sh0416/sst2-openai · Datasets at Hugging Face

label int64 0 1	sentence stringlengths 3 255
0	This 90-minute dud could pass for Mike Tyson's E!
0	A generic family comedy unlikely to be appreciated by anyone outside the under-10 set.
0	An amateurish, quasi-improvised acting exercise shot on ugly digital video.
0	The very simple story seems too simple and the working out of the plot almost arbitrary.
0	The elements were all there but lack of a pyschological center knocks it flat.
1	Exactly what its title implies: lusty, boisterous and utterly charming.
0	What remains is a variant of the nincompoop Benigni persona, here a more annoying, though less angry version of the irresponsible Sandlerian manchild, undercut by the voice of the star of Road Trip.
0	Cherish is a dud -- a romantic comedy that's not the least bit romantic and only mildly funny.
1	Heartwarming here relies less on forced air than on Petter Næss' delicate, clever direction ... and a wonderful, imaginative script by Axel Hellstenius.
0	Let's see, a haunted house, a haunted ship, what's next ... Ghost Blimp?
0	With its paint fights, motorized scooter chases and dewy-eyed sentiment, it's a pretty listless collection of kid-movie clichés.
1	Based on Dave Barry's popular book of the same name, the movie benefits from having a real writer plot out all of the characters' moves and overlapping story.
0	What's missing is what we call the 'wow' factor.
0	Normally, Rohmer's talky films fascinate me, but when he moves his setting to the past, and relies on a historical text, he loses the richness of characterization that makes his films so memorable.
0	Even if it is generally amusing from time to time, I Spy has all the same problems the majority of action comedies have.
1	You watch for that sense of openness, the little surprises.
1	The urban landscapes are detailed down to the signs on the kiosks, and the color palette, with lots of somber blues and pinks, is dreamy and evocative.
0	The abiding impression, despite the mild hallucinogenic buzz, is of overwhelming waste -- the acres of haute couture can't quite conceal that there's nothing resembling a spine here.
1	It throws quirky characters, odd situations, and off-kilter dialogue at us, all as if to say, "Look at this!
1	Alan and his fellow survivors are idiosyncratic enough to lift the movie above its playwriting 101 premise.
1	A film neither bitter nor sweet, neither romantic nor comedic, neither warm nor fuzzy.
0	Of all the Halloween's, this is the most visually unappealing.
1	Light, silly, photographed with colour and depth, and rather a good time.
1	It's refreshing to see a romance this smart.
0	Sodden and glum, even in those moments where it's supposed to feel funny and light.
0	With nary a glimmer of self-knowledge, (Crane) becomes more specimen than character -- and Auto Focus remains a chilly, clinical lab report.
0	Nothing about the film -- with the possible exception of Elizabeth Hurley's breasts -- is authentic.
1	A manically generous Christmas vaudeville.
1	The powder blues and sun-splashed whites of Tunis make an alluring backdrop for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs.
1	With Dickens' words and writer-director Douglas McGrath's even-toned direction, a ripping good yarn is told.
0	I approached the usher and said that if she had to sit through it again, she should ask for a raise.
1	It makes you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film.
1	The film is enriched by an imaginatively mixed cast of antic spirits, headed by Christopher Plummer as the subtlest and most complexly evil Uncle Ralph I've ever seen in the many film and stage adaptations of the work.
1	These three films form a remarkably cohesive whole, both visually and thematically, through their consistently sensitive and often exciting treatment of an ignored people.
1	Smart and alert, Thirteen Conversations About One Thing is a small gem.
1	Insanely hilarious!
1	...strips Bible stores of the potential for sanctimoniousness, making them meaningful for both kids and church-wary adults.
0	It's just weirdness for the sake of weirdness, and where Human Nature should be ingratiating, it's just grating.
0	Its audacious ambitions sabotaged by pomposity, Steven Soderbergh's space opera emerges as a numbingly dull experience.
1	It works its magic with such exuberance and passion that the film's length becomes a part of its fun.
0	Even if the enticing prospect of a lot of nubile young actors in a film about campus depravity didn't fade amid the deliberate, tiresome ugliness, it would be rendered tedious by Avary's failure to construct a story with even a trace of dramatic interest.
0	It goes on for too long and bogs down in a surfeit of characters and unnecessary subplots.
0	A feel-good movie that doesn't give you enough to feel good about.
0	Give Shapiro, Goldman, and Bolado credit for good intentions, but there's nothing here that they couldn't have done in half an hour.
0	I was feeling this movie until it veered off too far into the Exxon zone, and left me behind at the station looking for a return ticket to realism.
1	If the real-life story is genuinely inspirational, the movie stirs us as well.
0	Disturbing.
1	The large-frame IMAX camera lends itself beautifully to filming the teeming life on the reefs, making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers.
0	It's hard to pity the 'plain' girl who becomes a ravishing waif after applying a smear of lip-gloss.
0	Why anyone who is not a character in this movie should care is beyond me.
0	The movie's major and most devastating flaw is its reliance on formula, though, and it's quite enough to lessen the overall impact the movie could have had.
