sh0416/sst2-openai · Datasets at Hugging Face

label int64 0 1	sentence stringlengths 3 255
1	The creative animation work may not look as fully 'rendered' as Pixar's industry standard, but it uses lighting effects and innovative backgrounds to an equally impressive degree.
0	Every sequel you skip will be two hours gained.
1	It's hard to imagine anybody ever being "in the mood" to view a movie as harrowing and painful as The Grey Zone, but it's equally hard to imagine anybody being able to tear their eyes away from the screen once it's started.
1	It gives devastating testimony to both people's capacity for evil and their heroic capacity for good.
1	Makes one thing abundantly clear.
0	Cherry Orchard is badly edited, often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a 'back story.'
0	Too slick and manufactured to claim street credibility.
1	The film is full of charm.
0	It's not the least of Afghan tragedies that this noble warlord would be consigned to the dustbin of history.
1	There are no special effects, and no Hollywood endings.
0	While Hollywood Ending has its share of belly laughs (including a knockout of a closing line), the movie winds up feeling like a great missed opportunity.
1	We admire this film for its harsh objectivity and refusal to seek our tears, our sympathies.
1	A funny and well-contructed black comedy where the old adage "be careful what you wish for" is given a full workout.
1	Not a schlocky creature feature but something far more stylish and cerebral--and, hence, more chillingly effective.
0	This movie ... doesn't deserve the energy it takes to describe how bad it is.
1	One of the most important and exhilarating forms of animated filmmaking since old Walt doodled Steamboat Willie.
0	After a while, Hoffman's quirks and mannerisms, particularly his penchant for tearing up on cue -- things that seem so real in small doses -- become annoying and artificial.
1	It's not like having a real film of Nijinsky, but at least it's better than that eponymous 1980 biopic that used soap in the places where the mysteries lingered.
0	The only surprise is that heavyweights Joel Silver and Robert Zemeckis agreed to produce this; I assume the director has pictures of them cavorting in ladies' underwear.
0	The overall feel is not unlike watching a glorified episode of "7th Heaven."
1	...spellbinding fun and deliciously exploitative.
1	What's next?
0	In the end, there isn't much to it.
0	An allegory concerning the chronically mixed signals African American professionals get about overachieving could be intriguing, but the supernatural trappings only obscure the message.
0	An incredibly irritating comedy about thoroughly vacuous people...manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy.
1	The movie itself is far from disappointing, offering an original take on courtroom movies, a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star Bruce Willis.
1	Norton is magnetic as Graham.
1	The year's greatest adventure, and Jackson's limited but enthusiastic adaptation has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate.
1	A remarkable movie with an unsatisfying ending, which is just the point.
0	Mr. Goyer's loose, unaccountable direction is technically sophisticated in the worst way.
1	A weird little movie that's amusing enough while you watch it, offering fine acting moments and pungent insights into modern L.A.'s show-biz and media subcultures.
1	A wonderful, ghastly film.
0	The movie weighs no more than a glass of flat champagne.
0	The film is flat.
0	Stealing Harvard will dip into your wallet, swipe 90 minutes of your time, and offer you precisely this in recompense: A few early laughs scattered around a plot as thin as it is repetitious.
1	Shiner can certainly go the distance, but isn't world championship material
0	But Windtalkers doesn't beat that one, either.
0	(Lee) treats his audience the same way that Jim Brown treats his women -- as dumb, credulous, unassuming, subordinate subjects.
0	The problem with ANTWONE FISHER is that it has a screenplay written by Antwone Fisher based on the book by Antwone Fisher.
0	Whenever you think you've seen the end of the movie, we cut to a new scene, which also appears to be the end.
1	A zinger-filled crowd-pleaser that open-minded Elvis fans (but by no means all) will have fun with.
0	Co-writer/director Jonathan Parker's attempts to fashion a Brazil-like, hyper-real satire fall dreadfully short.
1	Smart and fun, but far more witty than it is wise.
1	O Fantasma is boldly, confidently orchestrated, aesthetically and sexually, and its impact is deeply and rightly disturbing.
1	A film about female friendship that men can embrace and women will talk about for hours.
0	'It looks good, Sonny, but you missed the point.'
0	There's nothing remotely topical or sexy here.
0	Fincher takes no apparent joy in making movies, and he gives none to the audience.
0	even after 90 minutes of playing opposite each other Bullock and Grant still look ill at ease sharing the same scene.
0	Blood Work is laughable in the solemnity with which it tries to pump life into overworked elements from Eastwood's Dirty Harry period.
0	The slapstick is labored, and the bigger setpieces flat.
0	The Pool drowned me in boredom.
