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The only way to get anything out of this film is to approach it as a comedy. Seen in that light, it does deliver. If you're looking for a serious movie, look somewhere else. This film has absolutely no depth and offers little more than a cursory and one dimensional examination of "issues" with no insight whatsoever. Making a movie about stereotypes and then making every single character in your movie a stereotype is an extremely poor strategy - especially when those same characters only break their hackneyed molds in predictable, stereotypical ways. Busta Rhymes and Ice Cube make the film almost watchable, and Michael Rappaport turns in a good performance, but the script is so awful and the social commentary is so trite, it's hard to find anything redeeming. | 0neg
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This has to be one of the most sincere and touching boy-meets-girl movies ever made. While "Rebel Without a Cause" and "Say Anything" deliver nice portrayals, this movies strips down useless subplots and Hollywood divergences. This movie focuses purely on watching the budding of a beautiful romance. You never doubt for a second that the film will lead towards the romantic pairing of these two people. You almost immediately sense the synergy and the chemistry between Jesse and Celine, and it is simply pure joy to watch them find it. This movie is mostly all dialogue -based. But, every conversation between these too is greatly intriguing. What makes this pairing so romantic is how real it is. How in all that conversation, while often having no real bearing on anything critical, you can sense the nuances as these two become more fond and trusting of each other. This is exactly they way you would dream that you meet that special someone. And what makes it so true is that it is not even too fantastic to believe. This could be what would happen if you had been confident enough to strike up a conversation with that person you noticed somewhere random. And what puts the icing on this film is the magnificent backdrop of Vienna in which this film takes place. It just adds to the feeling of romantic nirvana that the film suggests. And no matter how many times I watch this film, I don't think I will ever tire of that. | 1pos
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] |
I was 10 years old when this show was on TV. By far it was my favorite. The actors were very credible. Alexandra Bastedo was just gorgeous.... I just order the DVD (15 episodes). They didn't have super-powers. They just had superior human skills (strength, hearing, sight). The 3 actors were very good in their rolls, very believable. There was a good story in each episode. At the time, there were no special effects or explosions everywhere, so the script was suppose to be good, and the characters performs were great. There was no fancy stuff, like in other shows. They didn't try to make a joke every 2 minutes to make a light show. I highly recommend this TV show to anybody that like good stuff. | 1pos
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] |
Am I the only person who believes this American version is far better than the 1934 English film? The English version has no suspense, looks antique and very low budget, and has unexceptional acting (except for Peter Lorre). The 1956 version, besides having top production values, shows James Stewart as the perfect 'innocent' American abroad, and gives Doris Day her best role ever. Of particular note is the music - the music of the American film is almost classic; compare the "Albert Hall' sequences of both, and you will agree that the Bernard Herrmann music is far more exciting than the original version (even though it's basically the same music!). The only flaw in the 1956 film is the ridiculous encounter in the taxidermy shop. I would appreciate any argument that can prove to me that the English version is better. | 1pos
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] |
Outstanding film dealing with the murder of 3 civil rights workers during the fiery civil rights struggle of the 1960s. Gene Hackman is absolutely marvelous as a southern FBI agent attempting to track down the cowardly killers in this absolute thriller of a motion picture. He receives fine support from Willem Dafoe. The latter plays a northern FBI agent in conflict with Hackman as no matter what the FBI attempts to do, they are thwarted every step of the way by a bigoted, disgusting town and local law enforcement officers up to their necks in corruption and murder. As the wife of a deputy sheriff, Frances McDormand is fabulous as an abused woman with a conscience. The film is terrific as it shows how the bigots attempt to justify their ways as appropriate to their religion. They can cite phrases justifying the segregation system. It was only after the FBI began to play hardball with this hoodlum element that something was able to be done. | -1no label
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] |
I found it more depressing than funny. I was looking for more humor than sadness. It's it turns out to be very very sad. Everything turns for the worst for Jimmy. Everything that happens to Jimmy gets more and more depressing. He gets fired from the grocery job. He doesn't get any laughs at the comedy clubs. He keeps getting fired from his jobs. His wife leaves him. His grandma can't move on her own. His insurance is canceled. He is unable to buy his grandma's pills. It's all so sad. I only laughed twice and that's when his friend was moving boxes on the cart and they fall over twice. It's sad to see what happens to him and how he reacts to everything. | -1no label
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] |
I found this movie at a XXX store for $1 on VHS. The interesting thing about it is that Camp Video bought up the rights to it and slapped on a 1986 copywrite date in the credits. Anyways, enough of odd facts. This film is absolutely not scary. To even call this horror or a "thriller" is laughable. There were only maybe 5 minutes at most of what you would call horror in this 80+ minute film, and that consisted of the acting, because it was HORRORible! All puns aside, the writing for this film was absolute garbage as well, just as the special effects and makeup was laughable. No wonder this is such an obscure film, probably the director has spent the last 35 years scouring the country for all existing copies of it and burning them in one big pile so no one else could be subjected to it. | 0neg
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] |
Having appreciated "What the Bleep Do We Know," I had high hopes for this movie. I was sorely disappointed. The acting was so atrocious that when a friend came over, we had to show part of it to her just so we could showcase the idiocy of this film. We laughed and laughed... The acting is so hideous that it could become a great teaching tool (of How-NOT-To) for film/acting courses. The Dialogue was almost as pathetic as the acting, which is pretty bad! Oh, I forgot, there was one redeeming feature - the scenery was nice. Not quite enough to hold the movie together...... Others I know who have seen it said they would be scarred for life. Hmm... | -1no label
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] |
OK, I love the film! Kate Maberly is such a wonderful young actress and I would like to see more of her! When I saw the movie for the first time I was 14 and I was really astonished how she could make me identify with Mary Lennox, a 10-year-old girl from the beginning at the century, in a story line no one would give a damn about in our days. It has been an experience of its own since. Now I'm 18 and probably more cynical, so it has lost some of its magic to me, but I still like to try to get enchanted and I would urge everyone to ... well ... open his mind. It's a children's movie alright, but more important it is just perfectly done! Mrs. Medlock, Mary Lennox's adversary, if you want so, is played by the excellent Maggie Smith. She rules the castle of Mary's tragic uncle, where she has to live. As if the castle weren't already a very eerie and uncomfortable place (you feel it), under her orders it becomes some kind of nuthouse as she's jerking around everybody - giving the movie very funny and very weird moments. It's unfair how she treats Mary and just plain crazy what she does to Colin, Mary's cousin. But she's not really evil, not a villainess, but she'll show us that she has a heart. I appreciate this attitude very much: how people are never really evil, only a bit sickened. All characters and actors are really fine, but I want to lose a few more words about Mary Lennox. It's an extremely well-written character for a child and this allows Kate Maberly to carry the movie, make us want to accompany her. Originally, she actually is *egotistic*, but maybe only thus she can find her way and make things right. You'll find her cheeky, you'll like her and you'll understand her. There is much more to say about the picturesque garden, music, friendships, attitudes and so forth... I'll leave it with my above feelings and thoughts. (If you know the movie, you'd find that I'm ignoring pretty much) Because I'm *cynical*, it doesn't make the 10: so 9 out of 10, then! | -1no label
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] |
There is simply no excuse for this film. If it is meant to be a stylised "melodramatic" version of the novel, then by any standards of artistic taste it should be melodramatic, not a disastrously badly written hotch-potch of cinematic ideas. The "melodrama" merely makes the viewer run to vomit in the kitchen sink. The cast is fantastic, stellar; but they are made to spew such insipid, laughable lines that I would not be surprised if not a single one of them doesn't regret being in it - excepting Kenneth Branagh, who is probably still in denial about blotting his brilliant career with this utter tripe. The 1931 version deviates seriously from the book, but is a quality film. This version sticks closer to Mary Shelley's story but is somehow much more of a deviation - a deviation away from a sense of style and wit, and the changes the writers have made (Justine/Victor/Elizabeth love triangle?!) are simply disastrous. I thoroughly enjoyed watching this movie - I laughed pretty much all the way through. If you want to watch a BAD BAD film, this is the one for you. It is the best, worst film I have ever seen. | -1no label
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] |
I am amazed at how this movie(and most others has a average 5 stars and lower when there are crappy movies averaging 7 to 10 stars on IMDb. The fanboy mentality strikes again. When this movie came out just about everyone slammed it. Even my ex-girlfriend said this movie questionable. Years later I sat down to watch this movie and I found myself enjoying. Even laughing quite a bit. This and The Replacement Killers are the movies that had people labeling the director Antoine Fuqua as the black Michael Bay. I don't see how since most of Fuqua's movies are smarter than anything Michael Bay has came up with. At any rate... Story: Alvin Sanders(Jamie Foxx) is former convict that is used by a no-nonsense Treasury agent Edgar(David Morse) as a pawn to catch a killer named Bristol(Doug Hutchinson). Alvin's every moves are tracked by a bug implanted in his jaw after an accident. While these agents are after Bristol, Bristol is after the gold bricks that were taken in a heist gone awry. Jamie Foxx is funny as well as great as Alvin Sanders. Alvin is a fast-talker that is a lot smarter than he lets on. Doug Hutchinson is okay as Bristol. He can be over-the-top sometimes in his John Malkovitchesque demeanor. He was better here than he was as Looney Bin Jim in Punisher: War Zone. David Morse is good as the hard edged treasury agent. Even Mike Epps is funny as Alvin's brother Stevie. Both him and Jamie had some funny moments on screen. The only flaw of the movie is the some of the attempts at a thriller fall flat. The scenario at the horse race track is way over-the-top but I couldn't look away. The director went all out there so he gets points for that. Plus the bomb scene with the treasury agent tied to a chair while the detonator rests on the door was pretty nifty. All in all Bait is not a bad movie by a long shot. Its never boring, its always funny and I wasn't checking my watch every minute. That should count for something. Bait is one of the most underrated movies of 2000 period. PS: to the reviewer that claimed this movie is too violent.... How long have you been living under a rock? I'm pretty sure you've seen the Die Hard series and EVERY movie by Quentin Tarantino. But those movies aren't violent right? Weirdo. | 1pos
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] |
After reading some negative reviews on imdb.com I want to comment on this movie as well. I really enjoyed this picture. It is so recognizable, identifiable, to follow the story of this Harvard student who struggles with his puberty and, like any normal kid, experiments with drugs and sex. Scary to see him get involved with the mafia. The movie is full with philosophical quotes and this is done in such a way that it gives the movie a bit of a creepy atmosphere. The voice of Joey L. Adams fits perfect in this overwhelming impression. The happy ending (the good guys win from the bad guys) is also what I like in typical American movies like this one. It was a great movie! | -1no label
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] |
