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The film may have been a little sentimental, but not too much, and it includes Over the Rainbow by Israel Kamakawiwo'ole which sets the tone for the whole film. And seeing Jason Mamoa without his dreadlocks was worthy and dreamy (I love my Hawaiian men). I really did enjoy this Hallmark film, and the scenery made it worthwhile. Can you imagine, for the main character to find out that her mother was Hawaiian, and the land could be theirs. But this particular plot of the land feud was not resolve in the film by the time it was the ceremony for Lily. But ending it by her going back to her old life in Boston, is as real as you get, but what else could she do, split her family up to spend her romantic days with her Hawaiian hunk? and i suppose, Hawaii is a paradise, for a moment, and that's all. it would be nice if we all packed off to Hawaii to live with our Hawaiian hunks, if that were so, Hawaii would be the awful tourist trap of middle aged women you would see in some of the Spanish resorts today. Then, end of paradise. | -1no label
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This really wouldn't look out of place as a student film. Leaden script, poor acting and a plot that never really gets going are just a few of the things that can be said. Caine is OK, but you get the feeling that the rest of the cast just don't care. In fact with better production values and a little more believable action this film could have been at least half-way decent. In the mid- to late-sixties there may have been a call for this type of film but not now. Then, it would have been slightly dangerous and risque, perhaps even exciting (then again perhaps not). Now it collects dust as it sits on the shelves of the local video outlet (really - it does!). The film is just a shadow of what could have been. | -1no label
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] |
this movie is one of the worst ever, do not watch it, it is total crap. Nothing makes sense, it's only 48 minutes long!!!!!!!!!!!! Carrey shows no talent in here and why does it say introducing Janet, that's stupid. The quality was bad and the audio was bad, we all just laughed during it, for shame!!! I can't understand why someone would want to make this movie, or watch it. This is a slap in the face to anyone who is a Jim Carrey fan, his talent is absolutely no where to be seen here. If I had a choice of watching crap float around in a toilet or sit through this, you can bet your ass that I pick the crap. There is nothing in this movie that gives it any mark, Just as bad as BELLY, ENVY or House of the dead!!!! | -1no label
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] |
Just when you thought the nail couldn't be pushed any deeper into his coffin, Kennedy is back, and this time in a movie like Malibu's Most Wanted, or rather a movie where he is acting like a stupid white guy: Kickin It Old Skool! Right now I'm telling you just to rent Malibu's Most Wanted to get a clear picture of how this movie is: humorless with a stupid white protagonist. You don't even have to go out and spend a few bucks on a rental, just turn on your TV at this moment, and you will find a movie with the same formula. The only handful of at least entertaining films Kennedy have been in is "Dead Poets Society", for which he was uncredited, "Boogie Nights" which wasn't in the original film but deleted scenes, and Scream where his character was well balanced among the other high school kids in the film. His track record of Son of the Mask and Max Keeble's big movie, considered his biggest roles along with MMW weren't too great. The best part of the film was the secondary characters, who dished out some occasional amusing humor from time to time. But the humor didn't last long when it cut right back to a joke about stupid white Jaimie Kennedy, just to ruin the good mood! The story is oh-so familiar, with a rival young hip group of kids just waiting to duke it out with Kennedy and his band of misfits, except duke it with fists they shall not, but rather their old skool moves. (Notice how the title of the film is spelled adequately for our youth of today, missing all sorts of hard consonants that we shouldn't bother with putting in proper linguistics). Alas, there could have been hope. But don't waste your money on yet another film attempting to exploit the goofy white people, which has been done for years on end. Kennedy needs to stay in his coma, for the better. 3 | -1no label
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] |
My 10/10 rating of course applies only if you're willing to get completely and utterly grossed out*. Because you know that only John Waters can do that. In "Pink Flamingos" (his directorial debut), he portrays two families locked in combat to see who can be the filthiest person alive. What Divine famously does at the end pretty much answers the question. But even aside from that, the movie is basically an excuse to shock people beyond what anyone would usually imagine. You had better have a very strong stomach to watch this movie. Even some of the lines are rather mind-blowing. *Otherwise, avoid this movie like you would the ebola virus! | 1pos
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] |
I agree in most part with the first review especially when comparing it to other movies from the RGV production house. Unless watched as a prequel to 'Company', it stands a little feebly with a mixture of actors, script, storyline and direction borrowed from it's fantastic predecessors. Otherwise it's an interesting prologue to a more complete and fulfilling story. I think the movie improves in the last third with excellent plot development and gritty twists, and the finale is well-worth waiting for. Having loved 'Satya', 'Company' and 'Ab Tak Chappan', maybe I was expecting too much from the same genre and was a little disappointed. Try again some other time methinks, rather differently perhaps for a fresher approach. | -1no label
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] |
i totally disagree.i thought that this was a great movie for kids.dawn wells from gilligans island,and promise shown of a barely then known dana plato.it was disneylike and for that it can hardly be disregarded as meaningless fluff.no it wasn't scary and wasn't meant to be.i wont ruin the ending.but it was unusual the way that it was done.i mean the kids characters were great and i didn't know what to expect in the end.the basic plot also had a lot more to do with these kids than you say the fact that these kids were expert fishermen is very central to the plot especially initially.it also helps them out of a jam towards the end.it also has the plus of not being overly long.i think it clocks in at under 95 minutes | 1pos
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] |
The movie is not only terribly boring, but it is a pain to watch: BANAL, BIASED, NO STORY, NO MEANING. It is a good idea for any director to first study the culture and mentality of a country before staining the name of a whole nation. The representation of Bulgaria is simplistic and one-sided. No doubt any Bulgarian would feel deeply offended by such distorted representation of his country. Second, the movie is more than explicit when it comes to male nudity. Nobody would mind to see a couple of passionate love scenes, but it is beyond the call of duty to have Dritan Beba (by the name of Kiril in the movie) walk around naked all or most of the time. Finally, the movie is simply dragging since there is really nothing happening. Even though the actors are believable in their personification of homosexuals, they are simply not convincing when it comes to human emotion. As a whole, the movie is a complete waste. I couldn't finish watching it and I guess nobody in his right mind would unless he's desperate to see gay porn. | -1no label
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] |
I wish they would have included the original longer version of the "Bad Girl" video that was run on MTV. The longer original version had a much better story line to it, like a mini movie with more Christopher Walken scenes. But at least I have this one to watch, Madonna is at her very best in her career and her videos were visual magic! "Justify My Love" would have been another EXCELLENT video to have been included here but too much questionable content I guess. The black and white filming of "Justify" is pure genius! It really is too bad it's not included here. "Rain" is another visual masterpiece and "Bedtime Story" was one of the first truly "Over the Top Expensive" videos of the day and one of the first to use massive amounts of computer altered graphics, A real masterpiece! Don't pass up the chance to own this wonderful collection | -1no label
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] |
I know little or nothing about astronomy, but nevertheless; I was, at first, a little sceptical about the plot of this movie. It follows three children that were all born during a solar eclipse and so have no emotion, and thus (naturally) become ruthless serial killers. The plot does sound ridiculous at first, but once you realise that a solar eclipse blocks out Saturn and, as you know, Saturn is the emotion planet, it all falls into place; makes complete sense and it's then that you know you aren't simply watching another silly 80's slasher with a pea brain plot. Thank god for that! Seriously, though, Bloody Birthday is based on a ridiculous premise, but it more than makes up for that with it's originality. Having a bunch of kids going round slaughtering people may not be the most ingenious masterstroke ever seen in cinema, but when given the choice between this and another dull Friday the 13th clone - I know what I'd choose. Also helping the film out of the hole that some people would think it's silly plot dug it into is the fact that it's extremely entertaining. Many slashers become formulaic far too quickly and the audience ends up watching simply to see some gore. This film, however, keeps itself going with some great creepy performances from the kids (which harks back to creepy kid classics such as Village of the Damned), a constant stream of sick humour and a small, but impressive for the type of film, dose of suspense and tension. One thing that I liked a lot about this movie was the vast array of weaponry. There's nothing worse than a slasher where the killer uses the same weapon over and over again (cough Halloween cough), but that's not the case here as Bloody Birthday finds room for everything from skipping ropes to bow and arrows. There wasn't any room for a chainsaw, which is a huge shame, but I suppose not every film can have a chainsaw in it. | 1pos
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] |
I am a huge Rupert Everett fan. I adore Kathy Bates so when I saw it available I decided to check it out. The synopsis didn't really tell you much. In parts it was silly , touching and in others some parts were down right hysterical. Any person that is a huge fan of a personality of any type will find some small identifying traits with the main character. (Of course there are many they won't, but that is the point) If you like any of the actors give it a watch but don't look for any thing too dramatic it's good fun. I might also mention you can see how darn tall Rupert is. I mean I knew he was 6'4" but he seems even more in this film. He even seemed to stoop a bit due to the other characters height in this. He is tall! I mean tall!!!! And for you Rupert fans there is a bare chest scene...WONDERFUL! | 1pos
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] |
Story about two young men in England--Philip (Angus Macfayden) and Eliot (Corey Parker)--falling in love. Philip tells his parents--his mother thinks it's a disaster--his father (Brian Cox) remains strangely quiet. It turns out HE'S gay too and his sons coming out is forcing him into a decision. Low-key drama. I caught it on PBS (slightly edited) and then saw it complete on VHS in the early 1990s. I liked it but can't say I was too impressed. For starters the low-key aspect of the story was TOO low-key. Everything seemed muted. Macfayden and Parker were (surprisingly) terrible in their roles. I never believed these guys even liked each other, let alone love each other. So a crucial turn halfway through didn't carry the emotional weight it should have. The happy ending all around seemed too pat for me also. Still it was brave to make a movie like this back in 1991 AND get it distributed. It was well-directed and well-written. Also Cox was excellent in his role. So, it IS interesting in terms of gay cinema--it portrays gay men in a realistic manner (especially having hunky, masculine Macfayden play one) but it just doesn't come across strongly enough. Worth a viewing but don't go out of your way. | -1no label
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] |
From the opening scene I was utterly gripped by this movie, and the sense of menace never let up. I damn well cared what happened to the 2 female leads, and I came within an inch of turning away from the screen through sheer tension. The (under)acting was first-rate in my opinion and utterly believable, the direction assured, and the editing perhaps the ultimate triumph, with expert use of flashbacks to slowly reveal the horror and sleaze. Made on a shoestring budget and within a tight time-frame, these factors only seem to add to the rough and ready quality of this film. I staggered out feeling relieved it was over, but also strangely uplifted, and greatly rewarded for my £6.50 investment. Only 2 scenes seemed a little contrived in order to keep the continuity going, but the twist near the end was clever and resonant. On a par with 'My Name is Joe' and 'Trainspotting'. Oh yes, and my flat in Brighton (from a distance) is in one of the scenes :) | -1no label
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] |