0	It is depressing, ruthlessly pained and depraved, the movie equivalent of staring into an open wound.
0	As aimless as an old pickup skidding completely out of control on a long patch of black ice, the movie makes two hours feel like four.
1	A comedy-drama of nearly epic proportions rooted in a sincere performance by the title character undergoing midlife crisis.
0	...contains very few laughs and even less surprises.
0	A horrible, 99-minute stink bomb.
1	You can watch, giggle and get an adrenaline boost without feeling like you've completely lowered your entertainment standards.
1	Earnest and heartfelt but undernourished and plodding.
0	A dull, somnambulant exercise in pretension whose pervasive quiet is broken by frequent outbursts of violence and noise.
0	It isn't quite one of the worst movies of the year.
1	The film presents visceral and dangerously honest revelations about the men and machines behind the curtains of our planet.
1	Handled correctly, Wilde's play is a masterpiece of elegant wit and artifice.
1	This is the best Star Trek movie in a long time.
1	A remarkably alluring film set in the constrictive Eisenhower era about one suburban woman's yearning in the face of a loss that shatters her cheery and tranquil suburban life.
1	Instead of simply handling conventional material in a conventional way, Secretary takes the most unexpected material and handles it in the most unexpected way.
1	A winning comedy with its wry observations about long-lived friendships and the ways in which we all lose track of ourselves by trying to please others.
0	Writer-director Randall Wallace has bitten off more than he or anyone else could chew, and his movie veers like a drunken driver through heavy traffic.
1	Like Kissing Jessica Stein, Amy's Orgasm has a key strength in its willingness to explore its principal characters with honesty, insight and humor.
1	An edifying glimpse into the wit and revolutionary spirit of these performers and their era.
0	Starts promisingly but disintegrates into a dreary, humorless soap opera.
1	The touch is generally light enough and the performances, for the most part, credible.
1	It is sentimental but feels free to offend, is analytical and then surrenders to the illogic of its characters, is about grief and yet permits laughter.
0	Eight Legged Freaks won't join the pantheon of great monster/science fiction flicks that we have come to love...
0	Howard and his co-stars all give committed performances, but they're often undone by Howard's self-conscious attempts to find a 'literary' filmmaking style to match his subject.
0	The actors must indeed be good to recite some of this laughable dialogue with a straight face.
0	It's better suited for the history or biography channel, but there's no arguing the tone of the movie - it leaves a bad taste in your mouth and questions on your mind.
0	A story which fails to rise above its disgusting source material.
0	Belongs in the too-hot-for-TV direct-to-video/DVD category, and this is why I have given it a one-star rating.
0	Imagine a film that begins as a Seven rip-off, only to switch to a mix of The Shining, The Thing, and any naked teenagers horror flick from the 1980s.
0	Without a fresh infusion of creativity, 4Ever is neither a promise nor a threat so much as wishful thinking.
1	This humbling little film, fueled by the light comedic work of Zhao Benshan and the delicate ways of Dong Jie, is just the sort for those moviegoers who complain that 'they don't make movies like they used to anymore.'
1	What doesn't this film have that an impressionable kid couldn't stand to hear?
1	Stevens' vibrant creative instincts are the difference between this and countless other flicks about guys and dolls.
0	'In this poor remake of such a well loved classic, Parker exposes the limitations of his skill and the basic flaws in his vision.'
0	Overall tomfoolery like this is a matter of taste.
0	A soap-opera quality twist in the last 20 minutes...almost puts the kibosh on what is otherwise a sumptuous work of B-movie imagination.
0	The actors try hard but come off too amateurish and awkward.
0	Occasionally loud and offensive, but more often, it simply lulls you into a gentle waking coma.
1	We've seen it all before in one form or another, but director Hoffman, with great help from Kevin Kline, makes us care about this latest reincarnation of the world's greatest teacher.
1	Easily the most thoughtful fictional examination of the root causes of anti-Semitism ever seen on screen.
0	Despite suffering a sense-of-humour failure, The Man Who Wrote Rocky does not deserve to go down with a ship as leaky as this.
0	About half of them are funny, a few are sexy and none are useful in telling the story, which is paper-thin and decidedly unoriginal.
1	The film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders, but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill.
0	Impostor can't think of a thing to do with these characters except have them run through dark tunnels, fight off various anonymous attackers, and evade elaborate surveillance technologies.
0	A great script brought down by lousy direction.
0	New ways of describing badness need to be invented to describe exactly how bad it is.
1	Rubbo runs through a remarkable amount of material in the film's short 90 minutes.
0	While this film has an 'A' list cast and some strong supporting players, the tale -- like its central figure, Vivi -- is just a little bit hard to love.
1	Zoom!
0	It's a bad sign when you're rooting for the film to hurry up and get to its subjects' deaths just so the documentary will be over, but it's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest.

