first, and my mamma married me another papa; and then my mamma died, and _he_ married me another _mamma_. But _she_ don’t belong to me, and _he_ don’t belong to me; and I haven’t any papa and mamma.” Posy could not understand. “Don’t you live anywhere?” “Yes, they let me live with ’em; but they don’t like me. Don’t cry, darling,” added _Lucy-vindy_ with a smile and nod: “God’ll take care o’ _me_.” “Oh, yes! He’s one o’ that kind that don’t have anyfing to do but take care o’ folks,” said Posy, her face brightening. And then her class was called. How her little heart beat under her white frock! and how the blushes came in her soft cheeks! She could hardly read above her breath; but Pollio, who had never been to school before any more than she had, and didn’t know quite so much, poked her with his elbow, and whispered, “What you ’fraid of?” And, when his turn came, he read so loud, you could have heard him in the street. “Well, how do you like it, my dears?” asked papa at night. “Oh, she’s the best teacher _I_ ever had!” said Pollio promptly. “Indeed! Have you learned any thing to-day?” “Yes, sir,” said Posy, eager to speak: “_the world walks!_” “You know what she means; ‘the earth moves,’” laughed Teddy. “She heard ’em say that in the jography-class.” Posy could see no difference between walking and moving; but she did wish Teddy wouldn’t laugh at every thing she said. Papa shook his head at Teddy, and went on questioning Posy, who sat on his knee. “Did my little girl whisper in school?” “Yes, sir: once or twice or _three_.” “Oh my! I should think”— “Hush, Teddy! Did you carry your slate, Pollio?” “Yes, sir; and I can make pictures better’n any of ’em.” His father presumed this was true; for Pollio’s drawings were rather remarkable for a small child. “And I draw horses for the fellow that sits with me. He’s a jolly boy,—fires ’tatoes out of a gun.” “Well, the girl with me hops lame,” said Posy, determined not to be outdone by Pollio. “She’s a _hypocrite_.” “_Cripple!_” explained Teddy. “I think it must be the little girl I meet on the street so often,” said Nunky. “I call her ‘Hop-clover.’ She has a very sweet face.” “Her father’s an awful drunkard,” remarked Teddy. “Well, he isn’t her truly papa, and she hasn’t any truly mamma. Her name’s _Lucy-vindy_, and she hasn’t anybody to take care of her but just God. I wish I could give her my pink dress,” begged Posy. “We will see about that,” said mamma. Next day it “rained so hard, the water couldn’t catch its breath;” but the little Pitchers were so eager for school, that their mother let them go. They marched off very proudly under an umbrella; while Teddy walked before them with the books, and Beppo behind with the dinner-pail. “Hop-clover” carried her dinner too; but at noon, when she saw Posy giving Beppo a piece of cold lamb, she thought,— “I ’most wish I was Posy Pitcher’s dog, so she’d give _me_ some meat.” “Where’s your dinner?” said Posy. “Hop-clover” spread it out then on her desk, looking ashamed as she did so; for it was nothing but dry bread and _very_ dried apple-pie. Posy thought that was what came of having such a queer mother that _wasn’t_ a mother; and offered her new friend an orange. “Oh, thank you ever so much!” said Hop-clover, her sad eyes sparkling. “I’ve seen oranges lots of times, but I never ate one before.” Posy looked up in surprise. “What a baby that is!” thought Jimmy Cushing, spying Posy’s innocent face just then as he came along, swinging his arms, and whistling. “Guess I’ll plague her a little.” “Oh! is that you, Posy Pitcher?” said he aloud. “Well, I’ve got something for you.” She blushed and smiled. “Put out your hand,” said he, offering her a clam. “There, just feel of that: isn’t it smooth? Put your fingers inside.” She knew no better than to do as he said; and the clam, which was alive, knew no better than to seize her little hand with a dreadful grip. Dear little Posy screamed fearfully, and some of the larger boys had to come in and break the clam-shell with a hammer before her hand was set free. Pollio knew nothing about it till it was all over, and he found her drying her eyes on Addie Thatcher’s neck. “Hurt you bad, dear?” asked he tenderly. “Yes, it did; and that boy _saw_ how I cried. Why, I cried awf’lly!” The angry brother clinched his fists, and ran to find Jimmy. He did not stop to think of Jimmy’s age and size, but rushed at him wildly, exclaiming, “Take _that_ for ’busing my sister!” It was the last sentence Pollio spoke for five minutes. How _could_ he speak, with Jimmy’s foot on his back, and his own face close to the earth, eating dirt? It was as much as _he_ could do to breathe. “Want to whip me _again_, my son? I’m ready for you!” called out that dreadful Jimmy with a gay laugh. Wasn’t it hateful, when Pollio couldn’t hurt him any more than a fly at the best of times, and needed both hands now to stop the nose-bleed? Pollio ran home in a fever of rage; but when the rain had cooled him a little he dreaded to see his mother, and let her know he had been quarrelling. His aunt Ann met him at the door with a look of amazement; for he had no umbrella, his clothes were soaking with water, and the handkerchief he held to his nose was red with blood. “Fought I’d come home,” stammered he, darting into the entry. “Dr. Field sent his ’gards to you, Nanty.” “You didn’t come home in the rain to tell me that? How _did_ you get hurt so, my child?” Pollio wondered how she knew he was hurt, when he hadn’t told her a word. “Dr. Field _did_ sent his ’gards to you, Nanty.” “Yes, yes.” “And he sent his ’gards to Nunky, and he sent ’em to the whole fam-i-ly.” The last word ended in a wail. His nose did ache so! and—oh, dear!—it was bleeding again. Aunt Ann screamed for his mother. He had taken away the handkerchief, and revealed the worst-looking nose you ever saw on a human boy. She thought it was broken, but it was not. “Jimmy Cushion did that,—the boy I liked that had a pop-gun,” said Pollio after his mother had bathed his face with arnica, and asked him fifty questions. “What! that large boy?” “Yes: he’ll be nine years old ’fore I am,” said little Pollio. “Several years before. Of course, my dear, you had done something to Jimmy?” “No, mamma. You see, I tried to; but I couldn’t!” “Tried to! What made you try, my son?” “Why, you s’pose I’m going to let him ’buse my little sister,—nipping up her hands like a pair o’ tongs with a pair o’ clams?” “Oh! was that it?” Mrs. Pitcher couldn’t help hugging Pollio; for he didn’t seem to mind his own sufferings when he thought of his precious Posy. “Well, my son, if Jimmy pinched her, that was wrong. I like to see you so ready to protect your sister; but you needn’t fly at anybody like a little savage. I _can’t_ have my darling boy fight!” Pollio buried his aching nose in his mother’s bosom. He didn’t want to fight again that day, you may be sure. It was a whole week before he could go to school again; for his nose was hideous. It was red, blue, green, and yellow; and Nunky said nobody could get an education who looked like that. Posy would not go without her brother, and mourned very much because people laughed at him. “Don’t cry about _me_,” said Pollio: “I’m only a boy! If ’twas a girl, ’twould be awful!” CHAPTER III. “THE FINNY-CASTICS.” POLLIO didn’t learn much during his first term at school, except mischief. He learned to whoop like a wild Indian, and stand on his head like the clown at a circus. Eliza said that whoop was “enough to split her ears in two,” and he never entered the house without it. But it was midsummer now, and vacation had begun. Fourth of July was coming; and Judge Pitcher, before going away to attend court, had bought Teddy and Pollio a good supply of pin-wheels and fire-crackers. Posy did not fancy such noisy playthings, and he had given _her_ some money to buy “Hop-clover” a dress. It would not be the Fourth till to-morrow; but Pollio had fired off nearly all his crackers, and was now frightening Posy by climbing the ridge-pole of the barn. While she was running back and forth, clasping her hands, and begging him to come down, their kind old Quaker friend, Mr. Littlefield, drove up to the gate. “Hurry, hurry!” cried Posy: “the _Earthquake’s_ coming.” The Quaker laughed to hear himself called an _earthquake_: though he did shake the floor a little when he walked; for he was a fleshy man,—as large as Judge Pitcher. “How does thee do, Josephine?” said he, patting her curls as he entered the yard. “Where’s thy little brother?” Then, spying him on the roof of the barn, he exclaimed, “Napoleon, Napoleon, come down here! Thee shouldn’t play the monkey like that!” “Napoleon” obeyed quickly. “Now tell me what makes thee climb such high places? Thee’ll break thy neck yet.” “Oh! I told Posy I was going to; and you wouldn’t have me tell her a lie, would you?” replied Pollio with a very serious face. The Quaker would not allow himself to smile at this. “Is thy mother willing to have thee do so?” Pollio knew she was not; and he hung his head, and began to beat the dirt in the road with a stick. He was very fond of Mr. Littlefield, and did not like to have the good man know he ever did wrong. “Stop, my son! Is it possible thee kills snakes?” For Pollio was crushing a little snake with his stick. “No, sir: ’twas dead in the first place, and I just killed it a little more.” The Quaker smiled, and went into the house with the children. He staid to tea; and at the table he observed once or twice that Pollio did not obey his mother the very moment she spoke, and he feared his little pet was growing naughty. “Napoleon,” said he, as the little boy came skipping out after supper to see him mount his horse. (He would never call him Pollio, though he disliked his real name, for “Napoleon Bonaparte was a fighting-man.”) “Napoleon!” “Sir?” said Pollio. “Thee is a great favorite of mine, Napoleon; but I have a
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Produced by Julia Miller and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) BENJAMIN H. TICKNOR. THOMAS B. TICKNOR. GEORGE F. GODFREY. A LIST OF BOOKS PUBLISHED BY TICKNOR AND COMPANY, BOSTON. #Full-faced type# indicates books published since January, 1886. *** FOR THE LATEST ISSUES DESCRIBED, SEE PAGE 19. _AMERICAN-ACTOR SERIES_ (The). Edited by LAURENCE HUTTON. A series of 12mo volumes by the best writers, embracing the lives of the most famous and popular American Actors. Illustrated. Six volumes in three. Sold only in sets. Per set, $5.00. Vol. I. Edwin Forrest. By LAWRENCE BARRETT. The Jeffersons. By WILLIAM WINTER. Vol. II. The Elder and the Younger Booth. By Mrs. ASIA BOOTH CLARKE. Charlotte Cushman. By CLARA ERSKINE CLEMENT. Vol. III. Mrs. Duff. By JOSEPH N. IRELAND. Fechter. By KATE FIELD. 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E-text prepared by Greg Bergquist, Matthew Wheaton, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 42035-h.htm or 42035-h.zip: (http://www.gutenberg.org/files/42035/42035-h/42035-h.htm) or (http://www.gutenberg.org/files/42035/42035-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://archive.org/details/dooryardstories00pier [Illustration: THE VERY RUDE YOUNG ROBINS. _Page 100_] DOORYARD STORIES by CLARA DILLINGHAM PIERSON Author of "Among the Forest People," "Night People," etc. Illustrated by F. C. Gordon New York E. P. Dutton And Company 31 West Twenty-Third Street Copyright, 1903 by E. P. Dutton & Co. Published Sept., 1903 The Knickerbocker Press, New York To MY FATHER WHO FIRST TAUGHT ME TO LOVE MY DOORYARD FRIENDS PREFACE MY DEAR LITTLE FRIENDS:--These stories are of things which I have seen with my own eyes in my own yard, and the people of whom I write are my friends and near neighbors. Some of them, indeed, live under my roof, and Silvertip has long been a member of our family. So, you see, I have not had to do like some writers--sit down and think and think how to make the people act in their stories. These tales are of things which have really happened, and all I have done is to write them down for you. Many of them have been told over and over again to my own little boy, and because he never tires of hearing of the time when Silvertip was a Kitten, and about the Wasps who built inside my shutters, I think you may care to hear also. He wants me to be sure to tell how the baby Swift tumbled down the chimney into his bedroom, and wishes you might have seen it in the little nest we made. When I tell these tales to him, I have great trouble in ending them, for there is never a time when he does not ask: "And what did he do then Mother?" But I am telling you as much as I can of how everything happened, and if there was more which I did not see and cannot describe, you will have to make up the rest to suit yourselves. Besides, you know, there is always much which one cannot see or hear, but which one knows is happening somewhere in this beautiful great world. The birds do not stop living and working and loving when they leave us for the sunny south, and above us, around us, and even under our feet many things are done which we cannot see. As we become better acquainted with the little people who live in our dooryards, we shall see more and more interesting things, and I wish you might all grow to be like my little boy, who is never lonely or in need of a playmate so long as a Caterpillar or a Grasshopper is in sight. See how many tiny neighbors you have around you, and how much you can learn about them. Then you will find your own dooryard as interesting as mine and know that there are playmates everywhere. Your friend, CLARA D. PIERSON. STANTON, MICHIGAN, _October 30, 1902_. CONTENTS PAGE SILVERTIP 1 THE FIGHT FOR THE BIRD-HOUSE 12 THE FIR-TREE NEIGHBORS 22 THE INDUSTRIOUS FLICKERS 36 PLUCKY MRS. POLISTES 48 SILVERTIP STOPS A QUARREL 68 A YOUNG SWIFT TUMBLES 78 THE VERY RUDE YOUNG ROBINS 96 THE SYSTEMATIC YELLOW-BILLED CUCKOO 108 THE HELPFUL TUMBLE-BUGS 121 SILVERTIP LEARNS A LESSON 132 THE ROBINS' DOUBLE BROOD 145 THE SPARROWS INSIDE THE EAVES 158 A RAINY DAY ON THE LAWN 173 THE PERSISTENT PHOEBE 183 THE SAD STORY OF THE HOG CATERPILLAR 199 THE CAT AND THE CATBIRD 210 THE FRIENDLY BLACKBIRDS 222 ILLUSTRATIONS PAGE THE KITTEN LAPPED UP HIS MILK 6 THE FIGHT FOR THE BIRD HOUSE 18 A RED SQUIRREL ATE THEM 34 A VERY CRUEL THING TO DO 38 THE CHIMNEY-SWIFT'S HOME 78 THE VERY RUDE YOUNG ROBINS 100 STUFFED IT DOWN THE WIDE-OPEN BILL 116 MR. CHIPMUNK ON THE WOODPILE 142 "O MOTHER, IT IS RAINING!" 175 "YOU DESERVE TO BE EATEN" 218 SILVERTIP A very small, wet, and hungry Kitten pattered up and down a board walk one cold and rainy night. His fur was so soaked that it dripped water when he moved, and his poor little pink-cushioned paws splashed more water up from the puddly boards every time he stepped. His tail looked like a wet wisp of fur, and his little round face was very sad. "Meouw!" said he. "Meouw! Meouw!" He heard somebody coming up the street. "I will follow that Gentleman," he thought, "and I will cry so that he will be sorry for me and give me a home." When this person came nearer he saw that it was not a Gentleman at all, but a Lady who could hardly keep from being blown away. He could not have seen her except that Cat's eyes can see in the dark. "Meouw!" said the Kitten. "Meouw! Meouw!" "Poor little Pussy!" said a voice above him. "Poor little Pussy! But you must not come with me." "Meouw!" answered he, and trotted right along after her. He was a Kitten who was not easily discouraged. He rubbed up against her foot and made her stop for fear of stepping on him. Then he felt himself gently lifted up and put aside. He scrambled back and rubbed against her other foot. And so it was for more than two blocks. The Lady, as he always called her afterward, kept pushing him gently to one side and he kept scrambling back. Sometimes she even had to stand quite still for fear of stepping on him. "Meouw!" said the Kitten, and he made up his mind that anybody who spoke so kindly to strange Kittens would be a good mistress. "I will stick to her," he said to himself. "I don't care how many times she pushes me away, I _will_ scramble back." When they turned in at a gate he saw a big house ahead of him with many windows brightly lighted and another light on the porch. "I like that home," he said to himself. "I will slip through the door when she opens it." But after she had turned the key in the door she pushed him back and closed the screen between them. Then he heard her say: "Poor little Pussy! I want to take you in, but we have agreed not to adopt another Cat." Then she closed the door. He wanted to explain that he was not really a Cat, only a little Kitten, but he had no chance to say anything, so he waited outside and thought and cried. He did not know that the Lady and her husband feared that Cats would eat the many birds who nested in the trees on the lawn. He thought it very hard luck for a tiny Kitten to be left out in the cold rain while the Lady was reading by a blazing grate fire. He did not know that as she sat by the fire she thought about him instead of her book, for she loved little Kittens, and found it hard to leave any out in the street alone. While he was thinking and crying, a tall Gentleman with a black beard and twinkling brown eyes came striding up to the brightly lighted porch. "Well, Pussy-cat!" said the Gentleman, and took a bunch of shining, jingling things out of his pocket and stuck one of them into a little hole in the door and turned it. Then the door swung open, and the Gentleman, who was trying to close his umbrella and shake off the rain, called first to the Lady and then to the kitten. "O Clara!" he cried. "Come to see this poor little Kitten. Here Kitty, Kitty, Kitty! I know you want to see him. Here Kitty, Kitty, Kitty! I should have thought you would have heard him crying. Here Kitty, Kitty, Kitty!" The Lady came running out and was laughing. "Yes, John," she said, "I have had the pleasure of meeting him before. He was under my feet most of the way home from church to-night, and I could hardly bear to leave him outside. But you know what we promised each other, that we would not adopt another Cat, on account of the birds." The Gentleman sat down upon the stairs and wiped the Kitten off with his handkerchief. "Y-yes, I know," he said weakly, "but Clara, look at this poor little fellow. He couldn't catch a Chipping Sparrow." "Not now," answered the Lady, "yet he will grow, if he is like most Kittens, and you know what we said. If we don't stick to it we will soon have as many Cats as we did a few years ago." The Kitten saw that if he wanted to stay in this home he must insist upon it and be very firm indeed with these people. So he kept on crying and stuck his sharp claws into the Gentleman's sleeve. The Gentleman said "Ouch!" and lifted him on to his coat lapel. There he clung and shook and cried. "Well, I suppose we mustn't keep him then," said he; "but we will give him a warm supper anyway." So they got some milk and heated it, and set it in a shallow dish before the grate. How that Kitten did eat! The Lady sat on the floor beside him, and the Gentleman drew his chair up close, and they said that it seemed hard to turn him out, but that they would have to do it because they had promised each other. The Kitten lapped up his milk with a soft click-clicking of his little pink tongue, and then turned his head this way and that until he had licked all the corners clean. He was so full of warm milk that his sides bulged out, and his fur had begun to dry and stuck up in pointed wisps all over him. He pretended to lap milk long after it was gone. This was partly to show them how well he could wash dishes, and partly to put off the time when he should be thrust out of doors. [Illustration: THE KITTEN LAPPED UP HIS MILK. _Page 6_] When he really could not make believe any longer, his tongue being so tired, he began to cry and rub against these two people. The Gentleman was the first to speak. "I cannot stand this," he said. "If he has to go, I want to get it over." He picked up the Kitten and took him to the door. As fast as he loosened one of the Kitten's claws from his coat he stuck another one in, and at last the Lady had to help get him free. "He is a regular Rough Rider," said the Gentleman. "There is no shaking him off." The Kitten didn't understand what a Rough Rider was, but it did not sound like finding a home, so he cried some more. Then the door was shut behind him and he was alone in the porch. "Well," he said, "I like that house and those people, even if they did put me out. I think I will make them adopt me." So he cuddled down in a sheltered, dry corner, put his four feet all close together, and curled his tail, as far as it would go, around them. And there he stayed all night. In the morning, when the rain had stopped and the sun was shining brightly, he trotted around the house and cried. He went up on to another porch, rubbed against the door and cried. The Maid opened the door and put out some milk for him. He could see into the warm kitchen and smell the breakfast cooking on the range. When she came out to get the empty dish, he slipped in through the open door. She said "Whish!" and "Scat!" and "Shoo!" and tried to drive him out, but he pretended not to understand and cuddled quietly down in a corner where she could not easily reach him. Just then some food began to burn on the range and the Maid let him alone. The Kitten did not cry now. He had other work to do, and began licking himself all over and scratching his ears with his hind feet. When he heard the Gentleman and the Lady talking in the dining-room, he watched his chance and slipped in. He decided to pay the most attention to the Gentleman, for he had been the first to take him up. They were laughing and talking and saying how glad they were that the rain had stopped falling. "I believe, John," the Lady said, "that if it had not been for me, you would really have kept that Kitten last night." "Oh, no," answered the Gentleman. "We ought not to keep Cats. I think that if it had not been for me _you_ would have kept him." Just at that minute the Kitten began climbing up his trousers leg and crying. "Poor little Pussy," said the Gentleman. "Clara, can't we spare some of this cream?" He reached for the pitcher. The Kitten began to feel more sure of a home. "O John, not here?" began the Lady, and the Maid came in to explain how it all happened. The Kitten stuck his claws into the Gentleman's coat and would not let go. Then he cried some more and waved his tail. He had a very beautiful tail, marked just like that of a Raccoon, and he turned it toward the Lady. He had heard somewhere about putting the best foot forward, and thought that a tail might do just as well. While he was waving his tail at the Lady he rubbed his head against the Gentleman's black beard. "If we _should_ keep him, John," said the Lady, "we ought to call him Silvertip, because he has such a pretty white tip to his tail." The Kitten waved it again and began to purr. "If you knew what a strong and fearless fellow he is, you would call him Teddy," answered the Gentleman, turning over a paper which said in big black letters, "Our Teddy Wins." "Call him Teddy Silvertip then," said the Lady, as she reached for the bell. When the Maid came in answer to her ring, she said, "Belle, please take our Kitten into the kitchen and feed him." Then the Kitten let go and was carried away happy, for he had found a home. He had also learned how to manage the Lady and the Gentleman, and he was always _very_ firm with them after that. THE FIGHT FOR THE BIRD-HOUSE Under the cornice of the tool-house was an old cigar-box with a tiny doorway cut in one end and a small board nailed in front of it for a porch. This had been put up for a bird-house, and year after year a pair of Wrens had nested there, until they began to think it really their own. When they left it in the fall to fly south, they always looked back lovingly at it, and talked over their plans for the next summer. "I think we might better leave this nest inside all winter," Mrs. Wren always said. "It will seem so much more home-like when we return, and it will not be much trouble to clear it out afterward." "An excellent plan, my dear," her cheerful little husband would reply. "You remember we did so last season. Besides," he always added, "that will show other birds that Wrens have lived here, and they will know that we are expecting to return, since that is the custom in our family." "And then do you think they will leave it for us?" Mrs. Wren would ask. "You know they might want it for themselves." "What if they did want it?" Mr. Wren had said. "They could go somewhere else, couldn't they? Do you suppose I would ever steal another bird's nesting-place if I knew it?" "N-no," said Mrs. Wren, "but not everybody is as unselfish as you." And she looked at him tenderly. The Wrens were a most devoted couple,--all in all, about the nicest birds on the place. And that was saying a great deal, for there were many nesting there and others who came to find food on the broad lawn. They were small birds, wearing dark brown feathers on the upper parts of their bodies and lighter grayish ones underneath. Even their bills were marked in the same way, with the upper half dark and the lower half light. Their wings were short and blunt, and they had a habit of holding their tails well up in the air. People said that Mrs. Wren was very fussy, and perhaps it was true, but even then she was not a cross person. Besides, if she wished to do a thing over five times in order to make it suit her, she certainly had a perfect right to do so. It was she who always chose the nesting-place and settled all the plans for the family. Mr. Wren was quite content to have it so, since that was the custom among Wrens, and it saved him much work. Mr. Wren was not lazy. He simply wanted to save time for singing, which he considered his own particular business. Besides, he never forgot what had happened to a cousin of his, a young fellow who found fault with his wife and insisted on changing to another nesting-place. It had ended in his going, and her staying there and marrying another Wren. So he had lost both his home and his wife by finding fault. Now the April days had come, with their warm showers and green growing grass. A pair of English Sparrows, who had nested in the woodbine the summer before and raised several large
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Produced by Juliet Sutherland, Steven Brown and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: Colour plate of book cover] [Illustration: Byron portrait plate] PARADISE LOST. BK. XII. _Painting by S. Meteyard._ "They, hand in hand, with wandering steps and slow, Through Eden took their solitary way." (_Paradise Lost. Bk. XII._) [Illustration: Paradise lost plate] A DAY WITH JOHN MILTON BY MAY BYRON [Illustration: "Angel" plate] HODDER & STOUGHTON _In the same Series._ _Tennyson._ _Browning._ _E. B. Browning._ _Burns._ _Byron._ _Longfellow._ _Whittier._ _Rossetti._ _Shelley._ _Scott._ _Coleridge._ _Morris._ _Wordsworth._ _Whitman._ _Keats._ _Shakespeare._ A DAY WITH JOHN MILTON About four o'clock on a September morning of 1665,--when the sun was not yet shining upon his windows facing the Artillery Fields, and the autumnal dew lay wet upon his garden leaves,--John Milton awoke with his customary punctuality, and, true to his austere and abstemious mode of life, wasted no time over comfortable indolence. He rose and proceeded to dress, with the help of his manservant Greene. For, although he was but fifty-four years in age, his hands were partly crippled with gout and chalkstones, and his eyes, clear, bright and blue as they had always been to outward seeming, were both stone-blind. Milton still retained much of that personal comeliness which had won him, at Cambridge, the nickname of "Lady of Christ's College." His original red and white had now become a uniform pallor; his thick, light brown hair, parted at the top, and curling richly on his shoulders--(no close-cropt Roundhead this!)--was beginning to fade towards grey. But his features were noble and symmetrical; he was well-built and well-proportioned; and he was justified in priding himself upon a personal appearance which he had never neglected or despised. In his own words, he was "neither large nor small: at no time had he been considered ugly; and in youth, with a sword by his side, he had never feared the bravest." Such was the man who now, neatly dressed in black, was led into his study, upon the same floor as his bedroom,--a small chamber hung with rusty green,--and there, seated in a large old elbow-chair, received the morning salutations of his three daughters. One after another they entered the room, and each bestowed a characteristic greeting upon her father. Anne, the eldest, a handsome girl of twenty, was lame, and had a slight impediment in her speech. She bade him good-morning with a stammering carelessness, enquired casually as to his night's rest, and stared out of window, palpably bored at the commencement of another monotonous, irksome day. Mary, the second, --dark, impetuous, and impatient,--was in a state of smouldering rebellion. She addressed him in a tone of almost insolent mock-civility, --he must needs have been deaf as well as blind not to detect the unfilial dislike beneath her words. Ten-year-old Deborah, the most affectionate of the three, ventured to kiss her father, even to stroke his long, beautiful hair, and to re-tie the tassels of his collar. "Mary will read to me this morning," said Milton, gravely inclining his head in acknowledgment of Deborah's attentions. The dark girl, with a mutinous shrug of her shoulders, sat down and began to read aloud, in a hard, uninterested voice, out of the great leather-bound Hebrew Old Testament which lay upon the table. And not one single sentence did she understand--not one word of what she was reading. John Milton's theories of education, which he had expounded at length in pamphlets, were a curious blend of the practical and the ideal. Vastly in advance of his time in his demand for a practical training, he had evolved that "fine definition which has never been improved upon,"--"I call a complete and generous education that which fits a man to perform, justly, skilfully and magnanimously, all the offices, both private and public, of peace and war." But he made no allowances for slowness or stupidity: all his schemes were based upon the existence of scholars equally gifted with himself. And he entirely left out of all calculations, much as a Mahommedan might, that complex organism the female mind. He wished it, one must conjecture, to remain a blank. So his daughters had received no systematic schooling, only some sort of home-instruction from a governess. And he had himself trained them to read aloud in five or six languages,--French, Italian, Latin, Greek, Hebrew and even Syriac,--in total ignorance of the meaning. "One tongue," observed Milton brusquely, almost brutally, "is enough for any woman." Mary read on, steadily, stolidly, sullenly, for a full hour. The others had left the room and were busy upon household tasks. At the conclusion of two chapters, "Leave me," commanded Milton, "I would be alone now for contemplation,"--and Mary willingly escaped to breakfast. The great poet reclined in his chair,--wrapt in such solemn and melancholy meditation as might have served as the model for his own _Penseroso_. A severe composure suffused his fine features, a serious sadness looked out of his unclouded eyes; his entire expression was "that of English intrepidity mixed with unutterable sorrow." For Milton was a bitterly disappointed man. It was not merely his comparative poverty,--because the Restoration, besides depriving him of his post as Latin or Foreign Secretary to the Commonwealth Council of State, had reduced his means from various sources almost to vanishing point. Nor was his melancholy mainly the result of his affliction; that he had deliberately incurred, and was as deliberately enduring. Constant headaches, late study, and perpetual recourse to one nostrum after another, had eventuated in the certainty of total blindness if he persisted in his mode of work. "The choice lay before me between dereliction of a supreme duty and loss of eyesight;... and I therefore concluded to employ the little remaining eyesight I was to enjoy in doing this, the greatest service to the common weal it was in my power to render." No: it was not a personal matter which could sadden John Milton to the very roots of his stern, ambitious, courageous soul. It was the contravention of all that he held most dear in life,--the frustration, as he conceived it, of that liberty which was his very heart's blood by the Restoration of the Stuart monarchy. He had resolved, in his own words, to transfer into the struggle for liberty "all my genius and all the strength of my industry." It appeared that he had flung away both in vain. The Stuart monarchy, to him, lay monstrously black, overshadowing all the land, like his own conception of Satan. The Restoration was not merely the political defeat of his party, it was the total defeat of the principles, of the religious and social ideals, with which Milton's life was bound up. He had always stood aloof from the other salient men of the time. Of Cromwell he had practically no personal knowledge: with the bulk of the Presbyterians he was openly at enmity. "Shut away behind a barrier of his own ideas," he did not care to associate with men of less lofty intellectual standing. But now he was even more isolated. Since the downfall of the Puritan regime, he of necessity "stood alone, and became the party himself." And he presented, in his _Samson Agonistes_, "the intensest utterance of the most intense of English poets--the agonised cry of the beaten party," condensed into the expression of one unflinching and heroic soul. Upon the mysterious and inscrutable decrees of Providence, which had laid in the dust what seemed to him the very cause of God, Milton sat and pondered, in a despondency so profound, a disappointment so poignant, that his own great lines had sought in vain to voice it: "... I feel my genial spirits droop, My hopes all flat: Nature within me seems In all her functions weary of herself; My race of glory run, and race of shame, And I shall shortly be with them that rest." (_Samson Agonistes_). Yet his indomitable spirit was by no means quenched in despair: and an outlet was now open to him at last, which for eighteen years he had foregone,--the outlet of poetic expression. He was conscious of his capacity to travel and to traverse the regions which none had dared explore save Dante. And with that tremendous chief of pioneers he was measuring himself, man to man. He was able, above the turmoil of faction and the tumult of conflicting troubles, to weigh "... his spread wings, at leisure to behold Far off the empyreal Heaven, extended wide In circuit, undetermined square or round, With opal towers and battlements adorned Of living sapphire, once his native seat." (_Paradise Lost_). That Milton had been silent for so long a period was due, firstly to his preoccupation with political and polemical questions, into which he had thrown the whole weight of his mind; and, secondly, to the effect of his own firm resolve that the great epic, which, he had always secretly intended, should be the outcome of matured and ripened powers: the apotheosis of all that was worthiest in him: the full fruit of his strenuous life. He had long since arrived at that conclusion, never surpassed in its terseness and truth, that true poetry must be "simple, sensuous, impassioned,"--words which might serve as the text and touchstone of art. "And long it was not after" when he "was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem." For poetry, to John Milton, was no sounding brass or tinkling cymbal; in his hand "the thing became a trumpet," apt to seraphic usages and the rallying of celestial cohorts. Therefore, when he ceased to touch the "tender stops of various quills" that trembled into silence in _Lycidas_, it was not as one discomfited of his attainment. Rather it was as one convinced of a mighty purpose, and patiently awaiting the just time of its fulfilment. The "woodnotes wild" of _Comus_, the exquisitely stippled _genre_ painting of _Allegro_ and _Penseroso_, were mere childish attempts compared with that monumental work to which Milton firmly proposed to devote the fruition of his genius. And now, having become a man through mental and physical experience even more than through the passage of years, he had put away childish things. He had resolved at last upon, and had at last undertaken, the one subject most congenial to his taste, and most suitable to his style and diction. _Paradise Lost_ was the triumphant offspring of his brain. It had sprung, like light, from chaos. Out of the darkness of poverty, blindness and defeat arose the poem which was to set him on the pinnacles of Parnassus. "You make many enquiries as to what I am about" he wrote in bygone years to his old schoolfellow, Charles Diodati. "What am I thinking of? Why with God's help, of immortality! Forgive the word, I only whisper it in your ear. Yes, I am pluming my wings for a flight." Nor was this the idle boasting of an egotist, the empty imagination of a dreamer. Consumed by "the desire of honour and repute and universal fame, seated," as he put it, "in the breast of every true scholar," Milton sedulously and assiduously had prepared himself for the achievement of his aims. That he should "strictly meditate the thankless Muse" required a certain self-control. "To scorn delights and live laborious days" is not the customary delight of a handsome young scholar, expert in swordsmanship as in languages. To equip himself for his self-chosen task, still a misty, undefined prospect in the remotest future, required strenuous and disciplined study; and necessitated his forgoing too frequently the scenes of rustic happiness which he had pictured so charmingly in _L'Allegro_,--absenting himself from "The groves and ruins, and the beloved village elms... where I too, among rural scenes and remote forests, seemed as if I could have grown and vegetated through a hidden eternity." And this, though Milton had neither the eye nor the ear of a born nature-lover, was in itself a sufficient deprivation and sacrifice. For beauty appealed to him with a most earnest insistence,--and the purer, the more abstract form it took, the more urgent was that appeal. "God has instilled into me, at all events," he declared, "a vehement love of the beautiful. Not with so much labour is Ceres said to have sought Proserpine, as I am wont, day and night, to search for the idea of the beautiful through all forms and faces of things, and to follow it leading me on with certain assured traces." Yet not alone among "forms and faces" was he predestined to discover that Absolute Beauty. The passionate love of music, so frequently characteristic of a great linguist, which led him into sound-worlds as well as sight-worlds, was fated to remain with him, an incalculable consolation, when "forms and faces" could be no more seen. And into the vocabulary of _Paradise Lost_, that incomparably rich vocabulary, with its infallible ear for rhythm, for phrase, for magnificent consonantal effects and the magic of great names that reverberate through open vowels,--into this he poured forth his whole sense of beautiful sound, "as the wakeful bird Sings darkling, and in shadiest covert hid, Tunes her nocturnal note." _Paradise Lost_ remains, as has been observed, "The elaborated outcome of all the best words of all antecedent poetry--the language of one who lives in the companionship of the great and the wise of all past time, equally magnificent in verbiage, whether describing man, or God, or the Arch-Enemy visiting" this pendent world, when Thither, full fraught with mischievous revenge, Accursed, and in a cursed hour, he lives. At seven o'clock the body-servant Greene re-entered, followed by Mrs. Milton, the poet's third wife, and by Mary Fisher, their maid-servant, bringing in his breakfast, a light, slight repast. Mrs. Milton, _nee_ Elizabeth Minshull, of Nantwich, was a comely, active, capable woman, "of a peaceful and agreeable humour," so far at least as her husband was concerned: for she shared the traditional destiny of a stepmother in not "hitting it off" with the first wife's daughters. Her golden hair and calm commonsense were in striking contrast, alike with the dark beauty and petulant spirit of Mary Powell, and with the fragile sweetness of Catherine Woodcock, Milton's former spouses. If she did not in her heart confirm her husband's celebrated theory of the relative position of man and wife,--"He for God only, she for God in him,"--(which, it has been said, "condenses every fallacy about woman's true relation to her husband and to her Maker"), she managed very adroitly to convey an impression of entire acquiescence in the will of her lord. And at least she was entirely adequate as a housewife. Had Milton ever encountered that "not impossible She" whom he portrayed in his ideal Eve? or was this latter a mere visionary abstract of great qualities, "to show us how divine a thing a woman may be made"? Neither of his three wives, nor yet that "very handsome and witty gentlewoman," Miss Davis, to whom he had at one time paid his addresses, conformed to this description: one cannot even conjecture that it was a _pasticcio_ of their respective fine attributes. Mrs. Milton, third of that name, as she bustled and busied herself about the study, was by no means a new Eve. She regarded her husband's ambitions and achievements with that good natured tolerance so characteristic of the materially-minded. Only genius can appreciate genius; and the man who shut himself away from his _confreres_ in scholarship and literature was not likely to unbosom himself to his housewifely, provincial wife. COMUS. _Painting by S. Meteyard._ Sabrina rises attended by water nymphs, "By the rushy-fringed bank, Where grows the willow and the osier dank," (_Comus_). [Illustration: Comus colour plate] The manservant Greene, breakfast being concluded, read aloud, or wrote to his master's dictation for some hours. This had formerly been the girls' daily office, but they were revolting more and more,--the whole position was becoming untenable, for they resented the presence of their stepmother as much as they disliked the duties which fettered them to their father's side, and forced them to parrot-like, futile drudgery in unknown tongues. To-day, however, Greene was relieved of the task, for which he was manifestly but ill-fitted, by the entrance of Milton's two favourite visitors. No celebrity ever had fewer friends. From all who might have called themselves such, he was separated by hostility of party, rancour of sect or by that almost repellent isolation of character to which reference has already been made. When at the highest of his political fame, he had almost boasted himself of this "splendid isolation,"--"I have very little acquaintance with those in power, inasmuch as I keep very much to my own house, and prefer to do so." At heart a Republican beyond the conception of any Roundhead,--cherishing a form of religion so recondite that it could be classed under no heading, since he ignored both public worship and family prayer,--having given offence to all and sundry by his outspoken theories upon divorce and divine right,--Milton presented to most men a dangerous personality. And most of all now, when the wits of the Restoration roues could be sharpened upon him, and when the heathen, as he considered them, roistered and ruffled it through the city that had "returned to her wallowing in the mire." Yet those who had sat at his feet as pupils, retained a singular affection for their former master. For all such young folk as adopted the disciple's attitude, the stern self-contained man had a very soft spot in his heart. With such, he was not only instructive, but genial, almost cheerful; and they alone could move him to the only utterances which were neither "solemn, serious or sad." Chief among his former pupils were those who now made entrance--Henry Lawrence and Cyriac Skinner. It may be guessed, therefore, with what pleasure the blind poet received these loyal and affectionate men. His pensive face became transformed with interest and animation, as with gentle courtesy and unfeigned delight he turned his sightless eyes from one speaker to another. Upon every subject he had a ready flow of easy, colloquial conversation, seasoned with shrewd satire: his deep and musical voice ran up and down the whole gamut of worthy topics. Sometimes he fell into the stately, almost stilted diction of his great prose pamphlets,--sometimes he spoke in racy English vernacular,--sometimes, warming to his subject, he assumed an almost fiery eloquence. But when, at twelve o'clock, he was escorted downstairs to dinner in the parlour, the metamorphosis was complete. This was no longer the brooding introspective man of the early morning, but one "extreme pleasant in his conversation," almost merry in society so congenial,--the life of the party
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Produced by Mardi Desjardins & the online Distributed Proofreaders Canada team at http://www.pgdpcanada.net * * * * * [Illustration: THE VALENTINE. Engraved expressly for Graham’s Magazine by W. E. Tucker.] * * * * * GRAHAM’S MAGAZINE. VOL. XXXVI. February, 1850. No. 2. Table of Contents Fiction, Literature and Articles February Patrick O’Brien The Young Artist Love’s Influence The Two Portraits Myrrah Of Tangiers The Wilkinsons Fanny Day’s Presentiment Gems From Moore’s Irish Melodies. No. II.—The Last Rose of Summer The Revealings of a Heart Life of General Joseph Warren Editor’s Table Review of New Books Poetry, Music, and Fashion Wit And Beauty A Household Dirge The Pirate Sonnets.—at Twilight Song Night Thoughts Ballads of the Campaign in Mexico A Spanish Romance To A. R. The Pale Thinker The Evil Eye Fancies About a Portrait The Dream of Youth Le Follet Wissahikon Waltz Transcriber’s Notes can be found at the end of this eBook. * * * * * GRAHAM’S MAGAZINE. VOL. XXXVI. PHILADELPHIA, February, 1850. NO. 2. * * * * * FEBRUARY. The flowers which cold in prison kept Now laugh the frost to scorn. RICHARD EDWARDS. 1523. AMONG the ancient manuscripts in the British Museum there is one of Saxon origin, written by Ethelgar, a writer of some note in the tenth century. Commenting on the months, he speaks of February, which he calls _Sprout kele_, because colewort, a kind of cabbage, which was the chief sustenance of the husbandmen in those days, began to yield wholesome young sprouts during this month. Some centuries after, this name was modernized by the Romans, who offered their expiatory sacrifices at this season of the year, and called _Februalia_. Frequently during this month the cold is abated for a short time, and fine days and hasty thaws take the place of rigid frost. From this peculiarity, this month has often been called by ancient writers by the expressive name of “_February fill dike_.” Clare’s verses are sweetly descriptive of this changing season— The snow has left the cottage top; The thatch moss grows in brighter green; And eaves in quick succession drop, Where pinning icicles have been; Pitpatting with a pleasant noise, In tubs set by the cottage door; While ducks and geese, with happy joys, Plunge in the yard-pond brimming o’er. The sun peeps through the window pane; Which children mark with laughing eye: And in the wet street steal again, To tell each other Spring is nigh: Then, as young Hope the past recalls, In playing groups they often draw, To build beside the sunny walls Their spring-time huts of sticks and straw. And oft in pleasure’s dreams they hie Round homesteads by the village side, Scratching the hedgerow mosses by, Where painted pooty shells abide; Mistaking oft the ivy spray For leaves that come with budding Spring, And wondering in their search for play Why birds delay to build and sing. The mavis-thrush with wild delight Upon the orchard’s dripping tree, Mutters, to see the day so bright, Fragments of young Hope’s poesy: And dame oft stops her buzzing wheel To hear the robin’s note once more, Who tootles while he pecks his meal From sweet-briar hips beside the door. The frost often returns after a few days, and binds Nature with his iron hand. In Great Britain, where the Spring is much earlier than with us, February is remarkable
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Produced by Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Inconsistent hyphenation and spelling in the original document have been preserved. Obvious typographical errors have been corrected. Italic text is denoted by _underscores_. THE DECORATION OF HOUSES Charles Scribner's Sons New York 1914 The Decoration of Houses By Edith Wharton and Ogden Codman Jr. Copyright, 1897, by CHARLES SCRIBNER'S SONS "_Une forme doit etre belle en elle-meme et on ne doit jamais compter sur le decor applique pour en sauver les imperfections._" HENRI MAYEUX: _La Composition Decorative_. TABLE OF CONTENTS PAGE INTRODUCTION xix I THE HISTORICAL TRADITION 1 II ROOMS IN GENERAL 17 III WALLS 31 IV DOORS 48 V WINDOWS 64 VI FIREPLACES 74 VII CEILINGS AND FLOORS 89 VIII ENTRANCE AND VESTIBULE 103 IX HALL AND STAIRS 106 X THE DRAWING-ROOM, BOUDOIR, AND MORNING-ROOM 122 XI GALA ROOMS: BALL-ROOM, SALOON, MUSIC-ROOM, GALLERY 134 XII THE LIBRARY, SMOKING-ROOM, AND "DEN" 145 XIII THE DINING-ROOM 155 XIV BEDROOMS 162 XV THE SCHOOL-ROOM AND NURSERIES 173 XVI BRIC-A-BRAC 184 CONCLUSION 196 INDEX 199 LIST OF PLATES FACING PAGE I ITALIAN GOTHIC CHEST 1 II FRENCH ARM-CHAIRS, XV AND XVI CENTURIES 6 III FRENCH _Armoire_, XVI CENTURY 10 IV FRENCH SOFA AND ARM-CHAIR, LOUIS XIV PERIOD 12 V ROOM IN THE GRAND TRIANON, VERSAILLES 14 VI FRENCH ARM-CHAIR, LOUIS XV PERIOD 16 VII FRENCH _Bergere_, LOUIS XVI PERIOD 20 VIII FRENCH _Bergere_, LOUIS XVI PERIOD 24 IX FRENCH SOFA, LOUIS XV PERIOD 28 X FRENCH MARQUETRY TABLE, LOUIS XVI PERIOD 30 XI DRAWING-ROOM, HOUSE IN BERKELEY SQUARE, LONDON 34 XII ROOM IN THE VILLA VERTEMATI 38 XIII DRAWING-ROOM AT EASTON NESTON HALL 42 XIV DOORWAY, DUCAL PALACE, MANTUA 48 XV SALA DEI CAVALLI, PALAZZO DEL T 54 XVI DOOR IN THE SALA DELLO ZODIACO, DUCAL PALACE, MANTUA 58 XVII EXAMPLES OF MODERN FRENCH LOCKSMITHS' WORK 60 XVIII CARVED DOOR, PALACE OF VERSAILLES 62 XIX SALON DES MALACHITES, GRAND TRIANON, VERSAILLES 68 XX MANTELPIECE, DUCAL PALACE, URBINO 74 XXI MANTELPIECE, VILLA GIACOMELLI 78 XXII FRENCH FIRE-SCREEN, LOUIS XIV PERIOD 86 XXIII CARVED WOODEN CEILING, VILLA VERTEMATI 90 XXIV CEILING IN PALAIS DE JUSTICE, RENNES 92 XXV CEILING OF THE SALA DEGLI SPOSI, DUCAL PALACE, MANTUA 96 XXVI CEILING IN THE STYLE OF BERAIN 100 XXVII CEILING IN THE CHATEAU OF CHANTILLY 102 XXVIII ANTECHAMBER, VILLA CAMBIASO, GENOA 104 XXIX ANTECHAMBER, DURAZZO PALACE, GENOA 106 XXX STAIRCASE, PARODI PALACE, GENOA 108 XXXI STAIRCASE, HOTEL DE VILLE, NANCY 112 XXXII STAIRCASE, PALACE OF FONTAINEBLEAU 116 XXXIII FRENCH _Armoire_, LOUIS XIV PERIOD 120 XXXIV SALA DELLA MADDALENA, ROYAL PALACE, GENOA 122 XXXV CONSOLE IN PETIT TRIANON, VERSAILLES 124 XXXVI SALON, PALACE OF FONTAINEBLEAU 126 XXXVII ROOM IN THE PALACE OF FONTAINEBLEAU 128 XXXVIII _Lit de Repos_, EARLY LOUIS XV PERIOD 130 XXXIX _Lit de Repos_, LOUIS XV PERIOD 130 XL PAINTED WALL-PANEL AND DOOR, CHANTILLY 132 XLI FRENCH BOUDOIR, LOUIS XVI PERIOD 132 XLII _Salon a l'italienne_ 136 XLIII BALL-ROOM, ROYAL PALACE, GENOA 138 XLIV SALOON, VILLA VERTEMATI 140 XLV SALA DELLO ZODIACO, DUCAL PALACE, MANTUA 140 XLVI FRENCH TABLE, TRANSITION BETWEEN LOUIS XIV AND LOUIS XV PERIODS 142 XLVII LIBRARY OF LOUIS XVI, PALACE OF VERSAILLES 144 XLVIII SMALL LIBRARY, AUDLEY END 146 XLIX FRENCH WRITING-CHAIR, LOUIS XV PERIOD 150 L DINING-ROOM, PALACE OF COMPIEGNE 154 LI DINING-ROOM FOUNTAIN, PALACE OF FONTAINEBLEAU 156 LII FRENCH DINING-CHAIR, LOUIS XIV PERIOD 158 LIII FRENCH DINING-CHAIR, LOUIS XVI PERIOD 158 LIV BEDROOM, PALACE OF FONTAINEBLEAU 162 LV BATH-ROOM, PITTI PALACE, FLORENCE 168 LVI BRONZE ANDIRON, XVI CENTURY 184 BOOKS CONSULTED FRENCH ANDROUET DU CERCEAU, JACQUES. Les Plus Excellents Batiments de France. _Paris, 1607._ LE MUET, PIERRE. Maniere de Bien Batir pour toutes sortes de Personnes. OPPENORD, GILLES MARIE. Oeuvres. _1750._ MARIETTE, PIERRE JEAN. L'Architecture Francoise. _1727._ BRISEUX, CHARLES ETIENNE. L'Art de Batir les Maisons de Campagne. _Paris, 1743._ LALONDE, FRANCOIS RICHARD DE. Recueil de ses Oeuvres. AVILER, C. A. D'. Cours d'Architecture. _1760._ BLONDEL, JACQUES FRANCOIS. Architecture Francoise. _Paris, 1752._ Cours d'Architecture. _Paris, 1771-77._ De la Distribution des Maisons de Plaisance et de la Decoration des Edifices. _Paris, 1737._ ROUBO, A. J., FILS. L'Art du Menuisier. HERE DE CORNY, EMMANUEL. Recueil des Plans, Elevations et Coupes des Chateaux, Jardins et Dependances que le Roi de Pologne occupe en Lorraine. _Paris, n. d._ PERCIER ET FONTAINE. Choix des plus Celebres Maisons de Plaisance de Rome et de ses Environs. _Paris, 1809._ Palais, Maisons, et autres Edifices Modernes dessines a Rome. _Paris, 1798._ Residences des Souverains. _Paris, 1833._ KRAFFT ET RANSONNETTE. Plans, Coupes, et Elevations des plus belles Maisons et Hotels construits a Paris et dans les Environs. _Paris, 1801._ DURAND, JEAN NICOLAS LOUIS. Recueil et Parallele des Edifices de tout Genre. _Paris, 1800._ Precis des Lecons d'Architecture donnees a l'Ecole Royale Polytechnique. _Paris, 1823._ QUATREMERE DE QUINCY, A. C. Histoire de la Vie et des Ouvrages des plus Celebres Architectes du XIe siecle jusqu'a la fin du XVIII siecle. _Paris, 1830._ PELLASSY DE L'OUSLE. Histoire du Palais de Compiegne. _Paris, n. d._ LETAROUILLY, PAUL MARIE. Edifices de Rome Moderne. _Paris, 1825-57._ RAMEE, DANIEL. Histoire Generale de l'Architecture. _Paris, 1862._ Meubles Religieux et Civils Conserves dans les principaux Monuments et Musees de l'Europe. VIOLLET LE D