This is a pretty boring slasher in my opinion, as I was quite disappointed, after reading lots of positive stuff about it. It has some decent gore scenes, but all the characters were very unlikable, and it moved along at a snail's pace, plus the only time it got interesting was the finale, as that was kind of fun to watch. I bought this at a pawn shop for a $1, as thankfully I didn't spend much money on it, plus The Scarecrow wasn't menacing at all for me, as it was just too weak looking. It may be worth a watch for Horror fanatics(like myself), but even then I would have trouble recommending it, and it's badly made and written as well, plus Gary Lockwood played his role extremely well as the prick of a Mayor!. There is one amusing moment, where a couple of drunk guys try to go mess around and pee on the Scarecrow, and things go dead wrong, and I thought the two leads Elizabeth Barondes(Claire) and John Mese(Dillion) hardly had any chemistry together at all, plus as I said the only worthwhile things are the decent gore scenes and the finale. This is a pretty boring slasher in my opinion, as I was quite disappointed after reading lots of positive stuff about it, and I say avoid it. The Direction is not very good. Jeff Burr does a bad job here with dull camera work, using a potentially good setting, only problem is it moves along too slowly, for me to really give a damn. The Acting isn't much better. Elizabeth Barondes and John Mese are mediocre as the leads, and I didn't really care about there characters, they were just there, plus it didn't help that they didn't have very good chemistry together. Stephen Root is OK as the Sheriff, and did his job adequately. Howard Swain plays the scarecrow well enough too bad it wasn't that menacing. Gary Lockwood plays the prick of a mayor very well I hated him. Rest of the cast are mediocre. Overall I'd say avoid. * out of 5 | -1no label
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] |
The sounds in the movie were so mundane and ridiculous, seriously banging on the door hinges for about 30 minutes really crunches your teeth and makes your head hurt. i love bad puns more than the next guy, but come on "no blood on our hands" being said about a million times by Matt Dillon' character, and when Matt Dillon's character shoots the bum the lead character which i fail to remember his name because i don't really think anyone cares gets blood on his hands literally. the background music with the heavy metal guitar ringing an A-chord for about 5 minutes isn't my idea of music, come on i was having the worst headache by the end of this garbage. | 0neg
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] |
Chen Kaige gives us magnificent depth of atmosphere. Yes, it's a 'period piece', but Chen's artistic use of imagery makes it something more. The actors often behave like players using the stylized diction, postures and facial expressions of Peking Opera. All the actors in a scene play to the 'back wall' even when addressing each other. They are like spirits of the past enunciating with powerful clarity a story with urgent meaning for those in the present. Combined with close attention to scale and masterful cinematography indoors and out, "Jing ke ci qin wang" is a stunning tale told with great reverence in its own idiom that captivates completely. | 1pos
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This superb compilation, appropriately narrated by another American cultural giant, Orson Welles, features the best of the 1940s Looney Tunes output, not just Bugs, but Sylvester, Tweetie, Daffy, Porky and Foghorn: 'What's Cookin' Doc', 'A Wild Hare', 'A Corny Concerto', 'Rhapsody Rabbit', 'I Saw A Putty Tat', 'Walky Talky Hawky', 'My Favorite Duck', 'Hair Raising Hare' and ''Old Grey Hare' (see my individual reviews). As a piece of cultural history, this semi-documentary is inadequate - there is no attempt to explain the subversiveness of these irreverent, flippant, violent, beautiful cartoons in the context of Disney-dominating ick-animation and gloomy, propaganda-laden World War Two - to which many of these cartoons tacitly refer, revealing complicated truths other 'real' films couldn't dare, such as the barbaric effect fighting barbarians can have on 'our' side; there is no analysis of the glorious pretention-pricking of both Hollywood and high culture, or Bugs' androgynous proteanism, or how the cartoons retained a level of fresh invention while seemingly locked in repetitive formulae; of the powerful psychoanalytic premisses of each short, in which a wild, elusive, lawless animal stands in for our stifled desires, especially as World War Two gives on to the post-war world of Joe McCarthy and chums. Rather, the in-between nostalgic bits celebrate harmless anecdote and japery, putting animation on its proper, neutered level. The cartoons themselves triumphantly bely such a project. | -1no label
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] |
A furiously intense story that takes place shortly after the Cold War where an American colonel (Roy Scheider - "Jaws") who has a troubled past, picks a fight with a high-ranking Soviet military officer, (Jurgen Prochnow - "Das Boot") that nearly escelates into a Tarantino-like standoff. Scheider and Prochnow are both good and so is Harry Dean Stanton ("The Straight Story"), who plays Scheider's superior officer and an old war buddy who is concerned about his friend. Director John Frankenheimer ("Ronin") is smart in making the film go smoothly and I got kick out of the scene where Prochnow and two other Russian officers briefly watch an American (college) football game on t.v., question it, and laugh at it. | -1no label
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] |
Michelle Brown (Kimberly Williams-Paisley) has the perfect life - a wonderful job, a wonderful boyfriend, and she just bought the dream house she's been waiting for her entire life. But when she gives away all of her personal information to a depressed drug user in need of money named Connie (Annabella Sciorra), her entire life falls apart. I absolutely loved this TV movie. It's full of suspense and emotional scenes, but more importantly, it's full of truth. Identity theft is the fastest growing crime in the nation - every 6 minutes, someone's identity is stolen. The fact that the movie was based on a true story makes it all the more scary, and you have to be prepared for reality to slap you in the face. It's a big eye-opener. You can also learn a lot from this movie: What to do if it happens to you, etc. "Identity Theft: The Michelle Brown Story" aired last night, but if you missed it and have the opportunity to see it again, I highly recommend that you do. | -1no label
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] |
This was one of the most vulgar and disgusting things I've ever seen in my life. And you straights think we gays are the freaks? You guys really need to look in the mirror. When something like this is played at an international awards ceremony and everyone laughs, you know we're near the end of the world. It's sick that everyone gets off on the genital mutilation of men. I guess since everyone is so use to mutilating the genitals of new born baby boys it comes as no shock. I'd like to see how everyone would have reacted if it was Sarah Michelle Gellar, instead of Jack Black, that had a ring ripped out of her genitals on national television. Yeah, a laugh riot. Thank God I'm Gay. You straights can do all that nasty stuff to each other, and take pleasure in each other in this sick way, all you want. Just don't EVER criticize gays as being the sick ones. YUK!!! | -1no label
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] |
I think the Croc Hunter is a pretty cool guy! I know I wouldn't have the nerve to go even 5 feet away from a croc. But, everything in this movie is bad. Farting jokes, people getting eaten, and the skit about the President all make the movie one of the worst of all time. It's a really bad film that you have to stay away from. All the "jokes" are so juvenile that you will find yourself laughing because they are so stupid. The plot is so bad that you wonder if the screenwriter is 4 years old. I'm surprised the Croc Hunter did not beg the crocodile to eat him after he saw this. | 0neg
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The movie was awful. The production company should be required to pay a fine for wasting electricity transmitting this nonsense. There were too many holes in the plot. Why would the DOJ send a killer out to assassinate a world leader? If they weren't the DOJ, why would they send someone they thought would not do the job? To quote Butch Cassidy, "Who are those guys?" Apparently, the director does not know either because he never told us. The characters were unbelievable. They did not behave in any way that seemed to fit who they allegedly were. With the exception of the doctor, none of the characters were particularly compelling or likeable. If you want to waste money on the electricity required to watch this movie, feel free. Otherwise, run the opposite direction. | 0neg
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] |
If BRINGING UP BABY has rapid-fire dialogue and one crazy scene after the other, HIS GIRL Friday goes even faster and is 10 minutes shorter. A story not that un-similar to THE PHILADELPHIA STORY which deletes the scatterbrained socialites in favor for a gritty, urban setting, Cary Grant is fantastic in his role as Walter Burns as he tries to win back his wife Hildy Johnson (an equally brilliant Rosalind Russell in full comic mode) by literally throwing her back into what she -- deep down -- loves best: reporting and the breakneck lifestyle that comes with being in front of the news. These two are on camera often, and their dialogue together is like a frenzied waltz: trying to follow every exact word, gesture, and snarl is quite a task, boy, does it sizzle! What a shame that this wasn't up for any awards, as this could have easily won in acting categories. Completely ahead of its times, this is an interesting view on feminism thirty years before the term became public knowledge, and if one listens closely, a study in verbal sexual interplay. Which shows that making Hildy Johnson a woman was the best decision a director could ever do to enhance a story. A remake of an earlier film (THE FRONT PAGE, 1931), itself a film version of a 1928 play, HIS GIRL Friday was remade again as THE FRONT PAGE in 1976 and yet again in 1988 as SWITCHING CHANNELS, with Kathleen Turner nicely holding up in her portrayal of the role that cemented Rosalind Russell as a skilled comedienne, this time set in media TV. | -1no label
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] |
(Spoilers galore) This is an absolutely awful film. First of all it has that guy from medium. I guess he's made a career out of playing super doting dads. It was OK the first time he tried to scare his son by pretending to be a monster...but then 10 minutes later they cloyingly did it again! And so it goes, this film moves in excruciating real time. At one point, I started imaging it was days later, until I was reminded that the story line was only at the next day...in the early afternoon still! I'm not really sure who this couple is supposed to be in real life. First of all they are presented as sort of a Manhattan yuppie couple who grew up and had a kid. But they drive an old blue Volvo. Those types stopped driving Volvos decades ago. Today they drive Priuses. But in 2002, I'm sure they still weren't driving Volvos. OK, then there's Wendigo. A "mysterious Indian man" gives the boy a little magic Wendigo statue and tells him of its powerful magic. C'mon...are we still doing ancient Indian mysteries. Just to drive it home, they pan across every Indian statue in their tourist trap upstate New York town. American Indians are portrayed in a manner not seen for decades in this film! Oh, and about Wendigo. He is not actually the cause of the horror. He doesn't kill the kid's dad which is the most horrible thing in the film...he's just killed by an ordinary hick with a grudge and a high powered rifle. The Wendigo only comes out late in the film to avenge the guy who killed the dad...oh, but wait, it seemed earlier that Wendigo was kind of mad at the dad, maybe because he killed a deer...so then Wendigo must have been happy that the dad was killed...but... And so it goes...insulting, boring and nonsensical. There is no reason to watch this film at all. | 0neg
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] |
This movie tries to have you believe you are actually watching a top rated film. The truth, however, is that it is not even worth to be rated as a "B" movie. Actions follow each other with an unbelievable speed and despite all that, the movie is leading nowhere. I have seen passenger 57 and the story somewhat matches. That movie was also not as believable as I had hoped. This movie cannot begin to compare with passenger 57. And why is that commando's always think so high of themselves? "Let me go up there and I'll solve the problem". Sure! Then shooting around in an airplane as if you're on the ground, is also not the best idea. Normally the bad guys know about this. In this case they and FBI agents seem unaware of this fact. No, I would suggest you find yourself another movie to watch! | -1no label
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] |
I love this film, truly I do. It's an adorable charmer, a cheery, bright, silly comedy with a tangible family chemistry and a really goofy sense of humour. I love Charles Grodin check out his dancing, or his scream of "Puppyyyy
noooo!" Bonnie Hunt is just delightful. I love Beethoven and his girlfriend watching a movie, complete with popcorn. Later, they go for a ride in a rickshaw! I love the eating contest, including the part where the film speeds up! I love Chris Penn getting his head stuck in a tree trunk. I'm laughing out loud just thinking about this stuff. 'Beethoven's 2nd' is so daft it's practically a cartoon, and that's where its appeal lies. Everyone looks like they're having fun and they all seem to be on the same page. What a corker. | -1no label
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] |
