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Lame plot and two-dimensional script made characters look like cardboard cut-outs. Needless to say, this made it difficult to feel empathy for any of the characters, especially the fiancé; He looked and acted more like a cartoon. In summary, I guess you could say it was on par with your typical made for TV drama. It uses just about every cliché in the book. The tortured classical musician who wants to break-out and play salsa. The free-spirited fiancée engaged to a "bean counter" personality she doesn't love. I won't list them or else it would be a spoiler because I'd be giving away the whole plot. The dancing was OK but nothing special. I've seen worse. 3 stars for good music. The band was really tight. I saw it on YouTube. Thankfully I didn't pay good money to see it at a theater. I'm still a little shocked at how many great reviews this movie has garnished. | 0neg
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This film is about 30 years old. I know of no conversions to tape or DVD. It had a theatrical run of about two weeks partially due to a bad review but nobody I ever met who saw it disliked the picture. The reviewer either never actually saw the entire film or had an agenda to sink it. When I first saw it my girlfriend (who isn't Jewish) and I and the vast majority of the audience, were roaring with laughter. We returned a number of times with friends and family and everyone loved it. 13 years later I had the privilege of having Sid Ceasar in my car (I was hired to take him to his hotel) and I asked him about the film. He said that he had a lot of fun making the movie, but the studio provided very limited money to advertise and promote the product. No press, no promotion. Studio politics. Gardenia (overbearing father) and Medford (sweet, but loopy wife and mother) are the parents of Arkin, the older son who lives outside the family home and Reiner (intimidated, milquetoast) who lives in. The family owns a failing, indebted department store. Arkin is married to Anjanette Comer, who desperately wants a child. Arkin claims he is impotent because of the tyranny of his father and the fact that he is the hated high school basketball coach whose team can't even win one game. Ceasar plays a wacky WWII patient at the the VA hospital who still believes that the war is still ongoing. On a road trip to Florida, Gardenia secretly sets into motion a scheme to burn his Dept. store down and collect the Fire Insurance. Arkin and Reiner think that his parents' absence presents the perfect opportunity to prove their father wrong and refurbish and restock the store and make a success of it. They don't know of the plot and go to work. Ceasar as Gardenia's unwitting foil is priceless. The pace of the film accelerates and is replete with a few clever twists. This effort is worth a sincere second look and a re-release. | -1no label
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Apart from very bad acting, writing, and direction this movie could not decide what it was supposed to be. Some of the characters were given dialog that sounded like it was copied straight from a community service announcement, then there was the plot which was so thin it was generally hard to find, and when the director seemed to be totally lost, he would throw in a sex scene. Sometimes the two people involved had nothing else to do with the movie. Some of them had no lines. It seems they just had to be willing to take off their clothes, get groped while showing everything. It is really difficult to put two relatively cute guys in bed, have a sex scene which shows everything but penetration and make it absolutely boring. But they did it. There are a few scenes (including one sex scene) that had absolutely no bearing on anything else in the movie. I caught one of the viewers in our showing checking out his emails on his blackberry during a sex scene. It was just that boring. Then there was the over the top music that at best did nothing to add to the scene, but generally set an entirely wrong tone for most scenes. The actors would be hard pressed to get jobs in community theater. They would mumble their lines or deliver them like they were stand alone lines that had nothing what-so-ever to do with the other person talking at the same time. That all being said, it was so bad we found ourselves laughing out loud at how bad it really was. So if you want to watch a movie that has some pretty cute guys (not all mind you) having pretty graphic sex while delivering bad dialog, then this ones for you. | -1no label
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I started watching the show from the first season, and at the beginning I was pretty skeptical about it. Original movie was kind of childish, and I was just looking for some sci-fi show while waiting for the BSG new season. But after few episodes I became a fan. I've loved the characters - the not-so-stupid-as-you-think-he-is Jack O'Neill, the not-only-smart Samantha Carter, the glorious Teal'c, women and kids favorite, and brilliant Dr. Daniel Jackson. Of course, stories sometimes not serious, sometimes even ridiculous, but mostly it's not about technology or space fighting - it's about helping your friend, even risking your life for him. It's about "we don't leave anybody behind". Struggling to the end when all hope is lost. About the free will, and all good qualities that makes a human - Human. And now it's breaking a record, going 10th season, and still doing good. | 1pos
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One of the most entertaining of all silent comedies is Pudovkin's short 'Chess Fever', a mad tale of how a rigorously intellectual board game could disrupt even the most carefully planned central economies. Such an unpromising comedic subject as chess found an earlier outlet in this delightful short. Two young men play the game earnestly against an artificial background, a painted set. This is in contrast to earlier Lumiere shorts such as 'L'Arrosseur Arrosse' or 'Repas du bebe', wherein the human activity was deliberately framed by a natural setting. The difference in activities (natural=feeding baby, watering garden; artificial=chess) is possibly significant. The main contrast in this film is between this immoveable background and the placid, serene game of chess, and the fierce passions this latter causes, as accusations of cheating lead to a most undignified melee. The intellectual game becomes a gross physical scrap, just as the pretensions of arty filmmakers are forever deflated by the 'cruder' demands of audiences. What is most amusing about the film is not neccessarily this descent into slapstick, but the way it is filmed, its prolonging long after the initial joke has been made; the way the camera refuses to dignify the fight with anything like attention, focusing instead on the set, while we catch glimpses of hurling feet and dislodged clothing. The film's refusal to edit is audacious, so that the humour seems to arise from something else other than the fight, reflecting our need for physical contact over intellectual stimulation, our unwillngness to let go. What is especially brilliant is the denouement, as these upper-class fops are caught by the valet, who picks them up like two errant schoolboys, as if he is about to box their ears. If masters can't be expected to keep their place with decorum, than somebody's going to have to do it for them. | 1pos
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] |
I truly wish I was not writing this review. I'm a Christian, so I waited anxiously to see this movie. It seemed great -- a Christian movie with some fairly famous stars and a plot that seemed intriguing (not that I buy the Bible Code itself -- you can make it say anything you want. I do, however believe everything inside the Bible). So I'm sitting on the edge of my seat enjoying the previews, when the movie comes on and manages to destroy my mood in a matter of minutes. I had to bite my lip to stop from commenting on the terrible writing and acting while I was in the theater (I would have been torn to pieces by the people cheering at the rather clumsy but basically uplifting scenes and gasping at the insanely obvious and predictable Tension Scenes, I'm sure). Once the final credits began to roll, however, I could reflect. There were many parts of the movie I liked -- some mostly unexpected plot twists, some effects that were indeed special (I'm not counting the Visions. Those were poorly done), and some interesting technical work -- fades, sets, that type of thing. Unfortunately, I got the distinct impression that if I read the book of Revelation to a monkey and set the monkey in front of a typewriter for an hour, I could've gotten a better script. And the music was beyond cheesy (even for a Bond fan who likes kinda cheesy music in scenes of action and intrigue). So I wish I could be like everyone else in the theater -- like the people who came out crying and breathless because of how incredible it was -- but I'm not someone who can be appeased by a writer who throws some words over a Biblical shell and slaps a Christian stamp on it. I need a good plot and believable dialogue before I can enjoy most movies, and this just didn't have either. I'm sorry, but I wouldn't recommend this film to anyone. And that's the tragedy. When will we see some intelligent Christian fiction? It has to be out there somewhere... | 0neg
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] |
this movie probably had a $750 budget, and still managed to surpass Titanic. i rented this the day i crashed my mom's car, and it was the only thing that cheered me up beyond belief! it has to be tied with 'The Assult of the Killer Bimbos'. Things to look for are: 1. The drive in blow job chinese girl scene 2. The bleach blonde in the sassoon shirt who never changes 3. The Flinstone-like screech out driving 4. The clashing ensemble worn by the redhead right before she gets killed (don't worry, i'm not ruining any surprises, for it's soooo predictable) 5. The guy who finds it necessary to howl. 6. The mental patient who plays a convincing job of being insane by poking out the eyes of a maniquen. 7. The hour long chase at the end involving the teacher and the priest. 8. the womman writing grafitti on the bathroom wall. 9. last, but not least, the wonderful special effects--especially the stab in the boob that made a... heaven help me... popping noise. enjoy! | 1pos
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] |
The screen icon is a police detective with a difference in this very moody and formidable thriller from writer / director Richard Tuggle. He portrays Wes Block, a loving and responsible father on one hand, and on the other a sex addict with a yen for prostitutes. He's on the trail of a sex murderer, and realizes that he's really not too different from this deviant. Tuggle illustrates the darkness inside many of us quite literally in this movie, to which anyone who's seen this can agree. There's even a line to that effect spoken by a minor character. It's definitely a daring project for the actor, who's solid and believable as always; he has an especially potent scene where he trashes a room in rage and frustration as he realizes the consequences of his actions. The movie doesn't play out as one might expect. There's not much of a sense of urgency, even as the bodies pile up. It takes a real psychological approach as we witness the deterioration of our central character, who at least gets a strong female character to relate to as Genevieve Bujolds' role is introduced into the plot. She does a creditable job as well, creating a kind of moral center and giving the movie a solid anchor. Eastwoods' own daughter Alison plays one of his two daughters in the movie, and she's very good, foregoing any sort of "cutesy" routines that child performers can fall into. Also appearing in a supporting role is Dan Hedaya as a fellow detective, although he's a little under-utilized. The killer himself is barely established as a character in the film, seen almost exclusively in the act of stalking and murdering his victims. We learn almost nothing about him, he has barely any dialog, and the end reveal is very fleeting, making him quite a mysterious entity indeed. The jazz score and the location shooting in New Orleans add a highly appropriate and engaging amount of flavor, and there's a great climactic chase lit by a helicopter. It wasn't altogether satisfying for me, but it's an intriguing and steamy thriller and is certainly worth a watch. 7/10 | -1no label
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] |
This film is hard to knock. It follows in the tradition of Pulp Fiction, yet succeeds further by stamping its own unique style. The cast is awesome, the script is great - and things like the odd (Pulp Fiction-esque) time-sequencing is done brilliantly. I particularly like how the images provided in flash back vary dramatically depending on who is telling the story at the time. When it is one of the indoctrinated criminals everything is flashy and cool, but when it is the hero's recollection everything is skanky and disgusting. This is an awesome film - and so I am extremely annoyed to find that I cant buy it anywhere! | 1pos
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] |
After watching Rown & Martins Laugh In I expected something better than this. There are a few humor touches but I really thought the scenes with Rowan & Martin doing stand-up including in the opening credits would have been better. The plot such as it is is strange in that there are no vampires next door even though plot synopsis of the movie says there is. The center of the plot has to do with a large diamond everybody is looking for, yet at the end we are never quite sure if it was found or not. Some major continuity moments happen when the film jumps from day to night suddenly & some of the scenes ending & the next one beginning make no sense either. This would have been better if they had stuck more to comedy & less with a plot that falls kind of flat. This film does have some well known television folks. Carol Lynnely was better known for other films & isn't given much script in this. Julie Newmar is best known as a Catwoman on TVs Batman. Even though she is already 36 in this one, for many years she was ageless in the beauty department. She is the only cast member who worked with another comedy team Noonan & (Peter) Marshall during the 1950's. Leon Askin is better known for Hogan's Heros roles. Robert Reed in a small supporting role is more known for Mr. Mike Brady. For Rowan & Martin fans, this is OK. Both of them get to use Dick Martins line "I didn't know that!" The opening & closing of the film are bits of whimsy, but the rest is only sporadically funny. Say Good Night Dick. | -1no label
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] |