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Produced by deaurider and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) A MANUAL OF SHOEMAKING [Illustration: An Old-Fashioned Shoemaker. _Frontispiece._] A MANUAL OF SHOEMAKING AND LEATHER AND RUBBER PRODUCTS BY WILLIAM H. DOOLEY PRINCIPAL OF THE LOWELL INDUSTRIAL SCHOOL _ILLUSTRATED_ BOSTON LITTLE, BROWN, AND COMPANY 1912 _Copyright, 1912_, BY LITTLE, BROWN, AND COMPANY. _All rights reserved._ Published, September, 1912. PREFACE The author was asked in 1908 by the Lynn Commission on Industrial Education to make an investigation of European shoe schools and to assist the Commission in preparing a course of study for the proposed shoe school in the city of Lynn. A close investigation showed that there were several textbooks on shoemaking published in Europe, but that no general textbook on shoemaking had been issued in this country adapted to meet the needs of industrial, trade, and commercial schools or those who have just entered the rubber, shoe, and leather trades. This book is written to meet this need. Others may find it of interest. The author is under obligations to the following persons and firms for information and assistance in preparing the book, and for permission to reproduce photographs and information from their publications: Mr. J. H. Finn, Mr. Frank L. West, Head of Shoemaking Department, Tuskegee, Ala., Mr. Louis Fleming, Mr. F. Garrison, President of _Shoe and Leather Gazette_, Mr. Arthur L. Evans, _The Shoeman_, Mr. Charles F. Cahill, United Shoe Machinery Company, Hood Rubber Company, Bliss Shoe Company, American Hide and Leather Company, Regal Shoe Company, the publishers of _Hide and Leather_, _American Shoemaking_, _Shoe Repairing_, _Boot and Shoe Recorder_, _The Weekly Bulletin_, and the New York Leather Belting Company. In addition, the author desires to acknowledge his indebtedness to the great body of foreign literature on the different subjects from which information has been obtained. CONTENTS PAGE PREFACE v CHAPTER I. FUNDAMENTAL SHOE TERMS 1 II. HIDES AND THEIR TREATMENT 4 III. PROCESSES OF TANNING 21 IV. THE ANATOMY OF THE FOOT 77 V. HOW SHOE STYLES ARE MADE 93 VI. DEPARTMENTS OF A SHOE FACTORY 103 VII. MCKAY AND TURNED SHOES 144 VIII. OLD-FASHIONED SHOEMAKING AND REPAIRING 162 IX. LEATHER AND SHOEMAKING TERMS 177 X. LEATHER PRODUCTS MANUFACTURE 218 XI. RUBBER SHOE MANUFACTURE AND TERMS 228 XII. HISTORY OF FOOTWEAR 250 INDEX 281 LIST OF ILLUSTRATIONS An Old-fashioned Shoemaker _Frontispiece_ FACING PAGE Names of the Different Parts of Foot Wear 2 Green-salted Calfskin 12 Tanning Process 24 Tanning Process, showing Rotating Drums 28 Sole Leather Offal 34 Bones and Joints of the Human Foot 78 The Different Parts of the Foot and Ankle 78 A Last in Three Stages of Manufacture 98 A Modern Shoe Factory 104 A Skin Divided before Cutting 112 Cutting Leather 116 Goodyear Stitching 116 Stock Fitting Room 120 Lasting 124 Welting 124 Rough Rounding 128 Edge Trimming 128 Leveling 132 Heeling 132 Sole Scouring 136 Heel Shaping 136 Ironing 140 Packing 140 Cross Sections of Welt Shoe and McKay Sewed Shoe 144 Stitching 148 Tacking 148 Cross Section of Standard Screwed Shoe 160 Side of Leather divided as to Quality 168 Cross Section of McKay Sewed Shoe 200 Cross Section of Goodyear Welt Shoe 200 Crude Rubber 228 Washing and Drying 232 Calender Room 234 Cutting Room 236 Putting together the Parts of a Rubber Shoe 240 Heel-making Department 242 Parts of a Rubber Boot 248 Insole for Hand-sewed Shoe 264 Hand-sewed Shoe 264 Stitching Room of a German Shoe Factory 276 SHOEMAKING CHAPTER ONE FUNDAMENTAL SHOE TERMS Before explaining the manufacture of shoes, it is necessary to fix definitely in our minds the names of their different parts. Examine your shoes and note the parts that are here described. The bottom of the shoe is called the sole. The part above the sole is called the upper. The top of the shoe is that part measured by the lacing which covers the ankle and the instep. The vamp is that section which covers the sides of the foot and the toes. The shank is that part of the sole of the shoe between the heel and the ball. This name is often applied to a piece of metal or other substance in that part of the sole, intended to give support to the arch of the foot. The throat of the vamp is that part which curves around the lower edge of the top, where the lacing starts. Backstay is a term used to denote a strip of leather covering and strengthening the back seam of the shoe. Quarter is a term used mostly in low shoes to denote the rear part of the upper when a full vamp is not used. Button fly is the portion of the upper containing the buttonholes of a button shoe. Tip is the toe piece of a shoe, stitched to the vamp and outside of it. The lace stay is a term used to denote a strip of leather reënforcing the eyelet holes. Tongue denotes a narrow strip of leather used on all lace shoes to protect the instep from the lacing and weather. [Illustration: Names of the Different Parts of Foot Wear. _Page 2._] Foxing is the name applied to leather of the upper that extends from the sole to the laces in front, and to about the height of the counter in the back, being the length of the upper. It may be in one or more pieces, and is often cut down to the shank in circular form. If in two pieces, that part covering the counter is called a heel fox. Overlay is a term applied to leather attached to the upper part of the vamp of a slipper. The breast of the heel is the inner part of the heel, that is, the section nearest the shank. CHAPTER TWO HIDES AND THEIR TREATMENT If we examine our shoes, we will find that the different parts are composed of material called leather. The bottom of the shoe is of hard leather, while the part above the sole is of a softer, more pliable leather. This leather is nothing more than the hides of different animals treated in such a way as to remove the fat and the hair. After the hides have been taken from the dead body of the animal, they are quite heavily salted to preserve them from spoiling. In this salted condition they are shipped to the tanneries. The process or series of processes by which the hides and skins of animals are converted into leather is called tanning. The process may be divided into three groups of subprocesses as follows:-- Beamhouse process, which removes the hair from the hides and prepares them for the actual process of the tanning or conversion into leather; tanning, which converts the raw hide into leather; and finishing, which involves a number of operations, the objects of which are to give the leather the color that may be desired and also to make it of uniform thickness, and impart to it the softness and the finish that is required for a particular purpose. Hides are divided roughly in the tannery, according to the size, into three general classes:-- (1) Hides, skins from fully grown animals, as cows, oxen, horses, buffaloes, walrus, etc. These are thick, heavy leather, used for shoe soles, large machinery belting, trunks, etc., where stiffness, strength, and wearing qualities are desired. The untanned hides weigh from twenty-five to sixty pounds. (2) Kips, skins of the undersized animals of the above group, weighing between fifteen and twenty-five pounds. (3) Skins from small animals, such as calves, sheep, goats, dogs, etc. This last group gives a light, but strong and pliable leather, which may be used for a great many purposes, such as men’s shoes and the heavier grades of women’s shoes. The hides, kips, and skins are divided into various grades, according to their weight, size, condition, and quality. The quality of the hides not only depends upon the kind of animal, but also upon its fodder and mode of living. The hides of wild cattle yield a more compact and stronger leather than those of our domesticated beasts. Among these latter the stall-fed have better hides than the meadow-fed, or grazing cattle. The thickness of the hide varies considerably on different animals and on the parts of the body, the thickest part of the bull being near the head and the middle of the back, while at the belly the hide is thinnest. These differences are less conspicuous in sheep, goats, and calves. As regards sheep, it would appear that their skin is generally thinnest where their wool is longest. In the raw, untanned state, and with the hair still on, the hides are termed “green” or “fresh.” Fresh, or green hides are supplied to the tanners by the packers or the butchers, or are imported, either dry or salted. Hides are obtained either from the regular packing houses or from farmers who kill their own stock, and do not skin the animal as scientifically as the regular packing houses, in which case they are called country hides. There are different grades of hides and leather, and these different grades are divided in the commercial world into the five following grades:-- I. NATIVE HIDES Native Steers Native Cows, heavy Native Cows, light Branded Cows Butts Colorado Steers Texas Steers, heavy Texas Steers, light Texas Steers, ex-light Native Bulls Branded Bulls II. COUNTRY HIDES Ohio Buffs Ohio Ex. Southerns III. DRY HIDES (Raised on plain. Rough side suitable for soles.) Buenos Ayres IV. CALFSKINS (Green salted) Chicago City V. PARIS CITY CALFSKINS Light Medium Heavy Hides obtained from steers raised on Western farms are known as native steer hides. Native cowhide (heavy) is hide weighing from fifty-five to sixty-five pounds, obtained from cows. Native cowhide (light) is cowhide weighing under fifty-five pounds. Branded cowhide is hide obtained from cows that are branded on the face of the hide. Butts is a term applied to the part of the hide remaining after cutting off the head, shoulders, and strip of the belly. Colorado steer hide is from Colorado steers, which are very light. Texas steer hide comes in three grades, heavy, light, and extra light. The heavy grade is very heavy because the animal is allowed to graze on the plains. That is the reason why it is heavier than the Colorado steer hide, which is raised on the farm. Bull hide is divided into two classes, the regular hide and the branded grade. The branded grade usually is one cent a pound less than the regular. Country hides are of three grades, Ohio Buffs, Ohio Ex., and Southern. The Ohio Buffs weigh from forty to sixty pounds. The Ohio Ex. weighs from twenty to forty pounds. Southern hides have spots without hair and other blemishes on them, due to the sting of insects. This makes the Southern hide inferior to the Ohio, Indiana, Michigan, and Chicago hides that have no such blemishes. Ohio Butt hides are the best, because in Ohio they kill a great many young calves, while in Chicago young cows (that have calved) are killed, causing the hide to be flanky. The season of the year in which cattle are slaughtered has considerable influence upon both the weight and condition of the hide. During the winter months, by reason of the hair being longer and thicker, the hide is heavier, ranging from seventy-five to eighty pounds, and gradually decreasing in weight as the season becomes warmer and the coat is shed, until in June and July it weighs from seventy down to fifty-five pounds, the hair then being thin and short. The best hides of the year are October hides, and short-haired hides are better for leather purposes than long-haired ones. A thick hide which is to be used for upper leather is cut into sides before the tanning process is completed. This is performed by passing it between rollers where it comes in contact with a sharp knife-edge, which splits it into two or more sheets. Great care must be exercised in cutting the leather in order to have good “splits” (sheets of leather). A split from a heavy hide is not as good as a whole of a lighter leather. Butts and backs are selected from the stoutest and heaviest oxhides. The butt is formed by cutting off the head, the shoulder, and the strip of the belly. The butt or back of oxhide forms the stoutest and heaviest leather, such as is used for soles of boots, harness, etc. [Illustration: Green-Salted Calfskin. _Page 12._] Hides and skins are received at the tannery in one of three conditions, viz. green-salted, dry, or dry-salted. Very few hides are received by tanners in fresh or unsalted condition, salt being necessary to preserve them from decay. Green-salted hides are those that have been salted in fresh condition, tied up in bundles, and shipped to the tanner. Dry hides are those that were taken from the carcass and dried without being salted; these are usually stiff and hard. Dry-salted hides are hides that were heavily salted while they were fresh, and then dried. The hides and skins that are received from the slaughterhouses of this country are almost invariably green-salted; those from foreign countries are green-salted, dry, and dry-salted. It does not matter in what condition the hides are received or the kind of leather into which they are to be tanned; they all require soaking in water before any attempt is made to remove the hair or to tan them. The object of the soaking process, as it is called, is to thoroughly soften the hides and to remove from them all salt, dirt, blood, etc. Ordinary hides are usually soaked from twenty-four to forty-eight hours. Dry hides require much longer. The water should be changed once or twice during the process, since dirty water may injure the hides. Soft water is better than hard for this process. Where the water is hard, it is customary for the tanner to add a quantity of borax to it to increase its cleansing power and to hasten the softening of the hides. When dry hides have become soft enough to bend without cracking, they are put into a machine and beaten and rolled, then soaked again until they are soft and pliable. It is very important that all the salt and dirt are removed during the process of soaking, as they injure the quality of the leather if they are not removed before the hides are unhaired. When the soaking process is completed, the lumps of fat and flesh that may have been left on by the butcher are removed by hand or by a machine, and the hides are then in condition to be passed along into the next process. The parts that cannot be made into leather, such as tails, teats, etc., are trimmed off before the hides are soaked. Large hides are cut into two pieces or halves, called “sides,” after they have been soaked. For the purpose of taking the hair from the hides and skins, lime, sulphide of sodium, and red arsenic are used. Lime is sometimes used alone, but usually one of the other two chemicals is mixed with it. The lime is dissolved in hot water, a quantity of either sulphide of sodium or red arsenic is added to it, and the solution is then mixed with water in a vat, the hides being immersed in this liquor until the hair can be easily removed. The action of the unhairing liquor is to swell the hides, then to dissolve the perishable animal portion and loosen the hair so that it can be rubbed or pulled off. There are several different processes of unhairing the hides. Each tanner uses the process that will help to give the leather the qualities that it should have, such as softness and pliability for shoe and glove leather, or firmness and solidity for sole and belting leather. This is one of the most important in the series of tannery processes, and if the hides are not unhaired properly and not prepared for tanning as they should be, the leather will not be right when it is tanned and finished. There is also a process of unhairing, called “sweating,” which softens the hide and loosens the hair so that it can be scraped off. In this process the hides begin to decay before the hair is loose; it is therefore a dangerous process to use and must be carefully watched or the hides will be entirely spoiled. Sweating is never used for the finer, softer kinds of leather. It is applied chiefly to dry hides for sole, lace, and belt leather. It is an old-fashioned process and is not used as much nowadays as some years ago. The pelts of sheep are salted at the slaughterhouses and then shipped to the tannery. Here they are thrown into water and left to soak twenty-four hours to loosen the dirt and dissolve the salt. The pelts are next passed through machines that clean the wool, and any particles of flesh remaining on the inner or flesh side are removed. The pelts are then in condition to have the wool removed. As long as a sheepskin has the wool upon it, it is called a pelt; as soon as the wool has been taken off, it is called a skin or a “slat.” Each pelt is spread out smoothly on a table with the wool down and the inner or flesh side up. A mixture of lime and sulphide of sodium is next applied uniformly over the skin with a brush. The pelt is then folded up and placed in a pile with others. The solution that was applied penetrates the skin and loosens the wool, which, at the end of twenty-four hours, more or less, can be easily pulled off with the hands or rubbed off with a dull instrument or stick. The workman must be careful not to get any of the solution on to the wool, as it dissolves it and makes it worthless. Since the wool is valuable, the solution must be applied to the flesh side very carefully so that it does no injury. The wool that is removed from the skins is called “pulled wool.” The slat is now ready to be limed, washed, pickled, and tanned. Heavy skins are often split into two sheets after they have been limed. The part from the wool side is called a skiver, and that from the flesh side is called a flesher. After the skins have been limed, they are bated and washed, which makes them soft, clean, and white; they are then put into a solution of salt, sulphuric acid, and water, called “pickle,” and after a few hours they are taken out, drained, and tanned. Large quantities of sheepskins are sold to tanners in the pickled condition by those who make a business of preparing such skins and selling the wool. Pickled skins can be kept an indefinite length of time without spoiling; they can also be dried and worked out into a cheap white leather without any further tanning whatever. Most of such skins, however, are sold to tanners, who tan them into leather. Sheepskins contain considerable grease, which must be removed before the leather can be sold. For some processes of tanning, calfskins, goatskins, and cattle hides are also pickled the same as sheepskins; for other processes they are not pickled, but are thoroughly bated or delimed, washed, and cleansed. Heavy hides are sometimes split out of the lime; more frequently, however, they are not split until after they have been tanned. To capitulate, the preparatory processes may be briefly described as follows:-- Soaking, which dissolves the salt, removes the dirt and makes the hides soft and comparatively clean. Liming and unhairing, which swell the hides and dissolve the perishable animal portion, loosen the hair, and put the hides into proper condition for tanning. Hides tanned without liming, even if the hair is removed by some chemical, do not make pliable leather, but are stiff and hard. Bating, which removes the lime from the hides. Pickling, which helps in the tanning later, and keeps the hides and skins from spoiling if they are not tanned at once. The lumps of fat and flesh that may be on the hides are removed by machinery or by placing the hide over a beam and scraping it with a knife. The hair, when it is loosened by the lime, is removed by a machine or by hand. CHAPTER THREE PROCESSES OF TANNING The various processes of tanning may be roughly divided into two classes, vegetable chemical and mineral chemical. The first class is often spoken of in tanneries simply as the “vegetable” while the second is called “chemical” process. In the vegetable processes the tanning is accomplished by tannin, which is found in various barks and woods of trees and leaves of plants. In the so-called chemical processes the tanning is done with mineral salts and acids which produce an entirely different kind of leather from that procured by vegetable tanning. There is also a method of tanning, or, more properly speaking, tawing, in which alum and salt are used. This process makes white leather that is used for many purposes; it is also colored and used in the manufacture of fine gloves. Leather is also made by tanning skins with oil. Chamois skins are made in this way. The materials that are used to tan hides and skins act upon the hide fibers in such a way that the hides are rendered proof against decay and become pliable and strong. There are many vegetable tans; they are used for sole leather, upper leather, and colored leather for numerous purposes. The bark of hemlock trees is one of the principal tans. The woods and barks of oak, chestnut, and quebracho trees are often used. Palmetto roots yield a good tan. Large quantities of leather are treated with gambier and various other tanning materials that come from foreign countries. Sumac leaves, which are imported from Sicily, contain tannin that makes soft leather suitable for hat sweatbands, suspender trimmings, etc. Sumac is also obtained from the State of Virginia, but the foreign leaves contain more tannin and make better leather than the American. To a large extent the so-called chemical processes have supplanted the vegetable processes, that is, old tan bark and sumac processes; but in some tanneries both methods are used on different kinds of skins. In the old bark process the tan bark is ground coarse and is then treated in leaches with hot water until the tanning quality is drawn out. The liquor so obtained is used at various strengths as needed. In the newer method the tan liquor is displaced by a solution of potassium bichromate, which produces its results with much less expenditure of time. When the hides or skins are ready for the tanning process, they are put into a revolving drum, known as a “pinwheel,” or into a pit in which are revolving paddles, with a dilute solution of potassium dichromate or sodium dichromate, acidified with hydrochloric or sulphuric acid. If the pinwheel is employed, it is revolved for seven hours or longer; after which time the liquor is drawn off and replaced by an acidified solution of sodium thiosulphate or bisulphite, and then the revolution is continued several hours longer. If the pit is used, the skins are removed to another drum containing the second solution, and kept at rest or overturned for a like period. In removing the skins from the pinwheel or vat, and in handling them after treatment with lime for the loosening of the hair, the hands and arms of the workmen are seriously injured, becoming raw if not protected by rubber gloves; even with gloves it is difficult to prevent injury, and in some establishments the workmen are relieved by the substitution of a single-bath process, in which the liquor is less harmful to the skin. [Illustration: Tanning Process Showing the vats, the unhairing and liming processes. _Page 24._] The hides are then removed from the pits, washed and brushed, followed by slow drying in the air. When partly dried, they are placed in a pile and covered until heating is induced. They are then dampened and rolled with brass rollers to give the leather solidity. Sole leather is oiled but little. Weight is increased by adding glucose and salt. Various rapid processes of tanning have been devised in which the hides are suspended in strong liquors or are tanned in large revolving drums. It is claimed that this hastens the process, but the product has been criticized as lacking substance or being brittle. Chrome tannage has been chiefly developed in this country during the last twenty years and is now in general use. It consists in throwing an insoluble chromium hydroxide or oxide on the fibers of a skin which has been impregnated with a soluble chromium salt--potassium bichromate. Other salts like basic chromium chloride, chromium chromate, and chromic alum are also used. The hydrochloric or sulphuric acid acts by setting free chromic acid. After several hours, the skin shows a uniform yellow when cut through its thickest part. It is then drained and the skin worked in a solution of sodium bisulphite and mineral acid (to free sulphur dioxide). The chromic acid is absorbed by the fiber and later reduced by sulphur dioxide. In the making of chrome black leather each tanner has his own method. Contrary to the general belief, there are many different methods of chrome tannage. No two tanneries employ just the same process. Tanners of chrome leather seek to produce leather suitable for the particular demands made upon it by the peculiarities or characteristics of the varying seasons. Summer shoes require a cool, light leather; at other times a heavier tannage is essential, with some call for a practically waterproof product. All leathers, whether vegetable-or chrome-tanned, must be “fat liquored.” That is to say, a certain amount of fatty material must be put into the skin in order that it may be mellow, workable, and serviceable. This is very essential in producing calf leather. Fat liquors usually contain oil and soap, which have been boiled in water and made into a thin liquor. The leather is put into a drum with the hot fat liquor; the drum is set in motion, and as it revolves the leather tumbles about in the drum and absorbs the oil and soap from the water. It is the fat liquor that makes the leather soft and strong. Leather used in shoes is divided into two classes: sole leather and upper leather. Sole leather is a heavy, solid, stiff leather and may be bent without cracking. It is the foundation of the shoe, and therefore should be of the best material. The hides of bulls and oxen yield the best leather for this purpose. The hide that is tanned for sole leather is soaked for several days in a weak solution (which is gradually made stronger) of oak or hemlock tan made from the bark. Oak-tanned hide is preferred and may be known by its light color. A chemical change takes place in the fiber of the hide. This is a high-grade tannage, and is distinguished principally by its fine fibers and close, compact texture. Oak sole leather, by reason of its tough character, and its close, fibrous texture, resists water and will wear well down before cracking. It is by many considered better than other leather for flexible-sole shoes, requiring waterproof qualities. Sole leather is divided into three classes according to the tanning--oak, hemlock, and union. [Illustration: Tanning Process Showing the rotating drums. _See page 24._] Oak tanning is as follows: the hides are hung in pits containing weak or nearly spent liquors from a previous tanning, and agitated so as to take up tannin evenly. Strong liquor would harden the surface so as to prevent thorough penetration into the interior of the hides. After ten or twelve days, the hides are taken out and laid away in fresh tan and stronger liquor. This process is repeated as often as necessary for eight to ten months. At the end of this time the hide has absorbed all of the tannin which it will take up. Hemlock tanning is similar to the oak tanning in process. The hemlock tan is a red shade. Hemlock produces a very hard and inflexible leather. It is modified by use of bleaching materials which are applied to the leather after being tanned. It is sold in sides without being trimmed, while the oak is sold in backs, with belly and head trimmed off. Hemlock leather is used extensively and almost principally for men’s and boys’ stiff-soled, heavy shoes, where no flexibility is required or expected. Its principal desirable quality is its resistance to trituration, or being ground to a powder, and its use in men’s and boys’ pegged, nailed, or standard screw shoes is not in any way objectionable to the wearer. In fact, for this class of shoes, it is probably the best leather that can be used. But when hemlock is used in men’s and boys’ Goodyear welt shoes, where a flexible bottom is expected and required, it generally does not give good results. It cannot satisfactorily resist the constant flexing to which it is subjected, and after the sole is worn half through, the constant bending causes it to crack crosswise. On this account it becomes like a sieve, and has no power of resistance in water, and therefore it is not at all suited to flexible-bottomed shoes. In “union-tanned” hides, both oak and hemlock are used and the result is a compromise in both color and quality. This tan was first used about fifty years ago. Twenty-five years ago the union leather tanners began to experiment with bleaching materials to avoid the use of oak bark, which was becoming scarce and high priced, and eventually developed a system of tanning union leather with hemlock or kindred tanning agents, excluding oak. The red color and the hard texture were modified by bleaching the leather to the desired color and texture. This produces leather which has not the fine, close tannage of genuine oak leather and at the same time lacks the compact, hard character of hemlock leather. Union leather produced in this manner is a sort of mongrel or hybrid leather, being neither oak nor hemlock. On account of its economy in cutting qualities, however, it is largely used in the manufacture of medium-priced shoes where a certain degree of flexibility is required in the sole. This is particularly true of women’s shoes. Union leather is sold largely in backs and trimmed the same as oak, though not so closely. Sole leather is also made nowadays by tanning the hides by the chrome or chemical process. This leather is very durable and pliable and is used on athletic and sporting shoes. It has a light green color and is much lighter in weight than the oak or hemlock leather. Many kinds of hide are used for sole leather. This country does not produce nearly enough hides for the demand, and great quantities are imported from abroad, although most of the imported hides come from South America. Imported hides are divided into two general classes, dry hides and green-salted hides. Dry hides are of two kinds, the dry “flint,” which are dried carefully after being taken from the animal and cured without salt. These generally make good leather, although if sunburnt, the leather is not strong. “Dry-salted hides” are salted and cured to a dry state. Dry hides of both
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Produced by sp1nd and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) MASTERPIECES IN COLOUR EDITED BY--T. LEMAN HARE WHISTLER 1834-1903 IN THE SAME SERIES ARTIST. AUTHOR. VELAZQUEZ. S. L. BENSUSAN. REYNOLDS. S. L. BENSUSAN. TURNER. C. LEWIS HIND. ROMNEY. C. LEWIS HIND. GREUZE. ALYS EYRE MACKLIN. BOTTICELLI. HENRY B. BINNS. ROSSETTI. LUCIEN PISSARRO. BELLINI. GEORGE HAY. FRA ANGELICO. JAMES MASON. REMBRANDT. JOSEF ISRAELS. LEIGHTON. A. LYS BALDRY. RAPHAEL. PAUL G. KONODY. HOLMAN HUNT. MARY E. COLERIDGE. TITIAN S. L. BENSUSAN. MILLAIS. A. LYS BALDRY. CARLO DOLCI. GEORGE HAY. GAINSBOROUGH. MAX ROTHSCHILD. TINTORETTO. S. L. BENSUSAN. LUINI. JAMES MASON. FRANZ HALS. EDGCUMBE STALEY. VAN DYCK. PERCY M. TURNER. LEONARDO DA VINCI. M. W. BROCKWELL. RUBENS. S. L. BENSUSAN. WHISTLER. T. MARTIN WOOD. HOLBEIN. S. L. BENSUSAN. BURNE-JONES. A. LYS BALDRY. VIGEE LE BRUN. C. HALDANE MACFALL. CHARDIN. PAUL G. KONODY. FRAGONARD. C. HALDANE MACFALL. MEMLINC. W. H. J. & J. C. WEALE. CONSTABLE. C. LEWIS HIND. RAEBURN. JAMES L. CAW. JOHN S. SARGENT T. MARTIN WOOD. _Others in Preparation._ [Illustration: PLATE I.--OLD BATTERSEA BRIDGE. Frontispiece (In the National Gallery) This nocturne was bought by the National Collections Fund from the Whistler Memorial Exhibition. It was one of the canvases brought forward during the cross-examination of the artist in the Whistler v. Ruskin trial.] Whistler BY T. MARTIN WOOD ILLUSTRATED WITH EIGHT REPRODUCTIONS IN COLOUR [Illustration] LONDON: T. C. & E. C. JACK NEW YORK: FREDERICK A. STOKES CO. LIST OF ILLUSTRATIONS Plate I. Old Battersea Bridge Frontispiece In the National Gallery Page II. Nocturne, St. Mark's, Venice 14 In the possession of John J. Cowan, Esq. III. The Artist's Studio 24 In the possession of Douglas Freshfield, Esq. IV. Portrait of my Mother 34 In the Luxembourg Galleries, Paris V. Lillie in Our Alley 40 In the possession of John J. Cowan, Esq. VI. Nocturne, Blue and Silver 50 In the possession of the Hon. Percy Wyndham VII. Portrait of Thomas Carlyle 60 In the Corporation Art Galleries, Glasgow VIII. In the Channel 70 In the possession of Mrs. L. Knowles [Illustration] I At the time when Rossetti and his circle were foregathering chiefly at Rossetti's house, quiet Chelsea scarcely knew how daily were associations added which will always cluster round
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Produced by Martin Robb By Pike and <DW18>: A Tale of the Rise of the Dutch Republic by G. A. Henty PREFACE. MY DEAR LADS, In all the pages of history there is no record of a struggle so unequal, so obstinately maintained, and so long contested as that by which the men of Holland and Zeeland won their right to worship God in their own way, and also--although this was but a secondary consideration with them--shook off the yoke of Spain and achieved their independence. The incidents of the contest were of a singularly dramatic character. Upon one side was the greatest power of the time, set in motion by a ruthless bigot, who was determined either to force his religion upon the people of the Netherlands, or to utterly exterminate them. Upon the other were a scanty people, fishermen, sailors, and agriculturalists, broken up into communities with but little bond of sympathy, and no communication, standing only on the defensive, and relying solely upon the justice of their cause, their own stout hearts, their noble prince, and their one ally, the ocean. Cruelty, persecution, and massacre had converted this race of peace loving workers into heroes capable of the most sublime self sacrifices. Women and children were imbued with a spirit equal to that of the men, fought as stoutly on the walls, and died as uncomplainingly from famine in the beleaguered towns. The struggle was such a long one that I have found it impossible to recount all the leading events in the space of a single volume; and, moreover, before the close, my hero, who began as a lad, would have grown into middle age, and it is an established canon in books for boys that the hero must himself be young. I have therefore terminated the story at the murder of William of Orange, and hope in another volume to continue the history, and to recount the progress of the war, when England, after years of hesitation, threw herself into the fray, and joined Holland in its struggle against the power that overshadowed all Europe, alike by its ambition and its bigotry. There has been no need to consult many authorities. Motley in his great work has exhausted the subject, and for all the historical facts I have relied solely upon him. Yours very sincerely, G. A. HENTY CHAPTER I THE "GOOD VENTURE" Rotherhithe in the year of 1572 differed very widely from the Rotherhithe of today. It was then a scattered village, inhabited chiefly by a seafaring population. It was here that the captains of many of the ships that sailed from the port of London had their abode. Snug cottages with trim gardens lay thickly along the banks of the river, where their owners could sit and watch the vessels passing up and down or moored in the stream, and discourse with each other over the hedges as to the way in which they were handled, the smartness of their equipage, whence they had come, or where they were going. For the trade of London was comparatively small in those days, and the skippers as they chatted together could form a shrewd guess from the size and appearance of each ship as to the country with which she traded, or whether she was a coaster working the eastern or southern ports. Most of the vessels, indeed, would be recognized and the captains known, and hats would be waved and welcomes or adieus shouted as the vessels passed. There was something that savoured of Holland in the appearance of Rotherhithe; for it was with the Low Countries that the chief trade of England was carried on; and the mariners who spent their lives in journeying to and fro between London and the ports of Zeeland, Friesland, and Flanders, who for the most part picked up the language of the country, and sometimes even brought home wives from across the sea, naturally learned something from their neighbours. Nowhere, perhaps, in and about London were the houses so clean and bright, and the gardens so trimly and neatly kept, as in the village of Rotherhithe, and in all Rotherhithe not one was brighter and more comfortable than the abode of Captain William Martin. It was low and solid in appearance; the wooden framework was unusually massive, and there was much quaint carving on the beams. The furniture was heavy and solid, and polished with beeswax until it shone. The fireplaces were lined with Dutch tiles; the flooring was of oak, polished as brightly as the furniture. The appointments from roof to floor were Dutch; and no wonder that this was so, for every inch of wood in its framework and beams, floor and furniture, and had been brought across from Friesland by William Martin in his ship, the Good Venture. It had been the dowry he received with his pretty young wife, Sophie Plomaert. Sophie was the daughter of a well-to-do worker in wood near Amsterdam. She was his only daughter, and although he had nothing to say against the English sailor who had won her heart, and who was chief owner of the ship he commanded, he grieved much that she should leave her native land; and he and her three brothers determined that she should always bear her former home in her recollection. They therefore prepared as her wedding gift a facsimile of the home in which she had been born and bred. The furniture and framework were similar in every particular, and it needed only the insertion of the brickwork and plaster when it arrived. Two of her brothers made the voyage in the Good Venture, and themselves put the framework, beams, and flooring together, and saw to the completion of the house on the strip of ground that William Martin had purchased on the bank of the river. Even a large summer house that stood at the end of the garden was a reproduction of that upon the bank of the canal at home; and when all was completed and William Martin brought over his bride she could almost fancy that she was still at home near Amsterdam. Ever since, she had once a year sailed over in her husband's ship, and spent a few weeks with her kinsfolk. When at home from sea the great summer house was a general rendezvous of William Martin's friends in Rotherhithe, all skippers like himself, some still on active service, others, who had retired on their savings; not all, however, were fortunate enough to have houses on the river bank; and the summer house was therefore useful not only as a place of meeting but as a lookout at passing ships. It was a solidly built structure, inclosed on the land side but open towards the river, where, however, there were folding shutters, so that in cold weather it could be partially closed up, though still affording a sight of the stream. A great Dutch stove stood in one corner, and in this in winter a roaring fire was kept up. There were few men in Rotherhithe so well endowed with this world's goods as Captain Martin. His father had been a trader in the city, but William's tastes lay towards the sea rather than the shop, and as he was the youngest of three brothers he had his way in the matter. When he reached the age of twenty-three his father died, and with his portion of the savings William purchased the principal share of the Good Venture, which ship he had a few months before come to command. When he married he had received not only his house but a round sum of money as Sophie's portion. With this he could had he liked have purchased the other shares of the Good Venture; but being, though a sailor, a prudent man, he did not like to put all his eggs into one basket, and accordingly bought with it a share in another ship. Three children had been born to William and Sophie Martin--a boy and two girls. Edward, who was the eldest, was at the time this story begins nearly sixteen. He was an active well built young fellow, and had for five years sailed with his father in the Good Venture. That vessel was now lying in the stream a quarter of a mile higher up, having returned from a trip to Holland upon the previous day. The first evening there had been no callers, for it was an understood thing at Rotherhithe that a captain on his return wanted the first evening at home alone with his wife and family; but on the evening of the second day, when William Martin had finished his work of seeing to the unloading of his ship, the visitors began to drop in fast, and the summer house was well nigh as full as it could hold. Mistress Martin, who was now a comely matron of six-and-thirty, busied herself in seeing that the maid and her daughters, Constance and Janet, supplied the visitors with horns of home brewed beer, or with strong waters brought from Holland for those who preferred them. "You have been longer away than usual, Captain Martin," one of the visitors remarked. "Yes," the skipper replied. "Trade is but dull, and though the Good Venture bears a good repute for speed and safety, and is seldom kept lying at the wharves for a cargo, we were a week before she was chartered. I know not what will be the end of it all. I verily believe that no people have ever been so cruelly treated for their conscience' sake since the world began; for you know it is not against the King of Spain but against the Inquisition that the opposition has been made. The people of the Low Countries know well enough it would be madness to contend against the power of the greatest country in Europe, and to this day they have borne, and are bearing, the cruelty to which they are exposed in quiet despair, and without a thought of resistance to save their lives. There may have been tumults in some of the towns, as in Antwerp, where the lowest part of the mob went into the cathedrals and churches and destroyed the shrines and images; but as to armed resistance to the Spaniards, there has been none. "The first expeditions that the Prince of Orange made into the country were composed of German mercenaries, with a small body of exiles. They were scarce joined by any of the country folk. Though, as you know, they gained one little victory, they were nigh all killed and cut to pieces. So horrible was the slaughter perpetrated by the soldiers of the tyrannical Spanish governor Alva, that when the Prince of Orange again marched into the country not a man joined him, and he had to fall back without accomplishing anything. The people seemed stunned by despair. Has not the Inquisition condemned the whole of the inhabitants of the Netherlands--save only a few persons specially named--to death as heretics? and has not Philip confirmed the decree, and ordered it to be carried into instant execution without regard to age or sex? Were three millions of men, women, and children ever before sentenced to death by one stroke of the pen, only because they refused to change their religion? Every day there are hundreds put to death by the orders of Alva's Blood Council, as it is called, without even the mockery of a trial." There was a general murmur of rage and horror from the assembled party. "Were I her queen's majesty," an old captain said, striking his fist on the table, "I would declare war with Philip of Spain tomorrow, and would send every man who could bear arms to the Netherlands to aid the people to free themselves from their tyrants. "Ay, and there is not a Protestant in this land but would go willingly. To think of such cruelty makes the blood run through my veins as if I were a lad again. Why, in Mary's time there were two or three score burnt for their religion here in England, and we thought that a terrible thing. But three millions of people! Why, it is as many as we have got in all these islands! What think you of this mates?" "It is past understanding," another old sailor said. "It is too awful for us to take in." "It is said," another put in, "that the King of France has leagued himself with Philip of Spain, and that the two have bound themselves to exterminate the Protestants in all their dominions, and as that includes Spain, France, Italy, the Low Countries, and most of Germany, it stands to reason as we who are Protestants ought to help our friends; for you may be sure, neighbours, that if Philip succeeds in the Low Countries he will never rest until he has tried to bring England under his rule also, and to plant the Inquisition with its bonfires and its racks and tortures here." An angry murmur of assent ran round the circle. "We would fight them, you may be sure," Captain Martin said, "to the last; but Spain is a mighty power, and all know that there are no soldiers in Europe can stand against their pikemen. If the Low Countries, which number as many souls as we, cannot make a stand against them with all their advantages of rivers, and swamps, and <DW18>s, and fortified towns, what chance should we have who have none of these things? What I say, comrades, is this: we have got to fight Spain--you know the grudge Philip bears us--and it is far better that we should go over and fight the Spaniards in the Low Countries, side by side with the people there, and with all the advantages that their rivers and <DW18>s give, and with the comfort that our wives and children are safe here at home, than wait till Spain has crushed down the Netherlands and exterminated the people, and is then able, with France as her ally, to turn her whole strength against us. That's what I say." "And you say right, Captain Martin. If I were the queen's majesty I would send word to Philip tomorrow to call off his black crew of monks and inquisitors. The people of the Netherlands have no thought of resisting the rule of Spain, and would be, as they have been before, Philip's obedient subjects, if he would but leave their religion alone. It's the doings of the Inquisition that have driven them to despair. And when one hears what you are telling us, that the king has ordered the whole population to be exterminated--man, woman, and child--no wonder they are preparing to fight to the last; for it's better to die fighting a thousand times, than it is to be roasted alive with your wife and children!" "I suppose the queen and her councillors see that if she were to meddle in this business it might cost her her kingdom, and us our liberty," another captain said. "The Spaniards could put, they say, seventy or eighty thousand trained soldiers in the field, while, except the queen's own bodyguard, there is not a soldier in England; while their navy is big enough to take the fifteen or twenty ships the queen has, and to break them up to burn their galley fires." "That is all true enough," Captain Martin agreed; "but our English men have fought well on the plains of France before now, and I don't believe we should fight worse today. We beat the French when they were ten to one against us over and over, and what our fathers did we can do. What you say about the navy is true also. They have a big fleet, and we have no vessels worth speaking about, but we are as good sailors as the Spaniards any day, and as good fighters; and though I am not saying we could stop their fleet if it came sailing up the Thames, I believe when they landed we should show them that we were as good men as they. They might bring seventy thousand soldiers, but there would be seven hundred thousand Englishmen to meet; and if we had but sticks and stones to fight with, they would not find that they would have an easy victory." "Yes, that's what you
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Produced by Charles Bowen from page scans provided by the Web Archive (University of Alberta) Transcriber's Notes: 1. Page scan source the Web Archive: https://archive.org/details/cihm_75374 (University of Alberta) THE COIL OF CARNE BY JOHN OXENHAM AUTHOR OF "THE LONG ROAD" TORONTO THE COPP, CLARK CO. LIMITED 1911 TO RODERIC DUNKERLEY, B.A., B.D. "_And what are you eager for, Mr. Eager?_" "_Men, women, and children--bodies and souls_." _Intra, page_ 53. "_By God's help we will make men of them, the rest we must trust to Providence_." _Intra, page_ 66. "_Catch them young!_" _Intra, page_ 67. "_No man is past mending till he's dead, perhaps not then_." _Intra, page_ 82. CONTENTS BOOK I CHAP. I. THE HOUSE OF CARNE II. THE STAR IN THE DUST III. THE FIRST OF THE COIL IV. THE COIL COMPLETE V. IN THE COIL BOOK II VI. FREEMEN OF THE FLATS VII. EAGER HEART VIII. SIR DENZIL'S VIEWS IX. MORE OF SIR DENZIL'S VIEWS X. GROWING FREEMEN XI. THE LITTLE LADY XII. MANY MEANS XIII. MOUNTING XIV. WIDENING WAYS XV. DIVERGING LINES XVI. A CUT AT THE COIL XVII. ALMOST SOLVED XVIII. ALMOST SOLVED AGAIN XIX. WHERE'S JIM? XX. A NARROW SQUEAK XXI. A WARM WELCOME XXII. WHERE'S JACK? BOOK III XXIII. BREAKING IN XXIV. AN UNEXPECTED GUEST XXV. REVELATION AND SPECULATION XXVI. JIM'S TIGHT PLACE XXVII. TWO TO ONE XXVIII. THE LINE OF CLEAVAGE XXIX. GRACIE'S DILEMMA XXX. NEVER THE SAME AGAIN XXXI. DESERET XXXII. THE LADY WITH THE FAN XXXIII. A STIRRING OF MUD XXXIV. THE BOYS IN THE MUD XXXV. EXPLANATIONS XXXVI. JIM'S WAY XXXVII. A HOPELESS QUEST XXXVIII. LORD DESERET HELPS XXXIX. OLD SETH GOES HOME XL. OUT OF THE NIGHT XLI. HORSE AND FOOT XLII. DUE EAST XLIII. JIM TO THE FORE XLIV. JIM'S LUCK XLV. MORE REVELATIONS XLVI. THE BLACK LANDING XLVII. ALMA XLVIII. JIM'S RIDE XLIX. AMONG THE BULL-PUPS L. RED-TAPE LI. THE VALLEY OF DEATH LII. PATCHING UP LIII. THE FIGHT IN THE FOG LIV. AN ALLY OF PROVIDENCE LV. RETRIBUTION LVI. DULL DAYS LVII. HOT OVENS LVIII. CHILL NEWS LIX. TOUCH AND GO FOR THE COIL LX. INSIDE THE FIERY RING LXI. WEARY WAITING LXII. FROM ONE TO MANY LXIII. EAGER ON THE SCENT LXIV. THE LONG SLOW SIEGE
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Produced by An Anonymous Volunteer and David Widger THE BLACK DWARF by Sir Walter Scott CONTENTS. I. Tales of my Landlord Introduction by "Jedediah Cleishbotham" II. Introduction to THE BLACK DWARF III. Main text of THE BLACK DWARF Note: Footnotes in the printed book have been inserted in the etext in square brackets ("[]") close to the place where they were referenced by a suffix in the original text. Text in italics has been written in capital letters. I. TALES OF MY LANDLORD COLLECTED AND REPORTED BY JEDEDIAH CLEISHBOTHAM, SCHOOLMASTER AND PARISH-CLERK OF GANDERCLEUGH. INTRODUCTION. As I may, without vanity, presume that the name and official description prefixed to this Proem will secure it, from the sedate and reflecting part of mankind, to whom only I would be understood to address myself, such attention as is due to the sedulous instructor of youth, and the careful performer of my Sabbath duties, I will forbear to hold up a candle to the daylight, or to point out to the judicious those recommendations of my labours which they must necessarily anticipate from the perusal of the title-page. Nevertheless, I am not unaware, that, as Envy always dogs Merit at the heels, there may be those who will whisper, that albeit my learning and good principles cannot (lauded be the heavens) be denied by any one, yet that my situation at Gandercleugh hath been more favourable to my acquisitions in learning than to the enlargement of my views of the ways and works of the present generation. To the which objection, if, peradventure, any such shall be started, my answer shall be threefold: First, Gandercleugh is, as it were, the central part--the navel (SI FAS SIT DICERE) of this our native realm of Scotland; so that men, from every corner thereof, when travelling on their concernments of business, either towards our metropolis of law, by which I mean Edinburgh, or towards our metropolis and mart of gain, whereby I insinuate Glasgow, are frequently led to make Gandercleugh their abiding stage and place of rest for the night. And it must be acknowledged by the most sceptical, that I, who have sat in the leathern armchair, on the left-hand side of the fire, in the common room of the Wallace Inn, winter and summer, for every evening in my life, during forty years bypast (the Christian Sabbaths only excepted), must have seen more of the manners and customs of various tribes and people, than if I had sought them out by my own painful travel and bodily labour. Even so doth the tollman at the well-frequented turn-pike on the Wellbraehead, sitting at his ease in his own dwelling, gather more receipt of custom, than if, moving forth upon the road, he were to require a contribution from each person whom he chanced to meet in his journey, when, according to the vulgar adage, he might possibly be greeted with more kicks than halfpence. But, secondly, supposing it again urged, that Ithacus, the most wise of the Greeks, acquired his renown, as the Roman poet hath assured us, by visiting states and men, I reply to the Zoilus who shall adhere to this objection, that, DE FACTO, I have seen states and men also; for I have visited the famous cities of Edinburgh and Glasgow, the former twice, and the latter three times, in the course of my earthly pilgrimage. And, moreover, I had the honour to sit in the General Assembly (meaning, as an auditor, in the galleries thereof), and have heard as much goodly speaking on the law of patronage, as, with the fructification thereof in mine own understanding, hath made me be considered as an oracle upon that doctrine ever since my safe and happy return to Gandercleugh. Again--and thirdly, If it be nevertheless pretended that my information and knowledge of mankind, however extensive, and however painfully acquired, by constant domestic enquiry, and by foreign travel, is, natheless, incompetent to the task of recording the pleasant narratives of my Landlord, I will let these critics know, to their own eternal shame and confusion as well as to the abashment and discomfiture of all who shall rashly take up a song against me, that I am NOT the writer, redacter, or compiler, of the Tales of my Landlord; nor am I, in one single iota, answerable for their contents, more or less. And now, ye generation of critics, who raise yourselves up as if it were brazen serpents, to hiss with your tongues, and to smite with your stings, bow yourselves down to your native dust, and acknowledge that yours have been the thoughts of ignorance, and the words of vain foolishness. Lo! ye are caught in your own snare, and your own pit hath yawned for you. Turn, then, aside from the task that is too heavy for you; destroy not your teeth by gnawing a file; waste not your strength by spurning against a castle wall; nor spend your breath in contending in swiftness with a fleet steed; and let those weigh the Tales of my Landlord, who shall bring with them the scales of candour cleansed from the rust of prejudice by the hands of intelligent modesty. For these alone they were compiled, as will appear from a brief narrative which my zeal for truth compelled me to make supplementary to the present Proem. It is well known that my Landlord was a pleasing and a facetious man, acceptable unto all the parish of Gandercleugh, excepting only the Laird, the Exciseman, and those for whom he refused to draw liquor upon trust. Their causes of dislike I will touch separately, adding my own refutation thereof. His honour, the Laird, accused our Landlord, deceased, of having encouraged, in various times and places, the destruction of hares, rabbits, fowls black and grey, partridges, moor-pouts, roe-deer, and other birds and quadrupeds, at unlawful seasons, and contrary to the laws of this realm, which have secured, in their wisdom, the slaughter of such animals for the great of the earth, whom I have remarked to take an uncommon (though to me, an unintelligible) pleasure therein. Now, in humble deference to his honour, and in justifiable defence of my friend deceased, I reply to this charge, that howsoever the form of such animals might appear to be similar to those so protected by the law, yet it was a mere DECEPTIO VISUS; for what resembled hares were, in fact, HILL-KIDS, and those partaking of the appearance of moor-fowl, were truly WOOD PIGEONS and consumed and eaten EO NOMINE, and not otherwise. Again, the Exciseman pretended, that my deceased Landlord did encourage that species of manufacture called distillation, without having an especial permission from the Great, technically called a license, for doing so. Now, I stand up to confront this falsehood; and in defiance of him, his gauging-stick, and pen and inkhorn, I tell him, that I never saw, or tasted, a glass of unlawful aqua vitae in the house of my Landlord; nay, that, on the contrary, we needed not such devices, in respect of a pleasing and somewhat seductive liquor, which was vended and consumed at the Wallace Inn, under the name of MOUNTAIN DEW. If there is a penalty against manufacturing such a liquor, let him show me the statute; and when he does, I'll tell him if I will obey it or no. Concerning those who came to my Landlord for liquor, and went thirsty away, for lack of present coin, or future credit, I cannot but say it has grieved my bowels as if the case had been mine own. Nevertheless, my Landlord considered the necessities of a thirsty soul, and would permit them, in extreme need, and when their soul was impoverished for lack of moisture, to drink to the full value of their watches and wearing apparel, exclusively of their inferior habiliments, which he was uniformly inexorable in obliging them to retain, for the credit of the house. As to mine own part, I may well say, that he never refused me that modicum of refreshment with which I am wont to recruit nature after the fatigues of my school. It is true, I taught his five sons English and Latin, writing, book-keeping, with a tincture of mathematics, and that I instructed his daughter in psalmody. Nor do I remember me of any fee or HONORARIUM received from him on account of these my labours, except the compotations aforesaid. Nevertheless this compensation suited my humour well, since it is a hard sentence to bid a dry throat wait till quarter-day. But, truly, were I to speak my simple conceit and belief, I think my Landlord was chiefly moved to waive in my behalf the usual requisition of a symbol, or reckoning, from the pleasure he was wont to take in my conversation, which, though solid and edifying in the main, was, like a well-built palace, decorated with facetious narratives and devices, tending much to the enhancement and ornament thereof. And so pleased was my Landlord of the Wallace in his replies during such colloquies, that there was no district in Scotland, yea, and no peculiar, and, as it were, distinctive custom therein practised, but was discussed betwixt us; insomuch, that those who stood by were wont to say, it was worth a bottle of ale to hear us communicate with each other. And not a few travellers, from distant parts, as well as from the remote districts of our kingdom, were wont to mingle in the conversation, and to tell news that had been gathered in foreign lands, or preserved from oblivion in this our own. Now I chanced to have contracted for teaching the lower classes with a young person called Peter, or Patrick, Pattieson, who had been educated for our Holy Kirk, yea, had, by the license of presbytery, his voice opened therein as a preacher, who delighted in the collection of olden tales and legends, and in garnishing them with the flowers of poesy, whereof he was a vain and frivolous professor. For he followed not the example of those strong poets whom I proposed to him as a pattern, but formed versification of a flimsy and modern texture, to the compounding whereof was necessary small pains and less thought. And hence I have chid him as being one of those who bring forward the fatal revolution prophesied by Mr. Robert Carey, in his Vaticination on the Death of the celebrated Dr. John Donne: Now thou art gone, and thy strict laws will be Too hard for libertines in poetry; Till verse (by thee refined) in this last age Turn ballad rhyme. I had also disputations with him touching his indulging rather a flowing and redundant than a concise and stately diction in his prose exercitations. But notwithstanding these symptoms of inferior taste, and a humour of contradicting his betters upon passages of dubious construction in Latin authors, I did grievously lament when Peter Pattieson was removed from me by death, even as if he had been the offspring of my own loins. And in respect his papers had been left in my care (to answer funeral and death-bed expenses), I conceived myself entitled to dispose of one parcel thereof, entitled, "Tales of my Landlord," to one cunning in the trade (as it is called) of bookselling. He was a mirthful man, of small stature, cunning in counterfeiting of voices, and in making facetious tales and responses, and whom I have to laud for the truth of his dealings towards me. Now, therefore, the world may see the injustice that charges me with incapacity to write these narratives, seeing, that though I have proved that I could have written them if I would, yet, not having done so, the censure will deservedly fall, if at all due, upon the memory of Mr. Peter Pattieson; whereas I must be justly entitled to the praise, when any is due, seeing that, as the Dean of St. Patrick's wittily and logically expresseth it, That without which a thing is not, Is CAUSA SINE QUA NON. The work, therefore, is unto me as a child is to a parent; in the which child, if it proveth worthy, the parent hath honour and praise; but, if otherwise, the disgrace will deservedly attach to itself alone. I have only further to intimate, that Mr. Peter Pattieson, in arranging these Tales for the press, hath more consulted his own fancy than the accuracy of the narrative; nay, that he hath sometimes blended two or three stories together for the mere grace of his plots. Of which infidelity, although I disapprove and enter my testimony against it, yet I have not taken upon me to correct the same, in respect it was the will of the deceased, that his manuscript should be submitted to the press without diminution or alteration. A fanciful nicety it was on the part of my deceased friend, who, if thinking wisely, ought rather to have conjured me, by all the tender ties of our friendship and common pursuits, to have carefully revised, altered, and augmented, at my judgment and discretion. But the will of the dead must be scrupulously obeyed, even when we weep over their pertinacity and self-delusion. So, gentle reader, I bid you farewell, recommending you to such fare as the mountains of your own country produce; and I will only farther premise, that each Tale is preceded by a short introduction, mentioning the persons by whom, and the circumstances under which, the materials thereof were collected. JEDEDIAH CLEISHBOTHAM. II. INTRODUCTION to THE BLACK DWARF. The ideal being who is here presented as residing in solitude, and haunted by a consciousness of his own deformity, and a suspicion of his being generally subjected to the scorn of his fellow-men, is not altogether imaginary. An individual existed many years since, under the author's observation, which suggested such a character. This poor unfortunate man's name was David Ritchie, a native of Tweeddale. He was the son of a labourer in the slate-quarries of Stobo, and must have been born in the misshapen form which he exhibited, though he sometimes imputed it to ill-usage when in infancy. He was bred a brush-maker at Edinburgh, and had wandered to several places, working at his trade, from all which he was chased by the disagreeable attention which his hideous singularity of form and face attracted wherever he came. The author understood him to say he had even been in Dublin. Tired at length of being the object of shouts, laughter, and derision, David Ritchie resolved, like a deer hunted from the herd, to retreat to some wilderness, where he might have the least possible communication with the world which scoffed at him. He settled himself, with this view, upon a patch of wild moorland at the bottom of a bank on the farm of Woodhouse, in the sequestered vale of the small river Manor, in Peeblesshire. The few people who had occasion to pass that way were much surprised, and some superstitious persons a little alarmed, to
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Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: The Girls Made Camp and Ate Supper.] The Meadow-Brook Girls Across Country OR The Young Pathfinders on a Summer Hike By JANET ALDRIDGE Author of The Meadow-Brook Girls Under Canvas, The Meadow-Brook Girls Afloat, etc. Illustrated PHILADELPHIA HENRY ALTEMUS COMPANY Copyright, 1913, by Howard E. Altemus CONTENTS CHAPTER PAGE I. A Night of Excitement 7 II. The Red Eye in the Dark 30 III. A Blessing and a Threat 39 IV. The Coming of Crazy Jane 50 V. Catching the Speckled Beauties 62 VI. The Call of the Dancing Bear 69 VII. Discovering Midnight Prowlers 79 VIII. Caught in a Morass 90 IX. The Tramp Club to the Rescue 102 X. In the Hands of the Rescuers 112 XI. A Contest of Endurance 124 XII. Meadow-Brook Girls up a Tree 134 XIII. A Serious Predicament 146 XIV. Harriet Is Resourceful 152 XV. A Race for Life 163 XVI. A Treat That Was Not a Treat 173 XVII. Trying out the Gipsy Trail 186 XVIII. The Queen Takes a Hand 196 XIX. Delving Into the Mysteries 206 XX. Getting Even With George 217 XXI. Harriet Plans to Outwit the Tramp Club 225 XXII. A Combietta Concert 230 XXIII. The Harmonica Serenade 236 XXIV. Conclusion 244 THE MEADOW-BROOK GIRLS ACROSS COUNTRY CHAPTER I--A NIGHT OF EXCITEMENT "Oh, where can Crazy Jane be!" wailed Margery Brown. "It isn't so much a question of where Jane may be as where we ourselves are, Buster," answered Harriet Burrell, laughingly. "However, if she doesn't come, why, we will make the best of it. This will not be the first time we have spent the night out of doors." "Are we lost?" gasped Hazel Holland. "It looks very much as though we had gone astray," replied Miss Elting, who was acting as guardian and chaperon to the Meadow-Brook Girls
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Pure Books on Avoided Subjects _Books for Men_ _By Sylvanus Stall, D. D._ “What a Young Boy Ought to Know.” “What a Young Man Ought to Know.” “What a Young Husband Ought to Know.” “What a Man of 45 Ought to Know.” _Books for Women_ _By Mrs. Mary Wood-Allen, M. D., And Mrs. Emma F. A. Drake, M. D._ “What a Young Girl Ought to Know.” “What a Young Woman Ought to Know.” “What a Young Wife Ought to Know.” “What a Woman of 45 Ought to Know.” PRICE AND BINDING The books are issued in uniform size and but one style of binding, and sell in America at $1, in Great Britain at 4s., net, per copy, post free, whether sold singly or in sets. PUBLISHED BY IN THE UNITED STATES THE VIR PUBLISHING COMPANY 2237 Land Title Building Philadelphia IN ENGLAND THE VIR PUBLISHING COMPANY 7 Imperial Arcade, Ludgate Circus, London, E.C. IN CANADA WILLIAM BRIGGS 29-33 Richmond Street West Toronto, Ontario [Illustration: EMMA F. ANGELL DRAKE, M.D.] PRICE $1.00 NET 4S. NET PURITY AND TRUTH WHAT A YOUNG WIFE OUGHT TO KNOW (_THOUSAND DOLLAR PRIZE BOOK_) BY MRS. EMMA F. ANGELL DRAKE, M. D. Graduate of Boston University Medical College; formerly Physician and Principal of Mr. Moody’s School at Northfield, Mass.; Professor of Obstetrics at Denver Homœopathic Medical School and Hospital; Author of “What a Woman of 45 Ought to Know,” “Maternity Without Suffering.” PHILADELPHIA, PA.: 2337 LAND TITLE BUILDING. THE VIR PUBLISHING COMPANY LONDON: TORONTO: 7, IMPERIAL ARCADE, WM. BRIGGS, LUDGATE CIRCUS, E. C. 33 RICHMOND ST., WEST. COPYRIGHT, 1901, by SYLVANUS STALL COPYRIGHT, 1902, by SYLVANUS STALL Entered at Stationers’ Hall, London, England Protected by International copyright in Great Britain and all her colonies, and, under the provisions of the Berne Convention, in Belgium, France, Germany, Italy, Spain, Switzerland, Tunis, Hayti, Luxembourg, Monaco, Norway, and Japan _All rights reserved_ [PRINTED IN THE UNITED STATES] Dedicated TO THE YOUNG WIVES WHO DESIRE THE BEST FOR THEMSELVES, FOR THEIR HUSBANDS AND FOR THEIR OFFSPRING PREFACE To this generation as to no other, are we indebted for the awakening of woman. Not the awakening alone which has led her out of the old lines into nearly every avenue open to man in his pursuit of the necessities and luxuries of life; but that other and larger awakening which has set her down face to face with herself, and in her study of woman she has shown herself courageous. Bravely acknowledging her own limitations, she has set herself the task of fortifying the weak points, curbing the more daring aspirations, and getting herself into trim, so to speak, that she may traverse the sea of life, without danger to herself, her cargo, or to any of the countless ships which follow in her wake, or that pass her in the day or the night. Not all women have yet awakened, and for those who have eyes to see, and have seen, a great work is still waiting to be done. They must reach out and rouse their sisters. Will they do it? With our young wives rests the weal or woe of the future generations. To them we say, “What of the future, and what sort of souls shall you give to it?” EMMA F. A. DRAKE. DENVER, Colorado, United States of America. _February 1st, 1901._ CONTENTS. CHAPTER I. INTELLIGENCE OF THE YOUNG WIFE. Out of girlhood into wifehood.—The setting up of a new home.—Woman’s exalted place.—Earlier influences.—Importance of intelligence.—Woman fitted by creator for wifehood and motherhood.—The position of reproductive organs in the body.—Dangers of crowding contents of abdomen.—What all young wives need to know.—Premium previously set upon ignorance.—Heredity.—Failures and successes of our ancestors.—Faults and virtues transmitted through heredity, 21-35 CHAPTER II. HOME AND DRESS. Preparations for successful home-makers.—The importance of sensible dress.—An opportunity for reform.—The conditions of attractive dress.—A question of healthfulness.—What wives need to know concerning dress.—The kind to be avoided.—Injurious dress destroying the race.—The ailments caused by wrong dressing.—The corset curse.—A summary of the evils of dress, 37-46 CHAPTER III. HEALTH OF THE YOUNG WIFE. Health insures happiness.—Be ambitious for health.—The scarcity of perfectly healthy women.—Fashion to the Rescue.—The boon of health.—Necessity of ventilation and fresh air.—Duties to the home.—The greatness of woman’s sphere.—In the society drift.—The extreme of wholly avoiding society.—Keeping in the middle of the road.—Pleasures and recreations taken together.—Taking time to keep young.—Mistakes which some husbands make.—Wrecks at the beginning of married life, 47-55 CHAPTER IV. THE CHOICE OF A HUSBAND. Higher standards are being set up in the choice of a husband.—Should be worthy of both love and respect.—Love likely to idealize the man.—The real characteristics necessary.—Deficiencies in character not to be supplied after marriage.—The right to demand purity.—Young men who “sow wild oats.”—Importance of good health.—Weaknesses and diseases which descend from parents to children.—The parents’ part in aiding to a wise choice.—The value of the physician’s counsel.—One capable of supporting wife and children.—A dutiful son makes a good husband.—Essential requisites enumerated.—The father reproduced in his children.—The equivalents which the wife should bring to her husband, 57-64 CHAPTER V. WHAT SHALL A YOUNG WIFE EXPECT TO BE TO HER HUSBAND? The young wife should seek to be her husband’s equal, but not his counterpart.—The recognized centre of the home.—Woman’s true greatness.—Man’s helpmeet.—Mrs. Gladstone’s part in her husband’s greatness.—Should attract her husband from the club to the home.—Continuing