Very bad. Very, very bad. As a fellow who aspires to make, be in or - at least - sniff the catering table at a movie set, I find it hard to criticize independents who actually got a movie of any sort made. However, this movie ... oh dear. Realizing Frightworld doesn't aspire to anything more than crude exploitation (an honorable thing in itself) and to try to make it conform to more mainstream standards is a mistake. And to be fair, it is more entertaining than - say - Red Zone Cuba ... but not by much. So I won't try to critique, just let me ask throw out some observations. 1) If gore is the point of the movie, shouldn't you be able to see it? 2) If you have hire three sound men make sure at least one knows how to operate the equipment. 3) In a horror movie your lead maniac must be scarier than a smurf doll. Difficult I know but really... 4) There is a lot of talented videographers in the Buffalo/Rochester area, most you can hire really cheap. Get one who knows how to frame a scene. 5) Just because you have someone who knows how to use After Effects and other cool programs doesn't mean he should do so every two seconds. 6) Kudos for getting the girls to take off their tops but next time, get girls who's tops we want to see taken off. 7) Editing should help tell the story or set a mood. At the least in this sort of movie editing should sell the gore gags. A chainsaw suddenly appearing in a characters stomach is not scary, it's sloppy. Some good things. Not all the acting was bad. Jack was pretty good and I liked Acid once she started fighting back. There was some neat imagery, unfortunately it was thrown up on the screen without rhyme or reason. "Acid Poptart" is a name that deserves a better movie. I like the moxie of Frightworld too. Next time, now that they have a movie of sorts under their belts, I hope all involve aspire to something better than Colman Francis. Upgrade at least Ed Wood. | 0neg
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] |
With all the hoopla I'd heard about this movie before its release, I was expecting a lot more. Instead, I was treated to a pity party thrown by the guest of honor. I was told it was going to be an expanded version of the short of the same name, so I was expecting that. Instead, I got a movie on how tough it is to break into show business, and how the little guy always gets trod upon and ground into the dirt by the bigwigs. Please. I've seen that done 100 times before and 1,000 times better. There was little to engage me; it wasn't "The Wizard of Speed and Time", but "The Making of 'The Wizard of Speed and Time'." | -1no label
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] |
An intriguing premise leads to a feature length film with very limited story line to go on. A young man learns of an imminent nuclear holocaust just as he is falling in love with a young waitress who shares his feelings. Witnessing incredible chaos, people committing suicide left and right, the couple ends up on the roof of a tall building. Eventually giving up on having a "quickie", the two heroes appear ready to face their doom. The final lines have a touching finality. In 1988 (the release year) a large number of people all over the world still had great fears of a nuclear war and the subsequent end of the world. Fearing such doom as a certainty has become less of a concern since the end of communism and the arms race. With the fears diminished, the message of this film may have weakened considerably. The material presented here would have made for better viewing if turned into a 20-30 minute short film. To stretch a story that can be summarized in 2 paragraphs into a feature film is, like the words suggest "stretching it". The congenial leads make the viewer empathise with their plight, yet it is understood that there will be no happy ending. It's like purchasing a one-way ticket to an unknown destination. All you know is that you will not return home. This is no "Day After", but OK viewing for fans of love stories. | -1no label
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] |
This extraordinary pseudo-documentary, made in 1971, perfectly captures the zeitgeist of America today...which makes it all the more scary and relevant. "subversives" (college students, hippies, black activists, academics) are being rounded up by the government and given lengthy prison terms for what amount to thought crimes and social protest. As an alternative to life in prison, these convicted "criminals" are offered three days in "Punishment Park". Their objective inside the park is to make their way to the American flag where freedom awaits them. Not surprisingly, the Punishment Park option is a dirty lie. This brilliant film from Peter Watkins even pre-dates "Battle Royale" and "Series 7", though its angle of attack is more blatantly political. Shot in '71, it looks and feels as fresh as anything made today. The performances are exemplary and the direction is razer sharp. The narrative cuts back and forth between various groups trying to survive the harsh conditions of the park and the McCarthy-like trials that convicted them. Today, this film still retains its power. In '71, there was nothing but nothing quite like it. This is a masterpiece that succeeds on a dozen levels. It has the balls that most people today have lost. | 1pos
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] |
OK so, the idea is good but the movie overall feels soooo shallow. Yes there is gore....lots and lots of gore, but does that really save the movie from being so bland and uninteresting??? No! The main character 'Jake Sawyer' is so bland that all he seems to do in this movie is tattooing people and then following them to a club/party whatever to meet asshole after asshole after asshole, seriously nearly every person he meets is an asshole. The plot is confusing and mind-numbing, Jake unknowingly plays a role in releasing a deadly spirit as he attempts to learn tatau, the Samoan tradition of tattooing and at the same time trying to hook up with an asshole father's daughter who has also an asshole of a brother, the 3 are as bland as Jake himself (with possible exception of the asshole father). So from the moment Jake unleashes the 'deadly' spirit(which by cutting himself at the end of an samoan tattoo stick he ROBBED!!!),This 'deadly' spirit has the job of killing people with his techniques of samoan tattooing, oh yeah and can only be seen in a mirror...why??? I don't know, but he can only kill people if Jake has tattooed the people AFTER he cut himself.....if you're getting confused by this so-called mindless plot, you're not the only one. So i'm gonna wrap up and put down 5 things i didn't like about this film: 1. Why in the holy mother of f**k did we have to see Jake's ass in front of the camera...WHY?!?!?(eye-candy for women) 2. Bland characters including the main characters 3. poor plot 4. uninteresting killer 5. overall boring This film is...is...pointless, mind-numbing and bland. I really do not like this film, in fact all that there was in this film were the tattoo's. 2/10 = BULLS**T!! Youtube Channel: MrRandomReviewer XBL gamertag: RatedRIcHIe 316 | -1no label
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] |
Please listen to the post claiming it's literally so bad it's not funny. I can usually find the silver lining in a terrible horror movie, but this movie, this is really something special. Usually a movie this god awful would be so bad it's in some way amusing, nope. This movie is so bad it took me 3 watches until I could finish it without falling asleep. Unfortunately I'm one of those people who has to watch a movie in it's entirety before forming an opinion. Somehow this middle school project waste of time ended up on a Blockbuster shelf with a cool cover. Someone posted a review defending the acting and calling this a good new independent horror film. That poster should make it clear that they're directly related to the absurdly inept director of this movie. I'm a pacifist in general, but this movie was so bad I actually became furious with everyone involved in this inane venture. Absolute trash. | -1no label
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] |
And when I watch Sarah Silverman, I get the same results. I love quirky, irreverent humor. BUT this woman is so darned B-O-R-I-N-G, annoying, and yawn-worthy. She's also totally lacking in anything whatsoever humorous. The deadpan way she tries to deliver her lines is just dead on arrival because she's just not funny. I watched two segments of her program and was ready for Novocaine. Geez, my kid (age 19) saw her promos on Comedy Central and said she was a "dumb chick." I thought that was a compliment. The one where she says "Watch my show or I'll kill my dog," is actually believable. I know she's a wanna be comedienne. She just comes across as a warped nut-case. I just don't ever want to see her around MY dog. | 0neg
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] |
This one has been a favorite of mine ever since I first watched it on cable in the late 70's. Richard Pryor is just perfect as Wendell Scott, the first black stock-car racing champion. The rest of the cast is great as well, all perfect in their roles. This is definitely a perfectly cast film! The film itself is very decent but does have a few problems, most notably that once Wendell starts racing there seems to be too many large gaps in time, as if a lot of footage that has been left on the cutting room floor. But the script does move along well even with that problem. I would think Pryor fans especially would pick this up on DVD if it ever got a proper release, in widescreen, some commentary, and with those obviously deleted scenes left behind. Hopefully this will be on DVD before some Hollywood clown remakes this with tons of computer effects crap and ruins the whole thing. | -1no label
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] |
Deniro needs to stay away from thrillers and stick to playing bad guys or cops. In Hide and Seek, he portrays probably the worst psychiatrist/single father I've ever seen. Okay, I won't really spoil the ending but after "the revelation" of this Who's Doin It, it did NOT work for me. The writer of this movie Ari Schlossberg must have logged a lot of how-to-be-a-Hollywood screenwriter hours in class. Deniro's last thriller, Godsend, was also terrible, and he played a goofy doctor in that one, too! Typical stupid sheriff in this one who doesn't call for back-up and thinks his flashlight is a better weapon than his handgun. The daughter's role could have been played by anyone, but Dakota Fanning is the latest young darling hob-nobbing from movie to movie with big names. Her best-and only-good role as 'The Daughter' was in I Am Sam, where I thought she was fantastic. Famke Janssen was average and fluff as was Elisabeth Shue. The one and only good part of this movie is the one that didn't make it; be sure to see the alternate ending of Emily where she is institutionalized. A much smarter choice than the original ending. But then, making this movie at all was not a smart choice anyway. | -1no label
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] |
"Menace" is not funny. It tries hard - too hard. but rarely brings a smile. There is no acting, just mugging. One of the main characters wears a stupid grimace on his face the entire movie. No doubt as the less talented Wayans brothers starred, wrote and produced the film they were entirely blind to their lack of talent. Menace consists of a series of unfunny, one joke skits. The punchline can be seen a mile off, but you have to wait until it all unfolds. No zippy one-liners or snappy dialogue here. Just one scene after another building up to the joke. The jokes themselves are juvenile. Loc Dog (the one with the perma-grimace) talks to a beautiful woman - but then she has ... bad breath and then she picks her nose and then, wait for it (remember you must always w-a-i-t) she farts! How funny is that? Ten-year old boys may find it funny as they won't have heard the jokes as many times before. Alternatively, if you like watching movies completely drunk or stoned then you will be able to follow along and may even find it amusing. The challenge will be getting drunk enough to reduce your mental state to the level of the movie without passing out. | 0neg
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] |
LA MOUSTACHE is a very well acted and conceived Belgian film that starts with a terrific premise that could be the opening for either a comedy or a drama and ends up wondering which path to take. Writer/director Emmanuel Carrère (with co-script writer Jérôme Beaujour) takes us on a mind trip that becomes increasingly disorienting and frustrating as the film progresses. It challenges the audience to think but then there is no payoff for the effort. Marc (Vincent Lindon) is a handsome middle aged man married to Agnès (Emmanuelle Devos) for fifteen years and one morning, in what in retrospect is in response to a bit of relationship ennui, decides to shave off his mustache which has always been present since his marriage began. The surprise to Marc is that Agnès doesn't even notice. At work Marc quietly shows up and no one notices, not even his close associate Bruno (Hippolyte Girardot). Marc is at first perplexed, then he confronts his wife and fellow workers with the fact that he just shaved off his mustache and no one believes that he ever had one! Marc begins to search for photos showing his previous face and gradually the photos disappear and his wife denies ever seeing them, ever traveling to Bali where the photos were taken, etc. People begin to wonder about Marc's sanity and his wife suggests he seek psychiatric care. It is at this point that Marc enters a fugue state and ultimately disappears to Hong Kong on a never ending quest for discovering the truth about who he really is, whether he actually exists, whether he is the pawn in a cosmic game....it just gets more ludicrous. Both Vincent Lindon and Emmanuelle Devos are superb in this peculiar roles and the film has solid production values. Perhaps it is the director's point to leave the audience in a confused state, one that calls forth the existential questions, but as a film it merely peters out, leaving the viewer a bit frustrated by the lack of substance. Grady Harp | -1no label
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] |
I found this short to be uninteresting while watching it, but afterwards it did stir up some thought in me about the horror and beauty of film. I don't really know if this is a spoiler, but just in case you may not want to read. The Old Man mentioned something about the camera captures the death of a moment and the old man says he is a retired actor. To me at least that meant that this Old Man has been slowly dying in front of the Camera his whole life (reference from his dream). He has a new life until the children bring the Camera into the house, and he notes that children and camera's should not be put together. Obviously again noting since that this Camera "captures the death of a moment" that would make sense because the children should have a life instead of slowly dying like the old man. Write something back to me if you want to discuss. Also I liked how it was a sort of criticism on cinema itself, but at the same time honoring it. Plus the idea that the Old Man is dying, but is being immortalized by the same camera that is killing him. I gave it a 4 strictly because of visuals. Other than that, at least it was better than Fast Company. | -1no label