Could this be one of the earliest colour films? It's actually the second. This is a very beautiful piece of film produced by Thomas Edison. This was one of many of his other films. I think this is the most beautiful of any Thomas Edison films. It shows a girl dancing and moving her dress all around, which turns red with the film. It's just beautiful. You are watching history when you watch this. You are watching what began to make movies of the day great! This may not have a plot, or anything very interesting, but this is the second colour film ever. I recommend this to everyone, especially if you're teaching students about filming or something of the sort, you have to show them what began color films! | 1pos
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] |
I cannot comprehend how this picture was allowed to be made. It is mostly, if not completely, inaccurate so much so that the main character does not even resemble how history has him look physically. This movie made me go on the internet and go through my books to make sure I remember Nero's personality correctly. For God's sake, I have a book that lists Nero as one of the most evil person's of the world and the movie made me feel bad for him. I must say Aggrapina's character seemed close to my understanding of her, both physically and psychologically. Although, the actors all did a good job, the movie was terrible and I'm sure I will not watch any others made by this sorry team. | -1no label
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I've seen a LOT of movies in my time, and have even studied them as literature in university, but nothing could have prepared me for just how incredibly bad this piece of cinematic dreck was... and that's giving dreck a bad name! The rules dictate that I cannot give a lower score than 1, but trust me, if I could go lower, I would. My friend Tommy and I had just rented "Boyz 'N The Hood" and "Menace 2 Society" and found them absolutely stunning! We were shocked, and in a good way. So we figured "Juice" would be equally as intense. Nope. We never made it through the first 20 minutes before we had to shut it off. We couldn't understand HALF of what the characters were saying; maybe we'd have been better off if we knew some gansta rap slang, because the conversations made absolutely no sense to us. I mean, we started to wonder if maybe this movie should've been made with subtitles. And if that weren't bad enough, on a purely professional level, "Juice" looks like it was shot by amateurs! I mean seriously, just how real are we supposed to take this movie when in one scene (set in a diner, if I recall correctly), the boom mic dips into the picture frame, not once, but twice! Or was it three times? And who was operating it, anyway? It only picked up one half of a conversation between two characters in a booth... and they were sitting right next to each other! We heard one guy just fine; the other sounded like he was mumbling. This was the point when Tommy and I were laughing at it so hard, we shut the movie off, and immediately drove back to the video store to see about getting a refund. If you know ANYTHING at all about film, then STAY AWAY from "Juice"! I'm far from being an expert, but I know enough to state that in my opinion, "Juice" is nothing short of putrid. | -1no label
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] |
I'm not sure whom of five people to hate: the director? one or more of the people given the writing credits? In any event, this is one of those movies that fairly actively insults the viewer by having the ostensible hero repeatedly be implausibly foolish -- as if drunk through-out the entire story. On top of this, the movie is awash with offensive ethnic stereotypes, and with obviously Caucasian actors pretending to be Chinese by looking filthy and acting sub-human. The Chinatown is made to seem as if it were literally over-run with villains, so that Wong's henchmen are to be found on every balcony and in most doorways. The banter between the hero and his love interest is not so much a volley of witticisms as it is an inept logomachy. I paused the movie repeatedly, wanting to recover from sequences of stupidity before slogging onward. | -1no label
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] |
A group of heirs to a mysterious old mansion find out that they have to live in it as part of a clause in the will or be disinherited, but they soon find out of its history of everybody whom had lived there before them having either died in weird accidents or having had killed each other. You've seen it all before, and this one is too low-budget and slow paced to be scary, and doesn't have any real surprises in the climax. No special effects or gore to speak of, in fact the only really amusing thing about the whole film is the quality of the English dubbing, which at times is as bad as a cheap martial arts movie. 3 out of 10, pretty low in the pecking order of 80's haunted house movies. | 0neg
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I didn't really know what to expect from "Future-Kill", but I certainly hoped it would be a little better than what I got. I knew the rating was bad and the reviews were unfavorable, but the Subversive DVD-cover illustration looks beyond cool and I can't resist that. For a very long (too long, in fact) time, this film raised the impression of being an unofficial sequel to Porky's with lame, vulgar and offensive fraternity pranks. Five mega-dorks, one of them resembling an exact young clone of Jim Carrey, desperately want to become members of a frat house but their ultimate initiation might just be a tad bit far-fetched and dangerous. They are dropped in the city center with provocative marks painted on their faces, simultaneously with the outbreak of a violent gang war. It doesn't take too long before they are confronted with Splatter, a seemingly half-man and half-machine warrior, who leads a gang of which I never really figured out who or what they were. Were they a government experiment? Cyborgs? Terminator imitations from a distant future? Does anyone care? "Future-Kill" is a bizarre amateur flick with a scenario that leaps from one subject onto the other without any form of logical connection or narrative. The plot borrows vital elements from great cinematic cult classics like "The Warriors", "Escape from New York" and "The Terminator", but the end result is one gigantic Sci-Fi monstrosity. The costumes and special effects are quite pitiable and there's a truckload of cheap and gratuitous nudity. The acting is terrible, but I'm willing to blame the retarded dialogs instead of the cast members. One to avoid at all costs, in spite of really cool DVD-cover art. Resist it! | 0neg
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] |
I've been watching quite a few ho-hum films lately and this one doesn't quite reach even that status. We are first assured that this movie is 100% factual, and I guess it came close. I see how the story of a criminal couple on a short crime spree sold tabloid newspapers, but it just didn't make an interesting movie. It aspires to a forties look, but is too ninetiesh for me. The acting is okay, but no outstanding performances. Directing...well, not very good. Scrept's sorta blah. There's maybe one good though lurid scene in this and that isn't enough to make sitting through the movie to see. | -1no label
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] |
Why do Americans always feel like they have to take something which is already good and change it to suit them. The show had 8 series in england and easily had more if the actors wanted. so why did the Americans think they could do a better version of the show. Think of your shows. Did i just mention the office?? There could only be one lister ( Craig Charles). There can only be one Rimmer (Chris Barrie). The show was meant to be a low budget sci-fi TV series show because it wanted to be not because it had to be. Please watch the original show of red dwarf not the us pilot shows. Thank you and good night. Don't Forget that one day with any luck there will be a movie and with any luck it will be with the original cast and directors. Is It Over? The Smeg It Is.... | -1no label
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] |
I always seek out the work of Vincente Minnelli, a director who gave us many Hollywood classics. This was an interesting film, but not an extremely compelling one. It was all kind of predictable since you could see the handwriting on the wall: the death of Moira, the growing up of Ricky Nelson / Farley Granger, and the ultimate success of Douglas and Angeli. For example, you knew Angeli's character would not die up on the trapeze since she had already suffered the death of her husband. Finding a new love added to her happiness, so it would have been cruel to audiences back then to have her die in the end. I have not yet seen The Red Shoes, so I was not shocked or disappointed how much the sequence resembled the earlier film. Moira and James Mason were both fine. She was a real beauty. According to the TCM host Robert Osborne, a previous film starring Mason was also used as the basis of this sequence too. Leslie Caron is always delightful; her best performance, for me, is in Lili. As for beauty, I have never thought she was beautiful. Cute in an odd way but never beautiful. I thought she was charming. Nelson, Barrymore, and Granger were also fine. Kirk Douglas looked Hollywood hunky and totally like a leading man, one who was almost too handsome for his own good; Angeli's performance had the doe like look of innocence she portrayed well. The trapeze sequences did look realistic, and I suspect Douglas did most of his stunts himself. He was quite the athlete, and he looked convincing in the part. Angeli also looked quite believable as well. The film is worth seeing, even if nothing for the great stars of classic Hollywood. I also enjoyed hearing the Paganini theme; I had loved it in Somewhere in Time as well, so I was surprised to hear it in another earlier film as well. It's worth checking out, but not a film I think I would have the patience to see over and over. | -1no label
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] |
This movie fits poorly with the first and tries too hard to link itself with it. The acting is medium to bad. Little feeling and hardly engaging. The plot is lame as I could predict every person who was killed and in what way at every interval. Besides completely destroying the mood of the first film, this one adds sex and profanity. Both are highly out of place and are obviously stuck in to get more viewers. Gore and sex do not a movie make. I don't have any idea why a Native American character was forced into the plot. It was odd and seemed like a purposeful ethnic diversification of the movie. Lame. One plot note: Satan kills the two guys in the news van early on, infuses 'Mikey', and promptly disappears from the plot. The first one is better, much better. Overall, very poor. 1/10 | -1no label
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] |
This movie has more goofs than any other movie I have seen in my life. The special effects are damned terrible. For instance, near the end, when the Concorde is falling after the cargo door tears off, the thing spins like a toy. The special effects of Airport (1970) are way better than this crap. Also, the force of a Concorde opening up at altitude and speed would essentially turn the thing inside-out. (That is if it would even open at all) But the movie has its good points. Mostly when it ends. That's also cheesy. E.g. The Thing lands on a bank of loosely-packed snow, if it did that, it would splinter into a million pieces. Overall, 2 out of 10. Instant flop. Great laugh flick. | 0neg
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] |
There's not much to say about this one. Gammera is some kind of fire breathing turtle. He is loosed by a nuclear explosion. He heads for land and begins to destroy building and tanks and other junk (oh yeah, power lines. I almost forgot). At one time, early in the film, he befriends a little boy, and instead of just throwing him away, or squashing him, he places him down on the ground. Safe. From then on we have to watch this chubby faced little twerp show up and run away, show up and run away, show up and run away. For some reason, Gammera is able to hear this kid from 20,000 feet away. Oh, well, the plot is to try to get Gammera to get to a place where he can be put on board a rocket and shot into space. As usual, the monster is lumbering and uncoordinated (a guy in a Gammera suit). The Japanese army (with the help of Americans), uses up enough ammunition and fire power to solve the national debt, and, of course, it does no good. They should know this anyway. We've seen a lot of monsters stomp on Tokyo. Not to put these down because they can be fun, but it's really not very good. | 0neg
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] |
By any hack American filmmaker, the opening narration where it goes into a repeating echo to lead us into a flashback, would be considered fine art, and legitimately treated "ala Harrison Ford's The Fugitive" and thousands of other films. By film historian Truffaut, you know you're in for a wacky, silly comedy, which is unlike any other film he directed. It's a crime this has never been released in the USA, as it's far better than many of his films which are. Also it again pairs Truffaut with actress Lafont, the two hadn't worked together since his and her first film 13 years before. I can't recommend this film enough, it's so much fun, and highly offensive as well. | -1no label
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] |
I must say I didn't expect much about this movie, but it turned out not to be bad at all. Most striking of course, was Aidan Quinn's performance. I would never expect to see this fine actor as an action hero. The great thing about it is that he really builds up his character (Annibal). I mean, it was not like Mel Gibson or Bruce Willis would do it, he was sensitive and modest. For example, he's really upset when he kills someone. I also noticed that some clichés were avoided. When Annibal gets his training, you would easily expect him to be a rebel and act like any average American would do in such a situation, ask what the f*** is going on and refusing to cooperate. But Annibal is a professional marine officer, he doesn't give up and he tries not to lose his courage, in which he succeeds pretty well, except for a brief break-down on Christmas Eve, which I think was very realistic. I'm glad that Aidan Quinn got this opportunity to show another side of him (in fact two, because he plays the villain as well), even although the film wasn't that successful. | 1pos