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Produced by JC Byers, Carrie Lorenz, and Gaston Picard THE PINK FAIRY BOOK By Various Edited by Andrew Lang Preface All people in the world tell nursery tales to their children. The Japanese tell them, the Chinese, the Red Indians by their camp fires, the Eskimo in their dark dirty winter huts. The Kaffirs of South Africa tell them, and the modern Greeks, just as the old Egyptians did, when Moses had not been many years rescued out of the bulrushes. The Germans, French, Spanish, Italians, Danes, Highlanders tell them also, and the stories are apt to be like each other everywhere. A child who has read the Blue and Red and Yellow Fairy Books will find some old friends with new faces in the Pink Fairy Book, if he examines and compares. But the Japanese tales will probably be new to the young student; the Tanuki is a creature whose acquaintance he may not have made before. He may remark that Andersen wants to 'point a moral,' as well as to 'adorn a tale; ' that he is trying to make fun of the follies of mankind, as they exist in civilised countries. The Danish story of 'The Princess in the Chest' need not be read to a very nervous child, as it rather borders on a ghost story. It has been altered, and is really much more horrid in the language of the Danes, who, as history tells us, were not a nervous or timid people. I am quite sure that this story is not true. The other Danish and Swedish stories are not alarming. They are translated by Mr. W. A. Craigie. Those from the Sicilian (through the German) are translated, like the African tales (through the French) and the Catalan tales, and the Japanese stories (the latter through the German), and an old French story, by Mrs. Lang. Miss Alma Alleyne did the stories from Andersen, out of the German. Mr. Ford, as usual, has drawn the monsters and mermaids, the princes and giants, and the beautiful princesses, who, the Editor thinks, are, if possible, prettier than ever. Here, then, are fancies brought from all quarters: we see that black, white, and yellow peoples are fond of just the same kinds of adventures. Courage, youth, beauty, kindness, have many trials, but they always win the battle; while witches, giants, unfriendly cruel people, are on the losing hand. So it ought to be, and so, on the whole, it is and will be; and that is all the moral of fairy tales. We cannot all be young, alas! and pretty, and strong; but nothing prevents us from being kind, and no kind man, woman, or beast or bird, ever comes to anything but good in these oldest fables of the world. So far all the tales are true, and no further. Contents The Cat's Elopement. How the Dragon was Tricked The Goblin and the Grocer The House in the Wood Uraschimataro and the Turtle The Slaying of the Tanuki The Flying Trunk The Snow Man. The Shirt-Collar The Princess in the Chest The Three Brothers The Snow-queen The Fir-Tree Hans, the Mermaid's Son Peter Bull The Bird 'Grip' Snowflake I know what I have learned The Cunning Shoemaker The King who would have a Beautiful Wife Catherine and her Destiny How the Hermit helped to win the King's Daughter The Water of Life The Wounded Lion The Man without a Heart The Two Brothers Master and Pupil The Golden Lion The Sprig of Rosemary The White Dove The Troll's Daughter Esben and the Witch Princess Minon-Minette Maiden Bright-eye The Merry Wives King Lindorm The Jackal, the Dove, and the Panther The Little Hare The Sparrow with the Slit Tongue The Story of Ciccu Don Giovanni de la Fortuna. The Cat's Elopement [From the Japanische Marchen und Sagen, von David Brauns (Leipzig: Wilhelm Friedrich).] Once upon a time there lived a cat of marvellous beauty, with a skin as soft and shining as silk, and wise green eyes, that could see even in the dark. His name was Gon, and he belonged to a music teacher, who was so fond and proud of him that he would not have parted with him for anything in the world. Now not far from the music master's house there dwelt a lady who possessed a most lovely little pussy cat called Koma. She was such a little dear altogether, and blinked her eyes so daintily, and ate her supper so tidily, and when she had finished she licked her pink nose so delicately with her little tongue, that her mistress was never tired of saying, 'Koma, Koma, what should I do without you?' Well, it happened one day that these two, when out for an evening stroll, met under a cherry tree, and in one moment fell madly in love with each other. Gon had long felt that it was time for him to find a wife, for all the ladies in the neighbourhood paid him so much attention that it made him quite shy; but he was not easy to please, and did not care about any of them. Now, before he had time to think, Cupid had entangled him in his net, and he was filled with love towards Koma. She fully returned his passion, but, like a woman, she saw the difficulties in the way, and consulted sadly with Gon as to the means of overcoming them. Gon entreated his master to set matters right by buying Koma, but her mistress would not part from her. Then the music master was asked to sell Gon to the lady, but he declined to listen to any such suggestion, so everything remained as before. At length the love of the couple grew to such a pitch that they determined to please themselves, and to seek their fortunes together. So one moonlight night they stole away, and ventured out into an unknown world. All day long they marched bravely on through the sunshine, till they had left their homes far behind them, and towards evening they found themselves in a large park. The wanderers by this time were very hot and tired, and the grass looked very soft and inviting, and the trees cast cool deep shadows, when suddenly an ogre appeared in this Paradise, in the shape of a big, big dog! He came springing towards them showing all his teeth, and Koma shrieked, and rushed up a cherry tree. Gon, however, stood his ground boldly, and prepared to give battle, for he felt that Koma's eyes were upon him, and that he must not run away. But, alas! his courage would have availed him nothing had his enemy once touched him, for he was large and powerful, and very fierce. From her perch in the tree Koma saw it all, and screamed with all her might, hoping that some one would hear, and come to help. Luckily a servant of the princess to whom the park belonged was walking by, and he drove off the dog, and picking up the trembling Gon in his arms, carried him to his mistress. So poor little Koma was left alone, while Gon was borne away full of trouble, not in the least knowing what to do. Even the attention paid him by the princess, who was delighted with his beauty and pretty ways, did not console him, but there was no use in fighting against fate, and he could only wait and see what would turn up. The princess, Gon's new mistress, was so good and kind that everybody loved her, and she would have led a happy life, had it not been for a serpent who had fallen in love with her, and was constantly annoying her by his presence. Her servants had orders to drive him away as often as he appeared; but as they were careless, and the serpent very sly, it sometimes happened that he was able to slip past them, and to frighten the princess by appearing before her. One day she was seated in her room, playing on her favourite musical instrument, when she felt something gliding up her sash, and saw her enemy making his way to kiss her cheek. She shrieked and threw herself backwards, and Gon, who had been curled up on a
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Produced by Nicole Apostola TALES OF TWO COUNTRIES By Alexander Kielland Translated From The Norwegian By William Archer With An Introduction By H. H. Boyesen CONTENTS. PHARAOH THE PARSONAGE THE PEAT MOOR "HOPE'S CLAD IN APRIL GREEN" AT THE FAIR TWO FRIENDS A GOOD CONSCIENCE ROMANCE AND REALITY WITHERED LEAVES THE BATTLE OF WATERLOO INTRODUCTION. In June, 1867, about a hundred enthusiastic youths were vociferously celebrating the attainment of the baccalaureate degree at the University of Norway. The orator on this occasion was a tall, handsome, distinguished-looking young man named Alexander Kielland, from the little coast-town of Stavanger. There was none of the crudity of a provincial dither in his manners or his appearance. He spoke with a quiet self-possession and a pithy incisiveness which were altogether phenomenal. "That young man will be heard from one of these days," was the unanimous verdict of those who listened to his clear-cut and finished sentences, and noted the maturity of his opinions. But ten years passed, and outside of Stavanger no one ever heard of Alexander Kielland. His friends were aware that he had studied law, spent some winters in France, married, and settled himself as a dignitary in his native town. It was understood that he had bought a large brick and tile factory, and that, as a manufacturer of these useful articles, he bid fair to become a provincial magnate, as his fathers had been before him. People had almost forgotten that great things had been expected of him; and some fancied, perhaps, that he had been spoiled by prosperity. Remembering him, as I did, as the most brilliant and notable personality among my university friends, I began to apply to him Malloch's epigrammatic damnation of the man of whom it was said at twenty that he would do great things, at thirty that he might do great things, and at forty that he might have done great things. This was the frame of mind of those who remembered Alexander Kielland (and he was an extremely difficult man to forget), when in the year 1879 a modest volume of "novelettes" appeared, bearing his name. It was, to all appearances, a light performance, but it revealed a sense of style which made it, nevertheless, notable. No man had ever written the Norwegian language as this man wrote it. There was a lightness of touch, a perspicacity, an epigrammatic sparkle and occasional flashes of wit, which seemed altogether un-Norwegian. It was obvious that this author was familiar with the best French writers, and had acquired through them that clear and crisp incisiveness of utterance which was supposed, hitherto, to be untransferable to any other tongue. As regards the themes of these "novelettes" (from which the present collection is chiefly made up), it was remarked at the time of their first appearance that they hinted at a more serious purpose than their style seemed to imply. Who can read, for instance, "Pharaoh" (which in the original is entitled "A Hall Mood") without detecting the revolutionary note which trembles quite audibly through the calm and unimpassioned language? There is, by-the-way, a little touch of melodrama in this tale which is very unusual with Kielland. "Romance and Reality," too, is glaringly at variance with the conventional romanticism in its satirical contributing of the pre-matrimonial and the post-matrimonial view of love and marriage. The same persistent tendency to present the wrong side as well as the right side--and not, as literary good-manners are supposed to prescribe, ignore the former--is obvious in the charming tale "At the Fair," where a little spice of wholesome truth spoils the thoughtlessly festive mood; and the squalor, the want, the envy, hate, and greed which prudence and a regard for business compel the performers to disguise to the public, become the more cruelly visible to the visitors of the little alley-way at the rear of the tents. In "A Good Conscience" the satirical note has a still more serious ring; but the same admirable self-restraint which, next to the power of thought and expression, is the happiest gift an author's fairy godmother can bestow upon him, saves Kielland from saying too much--from enforcing his lesson by marginal comments, _a la_ George Eliot. But he must be obtuse, indeed, to whom this reticence is not more eloquent and effective than a page of philosophical moralizing. "Hope's Clad in April Green" and "The Battle of Waterloo" (the first and the last tale in the Norwegian edition), are more untinged with a moral tendency than any of the foregoing. The former is a mere _jeu d'esprit_, full of good-natured satire on the calf-love of very young people, and the amusing over-estimate of our importance to which we are all, at that age, peculiarly liable. As an organist with vaguely-melodious hints foreshadows in his prelude the musical _motifs_ which he means to vary and elaborate in his fugue, so Kielland lightly touched in these "novelettes" the themes which in his later works he has struck with a fuller volume and power. What he gave in this little book was it light sketch of his mental physiognomy, from which, perhaps, his horoscope might be cast and his literary future predicted. Though an aristocrat by birth and training, he revealed a strong sympathy with the toiling masses. But it was a democracy of the brain, I should fancy, rather than of the heart. As I read the book, twelve years ago, its tendency puzzled me considerably, remembering, as I did, with the greatest vividness, the fastidious and elegant personality of the author. I found it difficult to believe that he was in earnest. The book seemed to me to betray the whimsical _sans-culottism_ of a man of pleasure who, when the ball is at an end, sits down with his gloves on and philosophizes on the artificiality of civilization and the wholesomeness of honest toil. An indigestion makes him a temporary communist; but a bottle of seltzer presently reconciles him to his lot, and restores the equilibrium of the universe. He loves the people at a distance, can talk prettily about the sturdy son of the soil, who is the core and marrow of the nation, etc.; but he avoids contact with him, and, if chance brings them into contact, he loves him with his handkerchief to his nose. I may be pardoned for having identified Alexander Kielland with this type with which I am very familiar; and he convinced me, presently, that I had done him injustice. In his next book, the admirable novel _Garman and Worse_, he showed that his democratic proclivities were something more than a mood. He showed that he took himself seriously, and he compelled the public to take him seriously. The tendency which had only flashed forth here and there in the "novelettes" now revealed its whole countenance. The author's theme was the life of the prosperous bourgeoisie in the western coast-towns; he drew their types with a hand that gave evidence of intimate knowledge. He had himself sprung from one of these rich ship-owning, patrician families, had been given every opportunity to study life both at home and abroad, and had accumulated a fund of knowledge of the world, which he had allowed quietly to grow before making literary drafts upon it. The same Gallic perspicacity of style which had charmed in his first book was here in a heightened degree; and there was, besides, the same underlying sympathy with progress and what is called the ideas of the age. What mastery of description, what rich and vigorous colors Kielland had at his disposal was demonstrated in such scenes as the funeral of Consul Garman and the burning of the ship. There was, moreover, a delightful autobiographical note in the book, particularly in boyish experiences of Gabriel Garman. Such things no man invents, however clever; such material no imagination supplies, however fertile. Except Fritz Reuter's Stavenhagen, I know no small town in fiction which is so vividly and completely individualized, and populated with such living and credible characters. Take, for instance, the two clergymen, Archdeacon Sparre and the Rev. Mr. Martens, and it is not necessary to have lived in Norway in order to recognize and enjoy the faithfulness and the artistic subtlety of these portraits. If they have a dash of satire (which I will not undertake to deny), it is such delicate and well-bred satire that no one, except the originals, would think of taking offence. People are willing, for the sake of the entertainment which it affords, to forgive a little quiet malice at their neighbors' expense. The members of the provincial bureaucracy are drawn with the same firm but delicate touch, and everything has that beautiful air of reality which proves the world akin. It was by no means a departure from his previous style and tendency which Kielland signalized in his next novel, _Laboring People_ (1881). He only emphasizes, as it were, the heavy, serious bass chords in the composite theme which expresses his complex personality, and allows the lighter treble notes to be momentarily drowned. Superficially speaking, there is perhaps a reminiscence of Zola in this book, not in the manner of treatment, but in the subject, which is the corrupting influence of the higher classes upon the lower. There is no denying that in spite of the ability, which it betrays in every line, _Laboring People_ is unpleasant reading. It frightened away a host of the author's early admirers by the uncompromising vigor and the glaring realism with which it depicted the consequences of vicious indulgence. It showed no consideration for delicate nerves, but was for all that a clean and wholesome book. Kielland's third novel, _Skipper Worse_, marked a distinct step in his development. It was less of a social satire and more of a social study. It was not merely a series of brilliant, exquisitely-finished scenes, loosely strung together on a slender thread of narrative, but it was a concise, and well constructed story, full of beautiful scenes and admirable portraits. The theme is akin to that of Daudet's _L'Evangeliste_; but Kielland, as it appears to me, has in this instance outdone his French _confrere_ as regards insight into the peculiar character and poetry of the pietistic movement. He has dealt with it as a psychological and not primarily as a pathological phenomenon. A comparison with Daudet suggests itself constantly in reading Kielland. Their methods of workmanship and their attitude towards life have many points in common. The charm of style, the delicacy of touch and felicity of phrase, is in both cases pre-eminent. Daudet has, however, the advantage (or, as he himself asserts, the disadvantage) of working in a flexible and highly-finished language, which bears the impress of the labors of a hundred masters; while Kielland has to produce his effects of style in a poorer and less pliable language, which often pants and groans in its efforts to render a subtle thought. To have polished this tongue and sharpened its capacity for refined and incisive utterance is one--and not the least--of his merits. Though he has by nature no more sympathy with the pietistic movement than Daudet, Kielland yet manages to get, psychologically, closer to his problem. His pietists are more humanly interesting than those of Daudet, and the little drama which they set in motion is more genuinely pathetic. Two superb figures--the lay preacher, Hans Nilsen, and Skipper Worse--surpass all that the author had hitherto produced, in depth of conception and brilliancy of execution. The marriage of that delightful, profane old sea-dog Jacob Worse, with the pious Sara Torvested, and the attempts of his mother-in-law to convert him, are described, not with the merely superficial drollery to which the subject invites, but with a sweet and delicate humor, which trembles on the verge of pathos. The beautiful story _Elsie_, which, though published separately, is scarcely a full-grown novel, is intended to impress society with a sense of responsibility for its outcasts. While Bjoernstjerne Bjoernson is fond of emphasizing the responsibility of the individual to society, Kielland chooses by preference to reverse the relation. The former (in his remarkable novel _Flags are Flying in City and Harbor_) selects a hero with vicious inherited tendencies, redeemed by wise education and favorable environment; the latter portrays in Elsie a heroine with no corrupt predisposition, destroyed by the corrupting environment which society forces upon those who are born in her circumstances. Elsie could not be good, because the world is so constituted that girls of her kind are not expected to be good. Temptations, perpetually thronging in her way, break down the moral bulwarks of her nature. Resistance seems in vain. In the end there is scarcely one who, having read her story, will have the heart to condemn her. Incomparably clever is the satire on the benevolent societies, which appear to exist as a sort of moral poultice to tender consciences, and to furnish an officious sense of virtue to its prosperous members. "The Society for the Redemption of the Abandoned Women of St. Peter's Parish" is presided over by a gentleman who privately furnishes subjects for his public benevolence. However, as his private activity is not bounded by the precincts of St. Peter's Parish, within which the society confines its remedial labors, the miserable creatures who might need its aid are sent away uncomforted. The delicious joke of the thing is that "St. Peter's" is a rich and exclusive parish, consisting of what is called "the better classes," and has no "abandoned women." Whatever wickedness there may be in St. Peter's is discreetly veiled, and makes no claim upon public charity. The virtuous horror of the secretary when she hears that the "abandoned woman" who calls upon her for aid has a child, though she is unmarried, is both comic and pathetic. It is the clean, "deserving poor," who understand the art of hypocritical humility--it is these whom the society seeks in vain in St. Peter's Parish. Still another problem of the most vital consequence Kielland has attacked in his two novels, _Poison_ and _Fortuna_ (1884). It is, broadly stated, the problem of education. The hero in both books is Abraham Loevdahl, a well-endowed, healthy, and altogether promising boy who, by the approved modern educational process, is mentally and morally crippled, and the germs of what is great and good in him are systematically smothered by that disrespect for individuality and insistence upon uniformity, which are the curses of a small society. The revolutionary discontent which vibrates in the deepest depth of Kielland's nature; the profound and uncompromising radicalism which smoulders under his polished exterior; the philosophical pessimism which relentlessly condemns all the flimsy and superficial reformatory movements of the day, have found expression in the history of the childhood, youth, and manhood of Abraham Lvdahl. In the first place, it is worthy of note that to Kielland the knowledge which is offered in the guise of intellectual nourishment is poison. It is the dry and dusty accumulation of antiquarian lore, which has little or no application to modern life--it is this which the young man of the higher classes is required to assimilate. Apropos of this, let me quote Dr. G. Brandes, who has summed up the tendency of these two novels with great felicity: "The author has surveyed the generation to which he himself belongs, and after having scanned these wide domains of emasculation, these prairies of spiritual sterility, these vast plains of servility and irresolution, he has addressed to himself the questions: How does a whole generation become such? How was it possible to nip in the bud all that was fertile and eminent? And he has painted a picture of the history of the development of the present generation in the home-life and school-life of Abraham Loevdahl, in order to show from what kind of parentage those most fortunately situated and best endowed have sprung, and what kind of education they received at home and in the school. This is, indeed, a simple and an excellent theme. "We first see the child led about upon the wide and withered common of knowledge, with the same sort of meagre fodder for all; we see it trained in mechanical memorizing, in barren knowledge concerning things and forms that are dead and gone; in ignorance concerning the life that is, in contempt for it, and in the consciousness of its privileged position, by dint of its possession of this doubtful culture. We see pride strengthened; the healthy curiosity, the desire to ask questions, killed." We are apt to console ourselves on this side of the ocean with the idea that these social problems appertain only to the effete monarchies of Europe, and have no application with us. But, though I readily admit that the keenest point of this satire is directed against the small States which, by the tyranny of the dominant mediocrity, <DW36> much that is good and great by denying it the conditions of growth and development, there is yet a deep and abiding lesson in these two novels which applies to modern civilization in general, exposing glaring defects which are no less prevalent here than in the Old World. Besides being the author of some minor comedies and a full-grown drama ("The Professor"), Kielland has published two more novels, _St. John's Eve_ (1887) and _Snow_. The latter is particularly directed against the orthodox Lutheran clergy, of which the Rev. Daniel Juerges is an excellent specimen. He is, in my opinion, not in the least caricatured; but portrayed with a conscientious desire to do justice to his sincerity. Mr. Juerges is a worthy type of the Norwegian country pope, proud and secure in the feeling of his divine authority, passionately hostile to "the age," because he believes it to be hostile to Christ; intolerant of dissent; a guide and ruler of men, a shepherd of the people. The only trouble in Norway, as elsewhere, is that the people will no longer consent to be shepherded. They refuse to be guided and ruled. They rebel against spiritual and secular authority, and follow no longer the bell-wether with the timid gregariousness of servility and irresolution. To bring the new age into the parsonage of the reverend obscurantist in the shape of a young girl--the _fiancee_ of the pastor's son--was an interesting experiment which gives occasion for strong scenes and, at last, for a drawn battle between the old and the new. The new, though not acknowledging itself to be beaten, takes to its heels, and flees in the stormy night through wind and snow. But the snow is moist and heavy; it is beginning to thaw. There is a vague presentiment of spring in the air. This note of promise and suspense with which the book ends is meant to be symbolic. From Kielland's point of view, Norway is yet wrapped in the wintry winding-sheet of a tyrannical orthodoxy; and all that he dares assert is that the chains of frost and snow seem to be loosening. There is a spring feeling in the air. This spring feeling is, however, scarcely perceptible in his last book, _Jacob_, which is written in anything but a hopeful mood. It is, rather, a protest against that optimism which in fiction we call poetic justice. The harsh and unsentimental logic of reality is emphasized with a ruthless disregard of rose- traditions. The peasant lad Wold, who, like all Norse peasants, has been brought up on the Bible, has become deeply impressed with the story of Jacob, and God's persistent partisanship for him, in spite of his dishonesty and tricky behavior. The story becomes, half unconsciously, the basis of his philosophy of life, and he undertakes to model his career on that of the Biblical hero. He accordingly cheats and steals with a clever moderation, and in a cautious and circumspect manner which defies detection. Step by step he rises in the regard of his fellow-citizens; crushes, with long-headed calculation or with brutal promptness (as it may suit his purpose) all those who stand in his way, and arrives at last at the goal of his desires. He becomes a local magnate, a member of parliament, where he poses as a defender of the simple, old-fashioned orthodoxy, is decorated by the King, and is an object of the envious admiration of his fellow townsmen. From the pedagogic point of view, I have no doubt that _Jacob_ would be classed as an immoral book. But the question of its morality is of less consequence than the question as to its truth. The most modern literature, which is interpenetrated with the spirit of the age, has a way of asking dangerous questions--questions before which the reader, when he perceives their full scope, stands aghast. Our old idyllic faith in the goodness and wisdom of all mundane arrangements has undoubtedly received a shock from which it will never recover. Our attitude towards the universe is changing with the change of its attitude towards us. What the thinking part of humanity is now largely engaged in doing is to readjust itself towards the world and the world towards it. Success is but a complete adaptation to environment; and success is the supreme aim of the modern man. The authors who, by their fearless thinking and speaking, help us towards this readjustment should, in my opinion, whether we choose to accept their conclusions or not, be hailed as benefactors. It is in the ranks of these that Alexander Kielland has taken his place, and now occupies a conspicuous position. HJALMAR HJORTH BOYESEN. NEW YORK, May 15, 1891. PHARAOH. She had mounted the shining marble steps with without mishap, without labor, sustained by her great beauty and her fine nature alone. She had taken her place in the salons of the rich and great without laying for her admittance with her honor or her good name. Yet no one could say whence she came, though people whispered that it was from the depths. As a waif of a Parisian faubourg, she had starved through her childhood among surroundings of vice and poverty, such as those only can conceive who know them by experience. Those of us who get our knowledge from books and from hearsay have to strain our imagination in order to form an idea of the hereditary misery of a great city, and yet our most terrible imaginings are apt to pale before the reality. It had been only a question of time when vice should get its clutches upon her, as a cog-wheel seizes whoever comes too near the machine. After whirling her around through a short life of shame and degradation, it would, with mechanical punctuality, have cast her off into some corner, there to drag out to the end, in sordid obscurity, her caricature of an existence. But it happened, as it does sometimes happen, that she was "discovered" by a man of wealth and position, one day when, a child of fourteen, she happened to cross one of the better streets. She was on her way to a dark back room in the Rue des Quatre Vents, where she worked with a woman who made artificial flowers. It was not only her extraordinary beauty that attracted her patron; her movements, her whole bearing, and the expression of her half-formed features, all seemed to him to show that here was an originally fine nature struggling against incipient corruption. Moved by one of the incalculable whims of the very wealthy, he determined to try to rescue the unhappy child. It was not difficult to obtain control of her, as she belonged to no one. He gave her a name, and placed her in one of the best convent schools. Before long her benefactor had the satisfaction of observing that the seeds of evil died away and disappeared. She developed an amiable, rather indolent character, correct and quiet manners, and a rare beauty. When she grew up he married her. Their married life was peaceful and pleasant; in spite of the great difference in their ages, he had unbounded confidence in her, and she deserved it. Married people do not live in such close communion in France as they do with us; so that their claims upon each other are not so great, and their disappointments are less bitter. She was not happy, but contented. Her character lent itself to gratitude. She did not feel the tedium of wealth; on the contrary, she often took an almost childish pleasure in it. But no one could guess that, for her bearing was always full of dignity and repose. People suspected that there was something questionable about her origin, but as no one could answer questions they left off asking them. One has so much else to think of in Paris. She had forgotten her past. She had forgotten it just as we have forgotten the roses, the ribbons, and faded letters of our youth--because we never think about them. They lie locked up in a drawer which we never open. And yet, if we happen now and again to cast a glance into this secret drawer, we at once notice if a single one of the roses, or the least bit of ribbon, is wanting. For we remember them all to a nicety; the memories are ran fresh as ever--as sweet as ever, and as bitter. It was thus she had forgotten her past--locked it up and thrown away the key. But at night she sometimes dreamed frightful things. She could once more feel the old witch with whom she lived shaking her by the shoulder, and driving her out in the cold mornings to work at her artificial flowers. Then she would jump up in her bed, and stare out into the darkness in the most deadly fear. But presently she would touch the silk coverlet and the soft pillows; her fingers would follow the rich carvings of her luxurious bed; and while sleepy little child-angels slowly drew aside the heavy dream-curtain, she tasted in deep draughts the peculiar, indescribable well-being we feel when we discover that an evil and horrible dream was a dream and nothing more. ***** Leaning back among the soft cushions, she drove to the great ball at the Russian ambassador's. The nearer they got to their destination the slower became the pace, until the carriage reached the regular queue, where it dragged on at a foot-pace. In the wide square in front of the hotel, brilliantly lighted with torches and with gas, a great crowd of people had gathered. Not only passers-by who had stopped to look on, but more especially workmen, loafers, poor women, and ladies of questionable appearance, stood in serried ranks on both sides of the row of carriages. Humorous remarks and coarse witticisms in the vulgarest Parisian dialect hailed down upon the passing carriages and their occupants. She heard words which she had not heard for many years, and she blushed at the thought that she was perhaps the only one in this whole long line of carriages who understood these low expressions of the dregs of Paris. She began to look at the faces around her: it seemed to her as if she knew them all. She knew what they thought, what was passing in each of these tightly-packed heads; and little by little a host of memories streamed in upon her. She fought against them as well as she could, but she was not herself this evening. She had not, then, lost the key to the secret drawer; reluctantly she drew it out, and the memories overpowered her. She remembered how often she herself, still almost a child, had devoured with greedy eyes the fine ladies who drove in splendor to balls or theatres; how often she had cried in bitter envy over the flowers she laboriously pieced together to make others beautiful. Here she saw the same greedy eyes, the same inextinguishable, savage envy. And the dark, earnest men who scanned the equipages with half-contemptuous, half-threatening looks--she knew them all. Had not she herself, as a little girl, lain in a corner and listened, wide-eyed, to their talk about the injustice of life, the tyranny of the rich, and the rights of the laborer, which he had only to reach out his hand to seize? She knew that they hated everything--the sleek horses, the dignified coachmen, the shining carriages, and, most of all, the people who sat within them--these insatiable vampires, these ladies, whose ornaments for the night cost more gold than any one of them could earn by the work of a whole lifetime. And as she looked along the line of carriages, as it dragged on slowly through the crowd, another memory flashed into her mind--a half-forgotten picture from her school-life in the convent. She suddenly came to think of the story of Pharaoh and his war-chariots following the children of Israel through the Red Sea. She saw the waves, which she had always imagined red as blood, piled up like a wall on both sides of the Egyptians. Then the voice of Moses sounded. He stretched out his staff over the waters, and the Red Sea waves hurtled together and swallowed up Pharaoh and all his chariots. She knew that the wall which stood on each side of her was wilder and more rapacious than the waves of the sea; she knew that it needed only a voice, a Moses, to set all this human sea in motion, hurling it irresistibly onward until it should sweep away all the glory of wealth and greatness in its blood-red waves. Her heart throbbed, and she crouched trembling into the corner of the carriage. But it was not with fear; it was so that those without should not see her--for she was ashamed to meet their eyes. For the first time in her life, her good-fortune appeared to her in the light of an injustice, a thing to blush for. Was she in her right place, in this soft-cushioned carriage, among these tyrants and blood-suckers? Should she not rather be out there in the billowing mass, among the children of hate? Half-forgotten thoughts and feelings thrust up their heads like beasts of prey which have long lain bound. She felt strange and homeless in her glittering life, and thought with a sort of demoniac longing of the horrible places from which she had risen. She seized her rich lace shawl; there came over her a wild desire to destroy, to tear something to pieces; but at this moment the carriage turned into the gate-way of the hotel. The footman tore open the door, and with her gracious smile, her air of quiet, aristocratic distinction, she alighted. A young attache rushed forward, and was happy when she took his arm, still more enraptured when he thought he noticed an unusual gleam in her eyes, and in the seventh heaven when he felt her arm tremble. Full of pride and hope, he led her with sedulous politeness up the shining marble steps. ***** "'Tell me, _belle dame_, what good fairy endowed you in your cradle with the marvellous gift of transforming everything you touch into something new and strange. The very flower in your hair has a charm, as though it were wet with the fresh morning dew. And when you dance it seems as though the floor swayed and undulated to the rhythm of your footsteps." The Count was himself quite astonished at this long and felicitous compliment, for as a rule he did not find it easy to express himself coherently. He expected, too, that his beautiful partner would show her appreciation of his effort. But he was disappointed. She leaned over the balcony, where they were enjoying the cool evening air after the dance, and gazed out over the crowd and the still-advancing carriages. She seemed not to have understood the Count's great achievement; at least he could only hear her whisper the inexplicable word, "Pharaoh." He was on the point of remonstrating with her, when she turned round, made
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E-text prepared by Larry B. Harrison, Charlie Howard, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 53897-h.htm or 53897-h.zip: (http://www.gutenberg.org/files/53897/53897-h/53897-h.htm) or (http://www.gutenberg.org/files/53897/53897-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/trailsofpathfind00grinrich Transcriber’s note: Text enclosed by underscores is in italics (_italics_). Text enclosed by equal signs is in bold face (=bold=). TRAILS OF THE PATHFINDERS * * * * * * IN THE SAME SERIES PUBLISHED BY CHARLES SCRIBNER’S SONS =The Boy’s Catlin.= My Life Among the Indians, by GEORGE CATLIN. Edited by MARY GAY HUMPHREYS. Illustrated. 12mo. _net_ $1.50 =The Boy’s Hakluyt.= English Voyages of Adventure and Discovery, retold from Hakluyt by EDWIN M. BACON. Illustrated. 12mo. _net_ $1.50 =The Boy’s Drake.= By EDWIN M. BACON. Illustrated. 12mo. _net_ $1.50 =Trails of the Pathfinders.= By GEORGE BIRD GRINNELL. Illustrated. 12mo. _net_ $1.50 * * * * * * TRAILS OF THE PATHFINDERS [Illustration: CAPTAINS LEWIS AND CLARK WERE MUCH PUZZLED AT THIS POINT TO KNOW WHICH OF THE RIVERS BEFORE THEM WAS THE MAIN MISSOURI.] TRAILS OF THE PATHFINDERS by GEORGE BIRD GRINNELL Author of “Blackfoot Lodge Tales,” “Pawnee Hero Stories and Folk Tales,” “The Story of the Indian,” “Indians of Today,” etc. Illustrated New York Charles Scribner’S Sons 1911 Copyright, 1911, by Charles Scribner’S Sons Published April, 1911 [Illustration] PREFACE The chapters in this book appeared first as part of a series of articles under the same title contributed to _Forest and Stream_ several years ago. At the time they aroused much interest and there was a demand that they should be put into book form. The books from which these accounts have been drawn are good reading for all Americans. They are at once history and adventure. They deal with a time when half the continent was unknown; when the West--distant and full of romance--held for the young, the brave and the hardy, possibilities that were limitless. The legend of the kingdom of El Dorado did not pass with the passing of the Spaniards. All through the eighteenth and a part of the nineteenth century it was recalled in another sense by the fur trader, and with the discovery of gold in California it was heard again by a great multitude--and almost with its old meaning. Besides these old books on the West, there are many others which every American should read. They treat of that same romantic period, and describe the adventures of explorers, Indian fighters, fur hunters and fur traders. They are a part of the history of the continent. NEW YORK, _April_, 1911. CONTENTS CHAPTER PAGE I. INTRODUCTION 3 II. ALEXANDER HENRY--I 13 III. ALEXANDER HENRY--II 36 IV. JONATHAN CARVER 57 V. ALEXANDER MACKENZIE--I 84 VI. ALEXANDER MACKENZIE--II 102 VII. ALEXANDER MACKENZIE--III 121 VIII. LEWIS AND CLARK--I 138 IX. LEWIS AND CLARK--II 154 X. LEWIS AND CLARK--III 169 XI. LEWIS AND CLARK--IV 179 XII. LEWIS AND CLARK--V 190 XIII. ZEBULON M. PIKE--I 207 XIV. ZEBULON M. PIKE--II 226 XV. ZEBULON M. PIKE--III 238 XVI. ALEXANDER HENRY (THE YOUNGER)--I 253 XVII. ALEXANDER HENRY (THE YOUNGER)--II 271 XVIII. ALEXANDER HENRY (THE YOUNGER)--III 287 XIX. ROSS COX--I 301 XX. ROSS COX--II 319 XXI. THE COMMERCE OF THE PRAIRIES--I 330 XXII. THE COMMERCE OF THE PRAIRIES--II 341 XXIII. SAMUEL PARKER 359 XXIV. THOMAS J. FARNHAM--I 372 XXV. THOMAS J. FARNHAM--II 382 XXVI. FREMONT--I 393 XXVII. FREMONT--II 405 XXVIII. FREMONT--III 415 XXIX. FREMONT--IV 428 XXX. FREMONT--V 435 ILLUSTRATIONS CAPTAINS LEWIS AND CLARK WERE MUCH PUZZLED AT THIS POINT TO KNOW WHICH OF THE RIVERS BEFORE THEM WAS THE MAIN MISSOURI _Frontispiece_ FACING PAGE “I NOW RESIGNED MYSELF TO THE FATE WITH WHICH I WAS MENACED” 28 A MAN OF THE NAUDOWESSIE 62 From _Travels Through the Interior Parts of North America_, by Jonathan Carver A MAN OF THE OTTIGAUMIES 62 From _Travels Through the Interior Parts of North America_, by Jonathan Carver ALEXANDER MACKENZIE 84 From Mackenzie’s _Voyages from Montreal Through the Continent of North America_, etc. MACKENZIE AND THE MEN JUMPED OVERBOARD 118 LIEUTENANT ZEBULON MONTGOMERY PIKE, MONUMENT AT COLORADO SPRINGS, COLORADO 208 BUFFALO ON THE SOUTHERN PLAINS 236 From Kendall’s _Narrative of the Texas Santa Fé Expedition_ TWO MEN MOUNTED
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.) THE PORTSMOUTH ROAD WORKS BY THE SAME AUTHOR. =ENGLISH PEN ARTISTS OF TO-DAY=: Examples of their work, with some Criticisms and Appreciations. Super royal 4to, L3 3_s._ net. =THE BRIGHTON ROAD=: Old Times and New on a Classic Highway. With 95 Illustrations by the Author and from old prints. Demy 8vo, 16_s._ =FROM PADDINGTON TO PENZANCE=: The Record of a Summer Tramp. With 105 Illustrations by the Author. Demy 8vo, 16_s._ =A PRACTICAL HANDBOOK OF DRAWING FOR MODERN METHODS OF REPRODUCTION.= Illustrated by the Author and others. Demy 8vo, 7_s._ 6_d._ =THE MARCHES OF WALES=: Notes and Impressions on the Welsh Borders, from the Severn Sea to the Sands o' Dee. With 115 Illustrations by the Author and from old-time portraits. Demy 8vo, 16_s._ =REVOLTED WOMAN=: Past, Present, and to Come. Illustrated by the Author and from old-time portraits. Demy 8vo, 5_s._ net. =THE DOVER ROAD=: Annals of an Ancient Turnpike. With 100 Illustrations by the Author and from other sources. Demy 8vo. [_In the Press._ [Illustration: "_Till, woe is me, so lubberly, The vermin came and pressed me._" _From a painting by George Morland._] _THE PORTSMOUTH ROAD AND ITS TRIBUTARIES: TO-DAY AND IN DAYS OF OLD._ BY CHARLES G. HARPER, AUTHOR OF The Brighton Road, Marches of Wales, Drawing for Reproduction, &c., &c., &c. [Illustration] _Illustrated by the Author, and from Old-time Prints and Pictures._ LONDON: CHAPMAN & HALL LIMITED 1895 (_All Rights Reserved._) RICHARD CLAY & SONS, LIMITED, LONDON & BUNGAY. TO HENRY REICHARDT, ESQ. _My dear Reichardt,_ _Here is the result of two years' hard work for your perusal; the outcome of delving amid musty, dusty files of by-gone newspapers; of research among forgotten books, and pamphlets curious and controversial; of country jaunts along this old road both for pleasures sake and for taking the notes and sketches that go towards making up the story of this old highway._ _You will appreciate, more than most, the difficulties of contriving a well-ordered narrative of times so clean forgotten as those of old-road travel, and better still will you perceive the largeness of the task of transmuting the notes and sketches of this undertaking into paper and print. Hence this dedication._ _Yours, &c._, CHARLES G. HARPER. Preface _There has been of late years a remarkable and widespread revival of interest in the old coach-roads of England; a revival chiefly owing to the modern amateur's enthusiasm for coaching; partly due to the healthy sport and pastime of cycling, that brings so many afield from populous cities who would otherwise grow stunted in body and dull of brain; and in degree owing to the contemplative spirit that takes delight in scenes of by-gone commerce and activity, prosaic enough, to the most of them that lived in the Coaching Age, but now become hallowed by mere lapse of years and the supersession of horse-flesh by steam-power._ _The Story of the Roads belongs now to History, and History is, to your thoughtful man, quite as interesting as the best of novels. Sixty years ago the Story of the Roads was brought to an end, and at that time (so unheeded is the romance of every-day life) it seemed a story of the most commonplace type, not worthy the telling. But we have gained what was of necessity denied our fathers and grandfathers in this matter--the charm of Historical Perspective, that lends a saving grace to experiences of the most ordinary description, and to happenings the most untoward. Our forebears travelled the roads from necessity, and saw nothing save unromantic discomforts in their journeyings to and fro. We who read the records of their times are apt to lament their passing, and to wish the leisured life and not a few of the usages of our grandfathers back again. The wish is vain, but natural, for it is a characteristic of every succeeding generation to look back lovingly on times past, and in the retrospect to see in roseate colours what was dull and, neutral-tinted to folk who lived their lives in those by-gone days._ _If we only could pierce to the thought of aeons past, perhaps we should find the men of the Stone Age regretting the times of the Arboreal Ancestor, and should discover that distant relative, while swinging by his prehensile tail from the branches of some forest tree, lamenting the careless, irresponsible life of his remote forebear, the Primitive Pre-atomic Globule._ _However that may be, certain it is that when our day is done, when Steam shall have been dethroned and natural forces of which we know nothing have revolutionized the lives of our descendants, those heirs of all the ages will look back regretfully upon this Era of ours, and wistfully meditate upon the romantic life we led towards the end of the nineteenth century!_ _The glamour of old-time travel has appealed to me equally with others of my time, and has led me to explore the old coach-roads and their records. Work of this kind is a pleasure, and the programme I have mapped out of treating all the classic roads of England in this wise, is, though long and difficult, not (to quote a horsey phrase suitable to this subject) all "collar work."_ CHARLES G. HARPER. 35, CONNAUGHT STREET, HYDE PARK, LONDON, _April 1895_. LIST _of_ ILLVSTRATIONS SEPARATE PLATES PAGE 1. THE PRESS GANG. _By George Morland._ Frontispiece. 2. OLD "ELEPHANT AND CASTLE," 1824 22 3. "ELEPHANT AND CASTLE," 1826 30 4. ADMIRAL BYNG 48 5. A STRANGE SIGHT SOME TIME HENCE 52 6. THE SHOOTING OF ADMIRAL BYNG 56 7. WILLIAM PITT 74 8. THE RECRUITING SERGEANT 90 9. ROAD AND RAIL: DITTON MARSH, NIGHT 94 10. THE "NEW TIMES" GUILDFORD COACH 98 11. THE "TALLY-HO" HAMPTON COURT AND DORKING COACH 104 12. MICKLEHAM CHURCH 108 13. BROCKHAM BRIDGE 114 14. ESHER PLACE 120 15. LORD CLIVE 124 16. PRINCESS CHARLOTTE OF WALES 128 17. THE "ANCHOR," RIPLEY 142 18. GUILDHALL, GUILDFORD 148 19. CASTLE ARCH 152 20. AN INN YARD, 1747. _After Hogarth_ 162 21. THE "RED ROVER" GUILDFORD AND SOUTHAMPTON COACH 166 22. ST. CATHERINE'S CHAPEL. _After J. M. W. Turner_ 170 23. MARY TOFTS 178 24. NEW GODALMING STATION 184 25. THE DEVIL'S PUNCH BOWL 194 26. HINDHEAD. _After J. M. W. Turner_ 198 27. TYNDALL'S HOUSE 208 28. SAMUEL PEPYS 236 29. JOHN WILKES 240 30. SAILORS CAROUSING. _From a Sketch by Rowlandson_ 252 31. THE "FLYING BULL" INN 268 32. PETERSFIELD MARKET-PLACE 278 33. THE "COACH AND HORSES" INN 298 34. CATHERINGTON CHURCH 320 35. AN EXTRAORDINARY SCENE ON THE PORTSMOUTH ROAD. _By Rowlandson_ 330 36. THE SAILOR'S RETURN 334 37. TRUE BLUE; OR BRITAIN'S JOLLY TARS PAID OFF AT PORTSMOUTH, 1797. _By Isaac Cruikshank_ 338 38. THE LIBERTY OF THE SUBJECT, 1782. _By James Gillray_ 346 ILLUSTRATIONS IN TEXT PAGE The Revellers 12 Edward Gibbon 19 "Dog and Duck" Tavern 28 Sign of the "Dog and Duck" 29 Jonas Hanway 43 "If the shades of those antagonists foregather" 44 The First Umbrella 46 The "Green Man," Putney Heath 70 The Windmill, Wimbledon Common 74 Mr. Walter Shoolbred 97 Boots at the "Bear" 102 The "Bear," Esher 103 Burford Bridge 111 The "White Horse," Dorking 112 The Road to Dorking 113 Castle Mill 117 Cobham Churchyard 137 Pain's Hill 139 Fame up-to-Date 142 Herbert Liddell Cortis 146 Market-House, Godalming 176 Charterhouse Relics 189 Gowser Jug 190 Wesley 191 Bust of Nelson 192 Tombstone, Thursley 204 Thursley Church 205 Sun-dial, Thursley 206 "Considering Cap" 223 Milland Chapel 260 "The Wakes," Selborne 261 Badge of the Selborne Society 267 The "Flying Bull" Sign 271 The "Jolly Drovers" 272 "Shaved with Trouble and Cold Water" 284 Edward Gibbon 288 Windy Weather 304 Benighted 319 Dancing Sailor 361 THE ROAD TO PORTSMOUTH Miles Stone's End, Borough, to-- Newington 1/4 Vauxhall 1-1/2 Battersea Rise 4 Wandsworth (cross River Wandle) 5-1/2 Tibbet's Corner, Putney Heath 7-3/4 "Robin Hood," Kingston Vale 9 Norbiton Church 11-1/4 Kingston Market-place 12 Thames Ditton 13-3/4 Esher 16 Cobham Street (cross River Mole) 19-1/2 Wisley Common 20-1/4 Ripley 23-1/2 Guildford (cross River Wey) 29-1/2 St. Catherine's Hill 30-1/2 Peasmarsh Common (cross River Wey) 31-1/4 Godalming 34 Milford 35-3/4 Moushill and Witley Commons 36-1/4 Hammer Ponds 38-1/2 Hindhead (Gibbet Hill) 41-1/4 Cold Ash Hill and "Seven Thorns" Inn 44-1/4 Liphook ("Royal Anchor") 46-3/4 Milland Common 47-1/2 Rake 50-1/4 Sheet Bridge (cross River Rother) 53-3/4 Petersfield 55 "Coach and Horses" 59 Horndean 62-1/2 Waterlooville and White Lane End 65-1/2 Purbrook (cross Purbrook stream) 66-1/2 Cosham 68-1/4 Hilsea 69-1/2 North End 70-3/4 Landport 71-1/2 Portsmouth Town 72 Portsmouth, Victoria Pier 73 _The Portsmouth Road_ I The Portsmouth Road is measured (or was measured when road-travel was the only way of travelling on _terra firma_, and coaches the chiefest machines of progression) from the Stone's End, Borough. It went by Vauxhall to Wandsworth, Putney Heath, Kingston-on-Thames, Guildford, and Petersfield; and thence came presently into Portsmouth through the Forest of Bere and past the frowning battlements of Porchester. The distance was, according to Cary,--that invaluable guide, philosopher, and friend of our grandfathers,--sevent
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Produced by Neil McLachlan and David Widger THE CLOISTER AND THE HEARTH by Charles Reade Etext Notes: 1. Greek passages are enclosed in angled brackets, e.g. {methua}, and have been transliterated according to:alpha A, a beta B, b gamma G, g delta D, d epsilon E, e zeta Z, z eta Y, y theta Th, th iota I, i kappa K, k lamda L, l mu M, m nu N, n omicron O, o pi P, p rho R, r sigma S, s tau T, t phi Ph, ph chi Ch, ch psi Ps, ps xi X, x upsilon U, u omega W, w 2. All diacritics have been removed from this version 3. References for the Author's footnotes are enclosed in square brackets(e.g. (1)) and collected at the end of the chapter they occur in. 4. There are 100 chapters in the book, each starting with CHAPTER R, where R is the chapter number expressed as a Roman numeral. AUTHOR'S PREFACE A small portion of this tale appeared in Once a Week, July-September, 1859, under the title of "A Good Fight." After writing it, I took wider views of the subject, and also felt uneasy at having deviated unnecessarily from the historical outline of a true story. These two sentiments have cost me more than a year's very hard labour, which I venture to think has not been wasted. After this plain statement I trust all who comment on this work will see that to describe it as a reprint would be unfair to the public and to me. The English language is copious, and, in any true man's hands, quite able to convey the truth--namely, that one-fifth of the present work is a reprint, and four-fifths of it a new composition. CHARLES READE CHAPTER I Not a day passes over the earth, but men and women of no note do great deeds, speak great words, and suffer noble sorrows. Of these obscure heroes, philosophers, and martyrs, the greater part will never be known till that hour, when many that are great shall be small, and the small great; but of others the world's knowledge may be said to sleep: their lives and characters lie hidden from nations in the annals that record them. The general reader cannot feel them, they are presented so curtly and coldly: they are not like breathing stories appealing to his heart, but little historic hail-stones striking him but to glance off his bosom: nor can he understand them; for epitomes are not narratives, as skeletons are not human figures. Thus records of prime truths remain a dead letter to plain folk: the writers have left so much to the imagination, and imagination is so rare a gift. Here, then, the writer of fiction may be of use to the public--as an interpreter. There is a musty chronicle, written in intolerable Latin, and in it a chapter where every sentence holds a fact. Here is told, with harsh brevity, the strange history of a pair, who lived untrumpeted, and died unsung, four hundred years ago; and lie now, as unpitied, in that stern page, as fossils in a rock. Thus, living or dead, Fate is still unjust to them. For if I can but show you what lies below that dry chronicler's words, methinks you will correct the indifference of centuries, and give those two sore-tried souls a place in your heart--for a day. It was past the middle of the fifteenth century; Louis XI was sovereign of France; Edward IV was wrongful king of England; and Philip "the Good," having by force and cunning dispossessed his cousin Jacqueline, and broken her heart, reigned undisturbed this many years in Holland, where our tale begins. Elias, and Catherine his wife, lived in the little town of Tergou. He traded, wholesale and retail, in cloth, silk, brown holland, and, above all, in curried leather, a material highly valued by the middling people, because it would stand twenty years' wear, and turn an ordinary knife, no small virtue in a jerkin of that century, in which folk were so liberal of their steel; even at dinner a man would leave his meat awhile, and carve you his neighbour, on a very moderate difference of opinion. The couple were well to do, and would have been free from all earthly care, but for nine children. When these were coming into the world, one per annum, each was hailed with rejoicings, and the saints were thanked, not expostulated with; and when parents and children were all young together, the latter were looked upon as lovely little playthings invented by Heaven for the amusement, joy, and evening solace of people in business. But as the olive-branches shot up, and the parents grew older, and saw with their own eyes the fate of large families, misgivings and care mingled with their love. They belonged to a singularly wise and provident people: in Holland reckless parents were as rare as disobedient children. So now when the huge loaf came in on a gigantic trencher, looking like a fortress in its moat, and, the tour of the table once made, seemed to have melted away, Elias and Catherine would look at one another and say, "Who is to find bread for them all when we are gone?" At this observation the younger ones needed all their filial respect to keep their little Dutch countenances; for in their opinion dinner and supper came by nature like sunrise and sunset, and, so long as that luminary should travel round the earth, so long as the brown loaf go round their family circle, and set in their stomachs only to rise again in the family oven. But the remark awakened the national thoughtfulness of the elder boys, and being often repeated, set several of the family thinking, some of them good thoughts, some ill thoughts, according to the nature of the thinkers. "Kate, the children grow so, this table will soon be too small." "We cannot afford it, Eli," replied Catherine, answering not his words, but his thought, after the manner of women. Their anxiety for the future took at times a less dismal but more mortifying turn. The free burghers had their pride as well as the nobles; and these two could not bear that any of their blood should go down in the burgh after their decease. So by prudence and self-denial they managed to clothe all the little bodies, and feed all the great mouths, and yet put by a small hoard to meet the future; and, as it grew and grew, they felt a pleasure the miser hoarding for himself knows not. One day the eldest boy but one, aged nineteen, came to his mother, and, with that outward composure which has so misled some persons as to the real nature of this people, begged her to intercede with his father to send him to Amsterdam, and place him with a merchant. "It is the way of life that likes me: merchants are wealthy; I am good at numbers; prithee, good mother, take my part in this, and I shall ever be, as I am now, your debtor." Catherine threw up her hands with dismay and incredulity. "What! leave Tergou!" "What is one street to me more than another? If I can leave the folk of Tergou, I can surely leave the stones." "What! quit your poor father now he is no longer young?" "Mother, if I can leave you, I can leave" "What! leave your poor brothers and sisters, that love you so dear?" "There are enough in the house without me." "What mean you, Richart? Who is more thought of than you Stay, have I spoken sharp to you? Have I been unkind to you?" "Never that I know of; and if you had, you should never hear of it from me. Mother," said Richart gravely, but the tear was in his eye, "it all lies in a word, and nothing can change my mind. There will be one mouth less for you to feed.' "There now, see what my tongue has done," said Catherine, and the next moment she began to cry. For she saw her first young bird on the edge of the nest trying his wings to fly into the world. Richart had a calm, strong will, and she knew he never wasted a word. It ended as nature has willed all such discourse shall end: young Richart went to Amsterdam with a face so long and sad as it had never been seen before, and a heart like granite. That afternoon at supper there was one mouth less. Catherine looked at Richart's chair and wept bitterly. On this Elias shouted roughly and angrily to the children, "Sit wider, can't ye: sit wider!" and turned his head away over the back of his seat awhile, and was silent. Richart was launched, and never cost them another penny; but to fit him out and place him in the house of Vander Stegen, the merchant, took all the little hoard but one gold crown. They began again. Two years passed, Richart found a niche in commerce for his brother Jacob, and Jacob left Tergou directly after dinner, which was at eleven in the forenoon. At supper that day Elias remembered what had happened the last time; so it was in a low whisper he said, "Sit wider, dears!" Now until that moment, Catherine would not see the gap at table, for her daughter Catherine had besought her not to grieve to-night, and she had said, "No, sweetheart, I promise I will not, since it vexes my children." But when Elias whispered "Sit wider!" says she, "Ay! the table will soon be too big for the children, and you thought it would be too small;" and having delivered this with forced calmness, she put up her apron the next moment, and wept sore. "'Tis the best that leave us," sobbed she; "that is the cruel part." "Nay! nay!" said Elias, "our children are good children, and all are dear to us alike. Heed her not! What God takes from us still seems better that what He spares to us; that is to say, men are by nature unthankful--and women silly."
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Produced by Chuck Greif, MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) English Men of Action LORD LAWRENCE [Illustration: colophon] [Illustration: LORD LAWRENCE Engraved by O. LACOUR after a Photograph by MAULL AND POLYBANK] LORD LAWRENCE BY SIR RICHARD TEMPLE London MACMILLAN AND CO. AND NEW YORK 1889 _The right of translation and reproduction is reserved_ CONTENTS PAGE CHAPTER I INTRODUCTION 1 CHAPTER II EARLY LIFE, 1811-1829 7 CHAPTER III THE DELHI TERRITORY, 1829-1846 15 CHAPTER IV THE TRANS-SUTLEJ STATES, 1846-1849 27 CHAPTER V PUNJAB BOARD OF ADMINISTRATION, 1849-1853 45 CHAPTER VI CHIEF COMMISSIONER OF THE PUNJAB, 1853-1857 69 CHAPTER VII WAR OF THE MUTINIES, 1857-1859 92 CHAPTER VIII SOJOURN IN ENGLAND, 1859-1863 137 CHAPTER IX THE GOVERNMENT OF INDIA, 1864-1869 148 CHAPTER X CONCLUSION, 1869-1879 190 CHAPTER I INTRODUCTION John Laird Mair Lawrence was born in 1811 and died in 1879, being sixty-eight years of age. Within that time he entered the Civil Service of the East India Company, governed the Punjab then the most difficult province in India, took a very prominent part in the War of the Mutinies, was by many called the saviour of the Indian empire, and became Viceroy of India. By reason of his conduct in these capacities he is regarded as a man of heroic simplicity, and as one of the best British type, to be reckoned among our national worthies. I shall write the following account of him as a man of action, partly from authentic records, but chiefly from personal knowledge. I was his Secretary during some of the most busy and important years when he was governing the Punjab, and one of his Councillors when he was Viceroy. My acquaintance with him began in 1851, and continued on intimate terms till 1870, from which time until his death I was separated from him by distance.