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] |
'Arms and the Man' is one of Shaw's funniest plays if handled correctly, and this production does a good enough job. Helena Bonham-Carter, pre-film stardom, is Raina, the daughter of a military family, who has a peacock of a fiancé (Patrick Ryecart), and who shelters a soldier from the enemy (Pip Torrens) during a raid on the town. Full of colour and energy, this production rips along at a good pace, and if Bonham-Carter and Patsy Kensit as the maid are outshone a bit by the rest of the cast, they still hold their ground. Kika Markham and Dinsdale Landen as the parents are delightful, and the whole play is generally a happy one. Highly recommended. | 1pos
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] |
A single mother(Diane Keaton) finds herself working several minimum-wage jobs. When she gets fired, she finds that she is unable to support her sons(Michael Seater and Colin Roberts), the latter of whom has asthma. Then she goes to her friend and starts selling drugs. Soon enough, she gets addicted to the drugs that she is selling. Her life comes crashing down, especially when her kids, namely her oldest son, find out the truth and threaten to leave her. Then, she struggles to redeem herself with the help of her kids but can she protect her family from the drug lords who she worked for? Wow! This lifetime movie has some of the best acting I have ever seen! Diane Keaton overacts a lot, and her character comes off as crazy but she was extremely convincing. She is much better suited to drama than to comedy. However, the best performance in the movie comes from Michael Seater, who plays her oldest son. He is perfect as the responsible son who is still young but trying to be the adult in the family. His acting was especially great in the scenes where he confronts his mom about the drugs. Colin Roberts, who plays the younger son, also does a great job. A movie well worth watching, especially because of the acting from Michael Seater and Diane Keaton! | 1pos
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] |
Due to a very misleading advertising campaign, I saw this film in theatres at the relatively young age of 10. The trailers on TV portrayed the film as a comedy, and I bugged my parents until they took me. After seeing the movie, I was blown away. I had no idea what to think. Totally different than anything I had seen before, leaving far to many questions for such a young mind. Needless to say, I loved it. This morning was the first time I'd watched in in probably 2-3 years, and I still think it's one of the greatest films made in the last decade. Kevin Spacey and Jeff Bridges are both in top form, as a mysterious man who may or may not be from another planet, and the psychiatrist that develops a bond with him while trying to decipher his mystery. The supporting cast are near perfect as well, each resident of the mental institution is incredibly convincing in their own way. The open ending was handled very well, giving lots of evidence to support whatever you believe happened in the end. How this movie failed to receive at least a nomination in that year's Oscars is beyond me. If you haven't seen this film, run to Wal-Mart RIGHT NOW. The DVD is usually in the bargain bin, pick it up! 9.5/10 | 1pos
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] |
Cary Grant is one of my favorite actors, and this movie is his funniest ever, in my opinion. I had no idea, until seeing this film, that Irene Dunne was such a great comedienne. The script was excellent, even with great lines for Cecil Cunningham, who played Dunne's Aunt Patsy in the movie. The sight gag involving Grant attending a serious music recital, leaning back in a chair, and crashing to the floor was hilarious. I laughed out loud through most of the film, which must be one of the funniest movies I have ever seen. Grant's ability to express himself through his facial expressions is one of his best attributes, and this film allows him to do that frequently. I expect to watch this one fairly often. | -1no label
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100/100. The is one of the greatest romantic comedies of all time, everything comes together perfectly - direction, screenplay, score, cinematography and the cast, and what a terrific cast. Irene Dunne and Cary grant are excellent,and have such an amazing rapport, the supporting cast is outstanding, especially Gail Patrick, Granville Bates and Donald MacBride. Randolph Scott is well cast. Nominated for three Oscars, original screenplay,original music score and for art direction. There are so many memorable scenes and it is often laugh out loud funny. A great and unforgettable classic. The pacing is amazing, thanks to director Garson Kanin. | -1no label
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] |
You thought after "Traumschiff Surprise" that German comedy can't get worse? It can. This comedy is yet another attempt at perpetuating stereotypes of gay men masked as a nice comedy. The initial concept (openly gay men in soccer sports) would have been a great opportunity to erase some stereotypes, but... The real intended message of the movie seems to be in what way gay men are oh-so-different from straight men. Absolutely silly, of course. Even gay sex is treated as being of less value than straight sex. This movie only tries to serve straight audiences wanting to laugh about stereotypical gay men. Well, don't waste your time on German comedy movies! | 0neg
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] |
I saw this movie for the first time on NBC Friday 11-29-02. It was a pretty good movie, but I don't think it would be the kind of Muppet movie Jim Henson would make. I mean first of all, Pepe' using the word "sexy" every now and then, and Pepe saying "it would suck?" And I defenitly know Jim Henson wouldn't allow Kermit yelling "I WISH I'D NEVER BEEN BORN!" thirteen time a minute. This movie just isn't like a classic Muppet movie. Sure I can understand Nicky Holiday stealing the baseball diamond from "The Great Muppet Caper," but a business lady cheating the Muppets in a contract for their theater to turn it into a smoker's nightclub. If Jim Henson was here today, he would HATE this movie! | 0neg
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] |
A group of friends come face-to-face with a family of hideous cannibals whilst camping in the beautiful German countryside. The 'mutant cannibal family' concept is almost as old as the hills that the inbred freaks often call home, so any director attempting to breath new life into the genre needs to come up with something pretty darn special in order to impress. With Barricade, Timo Rose tries to give the well-worn routine a Teutonic twist, by transplanting the action to The Black Forest and giving it the German low-budget splatter treatment. The result is a very bloody, but totally unoriginal effort that is made almost unwatchable thanks to some dreadful directorial decisionsin particular, the non-stop use of fancy filters and irritating editing techniques. Had Timo Rose not opted to utilise every naff trick his editing software offered him, then Barricade might have been a reasonably entertaining gore-fest: his inexperienced cast do reasonably well; the bloody effects are suitably stomach churning; and there are one or two scares and even some well conceived creepy moments. All of this, however, is completely ruined by the awful camera-work, choppy editing, and overwhelming barrage of visual gimmickry used to give the film the distressed look that is so inexplicably popular with today's film-makers. I give Barricade 3 out of 10 purely for the outlandish gore, which includes a nifty scene where a guy is forced to drink acid, loads of nasty wounds caused by a variety of sharp implements, and some pretty decent shotgun damage. | 0neg
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] |
Robert Goddard is a fantastic author, specialising in twisty and turny British historical thrillers. I was psyched when I saw that "Into the Blue' had been adapted for the small screen, being one of the finest book in a 'trilogy' of sorts. Harry Barnett is highly engaging character, and John Thaw portrays him well, warts and all. The only deterrent to the TV version is that it's far too short. It would have, in this writers opinion, worked better as a mini-series, as the movie leaves out whole scenes from the book and loses the feeling of helplessness that Harry Barnett feels to his plight. On the whole, "Into the Blue" is disappointing, not living up to a really good book. Check out the follow-ups, "Into the Sun" and "Never go Back". | -1no label
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] |
The Royal Rumble has traditionally been one of my favourite events, and i've been a wrestling fan for a good few years now. The other shows may have better matches, but i've always found the actual rumble match to be full of excitement. I'm not going to reveal the winners of any match as i don't see it as fair to ruin the results on a review. I will comment on the quality of them though. We have the standard 4 matches, and then the big rumble event. Two from Smackdown and two from Raw. Shawn Michaels and Edge open up for Raw. This proves to be a good match from two talented guys. This is a match i'd recommend watching. It's hard to sum up without giving away the winner. Next we have the usual Undertaker against some big nasty monster, be whoever it is. Giant Gonzales, Yokozuna, Kamala... well this time it's Heidenreich. Its also a casket match. Typical Undertaker fare. Watch if you're a fan. I have to admit i am, purely for the entertainment factor. It can hardly be regarded as a classic wrestling match. The next two matches are the title matches. For once Smackdown manages to upstage Raw. Their title match is pretty thrilling and enjoyable, but with a anti-climax and let down to end it. Raw's match is a pretty dull and boring affair, which is a pity as i'm a fan of both guys involved. Now to the main reason i love the event, the rumble. It's a pretty good one this year. Coming up to the event we all had a pretty good idea of who might win, and it may not prove a big surprise, but hey, its very enjoyable. There are the usual diverse ways of people being eliminated. There is the token guy who doesn't make it to the ring, the entrant who is ridiculous and we all want to see vanquished, and someone gets eliminated by a previously eliminated combatant. It has its usual highs and lows, and i loved the ending, in particular the Vince McMahon entrance. I'd recommend this show. Not the WWE on top form, but its still good. Add it to your collection. | 1pos
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] |
This movie is just boring. It tries to copy some effects borrowed to a creative director like Jeunet in "Amélie Poulain", but it is too much. The dialogs are pretty bad, some of the worst I have ever heard, Guillaume Canet is not convincing (I have almost never found him very convincing), his father in the movie plays very badly, the story is dumb, the ending is... stupid. I think I have not dislike a movie so much since "le pacte des loups" (brotherhood of the wolf) from Christophe Gans (and I watch / see about 80-100 movies a year), but at least that movie had some action and lots of good actors. I had never commented here (only rated), and when I saw the rating and the comments, I thought I had to write something down. I guess we won't have problems to sell the DVD we were offered : not such a bad movie in our (large) collection !!! I am open minded (I watch SF, westerns, drama, comedies, silents, horror, fantasy... movies !), but this movie was so boring that I felt like I had lost one hour and a half. | 0neg
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] |
I should preface this by stating that I am a Dolph Lundgren fan. The man turns out some of the funniest action clichés imaginable and Detention is probably my personal favorite. *Spoiler* even though there is no such thing as a Dolph spoiler since the scripts are so absurd to begin with: a chase scene with a handicapped kid carrying a pistol versus a guy on a Harley with a sub-machine gun, through a high school hallway and the kid wins? Good game, the Oscar goes to Detention. Dolph, if you're reading this, thanks for the laughs, old friend. In summary: Terrific movie that is a guaranteed laugh. I recommend inviting some friends over for this and forcing them to sit through it. Hilarious. | 0neg
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] |
4 comedians play various improv games for the amusement of the audience and are supposedly given points over the course of the game. The winner gets to read the credits in an unusual way. It's only by virtue of UKTV G2 (or Dave, as it now prefers) that I'm able to watch re-runs of this. And I think it's a gem of a programme which has never failed to raise a laugh yet. Clive Anderson, as host, remained dignified even when he was the butt of the jokes, and the improvisers themselves have unbelievably quick wits. Stiles and Mochrie were obviously the stars of the show, but others such as Greg Proops, Josie Lawrence and my personal favourite Tony Slattery all managed to put on strong performances time after time. It would be great to see this return to British shores sometime, even if only for a one-off special. | -1no label
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] |