Some people might call "Paulie" a kids' movie, but I wish to assert that it's more than that. Probably more than anything else, this movie successfully goes to great lengths to show the plight of immigrants in the United States - topical given the recent debates. Portraying a parrot telling a Russian immigrant janitor (Tony Shalhoub) of how he searched America for his original owners, the movie tells several stories. There's the elderly woman (Gena Rowlands) whom he befriends, then a Mexican immigrant (Cheech Marin), and others. All in all, it's a very well done movie. I usually don't expect much from these sorts of movies, but this one is a treat. I certainly recommend it. Also starring Jay Mohr, Buddy Hackett, Bruce Davison, Hallie Eisenberg and Trini Alvarado. | 1pos
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] |
This movie was so bad, outdated and stupid that I had rough times to watch it to the end. I had seen this Rodney guy in Natural Born Killers and I thought he was funny as hell in it, but this movie was crap. The "jokes" weren't funny, actors weren't funny, anything about it wasn't even remotely funny. Don't waste your time for this! Only positive things about this were the beautiful wives :) and Molly Shannon who I'm sure tried her best, but the script was just too awful. That's why I rated it "2" instead of "1", but it's definitely one of the worst films I've ever seen. | 0neg
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] |
I saw this movie in seventh grade on a free day in school, when I heard that we were watching it, I had heard that it did not do to well, but then I decided to just watch it. And then we did, I recalled that I was laughing so hard, no sound came out! I am telling you, I was laughing my head off when I saw this, this movie is hysterical, it has got really big laughs, it is totally a slap-happy time, you must see this, you will be laughing yourself silly! I was totally surprised about seeing this movie, I thought that it was not going to be very good, but I was wrong, I was laughing so hard that I was almost crying! Why did I like this movie, because it is just plain funny, that's why! There is usually a time where a movie based on a TV show isn't good, but I was surprised with this, I totally had a really good time! The gags in this movie are all very hysterical, they are typical in a usual slapstick comedy movie, there are gags which usually involve people getting hurt! But I was really surprised, it is not one of the funniest movies that I have ever seen, the funniest is Duck Soup, but this is one of the funniest that I have seen in a few years, I believe that you should see this, you will be laughing like crazy! Go ahead and think I am crazy if I liked this movie, but it is just fabulous! One more thing, I don't know why I really thought that this movie was funny, but I was really enjoying it when I watched it. I just that that is was totally funny, its one of the funniest movies that I have seen in a couple of years, but it is not the funniest movie that I have ever seen. But all the same, the movie is hysterical, you really must see this, you will be laughing out loud at it! 10/10 | -1no label
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] |
I LOVE this movie. and Disney channel is ridiculous for not playing it anymore. I think they should definitely put Susie Q back on the air at least one night so we can record it!!! but if not does anyone know where I can find it?? my email is [email protected] please email me if you know where i can find this movie. Online, or anywhere. I told my kids about this movie and i think that they deserve to see it also. All these Disney movies that are coming out now are fake and boring. I need Susie Q back!! It was a great movie and had great actors and i don't see why it was taken off the air. If everyone loves this movie so much why was it taken off the air. Please take my comment into consideration and along with all of the other comments made to this movie. Thank you, have a nice day. | 1pos
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] |
There may be worse gay indy films out there...okay, not that many, but one or two...okay, one (but I can't remember the title right now). This poor excuse for a flick is definitely bottom of the barrel movie-making. The leading man is gay combination of Gary Shandling and Christopher Guest but not nearly as appealing or funny as either. Unfortunately, he's also the writer. The videography is awful, poorly lit, with unwatchable camera work from start to finish. My grandparents could do better with their 1982 beta cam. The tone is all over the map; from farcical comedy to syrupy melodramatic romance - with success at neither end of the spectrum (or anywhere in the middle, for that matter). My finger itched for the FF button on my remote from the movie's very first scene. How David Faustino, Judy Tenuta and JM J. Bullock ever agreed to this film is beyond me! The title is totally misleading (why not call it "Ten Dates", which is what it essentially is?) as the only attitude on display will be the viewer's - who will be sporting major 'tude sitting through this dud. | -1no label
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] |
I love foreign films and this is among the best. I tend to not see this as a comedy as it is listed and find it a commentary on how we see others around us. Firmine the lead in the film is not regarded must as she is a domestic in a large firm and people say and do things around her all the time that they otherwise would not say in front of others. This leaves her with a bevy of information that can make or break the mere mortal. :) This actress is wonderful as this character and it is a poignant tale. There is an underlying tale and almost many stories within the story in this film. I just hope that if someone does decide to make an American/English version of this film it is not the vein of Three Men and a Baby that would definitely do a disservice to this FILM, A must see..... | 1pos
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] |
if you're looking for a decent horror movie with brad pitt, go for it, but if you're looking to get scared, look elsewhere. brian woods should not have been allowed back into school- why didn't they realize how psycho this guy is? martin mull- his whole role was just running around yelling, and at the end he just told brad pitt to screw himself. this movie should have been called 'we're stupid because we let a psycho killer who killed his father back into school where people will get killed'. brad pitt doesn't seem like the type of person who would have any desire to be a murder type character, but i can see him being someone who is aggressive and passionate about killing the killer. so a good acting job by mr. pitt, way to go. | -1no label
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] |
I just saw this film @ TIFF (Toronto International Film Festival). Fans of Hal Hartley will not be disappointed!! And if you are not familiar with this director's oeuvre ... doesn't matter. This film can definitely stand all on its own. I have to go the second screening ... it was amazing I need to see it again -- and fast!! This film is very funny. It's dialogue is very smart, and the performance of Parker Posey is outstanding as she stars in the title role of Fay Grim. Fay Grim is the latest feature revisiting the world and characters introduced in the film Henry Fool (2000). Visually, the most salient stylistic feature employs the habitual use of the canted (or dutch) angle, which can be often seen in past Hartley works appearing in various shorts, available in the Possible Films: short works by Hal Hartley 1994-2004 collection, and in The Girl from Monday (2005). I viewed this film most aptly on Sept 11th. Textually, Fay Grim's adventure in this story is backdropped against the changed world after September 11, 2001. Without going into major spoilers, I view this work, and story-world as a bravely political and original portrait of geo-politics that is rarely, if ever, foregrounded in mainstream fictional cinema post-911 heretofore (cf. Syrianna: of side note - Mark Cuban Exec. Prod in both these films ... most interesting, to say the least). Lastly, for those closely attached to the characters of Henry Fool, Simone, Fay and Henry this film is hilariously self-conscious and self-referential. That being said, the character of Fay Grimm starts off in the film, exactly where she was when Henry Fool ended, but by the end of the film ... Fay's knowledge and experience has total changed and expanded over the course of the narrative. What can be in store for the future of Fay and the Fool family ... ?? I can't wait for the third part in this story! | 1pos
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'Wicked Little Things' really separates itself from other zombie movies.First off, all of the zombies in the movie don't exactly starting biting at you and tearing your flesh apart with their bare hands.They kill you with either a pickax or shovel and eat you after wards.Second, they can't die.In most zombie movies, you can shoot a zombie in the head and kill them, but these simply won't die.Third, which is the biggest reason why this movie separates itself, all of the zombies are children.How did they die exactly to become zombies? They were working in a coal mine when suddenly they were all killed in a collapse.Now they wander the forest carrying their pickaxes and shovels, waiting for someone to come by so they can kill them and eat them.Oh, they also come out at night.Yep, only at night.That makes the movie even more fun then it would be if they came out in the morning.Despite all of the violent and gory mayhem in this movie, 'Wicked Little Things' is a great choice if you're looking for a movie about zombie children.Don't expect anything great like 'Dawn of the Dead' or 'Land of the Dead', but do expect lots of gore and violence that makes this movie a real zombie fan pleaser.Everyone give Scout Taylor-Compton from Rob Zombie's 'Halloween' a big hand for delivering a great performance like the one she did in 'Halloween'.She really needs to start starring in more horror movies. | 1pos
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It was heavy-handed, painful and endless. The opposite of funny. An excruciating bunch of penis jokes strung together with some gross-out scenes. Wow! Penises can be short! Penises can be long! Oh, hahaha! Oh, and who can forget the musical numbers. Did I mention that they were choreographed? Mike Myers has lost the charm he exhibited in the Austin Powers franchise. And it's clear that he picked an inexperienced director for this so he could control the shoot. And why does Jessica Alba keep doing crappy movies like this and "Good Luck, Chuck"? Did someone tell her she was a comedienne? And Justin Timberlake -- well, no wonder he wears a wig and moustache throughout. Ironically, though the material is definitely for teen-aged boys, they probably won't go to see it because of the title. It'll maybe have one weekend, then go flaccid. Incidentally, the only truly memorable line in the entire mess is from Verne Troyer in an outtake run with the credits. But it's not worth watching the entire mess to hear it. | -1no label
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] |
Very enjoyable and involving noir. John Hodiak plays a WW2 veteran struggling with insomnia and not many clues to go on. It's captivating stuff and the pace is just right as we struggle, as does he, to work out what has gone on. As more people become involved, the plot really thickens and we are in the familiar territory of seedy clubs, ruthless hoods, car 'accidents', clairvoyance, a sanatorium and a wonderfully evocative dark and dirty dockside. Great dialogue throughout and witty too. Nancy Guild is by no means stunning as the co-star helping Hodiak in his desperate race and I understand that Mankiewicz had to coach her individually to help her with the delivery of her lines. Despite this and because the story is so good her slightly faltering performance can take nothing from this thriller. | -1no label
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] |
I can't do enough to dissuade anyone from seeing this movie. Oh yes, it's bad. Evil bad. And I've seen plenty of bad movies. This one's even worse than Hootch County Boys-and that's bad. You want to know how bad? Okay. The plot involves this guy who wants to seduce a high-up lady in society, so he needs this aphrodesiac-making kettle thingy, but he also for some reason switches the heads on these two other girls...see, it's all very confusing, and makes little to no sense whatsoever. Yes, like all ninja movies, it has the prerequisite cheezy fighting scenes, some of them quite hilarious (like the barfing coolie-hatted ninja and the guy who shoots blades out of his eyeballs) but they are not numerous enough to assuade the pure monotony of most of this picture. Unlike Hootch County, you cannot even put this movie on if you want to go to sleep soundly, as it is too distrubing for this. Oh, just don't see it under any circumstances, and you'll be all right. No, it's not even funny bad! Okay, well I warned you... | -1no label
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I ended up watching The Tenants with my close friends who rented the movie solely based on Snoop Dogg's appearance (a passionate fetish of theirs) on the cover. Understandably, I did not expect much. I thought the movie would include the typical array of Snoop Dogg related behavior and imagery often seen in cliché rap videos. However, my generalization was for the most part wrong. Unfortunately, this didn't make the movie any better. Most would describe the movie as a dark serious drama, whereas I would describe it as a dark seriously drawn out boring drama flick. The film tells a story of two struggling writers (Dylan McDermott and Snoop Dogg) who are trying to create their own separate masterpieces. Their polar opposite lifestyles end up forming an unlikely but highly complex and neurotic friendship. This friendship moves throughout the entire movie like a wild roller-coaster - most of which is contributed by Snoop's character - reminiscent of someone with a severe case of split personality disorder. And although the movie is a drama, the acting - which has a morbid and serious tone - from Snoop and company was more comical than anything else. I wouldn't recommend this movie for those who are attention impaired because this one has a lot of dialogue and a lot more dialogue after that. There are some mediocre conflicts, but even they are mostly bogged down with more dialogue. The end, however, jumped at me with a sudden surprise. It was a little bit twisted, somewhat unexpected and a perfect way to wrap up a movie that needed to end. While watching the ending credits I couldn't help but picture the director thinking, "Oh God, how the hell do I end this snoozer." By the way, the director laid out carefully planted hints and subtleties leading to the climax - all of which are more visible than Waldo in a crowded street of midgets wearing nothing but black sweaters. | 0neg
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] |