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THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE by Robert Louis Stevenson STORY OF THE DOOR Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something eminently human beaconed from his eye; something indeed which never found its way into his talk, but which spoke not only in these silent symbols of the after-dinner face, but more often and loudly in the acts of his life. He was austere with himself; drank gin when he was alone, to mortify a taste for vintages; and though he enjoyed the theatre, had not crossed the doors of one for twenty years. But he had an approved tolerance for others; sometimes wondering, almost with envy, at the high pressure of spirits involved in their misdeeds; and in any extremity inclined to help rather than to reprove. "I incline to Cain's heresy," he used to say quaintly: "I let my brother go to the devil in his own way." In this character, it was frequently his fortune to be the last reputable acquaintance and the last good influence in the lives of downgoing men. And to such as these, so long as they came about his chambers, he never marked a shade of change in his demeanour. No doubt the feat was easy to Mr. Utterson; for he was undemonstrative at the best, and even his friendship seemed to be founded in a similar catholicity of good-nature. It is the mark of a modest man to accept his friendly circle ready-made from the hands of opportunity; and that was the lawyer's way. His friends were those of his own blood or those whom he had known the longest; his affections, like ivy, were the growth of time, they implied no aptness in the object. Hence, no doubt the bond that united him to Mr. Richard Enfield, his distant kinsman, the well-known man about town. It was a nut to crack for many, what these two could see in each other, or what subject they could find in common. It was reported by those who encountered them in their Sunday walks, that they said nothing, looked singularly dull and would hail with obvious relief the appearance of a friend. For all that, the two men put the greatest store by these excursions, counted them the chief jewel of each week, and not only set aside occasions of pleasure, but even resisted the calls of business, that they might enjoy them uninterrupted. It chanced on one of these rambles that their way led them down a by-street in a busy quarter of London. The street was small and what is called quiet, but it drove a thriving trade on the weekdays. The inhabitants were all doing well, it seemed and all emulously hoping to do better still, and laying out the surplus of their grains in coquetry; so that the shop fronts stood along that thoroughfare with an air of invitation, like rows of smiling saleswomen. Even on Sunday, when it veiled its more florid charms and lay comparatively empty of passage, the street shone out in contrast to its dingy neighbourhood, like a fire in a forest; and with its freshly painted shutters, well-polished brasses, and general cleanliness and gaiety of note, instantly caught and pleased the eye of the passenger. Two doors from one corner, on the left hand going east the line was broken by the entry of a court; and just at that point a certain sinister block of building thrust forward its gable on the street. It was two storeys high; showed no window, nothing but a door on the lower storey and a blind forehead of discoloured wall on the upper; and bore in every feature, the marks of prolonged and sordid negligence. The door, which was equipped with neither bell nor knocker, was blistered and distained. Tramps slouched into the recess and struck matches on the panels; children kept shop upon the steps; the schoolboy had tried his knife on the mouldings; and for close on a generation, no one had appeared to drive away these random visitors or to repair their ravages. Mr. Enfield and the lawyer were on the other side of the by-street; but when they came abreast of the entry, the former lifted up his cane and pointed. "Did you ever remark that door?" he asked; and when his companion had replied in the affirmative. "It is connected in my mind," added he, "with a very odd story." "Indeed?" said Mr. Utterson, with a slight change of voice, "and what was that?" "Well, it was this way," returned Mr. Enfield: "I was coming home from some place at the end of the world, about three o'clock of a black winter morning, and my way lay through a part of town where there was literally nothing to be seen but lamps. Street after street and all the folks asleep--street after street, all lighted up as if for a procession and all as empty as a church--till at last I got into that state of mind when a man listens and listens and begins to long for the sight of a policeman. All at once, I saw two figures: one a little man who was stumping along eastward at a good walk, and the other a girl of maybe eight or ten who was running as hard as she was able down a cross street. Well, sir, the two ran into one another naturally enough at the corner; and then came the horrible part of the thing; for the man trampled calmly over the child's body and left her screaming on the ground. It sounds nothing to hear, but it was hellish to see. It wasn't like a man; it was like some damned Juggernaut. I gave a few halloa, took to my heels, collared my gentleman, and brought him back to where there was already quite a group about the screaming child. He was perfectly cool and made no resistance, but gave me one look, so ugly that it brought out the sweat on me like running. The people who had turned out were the girl's own family; and pretty soon, the doctor, for whom she had been sent put in his appearance. Well, the child was not much the worse, more frightened, according to the Sawbones; and there you might have supposed would be an end to it. But there was one curious circumstance. I had taken a loathing to my gentleman at first sight. So had the child's family, which was only natural. But the doctor's case was what struck me. He was the usual cut and dry apothecary, of no particular age and colour, with a strong Edinburgh accent and about as emotional as a bagpipe. Well, sir, he was like the rest of us; every time he looked at my prisoner, I saw that Sawbones turn sick and white with desire to kill him. I knew what was in his mind, just as he knew what was in mine; and killing being out of the question, we did the next best. We told the man we could and would make such a scandal out of this as should make his name stink from one end of London to the other. If he had any friends or any credit, we undertook that he should lose them. And all the time, as we were pitching it in red hot, we were keeping the women off him as best we could for they were as wild as harpies. I never saw a circle of such hateful faces; and there was the man in the middle, with a kind of black sneering coolness--frightened too, I could see that--but carrying it off, sir, really like Satan. `If you choose to make capital out of this accident,' said he, `I am naturally helpless. No gentleman but wishes to avoid a scene,' says he. `Name your figure.' Well, we screwed him up to a hundred pounds for the child's family; he would have clearly liked to stick out; but there was something about the lot of us that meant mischief, and at last he struck. The next thing was to get the money; and where do you think he carried us but to that place with the door?--whipped out a key, went in, and presently came back with the matter of ten pounds in gold and a cheque for the balance on Coutts's, drawn payable to bearer and signed with a name that I can't mention, though it's one of the points of my story, but it was a name at least very well known and often printed. The figure was stiff; but the signature was good for more than that if it was only genuine. I took the liberty of pointing out to my gentleman that the whole business looked apocryphal, and that a man does not, in real life, walk into a cellar door at four in the morning and come out with another man's cheque for close upon a hundred pounds. But he was quite easy and sneering. `Set your mind at rest,' says he, `I will stay with you till the banks open and cash the cheque myself.' So we all set off, the doctor, and the child's father, and our friend and myself, and passed the rest of the night in my chambers; and next day, when we had breakfasted, went in a body to the bank. I gave in the cheque myself, and said I had every reason to believe it was a forgery. Not a bit of it. The cheque was genuine." "Tut-tut," said Mr. Utterson. "I see you feel as I do," said Mr. Enfield. "Yes, it's a bad story. For my man was a fellow that nobody could have to do with, a really damnable man; and the person that drew the cheque is the very pink of the proprieties, celebrated too, and (what makes it worse) one of your fellows who do what they call good. Black mail I suppose; an honest man paying through the nose for some of the capers of his youth. Black Mail House is what I call the place with the door, in consequence. Though even that, you know, is far from explaining all," he added, and with the words fell into a vein of musing. From this he was recalled by Mr. Utterson asking rather suddenly: "And you don't know if the drawer of the cheque lives there?" "A likely place, isn't it?" returned Mr. Enfield. "But I happen to have noticed his address; he lives in some square or other." "And you never asked about the--place with the door?" said Mr. Utterson. "No, sir: I had a delicacy," was the reply. "I feel very strongly about putting questions; it partakes too much of the style of the day of judgment. You start a question, and it's like starting a stone. You sit quietly on the top of a hill; and away the stone goes, starting others; and presently some bland old bird (the last you would have thought of) is knocked on the head in his own back garden and the family have to change their name. No sir, I make it a rule of mine: the more it looks like Queer Street, the less I ask." "A very good rule, too," said the lawyer. "But I have studied the place for myself," continued Mr. Enfield. "It seems scarcely a house. There is no other door, and nobody goes in or out of that one but, once in a great while, the gentleman of my adventure. There are three windows looking on the court on the first floor; none below; the windows are always shut but they're clean. And then there is a chimney which is generally smoking; so somebody must live there. And yet it's not so sure; for the buildings are so packed together about the court, that it's hard to say where one ends and another begins." The pair walked on again for a while in silence; and then "Enfield," said Mr. Utterson, "that's a good rule of yours." "Yes, I think it is," returned Enfield. "But for all that," continued the lawyer, "there's one point I want to ask: I want to ask the name of that man who walked over the child." "Well," said Mr. Enfield, "I can't see what harm it would do. It was a man of the name of Hyde." "Hm," said Mr. Utterson. "What sort of a man is he to see?" "He is not easy to describe. There is something wrong with his appearance; something displeasing, something down-right detestable. I never saw a man I so disliked, and yet I scarce know why. He must be deformed somewhere; he gives a strong feeling of deformity, although I couldn't specify the point. He's an extraordinary looking man, and yet I really can name nothing out of the way. No, sir; I can make no hand of it; I can't describe him. And it's not want of memory; for I declare I can see him this moment." Mr. Utterson again walked some way in silence and obviously under a weight of consideration. "You are sure he used a key?" he inquired at last. "My dear sir..." began Enfield, surprised out of himself. "Yes, I know," said Utterson; "I know it must seem strange. The fact is, if I do not ask you the name of the other party, it is because I know it already. You see, Richard, your tale has gone home. If you have been inexact in any point you had better correct it." "I think you might have warned me," returned the other with a touch of sullenness. "But I have been pedantically exact, as you call it. The fellow had a key; and what's more, he has it still. I saw him use it not a week ago." Mr. Utterson sighed deeply but said never a word; and the young man presently resumed. "Here is another lesson to say nothing," said he. "I am ashamed of my long tongue. Let us make a bargain never to refer to this again." "With all
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E-text prepared by Roger Frank and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 57918-h.htm or 57918-h.zip: (http://www.gutenberg.org/files/57918/57918-h/57918-h.htm) or (http://www.gutenberg.org/files/57918/57918-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/pirateofjasperpe00meig THE PIRATE OF JASPER PEAK ------------------------------------------------------------------------ THE MACMILLAN COMPANY NEW YORK · BOSTON · CHICAGO · DALLAS ATLANTA · SAN FRANCISCO MACMILLAN & CO., Limited LONDON · BOMBAY · CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO ------------------------------------------------------------------------ [Illustration: Close to the hearth a big chair had been drawn and in this some one was sitting.] ------------------------------------------------------------------------ THE PIRATE OF JASPER PEAK by ADAIR ALDON Author of “The Island of Appledore,” etc. With Frontispiece New York The Macmillan Company 1918 All rights reserved Copyright, 1918 By the Macmillan Company Set up and electrotyped. Published, September, 1918 ------------------------------------------------------------------------ CONTENTS I. A Stranger in a Strange Land II. The Brown Bear’s Skin III. Laughing Mary IV. The Heart of the Forest V. Oscar Dansk VI. The Promised Land VII. Whither Away? VIII. A Night’s Lodging IX. Peril at the Bridge X. First Blood to the Pirate XI. The White Flag XII. A Highway through the Hills ------------------------------------------------------------------------ THE PIRATE OF JASPER PEAK CHAPTER I A STRANGER IN A STRANGE LAND The long Pullman train, an hour late and greatly begrudging the time for a special stop, came sliding into the tiny station of Rudolm and deposited a solitary passenger upon the platform. The porter set Hugh Arnold’s suitcase on the ground and accepted his proffered coin, all in one expert gesture, and said genially: “We’re way behind time on this run, but we come through on the down trip at six in the morning, sharp. You-all will be going back with us to-morrow, I reckon.” “No,” replied Hugh, as he came down from the car step and gathered up his belongings. “No, I’m going to stay.” “Stay?” repeated the porter. “Oh—a week, I suppose. No one really stays at Rudolm except them that are born there and can’t get away.” Hugh shook his head. “I am going to stay all winter,” he said. “The whole winter! Say, do you know what winter _is_ up here?” the man exclaimed. “For the love of—” A violent jolt of the train was the engineer’s reminder that friendly converse was not in order when there was time to be made up. “All right, sah, good-by. I hope you like staying, only remember—we go through every day at six in the morning less’n we’re late. _Good_-by.” The train swept away, leaving Hugh to look after it for a moment before he turned to take his first survey of Rudolm and the wide sheet of blue water upon whose shore it stood. Red Lake, when he and his father had first looked it up on the map, seemed a queer, crooked place, full of harbors and headlands and hidden coves, the wider stretches extending here and there to fifteen, twenty, twenty-five miles of open water, again narrowing to mere winding channels choked with islands. Hugh would have liked to say afterward that he knew even from the map that this was a region promising adventures, that down the lake’s winding tributaries he was going to be carried to strange discoveries, but, as a matter of fact, he had no such foreknowledge. Indeed, it was his father who observed that the lake looked like a proper haunt for pirates and Hugh who reminded him that pirates were not ever to be found so far north. All the books he had seen, pictured them as burying treasure on warm, sunny, sandy beaches, or flying in pursuit of their prey on the wings of the South Sea winds. Pirates in the wooded regions to the north of the Mississippi Valley, pirates where the snow lay so deep and the lake was frozen for nearly half the year, where only through a short summer could the waters be plied by “a low, raking, black hulk” such as all pirates sail—it was not to be thought of! Even now, when Hugh stood on the station platform and caught his first glimpse of the real Red Lake, saw the wide blue waters flecked with sunny whitecaps, the hundred pine-covered islands and the long miles of wooded shore, even then he had no thought of how different he was to find this place from any other he had ever seen. Both lake and town seemed to him to promise little. For Rudolm, set in its narrow valley between the Minnesota hills, looked as though it had been dropped from some child’s box of toys, so small and square were the houses and so hit-or-miss was the order in which they stood along the one wide, crooked street. There were no trees growing beside the rough wooden sidewalks, the street was dusty and the sun, even although it was October, seemed to him to shine with a pitiless glare. He walked slowly along the platform, wondering why Dick Edmonds had not come to meet him, thinking that Rudolm seemed the dullest and most uninteresting town in America and trying to stifle the rising wish that he had never come. A soft pad, pad on the boards behind him made him turn his head as a man walked swiftly past. Hugh saw that his shapeless black hat had a speckled feather stuck into the band and that he wore, instead of shoes, soft rounded moccasins edged with a gay embroidery of beads. Plainly the man was an Indian. At the thought the boy’s heart beat a little faster. He had not known there would be Indians! His own being in Rudolm was simple enough, although somewhat unexpected. Hugh’s father was a doctor, enrolled in the Medical Reserve since the beginning of the war but not until this month ordered away to France. The problem of where Hugh should live during his absence was a difficult one since Hugh had no mother and there were no immediate relatives to whom he could go. He had finished school but had been judged rather too young for college, and, so his father maintained in spite of frantic pleading, much too young to enlist. “I’m sixteen,” was the boy’s insistent argument, but— “Wait until you have been sixteen more than two days,” was his father’s answer. “I could go with the medical unit, I know enough from helping you to be some use as a hospital orderly,” Hugh begged, “I would do anything just to go to France.” “They need men in France, not boys just on the edge of being men,” Dr. Arnold replied, “when you have had one or two years’ worth of experience and judgment, then you will be some help to them over there. But not now.” “The war will be over by then,” wailed Hugh. “Don’t fear,” his father observed grimly, “there is going to be enough of it for all of us to have our share.” So there the discussion ended and the question of what Hugh was to do came up for settlement. There was a distant cousin of his father’s in New York—but this suggestion was never allowed to get very far. Hugh had never met the cousin and did not relish the idea of going to live with him, “sight unseen” as he put it, on such short notice. It was his own plan to go to Rudolm where lived the two Edmonds brothers, John, cashier of the bank there and a great friend of his father’s, and Dick, a boy four years older than himself, whom he had met but once yet knew that he liked immensely. Several times John Edmonds had written to Dr. Arnold— “If Hugh ever wants to spend any time ‘on his own’ we could find him a job here in Rudolm, I know. It is a queer little place, just a mining and lumbering town full of Swedes, but he might like the hunting and the country and find it interesting for a while.” It was the idea of spending the time “on his own” that made Hugh feel that thus the period of his father’s absence might chance to seem a little shorter and the soreness of missing him might grow a little less. John Edmonds had answered their letters most cordially and had said that all could be arranged and Hugh need only telegraph the day of his arrival. The final preparations had been hastened by the coming of Dr. Arnold’s sailing orders; the two had bidden each other good-by and good luck with resolute cheerfulness and Hugh had set forth on his long journey northward. He had never seen the Great Lakes nor the busy inland shipping ports with their giant freighters lying at the docks, nor the rising hills of the Iron Range through which his way must lead, but he noticed them very little. His thoughts were very far away and fixed on other things. Even now, as he walked slowly up Rudolm’s one street he was not dwelling so much on his forlorn wonder why he did not see his friends, but was thinking of a great transport that must, almost at that hour, be nosing her way out of “an Atlantic port,” of the swift destroyers gathering to convoy her, of the salt sea breezes blowing across her deck, blowing sharp from the east, from over the sea—from France. For he was certain, from all that he could gather, that his father was sailing to-day and was launching upon his new venture at almost the same time that Hugh was entering upon his own. Somewhat disconsolately the boy trudged on up the hot empty highway, seeing ahead of him the big, ramshackle building that must be the hotel and beyond that, at the end of the road, the shining blue of the lake. He was vaguely conscious that, at every cottage window, white-headed children of all sizes and ages bobbed up to stare at him and ducked shyly out of sight again when they caught his eye. Between two houses he looked down to a sunny field where a woman with a three-cornered yellow kerchief on her head was helping some men at work. She did not look like an American woman at all, Hugh thought as he stopped to watch her, but walked on abashed when even she paused to look at him, leaning on her rake and shading her eyes with her hand. He rather liked her looks, somehow, even at that distance, she seemed so strong, in spite of her slenderness and she handled her rake with such vigorous sunburned arms. He raised his eyes to the circle of hills that hemmed in the little town rising steeply from beyond the last row of houses and the irregular patchwork of little fields. They were oddly shaped hills, rolling range beyond range, higher and higher until, far in the distance there loomed the jagged mass of one big enough to be called a mountain. The nearer <DW72>s were covered with heavy woods of pine and birch, the dense trees broken here and there by great masses of rock, black, gray or, more often, strange clear shades of red. “Red Lake derives its name,” so the atlas had stated in its matter-of-fact fashion, “from the peculiar color of the jasper rock that appears in such quantity along its shores.” Hugh had never seen anything quite like that clear vermilion shade that glowed dully against the black-green of the pines. Across the <DW72> of the nearest hill, showing clear like a clean-cut scar, there stretched a steep white road that wound sharply up to the summit and disappeared. He began to feel vaguely that although the town attracted him little, the road might lead to something of greater promise. There were some men lounging before the door of the hotel when he reached it, miners or lumberjacks wearing high boots and mackinaw coats. They were talking in low tones and eyeing Hugh with open curiosity. Just as he came to the steps, two figures shuffled silently past him, one, the Indian he had seen at the station, the other, a broad-shouldered, broad-waisted woman stooping under the heavy burden she carried on her back. The man, erect and unimpeded, strode quickly forward, but she stopped a moment to readjust the deerskin strap which passed over her forehead and supported the heavy weight of her pack. She turned her swarthy face toward Hugh and greeted him with a broad, friendly smile, then bowed her head once more and trudged on after her master. The boy, not used to the ways of Indian husbands
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Produced by Judith Boss. HTML version by Al Haines. THE AMATEUR CRACKSMAN BY E. W. HORNUNG TO A. C. D. THIS FORM OF FLATTERY THE AMATEUR CRACKSMAN CONTENTS THE IDES OF MARCH A COSTUME PIECE GENTLEMEN AND PLAYERS LE PREMIER PAS WILFUL MURDER NINE POINTS OF THE LAW THE RETURN MATCH THE GIFT OF THE EMPEROR THE IDES OF MARCH I It was half-past twelve when I returned to the Albany as a last desperate resort. The scene of my disaster was much as I had left it. The baccarat-counters still strewed the table, with the empty glasses and the loaded ash-trays. A window had been opened to let the smoke out, and was letting in the fog instead. Raffles himself had merely discarded his dining jacket for one of his innumerable blazers. Yet he arched his eyebrows as though I had dragged him from his bed. "Forgotten something?" said he, when he saw me on his mat. "No," said I, pushing past him without ceremony. And I led the way into his room with an impudence amazing to myself. "Not come back for your revenge, have you? Because I'm afraid I can't give it to you single-handed. I was sorry myself that the others--" We were face to face by his fireside, and I cut him short. "Raffles," said I, "you may well be surprised at my coming back in this way and at this hour. I hardly know you. I was never in your rooms before to-night. But I fagged for you at school, and you said you remembered me. Of course that's no excuse; but will you listen to me--for two minutes?" In my emotion I had at first to struggle for every word; but his face reassured me as I went on, and I was not mistaken in its expression. "Certainly, my dear man," said he; "as many minutes as you like. Have a Sullivan and sit down." And he handed me his silver cigarette-case. "No," said I, finding a full voice as I shook my head; "no, I won't smoke, and I won't sit down, thank you. Nor will you ask me to do either when you've heard what I have to say." "Really?" said he, lighting his own cigarette with one clear blue eye upon me. "How do you know?" "Because you'll probably show me the door," I cried bitterly; "and you will be justified in doing it! But it's no use beating about the bush. You know I dropped over two hundred just now?" He nodded. "I hadn't the money in my pocket." "I remember." "But I had my check-book, and I wrote each of you a check at that desk." "Well?" "Not one of them was worth the paper it was written on, Raffles. I am overdrawn already at my bank!" "Surely only for the moment?" "No. I have spent everything." "But somebody told me you were so well off. I heard you had come in for money?" "So I did. Three years ago. It has been my curse; now it's all gone--every penny! Yes, I've been a fool; there never was nor will be such a fool as I've been.... Isn't this enough for you? Why don't you turn me out?" He was walking up and down with a very long face instead. "Couldn't your people do anything?" he asked at length. "Thank God," I cried, "I have no people! I was an only child. I came in for everything there was. My one comfort is that they're gone, and will never know." I cast myself into a chair and hid my face. Raffles continued to pace the rich carpet that was of a piece with everything else in his rooms. There was no variation in his soft and even footfalls. "You used to be a literary little cuss," he said at length; "didn't you edit the mag. before you left? Anyway I recollect fagging you to do my verses; and literature of all sorts is the very thing nowadays; any fool can make a living at it." I shook my head. "Any fool couldn't write off my debts," said I. "Then you have a flat somewhere?" he went on. "Yes, in Mount Street." "Well, what about the furniture?" I laughed aloud in my misery. "There's been a bill of sale on every stick for months!" And at that Raffles stood still, with raised eyebrows and stern eyes that I could meet the better now that he knew the worst; then, with a shrug, he resumed his walk, and for some minutes neither of us spoke. But in his handsome, unmoved face I read my fate and death-warrant; and with every breath I cursed my folly and my cowardice in coming to him at all. Because he had been kind to me at school, when he was captain of the eleven, and I his fag, I had dared to look for kindness from him now; because I was ruined, and he rich enough to play cricket all the summer, and do nothing for the rest of the year, I had fatuously counted on his mercy, his sympathy, his help! Yes, I had relied on him in my heart, for all my outward diffidence and humility; and I was rightly served. There was as little of mercy as of sympathy in that curling nostril, that rigid jaw, that cold blue eye which never glanced my way. I caught up my hat. I blundered to my feet. I would have gone without a word; but Raffles stood between me and the door. "Where are you going?" said he. "That's my business," I replied. "I won't trouble YOU any more." "Then how am I to help you?" "I didn't ask your help." "Then why come to me?" "Why, indeed!" I echoed. "Will you let me pass?" "Not until you tell me where you are going and what you mean to do." "Can't you guess?" I cried. And for many seconds we stood staring in each other's eyes. "Have you got the pluck?" said he, breaking the spell in a tone so cynical that it brought my last drop of blood to the boil. "You shall see," said I, as I stepped back and whipped the pistol from my overcoat pocket. "Now, will you let me pass or shall I do it here?" The barrel touched my temple, and my thumb the trigger. Mad with excitement as I was, ruined, dishonored, and now finally determined to make an end of my misspent life, my only surprise to this day is that I did not do so then and there. The despicable satisfaction of involving another in one's destruction added its miserable appeal to my baser egoism; and had fear or horror flown to my companion's face, I shudder to think I might have died diabolically happy with that look for my last impious consolation. It was the look that came instead which held my hand. Neither fear nor horror were in it; only wonder, admiration, and such a measure of pleased expectancy as caused me after all to pocket my revolver with an oath. "You devil!" I said. "I believe you wanted me to do it!" "Not quite," was the reply, made with a little start, and a change of color that came too late. "To tell you the truth, though, I half thought you meant it, and I was never more fascinated in my life. I never dreamt you had such stuff in you, Bunny! No, I'm hanged if I let you go now. And you'd better not try that game again, for you won't catch me stand and look on a second time. We must think of some way out of the mess. I had no idea you were a chap of that sort! There, let me have the gun." One of his hands fell kindly on my shoulder, while the other slipped into my overcoat pocket, and I suffered him to deprive me of my weapon without a murmur. Nor was this simply because Raffles had the subtle power of making himself irresistible at will. He was beyond comparison the most masterful man whom I have ever known; yet my acquiescence was due to more than the mere subjection of the weaker nature to the stronger. The forlorn hope which had brought me to the Albany was turned as by magic into an almost staggering sense of safety. Raffles would help me after all! A. J. Raffles would be my friend! It was as though all the world had come round suddenly to my side; so far therefore from resisting his action, I caught and clasped his hand with a fervor as uncontrollable as the frenzy which had preceded it. "God bless you!" I cried. "Forgive me for everything. I will tell you the truth. I DID think you might help me in my extremity, though I well knew that I had no claim upon you. Still--for the old school's sake--the sake of old times--I thought you might give me another chance. If you wouldn't I meant to blow out my brains--and will still if you change your mind!" In truth I feared that it was changing, with his expression, even as I spoke, and in spite of his kindly tone and kindlier use of my old school nickname. His next words showed me my mistake. "What a boy it is for jumping to conclusions! I have my vices, Bunny, but backing and filling is not one of them. Sit down, my good fellow, and have a cigarette to soothe your nerves. I insist. Whiskey? The worst thing for you; here's some coffee that I was brewing when you came in. Now listen to me. You speak of 'another chance.' What do you mean? Another chance at baccarat? Not if I know it! You think the luck must turn; suppose it didn't? We should only have made bad worse. No, my dear chap, you've plunged enough. Do you put yourself in my hands or do you not? Very well, then you plunge no more, and I undertake not to present my check. Unfortunately there are the other men; and still more unfortunately, Bunny, I'm as hard up at this moment as you are yourself!" It was my turn to stare at Raffles. "You?" I vociferated. "You hard up? How am I to sit here and believe that?" "Did I refuse to believe it of you?" he returned, smiling. "And, with your own experience, do you think that because a fellow has rooms in this place, and belongs to a club or two, and plays a little cricket, he must necessarily have a balance at the bank? I tell you, my dear man, that at this moment I'm as hard up as you ever were. I have nothing but my wits to live on--absolutely nothing else. It was as necessary for me to win some money this evening as it was for you. We're in the same boat, Bunny; we'd better pull together." "Together!" I jumped at it. "I'll do anything in this world for you, Raffles," I said, "if you really mean that you won't give me away. Think of anything you like, and I'll do it! I was a desperate man when I came here, and I'm just as desperate now. I don't mind what I do if only I can get out of this without a scandal." Again I see him, leaning back in one of the luxurious chairs with which his room was furnished. I see his indolent, athletic figure; his pale, sharp, clean-shaven features; his curly black hair; his strong, unscrupulous mouth. And again I feel the clear beam of his wonderful eye, cold and luminous as a star, shining into my brain--sifting the very secrets of my heart. "I wonder if you mean all that!" he said at length. "You do in your present mood; but who can back his mood to last? Still, there's hope when a chap takes that tone. Now I think of it, too, you were a plucky little devil at school; you once did me rather a good turn, I recollect. Remember it, Bunny? Well, wait a bit, and perhaps I'll be able to do you a better one. Give me time to think." He got up, lit a fresh cigarette, and fell to pacing the room once more, but with a slower and more thoughtful step, and for a much longer period than before. Twice he stopped at my chair as though on the point of speaking, but each time he checked himself and resumed his stride in silence. Once he threw up the window, which he had shut some time since, and stood for some moments leaning out into the fog which filled the Albany courtyard. Meanwhile a clock on the chimney-piece struck one, and one again for the half-hour, without a word between us. Yet I not only kept my chair with patience, but I acquired an incongruous equanimity in that half-hour. Insensibly I had shifted my burden to the broad shoulders of this splendid friend, and my thoughts wandered with my eyes as the minutes passed. The room was the good-sized, square one, with the folding doors, the marble mantel-piece, and the gloomy, old-fashioned distinction peculiar to the Albany. It was charmingly furnished and arranged, with the right amount of negligence and the right amount of taste. What struck me most, however, was the absence of the usual insignia of a cricketer's den. Instead of the conventional rack of war-worn bats, a carved oak bookcase, with every shelf in a litter, filled the better part of one wall; and where I looked for cricketing groups, I found reproductions of such works as "Love and Death" and "The Blessed Damozel," in dusty frames and different parallels. The man might have been a minor poet instead of an athlete of the first water. But there had always been a fine streak of aestheticism in his complex composition; some of these very pictures I had myself dusted in his study at school; and they set me thinking of yet another of his many sides--and of the little incident to which he had just referred. Everybody knows how largely the tone of a public school depends on that of the eleven, and on the character of the captain of cricket in particular; and I have never heard it denied that in A. J. Raffles's time our tone was good, or that such influence as he troubled to exert was on the side of the angels. Yet it was whispered in the school that he was in the habit of parading the town at night in loud checks and a false beard. It was whispered, and disbelieved. I alone knew it for a fact; for night after night had I pulled the rope up after him when the rest of the dormitory were asleep, and kept awake by the hour to let it down again on a given signal. Well, one night he was over-bold, and within an ace of ignominious expulsion in the hey-day of his fame. Consummate daring and extraordinary nerve on his part, aided, doubtless, by some little presence of mind on mine, averted the untoward result; and no more need be said of a discreditable incident. But I cannot pretend to have forgotten it in throwing myself on this man's mercy in my desperation. And I was wondering how much of his leniency was owing to the fact that Raffles had not forgotten it either, when he stopped and stood over my chair once more. "I've been thinking of that night we had the narrow squeak," he began. "Why do you start?" "I was thinking of it too." He smiled, as though he had read my thoughts. "Well, you were the right sort of little beggar then, Bunny; you didn't talk and you didn't flinch. You asked no questions and you told no tales. I wonder if you're like that now?" "I don't know," said I, slightly puzzled by his tone. "I've made such a mess of my own affairs that I trust myself about as little as I'm likely to be trusted by anybody else. Yet I never in my life went back on a friend. I will say that, otherwise perhaps I mightn't be in such a hole to-night." "Exactly," said Raffles, nodding to himself, as though in assent to some hidden train of thought; "exactly what I remember of you, and I'll bet it's as true now as it was ten years ago. We don't alter, Bunny. We only develop. I suppose neither you nor I are really altered since you used to let down that rope and I used to come up it hand over hand. You would stick at nothing for a pal--what?" "At nothing in this world," I was pleased to cry. "Not even at a crime?" said Raffles, smiling. I stopped to think, for his tone had changed, and I felt sure he was chaffing me. Yet his eye seemed as much in earnest as ever, and for my part I was in no mood for reservations. "No, not even at that," I declared; "name your crime, and I'm your man." He looked at me one moment in wonder, and another moment in doubt; then turned the matter off with a shake of his head, and the little cynical laugh that was all his own. "You're a nice chap, Bunny! A real desperate character--what? Suicide one moment, and any crime I like the next! What you want is a drag, my boy, and you did well to come to a decent law-abiding citizen with a reputation to lose. None the less we must have that money to-night--by hook or crook." "To-night, Raffles?" "The sooner the better. Every hour after ten o'clock to-morrow morning is an hour of risk. Let one of those checks get round to your own bank, and you and it are dishonored together. No, we must raise the wind to-night and re-open your account first thing to-morrow. And I rather think I know where the wind can be raised." "At two o'clock in the morning?" "Yes." "But how--but where--at such an hour?" "From a friend of mine here in Bond Street." "He must be a very intimate friend!" "Intimate's not the word. I have the run of his place and a latch-key all to myself." "You would knock him up at this hour of the night?" "If he's in bed." "And it's essential that I should go in with you?" "Absolutely." "Then I must; but I'm bound to say I don't like the idea, Raffles." "Do you prefer the alternative?" asked my companion, with a sneer. "No, hang it, that's unfair!" he cried apologetically in the same breath. "I quite understand. It's a beastly ordeal. But it would never do for you to stay outside. I tell you what, you shall have a peg before we start--just one. There's the whiskey, here's a syphon, and I'll be putting on an overcoat while you help yourself." Well, I daresay I did so with some freedom, for this plan of his was not the less distasteful to me from its apparent inevitability. I must own, however, that it possessed fewer terrors before my glass was empty. Meanwhile Raffles rejoined me, with a covert coat over his blazer, and a soft felt hat set carelessly on the curly head he shook with a smile as I passed him the decanter. "When we come back," said he. "Work first, play afterward. Do you see what day it is?" he added, tearing a leaflet from a Shakespearian calendar, as I drained my glass. "March 15th. 'The Ides of March, the Ides of March, remember.' Eh, Bunny, my boy? You won't forget them, will you?" And, with a laugh, he threw some coals on the fire before turning down the gas like a careful householder. So we went out together as the clock on the chimney-piece was striking two. II Piccadilly was a trench of raw white fog, rimmed with blurred street-lamps, and lined with a thin coating of adhesive mud. We met no other wayfarers on the deserted flagstones, and were ourselves favored with a very hard stare from the constable of the beat, who, however, touched his helmet on recognizing my companion. "You see, I'm known to the police," laughed Raffles as we passed on. "Poor devils, they've got to keep their weather eye open on a night like this! A fog may be a bore to you and me, Bunny, but it's a perfect godsend to the criminal classes, especially so late in their season. Here we are, though--and I'm hanged if the beggar isn't in bed and asleep after all!" We had turned into Bond Street, and had halted on the curb a few yards down on the right. Raffles was gazing up at some windows across the road, windows barely discernible through the mist, and without the glimmer of a light to throw them out. They were over a jeweller's shop, as I could see by the peep-hole in the shop door, and the bright light burning within. But the entire "upper part," with the private street-door next the shop, was black and blank as the sky itself. "Better give it up for to-night," I urged. "Surely the morning will be time enough!" "Not a bit of it," said Raffles. "I have his key. We'll surprise him. Come along." And seizing my right arm, he hurried me across the road, opened the door with his latch-key, and in another moment had shut it swiftly but softly behind us. We stood together in the dark. Outside, a measured step was approaching; we had heard it through the fog as we crossed the street; now, as it drew nearer, my companion's fingers tightened on my arm. "It may be the chap himself," he whispered. "He's the devil of a night-bird. Not a sound, Bunny! We'll startle the life out of him. Ah!" The measured step had passed without a pause. Raffles drew a deep breath, and his singular grip of me slowly relaxed. "But still, not a sound," he continued in the same whisper; "we'll take a rise out of him, wherever he is! Slip off your shoes and follow me." Well, you may wonder at my doing so; but you can never have met A. J. Raffles. Half his power lay in a conciliating trick of sinking the commander in the leader. And it was impossible not to follow one who led with such a zest. You might question, but you followed first. So now, when I heard him kick off his own shoes, I did the same, and was on the stairs at his heels before I realized what an extraordinary way was this of approaching a stranger for money in the dead of night. But obviously Raffles and he were on exceptional terms of intimacy, and I could not but infer that they were in the habit of playing practical jokes upon each other. We groped our way so slowly upstairs that I had time to make more than one note before we reached the top. The stair was uncarpeted. The spread fingers of my right hand encountered nothing on the damp wall; those of my left trailed through a dust that could be felt on the banisters. An eerie sensation had been upon me since we entered the house. It increased with every step we climbed. What hermit were we going to startle in his cell? We came to a landing. The banisters led us to the left, and to the left again. Four steps more, and we were on another and a longer landing, and suddenly a match blazed from the black. I never heard it struck. Its flash was blinding. When my eyes became accustomed to the light, there was Raffles holding up the match with one hand, and shading it with the other, between bare boards, stripped walls, and the open doors of empty rooms. "Where have you brought me?" I cried. "The house is unoccupied!" "Hush! Wait!" he whispered, and he led the way into one of the empty rooms. His match went out as we crossed the threshold, and he struck another without the slightest noise. Then he stood with his back to me, fumbling with something that I could not see. But, when he threw the second match away, there was some other light in its stead, and a slight smell of oil. I stepped forward to look over his shoulder, but before I could do so he had turned and flashed a tiny lantern in my face. "What's this?" I gasped. "What rotten trick are you going to play?" "It's played," he answered, with his quiet laugh. "On me?" "I am afraid so, Bunny." "Is there no one in the house, then?" "No one but ourselves." "So it was mere chaff about your friend in Bond Street, who could let us have that money?" "Not altogether. It's quite true that Danby is a friend of mine." "Danby?" "The jeweller underneath." "What do you mean?" I whispered, trembling like a leaf as his meaning dawned upon me. "Are we to get the money from the jeweller?" "Well, not exactly." "What, then?" "The equivalent--from his shop." There was no need for another question. I understood everything but my own density. He had given me a dozen hints, and I had taken none. And there I stood staring at him, in that empty room; and there he stood with his dark lantern, laughing at me. "A burglar!" I gasped. "You--you!" "I told you I lived by my wits." "Why couldn't you tell me what you were going to do? Why couldn't you trust me? Why must you lie?" I demanded, piqued to the quick for all my horror. "I wanted to tell you," said he. "I was on the point of telling you more than once. You may remember how I sounded you about crime, though you have probably forgotten what you said yourself. I didn't think you meant it at the time, but I thought I'd put you to the test. Now I see you didn't, and I don't blame you. I only am to blame. Get out
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Produced by Papeters, Mary Meehan, and the Online Distributed Proofreading Team THE LIFE OF HON. WILLIAM F. CODY KNOWN AS BUFFALO BILL THE FAMOUS HUNTER, SCOUT AND GUIDE. _AN AUTOBIOGRAPHY_. 1879 To GENERAL PHILIP H. SHERIDAN, THIS BOOK IS MOST RESPECTFULLY DEDICATED BY THE AUTHOR. [Illustration: Yours Sincerely, W. F. Cody] INTRODUCTORY. The life and adventures of Hon. William F. Cody--Buffalo Bill--as told by himself, make up a narrative which reads more like romance than reality, and which in many respects will prove a valuable contribution to the records of our Western frontier history. While no literary excellence is claimed for the narrative, it has the greater merit of being truthful, and is verified in such a manner that no one can doubt its veracity. The frequent reference to such military men as Generals Sheridan, Carr, Merritt, Crook, Terry, Colonel Royal, and other officers under whom Mr. Cody served as scout and guide at different times and in various sections of the frontier, during the numerous Indian campaigns of the last ten or twelve years, affords ample proof of his genuineness as a thoroughbred scout. There is no humbug or braggadocio about Buffalo Bill. He is known far and wide, and his reputation has been earned honestly and by hard work. By a combination of circumstances he was educated to the life of a plainsman from his youth up; and not the least interesting portion of his career is that of his early life, passed as it was in Kansas during the eventful and troubleous times connected with the settlement of that state. Spending much time in the saddle, while a mere boy he crossed the plains many times in company with bull-trains; on some of these trips he met with thrilling adventures and had several hairbreadth escapes from death at the hands of Indians. Then, for a while, he was dashing over the plains as a pony-express rider. Soon afterwards, mounted on the high seat of an overland stagecoach, he was driving a six-in-hand team. We next hear of him cracking the bull-whacker's whip, and commanding a wagon-train through a wild and dangerous country to the far West. During the civil war he enlisted as a private, and became a scout with the Union army; since the war he has been employed as hunter, trapper, guide, scout and actor. As a buffalo hunter he has no superior; as a trailer of Indians he has no equal. For many years he has taken an active part in all the principal Indian campaigns on the Western frontier, and as a scout and guide he has rendered inestimable services to the various expeditions which he accompanied. During his life on the plains he not only had many exciting adventures himself, but he became associated with many of the other noted plainsmen, and in his narrative he frequently refers to them and relates many interesting incidents and thrilling events connected with them. He has had a fertile field from which to produce this volume, and has frequently found it necessary to condense the facts in order to embody the most interesting events of his life. The following from a letter written by General E. A. Carr, of the Fifth Cavalry, now commanding Fort McPherson, speaks for itself: * * * * * "I first met Mr. Cody, October 22d, 1868, at Buffalo Station, on the Kansas Pacific railroad, in Kansas. He was scout and guide for the seven companies of the Fifth Cavalry, then under Colonel Royal, and of which I was ordered to take the command. "From his services with my command, steadily in the field for nine months, from October, 1868, to July, 1869, and at subsequent times, I am qualified to bear testimony to his qualities and character. "He was very modest and unassuming. I did not know for a long time how good a title he had to the appellation, 'Buffalo Bill.' I am apt to discount the claims of scouts, as they will occasionally exaggerate; and when I found one who said nothing about himself, I did not think much of him, till I had proved him. He is a natural gentleman in his manners as well as in character, and has none of the roughness of the typical frontiersman. He can take his own part when required, but I have never heard of his using a knife or a pistol, or engaging in a quarrel where it could be avoided. His personal strength and activity are such that he can hardly meet a man whom he cannot handle, and his temper and disposition are so good that no one has reason to quarrel with him. "His eye-sight is better than a good field glass; he is the best trailer I ever heard of; and also the best judge of the 'lay of country,'--that is, he is able to tell what kind of country is ahead, so as to know how to act. He is a perfect judge of distance, and always ready to tell correctly how many miles it is to water, or to any place, or how many miles have been marched. "Mr. Cody seemed never to tire and was always ready to go, in the darkest night or the worst weather, and usually volunteered, knowing what the emergency required. His trailing, when following Indians or looking for stray animals or game, is simply wonderful. He is a most extraordinary hunter. I could not believe that a man could be certain to shoot antelope running till I had seen him do it so often. "In a fight Mr. Cody is never noisy, obstreperous or excited. In fact, I never hardly noticed him in a fight, unless I happened to want him, or he had something to report, when he was always in the right place, and his information was always valuable and reliable. "During the winter of 1868, we encountered hardships and exposure in terrific snow storms, sleet, etc., etc. On one occasion, that winter, Mr. Cody showed his quality by quietly offering to go with some dispatches to General Sheridan, across a dangerous region, where another principal scout was reluctant to risk himself. "On the 13th of May, 1869, he was in the fight at Elephant Rock, Kansas, and trailed the Indians till the 16th, when we got another fight out of them on Spring Creek, in Nebraska, and scattered them after following them one hundred and fifty miles in three days. It was at Spring Creek where Cody was ahead of the command about three miles, with the advance guard of forty men, when two hundred Indians suddenly surrounded them. Our men, dismounted and formed in a circle, holding their horses, firing and slowly retreating. They all, to this day, speak of Cody's coolness and bravery. This was the Dog Soldier band which captured Mrs. Alderdice and Mrs. Weichel in Kansas. They strangled Mrs. Alderdice's baby, killed Mrs. Weichel's husband, and took a great deal of property and stock from different persons. We got on their trail again, June 28th, and followed it nearly two hundred miles, till we struck the Indians on Sunday, July 11th, 1869, at Summit Spring. The Indians, as soon as they saw us coming, killed Mrs. Alderdice with a hatchet, and shot Mrs. Weichel, but fortunately not fatally, and she was saved. "Mr. Cody has since served with me as post guide and scout at Fort McPherson, where he frequently distinguished himself. "In the summer of 1876, Cody went with me to the Black Hills region where he killed Yellow-Hand. Afterwards he was with the Big Horn and Yellowstone expedition. I consider that his services to the country and the army by trailing, finding and fighting Indians, and thus protecting the frontier settlers, and by guiding commands over the best and most practicable routes, have been far beyond the compensation he has received. His friends of the Fifth Cavalry are all glad that he is in a lucrative business, and hope that he may live long and prosper. Personally, I feel under obligations to him for assistance in my campaigns which no other man could, or would, have rendered. Of course I wish him, and his, every success." E. A. CARR, Lt. Col. 5th Cav., Brev. Maj. Gen'l U. S. Army. FORT McPHERSON, NEBRASKA, July 3d, 1878 * * * * * Buffalo Bill is now an actor, and is meeting with success. He owns a large and valuable farm adjoining the town of North Platte, Nebraska, and there his family live in ease and comfort. He has also an extensive cattle ranch on the Dismal river, sixty-five miles north of North Platte, his partner being Major Frank North, the old commander of the celebrated Pawnee scouts. While many events of his career are known to the public, yet the reader will find in this narrative much that will be entirely new and intensely interesting to both young and old. THE PUBLISHER. Illustrations. THE AUTHOR, PORTRAIT, ON STEEL YOUTHFUL ADVENTURES SAMUEL'S FATAL ACCIDENT BILLINGS AS A BOCARRO BILLINGS RIDING LITTLE GRAY EXCITING SPORT STAKING OUT LOTS MY FATHER STABBED MY FATHER'S ESCAPE LIFE OR DEATH BOYISH SPORT TWO TO ONE KILLING MY FIRST INDIAN A PRAIRIE SCHOONER WILD BILL (PORTRAIT) HOLDING THE FORT CAMPING IN A SEPULCHRE RAFTING OS THE PLATTE RIDING PONY EXPRESS SAVED BY CHIEF RAIN IN-THE-FACE CHANGING HORSES ATTACK ON STAGE COACH ALF. SLADE KILLING THE DRIVER THE HORSE THIEVES DEN MY ESCAPE FROM THE HORSE THIEVES BOB SCOTT'S FAMOUS COACH HIDE "NEARLY EVERY MAN HAD TWO HORSES" WILD BILL AND THE OUTLAWS WILD BILL'S DUEL GENERAL GEO. A. CUSTER (Portrait) DEPARTING RICHES TONGUES AND TENDERLOINS THE INDIAN HORSE THIEVES THE MAN WHO FIRED THE GUN BUFFALO BILL "DOWN WENT HIS HORSE" THE FIRE SIGNAL KIT CARSON (Portrait) A GOOD HORSE A BIG JOKE AMBUSHING THE INDIANS WHOA THERE! DELIVERING DISPATCHES TO GENERAL SHERIDAN THE TWO TRAMPS CARRYING DISPATCHES GEN'L PHIL. SHERIDAN (PORTRAIT) BATTLE ON THE ARICKAREE BRINGING MEAT INTO CAMP "INDIANS!" GENERAL E. A. CARR (PORTRAIT) A CRACK SHOT A HARD CROWD CAMPING IN THE SNOW A WELCOME VISITOR ANTELOPES THE RECAPTURE OF BEVINS ROBBING A STAGE COACH INDIAN VILLAGE THE KILLING OF TALL BULL AN OLD BONE A WEDDING CEREMONY A RIDE FOR LIFE PRAIRIE DOG VILLAGE McCARTHY'S FRIGHT FINDING THE REMAINS OF THE BUCK PARTY SPOTTED TAIL (PORTRAIT) GRAND DUKE ALEXIS (PORTRAIT) INDIAN EXERCISES TWO-LANCE KILLING A BUFFALO AN EMBARRASSING SITUATION? TEXAS JACK (PORTRAIT) RIFLES STUDYING THE PARTS BEHIND THE FOOTLIGHTS LEARNING THE GAME GETTING SATISFACTION A DUEL WITH CHIEF YELLOW HAND SCOUTING ON A STEAMBOAT CLOSE QUARTERS ONE OF THE TROUPE Contents CHAPTER I. CHILDHOOD. Early Days in Iowa--A Brother's Death--The Family Move to a New Country--Incidents on the Road--The Horse Race--Our "Little Gray" Victorious--A Pleasant Acquaintance--Uncle Elijah Cody--Our New Home--My Ponies. CHAPTER II. EARLY INFLUENCES. Dress Parade at Fort Leavenworth--The Beautiful Salt Creek Valley--The Mormon Emigrants--The Wagon Trains--The Cholera--A Lively Scene--My First Sight of Indians--"Dolly" and "Prince"--A Long-Lost Relative Turns up--Adventurous Career of Horace Billings--His Splendid Horsemanship--Catching Wild Horses. CHAPTER III. BOY DAYS IN KANSAS. My Indian Acquaintances--An Indian Barbecue--Beginning of the Kansas Troubles--An Indiscreet Speech by my Father, who is Stabbed for his Boldness--Persecutions at the Hands of the Missourians--A Strategic Escape--A Battle at Hickory Point--A Plan to Kill Father is Defeated by Myself--He is Elected to the Lecompton Legislature--I Enter the Employ of William Russell--Herding Cattle--A Plot to Blow Up our House--A Drunken Missourian on the War-Path. CHAPTER IV. YOUTHFUL EXPERIENCES. At School--My First Love Scrape--I Punish my Rival, and then Run Away--My First Trip Across the Plains--Steve Gobel and I are Friends once more--Death of my Father--I Start for Salt Lake--Our Wagon Train Surprised by Indians, who Drive us off, and Capture our Outfit--I Kill my First Indian--Our Return to Leavenworth--I am Interviewed by a Newspaper Reporter, who gives me a Good "Send-Off." CHAPTER V. IN BUSINESS. My Second Trip Across the Plains--The Salt Lake Trail--Wild Bill--He Protects me from the Assault of a Bully--A Buffalo Hunt--Our Wagon Train Stampeded by Buffaloes--We are Taken Prisoners by the Mormons--We Proceed to Fort Bridger. CHAPTER VI. HARD TIMES. A Dreary Winter At Fort Bridger--Short Rations--Mule Steaks--Homeward Bound in the Spring--A Square Meal--Corraled by Indians--A Mule Barricade--We Hold the Fort--Home Again--Off for the West--Trapping on the Chugwater And Laramie Rivers--We go to Sleep In a Human Grave--A Horrifying Discovery--A Jollification at Oak Grove Ranch--Home Once More--I go to School--The Pike's Peak Gold Excitement--Down the Platte River on a Raft--I Become a Pony Express Rider. CHAPTER VII. ACCIDENTS AND ESCAPES. Trapping on Prairie Dog Creek--An Accident whereby we Lose one of our Oxen--I Fall and Break my Leg--Left Alone in Camp--Unwelcome Visitors--A Party of Hostile Sioux Call upon me and Make Themselves at Home--Old Rain-in-the-Face Saves my Life--Snow-Bound-A Dreary Imprisonment--Return of my Partner--A Joyful Meeting--We Pull Out for Home--Harrington Dies. CHAPTER VIII. ADVENTURES ON THE OVERLAND ROAD. Introduction to Alf. Slade--He Employs me as a Pony Express Rider--I Make a Long Ride--Indians Attack an Overland Stage Coach--Wild Bill Leads a Successful Expedition against the Indians--A Grand Jollification at Sweetwater Bridge--Slade Kills a Stage Driver--The End of the Spree--A Bear Hunt--I fall among Horse Thieves--My Escape--I Guide a Party to Capture the Gang. CHAPTER IX. FAST DRIVING. Bob Scott, the Stage Driver--The Story of the Most Reckless Piece of Stage Driving that ever Occurred on the Overland Road. CHAPTER X. QUESTIONABLE PROCEEDINGS. The Civil War--Jayhawking--Wild Bill's Fight with the McCandless Gang of Desperadoes--I become Wild Bill's Assistant Wagon-Master--We Lose our Last Dollar on a Horse Race--He becomes a Government Scout--He has a Duel at Springfield. CHAPTER XI. A SOLDIER. Scouting against the Indians in the Kiowa and Comanche country--The Red-Legged Scouts--A Trip to Denver--Death of my Mother--I Awake one Morning to Find myself a Soldier--I am put on Detached Service as a Scout--The Chase after Price--An Unexpected Meeting with Wild Bill--An Unpleasant Situation--Wild Bill's Escape from the Southern Lines--The Charge upon Price's Army--We return to Springfield. CHAPTER XII. A WEDDING. I Fall in Love--A Successful Courting Expedition--I am Married--The Happiest Event of my Life--Our Trip up the Missouri River--The Bushwhackers Come after me--I become Landlord of a Hotel--Off for the Plains once more--Scouting on the Frontier for the Government--A Ride with General Custer--An Expedition from Fort Hays has a Lively Chase after Indians--Cholera in Camp. CHAPTER XIII. A MILLIONAIRE. A Town Lot Speculation--"A Big Thing"--I become Half-Owner of a City--Corner Lots Reserved--Rome's Rapid Rise--We consider ourselves Millionaires--Dr. Webb--Hays City--We Regard ourselves as Paupers--A Race with Indians--Captain Graham's Scout after the Indians. CHAPTER XIV. EARNING A TITLE. Hunting for the Kansas Pacific--How I got my Name of "Buffalo Bill"--The Indians give me a Lively Chase--They get a Dose of their own Medicine--Another Adventure--Scotty and myself Corraled by Indians--A Fire Signal brings Assistance--Kit Carson. CHAPTER XV. CHAMPION BUFFALO KILLER. A Buffalo Killing Match with Billy Comstock--An Excursion party from St. Louis come out to Witness the Sport--I win the Match, and am declared the Champion Buffalo Killer of the Plains. CHAPTER XVI. A COURIER. Scouting--Captured by Indians--A Strategic Escape--A Hot Pursuit--The Indians led into an Ambush--Old Satanta's Tricks and Threats--Excitement at Fort Larned--Herders and Wood-Choppers Killed by the Indians--A Perilous Ride--I get into the wrong Pew--Safe, arrival at Fort Hays--Interview with General Sheridan--My ride to Fort Dodge--I return to Fort Larned--My Mule gets away from me--A long Walk--The Mule Passes In his Chips. CHAPTER XVII. AN APPOINTMENT. General Sheridan appoints me Guide and Chief of Scouts of the Fifth Cavalry--The Dog Soldiers--General Forsyth's Fight on the Arickaree Fork. CHAPTER XVIII. SCOUTING. Arrival of the Fifth Cavalry at Fort Hays--Out on a Scout--A little Skirmish with Indians--A Buffalo Hunt--A False Alarm in camp--A Scout on the Beaver--The Supply Camp is Surprised--Arrival of General Carr--The new Lieutenant and his Reception--Another Indian Hunt--An Engagement--A Crack Shot--I have a little Indian fight of my own--Return to Fort Wallace--While hunting Buffaloes with a small Party, we are Attacked by Fifty Indians. CHAPTER XIX. A TOUGH TIME. A Winter's Campaign in the Canadian River Country--Searching for Penrose's Command--A Heavy Snow-Storm--Taking the Wagon Train down a Mountain Side--Camp Turkey--Darkey Deserters from Penrose's Command--Starvation in Penrose's Camp--We reach the Command with Timely Relief--Wild Bill--A Beer Jollification--Hunting Antelopes--Return to Fort Lyon. CHAPTER XX. AN EXCITING CHASE. A Difficulty with a Quartermaster's Agent--I give him a Severe Pounding--Stormy Interview with General Bankhead and Captain Laufer--I put another "Head" on the Quartermaster's Agent--I am Arrested--In the Guard-House--General Bankhead Releases me--A Hunt after Horse Thieves--Their Capture--Escape of Bevins--His Recapture--Escape of Williams--Bevins Breaks Out of Jail--His Subsequent Career. CHAPTER XXI. A MILITARY EXPEDITION. The Fifth Cavalry is Ordered to the Department of the Platte--Liquids _vs._ Solids--A Skirmish with the Indians--Arrival at Fort McPherson--Appointed Chief of Scouts--Major Frank North and the Pawnee Scouts--Belden the White Chief--The Shooting Match--Review of the Pawnee Scouts--An Expedition against the Indians--"Buckskin Joe." CHAPTER XXII. A DESPERATE FIGHT. Pawnees _vs_. Siouxs--We strike a Large Trail--The Print of a Woman's Shoe--The Summit Springs Fight--A Successful Charge--Capture of the Indian Village--Rescue of a White Woman--One hundred and forty Indians Killed--I kill Tall Bull and Capture his Swift Steed--The Command proceeds to Fort Sedgwick--Powder Face--A Scout after Indian Horse-Thieves--"Ned Buntline"--"Tall Bull" as a Racer--Powder Face wins a Race without a Rider--An Expedition to the Niobrara--An Indian Tradition. CHAPTER XXIII. ADMINISTERING JUSTICE. I make my Home at Fort McPherson--Arrival of my Family--Hunting and Horse Racing--An Indian Raid--Powder Face Stolen--A Lively Chase--An Expedition to the Republican River Country--General Duncan--A Skirmish with the Indians--A Stern Chase--An Addition to my Family--Kit Carson Cody--I am made a Justice of the Peace--A Case of Replevin--I perform a Marriage Ceremony--Professor Marsh's Fossil-Hunting Expedition. CHAPTER XXIV. HUNTING EXPEDITIONS. The Grand Hunt of General Sheridan, James Gordon Bennett, and other Distinguished Gentlemen--From Fort McPherson to Fort Hays--Incidents of the Trip--"Ten Days on the Plains"--General Carr's Hunting Expedition--A Joke on McCarthy--A Search for the Remains of Buck's Surveying Party, who had been Murdered by the Indians. CHAPTER XXV. HUNTING WITH A GRAND DUKE. The Grand Duke Alexis Hunt--Selection of a Camp--I Visit Spotted Tail's Camp--The Grand Duke and Party arrive at Camp Alexis--Spotted Tail's Indians give a Dance--The Hunt--Alexis Kills his First Buffalo--Champagne--The Duke Kills another Buffalo--More Champagne--End of the Hunt--Departure of the Duke and his Party. CHAPTER XXVI. SIGHT-SEEING. My Visit in the East--Reception in Chicago--Arrival in New York--I am well Entertained by my old Hunting Friends--I View the Sights of the Metropolis--Ned Buntline--The Play of "Buffalo Bill"--I am Called Upon to make a Speech--A Visit to my Relatives--Return to the West. CHAPTER XXVII. HONORS. Arrival of the Third Cavalry at Fort McPherson--A Scout after Indians--A Desperate Fight with Thirteen Indians--A Hunt with the Earl of Dunraven--A Hunt with a Chicago Party--Milligan's Bravery--Neville--I am Elected to the Nebraska Legislature. CHAPTER XXVIII. AN ACTOR. I resolve to go upon the Stage--I resign my Seat in the Legislature--Texas Jack--"The Scouts of the Plains"--A Crowded House--A Happy Thought--A Brilliant _Debut_--A Tour of the Country. CHAPTER XXIX. STARRING. The Theatrical Season of 1873-74--Wild Bill and his Tricks--He Leaves us at Rochester--He becomes a "Star"--A Bogus "Wild Bill "--A Hunt with Thomas P. Medley, an English gentleman--A Scout on the Powder River and in the Big Horn Country--California Joe--Theatrical Tour of 1874 and 1875--Death of my son, Kit Carson Cody. CHAPTER XXX. A RETURN TO THE PLAINS. The Sioux Campaign of 1876--I am appointed Guide and Chief of Scouts of the Fifth Cavalry--An Engagement with eight hundred Cheyennes--A Duel with Yellow Hand--Generals Terry and Crook meet, and cooperate Together. CHAPTER XXXI. DANGEROUS WORK. Scouting on a Steamboat--Captain Grant Marsh--A Trip down the Yellowstone River--Acting as Dispatch Carrier--I Return East and open my Theatrical Season with a New Play--Immense Audiences--I go into the Cattle Business in company with Major Prank North--My Home at North Platte. CHAPTER XXXII. CONCLUSION. A Cattle "Round-up"--A Visit to My Family in our New Home--A Visit from my Sisters--I go to Denver--Buying more Cattle--Pawnee and Nez-Perces Indians Engaged for a Theatrical Tour--The Season of 1878-79--An experience in Washington--Home Once More. THE LIFE OF HON. WILLIAM F. CODY CHAPTER I. CHILDHOOD. My _debut_ upon the world's stage occurred on February 26th, 1845. The scene of this first important event in my adventurous career, being in Scott county, in the State of Iowa. My parents, Isaac and Mary Ann Cody, who were numbered among the pioneers of Iowa, gave to me the name of William Frederick. I was the fourth child in the family. Martha and Julia, my sisters, and Samuel my brother, had preceded me, and the children who came after me were Eliza, Nellie, Mary, and Charles, born in the order named. At the time of my birth the family resided on a farm which they called "Napsinekee Place,"--an Indian name--and here the first six or seven years of my childhood were spent. When I was about seven years old my father moved the family to the little town of LeClair, located on the bank of the Mississippi, fifteen miles above the city of Davenport. Even at that early age my adventurous spirit led me into all sorts of mischief and danger, and when I look back upon my childhood's days I often wonder that I did not get drowned while swimming or sailing, or my neck broken while I was stealing apples in the neighboring orchards. I well remember one day that I went