This is an example of Anthony Minghella pretending he is Stephen Poliakoff, and failing miserably. This film is straight from the false world of 'luvviedom', i.e. the imaginary world in which the luvvies of the film scene live in their bubble and try to remember what real people were when they once knew them. Minghella is so desperate to put some 'real people' into this phoney saga that he drags in some hapless Bosnian characters, though even they are not convincing, despite the best efforts of the ever-brilliant Juliette Binoche with her perfect Serbo-Croat accent and a superb first performance by the young Rafi Gavron as her son. This film is so contrived and idiotic in its attempts to be profound that it is a lesson in how not to write a script. Poliakoff can pull off these rambling associations of disparate characters who come together in ultimate profundity, because he has some magical ability to make it all mean something in the end, but Minghella simply cannot do it. He is too far away, on some planet of his own, and all his characters are merely theoretical, and so far from real that the result is a really horrible joke. Jude Law delivers another commanding performance, showing himself once again a master of the screen, while Vera Farmiga as a Russian prostitute brings the only other touch of life to this dead production with her hysterically funny and inspired cameo performance. The worst thing of all about the film is the cold, deathly, and repulsive Robin Wright Penn, who is not only unwatchable as an actress, but her character in the story is so despicable that one doesn't know which is worse, the actress or the part. This entire project was flawed from the start, and should never have passed go. If Minghella wants to commit professional suicide, this is the way to do it. He should meet some people in the real world fast, before he drowns in a cesspit of utterly gormless goo. What a ridiculous waste of time! | -1no label
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] |
Somerset, (Morgan Freeman) a deeply Intellectual Detective, with barely a week left until his retirement and Mills, (Brad Pitt) the new cop in town, who is a pretty weak detective, are thrown together to investigate what at first appears to be another Homicide. After a second Victim is found, Somerset realises that this is no open and shut case, and requests that he is relieved, in light of his impending retirement. Mills gladly takes over the case and plunges himself in way over his head. As the work of a Crimally insane genius continues, Mills grows more and more erratic, and Somerset simply has to remain, to guide his young partner through the case, which ultimately leads to one of the finest climax's in movie history. With Wonderful Performances from both Freeman and Pitt and a really dark and morbid direction from David Fincher, the movie is crammed with suspense, intrigue and Excitement. My Favourite scene is John Doe (Kevin Spacey) tearing into Mills in the car, driving towards the Climax, the acting is simply perfect as Pitt's character is torn apart by the genius of the Criminally insane, and Freeman interjects with insightful rationality, demonstrating his superior mind. The Scene Carries such intensity, and at the same time encapsulates the primary characters basic elements. Most actors can't achieve this level of character depth, but these are three of the finest actors of our time. 9/10 | -1no label
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Voor een verloren soldaat , for a lost soldier, is a sad example of how not to translate to film a touching, complex psychological study, of that most magical time in a man's life, when he is still a child, but starting to become a man. The novel records the real life experiences of Rudy van Dantzig, as told thru the boy Jeroen, during the waning days of WWII at age 11 as he deals with his incipient sexuality, and his deep fears of abandonment as he has been sent to the province of Friesland, north of Holland by his parents because of the lack of food in Amsterdam and has not heard from them in many months as the postal service has broken down.. The arrival of the liberating soldiers in the film, is presented in a painfully corny way, with the soldiers providing entertainment vaudeville style. Then one soldier, Walt, romances Jeroen and the pair is presented as two frolicking males.who consummate their love in a sexual experience. This taken in stride by the 11 yo Jeroen. The reality was somewhat different: Jeroen describes his encounters with Walt, 6 in all, in detail but in oblique language. But there is no misunderstanding their nature. Walt is aroused to an intense passion by Jeroen, during which he handles him roughly, so that in their final meeting, Jeroen is bruised and suffering a painful wound on the shoulder where Walt has bitten him. During this encounter, Walt rapes Jeroen, twice. Jeroen could have easily avoided Walt after their 2nd encounter, when Walt first assaults him as Walt is clearly anxious to keep his abuse of the boy from the other soldiers. Why Jeroen keeps seeking Walt out is a mystery of the human heart and not explainable, by me anyway. What the film leaves out is the aftermath: the nightmares, the dejection, the frantic search throughout Amsterdam on the chance of finding Walt, for Jeroen loved Walt, and nothing could shake that. | 0neg
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] |
Hilarious from start to finish, there's got to be great courage to handle the theme of death with a smile, specially when two funeral parlors are battling for control of the market: a classic parlor and a revolutionary one where every funeral is a show, lead by Christopher Walken, a treat in the role of the visionary american mortitian. But the rest of the cast is great also, and this one is another success that only UK is capable of making. Surprising among the ensemble cast is Naomi Watts, that strikes in another metamorphosis (accent included). Always sporting a smile on its face, it seems like a paradox that there could be so much comedy to be taken from a movie that could be called "Four Funerals and One Wedding", but you'll understand when you see it. | 1pos
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] |
Jane Eyre_ is one of the greatest novels in the English language and this screenwriter should of read it. I hate it when writers use Spark notes for what a novel is all about. This movie is unbearable to watch if you have read the book. The whole 'red room' is so down played that I wonder why they even bother to put it in. In the book the 'red room' is foreshadowing for the WHOLE story and the rest of Jane's life. Helen Burns is treated so badly in the movie I'm sure she was happy to die and leave early. In the book she is one of the most compelling characters and she was not the red head. The whole Christian theme is missing from her life and the rest of the movie. Do yourself a favor and miss this movie and read the story as Charlotte Bronte masterfully told it. | 0neg
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] |
I saw this movie at a film festival before it was released to the general public and poor Nicole Kidman got boo-ed by a lot of the people who had come to see the movie. I eventually went to see it again when it was finally released to the general public. I can't believe how uptight Americans can be about anything and everything involving sex and sexual situations. What are their hang-ups about such things ? People were too worried about the movie appearing to condone child pornography instead of watching the movie for what it was actually about: a movie about death, mourning, and re-incarnation. Since I practice Budism, I was glad to see the issue of re-incarnation brought up in such a mainstream movie. The story is very gripping and holds you to the edge of the seat the entire time. I also liked the fact that there is very little dialogue in the movie. Sometimes, too many words and unnecessary conversations can get in the way of a great story. | -1no label
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] |
The Glass House was recommended to me by a friend when I first saw it. I automatically mistook it as a cheesy mild thriller that probably not many people thought was a good movie. Since it was my friend, who has extremely good taste in movies, I decided to give it a try. When I read about who was in it, my excitement went up and I got higher expectations of what kind of movie it would be. I LOVED this movie! Everything about it was great. Leelee Sobieski plays an amazingly great part in this non-stop entertaining hit that made me proud. Everything was tastefully done and well though out that I am ashamed it didn't do as well as it did. Their house and how it's positioned is just beautiful while at the same time creepy, and how all the lines in the movie were so tastefully said made me give this movie the rating that I gave it. It was thrilling and effective, astonishing accomplishment in my book... | -1no label
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] |
Well, EYEboy, I must say that it pleases me to no end when someone singles me out and tries to make fun of me, especially when it is someone who seems as intelligent as you do. My favorite part of your post was "But no big bang-bang good-guy bad-guy here, kimosabe. Me suggest you stick to movie with lotsa bang bang." Well said! I do like action movies, especially if they are well done, but I also like movies that don't have a whole lot of action, as long as THEY are well done. I'm sorry, but Secret's and Lies does not fit into that category and is simply a very bad movie. I really don't see very many non-American films, so maybe I was spoiled, and didn't realize how bad foreign films really were when I saw Secrets and Lies. Perhaps if I judge foreign movies by a different standard I could some day see how Secrets and Lies could possibly be one of the highest rated movies on the IMDB. Hmm... If true, that is very scary. Jeremy Barger [email protected](new e-mail) | 0neg
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If Leonard Pinth-Garnell, the Bad Cinema maven from SNL, ever compiled a list of ten examples of "Truly Bad Cinema," this epic would have to be on it. Now, I usually don't consider films like this one to be worthy of mention on a bad-movie list. Normally, I prefer the grand turkeys like "Conqueror" and "Exorcist II." Still, Linda Blair is Linda Blair, and it was her starring in it that got it made. So I guess we can blame her for this turkey. The fact that these college-age dudes and babes can suddenly shoot like Green Berets is a variation of Roger Ebert's "thirty-second genius" motif. That is where the lead hears the whole plot from somebody in 30 seconds, and immediately knows what to do. In this case, the kids practice shooting for a couple hours, then are ready to do battle with an entire army. My favorite bad moment is when the kidnapped girl is ravaged by one of the enemy soldiers. The Commandante comes along, shoots the soldier, then has HIS way with her. She must have had more Latinos land on her than the Bay of Pigs. My favorite character is the American soldier-of-fortune, played by Richard Lynch. They should have called him Pizza-Face Jones, since a) Lynch's face has more holes in it than the Van Wyck Expressway, not far from where Lynch grew up in Brooklyn and, b) he acts like Harrison Ford on 'Ludes. There's not much more to say, but if you must see it, try to catch it, unedited, on one of the premium movie channels. If you rent it, do so on two-for-one night, along with something that you know is good. A couple beers will help you bear it. | -1no label
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] |
I went to see Hamlet because I was in between jobs. I figured 4 hours would be great, I've been a fan of Branagh; Dead Again, Henry V. I was completely overwhelmed by the direction, acting, cinematography that this film captured. Like other reviews the 4 hours passes swiftly. Branagh doesn't play Hamlet, he is Hamlet, he was born for this. When I watch this film I'm constantly trying to find faults, I've looked at the goofs and haven't noticed them. How he was able to move the camera in and out of the Hall with all the mirrors is a mystery to me. This movie was shot in 70 mil. It's a shame that Columbia hasn't released a Widescreen version of this on VHS. I own a DVD player, and I'd take this over Titanic any day. So Columbia if you're listening put this film out the way it should be watched! And I don't know what happened at the Oscars. This should have swept Best Picture, Best Actor, Best Direction, best cinematography. What films were they watching? I felt sorry for Branagh at the Oscars when he did a tribute to Shakespeare on the screen. They should have been giving a tribute to Branagh for bringing us one of the greatest films of all time. | 1pos
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] |
For over 1000 years Beowulf the epic has described Beowulf as a mighty hero who killed Grendel AND Grendel's mother. He became a mighty King in his own right after protecting the existing incumbent and his son. At the end of a life of courage and honesty he sets out to fight one last battle, KNOWING he may be going to his death but willing to protect his people for one last time. During the final battle with the Fire spewing serpent, Beowulf was losing, but one of his companions remembered his duty and where others deserted Beowulf, Wiglaf returned to stand by his dying lord, shielding him and dealing a stroke that abated the Serpent's fire, enabling Beowulf to deal the death stroke to the serpent with his battle knife. Finally after the death of the serpent, and the subsequent death of his dear lord from his wounds, Wiglaf berates the cowards who deserted their lord and made them feel their shame. A short synopsis of the Epic of Beowulf. What Beowulf is presented in this movie? A pervert who sleeps with a Demon, holds his lands at her behest, abhors his life and spawns a mutant. Wrong wrong wrong wrong wrong, so wrong it is not remotely funny. The main thing that bothers me is that those who see the film will think it is in any way accurate (even in the fight against Grendel Epic Beowulf stated he scorns to carry sword or shield he does mention his shirt of mail!) and a tale of unblemished heroism that has lasted fire and reformation over 10 centuries gets buried by a below average CGI flick with a bigger advertising budget. | -1no label
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] |
I love Henry James books and Washington Square was no exception. I was very excited to see a new movie coming out, based on the book of that title. Jennifer Jason Lee is an exceptional actress and Ben Chaplin good enough to play the lead roles. Albert Finney is miscast and doesn't carry the role well. I wanted to shoot Maggie Smith....or rather her silly, insipid role. The real problem and what's lacking in this latest version is a good script, music, and direction. I fell asleep in the theater watching this long, drawn out and exceptionally boring movie. There are more pauses in the dialog than a Pinter Play. In the book I felt a deep caring for Catherine Sloper and her life. The movie had just the opposite effect. I also disliked the twist where her aunt has a sexual attraction to Morris. Eeeeeeeek. YUK. Watch it if you can't sleep, it's a definite snoozer. Don't watch it if you're depressed. You'll need Zoloft after this. Sure, "The Heiress" was exceptional with Olivia Haviland and Montgomery Clift in the title roles. The actor who played her father was on the mark as the uncaring, cold father....still grieving for his dead wife and hating Catherine for it. The movie was not faithful to the book but neither is this one. This movie was a box office flop. I have no doubts as to why. | 0neg