1	(Sports) admirable energy, full-bodied characterizations and narrative urgency.
1	Here is a VH1 Behind the Music special that has something a little more special behind it: music that didn't sell many records but helped change a nation.
1	It's never dull and always looks good.
1	Competently directed but terminally cute drama.
1	A sweet, tender sermon about a 12-year-old Welsh boy more curious about God than girls, who learns that believing in something does matter.
0	Loses its sense of humor in a vat of failed jokes, twitchy acting, and general boorishness.
0	In the era of The Sopranos, it feels painfully redundant and inauthentic.
1	I will be.
0	It's tough to be startled when you're almost dozing.
0	Represents the depths to which the girls-behaving-badly film has fallen.
0	An impenetrable and insufferable ball of pseudo-philosophic twaddle.
0	The film is an earnest try at beachcombing verismo, but it would be even more indistinct than it is were it not for the striking, quietly vulnerable personality of Ms. Ambrose.
0	It's the element of condescension, as the filmmakers look down on their working-class subjects from their lofty perch, that finally makes Sex With Strangers, which opens today in the New York metropolitan area, so distasteful.
1	A return to pure Disney magic and is enjoyable family fare.
0	Distances you by throwing out so many red herrings, so many false scares, that the genuine ones barely register.
0	The fact that it isn't very good is almost beside the point.
1	It takes you somewhere you're not likely to have seen before, but beneath the exotic surface (and exotic dancing) it's surprisingly old-fashioned.
1	Bolstered by exceptional performances and a clear-eyed take on the economics of dealing and the pathology of ghetto fabulousness.
1	It is a happy, heady jumble of thought and storytelling, an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film.
0	Perhaps the grossest movie ever made.
1	Viveka Seldahl and Sven Wollter will touch you to the core in a film you will never forget -- that you should never forget.
0	... instead go rent "Shakes The Clown", a much funnier film with a similar theme and an equally great Robin Williams performance.
0	The documentary is much too conventional -- lots of boring talking heads, etc. -- to do the subject matter justice.
1	An engrossing and infectiously enthusiastic documentary.
0	Nothing sticks, really, except a lingering creepiness one feels from being dragged through a sad, sordid universe of guns, drugs, avarice and damaged dreams.
1	The film's gamble to occasionally break up the live-action scenes with animated sequences pays off, as does its sensitive handling of some delicate subject matter.
0	The attempt to build up a pressure cooker of horrified awe emerges from the simple fact that the movie has virtually nothing to show.
0	Wes Craven's presence is felt; not the Craven of 'A Nightmare on Elm Street' or 'The Hills Have Eyes,' but the sad schlock merchant of 'Deadly Friend.'
1	But tongue-in-cheek preposterousness has always been part of For the most part Wilde's droll whimsy helps "Being Earnest" overcome its weaknesses and Parker's creative interference...
1	As the princess, Sorvino glides gracefully from male persona to female without missing a beat.
0	Run for your lives!
1	For every cheesy scene, though, there is a really cool bit -- the movie's conception of a future-world holographic librarian (Orlando Jones) who knows everything and answers all questions, is visually smart, cleverly written, and nicely realized.
1	An impressive hybrid.
0	The Chateau... is less concerned with cultural and political issues than doting on its eccentric characters.
1	Highly recommended as an engrossing story about a horrifying historical event and the elements which contributed to it.
0	(MacDowell) ventures beyond her abilities several times here and reveals how bad an actress she is.
0	Pap invested in undergraduate doubling subtexts and ridiculous stabs at existentialism reminding of the discovery of the wizard of God in the fifth Trek flick.
0	The disjointed mess flows as naturally as Jolie's hideous yellow 'do.
1	He does this so well you don't have the slightest difficulty accepting him in the role.
0	Unless Bob Crane is someone of particular interest to you, this film's impressive performances and adept direction aren't likely to leave a lasting impression.
1	A surprisingly funny movie.
1	Drug abuse, infidelity and death aren't usually comedy fare, but Turpin's film allows us to chuckle through the angst.
0	A not-so-Divine Secrets of the Ya-Ya Sisterhood with a hefty helping of Re-Fried Green Tomatoes.
0	Allegiance to Chekhov, which director Michael Cacoyannis displays with somber earnestness in the new adaptation of The Cherry Orchard, is a particularly vexing handicap.
1	Not only a coming-of-age story and cautionary parable, but also a perfectly rendered period piece.
1	Sparkling, often hilarious romantic jealousy comedy... Attal looks so much like a young Robert DeNiro that it seems the film should instead be called 'My Husband Is Travis Bickle'.
1	A harrowing account of a psychological breakdown.
1	A mature, deeply felt fantasy of a director's travel through 300 years of Russian history.