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Produced by Demian Katz and the Online Distributed Proofreading Team at http://www.pgdp.net (Images courtesy of the Digital Library@Villanova University (http://digital.library.villanova.edu/)) [Illustration: _Bolax, Imp or Angel Which?_] [Illustration: JE SUIS MOI, LE GENERALE BOOME. I AM THE GREAT GENERAL BOOME. [From Fun in Dormitory. page 166.]] BOLAX IMP OR ANGEL--WHICH? BY MRS. JOSEPHINE CULPEPER [Illustration] JOHN MURPHY COMPANY. Baltimore: New York: 200 W. Lombard Street. 70 Fifth Avenue. 1907. _Copyright 1907, by_ Mrs. Josephine Culpeper PRINTED BY JOHN MURPHY COMPANY _"Bolax: Imp or Angel--Which?" Being favorably criticised by priests of literary ability, is hereby recommended most heartily by me to all Catholics._ _As a study in child-life and as a rational object lesson in the religious and moral training of children, Mrs. Culpeper's book should become popular and the jolly little Bolax be made welcome in many households._ _Faithfully yours in Xt,_ [Illustration: Signature] _Dedicated to my best beloved pupils, especially the children of the Late Dr. William V. Keating, and those of Joseph R. Carpenter, by their old governess._ CONTENTS. PAGE. CHAPTER I. AMY'S COMPANY, 1 CHAPTER II. THE WONDERFUL RIDE, 9 CHAPTER III. THE PARTY, 19 CHAPTER IV. PLEASANT CONTROVERSY, 29 CHAPTER V. THE PICNIC, 38 CHAPTER VI. A TALK ABOUT OUR BOYS, 52 CHAPTER VII. THE FIGHT, 61 CHAPTER VIII. THE COAL MAN, 78 CHAPTER IX. AMY'S TRIP TO THE SEASHORE, 89 CHAPTER X. CHRISTMAS AND "LITTLE CHRISTMAS," OR KING'S DAY, 100 CHAPTER XI. PRACTISING, 116 CHAPTER XII. FIRST COMMUNION, 130 CHAPTER XIII. UNFORSEEN EVENTS, 146 CHAPTER XIV. BOLAX GOES TO COLLEGE, 157 CHAPTER XV. LETTER FROM A FRIEND, 174 CHAPTER XVI. BOLAX LEAVES COLLEGE FOR VACATION, 196 ONLY A BOY. Only a boy with his noise and fun, The veriest mystery under the sun; As brimful of mischief and wit and glee As ever a human frame can be, And as hard to manage as--ah! ah, me! 'Tis hard to tell, Yet we love him well. Only a boy, with his fearful tread, Who cannot be driven, but must be led; Who troubles the neighbors' dogs and cats, And tears more clothes, and spoils more hats, Loses more tops and kites and bats Than would stock a store, For a year or more. Only a boy, with his wild, strange ways, With his idle hours on busy days; With his queer remarks and his odd replies, Sometimes foolish and sometimes wise, Often brilliant for one of his size, As a meteor hurl'd, From the pleasant world. Only a boy, who will be a man If Nature goes on with her first great plan-- If water, or fire, or some fatal snare Conspire not to rob us of this our heir, Our blessing, our trouble, our rest, our care, Our torment, our joy, "Our only boy." --_Anonymous_. BOLAX IMP OR ANGEL--WHICH? CHAPTER I. AMY'S COMPANY "Come children," said Mrs. Allen, "Mamma wants to take you for a nice walk." "Oh, please, dear Mamma, wait awhile! Bolax and I have company!" This from little Amy, Bo's sister. Mrs. Allen looked around the room, and saw several chairs placed before the fire; but seeing no visitors, was about to sit in the large arm chair. "Oh, dear Mamma," said Amy, "please do not take that chair! That's for poor old St. Joseph; he will be here presently." Turning toward the chair nearest the fire, the child bowed down to the floor, saying: "Little Jesus I love you! When will St. Joseph be here?" Then bowing before the next chair: "Blessed Mother, are you comfortable? Here is a footstool." Mrs. Allen went into the hall, and was about to close the door, when Bolax called out: "Oh, Ma dear, please don't shut the door. Here comes St. Joseph and five beautiful angels." Mrs. Allen was rather startled at the positive manner in which this was said, and unconsciously stepped aside, as if really to make way for the celestial visitors. Then leaving the children to amuse themselves, she listened to them from an adjoining room. This is what she heard: Amy--Dear St. Joseph please sit down; blessed angels, I am sorry that I haven't enough chairs, but you can rest on your beautiful wings. Bolax--Little Jesus, I'm so glad you've come. Mamma says you are very powerful, even if you are so little. I want to ask you lots of things. Do you see these round pieces of tin? Well, won't you please change them all into dollars, so we can have money for the poor, and sister Amy won't be crying in the street when she has no money to give all the blind and the lame people we meet. And dear Jesus, let me whisper--I want a gun. Amy--Dear Blessed Mother please make poor Miss Ogden well. I heard her tell my Mamma she was afraid to die; and she is very sick. She has such a sad face, and she looks mis'able. Bolax--Sister, won't you ask lots of things for me? I'm afraid to ask 'cause I was naughty this morning. I dyed pussy's hair with Papa's red ink. Amy--No, I won't ask any more favors; Mamma says we must be thankful for all we get, so let us sing a hymn of thanks. Here Papa came upstairs calling for his babies. Mrs. Allen not wishing to disturb the children, beckoned him into her room, hoping he would listen to the innocent prattle of his little ones. All unconscious of being observed, the children continued to entertain their heavenly guests. Mr. Allen not being a Catholic, was more shocked than edified at what he thought the hallucination of the children, and spoke rather sternly to his wife. "All this nonsense comes from your constant talk on subjects beyond the comprehension of children. Amy is an emotional child; she will become a dreamer, a spiritualist; it will affect her nervous system and you will have yourself to blame. "As for Bolax, I have no fear for him. He'll never be too pious. I'm willing to----" Here they were startled by a most unearthly yell, and Master Bo rushed into the room, saying that Amy would not let him play with her. "Why won't she?" asked Papa. "Oh, because I upset St. Joseph; I wanted to take the chairs for a train of cars." Papa broke into a fit of laughter, and said: "Bo, Bo, you're the funniest youngster I ever heard of." Poor Little Amy came into the room, looking as if ready to cry, telling her mother she would never again have that boy when her company came. "Just think, dear Ma, Bo said he liked monkeys better than angels." The serious face of the little girl caused her mother to wonder if the child really saw the holy spirits. Mrs. Allen consoled her little daughter, telling her Bo would be more thoughtful and better behaved when he should be a few years older. "Come now," said she, "we will go to see poor little Tommie Hoden. I am sure from the appearance of the boy, the family must be in very great distress." It was a beautiful day. The hyacinths were in bloom, and there were daffodils, tulips, and forget-me-nots, almost ready to open; the cherry trees were white with blossoms, and the apple trees covered with buds. The glad beautiful spring had fully come with its lovely treasures and everything seemed delighting in the sweet air and sunshine. Miss Beldon, a neighbor, was digging her flower-beds, and asked where they were going. "I want to visit that poor little fellow, Tommy Hoden, who comes here so often," said Mrs. Allen. "You're not going to Hoden's," cried Miss Beldon; "why the father is an awful man!" "So much the more need of helping him, and that poor neglected boy of his," answered Mrs. Allen. "Can you tell me exactly where they live?" "Yes, in a horrid old hut, near Duff Mills. You can't miss it, for it is the meanest of all those tumble-down shanties. I do wish you wouldn't go, it won't do any good." "Our Lord will take care of that," said Mrs. Allen. "I am only going to do the part of the work He assigns me, and take food to the hungry." "Well," said Miss Beldon, "I wouldn't go for fifty dollars. The man is never sober, and he won't like to be interfered with. I shouldn't wonder if he would shoot at you." Mrs. Allen laughed, and said anything so tragic was not likely to happen, and then went to get a basket of food to take to Tommy Hoden. They set forth on their walk, Bo holding fast to his mother's hand while Amy loitered on the way, gathering wild flowers. "Do you really, truly think Tom's father would shoot at us?" asked Bo. "No, indeed, dear. I hope you are not afraid." "Well--no--dear Ma, not very afraid;" and the little fellow drew a deep sigh; "only I--I--hope he won't shoot you, dear Ma." "Well I am afraid!" said Amy, in a somewhat shamefaced manner. "Please, Ma dear, let me go back and I will kneel before our Blessed Lady's picture and pray for the poor man all the time you are away." "That is very sweet of you, dear. Now Bo, perhaps you had better return with Amy. I can go alone." "No; no; I won't go back. I want to take care of my own dear Mamma. I'm not a bit afraid now." "Well, dear," said Mrs. Allen, "I will tell you what I want to do for Tom and his father. I will try to get Tom to go to school every day and to catechism class on Sundays. I think that would make a better boy of him. Then I hope to persuade his father to sign the temperance pledge and go to work." Bolax understood what his mother meant by this, for Mrs. Allen made a constant companion of the child; and although only five, she taught him to recite a piece on Temperance. The walk to the mills was very pleasant, with the exception of about half a mile of the distance, just as the road turned off from the village; here were a number of wretched old buildings, occupied by very poor and, for the most part, very wicked people. Somewhat removed from the others stood a hovel more dilapidated, if possible, than the rest. Towards this Mrs. Allen, still holding Bolax by the hand, bent her steps, and gently rapped at the door. No one answered, but something that sounded like the growl of a beast proceeded from within. After repeating the rap twice or three times, she pushed the door wider open and walked in. The room upon which it opened was small and low, and lighted by a single window, over which hung a thick network of spider webs; the dingy walls were festooned in like manner; the clay floor was so filthy, that, for a moment, Mrs. Allen shrunk from stepping upon it. In a corner of the wretched room sat Tom's father, smoking an old pipe. He was a rough, bad-looking man with shaggy hair hanging over his face and bleared eyes that glared at his visitors with no gentle expression. "What do you want?" he growled. "Your little boy sometimes comes to our place," answered Mrs. Allen, "so I thought I would come to see him, and bring him some cakes; children are so fond of sweets." "Very kind of you, I'm sure, ma'am, though I don't know why you should take the trouble," and the glare of his eyes softened a little; "you're the first woman that's crossed that ere threshold since Molly was carried out. I ha'n't got no chair." "Oh, never mind. I did not come to make a long call," said Mrs. Allen. The lady looked around the wretched room in vain, for a shelf or table on which to deposit the contents of her basket. At last she saw a closet, and while placing the articles of food in it, talked to old Hoden as if he had been the most respectable man in the county. "Is Tom at home, Mr. Hoden?" "What d'ye want of him? I never know where he is." "I heard you ought to be a Catholic," continued Mrs. Allen, "and I thought you would not object to Tom's coming to my catechism class on Sunday." "He ain't got no clothes fit to go; besides I reckon it wouldn't do no good to send him, for he ain't never seen the inside of a church." "Well, Mr. Hoden, couldn't you come yourself?" "It is me, ma'am? I haven't been near a church or priest for twenty-five years. Poor Molly tried to make me go, but she gave it up as a bad job. You may try your hand on Tom for all I care." "I am much obliged to you for giving me leave to try," said Mrs. Allen, smiling; "I should not have asked Tom to come without your permission, Mr. Hoden. Good-bye, sir." The poor wretch seemed dazed, and did not reply to the lady's polite leave-taking. After she was gone, he said to himself "I wonder what that one is up to. I never heard such smooth talk in my life. Well it do make me feel good to be spoke to like I were a gentleman. I'd give a good bit to know who sent her here, and why she come." Ah, poor soul, it was the charity of Jesus Christ that prompted the lady to go to you; and many a fervent prayer she and her children will say for your conversion. "Mamma," said Bolax, on the way home, "that man is not so dreadful bad." "Why do you think that, dear?" "Because I saw a picture of the Sacred Heart pasted on the wall inside the closet; it is all over grease and flyspecks, but you know you told me Jesus gave a blessing to any house that had a picture of His Sacred Heart in it." CHAPTER II. THE WONDERFUL RIDE. "Hurrah! Hurrah!" shouted Bolax, "Amy where are you? 'Want to tell you something fine." Amy was watering her flower-bed, and did not pay much attention to the little brother who was always having something "fine" to tell. "What is it now, Bo dear?" "Oh something real splendid this time." "Please tell me then," said Amy getting a little impatient. "You'll be so glad, Amy. Mamma and auntie say they are going to have a party on the 21st because it is your birthday and St. Aloysius' birthday." "Did they? really truly!" exclaimed Amy; and the staid little lady danced up and down the porch wild with delight at the prospect of a "really truly" party. Just then Aunt Lucy came up the steps laden with roses, for it was June, the month of the beautiful queen of flowers. Mrs. Allen took particular pains to cultivate with her own hands, all varieties of red roses, from deep crimson to the brilliant Jacqueminot, so that she could always have a bouquet to send to the Church every Sunday and Friday, during the month of the Sacred Heart, besides keeping her own little altar well supplied. "Oh, Auntie, dear!" said Amy, "I'm so happy! Bo says I'm to have a party." "Well, yes, darling; you know you will be seven on the 21st, so Mamma and I want to make you happy because you have always tried to be a good obedient little girl." "Thank you, thank you, auntie," and Amy gave Aunt Lucy a big hug and kiss. "May I carry the roses to the Oratory auntie, dear?" "Yes, Child, but I must go too, for I forgot to light the lamp before the picture of the Sacred Heart, and it should never be extinguished during this month." While arranging the altar Amy began with her usual string of questions, which were always listened to, and answered, for Mrs. Allen and her sister never allowed themselves to be "too busy to talk to children." "Auntie, why do we burn lamps before statues and holy pictures? Mollie Lane asked me that question when she was in here yesterday, and I did not know how to explain, then she laughed and said it was so funny to have artificial light in the day time." "My dear, we burn lamps and candles on the altar for several reasons, which it would take too long to tell you just now; when you are older, I will give you a little book called "Sacramentals," which explains all about the lights on our altars, the use of holy water, blessed palm, the crucifix, etc. For the present it suffices to tell any one who questions you that the lamp in our Oratory is kept burning as a mark of respect towards the Sacred Heart of Jesus, and besides it is a pretty ornament." What a bower of loveliness,
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Produced by Free Elf, Anne Storer and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Notes: 1) Mousul/Mosul, piastre/piaster, Shiraz/Sheeraz, Itch-Meeazin/Ech-Miazin/Etchmiazin, each used on numerous occasions; 2) Arnaouts/Arnaoots, Dr. Beagrie/Dr. Beagry, Beirout/Bayrout/Beyraut(x2), Saltett/Sallett, Shanakirke/Shammakirke, Trebizond/Trebisand - once each. All left as in original text. 3) M^R = a superscripted "R". * * * * * JOURNAL OF A RESIDENCE AT BAGDAD, &c, &c. LONDON: DENNETT, PRINTER, LEATHER LANE. JOURNAL OF A RESIDENCE AT BAGDAD, DURING THE YEARS 1830 AND 1831, BY M^R. ANTHONY N. GROVES, MISSIONARY. LONDON: JAMES NISBET, BERNERS STREET. M DCCC XXXII. * * * * * INTRODUCTION. This little work needs nothing from us to recommend it to attention. In its incidents it presents more that is keenly interesting, both to the natural and to the spiritual feelings, than it would have been easy to combine in the boldest fiction. And then it is not fiction. The manner in which the story is told leaves realities unencumbered, to produce their own impression. It might gratify the imagination, and even aid in enlarging our practical views, to consider such scenes as possible, and to fancy in what spirit a Christian might meet them; but it extends our experience, and invigorates our faith, to know that, having actually taken place, it is thus that they have been met. The first missionaries were wont, at intervals, to return from their foreign labours, and relate to those churches whose prayers had sent them forth, "all things that God had done with them" during their absence. To the Christians at Antioch, there must have been important edification, as well as satisfaction to their affectionate concern about the individuals, and about the cause, in the narrative of Paul and Barnabas. Nor would the states of mind experienced, and the spirit manifested, by the narrators themselves be less instructive, than the various reception of their message by various hearers. In these pages, in like manner, Mr. Groves contributes to the good of the Church, an important fruit of his mission, were it to yield no other. He had cast himself upon the Lord. To Him he had left it to direct his path; to give him what things He knew he had need of, and whether outward prospects were bright or gloomy, to be the strength of his heart and his portion for ever. The publication of his former little Journal was the erection of his Eben Ezer. Hitherto, said he to us in England, the Lord hath helped me. And now, after a prolonged residence among a people with whom, in natural things, he can have no communion, and who, towards his glad tidings of salvation, are as apathetic as is compatible with the bitterest contempt; after having had, during many weeks, his individual share of the suffering, and his mind worn with the spectacle, of a city strangely visited at once with plague, and siege, and inundation, and internal tumult; widowed, and not without experience of "flesh and heart fainting and failing," he again "blesses God for all the way he has led him,"[1] tells us that "the Lord's great care over him in the abundant provision for all his necessities, enables him yet further to sing of his goodness;"[2] and while his situation makes him say, "what a place would this be to be alone in now" if without God, he adds, "but with Him, this is better than the garden of Eden."[3] "The Lord is my only stay, my only support; and He is a support indeed."[4] It is remarkable, that at a time when the fear of pestilence has agitated the people of this country, and when the tottering fabric of society threatens to hurl down upon us as dire a confusion as that which has surrounded our brother, in a country hitherto regarded so remote from all comparison with our own; at a time when the records of the seasons at which the terrible voice of God has sounded loudest in our capital, are republished as appropriate to the contemplation of Christians at the existing crisis;[5]--this volume should have been brought before the Public, by circumstances quite unconnected with this train of God's dealings and threatenings to our land. The Christians of Britain ought to consider, that there is a warning voice of Providence, not only in the tumults of the people, and in the terrors of the cholera around them, but even in the publication of this Journal. It is not for nothing that God has moved Mr. Groves, as it were, to an advanced post, where he might encounter the enemy before them. The alarm may have, in a measure, subsided,[6] but if the people of God are to be ever patiently waiting for the coming of their conquering King, this implies a patient preparedness for those signs of his coming, the clouds and darkness that are to go before him, in the very midst of which they must be able to lift up their heads because their redemption draweth nigh. To provide for the worst contingencies is a virtue, not a weakness, in the soldier. That Christian will not keep his garments who forgets, that in this life, he is a soldier always. No army is so orderly in peace, or so triumphant upon lesser assaults, as that which is ready always for the extremest exigencies of war. To those who are looking for the glorious appearing of our great God and Saviour, Jesus Christ, this volume will exhibit indications of the advancement of the world towards the state in which he shall find it at his coming. The diffusion in the east of European notions and practices; the desire on the part of the rulers to possess themselves of the advantages of western intellect and skill; and on the side of the governed, the conviction of the comparative security and comfort of English domination; the vastly increased intercourse between those nations and the west, and the proposals for still further accelerating and facilitating that intercourse: all these things mark the rapid tendency, of which we have so many other signs, towards the production of one common mind throughout the human race, to issue in that combination for a common resistance of God, which, as of old, when the people were one, and had all one language, and it seemed that nothing could be restrained from them which they had imagined to do,--shall cause the Lord to come down and confound their purpose. Already has this unity of views and aims, with marvellous rapidity, prevailed in the European and American world; the press, the steam-engine by land and water, the multiplication of societies and unions, portend an advancement in it, to which nothing can set limits but the intervention of God: and now it appears that the mountain-fixedness of Asiatic prejudice and institution shall suddenly be dissolved, and absorbed into the general vortex. And to those who may have suspected, that the prospect of the return of Jesus of Nazareth to our earth for vengeance and expurgation of evil first, and then for occupation of rule, _under_ the face of the whole heaven
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Produced by Marilynda Fraser-Cunliffe and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Books project.) THE ANALOGY OF RELIGION, TO THE Constitution and Course of Nature. TO WHICH ARE ADDED TWO BRIEF DISSERTATIONS: I. ON PERSONAL IDENTITY.--II. ON THE NATURE OF VIRTUE. BY JOSEPH BUTLER, D.C.L. Ejus [Analogiæ] hæc vis est, ut id quod dubium est ad aliquid simile, de quo non quæritur referat ut incerta certis probet.--QUINTIL. l. i. c. 6. WITH AN INTRODUCTION, NOTES, CONSPECTUS, AND AMPLE INDEX, BY HOWARD MALCOM, D.D. PRESIDENT OF THE UNIVERSITY, LEWISBURG, PENNSYLVANIA. SEVENTEENTH EDITION. PHILADELPHIA: J. B. LIPPINCOTT & CO. 1873. Entered according to Act of Congress, in the year 1857, by J. B. LIPPINCOTT & CO. in the Clerk’s Office of the District Court of the United States in and for the Eastern District of Pennsylvania. CONTENTS. PAGE EDITOR’S INTRODUCTION 5 ” PREFACE 19 ” CONSPECTUS 21 AUTHOR’S ADVERTISEMENT 66 ” INTRODUCTION 67 PART I. OF NATURAL RELIGION. CHAP. I.--A Future Life 77 CHAP. II.--The Government of God by Rewards and Punishments 95 CHAP. III.--The Moral Government of God 105 CHAP. IV.--Probation, as implying Trial, Difficulties, and Danger 128 CHAP. V.--Probation, as intended for Moral Discipline and Improvement 136 CHAP. VI.--The Opinion of Necessity, considered as influencing Practice 157 CHAP. VII.--The Government of God, considered as a Scheme or Constitution, imperfectly comprehended 171 CONCLUSION 180 PART II. OF REVEALED RELIGION. CHAP. I.--The Importance of Christianity 186 CHAP. II.--The supposed Presumption against a Revelation, considered as miraculous 202 CHAP. III.--Our Incapacity of judging, what were to be expected in a Revelation; and the Credibility, from Analogy, that it must contain things appearing liable to Objections 209 CHAP. IV.--Christianity, considered as a Scheme or Constitution, imperfectly comprehended 223 CHAP. V.--The Particular System of Christianity; the Appointment of a Mediator, and the Redemption of the World by him 230 CHAP. VI.--Want of Universality in Revelation; and of the supposed Deficiency in the Proof of it 247 CHAP. VII.--The Particular Evidence for Christianity 263 CHAP. VIII.--Objections against arguing from the Analogy of Nature to Religion 296 CONCLUSION 306 DISSERTATIONS. DISSERTATION I.--Personal Identity 317 DISSERTATION II.--The Nature of Virtue 324 INDEX TO PART I 333 INDEX TO PART II 343 Editor’s Introduction JOSEPH BUTLER was born at Wantage, England, May 18th, 1692, the youngest of eight children. The biographies of that day were few and meagre; and in few cases is this so much to be regretted as in Butler’s. It would have been both interesting and profitable to trace the development and occupations of one of the mightiest of human minds. But no cotemporary gathered up the incidents of his life, and now all efforts to elicit them have been without success. His father was a prosperous dry-goods merchant, who, at the time of his son’s birth, had retired from business with a competency, and resided in a suburban mansion called “The Priory,” still in existence. Being a non-conformist, he educated Joseph at a “dissenting” academy at Gloucester, under SAMUEL JONES, a gentleman of great ability, and a skilful instructor, who raised up some of the greatest men of their day.[1] It was while a member of this academy, and about the age of twenty-one, that Butler disclosed to the world his wonderful power of abstract reasoning, in his famous correspondence with Samuel Clarke, in relation to that eminent author’s “_Demonstration of the Being and Attributes of God_.” This correspondence is now generally inserted at the end of that work. Mr. Butler having deliberately adopted Episcopal views, and resolved to unite himself with the Established Church, his father, with praiseworthy liberality, sent him to Oxford, where he entered Oriel College, March, 1714. Of his college life there is no account; nor of the time and place of his ordination. He removed to London in 1718, on receiving the appointment of “Preacher at the Rolls.” His famous Fifteen Sermons were preached in that chapel, and published before resigning the place, with a dedication to Sir Joseph Jekyl, “as a parting mark of gratitude for the favors received during his connection with that learned society.” One of Butler’s warmest college friends was Edward Talbot second son of a clergyman who afterwards became Bishop of Durham. This admirable young man died of smallpox; in his last hours recommending Butler to his father’s patronage; and scarcely had that gentleman attained the see of Durham, before he gave Mr. B. the living of Haughton, from whence he transferred him, in 1725, to the richer benefice of Stanhope. On receiving this honorable and lucrative appointment, he resigned the Lectureship at the Rolls, and in the autumn of 1726 retired to his beautiful residence at Stanhope. Here, without a family to occupy his time, he devoted himself to his great work, the Analogy: using horseback exercise, seeing little company, living abstemiously and caring for his flock. Seven years thus rolled away; when to draw him from what seemed to his friends too great retirement and application, Lord-Chancellor Talbot made him his chaplain, and afterwards, in 1736, gave him a prebend’s stall in Rochester. In 1736, Butler being now forty-four, Caroline, consort of George II., appointed him “Clerk of the Closet,” an office which merely required his attendance at the Queen’s apartments every evening, from seven to nine. Being now in London, convenient to the press, and enjoying both leisure and competency, he published his immortal ANALOGY--the cherished work of his life. The Queen was delighted with the book, and made herself master of its glorious array of reasoning. But she died the same year, and he lost not only a patroness, but a friend. He returned to his benefice at Stanhope, the income of which had been held during his residence in London. On her death-bed, the Queen had urged her husband to promote her honored chaplain to a bishopric; and next year, the see of Norwich becoming vacant, the Bishop of Bristol was translated to it, and the see of Bristol given to Butler. Bristol was the poorest bishopric in England, its emoluments being but $2,000 per annum; less than those of the rectorship of Stanhope. Butler distinctly disclosed his disappointment in his letter to the minister Walpole, accepting the position; and declared that he did not think it “very suitable to the condition of his fortune, nor answerable to the recommendation with which he was honored.” The king was not displeased at this candor, and in 1740 improved his income by giving him, in addition to his bishopric, the profitable and influential office of Dean of St. Paul’s. Butler, who had retained the living of Stanhope along with his bishopric, now resigned that rectorship. “The rich revenues,” says Professor Fitzgerald, “of the Deanery of St. Paul, enabled him to gratify his taste at Bristol.” He expended about $25,000 in improving and beautifying the episcopal residence and gardens. He fostered useful charities, and employed his wealth for others rather than for himself. In 1750, upon the death of Dr. Edward Chandler, Bishop of Durham, Butler was promoted to that see, the most honorable and lucrative in England. He had before been offered the Primacy, on the death of Archbishop Potter, but declined it, with the remark that “it was too late for him to try to support a falling church.” On assuming his diocese at Durham, Butler delivered and published his famous Charge to the Clergy, upon “The Use and Importance of External Religion.” He was at once assailed vigorously, in pamphlets and papers, by Archdeacon Blackburn, the Rev. T. Lindsay, and others, on the charge of Popery; an imputation which is still sometimes cast upon him, and which finds some slender support in his setting up a marble cross over the communion-table at Bristol. That he never was a <DW7>, is now so evident, that we can account for the imputation only by the strong jealousy of the Romish Church then prevalent. Butler now became still more munificent. His private charities were exceedingly generous, and his public ones seemed sometimes to border on extravagance. He gave $2,000 a year to the county hospital, and often gave away thousands of dollars at a time. But though quite lavish in buildings and ornaments, as well as in benevolence, he was remarkably frugal in his personal expenses. It is said of him, by Rev. John Newton, that on one occasion, when a distinguished visitor dined with him by appointment, the provision consisted of a single joint of meat, and a pudding. The bishop remarked to his guest on that occasion, that he “had long been disgusted with the fashionable expense of time and money in entertainments, and was determined that it should receive no countenance from his example.” Of his amusements we know little except that he took much horseback exercise, and often employed his secretary, Mr. Emms, to play for him on the organ. Butler held the see of Durham less than two years. Symptoms of general physical decay betrayed themselves about the time of his promotion, and in spite of all that skill and affection could prompt, he sunk to rest June 16th, 1752, aged sixty. He was never married. A considerable number of his sermons and charges have been printed, but are too philosophical to be generally read. His great work is the Analogy, published in 1736, and from that day read and admired by every highly-cultivated mind. He was induced to write by a state of things very remarkable in the history of religion. Debauchery and infidelity were almost universal, not in any one class of society but in all. England had reached the culminating point of irreligion, and the firm re-establishment of Episcopacy had as yet done nothing to mend the nation’s morals. Piety was deemed a mark of ignorance and vulgarity, and multitudes of those who professed it were persecuted to dungeons and death. Infidel writers, warmed into life by court corruption, became more numerous and audacious than ever before. Their methods of attacking Christianity were various; but the most successful then, as always, was to impugn certain doctrines and declarations of the Sacred Scriptures, as irrational, and hence reject the whole. They generally admitted the Being and perfection of God, and extolled the sufficiency of natural religion; but denied any revelation, or any necessity for one. The verdict of the world was that the Bible is not authentic, that man is not accountable, nor even probably immortal, that God neither rewards nor punishes, and that present indulgence, as far as our nature admits, is both wise and safe. Bishop Downam,[2] one of the most learned of the clergy, in the early part of the seventeenth century writes thus: “In these times, if a man do but labor to keep a good conscience, though he meddle not with matters of state, if he make conscience of swearing, sanctify the Sabbath, frequent sermons, or abstain from the common corruptions of the times, he shall straightway be condemned for a puritan, and be less favored than either a carnal gospeller, or a close <DW7>.” It was considered settled, especially in polite circles, that Christianity, after so long a prevalence, had been found out to be an imposture. The clergy, as a body, did nothing to dispel this moral gloom, but rather increased it by their violent and scandal
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Produced by Al Haines. [Illustration: "Folding his withered hands, he said, in solemn and trembling tones, 'Let us pray'" (_see page_ 121).] Adam Hepburn's Vow *A TALE OF KIRK AND COVENANT* BY *ANNIE S. SWAN* WITH FOUR FULL-PAGE ILLUSTRATIONS TWENTY-THIRD THOUSAND CASSELL AND COMPANY, LTD LONDON, NEW YORK, TORONTO AND MELBOURNE 1885 TO MY FRIEND C. M. AND TO THE DEAR ONES GATHERED ROUND HER IN HER HAPPY HOME *CONTENTS* CHAPTER I. THE TRAVELLERS CHAPTER II. A NATION'S TESTIMONY CHAPTER III. FOREBODINGS OF EVIL CHAPTER IV. THE MINISTER'S CHILDREN CHAPTER V. THE FIRST MARTYRS CHAPTER VI. A THORN IN THE FLESH CHAPTER VII. A LONG FAREWELL CHAPTER VIII. MR. DUNCAN MCLEAN CHAPTER IX. PREPARING FOR EMERGENCIES CHAPTER X. ADAM HEPBURN'S VOW CHAPTER XI. UP IN ARMS CHAPTER XII. RULLION GREEN CHAPTER XIII. THE NEW MAID CHAPTER XIV. BETRAYED CHAPTER XV. BRAVE TO THE LAST CHAPTER XVI. AT THE DAWNING CHAPTER XVII. A SHOCK OF CORN FULLY RIPE CHAPTER XVIII. AT HAUGHHEAD CHAPTER XIX. UNLOOKED-FOR NEWS CHAPTER XX. DRUMCLOG CHAPTER XXI. DISUNION CHAPTER XXII. BOTHWELL BRIDGE CHAPTER XXIII. IN CAPTIVITY CHAPTER XXIV. DELIVERED CHAPTER XXV. AIRSMOSS CHAPTER XXVI. REST *LIST OF ILLUSTRATIONS.* "Folding his withered hands, he said, in solemn and trembling tones, 'Let us pray'"... _Frontispiece_ "Uplifting his hand, he swore the solemn oath" "Little Jeanie... brought out a draught for the general" "The wildest confusion seemed to prevail on the bridge" *Adam Hepburn's Vow* _*A TALE OF KIRK AND COVENANT.*_ *CHAPTER I.* *THE TRAVELLERS.* Towards the close of a bleak grey February afternoon, in the year 1638, a small party of travellers might have been seen approaching Edinburgh by the high road from Glasgow. It consisted of a sturdy brown pony, whereon sat a fair-faced, sunny-haired little girl, whose age could not have exceeded nine years; a bright-faced, bold-looking lad, walking at the animal's head, and having the bridle-rein hung loosely over his arm; and a middle-aged gentleman, whose aspect and attire proclaimed him a clergyman. He walked slowly, a little apart from the others, and his hands were clasped before him, and his eyes bent thoughtfully on the ground. He was a man somewhat past his prime, of a noble and manly bearing, with a fine open countenance, and a speaking eye, wherein dwelt a singularly sweet and benevolent expression. The shadows of evening were already beginning to gather over the surrounding scene, making objects at a distance somewhat indistinct. Yet, truly, there was little at that season of the year to refresh the eye or gladden the heart. The icy hand of winter had scarcely yet relaxed its grasp on mother earth; there were no green buds on hedge or tree; no blades of promise springing up by the wayside: all was desolate, bleak, and cold. Yet the newly upturned furrows smelt fresh and sweet, and the purling brooks wandered cheerfully on their way; singing their song of gladness, as if they knew that spring was close at hand. Presently the little party ascended a gentle eminence, and then many lights were seen twinkling not far ahead. "See, father, are yon the lights of Edinburgh?" exclaimed the lad, in his eagerness letting go his hold on Roger's rein. The minister raised his head, and a light kindled in his eye as he looked upon the clustering roof-trees and towering spires of the beautiful city. "Yes, my son, that is Edinburgh," he said in his full, mellow tones. "Thanks be to the Lord who hath brought us thither in safety. Would my little Agnes like to walk now? The evening dews are falling, and methinks a little exercise would do you no harm. Very soon now you will be warmed and cheered by the ruddy glow by Aunt Jean's fireside." As he spoke, the minister turned to Roger (who at a word from his master stood perfectly still), and gently lifted his little daughter to the ground. It was then seen that her figure was very slight and fragile, her face pale and refined-looking, her whole expression thoughtful and even sad beyond her years. "Are you wearied, David?" asked the kind father then; but the lad drew himself up proudly,
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The Project Gutenberg Etext of Sandra Belloni by George Meredith, v1 #19 in our series by George Meredith Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before distributing this or any other Project Gutenberg file. We encourage you to keep this file, exactly as it is, on your own disk, thereby keeping an electronic path open for future readers. Please do not remove this. This header should be the first thing seen when anyone starts to view the etext. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need to understand what they may and may not do with the etext. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *****These Etexts Are Prepared By Thousands of Volunteers!***** Information on contacting Project Gutenberg to get etexts, and further information, is included below. 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Money should be paid to the: "Project Gutenberg Literary Archive Foundation." If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at: [email protected] [Portions of this header are copyright (C) 2001 by Michael S. Hart and may be reprinted only when these Etexts are free of all fees.] [Project Gutenberg is a TradeMark and may not be used in any sales of Project Gutenberg Etexts or other materials be they hardware or software or any other related product without express permission.] *END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END* This etext was produced by Pat Castevans <[email protected]> and David Widger <[email protected]> SANDRA BELLONI By George Meredith CONTENTS BOOK 1 I. THE POLES PRELUDE II. THE EXPEDITION BY MOONLIGHT III. WILFRID'S DIPLOMACY IV. EMILIA'S FIRST TRIAL IN PUBLIC V. EMILIA PLAYS ON THE CORNET VI. EMILIA SUPPLIES THE KEY TO HERSELF AND CONTINUES HER PERFORMANCE ON THE CORNET VII. THREATS OF A CRISIS IN THE GOVERNMENT OF BROOKFIELD: AND OF THE VIRTUE RESIDENT IN A TAIL-COAT VIII. IN WHICH A BIG DRUM SPEEDS THE MARCH OF EMILIA'S HISTORY IX. THE RIVAL CLUBS X. THE LADIES OF BROOKFIELD AT SCHOOL BOOK 2 XI. IN WHICH WE SEE THE MAGNANIMITY THAT IS IN BEER. XII. SHOWING HOW SENTIMENT AND PASSION TAKE THE DISEASE OF LOVE XIII. CONTAINS A SHORT DISCOURSE ON PUPPETS XIV. THE BESWORTH QUESTION XV. WILFRID'S EXHIBITION OF TREACHERY XVI. HOW THE LADIES OF BROOKFIELD CAME TO THEIR RESOLVE XVII. IN THE WOODS BOOK 3 XVIII. RETURN OF THE SENTIMENTALIST INTO BONDAGE XIX. LIFE AT BROOKFIELD. XX. BY WILMING WEIR XXI. RETURN OF MR. PERICLES XXII. THE PITFALL OF SENTIMENT XXIII. WILFRID DIPLOMATIZES XXIV. EMILIA MAKES A MOVE XXV. A FARCE WITHIN A FARCE BOOK 4 XXVI. SUGGESTS THAT THE COMIC MASK HAS SOME KINSHIP WITH A SKULL XXVII. SMALL LIFE AT BROOKFIELD XXVIII. GEORGIANA FORD XXIX. FIRST SCOURGING OF THE FINE SHADES XXX. OF THE DOUBLE-MAN IN US, AND THE GREAT FIGHT WHEN THESE ARE FULL-GROWN XXXI. BESWORTH LAWN XXXII. THE SUPPER XXXIII. DEFEAT AND FLIGHT OF MRS. CHUMP BOOK 5 XXXIV. INDICATES THE DEGRADATION OF BROOKFIELD, TOGETHER WITH CERTAIN PROCEEDINGS OF THE YACHT XXXV. MRS. CHUMP'S EPISTLE XXXVI. ANOTHER PITFALL OF SENTIMENT XXXVII. EMILIA'S FLIGHT. XXXVIII. SHE CLINGS TO HER VOICE XXXIX. HER VOICE FAILS BOOK 6 XL. SHE TASTES DESPAIR XLI. SHE IS FOUND XLII. DEFECTION OF MR. PERICLES FROM THE BROOKFIELD CIRCLE XLIII. IN WHICH WE SEE WILFRID KINDLING XLIV. ON THE HIPPOGRIFF IN
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Produced by Juliet Sutherland, Andrea Ball and the Online Distributed Proofreading Team. TEN BOYS from DICKENS By Kate Dickinson Sweetser Illustrated by George Alfred Williams 1901 PREFACE In this small volume there are presented as complete stories the boy-lives portrayed in the works of Charles Dickens. The boys are followed only to the threshold of manhood, and in all cases the original text of the story has been kept, except where of necessity a phrase or paragraph has been inserted to connect passages;--while the net-work of characters with which the boys are surrounded in the books from which they are taken, has been eliminated, except where such characters seem necessary to the development of the story in hand. Charles Dickens was a loyal champion of all boys, and underlying his pen pictures of them was an earnest desire to remedy evils which he had found existing in London and its suburbs. Poor Jo, who was always being "moved on," David Copperfield, whose early life was a picture of Dickens' own childhood, workhouse-reared Oliver, and the miserable wretches at Dotheboy Hall were no mere creations of an author's vivid imagination. They were descriptions of living boys, the victims of tyranny and oppression which Dickens felt he must in some way alleviate. And so he wrote his novels with the histories in them which affected the London public far more deeply, of course, than they affect us, and awakened a storm of indignation and protest. Schools, work-houses, and other public institutions were subjected to a rigorous examination, and in consequence several were closed, while all were greatly improved. Thus, in his sketches of boy-life, Dickens accomplished his object. My aim is to bring these sketches, with all their beauty and pathos, to the notice of the young people of to-day. If through this volume any boy or girl should be aroused to a keener interest in the great writer, and should learn to love him and his work, my labour will be richly repaid. KATE DICKINSON SWEETSER CONTENTS TINY TIM OLIVER TWIST TOMMY TRADDLES "DEPUTY" DOTHEBOYS HALL DAVID COPPERFIELD KIT NUBBLES JO, THE CROSSING SWEEPER PAUL DOMBEY PIP TINY TIM [Illustration: TINY TIM AND HIS FATHER.] Charles Dickens has given us no picture of Tiny Tim, but at the thought of him comes a vision of a delicate figure, less boy than spirit. We seem to see a face oval in shape and fair in colouring. We see eyes deep-set and grey, shaded by lashes as dark as the hair parted from the middle of his low forehead. We see a sunny, patient smile which from time to time lights up his whole face, and a mouth whose firm, strong lines reveal clearly the beauty of character, and the happiness of disposition, which were Tiny Tim's. He was a rare little chap indeed, and a prime favourite as well. Ask the Crachits old and young, whose smile they most desired, whose applause they most coveted, whose errands they almost fought with one another to run, whose sadness or pain could most affect the family happiness, and with one voice they would answer, "Tim's!" It was Christmas Day, and in all the suburbs of London there was to be no merrier celebration than at the Crachits. To be sure, Bob Crachit had but fifteen "Bob" himself a week on which to clothe and feed all the little Crachits, but what they lacked in luxuries they made up in affection and contentment, and would not have changed places, one of them, with any king or queen. While Bob took Tiny Tim to church, preparations for the feast were going on at home. Mrs. Crachit was dressed in a twice-turned gown, but brave in ribbons which are cheap and make a goodly show for sixpence; and she laid the cloth, assisted by Belinda, second of her daughters, also brave in ribbons, while Master Peter Crachit plunged a fork into a saucepan full of potatoes, getting the corners of his monstrous shirt collar (Bob's private property, conferred upon his son and heir in honour of the day) into his mouth, but rejoiced to find himself so finely dressed, and yearning to show his linen in the fashionable Parks. Two smaller Crachits, boy and girl, came tearing in, screaming that outside the baker's they had smelt the goose, and known it for their own; and basking in luxurious thoughts of sage and onions, these young Crachits danced about the table, and exalted Master Peter Crachit to the skies, while he (not proud, although his collar almost choked him) blew the fire, until the slow potatoes, bubbling up, knocked loudly at the saucepan-lid to be let out and peeled. "What has ever got your precious father, then?" said Mrs. Crachit. "And your brother, Tiny Tim! And Martha warn't as late last Christmas Day by half an hour!" "Here's Martha, mother!" cried the two young Crachits. "_Hurrah_! there's _such_ a goose, Martha!" "Why, bless your heart alive, dear, how late you are!" said Mrs. Crachit, kissing the daughter, who lived away from home, a dozen times. "Well, never mind as long as you are come!" "There's father coming!" cried the two young Crachits, who were everywhere at once. "_Hide_, Martha, _hide_!" So Martha hid herself, and in came little Bob, the father, with at least three feet of comforter hanging down before him, and his threadbare clothes darned up and brushed to look seasonable; and Tiny Tim upon his shoulder. Why was the child thus carried? Alas for Tiny Tim, he bore a little crutch and had his limbs supported by an iron frame! Patient little Tim,--never was he heard to utter a fretful or complaining word. No wonder they cherished him so tenderly! "Why, where's our Martha?" cried Bob Crachit looking round. "Not coming!" said Mrs. Crachit. "Not coming?" said Bob, with a sudden declension in his high spirits; for he had been Tim's blood horse all the way from church, and had come home rampant. "Not coming upon Christmas Day!" Martha didn't like to see him disappointed, if it were only in joke; so she ran out from behind the closet door, and ran into his arms, while the two young Crachits hustled Tiny Tim, and bore him off into the wash-house, that he might hear the pudding singing in the copper. "And how did little Tim behave?" asked Mrs. Crachit; when she had rallied Bob on his credulity, and Bob had hugged his daughter to his heart's content. "As good as gold," said Bob, "and better. Somehow he gets thoughtful, sitting by himself so much, and thinks the strangest things you ever heard. He told me, coming home, that 'he hoped the people saw him in the church, because he was a <DW36>, and it might be pleasant to them to remember upon Christmas Day, Who made lame beggars walk and blind men see.'" Bob's voice was tremulous when he told them this, and it trembled more when he said that
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE CAT [Illustration: WHITE CAT AND KITTENS.] THE CAT: _ITS NATURAL HISTORY; DOMESTIC VARIETIES; MANAGEMENT AND TREATMENT._ (_WITH ILLUSTRATIONS._) BY PHILIP M. RULE. _WITH AN ESSAY ON FELINE INSTINCT, BY BERNARD PEREZ._ London: SWAN SONNENSCHEIN, LOWREY & CO., PATERNOSTER SQUARE. 1887. Butler & Tanner, The Selwood Printing Works, Frome, and London. TO JOHN COLAM, ESQ., SECRETARY TO THE ROYAL SOCIETY FOR THE PREVENTION OF CRUELTY TO ANIMALS, THIS BOOK IS RESPECTFULLY DEDICATED, IN RECOGNITION OF THE NOBLE AND UNFAILING DEVOTION DISPLAYED BY HIM IN ADVOCATING THE CAUSE OF HUMANITY; AND IN ACKNOWLEDGMENT OF THE AUTHOR'S APPRECIATION OF HIS REGARD FOR AND INTEREST IN THE SUBJECT OF THE FOLLOWING PAGES. CONTENTS. PAGE CHAPTER I. GENERAL CHARACTERISTICS 1 CHAPTER II. GENERAL CHARACTERISTICS (_continued_) 10 CHAPTER III. FOOD 31 CHAPTER IV. ON THE MANAGEMENT AND TREATMENT OF CATS 45 CHAPTER V. DOMESTIC VARIETIES 58 CHAPTER VI. ON THE DISEASES OF CATS 80 CHAPTER VII. ON THE DISEASES OF CATS (_continued_) 102 ESSAY ON FELINE INSTINCT 133 PREFACE. Before sending forth this little book, I consider it my duty to request the attention of the patient reader to a few introductory and explanatory remarks. During some portion of the past year I contributed a series of short papers upon the cat to that most admirable monthly _The Animal World_. Through the kind and hearty manner in which the Editor brought the papers out from month to month, and also by the expressed desire of many friends, I have been encouraged to reproduce the papers in the present form. Some slight revision has, of course, been found necessary; but very little addition has been made, it being my desire to produce a small and attractive volume, with the hope that it may reach to many homes where the hints it contains can perhaps be of some practical service. Nevertheless, I hope there may be found enough interesting or instructive matter to excite in the mind and heart of some a deeper interest in or regard for an animal that too often is esteemed worthy of but slight attention. I am indebted to Mr. Harrison Weir for his kindness in supplying me with a few particulars connected with the organization of the first Cat Show, held at the Crystal Palace, in 1871. In the last chapter the reader will see that I have made several quotations, somewhat at length: I have done so with the very kind and ready permission of the writer, MR. HAROLD LEENEY, M.R.C.V.S. P. M. RULE. MAIDSTONE. THE CAT. CHAPTER I. _GENERAL CHARACTERISTICS._ The origin of the domestic cat (_Felis domestica_) is a subject about which there has been much conjecture and scientific discussion, but without any positive issue. Very long before the cat was kept in this country as a domesticated animal it was possessed by the ancient Egyptians in a tame state, and was, moreover, held in reverence by that remarkable and superstitious people, being regarded sacred to the goddess Pasht. At death the body was embalmed with devout care, and specimens of cat mummies may be seen in the British Museum. The Egyptian cat (_Felis maniculata_) may, however, be regarded as probably the original source of our familiar puss. This wild cat is of a sandy-grey or tawny colour, and with more or less indistinct markings of the tabby character. It is of about ordinary size; the tail is in form somewhat like that of most of our cats, and the ears are largish and pointed in a slightly lynx-like fashion. It is supposed that domesticated animals spread from Egypt with the tide of civilization westward. I may here notice that, unlike the dog, the cat has never been tamed by the savage races of mankind. But by the civilized, or even the semi-civilized, peoples of the world the cat is at the present day more or less valued as a useful mouser or as a cherished household pet. It is remarkable that at a time when the wild cat (_Felis catus_) was very abundant in England, the house-cat was unknown. It was evidently an animal of foreign importation, and so highly valued as a mouser as to have been protected by royal statute. The earliest record of the tame cat in this country is as remote as A.D. 948. Prince Howel Dda, or Howel the Good, enforced the very just but primitive fine of a milch ewe, its fleece and lamb, or as much wheat from the destroyer or robber of a cat at the Royal granary as would cover it to the tip of the tail, the animal being suspended by that member, with the head only touching the ground. As the domestic cat in different parts of the world will breed occasionally with the wild races of the locality, and as cats are conveyed from country to country, it is probable that our cats are of somewhat compound pedigree. It is considered probable that our fine English tabbies have a trace of the British wild-cat blood in their veins, although it may be obscure. The domestic cat is not regarded in zoology as the typical form to represent the beautiful group known as the _Felidae_, or the cat family, as might naturally be supposed; and it might have justly been so. But the animal chosen as the generic example is the common wild cat, and therefore known in science as _Felis catus_, _felis_ being the generic title and _catus_ the specific name, which every reader will understand to signify cat. It will be beyond the scope and aim of this chapter to describe all the known distinct species of wild cat. In describing the true cats, such as the Pampas cat, or the Colocolo of America, the Chaus, or the Serval of Africa, the Viverrine, or the Leopard cat of India, our subject would lead us on from these and other "tiger cats," as the Ocelot, and the Riman-Dahan, without power to define a clear line of distinction, up to the leopards, and
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Produced by Stan Goodman and PG Distributed Proofreaders SOUTHERN LIGHTS AND SHADOWS Harper's Novelettes By Various Edited By William Dean Howells And Henry Mills Alden 1907 Table of Contents Grace MacGowan Cooke THE CAPTURE OF ANDY PROUDFOOT Abby Meguire Roach THE LEVEL OF FORTUNE Alice MacGowan PAP OVERHOLT Mrs. B.F. Mayhew IN THE PINY WOODS William L. Sheppard MY FIFTH IN MAMMY Sarah Barnwell Elliott AN INCIDENT M.E.M. Davis A SNIPE HUNT J.J. Eakins THE COURTSHIP OF COLONEL BILL Maurice Thompson THE BALANCE OF POWER INTRODUCTION The most noticeable characteristic of the extraordinary literary development of the South since the Civil War is that it is almost entirely in the direction of realism. A people who, up to that time, had been so romantic that they wished to naturalize among themselves the ideals and usages of the Walter Scott ages of chivalry, suddenly dropped all that, and in their search for literary material could apparently find nothing so good as the facts of their native life. The more "commonplace" these facts the better they seemed to like them. Evidently they believed that there was a poetry under the rude outside of their mountaineers, their slattern country wives, their shy rustic men and maids, their grotesque humorists, their wild religionists, even their black freedmen, which was worth more than the poetastery of the romantic fiction of their fathers. In this strong faith, which need not have been a conscious creed, the writers of the New South have given the world sketches and studies and portraits of the persons and conditions of their peculiar civilization which the Russians themselves have not excelled in honesty, and hardly in simplicity. To be sure, this development was on the lines of those early humorists who antedated the romantic fictionists, and who were often in their humor so rank, so wild, so savage, so cruel, but the modern realism has refined both upon their matter and their manner. Some of the most artistic work in the American short-story, that is to say the best short-story in the world, has been done in the South, so that one may be reasonably sure of an artistic pleasure in taking up a Southern story. One finds in the Southern stories careful and conscientious character, rich local color, and effective grouping, and at the same time one finds genuine pathos, true humor, noble feeling, generous sympathy. The range of this work is so great as to include even pictures of the more conventional life, but mainly the writers keep to the life which is not conventional, the life of the fields, the woods, the cabin, the village, the little country town. It would be easier to undervalue than to overvalue them, as we believe the reader of the admirable pieces here collected will agree. W.D.H. The Capture of Andy Proudfoot By GRACE MACGOWAN COOKE A dry branch snapped under Kerry's foot with the report of a toy pistol. He swore perfunctorily, and gazed greedily at the cave-opening just ahead. He was a bungling woodsman at best; and now, stalking that greatest of all big game, man, the blood drummed in his ears and his heart seemed to slip a cog or two with every beat. He stood tense, yet trembling, for the space in which a man might count ten; surely if there were any one inside the cave--if the one whose presence he suspected were there--such a noise would have brought him forth. But a great banner of trumpet-creeper, which hid the opening till one was almost upon it, waved its torches unstirred except by the wind; the sand in the doorway was unpressed by any foot. Kerry began to go forward by inches. He was weary as only a town-bred man, used to the leisurely patrolling of pavements, could be after struggling obliquely up and across the pathless flank of Big Turkey Track Mountain, and then climbing to this eyrie upon Old Yellow Bald--Old Yellow, the peak that reared its "Bald" of golden grass far above the ranges of The Big and Little Turkey Tracks. "Lord, how hungry I am!" he breathed. "I bet the feller's got grub in there." He had been out two days. He was light-headed from lack of food; at the thought of it nervous caution gave way to mere brute instinct, and he plunged recklessly into the cave. Inside, the sudden darkness blinded him for a moment. Then there began to be visible in one corner a bed of bracken and sweet-fern; in another an orderly arrangement of tin cans upon a shelf, and the ashes of a fire, where sat a Dutch oven. The sight of this last whetted Kerry's hunger; he almost ran to the shelf, and groaned as he found the first can filled with gunpowder, the next with shot, and the third containing some odds and ends of string and nails. He had knelt to inspect a rude box, when a little sound caused him to turn. In the doorway was a figure which raised the hair upon his head, with a chilly sensation at its roots--a tall man, with a great mane of black locks blowing unchecked about his shoulders. He stood turned away from Kerry, having halted in the doorway as though to take a last advantage of the outer daylight upon some object of interest to him before entering. He was examining one of his own hands, and a little shivering moan escaped him. A rifle rested in the hollow of his arm; Kerry could see the outline of a big navy-pistol in his belt; and as the man shifted, another came to view; while the Irishman's practised eye did not miss the handle of a long knife in its sheath. It went swiftly through his mind that those who sent him on this errand should have warned him of the size of the quarry. Suddenly, almost without his own volition, he found himself saying: "I ask your pardon. I was dead beat an' fair famished, an' I crawled in here to--" The tall figure in the doorway turned like a thing on a pivot; he did not start, nor spin round, as a slighter or more nervous person might have done; and a strange chill fell upon Kerry's heat when the man, whom he recognized as that one he had come to seek, faced him. The big, dark eyes looked the intruder up and down; what their owner thought of him, what he decided concerning him, could no more be guessed than the events of next year. In a full, grave voice, but one exceedingly gentle, the owner of the cave repaired the lack of greeting.
