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Produced by David Widger MY LITERARY PASSIONS By William Dean Howells 1895 BIBLIOGRAPHICAL. I. THE BOOKCASE AT HOME II. GOLDSMITH III. CERVANTES IV. IRVING V. FIRST FICTION AND DRAMA VI. LONGFELLOW'S "SPANISH STUDENT" VII. SCOTT VIII. LIGHTER FANCIES IX. POPE X. VARIOUS PREFERENCES XI. UNCLE TOM'S CABIN XII. OSSIAN
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Produced by Pat Castevans and David Widger CONISTON By Winston Churchill BOOK III CHAPTER I One day, in the November following William Wetherell's death, Jethro Bass astonished Coniston by moving to the little cottage in the village which stood beside the disused tannery, and which had been his father's. It was known as the tannery house. His reasons for this step, when at length discovered, were generally commended: they were, in fact, a disinclination to leave a girl of Cynthia's tender age alone on Thousand Acre Hill while he journeyed on his affairs about the country. The Rev. Mr. Satterlee, gaunt, red-faced, but the six feet of him a man and a Christian, from his square-toed boots to the bleaching yellow hair around his temples, offered to become her teacher. For by this time Cynthia had exhausted the resources of the little school among the birches. The four years of her life in the tannery house which are now briefly to be chronicled were, for her, full of happiness and peace. Though the young may sorrow, they do not often mourn. Cynthia missed her father; at times, when the winds kept her wakeful at night, she wept for him. But she loved Jethro Bass and served him with a devotion that filled his heart with strange ecstasies--yes, and forebodings. In all his existence he had never known a love like this. He may have imagined it once, back in the bright days of his youth; but the dreams of its fulfilment had fallen far short of the exquisite touch of the reality in which he now spent his days at home. In summer, when she sat, in the face of all the conventions of the village, reading under the butternut tree before the house, she would feel his eyes upon her, and the mysterious yearning in them would startle her. Often during her lessons with Mr. Satterlee in the parlor of the parsonage she would hear a noise outside and perceive Jethro leaning against the pillar. Both Cynthia and Mr. Satterlee knew that he was there, and both, by a kind of tacit agreement, ignored the circumstance. Cynthia, in this period, undertook Jethro's education, too. She could have induced him to study the making of Latin verse by the mere asking. During those days which he spent at home, and which he had grown to value beyond price, he might have been seen seated on the ground with his back to the butternut tree while Cynthia read aloud from the well-worn books which had been her father's treasures, books that took on marvels of meaning from her lips. Cynthia's powers of selection were not remarkable at this period, and perhaps it was as well that she never knew the effect of the various works upon the hitherto untamed soul of her listener. Milton and Tennyson and Longfellow awoke in him by their very music troubled and half-formed regrets; Carlyle's "Frederick the Great" set up tumultuous imaginings; but the "Life of Jackson" (as did the story of Napoleon long ago) stirred all that was masterful in his blood. Unlettered as he was, Jethro had a power which often marks the American of action--a singular grasp of the application of any sentence or paragraph to his own life; and often, about this time, he took away the breath of a judge or a senator by flinging at them a chunk of Carlyle or Parton. It was perhaps as well that Cynthia was not a woman at this time, and that she had grown up with him, as it were. His love, indeed, was that of a father for a daughter; but it held within it as a core the revived love of his youth for Cynthia, her mother. Tender as were the manifestations of this love, Cynthia never guessed the fires within, for there was in truth something primeval in the fierceness of his passion. She was his now--his alone, to cherish and sweeten the declining years of his life, and when by a chance Jethro looked upon her and thought of the suitor who was to come in the fulness of her years, he burned with a hatred which it is given few men to feel. It was well for Jethro that these thoughts came not often. Sometimes, in the summer afternoons, they took long drives through the town behind Jethro's white horse on business. "Jethro's gal," as Cynthia came to be affectionately called, held the reins while Jethro went in to talk to the men folk. One August evening found Cynthia thus beside a poplar in front of Amos Cuthbert's farmhouse, a poplar that shimmered green-gold in the late afternoon, and from the buggy-seat Cynthia looked down upon a thousand purple hilltops and mountain peaks of another state. The view aroused in the girl visions of the many wonders which life was to hold, and she did not hear the sharp voice beside her until the woman had spoken twice. Jethro came out in the middle of the conversation, nodded to Mrs. Cuthbert, and drove off. "Uncle Jethro," asked Cynthia, presently, "what is a mortgage?" Jethro struck the horse with the whip, an uncommon action with him, and the buggy was jerked forward sharply over the boulders. "Er--who's b'en talkin' about mortgages, Cynthy?" he demanded. "Mrs. Cuthbert said that when folks had mortgage held over them they had to take orders whether they liked them or not. She said that Amos had to do what you told him because there was a mortgage. That isn't so is it?" Jethro did not speak. Presently Cynthia laid her hand over his. "Mrs. Cuthbert is a spiteful woman," she said. "I know the reason why people obey you--it's because you're so great. And Daddy used to tell me so." A tremor shook Jethro's frame and the hand on which hers rested, and all the way down the mountain valleys to Coniston village he did not speak again. But Cynthia was used to his silences, and respected
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Produced by Juliet Sutherland, Eric Eldred, Charles Franksand the Online Distributed Proofreading Team THE PURPLE LAND Being the Narrative of One Richard Lamb's Adventures in The Banda Oriental, in South America, as Told By Himself By W. H. Hudson ILLUSTRATED BY Keith Henderson [Illustration: RICHARD] Second Edition, 1904 NEW YORK PREFACE This work was first issued in 1885, by Messrs. Sampson Low, in two slim volumes, with the longer, and to most persons, enigmatical title of _The Purple Land That England Lost_. A purple land may be found in almost any region of the globe, and 'tis of our gains, not our losses, we keep count. A few notices of the book appeared in the papers, one or two of the more serious literary journals reviewing it (not favourably) under the heading of "Travels and Geography"; but the reading public cared not to buy, and it very shortly fell into oblivion. There it might have remained for a further period of nineteen years, or for ever, since the sleep of a book is apt to be of the unawakening kind, had not certain men of letters, who found it on a forgotten heap and liked it in spite of its faults, or because of them, concerned themselves to revive it. We are often told that an author never wholly loses his affection for a first book, and the feeling has been likened (more than once) to that of a parent towards a first-born. I have not said it, but in consenting to this reprint I considered that a writer's early or unregarded work is apt to be raked up when he is not standing by to make remarks. He may be absent on a journey from which he is not expected to return. It accordingly seemed better that I should myself supervise a new edition, since this would enable me to remove a few of the numerous spots and pimples which decorate the ingenious countenance of the work before handing it on to posterity. Besides many small verbal corrections and changes, the deletion of some paragraphs and the insertion of a few new ones, I have omitted one entire chapter containing the Story of a Piebald Horse, recently reprinted in another book entitled _El Ombu_. I have also dropped the tedious introduction to the former edition, only preserving, as an appendix, the historical part, for the sake of such of my readers as may like to have a few facts about the land that England lost. W. H. H. _September, 1904._ [FOR THE SECOND EDITION] [Illustration: MARGARITA] [Illustration: DOLORES] [Illustration: PAQUITA] [Illustration: TORIBIA] [Illustration: MONICA] [Illustration: ANITA] [Illustration: SANTA COLOMA] [Illustration: CANDELARIA] [Illustration: DEMETRIA] [Illustration: HILARIO] CHAPTER I Three chapters in the story of my life--three periods, distinct and well defined, yet consecutive--beginning when I had not completed twenty-five years and finishing before thirty, will probably prove the most eventful of all. To the very end they will come back oftenest to memory and seem more vivid than all the other years of existence--the four-and-twenty I had already lived, and the, say, forty or forty-five--I hope it may be fifty or even sixty--which are to follow. For what soul in this wonderful, various world would wish to depart before ninety! The dark as well as the light, its sweet and its bitter, make me love it. Of the first of these three a word only need be written. This was the period of courtship and matrimony; and though the experience seemed to me then something altogether new and strange in the world, it must nevertheless have resembled that of other men, since all men marry. And the last period, which was the longest of the three, occupying fully three years, could not be told. It was all black disaster. Three years of enforced separation and the extremest suffering which the cruel law of the land allowed an enraged father to inflict on his child and the man who had ventured to wed her against his will. Even the wise may be driven mad by oppression, and I that was never wise, but lived in and was led by the passions and illusions and the unbounded self-confidence of youth, what must it have been for me when we were cruelly torn asunder; when I was cast into
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Produced by David Starner, Tiffany Vergon, William Patterson and the Online Distributed Proofreading Team THE ESPERANTO TEACHER, A SIMPLE COURSE FOR NON-GRAMMARIANS. BY HELEN FRYER. TENTH EDITION. (B.E.A. PUBLICATIONS FUND--No. 3). All profits from the sale of this book are devoted to the propaganda of Esperanto. LONDON: BRITISH ESPERANTO ASSOCIATION (Incorporated), 17, Hart Street, W.C.I. * * * * * PRESENTATION. Perhaps to no one is Esperanto of more service than to the non-grammarian. It gives him for a minimum expenditure of time and money a valuable insight into the principles of grammar and the meaning of words, while enabling him, after only a few months of study, to get into communication with his fellow men in all parts of the world. To place these advantages within easy reach of all is the aim of this little book. Written by an experienced teacher, revised by Mr. E. A. Millidge, and based on the exercises of Dr. Zamenhof himself, it merits the fullest confidence of the student, and may be heartily commended to all into whose hands it may come. W. W. PADFIELD. PREFACE. This little book has been prepared in the hope of helping those who, having forgotten the lessons in grammar which they received at school, find some difficulty in learning Esperanto from the existing textbooks. It is hoped it will be found useful not only for solitary students, but also for class work. The exercises are taken chiefly from the "Ekzercaro" of Dr. Zamenhof. The compiler also acknowledges her indebtedness especially to the "Standard Course of Esperanto," by Mr. G. W. Bullen, and to the "Esperanto Grammar and Commentary," by Major-General Geo. Cox, and while accepting the whole responsibility for all inaccuracies and crudenesses, she desires to thank all who have helped in the preparation, and foremost among them Mr. W. W. Padfield, of Ipswich, for advice and encouragement throughout the work, and to Mr. E. A. Millidge, for his unfailing kindness and invaluable counsel and help in its preparation and revision. MANNER OF USING THE BOOK. The student is strongly advised to cultivate the habit of thinking in Esperanto from the very beginning of the study. To do this he should try to realise the idea
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Produced by D. Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) MARCO PAUL'S ADVENTURES IN PURSUIT OF KNOWLEDGE. FORESTS OF MAINE. BY THE AUTHOR OF ROLLO, JONAS, AND LUCY BOOKS. BOSTON: T. H. CARTER & COMPANY, 118 1/2 WASHINGTON STREET. 1843. Entered, according to act of Congress, in the year 1843, BY T. H. CARTER, In the Clerk's Office of the District Court of Massachusetts. STEREOTYPED BY GEORGE A. CURTIS, N. ENGLAND TYPE AND STEREOTYPE FOUN
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Produced by David Widger from page images generously provided by the Internet Archive THE BLUE AND THE GRAY OR, THE CIVIL WAR AS SEEN BY A BOY A Story of Patriotism and Adventure in Our War for the Union By A. R. White With Over 150 War Photographs And Original Drawings Illustrated by Frank Beard `"We live for freedom; let us clasp each other by the hand; `In love and unity abide, a firm, unbroken band; `We cannot live divided--the Union is secure! `God grant that while men live and love, this nation may endure." --DR. FRED A. PALMER, [Illustration: 0001] [Illustration: 0008] [Illustration: 0011] [Illustration: 0013] [Illustration: 0014] 1898 BY K. T. BOLAND. TO THE SONS AND THE DAUGHTERS OF THE VETERANS OF THE CIVIL WAR; TO THOSE WHO FOUGHT ITS BATTLES AND LIVED TO INSTIL ITS LESSONS OF PATRIOTISM IN THE HEARTS OF THEIR CHILDREN; TO THOSE OF ALL CLIMES WHO LOVE LIBERTY AND THE NOBLE LAND WHERE FREEDOM HAD HER BIRTH; TO THE MEMORY OF THE HEROES OF NORTH AND SOUTH WHO FELL IN battle; TO ONE UNITED COUNTRY, BOTH NORTH AND SOUTH, FOREVER ONE IN ALL NOBLE AND LOFTY PURPOSES AND AIMS; TO THE HOMES OF AMERICA; THIS BOOK IS LOVINGLY DEDICATED BY YOURS SINCERELY THE AUTHOR. CALEB B. SMITH, Secretary of Interior. EDWIN M. STANTON, Secretary of War. GIDEON WELLES, Secretary of Navy. WILLIAM H. SEWARD, Secretary of State. EDWARD BATES, Attorney-General. SIMON P. CHASE, Secretary of Treasury. MONTGOMERY BLAIR, Postmaster-General. JUDAH P. BENJAMIN, Attorney-General, War, State. ROBERT TOOMBS, Secretary of State. LEROY P. WALKER, Secretary of War. STEPHEN R. MALLORY, Secretary of the Navy. CHRISTOPHER G. MEMMINGER. Secretary of Treasury. JOHN H. REAGAN, Postmaster-General. [Illustration: 9015] HE scenes of the war, related by a boy who followed the flag from the beginning to the end of the war, must carry with them a sense of accuracy, for they are the recollections of actual service. Those books which have been written upon the war have, with very few exceptions, been penned from the standpoint of mature opinions and experiences. In this work the views and struggles of a boy who went into the army, from an honest desire to do right, are portrayed. To fight was abhorrent to his nature, but there was a call for men who were willing to defend the institutions of his beloved land. And that defense was only possible through bloodshed and conflict. Tenderly instructed by a loving and gentle mother, whose early home was in the South, it was almost a wrenching of her cherished opinions, to give him up to fight against her kindred. But her boy did not enter the contest with a thought of conquering his fellow-beings, but as a duty which, though painful, must be performed. How that dear mother gave him to his country, how he marched, and fought, and endured hardships, are here set forth in the colors of truth, for it is a true story. And that the boys and girls of to-day and their fathers and mothers may follow the varying fortunes of the boy of our story, thus ushered into the conflict, with pleasure and profit, is the heartfelt hope of The Author. LIST OF ILLUSTRATIONS. Abraham Lincoln and His Cabinet.........................008 A Business Street in Manila.............................389 A Cuban Home............................................371 Allan Pinkerton and Secret Service Officers.............073 An Alexandria Anti-bellum Relic.........................069 Appomattox Court House..................................227 Artillery Going to the Front............................126 Asking for Furlough.....................................095 A Southern Mansion......................................086 A Stolen Child..........................................338 A Sugar Factory in Manila...............................377 Attack on Fredericksburg................................145 Attack on the Mail......................................337 A Typical <DW52> Boy...................................080 Battle of Bull Run......................................051 Battle of Chancellorsville..............................298 Battle of Malvern Hill-Lee's Attack.....................076 Battle of Phillipi......................................046 Battle of Shiloh........................................194 Bearing Dispatches......................................106 Burning of Chicago......................................328 Burnside Bridge.........................................135 Burying Old Bill........................................142 Camp Douglas............................................159 Camp Fire Songs.........................................117 Camp Life-In the Kitchen................................071 Camp Life on Monday.....................................077 Camp of the Army of the Potomac.........................104 Capitol at Richmond.....................................065 Captain John L Worden Commanding the Monitor............175 Capture of a White Child................................340 Caring for the Dead.....................................055 Charge of a Confederate Cavalry at Trevalian Station... 221 Colonel John S Mosby and a Group of His Raiders.........211 Confederate Soldiers' Monument--Richmond, Va............259 Crossing Big Black River................................191 Custer's Last Charge....................................347 Death of Sitting Bull...................................343 Decoration Day--Gettysburg..............................262 Destruction of Cervera's Fleet..........................385 Devil's Den.............................................208 Dewey's Victorious Battle...............................375 Diamond Joe and Aunt Judah When Young...................082 "Do Any of You Know Peter Hall?"........................123 Drinking from the Same Canteen..........................245 Earthquake at Charleston................................334 Episcopal Church at Alexandria, Va......................088 Fairfax Court House.....................................027 Fall of General James B McPherson near Atlanta..........215 Federal Gunboat--Foraging...............................072 Foraging................................................197 Fort Donelson...........................................161 Fortress Monroe.........................................022 Fort Sumter.............................................019 Franklin Buchanan Commanding the Merrimac...............172 Fremont's Body Guard....................................101 Fun in Camp.............................................119 Garfield Lying in State.................................314 Garfield's Struggle with Death..........................316 General Grant's Birthplace..............................309 General Hancock and Friends.............................153 General Lee on His Favorite Horse.......................295 General Longstreet Wounded by His Own Men...............213 General Meade's Headquarters............................298 General Miles...........................................393 Gettysburg Cemetery Gate................................212 Grant's Tomb-New York...................................258 Grant Breaking a Horse..................................311 Grant Plowing at the Age of 11..........................310 Hailing the Troops......................................064 Harper's Ferry..........................................040 Horticultural Hall, Philadelphia........................323 House Where Lee Surrendered.............................242 Indian Chief............................................349 Indian Dance............................................339 Indian Schools of To-day................................341 Indian Scout............................................350 Interior of Hospital....................................249 In Winter Quarters......................................105 Jefferson Davis and His Cabinet.........................010 Joe Hiding in the Woods.................................083 John Brown's Capture....................................042 Location of the Union Troops--Henry House...............053 Making a Military Road Through a Swamp..................198 Map-Battlefields of the Great Civil War.................147 Map-Loyal and Seceding States...........................052 Map--Showing the Seat of War............................132 Map-The Shenandoah Valley...............................121 McLean House............................................232 National Cemetery at Richmond, Va.......................217 <DW64> Village in Georgia................................036 Off for the War.........................................018 Old Aunt Judah..........................................081 Old City Hall-New Orleans...............................113 On Board the Hartford-Battle of Mobile Bay..............168 On the March............................................039 Picket Off Duty Forever.................................059 Proposed Monument to Jefferson Davis....................260 Portrait-Alexander H Stephens...........................024 Portrait-Abraham Lincoln................................236 Portrait-Admiral Cervera................................381 Portrait--Benjamin F Butler.............................043 Portrait-Brigadier-General Neal Dow.....................222 Portrait-Buffalo Bill, a Foe of the Indians.............342 Portrait-Belle Boyd.....................................257 Portrait-Charles A Dana.................................133 Portrait-Captain Charles Wilke..........................203 Portrait-Capt Raphael Semmes............................218 Portrait-Commander David D Porter.......................186 Portrait-Christopher Carson.............................351 Portrait-Colonel Charles W Le Gendre....................214 Portrait-Florence Nightingale...........................255 Portrait-Frances Willard................................358 Portrait-General Ambrose E Burnside.....................125 Portrait-General Custer.................................218 Portrait-General George B McClellan.....................047 Portrait-General George E Meade.........................151 Portrait-General Grant..................................163 Portrait-General Grant..................................231 Portrait-General Hooker.................................154 Portrait-General John A Dix.............................025 Portrait-General James Longstreet, C S A................062 Portrait-General Joseph E Johnston......................091 Portrait-General John C Fremont.........................100 Portrait-General John A Logan...........................190 Portrait-General James B McPherson......................196 Portrait-James Abram Garfield...........................315 Portrait-General Lee....................................399 Portrait-General Lew Wallace............................127 Portrait-General Oliver O Howard........................220 Portrait-General P T G Beauregard.......................045 Portrait-General Phil Kearney...........................139 Portrait-General Pickett................................209 Portrait-General Rosecrans..............................136 Portrait-General Stonewall Jackson......................182 Portrait-General Winfield Scott.........................030 Portrait-General Winfield Hancock.......................152 Portrait-General William Tecumseh Sherman...............189 Portrait-General Wade Hampton...........................205 Portrait-General Robert Anderson........................292 Portrait-Harriet B Stowe................................206 Portrait-Henry Ward Beecher.............................021 Portrait-Hobson.........................................383 Portrait-Honorable Charles Sumner.......................087 Portrait-Horace Greeley.................................204 Portrait-James Murray Mason.............................020 Portrait-John Slidell...................................020 Portrait-John Brown.....................................041 Portrait-Jennie Wade....................................209 Portraits (from Photographs)-John M Morgan and Wife.....216 Portrait-John A Winslow.................................219 Portrait-John B Gordon..................................229 Portrait-Jefferson Davis................................230 Portrait-John Wilkes Booth..............................237 Portrait-Lee's Surrender................................239 Portrait-General Montgomery Meigs.......................026 Portrait-Major-General Philip H Sheridan................226 Portrait-Miss Nellie M Taylor...........................251 Portrait-Miss Hattie A Dana.............................252 Portrait-Mrs Mary D Wade................................252 Portrait-Miss Clara Barton..............................253 Portrait-Major-General Fitzhugh Lee, C S A..............094 Portrait-Miss Louisa M Alcott...........................256 Portrait-Mrs Mary Livermore.............................254 Portrait-Miss Margaret Breckenridge.....................256 Portrait-Robert E Lee...................................078 Portrait-Rear Admiral David G Farragut..................186 Portrait-Thomas A Edison................................325 Portrait--Walter Q Gresham..............................223 Portrait--William H Seward..............................320 Portrait-William McKinley...............................356 Portrait-William J Bryan................................356 Pickets Examining Passes................................175 Prayer in Stonewall Jackson's Camp......................183 Prayer at the Funeral of the Maine's Victims............369 Punishment in the Army..................................207 Ralph and the Officer...................................029 Ralph's Good-Bye........................................032 Recruiting Office, New York City Hall Park..............181 Rejoicing...............................................066 Review of Soldiers-Washington...........................241 Ruins of the House......................................085 Sharp Shooters..........................................107 Sheridan Reconnoitering at Five Forks...................224 Siege Gun...............................................020 Soldiers Near Santiago..................................395 The Art Palace, World's Fair............................353 The Battle of Atlanta, Ga...............................097 Stand of Flags..........................................170 The Death of Ellsworth..................................043 The Frigate Cumberland Rammed by the Merrimac...........173 The Sister's Farewell...................................277 Thomas A Edison and His Talking Machine.................326 The Soldier's Farewell..................................180 Troops Going to Manila..................................373 Uncle Ned...............................................149 United States Military Wagon............................035 Warning the Inhabitants.................................332 Wesley Merritt and His Staff............................199 West Point..............................................293 What Caused the War-The <DW64> and Cotton................057 Wounding of General Stonewall Jackson...................178 INTRODUCTION. [Illustration: 9021] OOKS without number have been written upon the Civil War. There will probably be many more, for it is a fruitful theme. Many of them are faithful and accurate presentations of the great deeds done in that war. But whether large or small, they are all imbued with a desire to perpetuate that love of our country which should become one of the absorbing passions of the soul. It is a truth worth remembering--that the man who is a traitor to his country will be a traitor to all the relations of life. Our land, young as it is, has received an awful baptism of fire and blood. It sprang into being amid the anguish of the Revolution, and before it had achieved a century of freedom, it was plunged into one of the saddest conflicts which ever desolated a nation--the conflict between brothers, speaking the same tongue, living under the same government, and enjoying the same great privileges. But from that terrible ordeal it has emerged, and we are once more one in aim and purpose, and have taken our stand among the proudest nations of the earth, their equal in intelligent achievements, religion and progress. The little book we offer our young readers is the simple story, told in plain language, of a boy who was really in the army--one who left a pleasant home, as did thousands of others, a mere lad, loving his native land, knowing her need of strong hands and willing hearts to defend her. His purpose was noble, his mind fresh and ready for impressions; the scenes of those days are as ineffaceable as though written on marble, and not even the corroding touch of time can eat them away. So the present volume has been penned, that the boys and girls who read its pages may know of the hardships and self-sacrifice of the boys of those days--how cheerfully they enlisted to uphold the "starry flag," whose folds shall ever "float o'er the land of the free, and the home of the brave." There are other lessons to be taught, as well as that of courage alone; the lessons of patriotism, of sacrifice, of respect for a government that offers to all its protection so long as they obey its just and equitable laws. No one doubts the courage of our boys, but they must remember that there is a higher quality than mere bravery--regard for human life, that' it be not destroyed wantonly, a respect for others' rights and opinions, a readiness to submit to discipline, a willingness to yield up life when honor and duty demand it. All these thoughts were impressed upon the boy of our story, and made him a grander man for their lessons, when the pursuits of peace claimed him. To the boys and girls whose fathers and friends fought that a great principle should live, to those whose dear ones fell in battle, or died of wounds, to all who read this true history of one boy's life in the army, we send forth this picture, the type of a true soldier, who did not love war for its noise and glitter, but who conscientiously fought the battles of his country because he revered her beneficent institutions. It was there that he was taught what true freedom meant, and through all his trials, his privations, he kept his faith in God and humanity undimmed. Such was our boy, and of such material heroes are made. The Publishers THE CIVIL WAR AS SEEN BY A BOY. CHAPTER I. THE BEGINNING OF WAR. [Illustration: 9023] HE early {017}spring days of 1861 were dreams of beauty. The skies smiled blandly upon the earth, and every heart was glad that the long winter was over, and the charms of outdoor life could be enjoyed once more. Surely nature had done her part in making men happy. A spirit of unrest and uncertainty, however, brooded in the air. The long conflict between opposing ideas, which had waged so long and bitterly in politics and churches, and through the columns of the press, had come to a focus, and dread murmurs were abroad, of an impending war, and its attendant horrors. Men looked in each other's faces, and asked, with sad forebodings--"What is coming next?" The South made ample preparations to seize two South Carolina forts, Moultrie and Sumter, as early as December, 1860. Lieutenant-Colonel Gardner was the commander of Fort Moultrie, and, loyal to the government, he sent to Washington asking for reinforcements to help him hold that fort. This request offended the Southern members of Congress, who construed it into an insult, and demanded his removal. This demand was acceded to by Secretary of War Floyd, and Major Robert Anderson of Kentucky was appointed to supersede Colonel Gardner. Major Anderson, {018}faithful to the trust reposed in him by the government, soon decided that Fort Moultrie could not be held against a vigorous assault, and he moved his garrison secretly to Sumter, a fortress across the harbor. This fort could not be approached by land, and, consequently, from this fact, was deemed more secure against any opposing force. The undertaking was a dangerous one. The harbor was full of guard boats, vigilant and watchful, and only their supposition that the little rowboats containing Major Anderson and his men were laborers going to the other fort to work on it, prevented their detection and arrest. [Illustration: 0024] Moultrie's guns had been trained to protect this transfer in case the Major's intention was discovered, and the fort, whose defense rendered the gallant Anderson immortal, was occupied by his troops at only twenty minutes' notice! We think that was the quickest "moving time" on record. A siege gun which was turned upon Fort Sumter is shown on page 20. Its carriage is broken, and it was thus rendered useless by the Confederates, when they abandoned the fort in 1864. France {019}and England would not acknowledge the South as an independent nation, but the Confederate government did all possible to bring this about by sending Messrs. James M. Mason of Virginia and John Slidell of Louisiana to London and Paris with the hope that their claims would be recognized. Henry Ward Beecher, when in the height of his fame, afterward went to England, addressing immense audiences, and setting forth the true condition of American affairs. [Illustration: 0025] The hope of the Southerners was that the government would allow a peaceable withdrawal of the dissatisfied States, and that no bloodshed would be necessary, but as time went by and the most active preparations for keeping them in the Union were made by the general government, they commenced hostilities, and the first gun of the war was fired by the Confederates under General Beauregard on the morning of April 12, and while the officers and men within the fort were eating their breakfast, a perpetual bursting {020}of shells and shot kept them awake to the fact that the peace had been broken, and war had begun. [Illustration: 0026] After breakfast the force was divided up into firing parties and the first reply on the part of the Union was made by Captain Abner {021}Doubleday. But their guns were very light. A bombardment followed, and on the 14th of April, 1861, General Robert Anderson evacuated the fort. [Illustration: 0027] Blockade running was so common it became necessary to fit out out an expedition to close the most valuable of the openings, Hatteras Inlet. The first expedition projected for this purpuse was fitted out near Fortress Monroe and was under the command of Flag Officer Silas H. Stringham. The engagement lasted three hours with a complete victory for Stringham, and several blockade runners entered the inlet and were captured. The news fell like a pall upon the North. It was impossible so many and old man urged, that Americans, our own people could be so disloyal. Why had they done it? What did it mean? And when, in consequence of this act, President Lincoln ordered them to disperse within twenty days, and called for 75,000 men from the various States, to enlist to "suppress this combination against the laws," the response came swiftly. In every town and village the patriotic fires were kindled, and boys and old men pressed on, side by side, willing to give their lives, if need be, to uphold their country's flag. {022} [Illustration: 0028] Many {023}a smooth-cheeked lad, loved dearly and tenderly reared, went forth from his home, never again to enter its portal. Alas, for those sad days! [Illustration: 9029] Recruiting went swiftly on. Speech-making and passionate appeals to the people were heard in every quarter of the North. Women could not fight, but they could organize sewing societies, and work untiringly for those who had gone to the front. Many an article found its way to the army that was useful, and when blood had been spilled, these same patient and tearful women sent lint, and bandages, and medicines, for the sick and wounded. As the call for soldiers awoke the boys and men of the North, so did a like summons from their leaders arouse the spirit of the South. They had orators in their midst, whose tones swayed them, and they, too, enlisted to form an army which should repel the "encroachments" of those whom they deemed their enemies. Boys went forth from luxurious homes, and stood shoulder to shoulder with the humblest, clad in the gray, all equally ready to sacrifice life and home to their idea of duty. One {024}lad, in his Western home, a dreamer thus far, the light of his widowed mother's life, heard the war cry, and the blood tingled in his veins as he listened to stirring arguments day by day, and saw one after another of his companions leave their homes to join the forces that were being hurried forward to headquarters. [Illustration: 0030] He felt that{025} he must go with them. Why not? His eye was as keen, his brain as clear, his arm as strong to do whatever his country required of him, as were theirs. [Illustration: 0031] This longing haunted him by day and night, until it became unbearable. He went to his mother, and with earnest words begged her to send him. Alas, that mother was not equal to the task. {026}She was loving, gentle and shrinking, and when he urged her to let him go, her answer was--"Ralph, you know not what you ask. Do you forget that I am a Southern woman, whose childhoods days were spent in that beautiful country? All my people are there. Would you have me send my boy away to fight those I love, and whose feelings I must share? You are asking too great a sacrifice at my hands." "Mother, it is true that you were born and educated there. But did you not love my father so dearly that you left your home and all your friends to come to the North with him, where I was born?" [Illustration: 9032] A tender smile flitted across her still beautiful face. "Yes, I did love him," she said softly to herself, "and I honor his memory. What shall I do?--I cannot forget my dear childhood's home. It is too hard a question for me to decide." "Let me decide for you, mother. You surely love your Northern home and friends. The people of the South have fired upon our forts in Charleston harbor, and driven the garrison away. I, too, am a Southerner in many ways. Are you not my mother, and do you not know I honor every thought or wish of yours?" "There must be some other way to bring them back, rather than by fighting. War is a cruel and unnatural alternative. Why, they will be firing upon their own people--like brothers in one family falling out, and seeking to do each other deadly harm." {027} [Illustration: 0033] Ralph {028}was silent. His heart burned with patriotic fire, and it seemed to him that it was his duty to help swell the numbers of those who were ready to respond to the President's call. But he also knew that his mother loved her early home, and that it seemed to her unnatural for him to be so ready to take up arms against "her people," and he respected her too deeply to wound her willingly. That mother had been gently born, and when she met the young Northern lawyer, she had loved him from the first, and cheerfully shared his humble but peaceful home. She was now left alone in the world, with her three girls and this boy, the youngest. The fortunes of war were too varying. She might never see him again, and how could she live without him? To Ralph was presented a problem that he was called unexpectedly to solve. He pondered over it in the silence of night, and in the busy hours of day. Was it right to fly in the face of his beloved mother's prejudices by joining the Federal forces? On the one hand he felt that he, too, was Southern in feeling and in birth. His father was a Northern man, and he would uphold the old flag; but which side it was his duty to join, he could not determine. He was resolved to go into one of the two armies. In the crisis that had come, it was clearly every one's duty to come to the front. The boy talked with every one whom he could interest. He was not able to study out the problem alone. One of his schoolmates had the proud distinction of having an uncle who was a commissioned officer, and he took the bold step of meeting him one day when he was walking past his home. "Sir," he said timidly, "may I speak to you?" "Certainly," the officer replied. And then and there he poured forth his doubts, his desire to do what was right, his mother's objections--all, he told the waiting gentleman whose opinion he so desired. The officer laid his hand kindly on the boy's shoulder. "Your wish does you credit. The fortunes of war are too varying for me to decide for you. Try and work out the proper answer yourself, and may you be helped to make a wise decision." Alas, {029}the question was too hard for a boy like him to answer. He was humbly trying to see where his duty lay, and then he was ready to enlist on whichever side called him. On one hand was his mother and her early teachings, on the other his dead father, with all his views. "What side would _he_ choose were he here?" was the ever-recurring thought in his anxious brain. [Illustration: 8035] But after weeks of this long, weary struggle, he decided to join the Union army. His mother saw that he believed he was shirking a duty, and that he longed for action. She thought she would make one more effort to change his purpose. She said to him suddenly one day, when she saw his troubled face: "Ralph, you are only seventeen. You have never been away from your home, and know nothing about hardships and privations. Do you think you could face a cannon, and know that its deadly mouth might lay you low on the field, mangled and torn?" "Oh, mother, I never think of such things. If I enlist, I must take my chances with the rest. I want to go with the other boys. Eddie Downing and George Martin have and are going into camp to-morrow, at Readville." "But will the government accept you? Eddie and George are three or four years older than you. There are plenty of men, without taking a boy who is his mother's chief comfort." {030} [Illustration: 0036] "I am strong and well. When I come back, you will be the proudest mother in the land, to think you sent your boy away. I may go with your blessing, may I not? That will protect me." The {031}boy's eyes were moist with emotion. His mother, with a sigh, gave her reluctant consent, and though many a bitter tear was shed in the loneliness of her room, she bravely hid them from the boy she loved. Now that the decision was final, she made every preparation for the comfort of the boy who was to leave them so soon. His sisters wept continually--not a very cheerful parting, but Ralph was the idol of his home. "Mother," he said to her a day or two after she had given her consent, "do not worry about me. I shall do my duty. This war _can't_ last long. Then I'll come back to you, and stay at home as long as I live, depend on that." His beaming face half reassured her, and she began to share his enthusiasm. He was enrolled as a soldier. Although his youth was at first objected to, his earnestness carried the day, and he was told to report at Camp Hale at once. He was a real soldier at last! A genuine soldier, who must fight. He did not belong to the would-be soldiers, such as they used to call the "militia," who simply paraded on the open green, or turned out on dress occasions, with the curious for an audience, who would watch and be astonished at their evolutions and their showy uniforms, when the Fourth of July or kindred days made their demands upon them. In his neat-fitting suit of blue, the cap setting jauntily upon his head, his musket in hand, and his belt with its bayonet buckled around him, he looked so manly that a thrill of pride flashed o'er his mothers face, as she looked at her boy, her Ralph, in his "soldier clothes." But when the day came for him to leave the only home he had ever known, and he turned to take a last look at its plain walls, his heart almost failed him. His beloved mother stood in the doorway, her hands pressed over her face, while she strove to keep back the choking sobs, as she bade her boy--"Good-bye, and may God bless and protect you." Those solemn words came back to Ralph in many a lonely hour, and brought him consolation and support. Thus, {032}in many homes, both North and South, were the heartstrings torn, as mothers and sisters bade farewell to the boys in blue and gray, who went to the front, to lay down their lives for duty's sake. Ralph was a proud boy when he joined his companions in camp, wearing the blue uniform, with its shining buttons bearing the U. S. stamp upon them. [Illustration: 0038] {033} [Illustration: 0039] He was naturally retiring, but now he felt as if the eyes of the world were upon him. He had taken an important step, and he would show his friends and that great big world that he knew exactly what he was doing. Camp life was one continual drill--so it seemed to him. Readville was a quiet little town, but its people were ablaze with patriotism, and the "boys in blue" were the recipients of perpetual admiration. Every move they made was noticed and approved, and it is not to be wondered at if some of them did greedily swallow considerable flattery, which led them to assume quite lofty airs. The sameness of life in camp soon wearied, and Ralph longed for something more stirring. When the bugle call rang out, every man sprang up, and, after a hasty ablution, at a second call they made a charge upon their breakfast with vehemence, and tin cups and plates rattled in a most discordant fashion. Then the drill began; first with musket and rifle, and then with the bayonet. A bayonet charge was a fierce reminder of the real thing. When men meet the enemy with fixed bayonets, a dreadful slaughter may always be counted on. This drilling was kept up at intervals, all through the day; first in squads and companies, and then the entire regiment would take part in the use of these weapons, and the various evolutions that the drill-master taught. Ralph was very anxious to become proficient in their use, and while many of the older men grumbled at this work, he kept on, learning at each repetition something more of their actual value. "You'll have to know all about this," said Lieutenant Hopkins to them, or you'll be in a nice hole when
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E-text prepared by David Garcia, Paul Ereaut, and the project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/) from page images generously made available by the Kentuckiana Digital Library (http://kdl.kyvl.org/) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 18721-h.htm or 18721-h.zip: (http://www.gutenberg.net/dirs/1/8/7/2/18721/18721-h/18721-h.htm) or (http://www.gutenberg.net/dirs/1/8/7/2/18721/18721-h.zip) Images of the original pages are available through the Kentuckiana Digital Library. See http://kdl.kyvl.org/cgi/t/text/text-idx?c=kyetexts;cc=kyetexts;xc=1&idno=B92-201-30752212&view=toc Transcriber's note: Variations in spelling and hyphenation have been made consistent. THE VICTIM A Romance of the Real Jefferson Davis by THOMAS DIXON Illustrated by J. N. Marchand BOOKS BY THOMAS DIXON The Victim The Southerner The Sins of the Father The Leopard's Spots The Clansman The Traitor The One Woman Comrades The Root of Evil The Life Worth Living [Illustration: "The man in front gave a short laugh and advanced on the girl" [Page 300]] THE VICTIM "_A majestic soul has passed_"--Charles A. Dana [Illustration: Colophon] New York and London D. Appleton and Company 1914 Copyright, 1914, by Thomas Dixon All rights reserved, including that of translation into all foreign languages, including the Scandinavian Printed in the United States of America TO THE BRAVE WHO DIED FOR WHAT THEY BELIEVED TO BE RIGHT _Fold up the banners! Smelt the guns! Love rules. Her gentle purpose runs. A mighty mother turns in tears The pages of her battle years Lamenting all her fallen sons!_ THOMPSON TO THE READER _In the historical romance which I have woven of the dramatic events of the life of Jefferson Davis I have drawn his real character unobscured by passion or prejudice. Forced by his people to lead their cause, his genius created an engine of war so terrible in its power that through it five million Southerners, without money, without a market, without credit, withstood for four years the shock of twenty million men of their own blood and of equal daring, backed by boundless resources._ _The achievement is without a parallel in history, and adds new glory to the records of our race._ _The scenes have all been drawn from authentic records in my possession. I have not at any point taken a liberty with an essential detail of history._ Thomas Dixon. CONTENTS PROLOGUE I The Curtain Rises II The Parting III A Midnight Session IV A Friendly Warning V Boy and Girl VI God's Will VII The Best Man Wins VIII The Storm Center IX The Old Regime X The Gauge of Battle XI Jennie's Vision XII A Little Cloud XIII The Closing of the Ranks XIV Richmond in Gala Dress XV The House on Church Hill XVI The Flower-Decked Tent XVII The Fatal Victory XVIII The Aftermath XIX Socola's Problem XX The Anaconda XXI Gathering Clouds XXII Jennie's Recruit XXIII The Fatal Blunder XXIV The Sleeping Lioness XXV The Bombardment XXVI The Irreparable Loss XXVII The Light that Failed XXVIII The Snare of the Fowler XXIX The Panic in Richmond XXX The Deliverance XXXI Love and War XXXII The Path of Glory XXXIII The Accusation XXXIV The Turn of the Tide XXXV Suspicion XXXVI The Fatal Deed XXXVII The Raiders XXXVIII The Discovery XXXIX The Conspirators XL In Sight of Victory XLI The Fall of Richmond XLII The Capture XLIII The Victor XLIV Prison Bars XLV The Master Mind XLVI The Torture XLVII Vindication LIST OF ILLUSTRATIONS "The man in front gave a short laugh and advanced on the girl" "'You have given me new eyes--'" "'We have won, sir!' was the short curt answer" "Dick saluted and sprang into the saddle--'I understand, sir'" "Jennie thrust her trembling little figure between the two men and confronted Dick" "'Do your duty--put them on him!'" LEADING CHARACTERS OF THE STORY _The Prologue_ 1814-1853 Lt. Jefferson Davis, Of the U. S. Army. Joseph E. Davis, His Big Brother. Colonel Zachary Taylor, "Old Rough and Ready." Sarah Knox Taylor, His Daughter. James Pemberton, A Faithful Slave. _The Story_ 1860-1867 Hon. Roger Barton, An Original Secessionist. Jennie, His Daughter. Dick Welford, A Confederate Soldier. Joseph Holt, A Renegade Southerner. Henrico Socola, A Soldier of Fortune. The President, Of the Confederacy. Mrs. Davis, His Wife. Burton Harrison, His Secretary. Joseph E. Johnston, A Master of Retreat. P. G. T. Beauregard, The First Hero. Stonewall Jackson, Of the "Foot Cavalry." Robert E. Lee, The Southern Commander. U. S. Grant, The Bull Dog Fighter. Nelson A. Miles, A Jailer. John C. Underwood, A Reconstruction Judge. THE VICTIM The Prologue THE VICTIM PROLOGUE I KIDNAPPED The hot sun of the South was sinking in red glow through the giant tree-tops of a Mississippi forest beyond the village of Woodville. A slender girl stood in the pathway watching a boy of seven trudge manfully away beside his stalwart brother. Her lips trembled and eyes filled with tears. "Wait--wait!" she cried. With a sudden bound she snatched him to her heart. "Don't, Polly--you hurt!" the little fellow faltered, looking at her with a feeling of sudden fear. "Why did you squeeze me so hard?" "You shouldn't have done that, honey," the big brother frowned. "I know," the sister pleaded, "but I couldn't help it." "What are you crying about?" the boy questioned. Again the girl's arm stole around his neck. "What's the matter with her, Big Brother?" he asked with a brave attempt at scorn. The man slowly loosened the sister's arms. "I'm just going home with you, ain't I?" the child went on, with a quiver in his voice. The older brother led him to a fallen log, sat down, and held his hands. "No, Boy," he said quietly. "I'd as well tell you the truth now. I'm going to send you to Kentucky to a wonderful school, taught by learned men from the Old World--wise monks who know everything. You want to go to a real school, don't you?" "But my Mamma don't know--" "That's just it, Boy. We can't tell her. She wouldn't let you go." "Why?" "Well, she's a good Baptist, and it's a long, long way to the St. Thomas monastery." "How far?" "A thousand miles, through these big woods--" The blue eyes dimmed. "I want to see my Mamma before I go--" his voice broke. The man shook his head. "No, Boy; it won't do. You're her baby--" The dark head sank with a cry. "I want to see her!" "Come, come, Jeff Davis, you're going to be a soldier. Remember you're the son of a soldier who fought under General Washington and won our freedom. You're named after Thomas Jefferson, the great President. Your three brothers have just come home from New Orleans. Under Old Hickory we drove the British back into their ships and sent 'em flying home to England. The son of a soldier--the brother of soldiers--can't cry--" "I will if I want to!" "All right!" the man laughed--"I'll hold my hat and you can cry it full--" He removed his hat and held it smilingly under the boy's firm little chin. The childish lips tightened and the cheeks flushed with anger. His bare toes began to dig holes in the soft rich earth. The appeal to his soldier blood had struck into the pride of his heart and the insult of a hat full of tears had hurt. At last, he found his tongue: "Does Pa know I'm goin'?" "Yes. He thinks you're a very small boy to go so far, but knows it's for the best." "That's why he kissed me when I left?" "Yes." "I thought it was funny," he murmured with a half sob; "he never kissed me before--" "He's quiet and reserved, Boy, but he's wise and good and loves you. He's had a hard time out here in the wilderness fighting his way with a wife and ten children. He never had a chance to get an education and the children didn't either. Some of us are too old now. There's time for you. We're going to stand aside and let you pass. You're our baby brother, and we love you." The child's hand slowly stole into the rough one of the man. "And I love you, Big Brother--" the little voice faltered, "and all the others, too, and that's-why-I'm-not-goin'!" "I'm so glad!" The girl clapped her hands and laughed. "Polly!--" "Well, I am, and I don't care what you say. He's too little to go so far and you know he is--" The man grasped her hand and whispered: "Hush!" The brother slipped his arm around the Boy and drew him on his knee. He waited a moment until the hard lines at the corners of the firm mouth had relaxed under the pressure of his caress, pushed the tangled hair back from his forehead and looked into the fine blue-gray eyes. His voice was tender and his speech slow. "You must make up your mind to go, Boy. I don't want to force you. I like to see your eyes flash when you say you _won't_ go. You've got the stuff in you that real men are made of. That's why it's worth while to send you. I've seen that since you could toddle about the house and stamp your feet when things didn't suit you. Now, listen to me. I've made a vow to God that you shall have as good a chance as any man to make your way to the top. We're going to be the greatest nation in the world. I saw it in the red flash of guns that day at New Orleans as I lay there in the trench and watched the long lines of Red Coats go down before us. Just a lot of raw recruits with old flintlocks! The men who charged us, the picked veterans of England's grand army. But we cut 'em to pieces, Boy! I fired a cannon loaded with grape shot that mowed a lane straight through 'em. It must have killed two hundred men. They burned our Capitol at Washington and the Federalist traitors at Hartford were firin' on us in the rear, but Old Hickory showed the world that we could lick England with one hand tied behind our back. And we did it. We drove 'em like sheep--drove 'em into the sea. "There's but one name on every lip in this country now, Boy, and that's Old Hickory. He'd be President next time--but for
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Produced by Pauline J. Iacono and David Widger McTEAGUE A Story of San Francisco by Frank Norris CHAPTER 1 It was Sunday, and, according to his custom on that day, McTeague took his dinner at two in the afternoon at the car conductors' coffee-joint on Polk Street. He had a thick gray soup; heavy, underdone meat, very hot, on a cold plate; two kinds of vegetables; and a sort of suet pudding, full of strong butter and sugar. On his way back to his office, one block above, he stopped at Joe Frenna's saloon and bought a pitcher of steam beer. It was his habit to leave the pitcher there on his way to dinner. Once in his office, or, as he called it on his signboard, "Dental Parlors," he took off his coat and shoes, unbuttoned his vest, and, having crammed his little stove full of coke, lay back in his operating chair at the bay window, reading the paper, drinking his beer, and smoking his huge porcelain pipe while his food digested; crop-full, stupid, and warm. By and by, gorged with steam beer, and overcome by the heat of the room, the cheap tobacco, and the effects of his heavy meal, he dropped off to sleep. Late in the afternoon his canary bird, in its gilt cage just over his head, began to sing. He woke slowly, finished the rest of his beer--very flat and stale by this time--and taking down his concertina from the bookcase, where in week days it kept the company of seven volumes of "Allen's Practical Dentist," played upon it some half-dozen very mournful airs. McTeague looked forward to these Sunday afternoons as a period of relaxation and enjoyment. He invariably spent them in the same fashion. These were his only pleasures--to eat, to smoke, to sleep, and to play upon his concertina. The six lugubrious airs that he knew, always carried him back to the time when he was a car-boy at the Big Dipper Mine in Placer County, ten years before. He remembered the years he had spent there trundling the heavy cars of ore in and out of the tunnel under the direction of his father. For thirteen days of each fortnight his father was a steady, hard-working shift-boss of the mine. Every other Sunday he became an irresponsible animal, a beast, a brute, crazy with alcohol. McTeague remembered his mother, too, who, with the help of the Chinaman, cooked for forty miners. She was an overworked drudge, fiery and energetic for all that, filled with the one idea of having her son rise in life and enter a profession. The chance had come at last when the father died, corroded with alcohol, collapsing in a few hours. Two or three years later a travelling dentist visited the mine and put up his tent near the bunk-house. He was more or less of a charlatan, but he fired Mrs. McTeague's ambition, and young McTeague went away with him to learn his profession. He had learnt it after a fashion, mostly by watching the charlatan operate. He had read many of the necessary books, but he was too hopelessly stupid to get much benefit from them. Then one day at San Francisco had come the news of his mother's death; she had left him some money--not much, but enough to set him up in business; so he had cut loose from the charlatan and had opened his "Dental Parlors" on Polk Street, an "accommodation street" of small shops in the residence quarter of the town. Here he had slowly collected a clientele of butcher boys, shop girls, drug clerks, and car conductors. He made but few acquaintances. Polk Street called him the "Doctor" and spoke of his enormous strength. For McTeague was a young giant, carrying his huge shock of blond hair six feet three inches from the ground; moving his immense limbs, heavy with ropes of muscle, slowly, ponderously. His hands were enormous, red, and covered with a fell of stiff yellow hair; they were hard as wooden mallets, strong as vises, the hands of the old-time car-boy. Often he dispensed with forceps and extracted a refractory tooth with his thumb and finger. His head was square-cut, angular; the jaw salient, like that of the carnivora. McTeague's mind was as his body, heavy, slow to act, sluggish. Yet there was nothing vicious about the man. Altogether he suggested the draught horse, immensely strong, stupid, docile, obedient. When he opened his "Dental Parlors," he felt that his life was a success, that he could hope for nothing better. In spite of the name, there was but one room. It was a corner room on the second floor over the branch post-office, and faced the street. McTeague made it do for a bedroom as well, sleeping on the big bed-lounge against the wall opposite the window. There was a washstand behind the screen in the corner where he manufactured his moulds. In the round bay window were his operating chair, his dental engine, and the movable rack on which he laid out his instruments. Three chairs, a bargain at the second-hand store, ranged themselves against the wall with military precision underneath a steel engraving of the court of Lorenzo de' Medici, which he had bought because there were a great many figures in it for the money. Over the bed-lounge hung a rifle manufacturer's advertisement calendar which he never used. The other ornaments were a small marble-topped centre table covered with back numbers of "The American System of Dentistry," a stone pug dog sitting before the little stove, and a thermometer. A stand of shelves occupied one corner, filled with the seven volumes of "Allen's Practical Dentist." On the top shelf McTeague kept his concertina and a bag of bird seed for the canary. The whole place exhaled a mingled odor of bedding, creosote, and ether. But for one thing, McTeague would have been perfectly contented. Just outside his window was his signboard--a modest affair--that read: "Doctor McTeague. Dental Parlors. Gas Given"; but that was all. It was his ambition, his dream, to have projecting from that corner window a huge gilded tooth, a molar with enormous prongs, something gorgeous and attractive. He would have it some day, on that he was resolved; but as yet such a thing was far beyond his means. When he had finished the last of his beer, McTeague slowly wiped his lips and huge yellow mustache with the side of his hand. Bull-like, he heaved himself laboriously up, and, going to the window, stood looking down into the street. The street never failed to interest him. It was one of those cross streets peculiar to Western cities, situated in the heart of the residence quarter, but occupied by small tradespeople who lived in the rooms above their shops. There were corner drug stores with huge jars of red, yellow, and green liquids in their windows, very brave and gay; stationers' stores, where illustrated weeklies were tacked upon bulletin boards; barber shops with cigar stands in their vestibules; sad-looking plumbers' offices; cheap restaurants, in whose windows one saw piles of unopened oysters weighted down by cubes of ice, and china pigs and cows knee deep in layers of white beans. At one end of the street McTeague could see the huge power-house of the cable line. Immediately opposite him was a great market; while farther on, over the chimney stacks of the intervening houses, the glass roof of some huge public baths glittered like crystal in the afternoon sun. Underneath him the branch post-office was opening its doors, as was its custom between two and three o'clock on Sunday afternoons. An acrid odor of ink rose upward to him. Occasionally a cable car passed, trundling heavily, with a strident whirring of jostled glass windows. On week days the street was very lively. It woke to its work about seven o'clock, at the time when the newsboys made their appearance together with the day laborers. The laborers went trudging past in a straggling file--plumbers' apprentices, their pockets stuffed with sections of lead pipe, tweezers, and pliers; carpenters, carrying nothing but their little pasteboard lunch baskets painted to imitate leather; gangs of street workers, their overalls soiled with yellow clay, their picks and long-handled shovels over their shoulders; plasterers, spotted with lime from head to foot. This little army of workers, tramping steadily in one direction, met and mingled with other toilers of a different description--conductors and "swing men" of the cable company going on duty; heavy-eyed night clerks from the drug stores on their way home to sleep; roundsmen returning to the precinct police station to make their night report, and Chinese market gardeners teetering past under their heavy baskets. The cable cars began to fill up; all along the street could be seen the shopkeepers taking down their shutters. Between seven and eight the street breakfasted. Now and then a waiter from one of the cheap restaurants crossed from one sidewalk to the other, balancing on one palm a tray covered with a napkin. Everywhere was the smell of coffee and of frying steaks. A little later, following in the path of the day laborers, came the clerks and shop girls, dressed with a certain cheap smartness, always in a hurry, glancing apprehensively at the power-house clock. Their employers followed an hour or so later--on the cable cars for the most part whiskered gentlemen with huge stomachs, reading the morning papers with great gravity; bank cashiers and insurance clerks with flowers in their buttonholes. At the same time the school children invaded the street, filling the air with a clamor of shrill voices, stopping at the stationers' shops, or idling a moment in the doorways of the candy stores. For over half an hour they held possession of the sidewalks, then suddenly disappeared, leaving behind one or two stragglers who hurried along with great strides of their little thin legs, very anxious and preoccupied. Towards eleven o'clock the ladies from the great avenue a block above Polk Street made their appearance, promenading the sidewalks leisurely, deliberately. They were at their morning's marketing. They were handsome women, beautifully dressed. They knew by name their butchers and grocers and vegetable men. From his window McTeague saw them in front of the stalls, gloved and veiled and daintily shod, the subservient provision men at their elbows, scribbling hastily in the order books. They all seemed to know one another, these grand ladies from the fashionable avenue. Meetings took place here and there; a conversation was begun; others arrived; groups were formed; little impromptu receptions were held before the chopping blocks of butchers' stalls, or on the sidewalk, around boxes of berries and fruit. From noon to evening the population of the street was of a mixed character. The street was busiest at that time; a vast and prolonged murmur arose--the mingled shuffling of feet, the rattle of wheels, the heavy trundling of cable cars. At four o'clock the school children once more swarmed the sidewalks, again disappearing with surprising suddenness. At six the great homeward march commenced; the cars were crowded, the laborers thronged the sidewalks, the newsboys chanted the evening papers. Then all at once the street fell quiet; hardly a soul was in sight; the sidewalks were deserted. It was supper hour. Evening began; and one by one a multitude of lights, from the demoniac glare of the druggists' windows to the dazzling blue whiteness of the electric globes, grew thick from street corner to street corner. Once more the street was crowded. Now there was no thought but for amusement. The cable cars were loaded with theatre-goers--men in high hats and young girls in furred opera cloaks. On the sidewalks were groups and couples--the plumbers' apprentices, the girls of the ribbon counters, the little families that lived on the second stories over their shops, the dressmakers, the small doctors, the harness-makers--all the various inhabitants of the street were abroad, strolling idly from shop window to shop window, taking the air after the day's work. Groups of girls collected on the corners, talking and laughing very loud, making remarks upon the young men that passed them. The tamale men appeared. A band of Salvationists began to sing before a saloon. Then, little by little, Polk Street dropped back to solitude. Eleven o'clock struck from the power-house clock. Lights were extinguished. At one o'clock the cable stopped, leaving an abrupt silence in the air. All at once it seemed very still. The ugly noises were the occasional footfalls of a policeman and the persistent calling of ducks and geese in the closed market. The street was asleep. Day after day, McTeague saw the same
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Produced by Chris Whitehead, RichardW, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE SAVAGE SOUTH SEAS by Ernest Way Elkington AGENTS America The Macmillan Company 64 & 66 Fifth Avenue, New York Canada The Macmillan Company of Canada, Ltd. 27 Richmond Street West, Toronto India Macmillan & Company, Ltd. Macmillan Building, Bombay 309 Bow Bazaar Street, Calcutta [Illustration 1: OFF TO THE DUBU DANCE, BRITISH NEW GUINEA] THE SAVAGE SOUTH SEAS PAINTED BY NORMAN H. HARDY DESCRIBED BY E. WAY ELKINGTON PUBLISHED BY A. & C. BLACK SOHO SQUARE · LONDON · MCMVII [Illustration] NOTE There are various ways of spelling some of the place-names of the South Sea Islands, _e.g._ Samari, Tupusuli, and Elevera are so spelt in this book, but the forms Samarai, Tupuselei, and Ela-Vara are commonly met with. Ambryn, however, is a misprint for Ambrym. CONTENTS PART I BRITISH NEW GUINEA I • Chiefly historical—Concerning certain discoverers, their aims and ambitions—The story of New Guinea, the Solomons and New Hebrides, and some things that might be altered • 3 II • New Guinea natives—Port Moresby and its two native villages—Huts on poles and trees—Native superstition and its result on two tribes • 13 III • Natives who grow crops of hair—A word or two about the women—Duties of married women—How they carry their
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Produced by Douglas B. Killings HESIOD, THE HOMERIC HYMNS, AND HOMERICA This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessible to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here omitted. PREFACE This volume contains practically all that remains of the post-Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. W.H.D. Rouse; otherwise I have depended on the apparatus criticus of the several editions, especially that of Rzach (1902). The arrangement adopted in this edition, by which the complete and fragmentary poems are restored to the order in which they would probably have appeared had the Hesiodic corpus survived intact, is unusual, but should not need apology; the true place for the "Catalogues" (for example), fragmentary as they are, is certainly after the "Theogony". In preparing the text of the "Homeric Hymns" my chief debt--and it is a heavy one--is to the edition of Allen and Sikes (1904) and to the series of articles in the "Journal of Hellenic Studies" (vols. xv.sqq.) by T.W. Allen. To the same scholar and to the Delegates of the Clarendon Press I am greatly indebted for permission to use the restorations of the "Hymn to Demeter", lines 387-401 and 462-470, printed in the Oxford Text of 1912. Of the fragments of the Epic Cycle I have given only such as seemed to possess distinct importance or interest, and in doing so have relied mostly upon Kinkel's collection and on the fifth volume of the Oxford Homer (1912). The texts of the "Batrachomyomachia" and of the "Contest of Homer and Hesiod" are those of Baumeister and Flach respectively: where I have diverged from these, the fact has been noted. Hugh G. Evelyn-White, Rampton, NR. Cambridge. Sept. 9th, 1914. INTRODUCTION General The early Greek epic--that is, poetry as a natural and popular, and not (as it became later) an artificial and academic literary form--passed through the usual three phases, of development, of maturity, and of decline. No fragments which can be identified as belonging to the first period survive to give us even a general idea of the history of the earliest epic, and we are therefore thrown back upon the evidence of analogy from other forms of literature and of inference from the two great epics which have come down to us. So reconstructed, the earliest period appears to us as a time of slow development in which the characteristic epic metre, diction, and structure grew up slowly from crude elements and were improved until the verge of maturity was reached. The second period, which produced the "Iliad" and the "Odyssey", needs no description here: but it is very important to observe the effect of these poems on the course of post-Homeric epic. As the supreme perfection and universality of the "Iliad" and the "Odyssey" cast into oblivion whatever pre-Homeric poets had essayed, so these same qualities exercised a paralysing influence over the successors of Homer. If they continued to sing like their great predecessor of romantic themes, they were drawn as by a kind of magnetic attraction into the Homeric style and manner of treatment, and became mere echoes of the Homeric voice: in a word, Homer had so completely exhausted the epic genre, that after him further efforts were doomed to be merely conventional. Only the rare and exceptional genius of Vergil and Milton could use the Homeric medium without loss of individuality: and this quality none of the later epic poets seem to have possessed. Freedom from the domination of the great tradition could only be found by seeking new subjects, and such freedom was really only illusionary, since romantic subjects alone are suitable for epic treatment. In its third period, therefore, epic poetry shows two divergent tendencies. In Ionia and the islands the epic poets followed the Homeric tradition, singing of romantic subjects in the now stereotyped heroic style, and showing originality only in their choice of legends hitherto neglected or summarily and imperfectly treated. In continental Greece [1101], on the other hand, but especially in Boeotia, a new form of epic sprang up, which for the romance and PATHOS of the Ionian School substituted the practical and matter-of-fact. It dealt in moral and practical maxims, in information on technical subjects which are of service in daily life--agriculture, astronomy, augury, and the calendar--in matters of religion and in tracing the genealogies of men. Its attitude is summed up in the words of the Muses to the writer of the "Theogony": `We can tell many a feigned tale to look like truth, but we can, when we will, utter the truth' ("Theogony" 26-27). Such a poetry could not be permanently successful, because the subjects of which it treats--if susceptible of poetic treatment at all--were certainly not suited for epic treatment, where unity of action which will sustain interest, and to which each part should contribute, is absolutely necessary. While, therefore, an epic like the "Odyssey" is an organism and dramatic in structure, a work such as the "Theogony" is a merely artificial collocation of facts, and, at best, a pageant. It is not surprising, therefore, to find that from the first the Boeotian school is forced to season its matter with romantic episodes, and that later it tends more and more to revert (as in the "Shield of Heracles") to the Homeric tradition. The Boeotian School How did the continental school of epic poetry arise? There is little definite material for an answer to this question, but the probability is that there were at least three contributory causes. First, it is likely that before the rise of the Ionian epos there existed in Boeotia a purely popular and indigenous poetry of a crude form: it comprised, we may suppose, versified proverbs and precepts relating to life in general, agricultural maxims, weather-lore, and the like. In this sense the Boeotian poetry may be taken to have its germ in maxims similar to our English 'Till May be out, ne'er cast a clout,' or 'A rainbow in the morning Is the Shepherd's warning.' Secondly and thirdly we may ascribe the rise of the new epic to the nature of the Boeotian people and, as already remarked, to a spirit of revolt against the old epic. The Boeotians, people of the class of which Hesiod represents himself to be the type, were essentially unromantic; their daily needs marked the general limit of their ideals, and, as a class, they cared little for works of fancy, for pathos, or for fine thought as such. To a people of this nature the Homeric epos would be inacceptable, and the post-Homeric epic, with its conventional atmosphere, its trite and hackneyed diction, and its insincere sentiment, would be anathema. We can imagine, therefore, that among such folk a settler, of Aeolic origin like Hesiod, who clearly was well acquainted with the Ionian epos, would naturally see that the only outlet for his gifts lay in applying epic poetry to new themes acceptable to his hearers. Though the poems of the Boeotian school [1102] were unanimously assigned to Hesiod down to the age of Alexandrian criticism, they were clearly neither the work of one man nor even of one period: some, doubtless, were fraudulently fathered on him in order to gain currency; but it is probable that most came to be regarded as his partly because of their general character, and partly because the names of their real authors were lost. One fact in this attribution is remarkable--the veneration paid to Hesiod. Life of Hesiod Our information respecting Hesiod is derived in the main from notices and allusions in the works attributed to him, and to these must be added traditions concerning his death and burial gathered from later writers. Hesiod's father (whose name, by a perversion of "Works and Days", 299 PERSE DION GENOS to PERSE, DION GENOS, was thought to have been Dius) was a native of Cyme in Aeolis, where he was a seafaring trader and, perhaps, also a farmer. He was forced by poverty to leave his native place, and returned to continental Greece, where he settled at Ascra near Thespiae in Boeotia ("Works and Days", 636 ff.). Either in Cyme or Ascra, two sons, Hesiod and Perses, were born to the settler, and these, after his death, divided the farm between them. Perses, however, who is represented as an idler and spendthrift, obtained and kept the larger share by bribing the corrupt 'lords' who ruled from Thespiae ("Works and Days", 37-39). While his brother wasted his patrimony and ultimately came to want ("Works and Days", 34 ff.), Hesiod lived a farmer's life until, according to the very early tradition preserved by the author of the "Theogony" (22-23), the Muses met him as he was tending sheep on Mt. Helicon and 'taught him a glorious song'--doubtless the "Works and Days". The only other personal reference is to his victory in a poetical contest at the funeral games of Amphidamas at Chalcis in Euboea, where he won the prize, a tripod, which he dedicated to the Muses of Helicon ("Works and Days", 651-9). Before we go on to the story of Hesiod's death, it will be well to inquire how far the "autobiographical" notices can be treated as historical, especially as many critics treat some, or all of them, as spurious. In the first place attempts have been made to show that "Hesiod" is a significant name and therefore fictitious: it is only necessary to mention Goettling's derivation from IEMI to ODOS (which would make 'Hesiod' mean the 'guide' in virtues and technical arts), and to refer to the pitiful attempts in the "Etymologicum Magnum" (s.v. {H}ESIODUS), to show how prejudiced and lacking even in plausibility such efforts are. It seems certain that 'Hesiod' stands as a proper name in the fullest sense. Secondly, Hesiod claims that his father--if not he himself--came from Aeolis and settled in Boeotia. There is fairly definite evidence to warrant our acceptance of this: the dialect of the "Works and Days" is shown by Rzach [1103] to contain distinct Aeolisms apart from those which formed part of the general stock of epic poetry. And that this Aeolic speaking poet was a Boeotian of Ascra seems even more certain, since the tradition is never once disputed, insignificant though the place was, even before its destruction by the Thespians. Again, Hesiod's story of his relations with his brother Perses have been treated with scepticism (see Murray, "Anc. Gk. Literature", pp. 53-54): Perses, it is urged, is clearly a mere dummy, set up to be the target for the poet's exhortations. On such a matter precise evidence is naturally not forthcoming; but all probability is against the sceptical view. For 1) if the quarrel between the brothers were a fiction, we should expect it to be detailed at length and not noticed allusively and rather obscurely--as we find it; 2) as MM. Croiset remark, if the poet needed a lay-figure the ordinary practice was to introduce some mythological person--as, in fact, is done in the "Precepts of Chiron". In a word, there is no more solid ground for treating Perses and his quarrel with Hesiod as fictitious than there would be for treating Cyrnus, the friend of Theognis, as mythical. Thirdly, there is the passage in the "Theogony" relating to Hesiod and the Muses. It is surely an error to suppose that lines 22-35 all refer to Hesiod: rather, the author of the "Theogony" tells the story of his own inspiration by the same Muses who once taught Hesiod glorious song. The lines 22-3 are therefore a very early piece of tradition about Hesiod, and though the appearance of Muses must be treated as a graceful fiction, we find that a writer, later than the "Works and Days" by perhaps no more than three-quarters of a century, believed in the actuality of Hesiod and in his life as a farmer or shepherd. Lastly, there is the famous story of the contest in song at Chalcis. In later times the modest version in the "Works and Days" was elaborated, first by making Homer the opponent whom Hesiod conquered, while a later period exercised its ingenuity in working up the story of the contest into the elaborate form in which it still survives. Finally the contest, in which the two poets contended with hymns to Apollo [1104], was transferred to Delos. These developments certainly need no consideration: are we to say the same of the passage in the "Works and Days"? Critics from Plutarch downwards have almost unanimously rejected the lines 654-662, on the ground that Hesiod's Amphidamas is the hero of the Lelantine Wars between Chalcis and Eretria, whose death may
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Produced by Giovanni Fini and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) EXPERIMENTS ON _THE NERVOUS SYSTEM_, WITH OPIUM AND METALLINE SUBSTANCES; MADE CHIEFLY WITH THE VIEW OF DETERMINING THE _NATURE AND EFFECTS_ OF ANIMAL ELECTRICITY. BY ALEXANDER MONRO, M. D. PROFESSOR OF MEDICINE, ANATOMY AND SURGERY IN THE UNIVERSITY OF EDINBURGH; FELLOW OF THE ROYAL COLLEGE OF PHYSICIANS, AND OF THE ROYAL SOCIETY OF EDINBURGH, AND OF THE ROYAL ACADEMY OF SURGERY IN PARIS. EDINBURGH: PRINTED BY ADAM NEILL AND COMPANY, FOR BELL & BRADFUTE, AND T. DUNCAN; AND J. JOHNSON, LONDON. M.DCC.XCIII. CONTENTS. _Page_ INTRODUCTION, 5 Observations on the Circulating and Nervous Systems of Frogs, 6 Experiments with Opium, 9 Corollaries from the above Facts and Experiments, 12 Summary of Experiments made on Animals with Metalline Substances, 17 Summary of Facts proved by the foregoing Experiments, 35 Resemblance of the Fluid put in Motion by the foregoing Experiments to the Electrical Fluid, 38 The Nervous Fluid or Energy not the same with the Electrical, nor with the Fluid put in Motion by the foregoing Experiments, 40 General Conclusions, 42 INTRODUCTION. WHEN, in November last, I began to make Experiments on Animal Electricity, of which I read some account to the Royal Society on the 3d of December; I was not only much hurried with business, but could not procure a sufficient number of Frogs for the purpose. During the last winter and spring, I prosecuted the subject more fully and with greater attention; and, on the third day of June, I read a second paper to the Royal Society, to which I have, since that time, made additions. I shall now state a summary of the chief circumstances I have observed, with a few Remarks. OBSERVATIONS ON THE CIRCULATING AND NERVOUS SYSTEMS OF FROGS. AS my Experiments with Opium, as well as those on Animal Electricity, have been performed on Frogs chiefly; I shall premise some observations on their Circulating and Nervous Systems. THEIR Heart consists of one Auricle and one Ventricle only, their Aorta supplying their Air Vesicles or Lungs, as well as all their other Organs; and, of course, their Venæ Cavæ return the Blood from all parts to the Heart. The Ventricle of their Heart contracts about sixty times in a minute; and the purple colour of the Blood which is seen within it, disappears after each contraction, or the Blood is entirely expelled by its contraction. For upwards of an hour after cutting out its Heart, a Frog can crawl or jump; and, for upwards of half an hour longer, it contracts its Legs when the Toes are hurt, though not with sufficient force to more its Body from the place where it is laid. THEIR Encephalon consists of Brain and Cerebellum, each of which, on its upper part, is divided into two Hemispheres; and, below, they are conjoined by thick Crura, which form the Medulla Oblongata and Spinal Marrow, both of which are proportionally larger than in Man, and more evidently consist of two Cords. There are nine true Vertebræ; and at the sixth of these, the Spinal Marrow terminates in the Cauda Equina. The Sciatic Nerves are formed by three pairs of Nerves, sent out below the seventh, eighth and ninth Vertebræ, and by one pair from the Os Sacrum. A Nerve, resembling our great Sympathetic Nerve, passes downwards from the Abdomen into the Pelvis. TWO days after cutting off the Head of a Frog at its joining with the first Vertebra, I found it sitting with its Legs drawn up, in their usual posture; and when its Toes were hurt, it jumped with very considerable force. Its Heart likewise continued to beat about forty times in a minute, and so strongly as to empty itself and circulate the Blood. IN several Frogs, after cutting off the back part of the six undermost true Vertebræ, I took out all that part of the Spinal Marrow with the Cauda Equina which they cover. The lower Extremities were rendered insensible to common injuries, and lay motionless, yet the Frogs lived several months thereafter, and the wounded parts of their Backs cicatrised; and the Bones of their Legs, which I fractured, were re-united, the Blood circulating freely in their Vessels. IT is universally known, that if, after amputating the Limb of a warm blooded Animal, we repeatedly irritate the Nerves which terminate in Muscles, repeated Convulsions of the Muscles are for some time produced; and that in Frogs, and other cold blooded Animals, the Nerves retain this power still longer. BUT it has been commonly supposed, that, after irritating the Nerve a given number of times, the effect ceases, Authors conceiving that there is lodged in the Nerve some fluid, or other energy which is exhausted by repeated explosions. Instead of this, I have found that the time the Nerves preserve their power is the same, whether we irritate them or not; or that their energy is not exhausted by irritation, unless the irritation be such as sensibly alters their texture. EXPERIMENTS WITH OPIUM. I CUT one hole in the fore and upper part of the Cranium and Dura Mater of a Frog, and another in the back part of the lowermost Vertebræ, and then injected, from the one hole to the other, a small syringe full of water, in five ounces of which one ounce of Opium had been infused for three days. The infusion, by this means brought into contact with the whole surface of the Encephalon and Spinal Marrow, produced almost instantly universal convulsions; and, in less than two minutes thereafter, the Animal was incapable of moving its body from the place where it was laid. A quarter of an hour thereafter, I found the Heart beating twenty-five times only in the minute; and so feebly, that it could not entirely expel the Blood. When, half an hour thereafter, the Sciatic Nerves were pinched, a light tremor only was excited in the Muscles of the Leg; and Animal Electricity produced but feeble twitchings of the Muscles. THE infusion of Opium, injected in the same manner in Rabbits and in a Pig, produced similar effects. I HAD long ago[1] observed, that an infusion of Opium, poured into the Cavity of the Abdomen of a Frog, after cutting out its Heart, occasioned, in a few minutes, convulsions of its hind Legs. I have since found, that, after cutting off the Head, and cutting out the Heart of a Frog, its hind Legs are considerably weakened by pouring an infusion of Opium into the Cavity of its Abdomen. ALTHOUGH an infusion of Opium poured into the Auricle and Ventricle of the Heart of a Frog, instantly renders that Organ incapable of contraction, and, even after the Aorta has been previously cut, occasions convulsions of the Legs, yet I have not found that by Opium applied to the Brain, the Spinal Marrow, the Heart, or Abdominal Viscera, the Muscles of the Legs were so entirely killed as not to perform some motion when their Nerves were pinched, or when they were acted on by Animal Electricity. AFTER taking out the lower half of the Spinal Marrow, and likewise cutting transversely all the parts at the Pelvis, except the Crural Arteries and Veins and Lymphatics, which probably accompany them, I found that an infusion of Opium, applied to the Skin and Muscles of the Legs, affected the superior parts of the Body[2]: more probably, in my opinion, by absorption, than through any minute remanent branches of the Nerves, especially as I do not find, on laying the Vessels so prepared over a gold probe, and touching with it Zinc laid under the Spine, that convulsions of the Legs can be excited. At the same time, the quantity of Opium absorbed is so small, that I could not distinguish its smell or taste in the Blood; nor did I find these distinguishable, in other Experiments, in which the Frogs were violently convulsed after applying the infusion to the surface of their Skin. ANIMAL Electricity or different metals applied to the Head of a Frog, or to any part of its Spine above its sixth Vertebra, do not occasion convulsions of its hind Legs. COROLLARIES FROM THE ABOVE FACTS AND EXPERIMENTS. FROM the above Facts and Experiments, it appears, 1. THAT the Frog, after its Head is cut off, feels pain, and, in consequence of feeling, moves its Body and Limbs. 2. AS the Nerves of the hind Legs are not affected by Animal Electricity, unless it be applied lower than the fifth Vertebra, these Nerves do not seem to be derived solely or chiefly from the Brain or Cerebellum. 3. AS Opium, after the Circulation ceases, affects Organs distant from those to which it is applied, it is beyond doubt, that the latter suffer in consequence of Sympathy of Nerves. 4. IT appears that, in this Animal, there is Sympathy of Nerves after the Head is cut off; or that Sympathy of Nerves does not, in this Animal, depend entirely on the connection of Nerves within the Head. 5. AS, after cutting off the Head, this Animal is susceptible of pain, and, in consequence of that, performs voluntary motion, it appears that, in it, the Brain is not the sole seat of the _Sensorium Commune_. 6. SEVERAL weeks after I had taken out the lowermost half of the Spinal Marrow, and with it the Cauda Equina, I daily applied, for four days running, Animal Electricity to the Sciatic Nerves, by passing a gold Probe between them and the Os Sacrum, and excited several hundreds of convulsions of the Thighs and Legs, and yet found that, on laying bare the Femoral Nerves, and pinching them, the Muscles were slightly convulsed. HENCE, I apprehend, additional force is given to an opinion I ventured many years ago to propose[3], that the Nerves do not receive their energy wholly from the Head and Spinal Marrow, but that the texture of every branch of a Nerve is such as to furnish it, or that