1

The creative animation work may not look as fully 'rendered' as Pixar's industry standard, but it uses lighting effects and innovative backgrounds to an equally impressive degree.

0

Every sequel you skip will be two hours gained.

1

It's hard to imagine anybody ever being "in the mood" to view a movie as harrowing and painful as The Grey Zone, but it's equally hard to imagine anybody being able to tear their eyes away from the screen once it's started.

1

It gives devastating testimony to both people's capacity for evil and their heroic capacity for good.

1

Makes one thing abundantly clear.

0

Cherry Orchard is badly edited, often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a 'back story.'

0

Too slick and manufactured to claim street credibility.

1

The film is full of charm.

0

It's not the least of Afghan tragedies that this noble warlord would be consigned to the dustbin of history.

1

There are no special effects, and no Hollywood endings.

0

While Hollywood Ending has its share of belly laughs (including a knockout of a closing line), the movie winds up feeling like a great missed opportunity.

1

We admire this film for its harsh objectivity and refusal to seek our tears, our sympathies.

1

A funny and well-contructed black comedy where the old adage "be careful what you wish for" is given a full workout.

1

Not a schlocky creature feature but something far more stylish and cerebral--and, hence, more chillingly effective.

0

This movie ... doesn't deserve the energy it takes to describe how bad it is.

1

One of the most important and exhilarating forms of animated filmmaking since old Walt doodled Steamboat Willie.

0

After a while, Hoffman's quirks and mannerisms, particularly his penchant for tearing up on cue -- things that seem so real in small doses -- become annoying and artificial.

1

It's not like having a real film of Nijinsky, but at least it's better than that eponymous 1980 biopic that used soap in the places where the mysteries lingered.

0

The only surprise is that heavyweights Joel Silver and Robert Zemeckis agreed to produce this; I assume the director has pictures of them cavorting in ladies' underwear.

0

The overall feel is not unlike watching a glorified episode of "7th Heaven."

1

...spellbinding fun and deliciously exploitative.

1

What's next?

0

In the end, there isn't much to it.

0

An allegory concerning the chronically mixed signals African American professionals get about overachieving could be intriguing, but the supernatural trappings only obscure the message.

0

An incredibly irritating comedy about thoroughly vacuous people...manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy.

1

The movie itself is far from disappointing, offering an original take on courtroom movies, a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star Bruce Willis.

1

Norton is magnetic as Graham.

1

The year's greatest adventure, and Jackson's limited but enthusiastic adaptation has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate.

1

A remarkable movie with an unsatisfying ending, which is just the point.

0

Mr. Goyer's loose, unaccountable direction is technically sophisticated in the worst way.

1

A weird little movie that's amusing enough while you watch it, offering fine acting moments and pungent insights into modern L.A.'s show-biz and media subcultures.

1

A wonderful, ghastly film.

0

The movie weighs no more than a glass of flat champagne.

0

The film is flat.

0

Stealing Harvard will dip into your wallet, swipe 90 minutes of your time, and offer you precisely this in recompense: A few early laughs scattered around a plot as thin as it is repetitious.

1

Shiner can certainly go the distance, but isn't world championship material

0

But Windtalkers doesn't beat that one, either.

0

(Lee) treats his audience the same way that Jim Brown treats his women -- as dumb, credulous, unassuming, subordinate subjects.

0

The problem with ANTWONE FISHER is that it has a screenplay written by Antwone Fisher based on the book by Antwone Fisher.

0

Whenever you think you've seen the end of the movie, we cut to a new scene, which also appears to be the end.

1

A zinger-filled crowd-pleaser that open-minded Elvis fans (but by no means all) will have fun with.

0

Co-writer/director Jonathan Parker's attempts to fashion a Brazil-like, hyper-real satire fall dreadfully short.

1

Smart and fun, but far more witty than it is wise.

1

O Fantasma is boldly, confidently orchestrated, aesthetically and sexually, and its impact is deeply and rightly disturbing.

1

A film about female friendship that men can embrace and women will talk about for hours.

0

'It looks good, Sonny, but you missed the point.'

0

There's nothing remotely topical or sexy here.

0

Fincher takes no apparent joy in making movies, and he gives none to the audience.

0

even after 90 minutes of playing opposite each other Bullock and Grant still look ill at ease sharing the same scene.

0

Blood Work is laughable in the solemnity with which it tries to pump life into overworked elements from Eastwood's Dirty Harry period.

0

The slapstick is labored, and the bigger setpieces flat.

0

The Pool drowned me in boredom.

1

(Sports) admirable energy, full-bodied characterizations and narrative urgency.

