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Often tagged as a comedy, The Man In The White Suit is laying out far more than a chuckle here and there. Sidney Stratton is an eccentric inventor who isn't getting the chances to flourish his inventions on the world because nobody pays him notice, he merely is the odd ball odd job man about the place as it were. After bluffing his way into Birnley's textile mill, he uses their laboratory to achieve his goal of inventing a fabric that not only never wears out, but also never needs to be cleaned!. He is at first proclaimed a genius and those who ignored him at first suddenly want a big piece of him, but then the doom portents of an industry going bust rears its head and acclaim quickly turns to something far more scary. Yes the film is very funny, in fact some scenes are dam hilarious, but it's the satirical edge to the film that lifts it way above the ordinary to me. The contradictions about the advent of technology is a crucial theme here, do we want inventions that save us fortunes whilst closing down industries ?, you only have to see what happened to the coal industry in Britain to know what I'm on about. The decade the film was made is a crucial point to note, the making of nuclear weapons became more than just hearsay, science was advancing to frighteningly new proportions. You watch this film and see the quick turnaround of events for the main protagonist Stanley, from hero to enemy in one foul swoop, a victim of his own pursuit to better mankind !, it's so dark the film should of been called The Man In The Black Suit. I honestly can't find anything wrong in this film, the script from Roger MacDougall, John Dighton, and director Alex Mackendrick could be filmed today and it wouldn't be out of place such is the sharpness and thought of mind it has. The sound and setting is tremendous, the direction is seamless, with the tonal shift adroitly handled by Mackendrick. Some of the scenes are just wonderful, one in particular tugs on the heart strings and brings one to think of a certain scene in David Lynch's Elephant Man some 29 years later, and yet after such a downturn of events the film still manages to take a wink as the genius that is Alec Guinness gets to close out the film to keep the viewers pondering not only the future of Stanley, but also the rest of us in this rapidly advancing world. A timeless masterpiece, thematically and as a piece of art, 10/10. | 1pos
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] |
Sharon Stone stars as Hush, a sleazy and irresponsible woman who has two children and lives in a small apartment. She is also in debt with a low-rate loan shark and, as a result, she is constantly being threatened by them. However, she eventually meets Joe (Billy Connolly), a man whose wife has just left him and also has found out that he has a brain tumor. They both fall in love while he helps her deal with her problems. With such a story, one would think that this movie would add up to something good. However, the reality is that 'Beautiful Joe' is a film that does not work on any level. It starts out as a drama that puts an emphasis on a rather unconvincing love story between Joe and Hush. It then shifts to comedy (rather lame comedy that is) during the middle of the film. By the end, the film once again shifts back to drama. With such a lack of direction in a poor script and terrible acting (especially from Stone, whose career is definitely in freefall), 'Beautiful Joe' is anything but beautiful. (1/10) | -1no label
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] |
I am a 58 year old man.On a rainy afternoon my wife suggested that we go see The Women. After reading the reviews I thought it might lead to an afternoon nap. Wrong- this movie held my interest from start to finish. It was great to finally see Meg Ryan looking super again. Let's face it Meg looks much better with long hair. Annette Benning looked different to me in every scene she was in. Candice Bergen is showing her age as is Carrie Fisher. The daughter, Molly, was exceptionally acted by young India.I was able to understand the dialog which is tough in many current films due to rapid speech. Cloris Leachman and the woman from Finland were terrific as the housekeepers who extend their regular duties. The NYC scenes were nice to see. Oh, and Bette Midler had a short role but as usual was terrific. So I gave this chick flick a 9. Guys- Go see this even just for the eye candy like Eva Mendes. It won't disappoint. | 1pos
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] |
This movie could be likened to "comfort food" for the soul. Anyone who has ever tried and tried to save a relationship could relate to this movie. So many parts of it are so hilarious and so many parts are so heartbreakingly true. It's not perfect in its production or even its dialog, but the story is unique which is saying a lot for modern "romantic" comedies. Luke Wilson is bland at best, but Heather Graham does an exceptional job in my opinion. Give it a try - despite the trite looking DVD cover.The character of Joline brings a lot of issues up in our culture of self-service. She asks us if commitment is really for the other person or ourselves. Truly, it is ourselves. Following through on promises (anywhere from marriage to an errand for a friend) is a great feeling. Anymore, our word is nothing but a shapeshifting puff of smoke. Joline is like a wake-up call. We must be conscious of our words and commitments, they mean more than we think. At the same time, we must not commit to someone who is incapable of doing the same. | 1pos
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] |
I'm seeing a pattern here. If you see a movie on Mystery Science Theater 3000, chances are if you go to IMDb.com there will be hordes of lovers of the film, yet it was picked to be on that TV show because it was sooo bad. I'm sorry but I read a lot about Rocketship X-M as being some landmark sci fi film that stressed realism. Well if that is the case I could write for several paragraphs about how even with 1950's knowledge this movie is utterly flawed. Gravity might be the first obvious observation, or as MST3K did as a skit "selective gravity", also what about when they are plunging to their death and they are just standing there looking out of the window, um would'nt the ship being upside down effect that scene? I would like to think that they started with good intentions and that it ran over budget or something but I think this movie was just plain cheese as in the from under type. Just compare this to "When Worlds Collide" which was released in 1951 to see the true place where this movie ranks, there's no comparison. The movie gets a 2 or maybe 3 on its own, its not even funny to watch on its own. It gets about a 5 or 6 as a MST3K episode as there is no action or much to make fun of, just bad, bad, bad, oh did I mention, it's bad. | 0neg
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] |
I love dissing this movie. My peers always try their best to defend it, probably out of love for Quentin Tarantino or Harvey Keitel, but they'll never convince me that this one should be treasured. Here's some huge reasons why: A: The plot goes from kidnapping road trip movie to vampire-inhabited strip bar slasher flick with no set-up whatsoever. Suddenly something very real turns into something very fake, which is like sitting the audience down to a Thanksgiving feast then exploding it with dynamite. B: That untalented Juliette Lewis is in it. C: Preposterous ideas abound such as actual torso-and-leg guitars, brothers with the last name "Gecko," bad vampire make-up jobs, Cheech Marin playing three characters (?), and a crotch-based gun that only fires when "erect" and belongs to a guy who goes by "Sex Machine." If Robert Rodriguez didn't pathetically try to be so innovative with his violence, I might've had fun with this obvious popcorn flick. The whole project's like he got the ideas by playing with action figures. The only thing even close to being considered my favorite scene is George Clooney's laugh-out-loud cheesy monologue after he kills his blood-sucking, horny-for-children, terrible-acting brother. I swear I think they thought it up right then and there. This movie's out to offend, and ends up offending those who want the offensive. Horrible movie. | 0neg
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] |
It is not fact that this movie is just bad that makes me angry and revolted. It is the fact that this movie openly promotes racism, bribery, dishonesty, meaningless relationships and other things that are unacceptable among normal people. But OK, you can't forbid one to state his opinion, it is shocking fact that this opinions target children, young girls who will take this opinions as they're own. It is not strange that US is leading so much wars, that it has so much drug addicts, teenage mothers and so on: when in movies like this you may see that it is normal to bribe people with magazines, video-games and jerseys to win a competition; black people with dreadlocks have never seen computer in their lives; nobles are evil; relationship between 15 year old girl and 22 yearn old boy( or should I say man) is normal and socially acceptable---it is just a step from pedophilia, people. However this movie has opened my eyes in one thing. I now see why Americans have death sentence, just that it is used on wrong people. I frankly don't see difference between "snuff" movies and this movies, for it can have same bad influence on minds of people. | -1no label
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] |
13 days to Glory tells the traditional tale with sympathy toward the Mexican viewpoint. The major problem in this movie was that while cowboy actor James Arness played the part of Jim Bowie persuasively, the rest of the name actors in the cast Brian Keith (Davy Crocket) and Lorne Greene (Sam Houston) were too old. Raul Julia played General Antonio Lopez de Santa Anna with grace and dignity owed to the professional soldier who after all won the battle. The scene where he upbraids his officers for failing to mount a guard and prevent a sortee is one the scriptwriters did not understand. Failing to keep watch is a major remiss in the military. Santa Anna was within his prerogatives to be angry. Raul Julia magnificently carried poor writing through the scene. Kathleen York was an impressive Susannah Dickinson, a woman who deserves to be remembered for her courage. However, Kathleen York might have been reminded that as Dickinsons hailed from Pennsylvania they probable dis not sound very Southron. | 1pos
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] |
This movie has few pretensions at being great art. Instead, it's a very glossy and high quality soap opera that deals with so many sleazy elements in an entertaining way that it will keep your attention throughout. In many ways, this film came out to capitalize on the publicity surrounding Lana Turner's own screwed up family life (her daughter killed boyfriend Johnny Stampanato in 1958)--instead of running from the negative publicity, the movie exploited it, as the film is about a supposedly conservative small town that instead seethes with a cauldron of rape, murder, illegitimacy and hypocrisy! You might have expected Ms. Turner instead to have done a movie akin to THE SINGING NUN after the much publicized trial, but instead chose this tell-all tale. All-in-all, an excellent movie with a great script, wonderful acting and terrific production values. | -1no label
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] |
The picture is a splendid British film concerning about historic deeds in WWII,the naval battle in the South Atlantic between British cruiser squadron of three ships and the German pocket battleship Admiral Graf Spee, Dic 1939 ;the protagonists and secondaries are incarnated by a magnificent plethora English actors.The film is based on true events ,these are the following: Though the British cruisers were no match for the battleship,Admiral Sir Henry Harwood(Anthony Quayle) launched an attack to Graf Spee(with 6 cannons,280 mm).German fire seriously damaged HMS Exeter(John Cregson,captain Bell)with cannons 203mm,put half of HMS Ajax(captain Woodhouse, Ian Hunter)'s guns out of action,and then damaged Achilles(cannons 152 mm),but the cruisers did sufficient damage to the German ship to make its captain break off and run for shelter in Montevideo,Uruguay.The British followed,and waited in international waters outside the neutral port.The Uruguay government ordered the Germans to leave after 72 hours.The British cruisers named Royal and Renown were near from Montevideo and Langsdorff(Peter Finch) didn't wait possibilities to vanquish.Hitler,reluctant to risk the Graf Spee being sunk by heavier British warship which were sailing for the River Plate ,ordered the captain to scuttle the vessel.He did so 17 Dec 1939 and three days later shot himself.The film contains a colorful and glimmer cinematography by Christopher Challis.The movie is well produced(with the Archers production)and directed by Emeric Pressburger and Michael Powell.The motion picture will like to warlike genre fans and classic British cinema. | -1no label
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] |
I wouldn't call it awful, but nothing at all shines in this movie, and it is encumbered with some seriously unbelievable basic plot development. It starts out well, but once the main hit is done, it devolves into a long subplot around a young girl which is not compelling, and some action scenes which are theatre of the absurd unrealistic. For example there is a prolonged shootout at the airport in which the lighting is all stroboscopic. No explanation for that. How credible is it that a airport storage area is going to have lights that flash on and off confusingly, and just enough to let Snipes do his incredible escape schtick? This is one of far too few action scenes punctuated by pointlessly drawn out set ups that just fails to draw one into suspending belief. In addition, the whole premise seems to be that the United States CIA team can shoot the place up but get away with it by saying "national security" to the Brits. This gimmick relies on a stereotype that is to far afield from reality to be satisfying. There are a lot better action movies out there. Better formulated, better executed. This one is entertaining at times but there is just not enough meat on the bone and after a while it becomes downright boring -- something that should never happen in a good action movie. | 0neg
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] |
as an inspiring director myself, this movie was exciting to watch with criticism in mind. Shot with low end digital camera probably with 35mm adapter for DOF. The editing is good acting decent, sound effects aren't too over the top. I would have give it a 7 for an indie film, but the story aren't that interesting. It's more on the drama side, character developments than a horror flick. It's not for those who wants to get spooked startled frightened grossed out, or sit down with popcorn to just enjoy. honestly this movie would be good if we were still in the 50's This movie is about a family who has a dry field, and that is just that. | 0neg
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] |
