sh0416/sst2-openai · Datasets at Hugging Face

label int64 0 1	sentence stringlengths 3 255
0	An imponderably stilted and self-consciously arty movie.
1	This real-life Hollywood fairy-tale is more engaging than the usual fantasies Hollywood produces.
1	Waiting for Godard can be fruitful: 'In Praise of Love' is the director's epitaph for himself.
1	It's all about Anakin ... and the lustrous polished visuals rich in color and creativity and, of course, special effect.
0	Solondz is so intent on hammering home his message that he forgets to make it entertaining.
0	...pitiful, slapdash disaster.
0	The crap continues.
1	While the story's undeniably hard to follow, Iwai's gorgeous visuals seduce.
0	It's a terrible movie in every regard, and utterly painful to watch.
0	This is a monumental achievement in practically every facet of inept filmmaking: joyless, idiotic, annoying, heavy-handed, visually atrocious, and often downright creepy.
1	A rock-solid gangster movie with a fair amount of suspense, intriguing characters and bizarre bank robberies, plus a heavy dose of father-and-son dynamics.
1	A terrific B movie -- in fact, the best in recent memory.
0	Unfortunately, the experience of actually watching the movie is less compelling than the circumstances of its making.
1	I liked About Schmidt a lot, but I have a feeling that I would have liked it much more if Harry & Tonto never existed.
0	What starts off as a potentially incredibly twisting mystery becomes simply a monster chase film.
1	You may leave the theater with more questions than answers, but darned if your toes won't still be tapping.
0	Nobody seems to have cared much about any aspect of it, from its cheesy screenplay to the grayish quality of its lighting to its last-minute, haphazard theatrical release.
0	as in aimless, arduous, and arbitrary.
1	Aside from Rohmer's bold choices regarding point of view, The Lady and the Duke represents the filmmaker's lifelong concern with formalist experimentation in cinematic art.
1	A fascinating glimpse into an insular world that gives the lie to many clichés and showcases a group of dedicated artists.
0	This is a poster movie, a mediocre tribute to films like Them!
0	There is no solace here, no entertainment value, merely a fierce lesson in where filmmaking can take us.
1	The graphic carnage and re-creation of war-torn Croatia is uncomfortably timely, relevant, and sickeningly real.
1	The ingenious construction (adapted by David Hare from Michael Cunningham's novel) constantly flows forwards and back, weaving themes among three strands which allow us to view events as if through a prism
0	The most horrific movie experience I've had since "Can't Stop The Music."
1	But it also has many of the things that made the first one charming.
1	Weaver and LaPaglia are both excellent, in the kind of low-key way that allows us to forget that they are actually movie folk.
1	It's never laugh-out-loud funny, but it is frequently amusing.
1	A movie in which laughter and self-exploitation merge into jolly soft-porn 'empowerment.'
1	Quite simply, a joy to watch and--especially--to listen to.
1	Not to mention absolutely refreshed.
1	You can take the grandkids or the grandparents and never worry about anyone being bored ... audience is a sea of constant smiles and frequent laughter.
1	Arteta paints a picture of lives lived in a state of quiet desperation.
1	There's no reason to miss Interview with the Assassin
1	I like this movie a lot.
0	Comes off more like a misdemeanor, a flat, unconvincing drama that never catches fire.
1	Close enough in spirit to its freewheeling trash-cinema roots to be a breath of fresh air.
0	While the transgressive trappings (especially the frank sex scenes) ensure that the film is never dull, Rodrigues's beast-within metaphor is ultimately rather silly and overwrought, making the ambiguous ending seem goofy rather than provocative.
0	Blue Crush has all the trappings of an energetic, extreme-sports adventure, but ends up more of a creaky "Pretty Woman" retread, with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought.
1	A man leaving the screening said the film was better than Saving Private Ryan.
1	(A) strong piece of work.
1	Daring and beautifully made.
1	A well-crafted film that is all the more remarkable because it achieves its emotional power and moments of revelation with restraint and a delicate ambiguity.
0	...hits every cliche we've come to expect, including the assumption that "crazy" people are innocent, childlike and inherently funny.
1	Slight but enjoyable documentary.
0	Adam Sandler's Eight Crazy Nights grows on you -- like a rash.
1	When compared to the usual, more somber festival entries, Davis' highly personal brand of romantic comedy is a tart, smart breath of fresh air that stands out from the pack even if the picture itself is somewhat problematic.
0	Nicks and Steinberg match their own creations for pure venality -- that's giving it the old college try.
0	Not even Solondz's thirst for controversy, sketchy characters and immature provocations can fully succeed at cheapening it.
