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Produced by Jonathan Ingram, Steven desJardins, and Distributed Proofreaders Bullets & Billets By Bruce Bairnsfather 1916 TO MY OLD PALS, "BILL," "BERT," AND "ALF," WHO HAVE SAT IN THE MUD WITH ME CONTENTS CHAPTER I Landing at Havre--Tortoni's--Follow the tram lines--Orders for the Front. CHAPTER II Tortuous travelling--Clippers and tablets--Dumped at a siding--I join my Battalion. CHAPTER III Those Plugstreet trenches--Mud and rain--Flooded out--A hopeless dawn. CHAPTER IV More mud--Rain and bullets--A bit of cake--"Wind up"--Night rounds. CHAPTER V My man Friday--"Chuck us the biscuits"--Relieved--Billets. CHAPTER VI The Transport Farm--Fleeced by the Flemish--Riding--Nearing Christmas. CHAPTER VII A projected attack---Digging a sap--An 'ell of a night--The attack--Puncturing Prussians. CHAPTER VIII Christmas Eve--A lull in hate--Briton cum Boche. CHAPTER IX Souvenirs--A ride to Nieppe--Tea at H.Q.--Trenches once more. CHAPTER X My partial escape from the mud--The deserted village--My "cottage." CHAPTER XI Stocktaking--Fortifying--Nebulous Fragments. CHAPTER XII A brain wave--Making a "funk hole"--Plugstreet Wood--Sniping. CHAPTER XIII Robinson Crusoe--That turbulent table. CHAPTER XIV The Amphibians--Fed-up, but determined--The gun parapet. CHAPTER XV Arrival of the "Johnsons"--"Where did that one go?"--The First Fragment dispatched--The exodus--Where? CHAPTER XVI New trenches--The night inspection--Letter from the _Bystander_. CHAPTER XVII Wulverghem--The Douve--Corduroy boards--Back at our farm. CHAPTER XVIII The painter and decorator--Fragments forming--Night on the mud prairie. CHAPTER XIX Visions of leave--Dick Turpin--Leave! CHAPTER XX That Leave train--My old pal--London and home--The call of the wild. CHAPTER XXI Back from leave--That "blinkin' moon"--Johnson 'oles--Tommy and "frightfulness"--Exploring expedition. CHAPTER XXII A daylight stalk--The disused trench--"Did they see me?"--A good sniping position. CHAPTER XXIII Our moated farm--Wulverghem--The Cure's house--A shattered Church--More "heavies"--A farm on fire. CHAPTER XXIV That ration fatigue--Sketches in request--Bailleul--Baths and lunatics--How to conduct a war. CHAPTER XXV Getting stale--Longing for change--We leave the Douve--On the march--Spotted fever--Ten days' rest. CHAPTER XXVI A pleasant change--Suzette, Berthe and Marthe--"La jeune fille farouche"--Andre. CHAPTER XXVII Getting fit--Caricaturing the Cure--"Dirty work ahead"--A projected attack--Unlooked-for orders. CHAPTER XXVIII We march for Ypres--Halt at Locre--A bleak camp and meagre fare--Signs of battle--First view of Ypres. CHAPTER XXIX Getting nearer--A lugubrious party--Still nearer--Blazing Ypres--Orders for attack. CHAPTER XXX Rain and mud--A trying march--In the thick of it--A wounded officer--Heavy shelling--I get my "quietus!" CHAPTER XXXI Slowly recovering--Field hospital--Ambulance train--Back in England. LIST OF ILLUSTRATIONS Bruce Bairnsfather: a photograph The Birth of "Fragments": Scribbles on the farmhouse walls That Astronomical Annoyance, the Star Shell "Plugstreet Wood" A Hopeless Dawn The usual line in Billeting Farms "Chuck us the biscuits, Bill. The fire wants mendin'" "Shut that blinkin' door. There's a 'ell of a draught in 'ere" A Memory of Christmas, 1914 The Sentry A Messines Memory: "'Ow about shiftin' a bit further down the road, Fred?" "Old soldiers never die" Photograph of the Author. St. Yvon, Christmas Day, 1914 Off "in" again "Poor old Maggie! She seems to be 'avin' it dreadful wet at 'ome!" The Tin-opener "They're devils to snipe, ain't they, Bill?" Old Bill FOREWORD _Down South, in the Valley of the Somme, far from the spots recorded in this book, I began to write this story._ _In billets it was. I strolled across the old farmyard and into the wood beyond. Sitting by a gurgling little stream, I began, with the aid of a notebook and a pencil, to record the joys and sorrows of my first six months in France._ _I do not claim any unique quality for these experiences. Many thousands have had the same. I have merely, by request, made a record of my times out there, in the way that they appeared to me_. BRUCE BAIRNSFATHER. CHAPTER I LANDING AT HAVRE--TORTONI'S--FOLLOW THE TRAM LINES--ORDERS FOR THE FRONT [Illustration: G] Gliding up the Seine, on a transport crammed to the lid with troops, in the still, cold hours of a November morning, was my debut into the war. It was about 6 a.m. when our boat silently slipped along past the great wooden sheds, posts and complications of Havre Harbour. I had spent most of the twelve-hour trip down somewhere in the depths of the ship, dealing out rations to the hundred men that I had brought with me from Plymouth. This sounds a comparatively simple process, but not a bit of it. To begin with, the ship was filled with troops to bursting point, and the mere matter of proceeding from one deck to another was about as difficult as trying to get round to see a friend at the other side of the ground at a Crystal Palace Cup final. I stood in a queue of Gordons, Seaforths, Worcesters, etc., slowly moving up one, until, finally arriving at the companion (nearly said staircase), I tobogganed down into the hold, and spent what was left of the night dealing out those rations. Having finished at last, I came to the surface again, and now, as the transport glided along through the dirty waters of the river, and as I gazed at the motley collection of Frenchmen on the various wharves, and saw a variety of soldiery, and a host of other warlike "props," I felt acutely that now I was _in_ the war at last--the real thing! For some time I had been rehearsing in England; but that was over now, and here I was--in the common or garden vernacular--"in the soup." At last we were alongside, and in due course I had collected that hundred men of mine, and found that the number was still a hundred, after which I landed with the rest, received instructions and a guide, then started off for the Base Camps. [Illustration: "Rations"] These Camps were about three miles out of Havre, and thither the whole contents of the ship marched in one long column, accompanied on either side by a crowd of ragged little boys shouting for souvenirs and biscuits. I and my hundred men were near the rear of the procession, and in about an hour's time arrived at the Base Camps. I don't know that it is possible to construct anything more atrociously hideous or uninteresting than a Base Camp. It consists, in military parlance, of nothing more than:-- Fields, grassless 1 Tents, bell 500 In fact, a huge space, once a field, now a bog, on which are perched rows and rows of squalid tents. I stumbled along over the mud with my troupe, and having found the Adjutant, after a considerable search, thought that my task was over, and that I could slink off into some odd tent or other and get a sleep and a rest. Oh no!--the Adjutant had only expected fifty men, and here was I with a hundred. Consternation! Two hours' telephoning and intricate back-chat with the Adjutant eventually led to my being ordered to leave the expected fifty and take the others to another Base Camp hard by, and see if they would like to have them there. The rival Base Camp expressed a willingness to have this other fifty, so at last I had finished, and having found an empty tent, lay down on the ground, with my greatcoat for a pillow and went to sleep. I awoke at about three in the afternoon, got hold of a bucket of water and proceeded to have a wash. Having shaved, washed, brushed my hair, and
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) CAMPAIGNING IN CUBA BY GEORGE KENNAN AUTHOR OF "SIBERIA AND THE EXILE SYSTEM" NEW YORK THE CENTURY CO. 1899 CONTENTS CHAPTER PAGE I. STARTING FOR THE FIELD 1
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This ebook was transcribed by Les Bowler. SONGS OF THE ARMY OF THE NIGHT. * * * * * BY FRANCIS ADAMS. * * * * * "_For the cause of Labour all over the Earth_." * * * * * SECOND EDITION. * * * * * London: WILLIAM REEVES, 185, FLEET STREET, E.C. TO EDITH. "My sweet, my child, through all this night Of dark and wind and rain, Where thunder crashes, and the light Sears the bewildered brain, "It is your face, your lips, your eyes I see rise up; I hear Your voice that sobs and calls and cries, Or shrills and mocks at fear. "O this that's mine is yours as well, For side by side our feet Trod through these bitter brakes of hell. Take it, my child, my sweet!" CONTENTS. PAGE Preface 11 This Book 15 SONGS OF THE ARMY OF THE NIGHT. _Proem_:--"Outside London" 18 _PART I.--ENGLAND_. In the Camp 19 "Axiom" 20 Drill 20 Evening Hymn in the Hovels 21 In the Street: "Lord Shaftesbury" 22 "Liberty" 22 In the Edgware Road 24 To the Girls of the Unions 24 Hagar 25 "Why?" 26 A Visitor in the Camp 27 "Lord Leitrim" 28 "Anarchism" 28 Belgravia by Night: "Move on!" 29 Jesus 29 Parallels for the Pious 30 "Prayer" 30 To the Christians 31 "Defeat" 31 To John Ruskin 32 To the Emperor William 34 Song of the Dispossessed: "To Jesus" 34 Art 35 The Peasants' Revolt
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Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) {117} NOTES AND QUERIES: A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC. "When found, make a note of."--CAPTAIN CUTTLE. * * * * * No. 224.] SATURDAY, FEBRUARY 11. 1854 [Price Fourpence. Stamped Edition 5d. * * * * * CONTENTS. NOTES:-- Page Eliminate, by C. Mansfield Ingleby 119 Cranmer's Bible 119 Sovereigns Dining and Supping in Public 120 Parallel Ideas from Poets, by Norris Deck 121 The great Alphabetic Psalm, and the Songs of Degrees, by T. J. Buckton 121 MINOR NOTES:--Inscription on a Grave-stone in Whittlebury Churchyard, Northamptonshire--Epitaph on Sir Henry St. George--Newton and Milton--Eternal Life--Inscriptions in Books--Churchill's Grave 122 QUERIES:-- Coronation Stone 123 Old Mereworth Castle, Kent 124 MINOR QUERIES:--"I could not love thee, dear, so much"-- Leicester as Ranger of Snowden--Crabb of Telsford-- Tolling the Bell while the Congregation is leaving Church--O'Brien of Thosmond--Order of St. David of Wales--Warple-way--Purlet--Liveries, Red and Scarlet-- Dr. Bragge--Chauncy, or Chancy--Plaster Casts-- [Greek: Sikera]--Dogs in Monumental Brasses 125 MINOR QUERIES WITH ANSWERS:--Marquis of Granby-- "Memorials of English Affairs," &c.--Standing when the Lord's Prayer is read--Hypocrisy, &c. 127 REPLIES:-- "Consilium Novem Delectorum Cardinalium," &c., by B. B. Woodward 127 John Bunyan, by George Offor 129 The Asteroids, &c., by J. Wm. Harris 129 Caps at Cambridge, by C. H. Cooper 130 Russia, Turkey, and the Black Sea, by John Macray 132 High Dutch and Low Dutch, by Professor Goedes de Grueter 132 PHOTOGRAPHIC CORRESPONDENCE:--The Calotype on the Sea-shore 134 REPLIES TO MINOR QUERIES:--Ned o' the Todding--Hour-Glasses and Inscriptions on Old Pulpits--Table-turning--"Firm
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Produced by Jonathan Ingram, Tapio Riikonen and PG Distributed Proofreaders THE WORKS OF APHRA BEHN, VOL. III EDITED BY MONTAGUE SUMMERS MCMXV CONTENTS: THE TOWN-<DW2>; OR, SIR TIMOTHY TAWDREY THE FALSE COUNT THE LUCKY CHANCE; OR, AN ALDERMAN'S BARGAIN THE FORC'D MARRIAGE; OR, THE JEALOUS BRIDEGROOM THE EMPEROR OF THE MOON NOTES THE TOWN-<DW2>; OR, SIR TIMOTHY TAWDREY. ARGUMENT. Sir Timothy Tawdrey is by the wishes of his mother and the lady's father designed for Celinda, who loves Bellmour, nephew to Lord Plotwell. A coxcomb of the first water, Sir Timothy receives a sharp rebuff when he opens his suit, and accordingly he challenges Bellmour, but fails to appear at the place of meeting. Celinda's old nurse, at night, admits Bellmour to her mistress' chamber, where they are surprized by Friendlove, her brother, who is, however, favourable to the union, the more so as he is a friend of Bellmour, and they have but newly returned from travelling together in Italy. Lord Plotwell warmly welcomes his nephew home, and proceeds to unfold his design of giving him his niece Diana in marriage. When he demurs, the old lord threatens to deprive him of his estate, and he is compelled eventually to acquiesce in the matrimonial schemes of his guardian. Bellmour sends word to Celinda, who replies in a heart-broken letter; and at the wedding feast Friendlove, who himself is deeply enamoured of Diana, appears in disguise to observe the traitor. He is followed by his sister disguised as a boy, and upon Friendlove's drawing on Bellmour a scuffle ensues which, however, ends without harm. In the nuptial chamber Bellmour informs Diana that he cannot love her and she quits him maddened with rage and disappointment. Sir Timothy serenades the newly-mated pair and is threatened by Bellmour, whilst Celinda, who has been watching the house, attacks the <DW2> and his fiddlers. During the brawl Diana issuing forth meets Celinda, and taking her for a boy leads her into the house and shortly makes advances of love. They are interrupted by Friendlove, disguised, and he receives Diana's commands to seek out and challenge Bellmour. At the same time he reveals his love as though he told the tale of another, but he is met with scorn and only bidden to fight the husband who has repulsed her. Bellmour, meantime, in despair and rage at his misery plunges into reckless debauchery, and in company with Sir Timothy visits a bagnio, where they meet Betty Flauntit, the knight's kept mistress, and other cyprians. Hither they are tracked by Charles, Bellmour's younger brother, and Trusty, Lord Plotwell's old steward. Sharp words pass, the brothers fight and Charles is slighted wounded. Their Uncle hears of this with much indignation, and at the same time receiving a letter from Diana begging for a divorce, he announces his intention to further her purpose, and to abandon wholly Charles and Phillis, his sister, in consequence of their elder brother's conduct. Sir Timothy, induced by old Trusty, begins a warm courtship of Phillis, and arranges with a parasite named Sham to deceive her by a mock marriage. Sham, however, procures a real parson, and Sir Timothy is for the moment afraid he has got a wife without a dowry or portion. Lord Plotwell eventually promises to provide for her, and at Diana's request, now she recognizes her mistake in trying to hold a man who does not love her, Bellmour is forgiven and allowed to wed Celinda as soon as the divorce has been pronounced, whilst Diana herself rewards Friendlove with her hand. SOURCE. _The Town-<DW2>; or, Sir Timothy Tawdrey_ is materially founded upon George Wilkins' popular play, _The Miseries of Enforced Marriage_ (4to, 1607, 1611, 1629, 1637), reprinted in Dodsley. Sir Timothy himself is moulded to some extent upon Sir Francis Ilford, but, as Geneste aptly remarks, he may be considered a new character. In the older drama, Clare, the original of Celinda, dies tragically of a broken heart. It cannot be denied that Mrs. Behn has greatly improved Wilkins' scenes. The well-drawn character of Betty Flauntit is her own, and the realistically vivacious bagnio episodes of Act iv replace a not very interesting or lively tavern with a considerable accession to wit and humour, although perhaps not to strict propriety. THEATRICAL HISTORY. _The Town-<DW2>; or, Sir Timothy Tawdrey_ was produced at the Duke's Theatre, Dorset Garden, in September, 1676. There is no record of its performance, and the actors' names are not given. It was a year of considerable changes in the company, and any attempt to supply these would be the merest surmise. THE TOWN-<DW2>; or, Sir _Timothy Tawdrey_. PROLOGUE. _As Country Squire, who yet had never known The long-expected Joy of being in Town; Whose careful Parents scarce permitted Heir To ride from home, unless to neighbouring Fair; At last by happy Chance is hither led, To purchase Clap with loss of Maidenhead; Turns wondrous gay, bedizen'd to Excess; Till he is all Burlesque in Mode and Dress: Learns to talk loud in Pit, grows wily too, That is to say, makes mighty Noise and Show. So a young Poet, who had never been Dabling beyond the Height of Ballading; Who, in his brisk Essays, durst ne'er excel The lucky Flight of rhyming Doggerel, Sets up with this sufficient Stock on Stage, And has, perchance, the luck to please the Age. He draws you in, like cozening Citizen; Cares not how bad the Ware, so Shop be fine. As tawdry Gown and Petticoat gain more (Tho on a dull diseas'd ill-favour'd Whore) Than prettier Frugal, tho on Holy-day, | When every City-Spark has leave to play_, | --Damn her, she must be sound, she is so gay; | _So let the Scenes be fine, you'll ne'er enquire For Sense, but lofty Flights in nimble Wire. --What we present to Day is none of these, But we cou'd wish it were, for we wou'd please, And that you'll swear we hardly meant to do: Yet here's no Sense; Pox on't, but here's no Show; But a plain Story, that will give a Taste Of what your Grandsires lov'd i'th' Age that's past_. DRAMATIS PERSONAE. MEN. Lord _Plotwell_. _Bellmour_, Nephew to the Lord _Plotwell_, contracted to _Celinda_. _Charles_, Brother to _Bellmour_. _Friendlove_, Brother to _Celinda_, in love with _Diana_. Sir _Timothy Tawdrey_, a <DW2>-Knight, design'd to marry _Celinda_. _Sham_, | Hangers on to Sir _Timothy_. _Sharp_, | _Trusty_, An old Steward to _Bellmour's_ Family. Page to _Bellmour_. Page to Lord _Plotwell_. Sir _Timothy's_ Page. Guests, Dancers, Fiddlers, and Servants. WOMEN. The Lady _Diana_, Niece to the Lord _Plotwell_. _Celinda_, Sister to _Friendlove_, contracted to _Bellmour_. _Phillis_, Sister to _Bellmour_. _Betty Flauntit_, kept by Sir _Timothy_. _Driver_, A Bawd. _Jenny_, | Two Whores _Doll_, | _Nurse_, Ladies and Guests. SCENE, _Covent-Garden_. ACT I. SCENE I. _The Street_. _Enter Sir_ Timothy Tawdrey, Sham, _and_ Sharp. Sir _Tim_. Hereabouts is the House wherein dwells the Mistress of my Heart; for she has Money, Boys, mind me, Money in abundance, or she were not for me--The Wench her self is good-natur'd, and inclin'd to be civil: but a Pox on't--she has a Brother, a conceited Fellow, whom the World mistakes for a fine Gentleman; for he has travell'd, talks Languages, bows with a _bonne mine_, and the rest; but, by Fortune, he shall entertain you with nothing but Words-- _Sham_. Nothing else!-- Sir _Tim_. No--He's no Country-Squire, Gentlemen, will not game, whore; nay, in my Conscience, you will hardly get your selves drunk in his Company--He treats A-la-mode, half Wine, half Water, and the rest--But to the Business, this Fellow loves his Sister dearly, and will not trust her in this leud Town, as he calls it, without him; and hither he has brought her to marry me. _Sham_. A Pox upon him for his Pains-- Sir _Tim_. So say I--But my Comfort is, I shall be as weary of her, as the best Husband of 'em all. But there's Conveniency in it; besides, the Match being as good as made up by the old Folks in the Country, I must submit--The Wench I never saw yet, but they say she's handsom--But no matter for that, there's Money, my Boys. _Sharp_. Well, Sir, we will follow you--but as dolefully as People do their Friends to the Grave, from whence they're never to return, at least not the same Substance; the thin airy Vision of a brave good Fellow, we may see thee hereafter, but that's the most. Sir _Tim_. Your Pardon, sweet _Sharp_, my whole Design in it is to be Master of my self, and with part of her Portion to set up my Miss, _Betty Flauntit_; which, by the way, is the main end of my marrying; the rest you'll have your shares of--Now I am forc'd to take you up Suits at treble Prizes, have damn'd Wine and Meat put upon us, 'cause the Reckoning is to be book'd: But ready
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Produced by Gregory Walker, for the Digital Daguerreian Archive Project. This etext was created by Gregory Walker, in Austin, Texas, for the Digital Daguerreian Archive Project--electronic texts from the dawn of photography. Internet: [email protected] CompuServe: 73577,677 The location of the illustrations in the text are marked by "[hipho_##.gif]" on a separate line. I hope this etext inspires a wider interest in the origins of photography and in the modern practice of the Daguerreian Art. THE HISTORY AND PRACTICE OF THE ART OF PHOTOGRAPHY; OR THE PRODUCTION OF PICTURES THROUGH THE AGENCY OF LIGHT. CONTAINING ALL THE INSTRUCTIONS NECESSARY FOR THE COMPLETE PRACTICE OF THE DAGUERREAN AND PHOTOGENIC ART, BOTH ON METALLIC PLATES AND ON PAPER. By HENRY H. SNELLING. ILLUSTRATED WITH WOOD CUTS. New York: PUBLISHED BY G. P. PUTNAM, 155 Broadway, 1849. Entered according to act of Congress in the year 1849, by H. H. Snelling, in the Clerk's office, of the District Court of the Southern District of New York. New York: PRINTED BY BUSTEED & McCOY, 163 Fulton Street. TO EDWARD ANTHONY, ESQ., AN ESTEEMED FRIEND. Whose gentlemanly deportment, liberal feelings, and strict integrity have secured him a large circle of friends, this work is Respectfully Dedicated By the AUTHOR. PREFACE. The object of this little work is to fill a void much complained of by Daguerreotypists--particularly young beginners. The author has waited a long time in hopes that some more able pen would be devoted to the subject, but the wants of the numerous, and constantly increasing, class, just mentioned, induces him to wait no longer. All the English works on the subject--particularly on the practical application, of Photogenic drawing--are deficient in many minute details, which are essential to a complete understanding of the art. Many of their methods of operating are entirely different from, and much inferior to, those practised in the United States: their apparatus, also, cannot compare with ours for completeness, utility or simplicity. I shall, therefore, confine myself principally--so far as Photogenic drawing upon metalic plates is concerned--to the methods practised by the most celebrated and experienced operators, drawing upon French and English authority only in cases where I find it essential to the purpose for which I design my work, namely: furnishing a complete system of Photography; such an one as will enable any gentleman, or lady, who may wish to practise the art, for profit or amusement, to do so without the trouble and expense of seeking instruction from professors, which in many cases within my own knowledge has prevented persons from embracing the profession. To English authors I am principally indebted for that portion of my work relating to Photogenic drawing on paper. To them we owe nearly all the most important improvements in that branch of the art. Besides, it has been but seldom attempted in the United States, and then without any decided success. Of these attempts I shall speak further in the Historical portion of this volume. Every thing essential, therefore, to a complete knowledge of the whole art, comprising all the most recent discoveries and improvements down to the day of publication will be found herein laid down. CONTENTS I. A BRIEF HISTORY OF THE ART. II. THE THEORY ON LIGHT.--THE PHOTOGRAPHIC PRINCIPLE III. SYNOPSIS OF MR. HUNT'S TREATISE ON "THE INFLUENCE OF THE SOLAR RAYS ON COMPOUND BODIES, WITH ESPECIAL REFERENCE TO THEIR PHOTOGRAPHIC APPLICATION." IV. A FEW HINTS AND SUGGESTIONS TO DAGUERREOTYPISTS. V. DAGUERREOTYPE APPARATUS. VI. THE DAGUERREOTYPE PROCESS. VII. PAPER DAGUERREOTYPES.--ETCHING DAGUERREOTYPES. VIII. PHOTOGENIC DRAWING ON PAPER. IX. CALOTYPE AND CHRYSOTYPE. X. CYANOTYPE--ENERGIATYPE--CHROMATYPE--ANTHOTYPE--AMPHITYPE AND "CR
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Produced by Suzanne Shell, Mary Meehan and the Online Distributed Proofreading Team THE CENTAUR ALGERNON BLACKWOOD 1911 I "We may be in the Universe as dogs and cats are in our libraries, seeing the books and hearing the conversation, but having no inkling of the meaning of it all." --WILLIAM JAMES, _A Pluralistic Universe_ "... A man's vision is the great fact about him. Who cares for Carlyle's reasons, or Schopenhauer's, or Spencer's? A philosophy is the expression of a man's intimate character, and all definitions of the Universe are but the deliberately adopted reactions of human characters upon it." --Ibid "There are certain persons who, independently of sex or comeliness, arouse an instant curiosity concerning themselves. The tribe is small, but its members unmistakable. They may possess neither fortune, good looks, nor that adroitness of advance-vision which the stupid name good luck; yet there is about them this inciting quality which proclaims that they have overtaken Fate, set a harness about its neck of violence, and hold bit and bridle in steady hands. "Most of us, arrested a moment by their presence to snatch the definition their peculiarity exacts, are aware that on the heels of curiosity follows--envy. They know the very things that we forever seek in vain. And this diagnosis, achieved as it were _en passant_, comes near to the truth, for the hallmark of such persons is that they have found, and come into, their own. There is a sign upon the face and in the eyes. Having somehow discovered the 'piece' that makes them free of the whole amazing puzzle, they know where they belong and, therefore, whither they are bound: more, they are definitely _en route_. The littlenesses of existence that plague the majority pass them by. "For this reason, if for no other," continued O'Malley, "I count my experience with that man as memorable beyond ordinary. 'If for no other,' because from the very beginning there was another. Indeed, it was probably his air of unusual bigness, massiveness rather,--head, face, eyes, shoulders, especially back and shoulders,--that struck me first when I caught sight of him lounging there hugely upon my steamer deck at Marseilles, winning my instant attention before he turned and the expression on his great face woke more--woke curiosity, interest, envy. He wore this very look of certainty that knows, yet with a tinge of mild surprise as though he had only recently known. It was less than perplexity. A faint astonishment as of a happy child--almost of an animal--shone in the large brown eyes--" "You mean that the physical quality caught you first, then the psychical?" I asked, keeping him to the point, for his Irish imagination was ever apt to race away at a tangent. He laughed good-naturedly, acknowledging the check. "I believe that to be the truth," he replied, his face instantly grave again. "It was the impression of uncommon bulk that heated my intuition--blessed if I know how--leading me to the other. The size of his body did not smother, as so often is the case with big people: rather, it revealed. At the moment I could conceive no possible connection, of course. Only this overwhelming attraction of the man's personality caught me and I longed to make friends. That's the way with me, as you know," he added, tossing the hair back from his forehead impatiently,"--pretty often. First impressions. Old man, I tell you, it was like a possession." "I believe you," I said. For Terence O'Malley all his life had never understood half measures. II "The friendly and flowing savage, who is he? Is he waiting for civilization, or is he past it, and mastering it?" --WHITMAN "We find ourselves today in the midst of a somewhat peculiar state of society, which we call Civilization, but which even to the most optimistic among us does not seem altogether desirable. Some of us, indeed, are inclined to think that it is a kind of disease which the various races of man have to pass through.... "While History tells us of many nations that have been attacked by it, of many that have succumbed to it, and of some that are still in the throes of it, we know of no single case in which a nation has fairly recovered from and passed through it to a more normal and healthy condition. In other words, the development of human society has never yet (that we know of) passed beyond a certain definite and apparently final stage in the process we call Civilization; at that stage it has always succumbed or been arrested." --EDWARD CARPENTER, _Civilization: Its Cause and Cure_ O'Malley himself is an individuality that invites consideration from the ruck of commonplace men. Of mingled Irish, Scotch, and
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Produced by Al Haines [Frontispiece: Jack and Jill in the Witch's House.] MORE TALES IN THE LAND OF NURSERY RHYME BY ADA M. MARZIALS AUTHOR OF "IN THE LAND OF NURSERY RHYME" WITH FRONTISPIECE LONDON: H. R. ALLENSON, LIMITED RACQUET COURT, FLEET STREET, E.C. 1913 TO MY LITTLE COUSINS KATHLEEN AND DOROTHY CONTENTS THE NORTH WIND DOTH BLOW MARY, MARY, QUITE CONTRARY JACK AND JILL LITTLE MISS MUFFET PUSSY CAT, PUSSY CAT HEY, DIDDLE, DIDDLE! THE NORTH WIND DOTH BLOW "_Different people have different opinions_" The North Wind doth blow, And we shall have snow, And what will the robin do then? Poor thing! He will sit in a barn, And to keep himself warm He will hide
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Produced by Thierry Alberto, Diane Monico, and the Project Gutenberg Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by the Canadian Institute for Historical Microreproductions (www.canadiana.org).) MOUND-BUILDERS BY REV. W. J. SMYTH, M.A., B.Sc., Ph.D. _Pastor of St. Joseph Street Presbyterian Church, Montreal._ PUBLISHED BY REQUEST OF NATURAL HISTORY SOCIETY, TORONTO. MONTREAL: GAZETTE PRINTING COMPANY. APRIL, 1886. MOUND-BUILDERS BY REV. WILLIAM J. SMYTH, M.A., B.Sc., Ph.D. When the early settlers began to pioneer the unbroken forests of North America, they considered the various Indian tribes to be the true Aborigines of this continent. But long before the red man, even long before the growth of the present forests, there lived an ancient race, whose origin and fate are surrounded with impenetrable darkness. The remains of their habitations, temples and tombs, are the only voices that tell us of their existence. Over broad areas, in the most fertile valleys, and along the numerous tributaries of the great rivers of the central and western portions of the United States, are to be found these wonderful remains, of the existence and origin of which, even the oldest red man could give no history. Following in the track of these ancient tumuli, which have been raised with some degree of order and sagacity, we are bound to believe that they were constructed by a very intelligent and somewhat civilized race, who during long periods enjoyed the blessings of peace, but like most nations of the earth, at times were plunged in the horrors of war. We cannot tell by what name these strange people were known during their existence. But archaeologists, to keep themselves safe, have given them the name of "Mound-builders," from the nature of the structures left behind them. Of this wonderful, semi-civilized, prehistoric race, we have no written testimony. Their mysterious enclosures, implements of war, and comparatively impregnable fortifications, together with a few strange tablets, are the only evidence of their character, civilization, and doom. No contemporary race, if such there existed on this continent, has left any record of them. The mounds they have left are found in the western part of the State of New York, and extend, it is said, as far as Nebraska. And as they have lately been found in the Northwest, they have thus a much more northern limit than was at first thought, while the southern limit is the Gulf of Mexico. Having seen only a few mounds in Illinois, Indiana and Kentucky, I must confine my paper to those found in the State of Ohio, where, during a residence of seventeen months, I made the closest investigation my time and duties permitted. In Ohio, the number of mounds, including enclosures of different kinds, is estimated at about 13,000, though it requires the greatest care to distinguish between the mounds proper and those subsequently erected by the Indians. In some parts they are very close together, which is strong evidence that these regions were densely populated. In others, a solitary mound, with adjacent burial mounds, gives us the idea of a rural village or town. ENCLOSURES.--In the State of Ohio, alone, there have been found 1,500 enclosures. Some of these have walls ranging in height from three to thirty feet, enclosing areas of from ten to 400 acres. Those areas, enclosed by strong walls, erected in regions difficult of access, were undoubtedly intended as military enclosures; while those areas enclosed by slight walls, with no mounds to cover the openings, were intended as sacred enclosures. I shall leave the consideration of the sacred enclosures until I describe the temple, or sacrificial mounds, giving a brief outline of some of the famous fortifications built by those strange people. Within convenient distance of the city of Xenia, on Little Miami River in Warren county, Ohio, can be seen at any time that famous enclosure known as "Fort Ancient." There can be no mistake as to the intention of this wonderful enclosure. It is situated on the east bank of the Miami on a most commanding position. On the east, two ravines originate, running on either side towards the river, leaving the great fortress on an elevation of 230 feet above the river. The whole is surrounded by a wall of five miles in length, but owing to the uneven course of the river, there are only enclosed one hundred acres. The wall has numerous openings, which, however, are well protected by inner walls, or mounds. These openings could be occupied by warriors while the interior would not be exposed to the enemy. Within the enclosure are disposed twenty-four reservoirs, which could be dexterously connected with springs, so that in time of siege, they would be comparatively independent. The strength of this fortress does not depend on the walls alone, which range in height from five to twenty feet, but upon its isolated position and steep sides. Near the fortification are two large mounds from which run two parallel walls for 1,350 feet, and then unite, enclosing another mound. We cannot tell what part these outer walls and mounds played in the defence of this fortification. But we know that all give evidence of an immense garrison occupied by an ancient and somewhat civilized race, whose numerous enemies, doubtless, forced such strong defence. In point of inaccessibility, engineering skill, and strength, this famous enclosure will compare not unfavorably with Edinburgh Castle, the stronghold of Quebec, or the impregnable Gibraltar. Another stronghold of considerable importance may be seen at Fort Hill, in Highland county, on an elevation of 500 feet, and enclosing an area of forty acres. There is another near Piqua, on a hill 160 feet high; and another near the city of Dayton, on a hill 160 feet high, where a mound is enclosed, which like the ancient watch-towers of Scripture, can command a view of the whole surrounding country. Near Carlisle lies the site of another remarkable military enclosure, which overlooks the fertile valley, between the Twin and Miami Rivers. Two deep ravines fortify the north and south sides, while an almost perpendicular bluff fortifies the east. The wall which is partly of earth and partly of stone is 3,676 feet in length, and encloses a beautiful area of fifteen acres. The settlers state that in early times there were two stone mounds and one stone circle, which contained such excellent building stone, that they removed them for building purposes. They had to cut a way and grade it, to remove the stones, which those rude architects of early prehistoric times found no difficulty in taking from a distant quarry to that high elevation. We must therefore agree that their knowledge of the mechanical powers was far superior to anything the Indian race has shown. About the largest fortification in Ohio may be seen at Bournville. It encloses a magnificent area of fertility, on an elevation of 400 feet. The sides are remarkably steep, and are washed by small creeks, that empty into Paint Creek hard by. Within the fortification are several depressions, where water remains most of the year. The area, of itself, would be a beautiful farm, as it consists of 140 acres. The wall, which was about 2-1/4 miles in length, is very much in ruins, being chiefly built of stone. Some years ago the whole place was covered by the trees, and on the dilapidated stone wall, may still be seen immense trees, whose growth among the stones helped to displace them. The decayed wood beneath some of these trees indicates that successions of forests have flourished since these forts were abandoned by those who made them. GRADED WAYS.--It is well known that, in most of these valleys; there are several terraces, from the river bottom or flats, up to the high lands in the distance. Near a place called Piketown there is a beautiful graded avenue. The third terrace is seventeen feet above the second and the second about fourteen feet from the river flat. These terraces form, when graded, this avenue, which has walls on either side in height twenty-two feet. These walls run for 1,010 feet to the third terrace, where they continue to run for 2,580 feet, terminating in a group of mounds one of which is thirty feet high. Some distance from these walls another wall runs 212 feet at right angles, and then turns parallel for 420 feet, when it curves inwardly for 240 feet. MOUNDS.--I stated at the outset that the mounds in Ohio were very numerous. They are of various sizes, ranging from those which are only a few feet in height and a few yards at their base, to those which are about 90 feet in height, and covering some acres at their base. These mounds are mostly composed of earth, the material often differing greatly from the surrounding soil. When we consider the multitudes of these mounds, and the immense transportation of earth and stones required in their structure, it needs no stretch of imagination to conclude that the Mound-builders were a mighty race. Most of these mounds are located near large rivers or streams, and, consequently, in the valleys, although some few are to be found on high lands, and even on hills very suitable for military purposes. Sometimes they may be seen in clusters, indicating a great business centre and large population, while again only one may be found in a journey of fifty or one hundred miles. During the last fifty years, these tumuli have been carefully examined, and, from their contents, shape and position, they are now classified as Temple or Sacrificial Mounds, Burial or Sepulchral Mounds, Symbolic Mounds, Signal Mounds and Indefinite Mounds. I shall briefly describe the characteristic of each class and give a few examples. _Temple Mounds_.--These mounds are not so numerous in Ohio as in some other States, yet they occur in sufficient numbers to deserve a small share of our attention. The city of Marietta has slowly encroached upon some interesting remains of a sacrificial character, which consist of two irregular squares containing 50 and 27 acres respectively. They are situated on a level plain 100 feet above the level of the Ohio and Muskingum Rivers. The smaller square has ten gateways, which are covered by mounds, while the larger square, being strictly a sacred enclosure, has no mounds to cover the 16 openings, but contains nevertheless four temple mounds of considerable interest. On the top of these mounds, doubtless there were erected capacious temples, as there are significant avenues of ascent. There may still be seen the remains of the ancient altar, where, without doubt, these people assembled for worship, and where, from the presence of human bones, we may conclude human beings were offered in sacrifice. In all the sacred enclosures, evidences of altars have been found, on which, doubtless, the sacrificial fires blazed for ages. Often are to be found successions of alternate layers of ashes and blue clay, indicating a desire for pure sacrifice. In the neighborhood of Newark, Ohio, at the forks of Licking River, may be seen most elaborate enclosures, square, circular, and polygonal in their form, covering in all an extent of four square miles. Like the ancient temples of the Druids, most of the enclosures have their openings to the east, or rising sun, so that the first rays shall strike the altar where doubtless a priest, from the early hour of dawn, performed mysterious rites. On the west, there is erected a mound, 170 feet long and 14 feet in height, which overlooks the whole works, and has been styled "the Observatory". To the east is a true circle 2,880 feet in circumference, the wall being 6 feet in height. To the north of this is an avenue leading from the circle to an octagon of fifty acres, in the wall of which are eight gateways, which, however, are covered by mounds five feet in height. From this strange eight-sided figure run three parallel walls. Those to the south are about two miles in length, and those running towards the east are each about one mile in length. About a mile east, where the middle line of parallel walls terminates, is a square containing twenty acres, within and around the walls of which are disposed seven mounds. To the north-east of this is an elliptical work of large dimensions. On the south-east is a circle, in the centre of which is the form of a bird with wings expanded. The body is 155 feet, the length of each wing 110 feet, and the head of the bird is towards the opening. When this structure was opened, there was found an altar, proving that, in this circular place, this ancient people must have assembled for worship. There is a
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Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: CAPTAIN BARCLAY _In his Walking dress._] PEDESTRIANISM; OR, AN ACCOUNT OF The Performances of celebrated Pedestrians DURING _THE LAST AND PRESENT CENTURY_; WITH A FULL NARRATIVE OF Captain Barclay’s PUBLIC AND PRIVATE MATCHES; AND AN ESSAY ON TRAINING. BY THE AUTHOR OF THE HISTORY OF ABERDEEN, _&c. &c. &c._ ABERDEEN: Printed by D. Chalmers and Co. FOR A. BROWN, AND F. FROST, ABERDEEN; CONSTABLE AND CO. AND GREIG, HIGH-STREET, EDINBURGH; LONGMAN AND CO. PATERNOSTER-ROW; FORSYTH, 114, LEADENHALL-STREET; AND RICE, 28, BERKELEY-SQUARE, LONDON. 1813. _PREFACE._ At the suggestion of a few friends, the author undertook this work. His intention at first was to confine it solely to Capt. Barclay’s performances. But on farther consideration, he thought that the _feats_ of other pedestrians might be introduced, and the plan enlarged, so as to embrace a treatise conveying information or amusement to readers in general, as well as to sporting gentlemen. He has therefore treated of objects connected with the physical powers of man, with the view of drawing the attention of the public to the best means of strengthening and augmenting the capacities of the body. The subject he deems important, especially at a time when the physical energies of many of our countrymen are frequently brought into action by the conflicts of war. The republics of Greece prepared their youth for the duty of the field by their gymnastic institutions; and the Romans were exercised by long marches, running, leaping, and throwing the javelin. But with the soldiers of Britain, a different system prevails. While stationed at home, they are allowed to waste their time in “indolent repose,” and prevented from taking even that degree of exercise which is requisite to health, lest they should exhaust the most trifling of their necessaries, before the return of the usual period of supply. All the advantages they might derive from a course of training, are thus sacrificed to an ill-judged economy, and to the vain show of a parade or field day. The author has considered _Exercise_ in a military point of view, and he thinks he cannot too strongly urge the necessity of adopting such measures for training our troops preparatory to actual service as would fit them for undergoing the hardships of the campaign. He therefore trusts that this work may deserve the perusal of military men--no class in the community having so much occasion to prepare themselves to bear bodily fatigue, as those who are engaged in the business of war.--And, if it be fully explained, as the author hopes it is, by what expedients men may be enabled to undergo more than ordinary exertion, the subject certainly merits the consideration of the defenders of their country. But as exercise conduces so much to the strength and soundness of both body and mind, the subjects treated in this volume, may be deemed, he presumes, of sufficient moment to deserve the attention of all classes. The different pedestrian matches which are recorded, may serve to illustrate general principles, as they exhibit the power of the human frame; and hence conclusions of extensive utility may be deduced. But to _Sporting Gentlemen_ this work is particularly interesting, as they will find, concisely related, the performances of the most celebrated pedestrians of the present age. And from what has been already done, they may form some opinion of what it is possible for others to accomplish; and thus regulate their _bets_ according to the different circumstances of the cases under their review. The author acknowledges his obligations to several gentlemen of the highest respectability, for their encouragement and patronage. To Capt. Barclay, in particular, he is much indebted, for having not only furnished the chapter on training, but also for having taken the trouble to revise the greater part of the work. WALTER THOM. _Aberdeen, 1st Jan. 1813._ CONTENTS. PREFACE, _Page_ 3 CHAPTER I. On the Gymnastic Exercises of the Ancients, 9 CHAP. II. Modern Pedestrianism, 33 CHAP. III. The same subject continued, 69 CHAP. IV. Capt. Barclay’s Public and Private Matches, 101 CHAP. V. Sketches of Capt. Barclay’s Favourite Pursuits, and General Mode of Living, 205 CHAP. VI. On Training, 221 CHAP. VII. On the Physical Powers of Man, 249 APPENDIX. Genealogy of the Family of Barclay of Mathers and Ury, in the County of Kincardine, 257 ERRATA. Page 113. line 20. instead of 12 read 2 seconds. And correct the same error, p. 158. Transcriber’s Note: These errata have been corrected. PEDESTRIANISM. CHAPTER I. ON THE GYMNASTIC EXERCISES OF THE ANCIENTS. Gymnastic exercises were held in the highest repute by the most illustrious nations of antiquity. They mingled with the sacred and political institutions of their governments, and produced consequences affecting the physical and moral character of the people. The GAMES interested all Greece; and the period of their celebration was that of peace and security. The different republics, with their dependent colonies in the isles, in Asia, and Africa, furnished candidates emulous to gain the distinguished honors. Hostile states, then uniting in bonds of friendship, interchanged those favourable impressions which tend to humanize the rough nature of man; and that asperity of temper, or animosity of heart, so characteristic of rude nations, was thus softened or lulled. The SACRED GAMES of the Greeks, were composed of the exhibitions of the STADIUM and HIPPODROME; and the charms of poetry and music were added, to gratify the more refined taste of the lovers of these exquisite arts. Philosophers, poets, historians, orators, and every description of people, assembled to witness the exertions of the combatants, and to enjoy the varied pleasures of the festival. The OLYMPIC games claimed precedency over all others; and to IPHITUS, king of ELIS, they owe their revival--for their origin is lost in the obscurity of remote ages. The Eleans obtained the direction and management, by the united consent of Greece; and their territory, on this account, was deemed inviolable. They founded their prosperity on the cultivation of peace; and, on sacred ground, raised a temple dedicated to Jupiter, which inclosed them within the pale of its protecting influence. “The temple,” (says Strabo, lib. viii.) “stands in the Pisæan division, little less than three hundred stadia distant from ELIS. Before it is a grove of wild olives, within which lies the OLYMPIC stadium.” The temple was magnificent. It was built of beautiful marble, in the Doric order, and surrounded by a colonade[1]. It was ornamented by the finest productions of art--the genius of the sculptor and painter having adorned the sacred edifice[2]. But the STADIUM was no more than a terrace of earth, the area of which was six hundred and thirty-eight feet in length. On the one side was erected the seat of the HELLANODICS, or judges; and on the other, an altar of white marble, upon which the priestess of CERES, and her virgins, had the privilege of viewing the games. At the farther extremity was the barrier, where those who contended in the SIMPLE FOOT-RACE began their course; and there also was situated the tomb of ENDYMION[3]. The STADIUM was appropriated to the exhibition of those games denominated GYMNASTIC; and they consisted of five different exercises, viz. 1st, RUNNING, or FOOT-RACING. 2d, LEAPING. 3d, WRESTLING. 4th, THROWING THE DISCUS; and, 5th, BOXING, or PANCRATIA. The FOOT-RACE was the most ancient, and claimed a pre-eminence over the other sports; the Olympiads being distinguished by the name of the victor who obtained the prize in this game.--But as our subject is particularly connected with this branch of the ancient gymnastics, we shall treat it more fully in the sequel. LEAPING consisted in projecting the body by a sudden spring, in which the competitors endeavoured to surpass each other in the length of their leap. Their bodies were poised and impelled forwards by weights of lead suspended in their hands; and it is said, that PHAULUS of Cretona acquired such proficiency in this exercise as to leap fifty-two feet. WRESTLING.--This art required both strength and agility. The wrestlers were matched by lot; and the prize belonged to him who had thrice thrown his adversary on the ground. They rubbed their bodies with oil to elude the grasp, and to prevent too profuse perspiration. THROWING THE DISCUS.--This sport consisted in throwing a globular mass of iron, brass, or stone, under the hand, in the manner of the English quoit. It tried the strength of the arms; and the length of the cast decided the claims of the competitors. BOXING, or the PANCRATIA.--This combat was performed either by the naked fist, or with the addition of the CÆSTUS, which was made of straps of leather, lined with metal. Boxing was one of the most dangerous of the gymnastic contests, and frequently terminated in maiming, or death. Judges called HELLANODICS were appointed to preside at the Olympic festival; and their office conveyed great authority. They inflicted corporal punishments and pecuniary penalties on those who infringed the Olympic laws: and that vast assembly of combatants and spectators, which was composed of men of every rank and degree, was thus kept in order and regularity. For ten centuries, religion and custom consecrated their powerful influence to the maintenance of the sacred games--the period of their revival by Iphitus, being seven hundred and seventy-six years before the birth of Christ. The duration of this institution shews its perfect organization, and that, while it comprized so many different states, its laws were administered with justice and impartiality. The games were celebrated every fifth year; and the candidates for the Olympic crown, termed ATHLETÆ, were obliged, previously, to enter their names, that they might be known to the Hellanodics, and their pretensions to the honor of competition investigated. Ten months of preparatory training were requisite; of which one was devoted to exercise in the stadium in the presence of the judges, in order to qualify the competitor for the arduous trial; and FREE citizens only, whose characters were irreproachable, and who, in other respects, had complied with the rules of the institution, were permitted to contend. So important was the prize of victory, that none but men of spotless reputation were allowed to enter the lists, which were carefully guarded against the intrusion of unworthy or improper persons. The games lasted five days, and commenced with the FOOT-RACE, which was the first in order, and the highest in estimation of all the gymnastic exercises. At first, the race, as instituted by Iphitus, was SIMPLE. It consisted of running once from the barrier to the goal, or from the one extremity of the stadium to the other. But in the fourteenth Olympiad, the DIAULUS was introduced, which, as the word implies, was double the former distance. The runners in this race turned round the goal, and finished their course at the barrier, whence they had started. In the next Olympiad, the DOLICHUS, or LONG COURSE, was added, which consisted of six, twelve, or twenty-four stadia, or in doubling the goal three, six, or twelve times. In the simple foot-race, fleetness or agility only was required; but in the long course, strength of body, and command of WIND, were indispensable to enable the candidate to gain the prize. Strength and agility are seldom united in the same person; yet there are some modern examples of the union of both; and, in antiquity, LEONIDAS of RHODES obtained the triple crown, in four Olympiads, and was thus distinguished in the list of conquerors by twelve victories[4]. The competitors in the gymnastic exercises contended naked; but in the sixty-fifth Olympiad, the race of ARMED MEN was introduced, as particularly applicable to the duties of war: and, according to Pausanias, lib. v. twenty-five brass bucklers were kept in a temple at Olympia for the purpose of equipping the candidates, who wore also helmets and bucklers. DAMARETUS gained the first victory in this race, which in no respect differed from the stadium, or simple foot-race, but that the Athletæ were covered with armour. While the runners waited the sound of the trumpet as the signal to start, they exercised themselves by various feats of agility, and short experimental excursions. “They try, they rouse their speed with various arts, “Their languid limbs they prompt to act their parts, “And with bent hams, amid the practis’d crowd, “They sit; now strain their lungs, and shout aloud; “Now a short flight, with fiery steps they trace, “And with a sudden stop abridge the mimic race.” When the signal was given, the racers ran with amazing rapidity. They “seemed on feathered feet to fly,” and the first who arrived at the goal was declared the victor. So highly were gymnastics estimated in Greece, that the most liberal rewards, and the most flattering honors, were bestowed on the victors, whose glory shed a lustre around their friends, their parents, and their country. The Olympic crown was composed of the branches of the wild olive; but the pine, the parsley, and the laurel, were the symbols appropriated to the several solemnities of the sacred games at the Isthmus, Nemea, and Delphi. This reward, however, was only a pledge of the many honors, immunities, and privileges, consequent of the glory of being crowned. To excite the emulation of the competitors, these crowns were laid on a tripod which was placed in the middle of the stadium, where also were exposed branches of PALM, which the conquerors received at the same time, to carry in their hands, as emblems of their invincible vigour of body and mind[5]. The ceremony of investing the victors with this distinguished prize, was attended with great solemnity. The conquerors were called by proclamation to the tribunal of the Hellanodics, where the HERALD placed a crown of olive upon the head of each of them, and gave into his hand a branch of the palm. Thus adorned with the trophies of victory, they were led along the stadium preceded by trumpets; and the herald proclaimed with a loud voice, their own names, and those of their fathers, and country; and specified the particular exercise in which each of them had gained the victory. Although the Hellanodics could bestow no other reward than the OLIVE CHAPLET, which was merely a symbol, yet the shouts of applause from the spectators, and the congratulations of relatives, friends, and assembled countrymen, formed a meed that gratified the ambition of the conquerors. Sacrifices were made in honor of the victors, and entertainments were given, in which they presided, or were otherwise eminently distinguished. In the PRYTANEUM, or town-hall of Olympia, a banqueting-room was set apart for the special purpose of entertaining them; and odes composed for the occasion were sung by a CH
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Produced by David Edwards, Jana Srna and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s Notes: Every effort has been made to replicate this text as faithfully as possible, including inconsistencies in spelling, hyphenation, and punctuation. Some corrections of spelling and punctuation have been made. They are listed at the end of the text. Italic text has been marked with _underscores_. MELMOTH THE WANDERER: A TALE. BY THE AUTHOR OF “BERTRAM,” &c. IN FOUR VOLUMES. VOL. III. EDINBURGH: PRINTED FOR ARCHIBALD CONSTABLE AND COMPANY, AND HURST, ROBINSON, AND CO. CHEAPSIDE, LONDON. 1820. MELMOTH. CHAPTER XII. Juravi lingua, mentem injuratam gero.---- Who brought you first acquainted with the devil? SHIRLEY’S ST PATRICK FOR IRELAND. “I ran on till I had no longer breath or strength, (without perceiving that I was in a dark passage), till I was stopt by a door. In falling against it, I burst it open, and found myself in a low dark room. When I raised myself, for I had fallen on my hands and knees, I looked round, and saw something so singular, as to suspend even my personal anxiety and terror for a moment. “The room was very small; and I could perceive by the rents, that I had not only broken open a door, but a large curtain which hung before it, whose ample folds still afforded me concealment if I required it. There was no one in the room, and I had time to study its singular furniture at leisure. “There was a table covered with cloth; on it were placed a vessel of a singular construction, a book, into whose pages I looked, but could not make out a single letter. I therefore wisely took it for a book of magic, and closed it with a feeling of exculpatory horror. (It happened to be a copy of the Hebrew Bible, marked with the Samaritan points). There was a knife too; and a cock was fastened to the leg of the table, whose loud crows announced his impatience of further constraint(1). (1) Quilibet postea paterfamilias, cum _gallo_ præ manibus, in medium primus prodit. * * * * * * * * Deinde expiationem aggreditur et capiti suo ter gallum allidit, singulosque ictus his vocibus prosequitur. Hic Gallus sit permutio pro me, &c. * * * * * * * Gallo deinde imponens manus, eum statim mactat, &c. Vide Buxtorf, as quoted in Dr Magee (Bishop of Raphoe’s) work on the atonement. Cumberland in his Observer, I think, mentions the discovery to have been reserved for the feast of the Passover. It is just as probable it was made on the day of expiation. “I felt that this apparatus was somewhat singular--it looked like a preparation for a sacrifice. I shuddered, and wrapt myself in the volumes of the drapery which hung before the door my fall had broken open. A dim lamp, suspended from the ceiling, discovered to me all these objects, and enabled me to observe what followed almost immediately. A man of middle age, but whose physiognomy had something peculiar in it, even to the eye of a Spaniard, from the clustering darkness of his eye-brows, his prominent nose, and a certain lustre in the balls of his eyes, entered the room, knelt before the table, kissed the book that lay on it, and read from it some sentences that were to precede, as I imagined, some horrible sacrifice;--felt the edge of the knife, knelt again, uttered some words which I did not understand, (as they were in the language of that book), and then called aloud
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Produced by David Widger from page images generously provided by the Internet Archive TRELAWNY OF THE "WELLS" A Comedietta in Four Acts By Arthur W. Pinero 1899 This Play was produced at the Court Theatre, London, on Thursday, January 29th, 1898. [_The Original Cast at the Lyceum Theatre, New York_] [Ill 0000] THEATRICAL FOLK Tom Wrench Ferdinand Gadd James Telfer of the Augustus Colpoys Bagnigge-Wells Rose Trelawny Theatre Avonia Bunn Mrs. Telfer, ( Miss Violet) Imogen Parrott, of the Royal Olympic Theatre O' Dwyer, prompter at the Pantheon Theatre Edward J. Morgan Wm. Courtleigh Geo. C. Boniface Charles W. Butler Mary Mannering Elizabeth Tyree Mrs. Chas. Walcot Hilda Spong Grant Stewart Mr. Denzil Mr. Mortimer Mr. Hunston Miss Brewster of the Pantheon Theatre Thos. Whiffen Louis Albion Mace Greenleaf Adelaide Keim Hallkeeper at the Pantheon Edward H. Wilkinson NON-THEATRICAL FOLK Vice-Chancellor Sir William Gower, Kt. Arthur Gower 4 Clara de Foenix & Charles Walcot Henry Woodruff Helma Nelson Miss Trafalgar Gower, Sir William's sister Ethel Hornick Captain de Foenix, Clara's husband H. S. Taber Mrs. Mossop, a landlady Mrs. Thos. Whiffen Mr. Ablett, a grocer John Findlay Charles, a butler W. B. Royston Sarah, a maid Blanche Kelleher THE FIRST ACT at Mr. and Mrs. Telfer's Lodgings in No. 2 Brydon Crescent, Clerkenwell. May THE SECOND ACT at Sir William Gower's, in Cavendish Square. June. THE THIRD ACT again in Brydon Crescent. December. THE FOURTH ACT on the stage of the Pantheon Theatre. A few days later. PERIOD somewhere in the early Sixties. (1860s) NOTE:--Bagnlgge (locally pronounced Bagnidge) Wells, formerly a popular mineral spring in Islington, London, situated not far from the better remembered Sadler's-Wells. The gardens of Bagnlgge-Wells were at one time much resorted to; but, as a matter of fact, Bagnigge-Wells, unlike Sadler's-Wells, has never possessed a playhouse. Sadler's-Wells Theatre, however, always familiarly known as the "Wells," still exists. It was rebuilt in 1876-77. The costumes and scenic decoration of this little play-should follow, to the closest detail, the mode of the early Sixties, the period, in dress, of crinoline and the peg-top trouser; in furniture, of horsehair and mahogany, and the abominable "walnut -and -rep." No attempt should be made to modify such fashions in illustration, to render them less strange, even less grotesque, to the modern eye. On the contrary, there should be an endeavor to reproduce, perhaps to accentuate, any feature which may now seem particularly quaint and bizarre. Thus, lovely youth should be shown decked uncompromisingly as it was at the time indicated, at the risk (which the author believes to be a slight one) of pointing the chastening moral that, while beauty fades
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Produced by Charles Bowen from page scans provided by the Web Archive (University of Illinois Urbana-Champaign) Transcriber's Notes: 1. Page scans provided by the Internet Archive, https://archive.org/details/delawareorruined02jame (University of Illinois Urbana-Champaign) 2. The diphthong oe is represented by [oe]. DELAWARE; OR THE RUINED FAMILY. EDINBURGH: PRINTED BY M. AITKEN, 1, ST JAMES'S SQUARE. DELAWARE; OR THE RUINED FAMILY. A TALE. IN THREE VOLUMES. VOL. II. EDINBURGH: PRINTED FOR ROBERT CADELL, EDINBURGH; AND WHITTAKER & CO., LONDON. MDCCCXXXIII. DELAWARE; OR, THE RUINED FAMILY. CHAPTER I. The sand in the hour-glass of happiness is surely of a finer quality than that which rolls so slowly through the glass of this world's ordinary cares and fears. Oh! how rosy-footed trip the minutes that lead along the dance of joy! How sweetly they come, how swiftly they fly, how bright their presence, and how speedy their departure! Every one who has ever had a pen in his hand, has said exactly the same words before me; and therefore, though a little stale, they must be true. The hours flew as lightly at Emberton Park as if they had plucked all the down from the wings of their good father Time, in order to furnish their own soft pinions; and many of the days which intervened between the signature of the bill for twenty-five thousand pounds, given by Sir Sidney Delaware to Lord Ashborough, and the time when it was to become due, slipped away unnoticed. The worthy baronet suffered them to pass with very great tranquillity, relying perfectly upon the word of Mr. Tims, that the money would be ready at the appointed period. As comfort, and happiness, too, are far less loquacious qualities than grief and anxiety. Sir Sidney thought it unnecessary to enter into any farther particulars with Burrel, than by merely thanking him, in general terms, for the advice he had given; and by informing him that, in consequence of his son's second journey to London, his affairs were likely to be finally arranged in the course of a month or two. The miser also suffering himself, for a certain time, to be governed by his nephew--who well knew the only two strings which moved him like a puppet, to be avarice and fear--did not attempt to give the young stranger at Emberton any information of the events which had taken place, till long after Captain Delaware's return; and, within five days of the time when the bill became due, Burrel, who had delayed his promised visit to Dr. Wilton till he was almost ashamed to go at all, rode over to his rectory to pass a couple of days with the worthy clergyman, whom he found deep in all the unpleasant duties of his magisterial capacity. William Delaware, also,
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Produced by Emmy, mollypit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE COLLECTED WORKS OF WILLIAM BUTLER YEATS DISCOVERIES. EDMUND SPENSER. POETRY AND TRADITION; & OTHER ESSAYS:: BEING THE EIGHTH VOLUME OF THE COLLECTED WORKS IN VERSE & PROSE OF WILLIAM BUTLER YEATS :: IMPRINTED AT THE SHAKESPEARE HEAD PRESS STRATFORD-ON-AVON MCMVIII CONTENTS PAGE DISCOVERIES: PROPHET, PRIEST AND KING 3 PERSONALITY AND THE INTELLECTUAL ESSENCES 8 THE MUSICIAN AND THE ORATOR 12 A GUITAR PLAYER 13 THE LOOKING-GLASS 14 THE TREE OF LIFE 15 THE PRAISE OF OLD WIVES’ TALES 18 THE PLAY OF MODERN MANNERS 20 HAS THE DRAMA OF CONTEMPORARY LIFE A ROOT OF ITS OWN? 22 WHY THE BLIND MAN IN ANCIENT TIMES WAS MADE A POET 24 CONCERNING SAINTS AND ARTISTS 29 THE SUBJECT MATTER OF DRAMA 32 THE TWO KINDS OF ASCETICISM 36 IN THE SERPENT’S MOUTH 38 THE BLACK AND THE WHITE ARROWS 39 HIS MISTRESS’S EYEBROWS 39 THE TRESSES OF THE HAIR 41 A TOWER ON THE APENNINE 42 THE THINKING OF THE BODY 43 RELIGIOUS BELIEF NECESSARY TO SYMBOLIC ART 45 THE HOLY PLACES 48 EDMUND SPENSER 51 POETRY AND TRADITION 91 MODERN IRISH POETRY 113 LADY GREGORY’S CUCHULAIN OF MUIRTHEMNE 131 LADY GREGORY’S GODS AND FIGHTING MEN 147 MR. SYNGE AND HIS PLAYS 171 LIONEL JOHNSON 183 THE PATHWAY 189 BIBLIOGRAPHY 197 DISCOVERIES PROPHET, PRIEST AND KING THE little theatrical company I write my plays for had come to a west of Ireland town, and was to give a performance in an old ball-room, for there was no other room big enough. I went there from a neighbouring country-house, and, arriving a little before the players, tried to open a window. My hands were black with dirt in a moment, and presently a pane of glass and a part of the window-frame came out in my hands. Everything in this room was half in ruins, the rotten boards cracked under my feet, and our new proscenium and the new boards of the platform looked out of place, and yet the room was not really old, in spite of the musicians’ gallery over the stage. It had been built by some romantic or philanthropic landlord some three or four generations ago, and was a memory of we knew not what unfinished scheme. From there I went to look for the players, and called for information on a young priest, who had invited them and taken upon himself the finding of an audience. He lived in a high house with other priests, and as I went in I noticed with a whimsical pleasure a broken pane of glass in the fanlight over the door, for he had once told me the story of an old woman who a good many years ago quarrelled with the bishop, got drunk and hurled a stone through the painted glass. He was a clever man who read Meredith and Ibsen, but some of his books had been packed in the fire-grate by his housekeeper, instead of the customary view of an Italian lake or the tissue-paper. The players, who had been giving a performance in a neighbouring town, had not yet come, or were unpacking their costumes and properties at the hotel he had recommended them. We should have time, he said, to go through the half-ruined town and to visit the convent schools and the cathedral, where, owing to his influence, two of our young Irish sculptors had been set to carve an altar and the heads of pillars. I had only heard of this work, and I found its strangeness and simplicity—one of them had been Rodin’s pupil—could not make me forget the meretriciousness of the architecture and the commercial commonplace of the inlaid pavements. The new movement had seized on the cathedral midway in its growth, and the worst of the old and the best of the new were side by side without any sign of transition. The convent school was, as other like places have been to me—a long room in a workhouse hospital at Portumna, in particular—a delight to the imagination and the eyes. A new floor had been put into some ecclesiastical building and the light from a great mullioned window, cut off at the middle, fell aslant upon rows of clean and seemingly happy children. The nuns, who show in their own convents, where they can put what they like, a love of what is mean and pretty, make beautiful rooms where the regulations compel them to do all with a few colours and a few flowers. I think it was that day, but am not sure, that I had lunch at a convent and told fairy stories to a couple of nuns, and I hope it was not mere politeness that made them seem to have a child’s interest in such things. A good many of our audience, when the curtain went up in the old ball-room, were drunk, but all were attentive, for they had a great deal of respect for my friend, and there were other priests there. Presently the man at the door opposite to the stage strayed off somewhere and I took his place, and when boys came up offering two or three pence and asking to be let into the sixpenny seats, I let them join the melancholy crowd. The play professed to tell of the heroic life of ancient Ireland, but was really full of sedentary refinement and the spirituality of cities. Every emotion was made as dainty-footed and dainty-fingered as might be, and a love and pathos where passion had faded into sentiment, emotions of pensive and harmless people, drove shadowy young men through the shadows of death and battle. I watched it with growing rage. It was not my own work, but I have sometimes watched my own work with a rage made all the more salt in the mouth from being half despair. Why should we make so much noise about ourselves and yet have nothing to say that was not better said in that workhouse dormitory, where a few flowers and a few counterpanes and the walls had made a severe and gracious beauty? Presently the play was changed and our comedian began to act a little farce, and when I saw him struggle to wake into laughter an audience, out of whom the life had run as if it were water, I rejoiced, as I had over that broken window-pane. Here was something secular, abounding, even a little vulgar, for he was gagging horribly, condescending to his audience, though not without contempt. We had supper in the priest’s house, and a government official, who had come down from Dublin, partly out of interest in this attempt ‘to educate the people,’ and partly because it was his holiday and it was necessary to go
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E-text prepared by Woodie4, Curtis Weyant, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from digital material generously made available by Internet Archive/American Libraries (http://www.archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 28861-h.htm or 28861-h.zip: (http://www.gutenberg.org/files/28861/28861-h/28861-h.htm) or (http://www.gutenberg.org/files/28861/28861-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://www.archive.org/details/daveporterinfarn00straiala Dave Porter Series DAVE PORTER IN THE FAR NORTH Or The Pluck of an American Schoolboy by EDWARD STRATEMEYER Author of "Dave Porter at Oak Hall," "Dave Porter in the South Seas," "Dave Porter's Return to School," "Old Glory Series," "Pan American Series," "Defending His Flag," etc. Illustrated By Charles Nuttall [Illustration: In a twinkling the turnout was upset.--_Page 206._] [Illustration: Publishers mark] Boston Lothrop, Lee & Shepard Co. Published, March, 1908 Copyright, 1908, by Lothrop, Lee & Shepard Co. All rights reserved DAVE PORTER IN THE FAR NORTH Norwood Press BERWICK & SMITH CO. Norwood, Mass. U. S. A. PREFACE "Dave Porter in the Far North" is a complete story in itself, but forms the fourth volume in a line issued under the general title of "Dave Porter Series." In the first volume, entitled "Dave Porter at Oak Hall," I introduced a typical American lad, full of life and vigor, and related the particulars of his doings at an American boarding school of to-day--a place which is a little world in itself. At this school Dave made both friends and enemies, proved that he was a natural leader, and was admired accordingly. The great cloud over Dave's life was the question of his parentage. His enemies called him "that poorhouse nobody," which hurt him deeply. He made a discovery, and in the second volume of the series, entitled "Dave Porter in the South Seas," we followed him on a most unusual voyage, at the end of which he found an uncle, and learned something of his father and sister, who were at that time traveling in Europe. Dave was anxious to meet his own family, but could not find out just where they were. While waiting for word from them, he went back to Oak Hall, and in the third volume of the series, called "Dave Porter's Return to School," we learned how he became innocently involved in a mysterious series of robberies, helped to win two great games of football, and brought the bully of the academy to a realization of his better self. As time went by Dave longed more than ever to meet his father and his sister, and how he went in search of them I leave the pages which follow to relate. As before, Dave is bright, manly, and honest to the core, and in those qualities I trust my young readers will take him as their model throughout life. Once more I thank the thousands who have taken an interest in what I have written for them. May the present story help them to despise those things which are mean and hold fast to those things which are good. EDWARD STRATEMEYER. January 10, 1908. CONTENTS CHAPTER PAGE I. ON THE TRAIN 1 II. A ROW IN A RESTAURANT 12 III. OFF THE TRACK 22 IV. WHAT HAPPENED AT THE BARN 32 V. BACK TO OAK HALL 42 VI. GUS PLUM'S CONFESSION 51 VII. HOW JOB HASKERS WENT SLEIGH-RIDING 59 VIII. A MYSTERIOUS LETTER 69 IX. DAVE TALKS TO THE POINT 78 X. AN ADVENTURE ON ROBBER ISLAND 87 XI. A HUNT FOR AN ICE-BOAT 97 XII. THE MEETING OF THE GEE EYES 107 XIII. AN INTERRUPTED INITIATION 116 XIV. GOOD-BYE TO OAK HALL 125 XV. DAVE AND ROGER IN LONDON 134 XVI. SOME IMPORTANT INFORMATION 143 XVII. ON THE NORTH SEA 152 XVIII. IN NORWAY AT LAST 162 XIX. OFF TO THE NORTHWARD 171 XX. AN ENCOUNTER WITH WOLVES 181 XXI. CAUGHT IN A WINDSTORM 190 XXII. SNOWBOUND IN THE MOUNTAINS 200 XXIII. LEFT IN THE DARK 210 XXIV. THE BURGOMASTER OF MASOLGA 219 XXV. TO THE NORTHWARD ONCE MORE 228 XXVI. DAYS OF WAITING 237 XXVII. DAVE STRIKES OUT ALONE 246 XXVIII. A JOYOUS MEETING 255 XXIX. BEARS AND WOLVES 264 XXX. HOME AGAIN--CONCLUSION 274 ILLUSTRATIONS In a twinkling the turnout was upset (page 206) _Frontispiece_ PAGE Roger shoved it aside and it struck Isaac Pludding full on the stomach 25 "Can't stop, I'm on the race-track!" yelled Shadow 58 The mule shied to one side and sent Dave sprawling on the ice 101 What was left of the camp-fire flew up in the air 120 Once they ran close to a three-masted schooner 160 "Out with the lot of them! I will take the rooms" 229 Dave received a blow from a rough paw that sent him headlong 267 DAVE PORTER IN THE FAR NORTH CHAPTER I ON THE TRAIN "Here we are at the station, Dave!" "Yes, and there is Phil waiting for us," answered Dave Porter. He threw up the car window hastily. "Hi, there, Phil, this way!" he called out, lustily. A youth who stood on the railroad platform, dress-suit case in hand, turned hastily, smiled broadly, and then ran for the steps of the railroad car. The two boys already on board arose in their seats to greet him. "How are you, Dave? How are you, Ben?" he exclaimed cordially, and shook hands. "I see you've saved a seat for me. Thank you. My, but it's a cold morning, isn't it?" "I was afraid you wouldn't come on account of the weather," answered Dave Porter. "How are you feeling?" "As fine as ever," answered Phil Lawrence. "Oh, it will take more than one football game to kill me," he went on, with a light laugh. "I trust you never get knocked out like that again, Phil," said Dave Porter,
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) THE GALLEY SLAVE'S RING THE FULL SERIES OF The Mysteries of the People OR History of a Proletarian Family Across the Ages By EUGENE SUE _Consisting of the Following Works:_
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Produced by fh, Nick Wall and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) [Illustration: ROBERT O'HARA BURKE. _From Photo_--HILL, Melbourne.] AUSTRALIAN HEROES AND ADVENTURERS. LONDON: WALTER SCOTT, 24 WARWICK LANE, AND MELBOURNE. 1889. PREFACE. This book is the first of a series which the Publisher intends to issue, illustrative of life and adventure in the Australian Colonies and the Islands of the Pacific. It has been carefully compiled from reliable sources of information--viz., _Wills's Diary_, _King's Narrative_, _Howitt's Diary_, Wood's _Explorations in Australia_, Withers's _History of Ballarat_, Sutherland's _Tales of the Gold-fields_, Raffello's _Account of the Ballarat Riots_, McCombie's _History of Victoria_, etc., etc. Most of these books are very expensive or out of print, and therefore not easily procurable at the booksellers. In the succeeding volumes of the series it is proposed to give--"Buckley, the Runaway Convict, and his Black Friends," "John Batman, the Founder of Melbourne," "Fawkner, the Pioneer," "Early Days of Tasmania," "Botany Bay Tales," "Remarkable Convicts," "Notorious Bushrangers," "Brave Deeds," "Squatting Tales," "Remarkable Personal Adventures," "Curious Anecdotes," etc., etc. MELBOURNE, 1889. CONTENTS. Burke and Wills--Two Heroes of Exploration. CHAPTER I. PAGE ACROSS AUSTRALIA 7 CHAPTER II. THE RETURN JOURNEY 21 CHAPTER III. SUFFERINGS AND DEATHS OF THE TWO LEADERS 34 CHAPTER IV. SEARCH PARTIES, AND CONCLUSION 48 Old Times on the Gold-Fields. CHAPTER I. THE CONVICT'S STRATAGEM 63 EARLY DISCOVERIES IN NEW SOUTH WALES 66 HARGRAVES, THE PIONEER MINER 69 AN ABORIGINAL DISCOVERER 77 CHAPTER II. GOLD IN VICTORIA 80 JAMES ESMOND, THE VICTORIAN PIONEER 81 OTHER PIONEERS 85 CHAPTER III. EFFECT OF DISCOVERIES 89 CANVAS TOWN 94 RAG FAIR 95 NEW CHUMS AND OLD CHUMS 96 CHAPTER IV. SLY GROG SHANTIES 100 CHAPTER V. THE DIGGER'S LICENSE 105 DIGGER-HUNTING ANECDOTES 109 CHAPTER VI. BEGINNINGS OF REVOLT 116 AN IRISH GALLANT 117 REFORM LEAGUES 120 CHAPTER VII. THE EUREKA HOTEL MURDER 125 A LOYAL TOAST 130 BURNING THE LICENSES 131 THE LAST DIGGER-HUNT 134 CHAPTER VIII. THE EUREKA STOCKADE 136 STORMING OF THE STOCKADE 141 EXCITEMENT IN MELBOURNE 145 WRONGS RIGHTED 149 [ILLUSTRATION: MAP ROUTE.] Australian Heroes and Adventurers. BURKE AND WILLS. TWO HEROES OF EXPLORATION. CHAPTER I. _ACROSS AUSTRALIA._ There stood for twenty years, at the intersection of Collins and Russell Streets, the only monument which the city of Melbourne can boast of. Increasing traffic has recently necessitated its removal to a small reserve opposite our Parliament Houses, where it occupies a most commanding position at one of the chief entrances of the city. It is the lasting memorial of two men and the expedition they led across the continent of Australia. It stands in silent and solemn grandeur amidst the noisy turmoil of a busy thoroughfare--two massive figures gazing earnestly and longingly, seemingly in a solitude as complete as the deepest seclusion of the lonely plains of the interior, where the heroes whose memory they perpetuate met their fate. No inscription tells the curious visitor or wayfarer who they are, or records the deeds that have gained them such a high place in the estimation of the citizens of Victoria. The story is an old one in these days of rapidly passing events, but we think it will bear repetition, and, therefore, in the following pages we will do our best to relate the events that led to the erection of so magnificent a memorial. From the days of the first settlement of New South Wales at Port Jackson in 1788, down to the present time, the laudable desire of bettering their condition, enhanced by the adventurous spirit moving in their breasts, has prompted the colonists of Australia to organise parties for the exploration of the unknown interior of their vast continent. In not a few instances the explorer has been the precursor of the squatter and the selecter of settlements and civilisation. The journey of Oxley, in 1818, led to the discovery that the Macquarie and other rivers ended in large reedy marshes. This discovery gave rise to the belief in an immense inland sea, into which all the rivers of the interior emptied themselves. But subsequent travellers in search of this supposed inland sea dissipated the belief in its existence. In 1828 Sturt reached the "great salt river," called the Darling, which has since filled such an important part in facilitating the carriage of our staple product to the ocean. In his next journey Sturt went down the Murrumbidgee and the Murray as far as Lake Alexandrina. His description of the country surrounding the lake--plenty of green pastures and abundance of agricultural land of the most fertile kind--induced the squatters to send down their emaciated flocks from the parched plains of Riverina, and also led to the emigration of numbers of farmers and vine-growers from overcrowded Europe, who founded the Colony of South Australia. Mitchell, in 1836, descended the Darling, crossed over the Murray, and entered into what is now the Colony of Victoria. He named it "Australia Felix," because the country which met his view delighted him with its beautiful scenery, and its congenial climate presented such a pleasant contrast to that of the land he had just travelled over. Pioneers from Port Jackson and Van Diemen's Land migrated to this newly-revealed district. The productiveness of its soil, and the subsequent discovery of gold, soon attracted a great number of adventurers and immigrants to the happy clime. In an incredibly short period the district grew into a rich and prosperous colony, and Melbourne, its mighty capital, took rank amongst the chief cities of the world. The success attending the early exploring expeditions equipped by the mother colony seems to have incited the colonists of Victoria to emulate the doings of their neighbours. In 1859 a patriotic offer was made by an enterprising citizen of Melbourne--Mr. Ambrose Kyte--to contribute L1000 towards defraying the cost of fitting out an expedition to explore the vast interior of Australia. This generous offer was accepted.