This has more style than most of Hammer efforts. For that reason I'm giving it a high rating. Its based on the story Carmilla by Sheridan Le Fanu. As such it has a stronger narrative than the late Dracula films where the screen plays were not based on any novels. The story is about the resurrection of a long dead vampire girl by her vampiring relatives. For some unclear reason they feel she needs schooling and enrol her at an exclusive finishing school. Socially responsible these vampires. Part of the advantage for them is that it provides a supply of good looking women to appear for their scholastic vamp to suck on. This is only used a couple of times. Into this a stranger wanders along and is immediately given a teaching job without any checks as we are meant to have now days. He falls in love with Yutte Stensgaard's bloodsucker immediately. He is really inappropriate for a teaching post. What would he be like if he was there for 5 years? I knew of this film but hadn't got round to it as part of the Hammer canon until I read a review of Le Fanu by the writer and actor Stephen Armourae. On a couple of vampire websites also appeared a portrait of Yutte Stensgaard by him taken from the film. Yutte was a very good looking actress and I have recently seen an excerpt of a game show presented by Bob Monkhouse where she was assistant. Her performance was as wooden then as in this though she made a couple of good films later. A note on this film is that Peter Cushing was intended to play the Ralph Bates role but had to pull out due to ill health. This is to the film's credit. It would have been a shame to see Cushing die and the late great Ralph Bates does a good turn in a scene of desperation and appropriately enough lust. | -1no label
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] |
For once (at last) extremes inform the middle, the down-and-out the up-and-in, Long Island blue collar barflies the rest of us so-called well-adjusted's. This demands the proper mix of compassion and dispassion, which for Buscemi, as for others similarly gifted, leads to an almost inseparable mix of comedy and pathos: up is down, down is up. Buscemi plays himself, or what he probably would have been had he not found his talent in movie making, namely, a "loser" trapped in a downward spiral of unemployment, drugs, alcohol, and loneliness, familiar ingredients of endless movies, TV docudramas, talk shows, and news, all humbuggery and false preaching; so familiar, in fact, as to pose an American fixation, something we see so much of that we no longer see at all. He's not afraid to let things get ugly, really ugly, down right squalid. An unemployed, unemployable car mechanic ends up by default driving an ice cream truck through the sun-drenched tree-lined streets of suburbia, a peculiarly American version of hell. Strange to say, the whole mess is uplifting and absurd; Buscemi loves his characters, warts and all; he warms us to them with a wealth of detail, emerging us in a whole crowd of people, complete with its own history and past, each member whole and completely formed, with hardly a trace of exaggeration or artifact, a false note or cliche. Because more is at stake--the "American dream"--this is a better movie than Buscemi's i Living in Oblivion (1995), which was about the trials and tribulations of making an independent film on a shoe-string. Because both films are centered on the social life of a bar, comparison to Barbet Schroeder's i Barfly is inviting; but the latter's hero is a diamond in the rough, while the one here is just a schmegegge. | -1no label
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] |
I was stunned by this film. I have been renting Antonioni's films/rediscovering them, and this film showed me the climax and fruits of his 50 years of directing. What an eye for setting, color, and detail! I have never seen such visual beauty and poetry filmed before. I had to stop after the first story and hold back the tears. Yes, beauty moves me, like it moved Keats to write Ode on a Grecian Urn. This movie is made for the mature, emotionally and intellectually, audience. Those hoping to see physical action and soap opera will be disappointed. I will have to see this film several times before I can truly appreciate it and judge it. This film should be required viewing for all cinematographers and directors. Possibly a truly great film, on the order of Kurosawa's Dreams. | 1pos
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] |
It does not surprise me that this short (91 minutes) B/W movie that was made 50 years ago in the Soviet Union during the short period called "ottepel'" or "the thaw", has gained so much love and admiration among the movie lovers over the world. It is sublime and beautifully filmed. Some scenes feel like there were made way ahead of their time. Sergei Urusevsky's camera work and creative discoveries were included in the text books and widely imitated. The film tells the moving and timeless story of love destroyed by merciless war but eternally alive in the memory of a young woman. It is also the film about loyalty, memories, ability to live on when it seems there is nothing to live for; it is about forgiveness, and about hope. The film received (absolutely deservingly) the Grand Prix at Cannes Film Festival and Tatiana Samoilova was chosen as a recipient of a special award at Cannes for playing Veronika, the young girl happily in love with the best man in the world in the beginning of the movie. After separation with her beloved who went to the front, the loss of her family in the bomb ride, and the marriage to the man she never loved and only wished he never existed, she turned to the shadow of herself, she became dead inside. Her long journey to redemption, to finally accepting death of her beloved and to learning how to live with it, is a fascinating and heartbreaking one and it simply won't leave any viewer indifferent. For me, the movie is very personal and dear because I was born and grew up in the city where its characters lived and were so happy in the beginning. I walked the same streets, squares, and bridges over the Moskva River. Every family in the former Soviet Union had lost at least one but often more than one family member to a combat or to the concentration camp or to the ghetto or to hunger, cold, and illnesses during WWII and my family is not exception. My mother and grandmother knew the horrors of war and never healing pain of losses not just from the movies and the books. "Cranes are Flying" speaks to me clearly and honestly and touches me very deeply. It is a masterpiece of movie making but it is a part of my life - my background, my memory, and my past. | 1pos
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] |
How has this piece of crap stayed on TV this long? It's terrible. It makes me want to shoot someone. It's so fake that it is actually worse than a 1940s sci-fi movie. I'd rather have a stroke than watch this nonsense. I remember watching it when it first came out. I thought, hey this could be interesting, then I found out how absolutely, insanely, ridiculously stupid it really was. It was so bad that I actually took out my pocket knife and stuck my hand to the table. Please people, stop watching this and all other reality shows, they're the trash that is jamming the networks and canceling quality programming that requires some thought to create. | -1no label
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] |
Having enjoyed Jean Arthur in "The Devil and Miss Jones", my interest was peaked, so I tried sitting through this second-string screwball outing about an investigation into the death of a jockey--but I didn't make it to the end. Arthur, photographed in a gauzy, movie-magazine fashion, either wants alimony from ex-husband William Powell or another shot at marriage, but I never felt for her because the character is just a string of wisecracks (she's the type of heroine prone to comical curiousness, but once inside a morgue--like all women in these '30's comedies--she faints). William Powell reportedly had a high time working with Miss Arthur, but you'd never know it from the end result; they look awkward standing next to each other, hesitant over their banter. The actor playing Powell's valet is excruciating, and the pauses for viewer laughs are pregnant with unease. | 0neg
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] |
i watched this movie on TV on thursday night and I couldn't believe what i saw. this movie made me cry but for all the wrong reasons! Every 2 seconds I was saying, "What the crap?!" because i just couldn't believe that all those bad things could happen to Rocky so fast. I mean he just got back from Russia and he finds out that his idiot friend, Paulie, signed some paper, which made the Balboa family bankrupt! they lost their estate and all their money, and ended up living back in the area they were living in for Rocky I. I also could not believe how Rocky's son from Rocky IV looked about 8 years old when Rocky left to fight Drago, and then when he gets back, his son in Rocky V, (who is Sylvester Stallone's real-life son) looked about 13 & dorky! It seems that all Sylvester tried to do in the last 2 Rocky movies is somehow get his family involved in the movie, which is not right. Though Rocky's son in Rocky V does look more Italian, it was just not the same. I will never watch this movie again because the plot made me so angry. If they do make a Rocky VI, which i highly doubt since Sylvester Stallone is 60 now i think, i will watch it just to see how it is. | -1no label
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] |
There are not many movies you can take the whole family to see these days. Our ten year old son really wanted to see The Last Mimzy so we went to a sneak screening last Saturday night. I was very pleasantly surprised that I enjoyed the film as much as I did. My wife liked it even better. Our two other kids (daughter 12, youngest son 7) along with our son had a great time. Kids will really be able to identify with the brother and sister in the movie. They seemed very real. The kids' lives at school and their relationships with their parents and teacher seemed true. This is a story about a regular family with all the ups and downs of everyday regular life. Then, the story takes off. I don't want to give away anything about the plot because the surprises that gently unfold are what you and your family will enjoy about the movie. There are elements of science fiction and fantasy with nothing extremely intense to scare the kids. It's an interesting story told well with characters you care about. The visual effects are well done. I liked that the movie does not talk down to kids to get its ideas across. My wife and I also liked that the language and situations were truly appropriate for a family film. My kids all want to see the movie again and the movie is definitely good enough to see a second time. | -1no label
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] |
And that's how the greatest comedy of TV started! It has been 12 years since the very first episode but it has continued with the same spirit till the very last season. Because that's where "Friends" is based: on quotes. Extraordinary situations are taking place among six friends who will never leave from our hearts: Let's say a big thanks to Rachel, Ross, Monica, Joey, Chandler and Phoebe!!! In our first meet, we see how Rachel dumps a guy (in the church, how ... (understand), Monica's search for the "perfect guy" (there is no perfect guy, why all you women are obsessed with that???), and how your marriage can be ruined when the partner of your life discovers that she's a lesbian. Till we meet Joey, Phoebe and Chandler in the next episodes... ENJOY FRIENDS! | 1pos
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] |
Let me start by saying I have never had the urge to make a comment on IMDb yet - not for a great movie, and certainly not for a bad one. But this movie was so horrible I HAD to warn people. I thought Pauly Shore was reasonably funny until this. Half of this movie isn't even trying to be humorous. It's Pauly Shore's desperate attempt at saving his career. Yes there are tons of celebrity "cameos", but they are all so short, and I'd say maybe two of them are slightly funny. This movie plays as if it was written and directed by a no-talent former MTV "VJ". And it is. | -1no label
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] |
I'm from Australia and have watched with respect the extraordinary culture surrounding rugby union in New Zealand. I can totally appreciate the comments made by Kiwis in relation to this movie. It was a total insult to a race of people and their beloved sport. Whoever was involved in the making of this atrocious movie should be made to formally apologize to anyone who had the misfortune of watching it. Note: people do NOT kneel down and cry while slowly reciting the Hakka. What a pitiful scene this was. Are we supposed to feel some kind of sympathy for this idiot who nearly killed his girlfriend, who refused to listen to any advice from anyone with half a brain, then apparently saw the light? What a thoroughly dislikable character (with the visits to children's hospitals doing nothing to redeem his despicable personality). And why are people even making a movie about Americans playing rugby? They barely even feature in the sport on the world stage, not so much as to even warrant an attempt at making a movie about it (yes, Rugby's a 'world' sport, unlike gridiron and baseball)? | 0neg
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] |
This film has been on my 'must see' list for years and I finally got to see it recently. It is probably one of the better low budget detective yarns of the late 50s and is improved by having a producer (Victor Saville) very familiar with his material having produced two earlier Spillane/Hammer films. Robert Bray is excellent as an unshaven worn out Mike Hammer and is well supported by the rest of the cast. The script and location photography are good and the music suitably sleazy and atmospheric. What lets it down is the predictable ending, often a problem with Spillane stories - it's nearly always 'the dame that dunnit'. My favourite Hammer film is the first version of 'I, The Jury' which benefits from some superb noir imagery. This film isn't quite that good but is a serviceable and very entertaining movie. | -1no label
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] |
This movie had political correctness before that disease even had a name. But that's the least of this movie's problems. A dozen upper-class people congregate on the lawn of a Florida swamp villa, and all they can talk about is how annoyingly loud the toads are. They must be really bored - but not as bored as the viewer. This is a short movie, but it feels like a ten-hour experimental French film. The pace is excruciatingly slow, and I'm not talking about Judy Pace who is in this one. What we get here are apathetic, fat toads that look as threatening as a basket of Florida oranges. And it's not even the frogs who terrorize; the real killing work is done by lizards, snakes, and crocks, but who gets all the credit and glory? Frogs. Milland, as Mr.Grumpy, plays a ridiculous character who, even when faced with a catastrophe, finds the time to grumble about trivialities, and everyone around him has to take note of him because of the testament money. But at least he amuses the bored audience a bit. At the end of the movie Elliot says that "it's a long story"; very long, indeed, particularly when one considers that there isn't enough actual plot to even fill a 25-minute TV episode of any "Tales of the Something or Other" type of show. The only positive thing is the photography which is not bad considering how bad everything else is. | -1no label