This is an old fashioned, wonderfully fun children's movie with surely the most appealing novice witch ever. Unlike many modern stories which seem to revel in dark witchcraft, this is simply a magical tale of hocus pocus that is cute, light hearted, and charming. The tale is set back in 1940 in the English village of Peppering Eye, where three Cockney children, Charlie, Carrie, & Paul Rollins, are being evacuated out of danger from World War II city air raids. They are mistakingly sent to live with Eglantine Price, who is studying by correspondence course to become an apprentice witch. Eglantine and the trio of children use a magic bed knob in order to travel to London on their flying bed. Here they encounter Emilius Browne, the fraudulent headmaster of Miss Price's witchcraft training correspondence school. Miss Price sets about working on spells designed to bring inanimate objects to life. Meanwhile, they must also deal with a shady character called the Bookman and his associate, Swinburne. Angela Lansbury is of course marvelously endearing as the eccentric witch in training, Miss Price. David Tomlinson plays Mr. Browne, headmaster of the defunct witchcraft school, who has now turned street magician. This actor was previously cast as the children's father in the movie Mary Poppins. In fact, this film is a tale quite reminiscent of the earlier Mary Poppins, both wonderful fantasy stories for children. Perhaps this movie doesn't have quite such memorable music as Chim-Chim-Cheree, but it does boast some appealing little tunes. Some have been critical, but the movie features excellent special effects. All in all, the story is enchanting family entertainment. It's a pity if modern children are too sophisticated for this lovely & bewitching tale, which should appeal to the child in all of us. | 1pos
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] |
Pork Chop Hill is one of a small group of films that deal with the Korea War realistically. The other two are Men at War and the Steel Helmet. Peck's character is carrying out orders to take a worthless hill with peace on the horizon. The movie shows that the fog of war clouds and confuses everything. They are reluctant warriors in a war nobody wanted to win or lose. Lewis Milstone's direction in the panorama of battlefield is his trademark. The cast was made up of familiar faces, Harry Guardino, George Peppard, Norman Fell, Rip Torn, Kevin Hagen, Robert Blake, Woody Strode. What makes the film more interesting is that the Korea War had only been over for six years and Peck's character was still alive. | -1no label
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] |
For any wrestling fan, this is the wrestlemania to forget. No logic to the matches, some garbage gimmicks (doink the clown, and the Giant Gonzalez) this was a forgettable PPV something rare for the WWE(F). The logic of Hogan winning the world title at the end made no sense, and many people feel that alone help put the nail in the PPV. From the meaningless gimmicks of the roman soldiers, to simply some real bad wrestling (doink vs Crush being the worst match) to simply bad match making (Scott "Razor Ramon vs Bob Backlund, how can you have one of the greatest mat wrestlers, making a comeback, and working his first wrestlemania, face a power wrestler who was undefeated at the time), this is a PPV that even the WWE has since admitted, was way below what the expected. just all around a stinker | 0neg
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] |
The movie begins with Aamir Khan trying to win over kajol..The first 90 minutes was so bad..i thought i would die..I think i had a good idea of what it would have felt, if they hung me upside down with a bee up my ass..the first 90 minutes was so very bad. Then the next 10, the story took a turn and i was like maybe I will live through the movie and not go to rehab or bang my head against the wall..but that's when it goes downhill again. The film doesn't walk downhill, it falls straight down and drags you by your balls. The next 90 minutes were worse than the first 90.. i never imagined that could be possible but it was... i ceased to exist as an individual after that movie and now roam the roads of New York like a homeless bum.. The second half of the movie is supposedly taken from one of the best novels of all time _ the eye of the needle..Bolloywood has a great talent.. they can take the best and turn it into a piece of crap in minutes.. Eye of the needle is so good that you support the bad guy, and when he's about to die you feel bad for him.. here i felt bad for myself all the people who had actually paid to watch this crap...they need to pay us back and pay for our visits to the therapist... If someone can really walk out of this movie and say with a straight face that it actually OK..i will not only be surprised but will know that there are dumber people than Paris Hilton and Jessica Simpson in this world.. I really have seen porno films with a better story line than this..and that too after they copied it from a great novel.. SCREW BOLLYWOOD.. and aamir khan is supposed to be good and he doesn't act in any movie, he picks and chooses the best.. if this is the best, i want to see the ones he rejects.. Wow, if that was possible.. 3 hrs of crap with icing on it..ENJOY.. | -1no label
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] |
I had really been looking forward to this one but it turned out to be a complete train wreck. The casting of Dustfinger, Capricorn, Meggie and Farid was pretty much perfect, though. Mo was unremarkable, but then that's just how I remember him from the first book. Elinor matched the spirit of the character in the books quite well but the looks were quite off. Fenoglio was so-so. Basta and Capricorn's mother were ridiculous laughing stock and not inherently fear-inducing as they should have been. Roxane (who is never even fleetingly mentioned in the first book IIRC) had black hair! The script just rushed through the first 80% of the book in what barely seemed like half an hour, skipping anything that would have helped in either understanding the characters (or even the plot) or building up atmosphere, just to close with a completely tacked-on, contrived new ending that killed any hope for a (better) sequel. It's quite obvious from this that they're not intending to film the other two books or at least not in a way that will have anything at all to do with them. As rushed as it all felt it was really painful to sit through from quite early on. If I was that type I might have left the theatre half-way through it. Don't see this if the books meant anything to you! | -1no label
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] |
While not as good as some of his previous films, The World is still an excellent movie. Imagine a soap opera director (or a TV ad director) making Italian Neo-realism, and you'll get the right feel. Zhang Ke has a talent to make you feel relieved or even elated while showing reality at its most bleak. He is one of the best directors operating today, none of his films should be missed. The opening scene in which Tao Zhao asks for a band-aid, dressed in an over-the-top Indian costume, is powerful and touching (and in a way, summarizes the entire film). It is one of Zhang Ke's most memorable scenes (alongside the one in which Hong Wei Wang is cuffed to a street lamp by the policeman in Xiao Wu). There seem to be two versions of this film. In one we get to see the World Park's manager confiscating passports from the Russian female workers, and promoting a girl in exchange for sleeping with her, in the other version those scenes were cut (and so it's probably the official Chinese version). | -1no label
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] |
I got this on a double feature DVD called "Scream Theater" and it's no doubt one of the most terrible movies I've ever seen. And I've seen some really bad ones. School's out, and of three girls (who if they're teenagers I'd eat my hat) are talking about "non-stop party", so of course they all go to the house of the girl whose parents are the most strict for a slumber party. Meanwhile, a psychotic has escaped the local bug-house where one girl's father works & is on the loose with sharp objects and wearing green scrubs, and sporting wide-open eyes...I guess that's to show he's bonkers. Of course since he has a bone to pick with that particular doctor off he goes to his house, the location of which is apparently common knowledge. In the meantime, some dumb-jock types are slamming down beers and out to scare the girls, and of course the loony shows up too and starts cutting throats. And that's about it, as the heavy metal music chugs along in the background. Or, maybe that's not it, but really, that's all you need to know. Unless you spend your time perpetually stoned or drunk, you'll find little of interest here, and even if you are wasted most of the time, you'll still probably find your intelligence insulted. 1 out of 10. | 0neg
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] |
Filmfour are going to have to do a lot better than this little snot of a film if they're going to get the right sort of reputation for themselves. This film is set in Glasgow (although only a couple of secondary characters have anything approaching a Scottish accent). The premise, about people who's lives are going nowhere, who all meet up in the same cafe in the early hours of the morning as they have night jobs, COULD have made for a really funny, insightful, quirky, cultish film. Instead we have a group of self-obsessed saddos and a plot which has been so done to bits I'm suprised it hasn't been banned. X and Y are friends. X is sleeping with Z. Y sleeps with Z as well. Oh you figure it out. A total waste of time. Painful dialogue - it sounded like something that a group of 16 year olds would have written for a GCSE drama project. The female character was completely superfluous - just written in as a token female in the hope that women would be cajoled into seeing it. If you're the sort of thicko lad who laughs at beer adverts and can usually be found wandering round in packs shouting on Saturday nights in nondescript town centres then you will love this film and find it "a right laff". Everyone else, run, don't walk away from this sorry little misfit. And one question, when the group left the "boring" seaside town (Saltcoats incidentally although they changed the name on the film), to go back to Glasgow, WHY did they do it via the Forton motorway services at LANCASTER which is in England? | 0neg
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] |
The great Alec Guinness gives one of his usual fine performance in this lightweight comedy, wrapped around a typically wacky Ealing conceit - the sailor who can't go to sea buying a pier and running it like a ship. The early set-up sequences, featuring a montage of Guinness playing his ancestors at sea through the ages, are the usual silly, slapstick fun, and our hero's exploits getting his 'ship' up and running, fending off the crooked local council, and generally having a good time are heartwarming and cannot fail to raise a smile. One sequence, where he tries to run a dance hall at the end of the pier and is merrily strutting his stuff on the dancefloor with some local hottie when the authorities arrive to complain, is particularly memorable if only for the mad grin on Guinness' face as he boogies. Lacking the deeper satirical bite or wealth of really hilarious moments and characters powering the true classics of Ealing, this is nevertheless a thoroughly enjoyable little film, featuring the standard role-call of vaguely familiar faces (watch out for a youngish Donald Pleasence in an early scene). Not brilliant, but fun. | -1no label
| [
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] |
in a movie that robert duvall wrote, directed, and starred in, he spends a lot of time chuckling with a smile on his face. however, the reason for duvall's giddiness seems to be more about a realization on the lack of interesting dialogue his character has than because of a good film. with the exception of zach braff's "garden state," the big three combo is a kiss of death. there is no one in the film making process to check duvall's love for his own abilities. although the "apositle" worked for the most part, "tango" doesn't. the direction is pretentious--shots of a panther used for bad symbolism. the writing is basic and pointless. "what is tango? tango is life" everything is life. i could see the passion and beauty that was given off by a form of dance i am not familiar with and consequently could write some better things about the heat of tango. i'll put it this way. i'm a guy that loves 99% of movies because i see them for what they are, not what they could be. however, it took me three days of on and off again viewing to finally complete this film, all the time with a grimace on my face. not to mention, it is one of those films where you just wish the protagonist is going to die and the end and are disappointed when he doesn't. | -1no label
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] |
I was extraordinarily impressed by this film. It's one of the best sports films I've every seen. The visuals in this film are outstanding. I love the sequences in which the camera tracks the ball as it flies through the air or into the cup. The film moves well, offering both excitement and drama. The cinematography was fantastic. The acting performances are great. I was surprised by young Shia LaBeouf.He does well in this role. Stephen Dillane is also good as the brooding Harry Vardon. Peter Firth, Justin Ashforth, and Elias Koteas offer able support. The film is gripping and entertaining and for the first time in my life actually made me want to watch a golf tournament. | 1pos
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] |
I've seen a couple of Lovecraft based movies, and, oddly, all of them were pretty good. I appreciate when a film crew manages to capture the spirit of the book being covered. And from that viewpoint, an HPL movie would hardly show any gore or monsters at all, but, instead, build our expectations through time. The plot would be intense, although not necessarily very dynamic. The final moment of the movie would unveil a grim truth, probably rendering the protagonists insane. So, having set the (in my humble opinion) optimal lovecraftian movie criteria, let's watch Necronomicon! 90% of the movie's budget was probably spent on monster fx - a waste of resources! The acting is not very bright, the characters barely believable. As for the stories, they're a desecration of all things Lovecraft. Unconnected scenes. Almost completely unrelated to any book, and devoid of sense, they made me cover my eyes in shame. Someone here's written in a comment that this movie is for Lovecraft fans only. Boy, were they wrong! If you're a Lovecraft fan, stay away from this movie! Run, like it's the Dunwich horror!. Else, if you're a classical gore flick fan, go ahead, you might like this mindless collage of scenes painted red. | -1no label
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] |