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E-text prepared by Suzanne Shell, Ernest Schaal, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 39631-h.htm or 39631-h.zip: (http://www.gutenberg.org/files/39631/39631-h/39631-h.htm) or (http://www.gutenberg.org/files/39631/39631-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://archive.org/details/runawaysneworigi00gouliala Transcriber's note: Text enclosed by underscores is in italics (_italics_). Small capital letters were replaced with all capital letters. There were places where a word was unreadable. In those places, the most likely word was used, enclosed in brackets. THE RUNAWAYS All rights reserved THE RUNAWAYS A New and Original Story by NAT GOULD [Illustration] G. Heath Robinson and J. Birch, Limited London: Printed by William Clowes and Sons, Limited. Duke Street, Stamford Street, S.E. and Great Windmill Street, W. NAT GOULD: AN APPRECIATION. [Illustration] Nat Gould's novels of the Turf are read and enjoyed by multitudes of men and women all over the world. That in itself is a guarantee of literary merit. Had he been a stylist, the sale of his hundred odd books would never have run into a score of millions. He wrote to please and not to puzzle, to give pleasure and not to educate, and his reward came in the gratitude of a host of admirers of clean, healthy fiction. His main theme was the King of Sports and the Sport of Kings. Nat Gould dearly loved a horse, and so does the great British public, including those who have no liking for racing. It is a characteristic as national as our admiration of ships, sailors and the sea. The theme fascinated him, and, combined with a gift for writing, was one of the secrets of his success. Another reason for his almost boundless popularity is to be found in the "atmosphere" of his stories, which is created without elaborate literary setting. The machinery of it is hidden by reason of its very artlessness. The romance is told in a plain, straightforward way that carries intense conviction, and though the plots are neither subtle nor involved, they are unfolded in so vigorous and lifelike a manner that few people who pick up one of Nat Gould's novels are able to put it down before having finished the last chapter. Few modern writers can boast that they are read and understood at a single sitting. His novels ring true. They are clean, manly and sincere. There is nothing vicious about them. As _The Times_ truly said of Nat Gould in its obituary notice of him, "He must have written some millions of words, but few of them were wasted, if a rattling good story makes a reader happier and more contented for having read it." Such praise is praise indeed, for literature that is involved and appeals to a select few obviously cannot have the influence of literature that embraces so large a section of the population. To have added to the enjoyment of so vast a number of young and old, rich and poor, were a monument worthy of any man. Nathaniel Gould was born in Manchester in 1857, and died in 1919. His wide experience as a journalist in England and Australia doubtless explained his methods of rapid workmanship, while his travels in the Antipodes and elsewhere afforded him that "local colour" which is not the least pleasing characteristic of his novels. He not only wrote of outdoor life, but enjoyed it, for racing, driving and gardening were his hobbies. E. LATON BLACKLANDS. CONTENTS CHAPTER PAGE I.--AS THE SNOW FALLS 11 II.--THE RUNAWAYS 23 III.--RANDOM 35 IV.--IRENE'S PAINTING 45 V.--HONEYSUCKLE'S FOAL 57 VI.--A WILY YOUNG MAN 70 VII.--SELLING HIS HERITAGE 83 VIII.--WARREN'S RETURN 96 IX.--HOW ULICK BOUGHT THE SAINT 108 X.--"THE CURIOSITY" 120 XI.--FOR A WOMAN'S SAKE 133 XII.--TWO SCHEMERS 146 XIII.--THE SQUIRE AND THE SAINT 158 XIV.--A DISCOVERY IMMINENT 170 XV.--THE RESULT OF THE DISCOVERY 182 XVI.--A RACE TO BE REMEMBERED 194 XVII.--THE SQUIRE OVERHEARS 206 XVIII.--"TALLY-HO!" 219 XIX.--A FATAL LEAP 230 XX.--PERFECT HARMONY 242 THE RUNAWAYS CHAPTER I. AS THE SNOW FALLS. Redmond Maynard stood at the dining-room window gazing at the deep-dyed reflection upon the snow of the blood-red setting sun. The leafless trees, with their gnarled trunks and gaunt, twisted branches, spreading fiercely in imprecation at the hardness of their lot, resembled giant monsters from an unknown world. These diseased protruding growths put on all manner of fantastic shapes, as his eyes dwelt first upon one, then upon another. It was the shortening winter's day drawing near a close, and a spirit of melancholy brooded over the landscape. On such an evening as this, the thoughts of thinking men are apt to draw comparisons which bring vividly before them the uncertainty of life, and the prospects of that something after death which has never been understood, never will be, until each one solves the problem by going out into the eternal night. It seemed to Redmond Maynard that he was peering into a mystery he had no hope of solving. He was not a godless man, neither was he a man whose life had been altogether well spent. His mistakes had been many; he acknowledged this, and thereby robbed his detractors of selfish victories. Slowly the sun sank, and as it dipped lower and lower into obscurity the red shadows on the snow grew fainter, the harshness melted, and a gentle warmth seemed to mingle with the biting cold. The glow remained some time after the sun had disappeared, and Redmond Maynard stood in the same position watching it. Then, almost without warning-- "Out of the bosom of the air, Out of the cloud folds of her garment shaken-- Over the woodlands brown and bare, Over the harvest fields forsaken, Silent and soft and slow, Descended the snow." It came fluttering down from the "bosom of the air," to nestle in the bosom of the earth, to mingle with the white mantle lying there, to lie pure and undefiled until an angry thaw turned all its beauty into dulness and decay. How gently the flakes fell, and Redmond Maynard watched them with the warm glow from the fire shedding flickering light behind and around him. "Shall I draw the curtain, sir?" "No." The man silently left the room, sighing as he did so, thinking to himself, "It's two years come to-night since Mr. Ulick left home. I wonder will he come back. The Squire's thinking of it now. God help 'em both." "There will be no darkness to-night," muttered Redmond Maynard, as he saw a silvery ray cross the lawn in front of the house. No darkness, perhaps not, but in his heart there was a desolate feeling deeper than the blackness of night. Two years ago Ulick Maynard walked out of that very room, and had not since returned. Bitter words were spoken between father and son. Both were proud. The accusation fell upon Ulick like a thunderbolt; for the moment he was stunned. Then, with his frozen blood bursting into a fiery torrent, he hurled back the insult his father had put upon him. He stayed not to think what causes led Redmond Maynard to make the charge. In his mind no evidence, however conclusively circumstantial, ought to have been considered sufficient to make his father speak such words. The elder man recoiled under the shock. Given an opportunity, he would have recalled his words. But the chance was not allowed. "Believing, as you must, or you would not have accused me, that I am guilty of this infamy, I will no longer inflict my presence upon you, sir. Good-night." No more, no less; those were the very words, and Ulick Maynard left the room. That was two years ago, and nothing had been heard of him since. "Ulick!" called his father, as the door closed behind him. "Come back at once. Ulick!" No answer was returned, and the still angry man thought, "He'll get over it by morning. Gad, what a devil of a temper he has. He's the culprit, safe enough, although Eli will not hear of it." Ulick Maynard did not "get over it by morning." He disappeared, and his father had never been the same man since. Without drawing the curtains, Redmond Maynard left the window, and, walking to the fireplace, stood with his back to the blaze. Stretched on the hearthrug was a strong, powerful, shaggy wolf-hound. Bersak raised his long, lean head, and looked at his master, but observing no sign that his services were required, stretched himself out again at full length with a sigh of satisfaction. There was ample room between the dog and the hearth for his master to stand, and Redmond Maynard looked down upon him from a height of nearly six feet. "His dog," he muttered. "Bersak, where's Ulick?" The hound sprang to his feet and stood alert, every nerve strained, head erect, listening for footsteps he had not heard for two years, but which he would have recognised even amidst the deadening snow. Man and dog looked at each other. That question had been asked before. "Bersak, where's Ulick?" Rather shaky the tones this time, and something in them affected the hound, for he lifted up his head and whined; the sound would have developed into a howl, but Redmond Maynard placed his hand on his head and said-- "Don't howl, Bersak, I could not stand it. Lie down. Good dog, lie down." Obedient to the word of command, Bersak lowered himself--no other word adequately expresses the dog's movement,--to the hearthrug, and with his fore-paws stretched out watched the Squire's face. How much would Redmond Maynard have given to see the door open and his son Ulick walk in. All he possessed--aye, more, many years of his life. He knew how Bersak would have leapt [to] his feet with a mighty bark of welcome, and a spring forward until his strong paws reached Ulick's shoulders. He fixed his eyes on the door, and as he did so it opened. But it was not Ulick entering, although the newcomer brought a faint smile on his face. "Irene!" he exclaimed, as the vision in furs came across the fire-lit room; "this is good of you. However did you get here; is it still snowing?" "No, Squire, it is not snowing, although there is plenty of snow; and as to how I came here, well--look at my boots," and she held up her dress and disclosed a pair of strong "lace-ups," fitting perfectly her well-shaped feet. "So you walked all the way from the Manor, and with the express object of cheering a lonely old man on a depressing winter's evening. I call that good of you, positively charitable, but Irene Courtly's name is ever associated with good works," said the Squire. "I am afraid the good work on this occasion is closely allied with selfishness," she replied, smiling. "Being alone, I appreciate the feelings of others similarly situated, and that is how I came to think of you." "Alone!" he exclaimed. "Where is Warren?" "Gone to London. Important business. No hunting, you see, Squire," she said, with a laugh he thought had not a very true ring about it. Redmond Maynard gave an impatient gesture, and Bersak pushed his head against her hand in doggish sympathy. Irene Courtly noticed the movement, and said-- "He really had to go; he assured me it was absolutely necessary," she said. Warren Courtly had also added. "I'll be back in a few days, Irene. Run over and see the Squire, you will be company for each other." "You cannot humbug me, Irene," said Redmond Maynard. "He's tired of the country because there is no sport, and I call it downright selfish of him to go up to town and leave you behind at Anselm Manor." "But, really, I did not wish to go, Squire." "You mean it?" "Yes, most decidedly." "Then pull off those furs; let me send Bob over for your things and your maid, and stay here until Warren returns," said the Squire. This time the laugh was hearty enough, and she said-- "Impetuous as ever, Squire. I only wish I could." "And what is to prevent your doing so?" "My duty towards my neighbours," said Irene, laughing. "Love your neighbour as yourself, and I am your nearest neighbour," he answered. Then, going to the window, he opened it, and, putting out his arm for a few moments, drew it in again and showed her the snowflakes on his coat-sleeve. "You cannot possibly return to the Manor in such weather," he said, and touched the bell. "Can you drive, or ride, to Anselm Manor, Bob?" he asked. The man shook his head doubtfully. "I'll try, sir." "Take the old mare
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Produced by Maria Cecilia Lim and PG Distributed Proofreaders [Illustration: Letter from Susan B. Anthony, January, 1903.] HARRIET THE MOSES OF HER PEOPLE By SARAH H. BRADFORD "Farewell, ole Marster, don't think hard of me, I'm going on to Canada, where all de slaves are free." "Jesus, Jesus will go wid you, He will lead you to His throne, He who died has gone before you, Trod de wine-press all alone." COPYRIGHT, 1886, BY SARAH H. BRADFORD. PREFACE. The title I have given my black heroine, in this second edition of her story, viz.: THE MOSES OF HER PEOPLE, may seem a little ambitious, considering that this Moses was a woman, and that she succeeded in piloting only three or four hundred slaves from the land of bondage to the land of freedom. But I only give her here the name by which she was familiarly known, both at the North and the South, during the years of terror of the Fugitive Slave Law, and during our last Civil War, in both of which she took so prominent a part. And though the results of her unexampled heroism were not to free a whole nation of bond-men and bond-women, yet this object was as much the desire of her heart, as it was of that of the great leader of Israel. Her cry to the slave-holders, was ever like his to Pharaoh, "Let my people go!" and not even he imperiled life and limb more willingly, than did our courageous and self-sacrificing friend. Her name deserves to be handed down to posterity, side by side with the names of Jeanne D'Arc, Grace Darling, and Florence Nightingale, for not one of these women, noble and brave as they were, has shown more courage, and power of endurance, in facing danger and death to relieve human suffering, than this poor black woman, whose story I am endeavoring in a most imperfect way to give you. Would that Mrs. Stowe had carried out the plan she once projected, of being the historian of our sable friend; by her graphic pen, the incidents of such a life might have been wrought up into a tale of thrilling interest, equaling, if not exceeding her world renowned "Uncle Tom's Cabin." The work fell to humbler hands, and the first edition of this story, under the title of "Harriet Tubman," was written in the greatest possible haste, while the writer was preparing for a voyage to Europe. There was pressing need for this book, to save the poor woman's little home from being sold under a mortgage, and letters and facts were penned down rapidly, as they came in. The book has now been in part re-written and the letters and testimonials placed in an appendix. For the satisfaction of the incredulous (and there will naturally be many such, when so strange a tale is repeated to them), I will here state that so far as it has been possible, I have received corroboration of every incident related to me by my heroic friend. I did this for the satisfaction of others, not for my own. No one can hear Harriet talk, and not believe every word she says. As Mr. Sanborn says of her, "she is too _real_ a person, not to be true." Many incidents quite as wonderful as those related in the story, I have rejected, because I had no way in finding the persons who could speak to their truth. This woman was the friend of William H. Seward, of Gerritt Smith, of Wendell Phillips, of William Lloyd Garrison, and of many other distinguished philanthropists before the War, as of very many officers of the Union Army during the conflict. After her almost superhuman efforts in making her own escape from slavery, and then returning to the South _nineteen times_, and bringing away with her over three hundred fugitives, she was sent by Governor Andrew of Massachusetts to the South at the beginning of the War, to act as spy and scout for our armies, and to be employed as hospital nurse when needed. Here for four years she labored without any remuneration, and during the time she was acting as nurse, never drew but twenty days' rations from our Government. She managed to support herself, as well as to take care of the suffering soldiers. Secretary Seward exerted himself in every possible way to procure her a pension from Congress, but red-tape proved too strong even for him, and her case was rejected, because it did not come under any recognized law. The first edition of this little story was published through the liberality of Gerritt Smith, Wendell Phillips, and prominent men in Auburn, and the object for which it was written was accomplished. But that book has long been out of print, and the facts stated there are all unknown to the present generation. There have, I am told, often been calls for the book, which could not be answered, and I have been urged by many friends as well as by Harriet herself, to prepare another edition. For another necessity has arisen and she needs help again not for herself, but for certain helpless ones of her people. Her own sands are nearly run, but she hopes, 'ere she goes home, to see this work, a hospital, well under way. Her last breath and her last efforts will be spent in the cause of those for whom she has already risked so much. For them her tears will fall, For them her prayers ascend; To them her toils and cares be given, Till toils and cares shall end. S.H.B. Letter from Mr. Oliver Johnson for the second edition: NEW YORK, _March 6_,
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THE OVERLAND ROUTE ACROSS THE PLAINS IN 1850-51*** E-text prepared by the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from digital material generously made available by Internet Archive/American Libraries (http://www.archive.org/details/americana) Note: Images of the original pages are available through Internet Archive/American Libraries. See http://www.archive.org/details/journaloftriptoc00ingarich Transcriber's note: Minor typographical errors have been corrected without note. Dialect spellings and punctuation have been retained. JOURNAL OF A TRIP TO CALIFORNIA BY THE OVERLAND ROUTE ACROSS THE PLAINS IN 1850-51 by E. S. INGALLS. Waukegan: Tobey & Co., Printers 1852 PREFACE. In offering this Journal to the public, the publishers believe that a benefit will be conferred on many who are desirous of visiting the Eldorado of the nineteenth century. This is one object we have in publishing it; but our principal object is to gratify the numerous friends of Judge Ingalls by furnishing them with his journal in a form easily transmitted through the mails to the different parts of the country. Without claiming any merit as a literary production, the author has simply given us a plain statement of incidents as he saw them. Without further remark, we present his work to the public. PUBLISHERS. JOURNAL. In offering this journal to the public, the writer makes no pretensions to authorship, but believes that, although it be written in plain, off-hand style, nevertheless, some portions of it may be interesting to the public, and that if any who may chance to read it are about to start for "Eldorado," they may derive some benefit from it, whether they go over the Plains, or by water. The writer will only attempt to describe objects and incidents as he saw them. We commenced our journey from Lake county, Ill., on the 27th day of March, (or rather I did, the team not being ready, and I having some business to transact at Rock River.) _March_, 28--I left Hainesville, and traveled to Franklinville, McHenry Co., at night a distance of 30 miles. 29th. Reached Belvidere about noon, and spent the remainder of the day with John S. Curtis, Esq. Belvidere is a thriving village in Boon co., situated in the midst of a fertile and beautiful country. 18 miles. 30th.--Left Belvidere about noon, after having made a very agreeable visit with Mr. Curtis, and traveled as far as Rockford, on Rock river, where I found E. Ford, one of our company, and several others from Lake county. I found Ford taking care of a California emigrant from Wisconsin, by the name of Maynard, who was very sick at the Rockford House. 12 miles. 31st. I remained at Rockford, it being Sunday. Rockford is one of the most active and prosperous villages on the Rock River, and when the
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Produced by Arno Peters, Branko Collin, Tiffany Vergon, Charles Aldarondo, Charles Franks, and the Online Distributed Proofreading Team. PICTURES EVERY CHILD SHOULD KNOW A SELECTION OF THE WORLD'S ART MASTERPIECES FOR YOUNG PEOPLE BY DOLORES BACON Illustrated from Great Paintings ACKNOWLEDGMENTS Besides making acknowledgments to the many authoritative writers upon artists and pictures, here quoted, thanks are due to such excellent compilers of books on art subjects as Sadakichi Hartmann, Muther, C. H. Caffin, Ida Prentice Whitcomb, Russell Sturgis and others. INTRODUCTION Man's inclination to decorate his belongings has always been one of the earliest signs of civilisation. Art had its beginning in the lines indented in clay, perhaps, or hollowed in the wood of family utensils; after that came crude colouring and drawing. Among the first serious efforts to draw were the Egyptian square and pointed things, animals and men. The most that artists of that day succeeded in doing was to preserve the fashions of the time. Their drawings tell us that men wore their beards in bags. They show us, also, many peculiar head-dresses and strange agricultural implements. Artists of that day put down what they saw, and they saw with an untrained eye and made the record with an untrained hand; but they did not put in false details for the sake of glorifying the subject. One can distinguish a man from a mountain in their work, but the arms and legs embroidered upon Mathilde's tapestry, or the figures representing family history on an Oriental rug, are quite as correct in drawing and as little of a puzzle. As men became more intelligent, hence spiritualised, they began to express themselves in ideal ways; to glorify the commonplace; and thus they passed from Egyptian geometry to gracious lines and beautiful colouring. Indian pottery was the first development of art in America and it led to the working of metals, followed by drawing and portraiture. Among the Americans, as soon as that term ceased to mean Indians, art took a most distracting turn. Europe was old in pictures, great and beautiful, when America was worshipping at the shrine of the chromo; but the chromo served a good turn, bad as it was. It was a link between the black and white of the admirable wood-cut and the true colour picture. Some of the Colonists brought over here the portraits of their ancestors, but those paintings could not be considered "American" art, nor were those early settlers Americans; but the generation that followed gave to the world Benjamin West. He left his Mother Country for England, where he found a knighthood and honours of every kind awaiting him. The earliest artists of America had to go away to do their work, because there was no place here for any men but those engaged in clearing land, planting corn, and fighting Indians. Sir Benjamin West was President of the Royal Academy while America was still revelling in chromos. The artists who remained chose such objects as Davy Crockett in the trackless forest, or made pictures of the Continental Congress. After the chromo in America came the picture known as the "buckeye," painted by relays of artists. Great canvases were stretched and blocked off into lengths. The scene was drawn in by one man, who was followed by "artists," each in turn painting sky, water, foliage, figures, according to his specialty. Thus whole yards of canvas could be painted in a day, with more artists to the square inch than are now employed to paint advertisements on a barn. The Centennial Exhibition of 1876 came as a glorious flashlight. For the first time real art was seen by a large part of our nation. Every farmer took home with him a new idea of the possibilities of drawing and colour. The change that instantly followed could have occurred in no other country than the United States, because no other people would have travelled from the four points of the compass to see such an exhibition. Thus it was the American's _penchant_ for travel which first opened to him the art world, for he was conscious even then of the educational advantages to be found somewhere, although there seemed to be few of them in the United States. After the Centennial arose a taste for the painting of "plaques," upon which were the heads of ladies with strange- hair; of leather-covered flatirons bearing flowers of unnatural colour, or of shovels decorated with "snow scenes." The whole nation began to revel in "art." It was a low variety, yet it started toward a goal which left the chromo at the rear end of the course, and it was a better effort than the mottoes worked in worsted, which had till then been the chief decoration in most homes. If the "buckeye" was hand-painting, this was "single-hand" painting, and it did not take a generation to bring the change about, only a season. After the Philadelphia exhibition the daughter of the household "painted a little" just as she played the piano "a little." To-day, much less than a man's lifetime since then, there is in America a universal love for refined art and a fair technical appreciation of pictures, while already the nation has worthily contributed to the world of artists. Sir Benjamin West, Sully, and Sargent are ours: Inness, Inman, and Trumbull. The curator of the Metropolitan Museum in New York has declared that portrait-painting must be the means which shall save the modern artists from their sins. To quote him: "An artist may paint a bright green cow, if he is so minded: the cow has no redress, the cow must suffer and be silent; but human beings who sit for portraits seem to lean toward portraits in which they can recognise their own features when they have commissioned an artist to paint them. A man _will_ insist upon even the most brilliant artist painting him in trousers, for instance, instead of in petticoats, however the artist-whim may direct otherwise; and a woman is likely to insist that the artist who paints her portrait shall maintain some recognised shade of brown or blue or gray when he paints her eye, instead of indulging in a burnt orange or maybe pink! These personal preferences certainly put a limit to an artist's genius and keep him from writing himself down a madman. Thus, in portrait-painting, with the exactions of truth upon it, lies the hope of art-lovers!" It is the same authority who calls attention to the danger that lies in extremes; either in finding no value in art outside the "old masters," or in admiring pictures so impressionistic that the objects in them need to be labelled before they can be recognised. The true art-lover has a catholic taste, is interested in all forms of art; but he finds beauty where it truly exists and does not allow the nightmare of imagination to mislead him. That which is not beautiful from one point of view or another is not art, but decadence. That which is technical to the exclusion of other elements remains technique pure and simple, workmanship--the bare bones of art. A thing is not art simply because it is fantastic. It may be interesting as showing to what degree some imaginations can become diseased, but it is not pleasing nor is it art. There are fully a thousand pictures that every child should know, since he can hardly know too much of a good thing; but there is room in this volume only to acquaint him with forty-eight and possibly inspire him with the wish to look up the neglected nine hundred and fifty-two. CONTENTS INTRODUCTION I. Andrea del Sarto, Florentine School, 1486-1531 II. Michael Angelo (Buonarroti), Florentine School, 1475-1564 III. Arnold Boecklin, Modern German School, 1827-1901 IV. Marie-Rosa Bonheur, French School, 1822-1899 V. Alessandro Botticelli, Florentine School, 1447-1510 VI. William Adolphe Bouguereau, French (Genre) School 1825-1905 VII. Sir Edward Burne-Jones, English (Pre-Raphaelite) School, 1833-1898 VIII. John Constable, English School, 1776-1837 IX. John Singleton Copley, English School, 1737-1815 X. Jean Baptiste Camille Corot, Fontainebleau-Barbizon School, 1796-1875 XI. Correggio (Antonio Allegri), School of Parma, 1494(?)--1534 XII. Paul Gustave Dore, French School, 1833-1883 XIII. Albrecht Duerer, Nuremberg School, 1471-1528 XIV. Mariano Fortuny, Spanish School, 1838-1874 XV. Thomas Gainsborough, English School, 1727-1788 XVI. Jean Leon Gerome, French Semi-classical School, 1824-1904 XVII. Ghirlandajo, Florentine School, 1449-1494 XVIII. Giotto (di Bordone), Florentine School, 1276-1337 XIX. Franz Hals, Dutch School, 1580-84-1666 XX. Meyndert Hobbema, Dutch School, 1637-1709 XXI. William Hogarth, School of Hogarth (English), 1697-1764 XXII. Hans Holbein, the Younger, German School, 1497-1543 XXIII. William Holman Hunt, English (Pre-Raphaelite) School, 1827- XXIV. George Inness, American, 1825-1897 XXV. Sir Edwin Henry Landseer, English School, 1802-1873 XXVI. Claude Lorrain (Gellee), Classical French School, 1600-1682 XXVII. Masaccio (Tommaso Guidi), Florentine School, 1401-1428 XXVIII. Jean Louis Ernest Meissonier, French School, 1815-1891 XXIX. Jean Francois Millet, Fontainebleau-Barbizon School, 1814-1875 XXX. Claude Monet, Impressionist School of France, 1840- XXXI. Murillo (Bartolome Esteban), Andalusian School, 1617-1682 XXXII. Raphael (Sanzio), Umbrian, Florentine, and Roman Schools, 1483-1520 XXXIII. Rembrandt (Van Rijn), Dutch School, 1606-1669 XXXIV. Sir Joshua Reynolds, English School, 1723-1792 XXXV. Peter Paul Rubens, Flemish School, 1577-1640 XXXVI. John Singer Sargent, American and Foreign Schools, 1856- XXXVII. Tintoretto (Jacopo Robusti), Venetian School, 1518-1594 XXXVIII. Titian (Tiziano Vecelli), Venetian School, 1489-1576 XXXIX. Joseph Mallord William Turner, English, 1775-1831 XL. Sir Anthony Van Dyck, Flemish School, 1599-1641 XLI. Velasquez (Diego Rodriguez de Silva), Castilian School, 1599-1660 XLII. Paul Veronese (Paolo Cagliari), Venetian School, 1528-1588. XLIII. Leonardo da Vinci, Florentine School, 1452-1519. XLIV. Jean Antoine Watteau, French (Genre) School, 1684-1721 XLV. Sir Benjamin West, American, 1738-1820 Index ILLUSTRATIONS FRONTISPIECE The Avenue, Middleharnis, Holland--_Hobbema_ Madonna of the Sack--_Andrea del Sarto_ Daniel--_Michael Angelo (Buonarroti)_ The Isle of the Dead--_Arnold Boecklin_ The Horse Fair--_Rosa Bonheur_ Spring--_Alessandro Botticelli_ The Hay Wain--_John Constable_ A Family Picture--_John Singleton Copley_ The Holy Night--_Correggio (Antonio Allegri)_ Dance of the Nymphs--_Jean Baptiste Camille Corot_ The Virgin as Consoler--_Wm. Adolphe Bouguereau_ The Love Song--_Sir Edward Burne-Jones_ The Mystic Marriage of St. Catherine--_Correggio_ Moses Breaking the Tablets of the Law--_Paul Gustave Dore_ The Nativity--_Albrecht Duerer_ The Spanish Marriage--_Mariana Fortuny_ Mrs. Richard Brinsley Sheridan--_Thomas Gainsborough_ The Sword Dance--_Jean Leon Gerome_ Portrait of Giovanna degli Albizi--_Ghirlandajo (Domenico Bigordi)_ The Nurse and the Child--_Franz Hals_ The Meeting of St. John and St. Anna at Jerusalem--_Giotto (Di Bordone)_ The Avenue--_Meyndert Hobbema_ The Marriage Contract--_Wm. Hogarth_ The Light of the World--_William Holman Hunt_ Robert Cheseman with his Falcon--_Hans Holbein, the Younger_ The Berkshire Hills--_George Inness_ The Old Shepherd's Chief Mourner--_Sir Edwin Henry Landseer_ The Artist's Portrait--_Tommaso Masaccio_ Acis and Galatea--_Claude Lorrain_ Retreat from Moscow--_Jean Louis Ernest Meissonier_ The Angelus--_Jean Francois Millet_ The Immaculate Conception--_Murillo (Bartolome Esteban)_ Haystack in Sunshine--_Claude Monet_ The Sistine Madonna--_Raphael (Sanzio)_ The Night Watch--_Rembrandt (Van Rijn)_ The Duchess of Devonshire and Her Daughter--_Sir Joshua Reynolds_ The Infant Jesus and St. John--_Peter Paul Rubens_ Carmencita--_John Singer Sargent_ The Miracle of St. Mark--_Tintoretto (Jacopo Robusti)_ The Artist's Daughter, Lavinia--_Titian (Tiziano Vecelli)_ The Fighting Temeraire--_Joseph Mallord William Turner_ The Children of Charles the First--_Sir Anthony Van Dyck_ Equestrian Portrait of Don Balthasar Carlos--_Velasquez (Diego Rodriguez de Silva)_ The Marriage at Cana--_Paul Veronese_ The Death of Wolfe--_Sir Benjamin West_ The Artist's Two Sons--_Peter Paul Rubens_ The Last Supper--_Leonardo da Vinci_ Fete Champetre--_Jean Antoine Watteau_ I ANDREA DEL SARTO (Pronounced Ahn'dray-ah del Sar'to) _Florentine School_ 1486-1531 _P
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Produced by Simon Gardner, Adrian Mastronardi, The Philatelic Digital Library Project at http://www.tpdlp.net and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Notes Several symbols appear in the left margin of certain catalogue entries: the equals sign (=), em-dash (--) and a circular "bullet" (o). No explanation is given in the book for the significance of these symbols which are reproduced as the original. A distinctive larger typeface is introduced on the title page and used to denote catalogue items donated by the Boston Philatelic Society. In this Plain Text version of the e-book this typeface is distinguished by preceding and following dollar symbols: $thus$. Other typeface conventions and symbol substitutions are as follows: Bold typeface is represented by =equals signs=; italic typeface by _surrounding underscores_; superscripts by a preceding caret (^) symbol; and small caps typeface by UPPER CASE. [ae] for ae-ligature [a'], [e'] for grave accent [:a], [:o], [:u] for umlaut ['e], ['o] for acute accent (or Spanish final stress) [oe] for oe-ligature character [asterism] for a triangle of three stars. Where changes or corrections have been made to the text, these are listed at the end of the book. * * * * * CATALOGUE OF BOOKS ON PHILATELY IN THE PUBLIC LIBRARY OF THE CITY OF BOSTON. ITEMS PRINTED IN THIS STYLE OF TYPE $(Albrecht, R. F., and Company, publishers. *2234.22)$ WERE GIVEN BY THE BOSTON PHILATELIC SOCIETY. JANUARY, 1903. PRESS OF D. H. BACON & CO., DERBY, CONN. Consult the Card Catalogue Under Headings: Envelopes, Perforation, Penny Postage, Post, Postage, Postage Stamps, Postal ----, Postal Cards, Postmarks, Post Office, Revenue, Revenue Stamps, Telegraph Stamps. Also public documents. CATALOGUE. =Adenaw, Julius.= *2234.13 A complete catalogue of the revenue stamps of the United States, including all private and state issues, and giving all minor varieties, with the market value of every stamp. New York, Scott Stamp & Coin Co. [1884?] 74, (1) pp 8^o. $=Albrecht, R. F.=, and Company, publishers. *2232.22$ $Auction prices. An epitome of the prices realized for postage stamps at R. F. Albrecht & Co.'s auction sales during four seasons. (1892-95, sales 1-29.)$ = $New York, 1895. (4), 127 pp. 8^o.$ $=American Journal of Philately.= *2234.23$ $Monthly, Henry L. Calman, editor, first series, vol. 1, 1868.$ = $New York: Scott Stamp & Coin Co., second series, 1888-1902, 15v., illus. plates, 8^o. The issues for 1889 were edited by J. W. Scott.$ =American Philatelic Association.= *2237.69 Books on philately in the Carnegie Library of Pittsburgh. [Chicago] 1901. 7 pp. 8^o. $=American Philatelic Association.= 2237.137$ $Catalogue of the American Philatelic Association's loan exhibit of postage stamps to the United States Post Office Department, at the World's Columbian Exposition, Chicago, 1893.$ $Birmingham, Conn. Bacon & Co., 1893. 68 pp. 8^o.$ $=American Philatelic Association.= *2230a.13$ $Official circular. Sept., 1893-Aug., 1895.$ = $[St. Louis, Mo., 1893-95.] v. L. 8^o.$ $=American Philatelic Publishing Company.= 2239a.121$ $"Our catalogue." The standard American catalogue of all the postal issues of the world. Together with the revenue stamps of the United States and Canada.$ = $New York. Albrecht & Co. [1894] (2), 592 pp. Illus. 16^o.$ $=American Philatelist.= Vol. 1-13. *6233.9$ $Chicago. American Philatelic Association. 1888-99. 13 v. in 7. 8^o.$ $The annual number for Dec., 1884, is published as vol. 8. Previous to vol. 8 the periodical is called American Philatelist and Year Book of the American Philatelic Association.$ $=Bacon=, E. D. 2237.59$ $Reprints of postal adhesive stamps and their characteristics.$ = $London. [1900.] viii, 168 pp. Illus. [Stanley Gibbons' philatelic handbooks.] 8^o.$ $=Bacon=, E. D. *2236.47$ $And Francis John Hamilton Scott Napier.$ $Grenada: to which is prefixed an account of the perforations of the Perkins-Bacon printed stamps of the British Colonies.$ $London. Stanley Gibbons, 1902 (4) 173 pp. Illus. Pls. [The Stanley Gibbons Philatelic Handbooks] 8^o.$ =Bacon=, E. D. and Francis J. H. S. Napier. 2237.48 The stamps of Barbadoes, with a history and description of the star-watermarked papers of Perkins, Bacon & Co. London: 1896. xi., 119pp. Pls. [The Stanley Gibbons Philatelic handbooks.] 8^o. $=Bartels, J. M.=, Co., publishers. *2230a.2$ $Complete catalogue and reference list of the stamped envelopes, wrappers, and letter sheets regularly issued by the United States. 1853-97.$ $Washington, 1897, 38 pp. Illus Pls. L. 8^o.$ $=Bartels=, J. M., Co. 2230a.3$ $March, 1899. J. M. Bartels' second complete catalogue and reference list of the stamped envelopes, wrappers, letter sheets and postal cards, regularly issued by the United States. 1853-1899.$ $Washington (1899) Unpaged. Illus. F^o.$ $=Bartels=, J. Murray & Co., publishers. 2239a.112$ $The standard price catalogue and reference list of the plate numbers of United States adhesive postage stamps, issued from 1890 to 1898. 3d edition.$ $Washington, 1898, 37pp. 16^o.$ $Same. 2239a.113$ $Stamps issued from 1893 to 1899, 4th edition. With supplement, 1899, 1900, 2 parts in 1v.$
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Transcribed from the 1913 Thomas J. Wise pamphlet, email [email protected] KING DIDERIK AND THE FIGHT BETWEEN THE LION AND DRAGON AND OTHER BALLADS BY GEORGE BORROW LONDON: PRINTED FOR PRIVATE CIRCULATION 1913 _Copyright in the United States of America_ _by Houghton_, _Mifflin & Co. for Clement Shorter_. KING DIDERIK AND THE LION’S FIGHT WITH THE DRAGON From Bern rode forth King Diderik, A stately warrior form; Engaged in fray he found in the way A lion and laidly worm. {5} They fought for a day, they fought for two, But ere the third was flown, The worm outfought the beast, and brought To earth the lion down. Then cried the lion in his need When he the warrior saw: “O aid me quick, King Diderik, To ’scape the Dragon’s claw. “O aid me quick, King Diderik, For the mighty God thou fearest; A lion save for the lion brave, Which on thy shield thou bearest. “Come to my rescue, thou noble King, Help, help me for thy name; Upon thy targe I stand at large, Glittering like a flame.” Long, long stood he, King Diderik, Deep musing thereupon; At length he cried: “Whate’er betide I’ll help thee, noble one.” It was Sir King Diderik, His good sword bare he made: With courage fraught, the worm he fought, Till blood tinged all the blade. The gallant lord would not delay So fast his blows he dealt; He hacked and gored until his sword Was sundered at the hilt. The Lindworm took him upon her back, The horse beneath her tongue; To her mountain den she hurried then To her eleven young. The horse she cast before her young, The man in a nook she throws: “Assuage your greed upon the steed, But I will to repose. “I pray ye feed upon the steed, At present no more I can; When I upleap, refreshed, from sleep, We’ll feast upon the man.” It was Sir King Diderik, In the hill he searched around; Then, helped by the Lord, the famous sword Called Adelring he found. Aye there he found so sharp a sword, And a knife with a golden heft: “King Sigfred be God’s grace with thee, For here thy life was reft! “I’ve been with thee in many a fight, In many an inroad too, But that thy doom had been in this tomb I never, never knew.” It was Sir King Diderik, Would prove the faulchion’s might; He hewed upon the flinty stone ’Till all around was light. It was the youngest Lindworm saw The sparks the hill illume: “Who dares awake the fiery snake In her own sleeping room?” The Lindworm gnashed its teeth with rage, Its grinning fangs it show’d: “Who dares awake the mother snake Within her own abode?” Then spake the other little ones, From the dark nooks of the hill: “If from her sleep the old one leap, ’Twill fare with thee but ill.” Then answered Sir King Diderik, His eyes with fury gleam: “I will awake your mother snake With chilly, chilly dream. “Your mother she King Sigfred slew, A man of noble line; I’ll on ye all avenge his fall With this good hand of mine.” And then awaked the Lindworm old, And on her fell such fear: “Who thus with riot disturbs my quiet? What noise is this I hear?” Then said King Diderik: “’Tis I, And this have I to say: O’er hill and dale, ’neath thy crooked tail, Thou brought’st me yesterday.” “O hew me not, King Diderik, I’ll give thee all my hoard; ’Twere best that we good friends should be, So cast away thy sword.” “I pay no trust to thy false device, Befool me thou wouldst fain; Full many hast thou destroyed ere now, Thou never shalt again.” “Hear me, Sir King Diderik, Forbear to do me ill, And thee I’ll guide to thy plighted bride, She’s hidden in the hill. “Above by my head, King Diderik, Is hung the little key; Below by my feet to the maiden sweet Descend thou fearlessly.” “Above by thy head, thou serpent curst, To begin I now intend; Below by thy feet, as is full meet, I soon shall make an end.” Then first the laidly worm he slew, And then her young he smote; But in vain did he try from the mountain to fly, For tongues of snakes thrust out. So then with toil in the rocky soil He dug a trench profound, That in the flood of serpent blood And bane he might not be drowned. Then bann’d the good King Diderik, On the lion he wroth became: “Bann’d, bann’d,” said he, “may the lion be, Confusion be his and shame.” “With subtle thought the brute has brought On me this grievous risk; Which I ne’er had seen had he not been Graved on my buckler’s disc.” And when the gallant lion heard The King bewail his hap: “Stand fast, good lord,” the lion roared, “While with my claws I scrap.” The lion scrapp’d, King Diderik hewed, Bright sparks the gloom relieved; Unless the beast had the knight released He’d soon to death have grieved. So when he had slain the laidly worm, And her offspring all had kill’d; Escaped the knight to the morning light, With heavy cuirass and shield. And when he had now come out of the hill For his gallant courser he sighed; With reason good he trust him could, For they had each other tried. “O there’s no need to bewail the steed, Which thou, Sir King, hast miss’d; I am thy friend, my back ascend, And ride where’er thou list.” So he rode o’er the deepest dales, And o’er the verdant meads; The knight he rode, the lion strode, Through the dim forest glades. The lion and King Diderik Together thenceforth remain; Each death had braved, and the other saved From peril sore and pain. Where’er King Diderik rode in the fields The lion beside him sped; When on the ground the knight sat down In his bosom he laid his head. Wherefore they call him the lion knight With fame that name he bore; Their love so great did ne’er abate Until their dying hour. DIDERIK AND OLGER THE DANE With his eighteen brothers Diderik stark Dwells in the hills of Bern; And each I wot twelve sons has got, For manly feats they yearn. He has twelve sisters, each of them A dozen sons can show; Thirteen the youngest, gallant lads, Of fear who nothing know. To stand before the King a crowd Of giant bodies move; I say to ye forsooth their heads O’ertopped the beechen grove. “With knights of pride we war have plied For many, many a year; Of Olger, who in Denmark reigns, Such mighty things we hear. “Men talk so fain of Olger Dane Who dwells in Jutland’s fields; Crowned is his head with gold so red, No tribute us he yields.” Then Swerting took a mace, and shook That mace right furiously: “From ten times ten of Olger’s men I would not look to flee!” “Hark, Swerting, hark, of visage dark, Esteem them not so little; I’d have thee ken that Olger’s men Are knights of gallant mettle. “They feel no fright for faulchions, For arrows no dismay; The desperate fight is their delight, They deem it children’s play.” Then cried the mighty man of Bern, When pondered long had he: “To Denmark we will wend, and learn At home if Olger
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Produced by Rosanna Murphy, sp1nd and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Notes: Italic text is denoted by _underscores_. _The Early History of the Scottish Union Question_ SOME OPINIONS OF THE PRESS ON THE FIRST EDITION. "With considerable literary skill he has compressed into a brief compass a most readable and impartial account of the efforts which from the time of Edward I. went on to weld the two countries into one."--_Edinburgh Evening News._ "Mr. Omond tells his story brightly and with full knowledge."--_Manchester Guardian._ "A genuine contribution to British history."--_Dumfries Courier._ "There is much to interest and inform in this volume."--_Liverpool Mercury._ "The conciseness of the sketch, instead of detracting from the worth of the work, rather enables the author to give a more vivid description of the course and progress of events."--_Dundee Advertiser._ "Mr. Omond has laid students of British history under a debt of gratitude to him for his work on the Scottish Union question."--_Leeds Mercury._ "Mr. Omond is at home in the struggles which led up to the act of Union in 1707."--_British Weekly._ "His book, modest and unpretentious as it is, is a careful contribution to the study of one of the most important features of the history of the two kingdoms, since 1707 united as Great Britain."--_Liverpool Daily Post._ "A handy summary of the history of such international relations, written with an orderly method and much clearness and good sense."--_The Academy._ "A handy, well-written volume."--_Pall Mall Gazette._ "A very interesting, as well as very instructive book."--_Literary World._ [Illustration: JOHN HAMILTON, LORD BELHAVEN.] _The Early History of the Scottish Union Question_ _By G. W. T. Omond_ _Author of "Fletcher of Saltoun" in the "Famous Scots" Series_ _Bi-Centenary Edition_ _Edinburgh & London Oliphant Anderson & Ferrier 1906_ _Now Complete in 42 Volumes_ _The Famous Scots Series_ _Post 8vo, Art Canvas, 1s. 6d. net; and with gilt top and uncut edges, price 2s. net_ THOMAS CARLYLE. By HECTOR C. MACPHERSON. ALLAN RAMSAY. By OLIPHANT SMEATON. HUGH MILLER. By W. KEITH LEASK. JOHN KNOX. By A. TAYLOR INNES. ROBERT BURNS. By GABRIEL SETOUN. THE BALLADISTS. By JOHN GEDDIE. RICHARD CAMERON. By Professor HERKLESS. SIR JAMES Y. SIMPSON. By EVE BLANTYRE SIMPSON. THOMAS CHALMERS. By Professor W. GARDEN BLAIKIE. JAMES BOSWELL. By W. KEITH LEASK. TOBIAS SMOLLETT. By OLIPHANT SMEATON. FLETCHER OF SALTOUN. By G. W. T. OMOND. THE BLACKWOOD GROUP. By Sir GEORGE DOUGLAS. NORMAN MACLEOD. By JOHN WELLWOOD. SIR WALTER SCOTT. By Professor SAINTSBURY. KIRKCALDY OF GRANGE. By LOUIS A. BARBE. ROBERT FERGUSSON. By A. B. GROSART. JAMES THOMSON. By WILLIAM BAYNE. MUNGO PARK. By T. BANKS MACLACHLAN. DAVID HUME. By Professor CALDERWOOD. WILLIAM DUNBAR. By OLIPHANT SMEATON. SIR WILLIAM WALLACE. By Professor MURISON. ROBERT LOUIS STEVENSON. By MARGARET MOYES BLACK. THOMAS REID. By Professor CAMPBELL FRASER. POLLOK AND AYTOUN. By ROSALINE MASSON. ADAM SMITH. By HECTOR C. MACPHERSON. ANDREW MELVILLE. By WILLIAM MORISON. JAMES FREDERICK FERRIER. By E. S. HALDANE. KING ROBERT THE BRUCE. By A. F. MURISON. JAMES HOGG. By Sir GEORGE DOUGLAS. THOMAS CAMPBELL. By J. CUTHBERT HADDEN. GEORGE BUCHANAN. By ROBERT WALLACE. Completed by J. CAMPBELL SMITH. SIR DAVID WILKIE, AND THE SCOTS SCHOOL OF PAINTERS. By EDWARD PINNINGTON. THE ERSKINES, EBENEZER AND RALPH. By A. R. MACEWEN. THOMAS GUTHRIE. By OLIPHANT SMEATON. DA
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Produced by Al Haines MEANS AND ENDS OF EDUCATION BY J. L. SPALDING Bishop of Peoria WHO BRINGETH MANY THINGS, FOR EACH ONE SOMETHING BRINGS CHICAGO A. C. McCLURG AND COMPANY 1895 COPYRIGHT BY A. C. MCCLURG L Co. A.D. 1895 By Bishop Spalding EDUCATION AND THE HIGHER LIFE. 12mo. $1.00. THINGS OF THE MIND. 12mo. $1.00. MEANS AND ENDS OF EDUCATION. 12mo. $1.00. A. C. McCLURG AND CO. CHICAGO. CONTENTS. CHAPTER I. TRUTH AND LOVE II. TRUTH AND LOVE III. THE MAKING OF ONE'S SELF IV. WOMAN AND EDUCATION V. THE SCOPE OF PUBLIC-SCHOOL EDUCATION VI. THE RELIGIOUS ELEMENT IN EDUCATION VII. THE HIGHER EDUCATION MEANS AND ENDS OF EDUCATION. CHAPTER I. TRUTH AND LOVE. None of us yet know, for none of us have yet been taught in early youth, what fairy palaces we may build of beautiful thought--proof against all adversity;--bright fancies, satisfied memories, noble histories, faithful sayings, treasure-houses of precious and restful thoughts; which care cannot disturb, nor pain make gloomy, nor poverty take away from us--houses built without hands for our souls to live in.--RUSKIN. Stirred up with high hopes of living to be brave men and worthy patriots, dear to God and famous to all ages.--MILTON. A great man's house is filled chiefly with menials and creatures of ceremony; and great libraries contain, for the most part, books as dry and lifeless as the dust that gathers on them: but from amidst these dead leaves an immortal mind here and there looks forth with light and love. From the point of view of the bank president, Emerson tells us, books are merely so much rubbish. But in his eyes the flowers also, the flowing water, the fresh air, the floating clouds, children's voices, the thrill of love, the fancy's play, the mountains, and the stars are worthless. Not one in a hundred who buy Shakspere, or Milton, or a work of any other great mind, feels a genuine longing to get at the secret of its power and truth; but to those alone who feel this longing is the secret revealed. We must love the man of genius, if we would have him speak to us. We learn to know ourselves, not by studying the behavior of matter, but through experience of life and intimate acquaintance with literature. Our spiritual as well as our physical being springs from that of our ancestors. Freedom, however, gives the soul the power not only to develop what it inherits, but to grow into conscious communion with the thought and love, the hope and faith of the noble dead, and, in thus enlarging itself, to become the inspiration and source of richer and wider life for those who follow. As parents are consoled by the thought of surviving in their descendants, great minds are upheld and strengthened in their ceaseless labors by the hope of entering as an added impulse to better things, from generation to generation, into the lives of thousands. The greatest misfortune which can befall genius is to be sold to the advocacy of what is not truth and love and goodness and beauty. The proper translation of _timeo hominem unius libri_ is not, "I fear a man of one book," but "I dread a man of one book:" for he is sure to be narrow, one-sided, and unreasonable. The right phrase enters at once into our spiritual world, and its power becomes as real as that of material objects. The truth to which it gives body is borne in upon us as a star or a mountain is borne in upon us. Kings and rich men live in history when genius happens to throw the light of abiding worlds upon their ephemeral estate. Carthage is the typical city of merchants and traders. Why is it remembered? Because Hannibal was a warrior and Virgil a poet. The strong man is he who knows how and is able to become and be himself; the magnanimous man is he who, being strong, knows how and is able to issue forth from himself, as from a fortress, to guide, protect, encourage, and save others. Life's current flows pure and unimpeded within him, and on its wave his thought and love are borne to bless his fellowmen. If he who gives a cup of water in the right spirit does God's work, so does he who sows or reaps, or builds or sweeps, or utters helpful truth or plays with children or cheers the lonely, or does any other fair or useful thing. Take not seriously one who treats with derision men or books that have been deemed worthy of attention by the best minds. He is false or foolish. As we cherish a human being for the courage and love he inspires, so books are dear to us for the noble thoughts and generous moods they call into being. To drink the spirit of a great author is worth more than a knowledge of his teaching. He who desires to grow wise should bring his reason to bear habitually upon what he sees and hears not less than upon what he reads; for thus he soon comes to understand that whatever he thinks or feels, says or does, whatever happens within the sphere of his conscious life, may be made the means of self-improvement. "He is not born for glory," says Vauvenargues, "who knows not the worth of time." The educational value of books lies in their power to set the intellectual atmosphere in vibration, thereby rousing the mind to self-activity; and those which have not this power lack vitality. If in a whole volume we find one passage in which truth is expressed in a noble and striking manner, we have not read in vain. To read with profit, we should read as a serious student reads, with the mind all alive and held to the subject; for reading is thinking, and it is valuable in proportion to the stimulus it gives to the exercise of faculty. The conversation of high and ingenuous minds is doubtless as instructive as it is delightful, but it is seldom in our power to call around us those with whom we should wish to hold discourse; and hence we go back to the emancipated spirits, who having transcended the bounds of time and space, are wherever they are desired and are always ready to entertain whoever seeks their company. Genius neither can nor will discover its secret. Why his thought has such a mould and such a tinge he no more knows than why the flowers have such a tint and such a perfume; and if he knew he would not care to tell. Nothing is wholly manifest. In the most trivial object, as in the simplest word, there lies a world of meaning which does not reveal itself to a passing glance. If therefore thou wouldst come to right understanding, consider all things with an awakened and interested curiosity. When the mind at last finds itself rightly at home in its world, it is as delighted as children making escape from restraining walls, as full of spirit as colts newly turned upon the greensward. In the realm of truth each one is king, and what he knows is as much his own as though he were its first discoverer. However firmly thou holdest to thy opinions, if truth appears on the opposite side, throw down thy arms at once. A book has the power almost of a human being to inspire admiration or disgust, love or hatred. To be useful is a noble thing, to be necessary is not desirable. The youth has not enough ambition unless he has too much. It is difficult to give lessons in the art of pleasing without teaching that of lying. The discouraged are already vanquished. In judging the deed let not the character of the doer influence thy opinion, for good is good, evil evil, by whomsoever done. When the author is rightly inspired his words need not interpretation. They are as natural and as beautiful as the faces of children or as new-blown flowers, and their meaning is plain. The spirit and love of dogmatism is characteristic of the imperfectly educated. As there is a communion of saints, there is a communion of noble minds, living and dead. To speak of love which is not felt, of piety which is not a living sentiment within us, is to weaken both in ourselves and in those who hear us the power of faith and affection. The best that has been known and experienced by minds and hearts lies asleep in books, ready to awaken for whoever holds the magician's wand. Books which at their first appearance create a breeze of excitement, are forgotten when the wind falls. A human soul rightly uttering itself, in whatever age or country, ceases to belong to any age or country, and becomes part of the universal life of man. A sprightly wit may serve only to lead us astray, and to enmesh us more hopelessly in error. Deeper knowledge is the remedy for the foolishness of sciolism: like cures like. In the books in which men worth knowing have put some of the vital quality which makes them worth knowing, there is perennial inspiration. They are the form and substance of an immortal spirit which, in creating them, became itself. "I have not made my book," says Montaigne, "more than my book has made me." Were one to ask an acquaintance who knows men to point out the individuals whom he should make his friends, his request would probably receive an unsatisfactory reply: for how, except by trial, is it possible to say who will suit whom? Those whose friendship would be valuable might, for whatever cause, be disagreeable to him, as the greatest and noblest may be unpleasant companions. Many a one whom we admire as he stands forth in history, whose words and deeds thrill and uplift us, we should detest had we known him in life; and others to whom we might have been drawn would have cared nothing for us. Between men and books there is doubtless a wide difference, though a good book contains the best of the life of some true man. But when we are asked to point out the books one should learn
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STUDIES IN PESSIMISM*** E-text prepared by Juliet Sutherland, Josephine Paolucci, and the Project Gutenberg Online Distributed Proofreading Team THE ESSAYS OF ARTHUR SCHOPENHAUER: STUDIES IN PESSIMISM TRANSLATED BY T. BAILEY SAUNDERS, M.A. CONTENTS. ON THE SUFFERINGS OF THE WORLD ON THE VANITY OF EXISTENCE ON SUICIDE IMMORTALITY: A DIALOGUE PSYCHOLOGICAL OBSERVATIONS ON EDUCATION OF WOMEN ON NOISE A FEW PARABLES NOTE. The Essays here presented form a further selection from Schopenhauer's _Parerga_, brought together under a title which is not to be found in the original, and does not claim to apply to every chapter in the volume. The first essay is, in the main, a rendering of the philosopher's remarks under the heading of _Nachtraege zur Lehre vom Leiden der Welt_, together with certain parts of another section entitled _Nachtraege zur Lehre von der Bejahung und Verneinung des Willens zum Leben_. Such omissions as I have made are directed chiefly by the desire to avoid repeating arguments already familiar to readers of the other volumes in this series. The _Dialogue on Immortality_ sums up views expressed at length in the philosopher's chief work, and treated again in the _Parerga_. The _Psychological Observations_ in this and the previous volume practically exhaust the chapter of the original which bears this title. The essay on _Women_ must not be taken in jest. It expresses Schopenhauer's serious convictions; and, as a penetrating observer of the faults of humanity, he may be allowed a hearing on a question which is just now receiving a good deal of attention among us. T.B.S. ON THE SUFFERINGS OF THE WORLD. Unless _suffering_ is the direct and immediate object of life, our existence must entirely fail of its aim. It is absurd to look upon the enormous amount of pain that abounds everywhere in the world, and originates in needs and necessities inseparable from life itself, as serving no purpose at all and the result of mere chance. Each separate misfortune, as it comes, seems, no doubt, to be something exceptional; but misfortune in general is the rule. I know of no greater absurdity than that propounded by most systems of philosophy in declaring evil to be negative in its character. Evil is just what is positive; it makes its own existence felt. Leibnitz is particularly concerned to defend this absurdity; and he seeks to strengthen his position by using a palpable and paltry sophism.[1] It is the good which is negative; in other words, happiness and satisfaction always imply some desire fulfilled, some state of pain brought to an end. [Footnote 1: _Translator's Note_, cf. _Theod_, sec. 153.--Leibnitz argued that evil is a negative quality--_i.e_., the
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Produced by Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net FRANCIS BEAUMONT Born 1584 Died 1616 JOHN FLETCHER Born 1579 Died 1625 _BEAUMONT AND FLETCHER_ THE MAD LOVER THE LOYAL SUBJECT RULE A WIFE, AND HAVE A WIFE THE LAWS OF CANDY THE FALSE ONE THE LITTLE FRENCH LAWYER THE TEXT EDITED BY A. R. WALLER, M.A. CAMBRIDGE: at the University Press 1906 CAMBRIDGE UNIVERSITY PRESS WAREHOUSE, C. F. CLAY, MANAGER. London: FETTER LANE, E.C. Glasgow: 50, WELLINGTON STREET. Leipzig: F. A. BROCKHAUS. New York: THE MACMILLAN COMPANY. Bombay and Calcutta: MACMILLAN AND CO., LTD. [_All Rights reserved._] THE MAD LOVER, A TRAGI-COMEDY. Persons Represented in the Play. Astorax, _King of_ Paphos. Memnon, _the General and the Mad Lover_. Polydor, _Brother to_ Memnon, _beloved of_ Calis. Eumenes, } _two eminent Souldiers._ Polybius, } Chilax, _an old merry Souldier_. Syphax, _a Souldier in love with the Princess_. Stremon, _a Souldier that can sing_. Demagoras, _Servant to the General_. _Chirurgion_. _Fool_. _Page_. _Courtiers_. _WOMEN._ Calis, _Sister to the King, and Mistris to_ Memnon. Cleanthe _Sister to_ Syphax. Lucippe, _one of the Princesses Women_. _Priest of_ Venus, _an old wanton_. _A Nun._ Cloe, _a Camp Baggage_. _The Scene_ Paphos. The principal Actors were, _Richard Burbadge._ _Robert Benfeild._ _Nathanael Feild._ _Henry Condel._ _John Lowin._ _William Eglestone._ _Richard Sharpe._ _Actus primus. Scena prima._ _Flourish._ _Enter_ Astorax _King of_ Paphos, _his Sister_ Calis, _Train_, _and_ Cleanthe, Lucippe _Gentlewomen, at one door; at the other_ Eumenes _a Souldier_. _Eume._ Health to my Soveraign. _King._ _Eumenes_, welcome: Welcome to _Paphos_, Souldier, to our love, And that fair health ye wish us, through the Camp May it disperse it self, and make all happy; How does the General, the valiant _Memnon_, And how his Wars, _Eumenes_? _Eume._ The Gods have giv'n you (Royal Sir) a Souldier, Better ne're sought a danger, more approv'd In way of War, more master of his fortunes, Expert in leading 'em; in doing valiant, In following all his deeds to Victories, And holding fortune certain there. _King._ O Souldier, Thou speak'st a man indeed; a Generals General, A soul conceiv'd a Souldier. _Eumen._ Ten set Battels Against the strong usurper _Diocles_ (Whom long experience had begot a Leader, Ambition rais'd too mighty) hath your _Memnon_ Won, and won gloriously, distrest and shook him Even from the head of all his hopes to nothing: In three, he beat the Thunder-bolt his Brother, Forc'd him to wall himself up: there not safe, Shook him with warlike Engins like an Earthquake, Till like a Snail he left his shell and crawl'd By night and hideous darkness to destruction: Disarm'd for ever rising more: Twelve Castles, Some thought impregnable; Towns twice as many; Countries that like the wind knew no command But savage wildness, hath this General With loss of blood and youth, through Storms and Tempests Call'd to your fair obedience. _King._ O my Souldier That thou wert now within my arms; what drums { _Drums Are those that beat _Eumenes_? { within._ _Eumen._ His, my Soveraign; Himself i'th' head of conquest drawing home, An old man now to offer up his glories, And endless conquest at your shrine. _King._ Goe all, And entertain him with all Ceremonie, We'l keep him now a Courtier. _Eumen._ Sir, a strange one, Pray God his language bear it; by my life, Sir He knows no complement, nor curious casting Of words into fit places e're he speak 'em, He can say fight well fellow, and I'le thank thee: He that must eat, must fight; bring up the rear there, Or charge that wing of horse home. [_Flourish._ _King._ Goe too, goe too. _Enter_ Memnon, _and a train of Courtiers, and Souldiers, two Captains_, Chilax. Valiant and wise are twins Sir: welcom, welcom, Welcom my fortunate and famous General, High in thy Princes favour, as in fame, Welcom to Peace, and _Paphos_. _Mem._ Thank your Grace, And would to God my dull tongue had that sweetness To thank you as I should; but pardon me, My sword and I speak roughly Sir: your battels I dare well say, I have fought well; for I bring ye That lazie end you wish for Peace, so fully, That no more name of war is: who now thinks Sooner or safer these might have been ended, Begin 'em if he dare again; I'le thank him. Souldier and Souldiers Mate these twenty five years, At length your General, (as one whose merit Durst look upon no less,) I have waded through Dangers would damp these soft souls, but to hear of. The maidenheads of thousand lives hang here Sir, Since which time Prince, I know no Court but Marshal, No oylie language, but the shock of Arms, No dalliance but with death; No lofty measures But weary and sad marches, cold and hunger, Larums at midnight Valours self would shake at, Yet I ne're shrunk: Balls of consuming Wildfire, That lickt men up like lightning, have I laught at, And tost 'em back again like childrens trifles. Upon the edges of my Enemies swords I have marcht like whirle-winds, fury at this hand waiting, Death at my right; Fortune my forlorn hope, When I have grapled with destruction, And tug'd with pale fac'd Ruine, Night and Mischief, Frighted to see a new day break in bloud; And every where I conquer'd; and for you Sir, Mothers have wanted wombs to make me famous, And blown ambition, dangers; Those that griev'd ye, I have taken order for i'th' earth: those fools That shall hereafter-- _King._ No more wars my Souldier: { _K. takes_ Mem. _aside We must now treat of peace Sir. { and talks with him_. _Clean._ How he talks, How gloriously. _Cal._ A goodly timber'd fellow, Valiant no doubt. _Cle._ If valour dwell in vaunting; In what a phrase he speaks, as if his actions Could be set off in nothing but a noise; Sure h'as a drum in's mouth. _Cal._ I wonder wenches How he would speak to us. _Clean._ Nothing but Larum, Tell us whose throat he cut, shew us his sword, And bless it for sure biting. _Lucippe._ And 't like your Grace, I do not think he knows us what we are, Or to what end; for I have heard his followers Affirm he never saw a woman that exceeded A Sutlers wife yet, or in execution Old bedrid Beldames without teeth or tongues, That would not flie his furie? how he looks. _Clea._ This way devoutly. _Cal._ Sure his Lordship's viewing Our Fortifications. _Lucip._ If he mount at me, I may chance choak his Battery. _Cal._ Still his eye Keeps quarter this way: _Venus_ grant his valour Be not in love. _Clean._ If he be, presently Expect a Herald and a Trumpet with ye To bid ye render; we two Perdu's pay for't else. _King._ I'le leave ye to my sister, and these Ladies To make your welcom fuller: my good souldier We must now turn your sternness into Courtship; When ye have done there, to your fair repose Sir: [_Flourish._ I know you need it _Memnon_; welcom Gentlemen. [_Exit_ King. _Luci._ Now he begins to march: Madam the Van's yours, Keep your ground sure; 'tis for your spurrs. _Mem._ O _Venus_. { { _He kneels amaz'd, _Cal._ How he stares on me. { and forgets to speak._ _Clean._ Knight him Madam, knight him, He will grow toth' ground else. _Eumenes._ Speak Sir, 'tis the Princess. _1 Cap._ Ye shame your self, speak to her. _Cal._ Rise and speak Sir. Ye are welcome to the Court, to me, to all Sir. _Lucip._ Is he not deaf? _Cal._ The Gentleman's not well. _Eumen._ Fie noble General. _Lucip._ Give him fresh air, his colour goes, how do ye? The Princess will be glad Sir. _Mem._ Peace, and hear me. _Clean._ Command a silence there. _Mem._ I love thee Lady. _Cal._ I thank your Lordship heartily: proceed Sir. _Lucip._ Lord how it stuck in's stomach like a surfeit. _Clean._ It breaks apace now from him, God be thanked, What a fine spoken man he is. _Lucip._ A choice one, of singular variety in carriage. _Clean._ Yes and I warrant you he knows his distance. _Mem._ With all my heart I love thee. _Cal._ A hearty Gentleman, And I were e'en an arrant beast, my Lord, But I lov'd you again. _Mem._ Good Lady kiss me. _Clean._ I marry, _Mars_, there thou cam'st close up to her. _Cal._ Kiss you at first my Lord? 'tis no fair fashion, Our lips are like Rose buds, blown with mens breaths, They lose both sap and savour; there's my hand Sir. _Eumen._ Fie, fie, my Lord, this is too rude. _Mem._ Unhand me, Consume me if I hurt her; good sweet Lady Let me but look upon thee. _Cal._ Doe. _Mem._ Yet-- _Cal._ Well Sir, Take your full view. _Lucip._ Bless your eyes Sir. _Cal._ Mercy, Is this the man they talkt of for a Souldier, So absolute and Excellent: O the Gods, If I were given to that vanitie Of making sport with men for ignorance, What a most precious subject had I purchas'd! Speak for him Gentlemen: some one that knows, What the man ails; and can speak sense. _Clean._ Sure Madam, This fellow has been a rare Hare finder. See how his eyes are set. _Cal._ Some one goe with me, I'le send him something for his head, poor Gentleman, He's troubled with the staggers. _Lucip._ Keep him dark, He will run March mad else, the fumes of Battels Ascend into his brains. _Clean._ Clap to his feet An old Drum head, to draw the thunder downward. _Cal._ Look to him Gentlemen: farewel, Lord I am sorry We cannot kiss at this time, but believe it We'l find an hour for all: God keep my Children, From being such sweet Souldiers; Softly wenches, Lest we disturb his dream. [_Exeunt_ Calis _and_ Ladies. _Eumen._ Why this is Monstrous. _1 Capt._ A strange forgetfulness, yet still he holds it. _2 Capt._ Though he ne're saw a woman of great fashion Before this day, yet methinks 'tis possible He might imagine what they are, and what Belongs unto 'em: meer report of others. _Eumen._ Pish, his head had other whimsies in't: my Lord, Death I think y'are struck dumb; my good Lord General. _1 Capt._ Sir. _Mem._ That I do love ye Madam; and so love ye An't like your grace. _2 Capt._ He has been studying this speech. _Eumen._ Who do ye speak to Sir? _Mem._ Why where's the Lady, The woman, the fair woman? _1 Capt._ Who? _Mem._ The Princess, Give me the Princess. _Eumen._ Give ye counsel rather To use her like a Princess: Fy my Lord, How have you born your self, how nakedl[y] Laid your soul open, and your ignorance To be a sport to all. Report and honour Drew her to doe you favours, and you bluntly, Without considering what, or who she was, Neither collecting reason, nor distinction. _Mem._ Why, what did I my Masters? _Eumen._ All that shews A man unhandsom, undigested dough. _Mem._ Did not I kneel unto her? _Eumen._ Dumb and sensless, As though ye had been cut out for your fathers tomb, Or stuck a land-mark; when she spoke unto you, Being the excellence of all our Island, Ye star'd upon her, as ye had seen a monster. _Me[m]._ Was I so foolish? I confess _Eumenes_, I never saw before so brave an outside, But did I kneel so long? _Eumen._ Till they laught at ye, And when you spoke I am asham'd to tell ye What 'twas my Lord; how far from order; Bless me, is't possible the wild noise of war And what she only teaches should possess ye? Knowledge to treat with her, and full discretion Being at flood still in ye: and in peace, And manly conversation smooth and civil, Where gracefulness and glory twyn together, Thrust your self out an exile? Do you know Sir, what state she carries? What great obedience waits at her beck continually? _Mem._ She ne're commanded A hundred thousand men, as I have done, Nor ne're won battel; Say I would have kist her. _Eumen._ There was a dainty offer too, a rare one. _Mem._ Why, she is a woman, is she not? _Eumen._ She is so. _Mem._ Why, very well; what was she made for then? Is she not young, and handsom, bred to breed? Do not men kiss fair women? if they doe, If lips be not unlawfull ware; Why a Princess Is got the same way that we get a begger Or I am cozen'd; and the self-same way She must be handled e're she get another, That's rudeness is it not? _2 Capt._ To her 'tis held so, & rudeness in that high degree-- _Mem._ 'Tis reason, But I will be more punctual; pray what thought she? _Eum._ Her thoughts were merciful, but she laught at ye, Pitying the poorness of your complement, And so she left ye. Good Sir shape your self To understand the place, and noble persons You live with now. _1 Capt._ Let not those great deserts The King hath laid up of
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Produced by Mary Starr and Martin Robb. HTML version by Al Haines. THE LITTLE SHEPHERD OF KINGDOM COME by JOHN FOX, JR. To CURRIE DUKE DAUGHTER OF THE CHIEF AMONG MORGAN'S MEN KENTUCKY, APRIL, 1898 CONTENTS 1. TWO RUNAWAYS FROM LONESOME 2. FIGHTING THEIR WAY 3. A "BLAB SCHOOL" ON KINGDOM COME 4. THE COMING OF THE TIDE 5. OUT OF THE WILDERNESS 6. LOST AT THE CAPITAL 7. A FRIEND ON THE ROAD
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Produced by Emmy, Beth Baran and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) Our Little Swedish Cousin The Little Cousin Series [Illustration] Each volume illustrated with six or more full-page plates in tint. Cloth, 12mo, with decorative cover, per volume, 60 cents. [Illustration] LIST OF TITLES BY MARY HAZELTON WADE (unless otherwise indicated) =Our Little African Cousin= =Our Little Armenian Cousin= =Our Little Brown Cousin= =Our Little Canadian Cousin= By Elizabeth R. Macdonald =Our Little Chinese Cousin= By Isaac Taylor Headland =Our Little Cuban Cousin= =Our Little Dutch Cousin= By Blanche McManus =Our Little English Cousin= By Blanche McManus =Our Little Eskimo Cousin= =Our Little French Cousin= By Blanche McManus =Our Little German Cousin= =Our Little Hawaiian Cousin= =Our Little Indian Cousin= =Our Little Irish Cousin= =Our Little Italian Cousin= =Our Little Japanese Cousin= =Our Little Jewish Cousin= =Our Little Korean Cousin= By H. Lee M. Pike =Our Little Mexican Cousin= By Edward C. Butler =Our Little Norwegian Cousin= =Our Little Panama Cousin= By H. Lee M. Pike =Our Little Philippine Cousin= =Our Little Porto Rican Cousin= =Our Little Russian Cousin= =Our Little Scotch Cousin= By Blanche McManus =Our Little Siamese Cousin= =Our Little Spanish Cousin= By Mary F. Nixon-Roulet =Our Little Swedish Cousin= By Claire M. Coburn =Our Little Swiss Cousin= =Our Little Turkish Cousin= [Illustration] L. C. PAGE & COMPANY New England Building, Boston, Mass. [Illustration: SIGRID] Our Little Swedish Cousin By Claire M. Coburn _Illustrated by_ L. J. Bridgman and R. C. Woodberry [Illustration] Boston L. C. Page & Company _MDCCCCVI_ _Copyright, 1906_ BY L. C. PAGE & COMPANY (INCORPORATED) _All rights reserved_ First Impression, July, 1906 _COLONIAL PRESS Electrotyped and Printed by C. H. Simonds & Co. Boston, U. S. A._ Preface FOR more than five thousand years, the ancestors of our little Swedish cousin have dwelt in the Scandinavian peninsula. No wonder she loves the stories of the Vikings, the old legends, customs, and fete-days. They are her priceless heritage from the days of long ago. The snow and glaciers on the extreme north cut off this long tongue of land, so that it is as separate from the rest of Europe as an island. In the olden days, almost every Swede tilled the soil and lived remote from his neighbour. Villages were few, so that each family created its own little world of work and pleasure. Even the children must be very industrious and ingenious to help supply the needs of the family. Whether she lives in the city or the country, every little Swedish girl to-day is taught this same thrift and industry. Because the winter months, when the sun shows his face but a few hours each day, are long and dreary, our northern relatives fairly revel in their short summers. The whole nation lives out-of-doors and rejoices in the merry sunshine. All day excursions, picnics, and water trips are crowded into the brief season. The peasant still owns his little red cottage and the well-to-do farmer and the nobleman live in their old homesteads. The cities continue to be small in number and in size, but slowly, slowly, the great throbbing life of the outside world is creeping in to steal away much of the picturesqueness of this old nation. You will be surprised to learn in how many ways the life of our little Swedish cousin is similar to that of American children. But she is such a very hospitable