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] |
This is one of my favorite movies, but for personal - not cinematic - reasons. During high school I lived without parents, and frequently my house resembled the house in the pic. It was filled with teens and early twenty-somethings who were trying to either get the hang of standing alone as adults or ignoring the fact that they'd passed childhood up altogether. Most people may not realize that the movie gives a fairly accurate description of that (sur)reality. It may seem shallow or pretentious, and it may lack in "deep" plot twists and turns. The thing is, at that age, and in that type of life you live without worrying about the next day because it's just too big a concern to deal with. Most will never live, or think/feel this way. On the cinematic side: the movie is not for someone sitting down to "view a good book." It's more a chance to turn off higher functions and experience another side of the world (not just Australia, but the time period and lifestyle). It's also important to note that this is not a Hollywood "teen" or "young adult" comedy - it's a drama with a lot of nonsense included, because that's what life is like. It really is a shame that the movie isn't more widely available. I still own it from the original release, and only one of the rental stores (family owned) in my area has a copy. I'm sure it would more than meet the price to release to DVD. (I'm certain that a double disk including the original soundtrack would actually sell quite well!) If you find it, watch it. | -1no label
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] |
This show is excellent !!!! I am Greek living in Geneva, Switzerland and everyday, I get together with my Greek and Turkish friends and we are watching it, while drinking a glass of ouzo or raki. We are having so much fun, we have so many things in common ! Congratulations for the show, maybe it will come out on DVD one day, i ll buy it certainly. I hope that maybe there will be enough inspiration or imagination to make a second season. I also hope that the Greek producers will make also a comedy on the subject and not always the drama stories that they usually do. And by the way I find that Nehir is extremely beautiful, my Turkish friends prefer Natalia though. Iyi gunler neighbors ! | -1no label
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] |
Richie havens, Joan Baez,country Joe and the fish, and ten years after Alvin lee were great, all the footage made great documentary of the first and only real rock concert. repeats can never be made, the footage of the original event can never replaced, including waiting on line for phones to call home. never happen today, with the cellphones, and could never be repeated. Crosby stills and Nash were also great, along with canned heat. with the rain chant and the arlo Guthrie stating the thruway was closed. todays youth want to repeat this event but the Vietnam conflict enraged this nation, and this was an event involved with and about the Viet Nam war. with 56,000 us soldiers and other killed in Vietnam this is an historical piece what ever your opinion about the war, it is still a tragedy to lose 56,000 to the war.and to this day makes you wonder why? | -1no label
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] |
Some people say the pace of this film is a little slow, but how is this different from any other Hitchcock movie? They all move very deliberately and, as a point, have spurts of suspense and brilliant montages injected through it. This movie gives us just the right amount of comic relief which make the suspense scenes seem all the more suspenseful. The Albert Hall scene is one of the best examples of Pure Cinema that exists in Hitchcock's collection (the best probably being almost all of "Rear Window"). Pure Cinema for Hitchcock meant a series of usually small pieces of film fit together without dialogue, in order to tell the story visually. This is, of course the basic definition of the Albert Hall sequence, as well as the shorter staircase sequence at the end of the picture. Not many slip-ups by Hitchcock here, and the acting is superb especially by Doris Day in a rather surprising serious role. | 1pos
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] |
Just when you thought it was safe to go back into the theatre, there's Jack Hammer. A movie about a Jack, whose drug addiction leads to homelessness, weakness, and murder. He lives as a security guard in a abandoned machine shop after losing his cushy day job to drugs, when his best friend OD's and dies on the street in a bad part of town. He had it all, nice car, a yellow Viper, I wouldn't have gone with yellow, but okay - the great job, but he lacked self esteem, his ego being a little too big for his britches syndrome if you will. He had no real direction. So far it seems a pretty realistic approach, but soon the movie flails like a fish out of water - to become a cliché, and unredeemable display of stupidity so profound, I am ashamed for the actor who had to play Jack. I'm just gonna get real nitpicky here a second and say - JackHammer was one of the worse movies I have ever seen in my entire life. | -1no label
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] |
I don't recommend watching this movie. It's a movie in which a movie is being filmed, with no attraction between actress and actor being played. The sex scene at the end of the movie which is to explain the reluctance of the actress (being played in the movie) to cooperate with the actor (being played in the movie)in it is a blunt repetition of the same scene in the Breillat movie Fat Girl. Everything there was played with more delicacy, if you can attach delicacy to a sex act like that. A typical French expression for the the thing happening in Sex is comedy is Oh la la! In Breillat's film Brief Crossing there also is sensitivity. In Sex is comedy I don't see real sensitivity and also a clear plot for the movie is not being developed so that there is a rather loose story with the disillusion of the end. | 0neg
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] |
OK, I am not Japanese. I do know a little about Japanese culture, and a little less about Japanese pop culture. Other than that, I am Spanish, I eat paella and I like black humor. Good, with that point set, I can comment on the movie: I have no idea on how it is enjoyable to the Japanese audiences, Mamoru Oshii is quite a good director- despite the overly pedantic postmodern stuff in the style of Talking Head, and even that was curious and somehow interesting- and I am surprised he came up with this. It may just be one of those lost-in-translation cases, I am afraid it is, but as a European viewer watching the film with subtext overloaded English subtitles I just thought it was horrible. The jokes seemed bad, the script was overcooked- I mean, give the audience a break, and shut up a little you damn narrator- to the point of almost making my head explode over an overkill of fast-paced speaking and absurd action. However, I thought the animation was really cool. The idea is great, and it is well exploited in those animated scenes. However, the eye-candy finishes as soon as the characters are left aside to start with an endless not funny at all mumbo-jumbo speech over still pictures. It just makes you want to fast forward to the next cut-out hysterical characters scene. I read Mamoru Oshii is actually planning on a sequel for this. The idea was good but horribly exploited. Maybe the second part will bring up the good parts of this first one and actually make an interesting movie, or maybe it will be more and more over-narrated scenes. But hell, if you thought Talking Head was dense, Amazing Lifes of Fast Food Gifters will give cause you a stroke. Of course, all this comment is based on the experiences of someone who is European. Probably this is totally useless to Japanese people, maybe it was a really funny film lost in cultural frontiers and translation. Maybe. | 0neg
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] |
You the living? OK I think I am an intelligent, educated, liberal and really into films. I really like and have a great sense of humour. I was under the impression this was a bleakly painful comedy. They got paid for making this, petrol was used, electricity burnt, food was consumed, sets built........why? I blame the current state of the world on this film and all those people associated with it, I will even include us the viewing public. We are all to blame and deserve whatever coming. Its not funny, not much happens, everyone it seems is bored or boring. There are no conversations, communication is minimal. There is no plot as far as I am aware. I have in fact just lost 89 point something minutes of my life. I will never ever get that time back. The only message I have come away with is perhaps life is too short to sit around watching movies of people doing not much......and then you die! | 0neg
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] |
The first half hour of "Homegrown" was rather boring and not absorbing, but as the film progressed, so did my interest in the characters and the plot. Several scenes are really scary and you fear for the main characters who you actually grow attached to. The story is about three hired hands on a hidden illegal marijuana farm in southern California. They witness the murder of the farm's owner, Malcolm (John Lithgow), and they take over the weed for their own. The three rather simple-minded farm hands soon get swept up into a scary world of mafia and local interest, while all of the time trying to convince everyone that Malcolm is still alive. While the movie had several faults and a slow beginning, it turned out to be worthwhile. 7/10 stars. | 1pos
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] |
"Bambi 2" is one of those rare cases which one can possibly say that at least they tried to create a sequel as good as the original. Despite the fact that the original is a far superior film, this one at least tried to be at the same level in many ways, even if this aim wasn't fully achieved. Unlike most Disney sequels, this one has great artwork. In fact, the artwork of this one is very similar to the artwork of the original "Bambi". The difference is that in the original the artwork is more refined, while this one combines the fabulous artwork of the original with computer/digital techniques and technologies. Patrick Stewart deserves recognition for his work as the Great Prince of the Forest's voice. He does a very good voice by replacing the original voice actor of this character. This sequel focus mostly on Bambi and the relationship with his father, something clearly missing on the original. Bambi's father takes care of him now, after the death of Bambi's mother. Not only we get to know the relationship between Bambi and his father, but also to know his father better. We also get to know Ronno when he was little. However, although "Bambi 2" is quite better and more "logical" than most Disney sequels, it suffers from the same "syndrome" of the rest of Disney sequels: it doesn't fit well on the first one's story. The time when this takes place makes one wonder and to make this question even more difficult, there are things that do not make sense when we look at the way how things happen in the original. | -1no label
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] |
In the same tune as his Americana Drums Along the Mohawk, John Ford captures American history in a way that is fictional yet very believable. Henry Fonda made three consecutive films in this era with Ford and all three are about a certain time and place with emphasis on the setting and the cultural surroundings. In Mohawk, pioneer America is in full bloom with Americans fending for themselves against Indians and other forces. Here, Ford shows us 19th century America; a time when invention and creativity were beginning to blossom and this nation truly was becoming great. Amongst it all was a tall, lanky, young lawyer from Illinois named Abe Lincoln and this film fictionalizes his life as a lawyer, foreshadowing the greatness he would later accomplish. Fonda is superb in this movie, capturing the essence of what is considered to be the persona of Lincoln, although no one knows exactly what he was like then. The sets and supporting cast also work well together and give a unique balance in Ford's picturesque of the American dream and its many forms. This is not a film to be taken literally but rather symbolically, showing that Lincoln was indeed warming up for the events in his life that were to creates his legacy. We even get some scenes between him and a young Mary Todd; and it is hard to see how they did end up together but that is not the point. I believe this is simply a tribute to the greatness of Lincoln, widely regarded as the greatest American president. His quiet and straightforward demeanor was rare then and would be today. Indeed, our government surely needs more men like him. | 1pos
| [
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] |
Usually I do not like movies with/about aliens but K-PAX is different. The actors are great in the movie - especially Kevin Spacey played his character breathtaking! The movie never fall to a lower level - the suspense is always in the movie and you absolutely wanna know how it ends, what's about Prot... You have to think a lot after the movie over the movie because there are a few open questions... Is Robert Porter Prot or is Prot only using Robert Porters body as a means of transportation. How can he see uv-light and how can he know that much about astrology. But everybody can make his own end and can decide in what he wanna believe. Very good movie with an excellent Kevin Spacey! | 1pos
| [
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] |