1

Here is a VH1 Behind the Music special that has something a little more special behind it: music that didn't sell many records but helped change a nation.

1

It's never dull and always looks good.

1

Competently directed but terminally cute drama.

1

A sweet, tender sermon about a 12-year-old Welsh boy more curious about God than girls, who learns that believing in something does matter.

0

Loses its sense of humor in a vat of failed jokes, twitchy acting, and general boorishness.

0

In the era of The Sopranos, it feels painfully redundant and inauthentic.

1

I will be.

0

It's tough to be startled when you're almost dozing.

0

Represents the depths to which the girls-behaving-badly film has fallen.

0

An impenetrable and insufferable ball of pseudo-philosophic twaddle.

0

The film is an earnest try at beachcombing verismo, but it would be even more indistinct than it is were it not for the striking, quietly vulnerable personality of Ms. Ambrose.

0

It's the element of condescension, as the filmmakers look down on their working-class subjects from their lofty perch, that finally makes Sex With Strangers, which opens today in the New York metropolitan area, so distasteful.

1

A return to pure Disney magic and is enjoyable family fare.

0

Distances you by throwing out so many red herrings, so many false scares, that the genuine ones barely register.

0

The fact that it isn't very good is almost beside the point.

1

It takes you somewhere you're not likely to have seen before, but beneath the exotic surface (and exotic dancing) it's surprisingly old-fashioned.

1

Bolstered by exceptional performances and a clear-eyed take on the economics of dealing and the pathology of ghetto fabulousness.

1

It is a happy, heady jumble of thought and storytelling, an insane comic undertaking that ultimately coheres into a sane and breathtakingly creative film.

0

Perhaps the grossest movie ever made.

1

Viveka Seldahl and Sven Wollter will touch you to the core in a film you will never forget -- that you should never forget.

0

... instead go rent "Shakes The Clown", a much funnier film with a similar theme and an equally great Robin Williams performance.

0

The documentary is much too conventional -- lots of boring talking heads, etc. -- to do the subject matter justice.

1

An engrossing and infectiously enthusiastic documentary.

0

Nothing sticks, really, except a lingering creepiness one feels from being dragged through a sad, sordid universe of guns, drugs, avarice and damaged dreams.

1

The film's gamble to occasionally break up the live-action scenes with animated sequences pays off, as does its sensitive handling of some delicate subject matter.

0

The attempt to build up a pressure cooker of horrified awe emerges from the simple fact that the movie has virtually nothing to show.

0

Wes Craven's presence is felt; not the Craven of 'A Nightmare on Elm Street' or 'The Hills Have Eyes,' but the sad schlock merchant of 'Deadly Friend.'

1

But tongue-in-cheek preposterousness has always been part of For the most part Wilde's droll whimsy helps "Being Earnest" overcome its weaknesses and Parker's creative interference...

1

As the princess, Sorvino glides gracefully from male persona to female without missing a beat.

0

Run for your lives!

1

For every cheesy scene, though, there is a really cool bit -- the movie's conception of a future-world holographic librarian (Orlando Jones) who knows everything and answers all questions, is visually smart, cleverly written, and nicely realized.

1

An impressive hybrid.

0

The Chateau... is less concerned with cultural and political issues than doting on its eccentric characters.

1

Highly recommended as an engrossing story about a horrifying historical event and the elements which contributed to it.

0

(MacDowell) ventures beyond her abilities several times here and reveals how bad an actress she is.

0

Pap invested in undergraduate doubling subtexts and ridiculous stabs at existentialism reminding of the discovery of the wizard of God in the fifth Trek flick.

0

The disjointed mess flows as naturally as Jolie's hideous yellow 'do.

1

He does this so well you don't have the slightest difficulty accepting him in the role.

0

Unless Bob Crane is someone of particular interest to you, this film's impressive performances and adept direction aren't likely to leave a lasting impression.

1

A surprisingly funny movie.

1

Drug abuse, infidelity and death aren't usually comedy fare, but Turpin's film allows us to chuckle through the angst.

0

A not-so-Divine Secrets of the Ya-Ya Sisterhood with a hefty helping of Re-Fried Green Tomatoes.

0

Allegiance to Chekhov, which director Michael Cacoyannis displays with somber earnestness in the new adaptation of The Cherry Orchard, is a particularly vexing handicap.

1

Not only a coming-of-age story and cautionary parable, but also a perfectly rendered period piece.

1

Sparkling, often hilarious romantic jealousy comedy... Attal looks so much like a young Robert DeNiro that it seems the film should instead be called 'My Husband Is Travis Bickle'.

1

A harrowing account of a psychological breakdown.

1

A mature, deeply felt fantasy of a director's travel through 300 years of Russian history.