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Produced by David Widger from page images generously provided by the Internet Archive THE ADVENTURES OF PETER COTTONTAIL By Thornton W. Burgess Author of "The Adventures of Reddy Fox" "Old Mother West Wind," etc. With Illustrations by Harrison Cady Boston Little, Brown, And Company 1917 THE ADVENTURES OF PETER COTTONTAIL I. PETER RABBIT DECIDES TO CHANGE HIS NAME |PETER RABBIT! Peter Rabbit! I don't see what Mother Nature ever gave me such a common sounding name as that for. People laugh at me, but if I had a fine sounding name they wouldn't laugh. Some folks say that a name doesn't amount to anything, but it does. If I should do some wonderful thing, nobody would think anything of it. No, Sir, nobody would think anything of it at all just because--why just because it was done by Peter Rabbit." Peter was talking out loud, but he was talking to himself. He sat in the dear Old Briar-patch with an ugly scowl on his usually happy face. The sun was shining, the Merry Little Breezes of Old Mother West Wind were dancing over the Green Meadows, the birds were singing, and happiness, the glad, joyous happiness of springtime, was everywhere but in Peter Rabbit's heart. There there seeded to be no room for anything but discontent. And such foolish discontent--discontent with his name! And yet, do you know, there are lots of people just as foolish as Peter Rabbit. "Well, what are you going to do about it?" The voice made Peter Rabbit jump and turn around hastily. There was Jimmy Skunk poking his head in at the opening of one of Peter's private little paths. He was grinning, and Peter knew by that grin that Jimmy had heard what he had said. Peter didn't know what to say. He hung his head in a very shame-faced way. "You've got something to learn," said Jimmy Skunk. "What is it?" asked Peter. "It's just this," replied Jimmy. "There's nothing in a name except Just what we choose to make it. It lies with us and no one else How other folks shall take it. It's what we do and what we say And how we live each passing day That makes it big or makes it small Or even worse than none at all. A name just stands for what we are; It's what we choose to make it. And that's the way and only way That other folks will take it." Peter Rabbit made a face at Jimmy Skunk. "I don't like being preached to." "I'm not preaching; I'm just telling you what you ought to know without being told," replied Jimmy Skunk. "If you don't like your name, why don't you change it?" "What's that?" cried Peter sharply. "If you don't like your name, why don't you change it?" repeated Jimmy. Peter sat up and the disagreeable frown had left his face. "I--I--hadn't thought of that," he said slowly. "Do you suppose I could, Jimmy Skunk?" "Easiest thing in the world," replied Jimmy Skunk. "Just decide what name you like and then ask all your friends to call you by it." "I believe I will!" cried Peter Rabbit. "Well, let me know what it is when you have decided," said Jimmy, as he started for home. And all the way up the Crooked Little Path, Jimmy chuckled to himself as he thought of foolish Peter Rabbit trying to change his name. II. PETER FINDS A NAME |PETER RABBIT had quite lost his appetite. When Peter forgets to eat you may make up your mind that Peter has something very important to think about. At least he has something on his mind that he thinks is important. The fact is, Peter had fully made up his mind to change his name. He thought Peter Rabbit too common a name. But when he tried to think of a better one, he found that no name that he could think of really pleased him any more. So he thought and he thought and he thought and he thought. And the more he thought the less appetite he had. Now Jimmy Skunk was the only one to whom Peter had told how discontented he was with his name, and it was Jimmy who had suggested to Peter that he change it. Jimmy thought it a great joke, and he straightway passed the word along among all the little meadow and forest people that Peter Rabbit was going to change his name. Everybody laughed and chuckled over the thought of Peter Rabbit's foolishness, and they planned to have a great deal of fun with Peter as soon as he should tell them his new name. Peter was sitting on the edge of the Old Briar-patch one morning when Ol' Mistah Buzzard passed, flying low. "Good mo'ning, Brer Cottontail," said Ol' Mistah Buzzard, with a twinkle in his eye. At first Peter didn't understand that Ol' Mistah Buzzard was speaking to him, and by the time he did it was too late to reply, for Ol' Mistah Buzzard was way, way up in the blue, blue sky. "Cottontail, Cottontail." said Peter over and over to himself and began to smile. Every time he said it he liked it better. [Illustration: 0024] "Cottontail, Peter Cottontail! How much better sounding that is than Peter Rabbit! That sounds as if I really was somebody. Yes, Sir, that's the very name I want. Now I must send word to all my friends that hereafter I am no longer Peter Rabbit, but Peter Cottontail." Peter kicked up his heels in just the funny way he always does when he is pleased. Suddenly he remembered that such a fine, long, high-sounding name as Peter Cottontail demanded dignity. So he stopped kicking up his heels and began to practise putting on airs. But first he called to the Merry Little Breezes and told them about his change of name and asked them to tell all his friends that in the future he would not answer to the name of Peter Rabbit, but only to the name of Peter Cottontail. He was very grave and earnest and important as he explained it to the Merry Little Breezes. The Merry Little Breezes kept their faces straight while he was talking, but as soon, as they had left him to carry his message they burst out laughing. It was such a joke! And they giggled as they delivered this message to each of the little forest and meadow people: "Peter Rabbit's changed his name. In the future without fail You must call him, if you please, Mr. Peter Cottontail." While they were doing this, Peter was back in the Old Briar-patch practising new airs and trying to look very high and mighty and important, as became one with such a fine sounding name as Peter Cottontail. III. THERE'S NOTHING LIKE THE OLD NAME AFTER ALL |BOBBY <DW53> and Jimmy Skunk had their heads together. Now when these two put their heads together, you may make up your mind that they are planning mischief. Yes, Sir, there is sure to be mischief afoot when Bobby <DW53> and Jimmy Skunk put their heads together as they were doing now. Had Peter Rabbit seen them, he might not have felt so easy in his mind as he did. But Peter didn't see them. He was too much taken up with trying to look as important as his new name sounded. He was putting on airs and holding his head very high as he went down to the Smiling Pool to call on Jeny Muskrat. Whenever any one called him by his old name, Peter pretended not to hear. He pretended that he had never heard that name and didn't know that he was being spoken to. Bobby <DW53> and Jimmy Skunk thought it a great joke and they made up their minds that they would have some fun with Peter and perhaps make him see how very foolish he was. Yes, Sir, they planned to teach Peter a lesson. Bobby <DW53> hurried away to find Reddy Fox and tell him that Peter had gone down to the Smiling Pool, and that if he hid beside the path, he might catch Peter on the way back. Jimmy Skunk hunted up Blacky the Crow and Sammy Jay and told them of his plan and what he wanted them to do to help. Of course they promised that they would. Then he went to Ol' Mistah Buzzard and told him. Ol' Mistah Buzzard grinned and promised that he would do his share. Then Bobby <DW53> and Jimmy Skunk hid where they could see all that would happen. Peter had reached the Smiling Pool and now sat on the bank admiring his own reflection in the water and talking to Jerry Muskrat. He had just told Jerry that when his old name was called out he didn't hear it any more when along came Blacky the Crow. "Hello, Peter Rabbit! You're just the fellow I am looking for; I've a very important message for you," shouted Blacky. Peter kept right on talking with Jerry Muskrat just as if he didn't hear, although he was burning with curiosity to know what the message was. "I say, Peter Rabbit, are you deaf?" shouted Blacky the Crow. Jerry Muskrat looked up at Blacky and winked. "Peter Rabbit isn't here," said he. "This is Peter Cottontail." [Illustration: 0030] "Oh!" said Blacky. "My message is for Peter Rabbit, and it's something he really ought to know. I'm sorry he isn't here." And with that, away flew Blacky the Crow, chuckling to himself. Peter looked quite as uncomfortable as he felt, but of course he couldn't say a word after boasting that he didn't hear people who called him Peter Rabbit. Pretty soon along came Sammy Jay. Sammy seemed very much excited. "Oh, Peter Rabbit, I'm so glad I've found you!" he cried. "I've some very important news for you." Peter had all he could do to sit still and pretend not to hear, but he did. "This is Peter Cottontail," said Jerry Muskrat, winking at Sammy Jay. "Oh," replied Sammy, "my news is for Peter Rabbit!" and off he flew, chuckling to himself. Peter looked and felt more uncomfortable than ever. He bade Jerry Muskrat good-by and started for the dear Old Briar-patch to think things over. When he was half way there, Ol' Mistah Buzzard came sailing down out of the sky. "Brer Cottontail," said he, "if yo' see anything of Brer Rabbit, yo' tell him that Brer Fox am hiding behind that big bunch of grass just ahead." Peter stopped short, and his heart gave a great leap. There, behind the clump of grass, was something red, sure enough. Peter didn't wait to see more. He started for a hiding place he knew of in the Green Forest as fast as he could go, and behind him raced Reddy Fox. As he ran, he heard Blacky the Crow and Sammy Jay laughing, and then he knew that this was the news that they had had for him. "I--I--guess that Peter Rabbit is a good enough name, after all," he panted. IV. PETER RABBIT FOOLS JIMMY SKUNK |PETER RABBIT came hopping and skipping down the Crooked Little Path. Unc' Billy Possum always calls him Brer Rabbit, but everybody else calls him Peter. Peter was feeling very fine that morning, very fine indeed. Every few minutes he jumped up in the air, and kicked his heels together, just for fun. Presently he met Jimmy Skunk. Jimmy was on his way back from Farmer Brown's corn field, where he had been helping Blacky the Crow get free from a snare. Jimmy was still tickling and laughing over the way Blacky the Crow had been caught. He had to tell Peter Rabbit all about it. Peter thought it just as good a joke as did Jimmy, and the two trotted along side by side, planning how they would spread the news all over the Green Meadows that Blacky the Crow, who thinks himself so smart, had been caught. "That reminds me," said Jimmy Skunk suddenly, "I haven't had my breakfast yet. Have you seen any beetles this morning, Peter Rabbit?" Peter Rabbit stopped and scratched his long left ear with his long left hind foot. "Now you speak of it, it seems to me that I did," said Peter Rabbit. "Where?" asked Jimmy Skunk eagerly. Peter pretended to think very hard. "It seems to me that it was back at the top of the Crooked Little Path up the hill," said Peter. "I think I will go look for them at once," replied Jimmy. "All right," replied Peter, "I'll show you the way." So up the Crooked Little Path hopped Peter Rabbit, and right behind him trotted Jimmy Skunk. By and by they came to an old pine stump. Peter Rabbit stopped. He put one hand on his lips. "Hush!" whispered Peter. "I think there is a whole family of beetles on the other side of this stump. You creep around the other side, and I'll creep around this side. When I thump the ground, you spring right around and grab them before they can run away." So Jimmy Skunk crept around one side of the stump, and Peter Rabbit crept around the other side. Suddenly Peter thumped the ground hard, twice. Jimmy Skunk was waiting and all ready to spring. When he heard those thumps, he just sprang as quickly as he could. What do you think happened? Why, Jimmy Skunk landed _thump!_ right on Reddy Fox, who was taking a sun nap on the other side of the pine stump! "Ha, ha, ha," shouted Peter Rabbit, and started down the Crooked Little Path as fast as his long legs could take him. V. REDDY POX GETS INTO TROUBLE |REDDY FOX, curled up behind the big pine stump, was dreaming of a coop full of chickens, where there was no Bowser the Hound to watch over them. Suddenly something landed on him with a thump that knocked all his breath out. For an instant it frightened Reddy so that he just shook and shook. Then he got his senses together and discovered that it was Jimmy Skunk who had jumped on him. Jimmy was very polite. He begged Reddy's pardon. He protested that it was all a mistake. He explained how Peter Rabbit had played a trick on both of them, and how he himself was just looking for beetles for breakfast. Now, Reddy Fox is very quick tempered, and as soon as he realized that he had been made the victim of a joke, he lost his temper completely. He glared at Jimmy Skunk. He was so angry that he stuttered. "Y-y-you, y-y-y-you, y-y-y-you did that on p-p-purpose," said Reddy Fox. "No such thing!" declared Jimmy Skunk. "I tell you it was a joke on the part of Peter Rabbit, and if you don't believe me, just look down there on the Green Meadows." Reddy Fox looked. There sat Peter, his hands on his hips, his long ears pointed straight up to the blue sky, and his mouth wide open, as he laughed at the results of his joke. Reddy shook his fist. "Ha, ha, ha," shouted Peter Rabbit. Reddy Fox looked hard at Jimmy Skunk, but like all the other little meadow and forest people, he has a very great respect for Jimmy Skunk, and though he would have liked to quarrel with Jimmy, he thought it wisest not to. Instead, he started after Peter Rabbit as fast as his legs could go. Now, Reddy Fox can run very fast, and when Peter saw him coming, Peter knew that he would have to use his own long legs to the very best of his ability. Away they went across the Green Meadows. Jimmy Skunk, sitting on top of the hill, could see the white patch on the seat of Peter Rabbit's trousers bobbing this way and that way, and right behind him was Reddy Fox. Now, Peter Rabbit could run fast enough to keep away from Reddy for a while. You remember that Peter's eyes are so placed that he can see behind him without turning his head. So he knew when Reddy was getting too near. In and out among the bushes along the edge of the Green Meadows they dodged, and the more he had to run, the angrier Reddy Fox grew. He paid no attention to where they were going; his whole thought was of catching Peter Rabbit. Now, when Peter began to grow tired he began to work over towards Farmer Brown's corn field, where he knew that Farmer Brown's boy was hiding, with Bowser the Hound. Dodging this way and that way, Peter worked over to the fence corner, where Jimmy Skunk had watched Blacky the Crow get caught in a snare. He let Reddy almost catch him, then he dodged out into the open corn field, and Reddy, of course, followed him, "Bow-wow, bow-wow-wow!" Reddy did not need to turn to know what had happened. Bowser the Hound had seen him and was after him. Peter just ducked behind a big bunch of grass and sat down to get his breath, while Reddy started off as hard as he could go, with Bowser the Hound behind him. VI. REDDY FOOLS BOWSER THE HOUND |AWAY across the Green Meadows and up the hill through the Green Forest raced Reddy Fox at the top of his speed. Behind him, nose to the ground, came Bowser the Hound, baying at the top of his lungs. Reddy ran along an old stone wall and jumped as far out into the field as he could. "I guess that will fool him for a while," panted Reddy, as he sat down to get his breath. When Bowser came to the place where Reddy had jumped on the stone wall, he just grinned. "That's too old a trick to fool me one minute," said Bowser to himself, and he just made a big circle, so that in a few minutes he had found Reddy's tracks again. Every trick that Reddy had heard old Granny Fox tell about he tried, in order to fool Bowser the Hound, but it was of no use at all. Bowser seemed to know exactly what Reddy was doing, and wasted no time. Reddy was beginning to get worried. He was getting dreadfully out of breath. His legs ached. His big, plumey tail, of which he is very, very proud, had become dreadfully heavy. Granny Fox had warned him never, never to run into the snug house they had dug unless he was obliged to to save his life, for that would tell Bowser the Hound where they lived, and then they would have to move. How Reddy did wish that wise old Granny Fox would come to his relief. He was running along the back of Farmer Brown's pasture, and he could hear Bowser the Hound altogether too near for comfort. He looked this way and he looked that way for a chance to escape. Just ahead of him he saw a lot of woolly friends. They were Farmer Brown's sheep. Reddy had a bright idea. Like a flash he sprang on the back of one of the sheep. It frightened the sheep as badly as Reddy had been frightened, when Jimmy Skunk had landed on him that morning. "Baa, baa, baa!" cried the sheep and started to run. Reddy hung on tightly, and away they raced across the pasture. Now Bowser the Hound trusts wholly to his nose to follow Reddy Fox or Peter Rabbit or his master, Farmer Brown's boy. So he did not see Reddy jump on the back of the sheep, and, of course, when he reached the place where Reddy had found his strange horse, he was puzzled. Round and round, and round and round Bowser worked in a circle, but no trace of Reddy could he find. And all the time Reddy sat behind the stone wall on the far side of the pasture, getting his wind and laughing and laughing at the smart way in which he had fooled Bowser the Hound. VII. REDDY INVITES PETER RABBIT TO TAKE A WALK |OLD GRANNY FOX was not feeling well. For three days she had been unable to go out hunting, and for three days Reddy Fox had tried to find something to tempt Granny's appetite. He had brought in a tender young chicken from Farmer Brown's hen yard, and he had stolen a plump trout from Billy Mink's storehouse, but Granny had just turned up her nose. "What I need," said Granny Fox, "is a tender young rabbit." Now, Reddy Fox is very fond of Granny Fox, and when she said that she needed a tender young rabbit, Reddy made up his mind that he would get it for her, though how he was going to do it he didn't know. Dozens of times he had tried to catch Peter Rabbit, and every time Peter's long legs had taken him to a place of safety. "I'll just have to fool Peter Rabbit," said Reddy Fox, as he sat on his door-steps and looked over the Green Meadows. Reddy Fox is very sly. He is so sly that it is hard work to be sure when he is honest and when he is playing a trick. As he sat on his door-steps, looking across the Green Meadows, he saw the Merry Little Breezes coming his way. Reddy smiled to himself. When they got near enough, he shouted to them. "Will you do something for me?" he asked. "Of course we will," shouted the Merry Little Breezes, who are always delighted to do something for others. "I wish you would find Peter Rabbit and tell him that I have found a new bed of tender young carrots in Farmer Brown's garden, and invite him to go there with me to-morrow morning at sun-up," said Reddy Fox. Away raced the Merry Little Breezes to find Peter Rabbit and give him the invitation of Reddy Fox. Pretty soon back they came to tell Reddy that Peter Rabbit would be delighted to meet Reddy on the edge of the Old Briar-patch at sun-up the next morning, and go with him to get some tender young carrots. Reddy smiled to himself, for now he was sure that he would get Peter Rabbit for Granny's breakfast. Early the next morning, just before sun-up, Reddy Fox started down the Lone Little Path and hurried across the Green Meadows to the Old Briar-patch. Reddy was dressed in his very best suit of clothes, and very smart and handsome he looked. When he reached the Old Briar-patch he could see nothing of Peter Rabbit. He waited and waited and waited, but still Peter Rabbit did not come. Finally he gave it up and decided that he would go over and have a look at the young carrots in Farmer Brown's garden. When he got there, what do you think he saw? Why, all around that bed of tender young carrots were footprints, and the footprints were Peter Rabbit's! Reddy Fox ground his teeth and snarled wickedly, for he knew then that instead of fooling Peter Rabbit, Peter Rabbit had fooled him. Just then up came one of the Merry Little Breezes of Old Mother West Wind. "Good morning, Reddy Fox," said the Merry Little Breeze. "Good morning," replied Reddy Fox, and if you could have seen him and heard him, you would never have suspected how ill-tempered he was feeling. "Peter Rabbit asked me to come and tell you that he is very sorry that he could not meet you at the Briar-patch this morning, but that he grew so hungry thinking of those tender young carrots that he just had to come and get some before sun-up, and he is very much obliged to you for telling him about them. He says they are the finest young carrots that he has ever tasted," said the Merry Little Breeze. The heart of Reddy Fox was filled with rage, but he did not let the Merry Little Breeze know it. He just smiled and sent the Merry Little Breeze back to Peter Rabbit to tell him how glad he was that Peter enjoyed the carrots, and to invite Peter to meet him the next morning on the edge of the Old Briar-patch at sun-up, to go with him to a patch of sweet clover which he had just found near the old hickory-tree. The Merry Little Breeze danced off with the message. Pretty soon he was back to say that Peter Rabbit would be delighted to go to the sweet clover patch the next morning. Reddy grinned as he trudged off home. "I'll just be at the clover patch an hour before sun-up to-morrow morning, and then we'll see!" he said to himself. VIII. PETER RABBIT GETS AN EARLY BREAKFAST |PETER RABBIT crept out of his snug little bed in the middle of the Old Briar-patch two hours before sun-up and hurried over to the big hickory-tree. Sure enough, close by, he found a beautiful bed of sweet clover, just as Reddy Fox had said was there. Peter chuckled to himself as he ate and ate and ate, until his little round stomach was so full that he could hardly hop. When he had eaten all that he could, he hurried back to the Old Briar-patch to finish his morning nap, and all the time he kept chuckling to himself. You see, Peter was suspicious of Reddy Fox, and so he had gone over to the sweet clover bed alone two hours before sun-up. Peter Rabbit had hardly left the sweet clover bed when Reddy Fox arrived. Reddy lay down in the long meadow grass and grinned to himself as he waited. Slowly the minutes went by, until up from behind the Purple Hills came jolly, round, red Mr. Sun--but no Peter Rabbit. Reddy stopped grinning. "Perhaps," said he to himself, "Peter is waiting for me on the edge of the Old Briar-patch and wasn't going to try to fool me." So Reddy hurried over to the Old Briar-patch, and sure enough there was Peter Rabbit'sitting on the edge of it. When Peter saw him coming, he dodged in behind a big clump of friendly old brambles. Reddy came up with his broadest smile. "Good morning, Peter Rabbit," said Reddy. "Shall we go over to that sweet clover bed?" [Illustration: 0056] Peter put one hand over his mouth to hide a smile. "Oh," said he, "I was so dreadfully hungry for sweet clover that I couldn't wait until sun-up, and so I went over two hours ago. I hope you will excuse me, Reddy Fox. I certainly do appreciate your kindness in telling me of that new, sweet clover bed and I hope I have not put you out." "Certainly not," replied Reddy Fox, in his pleasantest manner, and you know Reddy Fox can be very pleasant indeed when he wants to be. "It is a very great pleasure to be able to give you pleasure. There is nothing I so like to do as to give pleasure to others. By the way, I have just heard that Farmer Brown has a new planting of young cabbage in the corner of his garden. Will you meet me here at sun-up to-morrow morning to go over there?" "I will be delighted to, I will indeed!" replied Peter Rabbit, and all the time he smiled to himself behind his hand. Reddy Fox bade Peter Rabbit good-by in the pleasantest way you can imagine, yet all the time, down in his heart, Reddy was so angry that he hardly knew what to do, for you see he had got to go back to Granny Fox without the tender young rabbit which he had promised her. "This time I will be there two hours before sun-up, and then we will see, Peter Rabbit, who is the smartest!" said Reddy Fox to himself. IX. REDDY FOX GETS A SCARE |PETER RABBIT looked up at the silvery moon and laughed aloud. Then he kicked up his heels and laughed again as he started out across the Green Meadows towards Fanner Brown's garden. You see, Peter was suspicious, very suspicious indeed of Reddy Fox. So, as it was a beautiful night for a walk, he thought he would just run over to Farmer Brown's garden and see if he could find that bed of newly planted cabbage, about which Reddy Fox had told him. So Peter hopped and skipped across the Green Meadows, singing as he went; "Hold, ol' Miss Moon, hold up your light! Show the way! show the way! The little stars are shining bright; Night folks all are out to play." When Peter reached Farmer Brown's garden, he had no trouble in finding the new planting of cabbage. It was tender. It was good. My, how good it was! Peter started in to fill his little round stomach. He ate and ate and ate and ate! By and by, just when he thought he couldn't eat another mouthful, he happened to look over to a patch of moonlight. For just a second Peter's heart stopped beating. There was Reddy Fox coming straight over to the new cabbage bed! Peter Rabbit didn't know what to do. Reddy Fox hadn't seen him yet, but he would in a minute or two, unless Peter could hide. He was too far from the dear Old Briar-patch to run there. Peter looked this way and looked that way. Ha! ha! There lay Fanner Brown's boy's old straw hat, just where he had left it when the supper horn blew. Peter crawled under it. It covered him completely. Peter peeped out from under one edge. He saw Reddy Fox standing in the moonlight, looking at the bed of newly set cabbage. Reddy was smiling as if his thoughts were very pleasant. Peter shivered. He could just guess what Reddy was thinking--how he would gobble up Peter, when once he got him away from the safety of the Old Briar-patch. The thought made Peter so indignant that he forgot that he was hiding, and he sat up on his hind legs. Of course, he lifted the straw hat with him. Then he remembered and sat down again in a hurry. Of course, the straw hat went down quite as quickly. Presently Peter peeped out. Reddy Fox was staring and staring at the old straw hat, and he wasn't smiling now. He actually looked frightened. It gave Peter an idea. He made three long hops straight towards Reddy Fox, all the time keeping the old straw hat over him. Of course the hat went along with him, and, because it covered Peter all up, it looked for all the world as if the hat was alive. Reddy Fox gave one more long look at the strange thing coming towards him through the cabbage bed, and then he started for home as fast as he could go, his tail between his legs. Peter Rabbit just lay down right where he was and laughed and laughed and laughed. And it almost seemed as if the old straw hat laughed too. X. PETER HAS ANOTHER GREAT LAUGH |IT was just sun-up as Reddy Fox started down the Lone Little Path to the Green Meadows. Reddy was late. He should be over at the Old Briar-patch by this time. He was afraid now that Peter Rabbit would not be there. When he came in sight of the Old Briar-patch, there sat Peter on the edge of it. "Good morning, Peter Rabbit," said Reddy Fox, in his politest manner. "I am sorry to have kept you waiting; it is all because I had a terrible fright last night." "Is that so? What was it?" asked Peter, ducking down behind a big bramble bush to hide his smile. "Why, I went over to Farmer Brown's garden to see if that new planting of young cabbage was all right, and there I met a terrible monster. It frightened me so that I did not dare to come out this morning until jolly, round Mr. Sun had begun to climb up in the sky, and so I am a little late. Are you ready, Peter Rabbit, to go up to the new planting of young cabbage with me?" asked Reddy, in his pleasantest manner. Now, what do you think Peter Rabbit did? Why, Peter just began to laugh. He laughed and laughed and shouted! He lay down on his back and kicked his heels for very joy! But all the time he took care to keep behind a big, friendly bramble bush. Reddy Fox stared at Peter Rabbit. He just didn't know what to make of it. He began to think that Peter had gone crazy. He couldn't see a thing to laugh at, yet here was Peter laughing fit to kill himself. Finally Peter stopped and sat up. "Did--did--
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Produced by Juliet Sutherland, Sankar Viswanathan, and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: PORTRAIT OF VAN DYCK _Prado Gallery, Madrid_] Masterpieces of Art VAN DYCK A COLLECTION OF FIFTEEN PICTURES AND A PORTRAIT OF THE PAINTER WITH INTRODUCTION AND INTERPRETATION BY ESTELLE M. HURLL BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge 1902 COPYRIGHT, 1902, BY HOUGHTON, MIFFLIN & CO. * * * * * PREFACE The fame of Van Dyck's portraits has so far over-shadowed that of his other works that his sacred pictures are for the most part unfamiliar to the general public. The illustrations for this little book are equally divided between portraits and subject-pieces, and it is hoped that the selection may give the reader some adequate notion of the scope of the painter's art. ESTELLE M. HURLL. NEW BEDFORD, MASS., March, 1902. * * * * * CONTENTS AND LIST OF PICTURES Portrait of Van Dyck (DETAIL) (_Frontispiece_) Picture from Carbon Print by Braun, Clement & Co. INTRODUCTION I. ON VAN DYCK'S CHARACTER AS AN ARTIST II. ON BOOKS OF REFERENCE III. HISTORICAL DIRECTORY OF THE PICTURES OF THIS COLLECTION IV. OUTLINE TABLE OF THE PRINCIPAL EVENTS IN VAN DYCK'S LIFE V. LIST OF CONTEMPORARY PAINTERS VI. NOTABLE ENGLISH PERSONS OF THE REIGN OF CHARLES I. I. PORTRAIT OF ANNA WAKE Picture from Carbon Print by Braun, Clement & Co. II. THE REST IN EGYPT Picture from Carbon Print by Braun, Clement & Co. III. THE SO-CALLED PORTRAIT OF RICHARDOT AND HIS SON Picture from Carbon Print by Braun, Clement & Co. IV. THE VISION OF ST. ANTHONY Picture from Photograph by Fratelli Alinari V. MADAME ANDREAS COLYNS DE NOLE AND HER DAUGHTER Picture from Photograph by Franz Hanfstaengl VI. DAEDALUS AND ICARUS Picture from Carbon Print by Braun, Clement & Co. VII. PORTRAIT OF CHARLES I. By Sir Peter Lely after Van Dyck. Picture from Carbon Print by Braun, Clement & Co. VIII. THE MADONNA OF ST. ROSALIA Picture from Carbon Print by Braun, Clement & Co. IX. CHARLES, PRINCE OF WALES (DETAIL) Picture from Photograph by D. Anderson X. ST. MARTIN DIVIDING HIS CLOAK WITH A BEGGAR Picture from Carbon Print by Braun, Clement & Co. XI. THE CRUCIFIXION Picture from Carbon Print by Braun, Clement & Co. XII. JAMES STUART, DUKE OF LENNOX AND RICHMOND Picture from Photograph of the original Painting XIII. CHRIST AND THE PARALYTIC Picture from Carbon Print by Braun, Clement & Co. XIV. PHILIP, LORD WHARTON Picture from Carbon Print by Braun, Clement & Co. XV. THE LAMENTATION OVER CHRIST Picture from Carbon Print by Braun, Clement & Co. XVI. PORTRAIT OF VAN DYCK PRONOUNCING VOCABULARY OF PROPER NAMES AND FOREIGN WORDS * * * * * INTRODUCTION I. ON VAN DYCK'S CHARACTER AS AN ARTIST. The student of Van Dyck's art naturally classifies the painter's works into four groups, corresponding chronologically to the four successive periods of his life. There was first the short period of his youth in Antwerp, when Rubens was the dominating influence upon his work. The portrait of Van der Geest, in the National Gallery, belongs to this time. Then followed the four years' residence in Italy, when he fell under the spell of Titian. This was the period of the series of splendid portraits of noble Italian families which are to this day the pride of Genoa. Here too belong those lovely Madonna pictures which brought back for a time the golden age of Venetian art. Upon his return to Antwerp, the six succeeding years gave him the opportunity to work out his own individuality. Some noble altar-pieces were produced in these years. Pleasant reminiscences of Titian still appear in such work, as in the often-used motif of baby angels; but in the subjects of the Crucifixion and the Pieta, he stands quite apart. These works are distinctly his own, and show genuine dramatic power. During this Flemish period Van Dyck was appointed court painter by the Archduchess Isabella Clara Eugenia, Spanish Regent of the Netherlands. In this capacity he painted a notable series of portraits, including some of his most interesting works, which represent many of the most distinguished personages of the time. The last nine years of Van Dyck's life were passed in England, where the family of Charles I. and the brilliant group of persons forming his court were the subjects of his final series of portraits. There were no altar-pieces in this period. At the beginning of his English work Van Dyck produced certain portraits unsurpassed during his whole life. The well-known Charles I., with an equerry, in the Louvre, is perhaps the best of these. His works after this were uneven in quality. His vitality was drained by social dissipations, and he lost the ambition to grow. Some features of the portraits became stereotyped, especially the hands. Yet from time to time he rose to a high level. A painter so easily moulded by his environment cannot justly take rank among the world's foremost masters. A great creative mind Van Dyck certainly had not, but, gifted assimilator that he was, he developed many delightful qualities of his art. The combined results of his borrowing and his own innate gifts make him a notable and indeed a beloved figure in art history. The leading note of his style is distinction. His men are all noblemen, his women all great ladies, and his children all princes and princesses. The same qualities of dignity and impressiveness are carried into his best altar-pieces. Sentiment they have also in no insignificant degree. It is perhaps naming only another phase of distinction to say that his figures are usually characterized by repose. The sense of motion which so many of Reynolds's portraits convey is almost never expressed in Van Dyck's work, nor would it be consistent with his other qualities. The magic gift of charm none have understood better when the subject offered the proper inspiration. We see this well illustrated in many portraits of young noblemen, such as the Duke of Lennox and Richmond and Lord Wharton. Van Dyck's clever technique has preserved for us the many rich fabrics of his period, and his pictures would be a delight were these details their sole attraction. Heavy velvet, with the light playing deliciously in the creases, lustrous satins, broken by folds into many tints, delicate laces, elaborate embroideries, gleaming jewels--these are the never-failing accessories of his compositions. Yet while he loved rich draperies, he was also a careful student of the nude. Examples of his work range from the supple and youthful torso of Icarus to the huge muscular body of the beggar receiving St. Martin's cloak. The modelling of the Saviour's body in the Crucifixion and the Pieta shows both scientific knowledge and artistic handling. Generally speaking, Van Dyck was little of a psychologist. His patrons belonged to that social class in which reserve is a test of breeding and thoughts and emotions are sedulously concealed. To penetrate the mask of the face and interpret the character of his sitter was an office he seldom took upon himself to perform. Yet he was capable of profound character study, especially in the portrayal of men. Even in so early a work as the so-called portrait of Richardot and his son, he revealed decided talent in this direction, while the portrait of Cardinal Bentivoglio, of the Italian period, and the portrait of Wentworth, in the English period, are masterly studies of the men they represent. A common feature of his portraits is the averted glance of the sitter's eyes. This fact is in itself a barrier to our intimate knowledge of the subject, and also in a measure injures the sense of vitality expressed in the work. It must be confessed that Van Dyck, disciple though he was of Rubens and Titian, fell below these masters in the art of imparting life to a figure. In certain mechanical elements of his art Van Dyck was conspicuously deficient. He seemed to have no ingenuity in devising poses for his subjects. Sitting or standing, the attitude is usually more or less artificial and constrained. The atmosphere of the studio is painfully evident. Never by any accident did he seem to catch the sitter off guard, so to speak, except in a few children's portraits. Here he expressed a vivacity and charm which seemed impossible to him with adult subjects. In composition he is at his best in altar-pieces. In portrait groups, as in the pictures of the children of Charles I., he apparently made no effort to bring the separate figures into an harmonious unity. A single figure, or half length, he placed on his canvas with unerring sense of right proportion. Perhaps the best summary of Van Dyck's art has been made by the English critic, Claude Phillips, in these words: His was "not indeed one of the greatest creative individualities that have dominated the world of art, but a talent as exquisite in distinction, as true to itself in every successive phase, a technical accomplishment as surprising of its kind in solidity, brilliancy, and charm, as any that could be pointed to even in the seventeenth century." II. ON BOOKS OF REFERENCE. It has been reserved for our own day to produce two superb works by English writers on Van Dyck. The first to appear was that by Ernest Law, "a storehouse of information," on the paintings by Van Dyck in the Royal Collections. The second is the definitive biography by Lionel Cust: "Anthony Van Dyck; An Historical Study of his Life and Works." The author is the director of the English National Portrait Gallery, and has had exceptional opportunities for the examination of Van Dyck's paintings. His work has been done with great thoroughness and care. The volume is richly illustrated with photogravures, and contains complete lists of the painter's works arranged by periods. For brief sketches of Van Dyck's life the student is referred to general histories, of which Kugler's "Hand-book of the German, Flemish, and Dutch School" (revised by Crowe), is of first importance. Luebke's "History of Painting," and Woltman and Woerman's "History of Painting," contain material on Van Dyck. A volume devoted to Van Dyck is in the series of German monographs edited by H. Knackfuss, and may be had in an English translation. A critical appreciation of Van Dyck is given by Fromentin in his valuable little book on "The Old Masters of Holland and Belgium." Critical articles by Claude Phillips have appeared in "The Nineteenth Century," November, 1899, and "The Art Journal" for March, 1900. III. HISTORICAL DIRECTORY OF THE PICTURES OF THIS COLLECTION. Frontispiece. _Portrait of Van Dyck._ Detail of a portrait of Van Dyck and John Digby, Earl of Bristol. Painted about 1640. Formerly in the Isabel Farnese Collection in the palace of San Ildefonso; now in the Prado Gallery, Madrid. _Cust_, p. 285. 1. _Portrait of Anna Wake_, inscribed: "AEtat suae 22, An 1628." Signed: "Anton Van Dyck fecit." In the Royal Gallery at the Hague. Size: 3 ft. 8-1/2 in. by 3 ft. 2-1/2 in. _Cust_, pp. 58 and 261. 2. _The Rest in Egypt._ Painted in the Italian period for Frederick Henry, Prince of Orange. One of several pictures of the same subject, and generally considered the original, though the authenticity is doubted by Signor Venturi. In the Pitti, Florence. 3. _The so-called Portrait of Richardot and his Son._ The identity of the subject not established. Sometimes attributed to Rubens, but accepted as Van Dyck's work by Cust. In the Louvre, Paris. Size: 3 ft. 7 in. by 2 ft. 5-1/2 in. _Cust_, pp. 76 and 134. 4. _The Vision of St. Anthony._ Painted in the Italian period. Obtained by exchange in 1813 from the Musee National at Paris. In the Brera Gallery, Milan. Size: 6 ft. 1 in. by 5 ft. 1/4 in. _Cust_, pp. 46 and 239. 5. _Madame Andreas Colyns de Nole and her Daughter._ Painted in Antwerp in period from 1626 to 1632. Purchased in 1698 by the Elector Max Emanuel of Bavaria. Munich Gallery. Size: 3 ft. 11-1/2 in. by 2 ft. 11-2/5 in. _Cust_, pp. 79 and 254. 6. _Daedalus and Icarus._ Painted about 1621 (?). Exhibited at Antwerp in 1899. One of several paintings of the same subject. In the collection of the Earl of Spencer, Althorp. _Cust_, pp. 61 and 241. 7. _Portrait of Charles I._ Supposed to be a copy by Sir Peter Lely from the original, which was painted about 1636, and destroyed in the fire at Whitehall in 1697. Not impossibly, however, the original painting itself, given by the king to the Prince Palatine. In the Dresden Gallery. Size: 4 ft. by 3 ft. 2 in. _Cust_, pp. 105 and 264. 8. _The Madonna of St. Rosalia._ Painted in 1629 for the Confraternity of Celibates in the Hall of the Jesuits, Antwerp. On the suppression of the order in 1776 it was purchased by the Empress Maria Theresa. Now in the Imperial Gallery, Vienna. Size: 9 ft. 1 in. by 6 ft. 11 in. _Cust_, p. 250. 9. _Charles, Prince of Wales._ Detail of a group of the three children of Charles I., painted in 1635. Probably painted for the queen, and presented by her to her sister Christina of Savoy. In the Royal Gallery, Turin. _Cust_, pp. 110 and 266. 10. _St. Martin dividing his Cloak with a Beggar._ Painted in the Italian period. Presented to the Church of Saventhem by Ferdinand de Boisschot, Seigneur de Saventhem. Taken by the French to Paris in 1806 and returned in 1815. A copy of this picture is in the Imperial Gallery, Vienna, but the original is in the church of Saventhem. _Cust_, pp. 32 and 240. 11. _The Crucifixion._ Painted in 1628 for the church of St. Augustine at Antwerp. Taken by the French to Paris in 1794 and restored in 1815. Now in the Antwerp Museum. Size: 3 ft. 5 in. by 2 ft. 4 in. _Cust_, pp. 61 and 248. 12. _James Stuart, Duke of Lennox and Richmond._ Painted about 1633. Formerly belonged to Lord Methuen at Corsham. Now in the Marquand collection at the Metropolitan Art Museum, New York. Size: 4 ft. 3/4 in. by 6 ft. 11-5/8 in. _Cust_, pp. 117-278. 13. _Christ and the Paralytic. Painted at Genoa._ In Buckingham Palace. Size: 3 ft. 10-1/2 in. by 4 ft. 9 in. _Cust_, pp. 46 and 237. 14. _Philip, Lord Wharton._ Inscribed in the lower left corner with the painter's name; in the lower right corner, "Philip, Lord Wharton, 1632, about y^e age of 19." Purchased from the Duke of Wharton's collection in 1725 by Sir Robert Walpole, and thence it passed in 1779 to the collection of Catherine II. of Russia. In the Hermitage Gallery, St. Petersburg. Size: 4 ft. 5 in. by 2 ft. 4 in. _Cust_, pp. 121 and 286. 15. _The Lamentation over Christ._ Painted about 1629 for the church of the Beguinage at Antwerp. Now in the Antwerp Museum. Size: 9 ft. 11 in. by 7 ft. 4 in. _Cust_, pp. 66 and 248. IV. OUTLINE TABLE OF THE PRINCIPAL EVENTS IN VAN DYCK'S LIFE. _Compiled from Lionel Cust's_ Anthony Van Dyck, _to which the references to pages apply._ 1599. Antoon Van Dyck born March 22, in the house "der Berendaus," Antwerp (p. 4). 1601. Removal of Van Dyck family to house number 46 in street De Stat Gent (p. 4). 1607. Death of Van Dyck's mother (p. 4). 1609. Van Dyck among the apprentices of the painter Hendrick van Balen (p. 6). 1613. Portrait of an old man (p. 7). 1618. Admitted to the freedom of the Guild of St. Luke, Antwerp, February (p. 8). Entered Rubens' studio (p. 15). 1620. An order from the Jesuits for thirty-nine pictures designed by Rubens and completed by Van Dyck (p. 14). Visit to England and service for King James I. (p. 23), and return to Antwerp (p. 24). 1621. Departure for Italy, Oct
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Produced by David Edwards, Demian Katz and the Online Distributed Proofreading Team at http://www.pgdp.net (Images courtesy of the Digital Library@Villanova University (http://digital.library.villanova.edu/)) MOTOR STORIES THRILLING ADVENTURE MOTOR FICTION NO. 4 MAR. 20, 1909 FIVE CENTS MOTOR MATT'S RACE THE LAST FLIGHT OF THE COMET _By STANLEY R. MATTHEWS_ [Illustration: "I've got it, pard!" shouted Chub, snatching the letter from Motor Matt's fingers.] _STREET & SMITH, PUBLISHERS, NEW YORK._ MOTOR STORIES THRILLING ADVENTURE MOTOR FICTION _Issued Weekly. By subscription $2.50 per year. Entered according to Act of Congress in the year 1909, in the Office of the Librarian of Congress, Washington, D. C., by_ STREET & SMITH, _79-89 Seventh Avenue, New York, N. Y._ No. 4. NEW YORK, March 20, 1909. Price Five Cents. MOTOR MATT'S RACE OR, THE LAST FLIGHT OF THE _COMET_. By the author of "MOTOR MATT." CONTENTS CHAPTER I. TROUBLE ON THE ROAD. CHAPTER II. THE STAMPEDE. CHAPTER III. CLIP'S NOTE. CHAPTER IV. M'KIBBEN'S TIP. CHAPTER V. A VICTIM OF CIRCUMSTANCES. CHAPTER VI. THE PRIDE OF TOM CLIPPERTON. CHAPTER VII. LAYING PLANS. CHAPTER VIII. THE RIFLED CACHE. CHAPTER IX. THE BREAK IN THE ROAD. CHAPTER X. PRESCOTT. CHAPTER XI. MATT MAKES A NEW MOVE. CHAPTER XII. THE OLD HOPEWELL TUNNEL. CHAPTER XIII. QUICK WORK. CHAPTER XIV. STEAM VERSUS GASOLINE. CHAPTER XV. IN COURT. CHAPTER XVI. CONCLUSION. THE TENNIS-GROUND MYSTERY. MAKE QUEER CATCHES AT CAPE COD. COLD FIRE. CHARACTERS THAT APPEAR IN THIS STORY. =Matt King=, concerning whom there has always been a mystery--a lad of splendid athletic abilities, and never-failing nerve, who has won for himself, among the boys of the Western town, the popular name of "Mile-a-minute Matt." =Chub McReady=, sometimes called plain "Reddy," for short, on account of his fiery "thatch"--a chum of Matt, with a streak of genius for inventing things that often land the bold experimenter in trouble. =Welcome Perkins=, a one-legged wanderer who lives with Chub and his sister while their father prospects for gold--Welcome is really a man of peace, yet he delights to imagine himself a "terror," and is forever boasting about being a "reformed road-agent." =Tom Clipperton=, known generally as "Clip," a quarter-blood, who is very sensitive about his Indian ancestry. =McKibben=, the sheriff who has both nerve and intelligence. =Fresnay=, a cowboy who performs some mighty queer stunts. =Pima Pete=, an Indian to whom Clip is related. =Hogan=, } =Leffingwell=, } two deputy sheriffs. =Short=, a lawyer. =Burke=, sheriff of an adjoining county. =Jack Moody=, an engineer friend of Chub. CHAPTER I. TROUBLE ON THE ROAD. "Ye're afeared! Yah, that's what ye are! Motor Matt's scared, an' I never thought ye was afeared o' nothin'. Go ahead! I dare ye!" An automobile--a high-powered roadster--was nosing along through the hills a dozen miles out of the city of Phoenix. The vehicle had the usual two seats in front and a rumble-seat behind--places for three, but there were four piled aboard. Matt King was in the driver's seat, of course, and equally, of course, he had to have the whole seat to himself. On his left were Chub McReady and Tom Clipperton, sitting sideways and wedged into their places like sardines in a can. In the rumble behind was the gentleman with the wooden leg--Welcome Perkins, the "reformed road-agent." Matt was giving his friends a ride. The red roadster, in which they were taking the spin, was an unclaimed car at present in the custody of McKibben, the sheriff. It had been used for lawless work by its original owners, and had fallen into the hands of the sheriff, who was holding it in the hope that the criminals would come forward and claim it.[A] [A] See MOTOR MATT WEEKLY, No. 3, "Motor Matt's 'Century' Run; or, The Governor's Courier." McKibben and Motor Matt were the best of friends, and McKibben had told Matt to take the red road
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Produced by Alyssia Turner and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Italic text is denoted by _underscores_. [Illustration: A. J. VAUGHAN.] PERSONAL RECORD OF THE THIRTEENTH REGIMENT, TENNESSEE INFANTRY. [Illustration] BY ITS OLD COMMANDER. Price, 75 cents. PRESS OF S. C. TOOF & CO. MEMPHIS. 1897. MOST AFFECTIONATELY DEDICATED TO THE NOBLE MOTHERS AND WIVES OF THE TRUE AND HEROIC MEN WHO FOR FOUR YEARS FOLLOWED THE CONFEDERATE FLAG, AND WHO WERE WILLING TO LAY DOWN THEIR LIVES IN DEFENSE OF THAT CAUSE THEY BELIEVED RIGHT AND JUST. A. J. VAUGHAN. PREFACE. _MY OLD COMRADES_: In writing out this record I have gone back to the morning time of my own life, and lived once more in that other day that not only tried, but proved men's souls. Insignificant as my work may appear as a literary production, it carries with it the most sacred memories of the past. In writing, I have lived over again the days when the boom of cannon, the rattle of musketry and the old rebel yell were familiar sounds to our ears. If a shade of mournfulness hovers over the failure of the cause for which these brave men fought and many fell, it is not a mournfulness born of regret. When we who wore the gray put away forever the musket and sword--and let me say, my comrades, swords and muskets that had been bravely borne--we did so in sorrow but not in malice or hate. And today, I am sure, where one of the old regiment lingers yet a little while this side of the dark river, he accepts in good faith the terms of his parole, and is a peaceful and faithful citizen of the United States; not only faithful, but as loyal to the stars and stripes as we were once to that other flag which we followed for four long years, and which was woven from an honest belief of a people's need. Now, to my old comrades, whether in flesh or spirit, to whom this little compilation has carried me back with such tremendous force, and to keep alive whose fair fame I have written, I can only say as my last words--God bless you! A. J. VAUGHAN. The Thirteenth Regiment, TENNESSEE INFANTRY. This was one of the regiments that made Cheatham's Division, and Smith's-Vaughan's and Gordon's Brigades so famous in the Army of Tennessee. It was organized and mustered into service on the third day of June, 1861, in answer to a call of Governor Isham G. Harris for seventy-five thousand volunteers. At that time it was the seventh infantry regiment organized in West Tennessee and the thirteenth in the State. It was made up of the "flower of the South" young men, most of whom were fresh from the best institutions of learning--aspiring, hopeful and ambitious--sons of men of education, wealth and influence--the very best material for volunteer service. It was composed of ten full companies--five from Fayette county, one from Shelby, one from Dyer, one from McNairy, one from Gibson, and one from Henderson, and were as follow: Company A, Fayette Rifles, Captain William Burton of Somerville, Tenn. Company B, Macon Grays, Captain J. L. Granberry, Macon, Tenn. Company C, Secession Guards, organized at Germantown, Tenn., and composed of Mississippians and Tennesseeans, Captain John H. Morgan, Horn Lake, Miss. Company D, Yorkville Rifles, Captain John Wilkins, Yorkville, Tenn. Company E, Dixie Rifles, organized at Moscow, Tenn., and composed of Tennesseeans and Mississippians, Captain A. J. Vaughan, Marshall county, Miss. Company F, Wright Boys, Captain Jno. V. Wright, Purdy, McNairy county, Tenn. Company G, Gaines Invincibles, Captain W. E. Winfield, LaGrange, Tenn. Company H, Yancey Rifles, Captain Robert W. Pittman, Hickory Withe, Tenn. Company I, Forked Deer Volunteers, Captain G. S. Ross, Forked Deer, Tenn. Company K, Dyer Grays, Captain S. R. Latta, Dyersburg, Tenn. On the following day, the 4th of June, the election of field officers was held, and resulted in the election of Captain Jno. V. Wright of Company F as Colonel, Captain A. J. Vaughan of Company E as Lieutenant-Colonel, and Captain W. E. Winfield of Company G as Major. The regiment was ordered at once by way of Memphis to Randolph, on the Mississippi river, when the organization was completed by the appointment of Lieutenant W. E. Morgan, Company C, Adjutant; Dr. J. A. Forbes, Company E, Surgeon; Dr. B. F. Dickerson, Company I, Assistant Surgeon; W. E. Dyer, Company G, Commissary; L. B. Cabler, Company A, Regimental Quartermaster; Peter Cole, Company H, Sergeant-Major; and W. D. F. Hafford, Chaplain. The regiment remained at Randolph engaged in drilling, camp duty, etc., until July 26th, when it was ordered to New Madrid, Mo., and placed in a brigade under command of Colonel J. P. McCown, who, under orders from General Gid. J. Pillow, was about to make a campaign into South-west Missouri to prevent reinforcements being sent to the Federal General Lyons, then operating in that section. On the 18th of August, 1861, the troops were moved in the direction of Benton, Mo., where the Thirteenth Regiment arrived on the 19th. This was the first campaign or march of the regiment, and though in the middle of summer during a severe drouth, under a burning sun and over roads shoe deep in sand and dust, it was cheerfully performed, and showed an endurance and fortitude rarely witnessed in new troops. The object of the campaign being accomplished, the command returned to New Madrid on Sept. 2, and on the following day the regiment was ordered to Hickman, Ky., where it was placed in Cheatham's Brigade. At Hickman, on Sept. 4, 1861, the regiment for the first time caught a glimpse of the "boys in blue" and saw the first "burning of gunpowder," which was an artillery duel between the Federal gunboats and the Confederate land batteries; but it was at long range, no damage was done, and the gunboats were soon withdrawn up the river. About this time General Leonidas Polk, commanding the Mississippi Department, determined to occupy Columbus, Ky., and ordered General B. F. Cheatham to proceed at once to that point, where the Thirteenth Regiment arrived Sept. 6, 1861, and was among the first, if not the first, to occupy that important position. Nothing but camp duty, throwing up heavy fortifications and hard and constant drilling occurred in the regiment until Nov. 7, when it was reported that the enemy in heavy force was advancing on Columbus on both sides of the river. The long roll was sounded and every regiment reported at once and fell into line on its parade ground. All were excited and anxious to meet the enemy. Soon it was ascertained that a heavy force had disembarked from their gunboats above and were moving down to a point near Belmont, on the opposite side of the river. The Thirteenth Regiment, under command of Colonel John V. Wright, having been supplied with ammunition, was ordered at once to cross the river and take position on the extreme left of our line of battle near Watson's Battery. Never was a regiment more anxious or more willing to face an enemy. It was the maiden fight of the regiment and every man felt that he was "on his mettle." Though our position was an unfortunate one--in an open field, the enemy being under cover of thick woods--this regiment met the advance with the steadiness of veterans and held its position and fought while comrades fell on every side until the last round of ammunition was exhausted, and the order given to fall back to the river. By the time the regiment reached the river reinforcements had crossed from Columbus which engaged the enemy and checked his further advance. The Thirteenth, obtaining a fresh supply of ammunition, rallied and again advanced gallantly to the contest, which had become fierce and obstinate. In a short time the Federals were driven from their position and fled to their gunboats, hotly pursued by the Confederates. At their gunboats, such was their haste, confusion and disorder that they did not attempt to return the fire. The Federal loss here, as in previous engagements, was heavy. The loss of the Thirteenth Regiment was heavy; out of one hundred and fourteen killed and wounded, thirty-four were killed on the field, among them the very best men of Tennessee. Their names should never be forgotten, and are as follow: Company A--A. Middlemus, First Sergeant; A. J. McCully; Mike McCully; Matthew Rhea, First Lieutenant commanding. Company B--F. M. Stockinger; W. H. Burnett, Second Corporal. Company C--Arthur R. Pittman; J. W. Rogers; Robt. F. Dukes, Lieutenant; J. P. Farrow; J. W. Harris. Company D--W. H. Parks; W. H. Polk; Jno. H. Shaw; Albert G. Zaracer; B. M. Dozier. Company E--S. J. Roberson; Geo. R. Tiller; E. Wales Newby. Company F--H. H. Barnett; E. H. Hill; John A. Jones, Sr.; C. H. Middleton. Company G--P. N. D. Bennett; Jno. Mayo; Jno. C. Penn. Company H--George Hall; Wm. J. Dunlap. Company I--C. C. Cawhon; L. F. Hamlet; John G. Nesbit; H. H. Waggoner; James Hamlet. Company K--Y. W. Hall; K. A. Parrish; Jas. L. Smith. J. P. Farrow and Wm. J. Dunlap were the first men in the regiment who yielded their young lives in battle to the Confederate cause, and were killed by the first volley of the enemy's fire. Early in action Colonel John V. Wright was painfully injured in the knee by the fall of his horse which was shot under him. I, who then took command of the regiment, had two horses shot under me: the first at the very commencement of the engagement; the second (which had been cut out of Watson's Battery after its men had been driven from their guns) was shot just as I reached the river bank. Never did men display more heroic courage and deport themselves in a more soldierlike manner, and while it is impossible in this brief sketch to refer to all the acts of devotion and fidelity to the Southern cause performed by the officers and men of this regiment, Lieutenant Matthew Rhea certainly deserves special mention. As soon as the regiment took position in line of battle, in command of his company (A) he was sent to the extreme left of our line with instruction to extend his line to the river, which he did. By some means the enemy got in between him and the regiment, thus cutting him off. Though surrounded he continued to fight, and rather than surrender his sword, which had been worthily worn by his grandfather, he fell at the hands of the enemy. A braver, truer or more faithful officer never fought for any cause. About this time, if not on the very day of the battle of Belmont, Colonel John V. Wright was elected to the Confederate Congress, and resigned his position as Colonel of the regiment. No man ever stood higher in the estimation of his soldiers or was more beloved by them. Upon the resignation of Colonel Wright I was unanimously elected Colonel of the regiment. I was a disciplinarian while on duty of the strictest school, which for the first months of the war made me very unpopular with volunteer soldiers, but only one fight was necessary to satisfy them that an undisciplined army was nothing more than an armed mob. Adjutant W. E. Morgan was now elected Lieutenant-Colonel, and Lieutenant Richard M. Harwell of Company E was appointed Adjutant. After the battle of Belmont and while at Columbus, Ky., the measles broke out in the regiment, and it was a matter of surprise that there should be so many grown men who had never had the measles. So many were down at one time that there were scarcely enough well ones to wait on the sick, and many died. Early in the spring it became necessary to move our lines further south, and Columbus was evacuated March 12, 1862. The Thirteenth was ordered to Union City, and four days later to Corinth, Miss., where it arrived March 19, 1862. Before leaving Columbus, however, there had been some changes made in the command. General B. F. Cheatham had been promoted to a division commander, and the Thirteenth was assigned to Colonel R. M. Russell's Brigade, General Chas. Clark's Division. In this brigade and division the regiment remained until after the battle of Shiloh. About this time the enemy was known to be landing and concentrating a large force at Pittsburg Landing, on the Tennessee river. It was determined by Gen. Albert Sidney Johnston, who had been placed in command, to give battle; so on the 3rd of April, 1862, the regiment, with the whole army, was moved toward the point of attack, but heavy rains and bad roads prevented forming line of battle until the evening of the 5th of April. That night a council of war was held, and though some officers were opposed, an attack was determined upon. On the morning of the 6th, just as the sun in all its splendor was rising above the horizon, and while in the second line of battle, General Clark rode up to us and stated that Marks' Louisiana Regiment had been repulsed, and asked, "Can you take that battery yonder, which is annoying our troops so much?" Having such unlimited confidence in the Thirteenth, I replied, "We can take it." Whereupon the regiment was moved by the right flank, under cover of a hill, until in proper position, and then fronted the battery and advanced rapidly up the hill. All was well until the crest of the hill was reached, when the enemy opened fire with canister, grape and musketry, which was so severe that it literally tore the regiment in two. But, though, for a moment checked, nothing daunted, our officers and men gallantly stood their ground, and poured into the ranks of the enemy such deadly volleys as to cause them to waver, and then with the "rebel yell" rushed so impetuously upon them that they could no longer stand, precipitately fleeing and leaving battery and dead and wounded on the field. This was indeed a brilliant charge, and only equaled on that battlefield by the charge made shortly afterward by that magnificent regiment, the Fourth Tennessee. But the loss to the regiment was terrible; some of Tennessee's best blood was shed here, and many a noble spirit sank to rise no more. The balance of the day the regiment, though not actively engaged, was for the most time under heavy fire in changing and shifting positions and in supporting and relieving other troops. It was present and assisted in capturing Gen. Lew Wallace[A] and his brigade late in the evening on the bank of the Tennessee river, to which point we had driven the enemy. Here, because of the steep bluff, the gunboats could not reach us, and a rain of iron and lead passed over our heads until late in the night. Under orders the regiment retired from the river bank and bivouaced for the night in the enemy's camp, rich with quartermaster's stores, commissary supplies and sutlers' goods. [Footnote A: By oversight I have printed on page 16 the name LEW WALLACE. Of course it should have been GEN. PRENTICE.] Every officer and soldier of the regiment sank to sleep serenaded by the guns from the river, and supposed that the battle was won and the victory ours. But how sadly disappointed next morning, when it was known that Buell had arrived and crossed the river that night with his whole army, and was drawn up in line with fresh troops to renew the contest. Though not anticipating such a state of affairs, the regiment was formed by early dawn and moved forward to meet the enemy as proudly and defiantly as on the day before. But their batteries, within easy range and supported by columns of infantry, opened such a terrible fire of grape and canister that we were forced to retire and seek shelter beyond the next ridge. By this time the whole Confederate forces were hotly engaged, and from right to left was one continuous roar of artillery and musketry. The struggle was terrific, and closer and harder fighting was never done on any battlefield; and though the enemy were held at bay from early dawn till nearly noon, it was apparent that the unequal contest could not be much longer maintained. So the Confederate forces were gradually withdrawn, and the army returned to its old camp grounds at Corinth, Miss. No attempt was made by the enemy to follow. The first day's fight of this battle was the grandest of the war--less friction, more concert of action, more thorough co-operation and better generalship displayed--everything moved with clock-like precision--a master mind directed the whole until General A. S. Johnston fell. Throughout the two days' fight every officer and man of the Thirteenth did his whole duty, as shown by the heavy loss in killed and wounded. We lost one hundred and twelve men killed and wounded, and of this number forty-two fell dead on the bloody field, thus sealing their devotion with their lives to the cause they believed right. Their names deserve to be remembered by their countrymen, and are as follow: Robert Thompson, B. F. Eaton, H. B. Hunt, R. Harrison, J. M. Moore, James Moore, N. Matthews, R. M. Thompson and Lieut. C. H. Whitmore of Company A; J. G. Babbett, Lieut. S. B. Dugan and Henry Walker of Company B; W. B. Dukes, C. P. Graham, H. J. Hutchinson, Thos. Rainey (color bearer) and W. L. Stokes of Company C; Second Lieut. W. F. Cowan, First Lieut. J. W. Cunningham, R. D. Eaton and Capt. John A. Wilkins of Company D; D. C. Arnett, D. C. Bull, J. C. Black and M. C. Grisson of Company E; M. Donelly, J. N. Guthrie, Jno. Morgan, William Saunders, J. D. Springer and B. Thomas of Company F; M. M. McKinstry, J. H. Brown and J. O. Winfield of Company G; E. O. Chambers, S. O. Cole, D. R. Royster and Carr Young of Company H; Jno. Mitchell, Lewis Roberson, J. N. Vandyke and G. W. Borger of Company I; Carroll Chitwood of Company K. From the opening to the close of this engagement I was most ably and efficiently assisted in the management and direction of the regiment by Lieut.-Col. W. E. Morgan, Adjutant R. M. Harwell, and Major W. E. Winfield. Adjutant Harwell was painfully wounded in the first engagement but remained at his post of duty until the close of the struggle. Lieut.-Colonel Morgan and Major Winfield had their horses shot, and I had two horses shot under me and was struck by a spent ball that did no serious harm. While at Corinth, the period for which the regiment had enlisted having expired, it re-enlisted for the war and reorganized. Company A, from some disaffection or dissatisfaction, refused to reorganize, and was consolidated with Company D, and the deficiency supplied by the admission of Company L, Zollicoffer's Avengers, Captain C. B. Jones, of LaGrange, Tenn. On the 28th of April, 1862, the reorganization was perfected by the election of the following officers: I was unanimously re-elected Colonel; W. E. Morgan unanimously re-elected Lieutenant-Colonel; Sergeant-Major P. H. Cole elected Major; Lieut. R. M. Harwell re-elected Adjutant. Many changes were made in line officers, but the writer has no data from which to supply them. While at Corinth the regiment, from the use of bad and unhealthy water, suffered very much with sickness, and many were furloughed on sick leave to recuperate for the summer campaign. The enemy in the meantime having recovered from the severe blow received at Shiloh commenced to advance on Corinth by gradual approaches, and by the latter part of May was in the vicinity of that place. The regiment was daily engaged in heavy skirmishes, and sometimes in sharp engagements but with small losses. On May 13, 1862, Corinth was evacuated, and the Thirteenth fell back by way of Baldwin to Tupelo, Miss. Here, with good water, the health of the regiment improved rapidly, and with strict discipline and constant drilling we soon became one of the crack regiments in that army. About this time General Charles Clark, commanding the division, was assigned to another department, and his division broken up and assigned to other commands. The Thirteenth was assigned to Cheatham's Division and General Preston Smith's Brigade, which, on July 10, 1862, was ordered to report to General E. Kirby Smith at Knoxville, Tenn., who was about to make a campaign into Kentucky. Everything being ready the Thirteenth, with the forces under General Smith, moved on the 13th day of August into Kentucky by way of Wilson Gap, and on the 18th of August arrived at Cumberland Gap after a weary and toilsome march of five days. From this point by way of Manchester the forces were moved in the direction of Richmond, Ky. The enemy was watching the movement, and had sent forward General Bull Nelson with a large force of infantry, artillery and cavalry to check our advance. A battle was now imminent. Early on the morning of August 30 the army was put in motion, and by 8 o'clock while marching up the road a shell from the enemy's battery not far off came whizzing over the head of our advancing column and exploded high in the air. The Thirteenth with the other regiments of the brigade immediately deployed in line of battle on the right of the road, when Allen's sharpshooters under command of Lieut. Creighton were sent forward and deployed as skirmishers, with instructions to feel the enemy and develop their position. This being done the regiment with the brigade was ordered to advance, and in a short time a most terrific fire was opened by both sides from one end of the line to the other. The enemy occupied a strong position and stubbornly held their ground, but onward the Confederates continued to march, when, with a charge and a yell in front and a volley on their flank, which General Smith with the One Hundred and Fifty-fourth Sr. had succeeded in reaching, the enemy precipitately fled, hotly pursued and pressed by the Confederates. The enemy lay thick upon the field, and their loss was heavy. The Thirteenth's loss was also heavy in officers and men, and among them some of Tennessee's best and bravest soldiers. It was in this first engagement that Lieutenant Edward Lanier of Company G was killed, a young, brilliant and gallant officer who, had he lived, would either as citizen or soldier have inscribed his name high up on the roll of fame. Gifted by nature, young, aspiring and ambitious it seemed hard that he should have been stricken down at the very threshold of his manhood. A truer soldier never shed his blood on his country's altar. Here, too, General Pat Cleburne was wounded in the mouth, and had to retire from the field, whereupon the command of the division devolved upon Brigadier-General Preston Smith, and that of the brigade on me, and that of the regiment on Lieutenant-Colonel W. E. Morgan. The enemy after retiring a couple of miles made a second stand, but so impetuous was the second attack that after a short engagement they broke in disorder and confusion, and did not halt until at or near Richmond, where for the last time they made a stand, and it was here that they were completely routed and demoralized. This was the most complete victory gained during the war in which the Thirteenth participated. Nothing escaped. All the enemy's artillery, their artillery horses, their transportation, quartermaster and commissary supplies, together with all their camp equipage fell into the hands of the Confederates. In this engagement our forces captured and paroled more officers and men than General E. Kirby Smith had in his command. The Thirteenth did its whole duty, as attested by the killed on that battlefield as follow: R. A. Donalson, W. L. Fullerton, S. G. Lawrence, Company A; T. F. Gaither, Company B; W. L. Rhodes, Company C; Jas. J. Lawrence, W. H. Minter, Company D; T. M. Ballard, Company E; H. L. Winningham, Company F; Lieutenant Edward Lanier, Edward Dicks, Company G; Wm. Claiburn, R. H. Crouch, Company H; John Reed, R. R. Stone, B. F. Holtom, Company I; John H. Gates, B. G. Sims, H. A. Gray, J. S. Jenkins, M. R. Winfield, B. W. Wilkerson, Company L. In this battle I received from the hands of a captain of an Indiana company a beautiful and highly ornamented sword, which had been presented to him by the citizens of his town when he started to the war. After the first attack the Federal captain was retreating with his company when he was shot in the leg. Unable to proceed further a private of the Thirteenth ran up to him and ordered the surrender of his sword. This he refused to do, saying that he would surrender it to an officer, but never to a private. This so enraged the private that he was in the very act of shooting him when I rode up and ordered him not to shoot a prisoner, whereupon the officer extended to me his sword, and thanked me for saving his life. I wore this sword a long time, but while on leave of absence left it in charge of a young Confederate officer who, being insulted by a <DW64>, broke it over his head. After the battle of Richmond the Thirteenth with the brigade marched to Lexington, Ky.; thence to Cynthiana, thence to Covington, thence to Frankfort, and joined Gen. Bragg's army just before the battle of Perryville, where it rejoined Cheatham's Division. The next engagement was the battle of Perryville, which was fought on October 8, 1862. In this battle the Thirteenth with the brigade was not actively engaged, but was held in reserve, and with the brigade acted as rear guard to the army on its march out of Kentucky. Our march into Kentucky was an ovation. We were the first infantry troops to enter that part of the State, and as soon as we crossed the mountains and struck the Blue Grass region, the demonstration of sympathy for the South and the hearty welcome extended us filled every heart with profound gratitude. Citizens all along our line of march received us with open arms, and showed us every hospitality. When we halted for the night, droves of fattest cattle, herds of the fattest sheep, and wagonloads of corn and hay, were driven to our camp. Even the women--God bless them--brought to our soldiers the delicacies of the table and garden. We thought that Kentucky was ours, and that no Federal force would invade her beautiful territory; but, alas! how soon the scene shifted. The retreat out of Kentucky was one of greater trial and hardship than any march made during the war. Over a rough and barren country, without shoes and thinly clad, with scarcely anything to eat, the suffering was great, yet it was borne with fortitude and without a murmur. The regiment, with the army, reached Knoxville on October 24, 1862. From Knoxville the Thirteenth was moved by rail to Tullahoma, where it received a fresh supply of clothing, blankets, shoes, etc., which was so much needed. After a few weeks' rest we were marched to Murfreesboro, where we arrived the latter part of November, 1862. It was here that smallpox broke out in the regiment, and it was detached from the brigade, but by strict quarantine and vaccination it was soon checked--not, however, without the loss of some good soldiers. Early on the morning of December 30, 1862, we commenced that hard-fought and stubbornly-contested battle of Murfreesboro, or Stone River. It was a most terrific contest--one that brought forth those shining and brilliant qualities of the Southern volunteer which made him so renowned in the Mexican and other wars. In the absence of Brigadier-General Preston Smith, I was in command of the brigade and Lieutenant-Col. W. E. Morgan in command of the regiment. In this fight the Thirteenth, as in every other from Belmont to Murfreesboro, took an active part, and did its whole duty and gathered fresh laurels. It was the most satisfactory fight, both to the officers and men, that was made by the regiment during the war. With the exception of a slight check in the morning, it drove the enemy from every position from early dawn till late in the evening; and though every inch of ground was fiercely contested, the regiment never faltered, but onward like an avalanche it swept everything before it. I had two horses shot under me, and the horse of every field and staff officer of the regiment was killed. In this engagement I witnessed an exhibition of discipline and coolness that I never saw on any other battlefield. We had in our front and opposed to us a brigade of United States Regulars; they were formed in two lines of battle some distance apart. Firing as we advanced, their first line waited until we got within easy range and then coolly delivered their fire; without waiting to reload they faced to the rear and double-quicked through their second line and reformed in line of battle. The second line then awaited our approach, and though their men were falling fast around them, they coolly delivered their fire and retired through the first line and reformed in line of battle; and thus they continued to fire and fall back until they were driven across a large field. Their lines were plainly marked by their dead, who lay thick upon the ground. These were Americans fighting Americans--the one, the trained soldier, who fought because he was ordered to do so, and because of the old flag and that Union which he believed ought to be eternal; the other, the Southern volunteer, who fought because he believed that his home and fireside were invaded and that his constitutional rights were trampled upon. Both exhibited a courage which commands the world's admiration. In this battle a battery of four beautiful Napoleon guns was captured from the Federals. Four divisions of our army claimed to have participated in the capture, and each division laid claims to the battery. A conference of the officers of the divisions was called, and after a full discussion and careful consideration of the claims of each division, it was decided that one of the guns should be given to each division, and that upon it should be inscribed the name of the most gallant and meritorious soldier who fell on that battlefield. One of the guns was given to Cheatham's Division and assigned to Preston Smith's Brigade. At that time I was Colonel of the Thirteenth Tennessee Regiment and W. E. Morgan Lieutenant-Colonel; but in the absence of Gen. Preston Smith I commanded the brigade and Lieutenant-Colonel Morgan the regiment. He fell in the first day's fight, and by unanimous consent his name was inscribed upon the gun, and read as follows: "L