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Produced by Juliet Sutherland, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net THE BOYHOOD OF JESUS [Illustration] PUBLISHED BY DAVID C. COOK PUBLISHING COMPANY Factory and Shipping Rooms, Elgin, Illinois Try to be like Jesus. The Bible tells of Jesus, So gentle and so meek; I’ll try to be like Jesus In ev’ry word I speak. For Jesus, too, was loving, His words were always kind; I’ll try to be like Jesus In thought and word and mind. I long to be like Jesus, Who said “I am the Truth;” Then I will give my heart to him, Now, in my early youth. —_Lillian Payson._ COPYRIGHT, 1905, BY DAVID C. COOK PUBLISHING COMPANY. [Illustration: THE BABY JESUS.] The Little Lord Jesus. Away in a manger, No crib for a bed, The little Lord Jesus Laid down his sweet head. The stars in the sky Looked down where he lay— The little Lord Jesus Asleep on the hay. The cattle are lowing, The poor baby wakes, But little Lord Jesus No crying he makes. I love thee, Lord Jesus; Look down from the sky, And stay by my cradle To watch Lullaby. —_Luther’s Cradle Hymn._ The Child Promised. [Illustration] [Illustration] THERE was once a time when there was no Christmas at all. There were no beautiful Christmas trees and happy songs and stockings filled with presents. No one shouted “Merry Christmas!” or “Christmas Gift!” No one told the sweet story of Jesus, because Jesus had not come into the world and so there was no Christmas. You see Christmas is Jesus’ birthday, and before he came, of course people could not keep his birthday. You have heard of how wicked and unhappy the people were long ago. Although God loved them and tried to make them do right, they forgot about him and did so many naughty, disobedient things that they were very miserable. Then God sent a wonderful message to them. He told them that some day he would send them his own Son, who should be their King and teach them how to do right. He said that his Son would come as a little child to grow up among them to love and help them. God even told them what they should call this baby who was to be their King. God said that Christ would be like a beautiful light showing them where to go. It would be as though some people stumbling sorrowfully along a dark street should suddenly see a bright light shining ahead of them, making everything cheerful and pleasant. They would be joyful like people who gather in the harvest. Jesus makes his children happy, and he wants them to shine out and make others happy. These people who were so unhappy before Jesus came, were very glad to know that some day he would come. They talked about him and waited a long, long time before he came and brought Christmas light into the world. [Illustration: THE BABE IN BETHLEHEM.] The Coming of Jesus. LONG ago there lived a good man named Joseph, a carpenter of Nazareth, who built houses and made many useful things for people. He also loved to read God’s Gift Book, and tried to obey its rules. One day the king of the land where Joseph lived ordered everyone to write his name in a book, and pay a tax, in his own city. So Joseph and Mary his wife got ready to take a long journey to their old home, Bethlehem. There were no cars for them to ride in, so they must either walk or ride a donkey. As the fashion was there, Mary wore a long, white veil which covered her beautiful face. The streets were full of people, walking, or traveling on mules, donkeys, or camels—all going to be taxed. It was winter, but in a warm country, and they went through valleys of figs, olives, dates, oranges and other good things. [Illustration] They must have been very tired when they reached Bethlehem’s gates, for they had come a long distance, and the dust of the road, the bustle of traveling, and the strangeness of it all, seemed to add to their trials. The people of Bethlehem had opened their homes and welcomed the strangers, until every house was full, and still the people kept coming. They could scarcely go up the steep hill, they were so weary, and Joseph tried to get a place to rest, but there was no kind invitation, no welcome in any house for them, and the inns were crowded. The inns were not like our hotels for travelers; they were flat-roofed stone buildings, without windows. There were no warm rooms with carpets, and soft beds for tired travelers to lie on. There were only bare floors, and everyone had to bring his own bed and food. The courtyard was full of animals—donkeys, mules, camels, sheep and cows. After Joseph had tried and failed to get a resting place, as there was no room anywhere, some kind friend told him of a cave on the hillside which was used as a stable, and to this they gladly went. Sweet-smelling hay was all around, and the floor was covered with straw; possibly mild-eyed cows and gentle sheep were sleeping in their stalls. Along the walls were mangers, or boxes to hold the grain and hay when the animals were fed. Here Mary and Joseph found a shelter and a sleeping place; indeed, they were thankful to be led there to rest upon the hay. In the night a wonderful thing took place: God sent the baby Gift Child into the world. This gift had been promised long before to Adam and Eve, and now it had come—the most beautiful and dearest Baby ever held in a mother’s arms. The night grew dark, the house-lights went out one by one, and the people in Bethlehem slept. [Illustration] [Illustration: THE ANGELS’ SONG.] The Angels’ Joy. THE happiest song that was ever sung was sung on the first and best Christmas of all. There was a time when there was no Christmas. Can you think how glad you would be if you had no Christmas, and then one day all at once you had the first and best one of all? This song was sung and the first Christmas came one night long years ago, far over the sea, near a little town called Bethlehem. It did not come first to kings and great people, but to some shepherds who were sitting up all night watching their sheep. Outside of the city were beautiful sloping green fields where the shepherds let their sheep run about and eat the grass. The weather there is very pleasant at Christmas time; not at all like our weather. The shepherds can sit out on the grass all night, watching their sheep. [Illustration] Did you ever see a sheep or a lamb? Do you know that your mittens and jackets and nice warm dresses are made of the wool which the sheep have to spare for us? The shepherds have to stay out with the sheep all night because they are very gentle and timid animals. They cannot fight for themselves, and if they were left alone the wolves would catch them. One night about 1900 years ago some shepherds were watching their sheep in those fields. Very likely the shepherds were some of the people who were hoping that Jesus would soon come; perhaps they were talking about him, and wondering how they would know if he did come. All at once a bright light shone about them, and they saw an angel and heard him speak to them. Very kind and beautiful the angel looked, but the shepherds were frightened. The angel said to them, “Fear not; for behold, I bring you good tidings of great joy, which shall be to all people; for unto you is born this day in the city of David a Savior, which is Christ the Lord. And this shall be a sign unto you; Ye shall find the babe, wrapped in swaddling clothes, lying in a manger.” [Illustration] As the angel was speaking, the shepherds saw with him a great number of beautiful, shining angels. Then was sung for the first time this grand song, for Christmas had come. I do not know the tune, but the very words are in the Bible: “Glory to God in the highest, and on earth peace, good-will toward men.” Glory to God, for the greatest gift that ever came; peace on earth, for all who love this Savior. As soon as the angels finished the song they went back to heaven, and left the shepherds alone. [Illustration] [Illustration: THE SHEPHERDS VISIT JESUS.] The Shepherds Visit Jesus. WHAT would you do if you had been one of those shepherds to whom the angels brought the good news of Jesus’ birth? I will tell you what they did. They left their sheep to take care of themselves, and hurried off to Bethlehem, for that was the city the angels meant. [Illustration] They went in the gate and at last found the right place. It was called a stable. They soon found the dear little baby Jesus, just as the angels had said, lying in a manger, and Mary his mother and Joseph taking care of him. The little manger was in the stable, and there the shepherds stood beside it and looked into the face of the babe. Do you think the dear little baby had a nice bed to lie in? It looked like a block hollowed out. It was the box out of which the cows ate. It was warm and soft, because his mother had put nice soft hay in it, and wrapped him all up with a long strip of cloth. They were in a stable because so many people were in the city that there was not a bit of room left. I think it must have been a clean place, with lots of nice, sweet new hay. When the shepherds saw the baby they knew that he was really Jesus their Savior. They knelt at his feet and worshiped him. They were so happy that they could hardly say what they felt. They soon went away and told the good news to every one they met. They were very glad because Jesus had come. He came as a little baby so he would know how to love and help all other babies and little children, and be an example for them to follow as they grew older. We are glad Jesus came, and we love to keep his birthday, because he gives us joy and peace, fills our hearts with love, and helps us to be good and happy here and to get ready to be happy in heaven. God, our Father in heaven, sent to us this wonderful Christmas Gift. Think of the great love he must have for us, to give us his Son. Think of the great love Jesus had for us, that he could leave his beautiful home in heaven to come and help us and show us how to live. Let us thank him every day for his great love. “For God so loved the world, that he gave his only begotten Son” to be our Savior. [Illustration: THE BABY JESUS IN THE TEMPLE.] The Child in the Temple. JOSEPH, and Mary the mother of Jesus, stayed in Bethlehem for a while. When Jesus was only eight days old he received his name; he was called “Jesus,” as the angel had told Mary. It was the custom of the Jews to take their first son to the temple and present him to God, so Joseph and Mary went to Jerusalem to present Jesus to God in the temple. [Illustration] [Illustration] At the time when Jesus was born, there was an old man, named Simeon, living in Jerusalem. He was a good man and was looking and wishing for Jesus, the promised Messiah, to come. God’s Holy Spirit had told him that he should not die until he had seen
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Produced by Melissa McDaniel, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) _LITTLE SUNBEAMS._ VI. NELLIE'S HOUSEKEEPING. By the Author of this Volume. I. LITTLE SUNBEAMS. By JOANNA H. MATHEWS, Author of the "Bessie Books." 6 vols. In a box $6.00 _Or, separately_:-- I. BELLE POWERS' LOCKET. 16mo 1.00 II. DORA'S MOTTO. 16mo 1.00 III. LILY NORRIS' ENEMY 1.00 IV. JESSIE'S PARROT 1.00 V. MAMIE'S WATCHWORD 1.00 VI. NELLIE'S HOUSEKEEPING 1.00 II. THE FLOWERETS. A series of Stories on the Commandments. 6 vols. In a box $3.60 "Under the general head of 'Flowerets,' this charming author has grouped six little volumes, being a series of stories on the Commandments. 'Our folks' are in love with them, and have made off with them all before we could get the first reading."--_Our Monthly._ III. THE BESSIE BOOKS. 6 vols. In a box $7.50 "We can wish our young readers no greater pleasure than an acquaintance with dear, cute little Bessie and her companions, old and young, brute and human."--_American Presbyterian._ ROBERT CARTER AND BROTHERS, _New York_ NELLIE'S HOUSEKEEPING. "Be good, sweet child, and let who will be clever: Do noble things, not dream them, all day long; So shalt thou make life, death, and that vast for ever. One grand, sweet song."--KINGSLEY. BY JOANNA H. MATHEWS, AUTHOR OF THE "BESSIE BOOKS" AND THE "FLOWERETS." NEW YORK: ROBERT CARTER AND BROTHERS, 530 BROADWAY. 1882. Entered according to Act of Congress, in the year 1872, by ROBERT CARTER AND BROTHERS, In the Office of the Librarian of Congress at Washington. CONTENTS. PAGE I. HARD AT WORK 7 II. A TALK WITH PAPA 25 III. NELLIE A HOUSEKEEPER 50 IV. A COURTSHIP 70 V. WHITE MICE 94 VI. THE GRAY MICE 113 VII. THE BLACK CAT 136 VIII. DAISY'S SACRIFICE 157 IX. MAKING GINGER-CAKES 181 X. FRESH TROUBLES 204 XI. A NIGHT OF IT 224 XII. AN ALARM 236 XIII. LAST OF THE SUNBEAMS 245 [Illustration] NELLIE'S HOUSEKEEPING. I. _HARD AT WORK._ "NELLIE, will you come down to the beach now?" "No!" with as much shortness and sharpness as the little word of two letters could well convey. "Why not?" "Oh! because I can't. Don't bother me." And, laying down the pencil with which she had been writing, Nellie Ransom pushed back the hair from her flushed, heated face, drew a long, weary sigh, took up the Bible which lay at her elbow, and, turning over the leaf, ran her finger slowly and carefully down the page before her. Carrie stood with one elbow upon the corner of the table at which her sister sat, her chin resting in her palm as she discontentedly watched Nellie, while with the other hand she swung back and forth by one string the broad straw hat she was accustomed to wear when playing out of doors. "I think you might," she said presently. "Mamma says I can't go if you don't, and I want to go so." "I can't help it," said Nellie, still without taking her eyes from her Bible. "I wish you'd stop shaking the table so." "How soon will you come?" persisted Carrie, taking her elbow from the table. "When I'm ready, and not before," snapped N
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E-text prepared by Chris Curnow, Christina, Joseph Cooper, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) MAURINE AND OTHER POEMS by ELLA WHEELER WILCOX W. B. Conkey Company Chicago Copyright, 1888 by Ella Wheeler Wilcox _I step across the mystic border-land,_ _And look upon the wonder-world of Art._ _How beautiful, how beautiful its hills!_ _And all its valleys, how surpassing fair!_ _The winding paths that lead up to the heights_ _Are polished by the footsteps of the great._ _The mountain-peaks stand very near to God:_ _The chosen few whose feet have trod thereon_ _Have talked with Him, and with the angels walked._ _Here are no sounds of discord--no profane_ _Or senseless gossip of unworthy things--_ _Only the songs of chisels and of pens._ _Of busy brushes, and ecstatic strains_ _Of souls surcharged with music most divine._ _Here is no idle sorrow, no poor grief_ _For any day or object left behind--_ _For time is counted precious, and herein_ _Is such complete abandonment of Self_ _That tears turn into rainbows, and enhance_ _The beauty of the land where all is fair._ _Awed and afraid, I cross the border-land._ _Oh, who am I, that I dare enter here_ _Where the great artists of the world have trod--_ _The genius-crowned aristocrats of Earth?_ _Only the singer of a little song;_ _Yet loving Art with such a mighty love_ _I hold it greater to have won a place_ _Just on the fair land's edge, to make my grave,_ _Than in the outer world of greed and gain_ _To sit upon a royal throne and reign._ CONTENTS Maurine 9 Two Sunsets 122 Unrest 124 "Artist's Life" 125 Nothing but Stones 126 The Coquette 128 Inevitable 129 The Ocean of Song 130 "It Might Have Been" 132 If 132 Gethsemane 134 Dust-Sealed 135 "Advice" 136 Over the Banisters 137 Momus, God of Laughter 138 I Dream 140 The Past 141 The Sonnet 142 Secrets 142 A Dream 143 Uselessness 143 Will 144 Winter Rain 145 Applause 145 Life 146 Burdened 146 The Story 147 Let Them Go 148 The Engine 149 Nothing New 151 Dreams 152 Helena 153 Nothing Remains 155 Lean Down 156 Comrades 157 What Gain? 158 Life 159 To the West 160 The Land of Content 161 A Song of Life 163 Warning 164 The Christian's New Year Prayer 164 In the Night 166 God's Measure 167 A March Snow 167 After the Battles are Over 168 Noblesse Oblige 174 And They Are Dumb 175 Night 177 All for Me 178 Philosophy 179 "Carlos" 180 The Two Glasses 182 Through Tears 184 Into Space 185 Through Dim Eyes 187 La Mort d'Amour 188 The Punished 189 Half Fledged 190 Love's Sleep 191 True Culture 192 The Voluptuary 193 The Year 194 The Unattained 195 In the Crowd 196 Life and I 198 Guerdon 199 Snowed Under 200 Platonic 201 What We Need 203 "Leudemann's-on-the-River" 204 In the Long Run 206 Plea to Science 207 Love's Burial 208 Little Blue Hood 209 No Spring 211 Lippo 212 Midsummer 213 A Reminiscence 214 Respite 216 A Girl's Faith 217 Two 218 Slipping Away 219 Is it Done? 220 A Leaf 221 AEsthetic 222 Poems of the Week 224 Ghosts 226 Fleeing Away 227 All Mad 228 Hidden Gems 229 By-and-By 230 Over the May Hill 231 A Song 232 Foes 234 Friendship 235 MAURINE _PART I._ I sat and sewed, and sang some tender tune, Oh, beauteous was that morn in early June! Mellow with sunlight, and with blossoms fair: The climbing rose-tree grew about me there, And checked with shade the sunny portico Where, morns like this, I came to read, or sew. I heard the gate click, and a firm quick tread Upon the walk. No need to turn my head; I would mistake, and doubt my own voice sounding, Before his step upon the gravel bounding. In an unstudied attitude of grace, He stretched his comely form; and from his face He tossed the dark, damp curls; and at my knees, With his broad hat he fanned the lazy breeze, And turned his head, and lifted his large eyes, Of that strange hue we see in ocean dyes, And call it blue sometimes, and sometimes green And save in poet eyes, not elsewhere seen. "Lest I should meet with my fair lady's scorning, For calling quite so early in the morning, I've brought a passport that can never fail," He said, and, laughing, laid the morning mail Upon my lap. "I'm welcome? so I thought! I'll figure by the letters that I brought How glad you are to see me. Only one? And that one from a lady? I'm undone! That, lightly skimmed, you'll think me _such_ a bore, And wonder why I did not bring you four. It's ever thus: a woman cannot get So many letters that she will not fret O'er one that did not come." "I'll prove you wrong," I answered gayly, "here upon the spot! This little letter, precious if not long, Is just the one, of all you might have brought, To please me. You have heard me speak, I'm sure, Of Helen Trevor: she writes here to say She's coming out to see me; and will stay Till Autumn, maybe. She is, like her note, Petite and dainty, tender, loving, pure. You'd know her by a letter that she wrote, For a sweet tinted thing. 'Tis always so:-- Letters all blots, though finely written, show A slovenly person. Letters stiff and white Bespeak a nature honest, plain, upright. And tissuey, tinted, perfumed notes, like this, Tell of a creature formed to pet and kiss." My listener heard me with a slow, odd smile; Stretched in abandon at my feet, the while, He fanned me idly with his broad-brimmed hat. "Then all young ladies must be formed for that!" He laughed, and said. "Their letters read, and look, As like as twenty copies of one book. They're written in a dainty, spider scrawl, To 'darling, precious Kate,' or 'Fan,' or 'Moll.' The 'dearest, sweetest' friend they ever had. They say they 'want to see you, oh, so bad!' Vow they'll 'forget you, never, _never_, oh!' And then they tell about a splendid beau-- A lovely hat--a charming dress, and send A little scrap of this to every friend. And then to close, for lack of something better, They beg you'll'read and burn this horrid letter.'" He watched me, smiling. He was prone to vex And hector me with flings upon my sex. He liked, he said, to have me flash and frown, So he could tease me, and then laugh me down. My storms of wrath amused him very much: He liked to see me go off at a touch; Anger became me--made my color rise, And gave an added luster to my eyes. So he would talk--and so he watched me now, To see the hot flush mantle cheek and brow. Instead, I answered coolly, with a smile, Felling a seam with utmost care, meanwhile. "The caustic tongue of Vivian Dangerfield Is barbed as ever, for my sex, this morn. Still unconvinced, no smallest point I yield. Woman I love, and trust, despite your scorn. There is some truth in what you say? Well, yes! Your statements usually hold more or less. Some women write weak letters--(some men do;) Some make professions, knowing them untrue. And woman's friendship, in the time of need, I own, too often proves a broken reed. But I believe, and ever will contend, Woman can be a sister woman's friend, Giving from out her large heart's bounteous store A living love--claiming to do no more Than, through and by that love, she knows she can; And living by her professions, _like a man_. And such a tie, true friendship's silken tether, Binds Helen Trevor's heart and mine together. I love her for her beauty, meekness, grace; For her white lily soul and angel face. She loves me, for my greater strength, may be; Loves--and would give her heart's best blood for me And I, to save her from a pain, or cross, Would suffer any sacrifice or loss. Such can be woman's friendship for another. Could man give more, or ask more from a brother?" I paused: and Vivian leaned his massive head Against the pillar of the portico, Smiled his slow, skeptic smile, then laughed, and said: "Nay, surely not--if what you say be so. You've made a statement, but no proof's at hand. Wait--do not flash your eyes so! Understand I think you quite sincere in what you say: You love your friend, and she loves you, to-day; But friendship is not friendship at the best Till circumstances put it to the test. Man's, less demonstrative, stands strain and tear, While woman's, half profession, fails to wear. Two women love each other passing well-- Say Helen Trevor and Maurine La Pelle, Just for example. Let them daily meet At ball and concert, in the church and street, They kiss and coo, they visit, chat, caress; Their love increases, rather than grows less; And all goes well, till 'Helen dear' discovers That 'Maurine darling' wins too many lovers. And then her 'precious friend,' her 'pet,' her'sweet,' Becomes a'minx,' a 'creature all deceit.' Let Helen smile too oft on Maurine's beaux, Or wear more stylish or becoming clothes, Or sport a hat that has a longer feather-- And lo! the strain has broken 'friendship's tether.' Maurine's sweet smile becomes a frown or pout; 'She's just begun to find that Helen out' The breach grows wider--anger fills each heart; They drift asunder, whom 'but death could part.' You shake your head? Oh, well, we'll never know! It is not likely Fate will test you so. You'll live, and love; and, meeting twice a year, While life shall last, you'll hold each other dear. I pray it may be so; it were not best To shake your faith in woman by the test. Keep your belief, and nurse it while you can. I've faith in woman's friendship too--for man! They're true as steel, as mothers, friends, and wives: And that's enough to bless us all our lives. That man's a selfish fellow, and a bore, Who is unsatisfied, and asks for more." "But there is need of more!" I here broke in. "I hold that woman guilty of a sin, Who would not cling to, and defend another, As nobly as she would stand by a brother. Who would not suffer for a sister's sake, And, were there need to prove her friendship, make 'Most any sacrifice, nor count the cost. Who would not do this for a friend is lost To every nobler principle." "Shame, shame!" Cried Vivian, laughing, "for you now defame The whole sweet sex; since there's not one would do The thing you name, nor would I want her to. I love the sex. My mother was a woman-- I hope my wife will be, and wholly human. And if she wants to make some sacrifice, I'll think her far more sensible and wise To let her husband reap the benefit, Instead of some old maid or senseless chit. Selfish? Of course! I hold all love is so: And I shall love my wife right well, I know. Now there's a point regarding selfish love, You thirst to argue with me, and disprove. But since these cosy hours will soon be gone And all our meetings broken in upon, No more of these rare moments must be spent In vain discussions, or in argument. I wish Miss Trevor was in--Jericho! (You see the selfishness begins to show.) She wants to see you?--So do I: but she Will gain her wish, by taking you from me. 'Come all the same?' that means I'll be allowed To realize that 'three can make a crowd.' I do not like to feel myself _de trop_. With two girl cronies would I not be so? My ring would interrupt some private chat. You'd ask me in and take my cane and hat, And speak about the lovely summer day, And think--'The lout! I wish he'd kept away.' Miss Trevor'd smile, but just to hide a pout And count the moments till I was shown out. And, while I twirled my thumbs, I would sit wishing That I had gone off hunting birds, or fishing. No, thanks, Maurine! The iron hand of Fate, (Or otherwise Miss Trevor's dainty fingers,) Will bar my entrance into Eden's gate; And I shall be like some poor soul that lingers At heaven's portal, paying the price of sin, Yet hoping to be pardoned and let in." He looked so melancholy sitting there, I laughed outright. "How well you act a part; You look the very picture of despair! You've missed your calling, sir! suppose you start Upon a starring tour, and carve your name With Booth's and Barrett's on the heights of Fame. But now, tabooing nonsense, I shall send For you to help me entertain my friend, Unless you come without it. 'Cronies?' True, Wanting our 'private chats' as cronies do And we'll take those, while you are reading Greek, Or writing 'Lines to Dora's brow' or 'cheek.' But when you have an hour or two of leisure, Call as you now do, and afford like pleasure. For never yet did heaven's sun shine on, Or stars discover, that phenomenon, In any country, or in any clime: Two maids so bound, by ties of mind and heart. They did not feel the heavy weight of time In weeks of scenes wherein no man took part. God made the sexes to associate: Nor law of man, nor stern decree of Fate, Can ever undo what His hand has done, And, quite alone, make happy either one. My Helen is an only child:--a pet Of loving parents: and she never yet Has been denied one boon for which she pleaded. A fragile thing, her lightest wish was heeded. Would she pluck roses? they must first be shorn, By careful hands, of every hateful thorn. And loving eyes must scan the pathway where Her feet may tread, to see no stones are there. She'll grow dull here, in this secluded nook, Unless you aid me in the pleasant task Of entertaining. Drop in with your book-- Read, talk, sing for her sometimes. What I ask, Do once, to please me: then there'll be no need For me to state the case again, or plead. There's nothing like a woman's grace and beauty To waken mankind to a sense of duty." "I bow before the mandate of my queen: Your slightest wish is law, Ma Belle Maurine," He answered smiling, "I'm at your command; Point but one lily finger, or your wand, And you will find a willing slave obeying. There goes my dinner bell! I hear it saying I've spent two hours here, lying at your feet, Not profitable, maybe--surely sweet. All time is money; now were I to measure The time I spend here by its solid pleasure, And that were coined in dollars, then I've laid Each day a fortune at your feet, fair maid. There goes that bell again! I'll say good-bye, Or clouds will shadow my domestic sky. I'll come again, as you would have me do, And see your friend, while she is seeing you. That's like by proxy being at a feast; Unsatisfactory, to say the least." He drew his fine shape up, and trod the land With kingly grace. Passing the gate, his hand He lightly placed the garden wall upon, Leaped over like a leopard, and was gone. And, going, took the brightness from the place, Yet left the June day with a sweeter grace, And my young soul so steeped in happy dreams, Heaven itself seemed shown to me in gleams. There is a time with lovers, when the heart First slowly rouses from its dreamless sleep, To all the tumult of a passion life, Ere yet have wakened jealousy and strife. Just as a young, untutored child will start Out of a long hour's slumber, sound and deep, And lie and smile with rosy lips, and cheeks, In a sweet, restful trance, before it speaks. A time when yet no word the spell has broken, Save what the heart unto the soul has spoken, In quickened throbs, and sighs but half suppressed. A time when that sweet truth, all unconfessed, Gives added fragrance to the summer flowers, A golden glory to the passing hours, A hopeful beauty to the plainest face, And lends to life a new and tender grace. When the full heart has climbed the heights of bliss, And, smiling, looks back o'er the golden past, I think it finds no sweeter hour than this In all love-life. For, later, when the last Translucent drop o'erflows the cup of joy, And love, more mighty than the heart's control, Surges in
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Produced by Suzanne Shell, Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Transcriber's note: Inconsistent hyphenation and spelling in the original document have been preserved. Obvious typographical errors have been corrected. Words printed in italics in the original document are represented| here between underscores, as in _text_; THE STORY OF LOUIE BY OLIVER ONIONS Author of "In Accordance With the Evidence," "The Debit Account," etc. GEORGE H. DORAN COMPANY NEW YORK _Publishers in America for Hodder & Stoughton_ TO GWLADYS CONTENTS PAGE PROLOGUE 9 PART ONE RAINHAM PARVA 25 PART TWO SUTHERLAND PLACE 109 PART THREE MORTLAKE ROAD 175 PART FOUR PILLAR TO POST 213 PART FIVE THE CONSOLIDATION 259 ENVOI 356 PROLOGUE I In an old number of _Punch_, under the heading "Society's New Pet: The Artist's Model," is to be found a drawing by Du Maurier, of which the descriptive text runs: "And how did you and Mr. Sopley come to quarrel, dear Miss Dragon?" "Well, your Grace, it was like this: I was sitting to him in a cestus for 'The Judgment of Paris,' when someone called as wished to see him most particular; so he said: 'Don't move, Miss Dragon, or you'll disturb the cestus.' 'Very good, sir,' I said, and off he went; and when he come back in an hour and a 'alf or so he said: 'You've moved, Miss Dragon!' 'I 'aven't!' I said. 'You '_ave_!' he said. 'I 'AVEN'T!' I said--and no more I 'adn't, your Grace. And with that I off with his cestus an' wished him good-morning, an' I never been near him since!" Du Maurier may or may not have been wrong about the newness of this craze of "Society's." If he was right, the Honourable Emily Scarisbrick becomes at once a pioneer. Let there be set down, here in the beginning, the plain facts of how, a good ten years before the indignant Miss Dragon "offed with" Mr. Sopley's cestus, the Honourable Emily found a way to bridge the gulf that lies between Bohemia and Mayfair. Except in the case of one person not yet born into these pages, the report that the lady had engaged herself, early in the year 1869, to "Mr. Buckley, her drawing-master," had only a short currency. It was probably devised by the Honourable Emily herself in order to soften the blow for her brother, Lord Moone. The real name of the man to whom she engaged herself was James Buckley Causton. Under this name he appears on the rolls of the 4th Dragoon Guards as a trooper in the years 1862-1867; and as "Buck" Causton he attained some celebrity when, in the last-named year, he vanquished one Piker Betteridge in the prize ring, in a battle which, beginning with gloves and ending with bare knuckles, lasted for nearly nine hours. For all we know, it may have been Miss Dragon's Mr. Sopley who, seeing the magnificent Buck in the ring, first put it into the ex-trooper's head to become an artists' model. However it was, an artists' model he did become, and, as such, the rage. No doubt Sopley, if it were he, would gladly have kept his discovery to himself; but a neck like a sycamore and a thorax capable of containing nine-hours-contest lungs cannot be hid when Academy time comes round. Sopley's measure was known. If Sopley painted an heroic picture it was certain he had had a hero as model. The Academy opens in May; before June was out Sopley's find was no longer his own. Sir Frederick Henson, the artist who moved so in the world that in him the tradition of the monarch who picked up the painter's brush for him might almost have been said to live again, saw Buck, marked Buck down as his own, and presently had sole possession of Buck. The Honourable Emily Scarisbrick already had possession of Sir Frederick. To be sure, it neither needed a Sir Frederick Henson to teach her the stippling of birds' eggs and the copying of castles for the albums of her friends, nor was the great Academician accustomed to stooping to the office of salaried drawing-master; but--the Honourable Emily was a Scarisbrick, of Mallard Bois. In Henson's studio the Honourable Emily first saw Buck Causton. To say that she fell in love with him would demand a definition of the term. Certainly she fell in something with him. Perhaps that something was the something that at the last thrusts baronies and Mallard Boises aside as hindrances to a design even larger than that in which they play so important a part; but we have nothing to do with large designs here. Call it what you will: something proper enough to legend, but of little enough propriety in a modern lady's life; a feeble echo of Romance, perhaps, but never itself to become Romance unless, of it or present scandal, it should prove the stronger. At any rate, it was a very different thing from anything she felt, or ever had felt, for Captain Cecil Chaffinger, of the White Hussars, her brother's nominee for her hand. It was a word dropped by the gallant Captain, himself a follower of the fancy, that led her to the discovery that the hero of some feat or other of extraordinary skill and endurance, and the young Ajax, all chest and grey eyes and brown curls, who did odd jobs about the studio in the intervals of posing for Henson's demigodlike canvases, were one and the same person. Her already throbbing pulse bounded. She herself was twenty-eight, a small, dark, febrile woman, given over to discontents based on nothing save on an irremediably spoiled childhood, and perhaps hankering after an indiscretion in the conviction that indiscretions were of two kinds--indiscretions, and the indiscretions of the Scarisbricks. Naturally she became conscious of a quickened interest in her art. The first indication that this interest passed beyond birds eggs and castles was that she began "Lessons in Drapery." If here for a few moments her story becomes a little technical, it may be none the less interesting on that account. The study of Drapery _as_ Drapery has not much interest for anybody unless perhaps for a student of mechanics. For all that, it is, or then was, regarded by drawing-masters as a self-contained subject, to be tackled, ticked off, and thenceforward possessed. To the study of Drapery in this unrelated sense the Honourable Emily apparently inclined. Seeing her therefore, in this fundamental error, Sir Frederick, a master of Drapery, took from her the "copies" which had already supplanted the "copies" of castles in her portfolio, and good-humouredly began to tell her what she really wanted. What she really wanted, he said, was to rid her mind of the idea that folds existed for their own sake, and to endeavour to realise that their real significance lay in the thing enfolded. Miss Scarisbrick thanked him. So, at first from the lay figure, and then from Henson's model, she began to draw Drapery with special reference to the thing draped. About this time she gave Captain Chaffinger for an answer a "No" which he refused to take. His devotion, he said, forbade him. If by his devotion he meant his devotion to his creditors, his constancy remained at their service. In the meantime he was still able to pay his old debts by contracting new ones. The Honourable Emily's studies became diligent. There is little to be said about these things except that they do happen. A word now about Buck's attitude. Had the Honourable Emily's maid thrown herself at his head he would have known what to do. His sense of the holiness of social degrees would have received no shock. But the Honourable Emily, who could command her maid, could not command what in all probability her maid would not have had to ask twice for. The most she got (when after much that is omitted here, it did at last dawn on the bashful Buck that she had any will in the matter at all) was a blush so sudden and violent that it compelled an embarrassed reddening of her own cheeks also. Buck was not personally outraged. It was his sense of Order that was outraged. He remembered the lady's station for her, and, stammeringly but reverentially, put her back into it. Now to be merely reverential to a woman who is in love with you is to provoke impatience, anger and tears. On the other hand, to see a woman in tears because you will not permit her to humiliate herself is to have the other half of an impossible situation. It was one luncheon-time (the Honourable Emily now lunched frequently at the studio) that the tears came. "Oh, you don't care for me--you don't care for me!" she sobbed. Buck could not truthfully have said that he did care for her; but there she was before him, in tears. "If it were that Dragon girl, now----" Buck, while not failing to see the force of this, could only make imploring movements for the Honourable Emily to calm herself. Presently she did calm herself, sufficiently to change her tone to one of irony. "Do you read your Bible?" she shot over her shoulder. "Yes, miss," said Buck--"that is--I mean----" The reason for Buck's hesitation was that he had suddenly doubted whether the Honourable Emily would know
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Produced by Stan Goodman, Charles Franks, and the Online Distributed Proofreading Team GUNS AND SNOWSHOES Or The Winter Outing of the Young Hunters by CAPTAIN RALPH BONEHILL AUTHOR of "FOUR BOY HUNTERS," "FOR THE LIBERTY OF TEXAS," "THE WINNING RUN," "FLAG OF FREEDOM SERIES," ETC. ILLUSTRATED BOY HUNTERS SERIES By Captain Ralph Bonehill FOUR BOY HUNTERS Or The Winter Outing of the Young Hunters. GUNS AND SNOWSHOES Or The Outing of the Gun Club GUNS AND SNOWSHOES CONTENTS I. INTRODUCING FOUR BOYS II. A QUARREL IN THE SNOW III. THE RESULTS OF SNOWBALLING IV. THE EXPLOSION V. OFF FOR CAMP VI. CHICKENS AND MINCE PIE VII. A DISMAYING DISCOVERY VIII. THE FIRST NIGHT IN CAMP IX. INTO A HOLE AND OUT X. OUT AFTER DEER XI. SNOWBOUND XII. A CRY FOR HELP XIII. IN CAMP ONCE MORE XIV. IN WHICH A TRAMP DISAPPEARS XV. SOMETHING OF A CHASE XVI. AN EVIL COMPACT XVII. FUN IN THE CAMP XVIII. AN UNEXPECTED PERIL XIX. THE FIGHT WITH THE BUCK XX. SHOOTING WILD DUCKS XXI. A TOUCH OF A BLIZZARD XXII. A REMARKABLE CHRISTMAS XXIII. IN TROUBLE ONCE MORE XXIV. A DISAGREEABLE MEETING XXV. AT THE CAMP ONCE AGAIN XXVI. THE TRAIL THROUGH THE SNOW XXVII. THE CAPTURE OF THE TRAMP XVIII. FOUR BOYS AND A BEAR XXIX. UNEXPECTED VISITORS XXX. A SURPRISE--GOOD-BYE PREFACE. My DEAR LADS: This story is complete in itself, but forms volume two of a set known under the general title of the "Boy Hunters Series," taking the heroes through various adventures while out hunting and fishing, in the woods and mountains, and on rivers and lakes. The boys are bright, lively lads of to-day, with a strong liking for a life in the open air and a keen taste for hunting both big and little game, and for fishing in various ways. In the former volume, entitled, "Four Boy Hunters," they organized their little dun Club and obtained permission to go a number of miles from home and establish a camp on the edge of a lake. From this spot they were driven by enemies, and then settled at another camp, where they had various adventures and not a little fun, and in the end cleared up a mystery which had bothered them not a little. In the present story we have the same boys and almost the same locality, but the time is now winter, and in the pages which follow are related the sport the boys had in the snow and on the ice, and something about a new mystery, which ended in rather a surprising fashion. As I have said before, hunting, especially in our eastern states, is not what it was years ago. Almost all of the big game has disappeared, and the fellow who can get a deer or a moose without going a good many weary miles for the game is lucky. Yet in some sections small game is still fairly plentiful, and a bag full of rabbits or wild ducks is much better than nothing. With best wishes to all who love the woods and waters, a gun, a dog, and a rousing campfire, I remain, Your sincere friend, CAPTAIN RALPH BONEHILL. GUNS AND SNOWSHOES. CHAPTER I INTRODUCING FOUR BOYS "Hurrah, boys, it's snowing at last! Aren't you glad?" "Glad? You bet I'm glad, Snap! Why I've been watching for this storm for about six months!" "There you go, Whopper!" answered Charley Dodge, with a grin. "Six months indeed! Why, we haven't been home six months." "Well, it seems that long anyway," said Frank Dawson, who was usually called Whopper by his chums, because of his exaggerations when speaking. "I've just been aching to see it snow." "So that we can take that trip we proposed," put in Sheppard Reed, quickly. "I guess we are all waiting for that." "I am anyway," came from Will Caslette, the smallest lad of the four, who had gathered at their usual meeting place in the town where they resided. "Our camping out last summer was immense. If only we have half as much fun this winter!" "We will have, Giant," broke in the boy called Whopper. "Didn't I tell you I was going to bring down sixteen deer, twenty bears, two hundred wild turkeys, a boatload of wolves, and--" "Phew, Whopper! Every time you name 'em over the list gets longer!" cried Charley Dodge. "If you bring down so much game there won't be anything left for other hunters." "Well, I'll leave you a bear or two," said Whopper cheerfully. "Thanks awfully." "Leave me one lone wild turkey, Whopper dear," came mournfully from Shep Reed. "Say, if you're going to talk like that I won't leave anything," burst out Frank. "Whopper may bring down all the game, but I'll wager he can't throw a snowball as straight as I can," said Charley, taking up some snow. "See that spot on the fence yonder? Here goes for it!" The snowball was launched forth with swiftness and with a thud struck the spot directly in the center. "Hurrah! A bull's-eye for Snap!" "Humph! I can do that too!" cried Whopper, and forthwith proceeded to make a good hard snowball. Then he took aim, let drive, and the ball landed directly on the top of the one Charley had thrown. "Good for you, Whopper!" said Charley enthusiastically. "Ah, I could do that a thousand times in succession," answered the youth given to exaggeration, coolly. "Why, don't you know that one day there were six Tom cats on a fence and I took a snowball and hit 'em all?" "What, with one snowball?" queried the little lad called Giant. "Sure thing, Giant." "But how?" "Why, I made the snowball bounce from the head of one Tom cat to the head of the next," answered Whopper, unabashed. "Well, if that isn't the worst yet!" roared Shep. "Say, we ought to roll Whopper in the snow for that!" "Right you are!" cried Snap. "Come on!" "Hi! hold on!" yelled Whopper in alarm, but before he could resist he was landed on his back in the snow, and the others proceeded to roll him over "good," as Shep expressed it. The rolling process at an end, a general snowball fight ensued between all of the boys, and also several others who chanced to be passing. The scene was the town of Fairview, a place containing a main street and also another thoroughfare running to the tidy little railroad depot, where eight trains stopped daily. The town was made up of fifteen stores and shops, three churches, a hotel, and a livery stable, while just outside were a saw mill and several other industries. The place was located on the Rocky River, which, ten miles below, flowed into a beautiful sheet of water called Lake Cameron. To those who have read a previous volume of mine entitled, "Four Boy Hunters," the lads skylarking in the snow need no special introduction. For the benefit of others let me state that Charley Dodge was the son of one of the most influential men of that district, a gentleman who was a school trustee and also part owner of a big summer hotel and one of the saw mills. Sheppard Reed was the son of the best-known local physician, and he and Charley,--always called Snap, why nobody could tell--were such chums they were often spoken of as the Twins. Frank Dawson had come to Fairview a little over two years before, and had speedily made himself a prime favorite. As we have seen, he loved to exaggerate when telling things, yet with it all Whopper, so called, was as truthful as anybody. As Snap said, "you could always tell Whopper's whoppers a mile off," which I think was something of a whopper in itself, don't you? The youngest lad of the four was Will Gaslette, always called Billy or Giant. He was the son of a French widow lady, who thought the world of her offspring. Although Will was small in size, he was sturdy and self-reliant, and promised to become all that his mother hoped for him. During the previous summer the four boys had organized the Fairview Gun Club and obtained permission to go camping for a few weeks in the vicinity of Lake Cameron. They had started in high spirits, and after a number of minor adventures located on the shore of the lake. From this spot, however, they were driven by a saw mill owner named Andrew Felps, who ran a company that was a rival to the concern in which Mr. Dodge had an interest. The boys were made to give up their comfortable camp, and then they went to Firefly Lake, a mile away. Here they hunted and fished to their heart's content, being joined in some of their sports by Jed Sanborn, an old hunter and trapper who lived in the mountains between the lakes. They had some trouble with Ham Spink, a dudish youth from Fairview, who, with some cronies, located a rival camp across the lake, but this was quickly quelled. Then, during a forest fire, they captured a long-wanted criminal, and came home at last loaded down with game, and with the firm determination to go out camping again during the winter. "We couldn't spend our time more pleasantly," was what Snap said. "Just think of a cozy camp in the snow, with a roaring camp-fire, and plenty of game on all sides of you! Um! um! It's enough to make a fellow's mouth water!" "Oh, we'll have to go!" had been Shep's answer. "Of course we'll have to go to school, but we are going to have a long vacation around the holidays--" "And we can ask for our Christmas presents in advance," Giant had interrupted. "If we go out, I know what I want?" "What, Giant?" "A pair of snowshoes." "Oh, we'll all want those," had come from Whopper. "And sleds, too--for our traps." "That's right." "And another shot-gun." "Yes, and plenty of blankets. It's no fun to camp out in winter if you can't keep warm." And so the talk had run on, until the winter outing of the Gun Club became almost a certainty to them. But there were certain restrictions, one of which, placed on all of the boys by their parents, was that they should end the term at school with good averages in all their lessons. "You must get at least eighty-five per cent. out of a possible hundred in all your lessons," said Doctor Reed to Shep, "otherwise you cannot go," and the other parents said practically the same thing to Snap, Whopper and Giant. And then the boys pitched in with a will, resolved to come out ahead, "or know the reason why," as Snap said. CHAPTER II A QUARREL IN THE SNOW The snow lay on the ground to the depth of four inches and was still coming down thickly. It was the first fall of the season, and was late,--so late, in fact, that the boys had been afraid there might come no fall at all. Fast and furiously flew the snowballs and each lad was hit many times. "How is that?" sang out Whopper, as he planted a snowball directly in Snap's ear. "And how's that?" returned Snap quickly, and sent a chunk of soft snow down Frank's collar. "Wuow!" spluttered Whopper. "Hi! that isn't fair! Oh, my poor backbone!" "Here you are, Giant!" called out Shep, and hit the little lad in the back. "Sorry, but it can't be helped. I--Oh, my!" and Shep bent double as a snowball thrown by Giant with much force took him directly in the stomach. "Just to remember me by!" sang out Giant. "Here's another," and the ball struck Shep in the elbow. "Small favors thankfully received and big ones granted in return. There you are!" And still another snowball landed on Shep's neck. Five other boys had come up, and now the contestants were lined up on both sides of the street not far from a corner, where there was a turn running down to the depot. As the snowballing went on a distant locomotive whistle sounded out and the afternoon train from the East rolled into the station. Several passengers alighted and among the number was Andrew Felps, of the Felps Lumber Company, the man who had caused the boy hunters so much trouble the summer previous. Mr. Andrew Felps was in a bad humor. He had gone to the city on business and matters had not turned out as he had expected. Now he had gotten back, dressed in his best, and wearing a new silk hat, and he had no umbrella with which to protect himself from the snow-storm. More than this, his coachman, who generally met him when he came in on the train, was not in sight. "Bah! I'll have to walk I suppose," muttered the saw mill owner, as he looked around for a carriage and found none. "Just the time you want a rig you can't find one. I'll discharge Johnson as soon as I reach home." With his coat buttoned up around his neck, and his head bent low to escape the scudding snow, Andrew Felps hurried away from the depot and up to the main street of Fairview. Then he made another turn, presently reaching the spot where our heroes and the other lads were having their sport. "Hi! here comes old Felps!" cried Giant. "We ought to give him something to remember us by!" "Don't you do it!" returned Snap quickly. "He doesn't know what fun is, and he'd be sure to make trouble." Some other boys were coming up, and the snowballs began to fly more furiously than ever. Snap, Shep, Whopper and Giant were on one side, and a boy named Carl Dudder and five other town lads on the other side. In the midst of the rallies came a yell of alarm, followed by several loud cries of rage. "Hullo! look there!" exclaimed Whopper. "Old Felps has been knocked into the middle of next month. There goes his hat in the snow too! Who threw at him?" "I didn't," answered Giant, promptly. "Neither did I," came from Snap. "Nor I," added Shep. The saw mill owner was flat on his back, his silk hat on one side of him and a package of books and papers on the other. "Maybe he slipped on some ice," suggested Snap. "Hi! hi! who threw that snowball!" roared Andrew Felps, savagely, as he arose to his feet. "You young villains! I'll have the law on you for this!" He scrambled to his feet and glared around him. All of the boys had stopped throwing at once and gazed at him curiously. "Ha! I know you!" went on Andrew Felps, striding up to Snap. "It was you who hit me in the ear and knocked me down!" "No, sir, I did not," answered Charley. "I know better! I saw you do it!" "You are mistaken, Mr. Felps! I was throwing across the street." "Don't tell me! I know better, Dodge. You hit me and you did it on purpose." At this Snap merely shrugged his shoulders. "I'll have the law on you," fumed Andrew Felps. "Snap didn't hit you," said Shep. "Ha! then perhaps you threw the snowball," said the saw mill owner suspiciously. "I did not." "I know you boys, and I have not forgotten your work against me last summer," growled Andrew Felps. "And we haven't forgotten you," answered Snap, coldly. "You have no right to accuse me of something I didn't do." "Bah! If I find out who hit me I'll make it warm for him!" And having thus delivered himself Andrew Felps picked up his silk hat and his bundle and went on his way, in a worse humor than ever. "Isn't he a darling?" observed Whopper sarcastically. "How I would love to own him for a brother!" "I wonder who did hit him?" mused Snap. "The snowball couldn't have come from over here." "I know who hit him," said a little boy named Benny Grime. "Who was it, Benny?" "Ham Spink." "Ham Spink!" cried Snap and Shep in concert. "Yes." "Why, he isn't here," said Whopper. "He just came up, threw one snowball, and ran away. I guess he meant to hit somebody else and the snowball hit Mr. Felps instead," went on the small boy. "Don
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Produced by Neville Allen, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI. Vol. 147 SEPTEMBER 9, 1914. CHARIVARIA. The _Deutsche Tageszeitung_ says:--"Our present war with England shall not be done by halves; it is no war to be stopped by 'notice,' but by a proper settlement. Otherwise the peace we all desire would be both rotten and dangerous." Your wish shall be respected, _Deutsche Tageszeitung_. * * * The fines which Germany has been imposing so lavishly on towns and provinces will, a commercial friend informs us, ultimately prove to be what are known in City circles as "temporary loans." * * * By the way, _The Globe_ tells us that the KAISER was once known to his English relatives as "The Tin Soldier." In view of his passion for raising tin by these predatory methods this title might be revived. * * * The German threat that they will make "_Gurken-salad_" of the Goorkhas, leaves these cheery little sportsmen undismayed. * * * We give the rumour for what it is worth. It is said that, overcome with remorse at the work of his vandals at Louvain, the KAISER has promised when the war is over to present the city with a colossal monument of himself. * * * Meanwhile President WILSON is being urged by innumerable tourist agencies in his country to stop the war before any more historical buildings are demolished. * * * A number of the more valuable of the pictures in the Louvre have, with a view to their safety, been placed in cellars. _La Gioconda_ is to be interned at an extra depth, as being peculiarly liable to be run away with. * * * Strangely enough, the most heroic single-handed feat of the war seems only to have been reported in one paper, _The Express_. We refer to the following announcement:-- "AUSTRIAN WARSHIP SUNK By J. A. SINCLAIR POOLEY _Express_ Correspondent." * * * It is stated that the German barque _Excelsior_, bound for Bremen with a valuable cargo, has been captured by one of our cruisers. It speaks well for the restraint of our Navy that, with so tempting a name, she was not blown up. * * * A proposal has been made in _The Globe_ that all "alien enemies" in this country shall be confined within compounds until the end of the War. Suggested alteration in the National Anthem: "Compound his enemies." * * * "Carry on" is no doubt an admirable motto for these times, but the Special Constable who was surprised by his wife while carrying on with a cook (which he thought to be part of his professional duty) complains that it is misleading. * * * We hear that some of our Nuts have volunteered to serve as regimental pets. * * * Partridge shooting began last week, but poor sport is recorded. The birds declare that it is not their fault. They turned up in large numbers, but there were not enough guns to make it worth while. * * * Illustration: _The Thinker._ "YOU SAY THIS WAR DON'T AFFECT YOU: BUT 'OW, INSTEAD OF A BRITISH COPPER SAYIN', 'GIT AHT OF IT,' WOULD YER LIKE ONE O' THEM GERMAN JOHNDARMS TO KEEP PRODDIN' AT YER WIF 'IS BAYNIT?" * * * * * The Gibraltar Manner. "GIBRALTAR LIFE NORMAL. Ladies Making Garments." * * * * * THE TWO GERMANIES. Marvellous the utter transformation Of the spirit of the German nation! Once the land of poets, seers and sages, Who enchant us in their deathless pages, Holding high the torch of Truth, and earning Endless honour by their zeal for learning. Such the land that in an age uncouther Bred the soul-emancipating LUTHER. Such the land that made our debt the greater By the gift of _Faust_ and _Struwwelpeter_. * * * Now the creed of NIETZSCHE, base, unholy, Guides the nation's brain and guides it solely. Now MOZART'S serene and joyous magic Yields to RICHARD STRAUSS, the haemorrhagic.[1] Now the eagle changing to the vulture Preaches rapine in the name of culture. Now the Prussian _Junker_, blind with fury, Claims to be God's counsel, judge and jury. While the authentic German genius slumbers, Cast into the limbo of back numbers. [Footnote 1: Great play is made in STRAUSS'S _Elektra_ with the "slippery blood" motive.] * * * * * The Late "Kaiser Wilhelm der Grosse." _First Student of the War._ Why did they call it "Kaiser William the Grocer?" _Second Student._ Don't know. I should have described him as a Butcher. * * * * * "PETROGRAD. NEW NAME FOR THE RUSSIAN CAPITAL. PETROGRAUD (St. Petersburg), Tuesday. By Imperial order, the city of St. Petersburg will henceforth be known as Petrograu." _Evening Standard._ It looks more like three new names. * * * * * _Q._ I hear the Sugar Refiners are raising cane? _A._ That's because they haven't yet got the German beet. [_Awarded Gold Medal and Banana Skin for worst joke of the war._] * * * * * FOR THE RED CROSS. Ye that have gentle hearts and fain To succour men in need, There is no voice could ask in vain, With such a cause to plead-- The cause of those that in your care, Who know the debt to honour due, Confide the wounds they proudly wear, The wounds they took for you. Out of the shock of shattering spears, Of screaming shell and shard, Snatched from the smoke that blinds and sears, They come with bodies scarred, And count the hours that idly toll, Restless until their hurts be healed, And they may fare, made strong and whole, To face another field. And yonder where the battle's waves Broke yesterday o'erhead, Where now the swift and shallow graves Cover our English dead, Think how your sisters play their part, Who serve as in a holy shrine, Tender of hand and brave of heart, Under the Red Cross sign. Ah, by that symbol, worshipped still,
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Produced by David Edwards, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: THE.LITTLE.BROWN.HEN.HEARS THE.SONG.OF.THE.NIGHTINGALE By Jasmine Stone Van Dresser] [Illustration: AND.WITH.THE.LENGTHENING. EVENING.SHADOWS.] [Illustration] [Illustration] The Little Brown Hen Hears the Song of the Nightingale & The Golden Harvest By Jasmine Stone Van Dresser Author of "How to Find Happyland" With an Introduction by Margaret Beecher White The Illustrations by William T. Van Dresser [Illustration: THE.LOUDEST.TALKERS.ARE.NOT.ALWAYS.WISEST..] Paul Elder and Company San Francisco and New York _Copyright, 1908_ _by_ Paul Elder and Company TO WILLIAM T. VAN DRESSER BUT FOR WHOM THE STORIES WOULD NEVER HAVE BEEN WRITTEN THIS LITTLE BOOK IS LOVINGLY DEDICATED BY THE AUTHOR FOREWORD. It is the duty of all good, useful stories to give a message to their readers. The two dainty stories contained in this little volume each carries its message of truth. Pure, simple and wholesome in quality, they cannot fail to refresh as well as instruct those who receive them. In the _Golden Harvest_ the lesson of patience taught by the little apple tree's experience will bear rich fruit I do not doubt, and the wisdom of the little brown hen cannot help but teach us all to listen for the nightingale's song of harmony in our own lives. MARGARET BEECHER WHITE. The Little Brown Hen Hears the Song of the Nightingale [Illustration] A POMPOUS old gander who lived in a barn-yard thought himself wiser than the rest of the creatures, and so decided to instruct them. He called together all the fowls in the barn-yard, and the pigeons off the barn-roof, and told them to listen to him. They gathered around and listened very earnestly, for they thought they would learn a great deal of wisdom. "The first thing for you to learn," said the gander, "is to speak my language. It is very silly for you to chatter as you do. Now we will all say, 'honk!' one, two, three,--'honk!'" The creatures all tried very hard to say "honk!" but the sounds they made were so remarkable that I cannot write them, and none of them sounded like "honk!" The gander was very angry. "How stupid you are!" he cried. "Now you all must practise till you learn it. Do not let me hear a peep or cluck or a coo! You must all 'honk' when you have anything to say." So they obediently tried to do as he said. When the little brown hen laid an egg, instead of making the fact known with her sharp little "cut--cut--cut-cut-ah-cut!" as a well-ordered hen should do, she ran around the barn-yard trying to say, "honk! honk!" But nobody heard her, and nobody came to look for the egg. The guinea-fowls way down in the pasture ceased calling "la croik! la croik!" and there was no way of finding where they had hid their nests. In the afternoon, when their shrill cries should have warned the farmers that it was going to rain, they were still honking, or trying to, so the nicely dried hay got wet. Next morning chanticleer, instead of rousing the place with his lusty crow, made an effort at honking that could not be heard a stone's throw away, and so the whole farm overslept. All day there was a Babel of sounds in the barn-yard. The turkeys left off gobbling and made a queer sound that they thought was "honk!" the ducks left off quacking, the chicks left off peeping, and said nothing at all, for "honk!" was too big a mouthful for them; and the soft billing and cooing of the doves were turned into an ugly harsh sound. Things were indeed getting into a dreadful state, and they grew worse, instead of better. The hens forgot to lay eggs, the doves became proud and pompous like the gander, and as for the turkey gobblers, they kept the place in an uproar, for they thought they could really honk! and they never ceased from morning till night. There's no telling what it all would have come to if there hadn't been one in the barn-yard, with an ear that could hear something besides the dreadful discords. One night the little brown hen was roosting alone in the top of the hen-house. All at once she was awakened by the sweetest song she had ever heard. She called to her chicks and to some of her companions to wake up and listen; but they were sleepy and soon dozed off again, so the little brown hen was left listening alone. "I will ask the gander what this beautiful song means," she said. "He knows everything." So she awoke the gander and asked him who was singing the beautiful song, and what it meant. The gander said gruffly: "It is the nightingale. I do not know what her song means. She should learn to honk!" And he tucked his head back under his wing. "Ah!" thought the little brown hen, "if learning the gander's language does not help me to understand this beautiful song, I do not think it is worth bothering with. I shall never try to say 'honk!' again." So she went back to her roost and listened till the nightingale's song ceased. Then she tucked her head under her little brown wing and went to sleep, her little heart singing within her. At daylight she awoke, and hopping down sought her companions, eager to tell them the wonderful thing that was singing in her heart. "This is a beautiful, simple world," she cried, "and I have learned a very wonderful thing!" But to her surprise, the creatures had no desire to hear what it was, for they were all in a flurry getting ready for their next lesson in honking. "Indeed, you need not bother about honking," cried the little brown hen, but nobody paid
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E-text prepared by Charles Franks, Delphine Lettau, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) THE IMAGINARY INVALID. (LE MALADE IMAGINAIRE.) by MOLIERE, Translated into English Prose. With Short Introductions and Explanatory Notes. by CHARLES HERON WALL. This is the last comedy written by Moliere. He was very ill, nearly dying, at the time he wrote it. It was first acted at the Palais Royal Theatre, on February 10, 1673. Moliere acted the part of Argan. PERSONS REPRESENTED. ARGAN, _an imaginary invalid_. BELINE, _second wife to_ ARGAN. ANGELIQUE, _daughter to_ ARGAN, _in love with_ CLEANTE. LOUISON, ARGAN'S _young daughter, sister
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Produced by Jeannie Howse, Claudine Corbasson, Irma Špehar and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration] A SOUVENIR OF SAN FRANCISCO BAY Within the Golden Gate BY LAURA YOUNG PINNEY ILLUSTRATED BY ELLA N. PIERCE SAN FRANCISCO: FROM THE PRESS OF THE SAN FRANCISCO PRINTING COMPANY 411 MARKET STREET 1893 Copyright 1893, by L. Y. PINNEY AND E. N. PIERCE HALF TONE ENGRAVINGS BY UNION PHOTO-ENGRAVING CO. [Illustration] AUTUMNAL skies were fair, and blue, And soft and mild the morning breeze; With sails unfurled--a joyous crew-- We sought Pacific's tranquil seas, And entered there, a gate that stands, Unbarred to ships of many lands. And as we passed its portal grand, Our hearts were glad, our spirits light, And we rejoiced, and eager scanned The scenes that came before our sight. Near Alcatraz, an island bold, We paused to hear this story told: [Illustration] GRIM Alcatraz! Thou sentinel That watch hath kept, thro' ages past, Over this shining way to sea, O where's the ship, with towering mast, That bore my loved one far from me? Thou sentry, with thy guarded wall, Thou saw'st him pass and sail away, To thread the trackless, distant sea. Where rides the good "St. George" to-day. That brings not back my love to me? [Illustration] [Illustration] Care'st thou, that some, who pass thee by, In morning time, with laugh and song, With evening shades, return no more, Tho' sad ones count the hours so long, And lone ones wait upon the shore? THE singer in a little boat, Whose snowy sail gleamed in the sun, Paused there, until the last fond note Was sung, then swiftly sped away, Like some sweet bird whose plaintive cry Ere pity wakes, hath soared on high. Our eyes then sought, thro' changing light, A distant mount's majestic form, 'Twas Tamalpais, whose lofty height, Doth rise above the fog and storm; While, neath its brow fair valleys bloom, Untouched by frost or winter's gloom. FAR up the
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Barbara Weinstock Lectures on The Morals of Trade SOCIAL JUSTICE WITHOUT SOCIALISM. By John Bates Clark. THE CONFLICT BETWEEN PRIVATE MONOPOLY AND GOOD CITIZENSHIP. By John Graham Brooks. COMMERCIALISM AND JOURNALISM. By Hamilton Holt. THE BUSINESS CAREER IN ITS PUBLIC RELATIONS. By Albert Shaw. SOCIAL JUSTICE WITHOUT SOCIALISM BY JOHN BATES CLARK PROFESSOR OF POLITICAL ECONOMY AT COLUMBIA UNIVERSITY BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge 1914 COPYRIGHT, 1914, BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA ALL RIGHTS RESERVED _Published April 1914_ BARBARA WEINSTOCK LECTURES ON THE MORALS OF TRADE This series will contain essays by representative scholars and men of affairs dealing with the various phases of the moral law in its bearing on business life under the new economic order, first delivered at the University of California on the Weinstock foundation. SOCIAL JUSTICE WITHOUT SOCIALISM It is currently reported that the late King Edward once said, "We are all Socialists, now": and if the term "Socialism" meant to-day what His Majesty probably meant by it, many of us could truthfully make a similar statement. Without any doubt, we could do so if we attached to the term the meaning which it had when it was first invented. It came into use in the thirties of the last century, and expressed a certain disappointment over the result of political reform. The bill which gave more men the right to vote did not give them higher wages. The conditions of labor were deplorable before the Reform Bill was passed and they continued to be so for some time afterwards. A merely political change, therefore, was not all that was wanted, and it was necessary to carry democracy into a social sphere in order to improve the condition of the poorer classes. The term "Socialism," therefore, was chosen to describe a play of forces that would act in this way on society itself, and was an excellent term for describing this right and just tendency. The name was quickly adopted by those with whose practical plans most of us do not agree; but its original idea was democracy carried into business, and at present that is the dominant tendency of all successful parties. For six months we have been living under what may be called "triumphant democracy," not because the Democratic Party has beaten its rivals and come into control of the Government, but for a much deeper reason, namely, that a democracy carried into industrial life is the dominating principle of every political body that can hope for success. Every party must show by its action that it values the man more than the dollar. To this extent we are all democrats and wish the Government to act for the people as well as to be controlled by the people. When we differ, it is in deciding on the means to carry out our common purpose; and here we differ very widely. Some would use the power of the State to correct and improve our system of industry, and these constitute a party of reform. Others would abolish that system and substitute something untried. For private capital they would put public capital and for private management, public management--either in the whole field of industry or in that great part of it where large capital rules. These are Socialists in the modern and current sense of the term. One difference of view which was formerly very sharp is now scarcely traceable. Every one knows that we must invoke the aid of the State in order to make industry what it should be. The rule that would bid the State keep its hands off the entire field of business, the extreme _laissez-faire_ policy once dominant in literature and thought, now finds few persons bold enough to advocate it or foolish enough to believe in it. In a very chastened form, however, the spirit that would put a reasonable limit on what the State shall be asked to do happily does survive and is powerful. It seeks a golden mean between letting the State do nothing and asking it to do everything. It is this plan of action that I shall try to outline, and it will appear that even this plan requires that the State should do very much. Under an inert government the industrial system would suffer irreparably. The thing first to be rescued is competition--meaning that healthful rivalry between different producers which has always been the guaranty of technical progress. That such progress has gone on with bewildering rapidity since the invention of the steam engine is nowhere denied; and neither is it denied that competition of the normal kind--the effort of rivals to excel in productive processes--has caused it. It has multiplied the product of labor here tenfold, there, twentyfold, and elsewhere a hundredfold and more. This increased power to produce has rescued us from an appalling evil. Without it, such a crowding of population as some countries have experienced would have carried their peoples to and below the starvation level. Machinery now enables us to live; and if world-crowding were to go on in the future as it has done, and the technical progress should cease, many of us could not live. Poverty would increase till its cruelest effects would be realized and lives enough would be crushed out to enable the survivors to get a living. Of all conditions of human happiness, the one which is most underestimated is progress in power to produce. Hardly any of those who would revolutionize the industrial State, and not all of those who would reform it, have any conception of the importance of this progress. It is the _sine qua non_ of any hopeful outlook for the future of mankind. I am to speak, however, of _justice_ in the business relations of life, and it might seem that this shut out the mere question of general prosperity. The most obvious issue between different social classes concerns the division of whatever income exists. Whatever there is, be it large or small, may be divided rightly or wrongly; but I am not able to see that the mere division of it exhausts the application of the principle of justice. While it is clearly wrong for one party to plunder another, it is almost as clearly wrong for one party to reduce the general income and so, in a sense, rob everybody. A party that should systematically hinder production and reduce its fruits would rob a myriad of honest laborers who are ill prepared to stand this loss and have a perfect right to be protected from it. Every man, woman, and child has a right to demand that the powers that be remove hindrances in the way of production, and not only allow the general income to be large and grow larger, but do everything that they possibly can do to make it grow larger. It is an unjust act to reduce general earnings, even though no one is singled out for particular injury. On this ground we insist on trust legislation, tariff reform, the conservation of natural resources, etc. I am prepared to claim that it is in this spirit that we demand that private initiative, which has given us the amount of prosperity that we have thus far obtained, shall be enabled to continue its work without being supplanted by monopoly. In a general way I should include public monopoly as well as private among the things which would put a damper on the progress of improvement and lessen the income on which the comfort of laborers in the near future will be dependent. Monopoly of any sort is hostile to improvement, and in this chiefly lies the menace which it holds for mankind. It is a fairly safe prediction that, if a public monopoly were to exist in every part of the industrial field, the _per capita_ income would grow less, and that it would be only a question of time, and a short time at that, when the laborers would be worse off than they are now. Though, at the outset, they might absorb the entire incomes of the well-to-do classes, the amount thus gained would shrink in their hands until their position would be worse than their present one. They would have pulled down the capitalists without more than a momentary benefit for themselves and with a prospect of soon sinking to a lower level than as a class they have thus far reached. The impulse to revolutionize the system comes from the belief that it is irreclaimably bad. The first thing to be done is to see how much reclaiming the system is capable of; and the only sure way to test this question is to use all our power in the effort to improve it. When all such efforts shall have failed, it will be time for desperate measures. Our industrial system has many faults:--here we are happily agreed. It is the inferences we draw from this fact that are different. The one that I draw is like one which is recorded in a famous case in antiquity. When the Macedonian armies seemed about to overwhelm Greece, Demosthenes encouraged the Athenians by this very sound bit of philosophy: "The worst fact in our past affords the brightest hope for our future. It is the fact that our misfortunes have come because of our own faults. If they had come when we were doing our best, there would be no hope for us." Now the evils of our own social system which result from mistakes or faults are just such a ground of hope. Every such evil which can be cited describes one possible reform, and the longer the list of evils, the greater is the sum total of gain which we can make by doing away with them. If we cite them all _seriatim_, what impression shall we get? Will it merely show how badly off we are? Will it make us despair for our future? On the contrary, it should fill us with hope for the future. We start from the fact that we have thus far survived in spite of the faults. The worst off among us is above starvation and most of us are in a tolerable state. If we can remove the evils that exist, we shall make our state very much more than tolerable. The greatness of the evils measures the gain from removing them. Every single one that is removed improves the status of our people. We can take, as it were, a social account of stock, measure our present state, measure the extent to which we can improve it by putting an end to one bad influence, count the number of such bad influences, and so get an estimate of the gains of carrying out a complete reformatory programme. It will show an enormous possibility of improvement. In the struggle for reforms we have the great middle class with us. All honest capitalists, great and small alike, are natural allies of honest labor, and they are interested mainly in the same reforms as are the members of the working-class. If we recognize a necessity for a struggle of classes, it is not one that marshals labor against all wealth. The contention is rather between honest wealth allied with honest labor, on the one hand, and dishonest wealth on the other; and in a contest so aligned, victory for the former party means social justice. There is a preliminary reform to be carried through as a condition of securing most of the others. Who can estimate the benefit which would come from merely making our Government what it purports to be--government by the people? The initiative, the referendum, the recall, the short ballot, direct primaries, and proportionate representation are all designed to transfer power from rings and bosses to the people themselves. If they actually do it, as sooner or later those or kindred measures probably will, they will so far restore the democracy of our earlier and simpler days as to make us look back on the rule of rings and bosses as on a nightmare of the past. When the Government is thus really controlled by the people we can count on having its full power exerted for them. What are a few of the things that we shall then try to get? The working day is too long. In some occupations it covers far too many hours, and
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Produced by Ernest Schaal and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) CAMPOBELLO * * * * * AN HISTORICAL SKETCH BY KATE GANNETT WELLS For those who are desirous of exact knowledge concerning the "Story of the Boundary Line," and the political history of Eastport and its vicinity, there is no more comprehensive work than that by William Henry Kilby, Esq., entitled, "Eastport and Passamaquoddy." To him, and also to two friends who kindly gave me the names of a few of the Island flowers, do I express my gratitude. Campobello. THE mysterious charms of ancestry and yellow parchment, of petitions to the admiralty and royal grants of land, of wild scenery and feudal loyalty, of rough living and knightly etiquette, have long clustered round a little island off the coast of Maine, called on the charts Passamaquoddy Outer Island, but better known under the more pleasing name of Campobello. =Its Discovery.= It belongs to the region first discovered by the French, who, under Sieur De Monts, in the spring of 1604, sailed along the shores of Nova Scotia, and gave the name of Isle of Margos (magpies) to the four perilous islands now called The Wolves; beheld Manthane (now Grand Manan); sailed up the St. Croix; and established themselves on one of its islands, which they called the Isle of St. Croix. The severity of the winter drove them in the following summer to Annapolis, and for more than a hundred and fifty years little was known of this part of the country, though the River St. Croix first formed the boundary between Acadia and New England, and later the boundary between the Provinces of Nova Scotia and Massachusetts Bay. Campobello itself could scarcely be said to have a history till towards the end of the eighteenth century. Moose roamed over the swamps and looked down from the bold headlands; Indians crossed from the mainland and shot them; straggling Frenchmen, dressing in skins, built huts along the northern and southern shores, till civilization dawned through the squatter sovereignty of two men, Hunt and Flagg. They planted the apple trees whose gnarled branches still remain to tell of the winter storms that howled across the plains, and converted the moose-yards into a field of oats, for the wary, frightened animals vacated their hereditary land in favor of these usurpers. Their mercantile skill taught them how to use, for purposes of trade rather than for private consumption, the shoals of fish which it was firmly believed Providence sent into the bay. =Post Office.= There were not enough inhabitants to justify the maintenance of a post office till 1795; then the mails came once in two weeks. Lewis Frederic Delesdernier was the resonant, high sounding name of the first postmaster who lived at Flagg's Point (the Narrows). But when a post office was opened in Eastport, in 1805, this little Island one was abandoned, or rather it dwindled out of existence before the larger one established by Admiral Owen at Welsh Pool. =Welsh Pool.= The Narrows, because of its close proximity to the mainland, was a favorite place of abode in those early days. Yet Friar's Bay, two miles to the north, was a safe place for boats in easterly storms; and thus, before the advent of the Owens, a hamlet had clustered around what is now called Welsh Pool. A Mr. Curry was the pioneer. The house opposite the upper entrance to the Owen domain was called Curry House until it became "the parsonage," a name abandoned when the present rectory was built. Curry traded with the West Indies, and owned, it is said, two brigs and a bark. People also gathered at the upper end of the Island, Wilson's Beach, and on the road between Sarawac and Conroy's Bridge, where there were several log houses. =Garrison's Grandparents.= That some kind of a magistrate or minister even then was on the Island is attested by the fact that William Lloyd Garrison's grandparents, Andrew Lloyd and Mary Lawless, chanced to come to Nova Scotia on the same ship from Ireland, and were married to each other "the day after they had landed at Campobello, March 30, 1771." Lloyd became a commissioned pilot at Quoddy, and died in 1813. His wife was the first person buried in Deer Island. Their daughter Fanny was Garrison's mother. Many of the early inhabitants were Tories from New York. Some were of Scotch origin, especially those who lived on the North Road. =Captain Storrow.= Among these settlers was a young British officer, Captain Thomas Storrow, who, while he was prisoner of war, fell in love with Ann Appleton, a young girl of Portsmouth, N.H. In vain did her family object, "British officers being less popular then than now; but young love prevailed," and the marriage, which took place in 1777, "was a happy one." Captain Storrow took his bride to England; but after a while sailed for Halifax, where they remained "nearly two years." In 1785 they went to St. Andrews. Through the courtesy of their grandson, Colonel Thomas Wentworth Higginson, the following extract is given from a manuscript sketch of the life of Mrs. Storrow, prepared by her niece, Mrs. Norman Williams:-- =False Sale.= "Soon after this (1785) they removed to Campobello, which had been purchased by Mr. Butler and Captain Storrow. There were two houses on the Island, one for each family, and here they lived very happily and pleasantly. There was always a garrison at St. Andrews, and a ship of war stationed near Campobello; so Captain Storrow had congenial society, and they had many pleasant lady friends, and, as their hospitality was unbounded, they were seldom without company at one or the other of the houses.... All was bright and prosperous. But a change came. In 1790 or 1791 the Butlers and Captain Storrow had gone to Halifax on business, and Mrs. Storrow was left alone with her children on the Island, when a notice was served to her that she must quit the Island immediately, as it had been sold to them under a false title, and the real owner had come to take possession. The Island had been granted by William Pitt to his former tutor, David Owen, a hard man who would not move from the position he had taken. Mrs. Storrow sent to my father, who was her husband's lawyer, and he, with some other gentlemen, chartered a sloop and brought the family to St. Andrews, where a house was already prepared for them. Here they remained a year or more. But Capt. Storrow's finances were so crippled by the loss of Campobello that he and his family sailed for Jamaica, where he had a small estate." =William Owen.= David Owen, to whom this manuscript referred, was a cousin of William Owen, through whom the Island became connected by royal gift and by romance with the fortunes of his immediate descendants. As naval officer William Owen had been "in all the service and enterprise where ships, boats, and seamen were employed," had labored at Bengal for the re-establishment of the affairs of the East India Company, and had fought under Clive. At the blockade of Pondicherry he lost his right arm, and the Sunderland, to which he belonged, having foundered, he was ordered to England. Broken in spirit and weak in body, the copy of what was presumably his memorial to the Admiralty in 1761 has a piteous sound. It begins:-- =His Petition.= "My Lord, permit me, with the most profound respect, to lay by your Lordship a true State of my past service, with the accidents that happened to me during the same, praying your Lordship not to judge hard of me, in being reduced to the disagreeable necessity of doing that myself which would appear in a much more favorable light were any of my Friends in Town who could take the Liberty of Introducing me to your Lordship." After recounting the services he rendered, and the injuries he received, he ends with these words: "I beg you will be pleased to represent to the Right Honorable the Lords of the Admiralty that I am the person mentioned in Admiral Steuen's [the spelling is illegible] Letter to have lost my Right Arm, when I had the Honor of Commanding one of the Divisions of Boats ordered by him to cut out the Two French Ships, La Baline and Hermione, from under the Guns of Pondicherry, on the 7th of October last, and that I had been wounded before in that country with a Musket Ball, which lodged in my Body above three years and a half. My long service in the East Indies, together with the Wounds I received, having greatly impaired my health, lays me under a necessity to be the more urgent with you on this occasion, that I may the sooner go into the Country to endeavor to re-establish the same, as well as to see my Friends, from whom I have been above nine years absent. Let me, therefore, Sir, entreat you to move their Lordships in my behalf, humbly praying that they will be pleased to direct something to be done for me, either by Gratuity, Pension, or Preferment, such as their Lordships may deem me to deserve." =Sir William Campbell.= In November of the same year he writes to Lord William Campbell: "I arrived in London above four months ago. After long attendance and great solicitations, I am at length put off with a pitiful Pension, with which I am going to retire into the Country among my Relations for the remainder of my days, unless somewhat unexpected happens to enable me to obtain the promotion I think I have a right to.... I have spent a great deal of money in Town, have no Fortune, and want a sum soon on a very urgent Occasion.... I hope, notwithstanding the disparity between us in point of Rank and Fortune, that your Lordship will honor me with a Continuance of the Friendship and Regard which I had reason to imagine subsisted between us during the five years we Messed together." This beseeching letter must have been effectual; for in course of time he did receive, not only thanks and promise of promotion, but through the intercession of his friend, Sir William Campbell, who was Governor General of Nova Scotia, he obtained possession of the Island which Hunt and Flagg had ruled. =Royal Grant.= As it embraced more land than could then be granted to one person, Owen induced others to join him in asking for the grant, that the whole Island might eventually be under control of the Owen family. =Origin of Name.= Consequently, in 1767, the Island was deeded to William Owen and his cousins, Arthur Davies, David and William Owen, Jr., who, in grateful compliment to Campbell, changed its name from Passamaquoddy Outer Island to Campobello, thus "punning on the donor's name, and also expressing the beauty of the natural scenery." It was like the Admiral to invent a name which should include both a joke and a subtle allusion to his classical learning. =First Colony.= William Owen immediately brought over from the mother country a colony of seventy persons; stationed his ship at Havre De Lute, a Franco-Indian corruption of Harbor of the Otter; and, having settled his people according to his liking, returned to England; but soon left it again on public service, and died with the rank of Admiral. =David Owen.= David Owen acted as agent for the grantees, and was a veritable lord of the Island, always interested in protecting the fisheries. His house, near the site of the cottage now owned by James Roosevelt, Esq., had even more roof than the usual sloping, barn-like home of former days. He built a rude church, read the service, and preached. What matter if the sermon was oft repeated, or now and then was original! Could not he, though a layman, best tell the needs of his congregation? He played the fiddle for dances, married the people, scolded them as a self-constituted judge, and kept a journal of Island events in microscopic chirography.
