TIMESTAMP
stringlengths
27
27
ContextTokens
int64
3
7.44k
GeneratedTokens
int64
6
1.9k
text
stringlengths
9
41.5k
time_delta
float64
0
3.44k
2023-11-16 18:32:21.0255970
5,536
39
SPAIN AND ALGIERS *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) OUR ARTIST IN CUBA, PERU, SPAIN AND ALGIERS. LEAVES FROM _THE SKETCH-BOOK OF A TRAVELLER_. 1864-1868. BY GEORGE W. CARLETON. "Let observation, with expansive view, Survey mankind, from China to Peru." [Illustration] NEW YORK: Copyright, 1877, by _G. W. Carleton & Co., Publishers_. LONDON: S. LOW & CO. MDCCCLXXVII. OUR ARTIST, [Illustration: colophon] HIS MARK. CONTENTS. PAGE CUBA, 5 PERU, 57 SPAIN, 109 ALGIERS, 131 [Illustration] AN APOLOGY. The Author of these unpretending little wayside sketches offers them to the Public with the hesitating diffidence of an Amateur. The publication a few years ago, of a portion of the drawings was attended with so flattering a reception, that a new edition being called for, it is believed a few more Leaves from the same vagabond sketch-book may not be intrusive. The out-of-the-way sort of places in which the Author's steps have led him, must always present the most enticing subjects for a comic pencil; and although no attempt is here made to much more than hint at the oranges and volantes of Cuba, the earthquakes and buzzards of Peru, the donkeys and beggars of Spain, or the Arabs and dates of Algiers, yet sketches made upon the spot, with the crispy freshness of a first impression, cannot fail in suggesting at least a panoramic picture of such grotesque incidents as these strange Countries furnish. The drawings are merely the chance results of leisure moments; and Our Artist, in essaying to convey a ray of information through the glasses of humor, has simply multiplied with printers' ink his pocket-book of sketches, which, although caricatures, are exaggerations of actual events, jotted down on the impulse of the moment, for the same sort of idle pastime as may possibly lead the reader to linger along its ephemeral pages. NEW YORK, _Christmas_, 1877. PART I. CUBA. [Illustration: colophon] CUBAN SKETCHES. SICK TRANSIT. THE SPANISH TONGUE. TWO BOOBIES. AN UNWELCOME VISITOR. A HERCULES. AN AGREEABLE BATH. THE CUBAN JEHU. A CELESTIAL MAID. IGLESIA SAN FRANCISCO. A STATUE ON A BUST. A CUBAN MOTIVE. A TAIL UNFOLDED. AN INFLUENZA. MONEY IN THY PURSE. FLEE FOR SHELTER. SUGAR AND WATER. THE RIDE. GREEN FIELDS. A COCK-FIGHT. A SEGAR WELL-LIGHTED. RATHER COOL. SHALL REST BE FOUND. TAKE YOUR PICK. ALL ABOARD. A SPANISH RETREAT. THE MATANZAS CAVE. SPIDERS AND RATS. HARD ROAD TO TRAVEL. BELLIGERENTS. A SHADY RETREAT. MATERFAMILIAS. A SPANISH GROCER. CULINARY DEPARTMENT. HELP. A BUNDLE OF CLOTHES. VERY MOORISH. A BUTTON-SMASHER. CHACUN A SON GOUT. WHITE PANTALOONS. NATURE'S RESTORER. CARNIVAL ACQUAINTANCE. AGRICULTURAL. BEAUTY AT THE BALL. A COT IN THE VALLEY. A DISAPPOINTMENT. A BEAUTY. DOLCE FAR NIENTE. CORNER STONES. LOCOMOTION. A SUDDEN DEPARTURE. THE START.--THE STEAMSHIP COLUMBIA. AT SEA. [Illustration: First day out.--The wind freshens up a trifle as we get outside Sandy Hook; but our artist says he is'nt sea-sick, for he never felt better in his life.] IN THE GULF OF MEXICO. [Illustration: A "Booby"--as seen _from_ the ship's deck.] [Illustration: A "Booby"--as seen _on_ the ship's deck.] ARRIVAL AT HAVANA. [Illustration: A side elevation of the <DW52> gentleman who carried our luggage from the small boat to the Custom House.] STREETS OF HAVANA.--CALLE MERCADERES. [Illustration: The first volante driver that our artist saw in Havana.] VIEW FROM OUR WINDOW AT THE HOTEL ALMY. [Illustration: The old Convent and Bell Tower of the Church of San Francisco,--now used as a Custom House.] STREETS OF HAVANA.--CALLE TENIENTE RE. [Illustration: A Cuban Cart and its Motive Power.--Ye patient Donkey.] AT THE CAFE LOUVRE. [Illustration: Manners and Customs of a Cuban with a Cold in his Head.] THE [WICKED] FLEA OF HAVANA. [Illustration: PART I.--The beast in a torpid condition.] [Illustration: PART II.--When he "smells the blood of an Englishmun."] THE NATIONAL VEHICLE OF HAVANA. [Illustration: Manner and Custom of Harnessing ye Animiles to ye Cuban Volante.] A COCK-FIGHT IN CUBA. [Illustration: I.--Chanticleer as he goes in.] [Illustration: II.--Chanticleer considerably "played out."] STREETS OF HAVANA.--CALLE LAMPARILLA. [Illustration: The cool and airy style in which they dress the rising generation of Havana.] THE CUBAN TOOTH-PICK. [Illustration: Two ways of carrying it--behind the ear, and in the back-hair.] THE CAPTAIN GENERAL'S QUINTA. [Illustration: View of the Canal and Cocoa Tree; looking East from the Grotto.] THE DOMESTIC INSECTS OF HAVANA. [Illustration: Agitation of the Better-Half of Our Artist, upon entering her chamber and making their acquaintance.] A LITTLE EPISODE IN THE CALLE BARRATILLO. [Illustration: A slight difference arises between the housekeeper's cat and the butcher's dog, who has just come out in his summer costume.] STREETS OF HAVANA.--CALLE COMPOSTELLA. [Illustration: The Free <DW64>.--An every-day scene, when the weather is fine.] AN INTERIOR IN HAVANA. [Illustration: Kitchen, chief-cook and bottle-washer in the establishment of Mrs. Franke, out on the "Cerro."] HEADS OF THE PEOPLE. [Illustration: A portrait of the young lady, whose family (after considerable urging) consents to take in our washing.] PRIMITIVE HABITS OF THE NATIVES. [Illustration: Washing in Havana.--$4 00 a dozen in gold.] WASHING IN HAVANA. [Illustration: I.--My pantaloons as they went _in_. II.--My pantaloons as they came _out_.] CARNIVAL IN HAVANA. [Illustration: A Masquerade at the Tacon Theatre.--Types of Costume, with a glimpse of the "Cuban Dance" in the background.] A MASK BALL AT THE TACON. [Illustration: Our artist mixes in the giddy dance, and falls desperately in love with this sweet creature--but] LATER IN THE EVENING, [Illustration: When the "sweet creature" unmasks, our Artist suddenly recovers from his fit of admiration. Alas! beauty is but mask deep.] STREETS OF HAVANA--CALLE OBRAPIA. [Illustration: The Cuban Wheelbarrow--In Repose.] STREETS OF HAVANA--CALLE O'REILLY. [Illustration: The Cuban Wheelbarrow--In action.] FIRST HOUR! SECOND HOUR!! THIRD HOUR!!! [Illustration: Our Artist forms the praiseworthy determination of studying the Spanish language, and devotes three hours to the enterprise.] BED-ROOMS IN CUBA. [Illustration: The Scorpion of Havana,--encountered in his native jungle.] SEA-BATHS IN HAVANA. [Illustration: Our Artist having prepared himself for a jolly plunge, inadvertently observes an insect peculiar to the water, and rather thinks he won't go in just now.] HOTELS IN HAVANA. [Illustration: A cheerful Chinese Chambermaid (?) at the Fonda de Ingleterra, outside the walls.] HIGH ART IN HAVANA. [Illustration: A gay (but slightly mutilated) old plaster-of-Paris girl, that I found in one of the avenues of the Bishop's Garden, on the "Cerro."] LOCOMOTION IN THE COUNTRY. [Illustration: A Cuban Planter going into town with his plunder.] SHOPPING IN HAVANA. [Illustration: Our Artist just steps around the corner, to look at a "sweet thing in fans" that his wife has found.] [Illustration: RESULT!] THE NATIONAL BEVERAGE OF HAVANA. [Illustration: Our Artist indulges in a _panale frio_ (a sort of lime-ade), at the Cafe Dominica, and gets so "set up," that he vows he won't go home till morning.] THE LIZARDS OF CUBA. [Illustration: Our Artist, on an entomological expedition in the Bishop's Garden, is disagreeably surprised to find such sprightly specimens.] SMOKING IN HAVANA. [Illustration: An English acquaintance of Our Artist wants a light for his paper segar; whereupon the waiter, according to custom, brings a live coal.] THE MUSQUITOS OF HAVANA. [Illustration: A midsummer's night dream.--Our Artist is just the least bit disturbed in his rest, and gently remonstrates.] PUBLIC SERVANTS IN CUBA. [Illustration: A gay and festive Chinese brakeman, on the railroad near Guines.--The shirt-collar-and-pair-of-spurs style of costume.] ONE OF THE SENSATIONS IN CUBA. [Illustration: The Great Cave near Matanzas.--Picturesque House over the Entrance.] THE GREAT CAVE NEAR MATANZAS. [Illustration: A section of the interior--showing the comfortable manner in which our artist followed the guide, inspected the stalactites, and comported himself generally.] THE OUTSKIRTS OF MATANZAS. [Illustration: One of the Fortifications.--Sketched from the end of the _Paseo_, on a day hot enough to give anything but a donkey the brain fever.] ARCHITECTURE IN MATANZAS. [Illustration: A romantic little _tienda mista_ (grocery store) on a corner, in the Calle Ona.] A _CAFFETAL_ NEAR MATANZAS. [Illustration: Our Artist becomes dumb with admiration, at the ingenious manner of toting little <DW65>s.] THE PICTURESQUE IN MATANZAS. [Illustration: A singular little bit, out of the Calle Manzana.] A SUGAR PLANTATION, NEAR THE YUMORI. [Illustration: Our Artist essays to drink the milk from a green Cocoa:] [Illustration: Fatal effect.--An uncomfortable sensation!] A BED-CHAMBER IN MATANZAS. [Illustration: First night at the "Gran Hotel Leon de Oro."--Our artist is accommodated with quarters on the ground-floor, convenient to the court-yard, and is lulled to sleep by a little domestic concert of cats, dogs, donkeys, parrots and game-cocks.] ECONOMY IS WEALTH. [Illustration: Showing the manner in which one ox accomplishes the labor of two, in San Felipe.] THE SUBURBS OF CALABAZAR. [Illustration: A Planter's Hut, and three scraggly Palm Trees in the dim distance.] PLANTATIONS NEAR MARIANAO. [Illustration: A Beauty toting Sugar Cane from the field to the grinding mill.] ARCHITECTURE IN HAVANA. [Illustration: A conglomerate _Esquina_, on the corner of Calle Obispo and Monserate.] LAST NIGHT IN HAVANA. [Illustration: Alarm of Our Artist and Wife, upon going to their room to pack, and discovering that a Tarantula has taken possession of their trunk.] PART II. PERU. [Illustration] PERUVIAN SKETCHES. FRIENDLY COUNSELS. GOOD FOR DIGESTION. A DISAGREEABLE BERTH. AN EYE FOR AN EYE. A RECEPTION. WHO KNOWS? (NOSE). THE NAKED TRUTH. DISCRETION IN VALOR. A PANAMA LAUNDRESS. BLACK WARRIORS. A MAN FOR A' HAT. MUSIC HATH CHARMS. DOMESTIC BLISS. A CHARIOT RACE. A BIT OF A CHURCH. AN ANTIQUE. HOT WEATHER. FAMILY ARRANGEMENT. WHAT AN ASS! HEADS OF THE PEOPLE. A HAPPY FAMILY. BY THEIR FRUITS. LAND AT LAST. A BEAST OF BURDEN. CALLAO CATHEDRAL. A NIGHT ADVENTURE. A BAGGAGE TRAIN. A RUNAWAY. CATHEDRAL AT LIMA. THE LIGHT FANTASTIC. A WATER-CARRIER. A ROOSTER. A BAG OF CUFFEY. A CHIME OF BELLS. BIRDS OF A FEATHER. DOG-DAYS. A CHINA BOWL OF SOUP. PORK BUSINESS. THING OF BEAUTY. WHEN SHALL WE THREE. FONDEST HOPES DECAY. UNHAND ME! RAT-IFICATION MEETING. NOTHING VENTURE. A BACK SEAT. A GREAT SELL. AN EXCELLENT VIEW. A BEGGARLY SHOW. BREAD-BASKETS. A DEAD-HEAD. THE START--STEAMSHIP "HENRY CHAUNCEY." FROM NEW YORK TO ASPINWALL. [Illustration: Sea-sickness being a weakness of Our Artist, he determines to be fore-armed, and accordingly provides himself with a few simple preventives, warmly recommended by his various friends.] IN THE CARIBBEAN SEA. [Illustration: Our Artist, having indulged rather freely in the different preventives, gets things mixed, and wishes that his friends and their confounded antidotes were at the bottom of the Dead Sea.] ARRIVAL AT ASPINWALL. [Illustration: First impressions of the city and its inhabitants.-- citizens on the dock, awaiting the steamer's advent.] ISTHMUS OF DARIEN. [Illustration: View from the window of a Panama railroad car--showing the low-neck and short-sleeve style of costume adopted by the youthful natives of Cruces.--Also a sprightly specimen of the one-eared greyhound indigenous to the country.] A VIEW IN PANAMA. [Illustration: The old and weather-beaten church of Santa Ana--and in the foreground, with basket on her head, baby under one arm, and bowl of milk supported by the other, a <DW52> lady of West Indian descent, vulgarly known as a "Jamaica <DW65>."] AN AFTERNOON AT PANAMA. [Illustration: Deeming it always incumbent upon the traveller to invest in the products of the country, Our Artist provides himself with a good sensible Panama hat, and thus with wife and "mutual friend," he peacefully and serenely meanders around among the suburbs of the city.] A STREET SCENE IN PANAMA. [Illustration: Our Artist, with the naked eye, beholds a pig, a fighting-cock, and a black baby, all tied by the leg, at the humble doorway of the residence of a citizen, in the principal street of the capital of Central America.] IN THE BAY OF PANAMA. [Illustration: Our Artist wanders about the sleepy little neighboring island, Taboga, where the English steamers lie, and sketches, among other picturesque bits, the clean little whitewashed cathedral in the dirty little Broadway of Taboga.] STEAMSHIP "CHILE." FROM PANAMA TO CALLAO. [Illustration: Crossing the equinoctial line, Our Artist discovers that the rays of a vertical sun are anything but bracing and cool.] PAYTA--A SEAPORT IN PERU. [Illustration: Our Artist, having understood that this town is chiefly remarkable for its fine breed of mules, ironically inquires of a native Venus if this can be considered a good specimen. The N. V. treats Our Artist with silent, stolid, Indian contempt.] NATURAL HISTORY IN PERU. [Illustration: Our Artist visits a coasting-vessel just arrived from Guayaquil, loaded with every variety of tropical fruit, and a sprinkling of tame monkeys, parrots, alligators, white herons, iguanas, paroquets, spotted deer, etc.] ARRIVAL AT CALLAO--THE HARBOR. [Illustration: The landing-boat being a trifle too much loaded by the head, Our Artist finds it somewhat difficult to steer.] ARCHITECTURE IN CALLAO. [Illustration: The little one-story Cathedral on the Plaza, which the earthquakes have so frantically and so vainly tried to swallow up or tumble down.] ARRIVAL AT LIMA. [Illustration: Triumphal entry of Our Artist and his much-the-better-half; reviving the brilliant days of Pizarro and his conquering warriors, as they entered the "City of the Kings."--The Peruvian warriors in the present century, however, conquer but the baggage, and permit the weary traveller to walk to his hotel at the tail-end of the procession.] THE CATHEDRAL AT LIMA. [Illustration: An after-dinner sketch (rather shaky) from our balcony in the Hotel Morin, on the Grand Plaza.] DOMESTICS IN PERU. [Illustration: One of the waiters at our hotel, clad in the inevitable _poncho_--A genuine native Peruvian, perhaps a son of "Rolla the Peruvian," who was "within."] A PERUVIAN COOK. [Illustration: Peeping into the kitchen one day, Our Artist perceives that a costume, cool and neglige, may be improvised by making a hole in a coffee-bag and getting into it.] STREETS OF LIMA--CALLE JUDIOS. [Illustration: Almost every other street in Lima has a stream of filthy water or open sewer running through the middle of it, offering rich fishing-grounds to the graceful _gallinazos_ or turkey-buzzards, who thus constitute the street-cleaning department of the municipal government.] CELESTIALS IN PERU. [Illustration: Our Artist is here seen resisting the tempting offer of a bowl of what appears to be buzzard soup, in front of one of the Chinese cook-shops that abound in the neighborhood of the market at Lima.] DOLCE FAR NIENTE--A DREAM OF PERU. [Illustration: Our Artist before going to Lima, during little poetical siestas, had indulged in lovely romantic reveries, the burden of which he sketches in his mind's eye, Horatio--but] THE SAD REALITY. [Illustration: Alas! too frequently his thirsty eye is met only by such visions as the above--and the lovely beauties of Lima, where are they?] BEDROOMS IN PERU. [Illustration: A section of the inner-wall to our chamber at the Hotel in Lima.--The condition of things at the witching hour of night, judging by the sounds.] STREETS OF LIMA.--CALLE PALACIO. [Illustration: A young Peruvian accompanying its mamma to market in the morning.] STREETS OF LIMA--CALLE PLATEROS. [Illustration: A picturesque little _mirador_ or lookout at the corner of Calle Plateros and Bodegones, opposite the Hotel Maury, with balconies _ad lib._] OCCUPATIONS IN LIMA. [Illustration: The _panadero_, or baker, as he appears on his mite of a donkey, rushing round through the streets of Lima, delivering bread to his customers.] CARRIAGES AND PAVEMENTS IN LIMA. [Illustration: Our Artist, after a hearty dinner, extravagantly engages a three-horse coupe, and goes out for a regular, genuine, native Peruvian ride. That his bones are unbroken, and that he is yet alive to tell the tale, remains to him an unfathomable mystery.] COSTUMES IN LIMA.--THE SAYA Y MANTO. [Illustration: Our Artist has heard a good deal about the magnificent eyes of the Limanian women; but as he never sees more than one eye at a time, he can't say much about them, with any regard for the truth.] HEAD-DRESSES IN LIMA.--THE MANTO. [Illustration: The Senoritas look very prettily sometimes, with their black mantillas thrown gracefully over their heads, (_See Geographies, etc._,) but when you come across a party possessing a decided nose, in profile, the effect is rather startling.] REVOLUTIONS IN PERU. [Illustration: Our apartments look out upon the Grand Plaza, where the fighting usually takes place; and as the windows are mostly broken by the balls of the last Revolution, (Nov. 6, 1865,) and it's about time for another, Our Artist gets into ambuscade every time he hears a fire-cracker in the street.] THE WAR WITH SPAIN. [Illustration: Two native and dreadfully patriotic Peruvian soldiers on review before their superior officer.] MARTIAL MUSIC IN PERU. [Illustration: The National Hymn, with variations, as rendered by the Royal Band in front of President Prado's palace on the Grand Plaza.] FINE ARTS IN PERU. [Illustration: A hasty sketch of Mistress Juno and her peacocks, as represented by fresco in the doorway of a Lima palace--Calle Ayachucho.] DARK AGES OF PERU. [Illustration: The old unfinished church and deserted monastery of San Francisco de Paula--Calle Malambo.] LOCOMOTION IN SOUTH AMERICA. [Illustration: What the country people would do down there, if the jackasses were only long enough.--What they _do_ do, is but slightly caricatured by Our Artist.] HAIR-DRESSING IN LIMA. [Illustration: Ladies' style as seen at the theatre. Also Our Artist before and after he had his hair cut in the latest Lima fashion.] A FRUIT-STALL AT CHORRILLOS. [Illustration: Our Artist, as he appeared when stricken with amazement at the huge clusters of white grapes that are everywhere, for a mere song, sold in Peru.] SHOPPING IN PERU. [Illustration: A Peruvian materfamilias, having bought a few simple house-keeping articles in town, is here seen returning to her mountain home, accompanied by her purchases.] THE FLEAS OF LIMA. [Illustration: Having been nearly devoured by these carnivorous little devils, Our Artist sprinkles himself with Turkish flea
917.045637
2023-11-16 18:32:21.0272110
228
29
Produced by Pat Castevans and David Widger CONISTON By Winston Churchill BOOK III CHAPTER I One day, in the November following William Wetherell's death, Jethro Bass astonished Coniston by moving to the little cottage in the village which stood beside the disused tannery, and which had been his father's. It was known as the tannery house. His reasons for this step, when at length discovered, were generally commended: they were, in fact, a disinclination to leave a girl of Cynthia's tender age alone on Thousand Acre Hill while he journeyed on his affairs about the country. The Rev. Mr. Satterlee, gaunt, red-faced, but the six feet of him a man and a Christian, from his square-toed boots to the bleaching yellow hair around his temples, offered to become her teacher. For by this time Cynthia had exhausted the resources of the little school among the birches. The four years of her life in the tann