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Produced by Angela M. Cable MEMOIRS OF SHERLOCK HOLMES by Sir Arthur Conan Doyle Adventure I. Silver Blaze "I am afraid, Watson, that I shall have to go," said Holmes, as we sat down together to our breakfast one morning. "Go! Where to?" "To Dartmoor; to King's Pyland." I was not surprised. Indeed, my only wonder was that he had not already been mixed up in this extraordinary case, which was the one topic of conversation through the length and breadth of England. For a whole day my companion had rambled about the room with his chin upon his chest and his brows knitted, charging and recharging his pipe with the strongest black tobacco, and absolutely deaf to any of my questions or remarks. Fresh editions of every paper had been sent up by our news agent, only to be glanced over and tossed down into a corner. Yet, silent as he was, I knew perfectly well what it was over which he was brooding. There was but one problem before the public which could challenge his powers of analysis, and that was the singular disappearance of the favorite for the Wessex Cup, and the tragic murder of its trainer. When, therefore, he suddenly announced his intention of setting out for the scene of the drama it was only what I had both expected and hoped for. "I should be most happy to go down with you if I should not be in the way," said I. "My dear Watson, you would confer a great favor upon me by coming. And I think that your time will not be misspent, for there are points about the case which promise to make it an absolutely unique one. We have, I think, just time to catch our train at Paddington, and I will go further into the matter upon our journey. You would oblige me by bringing with you your very excellent field-glass." And so it happened that an hour or so later I found myself in the corner of a first-class carriage flying along en route for Exeter, while Sherlock Holmes, with his sharp, eager face framed in his ear-flapped travelling-cap, dipped rapidly into the bundle of fresh papers which he had procured at Paddington. We had left Reading far behind us before he thrust the last one of them under the seat, and offered me his cigar-case. "We are going well," said he, looking out the window and glancing at his watch. "Our rate at present is fifty-three and a half miles an hour." "I have not observed the quarter-mile posts," said I. "Nor have I. But the telegraph posts upon this line are sixty yards apart, and the calculation is a simple one. I presume that you have looked into this matter of the murder of John Straker and the disappearance of Silver Blaze?" "I have seen what the Telegraph and the Chronicle have to say." "It is one of those cases where the art of the reasoner should be used rather for the sifting of details than for the acquiring of fresh evidence. The tragedy has been so uncommon, so complete and of such personal importance to so many people, that we are suffering from a plethora of surmise, conjecture, and hypothesis. The difficulty is to detach the framework of fact--of absolute undeniable fact--from the embellishments of theorists and reporters. Then, having established ourselves upon this sound basis, it is our duty to see what inferences may be drawn and what are the special points upon which the whole mystery turns. On Tuesday evening I received telegrams from both Colonel Ross, the owner of the horse, and from Inspector Gregory, who is looking after the case, inviting my cooperation." "Tuesday evening!" I exclaimed. "And this is Thursday morning. Why didn't you go down yesterday?" "Because I made a blunder, my dear Watson--which is, I am afraid, a more common occurrence than any one would think who only knew me through your memoirs. The fact is that I could not believe it possible that the most remarkable horse in England could long remain concealed, especially in so sparsely inhabited a place as the north of Dartmoor. From hour to hour yesterday I expected to hear that he had been found, and that his abductor was the murderer of John Straker. When, however, another morning had come, and I found that beyond the arrest of young Fitzroy Simpson nothing had been done, I felt that it was time for me to take action. Yet in some ways I feel that yesterday has not been wasted." "You have formed a theory, then?" "At least I have got a grip of the essential facts of the case. I shall enumerate them to you, for nothing clears up a case so much as stating it to another person, and I can hardly expect your co-operation if I do not show you the position from which we start." I lay back against the cushions, puffing at my cigar, while Holmes, leaning forward, with his long, thin forefinger checking off the points upon the palm of his left hand, gave me a sketch of the events which had led to our journey. "Silver Blaze," said he, "is from the Somomy stock, and holds as brilliant a record as his famous ancestor. He is now in his fifth year, and has brought in turn each of the prizes of the turf to Colonel Ross, his fortunate owner. Up to the time of the catastrophe he was the first favorite for the Wessex Cup, the betting being three to one on him. He has always, however, been a prime favorite with the racing public, and has never yet disappointed them, so that even at those odds enormous sums of money have been laid upon him. It is obvious, therefore, that there were many people who had the strongest interest in preventing Silver Blaze from being there at the fall of the flag next Tuesday. "The fact was, of course, appreciated at King's Pyland, where the Colonel's training-stable is situated. Every precaution was taken to guard the favorite. The trainer, John Straker, is a retired jockey who rode in Colonel Ross's colors before he became too heavy for the weighing-chair. He has served the Colonel for five years as jockey and for seven as trainer, and has always shown himself to be a zealous and honest servant. Under him were three lads; for the establishment was a small one, containing only four horses in all. One of these lads sat up each night in the stable, while the others slept in the loft. All three bore excellent characters. John Straker, who is a married man, lived in a small villa about two hundred yards from the stables. He has no children, keeps one maid-servant, and is comfortably off. The country round is very lonely, but about half a mile to the north there is a small cluster of villas which have been built by a Tavistock contractor for the use of invalids and others who may wish to enjoy the pure Dartmoor air. Tavistock itself lies two miles to the west, while across the moor, also about two miles distant, is the larger training establishment of Mapleton, which belongs to Lord Backwater, and is managed by Silas Brown. In every other direction the moor is a complete wilderness, inhabited only by a few roaming gypsies. Such was the general situation last Monday night when the catastrophe occurred. "On that evening the horses had been exercised and watered as usual, and the stables were locked up at nine o'clock. Two of the lads walked up to the trainer's house, where they had supper in the kitchen, while the third, Ned Hunter, remained on guard. At a few minutes after nine the maid, Edith Baxter, carried down to the stables his supper, which consisted of a dish of curried mutton. She took no liquid, as there was a water-tap in the stables, and it was the rule that the
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Produced by Barbara Tozier, Bill Tozier, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net THE VERBALIST: _A MANUAL_ DEVOTED TO BRIEF DISCUSSIONS OF THE RIGHT AND THE WRONG USE OF WORDS AND TO SOME OTHER MATTERS OF INTEREST TO THOSE WHO WOULD SPEAK AND WRITE WITH PROPRIETY. BY ALFRED AYRES. We remain shackled by timidity till we have learned to speak with propriety.--JOHNSON. As a man is known by his company, so a man's company may be known by his manner of expressing himself.--SWIFT. [Illustration] NEW YORK: D. APPLETON AND COMPANY, 1, 3, AND 5 BOND STREET. 1887. COPYRIGHT BY D. APPLETON AND COMPANY, 1881 Transcriber's Note Minor typographical errors have been corrected without note. Archaic spellings have been retained as printed. PREFATORY NOTE. The title-page sufficiently sets forth the end this little book is intended to serve. For convenience' sake I have arranged in alphabetical order the subjects treated of, and for economy's sake I have kept in mind that "he that uses many words for the explaining of any subject doth, like the cuttle-fish, hide himself in his own ink." The curious inquirer who sets himself to look for the learning in the book is advised that he will best find it in such works as George P. Marsh's "Lectures on the English Language," Fitzedward Hall's "Recent Exemplifications of False Philology," and "Modern English," Richard Grant White's "Words and Their Uses," Edward S. Gould's "Good English," William Mathews' "Words: their Use and Abuse," Dean Alford's "The Queen's English," George Washington Moon's "Bad English," and "The Dean's English," Blank's "Vulgarisms and Other Errors of Speech," Alexander Bain's "English Composition and Rhetoric," Bain's "Higher English Grammar," Bain's "Composition Grammar," Quackenbos' "Composition and Rhetoric," John Nichol's "English Composition," William Cobbett's "English Grammar," Peter Bullions' "English Grammar," Goold Brown's "Grammar of English Grammars," Graham's "English Synonymes," Crabb's "English Synonymes," Bigelow's "Handbook of Punctuation," and other kindred works. Suggestions and criticisms are solicited, with the view of profiting by them in future editions. If "The Verbalist" receive as kindly a welcome as its companion volume, "The Orthoëpist," has received, I shall be content. A. A. NEW YORK, _October_, 1881. Eschew fine words as you would rouge.--HARE. Cant is properly a double-distilled lie; the second power of a lie.--CARLYLE. If a gentleman be to study any language, it ought to be that of his own country.--LOCKE. In language the unknown is generally taken for the magnificent.--RICHARD GRANT WHITE. He who has a superlative for everything, wants a measure for the great or small.--LAVATER. Inaccurate writing is generally the expression of inaccurate thinking.--RICHARD GRANT WHITE. To acquire a few tongues is the labor of a few years; but to be eloquent in one is the labor of a life.--ANONYMOUS. Words and thoughts are so inseparably connected that an artist in words is necessarily an artist in thoughts.-WILSON FLAGG. It is an invariable maxim that words which add nothing to the sense or to the clearness must diminish the force of the expression.--CAMPBELL. Propriety of thought and propriety of diction are commonly found together. Obscurity of expression generally springs from confusion of ideas.--MACAULAY. He who writes badly thinks badly. Confusedness in words can proceed from nothing but confusedness in the thoughts which give rise to them.--COBBETT. THE VERBALIST. A--AN. The second form of the indefinite article is used for the sake of euphony only. Herein everybody agrees, but what everybody does not agree in is, that it is euphonious to use _an_ before a word beginning with an aspirated _h_, when the accented syllable of the word is the second. For myself, so long as I continue to aspirate the _h's_ in such words as _heroic_, _harangue_, and _historical_, I shall continue to use _a_ before them; and when I adopt the Cockney mode of pronouncing such words, then I shall use _an_ before them. To my ear it is just as euphonious to say, "I will crop off from the top of his young twigs a tender one, and will plant it upon _an_ high mountain and eminent," as it is to say _an_ harangue, _an_ heroic, or _an_ historical. _An_ is well enough before the doubtful British aspiration, but before the distinct American aspiration it is wholly out of place. The reply will perhaps be, "But these _h's_ are silent; the change of accent from the first syllable to the second neutralizes their aspiration." However true this may be in England, it is not at all true in America; hence we Americans should use _a_ and not _an_ before such _h's_ until we decide to ape the Cockney mode of pronouncing them. Errors are not unfrequently made by omitting to repeat the article in a sentence. It should always be repeated when a noun or an adjective referring to a distinct thing is introduced; take, for example, the sentence, "He has a black and white horse." If two horses are meant, it is clear that it should be, "He has a black and _a_ white horse." See THE. ABILITY--CAPACITY. The distinctions between these two words are not always observed by those who use them. "_Capacity_ is the power of receiving and retaining knowledge with facility; _ability_ is the power of applying knowledge to practical purposes. Both these faculties are requisite to form a great character: capacity to conceive, and ability to execute designs. Capacity is shown in quickness of apprehension. Ability supposes something done; something by which the mental power is exercised in executing, or performing, what has been perceived by the capacity."--Graham's "English Synonymes." ABORTIVE. An outlandish use of this word may be occasionally met with, especially in the newspapers. "A lad was yesterday caught in the act of _abortively_ appropriating a pair of shoes." That is abortive that is untimely, that has not been borne its full time, that is immature. We often hear _abortion_ used in the sense of failure, but never by those that study to express themselves in chaste English. ABOVE. There is little authority for using this word as an adjective. Instead of, "the _above_ statement," say, "the _foregoing_ statement." _Above_ is also used very inelegantly for _more than_; as, "above a mile," "above a thousand"; also, for _beyond_; as, "above his strength." ACCIDENT. See CASUALTY. ACCORD. "He [the Secretary of the Treasury] was shown through the building, and the information he desired was _accorded_ him."--Reporters' English. "The heroes prayed, and Pallas from the skies _Accords_ their vow."--Pope. The goddess of wisdom, when she granted the prayers of her worshipers, may be said to have _accorded_; not so, however, when the clerks of our Sub-Treasury answer the inquiries of their chief. ACCUSE. See BLAME IT ON. ACQUAINTANCE. See FRIEND. AD. This abbreviation for the word _advertisement_ is very justly considered a gross vulgarism. It is doubtful whether it is permissible under any circumstances. ADAPT--DRAMATIZE. In speaking and in writing of stage matters, these words are often misused. To _adapt_ a play is to modify its construction with the view of improving its form for representation. Plays translated from one language into another are usually more or less _adapted_; i. e., altered to suit the taste of the public before which the translation is to be represented. To _dramatize_ is to change the form of a story from the narrative to the dramatic; i. e., to make a drama out of a story. In the first instance, the product of the playwright's labor is called an _adaptation_; in the second, a _dramatization_. ADJECTIVES. "Very often adjectives stand where adverbs might be expected; as, 'drink _deep_,' 'this looks _strange_,''standing _erect_.' "We have also examples of one adjective qualifying another adjective; as, '_wide_ open,' '_red_ hot,' 'the _pale_ blue sky.' Sometimes the corresponding adverb is used, but with a different meaning; as, 'I found the way _easy_--_easily_'; 'it appears _clear_--_clearly_.' Although there is a propriety in the employment of the adjective in certain instances, yet such forms as '_indifferent_ well,' '_extreme_ bad,' are grammatical errors. 'He was interrogated _relative_ to that circumstance,' should be _relatively_, or _in relation to_. It is
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SUFFRAGE*** E-text prepared by Richard Tonsing and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images digitized by the Google Books Library Project (https://books.google.com) and generously made available by HathiTrust Digital Library (https://www.hathitrust.org/) Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 57474-h.htm or 57474-h.zip: (http://www.gutenberg.org/files/57474/57474-h/57474-h.htm) or (http://www.gutenberg.org/files/57474/57474-h.zip) Images of the original pages are available through HathiTrust Digital Library. See https://babel.hathitrust.org/cgi/pt?id=uc1.31175035167884 Transcriber’s note: Text enclosed by underscores is in italics (_italics_). _PRICE ONE PENNY._ SOCIAL-DEMOCRACY AND WOMAN SUFFRAGE. [Illustration] A Paper Read by CLARA ZETKIN To the Conference of Women belonging to the Social-Democratic Party held at Mannheim before the opening of the 1906 Annual Congress of the German Social-Democracy Twentieth Century Press, Limited (Trade Union and 48 hours), 37A, Clerkenwell Green, E.C. ------------------------------------------------------------------------ SOCIAL-DEMOCRACY & WOMAN SUFFRAGE. A Paper Read by CLARA ZETKIN To the Conference of Women belonging to the Social-Democratic Party held at Mannheim, before the opening of the Annual Congress of the German Social-Democracy. Comrades,—The decision to discuss the question of Woman Suffrage at this Congress was not arrived at from any theoretical considerations, or from any wish to point out the advisability of such a measure. This desirability has long been acknowledged by Social-Democrats, and by the women who work with them for the attainment of their aims. We have been much more interested in the tactics and in the historical events about which I am now going to speak. There never was greater urgency than at the present time for making the question of Woman Suffrage one of the chief demands of our practical programme in politics. It is well for us, therefore, to be clear that we are on the right lines, and in what conditions and in what ways we should conduct the agitation, the action, the struggle for Woman Suffrage so as to bring it before the public as a question of intense practical activity for all. But we should not be what we are, we should not be working-class women agitators who base their demands on the ground of a Socialist demand, if we did not, when seeking on the right lines, with all our strength, for this right, at the same time show why we base our claim for this reform, and how we are totally separated from those who only agitate for this from the point of view of middle-class women. We take our stand from the point of view that the demand for Woman Suffrage is in the first place a direct consequence of the capitalist method of production. It may seem perhaps to others somewhat unessential to say this so strongly, but not so to us, because the middle-class demand for women’s rights up to the present time still bases its claims on the old nationalistic doctrines of the conception of rights. The middle-class women’s agitation movement still demands Woman Suffrage to-day as a natural right, just as did the speculative philosophers in the eighteenth and nineteenth centuries. We, on the contrary, basing our demand on the teachings of economics and of history, advocate the suffrage for women as a social right, which is not based on any natural right, but which rests on social, transient conditions. Certainly in the camp of the Suffragettes it is also understood that the revolution which the capitalist method of production has caused in the position of women, has been of great importance in causing many to agitate for their rights. But this is not given as the most important reason, the tendency is to put this in the background, and, as an illustration of this, I would refer, for example, to the declaration of principles which the middle-class international association for the attainment of Woman Suffrage formulated at its first Congress in Berlin, in June, 1904, when the constitution of the society was drawn up. In this declaration of principles there are stated firstly, secondly, and thirdly, considerations from a purely natural-right point of view, which were inspired from a sentimentalist standpoint due to idealistic considerations, and it will need other grounds of action, other considerations, other ideals if the masses are ever to be reached. It was only when they came to the fourth clause, after talking about the economic revolution of society, that they began to think about the industrial activity of women. But in what connection? There it was stated that Woman Suffrage is required, owing to the increase of wealth, which has been attained by the labours of women. Comrades, I declare that the strongest and greatest demand for women’s rights is not due to the increase of wealth among women, but that it is based on the poverty, on the need, on the misery of the great mass of women. We must reject with all our might this middle-class agitation of women, which is only a renewed idle prattling about national wealth. If you simply argue from the point of view of natural rights, then we should be justified in adapting the words which Shakespeare puts into the mouth of Shylock. We might say, “Hath not a woman eyes? Hath not a woman hands, organs, dimensions, senses, affections, passions, fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a _man_ is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die?” But, comrades, though these questions might be of momentary use, yet in the struggle for social rights they are like a weapon which breaks as soon as it is used in fighting. The right to Woman Suffrage is based for us in the variation of social life which has come about through the capitalist methods of production, and more especially through the fact of women working for their living, and in the greatest degree through the enrolment of working women in the army of industry. This has given the greatest impetus to the movement. I agree that there are facts which appear to go against this movement. It is a fact that the agitation for Woman Suffrage, though in a weakened form, already existed in many countries before capitalist production had become more important than anything else, before it had reached its highest point, and had been able to attain its greatest development owing to the exploitation of women’s labour. In Russia, in the village communes, women were able to take an equal share with men, in certain cases, in the government of the communes. This is an old custom, which has been duly recognised by Russian law. But this right is due to the fact that in Russia the old customs of the rights of mothers have lasted for a longer time than in the West of Europe, and that there women enjoy this right not as persons or as individuals, but as guardians of the household, and of the common property which has lasted longer there. In many other States, as well as in many provinces, of Prussia, there is still a species of woman suffrage. In the seven eastern provinces, as well as in Westphalia and Schleswig-Holstein, the women in the country districts have votes for the local bodies. But under what conditions? Not every woman has the right of voting, but it is restricted to those who own land and pay taxes. The same rule obtains not only in the country but also in the towns, in part of the Palatinate, and in other places. In Austria, too, the women in the country districts have the right of voting for the members of the local district authorities, but only in so far as they are owners of land and inasmuch as they are taxpayers, and it is thought that they will soon be able to vote for the election of members of the local diets and of the Reichsrath. And the consequence is that, in many Crown lands of Austria there are women who are indirectly electors for the Reichsrath, because they are allowed to vote for the delegates who choose the representatives for that body. In Sweden women who fulfil the same conditions of property are also allowed to vote in the elections for local bodies. But when we carefully consider all these cases, we find that women do not vote because they are women; they do not enjoy, so to speak, a personal vote, but they only have this right because they are owners of property and taxpayers. That is not the kind of Woman Suffrage which we demand; it is not the right we desire to give a woman, as a burgess of the State, it is only a privilege of property. In reality, all these and similar schemes stand out in marked contrast to the demand for Woman Suffrage which we advocate. In England we find, too, that women may take part in elections for local bodies; but this again is only under conditions of owning a certain amount of property or paying a certain sum in taxes. But when we demand Woman Suffrage, we can only do so on the ground, not that it should be a right attached to the possession of a certain amount of property, but that it should be inherent in the woman herself. This insistence of the personal right of woman to exercise her own influence in the affairs of the town and the State has received no small measure of support, owing to the large increase in the capitalist methods of production. You all know that already in the beginning of the capitalist development these thoughts found their first exponents among members of the middle-class democracy. There is no need for the middle-class to be ashamed of this, that they—in the time of their youth—still dreamed their dreams, and that their more advanced members were brave fighters in the struggle for women’s rights. We see, moreover, people in England arguing in favour of Woman Suffrage as a personal right. We see them also striving like the French middle-class, which achieved their political emancipation over the body of Louis Capet. We see that they fought with great energy during the struggle in North America for the abolition of slavery. Briefly, in all those periods in which the middle-class agitated for the complete attainment of democratic principles as a means of effecting its own political emancipation and securing power, it also fought for the recognition of equal rights for women. But with whatever zeal and whatever trouble and whatever energy this question of the rights of women was demanded by the middle-class, yet it was not till the advent of Socialism that the struggle began in earnest. Already in 1792 Mary Wollstonecraft, in her celebrated work, “The Claims of Woman,” already in 1787, Condorcet, in his Letters from a Citizen of Newhaven,[1] had claimed equal rights for women; and the cause also received an impetus from the French Revolution. The demand for Woman’s Suffrage was inscribed among the list of reforms desired by some electors at the French Revolution, and a petition asking for it was also presented to the National Assembly. But this body contented itself by issuing a platonic declaration that it relegated the question to the consideration of mothers and daughters. But in 1793 the Committee of Public Safety, on the motion of Amar, dissolved all the women’s organisations, and forbade their meetings. Then the French middle-classes gave up the struggle for Woman Suffrage; and the first Socialists—the Utopians—Saint Simon and Fourier, and their disciples, took up the cause. In 1848 Victor Considérant, in 1851 Pierre Leroux, agitated concerning this question. But they received no encouragement, and their arguments were received with scorn and derision. In the English Parliament in 1866 a numerously signed petition in favour of Woman Suffrage was first presented by John Stuart Mill, one of the most enlightened minds of the democratic middle-class. Footnote 1: “Letters from a Citizen of Newhaven to a Citizen of Virginia on the Uselessness of Dividing the Legislative Power in Several Bodies.” These struggles for the emancipation of women have indeed secured some concessions, and many advantages have been gained; but the political emancipation of the female sex to-day, and especially in industrial lands, is as far off as ever, while the most stalwart exponents of middle-class democracy for men, having attained most of their demands, are no longer clamouring, as during the fight, for equal rights for women. The preliminary condition for success is that there should be a great increase in capitalist production. It stands in the closest relation with the revolutionising of the household. With the increase of industry, which in primitive conditions was carried on in the family, and when that family carried out industrial operations as a whole in the home, there was not then a demand for the emancipation of woman from the family and the household, and women did not then, always living at home, feel the need for political power. The same machinery which drove with decisive power the home industries from the family, allowed woman to become an active worker outside the home, and her advent on the labour market produced not only new economic, but also new social, effects. The destruction of the old middle-class woman’s world has created, of necessity, a new moral purpose in women’s lives, in order to secure to them new advantages. Therefore, the middle-class woman’s world was compelled to recognise the necessity of advocating the political emancipation of women as a precious and useful weapon, and with its help to endeavour to procure changes in the law, so that man should no longer enjoy a monopoly, and prevent women from earning their living. In the proletarian women’s world the need, so far from being less, was indeed much greater to obtain political power, and they advocated complete political emancipation. Hundreds of thousands, nay millions, of women workers have been exploited by capitalist methods. Statistics are there to show how in all capitalist countries women are more and more going into the labour market. In Germany, the last census (that of 1895) gives the number of women working as 6,578,350, and of these the workers in factories, etc., were no less than 5,293,277. In Austria, in 1890, there were 6,245,073 women working, and of these there were 5,310,639 working in factories; in France, in 1890, the numbers were 5,191,084 and 3,584,518; in the United States, in 1890, 3,914,571 and 2,864,818; in England and Wales, in 1891, 4,016,571 and 3,113,256. This I only give as an illustration, not only to show that women deserve the suffrage, but also to show what importance the labour of women has attained. It is evident that the question of woman’s rights must be greatly influenced, owing to the fact of so many women being in the labour market. Hundreds of thousands of working women who labour with their brains are just as much exploited by the action of capitalists and middle-men as the millions of women who work with their hands, because the whole capitalist class hangs together, and defends its interests. By this economic process, women have also been taught to think and act for themselves. And they now demand Universal Suffrage as a social necessity of life as the aim and means which will give them a stimulus to obtain protection and improvement by obtaining an improvement in their economic and moral interests. But when we place the demand for Woman Suffrage in the front as a social necessity, we also argue that it should be granted to us as a self-evident act of justice. Woman is not only now emancipated from the family and the home, but she is determined to use the activity of her brain and hand in order, just as man, to improve her mental and social position, for the clear light which the furnace of great factories has thrown on the path of woman has made her conscious of the social worth of her activity, and has directed it into other channels. It has taught her the great social importance and the great social worth of her career as a mother and the educator of youth. For the multitude of women who go to factories will generally become wives; they then will become mothers and bear children, and they know that the care which they give to their new-born children, the zeal with which they discharge their duties in training children, shows that the service rendered by the mother in the home is no private service simply to her husband, but an activity which is of the highest social importance. Because millions are condemned, not through their own fault, not through a want of their motherly instinct, but owing to the pressure of capitalist influence, to forego their bodily, spiritual, and moral good, then, as a consequence, there is a great increase in infant mortality, and children do not receive proper attention in their tender years. All this proves the high social worth of labour which woman performs in the producing and rearing of children. The demand for Woman Suffrage is only a phase of the demand that their high social worth should be more adequately recognised. But they base this right also on the ground of the democratic principle in its widest bearing, not only on the fact that the same duties demand equal rights, but we also say that it would be criminal for the democracy not to use all the strength which women have in order that by their work of head and hand they may take part in the service of the community. We do not maintain, like certain advocates of women’s rights, that men and women should have the same rights because they are alike. No; I am of opinion that in bodily strength, in spiritual insight, and in intellectual aims, we are very different. But to be different does not necessarily imply inferiority, and if it be true that we think, act, and feel differently, then we say that this is another reason which condemns the action of men in the past, and a reason why we should try and improve society. From this point of view of history, we demand the political equality of women and the right to vote as a recognition of the political rights due to our sex. This is a question which applies to the whole of women without exception. All women, whatever be their position, should demand political equality as a means of a freer life, and one calculated to yield rich blessings to society. Besides, in the women’s world, as well as in the men’s world,
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Produced by R.G.P.M. van Giesen [Illustration: cover of "The Captain" volume XXV] THE SEA MONARCH By Percy F. Westerman [Transcriber's note: Mr. Percy F. Westerman has written this story for: THE CAPTAIN A MAGAZINE FOR BOYS & "OLD BOYS". VOL. XXV _APRIL to SEPTEMBER, 1911_ _London:_ GEORGE NEWNES, LIMITED, 3 to 12, SOUTHAMPTON STREET, STRAND. The magazine was a periodical that appeared monthly and was also sold in volumes of 6 months, in this case April to September of 1911. In the index of this volume the story appeared as follows: *SEA MONARCH, THE.* By Percy F. Westerman 40 98, 217, 311, 386, 482 Each instalment, except the first, has a copyright-statement at the bottom of the first page: _Copyright_ 1911, _by George Newness, Ltd., in the United States of America._ ] CONTENTS CHAP. I. THE MYSTERIOUS CASE OF THE "ZIETAN" II. INTRODUCES THE "PLAYMATE" AND HER SKIPPER III. RUN DOWN IV. A PRISONER ON THE MYSTERIOUS SHIP V. CAPTAIN BROOKES VI. THE CONNING-TOWER OF THE "OLIVE BRANCH" VII. RUMOURS OF WAR VIII. TREACHERY IX. AN ACT OF PIRACY X. CLEARED FOR ACTION XI. WIPED OUT XII. THROUGH THE MINE FIELD XIII. TRAPPED XIV. RUNNING THE GAUNTLET XV. A ONE-SIDED ENGAGEMENT XVI. IN THE CLUTCHES OF THE PATAGONIANS XVII. GERALD'S RUSE XVIII. THE CAPTAIN'S REVENGE XIX. GERALD'S PROMOTION XX. THE AIRMAN XXI. THE MISSING WIRELESS GEAR XXII. THE TOUCHSTONE OF PERIL XXIII. THE CRIPPLED SUBMARINE XXIV. A FRUSTRATED PLOT XXV. THE EMPIRE'S ORDEAL XXVI. THE VINDICATION OF THE "OLIVE BRANCH" ILLUSTRATIONS Crash! The huge vessel, looming out of the fog, struck the little yacht amidships. The stout planks were shorn through as if made of match-board, and the water poured in a cataract over the lee side. There was the sound of a hasty scuffling; then appeared the head and shoulders of the owner of the _Playmate_ The mast snapped off close to the deck, and a block, hurtling through the air, struck Gerald a terrific blow over the head. Staggering to the door he threw it open. To his great surprise he saw a burly sentry standing without. In spite of his strenuous resistance they hauled the deserter out of the empty tank, and then unceremoniously bundled him into the gig. "Look here, Mr. Schneider, you've come to the wrong box with your sneaking complaints. So clear out!" Bending over the instrument was a young officer, his head practically covered with a metal cap fitted with receivers. The man staggered, clapped his hand to his shoulder, and fell to the deck, the weapon slipping from his grasp. Schneider cleared the rail, and leapt into the sea. The doomed vessel was instantly swept out of existence. The massive outlines of the cruiser seemed to melt into a hundred thousand fragments. As night fell the searchlights played with unceasing vigilance upon the harbour. Suddenly Captain Brookes turned to Gerald. "Does my compact forbid me using the Z-rays?" he asked. A party of natives appeared on the beach regarding the cruiser with obvious amazement. In their hands they carried long slender spears, which they brandished menacingly. Like a terrier let loose amidst a swarm of rats the submarine dashed towards the canoes. A terrific detonation shook the ground, and a thick cloud of smoke obscured the view of the pinnacle. In an agony of fear the natives threw themselves face downwards in the dust. Seated up to his waist in water was the aviator, clad in an inflated rubber suit. The engine was lost to view, the tips of the twin propellers just projected above the surface. "Good shot!" yelled several of the officers on the _Olive Branch_. For a full ten seconds the monoplane held on its course, then, lurching like a wounded bird, it swooped swiftly downwards. The searchlight revealed a huge circular turret with a pair of monster guns. Slowly the submarine swung round, the light travelling the length of the huge mass of weed-encrusted iron and steel. The four men threw themselves on the astonished foreigners, and a desperate conflict ensued. "In view of possible events I must ask you to take up your quarters beneath the armoured deck," said Captain Brookes. An admiral's pinnace was approaching the shattered _Olive Branch_. Gerald hastened on deck to receive the distinguished officer. [Illustration: Crash! The huge vessel, looming out of the fog, struck the little yacht amidships. The stout planks were shorn through as if made of match-board, and the water poured in a cataract over the lee side. (_See page_ 52)] THE SEA MONARCH BY PERCY F. WESTERMAN Author of: "A Lad of Grit," "The Quest of the Golden Hope," etc., etc. _ILLUSTRATED BY E. S. HODGSON_ [Illustration: chapter I] CHAPTER I THE MYSTERIOUS CASE OF THE "ZIETAN" IT was a scorching afternoon in the month of August. The slanting rays of the sun beat powerfully upon the tranquil waters of Portsmouth Harbour, while the white ensigns of the numerous warships fluttered idly in the almost motionless air. Swinging easily at her moorings to the first of the young flood lay the torpedo-boat destroyer _Calder_, presenting a very different appearance from its trim state of a few days before. Engine-room defects had occasioned her return to harbour, and as these were of a somewhat serious nature, the opportunity was taken to place the destroyer into dockyard hands for at least two months. The commissioned officers had obtained permission to go on leave, while the _Calder_, in the charge of a gunner, was to be put into dock the following day. _Ting-ting! Ting-ting! Ting-ting! Ting-ting!_ Eight bells had hardly sounded ere two men appeared on deck, scrambling agilely through the small hatchway that did duty for the ward-room companion. The first was the tall, lean-featured lieutenant-commander. The other, Sub-Lieutenant Gerald Tregarthen, needs a slightly longer introduction. He was almost the same height as the commander, or a fraction under 5ft. 11 ins. in his socks, and was broad in proportion. His features, tanned by constant exposure to sun, wind, and spray, were clear-cut, almost boyish in expression, while at times there was a roguish light in his deep blue eyes. Yet beneath the apparently boyish exterior lurked the spirit of a man. When occasion arose those merry lips would compress themselves into a thin, straight line, the powerful chin would be thrust aggressively forward, and a dangerous glint in his eyes would betoken that resolution, coolness, and daring which are the indispensable characteristics of a successful naval officer. His service career, in spite of its comparative shortness, had been one continued success, yet success had not been gained without sheer hard work. With a "first" in gunnery, torpedo, and navigation, he found himself at an early age well up on the list for promotion. Gerald Tregarthen was in mufti; but his well-cut civilian clothes could not conceal the erect bearing and breezy alertness that characterised the British naval officer. Taking advantage of the _Calder's_ temporary idleness, he had applied and obtained permission for six weeks' leave, and, strange as it may appear, his intention was to spend the best part of that time afloat. There is a story told of a London 'bus-driver who devoted a rare holiday to playing the role of passenger on his own vehicle. Similar motives doubtless prompt hundreds of bluejackets and marines to hire private skiffs during their leave. One has but to go to Southsea beach, the shores of the Hamoaze, or the mouth of the Medway to see jolly tars and jovial "joeys" rowing in shore-boats as if that form of recreation was the greatest treat imaginable. It is, then, not so much to be wondered at that Gerald Tregarthen elected to spend most of his leave on board the 4-ton cutter _Playmate_, at that moment lying in Poole Harbour, the yacht being owned by his old school-chum, Jack Stockton. The appearance of the two officers on deck was immediately followed by the hoarse orders of the quarter-master. The boat's crew manned the falls, and the little craft was brought alongside the destroyer's starboard quarter. Tregarthen's luggage, consisting only of a well-filled portmanteau, was handed over the side, and, having bade his senior officer goodbye, the sub-lieutenant took his place in the stern-sheets. A quarter of an hour later Gerald Tregarthen landed at the King's Stairs, and, followed by a seaman bearing his portmanteau, walked rapidly through the dockyard to the main gate. Here a lynx-eyed driver; spotting a likely fare, ran his taxi close up to the spot where the young sub. was standing. "Town station for all you're worth," exclaimed Tregarthen, but ere he could enter the taxi a boy rushed up to him. "Evening paper, sir? All the latest naval appointments." This is a bait that rarely fails to draw the naval man. Taking the paper Tregarthen boarded the vehicle, and was soon bowling along towards the railway station. Two unavoidable delays were sufficient to alter Tregarthen's arrangements, for on arriving at the town station he found that he had missed the 4.45 Bournemouth train by a bare two minutes. Little did he imagine that the loss of those two minutes was fated to effect a tremendous change in his career at no distant date. "Next train 6.2, sir," replied a porter in answer to the sub.'s anxious inquiry. "Just my luck. Over an hour to wait," soliloquised the disappointed sub., and sitting down and placing his portmanteau by his side, he unfolded the sheets of the newspaper. The "Naval Appointments" he read with more than ordinary interest, inwardly commenting on the good luck or otherwise of those of the numerous officers he knew personally. Then the "Movements of H.M. Ships" attracted his attention. Lower down in the columns was a paragraph that, though he paid scant heed to it at the time, was to vitally affect him within the next few days:-- The new ironclad _Almirante Constant_ left the Tyne yesterday. A persistent rumour is being circulated in certain quarters that the vessel, which has been built with the utmost secrecy, is not, after all, to become a unit of the Brazilian navy. Our correspondent has made careful and exhaustive inquiries on this point, but the officials concerned maintain a strict reticence. One thing is certain, however--she is not at present armed, the contract for her ordnance being placed, we understand; with an American firm. "Blest if I can understand why these South American republics want such up-to-date ships," mused the sub. as he turned over the refractory pages. "It's like giving a child a razor to play with. Well, I suppose it means work for the North Country shipyards; but should any European power lay its hands on half a dozen of them I'm afraid our naval supremacy will have but a very small margin. Hallo! What's this?" A telegram from Wilhelmshaven, dated the 11th inst., states that the Imperial third class cruiser _Zietan_ has arrived here apparently in difficulties, in charge of two tugs. Captain Schloss immediately landed and despatched a lengthy report to the German Admiralty, but, as shore leave is refused, our correspondent is unable to obtain details of the accident from any of the officers or crew. We have reason to believe that a serious
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E-text prepared by Rick Niles, Gene Smethers, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 15384-h.htm or 15384-h.zip: (http://www.gutenberg.net/dirs/1/5/3/8/15384/15384-h/15384-h.htm) or (http://www.gutenberg.net/dirs/1/5/3/8/15384/15384-h.zip) THE REAL ADVENTURE A Novel by HENRY KITCHELL WEBSTER Illustrated by R.M. Crosby Indianapolis The Bobbs-Merrill Company Publishers Serial Version 1915 The Ridgway Company Press of Braunworth & Co. Bookbinders and Printers Brooklyn, N.Y. 1916 [Illustration: "We can't talk here," he said. "We must go elsewhere."] CONTENTS BOOK I THE GREAT ILLUSION CHAPTER I A Point of Departure II
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Produced by MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) THE WALCOTT TWINS BY LUCILE LOVELL ILLUSTRATED BY IDA WAUGH THE PENN PUBLISHING COMPANY PHILADELPHIA MCM Copyright 1900 by The Penn Publishing Company CONTENTS CHAPTER PAGE I Gay and May 5 II The First Separation 11 III Just for Fun 16 IV A Remarkable Household 23 V More Confusion 30 VI Being a Boy 37 VII Being a Girl 44 VIII A Scene at Rose Cottage 49 IX Saw and Axe 56 X A Course of Training 62 XI The Training Begins 68 XII A Silver-haired Lady 75 XIII A Plan that Failed 82 XIV The Boy Predominates 89 XV Gay's Popularity Begins 97 XVI A Squad of One 106 XVII Concerning Philip 114 XVIII Dark Days 122 XIX The Event of the Season 130 XX The Belle of Hazelnook 141 XXI The Sky Brightens 151 XXII The Dearest Girl 162 XXIII A Great Game 172 XXIV The Idol Totters 181 XXV The Girls
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Produced by John Hamm THE GOLDEN ROAD By L. M. Montgomery "Life was a rose-lipped comrade With purple flowers dripping from her fingers." --The Author. TO THE MEMORY OF Aunt Mary Lawson WHO TOLD ME MANY OF THE TALES REPEATED BY THE STORY GIRL FOREWORD Once upon a time we all walked on the golden road. It was a fair highway, through the Land of Lost Delight; shadow and sunshine were blessedly mingled, and every turn and dip revealed a fresh charm and a new loveliness to eager hearts and unspoiled eyes. On that road we heard the song of morning stars; we drank in fragrances aerial and sweet as a May mist; we were rich in gossamer fancies and iris hopes; our hearts sought and found the boon of dreams; the years waited beyond and they were very fair; life was a rose-lipped comrade with purple flowers dripping from her fingers. We may long have left the golden road behind, but its memories are the dearest of our eternal possessions; and those who cherish them as such may haply find a pleasure in the pages of this book, whose people are pilgrims on the golden road of youth. THE GOLDEN ROAD CHAPTER I. A NEW DEPARTURE "I've thought of something amusing for the winter," I said as we drew into a half-circle around the glorious wood-fire in Uncle Alec's kitchen. It had been a day of wild November wind, closing down into a wet, eerie twilight. Outside, the wind was shrilling at the windows and around the eaves, and the rain was playing on the roof. The old willow at the gate was writhing in the storm and the orchard was a place of weird music, born of all the tears and fears that haunt the halls of night. But little we cared for the gloom and the loneliness of the outside world; we kept them at bay with the light of the fire and the laughter of our young lips. We had been having a splendid game of Blind-Man's Buff. That is, it had been splendid at first; but later the fun went out of it because we found that Peter was, of malice prepense, allowing himself to be caught too easily, in order that he might have the pleasure of catching Felicity--which he never failed to do, no matter how tightly his eyes were bound. What remarkable goose said that love is blind? Love can see through five folds of closely-woven muffler with ease! "I'm getting tired," said Cecily, whose breath was coming rather quickly and whose pale cheeks had bloomed into scarlet. "Let's sit down and get the Story Girl to tell us a story." But as we dropped into our places the Story Girl shot a significant glance at me which intimated that this was the psychological moment for introducing the scheme she and I had been secretly developing for some days. It was really the Story Girl's idea and none of mine. But she had insisted that I should make the suggestion as coming wholly from myself. "If you don't, Felicity won't agree to it. You know yourself, Bev, how contrary she's been lately over anything I mention. And if she goes against it Peter will too--the ninny!--and it wouldn't be any fun if we weren't all in it." "What is it?" asked Felicity, drawing her chair slightly away from Peter's. "It is this. Let us get up a newspaper of our own--write it all ourselves, and have all we do in it. Don't you think we can get a lot of fun out of it?" Everyone looked rather blank and amazed, except the Story Girl. She knew what she had to do, and she did it. "What a silly idea!" she exclaimed, with a contemptuous toss of her long brown curls. "Just as if WE could get up a newspaper!" Felicity fired up, exactly as we had hoped. "I think it's a splendid idea," she said enthusiastically. "I'd like to know why we couldn't get up as good a newspaper as they have in town! Uncle Roger says the Daily Enterprise has gone to the dogs--all the news it prints is that some old woman has put a shawl on her head and gone across the road to have tea with another old woman. I guess we could do better than that. You needn't think, Sara Stanley, that nobody but you can do anything." "I think it would be great fun," said Peter decidedly. "My Aunt Jane helped edit a paper when she was at Queen's Academy, and she said it was very amusing and helped her a great deal." The Story Girl could hide her delight only by dropping her eyes and frowning. "Bev wants to be editor," she said, "and I don't see how he can, with no experience. Anyhow, it would be a lot of trouble." "Some people are so afraid of a little bother," retorted Felicity. "I think it would be nice," said Cecily timidly, "and none of us have any experience of being editors, any more than Bev, so that wouldn't matter." "Will it be printed?" asked Dan. "Oh, no," I said. "We can't have it printed. We'll just have to write it out--we can buy foolscap from the teacher." "I don't think it will be much of a newspaper if it isn't printed," said Dan scornfully. "It doesn't matter very much what YOU think," said Felicity. "Thank you," retorted Dan. "Of course," said the Story Girl hastily, not wishing to have Dan turned against our project, "if all the rest of you want it I'll go in for it too. I daresay it would be real good fun, now that I come to think of it. And we'll keep the copies, and when we become famous they'll be quite valuable." "I wonder if any of us ever will be famous," said Felix. "The Story Girl will be," I said. "I don't see how she can be," said Felicity skeptically. "Why, she's just one of us." "Well, it's decided, then, that we're to have a newspaper," I resumed briskly. "The next thing is to choose a name for it. That's a very important thing." "How often are you going to publish it?" asked Felix. "Once a month." "I thought newspapers came out every day, or every week at least," said Dan. "We couldn't have one every week," I explained. "It would be too much work." "Well, that's an argument," admitted Dan. "The less work you can get along with the better, in my opinion. No, Felicity, you needn't say it. I know exactly what you want to say, so save your breath to cool your porridge. I agree with you that I never work if I can find anything else to do." "'Remember it is harder still To have no work to do,"' quoted Cecily reprovingly. "I don't believe THAT," rejoined Dan. "I'm like the Irishman who said he wished the man who begun work had stayed and finished it." "Well, is it decided that Bev is to be editor?" asked Felix. "Of course it is," Felicity answered for everybody. "Then," said Felix, "I move that the name be The King Monthly Magazine." "That sounds fine," said Peter, hitching his chair a little nearer Felicity's. "But," said Cecily timidly, "that will leave out
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Produced by Al Haines. [Illustration: A flower shot down amid the crowd. Page 19.] *Latter-Day Sweethearts* By *MRS. BURTON HARRISON* Author of "A Bachelor Maid," "The Carlyles," "The Circle of a Century," "The Anglomaniacs," Etc. "La Duchesse.--'L'amour est le fleau du monde. Tous nos maux nous viennent de lui.' "Le Docteur.--'C'est le seul qui les guerisse," --"_Le Duel_," _Henri Lavedan_. Illustrated in Water-Colors by FRANK T. MERRILL A. S. & T. HUNTER SPECIAL EDITION, UTICA, N. Y. NEW YORK AND LONDON THE AUTHORS AND NEWSPAPERS ASSOCIATION 1907 COPYRIGHT, 1906, BY CONSTANCE BURTON HARRISON. _Entered at Stationers' Hall._ _All Rights Reserved._ Composition and Electrotyping by J. J. Little & Co. Printed and bound by the Plimpton Press, Norwood, Mass. [Illustration: (Facsimile Page of Manuscript from LATTER-DAY SWEETHEARTS)] *LATTER-DAY SWEETHEARTS* *CHAPTER I* In going aboard the "Baltic" that exceptionally fine October morning, Miss Carstairs convinced herself that, of the people assembled to see her off, no one could reasonably discern in her movement the suggestion of a retreat. The commonplace of a sailing for the other side would not, indeed, have met with the recognition of any attendance at the pier among her set, save for her hint that she might remain abroad a year. There had been a small rally on the part of a few friends who had chanced to meet at a dinner overnight, to go down to the White Star docks and say good-by to Helen Carstairs. Helen sincerely wished they had not come, both because the ceremony proved a little flat, and because, when she had time to think them over, she was not so sure they were her friends. But the main thing was that she had been able to withdraw, easily and naturally, from a doubly trying situation. She had not wanted to go abroad. All the novelty and sparkle had gone out of that business long ago. She knew foreign travel from A to Z, and she loathed tables d'hote, even more than the grim prospect of private meals with Miss Bleecker in sitting-rooms redolent of departed food, insufficiently atoned for by an encircling wilderness of gilding and red plush. The very thought of a concierge with brass buttons lifting his cap to her every time she crossed the hall, of hotel corridors decked with strange foot gear upon which unmade bedrooms yawned, of cabs and galleries and harpy dressmakers, of sights and fellow tourists, gave her a mental qualm. But it was better than staying at home this winter in the big house in Fifth Avenue where Mr. Carstairs had just brought a stepmother for her, in the person of "that Mrs. Coxe." There was apparently no valid reason for Helen's shuddering antipathy to the lady, who had been the widow of a junior partner of her father, a man whom Mr. Carstairs had "made," like many another beginning in his employ. Mr. Coxe had died two years before, of nervous overstrain, leaving this flamboyantly handsome, youngish woman to profit by his gains. Helen had always disliked having to ask the Coxes to dinner when her father's fiat compelled her to preside over the dull banquets of certain smartly-dressed women and weary, driven men, whom he assembled at intervals around his board. She could not say what she objected to in Mrs. Coxe; she thought it might be her giggle and her double chin. It had been always a relief when one of these "business" dinners was over, and she knew she would not have to do it soon again. When Mr. Carstairs dined in return with the Coxes, they had him at some fashionable restaurant, taking him afterward to the play. Mrs. Coxe had shown sense enough for that! During the interregnum of Mrs. Co
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Produced by Josep Cols Canals, Alan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) TRAVELS IN PERU AND INDIA. [Illustration: HINCHONA-PLANTS AT OOTACAMUND, In August 1881 (from a Photograph). A flowering branch of Chinchona in the foreground. FRONTISPIECE. Page 487] TRAVELS IN PERU AND INDIA WHILE SUPERINTENDING THE COLLECTION OF CHINCHONA PLANTS AND SEEDS IN SOUTH AMERICA, AND THEIR INTRODUCTION INTO INDIA. BY CLEMENTS R. MARKHAM, F.S.A., F.R.G.S., CORR. MEM. OF THE UNIVERSITY OF CHILE; AUTHOR OF 'CUZCO AND LIMA.' WITH MAPS AND ILLUSTRATIONS. LONDON: JOHN MURRAY, ALBEMARLE STREET. 1862. _The right of Translation is reserved._ LONDON: PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET, AND CHARING CROSS. PREFACE. [Illustration] THE introduction of quinine-yielding Chinchona-trees into India, and the cultivation of the "Peruvian Bark" in our Eastern possessions, where that inestimable febrifuge is almost a necessary of life, has for some years engaged the attention of the Indian Government. In 1859 the author of the present work was intrusted, by the Secretary of State for India in Council, with the duty of superintending all the necessary arrangements for the collection of Chinchona-plants and seeds of the species esteemed in commerce, in South America, and for their introduction into India. This important measure has now been crowned with complete success, and it is the object of the following pages to relate the previous history of the Chinchona-plant; to describe the forests in South America where the most valuable species grow; to record the labours of those who were engaged in exploring them; and to give an account of all the proceedings connected with the cultivation of Chinchona-plants in India. In the performance of this service it was a part of my duty to explore the forests of the Peruvian province of Caravaya, which has never yet been described by any English traveller; and the first part of the work is occupied by an account of the various species of Chinchona-plants and their previous history, a narrative of my travels in Peru, and a record of the labours of the agents whom I employed to collect plants and seeds of the various species of Chinchonæ in other parts of South America. The traveller who ascends to the lofty plateau of the Cordilleras cannot fail to be deeply interested in the former history and melancholy fate of the Peruvian Indians; and some account of their condition under Spanish colonial rule, and of the insurrection of Tupac Amaru, the last of the Incas, will, I trust, not be unwelcome. I have devoted three chapters to these subjects, which will form a short digression on our way to the Chinchona forests. I am indebted to the late General Miller, and to Dr. Vigil, the learned Director of the National Library at Lima, for much new and very curious material throwing light on that period of Spanish colonial history which includes the great rebellion of the Peruvian Indians in 1780. The second part of the work contains a narrative of my travels in India, a description of the sites selected for Chinchona-plantations, and an account of the progress of the experimental cultivation of those inestimable trees, from the arrival of the plants and seeds, early in 1861, to the latest dates. In conducting the operations connected with the collection of Chinchona-plants and seeds in South America, I obtained the services of Mr. Spruce, Mr. Pritchett, Mr. Cross, and Mr. Weir; and it affords me great pleasure to have this opportunity of publicly recording their perseverance in facing many dangers and hardships, and in doing the work that was allotted to them so ably, and with such complete success. To Mr. Richard Spruce, an eminent botanist who has for eight years been engaged in exploring the basin of the Amazons, from Para to the peaks of the Quitenian Andes, and from the falls of the Orinoco to the head-waters of the Huallaga, the largest share of credit, so far as the South American portion of the enterprise is concerned, undoubtedly belongs. I have endeavoured to do justice to his untiring energy and zeal, and to the important service which he has rendered to India. But the collection of plants and seeds in South America, and their conveyance to the shores of India, would have been of little use if they had not been delivered into competent hands on arriving at their destination. To the scientific and practical knowledge, the unwearied zeal, and skilful management of Mr. McIvor, the Superintendent of the Government Gardens at Ootacamund, on the Neilgherry hills, is therefore due the successful introduction of Chinchona-plants into India. His care has now been fully rewarded, and the experiment has reached a point which places it beyond the possibility of ultimate failure. I am indebted to Sir William Hooker, who has, from the first, taken a deep interest in this beneficial measure, for many acts of kindness, and for his readiness to give me valuable advice and assistance; while he has rendered most essential service in successfully raising a large number of Chinchona-plants at Kew. To Dr. Weddell my thanks are due for much information most promptly and kindly supplied; and to Mr. Howard for the important suggestions and information with which he has frequently favoured me, and which no scientific man in Europe is better able to give. It is a fortunate circumstance that his invaluable and superbly illustrated work on the Chinchona genus should have been published just at the time when the Chinchonæ are about to be planted out in India and Ceylon, for from no other source could the cultivators derive so large an amount of valuable information. Mr. Howard has likewise done good service by presenting the Indian Government with a fine healthy plant of _Chinchona Uritusinga_, a species which had not previously been introduced. I take this opportunity of expressing my thanks for much assistance from Dr. Seemann, the able Editor of the 'Bonplandia;' from Mr. Dalzell, the Conservator of Forests in the Bombay Presidency; from Dr. Forbes Watson, the Reporter on the vegetable products of India, at the India Office; from Mr. Veitch, of the Royal Exotic Nursery at Chelsea; and from many kind friends both in Peru and India. I am also indebted to Mr. Alexander Smith, son of Mr. John Smith, the Curator of the Royal Botanical Gardens at Kew, for an interesting note on the principal plants employed by the natives of India on account of their real or supposed febrifugal virtues, which will be found in an Appendix. The botanical name for the plants which yield Peruvian bark was given by Linnæus, in honour of the Countess of Chinchon, who was one of the first Europeans cured by this priceless febrifuge. The word has been generally, but most erroneously, spelt _Cinchona_; and, considering that such mis-spelling is no mark of respect to the lady whose memory it is intended to preserve, while it defeats the intention of Linnæus to do her honour, I have followed the good example of Mr. Howard and the Spanish botanists in adopting the correct way of spelling the word--_Chinchona_.[1] The Counts of Chinchon, the hereditary Alcaides of the Alcazar of Segovia, do not hold so obscure a place in history as to excuse the continuance of this mis-spelling of their name. After much anxiety, extending over a period of three years; after all the hardships, dangers, and toils which a search in virgin tropical forests entails; and after more than one disappointment, it is a source of gratification and thankfulness that this great and important measure, fraught with blessings to the people of India, and with no less beneficial results to the whole civilized world, should have been finally attended with complete success, in spite of difficulties of no ordinary character. How complete this success has been, will be seen by a perusal of the two last chapters of the present work, and of Mr. McIvor's very interesting Report in the Appendix; it is sufficient here to say that it has exceeded our most sanguine expectations. CONTENTS. [Illustration] TRAVELS IN PERU. [Illustration] PREFACE PAGE V CHAPTER I. DISCOVERY OF PERUVIAN BARK. The Countess of Chinchon--Introduction of the use of bark into Europe--M. La Condamine's first description of a _chinchona_-tree--J. de Jussieu--Description of the chinchona region--The different valuable species--The discovery of quinine 1 CHAPTER II. THE VALUABLE SPECIES OF CHINCHONA-TREES--THEIR HISTORY, THEIR DISCOVERERS, AND THEIR FORESTS. I. The Loxa region and its _crown barks_ 21 II. The "_red-bark_" region, on the western <DW72>s of Chimborazo 26 III. The New Granada region 27 IV. The Huanuco region in Northern Peru, and its "_grey barks_" 30 V. The _Calisaya_ region in Bolivia and Southern Peru 35 CHAPTER III. Rapid destruction of chinchona-trees in South America--Importance of their introduction into other countries--M. Hasskarl's mission--Chinchona plantations in Java 44 CHAPTER IV. INTRODUCTION OF CHINCHONA-PLANTS INTO INDIA. Preliminary arrangements 60 CHAPTER V. Islay and Arequipa 69 CHAPTER VI. Journey across the Cordillera to Puno 88 CHAPTER VII. LAKE TITICACA. The Aymara Indians--Their antiquities--Tiahuanaco--Coati--Sillustani --Copacabana 108 CHAPTER VIII. THE PERUVIAN INDIANS. Their condition under Spanish colonial rule 117 CHAPTER IX. Narrative of the insurrection of José Gabriel Tupac Amaru, the last of the Incas 134 CHAPTER X. Diego Tupac Amaru--Fate of the Inca's family--Insurrection of Pumacagua 158 CHAPTER XI. Journey from Puno to Crucero, the capital of Caravaya 180 CHAPTER XII. THE PROVINCE OF CARAVAYA. A short historical and geographical description 199 CHAPTER XIII. Caravaya--The valley of Sandia 216 CHAPTER XIV. Coca cultivation 232 CHAPTER XV. CARAVAYA. Chinchona forests of Tambopata 240 CHAPTER XVI. General remarks on the chinchona-plants of Caravaya 267 CHAPTER XVII. JOURNEY FROM THE FORESTS OF TAMBOPATA TO THE PORT OF ISLAY. Establishment of the plants in Wardian cases 275 CHAPTER XVIII. PRESENT CONDITION AND FUTURE PROSPECTS OF PERU. Population--Civil wars--Government--Constitution--General Castilla and his ministers--Dr. Vigil--Mariano
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Produced by Chuck Greif, Broward County Libraries and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: George William Curtis] FROM THE EASY CHAIR BY GEORGE WILLIAM CURTIS _THIRD SERIES_ [Illustration] NEW YORK HARPER AND BROTHERS MDCCCXCIV Copyright, 1894, by HARPER & BROTHERS. _All rights reserved._ CONTENTS PAGE HAWTHORNE AND BROOK FARM 1 BEECHER IN HIS PULPIT AFTER THE DEATH OF LINCOLN 20 KILLING DEER 28 AUTUMN DAYS 37 FROM COMO TO MILAN DURING THE WAR OF 1848 43 HERBERT SPENCER ON THE YANKEE 56 HONOR 65 JOSEPH WESLEY HARPER 72 REVIEW OF UNION TROOPS, 1865 78 APRIL, 1865 88 WASHINGTON IN 1867 94 RECEPTION TO THE JAPANESE AMBASSADORS AT THE WHITE HOUSE 102 THE MAID AND THE WIT 112 THE DEPARTURE OF THE _GREAT EASTERN_ 120 CHURCH STREET 127 HISTORIC BUILDINGS 140 THE BOSTON MUSIC HALL 151 PUBLIC BENEFACTORS 162 MR. TIBBINS'S NEW-YEAR'S CALL 169 THE NEW ENGLAND SABBATH 178 THE REUNION OF ANTISLAVERY VETERANS, 1884 185 REFORM CHARITY 193 BICYCLE RIDING FOR CHILDREN 204 THE DEAD BIRD UPON CYRILLA'S HAT AN ENCOURAGEMENT OF "SLARTER" 210 CHEAPENING HIS NAME 214 CLERGYMEN'S SALARIES 221 HAWTHORNE AND BROOK FARM In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own." This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality." Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character. "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him. Strangely enough, Hawthorne is likely to be the chief future authority upon "the romantic episode" of Brook Farm. Those who had it at heart more than he whose faith and hope and energy were all devoted to its development, and many of whom have every ability to make a permanent record, have never done so, and it is already so much of a thing of the past that it will probably never be done. But the memory of the place and of the time has been recently pleasantly refreshed by the lecture of Mr. Emerson and the _Note-Book_ of Hawthorne. Mr. Emerson, whose mind and heart are ever hospitable, was one of the chief, indeed the chiefest, figure in this country of the famous intellectual "Renaissance" of twenty-five years ago, which, as is generally the case, is historically known by its nickname of "Transcendentalism," a spiritual fermentation from which some of the best modern influences of this country have proceeded. In his late lecture upon the general subject, Mr. Emerson says that the mental excitement began to take practical form nearly thirty years ago, when Dr. Channing counselled with George Ripley upon the practicability of bringing thoughtful and cultivated people together and forming a society that should be satisfactory. "That good attempt," says Emerson, with a sly smile, "ended in an oyster supper with excellent wines." But a little later it was revived under better auspices, and as Brook Farm made a name which will not be forgotten. Mr. Emerson was never a resident, but he was sometimes a visitor and guest, and the more ardent minds of the romantic colony were always much under his influence. With his sensitively humorous eye he seizes
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Produced by Chris Curnow, Leonora Dias de Lima, Henry Gardiner and the Online Distributed Proofreading Team at http://www.pgdp.net * * * * * Transcriber's Note: The original publication has been replicated faithfully except as shown in the TRANSCRIBER'S AMENDMENTS at the end of the text. This etext presumes a mono-spaced font on the user's device, such as Courier New. Words in italics are indicated like _this_. Text emphasized with bold characters or other treatment is shown like =this=. The author indicates questionable data with (?). Superscripts are indicated like this: S^{ta} Maria. Subscripts are indicated like this: H_{2}O. Examples of short and long vowels: [)a]: "a" with a breve overhead, indicating a short vowel. [=o]: "o" with a macron overhead, indicating a long vowel. [oe] is the oe ligature. * * * * * COOLEY'S CYCLOPAEDIA OF PRACTICAL RECEIPTS AND COLLATERAL INFORMATION IN THE ARTS, MANUFACTURES, PROFESSIONS, AND TRADES INCLUDING Medicine, Pharmacy, Hygiene, and Domestic Economy DESIGNED AS A COMPREHENSIVE SUPPLEMENT TO THE PHARMACOP[OE]IA AND GENERAL BOOK OF REFERENCE FOR THE MANUFACTURER, TRADESMAN, AMATEUR, AND HEADS OF FAMILIES SIXTH EDITION REVISED AND GREATLY ENLARGED BY RICHARD V. TUSON, F.I.C., F.C.S. PROFESSOR OF CHEMISTRY IN THE ROYAL VETERINARY COLLEGE; FORMERLY LECTURER ON CHEMISTRY AT THE CHARING CROSS HOSPITAL. VOL. I [Illustration] LONDON J. & A. CHURCHILL, NEW BURLINGTON STREET 1880 PRINTED BY ADLARD AND SON BARTHOLOMEW CLOSE. PREFACE TO THE SIXTH EDITION Some one has said that "when a book reaches a fifth edition it scarcely requires a preface." If such be true of a fifth, it is probably still truer of a sixth edition, and therefore this issue of 'Cooley's Cyclopaedia' might fairly be sent forth to the public without any prefatory remarks whatever. It is, however, desirable to point out that the present edition is larger than the last by about six hundred pages; that much greater space than hitherto is devoted to Hygiene (including sanitation, the composition and adulteration of foods) as well as to the Arts, Pharmacy, Manufacturing Chemistry, and other subjects of importance to those for whom the work is intended. The articles on what is commonly termed 'Household Medicine' have been amplified and numerically increased. Short accounts of the more common diseases, their causes, symptoms, and treatment, affecting the domesticated animals have been introduced. "Here, however, it may be useful to repeat the cautions given in other parts of this volume, as to the impropriety of unnecessarily meddling with the healing art or neglecting a prompt application" (where and when possible) "to a duly qualified practitioner in all cases demanding medical or surgical aid." These remarks of Mr Cooley are as applicable to cases of Veterinary as to those of Human Medicine. Numerous authors have necessarily been consulted; a list of them, and the titles of their works from which information has been derived, will be found at the end of the second volume. When extracts have been introduced _verbatim_ the authority is quoted in the body of the book. Many of my scientific _confreres_ have rendered me valuable aid in preparing this edition; but I am particularly indebted to my accomplished and zealous friend Mr John Gardner for his hearty and constant co-operation; to Dr Lionel Beale for his kindness in revising the articles on "Urine," "Urinary Diseases," &c., as well as for the use of cuts from his celebrated works on these subjects; to my friend and former pupil Mr F. Woodland Toms for revising and rewriting the articles on "Sewage" and "Water;" and to my assistants Mr James Bayne and Mr Cuthbert Neison for correcting "proof." The laborious task of preparing a sixth edition of 'Cooley' having been accomplished, it is hoped that, due consideration being given to the magnitude of the work and to the great variety of the subjects treated, it will be found to be practically free from important errors, and that it
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Produced by Steven Giacomelli and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images produced by Core Historical Literature in Agriculture (CHLA), Cornell University) MYSTERIES OF BEE-KEEPING EXPLAINED: BEING A COMPLETE ANALYSIS OF THE WHOLE SUBJECT; CONSISTING OF THE NATURAL HISTORY OF BEES, DIRECTIONS FOR OBTAINING THE GREATEST AMOUNT OF PURE SURPLUS HONEY WITH THE LEAST POSSIBLE EXPENSE, REMEDIES FOR LOSSES GIVEN, AND THE SCIENCE OF "LUCK" FULLY ILLUSTRATED--THE RESULT OF MORE THAN TWENTY YEARS' EXPERIENCE IN EXTENSIVE APIARIES. BY M. QUINBY, PRACTICAL BEE-KEEPER. NEW YORK: C. M. SAXTON, AGRICULTURAL BOOK PUBLISHER 152 FULTON STREET. 1853. Entered according to the Act of Congress, in the year 1853, by M. QUINBY, in the Clerk's Office of the District Court of the United States for the Southern District of New York. E. O. JENKINS, PRINTER AND STEREOTYPER, 114 NASSAU STREET, N. YORK. CONTENTS. CHAPTER I. BRIEF HISTORY. Three kinds of Bees, 9 Queen described, 9 Description and Duty of Workers, 10 Description of Drones, 11 Most Brood in Spring, 11 Their Industry, 12 CHAPTER II. HIVES. Hives to be thoroughly made, 13 Different opinions about them, 14 The Author has no Patent to recommend, 14 Speculators supported long enough, 15 Prefix of Patent a bad recommendation, 15 Ignorance of affairs and committees, 15 Opposition to simplicity, 16 By gaining one point produce another evil, 16 First Delusion, 17 Chamber Hive, 17 Mrs. Griffith's Hive, 18 Weeks' Improvement, 18 Inclined Bottom-Boards do not throw out all the worms, 19 Objections to suspended hives, 19 See bees often, 20 Hall's Patent, 21 Jones's Patent, 21 An Experiment, 21 Reason of failure in dividing hive, 22 Cause of starving in such hives, 23 Advantages of the changeable hive considered, 24 Variation of these hives, 25 Expense in constructing changeable hives, 25 The surplus honey will contain bee-bread, 26 Description of Cutting's changeable hive, 26 First objection cost of construction, 28 Hives can be made with less expense, 29 Old breeding cells will last a long time, 29 Cells larger than necessary at first, 30 Expense of renewing combs, 30 Best to use old combs as long as they will last, 31 Method for Pruning when necessary, 31 Tools for Pruning, 32 Use of Tobacco Smoke, 33 Further objections to a sectional hive, 34 Non-Swarmers, 35 Contrast of profit, 35 Principle of swarming not understood, 36 Not to be depended upon, 37 Hives not always full before swarming, 37 Size of hives needed, 37 An Experiment, 37 Bees do not increase if full after the first year in same hive, 38 Gillmore's system doubted, 39 Utility of moth-proof hives doubted, 39 Instincts of the bee always the same, 40 Profit the object, 41 Common hive recommended, 42 Size Important, 42 Small hives most liable to accidents, 42 Apt to deceive, 43 Unprofitable if too large, 43 Correct size between two extremes, 43 Size for warm latitudes, 44 Larger hives more safe for long Winters or backward Spring, 44 2,000 inches safe for this section, 45 Kind of Wood, width of Board, &c., 46 Shape of little consequence, 46 Directions for making hives, 47 Size of cap and boxes, 48 Miner's Hive, 48 Directions for making holes, 49 A Suggestion, 50 Glass boxes preferred, 51 Glass boxes--how made, 51 Guide-combs necessary, 52 Wood Boxes, 53 Cover for Hives, 54 Jars and Tumblers--how prepared, 54 Perfect Observatory Hive described, 55 One like Common Hive preferred, 56 What may be seen, 56 Directions for making Glass Hive, 57 Plate for Hive, 61 CHAPTER III. BREEDING. Imperfectly Understood, 62 Good stocks seldom without brood, 63 How small stocks commence, 64 Different with larger ones, 65 How Pollen is stored in the breeding season, 65 Operation of Laying, and the Eggs described, 66 Time from the Egg to the perfect Bee, 67 Rough treatment of the young Bee, 67 Guess-work, 68 Terms applied to young Bees, 69 Discrepancy in time in rearing brood as given by Huber, 70 The number of Eggs deposited by the Queen guessed at, 71 A test for the presence of a Queen, 73 When Drones are reared, 74 When Queens, 74 Liability of being destroyed, 76 Drones destroyed when honey is scarce, 77 Old Queen leaves with the first swarm, 78 A young Queen takes the place of her mother in the old stock, 79 Other Theories, 80 Subject not understood, 80 Necessity for further observation, 84 Two sides of the question, 85 CHAPTER IV. BEE PASTURAGE. Substitute for Pollen, 88 Manner of packing it, 89 Alder yields the first, 89 Fruit Flowers important in good weather, 91 Red Raspberry a favorite, 91 Catnip, Mother-wort and Hoarhound, are sought after, 92 Singular fatality attendant on Silkweed, 93 Large yield from Basswood, 96 Garden Flowers unimportant, 97 Honey-dew, 97 Singular Secretion, 98 Secretions of the Aphis, 98 Advantages of Buckwheat, 101 Amount of honey collected from it, 101 Do Bees injure the crop? 102 Are not Bees an advantage to vegetation? 103 A test for the presence of Queen doubted, 106 An extra quantity of Pollen not always detrimental, 107 What combs are generally free from Bee-bread, 108 Manner of packing stores, 108 Philosophy in filling a cell with honey, 109 Long cells sometimes turned