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Produced by David Schwan. HTML version by Al Haines. The Vigilance Committee of '56. By a Pioneer California Journalist [James O'Meara] Chapter I. Many accounts of the Vigilance Committee of San Francisco have been published, but all of them, so far as I have seen, were from the pen of members of that organization, or else from persons who favored it. As a consequence their accounts of it were either partial, to a greater or less degree, or imperfect otherwise; and much has been omitted as well as misstated and misrepresented otherwise. I was not a member of the Vigilance Committee, nor was I a member of the opposing organization, known as the Law and Order body, of which General Sherman was the head and Volney E. Howard next in rank. I have never been in favor of mob or lynch-law in any form, and, therefore, had neither sympathy with nor disposition to join the Vigilance Committee. And while I was earnestly in support of Law and Order, I did not feel that I could better subserve that cause by joining the organization formed at that time, for the avowed purpose of maintaining the one and enforcing the other. I had many friends on each side, and I also knew many in each organization who were unworthy of fellowship in any good or honorable cause or association; and some of these bore prominent rank in each organization. As was said of the Regulators of Texas, who directed their energies chiefly against horse thieves and robbers, that some of the worst and most guilty of them hastened to join the band, in order to save themselves from arrest and the rope or bullet, likewise were there some prominent in the Vigilance Committee of 1856, who undoubtedly joined it for similar reasons--to escape the terrors of the organization; and the Executive Committee was not exempt from these infamous characters. The Executive Committee, forty-one in number, was thus composed in membership: William T. Coleman, James Dows, Thomas J. L. Smiley, John P. Monrow, Charles Doane, James N. Olney, Isaac Bluxome, Jr., William Meyers, Charles Ludlow,--Christler, Richard M. Jessup, Charles J. Dempster, George R. Ward, E. P. Flint, Wm. Rogers, Aaron M. Burns, Miers F. Truitt, W. H. Tillinghast, W. Arrington, Charles L. Case, J. D. Farwell, W. T. Thompson, Eugene Dellesert, J. K. Osgood, J. W. Brittan, Jules David, C. V. Gillespie, Calvin Nutting, E. Gorham, N. O. Arrington, F. W. Page, O. B. Crary, L. Bassange, D. Tubbs, Emile Grisar, E. B. Goddard, Henry M. Hale, Chas. Ludlow, M. J. Burke, J. H. Fish, C. P. Hutchings, J. Seligman. W. T. Coleman was President, Thomas J. L. Smiley Vice-President and Prosecuting Attorney, John P. Morrow, Judge Associate, James Dows, Treasurer, Wm. Meyer, Deputy Treasurer, Isaac Bluxome, Jr. the notorious "33"--Secretary. Charles Doane was Grand Marshall, James N. Olney, Deputy Grand Marshall, R. T. Wallace was Chief of Police, John L. Durkee, Deputy Chief. The military organization of the Vigilance Committee, rank and file, numbered nearly 5,000 men. Several of the Executive Committee were alien residents who never became citizens; and in the Committee, serving as troops, as police, and in other lines, were a large number of aliens, not naturalized, many of whom had not acquired sufficient proficiency in the English language to speak it or understand it. The military body comprised four regiments--infantry and artillery--together with battalions of cavalry, pistol companies and guard of citizens. A medical staff was duly organized. The roster, as here given, is copied from a recent publication in the Alta, stated to be authentic. The dashes which mark omission of the names, appear as they are placed in the Alta: Charles Doane, Major-General. Staff officers: N. W. Coles, Quartermaster-General and Colonel of Cavalry; R. M. Jessup, Commissary-General and Colonel of Infantry; Aaron M. Burns, Deputy Commissary-General and Lieutenant-Colonel of Infantry; James Dows, Paymaster-General and Lieutenant-Colonel of Infantry; William Meyer and Eugene Dellesert, Paymaster-Generals and Majors of Infantry; Cyrus G. Dwyer, Adjutant and Inspector-General and Major of Infantry: Henry Baker, Quartermaster and Major of Infantry; R. R. Pearce and M. McManus, Assistant Quartermasters and Captains of Infantry; J. W. Farrington, Assistant Commissary and Captain of Infantry; R. Beverly Cole, Surgeon of the staff and Major of Infantry; Geo. C. Potter, aid to Major-General and Major of Cavalry; N. B. Stone, A. M. Ebbetts, T. M. Wood, O. P. Blackman, George R. Morris, T. A. Wakeman, Felix Brissac, C. H. Vail and George R. Ward, aids to Major-General and Majors of Infantry, James B. Hubbell, John M. Schapp and B. F. Mores, aids and secretaries to Major-General and Captains of Infantry, J. N. Olney, Jr., aid and secretary to Major-General and First Lieutenant of Infantry; James N. Olney, Brigadier-General; R. S. Tammot, Henry Jones and R. M. Cox, aids and Captains of Infantry. Artillery--Thomas D. Johns, Colonel; J. F. Curtis, Lieutenant-Colonel; R. B. Hampton, Major; Company A, J. Mead Huxley, Captain; Company B, James Richit, Captain; Company C, H. C. F. Behrens, Captain; Company D, J. H. Hasty, Captain; James F. Curtiss, Lieutenant-Colonel, commanding Reserved Artillery. Battallion Cavalry--Frank Baker, Major; First Squadron, G. G. Bradt, Captain; Second Squadron, J. Sewell Read, Captain. Infantry--First Regiment,--Colonel; J. S. Ellis, Lieutenant-Colonel; John A. Clark, Major; J. P. H., Wentworth, Quartermaster; H. H. Thrall, Adjutant; L. S. Wilder, Commissary; R. M. Cox, Sergeant-Major; H. W. F. Hoffman, Quartermaster's Sergeant and composed of eight companies, viz: Company A, W. C. Allen, Lieutenant commanding; Company B, H. L. Twiggs, Captain; Company C, A. L. Loring, Captain; Company D, J. V. McElwee, Captain; Company One,, J. M. Taylor, Captain; Company Two (Riflemen), L. W. Parks, Captain; Company Three, Jonathan Gavat, Captain, Company Seven, Geo. H. Hossefros, Captain. Battallion Citizens Guard--Belonging to First Regiment, composed of A, B, C, and D, G. F. Watson, Major. Second Regiment--J. B. Badger, Colonel; J. S. Hill, Lieutenant-Colonel; A. H. Clark, Major, Giles H. Gray, Quartermaster; E. B. Gibbs, Adjutant; F. A. Howe, Commissary;--Sergeant-Major; Judah Alden; Quartermaster-Sergeant, and composed of eight companies, viz: Company Six, W. R. Doty, Captain; Company Twelve, C. G. Bailey, Captain; Company Eight, -- Godfrey, Captain; Company Four, A. H. King, Captain; Company Five, C. R. Bond, Captain; Company Ten, J. Wightman, Lieutenant commanding; Company Eleven, George Gates, Captain; Company Nine, J. Wood, Captain. Third Regiment--H. S. Fitch, Colonel; Caleb Clapp Lieutenant Colonel;--, Major;--, Quartermaster;--, Adjutant;--, Commissary;--, Sergeant-Major;--, Quartermaster-Sergeant, and composed of eight companies, viz: Company Thirteen, E. J. Smith, Lieutenant commanding; Company Fourteen, W. E. Keyes, Captain; Company Fifteen,--, Lieutenant commanding; Company Sixteen, B. S. Bryan, Captain; Company Seventeen (Riflemen), C. E. S. McDonald, Captain; Company Eighteen, P. W. Shepheard, Captain; Company Nineteen, R. H. Bennett, Captain; Company Twenty, S. Gutte, Captain. Fourth Regiment--Francis J. Lippitt, Colonel; John D. G. Quirk, Lieutenant-Colonel, ----, Major; ----, Quartermaster; B. L. West, Adjutant;----, Commissary;----, Sergeant-Major;----, Quartermaster's Sergeant, and composed of eight companies, viz: Company Twenty-five, J. Sanfrignon, Captain; Company Twenty-eight, L. Armand, Captain; French Legion,---- Villaseque, Major; Company Twenty-four, W. H. Patten, Captain; Company Twenty-seven, C. H. Gough, Captain; Company Twenty-one, S. Meyerbock Captain; Company Twenty-three, J. T. Little, Captain; Company Thirty, W. O. Smith, Captain; Company Twenty-two, J. L. Folger, Captain; Company Twenty-nine, S. L. Harrison, Captain; Company Twenty-six,----, Captain. Pistol Battalion--Two companies, commanded respectively by Captains Webb and E. S. Gibbs. The roll of Division No. 4 is thus given: J. A. Collins, Commander, Geo. G. Whitney, 1st Lieut. W. H. Parker, 2d L't, J. H. Mallett, Orderly Sergeant, R. R. H. Rogers, Second Orderly Sergeant, Wm. H. Wood, Third Orderly Sergeant, Charles D. Cushman, Fourth Orderly Sergeant. Privates--D. Morgan, Jr., P. G. Partridge, John Burns, E. W. Travers. Giles H. Gray, Martin Prag, John Wright, James Wells, Jas. W. White, Judah Alden, Alfred Rix, J. W. Farrington, W. L. Waters, W. F. Hall, J. T. Bowers, J. L. N. Shepard, Lucius Hoyt, David Laville, H. A. Russell, E. Stevens, Theo. B. Cunningham, M. McMannis, Wm. H. Gibson, Edmund Keyes, George T. Bohen, I. M. Bachelder, R. T. Holmes, W. F. Shankland, B. Argyras, John R. Chute, John S. Davies, James McCeny, Geo. H. Tay, Sohn Bensley, L. Bartlett, Joseph W. Housley, Robert Wells, Samuel Fullerton, Newell Hosmer, J. J. Lomax, G. K. Fitch, Wm. Hayes, Robert A. Parker, Samuel Soule, A. Wardwell, Isaac E. Davis, M. McIntyre, F. E. Foote, Thomas A. Ayres, William K. Blanchard, J. F. Eaton, J. Frank Swift, J. O. Rountree. These names of Secretaries of the Committees of the Executive Committee are added: On Evidence--J. H. Titcomb and D. McK Baker; on Qualification--E. T. Beals. First, as to the cause or pretence for the organization of the Vigilance Committee: It is declared by its ex-members and supporters, or apologists, that it was necessary for the reason that the law was not duly administered; that the Courts, the fountains of justice, were either corrupted or neglectful of their duties; that Juries were packed with unworthy men in important criminal cases, that there were gross frauds in elections, by which the will of the people was defied and defeated, and improper and dishonest men, some of them notorious rogues, were counted in and installed in public office; and that there was a class of turbulent offenders who had the countenance, if not the support of judges and officials in high places, and who, therefore, felt themselves to be above or exempt from the law. Tennyson has well remarked that there is no lie so baneful as one which is half truth. So it is in respect to these alleged reasons for the organization of that Vigilance Committee. It is not true that the Courts were corrupt, neglectful or remiss. Judge Hager presided in the Fourth District Court, and his integrity and judicial qualifications, or judgments, have never been questioned or impeached. Judge Freelon presided as County judge; the same can be remarked of him. There was no material fault alleged against the Police Court. It is true, however, that in important criminal cases, and sometimes in civil suits, the juries were often packed. But why? I will state: Merchants and business men generally had great aversion to serve on juries, particularly, in important criminal cases, which are usually protracted; and the jury were kept in comparative close condition, because their time was too valuable, and their business interests required their constant attention. They preferred, therefore, to pay the fine imposed, in case they were unable to prevail upon the Judge to excuse them. Jury fees were inconsiderable in comparison with their daily profits; but it was the loss of time from their business which mainly actuated them. Yet these fees were sufficient to pay a day's board and lodging, and to the many who were out of employment, serving on a jury was the means to both. There is, in every large community, the class known as professional jurymen--hangers about the Court, eagerly waiting to be called. There were men of this kind then; there are more than enough of them still loitering about the Courts, civil and criminal. San Francisco is not the only city in the United States in which defendants in grave criminal cases have recourse to every conceivable and possible means, without scruple, to procure their own acquittal, or the utmost modification of the penalty, by proving extenuating circumstances, or that the indictment magnifies the crimes. This was true of 1856; here, as elsewhere in the land; it is equally true now. Had the merchants and solid citizens then drawn as jurors, fulfilled their duty to the cause of justice, to the conservation and maintenance of law and order, they would have had no cause or pretence for the organization which they formed. The initial fault was attributable to themselves; the jury-packing they complained of was the direct consequence of their own neglect of that essential duty to the State, in the preservation of law and order; and they cannot reasonably or justly shift the onus from themselves upon the Courts. Concerning the frauds in election: yes, there were frauds, outrageous frauds, at every election; repeaters, bullies, ballot-box stuffing, and false counts of the ballots to count out this candidate and count in the one favored of the "boys." More than one member of the Vigilance Executive Committee had thorough knowledge of all this, for the very conclusive reason that more than one of them had engaged in these frauds, had not only participated in them directly and indirectly, but had actually proposed them; employed the persons who had committed the frauds, and paid these tools round sums for the infamous service. The reward of these employers and accessories before, during and after the frauds, was the office that was coveted; and the "Hon." prefixed to their names was as the gilt which the watch st
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Produced by David T. Jones, Ross Cooling and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) A LOWDEN SABBATH MORN BY ROBERT LOUIS STEVENSON ILLUSTRATED BY A. S. BOYD [Illustration] A LOWDEN SABBATH MORN [Illustration: THE PRAYER p. 16] A LOWDEN SABBATH MORN BY ROBERT LOUIS STEVENSON ILLUSTRATED BY A. S. BOYD & PUBLISHED AT LONDON BY CHATTO & WINDUS MCMIX First Illustrated Edition published 1898, and a Second Impression in the same year. New Edition in 1907; and with Coloured Frontispiece in 1909. Printed by Ballantyne, Hanson & Co. At the Ballantyne Press, Edinburgh TO THE MEMORY OF ROBERT LOUIS STEVENSON THIS BOOK IS DEDICATED BY THE ILLUSTRATOR A Lowden Sabbath Morn I The clinkum-clank o' Sabbath bells Noo to the hoastin' rookery swells, Noo faintin' laigh in shady dells, Sounds far an' near, An' through the simmer kintry tells Its tale o' cheer. II An' noo, to that melodious play, A' deidly awn the quiet sway-- A' ken their solemn holiday, Bestial an' human, The singin' lintie on the brae, The restin' plou'man. III He, mair than a' the lave o' men, His week completit joys to ken; Half-dressed, he daunders out an' in, Perplext wi' leisure; An' his raxt limbs he'll rax again Wi' painfue' pleesure. IV The steerin' mither strang afit Noo shoos the bairnies but a bit; Noo cries them ben, their Sinday shueit To scart upon them, Or sweeties in their pouch to pit, Wi' blessin's on them. V The lasses, clean frae tap to taes, Are busked in crunklin' underclaes; The gartened hose, the weel-filled stays, The nakit shift, A' bleached on bonny greens for days An' white's the drift. VI An' noo to face the kirkward mile: The guidman's hat o' dacent style, The blackit shoon, we noo maun fyle As white's the miller: A waefue' peety tae, to spile The warth o' siller. VII Our Marg'et, aye sae keen to crack, Douce-stappin' in the stoury track, Her emeralt goun a' kiltit back Frae snawy coats, White-ankled, leads the kirkward pack Wi' Dauvit Groats. VIII A thocht ahint, in runkled breeks, A' spiled wi' lyin' by for weeks, The guidman follows closs, an' cleiks The sonsie missis; His sarious face at aince bespeaks The day that this is. IX And aye an' while we nearer draw To whaur the kirkton lies alaw, Mair neebours, comin' saft an' slaw Frae here an' there, The thicker thrang the gate, an' caw The stour in air. X But hark! the bells frae nearer clang; To rowst the slaw, their sides they bang; An' see! black coats a'ready thrang The green kirkyaird; And at the yett, the chestnuts spang That brocht the laird. XI The solemn elders at the plate Stand drinkin' deep the pride o' state: The practised hands as gash an' great As Lords o' Session; The later named, a wee thing blate In their expression. XII The prentit stanes that mark the deid, Wi' lengthened lip, the sarious read; Syne wag a moraleesin' heid, An' then an' there Their hirplin' practice an' their creed Try hard to square. XIII It's here our Merren lang has lain, A wee bewast the table-stane; An' yon's the grave o' Sandy Blane; An' further ower, The mither's brithers, dacent men! Lie a' the fower. XIV Here the guidman sall bide awee To dwall amang the deid; to see Auld faces clear in fancy's e'e; Belike to hear Auld voices fa'in saft an' slee On fancy's ear. XV Thus, on the day o' solemn things, The bell that in the steeple swings To fauld a scaittered faim'ly rings Its walcome screed; An' just a wee thing nearer brings The quick an' deid. XVI But noo the bell is ringin' in; To tak their places, folk begin; The minister himsel' will shuene Be up the gate, Filled fu' wi' clavers about sin An' man's estate. XVII The tuenes are up--_French_, to be shuere, The faithfue' _French_, an' twa-three mair; The auld prezentor, hoastin' sair, Wales out the portions, An' yirks the tuene into the air Wi' queer contortions. XVIII Follows the prayer, the readin' next, An' than the fisslin' for the text-- The twa-three last to find it, vext But kind o' proud; An' than the peppermints are raxed, An' southernwood. XIX For noo's the time whan pows are seen Nid-noddin' like a mandareen; When tenty mithers stap a preen In sleepin' weans; An' nearly half the
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Produced by Emmy, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net THE CHAUTAUQUAN. _A MONTHLY MAGAZINE DEVOTED TO THE PROMOTION OF TRUE CULTURE. ORGAN OF THE CHAUTAUQUA LITERARY AND SCIENTIFIC CIRCLE._ VOL. V. MARCH, 1885. NO. 6. Officers of the Chautauqua Literary and Scientific Circle. _President_, Lewis Miller, Akron, Ohio. _Chancellor_, J. H. Vincent, D.D., New Haven, Conn. _Counselors_, The Rev. Lyman Abbott, D.D., the Rev. J. M. Gibson, D.D.; Bishop H. W. Warren, D.D.; Prof. W. C. Wilkinson, D.D.; Edward Everett Hale. _Office Secretary_, Miss Kate F. Kimball, Plainfield, N. J. _General Secretary_, Albert M. Martin, Pittsburgh, Pa. Contents Transcriber’s Note: This table of contents of this periodical was created for the HTML version to aid the reader. REQUIRED READING FOR MARCH. Temperance Teachings of Science; or, The Poison Problem Chapter VI.—Subjective Remedies 311 Sunday Readings [_March 1_] 314 [_March 8_] 315 [_March 15_] 315 [_March 22_] 315 [_March 29_] 316 Studies in Kitchen Science and Art VI. Cabbages, Turnips, Carrots, Beets and Onions 316 The Circle of the Sciences 320 Home Studies in Chemistry and Physics Fire—Physical Properties 323 The Mohammedan University of Cairo 327 As Seeing the Invisible 329 National Aid to Education 329 A Trip to the Land of Dreams 333 The Homelike House Chapter III.—The Dining Room 335 Mexico 338 Two Seas 339 New Orleans World’s Exposition 340 Geography of the Heavens for March 342 How to Win 343 Notes on Popular English 345 The Chautauqua School of Liberal Arts 348 Outline of Required Readings, March, 1885 350 Programs for Local Circle Work 350 Local Circles 351 The C. L. S. C. Classes 356 Questions and Answers 357 The Trustees Reorganize Chautauqua 358 Editor’s Outlook 360 Editor’s Note-Book 362 C. L. S. C. Notes on Required Readings for March 365 Notes on Required Readings in “The Chautauquan” 367 Talk About Books 369 Paragraphs from New Books 370 Special Notes 372 REQUIRED READING FOR MARCH. TEMPERANCE TEACHINGS OF SCIENCE; OR, THE POISON PROBLEM. PART VI. BY FELIX L. OSWALD, M.D. CHAPTER VI.—SUBJECTIVE REMEDIES. “Deeprooted evils can not be abolished by striking at the branches.”—_Boerhave._[1] The history of the temperance movement has demonstrated the sad futility of palliative remedies. We have seen that the malady of the poison vice is not a self-limited, but a necessarily progressive evil. The half-way measures of “restrictive” legislation have resulted only in furnishing additional proof that prevention is better, because less impossible, than control.[A] The regulation of the poison traffic, the redress of the unavoidably resulting mischief, the cure and conversion of drunkards, in order to be effectual, would impose intolerable and never ending burdens on the resources even of the wealthiest communities, while the advocates of prohibition would forestall the evils both of the remedy and the disease. But we should not overlook the truth that, in our own country at least, the poison plant of intemperance springs from a composite root. In southern Spain, under the dominion of the Saracens,[2] the poison vice was almost unknown during a series of centuries.[B] The moral code and the religion of the inhabitants discountenanced intemperance. The virtue of dietetic purity ranked with chastity and cleanliness. An abundance of harmless amusements diverted from vicious pastimes. Under such circumstances the absence of direct temptations constituted a sufficient safeguard against the vice of the poison habit; but in a country like ours the efficacy of prohibition depends on the following supplementary remedies: 1. INSTRUCTION.—In the struggle against the powers of darkness light often proves a more effective weapon than might or right. Even the limited light of human reason might help us to avoid mistakes that have undoubtedly retarded the triumph of our cause. We must enlighten, as well as admonish our children, if we would save them from the snares of the tempter; among the victims of intemperance, even among those who can speak from experience and can not deny that their poison has proved the curse of their lives, only a small portion is at all able to comprehend the necessary connection of cause and result. They ascribe their ruin to the spite of fortune, to the machinations of an uncharitable world, to abnormally untoward circumstances, rather than to the normal effects of the insidious poison. Intoxication they admit to be an evil, but defend the moderate use of a liquor as infallibly injurious in the smallest as in the largest dose; they underrate the progressive tendency of their vice and overrate their power of resistance; they cling to the tradition that alcohol, discreetly enjoyed, may prove a blessing instead of a curse. We must banish that fatal delusion. We must reveal the true significance of the poison habit before we can hope to suppress it as a life blighting vice. Our text-books should be found in every college and every village school from Florida to Oregon. Every normal school should graduate teachers of temperance. The law of the State of New York providing for the introduction of primers on the effects of alcoholic beverages was attacked by one of our leading scientific periodicals, with more learning than insight, on the ground that the physiological action of alcohol is as yet obscure even to our ablest pathologists, and therefore not a fit subject for a common school text-book. The same objection might be urged against every other branch of physiology and the natural history of the organic creation. “Every vital process is a miracle,” says Lorenz Oken,[3] “that is, in all essential respects an unexplained phenomenon.” A last question will always remain unanswered wherever the marvelous process of life is concerned, but our ignorance, as well as our knowledge, of that phenomenon has its limits, and in regard to the effects of alcoholic beverages it is precisely the most knowable and most fully demonstrated part of the truth which it behooves every child to know, but of which at present nine tenths of the adults, even in the most civilized countries, remain as ignorant as the natives of Kamtschatka who worship a divinity in the form of a poisonous toadstool. A boy may be brought to comprehend the folly of gambling even before he has mastered the abstruse methods of combination and permutation employed in the calculus of probable loss and gain. We need not study Bentham[4] to demonstrate that honesty is an essential basis of commerce and social intercourse. By the standard of usefulness, too, temperance primers might well take precedence of many other text-books. Our school boys hear all sorts of things about the perils encountered by the explorers of African deserts and Arctic seas, but next to nothing about the pitfalls in their own path—no room for the discussion of such subjects in a curriculum that devotes years to the study of dead languages. Is the difference between the archaic and pliocene form of a Greek verb so much more important than the difference between food and poison? With such a text as the monster curse of intemperance and its impressive practical lessons, a slight commentary would suffice to turn thousands of young observers into zealous champions of our cause, just as in Germany a few years of gymnastic training have turned nearly every young man into an advocate of physical education. The work begun in the school room should be continued on the lecture platform, but we should not dissemble the truth that in a crowded hall ninety per cent. of the visitors have generally come to hear an _orator_ rather than a teacher, and enjoy an eloquence that stirs up their barrenest emotions as much as if it had fertilized the soil of their intelligence, just as the unrepentant gamesters of a Swiss watering place used to applaud the sensational passages of a drama written expressly to set forth the evils of the gambling hell. Enthusiasm and impressiveness are valuable qualifications of a public speaker, but he should possess the talent of making those agencies the vehicles of instruction. The great mediæval reformers, as well as certain political agitators of a later age, owe their success to their natural or acquired skill in the act of stirring their hearers into an intellectual ferment that proved the leaven of a whole community—for that skill is a talent that can be developed on a basis of pure common sense and should be more assiduously cultivated for the purposes of our reform. A modern philanthropist could hardly confer a greater benefit on his fellow-citizens than by founding a professorship of temperance, or endowing a college with the special condition of a proviso for a weekly lecture on such topics as “The Stimulant Delusion,” “Alcoholism,” “The History of the Temperance Movement.” Pamphlets, too, may subserve an important didactic purpose, and in the methods of their distribution we might learn a useful lesson from our adversaries, the manufacturers of alcoholic nostrums
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Produced by Andrea Ball, David Starner, Charles Franks, Juliet Sutherland, and the Online Distributed Proofreading Team EZRA POUND: HIS METRIC AND POETRY By T. S. Eliot BOOKS BY EZRA POUND PROVENCA, being poems selected from Personae, Exultations, and Canzoniere. (Small, Maynard, Boston, 1910) THE SPIRIT OF ROMANCE: An attempt to define somewhat the charm of the pre-renaissance literature of Latin-Europe. (Dent, London, 1910; and Dutton, New York) THE SONNETS AND BALLATE OF GUIDO CAVALCANTI. (Small, Maynard, Boston, 1912) RIPOSTES. (Swift, London, 1912; and Mathews, London, 1913) DES IMAGISTES: An anthology of the Imagists, Ezra Pound, Aldington, Amy Lowell, Ford Maddox Hueffer, and others GAUDIER-BRZESKA: A memoir. (John Lane, London and New York, 1916) NOH: A study of the Classical Stage of Japan with Ernest Fenollosa. (Alfred A. Knopf, New York, 1917; and Macmillan, London, 1917) LUSTRA with Earlier Poems. (Alfred A. Knopf, New York, 1917) PAVANNES AHD DIVISIONS. (Prose. In preparation: Alfred A. Knopf, New York) EZRA POUND: HIS METRIC AND POETRY I "All talk on modern poetry, by people who know," wrote Mr. Carl Sandburg in _Poetry_, "ends with dragging in Ezra Pound somewhere. He may be named only to be cursed as wanton and mocker, poseur, trifler and vagrant. Or he may be classed as filling a niche today like that of Keats in a preceding epoch. The point is, he will be mentioned." This is a simple statement of fact. But though Mr. Pound is well known, even having been the victim of interviews for Sunday papers, it does not follow that his work is thoroughly known. There are twenty people who have their opinion of him for every one who has read his writings with any care. Of those twenty, there will be some who are shocked, some who are ruffled, some who are irritated, and one or two whose sense of dignity is outraged. The twenty-first critic will probably be one who knows and admires some of the poems, but who either says: "Pound is primarily a scholar, a translator," or "Pound's early verse was beautiful; his later work shows nothing better than the itch for advertisement, a mischievous desire to be annoying, or a childish desire to be original." There is a third type of reader, rare enough, who has perceived Mr. Pound for some years, who has followed his career intelligently, and who recognizes its consistency. This essay is not written for the first twenty critics of literature, nor for that rare twenty-second who has just been mentioned, but for the admirer of a poem here or there, whose appreciation is capable of yielding him a larger return. If the reader is already at the stage where he can maintain at once the two propositions, "Pound is merely a scholar" and "Pound is merely a yellow journalist," or the other two propositions, "Pound is merely a technician" and "Pound is merely a prophet of chaos," then there is very little hope. But there are readers of poetry who have not yet reached this hypertrophy of the logical faculty; their attention might be arrested, not by an outburst of praise, but by a simple statement. The present essay aims merely at such a statement. It is not intended to be either a biographical or a critical study. It will not dilate upon "beauties"; it is a summary account of ten years' work in poetry. The citations from reviews will perhaps stimulate the reader to form his own opinion. We do not wish to form it for him. Nor shall we enter into other phases of Mr. Pound's activity during this ten years; his writings and views on art and music; though these would take an important place in any comprehensive biography. II Pound's first book was published in Venice. Venice was a halting point after he had left America and before he had settled in England, and here, in 1908, "A Lume Spento" appeared. The volume is now a rarity of literature; it was published by the author and made at a Venetian press where the author was able personally to supervise the printing; on paper which was a remainder of a supply which had been used for a History of the Church. Pound left Venice in the same year, and took "A Lume Spento" with him to London. It was not to be expected that a first book of verse, published by an unknown American in Venice, should attract much attention. The "Evening Standard" has the distinction of having noticed the volume, in a review summing it up as: wild and haunting stuff, absolutely poetic, original, imaginative, passionate, and spiritual. Those who do not consider it crazy may well consider it inspired. Coming after the trite and decorous verse of most of our decorous poets, this poet seems like a minstrel of Provence at a suburban musical evening.... The unseizable magic of poetry is in the queer paper volume, and words are no good in describing it. As the chief poems in "A Lume Spento" were afterwards incorporated in "Personae," the book demands mention only as a date in the author's history. "Personae," the first book published in London, followed early in 1909. Few poets have undertaken the siege of London with so little backing; few books of verse have ever owed their success so purely to their own merits. Pound came to London a complete stranger, without either literary patronage or financial means. He took "Personae" to Mr. Elkin Mathews, who has the glory of having published Yeats' "Wind Among the Reeds," and the "Books of the Rhymers' Club," in which many of the poets of the '90s, now famous, found a place. Mr. Mathews first suggested, as was natural to an unknown author, that the author should bear part of the cost of printing. "I have a shilling in my pocket, if that is any use to you," said the latter. "Well," said Mr. Mathews, "I want to publish it anyway." His acumen was justified. The book was, it is true, received with opposition, but it was received. There were a few appreciative critics, notably Mr. Edward Thomas, the poet (known also as "Edward Eastaway"; he has
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Produced by Suzanne Shell, Emmy and the PG Online Distributed Proofreading Team.(www.pgdp.net) A REVERSIBLE SANTA CLAUS BY MEREDITH NICHOLSON WITH ILLUSTRATIONS BY FLORENCE H. MINARD BOSTON and NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press, Cambridge 1917 COPYRIGHT, 1917, BY MEREDITH NICHOLSON ALL RIGHTS RESERVED _Published October 1917_ By Meredeth Nicholson A REVERSIBLE SANTA CLAUS. Illustrated. THE PROOF OF THE PUDDING. Illustrated. THE POET. Illustrated. OTHERWISE PHYLLIS. With frontispiece in color. THE PROVINCIAL AMERICAN AND OTHER PAPERS. A HOOSIER CHRONICLE. With illustrations. THE SIEGE OF THE SEVEN SUITORS. With illustrations. HOUGHTON MIFFLIN COMPANY BOSTON AND NEW YORK A Reversible Santa Claus [Illustration: "DO YOU MIND TELLING ME JUST WHY YOU READ THAT NOTE?" _(Page 78)_] Illustrations "DO YOU MIND TELLING ME JUST WHY YOU READ THAT NOTE?" _Frontispiece_ THE HOPPER GRINNED, PROUD OF HIS SUCCESS, WHICH MARY AND HUMPY VIEWED WITH GRUDGING ADMIRATION 44 THE FAINT CLICK OF A LATCH MARKED THE PROWLER'S PROXIMITY TO A HEDGE 116 THE THREE MEN GATHERED ROUND THEM, STARING DULLY 150 _From Drawings by F. Minard_ * * * * * [Illustration] A Reversible Santa Claus I Mr. William B. Aikins, _alias_ "Softy" Hubbard, _alias_ Billy The Hopper, paused for breath behind a hedge that bordered a quiet lane and peered out into the highway at a roadster whose tail light advertised its presence to his felonious gaze. It was Christmas Eve, and after a day of unseasonable warmth a slow, drizzling rain was whimsically changing to snow. The Hopper was blowing from two hours' hard travel over rough country. He had stumbled through woodlands, flattened himself in fence corners to avoid the eyes of curious motorists speeding homeward or flying about distributing Christmas gifts, and he was now bent upon committing himself to an inter-urban trolley line that would afford comfortable transportation for the remainder of his journey. Twenty miles, he estimated, still lay between him and his domicile. The rain had penetrated his clothing and vigorous exercise had not greatly diminished the chill in his blood. His heart knocked violently against his ribs and he was dismayed by his shortness of wind. The Hopper was not so young as in the days when his agility and genius for effecting a quick "get-away" had earned for him his sobriquet. The last time his Bertillon measurements were checked (he was subjected to this humiliating experience in Omaha during the Ak-Sar-Ben carnival three years earlier) official note was taken of the fact that The Hopper's hair, long carried in the records as black, was rapidly whitening. At forty-eight a crook--even so resourceful and versatile a member of the fraternity as The Hopper--begins to mistrust himself. For the greater part of his life, when not in durance vile, The Hopper had been in hiding, and the state or condition of being a fugitive, hunted by keen-eyed agents of justice, is not, from all accounts, an enviable one. His latest experience of involuntary servitude had been under the auspices of the State of Oregon, for a trifling indiscretion in the way of safe-blowing. Having served his sentence, he skillfully effaced himself by a year's siesta on a pine-apple plantation in Hawaii. The island climate was not wholly pleasing to The Hopper, and when pine-apples palled he took passage from Honolulu as a stoker, reached San Francisco (not greatly chastened in spirit), and by a series of characteristic hops, skips, and jumps across the continent landed in Maine by way of the Canadian provinces. The Hopper needed money. He was not without a certain crude philosophy, and it had been his dream to acquire by some brilliant _coup_ a sufficient fortune upon which to retire and live as a decent, law-abiding citizen for the remainder of his days. This ambition, or at least the means to its fulfillment, can hardly be defended
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Produced by Adrian Mastronardi, Martin Mayer, The Philatelic Digital Library Project at http://www.tpdlp.net and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [A transcriber's note follows the text.] THE BRITISH STATE TELEGRAPHS [Illustration: MacMillan Company logo] THE BRITISH STATE TELEGRAPHS A STUDY OF THE PROBLEM OF A LARGE BODY OF CIVIL SERVANTS IN A DEMOCRACY BY HUGO RICHARD MEYER SOMETIME ASSISTANT PROFESSOR OF POLITICAL ECONOMY IN THE UNIVERSITY OF CHICAGO, AUTHOR OF "GOVERNMENT REGULATION OF RAILWAY RATES;" "MUNICIPAL OWNERSHIP IN GREAT BRITAIN" New York THE MACMILLAN COMPANY LONDON: MACMILLAN & CO., LTD. 1907 _All right reserved_ COPYRIGHT, 1907 BY THE MACMILLAN COMPANY Set up and electrotyped. Published October 1907 THE MASON-HENRY PRESS SYRACUSE, NEW YORK TO MY BROTHER PREFACE In order to keep within reasonable limits the size of this volume, the author has been obliged to reserve for a separate volume the story of the Telephone in Great Britain. The series of books promised in the Preface to the author's _Municipal Ownership in Great Britain_ will, therefore, number not four, but five. CONTENTS CHAPTER I INTRODUCTION 3 Scope of the inquiry. CHAPTER II THE ARGUMENT FOR THE NATIONALIZATION OF THE TELEGRAPHS 13 The indictment of the telegraph companies. The argument from foreign experience. The promise of reduced tariffs and increased facilities. The alleged financial success of foreign State telegraphs: Belgium, Switzerland and France. The argument from English company experience. CHAPTER III THE ALLEGED BREAK-DOWN OF LAISSEZ-FAIRE 36 Early history of telegraphy in Great Britain. The adequacy of private enterprise. Mr. Scudamore's loose use of statistics. Mr. Scudamore's test of adequacy of facilities. Telegraphic charges and growth of traffic in Great Britain. The alleged wastefulness of competition. The telegraph companies' proposal. CHAPTER IV THE PURCHASE OF THE TELEGRAPHS 57 Upon inadequate consideration the Disraeli Ministry estimates at $15,000,000 to $20,000,000 the cost of nationalization. Political expediency responsible for Government's inadequate investigation. The Government raises its estimate to $30,000,000; adding that it could afford to pay $40,000,000 to $50,000,000. Mr. Goschen, M. P., and Mr. Leeman, M. P., warn the House of Commons against the Government's estimates, which had been prepared by Mr. Scudamore. The Gladstone Ministry, relying on Mr. Scudamore, estimates at $3,500,000 the "reversionary rights" of the railway companies, for which rights the State ultimately paid $10,000,000 to $11,000,000. CHAPTER V NONE OF MR. SCUDAMORE'S FINANCIAL FORECASTS WERE REALIZED 77 The completion of the telegraph system costs $8,500,000; Mr. Scudamore's successive estimates had been respectively $1,000,000 and $1,500,000. Mr. Scudamore's brilliant forecast of the increase of traffic under public ownership. Mr. Scudamore's appalling blunder in predicting that the State telegraphs would be self-supporting. Operating expenses on the average exceed 92.5% of the gross earnings, in contrast to Mr. Scudamore's estimate of 51% to 56%. The annual telegraph deficits aggregate 26.5% of the capital invested in the plant. The financial failure of the State telegraphs is not due to the large price paid to the telegraph companies and railway companies. The disillusionment of an eminent advocate of nationalization, Mr. W. Stanley Jevons. CHAPTER VI THE PARTY LEADERS IGNORE THEIR FEAR OF AN ORGANIZED CIVIL SERVICE 94 Mr. Disraeli, Chancellor of the Exchequer, opposes the enfranchisement of the civil servants. Mr. Gladstone, Leader of the Opposition, assents to enfranchisement, but expresses grave apprehensions of evil results. CHAPTER VII THE HOUSE OF COMMONS IS RESPONSIBLE FOR THE FINANCIAL FAILURE OF THE STATE TELEGRAPHS 99 Sir S. Northcote, Chancellor of the Exchequer in Mr. Disraeli's Ministry of 1874 to 1880, is disillusioned. The State telegraphs become self-supporting in 1879-80. The House of Commons, under the leadership of Dr. Cameron, M. P., for Glasgow, overrides the Ministry and cuts the tariff almost in two. In 1890-91 the State telegraphs would again have become self-supporting, had not the House of Commons, under pressure from the civil service unions, increased wages and salaries. The necessity of making money is the only effective incentive to sound management. CHAPTER VIII THE STATE TELEGRAPHS SUBSIDIZE THE NEWSPAPER PRESS 113 Why the newspaper press demanded nationalization. Mr. Scudamore gives the newspaper press a tariff which he deems unprofitable. Estimates of the loss involved in transmitting press messages, made by responsible persons in the period from 1876 to 1900. The State telegraphs subsidize betting on horse races. CHAPTER IX THE POST OFFICE EMPLOYEES PRESS THE HOUSE OF COMMONS FOR INCREASES OF WAGES AND SALARIES 127 British Government's policy as to wages and salaries for routine work, as distinguished from work requiring a high order of intelligence. The Fawcett revision of wages, 1881. Lord Frederick Cavendish, Financial Secretary to the Treasury, on pressure exerted on Members of Parliament by the telegraph employees. Sir S. A. Blackwood, Permanent Secretary to the Post Office, on the Fawcett revision of 1881. Evidence as to civil servants' pressure on Members of Parliament presented to the Royal Commission on Civil Establishments, 1888. The Raikes revision of 1890-91; based largely on the Report of the Committee on the Indoor Staff, which Committee had recommended increases in order "to end agitation." The Earl Compton,
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Produced by Al Haines. THE DIARY _of a_ FRESHMAN _By_ CHARLES MACOMB FLANDRAU Author of "Harvard Episodes" _NEW YORK_ DOUBLEDAY, PAGE AND COMPANY _MDCCCCI_ _Copyright, 1900, by_ The Curtis Publishing Co. _Copyright, 1901, by_ Doubleday, Page & Company University Press John Wilson and Son Cambridge, U.S.A. _TO THE_ "_For Ever Panting and For Ever Young._" _Courteous acknowledgment is here made to the Saturday Evening Post, Philadelphia, in which these papers first saw the light._ _*THE*_* DIARY *_*of a*_* FRESHMAN* *I* Mamma left for home this afternoon. As I want to be perfectly truthful in my diary, I suppose I must confess that before she actually went away I sometimes thought I should be rather relieved when she was no longer here. Mamma has a fixed idea that I came to college for the express purpose of getting my feet wet by day, and sleeping in a draught by night. She began the furnishing of my rooms by investing in a pair of rubber boots,--the kind you tie around your waist with a string. The clerk in the shop asked her if I was fond of trout-fishing, and she explained to him that I had always lived in the West where the climate was dry, and that she didn't know how I would stand the dampness of the seacoast. Mamma thought the clerk was so interested in my last attack of tonsillitis I didn't have the heart to tell her that all the time he was looking sympathetic with his right eye, he was winking at me with his left. Now that she is gone, however, I don't see how I could have thought, even for a moment, that I should be glad, and I've been sitting here for an hour just looking at my room and all the nice things she advised me about and helped me to choose--wishing she could see how cosey it is late at night with the green lamp lighted and a little fire going. (It isn't really cool enough for a fire; I had to take my coat off for a while, the room got so warm--but I was anxious to know how the andirons looked with a blaze behind them.) I suppose she is lying awake in the sleeping-car thinking of me. She made me move my bed to the other side of the room, so that it wouldn't be near the window. I moved it back again; but I think now I 'll change it again to the way she liked it. Of course I was disappointed last May when I found I hadn't drawn a room in one of the college buildings. I had an idea that if you didn't live in one of the buildings owned by the college you wouldn't feel, somehow, as if you "belonged." Before I arrived in Cambridge I worried a good deal over it. The old Harvard men at home were most unsatisfactory about this when I asked their advice. The ones who had lived in the Yard when they were in college seemed to think there was n't any particular use in going to college at all unless you could live either in their old rooms or some in the same building; and the ones who had lived outside as I am going to do (this year, anyhow) said the college buildings were nice enough in their way, but if I could only get the dear old place (which was pulled down fifteen years ago) where James Russell Lowell had scratched his name on the window-pane, and where somebody else (I've forgotten who it was) crawled up the big chimney when the sheriff came to arrest him for debt and was discovered because he did not crawl far enough, I should be all right. I don't see how the good times and the advantages of a place like this hold out for so long; everybody who has been here speaks as if he had about used them up. Well, we found rooms pleading to be rented; every other house in Cambridge has a "Student's Room to Let" card in the window. Even some of the rooms in the Yard had been given up at the last minute by fellows who flunked their exams. Mamma said she felt very sorry for the poor boys; and after that the enormity of my having been conditioned in physics and solid geometry decreased considerably. The trouble (there were four days full of it) wasn't in finding a good place, but in trying to decide on some one place. For a while it looked as though I should either have to live in five separate houses--some of them over a mile apart--or give up going to college. We dragged up and down all the quiet side streets within a reasonable distance of the Yard, ringing bells and asking questions until the words "I should like to look at" and "What is the price of?" began to sound like some kind of a silly English Meisterschaft system. Several times when we were very tired we wandered by mistake into houses we had been to before. This made the landladies exceedingly peevish; but mamma said it was just as well, because now we knew what their true characters really were. We found that we could rent some of the rooms lighted and heated; but most of them were merely "lit and het." All the houses in Cambridge and many of the buildings in the Yard seemed to be disgorging roomfuls of old furniture and consuming cartloads of new, and everywhere we went we met strings of cheerful, energetic mothers with tired, rather cross-looking sons. I've seen only one fellow with his father so far, and they sort of apologized for the fact by being dressed in deep mourning. At the end of three days we 'd picked out five rooms. Considered in a lump, they seemed fine; but tackling them separately, mamma couldn't decide which one was least objectionable. One was in a part of town that "looked damp"--a man across the street unfortunately sneezed just as we were passing a stone wall covered with green moss. The second smelt of cooking. On the steps of the third a groceryman was waiting to deliver several gallons of gasoline (this one was almost struck off the list). The fourth was near the river (we had the bad luck to be in that part of town when the tide was out), and from the windows of the fifth there was a merry little view of a graveyard. We simply couldn't make up our minds, and were standing in the middle of a narrow, rather shabby little street two or three blocks below the Square discussing the matter, when a door behind us opened and a mother and son (we turned to look) came out, followed by a gray-haired woman--evidently the landlady--who was doing the talking, in a very New England voice, for all three. The mother was slim and pretty, and had on a beautiful dress that went swish-swash-swish when she walked away, and the fellow looked like her; he was very handsome. "Well, I'm real glad to know you," the landlady said to the fellow's mother. "Jus' seems's if I couldn't rest till I knew the young men's folks; dustin' their photographs every day makes it sort of different. It do--don't it? Oh, yes--I 'll take care of him. They get real mad at me, the young men do, sometimes, for makin' them change their shoes when it's snow-in' and makin' them wear their rubber coats when it's rai-nin'. _They're_ in too much of a hurry, _they_ are. That's what's the matter with _them_." She gave the fellow a roguish look, and he and his mother walked up the street laughing as if they were very much pleased. "I think," said mamma (who had become strangely animated on hearing of the change of shoes)--"I think that before we decide on one of these five rooms we 'll go in there." So we went up to the gray-haired woman, who had lingered outside to talk baby talk to a cat that was making gothic arches of itself all over the piazza, and in about seven minutes by the watch we 'd signed the lease of the last vacant rooms in the house. A short, steep staircase like the companionway of a ship leads up to a landing about the size of a kitchen table. The edges of the steps are covered with tin and are terribly slippery. The door on the left opens into my study, and at the end of that is my bedroom, and next to that is a great big bathroom (it's bigger than the other two) with a porcelain tub and a shower which I am to share with the fellow who lives just across the staircase on the right. Mrs. Chester, the landlady, says: "All the young men thinks an awful lot of that bathroom." The study is so small that we didn't have to buy as much furniture as we expected to. I have an oak desk with a rolling top that makes a noise like some one shovelling coal when you open and shut it, and usually sticks half-way. Of course, when we finally got it out from town (Boston is about four miles from Cambridge, and it takes anywhere from three days to a week for an express wagon to make the trip), we found that it was much too large to go up the staircase. But Mrs. Chester said we could take out the back of the house and have it swung up to the room on ropes--the "young men" always did that when they wanted pianos or sofas, or desks like mine. I wasn't present at the operation, as I had to go in town to lunch with mamma, but it was successfully performed (by "a real handy gentleman from down Gloucester way, who
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Produced by Brownfox and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by JSTOR www.jstor.org) THE IRISH PENNY JOURNAL. NUMBER 15. SATURDAY, OCTOBER 10, 1840. VOLUME I. [Illustration: THE TOWN AND CASTLE OF LEIXLIP, COUNTY OF KILDARE.] Localities are no less subject to the capricious mutations of fashion in taste, than dress, music, or any other of the various objects on which it displays its extravagant vagaries. The place which on account of its beauties is at one period the chosen resort of pleased and admiring crowds, at another becomes abandoned and unthought of,
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Produced by Curtis A. Weyant, Stan Goodman, Charles Franks, and the Online Distributed Proofreading Team BELINDA An April Folly in Three Acts BY A. A. MILNE CHARACTERS Produced by Mr. Dion Boucioault at the New Theatre, London, on April 8, 1918, with the following cast:-- BELINDA TREMAYNE.......... _Irene Vanbrugh_. DELIA (her Daughter)...... _Isabel Elsom_. HAROLD BAXTER............. _Dion Boucicault_. CLAUDE DEVENISH........... _Dennis Neilson-Terry_. JOHN TREMAYNE............. _Ben Webster_. BETTY..................... _Anne Walden_. The action takes place in Belinda's country-house in Devonshire at the end of April, the first act in the garden and the second and last acts in the hall [Illustration] BELINDA ACT I _It is a lovely April afternoon--a foretaste of summer--in_ BELINDA'S _garden_. BETTY, _a middle-aged servant, is fastening a hammock--its first appearance this year--to a tree down_ L. _In front there is a garden-table, with a deck-chair on the right of it and a straight-backed one to the left. There are books, papers, and magazines on the table_. BELINDA, _of whom we shall know more presently, is on the other side of the open windows which look on to the garden, talking to_ BETTY, _who crosses to_ R. _of hammock, securing it to tree_ C. BELINDA (_from inside the house_). Are you sure you're tying it up tightly enough, Betty? BETTY (_coming to front of hammock_). Yes, ma'am; I think it's firm. BELINDA. Because I'm not the fairy I used to be. BETTY (_testing hammock_). Yes, ma'am; it's quite firm this end too. BELINDA (_entering from portico with sunshade open_). It's not the ends I'm frightened of; it's the middle where the weight's coming. (_Comes down_ R. _and admiring_.) It looks very nice. (_She crosses at back of wicker table, hanging her hand-bag on hammock. Closes and places her sunshade at back of tree_ C.) BETTY. Yes, ma'am. BELINDA (_trying the middle of it with her hand_). I asked them at the Stores if they were quite _sure_ it would bear me, and they said it would take anything up to--I forget how many tons. I know I thought it was rather rude of them. (_Looking at it anxiously, and trying to get in, first with her right leg and then her left_.) How does one get in! So trying to be a sailor! BETTY. I think you sit in it, ma'am, and then (_explaining with her hands_) throw your legs over. BELINDA. I see. (_She sits gingerly in the hammock, and then, with a sudden flutter of white, does what_ BETTY _suggests_.) Yes. (_Regretfully_.) I'm afraid that was rather wasted on you, Betty. We must have some spectators next time. BETTY. Yea, ma'am BELINDA. Cushions. (BETTY _moves to and takes a cushion from deck-chair_. BELINDA _assists her to place it at back of her head_. BETTY _then goes to back of hammock and arranges_ BELINDA'S _dress_.) There! Now then, Betty, about callers. BETTY. Yes, ma'am. BELINDA. If Mr. Baxter calls--he is the rather prim gentleman-- BETTY. Yea, ma'am; the one who's been here several times before. (_Moves to below and_ L. _of hammock_.) BELINDA (_giving_ BETTY _a quick look_). Yes. Well, if he calls, you'll say, "Not at home." BETTY. Yes, ma'am. BELINDA. He will say (_imitating_ MR. BAXTER), "Oh--er--oh--er-- really." Then you'll smile very sweetly and say, "I beg your pardon, was it Mr_. BAXTER_?" And he'll say, "Yes!" and you'll say, "Oh, I beg your pardon, sir; _this_ way
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Produced by Nick Hodson of London, England The Daughters of a Genius, by Mrs George de Horne Vaizey. ________________________________________________________________________ ________________________________________________________________________ THE DAUGHTERS OF A GENIUS, BY MRS GEORGE DE HORNE VAIZEY. CHAPTER ONE. UNKNOWN COUSINS. "What is your letter, my dear? You seem annoyed. _No_ bad news, I hope," said the master of Chedworth Manor, looking across the table to where his wife eat behind the urn, frowning over the sheet which she held in her hand. She was a handsome, well-preserved woman, with aquiline features, thin lips, and eyes of a pale, indefinite blue. She looked up as he spoke, then threw down the letter with a sigh of impatience. "Oh, bad news, of course! When did we ever return from a holiday without finding something of the sort awaiting us? It's from Stephen Charrington. He says he would have written before, but heard that we were abroad, and did not know where to direct. Edgar is dead. He died a fortnight ago, and the funeral was on Friday week. I never knew a man who married improvidently and had a huge family who did _not_ die before he reached middle age. It seems a judgment on them; and here is another instance. Forty-nine his last birthday! He ought to have lived for another twenty years at least." Mrs Loftus spoke with an air of injury which seemed to imply that the deceased gentleman had died out of pure perversity, and her husband knitted his brows in disapproving fashion. Even after twenty-five years of married life his wife's heartless selfishness could give him a twinge of shocked surprise when, as now, it was obtrusively displayed. He himself made no claims to philanthropy, but one expected some natural feeling from a woman; and with all his faults, Edgar Charrington had had close claim on her sympathy. "He was your brother, my dear," he said dryly. "I suppose the poor fellow would not have died if he could have helped it. We have not seen anything of him for a long time, but he used to be a most attractive fellow. I thought he would have made his mark. Never met a man with so many gifts--painting, music, writing; he used to take them up in turn, and do equally well in each." "But excel in nothing! That was the undoing of Edgar; he had not the application to keep to one thing at a time, but must always be flying off to something new. That disastrous marriage was like a millstone round his neck, and practically doomed him to failure. Oh, I know what you are going to say. There was nothing against Elma; and you admired her, of course, because she was pretty and helpless; but I shall always maintain that it was practically suicide for Edgar, with his Bohemian nature, to many a penniless girl, with no influence to help him on in the world. How they have managed to live at all I can't imagine. He never confided in me, and I made a point of not inquiring. To tell the truth, I lived in dread of his wanting to borrow money, and one has enough to do with one's own claims. I think he was offended because we never invited the children, for I have scarcely heard from him for the last five years. Really, it was too great an experiment I can't imagine what they must be like, brought up in that little village, with next to no education. Social savages, I should say." "How many children were there? I've forgotten how they come after the first two. Stephen and Philippa visited us once long ago, and I remember thinking her an uncommonly handsome child, with a spirit of her own, which will probably stand her in good stead now. The boy was not so interesting. How many are there besides these two?" "Oh, I don't know. Dozens! There was always a baby, I remember," returned Mrs Loftus impatiently. "Goodness knows what is to become of them now that they are left orphans, with practically no means of support. Stephen seems quite bewildered
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Produced by David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) The Ontario Readers. THIRD READER. AUTHORIZED FOR USE IN THE PUBLIC SCHOOLS OF ONTARIO BY THE MINISTER OF EDUCATION. TORONTO: THE W. J. GAGE COMPANY (LIMITED). Entered according to Act of the Parliament of Canada in the Office of the Minister of Agriculture by the Minister of Education for Ontario, in the year of our Lord one thousand eight hundred and eighty-five. PREFACE. The plan of the Third Reader is the same as that of the Second, with the exception that a few historical lessons have been introduced, and two lessons which may serve as an introduction to Physical Science. The botanical lessons supplement those given in the Second Reader. These, and the lessons on Canadian trees, and all lessons relating to things in nature, should be made the subjects of conversation between the teacher and his class, and should form a basis for scientific instruction. The pupils should be led to study nature directly. To this end they should be required to obtain (wherever possible) the natural objects which are described in the lessons, and to examine them, and to form opinions for themselves concerning them. Similarly, every lesson should form the subject of conversation--before reading, during the progress of the reading, and after reading:--the teacher eliciting from his pupils clear statements of their knowledge of it, correcting any wrong notions they may have of it, throwing them back upon their own experience or reading, and leading them to observe, compare, and judge, and to state in words the results of their observations, comparisons, and judgments. Some of these statements should be written on the blackboard, and then be made the subject of critical conversation; others might be written by the pupils at their desks, and afterwards be reviewed in class. In this incidental teaching, it should be the teacher’s aim to develop the previous imperfect knowledge of the pupils concerning a lesson into a full and complete knowledge. This can best be effected by judicious questioning and conversation. The illustrations of the lessons, as in the Second Reader, are intended to aid the pupils in obtaining real conceptions of the ideas involved in the lessons. Children vary greatly in capacity for imagination. It is essential, however, to the proper understanding of a lesson, and hence to the proper reading of it, that a child be able to imagine the persons, actions, objects, described in it. The illustrations will aid in developing this power of imagination, and the teacher by his questions and appropriate criticisms, and by a judicious use of his own greater knowledge and experience, will aid still more in developing it. In the poetry great care has been taken to select not only such pieces as children can easily comprehend, but also such as are in themselves good literature. Many old favorites have been retained, their worth as reading lessons having been proved with generations of school children. In the reading of poetry the teacher must constantly assure himself that the pupils clearly understand what they read. Children have a natural ear for rhythm, and a fondness for rhyme. Hence they easily learn to read verse being insensibly charmed by its melody. But they cannot, with equal facility, comprehend the poetical meanings, the terse expressions, and the inverted constructions, with which verse abounds. Much more time, therefore, should be spent by the teacher, in poetry than in prose, in eliciting from his pupils the meanings of words, phrases, and sentences. He should not rest satisfied until the pupils can substitute for every more important word, phrase, and sentence of a poem, an equivalent of their own finding. He must be certain too that they understand the substitutions which they offer. Conversation and questioning will here, as elsewhere in school work, help him in effecting his purpose. The exercises which are put at the end of
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Produced by David Edwards, Stephen Hutcheson, and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Books project.) [Illustration: "The Toad Woman stopped fanning and looked at her." Page 125.] ADVENTURES IN Shadow-Land. CONTAINING Eva's Adventures in Shadow-Land. By MARY D. NAUMAN. AND The Merman and The Figure-Head. By CLARA F. GUERNSEY. TWO VOLUMES IN ONE. _WITH ILLUSTRATIONS._ PHILADELPHIA J. B. LIPPINCOTT & CO. 1874. Entered according to Act of Congress, in the year 1873, by J. B. LIPPINCOTT & CO., In the office of the Librarian of Congress, at Washington. Lippincott's Press, Philadelphia. EVA'S ADVENTURES IN SHADOW-LAND. TO MY FRIEND E. W. CONTENTS. CHAPTER I. PAGE What Eva saw in the Pond 9 CHAPTER II. Eva's First Adventure 15 CHAPTER III. The Gift of the Fountain 23 CHAPTER IV. The First Moonrise 30 CHAPTER V. What Aster was 36 CHAPTER VI. The Beginning of the Search 45 CHAPTER VII. Aster's Misfortunes 52 CHAPTER VIII. What Aster did 63 CHAPTER IX. The Door in the Wall 73 CHAPTER X. The Valley of Rest 80 CHAPTER XI. The Magic Boat 92 CHAPTER XII. Down the Brook 104 CHAPTER XIII. The Enchanted River 119 CHAPTER XIV. The Green Frog 130 CHAPTER XV. In the Grotto 145 CHAPTER XVI. Aster's Story 151 CHAPTER XVII. The Last of Shadow-Land 162 EVA'S ADVENTURES IN SHADOW-LAND. CHAPTER I. _WHAT EVA SAW IN THE POND._ She had been reading fairy-tales, after her lessons were done, all the morning; and now that dinner was over, her father gone to his office, the baby asleep, and her mother sitting quietly sewing in the cool parlor, Eva thought that she would go down across the field to the old mill-pond; and sit in the grass, and make a fairy-tale for herself. There was nothing that Eva liked better than to go and sit in the tall grass; grass so tall that when the child, in her white dress, looped on her plump white shoulders with blue ribbons, her bright golden curls brushed back from her fair brow, and her blue eyes sparkling, sat down in it, you could not see her until you were near her, and then it was just as if you had found a picture of a little girl in a frame, or rather a nest of soft, green grass. All through this tall, wavy grass, down to the very edge of the pond, grew many flowers,--violets, and buttercups, and dandelions, like little golden suns. And as Eva sat there in the grass, she filled her lap with the purple and yellow flowers; and all around her the bees buzzed as though they wished to light upon the flowers in her lap; on which, at last,--so quietly did she sit,--two black-and-golden butterflies alighted; while a great brown beetle, with long black feelers, climbed up a tall grass-stalk in front of her, which, bending slightly under his weight, swung to and fro in the gentle breeze which barely stirred Eva's golden curls; and the field-crickets chirped, and even a snail put his horns out of his shell to look at the little girl, sitting so quietly in the grass among the flowers, for Eva was gentle, and neither bee, nor butterfly, beetle, cricket, or snail were afraid of her. And this is what Eva called making a fairy-tale for herself. But sitting so quietly and watching the insects, and hearing their low hum around her, at last made Eva feel drowsy; and she would have gone to sleep, as she often did, if all of a sudden there had not sounded, just at her feet, so that it startled her, a loud Croak! croak! But it frightened the two butterflies; for away they went, floating off on their black-and-golden wings; and the brown beetle was in so much of a hurry to run away that he tumbled off the grass-stalk on which he had been swinging, and as soon as he could regain his legs, crept, as fast as they could carry him, under a friendly mullein-leaf which grew near, and hid himself; and the crickets were silent; and the bees all flew away to their hive; and the snail drew himself and his horns into his house, so that he looked like nothing in the world but a shell; for when beetles, and butterflies, and crickets, and bees, and snails hear this croak! croak! they know that it is time for them to get out of the way. And when Eva looked down, there, just at her feet, sat a great green toad. She gave him a little push with her foot to make him go away; but instead of that he only hopped the nearer, and again came-- Croak! croak! He was entirely too near now for comfort, so the little girl jumped up, dropping all the flowers she had gathered; and as she stood still for a moment she thought that she heard the green toad say: "Go to the pond! Go to the pond!" It seemed so funny to Eva to hear a toad talk that she stood as still as a mouse looking at him; and as she looked at him, she heard him say again, as plain as possible: "Go to the pond! Go to the pond!" And then Eva did just exactly what either you or I would have done if we had heard a great green toad talking to us. She went slowly through the tall grass down to the very edge of the pond. But instead of the fishes which used to swim about in the pretty clear water, and which would come to eat the crumbs of bread she always threw to them, and the funny, croaking frogs which used to jump and splash in the water, she saw nothing but the same great green toad, which had hopped down faster than she had walked, and which was now sitting on a mossy stone near the bank. And when Eva would have turned away he croaked again: "Stay by the pond! Stay by the pond!" And whether Eva wished it or not, she stood by the pond--for she really could not help it--and looked. And it seemed to her that the sky grew dark and the water black, as it always does before a rain; and then the child grew frightened, and would have run away, but that just then, in the very blackest part of the pond, she saw shining and looking up at her a little round full moon, with a face in it; and it seemed to her, strange though you may think it, that the eyes of the face in the moon winked at her; and then it was gone. And again Eva would have left the pond, but the green toad, which she thought had suddenly grown larger, croaked more loudly: "Stay by the pond! Stay by the pond!" And Eva obeyed, as indeed she could not help doing; and then again, in the pond, there came and went the little moon-face, only that this time it was larger, and the eyes winked longer. For the third time the child would have turned away, frightened at all these strange doings in the pond; but for the third time the green toad, larger than ever, croaked: "Stay by the pond! Stay by the pond!" So, for the third time, Eva looked at the pond; and there, for the third time, was the shining moon-face, as large now as a real full moon, though, when Eva looked up, there was no moon shining in the sky to be reflected in the pond; and then the eyes in the moon-face looked harder at her, and the toad winked at her; and then the toad was the moon and the moon was the toad, and both seemed to change places with each other; and at last both of them shone and winked so that Eva could not tell them apart; and before she knew what she was doing she lay down quietly in the tall grass, and the moon in the pond and the green toad winked at her until she fell asleep. Then the moon-eyes closed and the shining face faded; and the green toad slipped quietly off his stone into the water; and still Eva slept soundly. And that was what Eva saw in the pond. CHAPTER II. _EVA'S FIRST ADVENTURE._ How long she lay there asleep the child did not know. It might only have been for a few minutes; it might have been for hours. Yet, when she did awake, and think it was time for her to go home, she did not understand where she could be. The place seemed the same, yet not the same,--as though some wonderful change had come over it during her sleep. There was the pond, to be sure, but was it the same pond? Tall trees grew round it, yet their branches were bare and leafless. A little brook ran into the pond, which she was sure that she never had seen there before. Was she still asleep? No. She was wide awake. She sprang to her feet and looked around. The green toad was gone, so was the moon-face; her father's house was nowhere to be seen; there was no sun, but it was not dark, for a light seemed to come from the earth, and yet the earth itself did
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Produced by Demian Katz and the Online Distributed Proofreading Team at http://www.pgdp.net (Images courtesy of the Digital Library@Villanova University (http://digital.library.villanova.edu/)) A BOOK OF BRYN MAWR STORIES EDITED BY MARGARETTA MORRIS AND LOUISE BUFFUM CONGDON [Illustration] =PHILADELPHIA= GEORGE W JACOBS AND COMPANY =ANNO DOMINI MCMI= Copyright, 1901, by GEORGE W. JACOBS & CO. A Book of Bryn Mawr Stories Preface In compiling a volume of Bryn Mawr stories, the editors have been conscious that such a book could never adequately represent the college life. Its strong subtle character that commands the devotion of every Bryn Mawr student is something difficult if not impossible to depict. Yet there comes a time in the life of a college, as of an individual, when self-expression is inevitable. Such a time, the editors believe, has come for Bryn Mawr. And this conviction has induced them to bring out the present volume. Until now the literary efforts of the students have concerned themselves with external matters rather than with introspection. Perhaps this is due to an instinctive reticence we Bryn Mawrtyrs have wherever our feelings are deeply stirred. We can joke about ourselves and our traditions as we do in _The Fortnightly Philistine_. But when we come to speak seriously to the outside world, as in _The Lantern_, we confine ourselves for the most part to subjects of general literary interest, practically ignoring the college atmosphere. At last, however, the ice is broken, and Bryn Mawr talks about herself. In the earliest days, when the college had only two buildings and forty-four students, even in that first year it had a character and a spirit all its own. And fifteen years of rapid growth have seemed but to strengthen its individuality. To show the college unity in diversity the editors have carefully chosen authors from the older and younger alumnae and from the undergraduates. They hope that in this way a truer impression of the college life may be given than would be possible if the whole book were written by one person. Some readers may ask which of the many heroines in these tales is the typical Bryn Mawr girl. The reply is no one, but all. Bryn Mawr students come from all parts of the country, from all sorts of different surroundings, and on entering college they do not, popular prejudice to the contrary, immediately drop their individuality and become samples of a type. We have among our number the pedant, the coquette, the athlete, the snob, the poser, the girl who loves dress and prettiness, and she who affects mannish simplicity, the all-round girl, the serious-minded, and the frivolous. Yet none of these is the Bryn Mawr girl _par excellence_. That mythical personage can be known only by comparing and contrasting her various incarnations. This book is an attempt to show some of her incarnations and some typical scenes of Bryn Mawr life. College life is not dramatic and college stories have no great dramatic interest, unless they introduce elements foreign to the campus. Those who look to these stories, therefore, for entertainment may be disappointed, since most of them are serious in tone, and in their appeal to the reader depend largely upon the charm of local colour. If in the mind of any one the spirit portrayed in this book is unworthy, if it falls short of the ideal of what college life should be, let it be remembered that this is a first attempt, and let the expression be blamed but not the Bryn Mawr spirit. All of the following stories are new, and were written for this book, except _Studies in College Colour_, which are reprinted from _The Lantern_ of 1893. One of these studies, the description of Chapel, has appeared also in _Cap and Gown in Prose_. For permission to use this last the editors are indebted to the courtesy of Messrs. L. C. Page & Company. _M. M. 1900._ _L. B. C. 1900
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Produced by Darleen Dove, Sharon Verougstraete and the Online Distributed Proofreading Team at http://www.pgdp.net LIVES OF POOR BOYS WHO BECAME FAMOUS. BY SARAH K. BOLTON. "_There is properly no History, only Biography._" --EMERSON. _Human portraits, faithfully drawn, are of all pictures the welcomest on human walls._ --CARLYLE. _FORTY-FIRST THOUSAND._ NEW YORK THOMAS Y. CROWELL & CO. PUBLISHERS _Copyright,_ BY THOMAS Y. CROWELL & CO. 1885. Norwood Press: J. S. Cushing & Co.--Berwick & Smith. Boston, Mass., U.S.A. TO MY ONLY SISTER, Mrs. Halsey D. Miller, IN REMEMBRANCE OF MANY HAPPY HOURS. PREFACE. These characters have been chosen from various countries and from varied professions, that the youth who read this book may see that poverty is no barrier to success. It usually develops ambition, and nerves people to action. Life at best has much of struggle, and we need to be cheered and stimulated by the careers of those who have overcome obstacles. If Lincoln and Garfield, both farmer-boys, could come to the Presidency, then there is a chance for other farmer-boys. If Ezra Cornell, a mechanic, could become the president of great telegraph companies, and leave millions to a university, then other mechanics can come to fame. If Sir Titus Salt, working and sorting wool in a factory at nineteen, could build one of the model towns of the world for his thousands of workingmen, then there is encouragement and inspiration for other toilers in factories. These lives show that without WORK and WILL no great things are achieved. I have selected several characters because they were the centres of important historical epochs. With Garibaldi is necessarily told the story of Italian unity; with Garrison and Greeley, the fall of slavery; and with Lincoln and Sheridan, the battles of our Civil War. S. K. B. CONTENTS. PAGE GEORGE PEABODY Merchant 1 BAYARD TAYLOR Traveller 13 Captain JAMES B. EADS Civil Engineer 26 JAMES WATT Inventor 33 Sir JOSIAH MASON Manufacturer 46 BERNARD PALISSY Potter 54 BERTEL THORWALDSEN Sculptor 65 WOLFGANG MOZART Composer 72 SAMUEL JOHNSON Author 83 OLIVER GOLDSMITH Poet and Writer 90 MICHAEL FARADAY Scientist 96 Sir HENRY BESSEMER Maker of Steel 112 Sir TITUS SALT Philanthropist 124 JOSEPH MARIE JACQUARD Silk Weaver 130 HORACE GREELEY Editor 138 WILLIAM LLOYD GARRISON Reformer 156 GIUSEPPE GARIBALDI Patriot 172 JEAN PAUL RICHTER Novelist 187 LEON GAMBETTA Statesman 204 DAVID G. FARRAGUT Sailor 219 EZRA CORNELL Mechanic 238 Lieut.-General SHERIDAN Soldier 251 THOMAS COLE Painter 270 OLE BULL Violinist 284 MEISSONIER Artist 303 GEO. W. CHILDS Journalist 313 DWIGHT L. MOODY Evangelist 323 ABRAHAM LINCOLN President 342 [Illustration: GEORGE PEABODY.] GEORGE PEABODY. If America had been asked who were to be her most munificent givers in the nineteenth century, she would scarcely have pointed to two grocer's boys, one in a little country store at Danvers, Mass., the other in Baltimore; both poor, both uneducated; the one leaving seven millions to Johns Hopkins University and Hospital, the other nearly nine millions to elevate humanity. George Peabody was born in Danvers, Feb. 18, 1795. His parents were respectable, hard-working people, whose scanty income afforded little education for their children. George grew up an obedient, faithful son, called a "mother-boy" by his companions, from his devotion to her,--a title of which any boy may well be proud. At eleven years of age he must go out into the world to earn his living. Doubtless his mother wished to keep her child in school; but there was no money. A place was found with a Mr. Proctor in a grocery-store, and here, for four years, he worked day by day, giving his earnings to his mother, and winning esteem for his promptness and honesty. But the boy at fifteen began to grow ambitious. He longed for a larger store and a broader field. Going with his maternal grandfather to Thetford, Vt., he remained a year, when he came back to work for his brother in a dry-goods store in Newburyport. Perhaps now in this larger town his ambition would be satisfied, when, lo! the store burned, and George was thrown out of employment. His father had died, and he was without a dollar in the world. Ambition seemed of little use now. However, an uncle in Georgetown, D.C., hearing that the boy needed work, sent for him, and thither he went for two years. Here he made many friends, and won trade, by his genial manner and respectful bearing. His tact was unusual. He never wounded the feelings of a buyer of goods, never tried him with unnecessary talk, never seemed impatient, and was punctual to the minute. Perhaps no one trait is more desirable than the latter. A person who breaks his appointments, or keeps others waiting for him, loses friends, and business success as well. A young man's habits are always observed. If he is worthy, and has energy, the world has a place for him, and sooner or later he will find it. A wholesale dry-goods dealer, Mr. Riggs, had been watching young Peabody. He desired a partner of energy, perseverance, and honesty. Calling on the young clerk, he asked him to put his labor against his, Mr. Riggs's, capital. "But I am only nineteen years of age," was the reply. This was considered no objection, and the partnership was formed. A year later, the business was moved to Baltimore. The boyish partner travelled on horseback through the western wilds of New York, Pennsylvania,
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E-text prepared by Charlie Howard, sp1nd, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 40923-h.htm or 40923-h.zip: (http://www.gutenberg.org/files/40923/40923-h/40923-h.htm) or (http://www.gutenberg.org/files/40923/40923-h.zip) Images of the original pages are available through Internet Archive. See http://archive.org/details/cu31924028287724 BRITISH POLITICAL LEADERS * * * * * _BY THE SAME AUTHOR._ IN THE "Story of the Nations" Series. Each volume large crown 8vo, cloth, fully Illustrated, 5s. MODERN ENGLAND BEFORE THE REFORM BILL. MODERN ENGLAND UNDER QUEEN VICTORIA. _IN PREPARATION._ PORTRAITS OF THE SIXTIES. Demy 8vo, cloth, Illustrated, 16s. LONDON: T. FISHER UNWIN. * * * * * [Illustration: Photograph copyright by Elliott & Fry ARTHUR JAMES BALFOUR] BRITISH POLITICAL LEADERS by JUSTIN McCARTHY With Portraits [Illustration] London T. Fisher Unwin Paternoster Square 1903 [All rights reserved.] CONTENTS 1. ARTHUR JAMES BALFOUR 1 2. LORD SALISBURY 25 3. LORD ROSEBERY 49 4. JOSEPH CHAMBERLAIN 73 5. HENRY LABOUCHERE 99 6. JOHN MORLEY 125 7. LORD ABERDEEN 151 8. JOHN BURNS 177 9. SIR MICHAEL HICKS-BEACH 203 10. JOHN E. REDMOND 229 11. SIR WILLIAM HARCOURT 255 12. JAMES BRYCE 281 13. SIR HENRY CAMPBELL-BANNERMAN 307 ARTHUR JAMES BALFOUR My first acquaintance with Mr. Arthur J. Balfour, who recently became Prime Minister of King Edward VII., was made in the earliest days of my experience as a member of the House of Commons. The Fourth party, as it was called, had just been formed under the inspiration of the late Lord Randolph Churchill. The Fourth party was a new political enterprise. The House of Commons up to that time contained three regular and recognized political parties--the supporters of the Government, the supporters of the Opposition, and the members of the Irish Nationalist party, of whom I was one. Lord Randolph Churchill created a Fourth party, the business of which was to act independently alike of the Government, the Opposition, and the Irish Nationalists. At the time when I entered Parliament the Conservatives were in power, and Conservative statesmen occupied the Treasury Bench. The members of Lord Randolph's party were all Conservatives so far as general political principles were concerned, but Lord Randolph's idea was to lead a number of followers who should be prepared and ready to speak and vote against any Government proposal which they believed to be too conservative or not conservative enough; to support the Liberal Opposition in the rare cases when they thought the Opposition was in the right; and to support the Irish Nationalists when they believed that these were unfairly dealt with, or when they believed, which happened much more frequently, that to support the Irishmen would be an annoyance to the party in power. The Fourth party was made up of numbers exactly corresponding with the title which had been given to it. Four men, including the leader, constituted the whole strength of this little army. These men were Lord Randolph Churchill, Arthur J. Balfour, John Gorst (now Sir John Gorst), and Sir Henry Drummond Wolff, who has during more recent years withdrawn altogether from parliamentary life and given himself up to diplomacy, in which he has won much honorable distinction. Sir John Gorst has recently held office in the Government, and is believed to have given and felt little satisfaction in his official career. He is a man of great ability and acquirements, but these have been somewhat thrown away in the business of administration. The Fourth Party certainly did much to make the House of Commons a lively place. Its members were always in attendance--the whole four of them--and no one ever knew where, metaphorically, to place them. They professed and made manifest open scorn for the conventionalities of party life, and the parliamentary whips never knew when they could be regarded as supporters or opponents. They were all effective debaters, all ready with sarcasm and invective, all sworn foes to dullness and routine, all delighting in any opportunity for obstructing and bewildering the party which happened to be in power. The members of the Fourth party had each of them a distinct individuality, although they invariably acted together and were never separated in the division lobbies. A member of the House of Commons likened them once in a speech to D'Artagnan and his Three Musketeers, as pictured in the immortal pages of the elder Dumas. John Gorst he described as Porthos, Sir Henry Drummond Wolff as Athos, and Arthur Balfour as the sleek and subtle Aramis. When I entered Parliament I was brought much into companionship with the members of this interesting Fourth party. One reason for this habit of intercourse was that we sat very near to one another on the benches of the House. The members of the Irish Nationalist party then, as now, always sat on the side of the Opposition, no matter what Government happened to be in power, for the principle of the Irish Nationalists is to regard themselves as in perpetual opposition to every Government so long as Ireland is deprived of her own national legislature. Soon after I entered the House a Liberal Government was the result of a general election, and the Fourth party, as habitually conservative, sat on the Opposition benches. The Fourth party gave frequent support to the Irish Nationalists in their endeavors to resist and obstruct Government measures, and we therefore came into habitual intercourse, and even comradeship, with Lord Randolph Churchill and his small band of followers. Arthur Balfour bore little resemblance, in appearance, in manners, in debating qualities, and apparently in mould of intellect, to any of the three men with whom he was then constantly allied. He was tall, slender, pale, graceful, with something of an almost feminine attractiveness in his bearing, although he was as ready, resolute, and stubborn a fighter as any one of his companions in arms. He had the appearance and the ways of a thoughtful student and scholar, and one would have associated him rather with a college library or a professor's chair than with the rough and boisterous ways of the House of Commons. He seemed to have come from another world of thought and feeling into that eager, vehement, and sometimes rather uproarious political assembly. Unlike his uncle, Lord Salisbury, he was known to enjoy social life, but he was especially given to that select order of aesthetic social life which was "sicklied o'er with the pale cast of thought," a form of life which was rather fashionable in society just then. But it must have been clear even to the most superficial observer that he had a decided gift of parliamentary capacity. He was a fluent and a ready speaker and could bear an effective part in any debate at a moment's notice, but he never declaimed, never indulged in any flight of eloquence, and seldom raised his clear and musical voice much above the conversational pitch. His choice of language was always happy and telling, and he often expressed himself in characteristic phrases which lived in the memory and passed into familiar quotation. He had won some distinction as a writer by his "Defense of Philosophic Doubt," by a volume of "Essays and Addresses," and more lately by his work entitled "The Foundations of Belief." The first and last of these books were inspired by a graceful and easy skepticism which had in it nothing particularly destructive to the faith of any believer, but aimed only at the not difficult task of proving that a doubting ingenuity can raise curious cavils from the practical and argumentative point of view against one creed as well as against another. The world did not take these skeptical ventures very seriously, and they were for the most part regarded as the attempts of a clever young man to show how much more clever he was than the ordinary run of believing mortals. Balfour's style was clear and vigorous, and people read the essays because of the writer's growing position in political life, and out of curiosity to see how the rising young statesman could display himself as the avowed advocate of philosophic skepticism. Arthur Balfour took a conspicuous part in the attack made upon the Liberal Government in 1882 on the subject of the once famous Kilmainham Treaty. The action which he took in this instance was avowedly inspired by a desire to embarrass and oppose the Government because of the compromise into which it had endeavored to enter with Charles Stewart Parnell for some terms of agreement as to the manner in which legislation in Ireland ought to be administered. The full history of what was called the Kilmainham Treaty has not, so far as I know, been ever correctly given to the public, and it is not necessary, when surveying the political career of Mr. Balfour, to enter into any lengthened explanation on the subject. Mr. Parnell was in prison at the time when the arrangement was begun, and those who were in his confidence were well aware that he was becoming greatly alarmed as to the state of Ireland under the rule of the late W. E. Forster, who was then Chief Secretary to the Lord Lieutenant, and under whose operations leading Irishmen were thrown into prison on no definite charge, but because their general conduct left them open in the mind of the Chief Secretary to the suspicion that their public agitation was likely to bring about a rebellious movement. Parnell began to fear that the state of the country would become worse and worse if every popular movement were to be forcibly repressed at the time when the leaders in whom the Irish people had full confidence were kept in prison and their guidance, control, and authority withdrawn from the work of pacification. The proposed arrangement, whether begun by Mr. Parnell himself or suggested to him by members of his own party or of the English Radical party, was simply an understanding that if the leading Irishmen were allowed to return to their public work the country might at least be kept in peace while English Liberalism was devising some measures for the better government of Ireland. The arrangement was in every sense creditable alike to Parnell and to the English Liberals who were anxious to cooperate with him in such a purpose. But it led to some disturbance in Mr. Gladstone's government and to Mr. Forster's resignation of his office. In 1885, when the Conservatives again came into power and formed a government, Balfour was appointed President of the Local Government Board and afterwards became Chief Secretary to the Lord Lieutenant--in other words, Chief Secretary for Ireland. He had to attempt a difficult, or rather, it should be said, an impossible task, and he got through it about as well as, or as badly as, any other man could have done whose appointed mission was to govern Ireland on Tory principles for the interests of the landlords and by the policy of coercion. Balfour, it should be said, was never, even at that time, actually unpopular with the Irish National party. We all understood quite well that his own heart did not go with the sort of administrative work which was put upon him; his manners were always courteous, agreeable, and graceful; he had a keen, quiet sense of humor, was on good terms personally with the leading Irish members, and never showed any inclination to make himself needlessly or wantonly offensive to his opponents. He was always readily accessible to any political opponent who had any suggestion to make, and his term of office as Chief Secretary, although of necessity quite unsuccessful for any practical good, left no memories of rancor behind it in the minds of those whom he had to oppose and to confront. More lately he became First Lord of the Treasury and Leader of the House of Commons, and the remainder of his public career is too well known to call for any detailed description here. My object in this article is rather to give a living picture of the man himself as we all saw him in public life than to record in historical detail the successive steps by which he ascended to his present high position, or rather, it should be said, of the successive events which brought that place within his reach and made it necessary for him to accept it. For it is only fair to say that, so far as outer observers could judge, Mr. Balfour never made his career a struggle for high positions. So clever and gifted a man must naturally have had some ambition in the public field to which he had devoted so absolutely his time and his talents. But he seemed, so far as one could judge, to have in him none of the self-seeking qualities which are commonly seen in the man whose purpose is to make his parliamentary work the means of arriving at the highest post in the government of the State. On the contrary, his whole demeanor seemed to be rather that of one who is devoting himself unwillingly to a career not quite congenial. He always appeared to me to be essentially a man of literary, scholarly, and even retiring tastes, who has a task forced upon him which he does not feel quite free to decline, and who therefore strives to make the best of a career which he has not chosen, but from which he does not feel at liberty to turn away. Most men who have attained the same political position give one the idea that they feel a positive delight in parliamentary life and warfare, and that nature must have designed them for that particular field and for none other. The joy in the strife which men like Palmerston, like Disraeli, and like Gladstone evidently felt never showed itself in the demeanor of Arthur Balfour. There was always something in his manner which spoke of a shy and shrinking disposition, and he never appeared to enter into debate for the mere pleasure of debating. He gave the idea of one who would much rather not make a speech were he altogether free to please himself in the matter, and as if he were only constraining himself to undertake a duty which most of those around him were but too glad to have an opportunity of attempting. There are instances, no doubt, of men gifted with an absolute genius for eloquent speech who have had no natural inclination for debate and would rather have been free from any necessity for entering into the war of words. I have heard John Bright say that he would never make a speech if he did not feel it a duty imposed upon him, and that he would never enter the House of Commons if he felt free to keep away from its debates. Yet Bright was a born orator and was, on the whole, I think, the greatest public and parliamentary orator I have ever heard in England, not excluding even Gladstone himself. Bright had all the physical qualities of the orator. He had a commanding presence and a voice of the most marvelous intonation, capable of expressing in musical sound every emotion which lends itself to eloquence--the impassioned, the indignant, the pathetic, the appealing, and the humorous. Then I can recall an instance of another man, not, indeed, endowed with Bright's superb oratorical gifts, but who had to spend the greater part of his life since he attained the age of manhood in the making of speeches within and outside the House of Commons. I am thinking now of Charles Stewart Parnell. I know well that Parnell would never have made a speech if he could have avoided the task, and that he even felt a nervous dislike to the mere putting of a question in the House. But no one would have known from Bright's manner when he took part in a great debate that he was not obeying in congenial mood the full instinct and inclination of a born orator. Nor would a stranger have guessed from Parnell's clear, self-possessed, and precise style of speaking that he was putting a severe constraint upon himself when he made up his mind to engage in parliamentary debate. There is something in Arthur Balfour's manner as a speaker which occasionally reminds me of Parnell and his style. The two men had the same quiet, easy, and unconcerned fashion of utterance, always choosing the most appropriate word and finding it without apparent difficulty; each man seemed, as I have already said of Balfour, to be thinking aloud rather than trying to convince the listeners; each man spoke as if resolved not to waste any words or to indulge in any appeal to the mere emotions of the audience. But the natural reluctance to take any part in debate was always more conspicuous in the manner of Balfour than even in that of Parnell. Balfour is a man of many and varied tastes and pursuits. He is an advocate of athleticism and is especially distinguished for his devotion to the game of golf. He obtained at one time a certain reputation in London society because of the interest he took in some peculiar phases of fanciful intellectual inventiveness. He was for a while a leading member, if not the actual inventor, of a certain order of psychical research whose members were described as The Souls. More than one novelist of the day made picturesque use of this singular order and enlivened the pages of fiction by fancy portraits of its leading members. Such facts as these did much to prevent Balfour from being associated in the public mind with only the rivalries of political parties and the incidents of parliamentary warfare. One sometimes came into social circles where Balfour was regarded chiefly as the man of literary tastes and somewhat eccentric intellectual developments. All this cast a peculiar reflection over his career as a politician and filled many observers with the idea that he was only playing at parliamentary life, and that his other occupations were the genuine realities for him. Even to this day there are some who persist in believing that Balfour, despite his prolonged and unvarying attention to his parliamentary duties, has never given his heart to the prosaic and practical work of administrative office and the business of maintaining his political party. Yet it has always had to be acknowledged that no man attended more carefully and more closely to such work when he had to do it, and that the most devoted worshiper of political success could not have been more regular and constant in his attention to the business of the House of Commons. People said that he was lazy by nature, that he loved long hours of sleep and of general rest, and that he detested the methodical and mechanical routine of official work. But I have not known any Minister of State who was more easy of approach and more ready to enter into the driest details of departmental business than Arthur Balfour. I may say, too, that, whenever appeal was made to him to forward any good work or to do any act of kindness, he was always to be found at his post and was ever ready to lend a helping hand if he could. I remember one instance of this kind which I have no hesitation in mentioning, although I am quite sure Mr. Balfour had little inclination for its obtaining publicity. Not very many years ago it was brought to my knowledge that an English literary woman who had won much and deserved distinction as a novel-writer had been for some time sinking into ill health, had been therefore prevented from going on with her work, and had in the mean time been perplexed by worldly difficulties and embarrassments which interfered sadly with her prospects and made her a subject of well-merited sympathy. Some friends of the authoress were naturally anxious, if possible, to give her a helping hand, and the idea occurred to them that she would be a most fitting recipient of assistance to be bestowed by a department of the State. One of her friends, himself a distinguished novelist, who happened to be also a friend of mine, spoke to me with this object, assuming that, as an old parliamentary hand, I knew more than most writers of books would be likely to know about the manner in which such help might be obtained. There is in England a fund--a very small fund, truly--at the disposal of the Government for the help of deserving authors who happen to be in distress. This fund is at the disposal of the First Lord of the Treasury, the office which was then, as now, held by Arthur Balfour. I was still at that time a member of the House of Commons, and my friend suggested that, as I knew something about the whole business, I might be a suitable person to represent the case to the First Lord of the Treasury and make appeal for his assistance. My friend's belief was that the application might come with more effect from one who had been for a long time a member of Parliament, and whose name would therefore be known to the First Lord of the Treasury, than from a literary man who had nothing to do with parliamentary life. Nothing could give me greater pleasure than to become the medium through which the appeal might be brought under the notice of the First Lord, but I felt some difficulty and doubt because of the conditions of the time. England was then in the most distracting period of the South African war. We were hearing every day of fresh mishaps and disasters in the campaign. Arthur Balfour was Leader of the House of Commons, and had to deal every day with questions, with demands for explanation, with arguments and debates turning on the events of the war. It seemed to me to be rather a venturesome enterprise to attempt to gain the attention of a minister thus perplexingly occupied for a matter of merely private and individual concern. I feared that an overworked statesman might feel naturally inclined to remit the subject to the care of some mere official, and that time might thus be lost and the needed helping hand be long delayed. I undertook the task, however, and I wrote to Mr. Balfour at once. I received the very next day a reply written in Mr. Balfour's own hand, expressing his cordial willingness to consider the subject, his sympathy with the purpose of the appeal, and his hope that some help might be given to the distressed novelist. Mr. Balfour promptly took the matter in hand, and the result was that a grant was made from the State fund to secure the novelist against any actual distress. Now, I do not want to make too much of this act of ready kindness done by Mr. Balfour. The appeal was made for a most deserving object; the fund from which help was to be given was entirely at Mr. Balfour's disposal; and it is probable that any other First Lord in the same circumstances would have come to the same decision. But how easy it would have been for Mr. Balfour to put the whole matter into the hands of some subordinate, and not to add a new trouble to his own intensely busy life at such an exciting crisis by entering into the close consideration of a mere question of State beneficence! I certainly should not have been surprised if I had not received an answer to my letter for several days after I had sent it, and if even then it had come from some subordinate in the Government department. But in the midst of all his incessant and distracting occupations at a most exciting period of public business Mr. Balfour found time to consider the question himself, to reply with his own hand, and to see that the desired help was promptly accorded. I must say that I think this short passage of personal history speaks highly for the kindly nature and the sympathetic promptitude of Arthur Balfour. For a long time there had been much speculation in these countries concerning the probable successor to Lord Salisbury, whenever Lord Salisbury should make up his mind to resign the position of Prime Minister. We all knew that that resignation was sure to come soon, although very few of us had any idea that it was likely to come quite so soon. The general opinion was that the country would not be expected, for some time at least, to put up again with a Prime Minister in the House of Lords. If, therefore, the new Prime Minister had to be found in the House of Commons, there seemed to be only a choice between two men, Arthur Balfour and Joseph Chamberlain. It would be hard to find two men in the House of Commons more unlike each other in characteristic qualities and in training than these two. They are both endowed with remarkable capacity for political life and for parliamentary debate, "but there," as Byron says concerning two of whom one was a Joseph, "I doubt all likeness ends between the pair." Balfour is an aristocrat of aristocrats; Chamberlain is essentially a man of the British middle class--even what is generally called the lower middle class. Balfour has gone through all the regular course of university education; Chamberlain was for a short time at University College School in London, a popular institution of modern origin which does most valuable educational work, but is not largely patronized by the classes who claim aristocratic position. Balfour is a constant reader and student of many literatures and languages; "Mr. Chamberlain," according to a leading article in a London daily newspaper, "to put it mildly, is not a bookworm." Balfour loves open-air sports and is a votary of athleticism; Chamberlain never takes any exercise, even walking exercise, when he can possibly avoid the trouble. Balfour is an aesthetic lover of all the arts; Chamberlain has never, so far as I know, given the slightest indication of interest in any artistic subject. Balfour is by nature a modest and retiring man; Chamberlain is always "Pushful Joe." The stamp and character of a successful municipal politician are always evident in Chamberlain, while Balfour seems to be above all other things the university scholar and member of high society. I suppose it must have been a profound disappointment to Chamberlain that he was not offered the place of Prime Minister, but it would be hardly fair to expect that such a place would not be offered to the First Lord of the Treasury and Leader of the House of Commons, even if that First Lord did not happen to be a nephew of the retiring Prime Minister. It would be idle just now to enter into any speculation as to whether Mr. Arthur Balfour will long continue to hold the office. If he should make up his mind, as was at one time thought possible by many observers, to accept a peerage and become Prime Minister in the House of Lords, such a step would undoubtedly be a means of pacifying the partisans of Chamberlain, for Chamberlain would then become, almost as a matter of course, the leader of the Conservative government in the House of Commons, and this elevation might well satisfy his ambition and give his pushful energy work
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Produced by David Edwards, Demian Katz and the Online Distributed Proofreading Team at http://www.pgdp.net (Images courtesy of the Digital Library@Villanova University (http://digital.library.villanova.edu/)) MOTOR STORIES THRILLING ADVENTURE MOTOR FICTION NO. 7 APR. 10, 1909 FIVE CENTS MOTOR MATT'S CLUE THE PHANTOM AUTO _by STANLEY R. MATTHEWS_. [Illustration: "Look a leedle oudt!" yelled Carl, as Motor Matt made a quick jump for the phantom auto.] _STREET & SMITH, PUBLISHERS, NEW YORK._ MOTOR STORIES THRILLING ADVENTURE MOTOR FICTION _Issued Weekly. By subscription $2.50 per year. Entered according to Act of Congress in the year 1909, in the Office of the Librarian of Congress, Washington, D. C., by_ STREET & SMITH, _79-89 Seventh Avenue, New York, N. Y._ No. 7. NEW YORK, April 10, 1909. Price Five Cents. Motor Matt's Clue; OR, THE PHANTOM AUTO. By the author of "MOTOR MATT." CONTENTS CHAPTER I. A NIGHT MYSTERY. CHAPTER II. DICK FERRAL. CHAPTER III. LA VITA PLACE. CHAPTER IV. THE HOUSE OF WONDER. CHAPTER V. SERCOMB. CHAPTER VI. THE PHANTOM AUTO AGAIN. CHAPTER VII. SURROUNDED BY ENEMIES. CHAPTER VIII. THE KETTLE CONTINUES TO BOIL. CHAPTER IX. ORDERED AWAY. CHAPTER X. A NEW PLAN. CHAPTER XI. A DARING LEAP. CHAPTER XII. DESPERATE VILLAINY. CHAPTER XIII. TIPPOO. CHAPTER XIV. IN THE NICK OF TIME. CHAPTER XV. A STARTLING INTERRUPTION. CHAPTER XVI. THE PRICE OF TREACHERY. CHAPTER XVII. THE LUCK OF DICK FERRAL. BILL, THE BOUND BOY. A WINTER STORY OF COLORADO. CHARACTERS THAT APPEAR IN THIS STORY. =Matt King=, concerning whom there has always been a mystery--a lad of splendid athletic abilities, and never-failing nerve, who has won for himself, among the boys of the Western town, the popular name of "Mile-a-minute Matt." =Carl Pretzel=, a cheerful and rollicking German lad, who is led by a fortunate accident to hook up with Motor Matt in double harness. =Uncle Jack=, a wealthy Englishman, with ways and means of his own for accomplishing things, who leads a hermit's life in the wilds of New Mexico. =Dick Ferral=, a Canadian boy and a favorite of Uncle Jack; has served his time in the King's navy, and bobs up in New Mexico where he falls into plots and counter-plots, and comes near losing his life. =Ralph Sercomb=, a cousin of Dick Ferral, and whose sly, treacherous nature is responsible for Dick's troubles. =Joe Mings=, } three unscrupulous friends of Sercomb, all =Harry Packard=,} motor-drivers, and who come from Denver to help =Balt Finn=, } Sercomb in his nefarious plans. CHAPTER I. A NIGHT MYSTERY. "Oh, py shiminy! Look at dere, vonce! Vat it iss, Matt? Br-r-r! I feel like I vould t'row some fits righdt on der shpot! It's a shpook, you bed you!" A strange event was going forward, there under the moon and stars of that New Mexico night. The wagon-road followed the base of a clifflike bank, and at the outer edge of the road there was a precipitous fall into Stygian darkness. A second road entered the first through a narrow gully. A few yards beyond the point where the thoroughfares joined an automobile was halted, its twin acetylene lamps gleaming like the eyes of some fabled monster in the semigloom. Two boys were on the front seat of the automobile, and one of them had leaned over and gripped the arm of the lad who had his hands on the steering-wheel. The eyes of the two in the car were staring ahead. What the boys saw was sufficiently startling, in all truth. Out of the gully, directly in advance of them, had rolled a white automobile--springing ghostlike out of the darkness as it came under the glare of the acetylene lights. The white car was a runabout, with two seats in front and an abnormally high deck behind. It carried no lamps, moved with weird silence, and, strangest of all, _there was no one
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Produced by Michael Ciesielski, Christine D. and the Online Distributed Proofreading Team at http://www.pgdp.net [Transcriber's notes: Original spelling and puctuation were retained, including u/v and i/j substitution. Text has been put on the left side of the dividing line and notes on the right to make the plain text version easier to work with. Some of the Latin note text was illegible, many thanks to the Distributed Proofreaders Volunteers who helped look up the references in various internet sources.] THE PRAISE OF A GODLY WOMAN. A Sermon preached at the Solemne Funerall of the Right Honourable Ladie, the Ladie FRANCES ROBERTS, at _Lanhide-rock-Church_ in _Cornwall_ the tenth of August, 1626. By HANNIBALL GAMON, Minister of the word of God, at S^t. _Maugan_ in the same Countie. _1 Cor. 4. 5._ Therefore iudge nothing before the time, vntill the Lord come, who will bring to light the hidden things of darknesse, and will manifest the counsells of the hearts, and then shall euery man haue praise of God. _Galath. 3. 28._ { Neither Iew nor Greek, There is { Neither Bond nor Free, { Neither Male nor Female, for yee are all one in Christ Iesus. S^t. Hierom. Eustoch. _----In seruitute Christi nequaquam Differentia sexuum valet, sed mentium._ Idem ad Principiam. _Non facie vllam inter Sanctas Feminas Differentiam, quod Nonnulli inter Sanctos Viros & Ecclesiarum Principes, stulte facere consueverunt._ LONDON, Printed by _I.H._ for _Iohn Grismond_, and are to be sold at his shop in _Ivie-Lane_ at the signe of the Gunne. 1627. TO THE TRVLY NOBLE IOHN ROBERTS, Son and Heire to the Right Honourable RICHARD _Lord_ ROBERTS of _Truro_: the Vnualuable Riches of sincere Grace here, and of Eternall Glory hereafter. HONOVRABLE SIR, Although it bee true (which a | worthy Diuine[a] obserueth) that | [Note a: M^r. _Bolter_
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) [Illustration] _THE REPENTANT HUSBAND_ _Jacques no longer had the strength to spurn him; Edouard approached Adeline and threw himself at her feet, placing his head against the ground, and sobbing piteously._ NOVELS BY Paul de Kock VOLUME XVII BROTHER JACQUES [Illustration: PRINTED BY ARRANGEMENT WITH GEORGE BARRIE'S SONS] THE JEFFERSON PRESS BOSTON NEW YORK I A WEDDING PARTY AT THE CADRAN-BLEU.--THE MURVILLE FAMILY It is midnight; whence come these joyful shouts, these bursts of laughter, these outcries, this music, this singing, this uproar?