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] |
In this movie, the old Amitabh Bachchan falls in love with a much younger woman, again. He meets her in his restaurant. The younger woman, Tabu, flirts with him. He does not know what to do and asks her out. Her reaction on his invitation is rather weird. Is was supposed to be funny. And that annoys me about this whole movie. It wasn't that funny. The jokes and script was terrible! The only jokes I liked was about the teeth of a waiter, but after a several times, even that began to bore. Amitabh has a little girlfriend called sexy. This was a weird relationship! A little girl with the mind of an old woman! It was frightening! I know someone can be attached to a kid, but this man has adult conversations with this child. It did not make any sense. Tabu's father is Paresh Rawal. He has to give Amitabh a hard time, but we all know Paresh, he can't do that. So even the conversation at the end, when they sit all around the table, even that was supposed to be funny. I only like movies who really are funny. I suppose I will never watch this movie again. | 0neg
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] |
Worst show I've ever seen. The story is about a group of teenagers who, for some inexplicable reason, have super powers, and when they use some special device, they morph into strange, poorly designed suits. The acting when they're not in the retarded-looking suits is decent. Definitely not good, but not the worst acting I've ever seen. However, when wearing their suits, the actors' acting goes from bad to worse; much, much worse. The hyper-animated idiots have a myriad of unnecessary motions they do. Even when they talk they look like they're having seizures. The villains are stupider than the Rangers. Every episode, some weak, idiotic villain comes up with some plan to destroy the Rangers. He/she then sends a force of hyper-animated aliens to attack the Rangers. The Rangers then initialize their 10-hour transforming animation, then they annihilate the aliens. Then, the poorly designed villain, which can either be an armored villain that actually looks and acts evil, to a humanoid ladybug-like creature with trumpets attached to its back that shows obvious signs of mental retardation. The Power Rangers fight the villain off, then the villain turns into Godzilla, whether it be by a rain cloud or a nuclear missile (yes, they fire nukes at the creatures and the creatures turn into giants). The Power Rangers spend 5 minutes acting hyper-animated and summon their Zords which are obviously toys that the producers of the show used special effects on to make them look real. The Power Rangers win, the villain gets mad, they all teach a "valuable" lesson, and the show ends. That's it. Twenty-five minutes of brain-washing, fake kung fu fighting. | 0neg
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] |
this is the worst movie i've ever seen. i'm not kidding. the next time it comes on, i will just continually run my head into a wall. it would me more enjoyable to sit in an emergency room trying to explain to a doctor why my brain is swollen than attempting to make it through this movie again. i hope that black and stiller never work together on a project this bad again. they are both good comedians, so i was shocked this was so awkward. if they had to do it all over again, i'm pretty sure that they would decide to not do it. the folks that fronted the money, must have lost a ton. not really- because the special effects (all 2 of them) were terrible. | 0neg
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] |
Hrm-I think that line was from the old movie posters. This is a dumb movie that seems to have been translated from some language that was totally unfamiliar to the translator. Here's a tip: Any movie that starts with a black screen and text reading "In the future..." is going to be fun. This means that the premise is so implausible that they have to explain it to you. In this case, "In the future..." means that, instead of fighting wars, nations have guys climb into giant robots and duke it out to determine, well, that's never terribly clear, but it's probably something really important. There are good guys (obviously capitalists, i.e. "us") and bad guys (Commies!) and there are big stop-motion robots. Sadly, the effects budget was pretty slim, so we don't get to see a lot of the big robots. There are plenty of cheap looking interior scenes, and then a big space fight near the end. The space fight is especially nice, as it serves precisely no purpose other than the blow the remainder of the effects budget. With said money now spent, the climactic fight degenerates into (and I'm not making this up) two guys hitting each other with sticks. I can always get a laugh in a bar by re-enacting the final scene, complete with a last line guaranteed to leave any audience scratching their heads. Like I said-it's dumb. That's why I bought the tape. | 1pos
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] |
The film is a poorly made attempt at 50's film noir, complete with hack narration from Paul Newman. The film has the potential to be very good: a good director and top stars (Newman, Hackman, Sarandon etc). It isn't. The plotline is thin. How many more times are we to have a washed up cop as the lead character? The script and dialogue are poor. Worst of all, the acting is wooden. You get no sense that the actors have been given the time to familiarise themselves with their characters. Even if they had, the script is so poor that they would have nothing meaningful to say anyway. This is a film equivalent of painting by numbers. The film has the look and feel of something that has been made quickly and with a minimal budget. It might be made by the same team who made "Nobody's Fool", but don't be fooled by the comparison. Nobody's Fool is a good film. This one is a dog. | -1no label
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I love these little "one reel wonders" that TCM throws in at the end of their regularly scheduled movies as filler till the next movie comes on. I caught this one at the end of Sunrise, during TCM's 31 Days of Oscar. Seems this little 1933 one-reeler was nominated for Best Short Subject. It's very amusing. An early technicolor about a man with indigestion, thanks to a wife who's a klutzenheimer in the kitchen. Una Merkel plays the dippy wife -- she utters about 3 words but is told by the unseen narrator that he's the only one allowed to talk! The narrator acts as an omnipotent overseer, putting broken eggs and spilled condiments back together again by the magic of reverse-action filming. He also brings in a chef in a puff of smoke, to come to the housewife's rescue. We are then treated to a mini-cooking show, with instructions on how to prepare stuffed duck and baked apples. It's quite droll, with the narrator getting off such funny zingers as: "Cook the stuffing for 15 minutes, for that perfect taste that you love to burp up later." "Now clutch the apple firmly so it will realize the futility of any resistance." Very funny and amusing. Too bad there's no way to actually know when this will be on again. I don't think TCM lists its one-reel wonders in its programming guide, which is too bad. Well, if you run across "The Menu" at the end of your regularly scheduled program, be sure to stick around and watch it. I think you'll enjoy it! | -1no label
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] |
A BDSM "sub-culture" of Los Angeles serves as backdrop for this low budget and shabbily constructed mess, plainly a vanity piece for its top-billed player, Celia Xavier, who also produces and scripts while performing a dual role as twin sisters Vanessa and Celia. A question soon develops as to whether or not some rather immoderate camera, lighting and editing pyrotechnics can ever reach a point of connection to a weak and often incoherent narrative that will not be taken seriously by a sensate viewer. Celia is employed as a highly motivated probation officer for the County of Los Angeles, while her evil natured twin has become an iconic figure within her fetishistic world largely because of erotic performances upon CD-ROMS, but when disaster befalls "Mistress Vanessa", virtuous Celia, determined to unearth her sister's vicious attacker, begins a new job as a "sex slave" at the private Castle Club where the specialty of the house is a "dungeon party". Two FBI field agents (whose deployment to the Vanessa case is ostensibly required due to her involvement with internet BDSM sites), in addition to a Los Angeles Police Department homicide detective, are assigned to investigate the crime, while endeavouring to provide security for Celia whose enthusiastic performance in her new vocation is avidly enough regarded by her customers as to have created conditions of personal danger for her. Flaws in logic and continuity abound, such as a homicide being allocated to L.A.P.D.'s Operations-South Bureau, a region of the metropolis that is far removed from the setting of the film. Direction is unfocused and not aided by erratic post-production editing and sound reproduction. The mentioned photographic gymnastics culminate with a batty montage near the movie's end of prior footage that is but tangentially referent to the scenario. One solid acting turn appears among this slag: Stan Abe as a zealous FBI agent. | 0neg
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] |
I must say I was surprised when I saw this movie. I never would have thought it'd end the way it did but its a lifetime movie so it had to. It seems that all lifetime movies end on a good note for the women but that just seems to be a bit unfair I mean half the time the guy did nothing at all. I am glad that it worked out in the end but i had missed the middle of the movie so I can't give it a perfect score but it was good all the same. The movie was a good way to view how justice can be served when its needed. I never thought the twist would be the way it was. The movie was a good movie and had a good plot. I wish I had seen the middle of the movie. I mean I never expected the one scene when the one girl went up to the office to have happened. I'm sorry to say I have to give it an 8 out of 10. | -1no label
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] |
One endeavor in filmmaking that quite frequently doesn't turn out well is mixing genres. "Jason's Lyric" combines crime drama, love story, and ghetto film-and does it surprisingly beautifully. The acting is remarkable, the script is remarkable, and the emotion is remarkable. This movie could have turned out very pretentious and very cheesy. Apparently, the directors, writers, and producers completely acknowledged this, and refused to let that happen. The characters are very well developed and, while the movie doesn't justify Josh's actions, it does convey compassion for him. It also provides new insight on what it's really like to live in a ghetto. If you can find this movie (after all, I saw it on Showtime and haven't the video in any stores) totally see it!!!! | -1no label
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] |
Many a film has put out the notion that animal pets, dogs and cats etc, have to find the people they are suited for. But until Disney Studios put out The Love Bug, cars definitely did not seek out their owners. Yet that's what happens when one day racing driver Dean Jones comes into the auto show room of David Tomlinson who usually deals in the most pricey of cars. This little Volkswagen offends his dignity somewhat and Tomlinson abuses it. Jones defends it however. But what neither of them know, but Jones soon finds out is that this unprepossessing beetle has a mind all its own. And when it wants to the beetle has speed like nothing else. When Tomlinson finds out what he's lost, he'll stop at nothing to get Herbie back. He's been given a name now, by Buddy Hackett who plays Jones's mechanic. He's the first to really realize how special Herbie is. I'm willing to bet that those who succeeded Uncle Walt at the Magic Kingdom never realized just what a franchise The Love Bug would prove to be. This and all the succeeding films made lots of money for the studio and Herbie still has plenty of life left in him as his most recent outing a year or so ago with Lindsay Lohan ought to prove. Herbie's quite the romantic too. He even helps win the heart of Michele Lee for Jones. But this is a Disney film so that's kind of a given. This first Love Bug movie had a good cast of supporting players who were finding the Disney Studio their employer of last resort. Where else can you see someone like Iris Adrian in a brief, but very funny role as a carhop or Joe E. Ross as a policeman? It's one of the reasons I like the Disney films in general. The Love Bug set a good standard for the future films. It's got laughs and also plenty of heart and soul. | -1no label
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] |
***SPOILERS*** ***SPOILERS*** OK, first of all, i didn't actually catch this during the mtv movie awards, i found it during a random downloading session. and all i have to say is, very well done, i was pleasantly surprised that somebody would actually do something like this. jack black is amazing as the elf with the pierced genitalia, an amazingly rude but not crude plot line. and im assuming SMG was supposed to be Arwen? well whoever she was supposed to be, she was good, comical at most points, and especially at the end when she ripped the ring from jack's privates. Sheer brilliance. | -1no label
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] |
Of course, you gotta be a masochist to enjoy some people's genius - you know that if you bear with them they will take you to new levels of perception. With Lars von Trier, the voyage is often hilarious. Epidemic is funny. Funny, in a Gummo kind of way: the characters are real, reality is eerie, and we laugh to break the tension; funny in a the characters say amusing things kind of way (preacher: "this bible is in goddamned Latin"); and funny in an Andy Kaufman screwing with the audience (yes, you) kind of way. Make no mistake: you will suffer. If you are afraid, stay away from horror movies, ya pansy! This movie also features some great aesthetic distance! It's bold! | -1no label
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] |