This is another outing for Speedy Gonzales, the fastest mouse in all of Mexico, however in this cartoon most of the laughs come from Pablo and Fernando, two of his friends who have had too much tequila in the taverna. As the stagger home they decide to pick a fight with an alley cat. Luckily for them Speedy is at hand to rescue them, although as soon as they get rescued they are back trying to fight the cat again meaning speedy has his work cut out for him. The combination of English and Spanish is well done, even if like me you don't speak Spanish it is easy to figure out the gist of what they are saying. Some people might not like the suggestion that Mexicans like their tequila a bit too much but as it is done in a funny way and didn't suggest that they were all like that, just those two I didn't think it was offensive. Definitely worth watching for a laugh. | -1no label
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] |
Breath in.....breath out....breath in. Hi everyone, I am here to talk about the best zombie movie ever: Resident Evil. I first viewed the film when I was six and then I didn't understand English good. When I was about nine or ten, I viewed it again and it was then that I realized that Resident Evil is a masterpiece. It has guns and blood and horror all the way through and, boy, is it one heck of a awesome ride. The lady in red, Alice(Milla Jovovich), has to be one of the most important characters of all time. I mean without her the movie would seem crap and boring but she made it look good. The story is nothing short of brilliant because it will have you captivated and immersed into a world of zombies that like to bite! When 28 days later came out along with its favorable reviews, I though that it was going to be better than Resident Evil but after watching it, 28 days later came out to be nowhere near as good as Resident evil. I love this movie and all the sequels and I can't wait for the new one called RE: Afterlife. After waking up, Alice, has no memory of her object due to the exposure of nerve gas. Along the way she joins a squad whose mission is to contain a virus released by the Red Queen, a supercomputer in charge of the release of the T-Virus. They have to fight through zombies and the Red Queens fatal traps in order to complete their mission. The acting is wonderful from Milla Jovovich, Michelle Rodriguez, and many more. They know how to use their expressions and body language in the movie. The gore and horror is so stupendous it was one of the reasons this became one of my favorites. From biting people on the body to deadly traps, this movie has it all. The sequels were impressive but could not match the power of RE1. All the horror and zombie fans will have a good time enjoying a zombie movie that comes out every four or three years. Ciao, ladies and gentlemen! ****/**** | -1no label
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] |
Geetanjali, a great movie by Mani Ratnam with arguably the best music album of Ilayaraja... This is the only Telugu movie directed by mani ratnam till date and he has ensured that his place in the annals of telugu movie history is safe with this movie. Ilayaraja, that maestro of Indian movie music is known for providing his best to Mani Ratnam. Even considering this, Geetanjali was Ilayaraja's greatest single album ever. Both Mani & Ilayaraja were at a great advantage, working in this movie because they were unencumbered by living up to the expectations of their native Tamil movie background. As it emerged both of them reached heights they never did before or after with this movie... (yeah, i know the entire series of maniratnam's movies and most of Ilayaraja's music...) The main protagonist's death is but a matter of ti me, and the leading lady is in a similar situation. But as it happens, the protagonist learns to live his life "in the now" from the leading lady and in the process they grow together. I wont say they fall in love because the movie never considers the romantic side of their life. Despite there being a whole song showing them kissing each other, it does not appear that they are sexually involved. That song depicts them getting together as companions in their struggle against their destiny, rather than sexually involved. Other aspects of the movie worth mentioning are the great photography and fabulous screenplay. Despite being saddled with a large number of songs, and no real story to speak of, viewer will never feel the time ticking by during the movie. And at the end of the movie, you think if only this movie lasted longer... That probably is the best compliment you can give a movie. The comedy track interspersed with the movie is the only part that sticks out like a sore thumb and i think that was mani's way of taking care of the commercial interests of the producer. Luckily in most versions on television that i saw eliminated this track and i never missed this piece. But i detest this track and so the movie gets only 8 out of 10. | -1no label
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] |
I don't know what you guys are inhaling, but please stop. This movie was complete trash. Macaulay Culkin as Kevin McCallister was lovable, cute, sweet, loving, and extremely fun to watch. He had that innocence but at the same time, he was strong as well. This new kid, Alex? Annoying as all hell! Just a blatant ripoff at trying to match Culkin's charm and grace, failing miserably at that. The villains, complete crap. Harry and Marv, they were such an entertaining on screen team. They were comedic, they were humorous, and just made you really want to root for Culkin even more, which is what a good villain is suppose to do. These guys Joe Pesci and Daniel Stern, absolutely PERFECT for those roles. On the other hand, in 3, we have 4 new idiots that just bicker and again, try to capitalize on the charisma and duo charm of the first villains. Not saying they were horrible, but they were not memorable or even really that entertaining. More on the corny side actually. Then we got the actual movies. Part 1 and 2, classics. Memorable. Perfect to watch around Christmas and brings a wonderful Christmas feeling and brings out so many emotions. It makes you fall in love with the story, and care about the characters. Simply, memorable and close to being masterpieces. Part 3? Masterpiece of crap. Enough said. All and all, I don't know why people like this. I think people really don't know what a good movie is anymore. Its a crappy sequel rip-off with more unrealistic traps and a stupid new main character kid that I wish the robbers would of at least beat the crap out of. Run, run away from this garbage. And lets not even start with Part 4! | 0neg
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] |
Seen it ages ago ,still the memories stay as fresh as seen the first time. The deep struggles endured against militants who are humans also are brilliantly depicted in the movie. Well in the original language of the movie the scenes of village girl trying to cope up with the big city and north Indian culture are very vividly depicted by Mani(lost in translation in other languages). With a crew of supremely talented technicians and back ground staff Mani brings us another classic. He should also be credited for getting the best tunes of a innocently brilliant music genius. They just don't make music like those anymore. Personal Rating 10/10. I would prefer him to direct a movie remake of "THE TENANT" (original by Polanski) | -1no label
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] |
This movie is likely the worst movie I've ever seen in my life -- surpassing the previous most god-awful movie, "Spawn of Slithis," which I saw when I was about 10. Bad acting, stilted and ridiculous dialog, incomprehensible plot, mishmashed cut scenes, even the music was annoying. Did I leave anything out? Well, the special effects weren't bad -- but CGI does not a decent movie make. I can't believe I actually spent money to see this movie. If anyone has the contact info for Hyung-rae Shim (the director), please forward it to my user name "at gmail," and I'll contact him to personally demand a refund. | 0neg
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] |
I found The FBI Story considerably entertaining and suitably upbeat for my New Years Day holiday viewing. Its drama and action-packed episodes were thrilling. The Hardesty character was well drawn and admirable. Overall the photography, script and direction was perfectly creditable. Rather than taking the film to be a repugnant piece of propaganda, as some might, I enjoyed it as a well mounted portrayal of the necessity of ingenious minds and brave bodies in the fight against crime. Again, the depiction of a family holding together even under the strain of the husband's commitment to his (arguably) important work, I did not find to be a twee representation but an ideal and exemplary one. | 1pos
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] |
It might not be the best of the Dirty Harry films, but The Enforcer is my favorite one. This is the one where the sexist side of Inspector Harry Callahan is explored and challenged. Clint Eastwood is now on some dead end assignment in the San Francisco PD because he's once again offended someone powerful. He's now reviewing applicants for promotion. But when a robbery occurs of an armory and some heavy duty weapons are stolen, the SFPD has to turn to Dirty Harry. In this case something called the People's Liberation Strike Force with those weapons and explosives now start making demands on the city of San Francisco. A lot of dead bodies pile up in this one, including John Mitchum in his third and final appearance in a Dirty Harry film. Mitchum was one of the detectives in the SFPD Homicide Squad and had a peripheral role in the first two films. Here he becomes Clint's partner and actually uncovers the hideout of the militants, but the leader gets the drop on him and kills him. Harry Guardino returns as Eastwood's immediate superior, Guardino was absent from Magnum Force, he figured prominently as the constantly harassed superior. Bradford Dillman is an ambitious politically minded captain, who gets the liberal mayor, John Crawford's ear. Tyne Daly gives the best performance, probably her best big screen role as the female partner Eastwood is assigned with. It's part of the new look the SFPD is being given. She's quite the inexperienced klutz at first, something Clint doesn't really need. In the end she really does redeem herself. And Clint loses a bit off the testosterone here. The final shootout with the militants who've hidden out on deserted Alcatraz Island is the best climax of any of the Dirty Harry films. The Enforcer's got the best ending of any Dirty Harry film. As you gather some punks chose to try their luck with Dirty Harry. | -1no label
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] |
Ponyo is a beautiful animated film with some dark undertones. It features a kid-sized story of longing and love with ecological implications, but it is not preachy. Hayao Miyazaki has fused Andersen's Little Mermaid with Japan's native myths and his trademark steam punk flights of fancy, and the result is very rewarding. There are some scary moments of oceanside storms and flooding, but they are thrilling, not horrific. If you've ever wanted to run with the waves along the shore, ride on a jellyfish as an elevator, completely transform yourself, or make a friend for life, Ponyo is a fable for you. | 1pos
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] |
This show was appreciated by critics and those who realized that any similarities between "Pushing Daisies" style and anyone else's was not a steal. (Yes, I've seen "Amelie." "Pushing Daisies" is somewhat similar but still different enough to be original.) Rather, there are too few shows on TV that have this kind of quirky charm. The greatest similarity is to "Dead Like Me" but "P.D" comes by that similarity honestly: Bryan Fuller created both shows. (Both shows involve an "undead" young woman, For example.) This show never stopped being funny and charming, and it was always odd, yet was consistently humane. I must say a word about the conventions of on-going story lines. some people have complained that this show lacked a moral center because in the first (and several subsequent) episodes Ned seems to get away with causing the death of Chuck's father without consequences of any kind. First of all, this must be a new definition of "without consequences of any kind" because, in spite of the fact that Ned was only a boy and did not realize that he had caused the death of Chuck's father, he nevertheless felt guilty from the moment he realized what he had done. Further, about a dozen episodes into the series, Ned finally did confess to Chuck that he had caused her father's death with his gift. Now, there are no police to charge people with magically causing one person's death by bringing another person back to life, so the questions of absolution and restitution have to be taken up without societal guidance. In other words, it's between Ned and Chuck, who was not inclined to forgive Ned anytime soon. But this does point out a problem with continuing story lines in network dramas. I remember when David Caruso's character on "NYPD Blue" did something wrong and it seemed he got away with it--for a whole year--then he got caught and was forced to resign from the job (and left the show). The point is, viewers should learn by now and not assume that just because a regular character does something wrong in a single episode, and is not caught in that episode, that he has gotten away with it. There is always next week--and maybe even next year. | 1pos
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] |