Atrocious. The first 20 minutes or so are competent, establishing the normally reliable premise of a curious stranger stumbling upon a paranoid, hostile town. But "Bad Day At Black Rock" this isn't. At a certain point, the viewer develops the queasy feeling that the producers gave up and said "Oh to hell with it. We don't know what we're doing here. What do you say we just try to wrap things up and go bowling?" Bad performances abound, especially from "leading man" Elliott Reid (sort of a poor man's Farley Granger) who does everything except raise his eyebrow and stroke his chin whenever he puts together another piece of the puzzle. Whoever plays the pitiful old shopkeeper rather embarrassingly seems to break character a couple times. The only person who leaves any kind of favorable impression is Raymond Burr (playing a sleazy local). He hams it up entertainingly, undoubtedly aware of how awful the whole thing is. There is one incredibly weak exchange during a supposedly suspenseful chase towards the end. Reid and his cardboard love interest are trying to escape and he inquires "Are you wearing a watch?" She answers in the affirmative. His matter of fact reply? "Good." I half expected her to fire back with "Yes. Did you comb your hair?" At another point the love interest is in a reflective mode. "I can't believe my brother's a Communist" she states sadly. I want to say that Reid responds with "Yeah, tough break huh?" but it's hard to recall. I had lost a number of brain cells by that point. The last ten minutes of this sorry excuse for a motion picture have to be seen to be believed. Just goes to show that clunkers were indeed made back then as well. Then again it is quite unintentionally funny if one watches it in the right frame of mind. | -1no label
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] |
Honestly, how many angry bride movies can Hollywood come out with? I thought 27 Dresses had a pretty good plot, even though it was way way way predictable, the characters were likable and different. There were no strip club bachelor/bachelorette parties, no fights that left you hating both of the women in the movie, and some pretty good acting. However,in Bride Wars, Kate Hudson and Anne Hathaway have reached a low point in their career, dreadfully overacting and dramatizing every little detail to the point of me losing interest. The three male leads were decent, but for the most part, left a lot to be desired. Their characters were somewhat shallow, possibly due to a predictable and weak screenplay and script. This reminded me too much of all the bride movies and over-hyped chick flicks of the past. When will Hollywood come out with another Notebook romance? | -1no label
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] |
Another exquisite taste of what a superhero movie should be after Batman:Dead End that just helps stimulate our taste buds and leave us wanting more! This is what a real superhero movie should look like and feel like! Even tough this is a fanfilm of sorts. The attention to detail, character and action is undeniably real. Although this is a limited resources production, it puts to shame big budgeted, star-casted, hyped productions "other" superhero related movies. Here the main and supporting characters act and look like they are real life people. Finally, a Superman that actually looks "super" and looks like the real thing! Batman the way it should be, without the flashy rubber-casted , ripped body armor to hide scrawny physiques for over paid actors that don't deliver. I just wish that some sensible Warner Bros. exec gives the OK to produce a full length adaptation of this jewel. I don't care if it goes to theaters or straight to DVD, I would never get tired of watching it. Just the plot itself is worth my hard earned dough for this. Hope the "bigwigs" at Marvel & DC productions take a look and see what a real well produced superhero movie should look. No more "Batman & Robin" fiasco, or Hulk, Daredevil, etc. Learn from these small time directors and learn that there shouldn't be any reason to "reinvent" the hero for the movie, just to have it "bomb" in theaters. Mr. Collora...We need more directors like you!! | 1pos
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] |
A meltdown at a nuclear power plant causes a majority of people to turn into lethal, rot-faced, shambling zombies who naturally go on a grisly rampage. A ragtag handful of uninfected folks do their best to survive this grueling ordeal. Director/co-writer/producer Todd Sheets displays an appealingly sincere love and passion for go-straight-for-the-throat lively and gruesome horror fare: he maintains an unflagging snappy pace throughout, fills the screen with wall-to-wall crazy action, and thankfully keeps the terrible dialogue to a pleasing minimum. Moreover, Sheets certainly doesn't skimp on the gloriously graphic and excessive over-the-top splatter: this picture delivers a tasty truckload of flesh melting, evisceration, lots of gut munching, one dude has his heart yanked out, and there's even a nice impalement on a tree branch. Sheets earns bonus points for keeping the tone grim and nasty to the literal bitter end (for example, almost all of the main characters wind up becoming zombie chow). Granted, this flick has its fair share of flaws: the ragged editing, several ham-fisted attempts at pathos, and the largely awful acting from a rank no-name cast all leave a good deal to be desired. Top thespic honors go to the pretty and perky Kasey Rausch for her winningly spunky portrayal of the resourceful Daria Trumillio. Frank Dunlay likewise does well as rugged take-charge army veteran Ralph Walsh. Best of all, Sheets' sure grasp of an infectiously slambang sense of unrelenting headlong momentum and obvious affinity for the horror genre ensure that this remains a total blast to watch from start to finish. | 1pos
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] |
OK lets start this off with some positive input. If you follow music closely and your into the who's who of music then you will enjoy this. I am into meeting celebs and i like to see how celebs react with the general population...I like The Game and i heard all the controversy over this DVD. i have been waiting to see this DVD since November 04. i heard 50 and G unit's side of the story....now it was Game's turn. i liked seeing the Game interact with fans the way he did..he seemed like a nice guy, he seems like he knows where he came from and shows his fans appreciation. ON the other hand its kind of repeating itself over and over again on the DVD about the beef. The DVD has some funny moments and some serious moments....if you like music and rap you then you should def like this DVD. | -1no label
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] |
Yeah i saw the rough cuts. The unedited sex scenes. The dire cut scenes. Almost on a par with the film 'The Need' for awful acting. This movie is as bad as bad films get.the bad script, bad acting, bad effects, bad locations, bad stunts bad everything. The best 'actors' in the film were the lap dancers they hired for the vampire extras! Sean Harry, the 'foppish actor' as someone else put it, makes a matchstick look talented here. His amazing ability to badly drive a car, when it is obviously being shook by people on the bonnet (check out the reflection in the windscreen), his inability to turn left, which is class. OH and don't forget the sex scene. plus his noteworthy use of a toy gun which the props guys couldn't even be bothered to disguise as a real gun. The other actors on screen could barely deliver their lines.It was as if half the time they were waiting for a line that wasn't there! The 'special effects' were soooo good to the point that the guys who did it took their real names off the credits! If you want a laugh at a party then rent this movie...then again there are plenty of good comedies that are just as funny and don't give money to people who don't deserve it. | 0neg
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] |
This movie was so great! I am a teenager, and I and my friends all love the series, so it just goes to show that these movies draw attention to all age crowds. I recommend it to everyone. My favorite line in this movie is when Logan Bartholomew says: "rosy cheeks", when he is talking about his baby daughter. He is such a great actor, as well as Erin Cottrell. They pair up so well, and have such a great chemistry! I really hope that they can work again together. They are such attractive people, and are very good actors. I have finally found movies that are good to watch. Lately it has been hard for me to find movies that are good, and show good morals, and Christian values. But at the same time, these movies aren't cheesy. | 1pos
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] |
I checked this out as an impulse when browsing through the movie store and couldn't have been any more pleasantly surprised! My mom and I watched this film together, and we thoroughly enjoyed it. It isn't the typical "chick-flick" with a sappy love story and tears all the way through, but it definitely touches a nerve in the twist at the end. It's an ending where, although unexpected and tragic, the movie's overall effect is not harmed by it. I think Reese Witherspoon was a great actress even in this film, her debut, and this is definitely worth watching! I didn't recognize many of the supporting actors, but they all play their important supporting roles well. "The Man in the Moon" is such an believable story about a young teenager falling in love for the first time. Most women can definitely relate to everything-from Witherspoon's words, her subtle glances, and her not so subtle emotions (raging like the typical teenage girl). While she's playing a character confused about love, she does not come across as silly and immature, which was much appreciated considering many movies today. | 1pos
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] |
I am ashamed to say it, but I have to admit, the first time I saw this film was only about a year ago. After seeing it, I immediately rushed out and bought the DVD collectors' edition and have watched it many times since. The film is terrific on many levels. It works as your straight monster or action type film, as a horror/sci-fi and also as a very intriguing look into the human psyche. The incredible sense of paranoia, mistrust and fear, lent not only by Carpenter's direction (which is stunning) but also by the incredible acting of the cast in general. Kurt Russell (obviously) is spectacularly understated in the lead role of MacReady, and, as a direct result he "feels" like a real person, rather than a hollywood "all american hero". The other cast members all carry off their roles with style, and the net result is an intensely believable atmosphere, and a truly fantastic film. | 1pos
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] |
It's discouraging that a listless film like Bane got solid festival play. The film is easily the most meandering, pointless horror movie I've seen in a long time. The filmmakers deserve kudos for managing to screw up an intriguing concept, which involves a bunch of women waking up in a test facility with no memory of how they got there. The viewer is intentionally kept in the dark about what the heck is going on, presumably to help ratchet up the tension, but the approach only works when the plot - what's actually happening - is fun and interesting to watch. Instead, we get scene after poorly acted scene of the women freaking out about their ordeal, being interviewed with electrodes on their temples, undergoing various torturous experiments that are neither scary nor particularly intricate, and being stalked by a robed figure that the producers aped from Hostel. Sound intriguing? Believe me it's not. The film also suffers from taking place (mostly) in a visually dull environment comprised of austere corridors, all of which are lit the exact same way. It gets very tiresome, very fast. Avoid. | -1no label
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] |
Someone keeps asking me, "What's this movie about?" SS5+ is one of those that defies to be labeled...just the way I like it. Tadanobu Asano, a literal jack of all trades, is the main reason I wanted to see this. From an infamous masochist king known as Kakihara to low-key Kenji in the visually stunning Last Life in the Universe, Asano always manages to display, not only a wide range, but he performs on several different levels. In this one, you can't help feel anticipation for his scenes and trust me: they're worth the wait!!!You are then presented to an elegant buffet of avid brights, darks and color schemes which makes his home seem like Lewis Carroll's summer house. Reika Hashimoto and Asano (phenom chem!) had me mind scrapingly perplexed as to what would unfold next. The rest of the cast all play their roles well (and with fun) and the intertwining events keep the ball rolling with an occasional rest stop for character development and goodfeel. There's a dark humor in this film which gives it it an odd, adderol driven, yet refreshingly original style. Also, a high bpm soundtrack gives it some additional high octane for the trip. I will have to keep an eye out for Gen Sekiguchi's future films or other works by Taku Tada 'cause Survive Style 5+ has warped my way of thinking in a good way! | -1no label
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] |
This film had good intentions I guess, but it didn't really come off that way to me. This film is about a woman who is about to marry a nice guy politician from New York but has to go home and divorce her ex-husband who refuses to sign the papers. The films general message is that success and being rich in life aren't important, having babies, cooking, getting drunk and pottering about doing not much is what life's about. I'm not so arrogant as to say it's a wrong message, I am a lazy person, it agrees with me! But the problem starts with the fact you are supposed to love this up herself girl who comes back and insults her former friends and you just don't find that happening. This film tries to twist and surprise you which it doesn't do and you find her transition, jumpy and forced, instead of a steadily realisation she just seems to wake up or click instantly into this next stage of realisation (after punching a woman in the face.. hmmm.. our heroine suddenly develops a very strong south American accent and this quick transition comes across as purely ridiculous. You find yourself majorly worried by the immoral (inevitable) walking out on a really nice guy at the altar, who is just supposed to accept that because of Witherspoon's nice smile (which he does "oh my heart's broken I think I am OK with you leaving bye"). Classic old school romantic comedies at least had the decency to make the other man a git, or at least plotting or not wanting to marry her themselves. I would comment on the blatant racist north America south America overtones but I don't really know enough about this to comment. Not bad acting performances from all the cast despite the script and plot. Life is short but not so short you should avoid watching this film, after all it's a feel good film. | -1no label
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] |