I watched this movie on TCM last night, all excited expectation, having last seen it (twice) in its memorable 1957 release in Toronto. I told my wife, who hadn't seen it before, to watch for the thrilling long tracking shot, no cuts, where Veronika is seen on a bus on her way to find her Boris. In a hand-held frame that certainly predates the modern Steadicam, the shot then pulls back up and cranes (pun unintended) over the street as she exits the bus, and darts among the tanks to cross the road. THEN I remember that, no cuts, we follow her up close to the fence as she peers through, anxiously looking for him, but does not find him. But we do continue to follow Veronika as she searches the faces of harried recruits and their emotionally racked women, all extras, and each one a gem of riveting Stanislavskian behavior. How, one wonders, did Kalatozov and his cameraman Urusevsky set up this extraordinary sequence. But what did I see in this version? After crossing the street dodging the tanks, the scene abruptly ended, and cut back to scenes at the apartment, before continuing to the soldiers and their families at the fence. Seems to me that this film was not only restored, but also re-edited. What a downer! | 1pos
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] |
Stodgy drama starring Pat O'Brien as a washed-up reporter who turns up at his ex-boss's house to ask for money to fund his son's operation, only to find him dead on the floor. Since O'Brien knows the identity of the culprit, he offers to take the rap in return for the money he needs. A decent premise is wasted on a film that pretends it has surprises, twists and turns, even though it really doesn't. Performances are rotten across the board, the movie dresses itself up as a hard-boiled American noir but the mix of dodgy accents doesn't work, and the story is hardly gripping. And it contains possibly the least attractive screen kiss of all time. | 0neg
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] |
No, no, no, no, no, no, NO! This is not a film, this is an excuse to show people dancing. This is just not good. Even the dancing is slow and not half as entertaining as the mediocre 'Dirty Dancing', let alone any other good dance movie. Is it a love story? Is it a musical? Is it a drama? Is it a comedy? It's not that this movie is a bit of all, it's that this movie fails at everything it attempts to be. The film turns out to be even more meaningless as the film progresses. Acting is terrible from all sides, the screenplay is definitely trying to tell us something about relationship but fails miserably. WATCH FOR THE MOMENT - When Patrick Stewart enters the scene and you think the film might get better as he brightens up the dull atmosphere. For a second. | 0neg
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] |
Considering the all-star cast and the fairly large budget (this is no indie film), there's no reason why this film should be as bad as it was. Ian McCellan gives a stellar performance, but otherwise this film is rendered almost unwatchable because of the performances of Aaron Eckhardt and Britney Murphy, and most of all, because of the insufferable/clichéd writing, which makes every effort to pull at our heartstrings. Don't let the allure of the cast (in addition to McKellan, Eckhardt, and Murphy, it also features William Hurt, Nick Nolte, Alan Cumming, Jessica Lang, and more) draw you in -- stay away from Neverwas! | -1no label
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] |
Even though i sat and watched the whole thing,i must say it was not good.it was all over the place,with big chunks of information missing about how things developed and even inaccurate at some bits too.If you know nothing about Michael , you wont understand a thing.You have to rely on your current knowledge of the man in order for some bits to make sense..Acting was a bit dramatic, Flex Alexander looked nothing like Michael which was a put off for me and towards the end he literally looked grey.saying that portraying Michael as somewhat naive but highly positive, gentle and loving individual was okay even though they still made a fool out of him time to time.If you want to watch MJ's life story check out "An American dream". It is much better but the only thing is it will cover up to "Bad" era. I have no doubt that they will eventually make a big budget movie of MJ's life story, cos Michael You rock ;-) !!!! | 0neg
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] |
I bought a copy under the illusion that Connery right in the middle of his Bond days combined with the name Sidney Lumet would make a nice little film. Didn't expect it to be watchable but it was a heist film and they are always a laugh. Instead I got the chance to see the most dated nugget of junk I have ever seen. Trust me considering my collection of tapes that's a feat. Now I shouldn't really be giving this film a review as I couldn't manage the whole thing. I just could not endure the sight of Mr Connery getting back into bed yet again with Ms Cannon, the half-hearted fawning of a supposedly gay Mr Balsam [didn't know it was possible to underact a gay stereotype] and as for the direction and focus of the film I an only guess that Mr Lumet had other things on his mind. Beyond all these the sound effects and music destroyed the film most concisely. The 'hidden camera' effects stood out so badly that I just had to keep pressing the mute button to avoid them. Another film which badly utilises 'modern' technology but not quite as badly as this is 'The Osterman Weekend' but I managed to get through that and it didn't obscure the film as intently as this. So if you want to watch a dated techno-thriller watch that instead. | -1no label
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] |
For me it's a case you'll never understand if you didn't live it.. so read this to know why would i have such unlimited anger.. I heard a lot about (Bruce Lee).. my father loved him.. my mother who hates any minor shot of violence loved him ! and how she talks till now about his " The Big Boss" aka "Fists of Fury" , and the experience of watching it at the Egyptian movies 1973 with all the gigantic success.. further to that I watched a real good movie about him (Dragon: The Bruce Lee Story - 1993).. so I found myself crying : where are your movies Bruce ?!! I went to the video store.. and it was dumb move.. (you'll know why !).. and waw.. I found a lot of Bruce Lee movies.. I selected one named (Bruce Lee in New Guinea) I did it to myself and watched that one.. OH GOD please forgive your servant.. I harmed myself but with no intended decision.. I wouldn't do it if I knew its evil damaging !! its mythical level of hideousness !! After that I didn't understand at all what's the big fuss about Bruce Lee as a great immortal star ???.. why anybody would care whether he is here or there.. this hero (whom I've watched !) is not that gifted and not that genius and of course is not that sexy ??? Until my father saw THIS star and he asked me to pause at any of his close ups and after he examined his face a little.. he told me in a very definitive way "this is not Bruce Lee" ! so I became too confused to ask : who's this silly guy anyway ??!! It was 2001.. 2 years after my first entry to the IMDb database.. therefore I tended to it immediately to know who the hell is that man.. and I discovered the truth.. he isn't Bruce Lee.. No my dear friends.. he is Bruce Li !!! And what a huge.. so huge difference !! I just want to know who can love that bad clone ?? Or god forbid .. love his repulsive movies.. I watched 2 of them and couldn't bear finishing the third ! After that I ignored all our video stores because its cheap cunning (writing on the posters that THIS IS Bruce Lee !??).. and I've got the original.. The one and only Bruce Lee who is such a great star indeed and Oh BOY he certainly had the right to immortality.. and no less. | 0neg
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This was much better than what I expected.Since it had such poor reviews,I rented the video only to watch my new favorite actor, Benicio Del Toro .I was actually pleasantly surprised at how good he was in a romantic comedy.He should do these more often! He has proved himself in serious roles already, but I think he can be a very refreshing lead in romantic roles. Haven't we seen enough Hugh Grant movies yet? I wont' go into details about the plot,which had an interesting start but looked like it wasn't sure where it was headed at the end.Then again, a movie starring Alicia Silverstone can't be expected to be so plot-conscious...If you're a fan of Benicio, you'll enjoy his unique debonaire charm in this movie.For once, he doesn't look that intense or sad, and we can really feel the tenderness behind his half-smile...I might not be such an objective viewer, but this movie is such a nice distraction from the Julia Roberts, Sandra Bullock romantic comedies... | -1no label
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] |
First off, I'm not some Justin Timberlake fangirl obsessed with making him look good, in fact I'm not even a huge Justin fan, but I did like this movie. I work at a video store and when I saw this movie with its huge cast that I'd never even heard of I had to see what it was about. I didn't find Justin's acting that bad, it was clearly the worst out of the group, but it's a pretty impressive group, with Cary Elwes and Dylan McDermott being two names that didn't even make the first credits list. The story is basic, a journalist uncovering corrupt cops, but I found it well done. L L Cool J's character was clearly conflicted, but I honestly didn't know what he would do in the end. Morgan Freeman is as always, the wise mentor figure he does so well, and as much as I love Kevin SPacey, he was kind of just there. HIs character didn't have a whole lot of substance, but it's Kevin Spacey, he can do no wrong. Surprisingly I thought Dylan McDermott gave the best performance as a homicidal cop. Truly believable and really in character, he freaked me out a couple of times. I was really expecting a lot of cheesiness to be honest. Horrible catchphrases, unjustified action sequences, stuff like that, but it was surprisingly well done and I didn't find any of that. Every shooting had a point, it wasn't clichéd, pretty solid really. overall, amazing cast, decent story that kept me interested and just enough action to make me jump. I don't know why it didn't appear in theatres, it was better than some garbage I've seen on the big screen. I would say it's worth seeing. | 1pos
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] |
East West is a fantastic, beautiful film: part-love story, part-historical drama and part-Cold War thriller. It has elements of Frederick Forsyth, John le Carre and Boris Pasternak but surpasses them all by reaching the heightened realms of George Orwell. It really is that good. Alexei (Oleg Menshikov) and the beautiful, sensational Marie (Sandrine Bonnaire) are a married couple in France who naively believe the Soviet Union to be a socialist/communist paradise. They promptly pack their backs and emigrate, arriving in Odessa with their son to settle down and start a new life. But they realise almost immediately, however, their dreadful mistake: they have entered not socialist heaven but an Orwellian nightmare of totalitarianism, brutality and deprivation from which there appears no escape. At this point, the film really takes off, becoming an awesome, intoxicating blend of Dr Zhivago, Spy Who Came in From the Cold, 1984 and Day of the Jackal. Only, it surpasses them all. Perhaps it is the Russian contribution that makes the difference, turning this film into a masterpiece: Sergei Bodrov and Rustam Ibragimbekov providing a simply brilliant script. The acting is superb and the plot is riveting, even depending on the outcome of a swimming trial and the chance to travel to the West and defect. The location filming is sublime and the Odessa depicted on screen has all of the faded charm of classical buildings and dachas decayed by years of communist neglect and overcrowding. It is just so realistic. Sandrine has a bit of fun along the way, going to communist dances and concerts, enjoying a love affair with Sergei Bodrov Jnr, the master-swimmer, but, ultimately, is betrayed and undergoes severe torture and brainwashing, like something out of Arthur Koestler. That is before the denouement, however, which has all of the drama and pace of a John le Carre novel. | -1no label
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] |
The first in a new style of films for Lamas- no tattoo's, motorcycles or karate. I, for one, miss them. But this is a serious movie. He plays a FBI profiler who has lived so long with the bad guys in his head that he no longer trusts anyone, including himself. Gary Busey is either a great actor or somebody I wouldn't want to meet in broad daylight on a crowded street. Kristen Cloke pursues Lamas as doggedly as she pursues the serial killer. There is one surprise after another as the story unfolds not the least of which is the ending. It seems to never come - there is always one more layer to the story. Cloke and Lamas start out as the good guys, turn into the bad guys and somehow end up the heroes. But it's definitely worth the rental price. For maximum enjoyment throw in a candy bar,a bag of popcorn and a soft drink. You're going to the MOVIES! | 1pos
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This is a mostly flat movie that, I'm sure, read much better as a screenplay. It is trying so hard to be quirkily absurd that it does itself injury, and the collection of silly characters are mostly just going through the motions. Mediocre performances in most roles lend a sense of Acting 101 homework to the whole proceedings, events unfold without any build-up and even normally decent actors have lowed their game here. One plot line is so stereotypically racist as to be offensive, even with a slightly redeeming plot twist that might have been funny. Timothy Olyphant is the only standout here, organically building a character that actually interested me. He impressed me enough that now I will look for him in other projects. Christina Ricci, always watchable, is given little in the script to support her nutty character. Still, without these two, No Vacancy would be pretty unwatchable. | -1no label
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For the initial 20 minutes or so (I was watching it on a PS2 so I've really no idea how long it took) Alienator sets up an interesting premise. I don't think I've seen a slasher movie with an alien from another planet as the baddie before. However, interest soon turns into stunned disbelief as you realise the 'alien' is a huge body-builder woman in a steel bikini. Yes, Alienator is patently ridiculous. Don't think I hold that against it. In the world of shlock-horror, patently ridiculous can often be a good sign. However, the blatant stupidity of its premise is all the movie really has going for it. Alienator is funny as hell, but it is also a shambolic suckfest of the highest order. Actors heap on failed attempts at seriousness, potentially genius lines of pure cheese dialogue are stumbled over with unnerving incompetence and the direction fails to sum up even one or two decent set-pieces. By the time the movie's finished you can barely see the original concept through the haystack of total tripe the team piled on it. Add to this the fact that the 'Alien' just kills people by vaporising them, as opposed to doing any 'slashing' as such and you have a giant throbbing heap of good ideas being left to rot. You'll laugh at Alienator, but AT it, not with it. If that's your thing then go ahead and check it out. | 0neg
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] |