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Produced by David Edwards, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration] [Illustration] ------------------------------------------------------------------------ _BY THE SAME AUTHOR_ DEAR ENEMY DADDY LONG LEGS JUST PATTY PATTY AND PRISCILLA THE FOUR POOLS MYSTERY JERRY MUCH ADO ABOUT PETER LONDON HODDER AND STOUGHTON ------------------------------------------------------------------------ THE WHEAT PRINCESS By JEAN WEBSTER Author of 'Daddy Long Legs,' 'Just Patty,' 'Dear Enemy' HODDER AND STOUGHTON LIMITED LONDON ------------------------------------------------------------------------ O. HENRY "The time is coming, let us hope, when the whole English-speaking world will recognise in O. HENRY one of the greatest masters of modern fiction." STEPHEN LEACOCK. HODDER & STOUGHTON publish all the books by O. HENRY in their famous Popular Series THE FOUR MILLION THE TRIMMED LAMP SIXES AND SEVENS STRICTLY BUSINESS ROADS OF DESTINY CABBAGES AND KINGS HEART OF THE WEST THE GENTLE GRAFTER OPTIONS WHIRLIGIGS THE VOICE OF THE CITY ROLLING STONES Cloth LONDON: HODDER AND STOUGHTON ------------------------------------------------------------------------ PROLOGUE IF you leave the city by the Porta Maggiore and take the Via Praenestina, which leads east into the Sabine hills, at some thirty-six kilometers' distance from Rome you will pass on your left a grey-walled village climbing up the hillside. This is Palestrina, the old Roman Praeneste; and a short distance beyond--also on the left--you will find branching off from the straight Roman highway a steep mountain road, which, if you stick to it long enough, will take you, after many windings, to Castel Madama and Tivoli. Several kilometers along this road you will see shooting up from a bare crag above you a little stone hamlet crowned by the ruins of a mediaeval fortress. The town--Castel Vivalanti--was built in the days when a stronghold was more to be thought of than a water-supply, and its people, from habit or love, or perhaps sheer necessity, have lived on there ever since, going down in the morning to their work in the plain and toiling up at night to their homes on the hill. So steep is its site that the doorway of one house looks down on the roof of the house below, and its narrow stone streets are in reality flights of stairs. The only approach is from the front, by a road which winds and unwinds like a serpent and leads at last to the Porta della Luna, through which all of the traffic enters the town. The gate is ornamented with the crest of the Vivalanti--a phoenix rising out of the flame, supported by a heavy machicolated top, from which, in the old days, stones and burning oil might be dropped upon the heads of the unwelcome guests. The town is a picturesque little affair--it would be hard to find a place more so in the Sabine villages, it is very, very poor. In the march of the centuries it has fallen out of step and been left far behind; to look at it, one would scarcely dream that on the clear days the walls and towers of modern Rome are in sight on the horizon. But in its time Castel Vivalanti was not insignificant. This little hamlet has entertained history within its walls. It has bodily outfaced robber barons and papal troops. It has been besieged and conquered, and, alas, betrayed--and that by its own prince. Twice has it been razed to the ground and twice rebuilt. In one way or another, though, it has weathered the centuries, and it stands to-day grey and forlorn, clustering about the walls of its donjon and keep. Castel Vivalanti, as in the middle ages, still gives the title to a Roman prince. The house of Vivalanti was powerful in its day, and the princes may often be met with--not always to their credit--in the history of the Papal States. They were oftener at war than at peace with the holy see, and there is the story of one pope who spent four weary months watching the view from a very small window in Vivalanti's donjon. But, in spite of their unholy quarrels, they were at times devout enough, and twice a cardinal's hat has been worn in the family. The house of late years has dwindled somewhat, both in fortune and importance; but, nevertheless, Vivalanti is a name which is still spoken with respect among the old nobles of Rome. The lower <DW72>s of the hill on which the village stands are well wooded and green with stone-pines and cypresses, olive orchards and vineyards. Here the princes built their villas when the wars with the popes were safely at an end and they could risk coming down from their stronghold on the mountain. The old villa was built about a mile below the town, and the gardens were laid out in terraces and parterres along the <DW72> of the hill. It has long been in ruin, but its foundations still stand, and the plan of the gardens may easily be traced. You will see the entrance at the left of the road--a massive stone gateway topped with moss-covered urns and a double row of cone-shaped cypresses bordering a once stately avenue now grown over with weeds. If you pause for a moment--and you cannot help doing so--you will see, between the portals at the end of the avenue, some crumbling arches, and even, if your eyes are good, the fountain itself. Any contadino that you meet on the road will tell you the story of the old Villa Vivalanti and the 'Bad Prince' who was (by the grace of God) murdered two centuries ago. He will tell you--a story not uncommon in Italy--of storehouses bursting with grain while the peasants were starving, and of how, one moonlight night, as the prince was strolling on the terrace contentedly pondering his wickednesses of the day, a peasant from his own village up on the mountain, creeping behind him, quiet as a cat, stabbed him in the back and dropped his body in the fountain. He will tell you how the light from the burning villa was seen as far as Rocca di Papa in the Alban hills; and he will add, with a laugh and a shrug, that some people say when the moon is full the old prince comes back and sits on the edge of the fountain and thinks of his sins, but that, for himself, he thinks it an old woman's tale. Whereupon he will cast a quick glance over his shoulder at the dark shadow of the cypresses and covertly cross himself as he wishes you, '_A revederla_.' You cannot wonder that the young prince (two centuries ago) did not build his new villa on the site of the old; for even had he, like the brave contadino, cared nothing for ghosts, still it was scarcely a hallowed spot, and lovers would not care to stroll by the fountain. So it happens that you must travel some distance further along the same road before you reach the gates of the new villa, built anno domini 1693, in the pontificate of his Holiness Innocent XII. Here you will find no gloomy cypresses: the approach is bordered by spreading plane-trees. The villa itself is a rambling affair, and, though slightly time-worn, is still decidedly imposing, with its various wings, its balconies and loggia and marble terrace. The new villa--for such one must call
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Produced by David Edwards, Ryan Cowell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) BOOKS BY ELSIE SINGMASTER When Sarah Saved the Day When Sarah Went to School Gettysburg Katy Gaumer Emmeline The Long Journey The Life of Martin Luther John Baring's House Basil Everman Ellen Levis Bennett Malin The Hidden Road A Boy at Gettysburg Bred in the Bone Keller's Anna Ruth 'Sewing Susie' What Everybody Wanted Virginia's Bandit You Make Your Own Luck A Little Money Ahead WHEN SARAH SAVED THE DAY [Illustration: SARAH DID NOT SPEAK, SHE ONLY HID HER EYES (page 126)] WHEN SARAH SAVED THE DAY BY ELSIE SINGMASTER WITH ILLUSTRATIONS [Illustration] BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge COPYRIGHT, 1909, BY ELSIE SINGMASTER ALL RIGHTS RESERVED INCLUDING THE RIGHT TO REPRODUCE THIS BOOK OR PARTS THEREOF IN ANY FORM _Published October 1909_ PRINTED IN THE U.S.A. TO CAROLINE HOOPES SINGMASTER CONTENTS I. Uncle Daniel's Offer 1 II. The Rebels take to Arms
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Produced by Project Gutenberg Distributed Proofreaders Miss Theodosia's Heartstrings
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Produced by David Schwan. HTML version by Al Haines. California Romantic and Resourceful A plea for the Collection Preservation and Diffusion of Information Relating to Pacific Coast History By John F. Davis The Californian loves his state because his state loves him. He returns her love with a fierce affection that to men who do not know California is always a surprise.--David Starr Jordan in "California and the Californians." As we transmit our institutions, so we shall transmit our blood and our names to future ages and populations. What altitudes shall throng these shores, what cities shall gem the borders of the sea! Here all peoples and all tongues shall meet. Here shall be a more perfect civilization, a more thorough intellectual development, a firmer faith, a more reverent worship. Perhaps, as we look back to the struggle of an earlier age, and mark the steps of our ancestors in the career we have traced, some thoughtful man of letters in ages yet to come may bring light the history of this shore or of this day. I am sure, Ludlow citizens, that whoever shall hereafter read it will perceive that our pride and joy are dimmed by no stain of selfishness. Our pride is for humanity; our joy is for the world; and amid all the wonders of past achievement and all the splendors of present success, we turn with swelling hearts to gaze into the boundless future, with the earnest conviction that will develop a universal brotherhood of man. --E. D. Baker, Atlantic Cable Address. To Charles Stetson Wheeler An Able Advocate A Good Citizen, A Devoted Husband and Father A Loyal Friend This Little Book is Affectionately Dedicated Preface This plea is an arrow shot into the air. It is the result of an address which I made at Colton Hall, in Monterey, upon the celebration of Admission Day, 1908, and another which I made at a luncheon meeting of the Commonwealth Club, at the Palace Hotel, San Francisco, on April 12, 1913. These addresses have been amplified and revised, and certain statistics contained in them have been brought down to the end of 1913. In this form they go forth to a larger audience, in the earnest hope that they may meet a kind reception, and somewhere find a generous friend. The subject of Pacific Coast history is one of surpassing interest to Californians. Some fine additions to our store of knowledge have been made of late years, notably the treatise of Zoeth S. Eldredge on "The Beginnings of San Francisco," published by the author, in San Francisco, in 1912; the treatise of Irving Berdine Richman on "California under Spain and Mexico, 1535-1847," published by the Houghton Mifflin Company, of Boston and New York, in 1911; the warm appreciation of E. D. Baker, by Elijah R. Kennedy, entitled "The Contest for California in 1861," published by the Houghton Mifflin Company, in Boston and New York, in 1912; the monumental work on "Missions and Missionaries of California," by Fr. Zephyrin Engelhardt, published by the James H. Barry Company, of San Francisco, 1908-1913, and the "Guide to Materials for the History of the United States in the Principal Archives of Mexico," by Herbert E. Bolton, Ph. D., Professor of American History in the University of California, the publication of which by the Carnegie Institution of Washington, at Washington, D. C., in 1913, is an event of epochal historical importance. All of these works and the recent activities in Spain of Charles E. Chapman, the Traveling Fellow of the University of California, the publications of the Academy of Pacific Coast History, at Berkeley, edited by F. J. Teggart, and the forthcoming publication at San Francisco of "A Bibliography of California and the Pacific West," by Robert Ernest Cowan, only emphasize the importance of original research work in Pacific Coast history, and the necessity for prompt action to preserve the remaining sources of its romantic and inspiring story. John F. Davis. San Francisco, July 1, 1914. Table of Contents California Romantic and Resourceful The Love-Story of Concha Argueello Concepcion Argueello (Bret Harte) List of Illustrations Discovery of San Francisco Bay by Portola Carmel Mission Sutter's Mill at Coloma Old Colton Hall and Jail, Monterey Commodore Sloat's General Order Comandante's Residence, San Francisco Baptismal Record of Concepcion Argueello California Romantic and Resourceful One of the most important acts of the Grand Parlor of the Native Sons of the Golden West which met at Lake Tahoe in 1910 was the appropriation of approximately fifteen hundred dollars for the creation of a traveling fellowship in Pacific Coast history at the State University. In pursuance of the resolution adopted, a committee of five was appointed by the head of the order to confer with the authorities of the university in the matter of this fellowship. The university authorities were duly notified, both of the appropriation for the creation of the fellowship and of the appointment of the committee, and the plan was put into practical operation. In 1911 this action was reaffirmed, and a resident fellowship was also created, making an appropriation of three thousand dollars, which has been repeated each year since. Henry Morse Stephens, Sather Professor of History, and Herbert E. Bolton, Professor of American History, and their able assistants in the history department of the university have hailed with delight this public-spirited movement on the part of that organization. The object and design of these fellowships is to aid in the collection, preservation and publication of information and material relating to the history of the Pacific Coast. Archives at Queretaro and Mexico City, in Mexico, at Seville, Simancas and Madrid, in Spain, and in Paris, London and St. Petersburg are veritable treasure mines of information concerning our early Pacific Coast history, and the correspondence of many an old family and the living memory of many an individual pioneer can still furnish priceless records of a later period. Professor Stephens has elaborated a practical scheme for making available all these sources of historical information through the providence of these fellowships, as far as they reach. The perpetuation of these traditions, the preservation of this history, is of the highest importance. Five years ago, at Monterey, upon the celebration of the anniversary of Admission Day, I took occasion to urge this view, and I have not ceased to urge it ever since. If we take any pride in our State, if the tendrils of affection sink into the soil where our fathers wrought, and where we ourselves abide and shall leave sons and daughters after us, if we know and feel any appreciation of local color, or take any interest in the drama of life that is being enacted on these Western shores, then the preservation of every shred of it is of vital importance to us--at least as Californians. The early history of this coast came as an offshoot of a civilization whose antiquity was already respectable. "A hundred years before John Smith saw the spot on which was planted Jamestown," says Hubert H. Bancroft, "thousands from Spain had crossed the high seas, achieving mighty conquests, seizing large portions of the two Americas and placing under tribute their peoples." The past of California possesses a wealth of romantic interest, a variety of contrast, a novelty of resourcefulness and an intrinsic importance that enthralls the imagination. I shall not attempt to speak of the hardship and high endeavor of the splendid band of navigators, beginning with Cabrillo in 1542, who discovered, explored and reported on its bays, outlets, rivers and coast line; whose exploits were as heroic as anything accomplished by the Norsemen in Iceland, or the circumnavigators of the Cape of Good Hope. I do not desire to picture the decades of the pastoral life of the hacienda and its broad acres, that culminated in "the splendid idle forties." I do not intend to recall the miniature struggles of Church and State, the many political controversies of the Mexican regime, or the play of plot and counterplot that made up so much of its history "before the Gringo came." I shall not try to tell the story of the discovery of gold and its world-thrilling incidents, nor of the hardships and courage of the emigrant trail, nor of the importance of the mission of the Pathfinder, and the excitement of the conquest, each in itself an experience that full to the brim. Let me rather call attention to three incidents of our history, ignoring all the rest, to enforce the point of its uniqueness, its variety, its novelty, its importance, as entitling it to its proper proportionate place in the history of the nation. And first of all, the story of the missions. The story of the missions is the history of the beginning of the colonization of California. The Spanish Government was desirous of providing its ships, on the return trip from Manila, with good harbors of supply and repairs, and was also desirous of promoting a settlement of the north as a safeguard against possible Russian aggression. The Franciscans, upon the expulsion of the Jesuits in 1767, had taken charge of the missions, and, in their zeal for the conversion of the Indians, seconded the plans of the government. "The official purpose here, as in older mission undertakings," says Dr. Josiah Royce, "was a union of physical and spiritual conquest, soldiers under a military governor co-operating to this end with missionaries and mission establishments. The natives were to be overcome by arms in so far as they might resist the conquerors, were to be attracted to the missions by peaceable measures in so far as might prove possible, were to be instructed in the faith, and were to be kept for the present under the paternal rule of the clergy, until such time as they might be ready for a free life as Christian subjects. Meanwhile, Spanish colonists were to be brought to the new land as circumstances might determine, and, to these, allotments of land were to be made. No grants of lands, in a legal sense, were made or promised to the mission establishments, whose position was to be merely that of spiritual institutions, intrusted with the education of neophytes, and with the care of the property that should be given or hereafter produced for the purpose. On the other hand, if the government tended to regard the missions as purely subsidiary to its purpose, the outgoing missionaries to this strange land were so much the more certain to be quite uncorrupted by worldly ambitions, by a hope of acquiring wealth, or by any intention to found a powerful ecclesiastical government in the new colony. They went to save souls, and their motive was as single as it was worthy of reverence. In the sequel, the more successful missions of Upper California became, for a time, very wealthy; but this was only by virtue of the gifts of nature and of the devoted labors of the padres." Such a scheme of human effort is so unique, and so in contradiction to much that obtains today, that it seems like a narrative from another world. Fortunately, the annals of these missions, which ultimately extended from San Diego to beyond Sonoma--stepping-stones of civilization on this coast--are complete, and their simple disinterestedness and directness sound like a tale from Arcady. They were signally successful because those who conducted them were true to the trustee-ship of their lives. They cannot be held responsible if they were unable in a single generation to eradicate in the Indian the ingrained heredity of shiftlessness of all the generations that had gone before. It is a source of high satisfaction that there was on the part of the padres no record of overreaching the simple native, no failure to respect what rights they claimed, no carnage and bloodshed, that have so often attended expeditions sent nominally for civilization, but really for conquest. Here, at least, was one record of missionary endeavor that came to full fruition and flower, and knew no fear or despair, until it attracted the attention of the ruthless rapacity and greed of the Mexican governmental authority crouching behind the project of secularization. The enforced withdrawal of the paternal hand before the Indian had learned to stand and walk alone, coupled in some sections with the dread scourge of pestilential epidemic, wrought dispersion, decimation and destruction. If, however, the teeming acres are now otherwise tilled, and if the herds of cattle have passed away and the communal life is gone forever, the record of what was accomplished in those pastoral days has linked the name of California with a new and imperishable architecture, and has immortalized the name of Junipero Serra[1]. The pathetic ruin at Carmel is a shattered monument above a grave that will become a world's shrine of pilgrimage in honor of one of humanity's heroes. The patient soul that here laid down its burden will not be forgotten. The memory of the brave heart that was here consumed with love for mankind will live through the ages. And, in a sense, the work of these missions is not dead--their very ruins still preach the lesson of service and of sacrifice. As the fishermen off the coast of Brittany tell the legend that at the evening hour, as their boats pass over the vanished Atlantis, they can still hear the sounds of its activity at the bottom of the sea, so every Californian, as he turns the pages of the early history of his State, feels at times that he can hear the echo of the Angelus bells of the missions, and amid the din of the money-madness of these latter days, can find a response in "the better angels of his nature." In swift contrast to this idyllic scene, which is shared with us by few other sections of this country, stands the history of a period where for nearly two years this State was without authority of American civil law, and where, in practice, the only authority was such as sprang from the instinct of self-preservation. No more interesting phase of history in America can be presented than that which arose in California immediately after the discovery of gold, with reference to titles upon the public domain. James W. Marshall made the discovery of gold in the race of a small mill at Coloma, in the latter part of January, 1848. Thereupon took place an incident of history which demonstrated that Jason and his companions were not the only Argonauts
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Produced by David Widger THE DIARY OF SAMUEL PEPYS M.A. F.R.S. CLERK OF THE ACTS AND SECRETARY TO THE ADMIRALTY TRANSCRIBED FROM THE SHORTHAND MANUSCRIPT IN THE PEPYSIAN LIBRARY MAGDALENE COLLEGE CAMBRIDGE BY THE REV. MYNORS BRIGHT M.A. LATE FELLOW AND PRESIDENT OF THE COLLEGE (Unabridged) WITH LORD BRAYBROOKE'S NOTES EDITED WITH ADDITIONS BY HENRY B. WHEATLEY F.S.A. DIARY OF SAMUEL PEPYS. OCTOBER 1665 October 1st (Lord's day). Called up about 4 of the clock and so dressed myself and so on board the Bezan, and there finding all my company asleep I would not wake them, but it beginning to be break of day I did stay upon the decke walking, and then into the Maister's cabbin and there laid and slept a little, and so at last was waked by Captain Cocke's calling of me, and so I turned out, and then to chat and talk and laugh, and mighty merry. We spent most of the morning talking and reading of "The Siege of Rhodes," which is certainly (the more I read it the more I think so) the best poem that ever was wrote. We breakfasted betimes and come to the fleete about two of the clock in the afternoon, having a fine day and a fine winde. My Lord received us mighty kindly, and after discourse with us in general left us to our business, and he to his officers, having called a council of wary, we in the meantime settling of papers with Mr. Pierce and everybody else, and by and by with Captain Cuttance. Anon called down to my Lord, and there with him till supper talking and discourse; among other things, to my great joy, he did assure me that he had wrote to the King and Duke about these prize-goods, and told me that they did approve of what he had done, and that he would owne what he had done, and would have me to tell all the world so, and did, under his hand, give Cocke and me his certificate of our bargains, and giving us full power of disposal of what we have so bought. This do ease my mind of all my fear, and makes my heart lighter by L100 than it was before. He did discourse to us of the Dutch fleete being abroad, eighty-five of them still, and are now at the Texell, he believes, in expectation of our Eastland ships coming home with masts and hempe, and our loaden Hambrough ships going to Hambrough. He discoursed against them that would have us yield to no conditions but conquest over the Dutch, and seems to believe that the Dutch will call for the protection of the King of France and come under his power, which were to be wished they might be brought to do under ours by fair means, and to that end would have all Dutch men and familys, that would come hither and settled, to be declared denizens; and my Lord did whisper to me alone that things here must break in pieces, nobody minding any thing, but every man his owne business of profit or pleasure, and the King some little designs of his owne, and that certainly the kingdom could not stand in this condition long, which I fear and believe is very true. So to supper and there my Lord the kindest man to me, before all the table talking of me to my advantage and with tenderness too that it overjoyed me. So after supper Captain Cocke and I and Temple on board the Bezan, and there to cards for a while and then to read again in "Rhodes" and so to sleep. But, Lord! the mirth which it caused me to be waked in the night by their snoaring round about me; I did laugh till I was ready to burst, and waked one of the two companions of Temple, who could not a good while tell where he was that he heard one laugh so, till he recollected himself, and I told him what it was at, and so to sleep again, they still snoaring. 2nd. We having sailed all night (and I do wonder how they in the dark could find the way) we got by morning to Gillingham, and thence all walked to Chatham; and there with Commissioner Pett viewed the Yard; and among other things, a teame of four horses come close by us, he being with me, drawing a piece of timber that I am confident one man could easily have carried upon his back. I made the horses be taken away, and a man or two to take the timber away with their hands. This the Commissioner did see, but said nothing, but I think had cause to be ashamed of. We walked, he and I and Cocke, to the Hill-house, where we find Sir W. Pen in bed and there much talke and much dissembling of kindnesse from him, but he is a false rogue, and I shall not trust him, but my being there did procure his consent to have his silk carried away before the money received, which he would not have done for Cocke I am sure. Thence to Rochester, walked to the Crowne, and while dinner was getting ready, I did there walk to visit the old Castle ruines, which hath been a noble place, and there going up I did upon the stairs overtake three pretty mayds or women and took them up with me, and I did 'baiser sur mouches et toucher leur mains' and necks to my great pleasure: but, Lord! to see what a dreadfull thing it is to look down the precipices, for it did fright me mightily, and hinder me of much pleasure which I would have made to myself in the company of these three, if it had not been for that. The place hath been very noble and great and strong in former ages. So to walk up and down the Cathedral, and thence to the Crowne, whither Mr. Fowler, the Mayor of the towne, was come in his gowne, and is a very reverend magistrate. After I had eat a bit, not staying to eat with them, I went away, and so took horses and to Gravesend, and there staid not, but got a boat, the sicknesse being very much in the towne still, and so called on board my Lord Bruncker and Sir John Minnes, on board one of the East Indiamen at Erith, and there do find them full of envious complaints for the pillageing of the ships, but I did pacify them, and discoursed about making money of some of the goods, and do hope to be the better by it honestly. So took leave (Madam Williams being here also with my Lord), and about 8 o'clock got to Woolwich and there supped and mighty pleasant with my wife, who is, for ought I see, all friends with her mayds, and so in great joy and content to bed. 3rd. Up, and to my great content visited betimes by Mr. Woolly, my uncle Wight's cozen, who comes to see what work I have for him about these East India goods, and I do find that this fellow might have been of great use, and hereafter may be of very great use to me, in this trade of prize goods, and glad I am fully of his coming hither. While I dressed myself, and afterwards in walking to Greenwich we did discourse over all the business of the prize goods, and he puts me in hopes I may get some money in what I have done, but not so much as I expected, but that I may hereafter do more. We have laid a design of getting more, and are to talk again of it a few days hence. To the office, where nobody to meet me, Sir W. Batten being the only man and he gone this day to meet to adjourne the Parliament to Oxford. Anon by appointment comes one to tell me my Lord Rutherford is come; so I to the King's Head to him, where I find his lady, a fine young Scotch lady, pretty handsome and plain. My wife also, and Mercer, by and by comes, Creed bringing them; and so presently to dinner and very merry; and after to even our accounts, and I to give him tallys, where he do allow me L100, of which to my grief the rogue Creed has trepanned me out of L50. But I do foresee a way how it may be I may get a greater sum of my Lord to his content by getting him allowance of interest upon his tallys. That being done, and some musique and other diversions, at last away goes my Lord and Lady, and I sent my wife to visit Mrs. Pierce, and so I to my office, where wrote important letters to the Court, and at night (Creed having clownishly left my wife), I to Mrs. Pierces and brought her and Mrs. Pierce to the King's Head and there spent a piece upon a supper for her and mighty merry and pretty discourse, she being as pretty as ever, most of our mirth being upon "my Cozen" (meaning my Lord Bruncker's ugly mistress, whom he calls cozen), and to my trouble she tells me that the fine Mrs. Middleton is noted for carrying about her body a continued sour base smell, that is very offensive, especially if she be a little hot. Here some bad musique to close the night and so away and all of us saw Mrs. Belle Pierce (as pretty as ever she was almost) home, and so walked to Will's lodging where I used to lie, and there made shift for a bed for Mercer, and mighty pleasantly to bed. This night I hear that of our two watermen that use to carry our letters, and were well on Saturday last, one is dead, and the other dying sick of the plague. The plague, though decreasing elsewhere, yet being greater about the Tower and thereabouts. 4th. Up and to my office, where Mr. Andrews comes, and reckoning with him I get L64 of him. By and by comes Mr. Gawden, and reckoning with him he gives me L60 in his account, which is a great mercy to me. Then both of them met and discoursed the business of the first man's resigning and the other's taking up the business of the victualling of Tangier, and I do not think that I shall be able to do as well under Mr. Gawden as under these men, or within a little as to profit and less care upon me. Thence to the King's Head to dinner, where we three and Creed and my wife and her woman dined mighty merry and sat long talking, and so in the afternoon broke up, and I led my wife to our lodging again, and I to the office where did much business, and so to my wife. This night comes Sir George Smith to see me at the office, and tells me how the plague is decreased this week 740, for which God be praised! but that it encreases at our end of the town still, and says how all the towne is full of Captain Cocke's being in some ill condition about prize-goods, his goods being taken from him, and I know not what. But though this troubles me to have it said, and that it is likely to be a business in Parliament, yet I am not much concerned at it, because yet I believe this newes is all false, for he would have wrote to me sure about it. Being come to my wife, at our lodging, I did go to bed, and left my wife with her people to laugh and dance and I to sleep. 5th. Lay long in bed talking among other things of my sister Pall, and my wife of herself is very willing that I should give her L400 to her portion, and would have her married soon as we could; but this great sicknesse time do make it unfit to send for her up. I abroad to the office and thence to the Duke of Albemarle, all my way reading a book of Mr. Evelyn's translating and sending me as a present, about directions for gathering a Library; [Instructions concerning erecting of a Library, presented to my Lord the President De Mesme by Gilbert Naudeus, and now interpreted by Jo. Evelyn, Esquire. London, 1661: This little book was dedicated to Lord Clarendon by the translator. It was printed while Evelyn was abroad, and is full of typographical errors; these are corrected in a copy mentioned in Evelyn's "Miscellaneous Writings," 1825, p. xii, where a letter to Dr. Godolphin on the subject is printed.] but the book is above my reach, but his epistle to my Lord Chancellor is a very fine piece. When I come to the Duke it was about the victuallers' business, to put it into other hands, or more hands, which I do advise in, but I hope to do myself a jobb of work in it. So I walked through Westminster to my old house the Swan, and there did pass some time with Sarah, and so down by water to Deptford and there to my Valentine. [A Mrs. Bagwell. See ante, February 14th, 1664-65] Round about and next door on every side is the plague, but I did not value it, but there did what I would 'con elle', and so away to Mr. Evelyn's to discourse of our confounded business of prisoners, and sick and wounded seamen, wherein he and we are so much put out of order. [Each of the Commissioners for the Sick and Wounded was appointed to a particular district, and Evelyn's district was Kent and Sussex. On September 25th, 1665, Evelyn wrote in his Diary: "My Lord Admiral being come from ye fleete to Greenewich, I went thence with him to ye Cockpit to consult with the Duke of Albemarle. I was peremptory that unlesse we had L10,000 immediately, the prisoners would starve, and 'twas proposed it should be rais'd out of the E. India prizes now taken by Lord Sandwich. They being but two of ye Commission, and so not impower'd to determine, sent an expresse to his Majesty and Council to know what they should do."] And here he showed me his gardens, which are for variety of evergreens, and hedge of holly, the finest things I ever saw in my life. [Evelyn purchased Sayes Court, Deptford, in 1653, and laid out his gardens, walks, groves, enclosures, and plantations, which afterwards became famous for their beauty. When he took the place in hand it was nothing but an open field of one hundred acres, with scarcely a hedge in it.] Thence in his coach to Greenwich, and there to my office, all the way having fine discourse of trees and the nature of vegetables. And so to write letters, I very late to Sir W. Coventry of great concernment, and so to my last night's lodging, but my wife is gone home to Woolwich. The Bill, blessed be God! is less this week by 740 of what it was the last week. Being come to my lodging I got something to eat, having eat little all the day, and so to bed, having this night renewed my promises of observing my vowes as I used to do; for I find that, since I left them off, my mind is run a'wool-gathering and my business neglected. 6th. Up, and having sent for Mr. Gawden he come to me, and he and I largely discoursed the business of his Victualling, in order to the adding of partners to him or other ways of altering it, wherein I find him ready to do anything the King would have him do. So he and I took his coach and to Lambeth and to the Duke of Albemarle about it, and so back again, where he left me. In our way discoursing of the business and contracting a great friendship with him, and I find he is a man most worthy
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Produced by Judith Boss. HTML version by Al Haines. The Picture of Dorian Gray by Oscar Wilde THE PREFACE The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor's craft is the type. All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely. All art is quite useless. OSCAR WILDE CHAPTER 1 The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn. From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey- blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flamelike as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ. In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement and gave rise to so many strange conjectures. As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and closing his eyes, placed his fingers upon the lids, as though he
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Produced by Nick Hodson of London, England The Laurel Walk By Mrs Molesworth Illustrations by J. Steeple Davis Published by Drexel Biddle, Philadelphia. This edition dated 1899. The Laurel Walk, by Mrs Molesworth. ________________________________________________________________________ ________________________________________________________________________ THE LAUREL WALK, BY MRS MOLESWORTH. CHAPTER ONE. A RAINY EVENING. There was a chemist's shop at Craig Bay, quite a smart chemist's shop, with plate-glass windows and the orthodox "purple" and other coloured jars of Rosamund fame. It was one of the inconsistencies of the place, of which there were several. For Craig Bay was far from being a town; it was not even a big village, and the two or three shops of its early days were of the simplest and quaintest description, emporiums of a little of everything, into which you made your way by descending two or three steps below the level of the rough pavement outside. The chemist's shop was the first established, I think, of the new order of things, when the place and neighbourhood suddenly rose into repute as peculiarly bracing and healthy from the mingling of sea and hill air with which they were favoured. It was kept in countenance now by several others, a draper's, a stationer's, a photographer's, of course, besides the imperative butcher's, fishmonger's, and so on, some of which subsided into closed shutters and vacancy after the "season" was over and the visitors had departed. For endeavours which had been made to introduce a _winter_ season had not been crowned with success. The place was too out-of-the-way, the boasted mildness of climate not altogether to be depended upon. But the chemist's shop stood faithfully open all the year round, doing a little business in wares not, strictly speaking, belonging to it, such as note-paper and even books, when the library-and-stationer's in one had gone to sleep for the time. On a cold raw evening in late November, Betty Morion stood waiting for her sister Frances on the door-step of the shop. It would have been warmer inside, but Betty had her fancies, like many other people, and one of them was a dislike to the smell of drugs, with which "inside," naturally, was impregnated. And she was thickly clad and fairly well used to cold and to damp--even to rain--for to-night it was drizzling depressingly. "I wish Francie would be quick," thought the girl more than once during the first few moments of her waiting, though she knew it was certainly not poor Frances' fault. Their father's prescriptions had always some very special and peculiar directions accompanying them, and Betty knew of old that the waiting for them was apt to be a long affair. And she was not of an impatient nature. After a while she forgot about the tiresomeness, and fell to watching the reflections of the brilliant colours of the jars in the puddles and on the surface of the wet pavement just below her, as she had often watched them before. They were pretty--in a sense--and yet somehow they made the surrounding dreariness drearier. "I wonder if it does rain more here than anywhere else," she said to herself dreamily. "What a splashing walk home we shall have! I wish we did not live up a hill--at least I think I wish we didn't, though perhaps if our house was down here I should wish it was higher up! Perhaps it doesn't really rain more at Craig Bay than at other places, but we notice it more. For nearly everything pleasant that ever comes to us depends on the weather." And Betty sighed. "I could fancy," she went on, "living in a way that would make one scarcely care what it was like out of doors. A beautiful big house with ferneries and conservatories, and lovely rooms to wander about in, and a library full of delightful books, and lots of people to stay with us and--well, yes, of course, it would be nice to go drives and rides and walks too, and to have exquisite gardens. But still life might be very pleasant even when it did rain," and again Betty sighed. "It needn't be anything so _very_ tremendous, after all," she added to herself. "Craig-Morion might be--" but a gentle touch on her shoulder made her turn. It was her sister, packages in hand, and rather embarrassed by her umbrella. "Can you open it for me, dear?" she said, and Betty hastened to do so. "I am so afraid," Frances went on, when Betty's own umbrella was ready for business too, and they were both under way, "I am so afraid of dropping any of these things. Papa is so anxious to have them at once. Do you remember the day that Eira dropped the bottle of red ink--wasn't it dreadful?" and Frances laughed a little at the recollection. Her laugh was very sweet, but scarcely merry. There are laughs which tell of sadness more quickly almost than tears. But it was not that kind either; it was the laugh of one who is resolutely cheerful, who has learnt by experience the wisdom of making the best of things--a lesson not often learnt by the young while young, though by some it is acquired so gradually and unconsciously that on looking back from the table-land of later years they do not realise it had ever been a lesson to be learnt at all. For its roots lie deeper than philosophy. They are to be found in unselfishness, in self-forgetting, and earnest longing to carry the burdens of others, or at least to share them. And Frances Morion was still young, though twenty-seven. She by no means looked her age. Her life in many ways had been a healthy one in its material surroundings, and she herself had made it so in other ways. Betty scarcely laughed in return. It is doubtful if she heard what her sister said. "Isn't it _horribly_ wet?" she said. "I was really wondering just now if it rains more here than anywhere else, or if--" and after a moment's hesitation--"if we notice it more, Francie, because, you see, there is so little else to notice." Miss Morion turned quickly and glanced at her sister, forgetting that it was far too dark to discern the girl's features. She always felt troubled when Betty spoke in that way, when her voice took that particular tone. She could be philosophical for herself far more easily than for her younger sisters. "Well, on the other hand," she said cheerfully, "doesn't it show that we have no very great troubles to bear if we have leisure to think so much about small ones?" "I don't say we _have_ any very big troubles to bear," said Betty. "I-- I almost sometimes find myself wishing we had--" "Oh, Betty, _don't_," said her sister quickly, "don't wish anything like that!" "No," said Betty, "I wasn't going to say quite what you thought. I mean I wish anything big would come into our lives! Anything really interesting, and--well, yes! I may as well own it--anything exciting! It is all on such a dull, dead level, and has always been the same, and always will be, it seems to me. And when one is no longer very young the spring and buoyancy seem to go. When I was seventeen or eighteen I'd all sorts of happy fancies and expectations, but now--why, Francie, I'm twenty-four, and _nothing_ has come." For a moment or two Frances walked on in silence. "I dare say," she said at last, "if we knew more of other lives, we should find a good many something like ours. And after all, Betty, one's real life is what one is oneself." Betty laughed slightly. Her laugh was not bitter, but without any ring of joyousness. "I know that," she said. "But it doesn't do me any good. It's just _myself_ that depresses me. I'm not big enough, nor brave enough, nor anything enough, to rise above circumstances, as people talk about. I want circumstances to help me a little! And I don't ask anything very extravagant, I know. "No, Frances," she added, "you're not--not quite right. I think I could bear things better and feel more spirit if you would allow that our lives _are_ exceptional in some ways." "Perhaps so," the elder sister agreed. "You know," continued Betty, "it isn't fallings in love or marriage that I'm talking about. I really and truly very seldom think of anything of that kind, though of course, in the abstract, I can see that a home of one's own, and the feeling oneself a centre, is the ideal life; but heaps of girls don't marry, and there are plenty, lots of other interests and objects to live for, which we _are_ unusually without!" Frances opened her mouth with an intention of remonstrating, but the words died away before she gave them utterance. There was so much truth in what Betty said, and Frances was too thorough-going to believe in the efficacy of any consolation without a genuine root, so she said nothing. "And I'm afraid," pursued Betty, who certainly could not be accused this evening of having donned rose-coloured spectacles, "I'm afraid," she repeated, "that it's coming over Eira too, though she has kept her youngness marvellously, so far." In her turn Frances gave a little laugh which could scarcely be called mirthful. "Betty dear," she said, "you are rather unmerciful to-night, piling on the agony! You think me very philosophical, but I must confess I am not proof against our present depressing circumstances. I don't think I've ever come up the hill in such rain and darkness, and so horribly cold too." And in spite of herself she shivered a little. In a moment Betty's mood had changed to penitence. "Oh, Frances, I'm a brute," she exclaimed, "for I know you were tired before we came out; reading aloud to papa for so long together is really
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Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note: This is only an excerpt from the novel. All-Story Weekly _July 13-August 10, 1918_ PALOS OF THE DOG STAR PACK by J. U. Giesy * * * * * 1. OUT OF THE STORM It was a miserable night which brought me first in touch with Jason Croft. There was a rain and enough wind to send it in gusty dashes against the windows. It was the sort of a night when I always felt glad to cast off coat and shoes, don a robe and slippers, and sit down with the curtains drawn, a lighted pipe, and the soft glow of a lamp falling across the pages of my book. I am, I admit, always strangely susceptible to the shut-in sense of comfort afforded by a pipe, the steady yellow of a light, and the magic of printed lines at a time of elemental turmoil and stress. It was with a feeling little short of positive annoyance that I heard the door-bell ring. Indeed, I confess, I was tempted to ignore it altogether at first. But as it rang again, and was followed by a rapid tattoo of rapping, as of fists pounded against the door itself, I rose, laid aside my book, and stepped into the hall. First switching on a porch-light, I opened the outer door, to reveal the figure of an old woman, somewhat stooping, her head covered by a shawl, which sloped wetly from her head to either shoulder, and was caught and held beneath her chin by one bony hand. "Doctor," she began in a tone of almost frantic excitement. "Dr. Murray--come quick!" Perhaps I may as well introduce myself here as anywhere else. I am Dr. George Murray, still, as at the time of which I write, in charge of the State Mental Hospital in a Western State. The institution was not then very large, and since taking my position at the head of its staff I had found myself with considerable time for my study along the lines of human psychology and the various powers and aberrations of the mind. Also, I may as well confess, as a first step toward a better understanding of my part in what followed, that for years before coming to the asylum I had delved more or less deeply into such studies, seeking to learn what I might concerning both the normal and the abnormal manifestations of mental force. There is good reading and highly entertaining, I assure you, in the various philosophies dealing with life, religion, and the several beliefs regarding the soul of man. I was therefore fairly conversant not only with the Occidental creeds, but with those of the Oriental races as well. And I knew that certain of the Eastern sects had advanced in their knowledge far beyond our Western world. I had even endeavored to make their knowledge mine, so far as I could, in certain lines at least, and had from time to time applied some of that knowledge to the treatment of cases in the institution of which I was the head. But I was not thinking of anything like that as I looked at the shawl-wrapped face of the little bent woman, wrinkled and wry enough to have been a very part of the storm which beat about her and blew back the skirts of my lounging-robe and chilled my ankles. I lived in a residence detached from the asylum buildings
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) THE SORCERESS. THE SORCERESS. A Novel. BY MRS. OLIPHANT, AUTHOR OF “THE CHRONICLES OF CARLINGFORD,” “THE CUCKOO IN THE NEST,” ETC., ETC. _IN THREE VOLUMES._ VOL. I. LONDON: F. V. WHITE & Co., 31, SOUTHAMPTON STREET, STRAND, W.C. 1893. (_ALL RIGHTS RESERVED_) PRINTED BY TILLOTSON AND SON, BOLTON,
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Produced by Odessa Paige Turner, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) 30,000 LOCKED OUT. THE GREAT STRIKE OF THE BUILDING TRADES IN CHICAGO. BY JAMES C. BEEKS. CHICAGO: PRESS OF THE FRANZ GINDELE PRINTING CO. 1887. INTRODUCTION. The attention of the world has been called to the great strike and lockout in the building trades in Chicago because it rested upon the question of individual liberty--a question which is not only vital alike to the employer and the employe, but which affects every industry, every class of people, every city, state and country. It is a principle which antagonizes no motive which has been honestly conceived, but upon which rests--or should rest--the entire social, political and industrial fabric of a nation. It underlies the very foundation of free institutions. To antagonize it is to thrust at the beginning point of that freedom for which brave men have laid down their lives in every land since the formation of society. With this question prominently in the fight, and considering the magnitude of the interests affected, it is not at all surprising that the public has manifested interest in the agitation of questions which have affected the pockets of thirty thousand artisans and laborers, hundreds of employers, scores of manufacturers and dealers in building materials, stopped the erection of thousands of structures of all classes, and driven into the vaults of a great city capital amounting to not less than $20,000,000. The labor problem is not new. Neither is it without its perplexities and its grievances. Its entanglements have puzzled the brightest intellects, and its grievances have, on many occasions, called loudly for changes which have been made for the purpose of removing fetters that have bound men in a system of oppression that resembled the worst form of slavery. These changes have come none too soon. And, no doubt, there yet remain cases in which the oppressed should be speedily relieved of burdens which have been put upon working men and women in every country under the sun. But, because these conditions exist with one class of people, it is no justification for an unreasonable, or exacting demand by another class; or, that they should be permitted to reverse the order of things and inaugurate a system of oppression that partakes of a spirit of revenge, and that one burden after another should be piled up until the exactions of an element of labor become so oppressive that they are unbearable. When this is the case, the individual who has been advocating the cause of freedom--and who has been striving for the release and the elevation of the laboring classes--becomes, in turn, an oppressor of the worst kind. He stamps upon the very foundation on which he first rested his cause. He tramples upon the great cause of individual liberty and becomes a tyrant whose remorseless system of oppression would crush out of existence not only the grand superstructure of freedom, but would bury beneath his iron heel the very germ of his free existence. The laborer is a necessity. If this is true the converse of the proposition is equally true--the employer is a necessity. Without the employer the laborer would be deprived of an opportunity to engage in the avocation to which his faculties may have been directed. Without the laborer the employer would be in no position to carry forward any enterprise of greater or less magnitude. All cannot be employers. All cannot be employes. There must be a directing hand as well as a hand to be directed. In exercising the prerogative of a director the employer would be powerless to carry to a successful termination any enterprise if liberty of action should be entirely cut off, or his directing hand should be so fettered that it could not exercise the necessary freedom of action to direct. At the same time, if the employe should be so burdened that he could not exercise his talents in a manner to compass the line of work directed to be done, it would be unreasonable to expect from him the accomplishment of the task to which he had been assigned. There is a relation between the two around which such safeguards should be thrown as will insure that free action on the part of both that will remove the possibility of oppression, and at the same time retain, in its fullest sense, the relation of employer and employe. The necessity of the one to the other should not be forgotten. That the employer should have the right to direct his business in a manner that will make it successful, and for his interest, none should have the right to question. The successful direction of an enterprise by an employer results, necessarily, in the security of employment by the employe. A business which is unsuccessfully prosecuted, or which is fettered by the employe in a manner which prevents its successful prosecution, must, of necessity, result in displacing the most trusted servant, or the most skilled artisan. An employer, in the direction of his business, should not be denied the right to decide for himself whom he shall employ, or to select those who may be best fitted to accomplish his work. An employe should expect employment according to his ability to perform the work to be done. A skillful artisan should not be expected to accept the reward of one unskilled in the same trade. An unskilled workman should not receive the same wages paid to a skilled workman. Had these rules been recognized by the bricklayers in Chicago there would have been no strike, no lockout. The fight was against the right of the employer to direct his own business. It was originated by a class of men who claimed the right to demand that all bricklayers should be paid the same rate per hour, regardless of their ability; that none should be employed except those who were members of The United Order of American Bricklayers and Stonemasons of Chicago; and that every edict issued by this union should be obeyed by the Master Masons, including the last one made viz: That the pay day should be changed from Monday, or Tuesday, to Saturday. NATIONAL ORGANIZATION. The National Association of Builders convened in Chicago March 29th, 1887, and continued in session three days. This convention was composed of representatives of the building trades from almost every section of the country. They came together for the purpose of perfecting the organization of a National Association in pursuance of a call which had been made by a committee which met in Boston the previous January. Delegates were present from twenty-seven cities, as follows: Cleveland, Ohio: Thos. Simmons, H. Kickheim, John T. Watterson, S. W. Watterson. Milwaukee, Wis.: Thos. Mason, Garrett Dunck, John Laugenberger, Richard Smith. Charleston, S. C.: D. A. J. Sullivan, Henry Oliver. Nashville, Tenn.: Daniel S. Wright. Detroit, Mich.: Thos. Fairbairn, W. E. Avery, W. J. Stapleton, Jas. Roche, W. G. Vinton. Minneapolis, Minn.: Thos. Downs, F. B. Long, H. N. Leighton, Geo. W. Libby, Herbert Chalker, F. S. Morton. Baltimore Md.: John Trainor, John J. Purcell, Geo. W. Hetzell, Wm. H. Anderson, Wm. Ferguson, Philip Walsh, Geo. Mann. Chicago, Ill.: Geo. Tapper, P. B. Wight, Geo. C. Prussing, W. E. Frost, F. V. Gindele, A. W. Murray, J. B. Sullivan. St. Paul, Minn.: Edward E. Scribner, J. B. Chapman, E. F. Osborne, G. J. Grant, J. H. Donahue, J. S. Burris, J. W. Gregg. Buffalo, N. Y.: Chas. Berrick, John Feist, Chas. A. Rupp. Cincinnati, Ohio: J. Milton Blair, L. H. McCammon, I. Graveson, Jas. Allison, H. L. Thornton, J. C. Harwood, Wm. Schuberth, Jr. Philadelphia, Pa.: John S. Stevens, Chas. H. Reeves, D. A. Woelpper, Geo. Watson, Wm. Harkness, Jr., Geo. W. Roydhouse, Wm. Gray. Columbus, Ohio: Geo. B. Parmelee. St. Louis Mo.: Andrew Kerr, H. C. Lindsley, John R. Ahrens, John H. Dunlap, Anton Wind, Richard Walsh, Wm. Gahl. Indianapolis, Ind.: John Martin, J. C. Adams, Fred Mack, G. Weaver, C. <DW12>, Wm. P. Jungclaus, Peter Rautier. New Orleans, La.: A. J. Muir, H. Hofield, F. H. West. Boston, Mass.: Leander Greely, Ira G. Hersey, John A. Emery, Wm. Lumb, J. Arthur Jacobs, Francis Hayden, Wm. H. Sayward. New York City: A. J. Campbell, A. G. Bogert, John Byrns, John McGlensey, Marc Eidlitz, John J. Tucker. Troy, N. Y.: C. A. Meeker. Albany, N. Y.: David M. Alexander Worcester, Mass.: E. B. Crane, O. W. Norcross, Henry Mellen, O. S. Kendall, Robt. S. Griffin, Geo. H. Cutting. Grand Rapids, Mich.: John Rawson, James Curtis, H. E. Doren, J. D. Boland, C. H. Pelton, W
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SCIENCE*** E-text prepared by Charlene Taylor, Paul Clark, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 40706-h.htm or 40706-h.zip: (http://www.gutenberg.org/files/40706/40706-h/40706-h.htm) or (http://www.gutenberg.org/files/40706/40706-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://archive.org/details/introductiontohi00libb Transcriber's note: Every effort has been made to replicate this text as faithfully as possible. Some changes have been made. They are listed at the end of the text, apart from some changes of puctuation in the Index. Text enclosed by underscores is in italics (_italics_). Characters enclosed by curly braces are subscripts (example: H{2}O). Dalton's symbols for the elements have been represented as follows: White circle ( ) Hydrogen Circle with vertical bar (|) Nitrogen Circle with central dot (.) Oxygen Black cirle (*) Carbon AN INTRODUCTION TO THE HISTORY OF SCIENCE by WALTER LIBBY, M.A., Ph.D. Professor of the History of Science in the Carnegie Institute of Technology [Illustration] Boston New York Chicago Houghton Mifflin Company The Riverside Press Cambridge Copyright, 1917, by Walter Libby All Rights Reserved The Riverside Press Cambridge. Massachusetts U. S. A TO MY STUDENTS OF THE LAST TWELVE YEARS IN THE CHICAGO AND PITTSBURGH DISTRICTS THIS BOOK IS INSCRIBED IN FURTHERANCE OF THE ENDEAVOR TO INCULCATE A DEMOCRATIC CULTURE, EVER MINDFUL OF THE DAILY TASK, NOT ALTOGETHER IGNORANT OF THE ACHIEVEMENTS OF THE PAST PREFACE The history of science has something to offer to the humblest intelligence. It is a means of imparting a knowledge of scientific facts and principles to unschooled minds. At the same time it affords a simple method of school instruction. Those who understand a business or an institution best, as a contemporary writer on finance remarks, are those who have made it or grown up with it, and the next best thing is to know how it has grown up, and then watch or take part in its actual working. Generally speaking, we know best what we know in its origins. The history of science is an aid in scientific research. It places the student in the current of scientific thought, and gives him a clue to the purpose and necessity of the theories he is required to master. It presents science as the constant pursuit of truth rather than the formulation of truth long since revealed; it shows science as progressive rather than fixed, dynamic rather than static, a growth to which each may contribute. It does not paralyze the self-activity of youth by the record of an infallible past. It is only by teaching the sciences in their historical development that the schools can be true to the two principles of modern education, that the sciences should occupy the foremost place in the curriculum and that the individual mind in its evolution should rehearse the history of civilization. The history of science should be given a larger place than at present in general history; for, as Bacon said, the history of the world without a history of learning is like a statue of Polyphemus with the eye out. The history of science studies the past for the sake of the future. It is a story of continuous progress. It is rich in biographical material. It shows the sciences in their interrelations, and saves the student from narrowness and premature specialization. It affords a unique approach to the study of philosophy. It gives new motive to the study of foreign languages. It gives an interest in the applications of knowledge, offers a clue to the complex civilization of the present, and renders the mind hospitable to new discoveries and inventions. The history of science is hostile to the spirit of caste. It shows the sciences rising from daily needs and occupations, formulated by philosophy, enriching philosophy, giving rise to new industries, which react in turn upon the sciences. The history of science reveals men of all grades of intelligence and of all social ranks cooperating in the cause of human progress. It is a basis of intellectual and social homogeneity. Science is international, English, Germans, French, Italians, Russians--all nations--contributing to advance the general interests. Accordingly, a survey of the sciences tends to increase mutual respect, and to heighten the humanitarian sentiment. The history of science can be taught to people of all creeds and colors, and cannot fail to enhance in the breast of every young man, or woman, faith in human progress and good-will to all mankind. This book is intended as a simple introduction, taking advantage of the interests of youth of from seventeen to twenty-two years of age (and their intellectual compeers) in order to direct their attention to the story of the development of the sciences. It makes no claim to be in any sense complete or comprehensive. It is, therefore, a psychological introduction, having the mental capacity of a certain class of readers always in view, rather than a logical introduction, which would presuppose in all readers both full maturity of intellect and considerable initial interest in the history of science. I cannot conclude this preface without thanking those who have assisted me in the preparation of this book--Sir William Osler, who read the first draft of the manuscript, and aided me with his counsel; Dr. Charles Singer, who read all the chapters in manuscript, and to whom I am indebted for advice in reference to the illustrations and for many other valuable suggestions; the officers of the Bodleian Library, whose courtesy was unfailing during the year I worked there; Professor Henry Crew, who helped in the revision of two of the chapters by his judicious criticism; Professor J. E. Rush, whose knowledge of bacteriology improved the chapter on Pasteur; Professor L. O. Grondahl, who read one of the chapters relating to the history of physics and suggested important emendations; and Dr. John A. Brashear, who contributed valuable information in reference to the activities of Samuel Pierpont Langley. I wish to express my gratitude also to Miss Florence Bonnet for aid in the correction of the manuscript. W. LIBBY. February 2, 1917. CONTENTS I. SCIENCE AND PRACTICAL NEEDS--EGYPT AND BABYLONIA 1 II. THE INFLUENCE OF ABSTRACT THOUGHT--GREECE: ARISTOTLE 15 III. SCIENTIFIC THEORY SUBORDINATED TO APPLICATION--ROME:
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Produced by Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) HISTORIC HIGHWAYS OF AMERICA VOLUME 8 [Illustration: THE OLD VINCENNES TRACE NEAR XENIA, ILLINOIS] HISTORIC HIGHWAYS OF AMERICA VOLUME 8 Military Roads of the Mississippi Basin The Conquest of the Old Northwest BY ARCHER BUTLER HULBERT _With Maps and Illustrations_ [Illustration] THE ARTHUR H. CLARK COMPANY CLEVELAND, OHIO 1904 COPYRIGHT, 1904 BY THE ARTHUR H. CLARK COMPANY ALL RIGHTS RESERVED CONTENTS PAGE PREFACE 11 I. THE CLARK ROUTES THROUGH ILLINOIS 15 II. MIAMI VALLEY CAMPAIGNS 72 III. ST. CLAIR'S CAMPAIGN 108 IV. WAYNE AND FALLEN TIMBER 160 APPENDIXES 219 ILLUSTRATIONS I. THE OLD VINCENNES TRACE NEAR XENIA, ILLINOIS _Frontispiece_ II. SKETCH MAP OF PART OF ILLINOIS, SHOWING CLARK'S ROUTES 21 III. HUTCHINS'S SKETCH OF THE WABASH IN 1768 (showing trace of the path to Kaskaskia; from the original in the British Museum) 35 IV. THE ST. LOUIS TRACE NEAR LAWRENCEVILLE, ILLINOIS 62 V. A PART OF ARROWSMITH'S MAP OF THE UNITED STATES, 1796 (showing the region in which Wilkinson, Scott, Harmar, St. Clair, and Wayne operated) 117 VI. DR. BELKNAP'S MAP OF WAYNE'S ROUTE IN THE MAUMEE VALLEY, 1794 (from the original in the Library of Harvard University) 197 PREFACE This volume treats of five of the early campaigns in the portion of America known as the Mississippi Basin--Clark's campaigns against Kaskaskia and Vincennes in 1778 and 1779; and Harmar's, St. Clair's, and Wayne's campaigns against the northwestern Indians in 1790, 1791, and 1793-94. Much as has been written concerning Clark's famous march through the "drowned lands of the Wabash," the important question of his route has been untouched, and the story from that standpoint untold. The history of the campaign is here made subservient to a study of the route and to an attempted identification of the various places, and a determination of their present-day names. Four volumes of the Draper Manuscripts in the library of the State Historical Society of Wisconsin give a vast deal of information on this subject. They are referred to by the library press-mark. Turning to the study of Harmar's, St. Clair's, and Wayne's routes into the Northwest, the author found a singular lack of detailed description of these campaigns, and determined to combine with the study of the military roadway a comparatively complete sketch of each campaign, making use, in this case as in that of Clark's campaigns, of the Draper Manuscripts. A great debt of thanks is due to Mr. Reuben Gold Thwaites, Secretary of the State Historical Society of Wisconsin, for assistance and advice; to Josiah Morrow of Lebanon, Ohio, the author is indebted for help in determining portions of Harmar's route; and to Francis E. Wilson, President of the Greenville Historical Society, many thanks are due for help in questions concerning the pathway of the intrepid leader known to the East as "Mad Anthony" Wayne, but remembered in the West as the "Blacksnake" and the "Whirlwind," because he doubled his track like a blacksnake and swept over his roads like a whirlwind. A. B. H. MARIETTA, OHIO, September 14, 1903. Military Roads of the Mississippi Basin The Conquest of the Old Northwest CHAPTER I THE CLARK ROUTES THROUGH ILLINOIS On the twenty-fourth of June, 1778, George Rogers Clark, with about one hundred and seventy-five patriot adventurers, left the little pioneer settlement on Corn Island, in the Ohio River, opposite the present site of Louisville, Kentucky, for the conquest of the British posts of Kaskaskia and Vincennes in the "Illinois country."[1] The boats running day and night, the party reached Clark's first stopping-place, an island in the Ohio near the mouth of the Tennessee River, in four days. Just below this island was the site of old Fort Massac--now occupied by Metropolis, Massac County, Illinois--built probably by a vanguard from Fort Duquesne, a generation before, when the French clearly foresaw the end of their reign on the upper Ohio. Here, almost a century before that, was the old trading-station of Juchereau and the mission of Mermet--the subsequent "soul of the mission of Kaskaskia," as Bancroft describes him. The situation was strategic on two accounts: it was a site well out of the reach of the Ohio floods, and it was near the mouths of both the Tennessee and Cumberland Rivers--valleys known of old to the Shawanese and Cherokees. As a coign of vantage for traders and missionaries, it had been of commanding importance. It was, likewise, near the Ohio terminus of several old buffalo routes across Illinois, roads which became connecting links between Kaskaskia, on the river bearing that name near the Mississippi, and the mission at Fort Massac. The old paths of the buffalo, long known as hunting traces, offered the traveler from the Ohio to the old-time metropolis of Illinois a short-cut by land, saving thrice the distance by water, and obviated stemming the swift tides of the Mississippi. One of the principal backbones of Illinois was threaded by these primeval routes, and high ground between the vast cypress swamps and mist-crowned drowned lands of Illinois was a boon to any traveler, especially that first traveler, the bison. This high ground ran between Kaskaskia and Shawneetown, on the Ohio River, the course becoming later a famous state highway. Its earliest name was the "Kaskaskia Trace." Clark's spies, sent out to Illinois a year before, undoubtedly advised him to land at Fort Massac and, gaining from there this famous highway, to pursue it to Kaskaskia. His plan of surprising the British post necessitated his pursuing unexpected courses. It was well known that the British watched the Mississippi well; therefore he chose the land route. Here, at the mouth of the Tennessee, his men brought in a canoe full of white traders who had recently been in Kaskaskia; certain of these were engaged to guide Clark thither. The party dropped down to Massac Creek, which enters the Ohio just above the site of the old fort, and in that inlet secreted their flat-boats ready to begin their intrepid march of one hundred and twenty miles across country.[2] As this little company of eight or nine score adventurers drew around their fires on Massac Creek, they little dreamed, we may be sure, of the fame they were to gain from this plucky excursion into the prairies of Illinois. It was impossible for them to lift their eyes above the commonplaces of the journey and the possibilities of the coming encounter, and see in true perspective what the capture of Illinois meant to poor Kentucky. It is not less difficult for us to turn our eyes from these general results, which were so brilliant, and get a clear insight into the commonplaces of this memorable little campaign--to hear the talk of the tired men about the fires as they cleaned the heavy clods of mud from shoes and moccasins, examined their guns, viewed the night, and then talked softly of the possibilities of the morrow, and dreamed, in the ruddy firelight, of those at home. Of all companies of famous campaigners on the Indian trails of America, this company was the smallest and the most picturesque. Clark had but little over half the force which Washington commanded at Fort Necessity in 1754. Little Massac Creek is eleven miles in length but drains seventy square miles of territory. This fact is a significant description of the nature of the northern and central portions of Massac County. From the Cache River a string of lakes extends in a southeast and then northeast direction to Big Bay River, varying in width from one to four miles; around the lakes lies a much greater area of cypress swamps and treacherous "sloughs" altogether impassable. The water of these lakes drains sometimes into the Cache and at other times into the Big Bay--depending upon the stage of water in the Ohio.[3] There were three routes from Fort Massac toward Kaskaskia; one, which may well be called the Moccasin Gap route, circled to the eastward to get around the lakes and swamps of Massac County; it passed eastward into Pope County, where it struck the Kaskaskia-Shawneetown highway. This route ran two and one-half miles west of Golconda, Pope County, and on to Sulphur or Round Spring. From thence through Moccasin Gap, section 3, township 12, range 4E, Johnson County; thence it ran directly for the prairie country to the northward. As noted, this route merged into the famous old Kaskaskia and Shawneetown route across Illinois--what was known as the Kaskaskia Trace--in Pope County. It was this course which in earliest times had been blazed by the French as the safest common highway between Kaskaskia and the trading and mission station (and later fort) at Massac. The trees along the course were marked with the proper number of miles by means of a hot iron, the figures then being painted red. "Such I saw them," records Governor Reynolds, "in 1800. This road made a great curve to the north to avoid the swamps and rough country on the sources of the Cash [Cache] river, and also to obtain the prairie country as soon as possible. This road... was called the old Massac road by the Americans." [Illustration: SKETCH MAP OF PART OF ILLINOIS Showing Routes of George Rogers Clark] The second route circled the Massac County lakes to the westward, cutting in between them and the canyons of the Cache River, near what is familiarly known as Indian Point (section 33, township 13, range 3E, Massac County), or one mile south of the northwest corner of Massac County; thence, running north of northwest, it crossed the Little Cache (Dutchman's Creek) one and one-half miles north of Forman. Thence the route is up the east side of the Cache and through Buffalo Gap, section 25, township 11, range 2E, Johnson County, to the prairie land beyond. The third route follows the second through Massac County. It is important to note here that the Illinois of Clark's day--as is partly true now--was composed of three kinds of land: swampy or "drowned" lands, prairie land, and timber land. Being practically a level country, the forests became as prominent landmarks as mountains and hills are in rugged districts. Routes of travel clung to the prairies; and camping-places, if water could be had in the neighborhood, were always chosen on the edge of a forest where wood could be obtained. Between wood and water, of
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Produced by sp1nd, obstobst and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) TALES OF NORTHUMBRIA BY THE SAME AUTHOR BORDERLAND STUDIES THE MARK O' THE DEIL THE WHITE-FACED PRIEST TALES OF NORTHUMBRIA BY HOWARD PEASE METHUEN & CO. 36 ESSEX STREET, W.C. LONDON 1899 TO EARL GREY EVER KEENLY INTERESTED IN WHATEVER CONCERNS HIS NATIVE COUNTY THESE SKETCHES OF NORTHUMBRIAN CHARACTER ARE DEDICATED BY THE AUTHOR CONTENTS PAGE NORTHUMBERLAND 1 'A LONG MAIN' 7 THE SQUIRE'S LAST RIDE 29 [`A] L'OUTRANCE 41 'T'OWD SQUIRE' 59 AN 'AMMYTOOR' DETECTIVE 79 'IN MEMORIOV'M' 109 'THE HECKLER' UPON WOMENFOLK 121 THE 'CALEB JAY' 133 GEORDIE ARMSTRONG 'THE JESU-YTE' 147 'GEORDIE RIDE-THE-STANG' 165 YANKEE BILL AND QUAKER JOHN 187 THE PROT['E]G['E] 209 THE SPANISH DOUBLOON 243 The tales that go to make up this small volume have already appeared in print: the first part of the Introduction, 'A Long Main,' 'In Memoriov'm,' in the _National Observer_; 'The Prot['e]g['e],' in the _Queen_; 'Quaker John and Yankee Bill,' 'T'Owd Squire,' 'An Ammytoor Detective,' in the _Newcastle Courant_; '[`A] l'Outrance,' in the _Newcastle Weekly Chronicle_; and the remaining six in the _Newcastle Daily Leader_. I desire to tender my thanks herewith to the various editors concerned. TALES OF NORTHUMBRIA NORTHUMBERLAND It is generally admitted that your Northumbrian pre-eminently possesses the quality which the pious but worldly Scotchman was used to pray for, namely, 'a guid conceit o' hissel'.' It is the more unfortunate, therefore, that of late years a considerable landslip should have taken place in the ground whereon his reputation rested. The local poet no longer hymns the 'Champions o' Tyneside,' for Chambers and Renforth and other heroes have long since departed, leaving 'no issue.' Advancing civilization, again, has, it is to be feared, made havoc of the proud insularity of the Northumbrian squirearchy. No longer are they content, like the Osbaldistones of yore, to devote themselves to cellar and stable, to stay at home, contemptuous of London and its politics, of travel and of new ideas. 'Markham's Farriery' and the 'Guide to Heraldry' have lost their pristine charm, and the Northumbrian is, as a consequence, foregoing his ancient characteristics merely to become provincial. 'Geordie Pitman' alone makes a stand against all modern innovation. Firm in his pele tower of ancient superiority, he is still convinced of the superiority of all things Northumbrian. 'Champions' may have died out elsewhere, and patriotism be decayed in the higher social ranks, but in the pit-village there still lingers an admirable quantity of the old self-love. In each separate village you may find some half-dozen self-styled 'champions' who will match themselves against 'any man in the world' for [GBP]10 or [GBP]15 a side at their own particular hobby or pastime. Defeat has little effect upon a 'champion': like Antaeus, he picks himself up the stronger for a fall, and having advertised himself in the papers as 'not being satisfied' with his beating, challenges another attempt forthwith. * * * * * Now this self-satisfaction--though somewhat decayed of late--is probably one of the oldest strains in the Northumbrian character, having been developed, doubtless, in the first instance, under stress of constant raid and foray, and but little affected thereafter--owing to the remoteness of the county both from the universities and from London--by the higher standards of softer and more civilized centres. After this, the next most predominant trait is a love of sport,
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Produced by Larry B. Harrison and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE FALL OF THE GREAT REPUBLIC. BOSTON: ROBERTS BROTHERS. 1886. _Copyright_, 1885, BY ROBERTS BROTHERS. University Press: JOHN WILSON AND SON, CAMBRIDGE. THE FALL OF THE GREAT REPUBLIC. (1886–88.) BY SIR HENRY STANDISH COVERDALE (_Intendant for the Board of European Administration in the Province of New York._) “O Liberty! Liberty! How many crimes are committed in thy name!” _By Permission of the Bureau of Press Censorship._ NEW YORK: 1895. CONTENTS. PAGE I. INTRODUCTORY.--THE “HARD TIMES” OF 1882–1887 7 II. THE MORAL INTERREGNUM 15 III. THE SOCIALISTIC POISON 27 IV. THE RULE OF IRELAND IN AMERICA 32 V. THE FIRST ERUPTION 51 VI. ANXIOUS FOREBODINGS 77 VII. THE REVOLUTIONISTS’ MASTER-STROKE 86 VIII. THE REIGN OF ANARCHY 96 IX. ATTEMPTS TO SAVE THE GOVERNMENT 103 X. THE LAST PRESIDENT OF THE UNITED STATES 115 XI. A PRECIOUS TRIUMVIRATE 124 XII. WAR WITH ENGLAND 128 XIII. CAPTURE OF BOSTON 141 XIV. THE EUROPEAN COALITION 159 XV. THE ALLIES ATTACK NEW YORK 171 XVI. THE FINAL STRUGGLE 192 XVII. FOREIGN OCCUPATION 198 APPENDIX. I. THE SOCIALISTIC SPIRIT IN 1885 207 II. A REVOLUTION NEAR AT HAND.--“IT MUST COME” 209 III. A FEMALE SOCIALIST’S ADVICE 211 IV. ATHEISM, COMMUNISM, AND ANARCHY 212 V. THE FORCES ARRAYED AGAINST CIVILIZATION 213 VI. THE PROSPECTS OF AN ALLIANCE BETWEEN DYNAMITERS AND COMMUNISTS 214 VII. TWO CONTEMP
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Produced by Mary Starr and Martin Robb. HTML version by Al Haines. THE LITTLE SHEPHERD OF KINGDOM COME by JOHN FOX, JR. To CURRIE DUKE DAUGHTER OF THE CHIEF AMONG MORGAN'S MEN KENTUCKY, APRIL, 1898 CONTENTS 1. TWO RUNAWAYS FROM LONESOME 2. FIGHTING THEIR WAY 3. A "BLAB SCHOOL" ON KINGDOM COME 4. THE COMING OF THE TIDE 5. OUT OF THE WILDERNESS 6. LOST AT THE CAPITAL 7. A FRIEND ON THE ROAD 8. HOME WITH THE MAJOR 9. MARGARET 10. THE BLUEGRASS 11. A TOURNAMENT 12. BACK TO KINGDOM COME 13. ON TRIAL FOR HIS LIFE 14. THE MAJOR IN THE MOUNTAINS 15. TO COLLEGE IN THE BLUEGRASS 16. AGAIN THE BAR SINISTER 17. CHADWICK BUFORD, GENTLEMAN 18. THE SPIRIT OF '76 AND THE SHADOW OF '61 19. THE BLUE OR THE GRAY 20. OFF TO THE WAR 21. MELISSA 22. MORGAN'S MEN 23. CHAD CAPTURES AN OLD FRIEND 24. A RACE BETWEEN DIXIE AND DAWN 25. AFTER DAWS DILLON--GUERILLA 26. BROTHER AGAINST BROTHER AT LAST 27. AT THE HOSPITAL OF MORGAN'S MEN 28. PALL-BEARERS OF THE LOST CAUSE 29. MELISSA AND MARGARET 30. PEACE 31. THE WESTWARD WAY THE LITTLE SHEPHERD OF KINGDOM COME CHAPTER 1 TWO RUNAWAYS FROM LONESOME The days of that April had been days of mist and rain. Sometimes, for hours, there would come a miracle of blue sky, white cloud, and yellow light, but always between dark and dark the rain would fall and the mist creep up the mountains and steam from the tops--only to roll together from either range, drip back into the valleys, and lift, straightway, as mist again. So that, all the while Nature was trying to give lustier life to every living thing in the lowland Bluegrass, all the while a gaunt skeleton was stalking down the Cumberland--tapping with fleshless knuckles, now at some unlovely cottage of faded white and green, and now at a log cabin, stark and gray. Passing the mouth of Lonesome, he flashed his scythe into its unlifting shadows and went stalking on. High up, at the source of the dismal little stream, the point of the shining blade darted thrice into the open door of a cabin set deep into a shaggy flank of Black Mountain, and three spirits, within, were quickly loosed from aching flesh for the long flight into the unknown. It was the spirit of the plague that passed, taking with it the breath of the unlucky and the unfit: and in the hut on Lonesome three were dead--a gaunt mountaineer, a gaunt daughter, and a gaunt son. Later, the mother, too, "jes' kind o' got tired," as little Chad said, and soon to her worn hands and feet came the well-earned rest. Nobody was left then but Chad and Jack, and Jack was a dog with a belly to feed and went for less than nothing with everybody but his little master and the chance mountaineer who had sheep to guard. So, for the fourth time, Chad, with Jack at his heels, trudged up to the point of a wooded spur above the cabin, where, at the foot of a giant poplar and under a wilderness of shaking June leaves, were three piles of rough boards, loosely covering three hillocks of rain-beaten earth; and, near them, an open grave. There was no service sung or spoken over the dead, for the circuit-rider was then months away; so, unnoticed, Chad stood behind the big poplar, watching the neighbors gently let down into the shallow trench a home-made coffin, rudely hollowed from the half of a bee-gum log, and, unnoticed, slipped away at the first muffled stroke of the dirt--doubling his fists into his eyes and stumbling against the gnarled bodies of laurel and rhododendron until, out in a clear sunny space, he dropped on a thick, velvet mat of moss and sobbed himself to sleep. When he awoke, Jack was licking his face and he sat up, dazed and yawning. The sun was dropping fast, the ravines were filling with blue shadows, luminous and misty, and a far drowsy tinkling from the valley told him that cows were starting homeward. From habit, he spr
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Produced by Juliet Sutherland, Christina and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Notes: 1. Tildes are used to denote text in small caps. AMERICAN SOCIETY OF CIVIL ENGINEERS INSTITUTED 1852 TRANSACTIONS Paper No. 1191 WATER PURIFICATION PLANT, WASHINGTON, D. C. RESULTS OF OPERATION.[1] ~By E. D. Hardy, M. Am. Soc. C. E.~ ~With Discussion by Messrs. Allen Hazen, George A. Johnson, Morris Knowles, George C. Whipple, F. F. Longley, and E. D. Hardy.~ The Washington filtration plant has already been fully described.[2] At the time that paper was written