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] |
I remember seeing this film some forty years ago. I was still at school and found it curiously absorbing. In fact I could'not stop telling everybody about it for days afterwards. I recall the film creating an atmosphere at once dark and foreboding. There was an understated menace in the air much as in the opening pages of a story by H.P. Lovecraft. The plot was relatively straight forward but with a delicious twist at the end that has been likened to a tale by O. Henry. What carries the film is the sublime performance of Herbert Lom. Now there was an actor who played the archetypal smooth villain of his day. In fact I cannot think of any other actor who so consummately conveyed villainy with such effective "European" sophistication and grace. A role portrayed to perfection in "The Ringer" with Donald Wolfit, "the Golden Salamander" and later, "Northwest Passage" with Kenny More and Lauren Bacall. Shades of Conrad Veidt of an earlier generation. Herbert Lom was a busy actor who appeared in numerous film and theatre productions during the fifties and sixties. Few will remember that he took the lead role when "The King and I" first came to London at Drury Lane (I think) and that he was the natural choice for the Harry Lime role in the radio version of "The Third Man" (circa, 1951). His brooding "European" looks and deep and accented speech were instantly recognised by the audiences of his day and although never a major top-of-the-bill star, was a respected member of any cast (e.g. "and with Herbert Lom as Napoleon") and by todays standards would be considered an A-list celebrity. | -1no label
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] |
Peter O'Toole is a treat to watch in roles where the lines he speaks are good and offer a chance for him to swagger in drunken stupor. The lovely Susannah York provides a good foil for O'Toole's dramatic presence. The film alludes to incest--without a single explicit scene--but it is able to entertain the viewer in its raucous social commentary. Though this is not major film by any reckoning, it will be remembered for its entertaining performances. Even York, signing the papers at the end, is a treat to watch, exuding tragedy silently. The possible weakness here is Thompson's laid-back direction. But the film floats because of the actors and the script. I saw the film twice over a period of 20 years--on both occasions with the name "Brotherly love". "Country dance" is a rather farcical and inappropriate title for this movie, wherever it was released as such. | 1pos
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] |
I loved this film. It was full of clichés and rubbish effects (the budget was so obviously spent half way through so the second half is more cardboard cut outs than CGI's) The square looking college journalist who's obsessed by UFO's can't get a break with her editor. Then, what a coincidence, a wrecked space shuttle pretty much lands her back garden. By the end, that square looking journalist has lost the specs, her shirt and her hair is hanging down. Then the brave tyke takes on the giant spider with a bazooka whilst hanging from a moving helicopter. Talk about multi skilled. (By the way, this was shortly after the spider had rampaged through down town LA growing bigger with every person it ate). This film was so wonderful, me and a friend have decided to write our own monster horror. If this can get made, then the studios are going to be snapping up ours. I fancy Spielberg to make the film "Budgies"... | -1no label
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] |
Shoot 'em up is quite possibly the best action movie I have seen so far mix in Broads, Bullets, and a Hardcore selection of rock music like Ace of Spades by Motorhead, If You Want Blood by ACDC and Zen by Strapping Young Lad and you have a movie you can put on even when your not really paying attention, just non stop action all the way through such as your typical "Total Recall" or "Crank" films. If you like rock music, if your sick of the dreary love scenes and dialogue in most films this is the one for you, so lock up your daughters, shoot your sons and check out the best action film of the year. Probably the best watch I have had at the cinema for 2 years 2006-2008 | -1no label
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] |
As I've said in the title of this review, It pains me to say this, but "hitch" reaches the zenith of what Hollywood Romantic Comedies can ever hope to aspire to. I've been a critic of both the Genre and it's namesake for as long as I can remember myself, but on an almost tragic note, "Hitch" has caused me to spend somewhere in the neighborhood of two hours of my life with a ridiculous smile plastered across my face. This movie may be misogynistic and presumptuous at times but it nonetheless possesses a certain humor about it whose subtlety may only be described as British. This is a wonderful attempt by Hollywood to make (Or remake as the case may be...) a film which appeals to all of our wishes for a Romantic Comedy which can make us both think and laugh simultaneously. I grudgingly and most evasively give this movie a 9 out of 10... Something you shall hardly see me do for a Romantic Comedy in the near future, or so at least, I hope. | 1pos
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] |
This is a children's movie. Is it a great children's movie? No. But, it is an enjoyable children's movie. Sure Gamera looks like he was constructed at the last second out of an old shopping bag; and, Monster X looks like something that you pulled out of a Salvation Army drop-box. But, this movie has children as the main characters, doing the bulk of the heroics and making the bulk of the sound decisions... There are a tremendous number of plot-holes in this movie; but, if you've got children, and a little patience, you can enjoy ninety minutes of pig-headed adults, brave children and flying turtles... Also, there is a certain resemblance to the science fiction novel Blameless in Abaddon...anyone else notice?... | -1no label
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] |
Agency is a film based on an interesting premise about subliminal advertising. Too bad the production was so shoddy, even with Robert Mitchum in a juicy role as the mysterious millionaire who buys an advertising agency for his own nefarious purposes. I remember seeing this exact same premise on a Saved By the Bell episode where Zack and Screech plant audio subliminal messages in tapes of favorite rock group so that boys can present these tapes to the girls of their dreams hoping for a match. It actually does work for a while. Mitchum's after much bigger game, in some commercials that saturated the state of Arizona a noted liberal Senator went down with subliminal visuals placed in some ads about some product. Saul Rubinek catches on and he gets killed for his trouble. Rubinek's friend Lee Majors also catches on, but he proves a lot more difficult to deal with. Mitchum is deliciously evil in this film, unfortunately the film itself is just not worthy of him. And the premise is kind of dumb. Who's to say the other party won't start using it. It's hard enough to get people to the polls in the USA let alone vote for the candidate with the best subliminal advertising. And if they could use the plot on Saved By the Bell.................. | -1no label
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] |
A female executioner (played by the sexy Jennifer Thomas II) has the fun job of fulfilling all the fantasies of all the men on death row before they meet their maker. And what a way to go. Lucky this film is not real, or we would have a lot more people in this world on death row. It starts out real slow. Low light and bad acting, like most (B) films. It gets better as it moves along. And ends with a bang. I would rate it very high on the low cost, very sexy movies of the 90's. It's a must see once the kids are away or in bed. | 1pos
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] |
Colman's performance is aided by the brilliantly written script. The gargantuan Hollywood studios in the 30's and 40's were able to copy some of the German expressionistic film elements and incorporate them into Hollywood films. very good use of shadows and light and silhouette. i really liked the scene where colman turns off the light in his dressing room near the beginning of the film, and he starts reciting Othello while his face becomes instantly dark and evil. already the viewer sees the text and the drama of Shakespeare getting a hold of "Tony" and off he goes on his journey of doom. i also enjoyed the dramatic death scene within the play, when he becomes overwrought with emotion and accidentally strangles his costar a little too hard for her to bear. her pleadings "tony stop you're hurting me" are chilling and suspenseful. you just don't know if he is going to go over the top and kill her at any moment. the cat and mouse chase to reveal the killer was nicely added 2/3rds of the way through the film to add some faster pacing and to also add to the narrative element of the film. Masterful work from George Cukor. He's such as skillful director. Excellent film. Too bad they don't make 'em like they used to... | 1pos
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I must admit that this is one of the few Lou Costello films that I actually saw in the theater. Most have now been seen on T.V. and I must admit that Lou is really enjoyable and he gets the girl,too. This was my first time seeing Dorothy Provine perform and of course I fell in love with her like so many others that day. I have seen most of the work she has done and enjoyed each one. Her performance in The Great Race is one of the reasons I bought the disc in the first place! Every comment on this movie tells that this is the one movie that Lou Costello did with out Bud Abbott,which is true,but if Lou had lived he would have made many more. He really does a good job and doesn't have to rely on his old routines to get laughs. I for one am sorry that the little man from Patterson,N.J. didn't get the chance to do that. I hope this comes out on DVD some time so I can add it to my comedy/sci fi collection. | 1pos
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Some people thought this was funny because they loved the political issues discussed in this piece. I, however, am so tired of the state of the two party system in our country that I can't stomach propaganda from either side. I was hoping for a horror show, but got "cute" zombies and partisan bull crap. I watch my horror films to be scared. This didn't even attempt to be scary. Also, this doesn't have the wit of Romero in his political/cultural satire laced in his movies...this was a blatant, no-imagination story that was hard for me to stomach (for the wrong reasons). On the bright side, if you hate Bush...you'll love this (I'm not condoning hate or Bush with this statement) | 0neg
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Midnight Run is a great movie from the director of Beverly Hills Cop Martin Brest. It provides Robert De Niro with a chance to show his comic side (don't worry if you like him mean and moody, because he gets to be that too). It also provides Charles Grodin with one of the best roles of his career, mainly because this is not a simple-minded one-dimensional farce but an intricate mixture of gangster thriller, road movie and comedy. De Niro plays Jack Walsh, a down-on-his-luck bounty hunter working for a very unreliable and sleazy bail-bondsman named Eddie Moscone (Joe Pantoliano). Eddie wants Jack to find an accountant named Jonathan Mardukas (Grodin), a.k.a The Duke. It turns out that The Duke embezzled a few million dollars from the Mob, and now that Eddie has bailed him out of jail he needs to get his money before the Mob can locate and eliminate the Duke. However, Walsh realises that bringing the Duke in is not necessarily to his advantage, because the Mob bigwig from whom he embezzled the money is called Jimmy Serrano (Dennis Farina), an old adversary of Walsh's. Therefore, Walsh senses an opportunity to get one over on his old enemy by using The Duke as bait. All right, the plot is complicated! But that's not a bad thing, and it's a credit to Brest the writer that he has managed to make his film fairly easy to comprehend, even though there's an awful lot going on. Brest the director deserves a lot of credit too, for drawing dry, witty performances from all his main actors and for delivering some terrific action sequences. The dialogue is great, with lots of snappy and funny interplay between Walsh and The Duke, and some fabulous crudities from rival bounty hunter Marvin Dorfler (John Ashton). There's a heck of a lot of swearing in the film (it might even set a record for the most bad language in a "light" comedy film) but because the actors deliver their lines with wit and relish, the abundance of cursing is surprisingly forgivable. Midnight Run is an absolute blast. A character-driven action-thriller-comedy which moves at a terrfic pace and has style and energy to spare. | -1no label
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] |
Roberta (1935) is my favorite of the Astaire/Rogers musicals from the 1930's. The plot may be criticized as silly, but then so can the plot of most musicals. And I watch a musical for light entertainment, not for serious social commentary. Although the Astaire/Rogers dances are few, they are choice. No flashy ensemble extravaganzas that last too long to be enjoyed. No unbelievably contrived dances or costumes. And Irene Dunne's vocals are delightful to my ear. The soundtrack has not survived the years as clearly as I would like, but the movie as a whole is one that I return to over and over again to watch all the way through, and I can't say that of any other Astaire/Rogers film. Perhaps that is because the entire cast does a job I find enjoyable. | -1no label