I've seen some dodgy HK movies in my time, but this has to rank pretty highly in the roll-call of stinkers. An unstructured, clumsily-paced mess from start to finish, with little in the way of a plot and so much thunderous noise and self-conscious 'scary stuff' that it never comes close to creating the quietly unsettling atmosphere needed to set up the viewer for a scare. The bargain-basement 3-D effects (a surprise considering CGI-fiend Andrew Lau's involvement) simply don't work on a DVD viewing (and providing only one pair of glasses is pretty cheap!) due to the poor colour balance. I will think twice before snapping up any more gimmicky films from bargain bins... | -1no label
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] |
Unfortunately watched this the other night on cable because there was little on, and I was trying to see if I could remember what I had seen some of the cast in before. I was intrigued by the fact that the girl has 2 boyfriends and they all live together, but I wish I would have moved on after I watched it for 5 minutes and it did not become interesting. I did not catch it from the very beginning, but I was hoping to at least see some menage a trois action; of course no dice! I am not going to waste your time with a description of all the cinematography & everything, but let me just tell you: it was really bad writing, a bad plot, bad acting, and it was stupidly predictable. I just wish I had predicted that it would be so bad, and I could've done something else with that hour or so I wasted. UGH! | -1no label
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] |
This movie was terrible. I was more than a little tempted to just get up and walk out early in the movie, when it just wasn't funny. I thought maybe it would pick up and really get going soon, it didn't. It tries to be a romantic comedy, and what little chemistry exists between the couple is ruined by Robin Williams trying to be funny while doing unfunny things. Instead he comes off as a creepy, sadistic voyeur with a phony veneer of humor (and a minister having a prepubescent boy sidekick with him at apparently all times day and night is more than a little creepy in it's own right). There isn't a single funny joke in the film that's not in the trailer, not one. There are a lot of gags that fall flat though. The whole thing made me miss the time when Robin Williams in a movie was a sign it was going to be a great film. In retrospect, I should have gone with my hunch and just walked out early, and saved myself the time. | -1no label
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] |
Maybe I'm reading into this too much, but I wonder how much of a hand Hongsheng had in developing the film. I mean, when a story is told casting the main character as himself, I would think he would be a heavy hand in writing, documenting, etc. and that would make it a little biased. But...his family and friends also may have had a hand in getting the actual details about Hongsheng's life. I think the best view would have been told from Hongsheng's family and friends' perspectives. They saw his transformation and weren't so messed up on drugs that they remember everything. As for Hongsheng being full of himself, the consistencies of the Jesus Christ pose make him appear as a martyr who sacrificed his life (metaphorically, of course, he's obviously still alive as he was cast as himself) for his family's happiness. Huh? The viewer sees him at his lowest points while still maintaining a superiority complex. He lies on the grass coming down from (during?) a high by himself and with his father, he contemplates life and has visions of dragons at his window, he celebrates his freedom on a bicycle all while outstretching his arms, his head cocked to the side. It's fabulous that he's off of drugs now, but he's no hero. He went from a high point in his career in acting to his most vulnerable point while on drugs to come back somewhere in the middle. This same device is used in Ted Demme's "Blow" where the audience empathizes with the main character who is shown as a flawed hero. However, "Quitting" ("Zuotian") is a film that is recommended, mostly for its haunting soundtrack, superb acting, and landscapes. But, the best part is the feeling that one gets when what we presume to be the house of Jia Hongsheng is actually a stage setting for a play. It makes the viewer feel as if Hongsheng's life was merely a play told in many difficult parts. | 1pos
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] |
Just how bad? Well, compared to this movie, Cannibal Holocaust is Citizen Kane. There's the stilted acting, the atrocious dialogue, the half baked plot and like its companion piece way too much in the way of on screen animal slaughter that was actually done. Unlike Holocaust, Ferox is a straight forward movie. It doesn't pretend to be a pseudo documentary. In some ways that helps the production in that the film is very sharp and crisp compared to Holocaust's graininess. Unfortunately, we are once again given a group of people who are morally reprehensible. They torture the natives and essentially bring everything that they get upon themselves. There's really nothing in this film that makes it worth your while. I was fairly lenient with my review of Holocaust due to some actual attempt at a statement and style, but in Ferox's case there is no reason to watch this unless you solely get off on blood and gore. | 0neg
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] |
This was a decent sci-fi flick. Good performances by Julie Warner and Eric Thal, and of course there's no role that Donald Sutherland can't pull off. Alien effects were revoltingly good. OK, it's not completely true to Heinlein's magnificent novel. Hollywood has a formula, (the happy ending, the obligatory love interest of one or more of the stars, etc.) and any deviation from it is exceedingly rare. That's why foreign films are good, because they are not bound by the formula. I've noticed that great sci-fi movies are almost always originally written for the screen, rather than adapted from books. Books are always better than movies, but science fiction seems to be particularly so. | -1no label
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] |
Steve Carell plays Dan Burns, newspaper agony uncle and dedicated single father to three girls. At a large family homecoming Dan meets his perfect woman, only to find out that she is in a relationship with his brother. What's a man to do? I rather liked "Dan In Real Life", but I would imagine the success or otherwise of this flick is going to be down to whether you are willing to accept Steve Carell playing a part relatively straight and restrained, rather than going through the broad comedy moves that have made him so successful. If you cannot accept it, fear not, "Get Smart" will be along later in the year, but for the record I thought he was very good. "Dan In Real Life" starts off like your typical, incidentally amusing, family drama, but it gets funnier and funnier as it goes along and Carell's frustration with his situation grows. It's not massively original (but if you only saw movies with original ideas, cinematic pickings would be very scarce indeed, wouldn't they?), but "Dan In Real Life" is entertaining, and a good cast (who wouldn't fall in love at first sight with the luminous Juliette Binoche?) make the most of an insightful enough script that contains many a ponder on the meaning and passion of love. I hope that Steve Carell pushes himself and does something as interesting again. | 1pos
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this is without a doubt the worst most idiotic horrible piece o' crap i have ever watched. this movies plot is that some guy goes crazy and dresses up as santa claus and kills people BECAUSE he saw his mother give his father oral sex while he was dressed as santa clause. THAT IS WHY HE WENT INSANE? is it just me or is that the worst damn reason for someone to go insane like EVER? and that's not the only thing. i'm being serious when I say NOTHING HAPPENS IN THIS DAMN MOVIE. nothing until like 1 hour and 15 minutes of it have gone by. there's an entire friggin scene where he glues a friggin santa beard on to him. IT'S A FRIGGIN MINUTE LONG. WHO THE HELL WANTS TO SEE THAT? however i must say the ending of this movie made me crap myself laughing at it. so if you see this movie on TV or something come back in like 1 hour and 20 minutes just to watch without a doubt the worst ending in all of cinematic history. and i'm serious about that. it's not even so good its bad, it's tedious, it's idiotic, it made me want to break the vcr. it's just not worth your time also i'm sure every other review mentioned this but The actress who played the mother on Home Improvement was in this movie for a split second. YOU WANT TO KNOW HOW BAD THIS MOVIE IS? I'D RATHER WATCH HOME IMPROVEMENT FOR SIXTY SIX HOURS THEN EVEN LOOK AT THIS MOVIES COVER EVER AGAIN. | 0neg
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] |
When the movie's trailer released in TV,I thought it will be cool. After watching it,I felt huge disappointing. "Ming Ming is a 21st Century martial arts princess and lady Robin Hood who steals for love. Her Prince Charming is D, a maverick fighter and irresistible rogue who posted this challenge to his swarms of female admirers - give him 5 million dollars and he'll run away with his benefactress to Harbin. Ming Ming meets D's another girlfriend Nana, who is a virtual look-alike of Ming Ming. Meanwhile, disappears from Shanghai without a trace. The only clue he leaves behind is a cryptic phone message." The summary looks pretty,but the movie is horrible.Susie Au's debut copied her Music Video's cosmo & fashion,and this is the solo spot in the movie.If she wants to continue her career as a movie director.Au should go back to school to learn how to tell a story.Otherwise,the weaken and awful screenplay such as "Mingming" will destroy her future. Zhou looks cool when she as Mingming.But her acting is limited in this movie,which is awful & boring.From 2003,Zhou's acting is narrow and powerless,for example,Baby in Love,Beauty Remain & A West Lake Moment. | -1no label
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] |
I barely feel qualified to write a comment on this forgotten Disney live-action film from the mid-1980s, since I've only seen it once, and that was back when it first came out. But I do remember liking it, and it's probably worth a re-watch for those who saw it back in the day, and a first watch for those who've never seen it. It's notable for featuring a very young John Cusack, before anyone knew who he was. It seems to me that Disney had a pretty good track record of live action films during that decade ("Never Cry Wolf" is another forgotten one) but that few of them have had any staying power. Grade: B+ | -1no label
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I'm a fan of arty movies, but regretfully I have to report this movie to be pretentious drivel. Agonisingly slow to develop a non-existent plot based on a promising premise, the experience is, shall we say, trying. Even after bad movies I feel that I learn something, or enjoyed some aspect, but there there was nothing to appreciate. The premise was not uninteresting, but the movie starts and ends there. The acting was OK, though the characters were utterly boring. For the protagonist to aim at such an audacious goal, she is mightily empty. Pity. I usually enjoy movies that are unformulaic, but lack of formula should not be confused with zero content. | 0neg
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] |
"Cavemen" exceeded my expectations, and not in a good way. It was even worse than I thought it would be. Basically, here's the show: The Cavemen are an alternate race, they face prejudice, etc. Quite possibly the stupidest idea ever created; almost being worthy of jail time for the writers. One show featured the cavemen going into a club, trying to pick up girls, and then nothing else happened. It was reminiscent of listening to a 22 minute Andy Rooney dialog, followed by death by steak knives via midget cannibals. For those who have not seen this show, here's an example of the dialog: "You're sure you're okay with going out with a caveman." "Yeah, that's fine. I've had like 10 - thousand!" Hilarious... Possibly the best writing I've ever witnessed. 22 minutes of cavemen with horrible makeup, tackling tough social issues... Sounds like an entertaining night. I also love how bad the recent ideas are that they're resorted to making a sitcom out of car insurance commercials. I wonder if they'll do the Gecko next, so that I can have a new title for the worst show I've ever seen. I would even say that this is worse than "Viva Laughlin." At least "Viva Laughlin" was ripped off from something that was somewhat inspired. Shows like this make me hope that there's a comet up there somewhere aimed for Earth. (Unratable honestly...) | 0neg
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] |
As an avid fan of the Flashman books by George McDonald Fraser, I looked forward immensely to seeing Flashy on the big screen when this film was first released. Sadly it was a huge disappointment then - so I left it alone for 20 years before going back to watch it again, but it was no better the second time. Mr Fraser is a tremendously skillful writer, but I am not a fan of his film screenplay work with Richard Lester. The penchant for slapstick spoilt 'The Three Musketeers' for me and the same applies here. To me, the whole tone and feel of the film is wrong. The Flashman books are uproariously funny in parts, but they are adventure novels. There is much seriousness in the way the adventures that Flashman has - after all, he is involved in dangerous situations. This is conveyed in the novels, but not conveyed at all on film due to the its comedic style. It is a tremendous shame as it could have a great film had it been a more faithful adaptation of the style of the book. When I first read that the book was to be filmed, the article said that the film was to star Oliver Reed. I rejoiced, as Reed to me was the epitome of Flashman. How I would have loved to see him in the role. Malcolm McDowell is a good actor, but does not fit the visual image of Flashman created by the books (too scrawny looking! Flashman is supposed to be a big strapping fellow). Neverheless Reed was excellent as Bismarck. What kills the film is that it is made as a comedy. The only scene in which it creates the true atmosphere of the book is the scene in which Flashman kills de Gautet (Tom Bell). A great shame, as the production values, costumes, sets etc are superb and the casting is generally excellent - just about everybody in the film is well cast apart from Malcolm McDowell. Possibly the directorship of Richard Lester was responsible for the way the film is, as a recent radio adaptation of 'Flash For Freedom', adapted by Mr Fraser, worked quite well. Perhaps one day we may see Flashman done justice on screen. | 0neg
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] |
I thought Nick Gomez's look at the gritty streets of New Jersey, where car-jackings are at an all-time high, was both thought-provoking and entertaining. This is just as good as movies like Boyz n the Hood or Menace II Society or Above the Rim. I thought the actors and the scenarios were suitable, it had a gritty realistic feel to it and was very atmospheric, whether on purpose or by raw coincidence. I liked this movie a lot, an underrated gem i found on TV and glad i caught it. Go watch this movie if you get a shot. If they don't have a DVD, they should release one. Well done Nick Gomez. IMDb Rating: 5.9. My Rating: 9/10 | 1pos