0

This 90-minute dud could pass for Mike Tyson's E!

0

A generic family comedy unlikely to be appreciated by anyone outside the under-10 set.

0

An amateurish, quasi-improvised acting exercise shot on ugly digital video.

0

The very simple story seems too simple and the working out of the plot almost arbitrary.

0

The elements were all there but lack of a pyschological center knocks it flat.

1

Exactly what its title implies: lusty, boisterous and utterly charming.

0

What remains is a variant of the nincompoop Benigni persona, here a more annoying, though less angry version of the irresponsible Sandlerian manchild, undercut by the voice of the star of Road Trip.

0

Cherish is a dud -- a romantic comedy that's not the least bit romantic and only mildly funny.

1

Heartwarming here relies less on forced air than on Petter Næss' delicate, clever direction ... and a wonderful, imaginative script by Axel Hellstenius.

0

Let's see, a haunted house, a haunted ship, what's next ... Ghost Blimp?

0

With its paint fights, motorized scooter chases and dewy-eyed sentiment, it's a pretty listless collection of kid-movie clichés.

1

Based on Dave Barry's popular book of the same name, the movie benefits from having a real writer plot out all of the characters' moves and overlapping story.

0

What's missing is what we call the 'wow' factor.

0

Normally, Rohmer's talky films fascinate me, but when he moves his setting to the past, and relies on a historical text, he loses the richness of characterization that makes his films so memorable.

0

Even if it is generally amusing from time to time, I Spy has all the same problems the majority of action comedies have.

1

You watch for that sense of openness, the little surprises.

1

The urban landscapes are detailed down to the signs on the kiosks, and the color palette, with lots of somber blues and pinks, is dreamy and evocative.

0

The abiding impression, despite the mild hallucinogenic buzz, is of overwhelming waste -- the acres of haute couture can't quite conceal that there's nothing resembling a spine here.

1

It throws quirky characters, odd situations, and off-kilter dialogue at us, all as if to say, "Look at this!

1

Alan and his fellow survivors are idiosyncratic enough to lift the movie above its playwriting 101 premise.