Cybrog 2:Glass Shadow stars Elias Koteas as Colton Hicks (Rhymes with kicks!) a karate instructor who helps a Cash (Jolie) escape from Pinwheel, her creators who look to detonate her and destroy a rival company. Along the way Billy Drago and Karen Shepherd show up to displace the duo, while Jack Palance is there to deliver guidance to the duo on the run. One of the things that is quite shocking about the Cyborg franchise, is how the series has managed to have quite prolific and off beat actors in the cast. The original had Jean-Claude Van Damme and Dayle Haddon (Don't know her? Well she was in a bunch of 70's pornos) this one has Jack Palance, Elias Koteas,Billy Drago and Angelina Jolie. The third one has William Katt, Zach Galligan and Malcom McDowell. (Okay so, Cyborg 3's cast isn't that impressive.) I've never seen Cyborg 3, but I did see this on Sci-Fi channel and must admit I wasn't impressed. Actually strike that, Cyborg 2 is an often lovely looking movie, it's shot with excellent style and the visual detail make this easy on the eye. However Cyborg 1 was the same way, indeed the movie was directed with a certain amount of style, slow motion and music that made it all easy on the eye. Unfortunately like the first, this one doesn't have any new ideas or anything resembling a plot or texture. Most of the ideas are taken from Blade Runner and Max Headroom, so for various reasons the movie doesn't have much to offer beyond it's look. Another aspect is the terrible acting. Karen Shepherd and Billy Drago are absolutely terrible and Angelina Jolie isn't much better. Elias Koteas and Jack Palance come off fine but seriously Palance is playing a cyborg warrior and Koteas is a karate instructor. I guess on the positive side you can't accuse Michael Schroeder of not being ambitious with casting. Still the movie is dull and I for one lost interest in the story fifteen minutes in. Also why did they tie it in with Cyborg anyway? It has nothing to do with it's predecessor, which this manages to be worse than. * out of 4-(Bad) | 0neg
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] |
This Movie was amazing, it is the kind of movie where you watch it and rather than look at other movies by actor you look at other movies by director/ writer. Sandler did a good job working a character outside of his comfort zone and the always good Cheadle did a great job too. This movie is great for a mature intelligent audience. The acting was fantastic and can only be surpassed by the Writing and directing of the film. This film focuses on the real Americans, the past generation, no stereotypes or Racism just people who have come together and realized the true meaning of life. This film is about loss and coping. Instead of picking on Psychiatry, it defines it, not as someone who heals you magically, but rather through the necessity of talking out your feeling to an impartial someone you can trust will not judge you, but rather will guide you though your thoughts. This movie is all round amazing! | 1pos
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] |
I am only 11 years old but I discovered Full House when I was about five and watched it constantly until I was seven. Then I grew older and figured Full House could wait and that I had "more important" things to do. Plus there was also the fact that my younger brother who watched it faithfully with me for those two years started to dislike it thinking it too "girly." Then I realized every afternoon at five it was on 23 and I once again became addicted to it. Full House has made me laugh and cry. It's made me realize how nice it would be if our world was like the world of Full House plus a mom. I have heard people say Full House is cheesy and unbelievable. But look at the big picture: three girls whose mom was killed by a drunk driver. The sisters fight and get their feelings hurt. The three men who live with the girls can get into bickers at times. What's any more real than that? If anything the show has lifted me up when I'm down and brought me up even higher when I thought I was at the point of complete happiness. I have howled like a hyena at the show and gained a massive obsessiveness over Mary Kate and Ashley Olsen. (Of course Hilary Duff has now taken that spot but they were literally the cutest babies I have ever seen. They are great actresses and seem to be very nice people.) | 1pos
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] |
From a lot of the reviews I've seen here and elsewhere for "Night Shift", Michael Keaton seems to get most of the credit for making the movie entertaining. Well, he is great but few people are giving deserved props to Winkler's performance. Sure, he is a little boring and plain but that's the nature of his character. I related more to him than Keaton, whose wild antics and personality are fun and not too over-the-top. A nice balance is struck between his craziness as Bill and Winkler's calm, yet clumsy and likable Chuck. Appropriately enough, I am finding "Night Shift" an excellent viewing for the night time, particularly as I am settling into bed. Not that it bores me to sleep, far from it...but it's more fun to watch in the evening because of it's setting and premise, NY morgue employees-turned-pimps who do it all at night. | -1no label
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] |
Even though there are no new episodes, and it is rarely showed. I used to love the magic of Sabrina and the teenage witch. I never got to see the last episodes, but I do want to know what happened to Miles, or Josh? And why did the aunts have to disappear out of the show for good?I'm sure the ending went to be perfect. But there are a lot of questions unanswered. And I want to see the last episode of S.T.T.W! Because I heard she decides between Erin and Harvey on her wedding day! I really hope that she picks Harvey! And may I say Nate Richart is HOTT!! Too bad hes too old for me though. Melissa Joan Hart has her own sense of cuteness that she adds to the show, but there are many little "stupid" things for the show such as how famous bands come out of nowhere and play songs and all the cast is listening, its kind of stupid. Plus the cat starts to really get lame, as the show continued, the jokes began just to get stupid, and the things that the audio controlled "audience" would laugh at, I would think it was so lame. Don't get me wrong, at some parts it was funny, but I think the show just kind of lost its "magic" so to speak as the show went on. I give kudos to all the cast though for trying, although that Soleil Moon Frye girl had no taste, and she was a horrid actress. I wonder what Melissa or any of the cast is doing now for that matter, now that the show has ended. | 1pos
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] |
Wow, "The Curse of Michael Myers" what a great film. Suspenseful, entertaining, creative and a clever plot which I love. Many hate the 'Thorn' concept, I love it. I think that it gives the Halloween series some plot. Marianne Hagan is a wonderful actress and turns in a excellent performance, especially for her first film and Paul Rudd and Donald Pleasence are great also. My only complaint is that why wasn't Danielle Harris in this film as Jamie? She wanted to return, but the producers said no. I thought J.C Brandy was great, but I love Danielle Harris. Still, I love Halloween: The Curse of Michael Myers. I think The Shape's mask looks the best in this film and George P. Wilbur is the best Michael Myers ever. Incredibly creepy and suspenseful, Halloween 6 rules! I adore this very violent, but immensely enjoyable film. The Halloween horror series - by far the best in the Genre. 10 out of 10. | 1pos
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] |
I saw this movie yesterday and it is definitely one of the best movies that was made in the history of Hong Kong. The plot itself is simple, and the storyline is all about kung fu. Yet, it is not just a funny comedy about kung fu. It is more than that. Somehow it is similar to Harry Potter (in this case is wizard) or animations by Hayao Miyazaki in which a world of imagination is created. The characters in the film are so funny and classic. Most of them appeared in some of Stephen Chow's movies before but because the context of every movie is different, the overall result is hilarious. This is a movie that make Hong Kong people proud. I hope it will be a box office success in other countries too. I think I'll definitely buy the movie DVD for my personal collection. | -1no label
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] |
I could have liked this if I didn't like Diane Arbus. Didn't really capture Arbus unique visual aesthetic(as Stanley Kubrick did in "The Shinning", with the twin girls in the hallway, a direct homage to one of Arbus most famous photos, and one with haunting qualities none of this movies images have), and certainly none of her character(outgoing), likeness(thin and Jewish, not wasp Queen Kidman), or life, save some very superficial similarities, she was a fashion who later photographed "freaks" and "outsiders", among many things. This film focused on the "freak", as her symbol for artistic and personal empowerment, in a really shallow and predictable fashion. Outside of that, it might have been an interesting movie about middle class fetish, but I was too annoyed to care. Perhaps if Arbus name had been left off, this might have been less annoying, but had it not had her name in the title there would have been nothing to make me interested in seeing in this in the first place. A letdown from "Secretary". | 0neg
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] |
This is a helluva little movie. Yeah, it's so much better than 'Backbeat.' I know the train spotters will quibble with some of the shortcuts they had to take to jam 6 years into 90 minutes but this movie has integrity and they tried to do it right. The music is accurate and well-done and all the actual locations were used. They guy playing Lennon is not a dead-ringer but he grows on you and in the end you do get a sense of how complicated, angry, insecure and talented John Lennon was. If this movie had been on HBO it would have won Emmys. It really smokes on DVD. | -1no label
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] |
This is by far one the most boring movies I've ever seen! And if you don't believe me go ahead and watch it for yourself. The movie starts of slow, the storyline makes no sense at all. People fighting doesn't make any sense. I could not make sense of what they were talking during the movie (in most cases I didn't even bother) It does nothing to keep you watching the movie, the only plus point would be the cinematography. New Zealand looks awesome. Everything else just plain sucks. The actors try their best to keep us awake, but unfortunately you will go to sleep instead. Do us all a favor, even if this gets on "On Demand", Don't WATCH IT! | 0neg
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] |
reprehensible, exploitative, just some under-age quite graphical sexual intercourse to make you shiver a bit (with disgust) among some phony dialogs out of grotesque characters.. most everything is bad, actors (all of them, the child too), photography.. some things, some reactions are so unlikely to take place that i burst out laughing.. just quite a lot of bad taste (where everything feminine is supposed to be whorish and arouse the bestiality of men) and lots of bad intentions. I really don't understand how this could be rated so high but there seem to be thousands of lover of all kind of nasty, cheesy, Italian trash out there (i'm Italian myself, so don't think i'm racist). Who could ever dare to compare this crap to "The spirit of the bee-hive"... oh please!!!!! | -1no label
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] |
John Milius's militant conservatism is somewhat subdued in this movie, though the movie was clearly made with a sense of nostalgia for a time when women and African-Americans knew their subjugated place and stayed there, and when going off to die pointlessly in an immoral war was seen as heroic and poignant. It's a film in which people who behave cruelly and stupidly are supposed to be viewed as charming. The script for the film is crude, predictable, and often unintentionally funny, especially in the portentous voice-over sections. The martial soundtrack, which tries to give the movie weight it otherwise lacks, is also unintentionally funny (I dare you not to laugh at the end when our three buddy-boy surfers march into the waves as to war, drums and trumpets blaring all up and down the beach). The performances are one-dimensional, though that's probably more the fault of the script than the actors. On the up side, the bodies are beautiful. Jan-Michael Vincent takes his shirt off as often as possible (as he tended to do in his younger days), and William Katt's youthful sculpted chest was a match for Vincent's. There's some great footage of water, and some fine surfing, though not enough for my taste. The climactic, final surf-scene is worth watching, despite the angsty bromance you have to endure to get there. It might be better with the sound off. | -1no label
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] |
Some might say something like "Baby Geniuses" with its giant robot infants or "Dumbo" with its psychedelic drug-addled nightmare sequence would win the award for the most disturbing movie ever made for children. You might say that too, but you'd be wrong. Lo and behold, for I bring to you: Santa Claus, the most helplessly messed up family film since ... well, ever. From the opening scenes showing children from different parts of the world singing their insipid theme songs (seriously, this segment is nearly 20 freakin' minutes long and has nothing to do with the plot!) to the thrilling conclusion in which Merlin pops up from outta nowhere and saves the day (don't mind him, he's from Barcelona), this is childhood trauma at its finest. And no matter how hard I try, no matter how many different therapists I visit, I just... can't... get... those... reindeer's...laughter...out... of... my ... head! Avoid this mind-bending piece of trash like you'd avoid a sex-starved whale during mating season. Still, if flaming gay demons with a serious case of the overacting flu are something for you, I guess you should give it a try. But really, this movie isn't worth your time and mental health. | 0neg
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] |