917.047251
2023-11-16 18:32:21.0440830
4,017
14
ADVENTURES AND LETTERS OF RICHARD HARDING DAVIS EDITED BY CHARLES BELMONT DAVIS CONTENTS CHAPTER I. THE EARLY DAYS II. COLLEGE DAYS III. FIRST NEWSPAPER EXPERIENCES IV. NEW YORK V. FIRST TRAVEL ARTICLES VI. THE MEDITERRANEAN AND PARIS VII. FIRST PLAYS VIII. CENTRAL AND SOUTH AMERICA IX. MOSCOW, BUDAPEST, LONDON X. CAMPAIGNING IN CUBA, AND GREECE XI. THE SPANISH-AMERICAN WAR XII. THE BOER WAR XIII. THE SPANISH AND ENGLISH CORONATIONS XIV. THE JAPANESE-RUSSIAN WAR XV. MOUNT KISCO XVI. THE CONGO XVII. A LONDON WINTER XVIII. MILITARY MANOEUVRES XIX. VERA CRUZ AND THE GREAT WAR XX. THE LAST DAYS CHAPTER I THE EARLY DAYS Richard Harding Davis was born in Philadelphia on April 18, 1864, but, so far as memory serves me, his life and mine began together several years later in the three-story brick house on South Twenty-first Street, to which we had just moved. For more than forty years this was our home in all that the word implies, and I do not believe that there was ever a moment when it was not the predominating influence in Richard's life and in his work. As I learned in later years, the house had come into the possession of my father and mother after a period on their part of hard endeavor and unusual sacrifice. It was their ambition to add to this home not only the comforts and the beautiful inanimate things of life, but to create an atmosphere which would prove a constant help to those who lived under its roof--an inspiration to their children that should endure so long as they lived. At the time of my brother's death the fact was frequently commented upon that, unlike most literary folk, he had never known what it was to be poor and to suffer the pangs of hunger and failure. That he never suffered from the lack of a home was certainly as true as that in his work he knew but little of failure, for the first stories he wrote for the magazines brought him into a prominence and popularity that lasted until the end. But if Richard gained his success early in life and was blessed with a very lovely home to which he could always return, he was not brought up in a manner which in any way could be called lavish. Lavish he may have been in later years, but if he was it was with the money for which those who knew him best knew how very hard he had worked. In a general way, I cannot remember that our life as boys differed in any essential from that of other boys. My brother went to the Episcopal Academy and his weekly report never failed to fill the whole house with an impenetrable gloom and ever-increasing fears as to the possibilities of his future. At school and at college Richard was, to say the least, an indifferent student. And what made this undeniable fact so annoying, particularly to his teachers, was that morally he stood so very high. To "crib," to lie, or in any way to cheat or to do any unworthy act was, I believe, quite beyond his understanding. Therefore, while his constant lack of interest in his studies goaded his teachers to despair, when it came to a question of stamping out wrongdoing on the part of the student body he was invariably found aligned on the side of the faculty. Not that Richard in any way resembled a prig or was even, so far as I know, ever so considered by the most reprehensible of his fellow students. He was altogether too red-blooded for that, and I believe the students whom he antagonized rather admired his chivalric point of honor even if they failed to imitate it. As a schoolboy he was aggressive, radical, outspoken, fearless, usually of the opposition and, indeed, often the sole member of his own party. Among the students at the several schools he attended he had but few intimate friends; but of the various little groups of which he happened to be a member his aggressiveness and his imagination usually made him the leader. As far back as I can remember, Richard was always starting something--usually a new club or a violent reform movement. And in school or college, as in all the other walks of life, the reformer must, of necessity, lead a somewhat tempestuous, if happy, existence. The following letter, written to his father when Richard was a student at Swarthmore, and about fifteen, will give an idea of his conception of the ethics in the case: SWARTHMORE--1880. DEAR PAPA: I am quite on the Potomac. I with all the boys at our table were called up, there is seven of us, before Prex. for stealing sugar-bowls and things off the table. All the youths said, "O President, I didn't do it." When it came my turn I merely smiled gravely, and he passed on to the last. Then he said, "The only boy that doesn't deny it is Davis. Davis, you are excused. I wish to talk to the rest of them." That all goes to show he can be a gentleman if he would only try. I am a natural born philosopher so I thought this idea is too idiotic for me to converse about so I recommend silence and I also argued that to deny you must necessarily be accused and to be accused of stealing would of course cause me to bid Prex. good-by, so the only way was, taking these two considerations with each other, to deny nothing but let the good-natured old duffer see how silly it was by retaining a placid silence and so crushing his base but thoughtless behavior and machinations. DICK. In the early days at home--that is, when the sun shone--we played cricket and baseball and football in our very spacious back yard, and the programme of our sports was always subject to Richard's change without notice. When it rained we adjourned to the third-story front, where we played melodrama of simple plot but many thrills, and it was always Richard who wrote the plays, produced them, and played the principal part. As I recall these dramas of my early youth, the action was almost endless and, although the company comprised two charming misses (at least I know that they eventually grew into two very lovely women), there was no time wasted over anything so sentimental or futile as love-scenes. But whatever else the play contained in the way of great scenes, there was always a mountain pass--the mountains being composed of a chair and two tables--and Richard was forever leading his little band over the pass while the band, wholly indifferent as to whether the road led to honor, glory, or total annihilation, meekly followed its leader. For some reason, probably on account of my early admiration for Richard and being only too willing to obey his command, I was invariably cast for the villain in these early dramas, and the end of the play always ended in a hand-to-hand conflict between the hero and myself. As Richard, naturally, was the hero and incidentally the stronger of the two, it can readily be imagined that the fight always ended in my complete undoing. Strangulation was the method usually employed to finish me, and, whatever else Richard was at that tender age, I can testify to his extraordinary ability as a choker. But these early days in the city were not at all the happiest days of that period in Richard's life. He took but little interest even in the social or the athletic side of his school life, and his failures in his studies troubled him sorely, only I fear, however, because it troubled his mother and father. The great day of the year to us was the day our schools closed and we started for our summer vacation. When Richard was less than a year old my mother and father, who at the time was convalescing from a long illness, had left Philadelphia on a search for a complete rest in the country. Their travels, which it seems were undertaken in the spirit of a voyage of discovery and adventure, finally led them to the old Curtis House at Point Pleasant on the New Jersey coast. But the Point Pleasant of that time had very little in common with the present well-known summer resort. In those days the place was reached after a long journey by rail followed by a three hours' drive in a rickety stagecoach over deep sandy roads, albeit the roads did lead through silent, sweet-smelling pine forests. Point Pleasant itself was then a collection of half a dozen big farms which stretched from the Manasquan River to the ocean half a mile distant. Nothing could have been more primitive or as I remember it in its pastoral loveliness much more beautiful. Just beyond our cottage the river ran its silent, lazy course to the sea. With the exception of several farmhouses, its banks were then unsullied by human habitation of any sort, and on either side beyond the low green banks lay fields of wheat and corn, and dense groves of pine and oak and chestnut trees. Between us and the ocean were more waving fields of corn, broken by little clumps of trees, and beyond these damp Nile-green pasture meadows, and then salty marshes that led to the glistening, white sand-dunes, and the great silver semi-circle of foaming breakers, and the broad, blue sea. On all the land that lay between us and the ocean, where the town of Point Pleasant now stands, I think there were but four farmhouses, and these in no way interfered with the landscape or the life of the primitive world in which we played. Whatever the mental stimulus my brother derived from his home in Philadelphia, the foundation of the physical strength that stood him in such good stead in the campaigns of his later years he derived from those early days at Point Pleasant. The cottage we lived in was an old two-story frame building, to which my father had added two small sleeping-rooms. Outside there was a vine-covered porch and within a great stone fireplace flanked by cupboards, from which during those happy days I know Richard and I, openly and covertly, must have extracted tons of hardtack and cake. The little house was called "Vagabond's Rest," and a haven of rest and peace and content it certainly proved for many years to the Davis family. From here it was that my father started forth in the early mornings on his all-day fishing excursions, while my mother sat on the sunlit porch and wrote novels and mended the badly rent garments of her very active sons. After a seven-o'clock breakfast at the Curtis House our energies never ceased until night closed in on us and from sheer exhaustion we dropped unconscious into our patch-quilted cots. All day long we swam or rowed, or sailed, or played ball, or camped out, or ate enormous meals--anything so long as our activities were ceaseless and our breathing apparatus given no rest. About a mile up the river there was an island--it's a very small, prettily wooded, sandy-beached little place, but it seemed big enough in those days. Robert Louis Stevenson made it famous by rechristening it Treasure Island, and writing the new name and his own on a bulkhead that had been built to shore up one of its fast disappearing sandy banks. But that is very modern history and to us it has always been "The Island." In our day, long before Stevenson had ever heard of the Manasquan, Richard and I had discovered this tight little piece of land, found great treasures there, and, hand in hand, had slept in a six-by-six tent while the lions and tigers growled at us from the surrounding forests. As I recall these days of my boyhood I find the recollections of our life at Point Pleasant much more distinct than those we spent in Philadelphia. For Richard these days were especially welcome. They meant a respite from the studies which were a constant menace to himself and his parents; and the freedom of the open country, the ocean, the many sports on land and on the river gave his body the constant exercise his constitution seemed to demand, and a broad field for an imagination which was even then very keen, certainly keen enough to make the rest of us his followers. In an extremely sympathetic appreciation which Irvin S. Cobb wrote about my brother at the time of his death, he says that he doubts if there is such a thing as a born author. Personally it so happened that I never grew up with any one, except my brother, who ever became an author, certainly an author of fiction, and so I cannot speak on the subject with authority. But in the case of Richard, if he was not born an author, certainly no other career was ever considered. So far as I know he never even wanted to go to sea or to be a bareback rider in a circus. A boy, if he loves his father, usually wants to follow in his professional footsteps, and in the case of Richard, he had the double inspiration of following both in the footsteps of his father and in those of his mother. For years before Richard's birth his father had been a newspaper editor and a well-known writer of stories and his mother a novelist and short-story writer of great distinction. Of those times at Point Pleasant I fear I can remember but a few of our elders. There were George Lambdin, Margaret Ruff, and Milne Ramsay, all painters of some note; a strange couple, Colonel Olcott and the afterward famous Madam Blavatsky, trying to start a Buddhist cult in this country; Mrs. Frances Hodgson Burnett, with her foot on the first rung of the ladder of fame, who at the time loved much millinery finery. One day my father took her out sailing and, much to the lady's discomfiture and greatly to Richard's and my delight, upset the famous authoress. At a later period the Joseph Jeffersons used to visit us; Horace Howard Furness, one of my father's oldest friends, built a summer home very near us on the river, and Mrs. John Drew and her daughter Georgie Barrymore spent their summers in a near-by hostelry. I can remember Mrs. Barrymore at that time very well---wonderfully handsome and a marvellously cheery manner. Richard and I both loved her greatly, even though it were in secret. Her daughter Ethel I remember best as she appeared on the beach, a sweet, long-legged child in a scarlet bathing-suit running toward the breakers and then dashing madly back to her mother's open arms. A pretty figure of a child, but much too young for Richard to notice at that time. In after-years the child in the scarlet bathing-suit and he became great pals. Indeed, during the latter half of his life, through the good days and the bad, there were very few friends who held so close a place in his sympathy and his affections as Ethel Barrymore. Until the summer of 1880 my brother continued on at the Episcopal Academy. For some reason I was sent to a different school, but outside of our supposed hours of learning we were never apart. With less than two years' difference in our ages our interests were much the same, and I fear our interests of those days were largely limited to out-of-door sports and the theatre. We must have been very young indeed when my father first led us by the hand to see our first play. On Saturday afternoons Richard and I, unattended but not wholly unalarmed, would set forth from our home on this thrilling weekly adventure. Having joined our father at his office, he would invariably take us to a chop-house situated at the end of a blind alley which lay concealed somewhere in the neighborhood of Walnut and Third Streets, and where we ate a most wonderful luncheon of English chops and apple pie. As the luncheon drew to its close I remember how Richard and I used to fret and fume while my father in a most leisurely manner used to finish off his mug of musty ale. But at last the three of us, hand in hand, my father between us, were walking briskly toward our happy destination. At that time there were only a few first-class theatres in Philadelphia--the Arch Street Theatre, owned by Mrs. John Drew; the Chestnut Street, and the Walnut Street--all of which had stock companies, but which on the occasion of a visiting star acted as the supporting company. These were the days of Booth, Jefferson, Adelaide Neilson, Charles Fletcher, Lotta, John McCullough, John Sleeper Clark, and the elder Sothern. And how Richard and I worshipped them all--not only these but every small-bit actor in every stock company in town. Indeed, so many favorites of the stage did my brother and I admire that ordinary frames would not begin to hold them all, and to overcome this defect we had our bedroom entirely redecorated. The new scheme called for a gray wallpaper supported by a maroon dado. At the top of the latter ran two parallel black picture mouldings between which we could easily insert cabinet photographs of the actors and actresses which for the moment we thought most worthy of a place in our collection. As the room was fairly large and as the mouldings ran
917.064123
2023-11-16 18:32:21.0649460
229
28
Produced by Dan Anderson and Andrew Sly. Thanks to the John Muir Exhibit for making this eBook available. http://www.sierraclub.org/john_muir_exhibit/ The Yosemite by John Muir Affectionately dedicated to my friend, Robert Underwood Johnson, faithful lover and defender of our glorious forests and originator of the Yosemite National Park. Acknowledgment On the early history of Yosemite the writer is indebted to Prof. J. D. Whitney for quotations from his volume entitled "Yosemite Guide-Book," and to Dr. Bunnell for extracts from his interesting volume entitled "Discovery of the Yosemite." Contents 1. The Approach to the Valley 2. Winter Storms and Spring Floods 3. Snow-Storms 4. Snow Banners 5. The Trees of the Valley 6. The Forest Trees in General 7. The Big Trees 8. The Flowers 9. The Birds 10. The South Dome
917.084986
2023-11-16 18:32:21.0794430
2,417
9