Brilliant. Edgier than ever. I hope someone has taken down his opening monologue and posts it in the Memorable Quotes area. Truly one of the supreme comic geniuses of our time. I particularly enjoyed the hypothesizing about "Suicide TV," and the skewering of America's obsession with all things sensationalized. Nobody is ever safe from Carlin's wit and command of the English language, and he wouldn't have it any other way. Interesting to see how he has elaborated on elements of his live stage act from two years ago. I also appreciated how there was much, much less time devoted to non sequiturs and more ramblings that were all connected, often in a very twisted and disturbing way. Here's hoping for more Carlin specials to come. | -1no label
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] |
A Taste of Evil is an unintentional funny movie. As mentioned before, story revolves around a daughter who comes home to an estate on the outskirts of San Francisco. Movie has an excellent lovely Barbara Parkins, underrated legend Barbara Stanwyck, Roddy McDowell, and Arthur O'Connell, most notably for "Bus Stop" with Marilyn Monroe. It is interesting because the first half of the movie is focused on Barbara Parkins and then the 2nd half is focused on Barbara Stanwyck. Movie has unintentional funny moments. Here are some of them. Barbaba Parkins calls the caretaker to see what is for dinner because the mother is out all night shopping, cold cuts and salad. However, the camp award goes to Barbara Stanwyck. The funniest scene, which my friend and I keep laughing at, is when Barbara Stanwyck is cooking. Barbara acts so bi-polar with a manic look on her face, she yells at Barbara Parkins as they leave to hunt, "Work up a healthy appetite, I'll have hamburgers piled right up to the ceiling." You have to see the scene to see what I am referring too. As the movie progresses, you see funny scenes as a Raggedy Ann doll floating in the bathtub. All the humor is on Barbara Stanwyck's facial expressions in the 2nd half. There is a surprise twist but guidelines won't allow me to tell you what it is. Enjoy and this is a must to keep your video collection. I am glad I taped this off t.v. 15 years ago. | -1no label
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] |
This movie's one redeemable quality (besides Ator's barely-there loincloth) is the hilarious acting on the part of the bad guy, Zor. This wonderfully overplayed villain has a certain...oh, Shakespearean presence that made this movie bearable (hence the 2). I just giggled every time he pirouetted, lifting an incredulous eyebrow to henchman or hero. A true example of someone not getting paid enough. (And that BEARD!) Now really, what was with the 12-minute hang-glider scene? Really, really, really bad. I can't emphasize that point enough. So, seriously, if you even deign to see this movie, watch the Mystery Science Theater 3000 version. With those dear silhouettes has many a horrendous movie been tolerated. | 0neg
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] |
I saw this movie back in high school at age 16 and there was not a dry eye in the classroom at the end of the movie when Ben died of AIDS complications, and if I remember correctly, it was a true story. The most touching scene to me was when their fourth child was born and Ben, who was the oldest of the four boys, including the newborn, got to see him before he died. The found out that their newest son did not have hemophilia, where the blood does not clot if someone with this gets a cut. He can bleed to death if it is not treated with platelet transfusions. Ben and the other two sons did have hemophilia, and it was from a platelet transfusion that Ben got AIDS. | -1no label
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] |
while being one of the "stars" of this film doesn't necessarily give me sage insight, i do know quite a bit of what was first there...and what ended up on the screen. i remember seeing the original cut of "incoming freshman" and being very pleased. it was funny, sexy, raunchy, all the main requirements of a drive-in film. you have to remember this was shot and released before all the rest...animal house, porky's, etc...so in its own way, this flick was truly ahead of its time. for whatever reasons, the film was given to the main distributors who editing out half the original film, and then edited in (should i say "shuffled?") THE most random scenes ever. the fat guy, the people with goat heads....what the heck was all that?! i'm sure it was put in for additional T&A, but it was so slowly paced, it caused anything going on prior to it to grind to a screeching and painful halt. but all in all, it's a fun memory for me...especially in that i'm able to say that the worst movie i've ever seen...i'm in! | 0neg
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] |
Pardes is a beautiful film. Shahrukh Khan is stunning as usual. Newcomer Mahima Choudhary was fantastic. Usually female newcomers overact like Aish is Aur Pyar Ho Gaya but then she proved in HDDCS that she can act. Apoorva Agnihotri was very good as a villain. Kishorilal (Amrish Puri) is coming back from America to India to see his friend, Suraj Dev (Alok Nath). Suraj Dev has a daughter called Ganga (Mahima Chouhary). He likes her and he wants an Indian girl for his "westernised" son, Rajiv (Apoorva Agnihotri). Kishorilal has another son who is adopted and who is not so westernised, Arjun (Shahrukh Khan). Rajiv and Arjun go to India. Arjun and Ganga are immediately friends. Ganga and Rajiv get on well too. Rajiv says that he likes her and wishes for her to go to America with them and see what life will be like after marriage. Ganga goes with her aunt (Himani Shivpuri). When Ganga reaches there she gets a few surprises.......... This is a must see film. I like the way Ganga only felt comfortable with Arjun and not her fiancee. Ganga could feel that she can only to talk to Arjun. Whenever he was not around she would get bored and lonely. The song "I love India" is fantastic. The film deserves a 9/10. | -1no label
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] |
I've seen a lot of horrible movies in my time but this one takes the cake. Usually when you watch an atrocious film, comedy is there because the film is so bad. As far as Snowboard Academy goes, I was unable to find anything funny. It is like a Scooby Doo episode gone horribly wrong. The jokes are flat, the acting is poor, and there seems to be little to no direction at all. The snowboarding and skiing footage is low quality, it looks like a bunch of bums were taught to snowboard and given a job in the film. If I wanted to see better tricks I could head off to the beginners slope at the local ski hill. The film goes on the same level as the talented Varney's not-so-classics, alongside Ernest Goes to Africa. All and all the biggest piece of garbage I have ever seen. | -1no label
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] |
DO not take this film seriously, rent it with some folks who want to play Mystery Science 3000, and you will probably laugh your butts off. The evil guys are so not scary, it's funny, it's like some dude from 7th grade with a sickle in a scarecrow get up. The acting is hilarious. I love the occasional self torture with a poor horror film and this really had me giggling. I recommend it on that basis. Of course recreational drugs will enhance the experience. Oh, there is a naked group swimming scene, that will allow for some star dust on the 5 star system. The token black male gets injured badly, but continues his joking as well as using the injured body part quite readily throughout. Enjoy this complete and utter disgrace to films. | 0neg
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] |
... but I laughed. A lot. I saw 'Astérix et les Vikings' at a public screening during the World Cup. The sound was lousy, it was too bright to see the screen properly - but I still enjoyed myself immensely. The names of some of the characters had me rolling on the floor: Smsix, Abba, Vikea... All not very witty, but in good Astérix tradition. Some very good jokes, but also some that not everybody seemed to get. The only thing I didn't like were the voices of Astérix and Obélix, in the German version at least. The voice actors are very well-known around here, which was the only reason they were casted, really. They don't fit the characters at all. All in all, a good way to spend some time (and if it's free, like in my case, all the better) and to have a couple of laughs. 8 out of 10. | 1pos
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] |
The plot is totally SUPER BOGUS. The action is so awful you'll sleep throuhg it. It's G.I. JOE, fire a 100 shots and still no one's hit. The acting is not even plastic, it's hysterical and pathetic. The cast made me watch it. BUT 1)Eric Roberts's is a career wasted and the film does'nt add much to it. It even makes you wanna swear you won't watch his movie ever again. 2)ICE T falls asleep in the first half hour and does'nt get up. (Maybe he ran away.) 3)Micheal Madsen looks like he shot for the movie while going for a walk and did it just for the goggles. Rest of the crew is the hotel staff 9I'm not kidding.) Save yourselves from it. I COULD'NT. | -1no label
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] |
A young woman nicknamed "T.N.T." for being virtual dynamite in a fight and a knockout in terms of looks to boot, goes to the most lawless part of Hong Kong in search of her missing brother Stag Jackson. When she learns he has been murdered, she decides she will bring the killer to justice in a fashion only she can. Sounds good, doesn't it. Well, there's really nothing wrong with the basic premise as a starting base for a martial arts/blaxploitation action thriller, which is what this aims to be. The leads actually prove pretty good too with Jeanne Bell fitting nicely into the role of "T.N.T." and Stan Shaw doing well as the ambitious, power-hungry Charlie. Where this fails miserably is in terms of the fighting action it offers up. The fight scenes are totally and completely unconvincing and/or sometimes so completely over the top it reaches the point of ridiculousness which doesn't at all help when the basic focus of your movie is a Kung Fu action heroine. Also the poor lighting, actors sporting accents making them hard to understand, the confusing camera-work and the sometimes poor sound doesn't help this obvious low budget effort out either any. This does deliver in one area which may delight some fans, it does offer up plenty of the T in "T & A", in fact practically every fight scene in the film is proceeded by some type of nude scene and Jeanne Bell actually does have one extended fight scene in which she is completely topless. In the end, this fails to be something you want to revisit because the fight scenes are so pathetically, laughingly bad. | 0neg
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] |
In a Japanese POW camp, a Scottish band of soldiers learns about a very different culture - the hard way. They also learn from the more refined and educated among them the meaning of serving each other and their enemies, to the point of self-sacrifice. The film begins rather slowly (and overly-sentimental) but becomes an incredible story with great acting and characters, powerful philosophy and imagery. Many gripping moments of self-realization, facing reality and appreciation for life and death. The depth of relationships, self-sacrifice and lessons learned leaves the audience with a lot to process. Overall, very inspiring and well-made. | -1no label
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] |
It is a rare thing for a movie to bring me to tears, let alone, full fledged sobs. This movie revealed some of the most beautiful pictures of forgiveness, grace and freedom. Each character was a window into my heart. All the things I hate about myself, my stubborn will - my innability to forgive - and my capacity to hate. There was also the things that I would hope to be -- gracious, exceedingly forgiving, and always hopeful. I believe that the best movies are the ones that make you quiet for hours. That you walk away - not analyzing the movie itself - but exploring yourself. This movie made an impact on my life - not just my day or my top ten list. | -1no label
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] |
This is a pointless presentation of a horribly sad story that deserved better. The casting was poor, acting laughable (especially Blythe as 14-yr-old Meg-- she looked every bit her 20 years and was amateur at best), dialog stupid and the David character a frustrating farce. Nobody decent (as David's character was supposed to be) would stand around for as long as he did and not tell his parents or somebody! And the neighbors were so clueless in this small town (where scandal and gossip is usually welcome amid the boredom) that they were unaware that the drunkard single mom on the block (divorced moms were suspect back then, too) was feeding alcohol to their own kids and raising a brood of bully, violent brats? Completely NON believable. And I doubt a little guy like David would be able to off a maniacal, adult woman w/ two swings of a crutch! It's a shame that the opportunity to bring this excruciatingly sad, yet important story about child abuse to the world via film was squandered so miserably. | -1no label
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] |
An untidy man, known as Bill, lives in a small dreary flat, with a poster of Marilyn Monroe on the wall, and his typewriter for company. Only the man can't think of anything to write. He wanders around the streets following people, just to see where they go. Maybe this will give him some inspiration to write. He begins to follow a well dressed man holding a bag. He follows him for a few days. While in a cafe, the well dressed man sits down at a table on the opposite side of Bill, and inquires why Bill is following him. The well dressed man says his name is Cobb. Cobb then surprisingly informs Bill that he is a burglar, and even starts to take Bill with him into houses to steal things; although Cobb insists he doesn't go into other people's homes to just steal. He says he likes to let people know he has been there, and interrupted the things they take for granted. He puts knickers from another burglary into a man's trousers, for example. The film is told in flashbacks at times too. The director used this technique in greater abundance in his recent feature Memento. Bill eventually decides to cut his hair and dress in a suit, on the advice of Cobb. He meets a Blonde lady in a club, who used to date the owner, a bald man, who is very dangerous, she says. We see a scene where a hammer is used by the bald man's hence men on a man's fingers in the Blonde lady's flat. These are some of the many pieces of the puzzle that the director shows us, and they will all fit into place when we arrive at the surprising conclusion. | 1pos
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toplines this ok comedy about an aging father (C. Aubrey Smith) who decides to gather his grown children from around the world. Davies is working as a chorus girl in New York when she gets the news that "daddy" wants her. Hmmmm, sounds familiar. Davies' considerable talents as a comedienne save this otherwise so-so comedy as she upsets the staid British countryside with her brazen American personality. Not as sharp as some other Davies comedies, but still worth a look. Ray Milland plays her long-lost "brother." Doris Lloyd, Elizabeth Murray, and Halliwell Hobbes are all fun, too. | 1pos
