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0 | This director's cut -- which adds 51 minutes -- takes a great film and turns it into a mundane soap opera. |
1 | "The Dangerous Lives of Altar Boys" has flaws, but it also has humor and heart and very talented young actors |
0 | Movies like High Crimes flog the dead horse of surprise as if it were an obligation. |
1 | An amusing and unexpectedly insightful examination of sexual jealousy, resentment and the fine line between passion and pretence. |
1 | Producer John Penotti surveyed high school students...and came back with the astonishing revelation that "they wanted to see something that didn't talk down to them." |
0 | It's just a movie that happens to have Jackie Chan in it. |
1 | What redeems the film is the cast, particularly the Ya-Yas themselves. |
1 | But what's nice is that there's a casual intelligence that permeates the script. |
0 | Adam Sandler's 8 Crazy Nights is 75 wasted minutes of Sandler as the voice-over hero in Columbia Pictures' perverse idea of an animated holiday movie. |
0 | A mess. |
1 | The filmmakers wisely decided to let Crocodile Hunter Steve Irwin do what he does best, and fashion a story around him. |
1 | So purely enjoyable that you might not even notice it's a fairly straightforward remake of Hollywood comedies such as Father of the Bride. |
1 | Talk to Her is so darned assured, we have absolutely no idea who the main characters are until the film is well under way -- and yet it's hard to stop watching. |
1 | A genuinely funny ensemble comedy that also asks its audience -- in a heartwarming, nonjudgmental kind of way -- to consider what we value in our daily lives. |
1 | After seeing 'Analyze That,' I feel better already. |
1 | Mazel tov to a film about a family's joyous life acting on the Yiddish stage. |
0 | The characters are never more than sketches ... which leaves any true emotional connection or identification frustratingly out of reach. |
1 | Reign of Fire just might go down as one of the all-time great apocalypse movies. |
1 | Though few will argue that it ranks with the best of Herzog's works, Invincible shows he's back in form, with an astoundingly rich film. |
1 | Monte Cristo smartly emphasizes the well-wrought story and omits needless chase scenes and swordfights as the revenge unfolds. |
1 | It shows us a slice of life that's very different from our own and yet instantly recognizable. |
1 | Interesting both as a historical study and as a tragic love story. |
0 | What we have here isn't a disaster, exactly, but a very handsomely produced let-down. |
0 | There's a reason the studio didn't offer an advance screening. |
1 | There is a certain sense of experimentation and improvisation to this film that may not always work, but it is nevertheless compelling. |
1 | Though it's equally solipsistic in tone, the movie has enough vitality to justify the notion of creating a screen adaptation of Evans' saga of Hollywood excess. |
0 | One of the worst films of 2002. |
0 | Lazy, miserable and smug. |
0 | (T)he script isn't up to the level of the direction, nor are the uneven performances by the cast members, who seem bound and determined to duplicate Bela Lugosi's now-cliched vampire accent. |
0 | Often demented in a good way, but it is an uneven film for the most part. |
1 | An animation landmark as monumental as Disney's 1937 breakthrough Snow White and the Seven Dwarfs. |
0 | This thing is just garbage. |
1 | "the road paved with good intentions leads to the video store" |
1 | Still, this flick is fun, and host to some truly excellent sequences. |
1 | A disoriented but occasionally disarming saga packed with moments out of an Alice in Wonderland adventure, a stalker thriller, and a condensed season of TV's Big Brother. |
0 | Like the world of his film, Hartley created a monster but didn't know how to handle it. |
1 | What's surprising is how well it holds up in an era in which computer-generated images are the norm. |
1 | It's a clear-eyed portrait of an intensely lived time, filled with nervous energy, moral ambiguity and great uncertainties. |
1 | The extent to which it succeeds is impressive. |
1 | Proves a servicable World War II drama that can't totally hide its contrivances, but it at least calls attention to a problem Hollywood too long has ignored. |
1 | A fascinating, bombshell documentary that should shame Americans, regardless of whether or not ultimate blame finally lies with Kissinger. |
0 | Never inspires more than an interested detachment. |
1 | A sharp and quick documentary that is funny and pithy, while illuminating an era of theatrical comedy that, while past, really isn't. |
1 | This is a smart movie that knows its classical music, knows its Freud and knows its Sade. |
0 | Instead of trying to bust some blondes, (Diggs) should be probing why a guy with his talent ended up in a movie this bad. |
1 | Delivers roughly equal amounts of beautiful movement and inside information. |
0 | Meyjes's movie, like Max Rothman's future, does not work. |
1 | A weird, arresting little ride. |
0 | But I had a lot of problems with this movie. |
0 | It's dull, spiritless, silly and monotonous: an ultra-loud blast of pointless mayhem, going nowhere fast. |
1 | The year 2002 has conjured up more coming-of-age stories than seem possible, but Take Care of My Cat emerges as the very best of them. |