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Produced by Michael Roe and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) The New Poetry Series PUBLISHED BY HOUGHTON MIFFLIN COMPANY IRRADIATIONS. SAND AND SPRAY. JOHN GOULD FLETCHER. SOME IMAGIST POETS. JAPANESE LYRICS. Translated by LAFCADIO HEARN. AFTERNOONS OF APRIL. GRACE HAZARD CONKLING. THE CLOISTER: A VERSE DRAMA. EMILE VERHAEREN. INTERFLOW. GEOFFREY C. FABER. STILLWATER PASTORALS AND OTHER POEMS. PAUL SHIVELL. IDOLS. WALTER CONRAD ARENSBERG. TURNS AND MOVIES, AND OTHER TALES IN VERSE. CONRAD AIKEN. ROADS. GRACE FALLOW NORTON. GOBLINS AND PAGODAS. JOHN GOULD FLETCHER. SOME IMAGIST POETS. _1916._ A SONG OF THE GUNS. GILBERT FRANKAU. MOTHERS AND MEN. HAROLD T. PULSIFER. SOME IMAGIST POETS, _1916_ SOME IMAGIST POETS _1916_ AN ANNUAL ANTHOLOGY [Illustration] BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge 1916 COPYRIGHT, 1916, BY HOUGHTON MIFFLIN COMPANY ALL RIGHTS RESERVED _Published May 1916_ THIRD IMPRESSION PREFACE In bringing the second volume of _Some Imagist Poets_ before the public, the authors wish to express their gratitude for the interest which the 1915 volume aroused. The discussion of it was widespread, and even those critics out of sympathy with Imagist tenets accorded it much space. In the Preface to that book, we endeavoured to present those tenets in a succinct form. But the very brevity we employed has lead to a great deal of misunderstanding. We have decided, therefore, to explain the laws which govern us a little more fully. A few people may understand, and the rest can merely misunderstand again, a result to which we are quite accustomed. In the first place "Imagism" does not mean merely the presentation of pictures. "Imagism" refers to the manner of presentation, not to the subject. It means a clear presentation of whatever the author wishes to convey. Now he may wish to convey a mood of indecision, in which case the poem should be indecisive; he may wish to bring before his reader the constantly shifting and changing lights over a landscape, or the varying attitudes of mind of a person under strong emotion, then his poem must shift and change to present this clearly. The "exact" word does not mean the word which exactly describes the object in itself, it means the "exact" word which brings the effect of that object before the reader as it presented itself to the poet's mind at the time of writing the poem. Imagists deal but little with similes, although much of their poetry is metaphorical. The reason for this is that while acknowledging the figure to be an integral part of all poetry, they feel that the constant imposing of one figure upon another in the same poem blurs the central effect. The great French critic, Remy de Gourmont, wrote last Summer in _La France_ that the Imagists were the descendants of the French _Symbolistes_. In the Preface to his _Livre des Masques_, M. de Gourmont has thus described _Symbolisme_: "Individualism in literature, liberty of art, abandonment of existing forms.... The sole excuse which a man can have for writing is to write down himself, to unveil for others the sort of world which mirrors itself in his individual glass.... He should create his own aesthetics--and we should admit as many aesthetics as there are original minds, and judge them for what they are and not what they are not." In this sense the Imagists are descendants of the _Symbolistes_; they are Individualists. The only reason that Imagism has seemed so anarchaic and strange to English and American reviewers is that their minds do not easily and quickly suggest the steps by which modern art has arrived at its present position. Its immediate prototype cannot be found in English or American literature, we must turn to Europe for it. With Debussy and Stravinsky in music, and Gauguin and Matisse in painting, it should
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Produced by Shaun Pinder, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE SUNKEN GARDEN This is the second book issued by the Beaumont Press 20 copies have been printed on Japanese vellum signed
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Produced by David Widger from page images generously provided by Google Books SLAVES OF FREEDOM By Coningsby Dawson New York: Henry Holt And Company 1916 [Illustration: 0003] [Illustration: 0007] A SLAVE OF FREEDOM The Night slips his arm about the Moon And walks till the skies grow gray; But my Love, when I speak of love, Has never a word to say. I set my dreams at her feet as lamps For which all my hope must pay; But my Love, when I speak of love, Has never a word to say. I fill her hands with a gleaming soul For her plaything night and day; But she, when I speak to her of love, Has never a word to say. I give my life, which is hers to kill Or to keep with her alway; And still, when I speak to her of love, She’s never a word to say. _The Night slips his arm about the Moon And walks till the skies grow gray; But my Love, when I speak of love, Has never a word to say._ BOOK I--LIFE TILL TWENTY-ONE CHAPTER I--MRS. SHEERUG’S GARDEN Nother bucket o’ mortar, Mr. Ooze.” The excessively thin man glanced up from the puddle of lime that he was stirring and regarded the excessively fat man with a smile of meek interrogation. “‘Nother bucket o’ mortar, Willie Ooze, and don’t you put your ’ead on one side at me like a bloomin’ cockatoo.” Mr. William Hughes stuttered an apology. “I was thin-thinking.” “Thin-thinking!” The fat man laughed good-naturedly. Turning his back on his helper, he gave the brick which he had just laid an extra tap to emphasize his incredulity. “’Tisn’t like you.” The thin man’s feelings were wounded. To the little boy who looked on this was evident from the way he swallowed. His Adam’s-apple took a run up his throat and, at the last moment, thought better of it. “But I _was_ thinking,” he persisted; “thinking that I’d learnt something from stirring up this gray muck. If ever I was to kill somebody--you, for instance, or that boy--I’d know better than to bury you in slaked lime.” “Uml Urn!” The fat man gulped with surprise. He puckered his vast chin against his collar so that his voice came deep and strangled. “It’s scraps o’ knowledge like that as saves men from the gallers. If ’alf the murderers that is ’anged ’ad come to me first, they wouldn’t be ’anging. But--but----” He seemed at last to realize the unkind implication of Mr. Hughes’s naive confession. “But I’d make four o’ you, Willyum! You couldn’t kill me, however you tried.” In the face of contradiction Mr. Hughes forgot his nervousness. “I could.” he pleaded earnestly. “I’ve often thought about it. I’d put off till you was stooping, and then jump. What with you being so short of breath and me being so long in the arms and legs, why-----------! I’ve planned it out many times, you and me being such good friends and so much alone together.” The face of the fat man grew serious with disapproval. “You? ’ave, ’ave you! You’ve got as far as that! You’re a nice domestic pet, I must say, to keep unchained to play with the children.” He attempted to go on with his bricklaying, but the memory of Mr. Hughes’s long arms and legs so immediately behind him was disturbing. He swung round holding his trowel like a weapon. “Don’t like your way of talking; don’t like it. O’ course you’ve ‘ad your troubles; for them I make allowances. But I don’t like it, and I don’t mind telling you. Um! Um!” The thin man was crestfallen; he had hoped to give pleasure. “But I thought you liked murders.” “Like ’em! I enjoy them--so I do.” The fat man spoke tartly. “But when you make me the corpse of your conversations, you presoom, Mr. Ooze, and I don’t mind telling you--you really do. Let that boy be the corpse next time; leave me out of it---- ’Nother bucket o’ mortar.” _That_ boy, who was sole witness to this quarrel, was very small--far smaller than his age. In the big walled garden of Orchid Lodge he felt smaller than usual. Everything was strange; even the whispered sigh of dead leaves was different as they swam up and swirled in eddies. In his own garden, only six walls distant, their sigh was gentle as Dearie’s footstep--but something had happened to Dearie; Jimmie Boy had told him so that morning. “Teddy, little man, it’s happened again”--the information had left Teddy none the wiser. All he knew was that Jane had told the milkman that something was expected, and that the milkman had told the cook at Orchid Lodge. The result had been the intrusion at breakfast of the remarkable Mrs. Sheerug. For a long while Mrs. Sheerug had been a staple topic of conversation between Dearie and Jimmie Boy. They had wondered who she was. They had made up the most preposterous tales about her and had told them to Teddy. They would watch for her to come out of her house six doors away, so that as she passed their window in Eden Row Jimmie Boy might make rapid sketches of her trotting balloon-like figure. He had used her more than once already in books which he had been commissioned to illustrate. She was the faery-godmother in his _Cinderella and Other Ancient Tales: With!6 Plates in color by James Gurney_. She was Mother Santa Claus in his _Christmas Up to Date_. They had rather wanted to get to know her, this child-man and woman who seemed no older than their little son and at times, even to their little son, not half as sensible. They had wanted to get to know her because she was always smiling, and because she was always upholstered in such hideously clashing colors, and because she was always setting out burdened on errands from which she returned empty-handed. The attraction of Mrs. Sheerug was heightened by Jane’s, the maid-of-all-work’s, discoveries: Orchid Lodge was heavily in debt to the local tradesmen and yet (it was Dearie who said “And yet.” with a sigh of envy), and yet its mistress was always smiling. When Mrs. Sheerug had invaded Teddy’s father that morning, she had come arrayed for conquest. She had worn a green plush mantle, a blue bonnet and, waving defiance from the blue bonnet, a yellow feather. “I’m a total stranger,” she had said. “Go on with your breakfast, Mr. Gurney, I’ve had mine. I’ll watch you. Well, _I’ve heard_, and so I’ve dropped in to see what I can do. You mustn’t mind me; trying to be a mother to everyone’s my foible. Now, first of all, you can’t have that boy in the house--boys are nice, but a nuisance. They’re noisy.” “But Teddy, I mean Theo, isn’t.” It was just like Jimmie Boy to call him Theo before a stranger and to assume the rôle of a respected parent. Mrs. Sheerug refused to be contradicted. She was cheerful, but emphatic. “If he never made a noise before, he will now. As soon as I’ve made Theo comfortable, I’ll come back to take care of you.” Making Theo comfortable had consisted in leading him down the old-fashioned, little-traveled street, on one side of which the river ran, guarded by iron spikes like spears set up on end, and turning him loose in the strange garden,
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PLANTS UNDER DOMESTICATION, VOLUME II (OF 2)*** E-text prepared by Steven Gibbs, Keith Edkins, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Transcriber's note: A few typographical errors have been corrected: they are listed at the end of the text. The Errata on page viii, which were in the original book, have been applied to this e-text. Page numbers within curly brackets (such as {iii} and {27} have been included so that the reader might use the index. THE VARIATION OF ANIMALS AND PLANTS UNDER DOMESTICATION. by CHARLES DARWIN, M.A., F.R.S., &c. IN TWO VOLUMES.--VOL. II. With Illustrations. LONDON: John Murray, Albemarle Street. 1868. The right of Translation is reserved. London: Printed by William Clowes and Sons, Stamford Street, and Charing Cross. {iii} CONTENTS OF VOLUME II. CHAPTER XII. INHERITANCE. WONDERFUL NATURE OF INHERITANCE--PEDIGREES OF OUR DOMESTICATED ANIMALS--INHERITANCE NOT DUE TO CHANCE--TRIFLING CHARACTERS INHERITED--DISEASES INHERITED--PECULIARITIES IN THE EYE INHERITED--DISEASES IN THE HORSE--LONGEVITY AND VIGOUR--ASYMMETRICAL DEVIATIONS OF STRUCTURE--POLYDACTYLISM AND REGROWTH OF SUPERNUMERARY DIGITS AFTER AMPUTATION--CASES OF SEVERAL CHILDREN SIMILARLY AFFECTED FROM NON-AFFECTED PARENTS--WEAK AND FLUCTUATING INHERITANCE: IN WEEPING TREES, IN DWARFNESS, COLOUR OF FRUIT AND FLOWERS, COLOUR OF HORSES--NON-INHER
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Produced by Chris Curnow, Mary Akers and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's note: Minor spelling and punctuation inconsistencies have been harmonized. Italic text has been marked with _underscores_. Obvious typos have been corrected. COMPANION VOLUME BY THE SAME AUTHOR CHATS ON OLD FURNITURE _Illustrated by 72 Full-page Plates._ CONTENTS CHAPTER I. THE RENAISSANCE ON THE CONTINENT II. THE ENGLISH RENAISSANCE III. STUART OR JACOBEAN (Early Seventeenth Century) IV. STUART OR JACOBEAN (Late Seventeenth Century) V. QUEEN ANNE AND EARLY GEORGIAN STYLES VI. FRENCH FURNITURE: THE PERIOD OF LOUIS XIV. VII. FRENCH FURNITURE: THE PERIOD OF LOUIS XV. VIII. FRENCH FURNITURE: THE PERIOD OF LOUIS XVI. IX. FRENCH FURNITURE: THE FIRST EMPIRE STYLE X. CHIPPENDALE AND HIS STYLE XI. ADAM, HEPPLEWHITE, AND SHERATON STYLES XII. HINTS TO COLLECTORS CHATS ON COTTAGE AND FARMHOUSE FURNITURE BOOKS FOR COLLECTORS _With Frontispieces and many Illustrations._ _Large Crown 8vo, cloth._ CHATS ON ENGLISH CHINA. By ARTHUR HAYDEN. CHATS ON OLD FURNITURE. By ARTHUR HAYDEN. CHATS ON OLD PRINTS. By ARTHUR HAYDEN. CHATS ON COSTUME. By G. WOOLLISCROFT RHEAD. CHATS ON OLD LACE AND NEEDLEWORK. By E. L. LOWES. CHATS ON ORIENTAL CHINA. By J. F. BLACKER. CHATS ON MINIATURES. By J. J. FOSTER. CHATS ON ENGLISH EARTHENWARE. By ARTHUR HAYDEN. (Companion Volume to "Chats on English China.") CHATS ON AUTOGRAPHS. By A. M. BROADLEY. CHATS ON OLD PEWTER. By H. J. L. J. MASSE, M.A. CHATS ON POSTAGE STAMPS. By FRED J. MELVILLE. CHATS ON OLD JEWELLERY AND TRINKETS. By MACIVER PERCIVAL. CHATS ON COTTAGE AND FARMHOUSE FURNITURE. By ARTHUR HAYDEN. (Companion Volume to "Chats on Old Furniture.") LONDON: T. FISHER UNWIN. NEW YORK: F. A. STOKES COMPANY. [Illustration: SIDEBOARD OF CARVED OAK. ENGLISH, SEVENTEENTH CENTURY. (_In the Victoria and Albert Museum._) _Frontispiece._] CHATS ON COTTAGE AND FARMHOUSE FURNITURE BY ARTHUR HAYDEN AUTHOR OF "CHATS ON OLD FURNITURE," ETC. WITH A CHAPTER ON OLD ENGLISH CHINTZES BY HUGH PHILLIPS AND SEVENTY-THREE FULL-PAGE ILLUSTRATIONS NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS (_All rights reserved._) TO MY OLD FRIEND FREDERIC ARUP I DEDICATE THIS VOLUME IN MEMORY OF A HAPPY LABOUR OF LOVE COMPLETED PREFACE The number of works dealing with old English furniture has grown rapidly during the last ten years. Not only has the subject been broadly treated from the historic or from the collector's point of view, but latterly everything has been scientifically reduced into departments of knowledge, and individual periods have received detailed treatment at the hands of specialists. Museums and well-known collections, noblemen's seats and country houses have furnished photographs of the finest examples, and these, now well-known, pieces have appeared again and again as illustrations to volumes by various hands. It is obviously essential in the study of the history and evolution of furniture-making in this country that superlative specimens be selected as ideal types for the student of design or for the collector, but such pieces must always be beyond the means of the average collector. The present volume has been written for that large class of collectors, who, while appreciating the beauty and the subtlety of great masterpieces of English furniture, have not long enough purses to pay the prices such examples bring after fierce competition in the auction-room. The field of minor work affords peculiar pleasure and demands especial study. The character of the cottage and farmhouse furniture is as sturdy and independent as that of the persons for whom it was made. For three centuries unknown cabinet-makers in towns and in villages produced work unaffected by any foreign influences. Linen-chests, bacon-cupboards, Bible-boxes, gate tables, and other tables, dressers, and chairs possess particular styles of treatment in different districts. The eighteenth-century cabinet-makers scattered up and down the three kingdoms and in America found in Chippendale's "Director" a design-book which stimulated them to produce furniture of compelling interest to the collector. The examples of such work illustrated in this volume have been taken from a wide area and are such as may come under the hand of the diligent collector in various parts of the country. In view of the increased love of collecting homely furniture suitable for modern use, it is my hope that this book may find a ready welcome, especially nowadays, when so many of the picturesque architectural details of old homesteads are being reproduced in the garden suburbs of great cities. It is possible that the authorities of local museums may find in this class of furniture a field for special research, as undoubtedly specimens of local work should be secured for permanent exhibition before they are dispersed far and wide and their identity with particular districts lost for ever. In regard to the scientific study of farmhouse and cottage furniture, the ideal arrangement is that followed at Skansen, Stockholm, and at Lyngby, near Copenhagen. In the former a series of buildings have been erected in the open air, in connection with the Northern Museum, gathered from every part of Sweden, retaining their exterior character and fitted with the furniture of their former occupants. It was the desire of the founder, Dr. Hazelius, to present an epitome of the national life. Similarly at Lyngby, an adjunct of the _Dansk Folkemuseum_ at Copenhagen, the life-work of Hr. Olsen has been given to gathering together and re-erecting a large number of old cottages and farmhouses from various districts in Denmark, from Iceland, the Faroe Islands, and from Norway and Sweden. These have their obsolete agricultural implements, and old methods of fencing and quaint styles of storage. The furniture stands in these specimen homes exactly as if they were occupied. It is a remarkable open-air museum, and the idea is worthy of serious consideration in this country. Old cottages and farmhouses are fast disappearing, and the preservation of these beauties of village and country life should appeal to all lovers of national monuments.[1] [1] Those interested in the method pursued in Sweden and Denmark and the grave necessity for speedy measures to preserve our national cottages and farmhouses from effacement will find illuminating articles on the subject from the pen of "Home Counties" in the _World's Work_, August, October, and November, 1910, and in the American _Educational Review_, February, 1911, in an article by Lucy M. Salmon. "Old West Surrey," by Gertrude Jekyll (Longmans & Co.), 1904, contains a wealth of suggestive material relating to cottage furniture and articles of daily use of old-style country life now passing away. In connexion with farmhouse furniture, old chintzes is a subject never before written upon. A chapter in this volume is contributed by Mr. Hugh Phillips, whose special studies concerning this little known field enable him to present much valuable information which has never before been in print, together with illustrations of chintzes actually taken from authentic examples of old furniture. A brief survey is made of miscellaneous articles associated with cottage and farmhouse furniture. Some specimens of Sussex firebacks are illustrated, together with fenders, firedogs, pot-hooks, candle-holders, and brass and copper candlesticks. The illustrations have been selected in order to convey a broad outline of the subject. My especial thanks are due to Messrs. Phillips, of the Manor House, Hitchin, for placing at my disposal the practical experience of many years' collecting in various parts of the country, and by enriching the volume with illustrations of many fine examples of great importance and rarity never before photographed. To Messrs. A. B. Daniell & Sons I am indebted for photographs of specimens in their galleries. In presenting this volume it is my intention that it should be a companion volume to my "Chats on Old Furniture," which records the history and evolution of the finer styles of English furniture, showing the various foreign influences on English craftsmen who made furniture for the wealthy classes. ARTHUR HAYDEN. CONTENTS CHAPTER I PAGE INTRODUCTORY NOTE 25 The minor collector--The originality of the village cabinet-maker--His freedom from foreign influences--The traditional character of his work--Difficult to establish dates to cottage and farmhouse furniture--Oak the chief wood employed--Beech, elm, and ash used in lieu of mahogany and satinwood--Village craftsmanship not debased by early-Victorian art--Its obliteration in the age of factory-made furniture--The conservation of old farmhouses with their furniture in Sweden and in Denmark--The need for the preservation and exhibition of old cottages and farmhouses in Great Britain. CHAPTER II SEVENTEENTH-CENTURY STYLES 43 Typical Jacobean furniture--Solidity of English joiners' work--Oak general in its use--The oak forests of England--Sturdy independence of country furniture--Chests of drawers--The slow assimilation of foreign styles--The changing habits of the people. CHAPTER III THE GATE-LEG TABLE 83 Its early form--Transitional and experimental stages--Its establishment as a permanent popular type--The gate-leg table in the Jacobean period--Walnut and mahogany varieties--Its utility and beauty contribute to its long survival--Its adoption in modern days. CHAPTER IV THE FARMHOUSE DRESSER 113 The days of the late Stuarts--Its early table form with drawers--The decorated type with shelves--William and Mary style with double cupboards--The Queen Anne cabriole leg--Mid-eighteenth-century types. CHAPTER V THE BIBLE-BOX, THE CRADLE, THE SPINNING-WHEEL, AND THE BACON-CUPBOARD 137 The Puritan days of the seventeenth century--The Protestant Bible in every home--The variety of carving found in Bible-boxes--The Jacobean cradle and its forms--The spinning-wheel--The bacon-cupboard. CHAPTER VI EIGHTEENTH-CENTURY STYLES 155 The advent of the cabriole leg--The so-called Queen Anne style--The survival of oak in the provinces--The influence of walnut on cabinet-making--The early-Georgian types--Chippendale and his contemporaries. CHAPTER VII THE EVOLUTION OF THE CHAIR 189 Early days--The typical Jacobean oak chair--The evolution of the stretcher--The chair-back and its development--Transition between Jacobean and William and Mary forms--Farmhouse styles contemporary with the cane-back chair--The Queen Anne splat--Country Chippendale, Hepplewhite, and Sheraton--The grandfather chair--Ladder-back types--The spindle-back chair--Corner chairs. CHAPTER VIII THE WINDSOR CHAIR 243 Early types--The stick legs without stretcher--The tavern chair--Eighteenth-century pleasure gardens--The rail-back variety--Chippendale style Windsor chairs--The survival of the Windsor chair. CHAPTER IX LOCAL TYPES 265 Welsh carving--Scottish types--Lancashire dressers, wardrobes, and chairs--Hertfordshire, Bedfordshire, Cambridge, and Essex tables--Isle of Man tables. CHAPTER X MISCELLANEOUS IRONWORK, ETC. 285 The rushlight-holder--The dipper--The chimney crane--The Scottish crusie--Firedogs--The warming-pan--Sussex firebacks--Grandfather clocks. CHAPTER XI OLD ENGLISH CHINTZES. (By Hugh Phillips) 315 The charm of old English chintz--Huguenot cloth-printers settle in England--Jacob Stampe at the sign of the Calico Printer--The Queen Anne period--The Chippendale period--The age of machinery. INDEX 343 LIST OF ILLUSTRATIONS SIDEBOARD OF CARVED OAK (ENGLISH, SEVENTEENTH-CENTURY) _Frontispiece_ CHAPTER I--INTRODUCTORY NOTE PAGE CHESTS (SIXTEENTH CENTURY) 29 ELIZABETHAN CHAIR 35 CHEST (SEVENTEENTH CENTURY) 35 INTERIOR OF FARMHOUSE PARLOUR 39 INTERIOR OF COTTAGE 39 CHAPTER II MONK'S BENCH 53 OAK CHEST WITH DRAWERS UNDERNEATH 53 JOINT STOOLS 57 OAK TABLE 57 CHEST (RESTORATION PERIOD) 63 EARLY OAK TABLE (MIDDLE SEVENTEENTH-CENTURY) 63 SMALL OAK TABLE (_c._ 1680) 65 JACOBEAN CHEST OF DRAWERS (_c._ 1660) 65 CHESTS OF DRAWERS 69 CHEST OF DRAWERS (CABRIOLE FEET) 73 WILLIAM AND MARY TABLE (_c._ 1670) 73 CHILDREN'S STOOLS 77 RARE BEDSTEAD (_c._ 1700) 77 CHAPTER III TRIANGULAR GATE TABLE 87 OAK SIDE-TABLE 87 SMALL GATE TABLE (VERY EARLY TYPE) 91 GATE TABLE (MIDDLE SEVENTEENTH-CENTURY) 91 RARE TABLE WITH DOUBLE GATES 93 RARE TABLE WITH DOUBLE GATES AND ONLY ONE FLAP 93 GATE-LEG TABLE (RESTORATION PERIOD) 97 GATE-LEG TABLE (YORKSHIRE TYPE) 97 GATE-LEG TABLE WITH SIX LEGS ("BARLEY-SUGAR" TURNING) 99 GATE-LEG TABLE (BALL TURNING) 99 COLLAPSIBLE TABLE WITH RARE =X= STRETCHER 101 PRIMITIVE GATE-LEG TABLE 101 WILLIAM AND MARY GATE-LEG TABLE 105 SQUARE-TOP GATE-LEG TABLES 105 MAHOGANY GATE-LEG TABLES 109 CHAPTER IV OAK DRESSER (ABOUT 1680) 117 OAK DRESSER (PERIOD OF JAMES II.) 117 OAK DRESSER (EARLY EIGHTEENTH CENTURY) 119 OAK DRESSER, URN-SHAPED LEGS (RESTORATION PERIOD) 119 MIDDLE-JACOBEAN DRESSER 123 WILLIAM AND MARY OAK DRESSER 127 OAK DRESSER. SQUARE-LEG TYPE 127 UNIQUE DRESSER AND CLOCK COMBINED 131 OAK DRESSER. QUEEN ANNE CABRIOLE LEGS 135 LANCASHIRE OAK DRESSER 135 CHAPTER V BIBLE-BOXES. EARLY EXAMPLES 143 BIBLE-BOXES (MIDDLE SEVENTEENTH-CENTURY AND ORDINARY TYPE) 145 OAK CRADLES 149 YARN-WINDER AND SPINNING-WHEEL 151 BUCKINGHAMSHIRE BOBBINS 151 CHAPTER VI LANCASHIRE OAK SETTLES 159 CUPBOARD WITH DRAWERS 163 QUEEN ANNE BUREAU BOOKCASE 163 OAK TABLES (EARLY EIGHTEENTH CENTURY) 165 QUEEN ANNE GLASS- OR CHINA-CUPBOARD 171 GEORGIAN CORNER-CUPBOARD 171 OAK TABLES 173 OAK TABLES, WITH TYPICAL COUNTRY CABRIOLE LEGS 177 QUEEN ANNE TEA-TABLE 181 OAK REVOLVING BOOK-STAND 181 COUNTRY CHIPPENDALE TABLE 181 SQUARE MAHOGANY FLAP-TABLE 183 TRIPOD TABLE (_c._ 1760) 183 COUNTRY CHIPPENDALE AND COUNTRY ADAM TABLES 187 CHAPTER VII OAK ARM-CHAIRS (ONE DATED 1650) 191
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Produced by Col Choat. HTML version by Al Haines. DOT AND THE KANGAROO by Ethel C. Pedley To the children of Australia in the hope of enlisting their sympathies for the many beautiful, amiable, and frolicsome creatures of their fair land, whose extinction, through ruthless destruction, is being surely accomplished CHAPTER I. Little Dot had lost her way in the bush. She knew it, and was very frightened. She was too frightened in fact to cry, but stood in the middle of a little dry, bare space, looking around her at the scraggy growths of prickly shrubs that had torn her little dress to rags, scratched her bare legs and feet till they bled, and pricked her hands and arms as she had pushed madly through the bushes, for hours, seeking her home. Sometimes she looked up to the sky. But little of it could be seen because of the great tall trees that seemed to her to be trying to reach heaven with their far-off crooked branches. She could see little patches of blue sky between the tangled tufts of her way in the and was very drooping leaves, and, as the dazzling sunlight had faded, she began to think it was getting late, and that very soon it would be night. The thought of being lost and alone in the wild bush at night, took her breath away with fear, and made her tired little legs tremble under her. She gave up all hope of finding her home, and sat down at the foot of the biggest blackbutt tree, with her face buried in her hands and knees, and thought of all that had happened, and what might happen yet. It seemed such a long, long time since her mother had told her that she might gather some bush flowers while she cooked the dinner, and Dot recollected how she was bid not to go out of sight of the cottage. How she wished now she had remembered this sooner! But whilst she was picking the pretty flowers, a hare suddenly started at her feet and sprang away into the bush, and she had run after it. When she found that she could not catch the hare, she discovered that she could no longer see the cottage. After wandering for a while she got frightened and ran, and ran, little knowing that she was going further away from her home at every step. Where she was sitting under the blackbutt tree, she was miles away from her father's selection, and it would be very difficult for anyone to find her. She felt that she was a long way off, and she began to think of what was happening at home. She remembered how, not very long ago, a neighbour's little boy had been lost, and how his mother had come to their cottage for help to find him, and that her father had ridden off on the big bay horse to bring men from all the selections around to help in the search. She remembered their coming back in the darkness; numbers of strange men she had never seen before. Old men, young men, and boys, all on their rough-coated horses, and how they came indoors, and what a noise they made all talking together in their big deep voices. They looked terrible men, so tall and brown and fierce, with their rough bristly beards; and they all spoke in such funny tones to her, as if they were trying to make their voices small. During many days, these men came and went, and every time they were more sad, and less noisy. The little boy's mother used to come and stay, crying, whilst the men were searching the bush for her little son. Then, one evening, Dot's father came home alone, and both her mother and the little boy's mother went away in a great hurry. Then, very late, her mother came back crying, and her father sat smoking by the fire looking very sad, and she never saw that little boy again, although he had been found. She wondered now if all these rough, big men were riding into the bush to find her, and if, after many days, they would find her, and no one ever see her again. She seemed to see her mother crying, and her father very sad, and all the men very solemn. These thoughts made her so miserable that she began to cry herself. Dot does not know how long she was sobbing in loneliness and fear, with her head on her knees, and with her little hands covering her eyes so as not to see the cruel wild bush in which she was lost. It seemed a long time before she summoned up courage to uncover her weeping eyes, and look once more at the bare, dry earth, and the wilderness of scrub and trees that seemed to close her in as if she were in a prison. When she did look up, she was surprised to see that she was no longer alone. She forgot all her trouble and fear in her astonishment at seeing a big grey Kangaroo squatting quite close to her, in front of her. What was most surprising was the fact that the Kangaroo evidently understood that Dot was in trouble, and was sorry for her; for down the animal's nice soft grey muzzle two tiny little tears were slowly trickling. When Dot looked up at it with wonder in her round blue eyes, the Kangaroo did not jump away, but remained gazing sympathetically at Dot with a slightly puzzled air. Suddenly the big animal seemed to have an idea, and it lightly hopped off into the scrub, where Dot could just see it bobbing up and down as if it were hunting for something. Presently back came the strange Kangaroo with a spray of berries in her funny black hands. They were pretty berries. Some were green, some were red, some blue, and others white. Dot was quite glad to take them when the Kangaroo offered them to her; and as this friendly animal seemed to wish her to eat them, she did so gladly, because she was beginning to feel hungry. After she had eaten a few berries a very strange thing happened. While Dot had been alone in the bush it had all seemed so dreadfully still. There had been no sound but the gentle stir of a light, fitful breeze in the far-away tree-tops. All around had been so quiet, that her loneliness had seemed twenty times more lonely. Now, however, under the influence of these small, sweet berries, Dot was surprised to hear voices everywhere. At first it seemed like hearing sounds in a dream, they were so faint and distant, but soon the talking grew nearer and nearer, louder and clearer, until the whole bush seemed filled with talking. They were all little voices, some indeed quite tiny whispers and squeaks, but they were very numerous, and seemed to be everywhere. They came from the earth, from the bushes, from the trees, and from the very air. The little girl looked round to see where they came from, but everything looked just the same. Hundreds of ants, of all kinds and sizes, were hurrying to their nests; a few lizards were scuttling about amongst the dry twigs and sparse grasses; there were some grasshoppers, and in the trees birds fluttered to and fro. Then Dot knew that she was hearing, and understanding, everything that was being said by all the insects and creatures in the bush. All this time the Kangaroo had been speaking, only Dot had been too surprised to listen. But now the gentle, soft voice of the kind animal caught her attention, and she found the Kangaroo was in the middle of a speech. "I understood what was the matter with you at once," she was saying, "for I feel just the same myself. I have been miserable, like you, ever since I lost my baby Kangaroo. You also must have lost something. Tell me what it is?" "I've lost my way," said Dot; rather wondering if the Kangaroo would nderstand her. "Ah!" said the Kangaroo, quite delighted at her own cleverness, "I knew you had lost something! Isn't it a dreadful feeling? You feel as if you had no inside, don't you? And you're not inclined to eat anything--not even the youngest grass. I have been like that ever since I lost my baby Kangaroo. Now tell me," said the creature confidentially, "what your way is like. I may be able to find it for you." Dot found that she must explain what she meant by saying she had "lost her way," and the Kangaroo was much interested. "Well," said she, after listening to the little girl, "that is just like you Humans; you are not fit for this country at all! Of course, if you have only one home in one place, you must lose it! If you made your home everywhere and anywhere, it would never be lost. Humans are no good in our bush," she continued. "Just look at yourself now. How do you compare with a Kangaroo? There is your ridiculous sham coat. Well, you have lost bits of it all the way you have come to-day, and you're nearly left in your bare skin. Now look at my coat. I've done ever so much more hopping than you to-day, and you see I'm none the worse. I wonder why all your fur grows upon the top of your head," she said reflectively, as she looked curiously at Dot's long flaxen curls. "It's such a silly place to have one's fur the thickest! You see, we have very little there; for we don't want our heads made any hotter under the Australian sun. See how much better off you would be, now that nearly all your sham coat is gone, if that useless fur had been chopped into little, short lengths and spread all over your poor bare body. I wonder why you Humans are made so badly," she ended, with a puzzled air. Dot felt for a moment as if she ought to apologise for being so unfit for the bush, and for having all the fur on the top of her head. But, somehow, she had an idea that a little girl must be something better than a kangaroo, although the Kangaroo certainly seemed a very superior person; so she said nothing, but again began to eat the berries. "You must not eat any more of these berries," said the Kangaroo, anxiously. "Why?" asked Dot, "they are very nice, and I'm very hungry." The Kangaroo gently took the spray out of Dot's hand, and threw it away. "You see," she said, "if you eat too many of them, you'll know too much." "One can't know too much," argued the little girl. "Yes you can, though," said the Kangaroo, quickly. "If you eat too many of those berries, you'll learn too much, and that gives you indigestion, and then you become miserable. I don't want you to be miserable any more, for I'm going to find your lost way." The mention of finding her way reminded the little girl of her sad position, which, in her wonder at talking with the Kangaroo, had been quite forgotten for a little while. She became sad again; and seeing how dim the light was getting, her thoughts went back to her parents. She longed to be with them to be kissed and cuddled, and her blue eyes filled with tears. "Your eyes just now remind me of two fringed violets, with the morning dew on them, or after a shower," said the Kangaroo. "Why are you crying?" "I was thinking," said Dot. "Oh! don't think!" pleaded the Kangaroo; "I never do myself." "I can't help it!" explained the little girl. "What do you do instead?" she asked. "I always jump to conclusions," said the Kangaroo, and she promptly bounded ten feet at one hop. Lightly springing back again to her position in front of the child, she added, "and that's why I never have a headache." "Dear Kangaroo," said Dot, "do you know where I can get some water? I'm very thirsty!" "Of course you are," said her friend; "everyone is at sundown. I'm thirsty myself. But the nearest water-hole is a longish way off, so we had better start at once." Little Dot got up with an effort. After her long run and fatigue, she was very stiff, and her little legs were so tired and weak, that after a few steps she staggered and fell. The Kangaroo looked at the child compassionately. "
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Produced by Norman M. Wolcott The Blockade Runners by Jules Verne [Redactor's Note: _The Blockade Runners_ (number V008 in the T&M numerical listing of Verne's works) is a translation of _Les forceurs de blocus_ (1871). _The Blockade Runners_, a novella, was included along with _A Floating City_ in the first english and french editions of this work. This translation, which follows that of Sampson and Low (UK) and Scribners (US) is by "N. D'Anvers", pseudonymn for Mrs. Arthur Bell (d. 1933) who also translated other Verne books. It is also included in the fifteen volume Parke edition of the works of Jules Verne (1911). There is another translation by Henry Frith which was published by Routledge (1876). Both of these stories are about ships; _Floating City_ about the largest ship of the time, the _Great Eastern_, and _Blockade Runners_ about one of the fastest, the _Dolphin_. This text version was prepared from public domain sources by Norman M. Wolcott, 2003, [email protected]] The Blockade Runners Table of Contents I THE _DOLPHIN_ II GETTING UNDER SAIL III THINGS ARE NOT WHAT THEY SEEM IV CROCKSTON'S TRICK V THE SHOT FROM THE _IROQUOIS,_ AND MISS JENNY'S ARGUMENTS VI SULLIVAN ISLAND CHANNEL VII A SOUTHERN GENERAL VIII THE ESCAPE IX BETWEEN TWO FIRES X ST. MUNGO THE BLOCKADE RUNNERS Chapter I THE _DOLPHIN_ The Clyde was the first river whose waters were lashed into foam by a steam-boat. It was in 1812 when the steamer called the _Comet_ ran between Glasgow and Greenock, at the speed of six miles an hour. Since that time more than a million of steamers or packet-boats have plied this Scotch river, and the inhabitants of Glasgow must be as familiar as any people with the wonders of steam navigation. However, on the 3rd of December, 1862, an immense crowd, composed of shipowners, merchants, manufacturers, workmen, sailors, women, and children, thronged the muddy streets of Glasgow, all going in the direction of Kelvin Dock, the large shipbuilding premises belonging to Messrs. Tod & MacGregor. This last name especially proves that the descendants of the famous Highlanders have become manufacturers, and that they have made workmen of all the vassals of the old clan chieftains. Kelvin Dock is situated a few minutes' walk from the town, on the right bank of the Clyde. Soon the immense timber-yards were thronged with spectators; not a part of the quay, not a wall of the wharf, not a factory roof showed an unoccupied place; the river itself was covered with craft of all descriptions, and the heights of Govan, on the left bank, swarmed with spectators. There was, however, nothing extraordinary in the event about to take place; it was nothing but the launching of a ship, and this was an everyday affair with the people of Glasgow. Had the _Dolphin_, then--for that was the name of the ship built by Messrs. Tod & MacGregor--some special peculiarity? To tell the truth, it had none. It was a large ship, about 1,500 tons, in which everything combined to obtain superior speed. Her engines, of 500 horse-power, were from the workshops of Lancefield Forge; they worked two screws, one on either side the stern-post, completely independent of each other. As for the depth of water the _Dolphin_ would draw, it must be very inconsiderable; connoisseurs were not deceived, and they concluded rightly that this ship was destined for shallow straits. But all these particulars could not in any way justify the eagerness of the people: taken altogether, the _Dolphin_ was nothing more or less than an ordinary ship. Would her launching present some mechanical difficulty to be overcome? Not any more than usual. The Clyde had received many a ship of heavier tonnage, and the launching of the _Dolphin_ would take place in the usual manner. In fact, when the water was calm, the moment the ebb-tide set in, the workmen began to operate. Their mallets kept perfect time falling on the wedges meant to raise the ship's keel: soon a shudder
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E-text prepared by Steven Gibbs, Les Galloway, and the Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 52902-h.htm or 52902-h.zip: (http://www.gutenberg.org/files/52902/52902-h/52902-h.htm) or (http://www.gutenberg.org/files/52902/52902-h.zip) Transcriber's note: Text enclosed by underscores is in italics (_italics_). A carat character is used to denote superscription. A single character following the carat is superscripted (example: D^o). Multiple superscripted characters are enclosed by curly brackets (example: 15^{inch}). A Naval Expositor, _Shewing and Explaining The Words and Terms of Art belonging to the Parts, Qualities and Proportions of Building, Rigging, Furnishing, & Fitting a Ship for Sea_. Also _All Species that are received into the Magazines, and on what Services they are Used and Issued._ Together with _The Titles of all the Inferior Officers belonging to a Ship, with an Abridgment of their respective Duties._ _By Thomas Riley Blanckley._ _LONDON Printed by E. Owen, in Warwick Lane, and Engraved by Paul Fourdrinier at Charing Cross._ MDCCL. _To the Right Honourable the Lords Commissioners for Executing the Office of Lord High Admiral of_ Great Britain _and_ Ireland, _and of all His Majesty's Plantations_, &c. As the following Sheets have been published by your Lordships Approbation, they are, with the greatest Submission and Gratitude, dedicated to your Lordships, _By, My Lords, Your Lordships Most Obedient, Most Dutiful, and Most Humble Servant_, Thomas Riley Blanckley. A LIST OF THE SUBSCRIBERS. A. Right Honourable the Lords of the _Admiralty_ (as a Board.) Joseph Allin, _Esq_; _Surveyor of His Majesty's Navy_. Governors and Company of the _Royal Exchange Assurance Office_. Capt. Mariot Arbuthnot. Capt. Thomas Andrewes. George Atkins, _Esq_; William Allix, _Esq_; Charles Alexander, _Esq_; Michael Atkins, _Esq_; Roger Altham, _Esq_; William Allix, _Esq_; _Commissioner of the Six-penny Office_. Mr Gabriel Acworth. Mr John Andrews. Mr Elias Arnaud. Mr Thomas Adney. Mr Charles Allen. Mr Samuel Allin. Mr Williams Arthur. Mr D. H. S. Augier. Mr George Allen. Lieutenant John Angier. Mr William Atwick. Mr James Atkins. Mr Edward Allin. B. His Grace the Duke of Bedford, _Principal Secretary of State_. Right Honourable Lord Viscount Barrington, _Lord of the Admiralty_, 6 Books. Charles Brown, _Esq_; _Commissioner of the Navy at Chatham_. Capt. Wm. Bladwell, 2 Books. Capt. Patrick Baird. Capt. Henry Barnfley. Capt. Mathew Buckle. Sir William Baird, _Bart_. George Bellas, _Esq_; 14 Books. James Bankes, _Esq_; Edward Busby, _Esq_; Robert Bennett, _Esq_; Charles Burley, _Esq_; Mr Edward Bentham. Mr Richard Bowers. Mr John Barker. Mr James Bucknall. Mr William Bruce. Mr Jonas Botting. Mr Bryan Bentham. Mr John Baynard. Mr William Bately. Mr John Bately. Mr John Bannick. Mr Jonas Benjamin. Mr Thomas Barnfield. Mr Owen Bird. Mr Richard Burry. Mr Daniel Baverstock. Lieut. Thomas Burnett. Mr Pentecost Barker. Mr Nathaniel Bishop. Mr Robert Bogg. Mr Charles Bowes. Mr Thomas Brewer. Mr Francis Benson. Mr John Bromfall. Mr Richard Brett. C. Right Honourable Lord Viscount Cobham. Right. Hon. Lord Colville. Thomas Corbett, _Esq_; _Secretary of the Admiralty_, 2 Books. John Clevland, _Esq_; _Secretary of the Admiralty_, 2 Books. Capt. John Cokburne. Capt. Alexander Campbell. Lieut. Col. Mordaunt Cracherode. Richard Owen Cambridge, _Esq_; 2 Books. Robert Chapman, _L. L. D._ Claude Crespigny, _Esq_; Philip Crespigny, _Esq_; John Spencer Colepeper, _Esq_; John Carter, _Esq_; Edmund Clark, _Esq_; Thomas Colby, _Esq_; John Crookshanks, _Esq_; Lieut. Christopher Coles. Lieut. John Clark. Mr Francis Colepeper. Mr John Cogswell. Mr Ulick Cormick. Mr Edward Collingwood. Mr William Cookson. Mr George Crisp. Mr Thomas Crabtree. Mr John Cæfar. Mr Richard Cheslyn. Mr Robert Calland. Mr Joseph Champion. Mr Raphael Courteville. D. His Grace the Duke of Devonshire. Rt. Hon. Ld. Viscount Duncannon, _Lord of the Admiralty_, 6 Books. Capt. Digby Dent. Capt. James Douglass. Capt. Cotton Dent. Capt. Thomas Dove. Andrew Coltee Ducarell, _L. L. D._ Jacob Dias, _Esq_; Arthur Dobbins, _Esq_; Lieut. John Dunkley. Mr Windham Deverell. Mr Elias Dunsterville. Mr Thomas Dobbins. Mr Henry Daniel. E. Hon. Capt. Geo. Edgcumbe. Capt. John Evans. Capt. Michael Everitt. Mr John Elliott. Mr John Holland Ecles. Mr John Etherington. F. Hon. John Forbes, _Esq_; _Rear Admiral of the White Squadron of His Majesty's Fleet_. Thomas Fox, _Esq_; _Rear Admiral_. Capt. Thomas Frankland. Capt. John Fawler. Capt. William Fortescue. Capt. Thomas Foley. Josias Farrer, _Esq_; Lieut. Robert Frankland. Mr Thomas Fellowes. Mr Joseph Fletcher. Mr James Forrester.
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Produced by David Widger from page images generously provided by the Internet Archive IN THE LEVANT. By Charles Dudley Warner, Twenty Fifth Impression Boston: Houghton, Mifflin And Company 1876 TO WILLIAM D. HOWELLS THESE NOTES OF ORIENTAL TRAVEL ARE FRATERNALLY INSCRIBED. CONTENTS PREFACE IN THE LEVANT. I.—FROM JAFFA TO JERUSALEM. II.—JERUSALEM. III.—HOLY PLACES OP THE HOLY CITY. IV.—NEIGHBORHOODS OF JERUSALEM. V.—GOING DOWN TO JERICHO. VI.—BETHLEHEM AND MAR SABA. VII.—THE FAIR OF MOSES; THE ARMENIAN PATRIARCH. VIII.—DEPARTURE FROM JERUSALEM. IX.—ALONG THE SYRIAN COAST. X.—BEYROUT.—OVER THE LEBANON. XI.—BA'ALBEK. XII.—ON THE ROAD TO DAMASCUS. XIII.—THE OLDEST OF CITIES. XIV.—OTHER SIGHTS IN DAMASCUS. XV.—SOME PRIVATE HOUSES. XVI.—SOME SPECIMEN TRAVELLERS. XVII.—INTO DAYLIGHT AGAIN.—AN EPISODE OF TURKISH JUSTICE. XVIII.—CYPRUS. XIX.—THROUGH SUMMER SEAS.—RHODES. XX.—AMONG THE ÆGEAN ISLANDS. XXI.—SMYRNA AND EPHESUS. XII.—THE ADVENTURERS. XXIII.—THROUGH THE DARDANELLES. XIV.—CONSTANTINOPLE. XXV.—THE SERAGLIO AND ST. SOPHIA, HIPPODROME, etc. XXVI.—SAUNTERINGS ABOUT CONSTANTINOPLE. XXVII.—FROM THE GOLDEN HORN TO THE ACROPOLIS. XXVIII.—ATHENS. XXIX.—ELEUSIS, PLATO'S ACADEME, ETC. XXX.—THROUGH THE GULF OF CORINTH. PREFACE IN the winter and spring of 1875 the writer made the tour of Egypt and the Levant. The first portion of the journey is described in a volume published last summer, entitled “My Winter on the Nile, among Mummies and Moslems”; the second in the following pages. The notes of the journey were taken and the books were written before there were any signs of the present Oriental disturbances, and the observations made are therefore uncolored by any expectation of the existing state of affairs. Signs enough were visible of a transition period, extraordinary but hopeful; with the existence of poverty, oppression, superstition, and ignorance were mingling Occidental and Christian influences, the faint beginnings of a revival of learning and the stronger pulsations of awakening commercial and industrial life. The best hope of this revival was their, as it is now, in peace and not in war. C. D. W. Hartford, November 10,1876. IN THE LEVANT. I.—FROM JAFFA TO JERUSALEM. SINCE Jonah made his short and ignominious voyage along the Syrian coast, mariners have had the same difficulty in getting ashore that the sailors experienced who attempted to land the prophet; his tedious though safe method of disembarking was not followed by later navigators, and the landing at Jaffa has remained a vexatious and half the time an impossible achievement. The town lies upon the open sea and has no harbor. It is only in favorable weather that vessels can anchor within a mile or so from shore, and the Mediterranean steamboats often pass the port without being able to land either freight or passengers, In the usual condition of the sea the big fish would have found it difficult to discharge Jonah without stranding itself, and it seems that it waited three days for the favorable moment. The best chance for landing nowadays is in the early morning, in that calm period when the winds and the waves alike await the movements of the sun. It was at that hour, on the 5th of April, 1875, that we arrived from Port Said on the French steamboat Erymanthe. The night had been pleasant and the sea tolerably smooth, but not to the apprehensions of some of the passengers, who always declare that they prefer, now, a real tempest to a deceitful groundswell. On a recent trip a party had been prevented from landing, owing to the deliberation of the ladies in making their toilet; by the time they had attired themselves in a proper manner to appear in Southern Palestine, the golden hour had slipped away, and they were able only to look upon the land which their beauty and clothes would have adorned. None of us were caught in a like delinquency. At the moment the anchor went down we were bargaining with a villain to take us ashore, a bargain in which the yeasty and waxingly uneasy sea gave the boatman all the advantage. Our little company of four is guided by the philosopher and dragoman Mohammed Abd-el-Atti, of Cairo, who has served us during the long voyage of the Nile. He is assisted in his task by the Abyssinian boy Ahman Ab
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The Project Gutenberg Etext of NEVER AGAIN! by Edward Carpenter Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need about what they can legally do with the texts. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg
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Produced by Curtis Weyant, Christine D. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Posner Memorial Collection (http://posner.library.cmu.edu/Posner/)) Transcriber's Note Led by the belief that the spelling and punctuation of each entry is based directly on the original title pages no intentional 'corrections' have been made to the content. The text in this e-book is as close to the original printed text as pgdp proofing and postprocessing could get it. In some entries larger spaces are used as spacers between bibliographic fields instead of punctuation. These have been retained to the best of our ability and are represented as non-breaking spaces. A CATALOGUE OF Books in English later than 1700, forming a portion of the Library of Robert Hoe New York 1905 EX LIBRIS ROBERT HOE VOLUME II CATALOGUE VOLUME II ONE HUNDRED COPIES ONLY, INCLUDING THREE UPON IMPERIAL JAPANESE VELLUM--PRINTED BY THE UNIVERSITY PRESS, CAMBRIDGE A Catalogue of Books in English Later than 1700 Forming a Portion of the Library of Robert Hoe [Illustration] VOLUME II Privately Printed New York. 1905 THIS CATALOGUE WAS COMPILED BY CAROLYN SHIPMAN THE CATALOGUE HADEN, SIR FRANCIS SEYMOUR.--The Etched Work of Rembrandt critically considered. By Francis Seymour Haden,... 1877. 110 copies privately printed for the Author. [London, Metchim & Son] _4to, paper._ First edition. Three photogravure plates. HADEN, SIR FRANCIS SEYMOUR.--About Etching. Part I. Notes by Mr. Seymour Haden on a collection of etchings and engravings by the great masters lent by him to the Fine Art Society to illustrate the subject of etching. Part II. An annotated catalogue of the examples exhibited of etchers and painter-engravers' work. Illustrated with An original Etching by Mr. Seymour Haden, and fifteen facsimiles of Etchings. [London] The Fine Art Society... 1879. _4to, half brown morocco, gilt top, uncut edges._ First edition. HAEBLER, KONRAD.--The Early Printers of Spain and Portugal By Konrad Haebler London printed for the Bibliographical Society at the Chiswick Press March 1897 for 1896. _Royal 4to, original paper wrappers, uncut edges._ Woodcut frontispiece and thirty-three plates. No. IV. of Illustrated Monographs issued by the Bibliographical Society. HAFIZ.--The D[=i]v[=a]n, written in the fourteenth century, by [Persian name] Khw[=a]ja Shamsu-d-D[=i]n Muham-mad-i [H.][=a]fi[z:]-i-Sh[=i]r[=a]z[=i] otherwise known as Lis[=a]nu-l-[.Gh=]aib and Tarjum[=a]nu-l-Asr[=a]r. Translated for the first time out of the Persian into English prose, with critical and explanatory remarks, with an introductory preface, with a note on S[=u]f[=i],ism, and with a life of the author, by Lieut.-Col. H. Wilberforce Clarke,... [Calcutta] 1891. _4to, two volumes, cloth._ HAGGARD AND LANG.--The World's Desire by H. Rider Haggard and Andrew Lang. London: Longmans, Green, and Co. 1890. _Crown 8vo, cloth, uncut edges._ First edition. HALIBURTON, THOMAS CHANDLER.--The Letter Bag of the Great Western; or, Life in a Steamer.... By the author of "The Sayings and Doings of Samuel Slick." London: Richard Bentley,... 1840. _Crown 8vo, cloth, uncut edges._ First English edition. HALIBURTON, THOMAS CHANDLER.--The Attache; or, Sam Slick in England. By the author of "The Clockmaker; or, Sayings and Doings of Sam Slick," &c. ... Second edition. [First Series] London: Richard Bentley,... 1843. _Crown 8vo, two volumes, cloth, uncut edges._ HALIBURTON, THOMAS CHANDLER.--The Attache; or, Sam Slick in England. By the author of "The Clockmaker; or, Sayings and Doings of Sam Slick,"... Second and last series.... London: Richard Bentley,... 1844. _Crown 8vo,
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Produced by MFR and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: _Nine Little Tar Heels._] _Tar Heel Tales_ _By H. E. C. Bryant_ “_Red Buck_” _Stone & Barringer Co. Charlotte, N. C. 1910_ COPYRIGHT, 1909, BY STONE & BARRINGER CO. TO JOSEPH PEARSON CALDWELL MOST OF THESE STORIES YOU HAVE SEEN, SOME YOU HAVE PRAISED, WHILE OTHERS, NEWLY WRIT, YOU HAVE NOT BEEN ABLE TO SEE ON ACCOUNT OF YOUR UNFORTUNATE ILLNESS, BUT, TO YOU, THE PRINCE OF TAR HEELS, I DEDICATE ALL, IN LOVING REMEMBRANCE OF FIFTEEN YEARS OF INTIMATE ACQUAINTANCE, FAITHFUL FRIENDSHIP, AND MOST DELIGHTFUL COMPANIONSHIP. PREFACE These tales, concerning all sorts and conditions of people, were written by H. E. C. Bryant, better known as Red Buck. As staff correspondent of The Charlotte Observer, Mr. Bryant visited every corner of North Carolina, and in his travels over the state wrote many stories of human interest, depicting life and character as he found it. His first impulse to publish his stories in book form resulted from an appreciation of his work by the lamented Harry Myrover, a very scholarly writer of Fayetteville, who said: “I have been struck frequently at how the predominant mental characteristic sticks out in Mr. Bryant. His sense of humor is as keen as a razor. He sees a farce while other men are looking at a funeral, and this exquisite sense of humor is liable to break out at any time--even in church. One may read after him seriously, as he reports the proceedings of a big event but toward the last the whole thing is likely to burst out in an irrepressible guffaw, at some very quaint, funny reflection or criticism, or an inadversion. All this shows out, too, from the personal side of the man, making him delightful in talk, and altogether one of the most entertaining fellows one will meet in many a day’s journey. “I really think there is more individuality about his writings, than about those of any other writer of the state. Every page sparkles and bubbles with the humor of the man, and it is a clean, wholesome humor, there being nothing in it to wound, but everything to cheer and please.” These words honestly spoken by Mr. Myrover encouraged Mr. Bryant. Red Buck’s dialect stories soon obtained a state wide reputation, and as Mr. J. P. Caldwell, the gifted editor of The Charlotte Observer, truly said: “His <DW64> dialect stories are equal to those of Joel Chandler Harris--Uncle Remus.” His friends will be delighted to know that he has collected some of the best of his stories, and that they are presented here. In North Carolina there is no better known man than Red Buck. A letter addressed to “Red Buck, North Carolina,” would be delivered to H. E. C. Bryant, at Charlotte. Everybody in the state knows the big hearted, auburn haired Scotch-Irishman of the Mecklenburg colony, who, on leaving college went to work on The Charlotte Observer and, on account of his cardinal locks, rosy complexion and gay and game way, was dubbed “Red Buck” by the editor, Mr. Caldwell. It was an office name for a time. Then it became state property, and the name “Bryant” perished. Red Buck has traveled all over the state of North Carolina and written human interest stories from every sand-hill and mountain cove. Many Tar Heels know him by no other name than Red Buck. In fact there is a Red Buck fad in the state, which has resulted in a Red Buck brand of whiskey, a Red Buck cigar, a Red Buck mule, a Red Buck pig, and a Red Buck rooster, although the man for whom they are named drinks not, neither does he smoke. This book of Tar Heel tales is from Mr. Bryant’s cleverest work. THOMAS J. PENCE. Washington Press Gallery. December, 1909. CONTENTS PAGE _Uncle Ben’s Last Fox Race_ 1 _Forty Acres and a Mule_ 11 _The Spaniel and the Cops_ 33 _A Hound of the Old Stock_ 43 _Minerva--The Owl_ 58 _Uncle Derrick in Washington_ 68 _And the Signs Failed Not_ 79 _The Irishman’s Game Cock_ 97 _Strange Vision of Arabella_ 112 _A <DW64> and His Friend_ 125 _Faithful Unto Death_ 142 _“Red Buck”: Where I Came By It
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Produced by deaurider and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE NORTH-WEST AMAZONS [Illustration: BORO MEDICINE MAN, WITH MY RIFLE] THE NORTH-WEST AMAZONS NOTES OF SOME MONTHS SPENT AMONG CANNIBAL TRIBES BY THOMAS WHIFFEN F.R.G.S., F.R.A.I. CAPTAIN H.P. (14TH HUSSARS) NEW YORK DUFFIELD AND COMPANY 1915 _Printed in Great Britain_ TO THE MEMORY OF THE LATE DR. ALFRED RUSSEL WALLACE, O.M. THESE NOTES ARE DEDICATED PREFACE In presenting to the public the results of my journey through the lands about the upper waters of the Amazon, I make no pretence of challenging conclusions drawn by such experienced scientists as Charles Waterton, Alfred Russel Wallace, Richard Spruce, and Henry Walter Bates, nor to compete with the indefatigable industry of those recent explorers Dr. Koch-Grünberg and Dr. Hamilton Rice. Some months of the years 1908 and 1909 were passed by me travelling in regions between the River Issa and the River Apaporis where white men had scarcely penetrated previously. In the remoter parts of these districts the tribes of nomad Indians are frankly cannibal on occasion, and provide us with evidence of a condition of savagery that can hardly be found elsewhere in the world of the twentieth century. It will be noted that this area includes the Putumayo District. With regard to the references in footnotes and appendices, I have inserted them to suggest where similarities of culture or variations of a given custom are to be found. These notes may be of some use to the student of such problems as the question of cultural contact with Pacific peoples, and at the least they represent the evidence on which I have based my own conclusions. THOMAS WHIFFEN. LONDON, 1914. CONTENTS PAGE CHAPTER I Introductory 1 CHAPTER II Topography--Rivers--Floods and rainfall--Climate--Soil--Animal and vegetable life--Birds--Flowers--Forest scenery--Tracks--Bridges--Insect pests--Reptiles--Silence in the forest--Travelling in the bush--Depressing effects of the forest--Lost in the forest--Starvation the crowning horror 17 CHAPTER III The Indian homestead--Building--Site and plan of _maloka_--Furniture--Inhabitants of the house--Fire--Daily life--Insect inhabitants--Pets 40 CHAPTER IV Classification of Indian races--Difficulties of tabulating--Language-groups and tribes--Names--Sources of confusion--Witoto and Boro--Localities of language-groups--Population of districts--Intertribal strife--Tribal enemies and friends--Reasons for endless warfare--Intertribal trade and communications--Relationships--Tribal organisation--The chief, his position and powers--Law--Tribal council--Tobacco-drinking--Marriage system and regulations--Position of women--Slaves 53 CHAPTER V Dress and ornament--Geographical and tribal differentiations--Festal attire--Feather ornaments--Hair-dressing--Combs--Dance girdles--Beads--Necklaces--Bracelets--Leg rattles--Ligatures--Ear-rings--Use of labret--Nose pins--Scarification--Tattoo--Tribal marks--Painting 71 CHAPTER VI Occupations--Sexual division and tabu--Tribal manufactures--Arts and crafts--Drawing--Carving--Metals--Tools and implements--No textile fabrics--Pottery--Basket-making--Hammocks--Cassava-squeezer and grater--Pestle and mortar--Wooden vessels--Stone axes--Methods of felling trees--Canoes--Rafts--Paddles 90 CHAPTER VII Agriculture--Plantations--Preparation of ground in the forest--Paucity of agricultural instruments--Need for diligence--Women’s incessant toil--No special harvest-time--Maize the only grain grown--No use for sugar--Manioc cultivation--Peppers--Tobacco--Coca cultivation--Tree-climbing methods--Indian wood-craft--Indian tracking--Exaggerated sporting yarns--Indian sense of locality and accuracy of observation--Blow-pipes--Method of making blow-pipes--Darts--Indian improvidence--Migration of game--Traps and snares--Javelins--Hunting and fishing rights--Fishing--Fish traps--Spearing and poisoning fish 102 CHAPTER VIII The Indian armoury--Spears--Bows and arrows--Indian strategy--Forest tactics and warfare--Defensive measures--Secrecy and safety--The Indian’s science of war--Prisoners--War and anthropophagy--Cannibal tribes--Reasons for cannibal practices--Ritual of vengeance--Other causes--No intra-tribal cannibalism--The anthropophagous feast--Human relics--Necklaces of teeth--Absence of salt--Geophagy 115 CHAPTER IX The food quest--Indians omnivorous eaters--Tapir and other animals used for food--Monkeys--The peccary--Feathered game--Vermin--Eggs, carrion, and intestines not eaten--Honey--Fish--Manioc--Preparation of cassava--Peppers--The Indian hot-pot--Lack of salt--Indian meals--Cooking--Fruits--Cow-tree milk 126 CHAPTER X Drinks, drugs, and poisons: their use and preparation--Unfermented drinks--_Caapi_--Fermented drinks--_Cahuana_--Coca: its preparation, use, and abuse--_Parica_--Tobacco--Poison and poison-makers 138 CHAPTER XI Small families--Birth tabu--Birth customs--Infant mortality--Infanticide--Couvade--Name-giving--Names--Tabu on names--Childhood--Lactation--Food restrictions--Child-life and training--Initiation 146 CHAPTER XII Marriage regulations--Monogamy--Wards and wives--Courtship--Qualifications for matrimony--Preparations for marriage--Child marriages--Exception to patrilocal custom--Marriage ceremonies--Choice of a mate--Divorce--Domestic quarrels--Widowhood 159 CHAPTER XIII Sickness--Death by poison--Infectious diseases--Cruel treatment of sick and aged--Homicide--Retaliation for murder--Tribal and personal quarrels--Diseases--Remedies--Death--Mourning--Burial 168 CHAPTER XIV The medicine-man, a shaman--Remedies and cures--Powers and duties of the medicine-man--Virtue of breath--Ceremonial healing--Hereditary office--Training--Medicine-man and tigers--Magic-working--Properties--Evil always due to bad magic--Influence of medicine-man--Method of magic-working--Magical cures 178 CHAPTER XV Indian dances--Songs without meaning--Elaborate preparations--The Chief’s invitation--Numbers assembled--Dance step--Reasons for dances--Special dances--Dance staves--Arrangement of dancers--Method of airing a grievance--Plaintiff’s song of complaint--The tribal “black list”--Manioc-gathering dance and song--Muenane Riddle Dance--A discomfited dancer--Indian riddles and mimicry--Dance intoxication--An unusual incident--A favourite dance--The cannibal dance--A mad festival of savagery--The strange fascination of the Amazon
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Produced by David Edwards, Ernest Schaal, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) LITTLE WOMEN LETTERS FROM THE HOUSE OF ALCOTT [Illustration: _Frontispiece._ ORCHARD HOUSE, THE ALCOTT HOMESTEAD.] LITTLE WOMEN LETTERS FROM THE HOUSE OF ALCOTT SELECTED BY JESSIE BONSTELLE AND MARIAN DEFOREST [Illustration] BOSTON LITTLE, BROWN, AND COMPANY 1914 _Copyright, 1914_, BY JOHN S. P. ALCOTT. _All rights reserved_ Published, September, 1914 Set up and electrotyped by J. S. Cushing Co., Norwood, Mass., U.S.A. Presswork by S. J. Parkhill & Co., Boston, Mass., U.S.A. FOREWORD NEXT to the joy of giving to the Alcott-loving public "Little Women" as a play, is the privilege and pleasure of offering this book of letters, revealing the childhood and home life of the beloved Little Women. May they bring help and happiness to many mothers and inspiration and love to many children. CONTENTS CHAPTER PAGE I. THE "REALLY, TRULY" TRUE 1 II. THE ALCOTT BOY; THE ALCOTT MAN 10 III. THE ALCOTT CHILDREN 28 IV. THE ALCOTT BABY BOOK 39 V. LETTERS AND CONVERSATIONS WITH CHILDREN 59 VI. THE MOTHER'S INFLUENCE 98 VII. CHILDREN'S DIARIES 122 VIII. GIRLHOOD AND WOMANHOOD 140 IX. FRIENDSHIPS AND BELIEFS 162 CHRONOLOGY 195 LIST OF ILLUSTRATIONS Orchard House, the Alcott Homestead _Frontispiece_ PAGE A. Bronson Alcott at the age of 53, from the portrait by Mrs. Hildreth 54 Facsimile of Mr. Alcott's Letter to Louisa, Nov. 29, 1839 82 Facsimile of Mr. Alcott's Letter to Louisa, June 21, 1840 86 Facsimile of Mr. Alcott's Letter to Elizabeth, 1840 92 Abigail May, Mrs. A. Bronson Alcott, from a Daguerreotype 106 Anna Bronson Alcott, from a Daguerreotype 122 Abba May Alcott, from a Photograph 142 Louisa May Alcott, from a Daguerreotype 160 LITTLE WOMEN LETTERS FROM THE HOUSE OF ALCOTT CHAPTER I THE "REALLY, TRULY" TRUE WHEN "Little Women," the play, reopened to many readers the pages of "Little Women," the book, that delightful chronicle of family life, dramatist and producer learned from many unconscious sources the depth of Louisa M. Alcott's human appeal. Standing one night at the back of the theater as the audience was dispersing, they listened to its comments on the play. "A wonderful picture of home life, only we don't have such homes," said a big, prosperous-looking man to his wife, with a touch of regret in his voice. "Yes," agreed his young daughter, a tall, slender, graceful girl, as she snuggled down cosily into her fur coat and tucked a bunch of violets away from the touch of the frosty night, "it is beautiful; but, daddy, it isn't real. There never was such a family." But it is real; there was such a family, and in letters, journals, and illustration this little book gives the history of the four Little Women, the Alcott girls, whom Louisa immortalized in her greatest story: Anna, who is Meg in "Little Women"; Louisa, the irrepressible and ambitious Jo; Elizabeth, the little Beth of the book; and Abba May, the graceful and statuesque Amy. Rare influences were at work in this ideal American home, where the intellectual and brilliant father was gifted in all ways except those that led to material success, and the wise and gentle mother combined with her loyalty and devotion to her husband a stanch, practical common sense, which more than once served to guide the frail Alcott bark through troubled seas. Following her remarkable success as a writer of short stories, Louisa M. Alcott was asked for a book. She said at first it was impossible, but repeated requests from her publishers brought from her the announcement that the only long story she could write would be about her own family. "Little Women" resulted, and, in erecting this House of Delight for young and old, Louisa Alcott builded better than she knew. Her Jo has been the inspiration of countless girls, and the many-sidedness of her character is indicated by the widely diverging lines of endeavor which Jo's example has suggested to the girl readers of the story. In the case of the two editors, both from early childhood found their inspiration in Jo. One, patterning after her idol, sought success in a stage career, beginning to "act" before a mirror, with a kitchen apron for a train and a buttonhook for a dagger. The other, always with a pencil in hand, first copied Jo by writing "lurid tales" for the weekly sensation papers, and later emerged into Newspaper Row. It was more than a year after the success of "Little Women" as a play had become a part of theatrical history that they visited the scenes hallowed by the memories of the Little Women. They wished to see Concord together, so they made a Sentimental Journey to the House of Alcott. The sun was shining, and the air was crisp--just such a day as Miss Alcott described in the Plumfield harvest home, the last chapter in "Little Women." They spent hours in Orchard House, touching reverently the small personal effects of Louisa M. Alcott, seeing the shelf between the windows in that little upper room, where she wrote and dreamed. They even climbed to the garret and wondered which window was her favorite scribbling seat, with a tin kitchen for her manuscripts, a pile of apples for her refreshment, and Scrabble, the bewhiskered rat, for her playfellow. Through the woods back of Orchard House they followed the winding pathway to the Hall of Philosophy, half hidden among the trees, where Bronson Alcott had his Conversations, where Emerson and Thoreau were often heard, and the most intellectual debates of the century took place. At sunset they visited Sleepy Hollow, the resting place of the Alcotts, with Emerson, Thoreau, and Hawthorne close by--a goodly company, neighbors still as they were for so many years when they made Concord America's literary shrine. Evening came, and the two pilgrims read together the Alcott journals and letters. The ink was faded, the quaint, old-fashioned writing was hard to decipher, but, beginning with a letter to Louisa written by Bronson Alcott when his daughter was seven years old, they read on until the dawn. Only one result could be expected from such an experience. They asked permission to publish the letters and such portions of the journals as would most completely reveal the rare spiritual companionship existing between the Alcott parents and children. And, asking, they were refused, because of a feeling that the letters and journals were intimate family records, to be read, not by the many, but by the few. This same sentiment withheld the dramatization of "Little Women" for many years. "You forget," they argued, holding fast to the dimly written pages, "that Bronson Alcott and Louisa Alcott are a part of America's literary heritage. They belong to the nation, to the world, not alone to you." This course of reasoning finally prevailed, but not without many months of waiting. And thus, with the consent of the Alcott heirs, the book of "Little Women Letters from the House of Alcott" came to be. CHAPTER II I THE ALCOTT BOY ONCE upon a time in the little town of Wolcott, Connecticut, was born a boy destined to offer to the world new and beautiful thoughts. He was laughed at and misunderstood; but the thoughts were truth, and they have lived, although the boy grew weary and old and passed on. The boy was Amos Bronson Alcott. He was a country lad, used from infancy to the rugged life of the farm, with its self-denial and makeshifts. The seeming disadvantage, however, proved quite the opposite. His close communion with Nature brought him nearer to the truths of life. For him God ceased to be a mythical object to be studied and read about on Sunday; but, as he roamed the fields and climbed the hills, the lad found Him in the rocks and the woodlands, and in the sparkling streams. He became a reality. The boy and God were friends. Of schooling he had little. When work at the farm permitted, he attended the country school near his father's house. "Our copies," he told his little daughters, "were set by the schoolmaster in books made of a few sheets of foolscap, stitched together and ruled with a leather plummet. We used ink made of maple and oak bark, which we manufactured ourselves. With this I began keeping a diary of my doings." This was when the boy was twelve. His hours at school were few, but as he went about his daily tasks on the farm, his thoughts grew and grew until his mental stature far exceeded his physical. He read as he guided the plow along the furrow, sometimes unmindful of his work until a sudden punch from a neglected handle, as the plow struck a stone, would bring him back to earth with a thump. He sowed seeds in the moist, sweet earth, but his face was turned to the skies, and he knew the clouds and the stars. When he gathered firewood, his eyes were keen for the soft, dainty mosses, the clinging lichens. As he picked berries for the home table, he never missed the whirr of a bird wing or passed unnoticed the modest flowers half hidden in the soil. Nature was his library, and she spread out her choicest treasures to this growing boy. A love for all of God's creations characterized him. He was fond, not only of the growing things in the wood, but of all life. His love for animals amounted almost to a passion, one reason for his being a strict vegetarian and insisting upon bringing up his little family on a vegetable diet. But in boyhood it was not always clear whether humanity or the craving for knowledge made him so considerate of the plodding team in the field. Never was team more carefully tended. Many were its hours of grazing, when the noonday sun rode high in the heavens, and the Alcott boy, book in hand, curled up under the shade of a gigantic elm and read until the shadows began to lengthen. But these lapses were only occasional, for the lad was faithful to his tasks, except when he yielded to the lure of the printed page. When scarcely more than a child he began to keep a record of his books and his reading, showing the first traces of the reflective, introspective quality of mind which later led him to set down in letters and unpublished manuscripts his inmost thoughts. He cultivated the same habits of thought in his children, one reason, doubtless, for Louisa's accurate and realistic descriptions of the lives of the four Little Women of the Alcott family. His favorite books in boyhood, and, for that matter, in manhood, were the Bible and Bunyan's "Pilgrim's Progress," which he read and reread and commented upon. Years later he mentions in his journal that he made it a practice to read "Pilgrim's Progress" every year, which is a remarkable record to the modern boy and girl who find it difficult to struggle through that wonderful allegory even once. Bronson Alcott took his chance and made a stepping-stone of every difficulty. Each obstacle he encountered in getting an education created in him an even stronger determination to gain one. The modern boy has the world of books opened wide to him through the library and the free school. The treasures of art are spread out before him in the museums. He is surrounded by helps. The boy of to-day is studied as an entity. The boy of the last century could tell quite a different story. So the Alcott boy, passing long hours in the woods, reading, thinking, getting close to Nature and to God, walked as one apart, seeing the invisible. While still a boy, he began casting off the garment of a conventional creed and to think for himself of God, the creation, of life, unconsciously putting from him the trammeling, cumbersome conventions with which man has often hidden truth. Out of this the man Alcott emerged--a great soul. II THE ALCOTT MAN With Bronson Alcott the craving for knowledge was scarcely stronger than the craving for adventure, so it is not surprising that in the first flush of young manhood he did not settle down to life on the farm. He longed for the great world lying beyond the hills and valleys of peaceful New England. He wanted experience, and experience he had. He went South, hoping to teach school, as he had original ideas on the training of children. Unsuccessful in this, he decided to be a peddler, naively remarking that "honesty of purpose could dignify any profession." Think of the courage of this boy, for he was scarcely more than a boy, a philosopher at heart, living in a world of dreams and books, his ambitions all for intellectual rather than material achievement, tramping the southern countryside, undauntedly peddling buttons, elastic, pins and needles, and supplying all the small wants of the country housewife! Often he encountered rebuffs, sometimes he had a hearty welcome, for the visit of the country peddler was eagerly awaited by the children. At times, when night came and he was far from the shelter of an inn, he had to beg a lodging from some planter. On one such occasion, as he entered the grounds, he saw a huge sign, "Beware the dog." A shout from the house also warned him, and he saw dashing toward him a savage-looking dog, powerful enough to have torn to pieces the slender young peddler-student. But his love for animals triumphed. Alcott stretched out his hand. The huge creature stopped short; then, recognizing a friend and a fearless one, he bounded on, tail wagging, barking joyously, snuggling his nose into the young man's palm, which he licked as he escorted his new-found friend to the house. Animals always recognized in Alcott an understanding comrade. From most of these trips Alcott brought back money to add to the scanty funds at home, but on one memorable occasion the love of finery proved stronger than the necessity for saving, and he returned to the farm penniless, but dressed in the latest fashion, having used his savings for a wardrobe that was the wonder of the countryside. That one debauch of clothes satisfied him for life; after that his tastes were markedly simple. With him the "dandy period" was short-lived indeed. That he repented bitterly of this one excess of folly is shown in his journals, where he sets down minutely what to him was a mistake that amounted almost to a sin. As a rule, he was singularly free from folly. His thoughts were too high, his ideals too lofty, for him to be long concerned with trifles such as clothes, and the next expenditure mentioned in his journal is for the "Vicar of Wakefield" and Johnson's "Rasselas." Ever impractical, one likes him the better for the little human moment when the vanities of the world overcame him. At last he secured a school, and then began the realization of his ideals regarding the teaching of children. His methods were original and highly successful, especially with the very young. He established a mental kindergarten, and the fame of his teaching spread abroad. Through his work as a teacher he achieved his greatest happiness, for it led to his meeting with the woman who was destined to become his wife. As the result of correspondence between himself and Mr. May of Brooklyn, Connecticut, whose attention had been attracted to the work of the young teacher, Alcott, then twenty-eight years old, drove from the Wolcott home to Brooklyn, where he met Abigail May of Boston, who was visiting her brother. With both it was love at first sight, a love that grew into a perfect spiritual union. It seemed almost providential that Bronson Alcott should have come into Abigail May's life at just this time, when her heart had been touched by its first great sorrow--the loss of her mother. Hitherto she had been a light-hearted girl, fond of dancing and of the material side of life. The young philosopher, with his dreams and his ideals, brought a new interest into her now lonely life, and all that was spiritual in her nature responded as he freely discussed his plans and ambitions with her. In her he found both sympathy and understanding. A year of letter-writing, a frank and honest exchange of thought, brought out the harmony of their natures and developed in both a sense of oneness, laying a firm foundation for the comradeship which was not broken through all the years, even when the wife and mother passed into the Great Beyond. The Alcott-May courtship was ideal. Retaining the heaven that lay about him in his infancy, keeping his close companionship with God and God's great laboratory, Nature, Bronson Alcott demanded something more than mere physical attraction in choosing his wife. A certain quaint circumspection characterized their love-making. Abigail May once wrote: "Mr. Alcott's views on education were very attractive, and I was charmed by his modesty," and long after their engagement she spoke of her lover as "her friend." He was, and so he continued to be in the highest sense of the word. So satisfying were those friendship-courtship days, that apparently both were loath to end them, for another twelvemonth passed before the announcement of their betrothal, and it was nearly three years from the date of their first meeting before their marriage in King's Chapel, Boston, where the brother who had been the means of bringing them together performed the ceremony. As their marriage day approached, there was little festivity and none of the rush that usually precedes a modern wedding. Everything was simple, quiet, and sure. This is Bronson Alcott's letter, asking a friend to act as best man at his wedding. Dear Sir: Permit me to ask the favor of your calling at Col. May's at 4 o'clock precisely on Sunday afternoon next, to accompany me and my friend Miss May to King's Chapel. With esteem, A. B. Alcott Thursday, May 20, 112 Franklin St. 1830. So began the Alcott pilgrimage, their fortune consisting of love and faith and brains. In these they were rich indeed, and thus closed another chapter in the life of the gentle philosopher, of whom Ralph Waldo Emerson once said: "Our Alcott has only just missed being a seraph." CHAPTER III THE ALCOTT CHILDREN FOR some months after their marriage the Alcotts lived in Boston, where the young enthusiast taught a school for infants. Again his fame as a teacher traveled, and he received an offer from the Quakers of Philadelphia to start a school there, an offer so tempting that the Alcotts moved to Germantown, Pennsylvania, where Anna and Louisa were born. Eugenics and prenatal influence were not discussed then as they are to-day, but in the Alcott family nearly a century ago they were being thought and lived. Bronson Alcott and his wife considered children an expression, not of themselves, but of divinity, and as such to be accepted as a trust, rather than as a gratification of their own human longing for fatherhood and motherhood. They felt it their parental privilege rather than their duty to aid the human development of the child and thus further the fulfillment of its destiny. Each little soul was humbly asked for and reverently prepared for. From the moment they knew their prayer had been granted, the individuality and rights of that soul were respected. It was considered as a little guest that must be made happy and comfortable, carefully cherished, mentally and physically, while its fleshly garment was being prepared and the little personality made ready for its earthly appearance. How careful they were of every thought and influence, for to both parents this period was the most sacred and wonderful in their lives and in the lives of their children. The depth of his joy and the simplicity of his faith are exquisitely expressed in the lines which Bronson Alcott wrote before the birth of his first child, Anna: TO AN EXPECTANT MOTHER The long advancing hour draws nigh--the hour When life's young pulse begins its mystic play, And deep affection's dreams of Form or Joy Shall be unveiled, a bodily presence To thy yearning heart and fond maternal eye, The primal Soul, a semblance of thine own, Its high abode shall leave and dwell in day, Thyself its forming Parent. A miracle, indeed, Shall nature work. Thou shalt become The bearing mother of an Infant Soul-- Its guardian spirit to its home above. But yet erewhile the lagging moments come That layeth the living, conscious, burden down, Firm faith may rest in hope. Accordant toils Shall leave no time for fear, nor doubt, nor gloom. Love, peace, and virtue, are all born of Pain, And He who rules o'er these is ever good. The joyous promise is to her who trusts, Who trusting, gains the vital boon she asks, And meekly asking, learns to trust aright. Louisa, the second child, born on her father's birthday, was the most intellectual and the most resourceful of the Alcott children, reflecting in her own buoyant personality the happy conditions existing before and at the time of her birth, when her father had attained his greatest material prosperity and was also realizing his mental ambitions in his little school, and her mother was temporarily relieved from the cares that so often weighed heavily upon her. Shortly before the birth of Elizabeth the father makes this entry in his journal: THE ADVENT COMETH Daily am I in expectation of beholding with the eye of sense, the spirit that now lingers on the threshold of this terrestrial life, and only awaits the bidding of the Reaper within, to usher itself into the presence of mortals. It standeth at the door and waiteth for admission to the exterior scene of things.... Let the time come. Two little ones in advance await its coming; and greetings of joy shall herald its approach. The birth of Elizabeth is followed by this entry in his journal: At sunset this day