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] |
Someone mentioned editing. This is edited badly and what started out as somewhat intriguing became an incomprehensible mess. For starters, let us know what it is you are trying to do with these experiments. Why are these people the best choices for the type of experimenting they are involved in? And, what exactly are they testing? Apparently there is some grand plan that some agency is going to exploit. The acting is pretty bad. Everyone is emoting. Everyone is keeping secrets. They frequently mention that if it weren't for the money, they'd hang it up. There's a deranged minister who spouts scripture. On and on. But, again, the biggest hang up is the lack of laying out a playing field for the actors. There are some really cheesy elements. Those little rooms and those chaise lounges. The awful wallpaper (was it wallpaper?). It was interesting, but didn't seem to go anywhere. | 0neg
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] |
A lot of horror fans seem to love Scarecrows, so I won't be very popular in saying that I found it to be rather boring. The idea behind it was interesting, but it seems to drag so much. I think the main problem is that it is all set in darkness. Sometimes horror films set in darkness can work (such as Humongous), but Scarecrows is in darkness for the whole film. A lot of the time it's hard to figure out what's actually happening, and although some shots of the scarecrows were creepy, most were hard to even see. If a little more lighting had been used, perhaps it could've been better. There's not many films involving killer scarecrows to my knowledge, apart from Dark Night Of The Scarecrow, which is much better. I would recommend that over Scarecrows any day. | 0neg
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] |
My high expectations and enthusiasm for this movie eroded just like the lifestyle of Big and Little Edie...... To begin on a positive note, Kalina Ivanov and her production team deserve all the awards and accolades they can get. The attention to detail, the resurrection of pre-squalor Grey Gardens and period settings is amazing. Kudos to the beautiful costume design too. From there, it's all downhill. Drew Barrymore is embarrassingly bad. Every line she spoke came across as if she had rehearsed it a few hundred times. It removes her spiritually from each scene. She never quite nails the accent, which becomes almost unbearable. There are a few moments where Little Edie comes through, but it's not enough to keep Drew above water. I wish another actress on par with Jessica Lange could have tackled the role. Alas. Jessica Lange was fine as Big Edie. No one else could have done it better, but she too came across as over-rehearsed and sing-song. There are no excuses for her terrible singing. The direction and soundtrack were very "made for TV movie." It's like that disaster of a movie Titanic. It's bad, it could have been so much better, but it's never going to be re-made again. Too bad. Stick with, and cherish, the Maysles documentaries. I may watch this again to soften my stance, perhaps. I'm not going to make it a priority. | -1no label
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] |
In "Hoot", a new kid arrives to Florida from Montana. He first faces the usual problems of blending in and dealing with the local bully. Soon, though, he becomes aware of a bigger problem: a franchise restaurant chain is trying to build a site in the town, right where a number of burrowing owls live. This movie has the look of a family film, but it is pretty more radical than it seems, as it shows sympathetically how Roy and a couple of friends do not shy away from lawbreaking (including vandalism of private property and briefly kidnapping the manager of the chain of restaurants) in the name of environmentalism (to save owls, no less). Now, one might agree or not with those actions, but at least the movie has the courage from not shying away from its convictions. A good, solid film, all in all. | 1pos
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] |
The Leopard Man is a triumph of style over content. The plot of an escaped leopard terrifying a community certainly justifies calling this a horror film, but it succeeds as a minor masterpiece in the genre only because of the elegant direction and cinematography, which took advantage of the black and white medium. In the DVD Val Lewton Collection , Citizen Kane is mentioned frequently, both for its artistry and for its financial disappointment; (though I have read that in fact it turned a small profit.) Also mentioned are the films of Astaire and Rogers, and their use of black and white photography. It may be that Lewton and company learned from their RKO predecessors, especially Citizen Kane; in this case to cast an ominous aura over the action. The color black is the key, from the time that the leading lady decides to wear a black gown for her night club entrance with the leopard. The leopard image is used to foreshadow the deaths of the two young girls. In one case the black hand shadow of a leopard head made by her brother hangs over and behind her head as she leaves the house. In the other, the mother of the second victim is seen carrying a black cat in her arms. Then there is the Ace of Spades dealt to Margo by the fortune teller on two occasions. All very stylish! If not for the men behind the scenes the film would have been lost in the abyss of B films gone and also forgotten. The performances are about as wooden as one would expect in a typical B film, with only Margo conveying some of the tension one would expect from persons in a small town with a frightened leopard on the loose. However, special note should be taken of Dynamite, the big cat who receives billing, possibly as a result of his terrifying performance in Cat People, when he set the stage for the action, chewing on a large roast in his cage. However, one cannot help but be puzzled by the fact that a black panther is playing a leopard (which in this film did change his spots). Did RKO have him under a long-term contract? Comparing his performance with those of the actors reminds me of the supposed comment of director van Dyke after the filming of Rose Marie, starring Nelson Eddy as a mountie: "It was easier to get a good performance from his horse than it was from Nelson". | -1no label
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] |
I am a fan of Ed Harris' work and I really had high expectations about this film. Having so good actors as Harris and Von Sydow is always a big advantage for a director but if the script is bad what can you do? I really think that Needful Things is the worst movie of Harris' filmography and that getting involved with it was a huge mistake. Anyway, I've seen much worse movies in my life but Needful Things was a disappointment because of the waste of acting talent. The story as an overall seems too unbelievable and fake. I don't know if that is because of the book, 'cause I haven't read it. But if the script was so bad, I can't see the reason for filming it. Maybe it was the commercial success of King's books, or the need for low-quality movies for the VHS era of the 90's. Whatever the reason was, though, this movie was a very bad choice for anyone involved. | 0neg
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] |
I remember this film coming out in 1980, I think I even went to see it at the cinema. I remember then that I thought it was utter rubbish. America the good in another excuse for a confrontation of good against evil, in this case Russia. I do seem to recall that at the time of The Titanic going down, there was no cold war. So to make a film where America the good is in a battle against time to beat Russia to the "Byzantium" is a country purely self obsessed and blinkered to think it has any right to go down and get the Titanic up, which I recall was a British ship. This is a terrible film, made by an arrogant and self obsessed USA, yet again, an example of that country's arrogance and why it is so hated today by many. I urge, delete this film from your thoughts, it has been proved the ship is in pieces any small amount of research would have come up with a probability of such a big ship hitting the sea bed and remaining in tact is pure darn right stupidity, as is this film. D | -1no label
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] |
I really can't say whether this was the worst BBC comedy of all time or not. I only vaguely remember the plot details and I can't bear to watch a re-run. What I do clearly remember is the zeal with which the BBC promoted it in the run up to its premiere. This was going to be good (despite the clumsy title) - just look at its pedigree, cast etc. Well it wasn't. I vaguely recall the typical wobbly low-budget sets; I certainly remember Molly Sugden declining to use fart-power under zero gravity (almost funny, if it wasn't embarrassing). Despite being a dedicated fan of AYBS?, Dad's Army and IAHHM, i just couldn't take it. I cringed with embarrassment for Molly Sugden and Ina Lavender, trapped in that script! In the end I switched off before the end of the episode; something I never do to a comedy, it just made me feel uncomfortable. | -1no label
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] |
Few directors have succeeded in creating a truly personal cinematic poetry of their own. Most simply do not strive towards artistic endeavors of this type. Gus Van Sant was one of few of his generation with the ability, talent and desire. Having realised this vision early on in his career with "My Own Private Idaho" he abandoned this quest, opting for mainstream acceptance, not to mention commercial success. "Two Lane Blacktop", Monte Hellmans' elegiac ode to existential despair is set in the milieu of drag car racing. The mood and images transmit the inner essence of the characters rather than what they willingly reveal of themselves. The potency lies in what is not spoken and what is not shown. Hitchcock commented on how true horror is created not by showing the audience fearful images, but rather by us induced to forming such images in our own minds. Hellman chooses not to depict despair a la Bergmann with endless articulate monologues plumbing emotional depths. The Driver (Taylor) and The Mechanic (Wilson) barely speak, and when they do you can be sure it's about car engines. G.T.O. (Oates) has much to say, but he's articulating the delusions which keep his despair at bay. The one time he begins to reveal the truth of life story, Taylor cuts him short. Soul searching has no place in "Two Lane Blacktop", it would be breaking the silent agreement that what counts are cars and racing. Taylor's brief proposal to Laurie Bird of finding peace in Florida is touchingly poignant. For all her hippiness, she has an acute sense of her own survival, effortlessly transferring her affections to the most promising man of the moment, ultimately leaving with a biker on the basis of a mere glance in a diner. The fact that both James Taylor and Dennis Wilson in the leads are not actors somehow has no detrimental effect at all. They are not called on to act as such and their dialogue is sparse. Taylor in particular has an effective blend of tenderness with a touch of crazed obsession about him. Warren Oates, the only real actor and a Hellman favorite turns in a powerful performance. "Two Lane Blacktop" makes for a companion piece with Frank Perry's "Play It As It Lays", made around the same time. Both essay existential despair and both are cinematic rarities that should not be missed. | -1no label
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] |
My abiding love of Italian actress Lucianna Paluzzi, who helped jump-start my puberty with her performance in 1965's "Thunderball," has led me to some fairly unusual places. Case in point, this British curiosity from 1959, "Carlton-Browne of the F.O.," which features Lucianna in one of her earlier roles. She plays a princess in this one, although the picture is actually a showcase for the talents of Terry-Thomas and Peter Sellers, both of whose stars were certainly on the rise at this point. In this cute, often very funny film, we learn of the Madeira-like island nation of Gaillardia, which had been a British colony until 1916 and then universally forgotten. Forty-three years later, however, it becomes the center of worldwide attention and international espionage when valuable cobalt deposits are discovered there, and Her Majesty sends the bumbling Carlton-Browne of the Foreign Office to take charge. Terry-Thomas underplays this part nicely, as does Sellers in his role as Prime Minister Amphibulos of the tiny country. (This was Sellers' second film of 1959 concerning a tiny country matching wits with the world, the other being "The Mouse That Roared," of course.) Ian Bannen almost steals the show here as Gaillardia's suave king, and my girl Lucianna is as appealing as can be in her minor role. The film exhibits much in the way of very dry humor, although there ARE some belly laughs to be had (the reception at the Gaillardian airport, for example, and especially that May Day-style parade of Gaillardian strength). And Sellers' seedy prime minister, with his cracked English and seemingly perpetual sweat stains, is yet another memorable character in this great actor's pantheon. Despite the occasional instance or two of indecipherable, stiff-upper-lip British gibberish, I found this picture to be a winningly modest entertainment, and well presented on this crisp-looking Anchor Bay DVD. | 1pos
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] |
Another reason to get SKY is that regular basic cable movie channels air horrible Horror movies like this! Really, there is nothing positive to comment about this crap. I really tried to be objective while watching it, heck, I tried to hard to not change the channel and put on some MTV in the worst case scenario. I truly can't remember why I decided to watch this one; probably because it got regular attention when it first came out. Now I understand that it was popular among some Horror fans because it's indeed a horrible movie. The plot makes absolutely no sense and so does the supposedly villain. What the hell was that rap propaganda and sub-plot? The title makes justice to the horrible visual experience that this movie is... | -1no label
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] |
I watched through 8 of the 10 episodes and couldn't handle anymore. All of the episodes were boring, and I think even if I appreciate The Ten Commandments, I'd still hate The Decalogue. Each episode pertains to one of the ten commandments. Well, that's nice and all except that the editing and direction of each episode was slow and boring. I wasn't sentimental to any of the characters, and the guy who keeps appearing in every episode was utterly pointless. I'm pretty sure he is supposed to represent something, but I don't even care at this point. It'd be great if there was some sort of depth in the script, but there weren't any. Overall, a major disappointment. Don't bother watching this unless you want to be bored out of your mind. | -1no label