AMUSEMENT, AND INSTRUCTION, VOL. 10, ISSUE 268, AUGUST 11, 1827*** E-text prepared by Jonathan Ingram and Project Gutenberg Distributed Proofreaders Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 10026-h.htm or 10026-h.zip: (http://www.ibiblio.org/gutenberg/1/0/0/2/10026/10026-h/10026-h.htm) or (http://www.ibiblio.org/gutenberg/1/0/0/2/10026/10026-h/10026-h.zip) THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. VOL. 10, No. 268.] SATURDAY, AUGUST 11, 1827. [PRICE 2d. * * * * * HOSPITAL OF ST. THOMAS, CANTERBURY. [Illustration] The subject of the above engraving claims the attention of the antiquarian researcher, not as the lofty sculptured mansion of our monastic progenitors, or the towering castle of the feudatory baton, for never has the voice of boisterous revelry, or the tones of the solemn organ, echoed along its vaulted roof; a humbler but not less interesting trait marks its history. It was here that the zealous pilgrim, strong in bigot faith, rested his weary limbs, when the inspiring name of Becket led him from the rustic simplicity of his native home, to view the spot where Becket fell, and to murmur his pious supplication at the shrine of the murdered Saint; how often has his toil-worn frame been sheltered beneath that hospitable roof; imagination can even portray him entering the area of yon pointed arch, leaning on his slender staff--perhaps some wanderer from a foreign land. The hospital of St. Thomas the Martyr of Eastbridge, is situated on the King's-bridge, in the hundred of Westgate, Canterbury, and was built by Becket, but for what purpose is unknown. However, after the assassination of its founder, the resort of individuals being constant to his shrine, the building was used for the lodgment of the pilgrims. For many years no especial statutes were enacted, nor any definite rules laid down for the treatment of pilgrims, till the see devolved to the jurisdiction of Stratford, who, in 15th Edward III. drew up certain ordinances, as also a code of regulations expressly to be acted on; he appointed a master in priest's orders, under whose guidance a secular chaplain officiated; it was also observed that every pilgrim in health should have but one night's lodging to the cost of fourpence; that applicants weak and infirm were to be preferred to those of sounder constitutions, and that women "upwards of forty" should attend to the bedding, and administer medicines to the sick. This institution survived the general suppression of monasteries and buildings of its cast, during the reigns of Henry VIII. and the sixth Edward; and after alternately grading from the possession of private families to that of brothers belonging to the establishment, it was at last finally appropriated to the instruction of the rising generation, whose parents are exempt from giving any gratuity to the preceptor of their children. Its present appearance is ancient, but not possessing any of those magic features which render the mansions of our majores so grand and magnificently solemn; a hall and chapel of imposing neatness and simplicity are still in good condition, but several of the apartments are dilapidated in part, and during a wet season admit the aqueous fluid through the chinks and fissures of their venerable walls. SAGITTARIUS. * * * * * THE LECTURER. * * * * * MINOR AFFECTIONS OF THE BRAIN. Pain _in the head_ may arise from very different causes, and is variously seated. It has had a number of different appellations bestowed upon it, according to its particular character. I need not observe that headach is a general attendant of all inflammatory states of the brain, whether in the form of _phrenitis, hydrocephalus acutus_, or _idiopathic fever;_ though with some exceptions in regard to all of them, as I before showed you. It is often also said to be a symptom of other diseases, of parts remotely situated; as of the _stomach_, more especially; whence the term _sick headach_, the stomach being supposed to be the part first or principally affected, and the headach symptomatic of this. I am confident, however, that in a majority of instances the reverse is the case, the affection of the head being the cause of the disorder of the stomach. It is no proof to the contrary, that _vomiting_ often relieves the headach, for vomiting is capable of relieving a great number of other diseases, as well as those of the brain, upon the principle of _counter-irritation_. The stomach may be disordered by nauseating medicines, up to the degree of full vomiting, without any headach taking place; but the brain hardly ever suffers, either from injury or disease, without the stomach having its functions impaired, or in a greater or less degree disturbed: thus a blow on the head immediately produces vomiting; and, at the outset of various inflammatory affections of the brain, as _fever_ and _hydrocephalus_, nausea and vomiting are almost never-failing symptoms. It is not denied, that _headach_ may be produced through the medium of the stomach; but seldom, unless there is previously disease in the head, or at least a strong predisposition to it. In persons habitually subject to headach, the arteries of the brain become so irritable, that the slightest cause of disturbance, either _mental_ or _bodily_, will suffice to bring on a paroxysm. The _occasional_ or _exciting causes of headach_, then, are principally these:-- 1. _Emotions of mind_, as fear, terror, and agitation of spirits; yet these will sometimes take off headach when present at the time. 2. Whatever either increases or disorders the general circulation, and especially all causes that increase the action of the cerebral arteries, or, as it is usually though improperly expressed, which occasion a determination of blood to the head. Of the former kind are violent exercise, and external heat applied to the surface generally, as by a heated atmosphere or the _hot bath_; of the latter, the direct application of heat to the head; falls or blows, occasioning a shock to the brain; stooping; intense thinking; intoxicating drinks, and other narcotic substances. These last, however, as well as _mental emotions_, often relieve a paroxysm of headach, though they favour its return afterwards. 3. A disordered state of the stomach, of which a vomiting of _bile_ may be one symptom, is also to be ranked among the _occasional causes_ of _headach_. These _occasional causes_ do not in general produce their effect, unless where a _predisposition_ to the disease exists. This predisposition is often hereditary, or it may be acquired by long-protracted study and habits of intoxication.--_Dr. Clutterbuck's Lectures on the Diseases of the Nervous System_. HYDROPHOBIA. There is no cure for this disease when once the symptoms show themselves. A variety of remedies have from time to time been advertised by quacks. The "Ormskirk Medicine," at one time, was much in vogue; it had its day, but it did not cure the disease, nor, as far as I know, did it mitigate any of its symptoms. With regard to the affection of the mind itself in this disease, it does not appear that the patients are deprived of reason; some have merely, by the dint of resolution, conquered the dread of water, though they never could conquer the convulsive motions which the contact of liquids occasioned; while this resolution has been of no avail, for the convulsions and other symptoms increasing, have almost always destroyed the unhappy sufferers. --_Abernethy's Lectures_. EFFECTS OF KINDNESS ON THE SICK. Under all circumstances, man is a poor and pitiable being, when stricken down by disease. Sickened and subdued, his very lineaments have a voice which calls for commiseration and assistance. Celsus says, that knowing two physicians equally intelligent, he should prefer the one who was his friend, for the obvious reason that he would feel a deeper interest in his welfare. Kindness composes, and harshness disturbs the mind, and each produces correspondent effects upon the body. A tone, a look, may save or destroy life in extremely delicate cases. Whatever may be the prognosis given to friends, in all febrile cases, the most confident and consoling language about the ultimate recovery should be used to the sick, as prophecies not unfrequently contribute to bring about the event foretold, by making people feel, or think, or act, differently from what they otherwise would have done. Again, in chronic cases, as time is required for their cure, by explaining to the patient this fact, we maintain his confidence, we keep his mind easy, and thus gain a fair opportunity for the operation of regimen or remedies; in short, the judicious physician, like the Roman general, Fabius, conquers through delay, by cutting off the supplies, and wearing out the strength of the enemy. In large cities, where the mind is so much overwrought in the various schemes of private ambition, or of public business, anxiety is very frequently the grand opposing circumstance to recovery; so that while the causes which produced it are allowed to operate, mere medical prescription is of no avail. The effects of this anxiety are visible in the pallid face and wasted body. But if the patient be possessed of philosophy enough to forego his harassing pursuits; if he have not, from the contact and cares of the world, lost his relish for the simple and sublime scenes of nature, a removal into the country is of the utmost efficacy. The deformity and conflict of the moral world are exchanged for the beauty and calm of the physical world; and surrounded by all the poetry of earth and heaven, the mind regains its peace, and the health, as if by magic, is perfectly restored.--_Dr. Armstrong's Lectures_. DIET. Experience has taught us that the nature of our food is not a matter of
917.099483
2023-11-16 18:32:21.1411520
1,227
15
Produced by Chris Curnow, Thiers Halliwell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s notes: In this transcription, paired _underscores_ denote _italicised text_ and =equal= signs indicate bold text. Footnotes are located below the relevant paragraphs. The text contains some typographic characters that might not display correctly with all viewing devices. If some of the characters look abnormal, first ensure that the device’s character encoding is set to Unicode (UTF-8). The default font might also need to be changed to a Unicode font such as Arial Unicode MS, DejaVu, Segoe UI Symbol or FreeSerif. Some pages contain alphabet letters displayed in bold sans-serif font, but some browsers or viewing devices may display them with a serif font. The following spelling errors have been corrected silently: pecularities —> peculiarities indentification —> identification classfication —> classification. Inconsistent hyphenation (e.g. fingerprint, finger-print, finger print) remains as in the original text, as does the inconsistent use of em dashes in the index. A few illustrations have been relocated nearer to the relevant text, and their page references adjusted appropriately in the list of illustrations. [Illustration: Cover] Dactylography _Or, THE STUDY OF FINGER-PRINTS_ [Illustration: [Illustration: [Illustration: GREASY SMUDGE ACCIDENTAL SMUDGE A “NEGATIVE” THUMB-PRINT, (Vivified by (encircled for furrows and pores black, white powder).] presentation).] ridges white.] Dactylography, frontispiece DACTYLOGRAPHY OR _THE STUDY OF FINGER-PRINTS_ BY HENRY FAULDS L.R.F.P. & S. F.R. Anthrop. Inst., M.R. Archæol. Inst. M. Sociol. Soc. Illustrated [Logo] HALIFAX MILNER & COMPANY RAGLAN WORKS CONTENTS. CHAPTER PAGE I. Introduction: Early Hints and Recent Progress 9 II. Sweat-Pores, Ridges, and Furrows 29 III. Finger-Print Patterns 39 IV. Some Biological Questions in Dactylography 49 V. Technique of Printing and Scrutinizing Finger-Patterns 61 VI. Persistence of Finger-Print Patterns 76 VII. Syllabic Classification of Finger-Prints 83 VIII. Practical Results and Future Prospects 101 GLOSSARY 120 BIBLIOGRAPHY 123 INDEX 125 LIST OF ILLUSTRATIONS PAGE Greasy Smudge, Accidental Smudge, and a Negative Thumb-print _frontis._ Footprints in Ancient Mexican Remains 10 Single Finger-Print 19 Facsimile of Original Outline Forms for both hands 19 Section of Skin showing Sweat-Glands, Ducts and Pores 29 Ripple Marks in Sand 32 Grevy’s Zebra, showing lineations like Finger-print Patterns 39 Section of Pine-wood Stem and a Human Thumb-print 43 Design-like Patterns in Finger-prints 46 Anthropoid Lineations 51 Reduced Copy of Police Register Form 68 Flexible Curves and Curve Rules 70 Diagrammatic Analysis of Lineations in a Restricted Section 71 Kew Micrometer 72 Glass Disc centred 73 Vowels and Consonants in Syllabic Classification 100 Dactylography _OR THE STUDY OF FINGER-PRINTS_ CHAPTER I INTRODUCTION: EARLY HINTS AND RECENT PROGRESS Dactylography deals with what is of scientific interest and practical value in regard to the lineations in the skin on the fingers and toes, or rather on the hands and feet of men, monkeys, and allied tribes, which lineations form patterns of great variety and persistence. The Greeks used the term δάκτυλος του̑ ποδός (_daktylos tou podos_, finger of the foot) for a toe; and the toes are of almost as much interest to the dactylographer as the fingers, and present similar patterns for study. In primitive times the savage hunter had to use all his wits sharply in the examination of foot and toe marks, whether of the game he pursued or the human foe he guarded against, and he learned to deduce many a curious lesson with Sherlock Holmes-like acuteness and precision. The recency, the rate of motion, the length of stride, the degree of fatigue, the number, and kinds and conditions of men or beasts that had impressed their traces on the soil, all could be read by him with ease and promptness. Such imprints have been preserved in early Mexican picture writings. [Illustration: FOOTPRINTS IN ANCIENT MEXICAN REMAINS. Inset: Threshold with Foot-Marks (also Mexican).] In a similar way the palæontologist strives to interpret the impress made by organisms
917.161192
2023-11-16 18:32:21.3144890
1,736
9
Produced by Renald Levesque WOMAN VOLUME VI WOMEN OF THE ROMANCE COUNTRIES BY JOHN R. EFFINGER, Ph.D. OF THE UNIVERSITY OF MICHIGAN [Illustration 1: _BOCCACCIO'S MERRY RACONTEURS After the painting by Jacques Wagrez In the meantime, Naples, in the hands of the invaders, had been stained with blood, and then ravaged by the great plague of which Boccaccio has given us a picture, and of the idyllic way the rich people passed their time, in his_ Decameron.] Woman In all ages and in all countries VOLUME VI WOMEN OF THE ROMANCE COUNTRIES BY JOHN R. EFFINGER, Ph.D. Of the University of Michigan ILLUSTRATED PHILADELPHIA GEORGE BARRIE & SONS, Publishers PREFACE No one can deny the influence of woman, which has been a potent factor in society, directly or indirectly, ever since the days of Mother Eve. Whether living in Oriental seclusion, or enjoying the freer life of the Western world, she has always played an important part in the onward march of events, and exercised a subtle power in all things, great and small. To appreciate this power properly, and give it a worthy narrative, is ever a difficult and well-nigh impossible task, at least for mortal man. Under the most favorable circumstances, the subject is elusive and difficult of approach, lacking in sequence, and often shrouded in mystery. What, then, must have been the task of the author of the present volume, in essaying to write of the women of Italy and Spain! In neither of these countries are the people all of the same race, nor do they afford the development of a constant type for observation or study. Italy, with its mediaeval chaos, its free cities, and its fast-and-loose allegiance to the temporal power of the Eternal City, has ever been the despair of the orderly historian; and Spain, overrun by Goth, by Roman, and by Moslem host, presents strange contrasts and rare complexities. Such being the case, this account of the women of the Romance countries does not attempt to trace in detail their gradual evolution, but rather to present, in the proper setting, the most conspicuous examples of their good or evil influence, their bravery or their cowardice, their loyalty or their infidelity, their learning or their illiteracy, their intelligence or their ignorance, throughout the succeeding years. Chroniclers and historians, poets and romancers, have all given valuable aid in the undertaking, and to them grateful acknowledgment is hereby made. JOHN R. EFFINGER. _University of Michigan._ PART FIRST ITALIAN WOMEN CHAPTER I THE AGE OF THE COUNTESS MATILDA OF TUSCANY The eleventh century, which culminated in the religious fervor of the First Crusade, must not on that account be considered as an age of unexampled piety and devotion. Good men there were and true, and women of great intellectual and moral force, but it cannot be said that the time was characterized by any deep and sincere religious feeling which showed itself in the general conduct of society. Europe was just emerging from that gloom which had settled down so closely upon the older civilizations after the downfall of the glory that was Rome, and the light of the new day sifted but fitfully through the dark curtains of that restless time. Liberty had not as yet become the shibboleth of the people, superstition was in the very air, the knowledge of the wisest scholars was as naught, compared with what we know to-day; everywhere, might made right. In a time like this, in spite of the illustrious example of the Countess Matilda, it cannot be supposed that women were in a very exalted position. It is even recorded that in several instances, men, as superior beings, debated as to whether or not women were possessed of souls. While this momentous question was never settled in a conclusive fashion, it may be remarked that in the heat of the discussion there were some who called women angels of light, while there were others who had no hesitation in declaring that they were devils incarnate, though in neither case were they willing to grant them the same rights and privileges which they themselves possessed. Though many other facts of the same kind might be adduced, the mere existence of such discussion is enough to prove to the most undiscerning that woman's place in society was not clearly recognized, and that there were many difficulties to be overcome before she could consider herself free from her primitive state of bondage. In the eye of the feudal law, women were not considered as persons of any importance whatever. The rights of husbands were practically absolute, and led to much abuse, as they had a perfectly legal right to punish wives for their misdeeds, to control their conduct in such a way as to interfere with their personal liberty, and in general to treat them as slaves and inferior beings. The whipping-post had not then been invented as a fitting punishment for the wife beater, as it was perfectly understood, according to the feudal practices as collected by Beaumanoir, "that every husband had the right to beat his wife when she was unwilling to obey his commands, or when she cursed him, or when she gave him the lie, providing that it was done moderately, and that death did not ensue." If a wife left a husband who had beaten her, she was compelled by law to return at his first word of regret, or to lose all right to their common possessions, even for purposes of her own support. The daughters of a feudal household had even fewer rights than the wife. All who are willing to make a candid acknowledgment of the facts must admit that even to-day, a girl-baby is often looked upon with disfavor. This has been true in all times, and there are numerous examples to show that this aversion existed in ancient India, in Greece and Sparta, and at Rome. The feudal practices of mediaeval Europe were certainly based upon it, and the Breton peasant of to-day expresses the same idea somewhat bluntly when he says by way of explanation, after the birth of a daughter: _Ma femme a fait une fausse couche._ Conscious as all must be of this widespread sentiment at the present time, it will not be difficult to imagine what its consequences must have been in so rude a time as the eleventh century, when education could do so little in the way of restraining human passion and prejudice. As the whole feudal system, so far as the succession of power was concerned, was based upon the principle of primogeniture, it was the oldest son who succeeded to all his father's lands and wealth, the daughter or daughters being left under his absolute control. Naturally, such a system worked hardship for the younger brothers, but then as now it was easier for men to find a place for themselves in the world than for women, and the army or the Church rarely failed to furnish some sort of career for all those who were denied the rights and privileges of the firstborn. The lot of the sister, however, was pitiful in the extreme (unless it happened that the older brother was kind and considerate), for if she were in the way she could be bundled off to a cloister, there to spend her days in solitude, or she could be married against her will, being given as the price of some alliance. The conditions of marriage, however, were somewhat complicated, as it was always necessary to secure the consent of three persons before a girl of the higher class could go to the altar in nuptial array. These three persons were her father or her guardian, her lord and the king.