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Produced by David Kline, Greg Bergquist and The Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: BATTLE OF ANTIETAM.] Edition d'Elite Historical Tales The Romance of Reality By CHARLES MORRIS _Author of "Half-Hours with the Best American Authors," "Tales from the Dramatists," etc._ IN FIFTEEN VOLUMES Volume II American 2 J. B. LIPPINCOTT COMPANY PHILADELPHIA AND LONDON Copyright, 1904, by J. B. LIPPINCOTT COMPANY. Copyright, 1908, by J. B. LIPPINCOTT COMPANY. _CONTENTS._ PAGE PONCE DE LEON AND THE FOUNTAIN OF YOUTH 7 DE SOTO AND THE FATHER OF WATERS 13 THE LOST COLONY OF ROANOKE 23 THE THRILLING ADVENTURE OF CAPTAIN JOHN SMITH 29 THE INDIAN MASSACRE IN VIRGINIA 40 THE GREAT REBELLION IN THE OLD DOMINION 49 CHEVALIER LA SALLE THE EXPLORER OF THE MISSISSIPPI 62 THE FRENCH OF LOUISIANA AND THE NATCHEZ INDIANS 76 THE KNIGHTS OF THE GOLDEN HORSESHOE 88 HOW OGLETHORPE SAVED GEORGIA FROM SPAIN 95 A BOY'S WORKING HOLIDAY IN THE WILDWOOD 104 PATRICK HENRY, THE HERALD OF THE REVOLUTION 113 GOVERNOR TRYON AND THE CAROLINA REGULATORS 124 LORD DUNMORE AND THE GUNPOWDER 135 THE FATAL EXPEDITION OF COLONEL ROGERS 145 HOW COLONEL CLARK WON THE NORTHWEST 153 KING'S MOUNTAIN AND THE PATRIOTS OF TENNESSEE 166 GENERAL GREENE'S FAMOUS RETREAT 171 ELI WHITNEY, THE INVENTOR OF THE COTTON-GIN 185 HOW OLD HICKORY FOUGHT THE CREEKS 193 THE PIRATES OF BARATARIA BAY 206 THE HEROES OF THE ALAMO 217 HOW HOUSTON WON FREEDOM FOR TEXAS 225 CAPTAIN ROBERT E. LEE AND THE LAVA-BEDS 231 A CHRISTMAS DAY ON THE PLANTATION 241 CAPTAIN GORDON AND THE RACCOON ROUGHS 252 STUART'S FAMOUS CHAMBERSBURG RAID 261 FORREST'S CHASE OF THE RAIDERS 277 EXPLOITS OF A BLOCKADE-RUNNER 291 FONTAIN, THE SCOUT, AND THE BESIEGERS OF VICKSBURG 302 GORDON AND THE BAYONET CHARGE AT ANTIETAM 311 THE LAST TRIUMPH OF STONEWALL JACKSON 319 JOHN MORGAN'S FAMOUS RAID 331 HOME-COMING OF GENERAL LEE AND HIS VETERANS 347 LIST OF ILLUSTRATIONS. AMERICAN. VOLUME II. PAGE BATTLE OF ANTIETAM _Frontispiece._ ALONG THE COAST OF FLORIDA 9 DE SOTO DISCOVERING THE MISSISSIPPI 19 POCAHONTAS 32 JAMESTOWN RUIN 54 COALING A MOVING BOAT ON THE MISSISSIPPI RIVER 73 OLD SPANISH FORT, ST. AUGUSTINE 98 HOME OF MARY WASHINGTON, FREDERICKSBURG, VA 108 HOME OF PATRICK HENRY DURING HIS LAST TWO TERMS AS GOVERNOR OF VIRGINIA 114 ST. JOHN'S CHURCH 122 OLD MAGAZINE AT WILLIAMSBURG 138 VIEW IN THE NORTHWESTERN MOUNTAINS 155 COTTON-GIN 186 JACKSON'S BIRTHPLACE 198 THE ALAMO 218 COTTON FIELD ON SOUTHERN PLANTATION 242 COLONIAL MANSION 262 GORDON HOUSE 316 TRIUMPH OF STONEWALL JACKSON 323 LEE'S HOUSE AT RICHMOND 348 _PONCE DE LEON AND THE FOUNTAIN OF YOUTH._ A golden Easter day was that of the far-away year 1513, when a small fleet of Spanish ships, sailing westward from the green Bahamas, first came in sight of a flower-lined shore, rising above the blue Atlantic waves, and seeming to smile a welcome as the mariners gazed with eyes of joy and hope on the inviting arcades of its verdant forest depths. Never had the eyes of white men beheld this land of beauty before. English ships had sailed along the coast to the north, finding much of it bleak and uninviting. The caravels of Columbus had threaded the glowing line of tropic isles, and later ships had borne settlers to these lands of promise. But the rich southlands of the continent had never before been seen, and well was this unknown realm of beauty named Florida by the Spanish chief, whether by this name he meant to call it the "land of flowers" or referred to the Spanish name for Easter, Pascua Florida. However that be, he was the first of the discoverers to set foot on the soil of the great coming republic of the United States, and it is of interest that this was done within the domain of the sunny South. The weight of half a century of years lay upon the shoulders of Juan Ponce de Leon, the discoverer, but warm hope burned in his heart, that of winning renewed boyhood and youthful strength, for it was a magic vision that drew him to these new shores, in whose depths he felt sure the realm of enchantment lay. Somewhere amid those green copses or along those liquid streams, he had been told, a living fountain sprang up clear and sparkling from the earth, its waters of such a marvellous quality that whoever should bathe in them would feel new life coursing through his veins and the vigor of youth bounding along his limbs. It was the Fountain of Youth he sought, that fabled fountain of which men had dreamed for centuries, and which was thought to lie somewhere in eastern Asia. Might not its waters upspring in this new land, whose discovery was the great marvel of the age, and which men looked upon as the unknown east of Asia? Such was the new-comer's dream. Ponce de Leon was a soldier and cavalier of Spain in those days when Spain stood first among the nations of Europe, first in strength and enterprise and daring. Brave as the bravest, he had fought with distinguished courage against the Moors of Granada at the time when Columbus was setting out on his famous voyage over the unknown seas of the West. Drawn by the fame of the discovery of the New World, De Leon sailed with Columbus in his second voyage, and proved himself a gallant soldier in the wars for the conquest of Hispaniola, of whose eastern half he was made governor. To the eastward lay another island, the fair tropic land ever since known as Porto Rico. De Leon could see from the high hills of Hispaniola the far green shores of this island, which he invaded and finally subdued in 1509, making himself its governor. A stern oppressor of the natives, he won great wealth from his possessions here and in Hispaniola. But, like many men in his position, his heart was sore from the loss of the youthful vigor which would have enabled him to enjoy to the full his new-found wealth. [Illustration: ALONG THE COAST OF FLORIDA.] Could he but discover the wondrous fountain of youth and plunge in its life-giving waters! Was not this the region in which it was said to lie? He eagerly questioned the Indians about it, and was told by them that they had often heard of such a fountain somewhere not far to the north. It is probable enough that the Indians were ready to tell anything, false or true, that would rid them of the unwelcome Spaniards; but it may be that among their many fables they believed that such a fountain existed. However that may be, De Leon gladly heard their story, and lost no time in going forth like a knight errant in quest of the magic fount. On March 3, 1513, he sailed with three ships from Porto Rico, and, after threading the fair Bahama Islands, landing on those of rarest tropic charm, he came on Easter Sunday, March 27, in sight of the beautiful land to which he gave the name of Florida. Bad weather kept him for a time from the shore, and it was not until April 9 that he was able to land. It was near the mouth of the St. John River, not far from where St. Augustine now stands, that he set foot on shore, the first white man's foot to tread the soil of the coming United States since the days of the Northmen, five centuries before. He called his place of landing the Bay of the Cross, and took possession of the land for the king of Spain, setting up a stone cross as a sign of Spain's jurisdiction. And now the eager cavalier began the search for that famous fount which was to give him perpetual youth. It is not likely he was alone in this, probably most of his followers being as eager as he, for in those days magic was firmly believed in by half of mankind, and many wild fancies were current which no one now accepts. Deep into the dense woodland they plunged, wandering through verdant miles, bathing in every spring and stream they met, led on and on by the hope that some one of these might hold the waters of youth. Doubtless they fancied that the fountain sought would have some special marks, something to distinguish it from the host of common springs. But this might not be the case. The most precious things may lie concealed under the plainest aspect, like the fabled jewel in the toad's forehead, and it was certainly wisest to let no waters pass untried. Months passed on. Southward along the coast they sailed, landing here and there and penetrating inland, still hopeful of finding the enchanted spring. But wherever it might lie hidden, they found it not, for the marks of age which nature had brought clung to them still, and a bitterly disappointed man was Juan Ponce de Leon when he turned the prows of his ships away from the new-found shores and sailed back to Porto Rico. The Will-o'-the-wisp he sought had baffled him, yet something of worth remained, for he had made a discovery of importance, the "Island of Florida," as he called it and thought it to be. To Spain he went with the news of his voyage, and told the story of his discovery to King Ferdinand, to whom Columbus had told his wonderful tale some twenty years before. The king at once appointed him governor of Florida, and gave him full permission to plant a colony in the new land--continent or island as it might prove to be. De Leon may still have nourished hopes in his heart of finding the fabled fountain when, in 1521, he returned to plant the colony granted by the king. But the natives of Florida had seen enough of the Spaniards in their former visit, and now met them with arrows instead of flowers and smiles. Fierce fights ensued, and their efforts to establish themselves on the new shores proved in vain. In the end their leader received so severe an arrow wound that he withdrew and left to the victorious Indians the ownership of their land. The arrow was poisoned, and his wound proved mortal. In a short time after reaching Cuba he died, having found death instead of youth in the land of flowers. We may quote the words of the historian Robertson in support of the fancy which led De Leon in the path of discovery: "The Spaniards, at that period, were engaged in a career of activity which gave a romantic turn to their imagination and daily presented to them strange and marvellous objects. A new world was opened to their view. They visited islands and continents of whose existence mankind in former ages had no conception. In those delightful countries nature seemed to assume another form; every tree and plant and animal was different from those of the ancient hemisphere. They seemed to be transported into enchanted ground; and, after the wonders which they had seen, nothing, in the warmth and novelty of their imagination, appeared to them so extraordinary as to be beyond belief. If the rapid succession of new and striking scenes made such impression on the sound understanding of Columbus that he boasted of having found the seat of Paradise, it will not appear strange that Ponce de Leon should dream of discovering the fountain of youth." All we need say farther is that the first attempt to colonize the shores of the great republic of the future years ended in disaster and death. Yet De Leon's hope was not fully amiss, for in our own day many seek that flowery land in quest of youthful strength. They do not now hope to find it by bathing in any magic fountain, but it comes to them by breathing its health-giving atmosphere and basking in its magic clime. _DE SOTO AND THE FATHER OF WATERS._ America was to the Spaniards the land of gold. Everywhere they looked for the yellow metal, more precious in their eyes than anything else the earth yields. The wonderful adventures of Cortez in Mexico and of Pizarro in Peru, and the vast wealth in gold found by those sons of fame, filled their people with hope and avarice, and men of enterprise
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Produced by David Edwards, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) CONSTABLE’S MISCELLANY, VOLS. LIII. LIV. Will appear on the 3d and 17th April, containing, THE LIFE OF SIR WILLIAM WALLACE, OF ELDERSLIE. BY JOHN D. CARRICK. THE BUGLE NE’ER SUNG TO A BRAVER KNIGHT THAN WILLIAM OF ELDERSLIE. THOMAS CAMPBELL. IN TWO VOLUMES. EDINBURGH: CONSTABLE AND CO., 19, WATERLOO PLACE; AND HURST, CHANCE, AND CO., LONDON. BOURRIENNE. Preparing for immediate Publication IN CONSTABLE’S MISCELLANY, MEMOIRS OF NAPOLEON BONAPARTE, FROM THE FRENCH OF M. DE BOURRIENNE, PRIVATE SECRETARY TO THE EMPEROR. BY JAMES S. MEMES, LL.D. IN THREE VOLUMES. CONSTABLE’S MISCELLANY, OF ORIGINAL AND SELECTED PUBLICATIONS “A real and existing Library of Useful and Entertaining knowledge.” LITERARY GAZETTE. ADVERTISEMENT. The unlimited desire of knowledge which now pervades every class of Society, suggested the design, of not only reprinting, without abridgment or curtailment, in a cheap form, several interesting and valuable Publications, hitherto placed beyond the reach of a great proportion of readers, but also of issuing, in that form, many Original Treatises, by some of the most Distinguished Authors of the age. Such is the object of the present Work, which is publishing in a series of Volumes, under the general title of “CONSTABLE’S MISCELLANY OF ORIGINAL AND SELECTED PUBLICATIONS, IN THE VARIOUS DEPARTMENTS OF LITERATURE, SCIENCE, AND THE ARTS.” Immediately after its commencement, in January 1827, this Miscellany met with extensive encouragement, which has enabled the Publishers to bring forward a series of works of the very highest interest, and at unparalleled low prices. Fifty-two volumes are already before the Public, forming thirty-four distinct works, any of which may be purchased separately. Every volume contains a Vignette Title-page; and numerous other illustrations, such as Maps, Portraits, &c. are occasionally given. Being intended for all ages as well as ranks, Constable’s Miscellany is printed in a style and form which combine at once the means of giving much matter in a small space, with the requisites of great clearness and facility. A Volume, containing at least 324 pages, appears every three weeks, price 3s. 6d., a limited number being printed on fine paper, with early impressions of the Vignettes, price 5s. EDINBURGH: PUBLISHED BY CONSTABLE AND CO.; AND HURST, CHANCE, AND CO., LONDON. ORIGINAL WORKS PREPARING FOR CONSTABLE’S MISCELLANY. I. LIFE of K. JAMES the FIRST. By R. CHAMBERS, Author of “The Rebellions in Scotland,” &c. 2 vols. II. The ACHIEVEMENTS of the KNIGHTS of MALTA, from the Institution of the Hospitallers of St John, in 1099, till the Political Extinction of the Order, by Napoleon, in 1800. By ALEX. SUTHERLAND, Esq. 2 vols. III. LIFE of FRANCIS PIZZARO, and an ACCOUNT of the CONQUEST of PERU, &c. By the Author of the “Life of Hernan Cortes.” 1 vol. IV. HISTORY of MODERN GREECE, and the Ionian Islands; including a detailed Account of the late Revolutionary War. By THOMAS KEIGHTLEY, Esq., Author of “Fairy Mythology,” &c. 2 vols. V. A TOUR in SICILY, &c. By J. S. MEMES, Esq. LL.D., Author of the “History of Sculpture, Painting, and Architecture,” &c. 1 vol. VI. MEMOIRS of the IRISH REBELLIONS; By J. MCCAUL
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Produced by Paul Haxo from a copy generously made available by the University of California, Davis, and with special thanks to the Victorian Plays Project. "WANTED, A YOUNG LADY"-- _A Farce_, IN ONE ACT. BY W. E. SUTER, AUTHOR OF The Pirates of the Savannah, Idiot of the Mountain, Syren of Paris, Angel of Midnight, Old House on the Bridge, Outlaw of the Adriatic, Sarah's Young Man, A Quiet Family, John Wopps, Rifle Volunteer, Brother Bill and Me, Highwayman's Holiday, Accusing Spirit, First Love, Our New Man, Fan-fan, the Tulip, &c., &c. THOMAS HAILES LACY, 89, STRAND, LONDON. "WANTED, A YOUNG LADY." _Characters._ ADELAIDE STIRLING (_First Comedy_) FRANK MITCHELL (_First Comedy_) SIMON SNOOZLE (_Low Comedy_) _Costumes._ FRANK. _First Dress_--Travelling suit. _Second_--Old lady's hood, silk gown, shawl, spectacles, and stick. _Third_--Same as first. SIMON. _First Dress_--Half livery. _Second_--Velvet cap and silk dressing gown. ADELAIDE. _First Dress_--Travelling dress. _Second_--Silk bonnet, veil, spectacles, shawl, and stick. _Time in Representation_--40 _Minutes._ "WANTED, A YOUNG LADY"-- SCENE.--_Interior of an old Country Mansion; door, C.; door, R.; door L.; easy chairs; couch, L.; fire-place, R.; clock, C.; chairs, &c.; table, R., on it a lighted lamp; closet at back, L._ SIMON. (_entering, door C._) Yes, yes, godfather, make your mind easy, you may sleep quietly on both sides of your face. (_advancing_) That's a saying in our parts; but I have tried it, and I couldn't do it. (_looking at clock_) Seven o'clock! what a litter this room is in. (_placing chairs, &c._) And look here. (_indicating clothes scattered over an easy chair_) What's all this? Oh, old master's morning gown. (_places it in the closet_) I have an idea that this place of mine suits me very well. I am boarded and lodged and washed, eight pounds a year, and the key of the cellar. I fancy I shall soon get my nose red in this house. (_sits_) This here easy chair is uncommon comfortable. FRANK. (_entering, C. door, a portmanteau in his hand_) I don't see a soul about. (_seeing SIMON_) Eh! halloa, my friend! (_shaking him_) What are you doing there? SIMON. (_all aback_) Me, sir! I--I'm a doing my work. FRANK. Doing what? SIMON. (_rising_) What do you please to want? FRANK. I wish to see Mr. or Mrs. Mitchell. SIMON. Oh! either of them would do, then? FRANK. (L. C.) Yes. SIMON. (R. C.) That's lucky, for they are both gone out. FRANK. Out! then I will await their return. SIMON. I don't think you will, sir. FRANK. How do you mean? SIMON. Why, when master and missus went away this morning, they said they were going on a visit, and should be away nine or ten days--and the same number of nights too, no doubt. FRANK. (_aside_) Pleasant information! all this distance from London, and not a shilling in my pocket. (_to SIMON_) Are you alone here? SIMON. Yes, I'm quite alone in the house, except my godfather, who lives at the bottom of the garden. FRANK. The surly old brute I met in the park? SIMON. Yes, that's godfather. FRANK. Agreeable society! Well, I must teach myself resignation. (_offering portmanteau_) Go and prepare a chamber for me. SIMON. You are labouring under a mistake, sir; the Golden Lion is on the other side of---- FRANK. Ah, true! you do not know me. I am Fra----(_checking himself_) No, I mean Harry Mitchell, your master's grandson. SIMON. Really! well, how lucky! I have a letter for your brother. FRANK. For my brother Frank? SIMON. Yes, here it is. (_drawing a letter from his pocket_) I have been ordered to post it. FRANK. (_aside_) I know what are its contents--the old story--you are a good-for-nothing fellow, and I shall not give you a sixpence. (_aloud, taking letter and putting it into his pocket_) All right, I will take care he has it. SIMON. And so you are Master Harry, eh? You are the favourite, you are. FRANK. How did you learn that? SIMON. Godfather has made me acquainted with all the family matters, for I am quite fresh, I am. FRANK. You are quite fresh! what do you mean? SIMON. I mean I was quite new this morning. Godfather brought me here and showed me to your grandmother just as she was stepping into the old family coach; she had only just time to say, "Oh! this is the stupid animal you have told me about." You see, she is so old that she doesn't always know what she is talking about. FRANK. I think, though, her faculties were pretty clear this morning. But, as you say, she is rather old--eighty-two. Considerably wrinkled, I should think. SIMON. Her face is just like a little apple that has been dried in the sun. FRANK. And my grandfather? SIMON. He is like a little pear that has been baked in an oven. FRANK. I am certain I should not recognize them; they must be very dull here, all by themselves. SIMON. Godfather says that they sometimes yawn till they get a lock-jaw; that's why they have just advertised in the papers for somebody to read to them. FRANK. Read to them! SIMON. Yes, a young lady. FRANK. (_quickly_) Ah, there is a young lady here? SIMON. No, sir, she hasn't come yet. FRANK. What a pity! SIMON. And they won't want a young lady now they have engaged me. FRANK. (_laughing_) But you are not a young lady. SIMON. No, and I can't read, but---- FRANK. Idiot! go and prepare my chamber. SIMON. (_going, L._) Yes, Master Harry. FRANK. Stop a moment; is there anything to eat in the pantry? SIMON. I saw the plate chest there; but I'll go and see, Master Harry. Ah! if you were Mr. Frank. FRANK. Well? SIMON. I shouldn't be able to find anything. (_confidentially_) Godfather says that you are a pet, and that your brother is a bad lot; old folks won't have him at any price. FRANK. (_aside_) I know it but too well. (_aloud_) You will find some cigars in my portmanteau, with my pipe and tobacco. Stay; have you got the keys of the cellar? SIMON. Yes, sir. FRANK. Then bring me some champagne. SIMON. I will. (_aside_) He'll help me, I can see, to redden my nose! _Exit, with portmanteau, door, L._ FRANK. Have I done well to present myself here under my brother's name, because I know their great preference for him, and that they treat me like a Cinderella of the male sex. This is the way I discovered that I was no favourite; one day I wrote to them for money, and didn't get it: while Harry, who had also written for some, did: then I questioned myself as to what I had done, and as to what I had not done. I said to myself, it is nearly twelve years since Harry and I quitted the old people; we are of the same figure, considerably resemble each other; I could easily impose upon my grandmother, who is nearly blind, and ditto upon my grandfather, who is quite deaf, and so I will go to them and say here is your darling Harry, and express my willingness to receive as much money as they choose to give me; if my brother were to write I should be there to suppress his letters. Wasn't that a clever idea? not particularly honest, but remarkably clever; that will teach parents to have a preference, to all respectable grandfathers one grandson is as good as another. _Enter ADELAIDE, door, C., a cloak over her arm, a small carpet bag in her hand._ ADELAIDE. Mrs. Mitchell, if you please, sir. FRANK. (L. C.) Yes, this is her house, but she is gone from home for nine or ten days. ADELA. (R. C.) How unfortunate! And Mr. Mitchell? FRANK. That's me. I am Mr. Mitchell; Fra----I mean Harry Mitchell. ADELA. (_aside_) Harry! It is he! FRANK. Will you have the goodness to take a seat? ADELA. I thank you. But the Mr. Mitchell of whom I asked you is the husband of Mrs. Mitchell, and I do not suppose that---- FRANK. No, certainly; I have not married my grandmother, that sort of thing is not allowed, you know. (_aside_) She is deucedly pretty. (_aloud_) Will you have the goodness to take a seat? ADELA. Then your grandfather is also absent. FRANK. For nine or ten days. I am quite alone here, but that makes no difference. (_again offering chair_) Will you have the goodness to---- ADELA. No, thank you. I believe I cannot do better than make my way back to the railway station, and return to London. (_going up_) FRANK. (_following and bringing her back_) But, excuse me, may I be allowed to enquire---- ADELA. I believed I had been recommended to them by Mr. Dunstable, as a companion to---- FRANK. Certainly, quite correct. (_aside_) She mustn't go, I want a companion, dreadfully. (_aloud_) They are expecting you, madam, very impatiently, I assure you! ADELA. Well, but, since they are not at home---- FRANK. Certainly, will you allow me to--(_he takes her cloak and carpet bag_) They are in the park, they take a little walk there every evening, but they will be back directly; will you have the goodness to-- (_taking a chair and seating himself close beside her_) ADELA. (_shifting her chair, aside_) This Mr. Harry is very forward. (_aloud_) And you think, sir, that I shall suit your grandmother? FRANK. Certainly, you will suit her nicely--and you will suit my grandmother capitally--and you will suit my grandfather capitally--and you suit me beautifully--and you will suit my brother deli---- ADELA. Ah, you have a brother? FRANK. Yes, Harry--hem, no--I mean, Frank--I am Harry. ADELA. But, according to what Mr. Dunstable told me, one of you is a very bad fellow. FRANK. It isn't me; I assure you, it's my brother. ADELA. Are you quite certain? FRANK. Quite certain that I am not my brother--oh, yes. But, after all, Frank is really a capital fellow; he is, I assure you, I like him very much; I do, indeed--may have been a little wild, but---- ADELA. Pardon me, sir, but your grandmother does not return. FRANK. She is taking a little walk in the park, and perhaps her corns are troublesome--she has several, besides two or three bunions! but perhaps she has come in and gone to bed--she is subject to--to--to the whooping cough---- ADELA. The what, sir? FRANK. (_aside_) Confound it! I can't think of--(_aloud_) I mean the gout--and she always goes to bed early when--but you will see her to-morrow. ADELA. (_taking her portmanteau from FRANK'S hand_) To-morrow? in that case I will go to the Golden Lion Hotel, which is near the railway station. FRANK. (_again taking portmanteau from her hand_) No, no--grandmother would be so angry--she has caused a chamber to be prepared for you. ADELA. Indeed! FRANK. Yes, and supper, for she thought you would arrive late. _Enter SIMON, L. door._ SIMON. The chamber is ready, sir. FRANK. (_to ADELAIDE_) There, you hear! what did I tell you? (_to SIMON_) Very well. SIMON. (_L., aside_) Eh? that woman is a female! FRANK. (_to SIMON_) And the supper? ADELA. Thank you, but I am not hungry. SIMON. The supper is ready, too. (_aside to FRANK_) But, sir-- FRANK. (_giving him a sly kick_) Be quiet! ADELA. (_taking her cloak and portmanteau from FRANK_) I will go to my apartment. (_L., to SIMON_) I beg you will let me know immediately that Mr. and Mrs. Mitchell have returned from their walk? SIMON. (_C., astonished_) Eh, returned from their walk? FRANK. (_kicking as before, and crossing to L. C._) Hold your tongue. (_to ADELAIDE_) Oh, yes, directly they return, you may depend
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Produced by Fulvia Hughes, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note: Bold text is denoted by =equal signs=. The upside-down asterisms are denoted by *.* The list of the corrected items is at the end of this e-book. =Edgar Fawcett's Novels.= _Mr. Fawcett is a novelist who does a service that greatly needs to be done,--a novelist who writes of the life with which he is closely acquainted, and who manfully emphasizes his respect for his native land, and his contempt for the weakness and affectation of those who are ashamed of their country._--New York
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Produced by Brownfox and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by JSTOR www.jstor.org) THE IRISH PENNY JOURNAL. NUMBER 16. SATURDAY, OCTOBER 17, 1840. VOLUME I. [Illustration: THE CASTLE AND LAKE OF INCHIQUIN, COUNTY OF CLARE.] Connemara itself, now so celebrated for its lakes and mountains, was not less unknown a few years since than the greater portion of the county of Clare. Without roads, or houses of entertainment for travellers, its magnificent coast and other scenery were necessarily unvisited by the pleasure tourists, and but little appreciated even by their inhabitants themselves. But Clare can no longer be said to be an unvisited district: the recent formation of roads has opened to observation many features of interest previously inaccessible to the traveller, and its singular coast scenery--the most sublimely magnificent in the British islands, if not in Europe--has at least been made known to the public by topographical and scientific explorers--it has become an attractive locality to artists and pleasure tourists, and will doubtless be visited by increasing numbers of such persons in each successive year. There is however as yet in this county too great a deficiency in the number of respectable houses of entertainment suited to the habits of pleasure tourists; for though the wealthier and more educated classes in the British empire are becoming daily a more travelling and picturesque-hunting genus, they will not be content to live on fine scenery, but must have food for the body as well as for the mind; and truly they must be enthusiastic lovers of the picturesque, who, to gratify their taste, will subject themselves to the vicissitudes of such an uncertain climate as ours, without the certainty of such consoling comforts as are afforded in a clean and comfortable inn. Yet we do not despair of seeing this want soon supplied. Wherever there is a demand for a commodity it will not be long wanting; and the people of Clare are too sagacious not to perceive, however slowly, the practical wisdom of holding out every inducement of this kind to those who might be disposed to visit them and spend their money among them. The first step necessary, however, to produce such results in any little frequented district, is to make its objects of interest known to the public by the pencil and the pen--the rest will follow in due course; and our best efforts, such as they are, shall not be unexerted towards effecting such an important good as well for Clare as for many other as yet little known localities of our country. Clare is indeed on many accounts deserving of greater attention than it has hitherto received. It is a county rich in attractions for the geologist and naturalist, and interesting in the highest degree to the lovers of the picturesque. With a surface singularly broken and diversified, full of mountains, hills, lakes, and rivers, dotted all over with every class of ancient remains, its scenery is peculiarly Irish, and though of a somewhat melancholy aspect, it is never wanting in a poetic and historic interest. Such a district is not indeed exactly suited to the tastes of the common scenery-hunter, for it possesses but little of that woody and artificially adorned scenery which he requires, and can alone enjoy; and hence it has usually been described by tourists and topographers with a coldness which shows how little its peculiarities had impressed their feelings, and how incompetent they were to communicate to others a just estimate of its character. Let us take as an example the notice given by the writers of Lewis’s Topographical Dictionary, of one of the Clare beauties of which the natives are most proud--the caverns called the To-meens or To-mines, near Kiltanan:-- “At Kiltanan is a succession of limestone caverns, through which a rivulet takes its course: these are much visited in summer; many petrified shells are found in the limestone, some of which are nearly perfect, and--_very curious_!” This it must be confessed is cold enough; but the description of the same locality given by our friend the author of the Guide through Ireland, is, as our readers will see, not a whit warmer. It is as follows:-- “A mile from Tulla is Kiltanan, the handsome residence of James Moloney, Esq.; and in addition to the pleasure of a well-kept residence, in a naked and sadly neglected country, _some interest_ is excited by the subterraneous course of the rivulet called the To-meens, which waters this demesne!” Now, would any person be induced by such descriptions as those to visit the said To-meens? We suspect not. But hear with what delight a native writer of this county actually revels in a description of these remarkable caves:-- “About a mile N. W. of Tulla lies the river of Kiltanan, and Milltown, famous for its ever-amazing and elegant subterraneous curiosities, called the To-mines: they form a part of the river, midway between Kiltanan House and the Castle of Milltown, extending under ground for a space, which (from its invisible winding banks and crystal meanders) may reasonably be computed a quarter of an English mile: they are vaulted, and sheltered with a solid rock, transmitting a sufficiency of light and air by intermediate chinks and apertures gradually offering at certain intervals. At each side of this Elysian-like river are roomy passages or rather apartments, freely communicating one with the other, and scarcely obvious to any inclemency whatsoever: they are likewise decorated with a sandy beach level along to walk on, whilst the curious spectators are crowned with garlands of ivy, hanging in triplets from the impending rocky shades: numbers of the sporting game, the wily fox, the wary hare, and the multiplying rabbit, &c. merrily parading in view of their own singular and various absconding haunts and retreats. Ingenious nature thus entertains her welcome visitants from the entrance to the extremity of the To-mines. Lo! when parting liberally rewarded, and amply satisfied with such egregious and wonderful exhibitions, a bridge or arch over the same river, curiously composed of solid stone, appears to them as a lively representation of an artificial one. What can the much boasted of Giants’ Causeway, in the north of this kingdom, produce but scenes of horror and obscurity? whilst the To-mines of the barony of Tulla, like unto the artificial beauties of the Latomi of Syracuse, freely exhibit the most natural and pleasing appearances. Let the literati and curious, after taking the continental tour of Europe, praise and even write of the imaginary beauties and natural curiosities of Italy and Switzerland--pray, let them also, on a cool reflection, repair to the county of Clare, view and touch upon the truly subterraneous and really unartificial curiosities of the To-mines: they will impartially admit that these naturally enchanting rarities may be freely visited, and generously treated of, by the ingenious and learned of this and after ages.”--_A Short Tour, or an Impartial and Accurate Description of the County of Clare, by John Lloyd, Ennis; 1780._ Excellent. Mr Lloyd! Your style is indeed a _little_ peculiar, and what some would think extravagant and grotesque; but you describe with feeling, and we shall certainly visit your To-meens next summer. But in the mean time we must notice another Clare lion, of which you have given us no account--the lake and castle, which we have drawn as an embellishment to our present number. This is a locality respecting the beauty of which there can be no difference of opinion: it has all the circumstances which give interest to a landscape--wood, water, lake, mountain, and ancient ruin--and the effect of their combination is singularly enhanced by the surprise created by the appearance of a scene so delightful in a district wild, rocky, and unimproved. The lake of Inchiquin is situated in the parish of Kilnaboy, barony of Inchiquin, and is about two miles and a half in circumference. It is bounded on its western side by a range of hills rugged but richly wooded, and rising abruptly from its margin; and on its southern side, the domain surrounding the residence of the Burton family, and the ornamental grounds of Adelphi, the residence of W. and F. Fitzgerald, Esqrs. contribute to adorn a scene of remarkable natural beauty. One solitary island alone appears on its surface, unless that be ranked as one on which the ancient castle is situated, and which may originally have been insulated, though no longer so. The castle, which is situated at the northern side of the lake, though greatly dilapidated, is still a picturesque and interesting ruin, consisting of the remains of a barbican tower, keep, and old mansion-house attached to it; and its situation on a rocky island or peninsula standing out in the smooth water, with its grey walls relieved by the dark masses of the wooded hills behind, is eminently striking and imposing. It is from this island or peninsula that the barony takes its name; and from this also the chief of the O’Briens, the Marquis of Thomond, derives his more ancient title of Earl of Inchiquin. For a long period it was the principal residence of the chiefs of this great family, to one of whom it unquestionably owes its origin; but we have not been able to ascertain with certainty the name of its founder, or date of its erection. There is, however, every reason to ascribe its foundation to Tiege O’Brien, king or lord of Thomond, who died, according to the Annals of the Four Masters, in 1466, as he is the first of his name on record who made it his residence, and as its architectural features are most strictly characteristic of the style of the age in which he flourished. But though the erection of this castle is properly to be ascribed to the O’Briens, it is a great error in the writers of Lewis’s Topographical Dictionary to state that it has been from time immemorial the property of the O’Brien family. The locality, as its name indicates, and as history and tradition assure us, was the ancient residence of the O’Quins, a family of equal antiquity with the O’Briens, and of the same stock--namely, the Dal Cas or descendants of Cormac Cas, the son of Ollioll Oluim, who was monarch of Ireland in the beginning of the third century. The O’Quins were chiefs of the clan called Hy-Ifearnan, and their possessions were bounded by those of the O’Deas on the east, the O’Loughlins and O’Conors (Corcomroe) on the west and north-west, the O’Hynes on the north, and the O’Hehirs on the south. At what period or from what circumstance the O’Quins lost their ancient patrimony, we have not been able to discover; but it would appear to have been about the middle or perhaps close of the fourteenth century, to which time their genealogy as chiefs is recorded in that invaluable repository of Irish family history, the Book of Mac Firbis; and it would seem most probable that they were transplanted by the O’Briens about this period to the county of Limerick, in which they are subsequently found. Their removal is indeed differently accounted for in a popular legend still current in the barony, and which, according to our recollections of it, is to the following effect: In the youth of the last O’Quin of Inchiquin, he saw from his residence a number of swans of singular beauty frequenting the west side of the lake, and wandering along its shore. Wishing, if possible, to possess himself of one of them, he was in the habit of concealing himself among the rocks and woods in its vicinity, hoping that he might take them by surprise, and he was at length successful: one of them became his captive, and was secretly carried to his residence, when, to his amazement and delight, throwing off her downy covering, she assumed the form of a beautiful woman, and shortly after became his wife. Previous to the marriage, however, she imposed certain conditions on her lover as the price of her consent, to which he willingly agreed. These were--first, that their union should be kept secret; secondly, that he should not receive any visitors at his mansion, particularly those of the O’Briens; and, lastly, that he should wholly abstain from gambling. For some years these conditions were strictly adhered to; they lived in happiness together, and two children blessed their union. But it happened unfortunately at length that at the neighbouring races at Cood he fell in with the O’Briens, by whom he was hospitably treated; and being induced to indulge in too much wine, he forgot his engagements to his wife, and invited them to his residence on a certain day to repay their kindness to him. His wife heard of this invitation with sadness, but proceeded without remonstrance to prepare the feast for his guests. But she did not grace it with her presence; and when the company had assembled, and were engaged in merriment, she withdrew to her own apartment, to which she called her children, and after embracing them in a paroxysm of grief, which they could not account for, she took her original feathery covering from a press in which it had been kept, arrayed herself in it, and assuming her pristine shape, plunged into the lake, and was never seen afterwards. On the same night, O’Quin, again forgetful of the promises he had made her, engaged in play with Tiege-an-Cood O’Brien, the most distinguished of his guests, and lost the whole of his property. The reader is at liberty to believe as much or as little of this story as he pleases: but at all events the legend is valuable in a historical point of view, as indicating the period when the lands of Inchiquin passed into the hands of the O’Brien family; nor is it wholly improbable that under the guise of a wild legend may be concealed some indistinct tradition of such a real occurrence as that O’Quin made a union long kept hidden, with a person of inferior station, and that its discovery drew down upon his head the vengeance of his proud com
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Produced by Giovanni Fini, Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) TRANSCRIBER’S NOTES: —Obvious print and punctuation errors were corrected. —Bold text have been rendered as =bold text=. [Illustration: POPULAR PASTIMES For Field & Fireside.] Popular Pastimes FOR Field and Fireside, OR Amusements for Young and Old. CAREFULLY COMPILED BY AUNT CARRIE. SPRINGFIELD, MASS.: PUBLISHED BY MILTON BRADLEY & CO. 1867. Entered according to Act of Congress, in the year 1866, by MILTON BRADLEY & COMPANY, In the Clerk’s Office of the District Court of the District of Massachusetts. SAMUEL BOWLES AND COMPANY. Printers, Binders and Electrotypers. AUNT CARRIE DEDICATES TO HER YOUNG FRIENDS THIS BOOK, IN THE HOPE THAT IT WILL ADD TO THEIR HOME PLEASURES. Preface. I WOULD like to make a few suggestions on “home influence,” before I commence a list of amusements. They may be superfluous; if so, I trust you will pardon me. All parents, I am sure, must feel a deep interest in this subject, and I think will agree with me that judicious praise is quite as necessary in the training of a child as wholesome correction. But if we wish our children to have a genuine love for us, and our homes, we must sympathize with them, and never forget we were once children, and loved childish things. Mothers have by nature far more sympathy and patience than most fathers. Some fathers are apt to think that home is only a place in which to eat, sleep, and be generally comfortable; but as to giving any of their valuable time to entertaining their own children, why, the very idea is preposterous! A wife is presuming to expect it! Let me appeal to your selfish instincts. You all wish to be loved and revered, and are gratified if your children are attentive to your comforts. Can you expect such manifestations, unless you set them an example, and prove by a real interest in their pleasures, that you sincerely love them? Is it not better to devote at least an hour a day to your children, than to spend every moment in earning money for them, which, unless you rightly direct and train them, will surely prove their ruin? There is no time in the day when home is so pleasant as at twilight, or in the early evening hour. Then all are gathered (or should be) together at home. In the country it is after tea; in cities, particularly New York, it is after dinner. Then, I entreat you, fathers and mothers, assemble your children around you, devote your time for an hour or two in being children with them, join heartily in all their plays; let them tell what has interested them during the day; draw them out, and encourage them to open their little hearts freely and confide in you. Some think it childish and silly to play games. Yet if we would only keep our hearts young and happy, we should retain our youth longer, and love our friends and homes better. A good hearty laugh is wholesome. Mothers, I intreat you to train your own children. Do not leave them to servants. Hire them to relieve you of the care of your house, and to do your sewing; but give your time to your children. “Verily, you will have your reward.” I have compiled this book to assist you in your home amusements. May it carry to your home circle that spirit of enjoyment which is natural to the young heart, and which should not be absent from the more mature. Contents. PAGE PREFACE, v CROQUET. MATERIALS used in the Game—Preparation of the Ground—Choice of Sides—General Principles of the Game—Arrangement of the Bridges—Diagrams—Rules of the Game—Striking the Ball—Running a Bridge—Striking Out—The Rover—Roquet—Croquet and Roquet-C
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E-text prepared by Suzanne Shell and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto) Note: Images of the original pages are available through Internet Archive/Canadian Libraries. See http://www.archive.org/details/songsofwomanhood00almauoft Transcriber's note: Text enclosed by equal signs is in bold face (=bold). SONGS OF WOMANHOOD * * * * * _BY THE SAME AUTHOR._ _Uniform with this Volume._ REALMS OF UNKNOWN KINGS. =The Athenaeum.=--'_In this volume the critic recognises with sudden joy the work of a true poet._' =The Saturday Review.=--'_It is a book in which deep feeling speaks ... and it has something of that essentially poetical thought, the thought that sees, which lies deeper than feeling._' LONDON: GRANT RICHARDS. * * * * * SONGS OF WOMANHOOD by LAURENCE ALMA TADEMA Grant Richards 48 Leicester Square London 1903 Edinburgh: Printed by T. and A. Constable A great number of the following verses are already known to readers of _The Herb o' Grace_, and of the little reprint, _Songs of Childhood_. As these pamphlets, however, did not reach the public, it has been thought advisable to re-issue the verses in book-form, together with three or four more collected from various reviews, and a number that are here printed for the first time. L.A.T. Contents PAGE CHILDHOOD KING BABY 3 A BLESSING FOR THE BLESSED 5 TO RAOUL BOUCHARD 8 TO-DAY AND TO-MORROW 10 THE NESTING HOUR 11 THE LITTLE SISTER--Bath-time 12 Bed-time 13 A TWILIGHT SONG 14 A WINTRY LULLABY 15 THE WARM CRADLE 16 THE DROOPING FLOWER 17 MOTHERS IN THE GARDEN--I. 18 II. 19 THE GRAVEL PATH 20 THE NEW PELISSE 21 SOLACE 22 STRANGE LANDS 23 MARCH MEADOWS--A Lark 24 Lambs 25 THE ROBIN 26 THE MOUSE 27 THE BAT 28 THE SWALLOW 29 SNOWDROPS 30 FROST 32 APPLES 33 LONELY CHILDREN--I. 34 II. 35 PLAYGROUNDS 36 FAIRINGS 38 THE FLOWER TO THE BUD 40 SIX SONGS OF GIRLHOOD LOVE AND THE MAIDENS 43 AWAKENINGS 44 THE CLOUDED SOUL 46 THE HEALER 47 THE OPEN DOOR 48 THE FUGITIVE 49 THE FAITHFUL WIFE 53 WOMANHOOD A WOMAN TO HER POET 63 THE INFIDEL 64 LOVE WITHIN VOWS 65 THE EXILE 66 THE SCAR INDELIBLE 67 REVULSION 68 THE CAPTIVE 69 POSSESSION'S ANGUISH 70 TREASURES OF POVERTY 72 SOLITUDE 73 THE HEART ASLEEP 74 ADVERSITY 75 FACES OF THE DEAD 76 THE SLEEPER 80 STARS 81 TRELAWNY'S GRAVE 82 V.R.I.--JANUARY 22, 1901 83 LINES ON A PICTURE BY MARY GOW 84 TO SERENITY 85 ELEVEN SONNETS 89 THE OPEN AIR SUNSHINE IN FEBRUARY 103 THE CUCKOO 104 A SONG IN THE MORNING 107 IN A LONDON SQUARE 109 THE CALL OF THE GREEN 111 SUMMER ENDING 112 NEAR AUTUMN 114 NOVEMBER 115 THE COMMON WEALTH 117 CHILDHOOD King Baby King Baby on his throne Sits reigning O, sits reigning O! King Baby on his throne Sits reigning all alone. His throne is Mother's knee, So tender O, so tender O! His throne is Mother's knee, Where none may sit but he. His crown it is of gold, So curly O, so curly O! His crown it is of gold, In shining tendrils rolled. His kingdom is my heart, So loyal O, so loyal O! His kingdom is my heart, His own in every part. Divine are all his laws, So simple O, so simple O! Divine are all his laws, With Love for end and cause. King Baby on his throne Sits reigning O, sits reigning O! King Baby on his throne Sits reigning all alone. A Blessing for the Blessed When the sun has left the hill-top, And the daisy-fringe is furled, When the birds from wood and meadow In their hidden nests are curled, Then I think of all the babies That are sleeping in the world.... There are babies in the high lands And babies in the low, There are pale ones wrapped in furry skins On the margin of the snow, And brown ones naked in the isles, Where all the spices grow. And some are in the palace On a white and downy bed, And some are in the garret With a clout beneath their head, And some are on the cold hard earth, Whose mothers have no bread. O little men and women, Dear flowers yet unblown! O little kings and beggars Of the pageant yet unshown! Sleep soft and dream pale dreams now, To-morrow is your own.... Though some shall walk in darkness, And others in the light, Though some shall smile and others weep In the silence of the night, When Life has touched with many hues Your souls now clear and white: God save you, little children! And make your eyes to see His finger pointing in the dark Whatever you may be, Till one and all, through Life and Death, Pass to Eternity.... To Raoul Bouchard Dear were your kisses, baby boy, Your weight upon my arm: Gay were your tuneful cries of joy As I danced you round the farm: And sweet your softness when we lay Laughing and cooing in the hay. The summer sun will shine again, Old arms will mow and reap; There'll be new flowers on the plain, New lambs among the sheep; But never in this world of men Shall we two be as we were then. Your feet have touched the ground, my bird, And now your wondering eyes Will gaze no more as if they heard A seraph in the skies: A little boy, with leap and shout You'll wildly chase your dreams about. But when you are a man, soft thing, And life has made you stern, May we who watched you in your spring Still feel our babe return In hallowed moments, such as shine When thought or deed makes man divine. To-day and To-morrow Little hands--what will you grasp When you leave this nest, O? Little arms--what will you clasp Against that tender breast, O? Cling to mother's finger, babe, Throw sweet arms about me! Here no noons may linger, babe, Soon you'll love without me. Little toes--where will you turn, East or south or west, O? Little feet--what sands that burn Will you soon have pressed, O? Lie on mother's knee, my own, Dance your heels about me! Apples leave the tree, my own, Soon you'll live without me.... The Nesting Hour Robin-friend has gone to bed, Little wing to hide his head-- Mother's bird must slumber too Just as baby Robins do-- When the stars begin to rise, Birds and babies close their eyes. The Little Sister BATH-TIME: Baby's got no legs at all, They're soft and pinky, crumpled things; If he stood up he'd only fall: But then, you see, he's used to wings. BED-TIME: Baby baby bye, Close your little eye! When the dark begins to creep, Tiny-wees must go to sleep. Lammy lammy lie, I am seven, I; Little boys must sleep and wait, If they want their bed-time late. Fidgy fidgy fie, There's no need to cry! Soon you'll never dress in white, But sit up working half the night.... A Twilight Song Baby moon, 'tis time for bed, Owlet leaves his nest now; Hide your little horned head In the twilight west now; When you're old and round and bright, You shall stay and shine all night. Baby girl is going too In her bed to creep now; She is little, just like you, Time it is to sleep now; When she's old and tired and wise, She'll be glad to close her eyes. A Wintry Lullaby Blow, wind, blow, The fields are white with snow-- Sleeping daisies, deep and warm, Cannot hear the Winter storm. Freeze, air, freeze, The rime is on the trees-- Sleeping buds within the bough, Dream of spring and cuckoos now. Turn, earth, turn, The flames of life do burn-- Sleeping girl, my baby dove, Knows no world but mother's love. The Warm Cradle Hush, baby, hush, Sweet robin's in the bush-- All the birdies lie so quiet, Won't my little dicky try it? Hush, baby, hush. Sleep, baby, sleep, The lammies love the sheep-- Woolly babes all nestle cosy, Lie, my lambkin, warm and rosy, Sleep, baby, sleep. Dream, baby, dream, Our feet are in the stream-- Stones below but stars above, child, Life is warm so long we love, child, Dream, baby, dream. The Drooping Flower Baby's rather ill to-night, Little face is long and white, Eyes are all too large and bright-- What shall mother do now? Never leave him out of sight, Hold him warm and still and tight, Make him well with all her might, That's what she will do now. Mothers in the Garden I Wagtail--pied Wagtail-- What tremor's in your breast? On nimble feet, when we draw near, You run about to hide your fear, As if to say: There's nothing here, I have no nest.... Wagtail--pied Wagtail-- We too their voices heard; Away then to the water-side, And fetch the food for which they cried; From us there is no need to hide, My dainty bird. II The thrushes' nest has fallen From the ivy on the wall: The dear blue eggs are broken, All broken by the fall. But we heard a song at sundown That said: O tears are vain!-- And babe and I ceased grieving: We think they will build again. The Gravel Path Tiny mustn't frown When she tumbles down; If the wind should change--Ah me, What a face her face would be! Rub away the dirt, Say she wasn't hurt; What a world 'twould be--O my, If all who fell began to cry! The New Pelisse Baby's got a new pelisse, Very soft and very neat-- Like a lammy in her fleece She's all white from head to feet. Thirty lambs each gave a curl, Mother sewed them, stitch by stitch-- All to clothe a baby-girl: Don't you think she's very rich? Solace Whom does Miss belong to? Just to Mother, Mother only: That's whom Miss belongs to, --And Mother's never lonely. Whom's this little song to? Just to Baby, Baby only: That's whom little song's to, --And Baby's never lonely. Strange Lands Where do you come from, Mr. Jay?-- 'From the land of Play, from the land of Play.' And where can that be, Mr. Jay?-- 'Far away--far away.' Where do you come from, Mrs. Dove?-- 'From the land of Love, from the land of Love.' And how do you get there, Mrs. Dove?-- 'Look above--look above.' Where do you come from, Baby Miss?-- 'From the land of Bliss, from the land of Bliss.' And what is the way there, Baby Miss?-- 'Mother's kiss--mother's kiss.' March
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Produced by K. Nordquist, Diane Monico, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) WHITTIER-LAND _SAMUEL T. PICKARD_ [Illustration] By Samuel T. Pickard WHITTIER-LAND. Illustrated. 12mo, $1.00 _net_. Postage 9 cents. LIFE AND LETTERS OF JOHN GREENLEAF WHITTIER. With Portraits and other Illustrations. 2 vols. crown 8vo, gilt top, $4.00. _One-Volume Edition_. Illustrated. Crown 8vo, $2.50. HOUGHTON MIFFLIN COMPANY BOSTON AND NEW YORK WHITTIER-LAND
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E-text prepared by Graeme Mackreth and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/bondmanstoryofti00oneirich THE LIBRARY OF ROMANCE. Edited by LEITCH RITCHIE. VOL. V. THE BONDMAN. London: Smith, Elder and Co., 65, Cornhill. 1833. Printed by Stewart and Co., Old Bailey. THE BONDMAN. A Story of the Times of Wat Tyler. London: Smith, Elder and Co., 65, Cornhill; 1833. ADVERTISEMENT. The idea of the following tale was suggested on reading the first volume of Robertson's Charles the Fifth, on the Feudal Policy of Germany; and the picture of moral and political debasement presented in those pages, whether as regards the oppressor or the oppressed. Those revolting distinctions have, however, passed away--villein is but a thing that was. But if the old chronicles are to be credited, the monk, whom the author has endeavoured to pourtray in the course of this tale, was the first who whispered in the ear of an English serf, that slavery was not his birthright. It may, perhaps, be superfluous to add, that all the legal information scattered through the volume, is strictly correct; and every historical event, as nearly so as the machinery of the tale permitted. The critical reader, whose indulgence the writer solicits, will immediately perceive from whence the information has been derived. THE BONDMAN. BOOK I. CHAPTER I. About a quarter of a mile south of Winchcombe, on the summit of a gentle elevation, are still the remains of a castle, which, as Fuller says, "was of subjects' castles the most handsome habitation, and of subjects' habitations the strongest castle." In the month of August, in the year thirteen hundred and seventy-four, this distinguished place, called Sudley Castle, presented an interesting scene--the then owner, in consequence of his father's death, holding his first court for receiving the homage and fealty of his vassals. The court-yards were thronged with the retainers of the Baron, beguiling the hour until the ceremony called them into the hall. This apartment, which corresponded in magnificence and beauty with the outward appearance of the noble pile, was of an oblong shape. Carved representations of battles adorned the lofty oaken ceiling, and suspended were banners and quarterings of the Sudley and De Boteler families. Ancestral statues of oak, clad in complete armour, stood in niches formed in the thick walls. The heavy linked mail of the Normans, with the close helmet, or skull cap, fastened under the chin, and leaving the face exposed, encased those who represented the early barons of Sudley; while those of a later period were clad in the more convenient, and more beautiful armour of the fourteenth century. The walls were covered with arms, adapted to the different descriptions of soldiers of the period, and arranged so, as each might provide himself with his proper weapons, without delay or confusion. The hall had a tesselated pavement, on which the arms of the united families of Sudley and De Boteler (the latter having inherited by marriage, in consequence of a failure of male issue in the former) were depicted with singular accuracy and beauty. About midway from the entrance, two broad steps of white marble led to the part of the hall exclusively appropriated to the owner of the castle. The mosaic work of this privileged space was concealed on the present occasion by a covering of fine crimson cloth. A large arm chair, covered with crimson velvet, with the De Boteler arms richly emblazoned on the high back, over which hung a velvet canopy fringed with gold, was placed in the centre of the elevation; and several other chairs with similar coverings and emblazonings, but wanting canopies, were disposed around for the accommodation of the guests. The steward at length appeared, and descended the steps to classify the people for the intended homage, and to satisfy himself that none had disobeyed the summons. The tenantry were arranged in the following order:-- First--the steward and esquire stood on either side next the steps. Then followed the vassals who held lands for watching and warding the castle. These were considered superior to the other vassals from the peculiar nature of their tenure, as the life-guards, as it were, of their lord. Then those who held lands in chivalry, namely, by performing stated military services, the perfection of whose tenures was homage. The next were those who held lands by agricultural or rent service, and who performed fealty as a memorial of their attachment and dependence. The bondmen, or legally speaking, the villeins, concluded the array. These were either attached to the soil or to the person. The former were designated _villeins appendant_, because following the transfer of the ground, like fixtures of a freehold, their persons, lands, and goods, being the property of the lord; they might be chastised, but not maimed. They paid a fine on the marriage of females; who obtained their freedom on marriage with a free man, but returned again to bondage on surviving their husband. The latter class were called _villeins in gross_, and differed nothing from the others except in name; the term signifying that they were severed from the soil, and followed the person of the lord. Neither of the classes were permitted to leave the lands of their owner; and on flight or settlement in towns or cities, might be pursued and reclaimed. An action for damages lay against those who harboured them, or who refused to deliver them up,--the law also provided a certain form of writ by which the sheriff was commanded to seize, or obtain them by force. There was one mode, however, of nullifying the right of capture. If the runaway resided on lands of the king, for a year and a day, without claim, he could not be molested for the future; although he was still liable, if caught beyond the precincts of the royal boundary, to be retaken. The classification had just finished, when a door at the upper end of the hall was thrown open, and the Baron of Sudley entered, attended by his guests, and followed by a page. Roland de Boteler was a man about six-and-twenty, of a tall, well-proportioned figure, with an open, handsome countenance; but there was a certain boldness or freedom in the laughing glance of his large black eyes, and in the full parted lips, blended with an expression, which though not perhaps exactly haughty or cruel, yet told distinctly enough that he was perfectly regardless of the feelings of his dependants, and considered them merely as conducive to his amusement, or to the display of military power. A doublet of crimson cloth, embroidered with gold, was well chosen to give advantage to his dark complexion. His tunic composed of baudykin, or cloth of gold, was confined round the waist by a girdle, below which it hung in full plaits, nearly to the knee,--thus allowing little of his trunk hose, of rich velvet, corresponding in colour with the doublet, to be seen. Over his dress he wore a surcoat or mantle of fine violet- cloth, fastened across the breast, with a gold clasp, and lined with minever. His hair, according to the fashion introduced by the Black Prince, when he brought over his royal captive, John of France, fell in thick short curls below a cap in colour and material resembling his mantle, and edged with minever; and the lip and chin wore neither mustachio nor beard. His eye fell proudly for a moment on the assembled yeomen, as he took his seat for the first time as Lord of Sudley; but speedily the ceremony commenced. The individual first summoned from among the group, was a tall athletic young man of about twenty-five, with a complexion fair but reddened through exposure to the seasons. His hair was light-brown, thick and curly, and there was a good-humoured expression in the clear grey eyes, and in the full, broad, well marked countenance, that would give one the idea of a gay, thoughtless spirit--had it not been for the bold and firm step, and the sudden change of feature from gay to grave as he advanced to the platform, and met unabashed the Baron's scrutiny, at once indicating that the man possessed courage and decision when occasion required these qualities to be called into action. Stephen Holgrave ascended the marble steps, and proceeded on till he stood at the baron's feet. He then unclasped the belt of his waist, and having his head uncovered, knelt down, and holding up both his hands. De Boteler took them within his own, and the yeoman said in a loud, distinct voice-- "Lord Roland de Boteler, I become your man from this day forward, of life and limb and earthly worship, and unto you shall be true and faithful, and bear to you faith, for the lands that I claim to hold of you, saving the faith that I owe unto our sovereign lord the king." The baron then bent his head forward and kissed the young man's forehead; and unloosing his hands, Holgrave arose, and bending his head, stood to hear what De Boteler might say. "You have spoken well, Holgrave," said De Boteler, looking good-humouredly upon the yeoman, "and, truly, if the life of Roland de Boteler is worth any thing, you have earned your reward; and, here, in the presence of this good company, I covenant for myself and my heirs, that you and your heirs, shall hold the land for ever, in chivalry, presenting every feast of the Holy Baptist, a pair of gloves." "Calverley," said the baron, as Holgrave retired, and while addressing his esquire, his features assumed a peculiar expression: "What a pity it is that a yeoman should reap the reward of a service that _should_ have been performed by you had your health permitted!" The sarcastic smile that accompanied these words, called up a glow even deeper than envy had done; yet, in a calm voice, Calverley replied, "The land, my lord, though the gift be fair, is of little account in comparison with the honour of the deed; but I may humbly say, that if Thomas Calverley had witnessed his master's peril, he would have been found as valiant in his defence as the yeoman, whose better fortune it was to be present." "Aye, aye, my good'squire," said the baron, still in a laughing tone, "your illness, I am told, gave you a most outrageous appetite--doubtless your feeble constitution needed strengthening! Come, come, man, it is but a joke--never look so blank; yet, if _we_ laugh, there is no reason why those knaves should stand grinning there from ear to ear. Bid the senior vassal advance." The vassals who were to perform homage then prepared to go through the customary form; and an old grey-headed man advanced first from the group to do fealty, and, standing before the baron, pronounced after him the following oath, holding his right hand on the gospels:-- "I, John Hartwell, will be to you, my Lord Roland de Boteler, true and faithful, and bear to you fealty and faith for the lands and tenements which I hold of you; and I will truly do and perform the customs and services that I ought to do to you, so help me God!" The old man then kissed the book, and retired to give place to the next; and so on till all who owed fealty had gone through the ceremony. Lastly advanced from among the bondmen, or villeins, the oldest servitor, and, holding his right hand over the book, pronounced after De Boteler-- "Hear you, my Lord de Boteler, that I, William Marson, from this day forth unto you shall be true and faithful, and shall owe you fealty for the land which I may hold of you in villeinage, and shall be justified by you both in body and goods, so help me God and all the saints." After kissing the book he withdrew; and the bondmen successively renewed their servile compact. While the vassals were retiring from the hall, the Lord de Boteler turned to the gentleman near him-- "Sir Robert," said he, "you saw that vassal who first did homage?--to that base-born churl I owe my life. I had engaged hand to hand with a French knight, when my opponent's esquire treacherously attacked me from behind. This was observed by my faithful follower, who struck down the coward with his axe, and, in a moment more, rid me of the knight by a blow that cleft his helmet and entered his brain. He also, by rare chance, I know not how, slew the bearer of that banner yonder, and, when the battle was over, laid it at my feet." "You have made him a freeman since then?" inquired Sir Robert. "No; he received his freedom from my father when a boy for some juvenile service--I hardly remember what. Yet I shall never forget the look of the varlet--as if it mattered to such as he whether they were free or not! He stared for an instant at my father--the tears trembling in his eyes, and all the blood in his body, I verily believe, reddening his face, and he looked as if he would have said something; but my father and I did not care to listen, and we turned away. As for the land he has now received, I promised it him on the field of battle, and I could not retract my word." "No, baron," said Sir Robert; "the man earned it by his bravery: and surely the life of the Lord de Boteler is worth more than a piece of dirty land." De Boteler, not caring to continue so uninteresting a subject, discoursed upon other matters; and the business of the morning having concluded, he retired with his guests from the hall. It was about a fortnight after this court day that the fortunate yeoman one morning led his mother, Edith Holgrave, to the cottage he had built on the land that was now his own. Edith entered the cottage, her hand resting for support upon the shoulder of her son--for she was feeble, though not so much from age as from a weak constitution. As she stepped over the threshold she devoutly crossed herself; and when they stood upon the earthen floor, she withdrew her left hand from the arm that supported her, and, sinking upon her knees, and raising up her eyes, exclaimed-- "May He, in whose hands are the ends of the earth, preserve thee, my son, from evil. And oh! may He bless this house!" While she spoke, her eyes brightened, and her pale face for a short time glowed with the fervor of her soul. "Stephen, my son," she continued (as with his aid she arose and seated herself upon a wooden stool), "many days of sorrow have I seen, but this proud day is an atonement for all. _My_ father was a freeman, but _thy_ father was a serf;--but all are alike in _His_ eyes, who oftentimes gives the soul of a churl to him who dwelleth in castles, and quickens the body of the base of birth with a spirit that might honour the wearer of crimson and gold. My husband was a villein, but his soul spurned the bondage; and oftentimes, my son, when you have been an infant in my arms, thy father wished that the free-born breast which nourished you, could infuse freedom into your veins. _He_ did not live to see it; but oh! what a proud day was that for me, when my son no longer bore the name of slave! I had prayed--I had yearned for that day; and it at length repaid me for all the taunts of our neighbours, who reviled me because my spirit was not such as theirs!" "Come, come, mother," interrupted Holgrave, "don't agitate yourself; there is time to talk of all this by-and-bye." "And so there is, child--but I am old; and the aged, as well as the young, love to be talking. Stephen, you must bear with your mother." "Aye, that I will, mother," replied Holgrave, kissing her cheek which had assumed its accustomed paleness; "and ill befall the son that will not!" Leaving his mother to attend to the visitors who crowded in to drink success to the new proprietor in a cup of ale, Stephen Holgrave stole unobserved out of the cottage towards nightfall. Passing through Winchcombe, he arrived at a small neat dwelling, in a little sequestered valley, about a quarter of a mile from the town--the tenant of which lowly abode is of no small consequence to our story. Like Holgrave, Margaret was the offspring of the bond and the free. Her father had been a bondman attached to the manor of Sudley; and her mother a poor friendless orphan, with no patrimony save her freedom. Such marriages were certainly of rare occurrence, because women naturally felt a repugnance to become the mother of serfs; but still, that they did occur, is evidenced by the law of villeinage, ordaining that the children of a bondman and free woman should in no wise partake of their mother's freedom. It might be, perhaps, that this similarity in their condition had attracted them towards each other; or it might be that, as Margaret had been motherless since her birth, and Edith had nursed and reared her till she grew to womanhood, from the feelings natural to long association, love had grown and strengthened in Stephen's heart. Indeed, there were not many of her class who could have compared with this young woman. Her figure was about the middle height of her sex, and so beautifully proportioned, that even the close kerchief and russet gown could not entirely conceal the symmetrical formation of the broad white shoulders, the swelling bust, and the slender waist. Plain braids of hair of the darkest shade, and arched brows of the same hue, gave an added whiteness to a forehead smooth and high; and her full intelligent eyes, with a fringe as dark as her hair, were of a clear deep blue. The feminine occupation of a sempstress had preserved the delicacy of her complexion, and had left a soft flickering blush playing on her cheek. Such was Margaret the beloved--the betrothed--whom Holgrave was now hastening to invite, with all the simple eloquence of honest love, to become the bride of his bosom--the mistress of his home. The duskiness of the twilight hour was lightened by the broad beams of an autumn moon; and as the moonlight, streaming full upon the thatch, revealed distinctly the little cot that held his treasure, all the high thoughts of freedom and independence, all the wandering speculative dreamings that come and go in the heart of man, gave place, for a season, to one engrossing feeling. Margaret was not this evening, as she was wont to be, sitting outside the cottage door awaiting his approach. The door was partly opened--he entered--and beheld a man kneeling before her, and holding one of her hands within his own! "Stephen Holgrave!" cried the devotee, jumping up, "what brings you here at such an hour?" "What brings me, Calverley!" replied Holgrave, furiously, "who are you, to ask such a question? What brings _you_ here?" "My own will, Stephen Holgrave," answered Calverley in a calm tone; "and mark you--this maiden has no right to plight her troth except with her lord's consent. She is Lord de Boteler's bondwoman, and dares not marry without his leave--which will never be given to wed with you." "You talk boldly, sir, of my lord's intents," answered the yeoman sulkily. "I speak but the truth," replied Calverley. "You have been rewarded well for the deed you did; and think not that your braggart speech will win my lord. This maid is no meet wife for such as you. My lord has offered me fair lands and her freedom if I choose to wed her: and though many a free dowered maid would smile upon the suit of Thomas Calverley, yet have I come to offer wedlock to Margaret." "Margaret!" said Holgrave fiercely, "can this be true? answer me! Has Calverley spoken of marriage to you?--why do you not answer? Have I loved a false one?" "No, Stephen," replied Margaret, in a low trembling voice. Holgrave's mind was relieved as Margaret spoke, for he had confidence in her truth. He knew, however, that Calverley stood high in the favour of De Boteler, and he determined not to trust himself with further words. "Margaret," said Calverley suddenly, "I leave Sudley Castle on the morrow to attend my lord to London. At my return I shall expect that this silence be changed into language befitting the chosen bride of the Baron de Boteler's esquire. Remember you are not yet free!--and now, Stephen Holgrave, I leave not this cottage till you depart. The maiden is my lord's nief, the cottage is his, and here I am privileged--not you." Fierce retorts and bitter revilings were on Holgrave's tongue; but the sanctuary of a maiden's home was no place for contention. He knew that Calverley did possess the power he vaunted; and, without uttering a word, he crossed the threshold, and stood on the sod just beyond the door. Calverley paused a moment gazing on the blanched beauty of the agitated girl, her cheek looking more pale from the moonlight that fell upon it; and then, in the soft insinuating tone he knew so well how to assume-- "Forgive me, Margaret," said he, "for what I have said. But oh," he continued, taking her hand, and pressing it passionately to his bosom, "You know not how much I love you!--Come, sir, will you walk?" Then kissing the damsel's hand he relinquished it; and Margaret, with streaming eyes and a throbbing heart, watched till the two receding figures were lost in the distance. Holgrave and Calverley pursued their path in sullen silence. There were about a dozen paces between them, but neither were one foot in advance of the other. On they went through Winchcombe and along the road, till they came to where a footpath from the left intersected the highway. Here they both, as if by mutual agreement, made a sudden pause, and stood doggedly eyeing each other. At considerably less than a quarter of a mile to the right was Sudley Castle; and at nearly the same distance to the left was Holgrave's new abode. After the lapse of several minutes, Calverley leaped across a running ditch to the right; and Holgrave, having thus far conquered, turned to the left on his homeward path. The reader will, perhaps, feel some surprise that an esquire of the rich and powerful Lord de Boteler should be thus competing with the yeoman for the hand of a portionless humble nief; but it is necessary to observe, in the first place, that in the fifteenth century esquires were by no means of the consideration they had enjoyed a century before. Some nobles, indeed, who were upholders of the ancient system, still regarded an esquire as but a degree removed from a knight, but these were merely exceptions;--the general rule, at the period we are speaking of, was to consider an esquire simply as a principal attendant, without the least claim to any distinction beyond. Such a state of things accorded well with the temper of De Boteler;--he could scarcely have endured the equality, which, in some measure, formerly subsisted between the esquire and his lord. With him the equal might be familiar, but the inferior must be submissive; and it was, perhaps, the humility of Calverley's deportment that alone had raised him to the situation he now held. Calverley, besides, had none of the requisites of respectability which would have entitled him to take a stand among a class such as esquires had formerly been. About ten years before the commencement of our tale, a pale emaciated youth presented himself one morning at Sudley Castle, desiring the hospitality that was never denied to the stranger. Over his dress, which was of the coarse monks' cloth then generally worn by the religious, he wore a tattered cloak of the dark russet peculiar to the peasant. That day he was fed, and that night lodged at the castle; and the next morning, as he stood in a corner of the court-yard, apparently lost in reflection as to the course he should next adopt, the young Roland de Boteler, then a fine boy of fifteen, emerged from the stone arch-way of the stable mounted on a spirited charger. The glow on his cheek, the brightness of his eyes, and the youthful animation playing on his face, and ringing in the joyous tones of his voice, seemed to make the solitary dejected being, who looked as if he could claim neither kindred nor home, appear even more care-worn and friendless. The youth gazed at the young De Boteler, and ran after him as he rode through the gateway followed by two attendants. He then wandered about with a look of still deeper despondence, till the trampling of the returning horses sent a transient tinge across his cheek. He followed Roland's attendants, and again entered the court-yard. By some chance, as the young rider was alighting, his eye fell on the dejected stranger, who was standing at a little distance fixing an anxious gaze upon the heir. "Who is that sickly-looking carle, Ralph?" enquired De Boteler. The attendant did not know. The youth interpreted the meaning of Roland's glance, and approached, and, with a humble yet not ungraceful obeisance-- "Noble young lord," said he, "may a wanderer crave leave to abide for a time in this castle?" "You have my leave," replied the boy in the consequential tone that youth generally assumes when conferring a favour. "Indeed, you don't look very fit to wander farther;--Ralph, see that this knave is attended to." The stranger was now privileged to remain, and a week's rest and good cheer considerably improved his appearance. He did not presume, however, to approach the part of the castle inhabited by the owners; but never did the young Roland enter the court-yard, or walk abroad, but the silent homage of the grateful stranger greeted him. This strange youth was Thomas Calverley, and, by the end of a month, Roland's eyes as instinctively sought for him when he needed an attendant, as if he had been a regular domestic. It was good policy in Calverley to propitiate the young De Boteler; for had he presented himself to his father, although for a space he might have been fed, he could never have presumed to obtrude himself upon his notice. There was a humility in the stranger which pleased Roland's imperious temper; _he_ had granted the permission by which he abided in the castle, and he seemed to feel a kind of interest in his protege; and the envy of his attendants was often excited by their young lord beckoning to Calverley to assist him to mount, or alight, or do him any other little service. Calverley began now to be considered as a kind of inmate in the castle, and various were the whispered tales that went about respecting him. At length it was discovered that he was a scholar--that is, he could read and write; and the circumstance, though it abated nothing of the whisperings of idle curiosity, entirely silenced the taunts he had been compelled to endure. If still disliked, yet was he treated with some respect; for none of the unlettered domestics would have presumed to speak rudely to one so far above them in intellectual attainments. Such a discovery could not long remain a secret;--the tale reached the ears of young De Boteler, and, already prepossessed in his favour, it was but a natural consequence that Calverley should rise from being first an assistant, to be the steward, the page, and, at length, the esquire to the heir to the barony of Sudley. But the progress of his fortunes did but add to the malevolence of the detractor and the tale-bearer; theft, sacrilege, and even murder were hinted at as probable causes for a youth, who evidently did not belong to the vulgar, being thus a friendless outcast. But the most charitable surmise was, that he was the offspring of the unhallowed love of some dame or damsel who had re
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Produced by Meredith Bach, Rene Anderson Benitz and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note: Variations in hyphenation and spelling have been retained as in the original. Minor printer errors have been amended without note. _By Ellen N. La Motte_ The Tuberculosis Nurse The Backwash of War The Backwash of War The Human Wreckage of the Battlefield as Witnessed by an American Hospital Nurse By Ellen N. La Motte G. P. Putnam's Sons New York and London The Knickerbocker Press 1916 Copyright, 1916 BY ELLEN N. LA MOTTE The Knickerbocker Press, New York To MARY BORDEN-TURNER "The Little Boss" TO WHOM I OWE MY EXPERIENCE IN THE ZONE OF THE ARMIES INTRODUCTION This war has been described as "Months of boredom, punctuated by moments of intense fright." The writer of these sketches has experienced many "months of boredom," in a French military field hospital, situated ten kilometres behind the lines, in Belgium. During these months, the lines have not moved, either forward or backward, but have remained dead-locked, in one position. Undoubtedly, up and down the long-reaching kilometres of "Front" there has been action, and "moments of intense fright" have produced glorious deeds of valour, courage, devotion, and nobility. But when there is little or no action, there is a stagnant place, and in a stagnant place there is much ugliness. Much ugliness is churned up in the wake of mighty, moving forces. We are witnessing a phase in the evolution of humanity, a phase called War--and the slow, onward progress stirs up the slime in the shallows, and this is the Backwash of War. It is very ugly. There are many little lives foaming up in the backwash. They are loosened by the sweeping current, and float to the surface, detached from their environment, and one glimpses them, weak, hideous, repellent. After the war, they will consolidate again into the condition called Peace. After this war, there will be many other wars, and in the intervals there will be peace. So it will alternate for many generations. By examining the things cast up in the backwash, we can gauge the progress of humanity. When clean little lives, when clean little souls boil up in the backwash, they will consolidate, after the final war, into a peace that shall endure. But not till then. E. N. L. M. CONTENTS PAGE HEROES 3 LA PATRIE RECONNAISSANTE 17 THE HOLE IN THE HEDGE 35 ALONE 49 A BELGIAN CIVILIAN 63 THE INTERVAL 77 WOMEN AND WIVES 95 POUR LA PATRIE 115 LOCOMOTOR ATAXIA 129 A SURGICAL TRIUMPH 143 AT THE TELEPHONE 159 A CITATION 167 AN INCIDENT 181 HEROES When he could stand it no longer, he fired a revolver up through the roof of his mouth, but he made a mess of it. The ball tore out his left eye, and then lodged somewhere under his skull, so they bundled him into an ambulance and carried him, cursing and screaming, to the nearest field hospital. The journey was made in double-quick time, over rough Belgian roads. To save his life, he must reach the hospital without delay, and if he was bounced to death jolting along at breakneck speed, it did not matter. That was understood. He was a deserter, and discipline must be maintained. Since he had failed in the job, his life must be saved, he must be nursed back to health, until he was well enough to be stood up against a wall and shot. This is War. Things like this also happen in peace time, but not so obviously. At the hospital, he behaved abominably. The ambulance men declared that he had tried to throw himself out of the back of the ambulance, that he had yelled and hurled himself about, and spat blood all over the floor and blankets--in short, he was very disagreeable. Upon the operating table, he was no more reasonable. He shouted and screamed and threw himself from side to side, and it took a dozen leather straps and four or five orderlies to hold him in position, so that the surgeon could examine him. During this commotion, his left eye rolled about loosely upon his cheek, and from his bleeding mouth he shot great clots of stagnant blood, caring not where they fell. One fell upon the immaculate white uniform of the Directrice, and stained her, from breast to shoes. It was disgusting. They told him it was _La Directrice_, and that he must be careful. For an instant he stopped his raving, and regarded her fixedly with his remaining eye, then took aim afresh, and again covered her with his coward blood. Truly it was disgusting. To the _Medecin Major_ it was incomprehensible, and he said so. To attempt to kill oneself, when, in these days, it was so easy to die with honour upon the battlefield, was something he could not understand. So the _Medecin Major_ stood patiently aside, his arms crossed, his supple fingers pulling the long black hairs on his bare arms, waiting. He had long to wait, for it was difficult to get the man under the anaesthetic. Many cans of ether were used, which went to prove that the patient was a drinking man. Whether he had acquired the habit of hard drink before or since the war could not be ascertained; the war had lasted a year now, and in that time many habits may be formed. As the _Medecin Major_ stood there, patiently fingering the hairs on his hairy arms, he calculated the amount of ether that was expended--five cans of ether, at so many francs a can--however, the ether was a donation from America, so it did not matter. Even so, it was wasteful. At last they said he was ready. He was quiet. During his struggles, they had broken out two big teeth with the mouth gag, and that added a little more blood to the blood already choking him. Then the _Medecin Major_ did a very skilful operation. He trephined the skull, extracted the bullet that had lodged beneath it, and bound back in place that erratic eye. After which the man was sent over to the ward, while the surgeon returned hungrily to his dinner, long overdue. In the ward, the man was a bad patient.