1

A film neither bitter nor sweet, neither romantic nor comedic, neither warm nor fuzzy.

0

Of all the Halloween's, this is the most visually unappealing.

1

Light, silly, photographed with colour and depth, and rather a good time.

1

It's refreshing to see a romance this smart.

0

Sodden and glum, even in those moments where it's supposed to feel funny and light.

0

With nary a glimmer of self-knowledge, (Crane) becomes more specimen than character -- and Auto Focus remains a chilly, clinical lab report.

0

Nothing about the film -- with the possible exception of Elizabeth Hurley's breasts -- is authentic.

1

A manically generous Christmas vaudeville.

1

The powder blues and sun-splashed whites of Tunis make an alluring backdrop for this sensuous and spirited tale of a prim widow who finds an unlikely release in belly-dancing clubs.

1

With Dickens' words and writer-director Douglas McGrath's even-toned direction, a ripping good yarn is told.

0

I approached the usher and said that if she had to sit through it again, she should ask for a raise.

1

It makes you believe the cast and crew thoroughly enjoyed themselves and believed in their small-budget film.

1

The film is enriched by an imaginatively mixed cast of antic spirits, headed by Christopher Plummer as the subtlest and most complexly evil Uncle Ralph I've ever seen in the many film and stage adaptations of the work.

1

These three films form a remarkably cohesive whole, both visually and thematically, through their consistently sensitive and often exciting treatment of an ignored people.

1

Smart and alert, Thirteen Conversations About One Thing is a small gem.

1

Insanely hilarious!

1

...strips Bible stores of the potential for sanctimoniousness, making them meaningful for both kids and church-wary adults.

0

It's just weirdness for the sake of weirdness, and where Human Nature should be ingratiating, it's just grating.

0

Its audacious ambitions sabotaged by pomposity, Steven Soderbergh's space opera emerges as a numbingly dull experience.

1

It works its magic with such exuberance and passion that the film's length becomes a part of its fun.

0

Even if the enticing prospect of a lot of nubile young actors in a film about campus depravity didn't fade amid the deliberate, tiresome ugliness, it would be rendered tedious by Avary's failure to construct a story with even a trace of dramatic interest.

0

It goes on for too long and bogs down in a surfeit of characters and unnecessary subplots.

0

A feel-good movie that doesn't give you enough to feel good about.

0

Give Shapiro, Goldman, and Bolado credit for good intentions, but there's nothing here that they couldn't have done in half an hour.

0

I was feeling this movie until it veered off too far into the Exxon zone, and left me behind at the station looking for a return ticket to realism.

1

If the real-life story is genuinely inspirational, the movie stirs us as well.

0

Disturbing.

1

The large-frame IMAX camera lends itself beautifully to filming the teeming life on the reefs, making this gorgeous film a must for everyone from junior scientists to grown-up fish lovers.

0

It's hard to pity the 'plain' girl who becomes a ravishing waif after applying a smear of lip-gloss.

0

Why anyone who is not a character in this movie should care is beyond me.

0

The movie's major and most devastating flaw is its reliance on formula, though, and it's quite enough to lessen the overall impact the movie could have had.

0

It is depressing, ruthlessly pained and depraved, the movie equivalent of staring into an open wound.

0

As aimless as an old pickup skidding completely out of control on a long patch of black ice, the movie makes two hours feel like four.

1

A comedy-drama of nearly epic proportions rooted in a sincere performance by the title character undergoing midlife crisis.

0

...contains very few laughs and even less surprises.

0

A horrible, 99-minute stink bomb.

1

You can watch, giggle and get an adrenaline boost without feeling like you've completely lowered your entertainment standards.

1

Earnest and heartfelt but undernourished and plodding.

0

A dull, somnambulant exercise in pretension whose pervasive quiet is broken by frequent outbursts of violence and noise.

0

It isn't quite one of the worst movies of the year.

1

The film presents visceral and dangerously honest revelations about the men and machines behind the curtains of our planet.

1

Handled correctly, Wilde's play is a masterpiece of elegant wit and artifice.