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Produced by David Widger A HAZARD OF NEW FORTUNES By William Dean Howells BIBLIOGRAPHICAL The following story was the first fruit of my New York life when I began to live it after my quarter of a century in Cambridge and Boston, ending in 1889; and I used my own transition to the commercial metropolis in framing the experience which was wholly that of my supposititious literary adventurer. He was a character whom, with his wife, I have employed in some six or eight other stories, and whom I made as much the hero and heroine of 'Their Wedding Journey' as the slight fable would bear. In venturing out of my adoptive New England, where I had found myself at home with many imaginary friends, I found it natural to ask the company of these familiar acquaintances, but their company was not to be had at once for the asking. When I began speaking of them as Basil and Isabel, in the fashion of 'Their Wedding Journey,' they would not respond with the effect of early middle age which I desired in them. They remained wilfully, not to say woodenly, the young bridal pair of that romance, without the promise of novel functioning. It was not till I tried addressing them as March and Mrs. March that they stirred under my hand with fresh impulse, and set about the work assigned them as people in something more than their second youth. The scene into which I had invited them to figure filled the largest canvas I had yet allowed myself; and, though 'A Hazard of New Fortunes was not the first story I had written with the printer at my heels, it was the first which took its own time to prescribe its own dimensions. I had the general design well in mind when I began to write it, but as it advanced it compelled into its course incidents, interests, individualities, which I had not known lay near, and it specialized and amplified at points which I had not always meant to touch, though I should not like to intimate anything mystical in the fact. It became, to my thinking, the most vital of my fictions, through my quickened interest in the life about me, at a moment of great psychological import. We had passed through a period of strong emotioning in the direction of the humaner economics, if I may phrase it so; the rich seemed not so much to despise the poor, the poor did not so hopelessly repine. The solution of the riddle of the painful earth through the dreams of Henry George, through the dreams of Edward Bellamy, through the dreams of all the generous visionaries of the past, seemed not impossibly far off. That shedding of blood which is for the remission of sins had been symbolized by the bombs and scaffolds of Chicago, and the hearts of those who felt the wrongs bound up with our rights, the slavery implicated in our liberty, were thrilling with griefs and hopes hitherto strange to the average American breast. Opportunely for me there was a great street-car strike in New York, and the story began to find its way to issues nobler and larger than those of the love-affairs common to fiction. I was in my fifty-second year when I took it up, and in the prime, such as it was, of my powers. The scene which I had chosen appealed prodigiously to me, and the action passed as nearly without my conscious agency as I ever allow myself to think such things happen. The opening chapters were written in a fine, old fashioned apartment house which had once been a family house, and in an uppermost room of which I could look from my work across the trees of the little park in Stuyvesant Square to the towers of St. George's Church. Then later in the spring of 1889 the unfinished novel was carried to a country house on the Belmont border of Cambridge. There I must have written very rapidly to have pressed it to conclusion before the summer ended. It came, indeed, so easily from the pen that I had the misgiving which I always have of things which do not cost me great trouble. There is nothing in the book with which I amused myself more than the house-hunting of the Marches when they were placing themselves in New York; and if the contemporary reader should
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The Sign of the Four By Sir Arthur Conan Doyle Contents Chapter I The Science of Deduction Sherlock Holmes took his bottle from the corner of the mantel-piece and his hypodermic syringe from its neat morocco case. With his long, white, nervous fingers he adjusted the delicate needle, and rolled back his left shirt-cuff. For some little time his eyes rested thoughtfully upon the sinewy forearm and wrist all dotted and scarred with innumerable puncture-marks. Finally he thrust the sharp point home, pressed down the tiny piston, and sank back into the velvet-lined arm-chair with a long sigh of satisfaction. Three times a day for many months I had witnessed this performance, but custom had not reconciled my mind to it. On the contrary, from day to day I had become more irritable at the sight, and my conscience swelled nightly within me at the thought that I had lacked the courage to protest. Again and again I had registered a vow that I should deliver my soul upon the subject, but there was that in the cool, nonchalant air of my companion which made him the last man with whom one would care to take anything approaching to a liberty. His great powers, his masterly manner, and the experience which I had had of his many extraordinary qualities, all made me diffident and backward in crossing him. Yet upon that afternoon, whether it was the Beaune which I had taken with my lunch, or the additional exasperation produced by the extreme deliberation of his manner, I suddenly felt that I could hold out no longer. "Which is it to-day?" I asked,--"morphine or cocaine?" He raised his eyes languidly from the old black-letter volume which he had opened. "It is cocaine," he said,--"a seven-per-cent. solution. Would you care to try it?" "No, indeed," I answered, brusquely. "My constitution has not got over the Afghan campaign yet. I cannot afford to throw any extra strain upon it." He smiled at my vehemence. "Perhaps you are right, Watson," he said. "I suppose that its influence is physically a bad one. I find it, however, so transcendently stimulating and clarifying to the mind that its secondary action is a matter of small moment." "But consider!" I said, earnestly. "Count the cost! Your brain may, as you say, be roused and excited, but it is a pathological and morbid process, which involves increased tissue-change and may at last leave a permanent weakness. You know, too, what a black reaction comes upon you. Surely the game is hardly worth the candle. Why should you, for a mere passing pleasure, risk the loss of those great powers with which you have been endowed? Remember that I speak not only as one comrade to another, but as a medical man to one for whose constitution he is to some extent answerable." He did not seem offended. On the contrary, he put his finger-tips together and leaned his elbows on the arms of his chair, like one who has a relish for conversation. "My mind," he said, "rebels at stagnation. Give me problems, give me work, give me the most abstruse cryptogram or the most intricate analysis, and I am in my own proper atmosphere. I can dispense then with artificial stimulants. But I abhor the dull routine of existence. I crave for mental exaltation. That is why I have chosen my own particular profession,--or rather created it, for I am the only one in the world." "The only unofficial detective?" I said, raising my eyebrows. "The only unofficial consulting detective," he answered. "I am the last and highest court of appeal in detection. When Gregson or Lestrade or Athelney Jones are out of their depths--which, by the way, is their normal state--the matter is laid before me. I examine the data, as an expert, and pronounce a specialist's opinion. I claim no credit in such cases. My name figures in no newspaper. The work itself, the pleasure of finding a field for my peculiar powers, is my highest reward. But you have yourself had some experience of my methods of work in the Jefferson Hope case." "Yes, indeed," said I, cordially. "I was never so struck by anything in my life. I even embodied it in a small brochure with the somewhat fantastic title of 'A Study in Scarlet.'" He shook his head sadly. "I glanced over it," said he. "Honestly, I cannot congratulate you upon it. Detection is, or ought to be, an exact science, and should be treated in the same cold and unemotional manner. You have attempted to tinge it with romanticism, which produces much the same effect as if you worked a love-story or an elopement into the fifth proposition of Euclid." "But the romance was there," I remonstrated. "I could not tamper with the facts." "Some facts should be suppressed, or at least a just sense of proportion should be observed in treating them. The only point in the case which deserved mention was the curious analytical reasoning from effects to causes by which I succeeded in unraveling it." I was annoyed at this criticism of a work which had been specially designed to please him. I confess, too, that I was irritated by the egotism which seemed to demand that every line of my pamphlet should be devoted to his own special doings. More than once during the years that I had lived with him in Baker Street I had observed that a small vanity underlay my companion's quiet and didactic manner. I made no remark, however, but sat nursing my wounded leg. I had a Jezail bullet through it some time before, and, though it did not prevent me from walking, it ached wearily at every change of the weather. "My practice has extended recently to the Continent," said Holmes, after a while, filling up his old brier-root pipe. "I was consulted last week by Francois Le Villard, who, as you probably know, has come rather to the front lately in the French detective service. He has all the Celtic power of quick intuition, but he is deficient in the wide range of exact knowledge which is essential to the higher developments of his art. The case was concerned with a will, and possessed some features of interest. I was able to refer him to two parallel cases, the one at Riga in 1857, and the other at St. Louis in 1871, which have suggested to him the true solution. Here is the letter which I had this morning acknowledging my assistance." He tossed over, as he spoke, a crumpled sheet of foreign notepaper. I glanced my eyes down it, catching a profusion of notes of admiration, with stray "magnifiques," "coup-de-maitres," and "tours-de-force," all testifying to the ardent admiration of the Frenchman. "He speaks as a pupil to his master," said I. "Oh, he rates my assistance too highly," said Sherlock Holmes, lightly. "He has considerable gifts himself. He possesses two out of the three qualities necessary for the ideal detective. He has the power of observation and that of deduction. He is only wanting in knowledge; and that may come in time. He is now translating my small works into French." "Your works?" "Oh, didn't you know?" he cried, laughing. "Yes, I have been guilty of several monographs. They are all upon technical subjects. Here, for example, is one 'Upon the Distinction between the Ashes of the Various Tobaccoes.' In it I enumerate a hundred and forty forms of cigar-, cigarette-, and pipe-tobacco, with plates illustrating the difference in the ash. It is a point which is continually turning up in criminal trials, and which is sometimes of supreme importance as a clue. If you can say definitely, for example, that some murder has been done by a man who was smoking an Indian lunkah, it obviously narrows your field of search. To the trained eye there is as much difference between the black ash of a Trichinopoly and the white fluff of bird's-eye as there is between a cabbage and a potato." "You have an extraordinary genius for minutiae," I remarked. "I appreciate their importance. Here is my monograph upon the tracing of footsteps, with some remarks upon the uses of plaster of Paris as a preserver of impresses. Here, too, is a curious little work upon the influence of a trade upon the form of the hand, with lithotypes of the hands of slaters, sailors, corkcutters, compositors, weavers, and diamond-polishers. That is a matter of great practical interest to the scientific detective,--especially in cases of unclaimed bodies, or in discovering the antecedents of criminals. But I weary you with my hobby." "Not at all," I answered, earnestly. "It is of the greatest interest to me, especially since I have had the opportunity of observing your practical application of it. But you spoke just now of observation and deduction. Surely the one to some extent implies the other." "Why, hardly," he answered, leaning back luxuriously in his arm-chair, and sending up thick blue wreaths from his pipe. "For example, observation shows me that you have been to the Wigmore Street Post-Office this morning, but deduction lets me know that when there you dispatched a telegram." "Right!" said I. "Right on both points! But I confess that I don't see how you arrived at it. It was a sudden impulse upon my part, and I have mentioned it to no one." "It is simplicity itself," he remarked, chuckling at my surprise,--"so absurdly simple that an explanation is superfluous; and yet it may serve to define the limits of observation and of deduction. Observation tells me that you have a little reddish mould adhering to your instep. Just opposite the Seymour Street Office they have taken up the pavement and thrown up some earth which lies in such a way that it is difficult to avoid treading in it in entering. The earth is of this peculiar reddish tint which is found, as far as I know, nowhere else in the neighborhood. So much is observation. The rest is deduction." "How, then, did you deduce the telegram?" "Why, of course I knew that you had not written a letter, since I sat opposite to you all morning. I see also in your open desk there that you have a sheet of stamps and a thick bundle of post-cards. What could you go into the post-office for, then, but to send a wire? Eliminate all other factors, and the one which remains must be the truth." "In this case it certainly is so," I replied, after a little thought. "The thing, however, is, as you say, of the simplest. Would you think me impertinent if I were to put your theories to a more severe test?" "On the contrary," he answered, "it would prevent me from taking a second dose of cocaine. I should be delighted to look into any problem which you might submit to me." "I have heard you say that it is difficult for a man to have any object in daily use without leaving the impress of his individuality upon it in such a way that a trained observer might read it. Now, I have here a watch which has recently come into my possession. Would you have the kindness to let me have an opinion upon the character or habits of the late owner?" I handed him over the watch with some slight feeling of amusement in my heart, for the test was, as I thought, an impossible one, and I intended it as a lesson against the somewhat dogmatic tone which he occasionally assumed. He balanced the watch in his hand, gazed hard at the dial, opened the back, and examined the works, first with his naked eyes and then with a powerful convex lens. I could hardly keep from smiling at his crestfallen face when he finally snapped the case to and handed it back. "There are hardly any data," he remarked. "The watch has been recently cleaned, which robs me of my most suggestive facts." "You are right," I answered. "It was cleaned before being sent to me." In my heart I accused my companion of putting forward a most lame and impotent excuse to cover his failure. What data could he expect from an uncleaned watch? "Though unsatisfactory, my research has not been entirely barren," he observed, staring up at the ceiling with dreamy, lack-lustre eyes. "Subject to your correction, I should judge that the watch belonged to your elder brother, who inherited it from your father." "That you gather, no doubt, from the H. W. upon the back?" "Quite so. The W. suggests your own name. The date of the watch is nearly fifty years back, and the initials are as old as the watch: so it was made for the last generation. Jewelry usually descends to the eldest son, and he is most likely to have the same name as the father. Your father has, if I remember right, been dead many years. It has, therefore, been in the hands of your eldest brother." "Right, so far," said I. "Anything else?" "He was a man of untidy habits,--very untidy and careless. He was left with good prospects, but he threw away his chances, lived for some time in poverty with occasional short intervals of prosperity, and finally, taking to drink, he died. That is all I can gather." I sprang from my chair and limped impatiently about the room with considerable bitterness in my heart. "This is unworthy of you, Holmes," I said. "I could not have believed that you would have descended to this. You have made inquires into the history of my unhappy brother, and you now pretend to deduce this knowledge in some fanciful way. You cannot expect me to believe that you have read all this from his old watch! It is unkind, and, to speak plainly, has a touch of charlatanism in it." "My dear doctor," said he, kindly, "pray accept my apologies. Viewing the matter as an abstract problem, I had forgotten how personal and painful a thing it might be to you. I assure you, however, that I never even knew that you had a brother until you handed me the watch." "Then how in the name of all that is wonderful did you get these facts? They are absolutely correct in every particular." "Ah, that is good luck. I could only say what was the balance of probability. I did not at all expect to be so accurate." "But it was not mere guess-work?" "No, no: I never guess. It is a shocking habit,--destructive to the logical faculty. What seems strange to you is only so because you do not follow my train of thought or observe the small facts upon which large inferences may depend. For example, I began by stating that your brother was careless. When you observe the lower part of that watch-case you notice that it is not only dinted in two places, but it is cut and marked all over from the habit of keeping other hard objects, such as coins or keys, in the same pocket. Surely it is no great feat to assume that a man who treats a fifty-guinea watch so cavalierly must be a careless man. Neither is it a very far-fetched inference that a man who inherits one article of such value is pretty well provided for in other respects." I nodded, to show that I followed his reasoning. "It is very customary for pawnbrokers in England, when they take a watch, to scratch the number of the ticket with a pin-point upon the inside of the case. It is more handy than a label, as there is no risk of the number being lost or transposed. There are no less than four such numbers visible to my lens on the inside of this case. Inference,--that your brother was often at low water. Secondary inference,--that he had occasional bursts of prosperity, or he could not have redeemed the pledge. Finally, I ask you to look at the inner plate, which contains the key-hole. Look at the thousands of scratches all round the hole,--marks where the key has slipped. What sober man's key could have scored those grooves? But you will never see a drunkard's watch without them. He winds it at night, and he leaves these traces of his unsteady hand. Where is the mystery in all this?" "It is as clear as daylight," I answered. "I regret the injustice which I did you. I should have had more faith in your marvellous faculty. May I ask whether you have any professional inquiry on foot at present?" "None. Hence the cocaine. I cannot live without brain-work. What else is there to live for? Stand at the window here. Was ever such a dreary, dismal, unprofitable world? See how the yellow fog swirls down the street and drifts across the dun- houses. What could be more hopelessly prosaic and material? What is the use of having powers, doctor, when one has no field upon which to exert them? Crime is commonplace, existence is commonplace, and no qualities save those which are commonplace have any function upon earth." I had opened my mouth to reply to this tirade, when with a crisp knock our landlady entered, bearing a card upon the brass salver. "A young lady for you, sir," she said, addressing my companion. "Miss Mary Morstan," he read. "Hum! I have no recollection of the name. Ask the young lady to step up, Mrs. Hudson. Don't go, doctor. I should prefer that you remain." Chapter II The Statement of the Case Miss Morstan entered the room with a firm step and an outward composure of manner. She was a blonde young lady, small, dainty, well gloved, and dressed in the most perfect taste. There was, however, a plainness and simplicity about her costume which bore with it a suggestion of limited means. The dress was a sombre grayish beige, untrimmed and unbraided, and she wore a small turban of the same dull hue, relieved only by a suspicion of white feather in the side. Her face had neither regularity of feature nor beauty of complexion, but her expression was sweet and amiable, and her large blue eyes were singularly spiritual and sympathetic. In an experience of women which extends over many nations and three separate continents, I have never looked upon a face which gave a clearer promise of a refined and sensitive nature. I could not but observe that as she took the seat which Sherlock Holmes placed for her, her lip trembled, her hand quivered, and she showed every sign of intense inward agitation. "I have come to you, Mr. Holmes," she said, "because you once enabled my employer, Mrs. Cecil Forrester, to unravel a little domestic complication. She was much impressed by your kindness and skill." "Mrs. Cecil Forrester," he repeated thoughtfully. "I believe that I was of some slight service to her. The case, however, as I remember it, was a very simple one." "She did not think so. But at least you cannot say the same of mine. I can hardly imagine anything more strange, more utterly inexplicable, than the situation in which I find myself." Holmes rubbed his hands, and his eyes glistened. He leaned forward in his chair with an expression of extraordinary concentration upon his clear-cut, hawklike features. "State your case," said he, in brisk, business tones. I felt that my position was an embarrassing one. "You will, I am sure, excuse me," I said, rising from my chair. To my surprise, the young lady held up her gloved hand to detain me. "If your friend," she said, "would be good enough to stop, he might be of inestimable service to me." I relapsed into my chair. "Briefly," she continued, "the facts are these. My father was an officer in an Indian regiment who sent me home when I was quite a child. My mother was dead, and I had no relative in England. I was placed, however, in a comfortable boarding establishment at Edinburgh, and there I remained until I was seventeen years of age. In the year 1878 my father, who was senior captain of his regiment, obtained twelve months' leave and came home. He telegraphed to me from London that he had arrived all safe, and directed me to come down at once, giving the Langham Hotel as his address. His message, as I remember, was full of kindness and love. On reaching London I drove to the Langham, and was informed that Captain Morstan was staying there, but that he had gone out the night before and had not yet returned. I waited all day without news of him. That night, on the advice of the manager of the hotel, I communicated with the police, and next morning we advertised in all the papers. Our inquiries led to no result; and from that day to this no word has ever been heard of my unfortunate father. He came home with his heart full of hope, to find some peace, some comfort, and instead--" She put her hand to her throat, and a choking sob cut short the sentence. "The date?" asked Holmes, opening his note-book. "He disappeared upon the 3d of December, 1878,--nearly ten years ago." "His luggage?" "Remained at the hotel. There was nothing in it to suggest a clue,--some clothes, some books, and a considerable number of curiosities from the Andaman Islands. He had been one of the officers in charge of the convict-guard there." "Had he any friends in town?" "Only one that we know of,--Major Sholto, of his own regiment, the 34th Bombay Infantry. The major had retired some little time before, and lived at Upper Norwood. We communicated with him, of course, but he did not even know that his brother officer was in England." "A singular case," remarked Holmes. "I have not yet described to you the most singular part. About six years ago--to be exact, upon the 4th of May, 1882--an advertisement appeared in the Times asking for the address of Miss Mary Morstan and stating that it would be to her advantage to come forward. There was no name or address appended. I had at that time just entered the family of Mrs. Cecil Forrester in the capacity of governess. By her advice I published my address in the advertisement column. The same day there arrived through the post a small card-board box addressed to me, which I found to contain a very large and lustrous pearl. No word of writing was enclosed. Since then every year upon the same date there has always appeared a similar box, containing a similar pearl, without any clue as to the sender. They have been pronounced by an expert to be of a rare variety and of considerable value. You can see for yourselves that they are very handsome." She opened a flat box as she spoke, and showed me six of the finest pearls that I had ever seen. "Your statement is most interesting," said Sherlock Holmes. "Has anything else occurred to you?" "Yes, and no later than to-day. That is why I have come to you. This morning I received this letter, which you will perhaps read for yourself." "Thank you," said Holmes. "The envelope too, please. Postmark, London, S.W. Date, July 7. Hum! Man's thumb-mark on corner,--probably postman. Best quality paper. Envelopes at sixpence a packet. Particular man in his stationery. No address. 'Be at the third pillar from the left outside the Lyceum Theatre to-night at seven o'clock. If you are distrustful, bring two friends. You are a wronged woman, and shall have justice. Do not bring police. If you do, all will be in vain. Your unknown friend.' Well, really, this is a very pretty little mystery. What do you intend to do, Miss Morstan?" "That is exactly what I want to ask you." "Then we shall most certainly go. You and I and--yes, why, Dr. Watson is the very man. Your correspondent says two friends. He and I have worked together before." "But would he come?" she asked, with something appealing in her voice and expression. "I should be proud and happy," said I, fervently, "if I can be of any service." "You are both very kind," she answered. "I have led a retired life, and have no friends whom I could appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper. "You are certainly a model client. You have the correct intuition. Let us see, now." He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek e will break out, and see the twirl of the final s. They are undoubtedly by the same person. I should not like to suggest false hopes, Miss Morstan, but is there any resemblance between this hand and that of your father?" "Nothing could be more unlike." "I expected to hear you say so. We shall look out for you, then, at six. Pray allow me to keep the papers. I may look into the matter before then. It is only half-past three. Au revoir, then." "Au revoir," said our visitor, and, with a bright, kindly glance from one to the other of us, she replaced her pearl-box in her bosom and hurried away. Standing at the window, I watched her walking briskly down the street, until the gray turban and white feather were but a speck in the sombre crowd. "What a very attractive woman!" I exclaimed, turning to my companion. He had lit his pipe again, and was leaning back with drooping eyelids. "Is she?" he said, languidly. "I did not observe." "You really are an automaton,--a calculating-machine!" I cried. "There is something positively inhuman in you at times." He smiled gently. "It is of the first importance," he said, "not to allow your judgment to be biased by personal qualities. A client is to me a mere unit,--a factor in a problem. The emotional qualities are antagonistic to clear reasoning. I assure you that the most winning woman I ever knew was hanged for poisoning three little children for their insurance-money, and the most repellant man of my acquaintance is a philanthropist who has spent nearly a quarter of a million upon the London poor." "In this case, however--" "I never make exceptions. An exception disproves the rule. Have you ever had occasion to study character in handwriting? What do you make of this fellow's scribble?" "It is legible and regular," I answered. "A man of business habits and some force of character." Holmes shook his head. "Look at his long letters," he said. "They hardly rise above the common herd. That d might be an a, and that l an e. Men of character always differentiate their long letters, however illegibly they may write. There is vacillation in his k's and self-esteem in his capitals. I am going out now. I have some few references to make. Let me recommend this book,--one of the most remarkable ever penned. It is Winwood Reade's 'Martyrdom of Man.' I shall be back in an hour." I sat in the window with the volume in my hand, but my thoughts were far from the daring speculations of the writer. My mind ran upon our late visitor,--her smiles, the deep rich tones of her voice, the strange mystery which overhung her life. If she were seventeen at the time of her father's disappearance she must be seven-and-twenty now,--a sweet age, when youth has lost its self-consciousness and become a little sobered by experience. So I sat and mused, until such dangerous thoughts came into my head that I hurried away to my desk and plunged furiously into the latest treatise upon pathology. What was I, an army surgeon with a weak leg and a weaker banking-account, that I should dare to think of such things? She was a unit, a factor,--nothing more. If my future were black, it was better surely to face it like a man than to attempt to brighten it by mere will-o'-the-wisps of the imagination. Chapter III In Quest of a Solution It was half-past five before Holmes returned. He was bright, eager, and in excellent spirits,--a mood which in his case alternated with fits of the blackest depression. "There is no great mystery in this matter," he said, taking the cup of tea which I had poured out for him. "The facts appear to admit of only one explanation." "What! you have solved it already?" "Well, that would be too much to say. I have discovered a suggestive fact, that is all. It is, however, VERY suggestive. The details are still to be added. I have just found, on consulting the back files of the Times, that Major Sholto, of Upper Norword, late of the 34th Bombay Infantry, died upon the 28th of April, 1882." "I may be very obtuse, Holmes, but I fail to see what this suggests." "No? You surprise me. Look at it in this way, then. Captain Morstan disappears. The only person in London whom he could have visited is Major Sholto. Major Sholto denies having heard that he was in London. Four years later Sholto dies. WITHIN A WEEK OF HIS DEATH Captain Morstan's daughter receives a valuable present, which is repeated from year to year, and now culminates in a letter which describes her as a wronged woman. What wrong can it refer to except this deprivation of her father? And why should the presents begin immediately after Sholto's death, unless it is that Sholto's heir knows something of the mystery and desires to make compensation? Have you any alternative theory which will meet the facts?" "But what a strange compensation! And how strangely made! Why, too, should he write a letter now, rather than six years ago? Again, the letter speaks of giving her justice. What justice can she have? It is too much to suppose that her father is still alive. There is no other injustice in her case that you know of." "There are difficulties; there are certainly difficulties," said Sherlock Holmes, pensively. "But our expedition of to-night will solve them all. Ah, here is a four-wheeler, and Miss Morstan is inside. Are you all ready? Then we had better go down, for it is a little past the hour." I picked up my hat and my heaviest stick, but I observed that Holmes took his revolver from his drawer and slipped it into his pocket. It was clear that he thought that our night's work might be a serious one. Miss Morstan was muffled in a dark cloak, and her sensitive face was composed, but pale. She must have been more than woman if she did not feel some uneasiness at the strange enterprise upon which we were embarking, yet her self-control was perfect, and she readily answered the few additional questions which Sherlock Holmes put to her. "Major Sholto was a very particular friend of papa's," she said. "His letters were full of allusions to the major. He and papa were in command of the troops at the Andaman Islands, so they were thrown a great deal together. By the way, a curious paper was found in papa's desk which no one could understand. I don't suppose that it is of the slightest importance, but I thought you might care to see it
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) _FICTION AND BIOGRAPHY_ By Elizabeth Stuart Phelps (MRS. WARD) THE GATES AJAR. 16mo, $1.50. BEYOND THE GATES. 16mo, $1.25. THE GATES BETWEEN. 16mo, $1.25. WITHIN THE GATES. A Drama. 12mo, $1.25. MEN, WOMEN, AND GHOSTS. Stories. 16mo, $1.50. HEDGED IN. 16mo, $1.50. THE SILENT PARTNER. 16mo, $1.50. THE STORY OF AVIS. 16mo, $1.50. SEALED ORDERS, and Other Stories. 16mo, $1.50. FRIENDS: A Duet. 16mo, $1.25; paper, 50 cents. DOCTOR ZAY. 16mo, $1.25. AN OLD MAID’S PARADISE, and BURGLARS IN PARADISE. 16mo, $1.25. THE MASTER OF THE MAGICIANS. Collaborated with HERBERT D. WARD. 16mo, $1.25; paper, 50 cents. COME FORTH! Collaborated with HERBERT D. WARD. 16mo, $1.25; paper, 50 cents. FOURTEEN TO ONE. Short Stories. 16mo, $1.25. DONALD MARCY. 16mo, $1.25. A SINGULAR LIFE. 16mo, $1.25. THE SUPPLY AT SAINT AGATHA’S. Illustrated. Square 12mo, $1.00. THE MADONNA OF THE TUBS. Illustrated. Square 12mo, boards, 75 cents. JACK THE FISHERMAN. Illustrated. Square 12mo, boards, 50 cents. THE SUCCESSORS OF MARY THE FIRST. Illustrated. 12mo, $1.50. LOVELINESS: A Story. Illustrated. Square 12mo, $1.00. CHAPTERS FROM A LIFE. Illustrated. 12mo, $1.50. THE STORY OF JESUS CHRIST: An Interpretation. Illustrated. Crown 8vo, $2.00. THE SAME. _Popular Edition._ Illustrated. 16mo, $1.25. HOUGHTON, MIFFLIN & CO. BOSTON AND NEW YORK WITHIN THE GATES BY ELIZABETH STUART PHELPS [Illustration] BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1901 COPYRIGHT, 1900, BY ELIZABETH STUART PHELPS WARD ALL RIGHTS RESERVED. This drama has so departed from the plan of the original story, “The Gates Between
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) THE IRON TREVET OR JOCELYN THE CHAMPION A Tale of the Jacquerie By EUGENE SUE TRANSLATED FROM THE ORIGINAL FRENCH BY DANIEL DE LEON NEW YORK LABOR NEWS COMPANY, 1906 Copyright, 1906, by the NEW YORK LABOR NEWS CO. TRANSLATOR'S PREFACE. Etienne Marcel, John Maillart, William Caillet, Adam the Devil and Charles the Wicked, King of Navarre, are the five leading personages in this story. Their figures and actions, the virtues and foibles of the ones, the vices of the others, the errors of all, are drawn with strict historic accuracy, all the five being historic characters. Seeing the historic importance of the epoch in which they figured, and the types that these five men represent, the story of "The Iron Trevet; or, Jocelyn, the Champion" is more than an historic narrative, it is more than a treatise on the philosophy of history, it is a treatise on human nature, it is a compendium of lessons inestimable to whomsoever his or her good or evil genius throws into the clash of human currents, and to those who, though not themselves participants, still may wish to understand that which they are spectators of and which, some way or other, they are themselves affected by and, some way or other, are bound to either support or resist. In a way, "The Iron Trevet; or, Jocelyn the Champion" is the uniquest of the series of brilliant stories that the genius of Eugene Sue has enriched the world with under the collective title of "The Mysteries of the People"--we can recall no other instance in which so much profound and practical instruction is so skillfully clad in the pleasing drapery of fiction, and one within so small a compass. To America whose youthful years deprive her of historic perspective, this little story, or rather work, can not but be of service. To that vast English-speaking world at large, now throbbing with the pulse of awakening aspirations, this translation discloses another treasure trove, long and deliberately held closed to it in the wrappage of the foreign tongue in which the original appeared. DANIEL DE LEON. New York, April 13, 1904. INDEX Translator's Preface iii Part I. The Seigniory of Nointel. Chapter 1. The Tavern of Alison the Huffy 10 Chapter 2. The Amende Honorable 26 Chapter 3. The Tournament 34 Chapter 4. The Judicial Combat 39 Chapter 5. Sheet Lightenings 50 Chapter 6. Prophecies and Premonitions 58 Chapter 7. Wrecked Hearts 65 Part II. The Regency of Normandy. Chapter 1. The States General 74 Chapter 2. Etienne Marcel 77 Chapter 3. The Man of the Furred Cap 83 Chapter 4. The Serpent Under the Grass 97 Chapter 5. Charles the Wicked 105 Chapter 6. The Meeting at the Cordeliers 118 Chapter 7. Popular Justice 126 Chapter 8. "The Hour Has Sounded!" 143 Part III. The Jacquerie. Chapter 1. Captain Griffith and His Chaplain 154 Chapter 2. The Fox's Burrow 161 Chapter 3. The Castle of Chivry 175 Chapter 4. Jacquerie! Jacquerie! 180 Chapter 5. The Orville Bridge 191 Chapter 6. "On to Clermont!" 207 Chapter 7. Clermont 211 Part IV. John Maillart. Chapter 1. The Wages of Envy 228 Chapter 2. Last Day at Home 239 Chapter 3. Darkening Shadows 247 Chapter 4. Plotters Uncovered 258 Chapter 5. The Gate of St. Antoine 267 Epilogue 270 PART I. THE SEIGNIORY OF NOINTEL. CHAPTER I. THE TAVERN OF ALISON THE HUFFY. On a Sunday, towards the end of the month of October of 1356, a great stir was noticeable since early morning in the little town of Nointel, situated a few leagues from the city of Beauvais, in the department of Beauvoisis. The tavern of Alison the Huffy--so nicknamed from her hot temper, although she was a good woman--was rapidly filling with artisans, villeins and serfs who came to wait for the hour of mass at the tavern, where, due to the prevailing poverty, little was drunk and much talked. Alison never complained. As talkative as huffy, dame Alison preferred to see her tavern full with chatterers than empty of tipplers. Still fresh and buxom, though on the shady side of thirty, she wore a short skirt and low bodice--probably because her bust was well rounded and her limbs well shaped. Black of hair, bright of eyes, white of teeth, and quick of hands, more than once since her widowhood, had Alison broken a bumper over the head of some customer, whom liquor had rendered too expressive in his admiration for her charms. Accordingly, like a prudent housekeeper, she had taken the precaution of replacing her earthenware bumpers with pewter ones. That morning the dame seemed to be in a particular huffy mood, judging by her rumpling brows, her brusque motions, and her sharp and cross words. Presently, the door of the tavern was darkened and in stepped a man of vigorous age, with an angular and sun-burnt face, whose only striking features were two little, piercing, crafty and savage eyes half hidden under his eyebrows thick and grizzly like his hair, that escaped in disorder from under his old woolen cap. He had traveled a long distance; his wooden shoes, shabby cloth leggings and patched smock-frock were covered with dust. He was noticeably tired; it was with difficulty that he moved his limbs with the support of a knotted stick. Hardly inside the tavern, the serf, whose name was William Caillet, let himself down heavily upon a bench, immediately placing his elbows on his knees and his head upon his hands. Alison the Huffy, already out of humor, as stated, called to him sharply: "What do you want here? I do not know you. If you want to drink, pay; if not, off with you!" "In order to drink, money is needed; I have none," answered William Caillet; "allow me to rest on this bench, good woman." "My tavern is no lazar-house," replied Alison; "be gone, you vagabond!" "Come now, hostess, we have never seen you in such a bad humor," put in one of the customers; "let the poor man rest; we invite him to a bumper." "Thank you," answered the serf with a somber gesture and shaking his head; "I'm not thirsty." "If you do not drink you have no business here," the buxom tavern-keeper was saying when a voice, hailing from without, called: "Where is the hostess... where is she... a thousand bundles of demons! Is there no one here to take my horse? Our throats are dry and our tongues hanging out. Ho, there, hostess, attend to us!" The arrival of a rider, always a good omen for a hostlery, drew Alison away from her anger. She called her maid servant while herself ran to the door to answer the impatient traveler, who, his horse's bridle in hand, continued finding fault, although good-naturedly. The new arrival was about twenty-four years of age; the visor of his somewhat rusty casque, wholly raised, exposed to view a pleasant face, the left cheek of which was furrowed with a deep scar. Thanks to his Herculean build, his heavy cuirass of tarnished iron, but still usable, seemed not to press him any more than a coat of cloth. His coat of mail, newly patched in several places, fell half over his thigh-armor, made, like his greaves, of iron, the latter of which were hidden within the large traveling boots. From his shoulder-strap hung a long sword, from his belt a sharp dagger of the class called "mercy". His mace, which consisted of a thick cudgel an arm long, terminating in three little iron chains riveted to a ball seven or eight pounds heavy, hung from the pommel of the rider's saddle, together with his steel-studded and ribbed buckler. Three reserve wooden lance shafts, tied together, and the points of which rested in a sort of leather bonnet, adjusted to the strap of one of his stirrups, were held up straight along the saddle, behind which a sheep-skin satchel was attached. The horse was large and vigorous. Its head, neck, chest and part of its crupper were protected by an iron caparison--a heavy armor that the robust animal carried as easily as its master wore his. Responding to the redoubled calls of the traveler, Alison the Huffy ran out with her maid and said in bitter-sweet voice: "Here I am, Sir. Hein! If ever you are canonized, it will not be, I very much fear, under the invocation of St. Patience!" "By the bowels of the Pope, my fair hostess, your pretty black eyes and pink cheeks could never be seen too soon. As sure as your garter could serve you for a belt, the prettiest girl of Paris, where I come from, could not be compared to you. By Venus and Cupid, you are the pearl of hostesses." "You come from Paris, Sir Knight!" said Alison with joyful surprise, being at once flattered by the compliments of the traveler, and proud of having a guest from Paris, the great city. "You really come from Paris?" "Yes, truly. But tell me, am I rightly informed? Is there to be a passage of arms to-day, here in the valley of Nointel?" "Yes, Sir; you arrive in time. The tourney is to begin soon; right after mass." "Well, then, my pretty hostess, while I take my horse to the stable to have him well fed, you will prepare a good repast for myself, and, to the end that it may taste all the better, you will share it with me while we chat together. There is much information that I need from you;" and raising his coat of mail to enable him to reach his leather purse, the rider took from it a piece of silver. Giving it to Alison, he said gaily: "Here is payment in advance for my score. I am none of your strollers, so frequent in these days, who pay their host with sword thrusts and by plundering his house;" but noticing that Alison examined the piece before putting it in her pocket, he added laughing: "Accept that coin as I did, with eyes shut. The devil take it, only King John and his minter know what the piece is worth, and whether it contains more lead than it does silver!" "Oh, Sir Knight, is it not terrible to think that our master, the King, is an inveterate false-coiner? What times these are! We are borne down with taxes, and we never know the value of what we have!" "True. But I wager, my pretty hostess, that your lover is in no such annoying ignorance.... Come, you will have overcome your modest blushes by the time your maid has shown me the way to the stable, after which you will make my breakfast ready. But you must share it with me; that's understood." "As you please, Sir Knight," answered Alison, more and more charmed with the jolly temper of the stranger. Accordingly, she hastened to busy herself with the preparations for the meal, and in a short time spread upon one of the tables of the tavern a toothsome dish of bacon in green fennel, flanked with fried eggs, cheese and a mug of foaming beer. The serf, William Caillet, now forgotten by the hostess, his forehead resting on both his hands, seemed lost to what went on around him, and kept his seat on a bench not far from the table at which presently Alison and the traveler took theirs. Back from the stable, the latter relieved himself of his casque, dagger and sword, laying them down near to himself, and proceeded to do honor to the repast. "Sir Knight," said Alison, "you come from Paris? What fine stories you will have to tell!" "Mercy, pretty hostess, do not call me 'Sir Knight.' I belong to the working class, not the nobility. My name is Jocelyn. My father is a book-seller, and I am a _champion_[1] as my battle-harness attests to you;--and here I am at your service." "Can it be!" exclaimed Alison, joining her hands in glad astonishment, "you are a fighting champion?" "Yes, and I have not yet lost a single case, as you may judge from my right hand not yet being cut off--a penalty reserved for all champions who are vanquished in a judicial duel. Although often wounded, I have at least always rendered a Roland for my adversary's Oliver. I learned in Paris that there was to be a tourney here and thinking that, as usual, it would be followed or preceded by some judicial combat, where I might represent the appellant or the appellee, I came to the place on a venture. Now, then, as a tavern-keeper, you are surely informed thereon." "Oh, Sir champion! It is heaven that sends you. There will surely be need of you." "Heaven, I am of the opinion, mixes but little in my concerns. Let us leave Gog and Magog to settle their affairs among themselves." "You should know that, unfortunately, I have a process. I admit that I am in great trouble." "You, my pretty hostess?" "It is now three months ago that I lent twelve florins to Simon the Hirsute. When I asked him for the money, the mean thief denied the debt. We went before the seneschal. I maintained what I said; Simon maintained his side. There were no witnesses either for or against us, and as the amount involved was above five sous, the seneschal ordered a judicial battle. But who would take my part?" "And you have found nobody
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Produced by David Widger MONSIEUR, MADAME AND BEBE By Gustave Droz Antoine-Gustave Droz was born in Paris, June 9, 1832. He was the son
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A TREATISE ON PHYSIOLOGY AND HYGIENE *** Produced by Bryan Ness, Keith Edkins and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's note: A few typographical errors have been corrected: they are listed at the end of the text. * * * * * [Illustration: THE VISCERA IN POSITION.] * * * * * A TREATISE ON PHYSIOLOGY AND HYGIENE FOR EDUCATIONAL INSTITUTIONS AND GENERAL READERS. _FULLY ILLUSTRATED._ BY JOSEPH C. HUTCHISON, M. D., _President of the New York Pathological Society, Vice-President of the New York Academy of Medicine, Surgeon to the Brooklyn City Hospital, late President of the Medical Society of the State of New York, etc._ * * * * * NEW YORK: CLARK & MAYNARD, PUBLISHERS, 5 BARCLAY STREET. 1872. * * * * * Entered according to Act of Congress, in the year 1870, By CLARK & MAYNARD. In the Office of the Librarian of Congress, at Washington. Stereotyped by LITTLE, RENNIE & CO. 645 and 647 Broadway. * * * * * TO MY WIFE, WHOSE SYMPATHY HAS, FOR MORE THAN TWENTY YEARS, LIGHTENED THE CARES INCIDENT TO _AN ACTIVE PROFESSIONAL LIFE_, THIS HUMBLE VOLUME IS AFFECTIONATELY INSCRIBED. * * * * * {3} PREFACE. ------o------ This work is designed to present the leading facts and principles of human Physiology and Hygiene in clear and concise language, so that pupils in schools and colleges, and readers not familiar with the subjects, may readily comprehend them. Anatomy, or a description of the structure of an organ, is of course necessary to the understanding of its Physiology, or its uses. Enough of the former study has, therefore, been introduced, to enable the pupil to enter intelligently upon the latter. Familiar language, as far as practicable, has been employed, rather than that of a technical character. With a view, however, to supply what might seem to some a deficiency in this regard, a Pronouncing Glossary has been added, which will enable the inquirer to understand the meaning of many scientific terms not in common use. In the preparation of the work the writer has carefully examined all the best material at his command, and freely used it; the special object being to have it abreast of the present knowledge on the subjects treated, as far as such is possible in a work so elementary as this. The discussion of disputed points has been avoided, it being manifestly inappropriate in a work of this kind. Instruction in the rudiments of Physiology in schools does not necessitate the general practice of dissections, or of experiments upon animals. The most important subjects may be illustrated by {4} drawings, such as are contained in this work. Models, especially those constructed by AUZOUX of Paris, dried preparations of the human body, and the organs of the lower animals, may also be used with advantage. The writer desires to acknowledge his indebtedness to R. M. WYCKOFF, M.D., for valuable aid in the preparation of the manuscript for the press; and to R. CRESSON STILES, M.D., a skilful microscopist and physician, for the chapter "On the Use of the Microscope in the Study of Physiology." Mr. AVON C. BURNHAM, the well-known teacher of gymnastics, furnished the drawing of the parlor gymnasium and the directions for its use. _Brooklyn, N. Y., 1870._ * * * * * {5} CONTENTS. CHAPTER I. PAGE THE FRAMEWORK OF THE BODY 15 _The Bones--Their form and composition--The Properties of Bone--The Skeleton--The Joints--The Spinal Column--The Growth of Bone--The Repair of Bone._ CHAPTER II. THE MUSCLES 25 _The Muscles--Flexion and Extension--The Tendons--Contraction--Physical Strength--Necessity for Exercise--Its Effects--Forms of Exercise--Walking--Riding--Gymnastics--Open-air Exercise--Sleep-- Recreation._ CHAPTER III. THE INTEGUMENT, OR SKIN 41 _The Integument--
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Produced by David Clarke, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Million Book Project) ANALYSIS OF MR. MILL'S SYSTEM OF LOGIC. * * * * * WORKS BY JOHN STUART MILL, M.P. FOR WESTMINSTER. A SYSTEM of LOGIC, RATIOCINATIVE and INDUCTIVE. Sixth Edition. 2 vols. 8vo. 25_s._ An EXAMINATION of SIR WILLIAM HAMILTON'S PHILOSOPHY, and of the Principal Philosophical Questions discussed in his Writings. Third Edition, revised. 8vo. 14_s._ PRINCIPLES of POLITICAL ECONOMY, with some of their Applications to Social Philosophy. Sixth Edition. 2 vols. 8vo. 30_s._ PRINCIPLES of POLITICAL ECONOMY. By JOHN STUART MILL, M.P. People's Edition. Crown 8vo. 5_s._ CONSIDERATIONS on REPRESENTATIVE GOVERNMENT. Third Edition. 8vo. 9_s._ On REPRESENTATIVE GOVERNMENT. By JOHN STUART MILL, M.P. People's Edition. Crown 8vo. 2_s._ On LIBERTY. Third Edition. Post 8vo. 7_s._ 6_d._ On LIBERTY. By JOHN STUART MILL, M.P. People's Edition. Crown 8vo. 1_s._ 4_d._ DISSERTATIONS and DISCUSSIONS, POLITICAL, PHILOSOPHICAL, and HISTORICAL. Second Edition of VOLS. I. and II. price 24_s._; VOL. III., price 12_s._ INAUGURAL ADDRESS delivered to the University of St. Andrew's, Feb. 1, 1867. By JOHN STUART MILL, M.P. Rector of the University. Library Edition (the Second), post 8vo. 5_s._ People's Edition, crown 8vo. 1_s._ UTILITARIANISM. Second Edition. 8vo. 5_s._ THOUGHTS on PARLIAMENTARY REFORM. Second Edition, with SUPPLEMENT. 8vo. 1_s._ 6_d._ London: LONGMANS and CO. Paternoster Row. * * * * * ANALYSIS OF MR. MILL'S SYSTEM OF LOGIC. BY W. STEBBING, M.A. FELLOW OF WORCESTER COLLEGE, OXFORD. _NEW EDITION._ LONDON: LONGMANS, GREEN, AND CO. 1867. LONDON PRINTED BY SPOTTISWOODE AND CO. NEW-STREET SQUARE PREFACE TO THE SECOND EDITION. The author's aim has been to produce such a condensation of the original work as may recall its contents to those who have read it, and may serve those who are now reading it in the place of a full body of marginal notes. Mr.
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Produced by Nick Hodson of London, England The Twa Miss Dawsons By Margaret Murray Robertson Published by Hodder and Stoughton, 27 Paternoster Row, London. This edition dated 1880. The Twa Miss Dawsons, by Margaret Murray Robertson. ________________________________________________________________________ ________________________________________________________________________ THE TWA MISS DAWSONS, BY MARGARET MURRAY ROBERTSON. CHAPTER ONE. "AULD MISS JEAN." Saughleas was not a large estate, nor were the Dawsons gentlefolks, in the sense generally accepted in the countryside. It was acknowledged that both the mother and the wife of the new laird had had good blood in their veins; but George Dawson himself, had been, and, in a sense, still was, a merchant in the High-street of Portie. He was banker and ship-owner as well, and valued the reputation which he had acquired as a business man, far more than he would ever be likely to value any honour paid to him as the Laird of Saughleas. He had gotten his land honestly, as he had gotten all else that he possessed. He had taken no advantage of the necessities of the last owner, who had been in his power, in a certain sense, but had paid him the full value of the place; and not a landed proprietor among them all had more pride in the name and fame of his ancestry, than he had in the feet that he had been the maker of his own fortune, and that no man, speaking truth, could accuse him, in the making of it, of doing a single mean or dishonest deed. His mother "had come o' gentle bluid," but his father had been first a common sailor and then the mate of a whaling ship that sailed many a time from the little Scottish east coast harbour of Portie, and which at last sailed away never more to return. His widow lived through years of heart-sickness that must have killed her sooner than it did, but that her two fatherless bairns needed her care. They were but bairns when she died, with no one to look after them but a neighbour who had been always kind to them. The usual lot awaited them, it was thought. The laddie must take to the sea, as most of the laddies in Portie did, and the lassie must get "bit and sup" here and there among the neighbours, till she should be able to do for herself as a servant in some house in the town. But it happened quite otherwise. Whatever the Dawsons had been in old times, there was good stuff in them now, it was said. For "Wee Jean Dawson," as she was called, with few words spoken, made it clear that she was to make her own way in the world. She was barely fifteen at that time, and her brother was two years younger, and if she had told her plans and wishes, she would have been laughed at, and possibly effectually hindered from trying to carry them out. But she said nothing. The rent of the two rooms which the children and their mother had occupied, was paid to the end of the year, and the little stock of pins and needles, and small wares generally, by the sale of which the mother had helped out the "white seam," her chief dependence, was not exhausted, and Jean, declining the invitation of their neighbour to take up their abode with her in the mean time, quietly declared her intention of "biding where she was for a while," and no one had the right to say her nay. Before the time to pay another quarter's rent came round, it was ready, and Jean had proved her right to make her own plans, having shown herself capable of carrying them out when they were made. How she managed, the neighbours could not tell, and they watched her with doubtful wonder. But it was not so surprising as it seemed to them. She was doing little more than she had been doing during the last two years of her mother's life under her mother's guidance. She had bought and sold, she had toiled late and early at the white seam, when her mother was past doing much, and had made herself busy with various trifles in cotton and wool,
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Produced by Chris Curnow, Robin Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's note: Text enclosed by underscores is in italics (_italics_). Small capital text has been replaced with all capitals. * * * * * [Illustration: cover] THE SHEEPFOLD AND THE COMMON. [Illustration: DRAWN BY G. H. THOMAS. ENGRAVED BY W. L. THOMAS. THE OLD SHEPHERD. Vol. i. page 2.] [Illustration: the Sheepfold and the Common OR WITHIN & WITHOUT. Blackie & Son Glasgow Edinburgh and London.] THE SHEEPFOLD AND THE COMMON: OR, WITHIN AND WITHOUT. VOL. I. "My sheep hear my voice, and I know them, and they follow me."--JOHN x. 27. "Them that are without God judgeth."--1 COR. v. 13. [Illustration: logo] BLACKIE AND SON: GLASGOW, EDINBURGH, LONDON, AND NEW YORK. MDCCCLXI. GLASGOW: W. G. BLACKIE AND CO., PRINTERS, VILLAFIELD. PREFACE. This Work was originally published, above thirty years ago, under the title of the _Evangelical Rambler_. It has long been out of print; and its republication at the present time has been recommended, as calculated to assist in arresting the progress of some popular errors and dangerous institutions, and in aiding the advancement of truth and social happiness. This opinion was strengthened by a knowledge of the fact, that, according to the most accurate calculations, from sixty thousand to a hundred thousand copies of the Work, under its original title, were issued from the English press, whilst in America it obtained an equally extended circulation; and from the still more important fact of the Author having received, from a large number of persons, assurances, both by letter and personal interviews, of their having derived their first religious impressions and convictions from perusing its pages. A new and thoroughly-revised Edition is, therefore, now issued, under the title of "THE SHEEPFOLD AND THE COMMON," as being more descriptive of the aim and intention of the Work than its former name. The object of the Work is to afford instruction and amusement, conveyed by a simple narration of the events of every-day life. In constructing his story, the Author has availed himself occasionally of the conceptions of his fancy, and at other times he has crowded into a narrow compass facts and incidents culled from an extended period of his history; but reality forms the basis of every narrative and of every scene he has described. He has departed from the common-place habit of presenting the grand truths of the Christian faith in didactic and dogmatic statements, preferring the dramatic form, as more likely to arrest the attention and interest the feelings, especially of the youthful and
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Produced by David Widger THE INSIDE OF THE CUP By Winston Churchill Volume 7. XXIII. THE CHOICE XXIV. THE VESTRY MEETS XXV. "RISE, CROWNED WITH LIGHT!" XXVI. THE CURRENT OF LIFE CHAPTER XXIII THE CHOICE I Pondering over Alison's note, he suddenly recalled and verified some phrases which had struck him that summer on reading Harnack's celebrated History of Dogma, and around these he framed his reply. "To act as if faith in eternal life and in the living Christ was the simplest thing in the world, or a dogma to which one has to submit, is irreligious... It is Christian to pray that God would give the Spirit to make us strong to overcome the feelings and the doubts of nature... Where this faith, obtained in this way, exists, it has always been supported by the conviction that the Man lives who brought life and immortality to light. To hold fast this faith is the goal of life, for only what we consciously strive for is in this matter our own. What we think we possess is very soon lost." "The feelings and the doubts of nature!" The Divine Discontent, the striving against the doubt that every honest soul experiences and admits. Thus the contrast between her and these others who accepted and went their several ways was brought home to him. He longed to talk to her, but his days were full. Yet the very thought of her helped to bear him up as his trials, his problems accumulated; nor would he at any time have exchanged them for the former false peace which had been bought (he perceived more and more clearly) at the price of compromise. The worst of these trials, perhaps, was a conspicuous article in a newspaper containing a garbled account of his sermon and of the sensation it had produced amongst his fashionable parishioners. He had refused to see the reporter, but he had been made out a hero, a socialistic champion of the poor. The black headlines were nauseating; and beside them, in juxtaposition, were
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Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net _SPECIAL EDITION_ WITH THE WORLD'S GREAT TRAVELLERS EDITED BY CHARLES MORRIS AND OLIVER H. G. LEIGH VOL. III CHICAGO UNION BOOK COMPANY 1901 COPYRIGHT 1896 AND 1897 BY J. B. LIPPINCOTT COMPANY COPYRIGHT 1901 E. R. DUMONT [Illustration: THE CATHEDRAL, CITY OF MEXICO] CONTENTS. SUBJECT. AUTHOR. PAGE London, Glasgow, Dublin, Manchester, Liverpool OLIVER H. G. LEIGH 5 Kenilworth and Warwick Castles ELIHU BURRITT 25 Windsor Forest and Castle ANONYMOUS 36 The Aspect of London HIPPOLYTE TAINE 47 Westminster Abbey NATHANIEL HAWTHORNE 56 The Gardens at Kew JULIAN HAWTHORNE 64 Chatsworth Castle JOHN LEYLAND 75 King Arthur's Land J. YOUNG 84 The English Lake District AMELIA BARR 93 The Roman Wall of Cumberland ROSE G. KINGSLEY 105 English Rural Scenery SARAH B. WISTER 112 The "Old Town" of Edinburgh ROBERT LOUIS STEVENSON 120 In the Land of Rob Roy NATHANIEL P. WILLIS 129 The Island of Staffa and Fingal's Cave BERIAH BOTFIELD 140 Ireland and Its Capital MATTHEW WOODS, M. D. 148 From Cork to Killarney SARA J. LIPPINCOTT 157 North of Ireland Scenes W. GEORGE BEERS 168 Paris and Its Attractions HARRIET BEECHER STOWE 178 Travel in France Fifty Years Ago CHARLES DICKENS 189 From Normandy to Provence DONALD G. MITCHELL 200 A French Farmer's Paradise M. BENTHAM-EDWARDS 211 Cordova and Its Mosque S. P. SCOTT 218 The Spanish Bull-Fight JOSEPH MOORE 230 Seville, the Queen of Andalusia S. P. SCOTT 238 Street Scenes in Genoa AUGUSTA MARRYAT 249 The Alhambra S. P. SCOTT 257 LIST OF ILLUSTRATIONS VOLUME III THE CATHEDRAL, CITY OF MEXICO _Frontispiece_ LONDON BRIDGE 14 BANK OF ENGLAND 50 WESTMINSTER ABBEY AND VICTORIA TOWER 62 CANTERBURY CATHEDRAL FROM THE NORTHWEST 114 PRINCES STREET AND SIR WALTER SCOTT'S MONUMENT, EDINBURGH 122 THE FORTH BRIDGE FROM THE NORTH 136 CUSTOM-HOUSE, DUBLIN, IRELAND 150 QUEENSTOWN HARBOR 164 GRAND OPERA HOUSE, PARIS 180 THE LUMINOUS PALACE, PARIS 216 THE GROTTO OF THE SIBYL, TIVOLI 250 WITH THE WORLD'S GREAT TRAVELLERS. THE WORLD'S GREAT CAPITALS OF TO-DAY. OLIVER H. G. LEIGH. LONDON. To the ordinary eye the moon and stars have at least prettiness, perhaps grandeur. To the trained astronomer, and the contemplative poet, the mighty firmament overwhelms the mind with the sense of human inability to grasp the vast. Knowing and loving the features and characteristics of London as a lover those of his mistress, it can be imagined how such a one despairs of doing justice, in a brief space, either to his subject or his own sane enthusiasm. He would fain impart his knowledge, insight, and what glimmerings of romantic fancy may add charm to the prosy exposition, but the showman's harangue is received as art without heart. London is a hundred captivating sights and themes for our hundred capacities and moods. You go to it the first time with the child's enviable eye-delight in novelty, and are lucky if in a week you are not eye-sore, dazed, and jaded with the very monotony of new scenes and blurred impressions. You wisely fly to the lovely country lanes for restful change, and come back with new eyes and a clean slate. Then the mysterious quality which lifts visible London into the London of real romance and realizable antiquity dawns upon the mind. A third exploration reveals its almost omniscient and omnipotent headship as for three centuries the world's centre for the intellectual and material forces that have so largely built up our civilization. Continued observation brings other and endless aspects of the indescribable city, which is no city, but a Chinese puzzle of separately whirling worlds within each other. This mystifying prelude may seem rather disheartening to the stranger, primed with rational curiosity to understand, as well as see, this unwieldy London. He will find, however, his curiosity whetted, deepened, elevated, in proportion as he takes with him a moderate grounding in the historical associations of the old city. This easily acquired information will prove to be a key that will unlock hidden places holding bunches of other keys, so that everywhere one may turn, the streets, buildings, and monuments recite their own fascinating stories. We live in the day of big things, and sneer as we may at the superficiality of estimating quality by size, there is no escape from it when the purpose is only to kindle interest. Analysis can be undertaken afterwards. London "whips creation" in the number of its people, though its greatness is quite independent of this. The circle can be drawn to include four, six, or seven millions and it will still be true that the sustainers of its greatness come within a single million, possibly the half of that. Yet it has a few businesses useful for the novice to know. People have walked and ridden through the double tunnel under the wider part of the Thames since 1843. Its underground railway, costing five million dollars per mile to make, carries one hundred and fifty millions of people a year, and has been running forty years. The public are served by fifteen thousand cabs, which earn twenty-five million dollars a year. There are over one thousand omnibuses, not including tram-cars, on which there are roof seats, and you pay from two to six cents, according to distance. Steamboats afford a fine view of the city, at the same fares. It has about five hundred theatres and music-halls, giving variety programmes. Many of these hold from three to five thousand and they are always well-filled. The roof of a famous music-hall built in 1870 slides off for a few minutes at a time, for ventilation on summer nights. The Crystal Palace entertains a hundred thousand people without being crowded, in its beautiful glass hall, 1,608 feet long, with two great aisles and transepts, and a charming pleasure park. In the palace are reproductions of ancient architecture, primitive peoples, extinct animals, everything in art and nature that can expand knowledge. The orchestra seats four thousand, the concert-hall four thousand, and the theatre four thousand, all under the same roof, yet their performances are simultaneous. The Palace cost over seven million dollars in 1854, and admission is twenty-five cents. The Albert Memorial Hall holds ten thousand. The Agricultural Hall covers three acres and a half, and holds audiences of twenty-five thousand. There is not a day in the year without half-a-dozen or more public meetings, convened by religious, scientific, or other societies, a free field for the stranger to see distinguished people, hear average oratory, study character and customs, and lay in stores of useful knowledge with varied entertainment. "Doing the sights" is a matter of course, but they should be selected to suit one's mood at the time, also the usually unlovely weather, and above all, after some preliminary guide-book reading. The Tower is already familiar in story and picture, yet not every cockney is aware that its walls enclose a virtual town of over three thousand inhabitants. It has a hundred distinct interests for the leisurely-minded, besides that of being a great old fortress. The new Tower bridge equals the underground railway and sub-river tunnels as a triumph of engineering, lifting itself high above the tall ships' masts when they sail in and out of the port. Near by, the much maligned East End, the Whitechapel district beloved by horror-vending reporters, invites and will repay a visit. Would you like to realize a dream of some magnificent pageant, in which the great notabilities of all the earth take a share? Take your stand where Rotten Row meets the Drive any morning or afternoon between April and July. Here meet the pink of fashion and the celebrities distinguished for honors won in art, science, diplomacy, statesmanship, and war. The outward and visible magnificence belongs to the horses rather than their riders and drivers, for plainness of attire and decoration is the rule among the great folks. This double daily parade is truly a unique spectacle, viewed by throngs of idlers of all nations, themselves a picturesque feature of the show. A panorama with another sort of interest should be viewed ponderingly. Let the visitor approach Westminster Abbey from Victoria station along Victoria Street, once a worse than any Whitechapel nest of criminal slum-dwellers. Grouped into a picture unrivalled elsewhere in the world for architectural splendor combined with historic glory, he will see the hoary Abbey, not simply the stone record of a thousand years of human progress; not simply the petrified survival of druidicial worship in the forest groves, with its soaring tree-trunk columns breaking into foliage as their tops meet to screen the sun and echo down again the ascending incense of prayer and song; not simply the stately temple which for ages has been the shrine of England's great ones, thirteen kings, fourteen queens, and the greater than these--the glorious array of its poets, musicians, statesmen, soldiers, sailors, and explorers, who, like Livingstone in his line and Chaucer in his, poured all their wealth of genius and power into the lap of their motherland, to make her happier and stronger. He will see through the mediaeval stained windows the deeper meaning of the old church's story, the reddened sun-rays telling of the bloodshed that watered the growing plant of the nation's greatness, and the blue beams that figure Britannia's olden mastery of the seas, and the rainbow hues suggestive of her labors to give hope to the people that long sat in darkness till she brought the light of civilization. Close to the Abbey's side stands the venerable St. Margaret's parish church, where Caxton printed the first book and is buried; where Ambassador James Russell Lowell's epitaph on Raleigh graces the window that honors the memory of Virginia's founder, whose headless body reposes
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Produced by David Widger SAILORS' KNOTS By W.W. Jacobs 1909 SELF-HELP The night-watchman sat brooding darkly over life and its troubles. A shooting
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Produced by Internet Archive; University of Florida, Children, Michael Ciesielski and the Online Distributed Proofreading Team. The STORY of the TWO BULLS WITH ORIGINAL ENGRAVINGS NEW YORK: Daniel Burgess & Co. 1856 THE STORY OF THE TWO BULLS. In former times, my story tells, There lived one Deacon R., And not the worst man in the world, Nor best was he, by far. His fields were rich, his acres broad, And cattle were his pride; Oxen and sheep, and horses, too, And what you please, beside. His brindle cow, the highest prize Won at the county fair, For taper limbs and rounded form, And short and shining hair. Old Bonny Gray, a noble steed Of sure, majestic pace, Before the deacon purchased him, Was famous at a race. This story he would sometimes tell, And at the end would say, "Alas! such sports are far from right; But Bonny won the day!" Still, more than all, the spotted bull Had filled the deacon's mind; His back so straight, his breast so broad, So perfect of his kind. And when 'twas said that Moses Grimes, A justice of the peace, Had got the likeliest bull in town, The deacon had no ease. So off he rode to see the squire, And put this question straight: "Say, don't you want another bull, And don't yours want a mate?" The squire, perceiving at a glance All that the man was after, "Just forty pounds will buy my bull," Quoth he, with ready laughter. And when the beast was brought to view, And carefully surveyed, Of deepest red, its every point Of excellence displayed. "I'll take him at your price," said he-- "Please drive him down to-morrow, And you shall have the money, sir, If I the cash can borrow." So saying, turned he on his steed, The nimble-footed Bonny; To-morrow came, and came the bull-- The deacon paid the money. The sun was hid behind the hills-- The next day would be Sunday; "You'll put him in the barn," said he, "And leave him there till Monday." The deacon was a man of peace, For so he claimed, albeit When there was war among the beasts, He always liked to see it. "How will the bulls together look, And which will prove the stronger? 'Twere sin to wish the time to pass-- 'Twould only make it longer." Such thoughts as these, on Sabbath morn, Like birds of evil token, Flew round and round the deacon's mind-- Its holy peace was broken. Beyond the hills the steeple rose, Distant a mile or two. Our deacon's house and barns and bulls Were well concealed from view. "Be ready all, to meeting go; Perhaps I may not come-- A curious fluttering near my heart Calls me to stay at home." As thus he spake, his careful wife Replied with anxious
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Produced by Dagny; John Bickers THE STORY OF A CHILD By Pierre Loti Translated by Caroline F. Smith PREFACE There is to-day a widely spread new interest in child life, a desire to get nearer to children and understand them. To be sure child study is not new; every wise parent and every sympathetic teacher has ever been a student of children; but there is now an effort to do more consciously and systematically what has always been done in some way. In the few years since this modern movement began much has been accomplished, yet there is among many thoughtful people a strong reaction from the hopes awakened by the enthusiastic heralding of the newer aspects of psychology. It had been supposed that our science would soon revolutionize education; indeed, taking the wish for the fact, we began to talk about the new and the old education (both mythical) and boast of our millennium. I would not underrate the real progress, the expansion of educational activities, the enormous gains made in many ways; but the millennium! The same old errors meet us in new forms, the old problems are yet unsolved, the waste is so vast that we sometimes feel thankful that we cannot do as much as we would, and that Nature protects children from our worst mistakes. What is the source of this disappointment? Is it not that education, like all other aspects of life, can never be reduced to mere science? We need science, it must be increasingly the basis of all life; but exact science develops very slowly, and meantime we must live. Doubtless the time will come when our study of mind will have advanced so far that we can lay down certain great principles as tested laws, and thus clarify many questions. Even then the solution of the problem will not be in the enunciation of the theoretic principle, but will lie in its application to practice; and that application must always depend upon instinct, tact, appreciation, as well as upon the scientific law. Even the aid that science can contribute is given slowly; meanwhile we must work with these children and lift them to the largest life. It is in relation to this practical work of education that our effort to study children gets its human value. There are always two points of view possible with reference to life. From the standpoint of nature and science, individuals count for little. Nature can waste a thousand acorns to raise one oak, hundreds of children may be sacrificed that a truth may be seen.