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] |
Yes, as the other reviewers have already stated, this may not be vintage L&H but it's far from being their worst work as at 20th Century Stupid...I mean Fox. This film certainly has all of the basic ingredients for things to go wrong for the boys. But it's their serious approach and determination that makes them funny. They don't play it for laughs as other comedians might but they take their work and situation quite seriously and that is the essence of their eternal humor. In this film, they are faced with some basic issues that really might be encountered by any one of us today, namely job related stress. First, we would get checked out by a doctor and he would prescribe some much needed rest and perhaps staying by the sea. That's where the surrealness comes in to all of this. L&H always take a most plausible set of circumstances and exaggerate it but never to the point of being incredible, except maybe once in awhile. This makes us laugh because we can relate to their self caused predicaments and attempts at extrication. That's what makes Stan and Ollie universal in their appeal. In this film all those ingredients are presented in a delightfully artful and gracefully slapstick way. Not their best in comparison to their earlier work probably because this was the actual last film they did for Roach because he wanted to mirror the "big" studios and go into making features exclusively and also wanted to hurry up and finish their contractual obligation. BIG MISTAKE! They should have all stayed together and continued for maybe five more years. What the world may have missed in their not considering this as an option. Watch, laugh, and enjoy this as their last great performance. | 1pos
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] |
I looked forward to viewing the DVD that included Peru, South Africa and India. Unfortunately, it became clear that adventure for the featured traveling couple, and the producers of the show was tepid at best. They stay in the poshest hotels, take first class trains and dine in four star restaurants. While a massage at an infinity pool must be nice, one doesn't need to travel across the world for a spa treatment. The people you'll meet in luxury hotels, trains and restaurants are wealthy travelers. With that as a mainstay, why would your experience be any different in India or South America? You will likely miss the opportunity of absorbing the color, sounds, flavor and spirit of the country. Melanie and Albin brought nothing to the show; their conversations and reactions which lack insight, reflection or intelligence was baffling. "Wow! Awesome! This is so beautiful! That was so fun!" If the show was created to inspire or educate, it was woefully unsuccessful. | -1no label
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] |
If you are a fan, then you will probably enjoy this. If you don't know who Misty Mundae, Darian Caine, Ruby LaRocca, or Seduction Cinema are, this is not the movie to start out with. It's very cute, silly, the girls are hot, and it's fun to watch. There's no sex whatsoever until the very end of the 45 minute film, but the score is cheesy-trippy and the plot's not a total bore. Misty Mundae's makeup is bad in this movie and her hair is in awkward braids, so she's not as hot in this as she has been in others. But her panties in this are quite cute (you'll just have to see the movie for that to not sound really weird). If you do like this one, you will probably enjoy "That 70's Girl", "Vampire Vixens", or "Erotic Survivor" (which is a bit more sexually graphic). If you prefer watching Misty or Esmerelda in less sexual, more horror/exploitation-based (but lower budget) movies, check out the Factory 2000 website. | 1pos
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] |
I went to a recent screening of this movie because I had heard interesting things about it. The one word that I can best use to explain the movie: contrived! The story is waferthin yet dealing with quite an important issue that I had no idea about. Yes, a filmmaker with passion and patience deserves applause but ultimately the film needs to back that up. This film dramatizes elements of the 1984 riots in such a way that if you didn't know about them, you are frustrated by the lack of being in the know and if you do know about it, it's far too trivial and over-dramatic. The lead actress played by Konkona Sen is a great heroine. The only problem is that her supporting team is horrible. Maybe something gets lost between the English the characters speak and my understanding but it's so pretentious and completely distances the audience. Her love interest is beyond words - horrendous. The mother is strictly okay. I liked the director's intent and her fierce drive. That is 100% missing on screen. The only thing I left feeling for AMU was sorry that I couldn't better understand her needs and her past. It's a shame because the film highlights a part of history that is not well known in the western world. Perhaps realizing that got lost in translation. | -1no label
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] |
My gods, I want those 28 minutes of my life back! This so-called movie is a therapist's dream client. The guy who wrote this has issues, massive, major issues. It was worse than any Woody Allen movie I've ever seen. So his dad's a jerk. Well, grow up. You aren't your dad. Get over it. How the hell did this thing win an Oscar? It was pure, utter crap. I saw this tonight at a screening of the five short animated films nominated for the Oscar, and I cannot possibly fathom how any of the other four lost to THIS. Avoid at all costs. The writer of this film should issue a written apology to the world for unleashing this massive Shite Monster on us. I've seen the Shite Monster, in the movie Dogma. This was its poppa. Did the people who voted for it actually SEE the movie? Or were they just impressed by its length? | -1no label
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] |
Yes, the plot is predictable; yes, there are a few plot holes; yes, it has a made-for-TV quality; and yes, Britney Spears "wrote" the book with obvious self-promotion. But forget all of that... this movie is fun. Fun in an After School Special sort-of-way, but fun nevertheless. Virginia Madsen as the mother does a great job... so good that I'm going to start watching for her movies. She reminded me of Diane Lane for all the good reasons. The rest of the cast does a fine job, too. If I was a casting agent, I'd be scouting some of these young actors. The production values are above usual TV standards and the music was really great... better than several big-budget movies I've seen. If you're in the mood for German noir this movie isn't for you. If you want a safe, fun and underrated movie, this is a good one. It's one you could show to your 10 year old daughter but enjoy it yourself too. | 1pos
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] |
I noted that this movie was being compared to Dances with Wolves and Last of the Mohicans,aside from the fact that they all three involved native Americans there is little comparison.Windwalker would be a better comparison. This movie is more about this character who is being driven by a fierce passion to save a people and culture he doesn't understand and doesn't want to. It's Man vs. Nature. God vs. Nature. It draws a far more fierce and savage picture of Native Americans than most films dare to in an effort to stay PC which sometimes means pretending a victim or minority is without fault. This character,this "Black Robe",is most certainly flawed, but his courage in the face of savagery is inspiring. Also the native Americans in this film seem far more human and less a Hollywood caricature of native Americans. I plead with every movie lover out there SEE THIS FILM. I felt I was truly transported back in time. So, if you are avoiding this film because you hated Dances with Wolves and fell asleep every time you tried to watch Last of the Mohicans, try this film instead. | -1no label
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] |
It was heavy-handed, painful and endless. The opposite of funny. An excruciating bunch of penis jokes strung together with some gross-out scenes. Wow! Penises can be short! Penises can be long! Oh, hahaha! Oh, and who can forget the musical numbers. Did I mention that they were choreographed? Mike Myers has lost the charm he exhibited in the Austin Powers franchise. And it's clear that he picked an inexperienced director for this so he could control the shoot. And why does Jessica Alba keep doing crappy movies like this and "Good Luck, Chuck"? Did someone tell her she was a comedienne? And Justin Timberlake -- well, no wonder he wears a wig and moustache throughout. Ironically, though the material is definitely for teen-aged boys, they probably won't go to see it because of the title. It'll maybe have one weekend, then go flaccid. Incidentally, the only truly memorable line in the entire mess is from Verne Troyer in an outtake run with the credits. But it's not worth watching the entire mess to hear it. | -1no label
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] |
Return to Me is a movie you will want to own. It is a story of inspiration and family love that appeals to all ages. The story, though seemingly impossible, aspires to divine intervention when a man looses his wife in a tragic accident and finds that love again in the woman who receives his wife's heart. David Duchovny and Minnie Driver give warm hearted performances as the designated to-be-lovers who meet by chance. But the real story lies in the friends and family around them who love and support them in times of trial. Carol O'Connor as Minnie Driver's grandfather, is authentic in every scene. Bonnie Hunt as the friend whose wit and encouragement underlines Minnie as a 'sister' is funny yet warm in the scenes especially with James Belushi as her husband. Classic scenes and writing makes this story so enjoyable and touching to watch over and over again. Thank you for making a movie that demonstrates families and friends as close knit caring people who love each other through difficult times. | 1pos
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] |
First off let me say that I decided to give this show a chance based on the amount of positive reviews on this site. I gave it seven painful 40 minute viewings before I decided to call it quits on this show. Utterly formulaic. Every episode proceeds in a manner identical to the last. Bret Harrison awakes to discover that he is affected in some strange way by his "demon-sense". He goes to work, and manages to run into the devil. The devil gives him, in the vaguest manner possible, his assignment. He receives a box. Somehow his demon-hunting manages to delay the inevitability of his love interest with Andi. Nothing about the writing in this show makes any sense. A canvas of hollow, poorly constructed characters interact in a manner completely abstracted from the reality in which social interaction actually occurs. Nothing so much as the motivation or background of the characters is properly accounted for, reducing the characters to moving plot devices. It was actively arduous to watch the writers delay the painfully obvious love connection between the male and female lead. Every episode is another exercise of giving the audience hope, and then somehow spoiling it. This is obviously done to create a plot arc between episodes in a series otherwise devoid of continuity and purpose. The show earned three stars because it wasn't the actors' fault. I sincerely believe it was the fault of the writers. Avoid this show like the plague, H1N1, herpes, and the clap. You might trick yourself into thinking it is mildly clever after one or two episodes, but you'll soon realize this show has less tricks up its sleeve than a magician in a nudist colony. | -1no label
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] |
The Old Mill Pond is more of a tribute to the African-American entertainers of the '30s than any denigration of the entire race (Stepin Fetchit caricature notwithstanding). Besides who I just mentioned, there's also frog or fish versions of Cab Calloway, Fats Waller, Joesphine Baker, Bill "Bojangles" Robinson, and Louis Armstrong. This Happy Harmonies cartoon from Hugh Harmon and Rudolf Ising is very entertaining musically with perfect characterizations all around. They all sound so much like the real thing that half of me thinks they could possibly be. If not, they're certainly very flattering impersonations. Even the lazy, shiftless Fetchit characterization gets an exciting workout here when he gets chased by a tiger as "Hold That Tiger" plays on the score. Highly recommended for fans of '30s animation and jazz music. | 1pos
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] |
If John Thaw had never played "Morse", "Kavanagh", or starred in "The Sweeney" and other productions, he'd be remembered for this wonderfully unforgettable performance in "Goodnight Mr Tom". Superbly supported by an equally tremendous performance by his co-star (young Nick Robinson in his first role), and an unobtrusive cast, this adaptation of Michelle Magorian's charming novel is a fitting memorial to his art. When I read this story of an old widowed Norfolk countryman having to accommodate a young boy from London before and during the Blitz, I found a rather obvious time-line error in it, and credit must go to the makers of this film for rectifying this error. They also must be applauded for not over-sentimentalising the tale, and preventing what could have been turned, quite easily, into a mushy mess. If you keep a CD or video library then this feel-good made for TV movie is an absolute must inclusion. | 1pos
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] |