917.334529
2023-11-16 18:32:21.3254460
1,861
18
Produced by Louise Hope, Carlo Traverso, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr and The Internet Archive (American Libraries)) [This e-text includes characters that will only display in UTF-8 (Unicode) text readers: Ē ā ē ī ō ū (vowel with macron or “long” mark) Ă Ĕ Ĭ ă ĕ ĭ ŏ (vowel with breve or “short” mark) Ś ś ć (s, c with “acute”: mainly in Recording Indian Languages article) ⁿ (small raised n, representing nasalized vowel) ɔ ʞ ʇ (inverted letters) ‖ (double vertical line There are also a handful of Greek words. Some compromises were made to accommodate font availability: The ordinary “cents” sign ¢ was used in place of the correct form ȼ, and bracketed [¢] represents the capital letter Ȼ. Turned c is represented by ɔ (technically an open o). Bracketed [K] and [T] represent upside-down (turned) capital K and T. Inverted V (described in text) is represented by the Greek letter Λ. If your computer has a more appropriate character, feel free to replace letters globally. Syllable stress is represented by an acute accent either on the main vówel or after the syl´lable; inconsistencies are unchanged. Except for special characters noted above, and obvious insertions such as [Illustration] and [Footnote], brackets are in the original. Note that in the Sign Language article, hand positions identified by letter (A, B... W, Y) are descriptive; they do not represent a “finger alphabet”. Italics are shown with _lines_. Boldface (rare) is shown with +marks+; in some articles the same notation is used for +small capitals+. The First Annual Report includes ten “Accompanying Papers”, all available from Project Gutenberg as individual e-texts. Except for Yarrow’s “Mortuary Customs”, updated shortly before the present text, the separate articles were released between late 2005 and late 2007. For this combined e-text they have been re-formatted for consistency. Some articles have been further modified to include specialized characters shown above, and a few more typographical errors have been corrected. For consistency with later Annual Reports, a full List of Illustrations has been added after the Table of Contents, and each article has been given its own Table of Contents. In the original, the Contents were printed _only_ at the beginning of the volume, and Illustrations were listed _only_ with their respective articles. Errors and inconsistencies are listed separately at the end of each article and after the combined Index. Differences in punctuation or hyphenization between the Table of Contents, Index, or List of Illustrations, and the item itself, are not noted.] * * * * * * * * * * * * * * FIRST ANNUAL REPORT of the BUREAU OF ETHNOLOGY to the Secretary of the Smithsonian Institution 1879-’80 by J. W. POWELL Director [Illustration] WASHINGTON Government Printing Office 1881 SMITHSONIAN INSTITUTION, Bureau of Ethnology, _Washington, D.C., July, 1880._ Prof. SPENCER F. BAIRD, _Secretary of the Smithsonian Institution_, _Washington, D.C._: SIR: I have the honor to transmit herewith the first annual report of the operations of the Bureau of Ethnology. By act of Congress, an appropriation was made to continue researches in North American anthropology, the general direction of which was confided to yourself. As chief executive officer of the Smithsonian Institution, you entrusted to me the immediate control of the affairs of the Bureau. This report, with its appended papers, is designed to exhibit the methods and results of my administration of this trust. If any measure of success has been attained, it is largely due to general instructions received from yourself and the advice you have ever patiently given me on all matters of importance. I am indebted to my assistants, whose labors are delineated in the report, for their industry; hearty co-operation, and enthusiastic love of the science. Only through their zeal have your plans been executed. Much assistance has been rendered the Bureau by a large body of scientific men engaged in the study of anthropology, some of whose names have been mentioned in the report and accompanying papers, and others will be put on record when the subject-matter of their writings is fully published. I am, with respect, your obedient servant, J. W. POWELL. TABLE OF CONTENTS. REPORT OF THE DIRECTOR. Page. Introductory xi Bibliography of North American philology, by J. C. Pilling xv Linguistic and other anthropologic researches, by J. O. Dorsey xvii Linguistic researches, by S. R. Riggs xviii Linguistic and general researches among the Klamath Indians, by A. S. Gatschet xix Studies among the Iroquois, by Mrs. E. A. Smith xxii Work by Prof. Otis T. Mason xxii The study of gesture speech, by Brevet Lieut. Col. Garrick Mallery xxiii Studies on Central American picture writing, by Prof. E. S. Holden xxv The study of mortuary customs, by Dr. H. C. Yarrow xxvi Investigations relating to cessions of lands by Indian tribes to the United States, by C. C. Royce xxvii Explorations by Mr. James Stevenson xxx Researches among the Wintuns, by Prof. J. W. Powell xxxii The preparation of manuals for use in American research xxxii Linguistic classification of the North American tribes xxxiii ACCOMPANYING PAPERS. Page. ON THE EVOLUTION OF LANGUAGE, BY J. W. POWELL. Process by combination 3 Process by vocalic mutation 5 Process by intonation 6 Process by placement 6 Differentiation of the parts of speech 8 SKETCH OF THE MYTHOLOGY OF THE NORTH AMERICAN INDIANS, BY J. W. POWELL. The genesis of philosophy 19 Two grand stages of philosophy 21 Mythologic philosophy has four stages 29 Outgrowth from mythologic philosophy 33 The course of evolution in mythologic philosophy 38 Mythic tales 43 The Cĭn-aú-äv Brothers discuss matters of importance to the Utes 44 Origin of the echo 45 The So´-kûs Wai´-ûn-ats 47 Ta-vwots has a fight with the sun 52 WYANDOT GOVERNMENT, BY J. W. POWELL. The family 59 The gens 59 The phratry 60 Government 61 Civil government 61 Methods of choosing councillors 61 Functions of civil government 63 Marriage regulations 63 Name regulations 64 Regulations of personal adornment 64 Regulations of order in encampment 64 Property rights 65 Rights of persons 65 Community rights 65 Rights of religion 65 Crimes 66 Theft 66 Maiming 66 Murder 66 Treason 67 Witchcraft 67 Outlawry 67 Military government 68 Fellowhood 68 ON LIMITATIONS TO THE USE OF SOME ANTHROPOLOGIC DATA, BY J. W. POWELL. Arch
917.345486
2023-11-16 18:32:21.3335470
3,560
14
Produced by Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) HISTORIC HIGHWAYS OF AMERICA VOLUME 3 [Illustration: MODERN ROAD ON LAUREL HILL [_Follows track of Washington's Road; near by, on the right, Washington found Jumonville's "embassy" hidden in the Ravine_]] HISTORIC HIGHWAYS OF AMERICA VOLUME 3 Washington's Road (NEMACOLIN'S PATH) The First Chapter of the Old French War BY ARCHER BUTLER HULBERT _With Maps and Illustrations_ [Illustration] THE ARTHUR H. CLARK COMPANY CLEVELAND, OHIO 1903 COPYRIGHT, 1903 BY THE ARTHUR H. CLARK COMPANY ALL RIGHTS RESERVED CONTENTS PAGE PREFACE 11 I. WASHINGTON AND THE WEST 15 II. THE HUNTING-GROUND OF THE IROQUOIS 40 III. THE ARMS OF THE KING OF FRANCE 63 IV. THE VIRGINIAN GOVERNOR'S ENVOY 85 V. THE VIRGINIA REGIMENT 120 VI. THE CHAIN OF FEDERAL UNION 189 ILLUSTRATIONS I. MODERN ROAD ON LAUREL HILL, (Follows Track of Washington's Road) _Frontispiece_ II. WASHINGTON'S ROAD 93 III. A MAP OF THE COUNTRY BETWEEN WILLS CREEK AND LAKE ERIE (showing designs of the French for erecting forts southward of the lakes; from the original in the British Museum) 109 IV. LEDGE FROM WHICH WASHINGTON OPENED FIRE UPON JUMONVILLE'S PARTY 145 V. SITE OF FORT NECESSITY 157 VI. TWO PLANS OF FORT NECESSITY (_A_, Plan of Lewis's survey; _B_, Sparks's plan) 175 VII. DIAGRAMS OF FORT NECESSITY 179 PREFACE The following pages are largely devoted to Washington and his times as seen from the standpoint of the road he opened across the Alleghanies in 1754. Portions of this volume have appeared in the _Interior_, the _Ohio State Archaeological and Historical Quarterly_, and in a monograph, _Colonel Washington_, issued by Western Reserve University. The author's debt to Mr. Robert McCracken, Mr. Louis Fazenbaker, and Mr. James Hadden, all of Pennsylvania, is gratefully acknowledged. A. B. H. MARIETTA, OHIO, November 17, 1902. Washington's Road (NEMACOLIN'S PATH) The First Chapter of the Old French War CHAPTER I WASHINGTON AND THE WEST If you journey today from Cumberland, Maryland, on the Potomac, across the Alleghanies to Pittsburg on the Ohio, you will follow the most historic highway of America, through scenes as memorable as any on our continent. You may make this journey on any of the three thoroughfares: by the Cumberland Road, with all its memorials of the gay coaching days "when life was interwoven with white and purple," by Braddock's Road, which was used until the Cumberland Road was opened in 1818, or by Washington's Road, built over the famous Indian trail known during the first half of the eighteenth century as Nemacolin's Path. In certain parts all three courses are identical, the two latter being generally so; and between these three "streams of human history" you may read the record of the two old centuries now passed away. Come and walk for a distance on the old Indian trail. We leave the turnpike, where it swings around the mountain, and mount the ascending ridge. The course is hard, but the path is plain before us. Small trees are growing in the center of it, but no large ones. The track, worn a foot into the ground by the hoofs of Indian ponies laden with peltry, remains, still, an open aisle along the mountain crest. Now, we are looking down--from the Indian's point of vantage. Perhaps the red man rarely looked up, save to the sun and stars or the storm cloud, for he lived on the heights and his paths were not only highways, they were the highestways. As you move on, if your mind is keen toward the long ago, the cleared hillsides become wooded again, you see the darkling valley and hear its rivulet; far beyond, the next mountain range appears as it did to other eyes in other days--and soon you are looking through the eyes of the heroes of these valleys, Washington, or his comrades Stephen or Lewis, Gladwin, hero of Detroit, or Gates, conqueror at Saratoga, or Mercer, who was to give his life to his country at Princeton. You are moving, now, with the thin line of scarlet uniformed Virginians; you are standing in the hastily constructed earthen fort; if it rains, you look up to the dim outlines of the wooded hills as the tireless young Washington did when his ignorant interpreter betrayed him to the intriguing French commander; you march with Braddock's thin red line to that charnel ground beyond the bloody ford--you stand at Braddock's grave while the army wagons hurry over it to obliterate its sight from savage eyes. Explain it as you will, our study of these historic routes and the memorials which are left of them becomes, soon, a study of its hero, that young Virginian lieutenant-colonel. Even the battles fought here seem to have been of little real consequence, for New France fell, never to rise, with the capture of Quebec. But it is not of little consequence that here a brave training school was to be had for the future heroes of the Revolution. For in what did Washington, for instance, need a training more than in the art of maneuvering a handful of ill-equipped, discouraged men out of the hands of a superior army? What lesson did that youth need more than the lesson that Right becomes Might in God's own good time? And here in these Alleghany glades we catch the most precious pictures of the lithe, keen-eyed, sober lad, who, taking his lessons of truth and uprightness from his widowed mother's knee, his strength hardened by the power of the mountain rivers, his heart, now thrilled by the songs of the mountain birds, now tempered by a St. Pierre's hauteur, a Braddock's rebuke, or the testy suspicions of a provincial governor, became the hero of Valley Forge and Yorktown, the immeasurable superior of St. Pierre, Dinwiddie, Forbes, Kaunitz, or Newcastle. For consider the record of the Washington of 1775, beneath the Cambridge elm. Twenty-one years before, he had capitulated, with the first army he ever commanded, after the first day's battle he ever fought. He marched with Braddock's ill-starred army, in which he had no official position whatever, until defeat and rout threw on his shoulders a large share of the responsibility of saving the army from complete annihilation. For the past sixteen years he had led a quiet life on his farms. Why, now, in 1775, should he have had the unstinted confidence of all men in the hour of his country's great crisis? Why should his march from Mount Vernon to Cambridge have been a triumphal march? Professor McMaster asserts that the General and the President are known to us, "but George Washington is an unknown man." How untrue this was, at least, in 1775! How the nation believed it knew the man! How much reputation he had gained, while those by his side lost all of theirs! What a hero--of many defeats! What a man to fight England to a standstill after many a wary, difficult retreat and dearly fought battle-field! Aye--but he had been to school with Gates and Mercer and Gladwin, Lewis and Boone, and Stephen, on Braddock's twelve-foot swath of a road in the Alleghanies! It was more than a century ago that George Washington died at Mount Vernon. "I die hard," he said, "but I am not afraid to go." Motley's true words of the death of William the Silent may be aptly quoted of Washington: "As long as he lived, he was the guiding-star of a whole brave nation, and when he died, the little children wept on the streets." If, as Professor McMaster has boldly said, "George Washington is an unknown man," it is not, as might be inferred, because the man himself was an enigma to his own generation, or that which immediately succeeded him; it is because the General and the President have been remembered by us, and the man, forgotten. If this is true, it is because our school histories, the principal source from which the mass of the people receive their information, are portraying only one of the fractions which made the great man what he was. It is said: "He was as fortunate as great and good." Do our school histories inform the youth of the land why he was "fortunate" to the exclusion of why he was "great and good?" If so, George Washington is, or soon will be, "an unknown man." One hundred years ago he was not unknown as a man. "Washington is dead," exclaimed Napoleon in the orders of the day, when he learned the sad news; "this great man fought against tyranny; he consolidated the liberty of his country. His memory will ever be dear to the French people, as to all freemen in both hemispheres." Said Charles James Fox, "A character of virtues, so happily tempered by one another and so wholly unalloyed by any vices, is hardly to be found on the pages of history." And these men spoke of whom--the General, the President, or the man? If, as legend states, "the Arab of the desert talks of Washington in his tent, and his name is familiar to the wandering Scythian," what of other "fortunate" heroes, of William of Orange, Gustavus Adolphus, and Cromwell, who, like Washington, consolidated the liberties of their countries, and with an eclat far more likely to win the admiration of an oriental? Half a century ago, the attention of multitudes was directed to the man Washington in the superb oratory of Edward Everett. Quoting that memorable extract from the letter of the youthful surveyor, who boasted of earning an honest dubloon a day, the speaker set before his audiences "not an ideal hero, wrapped in cloudy generalities and a mist of vague panegyric, but the real, identical man." And, again, he quoted Washington's letter written to Governor Dinwiddie after Braddock's defeat, that his hearers might "see it all--see the whole man." Was Edward Everett mistaken, are these letters not extant today, or are they unread? Surely, the last supposition must be the true one, if the man Washington is being forgotten. And look back to the school histories of Edward Everett's time. The "reader" and "history" were one text-book in that day, and one of the best known, "Porter's Rhetorical Reader," lies before me, prefaced May, 1831. From it notice two quotations which must have influenced youthful ideas of Washington. One is the last verse of Pierpont's "Washington:" "God of our sires and sons, Let other Washingtons Our country bless, And, like the brave and wise Of by-gone centuries, Show that true greatness lies In righteousness." The other, from the address "America," of the Irish orator Phillips; having exalted Washington as general, statesman, and conqueror, he continues: "If he had paused there, history might have doubted what station to assign him; whether at the head of her citizens, or her soldiers, her heroes, or her patriots. But the last glorious act crowns his career, and banishes the hesitation. Who, like Washington, after having emancipated a hemisphere, resigned its crown, and preferred the retirement of domestic life to the adoration of a land he might be almost said to have created? Happy, proud America! The lightnings of heaven yielded to your philosophy! The temptations of earth could not seduce your patriotism!" A candid review of the more popular school histories will bring out the fact that the man Washington is almost forgotten, in so far as the general and the statesman do not portray him. In one, "Young Folks' History of the United States" (to name the production of an author whom criticism cannot injure), there seems to be but one line, of five words, which describes the character of Washington. Could we not forego, for once, what the Indian chieftain said of the "charmed life" Washington bore at Braddock's defeat, to make room for one little reason why Washington was "completer in nature" and of "a nobler human type" than any and all of the heroes of romance? Mr. Otis Kendall Stuart has written a most interesting account of "The Popular Opinion of Washington" as ascertained by inquiry among persons of all ages, occupations, and conditions. He found that Washington was held to be a "broad," "brave," "thinking," "practical," man; an aristocrat, so far as the dignity of his position demanded, but willing to "work with his hands," and with a credit that was "A1!" And "when he did a thing, he did it;" and, if to the question, "Was he a great general and statesman?" there was some hesitation, to the question, "Was he a great man?" the answer was an unhesitating "Yes." One may hold that such opinions as these have been gained from our school histories, but I think they are not so much from the histories, as from the popular legends of Washington, which, true and false, will never be forgotten by the common people until they cease to represent the _man_--not the patient, brave, and wary general, or the calm, far-seeing statesman, but that "simple, stainless, and robust character," as President Eliot has so aptly described it, "which served with dazzling success the precious cause of human progress through liberty, and so stands, like the sunlit peak of Matterhorn, unmatched in all the world." The real essence of that "simple, stainless, and robust character" is nowhere so clearly seen as on these Alleghany trails. In the West with Washington we may still "see it all--see the whole man." To us of the Central West, the memory of Washington and his dearest ambitions must be precious beyond that of any other American, whether statesman, general, or seer. Under strange providential guidance the mind and heart of that first American was turned toward the territories lying between the Alleghanies and the Mississippi, and it is to be doubted if any other portion of his country received so much of his attention and study as this. Washington was the original expansionist--not for expansion's sake, truly, but for country's sake and duty's. If Washington was the father of his country, he was in a stronger and more genuine sense the father of the West. It was begotten of him. Others might have led the Revolutionary armies through the valleys as deep and dark as those through which Washington passed, and have eventually fought England to a similar standstill as did Washington; at least