1 | Nakata's technique is to imply terror by suggestion, rather than the overuse of special effects. |
0 | The cinematic equivalent of patronizing a bar favored by pretentious, untalented artistes who enjoy moaning about their cruel fate. |
1 | There's a part of us that cannot help be entertained by the sight of someone getting away with something. |
1 | But Mr. Polanski creates images even more haunting than those in Mr. Spielberg's 1993 classic. |
1 | The performances are strong, though the subject matter demands acting that borders on hammy at times. |
0 | Never does "Lilo & Stitch" reach the emotion or timelessness of Disney's great past, or even that of more recent successes such as "Mulan" or "Tarzan." |
1 | A wild ride with eight boarders from Venice Beach that was a deserved co-winner of the Audience Award for documentaries at the Sundance Film Festival. |
1 | The mushy finale turns John Q into a movie-of-the-week tearjerker. |
1 | A venturesome, beautifully realized psychological mood piece that reveals its first-time feature director's understanding of the expressive power of the camera. |
1 | that it'll probably be the best and most mature comedy of the 2002 summer season speaks more of the season than the picture |
0 | My own minority report is that it stinks. |
1 | Cage makes an unusual but pleasantly haunting debut behind the camera. |
1 | Brosnan is more feral in this film than I've seen him before and Halle Berry does her best to keep up with him. |
1 | Ben Kingsley is truly funny, playing a kind of Ghandi gone bad. |
0 | Frankly, it's pretty stupid. |
1 | Ozpetek's effort has the scope and shape of an especially well-executed television movie. |
1 | Too clever by about nine-tenths. |
1 | Horns and Halos benefits from serendipity but also reminds us of our own responsibility to question what is told as the truth. |
0 | A particularly joyless, and exceedingly dull, period coming-of-age tale. |
1 | An unorthodox little film noir organized crime story that includes one of the strangest love stories you will ever see. |
1 | Watching The Powerpuff Girls Movie, my mind kept returning to one anecdote for comparison: the cartoon in Japan that gave people seizures. |
0 | There's no good answer to that one. |
1 | (While The Last Metro) was more melodramatic, confined to a single theater company and its strategies and deceptions, while Tavernier is more concerned with the entire period of history. |
1 | Cantet beautifully illuminates what it means sometimes to be inside looking out, and at other times outside looking in. |
1 | If you think it's a riot to see Rob Schneider in a young woman's clothes, then you'll enjoy The Hot Chick. |
1 | With the same sort of good-natured fun found in films like Tremors, Eight Legged Freaks is prime escapist fare. |
0 | A bore that tends to hammer home every one of its points. |
0 | A non-mystery mystery. |
1 | There's back-stabbing, inter-racial desire and, most importantly, singing and dancing. |
0 | There's more repetition than creativity throughout the movie. |
1 | Together, Miller, Kuras and the actresses make Personal Velocity into an intricate, intimate and intelligent journey. |
1 | I enjoyed the movie in a superficial way, while never sure what its purpose was. |
0 | Fear Dot Com is more frustrating than a modem that disconnects every 10 seconds. |
0 | Instead of a witty expose on the banality and hypocrisy of too much kid-vid, we get an ugly, mean-spirited lashing out by an adult who's apparently been forced by his kids to watch too many Barney videos. |
0 | Feels like the work of an artist who is simply tired -- of fighting the same fights, of putting the weight of the world on his shoulders, of playing with narrative form. |
0 | It is very difficult to care about the character, and that is the central flaw of the film. |
1 | Gangster No. 1 is solid, satisfying fare for adults. |
0 | Why did they deem it necessary to document all this emotional misery? |
1 | No doubt the star and everyone else involved had their hearts in the right place. |
1 | (Rises) above its oh-so-Hollywood rejiggering and its conventional direction to give the film a soul and an unabashed sense of good old-fashioned escapism. |
1 | captures that perverse element of the Kafkaesque where identity, overnight, is robbed and replaced with a persecuted "other." |
1 | Never once predictable. |
0 | The film doesn't really care about the thousands of Americans who die hideously, it cares about how Ryan meets his future wife and makes his start at the CIA. |
1 | Offers a guilt-free trip into feel-good territory. |
0 | The filmmakers are playing to the Big Boys in New York and L.A. To that end, they mock the kind of folks they don't understand, ones they figure the power-lunchers don't care to understand, either. |
0 | I wish it would have just gone more over-the-top instead of trying to have it both ways. |
0 | The whole affair, true story or not, feels incredibly hokey... (it) comes off like a Hallmark commercial. |
1 | The structure is simple, but in its own way, Rabbit-Proof Fence is a quest story as grand as The Lord of the Rings. |
0 | A puppy dog so desperate for attention it nearly breaks its little neck trying to perform entertaining tricks. |
Subsets and Splits
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