I rated this movie a 1 since the plot is so unbelievable unbelievable. Judge for yourself. Be warned, the following will not only give away the plot, but will also spoil your appetite for watching the movie. A computer virus, designed by a frustrated nerd, sends out a code through television screens and computer monitors. When the code - in the form of light - enters the eye it can access the 'electrical system' of your body. What it does is forcing the body cells into excretion of calcium. Within seconds after infection the patient reaches for his neck, develops tunnel vision, his skin will turn white of the calcium, after which he falls and his hand and scull will crack in a cloud of chalk. This virus is very intelligent. When it finds out that a blind computer expert is trying to disassemble the code with a braille output device - operated by hands - the device is set on a very high voltage, which causes severe burning wounds on the skin of the expert's head. The virus also senses aggression against remote controls and the keyboard of an ATM. Fortunately it could be stopped by throwing over outdated desktop pc's in a rack and electrocuting the nerd with his back on a broken computer and his feet in some spilled water. Oh dear... | 0neg
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] |
As far as I am concerned, this film noir had two totally different things going for it as opposed to the film noirs I am used to viewing: 1 - the setting is Paris, France; 2 - there is 28-minute scene with no dialog. Both make this movie a bit unique, at least to English-speaking film noir fans. Actually, an American, Jules Dussain, shot the film, so it's not entirely a European film. Initially, I was disappointed in this after I had watched the first 40 minutes. It's an expensive DVD and I was bored. However, once that silent segment started - the actual heist (you already know what's it about), the film picked up considerably and just got better and better. In fact, I thought the best part of the story was what happened after the heist. The best aspect of the entire film was the cinematography. This is what makes the disc worth owning. It's excellent film noir photography and a real travelogue for those of us who have never seen Paris...and this is Paris in the mid 1950s. There are lots of bleak-but-interesting rain-soaked Paris streets and buildings I found fascinating to view. In fact, there were many more of those great shots than of London in the much better known film, The Third Man. The lead actor in here, Jean Servais, I think his name is, also is interesting to view. Someone described his face as a cross between Humphrey Bogart and Harry Dean Stanton, and that sums it up perfectly. A warning for those not expecting profanity or nudity in a classic film. This is France, not the United States, so there is a little bit of both in here. I appreciate the DVD offering the choice of subtitles or a dubbed version, too. | 1pos
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] |
***** out of ***** After starring in the highly entertaining Lethal Weapon 4 and the gravity defying Romeo Must Die, Jet Li has now got 3 excellent hollywood flicks under his belt. Kiss Of The Dragon takes Jet to Paris where he does battle with every gang member and corrupt cop he can get his hands on. Obviously Jet is well known for his immaculate martial arts expertise, so its no surprise that KOD contains a load full of fight sequences that are choreographed to its highest standard by the masterful Corey Yuen. Jet stars as Beijing cop Liu Jian who travels to Paris to assist Inspector Richard (Tcheky Karyo) in arresting one of the most powerful drug lords in Asia. When Richard murders the drug lord, Liu finds himself framed for the crime and running from Richard and his gang of thugs. But do not think Liu will give up without a fight!!!! He meets a prostitute named Jessica (Bridget Fonda) who was a witness to the murder. Liu and Jessica team up together to clear Liu's name, get Jessica out of prostitution and to rescue Jessica's daughter from the clutches of the evil Richard (sounds like they'll have their hands full). The story is very easy to follow and gives out a small message, and the entire cast give memorable performances, which makes KOD very different to every other kung fu flick. The martial arts sequences are extremely enjoyable with plenty of blood and bone crunching involved, and it is always a pleasure to watch Jet Li kick the ass of every bad guy in this movie. Certainly not for the faint - hearted (or the children), but Kiss Of The Dragon makes for an excellent action movie with a pace that'll have your pulses racing until you collapse. | -1no label
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] |
Well there is not much you can say for his film. From the one's that I have seen, I think this is the worst yet. At least the others are watchable. The film follows the same general plot as the rest; the girls go to another country and meet boys, with a nice little story to help you tell the difference. You would think that since they are in England they would be able to find an all English cast. Instead they force on us an Australian (Jesse Spencer) with a fake accent, and I was surprised to see some people who made comments actually thought he was British. My advice is, if you ever decide to watch this film, don't. | -1no label
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] |
They had such potential for this movie and they completely fall flat. In the first Cruel Intentions, we are left wondering what motivated the lead characters to become the way they are and act the way they do. There is almost NO character development whatsoever in this prequel. It's actually a very sad story but this film did nothing for me. It was as if they left out good writing in place of unneeded f-words. And the end makes absolutely no sense and doesn't explain anything. The writing was just terrible. Another thing that bothered me was that they used at lease 3 of the EXACT SAME lines that were in the original. Such as "down boy", or the kissing scene, and a few others I can't remember. I was not impressed at all by Robin's acting, but Amy did a great job. That's about the only thing that reconciled this movie. | -1no label
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] |
The special effects again are superb but this is Finding Nemo in reverse i.e the parents get taken away and Pi (Nemo) is left behind, if you haven't seen Finding Nemo you will like it. It becomes very clear at the beginning of the film what the plot is and takes a long time to reach the end! There's is nothing new or nail biting in this one and there is no humour at all, which is very disappointing. All in all very disappointing as a follow up movie to Shark Tale which there really are no similarities with it should have been called Finding Nemo 2 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! | -1no label
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When I saw this "documentary", I was disappointed to see Serbian Propaganda in action once again. Even though Serbia and its nationalist politics is main reason of Yugoslavian breakup, it is not mentioned in this "documentary", which is made by Bogdanovich whose name tells us that he is Serbian and his movie that he is far from being objective. It is one in the set of lies pushed by Milosevic regime. Everyone else is guilty only Serbians were right and victims, even though most of the War Criminals tried in Hague are Serbs, even though Serbs are one who have committed genocide against Bosnians , and attacked Slovenia, Croatia,and Bosnia all independent nations recognized by the UN.Breakup of Yugoslavia was not avoidable because Serbians did not want to release the grip their nationalism has put on Federal Yugoslav government, so SLovenia, Croatia, Macedonia, and Bosnia were forced to become independent nations in order to protect their interests.If you are interested in an objective documentary about breakup of Yugoslavia, and fact led documentary this is not it . You should watch "Yugoslavia:Death of a Nation", Made by Discovery channel and BBC. | 0neg
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Jack Frost 2 was a horrible, terrible, sadly pathetic excuse for a sequal to a great movie. The original, was a low budget comedy horror film about a murdered who was turned into a snowman after an accident with some toxic waste. And the snowman went around murdering people, and avoiding blow dryers like the plague. This, however, was a far cry from the quality of the original. It seems like this even had a lower-budget because for some reason, after an hour into this film, I still hadn't seen the snowman. Some revenge he's getting if he's always in the form of Ice cubes with a cheesy voice-over and a little shake of the cooler he rests in to give animation to the character. Disappointing to no belief, even for a fan of bad cinema. | 0neg
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I saw this cinematic wretchedness in a dollar theater with a friend in 1979 (back when the tickets actually sold for $1). This is the only film I have ever walked out on (with my friend, while the idiocy that is the "Laser Bra 2000" sketch was on screen). Evidently, my and my friend's reaction to the film was a common one. It is not that I found the film offensive (either as an 18-year-old or now), but rather that it is mind-numbingly stupid and patently unfunny, devoid even of the unintended humor that makes a Ed Wood film watchable. This is the real reason why NBC refused to air it, rather than a failure to comprehend Mr. Mike's "vision" (unless, of course, his vision was to drive the film's backers into bankruptcy). I remained surprised to this day that this film does not seem to have made any published "10 worst films of all time" list. It certainly makes mine. You have been warned. | 0neg
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I rarely comment on movies. However, this one drew the lucky card. I am not sure if the director has ever seen a western created in the last half century. The story line was going to be "iffy" at best. However, the movies starts with a chase scene that has the "posse" hot on the trail of the "bandits". The posse is shooting and riding. Of course, they are riding in a fairly straight line. Tough to be the first guy in the posse if your third guy in line is shooting at a moving target in front of you. Then, magically, the posse stops. Did they run out of bullets? Who knows? The good thing is that the hard-riding bandits clothes were not dirty at all. Whew! I thought for sure that hard riding would have caused a little sweat and dust to collect. The movie continued but really did not develop into a story that could be followed or believed. For a High School Project, it would not be a bad attempt. For a project distributed by ThinkFilm, it left a lot to be desired. I will keep an eye out for more projects from Jeff Hathcock and be sure to avoid them. | -1no label
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] |
I've been a Sleepy Hollow affectionado ever since i saw the animated Disney classic as a kid, and I suppose I've seen pretty much every version from TV, movies, and cartoons since the 1950's. In many ways, the Disney one is still my favorite. I loved the Tim Burton film with Johnny Depp, but something about it wasn't right. In a world where Biblical names were commonplace, "Ichabod" is a most unflattering name, meaning "the glory has departed" - but Ichabod Crane, originally NOT the nicest of men, has become a hero over the years. Depp's Ichabod was too handsome and brave, and there were no NYC police in 1799, let alone forensics specialists. And so Jeff Goldblum remains probably the best-cast Ichabod Crane of all time. He has a look similar to the Disney one, but he has a much more pleasant manner, Burton's film, is ghostly and mysterious and well done. The subplot with a brutish Brom Bones (wasn't Bram the hunky one?) and a girl friend (NOT Katrina)ain't that great - but the overall film is very enjoyable, and seems to have quite a fan following. A good Halloween tale for all ages. | -1no label
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] |
First off; I'm a dedicated fan of Modesty's, and have been reading the comics since I was a child, and I have found the earlier movies about our heroine unsatisfying, but where they fail, this one ROCKS! Well then, here we go: Ms Blaise is working for a casino, a gang of robbers comes along and she starts gambling for her friends lives. If the robber wins one round, she'll have to tell him about herself. If she wins two times in a row, one of the staff members goes free. (Sounds stupid, yeah, well, I'm not that good at explaining either..) ;) She tells him about growing up in a war zone, without parents or friends, about her helping an old man in the refugee camp and how they escape, living by nature's own rules. They hunt for food, and he teaches her to read and fight. As they approach civilization they get caught up in a war, and as they are taken for rebellions, they are being shot at and the old man dies, which leaves her to meet the city by herself. Then she meets the man who's casino she's now working for, and there the story ends. What is to follow is that there's an awesome fight and the line's are totally cool. Alexandra Staden is a TERRIFIC Modesty Blaise! Just as modest and strong, graceful and intellectual as the comic-one. Feels awkward though, too hear Modesty speak with a slightly broken accent, but that's not relevant since the comic book- blaise can't speak out loud, but certainly must have a somewhat existing accent. (Not to mention that it's weird everybody's speaking English in the Balkan..) The acting is really good, even the child who personifies the young Blaise must have a applaud! My favorite part must be where she rips up her dress to kick the stupid robber's ass! Totally awesome! :D I can't wait until the real adventure begins in the next movie/s! Watch it, you won't be disappointed! | 1pos
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] |