917.353587
2023-11-16 18:32:21.5291520
1,764
57
Transcribed from the 1878, (third) Hatchards edition by David Price, email [email protected] Sanctification * * * * * BY THE REV. EDWARD HOARE, M.A. _Vicar of Trinity_, _Tunbridge Wells_; _and Hon. Canon of Canterbury_. * * * * * Third Edition, Enlarged. * * * * * LONDON: HATCHARDS, PICCADILLY. 1878. * * * * * LONDON: PRINTED BY JOHN STRANGEWAYS, Castle St. Leicester Sq. * * * * * PREFACE. THE following pages contain the substance of some Sermons preached in the course of my parochial ministry, on the subject of Sanctification, and are published at the request of several members of my congregation. They contain nothing new, and, being parochial sermons, they are not in the form of a systematic treatise. But I hope they exhibit the doctrine of Sanctification as revealed in Scripture, as embodied in the teaching of the Church of England, and as preached by those who are generally termed the Evangelical Clergy. They are not so much controversial as practical. My desire has not been to discuss new opinions, but to bring out old truths. I shall be truly thankful if this shall prove to have been done; and I commit them to God, with the earnest prayer that He may make them useful, by the power of the Holy Spirit, to those who long for the fulfilment of the prayer of their most blessed Saviour,—‘Sanctify them through Thy truth, Thy Word is truth.’ E. H. TUNBRIDGE WELLS. CONTENTS. PAGE SEPARATION UNTO GOD 1 LEGAL CLEANSING: SANCTIFICATION THROUGH BLOOD 14 THE CLEANSING BLOOD 27 PERSONAL HOLINESS: THE SANCTIFIED 40 PROGRESS 50 INFECTION OF NATURE 64 GRACE 78 HOLINESS THROUGH FAITH 91 CONSECRATION 103 PRAYER 117 GOD’S NAME SANCTIFIED 132 EXPOSITORY NOTES: ROMANS, VII. 143 1 JOHN, III. 6 146 THE WORD ‘PERFECT’ 149 TEMPTATION, HEB. IV. 15 152 DOCTRINAL NOTES 154 SEPARATION UNTO GOD. ‘Elect according to the foreknowledge of God the Father, through sanctification of the Spirit, unto obedience and sprinkling of the blood of Jesus Christ; Grace unto you, and peace, be multiplied.’—1 PET. i. 2. It is one of the encouraging features of the present day that many of the Lord’s people are aiming at a higher standard of Christian holiness than they have ever yet known, and are looking to the great grace of their most blessed Saviour to raise them by His Spirit above the various hindrances which have hitherto impeded their progress. They desire that there should be no impediment in the service of their blessed Saviour. In their worship they would draw very near to Him, and in their life they would glorify His name. But yet, when they seek to do so, and when they fairly look at God’s character, God’s claims, God’s will, and God’s glory, they find reason to be humbled to the dust; and the more they realize His infinite mercy in Christ Jesus, the more they learn of the magnitude and multitude of their own shortcomings. Thus it sometimes comes to pass that in many true believers their greatest discouragements are intimately connected with their efforts after holiness, and many of their doubts and difficulties arise from their real desire for true sanctification. The more that they aim at the holiness of God, the more they feel their sin, and the more earnestly that they strive to rise, the more keenly do they feel the pain and humiliation of the ruin of their fallen nature. It is important therefore for those who desire holiness to look carefully into the teaching of Scripture on the great subject of Sanctification; to examine what is really promised, and to learn what the Word of God teaches us to expect. Does it, or does it not, make provision for such difficulties? And if it does, what is the provision? These are some of the questions which I desire now to consider, and I hope it may please God to fulfil to both writer and reader the prayer of the Apostle: ‘The very God of peace sanctify you wholly; and I pray God your whole spirit and soul and body be preserved blameless unto the coming of our Lord Jesus Christ.’ Now one of the great difficulties of the subject is, that in all languages certain words are employed to express more than one idea, and that the idea connected with the word often changes as time advances. To a certain extent this applies to the word ‘sanctification’ in sacred Scripture. It has no less than four distinct meanings in the Word of God; and, if we treat them all as if they were the same, we are sure to be confused. It has its original sense, and three others that have grown out of it. The original sense is separation unto God, or dedication; and the three that have grown out of it are legal cleansing, personal holiness, and the exaltation of the holiness of God. If therefore we wish to understand the teaching of Scripture, we must clearly examine the use of the word in these four senses. May the Lord Himself help us to do so! If we turn then to the beginning, we shall find that the original sense of the word ‘to sanctify’ is to set apart unto God. So in the Old Testament the Hebrew is frequently rendered ‘to hallow,’ or to set apart as a holy thing. In this sense it is used of the Sabbath (Gen. ii. 3): ‘God blessed the seventh day, and sanctified it.’ He separated it from the ordinary purposes of common life, and set it apart as a day peculiar to Himself. So again the first-born were set apart unto God, and therefore said to be sanctified; as we read, Exod. xiii. 2: ‘Sanctify unto Me all the first-born—both of man and of beast: it is mine.’ So of the Temple, God said (2 Chron. vii. 16), ‘I have chosen and sanctified this house, that my name may be there for ever.’ The same is said of the priests, the vessels of the sanctuary, and the lamb taken from the flock for sacrifice: they were all separated unto God, and thus said to be sanctified. It is in this sense that our blessed Saviour made use of the word, when He said in John, xvii. 19, ‘For their sakes I sanctify myself.’ No one can suppose for one moment that He made Himself more holy, or cleansed Himself from actual sin, for He had been from all eternity holy, harmless, undefiled, and separate from sinners. There was no possibility of any increase of holiness in Him. But He did, from the deep love that filled His heart, set Himself apart unto God, to be the one perfect sin-offering for man. As the lamb was sanctified when it was taken from the flock, and set apart for sacrifice, so did He sanctify Himself when He separated Himself from all human fellowship, and, as one set apart unto God, bore alone the whole burden of human guilt. Now, this is the sense in which the word is used whenever sanctification is spoken of as something past, or complete
917.549192
2023-11-16 18:32:21.6270330
1,789
9
Produced by Brendan OConnor, Neville Allen, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) Transcriber's Note: Minor typographical errors have been corrected and footnotes moved to the end of the relevant article. Greek transliterations are surrounded by ~tildes~. BLACKWOOD'S EDINBURGH MAGAZINE. No. CCCLVIII. AUGUST, 1845. VOL. LVIII. CONTENTS. ON PUNISHMENT. 129 PUSHKIN, THE RUSSIAN POET. CONCLUDED. 140 MARSTON; OR, THE MEMOIRS OF A STATESMAN. PART XVIII. 157 A LETTER FROM LONDON. BY A RAILWAY WITNESS, 173 PRIESTS, WOMEN, AND FAMILIES, 185 MY COLLEGE FRIENDS. NO. II.--HORACE LEICESTER, 197 ZUMALACARREGUI, 210 NORTH'S SPECIMENS OF THE BRITISH CRITICS. NO. VII.--MAC-FLECNOE AND THE DUNCIAD, 229 EDINBURGH: WILLIAM BLACKWOOD AND SONS, 45, GEORGE STREET; AND 37, PATERNOSTER ROW, LONDON. _To whom all Communications (post paid) must be addressed._ SOLD BY ALL THE BOOKSELLERS IN THE UNITED KINGDOM. PRINTED BY BALLANTYNE AND HUGHES, EDINBURGH. BLACKWOOD'S EDINBURGH MAGAZINE. No. CCCLVIII. AUGUST, 1845. VOL. LVIII. ON PUNISHMENT. How to punish crime, and in so doing reform the criminal; how to uphold the man as a terror to evil-doers, and yet at the same time be implanting in him the seeds of a future more happy and prosperous life--this is perhaps the most difficult problem of legislation. We are far from despairing of some approximation to a solution, which is the utmost that can be looked for; but we are also convinced that even this approximation will not be presented to us by those who seem willing to blind themselves to the difficulties they have to contend with. Without, therefore, assuming the air of opposition to the schemes of philanthropic legislators, we would correct, so far as lies in our power, some of those misconceptions and oversights which energetic reformers are liable to fall into, whilst zealously bent on viewing punishment in its reformatory aspect. We have selected for our comments the pamphlets of Captain Maconochie, not only because they illustrate the hasty and illogical reasonings, the utter forgetfulness of elementary principles, into which such reformers are apt to lapse; but also for the still better reason, that they contain a suggestion of real value; a contribution towards an efficient prison-discipline, which merits examination and an extensive trial. We have added to these pamphlets a brief work of Zschokke's, the venerable historian of Switzerland, on death-punishment, in order that we might extend our observations over this topic also. It is evident that the question of capital punishment, and the various questions relating to prison discipline, embrace all that is either very interesting or very important in the prevailing discussions on penal legislation. Transportation forms no essentially distinct class of punishment, as the transported convict differs from others in this only, that he has to endure his sentence of personal restraint and compulsory labour in a foreign climate. Reformatory punishment! Alas, there is an incurable contradiction in the very terms! Punishment is pain, is deprivation, despondency, affliction. But, would you reform, you must apply kindness, and a measure of prosperity, and a greater measure still of hope. There is no genial influence in castigation. It may deter from the recommission of the identical offence it visits, but no conversion, no renewal of the heart, waits on its hostile presence; the disposition will remain the same, with the addition of those angry sentiments which pain endured is sure to generate. No philosopher or divine of these days would invent a purgatory for the purifying of corrupted souls. No--he would say--your purgatory may be a place of preparation if you will, but _not_ for heaven. You may make devils there--nothing better; he must be already twice a saint whom the smoke of your torments would not blacken to a demon. We may rest assured of this, that the actual infliction of the punishment must always be an evil, as well to mind as body--as well to society at large as to the culprit. If the threat alone could be constantly efficacious--if the headlong obstinacy, the passion, and the obtuseness of men would not oblige, from time to time, the execution of the penalty, for the very purpose of sustaining the efficacy of the threat--all would be well, and penal laws might be in full harmony with the best educational institutions, and the highest interests of humanity. But the moment the law from a threat becomes an act, and the sentence goes forth, and the torture begins, a new but unavoidable train of evils encounters us. There is war implanted in the very bosom of society--hatred, and the giving and the sufferance of pain. And here, we presume, is to be found the reason of the proverbially severe laws of Draco, which, being instituted by a man of virtue and humanity, were yet said to have been written in blood: he desired that the threat should be effective, and that thus the evils of punishment, as well as of crime, should be avoided. Whatever is to be effected towards the genuine reformation of the culprit, must be the result, not of the punishment itself, but of some added ingredient, not of the essence of the punishment; as when hopes are held out of reward, or part remission of the penalty, on the practice of industry and a continuance of good behaviour. And yet--some one may here object--we correct a child, we punish it, and we reform. The very word correction has the double meaning of penalty and amendment. If the plan succeeds so well with the infant, that he who spares the rod is supposed to spoil the child, why should it utterly fail with the adult? But mark the difference. You punish a child, and a short while after you receive the little penitent back into your love; nay, you caress it into penitence; and the reconcilement is so sweet, that the infant culprit never, perhaps, has his affections so keenly awakened as in these tearful moments of sorrow and forgiveness. The heart is softer than ever, and the sense of shame at having offended is kept sensitively alive. But if you withdrew your love--if, after punishment inflicted, you still kept an averted countenance--if no reconcilement were sought and fostered, there would be no reformation in your chastisement. Between society and the adult culprit, this is exactly the case. Here the hostile parent strikes, but makes no after overture of kindness. The blow, and the bitterness of the blow, are left unhealed. Nothing is done to take away the sting of anger, to keep the heart tender to reproof, to prevent the growing callousness to shame, and the rising rebellion of the spirit. And here reveals itself, in all its force, another notorious difficulty with which the reformer of penal codes has to contend. In drawing the picture of the helpless condition of the convicted and punished criminal, how often and how justly does he allude to the circumstance, that the reputation of the man is so damaged that honest people are loath to employ him--that his return to an untainted
917.647073
2023-11-16 18:32:21.8243370
2,194
13
Produced by RichardW and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Library of Congress) HOCUS POCUS; OR THE WHOLE ART OF LEGERDEMAIN, IN PERFECTION. BY HENRY DEAN. [Illustration: Strange feats are herein taught by slight of hand, With which you may amuse yourself and friend, The like in print was never seen before, And so you’ll say when once you’ve read it o’er. ] HOCUS POCUS; OR THE WHOLE ART OF _LEGERDEMAIN_, IN PERFECTION. By which the meaneſt capacity may perform the whole without the help of a teacher. _Together with the Uſe of all the Inſtruments_ _belonging thereto._ TO WHICH IS NOW ADDED, Abundance of New and Rare Inventions. BY HENRY DEAN. _The ELEVENTH EDITION, with large_ _Additions and Amendments._ PHILADELPHIA: PRINTED FOR MATHEW CAREY, NO. 118, MARKET-STREET. 1795. THE PREFACE TO THE READER. KIND READER, Having _in my former_ book _of_ LEGERDEMAIN, _promiſed you farther improvements, accordingly I have diſcovered herein to you the greateſt and moſt wonderful ſecrets of this_ ART, _never written or publiſhed by any man before: therefore I do not doubt but herein you will find pleaſure to your full ſatisfaction; which is all my deſire_. HENRY DEAN. The Whole ART of LEGERDEMAIN; OR, HOCUS POCUS IN PERFECTION, &c. Legerdemain is an operation whereby one may seem to work wonderful, impossible, and incredible things, by agility, nimbleness, and slight of hand. The parts of this ingenious art, are principally four. First, In conveyance of balls. Secondly, In conveyance of money. Thirdly, In cards, Fourthly, In confederacy. _A Description of the Operation._ 1. He must be one of a bold and undaunted resolution, so as to set a good face upon the matter. 2. He must have strange terms, and emphatical words, to grace and adorn his actions; and the more to amaze and astonish the beholders. 