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Produced by Emmy, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net [Transcriber's Note: Bold text is surrounded by =equal signs= and italic text is surrounded by _underscores_.] THE CHAUTAUQUAN. _A MONTHLY MAGAZINE DEVOTED TO THE PROMOTION OF TRUE CULTURE. ORGAN OF THE CHAUTAUQUA LITERARY AND SCIENTIFIC CIRCLE._ VOL. IV. NOVEMBER, 1883. No. 2. Chautauqua Literary and Scientific Circle. _President_—Lewis Miller, Akron, Ohio. _Superintendent of Instruction_—Rev. J. H. Vincent, D.D., New Haven, Conn. _Counselors_—Rev. Lyman Abbott, D.D.; Rev. J. M. Gibson, D.D.; Bishop H. W. Warren, D.D.; Prof. W. C. Wilkinson, D.D. _Office Secretary_—Miss Kate F. Kimball, Plainfield, N. J. _General Secretary_—Albert M. Martin, Pittsburgh, Pa. [Transcriber's Note: This table of contents of this periodical was created for the HTML version to aid the reader.] Contents REQUIRED READING German History 63 German Literature 66 Physical Science II.—The Circulation of Water on the Land 67 SUNDAY READINGS [Sunday, November 4.]—Moral Distinctions Not Sufficiently Regarded in Social Intercourse 70 [Sunday, November 11.] 71 [Sunday, November 18.] 72 [Sunday, November 25.] 72 Political Economy II. Production, Continued—Capital—Combination and Division of Labor 73 III.—Consumption 74 Readings in Art II.—Sculpture: Grecian and Roman 75 Selections from American Literature 77 Benjamin Franklin—Extracts From Poor Richard’s Almanac 77 George Washington—Account of the Battle of Trenton 78 Thomas Jefferson—George Washington 79 Thoughts from William Ellery Channing 79 Autumn Sympathy 80 Republican Prospects in France 80 Chautauqua to California 81 To My Books 83 Earthquakes—Ischia and Java 83 Low Spirits 85 Vegetable Villains 86 From the Baltic to the Adriatic 87 Electricity 89 Poachers in England 90 Eight Centuries With Walter Scott 91 The Great Organ at Fribourg 94 Eccentric Americans 95 Etiquette 99 Napoleon’s Marshals 100 C. L. S. C. Work 102 C. L. S. C. Stationery 103 New England Branch of the Class of ’86 103 C. L. S. C. Testimony 103 C. L. S. C. Reunion 104 Local Circles 105 How to Conduct a Local Circle 107 Questions and Answers 109 Outline of C. L. S. C. Studies 112 Chautauqua Normal Class 112 Editor’s Outlook 115 Dr. Haygood's Battle for the <DW64> 115 The Political Outlook 115 History of Greece 116 A College Reform 116 Editor’s Note-Book 117 Editor’s Table 119 C. L. S. C. Notes on Required Readings For November 120 C. L. S. C. Notes on Required Readings in “The Chautaquan” 123 Tricks of the Conjurors 125 Talk About Books 126 REQUIRED READING FOR THE _Chautauqua Literary and Scientific Circle for 1883-4_. NOVEMBER. GERMAN HISTORY. By REV. W. G. WILLIAMS, A.M. II. From the time of Julius Cæsar to the fall of the Roman Empire, a period of more than four hundred years, the greater part of the Germans were subject to Roman rule, a rule maintained only by military force. But the struggle against Rome never entirely ceased—and as Roman power gradually declined the Germans seized every opportunity to recover their liberty and in their turn became conquerors. To trace the succession of their vicissitudes during this period would be to give the narrative of a bold, vigorous, war-like people in their rude barbaric condition. We should discover even in those early times those race characteristics of strength, bravery and persistence which became so marked in later centuries; we should recognize in Hermann, the first German leader, the prophecy of the Great Charles who steps upon the scene nearly eight centuries later. HERMANN, THE FIRST LEADER. He it was (Hermann Arminius) who, with a power to organize equal to that of William of Orange, bound the German tribes in a secret confederacy, whose object it was to resist and repel the Roman armies. While still himself serving as an officer in the Roman army, he managed to rally the confederated Germans and to attack Varus’s army of forty thousand men—the best Roman legions—as they were marching through the Teutoburger Forest, where, aided by violent storms, the Germans threw the Romans into panic and the fight was changed to a slaughter. When the news of the great German victory reached Rome the aged Augustus trembled with fear; he let his hair and beard grow for months as a sign of trouble, and was often heard to exclaim: “O, Varus, Varus, give me back my legions.” Though Rome, under the able leadership of Germanicus, soon after defeated the Germans, yet she had been taught that the Germans possessed a spirit and a power sufficient to make her tremble for her future supremacy. Hermann seems to have devoted himself to the creation of a permanent union of the tribes he had commanded. We may guess, but can not assert, that his object was to establish a national organization like that of Rome, and in doing this he must have come into conflict with laws and customs which were considered sacred by the people. But his remaining days were too few for even the beginning of a task which included such an advance in the civilization of the race. We only know that he was waylaid and assassinated by members of his own family in the year 21. He was then 37 years old and had been for thirteen years the leader of his people.[A] * * * * * He was undoubtedly the liberator of Germany, having dared to grapple with the Roman power, not in its beginnings, like other kings and commanders, but in the maturity of its strength. He was not always victorious in battle, but in war he was never subdued. He still lives in the songs of the barbarians, unknown to the annals of the Greeks, who only admire that which belongs to themselves—nor celebrated as he deserves by the Romans, who, in praising the olden times, neglect the events of the later years.[B] GERMAN NATIONALITIES AT THE CLOSE OF THE THIRD CENTURY. When we meet the Germans at the close of the third century we are surprised to find that the tribal names which they bore in the time of Hermann have nearly all disappeared, and new names of wider significance have taken their places. Instead of thirty to forty petty tribes, they are now consolidated into four chief nationalities with two or three inferior, but independent branches. Their geographical situation is no longer the same, migrations have taken place, large tracts of territory have changed hands, and many leading families have been overthrown and new ones arisen. Nothing but the constant clash of arms could have wrought such change. As each of these new nationalities plays a prominent part in the following centuries, a short description of them is given: 1. _The Alemanni._—The name of this division (_Alle Mannen_, signifying “all men”) shows that it was composed of fragments of many tribes. The Alemanni first made their appearance along the Main, and gradually pushed southward over the Tithe lands, where the military veterans of Rome had settled, until they occupied the greater part of southwestern Germany, and eastern Switzerland to the Alps. Their descendants occupy the same territory to this day. 2. _The Franks._—It is not known whence this name is derived, nor what is its meaning. The Franks are believed to have been formed out of the Sicambrians in Westphalia, a portion of the Chatti and the Batavi in Holland, together with other tribes. We first hear of them on the Lower Rhine, but they soon extended their territory over a great part of Belgium and Westphalia. Their chiefs were already called kings, and their authority was hereditary. 3. _The Saxons._—This was one of the small original tribes settled in Holstein. The name “Saxon” is derived from their peculiar weapon, a short sword, called _sahs_. We find them occupying at the close of the third century nearly all the territory between the Harz Mountains and the North Sea, from the Elbe westward to the Rhine. There appears to have been a natural enmity—no doubt bequeathed from the earlier tribes out of which both grew—between them and the Franks. 4. _The Goths._—Their traditions state that they were settled in Sweden before they were found by the Greek navigators on the southern shore of the Baltic in 330 B. C. It is probable that only a portion of the tribe navigated, and that the present Scandinavian race is descended from the remainder. They came in contact with the Romans beyond the mouth of the Danube about the beginning of the third century.[C] INFLUENCE OF THE ROMANS ON THE GERMANS. The proximity of the Romans on the Rhine, the Danube, and the Neckar, had by degrees effected alterations in the manners of the Germans. They had become acquainted with many new things, both good and bad. By means of the former they became acquainted with money, and even luxuries. The Romans had planted the vine on the Rhine, and constructed roads, cities, manufactories, theaters, fortresses, temples, and altars. Roman merchants brought their wares to Germany, and fetched thence amber, feathers, furs, slaves, and the very hair of the Germans; for it became the fashion to wear light flaxen wigs, instead of natural hair. Of the cities which the Romans built there are
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Produced by David Widger ROUGHING IT by Mark Twain 1880 Part 8. CHAPTER LXXI. At four o'clock in the afternoon we were winding down a mountain of dreary and desolate lava to the sea, and closing our pleasant land journey. This lava is the accumulation of ages; one torrent of fire after another has rolled down here in old times, and built up the island structure higher and higher. Underneath, it is honey-combed with caves; it would be of no use to dig wells in such a place; they would not hold water--you would not find any for them to hold, for that matter. Consequently, the planters depend upon cisterns. The last lava flow occurred here so long ago that there are none now living who witnessed it. In one place it enclosed and burned down a grove of cocoa-nut trees, and the holes in the lava where the trunks stood are still visible; their sides retain the impression of the bark; the trees fell upon the burning river, and becoming partly submerged, left in it the perfect counterpart of every knot and branch and leaf, and even nut, for curiosity seekers of a long distant day to gaze upon and wonder at. There were doubtless plenty of Kanaka sentinels on guard hereabouts at that time, but they did not leave casts of their figures in the lava as the Roman sentinels at Herculaneum and Pompeii did. It is a pity it is so, because such things are so interesting; but so it is. They probably went away. They went away early, perhaps. However, they had their merits; the Romans exhibited the higher pluck, but the Kanakas showed the sounder judgment. Shortly we came in sight of that spot whose history is so familiar to every school-boy in the wide world--Kealakekua Bay--the place where Captain Cook, the great circumnavigator, was killed by the natives, nearly a hundred years ago. The setting sun was flaming upon it, a Summer shower was falling, and it was spanned by two magnificent rainbows. Two men who were in advance of us rode through one of these and for a moment their garments shone with a more than regal splendor. Why did not Captain Cook have taste enough to call his great discovery the Rainbow Islands? These charming spectacles are present to you at every turn; they are common in all the islands; they are visible every day, and frequently at night also--not the silvery bow we see once in an age in the States, by moonlight, but barred with all bright and beautiful colors, like the children of the sun and rain. I saw one of them a few nights ago. What the sailors call "raindogs"--little patches of rainbow --are often seen drifting about the heavens in these latitudes, like stained cathedral windows. Kealakekua Bay is a little curve like the last kink of a snail-shell, winding deep into the land, seemingly not more than a mile wide from shore to shore. It is bounded on one side--where the murder was done--by a little flat plain, on which stands a cocoanut grove and some ruined houses; a steep wall of lava, a thousand feet high at the upper end and three or four hundred at the lower, comes down from the mountain and bounds the inner extremity of it. From this wall the place takes its name, Kealakekua, which in the native tongue signifies "The Pathway of the Gods." They say, (and still believe, in spite of their liberal education in Christianity), that the great god Lono, who used to live upon the hillside, always traveled that causeway when urgent business connected with heavenly affairs called him down to the seashore in a hurry. As the red sun looked across the placid ocean through the tall, clean stems of the cocoanut trees, like a blooming whiskey bloat through the bars of a city prison, I went and stood in the edge of the water on the flat rock pressed by Captain Cook's feet when the blow was dealt which took away his life, and tried to picture in my mind the doomed man struggling in the midst of the multitude of exasperated savages--the men in the ship crowding to the vessel's side and gazing in anxious dismay toward the shore--the--but I discovered that I could not do it. It was growing dark, the rain began to fall, we could see that the distant Boomerang was helplessly becalmed at sea, and so I adjourned to the cheerless little box of a warehouse and sat down to smoke and think, and wish the ship would make the land--for we had not eaten much for ten hours and were viciously hungry. Plain unvarnished history takes the romance out of Captain Cook's assassination, and renders a deliberate verdict of justifiable homicide. Wherever he went among the islands, he was cordially received and welcomed by the inhabitants, and his ships lavishly supplied with all manner of food. He returned these kindnesses with insult and ill-treatment. Perceiving that the people took him for the long vanished and lamented god Lono, he encouraged them in the delusion for the sake of the limitless power it gave him; but during the famous disturbance at this spot, and while he and his comrades were surrounded by fifteen thousand maddened savages, he received a hurt and betrayed his earthly origin with a groan. It was his death-warrant. Instantly a shout went up: "He groans!--he is not a god!" So they closed in upon him and dispatched him. His flesh was stripped from the bones and burned (except nine pounds of it which were sent on board the ships). The heart was hung up in a native hut, where it was found and eaten by three children, who mistook it for the heart of a dog. One of these children grew to be a very old man, and died in Honolulu a few years ago. Some of Cook's bones were recovered and consigned to the deep by the officers of the ships. Small blame should attach to the natives for the killing of Cook. They treated him well. In return, he abused them. He and his men inflicted bodily injury upon many of them at different times, and killed at least three of them before they offered any proportionate retaliation. Near the shore we found "Cook's Monument"--only a cocoanut stump, four feet high and about a foot in diameter at the butt. It had lava boulders piled around its base to hold it up and keep it in its place, and it was entirely sheathed over, from top to bottom, with rough, discolored sheets of copper, such as ships' bottoms are coppered with. Each sheet had a rude inscription scratched upon it--with a nail, apparently--and in every case the execution was wretched. Most of these merely recorded the visits of British naval commanders to the spot, but one of them bore this legend: "Near this spot fell
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E-text prepared by Sankar Viswanathan, David Edwards, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the lovely original illustrations. See 48537-h.htm or 48537-h.zip: (http://www.gutenberg.org/files/48537/48537-h/48537-h.htm) or (http://www.gutenberg.org/files/48537/48537-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/billybounce00dens [Illustration: _"Why it_ is, _a large fried egg," said Billy, excitedly_.--Page 47. Frontispiece.] BILLY BOUNCE by W. W. DENSLOW and DUDLEY A. BRAGDON Pictures by Denslow G. W. Dillingham Co. Publishers New York Copyright 1906 by W. W. Denslow All rights reserved. Issued September, 1906. To "Pete" and "Ponsie" List of Chapters. CHAPTER PAGE I. DARK PLOT OF NICKEL PLATE, THE POLISHED VILLAIN 9 II. A JUMP TO SHAMVILLE 22 III. BILLY IS CAPTURED BY TOMATO 34 IV. ADVENTURES IN EGGS-AGGERATION 47 V. PEASE PORRIDGE HOT 63 VI. BLIND MAN'S BUFF 77 VII. THE WISHING BOTTLE 88 VIII. GAMMON AND SPINACH 97 IX. IN SILLY LAND 110 X. SEA URCHIN AND NE'ER DO EEL 124 XI. IN DERBY TOWN 138 XII. O'FUDGE 152 XIII. BILLY PLAYS A TRICK ON BOREA 167 XIV. KING CALCIUM AND STERRY OPTICAN 181 XV. BILLY MEETS GLUCOSE 195 XVI. IN SPOOKVILLE 210 XVII. IN THE VOLCANO OF VOCIFEROUS 221 XVIII. THE ELUSIVE BRIDGE 236 XIX. IN THE DARK, NEVER WAS 247 XX. THE WINDOW OF FEAR 257 XXI. IN THE QUEEN BEE PALACE 267 Full Page Illustrations "_Why it_ is, _a large fried egg," said Billy, excitedly_. --Page 47....Frontispiece. PAGE "I _can't tell you where Bogie Man lives, it's against the rules_." 14 _"Now," said Mr. Gas, "be careful not to sit on the ceiling."_ 17 "_Come, now, don't give me any of your tomato sauce._" 39 _Billy never wanted for plenty to eat._ 64 _"He-he-ho-ho, oh! what a joke," cried the Scally Wags._ 82 _"That's my black cat-o-nine tails," said the old woman._ 90 _The Night Mare and the Dream Food Sprites._ 101 _"Get off, you're sinking us," cried Billy._ 134 _He saw flying to meet him several shaggy bears._ 141 _"Talking about me, were you?" said Boreas, arriving in a swirl of snow._ 172 _"Me feyther," cried she, in a tragic voice, "the light, the light."_ 187 "_Come up to the house and spend an unpleasant evening._" 217 _Billy shot a blast of hot air from his pump full in Bumbus's face._ 263 "_Allow me to present Bogie Man._" 271 Preface OUR PURPOSE.--Fun for the "children between the ages of one and one hundred." AND INCIDENTALLY--the elimination of deceit and gore in the telling: two elements that enter, we think, too vitally into the construction of most fairy tales. AS TO THE MORAL.--That is not obtrusive. But if we can suggest to the children that fear alone can harm them through life's journey; and to silly nurses and thoughtless parents that the serious use of ghost stories, Bogie Men and Bugbears of all kinds for the sheer purpose of frightening or making a child mind is positively wicked; we will admit that the tale has a moral. CHAPTER I. DARK PLOT OF NICKEL PLATE, THE POLISHED VILLAIN. Nickel Plate, the polished Villain, sat in his office in the North South corner of the first straight turning to the left of the Castle in Plotville. "Gadzooks," exclaimed he with a heavy frown, "likewise Pish Tush! Methinks I grow rusty--it is indeed a sad world when a real villain is reduced to chewing his moustache and biting his lips instead of feasting on the fat of the land." So saying he rose from his chair, smote himself heavily on the chest, carefully twirled his long black moustache and paced dejectedly up and down and across the room. "I wonder," he began, when ting-a-ling-a-ling the telephone rang. "Hello," said he. "Yes, this is Nickel Plate--Oh! good morning, Mr. Bogie Man--Sh-h-h--Don't speak so loudly. Some one may see you.--No--Bumbus has not returned with Honey Girl--I'm sorry, sir, but I expect him every minute. I'll let you know as soon as I can. Oh! yes, he is to substitute Glucose for Honey Girl and return here for further villainous orders. Oh! a--excuse me, but can you help me with a little loan of--hello--hello--pshaw he's rung off. Central--ting-a-ling-a-ling--Central, won't you give me Bogie Man again, please--what! he's left orders not to connect us again--_well!_--good-bye." "Now then what am I to do? I have just one nickel to my name and I can't spend that. If Bumbus has failed I don't know what we shall do. A fine state of affairs for a man with an ossified conscience and a good digestion--ha-a-a, what is that?" "Buzz-z-z," came a sound through the open window. "Is that Bumbus?" called Nickel Plate in a loud whisper. "I be," answered Bumbus, climbing over the sill and darting to a chair. "Why didn't you come in by the door?--you know how paneful a window is to me." "When _is_ a cow?" said Bumbus, perching himself on the back of his chair and fanning himself with his foot. "Sometimes, I think--" began Nickel Plate, angrily. "Wrong answer; besides it's not strictly true," said Bumbus, turning his large eyes here and there as he viewed his master. "A truce to foolishness," said Nickel Plate, "what news--but wait--" and taking two wads of cotton out of his pocket he stuffed them in two cracks in the wall--"walls have ears--we will stop them up--proceed." "Honey Girl has disappeared," whispered Bumbus. "Gone! and her golden comb?" "She has taken it with her." "Gone," growled Nickel Plate--"but wait, I am not angry enough for a real villain"; lighting a match he quickly swallowed it. "Ha, ha! now I am indeed a fire eater. Gadzooks, varlet! and how did she escape us?" Bumbus hung his head. "Alas, sir, with much care did I carry Glucose to the Palace of the Queen Bee to substitute her for Honey Girl--dressed to look exactly like her, even to a gold-plated comb. I had bribed Drone, the sentry, to admit us in the dead of night. Creeping softly through the corridors of the Castle, with Glucose in my arms, I came to the door of Honey Girl. I opened the door and crept quietly into the room; all was still. I reached the dainty couch and found--" "Yes," said Nickel Plate excitedly. "I found it empty; Honey Girl had fled." "Sweet Honey Girl! alas, have we lost you? also which is more important, the reward for the abduction--but revenge, revenge!" hissed Nickel Plate. "What did you do with Glucose?" "Glucose has gone back to her work in the factory," said Bumbus, "but will come back to us whenever we wish." "Enough," said Nickel Plate, "Bogie Man must know of this at once. I will telephone him--but no, he has stopped the connection. Will you take the message?" "Sir, you forget." "Too true, I need you here: a messenger." So saying Nickel Plate rang the messenger call and sat down to write the note of explanation to Bogie Man. "Rat-a-tat-tat" came a knock on the door. "Come in," said Nickel Plate in a deep bass voice, the one he kept for strangers. The door popped open and in ran--yes, he really ran--a messenger boy. And such a messenger boy, such bright, quick eyes, such a clean face and hands, not even a high water line on his neck and wrists, such twinkling feet and such a well brushed uniform! Why you would hardly believe he was a messenger boy if you saw him, he was such an active little fellow. "Did you ring, sir?" said Billy Bounce. "Sh-h-h, not so loud," whispered Nickel Plate mysteriously--the whisper he kept for strangers. "Yes, I rang." "Very well, sir, I am here." "Ah-h," hummed Bumbus. "Are you here, are you there, do you really truly know it? Have a care, have a care." "Excuse me, sir," said Billy bewildered, "I don't think I understand you." "Neither do I," said Bumbus. "Nobody does. I'm a mystery." "Mr. who?" said Billy. "Mr. Bumbus of course." "Oh! I thought you said Mr. E." "Don't be silly, boy," interrupted Nickel Plate. "Bumbus, be quiet." "I be," said Bumbus. "Can you read?" whispered Nickel Plate. "Yes, sir." "That's good. Then perhaps you know where Bogie Man lives." "No, sir, but if you'll tell me I can find his house," said Billy, hoping it wasn't the real Bogie Man he meant. "That would be telling," said Nickel Plate. "But, sir, I don't know where to find him." "Did you ever see such a lazy boy?" hummed Bumbus. "Lazy bones, lazy bones, climb up a tree and shake down some doughnuts and peanuts to me." "But really," said Nickel Plate frowning, "really you know _I_ can't tell you where Bogie Man lives; it's against the rules." [Illustration: "I _can't tell you where Bogie Man lives, it's against the rules_."--Page 14.] "Then, sir," said Billy, his head in a whirl, "I don't see how I can deliver your message." "That's your lookout. You're a messenger boy, aren't you?" "Yes, sir." "And your duty is to carry messages wherever they are sent?" "Yes, sir, but--" "There, I can't argue with you any more. You will have to take the message--good day," said Nickel Plate handing Billy the note. "But, sir--" Bumbus jumped off his chair and slowly revolved around Billy, humming-- "Little boy, Billy boy, do as you're told. Refusal is rudeness: I surely shall scold. Here's your hat, there's the door, Run while you may, I have the great pleasure to Wish you good-day." As he sang this, Bumbus circled closer and closer to Billy until finally he touched him, digging him in the ribs and giving him gentle
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Produced by Barbara Tozier, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net BUCHANAN'S JOURNAL OF MAN. VOL. I. NOVEMBER, 1887. NO. 10. CONTENTS OF JOURNAL OF MAN. The Slow Triumph of Truth Old Industrial Education An Incomparable "Medical Outlaw" Educational.--Educational Reform in England; Dead Languages Vanishing; Higher Education of Women; Bad Sunday-School Books; Our Barbarous Orthography Critical.--European Barbarism; Boston Civilization; Monopoly; Woman's Drudgery; Christian Civilization; Walt Whitman; Temperance Scientific.--Extension of Astronomy; A New Basis for Chemistry; Chloroform in Hydrophobia; The Water Question; Progress of Homoeopathy; Round the World Quickly Glances Round the World (concluded from August) Rectification of Cerebral Science (illustrated) THE SLOW TRIUMPH OF TRUTH. THE JOURNAL OF MAN does not fear to perform its duty and use plain language in reference to the obstructionists who hinder the acceptance of demonstrable sciences and prevent all fair investigation, while they occupy positions of influence and control in all collegiate institutions. It is not in scorn or bitterness that we should speak of this erring class, a large number of whom are the victims of mis-education--of the hereditary policy of the colleges, which is almost as difficult to change as a national church, or a national despotism. The young men who enter the maelstrom of college life are generally borne along as helpless as rowing boats in a whirlpool. It is impossible for even the strongest minds to be exposed for years, surrounded by the contaminating influence of falsehood, and come forth uninjured. But while we pity the victims of medical colleges and old-fashioned universities, let us seek for our young friends institutions that have imbibed the spirit of the present age. Man is essentially a spiritual being, and, even in this life, he has many of the spiritual capacities which are to be unfolded in the higher life. Moreover, there are in every refined constitution a great number of delicate sensibilities, which no college has ever recognized. There has been no concealment of these facts. They have always been open to observation,--more open than the facts of Geology and Chemistry. Ever since the earliest dawn of civilization in Egypt, India, and Greece the facts have been conspicuous before the world, and, in ancient times, have attracted the attention of imperial and republican governments. And yet, the literary guild, the _incorporated_ officials of education everywhere, have refused to investigate such truths, and shaped their policy in accordance with the lowest instincts of mammon,--in accordance with the policy of kings, of priests, of soldiers, and of plutocrats; and this policy has been so firmly maintained and transmitted, that there is
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Produced by An Anonymous Volunteer HISTORY OF THE WARFARE OF SCIENCE WITH THEOLOGY IN CHRISTENDOM By Andrew Dickson White Two Volumes Combined To the Memory of EZRA CORNELL I DEDICATE THIS BOOK. Thoughts that great hearts once broke for, we Breathe cheaply in the common air.--LOWELL Dicipulus est prioris posterior dies.--PUBLIUS SYRUS Truth is the daughter of Time.--BACON The Truth shall make you free.--ST. JOHN, viii, 32. INTRODUCTION My book is ready for the printer, and as I begin this preface my eye lights upon the crowd of Russian peasants at work on the Neva under my windows. With pick and shovel they are letting the rays of the April sun into the great ice barrier which binds together the modern quays and the old granite fortress where lie the bones of the Romanoff Czars. This barrier is already weakened; it is widely decayed, in many places thin, and everywhere treacherous; but it is, as a whole, so broad, so crystallized about old boulders, so imbedded in shallows, so wedged into crannies on either shore, that it is a great danger. The waters from thousands of swollen streamlets above are pressing behind it; wreckage and refuse are piling up against it; every one knows that it must yield. But there is danger that it may resist the pressure too long and break suddenly, wrenching even the granite quays from their foundations, bringing desolation to a vast population, and leaving, after the subsidence of the flood, a widespread residue of slime, a fertile breeding-bed for the germs of disease. But the patient mujiks are doing the right thing. The barrier, exposed more and more to the warmth of spring by the scores of channels they are making, will break away gradually, and the river will flow on beneficent and beautiful. My work in this book is like that of the Russian mujik on the Neva. I simply try to aid in letting the light of historical truth into that decaying mass of outworn thought which attaches the modern world to mediaeval conceptions of Christianity, and which still lingers among us--a most serious barrier to religion and morals, and a menace to the whole normal evolution of society. For behind this barrier also the flood is rapidly rising--the flood of increased knowledge and new thought; and this barrier also, though honeycombed and in many places thin, creates a danger--danger of a sudden breaking away, distressing and calamitous, sweeping before it not only out worn creeds and noxious dogmas, but cherished principles and ideals, and even wrenching out most precious religious and moral foundations of the whole social and political fabric. My hope is to aid--even if it be but a little--in the gradual and healthful dissolving away of this mass of unreason, that the stream of "religion pure and undefiled" may flow on broad and clear, a blessing to humanity. And now a few words regarding the evolution of this book. It is something over a quarter of a century since I labored with Ezra Cornell in founding the university which bears his honored name. Our purpose was to establish in the State of New York an institution for advanced instruction and research, in which science, pure and applied, should have an equal place with literature; in which the study of literature, ancient and modern, should be emancipated as much as possible from pedantry; and which should be free from various useless trammels and vicious methods which at that period hampered many, if not most, of the American universities and colleges. We had especially determined that the institution should be under the control of no political party and of no single religious sect, and with Mr. Cornell's approval I embodied stringent provisions to this effect in the charter. It had certainly never entered into the mind of either of us that in all this we were doing anything irreligious or unchristian. Mr. Cornell was reared a member of the Society of Friends; he had from his fortune liberally aided every form of Christian effort which he found going on about him, and among the permanent trustees of the public library which he had already founded, he had named all the clergymen of the town--Catholic and Protestant. As for myself, I had been bred a churchman, had recently been elected a trustee of one church college, and a professor in another; those nearest and dearest to me were devoutly religious; and, if I may be allowed to speak of a matter so personal to my self, my most cherished friendships were among deeply religious men and women, and my greatest sources of enjoyment were ecclesiastical architecture, religious music, and the more devout forms of poetry. So, far from wishing to injure Christianity, we both hoped to promote it; but we did not confound religion with sectarianism, and we saw in the sectarian character of American colleges and universities as a whole, a reason for the poverty of the advanced instruction then given in so many of them. It required no great acuteness to see that a system of control which, in selecting a Professor of Mathematics or Language or Rhetoric or Physics or Chemistry, asked first and above all to what sect or even to what wing or branch of a sect he belonged, could hardly do much to advance the moral, religious, or intellectual development of mankind. The reasons for the new foundation seemed to us, then, so cogent that we expected the co-operation of all good citizens, and anticipated no opposition from any source. As I look back across the intervening years, I know not whether to be more astonished or amused at our simplicity. Opposition began at once. In the State Legislature it confronted us at every turn, and it was soon in full blaze throughout the State--from the good Protestant bishop who proclaimed that all professors should be in holy orders, since to the Church alone was given the command, "Go, teach all nations," to the zealous priest who published a charge that Goldwin Smith--a profoundly Christian scholar--had come to Cornell in order to inculcate the "infidelity of the Westminster Review"; and from the eminent divine who went from city to city, denouncing the "atheistic and pantheistic tendencies" of the proposed education, to the perfervid minister who informed a denominational synod that Agassiz, the last great opponent of Darwin, and a devout theist, was "preaching Darwinism and atheism" in the new institution. As the struggle deepened, as hostile resolutions were introduced into various ecclesiastical bodies, as honored clergymen solemnly warned their flocks first against the "atheism," then against the "infidelity," and finally against the "indifferentism" of the university, as devoted pastors endeavoured to dissuade young men from matriculation, I took the defensive, and, in answer to various attacks from pulpits and religious newspapers, attempted to allay the fears of the public. "Sweet reasonableness" was fully tried. There was established and endowed in the university perhaps the most effective Christian pulpit, and one of the most vigorous branches of the Christian Association, then in the United States; but all this did nothing to ward off the attack. The clause in the charter of the university forbidding it to give predominance to the doctrines of any sect, and above all the fact that much prominence was given to instruction in various branches of science, seemed to prevent all compromise, and it soon became clear that to stand on the defensive only made matters worse. Then it was that there was borne in upon me a sense of the real difficulty--the antagonism between the theological and scientific view of the universe and of education in relation to it; therefore it was that, having been invited to deliver a lecture in the great hall of the Cooper Institute at New York, I took as my subject The Battlefields of Science, maintaining this thesis which follows: In all modern history, interference with science in the supposed interest of religion, no matter how conscientious such interference may have been, has resulted in the direst evils both to religion and science, and invariably; and, on the other hand, all untrammeled scientific investigation, no matter how dangerous to religion some of its stages may have seemed for the time to be, has invariably resulted in the highest good both of religion and science. The lecture was next day published in the New York Tribune at the request of Horace Greeley, its editor, who was also one of the Cornell University trustees. As a result of this widespread publication and of sundry attacks which it elicited, I was asked to maintain my thesis before various university associations and literary clubs; and I shall always remember with gratitude that among those who stood by me and presented me on the lecture platform with words of approval and cheer was my revered instructor, the Rev. Dr. Theodore Dwight Woolsey, at that time President of Yale College. My lecture grew--first into a couple of magazine articles, and then into a little book called The Warfare of Science, for which, when republished in England, Prof. John Tyndall wrote a preface. Sundry translations of this little book were published, but the most curious thing in its history is the fact that a very friendly introduction to the Swedish translation was written by a Lutheran bishop. Meanwhile Prof. John W. Draper published his book on The Conflict between Science and Religion, a work of great ability, which, as I then thought, ended the matter, so far as my giving it further attention was concerned. But two things led me to keep on developing my own work in this field: First, I had become deeply interested in it, and could not refrain from directing my observation and study to it; secondly, much as I admired Draper's treatment of the questions involved, his point of view and mode of looking at history were different from mine. He regarded the struggle as one between Science and Religion. I believed then, and am convinced now, that it was a struggle between Science and Dogmatic Theology. More and more I saw that it was the conflict between two epochs in the evolution of human thought--the theological and the scientific. So I kept on, and from time to time published New Chapters in the Warfare of Science as magazine articles in The Popular Science Monthly. This was done under many difficulties. For twenty years, as President of Cornell University and Professor of History in that institution, I was immersed in the work of its early development. Besides this, I could not hold myself entirely aloof from public affairs, and was three times sent by the Government of the United States to do public duty abroad: first as a commissioner to Santo Domingo, in 1870; afterward as minister to Germany, in 1879; finally, as minister to Russia, in 1892; and was also called upon by the State of New York to do considerable labor in connection with international exhibitions at Philadelphia and at Paris. I was also obliged from time to time to throw off by travel the effects of overwork. The variety of residence and occupation arising from these causes may perhaps explain some peculiarities in this book which might otherwise puzzle my reader. While these journeyings have enabled me to collect materials over a very wide range--in the New World, from Quebec to Santo Domingo and from Boston to Mexico, San Francisco, and Seattle, and in the Old World from Trondhjem to Cairo and from St. Petersburg to Palermo--they have often obliged me to write under circumstances not very favorable: sometimes on an Atlantic steamer, sometimes on a Nile boat, and not only in my own library at Cornell, but in those of Berlin, Helsingfors, Munich, Florence, and the British Museum. This fact will explain to the benevolent reader not only the citation of different editions of the same authority in different chapters, but some iterations which in the steady quiet of my own library would not have been made. It has been my constant endeavour to write for the general reader, avoiding scholastic and technical terms as much as possible and stating the truth simply as it presents itself to me. That errors of omission and commission will be found here and there is probable--nay, certain; but the substance of the book will, I believe, be found fully true. I am encouraged in this belief by the fact that, of the three bitter attacks which this work in its earlier form has already encountered, one was purely declamatory, objurgatory, and hortatory, and the others based upon ignorance of facts easily pointed out. And here I must express my thanks to those who have aided me. First and
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Produced by Renald Levesque WOMAN VOLUME VIII WOMEN OF THE TEUTONIC NATIONS HERMANN SCHOENFELD, PH.D., LL. D. PROFESSOR OF GERMANIC LITERATURE IN THE GEORGE WASHINGTON UNIVERSITY [Illustration 1: EMMA CARRYING HER LOVER After the painting by G. L. P. Saint-Ange Charlemagne had so great an affection for his children, legitimate and natural, that he prevented his daughters, of whom Emma was one, from marrying, in order not to lose their company. They were reputed to be very beautiful. Being debarred from marriage, they sought unlawful love adventures, and gave birth to illegitimate children. The romantic story of Emma's nightly meetings with Eginhard, and of her carrying her learned lover through the freshly fallen snow to conceal his footprints, is an unauthenticated legend.] _Woman_ In all ages and in all countries VOLUME VIII WOMEN OF THE TEUTONIC NATIONS BY HERMANN SCHOENFELD, PH.D., LL.D. Professor of Germanic Literature in the George Washington University ILLUSTRATED PHILADELPHIA GEORGE BARRIE & SONS, PUBLISHERS THIS VOLUME IS RESPECTFULLY Dedicated to MADAME CHRISTIAN HEURICH NEE KEYSER PREFACE Adequately to write the history of the woman of any race would mean the writing of the history of the nation itself. There is no phase of the cultural life of any people that is not founded upon the physical and moral nature of its women. On the other hand, mental and moral heredity, both through paternity and maternity, determines the character and innermost being of woman. If we knew all the preponderating influences of heredity for ages, we could with almost mathematical accuracy compute the traits of human biology in every case. The forces of environment, tremendous though they are, modify, but do not alter in any way the original nature of man, which is established and standardized "by eternal and immutable laws." Anthropology is continuously progressing toward a firm scientific foundation, and is beginning to organize even the vast domain of psychology into a well-defined system. The interdependence between physical, mental, and moral traits is well recognized, but its exact determination is impossible, owing to the infinite complexity of the endless ancestral potencies. So much is established, however: Teutonic woman, as she appears in history, is the product of two groups of influences, the one group, inherited nature; the other, environment; she is the exact sum of these antecedent causes. And only so far as these causes differ does the Teutonic woman differ from her sister of any other race of other times and climes. In this book of a purely historical, literary, and cultural character must be excluded all that refers to the physiological and ethnographical characteristics of the Teutonic woman and of her Slavic sister. Nor are we concerned with the theory of their evolution, _i. e._, the search of the physical principles according to which the consequences of their existence are true to the laws of their antecedents. Many eminent scientists have tried their great faculties on this subject of universal interest and importance. Standard works of a scientific character, like Floss's _Das Weib in der Natur und Volherhunde_, abound in scientific and medical bibliography. Our limited task is merely to deal succinctly with the most general evolution of the social position and the cultural status of the Teutonic and, even more briefly, of the Slavic woman at the various epochs of their respective histories, and how far the history of civilization among those races was influenced by them, how far the symptoms of national morality and the degree of culture were shaped by feminine achievements, proclivities, virtues, and vices. Two thousand years of the richest, almost unfathomable, history had to be traversed in the attempt to glean the essential red thread from the enormous masses of facts which in their entirety would be inaccessible even to the most universal historical scholar. Most difficult of all the periods is perhaps the question of the present and actual women's movement, which is now in its liveliest flux and in a most variable condition both in the German and in the Slavic world. It is impossible as yet to systematize the entirety of the problems and the requirements which have resulted in recent times from the transformation of society with regard to the position of woman among the two modern peoples. Many of the questions belong to the domain of private and public law, of political economy, of sociology, of education in all its phases. The leaders of state and church and society, the higher schools and universities, are signally undecided concerning the final solution, though the mist of the conflict of opinion begins slowly to clear away. Even under the changed conditions of modern society, one party still clings to the old tradition of the family ideal of wifehood and motherhood, which is no longer possible in all cases, as of yore, and considers extra-domestic activity as abnormal, unhealthy, transient; the other extremists desire to wipe out the natural differences and the limitations prescribed by sex to human activity and capacity. A middle ground and a rational solution will certainly be found during this century. The author has strenuously endeavored to avail himself for every period of all the source material and the secondary works accessible to him in the Library of Congress and in the other libraries of the national capital. The chapters on the Reformation Period, the Era of Desolation, and on Woman Held in Tightening Bonds, a long period of dreariness so distressing and humiliating to German pride, were prepared with skill and scholarship by Miss Sarah H. Porter, A. M., at the time a graduate student in the author's department. Credit for the chapter on Russian Woman belongs to Mr. Alexis V. Babine, of the Library of Congress. The author also expresses sincere gratitude to the publishers, and especially to Mr. J. A. Burgan, the publishers' editor, for his careful revision of the English text and for the generous, vigilant aid extended to the author throughout the entire work. HERMANN SCHOENFELD. The George Washington University. CHAPTER I THE WOMEN OF THE PAGAN TEUTONS Women were valued by the primeval Teutonic race, as by all other races of the human family, as mere chattels means whereby the profit or the pleasure of man might be maintained or increased. The custom of burning the wife or wives with the dead master and husband was, from the prehistoric times until far into the light of historic days, prevalent in the tribes of the Teutonic family. Sacrifices of widows were especially prescribed in eastern Germanic law, and the low status of woman among the Teutons of the early times is sufficiently indicated by the established and quasi-legalized right and prerogative of the husband, as the owner of the female chattel, to bequeath, give, sell, or hire her person or services to strangers, guests, or friends; or even to kill her if she committed adultery, or if want and distress made such a course expedient. We must admit the harshness and cruelty to which woman, according to the most ancient conscience of the Teutonic race, could lawfully be subjected. Evidences that her status was outside of the pale of right and law is manifest in all historical proofs. Traces of the old status still abound. One lies in the present refinement of woman's actual position a refinement which cannot obscure its real origin from the student of culture and civilization. It is certain that the prehistoric Germanic community began with the communal use of women for pleasure or profit. This common use could be broken and suppressed only by marriage by capture. If the man wished to have exclusive possession of a wife, he had to procure her from outside his own community. Besides this exogamic marriage, an endogamic marriage was later recognized as conferring title, on the condition that the man reconciled the woman's blood relatives by the payment of a definite compensation. This system of marriage by capture survived the Migration period, and was found in Sweden even in the early Middle Ages. Marriage by treaty also existed even in prehistoric times. This compact (_Gifta_) is always between the blood relatives of the bride and the bridegroom. It is a presentation, a giving away (_Verschenkung_) of the bride. The parent or guardian gives her away, an act which requires no consent of the bride, but only a counter gift, or rather purchase money, from the bridegroom. Thus a kind of purchase, the symbolic pursuit of the bride (_Brautlauf_) as an imitation of the ancient marriage by capture, and the technical consummation of marriage (_Beilager_), for which the man, however, owes her a gift (_Morgengabe_), are the phases of marriage. Polygamy is the rule at first. The northern Teutons, especially the Scandinavians, practised an unmitigated polygamy down to a very late period, and only yielded after a most persistent struggle with the ethics of Christianity. As late as the eighth century the bitter accusations of the churchmen against Pepin of Heristal for having two wives, and their arraignment of Charlemagne's sins of concupiscence, show how ineradicable this ancient Teutonic usage was. However, as early as B.C. 57, Caesar mentions King Ariovistus's marriage to two wives as an exception to Teutonic custom, due, perhaps, to political motives. Tacitus praises the Germans as those who, with few exceptions, live in monogamy, and though Tacitus is not an unimpeachable authority, owing to the fact that he wished to idealize the vigorous race as a model to the decadent Roman world of his time, his statements seem to prove that at the dawn of Christianity southern and western German tribes at least had the highest conception of family purity. Later on, under the teachings of Christianity, polygamy was first modified, then abolished; and marriage by capture was either suppressed or treated as a crime. Upon the status of women among the Teutonic tribes the study of philology sheds some light. From it we learn that the Gothic _quind_, woman (in general), and _queue_, married woman, signifies the child-bearing one, from the verb _quinan, gignere_; or _wip_ (Saxon _wif_, Old Norse _vif_), indicating the root of _wib_, motion, the mobile being; though _frouwa, frau_ (Old Norse, _freyja_), means originally "joyous, mild, gracious
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E-text prepared by the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the numerous original illustrations. See 46186-h.htm or 46186-h.zip: (http://www.gutenberg.org/files/46186/46186-h/46186-h.htm) or (http://www.gutenberg.org/files/46186/46186-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/cu31924027829666 Transcriber's note: Text enclosed by underscores is in italics (_italics_). [Illustration: _Germany's Youngest Reserve._] GERMANY IN WAR TIME What an American Girl Saw and Heard by MARY ETHEL McAULEY Chicago The Open Court Publishing Company 1917 Copyright by The Open Court Publishing Company 1917 DEDICATION TO MY MOTHER WHO SHARED THE TRIALS OF TWO YEARS IN GERMANY WITH ME PREFATORY NOTE. This book is the product of two years spent in Germany during the great war. It portrays what has been seen and heard by an American girl whose primary interest was in art. She has tried to write without fear or favor the simple truth as it appeared to her. TABLE OF CONTENTS. PAGE Getting into Germany in War Time 1 Soldiers of Berlin 7 The Women Workers of Berlin 20 German "Sparsamkeit" 35 The Food in Germany 49 What We Ate in Germany 62 How Berlin is Amusing Itself in War Time 69 The Clothes Ticket 81 My Typewriter 88 Moving in Berlin 93 What the Germans Read in War Time 98 Precautions Against Spies, etc. 108 Prisoners in Germany 115 Verboten 128 The Mail in Germany 132 The "Auslaenderei" 140 War Charities 146 What Germany is Doing for Her Human War Wrecks 159 Will the Women of Germany Serve a Year in the Army? 173 The Kaiserin and the Hohenzollern Princesses 184 A Stroll Through Berlin 196 A Trip Down the Harbor of Hamburg 207 The Krupp Works at Essen 218 Munich in War Time 228 From Berlin to Vienna in War Time 242 Vienna in War Time 256 Soldiers of Vienna 267 Women Warriors 279 How Americans Were Treated in Germany 286 I Leave Germany July 1, 1917 292 GETTING INTO GERMANY IN WAR TIME. Now that America and Germany are at war, it is not possible for an American to enter the German Empire. Americans can leave the country if they wish, but once they are out they cannot go back in again. Since the first year of the war there has been only one way of getting into Germany through Denmark, and that is by way of Warnemuende. After leaving Copenhagen you ride a long way on the train, and then the train boards a ferry which takes you to a little island. At the end of this island is the Danish frontier, where you are thoroughly searched to see how much food you are trying to take into Germany. After this frontier is passed you ride for a few hours on a boat which carries you right up to Warnemuende, the German landing-place and the military customs of Germany. When I went to Germany in October, 1915, the regulations were not very strict, travelers had only to show that they had a good reason for going into the country, and they were searched--that was all. But during the two years I was in Germany all this was changed. Now it is very hard for even a neutral to enter Germany. Neutrals must first have a vise from the German consul in Denmark. It takes four days to get this vise, and you must have your picture taken in six different poses. Also, you must have a legitimate reason for wanting to go into the country, and if there is anything the least suspicious about you, you are not granted a permit to enter. Travelers entering Germany bring as much food with them as they can. You are allowed to bring a moderate amount of tea, coffee, soap, canned milk, etc.; nine pounds of butter and as much smoked meat as you can carry. No fresh meat is allowed, and you must carry the meat yourself as no porters are allowed around the docks. This is a spy precaution. The butter and meat are bought in Copenhagen from a licensed firm where it is sealed and the firm sends the package to the boat for you. You must be careful not to break the seal before the German customs are passed. The Danes are very strict about letting rubber goods out of their country, and one little German girl I knew was so afraid that the Danes would take her rubbers away from her, that she wore them on a hot summer day. The boat which takes passengers to and from Warnemuende is one day a German boat and the next day a Danish boat. If you are lucky and make the trip on the day the Danish boat is running, you get a wonderful meal, and if you are unlucky and strike the German day, you get a poor one. After getting off the boat, you get your first glimpse of the German _Militaer_, the soldiers at the customs. The travelers are divided into two classes--those going to Hamburg and those going to Berlin. Then a soldier gets up on a box and asks if there is any one in the crowd who has no passport. The day I came through only one man stepped forward. I felt sorry for him, but he did not look the least bit disheartened. An officer led him away. Strange to say, four days later we were seated in a hotel in Berlin eating our breakfast when this same little man came up and asked if we were not from Pittsburg, and if we had not come over on the "Kristianiafjord." When I said that we had, he remarked: "Well, I am from Pittsburg, too, and I came over on the 'Kristianiafjord.'" "But I did not see you among the passengers," I said. "No," he answered, "I should say not. I was a bag of potatoes in the hold. I am a reserve officer in the German army, and I was determined to get back to fight. I came without a passport claiming to be a Russian. It took me three days to get fixed up at Warnemuende because I had no papers of any kind. The day I had everything straightened out and was leaving for Berlin, a funny thing happened. I was walking along the street with an officer when a crowd of Russian prisoners came along. To my surprise one of the fellows yelled at me, 'Hello, Mister, you'se here too?' And I knew that fellow. He had worked for my father in America. As he was returning to Russia, he was taken prisoner by the Germans. I had an awful time explaining my acquaintance to the authorities at Warnemuende, but here I am waiting to join my regiment." At Warnemuende, after the people are divided into groups, they are taken into a large room where the baggage is examined. At the time I came through we were allowed to bring manuscript with us, but it had to be read. Now not one scrap of either written or printed matter can be carried, not even so much as an address. All the writing now going into Germany must be sent by post and censored as a letter. When I came through I had a stack of notes with me and I never dreamed that it would be examined. I was having a difficult time with the soldier who was searching me when an officer who spoke perfect English came up and asked if he could help me. He had to read all my letters and papers, but he was such a slow reader that the train was held up half an hour waiting for him to finish reading them. Nothing was taken away from me, but they took a copy of the _London Illustrated News_ away from a German who protested loudly, waving his hands. It was a funny thing to do, for in Berlin this paper was for sale on all the news stands and in the cafes. But sometimes the Germans make it a point of treating foreigners better than they do their own people. I noticed this many times afterward. After the baggage was examined, the people had to be searched. The men didn't have to undress and the women were taken into a small room where women searchers made us take off all our clothes. They even make you take off your shoes, they feel in your hair and they look into your locket. As I had held up the train so long, I did not have much time to dress and hurried into the train with my hat in my hand and my shoes untied. As the train pulls out the searcher soldiers line up and salute it. Searching isn't a very nice job, and when my mother went back to America the next spring, no less than four of the searchers told her that they hated it and that when the war was over the whole Warnemuende force was coming to America. The train was due in Berlin at 9 o'clock at night, but we were late when we pulled in at the Stettin Station. We had a hard time getting a cab and finally we had to share an automobile with a strange man who was going to the same hotel. At 10 o'clock we were in our hotel on Unter den Linden. From the window I could look out on the linden trees. The lights were twinkling merrily in the cafes across the way. Policemen were holding up the traffic on the narrow Friedrichstrasse. People were everywhere. It did not seem like a country that was taking part in the great war. [Illustration: _Marine Reserves on Their Way to the Station. Wilhelmshaven._] SOLDIERS OF BERLIN. Berlin is a city of soldiers. Every day is soldiers' day. And on Sundays there are even more soldiers than on week days. Then Unter den Linden, Friedrichstrasse and the Tiergarten are one seething mass of gray coats--gray the color of everything and yet the color of nothing. This field gray blends with the streets, the houses, and the walls, and the dark clothes of the civilians stand out conspicuously against this gray mass. [Illustration: _Soldiers Marching Through Brandenburg Gate._] When I first came to Berlin, I thought it was just by chance that so many soldiers were there, but the army seems ever to increase--officers, privates, sailors and men right from the trenches. During the two years that I was in Berlin this army remained the same. It didn't decrease in numbers and it didn't change in looks. The day I left Berlin it looked exactly the same as the day I entered the country. They were anything but a happy-looking bunch of men, and all they talked about was, "when the war is over"; and like every German I met in those two years, they longed and prayed for peace. One day on the street car I heard a common German soldier say, "What difference does it make to us common people whether Germany wins the war or not, in these three years we folks have lost everything." But every German soldier is willing to do his duty. The most wonderful thing about this transit army is that everything the soldiers have, from their caps to their shoes, is new, except the soldiers just coming from the front. And yet as a rule they are not new recruits starting out, but men who have been home on a furlough or men who have been wounded and are now ready to start back to the front. To believe that Germany has exhausted her supply of men is a mistake. Personally, I know lots of young Germans that have never been drafted. The most of these men are such who, for some reason or other, have had no army service, and the German military believe that one trained man is worth six untrained men, and it is the trained soldier that is always kept in the field. If he has been wounded he is quickly hurried back to the front. By their scientific methods a bullet wound can be entirely cured in six weeks. [Illustration: _The Most Popular Post-Card in Germany._] German men have never been noted dressers, and even at their best the middle and lower classes look very gawky and countrified in civilian clothes. You cannot imagine how the uniform improves their appearance. I have seen new recruits marching to the place where they get their uniforms. Most of them have on old ill-fitting clothes, slouch hats and polished boots. They shuffle along, carrying boxes and bundles. They have queer embarrassed looks on their faces. Three hours later, this same lot of men come forth. They are not the same men. They have a different fire in their eyes, they hold themselves straighter, they no longer slouch but keep step. The uniform seems to have made new men of them. It should be called "transform," not uniform. At the Friedrichstrasse Station one can see every kind of soldiers at once. There the men arrive from the front sometimes covered with dust and mud, and once I saw a man with his trousers all spattered with blood. The common soldiers carry everything with them. On their backs they have their knapsacks, and around their waists they have cans, spoons, bundles and all sorts of things. These men carry sixty-five pounds with them all the time. In one of their bags they carry what is known as their _eiserne Portion_ or their "iron portion." This consists of two cans of meat, two cans of vegetables, three packages of hard tack, ground coffee for several meals and a flask of whisky. The soldiers are not allowed to eat this portion unless they are in a place where no food can be brought to them, and then they are only allowed to eat it at the command of a superior officer. In the field the iron portions are inspected each day, and any soldier that has touched his portion is severely punished. [Illustration: _Schoolboys' Reserve. Berlin._] A great many of the soldiers have the Iron Cross of the second class, but very rarely a cross of the first class is seen. The second class cross is not worn but is designated by a black and white ribbon drawn through the buttonhole. The first class cross is worn pinned rather low on the coat. The order _Pour le merite_ is the highest honor in the German army, and not a hundred of them have been given out since the beginning of the war. It is a blue, white and gold cross and is hung from the wearer's collar. A large sum of money goes with this decoration. The second class Iron Cross makes the owner exempt from certain taxes; and five marks each month goes with the first class Iron Cross. The drilling-grounds for soldiers are very interesting. Most of these places are inclosed, but the one at the Grunewald was open, and I often used to go there to see the soldiers. It made a wonderful picture--the straight rows of drilling men with the tall forest for a background. The men were usually divided off into groups, a corporal taking twelve men to train. It was fun watching the new recruits learning the goose-step. The poor fellows tried so hard they looked as though they would explode, but if they did not do it exactly right, they were sent back to do it over again. The trainers were not the least bit sympathetic. One day an American boy and I went to Potsdam. We were standing in front of the old Town Palace watching some fresh country boys drill. I laughed outright at one poor chap who was trying to goose-step. He was so serious and so funny I couldn't help it. The corporal came over to us and ordered us to leave the grounds, which we meekly did. [Illustration: _Soldiers Buying Ices in Berlin. A War Innovation._] Tempelhof, the largest drilling-ground in Berlin, is the headquarters for the army supplies, and here one can see hundreds of wagons and autos painted field-gray. The flying-place at Johannisthal is now enclosed by a fence and is so well guarded you can't get within a square of it. [Illustration: _Looking at Pictures in an Old Book-Shop._] It is very interesting to watch the troop trains coming in from the front. When I first went to Berlin it was all a novelty to me and I spent a great deal of my time at the stations. One night just before Christmas, 1915, the first Christmas I was in Berlin, I spent three hours at the Anhalt Station watching the troops come home. They were very lucky, these fellows, six months in the trenches and then to be home at Christmas time! They were the happiest people I had seen in the war unless it were the people who came to meet them. [Illustration: _Cheering the Soldier on His Way to the Front._] Most of the soldiers were sights. Their clothes were dirty, torn and wrinkled. Many of them coming from Russia were literally covered with a white dust. At first I thought that they were bakers, but when I saw several hundred of them I changed my mind. Beside his regular paraphernalia, each soldier had a dozen or more packages. The packages were strapped on everywhere, and one little fellow had a bundle stuck on the point of his helmet. A little child, perhaps three years old, was being held over the gate near me and all the while he kept yelling, "Papa! _Urlaub_!" An _Urlaub_ is a furlough, and when the father did come at last the child screamed with delight. Another soldier was met by his wife and a tiny little baby. He took the little one in his arms, and the tears rolled down his cheeks, "My baby that I have never seen," he said. This night the soldiers came in crowds. Everybody was smiling, and in between the trains we went into the station restaurant. At every table sat a soldier and his friends. One young officer had been met by his parents, and he was so taken up with his mother that he could not sit down but he hung over her chair. Was she happy? Well, I should say so! At another table sat a soldier and his sweetheart. They did not care who saw them, and can you blame them? He patted her cheeks and he kissed her hand.... An old man who sat at the table pretended that he was reading, and he tried to look the other way, but at last he could hold himself no longer, and grasping the soldier's hand he cried, "_Mahlzeit!_" [Illustration: _A Field Package for a German Soldier._] We went out and saw more trains and more soldiers. A little old lady stood beside us. She was a pale little lady dressed in black. She was so eager. She strained her eyes and watched every face in the crowd. It was bitter cold and she was thinly clad. At 12 o'clock the station master announced that there would be no more trains until morning. The little old lady turned away. I watched her bent figure as she went down the stairs. She was pulling out her handkerchief. THE WOMEN WORKERS OF BERLIN. The German women have filled in the ranks made vacant by the men. Nothing is too difficult for them to undertake and nothing is too hard for them to do. The poor German working women! No one in all the war has suffered like these poor creatures. Their men have been taken from them, they are paid only a few pfennigs a day by the government, and now they must work, work like a man, work like a horse. The German working woman is tremendously capable in manual labor. She never seems to get tired and she can stand all day in the wet and snow. But as a wife and mother she is becoming spoiled. She is bound to become rough, and she takes the jostlings of the men she meets with good grace, answering their flip remarks, joking with them and giving them a physical blow when she thinks it necessary. Most of the women seem to like this familiarity which working on the streets brings them, and they find it much more exciting than doing housework at home. All great reforms begin in a violent way, and maybe this is the beginning of emancipation for the German woman, for she is beginning to realize what she can do, and for the first time in the history of the empire she is living an independent existence, dependent upon no man. [Illustration: _A Window Cleaner._] When the war first broke out, women were taken on as ticket punchers on the overground and underground railways, and _Frau Kneiperin_, or "Mrs. Ticket-puncher," sits all day long out in the open, punching tickets. In summer this job is very pleasant, but in winter she gets very, very cold even if she does wear a thick heavy overcoat and thick wooden shoes over her other shoes. She can't wear gloves for she must take each ticket in her hand in order to punch the stiff boards. She earns three marks a day. [Illustration: _A German Elevator "Boy."