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] |
Rocket Power is basically a show about four typical preteens.They are the sports fanatics who love to be better then the others.We got Otto,an airhead who wants to go big.Reggie,who is the smart reporter,but also the surfer girl.Twister is the silly,random jackass of the group and Sam is the super smart kid,who has more book smarts then street smarts.As if I haven't seen this before! Now,I lived in a "ghetto" town in Pennslyvania,so I don't know what life is like in New Jersey or California.but looking,it makes me not want to go.To me,its only showing that people on the coast states are stereotypical idiots who care more about sports and kicking ass,then anything else.I know,it deals with lots of issues,like breaking the rules,being carefree and being kids,but for God's sake,what the hell!? I might be so wrong,because I haven't seen this show in years,but how is this realistic?And what the hell is with the slang?I'm around lots of gangs nowadays,and I've never heard anyone say I've never heard the word "shoobee"or whatever it was.Even when I was at the beach in Maryland,I never heard one surfer kid say that.And what's with he word "lame-o"?Honestly,these kids are like 13 or 15 and they are still using baby ghetto talk.I haven't said "lame-o" since I was like firkin ten! All an all,I hate this show.It's not as good as Nick was making it out to be.If they laid off the weak and stupid slang,and stopping with the stereotypical comments (like all skaters are stupid,all neighbors are creepy pedos,smart kids are losers,older siblings are bullies and all that drama).But again,the point is,this show had lots f potential,but this totally blew up.If I want to see cartoon kids skating,I can watch Scarred or go see some of my friends go skateboarding. | -1no label
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] |
*SPOILERS* I don't care what anyone says, this movie is friggin' hilarious. This is the sequel to Jack Frost, a movie about a killer snowman. The snowman is created when a convicted serial killer about to be executed is taken to the execution chamber, but the truck crashes with a truck carrying DNA manipulation chemicals that make human DNA bond with dirt, or in this case, snow. The first movie was just boring, and eventually the snowman is destroyed by pouring antifreeze on him. Or so they thought. This movie takes place about a year after the second. Some scientists resurrect Jack Frost by mixing the antifreeze with chemicals. No explanation is ever given for why they do this, they just do. Meanwhile, the sherrif who arrested Frost in the first is going to the Bahamas. Unfortunately, the snowman comes with him. This movie has it all. It has talking carrots that can stand up, ice cubes that explode when you stick them in your mouth, and killer snowballs. Yes, killer snowballs. They even say "Dada!" like babies. I'll have to give the makers of this credit. The snowballs are some of the cutest little things ever dreamed up. I wish that I could get one as a pet. Frost finally freezes the island, as if a killer snowman has the ability to influence major weather patterns. Then there's the actors. There's Manners, the FBI agent from the first movie, except here he's wearing an eyepatch. YARR MATEYS, SHIVER ME TIMBERS, I BE AN FBI AGENT! YARRR! And then there's the stereotypical British adventurer and the stereotypical black Jamaican with dreadlocks. And finally, Captain Fun. The fruitiest man on the face of the planet, bar none. This movie isn't scary, but is is hilarious. I laughed my butt off the whole way through, and I recommend this for anyone who likes a good "bad" movie. *** out **** | 1pos
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] |
Mild spoilers below. The prospect of war was clearly on the horizon when TFW was filmed. From the opening scene of European refugees to the final prediction that Naziism will be the death of millions of Germans, this movie is as much a propaganda film as the films made after Pearl Harbor. There isn't a lot of entertainment value here though the footage of the dust bowl is interesting to those of us who aren't old enough to remember it. The rest of the plot is pretty forgettable with the Herr Docktor Coburn - with a pretty bad accent - and daughter assimilating into America with Wayne's help. Other than the dust bowl scenes, the only memorable aspect of the movie is one best viewed with hindsight. Coburn's speech comparing Naziism to a malignancy worse than cancer and describing the (then current) successes as a momentary outburst of energy from a patient right before death were eerily accurate and Varno's Dr. Scherer played accurately to post war newsreel footage of unrepentant Nazis justifying their actions. When viewed from a historical perspective, some aspects of TFW are interesting. If you look at it for entertainment outside of the WWII perspective, you'd have to say this is one of Wayne's less successful efforts. | 0neg
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] |
With looks that could kill, and a willingness to display her charms, Paget's sensuality leaves no doubt as to where her assets lay... She plays a sultry-innocent 13th-century princess who rouses her people to save Egypt from the ambitions of a powerful Beduin (Michael Rennie) and joins her forces with the son of the Caliph of Baghdad (Jeffrey Hunter) to save her trembling throne... She also finds time to fulfill a great deal of exotic dancing... Her luscious legs make her hard to forget! The emphasis is not on the plot, but on the visual pleasure of a great number of beautiful girls in sensual Technicolored costumes... | 1pos
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] |
Ronald Colman won a Best Actor Oscar for showy performance as a popular stage thespian who completely loses himself in his roles, particularly as Shakespeare's Othello. Critically-lauded George Cukor film has a marvelous pedigree, having been written by the estimable team of Ruth Gordon and Garson Kanin. Unfortunately, the witty banter comes off as self-conscious here, and the backstage business is overripe. Miklós Rózsa also won an Oscar for his score, and Shelley Winters has a few fine moments a tough waitress (when theatrical Colman breathlessly addresses her, she asks him, "What are ya? Some kind of nut?"). Otherwise, this scenario is awfully obvious, surprisingly draggy, and not very funny. *1/2 from **** | 0neg
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] |
Sang-soo Hong has done it again: he has made another controversial film that deals with the in-depth investigation of human sexuality, this time focusing solely on it from the perspective of two old friends meeting up again, one a successful college professor and the other a struggling film-maker. From beginning to end, Hong lures you into the film by showing provocative sexual scenes and events, and really laying before us just how chaotic and disturbing sex can be, as well as how fulfilling it is. In between comical exchanges between the main characters, there lies a great deal of tragedy. Like many Korean films, it bended genres. The acting was always as realistic as Hong aimed for in previous films like Power of Kangwon Province, and the story just as equally real -- focusing on very real dialog and very real occurrences. One can feel a close relationship to every character in the movie from start to finish. The mood is very real, and the soundtrack that accompanies it was very appropriate. A uniquely artistic film that encourages the viewer to connect the dots, and a very real 'slice-of-life' film, I would recommend this to anybody who enjoys artistic film in general, or who has an interest in tackling some major issues about sexuality. It was another well-done piece by Hong, and I look forward to seeing more work by him in the future. | -1no label
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] |
Remember the "Coneheads" on SNL(Saturday Night Live)? Well, they are back! This time on the big screen. Beldar(Dan Ackroyd) and Prymatt(Jane Curtain) are on Earth planning to commit world conquest. But, when they settle on the planet they decided to live their lives there instead. They have such strange diets, and they claim themselves they are from "France". The government however don't think so. They later give birth to a daughter named Connie(Michelle Burke). She has a little trouble fitting in, until she meets Ronnie(Chris Farley, 1964-97). I liked the Subway scene where Connie puts away a sub which made Ronnie's mother look like an amateur. Looks like he found his dream girl there. When they go back to there planet, Beldar used his talents from Earth to stop a monster, while singing Soft Cell's "Tained Love". Great cast, silly plot, this movie is good for all SNL fans. Some say it was rather late, I would say, "Who Cares?" 2.5 out of 5 Stars! | -1no label
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] |
Woeful, and blatant, attempt to cash in on the "Breakdance" craze that swept the western world in the early to mid-eighties. The script (from Allen DeBevoise, Gerald Scaife and Charles Parker) is a terrible "Flashdance" clone with street dancers Adolfo Quinones and Michael Chambers trying to get their big break on the stage, and show the world what they can do, with the help of classically trained hoofer Lucinda Dickey. The only thing worth watching is the dancing itself, with some well choreographed pieces blending easily with the natural 'breakin' talent. There is absolutely no acting prowess on show, and director Joel Silberg would be well advised to stick to putting up the money for someone else to run things. For something a little more down to earth and closer to reality, try "Beat Street". Music was penned by Gary Remal and Michael Boyd. Sunday, August 18, 1996 - Video | -1no label
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] |
Does anyone remember the name of the medic who escapes over the wall with Papillon and Dega - is it Maturette? In any case, he may mark the first time Hollywood created a gay character - at least in a big-budget film - who is sympathetic, not stereotypical or ridiculous or treacherous, and is given his fair share of personal dignity. First, Papillon wants to prostitute him to distract a guard so that he can escape: He lets Papillon know in no uncertain terms that he's "not a whore" and that "Between the two of us, I'm the one who's killed a man." Later, he shows bravery, solidarity, and resourcefulness equal to the two leads'. It's a fairly large role, the actor makes a strong impression, yet (almost as important) the filmmakers don't showcase him in a self-congratulatory way ("Look how progressive we are!"). He's not offset by any more "typical" gay characters to lessen his impact, nor, thankfully, by one of those ritual gang-rape-of-the-male-lead scenes that seem to be obligatory in prison pictures (e.g., "The Shawshank Redemption"). This is all especially remarkable in that Hollywood movies at the time were still rife with abysmal gay stereotypes (see "Play Misty for Me," "The Eiger Sanction," "The Producers," any number of others in all kinds of genres.) I'd love to know if this was a conscious decision by Schaffner or the screenwriters (Trumbo and Semple both had good progressive credentials, after all). By the way, if you're going to see this film, see it letterboxed - it loses much of its visual impact in a standard TV pan-and-scan format. | -1no label
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] |
Orson Welles falls in to a kind of archaic theatrical acting style in this wonderful, tear-jerker of a film. As "Erik Kessler," a man who returns under an assumed identity to the wife who has remarried because she though he was dead, he's heavily made-up and talks with a corny and contrived sounding German accent. Of course, that's the point, he doesn't want his wife to recognize him, but one can't help thinking that his wife Elizabeth (Claudette Colbert) is better off with the smooth and sophisticated Lawrence Hamilton (George Brent). What if they switched roles? What if Brent played Kessler and Welles played Hamilton? Now that would put Elizabeth in a really tough position. As it is, Kessler's so unattractive (in woman's film terms) that the female audience knows there's no way she's going to leave Hamilton. As it is, Elizabeth gets the best of all possible worlds. Her first (problematic) husband disappears during the war; she gets a rich and handsome second husband who's only shortcoming seems to be that he's not truly attentive to her sons from her first marriage. Fortunately for her, husband number one comes back just in the nick of time to save their son from a foolish decision. And then he just as conveniently dies, an unopened letter beside him that Elizabeth and Lawrence somehow fail to see. And they get an adorable new little adopted daughter in the process. This little girl will take away the pain that we've learned Elizabeth is going to feel as her boys go off into the world. So it's a perfect ending for Elizabeth--her unattractive, preachy first husband is now permanently out of the way and she can look forward to a more satisfying marriage with the handsome and agreeable Lawrence. | -1no label
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] |
I had been interested in seeing Outlander ever since I heard it described as a fantasy re-telling of the Beowulf legend. It did not disappoint in this regard. From beginning to end, Outlander is an action-packed genre mash-up that manages to make Beowulf more fun than any retelling in recent history (including The 13th Warrior). All of the above having been said, there are some things to keep in mind before viewing Outlander. First, the film is not historically accurate. Anybody who goes into a film that features aliens and spacecraft in its advertising and expects a faithful historical reproduction of Beowulf will be disappointed with Outlander rightfully so, I might add. A lack of historical accuracy in a film that showcases spacecraft and aliens? How unexpected! Second, Outlander is an action movie first and everything else second. This being the case, some laws of physics have been suspended in pursuit of entertainment. Anybody going into Outlander expecting to see a detailed, painstaking, recreation of real world physics or a seminar on the chemical properties of whale oil will be just as disappointed as the aforementioned history buffs (and, again, rightfully so). Outlander has never claimed to be a history text or a physics class and it (unsurprisingly) fails at being both of these things. Outlander is, on the other hand, an entertaining piece of action cinema. If the idea of Vikings fighting aliens sounds like fun to you, go see Outlander. If you're looking for a historical docudrama or recreation of Viking Age warfare, go see something else. | -1no label
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] |