So superb was the job Billy Crystal did on this movie that it is the best baseball (even sports) film I have ever seen. Every detail is meticulously worked out, even more accurately, I believe, than in The Titanic (which, contrary to popular belief, had a few inaccuracies). And while a strong effort in getting look alikes can never completely pay off with so many people involved, how about Barry Pepper as Maris? (Of course, the most important person.) Mickey Mantle's faults are brought out unrestrainedly by perhaps his No. 1 fan, and yet he still comes across in a positive light, as he should. Maris's problems with the press are also portrayed sympathetically, and yet so are members of the press, who are personalized and humanized and have their side also fairly presented. Particularly moving was the scene at the end where a press person who had been at odds with Maris is cheering him on to break the record. An ornamental portrayal of Pat Maris would of course not be tolerated, but Crystal makes an extra, very successful effort at making her an important part of the film with great character development and a thoughtful inclusion of her problems. In fact, I find it hard to think of another movie in which there is such an absence of plastic people. And in spite of the post-Ball Four attitudes about how athletes really are, this movie appears to be accurate in presenting Maris as a good Catholic (and relatively nonboozing) family man. Yankee haters may not be into this film as much as Yankee lovers, but in any event it brilliantly captures the Yankee mystique (and dominance in this particular season) in the early 60s. Were they the apotheosis of the pre-Vietnam, All-American ideal? If you are one of those people whose main complaint about movies these days is more than specific factors, but the general lack of anything uplifting, see this movie. More in the modern vein than, say, Pride of the Yankees, but no less uplifting. | -1no label
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] |
The worst ever Korean movie! The plot is ridiculously complex, unbelievable, and the film creates not a single shock. It builds up suspense well enough then leaves you agitated providing no shock or jumpy moment. Whenever there is a chilling moment you are not bothered by it as you're still trying to work out who is who and what is going on! It goes something like this: a modeling company recruit 4 people for a modeling career. but the owners are not what they seem, they have model dolls of everyone and a strange girl is seen walking about the place and the owners have no recognition of a girl. It turns out that everyone is there for a reason and thats as much as i could grasp. The ending is a muddle of killings and you don't know who's a doll who's real and who's dead! i don't recommend it to fans of Korean/Asian horror films. | 0neg
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] |
I had the opportunity to watch this on cable. And man, it is bad. The most laughable must be the camera work. It manages to be the second worst camera work I've ever seen in my life (the worst being in "Venni, vidi e m'arrapaho", a film that I believe to be from the screwiest corners of hell itself). As soon as the movie had some action -- say, somebody jumped on a chair -- the cameramen went frantic. I kept vomiting during the car chase scenes, and that's pretty bad if you consider that they were driving at 10 mph with a bored frown on their faces. Then ugh... the acting. Not one performance even came close to being decent. The script... was there even a script? It looked like there was no story and they came up with (bad) ideas while shooting. And some scenes were so idiotic I wonder how a sane brain would came up with them. I mean, at one point Nick, the "good friend" of Simon Sez, has a gun in his hand, and loses it because he is making fun of the "bad girl" by playing a tyrannosaur. This is the kind of comedy that you don't laugh at because it's funny, you laugh at it because it's so unredeemable and idiotic you literally can't believe it. By the way, him being a tyrannosaur was as believable as Rodman being an ex-CIA agent. Hell, they even managed to make the French Coast look somewhat small and crappy! Oh well... 1/10 | -1no label
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And I may be being generous. The overwhelming majority of the movie consists of looped footage...the shambling monster, two women exercising, the shambling monster again, a bunch of people in the pool, the shambling monster again, none the worse for wear despite having been injured...you get the picture. I restrained myself from yelling "GET ON WITH IT ALREADY" on several occasions. And it doesn't help that the footage they used was poorly produced. The sound is disconcertingly out of sync with the image. And in the one scene where they tried to get "artistic" with the lighting and camera techniques, the lighting guy, holding the flashlight that provides the scene's only illumination, is clearly visible in the shot. My hope is that the production was the victim of some horrible disaster in which the original audio track and most of the footage was destroyed, but they decided to release it anyways, cobbled together from the editing room floor, in memory of the heroic crew members who gave their lives trying to save the *real* film - the one with the plot and the interesting dialog. Sadly, there's no evidence of this, and I'm forced to conclude that, in the immortal words of Joel and the Bots, they just didn't care. | 0neg
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20 people rated this a 10! That ballot box was stuffed better than a Christmas turkey! Speaking of turkey's, here's a traditional story hoping to piggy-back on the current poker craze - without success. Told entirely in linear flashback, and when I say "told" I mean TALKED TO DEATH, this film never let's a picture suffice when words can be used to exposit. Stu Unger's childhood fascination with cards and his associations with hoodlums might sound like interesting movie material, but the director manages to suck the life out of them. At no point did I feel the least bit of sympathy for Unger, a genius at cards who threw it all away on other forms of gambling at which he was not so proficient. Of course, this leads, as we wade through THREE musical montages, to the inevitable downward spiral of drugs, loss of family, and finally his redemption (sort of). Big yawn! | 0neg
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This show is awesome! I love all the actors! It has great story lines and characters. It is the perfect drama. James Caan and Josh Duhamel have great dialogue. They both can be really funny.I miss Vanessa Marcil on General Hospital, but she's great on here. James Lesure is great! He can be hilarious. Molly Sims plays a dimwit very well. The writing is awesome!They keep up an excellent pace. The show can really leave you hanging, which is one of my favorite elements of a show. I cannot wait until the new season starts. This show makes it to the top ten of all my shows. I hope this show stays on for a really long time. If people know what good is, it will. I never want the show to end. Ever. | 1pos
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Obviously, this movie was not made for the kids who grew up with CGI. Anyone with a keen eye for special effects can see how it is done. But in those days, there was only a handful of techniques you could use. This is miniatures and stop motion, and although not in the league of Ray Harryhausen, there is far worse. Some people claim it is a BEAST FROM TWENTY THOUSAND FATHOMS ripoff, a mock buster. I don't agree. All these movies have a similar pattern. Something inexplicable happens, slowly the mystery and the number of incidents grow, a scientist comes up with a possible explanation and then the grand finale where the special effects and the military come in (with lots of - sometimes inappropriate - stock footage). The Giant Behemoth follows that pattern. It takes half an hour before the monster is shown and then you get a good 20 minutes of more than passable special effects. No men in rubber suits here. The scene at the power plant is a classic as far as I'm concerned. For the modern viewer it takes a bit of patience to chew up the first three-quarters of babbling around, but there is enough to keep your attention. Not like It Came from Beneath the Sea where the continuous scenes on the submarine gets you craving for the end. All in all, it is a pretty decent movie. There are far, far worse. | -1no label
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I remember being rather excited about this show when the railers first appeared, even rushing out of the room whenever they came on as to not spoil the clips through over-saturation. This all seemed painfully ironic when after five minutes of the first episode I saw the same sketch, in a marginally different location, then another, and another. Not only this but there was a distinctly unfunny voice-over by the great Tom Baker and the worst laugh track I'd ever heard (since usurped by Hope And Faith's). By the end I had decided that I need never see another episode of Little Britain, apparently it was all in the trailers anyway. Occasionally dipping into "new" episodes every now and then has done nothing to disprove this. Please try their earlier show Rock Profiles instead, it is far superior. | -1no label
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While the idea is more original than most Sci-Fi movies, the execution is, as usual lacking. While the practical mummy effects are not bad, and the "Gun Nut" character is over the top giggle inducing, the only real draw is to see Morena Baccarin and Adam Baldwin reunited on the small screen. I suspect that was the idea all along. They do the best they can with what they have but the "must see" moments for me were in the first 40 minutes or so when Morena's character sported some Tomb Raider style shorts. Not high brow cinema I know but you can't deny true beauty when you see it!!! And Adam Baldwin once again hams it up as the guy you love to hate. If you just want to watch a couple of your favorite Firefly characters have a good time with some sub par material then this might be for you. If you want good acting and character development then be advised to look elsewhere. | 0neg
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] |
A group of college kids travel to the ghost town of Hellgate to find out the truth about a young woman who was murdered by a motorcycle gang in the 1950's.There,they are greeted by ghosts and walking dead."Hellgate" is a cheesy horror flick that will satisfy only the most undemanding fans of horror genre.The acting is terrible and the script is cheesy beyond belief.There is a fair amount of blood and gore including a nice decapitation scene,unfortunately the special effects are lame.The only reasons to see this stinker are a fish on steroids and re-animated turtle plus Abigail Wolcott as a hot zombie girl.4 out of 10.Only for fans of truly mindless zombie flicks. | -1no label
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I use to think Tenchi is the best Anime show well Inuyasha beats him up Inuyasha is the best anime title I ever saw it has everything good storyline Authentic characters emotions love a bit fantasy and suspense the series is a masterpiece you get drawn in after two eps I was sceptical until I realised i found mt self looking for new epson the web The Authors and the series directors deserve all their credits I feel bad That Kanna will die but I cant wait till they continue with the series ! If you watch an episode you'll love all the characters (how to bo to love inoccent Rin) (even Naraku is an evil character you'll like) also its genius how all characters including Naraku lead you threw the storyline ! just as if they were talking to us this series is a must see | -1no label
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] |
I watched this over the Christmas period, I don't know why but it reminds me of Christmas so I watched it, so there we are. Arthur is a film I watch all the way through with a big dumb smile on my face and its a mixture of special performances, great jolly music and a script crackling with wit and charm that causes it. Dudley Moore makes a character that could well be hated very easily (spoiled, rich, lazy drunk who feels sorry for himself) but turns him into someone you love. Liza Minelli is great as Linda Morolla a queens waitress who manages to pull off the tough/soft on the inside lady Arthur nearly gives up his world for. John Gielgud gets all the juicy lines and polishes them off with relish. I can watch Arthur again and again and it always makes me feel good, check it out if you need a lift its a lovely film. | 1pos
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] |
I have no idea what this was supposed to be, but the end result was atrocious. It certainly seems to fit in nicely with the current Disney run of "cheapquels" being cranked out at furious pace to squeeze a few more dollars out of their "properties", quality be damned. Certainly whoever produced this misaligned heap of bouncing blobs set to jarring and annoying music was hired by ghouls in suits or possibly accountants to do a dirty job, and no love went into it whatsoever. The direct-to-video animation is clumsy, the characters are ghastly and vague impersonations of themselves; worse, the storyline is retarded, so much that even my 5-year-old nephew (who made me watch this awful thing) could see that it was dumb and didn't "feel" like any of the classics. The characters all have the same personality of ill-defined bouncing blobs without motivation, and the "story" couldn't have taken more than a few minutes to work out. Indeed, this thing has all the sincerity of a street hustler and all the charm of a corporate powerpoint presentation. The music was apparently provided by a handful of lounge entertainment dinosaurs armed with cheap Casio synths. | -1no label
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] |
The Fly II picks up where the first Fly left off. Seth Brundle is dead, and Veronica Quaife is giving birth to their child. We learn that the child has rapid growth disorder, and we skip ahead to when he's 5 years old and a grown man. He is continuing his father's work under the watchful eye of Amos Bartok, a shrewd business man. Unknown to Martin Brundle, he carries his father's genes, and he begins to rapidly transform into a monstrous human/fly abhorration. Everything that made the first Fly so good is suddenly gone in this sequel. Just to name a few things: David Cronenberg, a good plot, good dialogue, good acting. They all decided to leave this project. The Fly had everything. Tense, suspenseful horror, sci fi, drama, and even a sort of love story. The Fly II has got disgusting gory horror, little to no sci fi, no drama, and the love story is so underdeveloped that you might as well call it friendship with sex. The acting in this movie is so dull and unbelievable that it's pretty bad to watch. The only thing remotely okay in this movie is the FX, even though it's all used to show disgusting gore that the viewing audience doesn't really want to see. The Fly II should only be watched if you're curious about the continuing storyline, but be warned that it is nowhere close to on par with the original. 2/10 | -1no label