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E-text prepared by Julia Miller, JoAnn Greenwood, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 40220-h.htm or 40220-h.zip: (http://www.gutenberg.org/files/40220/40220-h/40220-h.htm) or (http://www.gutenberg.org/files/40220/40220-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://archive.org/details/howwomenshouldri00dehu HOW WOMEN SHOULD RIDE by "C. DE HURST" Illustrated [Illustration] New York Harper & Brothers, Franklin Square 1892 Copyright, 1892, by HARPER & BROTHERS. All rights reserved. TO E. E. F. TO WHOM I OWE THE EXPERIENCE WHICH HAS ENABLED ME TO WRITE OF RIDING THIS BOOK IS GRATEFULLY AND AFFECTIONATELY DEDICATED INTRODUCTION It has not been the intention of the author of this little volume to present the reader with elaborate chapters of technical essays. Entire libraries have been written on the care and management of the horse from the date of its foaling; book upon book has been compiled on the best and proper method of acquiring some degree of skill in the saddle. The author has scarcely hoped, therefore, to exhaust in 248 pages a subject which, after having been handled on the presses of nearly every publisher in this country and England, yet contains unsettled points for the discussion of argumentative horse-men and horse-women. But it happens with riding--as, indeed, it does with almost every other subject--that we ignore the simpler side for the more intricate. We delve into a masterpiece, suitable for a professional, on the training of a horse, when the chances are we do not know how to saddle him. We stumble through heavy articles on bitting, the technical terms of which we do not understand, when if our own horse picked up a stone we probably would be utterly at a loss what to do. We, both men and women, are too much inclined to gallop over the fundamental lessons, which should be conned over again and again until thoroughly mastered. We are restive in our novitiate period, impatient to pose as past-masters in an art before we have acquired its first principles. Beginning with a bit of advice to parents, of which they stand sorely in need, it is the purpose of this book to carry the girl along the bridle-path, from the time she puts on a habit for the first attempt, to that when she joins the Hunt for a run across country after the hounds. There is no intention of wearying and confusing her by a formidable array of purely technical instruction. The crying fault with nearly all those who have handled this subject at length has been that of distracting the uninformed reader by the most elaborate dissertation on all points down to the smallest details. This author, on the contrary, has shorn the instruction of all hazy intricacies, with which the equestrienne has so often been asked to burden herself, and brought out instead only those points essential to safety, skill, and grace in the saddle. No space has been wasted on unnecessary technicalities which the woman is not likely to either understand or care to digest, but everything has been written with a view of aiding her in obtaining a sound, practical knowledge of the horse, under the saddle and in harness. CONTENTS CHAPTER I A WORD TO PARENTS Page 3 Dangers of Early Riding, 4.--Vanity, 9. CHAPTER II GIRLS ON HORSEBACK 13 Hints to Mothers, 13.--The Beginner's Horse, 14.--Costuming, 16.--Preparatory Lessons, 16.--Instructors, 20.--Balance, 21.--Hands, 23.--Position, 25.--Management, 26. CHAPTER III BEGINNING TO RIDE 31 Form, 32.--Insufficient Training, 33.--Mounting, 34.--Dismounting, 37.--Stirrup, 38. CHAPTER IV IN THE SADDLE 43 Below the Waist, 44.--Above the Waist, 48.--Hands and Wrists, 49.--Reins, 53. CHAPTER V EMERGENCIES 63 Eagerness to Start, 63.--Shyers, 65.--Stumblers, 66.--Rearers, 66.--Plungers, 67.--Buckers, 68.--Pullers, 70.--Runaways, 72.--Punishment, 76. CHAPTER VI CHOOSING A MOUNT 83 An Adviser, 83.--Park Hack, 87.--Measurement, 88.--Conformation, 90.--Hunter, 94.--Gait and Manners, 95. CHAPTER VII DRESS 99 Skirt, 100.--Safety Skirt, 100.--Divided Skirt, 102.--Bodice, 103.--Waistcoat, 104.--Corsets, 105.--Boots, Breeches, Tights, 106.--Collars and Cuffs, 110.--Gloves, 111.--Hair and Hat, 112.--Veil, 113.--Whip or Crop, 113.--Spur, 114. CHAPTER VIII LEAPING 121 Requirements, 121.--In the Ring, 122.--Approaching Jump, 122.--Taking off, 124.--Landing, 125.--Lifting, 126.--Out-of-Doors, 127.--Pilot, 128.--Selecting a Panel, 128.--Stone Wall, 130.--In Hand, 131.--Trappy Ground and Drops, 131.--In and Out, 133.--Picket and Slat Fences, 134.--Wire, 135.--Combined Obstacles, 136.--Refusing, 136.--Timidity, 137.--Temper, 138.--Rider at Fault, 139. CHAPTER IX LEAPING (continued) 145 Rushers, 145.--Balkers, 147.--Sluggards, 149.--Falls, 150. CHAPTER X RIDING TO HOUNDS 159 Courtesy, 159.--The Novice, 161.--Hard Riding, 162.--Jealous Riding, 163.--Desirable Qualities, 164.--Getting Away, 165.--Indecision, 166.--Right of Way, 167.--Funk, 168.--Excitable and Sluggish Horses, 169.--Proximity to Hounds, 170.--Choosing a Line, 172. CHAPTER XI SYMPATHY BETWEEN HORSE AND WOMAN 179 Talking to Horse, 180.--In the Stall, 183.--On the Road, 185.--Cautions, 187. CHAPTER XII PRACTICAL KNOWLEDGE OF THE STABLE 193 Stabling, 193.--Picking up Feet, 194.--Grooming, 197.--Bitting, 197.--Clipping, 199.--Bridling, 200.--Noseband, 202.--Martingale, 203.--Breast-plate, 204.--The Saddle, 205.--Stirrup, 208.--Girths, 209.--Saddling, 210. CHAPTER XIII SOMETHING ON DRIVING 215 Desirability of Instruction, 215.--Vulgar Display, 218.--Bad Form, 219.--Costume, 220.--Cockade, 221.--Confidence, 222.--The Family-Horse Fallacy, 222.--On the Box, 223.--Position of Reins, 224.--Handling Reins, 225.--A Pair, 226. CHAPTER XIV SOMETHING MORE ON DRIVING 231 Management, 231.--Stumbling, 232.--Backing, 232.--Rearing and Kicking, 234.--Rein under Tail, 236.--Bolting and Running, 238.--Crowded Driveways, 239.--Road Courtesy, 241.--Tandems and Teams, 243.--Reins, 244.--Unruly Leader, 245.--Turning, 246. Illustrations CORRECT POSITION _Facing p._ 24 INCORRECT POSITION " 26 INCORRECT LEFT LEG AND HEEL 43 CORRECT LEFT LEG AND HEEL 44 INCORRECT RIGHT THIGH AND KNEE 46 CORRECT RIGHT THIGH AND KNEE 47 CORRECT KNUCKLES, SIDE VIEW 50 INCORRECT POSITION OF HANDS 51 HANDS IN GOOD FORM, FRONT VIEW 52 SNAFFLE OUTSIDE, CURB INSIDE, FRONT VIEW 54 SNAFFLE OUTSIDE, CURB INSIDE, SIDE VIEW 55 REINS IN TWO HANDS, SNAFFLE OUTSIDE, CURB INSIDE _Facing p._ 56 POSITION OF REINS AND HANDS IN JUMPING, CURB OUTSIDE, SNAFFLE INSIDE 57 REINS IN TWO HANDS, CURB OUTSIDE, SNAFFLE INSIDE, SIDE VIEW 58 HANDS AND SEAT IN REARING _Facing p._ 66 CROP 114 A GOOD SPUR 115 TAKING OFF _Facing p._ 124 ABOUT TO LAND " 126 DOUBLE BRIDLE FOR GENERAL USE " 202 CORRECT SADDLE 205 UNDESIRABLE SADDLE 206 SAFETY STIRRUP, CLOSED 209 SAFETY STIRRUP, OPEN 210 A WELL-BALANCED CART _Facing p._ 220 POSITION IN TANDEM DRIVING " 244 I A WORD TO PARENTS Riding has been taken up so generally in recent years by the mature members of society that its espousal by the younger element is quite in the natural order of events. We can look upon the declaration of Young America for sport with supreme gratification, as it argues well for the generation to come, but we should not lose sight of the fact that its benefits may be more than counterbalanced by injudiciously forcing these tastes. That there is danger of this is shown by the tendency to put girls on horseback at an age much too tender to have other than harmful results. It is marvellous that a mother who is usually most careful in guarding her child's safety should allow her little one to incur the risks attendant upon riding (which are great enough for a person endowed with strength, judgment, and decision) without proper consideration of the dangers she is exposed to at the time, or a realization of the possible evil effects in the future. [Sidenote: Dangers of Early Riding] Surely parents do not appreciate what the results may be, or they would never trust a girl of eight years or thereabouts to the mercy of a horse, and at his mercy she is bound to be. No child of that age, or several years older, has strength sufficient to manage even an unruly pony, which, having once discovered his power, is pretty sure to take advantage of it at every opportunity; and no woman is worthy the responsibilities of motherhood who will permit her child to make the experiment. Even if no accident occurs, the knowledge of her helplessness may so frighten the child that she will never recover from her timidity. It is nonsense to say she will outgrow it; early impressions are never entirely eradicated; and should she in after-life appear to regain her courage, it is almost certain at a critical moment to desert her, and early recollections reassert themselves. The vagaries of her own mount are not the only dangers to which the unfortunate child is exposed. Many accidents come from collisions caused by some one else's horse bolting; and it is not to be expected, when their elders often lose their wits completely, that shoulders so young should carry a head cool enough to make escape possible in such an emergency. It is a common occurrence to hear parents inquiring for a "perfectly safe horse for a child." Such a thing does not exist, and the idea that it does often betrays one into trusting implicitly an animal which needs perhaps constant watching. If fresh or startled, the capers of the most gentle horse will not infrequently create apprehension, because totally unexpected. On the other hand, if he is too sluggish to indulge in any expressions of liveliness, he is almost sure to require skilful handling and constant urging to prevent his acquiring a slouching gait to which it is difficult to rise. A slouching horse means a stumbling one, and, with the inability of childish hands to help him recover his balance, he is likely to fall. Supposing the perfect horse to be a possibility--a girl under sixteen has not the physique to endure without injury to her health such violent exercise as riding. From the side position she is forced to assume, there is danger of an injured spine, either from the unequal strain on it or from the constant concussion, or both. If a mother can close her eyes to these dangers, insisting that her child shall ride, a reversible side-saddle is the best safeguard that I know of against a curved spine; but it only lessens the chances of injury, and is by no means a sure preventive, although it has the advantage of developing both sides equally. Another evil result of beginning too young is that if she escapes misadventures and does well, a girl is sure to be praised to such an extent that she forms a most exaggerated idea of her prowess in the saddle. By the time she is
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Produced by Michael Gray, Diocese of San Jose HAPPINESS IN PURGATORY. Published April, 1897, in THE CATHOLIC WORLD A Monthly Magazine of General Literature and Science HAPPINESS IN PURGATORY. IT may be said of Purgatory that if it did not exist it would have to be created, so eminently is it in accord with the dictates of reason and common sense. The natural instinct of travellers at their journey's end is to seek for rest and change of attire. Some are begrimed with mud, others have caught the dust of a scorching summer day; the heat or cold or damp of the journey has told upon them and their attire. Perhaps, even, the way has made them weary unto sickness, and they crave for an interval of absolute repose. Travellers from earth, covered with the mud and dust of its long road, could never wish to enter the banquet-room of eternity in their travel-stained garments. "Take me away!" cried Gerontius to his angel. It was a cry of anguish as well as desire, for Gerontius, blessed soul though he is, could not face heaven just as earth had left him. He has the true instinct of the traveller at his journey's end. Dust, rust, and the moth have marked their presence, and even the oddities and eccentricities of earthly pilgrimage must be obliterated before the home of eternity can be entered. _De mortuis nil nisi bonum_ is interpreted, nothing short of heaven for those who have crossed the bourne. But, if the heavenly gates are thrown open to the travellers all weary and footsore, "not having on a nuptial garment," no heterogeneous meeting here on earth could compete with the gathering of disembodied spirits from its four quarters. It is human ignorance alone which canonizes all the departed, and insists on a direct passage from time to heaven. The canonization is not ratified in heaven, because heaven would not exist if it took place. The Beatific Vision is incompatible with the shadow of imperfection. To act as if it were belongs to the same order of things as rending the garment of Christian unity. Purgatory makes heaven, in the sense that heaven would not be possible for men without it. As well might we try to reach a far-off planet, which is absolutely removed from our sphere, an unknown quantity, though a fact science does not dispute. Heaven without Purgatory is a far-off planet which must ever remain beyond our touch and ken, for it would be easier that we in our present condition should traverse space than that the sinner should see God face to face. The vestibule of heaven, in which souls tarry in order to make their preparations, and to be prepared for the feast of eternity, can scarcely be an abode of pure suffering. Heart and mind, as they exist in the _anima separata_--that is, understanding and love--are at rest. On earth mind and heart are the source of the greatest pain as well as the greatest joy. The severest pain of body may be accompanied by happiness and a mind at rest, whereas remorse makes life unbearable. Hidden criminals at large have not unfrequently given themselves up to justice in order to arrive at peace by a public execution, that being the penalty demanded by their tortured conscience. Death, however ignominious, rather than remorse--the backbite of inwit, in the quaint language of our forefathers. Remorse is not in the organs of sense, but a purely intellectual operation, proper to man. It cannot be softened by worldly prosperity or riches, fame or success. On the other hand, a good conscience is a well-spring of happiness, be the outward circumstances of a man's life what they may. Bodily pain would add to the torture of remorse, just as it might deaden the joy of a good conscience, _per accidens_, as theologians say. Conjointly with the mind, the heart causes the keenest sufferings and the deepest joys of human life, joys and sufferings which are acted upon in the same way indirectly by pain of body. A severe toothache, for instance, quickens the pangs of remorse, whilst it deadens joy proceeding either from the intellect or the heart. It would madden a bride on her wedding morning, without in reality affecting her happiness. The root of both joy and grief is in the soul, not in the body. Conscience is the "worm which never dieth"--that is, hell, the torment created by man himself for his own punishment. The same applies to Purgatory, as far as conscience has been sinned against. The soul has created its own torment, but in Purgatory the fires die out because
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Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: "An Avalanche!" declared Fogg. "Dodge--something's coming!" Page 254. Ralph on the Overland Express.] RALPH ON THE OVERLAND EXPRESS OR THE TRIALS AND TRIUMPHS OF A YOUNG ENGINEER BY ALLEN CHAPMAN AUTHOR OF "RALPH OF THE ROUNDHOUSE," "RALPH IN THE SWITCH TOWER," "RALPH ON THE ENGINE," "DAREWELL CHUMS SERIES," ETC. ILLUSTRATED NEW YORK GROSSET & DUNLAP PUBLISHERS Made in the United States of America THE RAILROAD SERIES By Allen Chapman 12mo. Illustrated. Cloth RALPH OF THE ROUNDHOUSE Or, Bound to Become a Railroad Man RALPH IN THE SWITCH TOWER Or, Clearing the Track RALPH ON THE ENGINE Or, The Young Fireman of the Limited Mail RALPH ON THE OVERLAND EXPRESS Or, The Trials and Triumphs of a Young Engineer (Other Volumes in Preparation.) GROSSET & DUNLAP, Publishers, New York Copyright, 1910, by GROSSET & DUNLAP Ralph on the Overland Express CONTENTS CHAPTER PAGE I. No. 999 1 II. A Special Passenger 12 III. One of the Rules 22 IV. A Warning 35 V. At Bay 43 VI. Four Medals 51 VII. Dave Bissell, Train Boy 60 VIII. An Astonishing Discovery 68 IX. The Light of Home 76 X. Fire! 88 XI. The Master Mechanic 95 XII. A Good Friend 104 XIII. The "Black Hand" 114 XIV. A Serious Plot 123 XV. "The Silvandos" 129 XVI. Zeph Dallas and His "Mystery" 138 XVII. In Widener's Gap 145 XVIII. At the Semaphore 153 XIX. The Boy Who Was Hazed 160 XX. "Lord Lionel Montague" 171 XXI. Archie Graham's Invention 179 XXII. Ike Slump Again 188 XXIII. A Critical Moment 195 XXIV. The New Run 203 XXV. The Mountain Division 209 XXVI. Mystery 217 XXVII. The Railroad President 225 XXVIII. A Race Against Time 233 XXIX. Zeph Dallas Again 244 XXX. Snowbound 254 XXXI. Conclusion 264 RALPH ON THE OVERLAND EXPRESS CHAPTER I NO. 999 "All aboard." Ralph Fairbanks swung into the cab of No. 999 with the lever hooked up for forward motion, and placed a firm hand on the throttle. It looked as though half the working force of the railroad, and every juvenile friend he had ever known in Stanley Junction, had come down to the little old depot that beautiful summer afternoon to especially celebrate the greatest event in his active railroad career. Ralph was the youngest engineer in the service of the Great Northern, and there was full reason why he should center attention and interest on this the proudest moment of his life. No. 999 was the crack locomotive of the system, brand new and resplendent. Its headlight was a great glow of crystal, its metal bands and trimmings shone like burnished gold, and its cab was as spick and span and neat as the private office of the division superintendent himself. No. 999 was out for a trial run--a record run, Ralph hoped to make it. One particular car attached to the rear of the long train was the main object of interest. It was a new car to the road, and its blazoned name suggested an importance out of the ordinary--"China & Japan Mail." This car had just come in over a branch section by a short cut from the north. If No. 999 could beat timetable routine half an hour and deliver the mail to the Overland Express at Bridgeport, two hundred miles distant, on time, it would create a new schedule, and meant a good contract for the Great Northern, besides a saving of three hours' time over the former roundabout trip of the China & Japan Mail. Ralph had exchanged jolly greetings with his friends up to now. In an instant, however, the sonorous, echoing "All aboard" from the conductor way down the train was a signal for duty, prompt and imperative. The pleasant depot scene faded from the sight and mind of the ambitious young railroader. He turned his strict attention now to the cab interior, as though the locomotive was a thing of life and intelligence. "Let 'er go, Ralph!" John Griscom, the oldest engineer on the road, off duty, but a privileged character on all occasions, stepped from the gossiping crowd of loungers at a little distance. He swung up into the cab with the expert airiness of long usage. His bluff, hearty face expressed admiration and satisfaction, as his rapid eye took in the cab layout. "I'll hold up the tender rail till we get to crossing," announced Griscom. "Lad, this is front rank service all right, and I'm happy to say that you deserve it." "Thank you, Mr. Griscom," answered Ralph, his face beaming at the handsome compliment. "I don't forget, though, that you helped some." "Oh, so, so," declared Griscom. "I say, Fogg, you're named right." It was to Lemuel Fogg that Griscom spoke. Fogg was Ralph's fireman on the present trip. He presented a decided contrast to the brisk, bright engineer of No. 999. He shoveled in the coal with a grim mutter, and slammed the fire door shut with a vicious and unnecessary bang. "What you getting at?" he growled, with a surly eye on Griscom. "Fogg--fog, see? foggy, that's you--and groggy, eh? Sun's shining--why don't you take it in? No slouch privilege firing this magnificent king of the road, I'm thinking, and you ought to think so, too." "Huh!" snapped Fogg, "it'll be kid luck, if we get through." "Oho! there's where the shoe pinches, is it?" bantered the old railroad veteran. "Come, be fair, Fogg. You was glad to win your own spurs when you were young." "All right, mind the try-out, you hear me!" snorted Fogg ungraciously. "You mind your own business." "Say," shot out Griscom quickly, as he caught a whiff from Fogg's lips, "you be sure you mind yours--and the rules," he added, quite sternly, "I advise you not to get too near the furnace." "Eh, why not?" "Your breath might catch fire, that's why," announced Griscom bluntly, and turned his back on the disgruntled fireman. Ralph had not caught this sharp cross-fire of repartee. His mind had been intently fixed on his task. He had started up the locomotive slowly, but now, clearing the depot switches, he pulled the lever a notch or two, watching carefully ahead. As the train rounded a curve to an air line, a series of brave hurrahs along the side of the track sent a thrill of pleasure through Ralph's frame. The young engineer had only a fleeting second or two to bestow on a little group, standing at the rear fence of a yard backing down to the tracks. His mother was there, gaily waving a handkerchief. A neighbor joined in the welcome, and half-a-dozen boys and small children with whom Ralph was a rare favorite made the air ring with enthusiastic cheers. "Friends everywhere, lad," spoke Griscom in a kindly tone, and then, edging nearer to his prime young favorite, he half-whispered: "Keep your eye on this grouch of a Fogg." "Why, you don't mean anything serious, Mr. Griscom?" inquired Ralph, with a quick glance at the fireman. "Yes, I do," proclaimed the old railroader plainly. "He's got it in for you--it's the talk of the yards, and he's in just the right frame of mind to bite off his own nose to spite his face. So long." The locomotive had slowed up for crossing signals, and Griscom got to the ground with a careless sail through the air, waved his hand, and Ralph buckled down to real work on No. 999. He glanced at the schedule sheet and the clock. The gauges were in fine working order. There was not a full head of steam on as yet and the fire box was somewhat over full, but there was a strong draft and a twenty-mile straight run before them, and Ralph felt they could make it easily. "Don't choke her too full, Mr. Fogg," he remarked to the fireman. "Teach me!" snorted Fogg, and threw another shovelful into the box already crowded, and backed against the tender bar with a surly, defiant face. Ralph made no retort. Fogg did, indeed, know his business, if he was only minded to attend to it. He was somewhat set and old-fashioned in his ways, and he had grown up in the service from wiper. Ralph recalled Griscom's warning. It was not pleasant to run two hundred miles with a grumpy cab comrade. Ralph wished they had given him some other helper. However, he reasoned that even a crack fireman might be proud of a regular run on No. 999, and he did not believe that Fogg would hurt his own chances by any tactics that might delay them. The landscape drifted by swiftly and more swiftly, as Ralph gave the locomotive full head. A rare enthusiasm and buoyancy came into the situation. There was something fascinating in the breathless rush, the superb power and steadiness of the crack machine, so easy of control that she was a marvel of mechanical genius and perfection. Like a panorama the scenery flashed by, and in rapid mental panorama Ralph reviewed the glowing and stirring events of his young life, which in a few brief months had carried him from his menial task as an engine wiper up to the present position which he cherished so proudly. Ralph was a railroader by inheritance as well as predilection. His father had been a pioneer in the beginning of the Great Northern. After he died, through the manipulations of an unworthy village magnate named Gasper Farrington, his widow and son found themselves at the mercy of that heartless schemer, who held a mortgage on their little home. In the first volume of the present series, entitled "Ralph of the Roundhouse," it was told how Ralph left school to earn a living and help his self-sacrificing mother in her poverty. Ralph got a job in the roundhouse, and held it, too, despite the malicious efforts of Ike Slump, a ne'er-do-well who tried to undermine him. Ralph became a favorite with the master mechanic of the road through some remarkable railroad service in which he saved the railroad shops from destruction by fire. Step by step Ralph advanced, and the second volume of this series, called "Ralph in the Switch Tower," showed how manly resolve, and being right and doing right, enabled him to overcome his enemies and compel old Farrington to release the fraudulent mortgage. Incidentally, Ralph made many friends. He assisted a poor waif named Van Sherwin to reach a position of comfort and honor, and was instrumental in aiding a former business partner of his father, one Farwell Gibson, to complete a short line railroad through the woods near Dover. In the third volume of the present series, entitled "Ralph on the Engine," was related how our young railroad friend became an active employee of the Great Northern as a fireman. He made some record runs with old John Griscom, the veteran of the road. In that volume was also depicted the ambitious but blundering efforts of Zeph Dallas, a farmer boy who was determined to break into railroading, and there was told as well the grand success of little Limpy Joe, a railroad <DW36>, who ran a restaurant in an old, dismantled box car. These and other staunch, loyal friends had rallied around Ralph with all the influence they could exert, when after a creditable examination Ralph was placed on the extra list as an engineer. Van and Zeph had been among the first to congratulate the friend to whom they owed so much, when, after a few months' service on accomodation runs, it was made known that Ralph had been appointed as engineer of No. 999. It was Limpy Joe, spending a happy vacation week with motherly, kind-hearted Mrs. Fairbanks, who led the cheering coterie whom Ralph had passed near his home as he left the Junction on his present run. Of his old-time enemies, Ike Slump and Mort Bemis were in jail, the last Ralph had heard of them. There was a gang in his home town, however, whom Ralph had reason to fear. It was made up of men who had tried to <DW36> the Great Northern through an
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Produced by Bryan Ness, Rose Mawhorter and the Online Distributed Proofreading Team at http://www.pgdp.net Transcription notes: p 170. Period added at the end of the first sentence. p xi. Period added after 1892 entry. Both bare-footed and barefooted were in text. This has been retained. Both bread-winner and breadwinner were in text. This has been retained. Both egg-shells and eggshell were in text. This has been retained. Both God-men and god-men were in text. This has been retained. Subtitution scheme for non-ascii characters: [:o] was used to indicate o with an umlaut diacritical mark ['E] was used to indicate E with an acute diacritical mark ['e] was used to indicate e with an acute diacritical mark [~n] was used to indicate n with a tilde diacritical mark [L] was used to indicated the British pound sign * * * * * The Story of Mary Slessor THE WHITE QUEEN of OKOYONG [Illustration: THE CANOE WAS ATTACKED BY A HUGE HIPPOPOTAMUS] THE STORY OF MARY SLESSOR FOR YOUNG PEOPLE THE WHITE QUEEN OF OKOYONG A TRUE STORY OF ADVENTURE HEROISM AND FAITH BY W. P. LIVINGSTONE AUTHOR OF "MARY SLESSOR OF CALABAR" ILLUSTRATED NEW YORK GEORGE H. D
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Produced by Henry Flower and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note Endnotes have been moved to the end of the scene to which they apply. The following note preceded the printed endnotes: "In the Quartos there are no divisions of acts and scenes. A, B, C = 1st, 2nd, and 3rd Quartos." Italic text is marked by _underscores_, and bold text by ~swung dashes~. [Illustration] _THE TEMPLE DRAMATISTS_ ARDEN OF FEVERSHAM [Illustration] The text of this edition is nearly that of the first Quarto, the copy of which in the Dyce Library at South Kensington has been carefully collated. I have not noted minute variations. The German editors, Warnke and Proescholt, give the various readings of the three Quartos and of later editions. [Illustration: _Feversham Abbey._] ARDEN OF FEVERSHAM _Edited with a Preface, Notes and Glossary by_ REV. RONALD BAYNE M.A. J. M. DENT AND CO. ALDINE HOUSE : LONDON 1897 'Considering the various and marvellous gifts displayed for the first time on our stage by the great poet, the great dramatist, the strong and subtle searcher of hearts, the just and merciful judge and painter of human passions, who gave this tragedy to the new-born literature of our drama... I cannot but finally take heart to say, even in the absence of all external or traditional testimony, that it seems to me not pardonable merely or permissible, but simply logical and reasonable, to set down this poem, a young man's work on the face of it, as the possible work of no man's youthful hand but Shakespeare's.' Mr. A. C. SWINBURNE. PREFACE ~Early Editions.~ On 3rd April, 1592, '_The Tragedie of Arden of Feversham and Blackwall_'[A] was entered on the Stationers' Registers to Edward White. In the same year appeared, '_The lamentable and true Tragedie of M. Arden of Feversham in Kent. Who was most wickedlye murdered, by the meanes of his disloyall and wanton wyfe, who for the love she bare to one Mosbie, hyred two desperat ruffins, Blackwill and Shakbag, to kill him. Wherin is shewed the great mallice and discimulation of a wicked woman, the unsatiable desire of filthie lust and the shamefull end of all
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Produced by James Wright and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net (This book was created from images of public domain material made available by the University of Toronto Libraries (http://link.library.utoronto.ca/booksonline/).) THE ONTARIO ARCHIVES: SCOPE OF ITS OPERATIONS (Paper read at the twenty-seventh annual meeting of the American Historical Association, held at Buffalo, N. Y., December 27-30, 1911) BY ALEXANDER FRASER LL. D., LITT. D., F. S. A., SCOT. EDIN. Reprinted from the Annual Report of the American Historical Association for 1911, pages 353-362 WASHINGTON 1913 THE ONTARIO ARCHIVES. By ALEXANDER FRASER, Provincial Archivist. The line of demarcation between the Canadian or Dominion archives and the Ontario or other provincial archives is somewhat similar to that between the Federal and State archives in the United States. It consists with the scope of the jurisdiction of the Dominion or major commonwealth, and the narrower or minor jurisdiction of the Province. This constitutes a clearly defined boundary within which both work without conflict or overlapping of interests. Our public charter is an imperial statute entitled the British North America act, and to-day, when there are nine fully constituted, autonomous Provinces within the Dominion of Canada, it is interesting to recall that when the British North America act became law in 1867 the subtitle set forth that it was "An act for the union of Canada, Nova Scotia, and New Brunswick, and the government thereof; and for purposes connected therewith." This act provides for the government of Ontario a lieutenant-governor, who represents the Crown; an executive council of ministers of state and a legislature composed of duly elected representatives of the people. To this body the act secures exclusive legislative powers in Ontario and Quebec, in the matter of Crown lands, forests and mines; education, from the public common school to the university; municipal government, institutions and laws; incorporation of chartered companies--commercial, financial, professional, or social; solemnization of marriage, involving family history, vital statistics, etc.; property and civil rights; administration of justice, embracing both civil and criminal jurisdiction; agriculture and immigration, under which municipal, industrial, and agricultural statistics are collected, tabulated, and published; the founding and maintenance of provincial institutions such as hospitals, asylums, reformatories, prisons, and institutions for the instruction of the deaf and dumb and the blind; offices for the local registration of deeds, titles to land; the licensing of shops, taverns, hotels, auctioneers, etc.; the erection of local public works; the authorization and regulation of transportation not interprovincial. In short the Provincial Government gets close to the life of the people and touches its business and social sides intimately. As at present constituted the ministry comprises the departments of: The attorney general, dealing with the administration of law; the provincial secretary, controlling registration, and the public institutions; the provincial treasurer, dealing with the public accounts; agriculture; lands, forests, and mines; public works; and education. The prime minister is statutorily president of the council and head of the ministry. Besides these and exercising semi-ministerial or departmental functions are two commissions, the hydro-electric commission and the Government railway commission. These, with the legislature itself, are the departments of government in which our archives originate. Archives we have defined as the records, the
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Produced by Suzanne Shell, Mary Musser, Charles Franks and the Online Distributed Proofreading Team THROUGH THE EYE OF THE NEEDLE A Romance With An Introduction By William Dean Howells 1907 INTRODUCTION Aristides <DW25>s, an Emissary of the Altrurian Commonwealth, visited the United States during the summer of 1893 and the fall and winter following. For some weeks or months he was the guest of a well-known man of letters at a hotel in one of our mountain resorts; in the early autumn he spent several days at the great Columbian Exhibition in Chicago; and later he came to New York, where he remained until he sailed, rather suddenly, for Altruria, taking the circuitous route by which he came. He seems to have written pretty constantly throughout his sojourn with us to an intimate friend in his own country, giving freely his impressions of our civilization. His letters from New York appear to have been especially full, and, in offering the
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Produced by Delphine Lettau, Dianne Nolan, and the team at Distributed Proofreaders Canada HESTER A STORY OF CONTEMPORARY LIFE BY MRS. OLIPHANT "A springy motion in her gait, A rising step, did indicate Of pride and joy no common rate That flush'd her spirit: I know not by what name beside I shall it call: if 'twas not pride, It was a joy to that allied She did inherit. * * * * * She was trained in Nature's school, Nature had blest her. A waking eye, a prying mind, A heart that stirs, is hard to bind; A hawk's keen sight ye cannot blind, Ye could not Hester." CHARLES LAMB. IN THREE VOLUMES VOL. II London MACMILLAN AND CO. 1883 The Right of Translation and Reproduction is Reserved LONDON R. CLAY, SONS, AND TAYLOR, BREAD STREET HILL. CONTENTS CHAPTER I. THE YOUNG AND THE OLD. CHAPTER II. A FAMILY PARTY. CHAPTER III. CONFIDENCES. CHAPTER IV. ROLAND. CHAPTER V. WARNING. CHAPTER VI. DANCING TEAS. CHAPTER VII. THE FIRST OF THEM. CHAPTER VIII. A NEW COMPETITOR. CHAPTER IX. A DOUBLE MIND. CHAPTER X. STRAIGHTFORWARD. CHAPTER XI. A CENTRE OF LIFE. CHAPTER XII. WAS IT LOVE? CHAPTER XIII. CHRISTMAS. CHAPTER XIV. THE PARTY AT THE GRANGE. HESTER. HESTER. CHAPTER I. THE YOUNG AND THE OLD. "I like your Roland," said Miss Vernon. She had come to pay one of her usual visits to her old relations. The grandson whom Hester had made acquaintance with without seeing his face, had now been nearly a week at the Vernonry and was known to everybody about. The captain's precautions had, of course, come to nothing. He had gone, as in duty bound, to pay his respects to the great lady who was his relation too, though in a far-off degree, and he had pleased her. Catherine thought of nothing less than of giving a great pleasure to her old friends by her praise. "He is full of news and information, which is a godsend to us country folks, and he is very good-looking, _qui ne gâte rien_." Mrs. Morgan looked up from her place by the fireside with a smile of pleasure. She sat folding her peaceful old hands with an air of beatitude, which, notwithstanding her content, had not been upon her countenance before the young man's arrival. "That is a great pleasure to me, Catherine--to know that you like him," said the old lady. "He seems to me all that, and kind besides." "What I should have expected your grandson to be," said Catherine. "I want him to see the people here, and make a few acquaintances. I don't suppose that our little people at Redborough can be of much importance to a young man in town; still it is a pity to neglect an opportunity. He is coming to dine with me to-morrow--as I suppose he told you?" The old lady nodded her head several times with the same soft smile of happiness. "You are always good," she said; "you have done everything, Catherine, for me and my old man. But if you want to go straight to my heart you know the way lies through the children--my poor Katie's boys." "I am glad that the direct route is so easy," Miss Vernon said in her fine, large, beneficent way; "at least in this case. The others I don't know." Captain Morgan came and stood between his wife and the visitor. To be sure it was to the fire he went, by which he posted himself with his back to it, as is the right of every Englishman. His countenance wore a troubled look, very different from the happiness of his wife's. He stood like a barrier between them, a non-conductor intercepting the passage of genial sentiment. "My dear Catherine," he said, with a little formality, "I don't wish to be unkind, nor to check your kindness; but you must recollect that though he is poor Katie's boy, she, poor soul, had nothing to do with the up-bringing of him, and that, in short, we know nothing about him. It has been my principle, as you know, of late years, to insist upon living my own life." "All that, my kind old uncle, is understood," said Catherine. "There are a great many people, I believe, who are better than their principles, and you are one of them--that is all. I understand that you know nothing about him. You are only a man, which is a great drawback, but it is not to be helped: _we_ know, though we have seen no more of him than you have. Isn't it so?" She leaned forward a little, and looked across at the old lady, who smiled and nodded in return. Old Mrs. Morgan was not disturbed by her husband's disagreement. It did not even make her angry. She took it with perfect composure, beaming over her own discovery of her grandson, and the additional happiness it had brought. "My old man," she said, "Catherine, has his own ways of thinking, we all know that; and sometimes he will act upon them, but most commonly not. One thing I know, he will never shut his doors on his own flesh and blood, nor deny his old wife what is her greatest pleasure--the thing that has been wanting to me all the time--all the time! I scarcely knew what it was. And if the boy had been distant or strange, or showed that he knew nothing about us, still I should have been content. I would have said, 'Let him go; you were right, Rowley, and not I.' But it is not so," the old lady went on after a pause, "there's love in him. I remember when the girls were married there was something I always seemed to want, I found out what it was when the first grandchild was born. It was to feel a baby in my arms again--that was what I wanted. I don't know, Catherine," she added with humility, "if you will think that foolish?" "If I will understand--that is what you are doubtful of--for I am an old maid, and never had, so to speak, a baby in my arms; but I do understand," said Catherine, with a little moisture in her eyes. "Well, and this great handsome fellow, a man of the world, is he your baby that you wanted so much?" "Pooh!" said the old captain. "The great advantage of being an old maid, as you say, is that you are above the prejudices of parentage. It is possible to get you to hear reason. Why should my life be overshadowed permanently by the action of another? That is what I ask. Why should I be responsible for one who is not me, nor of my mind?" "Listen to him! You would think that was all he knows," said Mrs. Morgan; "there is no fathoming that old man, my dear." "What I have to say is, that we know nothing of this young man," said the captain, shaking his shaggy head as if to shake off his wife's comments. "You will exercise your own judgment--but don't take him on mine, for I don't know him. He is well enough to look at; he has plenty to say for himself; I dare say he is clever enough. Form your own judgment and act upon that, but don't come and say it's our fault if he disappoints you--that is all I have to say. Excuse me, Catherine, if I take a walk even while you are here, for this puts me out--I allow it puts me out," Captain Morgan said. "What has made him take this idea?" said Miss Vernon, when Captain Morgan had hobbled out. "Oh, my dear, he has his fancies like another. We have had many things to put up with, and he thinks when it comes to the second generation--he thinks we have a right to peace and quiet in our old age." "And so you have," said Catherine gravely, "so you have." She did not ask any questions. Neither she nor any one knew what it was with which, in the other part of their lives, these old people had been compelled to "put up." Nor did the old lady say. She answered softly, "Yes, I think so too. Peace is sweet, but it is not life." "Some people would say it was better." "They never knew, those people, what life was. I like to see the children come and go--one here, one there. One in need of your sympathy, another of your help, another, oh Catherine, even that--of your pardon, my dear!" This made her pause, and brought, what was so unusual, a little glistening moisture to the old lady's eyes. She was silent for a moment, and smiled, perhaps to efface the impression she had made. "If you can do nothing else for them you can always do that," she said. Catherine Vernon, who was sixty-five, and knew herself to be an old woman, looked at the other, who was over eighty, as a girl looks at her mother--wondering at her strange experiences, feeling herself a child in presence of a knowledge which is not hers. She had not experience enough to understand this philosophy. She looked for a little at her companion, wondering, and then she said, soothingly-- "We must not dwell upon painful subjects. This young fellow will not appeal to you so. What I like in him is his independence. He has his own opinion, and he expresses it freely. His society will be very good for my nephew Edward. If he has a fault--and, indeed, I don't think that boy has many--it is that he is diffident about his own opinion. Roland, if he stays long enough, will help to cure him of that. And how does the other affair go on?" she added, with a perceptible pause, and in a voice which was a little constrained. "No doubt there is great triumph next door." Old Mrs. Morgan shook her head. "It is curious what mistakes we all make," she said. "Mistakes? Do you mean that I am mistaken about the triumph? Well, they have very good reason. I should triumph too, if having been turned
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Produced by David Edwards, Donalies and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s Notes Italic markup is enclosed within _underscores_. Bold markup is enclosed within =equal signs=. Additional notes appear at the end of the file. ALL THE WORLD’S A STAGE. THE AMATEUR DRAMA. GENTLEMEN OF THE JURY BOSTON: GEO. M. BAKER & CO., 149 Washington Street. Entered, according to Act of Congress, in the year 1873 by GEORGE M. BAKER, in the Office of the Librarian of Congress, at Washington. SPENCER’S UNIVERSAL STAGE. _A Collection of COMEDIES, DRAMAS, and FARCES, adapted to either Public or Private Performance. Containing a full description of all the necessary Stage Business._ _PRICE, 15 CENTS EACH. No
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Produced by Nick Hodson of London, England The Wild Man of the West, by R.M. Ballantyne. ________________________________________________________________________ The action of this book takes place entirely in the foothills of the Rocky Mountains in North America. We can certainly appreciate the hardness of the life of the hunters in those days, which were during the early part of the nineteenth century. The action is very well narrated, and is very exciting and interesting. All sorts of things are suddenly pulled together in the very last few pages, and it would be quite hard for the reader to guess what was going to happen, before the last two chapters. ________________________________________________________________________ THE WILD MAN OF THE WEST, BY R.M. BALLANTYNE. CHAPTER ONE. IN WHICH THE READER IS INTRODUCED TO A MAD HERO, A RECKLESS LOVER, AND A RUNAWAY HUSBAND--BACKWOODS JUVENILE TRAINING DESCRIBED--THE PRINCIPLES OF FIGHTING FULLY DISCUSSED, AND SOME VALUABLE HINTS THROWN OUT. March Marston was mad! The exact state of madness to which March had attained at the age when we take up his personal history--namely, sixteen--is uncertain, for the people of the backwoods settlement in which he dwelt differed in their opinions on that point. The clergyman, who was a Wesleyan, said he was as wild as a young buffalo bull; but the manner in which he said so led his hearers to conclude that he did not think such a state of ungovernable madness to be a hopeless condition, by any means. The doctor said he was as mad as a hatter; but this was an indefinite remark, worthy of a doctor who had never obtained a diploma, and required explanation, inasmuch as it was impossible to know _how_ mad he considered a hatter to be. Some of the trappers who came to the settlement for powder and lead, said he was as mad as a grisly bear with a whooping-cough--a remark which, if true, might tend to throw light on the diseases to which the grisly bear is liable, but which failed to indicate to any one, except perhaps trappers, the extent of young Marston's madness. The carpenter and the blacksmith of the place--who were fast friends and had a pitched battle only once a month, or twice at most--agreed in saying that he was as mad as a wild-cat. In short, every one asserted stoutly that the boy was mad, with the exception of the women of the settlement, who thought him a fine, bold, handsome fellow; and his own mother, who thought him a paragon of perfection, and who held the opinion (privately) that, in the wide range of the habitable globe there was not another like him--and she was not far wrong! Now, the whole and sole reason why March Marston was thus deemed a madman, was that he displayed an insane tendency, at all times and in all manners, to break his own neck, or to make away with himself in some similarly violent and uncomfortable manner. There was not a fence in the whole countryside that March had not bolted over at full gallop, or ridden crash through if he could not go over it. There was not a tree within a circuit of four miles from the top of which he had not fallen. There was not a pond or pool in the neighbourhood into which he had not soused at some period of his stormy juvenile career, and there was not a big boy whom he had not fought and thrashed--or been thrashed by--scores of times. But for all this March had not a single enemy. He did his companions many a kind turn; never an unkind one. He fought for love, not for hatred. He loved a dog--if any one kicked it, he fought him. He loved a little boy--if any one was cruel to that little boy, he fought him. He loved fair play--if any one was guilty of foul play, he fought him. When he was guilty of foul play himself (as was sometimes the case, for who is perfect?) he felt inclined to jump out of his own body and turn about and thrash himself! And he would have done so often, had it been practicable. Yes, there is no doubt whatever about it March Marston was mad--as mad, after a fashion, as any creature, human or otherwise, you choose to name. Young Marston's mother was a handsome, stout, blue-eyed, flaxen-haired woman, of a little over thirty-five summers. She was an English emigrant, and had, seventeen years before the time we write of settled at Pine Point, on the banks of the Yellowstone River, along with her brother, the blacksmith above referred to. At that time she was the sweetest maiden in all the village, and now she was the handsomest matron. Indeed, the bloom of her youth remained on her cheeks so little impaired that she was often mistaken by strangers for March Marston's elder sister. The men of the place called her pretty widow Marston; but she was not a widow--at least, they had as little ground for saying that she was as they had for asserting that her son was mad. Mrs Marston was peculiarly circumstanced, but she was not a widow. The peculiar circumstances connected with her history are soon told. Immediately after the arrival of the blacksmith and his pretty sister at Pine Point settlement, a tall stout young stripling--a trapper--about a year older than herself, fell deeply in love with Mary West--that being Mrs Marston's maiden name. The young trapper's case was desperate. He sank at once so deep into the profundities of love, that no deep-sea lead, however ingeniously contrived, could reach him. Although just emerging from boyhood, Louis the trapper was already a tall, strong, handsome man, and Mary felt flattered by his attentions. But when, a month afterwards, he boldly offered her his hand and fortune (which latter consisted of a trapper's costume and a western rifle), she was taken aback and flatly refused him. Louis was hare-brained and passionate. He told her he would give her one day and a night to think of it. At the end of that time he came back and was again refused, for Mary West had no notion of being taken by storm in that fashion. But she trembled and grew pale on observing the storm of angry passion that gleamed from the young trapper's eyes and caused his broad chest to heave violently. He did not speak. He did not even look at Mary--had he done so, years of sorrow and suffering might have been spared them both. He stood for one moment with his eyes fixed upon the ground--then he turned, sprang through the doorway, vaulted on his horse, and went off from her cottage door as an arrow leaps from a bow. The fences and ditches that lay in his way were no impediment. His powerful steed carried him over all and into the forest beyond, where he was quickly lost to view. Mary tried to resume her household occupations with a sigh. She did not believe he was gone. But he was! At first Mary was nettled; then she grew sad; as weeks passed away she became nettled again, and at this juncture another suitor appeared in the shape of a young immigrant farmer, whose good looks and insinuating address soothed her irritation at the strange abrupt conduct of her lover. She began to think that she must have been mistaken in supposing that she cared for the wild trapper--and, in order to prove the correctness of her supposition, she married Obadiah Marston, the farmer. Alas! poor Mary discovered her error too late. Marston turned out a profligate drunkard. At first he did not come out in his true colours. A son was born, and he insisted on calling him March, for no other reason than that he was born in the month so named. Mary was obliged to consent, and at last came to congratulate herself that the child had been born in March, and not in April or October, or any other month equally unsuitable for a Christian name. After the first year, Obadiah Marston treated his wife badly, then brutally, and at last he received a sound drubbing from his brother-in-law, the blacksmith, for having beaten poor Mary with a stick. This brought things to a climax. Marston vowed he would forsake his wife, and never set eyes on her again; and he kept his vow. He embarked one day in a boat that was going down to the Missouri with a cargo of furs, and his poor wife never saw him again. Thus was Mary West forsaken, first by her lover and then by her husband. It was long before she recovered from the blow; but time gradually reconciled her to her lot, and she devoted herself thenceforth to the training of her little boy. As years rolled on, Mrs Marston recovered her spirits and her looks; but, although many a fine young fellow sought her heart and hand, assuring her that she was a widow--that she _must_ be a widow, that no man in his senses could remain so long away from such a wife unless he were dead--she turned a deaf ear to them all. March Marston's infancy was spent in yelling and kicking, with the exception of those preternaturally calm periods when he was employed in eating and sleeping. As he grew older the kicking and yelling decreased, the eating increased, and the sleeping continued pretty much the same. Then came a period when he began to learn his A, B, C. Mrs Marston had been well educated for her station in life. She had read much, and had brought a number of books to the backwoods settlement; so she gave her boy a pretty good education--as education went in those days--and certainly a much better one than was given to boys in such out-of-the-way regions. She taught him to read and write, and carried him on in arithmetic as far as compound division, where she stuck, having reached the extreme limits of her own tether. Contemporaneously with the cessation of squalling and kicking, and the acquirement of the A, B, C, there arose in little March's bosom unutterable love for his mother; or, rather, the love that had always dwelt there began to well up powerfully, and to overflow in copious streams of obedience and considerate attention. About the same time the roving, reckless "madness," as it was styled, began to develop itself. And, strange to say, Mrs Marston did not check that! She was a large-minded, a liberal-minded woman, that semi-widow. She watched her son closely, but very few of his deeds were regarded by her in the light of faults. Tumbling off trees was not. Falling into ditches and horse ponds was not. Fighting was, to some extent; and on this point alone did mother and son seem to entertain any difference of opinion, if we may style that difference of opinion where the son fell into silent and extreme perplexity after a short, and on his part humble, discussion on the subject. "Why, mother," said March in surprise (having attained the mature age of eight when he said it), "if a grisly bear was to 'tack me, you'd let me defend myself, wouldn't you?" Mrs Marston smiled to see the rotund little object of two-feet-ten standing before the fire with its legs apart and its arms crossed, putting such a question, and replied-- "Certainly, my boy." "And when Tom Blake offered to hit Susy Jefferson, wasn't I right to fight him for that?" "Yes, my boy, I think it right to fight in defence of the weak and helpless." The object of two-feet-ten began to swell and his eyes to brighten at the unexpected success of this catechising of its mother, and went on to say-- "Well, mother, why do you blame me for fightin', then, if it's right?" "Because fighting is not always right, my boy. You had a fight with Bill Summers, hadn't you, yesterday?" "Yes, mother." Two-feet-ten said this in a hesitating tone, and shrank into its ordinary proportions as it continued-- "But I didn't lick him, mother, he licked _me_. But I'll try again, mother--indeed I will, and I'll be sure to lick him next time." "I don't want you to try again," rejoined Mrs Marston; "and you must not try again without a good reason. Why did you fight him yesterday?" "Because he told a lie," said the object promptly, swelling out again, and looking big under the impression that the goodness of its reason could not be questioned. It was, therefore, with a look of baffled surprise that it collapsed
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Produced by David Edwards, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) JUGGERNAUT A Veiled Record BY GEORGE CARY EGGLESTON AND DOLORES MARBOURG NEW YORK FORDS, HOWARD, & HULBERT 1891 COPYRIGHT IN 1891, BY GEORGE CARY EGGLESTON AND DOLORES MARBOURG _All Rights Reserved_ To Madame JUGGERNAUT: A VEILED RECORD. I. Edgar Braine was never so blithe in all his life as on the morning of his suicide. Years after, in the swirl and tumult of his extraordinary career, the memory of that June morning, and of the mood in which he greeted it, would rush upon him as a flood, and for the moment drown the eager voices that besought his attention, distracting his mind for the briefest fraction of an instant from the complex problems of affairs with which he wrestled ceaselessly. In the brief moment during which he allowed the vision of a dead past thus to invade his mind, he would recall every detail of that morning with photographic accuracy, and more than photographic vividness. In such moments, he saw himself young, but with a mature man's ambition, and more than the strength of a man, as he strode sturdily down the streets of the little Western city, the June sunshine all about him in a golden glory, while the sunshine within exceeded it a hundredfold. His mood was exultant, and with reason. He had already conquered the only obstacles that barred his way to success and power. He had impressed himself upon the minds of men, in a small way as yet, to be sure, but sufficiently to prove his capacity, and confirm his confidence in his ability to conquer, whithersoever he might direct his march. Life opened its best portals to him. He was poor, but strong and well equipped. He had won possession of the tools with which to do his work; and the conquest of the tools is the most difficult task set the man who confronts life armed only with his own abilities. That accomplished, if the man be worthy, the rest follows quite as a matter of course,--an effect flowing from an efficient cause. Edgar Braine had proved to himself that he possessed superior capacities. He had long entertained that opinion of his endowment, but his caution in self-estimate was so great that he had been slower than any of his acquaintances to accept the fact as indisputably proved. It had been proved, however, and that was cause enough for rejoicing, to a mind which had tortured itself from boyhood with unutterable longings for that power over men which superior intellect gives,--a mind that had dreamed high dreams of the employment of such power for human progress. His was not an ambition achieved. It was that immeasurably more joyous thing, an ambition in sure process of achievement. But this was not his only cause of joy. Love, as well as life, had smiled upon him, and the woman who had subdued all that was noblest in him to that which was still nobler in her, was presently to be his wife. And so Edgar Braine's heart sang merrily within him as he strode through the cottonwood-bordered streets toward his editorial work-shop. He entered the composing-room in front, and greeted the foreman with even more of cordiality
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Produced by Charlene Taylor, Paul Clark, Marilynda Fraser-Cunliffe and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible, including inconsistencies in hyphenation. It seems that the italic typeface used in this book did not have an ae ligature. Names of genera and higher taxonomic groups are not capitalized in the printed book: they have bee left unchanged. Some changes have been made. They are listed at the end of the text. Italic text has been marked with _underscores_. OE ligatures have been expanded. THE RIDDLE OF THE UNIVERSE [Illustration: ERNST HAECKEL] THE RIDDLE OF THE UNIVERSE _AT THE CLOSE OF THE NINETEENTH CENTURY_ BY ERNST HAECKEL (Ph.D., M.D., LL.D., Sc.D., and Professor at the University of Jena) AUTHOR OF "THE HISTORY OF CREATION" "THE EVOLUTION OF MAN" ETC. TRANSLATED BY JOSEPH McCABE [Illustration] HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON 1905 Copyright, 1900, by HARPER & BROTHERS. _All rights reserved._ CONTENTS PAGE AUTHOR'S PREFACE v TRANSLATOR'S PREFACE xi CHAPTER I THE NATURE OF THE PROBLEM 1 CHAPTER II OUR BODILY FRAME 22 CHAPTER III OUR LIFE 39 CHAPTER IV OUR EMBRYONIC DEVELOPMENT 53 CHAPTER V THE HISTORY OF OUR SPECIES 71 CHAPTER VI THE NATURE OF THE SOUL 88 CHAPTER VII PSYCHIC GRADATIONS 108 CHAPTER VIII THE EMBRYOLOGY OF THE SOUL 132 CHAPTER IX THE PHYLOGENY OF THE SOUL 148 CHAPTER X CONSCIOUSNESS 170 CHAPTER XI THE IMMORTALITY OF THE SOUL 188 CHAPTER XII THE LAW OF SUBSTANCE 211 CHAPTER XIII THE EVOLUTION OF THE WORLD 233 CHAPTER XIV THE UNITY OF NATURE 254 CHAPTER XV GOD AND THE WORLD 275 CHAPTER XVI KNOWLEDGE AND BELIEF 292 CHAPTER XVII SCIENCE AND CHRISTIANITY 308 CHAPTER XVIII OUR MONISTIC RELIGION 331 CHAPTER XIX OUR MONISTIC ETHICS 347 CHAPTER XX SOLUTION OF THE WORLD-PROBLEMS 365 CONCLUSION 380 INDEX 385 AUTHOR'S PREFACE The present study of the monistic philosophy is intended for thoughtful readers
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E-text prepared by Delphine Lettau and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Eminent Women Series Edited by John H. Ingram EMILY BRONTE All Rights Reserved. EMILY BRONTE by A. MARY F. ROBINSON Second Edition. London: W. H. Allen and Co. 13, Waterloo Place 1883. [All Rights Reserved] London: Printed by W. H. Allen and Co., 13 Waterloo Place. S.W. CONTENTS. PAGE Introduction 1 CHAPTER I. Parentage 8 CHAPTER II. Babyhood 18 CHAPTER III. Cowan's Bridge 28 CHAPTER IV. Childhood 40 CHAPTER V. Going to School 53 CHAPTER VI. Girlhood at Haworth 61 CHAPTER VII. In the Rue d'Isabelle 77 CHAPTER VIII. A Retrospect 92 CHAPTER IX. The Recall 103 CHAPTER X. The Prospectuses 111 CHAPTER XI. Branwell's Fall 116 CHAPTER XII. Writing Poetry 128 CHAPTER XIII. Troubles 144 CHAPTER XIV. Wuthering Heights: its Origin 154 CHAPTER XV. Wuthering Heights: the Story 168 CHAPTER XVI. 'Shirley' 209 CHAPTER XVII. Branwell's End 217 CHAPTER XVIII. Emily's Death 223 FINIS! 233 * * * * * LIST OF AUTHORITIES. 1846-56. The Works of Currer, Ellis, and Acton Bell. 1857. Life of Charlotte Bronte. _Mrs. Gaskell. 1st and 2nd Editions._ 1877. Charlotte Bronte. _T. Wemyss Reid._ 1877. Note on Charlotte Bronte. _A. C. Swinburne._ 1881. Three Great Englishwomen. _P. Bayne._ MS. Lecture on Emily Bronte. _T. Wemyss Reid._ MS. Notes on Emily and Charlotte Bronte. _Miss Ellen Nussey._ MS. Letters of Charlotte and Branwell Bronte. 1879. Reminiscences of the Brontes. _Miss E. Nussey._ 1870. Unpublished Letters of Charlotte, Emily, and Anne Bronte. _Hours at Home._ 1846. Emily Bronte's Annotated Copy of her Poems. 1872. Branwell Bronte: in the "Mirror." _G. S. Phillips._ 1879. Pictures of the Past. _F. H. Grundy._ 1830. Prospectus of the Clergymen's Daughters' School at Cowan's Bridge. 1850. Preface to Wuthering Heights. _Charlotte Bronte._ 1850. Biographical Notice of Ellis and Acton Bell. _Charlotte Bronte._ 1850. Wuthering Heights: in the "Palladium." _Sydney Dobell._ Personal Reminiscences of Mrs. Wood, Mrs. Ratcliffe, Mrs. Brown, and Mr. William Wood, of Haworth. 1811-18. Poems of Patrick Bronte, B.A., Incumbent of Haworth. 1879. Haworth: Past and Present. _J. Horsfall Turner._ * * * * * EMILY BRONTE. INTRODUCTION. There are, perhaps, few tests of excellence so sure as the popular verdict on a work of art a hundred years after its accomplishment. So much time must be allowed for the swing and rebound of taste, for the despoiling of tawdry splendours and to permit the work of art itself to form a public capable of appreciating it. Such marvellous fragments reach us of Elizabethan praises; and we cannot help recalling the number of copies of 'Prometheus Unbound' sold in the lifetime of the poet. We know too well "what porridge had John Keats," and remember with misgiving the turtle to which we treated Hobbs and Nobbs at dinner, and how complacently we watched them put on their laurels afterwards. Let us, then, by all means distrust our own and the public estimation of all heroes dead within a hundred years. Let us, in laying claim to an infallible verdict, remember how oddly our decisions sound at the other side of Time's whispering gallery. Shall we therefore pronounce only on Chaucer and Shakespeare, on Gower and our learned Ben? Alas! we are too sure of their relative merits; we stake our reputations with no qualms, no battle-ardours. These we reserve to them for whom the future is not yet secure, for whom a timely word may still be spoken, for whom we yet may feel that lancing out of enthusiasm only possible when the cast of fate is still unknown, and, as we fight, we fancy that the glory of our hero is in our hands. But very gradually the victory is gained. A taste is unconsciously formed for the qualities necessary to the next development of art--qualities which Blake in his garret, Millet without the sou, set down in immortal work. At last, when the time is ripe, some connoisseur sees the picture, blows the dust from the book, and straightway blazons his discovery. Mr. Swinburne, so to speak, blew the dust from 'Wuthering Heights'; and now it keeps its proper rank in the shelf where Coleridge and Webster, Hofmann and Leopardi have their place. Until then, a few brave lines of welcome from Sydney Dobell, one fine verse of Mr. Arnold's, one notice from Mr. Reid, was all the praise that had been given to the book by those in authority. Here and there a mill-girl in the West Riding factories read and re-read the tattered copy from the lending library; here and there some eager, unsatisfied, passionate child came upon the book and loved it, in spite of chiding, finding in it an imagination that satisfied, and a storm that cleared the air; or some strong-fibred heart felt without a shudder the justice of that stern vision of inevitable, inherited ruin following the chance-found child of foreign sailor and seaport mother. But these readers were not many; even yet the book is not popular. For, in truth, the qualities that distinguish Emily Bronte are not those which are of the first necessity to a novelist. She is without experience; her range of character is narrow and local; she has no atmosphere of broad humanity like George Eliot; she has not Jane Austen's happy gift of making us love in a book what we have overlooked in life; we do not recognise in her the human truth and passion, the never-failing serene bitterness of humour, that have made for Charlotte Bronte a place between Cervantes and Victor Hugo. Emily Bronte is of a different class. Her imagination is narrower, but more intense; she sees less, but what she sees is absolutely present: no writer has described the moors, the wind, the skies, with her passionate fidelity, but this is all of Nature that she describes. Her narrow fervid nature accounted as simple annoyance the trivial scenes and personages touched with immortal sympathy and humour in 'Villette' and 'Shirley'; Paul Emanuel himself appeared to her only as a pedantic and exacting taskmaster; but, on the other hand, to a certain class of mind, there is nothing in fiction so moving as the spectacle of Heathcliff dying of joy--an unnatural, unreal joy--his panther nature paralysed, _aneanti_, in a delirium of visionary bliss. Only an imagination of the rarest power could conceive such a denouement, requiting a life of black ingratitude by no mere common horrors, no vulgar Bedlam frenzy; but by the torturing apprehension of a happiness never quite grasped, always just beyond the verge of realisation. Only an imagination of the finest and rarest touch, absolutely certain of tread on that path of a single hair which alone connects this world with the land of dreams. Few have trod that perilous bridge with the fearlessness of Emily Bronte: that is her own ground and there she wins our highest praise; but place her on the earth, ask her to interpret for us the common lives of the surrounding people, she can give no answer. The swift and certain spirit moves with the clumsy hesitating gait of a bird accustomed to soar. She tells us what she saw; and what she saw and what she was incapable of seeing are equally characteristic. All the wildness of that moorland, all the secrets of those lonely farms, all the capabilities of the one tragedy of passion and weakness that touched her solitary life, she divined and appropriated; but not the life of the village at her feet, not the bustle of the mills, the riots, the sudden alternations of wealth and poverty; not the incessant rivalry of church and chapel; and while the West Riding has known the prototype of nearly every person and nearly every place in 'Jane Eyre' and 'Shirley,' not a single character in 'Wuthering Heights' ever climbed the hills round Haworth. Say that two foreigners have passed through Staffordshire, leaving us their reports of what they have seen. The first, going by day, will tell us of the hideous blackness of the country; but yet more, no doubt, of that awful, patient struggle of man with fire and darkness, of the grim courage of those unknown lives; and he would see what they toil for, women with little children in their arms; and he would notice the blue sky beyond the smoke, doubly precious for such horrible environment. But the second traveller has journeyed through the night; neither squalor nor ugliness, neither sky nor children, has he seen, only a vast stretch of blackness shot through with flaming fires, or here and there burned to a dull red by heated furnaces; and before these, strange toilers, half naked, scarcely human, and red in the leaping flicker and gleam of the fire. The meaning of their work he could not see, but a fearful and impressive phantasmagoria of flame and blackness and fiery energies at work in the encompassing night. So differently did the black country of this world appear to Charlotte, clear-seeing and compassionate, and to Emily Bronte, a traveller through the shadows. Each faithfully recorded what she saw, and the place was the same, but how unlike the vision! The spectacles of temperament colour the world very differently for each beholder; and, to understand the vision, we too should for a moment look through the seer's glass. To gain some such transient glance, to gain and give some such momentary insight into the character of Emily Bronte, has been the aim I have tried to make in this book. That I have not fulfilled my desire is perhaps inevitable--the task has been left too long. If I have done anything at all I feel that much of the reward is due to my many and generous helpers. Fore
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Produced by Charles Bowen from page scans provided by Google Books (Library of Congress) Transcriber's Notes: 1. Page scan source: Google Books (Library of Congress) 2. The diphthong oe is represented by [oe]. A TRAITOR IN LONDON BY FERGUS HUME Author of "The Mystery of a Hansom Cab," "Hagar of the Pawn Shop," Etc., Etc. F. M. BUCKLES & COMPANY 9 AND 11 EAST SIXTEENTH STREET, NEW YORK LONDON--JOHN LONG COPYRIGHT, 1900 BY F. M. BUCKLES & COMPANY _A Traitor in London_ A Traitor in London. CHAPTER I. CUPID IN LEADING STRINGS. "It's an infernal shame!" "I call it common sense!" "Call it what you please, Malet. I deny your right to keep back my money." "Right? Your father's will gives me every right. If I approve of your marriage, the money will be paid down on your wedding day." "But you don't approve, confound you!" "Certainly not. Brenda Scarse is not the wife for you, Harold." "That's my business." "Mine also--under the will. Come, come now; don't lose your temper." The elder speaker smiled as he proffered this advice, knowing well that he was provoking his cousin beyond all bounds. Harold Burton was young, fiery-tempered, and in love. To be thwarted in his love was something more than exasperating to this impetuous lover. The irritating request that he should keep his temper caused him to lose it promptly; and for the next five minutes Mr. Gilbert Malet was witness of a fine exhibition of unrestrained rage. He trembled for the furniture, almost for his own personal safety, though he managed to preserve a duly dignified outward calm. While Harold stamped about the room, his burly cousin posed before a fireless grate and trimmed his nails, and waited until the young man should have exhausted this wholly unnecessary display of violence. They were in the library of Holt Manor. It was a sombre, monkish room; almost ascetic in its severity. Bookcases and furniture were of black oak, carpet and curtains of a deep red color; and windows of stained glass subdued the light suitably for study and meditation. But on this occasion the windows were open to the brilliant daylight of an August afternoon, and shafts of golden sunshine poured into the room. From the terrace stretching before the house, vast woods sloped toward Chippingholt village, where red-roofed houses clustered round a brawling stream, and rose again on the further side to sweep to the distant hills in unbroken masses of green. Manor and village took their Teutonic names from these forests, and buried in greenery, might have passed as the domain of the Sleeping Beauty. Her palace was undoubtedly girdled by just such a wood. But this sylvan beauty did not appeal to the pair in the library. The stout, domineering owner of the Manor who trimmed his nails and smiled blandly had the stronger position of the two, and he knew it well--so well that he could afford to ignore the virile wrath of his ward. Strictly speaking, Captain Burton was not a ward, if that word implies minority. He was thirty years of age, in a lancer regiment, and possessed of an income sufficient to emancipate him from the control of his cousin Gilbert. Still, though possible for one, his income was certainly not possible for two, and if Gilbert chose he could increase his capital by twenty thousand pounds. But the stumbling-block was the condition attached to the disposal of the money. Only if Malet approved of the prospective bride was he to part with the legacy. As such he did not approve of Brenda Scarse, so matters were at a standstill. Nor could Harold well see how he was to move them. Finding all his rage of no avail, he gradually subsided and had recourse to methods more pacific. "Let me understand this matter clearly," he said, taking a seat with a resolute air. "Independent of my three hundred a year, you hold twenty thousand pounds of my money." "To be correct," replied Malet in a genial tone, "I hold forty thousand pounds, to be equally shared between you and your brother Wilfred when you marry. The three hundred a year which you each possess I have nothing to do with." "Well, I want to marry, and----" "You do--against my wishes. If I do not approve of your choice I need not pay you this money. I can hold it until I die." "And then?" asked Harold, sharply. Gilbert shrugged his burly shoulders. "Then it goes to you and Wilfred direct. There is no provision made for my handing it over to another trustee. You are bound to get your share in the long run; but I am not thinking of dying just yet, my dear Harold." "I can't imagine what possessed my father ever to make so foolish a will." "Your father was guided by experience, my boy. He made a miserable marriage himself, and did not want you or Wilfred to go and do likewise. He had evidently confidence in my judgment, and knew that I would stand between you and folly." "Confound your impudence," shouted Harold, his dark face crimson with anger. "You're only fifteen years older than I am. At the age of thirty I am surely capable of selecting my own wife!" "I hardly think so, when you select Miss Scarse!" "What the deuce have you against her?" "Nothing, personally. She is a nice girl, a very nice girl, but poor. A man of your extravagant tastes should marry money. Brenda is well enough, for herself," continued Malet, with odious familiarity, for which Harold could have struck him, "but her father!--Stuart Scarse is a Little Englander!" Captain Burton was taken aback at the irrelevancy of this remark. "What the devil has that to do with her or me?" he demanded bluntly. "Everything, if you love your country. You belong to a Conservative family. You are a soldier, and the time is coming when we must all rally round the flag and preserve the Empire. Scarse is a member of that pernicious band which desires the dismemberment of our glorious---- "Oh, I'm sick of this!" Harold jumped up and crammed on his cap. "Your political ideas have nothing to do with my marriage. You have no reason to object to Miss Scarse. Once for all, will you pay me this money?" "No, I will not. I shall not agree to your marrying the daughter of a Little Englander." "Then I shall throw the estate into Chancery." Malet looked uneasy, but sneered. "By all means, if you want the whole forty thousand to go to fee the lawyers! But, before you risk losing your money, let me advise you to make sure of Miss Brenda Scarse!" "What do you mean?" "Ask Mr. van Zwieten, who is staying with her father." "Oh!" said Harold, contemptuously, "Brenda has told me all about him. Her father wants her to marry him, and it is true he is in love with her; but Brenda loves me, and will never consent to become the wife of that Boer! "Van Zwieten is no Boer. He is a Dutchman, born in Amsterdam." "And a friend of yours," sneered Captain Burton. "He is no friend of mine!" shouted Malet, somewhat ruffled. "I detest the man as much as I do Scarse. If----" "Look here, Gilbert, I don't want any more of this. I trust Brenda, and I intend to marry her." "Very good. Then you'll have to starve on your three hundred a year." "You refuse to give me the money?" "Absolutely." "Then I'm glad I don't live under your roof and can tell you what I think of you. You are a mean hound, Malet--keep back, or I'll knock you down. Yes, a mean hound! This is not your real reason for refusing to pay me this money. I'll go up to town to-day and have your trusteeship inquired into." Gilbert changed color and looked dangerous. "You can act as you please, Harold; but recollect that my powers are very clearly defined under the will. I am not accountable to you or to Wilfred or to any one else for the money. I have no need to defend my honor." "That we shall see." Harold opened the door and looked back. "
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VOLUME I (OF 3) *** Produced by Al Haines. *ADVENTURES* *OF* *AN AIDE-DE-CAMP:* *OR,* *A CAMPAIGN IN CALABRIA.* BY JAMES GRANT, ESQ. AUTHOR OF "THE ROMANCE OF WAR." _Claud._ I look'd upon her with a soldier's eye, That liked, but had a rougher task in hand Than to drive liking to the name of love: But now I am returned, and that war thoughts Have left their places vacant; in their rooms Come thronging soft and delicate desires, All prompting me how fair young Hero is, Saying how I liked her ere I went to war. SHAKSPEARE. IN THREE VOLUMES. VOL. I. LONDON: SMITH, ELDER, AND CO., CORNHILL. 1848. London: Printed by STEWART and MURRAY, Old Bailey. *CONTENTS.* CHAPTER I.--The Landing in Calabria II.--The Pigtail III.--The Visconte Santugo IV.--Double or Quit V.--Truffi the Hunchback VI.--The Calabrian Free Corps VII.--The Battle of Maida VIII.--The Cottage.--Capture of the Eagle IX.--Lives for Ducats!--Bianca D'Alfieri X.--A Night with the Zingari XI.--The Hunchback Again! XII.--The Hermitage XIII.--The Hermit's Confession XIV.--The Siege Of Crotona XV.--The Abduction.--A Scrape XVI.--The Summons of Surrender XVII.--Marching 'Out' with the Honours of War XVIII.--Another Dispatch XIX.--Narrative of Castelermo XX.--The Villa Belcastro XXI.--Sequel to the Story of Castelermo *PREFACE.* The very favourable reception given by the Press and Public generally, to "The Romance of War," and its "Sequel," has encouraged the Author to resume his labours in another field. Often as scenes of British valour and conquest have been described, the brief but brilliant campaign in the Calabrias (absorbed, and almost lost, amid the greater warlike operations in the Peninsula) has never, he believes, been touched upon: though a more romantic land for adventure and description cannot invite the pen of a novelist; more especially when the singular social and political ideas of those unruly provinces are remembered. Indeed it is to be regretted that no narrative should have been published of Sir John Stuart's Neapolitan campaign. It was an expedition set on foot to drive the French from South Italy; and (but for the indecision which sometimes characterized the ministry of those days) that country might have become the scene of operations such as were carried on so successfully on the broader arena of the Spanish Peninsula. Other campaigns and victories will succeed those of the great Duke, and the names of Vittoria and Waterloo will sound to future generations as those of Ramillies and Dettingen do to the present. Materials for martial stories will never be wanting: they are a branch of literature peculiarly British; and it is remarkable that, notwithstanding the love of peace, security and opulence, which appears to possess us now, the present age is one beyond all others fond of an exciting style of literature. Military romances and narratives are the most stirring of all. There are no scenes so dashing, or so appalling, as those produced by a state of warfare, with its contingent woes and horrors; which excite the energies of both body and mind to the utmost pitch. The author hopes, that, though containing less of war and more of love and romantic adventure than his former volumes, these now presented to the Reader will be found not the less acceptable on this account. They differ essentially from the novels usually termed military; most of the characters introduced being of another cast. The last chapters are descriptive of the siege of Scylla; a passage of arms which, when the disparity of numbers between the beleaguered British and the besieging French is considered, must strike every reader as an affair of matchless bravery. Several of the officers mentioned have attained high rank in their profession--others a grave on subsequent battle-fields: their names may be recognised by the military reader. Other characters belong to history. The names of the famous brigand chiefs may be familiar to a few: especially Francatripa. He cost the French, under Massena, more lives than have been lost in the greatest pitched battle. All the attempts of Buonaparte to seduce him to his faction, or capture him by force, were fruitless; and at last, when his own followers revolted, and were about to deliver him up to the iron-hearted Prince of Essling, he had the address to escape into Sicily with all their treasure, the accumulated plunder of years. Being favoured by the Queen, he, no doubt, spent the close of his years in ease and opulence. Scarolla became a true patriot, and died "Chief of the Independents of Basilicata." It is, perhaps, needless to observe, that many scenes purely fanciful are mingled with the real military details. The story of the Countess of La Torre, however, is a fact: the shocking incidents narrated actually occurred in an Italian family of rank, many years ago. Strazzoldi's victim received no less than thirty-three wounds from his poniard. The author has given the real titles of the infamous parties, and only trusts he has not marred a very sad story by his mode of relating it. In atrocity, the tale has lately found a parallel in the Praslin tragedy: indeed, "truth is stranger than fiction." There is nothing so horrible in a romance but may be surpassed by the occurrences contained in the columns of a newspaper; where we often find recorded outrages against humanity, greater by far than any conceived by the wildest imaginings of a French novelist. Those feudal militia, or gens-d'armes, the _sbirri_, so often mentioned in these pages, were a force maintained by the landholders. The sbirri received a certain sum daily to support themselves, and provide their arms, clothing, and horses: they lived among the paesani in the villages, but were completely under the orders and at the disposal of their lord. The sbirri were the last relics of the feudal system. Since these volumes were written, the flames of civil war have passed over the romantic Calabrias: the government of Naples has received a severe, though perhaps wholesome, shock; and the brave Sicilians are wresting from their obstinate sovereign those beneficial concessions which he cannot safely withhold. A still greater crisis for Italy is, perhaps, impending: Lombardy is filled with the troops of Austria; and if the _absolute_ policy of the veteran Metternich prevails, ere long those "millions of cannon-balls" (which were so lately ordered by his government) will be dealing death among the ranks of Italian patriots. Should that day ever arrive, surely the Hungarian, the Bohemian, and the brave Pole, will know the time has come to draw and to strike! The eyes of all Europe are at present turned upon the policy of Austria, and the fate of Italy; and should matters ever take the turn anticipated, the landing again of a British army on the Italian shores will prove a death-blow to the ambitious projects of the House of Hapsburg. A long preface may be likened to a hard shell, which must be cracked ere one can arrive at the kernel. The Author has to ask pardon of his readers for trespassing so long on their patience; but he considered the foregoing explanations in some degree necessary, to illustrate the fortunes, mishaps, and adventures of the hero. EDINBURGH, _February_ 1848. *ADVENTURES* *OF AN* *AIDE-DE-CAMP.* *CHAPTER I.* *THE LANDING IN CALABRIA.* On the evening of the last day of June 1806, the transports which had brought our troops from Sicily anchored off the Italian coast, in the Bay of St. Eufemio, a little to the southward of a town of that name. The British forces consisted of H. M. 27th, 58th, 78th, and 81st Regiments of the Line, the Provisional Light Infantry and Grenadier Battalions, the Corsican Rangers, Royal Sicilian Volunteers, and the Regiment of Sir Louis de Watteville, &c., the whole being commanded by Major-General Sir John Stuart, to whose personal staff I had the honour to be attached. This small body of troops, which mustered in all only 4,795 rank and file, was destined by our ministry to support the Neapolitans, who in many places had taken up arms against the usurper, Joseph Buonaparte, and to assist in expelling from Italy the soldiers of his brother. Ferdinand, King of Naples, after being an abject vassal of Napoleon, had allowed a body of British and Russian soldiers to land on his territories without resistance. This expedition failed; he was deserted by the celebrated Cardinal Ruffo, who became a Buonapartist; and as the French emperor wanted a crown for his brother Joseph, he proclaimed that "the Neapolitan dynasty had ceased to reign"--that the race of Parma were no longer kings in Lower Italy--and in January 1806 his legions crossed the frontiers. The "lazzaroni king" fled instantly to Palermo; his spirited queen, Carolina (sister of the unfortunate Marie Antoinette), soon followed him; and the usurper, Joseph, after meeting with little or no resistance, was, in February, crowned king of Naples and Sicily, in the church of Sancto Januario, where Cardinal Ruffo of Scylla, performed solemn mass on the occasion. All Naples and its territories submitted to him, save the brave mountaineers of the Calabrias, who remained continually in arms, and with whom we were destined to co-operate. When our anchors plunged into the shining sea, it was about the close of a beautiful evening--the hour of Ave Maria--and the lingering light of the Ausonian sun, setting in all his cloudless splendour, shed a crimson glow over the long line of rocky coast, burnishing the bright waves rolling on the sandy beach, and the wooded mountains of Calabria, the abode of the fiercest banditti in the world. The tricolor flaunted over the towers of St. Amanthea, a little town to the northward of the bay, commanded by a castle on a steep rock, well garrisoned by the enemy; and the smoke of their evening gun curled away from the dark and distant bastions, as the last vessel of our armament came to anchor. The whole fleet, swinging round with the strong current which runs through the Strait of Messina, lay one moment with their sterns to the land and the next to the sparkling sea, which pours through between these rock-bound coasts with the speed of a mill-race. Italy lay before us: the land of the fabled Hesperia--the country of the "eternal city;" and I thought of her as she was once: of "majestic Rome," in all her power, her glory, and her military supremacy; when nations bowed their heads before her banners, and her eagles spread their wings over half a world. But, alas! we find it difficult to recognise in the effeminate Venetian, the revengeful Neapolitan, or the ferocious Calabrian, the descendants of those matchless soldiers, whose pride, valour, and ambition few since have equalled, and none have yet surpassed. We viewed with the deepest interest that classic shore, which so many of us now beheld for the first time. To me, it was a country teeming with classic recollections--the sunny and beautiful land whose very history has been said to resemble a romance; but the mass of our soldiers were of course, strangers to all these sentiments: the grave and stern Ross-shireman, and the brave bog-trotters of the Inniskilling, regarded it only as a land of hard marches, short rations, and broken heads; as a hostile coast, where the first soldiers of the continent were to be encountered and overcome--for with us these terms are synonymous. Barbarized by the wars and ravages which followed the French revolution and invasion,--swarming with disorderly soldiers, savage brigands, and starving peasantry writhing under the feudal system--the Naples of that time was very different from the Naples of to-day, through which so many tourists travel with luxurious safety: at least so far as the capital. Few, I believe, penetrate into that terra incognita, the realm of the bandit Francatripa. Orders were despatched by the general from ship to ship, that the troops should be held in readiness to disembark by dawn next day. The quarter-guards and deck-watches were strengthened for the night, and strict orders given to sentries not to permit any communication with the shore, or with the numerous boats which paddled about among the fleet. Our ships were surrounded by craft of all shapes and sizes, filled with people from St. Eufemio, and other places adjacent: bright-eyed women, their dark hair braided beneath square linen head-dresses, with here and there a solitary "gentiluomo," muffled in his cloak, and ample hat, beneath which glowed the red spark of a cigar; meagre and grizzled priests; wild-looking peasantry, half naked, or half covered with rough skins; and conspicuous above all, many fierce-looking fellows, wearing the picturesque Calabrian garb, of whose occupation we had little doubt: the gaiety of their attire, the long dagger gleaming in their sashes, the powder-horn, and the well-oiled rifle slung across the back by a broad leather sling, proclaimed them brigands; who came crowding among their honester countrymen, to hail and bid us welcome as allies and friends. An hour before daylight, next morning, we were all on deck and under arms. Our orders were, to land with the utmost silence and expedition, in order to avoid annoyance from the light guns of the French; who occupied the whole province from sea to sea, and whom we fully expected to find on the alert to oppose our disembarkation. My first care was to get my horse, Cartouche, into one of the boats of the _Amphion_ frigate. Aware that sharp work was before us, I personally superintended his harnessing; having previously given him a mash with a dash of nitre in it, and had his fetlocks and hoofs