3. And lastly, He must use such gestures of body, as may take off the spectators eyes from a strict and diligent beholding his manner of performance. _How to pass the Balls through the Cups._ You must place yourself at the farther end of the table, and then you must provide yourself three cups, made of tin, and then you must have your black sticks of magic to shew your wonders withal; then you must provide four small cork balls to play with; but do not let more than three of them be seen upon the table. Note. Always conceal one ball in the right hand, between your middle finger and ring finger: and be sure make yourself perfect to hold it there, for, by this means, all the tricks of the cups are done. Then say as followeth. _Gentlemen, three cups—’tis true_ _They are but tin, the reason why,_ _Silver is something dear._ _I’ll turn them in gold, if I live, &c._ _No equivocation at all:_ _But if your eyes are not as quick as my hands_ _I shall deceive you all._ _View them within,_ _View them all round about,_ _Where there is nothing in,_ _There’s nothing can come out._ Then take your four balls privately between your fingers, and so sling one of them upon the table, and say thus, _The first trick that e’er learn’d to do,_ _Was, out of one ball to make it into two:_ _Ah! since it cannot better be,_ _One of these two, I’ll divide them into three,_ _Which is call’d the first trick of dexterity._ So then you have three balls on the table to play with, and one left between the fingers of your right hand. _The Operation of the Cups is thus._ [Illustration] Lay your three balls on the table, then say, Gentlemen, you see here are three balls, and here are three cups, that is, a cup for each ball, and a ball for each cup. Then, taking that ball that you had in your right hand, (which you are always to keep private) and clapping it under the first cup, then taking up one of the three balls, with your right hand, seeming to put it into your left hand, but retain it still in your right, shutting your left hand in due time, then say, _Presto, be gone_. [Illustration] Then taking the second cup up, say, Gentlemen, you see there is nothing under my cup; so clap the ball that you have in your right hand under it, and then take the second ball up with your right hand, and seem to put it into your left, but retain it in your right hand, shutting your left in due time, as before, saying, _Verda, be gone_. [Illustration] Then take the third cup, saying, Gentlemen, you see there is nothing under my last cup; then clapping the ball you have in your right hand under it, then take the third ball up with your right hand, and seeming to put it into your left hand, but retain it in your right; shutting your left hand in due time, as before, saying, _Presto, make haste_; so you have your three balls come under your three cups, as thus: and so lay your three cups down on the table. [Illustration] Then with your right hand take up the first cup, and there clap that ball under, that you have in your right hand; then saying, Gentlemen, this being the first ball, I will put it into my pocket; but that you must still keep in your hand to play withal. [Illustration] So take up the second cup with your right hand, and clap that ball you have concealed under it, and then take up the second ball with your right hand, and say, this likewise, I take and put into my pocket. [Illustration] Likewise, take up the third cup, and clapping the cup down again, convey that ball you have in your right hand under the cup, then taking the third ball, say, Gentlemen, this being the last ball, I take and put this into my pocket. Afterwards say to the company, Gentlemen, by a little of my fine powder of experience, I will command these balls under the cups again. As thus, [Illustration] So lay them all along upon the table to the admiration of all the beholders. Then take up the first cup, and clap the ball you have in your right hand under it, then taking the first ball up with your right hand, seem to put the same into your left hand, but retain it still in your right, then say, _Vade, quick be gone when I bid you, and run under the cup_. [Illustration] Then taking that cup up again, and flinging that you have in your right hand under it, you must take up the second ball, and seem to put it into your left hand, but retain it in your right hand, saying, Gentlemen, see how the ball runs on the table. So seemingly fling it away, and it will appear as thus. [Illustration] So taking the same cup again, then clapping the ball under again, as before, then taking the third ball in your right hand, and seem to put it under your left, but still retain it in your right, then with your left hand seem to fling it in the cup, and it will appear thus; all the three balls to be under one cup. [Illustration] And if you can perform these actions with the cups, you may change the balls into apples pears, or plumbs, or to living birds, to what your fancy leads you to. I would have given you more examples, but I think these are sufficient for the ingenious, so that, by these means, you may perform all manner of actions with the cups. Note. The artificial cups cannot well be described by words, but you may have them of me, for they are accounted the greatest secrets in this art: therefore, I advise you to keep them as such, for this was never known to the world before. _How to shew the wonderful_ Magic Lanthorn. This is the magic lanthorn that has made so much wonder in the world, and that which Friar Bacon used to shew all his magical wonders withal. This lanthorn is called magic, with respect to the formidable apparitions that by virtue of light it shews upon the white wall of a dark room. The body of it is generally made of tin, and of a shape of the lamp; towards the back part, is a concave looking glass of metal, which may either be spherical or parabolical, and which, by a grove made in the bottom of the lanthorn, may either be advanced nearer or put farther back from the lamp, in which is oil or spirit of wine, and the match ought to be a little thick, that when it is lighted, it may cast a good light that may easily reflect from the glass to the fore part of the lanthorn, where there is an aperture with the perspective in it, composed of two glasses that make the rays converge and magnify the object. When you mean to make use of this admirable machine, light the lamp, the light of which will be much augmented by the looking glass at a reasonable distance.
917.844377
2023-11-16 18:32:21.8677270
3,307
50
WORSHIP OF THE DEAD, VOLUME I (OF 3)*** E-text prepared by Marilynda Fraser-Cunliffe, David King, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/) from page images generously made available by the Humanities Text Initiative (http://www.hti.umich.edu/), a unit of the University of Michigan's Digital Library Production Service Note: Images of the original pages are available through the Humanities Text Initiative, a unit of the University of Michigan's Digital Library Production Service. See http://www.hti.umich.edu/cgi/t/text/text-idx?c=genpub;idno=AFL0522.0001.001 THE BELIEF IN IMMORTALITY AND THE WORSHIP OF THE DEAD by J. G. FRAZER, D.C.L., LL.D., Litt.D. Fellow of Trinity College, Cambridge Professor of Social Anthropology in the University of Liverpool. VOL. I The Belief Among the Aborigines of Australia, the Torres Straits Islands, New Guinea and Melanesia The Gifford Lectures, St. Andrews 1911-1912 MacMillan and Co., Limited St. Martin's Street, London 1913 _Itaque unum illud erat insitum priscis illis, quos cascos appellat Ennius, esse in morte sensum neque excessu vitae sic deleri hominem, ut funditus interiret; idque cum multis aliis rebus; tum e pontificio jure et e caerimoniis sepulchrorum intellegi licet, quas maxumis ingeniis praediti nec tanta cura coluissent nec violatas tam inexpiabili religione sanxissent, nisi haereret in corum mentibus mortem non interitum esse omnia tollentem atque delentem, sed quandam quasi migrationem commutationemque vitae._ Cicero, _Tuscul. Disput._ i. 12. TO MY OLD FRIEND JOHN SUTHERLAND BLACK, LL.D. I DEDICATE AFFECTIONATELY A WORK WHICH OWES MUCH TO HIS ENCOURAGEMENT PREFACE The following lectures were delivered on Lord Gifford's Foundation before the University of St. Andrews in the early winters of 1911 and 1912. They are printed nearly as they were spoken, except that a few passages, omitted for the sake of brevity in the oral delivery, have been here restored and a few more added. Further, I have compressed the two introductory lectures into one, striking out some passages which on reflection I judged to be irrelevant or superfluous. The volume incorporates twelve lectures on "The Fear and Worship of the Dead" which I delivered in the Lent and Easter terms of 1911 at Trinity College, Cambridge, and repeated, with large additions, in my course at St. Andrews. The theme here broached is a vast one, and I hope to pursue it hereafter by describing the belief in immortality and the worship of the dead, as these have been found among the other principal races of the world both in ancient and modern times. Of all the many forms which natural religion has assumed none probably has exerted so deep and far-reaching an influence on human life as the belief in immortality and the worship of the dead; hence an historical survey of this most momentous creed and of the practical consequences which have been deduced from it can hardly fail to be at once instructive and impressive, whether we regard the record with complacency as a noble testimony to the aspiring genius of man, who claims to outlive the sun and the stars, or whether we view it with pity as a melancholy monument of fruitless labour and barren ingenuity expended in prying into that great mystery of which fools profess their knowledge and wise men confess their ignorance. J. G. FRAZER. Cambridge, _9th February 1913._ CONTENTS Dedication Preface Table of Contents Lecture I.--Introduction Natural theology, three modes of handling it, the dogmatic, the philosophical, and the historical, pp. 1 _sq._; the historical method followed in these lectures, 2 _sq._; questions of the truth and moral value of religious beliefs irrelevant in an historical enquiry, 3 _sq._; need of studying the religion of primitive man and possibility of doing so by means of the comparative method, 5 _sq._; urgent need of investigating the native religion of savages before it disappears, 6 _sq._; a portion of savage religion the theme of these lectures, 7 _sq._; the question of a supernatural revelation dismissed, 8 _sq._; theology and religion, their relations, 9; the term God defined, 9 _sqq._; monotheism and polytheism, 11; a natural knowledge of God, if it exists, only possible through experience, 11 _sq._; the nature of experience, 12 _sq._; two kinds of experience, an inward and an outward, 13 _sq._; the conception of God reached historically through both kinds of experience, 14; inward experience or inspiration, 14 _sq._; deification of living men, 16 _sq._; outward experience as a source of the idea of God, 17; the tendency to seek for causes, 17 _sq._; the meaning of cause, 18 _sq._; the savage explains natural processes by the hypothesis of spirits or gods, 19 _sq._; natural processes afterwards explained by hypothetical forces and atoms instead of by hypothetical spirits and gods, 20 _sq._; nature in general still commonly explained by the hypothesis of a deity, 21 _sq._; God an inferential or hypothetical cause, 22 _sq._; the deification of dead men, 23-25; such a deification presupposes the immortality of the human soul or rather its survival for a longer or shorter time after death, 25 _sq._; the conception of human immortality suggested both by inward experience, such as dreams, and by outward experience, such as the resemblances of the living to the dead, 26-29; the lectures intended to collect evidence as to the belief in immortality among certain savage races, 29 _sq._; the method to be descriptive rather than comparative or philosophical, 30. Lecture II.--The Savage Conception of Death The subject of the lectures the belief in immortality and the worship of the dead among certain of the lower races, p. 31; question of the nature and origin of death, 31 _sq._; universal interest of the question, 32 _sq._; the belief in immortality general among mankind, 33; belief of many savages that death is not natural and that they would never die if their lives were not cut prematurely short by sorcery, 33 _sq._; examples of this belief among the South American Indians, 34 _sqq._; death sometimes attributed to sorcery and sometimes to demons, practical consequence of this distinction, 37; belief in sorcery as the cause of death among the Indians of Guiana, 38 _sq._, among the Tinneh Indians of North America, 39 _sq._, among the aborigines of Australia, 40-47, among the natives of the Torres Straits Islands and New Guinea, 47, among the Melanesians, 48, among the Malagasy, 48 _sq._, and among African tribes, 49-51; effect of such beliefs in thinning the population by causing multitudes to die for the imaginary crime of sorcery, 51-53; some savages attribute certain deaths to other causes than sorcery, 53; corpse dissected to ascertain cause of death, 53 _sq._; the possibility of natural death admitted by the Melanesians and the Caffres of South Africa, 54-56; the admission marks an intellectual advance, 56 _sq._; the recognition of ghosts or spirits, apart from sorcery, as a cause of disease and death also marks a step in moral and social progress, 57 _sq._ Lecture III.--Myths of the Origin of Death Belief of savages in man's natural immortality, p. 59; savage stories of the origin of death, 59 _sq._; four types of such stories:-- (1) _The Story of the Two Messengers_.--Zulu story of the chameleon and the lizard, 60 _sq._; Akamba story of the chameleon and the thrush, 61 _sq._; Togo story of the dog and the frog, 62 _sq._; Ashantee story of the goat and the sheep, 63 _sq._ (2) _The Story of the Waxing and Waning Moon_.--Hottentot story of the moon, the hare, and death, 65; Masai story of the moon and death, 65 _sq._; Nandi story of the moon, the dog, and death, 66; Fijian story of the moon, the rat, and death, 67; Caroline, Wotjobaluk, and Cham stories of the moon, death, and resurrection, 67; death and resurrection after three days suggested by the reappearance of the new moon after three days, 67 _sq._ (3) _The Story of the Serpent and his Cast Skin_.--New Britain and Annamite story of immortality, the serpent, and death, 69 _sq._; Vuatom story of immortality, the lizard, the serpent, and death, 70; Nias story of immortality, the crab, and death, 70; Arawak and Tamanchier stories of immortality, the serpent, the lizard, the beetle, and death, 70 _sq._; Melanesian story of the old woman and her cast skin, 71 _sq._; Samoan story of the shellfish, two torches, and death, 72. (4) _The Story of the Banana_.--Poso story of immortality, the stone, the banana, and death, 72 _sq._; Mentra story of immortality, the banana, and death, 73. Primitive philosophy in the stories of the origin of death, 73 _sq._; Bahnar story of immortality, the tree, and death, 74; rivalry for the boon of immortality between men and animals that cast their skins, such as serpents and lizards, 74 _sq._; stories of the origin of death told by Chingpaws, Australians, Fijians, and Admiralty Islanders, 75-77; African and American stories of the fatal bundle or the fatal box, 77 _sq._; Baganda story how death originated through the imprudence of a woman, 78-81; West African story of Death and the spider, 81-83; Melanesian story of Death and the Fool, 83 _sq._ Thus according to savages death is not a natural necessity, 84; similar view held by some modern biologists, as A. Weismann and A. R. Wallace, 84-86. Lecture IV.--The Belief in Immortality among the Aborigines of Central Australia In tracing the evolution of religious beliefs we must begin with those of the lowest savages, p. 87; the aborigines of Australia the lowest savages about whom we possess accurate information, 88; savagery a case of retarded development, 88 _sq._; causes which have retarded progress in Australia, 89 _sq._; the natives of Central Australia on the whole more primitive than those of the coasts, 90 _sq._; little that can be called religion among them, 91 _sq._; their theory that the souls of the dead survive and are reborn in their descendants, 92 _sq._; places where the souls of the dead await rebirth, and the mode in which they enter into women, 93 _sq._; local totem centres, 94 _sq._; totemism defined, 95; traditionary origin of the local totem centres (_oknanikilla_) where the souls of the dead assemble, 96; sacred birth-stones or birth-sticks (_churinga_) which the souls of ancestors are thought to have dropped at these places, 96-102; elements of a worship of the dead, 102 _sq._; marvellous powers attributed to the remote ancestors of the _alcheringa_ or dream times, 103 _sq._; the Wollunqua, a mythical water-snake, ancestor of a totemic clan of the Warramunga tribe, 104-106; religious character of the belief in the Wollunqua, 106. Lecture V.--The Belief in Immortality among the Aborigines of Central Australia (_continued_) Beliefs of the Central Australian aborigines concerning the reincarnation of the dead, p. 107; possibility of the development of ancestor worship, 107 _sq._; ceremonies performed by the Warramunga in honour of the Wollunqua, the mythical ancestor of one of their totem clans, 108 _sqq._; union of magic and religion in these ceremonies, 111 _sq._; ground drawings of the Wollunqua, 112 _sq._; importance of the Wollunqua in the evolution of religion and art, 113 _sq._; how totemism might develop into polytheism through an intermediate stage of ancestor worship, 114 _sq._; all the conspicuous features of the country associated by the Central Australians with the spirits of their ancestors, 115-118; dramatic ceremonies performed by them to commemorate the deeds of their ancestors, 118 _sq._; examples of these ceremonies, 119-122; these ceremonies were probably in origin not merely commemorative or historical but magical, being intended to procure a supply of food and other necessaries, 122 _sq._; magical virtue actually attributed to these dramatic ceremonies by the Warramunga, who think that by performing them they increase the food supply of the tribe, 123 _sq._; hence the great importance ascribed by these savages to the due performance of the ancestral dramas, 124; general attitude of the Central Australian aborigines to their dead, and the lines on which, if left to themselves, they might have developed a regular worship of the dead, 124-126. Lecture VI.--The Belief in Immortality among the other Aborigines of Australia Evidence for the belief in reincarnation among the natives of other parts of Australia than the centre, p. 127; beliefs of the Queensland aborigines
917.887767
2023-11-16 18:32:21.9154290
2,454
8