_] After the women ticket punchers came the women door shutters, and _Frau Tuerschliesserin_, or "Mrs. Door Shutter," is all day long on the platforms of the stations, and she must see that every train door is shut before the train starts. This is a lively job, and she must jump from one door to the other. Most of these women wear bloomers, but some of them wear men's trousers tucked in their high boots. They all wear caps and badges. _Frau Brieftraegerin_ is the woman letter carrier. This is rather a nice job, carrying only a little bag of letters. One fault with the work is that she must deliver the letters to the top floor of every building whether there is an elevator or not, but as no German building is more than five stories high, it is not so bad. Most of the special delivery "boys" are women. They wear a boy's suit and ride a bicycle. More than half the street car conductors in Germany now are women. Most of these women still cling to skirts, but they all wear a man's cap and coat. They are quite expert at climbing on the back of the car and fixing the trolley, and if necessary they can climb on the top of the car. If the car gets stuck, they get out and push it, but the crowd is generally ready to help them. They have their bag for tips, and they expect their five pfennigs extra the same as a man. When _Frau Fuehrerin_, or "Mrs. Motorman," came, some of the German people were scandalized and exclaimed: "Well, I will never ride on a street car run by a woman. It wouldn't be safe." Now, no one thinks anything about it, and the women have no more accidents than the men. Some of these women are little bits of things, and one wonders that they have the strength to stand it all day long. Most of them look as if it were nerve-racking. They earn three and a half marks a day. [Illustration: _Costume of a Street-Car Conductor._] Women cab drivers are not very numerous, but every now and then one of them whizzes around a corner looking for a fare. One Berlin cabby is quite an old lady. The men cabbies are jealous of the women because the women get the best tips. There are few women taxi drivers. One young woman driver has a whole leather suit with tight breeches and an aviator hat. Women also drive mail wagons, and women go around from one store to another cleaning windows. _Frau Fensterputzerin_ or "Mrs. Window Cleaner" carries a heavy ladder with her. This is no light task. They have always had women street cleaners and switch tenders in Munich, but now they have them in Berlin as well. They work in groups, sweeping the dirt and hauling it away in wheelbarrows. Just before I left Berlin I saw a woman posting bills on the round advertising posts. She did not seem to be an expert at managing the paste, because she flung it around so that it was dangerous to come near her. In the last year they have had women track walkers, and they pace the railroad ties to see if the tracks are safe. They dress in blue and carry small iron canes. [Illustration: _A Famous "Cabby" in Berlin._] The excavation for the new underground railway under Friedrichstrasse was dug out by women, and half the gangs that work on the railroad tracks are women. They fasten bolts and saw the iron rails. All the stores have women elevator runners, and most of the large department stores have women checking umbrellas, packages, dogs, and--lighted cigars! Most stores have women floor-walkers. Most of the delivery wagons are run by women, and they carry the heaviest packages. All the newspapers in Berlin are sold by women, and they wheel the papers around in baby carriages. Around the different freight stations one can see women loading hay and straw into the cars. They wield the pitchfork with as much ease as a man and with far more grace. Many of the "brakemen" on the trains are women, and some of the train conductors are women. Most of the gas-meter readers are women, and other women help to repair telephone wires, and still others help to instal telephones. There are a few _Frau Schornsteinfegerin_, or "Mrs. Chimney Sweep," but the job of being a chimneysweep doesn't appeal to most women. These women wear trousers and a tight-fitting cap. They mount the house tops and they make the soot fly, and the cement rattles down the chimney. They carry long ropes with which they pull their brushes up and down. [Illustration: _Cleaning the Streets in Berlin._] _Frau Klempnermeisterin_, or "Mrs. Master Tinner," repairs the roofs. Of course she wears trousers to make climbing easier. Most of the women who have these odd jobs are those whose husbands had the same before the war. Many other women work in the parks cutting the grass and watering the flowers. In the market places women put rubber heels on your shoes while you wait. Most of the milk wagons are run by girls, and women help to deliver coal. They have no coal chutes in Germany, and the coal is carried from the wagon into the house. This is really terrible work for a woman. A few women work on ash wagons, others are "ice men," and others build houses. Nearly all the munition workers in Germany are women, and they are paid very high for this work. Most of them get from $40 to $50 a month, wages before unknown for working women. The strength of some of these women is almost beyond belief. Dr. Gertrude Baumer, the famous German woman writer and settlement worker, told me that shells made in one factory weighed eighty pounds each and that every day the women working lifted thirty-six of these shells. Women are also employed in polishing the shells. The women workers in munition factories are very closely watched, and if the work does not agree with them they are taken away and are given other employment. The sanitary conditions of these factories are very good, and they are almost fire-proof, and they have no horrible fire disasters. Indeed they have very few fires in Germany. They have in Berlin what is known as the _Nationaler Frauendienst_, or the "National Women's Service," and it is an organization to help the poor women of Germany during the war. Dr. Gertrude Baumer is the president of this organization, and she is also one of the strongest advocates for the one year army service for German women. [Illustration: _A Berlin Street-Car Conductor._] This society finds employment for women and gives out work for women who have little children and cannot leave home. Women who sew at home make bags for sand defenses, and they make helmet covers of gray cloth. These covers keep the enemy from seeing the shining metal of the helmet. If a woman is sick and cannot work the society takes care of her until she is better and able to work again. They also have food tickets which they give to the poor. [Illustration: _Reading the Gas Meter._] [Illustration: _A Chauffeur._] Pension schedules are being made up by different societies, and it is not yet certain which one the government will adopt; at present every woman whose husband is in the war is given a certain amount for herself and children. For women who are now widows the pension is according to the rank of the husband. For instance, the widow of a common soldier gets 300 marks a year. If she has one child she get 568 marks and so on, increasing according to the number of children, for four children she gets 1072 marks. The widow of a non-commissioned officer, a corporal or a sergeant, gets a little more, and the widow of a lieutenant gets over twice as much as a common soldier's widow. The widow of a major-general gets 3246 marks a year. When she has children, she gets very little more, for when a man has risen to the rank of major-general the chances are that he is old and that his children are grown up and able to take care of themselves. [Illustration: _Digging the Tunnel for the New Underground Railway in Berlin._] These schedules are also controlled by the number of years a man has served in the army, and they are trying to pass a new bill which requires that pensions shall be controlled by the salary the man had before the war. If the dead man had worked himself up into a good position of 1000 marks a month, his family should have more than the family of a man who could only make 300 marks a month. The schedule as it now stands for wounded men is that a private who has lost his leg gets 1,368 marks a year; a lieutenant gets 4851 marks a year; and a general 10,332 marks a year. [Illustration: _Caring for the Trees._] They have in Germany a "votes for women" organization of 600,000 members, but it will be years and years before it ever comes to anything, for German women are very slow in acting and thinking for themselves. GERMAN "SPARSAMKEIT." When the blockade of Germany began, no one believed that she could hold out without supplies from the outside world; that in a short time her people would be starving and that she would be out of raw material. During the few months before the blockade was declared, Germany had shipped into her ports as much cotton, copper, rubber and food as was possible. After the blockade started much stuff was obtained from Holland and Scandinavia. From the very first days of the war Germany set to work to utilize all the material that she had on hand, and her watchword to her people was "waste nothing." [Illustration: _Collecting Cherry Stones for Making Oil._] The first collection of material in Germany was a metal collection, and it took place in the fall of 1915, just after I came to Berlin. This collection extended all over Germany and took place in different parts at different times. Every family received a printed notice of the things that must be given up to the State. It was a long list, but the main thing on it was the brass ovendoors. As nearly every room in Germany has a stove with two of these doors about a foot wide and three quarters of a foot high you can get some idea of how much material this collection brought. Since this collection the doors have been replaced by iron ones that are not nearly so pretty. All kinds of brass pots and kettles were collected, but with special permits people were allowed to keep their heirlooms. Everything was paid for by the weight, artistic value counted for naught. Vacant stores were rented for storing this collection and the people had to bring the things there. In some cities the people willingly gave up the copper roofs of their public buildings. Copper roofs have always been very popular in Germany. In Berlin the roof of the palace, the cathedral and the Reichstag building are of copper, and in Dresden the roofs of all the royal buildings are of copper. A friend of mine who is a Catholic went to church one Sunday just before I left Berlin. Before the service opened and just as the priest mounted the pulpit the church bells began to ring. When they had stopped the priest announced that this was the last time the bells would ever ring, for they were to be given to the metal collection. The people began to cry as the priest went on, and before he had finished, many were sobbing out loud. Even the men wept. My friend said that it was the most impressive thing that she had ever witnessed. In that first copper collection they got enough metal to last several
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration] [Illustration] THE LUCY BOOKS. BY THE Author of the Rollo Books. _New York_, CLARK AUSTIN & CO. 205 BROADWAY. COUSIN LUCY’S CONVERSATIONS. BY THE AUTHOR OF THE ROLLO BOOKS. A NEW EDITION, REVISED BY THE AUTHOR. NEW YORK: CLARK, AUSTIN & SMITH, 3 PARK ROW AND 3 ANN-STREET, 1854. Entered according to Act of Congress, in the year 1841, BY T. H. CARTER, In the Clerk’s Office of the District Court of Massachusetts. NOTICE. The simple delineations of the ordinary incidents and feelings which characterize childhood, that are contained in the Rollo Books, having been found to interest, and, as the author hopes, in some degree to benefit the young readers for whom they were designed,--the plan is herein extended to children of the other sex. The two first volumes of the series are LUCY’S CONVERSATIONS and LUCY’S STORIES. Lucy was Rollo’s cousin; and the author hopes that the history of her life and adventures may be entertaining and useful to the sisters of the boys who have honored the Rollo Books with their approval. CONTENTS. Page. CONVERSATION I. THE TREASURY, 9 CONVERSATION II. DEFINITIONS, 21 CONVERSATION III. THE GLEN, 34 CONVERSATION IV. A PRISONER, 43 CONVERSATION V. TARGET PAINTING, 51 CONVERSATION VI. MIDNIGHT, 60 CONVERSATION VII. JOANNA, 75 CONVERSATION VIII. BUILDING, 88 CONVERSATION IX. EQUIVOCATION, 103 CONVERSATION X. JOHNNY, 118 CONVERSATION XI. GETTING LOST, 132 CONVERSATION XII. LUCY’S SCHOLAR, 146 CONVERSATION XIII. SKETCHING, 159 CONVERSATION XIV. DANGER, 170 LUCY’S CONVERSATIONS. CONVERSATION I. THE TREASURY. One day in summer, when Lucy was a very little girl, she was sitting in her rocking-chair, playing keep school. She had placed several crickets and small chairs in a row for the children’s seats, and had been talking, in dialogue, for some time, pretending to hold conversations with her pupils. She heard one read and spell, and gave another directions about her writing; and she had quite a long talk with a third about the reason why she did not come to school earlier. At last Lucy, seeing the kitten come into the room, and thinking that she should like to go and play with her, told the children that she thought it was time for school to be done. Royal, Lucy’s brother, had been sitting upon the steps at the front door, while Lucy was playing school; and just as she was thinking that it was time to dismiss the children, he happened to get up and come into the room. Royal was about eleven years old. When he found that Lucy was playing school, he stopped at the door a moment to listen. “Now, children,” said Lucy, “it is time for the school to be dismissed; for I want to play with the kitten.” Here Royal laughed aloud. Lucy looked around, a little disturbed at Royal’s interruption. Besides, she did not like to be laughed at. She, however, said nothing in reply, but still continued to give her attention to her school. Royal walked in, and stood somewhat nearer. “We will sing a hymn,” said Lucy, gravely. Here Royal laughed again. “Royal, you must not laugh,” said Lucy. “They always sing a hymn at the end of a school.” Then, making believe that she was speaking to her scholars, she said, “You may all take out your hymn-books, children.” Lucy had a little hymn-book in her hand, and she began turning over the leaves, pretending to find a place. “You may sing,” she said, at last, “the thirty-third hymn, long part, second metre.” At this sad mismating of the words in Lucy’s announcement of the hymn, Royal found that he
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Transcribed from the 1887 Cassell & Company edition by David Price, email [email protected] THE HUNCHBACK. THE LOVE-CHASE. BY JAMES SHERIDAN KNOWLES CASSELL & COMPANY, LIMITED: _LONDON_, _PARIS_, _NEW YORK & MELBOURNE_. 1887. INTRODUCTION James Sheridan Knowles was born at Cork in 1784, and died at Torquay in December, 1862, at the age of 78. His father was a teacher of elocution, who compiled a dictionary, and who was related to the Sheridans. He moved to London when his son was eight years old, and there became acquainted with William Hazlitt and Charles Lamb. The son, after his school education, obtained a commission in the army, but gave up everything for the stage, and made his first appearance at the Crow Street Theatre, in Dublin. He did not become a great actor, and when he took to writing plays he did not prove himself a great poet, but his skill in contriving situations through which a good actor can make his powers tell upon the public, won the heart of the great actor of his day, and as Macready's own poet he rose to fame. Before Macready had discovered him, Sheridan Knowles lived partly by teaching elocution at Belfast and Glasgow, partly by practice of elocution as an actor. In 1815 he produced at the Belfast Theatre his first play, _Caius Gracchus_. His next play, _Virginius_ was produced at Glasgow with great success. Macready, who had, at the age of seventeen, begun his career as an actor at his father's theatre in Birmingham, had, on Monday, October 5th, 1819, at the age of twenty-six, taken the Londoners by storm in the character of Richard III Covent Garden reopened its closed treasury. It was promptly followed by a success in _Coriolanus_, and Macready's place was made. He was at once offered fifty pounds a night for appearing on one evening a week at Brighton. It was just after that turn in Macready's fortunes that a friend at Glasgow recommended to him the part of Virginius in Sheridan Knowles's play lately produced there. He agreed unwillingly to look at it, and says that in April, 1820, the parcel containing the MS. came as he was going out. He hesitated, then sat down to read it that he might get a wearisome job over. As he read, he says, "The freshness and simplicity of the dialogue fixed my attention; I read on and on, and was soon absorbed in the interest of the story and the passion of its scenes, till at its close I found myself in such a state of excitement that for a time I was undecided what step to take. Impulse was in the ascendant, and snatching up my pen I hurriedly wrote, as my agitated feelings prompted, a letter to the author, to me then a perfect stranger." Bryan Procter (Barry Cornwall) read the play next day with Macready, and confirmed him in his admiration of it. Macready at once got it accepted at the theatre, where nothing was spent on scenery, but there was a good cast, and the enthusiasm of Macready as stage manager for the occasion half affronted some of his seniors. On the 17th of May, 1820, about a month after it came into Macready's hands, _Virginius_ was produced at Covent Garden, where, says the actor in his "Reminiscences," "the curtain fell amidst the most deafening applause of a highly-excited auditory." Sheridan Knowles's fame, therefore, was made, like that of his friend Macready, and the friendship between author and actor continued. Sheridan Knowles had a kindly simplicity of character, and the two qualities for which an actor most prizes a dramatist, skill in providing opportunities for acting that will tell, and readiness to make any changes that the actor asks for. The postscript to his first letter to Macready was, "Make any alterations you like in any part of the play, and I shall be obliged to you." When he brought to the great actor his play of _William Tell_--_Caius Gracchus_ had been produced in November, 1823--there were passages of writing in it that stopped the course of action, and, says Macready, "Knowles had less of the tenacity of authorship than most writers," so that there was no difficulty about alterations, Macready having in a very high degree the tenacity of actorship. And so, in 1825, _Tell_ became another of Macready's best successes. Sheridan Knowles continued to write for the stage until 1845, when he was drawn wholly from the theatre by a religious enthusiasm that caused him, in 1851, to essay the breaking of a lance with Cardinal Wiseman on the subject of Transubstantiation. Sir Robert Peel gave ease to his latter days by a pension of 200 pounds a year from the Civil List, which he had honourably earned by a career as dramatist, in which he sought to appeal only to the higher sense of literature, and to draw enjoyment from the purest source. Of his plays time two comedies {1} here given are all that have kept their place upon the stage. As one of the most earnest dramatic writers of the present century he is entitled to a little corner in our memory. Worse work of the past has lasted longer than the plays of Sheridan Knowles are likely to last through the future. H. M. THE HUNCHBACK. DRAMATIS PERSONAE. (AS ORIGINALLY PERFORMED AT COVENT GARDEN IN 1832.) _Julia_ Miss F. KEMBLE. _Helen_ Miss TAYLOR. _Master Walter_ Mr. J. S. KNOWLES. _Sir Thomas Clifford_ Mr. C. KEMBLE. _Lord Tinsel_ Mr. WRENCH. _Master Wilford_ Mr. J. MASON. _Modus_ Mr. ABBOTT. _Master Heartwell_ Mr. EVANS. _Gaylove_ Mr. HENRY. _Fathom_ Mr. MEADOWS. _Thomas_ Mr. BARNES. _Stephen_ Mr. PAYNE. _Williams_ Mr. IRWIN. _Simpson_ Mr. BRADY. _Waiter_ Mr. HEATH. _Holdwell_ Mr. <DW12>. _Servants_ Mr. J. COOPER. Mr. LOLLETT. ACT I. SCENE I.--A Tavern. On one side SIR THOMAS CLIFFORD, at a table, with wine before him; on the other, MASTER WILFORD, GAYLOVE, HOLDWELL, and SIMPSON, likewise taking wine. _Wilf_. Your wine, sirs! your wine! You do not justice to mine host of the Three Tuns, nor credit to yourselves; I swear the beverage is good! It is as palatable poison as you will purchase within a mile round Ludgate! Drink, gentlemen; make free. You know I am a man of expectations; and hold my money as light as the purse in which I carry it. _Gay_. We drink, Master Wilford. Not a man of us has been chased as yet. _Wilf_. But you fill not fairly, sirs! Look at my measure! Wherefore a large glass, if not for a large draught? Fill, I pray you, else let us drink out of thimbles! This will never do for the friends of the nearest of kin to the wealthiest peer in Britain. _Gay_. We give you joy, Master Wilford, of the prospect of advancement which has so unexpectedly opened to you. _Wilf_. Unexpectedly indeed! But yesterday arrived the news that the Earl's only son and heir had died; and to-day has the Earl himself been seized with a mortal illness. His dissolution is looked for hourly; and I, his cousin in only the third degree, known to him but to be unnoticed by him--a decayed gentleman's son--glad of the title and revenues of a scrivener's clerk--am the undoubted successor to his estates and coronet. _Gay_. Have you been sent for? _Wilf_. No; but I have certified to his agent, Master Walter, the Hunchback, my existence, and peculiar propinquity; and momentarily expect him here. _Gay_. Lives there anyone that may dispute your claim--I mean vexatiously? _Wilf_. Not a man, Master Gaylove. I am the sole remaining branch of the family tree. _Gay_. Doubtless you look for much happiness from this change of fortune? _Wilf_. A world! Three things have I an especial passion for. The finest hound, the finest horse, and the finest wife in the kingdom, Master Gaylove! Gay. The finest wife? _Wilf_. Yes, sir; I marry. Once the earldom comes into my line, I shall take measures to perpetuate its remaining there. I marry, sir! I do not say that I shall love. My heart has changed mistresses too often to settle down in one servitude now, sir. But fill, I pray you, friends. This, if I mistake not, is the day whence I shall date my new fortunes; and, for that reason, hither have I invited you, that, having been so long my boon companions, you shall be the first to congratulate me. [Enter Waiter] _Waiter_. You are wanted, Master Wilford. _Wilf_. By whom? _Waiter_. One Master Walter. _Wilf_. His lordship's agent! News, sirs! Show him in! [Waiter goes out] My heart's a prophet, sirs--The Earl is dead. [Enter MASTER WALTER] Well, Master Walter. How accost you me? _Wal_. As your impatience shows me you would have me. My Lord, the Earl of Rochdale! _Gay_. Give you joy! _Hold_. All happiness, my lord! _Simp_. Long life and health unto your lordship! _Gay_. Come! We'll drink to his lordship's health! 'Tis two o'clock, We'll e'en carouse till midnight! Health, my lord! _Hold_. My lord, much joy to you! _Simp_. All good to your lordship! _Wal_. Give something to the dead! _Gay_. Give what? _Wal_. Respect! He has made the living! First to him that's gone, Say "Peace!"--and then with decency to revels! _Gay_. What means the knave by revels? _Wal_. Knave? _Gay_. Ay, knave! _Wal_. Go to! Thou'rt flushed with wine! _Gay_. Thou sayest false! Though didst thou need a proof thou speakest true, I'd give thee one. Thou seest but one lord here, And I see two! _Wal_. Reflect'st thou on my shape? Thou art a villain! _Gay_. [Starting up.] Ha! _Wal_. A coward, too! Draw! [Drawing his sword.] _Gay_. Only mark him! how he struts about! How laughs his straight sword at his noble back. _Wal_. Does it? It cuffs thee for a liar then! [Strikes GAYLOVE with his sword.] _Gay_. A blow! _Wal_. Another, lest you doubt the first! _Gay_. His blood on his own head! I'm for you, sir! [Draws.] _Clif_. Hold, sir! This quarrel's mine! [Coming forward and drawing.] _Wal_. No man shall fight for me, sir! _Clif_. By your leave, Your patience, pray! My lord, for so I learn Behoves me to accost you--for your own sake Draw off your friend! _Wal_. Not till we have a bout, sir! _Clif_. My lord, your happy fortune ill you greet! Ill greet it those who love you--greeting thus The herald of it! _Wal_. Sir, what's that to you? Let go my sleeve! _Clif_. My lord, if blood be shed On the fair dawn of your prosperity, Look not to see the brightness of its day. 'Twill be o'ercast throughout! _Gay_. My lord, I'm struck! _Clif_. You gave the first blow, and the hardest one! Look, sir; if swords you needs must measure, I'm Your mate, not he! _Wal_. I'm mate for any man! _Clif_. Draw off your friend, my lord, for your own sake! _Wilf_. Come, Gaylove! let's have another room. _Gay_. With all my heart, since 'tis your lordship's will. _Wilf_. That's right! Put up! Come, friends! [WILFORD and Friends go out.] _Wal_. I'll follow him! Why do you hold me? 'Tis not courteous of you! Think'st thou I fear them? Fear! I rate them but As dust! dross! offals! Let me at them!--Nay, Call you this kind? then kindness know I not; Nor do I thank you for't! Let go, I say! _Clif_. Nay, Master Walter, they're not worth your wrath. _Wal_. How know you me for Master Walter? By My hunchback, eh!--my stilts of legs and arms, The fashion more of ape's than man's? Aha! So you have heard them, too--their savage gibes As I pass on,--"There goes my lord!" aha! God made me, sir, as well as them and you. 'Sdeath! I demand of you, unhand me, sir! _Clif_. There, sir, you're free to follow them! Go forth, And I'll go too: so on your wilfulness Shall fall whate'er of evil may ensue. Is't fit you waste your choler on a burr? The nothings of the town; whose sport it is To break their villain jests on worthy men, The graver still the fitter! Fie for shame! Regard what such would say? So would not I, No more than heed a cur. _Wal_. You're right, sir; right, For twenty crowns! So there's my rapier up! You've done me a good turn against my will; Which, like a wayward child, whose pet is off, That made him restive under wholesome check, I now right humbly own, and thank you for. _Clif_. No thanks, good Master Walter, owe you me! I'm glad to know you, sir. _Wal_. I pray you, now, How did you learn my name? Guessed I not right? Was't not my comely hunch that taught it you? _Clif_. I own it. _Wal_. Right, I know it; you tell truth. I like you for't. _Clif_. But when I heard it said That Master Walter was a worthy man, Whose word would pass on 'change soon as his bond; A liberal man--for schemes of public good That sets down tens, where others units write; A charitable man--the good he does, That's told of, not the half; I never more Could see the hunch on Master Walter's back! _Wal_. You would not flatter a poor citizen? _Clif_. Indeed, I flatter not! _Wal_. I like your face-- A frank and honest one! Your frame's well knit, Proportioned, shaped! _Clif_. Good sir! _Wal_. Your name is Clifford-- Sir Thomas Clifford. Humph! You're not the heir Direct to the fair baronetcy? He That was, was drowned abroad. Am I not right? Your cousin, was't not?--so succeeded you To rank and wealth, your birth ne'er promised you. _Clif_. I see you know my history. _Wal_. I do. You're lucky who conjoin the benefits Of penury and abundance; for I know Your father was a man of slender means. You do not blush, I see. That's right! Why should you? What merit to be dropped on fortune's hill? The honour is to mount it. You'd have done it; For you were trained to knowledge, industry, Frugality, and honesty,--the sinews That surest help the climber to the top, And keep him there. I have a clerk, Sir Thomas, Once served your father; there's the riddle for you. Humph! I may thank you for my life to-day. _Clif_. I pray you say not so. _Wal_. But I will say so! Because I think so, know so, feel so, sir! Your fortune, I have heard, I think, is ample! And doubtless you live up to't? _Clif_. 'Twas my rule, And is so still, to keep my outlay, sir, A span within my means. _Wal_. A prudent rule! The turf is a seductive pastime! _Clif_. Yes. _Wal_. You keep a racing stud? You bet? _Clif_. No, neither. 'Twas still my father's precept--"Better owe A yard of land to labour, than to chance Be debtor for a rood!" _Wal_. 'Twas a wise precept. You've a fair house--you'll get a mistress for it? _Clif_. In time! _Wal_. In time! 'Tis time thy choice were made. Is't not so yet? Or is thy lady love The newest still thou seest? _Clif_. Nay, not so. I'd marry
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Produced by Paul Marshall, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI. VOL. 107. August 11, 1894. LORD ORMONT'S MATE AND MATEY'S AMINTA. BY G***GE M*R*D*TH. VOLUME III. And now the climax comes not with tongue-lolling sheep-fleece wolves, ears on top remorselessly pricked for slaughter of the bleating imitated lamb, here a fang pointing to nethermost pit not of stomach but of Acheron, tail waving in derision of wool-bearers whom the double-rowed desiring mouth soon shall grip, food for mamma-wolf and baby-wolf, papa-wolf looking on, licking chaps expectant of what shall remain; and up goes the clamour of flocks over the country-side, and up goes howling of shepherds shamefully tricked by AEsop-fable artifice or doggish dereliction of primary duty; for a watch has been set through which the wolf-enemy broke paws on the prowl; and the King feels this, and the Government, a slab-faced jubber-mubber of contending punies, party-voters to the front, conscience lagging how far behind no man can tell, and the country forgotten, a lout dragging his chaw-bacon hobnails like a flask-fed snail housed safely, he thinks, in unbreakable shell soon to be broken, and no man's fault, while the slow country sinks to the enemy, ships bursting, guns jammed, and a dull shadow of defeat on a war-office drifting to the tide-way of unimagined back-stops on a lumpy cricket-field of national interests. But this was a climax revealed to the world. The Earl was deaf to it. Lady CHARLOTTE dumbed it surprisingly. Change the spelling, put a for u and n for b in the dumbed, and you have the way MORSFIELD mouthed it, and MATEY swimming with BROWNY full in the Harwich tide; head under heels up down they go in Old Ocean, a glutton of such embraces, lapping softly on a pair of white ducks tar-stained that very morning and no mistake. "I have you fast!" cried MATEY. "Two and two's four," said BROWNY. She slipped. "_Are_ four," corrected he, a tutor at all times, boys and girls taken in and done for, and no change given at the turnstiles. "Catch as catch can," was her next word. Plop went a wave full in the rosy mouth. "Where's the catch of this?" stuttered the man. "A pun, a pun!" bellowed the lady. "But not by four-in-hand from London." She had him there. He smiled a blue acquiescence. So they landed, and the die was cast, ducks changed, and the goose-pair braving it in dry clothes by the kitchen fire. There was nothing else to be done; for the answer confessed to a dislike of immersions two at a time, and the hair clammy with salt like cottage-bacon on a breakfast-table. Lord ORMONT sat with the jewels seized from the debating, unbeaten sister's grasp. "She is at Marlow," he opined. "Was," put in Lady CHARLOTTE. The answer blew him for memory. "MORSFIELD's dead," his lordship ventured; "jobbed by a foil with button off." "And a good job too." Lady CHARLOTTE was ever on the crest-wave of the moment's humour. He snicked a back-stroke to the limits, shaking the sparse hair of repentance to the wind of her jest. But the unabashed one continued. "I'll not call on her." "You shall," said he. "Shan't," was her lightning-parry. "You shall," he persisted. "Never. Her head is a water-flower that speaks at ease in the open sea. How call on a woman with a head like that?" The shock struck him fair and square. "We wait," he said, and the conflict closed with advantage to the petticoat. A footman bore a letter. His step was of the footman order, calves stuffed to a longed-for bulbousness, food for donkeys if any such should chance: he presented it. "I wait," he murmured. "Whence and whither comes it?" "Postmark may tell." "Best open it," said the cavalry general, ever on the dash for open country where squadrons may deploy right shoulders up, serre-files in rear, and a hideous clatter of serjeant-majors spread over all. He opened it. It was AMINTA's letter. She announced a French leave-taking. The footman still stood. Lord ORMONT broke the silence. "Go and be----" the words quivered into completion, supply the blank who will. But her punishment was certain. For it must be thus. Never a lady left her wedded husband, but she must needs find herself weighted with charge of his grand-nephew. Cuckoo-tutor sits in General's nest, General's wife to bear him company, and lo! the General brings a grand-nephew to the supplanter, convinced of nobility beyond petty conventions of divorce-court rigmarole. So the world wags wilful to the offshoot, lawn-mowers grating, grass flying, and perspiring gardener slow in his shirt-sleeves primed with hope of beer that shall line his lean ribs at supper-time, nine o'clock is it, or eight--parishes vary, and a wife at home has rules. A year later he wrote-- "SIR,--Another novel is on hand. Likely you will purchase. Readers gape for it. Better than acrostics, they say, fit for fifty puzzle-pages. What price? "G***GE M*R*D*TH." THE END. * * * * * [Illustration: NO END TO HIS INIQUITIES. (_From a Yorkshire Moor._) _Sportsman (awaiting the morrow, and meeting Keeper as he strolls round)._ "WELL, RODGERS, THINGS LOOK FAIRLY HOPEFUL FOR TOMORROW, EH?" _Rodgers (strong Tory)._ "WELL, SIR, MIDLIN', PRETTY MIDLIN'. BUT, OH DEAR, IT'S AWK'ARD THIS 'ERE TWELFTH BEIN' FIXED OF A SUNDAY!" (_With much wisdom._) "NOW, MIGHT MR. GLADSTONE HA' HAD HANYTHING TO DO WI' THAT ARRANGEMENT, SIR?" ] * * * * * THE MARCH OF CIVILISATION. (_From a Record in the Far East._) _Step One._--The nation takes to learning the English language. _Step Two._--Having learned the English language, the nation begins to read British newspapers. _Step Three._--Having mastered the meaning of the leaders, the nation start a Parliament. _Step Four._--Having got a Parliament, the nation establishes school boards, railways, stockbrokers, and penny ices. _Step Five._--Having become fairly civilised, the nation takes up art and commerce. _Step Six._--Having realised considerable wealth, the nation purchases any amount of ironclads, heavy ordnance, and ammunition. _Step Seven._--Having the means within reach, the nation indulges in a terrific war. _Step Eight and Last._--Having lost everything, the nation returns with a sigh of relief to old-fashioned barbarism. [Illustration: THE TRIUMPH OF CIVILISATION!] * * * * * [Illustration: A HINT TO THE POSTAL AUTHORITIES. THE EMPLOYMENT OF GOOD-LOOKING AND ATTRACTIVE YOUNG MEN IN CLEARING THE LETTER-BOXES UNDOUBTEDLY RESULTS IN FREQUENT DETENTION OF THE MAILS.] * * * * * EASTWARD HO! "Oh East is East, and West is West," says strenuous RUDYARD KIPLING, And what has the West taught to the East, save the science of war, and tippling? To ram, and to torpedo, and to drain Drink's poisoned flagons? And Civilisation sees her work in--armour-plated Dragons! The saurians of primeval slime they fought with tooth and claw, And SHO-KI'S dragon, though possessed of wondrous powers of jaw, And MIOCHIN'S scaly monster, whereat SHO-KI'S pluck might melt, And the dragon speared by stout St. George in the bold cartoons of SKELT,-- These were but simple monsters, like the giants slain by JACK, But your dragon cased in armour-plate with turrets on his back, And a charged torpedo twisted in his huge and horrid tail. Is a thing to stagger Science, and to make poor Peace turn pale! Yes, East is East, and West is West; but the West looks on the East, And sees the bold <DW61> summoning to War's wild raven-feast The saffron-faced Celestial; and the game they're going to play (With a touch of Eastern goriness) in the wicked Western way. For the yellow-man has borrowed from the white-man all that's bad, From shoddy and fire-water, to the costly Ironclad. He will not have our Bibles, but he welcomes our Big Guns, And he blends with the wild savagery of Vandals, Goths or Huns, The scientific slaughter of the Blood-and-Iron Teuton!-- A sight
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Produced by Jonathan Ingram, Keith Edkins and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's note: A few typographical errors have been corrected: they are listed at the end of the text. French extracts are reproduced as printed, with hardly any accents. * * * * * THE NEW CONSPIRACY AGAINST THE JESUITS DETECTED AND BRIEFLY EXPOSED; WITH A SHORT ACCOUNT OF THEIR INSTITUTE; AND OBSERVATIONS ON THE DANGER OF SYSTEMS OF EDUCATION INDEPENDENT OF RELIGION. * * * * * BY R. C. DALLAS, ESQ. * * * * * Omnes qui se Societati addixerunt, in virtutum solidarum ac perfectarum, et spiritualium rerum studium incumbant. INSTITUTUM SOC. JESU, ed. Pragae, 1757, vol. ii, p. 72. The causes which occasioned the ruin of this mighty body, as well as the circumstances and effects with which it has been attended in the different countries of Europe, are objects extremely worthy of the attention of every intelligent observer of human affairs. ROBERTSON'S CHARLES V, vol. iii, p. 225. * * * * * LONDON: PRINTED FOR JAMES RIDGWAY, PICCADILLY. 1815. C. WOOD, Printer, Poppin's Court, Fleet Street. * * * * * {v} TO THE RIGHT HONOURABLE GEORGE CANNING, M. P. HIS MAJESTY'S AMBASSADOR EXTRAORDINARY TO THE COURT OF PORTUGAL, _&c._ _&c._ SIR; Your absence from this country, and the observation of the historian, which I have adopted as a motto, will plead my excuse for dedicating this volume to you, without a previous intimation of my wish for that honour to my work and to myself. "The causes {vi} of the ruin of the society of Jesuits, with its circumstances and effects, are worthy of your attention." I have bestowed a considerable degree of labour in making myself acquainted with them, and, having been induced to throw the result of my inquiries into the form of a book, I know not to whom I can better present it than to a man, who, among the services which he has been active in rendering to his country, in her legislation and letters, has been the liberal advocate of the catholic body in general, and who, I am confident, will be pleased to see any society, or any individual, rescued from opprobrium, which time and colouring may have fixed on character. You are on the spot, Sir, where the Jesuits were persecuted with the greatest virulence; a circumstance, to {vii} my apprehension, not the most favourable to the investigation of truth, as it may well be imagined, that the prejudices, which were raised by the unprincipled and unrelenting minister of Joseph I, of Portugal, have too strongly enveloped it to be easily removed: but there are minds gifted with a discernment approaching to intuition, and, if any man can unweave the web, which has been spun around this unfortunate society, to your penetration may it be trusted. I have examined the subject with sincerity and disinterestedness, and, from conviction, I feel such interest in the establishment of the facts which I have stated, and the conclusions which I have drawn, that I dare hope that what I here offer to your consideration will one day be corroborated by testimony and {viii} talents, that shall remove all the doubt which the feebleness of my pen may leave upon it. I have the honour to be, Sir, Your most obedient and humble Servant, R. C. DALLAS. _September 4, 1815._ * * * * * {ix} PREFACE. Having formerly occupied my thoughts on the subject of promoting the knowledge and practice of religion among the <DW64>s in the West Indies, I was naturally led to inquire into the means, which had been successfully adopted in the catholic islands. I traced them to the enthusiastic labours of the clergy in general, particularly the Jesuits. The conduct of the fathers of that society in South America, not only excited in me admiration, but the highest esteem, veneration, and affection, for that enlightened and persevering body in the Christian cause, who had spread over the immense regions of that {x} continent more virtue and real temporal happiness than were enjoyed by any other quarter of the globe, as well as a well founded hope of eternal felicity, by the redemption of mankind through Christ. This undeniable merit made such an impression on my mind, that I never gave credit to the horrors, which have been attributed to the society. Among the objects of my attention, during a late residence in France, the restoration of the order became an interesting one, affording me some pleasing conversations, and inducing me to search into authorities respecting the actions and character of men, whom I had learned to venerate and to love, the result of which was a confirmation of my early predilection. On my return from the continent a short time since, I met with a pamphlet {xi} lately published, entitled "A Brief Account of the Jesuits," the ostensible object of which is to render the order odious, but the real one is seen to be an attempt to attach odium upon catholics in general, in the present crisis of the catholic question. I learned, from a literary friend, that this pamphlet had originally appeared as Letters in a newspaper, and that they had been answered in the same way, but that the answers had not been republished. These I obtained and perused. I received much satisfaction from them, and thought them worthy of being preserved. They did not, however, appear to me sufficiently full upon the subject, and I therefore resolved to publish them in the form of a pamphlet, with a preliminary statement. I consequently renewed my inquiries, and the more I inquire the more am I satisfied, that my veneration for this body of Christian instructors is not misplaced. {xii} It is perfectly evident to me, that there was an unjust conspiracy, which originated in France, to destroy the Jesuits; and that it terminated successfully about the middle of the last century. It is not an easy task to unfold to its full extent the injustice and various iniquities of it, since even respectable historians have been led away by the imposing appearance, which the then undetected and half-unconscious ingenious agents of jacobinism had, by every expedient of invention, of colouring, and of wit, given to the hue and cry raised by those bitter enemies of the order, the university and parliaments of France, and by some ministers of other governments, particularly by the marquis de Pombal, the minister of the king of Portugal. It is not my intention to undertake so laborious a task, but I trust, that the following exposition will unfold sufficient {xiii} of the injustice, which has been so unfeelingly and indefatigably heaped upon the Jesuits, to convince every unprejudiced man, that the suppression of the order has been injurious to society, and that the revival of it, far from being dangerous, must be beneficial. I am not afraid, that this expression of my sentiment will draw upon me any suspicion of disaffection to the state, or the established church; my sentiments are well known to my friends, and have been more than once publicly professed. The benefit, which I think will arise from the restoration of the society, will consist more particularly in the active and zealous cultivation of Christian virtues, and a spirit of LOYALTY among the catholics of all countries, whether protestant or catholic; and, unless we mean to say, with some of the furious reformers, that the religion of the catholics is to be {xiv} extirpated altogether, it is absurd to say, that they shall not have their best and most active instructors. When this volume had nearly gone through the press, in the course of reading I met with the following curious passage, extracted from a Letter to a
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Produced by Howard Sauertieg THE INSTITUTES OF JUSTINIAN Translated into English by J. B. Moyle, D.C.L. of Lincoln's Inn, Barrister-at-Law, Fellow and Late Tutor of New College, Oxford Fifth Edition (1913) PROOEMIVM In the name of Our Lord, Jesus Christ. The Emperor Caesar Flavius Justinian, conqueror of the Alamanni, the Goths, the Franks, the Germans, the Antes, the Alani, the Vandals, the Africans, pious, prosperous, renowned, victorious, and triumphant, ever august, To the youth desirous of studying the law: The imperial majesty should be armed with laws as well as glorified with arms, that there may be good government in times both of war and of peace, and the ruler of Rome may not only be victorious over his enemies, but may show himself as scrupulously regardful of justice as triumphant over his conquered foes. With deepest application and forethought, and by the blessing of God, we have attained both of these objects. The barbarian nations which we have subjugated know our valour, Africa and other provinces without number being once more, after so long an interval, reduced beneath the sway of Rome by victories granted by Heaven, and themselves bearing witness to our dominion. All peoples too are ruled by laws which we have either enacted or arranged. Having removed every inconsistency from the sacred constitutions, hitherto inharmonious and confused, we extended our care to the immense volumes of the older jurisprudence; and, like sailors crossing the mid-ocean, by the favour of Heaven have now completed a work of which we once despaired. When this, with God's blessing, had been done, we called together that distinguished man Tribonian, master and exquaestor of our sacred palace, and the illustrious Theophilus and Dorotheus, professors of law, of whose ability, legal knowledge, and trusty observance of our orders we have received many and genuine proofs, and especially commissioned them to compose by our authority and advice a book of Institutes, whereby you may be enabled to learn your first lessons in law no longer from ancient fables, but to grasp them by the brilliant light of imperial learning, and that your ears and minds may receive nothing useless or incorrect, but only what holds good in actual fact. And thus whereas in past time even the foremost of you were unable to read the imperial constitutions until after four years, you, who have been so honoured and fortunate as to receive both the beginning and the end of your legal teaching from the mouth of the Emperor, can now enter on the study of them without delay. After the completion therefore of the fifty books of the Digest or Pandects, in which all the earlier law has been collected by the aid of the said distinguished Tribonian and other illustrious and most able men, we directed the division of these same Institutes into four books, comprising the first elements of the whole science of law. In these the law previously obtaining has been briefly stated, as well as that which after becoming disused has been again brought to light by our imperial aid. Compiled from all the Institutes of our ancient jurists, and in particular from the commentaries of our Gaius on both the Institutes and the common cases, and from many other legal works, these Institutes were submitted to us by the three learned men aforesaid, and after reading and examining them we have given them the fullest force of our constitutions. Receive then these laws with your best powers and with the eagerness of study, and show yourselves so learned as to be encouraged to hope that when you have compassed the whole field of law you may have ability to govern such portion of the state as may be entrusted to you. Given at Constantinople the 21st day of November, in the third consulate of the Emperor Justinian, Father of his Country, ever august. BOOK I. TITLES I. Of Justice and Law II. Of the law of nature, the law of nations, and the civil law III. Of the law of persons IV. Of men free born V. Of freedmen VI. Of persons unable to manumit, and the causes of their incapacity VII. Of the repeal of the lex Fufia Caninia VIII. Of persons independent or dependent IX. Of paternal power X. Of marriage XI. Of adoptions XII. Of the modes in which paternal power is extinguished XIII. Of guardianships XIV. Who can be appointed guardians by will XV. Of the statutory guardianship of agnates XVI. Of loss of status XVII. Of the statutory guardianship of patrons XVIII. Of the statutory guardianship of parents XIX. Of fiduciary guardianship XX. Of Atilian guardians, and those appointed under the lex Iulia et Titia XXI. Of the authority of guardians XXII. Of the modes in which guardianship is terminated XXIII. Of curators XXIV. Of the security to be given by guardians and curators XXV. Of guardians' and curators' grounds of exemption XXVI. Of guardians or curators who are suspected TITLE I. OF JUSTICE AND LAW Justice is the set and constant purpose which gives to every man his due. 1 Jurisprudence is the knowledge of things divine and human, the science of the just and the unjust. 2 Having laid down these general definitions, and our object being the exposition of the law of the Roman people, we think that the most advantageous plan will be to commence with an easy and simple path, and then to proceed to details with a most careful and scrupulous exactness of interpretation. Otherwise, if we begin by burdening the student's memory, as yet weak and untrained, with a multitude and variety of matters, one of two things will happen: either we shall cause him wholly to desert the study of law, or else we shall bring him at last, after great labour, and often, too, distrustful of his own powers (the commonest cause, among the young, of ill-success), to a point which he might have reached earlier, without such labour and confident in himself, had he been led along a smoother path. 3 The precepts of the law are these: to live honestly, to injure no one, and to give every man his due. 4 The study of law consists of two branches, law public, and law private. The former relates to the welfare of the Roman State; the latter to the advantage of the individual citizen. Of private law then we may say that it is of threefold origin, being collected from the precepts of nature, from those of the law of nations, or from those of the civil law of Rome. TITLE II. OF THE LAW OF NATURE, THE LAW OF NATIONS, AND THE CIVIL LAW 1 The law of nature is that which she has taught all animals; a law not peculiar to the human race, but shared by all living creatures, whether denizens of the air, the dry land, or the sea. Hence comes the union of male and female, which we call marriage; hence the procreation and
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Produced by Charlene Taylor, Bryan Ness, Les Galloway and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) BUDDHIST BIRTH STORIES; OR, JĀTAKA TALES. THE OLDEST COLLECTION OF FOLK-LORE EXTANT: BEING THE JĀTAKATTHAVAṆṆANĀ, _For the first time Edited in the Original Pāli_ BY V. FAUSBÖLL, AND TRANSLATED BY T. W. RHYS DAVIDS. TRANSLATION. _VOLUME I._ LONDON: TRÜBNER & CO., LUDGATE HILL. 1880. [_All rights reserved._] HERTFORD: PRINTED BY STEPHEN AUSTIN AND SONS. TO GEHEIM-RATH PROFESSOR DOCTOR STENZLER MY FIRST GUIDE IN ORIENTAL STUDIES IN CONGRATULATION ON HIS ‘DOCTOR JUBILÄUM’ AND IN DEEP RESPECT FOR HIS PROFOUND SCHOLARSHIP THIS WORK IS DEDICATED BY HIS GRATEFUL PUPIL THE AUTHOR. TABLE OF CONTENTS. TRANSLATOR’S INTRODUCTION. PAGE PART I. _The Book of Birth Stories, and their Migration to the West._ Orthodox Buddhist belief concerning it. Two reasons for the value attached to it i-iv Selected Stories.--1. The Ass in the Lion’s Skin v 2. The Talkative Tortoise viii 3. The Jackal and the Crow xii 4. The Wise Judge xiv 5. Sakka’s Presents xvi 6. A Lesson for Kings xxii The Kalilag and Damnag Literature xxix Origin of ‘Æsop’s’ Fables xxxii The Barlaam and Josaphat Literature xxxvi Other Migrations of the Buddhist Tales xli Greek and Buddhist Fables xliii Solomon’s Judgment xliv Summary of Part I. xlviii PART II. _The Birth Stories in India._ Jātakas derived from the Pāli Piṭakas lii Jātakas in the Cariyā Piṭaka and Jātaka Mālā liii Jātakas in the Buddhavaŋsa lv Jātakas at the Council of Vesāli lvii Jātakas on the Ancient Sculptures lix The Pāli Names of the Jātakas lx The Jātakas one of the Navaŋgāni lxii Authorship of our present Collection lxiii Jātakas not included in our present Collection lxvii Jātakas in post-Buddhistic Sanskrit Literature lxviii Form of the Jātakas.--The Introductory Stories lxxiv The Conclusions lxxv The Abhisambuddha-gāthā, or Verses in the Conclusion lxxvi Divisions of the Jātaka Book lxxix Actual Number of the Stories lxxxi Summary of the Origin of the Present Collection lxxxii Special Lessons inculcated by the Birth Stories lxxxv Special Historical Value of the Birth Stories lxxxvi SUPPLEMENTARY TABLES. I. Indian Works lxxxix II. The Kalilag and Damnag Literature xciii III. The Barlaam and Josaphat Literature xcv IV. The Cariyā Piṭaka and the Jātaka Mālā xcviii V. Alphabetical List of Jātaka Stories in the Mahāvastu xcix VI. Places at which the Tales were Told c VII. The Bodisats ci VIII. Jātakas Illustrated in Bas-relief on the Ancient Monuments cii THE CEYLON COMPILER’S INTRODUCTION, called the _Nidāna Kathā_. Story of Sumedha, the First Bodisat 2 The Successive Bodisats in the Times of the Previous Buddhas 31 Life of the Last Bodisat (who became Buddha) 58 His Descent from Heaven 59 His Birth 67 Song of the Angels 69 Prophecy of Kāḷa Devala 70 Prophecy of the Brāhman Priests 72 The Ploughing Festival 75 The Young Bodisat’s Skill and Wisdom 76 The Four Visions 77 The Bodisat’s Son is Born 79 Kisā Gotamī’s Song 80 The Great Renunciation 82 The Great Struggle against Sin 89 The Great Victory over Satan 96 The Bliss of Nirvāna 105 The Hesitation whether to Publish the Good News 111 The Foundation of the Kingdom of Righteousness 113 Uruvela Kassapa’s Conversion 114 Triumphal Entrance into Rājagaha 116 Foundation of the Order 119 Return Home 121 Presentation of the First Monastery to the Buddha 131 THE BIRTH STORIES. 1. Holding to the Truth... Apaṇṇaka Jātaka 134 2. The Sandy Road... Vaṇṇupatha Jātaka 147 3. The Merchant of Sēri... Seri-vānija Jātaka 153 4. The Story of Chullaka the Treasurer... Cullaka-seṭṭhi Jātaka 158 5. The Measure of Rice... Taṇḍula-nāḷi Jātaka 172 6. On True Divinity... Deva-dhamma Jātaka 178 9. The Story of Makhā Deva... Makhā-deva Jātaka 186 10. The Happy Life... Sukhavihāri Jātaka 190 11. The Story of Beauty... Lakkhaṇa Jātaka 194 12. The Banyan Deer... Nigrodha-miga Jātaka 199 13. The Dart of Love... Kaṇḍina Jātaka 211 14. The Greedy Antelope... Vātamiga Jātaka 214 15. The Deer who would not Learn... Kharādiyā Jātaka 219 16. The Cunning Deer... Tipallatha-miga Jātaka 221 17. The Wind... Māluta Jātaka 224 18. On Offering Food to the Dead... Mataka-bhatta Jātaka 226 19. On Offerings given under a Vow... Āyācita-bhatta Jātaka 230 20. The Monkeys and the Demon... Naḷapāna Jātaka 232 21. The W
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Produced by Juliet Sutherland, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: Let's Go!!] ROOKIE RHYMES BY THE MEN OF THE 1st. and 2nd. PROVISIONAL TRAINING REGIMENTS PLATTSBURG, NEW YORK MAY 15--AUGUST 15 1917 [Illustration] HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON ROOKIE RHYMES Copyright, 1917, by Harper & Brothers Printed in the United States of America Published September, 1917 CONTENTS _Page_ PUBLICATION COMMITTEE 13 FOREWORD 15 Robert Tapley, Co. 5, 1st P. T. R. PART I--POEMS STANDING IN LINE 19 Morris Bishop, Co. 8, 1st P. T. R. THE FIRST TIME 21 ONWARD CHRISTIAN SCIENCE 22 D. E. Currier, 2d Battery, 1st P. T. R. THEY BELIEVE IN US BACK HOME 24 Anch Kline, Co. 1, 1st P. T. R. ODE TO A LADY IN WHITE STOCKINGS 29 Robert Cutler, Co. 2, 1st P. T. R. "AVOIRDUPOIS" 31 D. E. Currier, 2d Battery, 1st P.T.R. GO! 35 J. S. O'Neale, Jr., Co. 4, 2d P. T. R. THE PLATTSBURG CODE 36 R. L. Hill, Co. 5, 2d P. T. R. A CONFERENCE 38 Donald E. Currier, 2d Battery, 1st P. T. R. SUNDAY IN BARRACKS 41 Anch Kline, Co. 1, 1st P. T. R. THE BALLAD OF MONTMORENCY GRAY 43 Pendleton King, Co. 6, 2d P. T. R. GIRLS 51 Robert M. Benjamin, Co. 3, 1st P. T. R. A LAMENT 52 H. Chapin, Co. 2, 1st P. T. R. THE MANUAL 53 George S. Clarkson, Co. 4, 1st P. T. R. THOSE "PATRIOTIC" SONGS 55 Frank J. Felbel, Co. 2, 2d P. T. R. SATURDAY P.M. 58 Harold Amory, Co. 5, 1st P. T. R. HOW THINGS HAVE CHANGED 62 C. K. Stodder, Co. 9, 1st P. T. R. ARMA FEMINAMQUE 63 W. R. Witherell, Co. 7, 2d P. T. R. OUT O' LUCK 65 W. K. Rainsford, Co. 7, 2d P. T. R. SHERMAN WAS RIGHT 69 Joe F. Trounstine, Co. 4, 2d P. T. R. TROOPSHIP CHANTY 70 Harold Speakman, Co. 4, 2d P. T. R. THOSE RUMORS 71 F. L. Bird, 2d Battery, 1st P. T. R. WAR'S HORRORS 72 Kenneth McIntosh, 2d Lieut. O. R. C., Co. 4, 1st P. T. R. THE CALL 73 Allen Bean MacMurphy, Co. 2, 1st P. T. R. BEANS 74 Charles H. Ramsey, Co. 8, 1st P. T. R. FORWARD "?" 77 John W. Wilber, Co. 5, 1st P. T. R. CHANT OF A DERELICT 78 Ed. Burrows, Co. 3, 1st P. T. R. PREOCCUPATION 80 Charles H. Ramsey, Co. 8, 1st P. T. R. INOCULATION DAY 83 Morris Bishop, Co. 8, 1st P. T. R. DON'T WEAKEN 85 R. T. Fry, Co. 5, 1st P. T. R. THE THREE 87 Harold Speakman, Co. 4, 2d P. T. R. TO THE LITTLE BLACK DOG 89 A. N. Phillips, Jr., 3d Battery, 1st P. T. R. WHEN EAST IS WEST 90 W. R. Witherell, Co. 7, 2d P. T. R. TO MY SWEETHEART 92 Every Rookie in Co. 2, 1st P. T. R. PLAY THE GAME 93 E. F. D., Co. 2, 1st P. T. R. THE STADIUM, PLATTSBURG 95 Harold Speakman, Co. 4, 1st P. T. R. RUBAIYAT OF A PLATTSBURG CANDIDATE 96 W. Kerr Rainsford, Co. 7, 1st P. T. R. DREAMS 99 L. Irving, Co. 2, 1st P. T. R. A 2D REGIMENT "WHO'S WHO" 101 J. Elmer Cates, Co. 2, 2d P. T. R. EUREKA 105 E. F. D., Co. 2, 1st P. T. R. FOURTH COMPANY, N. E. SONG 106 George S. Clarkson, Co. 4, 1st P. T. R. PART II--SONGS AND PARODIES LONG, LONG TRAIL 109 G. Gilmore Davis, Co. 10, 1st P. T. R. WILLIE'S PA 110 J. Felbel and L. H. Davidow, Co. 2, 2d P. T. R. COMPANY 2, NEW ENGLAND 112 Paul J. Field, Co. 2, 1st P. T. R. TO THE RESERVE CAVALRY 113 F. E. Horpel, Co. 9, 1st P. T. R. WE'RE ON OUR WAY TO DEUTSCHLAND 114 Lieut. Fletcher Clark, O. R. C., Co. 10, 1st P. T. R. I WANT TO BE A COLONEL 115 F. E. Horpel, Co. 9, 1st P. T. R. I WANT TO BE A DOUGHBOY 116 Kenneth Bonner, Co. 10, 1st P. T. R. OUR BATTLE HYMN 117 James C. McMullin, Co. 5, 1st P. T. R. NEW ENGLAND WILL BE LEADING 119 Lieut. Cyril C. Reynolds, O. R. C., Co. 10, 1st P. T. R. ON THE BANKS OF THE RIVER RHINE 120 J. J. Riodan, Co. 3, 2d P. T. R. "THE SIMULATING OF THE GREEN" 121 Lieut. Joseph Gazzam, Jr., O. R. C., Co. 2, 1st P. T. R. DON'T SEND ME HOME 123 E. M. Anderson, Co. 2, 1st P. T. R. COMPANY NINE 124 O. W. Hauserman, Co. 9, 1st P. T. R. WE'RE ON OUR WAY TO EUROPE 126 T. L. Wood, Co. 9, 1st P. T. R. COMPANY 5 SONG 127 James C. McMullin, Co. 5, 1st P. T. R. DOUBLE TIME 128 W. J. Littlefield, 3d Battery, 1st P. T. R. THE 8TH NEW ENGLAND 130 Anonymous, Co. 8, 1st P. T. R. MARCHING ON THE RHINE 132 Lieut. Cyril C. Reynolds, O. R. C., Co. 10, 1st P. T. R. EGGS--AGERATED 133 Robert B. House, Co. 8, 1st P. T. R. WITH APOLOGIES TO KIPLING'S "THE VAMPIRE" 134 R. E. Hall, 1st Troop, 1st P. T. R. FINIS 136 ILLUSTRATIONS COVER ILLUSTRATION, C. L. Yates, Co. 1, 1st P