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] |
This was truly dreadful! It had a terrible storyline, was poorly acted, and was like an amateur remake of evil dead but not nearly as good. It took all my tenacity to make it through this one, it's a good job I didn't have to visit the toilet else I doubt I would have come back! This one makes Hammer House of Horror look like a big screen Hollywood epic. The only value to this movie was the never ending supply of beautiful women. Not a bad one among them! If you want to letch with your friends after a night on the beer then this one's for you ... else avoid it like the plague! | 0neg
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] |
This first episode of "Monk" and the next ("Part 2," originally released together with it as "MONK: The Premiere Movie") are essentially everything that television should be. As close to perfection as I have ever seen on American TV. From here, the show could have gone up ever so slightly to be one of the greatest television series in the airwaves' history. Heck, I'll nominate it for that honor on Season One's merits alone. Alas, "Mr. Monk and the Candidate" is still the show's best episode. Directly after it comes "The Psychic," a huge step down. From there the series rose again for most of it's first season, but never as high as at its inception. Season Two was still amiably enjoyable, but hardly great. Season Three pained me to watch. I am, of course, being harsh; but in fairness, I am being so out of the tremendous expectations this fine mystery-cop-comedy show gave me. But I can still most heartily recommend Season One to anyone I meet, and most particularly recommend this fantastic episode. It should be required viewing for anyone desiring the title 'well-rounded human being.' | -1no label
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] |
there was some truth to this movie. I remember a story reported 15 to 20 years ago of 4 fisherman finding a body in the water and they chose not to report it until their trip was finished. I also recall they were charged with interfering with a corpse (or some such charge). I'm not sure if it was in Australia. The viewers outside of Australia must think we live in a country full of rapists and serial murders. Wolf Creek and this film would encourage this perception. The film itself reminded me of A Simple Plan. But as far a being one of the best Australian films ever, as someone claimed, I can't be that generous. Put it this way, I wouldn't bother watching it again. | 0neg
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] |
This is a movie conceived and produced by juveniles for juveniles but is it ever funny. The kind of funny that kept me wondering whether everything about it, and I mean EVERYTHING, wasn't meant to be that cheesy. There's really no point in commenting on the dialogue (moronic) or acting (what acting?). I guess the scenery was OK if not for the fact we kept seeing the same scenes ad nauseam. I should say something about the characters though. The premise of the film is that there's two tribes, one of pretty women and beastly men and another of handsome men and ugly women. I guess the women were pretty enough and they were quite shapely. As for the men they all hailed from muscle beach. This was a beefcake fest with the beastly men differentiated from the handsome men primarily by the fact they were hairy. The handsome guys were shaved clean and oiled to boot. These fellas were ready for the Mr. Universe contest. So the bottom line is: could you spend an hour and 11 minutes doing something better? Absolutely, positively without a doubt. But if you do chose to see it you'll find yourself chuckling uncontrollably and that's not such a bad thing, is it? | -1no label
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] |
This is the last episode of the Goldenboy OVA series. Kentaro finds himself working in an animation studio, which is rather interesting if you don't know anything about the way anime studios were run. Besides episode 3, this was probably the least risqué, but it had a nice girl interest, as well as a surprise reunion from others in the previous episodes. My only complaint about this episode is it seemed a little too short, but at the same time this may have only been because it was the only original script for the show that wasn't based on one of the manga chapters. but it ended well, leaving us with the nice feeling that Kentaro is permanently 25, studying on. Definitely watch the rest of the series all the way through, you can buy the whole series for like $17, you can watch it all the way through in about 2 1/2 hours, or watch your favorite episode if you have 20 minutes free time (which i do if i have a lunch break at school.) good series, check it out. | 1pos
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] |
For 5 years beginning in 1926, the Republic of Mexico waged all out war against Catholic armies in several states in Mexico until 1931. The movie made by John Ford, follows the massive effect this Catholic repression had on Mexicans and their society over this time period. The baptisms, the hostage taking, the executions, the effect this repression had on all classes of Mexican society, were part of this understated but brilliant depiction of Mexico during the Cristero Rebellion. The fact that John Ford used the creme of the creme of Mexican films; Emiliano "El Indio" Fernandez, an iconic figure in Mexico's Golden Age of Cinema, as an associate producer, Fernando Fernandez, an accomplished singer in Mexican cinema, Miguel Inclan (the hostage), who would go on to achieve fame as the blind man in Bunuel's "Los Olvidados", Gabriel Figueroa, by far the most accomplished Mexican cinematographer of all time, Delores Del Rio and Pedro Armendariz, two of the top stars of Mexican films, to support one of America's finest movie stars Henry Fonda, speaks volumes on John Ford's efforts to craft a movie for the ages. This film has the angst found in German films, the methodical cadence characterizing films from Great Britian, the lights and shadows of Mexico, with a good helping of an American western, thanks to another great tough guy performance by Ward Bond. The lighting, camera angles, scenic shots; Gabriel used Mexico's two most important and sacred mountains in his scenery, Popocatepetl, and Iztaccihuatl. In closing, for all you film buffs, there is a triangle relationship between this film and one of the greatest films (if not the greatest) of all times, Citizen Kane. Everyone knows that Delores Del Rio was having a relationship with Orsen Wells, during the filming of Citizen Kane. The cinematographer of Citizen Kane, Gregg Toland, was a mentor for Gabriel Figueroa in Hollywood during the 1930's! | -1no label
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] |
About five years ago, my friend and I went to the video rental store to get something to watch. My friend saw Space Truckers on the shelf, and so we got it. Once we got home and started watching it, we realized what an absolute piece of crap it was! A beer can floating in space? A guy taking a dump in a toilet? A guy with a mechanical dick who tries to arouse a women by saying, "Whizz, whizz!"? WTF!!! The dumbest, stupidest, most retarded, horribly throne together piece of trash my eyes have ever been exposed to. My friend and I still refer to it as THE worst movie we have ever seen. Only one other movie has come close to its crappiness (and that would be the stupid Jackie Chan flick, "The Medalion"). If you eyes ever see this piece of junk on the shelf at your video store, proceed to do the following: 1. Take it off the shelf and throw it to the ground. 2. Stomp on it for at least 30 seconds. 3. Proceed to set it on fire in a contained facility (bathroom stall). 4. Lastly, take it to your local hazardous waste management facility immediately so that it may be properly dealt with. STAY AWAY FROM "SPACE TRUCKERS"!!!!!!!! | 0neg
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] |
....Rather well done, actually--attack the evil villains in their lair, stop a Little Big Horn style ambush, save the day via the waterboys' bugling, works for me. Stiff Upper British lip and all that. So how does it play on a DVD 66 years later? Struck me as being like a Western, subbing Apaches or Sioux for the Thugs, and the US Cavalry for the Imperial British Army. It's very Colonial in it's outlook, you know? White Man's burden and all that? Kipling certainly would have approved. Cary Grant, Fairbanks and MacLaglen play it as broadly as possible, putting some buddy buddy slapstick into the mix between the shootings and brawlings for good measure. (I had no idea it was Joan Fontaine as the token army wife--did they leave some of her scenes on the cutting room floor? very short-) None of them were aiming for an Oscar here--in fact Grant was not at his best in a few scenes--but sod it, it still works. And where else would Ben Casey wind up as an Indian bugler? Only in Hollywood. Def. check this out if you like adventure and pseudo-Western style antics. It was done by a bunch of pros, well I might add. *** outta **** | 1pos
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] |
I'm a fan of the prime time soaps of the 80's (DALLAS, DYNASTY, KNOTS LANDING & FALCON CREST) until 1989, the ones that entered the 90's became a shadow of what they were in the beginning (Only KNOTS was good until the penultimate season, last one was a mess but had a great final episode). With the 90's I missed a prime time soap opera with the quality of early Dallas, KL or Dynasty... I never liked Melrose Place or Models... Then CPW came in and I was excited. I know the series didn't had the success it deserved and changed by mid season, becoming more Dynastic with ambitious Raquel Welch marrying Lauren Hutton's ex-husband to see him die in her arms... inheriting his fortune??? We didn't know, because the series was canceled at that precise moment. I enjoyed all the episodes, but I must say the first ones, were the best. And I love the character of Carrie Fairchild, maybe because she was like the first Fallon (Pamela Sue Martin) Carrington my favorite Dynasty character: a spoiled rich girl, intelligent, cunning and ambitious to get what she wanted. | -1no label
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] |
I bought this because it was $1.99 and Harry Carey was in it and a friend of mine was in it, and for $1.99, how bad could it be? Then I read some comments here on the film and began to get excited -- maybe this really was a lost gem, one of those terrific little B-movies everyone had forgotten about but which deserved to be resurrected. WRONG! I'm not sure how anyone else can give this thing the praise it got from some quarters here, but I found it one of the most tedious and blatantly bathos-filled movies I've ever seen. And I'm not talking about Richard Carlson's hokey Texas accent (straight from the Georgia part of Texas, I guess). It's just dumb. No one in the film behaves like a real human being. No one. And no one does anything believable or interesting. It's not even a cliché-fest. It's just 80-something minutes of frames going by. It even managed to make Harry Carey, Maria Ouspenskaya, and C. Aubrey Smith boring. Now THAT'S unbelievable. | 0neg
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] |
Without a doubt, Private Lessons II is the greatest movie I have ever seen. A Japanese import (poorly) translated into English, its a joy to watch. Not much of it makes sense, but that doesn't matter. It's the greatest comedy around without ever being intentionally funny. The film is rare and unavailable on video, but I have caught it a couple of time late, late at night on pay cable. My taped copy has been watched dozens and dozens of times as I slowly, person-by-person, introduce this film gem to the world. Joanna Pacula plays the tutor/lover to Ken, our hero. (She apparently was just working for her check.) Ken is played by Goro Inagaki, of the Japanese pop band SMAP, who gives it his all and has great hair through out the movie. Stacy Edwards, of "In the Company of Men" fame, shows up in the movie too and is probably happy that she found other film work afterwards. It takes at least three viewings to sorta figure out what the plot is. On repeating viewing you can enjoy elements like the abnormal amount of vases Ken has in his house (at least 50) or that Ken is wearing a shirt with embroidered husks of corn in the movie's finale. The movie is predictable, but highly quotable. My friends and I reenact entire scenes. Yes, it sounds like we're lame losers and we are ... but we're lame losers who have seen "Private Lessons II." Be one of ten people in the world who have seen this movie. You'll thank me for it. | 1pos
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It is astonishing that the few surviving fragments of Petronius' work evoked such a stunning and Rabelaisian cinematic romp through ancient Rome. The author was extremely daring to flout the dangerous emperor Nero by satirizing the egregious excesses of the time. Keep in mind that he was executed for it and most of his work destroyed. The "party 'til you puke" attitude actually originated with the Romans, who provided feathers for the throat and basins for their guests to vomit into so that in voiding they could eat and drink even more. Trimalchio's banquet is typical, it's description is much of what is left of Petronius' work. The somber sequence depicting the dignified suicide of proscribed patricians reminds us that many prominent persons who fell out of favor by their political affiliations were forced to abandon their families in this way which also included confiscation of their property. Petronious himself ended in this way. Fellini has given us a fascinating tryptych into a bygone era. In doing so, he also provides a remarkable journey into the myriad aspects of human life in all its richness. | -1no label
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