Produced by Emmanuel Ackerman and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber Notes Text emphasis is denoted as _Italics_. THE BIRD WATCHER IN THE SHETLANDS WITH SOME NOTES ON SEALS--AND DIGRESSIONS _All rights reserved_ [Illustration: _A Seal's Dormitory._] THE BIRD WATCHER IN THE SHETLANDS WITH SOME NOTES ON SEALS--AND DIGRESSIONS BY EDMUND SELOUS [Illustration: Shadows we are and Like shadows depart] WITH 10 ILLUSTRATIONS BY J. SMIT LONDON: J. M. DENT & CO. NEW YORK: E. P. DUTTON & CO. 1905 PREFACE In the spring of 1900 I paid my first visit to the Shetlands, and most of what I then saw is embodied in my work _Bird Watching_. Two years afterwards I went there again, arriving somewhat later, and it is the notes made by me during this second stay which fill the greater number of these pages. They are my journal, written from day to day, amidst the birds with whom I lived without another companion, nor did I look upon them as more than the rough material out of which I might, some day, make a book. When it came to making one, however, it struck me more and more forcibly that I was taking elaborate pains to stereotype and artificialise what was, at any rate, as it stood, an unforced utterance and natural growth. I found, in fact, that I could make it worse, but not better, so I resolved not to make it worse. Except for a few peckings, therefore, and minor interpolations--mostly having to do with the working out of ideas jotted down in the rough--I send it to press with this very negative sort of recommendation, and with only the hope added that what interested me so much will interest others also, even through the veil of my writing. Besides birds, I was lucky enough this time to have seals to watch, and I watched them hour after hour and day after day. I believe I know them better now, than I do anybody, or than anybody does me; but that is not to say much, for, as the true Russian proverb has it, "Another man's soul is darkness." But I have them in my heart for ever, and I would take them out of the Zoological Society's basins, and throw them back into the sea, if I could. I have no doubt that these pages contain some errors of observation or inference which I am not yet aware of--but those who only glance at them may sometimes be inclined to correct me, where, later, I correct myself. It is best, I think, to let one's mistakes stand recorded against one, for mistakes have their interest, and often emphasize some truth. Honesty, too, would suffer in their suppression--and besides, if one has got in some idea or reflection that pleases one, or a piece of descriptive writing that does not seem amiss, how tiresome to have to scratch it out, merely because it is founded on a wrong apprehension!--the spire to come tumbling just for the want of a base! For these reasons, therefore--especially the last, when it applies--I have not suppressed my errors, even where I happen to know them. There they stand, if only to encourage others who may be labouring in the same field as myself--which makes one more high-minded motive. For my digressions, etc.--for which I have been taken to task--I hope this fresh crop of them will make it apparent that they are a part of my method, or, rather, a part of myself. I have still a temperament I find--and it gives me a good deal of trouble--but as soon as I have become a nonentity, I will follow the advice given me, and write like one. I would say more if I could, but I must not promise what it is not in my power to perform. EDMUND SELOUS CONTENTS CHAPTER PAGE I. My Island Again! 1 II. Spoiler and Spoiled 9 III. From Darkness to Light 15 IV. Duckings and Bobbings 26 V. A Vengeful Community 31 VI. Metempsychosis 37 VII. Bird Sympathy 39 VIII. Enchanted Caverns 47 IX. Ducks and Divers 59 X. From the Edge of a Precipice 68 XI. Darwinian Eider-ducks 74 XII. On the Great Ness-side 81 XIII. Mother and Child 88 XIV. "Dream Children" 95 XV. New Developments 104 XVI. Flight and Fancy 110 XVII. Mouths with Meanings 122 XVIII. Learning to Soar 133 XIX. The Dance of Death 138 XX. "By _Any_ Other Name"! 150 XXI. "Not Always to the Strong" 156 XXII. Children of the Mists 160 XXIII. Love on the Ledges 172 XXIV. Grouse Aspirations 190 XXV. Unorthodox Attitudes 203 XXVI. Pied Pipers 218 XXVII. A Bitter Disappointment 225 XXVIII. Tammy-Norie-land 234 XXIX. Thoughts in a Sentry-box 249 XXX. Intersexual Selection 261 XXXI. An All-day Sitting 284 XXXII. Three Murderers 297 XXXIII. Gulls and Gibbon 314 XXXIV. All about Seals 327 XXXV. The Devil's Advocate 342 XXXVI. Comparing Notes 365 LIST OF ILLUSTRATIONS A Seal's Dormitory _Photogravure Frontispiece_ Bird Sympathy _Facing page_ 42 From the Rocks of Raasey Isle " 84 On the Edge of the Precipice " 92 Aerial Piracy " 133 A Seal's Plaything " 216 A Perilous Journey " 288 "One More Unfortunate" " 308 "Nature Red in Tooth and Claw" " 316 Polite but Insistent " 346 THE BIRD WATCHER IN THE SHETLANDS WITH SOME NOTES ON SEALS--AND DIGRESSIONS CHAPTER I MY ISLAND AGAIN! My island again!--and all the birds still there, looking just as they did when I left it. More, too, have come. At night, but in a sort of murky daylight, I walk over the breeding-ground of the terns, a long flat strip of pebbly beach--or rather the heather a little way above it, for on the beach itself they do not appear to have laid. Rising, all at once, as is their wont, they make a second smaller canopy, above me, floating midway beneath the all-overshadowing one of dreary low-lying cloud. Out of it, ever and anon, some single bird shoots down, with a cry so sharp and shrill that it seems to pierce the ear like a pointed instrument. Occasionally an oyster-catcher darts in amongst them all, on quickly quivering wings, its quavering high-pitched note of "teep, teep!--teep, teep, teep!" threading, as it were, the general clamour, whilst like a grey, complaining shadow, the curlew circles, beyond and solitary, shunning even the outer margin of the crowd. How lonely is this island, and yet how populous! The terns--a "shrieking sisterhood"--make, as I say, a canopy above me, when I pace or skirt their territories; but what is that to the great perpetual canopy of gulls that accompanies and shrieks down at me, almost wherever I go? Were it beneath any roof but that of heaven, how deafening, how ear-splitting would be the noise, how utterly unendurable! But going forth into the immensity of sky and air it sounds almost softly, harsh as it is, and even its highest, most distressful notes, sink peacefully at last into the universal murmur of the sea, making the treble to the bass of its lullaby. Most of the cries seem to resolve themselves into the one note or syllable "ow," out of which, through varied tone and inflection, a language has been evolved. "Ow-_ow_, ow-_ow_, ow-_ow_!" sadly prolonged and most disconsolately upturned upon the last, saddest syllable--a despair, a dirge in "ow." Then a series of shrieking "ows," disjoined, but each the echo of the last, so that when the last has sounded, the memory hears but one. Then again a wail, intoned a little differently, but as mournful as the other. And now a laugh--discordant, mirthless, but a laugh, and with even a chuckle in it--"ow, ow, ow, ow, ow!" the syllables huddling one another like the "_petit glou-glou_" of water out of a bottle. All "ow" or variants of "ow," till the great black-backed (the bulk are herring-gulls) swooping upon you, almost like the great skua itself, breaks the spell with a "gugga, gugga, gugga!" or, right over your head, says "er" with a stress and feeling that amounts almost to solemnity. How lonely and yet how populous! Does life, other than human life, around one, in any way diminish the sense of solitude? I do not think it does myself, except through human association, and for this, human surroundings are more or less requisite. Thus woodland birds seem homely and companionable in woods near which one has a home, and gulls upon the roofs of houses take the place of pigeons or poultry in the feelings they arouse. So, too, as long as a natural alacrity of the spirits prevails over that dead, void feeling which prolonged solitude brings to the most solitary, the wildest creatures in the wildest and loneliest places may seem to cheer us with their presence. But the feeling is a false one, dependent
917.935469
2023-11-16 18:32:21.9511610
2,086
7
Produced by Larry B. Harrison and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE SAPPHIRE SIGNET [Illustration: "I had the _worst_ time puzzling this out!" she said] THE SAPPHIRE SIGNET BY AUGUSTA HUIELL SEAMAN Author of "The Boarded-Up House," etc. ILLUSTRATED BY C. M. RELYEA [Illustration] NEW YORK THE CENTURY CO. 1916 Copyright, 1915, 1916, by THE CENTURY CO. _Published, September, 1916_ CONTENTS CHAPTER PAGE I THE HOUSE IN CHARLTON STREET 3 II SOMETHING TURNS UP 16 III THE DISCOVERY IN THE ATTIC 32 IV A KEY TO THE MYSTERY 53 V "THE LASS OF RICHMOND HILL" 65 VI A SURPRISE 79 VII THE DISCOVERIES CORINNE MADE 91 VIII BAFFLED! 102 IX INTRODUCING ALEXANDER 114 X ALEXANDER TAKES HOLD 126 XI ALEXANDER SPRINGS A SURPRISE 135 XII THE MYSTERY UNRAVELS FURTHER 149 XIII ALEXANDER ENGAGES IN SOME HISTORICAL RESEARCH 162 XIV A BELATED DISCOVERY AND A SOLEMN CONCLAVE 179 XV SARAH TAKES A HAND IN THE GAME 192 XVI THE SAPPHIRE SIGNET 209 XVII IN WHICH SARAH CHANGES HER MIND 228 XVIII TWO SURPRISES 245 XIX THE MISSING LINKS 255 ILLUSTRATIONS PAGE "I had the _worst_ time puzzling this out!" she said _Frontispiece_ "Corinne noticed that the bottom of the trunk seemed all wrong." 37 "He gazed hard at me as I stood on the lawn." 71 "Madame Mortier warned Alison that she wasn't to have any communication with the rebels." 109 "I poked around it, top, bottom, and sides." 143 "You must welcome the latest member of the Antiquarian Club, Miss President!" 205 He began to tap the inside of the trunk all over, carefully, with the handle of his penknife 223 "For a minute or two she didn't answer." 265 THE SAPPHIRE SIGNET THE SAPPHIRE SIGNET OR "THE LASS OF RICHMOND HILL" CHAPTER I THE HOUSE IN CHARLTON STREET It was five o'clock and a very dull, dark afternoon in Charlton Street. One by one lights had twinkled out in all the little two-story-and-dormer-windowed houses on the block,—in all but one. The parlor windows of this house were still unlit, but behind the flower-box in one of them a hand could be seen moving aside the white curtains at frequent intervals and a dim face peering anxiously into the dusk. At ten minutes past five precisely, two trim girl-figures turned the corner of Varick Street, hurried down the block, raced up the steps of this same house, and waved frantically at the dark windows. An answering wave saluted them from between the parted curtains. At the same moment lights twinkled out from the windows, and a quick hand pulled down the shades with a jerk, shutting out the dim street for the night. But back of the drawn shades a small figure in an invalid-chair held out welcoming arms to the girls who had just entered. "My! How long you were! I thought you'd never get here to-day. And it's been so dark and dismal all the afternoon, too!" The two girls, who were plainly twins, knelt down, one on each side of the invalid-chair. "We _were_ an age, I know, Margaret dear," began Bess, "but there was a good reason. It's quite exciting,—all about the new girl!" "Yes, you can never guess what, either!" echoed Jess, winding one of Margaret's dark curls around her finger. "Oh, tell me—quick!" The child's big, beautiful gray eyes fairly sparkled with eagerness, and a faint flush tinted her delicate face. "Is it that queer girl you told me about, who only came into the class a few days ago?" "That's the one,—but let's get our things off first and see if Sarah made any cookies to-day. We're starving!" A huge woman who had been moving about the room lighting gas-jets, pulling down shades, and straightening the furniture, now broke into the conversation: "Ye kin save yerselves the trouble! I ain't made no cookies this day—an' me wid all that wash! What d' ye think I be?" "Go 'long, Sarah!" laughed Bess. "You know there's probably a whole jarful in the pantry, and we don't care whether you made them to-day or a week ago. They're always dandy!" Sarah gave a chuckle that shook her huge frame, and tucked a light shawl lovingly about the knees of the girl in the chair. "Ye'll have a hard time findin' any!" she warned, as the two ran off. "Won't they, Margie, macushla?" In five minutes the twins were back, each with a massive chunk of chocolate layer-cake in her hand and a mouth full of the same. "You told the truth, Sarah, for once! There weren't any cookies, but this is heaps better!" "If ye get any crumbs on me floor," threatened Sarah, ominously, "ye'll have no more cake of any kind, the week out!" And she departed downstairs in great (pretended) displeasure. "Now for it! Tell me right away," demanded Margaret. "I'm _so_ impatient to hear!" "Well," began Bess, in muffled tones, struggling to swallow a large mouthful of cake, "you remember we told you about that nice girl who came into our section three days ago, but who seemed so offish and queer and quiet. She's always staring out of the window, as if she were dreaming. And when she isn't studying, she's reading some book the whole time. And she hardly ever talks to a soul. Jess and I thought she must feel rather lonesome and strange. You know it is rather hard to come into the first year of High School more than a month after everything's started, and every one else has got acquainted, and try to pick up! I think one must feel so awfully out of it! "So Jess and I decided we'd ask her to eat lunch with us to-day. She always eats by herself, and yesterday she didn't eat at all,—just read a book the whole time! I went up to her at lunch-period and said—" "What's her name?" interrupted Margaret. "Corinne Cameron,—isn't it a dandy name? Corinne! It has such a _distinguished_ sound!—Well, she was reading, as usual, and looked up at me sort of dazed and far-away when I asked her if she'd care to eat with us. But she seemed very glad to do it and came right over. We had a very interesting talk, and she asked us right away to call her 'Corinne,' instead of 'Miss Cameron,' as they do in High School. She said it made her feel about a hundred miles away from every one to be called 'Miss.' So of course we asked her to call us 'Elisabeth' and 'Jessica.'" "But why didn't you tell her just 'Bess' and 'Jess'?" interrupted Margaret again. "That's so much more natural." "Well, you see, 'Corinne' sounds so sort of distinguished and—and dignified! And somehow our names don't. They just seem ordinary and—and so like small children. And at least 'Elisabeth' and 'Jessica' seem more—grown-up!" "What does she look like?" questioned Margaret, going off on another tack. "Oh, she's, well, sort of distinguished-looking, too—like her name. She's tall and slim and has very dark brown wavy hair, and big, dark eyes, almost black, and the prettiest straight nose,—not a little _snub_ like ours (I don't mean yours, Margaret! _That's_ all right!). But she always acts as though her thoughts were about a thousand miles away. She talked about books mostly, and asked us if we didn't just _love_ to read. And when we said no, not so awfully, she seemed so astonished. I said we'd rather play basket-ball, and she laughed and said we couldn't play that _all_ the time, and what did we do with our spare moments. I told her we didn't have many, because, at home here, we were always
917.971201
2023-11-16 18:32:22.0166040
7,436
12
Produced by Cathy Maxam, Glen Fellows and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration] The Conquest _The Story of a <DW64> Pioneer_ BY THE PIONEER 1913 THE WOODRUFF PRESS Lincoln, Nebr. Entered according to the Act of Congress in the year 1913, by the Woodruff Bank Note Co., in the office of the Librarian of Congress, at Washington, D.C. First Edition, May 1, 1913 _To the_ _HONORABLE BOOKER T. WASHINGTON_ _INTRODUCTORY_ _This is a true story of a <DW64> who was discontented and the circumstances that were the outcome of that discontent._ INDEX TO ILLUSTRATIONS PAGE Became number one in the opening 56 Everybody for miles around had journeyed thither to celebrate 113 Made a declaration that he would build a town 128 Although the valley could not be surpassed in the production of grain and alfalfa, the highlands on either side were great mountains of sand 133 On the east the murky waters of the Missouri seek their level 140 The real farmer was fast replacing the homesteader 145 Everything grew so rank, thick and green 160 Had put 280 acres under cultivation 177 Bringing stock, household goods and plenty of money 192 Were engaged in ranching and owned great herds in Tipp county 209 As the people were all now riding in autos 241 A beautiful townsite where trees stood 251 Ernest Nicholson takes a hand 256 The crops began to wither 289 The cold days and long nights passed slowly by, and I cared for the stock 304 LIST OF CHAPTERS PAGE I Discontent--Spirit of the Pioneer 9 II Leaving Home--A Maiden 18 III Chicago, Chasing a Will-O-The-Wisp 24 IV The P----n Company 34 V "Go West Young Man" 48 VI "And Where is Oristown?" 54 VII Oristown, the "Little Crow" Reservation 61 VIII Far Down the Pacific--The Proposal 67 IX The Return--Ernest Nicholson 72 X The Oklahoma Grafter 74 XI Dealin' in Mules 79 XII The Homesteaders 86 XIII Imaginations Run Amuck 91 XIV The Surveyors 94 XV "Which Town Will the R.R. Strike?" 104 XVI Megory's Day 108 XVII Ernest Nicholson's Return 117 XVIII Comes Stanley, the Chief Engineer 123 XIX In the Valley of the Keya Paha 126 XX The Outlaw's Last Stand 132 XXI The Boom 134 XXII The President's Proclamation 140 XXIII Where the <DW64> Fails 142 XXIV And the Crowds Did Come--The Prairie Fire 148 XXV The Scotch Girl 153 XXVI The Battle 164 XXVII The Sacrifice--Race Loyalty 168 XXVIII The Breeds 175 XXIX In the Valley of the Dog Ear 182 XXX Ernest Nicholson Takes a Hand 186 XXXI The McCralines 193 XXXII A Long Night 201 XXXIII The Survival of the Fittest 208 XXXIV East of State Street 216 XXXV An Uncrowned King 233 XXXVI A Snake in the Grass 241 XXXVII The Progressives and the Reactionaries 251 XXXVIII Sanctimonious Hypocrisy 265 XXXIX Beginning of the End 273 XL The Mennonites 280 XLI The Drouth 284 XLII A Year of Coincidences 294 XLIII "And Satan Came Also" 297 The Conquest CHAPTER I DISCONTENT--SPIRIT OF THE PIONEER Good gracious, has it been that long? It does not seem possible; but it was this very day nine years ago when a fellow handed me this little what-would-you-call-it, Ingalls called it "Opportunity." I've a notion to burn it, but I won't--not this time, instead, I'll put it down here and you may call it what you like. Master of human destinies am I. Fame, love, and fortune on my footsteps wait. Cities and fields I walk. I penetrate Deserts and seas remote, and passing by Hovel, and mart, and palace--soon or late I knock unbidden once at every gate. If sleeping, wake--if feasting, rise before I turn away. It is the hour of fate, And they who follow me reach every state Mortals desire, and conquer every foe Save death; but those who doubt or hesitate, Condemned to failure, penury, and woe Seek me in vain and uselessly implore, I answer not, and I return no more. Yes, it was that little poem that led me to this land and sometimes I wonder well, I just wonder, that's all. Again, I think it would be somewhat different if it wasn't for the wind. It blows and blows until it makes me feel lonesome and so far away from that little place and the country in southern Illinois. I was born twenty-nine years ago near the Ohio River, about forty miles above Cairo, the fourth son and fifth child of a family of thirteen, by the name of Devereaux--which, of course, is not my name but we will call it that for this sketch. It is a peculiar name that ends with an "eaux," however, and is considered an odd name for a <DW52> man to have, unless he is from Louisiana where the French crossed with the Indians and slaves, causing many Louisiana <DW64>s to have the French names and many speak the French language also. My father, however, came from Kentucky and inherited the name from his father who was sold off into Texas during the slavery period and is said to be living there today. He was a farmer and owned eighty acres of land and was, therefore, considered fairly "well-to-do," that is, for a <DW52> man. The county in which we lived bordered on the river some twenty miles, and took its name from an old fort that used to do a little cannonading for the Federal forces back in the Civil War. The farming in this section was hindered by various disadvantages and at best was slow, hard work. Along the valleys of the numerous creeks and bayous that empty their waters into the