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The film has weird annoying characters, strange unexplainable slapstick, and an insurmountable amount of dialogue about smoking. The movie has a contrived plot of a bitchy, empty-headed woman's (Jeanne Tripplehorn) search for love. Although who would ever like Jeanne's character, personality, or reading of the dialogue, I really cannot say. Except that she likes to smoke. Sarah Jessica Parker gives an interesting character performance (who likes to smoke). Dylan McDermott does his best to look pretty and soulful (as he smokes). And, hey, what is Jennifer Aniston doing there? Oh, she's not really in it enough for anyone to care about her. (But she likes to smoke). This is a waste of anyone's time. I don't even know how I was able to sit through as much of the movie as I did. I can't even believe I spent the time to write this, except to warn others of its banality. Anyone need a cigarette? | 0neg
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I'm a big time horror fan, and I bought this movie from all the hype it was getting on the message boards. Well, let me tell you I don't know whom was giving it all the hype, but let me speak on a few things. First of all this film is "not" a LOT of things. It is NOT scary, NOT suspenseful, NOT overly gory, NOT overly sick (except for one season MAYBE) NOT beautifully scored.... AT ALL. The premise of the movie is that a couple flee to a small island in Greece because they have done a little naughtiness in London. We don't even know what they did, but it is presumed that they killed someone. **spoiler alert** The male lead kills a few people out of his perversion of "cleansing the island of perverts" oddly enough. The killings are cheap, the characters are cheaper and the effects suck. There is one part when he rapes a goat because his wife wont give him any in the morning, but even that is done without any care for how it is shot. end of spoilers The end of the movie is about the only thing that isn't totally predictable. I especially enjoyed when the "herder" farts on the husband. Anyway, if you can rent this and have 2 hours to waste go ahead. It's nothing better than a processed cheese sandwich on moldy bread. 3/10 | -1no label
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] |
Ghastly. The first two thirds of Sunshine were fair. Nothing great, but fair. There were immediate problems from the very beginning (such as using a calm voice when it should be awed, and the exact opposite as regards the music), but I liked the fact that none of the crew members were either particularly heroic or evil, but just ordinary people. But I certainly sat there wondering where the hell this story was going. Then came the last part, and, as is the case with so many bad movies, it went straight to hell in a hand-basket. Throughout the movie the logic between events were unclear. Where were we? How did we get from one situation to the next? How did this or that bit work? There was an abject lack of explanations for a host of things, from what exactly was wrong with the sun, and to just what it was that caused the Earthroom fire. But it can be argued that these elements are not important, because the producers were trying for an art movie. So the substance is all in the themes: World is doomed; scientists are trying to save it; insane religious fanaticism is sabotaging science. Also the scene where they vote on whether to kill Trey: Cassie is the conscience; the emotional and irrational heart among all the rational analyses. Sure. Nice themes. But utilized inside the confines of an utterly incompetently structured narrative. Nothing made sense. For instance, I could write several pages on the zany way this movie treated gravity. And how it tried to get by on clichés. And was unsuccessful in building suspense due to sloppy writing, directing, editing and sound effects. The creators of this movie know very little about science fiction, and they should stick to what they do marginally well: horror. Sunshine was a failure, and its IMDb rating (currently a staggering 7.8!!) will plummet when more people (such as actual SF fans, and people who're not friends of the the director) see it. Halfway through it I thought it might merit a 5 rating, but the ending was so ludicrous, unbelievable and stupidly put together that I can only end up awarding the movie a 2 out of 10. I now believe this movie has the worst ending of any sci-fi movie I have ever seen. Event Horizon, move over! Sheeze. | -1no label
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] |
"23" is one of the best german movies for a long time. It is based on the story of the life of Karl Koch (August Diehl: excellent) who was one of the best hackers of his time. 23 is the number of the Illuminators, the members of a worldwide secret society in the book "Illuminatus" by Robert Anton Wilson (who has a short guest appearance). On his high point of hacking Koch broke into the computers of US government arms control and delivered the data to the KGB. The film is a trip back to the 80's: The cold war, Olof Palme's assassination, Gadhaffi and Tschernobyl - most of the viewers will remember those things which dominated policy and influenced the all day life. The film shows the development of Karl Koch from his teenage years to his death as a person destroyed by his cocaine abuse and the extreme pressure he experienced in the wheels of eatern/western policy. This is a very good movie with very good actors-don't miss it! | -1no label
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This review may contain some spoilers. The remake of the classic 1974 car chase movie Gone in 60 Seconds begins well. Actually it is well acted and the plot moves quite well. But even a big Hollywood budget doesn't change the fact that the original plot was more believable. For those who don't know, the original plot had the thieves working as insurance inspectors. Who would suspect them. But even with a change to nearly every aspect of H.B. Halicki's original, the remake is a very good movie, until we get to the final chase scene, the part of the 74 version that made it great. The one in this version is watered down, only 10 minutes, and it culminates in a monster special effect that takes all believability out of the chase. Where the original chase was very believable, the star was a stunt driver who did all his own stunt, the remake falls flat in the last 15 minutes. My advice, if you want to watch a classic car chase film, fine the original in the bargain bin at your local rental joint and stay clear of the new remake. | 0neg
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] |
I love James Spader - that's why I sat through this movie - not once (years ago), but twice (very recently). Sure, he's gotten sort of doughy in recent years, and is now in that awful TV show, but in this movie he is just so damn appealing: the most expressive eyes, those succulent lips. Yum! Susan Sarandon, OTOH, is way overrated as both an actress and a sex symbol. First, she's not at all attractive physically. The big, baggy bug eyes bothered me most. I found her character repulsive, crude, pathetic and incredibly annoying. Her crackling laugh in the bar scene made me *so* want to smack her. Her desperate "trapping" of him at the bar was painful to watch. How sad that she had to get him plastered and dupe him into coming home with her. Then, she just about rapes him. He resists, but later decides it'll take less energy to just let her have her way with him. He seems disgusted with her the morning after, and leaves callously, saying he won't be back - YET, we're to believe that within the next day he's become smitten with her and discovered he can't live without her? PLEASE!! Age is not the issue. She's crude, classless, unlikeable, a filthy slob, a drunk and a disgusting chain-smoker, yet this handsome, wealthy,young, successful, opera-loving, and impeccably neat "catch" falls hopelessly in love with her. ABSURD!!! It James Spader weren't in it, this movie would have gotten a -10! | -1no label
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] |
I have always loved this movie. I don't know how my dad bought it but it must have been popular in the states when I was young. It is my favorite animated movie because of how beautiful it is. I used to pretend I was Princess Malta every night before I went to bed. Please try to find and see it if you are a lover of pretty things. My favorite thing about this movie is how sacrifice is romanticized. The only downside is the overused Romeo and Juliet theme, albeit, the story deviates from the older story enough to fool younger viewers. Malta is drawn very beautifully and so is Oceanus, the sea god. It is very dreamy and beautiful to journey into the world of "The Sea Prince and the Fire Child." | -1no label
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] |
Carlos Mencia continually, violently, hatefully screaming "B**ch!" at women is like screaming "N**ger!" at black people, except it's worse. Remember, the B word, unlike the N word, is the only pejorative term that is still associated on a daily basis with violence. "B**ch!" is the last thing women hear before they are raped, beaten, or murdered. This guy is perpetuating violence by hatefully using the language of violence. Sounds like he may be a gay guy trying to cover by woman-bashing, so that he will sound like a hetero. And how about all the Nazi white guys in his audience giving the fascist salutes while their stupid little bimbo white women whimper tee hee hee at their side, clearly terrified to protest this tidal wave of woman-hating. Tee hee hee. Bet Mencia doesn't believe or support free speech for THEM! Come on, Carlos do you want women to have the free speech to b**ch-slap you as loudly and violently and big-mouthed as you do, or do you think "free speech" is only for men to crap on women??? | 0neg
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] |
Salva and his pal Bigardo have been at the margin of the law during most of their lives. We see them panhandling in a car of the underground, where their pitch to get donations is so lame, no one gives them anything! Salva, who is a hardened petty criminal doesn't even have any redeeming qualities, that is, until he discovers a reality show on television that gives him the idea of what to do next. Religion and show business prove to be a winning combination, something that Salva capitalizes on. He and Bigardo have been in jail after the accidental death of a priest that was critical of the duo. Salva shows he is a natural for the reality show. He transforms himself into a Christ-like figure who is an instant success in the program. Espe, who is a no-nonsense woman who is show's producer, can't escape from the way Salva pays her unusual attention. Ultimately, Salva is the victim of his own success in the end. Jordi Molla, whose first directorial job this movie is, had some success in the way the film satirizes the role of television. Spain, which was vulnerable to these types of programs, has seen its share of the bizarre, which is what the director felt is an assault on the viewing public and wanted to set his story from the point of view of the people that are making a fortune out of the naive audience. The ensemble cast has some good moments in the film. Mr. Molla, like any actor who decides to direct his first feature, would have been more effective concentrating on the picture in front of the camera. Candela Pena, a good actress, is one of the best reasons for watching the movie. Juan Carlos Villedo, David Gimenez Cacho, Franco Francescoantonio, Florinda Chico and the rest responded well to the new director. | 1pos
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] |
'Sophie's Choice' should be compulsory viewing for any member of the voting panel who decide Academy Award winners. Quite simply, Meryl Streep's performance is THE benchmark for that 'Best Actress' category. I've seen a LOT of films, but not one performance has ever (and will ever) match her's. The manner in which she embodies Sophie goes beyond explanation. It is too accomplished and moving for words. It is almost offensive to think that Julia Roberts was awarded the same statue for Erin Brockovich'! Aside from the breathtaking central performance from the marvellous Ms Streep, there are so many other reasons to see this film. Kevin Kline and Peter MacNicol are excellent, the cinematography is beautiful (particularly the shots of Brooklyn Bridge) the score is haunting ... I could go on. Although certain critics have berated 'Sophie's Choice' as a mere platform for Meryl Streep as an actress, I urge you to overlook this view. The film succeeds admirably in bringing to horrific life an event in history which we should all be made aware of. It is undeniable that the phenomenal performance of MS leaves you spellbound, but NOT at the expense of being horrified and affected by what you have seen. All I can say to sum up is: just see it. An intelligent and profoundly moving film which will (I promise you) live on in your memory long after the closing credits. | -1no label
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] |
I am an atheist with little love for certain aspects of Christian fundamentalism. That said, this movie is reprehensible, vile and transparent. It only works on the level of the currently fashionable (and tired) hatred motif of white American Christian fundamentalism. Had this movie been made about a fundamentalist Jewish or Muslim family, or even a black Christian family, the outrage would have been palpable, and the movie would have been roundly panned in ALL circles. As it stands, though, it's "OK" and "artful" because white Christian fundamentalists remain one of the last "acceptable" targets for garbage such as this. And garbage it truly is. If you want to see a quality film of a similar bent, find and watch or review "Badlands." Nothing good was done in "The King" that wasn't done better decades ago in that masterful film. As other reviewers note, the characters are almost completely undeveloped in "The King," the lines are a snooze, the cinematography is lackluster. We've seen the tale of the sociopath done better 100 times. This movie doesn't cut it for thoughtful viewers. | 0neg
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] |
