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1 | Mark Pellington's latest pop thriller is as kooky and overeager as it is spooky and subtly in love with myth. |
0 | No amount of burning, blasting, stabbing, and shooting can hide a weak script. |
1 | Prepare to marvel again. |
0 | Family togetherness takes a back seat to inter-family rivalry and workplace ambition... whole subplots have no explanation or even plot relevance. |
0 | Stiff and schmaltzy and clumsily directed. |
1 | Troubling and powerful. |
0 | Cassavetes thinks he's making Dog Day Afternoon with a cause, but all he's done is to reduce everything he touches to a shrill, didactic cartoon. |
0 | 'Dragonfly' dwells on crossing-over mumbo jumbo, manipulative sentimentality, and sappy dialogue. |
1 | A genuinely moving and wisely unsentimental drama. |
1 | Amy and Matthew have a bit of a phony relationship, but the film works in spite of it. |
1 | Maybe it is formula filmmaking, but there's nothing wrong with that if the film is well-crafted and this one is. |
1 | Nohe's documentary about the event is sympathetic without being gullible: He isn't blind to the silliness, but also captures moments of spontaneous creativity and authentic co-operative interaction. |
0 | Rock's stand-up magic wanes. |
1 | A delightful, if minor, pastry of a movie. |
1 | A sexy, surprising romance... Idemoto and Kim make a gorgeous pair... their scenes brim with sexual possibility and emotional danger. |
1 | There aren't too many films that can be as simultaneously funny, offbeat and heartwarming (without a thick shmear of the goo, at least), but "Elling" manages to do all three quite well, making it one of the year's most enjoyable releases. |
0 | plays like some corny television production from a bygone era |
1 | As a girl-meets-girl romantic comedy, Kissing Jessica Steinis quirky, charming and often hilarious. |
0 | It's like a drive-by. |
1 | It's sweet. |
0 | One of the worst movies of the year. |
1 | Like Brosnan's performance, Evelyn comes from the heart. |
1 | Though the film is well-intentioned, one could rent the original and get the same love story and parable. |
1 | (Woo's) most resonant film since The Killer. |
0 | It's rare that a movie can be as intelligent as this one is in every regard except its storyline; everything that's good is ultimately scuttled by a plot that's just too boring and obvious. |
0 | This mistaken-identity picture is so film-culture referential that the final product is a ghost. |
1 | Strange and beautiful film. |
0 | The histrionic muse still eludes Madonna and, playing a charmless witch, she is merely a charmless witch. |
0 | The result, however well-intentioned, is ironically just the sort of disposable, kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today's Hollywood. |
0 | The catch is that they're stuck with a script that prevents them from firing on all cylinders. |
0 | One of those so-so films that could have been much better. |
0 | Has all the complexity and realistic human behavior of an episode of General Hospital. |
0 | As original and insightful as last week's episode of Behind the Music. |
1 | Marvelously entertaining and deliriously joyous documentary. |
0 | ...this story gets sillier, not scarier, as it goes along... |
0 | ... most viewers will wish there had been more of the "Queen" and less of the "Damned." |
1 | Reveals how important our special talents can be when put in service of of others. |
1 | As a vehicle to savour Binoche's skill, the film is well worthwhile. |
1 | What saves this deeply affecting film from being merely a collection of wrenching cases is Corcuera's attention to detail. |
1 | Steers, in his feature film debut, has created a brilliant motion picture. |
1 | It has a way of seeping into your consciousness, with lingering questions about what the film is really getting at. |
1 | The charms of the lead performances allow us to forget most of the film's problems. |
1 | The pleasure of Read My Lips is like seeing a series of perfect black pearls clicking together to form a string. |
0 | Insomnia loses points when it surrenders to a formulaic bang-bang, shoot-em-up scene at the conclusion. |
0 | This would-be 'James Bond for the Extreme Generation' pic is one big, dumb action movie. |
0 | When it comes to the battle of Hollywood vs. Woo, it looks like Woo's a P.O.W. |
0 | Evelyn may be based on a true and historically significant story, but the filmmakers have made every effort to disguise it as an unimaginative screenwriter's invention. |
0 | Characterisation has been sacrificed for the sake of spectacle. |
1 | It turns out to be smarter and more diabolical than you could have guessed at the beginning. |
0 | is significantly less charming than listening to a four-year-old with a taste for exaggeration recount his Halloween trip to the Haunted House. |
1 | An example of quiet, confident craftsmanship that tells a sweet, charming tale of intergalactic friendship. |
0 | Cheap, vulgar dialogue and a plot that crawls along at a snail's pace. |
0 | Been there done that. |
0 | Something has been lost in the translation...another routine Hollywood frightfest in which the slack execution italicizes the absurdity of the premise. |