0	And in a sense, that's a liability.
0	The romance between the leads isn't as compelling or as believable as it should be.
1	Hugh Grant, who has a good line in charm, has never been more charming than in About a Boy.
1	Poignant and funny.
1	This is pure, exciting moviemaking.
0	Never having seen the first two films in the series, I can't compare Friday After Next to them, but nothing would change the fact that what we have here is a load of clams left in the broiling sun for a good three days.
0	A straight-ahead thriller that never rises above superficiality.
1	The film's constant mood of melancholy and its unhurried narrative are masterfully controlled.
1	There are scenes of cinematic perfection that steal your heart away.
1	A low-key labor of love that strikes a very resonant chord.
1	One of those movies that catches you up in something bigger than yourself, namely, an archetypal desire to enjoy good trash every now and then.
1	An old-fashioned scary movie, one that relies on lingering terror punctuated by sudden shocks and not constant bloodshed punctuated by flying guts.
1	There's an energy to Y Tu Mamá También.
0	The problem with the film is whether these ambitions, laudable in themselves, justify a theatrical simulation of the death camp of Auschwitz II-Birkenau.
0	The whole mess boils down to a transparently hypocritical work that feels as though it's trying to set the women's liberation movement back 20 years.
0	Not even Steven Spielberg has dreamed up such blatant and sickening product placement in a movie.
1	Miyazaki is one of world cinema's most wondrously gifted artists and storytellers.
0	The Paradiso's rusted-out ruin and ultimate collapse during the film's final (restored) third...emotionally belittle a cinema classic.
1	If you're down for a silly hack-and-slash flick, you can do no wrong with Jason X.
1	All in all, an interesting look at the life of the campaign-trail press, especially ones that don't really care for the candidate they're forced to follow.
0	In the not-too-distant future, movies like Ghost Ship will be used as analgesic balm for overstimulated minds.
1	Ryan Gosling is, in a word, brilliant as the conflicted Daniel.
0	I don't think so.
0	At best this is a film for the under-7 crowd.
1	A fresh, entertaining comedy that looks at relationships minus traditional gender roles.
1	Poetry in motion captured on film.
0	Parts of the film feel a bit too much like an infomercial for Ram Dass's latest book aimed at the boomer demographic.
0	The script is a dim-witted pairing of teen-speak and animal gibberish.
0	Almost peerlessly unsettling.
0	Despite Auteuil's performance, it's a rather listless amble down the middle of the road, where the thematic ironies are too obvious and the sexual politics too smug.
1	(Ferrera) has the charisma of a young woman who knows how to hold the screen.
1	A solid and refined piece of moviemaking imbued with passion and attitude.
1	Flamboyant in some movies and artfully restrained in others, 65-year-old Jack Nicholson could be looking at his 12th Oscar nomination by proving that he's now, more than ever, choosing his roles with the precision of the insurance actuary.
0	While this one gets off with a good natured warning, future Lizard endeavors will need to adhere more closely to the laws of laughter
1	The hot topics of the plot are relegated to the background -- a welcome step forward from the Sally Jesse Raphael atmosphere of films like Philadelphia and American Beauty.
0	Daughter From Danang reveals that efforts toward closure only open new wounds.
1	If not a home run, then at least a solid base hit.
1	It's a fine, old-fashioned-movie movie, which is to say it's unburdened by pretensions to great artistic significance.
1	What it lacks in substance it makes up for in heart.
1	Carrying off a spot-on Scottish burr, Duvall (also a producer) peels layers from this character that may well not have existed on paper.
1	There are enough throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made A Walk to Remember a niche hit.
0	Suffice to say its total promise is left slightly unfulfilled.
1	The picture's fascinating byways are littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed.
1	Walter Hill's Undisputed is like a 1940s Warner Bros.
0	Parents beware; this is downright movie penance.
0	Whatever satire Lucky Break was aiming for, it certainly got lost in the "soon-to-be-forgettable" section of the quirky rip-off prison romp pile.
1	Fred Schepisi's tale of four Englishmen facing the prospect of their own mortality views youthful affluence not as a lost ideal but a starting point.
0	There's no energy.
0	Starts off witty and sophisticated and you want to love it -- but filmmaker Yvan Attal quickly writes himself into a corner.
1	Kosminsky ... puts enough salt into the wounds of the tortured and self-conscious material to make it sting.
1	A well made indieflick in need of some trims and a more chemistry between its stars.