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Produced by Avinash Kothare, Tom Allen, Eric Eldred, Charles Franks and the Online Distributed Proofreading Team. THE LITTLE REGIMENT AND OTHER EPISODES OF THE AMERICAN CIVIL WAR By STEPHEN CRANE CONTENTS THE LITTLE REGIMENT THREE MIRACULOUS SOLDIERS A MYSTERY OF HEROISM AN INDIANA CAMPAIGN A GREY SLEEVE THE VETERAN THE LITTLE REGIMENT I The fog made the clothes of the men of the column in the roadway seem of a luminous quality. It imparted to the heavy infantry overcoats a new colour, a kind of blue which was so pale that a regiment might have been merely a long, low shadow in the mist. However, a muttering, one part grumble, three parts joke, hovered in the air above the thick ranks, and blended in an undertoned roar, which was the voice of the column. The town on the southern shore of the little river loomed spectrally, a faint etching upon the grey cloud-masses which were shifting with oily languor. A long row of guns upon the northern bank had been pitiless in their hatred, but a little battered belfry could be dimly seen still pointing with invincible resolution toward the heavens. The enclouded air vibrated with noises made by hidden colossal things. The infantry tramplings, the heavy rumbling of the artillery, made the earth speak of gigantic preparation. Guns on distant heights thundered from time to time with sudden, nervous roar, as if unable to endure in silence a knowledge of hostile troops massing, other guns going to position. These sounds, near and remote, defined an immense battle-ground, described the tremendous width of the stage of the prospective drama. The voices of the guns, slightly casual, unexcited in their challenges and warnings, could not destroy the unutterable eloquence of the word in the air, a meaning of impending struggle which made the breath halt at the lips. The column in the roadway was ankle-deep in mud. The men swore piously at the rain which drizzled upon them, compelling them to stand always very erect in fear of the drops that would sweep in under their coat-collars. The fog was as cold as wet cloths. The men stuffed their hands deep in their pockets, and huddled their muskets in their arms. The machinery of orders had rooted these soldiers deeply into the mud, precisely as almighty nature roots mullein stalks. They listened and speculated when a tumult of fighting came from the dim town across the river. When the noise lulled for a time they resumed their descriptions of the mud and graphically exaggerated the number of hours they had been kept waiting. The general commanding their division rode along the ranks, and they cheered admiringly, affectionately, crying out to him gleeful prophecies of the coming battle. Each man scanned him with a peculiarly keen personal interest, and afterward spoke of him with unquestioning devotion and confidence, narrating anecdotes which were mainly untrue. When the jokers lifted the shrill voices which invariably belonged to them, flinging witticisms at their comrades, a loud laugh would sweep from rank to rank, and soldiers who had not heard would lean forward and demand repetition. When were borne past them some wounded men with grey and blood-smeared faces, and eyes that rolled in that helpless beseeching for assistance from the sky which comes with supreme pain, the soldiers in the mud watched intently, and from time to time asked of the bearers an account of the affair. Frequently they bragged of their corps, their division, their brigade, their regiment. Anon they referred to the mud and the cold drizzle. Upon this threshold of a wild scene of death they, in short, defied the proportion of events with that splendour of heedlessness which belongs only to veterans. "Like a lot of wooden soldiers," swore Billie Dempster, moving his feet in the thick mass, and casting a vindictive glance indefinitely: "standing in the mud for a hundred years." "Oh, shut up!" murmured his brother Dan. The manner of his words implied that this fraternal voice near him was an indescribable bore. "Why should I shut up?" demanded Billie. "Because you're a fool," cried Dan, taking no time to debate it; "the biggest fool in the regiment." There was but one man between them, and he was habituated. These insults from brother to brother had swept across his chest, flown past his face, many times during two long campaigns. Upon this occasion he simply grinned first at one, then at the other. The way of these brothers was not an unknown topic in regimental gossip. They had enlisted simultaneously, with each sneering loudly at the other for doing it. They left their little town, and went forward with the flag, exchanging protestations of undying suspicion. In the camp life they so openly despised each other that, when entertaining quarrels were lacking, their companions often contrived situations calculated to bring forth display of this fraternal dislike. Both were large-limbed, strong young men, and often fought with friends in camp unless one was near to interfere with the other. This latter happened rather frequently, because Dan, preposterously willing for any manner of combat, had a very great horror of seeing Billie in a fight; and Billie, almost odiously ready himself, simply refused to see Dan
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Produced by Thorsten Kontowski, Henry Gardiner and the Online Distributed Proofreading Team at http://www.pgdp.net (This file made from scans of public domain material at Austrian Literature Online.) * * * * * Transcriber's Note: The original publication has been replicated faithfully except as shown in the List Of Corrections at the end of the text. Words in italics are indicated like _this_. Footnotes are located near the end of each chapter. [oe] represents the oe ligature. * * * * * NARRATIVE OF THE Circumnavigation of the Globe BY THE AUSTRIAN FRIGATE NOVARA, (COMMODORE B. VON WULLERSTORF-URBAIR,) _Undertaken by Order of the Imperial Government_, IN THE YEARS 1857, 1858, & 1859, UNDER THE IMMEDIATE AUSPICES OF HIS I. AND R. HIGHNESS THE ARCHDUKE FERDINAND MAXIMILIAN, COMMANDER-IN-CHIEF OF THE AUSTRIAN NAVY. BY DR. KARL SCHERZER, MEMBER OF THE EXPEDITION, AUTHOR OF "TRAVELS IN CENTRAL AMERICA," ETC. VOL. II. [Illustration] LONDON: _SAUNDERS, OTLEY, AND CO._, 66, BROOK STREET, HANOVER SQUARE. 1862. [THE RIGHT OF TRANSLATION IS RESERVED.] JOHN CHILDS AND SON, PRINTERS. CONTENTS. PAGE CHAPTER X. THE NICOBAR ISLANDS. Historical details respecting this Archipelago.--Arrival at Kar-Nicobar.--Communication with the Aborigines.--Village of Saoui and "Captain John."--Meet with two white men.--Journey to the south side of the Island.--Village of Komios.--Forest Scenery.--Batte-Malve.--Tillangschong.--Arrival and stay at Nangkauri Harbour.--Village of Itoe.--Peak Mongkata on Kamorta.-- Villages of Enuang and Malacca.--Tripjet, the first settlement of the Moravian Brothers.--Ulala Cove.--Voyage through the Archipelago.--The Island of Treis.--Pulo Miu.--Pandanus Forest.-- St. George's Channel.--Island of Kondul.--Departure for the northern coast of Great Nicobar.--Mangrove Swamp.--Malay traders.--Remarks upon the natives of Great Nicobar.--Disaster to a boat dispatched to make Geodetical observations.--Visit to the Southern Bay of Great Nicobar.--General results obtained during the stay of the Expedition in this Archipelago.-- Nautical, Climatic, and Geognostic observations.--Vegetation.-- Animal Life.--Ethnography.--Prospects of this group of Islands in the way of settlement and cultivation.--Voyage to the Straits of Malacca.--Arrival at Singapore. 1 CHAPTER XI. SINGAPORE. Position of the Island.--Its previous history.--Sir Stamford Raffles' propositions to make it a port of the British Government free to all sea-faring nations.--The Island becomes part of the Crown property of England.--Extraordinary development under the auspices of a Free Trade policy.--Our stay shortened in consequence of the severity of the cholera.-- Description of the city.--Tigers.--Gambir.--The Betel plantations.--Inhabitants.--Chinese and European labour.-- Climate.--Diamond merchants.--Preparation of Pearl Sago.--Opium farms.--Opium manufacture.--Opium-smokers.--Intellectual activity.--Journalism.--Logan's "Journal of the Indian Archipelago."--School for Malay children.--Judicial procedure.-- Visit to the penal settlement for criminals.--A Chinese provision-merchant at business and at home.--Fatal accident on board.--Departure from Singapore.--Difficulty in passing through Gaspar Straits.--Sporadic outbreak of cholera on board.--Death of one of the ship's boys.--First burial at sea.--Sea-snakes.-- Arrival in the Roads of Batavia. 137 CHAPTER XII. JAVA. Old and New Batavia.--Splendid reception.--Scientific societies.--Public institutions.--Natives.--A Malay embassy.-- Excursion into the interior.--Buitenzorg.--The Botanic Garden.-- The <DW64>.--Prince Aquasie Boachi.--Pondok-Gedeh.--The infirmary at Gadok, and Dr. Bernstein.--Megamendoeng.--Javanese villages.-- Tjipannas.--Ascent of Pangerango.--Forest scenery.--Javanese resting-houses or Pasanggrahans.--Night and morning on the summit of the volcano.--Visit to Gunung Gedeh.--The plantations of Peruvian bark-trees in Tjipodas.--Their actual condition.-- Conjectures as to the future.--Voyage to Bandong.--Spots where edible swallows' nests are found.--Hospitable reception by a Javanese prince.--Visit to Dr. Junghuhn in Lembang.--Coffee cultivation.--Decay in value of the coffee bean of Java.-- Professor Vriese and the coffee planters of Java.--Free trade and monopoly.--Compulsory and free labour.--Ascent of the volcano of Tangkuban Prahu.--Poison Crater and King's Crater.--A geological excursion to a portion of the Preanger Regency.-- Native fete given by the Javanese Regent of Tjiangoer.--A day at the Governor-general's country-seat at Buitenzorg.--Return to Batavia.--Ball given by the military club in honour of the Novara.--Raden Saleh, a Javanese artist.--Barracks and prisons.-- Meester Cornelis.--French opera.--Constant changes among the European society.--Aims of the colonial government.--Departure from Batavia.--Pleasant voyage.--An English ship with Chinese Coolies.--Bay of Manila.--Arrival in Cavite harbour. 180 CHAPTER XIII. MANILA. Historical notes relating to the Philippines.--From Cavite to Manila.--The river Pasig.--First impressions of the city.--Its inhabitants.--Tagales and Negritoes.--Preponderating influence of monks.--Visit to the four chief monasteries.--Conversation with an Augustine Monk.--Grammars and Dictionaries of the idioms chiefly in use in Manila.--Reception by the Governor-general of the Philippines.--Monument in honour of Magelhaens.--The "Calzada."--Cock-fighting.--"Fiestas Reales."--Causes of the languid trade with Europe hitherto.--Visit to the Cigar-manufactories.--Tobacco cultivation in Luzon and at the Havanna.--Abaca, or Manila hemp.--Excursion to the "Laguna de Bay."--A row on the river Pasig.--The village of Patero.-- Wild-duck breeding.--Sail on the Lagoon.--Plans for canalization.--Arrival at Los Banos.--Canoe-trip on the "enchanted sea."--Alligators.--Kalong Bats.--Gobernador and Gobernadorcillo.--The Poll-tax.--A hunt in the swamps of Calamba.--Padre Lorenzo.--Return to Manila.--The "Pebete."--The military Library.--The civil and military Hospital.-- Ecclesiastical processions.--Ave Maria.--Tagalian merriness.-- Condiman.--Lunatic Asylum.--Gigantic serpent thirty-two years old.--Departure.--Chinese pilots.--First glimpse of the coasts of the Celestial Empire.--The Lemmas Channel.--Arrival in Hong-kong Harbour. 281 CHAPTER XIV. HONG-KONG. Rapid increase of the colony of Victoria or Hong-kong.-- Disagreeables.--Public character.--The Comprador, or "factotum."--A Chinese fortune-teller.--Curiosity-stalls.--The To-stone.--Pictures on so-called "rice-paper."--Canton English.-- Notices on the Chinese language and mode of writing.-- Manufacture of ink.--Hospitality of German missionaries.--The custom of exposing and murdering female children.--Method of dwarfing the female foot.--Sir John Bowring.--Branch Institute of the Royal Asiatic Society.--An ecclesiastical dignitary on the study of natural sciences.--The Chinese in the East Indies.-- Green indigo or Lu-Kao.--Kind reception by German countrymen.-- Anthropometrical measurements.--Ramble to Little Hong-kong.-- Excursion to Canton on board H.M. gun-boat _Algerine_.--A day at the English head-quarters.--The Treaty of Tien-Tsin.--Visit to the Portuguese settlement of Macao.--Herr von Carlowitz.-- Camoens' Grotto.--Church for Protestants.--Pagoda Makok.--Dr. Kane.--Present position of the colony.--Slave-trade revived under the name of Chinese emigration.--Excursions round Macao.-- The Isthmus.--Chinese graves.--Praya Granite.--A Chinese physician.--Singing stones.--Departure.--Gutzlaff's Island.-- Voyage up the Yang-tse-Kiang.--Wusung.--Arrival at Shanghai. 355 CHAPTER XV. SHANGHAI. A stroll through the old Chinese quarter.--Book-stalls.--Public Baths.--Chinese Pawnbrokers.--Foundling hospital.--The Hall of Universal Benevolence.--Sacrificial Hall of Medical Faculty.-- City prison.--Temple of the Goddess of the Sea.--Chinese taverns.--Tea-garden.--Temple of Buddha.--Temple of Confucius.-- Taouist convent.--Chinese nuns.--An apothecary's store, and what is sold therein.--Public schools.--Christian places of worship.-- Native industry.--Cenotaphs to the memory of beneficent females.--A Chinese patrician family.--The villas of the foreign merchants.--Activity of the London Missionary Society.--Dr. Hobson.--Chinese medical works.--Leprosy.--The American Missionary Society.--Dr. Bridgman
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Produced by Al Haines. [Illustration: "SETTING SPURS TO THEIR HORSES, THE FOUR MEN DASHED FORWARD"] *WITH THE BRITISH LEGION* A STORY OF THE CARLIST WARS BY G. A. HENTY Author of "With Roberts to Pretoria" "Held Fast for England" "Under Drake's Flag" &c. _WITH TEN FULL-PAGE ILLUSTRATIONS BY WAL. PAGET_ LONDON BLACKIE & SON, LIMITED, 50 OLD BAILEY, E.C. GLASGOW AND DUBLIN 1903 *PREFACE* The story of the doings of the British Legion under Sir de Lacy Evans in Spain is but little known. The expedition was a failure, and that from no want of heroic courage on the part of the soldiers, but from the most scandalous neglect and ill-treatment by the Government of Queen Christina. So gross was this neglect that within six months of their arrival in the Peninsula nearly five thousand, that is to say half the Legion, had either died from want, privation, or fever in the hospitals of Vittoria, or were invalided home. The remainder, although ill-fed, ill-clothed, and with their pay nine months in arrear, showed themselves worthy of the best traditions of the British army, and it was only at the end of their two years' engagement that, finding all attempts to obtain fair treatment from the Government unavailing, they took their discharge and returned home. The history of their doings as described in the following story is largely founded on a pamphlet by Alex. Somerville, a man of genius who enlisted in the Legion; and the events subsequent to its disbandment are taken from the work of Major Duncan, one of the Commissioners appointed by the British Government to endeavour to see that the conditions of a convention entered into by our Government and the leaders of the contending parties in Spain were duly observed--a convention, however, that had very small influence in checking the atrocities committed by both combatants. G. A. HENTY. *CONTENTS* CHAP. I. ENLISTED II. IN SPAIN III. AN ADVENTURE IV. THE FIRST FIGHT V. A FURIOUS STRUGGLE VI. A CAPTIVE VII. A GREAT CHANGE VIII. A DESPERATE ADVENTURE IX. THE ESCAPE X. A GOOD SERVICE XI. A THWARTED PLOT XII. A FIASCO XIII. A DESPERATE ATTEMPT XIV. A RESCUE XV. A CHALLENGE XVI. ENGAGED XVII. KIDNAPPED XVIII. ESCAPED XIX. MILITARY MOVEMENTS XX. THE END OF A FEUD XXI. HOME *ILLUSTRATIONS* "SETTING SPURS TO THEIR HORSES THE FOUR MEN DASHED FORWARD" _Frontispiece_ ARTHUR MAKES HIS WAY THROUGH THE CARLIST LINES "A SAIL WAS HOISTED AND THEY RAN OUT MERRILY" "HE BEGAN TO DRAG HIMSELF ALONG" "ARTHUR FLUNG HIM BACK ACROSS THE TABLE" "QUEEN CHRISTINA HELD OUT HER HAND" "AH!" HE SAID, "SO I HAVE LAID HANDS ON YOU AT LAST" "LITTLE BY LITTLE ARTHUR'S ADVANCE ACCELERATED" "A TALL MAN WITH A HARSH, ASCETIC FACE ENTERED" "THE TWO WEAPONS FLASHED AT THE SAME MOMENT" *WITH THE BRITISH LEGION* *CHAPTER I* *ENLISTED* "Well, sir, I shall be glad to know what you intend to do next?" There was no answer to the question, which, after a pause, was repeated in the same cold tone. "Don't know, uncle," came at last from the lips of the boy standing before him. "Nor do I, Arthur. This is the fourth school from which I have been requested to remove you. When I sent you to Shrewsbury I told you that it was your last chance, and now here you are back again. Your case seems hopeless. By the terms of your father's will, which seems to have been written with a prevision of what you were going to turn out, you are not to come into your property until you arrive at the age of twenty-five; though, as his executor, I was authorized to pay from the incoming rents the cost of your education and clothes, and also a certain amount for your expenses at the university, and when you took your degree I was to let you have the sum of one hundred and fifty pounds per year until you reached the age fixed for your coming into the bulk of the fortune." The speaker, Mr. Hallett, was a solicitor in Liverpool with a large practice, which so occupied him that he was too busy to attend to other matters. At bottom he was not an unkindly man, but he had but little time to give to home or family. He had regarded it as a nuisance when his elder brother died and left him sole trustee and guardian of his son, then a boy of ten years old. Arthur's father had been an invalid for some years before he died, and the boy had been allowed to run almost wild, and spent the greater part of his time in the open air. Under the tuition of the grooms he had learned to ride well, and was often away for hours on his pony; he had a daily swim in the river that ran through the estate, and was absolutely fearless. He had had narrow escapes of being killed, from falling from trees and walls, and had fought more than one battle with village boys of his own age. His father, a weak invalid, scarcely attempted to control him in any way, although well aware that such training was eminently bad for him; but he knew that his own life was drawing to a close, and he could not bear the thought of sending him to school, as his brother had more than once advised him to do. He did, however, shortly before his death, take the latter's advice, and drew up a will which he hoped would benefit the boy, by rendering it impossible for him to come into the property until he was of an age to steady down. "I foresee, Robert," the lawyer said, "that my post as guardian will be no sinecure, and, busy as I am, I feel that I shall not have much time to look after him personally; still, for your sake, I will do all that I can for him. It is, of course, impossible for me to keep him in my house. After the life he has led, it would be equally disagreeable to him and to my wife, so he must go to a boarding-school." And so at his brother's death the solicitor made enquiries, and sent the boy to school at Chester, where he had heard that the discipline was good. Four months later Arthur turned up, having run away, and almost at the moment of his arrival there came a letter from the principal, saying that he declined to receive him back again. "It is not that there is anything radically wrong about him, but his disobedience to all the rules of the school is beyond bearing. Flogging appears to have no effect upon him, and he is altogether incorrigible. He has high spirits and is perfectly truthful; he is bright and intelligent. I had intended to tell you at the end of the half-year that I should be glad if you would take him away, for although I do not hesitate to use the cane when necessary, I am not a believer in breaking a boy's spirit; and when I find that even severe discipline is ineffectual, I prefer to let other hands try what they can do. I consider that his faults are the result of bad training, or rather, so far as I can see, of no training at all until he came to me." At his next school the boy stayed two years. The report was similar to that from Chester. The boy was not a bad boy, but he was always getting into mischief and leading others into it. Complaints were continually being made, by farmers and others, of the breaking down of hedges, the robbing of orchards, and other delinquencies, in all of which deeds he appeared to be the leader; and as punishment seemed to have no good effect the head-master requested Mr. Hallett to remove him. The next experiment lasted eighteen months, and he was then expelled for leading a "barring-out" as a protest against an unpopular usher. He had then been sent to Shrewsbury, from which he had just returned. "The lad," the head-master wrote, "has a good disposition. He is intelligent, quick at his books, excellent in all athletic exercises, honourable and manly; but he is a perpetual source of trouble. He is always in mischief; he is continually being met out of bounds; he is constantly in fights--most of them, I am bound to say, incurred on behalf of smaller boys. His last offence is that he got out of his room last night, broke the window of one of the masters, who had, he considered, treated him unfairly, and threw a large number of crackers into his room. He was detected climbing up to his own window again by the house master, who, having been awakened by the explosions, had hastily gone round to the boys' rooms. After this I felt that I could keep him no longer; discipline must be sustained. At the same time I am sorry at being compelled to say that he must leave. He is a favourite in the school, and has very many good qualities; and his faults are the faults of exuberant spirits and not of a bad disposition." "Now, to return to my question," continued Mr. Hallett, "what do you mean to do? You are too old to send to another school, even if one would take you, which no decent institution would do now that you have been expelled from four schools in succession, winding up with Shrewsbury. I have spoken to you so often that I shall certainly not attempt so thankless a task again. As to your living at my house, it is out of the question. I am away the whole day; and your aunt tells me that at the end of your last holidays you were making your two cousins tomboys, and that although she liked you very much she really did not feel equal to having you about the house for six weeks at a time. You cannot complain that I have not been frank with you. I told you, when you came home from your first school, the provisions of your father's will, and how matters stood. I suppose you have thought, on your way from Shrewsbury, as to your future? You were well aware that I was not the sort of man to go back from what I said. I warned you solemnly, when you went to Shrewsbury, that it was the last chance I should give you, and that if you came back again to this place I should wash my hands of you, except that I should see the terms of the will strictly carried out. "Of course, your father little dreamt of such a situation as has arisen, or he would have made some provision for it; and I shall therefore strain a point, and make you an allowance equal to the sum your schooling has cost. According to the wording of the will I am certainly not empowered to do so, but I do not think that even a judge in the Court of Chancery would raise any objection. I have ordered your boxes to be taken to the Falcon Hotel. You will find there a letter from me addressed to you, enclosing four five-pound notes. The same sum will be sent to you every two months to any address that you may send to me. You will, I hope, communicate with me each time you receive your remittance, acquainting me with what you are doing. I may tell you that I have determined on this course with some hopes that when you are your own master you will gain a sufficient sense of responsibility to steady you. At the end of two years, if you desire to go to the university you will receive the allowance there which would be suitable for you. I have thought this matter over very carefully and painfully, Arthur. I talked it over with your aunt last night. She is deeply grieved, but she agrees with me that it is as good a plan as can be devised for you. You cannot go to school again; we cannot have you at home on our hands for two years." "Thank you!" the lad said; "I know I have been a frightful trouble to you, and I am not surprised that I have worn out your patience." "I wish you to understand, Arthur, that the course has been made easier to your aunt and myself, because we are convinced that with all your boyish folly you can be trusted not to do anything to disgrace your father's name, and that these two years of what I may call probation will teach you to think for yourself; and at its termination you will be ready to go to the university to prepare yourself for the life of a country gentleman which lies before you. If you will let me advise you at all, I should say that as a beginning you might do worse than put a knapsack on your back and go for a walking tour of some months through England, Scotland, and Ireland, after which you might go on to the Continent for a bit. I don't like to influence your decision, but I know that you will never be content to stay quiet, and this would be a way of working off your superfluous energy. Now, lad, we will shake hands. I am convinced that your experience during the next two years will be of great value to you, and I ask you to believe that in what we have decided upon we have had your own good even more than our comfort at heart." "I will think it over, uncle," the lad said, his face clearing up somewhat, "and will write to tell you and my aunt what I am going to do. I suppose you have no objection to my saying good-bye to my aunt and my cousins before I go?" "No objection at all. You have done nothing dishonourable; you have let your spirits carry you away, and have shown a lamentable contempt for discipline. These are fault that will cure themselves in time. Come, by all means, to see your aunt before you go." Arthur Hallett left his uncle's office in somewhat low spirits. He was conscious that his uncle's indignation was natural, and that he thoroughly deserved it. He had had a jolly time, and he was sorry that it was over; but he was ashamed of the trouble he had given his uncle and aunt, and quite expected that they would not again receive him. His only fear had been that his uncle would at once place him with some clergyman who made a speciality of coaching troublesome boys; and he had determined that after the liberty and pleasant life at Shrewsbury he could never put up with that. But upon the way by coach to Liverpool he had read a placard which had decided him. It ran as follows:-- "Smart young men required for the British Legion now being formed. A bounty of two pounds and free kit will be given to each applicant accepted. For all particulars apply at the Recruiting Office, 34 the Quay, Liverpool." "That is just the thing for me," he said to himself. "Till I saw that, I had intended to enlist; but there is no chance of a war, and I expect I should get into all sorts of mischief in no time. This legion, I know, is going out to fight in Spain. I read all about it some time ago. There will be excitement there, and I dare say hard work, and possibly short rations. However, that will make no odds to me. It will be something
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Produced by ellinora,, Barry Abrahamsen, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THRILLS OF A BELL BOY ------------------------------------------------------------------------ [Illustration: Frontispiece] ------------------------------------------------------------------------ THRILLS OF A BELL BOY By Samuel Ellsworth Kiser Author of “Love Sonnets of an Office Boy,” “Ballads of the Busy Days,” etc. Illustrated by John T. McCutcheon [Illustration: Publisher’s Logo] Chicago Forbes & Company 1906 ------------------------------------------------------------------------ Copyright, 1904 BY THE SATURDAY EVENING POST ------- Copyright, 1906 BY FORBES & COMPANY Colonial Press: Electrotyped and Printed by C. H. Simonds & Co., Boston, U. S. A. ------------------------------------------------------------------------ THRILLS OF A BELL BOY I. GEE! There’s a call from seven-forty-eight— That’s Miss Le Claire; she wants some ice, I’ll bet; She stars in “Mrs. Middleton’s Regret.” And when you mention peaches—say, she’s great! If I could marry her I guess I’d hate To have to do it—nit! I’d go and get A plug hat and a fur-trimmed coat and let The guy that’s managin’ her, pay the freight. They say she gets a hundred dollars per; I
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Produced by Mark C. Orton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Minor typographical errors have been corrected without note. Irregularities and inconsistencies in the text have been retained as printed. Words printed in italics are noted with underscores: _italics_. THAT LAST WAIF OR SOCIAL QUARANTINE HORACE FLETCHER'S WORKS THE A.B.-Z. OF OUR OWN NUTRITION. Thirteenth thousand. 462 pp. THE NEW MENTICULTURE; OR, THE A-B-C OF TRUE LIVING. Forty-Eighth thousand. 310 pp. THE NEW GLUTTON OR EPICURE; OR, ECONOMIC NUTRITION. Fifteenth thousand. 344 pp. HAPPINESS AS FOUND IN FORETHOUGHT MINUS FEARTHOUGHT. Fourteenth thousand. 251 pp. THAT LAST WAIF; OR, SOCIAL QUARANTINE. Sixth thousand. 270 pp. THAT LAST WAIF OR SOCIAL QUARANTINE A BRIEF BY HORACE FLETCHER _Advocate for the Waifs_ _Fellow American Association for the Advancement of Science_ NEW YORK FREDERICK A. STOKES COMPANY 1909 MATTHEW, xviii; 1, 2 and 14 1. At the same time came the disciples unto Jesus saying, Who is the greatest in the kingdom of heaven? 2. And Jesus called a little child unto him, and set him in the midst of them. 14. Even so it is not the will of your Father which is in heaven, that one of these little ones should perish? COPYRIGHT, 1898 BY HORACE FLETCHER CONTENTS 1903 PREFACE, ix PREFACE, 9 THE LOST WAIF, 17 MENACE OF THE HAVE-TO-BE, 39 SOCIAL QUARANTINE FIRST, 71 QUARANTINE, 93 UNCIVILIZED INCONSISTENCIES, 105 QUARANTINE AGAINST IDLENESS, 131 QUARANTINE AGAINST MISUNDERSTANDING, 145 QUARANTINE AGAINST MALADMINISTRATION, 157 SUGGESTIONS FOR LOCAL QUARANTINE ORGANIZATION, 169 SARAH B. COOPER, 191 CORROBORATIVE TESTIMONY, 221 "AND A LITTLE CHILD SHALL LEAD THEM," 227 SUMMARY, 233 LOGICAL SEQUENCES, 251 APPENDIX: IT HAS BEGUN, 263 DEDICATION, 269 "_It was Juvenal who said, 'The man's character is made at seven; what he then is, he will always be.' This seems a sweeping assertion, but Aristotle, Plato, Lycurgus, Plutarch, Bacon, Locke, and Lord Brougham, all emphasize the same idea, while leading educators of a modern day are all united upon this point._" [_Sarah B. Cooper, to the National Conference of Charities and Correction of the United States and Canada._] * * * * * "_This institution was established as the result of a quickened public conscience on the subject of waifs of the State, a comprehensive understanding of the relation of the State to the child, and the demonstrated effect of such institutions in decreasing crime._" [_The American Journal of Sociology, May, 1898, page 790._] FOREWORD "Waif," as herein employed, applies to all neglected or abused children, and not especially to those who have lost their parents, or have been abandoned. While the evidence of the kindergartners may seem extreme as to the possibility of making useful citizens of _all_ children, the unanimity of their enthusiasm must be taken as very strong evidence. The plea for a social quarantine which shall establish protection for helpless infancy during the period of present neglect, and when the cost is insignificant, is made in the belief that, once attracted to the idea of the possibility of social quarantine, which is nothing if not complete, popular sentiment will demand a continuance of organized protection for each member of society as long as he may be helpless or weak, without reference to an age limit. Immediate special attention, however, should be given to the victims of the "sweaters," to unsanitary work-rooms and other environing conditions provided by conscienceless (usually alien) employers, and to the prevention of children being employed in occupations where temptation is so strong as to be a menace to unformed character. 1903 PREFACE When first published, five years ago, this appeal for better care of children born into unfortunate environment met with very favorable reception, especially from practical child educators and child economists; and the author received numerous requests to address gatherings of altruists in various parts of the country. He responded to some forty of these invitations, and met with warmest encouragement and the assurance that the sentiment of this book was shared pretty generally, when the facts in the case were understood. In meeting men of all kinds in the outside world, as well as women from whom a generous sympathy might be expected, he found that any scheme offering care and protection for neglected children excited the sympathy
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Produced by David Widger MEMOIRS OF JACQUES CASANOVA de SEINGALT 1725-1798 THE ETERNAL QUEST, Volume 3e--WITH VOLTAIRE THE RARE UNABRIDGED LONDON EDITION OF 1894 TRANSLATED BY ARTHUR MACHEN TO WHICH HAS BEEN ADDED THE CHAPTERS DISCOVERED BY ARTHUR SYMONS. THE ETERNAL QUEST WITH VOLTAIRE CHAPTER XIX M. de Voltaire; My Discussions with That Great Man--Ariosto--The Duc de Villars--The Syndic and the Three Girls--Dispute with Voltaire--Aix-en-Savoie--The Marquis Desarmoises "M. de Voltaire," said I, "this is the happiest moment of my life. I have been your pupil for twenty years, and my heart is full of joy to see my master." "Honour me with your attendance on my course for twenty years more, and promise me that you will bring me my fees at the end of that time." "Certainly, if you promise to wait for me." This Voltairean sally made all present laugh, as was to be expected, for those who laugh keep one party in countenance at the other's expense, and the side which has the laughter is sure to win; this is the rule of good society. I was not taken by surprise, and waited to have my revenge. Just then two Englishmen came in and were presented to him. "These gentlemen are English," said Voltaire; "I wish I were." I thought the compliment false and out of place; for the gentlemen were obliged to reply out of politeness that they wished they had been French, or if they did not care to tell a lie they would be too confused to tell the truth. I believe every man of honour should put his own nation first. A moment after, Voltaire turned to me again and said that as I was a Venetian I must know Count Algarotti. "I know him, but not because I am a Venetian, as seven-eights of my dear countrymen are not even aware of his existence." "I should have said, as a man of letters." "I know him from having spent two months with him at Padua, seven years ago, and what particularly attracted my attention was the admiration he professed for M. de Voltaire." "That is flattering for me, but he has no need of admiring anyone." "If Algarotti had not begun by admiring others, he would never have made a name for himself. As an admirer of Newton he endeavoured to teach the ladies to discuss the theory of light." "Has he succeeded?" "Not as well as M. de Fontenelle in his 'Plurality of Worlds;' however, one may say he has succeeded." "True. If you see him at Bologna, tell him I am expecting to hear from him about Russia. He can address my letters to my banker, Bianchi, at Milan, and they will be sent on to me." "I will not fail to do so if I see him." "I have heard that the Italians do not care for his style." "No; all that he writes is full of French idioms. His style is wretched." "But do not these French turns increase the beauty of your language?" "They make it insufferable, as French would be mixed with Italian or German even though it were written by M. de Voltaire." "You are right; every language should preserve its purity. Livy has been criticised on this account; his Latin is said to be tainted with patavinity." "When I began to learn Latin, the Abbe Lazzarini told me he preferred Livy to Sallust." "The Abbe Lazzarini, author of the tragedy, 'Ulisse il giovine'? You must have been very young; I wish I had known him. But I knew the Abbe Conti well; the same that was Newton's friend, and whose four tragedies contain the whole of Roman history." "I also knew and admired him. I was young, but I congratulated myself on being admitted into the society of these great men. It seems as if it were yesterday, though it is many years ago; and now in your presence my inferiority does not humiliate me. I wish to be the younger son of all humanity." "Better so than to be the chief and eldest. May I ask you to what branch of literature you have devoted yourself?" "To none; but that, perhaps, will come afterwards. In the meantime I read as much as I can, and try to study character on my travels." "That is the way to become learned, but the book of humanity is too vast. Reading a history is the easier way." "Yes, if history did not lie. One is not sure of the truth of the facts. It is tiring, while the study of the world is amusing. Horace, whom I know by heart, is my guide-book." "Algarotti, too, is very fond of Horace. Of course you are fond of poetry?" "It is my passion." "Have you made many sonnets?" "Ten or twelve I like, and two or three thousand which in all probability I have not read twice." "The Italians are mad after sonnets." "Yes; if one can call it a madness to desire to put thought into measured harmony. The sonnet is difficult because the thought has to be fitted exactly into the fourteen lines." "It is Procrustes' bed, and that's the reason you have so few good ones. As for us, we have not one; but that is the fault of our language." "And of the French genius, which considers that a thought when extended loses all its force." "And you do not think so?" "Pardon me, it depends on the kind of thought. A witty saying, for example, will not make a sonnet; in French or Italian it belongs to the domain of epigram." "What Italian poet do you like best?" "Ariosto; but I cannot say I love him better than the others, for he is my only love." "You know the others, though?" "I think I have read them all, but all their lights pale before Ariosto's. Fifteen years ago I read all you have written against him, and I said that you, would retract when you had read his works." "I am obliged to you for thinking that I had not read them. As a matter of fact I had done so, but I was young. I knew Italian very imperfectly, and being prejudiced by the learned Italians who adore Tasso I was unfortunate enough to publish a criticism of Ariosto which I thought my own, while it was only the echo of those who had prejudiced me. I adore your Ariosto!" "Ah! M. de Voltaire, I breathe again. But be good enough to have the work in which you turned this great man into ridicule excommunicated." "What use would that be? All my books are excommunicated; but I will give you a good proof of my retractation." I was astonished! The great man began to
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Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Counsel for the Defense By Leroy Scott Author of "The Shears of Destiny," "To Him That Hath," "The Walking Delegate" Frontispiece by Charles M. Chapman GARDEN CITY NEW YORK DOUBLEDAY, PAGE & COMPANY 1912 _Copyright, 1911, 1912, by_ LEROY SCOTT _All rights reserved, including that of translation into foreign languages, including the Scandinavian_ [Illustration: "THRILLING WITH AN UNEXPECTED HOPE, KATHERINE ROSE AND TRIED TO KEEP HERSELF BEFORE THE EYES OF DOCTOR SHERMAN LIKE AN ACCUSING CONSCIENCE"] TO HELEN PRINCIPAL CHARACTERS KATHERINE WEST. DR. DAVID WEST, her father. ARNOLD BRUCE, editor of the _Express_. HARRISON BLAKE, ex-lieutenant-governor. MRS. BLAKE, his mother. "BLIND CHARLIE" PECK, a political boss. HOSEA HOLLINGSWORTH, an old attorney. BILLY HARPER, reporter on the _Express_. THE REVEREND DR. SHERMAN, of the Wabash Avenue Church. MRS. SHERMAN, his wife. MRS. RACHEL GRAY, Katherine's aunt. ROGER KENNEDY, prosecuting attorney. JUDGE KELLOG. MR. BROWN, of the National Electric & Water Company. MR. MANNING, a detective. ELIJAH STONE, a detective. CONTENTS CHAPTER PAGE I. Westville Prepares to Celebrate 3 II. The Bubble Reputation 15 III. Katherine Comes Home 30 IV. Doctor West's Lawyer 49 V. Katherine Prepares for Battle 63 VI. The Lady Lawyer 80 VII. The Mask Falls 98 VIII. The Editor of the _Express_ 116 IX. The Price of a Man 131 X. Sunset at The Sycamores 146 XI. The Trial 158 XII. Opportunity Knocks at Bruce's Door 172 XIII. The Deserter 191 XIV. The Night Watch 212 XV. Politics Make Strange Bedfellows 226 XVI. Through The Storm 240 XVII. The Cup of Bliss 250 XVIII. The Candidate and the Tiger 264 XIX. When Greek Meets Greek 276 XX. A Spectre Comes to Town 295 XXI. Bruce to the Front 311 XXII. The Last Stand 328 XXIII. At Elsie's Bedside 346 XXIV. Billy Harper Writes a Story 368 XXV. Katherine Faces the Enemy 388 XXVI. An Idol's Fall 403 XXVII. The End of The Beginning 418 COUNSEL FOR THE DEFENSE CHAPTER I WESTVILLE PREPARES TO CELEBRATE The room was thick with dust and draped with ancient cobwebs. In one corner dismally reposed a literary junk heap--old magazines, broken-backed works of reference, novels once unanimously read but now unanimously forgotten. The desk was a helter-skelter of papers. One of the two chairs had its burst cane seat mended by an atlas of the world; and wherever any of the floor peered dimly through the general debris it showed a complexion of dark and ineradicable greasiness. Altogether, it was a room hopelessly unfit for human habitation; which is perhaps but an indirect manner of stating that it was the office of the editor of a successful newspaper. Before a typewriter at a small table sat a bare-armed, solitary man. He was twenty-eight or thirty, abundantly endowed with bone and muscle, and with a face----But not to soil this early page with abusive terms, it will be sufficient to remark that whatever the Divine Sculptor had carved his countenance to portray, plainly there had been no thought of re-beautifying the earth with an Apollo. He was constructed not for grace, but powerful, tireless action; and there was something absurdly disproportionate between the small machine and the broad and hairy hands which so heavily belaboured its ladylike keys. It was a custom with Bruce to write the big local news story of the day himself, a feature that had proved a stimulant to his paper's circulation and prestige. To-morrow was to be one of the proudest days of Westville's history, for to-morrow was the formal opening of the city's greatest municipal enterprise, its thoroughly modern water-works; and it was an extensive and vivid account of the next day's programme that the editor was pounding so rapidly out of his machine for that afternoon's issue of the _Express_. Now and then, as he paused an instant to shape an effective sentence in his mind, he glanced through the open window beside him across Main Street to where, against the front of the old Court House, a group of shirt-sleeved workmen were hanging their country's colours about a speakers' stand; then his big, blunt fingers thumped swiftly on. He had jerked out the final sheet, and had begun to revise his story, making corrections with a very black pencil and in a very large hand, when there sauntered in from the general editorial room a pale, slight young man of twenty-five. The newcomer had a reckless air, a humorous twist to the left corner of his mouth, and a negligent smartness in his dress which plainly had its origin elsewhere than in Westville. The editor did not raise his eyes. "In a minute, Billy," he said shortly. "Nothing to hurry about, Arn," drawled the other. The young fellow drew forward the atlas-bottomed chair, leisurely enthroned himself upon the nations of the earth, crossed his feet upon the window-sill, and lit a cigarette. About his lounging form there was a latent energy like that of a relaxed cat. He gazed rather languidly over at the Square, its sides abustle with excited preparation. Across the fronts of stores bunting was being tacked; from upper windows crisp cotton flags were being unscrolled. As for the Court House yard itself, to-day its elm-shaded spaces were lifeless save for the workmen about the stand, a litigant or two going up the walk, and an occasional frock-coated lawyer, his vest democratically unbuttoned to the warm May air. But to-morrow---- The young fellow had turned his head slowly toward the editor's copy, and, as though reading, he began in an emotional, declamatory voice: "To-morrow the classic shades of Court House Square will teem with a tumultuous throng. In the emblazoned speakers' stand the Westville Brass Band, in their new uniforms, glittering like so many grand marshals of the empire, will trumpet forth triumphant music fit to burst; and aloft from this breeze-fluttered throne of oratory----" "Go to hell!" interrupted Bruce, eyes still racing through his copy. "And down from this breeze-fluttered throne of oratory," continued Billy, with a rising quaver in his voice, "Mr. Harrison Blake, Westville's favourite son; the Reverend Doctor Sherman, president of the Voters' Union, and the Honourable Hiram Cogshell, Calloway County's able-bodiest or
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Produced by Les Bowler THE LAST HOPE By Henry Seton Merriman "What is it thou knowest, sweet voice?" I cried. "A hidden hope," the voice replied. CONTENTS I. LE ROI EST MORT II. VIVE LE ROI III. THE RETURN OF "THE LAST HOPE" IV. THE MARQUIS'S CREED V. ON THE <DW18> VI. THE STORY
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Produced by Ted Garvin, Charles Franks and the Online Distributed Proofreading Team THE DELICIOUS VICE Pipe Dreams and Fond Adventures of an Habitual Novel-Reader Among Some Great Books and Their People By Young E. Allison _Second Edition_ (Revised and containing new material) CHICAGO THE PRAIRIELAND PUBLISHING CO. 1918 Printed originally in the Louisville Courier-Journal. Reprinted by courtesy. First edition, Cleveland, Burrows Bros., 1907. Copyright 1907-1918 I. A RHAPSODY ON THE NOBLE PROFESSION OF NOVEL READING It must have been at about the good-bye age of forty that Thomas Moore, that choleric and pompous yet genial little Irish gentleman, turned a sigh into good marketable "copy" for Grub Street and with shrewd economy got two full pecuniary bites out of one melancholy apple of reflection: "Kind friends around me fall Like leaves in wintry weather," --he sang of his own dead heart in the stilly night. "Thus kindly I scatter thy leaves on the bed Where thy mates of the garden lie scentless and dead." --he sang to the dying rose. In the red month of October the rose is forty years old, as roses go. How small the world has grown to a man of forty, if he has put his eyes, his ears and his brain to the uses for which they are adapted. And as for time--why, it is no longer than a kite string. At about the age of forty everything that can happen to a man, death excepted, has happened; happiness has gone to the devil or is a mere habit; the blessing of poverty has been permanently secured or you are exhausted with the cares of wealth; you can see around the corner or you do not care to see around it; in a word--that is, considering mental existence--the bell has rung on you and you are up against a steady grind for the remainder of your life. It is then there comes to the habitual novel reader the inevitable day when, in anguish of heart, looking back over his life, he--wishes he hadn't; then he asks himself the bitter question if there are not things he has done that he wishes he hadn't. Melancholy marks him for its own. He sits in his room some winter evening, the lamp swarming shadowy seductions, the grate glowing with siren invitation, the cigar box within easy reach for that moment when the pending sacrifice between his teeth shall be burned out; his feet upon the familiar corner of the mantel at that automatically calculated altitude which permits the weight of the upper part of the body to fall exactly upon the second joint from the lower end of the vertebral column as it rests in the comfortable depression created by continuous wear in the cushion of that particular chair to which every honest man who has acquired the library vice sooner or later gets attached with a love no misfortune can destroy. As he sits thus, having closed the lids of, say, some old favorite of his youth, he will inevitably ask himself if it would not have been better for him if he hadn't. And the question once asked must be answered; and it will be an honest answer, too. For no scoundrel was ever addicted to the delicious vice of novel-reading. It is too tame for him. "There is no money in it." * * * * * And every habitual novel-reader will answer that question he has asked himself, after a sigh. A sigh that will echo from the tropic deserted island of Juan Fernandez to that utmost ice-bound point of Siberia where by chance or destiny the seven nails in the sole of a certain mysterious person's shoe, in the month of October, 1831, formed a cross--thus: * * * * * * * while on the American promontory opposite, "a young and handsome woman replied to the man's despairing gesture by silently pointing to heaven." The Wandering Jew may be gone, but the theater of that appalling prologue still exists unchanged. That sigh will penetrate the gloomy cell of the Abbe Faria, the frightful dungeons of the Inquisition, the gilded halls of Vanity Fair, the deep forests of Brahmin and fakir, the jousting list, the audience halls and the petits cabinets of kings of France, sound over the trackless and storm-beaten ocean--will echo, in short, wherever warm blood has jumped in the veins of honest men and wherever vice has sooner or later been stretched groveling in the dust at the feet of triumphant virtue. And so, sighing to the uttermost ends of the earth, the old novel-reader will confess that he wishes he hadn't. Had not read all those novels that troop through his memory. Because, if he hadn't--and it is the impossibility of the alternative that chills his soul with the despair of cruel realization--if he hadn't, you see, he could begin at the very first, right then and there, and read the whole blessed business through for the first time. For the FIRST TIME, mark you! Is there anywhere in this great round world a novel reader of true genius who would not do that with the joy of a child and the thankfulness of a sage? Such a dream would be the foundation of the story of a really noble Dr. Faustus. How contemptible is the man who, having staked his life freely upon a career, whines at the close and begs for another chance; just one more--and a different career! It is no more than Mr. Jack Hamlin, a friend from Calaveras County, California, would call "the baby act," or his compeer, Mr. John Oakhurst, would denominate "a squeal." How glorious, on the other hand, is the man who has spent his life in his own way, and, at its eventide, waves his hand to the sinking sun and cries out: "Goodbye; but if I could do so, I should be glad to go over it all again with you--just as it was!" If honesty is rated in heaven as we have been taught to believe, depend upon it the novel-reader who sighs to eat the apple he has just devoured, will have no trouble hereafter. What a great flutter was created a few years ago when a blind multi-millionaire of New York offered to pay a million dollars in cash to any scientist, savant or surgeon in the world who would restore his sight. Of course he would! It was no price at all to offer for the service--considering the millions remaining. It was no more to him than it would be to me to offer ten dollars for a peep at Paradise. Poor as I am I will give any man in the world one hundred dollars in cash who will enable me to remove every trace of memory of M. Alexandre Dumas' "Three Guardsmen," so that I may open that glorious book with the virgin capacity of youth to enjoy its full delight. More; I will duplicate the same offer for any one or all of the following: "Les Miserables," of M. Hugo. "Don Quixote," of Senor Cervantes. "Vanity Fair," of Mr. Thackeray. "David Copperfield," of Mr. Dickens. "The Cloister and the Hearth," of Mr. Reade. And if my good friend, Isaac of York, is lending money at the old stand and will take pianos, pictures, furniture, dress suits and plain household plate as collateral, upon even moderate valuation, I will go fifty dollars each upon the following: "The Count of Monte Cristo," of M. Dumas. "The Wandering Jew," of M. Sue. "The Memoirs of Barry Lyndon, Esq.," of Mr. Thackeray. "Treasure Island," of Mr. Robbie Stevenson. "The Vicar of Wakefield," of Mr. Goldsmith. "Pere Goriot," of M. de Balzac. "Ivanhoe," of Baronet Scott. (Any one previously unnamed of the whole layout of M. Dumas, excepting only a paretic volume entitled "The Conspirators.") Now, the man who can do the trick for one novel can do it for all--and there's a thousand dollars waiting to be earned, and a blessing also. It's a bald "bluff," of course, because it can't be done as we all know. I might offer a million with safety. If it ever could have been done the noble intellectual aristocracy of novel-readers would have been reduced to a condition of penury and distress centuries ago. For, who can put fetters upon even the smallest second of eternity? Who can repeat a joy or duplicate a sweet sorrow? Who has ever had more than one first sweetheart, or more than one first kiss under the honeysuckle? Or has ever seen his name in print for the first time, ever again? Is it any wonder that all these inexplicable longings, these hopeless hopes, were summed up in the heart-cry of Faust-- "Stay, yet awhile, O moment of beauty." * * * * * Yet, I maintain, Dr. Faustus was a weak creature. He begged to be given another and wholly different chance to linger with beauty. How much nobler the magnificent courage of the veteran novel-reader, who in the old age of his service, asks only that he may be permitted to do again all that he has done, blindly, humbly, loyally, as before. Don't I know? Have I not been there? It is no child's play, the life of a man who--paraphrasing the language of Spartacus, the much neglected hero of the ages--has met upon the printed page every shape of perilous adventure and dangerous character that the broad empire of fiction could furnish, and never yet lowered his arm. Believe me it is no carpet duty to have served on the British privateers in Guiana, under Commodore Kingsley, alongside of Salvation Yeo; to have been a loyal member of Thuggee and cast the scarf for Bowanee; to have watched the tortures of Beatrice Cenci (pronounced as written in honest English, and I spit upon the weaklings of the service who imagine that any freak of woman called Bee-ah-treech-y Chon-chy could have endured the agonies related of that sainted lady)--to have watched those tortures, I say, without breaking down; to have fought under the walls of Acre with Richard Coeur de Lion; to have crawled, amid rats and noxious vapors, with Jean Valjean through the sewers of Paris; to have dragged weary miles through the snow with Uncas, Chief of the Mohicans; to have lived among wild beasts with Morok the lion tamer; to have charged with the impis of Umslopogaas; to have sailed before the mast with Vanderdecken, spent fourteen gloomy years in the next cell to Edmund Dantes, ferreted out the murders in the Rue Morgue, advised Monsieur Le Cocq and given years of life's prime in tedious professional assistance to that anointed idiot and pestiferous scoundrel, Tittlebat Titmouse! Equally, of course, it has not been all horror and despair. Life averages up fairly, as any novel-reader will admit, and there has been much of delight--even luxury and idleness--between the carnage hours of battle. Is it not so? Ask that boyish-hearted old scamp whom you have seen scuttling away from the circulating library with M. St. Pierre's memoirs of young Paul and his beloved Virginia under his arm; or stepping briskly out of the book store hugging to his left side a carefully wrapped biography of Lady Diana Vernon, Mlle. de la Valliere, or Madame Margaret Woffington; or in fact any of a thousand charming ladies whom it is certain he had met
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Produced by Victorian/Edwardian Pictorial Magazines, Jonathan Ingram, Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note: Inconsistent hyphenation and spelling in the original document have been preserved. Obvious typographical errors have been corrected. Italic text is denoted by _underscores_. [Illustration: DANIEL WEBSTER. Engraved by Gustav Kruell; after a daguerreotype in the possession of Josiah J. Hawes, Boston.] SCRIBNER'S MAGAZINE PUBLISHED MONTHLY WITH ILLUSTRATIONS VOLUME XXVI JULY-DECEMBER 1899 CHARLES SCRIBNER'S SONS NEW YORK SAMPSON LOW, MARSTON & Co. LIMITED LONDON Copyright, 1899, By Charles Scribner's Sons. Printed by Trow Directory, Printing and Bookbinding Company, New York, U. S. A. CONTENT
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Transcribed from the 1914 Burns & Oates edition by David Price, email [email protected] Essays by Alice Meynell Contents: WINDS AND WATERS Ceres' Runaway Wells Rain The Tow Path The Tethered Constellations Rushes and Reeds IN A BOOK ROOM A Northern Fancy Pathos Anima Pellegrina! A Point of Biography The Honours of Mortality Composure The Little Language A Counterchange Harlequin Mercutio COMMENTARIES Laughter The Rhythm of Life Domus Angusta Innocence and Experience The Hours of Sleep Solitude Decivilized WAYFARING The Spirit of Place Popular Burlesque Have Patience, Little Saint At Monastery Gates The Sea Wall ARTS Tithonus Symmetry and Incident The Plaid The Flower Unstable Equilibrium Victorian Caricature The Point of Honour "THE CHEARFUL L
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Produced by Barbara Tozier, Bill Tozier, Richard J. Shiffer and the Online Distributed Proofreading Team at http://www.pgdp.net THE ARENA. EDITED BY JOHN CLARK RIDPATH, LL. D. VOL. XVIII JULY TO DECEMBER, 1897 PUBLISHED BY THE ARENA COMPANY BOSTON, MASS. 1897 COPYRIGHTED, 1897 BY THE ARENA COMPANY. SKINNER, BARTLETT & CO., 7 Federal Court, Boston. CONTENTS. PAGE The Citadel of the Money Power: I. Wall Street, Past, Present, and Future HENRY CLEWS 1 II. The True Inwardness of Wall Street JOHN CLARK RIDPATH 9 The Reform Club's Feast of Unreason Hon. CHARLES A. TOWNE 24 Does Credit Act on Prices? A. J. UTLEY 37 Points in the American and French Constitutions Compared, NIELS GROeN 49 Honest Money; or, A True Standard of Value: A Symposium. I. WILLIAM JENNINGS BRYAN 57 II. M. W. HOWARD 58 III. WHARTON BARKER 59 IV. ARTHUR I. FONDA 60 V. Gen. A. J. WARNER 62 The New Civil Code of Japan TOKICHI MASAO, M. L., D. C. L. 64 John Ruskin: A Type of Twentieth-Century Manhood B. O. FLOWER 70 The Single Tax in Operation Hon. HUGH H. LUSK 79 Natural Selection, Social Selection, and Heredity, Prof. JOHN R. COMMONS 90 Psychic or Supermundane Forces CORA L. V. RICHMOND 98 The American Institute of Civics HENRY RANDALL WAITE, Ph. D. 108 An Industrial Fable HAMILTON S. WICKS 116 Plaza of the Poets: Reply to "Locksley Hall Sixty Years After," BARTON LOMAX PITTMAN 122 John Brown COATES KINNEY 125 Demos W. H. VENABLE, LL. D. 126 The Editor's Evening: Leaf from My Samoan Notebook (A. D. 2297); _Vita Longa_; Kaboto (a Sonnet) 128 A Stroke for the People: A Farmer's Letter to THE ARENA 134 Evolution: What It Is and What It Is Not Dr. DAVID STARR JORDAN 145 Has Wealth a Limitation? ROBERT N. REEVES 160 The Battle of the Money Metals: I. Bimetallism Simplified GEORGE H. LEPPER 168 II. Bimetallism Extinguished JOHN CLARK RIDPATH 180 The Segregation and Permanent Isolation of Criminals, NORMAN ROBINSON 192 How to Increase National Wealth by the Employment of Paralyzed Industry B. O. FLOWER 200 Open Letter to Eastern Capitalists CHARLES C. MILLARD 211 The Telegraph Monopoly: Part XIII. Prof. FRANK PARSONS 218 The Provisional Government of the Cubans THOMAS W. STEEP 226 A Noted American Preacher DUNCAN MACDERMID 232 The Civic Outlook HENRY RANDALL WAITE, Ph. D. 245 "The Tempest" the Sequel to "Hamlet" EMILY DICKEY BEERY 254 The Creative Man STINSON JARVIS 262 Plaza of the Poets: The New Woman MILES MENANDER DAWSON 275 Under the Stars COATES KINNEY 275 The Cry of the Valley CHARLES MELVIN WILKINSON 276 A Radical ROBERT F. GIBSON 277 The Editor's Evening: Our Totem; _Vive La France! Le Siecle_ (a Sonnet) 278 The Concentration of Wealth: Its Causes and Results: Part I, HERMAN E. TAUBENECK 289 The Future of the Democratic Party: A Reply DAVID OVERMYER 302 The Multiple Standard for Money ELTWEED POMEROY 318 Anticipating the
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Produced by Gregory Walker THE TAO TEH KING, OR THE TAO AND ITS CHARACTERISTICS by Lao-Tse Translated by James Legge PART 1. Ch. 1. 1. The Tao that can be trodden is not the enduring and unchanging Tao. The name that can be named is not the enduring and unchanging name. 2. (Conceived of as) having no name, it is the Originator of heaven and earth; (conceived of as) having a name, it is the Mother of all things. 3. Always without desire we must be found, If its deep mystery we would sound; But if desire always within us be, Its outer fringe is all that we shall see. 4. Under these two aspects, it is really the same; but as development takes place, it receives the different names. Together we call them the Mystery. Where the Mystery is the deepest is the gate of all that is subtle and wonderful. 2. 1. All in the world know the beauty of the beautiful, and in doing
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Produced by James Linden. HTML version by Al Haines. State of the Union Addresses of Woodrow Wilson The addresses are separated by three asterisks: *** Dates of addresses by Woodrow Wilson in this eBook: December 2, 1913 December 8, 1914 December 7, 1915 December 5, 1916 December 4, 1917 December 2, 1918 December 2, 1919 December 7, 1920 *** State of the Union Address Woodrow Wilson December 2, 1913 Gentlemen of the Congress: In pursuance of my constitutional duty to "give to the Congress information of the state of the Union," I take the liberty of addressing you on several matters which ought, as it seems to me, particularly to engage the attention of your honorable bodies, as of all who study the welfare and progress of the Nation. I shall ask your indulgence if I venture to depart in some degree from the usual custom of setting before you in formal review the many matters which have engaged the attention and called for the action of the several departments of the Government or which look to them for early treatment in the future, because the list is long, very long, and would suffer in the abbreviation to which I should have to subject it. I shall submit to you the reports of the heads of the several departments, in which these subjects are set forth in careful detail, and beg that they may receive the thoughtful attention of your committees and of all Members of the Congress who may have the leisure to study them. Their obvious importance, as constituting the very substance of the business of the Government, makes comment and emphasis on my part unnecessary. The country, I am thankful to say, is at peace with all the world, and many happy manifestations multiply about us of a growing cordiality and sense of community of interest among the nations, foreshadowing an age of settled peace and good will. More and more readily each decade do the nations manifest their willingness to bind themselves by solemn treaty to the processes of peace, the processes of frankness and fair concession. So far the United States has stood at the front of such negotiations. She will, I earnestly hope and confidently believe, give fresh proof of her sincere adherence to the cause of international friendship by ratifying the several treaties of arbitration awaiting renewal by the Senate. In addition to these, it has been the privilege of the Department of State to gain the assent, in principle, of no less than 31 nations, representing four-fifths of the population of the world, to the negotiation of treaties by which it shall be agreed that whenever differences of interest or of policy arise which can not be resolved by the ordinary processes of diplomacy they shall be publicly analyzed, discussed, and reported upon by a tribunal chosen by the parties before either nation determines its course of action. There is only one possible standard by which to determine controversies between the United States and other nations, and that is compounded of these two elements: Our own honor and our obligations to the peace of the world. A test so compounded ought easily to be made to govern both the establishment of new treaty obligations and the interpretation of those already assumed. There is but one cloud upon our horizon. That has shown itself to the south of us, and hangs over Mexico. There can be no certain prospect of peace in America until Gen. Huerta has surrendered his usurped authority in Mexico; until it is understood on all hands, indeed, that such pretended governments will not be countenanced or dealt with by-the Government of the United States. We are the friends of constitutional government in America; we are more than its friends, we are its champions; because in no other way can our neighbors, to whom we would wish in every way to make proof of our friendship, work out their own development in peace and liberty. Mexico has no Government. The attempt to maintain one at the City of Mexico has broken down, and a mere military despotism has been set up which has hardly more than the semblance of national authority. It originated in the usurpation of Victoriano Huerta, who, after a brief attempt to play the part of constitutional President, has at last cast aside even the pretense of legal right and declared himself dictator. As a consequence, a condition of affairs now exists in Mexico which has made it doubtful whether even the most elementary and fundamental rights either of her own people or of the citizens of other countries resident within her territory can long be successfully safeguarded, and which threatens, if long continued, to imperil the interests of peace, order, and tolerable life in the lands immediately to the south of us. Even if the usurper had succeeded in his purposes, in despite of the constitution of the Republic and the rights of its people, he would have set up nothing but a precarious and hateful power, which could have lasted but a little while, and whose eventual downfall would have left the country in a more deplorable condition than ever. But he has not succeeded. He has forfeited the respect and the moral support even of those who were at one time willing to see him succeed. Little by little he has been completely isolated. By a little every day his power and prestige are crumbling and the collapse is not far away. We
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Produced by Turgut Dincer (This file was produced from images generously made available by Hathi Trust) STANHOPE PRIZE ESSAY--1859. THE CAUSES OF THE SUCCESSES OF THE OTTOMAN TURKS. BY JAMES SURTEES PHILLPOTTS, SCHOLAR OF NEW COLLEGE. [Illustration] OXFORD: T. and G. SHRIMPTON. M DCCC LIX. THE CAUSES OF THE SUCCESSES OF THE OTTOMAN TURKS. By the fall of the Seljukian dynasty in Asia Minor, a vast number of Turks, scattered over the fertile tracts of Western Asia, were left without any organized government. The Emirs of the Seljouks in their different districts tried to set up separate kingdoms for themselves, but their power was successfully exercised only in making depredations upon each other. For some time they were under the sway of the Khans of Persia, but the decline of the Mogul Empire after the death of Cazan, freed them from this control[1]. During this time of general anarchy, a clan of Oghouz Turks, under Ertogruhl, settled in the dominions of Alaeddin, the chief of Iconium. These Turks were of the same family as the Huns and Avars, and the other Barbarian hordes, whose invasions had continually devastated Europe for nearly ten centuries[2]; nor had the energy and restless activity of their race yet begun to fail. They were all united by the affinity of race, as well as by their language, and by the common bond of the Sunnite creed. In return for Ertogruhl’s services in war Alaeddin gave him a grant of territory in the highlands of Phrygia. The warlike spirit of Ertogruhl’s son Othman, raised him to the rank of an independent chieftain, and he soon made himself master of strong positions on the borders of the Greek Empire. With ill-judged parsimony, the Emperor Michael had disbanded the militia, who guarded the passes of Mount Olympus, and had thus left Bithynia open to attack. Orchan, the son of Othman, took advantage of these favourable occurrences, enlarged his territory at the expense of the Greeks, and by uniting several of the scattered Turkish tribes under one head, laid the foundation of the Ottoman Empire. Thus the circumstances of the times were throughout eminently favourable to the Ottomans. The fall of the Seljouk monarchy, and the consequent diffusion of the Turkish population, had given free scope to their enterprising spirit. Through the civil wars of the Byzantine Emperors and the disputes of the Venetians and Genoese, they were enabled to gain their first footing in Europe. Had Amurath’s attempt to extend his kingdom over the Christian nations of Thrace and Roumelia been made in the 11th century, he would have roused all Europe in common resistance to his rising power. But in 1388, the Servian confederacy could obtain no aid from Western Christendom. As long as Richard II. was king of England, and Charles VI. of France--while Germany was ruled by the dissolute Winceslaus--Amurath had little to fear from the powers of the West[3]. Spain was too much occupied by her wars with the Moslems at home to think of the sufferings of her Christian brethren in the East. Nor was there any danger that the rival popes of Avignon and Rome would forget their private animosities to assist in arresting the fall of a distant and schismatical church. At the crowning point of their success, the siege of Constantinople by Mahomet II., the advantages of time were again on the side of the Ottomans. The Roman pontiff, furious at their obstinacy in refusing to join the communion of the Latin church, had conceived an aversion for the Greeks which could hardly be exceeded by any abhorrence of the Mnssulman’s creed. It might have been expected that he would rouse himself to prevent the destruction of the Eastern defences of Christendom, but he chose rather a selfish and inglorious part, content to foresee and even to foretell the coming overthrow of the Greek Empire[4]. Thus did the Patriarch of the West, the natural head of any confederacy for the succour of Constantinople, look on at its fall with seeming unconcern. Meanwhile the English and the French were engaged in a quarrel too deadly to be reconciled. The Germans would not join with the Hungarians, nor would the Spanish have any concert with the Genoese. In short no coalition of the powers of Europe was possible. Even the Greeks themselves were too much divided by religious dissensions to offer united resistance to their Moslem foe, and their want of union could only be equalled by their cowardice. The valour of the last Constantine did indeed shed glory over his own particular fate, but the issue of the struggle could not be doubtful when the disciplined troops and the famed artillery of the Turk were opposed to the feeble and disunited force of the enervated Byzantines. These external circumstances are important, as having been auxiliary to the rise of the Ottomans. But the main causes of their success must be sought in the wisdom of their rulers and in the institutions which they established. Their government was most singularly constituted, and of a character totally dissimilar to any of the governments of Christendom. The institutions too from which they derived their solid and lasting power were for the most part peculiar to themselves. On these institutions the stability of the Ottoman greatness mainly rested. With their first appearance it arose; with their gradual development it had grown; as they were neglected and fell into disuse, the ancient glory of the Crescent was dimmed, obscured, and finally extinguished. Even in the legendary history of the founder of their nation is shadowed forth the faint outline of their peculiar, policy. By patient waiting till he attained his purpose, Othman won his wife from an alien tribe. His expeditions were sanctioned by the blessing of the Holy Scheik Edebali. From the fruit of these expeditions, from the Christian captives who were condemned to slavery, was selected the wife of his son Orchan. A Christian apostate, ‘Michael of the Pointed Beard’ was the chief of Othman’s captains. It was from the example of their founder, they would have us believe, that they adopted customs of receiving renegades, of foreign intermarriage, a warlike zeal sanctioned by religion, a system of slavery-institutions which in later times were the distinguishing characteristics of their race[5]. It matters not if these accounts of Othman’s early history be the invention of later times; this rather shows (since fiction is more philosophical than truth), that the Ottomans themselves were convinced that it was mainly on the preservation of these usages that their greatness rested. It was, however, reserved for the sons of Othman to set the system on a permanent basis, and to the legislative genius of Alaeddin in the succeeding reign, was chiefly due the stability of the Ottoman race. In general the Asiatic dynasties culminate to their height of power with a marvellous rapidity, and then, dependent solely on the merits of their rulers, with no institutions calculated to ensure any lasting greatness, fall by a decline no less rapid and less marvellous than their rise. The career of Ottoman conquest lacked the dazzling grandeur which invests the exploits of Genghis Khan, or Timour, but it was not destined to be as ephemeral as they. In its slow and cautious advance, in the gradual organization of conquered provinces, in the unswerving patience which waited always for the fittest opportunity, it bore no faint resemblance to the stately march of Roman sovereignty. The close of Othman’s life of seventy years saw him but just made possessor of a single city of importance. It was not till the reign of Orchan that the Ottomans ceased to acknowledge the sovereignty of the Iconian Sultans, and first adopted a coinage of their own. The wise policy of Orchan’s coadjutor, Alaeddin, gave them a respite from war for twenty years, in which time he consolidated the small kingdom they had already won, and perfected a system which was to be the instrument of future conquest. It was during this period of tranquillity that the organization of the army was effected--an organization which, possessing in itself the various merits of the most invincible forces that have ever been collected--the asceticism and brotherhood of the Spartan companies, the mixture of races in the army of Hannibal, the religious zeal of the English Puritans, and the devotion of Caesar’s 10th legion--added to all these, two peculiarities of their creed, the absolute subjection of every individual to the sacred authority of the Sultan, and the warlike inspirations of a religion that taught them that ‘in the conflict of the crossing scymetars Paradise was to be won.’ It is a remarkable and significant fact, that this abstinence from war for the long period of twenty years was never repeated by the Ottomans during the time of their success. That soldiers long unemployed must become either citizens or rebels is an axiom which must have special force in a government like that of the Ottomans. War was the normal condition of their race. It was to this object that not only their iconoclastic creed, but the whole tenor of their institutions pointed, and in this aspect they must chiefly be contemplated. The feudal system of the Ottomans was essentially military. It was the device of an aggressive power and was made to answer a double purpose; to secure the permanency of its conquests, and to supply soldiers for war. Ottoman feudalism was wholly different from that which prevailed in Western Europe. The great distinction lay in the fact, that among the Ottomans all the feudal vassals held their fiefs directly of the Sultan, or his officers; whereas in Western Europe, between the sovereigns and the lower tenants was interposed a powerful class, which always more or less counterbalanced the supreme power. The one was the division of a kingdom into petty fiefs, the other the fusion of conquered territories under the sway of one victorious monarch. It was through the feudal system of the Ottomans, in combination with their institution of slavery, that war was made to feed war; that every conquest supplied the means for future conquest. The use of the Ottoman system for the supply of soldiers in time of war may be estimated from the fact, that an armed horseman was required for every fief of the value of twelve pounds a year, and another for every additional twenty pounds. In the time of Solyman these fiefs were able to furnish 150,000 cavalry[6]. The feudal troops were always kept in readiness, nor was anything required to summon them to the field but an order of the Sultan to the two Beglerbegs of the Empire from whom it was communicated to a regular gradation of officers entrusted with the task of mustering these Spahi, or Cavaliers, in their separate divisions[7]. This force served without pay. If they fell in battle, they were honoured as martyrs: if they distinguished themselves, or if the expedition was successful, they were rewarded with larger gifts of property. All their hopes of advancement depended upon the Sultan, and his success in war. They were ready to do his bidding in any part of the world, for the greater part of every country which they subdued was divided among the members of their own body. It is to this institution of feudalism that we must look for an explanation of the fact, that the Turkish conquests, unlike those of other great conquerors, seldom returned to their original possessors. Immediately an additional piece of territory was gained, it became an integral part of the Empire. Thus it was that the Sultans were able to cons
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Produced by Jonathan Ingram, Charlie Kirschner, and Project Gutenberg Distributed Proofreaders ANNA ST. IVES THOMAS HOLCROFT 1792 CONTENTS Volume I Volume II Volume III Volume IV Volume V Volume VI VOLUME VII Explanatory Notes ANNA ST. IVES _A NOVEL_ VOLUME I LETTER I _Anna Wenbourne St. Ives to Louisa Clifton_ _Wenbourne-Hill_ Here are we, my dear girl, in the very height of preparation. We begin our journey southward at five tomorrow morning. We shall make a short stay in London, and then proceed to Paris. Expectation is on tiptoe: my busy fancy has pictured to itself Calais, Montreuil, Abbeville, in short every place which the book of post roads enumerates, and some of which the divine Sterne has rendered so famous. I expect to find nothing but mirth, vivacity, fancy, and multitudes of people. I have read so much of the populousness of France, the gaiety of its inhabitants, the magnificence of its buildings, its fine climate, fertility, numerous cities, superb roads, rich plains, and teeming vineyards, that I already imagine myself journeying through an enchanted land. I have another pleasure in prospect. Pray have you heard that your brother is soon to be at Paris, on his return from Italy?--My father surprised me by informing me we should probably meet him in that capital. I suspect Sir Arthur of an implication which his words perhaps will not authorize; but he asked me, rather significantly, if I had ever heard you talk of your brother; and in less than five minutes wished to know whether I had any objections to marriage. My father is exceedingly busy with his head man, his plotter, his planner; giving directions concerning still further improvements that are to be made, in his grounds and park, during our absence. You know his mania. Improvement is his disease. I have before hinted to you that I do not like this factotum of his, this Abimelech Henley. The amiable qualities of his son more than compensate for the meanness of the father; whom I have long suspected to be and am indeed convinced that he is artful, selfish, and honest enough to seek his own profit, were it at the expence of his employer's ruin. He is continually insinuating new plans to my father, whom he Sir Arthurs, and Honours, and Nobles, at every word, and then persuades him the hints and thoughts are all his own. The illiterate fellow has a language peculiar to himself; energetic but half unintelligible; compounded of a few fine phrases, and an inundation of proverbial wisdom and uncouth cant terms. Of the scanty number of polite words, which he has endeavoured to catch, he is very bountiful to Sir Arthur. 'That's noble! That's great your noble honour! Well, by my truly, that's an _elegunt ideer_! But I always said your honour had more _nobler_ and _elegunter ideers_ than any other noble gentleman, knight, lord, or dooke, in every thing of what your honour calls the grand gusto.' Pshaw! It is ridiculous in me to imitate his language; the cunning nonsense of which evaporates upon paper, but is highly characteristic when delivered with all its attendant bows and cringes; which, like the accompaniments to a concerto, enforce the character of the composition, and give it full effect. I am in the very midst of bandboxes, portmanteaus, packing-cases, and travelling trunks. I scarcely ever knew a mind so sluggish as not to feel a certain degree of rapture, at the thoughts of travelling. It should seem as if the imagination frequently journeyed so fast as to enjoy a species of ecstasy, when there are any hopes of dragging the cumbrous body after its flights. I cannot banish the hints of Sir Arthur from my busy fancy.--I must not I ought not to practise disguise with any one, much less with my Louisa; and I cannot but own that his questions suggested a plan of future happiness to my mind, which if realized would be delightful. The brother of my dear Louisa, the chosen friend of my heart, is to be at Paris. I shall meet him there. He cannot but resemble his sister. He cannot but be all generosity, love, expansion, mind, soul! I am determined to have a very sincere friendship for him; nay I am in danger of falling in love with him at first sight! Louisa knows what I mean by falling in love. Ah, my dear friend, if he be but half equal to you, he is indeed a matchless youth! Our souls are too intimately related to need any nearer kindred; and yet, since marry I must, as you emphatically tell me it will some time be my duty to do, I could almost wish Sir Arthur's questions to have the meaning I suspect, and that it might be to the brother of my friend. Do not call me romantic: if romance it be, it originates in the supreme satisfaction I have taken in contemplating the powers and beauties of my Louisa's mind. Our acquaintance has been but short, yet our friendship appears as if it had been eternal. Our hearts understand each other, and speak a language which, alas, we both have found to be unintelligible to the generality of the world. Once more adieu. You shall hear from me again at London. Direct to me as usual in Grosvenor Street. Ever and ever your A. W. ST. IVES P.S. I am sorry to see poor Frank Henley look so dejected. He has many good, nay I am well persuaded many great, qualities. Perhaps he is disappointed at not being allowed to go with us; for which I know he petitioned his father, but was refused; otherwise I could easily have prevailed on Sir Arthur to have consented. I am determined to take King Pepin[1] with me. It is surely the most intelligent of all animals; the unfeathered bipeds, as the French wits call us two-legged mortals, excepted. But no wonder it was my Louisa's gift; and, kissing her lips, imbibed a part of her spirit. Were I to leave it behind me, cats, and other good for nothing creatures, would teach it again to be shy, and suspicious; and the present charming exertion of its little faculties would decay. The development of mind, even in a bird, has something in it highly delightful. [Footnote 1: A goldfinch which the young lady had so named.] Why, my Louisa, my friend, my sister, ah, why are not you with me? Why do you not participate my pleasures, catch with me the rising ideas, and enjoy the raptures of novelty? But I will forbear. I have before in vain exhausted all my rhetoric. You must not, will not quit a languishing parent; and I am obliged to approve your determination, though I cannot but regret the consequence. LETTER II _Louisa Clifton to Anna Wenbourne St. Ives_ _Rose Bank_ Health, joy, and novelty attend the steps of my ever dear and charming Anna! May the whirling of your chariot wheels bring a succession of thoughts as exhilarating as they are rapid! May gladness hail you through the day, and peace hush you to sleep at night! May the hills and valleys smile upon you, as you roll over and beside them; and may you meet festivity and fulness of content at every step! I too have my regrets. My heart is one-half with you; nay my beloved, my generous mamma has endeavoured to persuade me to quit her, arguing that the inconvenience to her would be more than compensated by the benefit accruing to myself. The dear lady, I sincerely believe, loves you if possible better than she does me, and pleaded strenuously. But did she not know it was impossible she should prevail? She did. If my cares can prolong a life so precious but half an hour, is it not an age? Do not her virtues and her wisdom communicate themselves to all around her? Are not her resignation, her fortitude, and her cheerfulness in pain, lessons which I might traverse kingdoms and not find an opportunity like this of learning? And, affection out of the question, having such high duties to perform, must I fly from such an occasion, afflicting though it be? No! Anna St. Ives herself must not tempt me to that. She is indeed too noble seriously to form such a wish. Answer, is she not? Oh that I may be deceived, but I fear you expect too much from my brother. Oh that he might be worthy of my Anna! Not for my own sake; for, as she truly says, we [That is our souls, for I know of no other we]. We cannot be more akin; but for his own. He is the son of my beloved mother, and most devoutly do I wish he might be found deserving of her and you. He would then be more deserving than any man, at least any young man, I have ever known. Though brother and sister, he and I may be said to have but little acquaintance. He has always been either at school, or at college, or in town, or on his travels, or in some place where I did not happen to be, except for short intervals. I have told you that his person is not displeasing, that his temper appears to be prompt and daring, but gay, and that his manners I doubt are of that free kind which our young gentlemen affect. To say the truth however, I have heard much in favour of Coke Clifton; but then it has generally been either from persons whose good word was in my opinion no praise, or from others who evidently meant to be civil to me, or to the family, by speaking well of my brother. I believe him to have much pride, some ambition, a high sense of fashionable honour; that he spurns at threats, disdains reproof, and that he does not want generosity, or those accomplishments which would make him pass with the world for a man whose alliance would be desirable. But the husband of my Anna [you perceive I have caught your tone, and use the word husband as familiarly as if there were any serious intention of such an event, and as if it were any thing more than the sportive effusion of fancy, or rather the momentary expansion of friendship] the husband of my Anna ought to be more, infinitely more, than what the