1

This is the best Star Trek movie in a long time.

1

A remarkably alluring film set in the constrictive Eisenhower era about one suburban woman's yearning in the face of a loss that shatters her cheery and tranquil suburban life.

1

Instead of simply handling conventional material in a conventional way, Secretary takes the most unexpected material and handles it in the most unexpected way.

1

A winning comedy with its wry observations about long-lived friendships and the ways in which we all lose track of ourselves by trying to please others.

0

Writer-director Randall Wallace has bitten off more than he or anyone else could chew, and his movie veers like a drunken driver through heavy traffic.

1

Like Kissing Jessica Stein, Amy's Orgasm has a key strength in its willingness to explore its principal characters with honesty, insight and humor.

1

An edifying glimpse into the wit and revolutionary spirit of these performers and their era.

0

Starts promisingly but disintegrates into a dreary, humorless soap opera.

1

The touch is generally light enough and the performances, for the most part, credible.

1

It is sentimental but feels free to offend, is analytical and then surrenders to the illogic of its characters, is about grief and yet permits laughter.

0

Eight Legged Freaks won't join the pantheon of great monster/science fiction flicks that we have come to love...

0

Howard and his co-stars all give committed performances, but they're often undone by Howard's self-conscious attempts to find a 'literary' filmmaking style to match his subject.

0

The actors must indeed be good to recite some of this laughable dialogue with a straight face.

0

It's better suited for the history or biography channel, but there's no arguing the tone of the movie - it leaves a bad taste in your mouth and questions on your mind.

0

A story which fails to rise above its disgusting source material.

0

Belongs in the too-hot-for-TV direct-to-video/DVD category, and this is why I have given it a one-star rating.

0

Imagine a film that begins as a Seven rip-off, only to switch to a mix of The Shining, The Thing, and any naked teenagers horror flick from the 1980s.

0

Without a fresh infusion of creativity, 4Ever is neither a promise nor a threat so much as wishful thinking.

1

This humbling little film, fueled by the light comedic work of Zhao Benshan and the delicate ways of Dong Jie, is just the sort for those moviegoers who complain that 'they don't make movies like they used to anymore.'

1

What doesn't this film have that an impressionable kid couldn't stand to hear?

1

Stevens' vibrant creative instincts are the difference between this and countless other flicks about guys and dolls.

0

'In this poor remake of such a well loved classic, Parker exposes the limitations of his skill and the basic flaws in his vision.'

0

Overall tomfoolery like this is a matter of taste.

0

A soap-opera quality twist in the last 20 minutes...almost puts the kibosh on what is otherwise a sumptuous work of B-movie imagination.

0

The actors try hard but come off too amateurish and awkward.

0

Occasionally loud and offensive, but more often, it simply lulls you into a gentle waking coma.

1

We've seen it all before in one form or another, but director Hoffman, with great help from Kevin Kline, makes us care about this latest reincarnation of the world's greatest teacher.

1

Easily the most thoughtful fictional examination of the root causes of anti-Semitism ever seen on screen.

0

Despite suffering a sense-of-humour failure, The Man Who Wrote Rocky does not deserve to go down with a ship as leaky as this.

0

About half of them are funny, a few are sexy and none are useful in telling the story, which is paper-thin and decidedly unoriginal.

1

The film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders, but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill.

0

Impostor can't think of a thing to do with these characters except have them run through dark tunnels, fight off various anonymous attackers, and evade elaborate surveillance technologies.

0

A great script brought down by lousy direction.

0

New ways of describing badness need to be invented to describe exactly how bad it is.

1

Rubbo runs through a remarkable amount of material in the film's short 90 minutes.

0

While this film has an 'A' list cast and some strong supporting players, the tale -- like its central figure, Vivi -- is just a little bit hard to love.

1

Zoom!

0

It's a bad sign when you're rooting for the film to hurry up and get to its subjects' deaths just so the documentary will be over, but it's indicative of how uncompelling the movie is unless it happens to cover your particular area of interest.