The most important thing to keep in mind about this movie is that it was never meant to stand on it's own. Ring and Ring 2 are halves of the same novel, the screenplays produced by the same author, made by the same director, and released in consecutive years. In the comments so far, no one has mentioned the novel, or acknowledged just how closely tied these two movies are. Ring 2 isn't a sequel--it's the second half of the same story. they weren't grasping at straws (as some have suggested) to follow a successful movie with a moneymaking sequel, because the movies came out at virtually the same time. It's rather like suggesting that they're making The Lord of the Rings: The Two Towers as a sequel to The Fellowship of the Ring, solely to capitalize on the success of the first one and make more money. Splitting the novel into two movies makes a lot of sense--in fact I think that almost any movie made from a novel should really be done this way. There's just too much in a novel to make a coherent movie without hacking out too much. Thus, the only way to watch these two is back-to-back. They can't be viewed as separate. Further, you can't judge the first one by itself because the story isn't complete. That being said, certain things are clearly changed from the novel. Kurahashi Masami, as far as I've read, wasn't there when Ooishi Tomoko died, so I'm not sure what will happen later in the novel, and how Masami became so central in the second half. I haven't yet been able to see Rasen--the actual sequel to Ring-- and I'm concerned that it seems to consist of only one movie. it's a very long novel and I have no idea how they'll make it work. | -1no label
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] |
THE BEING is one bad movie. And it's very funny. There's no point of writing a sensible review of this "movie" because it's sooooooo bad. If you like bad movies, you have to check it out. My favorite scene is the one at the drive-in, where people are watching a movie with a cheesy monster attacking a bimbo, while the "being" attacks people in their cars. The whole thing was almost brilliant! The main actor is very stiff and his voice is dubbed throughout the movie. I guess the actor didn't have a great voice. And Martin Landau plays a scientist of sorts. Boy, did he hit rock bottom with this movie. And then there's Ruth Buzzi. Yes, THE Ruth Buzzi. There's nothing like seeing the name Ruth Buzzi during the opening credits to give a film some star quality. Arf! Anyway, I like this movie a lot. It's really one of the best "it's so bad it's good" movies. | -1no label
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] |
I know it's hard for you Americans to find European films on video/DVD, particularly from the 80's but please seek out the original version of the Vanishing - title Spoorloos (1988) - and you'll see why the Hollywood version of The Vanishing screws up bigtime, particularly at the finale. I really like Sandra Bullock, Kiefer Sutherland and particularly Jeff Bridges, but this is just so so lame compared with the original. What where they thinking? Can you imagine Seven with a happy ending with Gwyneth Paltrow running happily into the arms of Brad Pitt in the finale? The whole point the original was such a major international success was because of the shocking finale. So why do you accept this kind of shyte remake? Really, avoid this and GET THE ORIGINAL. | 0neg
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] |
I have one comment about this DVD: DO NOT BUY IT!!!!! This DVD is censored - multiple instances of the F word being muted out - and no true fan of any music genre (especially rock) should support censorship in any form. Despite everything good about this DVD (and everything else about this DVD is phenomenal - everything a music DVD should be) we should not be supporting censorship. If there had been a version with an explicit lyrics sticker and another one marked as "edited for content" I would be okay with this - but to censor it outright with no notification to the consumer is outrageous behavior that cannot be tolerated. I have already personally sent multiple emails to the band, the studio, the production company, the retailer where I purchased this DVD, and even the band's PR firm urging them to issue a public apology to fans and offer an uncensored version to those of us who wish to have one. I urge you to do the same. | -1no label
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] |
I'm glad I ventured forth on a wind-swept night (while the trains weren't running no less) to see this movie. I always found "Macbeth" to be one of Shakespeare's funniest plays and I'm glad that this filmmaker does as well. After adjusting to the American accents (which add to the humour, because the "Scottish Play" is never actually performed with the appropriate burr anyway), I settled in for an enjoyable 90 minutes of sight gags, over-the-top characters, and word-play that was reminiscent of some of our better television programmes. One wonders if the writer is a fan of Ben Elton or Tom Stoppard (or both?). What Monty Python did for Jesus in "Life of Brian" this film does for Macbeth. Is nothing sacred? Thankfully not. | -1no label
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] |
So after the initial disappointment of the first Final Fantasy movie, which seemed to bare next to no resemblance to the Final Fantasy series, Final Fantasy: Advent Children has released itself to a warm reception and, now, a dedicated fanbase. And the reason for the films success is understandable as it has lush graphics, fast moving fight sequences and some cool as hell characters. However, if you haven't played FF7 then it is likely that you will not enjoy this film as it's storyline carries on from the game without previous explanation and your likely to get lost from the plot even if you have played the game. Secondly, there is no character development, without previous knowledge from the game your opinions on the characters are limited to 'cool' and 'not cool'. Of course, for FF7 fans the film is almost guaranteed to entertain, at least for nostalgic reasons, and it's cool seeing all the characters you grew to love from the game rendered in some pretty amazing computer animation. One last complaint, the film, at least in my opinion, attempted to cram too much into less than two hours and therefore the last half hour or so seems horribly rushed. If you played and enjoyed FF7 than it is a worthwhile watch, though nothing too special. If you have not played FF7 then it is best that you play it first before watching this film. | 0neg
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] |
LOL, that just summed up the whole movie, didn't it? So last night I was looking for a movie to watch and in my mom's collection I found "Air Force One" and I noticed that Harrison Ford was in it, so I figured I would give it a look. So I watched it and all I can say is American Propaganda much? Now I'm all American, don't get me wrong, I love my country, but this was a bit much and incredibly insulting. If we really had a president like James Marshall, played by Ford, I'd say America would be a very exciting place of nothing but none-stop action. The whole movie either took itself too seriously or then would get into an Arnold Schwartzenegger type of action movie where Ford would say that little one liner before the big climax. Oh, I loved the 25 endings of how they could keep the action going. Now I love action movies, don't get me wrong, but this story was just silly and unnecessary. President James Marshell is on the fight of stopping terrorism, Russian terrorism to be more specific. Well he boards his flight back to the states, Air Force One starts off well, but is quickly hijacked by Ivan Korshunov and his men, terrorists who want their General Radek released from prison in return for the passengers on board, which isn't good since I guess he was hard to capture and is a deadly terrorist. Ivan makes threats to kill of the passengers every half hour if the vice president does not meet his demands. But the President does not chicken out, he stays on board and will fight these terrorists and win back the plane. Air Force One is non-stop action with a mixture of the hit TV show West Wing. Like I said, I don't mind an action movie, sometimes I love the most cliché'd one's, but not when it comes to serious stuff like terrorism, but I think I'm speaking from a post 9/11 view, so maybe if I saw this movie a before then, I wouldn't have mind it that much, but even then, there were moments that were terribly over acted and for me, it just didn't work for having a president like James Marshall, please, I wish. I can't wait to see President Bush on top of a tanker sporting a look like Rambo, but I guess I shouldn't hold my breath. 4/10 | -1no label
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] |
It took decades to bring "Song of Norway" from Broadway to the screen and what we get is a glorious mish-mash. Now, first and foremost, the star of the film is the scenery. Norway is an exceptionally beautiful country and never has it looked better on film. It must have looked even better on the huge, Cinerama screen for which it was designed. The editing, before the era of MTV, is a forerunner of a music video to Grieg's heady music. The editing flubs here and there but the opening credit sequence and the song "Song of Norway" is astounding. Next, many of the musical numbers are the most corniest ever directed which drags the film down tremendously. While the lyrics have a hard time keeping up with the incredible beauty of Grieg's music, they can be quite beautiful. Now, "Song of Norway" shines in its dramatic moments much better than its musical moments (a bad thing for a musical). And, the second half improves over the first. The dramatic acting is very good. Toralv Maurstad was Norway's premier actor at the time and he is good in the dramatic scenes, but sadly, he could not carry a note in a bucket. But on the large screen, barely detectable on video, his eyes are rimmed with tears as Rikard Nordraak sings the glory of their homeland. It is a moving moment. Florence Henderson is very good dramatically and musically, proving that there is more to her talent than just being the mother of "The Brady Bunch." Frank Porretta, an opera star, is classically trained. He displays the unbridled enthusiasm of Rikard and is inspiring with his singing of "Song of Norway." Christina Schollin is also very good as Theresa Berg, Grieg's patron and former lover. What is very disappointing is that this film had the opportunity to reach the heights of "The Sound of Music" with exceptional music and scenery but it required more ingenuity when it came to writing and direction. The talents of an Ernest Lehman and a Robert Wise would have been a great addition. SPOILER ALERT! Although the film ends with Grieg returning to Nina in a happy ending, the real-life ending is far from happy. Grieg was so heart-broken from letting down those closest to him that upon his return, he never wrote another note of music. | -1no label
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] |
"Hommage to Hitchcock"? Are you sure people? Hitchcock has been one of the greatest film directors ever, and his movies are still evocative and compelling today. This is something that we cannot say about "Entre las piernas", for mainly two reasons: 1)It completely lacks in imagination. The plot is very predictable at each step, except the last scenes, when we discover the identity of the killer. Overall, we are never thrilled by the story. 2)The main characters are flat, not to speak about the secondary ones... The story starts in the psychotherapy room, but it fails in really explaining the "why" of their illness, which could have been very interesting. The secondary characters are simply ridiculous. Overall, I was very bored by the movie even if the content was meant to be pruriginous. The only notable thing is the skill of V. Abril and C.Gomez as well. You can simply avoid to see this movie, move to something better! | -1no label
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] |
At three times during this movie I seriously considered walking out (which I have never done). Why did I stay? I guess I hoped it would take a turn for the better. Needless to say, it didn't... it only got worse. I think the reason I hated this movie so much is that I wanted it to be something else. I wanted an original take on this ancient rivalry, instead of the standard "cats bad, dogs good". (Forget an original story, I just wanted a marginally good one.) I wanted the animals to be real characters, treated with respect and earning our emotional reactions, instead of being used as props - hurt, tossed around, put into scary situations - to manipulate our emotions. That it's a "kid's movie" is no excuse. What an insult! Kids don't deserve quality entertainment? Movies have to be dumbed down for the kid audience?? If you can handle watching a disturbing, strange, disconnected family (and not in a good/funny way), a squirmingly bad kid actor, some very ugly cats, sloppy editing, and as many cliches as you could ever want, then go see this movie. There are one or two clever moments, and some of the people around me did seem to enjoy it. But make sure you catch it on dollar night. | -1no label
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] |
I am a great fan of Neve & what a disappointment. This is total junk filled with lot of nasty & unnecessary stuff. Although the film tries to explain the concept of lonely woman in search of true love the story, dialogs, music & the director has made it unable to watch. The story line is thin, not at all gripping, the dialogs are just filler & the music is just too bad to listen. Some scenes are filled just to kill time & are not worth watching. I was really fed up watching the first half itself not to mention about the second half. I wonder why Neve has acted in this movie. Total waste of time & money. Please avoid even if you accidentally bought it. | -1no label
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] |
When In Rome is a definite improvement on Getting There. Getting There I found too predictable, contrived and slow, and to this day I still consider it as the Olsen twins' worst. However, while When In Rome isn't a terrible movie, it's not a great one either. If I had to sum it up in one word, I would say passable. It is good fun for teenagers, but I think adults won't find much to go on. When In Rome does have its good points. Mary Kate and Ashley Olsen are actually quite decent actresses, certainly very pretty as well. I will admit when I was 10 or so, I really liked them, and in general I kind of like them still. And I have enjoyed some of their movies like Passport To Paris and New York Minute. Back on target, both girls don't do that bad a job, in fact they are very appealing. Plus their outfits are to die for, and the scenery of Rome is absolutely breathtaking. The soundtrack ain't half bad either. However, where the film is brought down is in the plot and the script. The script is on the most part clichéd and has hints of deja vu. The plot, like most of the Mary Kate and Ashley movies, is very predictable, and anyone familiar with any other of the Olsen twins' work, will find some rather unoriginal elements to it. Most of the characters are cardboard thin, and you don't learn very much about them, and sometimes the pace is uneven. Sadly, the breathtaking scenery is spoilt by rather slapdash camera work, that looked rushed constantly. All in all, does have its good points, and certainly watchable. However, for my taste, it is harmless and predictable teenage fluff. 4/10 Bethany Cox | 0neg
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] |
