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1 | Sometimes charming, sometimes infuriating, this Argentinean 'dramedy' succeeds mainly on the shoulders of its actors. |
1 | "13 Conversations About One Thing" is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling. |
1 | A no-holds-barred cinematic treat. |
0 | Plotless collection of moronic stunts is by far the worst movie of the year. |
1 | All in all, Road to Perdition is more in love with strangeness than excellence. |
0 | With all the sympathy, empathy and pity fogging up the screen...His Secret Life enters the land of unintentional melodrama and tiresome love triangles. |
0 | Like a fish that's lived too long, Austin Powers in Goldmember has some unnecessary parts and is kinda wrong in places. |
1 | Adaptation's success in engaging the audience in the travails of creating a screenplay is extraordinary. |
1 | Canadian filmmaker Gary Burns' inventive and mordantly humorous take on the soullessness of work in the city. |
1 | Ultimately, "MIB II" succeeds due to its rapid-fire delivery and enough inspired levity that it can't be dismissed as mindless. |
1 | Like the original, this version is raised a few notches above kiddie fantasy pablum by Allen's astringent wit. |
0 | Tries so hard to be quirky and funny that the strain is all too evident. |
0 | The self-serious Equilibrium makes its point too well; a movie, like life, isn't much fun without the highs and lows. |
1 | A family film that contains some hefty thematic material on time, death, eternity, and what is needed to live a rich and full life. |
1 | A riveting profile of law enforcement, and a visceral, nasty journey into an urban Hades. |
1 | By no means a great movie, but it is a refreshingly forthright one. |
1 | Rewarding. |
1 | Often hilarious. |
1 | Shot largely in small rooms, the film has a gentle, unforced intimacy that never becomes claustrophobic. |
1 | I like all four of the lead actors a lot and they manage to squeeze a few laughs out of the material, but they're treading water at best in this forgettable effort. |
0 | The adventure doesn't contain half the excitement of Balto, or quarter the fun of Toy Story 2. |
1 | A very charming and funny movie. |
1 | Nair's attention to detail creates an impeccable sense of place, while Thurman and Lewis give what can easily be considered career-best performances. |
0 | ...the maudlin way its story unfolds suggests a director fighting against the urge to sensationalize his material. |
0 | Beware the quirky Brit-com. |
1 | A sense of real magic, perhaps. |
0 | In theory, a middle-aged romance pairing Clayburgh and Tambor sounds promising, but in practice it's something else altogether -- clownish and offensive and nothing at all like real life. |
1 | A tour de force of modern cinema. |
1 | Able to provide insight into a fascinating part of theater history. |
0 | It still feels like a prison stretch. |
1 | Adams, with four scriptwriters, takes care with the characters, who are so believable that you feel what they feel. |
1 | He makes you realize that deep inside righteousness can be found a tough beauty. |
1 | This is historical filmmaking without the balm of right-thinking ideology, either liberal or conservative. |
0 | The direction, by George Hickenlooper, has no snap to it, no wiseacre crackle or hard-bitten cynicism. |
1 | (A) smarter and much funnier version of the old Police Academy flicks. |
0 | Her fans walked out muttering words like "horrible" and "terrible," but had so much fun dissing the film that they didn't mind the ticket cost. |
0 | A supernatural mystery that doesn't know whether it wants to be a suspenseful horror movie or a weepy melodrama. |
1 | An impeccable study in perversity. |
1 | What sets it apart is the vision that Taymor, the avant garde director of Broadway's The Lion King and the film Titus, brings. |
1 | Offers the flash of rock videos fused with solid performances and eerie atmosphere. |
0 | But the film itself is ultimately quite unengaging. |
0 | A sleep-inducingly slow-paced crime drama with clumsy dialogue, heavy-handed phoney-feeling sentiment, and an overly-familiar set of plot devices. |
0 | An awful movie that will only satisfy the most emotionally malleable of filmgoers. |
0 | I guess it just goes to show that if you give a filmmaker an unlimited amount of phony blood, nothing good can happen. |
0 | Time of Favor could have given audiences the time of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation. |
0 | A waste of fearless purity in the acting craft. |
1 | Twenty years after its first release, E.T. remains the most wondrous of all Hollywood fantasies -- and the apex of Steven Spielberg's misunderstood career. |
0 | Suffers from unlikable characters and a self-conscious sense of its own quirky hipness. |
0 | Talky, artificial and opaque...an interesting technical exercise, but a tedious picture. |
0 | Filled with low-brow humor, gratuitous violence and a disturbing disregard for life. |
0 | The great pity is that those responsible didn't cut their losses – and ours – and retitle it The Adventures of Direct-to-Video Nash, and send it to its proper home. |