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Produced by Juliet Sutherland, Les Galloway and the Online Distributed Proofreading Team at http://www.pgdp.net Songs for the Little Ones at Home [Illustration: Mother with children] Songs for the Little Ones at Home _REVISED EDITION_ _350th Thousand_ AMERICAN TRACT SOCIETY 150 NASSAU STREET, NEW YORK Copyright, 1884 and 1911, by AMERICAN TRACT SOCIETY TABLE OF CONTENTS PAGE HEART AND HEARTHSTONE 7 HOUR BY HOUR 47 LITTLE POOR RELATIONS 81 THE GREAT OUTDOORS 135 ON EARTH AS IN HEAVEN 175 THE CHRIST CHILD 219 HEROES AND PATRIOTS 231 INDEX 253 ACKNOWLEDGMENTS Acknowledgments are made to Charles Scribner’s Sons for the use of _My Shadow_, from A CHILD’S GARDEN OF VERSES: To Houghton, Mifflin & Company for _The Leak in the Dike_, from THE POEMS OF PHŒBE CARY: To the American Book Company for _The Reindeer and the Rabbit_, from the old MCGUFFEY SECOND ECLECTIC READER; and for _Young Soldiers_ and _The Lord’s Prayer_, from the old MCGUFFEY THIRD ECLECTIC READER. Thanks are also rendered to Mrs. Margaret E. Sangster for the use of _Dear Little Heads in the Pew_; and to Professor Irsay de Irsa and others for advice and encouragement. HEART AND HEARTHSTONE Some precious words are born of earth, Some others by the angels given; But sweetest of celestial birth Are these: “My Mother,” “Home,” and “Heaven.” [Music: THE FATHER’S WILL Air, with bass accompaniment 1. How sweet the home of Nazareth Where Mary mother smiled, And flow’rs of daily duty bloom’d About the holy Child. His Father’s will was all His task Within that earthly home, That will for ever done in Heav’n Whence He so late had come. 2. Obedient, gentle, loving, meek, He worked at Joseph’s side; Does nothing from that daily toil Thro’ all the years abide? We scan the wide world o’er, nor find. In any clime or land, One single, sacred, treasured thing Wrought out by Jesus’ hand. 3. But wheresoe’er a Christian child Does on the earth fulfil.... With humble, rev’rent, tender heart The heav’nly Father’s will, The work, tho’ mean and poor to view With heav’nly grace is fraught, Since age to age it passes on The lesson Jesus taught. ] HEART AND HEARTHSTONE THE FATHER’S WILL How sweet the home of Nazareth, Where Mary mother smiled, And flowers of duty daily bloomed About the holy Child. His Father’s will was all his task Within that earthly home, The will forever done in heaven, Whence he so late had come. Obedient, gentle, loving, meek, He worked at Joseph’s side: Does nothing from that daily toil Through all the years abide? We scan the wide world o’er, nor find, In any clime or land, One single, sacred, treasured thing Wrought out by Jesus’ hand; But wheresoe’er a Christian child Does on the earth fulfil With humble, reverent, tender heart, The heavenly Father’s will, The work, though mean and poor to view, With heavenly grace is fraught, Since age to age it passes on The lesson Jesus taught. WHEN FATHER COMES HOME When my father comes home in the evening from work, Then I will get up on his knee, And tell him how many nice lessons I’ve learned, And show him how good I can be. He’ll ask me what number I know how to count, I’ll tell him what words I can spell; And if I can learn something new every day, I hope soon to read very well. [Illustration: Jesus, Mary and Joseph in carpenter’s shop] I’ll repeat to him all the good verses I know, And tell him how kind we must be, That we never must hurt little creatures at all; And he will be glad, and love me. I’ll tell him we always must try to please God, And never be cruel nor rude, For God is the Father of all living things, He cares for and blesses the good. DEAR MAMMA My own mamma; my dear mamma! How happy shall I be To-morrow night at candlelight, When she comes home to me! ’Tis just one week since on my cheek She pressed the parting kiss: It seems like two; I never knew So long a week as this. My tangled hair she smoothed with care, With water bathed my brow; And all with such a gentle touch-- I wish she’d do it now. But she will come; she’ll be at home To-morrow night; and then I hope that she will never be So long away again. MY MOTHER My mother, my kind mother, I hear thy gentle voice; It always makes my little heart Beat gladly and rejoice. When I am ill it comes to me, And kindly soothes my pain; And when I sleep, then in my dreams It sweetly comes again. It always makes me happy, Whene’er I hear its tone; I know it is the voice of love, From a heart that is my own. My mother, my dear mother, O may I never be Unkind or disobedient, In any way, to thee. FOR MOTHER I give my mother lots of kisses, There’s really never one she misses: A “wake-up kiss” right in the morning, A “good-night kiss” when I am yawning, A “sorry kiss” when I’ve been bad, A “happy kiss” when I am glad. Once she was sick; I went to stay At auntie’s house, oh, miles away! Then I sent kisses in a letter; She said they truly made her better. There’s never really one she misses, Oh, I give mother lots of kisses. PAPA IS COMING I know he’s coming by this sign,— The baby’s almost wild! See how he laughs and crows and starts-- Heaven bless the merry child! He’s father’s self in face and limb, And father’s heart is strong in him. Shout, baby, shout! and clap thy hands, For father on the threshold stands. MY FATHER BLESSED ME My father raised his trembling hand And laid it on my head; “God bless thee, O my son, my son!” Most tenderly he said. He died, and left no gems or gold: But still I was his heir, For that rich blessing which he gave Became a fortune rare. WELCOME Welcome, welcome, little stranger, To this busy world of care; Nothing can thy peace endanger, Nothing now thy steps ensnare. Mother’s heart is filled with pleasure, All her feelings are awake; Gladly would she, little treasure, All thy pains and sufferings take. Mayest thou, if designed by heaven Future days and years to see, Soothe her, make her passage even; Let her heart rejoice in thee. May her anxious cares and labors Be repaid by filial love; And thy soul be crowned with favors From the boundless source above. —_Taylor._ THE PRINCE COMES! “What is this pretty little thing, That nurse so carefully doth bring, And round its head a blanket fling? A baby! “Oh, dear, how very soft its cheek; Why, nurse, I cannot make it speak, And it can’t walk, it is so weak. A baby! “Oh, I’m afraid that it will die; Why can’t it eat as well as I, And jump, and talk? Do let it try. Poor baby!” “Why, you were once a baby too, And could not jump as now you do, But good mamma took care of you, Like baby. “And then she taught your little feet To pat along the carpet neat, And called papa to come and meet His baby. “O dear mamma, to take such care, And no kind pains and trouble spare To feed and nurse you when you were A baby.” WHERE DID YOU COME FROM, BABY DEAR? Where did you come from, baby dear? Out of the everywhere into here. Where did you get your eyes so blue? Out of the sky as I came through. Where did you get that little tear? I found it waiting when I got here. What makes your forehead so smooth and high? A soft hand stroked it as I went by. What makes your cheek like a warm, white rose?
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Produced by David Widger LIFE ON THE MISSISSIPPI BY MARK TWAIN Part 11. Chapter 51 Reminiscences WE left for St. Louis in the 'City of Baton Rouge,' on a delightfully hot day, but with the main purpose of my visit but lamely accomplished. I had hoped to hunt up and talk with a hundred steamboatmen, but got so pleasantly involved in the social life of the town that I got nothing more than mere five-minute talks with a couple of dozen of the craft. I was on the bench of the pilot-house when we backed out and 'straightened up' for the start--the boat pausing for a 'good ready,' in the old-fashioned way, and the black smoke piling out of the chimneys equally in the old-fashioned way. Then we began to gather momentum, and presently were fairly under way and booming along. It was all as natural and familiar--and so were the shoreward sights--as if there had been no break in my river life. There was a 'cub,' and I judged that he would take the wheel now; and he did. Captain Bixby stepped into the pilot- house. Presently the cub closed up on the rank of steamships. He made me nervous, for he allowed too much water to show between our boat and the ships. I knew quite well what was going to happen, because I could date back in my own life and inspect the record. The captain looked on, during a silent half-minute, then took the wheel himself, and crowded the boat in, till she went scraping along within a hand-breadth of the ships. It was exactly the favor which he had done me, about a quarter of a century before, in that same spot, the first time I ever steamed out of the port of New Orleans. It was a very great and sincere pleasure to me to see the thing repeated--with somebody else as victim. We made Natchez (three hundred miles) in twenty-two hours and a half-- much the swiftest passage I have ever made over that piece of water. The next morning I came on with the four o'clock watch, and saw Ritchie successfully run half a dozen crossings in a fog, using for his guidance the marked chart devised and patented by Bixby and himself. This sufficiently evidenced the great value of the chart. By and by, when the fog began to clear off, I noticed that the reflection of a tree in the smooth water of an overflowed bank, six hundred yards away, was stronger and blacker than the ghostly tree itself. The faint spectral trees, dimly glimpsed through the shredding fog, were very pretty things to see. We had a heavy thunder-storm at Natchez, another at Vicksburg, and still another about fifty miles below Memphis. They had an old-fashioned energy which had long been unfamiliar to me. This third storm was accompanied by a raging wind. We tied up to the bank when we saw the tempest coming, and everybody left the pilot-house but me. The wind bent the young trees down, exposing the pale underside of the leaves; and gust after gust followed, in quick succession, thrashing the branches violently up and down, and to this side and that, and creating swift waves of alternating green and white according to the side of the leaf that was exposed, and these waves raced after each other as do their kind over a wind-tossed field of oats. No color that was visible anywhere was quite natural--all tints were charged with a leaden tinge from the solid cloud-bank overhead. The river was leaden; all distances the same; and even the far-reaching ranks of combing white-caps were dully shaded by the dark, rich atmosphere through which their swarming legions marched. The thunder-peals were constant and deafening; explosion followed explosion with but inconsequential intervals between, and the reports grew steadily sharper and higher-keyed, and more trying to the ear; the lightning was as diligent as the thunder, and produced effects which enchanted the eye and sent electric ecstasies of mixed delight and apprehension shivering along every nerve in the body in unintermittent procession. The rain poured down in amazing volume; the ear-splitting thunder-peals broke nearer and nearer; the wind increased in fury and began to wrench off boughs and tree-tops and send them sailing away through space; the pilot-house fell to rocking and straining and cracking and surging, and I went down in the hold to see what time it was. People boast a good deal about Alpine thunderstorms; but the storms which I have had the luck to see in the Alps were not the equals of some which I have seen in the Mississippi Valley. I may not have seen the Alps do their best, of course, and if they can beat the Mississippi, I don't wish to. On this up trip I saw a little towhead (infant island) half a mile long, which had been formed during the past nineteen years. Since there was so much time to spare that nineteen years of it could be devoted to the construction of a mere towhead, where was the use, originally, in rushing this whole globe through in six days? It is likely that if more time had been taken, in the first place, the world would have been made right, and this ceaseless improving and repairing would not be necessary now. But if you hurry a world or a house, you are nearly sure to find out by and by that you have left out a towhead, or a broom-closet, or some other little convenience, here and there, which has got to be supplied, no matter how much expense and vexation it may cost. We had a succession of black nights, going up the river, and it was observable that whenever we landed, and suddenly inundated the trees with the intense sunburst of the electric light, a certain curious effect was always produced: hundreds of birds flocked instantly out from the masses of shining green foliage, and went careering hither and thither through the white rays, and often a song-bird tuned up and fell to singing. We judged that they mistook this superb artificial day for the genuine article. We had a delightful trip in that thoroughly well- ordered steamer, and regretted that it was accomplished so speedily. By means of diligence and activity, we managed to hunt out nearly all the old friends. One was missing, however; he went to his reward, whatever it was, two years ago. But I found out all about him. His case helped me to realize how lasting can be the effect of a very trifling occurrence. When he was an apprentice-blacksmith in our village, and I a schoolboy, a couple of young Englishmen came to the town and sojourned a while; and one day they got themselves up in cheap royal finery and did the Richard III swordfight with maniac energy and prodigious powwow, in the presence of the village boys. This blacksmith cub was there, and the histrionic poison entered his bones. This vast, lumbering, ignorant, dull-witted lout was stage-struck, and irrecoverably. He disappeared, and presently turned up in St. Louis. I ran across him there, by and by. He was standing musing on a street corner, with his left hand on his hip, the thumb of his right supporting his chin, face bowed and frowning, slouch hat pulled down over his forehead--imagining himself to be Othello or some such character, and imagining that the passing crowd marked his tragic bearing and were awestruck. I joined him, and tried to get him down out of the clouds, but did not succeed. However, he casually informed me, presently, that he was a member of the Walnut Street theater company--and he tried to say it with indifference, but the indifference was thin, and a mighty exultation showed through it. He said he was cast for a part in Julius Caesar, for that night, and if I should come I would see him. IF I should come! I said I wouldn't miss it if I were dead. I went away stupefied with astonishment, and saying to myself, 'How strange it is! WE always thought this fellow a fool; yet the moment he comes to a great city, where intelligence and appreciation abound, the talent concealed in this shabby napkin is at once discovered, and promptly welcomed and honored.' But I came away from the theater that night disappointed and offended; for I had had no glimpse of my hero, and his name was not in the bills. I met him on the street the next morning, and before I could speak, he asked-- 'Did you see me?' 'No, you weren't there.' He looked surprised and disappointed. He said-- 'Yes, I was. Indeed I was. I was a Roman soldier.' 'Which one?' 'Why didn't you see them Roman soldiers that stood back there in a rank, and sometimes marched in procession around the stage?' 'Do you mean the Roman army?--those six sandaled roustabouts in nightshirts, with tin shields and helmets, that marched around treading on each other's heels, in charge of a spider-legged consumptive dressed like themselves?' 'That's it! that's it! I was one of them Roman soldiers. I was the next to the last one. A half a year ago I used to always be the last one; but I've been promoted.' Well, they told me that that poor fellow remained a Roman soldier to the last--a matter of thirty-four years. Sometimes they cast him for a 'speaking part,' but not an elaborate one. He could be trusted to go and say, 'My lord, the carriage waits,' but if they ventured to add a sentence or two to this, his memory felt the strain and he was likely to miss fire. Yet, poor devil, he had been patiently studying the part of Hamlet for more than thirty years, and he lived and died in the belief that some day he would be invited to play it! And this is what came of that fleeting visit of those young Englishmen to our village such ages and ages ago! What noble horseshoes this man might have made, but for those Englishmen; and what an inadequate Roman soldier he DID make! A day or two after we reached St. Louis, I was walking along Fourth Street when a grizzly-headed man gave a sort of start as he passed me, then stopped, came back, inspected me narrowly, with a clouding brow, and finally said with deep asperity-- 'Look here, HAVE YOU GOT THAT DRINK YET?' A maniac, I judged, at first. But all in a flash I recognized him. I made an effort to blush that strained every muscle in me, and answered as sweetly and winningly as ever I knew how-- 'Been a little slow, but am just this minute closing in on the place where they keep it. Come in and help.' He softened, and said make it a bottle of champagne and he was agreeable. He said he had seen my name in the papers, and had put all his affairs aside and turned out, resolved to find me or die; and make me answer that question satisfactorily, or kill me; though the most of his late asperity had been rather counterfeit than otherwise. This meeting brought back to me the St. Louis riots of about thirty years ago. I spent a week there, at that time, in a boarding-house, and had this young fellow for a neighbor across the hall. We saw some of the fightings and killings; and by and by we went one night to an armory where two hundred young men had met, upon call, to be armed and go forth against the rioters, under command of a military man. We drilled till about ten o'clock at night; then news came that the mob were in great force in the lower end of the town, and were sweeping everything before them. Our column moved at once. It was a very hot night, and my musket was very heavy. We marched and marched; and the nearer we approached the seat of war, the hotter I grew and the thirstier I got. I was behind my friend; so, finally, I asked him to hold my musket while I dropped out and got a drink. Then I branched off and went home. I was not feeling any solicitude about him of course, because I knew he was so well armed, now, that he could take care of himself without any trouble. If I had had any doubts about that, I would have borrowed another musket for him. I left the city pretty early the next morning, and if this grizzled man had not happened to encounter my name in the papers the other day in St. Louis, and felt moved to seek me out, I should have carried to my grave a heart-torturing uncertainty as to whether he ever got out of the riots all right or not. I ought to have inquired, thirty years ago; I know that. And I would have inquired, if I had had the muskets; but, in the circumstances, he seemed better fixed to conduct the investigations than I was. One Monday, near the time of our visit to St. Louis, the 'Globe- Democrat' came out with a couple of pages of Sunday statistics, whereby it appeared that 119,448 St. Louis people attended the morning and evening church services the day before, and 23,102 children attended Sunday-school. Thus 142,550 persons, out of the city's total of 400,000 population, respected the day religious-wise. I found these statistics, in a condensed form, in a telegram of the Associated Press, and preserved them. They made it apparent that St. Louis was in a higher state of grace than she could have claimed to be in my time. But now that I canvass the figures narrowly, I suspect that the telegraph mutilated them. It cannot be that there are more than 150,000 Catholics in the town; the other 250,000 must be classified as Protestants. Out of these 250,000, according to this questionable telegram, only 26,362 attended church and Sunday-school, while out of the 150,000 Catholics, 116,188 went to church and Sunday-school. Chapter 52 A Burning Brand ALL at once the thought came into my mind, 'I have not sought out Mr. Brown.' Upon that text I desire to depart from the direct line of my subject, and make a little excursion. I wish to reveal a secret which I have carried with me nine years, and which has become burdensome. Upon a certain occasion, nine years ago, I had said, with strong feeling, 'If ever I see St. Louis again, I will seek out Mr. Brown, the great grain merchant, and ask of him the privilege of shaking him by the hand.' The occasion and the circumstances were as follows. A friend of mine, a clergyman, came one evening and said-- 'I have a most remarkable letter here, which I want to read to you, if I can do it without breaking down. I must preface it with some explanations, however. The letter is written by an ex-thief and ex-vagabond of the lowest origin and basest rearing, a man all stained with crime and steeped in ignorance; but, thank God, with a mine of pure gold hidden away in him, as you shall see. His letter is written to a burglar named Williams, who is serving a nine-year term in a certain State prison, for burglary. Williams was a particularly daring burglar, and plied that trade during a number of years; but he was caught at last and jailed, to await trial in a town where he had broken into a house at night, pistol in hand, and forced the owner to hand over to him $8,000 in government bonds. Williams was not a common sort of person, by any means; he was a graduate of Harvard College, and came of good New England stock. His father was a clergyman. While lying in jail, his health began to fail, and he was threatened with consumption. This fact, together with the opportunity for reflection afforded by solitary confinement, had its effect--its natural effect. He fell into serious thought; his early training asserted itself with power, and wrought with strong influence upon his mind and heart. He put his old life behind him, and became an earnest Christian. Some ladies in the town heard of this, visited him, and by their encouraging words supported him in his good resolutions and strengthened him to continue in his new life. The trial ended in his conviction and sentence to the State prison for the term of nine years, as I have before said. In the prison he became acquainted with the poor wretch referred to in the beginning of my talk, Jack Hunt, the writer of the letter which I am going to read. You will see that the acquaintanceship bore fruit for Hunt. When Hunt's time was out, he wandered to St. Louis; and from that place he wrote his letter to Williams. The letter got no further than the office of the prison warden, of course; prisoners are not often allowed to receive letters from outside. The prison authorities read this letter, but did not destroy it. They had not the heart to do it. They read it to several persons, and eventually it fell into the hands of those ladies of whom I spoke a while ago. The other day I came across an old friend of mine--a clergyman--who had seen this letter, and was full of it. The mere remembrance of it so moved him that he could not talk of it without his voice breaking. He promised to get a
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SERIES)*** E-text prepared by Charles Aldarondo, Tam, Tom Allen, and the Project Gutenberg Online Distributed Proofreading Team THE FAITH OF THE MILLIONS A SELECTION OF PAST ESSAYS SECOND SERIES BY GEORGE TYRRELL, S.J. 1901 "AND SEEING THE MULTITUDES HE WAS MOVED WITH COMPASSION ON THEM, FOR THEY WERE HARASSED AND SCATTERED AS SHEEP HAVING NO SHEPHERD." (Matthew ix. 36.) _Nil Obstat:_ J. GERARD, S.J. CENS. THEOL. DEPUTATUS. _Imprimatur:_ HERBERTUS CARD. VAUGHAN, ARCHIEP. WESTMON. CONTENTS XIII.--Juliana of Norwich XIV.--Poet and Mystic XV.--Two Estimates of Catholic Life XVI.--A Life of De Lamennais XVII.--Lippo, the Man and the Artist XVIII.--Through Art to Faith XIX.--Tracts for the Million XX.--An Apostle of Naturalism XXL.--"The Making of Religion" XXII.--Adaptability as a Proof of Religion XXIII.--Idealism in Straits XIII. JULIANA OF NORWICH. "One of the most remarkable books of the middle ages," writes Father Dalgairns, [1] "is the hitherto almost unknown work, titled, _Sixteen Revelations of Divine Love made to a Devout Servant of God, called Mother Juliana, an Anchoress of Norwich_" How "one of the most remarkable books" should be "hitherto almost unknown," may be explained partly by the fact to which the same writer draws attention, namely, that Mother Juliana lived and wrote at the time when a certain mystical movement was about to bifurcate and pursue its course of development, one branch within the Church on Catholic lines, the other outside the Church along lines whose actual issue was Wycliffism and other kindred forms of heterodoxy, and whose logical outcome was pantheism. Hence, between the language of these pseudo-mystics and that of the recluse of Norwich, "there is sometimes a coincidence... which might deceive the unwary." It is almost necessarily a feature of every heresy to begin by using the language of orthodoxy in a strained and non-natural sense, and only gradually to develop a distinctive terminology of its own; but, as often as not, certain ambiguous expressions, formerly taken in an orthodox sense, are abandoned by the faithful on account of their ambiguity and are then appropriated to the expression of heterodoxy, so that eventually by force of usage the heretical meaning comes to be the principal and natural meaning, and any other interpretation to seem violent and non-natural. "The few coincidences," continues Father Dalgairns, "between Mother Juliana and Wycliffe are among the many proofs that the same speculative view often means different things in different systems. Both St. Augustine, Calvin, and Mahomet, believe in predestination, yet an Augustinian is something utterly different from a Scotch Cameronian or a Mahometan.... The idea which runs through the whole of Mother Juliana is the very contradictory of Wycliffe's Pantheistic Necessitarianism." Yet on account of the mere similarity of expression we can well understand how in the course of time some of Mother Juliana's utterances came to be more ill-sounding to faithful ears in proportion as they came to be more
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Produced by Adrian Mastronardi, Rene Anderson Benitz, and the Online Distributed Proofreading Team at http://www.pgdp.net. Project Gutenberg has Volume II of this book. See http://www.gutenberg.org/ebooks/38957. TRANSCRIBER'S NOTE: Obvious typos have been amended. Variations in spelling in the original text have been retained, except where usage frequency was used to determine the common spelling and/or hyphenation. These amendments are listed at the end of the text. Minor printer errors have been amended without note. The INTRODUCTION has been added to this volume as per author intent in the Preface to Volume II. Color plate notations of specified birds have been relocated to follow the title of the bird. The full INDEX from Volume II has been added to this volume. (It has also been added to the Table of Contents.) In this e-text the letters a and u with a macron are represented by [=a] and [=u], respectively. ARGENTINE ORNITHOLOGY. A DESCRIPTIVE CATALOGUE OF THE BIRDS OF THE ARGENTINE REPUBLIC. BY P. L. SCLATER, M.A., Ph.D., F.R.S., Etc. _WITH NOTES ON THEIR HABITS_ BY W. H. HUDSON, C.M.Z.S., LATE OF BUENOS AYRES. [Illustration: THE CARIAMA.] VOLUME I. LONDON: R. H. PORTER, 6 TENTERDEN STREET, W. 1888. [Illustration: (Printer's Mark) ALERE FLAMMAM. PRINTED BY TAYLOR AND FRANCIS. RED LION COURT, FLEET STREET.] ARGENTINE ORNITHOLOGY. The Edition of this work being strictly limited to +200+ copies for Subscribers, each copy is numbered and signed by the Authors. [Illustration: No. 6 Signed P L Sclater W. H. Hudson] PREFACE TO THE FIRST VOLUME. The present volume contains an account of the Passeres of the Argentine Republic, which, as at present known, number some 229 species. The second volume, which it is hoped will be ready in the course of next year, will be devoted to the history of the remaining Orders of Birds, and will also contain the Introduction and Index, and complete the work. All the personal observations recorded in these pages are due to Mr. Hudson, while I am responsible for the arrangement, nomenclature, and scientific portions of the work. I have to acknowledge with many thanks a donation of L40 from the Royal Society, which has enabled Mr. Hudson to devote a portion of his time to the compilation of his interesting notes. P. L. S. _December 1, 1887._ CONTENTS OF VOL. I. Fam. I. TURDIDAE, or THRUSHES. Page 1. _Turdus leucomelas_, Vieill. (Dusky Thrush.) 1 2. _Turdus rufiventris_, Vieill. (Red-bellied Thrush.) 3 3. _Turdus magellanicus_, King. (Magellanic Thrush.) 3 4. _Turdus fuscater_, d'Orb. et Lafr. (Argentine Blackbird.) 4 5. _Turdus nigriceps_, Cab. (Black-headed Thrush.) 4 6. _Mimus modulator_, Gould. (Calandria Mocking-bird.) 5 7. _Mimus patachonicus_ (d'Orb. et Lafr.). (Patagonian Mocking-bird.) 7 8. _Mimus triurus_ (Vieill.). (White-banded Mocking-bird.) [Plate I.] 8 Fam. II. CINCLIDAE, or DIPPERS. 9. _Cinclus schulzi_, Cab. (Schulz's Dipper.) [Plate II.] 11 Fam. III. MUSCICAPIDAE, or FLYCATCHERS. 10. _Polioptila dumicola_ (Vieill.). (Brush-loving Fly-snapper.) 12 Fam. IV. TROGLODYTIDAE, or WRENS. 11. _Donacobius atricapillus_ (Linn.). (Black-headed Reed-Wren.) 13 12. _Troglodytes furvus_ (Gm.). (Brown House-Wren.) 13 13. _Troglodytes auricularis_, Cab. (Eared Wren.) 15 14. _Cistothorus platensis_ (Lath.). (Platan Marsh-Wren.) 15 Fam. V. MOTACILLIDAE, or WAGTAILS. 15. _Anthus correndera_, Vieill. (Cachila Pipit.) 17 16. _Anthus furcatus_, d'Orb. et Lafr. (Forked-tail Pipit.) 19 Fam. VI. MNIOTILTIDAE, or WOOD-SINGERS. 17. _Parula pitiayumi_ (Vieill.). (Pitiayumi Wood-singer.) 20 18. _Geothlypis velata_ (Vieill.). (Veiled Wood-singer.) 20 19. _Basileuterus auricapillus_, Sw. (Golden-crowned Wood-singer.) 21 20. _Setophaga brunneiceps_, d'Orb. et Lafr. (Brown-capped Wood-singer.) 21 Fam. VII. VIREONIDAE, or GREENLETS. 21. _Vireosylvia chivi_ (Vieill.). (Chivi Greenlet.) 22 22. _Hylophilus poecilotis_, Max. (Brown-headed Wood-bird.) 23 23. _Cyclorhis ochrocephala_ (Tsch.). (Ochre-headed Greenlet-Shrike.) [Plate III. fig. 1.] 23 24. _Cyclorhis altirostris_, Salvin. (Deep-billed Greenlet-Shrike.) [Plate III. fig. 2.] 24 Fam. VIII. HIRUNDINIDAE, or SWALLOWS. 25. _Progne furcata_, Baird. (Purple Martin.) 24 26. _Progne chalybea_ (Gm.). (Domestic Martin.) 25 27. _Progne tapera_ (Linn.). (Tree-Martin.) 26 28. _Petrochelidon pyrrhonota_ (Vieill.). (Red-backed Rock-Martin.) 30 29. _Tachycineta leucorrhoa_ (Vieill.). (White-rumped Swallow.) 30 30. _Atticora cyanoleuca_ (Vieill.). (Bank-Swallow.) 33 31. _Atticora fucata_ (Temm.). (Brown Martin.) 35 32. _Stelgidopteryx ruficollis_ (Vieill.). (Red-necked Swallow.) 36 Fam. IX. TANAGRIDAE, or TANAGERS. 33. _Euphonia nigricollis_ (Vieill.). (Black-necked Tanager.) 37 34. _Euphonia chlorotica_ (Linn.). (Purple-and-Yellow Tanager.) 37 35. _Pipridea melanonota_ (Vieill.). (Dark-backed Tanager.) 37 36. _Stephanophorus leucocephalus_ (Vieill.). (White-capped Tanager.) [Plate IV.] 38 37. _Tanagra sayaca_, Linn. (Blue Tanager.) 39 38. _Tanagra bonariensis_ (Gm.). (Blue-and-Yellow Tanager.) 39 39. _Pyranga azarae_, d'Orb. (Azara's Tanager.) 40 40. _Trichothraupis quadricolor_ (Vieill.). (Four- Tanager.) 40 41. _Thlypopsis ruficeps_ (d'Orb. et Lafr.). (Red-capped Tanager.) 40 42. _Buarremon citrinellus_, Cab. (Yellow-striped Tanager.) 41 43. _Arremon orbignii_, Sclater. (D'Orbigny's Tanager.) 41 44. _Saltator similis_, d'Orb. et Lafr. (Allied Saltator.) 41 45. _Saltator caerulescens_, Vieill. (Greyish Saltator.) 42 46. _Saltator aurantiirostris_, Vieill. (Yellow-billed Saltator.) 42 Fam. X. FRINGILLIDAE, or FINCHES. 47. _Pheucticus aureiventris_ (d'Orb. et Lafr.). (Black-and-Yellow Thick-bill.) 43 48. _Guiraca cyanea_ (Linn.). (Indigo Finch.) 43 49. _Guiraca glaucocaerulea_ (d'Orb. et Lafr.). (Glaucous Finch.) 44 50. _Oryzoborus maximiliani_, Cab. (Prince Max.'s Finch.) 44 51. _Spermophila palustris_, Barrows. (Marsh Finch.) 45 52. _Spermophila melanocephala_ (Vieill.). (Black-headed Finch.) 45 53. _Spermophila caerulescens_, Vieill. (Screaming Finch.) 46 54. _Paroaria cucullata_, Lath. (Cardinal Finch.) 47 55. _Paroaria capitata_ (d'Orb. et Lafr.). (Lesser Cardinal Finch.) 48 56. _Coryphospingus cristatus_ (Gm.). (Red-crested Finch.) 48 57. _Lophospingus pusillus_ (Burm.). (Dark-crested Finch.) 48 58. _Donacospiza albifrons_ (Vieill.). (Long-tailed Reed-Finch.) 49 59. _Poospiza nigrorufa_ (d'Orb. et Lafr.). (Black-and-Chestnut Warbling Finch.) 49 60. _Poospiza whitii_, Scl. (White's Warbling Finch.) 50 61. _Poospiza erythrophrys_, Scl. (Red-browed Warbling Finch.) 50 62. _Poospiza assimilis_, Cab. (Red-flanked Warbling Finch.) 51 63. _Poospiza ornata_ (Landb.). (Pretty Warbling Finch.) 51 64. _Poospiza torquata_ (d'Orb. et Lafr.). (Ringed Warbling Finch.) 51 65. _Poospiza melanoleuca_ (Vieill.). (White-and-Grey Warbling Finch.) 52 66. _Phrygilus gayi_ (Eyd. et Gerv.). (Gay's Finch.) 52 67. _Phrygilus caniceps_ (Burm.). (Grey-headed Finch.) 53 68. _Phrygilus dorsalis_, Cab. (Red-backed Finch.) 53 69. _Phrygilus unicolor_ (d'Orb. et Lafr.). (Slaty Finch.) 53 70. _Phrygilus fruticeti_ (Kittl.). (Mourning Finch.) 54 71. _Phrygilus carbonarius_ (d'Orb. et Lafr.). (Blackish Finch.) 54 72. _Gubernatrix cristatella_ (Vieill.). (Yellow Cardinal.) 55 73. _Diuca grisea_ (Less.). (Diuca Finch.) 55 74. _Diuca minor_, Bp. (Lesser Diuca Finch.) 56 75. _Catamenia analis_ (d'Orb. et Lafr.). (Red-stained Finch.) 57 76. _Catamenia inornata_ (Lafr.). (Plain- Finch.) 57 77. _Zonotrichia pileata_ (Bodd.). (Chingolo Song-Sparrow.) 58 78. _Zonotrichia canicapilla_, Gould. (Patagonian Song-Sparrow.) 59 79. _Zonotrichia strigiceps_, Gould. (Stripe-headed Song-Sparrow.) 60 80. _Zonotrichia hypochondria_ (d'Orb. et Lafr.). (Red-flanked Song-Sparrow.) 60 81. _Coturniculus peruanus_, Bp. (Yellow-shouldered Song-Sparrow.) 60 82. _Saltatricula multicolor_, Burm. (Many- Ground-Finch.) [Plate V.] 61 83. _Embernagra platensis_ (Gm.). (Red-billed Ground-Finch.) 62 84. _Embernagra olivascens_ (d'Orb. et Lafr.). (Olive Ground-Finch.) 63 85. _Emberizoides sphenurus_ (Vieill.). (Wedge-tailed Ground-Finch.) 63 86. _Haemophila whitii_ (Sharpe). (White's Ground-Finch.) 64 87. _Chrysomitris icterica_ (Licht.). (Black-headed Siskin.) 64 88. _Chrysomitris atrata_ (d'Orb. et Lafr.). (Half-black Siskin.) 65 89. _Sycalis pelzelni_, Scl. (Yellow House-Sparrow.) 66 90. _Sycalis lutea_ (d'Orb. et Lafr.). (Yellow Seed-Finch.) 69 91. _Sycalis luteola_ (Sparrm.). (Misto Seed-Finch.) 69 92. _Orospina pratensis_, Cab. (Meadow Seed-Finch.) 71 Fam. XI. ICTERIDAE, or TROUPIALS. 93. _Amblycercus solitarius_ (Vieill.). (Solitary Cassique.) 72 94. _Molothrus bonariensis_ (Gm.). (Argentine Cow-bird.) 72 95. _Molothrus rufoaxillaris_, Cassin. (Screaming Cow-bird.) [Plate VI. fig. 2.] 86 96. _Molothrus badius_ (Vieill.). (Bay-winged Cow-bird.) [Plate VI. fig. 1.] 95 97. _Agelaeus thilius_ (Mol.). (Yellow-shouldered Marsh-bird.) 97 98. _Agelaeus flavus_ (Gm.). (Yellow-headed Marsh-bird.) 98 99. _Agelaeus ruficapillus_, Vieill. (Red-headed Marsh-bird.) 99 100. _Leistes superciliaris_, Bp. (Red-breasted Marsh-bird.) 100 101. _Amblyrhamphus holosericeus_ (Scop.). (Scarlet-headed Marsh-bird.) 101 102. _Pseudoleistes virescens_ (Vieill.). (Yellow-breasted Marsh-bird.) 102 103. _Trupialis militaris_ (Linn.). (Patagonian Marsh-Starling.) 104 104. _Trupialis defilippii_, Bp. (De Filippi's Marsh-Starling.) 105 105. _Icterus pyrrhopterus_, Vieill. (Chestnut-shouldered Hang-nest.) 107 106. _Aphobus chopi_ (Vieill.). (Chopi Boat-tail.) 108 Fam. XII. CORVIDAE, or CROWS. 107. _Cyanocorax chrysops_ (Vieill.). (Urraca Jay.) 110 108. _Cyanocorax caeruleus_ (Vieill.). (Azure Jay.) 110 Fam. XIII. TYRANNIDAE, or TYRANTS. 109. _
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Produced by Nick Hodson of London, England Golden Face A Tale of the Wild West By Bertram Mitford Published by Trischler and Company, London. This edition dated 1892. Golden Face, by Bertram Mitford. ________________________________________________________________________ ________________________________________________________________________ GOLDEN FACE, BY BERTRAM MITFORD. PREFACE. An impression prevails in this country that for many years past the Red men of the American Continent have represented a subdued and generally deteriorated race. No idea can be more erroneous. Debased, to a certain extent, they may have become, thanks to drink and other "blessings" of civilisation; but that the warrior-spirit, imbuing at any rate the more powerful tribes, is crushed, or that a semi-civilising process has availed to render them other than formidable and dangerous foes, let the stirring annals of Western frontier colonisation for the last half-century in general, and the Sioux rising of barely a year ago in particular, speak for themselves. This work is a story--not a history. Where matters historical have been handled at all the Author has striven to touch them as lightly as possible, emphatically recognising that when differences arise between a civilised Power and barbarous races dwelling within or beyond its borders, there is invariably much to be said on both sides. CHAPTER ONE. THE WINTER CABIN. "Snakes! if that ain't the war-whoop, why then old Smokestack Bill never had to keep a bright lookout after his hair." Both inmates of the log cabin exchanged a meaning glance. Other movement made they none, save that each man extended an arm and reached down his Winchester rifle, which lay all ready to his hand on the heap of skins against which they were leaning. Within, the firelight glowed luridly on the burnished barrels of the weapons, hardly penetrating the gloomy corners of the hut. Without, the wild shrieking of the wind and the swish and sough of pine branches furiously tossing to the eddying gusts. "Surely not," was the reply, after a moment of attentive listening. "None of the reds would be abroad on such a night as this, let alone a war-party. Why they are no fonder of the cold than we, and to-night we are in for something tall in the way of blizzards." "Well, it's a sight far down that I heard it," went on the scout, shaking his head. "Whatever the night is up here, it may be as mild as milk-punch down on the plain. There's scalping going forward somewhere--mind me." "If so, it's far enough away. I must own to having heard nothing at all." For all answer the scout rose to his feet, placed a rough screen of antelope hide in front of the fire, and, cautiously opening the door, peered forth into the night. A whirl of keen, biting wind, fraught with particles of frozen snow which stung the face like quail-shot, swept round the hut, filling it with smoke from the smouldering pine-logs; then both men stepped outside, closing the door behind them. No, assuredly no man, red or white, would willingly be abroad that night. The icy blast, to which exposure--benighted on the open plain-- meant, to the inexperienced, certain death, was increasing in violence, and even in the sheltered spot where the two men stood it was hardly bearable for many minutes at a time. The night, though tempestuous, was not blackly dark, and now and again as the snow-scud scattered wildly before the wind, the mountain side opposite would stand unveiled; each tall crag towering up, a threatening fantastic shape, its rocky front dark against the driven whiteness of its base. And mingling with the roaring of the great pines and the occasional thunder of masses of snow dislodged from their boughs would be borne to the listeners' ears, in eerie chorus, the weird dismal howling of wolves. It was a scene of indescribable wildness and desolation, that upon which these two looked forth from their winter cabin in the lonely heart of the Black Hills. But, beyond the gruesome cry of ravening beasts and the shriek of the gale, there came no sound, nothing to tell of the presence or movements of man more savage, more merciless than they. "Snakes! but I can't be out of it!" muttered the scout, as once more within their warm and cosy shanty they secured the door behind them. "Smokestack Bill ain't the boy to be out of it over a matter of an Indian yelp. And he can tell a Sioux yelp from a Cheyenne yelp, and a Kiowa yelp from a Rapaho yelp, with a store-full of Government corn-sacks over his head, and the whole lot from a blasted wolfs yelp, he can. And at any distance, too." "I think you _are_ out of it, Bill, all the same;" answered his companion. "If only that, on the face of things, no consideration of scalps or plunder, or even she-captives, would tempt the reds to face this little blow to-night." "Well, well! I don't say you're wrong, Vipan. You've served your Plainscraft to some purpose, you have. But if what I heard wasn't the war-whoop somewhere--I don't care how far--why then I shall begin to believe in what the Sioux say about these here mountains." "What do they say?" "Why, they say these mountains are chock full of ghosts--spirits of their chiefs and warriors who have been scalped after death, and are kept snoopin' around here because they can't get into the Happy Hunting-Grounds. However, we're all right here, and 'live or dead, the Sioux buck 'd have to reckon with a couple of Winchester rifles, who tried to make us otherwise." He who had been addressed as Vipan laughed good-humouredly, as he tossed an armful of fat pine knots among the glowing logs, whence arose a blaze that lit up the hut as though for some festivity. And its glare affords us an admirable opportunity for a closer inspection of these two. The scout was a specimen of the best type of Western man. His rugged, weather-tanned face was far from unhandsome--frankness, self-reliance, staunchness to his friends, intrepidity toward foes, might all be read there. His thick russet beard was becoming shot with grey, but though considerably on the wrong side of fifty, an observer would have credited him with ten years to the good, for his broad, muscular frame was as upright and elastic as if he were twenty-five. His companion, who might have been fifteen years his junior, was about as fine a type of Anglo-Saxon manhood as could be met with in many a day's journey. Of tall, almost herculean, stature, he was without a suspicion of clumsiness; quick, active, straight as a dart. His features, regular as those of a Greek-sculpture, were not, however, of a confidence-inspiring nature, for their expression was cold and reticent, and the lower half of his face was hidden in a magnificent golden beard, sweeping to his belt. The dress of both men was the regulation tunic and leggings of dressed deerskin, of Indian manufacture, and profusely ornamented with beadwork and fringes; that of Vipan being adorned with scalp-locks in addition. These two were bound together by the closest friendship, but there was this difference between them. Whereas everyone knew Smokestack Bill, whether as friend or foe, from Monterey to the British line, who he was and all about him, not a soul knew exactly who Rupert Vipan was, nor did Rupert Vipan himself, by word or hint, evince the smallest disposition to enlighten them. That he was an Englishman was clear, his nationality he could not conceal. Not that he ever tried to, but on the other hand, he made no sort of attempt at airing it. This winter cabin was a substantial log affair, run up by the two men with some degree of trouble and with an eye to comfort. Built in a hollow on the mountain face, it hung perched as an eyrie over a ravine some thousands of feet in depth, in such wise that its occupants could command every approach, and descry the advent of strangers, friendly or equivocal, long before the latter could reach them. Behind rose the jagged, almost precipitous mountain in a serrated ridge, and inaccessible from the other side; so that upon the whole the position was about as safe as any position could be in that insecure region, where every man took his rifle to bed with him, and slept with one eye open even then. The cabin was reared almost against the great trunk of a stately pine, whose spreading boughs contributed in no slight degree to its shelter. Not many yards distant stood another log-hut, similar in design and dimensions; this had been the habitation of a French Canadian and his two Sioux squaws, but now stood deserted by its former owners. Vipan flung himself on a soft thick bearskin, took a glowing stick from the fire, and pressed it against the bowl of a long Indian pipe. "By Jove, Bill," he said, blowing out a great cloud. "If this isn't the true philosophy of life it's first cousin
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*** [Johann Sebastian Bach] _Johann Sebastian Bach. About 1720. (From the picture by Johann Jakob Ihle, in the Bach Museum, Eisenach)._ Johann Sebastian Bach His Life, Art and Work. Translated from the German of Johann Nikolaus Forkel. With notes and appendices by Charles Sanford Terry, Litt.D. Cantab. Johann Nikolaus Forkel and Charles Sanford Terry Harcourt, Brace and Howe, New York 1920 CONTENTS Introduction FORKEL'S PREFACE CHAPTER I. THE FAMILY OF BACH Chapter II. THE CAREER OF BACH CHAPTER IIA. BACH AT LEIPZIG, 1723-1750 CHAPTER III. BACH AS A CLAVIER PLAYER CHAPTER IV. BACH THE ORGANIST CHAPTER V. BACH THE COMPOSER CHAPTER VI. BACH THE COMPOSER (continued) CHAPTER VII. BACH AS A TEACHER CHAPTER VIII. PERSONAL CHARACTERISTICS CHAPTER IX. BACH'S COMPOSITIONS CHAPTER X. BACH'S MANUSCRIPTS CHAPTER XI. THE GENIUS OF BACH APPENDIX I. CHRONOLOGICAL CATALOGUE OF BACH'S COMPOSITIONS APPENDIX II. THE CHURCH CANTATAS ARRANGED CHRONOLOGICALLY APPENDIX III. THE BACHGESELLSCHAFT EDITIONS OF BACH'S WORKS APPENDIX IV. BIBLIOGRAPHY OF BACH LITERATURE APPENDIX V. A COLLATION OF THE NOVELLO AND PETERS EDITIONS OF THE ORGAN WORKS APPENDIX VI. GENEALOGY OF THE FAMILY OF BACH Footnotes ILLUSTRATIONS _Johann Sebastian Bach. About 1720. (From the picture by Johann Jakob Ihle, in the Bach Museum, Eisenach)._ Bach's Home at Eisenach The Church and School of St. Thomas, Leipzig, in 1723. Johann Sebastian Bach, circa 1746. _From the picture by Haussmann._ Divided Harmony, Bach treatment Divided Harmony, conventional treatment The Bach Statue at Eisenach Johann Sebastian Bach. _From the picture discovered by Professor Fritz Volbach_ The Bach Statue at Leipzig Genealogy Table, p. 303 Genealogy Table, p. 304 Genealogy Table, p. 305 Genealogy Table, p. 306 Genealogy Table, p. 307 Genealogy Table, p. 308 Genealogy Table, p. 309 Genealogy Table, p. 310 INTRODUCTION Johann Nikolaus Forkel, author of the monograph of which the following pages afford a translation, was born at Meeder, a small village in Saxe-Coburg, on February 22, 1749, seventeen months before the death of Johann Sebastian Bach, whose first biographer he became. Presumably he would have followed the craft of his father, the village shoemaker, had not an insatiable love of music seized him in early years. He obtained books, and studied them with the village schoolmaster. In particular he profited by the "Vollkommener Kapellmeister" of Johann Mattheson, of Hamburg, the sometime friend of Handel. Like Handel, he found a derelict Clavier in the attic of his home and acquired proficiency upon it. Forkel's professional career, like Bach's half a century earlier, began at Lueneburg, where, at the age of thirteen (1762), he was admitted to the choir of the parish church. Thence, at the age of seventeen (1766), he proceeded to Schwerin as "Chorpraefect," and enjoyed the favour of the Grand Duke. Three years later he betook himself (1769), at the age of twenty, to the University of Goettingen, which he entered as a law student, though a slender purse compelled him to give music lessons for a livelihood. He used his opportunity to acquire a knowledge of modern languages, which stood him in good stead later, when his researches required him to explore foreign literatures. Concurrently he pursued his musical activities, and in 1774 published at Goettingen his first work, _Ueber die Theorie der Musik,_ advocating the foundation of a music lectureship in the University. Four years later (1778) he was appointed its Director of Music, and from 1779 to 1815 conducted the weekly concerts of the Sing-Akademie. In 1780 he received from the University the doctorate of philosophy. The rest of his life was spent at Goettingen, where he died on March 17, 1818, having just completed his sixty-ninth year. That Forkel is remembered at all is due solely to his monograph on Bach. Written at a time when Bach's greatness was realised in hardly any quarter, the book claimed for him pre-eminence which a tardily enlightened world since has conceded him. By his generation Forkel was esteemed chiefly for his literary activity, critical ability, and merit as a composer. His principal work, _Allgemeine Geschichte der Musik,_ was published in two volumes at Leipzig in 1788 and 1801. Carl Friedrich Zelter, Goethe's friend and correspondent, dismissed the book contemptuously as that of an author who had "set out to write a history of music, but came to an end just where the history of music begins." Forkel's work, in fact, breaks off at the sixteenth century. But the curtailed _ History_ cleared the way for the monograph on Bach, a more valuable contribution to the literature of music. Forkel already had published, in three volumes, at Gotha in 1778, his _Musikalisch-kritische Bibliothek,_ and in 1792 completed his critical studies by publishing at Leipzig his _Allgemeine Literatur der Musik._ Forkel was also a student of the music of the polyphonic school. He prepared for the press the scores of a number of sixteenth century Masses, Motets, etc., and fortunately received proofs of them from the engraver. For, in 1806, after the Battle of Jena, the French impounded the plates and melted them down. Forkel's proofs are still preserved in the Berlin Royal Library. He was diligent in quest of Bach's scattered MSS., and his friendship with Bach's elder sons, Carl Philipp Emmanuel and Wilhelm Friedemann, enabled him to secure precious relics which otherwise might have shared the fate of too many of Bach's manuscripts. He took an active interest in the proposal of Messrs. Hoffmeister and Kuehnel, predecessors of C. F. Peters at Leipzig, to print a "kritisch-korrecte" edition of Bach's Organ and Clavier works. Through his friend, Johann Gottfried Schicht, afterwards Cantor at St. Thomas's, Leipzig, he was also associated with Breitkopf and Haertel's publication of five of Bach's six extant Motets in 1802-3. As a composer Forkel has long ceased to be remembered. His works include two Oratorios, _ Hiskias_ (1789) and _Die Hirten bey der Krippe_; four
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Produced by Anne Grieve, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) ROUND THE SOFA. BY THE AUTHOR OF “Mary Barton,” “Life of Charlotte Bronte,” &c. &c. TWO VOLUMES. VOL. I. LONDON: SAMPSON LOW, SON & CO., 47 LUDGATE HILL. 1859. LONDON: PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET. PREFACE. Most of these Stories have already appeared in <i>Household Words</i>: one, however, has never been published in England, and another has obtained only a limited circulation. ROUND THE SOFA. Long ago I was placed by my parents under the medical treatment of a certain Mr. Dawson, a surgeon in Edinburgh, who had obtained a reputation for the cure of a particular class of diseases. I was sent with my governess into lodgings near his house, in the Old Town. I was to combine lessons from the excellent Edinburgh masters, with the medicines and exercises needed for my indisposition. It was at first rather dreary to leave my brothers and sisters, and to give up our merry out-of-doors life with our country home, for dull lodgings, with only poor grave Miss Duncan for a companion; and to exchange our romps in the garden and rambles through the fields for stiff walks in the streets, the decorum of which obliged me to tie my bonnet-strings neatly, and put on my shawl with some regard to straightness. The evenings were the worst. It was autumn, and of course they daily grew longer: they were long enough, I am sure, when we first settled down in those gray and drab lodgings. For, you must know, my father and mother were not rich, and there were a great many of us, and the medical expenses to be incurred by my being placed under Mr. Dawson’s care were expected to be considerable; therefore, one great point in our search after lodgings was economy. My father, who was too true a gentleman to feel false shame, had named this necessity for cheapness to Mr. Dawson; and in return, Mr. Dawson had told him of those at No. 6 Cromer Street, in which we were finally settled. The house belonged to an old man, at one time a tutor to young men preparing for the University, in which capacity he had become known to Mr. Dawson. But his pupils had dropped off; and when we went to lodge with him, I imagine that his principal support was derived from a few occasional lessons which he gave, and from letting the rooms that we took, a drawing-room opening into a bed-room, out of which a smaller chamber led. His daughter was his housekeeper: a son, whom we never saw, was supposed to be leading the same life that his father had done before him, only we never saw or heard of any pupils; and there was one hard-working, honest little Scottish maiden, square, stumpy, neat, and plain, who might have been any age from eighteen to forty. Looking back on the household now, there was perhaps much to admire in their quiet endurance of decent poverty; but at this time, their poverty grated against many of my tastes, for I could not recognize the fact, that in a town the simple graces of fresh flowers, clean white muslin curtains, pretty bright chintzes, all cost money, which is saved by the adoption of dust- moreen, and mud- carpets. There was not a penny spent on mere elegance in that room; yet there was everything considered necessary to comfort: but after all, such mere pretences of comfort! a hard, slippery, black horse-hair sofa, which was no place of rest; an old piano, serving as a sideboard; a grate, narrowed by an inner supplement, till it hardly held a handful of the small coal which could scarcely ever be stirred up into a genial blaze. But there were two evils worse than even this coldness and bareness of the rooms: one was that we were provided with a latch-key, which allowed us to open the front door whenever we came home from a walk, and go upstairs without meeting any face of welcome, or hearing the sound of a human voice in the apparently deserted house--Mr. Mackenzie piqued himself on the noiselessness of his establishment; and the other, which might almost seem to neutralize the first, was the danger we were always exposed to on going out, of the old man--sly, miserly, and intelligent--popping out upon us from his room, close to the left hand of the door, with some civility which we learnt to distrust as a mere pretext for extorting more money, yet which it was difficult to refuse: such as the offer of any books out of his library, a great temptation, for we could see into the shelf-lined room; but just as we were on the point of yielding, there was a hint of the “consideration” to be expected for the loan of books of so much higher a class than any to be obtained at the circulating library, which made us suddenly draw back. Another time he came out of his den to offer us written cards, to distribute among our acquaintance, on which he undertook to teach the very things I was to learn; but I would rather have been the most ignorant woman that ever lived than tried to learn anything from that old fox in breeches. When we had declined all his proposals, he went apparently into dudgeon. Once when we had forgotten our latch-key we rang in vain for many times at the door, seeing our landlord standing all the time at the window to the right, looking out of it in an absent and philosophical state of mind, from which no signs and gestures of ours could arouse him. The women of the household were far better, and more really respectable, though even on them poverty had laid her heavy left hand, instead of her blessing right. Miss Mackenzie kept us as short in our food as she decently could--we paid so much a week for our board, be it observed; and if one day we had less appetite than another, our meals were docked to the smaller standard, until Miss Duncan ventured to remonstrate. The sturdy maid-of-all-work was scrupulously honest, but looked discontented, and scarcely vouchsafed us thanks, when on leaving we gave her what Mrs. Dawson had told us would be considered handsome in most lodgings. I do not believe Phenice ever received wages from the Mackenzies. But that dear Mrs. Dawson! The mention of her comes into my mind like the bright sunshine into our dingy little drawing-room came on those days;--as a sweet scent of violets greets the sorrowful passer among the woodlands. Mrs. Dawson was not Mr. Dawson’s wife, for he was a bachelor. She was his crippled sister, an old maid, who had, what she called, taken her brevet rank. After we had been about a fortnight in Edinburgh, Mr. Dawson said, in a sort of half-doubtful manner to Miss Duncan-- “My sister bids me say, that every Monday evening a few friends come in to sit round her sofa for an hour or so,--some before going to gayer parties--and that if you and Miss Greatorex would like a little change, she would only be too glad to see you. Any time from seven to eight to-night; and I must add my injunctions, both for her sake, and for that of my little patient’s, here, that you leave at nine o’clock. After all, I do not know if you will care to come; but Margaret bade me ask you;” and he glanced up suspiciously and sharply at us. If either of us had felt the slightest reluctance, however well disguised by manner, to accept this invitation, I am sure he would have at once detected our feelings, and withdrawn it; so jealous and chary was he of anything pertaining to the appreciation of this beloved sister. But if it had been to spend an evening at a dentist’s, I believe I should have welcomed the invitation, so weary was I of the monotony of the nights in our lodgings; and as for Miss Duncan, an invitation to tea was of itself a pure and unmixed honour, and one to be accepted with all becoming form and gratitude: so Mr. Dawson’s sharp glances over his spectacles failed to detect anything but the truest pleasure, and he went on. “You’ll find it very dull, I dare say. Only a few old fogies like myself, and one or two good sweet young women: I never know who’ll come. Margaret is obliged to lie in a darkened room,--only half-lighted I mean,--because her eyes are weak,--oh, it will be very stupid, I dare say: don’t thank me till you’ve been once and tried it, and then, if you like it, your best thanks will be to come again every Monday, from half-past seven to nine, you know. Good-bye, good-bye.” Hitherto I had never been out to a party of grownup people; and no court ball to a London young lady could seem more redolent of honour and pleasure than this Monday evening to me. Dressed out in new stiff book-muslin, made up to my throat,--a frock which had seemed to me and my sisters the height of earthly grandeur and finery--Alice, our old nurse, had been making it at home, in contemplation of the possibility of such an event during my stay in Edinburgh, but which had then appeared to me a robe too lovely and angelic to be ever worn short of heaven--I went with Miss Duncan to Mr. Dawson’s at the appointed time. We entered through one small lofty room, perhaps I ought to call it an antechamber, for the house was old-fashioned, and stately and grand, the large square drawing-room, into the centre of which Mrs. Dawson’s sofa was drawn. Behind her a little was placed a table with a great cluster candlestick upon it, bearing seven or eight wax-lights; and that was all the light in the room, which looked to me very vast and indistinct after our pinched-up apartment at the Mackenzie’s. Mrs. Dawson must have been sixty; and yet her face looked very soft and smooth and child-like. Her hair was quite gray: it would have looked white but for the snowiness of her cap, and satin ribbon. She was wrapped in a kind of dressing-gown of French grey merino: the furniture of the room was deep rose-colour, and white and gold,--the paper which covered the walls was Indian, beginning low down with a profusion of tropical leaves and birds and insects, and gradually diminishing in richness of detail till at the top it ended in the most delicate tendrils and most filmy insects. Mr. Dawson had acquired much riches in his profession, and his house gave one this impression. In the corners of the rooms were great jars of Eastern china, filled with flower-leaves and spices; and in the middle of all this was placed the sofa, on which poor Mrs. Margaret Dawson passed whole days, and months, and years, without the power of moving by herself. By-and-by Mrs. Dawson’s maid brought in tea and macaroons for us, and a little cup of milk and water and a biscuit for her. Then the door opened. We had come very early, and in came Edinburgh professors, Edinburgh beauties, and celebrities, all on their way to some other gayer and later party, but coming first to see Mrs. Dawson, and tell her their <i>bon-mots</i>, or their interests, or their plans. By each learned man, by each lovely girl, she was treated as a dear friend, who knew something more about their own individual selves, independent of their reputation and general society-character, than any one else. It was very brilliant and very dazzling, and gave enough to think about and wonder about for many days. Monday after Monday we went, stationary, silent; what could we find to say to any one but Mrs. Margaret herself? Winter passed, summer was coming, still I was ailing, and weary of my life; but still Mr. Dawson gave hopes of my ultimate recovery. My father and mother came and went; but they could not stay long, they had so many claims upon them. Mrs. Margaret Dawson had become my dear friend, although, perhaps, I had never exchanged as many words with her as I had with Miss Mackenzie, but then with Mrs. Dawson every word was a pearl or a diamond. People began to drop off from Edinburgh, only a few were left, and I am not sure if our Monday evenings were not all the pleasanter. There was Mr. Sperano, the Italian exile, banished even from France, where he had long resided, and now teaching Italian with meek diligence in the northern city; there was Mr. Preston, the Westmoreland squire, or, as he preferred to be called, statesman, whose wife had come to Edinburgh for the education of their numerous family, and who, whenever her husband had come over on one of his occasional visits, was only too glad to accompany him to Mrs. Dawson’s Monday evenings, he and the invalid lady having been friends from long ago. These and ourselves kept steady visitors, and enjoyed ourselves all the more for having the more of Mrs. Dawson’s society. One evening I had brought the little stool close to her sofa, and was caressing her thin white hand, when the thought came into my head and out I spoke it. “Tell me, dear Mrs. Dawson,” said I, “how long you have been in Edinburgh; you do not speak Scotch, and Mr. Dawson says he is not Scotch.” “No, I am Lancashire--Liverpool-born,” said she, smiling. “Don’t you hear it in my broad tongue?” “I hear something different to other people, but I like it because it is just you; is that Lancashire?” “I dare say it is; for, though I am sure Lady Ludlow took pains enough to correct me in my younger days, I never could get rightly over the accent.” “Lady Ludlow,” said I, “what had she to do with you? I heard you talking about her to Lady Madeline Stuart the first evening I ever came here; you and she seemed so fond of Lady Ludlow; who is she?” “She is dead, my child; dead long ago.” I felt sorry I had spoken about her, Mrs. Dawson looked so grave and sad. I suppose she perceived my sorrow, for she went on and said, “My dear, I like to talk and to think of Lady Ludlow: she was my true, kind friend and benefactress for many years; ask me what you like about her, and do not think you give me pain.” I grew bold at this. “Will you tell me all about her then, please Mrs. Dawson?” “Nay,” said she, smiling, “that would be too long a story. Here are Signor Sperano, and Miss Duncan, and Mr. and Mrs. Preston are coming to-night, Mr. Preston told me; how would they like to hear an old-world story which, after all, would be no story at all, neither beginning, nor middle, nor end, only a bundle of recollections.” “If you speak of me, madame,” said Signor Sperano, “I can only say you do me one great honour by recounting in my presence anything about any person that has ever interested you.” Miss Duncan tried to say something of the same kind. In the middle of her confused speech, Mr. and Mrs. Preston came in. I sprang up; I went to meet them. “Oh,” said I, “Mrs. Dawson is just going to tell us all about Lady Ludlow, and a great deal more, only she is afraid it won’t interest anybody: do say you would like to hear it!” Mrs. Dawson smiled at me, and in reply to their urgency she promised to tell us all about Lady Ludlow, on condition that each one of us should, after she had ended, narrate something interesting, which we had either heard, or which had fallen within our own experience. We all promised willingly, and then gathered round her sofa to hear what she could tell us about my Lady Ludlow. MY LADY LUDLOW. CHAPTER I. I am an old woman now, and things are very different to what they were in my youth. Then we, who travelled, travelled in coaches, carrying six inside, and making a two days’ journey out of what people now go over in a couple of hours with a whizz and a flash, and a screaming whistle, enough to deafen one. Then letters came in but three times a week: indeed, in some places in Scotland where I have stayed when I was a girl, the post came in but once a month;--but letters were letters then; and we made great prizes of them, and read them and studied them like books. Now the post comes rattling in twice a day, bringing short jerky notes, some without beginning or end, but just a little sharp sentence, which well-bred folks would think too abrupt to be spoken. Well, well! they may all be improvements,--I dare say they are; but you will never meet with a Lady Ludlow in these days. I will try and tell you about her. It is no story: it has, as I said, neither beginning, middle, nor end. My father was a poor clergyman with a large family. My mother was always said to have good blood in her veins; and when she wanted to maintain her position with the people she was thrown among,--principally rich democratic manufacturers, all for liberty and the French Revolution,--she would put on a pair of ruffles, trimmed with real old English point, very much darned to be sure,--but which could not be bought new for love or money, as the art of making it was lost years before. These ruffles showed, as she said, that her ancestors had been Somebodies, when the grandfathers of the rich folk, who now looked down upon her, had been Nobodies,--if, indeed, they had any grandfathers at all. I don’t know whether any one out of our own family ever noticed these ruffles,--but we were all taught as children to feel rather proud when my mother put them on, and to hold up our heads as became the descendants of the lady who had first possessed the lace. Not but what my dear father often told us that pride was a great sin; we were never allowed to be proud of anything but my mother’s ruffles: and she was so innocently happy when she put them on,--often, poor dear creature, to a very worn and thread-bare gown,--that I still think, even after all my experience of life, they were a blessing to the family. You will think that I am wandering away from my Lady Ludlow. Not at all. The Lady who had owned the lace, Ursula Hanbury, was a common ancestress of both my mother and my Lady Ludlow. And so it fell out, that when my poor father died, and my mother was sorely pressed to know what to do with her nine children, and looked far and wide for signs of willingness to help, Lady Ludlow sent her a letter, proffering aid and assistance. I see that letter now: a large sheet of thick yellow paper, with a straight broad margin left on the left-hand side of the delicate Italian writing,--writing which contained far more in the same space of paper than all the sloping, or masculine hand-writings of the present day. It was sealed with a coat of arms,--a lozenge,--for Lady Ludlow was a widow. My mother made us notice the motto, “Foy et Loy,” and told us where to look for the quarterings of the Hanbury arms before she opened the letter. Indeed, I think she was rather afraid of what the contents might be; for, as I have said, in her anxious love for her fatherless children, she had written to many people upon whom, to tell truly, she had but little claim; and their cold, hard answers had many a time made her cry, when she thought none of us were looking. I do not even know if she had ever seen Lady Ludlow: all I knew of her was that she was a very grand lady, whose grandmother had been half-sister to my mother’s great-grandmother; but of her character and circumstances I had heard nothing, and I doubt if my mother was acquainted with them. I looked over my mother’s shoulder to read the letter; it began, “Dear Cousin Margaret Dawson,” and I think I felt hopeful from the moment I saw those words. She went on to say,--stay, I think I can remember the very words: ‘Dear Cousin Margaret Dawson,--I have been much grieved to hear of the loss you have sustained in the death of so good a husband, and so excellent a clergyman as I have always heard that my late cousin Richard was esteemed to be.’ “There!” said my mother, laying her finger on the passage, “read that aloud to the little ones. Let them hear how their father’s good report travelled far and wide, and how well he is spoken of by one whom he never saw. Cousin Richard, how prettily her ladyship writes! Go on, Margaret!” She wiped her eyes as she spoke: and laid her finger on her lips, to still my little sister, Cecily, who, not understanding anything about the important letter, was beginning to talk and make a noise. ‘You say you are left with nine children. I too should have had nine, if mine had all lived. I have none left but Rudolph, the present Lord Ludlow. He is married, and lives, for the most part, in London. But I entertain six young gentlewomen at my house at Connington, who are to me as daughters--save that, perhaps, I restrict them in certain indulgences in dress and diet that might be befitting in young ladies of a higher rank, and of more probable wealth. These young persons--all of condition, though out of means--are my constant companions, and I strive to do my duty as a Christian lady towards them. One of these young gentlewomen died (at her own home, whither she had gone upon a visit) last May. Will you do me the favour to allow your eldest daughter to supply her place in my household? She is, as I make out, about sixteen years of age. She will find companions here who are but a little older than herself. I dress my young friends myself, and make each of them a small allowance for pocket-money. They have but few opportunities for matrimony, as Connington is far removed from any town. The clergyman is a deaf old widower; my agent is married; and as for the neighbouring farmers, they are, of course, below the notice of the young gentlewomen under my protection. Still, if any young woman wishes to marry, and has conducted herself to my satisfaction, I give her a wedding dinner, her clothes, and her house-linen. And such as remain with me to my death, will find a small competency provided for them in my will. I reserve to myself the option of paying their travelling expenses,--disliking gadding women, on the one hand; on the other, not wishing by too long absence from the family home to weaken natural ties. ‘If my proposal pleases you and your daughter--or rather, if it pleases you, for I trust your daughter has been too well brought up to have a will in opposition to yours--let me know, dear cousin Margaret Dawson, and I will make arrangements for meeting the young gentlewoman at Cavistock, which is the nearest point to which the coach will bring her.’ My mother dropped the letter, and sat silent. “I shall not know what to do without you, Margaret.” A moment before, like a young untried girl as I was, I had been pleased at the notion of seeing a new place, and leading a new life. But now,--my mother’s look of sorrow, and the children’s cry of remonstrance: “Mother; I won’t go,” I said. “Nay! but you had better,” replied she, shaking her head. “Lady Ludlow has much power. She can help your brothers. It will not do to slight her offer.” So we accepted it, after much consultation. We were rewarded,--or so we thought,--for, afterwards, when I came to know Lady Ludlow, I saw that she would have done her duty by us, as helpless relations, however we might have rejected her kindness,--by a presentation to Christ’s Hospital for one of my brothers. And this was how I came to know my Lady Ludlow. I remember well the afternoon of my arrival at Hanbury Court. Her ladyship had sent to meet me at the nearest post-town at which the mail-coach stopped. There was an old groom inquiring for me, the ostler said, if my name was Dawson--from Hanbury Court, he believed. I felt it rather formidable; and first began to understand what was meant by going among strangers, when I lost sight of the guard to whom my mother had intrusted me. I was perched up in a high gig with a hood to it, such as in those days was called a chair, and my companion was driving deliberately through the most pastoral country I had ever yet seen. By-and-by we ascended a long hill, and the man got out and walked at the horse’s head. I should have liked to walk, too, very much indeed; but I did not know how far I might do it; and, in fact, I dared not speak to ask to be helped down the deep steps of the gig. We were at last at the top,--on a long, breezy, sweeping, unenclosed piece of ground, called, as I afterwards learnt, a Chase. The groom stopped, breathed, patted his horse, and then mounted again to my side. “Are we near Hanbury Court?” I asked. “Near! Why, Miss! we’ve a matter of ten mile yet to go.” Once launched into conversation, we went on pretty glibly. I fancy he had been afraid of beginning to speak to me, just as I was to him; but he got over his shyness with me sooner than I did mine with him. I let him choose the subjects of conversation, although very often I could not understand the points of interest in them: for instance, he talked for more than a quarter of an hour of a famous race which a certain dog-fox had given him, above thirty years before; and spoke of all the covers and turns just as if I knew them as well as he did; and all the time I was wondering what kind of an animal a dog-fox might be. After we left the Chase, the road grew worse. No one in these days, who has not seen the byroads of fifty years ago, can imagine what
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Produced by Roger Frank, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: The Figure Springs into the Air--See page 129.] [Illustration: THE BOYS OWN BOOKSHELF] OUR HOME IN THE SILVER WEST A Story of Struggle and Adventure BY GORDON STABLES, C.M., M.D., R.N. AUTHOR OF 'THE CRUISE OF THE SNOWBIRD,' 'WILD ADVENTURES ROUND THE POLE,' ETC., ETC. THE RELIGIOUS TRACT SOCIETY 56, Paternoster Row; 65, St. Paul's Churchyard and 164 Piccadilly Richard Clay and Sons, Limited, London and Bungay. CONTENTS. CHAPTER PAGE I. The Highland Feud. 11 II. Our Boyhood's Life. 23 III. A Terrible Ride. 30 IV. The Ring and the Book. 44 V. A New Home in the West. 54 VI. The Promised Land at Last. 64 VII. On Shore at Rio. 77 VIII. Moncrieff Relates His Experiences. 86 IX. Shopping and Shooting. 96 X. A Journey That Seems Like a Dream. 106 XI. The Tragedy at the Fonda. 115 XII. Attack by Pampa Indians. 125 XIII. The Flight and the Chase. 134 XIV. Life on an Argentine Estancia. 146 XV. We Build our House and Lay Out Gardens. 155 XVI. Summer in the Silver West. 165 XVII. The Earthquake. 175 XVIII. Our Hunting Expedition. 185 XIX. In the Wilderness. 197 XX. The Mountain Crusoe. 209 XXI. Wild Adventures on Prairie and Pampas. 221 XXII. Adventure With a Tiger. 231 XXIII. A Ride for Life. 244 XXIV. The Attack on the Estancia. 255 XXV. The Last Assault. 266 XXV Farewell to the Silver West. 279 LIST OF ILLUSTRATIONS. PAGE The Figure Springs into the Air Frontispiece Orla thrusts his Muzzle into my Hand 10 Ray lay Stark and Stiff 18 'Look! He is Over!' 33 He pointed his Gun at me 41 'I'll teach ye!' 74 Fairly Noosed 99 'Ye can Claw the Pat' 138 Comical in the Extreme 195 Tries to steady himself to catch the Lasso 203 Interview with the Orang-outang 214 On the same Limb of the Tree 236 The Indians advanced with a Wild Shout 268 [Illustration: Orla thrusts his Muzzle into my Hand] OUR HOME IN THE SILVER WEST CHAPTER I. THE HIGHLAND FEUD. Why should I, Murdoch M'Crimman of Coila, be condemned for a period of indefinite length to the drudgery of the desk's dull wood? That is the question I have just been asking myself. Am I emulous of the honour and glory that, they say, float halo-like round the brow of the author? Have I the desire to awake and find myself famous? The fame, alas! that authors chase is but too often an _ignis fatuus_. No; honour like theirs I crave not, such toil is not incumbent on me. Genius in a garret! To some the words may sound romantic enough, but--ah me!--the position seems a sad one. Genius munching bread and cheese in a lonely attic, with nothing betwixt the said genius and the sky and the cats but rafters and tiles! I shudder to think of it. If my will were omnipotent, Genius should never shiver beneath the tiles, never languish in an attic. Genius should be clothed in purple and fine linen, Genius should---- 'Yes, aunt, come in; I'm not very busy yet.' My aunt sails into my beautiful room in the eastern tower of Castle Coila. 'I was afraid,' she says, almost solemnly, 'I might be disturbing your meditations. Do I find you really at work?' 'I've hardly arrived at that point yet, dear aunt. Indeed, if the truth will not displease you, I greatly fear serious concentration is not very much in my line. But as you desire me to write our strange story, and as mother also thinks the duty devolves on me, behold me seated at my table in this charming turret chamber, which owes its all of comfort to your most excellent taste, auntie mine.' As I speak I look around me. The evening sunshine is streaming into my room, which occupies the whole of one story of the tower. Glance where I please, nothing is here that fails to delight the eye. The carpet beneath my feet is soft as moss, the tall mullioned windows are bedraped with the richest curtains. Pictures and mirrors hang here and there, and seem part and parcel of the place. So does that dark lofty oak bookcase, the great harp in the west corner, the violin that leans against it, the _jardiniere_, the works of art, the arms from every land--the shields, the claymores, the spears and helmets, everything is in keeping. This is my garret. If I want to meditate, I have but to draw aside a curtain in yonder nook, and lo! a little baize-covered door slides aside and admits me to one of the tower-turrets, a tiny room in which fairies might live, with a window on each side giving glimpses of landscape--and landscape unsurpassed for beauty in all broad Scotland. But it was by the main doorway of my chamber that auntie entered, drawing aside the curtains and pausing a moment till she should receive my cheering invitation. And this door leads on to the roof, and this roof itself is a sight to see. Loftily domed over with glass, it is at once a conservatory, a vinery, and tropical aviary. Room here for trees even, for miniature palms, while birds of the rarest plumage flit silently from bough to bough among the oranges, or lisp out the sweet lilts that have descended to them from sires that sang in foreign lands. Yonder a fountain plays and casts its spray over the most lovely feathery ferns. The roof is very spacious, and the conservatory occupies the greater part of it, leaving room outside, however, for a delightful promenade. After sunset lamps are often lit here, and the place then looks even more lovely than before. All this, I need hardly say, was my aunt's doing. I wave my hand, and the lady sinks half languidly into a fauteuil. 'And so,' I say, laughingly, 'you have come to visit Genius in his garret.' My aunt smiles too, but I can see it is only out of politeness. I throw down my pen; I leave my chair and seat myself on the bearskin beside the ample fireplace and begin toying with Orla, my deerhound. 'Aunt, play and sing a little; it will inspire me.' She needs no second bidding. She bends over the great harp and lightly touches a few chords. 'What shall I play or sing?' 'Play and sing as you feel, aunt.' 'I feel thus,' my aunt says, and her fingers fly over the strings, bringing forth music so inspiriting and wild that as I listen, entranced, some words of Ossian come rushing into my memory: 'The moon rose in the East. Fingal returned in the gleam of his arms. The joy of his youth was great, their souls settled as a sea from a storm. Ullin raised the song of gladness. The hills of Inistore rejoiced. The flame of the oak arose, and the tales of heroes were told.' Aunt is not young, but she looks very noble now--looks the very incarnation of the music that fills the room. In it I can hear the battle-cry of heroes, the wild slogan of clan after clan rushing to the fight, the clang of claymore on shield, the shout of victory, the wail for the dead. There are tears in my eyes as the music ceases, and my aunt turns once more towards me. 'Aunt, your music has made me ashamed of myself. Before you came I recoiled from the task you had set before me; I longed to be out and away, marching