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Produced by Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) FAIRVIEW BOYS AT LIGHTHOUSE COVE OR CARRIED OUT TO SEA BY FREDERICK GORDON AUTHOR OF "FAIRVIEW BOYS AFLOAT AND ASHORE," "FAIRVIEW BOYS AND THEIR RIVALS," "FAIRVIEW BOYS AT CAMP MYSTERY," ETC. _ILLUSTRATED_ CHARLES E. GRAHAM & CO. NEWARK, N. J. NEW YORK [Illustration: They crowded to the rail eager for their rescue.] BOOKS FOR BOYS BY FREDERICK GORDON FAIRVIEW BOYS SERIES Illustrated. Price, per volume, 75 cents, postpaid. FAIRVIEW BOYS AFLOAT AND ASHORE Or, The Young Crusoes of Pine Island FAIRVIEW BOYS ON EAGLE MOUNTAIN Or, Sammy Brown's Treasure Hunt FAIRVIEW BOYS AND THEIR RIVALS Or, Bob Bouncer's Schooldays FAIRVIEW BOYS AT CAMP MYSTERY Or, The Old Hermit and His Secret FAIRVIEW BOYS AT LIGHTHOUSE COVE Or, Carried Out to Sea FAIRVIEW BOYS ON A RANCH Or, Riding with the Cowboys COPYRIGHT, 1914, BY GRAHAM & MATLACK _Fairview Boys At Lighthouse Cove_ CONTENTS CHAPTER PAGE I. VACATION PLANS 7 II. AT LIGHTHOUSE COVE 15 III. SAMMY GETS A CLUE 23 IV. IN THE LIGHTHOUSE 31 V. THE DARK BEACON 41 VI. JUST IN TIME 48 VII. ON THE TRAIL 55 VIII. DRIVEN BACK 63 IX. IN THE BOAT 70 X. CARRIED OUT TO SEA 80 XI. IN THE STORM 90 XII. DRIFTING 95 XIII. THE ABANDONED BOAT 104 XIV. THE RESCUE 110 XV. TWO MYSTERIES CLEARED UP 120 [Illustration: Logo] Fairview Boys at Lighthouse Cove OR CARRIED OUT TO SEA CHAPTER I VACATION PLANS "Last day of school; hurray!" "No more lessons! No more books!" "Nothing but fun, from now on! I say, Frank, catch Sammy; he's going to fall!" Three boys were standing together in the school yard, making merry over the coming of the Summer vacation. The last one who spoke was a jolly-looking lad, with a gleam of mischief in his eyes. Suddenly he put out his foot, caught it around the ankle of one of his companions, and gently pushed him over backwards. "Catch Sammy, Frank!" he cried, and the other boy grasped the toppling one just in time. "I told you so!" cried the fun-loving lad, as he sprang to one side. "Look here, Bob Bouncer, what do you mean by that?" demanded the one who had been pushed, as he stood upright again. "What did you do that for?" and he started toward his companion. "Oh, it was only a joke," answered the one who had been called Bob Bouncer. "I wanted to have some fun. I feel just full of fun when I think what good times I'm going to have this Summer." "Huh! just because you feel good you needn't knock me all around," went on Sammy Brown. But, though he spoke a bit crossly he could not help smiling at Bob, who was making funny faces, and dancing about, just out of reach. "I didn't hurt you," cried Bob, who was generally "cutting-up," or thinking up some joke to play on his chums. "I waited until Frank was there to catch you before I shoved you." "Humph! You're getting mighty thoughtful, all of a sudden," said Bob. "What about it, Frank?" "That's right," answered the third lad. "I didn't know what he meant when he said I was to catch you, for you were going to fall. Let up, Bob, can't you?" "Yes, I won't do anything more--right away. But say, have you fellows made any plans for this Summer?" "Oh, I s'pose the folks'll go way as they always do," said
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AMERICA, VOL. I (OF 8)*** E-text prepared by Giovanni Fini, Dianna Adair, Bryan Ness, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (https://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the more than 200 original illustrations. See 50801-h.htm or 50801-h.zip: (http://www.gutenberg.org/files/50801/50801-h/50801-h.htm) or (http://www.gutenberg.org/files/50801/50801-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://www.archive.org/details/narrcrithistamerica01winsrich Transcriber’s note: Text enclosed by underscores is in italics (_italics_). Text enclosed by equal signs is in bold face (=bold=). A carat character is used to denote superscription. A single character following the carat is superscripted (example: M^o). Multiple superscripted characters are enclosed by curly brackets (example: 540.7^{mm}). NARRATIVE AND CRITICAL HISTORY OF AMERICA Aboriginal America NARRATIVE AND CRITICAL HISTORY OF AMERICA Edited by JUSTIN WINSOR Librarian of Harvard University Corresponding Secretary Massachusetts Historical Society VOL. I Boston and New York Houghton, Mifflin and Company The Riverside Press, Cambridge Copyright, 1889, by Houghton, Mifflin and Company. All rights reserved. The Riverside Press, Cambridge, Mass., U. S. A. Electrotyped and Printed by H. O. Houghton & Company. [Illustration] To CHARLES WILLIAM ELIOT, LL. D. PRESIDENT OF HARVARD UNIVERSITY. _DEAR ELIOT:_ _Forty years ago, you and I, having made preparation together, entered college on the same day. We later found different spheres in the world; and you came back to Cambridge in due time to assume your high office. Twelve years ago, sought by you, I likewise came, to discharge a duty under you._ _You took me away from many cares, and transferred me to the more congenial service of the University. The change has conduced to the progress of those studies in which I hardly remember to have had a lack of interest._ _So I owe much to you; and it is not, I trust, surprising that I desire to connect, in this work, your name with that of your_ _Obliged friend_, [Illustration] CAMBRIDGE, 1889. CONTENTS AND ILLUSTRATIONS. [_The cut on the title represents a mask, which forms the centre of the Mexican Calendar Stone, as engraved in D. Wilson’s Prehistoric Man, i. 333, from a cast now in the Collection of the Society of Antiquaries of Scotland._] INTRODUCTION. PART I. AMERICANA IN LIBRARIES AND BIBLIOGRAPHIES. _The Editor_ i ILLUSTRATIONS: Portrait of Professor Ebeling, iii; of James Carson Brevoort, x; of Charles Deane, xi. PART II. EARLY DESCRIPTIONS OF AMERICA, AND COLLECTIVE ACCOUNTS OF THE EARLY VOYAGES THERETO. _The Editor_ xix ILLUSTRATIONS: Title of the _Newe Unbekanthe Landte_, xxi; of Peter Martyr’s _De Nuper sub D. Carolo repertis insulis_ (1521), xxii; Portrait of Grynæus, xxiv; of Sebastian Münster, xxvi, xxvii; of Monardes, xxix; of De Bry, xxx; of Feyerabend, xxxi. CHAPTER I. THE GEOGRAPHICAL KNOWLEDGE OF THE ANCIENTS CONSIDERED IN RELATION TO THE DISCOVERY OF AMERICA. _William H. Tillinghast_ 1 ILLUSTRATIONS: Maps by Macrobius, 10, 11, 12; Carli’s _Traces of Atlantis_, 17; Sanson’s _Atlantis Insula_, 18; Bory de St. Vincent’s _Carte Conjecturale de l’Atlantide_, 19; Contour Chart of the Bottom of the Atlantic Ocean, 20; The Rectangular Earth, 30. CRITICAL ESSAY 33 NOTES 38 A. The Form
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Produced by Marc D'Hooghe at http://www.freeliterature.org (Images generously made available by the Google Books Project.) THE VALKYRIES BY E. F. BENSON Author of "Limitations," "Dodo," etc. T. FISHER UNWIN LONDON LEIPZIG PARIS 1903 [Illustration: The Flight of the Valkyries] [Illustration: Brunnhilde] [Illustration: Siegmund The Wolsung] [Illustration: Waltraute] [Illustration] CONTENTS CHAPTER I INTRODUCTION: THE HOUSE OF HUNDING CHAPTER II THE COMING OF THE STRANGER CHAPTER III THE STORY OF THE STRANGER CHAPTER IV THE RECOGNITION CHAPTER V THE STRIFE OF WOTAN AND FRICKA CHAPTER VI SIEGMUND'S LOT IS CAST CHAPTER VII THE FIGHT OF SIEGMUND CHAPTER VIII THE FLIGHT OF BRUNNHILDE CHAPTER IX THE SENTENCE OF BRUNNHILDE CHAPTER X THE SLEEP OF BRUNNHILDE. [Illustration] [Illustration] ILLUSTRATIONS THE FLIGHT OF THE VALKYRIES Frontispiece OFTEN HAD SHE SAT THERE "LADY, I THANK THEE" "TO-NIGHT WE ARE HOST AND GUEST" AT THAT HE WRENCHED AT THE SWORD-HILT "I GIVE THEE MINE OATH!" SAID HE VERY SLOWLY SHE ARMED HERSELF "WOTAN'S SPEAR IS STRETCHED AGAINST THEE, SIEGMUND" BRUNNHILDE BRINGS SIEGLINDE TO THE VALKYRIES' MEETING-PLACE CROUCHING AMONG HER SISTERS THEN TENDERLY HE RAISED HER FROM WHERE SHE KNELT PREFACE In the following pages an attempt has been made to render as closely as possible into English narrative prose the libretto of Wagner's "Valkyrie". The story is one little known to English readers, and even those who are familiar with the gigantic music may find in the story something which, even when rendered into homely prose, will reveal to them some new greatness of the master-mind of its author. It is in this hope that I have attempted this version. Whether I have attempted a task either absolutely impossible, or impossible to my capacity, I cannot tell, for so huge is the scale of the original, so big with passion, so set in the riot of storm-clouds and elemental forces, that perhaps it can only be conveyed to the mind as Wagner conveyed it, through such sonorous musical interpretations as he alone was capable of giving to it. Yet even because the theme is so great, rather than in spite of it, any interpretation, even that of halting prose, may be unable to miss certain of the force of the original. The drama itself comes second in the tetralogy of the Ring, being preceded by the Rheingold. But this latter is more properly to be considered as the overture to a trilogy than as the first drama of a tetralogy. In it the stage is set, and Heaven above, rainbow-girt Walhalla, and the dark stir of the forces beneath the earth, Alberich and the Niebelungs, enter the arena waiting for the puny and momentous sons of men to assert their rightful lordship over the earth, at the arising of whom the gods grow grey and the everlasting foundations of Walhalla crumble. From the strange loves of Siegmund and Sieglinde, love not of mortal passion, but of primeval and elemental need, the drama starts; this is the first casting of the shuttle across the woof of destiny. From that point, through the present drama, through Siegfried, through the dusk of the gods the eternal grinding of the mills continues. Once set going the gods themselves are powerless to stop them, for the stream that turns them is stronger than the thunderings of Wotan, for the stream is "That which shall be." In storm the drama begins, in storm of thunder and all the range of passion and of death it works its inevitable way, till for a moment there is calm, when on the mountain-top Brunnhilde sleeps, waiting for the coming of him whose she is, for the awakening to the joy of human life. And there till Siegfried leaps the barrier of flame we leave her. E. F. BENSON. THE VALKYRIES CHAPTER I INTRODUCTION THE HOUSE OF HUNDING Never before in the memory of man had spring been so late in coming, and into mid-May had lasted the hurricanes and tempests of winter. Not even yet was the armoury of its storms and squalls wholly spent, and men, as they huddled by the fire and heard night by night, and day by day the bugling of the wind, and the hiss of rain and the patter of the hailstones, wondered what this subversion and stay of the wholesome seasons should portend. For now for many years had strange omens and forebodings shadowed and oppressed the earth. Some said that the earth itself and Erda the spirit of earth were growing old; some even had seen the great mother, not as of old she had appeared from time to time, vigorous and young, clad in the fresh green of growing things, but old and heavy-eyed, and her mantle was frosted over with rime, for the chill of the unremitting years had
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Produced by David Widger PRAY YOU, SIR, WHOSE DAUGHTER? By Helen H. Gardener R. F. Fenno & Company 9 and 11 East 16th Street New York 1892 I saw a woman sleeping. In her sleep she dreampt Life stood before her, and held in each hand a gift--in the one Love, in the other Freedom. And she said to the woman, "Choose!" And the woman waited long; and she said: "Freedom!" And Life said, "Thou hast well chosen. If thou hadst said, 'Love,' I would have given thee that thou didst ask for; and I would have gone from thee, and returned to thee no more. Now, the day will come when I shall return. In that day I shall bear both gifts in one hand." I heard the woman laugh in her sleep. Olive Schreener's Dreams. DEDICATED With the love and admiration of the Author, To Her Husband Who is ever at once her first, most severe, and most sympathetic critic, whose encouragement and interest in her work never flags; whose abiding belief in human rights, without sex limitations, and in equality of opportunity leaves scant room in his great soul to harbor patience with sex domination in a land which boasts of freedom for all, and embodies its symbol of Liberty in the form of the only legally disqualified and unrepresented class to be found upon its shores. PREFACE. In the following story the writer shows us what poverty and dependence are in their revolting outward aspects, as well as in their crippling effects on all the tender sentiments of the human soul. Whilst the many suffer
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Internet Archive/American Libraries.) PERSONAL NARRATIVES OF THE BATTLES OF THE REBELLION, BEING PAPERS READ BEFORE THE RHODE ISLAND SOLDIERS AND SAILORS HISTORICAL SOCIETY. No. 2. _"Quaeque ipse miserrima vidi, Et quorum pars magna fui."_ PROVIDENCE: SIDNEY S. RIDER 1878. Copyright by SIDNEY S. RIDER. 1878. PRINTED BY PROVIDENCE PRESS COMPANY. THE RHODE ISLAND ARTILLERY AT THE FIRST BATTLE OF BULL RUN. BY J. ALBERT MONROE, (Late Lieutenant-Colonel First Rhode Island Light Artillery.) PROVIDENCE: SIDNEY S. RIDER. 1878. Copyright by SIDNEY S. RIDER. 1878. THE RHODE ISLAND ARTILLERY AT THE FIRST BATTLE OF BULL RUN. When the first call for troops, to serve for the term of three months, was made by President Lincoln, in 1861, for the purpose of suppressing the rebellion, which had assumed most dangerous proportions to the National Government, the Marine Artillery, of this city, responded cheerfully to the call, and under the command of Captain Charles H. Tompkins, left Providence, April eighteenth, for the seat of war. The senior officer of the company, who remained at home, was Captain William H. Parkhurst, then book-keeper at the Mechanics Bank on South Main Street. Before the company was fairly away, I called upon him and suggested the propriety of calling a meeting to organize a new company to take the place of the one that had gone. The suggestion met his views, and he at once published a notice that a meeting for the purpose would be held that evening at the armory of the Marines, on Benefit Street. The meeting was largely attended, and comprised among its numbers a great many of our most intelligent and influential citizens. A large number of names were enrolled that night as members of the new company, and arrangements were made to have the armory open daily, for the purpose of obtaining additional signatures to the roll of membership. In a few days some three hundred names were obtained, and every man whose name was enrolled seemed to take the greatest interest in having the work proceed. By general consent, rather than by appointment or election, I assumed the duty of conducting the drills and of reducing matters to a system. It was supposed at the time that the force already called into the field, consisting of seventy-five thousand men, would be amply sufficient to effectually quell the disturbance that had arisen at the South, but there appeared to be in the minds of all the men who gathered at the Marines' Armory, a quiet determination to go to the assistance of those who had already gone, should they appear to need aid. The call for men to serve for the period of three years put a new phase upon matters. Those whose private business was of such importance that absence from home that length of time would injure the interests of others as well as their own, withdrew, leaving more than a sufficient number to man a full battery. From that time drilling of the men proceeded uninterruptedly both day and night. A greater number than the capacity of the armory would admit of drilling at one time, presented themselves daily. Many of the evenings were spent in taking the men out on the streets and to vacant lots near by, exercising them in marching drill. Through the influence of Governor Sprague the company was furnished with a complete battery of twelve pounder James guns, which arrived here some time in May, I think, and then the drills became spirited in exercise in the manual of the piece, mechanical maneuvres, as well as in marching. About the first of June Lieutenant William H. Reynolds and First Sergeant Thomas F. Vaughn of the three months battery, were appointed Captain and First Lieutenant respectively, and J. Albert Monroe, John A. Tompkins and William B. Weeden were appointed Second, Third and Fourth Lieutenants, and they were so commissioned. The commissions should have been one captain, two first lieutenants and two second lieutenants, but there was so little knowledge of just the right way to do things at that time, that this error occurred, and it was not until after the First Battle of Bull Run that it was corrected. On the sixth of June, 1861, the company was mustered into the United States service by Colonel S. Loomis of the United States Army, for the period of "three years unless sooner discharged," in a large room of a building on Eddy street. On the eighth of June, the regular business of soldier's life began by the company going into camp on Dexter Training Ground. The time was occupied in detachment and battery drills until the nineteenth of the month, when the guns, carriages, and the horses also, if my memory serves me, were embarked on the steamer Kill-von-Kull, at the Fox Point wharf. The steamer landed at Elizabethport, New Jersey, where the battery and men were transferred to cars. The train left Elizabethport about four o'clock in the afternoon. The journey to Washington was a most tedious one. Harrisburg was not reached until the next morning, and it was not until the following morning that the train arrived in Washington. Although the journey was a long one, and tiresome, many incidents transpired to relieve the tedium of the trip. At Baltimore, which was passed through in the evening, every man was on the _qui vive_, with nerves strung to the tension, so great was the fear that an attack might be made upon us. Every one who had a revolver carried it cocked. A corporal, who is now a commissioned officer in the regular army, remarked to me that he never was in such danger in his life, though nothing had occurred to awaken a sense of danger, except that a small pebble was thrown, probably by some boys, that hit one of the gun carriages on the flat car, upon which he and I were riding. The next day rebel flags, in imagination, were frequently discovered while passing through Maryland. On our arrival at Washington, the morning of the twenty-second, we were cordially greeted by Captain Tompkins of the three months battery, and he and his men lent us every assistance in their power. The company went into camp in Gale's woods, with the Second Regiment Rhode Island Infantry, and adjoining were the camps of the three months organizations--the First Regiment Rhode Island Detached Militia and the First Battery. The ground occupied by the three months men was already known as "Camp Sprague;" the ground occupied by the Second Battery and the Second Regiment was named "Camp Clark," in honor of Bishop Thomas M. Clark, who had taken a great interest in the raising and the organization of troops in Rhode Island. Affairs went along more smoothly than could reasonably have been expected from men just taken from the pursuits of civil life. Captain Reynolds, with rare tact, won the confidence of all his men and officers. Section and battery drills took place daily, in the morning, and the afternoons were generally spent at standing gun drill. On the ninth of July, while at section drill, a sad accident occurred, by which Corporal Morse (Nathan T.) and private Bourne (William E.) lost their lives, and private Freeman (Edward R.) was very seriously injured. From some unaccountable cause the limber chest upon which they were mounted exploded, almost instantly killing Morse and Bourne and severely injuring Freeman. The remains of Morse and Bourne were escorted to the depot by the company, and there was extended to them a marked tribute of respect upon their arrival and burial at home. On the sixteenth of July the battery left Camp Clark at half past one o'clock in the morning, with the First and Second Rhode Island Regiments, but it was broad daylight before the command got fairly away from the vicinity of the camp. Under the lead of Colonel Ambrose E. Burnside, who had command of the Second New Hampshire, Seventy-first New York, First and Second Rhode Island Regiments and the battery, as a brigade, the company marched over Long Bridge to a point about ten miles from Washington, where the whole brigade bivouacked for the night. The next morning the march was resumed at day-break, and Fairfax Court House was reached about half past one in the afternoon. The battery was parked and the company went into camp near the Court House, on the ground and near the residence of a Mr. Stephenson, an English gentleman with a large and interesting family, every member of which appeared to do their utmost to promote our comfort. Early the next morning, Thursday the eighteenth, the advance again began and continued with numerous delays until near night-fall, when camp was established near Centreville, on the plantation of a Mr. Utteback. On the morning of Sunday the twenty-first the brigade broke camp and commenced the march towards Manassas. The march was a tedious and lonely one until daybreak. The morning broke as clear and lovely as any that ever opened upon Virginia soil. In the early daylight it seemed to dawn upon the minds of both officers and men, that they were there for a fixed purpose, and that the actual business of their vocation was to commence. Previously, nearly all had thought that upon the approach of the United States troops, with their splendid equipment and the vast resources behind them, the "rebel mob," as it was deemed, but which we afterwards learned to respect as the rebel forces, would flee from their position and disperse. General Hunter's column, to which Colonel Burnside's brigade was attached, was the right of the advancing line, and soon after sunrise the report of heavy guns to the left told us that the work of the day had commenced. Steadily, however, the column pushed on, but with frequent halts, until Sudley Church was reached, where a short stop was made in the shade of the thick foliage of the trees in the vicinity of the church. The battery was following the Second Rhode Island, a portion of which were deployed as skirmishers, and contrary to the custom of throwing them, the skirmishers, well in advance, they moved directly on the flanks of the column. Suddenly the outposts of the enemy opened fire, which, to our inexperienced ears, sounded like the explosion of several bunches of fire crackers. Immediately after came the order, "FORWARD YOUR BATTERY!" Although
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Produced by Larry B. Harrison and the Online Distributed Proofreading Team at http://www.pgdp.net _Descriptions of Three New Birds from the Belgian Congo._ BY JAMES P. CHAPIN. BULLETIN OF THE AMERICAN MUSEUM OF NATURAL HISTORY, VOL. XXXIV, ART. XVI, pp. 509-513 _New York, October 20, 1915._ =Article XVI.=--DESCRIPTIONS OF THREE NEW BIRDS FROM THE BELGIAN CONGO. BY JAMES P. CHAPIN. The whole of the large collection of birds secured by the Congo Expedition of the American Museum of Natural History during the years 1909 to 1915, under the leadership of Mr. Herbert Lang, has now arrived safely at the Museum. It is composed of material gathered all across the Belgian Congo, from Boma on the west to Aba in the northeastern corner, but the greater part from the more remote territory between Stanley Falls and the Enclave of Lado, including the dense equatorial forests of the Ituri, Nepoko, and Bomokandi, and the high-grass and bush country of the Uele District to the north and northeast. Of the relatively small number of zooelogical expeditions that have passed through and collected in these regions, none has ever before been able to make such a prolonged stay, and the varied zooelogical results of this Expedition are surely of the highest scientific interest. The ornithological collection contains in the neighborhood of six thousand skins, and represents some 600 different species, a number of them of course new to science. These it is our purpose to describe as promptly as possible in this Bulletin, before taking up the greater work of a general report on all the forms collected, with more extended notes on their distribution, habits, food, and nests. Descriptions of the first three new forms follow: =Chaetura melanopygia= sp. nov. Related to _C. stictilaema_, but much larger, with feathers of upper breast more heavily margined with blackish, and without any trace of a light rump-band. Description of type, collector's No. 4986 Congo Exp. A. M. N. H., [Male] ad. Avakubi, Ituri District, Belgian Congo, Aug. 15, 1913. Upper parts brownish-black (chaetura-black, Ridgw.) becoming black on wings and tail, with faint violet and green reflections (green on freshly molted feathers). Ear coverts drab, bordered with fuscous-black; feathers of throat pale smoke-gray, margined with fuscous, those of upper breast similar, but heavily bordered with fuscous-black, consequently with a very pronounced "scaly" appearance; lower breast growing darker, so that the dark borders are less conspicuous, and the feathering of the belly completely fuscous-black with slight oily gloss. Under wing coverts mouse-gray with darker edges, flanks and under tail-coverts black with slight greenish gloss. Tail slightly rounded. Iris dark brown, bill black, feet bluish, shading to dusky brown on tips of toes and claws. Sexual organs enlarged. Length (skin) 145 mm.; wing 164; tail 49.5; bill (exposed culmen), 7.5; metatarsus 13. Only one specimen secured, out of two or three of these swifts that were flying about over the Ituri River, in company with several examples of _Chaetura cassini_. In spite of our long stay in this region, the species was not again positively recognized; but _Chaetura cassini_, _C. stictilaema_ and _C. sabinei_ were all of common occurrence there. =Apaloderma minus= sp. nov. Resembling _Apaloderma narina_, but decidedly smaller, of different coloration, and with bill less swollen. The serration of the maxilla is less pronounced. The adult male of _A. minus_ is distinguished by the bluer hue of the forehead, throat, and upper breast, which show in certain lights deep violet reflections, and by the more scarlet, less crimson color of the remaining underparts. In life the naked areas on the cheeks are bright yellow, whereas in _A. narina_ they are light green. The adult female differs in the more tawny or ochraceous coloration of the breast, which is grayish in this sex of _A. narina_, although sometimes washed with light brown on the upper breast. A greenish gloss on the upper breast is more common in females of _A. narina_. In juvenal plumage both species are entirely buff below, the feathers more or less tipped with dusky. Type: collector's No. 4983. Congo Exp. A. M. N. H. [Male] ad. Avakubi Ituri District, Belgian Congo, August 13, 1913. _Description of Adult Male_ (type).--Throat, upper breast, lores and forehead glossy wall-green, in certain lights with violet reflections; upper tail-coverts much the same, but nape and back brilliant peacock-green. Lower breast, sides, belly, and under tail-coverts bright scarlet-red; feathering of legs dusky, with faint green gloss and slightly bordered with whitish. Primaries fuscous-black, the outer ones margined with white and the inner ones white at the base. Alula and primary-coverts blackish; lesser wing-coverts blackish, broadly margined with green; middle coverts with less green and vermiculated with white. Greater coverts and secondaries blackish vermiculated with white, the former narrowly edged with green, the secondaries only very faintly. Three middle pairs of rectrices blackish, slightly glossed with violet-blue and margined with green; outer three pairs white, with bases black faintly glossed with blue, this blackish color extending out furthest on inner webs, and finally breaking up into small dusky spots. Iris red-brown; distal portion of bill light greenish gray, base of bill and two naked patches beneath eye light cadmium-yellow, naked skin above eye lemon-yellow; bare skin of foreneck (covered in life by plumage) light blue; feet pale pink. Length (skin) 254 mm.; length of bill (culmen from base) 18 mm.; height of bill at nostril 9.5 mm.; greatest width of maxilla, near gape, 16 mm.; wing (measured with dividers) 113 mm.; tail 146 mm. In some of the other male specimens the green borders on the secondaries are lacking, and the exact intensity of the white vermiculation is of course variable. The measurements of a series of 11 adult males are: bill, 17-18.5 mm.; wing, 108-115.5; tail, 136.5-151. This is smaller than any _Apaloderma_ heretofore described. _Adult Female._ Crown, back, and rump brilliant peacock-green, upper tail-coverts viridian. Lores, forehead, and ear-coverts more brownish; throat and upper breast snuff-brown, sometimes with glossy green at sides of neck or a few narrow green borders on the chest. Lower breast cinnamon, sometimes finely barred with dusky; belly somewhat lighter and rosier than that of male; feathering of legs dusky. Tail similar to that of male; but the vermiculation on the wing-coverts and secondaries is very much finer, and light ochraceous-buff, not white. Iris red-brown; naked cheek-patches lemon-yellow, base of bill slightly deeper yellow; culmen dusky, bill light green below; feet flesh-color, claws gray. Measurements of three adult females: bill (culmen from base), 17-17.5 mm.; wing 104.5-113 mm.; tail, 140-149 mm. An _immature male_ has the green of the upper breast broken by irregular bars of cinnamon. The lower breast is cinnamon mixed with rose, and barred at the sides with green, and shades to light scarlet-red on belly and under tail-coverts. The greater wing-coverts and three inner secondaries bear each a large spot of light ochraceous buff, extending across the whole width of the innermost secondary, and most of the secondaries are vermiculated or speckled on their outer webs with buff. Just behind the eye there is a small spot of white, and the lower edge of the ear-coverts is marked by a buff line. Iris dark brown; maxilla dusky, but its base greenish-yellow like the naked cheek-patches, mandible light yellowish-green, with light-gray tip; feet pinkish. Bill, 18.5 mm.; wing, 108; tail, 139. A _nestling_ ([Male]), with tail only 25 mm. long, is of a yellower green above (calliste green); lores, forehead and entire underparts cinnamon-buff, the downy feathers slightly tipped with dusky except on abdomen. The wing-coverts and inner secondaries bear large spots of buff. Iris brownish-gray; bill very light bluish-gray, its base and corners of mouth greenish-yellow; feet pale flesh-color, claws gray. The spots on the inner secondaries, in the first plumage, appear to be much larger in the case of _A. minus_ than with _A. narina_, for an immature female specimen of the latter shows only rounded spots on the outer webs not exceeding 5.5 mm. in diameter, while the additional buffy speckling is practically absent. This trogon was found by us in the Ituri forest, from the Nepoko River south to Avakubi and westward to Ban
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Produced by Eve Sobol. HTML version by Al Haines. MAJOR BARBARA BERNARD SHAW ACT I It is after dinner on a January night, in the library in Lady Britomart Undershaft's house in Wilton Crescent. A large and comfortable settee is in the middle of the room, upholstered in dark leather. A person sitting on it [it is vacant at present] would have, on his right, Lady Britomart's writing table, with the lady herself busy at it; a smaller writing table behind him on his left; the door behind him on Lady Britomart's side; and a window with a window seat directly on his left. Near the window is an armchair. Lady Britomart is a woman of fifty or thereabouts, well dressed and yet careless of her dress, well bred and quite reckless of her breeding, well mannered and yet appallingly outspoken and indifferent to the opinion of her interlocutory, amiable and yet peremptory, arbitrary, and high-tempered to the last bearable degree, and withal a very typical managing matron of the upper class, treated as a naughty child until she grew into a scolding mother, and finally settling down with plenty of practical ability and worldly experience, limited in the oddest way with domestic and class limitations, conceiving the universe exactly as if it were a large house in Wilton Crescent, though handling her corner of it very effectively on that assumption, and being quite enlightened and liberal as to the books in the library, the pictures on the walls, the music in the portfolios, and the articles in the papers. Her son, Stephen, comes in. He is a gravely correct young man under 25, taking himself very seriously, but still in some awe of his mother, from childish habit and bachelor shyness rather than from any weakness of character. STEPHEN. What's the matter? LADY BRITOMART. Presently, Stephen. Stephen submissively walks to the settee and sits down. He takes up The Speaker. LADY BRITOMART. Don't begin to read, Stephen. I shall require all your attention. STEPHEN. It was only while I was waiting-- LADY BRITOMART. Don't make excuses, Stephen. [He puts down The Speaker]. Now! [She finishes her writing; rises; and comes to the settee]. I have not kept you waiting very long, I think. STEPHEN. Not at all, mother. LADY BRITOMART. Bring me my cushion. [He takes the cushion from the chair at the desk and arranges it for her as she sits down on the settee]. Sit down. [He sits down and fingers his tie nervously]. Don't fiddle with your tie, Stephen: there is nothing the matter with it. STEPHEN. I beg your pardon. [He fiddles with his watch chain instead]. LADY BRITOMART. Now are you attending to me, Stephen? STEPHEN. Of course, mother. LADY BRITOMART. No: it's not of course. I want something much more than your everyday matter-of-course attention. I am going to speak to you very seriously, Stephen. I wish you would let that chain alone. STEPHEN [hastily relinquishing the chain] Have I done anything to annoy you, mother? If so, it was quite unintentional. LADY BRITOMART [astonished] Nonsense! [With some remorse] My poor boy, did you think I was angry with you? STEPHEN. What is it, then, mother? You are making me very uneasy. LADY BRITOMART [squaring herself at him rather aggressively] Stephen: may I ask how soon you intend to realize that you are a grown-up man, and that I am only a woman? STEPHEN [amazed] Only a-- LADY BRITOMART. Don't repeat my words, please: It is a most aggravating habit. You must learn to face life seriously, Stephen. I really cannot bear the whole burden of our family affairs any longer. You must advise me: you must assume the responsibility. STEPHEN. I! LADY BRITOMART. Yes, you, of course. You were 24 last June. You've been at Harrow and Cambridge. You've been to India and Japan. You must know a lot of things now; unless you have wasted your time most scandalously. Well, advise me. STEPHEN [much perplexed] You know I have never interfered in the household-- LADY BRITOMART. No: I should think not. I don't want you to order the dinner. STEPHEN. I mean in our family affairs. LADY BRITOMART. Well, you must interfere now; for they are getting quite beyond me. STEPHEN [troubled] I have thought sometimes that perhaps I ought; but really, mother, I know so little about them; and what I do know is so painful--it is so impossible to mention some things to you--[he stops, ashamed]. LADY BRITOMART. I suppose you mean your father. STEPHEN [almost inaudibly] Yes. LADY BRITOMART. My dear: we can't go on all our lives not mentioning him. Of course you were quite right not to open the subject until I asked you to; but you are old enough now to be taken into my confidence, and to help me to deal with him about the girls. STEPHEN. But the girls are all right. They are engaged. LADY BRITOMART [complacently] Yes: I have made a very good match for Sarah. Charles Lomax will be a millionaire at 35. But that is ten years ahead; and in the meantime his trustees cannot under the terms of his father's will allow him more than 800 pounds a year. STEPHEN. But the will says also that if he increases his income by his own exertions, they may double the increase. LADY BRITOMART. Charles Lomax's exertions are much more likely to decrease his income than to increase it. Sarah will have to find at least another 800 pounds a year for the next ten years; and even then they will be as poor as church mice. And what about Barbara? I thought Barbara was going to make the most brilliant career of all of you. And what does she do? Joins the Salvation Army; discharges her maid; lives on a pound a week; and walks in one evening with a professor of Greek whom she has picked up in the street, and who pretends to be a Salvationist, and actually plays the big drum for her in public because he has fallen head over ears in love with her. STEPHEN. I was certainly rather taken aback when I heard they were engaged. Cusins is a very nice fellow, certainly: nobody would ever guess that he was born in Australia; but-- LADY BRITOMART. Oh, Adolphus Cusins will make a very good husband. After all, nobody can say a word against Greek: it stamps a man at once as an educated gentleman. And my family, thank Heaven, is not a pig-headed Tory one. We are Whigs, and believe in liberty. Let snobbish people say what they please: Barbara shall marry, not the man they like, but the man I like. STEPHEN. Of course I was thinking only of his income. However, he is not likely to be extravagant. LADY BRITOMART. Don't be too sure of that, Stephen. I know your quiet, simple, refined, poetic people like Adolphus--quite content with the best of everything! They cost more than your extravagant people, who are always as mean as they are second rate. No: Barbara will need at least 2000 pounds a year. You see it means two additional households. Besides, my dear, you must marry soon. I don't approve of the present fashion of philandering bachelors and late marriages; and I am trying to arrange something for you. STEPHEN. It's very good of you, mother; but perhaps I had better arrange that for myself. LADY BRITOMART. Nonsense! you are much too young to begin matchmaking: you would be taken in by some pretty little nobody. Of course I don't mean that you are not to be consulted: you know that as well as I do. [Stephen closes his lips and is silent]. Now don't sulk, Stephen. STEPHEN. I am not sulking, mother. What has all this got to do with--with--with my father? LADY BRITOMART. My dear Stephen: where is the money to come from? It is easy enough for you and the other children to live on my income as long as we are in the same house; but I can't keep four families in four separate houses. You know how poor my father is: he has barely seven thousand a year now; and really, if he were not the Earl of Stevenage, he would have to give up society. He can do nothing for us: he says, naturally enough, that it is absurd that he should be asked to provide for the children of a man who is rolling in money. You see, Stephen, your father must be fabulously wealthy, because there is always a war going on somewhere. STEPHEN. You need not remind me of that, mother. I have hardly ever opened a newspaper in my life without seeing our name in it. The Undershaft torpedo! The Undershaft quick firers! The Undershaft ten inch! the Undershaft disappearing rampart gun! the Undershaft submarine! and now the Undershaft aerial battleship! At Harrow they called me the Woolwich Infant. At Cambridge it was the same. A little brute at King's who was always trying to get up revivals, spoilt my Bible--your first birthday present to me--by writing under my name, "Son and heir to Undershaft and Lazarus, Death and Destruction Dealers: address, Christendom and Judea." But that was not so bad as the way I was kowtowed to everywhere because my father was making millions by selling cannons. LADY BRITOMART. It is not only the cannons, but the war loans that Lazarus arranges under cover of giving credit for the cannons. You know, Stephen, it's perfectly scandalous. Those two men, Andrew Undershaft and Lazarus, positively have Europe under their thumbs. That is why your father is able to behave as he does. He is above the law. Do you think Bismarck or Gladstone or Disraeli could have openly defied every social and moral obligation all their lives as your father has? They simply wouldn't have dared. I asked Gladstone to take it up. I asked The Times to take it up. I asked the Lord Chamberlain to take it up. But it was just like asking them to declare war on the Sultan. They WOULDN'T. They said they couldn't touch him. I believe they were afraid. STEPHEN. What could they do? He does not actually break the law. LADY BRITOMART. Not break the law! He is always breaking the law. He broke the law when he was born: his parents were not married. STEPHEN. Mother! Is that true? LADY BRITOMART. Of course it's true: that was why we separated. STEPHEN. He married without letting you know this! LADY BRITOMART [rather taken aback by this inference] Oh no. To do Andrew justice, that was not the sort of thing he did. Besides, you know the Undershaft motto: Unashamed. Everybody knew. STEPHEN. But you said that was why you separated. LADY BRITOMART. Yes, because he was not content with being a foundling himself: he wanted to disinherit you for another foundling. That was what I couldn't stand. STEPHEN [ashamed] Do you mean for--for--for-- LADY BRITOMART. Don't stammer, Stephen. Speak distinctly. STEPHEN. But this is so frightful to me, mother. To have to speak to you about such things! LADY BRITOMART. It's not pleasant for me, either, especially if you are still so childish that you must make it worse by a display of embarrassment. It is only in the middle classes, Stephen, that people get into a state of dumb helpless horror when they find that there are wicked people in the world. In our class, we have to decide what is to be done with wicked people; and nothing should disturb our self possession. Now ask your question properly. STEPHEN. Mother: you have no consideration for me. For Heaven's sake either treat me as a child, as you always do, and tell me nothing at all; or tell me everything and let me take it as best I can. LADY BRITOMART. Treat you as a child! What do you mean? It is most unkind and ungrateful of you to say such a thing. You know I have never treated any of you as children. I have always made you my companions and friends, and allowed you perfect freedom to do and say whatever you liked, so long as you liked what I could approve of. STEPHEN [desperately] I daresay we have been the very imperfect children of a very perfect mother; but I do beg you to let me alone for once, and tell me about this horrible business of my father wanting to set me aside for another son. LADY BRITOMART [amazed] Another son! I never said anything of the kind. I never dreamt of such a thing. This is what comes of interrupting me. STEPHEN. But you said-- LADY BRITOMART [cutting him short] Now be a good boy, Stephen, and listen to me patiently. The Undershafts are descended from a foundling in the parish of St. Andrew Undershaft in the city. That was long ago, in the reign of James the First. Well, this foundling was adopted by an armorer and gun-maker. In the course of time the foundling succeeded to the business; and from some notion of gratitude, or some vow or something, he adopted another foundling, and left the business to him. And that foundling did the same. Ever since that, the cannon business has always been left to an adopted foundling named Andrew Undershaft. STEPHEN. But did they never marry? Were there no legitimate sons? LADY BRITOMART. Oh yes: they married just as your father did; and they were rich enough to buy land for their own children and leave them well provided for. But they always adopted and trained some foundling to succeed them in the business; and of course they always quarrelled with their wives furiously over it. Your father was adopted in that way; and he pretends to consider himself bound to keep up the tradition and adopt somebody to leave the business to. Of course I was not going to stand that. There may have been some reason for it when the Undershafts could only marry women in their own class, whose sons were not fit to govern great estates. But there could be no excuse for passing over my son. STEPHEN [dubiously] I am afraid I should make a poor hand of managing a cannon foundry. LADY BRITOMART. Nonsense! you could easily get a manager and pay him a salary. STEPHEN. My father evidently had no great opinion of my capacity. LADY BRITOMART. Stuff, child! you were only a baby: it had nothing to do with your capacity. Andrew did it on principle, just as he did every perverse and wicked thing on principle. When my father remonstrated, Andrew actually told him to his face that history tells us of only two successful institutions: one the Undershaft firm, and the other the Roman Empire under the Antonines. That was because the Antonine emperors all adopted their successors. Such rubbish! The Stevenages are as good as the Antonines, I hope; and you are a Stevenage. But that was Andrew all over. There you have the man! Always clever and unanswerable when he was defending nonsense and wickedness: always awkward and sullen when he had to behave sensibly and decently! STEPHEN. Then it was on my account that your home life was broken up, mother. I am sorry. LADY BRITOMART. Well, dear, there were other differences. I really cannot bear an immoral man. I am not a Pharisee, I hope; and I should not have minded his merely doing wrong things: we are none of us perfect. But your father didn't exactly do wrong things: he said them and thought them: that was what was so dreadful. He really had a sort of religion of wrongness just as one doesn't mind men practising immorality so long as they own that they are in the wrong by preaching morality; so I couldn't forgive Andrew for preaching immorality while he practised morality. You would all have grown up without principles, without any knowledge of right and wrong, if he had been in the house. You know, my dear, your father was a very attractive man in some ways. Children did not dislike him; and he took advantage of it to put the wickedest ideas into their heads, and make them quite unmanageable. I did not dislike him myself: very far from it; but nothing can bridge over moral disagreement. STEPHEN. All this simply bewilders me, mother. People may differ about matters of opinion, or even about religion; but how can they differ about right and wrong? Right is right; and wrong is wrong; and if a man cannot distinguish them properly, he is either a fool or a rascal: that's all. LADY BRITOMART [touched] That's my own boy [she pats his cheek]! Your father never could answer that: he used to laugh and get out of it under cover of some affectionate nonsense. And now that you understand the situation, what do you advise me to do? STEPHEN. Well, what can you do? LADY BRITOMART. I must get the money somehow. STEPHEN. We cannot take money from him. I had rather go and live in some cheap place like Bedford Square or even Hampstead than take a farthing of his money. LADY BRITOMART. But after all, Stephen, our present income comes from Andrew. STEPHEN [shocked] I never knew that. LADY BRITOMART. Well, you surely didn't suppose your grandfather had anything to give me. The Stevenages could not do everything for you. We gave you social position. Andrew had to contribute something. He had a very good bargain, I think. STEPHEN [bitterly] We are utterly dependent on him and his cannons, then! LADY BRITOMART. Certainly not: the money is settled. But he provided it. So you see it is not a question of taking money from him or not: it is simply a question of how much. I don't want any more for myself. STEPHEN. Nor do I. LADY BRITOMART. But Sarah does; and Barbara does. That is, Charles Lomax and Adolphus Cusins will cost them more. So I must put my pride in my pocket and ask for it, I suppose. That is your advice, Stephen, is it not? STEPHEN. No. LADY BRITOMART [sharply] Stephen! STEPHEN. Of course if you are determined-- LADY BRITOMART. I am not determined: I ask your advice; and I am waiting for it. I will not have all the responsibility thrown on my shoulders. STEPHEN [obstinately] I would die sooner than ask him for another penny. LADY BRITOMART [resignedly] You mean that I must ask him. Very well, Stephen: It shall be as you wish. You will be glad to know that your grandfather concurs. But he thinks I ought to ask Andrew to come here and see the girls. After all, he must have some natural affection for them. STEPHEN. Ask him here!!! LADY BRITOMART. Do not repeat my words, Stephen. Where else can I ask him? STEPHEN. I never expected you to ask him at all. LADY BRITOMART. Now don't tease, Stephen. Come! you see that it is necessary that he should pay us a visit, don't you? STEPHEN [reluctantly] I suppose so, if the girls cannot do without his money. LADY BRITOMART. Thank you, Stephen: I knew you would give me the right advice when it was properly explained to you. I have asked your father to come this evening. [Stephen bounds from his seat] Don't jump, Stephen: it fidgets me. STEPHEN [in utter consternation] Do you mean to say that my father is coming here to-night--that he may be here at any moment? LADY BRITOMART [looking at her watch] I said nine. [He gasps. She rises]. Ring the bell, please. [Stephen goes to the smaller writing table; presses a button on it; and sits at it with his elbows on the table and his head in his hands, outwitted and overwhelmed]. It is ten minutes to nine yet; and I have to prepare the girls. I asked Charles Lomax and Adolphus to dinner on purpose that they might be here. Andrew had better see them in case he should cherish any delusions as to their being capable of supporting their wives. [The butler enters: Lady Britomart goes behind the settee to speak to him]. Morrison: go up to the drawingroom and tell everybody to come down here at once. [Morrison withdraws. Lady Britomart turns to Stephen]. Now remember, Stephen, I shall need all your countenance and authority. [He rises and tries to recover some vestige of these attributes]. Give me a chair, dear. [He pushes a chair forward from the wall to where she stands, near the smaller writing table. She sits down; and he goes to the armchair, into which he throws himself]. I don't know how Barbara will take it. Ever since they made her a major in the Salvation Army she has developed a propensity to have her own way and order people about which quite cows me sometimes. It's not ladylike: I'm sure I don't know where she picked it up. Anyhow, Barbara shan't bully me; but still it's just as well that your father should be here before she has time to refuse to meet him or make a fuss. Don't look nervous, Stephen, it will only encourage Barbara to make difficulties. I am nervous enough, goodness knows; but I don't show it. Sarah and Barbara come in with their respective young men, Charles Lomax and Adolphus Cusins. Sarah is slender, bored, and mundane. Barbara is robuster, jollier, much more energetic. Sarah is fashionably dressed: Barbara is in Salvation Army uniform. Lomax, a young man about town, is like many other young men about town. He is affected with a frivolous sense of humor which plunges him at the most inopportune moments into paroxysms of imperfectly suppressed laughter. Cusins is a spectacled student, slight, thin haired, and sweet voiced, with a more complex form of Lomax's complaint. His sense of humor is intellectual and subtle, and is complicated by an appalling temper. The lifelong struggle of a benevolent temperament and a high conscience against impulses of inhuman ridicule and fierce impatience has set up a chronic strain which has visibly wrecked his constitution. He is a most implacable, determined, tenacious, intolerant person who by mere force of character presents himself as--and indeed actually is--considerate, gentle, explanatory, even mild and apologetic, capable possibly of murder, but not of cruelty or coarseness. By the operation of some instinct which is not merciful enough to blind him with the illusions of love, he is obstinately bent on marrying Barbara. Lomax likes Sarah and thinks it will be rather a lark to marry her. Consequently he has not attempted to resist Lady Britomart's arrangements to that end. All four look as if they had been having a good deal of fun in the drawingroom. The girls enter first, leaving the swains outside. Sarah comes to the settee. Barbara comes in after her and stops at the door. BARBARA. Are Cholly and Dolly to come in? LADY BRITOMART [forcibly] Barbara: I will not have Charles called Cholly: the vulgarity of it positively makes me ill. BARBARA. It's all right, mother. Cholly is quite correct nowadays. Are they to come in? LADY BRITOMART. Yes, if they will behave themselves. BARBARA [through the door] Come in, Dolly, and behave yourself. Barbara comes to her mother's writing table. Cusins enters smiling, and wanders towards Lady Britomart. SARAH [calling] Come in, Cholly. [Lomax enters, controlling his features very imperfectly, and places himself vaguely between Sarah and Barbara]. LADY BRITOMART [peremptorily] Sit down, all of you. [They sit. Cusins crosses to the window and seats himself there. Lomax takes a chair. Barbara sits at the writing table and Sarah on the settee]. I don't in the least know what you are laughing at, Adolphus. I am surprised at you, though I expected nothing better from Charles Lomax. CUSINS [in a remarkably gentle voice] Barbara has been trying to teach me the West Ham Salvation March. LADY BRITOMART. I see nothing to laugh at in that; nor should you if you are really converted. CUSINS [sweetly] You were not present. It was really funny, I believe. LOMAX. Ripping. LADY BRITOMART. Be quiet, Charles. Now listen to me, children. Your father is coming here this evening. [General stupefaction]. LOMAX [remonstrating] Oh I say! LADY BRITOMART. You are not called on to say anything, Charles. SARAH. Are you serious, mother? LADY BRITOMART. Of course I am serious. It is on your account, Sarah, and also on Charles's. [Silence. Charles looks painfully unworthy]. I hope you are not going to object, Barbara. BARBARA. I! why should I? My father has a soul to be saved like anybody else. He's quite welcome as far as I am concerned. LOMAX [still remonstrant] But really, don't you know! Oh I say! LADY BRITOMART [frigidly] What do you wish to convey, Charles? LOMAX. Well, you must admit that this is a bit thick. LADY BRITOMART [turning with ominous suavity to Cusins] Adolphus: you are a professor of Greek. Can you translate Charles Lomax's remarks into reputable English for us? CUSINS [cautiously] If I may say so, Lady Brit, I think Charles has rather happily expressed what we all feel. Homer, speaking of Autolycus, uses the same phrase. LOMAX [handsomely] Not that I mind, you know, if Sarah don't. LADY BRITOMART [crushingly] Thank you. Have I your permission, Adolphus, to invite my own husband to my own house? CUSINS [gallantly] You have my unhesitating support in everything you do. LADY BRITOMART. Sarah: have you nothing to say? SARAH. Do you mean that he is coming regularly to live here? LADY BRITOMART. Certainly not. The spare room is ready for him if he likes to stay for a day or two and see a little more of you; but there are limits. SARAH. Well, he can't eat us, I suppose. I don't mind. LOMAX [chuckling] I wonder how the old man will take it. LADY BRITOMART. Much as the old woman will, no doubt, Charles. LOMAX [abashed] I didn't mean--at least-- LADY BRITOMART. You didn't think, Charles. You never do; and the result is, you never mean anything. And now please attend to me, children. Your father will be quite a stranger to us. LOMAX. I suppose he hasn't seen Sarah since she was a little kid. LADY BRITOMART. Not since she was a little kid, Charles, as you express it with that elegance of diction and refinement of thought that seem never to desert you. Accordingly--er-- [impatiently] Now I have forgotten what I was going to say. That comes of your provoking me to be sarcastic, Charles. Adolphus: will you kindly tell me where I was. CUSINS [sweetly] You were saying that as Mr Undershaft has not seen his children since they were babies, he will form his opinion of the way you have brought them up from their behavior to-night, and that therefore you wish us all to be particularly careful to conduct ourselves well, especially Charles. LOMAX. Look here: Lady Brit didn't say that. LADY BRITOMART [vehemently] I did, Charles. Adolphus's recollection is perfectly correct. It is most important that you should be good; and I do beg you for once not to pair off into opposite corners and giggle and whisper while I am speaking to your father. BARBARA. All right, mother. We'll do you credit. LADY BRITOMART. Remember, Charles, that Sarah will want to feel proud of you instead of ashamed of you. LOMAX. Oh I say! There's nothing to be exactly proud of, don't you know. LADY BRITOMART. Well, try and look as if there was. Morrison, pale and dismayed, breaks into the room in unconcealed disorder. MORRISON. Might I speak a word to you, my lady? LADY BRITOMART. Nonsense! Show him up. MORRISON. Yes, my lady. [He goes]. LOMAX. Does Morrison know who he is? LADY BRITOMART. Of course. Morrison has always been with us. LOMAX. It must be a regular corker for him, don't you know. LADY BRITOMART. Is this a moment to get on my nerves, Charles, with your outrageous expressions? LOMAX. But this is something out of the ordinary, really-- MORRISON [at the door] The--er--Mr Undershaft. [He retreats in confusion]. Andrew Undershaft comes in. All rise. Lady Britomart meets him in the middle of the room behind the settee. Andrew is, on the surface, a stoutish, easygoing elderly man, with kindly patient manners, and an engaging simplicity of character. But he has a watchful, deliberate, waiting, listening face, and formidable reserves of power, both bodily and mental, in his capacious chest and long head. His gentleness is partly that of a strong man who has learnt by experience that his natural grip hurts ordinary people unless he handles them very carefully, and partly the mellowness of age and success. He is also a little shy in his present very delicate situation. LADY BRITOMART. Good evening, Andrew. UNDERSHAFT. How d'ye do, my dear. LADY BRITOMART. You look a good deal older. UNDERSHAFT [apologetically] I AM somewhat older. [With a touch of courtship] Time has stood still with you. LADY BRITOMART [promptly] Rubbish! This is your family. UNDERSHAFT [surprised] Is it so large? I am sorry to say my memory is failing very badly in some things. [He offers his hand with paternal kindness to Lomax]. LOMAX [jerkily shaking his hand] Ahdedoo. UNDERSHAFT. I can see you are my eldest. I am very glad to meet you again, my boy. LOMAX [remonstrating] No but look here don't you know--[Overcome] Oh I say! LADY BRITOMART [recovering from momentary speechlessness] Andrew: do you mean to say that you don't remember how many children you have? UNDERSHAFT. Well, I am afraid I--. They have grown so much--er. Am I making any ridiculous mistake? I may as well confess
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Produced by ellinora and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s Note Obvious spelling and punctuation errors have been corrected. Spelling variations have been kept as in the original. Italic text is indicated by underscores surrounding the _italic text_. Small capitals in the original have been converted to ALL CAPS. ------------------------------------------------------------------------ THE GREAT TAXICAB ROBBERY ------------------------------------------------------------------------ [Illustration: RHINELANDER WALDO Commissioner of Police, New York City ] ------------------------------------------------------------------------ THE GREAT TAXICAB ROBBERY _A True Detective Story_ BY JAMES H. COLLINS WRITTEN FROM RECORDS AND PERSONAL ACCOUNTS OF THE CASE FURNISHED BY THE NEW YORK POLICE DEPARTMENT NEW YORK JOHN LANE COMPANY MCMXII ------------------------------------------------------------------------ COPYRIGHT, 1912, BY JOHN LANE COMPANY ------------------------------------------------------------------------ This book has something to say about practical results of wiser police administration in New York. It is respectfully dedicated to HON. WILLIAM J. GAYNOR MAYOR OF NEW YORK CITY the official who took the initiative in improving conditions ------------------------------------------------------------------------ PREFACE There are several reasons for this little book, but the best of all is the main reason—that it is a cracking good story, and right out of life. The characters will be found interesting, and they are real people, every one of them. The incidents are full of action and color. The plot has mystery, surprise, interplay of mind and motive—had a novelist invented it, the reader might declare it improbable. This is the kind of story that is fundamental—the kind Mr. Chesterton says is so necessary to plain people that, when writers do not happen to write it, plain people invent it for themselves in the form of folk-lore. But apart from the story interest there are other reasons. When the New York police department had run down all the threads of the plot, and accounted for most of the characters by locking them up, they had become so absorbed in the story themselves, as a story, that they thought the public would enjoy following it from the inside. While the crime was being dealt with, the police were subjected to pretty severe criticism. They felt that the facts would make it clear that they knew their trade and had been working at it diligently. The story gives an insight into real police methods. These are very different from the methods of the fiction detective, and also from the average citizen’s idea of police work. They ought to be better known. When the public understands that there is nothing secret, tyrannical or dangerous in good police practice, and that our laws safeguard even the guilty against abuses, there will be helpful public opinion behind officers of the law, and we shall have a higher degree of order and security. The directing mind in this case was that of Commissioner George Dougherty, executive head of the detectives of the New York Police Department. Thousands of clean, ambitious young fellows are constantly putting on the policeman’s uniform all over the country, and rising to places as detectives and officials. The manufacturer or merchant may find himself in the police commissioner’s chair. Even the suburbanite, with his bundles, may be, out at Lonesomehurst, a member of the village council, and thus responsible for the supervision of a police force that, though it be only two patrolmen and a chief, is important in its place. So in writing the story there has been an effort to show how a first-rate man like Commissioner Dougherty works. His methods are plain business methods. Most of his life he has earned his living following the policeman’s trade as a commercial business. What he did in a case of this kind, and how, and why, are matters of general interest and importance. Finally, the story throws some useful light on criminals. It shows the cunning of the underworld, and also its limitations. To free the law-abiding mind of romantic notions about the criminal, and show him as he is, is highly important in the prevention of crime. ------------------------------------------------------------------------ LIST OF ILLUSTRATIONS FACING PAGE Rhinelander Waldo, Commissioner of Police, New York City _Frontispiece_ George S. Dougherty, Second Deputy 20 Police Commissioner Edward P. Hughes, Inspector in Command 40 of Detective Bureau, and Dominick G. Riley, Lieutenant and Aide to Commissioner Dougherty Geno Montani, Eddie Kinsman, Gene 60 Splaine, “Scotty the Lamb” and John Molloy James Pasquale, Bob Delio, Jess 80 Albrazzo, and Matteo Arbrano “Scotty” Receives Final Instructions 110 “The Brigands” “Stick-up” the Hold-up 126 Men for Theirs ------------------------------------------------------------------------ THE CAST GENO MONTANI, a taxicab proprietor. WILBUR SMITH, an elderly bank teller. FRANK WARDLE, a seventeen-year-old bank office boy. EDDIE KINSMAN, alias “Collins,” alias “Eddie the Boob,” a hold-up man. BILLY KELLER, alias “Dutch,” a hold-up man. GENE SPLAINE, a hold-up man. “SCOTTY THE LAMB,” a thieves’ helper, or “stall.” JOE PHILADELPHIA, alias “The Kid,” a runner for thieves, or “lobbygow.” JAMES PASQUALE, alias “Jimmy the Push,” keeper of shady resorts known as “208” and “233.” BOB DEILIO, partner of “Jimmy the Push.” JESS ALBRAZZO, a middleman, formerly keeper of the Arch Café, pal of Montani, “Jimmy the Push
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Produced by Sean Pobuda THE BOY ALLIES WITH HAIG IN FLANDERS Or The Fighting Canadians of Vimy Ridge By Clair W. Hayes CHAPTER I A NEW USE FOR A DICTAPHONE The rain fell in torrents over the great battlefield, as Hal Paine and Chester Crawford, taking advantage of the inky blackness of the night, crept from the shelter of the American trenches that faced the enemy across "No Man's Land." In the trenches themselves all was silence. To a spectator it would have seemed that the occupants were, either dead or asleep; yet such was not the case. It is true that most of the men had "turned in" for the night, sleeping on their arms, for there was no means of telling at what moment the enemy might issue from his trenches in another of the night raids that had marked this particular sector for the last few weeks; but the ever vigilant sentinels stood watch over the sleeping men. They would sound an alarm, should occasion demand, in ample time to arouse the sleepers if an enemy's head appeared in the darkness. Hal and Chester, of course, left the American trenches with full knowledge of these sentinels; otherwise they might have been shot. Once beyond the protecting walls of earth, they moved swiftly and silently toward the German trenches less than a hundred feet away--just the distance from the home plate to first base on a baseball diamond, as Hal put it--ninety feet. These two lads, who now advanced directly toward the foe, were lieutenants in the first American expeditionary force to reach France to lend a hand in driving back the legions of the German Emperor, who still clung tenaciously to territory he had conquered in the early stages of the great war. These boys had, at one time, been captains in the British army, and had had three years of strenuous times and exciting adventures in the greatest of all wars. Their captaincies they'd won through gallant action upon the field of battle. American lads, they had been left in Berlin at the outbreak of hostilities, when they were separated from Hal's mother. They made their way to Belgium, where, for a time, they saw service, with King Albert's troops. Later they fought under the tricolor, with the Russians and the British and Canadians. When the United 'States declared war on Germany, Hal and Chester, with others, were sent to America, where they were of great assistance in training men Uncle Sam had selected to officer his troops. They had relinquished their rank in the British army to be able to do this. Now they found themselves again on French soil, but fighting under the Stars and Stripes. On this particular night they advanced toward tile German lines soon after an audience with General John J. Pershing, commander-in-chief of the American expeditionary forces. In one hand Chester carried a little hardwood box, to which were attached coils of wire. In the other hand the lad held a revolver. Hal, likewise, carried his automatic in his hand. Each was determined to give a good account of himself should his presence be discovered. It was unusually quiet along the front this night. It was too dark for opposing "snipers"--sharpshooters--to get in their work, and the voices of the big guns, which, almost incessantly for the last few weeks, had hurled shells across the intervening distance between the two lines of trenches, were stilled. Hal pressed close to Chester. "Rather creepy out here," he said. "Right," returned Chester in a whisper. "I've the same feeling myself. It forebodes, trouble, this silence, to my way of thinking. The Huns are probably hatching up some devilment." "Well, we may be able to get the drift of it, with that thing you have under your arm," was the other's reply. "Sh-h!" was Chester's reply, and he added: "We're getting pretty close." They continued their way without further words. Hal, slightly in advance, suddenly uttered a stifled exclamation. Instantly Chester touched his arm. "What's the matter?" he asked in a whisper. "Matter is," Hal whispered back, "that we have come to a barbed-wire entanglement. I had forgotten about those things." "Well, that's why you brought your 'nippers' along," said Chester. "Cut the wire." Hal produced his "nippers." It was but the work of a moment to nip the wires, and again the lads advanced cautiously. A moment later there loomed up before them the German trenches. Hal stood back a few feet while Chester advanced and placed the little hardwood box upon the top of the trench, and scraped over it several handfuls of earth. The lad now took the coil of wire in his hand, and stepped down and back. The lads retraced their steps toward their own lines, Chester the while unrolling the coil of wire. The return was made without incident. Before their own trenches the boys were challenged by a sentinel. "Halt!" came the command. "Who goes there?" "Friends," returned Hal. The sentinel recognized the lad's voice. "Advance," he said with a breath of relief. A moment later the boys were safe back among their own men. "If the Germans had been as watchful as our own sentries, we would have had more trouble," said Hal. "Oh, I don't know," was Chester's reply. "I saw a German sentinel, but he didn't see me in the darkness." "It was his business to see, however," declared Hal. "Well, that's true. But now let's listen and seen if we can overhear anything of importance." Chester clapped the little receiver to his ear. Hal became silent. Ten minutes later Chester removed the receiver from his ear. "Nothing doing," he said. "I can hear some of the men talking, but they are evidently playing cards." "Let me listen a while," said Hal. Chester passed the receiver to his chum, and the latter listened intently. For some moments he heard nothing save the jabbering jargon of German troopers apparently interested in a card game. He was about to take the receiver from his ear, however, when another voice caught his attention He held up a hand, which told Chester that something of importance was going on. "All right, general," said a voice in the German trenches, which was carried plainly to Hal's ear by the Dictaphone. "Stay!" came another voice. "You will also order Colonel Blucher to open with all his guns at the moment that General Schmidt's men advance to the attack." "At midnight, sir," was the reply. "That is all." The voices became silent. Quickly Hal reported to Chester what he had overheard. "It's up to us to arouse Captain O'Neill," said Chester. He hurried off. Hal glanced at his watch. It was 10 o'clock. "Two hours," the lad muttered. "Well, I guess we'll be ready for them." A few moments later Captain O'Neill appeared. He was in command of the Americans in the first line trenches. These troops were in their present positions for "seasoning" purposes. They had been the first to be given this post of honor. They had held it for several days, and then had been relieved only to be returned to the front within ten days. At command from Captain O'Neill, Hal made his way to the south along the line of trenches, and approached the quarters of General Dupres. To an orderly he announced that he bore a communication from Captain O'Neill. "Mon Dieu!" exclaimed the French commander, when Hal had delivered his message. "So they will attack us in the night, eh? Well, we shall receive them right warmly." He thought a moment. Then he said: "You will tell Captain O'Neill to move from the trenches with his entire strength. He will advance ten yards and then move one hundred yards north. You may tell him that I will post a force of equal strength to the south. He will not fire until my French troops open on the enemy." Hal returned and reported to Captain O'Neill. It was plain that the American officer didn't understand the situation fully. However, he
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Produced by Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) A LITTLE BOOK OF CHRISTMAS [Illustration: "What are you doing?" he asked, drawing near. FRONTISPIECE. _See page_ 69.] A LITTLE BOOK OF CHRISTMAS BY JOHN KENDRICK BANGS WITH ILLUSTRATIONS BY ARTHUR E. BECHER BOSTON LITTLE, BROWN, AND COMPANY 1912 _Copyright, 1912_, BY LITTLE, BROWN, AND COMPANY. _All rights reserved_ Published, September, 1912 THE COLONIAL PRESS C. H. SIMONDS & CO., BOSTON, U. S. A. CONTENTS PAGE THE CONVERSION OF HETHERINGTON 5 THE CHILD WHO HAD EVERYTHING BUT-- 47 SANTA CLAUS AND LITTLE BILLEE 87 THE HOUSE OF THE SEVEN SANTAS 129 LIST OF ILLUSTRATIONS "What are you doing?" he asked, drawing near _Frontispiece_ She stood with her eyes popping out of her head PAGE 39 He thought it very strange that Santa Claus' hand should be so red and cold and rough 91 One by one the prisoners of the night dropped in surreptitiously 155 A TOAST TO SANTA CLAUS Whene'er I find a man who don't Believe in Santa Claus, And spite of all remonstrance won't Yield up to logic's laws, And see in things that lie about The proof by no means dim, I straightway cut that fellow out, And don't believe in him. The good old Saint is everywhere Along life's busy way. We find him in the very air We breathe day after day-- Where courtesy and kindliness And love are joined together, To give to sorrow and distress A touch of sunny weather. We find him in the maiden's eyes Beneath the mistletoe, A-sparkling as the star-lit skies All golden in their glow. We find him in the pressure of The hand of sympathy, And where there's any thought of love He's mighty sure to be. So here's to good old Kindliheart! The best bet of them all, Who never fails to do his part In life's high festival; The worthy bearer of the crown With which we top the Saint. A bumper to his health, and down With them that say he ain't! THE CONVERSION OF HETHERINGTON I Hetherington wasn't half a bad sort of a fellow, but he had his peculiarities, most of which were the natural defects of a lack of imagination. He didn't believe in ghosts, or Santa Claus, or any of the thousands of other things that he hadn't seen with his own eyes, and as he walked home that rather chilly afternoon just before Christmas and found nearly every corner of the highway decorated with bogus Saints, wearing the shoddy regalia of Kris-Kringle, the sight made him a trifle irritable. He had had a fairly good luncheon that day, one indeed that ought to have mellowed his disposition materially, but which somehow or other had not so resulted. In fact, Hetherington was in a state of raspy petulance that boded ill for his digestion, and when he had reached the corner of Forty-second Street and Fifth Avenue, the constant iteration and reiteration of these shivering figures of the god of the Yule had got on his nerves to such an extent as to make him aggressively quarrelsome. He had controlled the asperities of his soul tolerably well on the way uptown, but the remark of a small child on the highway, made to a hurrying mother, as they passed a stalwart-looking replica of the idol of his Christmas dreams, banging away on a tambourine to attract attention to the iron pot before him, placed there to catch the pennies of the charitably inclined wayfarer--"Oh, mar, there's Sandy Claus now!"--was too much for him. "Tush! Nonsense!" ejaculated Hetherington, glowering at the shivering figure in the turkey-red robe. "The idea of filling children's minds up with such balderdash! Santa Claus, indeed! There isn't a genuine Santa Claus in the whole bogus bunch." The Saint on the corner banged his tambourine just under Hetherington's ear with just enough force to jar loose the accumulated irascibility of the well-fed gentleman. "This is a fine job for an able-bodied man like you!" said Hetherington with a sneer. "Why don't you go to work instead of helping to perpetuate this annual fake?" The Saint looked at him for a moment before replying. "Speakin' to me?" he said. "Yes. I'm speaking to you," said Hetherington. "Here's the whole country perishing for the lack of labor, and in spite of that fact this town has broken out into a veritable rash of fake Santa Clauses--" "That'll do for you!" retorted Santa Claus. "It's easy enough for a feller with a stomach full o' victuals and plenty of warm clothes on his back to jump on a hard-workin' feller like me--" "Hard-working?" echoed Hetherington. "I like that! You don't call loafing on a street corner this way all day long hard work, do you?" He rather liked the man's spirit, despite his objection to his occupation. "Suppose you try it once and find out," retorted Santa Claus, blowing on his bluish fingers in an effort to restore their clogged-up circulation. "I guess if you tried a job like this just once, standin' out in the cold from eight in the mornin' to ten at night, with nothin' but a cup o' coffee and a ham-sandwich inside o' you--" "What's that?" cried Hetherington, aghast. "Is that all you've had to eat to-day?" "That's all," said the Saint, as he turned to his work with the tambourine. "Try it once, mister, and maybe you won't feel so cock-sure about its not bein' work. If you're half the sport you think you are just take my place for a couple of hours." An appeal to his sporting instinct was never lost on Hetherington. "By George!" he cried. "I'll go you. I'll swap coats with you, and while you're filling your stomach up I'll take your place, all right." "What'll I fill me stomach up with?" demanded the man. "I don't look like a feller with a meal-ticket in his pocket, do I?" "I'll take care of that," said Hetherington, taking out a roll of bills and peeling off a two-dollar note from the outside. "There--you take that and blow yourself, and I'll take care of the kitty here till you come back." The exchange of externals was not long in accomplishment. The gathering of the shadows of night made it a comparatively easy matter to arrange behind a conveniently stalled and heavily laden express wagon hard by, and in a few moments the irascible but still "sporty" Hetherington, who from childhood up to the present had never been able to take a dare, found himself banging away on a tambourine and incidentally shivering in the poor red habiliments of a fraudulent Saint. For a half-hour the novelty of his position gave him a certain thrill, and no Santa Claus in town that night fulfilled his duties more vociferously than did Hetherington; but as time passed on, and the chill of a windy corner began to penetrate his bones, to say nothing of the frosty condition of his ears, which his false cotton whiskers but indifferently protected, he began to tire of his bargain. "Gosh!" he muttered to himself, as it began to snow, and certain passing truckmen hurled the same kind of guying comments at him as had been more or less in his mind whenever he had passed a fellow-Santa-Claus on his way up-town, "if General Sherman were here he'd find a twin-brother to War! I wish that cuss would come back." He gazed eagerly up and down the street in the hope that the departed original would heave in sight, but in vain. A two-dollar meal evidently possessed attractions that he wished to linger over. "Can't stand this much longer!" he muttered to himself, and then his eye caught sight of a group that filled his soul with dismay: two policemen and the struggling figure of one who appeared to have looked not wisely but too well upon the cup that cheers, the latter wearing Hetherington's overcoat and Hetherington's hat, but whose knees worked upon hinges of their own, double-back-action hinges that made his legs of no use whatsoever, either to himself or to anybody else. "Hi there!" Hetherington cried out, as the group passed up the street on the way to the station-house. "That fellow's got my overcoat--" But the only reply Hetherington got was a sturdy poke in the ribs from the night-stick of the passing officer. "Well, I'll be jiggered!" growled Hetherington. II Ten minutes later a passing taxi was hailed by a shivering gentleman carrying an iron pot full of pennies and nickels and an occasional quarter in one hand, and a turkey-red coat, trimmed with white cotton cloth, thrown over his arm. Strange to say, considering the inclemency of the night, he wore neither a hat nor an overcoat. "Where to, sir?" queried the chauffeur. "The police-station," said Hetherington. "I don't know where it is, but the one in this precinct is the one I want." "Ye'll have to pay by the hour to-night, sir," said the chauffeur. "The station ain't a half-mile away, sir, but Heaven knows how long it'll take us to get there." "Charge what you please," retorted Hetherington. "I'll buy your darned old machine if it's necessary, only get a move on." The chauffeur, with some misgivings as to the mental integrity of his fare, started on their perilous journey, and three-quarters of an hour later drew up in front of the police-station, where Hetherington, having been compelled in self-defense to resume the habiliments of Santa Claus under penalty of freezing, alighted. "Just wait, will you?" he said, as he alighted from the cab. "I'll go in with you," said the chauffeur, acting with due caution. He had begun to fear that there was a fair chance of his having trouble getting his fare out of a very evident lunatic. Utterly forgetful of his appearance in his festal array, Hetherington bustled into the station, and shortly found himself standing before the sergeant behind the desk. "Well, Santa Claus," said the official, with an amused glance at the intruder, "what can I do for you to-night? There ain't many rooms with a bath left." Hetherington flushed. He had intended to greet the sergeant with his most imposing manner, but this turkey-red abomination on his back had thrust dignity out in the cold. "I have come, officer," he said, as impressively as he could under the circumstances, "to make some inquiries concerning a man who was brought here about an hour ago--I fear in a state of intoxication." "We have known such things to happen here, Santa," said the officer, suavely. "In fact, this blotter here seems to indicate that one George W. Hetherington, of 561 Fifth Avenue--" "Who?" roared Hetherington. "George W. Hetherington is the name on the blotter," said the sergeant; "entered first as a D. D., but on investigation found to be suffering from--" "But that's my name!" cried Hetherington. "You don't mean to tell me he claimed to be George W. Hetherington?" "No," said the sergeant. "The poor devil didn't make any claims for himself at all. We found that name on a card in his hat, and a letter addressed to the same name in his overcoat pocket. Puttin' the two together we thought it was a good enough identification." "Well, I'll have you to understand, sergeant--" bristled Hetherington, cockily. "None o' that, Santa Claus--none o' that!" growled the sergeant, leaning over the desk and eying him coldly. "I don't know what game you're up to, but just one more peep in that tone and there'll be two George W. Hetheringtons in the cooler this night." Hetherington almost tore the Santa Claus garb from his shoulders, and revealed himself as a personage of fine raiment underneath, whatever he might have appeared at a superficial glance. As he did so a crumpled piece of paper fell to the floor from the pocket of the turkey-red coat. "I don't mean to do anything but what is right, sergeant," he said, controlling his wrath, "but what I do want is to impress it upon your mind that _I_ am George W. Hetherington, and that having my name spread on the blotter of a police court isn't going to do me any good. I loaned that fellow my hat and coat to get a square meal, while I took his place--" The officer grinned broadly, but with no assurance in his smile that he believed. "Oh, you may not believe it," said Hetherington, "but it's true, and if this thing gets into the papers to-morrow morning--" "Say, Larry," said the sergeant, addressing an officer off duty, "did the reporters copy that letter we found in Hetherington's pocket?" "Reporters?" gasped Hetherington. "Good Lord, man--yuh-you don't mum-mean to say yuh-you let the reporters--" "No, chief," replied Larry. "They ain't been in yet--I t'ink ye shoved it inter yer desk." "So I did, so I did," grinned the sergeant. Here he opened the drawer in front of him and extracted a pretty little blue envelope which Hetherington immediately recognized as a particularly private and confidential communication from--well, somebody. This is not a _cherchez la femme_ story, so we will leave the lady's name out of it altogether. It must be noted, however, that a sight of that dainty missive in the great red fist of the sergeant gave Hetherington a heart action that fifty packages of cigarettes a day could hardly inflict upon a less healthy man. "That's the proof--" cried Hetherington, excitedly. "If that don't prove it's my overcoat nothing will." "Right you are, Santa Claus," said the sergeant, opening the envelope and taking out the delicately scented sheet of paper within. "I'll give you two guesses at the name signed to this, and if you get it right once I'll give you the coat, and Mr. Hetherington Number One in our evening's consignment of Hetheringtons gets re-christened." "'Anita'!" growled Hetherington. "You win!" said the sergeant, handing over the letter. Hetherington drew a long sigh of relief. "I guess this is worth cigars for the house, sergeant," he said. "I'll send 'em round to-morrow--meanwhile, how about--how about the other?" "He's gone to the hospital," said the sergeant, grimly. "The doctor says he wasn't drunk--just another case of freezing starvation
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