0 | Beneath the uncanny, inevitable and seemingly shrewd facade of movie-biz farce...lies a plot cobbled together from largely flat and uncreative moments. |
0 | More tiring than anything. |
0 | Laconic and very stilted in its dialogue, this indie flick never found its audience, probably because it's extremely hard to relate to any of the characters. |
0 | Uzumaki's interesting social parallel and defiant aesthetic seems a prostituted muse... |
1 | A perceptive, good-natured movie. |
1 | Maelstrom is strange and compelling, engrossing and different, a moral tale with a twisted sense of humor. |
0 | If you're looking for a story, don't bother. |
0 | Reign of Fire never comes close to recovering from its demented premise, but it does sustain an enjoyable level of ridiculousness. |
1 | If you ever wondered what it would be like to be smack in the middle of a war zone armed with nothing but a camera, this Oscar-nominated documentary takes you there. |
0 | Other than a mildly engaging central romance, Hospital is sickly entertainment at best and mind-destroying cinematic pollution at worst. |
0 | The movie is like Scorsese's Mean Streets redone by someone who ignored it in favor of old 'juvenile delinquent' paperbacks with titles like Leather Warriors and Switchblade Sexpot. |
1 | Like the chilled breath of oral storytelling frozen onto film. |
1 | Captivates as it shows excess in business and pleasure, allowing us to find the small, human moments, and leaving off with a grand whimper. |
1 | Gay or straight, Kissing Jessica Stein is one of the greatest date movies in years. |
1 | He drags it back, single-handed. |
1 | Translating complex characters from novels to the big screen is an impossible task but they are true to the essence of what it is to be Ya-Ya. |
0 | There is nothing funny in this every-joke-has- been-told-a- thousand-times- before movie. |
1 | A thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people, seen through the eyes of the idealistic kid who chooses to champion his ultimately losing cause. |
1 | Reggio and Glass put on an intoxicating show. |
1 | A rare and lightly entertaining look behind the curtain that separates comics from the people laughing in the crowd. |
1 | Be prepared to cling to the edge of your seat, tense with suspense. |
0 | The mantra behind the project seems to have been 'it's just a kids' flick.' |
1 | Both heartbreaking and heartwarming...just a simple fable done in an artless sytle, but it's tremendously moving. |
1 | The series' message about making the right choice in the face of tempting alternatives remains prominent, as do the girls' amusing personalities. |
0 | The Santa Clause 2's plot may sound like it was co-written by Mattel executives and lobbyists for the tinsel industry. |
1 | It's surprisingly decent, particularly for a tenth installment in a series. |
0 | True to its animatronic roots:...as stiff, ponderous and charmless as a mechanical apparatus...'The Country Bears' should never have been brought out of hibernation. |
0 | The Piano Teacher is not an easy film. |
0 | Degenerates into hogwash. |
0 | Absurdities and clichés accumulate like lint in a fat man's navel. |
0 | Those who are not acquainted with the author's work, on the other hand, may fall fast asleep. |
1 | Sex With Strangers is fascinating ... |
0 | Unlike Trey Parker, Sandler doesn't understand that the idea of exploiting molestation for laughs is funny, not actually exploiting it yourself. |
1 | Byler is too savvy a filmmaker to let this morph into a typical romantic triangle. |
0 | Green ruins every single scene he's in, and the film, while it's not completely wreaked, is seriously compromised by that. |
1 | A minor film with major pleasures from Portuguese master Manoel de Oliviera... |
0 | Stealing Harvard can't even do that much. |
1 | Leguizamo and Jones are both excellent and the rest of the cast is uniformly superb. |
0 | If the predictability of bland comfort food appeals to you, then the film is a pleasant enough dish. |
0 | The story suffers a severe case of oversimplification, superficiality and silliness. |
0 | A technical triumph and an extraordinary bore. |
0 | The characters ... are paper-thin, and their personalities undergo radical changes when it suits the script. |
1 | Neither quite a comedy nor a romance, more of an impish divertissement of themes that interest Attal and Gainsbourg -- they live together -- the film has a lot of charm. |
1 | Likely to have decades of life as a classic movie franchise? |
0 | What they see in each other also is difficult to fathom. |
1 | This is a fascinating film because there is no clear-cut hero and no all-out villain. |
1 | Another trumpet blast that there may be a New Mexican Cinema a-bornin'. |
0 | What might have been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention takes a surprising, subtle turn at the midway point. |
1 | Expands the limits of what a film can be, taking us into the lives of women to whom we might not give a second look if we passed them on the street. |
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