In what could have been an otherwise run of the mill, mediocre film about infidelity in the sixties (the subtle "free-love" period), the creators of this film pile on ridiculous scenario after ridiculous scenario and top it all off with a trite little cherry on top, happily ever after ending. At no time did I ever feel sympathy for Diane Lane or Anna Paquin in their troublesome middle-class care free life, nor did I feel for the emasculated Liev Shrieber. The story line plods along slowly to its predictable, pathetic conclusion and the only thing interesting and watchable about this film is the stunning Diane Lane topless. Here's a hint, it occurs about 30 minutes into the film. Fast forward to that part and skip the rest. | 0neg
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Shockingly bad. I mean, I knew it was going to be poor, but this bad? Dragged along by my seven year old daughter, who is entranced by thirty year old re-runs on Cartoon Network (and they haven't aged well, speaking as someone who used to rush home from school to watch it), I didn't expect the cynical, set-piece laden exercise in making money which was served up. The good bits: any time Scooby (and therefore Shaggy, who Matthew Lilliard gets to a 'T') is on screen (and it isn't as much as you'd think it would be, couldn't they afford the computer time?). The bad bits: the rest, boy does it draaaaaaaaagggggg. The plot is weak, isn't explained very well and is thus confusing, but never mind because here comes another set piece that has absolutely nothing to do with advancing the plot. Why does Velma change from dowdy and homely into sex vamp, and back again? Why is Sarah Michelle Geller completely unbelievable as Daphne - she's a fine actress, but she sure does need to get away from playing Buffy clones? Why did I want to punch Freddy Prinze Jr. every time he appeared? A cynical lazy Hollywood pic, lowest common denominator stuff, recycling ideas that weren't really that good in the first place and should have been left well alone. Already setting up the sequel at the end as well. Please, don't do it. Within an hour of the film ending, my daughter was struggling to remember ANYTHING she liked about the film, bar -surprise- the fart scene. She was more entranced by the fast food she'd had afterwards. | -1no label
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] |
I originally reviewed this film on Amazon about 6 or 7 years ago, and blasted it. I believe I called it "wretched" and a "turkey." Okay, well, by most standards, it's still a turkey. It's got almost no production values, what little plot there is makes almost no sense, and the acting is on the level of a third-grade play. That said, this has really grown on me over the years as a sort of camp classic. In fact, all of director Todd Sheets' films have had this effect. They're almost like Ed Wood in that regard: Watch them over and over and pick out the flubbed lines, continuity errors (same zombie, two different locations!), and other flaws. I'll say this: Sheets is a very nice guy, and while this, one of his first productions, isn't that great, he has gotten better. And I must add that the only really decent actor/actress in the film is Kasey Rousch, though I may be biased, as I attended school with her. | 1pos
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] |
Because that's what Hell Ride pretty much is. Larry Bishop and Tarantino partying on the Weinstein's money with the promise to deliver a movie sometime down the line. I'm all for fake boobage and booze as much as the next guy but did we really need the movie? Really there's nothing worse than the reheated second-hand leftovers of an old trend. And I'm not even talking about 70's grindhouse cinema because Hell Ride has none of the raw and unpolished feel of the era it purports to pay homage to. No, this is slick and glossy MTV Hollywood through and through. The old trend I'm talking about is the self-consciously pseudo-hip quirky cinematic world where Tarantino meets Guy Ritchie and Robert Rodriguez. All three guys were at least talented and found success for a reason. Hell Ride is just a second-hand copy, fickle and uninspired, polished to the max when it should be raw, the "supercool" aspect coming off forced and silly. There's no reason for example why such a simple and utterly inane story has to be told in convoluted, back-and-forth in time fashion. It's just a post-Tarantino quirk. There's also no reason why the dialogues have to be so mind-numbingly pointless, people flapping their gums while saying NOTHING: at least when Travolta was talking about cheeseburgers in Pulp Fiction it felt fresh. Dialogues here amount to little more than pseudo-macho posturing. There's also no reason why a grating rock'n'roll guitar has to twangle aimlessly over the entire movie. Perhaps the lowest Hell Ride hits is when it tries to be quasi-existential. There's a hilarious dream/illusion scene in the desert where Bishop eats peyote and sees colours. I was half-expecting an old Indian to come out and offer nuggets of wisdom. The only saving grace of this abysmal turd is the boobage and Vinnie Jones' monologue about his wings tattooes (and maybe some of the desert exterior shots). Lots of boobage and hot scantily clad babes. Now that's something I can get behind but a movie they don't make. Everything else is just an empty shell, an imitation of other infinitely more talented imitators. | 0neg
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] |
Naturally, everyone has different tastes, and some people do like the movie - but in my opinion it was just another pointless movie about a bunch of bank robbers. I assume many people will watch it just to see Lynda Carter topless, but in today's world where porn sites pop up on computers all the time even when they are not wanted, there is no novelty in seeing a topless woman in a love scene - except that it's a celebrity and people are into that. A previous user (Ron) posted a message that the two topless scenes were really just the same film clip edited twice into the movie in two different scenes. However, he was mistaken. There were two very similar love scenes - in both scenes, they are making love on the same blanket, and in roughly the same positions and camera angles. It is almost like watching the same scene twice. But they did film it twice, and not a single frame was duplicated in both scenes. | -1no label
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] |
In the film, Lumumba, we see the faces behind the monumental shift in the Congo's history after it is reclaimed from the Belgians, and we see the motives behind those men into whose hands the raped and starving country fell. Lumumba is not a movie for the hyper masses; it demands the attention of its viewers with raw, truthful acting and intricate, packed dialogue. Little of the main plot is shown through action, it relies almost solely on words, but there is a recurring strand that is only action, and it is the stroke of genius that makes the film an enlightening and powerful panorama of the tense political struggle that the Congo's independence gave birth to. This film is real. It is raw inits depiction of those in power, and those on the streets. It is eye-opening in its content. And it is moving in the passions and emotions of its superbly portrayed characters. Whether you are a history fan, a film buff, or simply like good stories, Lumumba is a must-see. | 1pos
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] |
This film was pretty good. I am not too big a fan of baseball, but this is a movie that was made to help understand the meaning of love, determination, heart, etc. Danny Glover, Joseph Gordon-Levitt, Brenda Fricker, Christopher Lloyd, Tony Danza, and Milton Davis Jr. are brought in with a variety of talented actors and understanding of the sport. The plot was believable, and I love the message. William Dear and the guys put together a great movie. Most sports films revolve around true stories or events, and they often do not work well. But this film hits a 10 on the perfectness scale, even though there were a few minor mistakes here and there. 10/10 | 1pos
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] |
I seen the mini series when aired on British TV and i enjoyed it very much. Sam Neill was brilliant as William Lowell Kane my mother would have to disagree as she liked Peter Strauss as Abel Rosnovski as she had a soft spot for him as an actor. I have now bought volume 1 & 2 on VHS. But i can not find the volume 3on VHS any where if anyone knows where i can obtain it i would love to hear from you. I would also like to find the 3 volumes on DVD also. As the videos are for my mum who also loved the mini series. And watch it once again. | -1no label
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] |
The whole reason I picked up this movie in the first place is that I just adore low budget made horror movies because in my opinion they normally turn out to be better than the big budget horror films (examples: "Campfire Tales" and "Dead End"). This movie just gives ALL low budget films a bad name. Many people before me have talked about how horrible it is, but it was just so bad I can't resist to write about it. Where do I even begin? The acting. Wow. Just plain out HORRIBLE. Even Jamie Lynn's performance made me sick and from what I hear she's supposed to be good. But just, wow. I am just blown about how horrible it was. Then, there's the "special effects", my saying is, "if its not good don't even bother with them". I mean, the background of a full moon in the second story didn't even look real at all. Next, the cameras. Whatever type of cameras they used just made the movie worse. It looked like I was watching a documentary at times because it was so horrible. The plot line wasn't even that good. The only story that even made me a little creeped out was the third one. Thats only cause I put myself in the girl's position. And even that one had a thousand plot holes. Basically, what I'm trying to say is that if you like watching horrible acting, filmed with horrible cameras, with horrible effects, about a horrible plot line this is will be your new favorite movie. | -1no label
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] |
I loved the story told in the TV series and felt each of the characters was interesting and believable. Sam Loggin was a super Lucy! I thought Gus was suitably sleazy, and Daniel was a decent guy with his true qualities not evident at first. The 3 girls at Lucy's flat were each definite characters with good story lines of their own and their interactions reminded me of some of my experiences with a roommate. The office life portrayed was realistic and very funny! Each character was a clear individual and well-portrayed by the actors. I saw the show before I read the book so for me this show IS Lucy Sullivan. I read the book afterward and noted a number of differences from the TV show but felt the show still stands as a brilliant entertainment in its own right. It remains one of my favourite TV series and I'd love to watch it again if someone airs it again or if it comes out on DVD. | -1no label
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] |
This show comes up with interesting locations as fast as the travel channel. It is billed as reality but in actuality it is pure prime time soap opera. It's tries to use exotic locales as a facade to bring people into a phony contest & then proceeds to hook viewers on the contestants soap opera style. It also borrows from an early CBS game show pioneer- Beat The Clock- by inventing situations for its contestants to try & overcome. Then it rewards the winner money. If they can spice it up with a little interaction between the characters, even better. While the game format is in slow motion versus Beat The Clock- the real accomplishment of this series is to escape reality. This show has elements of several types of successful past programs. Reality television, hardly, but if your hooked on the contestants, locale or contest, this is your cup of tea. If your not, this entire series is as I say, drivel dripping with gravy. It is another show hiding behind the reality label which is the trend it started in 2000. It is slick & well produced, so it might last a while yet. After all, so do re-runs of Gilligan's Island, Green Acres, The Beverly Hillbillies & The Brady Bunch. This just doesn't employ professional actors. The intelligence level is about the same. | 0neg
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] |
Best show ever. the characters are awesome. my favorites are Cassie the witch and Thelma the lesbian ghost. but Azazel is hot. watch it because it would be like nothing you've ever seen before. who ever came up with the idea is a genius. the chemistry between characters it fantastic. you might recognize Cassie from "what a girl wants", this is a major step up for her and she is a great actor and should get more offers after this show. Thelma is also not a new face, she was is in the famous five movies. as the tom-boy George (georgina).its nice to see her with a change of clothes and looking more like a girl. Azazel is a hunk of gorgeous man. he is the fallen angel who is working with the devil against god. this show has a brilliant plot and I'm gonna keep watching | -1no label
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] |
A young boy sees his mother getting killed and his father hanging himself. 20 years later he gets a bunch of friends together to perform an exorcism on himself so he won't turn out like his father. All the stock characters are in place: the nice couple; the "funny" guy; the tough (but sensitive) hood; the smart girl (she wears glasses--that's how we know); the nerd and two no-personality blondes. It all involves some stupid wooden statue that comes to life (don't ask) and kills people. I knew I was in trouble when, after a great opening scene, we jump to 20 years later--ALL bad horror movies do that! The dialogue is atrocious, the acting is bad (except for Betsy Palmer--why Betsy?) and the killings are stupid and/or unimaginative. My favorite scene is when two people are supposedly having sex and the statue knocks the guy off the bed to show he's fully dressed! A real bad, stupid incoherent horror film. Avoid at all costs. | 0neg
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] |
Gene Tierney was not convincing at all in this film. The longer I watched the less I liked her character. "Oh, I've been arrested for murder, but I don't want to hurt my husband's reputation by admitting to stealing a pin!" Her failure to say anything just aggravates the audience. Apparently, the writer forgot what elements are needed to encourage the viewers to care about the victims. They either need to be mentally-challenged or fully able to execute rational decisions. They can't be in-between? One minute she's reasonably independent, the next she can't even spit out what's on her mind. Annoying... It causes you to loose interest, because you don't care what happens to her. | -1no label
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1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1,
1
] |
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