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Produced by Adrian Mastronardi, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) CORNELL STUDIES IN PHILOSOPHY No. 11 JOHN DEWEY'S LOGICAL THEORY BY DELTON THOMAS HOWARD, A.M. FORMERLY FELLOW IN THE SAGE SCHOOL OF PHILOSOPHY A THESIS PRESENTED TO THE FACULTY OF THE GRADUATE SCHOOL OF CORNELL UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY NEW YORK LONGMANS, GREEN, & CO. 1919 PRESS OF THE NEW ERA PRINTING COMPANY LANCASTER, PA. PREFACE It seems unnecessary to offer an apology for an historical treatment of Professor Dewey's logical theories, since functionalism glories in the genetic method. To be sure, certain more extreme radicals are opposed to a genetic interpretation of the history of human thought, but this is inconsistent. At any rate, the historical method employed in the following study may escape censure by reason of its simple character, for it is little more than a critical review of Professor Dewey's writings in their historical order, with no discussion of influences and connections, and with little insistence upon rigid lines of development. It is proposed to "follow the lead of the subject-matter" as far as possible; to discover what topics interested Professor Dewey, how he dealt with them, and what conclusions he arrived at. This plan has an especial advantage when applied to a body of doctrine which, like Professor Dewey's, does not possess a systematic form of its own, since it avoids the distortion which a more rigid method would be apt to produce. It has not been possible, within the limits of the present study, to take note of all of Professor Dewey's writings, and no reference has been made to some which are of undoubted interest and importance. Among these may be mentioned especially his books and papers on educational topics and a number of his ethical writings. Attention has been devoted almost exclusively to those writings which have some important bearing upon his logical theory. The division into chapters is partly arbitrary, although the periods indicated are quite clearly marked by the different directions which Professor Dewey's interests took from time to time. It will be seen that there is considerable chance for error in distinguishing between the important and the unimportant, and in selecting the essays which lie in the natural line of the author's development. But, _valeat quantum_, as William James would say. The criticisms and comments which have been made from time to time, as seemed appropriate, may be considered pertinent or irrelevant according to the views of the reader. It is hoped that they are not entirely aside from the mark, and that they do not interfere with a fair presentation of the author's views. The last chapter is devoted to a direct criticism of Professor Dewey's functionalism, with some comments on the general nature of philosophical method. Since this thesis was written, Professor Dewey has published two or three books and numerous articles, which are perhaps more important than any of his previous writings. The volume of _Essays in Experimental Logic_ (1916) is a distinct advance upon _The Influence of Darwin on Philosophy and Other Essays_, published six years earlier. Most of these essays, however, are considered here in their original form, and the new material, while interesting, presents no vital change of standpoint. It might be well to call attention to the excellent introductory essay which Professor Dewey has provided for this new volume. Some mention might also be made of the volume of essays by eight representative pragmatists, which appeared last year (1917) under the title, _Creative Intelligence_. My comments on Professor Dewey's contribution to the volume have been printed elsewhere.[1] It has not seemed necessary, in the absence of significant developments, to extend the thesis beyond its original limits, and it goes to press, therefore, substantially as written two years ago. I wish to express my gratitude to the members of the faculty of the Sage School of Philosophy for many valuable suggestions and kindly encouragement in the course of my work. I am most deeply indebted to Professor Ernest Albee for his patient guidance and helpful criticism. Many of his suggestions, both as to plan and detail, have been adopted and embodied in the thesis, and these have contributed materially to such logical coherence and technical accuracy as it may possess. The particular views expressed are, of course, my own. I wish also to thank Professor J. E. Creighton especially for his friendly interest and for many suggestions which assisted the progress of my work, as well as for his kindness in looking over the proofs. D. T. HOWARD. EVANSTON, ILLINOIS, June, 1918. FOOTNOTE: [1] "The Pragmatic Method," _Journal of Philosophy, Psychology, and Scientific Methods_, 1918, Vol. XV, pp. 149-156. CONTENTS CHAPTER PAGE I. "Psychology as Philosophic Method" 1 II. The Development of the Psychological Standpoint 15 III. "Moral Theory and Practice" 33 IV. Functional Psychology 47 V. The Evolutionary Standpoint 59 VI. "Studies in Logical Theory" 72 VII. The Polemical Period 88 VIII. Later Developments 105 IX. Conclusions 119 CHAPTER I "PSYCHOLOGY AS PHILOSOPHIC METHOD" Dewey's earliest standpoint in philosophy is presented in two articles published in _Mind_ in 1886: "The Psychological Standpoint," and "Psychology as Philosophic Method."[2] These articles appear to have been written in connection with his _Psychology_, which was published in the same year, and which represents the same general point of view as applied to the study of mental phenomena. For the purposes of the present study attention may be confined to the two articles in _Mind_. Dewey begins his argument, in "The Psychological Standpoint," with a reference to Professor Green's remark that the psychological standpoint is what marks the difference between transcendentalism and British empiricism. Dewey takes exception to this view, and asserts that the two schools hold this standpoint in common, and, furthermore, that the psychological standpoint has been the strength of British empiricism and desertion of that standpoint its weakness. Shadworth Hodgson's comment on this proposal testifies to its audacity. In a review of Dewey's article, he says: "If for instance we are told by a competent writer, that Absolute Idealism is not only a truth of experience but one attained directly by the method of experiential psychology, we should not allow our astonishment to prevent our examining the arguments, by virtue of which English psychology attains the results of German transcendentalism without quitting the ground of experience."[3] Dewey defines his psychological standpoint as follows: "We are not to determine the nature of reality or of any object of philosophical inquiry by examining it as it is in itself, but only as it is an element in our knowledge, in our experience, only as it is related to our mind, or is an 'idea'.... Or, in the ordinary way of putting it, the nature of all objects of philosophical inquiry is to be fixed by finding out what experience says about them."[4] The implications of this definition do not appear at first sight, but they become clearer as the discussion proceeds. Locke, Dewey continues, deserted the psychological standpoint because he did not, as he proposed, explain the nature of such things as matter and mind by reference to experience. On the contrary, he explained experience through the assumption of the two unknowable substances, matter and mind. Berkeley also deserted the psychological standpoint, in effect, by having recourse to a purely transcendent Spirit. Even Hume deserted it by assuming as the only reals certain unrelated sensations, and by trying to explain the origin of experience and knowledge by their combination. These reals were supposed to exist in independence of an organized experience, and to constitute it by their association. It might be argued that Hume's sensations are found in experience by analysis, and this would probably be true. But the sensations are nothing apart from the consciousness in which they are found. "Such a sensation," Dewey says, "a sensation which exists only within and for experience, is not one which can be used to account for experience. It is but one element in an organic whole, and can no more account for the whole, than a given digestive act can account for the existence of a living body."[5] So far Dewey is merely restating the criticism of English empiricism that had been made by Green and his followers. Reality, as experienced, is a whole of organically related parts, not a mechanical compound of elements. Whatever is to be explained must be taken as a fact of experience, and its meaning will be revealed in terms of its position and function within the whole. But while Dewey employs the language of idealism, it is doubtful whether he has grasped the full significance of the "concrete universal" of the Hegelian school. The following passage illustrates the difficulty: "The psychological standpoint as it has developed itself is this: all that is, is for consciousness or knowledge. The business of the psychologist is to give a genetic account of the various elements within this consciousness, and thereby fix their place, determine their validity, and at the same time show definitely what the real and eternal nature of this consciousness is."[6] Consciousness (used here as identical with 'experience') is apparently interpreted as a structure made up of elements related in a determinable order, and having, consequently, a'real and eternal nature.' The result is a'structural' view of reality, and the type of idealism for which Dewey stands may fittingly be called'structural' idealism. This type of idealism does, in fact, hold a position intermediate between English empiricism and German transcendentalism. But it would not commonly be considered a synthesis of the best characteristics of the two schools. 'Structural' idealism is, historically considered, a reversion to Kant which retains the mechanical elements of the _Critique_, but fails to reckon with the truly organic mode of interpretation in which it culminates. As experience, from Kant's undeveloped position, is a structure of sensations and forms, so Dewey's 'consciousness' is a compound of separate elements or existences related in a'real and eternal' order. Dewey illustrates his method, in the discussion which follows, by employing it, or showing how it should be employed, in the definition of certain typical objects of philosophical inquiry. The first to be considered are subject and object. In dealing with the relation of subject to object, the psychological method will attempt to show how consciousness differentiates itself, or'specifies' itself, into subject and object. These terms will be viewed as related terms within the whole of 'consciousness,' rather than as elements existing prior to or in independence of the whole in which they are found. There is a type of realism which illustrates the opposite or ontological method. It is led, through a study of the dependence of the mind upon the organism, to a position in which subject and object fall apart, out of relation to each other. The separation of the two leads to the positing of a third term, an unknown _x_, which is supposed to unite them. The psychological method would hold that the two objects have their union, not in an unknown'real,' but in the 'consciousness' in which they appear. The individual consciousness as subject, and the objects over against it, are elements at once distinguished and related within the whole. All the terms are facts of experience, and none are to be assumed as ontological reals. Subjective idealism, Dewey continues, makes a similar error in failing to discriminate between the ego, or individual consciousness, and the Absolute Consciousness within which ego and object are differentiated elements. It fails to see that subject and object are complements, and inexplicable except as related elements in a larger whole. The individual consciousness, again, and the universal 'Consciousness,' are to be defined by reference to experience. It is not to be assumed at the start, as the subjective idealists assume, that the nature of the individual consciousness is known. The ego is to be defined, not assumed, and this is the essence of the psychological method. So far, two factors in Dewey's standpoint are clearly discernible. In the first place, all noumena and transcendent reals are to be rejected as means of explanation, and definition is to be wholly in terms of experienced elements, as experienced. In the second place, experience is to be regarded as a rational system of related elements, while explanation is to consist in tracing out the relations which any element bears to the whole. The universal 'Consciousness' is the whole, and the individual mind, again, is an element within the whole, to be explained by tracing out the relations which it bears to other elements and to the whole system. It is not easy to avoid the conclusion that Dewey conceives of 'consciousness' as a construct of existentially distinct terms. Dewey does not actually treat subject and object, individual and universal consciousness, in the empirical manner for which he contends. He merely outlines a method; and, while this has a negative bearing as against transcendent modes of explanation, it has little content of its own. But in spite of Dewey's lack of explicitness, it is evident that he tends to view his 'objects of philosophical inquiry' as so many concrete particular existences or things. The idea that they can be empirically marked out and investigated seems to imply this. But subject, object, individual, and universal are certainly not reducible to particular sensations, even though it must be admitted that they have a reference to particulars. These abstract concepts had been a source of difficulty to the empiricists, because they had not been able to reduce them to particular impressions, and Dewey's proposed method appears to involve the same difficulty. In his second article, on "Psychology as Philosophic Method," Dewey proposes to show that his standpoint is practically identical with that of transcendental idealism. This is made possible, he believes, through the fact that, since experience or consciousness is the only reality, psychology, as the scientific account of this reality, becomes identical with philosophy. In maintaining his position, Dewey finds it necessary to criticise the tendency, found in certain idealists, to treat psychology merely as a special science. This view of psychology is attained, Dewey observes, by regarding man under two arbitrarily determined aspects. Taken as a finite being acting amid finite things, a knowing, willing, feeling phenomenon, man is said to be the object of a special science, psychology. But in another aspect man is infinite, the universal self-consciousness, and as such is the object of philosophy. This distinction between the two aspects of man's nature, Dewey believes, cannot be maintained. As a distinction, it must arise within consciousness, and it must therefore be a psychological distinction. Psychology cannot limit itself to anything less than the whole of experience, and cannot, therefore, be a special science dependent, like others, upon philosophy for its working concepts. On the contrary, the method of psychology must be the method of philosophy. Dewey reaches this result quite easily, because he makes psychology the science of reality to begin with. "The universe," he says, "except as realized in an individual, has no existence.... Self-consciousness means simply an individualized universe; and if this universe has _not_ been realized in man, if man be not self-conscious, then no philosophy whatever is possible. If it _has_ been realized, it is in and through psychological experience that this realization has occurred. Psychology is the scientific account of this realization, of this individualized universe, of this self-consciousness."[7] It is difficult to understand exactly what these expressions meant for Dewey. Granting that the human mind is both individual and universal, what objection could be raised against the study of its individual or finite aspects as the special subject-matter of a particular science? All the sciences, as Dewey was aware, are abstract in method. Dewey's position appears to be that the universal and individual aspects of consciousness are nothing apart from each other, and must be studied together. But 'consciousness' in Dewey's view is, in fact, two consciousnesses. Reality as a whole is a Consciousness, and the individual mind is another consciousness. A problem arises, therefore, as to their connection. Dewey affirms that, unless they are united, unless the universal is given in the individual consciousness, there can be no science of the whole, and therefore no philosophy. The epistemological problem of the relation of the mind to reality becomes, accordingly, the _raison d'etre_ of his method. The problem was an inheritance from subjective idealism. It may be pointed out that there is some similarity between Dewey's standpoint and Berkeley's. Both conceive of consciousness as a construct of elements, and Dewey's 'Consciousness in general' holds much the same relation to the finite consciousness that the Divine Mind holds to the individual consciousness in Berkeley's system. The similarity between the two standpoints must not be overemphasized, but it is none the less suggestive and interesting. In attempting to determine the proper status of psychology as a science, Dewey is led into a more detailed exposition of his standpoint. His position in general is well indicated in the following passage: "In short, the real _esse_ of things is neither their _percipi_, nor their _intelligi_ alone; it is their _experiri_."[8] The science of the _intelligi_ is logic, and of the _percipi_, philosophy of nature. But these are abstractions from the _experiri_, the science of which is psychology. If it be denied that the _experiri_, self-consciousness in its wholeness, can be the subject-matter of psychology, then the possibility of philosophy is also denied. "If man, as matter of fact, does not realise the nature of the eternal and the universal _within_ himself, as the essence of his own being; if he does not at one stage of his experience consciously, and in all stages implicitly, lay hold of this universal and eternal, then it is mere matter of words to say that he can give no account of things as they universally and eternally are. To deny, therefore, that self-consciousness is a matter of psychological experience is to deny the possibility of any philosophy."[9] Dewey assures us again that his method alone will solve the epistemological problem. Self-consciousness, as that within which things exist _sub specie aeternitatis_ and _in ordine ad universum_, must be the object of psychology. The refusal to take self-consciousness as an experienced fact, Dewey says, results in such failures as are seen in Kant, Hegel, and even Green and Caird, to give any adequate account of the nature of the Absolute. Kant, for purely logical reasons, denied that self-consciousness could be an object of experience, although he admitted conceptions and perceptions as matters of experience. As a result of his attitude, conception and perception were never brought into organic connection; the self-conscious, eternal order of the world was referred to something back of experience. Dewey attributes Kant's failure to his logical method, which led him away from the psychological standpoint in which he would have found self-consciousness as a directly presented fact. This criticism of Kant's 'logical method' fails to take account of the transitional nature of Kant's standpoint. Looking backward, it is easy enough to ask why Kant did not begin with the organic view of experience at which he finally arrived. But the answer must be that the organic standpoint did not exist until Kant, by his 'logical method,' had brought it to light. The Kantian interpretation of experience, in which, as Dewey asserts, conception and perception were never brought into organic relation, is a half-way stage between mechanism and organism. But how does Dewey propose to improve upon Kant's position? He will first of all put Kant's noumenal self back into experience, as a fact in consciousness. But how will this help to bring perception and conception into closer union? There seems to be no answer. Dewey's view appears to be that organic relations are achieved whenever an object is made a part of experience and so brought into connection with other experienced facts. 'Organic relation' is interpreted as equivalent to'mental relation.' But mental relations are not organic because they are mental. It would be as easy to assert that they are mechanical. The test lies in the nature of the relations which are actually found in the mental sphere and the fitness of the organic categories to express them. Dewey's 'consciousness,' as has been said before, appears to be a structure, not an organism. Its parts are external to each other, however closely they may be related. An organic view of experience would begin with a denial of the actuality of bare facts or sensations, and would not waver in maintaining that standpoint to the end. Hegel's advance upon Kant, Dewey continues, "consisted essentially in showing that Kant's _logical_ standard was erroneous, and that, as a matter of logic, the only true criterion or standard was the organic notion, or _Begriff_, which is a systematic totality, and accordingly able to explain both itself and also the simpler processes and principles."[10] The logical reformation which Hegel accomplished was most important, but the work of Kant still needed to be completed by "showing self-consciousness as a fact of experience, as well as perception through organic forms and thinking through organic principles."[11] This element is latent in Hegel, Dewey believes, but needs to be brought out. T. H. Green comes under the same criticism. He followed Kant's logical method, and as a consequence arrived at the same negative results. The nature of self-consciousness remains unknown to Green; he can affirm its existence, but cannot describe its nature. Dewey quotes that passage from the _Prolegomena to Ethics_ in which Green says:[12] "As to what that consciousness in itself or in its completeness is, we can only make negative statements. _That_ there is such a consciousness is implied in the existence of the world; but _what_ it is we only know through its so far acting in us as to enable us, however partially and interruptedly, to have knowledge of a world or an intelligent experience." If, Dewey observes, Green had begun with the latter point of view, and had taken self-consciousness as at least partially realized in finite minds, he would have been able to make some positive statements about it. Dewey, however, has not given the most adequate interpretation of Green's 'Spiritual Principle in Nature.' This was evidently, for Green, a symbol of the intelligibility of the world as organically conceived, an order which could not be comprehended by the mechanical categories, but which was nevertheless real. As Green tended to hypostatize the organic conception, so Dewey would make it a concrete reality, with the further specification that it must be something given to psychological observation. The chief point of Dewey's criticism of the idealists is that they fail to establish self-consciousness as an experienced fact; and, Dewey maintains, it must be so established if it is to be anything real and genuine. If it is anything that can be discussed at all, it must be an element in experience; and if it is in experience, it must be the subject-matter of psychology. It is inevitable, from Dewey's standpoint, that transcendentalism should adopt his psychological method. In the further development of his standpoint, Dewey considers (1) the relations of psychology to the special sciences, and (2) the relation of psychology to logic. Dewey's conception of the relation of psychology to the special sciences is well illustrated in the following passage: "Mathematics, physics, biology exist, because conscious experience reveals itself to be of such a nature, that one may make virtual abstraction from the whole, and consider a part by itself, without damage, so long as the treatment is purely scientific, that is, so long as the implicit connection with the whole is left undisturbed, and the attempt is not made to present this partial science as metaphysic, or as an explanation of the whole, as is the usual fashion of our uncritical so-called'scientific philosophies.' Nay more, this abstraction of some one sphere is itself a living function of the psychologic experience. It is not merely something which it allows: it is something which it _does_. It is the analytic aspect of its own activity, whereby it deepens and renders explicit, realizes its own nature.... The analytic movement constitutes the special sciences; the synthetic constitutes the philosophy of nature; the self-developing activity
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POLITICAL*** E-text prepared by MFR and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 58776-h.htm or 58776-h.zip: (http://www.gutenberg.org/files/58776/58776-h/58776-h.htm) or (http://www.gutenberg.org/files/58776/58776-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/lifeofbismarckpr00hese THE LIFE OF BISMARCK, PRIVATE AND POLITICAL. “Mit Gott für König und Vaterland.” [Illustration: COUNT OTTO VON BISMARCK.] THE LIFE OF BISMARCK, PRIVATE AND POLITICAL; With Descriptive Notices of His Ancestry. by JOHN GEORGE LOUIS HESEKIEL, Author of “Faust and Don Juan,” etc. Translated and Edited, With an Introduction, Explanatory Notes, and Appendices, by Kenneth R. H. Mackenzie, F.S.A., F.A.S.L. With Upward of One Hundred Illustrations by Diez, Grimm, Pietsch, and Others. New York: Harper & Brothers, Publishers, Franklin Square. 1870. CONTENTS EDITOR’S PREFACE. Page xv Book the First. THE BISMARCKS OF OLDEN TIME. CHAPTER I. NAME AND ORIGIN. Bismarck on the Biese.—The Bismarck Louse.—Derivation of the Name Bismarck.—Wendic Origin Untenable.—The Bismarcks in Priegnitz and Ruppin.—Riedel’s Erroneous Theory.—The Bismarcks of Stendal.—Members of City Guilds.—Claus von Bismarck of Stendal.—Rise of the Family into the Highest Rank in the Fourteenth Century. 31 CHAPTER II. CASTELLANS AT BURGSTALL CASTLE. [1270-1550.] Rulo von Bismarck, 1309-1338.—Excommunicated.—Claus von Bismarck.—His Policy.—Created Castellan of Burgstall, 1345.—Castellans.—Reconciliation with Stendal, 1350.—Councillor to the Margrave, 1353.—Dietrich Kogelwiet, 1361.—His White Hood.—Claus in his Service, while Archbishop of Magdeburg.—The Emperor Charles IV.—The Independence of Brandenburg threatened.—Chamberlain to the Margrave, 1368.—Subjection of the Marks to Bohemia, 1373.—Claus retires into Private Life.—Death about 1377.—Claus II., 1403.—Claus III. and Henning.—Friedrich I. appoints Henning a Judge.—Ludolf.—His Sons.—Pantaleon.—Henning III. _obiit circâ_ 1528.—Claus Electoral Ranger, 1512.—Ludolf von Bismarck.—Electoral Sheriff of Boetzow, 1513.—His Descendants. 36 CHAPTER III. THE PERMUTATION. [1550-1563.] Changes.—The Electoral Prince John George and
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Produced by Al Haines [Frontispiece: "You must accept my word."] INSIDE THE LINES _By_ EARL DERR BIGGERS AND ROBERT WELLES RITCHIE _Founded on Earl Derr Biggers' Play of the Same Name_ INDIANAPOLIS THE BOBBS-MERRILL COMPANY PUBLISHERS COPYRIGHT 1915 THE BOBBS-MERRILL COMPANY PRESS OF BRAUNWORTH & CO. BOOKBINDERS AND PRINTERS BROOKLYN. N. Y. CONTENTS CHAPTER I Jane Gerson, Buyer II From the Wilhelmstrasse III Billy Capper at Play IV 32 Queen's Terrace V A Ferret VI A Fugitive VII The Hotel Splendide VIII Chaff of War IX Room D X A Visit to a Lady XI A Spy in the Signal Tower XII Her Country's Example XIII Enter, a Cigarette XIV The Captain Comes to Tea XV The Third Degree XVI The Pendulum of Fate XVII Three-Thirty A. M. XVIII The Trap Is Sprung XIX At the Quay INSIDE THE LINES CHAPTER I JANE GERSON, BUYER "I had two trunks--two, you ninny! Two! _Ou est l'autre?_" The grinning customs guard lifted his shoulders to his ears and spread out his palms. "_Mais, mamselle----_" "Don't you '_mais_' me, sir! I had two trunks--_deux troncs_--when I got aboard that wabbly old boat at Dover this morning, and I'm not going to budge from this wharf until I find the other one. Where _did_ you learn your French, anyway? Can't you understand when I speak your language?" The girl plumped herself down on top of the unhasped trunk and folded her arms truculently. With a quizzical smile, the customs guard looked down into her brown eyes, smoldering dangerously now, and began all over again his speech of explanation. "_Wagon-lit?_" She caught a familiar word. "_Mais oui_; that's where I want to go--aboard your wagon-lit, for Paris. _Voilà!_"--the girl carefully gave the word three syllables--"_mon ticket pour Paree!_" She opened her patent-leather reticule, rummaged furiously therein, brought out a handkerchief, a tiny mirror, a packet of rice papers, and at last a folded and punched ticket. This she displayed with a triumphant flourish. "_Voilà! Il dit_ 'Miss Jane Gerson'; that's me--_moi-meme_, I mean. And _il dit 'deux troncs'_; now you can't go behind that, can you? Where is that other trunk?" A whistle shrilled back beyond the swinging doors of the station. Folk in the customs shed began a hasty gathering together of parcels and shawl straps, and a general exodus toward the train sheds commenced. The girl on the trunk looked appealingly about her; nothing but bustle and confusion; no Samaritan to turn aside and rescue a fair traveler fallen among customs guards. Her eyes filled with trouble, and for an instant her reliant mouth broke its line of determination; the lower lip quivered suspiciously. Even the guard started to walk away. "Oh, oh, please don't go!" Jane Gerson was on her feet, and her hands shot out in an impulsive appeal. "Oh, dear; maybe I forgot to tip you. Here, _attende au secours_, if you'll only find that other trunk before the train----" "Pardon; but if I may be of any assistance----" Miss Gerson turned. A tallish, old-young-looking man, in a gray lounge suit, stood heels together and bent stiffly in a bow. Nothing of the beau or the boulevardier about his face or manner. Miss Gerson accepted his intervention as heaven-sent. "Oh, thank you ever so much! The guard, you see, doesn't understand good French. I just can't make him understand that one of my trunks is missing. And the train for Paris----" Already the stranger was rattling incisive French at the guard. That official bowed low, and, with hands and lips, gave rapid explanation. The man in the gray lounge suit turned to the girl. "A little misunderstanding, Miss--ah----" "Gerson--Jane Gerson, of New York," she promptly supplied. "A little misunderstanding, Miss Gerson. The customs guard says your other trunk has already been examined, passed, and placed on the baggage van. He was trying to tell you that it would be necessary for you to permit a porter to take this trunk to the train before time for starting. With your permission----" The stranger turned and halloed to a porter, who came running. Miss Gerson had the trunk locked and strapped in no time, and it was on the shoulders of the porter. "You have very little time, Miss Gerson. The train will be making a start directly. If I might--ah--pilot you through the station to the proper train shed. I am not presuming?" "You are very kind," she answered hurriedly. They set off, the providential Samaritan in the lead. Through the waiting-room and on to a broad platform, almost deserted, they went. A guard's whistle shrilled. The stranger tucked a helping hand under Jane Gerson's arm to steady her in the sharp sprint down a long aisle between tracks to where the Paris train stood. It began to move before they had reached its mid-length. A guard threw open a carriage door, in they hopped, and with a rattle of chains and banging of buffers the Express du Nord was off on its arrow flight from Calais to the capital. The carriage, which was of the second class, was comfortably filled. Miss Gerson stumbled over the feet of a puffy Fleming nearest the door, was launched into the lap of a comfortably upholstered widow on the opposite seat, ricochetted back to jam an elbow into a French gentleman's spread newspaper, and finally was catapulted into a vacant space next to the window on the carriage's far side. She giggled, tucked the skirts of her pearl-gray duster about her, righted the chic sailor hat on her chestnut-brown head, and patted a stray wisp of hair back into place. Her meteor flight into and through the carriage disturbed her not a whit. As for the Samaritan, he stood uncertainly in the narrow cross aisle, swaying to the swing of the carriage and reconnoitering seating possibilities. There was a place, a very narrow one, next to the fat Fleming; also there was a vacant place next to Jane Gerson. The Samaritan caught the girl's glance in his indecision, read in it something frankly comradely, and chose the seat beside her. "Very good of you, I'm sure," he murmured. "I did not wish to presume----" "You're not," the girl assured, and there was something so fresh, so ingenuous, in the tone and the level glance of her brown eyes that the Samaritan felt all at once distinctly satisfied with the cast of fortune that had thrown him in the way of a distressed traveler. He sat down with a lifting of the checkered Alpine hat he wore and a stiff little bow from the waist. "If I may, Miss Gerson--I am Captain Woodhouse, of the signal service." "Oh!" The girl let slip a little gasp--the meed of admiration the feminine heart always pays to shoulder straps. "Signal service; that means the army?" "His majesty's service; yes, Miss Gerson." "You are, of course, off duty?" she suggested, with the faintest possible tinge of regret at the absence of the stripes and buttons that spell "soldier" with the woman. "You might say so, Miss Gerson. Egypt--the Nile country is my station. I am on my way back there after a bit of a vacation at home--London I mean, of course." She stole a quick side glance at the face of her companion. A soldier's face it was, lean and school-hardened and competent. Lines about the eyes and mouth--the stamp of the sun and the imprint of the habit to command--had taken from Captain Woodhouse's features something of freshness and youth, though giving in return the index of inflexible will and lust for achievement. His smooth lips were a bit thin, Jane Gerson thought, and the out-shooting chin, almost squared at the angles, marked Captain Woodhouse as anything but a trifler or a flirt. She was satisfied that nothing of presumption or forwardness on the part of this hard-molded chap from Egypt would give her cause to regret her unconventional offer of friendship. Captain Woodhouse, in his turn, had made a satisfying, though covert, appraisal of his traveling companion by means of a narrow mirror inset above the baggage rack over the opposite seat. Trim and petite of figure, which was just a shade under the average for height and plumpness; a small head set sturdily on a round smooth neck; face the very embodiment of independence and self-confidence, with its brown eyes wide apart, its high brow under the parting waves of golden chestnut, broad humorous mouth, and tiny nose slightly nibbed upward: Miss Up-to-the-Minute New York, indeed! From the cocked red feather in her hat to the dainty spatted boots Jane Gerson appeared in Woodhouse's eyes a perfect, virile, vividly alive American girl. He'd met her kind before; had seen them browbeating bazaar merchants in Cairo and riding desert donkeys like strong young queens. The type appealed to him. The first stiffness of informal meeting wore away speedily. The girl tactfully directed the channel of conversation into lines familiar to Woodhouse. What was Egypt like; who owned the Pyramids, and why didn't the owners plant a park around them and charge admittance? Didn't he think Rameses and all those other old Pharaohs had the right idea in advertising--putting up stone billboards to last all time? The questions came crisp and startling; Woodhouse found himself chuckling at the shrewd incisiveness of them. Rameses an advertiser and the Pyramids stone hoardings to carry all those old boys' fame through the ages! He'd never looked on them in that light before. "I say, Miss Gerson, you'd make an excellent business person, now, really," the captain voiced his admiration. "Just cable that at my expense to old Pop Hildebrand, of Hildebrand's department store, New York," she flashed back at him. "I'm trying to convince him of just that very thing." "Really, now; a department shop! What, may I ask, do you have to do for--ah--Pop Hildebrand?" "Oh, I'm his foreign buyer," Jane answered, with a conscious note of pride. "I'm over here to buy gowns for the winter season, you see. Paul Poiret--Worth--Paquin; you've heard of those wonderful people, of course?" "Can't say I have," the captain confessed, with a rueful smile into the girl's brown eyes. "Then you've never bought a Worth?" she challenged. "For if you had you'd not forget the name--or the price--very soon." "Gowns--and things are not in my line, Miss Gerson," he answered simply, and the girl caught herself feeling a secret elation. A man who didn't know gowns couldn't be very intimately acquainted with women. And--well-- "And this Hildebrand, he sends you over here alone just to buy pretties for New York's wonderful women?" the captain was saying. "Aren't you just a bit--ah--nervous to be over in this part of the world--alone?" "Not in the least," the girl caught him up. "Not about the alone part, I should say. Maybe I am fidgety and sort of worried about making good on the job. This is my first trip--my very first as a buyer for Hildebrand. And, of course, if I should fall down----" "Fall down?" Woodhouse echoed, mystified. The girl laughed, and struck her left wrist a smart blow with her gloved right hand. "There I go again--slang; 'vulgar American slang,' you'll call it. If I could only rattle off the French as easily as I do New Yorkese I'd be a wonder. I mean I'm afraid I won't make good." "Oh!" "But why should I worry about coming over alone?" Jane urged. "Lots of American girls come over here alone with an American flag pinned to their shirt-waists and wearing a Baedeker for a wrist watch. Nothing ever happens to them." Captain Woodhouse looked out on the flying panorama of straw-thatched houses and fields heavy with green grain. He seemed to be balancing words. He glanced at the passenger across the aisle, a wizened little man, asleep. In a lowered voice he began: "A woman alone--over here on the Continent at this time; why, I very much fear she will have great difficulties when the--ah--trouble comes." "Trouble?" Jane's eyes were questioning. "I do not wish to be an alarmist, Miss Gerson," Captain Woodhouse continued, hesitant. "Goodness knows we've had enough calamity shouters among the Unionists at home. But have you considered what you would do--how you would get back to America in case of--war?" The last word was almost a whisper. "War?" she echoed. "Why, you don't mean all this talk in the papers is----" "Is serious, yes," Woodhouse answered quietly. "Very serious." "Why, Captain Woodhouse, I thought you had war talk every summer over here just as our papers are filled each spring with gossip about how Tesreau is going to jump to the Feds, or the Yanks are going to be sold. It's your regular midsummer outdoor sport over here, this stirring up the animals." Woodhouse smiled, though his gray eyes were filled with something not mirth. "I fear the animals are--stirred, as you say, too far this time," he resumed. "The assassination of the Archduke Ferd----" "Yes, I remember I did read something about that in the papers at home. But archdukes and kings have been killed before, and no war came of it. In Mexico they murder a president before he has a chance to send out 'At home' cards." "Europe is so different from Mexico," her companion continued, the lines of his face deepening. "I am afraid you over in the States do not know the dangerous politics here; you are so far away; you should thank God for that. You are not in a land where one man--or two or three--may say, 'We will now go to war,' and then you go, willy-nilly." The seriousness of the captain's speech and the fear that he could not keep from his eyes sobered the girl. She looked out on the sun-drenched plains of Pas de Calais, where toy villages, hedged fields, and squat farmhouses lay all in order, established, seeming for all time in the comfortable doze of security. The plodding manikins in the fields, the slumberous oxen drawing the harrows amid the beet rows, pigeons circling over the straw hutches by the tracks' side--all this denied the possibility of war's corrosion. "Don't you think everybody is suffering from a bad dream when they say there's to be fighting?" she queried. "Surely it is impossible that folks over here would all consent to destroy this." She waved toward the peaceful countryside. "A bad dream, yes. But one that will end in a nightmare," he answered. "Tell me, Miss Gerson, when will you be through with your work in Paris, and on your way back to America?" "Not for a month; that's sure. Maybe I'll be longer if I like the place." Woodhouse pondered. "A month. This is the tenth of July. I am afraid---- I say, Miss Gerson, please do not set me down for a meddler--this short acquaintance, and all that; but may I not urge on you that you finish your work in Paris and get back to England at least in two weeks?" The captain had turned, and was looking into the girl's eyes with an earnest intensity that startled her. "I can not tell you all I know, of course. I may not even know the truth, though I think I have a bit of it, right enough. But one of your sort--to be caught alone on this side of the water by the madness that is brewing! By George, I do not like to think of it!" "I thank you, Captain Woodhouse, for your warning," Jane answered him, and impulsively she put out her hand to his. "But, you see, I'll have to run the risk. I couldn't go scampering back to New York like a scared pussy-cat just because somebody starts a war over here. I'm on trial. This is my first trip as buyer for Hildebrand, and it's a case of make or break with me. War or no war, I've got to make good. Anyway"--this with a toss of her round little chin--"I'm an American citizen, and nobody'll dare to start anything with me." "Right you are!" Woodhouse beamed his admiration. "Now we'll talk about those skyscrapers of yours. Everybody back from the States has something to say about those famous buildings, and I'm fairly burning for first-hand information from one who knows them." Laughingly she acquiesced, and the grim shadow of war was pushed away from them, though hardly forgotten by either. At the man's prompting, Jane gave intimate pictures of life in the New World metropolis, touching with shrewd insight the fads and shams of New York's denizens even as she exalted the achievements of their restless energy. Woodhouse found secret amusement and delight in her racy nervous speech, in the dexterity of her idiom and patness of her characterizations. Here was a new sort of for him. Not the languid creature of studied suppression and feeble enthusiasm he had known, but a virile, vivid, sparkling woman of a new land, whose impulses were as unhindered as her speech was heterodox. She was a woman who worked for her living; that was a new type, too. Unafraid, she threw herself into the competition of a man's world; insensibly she prided herself on her ability to "make good"--expressive Americanism, that,--under any handicap. She was a woman with a "job"; Captain Woodhouse had never before met one such. Again, here was a woman who tried none of the stale arts and tricks of coquetry; no eyebrow strategy or maidenly simpering about Jane Gerson. Once sure Woodhouse was what she took him to be, a gentleman, the girl had established a frank basis of comradeship that took no reckoning of the age-old conventions of sex allure and sex defense. The unconventionality of their meeting weighed nothing with her. Equally there was not a hint of sophistication on the girl's part. So the afternoon sped, and when the sun dropped over the maze of spires and chimney pots that was Paris, each felt regret at parting. "To Egypt, yes," Woodhouse ruefully admitted. "A dreary deadly 'place in the sun' for me. To have met you, Miss Gerson; it has been delightful, quite." "I hope," the girl said, as Woodhouse handed her into a taxi, "I hope that _if_ that war comes it will find you still in Egypt, away from the firing-line." "Not a fair thing to wish for a man in the service," Woodhouse answered, laughing. "I may be more happy when I say my best wish for you is that _when_ the war comes it will find you a long way from Paris. Good-by, Miss Gerson, and good luck!" Captain Woodhouse stood, heels together and hat in hand, while her taxi trundled off, a farewell flash of brown eyes rewarding him for the military correctness of his courtesy. Then he hurried to another station to take a train--not for a Mediterranean port and distant Egypt, but for Berlin. CHAPTER II FROM THE WILHELMSTRASSE "It would be wiser to talk in German," the woman said. "In these times French or English speech in Berlin----" she finished, with a lifting of her shapely bare shoulders, sufficiently eloquent. The waiter speeded his task of refilling the man's glass and discreetly withdrew. "Oh, I'll talk in German quick enough," the man assented, draining his thin half bubble of glass down to the last fizzing residue in the stem. "Only just show me you've got the right to hear, and the good fat bank-notes to pay; that's all." He propped his sharp chin on a hand that shook slightly, and pushed his lean flushed face nearer hers. An owlish caution fought the wine fancies in his shifting lynx eyes under reddened lids; also there was admiration for the milk-white skin and ripe lips of the woman by his side. For an instant--half the time of a breath--a flash of loathing made the woman's eyes tigerish; but at once they changed again to mild bantering. "So? Friend Billy Capper, of Brussels, has a touch of the spy fever himself, and distrusts an old pal?" She laughed softly, and one slim hand toyed with a heavy gold locket on her bosom. "Friend Billy Capper forgets old times and old faces--forgets even the matter of the Lord Fisher letters----" "Chop it, Louisa!" The man called Capper lapsed into brusk English as he banged the stem of his wineglass on the damask. "No sense in raking that up again--just because I ask you a fair question--ask you to identify yourself in your new job." "We go no further, Billy Capper," she returned, speaking swiftly in German; "not another word between us unless you obey my rule, and talk this language. Why did you get that message through to me to meet you here in the Café Riche to-night if you did not trust me? Why did you have me carry your offer to--to headquarters and come here ready to talk business if it was only to hum and haw about my identifying myself?" The tenseness of exaggerated concentration on Capper's gaunt face began slowly to dissolve. First the thin
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Produced by Donald Cummings, Adrian Mastronardi, Stephen Hutcheson, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) [Illustration: A MISTY MORNING, NEWBY BRIDGE, WINDERMERE] THE ENGLISH LAKES PAINTED BY A. HEATON COOPER • DESCRIBED BY WM. T. PALMER • PUBLISHED BY ADAM AND CHARLES BLACK • LONDON • MCMVIII [Illustration: Lotus Logo] AGENTS IN AMERICA THE MACMILLAN COMPANY 64 & 66 FIFTH AVENUE, NEW YORK First Edition _July_, 1905 Second Edition _October_, 1908 CONTENTS PAGE CHAPTER I INTRODUCTION 1 CHAPTER II BY STEAM YACHT ON WINDERMERE 9 CHAPTER III BY WORDSWORTH’S ROTHAY 30 CHAPTER IV RYDAL AND GRASMERE 36 CHAPTER V ESTHWAITE WATER AND OLD HAWKSHEAD 49 CHAPTER VI CONISTON WATER 60 CHAPTER VII THE MOODS OF WASTWATER 79 CHAPTER VIII THE GLORY OF ENNERDALE 98 CHAPTER IX BY SOFT LOWESWATER 106 CHAPTER X CRUMMOCK WATER 116 CHAPTER XI BUTTERMERE 124 CHAPTER XII THE CHARMS OF DERWENTWATER 137 CHAPTER XIII BASSENTHWAITE 156 CHAPTER XIV THIRLMERE FROM THE MAIN ROAD 165 CHAPTER XV HAWESWATER AND THE BIRDS 178 CHAPTER XVI ULLSWATER, HOME OF BEAUTY 185 CHAPTER XVII MOUNTAIN TARNS 203 LIST OF ILLUSTRATIONS 1. A Misty Morning, Newby Bridge, Windermere _Frontispiece_ FACING PAGE 2. Furness Abbey in the Vale of Nightshade 4 3. Windermere from Wansfell (sunset) 8 4. Swan Inn, Newby Bridge, Windermere 12 5. Near the Ferry, Windermere: Skating by Moonlight 16 6. The Old Ferry, Windermere 20 7. Old Laburnums at Newby Bridge, Windermere 24 8. Windermere and Langdale Pikes, from Lowwood 28 9. A Glimpse of Grasmere (evening sun) 30 10. Wild Hyacinths 32 11. Dungeon Ghyll Force, Langdale 34 12. Dove Cottage, Grasmere 36 13. Skelwith Force, Langdale 40 14. Sunset, Rydal Water 42 15. Grasmere Church 46 16. Esthwaite Water: Apple Blossom 50 17. An Old Street in Hawkshead 52 18. Sheep-Shearing, Esthwaite Hall Farm 56 19. Dawn, Coniston 60 20. Charcoal-Burners, Coniston Lake 62 21. Brantwood, Coniston Lake: Char-fishing 64 22. Coniston Village: the Old Butcher’s shop 66 23. Moonlight and Lamplight, Coniston 68 24. An Old Inn Kitchen, Coniston 70 25. The Shepherd, Yewdale, Coniston 72 26. Stepping-Stones, Seathwaite 74 27. Winter Sunshine, Coniston 76 28. Daffodils by the Banks of the Silvery Duddon 78 29. A Fell Fox-hunt, Head of Eskdale and Scawfell 80 30. Wastwater, from Strands 82 31. Wastwater and Scawfell 84 32. Wastdalehead and Great Gable (towards evening in autumn) 86 33. Wastwater Screes 88 34
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COLERIDGE, VOL. I (OF 2)*** E-text prepared by the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 44553-h.htm or 44553-h.zip: (http://www.gutenberg.org/files/44553/44553-h/44553-h.htm) or (http://www.gutenberg.org/files/44553/44553-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/lettersofsamuelt01coleuoft Project Gutenberg has the other volume of this work. Volume II: see http://www.gutenberg.org/ebooks/44554 Transcriber's note: Text enclosed by underscores is in italics (_italics_). The original text contains letters with diacritical marks that are not represented in this text-file version. The original text includes Greek characters that have been replaced with transliterations in this text-file version. LETTERS OF SAMUEL TAYLOR COLERIDGE [Illustration] LETTERS OF SAMUEL TAYLOR COLERIDGE Edited by ERNEST HARTLEY COLERIDGE In Two Volumes VOL. I London William Heinemann 1895 [All rights reserved.] The Riverside Press, Cambridge, Mass., U. S. A. Printed by H. O. Houghton and Company. INTRODUCTION Hitherto no attempt has been made to publish a collection of Coleridge's Letters. A few specimens were published in his lifetime, both in his own works and in magazines, and, shortly after his death in 1834, a large number appeared in print. Allsop's "Letters, Conversations, and Recollections of S. T. Coleridge," which was issued in 1836, contains forty-five letters or parts of letters; Cottle in his "Early Recollections" (1837) prints, for the most part incorrectly, and in piecemeal, some sixty in all, and Gillman, in his "Life of Coleridge" (1838), contributes, among others, some letters addressed to himself, and one, of the greatest interest, to Charles Lamb. In 1847, a series of early letters to Thomas Poole appeared for the first time in the Biographical Supplement to the "Biographia Literaria," and in 1848, when Cottle reprinted his "Early Recollections," under the title of "Reminiscences of Coleridge and Southey," he included sixteen letters to Thomas and Josiah Wedgwood. In Southey's posthumous "Life of Dr. Bell," five letters of Coleridge lie imbedded, and in "Southey's Life and Correspondence" (1849-50), four of his letters find an appropriate place. An interesting series was published in 1858 in the "Fragmentary Remains of Sir H. Davy," edited by his brother, Dr. Davy; and in the "Diary of H. C. Robinson," published in 1869, a few letters from Coleridge are interspersed. In 1870, the late Mr. W. Mark W. Call printed in the "Westminster Review" eleven letters from Coleridge to Dr. Brabant of Devizes, dated 1815 and 1816; and a series of early letters to Godwin, 1800-1811 (some of which had appeared in "Macmillan's Magazine" in 1864), was included by Mr. Kegan Paul in his "William Godwin" (1876). In 1874, a correspondence between Coleridge (1816-1818) and his publishers, Gale & Curtis, was contributed to "Lippincott's Magazine," and in 1878, a few letters to Matilda Betham were published in "Fraser's Magazine." During the last six years the vast store which still remained unpublished has been drawn upon for various memoirs and biographies. The following works containing new letters are given in order of publication: Herr Brandl's "Samuel T. Coleridge and the English Romantic School," 1887; "Memorials of Coleorton," edited by Professor Knight, 1887; "Thomas Poole and his Friends," by Mrs. H. Sandford, 1888; "Life of Wordsworth," by Professor Knight, 1889; "Memoirs of John Murray," by Samuel Smiles, LL. D., 1891; "De Quincey Memorials," by Alex. Japp, LL. D., 1891; "Life of Washington Allston," 1893. Notwithstanding these heavy draughts, more than half of the letters which have come under my notice remain unpublished. Of more than forty which Coleridge wrote to his wife, only one has been published. Of ninety letters to Southey which are extant, barely a tenth have seen the light. Of nineteen addressed to W. Sotheby, poet and patron of poets, fourteen to Lamb's friend John Rickman, and four to Coleridge's old college friend, Archdeacon Wrangham, none have been published. Of more than forty letters addressed to the Morgan family, which belong for the most part to the least known period of Coleridge's life,--the years which intervened between his residence in Grasmere and his final settlement at Highgate,--only two or three, preserved in the MSS. Department of the British Museum, have been published. Of numerous letters written in later life to his friend and amanuensis, Joseph Henry Green; to Charles Augustus Tulk, M. P. for Sudbury; to his friends and hosts, the Gillmans; to Cary, the translator of Dante, only a few have found their way into print. Of more than forty to his brother, the Rev. George Coleridge, which were accidentally discovered in 1876, only five have been printed. Of some fourscore letters addressed to his nephews, William Hart Coleridge, John Taylor Coleridge, Henry Nelson Coleridge, Edward Coleridge, and to his son Derwent, all but two, or at most three, remain in manuscript. Of the youthful letters to the Evans family, one letter has recently appeared in the "Illustrated London News," and of the many addressed to John Thelwall, but one was printed in the same series. The letters to Poole, of which more than a hundred have been preserved, those addressed to his Bristol friend, Josiah Wade, and the letters to Wordsworth, which, though few in number, are of great length, have been largely used for biographical purposes, but much, of the highest interest, remains unpublished. Of smaller groups of letters, published and unpublished, I make no detailed mention, but in the latter category are two to Charles Lamb, one to John Sterling, five to George Cattermole, one to John Kenyon, and many others to more obscure correspondents. Some important letters to Lord Jeffrey, to John Murray, to De Quincey, to Hugh James Rose, and to J. H. B. Williams, have, in the last few years, been placed in my hands for transcription. A series of letters written between the years 1796 and 1814 to the Rev. John Prior Estlin, minister of the Unitarian Chapel at Lewin's Mead, Bristol, was printed some years ago for the Philobiblon Society, with an introduction by Mr. Henry A. Bright. One other series of letters has also been printed for private circulation. In 1889, the late Miss Stuart placed in my hands transcriptions of eighty-seven letters addressed by Coleridge to her father, Daniel Stuart, editor of "The Morning Post" and "Courier," and these, together with letters from Wordsworth and Southey, were printed in a single volume bearing the title, "Letters from the Lake Poets." Miss Stuart contributed a short account of her father's life, and also a reminiscence of Coleridge, headed "A Farewell." Coleridge's biographers, both of the past and present generations, have met with a generous response to their appeal for letters to be placed in their hands for reference and for publication, but it is probable that many are in existence which have been withheld, sometimes no doubt intentionally, but more often from inadvertence. From his boyhood the poet was a voluminous if an irregular correspondent, and many letters which he is known to have addressed to his earliest friends--to Middleton, to Robert Allen, to Valentine and Sam Le Grice, to Charles Lloyd, to his Stowey neighbour, John Cruikshank, to Dr. Beddoes, and others--may yet be forthcoming. It is certain that he corresponded with Mrs. Clarkson, but if any letters have been preserved they have not come under my notice. It is
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Produced by David Edwards, Demian Katz and the Online Distributed Proofreading Team at http://www.pgdp.net (Images courtesy of the Digital Library@Villanova University (http://digital.library.villanova.edu/)) MOTOR STORIES THRILLING ADVENTURE MOTOR FICTION NO. 16 JUNE 12, 1909 FIVE CENTS MOTOR MATT'S QUEST _OR_ THREE CHUMS IN STRANGE WATERS _By THE AUTHOR OF "MOTOR MATT"_ [Illustration: _"HELUP, OR I VAS A GONER!" YELLED CARL, LEAPING INTO THE WATER AS MOTOR MATT MADE READY TO HURL THE HARPOON._] _STREET & SMITH, PUBLISHERS, NEW YORK_ MOTOR STORIES THRILLING ADVENTURE MOTOR FICTION _Issued Weekly. By subscription $2.50 per year. Entered according to Act of Congress in the year 1909, in the Office of the Librarian of Congress, Washington, D. C., by_ STREET & SMITH, _79-89 Seventh Avenue, New York, N. Y._ No. 16. NEW YORK, June 12, 1909. Price Five Cents. Motor Matt's Quest; OR, THREE CHUMS IN STRANGE WATERS. By the author of "MOTOR MATT." CONTENTS CHAPTER I. IN THE DEPTHS. CHAPTER II. OUT OF THE JAWS OF DEATH. CHAPTER III. THE SEALED ORDERS. CHAPTER IV. THE AMERICAN CONSUL. CHAPTER V. MOTOR MATT'S FORBEARANCE. CHAPTER VI. "ON THE JUMP." CHAPTER VII. THE LANDING PARTY. CHAPTER VIII. CARL IN TROUBLE. CHAPTER IX. A FRIEND IN NEED. CHAPTER X. STRANGE REVELATIONS. CHAPTER XI. ONE CHANCE IN TEN. CHAPTER XII. BY A NARROW MARGIN. CHAPTER XIII. WAITING FOR SOMETHING TO HAPPEN. CHAPTER XIV. MOTOR MATT'S GREAT PLAY. CHAPTER XV. ON THE WAY TO BELIZE. CHAPTER XVI. A DASH OF TABASCO. Mischievous Ned. TERRIBLE FATE OF A DARING INDIAN. STUMBLING UPON GOLD MINES. YEAR OF THE COCK. CHARACTERS THAT APPEAR IN THIS STORY. =Motor Matt=, a lad who is at home with every variety of motor, and whose never-failing nerve serves to carry him through difficulties that would daunt any ordinary young fellow. Because of his daring as a racer with bicycle, motor-cycle and automobile he is known as "Mile-a-minute Matt." Motor-boats, air ships and submarines come naturally in his line, and consequently he lives in an atmosphere of adventure in following up his "hobby." =Dick Ferral=, a young sea dog from Canada, with all a sailor's superstitions, but in spite of all that a royal chum, ready to stand by the friend of his choice through thick and thin. =Carl Pretzel=, a cheerful and rollicking German boy, stout of frame as well as of heart, who is led by a fortunate accident to link his fortunes with those of Motor Matt. =Hays Jordan=, United States consul at Belize. A man of pluck and determination, who furnishes valuable information about his friend, Jeremiah Coleman, and even more valuable personal services during the rescue of Coleman. =Jeremiah Coleman=, another United States consul who has been spirited away by Central American revolutionists in the hope of driving a sharp bargain with the United States Government for the release of a captured filibuster named James Sixty. =Tirzal=, a half-breed mahogany-cutter who serves Jordan in the capacity of spy, and who has been a pilot along the coast. =Speake, Gaines and Clackett=, part of the crew of the _Grampus_. =Cassidy=, mate of the _Grampus_ who, because of a fancied grievance, takes the wrong trail at the forks of the road. An old friend whom Matt found to be an enemy and then made a friend again. =Abner Fingal=, skipper of the notorious schooner, _North Star_, and brother of James Sixty, to whose evil nature Motor Matt owes most of
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Produced by Juliet Sutherland, Josephine Paolucci and the Online Distributed Proofreading Team. THE ROVER BOYS AT COLLEGE OR THE RIGHT ROAD AND THE WRONG BY ARTHUR M. WINFIELD Author of "The Rover Boys at School," "The Rover Boys on the Ocean," "The Rover Boys on Treasure Isle," Etc. MCMX BY THE SAME AUTHOR * * * * * THE ROVER BOYS AT SCHOOL, THE ROVER BOYS ON THE OCEAN, THE ROVER BOYS ON LAND AND SEA, THE ROVER BOYS IN CAMP, THE ROVER BOYS ON THE PLAINS, THE ROVER BOYS IN SOUTHERN WATERS, THE ROVER BOYS ON TREASURE ISLE. CONTENTS I ON THE TRAIN II AT THE SANDERSON HOUSE III LIKE KNIGHTS OF OLD IV WHAT HAPPENED AT THE CAMPUS FENCE V GETTING ACQUAINTED VI A HAZING, AND WHAT FOLLOWED VII THE ARRIVAL OF SONGBIRD VIII THE COLORS CONTEST IX TOM IN TROUBLE X SONGBIRD MAKES A DISCOVERY XI HOW TOM ESCAPED PUNISHMENT XII IN WHICH THE GIRLS ARRIVE XIII THE ROWING RACE XIV WILLIAM PHILANDER TUBES XV AN AUTOMOBILING ADVENTURE XVI SOMETHING ABOUT A CANE XVII A MISUNDERSTANDING XVIII THE GREAT FOOTBALL GAME XIX MORE COMPLICATIONS XX DAYS OF WAITING XXI HOME FOR THE HOLIDAYS XXII WORD AT LAST XXIII THE SPRINGTIME OF LIFE XXIV AT THE HAUNTED HOUSE XXV IN THE HANDS OF THE ENEMY XXVI THE EVIDENCE AGAINST THEM XXVII IN DISGRACE XXVIII DARK DAYS XXIX WHAT THE GIRLS DISCOVERED XXX A BEGINNING AND AN ENDING THE ROVER BOYS AT COLLEGE CHAPTER I ON THE TRAIN "We're making time now, Tom." "Making time?" repeated Tom Rover as he gazed out of the car window at the telegraph poles flashing past. "I should say we were, Sam! Why, we must be running sixty miles an hour!" "If we are not we are making pretty close to it," came from a third boy of the party in the parlor car. "I think the engineer is trying to make up some of the time we lost at the last stop." "That must be it, Dick," said Sam Rover. "Gracious, how we are rocking!" he added as the train rushed around a sharp curve and nearly threw him from his chair. "I hope we get to Ashton on time," remarked Tom Rover. "I want to take a look around the grounds before it gets dark." "That's Tom, wanting to see it all before he sleeps!" cried Sam Rover with a grin. "You look out, Tom, that you don't get into disgrace the first thing, as you did when we went to Putnam Hall Don't you remember that giant firecracker, and how Josiah Crabtree locked you up in a cell for setting it off?" "Ugh! Will I ever forget it!" groaned Tom, making a wry face. "But I got the best of old Crabtree, didn't I?" he continued, his face brightening. "Wonder if we'll make as many friends at college as we did at Putnam Hall," remarked Dick Rover. "Those were jolly times and no mistake! Think of the feasts, and the hazings, and the baseball and football, and the rackets with the Pornell students, and all that!" "Speaking of hazing, I heard that some of the hazing at the college we're bound for is fierce," came from Sam Rover. "Well, we'll have to stand for what comes, Sam," answered his big brother. "No crying quit' here." "Right you are, Dick," said Tom, "At the same time if--Great Caesar's ghost, what's up now!" As Tom uttered the last words a shrill whistle from the locomotive pierced the air. Then came the sudden gripping of the air brakes on the car wheels, and the express came to a stop with a shock that pitched all the passengers from their seats. Tom and Sam went sprawling in a heap in the aisle and Dick came down on top of them. "Hi, get off of me!" spluttered Sam, who was underneath. "What's the matter? Have we run into another train?" asked Tom as he pushed Dick to one side and arose. "I don't know," answered the older brother. "Something is wrong, that's certain." "Are you hurt, Sam?" asked Tom as he helped the youngest Rover to his feet. "No--not much," was the panting reply. "Say, we stopped in a hurry all right, didn't we?" With the shock had come loud cries from the other people in the car, and it was found that one young lady had fainted. Everybody wanted to know what was the matter, but nobody could answer the question. The colored porter ran to the platform and opened the vestibule door. Tom followed the man and so did Sam and Dick. "Freight train ahead, off the track," announced Tom. "We ran into the last car." "Let us go up front and see how bad it is," returned Dick. "Maybe this will tie us up here for hours." "Oh, I hope not," cried Sam. "I want to get to the college just as soon as possible. I'm dying to know what it's like." "We can be thankful we were not hurt, Sam," said his older brother. "If our engineer hadn't stopped the train as he did we might have had a fearful smashup." "I know it," answered Sam soberly, and then the boys walked forward to learn the full extent of the damage done and what prospects there were of continuing their journey. To my old readers the lads just mentioned will need no special introduction, but for the benefit of those who have not read the previous volumes in this "Rover Boys Series" let me state that the brothers were three in number, Dick being the oldest, fun-loving Tom coming next and Sam the youngest. They were the sons of one Anderson Rover, a rich widower, and when at home lived with their father and an aunt and an uncle on a beautiful farm called Valley Brook. From the farm, and while their father was in Africa, the boys had been sent by their Uncle Randolph to school, as related in the first book of the series, called "The Rover Boys at School." At this place, called Putnam Hall, they made many friends and also a few enemies and had "the time of their lives," as Tom often expressed it. A term at school had been followed by a short trip on the ocean, and then the boys, in company with their uncle, went to the jungles of Africa to rescue Mr. Rover, who was a captive of a savage tribe of natives. After that came trips out West, and to the Great Lakes, and to the mountains, and, returning to school, the lads went into camp with the other cadets. Then they took another long trip on land and sea and led a Crusoe-like life on an island of the Pacific Ocean. "I think we'd better settle down now," said Dick on returning home from being cast away, but this was not to be. They took a house-boat trip down the Ohio and the Mississippi rivers, had a number of adventures on the plains and then found themselves in southern waters, where they solved the mystery of a deserted steam yacht. They returned to the farm and to Putnam Hall, and for a time matters went along quietly. On account of attending to some business for his father, Dick had fallen somewhat behind in his studies, and Tom and Sam did their best to catch up to him, and, as a consequence, all three of the youths graduated from Putnam Hall at the same time. "And now for college!" Sam had said, and all were anxious to know where their parent intended to send them next But instead of settling this question Mr. Rover came forward with a proposition that was as novel as it was inviting. This was nothing less than to visit a spot in the West Indies, known as Treasure Isle, and made a hunt for a large treasure secreted there during a rebellion in one of the Central American countries. "A treasure hunt! Just the thing!" Dick had said, and his brothers agreed with him. The lads were filled with excitement over the prospect, and for the time being all thoughts of going to college were thrust aside. From Mr. Rover it was learned that the treasure belonged to the estate of a Mr. Stanhope, who had died some years before. Mr. Stanhope's widow was well known to the Rover boys, and Dick thought that Dora Stanhope, the daughter, was the finest girl in the whole world. There was also another relative, a Mrs. Laning--the late Mr. Stanhope's sister--who was to share in the estate, and she had two daughters, Grace and Nellie, two young ladies who were especial favorites with Sam and Tom. "Oh, we've got to find that treasure," said Tom. "Think of what it means to the Stanhopes and the Lanings." "They'll be rich--and they deserve to be," answered his brother Sam. It may be added here that the Rovers were wealthy, so they did not begrudge the treasure to others. A steam yacht was chartered and a party was made up, consisting of the Rovers, several of the boys' school chums, Mrs. Stanhope and Dora and Mrs. Laning and Grace and Nellie. The steam yacht carried a fine crew and also an old tar called Bahama Bill, who knew the exact location of the treasure. Before sailing it was learned that some rivals were also after the treasure. One of these was a sharper named Sid Merrick, who had on several occasions tried to get the best of the Rovers and failed. With Merrick was Tad Sobber, his nephew, a youth who at Putnam Hall had been a bitter foe to Dick, Tom and Sam. Sobber had sent the Rovers a box containing a live poisonous snake, but the snake got away and bit another pupil. This lad knew all about the sending of the reptile and he exposed Tad Sobber, and the latter, growing alarmed, ran away from the school. The search for the treasure proved a long one, and Sid Merrick and Tad Sobber did all in their power to keep the wealth from falling into the hands of the Rovers and their friends. But the Rovers won out in the quest and sailed away with the treasure on board the steam yacht. The vessel of their enemies followed them, but a hurricane came up and the other ship was lost with nearly all on board. "Well, that's the end of Sid Merrick and Tad Sobber," said Dick when he heard this news. "If they are at the bottom of the Atlantic Ocean they can't bother us any more." But Dick was mistaken in his surmise. It was true that Sid Merrick had been drowned, but Tad Sobber was alive, having been rescued by a schooner bound for London, and he was now on his way back to the United States, more bitter than ever against the Rovers, and with a determination to do all in his power to bring Dick, Tom and Sam to grief and gain possession of the money which he and his uncle had claimed belonged to them instead of to the Stanhope estate. On arriving at Philadelphia from the West Indies the treasure was deposited in a strong box of a local trust company. From it the expenses of the trip were paid, and the sailors who had aided in the search were suitably rewarded. Later on the balance of the treasure was divided according to the terms of Mr. Stanhope's will. This placed a large sum of money in the hands of Mrs. Stanhope, both for herself and Dora, and also a goodly amount in the hands of Mrs. Laning for herself and Grace and Nellie. The Stanhopes had always been fairly well off, but not so the Lanings. John Laning was a farmer, and this sudden change to riches bewildered him. "Why, mother," he said to his wife, "whatever will you and the gals do with the money?" "Several things, John," she answered. "In the first place, you are not going to work so hard and in the next place the girls are going to have a better education." "Well, I'm not afraid of work," answered the farmer. "About eddication, if they want it--well, it's their money and they can have all the learnin' they want." "Dora is going to a boarding school and Nellie and Grace want to go with her," went on Mrs. Laning. "Where is Dora going?" "To a place called Hope Seminary. Her mother knows the lady who is the principal." "Well, if it's a good place, I reckon the gals can go too. But it will be terrible lonesome here without 'em." "I know, John, but we want the girls to be somebody, now they have money, don't we?" "Sure we do," answered Mr. Laning readily. So it was arranged that the three girls should go to Hope Seminary, located several miles from the town of Ashton, in one of the Central States. In the meantime the Rover boys were speculating on what college they were to attend. Yale was mentioned, and Harvard and Princeton, and also several institutions located in the Middle West. "Boys, wouldn't you like to go to Brill College?" asked their father one day. "That's a fine institution--not quite so large as some but just as good." And he smiled in a peculiar manner. "Brill? Where is that?" asked Dick. "It is near the town of Ashton, about two miles from Hope Seminary, the school Dora Stanhope and the Laning girls are going to attend." And Mr. Rover smiled again. "Brill College for mine," said Sam promptly and in a manner that made his brothers laugh. "Sam wants to be near Grace," said Tom. "Well, don't you want to be near Nellie?" retorted the youngest Rover. "Of course I do. And I reckon Dick won't be angry at being where he can occasionally see Dora," went on the fun-loving Rover with a sly wink. "Of course it's nice enough to write letters and send boxes of chocolates by mail, but it's a good deal better to take a stroll in the moonlight and hold hands, eh, Dick?" "Is that what you do?" asked Dick, but his face grew very red as he spoke. "Never in the wide, wide world!" cried Tom. "I leave that for my sentimental brothers, big and little." "Who is sentimental?" exclaimed Sam. "Maybe I don't remember you and Nellie on the deck of the steam yacht that moonlight night--" "Aw, cut it out!" muttered Tom. He turned to his father, who had been called from the room for a moment. "If you think Brill College a good one, dad, it will suit me." "And it will suit me, too," added Sam. "I mentioned Brill for two reasons," explained Mr. Rover. "The one was because it is near Hope Seminary and the other is because I happen to know the president, Dr. John Wallington, quite well; in fact, we went to school together. He is a fine gentleman--as fine a fellow as Captain Putnam--and I am sure his college must be a good one." "If it's as good as dear old Putnam Hall, I shall be well content," answered Dick. "Then you are satisfied to go there, Dick?" "Yes, sir." So it was settled and arrangements were at once made for the three boys to go to Brill. Fortunately it was found that their diplomas from Putnam Hall would admit them to the freshmen class without examination. All of the boys wrote letters to the girls and received answers in return. The college was to open two weeks before the seminary, so that to journey to Ashton together would be out of the question. "Well, we'll see the girls later, anyway," said Dick. "I hope they like it at Hope and we like it at Brill; then we'll have some splendid times together." "Right you are," answered
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Produced by Don Lainson and Andrew Sly. HTML version by Al Haines. An African Millionaire Episodes in the Life of the Illustrious Colonel Clay By Grant Allen First published in 1897 CONTENTS 1. The Episode of the Mexican Seer 2. The Episode of the Diamond Links 3. The Episode of the Old Master 4. The Episode of the Tyrolean Castle 5. The Episode of the Drawn Game 6. The Episode of the German Professor 7. The Episode of the Arrest of the Colonel 8. The Episode of the Seldon Gold-Mine 9. The Episode of the Japanned Dispatch-Box 10. The Episode of the Game of Poker 11. The Episode of the Bertillon Method 12. The Episode of the Old Bailey I THE EPISODE OF THE MEXICAN SEER My name is Seymour Wilbraham Wentworth. I am brother-in-law and secretary to Sir Charles Vandrift, the South African millionaire and famous financier. Many years ago, when Charlie Vandrift was a small lawyer in Cape Town, I had the (qualified) good fortune to marry his sister. Much later, when the Vandrift estate and farm near Kimberley developed by degrees into the Cloetedorp Golcondas, Limited, my brother-in-law offered me the not unremunerative post of secretary; in which capacity I have ever since been his constant and attached companion. He is not a man whom any common sharper can take in, is Charles Vandrift. Middle height, square build, firm mouth, keen eyes--the very picture of a sharp and successful business genius. I have only known one rogue impose upon Sir Charles, and that one rogue, as the Commissary of Police at Nice remarked, would doubtless have imposed upon a syndicate of Vidocq, Robert Houdin, and Cagliostro. We had run across to the Riviera for a few weeks in the season. Our object being strictly rest and recreation from the arduous duties of financial combination, we did not think it necessary to take our wives out with us. Indeed, Lady Vandrift is absolutely wedded to the joys of London, and does not appreciate the rural delights of the Mediterranean littoral. But Sir Charles and I, though immersed in affairs when at home, both thoroughly enjoy the complete change from the City to the charming vegetation and pellucid air on the terrace at Monte Carlo. We _are_ so fond of scenery. That delicious view over the rocks of Monaco, with the Maritime Alps in the rear, and the blue sea in front, not to mention the imposing Casino in the foreground, appeals to me as one of the most beautiful prospects in all Europe. Sir Charles has a sentimental attachment for the place. He finds it restores and freshens him, after the turmoil of London, to win a few hundreds at roulette in the course of an afternoon among the palms and cactuses and pure breezes of Monte Carlo. The country, say I, for a jaded intellect! However, we never on any account actually stop in the Principality itself. Sir Charles thinks Monte Carlo is not a sound address for a financier's letters. He prefers a comfortable hotel on the Promenade des Anglais at Nice, where he recovers health and renovates his nervous system by taking daily excursions along the coast to the Casino. This particular season we were snugly ensconced at the Hotel des Anglais. We had capital quarters on the first floor--salon, study, and bedrooms--and found on the spot a most agreeable cosmopolitan society. All Nice, just then, was ringing with talk about a curious impostor, known to his followers as the Great Mexican Seer, and supposed to be gifted with second sight, as well as with endless other supernatural powers. Now, it is a peculiarity of my able brother-in-law's that, when he meets with a quack, he burns to expose him; he is so keen a man of business himself that it gives him, so to speak, a disinterested pleasure to unmask and detect imposture in others. Many ladies at the hotel, some of whom had met and conversed with the Mexican Seer, were constantly telling us strange stories of his doings. He had disclosed to one the present whereabouts of a
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Produced by Gerard Arthus, Charlene Taylor, Jana Srna and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [ Transcriber's Notes: Every effort has been made to replicate this text as faithfully as possible, including any non-standard spelling. Italic text has been marked with _underscores_. ] WHERE LOVE IS THERE GOD IS ALSO BY LYOF N. TOLSTOI TRANSLATED FROM THE RUSSIAN BY NATHAN HASKELL DOLE NEW YORK THOMAS Y. CROWELL COMPANY PUBLISHERS Copyright, 1887, By Thomas Y. Crowell & Co. WHERE LOVE IS THERE GOD IS ALSO In the city lived the shoemaker, Martuin Avdyeitch. He lived in a basement, in a little room with one window. The window looked out on the street. Through the window he used to watch the people passing by; although only their feet could be seen, yet by the boots, Martuin Avdyeitch recognized the people. Martuin Avdyeitch had lived long in one place, and had many acquaintances. Few pairs of boots in his district had not been in his hands once and again. Some he would half-sole, some he would patch, some he would stitch around, and occasionally he would also put on new uppers. And through the window he often recognized his work. Avdyeitch had plenty to do, because he was a faithful workman, used good material, did not make exorbitant charges, and kept his word. If it was possible for him to finish an order by a certain time, he would accept it; otherwise, he would not deceive you,--he would tell you so beforehand. And all knew Avdyeitch, and he was never out of work. Avdyeitch had always been a good man; but as he grew old, he began to think more about his soul, and get nearer to God. Martuin's wife had died when he was still living with his master. His wife left him a boy three years old. None of their other children had lived. All the eldest had died in childhood. Martuin at first intended to send his little son to his sister in the village, but afterward he felt sorry for him; he thought to himself:-- "It will be hard for my Kapitoshka to live in a strange family. I shall keep him with me." And Avdyeitch left his master, and went into lod
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Produced by Charlene Taylor, William Flis, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) NOTES AND QUERIES: A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC. * * * * * "When found, make a note of."--CAPTAIN CUTTLE. * * * * * No. 60.] SATURDAY, DECEMBER 21. 1850. [Price Threepence. Stamped Edition 4d. * * * * *{489} CONTENTS. Notes:-- Page Division of Intellectual Labour 489 On a Passage in "Love's Labour's Lost" 490 Treatise of Equivocation 490 Parallel Passages, by Albert Cohn 491 Minor Notes:--True or False Papal Bulls--Burning Bush of Sinai--The Crocodile--Umbrella--Rollin's Ancient History, and History of the Arts and Sciences--MSS. of Locke--The Letter [gh]--A Hint to Publishers 491 Queries:-- Bibliographical Queries 492 Minor Queries:--Meaning of "Rab. Surdam"--Abbot Richard of Strata Florida--Cardinal Chalmers--Armorial Bearings--"Fiat Justitia"--Painting by C. Bega--Darcy Lever Church--R. Ferrer--Writers on the Inquisition--Buckden--True Blue--Passage in "Hamlet"--Inventor of a secret Cypher--Fossil Elk of Ireland--Red Sindon--Lights on the Altar--Child's Book by Beloe 493 Replies:-- Mercenary Preacher, by Henry Campkin 495 "The Owl is abroad," by Dr. E.F. Rimbault 495 Old St. Pancras Church, by J. Yeowell 496 Replies to Minor Queries:--Cardinal Allen's Admonition--Bolton's Ace--Portrait of Cardinal Beaton--"He that runs may read"--Sir George Downing--Burning to Death, or Burning of the Hill--The Roscommon Peerage--The Word "after" in the Rubric--Disputed Passage in the "Tempest"--Lady Compton's Letter--Midwives licensed--Echo Song--The Irish Brigade--To save one's bacon--"The Times" Newspaper and the Coptic Language--Luther's Hymns--Osnaburg Bishopric--Scandal against Queen Elizabeth--Pretended reprint of Ancient Poetry--Martin Family--Meaning of "Ge-ho"--Lady Norton 497 Miscellaneous:-- Notes on Books, Sales, Catalogues, &c. 501 Books and Odd Volumes Wanted 501 Notices to Correspondents 502 Advertisements 502 * * * * * Notes. DIVISION OF INTELLECTUAL LABOUR. Every one confesses, I believe, the correctness of the _principle_ called "Division of labour." But if any one would form an adequate estimate of the ratio of the effect produced, in this way, to the labour which is expended, let him consult Dr. Adam Smith. I think he states, as an example, that a single labourer cannot make more than ten pins in a day; but if eight labourers are employed, and each of them performs one of the eight separate processes requisite to the formation of a pin, there will not merely be eight times the number of pins formed in a day, but nearly eighty times the number. (Not having the book by me, I cannot be certain of the exact statistics.) If this principle is proved, then, to be of such extraordinary utility, why should it not be made serviceable in other matters besides the "beaver-like" propensity of amassing wealth and satisfying our material desires? Why should not your periodical be instrumental in transferring this invaluable principle to the labours of the intellectual world? If your correspondents were to send you abstracts or _precis_ of the books which they read, would there not accrue a fourfold benefit? viz.: 1. A division of intellectual labour; so that the amount of knowledge available to each person is multiplied in an increasing ratio. 2. Knowledge is thus presented in so condensed a form as to be more easily comprehended at a glance;
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Produced by Nick Hodson of London, England Sporting Scenes amongst the Kaffirs of South Africa, by Captain Alfred W. Drayson. ________________________________________________________________________ _______________________________________________________ ________________ SPORTING SCENES AMONGST THE KAFFIRS OF SOUTH AFRICA, BY CAPTAIN ALFRED W. DRAYSON. PREFACE. Nearly every person with whom I have conversed since my return from South Africa, has appeared to take great interest in the Kaffirs, the wild animals, and other inhabitants of that country. I am not vain enough to suppose that my friends have merely pretended this interest for the sole object of allowing me an opportunity of talking, and have thereby deluded me into a belief of affording amusement. But I really think that the opinions which they have expressed are genuine, and that perhaps the same wish for information on the subject of the Kaffirs, or the wild beasts of the Cape, may be more widely extended than I have been able personally to prove. Most men who have written on South Africa, have been either sporting giants, scientific men, or travellers who have gone over ground never before trodden by the white man. I am neither of these. The first I am not, for the blood spilled by me was but a drop compared to the ocean that many have caused to flow in this land. Unfortunately I am not scientific; but, perhaps, from this very defect, I may become the more intelligible to the general reader of the following pages, who may comprehend my simple names for simple things, rather than those of a polysyllabic character. I know that I have sunk miserably in the opinion of _savants_, in consequence of my inability to tell whether or not the _Terstraemiaceae_ grew luxuriantly in Africa. I only knew that the plains bore beautiful flowers, and I learnt their Kaffir names; that the bush had fine trees, some with, sweet-scented blossoms, others with fruit, and I knew which fruit was good to eat. By travellers, I may be considered presumptuous in attempting to write on South Africa, when I never crossed the Vaal river or penetrated far into the interior; but I must trust that they will pardon my temerity. I was obliged, from circumstances, to pursue the game nearer my home, which required "more patient search and vigil long," for the creatures had become more wild or savage than those animals in the interior that were seldom disturbed. From sketches and a rough journal compiled on the spot, I have formed this book. CHAPTER ONE. VOYAGE TO THE CAPE--DISCOMFORTS OF A LONG VOYAGE--THE WOLF TURNED LAMB-- PORPOISES AND PORTUGUESE MEN-OF-WAR--THE MATE'S STORY--CATCHING A SHARK--AN ALBATROSS HOOKED--CAPE TOWN--ALGOA BAY--OX-WAGGON-- SOUTH-AFRICAN TRAVELLING--OBSTINACY CONQUERED--EXPEDITIOUS JOURNEYING-- FRONTIER OF THE COLONY. To an indifferent sailor, a long voyage is not by any means a pleasant thing; and I quite agree with the sage who said that a man on board a ship was a prisoner, with the additional risk of being drowned. One feels a continual yearning for the green fields, fresh butter and milk; and the continual noise, confusion, and other disagreeables, are more trying to temper and patience than can be imagined by a quiet stay-at-home gentleman. We left England in the coldest weather that had been remembered for years. A month's daily skating on the Serpentine was a bad preparation for a week's calm, under a burning sun, within a degree of the line, twenty-seven days afterwards. The frames of Englishmen, however, appear to be better adapted for the changes of climate than are those of the inhabitants of any other country. We passed the Bay of Biscay with the usual rough weather, had a distant look at Madeira, and entered the trade-winds, without having met with any other disaster than a sort of mutiny amongst the crew, who, headed by a contumacious giant, refused to attend divine service on a Sunday. A detachment of half a dozen men, with the captain and the mate at their head, soon brought the gentleman in question to reason; forty-eight hours in irons, on bread and water, entirely changed his view of the matter, and he came out from the encounter a very lamb. I frequently remained on deck in the first watches of the night, during the pleasant sailing in the trade-winds, between the Canary Islands and the west coast of Africa, a part of the world that has always been remembered by me for its beautiful climate. The light breeze caused little more than a ripple
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