1 | Tense, terrific, sweaty-palmed fun. |
0 | Despite some charm and heart, this quirky soccer import is forgettable |
1 | Cuaron repeatedly, perversely undercuts the joie de vivre even as he creates it, giving the movie a mournful undercurrent that places the good-time shenanigans in welcome perspective. |
1 | For all its brooding quality, Ash Wednesday is suspenseful and ultimately unpredictable, with a sterling ensemble cast. |
1 | Delivers the sexy razzle-dazzle that everyone, especially movie musical fans, has been hoping for. |
0 | -- that the 'true story' by which All the Queen's Men is allegedly "inspired" was a lot funnier and more deftly enacted than what's been cobbled together onscreen. |
0 | You could hate it for the same reason. |
1 | A story about intelligent high school students that deals with first love sweetly but also seriously. |
1 | waydowntown may not be an important movie, or even a good one, but it provides a nice change of mindless pace in collision with the hot Oscar season currently underway. |
1 | "Frailty" starts out like a typical Bible killer story, but it turns out to be significantly different (and better) than most films with this theme. |
1 | Thanks to The Château's balance of whimsicality, narrative discipline and serious improvisation, almost every relationship and personality in the film yields surprises. |
0 | Gaghan captures the half-lit, sometimes creepy intimacy of college dorm rooms, a subtlety that makes the silly, over-the-top coda especially disappointing. |
0 | Julie Davis is the Kathie Lee Gifford of film directors, sadly proving once again ego doesn't always go hand in hand with talent. |
1 | In the affable Maid in Manhattan, Jennifer Lopez's most aggressive and most sincere attempt to take movies by storm, the diva shrewdly surrounds herself with a company of strictly A-list players. |
1 | Elegantly produced and expressively performed, the six musical numbers crystallize key plot moments into minutely detailed wonders of dreamlike ecstasy. |
1 | Dark and unrepentant, this excursion into the epicenter of percolating mental instability is not easily dismissed or forgotten. |
0 | Solondz may be convinced that he has something significant to say, but he isn't talking a talk that appeals to me. |
0 | A beautifully shot but dull and ankle-deep 'epic.' |
0 | Stale, futile scenario. |
1 | A film in a class with Spike Lee's masterful Do The Right Thing. |
0 | In addition to sporting one of the worst titles in recent cinematic history, Ballistic: Ecks Vs. Sever also features terrible, banal dialogue; convenient, hole-ridden plotting; superficial characters and a rather dull, unimaginative car chase. |
0 | Full of the kind of obnoxious chitchat that only self-aware neurotics engage in. |
0 | A simpler, leaner treatment would have been preferable; after all, being about nothing is sometimes funnier than being about something. |
1 | A delightful stimulus for the optic nerves, so much that it's forgivable that the plot feels like every other tale of a totalitarian tomorrow. |
0 | Nothing but an episode of Smackdown! |
1 | For all the charm of Kevin Kline and a story that puts old-fashioned values under the microscope, there's something creepy about this movie. |
0 | Kirshner and Monroe seem to be in a contest to see who can out-bad-act the other. |
0 | The only reason you should see this movie is if you have a case of masochism and an hour and a half to blow. |
0 | It's pretentious in a way that verges on the amateurish. |
0 | A plodding teen remake that's so mechanical you can smell the grease on the plot twists. |
0 | It's drab. |
1 | ... a delightfully unpredictable, hilarious comedy with wonderful performances that tug at your heart in ways that utterly transcend gender labels. |
1 | What's so striking about Jolie's performance is that she never lets her character become a caricature -- not even with that radioactive hair. |
0 | In my own very humble opinion, In Praise of Love lacks even the most fragmented charms I have found in almost all of his previous works. |
1 | I've never bought from telemarketers, but I bought this movie. |
1 | Woven together handsomely, recalling sixties' rockumentary milestones from Lonely Boy to Don't Look Back. |
1 | Horrid little propaganda film with fascinating connections not only to the Serbs themselves but also to a network of American right-wing extremists. |
1 | A sun-drenched masterpiece, part parlor game, part psychological case study, part droll social satire. |
0 | A thriller without thrills and a mystery devoid of urgent questions. |
1 | 10 minutes into the film you'll be white-knuckled and unable to look away. |
1 | An enjoyable above average summer diversion. |
0 | Watching this film, what we feel isn't mainly suspense or excitement. |
1 | It's not going to be everyone's bag of popcorn, but it definitely gives you something to chew on. |
0 | Violent, vulgar and forgettably entertaining. |
0 | Like many such biographical melodramas, it suffers from the awkwardness that results from adhering to the messiness of true stories. |
0 | As a story of dramatic enlightenment, the screenplay by Billy Ray and Terry George leaves something to be desired. |
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