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Produced by Giovanni Fini, Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) A DECADE OF ITALIAN WOMEN. [Illustration: VITTORIA COLONNA.] _From an Original Painting in the Colonna Gallery at Rome_ A DECADE OF ITALIAN WOMEN. BY T. ADOLPHUS TROLLOPE, AUTHOR OF "THE GIRLHOOD OF CATHERINE DE' MEDICI." IN TWO VOLUMES. VOL. I. LONDON: CHAPMAN AND HALL, 193, PICCADILLY. 1859. [_The right of Translation is reserved._] LONDON: RADBURY AND EVANS, PRINTERS, WHITEFRIARS. PREFACE. The degree in which any social system has succeeded in ascertaining woman's proper position, and in putting her into it, will be a very accurate test of the progress it has made in civilisation. And the very general and growing conviction, that our own social arrangements, as they exist at present, have not attained any satisfactory measure of success in this respect, would seem, therefore, to indicate, that England in her nineteenth century has not yet reached years of discretion after all. But conscious deficiency is with nations at least, if not always with individuals, the sure precursor of improvement. The path before us towards the ideal in this matter is a very long one; extends, indeed, further than eye can see. What path of progress does not? And our advance upon it will still be a sure concomitant and proof of our advance in all civilisation. But the question of more immediate moment is, admitting that we are moving in this respect, are we moving in the right direction? We have been _moving_ for a long time back. Have we missed the right road? Have we unfortunately retrograded instead of progressing? There are persons who think so. And there are not wanting, in the great storehouse of history, certain periods, certain individuals, certain manifestations of social life, to which such persons point as countenancing the notion, that better things have been, as regards woman's position and possibilities, than are now. There are, painted on the slides of Mnemosyne's magic lanthorn, certain brilliant and captivating figures, which are apt to lead those who are disgusted with the smoke and reek of the Phœnix-burning going on around them, to suppose that the social conditions which produced such, must have been less far from the true path than our present selves. Nay, more. There have been constellations of such stars, quite sufficiently numerous to justify the conclusion, that the circumstances of the time at which they appeared were in their nature calculated to produce them. Of such times, the most striking in this respect, as in so many others, is that fascinating dawn time of modern life, that ever wonderful "rénaissance" season, when a fresh sap seemed to rush through the tissues of the European social systems, as they passed from their long winter into spring. And in the old motherland of European civilisation, where the new life was first and most vehemently felt,—in Italy, the most remarkable constellations of these attractive figures were produced. The women of Italy, at that period remarkable in different walks, and rich in various high gifts, form in truth a very notable phenomenon; and one sufficiently prevalent to justify the belief, that the general circumstances of that society favoured the production of such. But the question remains, whether these brilliant types of womanhood, attractive as they are as subjects of study, curiously illustrative as they are of the social history of the times in which they lived, are on the whole such as should lead us to conclude, that the true path of progress would be found to lead towards social conditions that should be likely to reproduce them? Supposing it to be asserted, that they were not so necessarily connected in the relationship of cause and effect with the whole social condition of the times in which they lived, as that any attempt to resuscitate such types need involve a reproduction of their social environment; even then the question would remain, whether, if it were really possible to take them as single figures out of the landscape in which they properly stand, they would be such as we should find it desirable to adopt as models of womanhood? Are these such as are wanted to be put in the van of our march—in the first ranks of nineteenth century civilisation? Not whether they are good to put in niches to be admired and cited for this or that virtue or capacity; nor even whether they might be deemed desirable captains in a woman's march towards higher destinies and better conditioned civilisation, if, indeed, such a progress were in any sane manner conceivable; but whether such women would work harmoniously and efficiently with all the other forces at our command for the advancement of a civilisation, of which the absolute _sine quâ non_ must be the increased solidarity, co-operation, and mutual influence of both the sexes? It may be guessed, perhaps, from the tone of the above sentences, that the writer is not one of those who think that the past can in this matter be made useful to us, as affording ready-made models for imitation. But he has no intention of dogmatising, or even indulging in speculations on "the woman's question." On the contrary, in endeavouring to set before the reader his little cabinet of types of womanhood, he has abstained from all attempt at pointing any moral of the sort. The wish to do so is too dangerously apt to lead one to assimilate one's portrait less carefully to the original than to a pattern figure conceived for the purpose of illustrating a theory. Whatever conclusions on the subject of woman's destiny, proper position, and means of development are to be drawn, therefore, from the consideration of the very varied and certainly remarkable types set before him, the reader must draw for himself. It has been the writer's object to show his portraits, more or less fully delineated according to their interest, and in some measure according to the abundance or the reverse of available material, in their proper setting of social environment. They have been selected, not so much with any intention of bringing together the best, greatest, or most admirable, nor even the most remarkable women Italy has produced, as with a view of securing the greatest amount of variety, in point of social position and character. Each figure of the small gallery will, it is hoped, be found to illustrate a distinct phase of Italian social life and civilisation. The canonised Saint, that most extraordinary product of the "ages of faith," highly interesting as a social, and perhaps more so still as a psychological phenomenon;—the feudal Châtelaine, one of the most remarkable results of the feudal system, and affording a suggestive study of woman in man's place;—the high-born and highly-educated Princess of a somewhat less rude day, whose inmost spiritual nature was so profoundly and injuriously modified by her social position;—the brilliant literary denizen of "La Bohème;"—the equally brilliant but large-hearted and high-minded daughter of the people, whose literary intimacies were made compatible with the strictest feminine propriety, and whom no princely connections, lay and ecclesiastical, prevented from daring to think and to speak her thought, and to meet with brave heart the consequences of so doing;—the popular actress, again a daughter of the people, and again in that, as is said, perilous walk in life, a model of correct conduct in the midst of loose-lived princesses;—the nobly-born adventuress, every step in whose extraordinary _excelsior_ progress was an advance in degradation and infamy, and whose history, in showing us court life behind the scenes, brings us among the worst company of any that the reader's varied journey will call upon him to fall in with;—the equally nobly-born, and almost equally worthless woman, who shows us that wonderful and instructive phenomenon, the Queen of a papal court;—the humbly born artist, admirable for her successful combination in perfect compatibility of all the duties of the home and the studio;—and lastly, the poor representative of the effeteness of that social system which had produced the foregoing types, the net result, as may be said, of the national passage through the various phases illustrated by them:—all these are curiously distinct manifestations of womanhood, and if any measure of success has been attained in the endeavour to represent them duly surrounded by the social environment which produced them, while they helped to fashion it, some contribution will have been made to a right understanding of woman's nature, and of the true road towards her more completely satisfactory social development. CONTENTS. ST. CATHERINE OF SIENA. Born, 1347. Died, 1380. CHAPTER I. PAGE Her Birth-place 1 CHAPTER II. The Saint's Biographer 9 CHAPTER III. The Facts of the Case 18 CHAPTER IV. The Church View of the Case 32 CHAPTER V. St. Catherine as an Author 51 CHAPTER VI. Catherine's Letter to the King of France 67 CHAPTER VII. Dupe or Impostor? 77 CHAPTER VIII. The Secret of her Influence 83 CATERINA SFORZA. Born, 1462. Died, 1509. CHAPTER I. PAGE Of Catherine's father, the Duke, and of his magnificent journey to Florence 90 CHAPTER II. A Franciscan Pope and a Franciscan Cardinal.—A notable illustration of the proverb concerning mendicants' rides.—The Nemesis of Despotism 102 CHAPTER III. Catherine's marriage.—"Petit Courrier des dames" for 1476.—Four years of prosperity.—Life in Rome in the fifteenth century.—A hunting party in the Campagna.—Guilty or not guilty.—Catherine and her husband leave Rome 121 CHAPTER IV. From Rome to Forlì with bag and baggage.—First presentation of a new lord and lady to their lieges.—Venice again shows a velvet paw to a second Riario.—Saffron-hill in brocade and ermine.—Sad conduct on the part of our lieges.—Life in Rome again.—"Orso! Orso!"—"Colonna! Colonna!"—A Pope's hate, and a Pope's Vengeance.—Sixtus finally loses the game 140 CHAPTER V. The Family is founded.—But finds it very difficult to stand on its Foundations.—Life in Rome during an Interregnum.—Magnificent Prince short of Cash.—Our Heroine's Claims to that Title.—A Night Ride to Forlì, and its results.—An Accident to which splendid Princes are liable 166 CHAPTER VI. Catherine in trouble.—"Libertà e Chiesà!" in Forlì.—The Cardinal Savelli.—The Countess and her Castellano perform a comedy before the lieges.—A veteran revolutionist.—No help coming from Rome.—Cardinal Legate in an awkward position.—All over with the Orsi.—Their last night in Forlì.—Catherine herself again.—Retribution.—An octogenarian conspirator's last day 182 CHAPTER VII. An unprotected Princess.—Match-making, and its penalties.—A ladies' man for a Castellano.—A woman's weakness, and a woman's political economy.—Wanted, by the city of Forlì, a Jew; any Israelite, possessing sufficient capital, will find this, &c. &c.—The new Pope, Alexander VI.—The value of a Jubilee.—Troublous times in Forlì.—Alliances made, and broken.—Catherine once more a widow 204 CHAPTER VIII. Guilty or not guilty again.—Mediæval Clanship.—A woman's vengeance.—Funeral honours.—Royal-mindedness.—Its costliness; and its mode of raising the wind.—Taxes spent in alms to ruined tax-payers.—Threatening times.—Giovanni de' Medici.—Catherine once more wife, mother, and widow 223 CHAPTER IX. A nation of good haters.—Madama's soldier trade.—A new Pope has to found a new family.—Catherine's bounty to recruits.—A shrewd dealer meets his match.—Signs of hard times.—How to manage a free council.—Forlì ungrateful.—Catherine at Bay.—"A Borgia! A Borgia!"—A new year's eve party in 1500.—The lioness in the toils.—Catherine led captive to Rome 238 CHAPTER X. Catherine arrives in Rome; is accused of attempting to poison the Pope; is imprisoned in St. Angelo; is liberated; and goes to Florence.—Her cloister life with the Murate nuns.—Her collection of wonderful secrets.—Making allowances.—Catherine's death 256 VITTORIA COLONNA. Born, 1490. Died, 1547. CHAPTER I. PAGE Changes in the Condition of Italy.—Dark Days.—Circumstances which led to the Invasion of the French.—State of things in Naples.—Fall of the Arragonese Dynasty.—Birth of Vittoria.—The Colonna.—Marino.—Vittoria's Betrothal.—The Duchessa di Francavilla.—Literary Culture at Naples.—Education of Vittoria in Ischia 271 CHAPTER II. Vittoria's Personal Appearance.—First Love.—A Noble Soldier of Fortune.—Italian Wars of the Fifteenth and Sixteenth Centuries.—The Colonna Fortunes.—Death of Ferdinand II.—The Neapolitans carry Coals to Newcastle.—Events in Ischia.—Ferdinand of Spain in Naples.—Life in Naples in the Sixteenth Century.—Marriage of Pescara with Vittoria.—Marriage presents 287 CHAPTER III. Vittoria's Married Life.—Pescara goes where glory waits him.—The Rout of Ravenna.—Pescara in prison turns penman.—His "Dialogo di amore."—Vittoria's poetical epistle to her Husband.—Vittoria and the Marchese del Vasto.—Three cart-loads of ladies, and three mule-loads of sweatmeats.—Character of Pescara.—His Cruelty.—Anecdote in proof of it 301 CHAPTER IV. Society in Ischia.—Bernardo Tasso's sonnet thereon.—How a wedding was celebrated at Naples in 1517.—A Sixteenth Century trousseau.—Sack of Genoa.—The Battle of Pavia.—Italian conspiracy against Charles V.—Character of Pescara.—Honour in 1525.—Pescara's treason.—Vittoria's sentiments on the occasion.—Pescara's infamy.—Patriotism unknown in Italy in the sixteenth century.—No such sentiment to be found in the writings of Vittoria.—Evil influence of her husband's character on her mind.—Death of Pescara 312 CHAPTER V. Vittoria, a widow, with the Nuns of San Silvestro.—Returns to Ischia.—Her Poetry divisible into two classes.—Specimens of her Sonnets.—They rapidly attain celebrity throughout Italy.—Vittoria's sentiments towards her husband.—Her unblemished character.—Platonic love.—The love poetry of the Sixteenth Century 328 CHAPTER VI. Vittoria in Rome in 1530.—Antiquarian rambles.—Pyramus and Thisbe medal.—Contemporary commentary on Vittoria's poems.—Paul III.—Rome again in 1536.—Visit to Lucca.—To Ferrara.—Protestant tendencies.—Invitation from Giberto.—Return to Rome 345 CHAPTER VII. Oratory of Divine Love.—Italian reformers.—Their tenets.—Consequence of the doctrine of justification by faith.—Fear of schism in Italy.—Orthodoxy of Vittoria questioned.—Proofs of her Protestantism from her writings.—Calvinism of her sonnets.—Remarkable passage against auricular confession.—Controversial and religious sonnets.—Absence from the sonnets of moral topics.—Specimen of her poetical power.—Romanist ideas.—Absence from the sonnets of all patriotic feeling 356 CHAPTER VIII. Return to Rome.—Her great reputation.—Friendship with Michael Angelo.—Medal of this period.—Removal to Orvieto.—Visit from Luca Contile.—Her determination not to quit the Church.—Francesco d'Olanda.—His record of conversations with Vittoria.—Vittoria at Viterbo.—Influence of Cardinal Pole on her mind.—Last return to Rome.—Her death 377 APPENDIX: The Original of the Letter of St. Catherine of Siena to the King of France 393 NOTES 398 INDEX 410 A DECADE OF ITALIAN WOMEN. SAINT CATHERINE OF SIENA. (1347–1380.) CHAPTER I. HER BIRTH-PLACE. There are not many chapters of history more extraordinary and more perplexing than that which relates the story of St. Catherine. Very perplexing it will be found by any, who may think it worth while to examine the record;—which is indeed well worthy of examination, not only as illustrative of one of the most obscure phases of human nature, but also as involving some highly interesting questions respecting the value of historic evidence. Of such examination it has received but little. Among Catholics the "legend" of the Saint is to this day extensively used for such purposes as similar legends were intended to serve. Orthodox teachers have used the story unsparingly as stimulus, example, and testimony. But orthodox historians have passed over it with the lightest tread and most hurried step; while such Protestant readers as may have chanced to stray into the dim, despised wilderness of Romish hagiography, have in all probability very quickly tossed the volume aside, compendiously classing its subject in their minds with other dark-aged lumber of martyrs, who walked with their heads in their hands, and saints who personally maltreated the enemy of mankind. Yet a very little consideration of the story will show, that it cannot with fairness be thus summarily disposed of. After seeing large solid masses of monastic romance and pious falsehood evaporate from the crucible of our criticism, there will be still found a very considerable residuum of strangely irreducible fact of the most puzzling description. It is to be borne in mind, moreover, that the phenomena to be examined are not the product of the dark night-time of history, so favourable to the generation of saints and saintly wonders. Cock-crow was near at hand when Catherine walked the earth. The grandsons of her contemporaries had the printing-press among them; and the story of her life was printed at Florence in the ninety-seventh year after her death. While the illiterate Sienese dyer's daughter was working miracles, moral and physical, Petrarch and Boccaccio were still writing, and Dante had recently written. Giotto had painted the panels we still gaze on, and Niccolò of Pisa carved the stones we yet handle. Chroniclers and historians abounded; and the scene of the strange things recorded by them was at that time one of the centres of human civilisation and progress. We are there in no misty debateable land of myth and legendary song; but walk among familiar facts of solid well-authenticated history, studied for its lessons by statesmen, and accepted as the basis of theories by political philosophers. And yet, in the midst of these indubitable facts, mixed with them, acting on them, undeniably influencing them, we come upon the records of a story wild as any tale of Denis or Dunstan. [Sidenote: SIENA.] When once launched on the strange narrative, as it has come down to us, it is somewhat difficult to remember steadily how near we are all along to the solid shore of indisputable fact. Holding fast to this, therefore, as long as may be, we will approach the subject by endeavouring to obtain some idea of the material aspect of the "locus in quo." No one perhaps of the more important cities of Italy retains the visible impress of its old republican medieval life to so remarkable a degree as Siena. Less favoured by fortune than her old enemy, and present ruler, Florence, she has been less benefited or injured by the activity and changes of modern days. And the city retains the fossilised form and shape which belonged to it at the time when its own stormy old life was finally crushed out of it. The once turbulent, energetic, and brave old city, sits there still, on the cold bleak top of a long spent volcano—emblem meet enough of her own nature and fortunes—grim, silent, stern, in death. The dark massy stone fronts, grand and gloomy, of old houses, built to defy all the vicissitudes of civic broils, and partisan town-fighting, still frown over narrow streets, no longer animated by the turbulent tide of life which filled them during the centuries of the city's independence. The strange old "piazza," once the pulsating heart, whence the hot tide of the old civic life flowed through all the body of the little state, still occupies its singular position in the hollow of what was in some remote ante-Etruscan time, the crater of a volcano. Tall houses of five or six stories stand in a semicircle around this peculiar shell-shaped cup, while the chord of the arc they form, is furnished by the picturesque "palazzo pubblico," with its tall slender tower of dark brick, and quaintly painted walls. Like the lava tide, which at some distant period of the world's history flowed hence down the scored sides of the mountain, the little less boiling tide of republican war and republican commerce, which Siena was wont to pour out from the same fount, is now extinct and spent. But such lazy, stagnant, unwholesome life as despotism and priestcraft have left to Siena, is still most alive in and around the old piazza. Up the sides of this doubly extinguished crater, and down the exterior flanks of the mountain, run steep, narrow, tortuous and gloomy, the flagstone-paved streets of the old city. So steep are they in some parts, that stairs have to take the place of the sloping flagstones, which are often laid at such an angle of declivity as to render wheel-traffic impossible. On the highest pinnacle of the rim, overlooking the hollow of the once crater, stands the Cathedral, on such uneven ground, that its east end is supported by a lofty baptistery, built underneath it on the rapid descent. In the most ornamented style of Italian-gothic architecture, and picturesque, though quaint, in its parti- livery of horizontal black and white stripes in alternate courses of marble, the old church still contains a wonderful quantity of medieval Sienese art in many kinds. Carving in wood and in stone, painting in fresco and in oil, inlaid work and mosaic, richly windows and gilded cornices, adorn walls, floor, and roof, in every part. The whole history of art from the early days, when Sienese artists first timidly essayed to imitate barbaric Byzantine models, to its perfect consummation in those glorious ages which immediately preceded the downfall of Italian liberty, is set forth in this fine old church, as in a rich and overflowing museum. Some half dozen popes sleep beneath sculptured tons of monumental marble in different parts of it,—among them two of the very old Sienese family of Picolomini. [Sidenote: FONTEBRANDA.] On another peak, or spur, of the deeply seamed mountain, stands the huge unornamented brick church and monastery of St. Dominic, so situated, that between it and the Cathedral is a steep gorge, the almost precipitous sides of which the old city has covered with stair-like streets. Deep at the bottom of this gorge, near a gate in the city wall, which runs indefatigably up and down the mountain ridges and ravines in its circuit around the spacious city, now a world too wide for its shrunken population, is that old fountain, which one passing word of the great poet has made for ever celebrated. Here is still that Fontebranda,[1] which, with all its wealth of sparkling water, the thirst-tormented coiner in the thirtieth canto of the Inferno, less longs for than he does to see in torment with him those who had tempted him to the deed he was expiating. The Dantescan pilgrim, who, among his first objects at Siena, runs to visit this precious fountain, finds, not without a feeling of disappointment, a square mass of heavy ugly brickwork, supported on some three or four unornamented arches on each of its four sides. Within is a large tank, also of brick, the sides of which rise about two feet above the level of the soil; and this is perennially filled by a cool and pure spring from the sandstone side of the mountain, which there rises in a broken cliff immediately behind the ungraceful, though classic building. Descending the steep street in search of this poet-hallowed spot, with the Cathedral behind him, and St. Dominic's church high on its peak above and in front of him, the visitor finds that he is passing through a part of the city inhabited by the poorer classes of its people. And near the bottom of the hill, and around the fountain itself, it is manifest to more senses than one, that a colony of tanners and dyers is still established on the same site which their forefathers occupied, when Giacomo Ben
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Produced by David Widger from page images generously provided by the Internet Archive THE YOUNG EMPEROR, WILLIAM II OF GERMANY A Study In Character Development On A Throne By Harold Frederic Author Of “In The Valley “The Lawton Girl” With Portraits New York: G. P. Putnam’s Sons 1891 [Illustration: 0011] [Illustration: 0012] TO MY EDITOR, AND EVEN MORE TO MY FRIEND, CHARLES R. MILLER THIS BOOK IS DEDICATED THE YOUNG EMPEROR, WILLIAM II OF GERMANY CHAPTER I.--THE SUPREMACY OF THE HOHENZOLLERNS. In June of 1888, an army of workmen were toiling in the Champ de Mars upon the foundations of a noble World’s Exhibition, planned to celebrate the centenary of the death by violence of the Divine Right of Kings. Four thousand miles westward, in the city of Chicago, some seven hundred delegates were assembled in National Convention, to select the twenty-third President of a great Republic, which also stood upon the threshold of its hundredth birthday. These were both suggestive facts, full of hopeful and inspiring thoughts to the serious mind. Considered together by themselves they seemed very eloquent proofs of the progress which Liberty, Enlightenment, the Rights of Man, and other admirable abstractions spelled with capital letters, had made during the century. But, unfortunately or otherwise, history will not take them by themselves. That same June of 1888 witnessed a spectacle of quite another sort in a third large city--a spectacle which gave the lie direct to everything that Paris and Chicago seemed to say. This sharp and clamorous note of contradiction came from Berlin, where a helmeted and crimson-cloaked young man, still in his thirtieth year, stood erect on a throne, surrounded by the bowing forms of twenty ruling sovereigns, and proclaimed, with the harsh, peremptory voice of a drill-sergeant, that he was a War Lord, a Mailed Hand of Providence, and a sovereign specially conceived, created, and invested with power by God, for the personal government of some fifty millions of people. It is much to be feared that, in the ears of the muse of history, the resounding shrillness of this voice drowned alike the noise of the hammers on the banks of the Seine and the cheering of the delegates at Chicago. Any man, standing on that throne in the White Saloon of the old Schloss at Berlin, would have to be a good deal considered by his fellow-creatures. Even if we put aside the tremendous international importance of the position of a German Emperor, in that gravely open question of peace or war, he must compel attention as the visible embodiment of a fact, the existence of which those who like it least must still recognize. This is the fact: that the Hohenzollerns, having done many notable things in other times, have in our day revivified and popularized the monarchical idea, not only in Germany, but to a considerable extent elsewhere throughout Europe. It is too much to say, perhaps, that they have made it beloved in any quarter which was hostile before. But they have brought it to the front under new conditions, and secured for it admiring notice as the mainspring of a most efficient, exact, vigorous, and competent system of government. They have made an Empire with it--a magnificent modern machine, in which army and civil service and subsidiary federal administrations all move together like the wheels of a watch. Under the impulse of this idea they have not only brought governmental order out of the old-time chaos of German divisions and dissensions, but they have given their subjects a public service, which, taken all in all, is more effective and well-ordered than its equivalent produced by popular institutions in America, France, or England, and they have built up a fighting force for the protection of German frontiers which is at once the marvel and the terror of Europe. Thus they have, as has been said, rescued the ancient and time-worn function of kingship from the contempt and odium into which it had fallen during the first half of the century, and rendered it once more respectable in the eyes of a utilitarian world. But it is not enough to be useful, diligent, and capable. If it were, the Orleans Princes might still be living in the Tuileries. A kingly race, to maintain or increase its strength, must appeal to the national imagination. The Hohenzollerns have been able to do this. The Prussian imagination is largely made up of appetite, and their Kings, however fatuous and limited of vision they may have been in other matters, have never lost sight of this fact. If we include the Great Elector, there have been ten of these Kings, and of the ten eight have made Prussia bigger than they found her. Sometimes the gain has been clutched out of the smoke and flame of battle; sometimes it has more closely resembled burglary, or bank embezzlement on a large scale; once or twice it has come in the form of gifts from interested neighbours, in which category, perhaps, the cession of Heligoland may be placed--but gain of some sort there has always been, save only in the reign of Frederic William IV and the melancholy three months of Frederic III. That there should be a great affection for and pride in the Hohenzollerns in Prussia was natural enough. They typified the strength of beak, the power of talons and sweeping wings, which had made Prussia what she was. But nothing save a very remarkable train of surprising events could have brought the rest of Germany to share this affection and pride. The truth is, of course, that up to 1866 most other Germans disliked the Prussians thoroughly and vehemently, and decorated those head Prussians, the Hohenzollerns, with an extremity of antipathy. That brief war in Bohemia, with the consequent annexation of Hanover, Hesse-Cassel, Nassau, and Frankfort, did not inspire any new love for the Prussians anywhere, we may be sure, but it did open the eyes of other Germans to the fact that their sovereigns--Kings, Electors, Grand Dukes, and what not--were all collectively not worth the right arm of a single Hohenzollern. It was a good deal to learn even this--and, turning over this revelation in their minds, the Germans by 1871 were in a mood to move almost abreast of Prussia in the apotheosis of the victor of Sedan and Paris. To the end of old William’s life in 1888, there was always more or less of the apotheosis about the Germans’ attitude toward him. He was never quite real to them in the sense that Leopold is real in Brussels or Humbert in Rome. The German imagination always saw him as he is portrayed in the fine fresco by Wislicenus in the ancient imperial palace at Goslar--a majestic figure, clad in modern war trappings yet of mythical aspect, surrounded, it is true, by the effigies of recognizable living Kings, Queens, and Generals, but escorted also by heroic ancestral shades, as he rides forward out of the canvas. Close behind him rides his son, Fritz, and he, too, following in the immediate shadow of his father to the last, lives only now in pictures and in sad musing dreams of what might have been. But William II--the young Kaiser and King--_is_ a reality. He has won no battles. No antique legends wreathe their romantic mists about him. It has occurred to no artist to paint him on a palace wall, with the mailed shadows of mediaeval Barbarossas and Conrads and Sigismunds overhead. The group of helmeted warriors who cluster about those two mounted figures in the Goslar picture, and who, in the popular fancy, bring down to our own time some of the attributes of mediaeval devotion and prowess--this group is dispersed now. Moltke, Prince Frederic Charles, Roon, Manteuffel, and many others are dead; Blumenthal is in dignified retirement; Bismarck is at Friedrichsruh. New men crowd the scene--clever organizers, bright and adroit parliamentarians, competent administrators, but still fashioned quite of our own clay--busy new men whom we may look at without hurting our eyes. For the first time, therefore, it is possible to study this prodigious new Germany, its rulers and its people, in a practical way, without being either dazzled by the disproportionate brilliancy of a few individuals or drawn into side-paths after picturesque unrealities. ***** Three years of this new reign have shown us Germany by daylight instead of under the glamour and glare of camp fires and triumphal illuminations. We see now that the Hohenzollern stands out in the far front, and that the other German royalties, Wendish, Slavonic, heirs of Wittekind, portentously ancient barbaric dynasties of all sorts, are only vaguely discernible in the background. During the lifetime of the old Kaiser it seemed possible that their eclipse might be of only a temporary nature. Nowhere can such an idea be cherished now. Young William dwarfs them all by comparison even more strikingly than did his grandfather. They all came to Berlin to do him homage at the opening of the Reichstag, which inaugurated his reign on June 25, 1888. They will never make so brave a show again; even then they twinkled like poor tallow dips beside the shining personality of their young Prussian chief. Almost all of them are of royal lines older than that of the Hohenzollerns. Five of the principal personages among them--the King of Saxony, the Regent representing Bavaria’s crazy King, the heir-apparent representing the semi-crazy King of Wurtemberg, the Grand Duke of Baden, and the Grand Duke of Hesse-Darmstadt--owe their titles in their present form to Napoleon, who paid their ancestors in this cheap coin for their wretched treason and cowardice in joining with him to crush and dismember Prussia. Now they are at the feet of Prussia, not indeed in the posture of conquered equals, but as liveried political subordinates. No such wiping out of sovereign authorities and emasculation of sovere
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Produced by John Hamm and David Widger THE MAYOR OF CASTERBRIDGE by Thomas Hardy 1. One evening of late summer, before the nineteenth century had reached one-third of its span, a young man and woman, the latter carrying a child, were approaching the large village of Weydon-Priors, in Upper Wessex, on foot. They were plainly but not ill clad, though the thick hoar of dust which had accumulated on their shoes and garments from an obviously long journey lent a disadvantageous shabbiness to their appearance just now. The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along. What was really peculiar, however, in this couple's progress, and would have attracted the attention of any casual observer otherwise disposed to overlook them, was the perfect silence they preserved. They walked side by side in such a way as to suggest afar off the low, easy, confidential chat of people full of reciprocity; but on closer view it could be discerned that the man was reading, or pretending to read, a ballad sheet which he kept before his eyes with some difficulty by the hand that was passed through the basket strap. Whether this apparent cause were the real cause, or whether it were an assumed one to escape an intercourse that would have been irksome to him, nobody but himself could have said precisely; but his taciturnity was unbroken, and the woman enjoyed no society whatever from his presence. Virtually she walked the highway alone, save for the child she bore. Sometimes the man's bent elbow almost touched her shoulder, for she kept as close to his side as was possible without actual contact, but she seemed to have no idea of taking his arm, nor he of offering it; and far from exhibiting surprise at his ignoring silence she appeared to receive it as a natural thing. If any word at all were uttered by the little group, it was an occasional whisper of the woman to the child--a tiny girl in short clothes and blue boots of knitted yarn--and the murmured babble of the child in reply. The chief--almost the only--attraction of the young woman's face was its mobility. When she looked down sideways to the girl she became pretty, and even handsome, particularly that in the action her features caught slantwise the rays of the strongly sun, which made transparencies of her eyelids and nostrils and set fire on her lips. When she plodded on in the shade of the hedge, silently thinking, she had the hard, half-apathetic expression of one who deems anything possible at the hands of Time and Chance except, perhaps, fair play. The first phase was the work of Nature, the second probably of civilization. That the man and woman were husband and wife, and the parents of the girl in arms there could be little doubt. No other than such relationship would have accounted for the atmosphere of stale familiarity which the trio carried along with them like a nimbus as they moved down the road. The wife mostly kept her eyes fixed ahead, though with little interest--the scene for that matter being one that might have been matched at almost any spot in any county in England at this time of the year; a road neither straight nor crooked, neither level nor hilly, bordered by hedges, trees, and other vegetation, which had entered the blackened-green stage of colour that the doomed leaves pass through on their way to dingy, and yellow, and red. The grassy margin of the bank, and the nearest hedgerow boughs, were powdered by the dust that had been stirred over them by hasty vehicles, the same dust as it lay on the road deadening their footfalls like a carpet; and this, with the aforesaid total absence of conversation, allowed every extraneous sound to be heard. For a long time there was none, beyond the voice of a weak bird singing a trite old evening song that might doubtless have been heard on the hill at the same hour, and with the self-same trills, quavers, and breves, at any sunset of that season for centuries untold. But as they approached the village sundry distant shouts and rattles reached their ears from some elevated spot in that direction, as yet screened from view by foliage. When the outlying houses of Weydon-Priors could just be described, the family group was met by a turnip-hoer with his hoe on his shoulder, and his dinner-bag suspended from it. The reader promptly glanced up. "Any trade doing here?" he asked phlegmatically, designating the village in his van by a wave of the broadsheet. And thinking the labourer did not understand him, he added, "Anything in the hay-trussing line?" The turnip-hoer had already begun shaking his head. "Why, save the man, what wisdom's in him that 'a should come to Weydon for a job of that sort this time o' year?" "Then is there any house to let--a little small new cottage just a builded, or such like?" asked the other. The pessimist still maintained a negative. "Pulling down is more the nater of Weydon. There were five houses cleared away last year, and three this; and the volk nowhere to go--no, not so much as a thatched hurdle; that's the way o' Weydon-Priors." The hay-trusser, which he obviously was, nodded with some superciliousness. Looking towards the village, he continued, "There is something going on here, however, is there not?" "Ay. 'Tis Fair Day. Though what you hear now is little more than the clatter and scurry of getting away the money o' children and fools, for the real business is done earlier than this. I've been working within sound o't all day, but I didn't go up--not I. 'Twas no business of mine." The trusser and his family proceeded on their way, and soon entered the Fair-field, which showed standing-places and pens where many hundreds of horses and sheep had been exhibited and sold in the forenoon, but were now in great part taken away. At present, as their informant had observed, but little real business remained on hand, the chief being the sale by auction of a few inferior animals, that could not otherwise be disposed of, and had been absolutely refused by the better class of traders, who came and went early. Yet the crowd was denser now than during the morning hours, the frivolous contingent of visitors, including journeymen out for a holiday, a stray soldier or two come on furlough, village shopkeepers, and the like, having latterly flocked in; persons whose activities found a congenial field among the peep-shows, toy-stands, waxworks, inspired monsters, disinterested medical men who travelled for the public good, thimble-riggers, nick-nack vendors, and readers of Fate. Neither of our pedestrians had much heart for these things, and they looked around for a refreshment tent among the many which dotted the down. Two, which stood nearest to them in the ochreous haze of expiring sunlight, seemed almost equally inviting. One was formed of new, milk-hued canvas, and bore red flags on its summit; it announced "Good Home-brewed Beer, Ale, and Cyder." The other was less new; a little iron stove-pipe came out of it at the back and in front appeared the placard, "Good Furmity Sold Hear." The man mentally weighed the two inscriptions and inclined to the former tent. "No--no--the other one," said the woman. "I always like furmity; and so does Elizabeth-Jane; and so will you. It is nourishing after a long hard day." "I've never tasted it," said the man. However, he gave way to her representations, and they entered the furmity booth forthwith. A rather numerous company appeared within, seated at the long narrow tables that ran down the tent on each side. At the upper end stood a stove, containing a charcoal fire, over which hung a large three-legged crock, sufficiently polished round the rim to show that it was made of bell-metal. A haggish creature of about fifty presided, in a white apron, which as it threw an air of respectability over her as far as it extended, was made so wide as to reach nearly round her waist. She slowly stirred the contents of the pot. The dull scrape of her large spoon was audible throughout the tent as she thus kept from burning the mixture of corn in the grain, flour, milk, raisins, currants, and what not, that composed the antiquated slop in which she dealt. Vessels holding the separate ingredients stood on a white-clothed table of boards and trestles close by. The young man and woman ordered a basin each of the mixture, steaming hot, and sat down to consume it at leisure. This was very well so far, for furmity, as the woman had said, was nourishing, and as proper a food as could be obtained within the four seas; though, to those not accustomed to it, the grains of wheat swollen as large as lemon-pips, which floated on its surface, might have a deterrent effect at first. But there was more in that tent than met the cursory glance; and the man, with the instinct of a perverse character, scented it quickly. After a mincing attack on his bowl, he watched the hag's proceedings from the corner of his eye, and saw the game she played. He winked to her, and passed up his basin in reply to her nod; when she took a bottle from under the table, slily measured out a quantity of its contents, and tipped the same into the man's furmity. The liquor poured in was rum. The man as slily sent back money in payment. He found the concoction, thus strongly laced, much more to his satisfaction than it had been in its natural state. His wife had observed the proceeding with much uneasiness; but he persuaded her to have hers laced also, and she agreed to a milder allowance after some misgiving. The man finished his basin, and called for another, the rum being signalled for in yet stronger proportion. The effect of it was soon apparent in his manner, and his wife but too sadly perceived that in strenuously steering off the rocks of the licensed liquor-tent she had only got into maelstrom depths here amongst the smugglers. The child began to prattle impatiently, and the wife more than once said to her husband, "Michael, how about our lodging? You know we may have trouble in getting it if we don't go soon." But he turned a deaf ear to those bird-like chirpings. He talked loud to the company. The child's black eyes, after slow, round, ruminating gazes at the candles when they were lighted, fell together; then they opened, then shut again, and she slept. At the end of the first basin the man had risen to serenity; at the second he was jovial; at the third, argumentative, at the fourth, the qualities signified by the shape of his face, the occasional clench of his mouth, and the fiery spark of his dark eye, began to tell in his conduct; he was overbearing--even brilliantly quarrelsome. The conversation took a high turn, as it often does on such occasions. The ruin of good men by bad wives, and, more particularly, the frustration of many a promising youth's high aims and hopes and the extinction of his energies by an early imprudent marriage, was the theme. "I did for myself that way thoroughly," said the trusser with a contemplative bitterness that was well-night resentful. "I married at eighteen, like the fool that I was; and this is the consequence o't." He pointed at himself and family with a wave of the hand intended to bring out the penuriousness of the exhibition. The young woman his wife, who seemed accustomed to such remarks, acted as if she did not hear them, and continued her intermittent private words of tender trifles to the sleeping and waking child, who was just big enough to be placed for a moment on the bench beside her when she wished to ease her arms. The man continued-- "I haven't more than fifteen shillings in the world, and yet I am a good experienced hand in my line. I'd challenge England to beat me in the fodder business; and if I were a free man again I'd be worth a thousand pound before I'd done o't. But a fellow never knows these little things till all chance of acting upon 'em is past." The auctioneer selling the old horses in the field outside could be heard saying, "Now this is the last lot--now who'll take the last lot for a song? Shall I say forty shillings? 'Tis a very promising broodmare, a trifle over five years old, and nothing the matter with the hoss at all, except that she's a little holler in the back and had her left eye knocked out by the kick of another, her own sister, coming along the road." "For my part I don't see why men who have got wives and don't want 'em, shouldn't get rid of 'em as these gipsy fellows do their old horses," said the man in the tent. "Why shouldn't they put 'em up and sell 'em by auction to men who are in need of such articles? Hey? Why, begad, I'd sell mine this minute if anybody would buy her!" "There's them that would do that," some of the guests replied, looking at the woman, who was by no means ill-favoured. "True," said a smoking gentleman, whose coat had the fine polish about the collar, elbows, seams, and shoulder-blades that long-continued friction with grimy surfaces will produce, and which is usually more desired on furniture than on clothes. From his appearance he had possibly been in former time groom or coachman to some neighbouring county family. "I've had my breedings in as good circles, I may say, as any man," he added, "and I know true cultivation, or nobody do; and I can declare she's got it--in the bone, mind ye, I say--as much as any female in the fair--though it may want a little bringing out." Then, crossing his legs, he resumed his pipe with a nicely-adjusted gaze at a point in the air. The fuddled young husband stared for a few seconds at this unexpected praise of his wife, half in doubt of the wisdom of his own attitude towards the possessor of such qualities. But he speedily lapsed into his former conviction, and said harshly-- "Well, then, now is your chance; I am open to an offer for this gem o' creation." She turned to her husband and murmured, "Michael, you have talked this nonsense in public places before. A joke is a joke, but you may make it once too often, mind!" "I know I've said it before; I meant it. All I want is a buyer." At the moment a swallow, one among the last of the season, which had by chance found its way through an opening into the upper part of the tent, flew to and from quick curves above their heads, causing all eyes to follow it absently. In watching the bird till it made its escape the assembled company neglected to respond to the workman's offer, and the subject dropped. But a quarter of an hour later the man, who had gone on lacing his furmity more and more heavily, though he was either so strong-minded or such an intrepid toper that he still appeared fairly sober, recurred to the old strain, as in a musical fantasy the instrument fetches up the original theme. "Here--I am waiting to know about this offer of mine. The woman is no good to me. Who'll have her?" The company had by this time decidedly degenerated, and the renewed inquiry was received with a laugh of appreciation. The woman whispered; she was imploring and anxious: "Come, come, it is getting dark, and this nonsense won't do. If you don't come along, I shall go without you. Come!" She waited and waited; yet he did not move. In ten minutes the man broke in upon the desultory conversation of the furmity drinkers with. "I asked this question, and nobody answered to 't. Will any Jack Rag or Tom Straw among ye buy my goods?" The woman's manner changed, and her face assumed the grim shape and colour of which mention has been made. "Mike, Mike," she said; "this is getting serious. O!--too serious!" "Will anybody buy her?" said the man. "I wish somebody would," said she firmly. "Her present owner is not at all to her liking!" "Nor you to mine," said he. "So we are agreed about that. Gentlemen, you hear? It's an agreement to part. She shall take the girl if she wants to, and go her ways. I'll take my tools, and go my ways. 'Tis simple as Scripture history. Now then, stand up, Susan, and show yourself." "Don't, my chiel," whispered a buxom staylace dealer in voluminous petticoats
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E-text prepared by Project Gutenberg Distributed Proofreaders A TEXAS MATCHMAKER by ANDY ADAMS Author of 'The Log of a Cowboy' ILLUSTRATED BY E. BOYD SMITH 1904 [Illustration: ROLLING THE BULL OVER LIKE A HOOP (page 207)] TO FRANK H. EARNEST MOUNTED INSPECTOR U.S. CUSTOMS SERVICE LAREDO, TEXAS CONTENTS CHAPTER I. LANCE LOVELACE II. SHEPHERD'S FERRY III. LAS PALOMAS IV. CHRISTMAS V. A PIGEON HUNT VI. SPRING OF '76 VII. SAN JACINTO DAY VIII. A CAT HUNT ON THE FRIO IX. THE ROSE AND ITS THORN X. AFTERMATH XI. A TURKEY BAKE XII. SUMMER OF '77 XIII. HIDE HUNTING XIV. A TWO YEARS' DROUTH XV. IN COMMEMORATION XVI. MATCHMAKING XVII. WINTER AT LAS PALOMAS XVIII. AN INDIAN SCARE XIX. HORSE BRANDS XX. SHADOWS XXI. INTERLOCUTORY PROCEEDINGS XXII. SUNSET LIST OF ILLUSTRATIONS ROLLING THE BULL OVER LIKE A HOOP WE GOT THE AMBULANCE OFF BEFORE SUNRISE FLASHED A MESSAGE BACK GAVE THE WILDEST HORSES THEIR HEADS HE SPED DOWN THE COURSE UTTERING A SINGLE PIERCING SNORT CHAPTER I LANCE LOVELACE When I first found employment with Lance Lovelace, a Texas cowman, I had not yet attained my majority, while he was over sixty. Though not a native of Texas, "Uncle Lance" was entitled to be classed among its pioneers, his parents having emigrated from Tennessee along with a party of Stephen F. Austin's colonists in 1821. The colony with which his people reached the state landed at Quintana, at the mouth of the Brazos River, and shared the various hardships that befell all the early Texan settlers, moving inland later to a more healthy locality. Thus the education of young Lovelace was one of privation. Like other boys in pioneer families, he became in turn a hewer of wood or drawer of water, as the necessities of the household required, in reclaiming the wilderness. When Austin hoisted the new-born Lone Star flag, and called upon the sturdy pioneers to defend it, the adventurous settlers came from every quarter of the territory, and among the first who responded to the call to arms was young Lance Lovelace. After San Jacinto, when the fighting was over and the victory won, he laid down his arms, and returned to ranching with the same zeal and energy. The first legislature assembled voted to those who had borne arms in behalf of the new republic, lands in payment for their services. With this land scrip for his pay, young Lovelace, in company with others, set out for the territory lying south of the Nueces. They were a band of daring spirits. The country was primitive and fascinated them, and they remained. Some settled on the Frio River, though the majority crossed the Nueces, many going as far south as the Rio Grande. The country was as large as the men were daring, and there was elbow room for all and to spare. Lance Lovelace located a ranch a few miles south of the Nueces River, and, from the cooing of the doves in the encinal, named it Las Palomas. "When I first settled here in 1838," said Uncle Lance to me one morning, as we rode out across the range, "my nearest neighbor lived forty miles up the river at Fort Ewell. Of course there were some Mexican families nearer, north on the Frio, but they don't count. Say, Tom, but she was a purty country then! Why, from those hills yonder, any morning you could see a thousand antelope in a band going into the river to drink. And wild turkeys? Well, the first few years we lived here, whole flocks roosted every night in that farther point of the encinal. And in the winter these prairies were just flooded with geese and brant. If you wanted venison, all you had to do was to ride through those mesquite thickets north of the river to jump a hundred deer in a morning's ride. Oh, I tell you she was a land of plenty." The pioneers of Texas belong to a day and generation which has almost gone. If strong arms and daring spirits were required to conquer the wilderness, Nature seemed generous in the supply; for nearly all were stalwart types of the inland viking. Lance Lovelace, when I first met him, would have passed for a man in middle life. Over six feet in height, with a rugged constitution, he little felt his threescore years, having spent his entire lifetime in the outdoor occupation of a ranchman. Living on the wild game of the country, sleeping on the ground by a camp-fire when his work required it, as much at home in the saddle as by his ranch fireside, he was a romantic type of the strenuous pioneer. He was a man of simple tastes, true as tested steel in his friendships, with a simple honest mind which followed truth and right as unerringly as gravitation. In his domestic affairs, however, he was unfortunate. The year after locating at Las Palomas, he had returned to his former home on the Colorado River, where he had married Mary Bryan, also of the family of Austin's colonists. Hopeful and happy they returned to their new home on the Nueces, but before the first anniversary of their wedding day arrived, she, with her first born, were laid in the same grave. But grief does not kill, and the young husband bore his loss as brave men do in living out their allotted day. But to the hour of his death the memory of Mary Bryan mellowed him into a child, and, when unoccupied, with every recurring thought of her or the mere mention of her name, he would fall into deep reverie, lasting sometimes for hours. And although he contracted two marriages afterward, they were simply marriages of convenience, to which, after their termination, he frequently referred flippantly, sometimes with irreverence, for they were unhappy alliances. On my arrival at Las Palomas, the only white woman on the ranch was "Miss Jean," a spinster sister of its owner, and twenty years his junior. After his third bitter experience in the lottery of matrimony, evidently he gave up hope, and induced his sister to come out and preside as the mistress of Las Palomas. She was not tall like her brother, but rather plump for her forty years. She had large gray eyes, with long black eyelashes, and she had a trick of looking out from under them which was both provoking and disconcerting, and no doubt many an admirer had been deceived by those same roguish, laughing eyes. Every man, Mexican and child on the ranch was the devoted courtier of Miss Jean, for she was a lovable woman; and in spite of her isolated life and the constant plaguings
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Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/ for Project Gutenberg (This file was produced from images generously made available by The Internet Archive/American Libraries.) A Source Book of Philippine History To Supply a Fairer View of Filipino Participation and Supplement the Defective Spanish Accounts PHILIPPINE PROGRESS PRIOR TO 1898 By AUSTIN CRAIG and CONRADO BENITEZ Of the College of Liberal Arts Faculty of the University of the Philippines Philippine Education Co., Inc., Manila, 1916 The following 720 pages are divided into two volumes, each of which, for the convenience of the reader, is paged separately and has its index, or table of contents: VOLUME I I. The Old Philippines' Industrial Development (Chapters of an Economic History) I.--Agriculture and Landholding at the time of the Discovery and Conquest. II.--Industries at the Time of Discovery and Conquest. III.--Trade and Commerce at the Time of Discovery and Conquest. IV.--Trade and Commerce; the Period of Restriction. V.--The XIX Century and Economic Development. By Professor Conrado Benitez II. The Filipinos' Part in the Philippines' Past (Pre-Spanish Philippine History A. D. 43-1565; Beginnings of Philippine Nationalism.) By Professor Austin Craig VOLUME II III. The Former Philippines thru Foreign Eyes (Jagor's Travels in the Philippines; Comyn's State of the Philippines in 1810; Wilkes' Manila and Sulu in 1842; White's Manila in 1819; Virchow's Peopling of the Philippines; 1778 and 1878; English Views of the People and Prospects of the Philippines; and Karuth's Filipino Merchants of the Early 1890s) Edited by Professor Craig Made in Manila--Press of E. C. McCullough & Co.--The Work of Filipinos EDITOR'S EXPLANATIONS AND ACKNOWLEDGMENTS This work is pre-requisite to the needed re-writing of Philippine history as the story of its people. The present treatment, as a chapter of Spanish history, has been so long accepted that deviation from the standard story without first furnishing proof would demoralize students and might create the impression that a change of government justified re-stating the facts of the past in the way which would pander to its pride. With foreigners' writing, the extracts herein have been extensive, even to the inclusion of somewhat irrelevant matter to save any suspicion that the context might modify the quotation's meaning. The choice of matter has been to supplement what is now available in English, and, wherever possible, reference data have taken the place of quotation, even at the risk of giving a skeletony effect. Another rule has been to give no personal opinion, where a quotation within reasonable limits could be found to convey the same idea, and, where given, it is because an explanation is considered essential. A conjunction of circumstances fortunate for us made possible this publication. Last August the Bureau of Education were feeling disappointment over the revised school history which had failed to realize their requirements; the Department of History, Economics and Sociology of the University were regretting their inability to make their typewritten material available for all their students; and Commissioner Quezon came back from Washington vigorously protesting against continuing in the public schools a Philippine history text which took no account of what American scholarship has done to supplement Spain's stereotyped story. Thus there were three problems but the same solution served for all. Commissioner Rafael Palma, after investigation, championed furnishing a copy of such a book as the present work is and Chairman Leuterio of the Assembly Committee on Public Instruction lent his support. With the assistance of Governor-General Harrison and Speaker Osmena, and the endorsement of Secretary Martin of the Department of Public Instruction, the Bureau of Education obtained the necessary item in their section of the general appropriation act. Possibly no one deserves any credit for conforming to plain duty, but after listing all these high officials, it may not be out of place to mention that neither has there come from any one of them, nor from any one else for that matter, any suggestion of what should be said or left unsaid or how it should be said, nor has any one asked to see, or seen, any of our manuscript till after its publication. Insular Purchasing Agent Magee, who had been, till his promotion, Acting Director of the Bureau of Education, Director Crone, returned from the San Francisco Exposition, and Acting Auditor Dexter united to smoothe the way for rapid work so the order placed in January is being filled in less than three months. Three others whose endorsements have materially assisted in the accomplishment of the work are President Villamor of our University, Director Francisco Benitez of its School of Education, and Director J. A. Robertson of the Philippine Library. And in recalling the twelve years of study here which has shown the importance of these notes there come to mind the names of those to whom I have been accustomed to go for suggestion and advice: Mariano Ponce, of the Assembly Library, Manuel Artigas, of the Filipiniana Section of the Philippines Library, Manuel Iriarte of the Executive Bureau Archives, Dr. T. H. Pardo de Tavera and Epifanio de los Santos, associates in the Philippine Academy, Leon and Fernando Guerrero, Jaime C. De Veyra, Valentin Ventura, of Barcelona, J. M. Ramirez, of Paris, the late Rafael del Pan, Jose Basa, of Hongkong, and Doctor Regidor, of London, all Filipinos, Doctor N. M. Saleeby, H. Otley Beyer, Dr. David P. Barrows, now of the University of California, along with assistance from the late Professor Ferdinand Blumentritt, of Leitmeritz, Dr. C. M. Heller, of Dresden, and the authorities of the British Museum, Congressional Library, America Institute of Berlin, University of California Library, and the Hongkong and Shanghai public libraries and Royal Asiatic Society branches. It is due the printer, Mr. Frederic H. Stevens, manager of E. C. McCullough & Co.'s press; Mr. John Howe who figured out a sufficient and satisfactory paper supply despite the war-time scarcity; and Superintendent Noronha, that after the first vigorous protests against departures from established printing-house usages, they loyally co-operated in producing a book whose chief consideration has been the reader's use. Paper, ink, special press-work and the clear-cut face chosen for the hand-set type have combined to get a great deal more matter into the same space without sacrifice of legibility; putting minor headings in the margin has been another space-saver which as well facilitates reference, while the omission of the customary blank pages and spaces between articles has materially aided in keeping down unnecessary bulk. Printed in the usual style this book should have run over twelve hundred octavo pages as against its under two-thirds that number of a but slightly larger page. And finally, my colleague, Professor Conrado Benitez, besides furnishing promptly his part of the manuscript has been chief adviser and most zealous in carrying out our joint plan. Austin Craig. University of the Philippines, March 27, 1916. CONTENTS Page I.--The Old Philippines' Industrial Development, by Conrado Benitez 1 II.--The Filipinos' Part in the Philippines' Past: Pre-Spanish Philippine history, A. D. 43-1565. (Introduction, by Austin Craig) 77 Pre-historic civilization in the Philippines, by Elsdon Best 79 A thousand years of Philippine history before the coming of the Spaniards, by Austin Craig 91 Translation by W. W. Rockhill of a Chinese book of 1349 102 Spanish unreliability; early Chinese rule over Philippines; and reason for indolence in Mindanao; from Salmon's "Modern History," 1744 104 Bisayans in Formosa, by Dr. Terrien de Lacouperie 105 The Tagalog Tongue, by Jose Rizal 106 Philippine tribes and languages, by Prof. Ferdinand Blumentritt 107 Beginnings of Philippine Nationalism (Introduction, by Austin Craig) 118 The Friar Domination in the Philippines, by M. H. del Pilar 119 Archbishop Martinez's secret defense of his Filipino clergy 121 Nineteenth century discontent 128 The liberal governor-general of 1869-1871, by Austin Craig 132 The rebellion in the Philippine Islands, by John Foreman 133 Filipinos with Dewey's squadron, from the Hongkong Telegraph 136 A prediction of 1872 136 Reproductions of twelve early maps relating to Further India and the Philippines. Following page 136 PHILIPPINE PROGRESS PRIOR TO 1898 THE OLD PHILIPPINES' INDUSTRIAL DEVELOPMENT Chapters of an Economic History by Conrado Benitez, A. M. (Chicago) Assistant Professor of Economics and Sociology in the University of the Philippines I. Agriculture and Landholding at the time of the Discovery and Conquest. II. Industries at the Time of Discovery and Conquest. III. Trade and Commerce at the Time of Discovery and Conquest. IV. Trade and Commerce; the Period of Restriction. V. The XIX Century and Economic Development. PHILIPPINE EDUCATION CO., INC., MANILA, 1916 FILIPINO WRITERS QUOTED IN "THE OLD PHILIPPINES' INDUSTRIAL DEVELOPMENT": Citizens of the Philippine Islands, "Memorial to the Council," Manila, 1586. Gobernadorcillo Nicolas Ramos, "Affidavit for Governor Dasmarinas," Cubao, 1591. Chief Miguel Banal, "Petition to the King of Spain," Manila, 1609. Governor Manuel Azcarraga y Palmero, "La Libertad de Comercio en las Islas Filipinas," Madrid, 1872. Gregorio Sangclanco y Gozon, LL. D., "El Progreso de Filipinas," Madrid, 1884. Dr. Jose Rizal Mercado y Alonso, "Annotations to Morga's Sucesos de las Islas Filipinas," Paris, 1890. Rizal's La Indolencia de los Filipinos, Madrid. 1889. T. H. Pardo de Tavera, M. D., "Philippine Census, Volume I, History," Manila, 1903. Tavera's Resultados del Desarrollo Economico de Filipinas, Manila, 1912. Antonio M. Regidor, D.C.L., (with J. Warren T. Mason), "Commercial Progress in the Philippine Islands," London, 1905. Made in Manila--Press of E. C. McCullough & Co.--The Work of Filipinos INTRODUCTION Need of more study of Philippine Economic Development. The Spanish writers, and with them the Filipinos as well as, to a great extent, writers of Philippine treatises in other languages, have over-emphasized the political history of the Philippines. The history of this country has been regarded but as the history of the Spaniards in it, and not of its people, the Filipinos. [1] Hence arises the need of studying our history from the point of view of the development of our people, especially to trace and show the part played by them in Philippine social progress as a whole. [2] The study of the economic history of a country is important also because economic forces play a great part in the development of any people. Indeed, some claim that all history may be explained in terms of economic motives. This is known as the economic interpretation of history. [3] Without going into the controversy centering around this theory, we can readily see that what we know as civilization has a two-fold basis, the physical and the psychical. And it is only after the physical basis is secured, that further psychical advance is possible. "Among all species, and in every stage
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Produced by David E. Brown, Bryan Ness, Matthew Wheaton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) REBEL VERSES NEW YORK AGENTS LONGMANS, GREEN & CO. FOURTH AVENUE AND 30TH STREET REBEL VERSES BY BERNARD GILBERT OXFORD B. H. BLACKWELL, BROAD STREET MCMXVIII BY THE SAME AUTHOR VERSE: LINCOLNSHIRE LAYS; FARMING LAYS; GONE TO THE WAR; WAR WORKERS. DRAMA: ELDORADO; THEIR FATHER'S WILL; THE RUSKINGTON POACHER. FICTION: WHAT SHALL IT PROFIT? TATTERSHALL CASTLE; THE YELLOW FLAG. POLITICAL: FARMERS AND TARIFF REFORM: WHAT EVERY FARMER WANTS: THE FARM LABOURER'S FIX. MISCELLANEOUS: LIVING LINCOLN; FORTUNES FOR FARMERS. FROM _The New Witness_ MR. BERNARD GILBERT is one of the discoveries of the War. For years, it seems, he has been writing poetry, but it is only recently that an inapprehensive country has awakened to the fact. Now he is taking his rightful place among our foremost singers. What William Barnes was to Dorset, what T. E. Brown was to the Manx people--this is Mr. Gilbert to the folk of his native county of Lincoln. He has interpreted their lives, their sorrows, their aspirations, with a surprising fidelity. Mr. Gilbert never loses his grip upon realities. One feels that he knows the men of whom he writes in their most intimate moods; knows, too, their defects, which he does not shrink from recording. There is little of the dreamy idealism of the South in the peasant people of Lincolnshire. The outwardly respectable chapel-goer who asks himself, in a moment of introspection But why not have a good time here? Why should the Devil have all the beer? is true to type. But he has, too, his softer moods. Fidelity in friendship, courage, resource and perseverance--these are typical of the men of the Fens. TO MORLEY ROBERTS _Acknowledgments to the Editors of the:_ _English Review_ _New Age_ _Colour_ _Westminster Gazette_ _New Witness_ _To-Day_ _Clarion_ _Australian Triad_ _Bystander_ _Musical Student_ _and Nash's Magazine_ _in whose columns these verses have appeared during 1917._ Contents THE REBEL SONG OF REVOLT THERE AINT NO GOD THE NIGHT IS DARK RETURN NIETZSCHE SACRAMENT FIGHTIN' TOMLINSON THE LABOURER'S HYMN OLIVER CROMWELL ANYWHERE BUT HERE A. G. WEBSTER EAST WIND PETER WRAY OH FOOLS ELFIN DANCER OH TO BE HOME GIVE SOLDIERS A VOTE ALONE FLESH OF OUR FLESH THIS TOWN IS HELL TIMBERLAND BELLS DAME PEACH FRIENDS CHARING CROSS LOVE NOT TOO MUCH MACHIAVELLI REMORSE THE MANDRAKE'S HORRID SCREAM ONE DAY NO WIFE TO AN OLD FRIEND IS IT FINISHED OH LINCOLN, CITY OF MY DREAMS THE FOOL The Rebel I live in music, in poetry, and in the life reflective. I seek intellectual boldness in man, I worship mental swiftness in women. I have no love for lawyers, priests, schoolmasters, or any dogmatic men. I am with poor against rich, labour against employer, women against
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Produced by David Edwards, Wayne Hammond, and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: SENTINEL GATE AT PALACE. _Frontispiece_] FIFTEEN YEARS _AMONG_ THE TOP-KNOTS _OR_ _LIFE IN KOREA_ _By_ L. H. UNDERWOOD, M.D. _With Introduction by_ FRANK F. ELLINWOOD, D.D., LL.D. SECOND EDITION REVISED AND ENLARGED [Illustration] YOUNG PEOPLE’S MISSIONARY MOVEMENT OF THE UNITED STATES AND CANADA NEW YORK Copyright, 1904, BY AMERICAN TRACT SOCIETY. * * * * * Copyright, 1908, BY AMERICAN TRACT SOCIETY. THIS LITTLE VOLUME IS GRATEFULLY DEDICATED TO MY HUSBAND IN MEMORY OF FIFTEEN HAPPIEST YEARS INTRODUCTION It may be said at once, that Mrs. Underwood’s narrative of her experience of “Fifteen Years Among the Top-Knots” constitutes a book of no ordinary interest. There is no danger that any reader having even a moderate sympathy with the work of missions in the far East will be disappointed in the perusal. The writer does not undertake to give a comprehensive account of missions in Korea, or even of the one mission which she represents, but only of the things which she has seen and experienced. There is something naive and attractive in the way in which she takes her readers into her confidence while she tells her story, as trustfully as if she were only writing to a few relatives and friends. Necessarily she deals very largely with her own work, and that of her husband, as of that she is best qualified to speak. Everywhere, however, there are generous and appreciative references to the heroic labors of associate missionaries. Nor does she confine these tributes to members of her own mission. Some of her highest encomiums are given to members of other missions, who have laboured and died for the Gospel and the cause of humanity in Korea. Mrs. Underwood, then Miss Lillias Horton, of Chicago, went to Korea as a medical missionary in 1888. As a Secretary of the Presbyterian Board, accustomed to visit our candidates before appointment, I found her a bright young girl of slight and graceful figure in one of the Chicago hospitals, where she was adding to her medical knowledge some practical experience as a trained nurse. There was nothing of the consciousness of martyrdom in her appearance, but quite the reverse, as with cheerful countenance and manner she glided about in her white uniform among the ward patients. It was evident that she was looking forward with high satisfaction to the work to which she had consecrated her life. The story of her arrival at Chemulpo, of her first impressions of Korea, is best told in her own words. The first arrival of a missionary on the field is always a trying experience. The squalid appearance of the low native huts, whose huddled groupings Mrs. Underwood compares to low-lying beds of mushrooms, poorly clad and dull-eyed fishermen and other peasantry, contrasting so strongly with the brighter scenes of one’s home land, are enough to fill any but the bravest with discouragement and despair. But our narrator passed this trying ordeal by reflecting that she was not a tourist in pursuit of entertainment, but an ambassador of Christ, sent to heal the bodies and enlighten the souls of the lowly and the suffering. As a young unmarried woman and quite alone, she found a welcoming home with Dr. and Mrs. Heron, and began at once a twofold work of mastering the language, and of professional service at the hospital. Not long after her arrival she was called to pay a visit to the queen, who wished to secure her services as her physician. The relation soon grew into a mutual friendship, and Mrs. Underwood from that time till the assassination of the unfortunate queen was her frequent visitor, and in many respects her personal admirer. She does not hesitate to express her appreciation of the queen, as a woman of kind-hearted and generous impulses, high intellectual capacity, and no ordinary diplomatic ability. Of stronger mind and higher moral character than her royal husband, she was his wise counsellor and the chief bulwark of his precarious power. Though Mrs. Underwood’s book is of the nature of a narrative, yet its smoothly running current is laden with all kinds of general information respecting the character and customs of the people, the condition of the country, the native beliefs and superstitions, the social degradation, the poverty and widespread ignorance of the masses. The account of missionary work is given naturally, its pros and cons set forth without special laudation on the one hand, or critical misgiving on the other. It is simply presented, and left to speak for itself, and it can scarcely fail to carry to all minds a conviction of the genuineness and marked success of the great work which our missionaries in Korea are conducting. Mrs. Underwood’s marriage to Rev. H. G. Underwood, who had already been four years in the country, is related with simplicity and good sense, and the remarkable bridal tour, though given more at length, is really a story not of honeymoon experiences, but rather of arduous and heroic missionary itineration. It was contrary to the advice and against the strong remonstrances of their associates and their friends in the U. S. legation that the young couple set out in the early spring of 1889 for a pioneering tour through Northern Korea. Fortunately for the whole work of our Protestant missions, the most favorable impression had been made upon the Korean Court and upon the people by the striking and most valuable service which had been rendered by Dr. H. N. Allen, our first medical missionary, and now U. S. Minister in Korea. He had healed the wounds of some distinguished Koreans, who had been nearly killed in a midnight conflict between the Chinese and Japanese garrisons at Seoul. Although there were strong prohibitory decrees against the admission of foreigners in the interior, Mr. and Mrs. Underwood ventured to presume upon the connivance of the officials at their proposed journey to the far north. Traveling as missionaries and without disguise, it was a plucky undertaking for the young bride, since, so far as known, she was the first foreign woman who had made such a tour. The journey was a protracted one and involved all kinds of hardship and privation. Nothing worthy of a name of inn was to be found, but only some larger huts in which travelers were packed away amid every variety of filth and vermin. The curiosity of the people to see a foreign woman was such that the mob everywhere scrupled not to punch holes through the paper windows and doors to get a peep. After having been borne all day in a chair, not over roads, but through tortuous bridle paths, over rocks and through sloughs, it was found well-nigh impossible to rest at night. All sorts of noises early and late added to their discomfort. As to food, the difficulty of subsisting on such fare as the people could furnish may be well imagined. They were not wholly free from the fear of wild animals, for some districts through which they passed were infested by tigers and leopards. But their greatest danger was that of falling into the hands of roaming bands of robbers. Mrs. Underwood’s account of one experience of this kind will be read with thrilling interest. Fortunately, Mr. Underwood had already made one or two shorter tours through the country alone, and had baptized a few converts here and there. The passports also which he carried
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