0

An imponderably stilted and self-consciously arty movie.

1

This real-life Hollywood fairy-tale is more engaging than the usual fantasies Hollywood produces.

1

Waiting for Godard can be fruitful: 'In Praise of Love' is the director's epitaph for himself.

1

It's all about Anakin ... and the lustrous polished visuals rich in color and creativity and, of course, special effect.

0

Solondz is so intent on hammering home his message that he forgets to make it entertaining.

0

...pitiful, slapdash disaster.

0

The crap continues.

1

While the story's undeniably hard to follow, Iwai's gorgeous visuals seduce.

0

It's a terrible movie in every regard, and utterly painful to watch.

0

This is a monumental achievement in practically every facet of inept filmmaking: joyless, idiotic, annoying, heavy-handed, visually atrocious, and often downright creepy.

1

A rock-solid gangster movie with a fair amount of suspense, intriguing characters and bizarre bank robberies, plus a heavy dose of father-and-son dynamics.

1

A terrific B movie -- in fact, the best in recent memory.

0

Unfortunately, the experience of actually watching the movie is less compelling than the circumstances of its making.

1

I liked About Schmidt a lot, but I have a feeling that I would have liked it much more if Harry & Tonto never existed.

0

What starts off as a potentially incredibly twisting mystery becomes simply a monster chase film.

1

You may leave the theater with more questions than answers, but darned if your toes won't still be tapping.

0

Nobody seems to have cared much about any aspect of it, from its cheesy screenplay to the grayish quality of its lighting to its last-minute, haphazard theatrical release.

0

as in aimless, arduous, and arbitrary.

1

Aside from Rohmer's bold choices regarding point of view, The Lady and the Duke represents the filmmaker's lifelong concern with formalist experimentation in cinematic art.

1

A fascinating glimpse into an insular world that gives the lie to many clichés and showcases a group of dedicated artists.

0

This is a poster movie, a mediocre tribute to films like Them!

0

There is no solace here, no entertainment value, merely a fierce lesson in where filmmaking can take us.

1

The graphic carnage and re-creation of war-torn Croatia is uncomfortably timely, relevant, and sickeningly real.

1

The ingenious construction (adapted by David Hare from Michael Cunningham's novel) constantly flows forwards and back, weaving themes among three strands which allow us to view events as if through a prism

0

The most horrific movie experience I've had since "Can't Stop The Music."

1

But it also has many of the things that made the first one charming.

1

Weaver and LaPaglia are both excellent, in the kind of low-key way that allows us to forget that they are actually movie folk.

1

It's never laugh-out-loud funny, but it is frequently amusing.

1

A movie in which laughter and self-exploitation merge into jolly soft-porn 'empowerment.'

1

Quite simply, a joy to watch and--especially--to listen to.

1

Not to mention absolutely refreshed.

1

You can take the grandkids or the grandparents and never worry about anyone being bored ... audience is a sea of constant smiles and frequent laughter.

1

Arteta paints a picture of lives lived in a state of quiet desperation.

1

There's no reason to miss Interview with the Assassin

1

I like this movie a lot.

0

Comes off more like a misdemeanor, a flat, unconvincing drama that never catches fire.

1

Close enough in spirit to its freewheeling trash-cinema roots to be a breath of fresh air.

0

While the transgressive trappings (especially the frank sex scenes) ensure that the film is never dull, Rodrigues's beast-within metaphor is ultimately rather silly and overwrought, making the ambiguous ending seem goofy rather than provocative.

0

Blue Crush has all the trappings of an energetic, extreme-sports adventure, but ends up more of a creaky "Pretty Woman" retread, with the emphasis on self-empowering schmaltz and big-wave surfing that gives pic its title an afterthought.

1

A man leaving the screening said the film was better than Saving Private Ryan.

1

(A) strong piece of work.

1

Daring and beautifully made.

1

A well-crafted film that is all the more remarkable because it achieves its emotional power and moments of revelation with restraint and a delicate ambiguity.

0

...hits every cliche we've come to expect, including the assumption that "crazy" people are innocent, childlike and inherently funny.

1

Slight but enjoyable documentary.

0

Adam Sandler's Eight Crazy Nights grows on you -- like a rash.

1

When compared to the usual, more somber festival entries, Davis' highly personal brand of romantic comedy is a tart, smart breath of fresh air that stands out from the pack even if the picture itself is somewhat problematic.

0

Nicks and Steinberg match their own creations for pure venality -- that's giving it the old college try.

0

Not even Solondz's thirst for controversy, sketchy characters and immature provocations can fully succeed at cheapening it.