There seems to be a whole sub genre of cheap, tired old sex "comedies" out there, that say the same old things about middle class couples. Sort of like Friends, but with more soft porn and no wit. This film is no exception- it had situations so familiar I died from deja vu. People sat on couches, spinning out clichés about sex and relationships? Check. Monogamy versus cheating with some woman/man who would never look twice in reality at some other woman/man? Check. PORN The BADDIES!!!!111? Check. Some guy/girl in it who happens to be the only reason you're watching this rubbish? Check. The lesson seems to be- when it doubt, make a tired old sex "comedy" about people no one cares anything about, in order to make some statement that everybody has already heard three thousand times before. That'll get your film made. It'll even attract some sitcom nobody in a bad wig! | 0neg
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] |
Andy Goldsworthy is a taoist master of the first order, expressing the Way through his sublime ephemeral art. Indeed, time and change is what his work is fundamentally about. I bought his first book several years ago and my family has marveled at it many times. So it was a treat to get to know the artist personally through this film, he is just as patient and gentle as you would expect, and has some wonderful things to say about the natural world, the deepest of which are expressed in his occasional inability to say it in words at all. He is like most children who play in the great outdoors alone (if they do anymore), creating things from sticks and sand and mud and snow before they outgrow it. Mr. Goldsworthy was given the gift and the mission to extend that sort of play to create profound visions of nature, and to open our often weary eyes to it in brilliant new ways. And always with the utmost respect, gratitude and humor of a wandering, and wondering monk. | 1pos
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] |
The book was excellent, but the movie has distorted the theme greatly. The book is more about Peekay over coming his trials. Not a political agenda for apartheid. through-out the book you can feel the injustice, but again that is not the theme. Somebody has an ax to grind and they have destroyed a great book in the process. There were many issues of human suffering and heartache, from many different sources. They came from religious fanaticism, male dominance, government interventions and and multiracial and multicultural issue from the empire building enterprises of many nations of that time period. There were many very important parts of the book eliminated from the movie altogether that make the story much more engaging and important to the character development of Peekay and his supporters. Do yourself a favor and read the book and appreciate what a great story it really is. | -1no label
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] |
It has the look and feel of a bad high school play, where basic elements of pacing and plot were unknown to the producer(s). Even the name "Daydreamer" doesn't make sense in the context of the film. It's a confusing story that starts out muddled and gets worse as the movie goes on. There are holes in the story that aren't resolved, despite their apparent attempt to "wrap it up" at the end. The camera work is sophomoric to the point where I believe someone bought their kid a Sony DVW for Hanukkah and they suddenly thought they could make a movie. The actors are like so much of Hollywood today: models that look good on screen but can't act their way out of a grocery bag. This movie made my head hurt; not because it's nonsensical and hard to watch, but because someone actually paid money to make it. | -1no label
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] |
I came out feeling that I had viewed rubbish... don't bother with it. I had read reviews, love Thailand - even to the extent of learning Thai - and was thus very very disappointed. The film is self indulgent, appeared to have no script worth the word, a juvenile editing approach which included texts and lengthy black screens and jumbled sequences. There were leaps from day to night, and non sequitur to non sequitur, from situation to situation. The dog lies on the road. The dog is happy in the lap. The dog is at the vet and dying of cancer. What had that got to do with ANYTHING? The only justification was to show that the village boy was illiterate and unable to fill in the vet's form. So what? This was a love affair, did it matter that the boy could or could not read? Later on he takes pen to paper so maybe he can write but not read. The written dialogue translated from the Thai and thus quirky had some effect... the tiger would eat the man's flesh and blood and 'memories'... nice notion. But even the quality of the goodish scenes left much to be desired. Good acting from the two leads and two lovely moments: the soldier asking permission to lay his head on the country boy's lap, and a show of affection with a long sniff kiss to the hand of the boy, followed by the boy lick kissing the hand of the soldier, followed by an incongruous moment with the boy going off into darkness and the solder riding a moped along a street with a smile on his face. Effectively there are two entirely different films present.If only they had reversed these two completely different films and paid attention to linking and a firm story line there might have been something which was less painful to sit through. I am astonished at the writers who have gone over the top with this film. I am merely confident that anyone who sees the film with anything like commonsense objectivity will agree with me. It is not smart to see inferior material as clever art. The scenes in the forest were an opportunity for some serious scary moments, but it failed. Nothing happened, there was no sense to it all. Perhaps the editor is the person to blame for there probably was not a writer or a director on the evidence placed on the silver screen by this work. I cannot recommend people see it except perhaps to challenge my views. Sorry, but very much a miss. | -1no label
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] |
After reading several positive reviews I decided to seek this film out as an avid Zombie film buff. I've now came to the conclusion that those reviews could only have been written by the film makers. As the film starts it is somewhat promising, as the shaky camera moves through a seemingly abandoned house by the means of clumsy editing and what can only be described as library muzak in the background, you however comfort yourself with the fact that this is an amateur film and hopefully when the movie gets going all of those failures will be forgotten. What instead happens is the viewer gets attacked by flaming egos not seen since "Brown Bunny," I can only assume the script writing process involved asking a depressed 15 year old to recant what he would of done in his moments of social failure, whilst mixing in lines rejected from "Mall Rats". The acting and narrative is unnatural, tired and clumsy to say the least. During every bite scene the victim fails to flinch nor attempt to get out of the way and those around him stand with their mouths open as weapons suddenly appear out of thin air. And the zombie with the pentagram on her rear? This terrible scene is one you must view for yourself, it would make Ed Wood himself cringe. I could talk forever on the failings but I'll spare you, there is one up side to this film, if they get sponsorship from a tight-vest company (as several of the cast can be caught wearing them) they may raise enough money to have every copy of this film burnt and their names and reputations spared. | -1no label
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] |
Now really can u call that a movie. I knew some of the movies that Japanese people do are good for nothing but this bad? I mean com'om i fell a sleep three times at this movie. No horror at all, some tiny percent (0.2-0.5) comedy. Action let's just admit that it has some but the scenes are poorly filmed, the actors are pathetic. None of the actors did a good job in it's own role. The were not convincing. The script is also awful. I mean this movie may be great, REALLY, but for the 60's(in not 100% sure.) I recommend NOT to see it, unless you want to get so bored as i did. I can't quite figure hot this movie got it's rating. It's OVER, OVER, OVER RATED!!!. This is a PERSONAL opinion of course. I don want to offend anyone but who could like this crap? So i hope this helps someone NOT to loose some time "enjoying" this movie. Nevertheless it's your choice! | 0neg
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] |
I thought before starting with these movie that it might be a good one, but when i started with it i found it really awful. They said movie is being made in Afghanistan but i think 95% of the movie is shot in India. you can see Indian made cars. you can see lars drinking bisleri(an Indian water brand), Hindi written on the road, you can also see temples in Afghanistan *hahah* its really funny and many more stuff which proves its not shot in Afghanistan. I think one should not waste his/her time watching this movie.. pure time waste.. i would recommend to do something else instead of watching this movie or may be might heart is better idea but don't watch this waste of time | 0neg
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] |
Excellent B-movie crime caper story with an A-movie complex twist pulled by the caper's Mr. Big, Preston Foster as Mr. "Foster"(how creative!). All the stereotypical movie bad/tough guys you love to hate are here...Jack Elam, Lee Van Cleef, and Neville Brand in typically bad guy roles, and all were tough and great and threatening. Hey, that must be what got them their reps! Suffice to say, Foster as Mr. Big had it all figured to take everything in the end with all the others involved in the caper losing out, that's all of the story I'll tell, but it played out quite tense in spots. John Payne was the good bad guy with exotic Collen Gray as "the love interest", stuck in the story more or less to make sure that romance-loving gals bought tickets too. Payne wore 3" lifts to get him up to John Wayne/Bob Mitchum height so he would look the hero part better and he puffed up to his full lift's height more than once when confronting the 3 Bad Men. He played his B-film Bob Mitchum role here pretty well, but Foster and the 3 Bad Men were the best things in the story with Foster the best of the bunch in his forceful and convincing role. Gray had only a small supporting role but really sparkled when she was flirting with "her man" of the future. One of the best B-noirs and right up there with most A's, but not up to the level of The Asphalt Jungle, The Killers, or Out of The Past. Those are the very best noirs, but this one is well worth seeing. | -1no label
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] |
Only seen season 1 so far but this is just great!! A wide variety of people stuck on a island. Nobody are who they seem to be and everybody seems to have loads of skeletons in their closets .... it sounds like Melrose Place meets the Crusoe family and why is that so great ? It probably is not but then ad a spoon full of X Files, a dose of "what" ?? and a big "hey" and a island that is everything You ever dreamed of - in Your freakiest nightmares and You'll be Lost to. The story got so many twists and turns it is unbelievable. Great set up, solid acting with a liberating acceptance that at the end of the everybody is human (well almost everybody ... I think ...)with good and bad sides. But weird oh so weird ... | 1pos
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] |
For a movie like this, there's always something to follow by in years to come. Clive Barker, the man who brought "Hellraiser", makes a horror movie that is part-Goth, part-Mythology, and all horror in-between. "Nightbreed" are a bunch of mutants who only come out at night, and roam the place called Midian. Now a man name Boone(Craig Sheffer) claims to suffer hallucinations he goes to this shrink Dr. Decker(David Croneberg) who "helps" Boone with his problems. Unaware of this situation, Decker claims to be a purist which he's only a hate-monger in disguise. Boone however, goes into Midian and make the claim that he's one of the mutants there. But a mutant named Peloquin(Oliver Parker) sees Boone as meat! His bite however, spares Boone so after he is killed by a gauntlet of fire arms, he's one of them now. After being mislead by Decker, Boone does everything in his power to protect Lori(Anne Bobby) from him. Lori saves a mutant from the sun, and in return helps the others as well. I liked the lady mutants one who gives a smoky "kiss of death" and the Porcupine Woman who dreamed Boone show off her power that is so seductive and deadly at the same time. I've enjoyed this horror movie all the way, and the rule of it is, never trust a shrink! Rating 3.5 out of 5 stars! | 1pos
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] |
Talk about unforgettable music! I saw "Gulliver's Travels" forty years ago on Saturday-afternoon television, and I can STILL hum much of the Ralph Rainger/Leo Robin score, especially "Faithful", "Forever", "Faithful Forever", "We're All Together Now", and "Orchids in the Moonlight". What a songwriting team they were. It's impossible to not compare "Gulliver's Travels", and its songs, to today's animated product, and it's sad when I try. The knack seems to be lost in all regards. Lanny Ross and Jessica Dragonette, top radio stars of the period, actually enunciate the lyrics, and in tune, and with varying dynamics. What a relief to remember a time when that was mandatory in film music. And we can also luxuriate in the well-drawn visuals, which allows the audience time to wallow in the rich colors and narrative (without the slam-bang short-attention-span cutting that sea-sickened me during "Atlantis" and similar Y2K material). Give the youngsters a taste of the Golden Age of animation, songwriting and storytelling with "Gulliver's Travels", and take the time to enjoy it with them. Highest recommendation. **** | -1no label
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I saw this when it came out in theaters back in 1996. I remember I was already familiar with Elijah Wood's work (that's right, he made stuff before "Lord of the Rings"!) and the merchandising tie-ins to the film were pretty abundant ("Flipper" water guns were even circulating). Adults were reminded of the old movies and TV show and for nostalgia's sake took their kids to see it, who were excited because it was a movie about a dolphin and a stupid boy. Unfortunately it wasn't what anyone expected and flopped severely. You know a movie's in trouble when a boy swims away from a Hammerhead shark in the middle of the ocean, and a pack of dolphins scare the shark away, and the kid -- instead of getting out of the water into a boat -- floats in the water for five minutes thanking his dolphin for saving him ... apparently he hasn't taken into mind that the shark is still out there, perhaps even below him. Another problem is Paul Hogan. He looks old, crusty and tired of recycling his Croc Dundee shtick. By now, no one even remembered "Crocodile Dundee" much less Hogan, and I half expected him to suddenly start pretending he didn't know what a hair dryer was for the sake of fish-out-of-water/social-satire laughs. All in all this is a really poor "family" movie that is amateurish and almost hard to watch at times. I hated it when I saw it in theaters back in '96 and I hate it more now. | 0neg
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