I LOVE this film. It was made JUST before the LA punk scene changed for the worse. It perfectly preserves the mood and attitude of that time and place. I feel really lucky to have been present at the filming of four of the bands at the Fleetwood that night. The only part that doesn't fit in too well is the sections with Catholic Disipline and their socio-political commentary. I didn't see too many people who were into that at all. The rest of the film shows attitudes that I witnessed a lot; people dealing with hard lives, or taking a swing at the music industry and/or lousy hippies. I don't think I've seen a documentary that captures so authentically and personally the subject matter being covered. | 1pos
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] |
ANDY HARDY MEETS DEBUTANTE (1940) is the ninth (9th) film of the series and it shows the direction it was inevitably headed into. Characters ANDY HARDY (Mickey Rooney) and JUDGE HARDY (Lewis Stone) were going to be front and center. The rest of the cast was going too just punch the clock and collect their checks. The series would rise to the occasion again and have its moments but a fatal decline had set in. Lewis Stone throughout the series would continue too portray the character of JUDGE HARDY in a sympathetic manner. The rest of the cast would be professional even though given less and less to do. Mickey Rooney on the other hand would continue his character as if there was no learning curve. ANDYs' reaction to any situation was in a naive and unbelievable way. Even after he returned as a veteran of World War II service in LOVE LAUGHS AT ANDY HARDY (1946) his reaction to any 'teapot tempest' was the same, juvenile. In this film it is clearly illustrated. ANDY gets himself into several unbelievable situations that with a simple explanation would have been resolved. This screen writing device was known as the 'idiot plot'. A means of stretching a poorly written scenario. Maybe it was less Mickey Rooneys' fault then the Director and the Writers. Most likely George B. Seitz had directed one too many and a firmer hand was needed too control Rooneys' excesses. To see our overview of the entire series go to YOU'RE ONLY YOUNG ONCE (1937). | 0neg
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] |
A real disappointment from the great visual master Ridley Scott. G.I. Jane tells the story of a first female ever to go through the hellish training at the Navy SEALs. The training is the most difficult and hard in existence as the instructor says in the film to the lead character O'Neil played by Demi Moore. There is no particular message or point in this film or then I couldn't reach it properly. It may be a some kind of a statement of female rights and abilities but it all sinks under the tired scenes and stupid gun fight at the end of the film. I really can't understand why Ridley uses so much zooms in that mentioned last gun battle at the desert?! It looks sooooo stupid and irritating and almost amateurish so I would really like to know what the director saw in that technique. When I look at his latest film, Black Hawk Dawn, there is absolutely nothing wrong in the battle scenes (which are plenty) and they are very intense and directed with skill. The whole finale in G.I. Jane looks ugly and is nothing more but stupid and brainless shooting and killing. This is Ridley Scott's worst movie in my opinion and there are no significant touches from which this great director is known. Still I'm glad I saw this in Widescreen format because there are still couple of great scenes and samples of Scott's abilities, but they are very few in this film. A disappointment and nothing compared to the classics (Blade Runner, Thelma & Louise, Alien and so on..) of this talented director. So I'm forced to give G.I. Jane 4/10. | 0neg
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] |
This movie hates you. No two ways about it. It wants to hurt you for seeing it. Characters in this movie speak in a stream of continual profanities, fire flaming arrows and guns at the audience (while smiling), and the gorilla throws rocks at you and flips you the bird. The acting is mostly abominable. The effects are worse. Nothing makes much sense. The editing is choppy. The shots are poorly composed. The locations are grey, barren, and aggressively ugly. Stock footage is piled on and looped. Boring filler is shoved in wherever it will fit to pad out the slight story to 90 minutes. Then, it takes forever to finally end. (More punishment for you, the viewer.) Oh, and it's nominally in 3-D too. A hateful, hateful movie. | -1no label
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] |
Director Nico Mastorakis has made a cynical cash-grabber (by his own admission) that is too cynical to impress anybody but a sophomore genre fan. The most extreme, confronting genre pics, to paraphrase a character in VIDEODROME, "have a philosophy"; that is what makes them dangerous. ISLAND OF DEATH's philosophy is to throw many "shocking" elements into a cinematic mix and stir slowly. The result is a dish with no taste but an ugly appearance. Not to be confused with Serrador's brilliant WHO COULD KILL A CHILD? (sometimes called ISLAND OF DEATH), Mastorakis's effort is set on a Greek island which is a stage for various forms of slaughter, a little bestiality and some wholesale perversion. Everything moves at a snailish pace and the violent set pieces are poorly directed. Touted as "The movie that the censors didn't want you to see", I'd hazard a guess that the censors never saw it, they simply read the presskit until their knees jerked upwards. | -1no label
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] |
Okay, we've got extreme Verhoeven violence (Although not as extreme as other Verhoeven flicks), we've got plenty of sex and nudity, but something is missing...Oh, yes, it's missing the intelligence that Paul Verhoeven is known for in his sci-fi movies. I admire the way Verhoeven introduces the characters and how they have a sense of humor, but unlike most Verhoeven films, the movie itself doesn't have enough humor for it to fall into the comedy genre. The acting overall was above average compared to most slasher films. What makes Hollow Man a good movie is not the story, not the cast or characters, but the amazing special effects work that would otherwise make a film like this impossible. The crew has truly made an invisible man, without the use of things like a floating hat suspended on piano wires and other practical effects (effects done on set). The most stunning effects scenes are not seen while Kevin Bacon is invisible, they are when Kevin Bacon is becoming invisible and visible. The problem is that this invisible man story deserves to be more imaginitive. Here, it takes place at a lab for the most part. I would have enjoyed seeing the invisible Kevin Bacon robbing a bank and getting away with it, or let's say steal something from people's purses, or something like that. But what is shown is decent enough to make Hollow Man an entertaining movie. Grade: B | 1pos
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] |
I saw this years ago, and it's entertaining, but not profound. The basic story is of a young man who dreams of Midian, though he's not sure where it is or even if it really exists. Spoilers Follow: He finally visits it, gets transformed to a Nightbreed creature by being bitten by another one. Then, he has to help the other members of the Nightbreed because they're being attacked by Canadians. (Save for the accents, they all act like Good Ol' Boys. Not much in tune with the Canadian psyche, eh?) Someone observed for "monsters" or "Nightbreed," substitute "Jews," and for the Canadians/humans, substitute, "Nazis," and you're supposed to get an insight into the struggle by the monsters versus the humans. Well, maybe. One major objection I had was that while the underground city was interesting, it was rather ramshackle and, frankly, dirty. This must be a convention for movies with underground settlements. One would think that if the monsters were the good guys, some would have at least a little sense of decor. The storyline is a tad thin, but that's to introduce characters. But it's entertaining enough for a repeat view. | 1pos
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Dig that Zither music! The musical score makes this movie. The Third Man isn't as great as all the hype it gets, but it is an entertaining film. Alida Valli is a standout as Anna and Joseph Cotton is very good as Holly Martins. *****************Mild Spoilers Ahead********************************* The opening scene at the funeral near the beginning of The Third Man has something hauntingly memorable about it. There's also clever use of a cat involved in an eerie scene that reveals Harry Lime. The ferris wheel scene is absorbing. And of course there is the desperation of the ruthless and clever Harry Lime (Orson Wells) when he is chased in the sewer. And don't forget the ending with Anna (Alida Valli) walking along the road a second time just like an earlier scene. This film has many fine moments and it is well crafted. Carol Reed, the director, had a nice touch. I don't think the cinematography deserved a best Oscar, though. The film wasn't lit up enough in some scenes. Dark lighting is ok and realistic, but you can go so far that you miss much of the action. Then of course there is the zither music. It's wonderful. I rate this film a 9 out of 10. Very watchable, but I'm not sure it's a classic. | -1no label
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] |
Aaliyah blows all the female cast members out of the water, including the official love interest Marguerite Moreau. I would have loved to see this movie play out as Akasha's power trip. Aaliyah is simply electrifying whenever she is on the screen. She does sensual, beautiful and menacing to the power of 10. Watching her take on a bar full of vampires is a sight to behold. Lena Olin is cast in the ungrateful role of "the older woman", which is hugely unjustified. She looks fantastic and at 46 (according to the IMDb) still looks stunning. The story unfortunately is very limited plot wise, we've seen it all before, etc. The most heart wrenching is Akasha's death scene, especially keeping in mind what happened to Aaliyah after filming. All in all, a remarkable vampire movie. | 1pos
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] |
This movie has a realistic, thanks to the way its acted, aura about it, though is it supposed to be an in your face, over the top comedy. However the movie definitely shocks the audience with its humor and doesn't fall flat in that department either. Some of the strange things that are happening in this movie most probably happened to everyone once in some degree in their lifetime, so in some weird way, everyone should be able to relate to the characters and events that are occurring, rather than just being shocked by them. But the makers obviously tried to create shock and awe for the audience with its controversy, that's for sure. It is as good as Clerks, not quite as Pulp Fiction, but about the same as Borat. Throw in Billy Bob Thornton with Johnny Knoxville and some Jim Carrey mixed with an angry Edward Norton and you get the feel of what "?" is all about. In short, it works well as an off the wall comedy, but works even better as a disenfranchised, controversial statement on modern western life. I 'enjoyed' watching this movie and thought it was really good for what it is. 8/10 | -1no label
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] |
This is one of the worse cases of film drivel I have seen in a long while. It is so awful, that I am not sure where to begin, or even if it is worth it. The plot is the real problem, and I feel sorry for 'Sly' as he puts in a decent performance for his part. But that plot ... Oh dear oh dear. I particularly love the way near the end he manages to pop from the foot of a mountain to the top, whilst the helicopter is on the way. A climb of a day or two takes him all of five minutes! I could go on: but it isn't worth it. Apart from the grim opening (which even a five year old would be able to predict the outcome of) the rest is drivel. Sorry folks, but this is about as bad as film making gets. | 0neg
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] |
I just finished the movie and honestly can't begin to say how disappointed I am. The initial pain comes from the horrible music that they used. After that you've got a relatively bad script... after that you've got some minor league talent. I mean-- I could go on listing the horrible aspects of this movie, but I will say that I respect the passion these people had for the project. Passion can't do enough to make the film okay. I think the worst part of this is that reading the info for this movie on Netflix made it sound so interesting. I put this on my list with some decent excitement thinking I was going to get a low budget good indy film and after the first shot of Conrad playing mood to show how lonely he was in front of the TV-- well I knew it was going to end in pain... for me. Please avoid this at all cost. I know saying this might actually make someone else go and rent it (I'm usually one of those people... don't want to be a sheep), but trust me on this one. | -1no label
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] |
First of all, the only reason people keep bitching about this film is because they can't stand a few parts of the true story being "altered". Well guess what? Peter Jackson's film wasn't a perfect rendition either. Well enough ranting. This is a very beautiful film. The backgrounds are gorgeous and taken from well known Tolkein artists. The film covers about half the trilogy (Fellowship of the Ring and up to the battle of Helms Deep in the Two Towers) and moves at a good pace. The voice casting is top notch and the most of the characters look like I imagined they would. Samwise is a bit too ugly for my tastes, but Aragorn looks AWESOME. The film has a great score that completely supports the movie. If you enjoy good fantasy stories but hate reading (the books are even better) give this movie a try, keeping in mind it was made 20 odd years ago. Also of particular note: Peter Jackson's adaption of Fellowship follows almost exactly the same strand as Ralph Bakshi's (Jackson has said many times how much he admired Bakshi's effort). | 1pos
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