0

And in a sense, that's a liability.

0

The romance between the leads isn't as compelling or as believable as it should be.

1

Hugh Grant, who has a good line in charm, has never been more charming than in About a Boy.

1

Poignant and funny.

1

This is pure, exciting moviemaking.

0

Never having seen the first two films in the series, I can't compare Friday After Next to them, but nothing would change the fact that what we have here is a load of clams left in the broiling sun for a good three days.

0

A straight-ahead thriller that never rises above superficiality.

1

The film's constant mood of melancholy and its unhurried narrative are masterfully controlled.

1

There are scenes of cinematic perfection that steal your heart away.

1

A low-key labor of love that strikes a very resonant chord.

1

One of those movies that catches you up in something bigger than yourself, namely, an archetypal desire to enjoy good trash every now and then.

1

An old-fashioned scary movie, one that relies on lingering terror punctuated by sudden shocks and not constant bloodshed punctuated by flying guts.

1

There's an energy to Y Tu Mamá También.

0

The problem with the film is whether these ambitions, laudable in themselves, justify a theatrical simulation of the death camp of Auschwitz II-Birkenau.

0

The whole mess boils down to a transparently hypocritical work that feels as though it's trying to set the women's liberation movement back 20 years.

0

Not even Steven Spielberg has dreamed up such blatant and sickening product placement in a movie.

1

Miyazaki is one of world cinema's most wondrously gifted artists and storytellers.

0

The Paradiso's rusted-out ruin and ultimate collapse during the film's final (restored) third...emotionally belittle a cinema classic.

1

If you're down for a silly hack-and-slash flick, you can do no wrong with Jason X.

1

All in all, an interesting look at the life of the campaign-trail press, especially ones that don't really care for the candidate they're forced to follow.

0

In the not-too-distant future, movies like Ghost Ship will be used as analgesic balm for overstimulated minds.

1

Ryan Gosling is, in a word, brilliant as the conflicted Daniel.

0

I don't think so.

0

At best this is a film for the under-7 crowd.

1

A fresh, entertaining comedy that looks at relationships minus traditional gender roles.

1

Poetry in motion captured on film.

0

Parts of the film feel a bit too much like an infomercial for Ram Dass's latest book aimed at the boomer demographic.

0

The script is a dim-witted pairing of teen-speak and animal gibberish.

0

Almost peerlessly unsettling.

0

Despite Auteuil's performance, it's a rather listless amble down the middle of the road, where the thematic ironies are too obvious and the sexual politics too smug.

1

(Ferrera) has the charisma of a young woman who knows how to hold the screen.

1

A solid and refined piece of moviemaking imbued with passion and attitude.

1

Flamboyant in some movies and artfully restrained in others, 65-year-old Jack Nicholson could be looking at his 12th Oscar nomination by proving that he's now, more than ever, choosing his roles with the precision of the insurance actuary.

0

While this one gets off with a good natured warning, future Lizard endeavors will need to adhere more closely to the laws of laughter

1

The hot topics of the plot are relegated to the background -- a welcome step forward from the Sally Jesse Raphael atmosphere of films like Philadelphia and American Beauty.

0

Daughter From Danang reveals that efforts toward closure only open new wounds.

1

If not a home run, then at least a solid base hit.

1

It's a fine, old-fashioned-movie movie, which is to say it's unburdened by pretensions to great artistic significance.

1

What it lacks in substance it makes up for in heart.

1

Carrying off a spot-on Scottish burr, Duvall (also a producer) peels layers from this character that may well not have existed on paper.

1

There are enough throwaway references to faith and rainbows to plant smile-button faces on that segment of the populace that made A Walk to Remember a niche hit.

0

Suffice to say its total promise is left slightly unfulfilled.

1

The picture's fascinating byways are littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed.

1

Walter Hill's Undisputed is like a 1940s Warner Bros.

0

Parents beware; this is downright movie penance.

0

Whatever satire Lucky Break was aiming for, it certainly got lost in the "soon-to-be-forgettable" section of the quirky rip-off prison romp pile.

1

Fred Schepisi's tale of four Englishmen facing the prospect of their own mortality views youthful affluence not as a lost ideal but a starting point.

0

There's no energy.

0

Starts off witty and sophisticated and you want to love it -- but filmmaker Yvan Attal quickly writes himself into a corner.

1

Kosminsky ... puts enough salt into the wounds of the tortured and self-conscious material to make it sting.

1

A well made indieflick in need of some trims and a more chemistry between its stars.