Ohio, the soil was of a rich alluvium, where in the early Spring the back waters from the Ohio covered thousands of acres of farm and timber lands, and in receding left the land plastered with a coat of river sand and clay which greatly added to the soil's productivity. One who owned a farm on these bottoms was considered quite fortunate. Here the corn stalks grew like saplings, with ears dangling one and two to a stalk, and as sound and heavy as green blocks of wood. The heavy rains washed the loam from the hills and deposited it on these bottoms. Years ago, when the rolling lands were cleared, and before the excessive rainfall had washed away the loose surface, the highlands were considered most valuable for agricultural purposes, equally as valuable as the bottoms now are. Farther back from the river the more rolling the land became, until some sixteen miles away it was known as the hills, and here, long before I was born, the land had been very valuable. Large barns and fine stately houses--now gone to wreck and deserted--stood behind beautiful groves of chestnut, locust and stately old oaks, where rabbits, quail and wood-peckers made their homes, and sometimes a raccoon or opossum founded its den during the cold, bleak winter days. The orchards, formerly the pride of their owners, now dropped their neglected fruit which rotted and mulched with the leaves. The fields, where formerly had grown great crops of wheat, corn, oats, timothy and clover, were now grown over and enmeshed in a tangled mass of weeds and dew-berry vines; while along the branches and where the old rail fences had stood, black-berry vines had grown up, twisting their thorny stems and forming a veritable hedge fence. These places I promised mother to avoid as I begged her to allow me to follow the big boys and carry their game when they went hunting. In the neighborhood and throughout the country there had at one time been many farmers, or ex-slaves, who had settled there after the war. Many of them having built up nice homes and cleared the valley of tough-rooted hickory, gum, pecan and water-oak trees, and the highlands of the black, white, red or post oak, sassafras and dogwood. They later grubbed the stumps and hauled the rocks into the roads, or dammed treacherous little streams that were continually breaking out and threatening the land with more ditches. But as time wore on and the older generation died, the younger were attracted to the towns and cities in quest of occupations that were more suitable to their increasing desires for society and good times. Leaving the farms to care for themselves until the inevitable German immigrant came along and bought them up at his own price, tilled the land, improved the farm and roads, straightened out the streams by digging canals, and grew prosperous. As for me, I was called the lazy member of the family; a shirker who complained that it was too cold to work in the winter, and too warm in the summer. About the only thing for which I was given credit was in learning readily. I always received good grades in my studies, but was continually criticised for talking too much and being too inquisitive. We finally moved into the nearby town of M--pls. Not so much to get off the farm, or to be near more <DW52> people (as most of the younger <DW64> farmers did) as to give the children better educational facilities. The local school was held in an old building made of plain boards standing straight up and down with batten on the cracks. It was inadequate in many respects; the teachers very often inefficient, and besides, it was far from home. After my oldest sister graduated she went away to teach, and about the same time my oldest brother quit school and went to a near-by town and became a table waiter, much to the dissatisfaction of my mother, who always declared emphatically that she wanted none of her sons to become lackeys. When the Spanish-American War broke out the two brothers above me enlisted with a company of other patriotic young fellows and were taken to Springfield to go into camp. At Springfield their company was disbanded and those of the company that wished to go on were accepted into other companies, and those that desired to go home were permitted to do so. The younger of the two brothers returned home by freight; the other joined a Chicago company and was sent to Santiago and later to San Luis DeCuba, where he died with typhoid pneumonia. M--pls was an old town with a few factories, two flour mills, two or three saw mills, box factories and another concern where veneering was peeled from wood blocks softened with steam. The timber came from up the Tennessee River, which emptied into the Ohio a few miles up the river. There was also the market house, such as are to be seen in towns of the Southern states--and parts of the Northern. This market house, or place, as it is often called, was an open building, except one end enclosed by a meat-market, and was about forty by one hundred feet with benches on either side and one through the center for the convenience of those who walked, carrying their produce in a home-made basket. Those in vehicles backed to a line guarded by the city marshall, forming an alleyway the width of the market house for perhaps half a block, depending on how many farmers were on hand. There was always a rush to get nearest the market house; a case of the early bird getting the worm. The towns people who came to buy, women mostly with baskets, would file leisurely between the rows of vehicles, hacks and spring wagons of various descriptions, looking here and there at the vegetables displayed. We moved back to the country after a time where my father complained of my poor service in the field and in disgust I was sent off to do the marketing--which pleased me, for it was not only easy but gave me a chance to meet and talk with many people--and I always sold the goods and engaged more for the afternoon delivery. This was my first experience in real business and from that time ever afterward I could always do better business for myself than for anyone else. I was not given much credit for my ability to sell, however, until my brother, who complained that I was given all the easy work while he had to labor and do all the heavier farm work, was sent to do the marketing. He was not a salesman and lacked the aggressiveness to approach people with a basket, and never talked much; was timid and when spoken to or approached plainly showed it. On the other hand, I met and became acquainted with people quite readily. I soon noticed that many people enjoy being flattered, and how pleased even the prosperous men's wives would seem if bowed to with a pleasant "Good Morning, Mrs. Quante, nice morning and would you care to look at some fresh roasting ears--ten cents a dozen; or some nice ripe strawberries, two boxes for fifteen cents?" "Yes Maam, Thank you! and O, Mrs. Quante, would you care for some radishes, cucumbers or lettuce for tomorrow? I could deliver late this afternoon, you see, for maybe you haven't the time to come to market every day." From this association I soon learned to give to each and every prospective customer a different greeting or suggestion, which usually brought a smile and a nod of appreciation as well as a purchase. Before the debts swamped my father, and while my brothers were still at home, our truck gardening, the small herd of milkers and the chickens paid as well as the farm itself. About this time father fell heir to a part of the estate of a brother which came as a great relief to his ever increasing burden of debt. While this seeming relief to father was on I became very anxious to get away. In fact I didn't like M--pls nor its surroundings. It was a river town and gradually losing its usefulness by the invasion of railroads up and down the river; besides, the <DW52> people were in the most part wretchedly poor, ignorant and envious. They were set in the ways of their localisms, and it was quite useless to talk to them of anything that would better oneself. The social life centered in the two churches where praying, singing and shouting on Sundays, to back-biting, stealing, fighting and getting drunk during the week was common among the men. They remained members in good standing at the churches, however, as long as they paid their dues, contributed to the numerous rallies, or helped along in camp meetings and festivals. Others were regularly turned out, mostly for not paying their dues, only to warm up at the next revival on the mourners bench and come through converted and be again accepted into the church and, for awhile at least, live a near-righteous life. There were many good Christians in the church, however, who were patient with all this conduct, while there were and still are those who will not sanction such carrying-on by staying in a church that permits of such shamming and hypocrisy. These latter often left the church and were then branded either as infidels or human devils who had forsaken the house of God and were condemned to eternal damnation. My mother was a shouting Methodist and many times we children would slip quietly out of the church when she began to get happy. The old and less religious men hauled slop to feed a few pigs, cut cord-wood at fifty cents per cord, and did any odd jobs, or kept steady ones when such could be found. The women took in washing, cooked for the white folks, and fed the preachers. When we lived in the country we fed so many of the Elders, with their long tailed coats and assuming and authoritative airs, that I grew to almost dislike the sight of a <DW52> man in a Prince Albert coat and clerical vest. At sixteen I was fairly disgusted with it all and took no pains to keep my disgust concealed. This didn't have the effect of burdening me with many friends in M--pls and I was regarded by many of the boys and girls, who led in the whirlpool of the local <DW52> society, as being of the "too-slow-to-catch-cold" variety, and by some of the Elders as being worldly, a free thinker, and a dangerous associate for young Christian folks. Another thing that added to my unpopularity, perhaps, was my persistent declarations that there were not enough competent <DW52> people to grasp the many opportunities that presented themselves, and that if white people could possess such nice homes, wealth and luxuries, so in time, could the <DW52> people. "You're a fool", I would be told, and then would follow a lecture describing the time-worn long and cruel slavery, and after the emancipation, the prejudice and hatred of the white race, whose chief object was to prevent the progress and betterment of the <DW64>. This excuse for the <DW64>'s lack of ambition was constantly dinned into my ears from the Kagle corner loafer to the minister in the pulpit, and I became so tired of it all that I declared that if I could ever leave M--pls I would never return. More, I would disprove such a theory and in the following chapters I hope to show that what I believed fourteen years ago was true. CHAPTER II LEAVING HOME--A MAIDEN I was seventeen when I at last left M--pls. I accepted a rough job at a dollar and a quarter a day in a car manufacturing concern in a town of eight thousand population, about eight hundred being. I was unable to save very much, for work was dull that summer, and I was only averaging about four days' work a week. Besides, I had an attack of malaria at intervals for a period of two months, but by going to work at five o'clock A.M. when I was well I could get in two extra hours, making a dollar-fifty. The concern employed about twelve hundred men and paid their wages every two weeks, holding back one week's pay. I came there in June and it was some time in September that I drew my fullest pay envelope which contained sixteen dollars and fifty cents. About this time a "fire eating" evangelist, who apparently possessed great converting powers and unusual eloquence, came to town. These qualities, however, usually became very uninteresting toward the end of a stay. He had been to M--pls the year before I left and at that place his popularity greatly diminished before he left. The greater part of the <DW52> people in this town were of the emotional kind and to these he was as attractive as he had been at M--pls in the beginning. Coincident with the commencement of Rev. McIntyre's soul stirring sermons a big revival was inaugurated, and although the little church was filled nightly to its capacity, the aisles were kept clear in order to give those that were "steeping in Hell's fire" (as the evangelist characterized those who were not members of some church) an open road to enter into the field of the righteous; also to give the mourners sufficient room in which to exhaust their emotions when the spirit struck them--and it is needless to say that they were used. At times they virtually converted the entire floor into an active gymnasium, regardless of the rights of other persons or of the chairs they occupied. I had seen and heard people shout at long intervals in church, but here, after a few soul stirring sermons, they began to run outside where there was more room to give vent to the hallucination and this wandering of the mind. It could be called nothing else, for after the first few sermons the evangelist would hardly be started before some mourner would begin to "come through." This revival warmed up to such proportions that preaching and shouting began in the afternoon instead of evening. Men working in the yards of the foundry two block away could hear the shouting above the roaring furnaces and the deafening noise of machinery of a great car manufacturing concern. The church stood on a corner where two streets, or avenues, intersected and for a block in either direction the influence of fanaticism became so intense that the converts began running about like wild creatures, tearing their hair and uttering prayers and supplications in discordant tones. At the evening services the sisters would gather around a mourner that showed signs of weakening and sing and babble until he or she became so befuddled they would jump up, throw their arms wildly into the air, kick, strike, then cry out like a dying soul, fall limp and exhausted into the many arms outstretched to catch them. This was always conclusive evidence of a contrite heart and a thoroughly penitent soul. Far into the night this performance would continue, and when the mourners' bench became empty the audience would be searched for sinners. I would sit through it all quite unemotional, and nightly I would be approached with "aren't you ready?" To which I would make no answer. I noticed that several boys, who were not in good standing with the parents of girls they wished to court, found the mourners' bench a convenient vehicle to the homes of these girls--all of whom belonged to church. Girls over eighteen who did not belong were subjects of much gossip and abuse. A report, in some inconceivable manner, soon became spread that Oscar Devereaux had said that he wanted to die and go to hell. Such a sensation! I was approached on all sides by men and women, regardless of the time of day or night, by the young men who gloried in their conversion and who urged me to "get right" with Jesus before it was too late. I do not remember how long these meetings lasted but they suddenly came to an end when notice was served on the church trustees by the city council, which irreverently declared that so many converts every afternoon and night was disturbing the white neighborhood's rest as well as their nerves. It ordered windows and doors to be kept closed during services, and as the church was small it was impossible to house the congregation and all the converts, so the revival ended and the community was restored to normal and calm once more prevailed. That was in September. One Sunday afternoon in October, as I was walking along the railroad track, I chanced to overhear voices coming from under a water tank, where a space of some eight or ten feet enclosed by four huge timbers made a small, secluded place. I stopped, listened and was sure I recognized the voices of Douglas Brock, his brother Melvin, and two other well known <DW52> boys. Douglas was betting a quarter with one of the other boys that he couldn't pass. (You who know the dice and its vagaries will know what he meant.) This was mingled with words and commands from Melvin to the dice in trying to make some point. It must have been four. He would let out a sort of yowl; "Little Joe, can't you do it?" I went my way. I didn't shoot craps nor drink neither did I belong to church but was called a dreadful sinner while three of the boys under the tank had, not less than six weeks before, joined church and were now full-fledged members in good standing. Of course I did not consider that all people who belonged to church were not Christians, but was quite sure that many were not. The following January a relative of mine got a job for me bailing water in a coal mine in a little town inhabited entirely by <DW64>s. I worked from six o'clock P.M. to six A.M., and received two dollars and twenty-five cents therefor. The work was rough and hard and the mine very dark. The smoke hung like a cloud near the top of the tunnel-like room during all the night. This was because the fans were all but shut off at night, and just enough air was pumped in to prevent the formation of black damp. The smoke made my head ache until I felt stupid and the dampness made me ill, but the two dollars and twenty-five cents per day looked good to me. After six weeks, however, I was forced to quit, and with sixty-five dollars--more money than I had ever had--I went to see my older sister who was teaching in a nearby town. I had grown into a strong, husky youth of eighteen and my sister was surprised to see that I was working and taking care of myself so well. She shared the thought of nearly all of my acquaintances that I was too lazy to leave home and do hard work, especially in the winter time. After awhile she suddenly looked at me and spoke as though afraid she would forget it, "O, Oscar! I've got a girl for you; what do you think of that?" smiling so pleasantly, I was afraid she was joking. You see, I had never been very successful with the girls and when she mentioned having a girl for me my heart was all a flutter and when she hesitated I put in eagerly. "Aw go on--quit your kidding. On the level now, or are you just chiding me?" But she took on a serious expression and speaking thoughtfully, she went on. "Yes, she lives next door and is a nice little girl, and pretty. The prettiest <DW52> girl in town." Here I lost interest for I remembered my sister was foolish about beauty and I said that I didn't care to meet her. I was suspicious when it came to the pretty type of girls, and had observed that the prettiest girl in town was oft times petted and spoiled and a mere butterfly. "O why?" She spoke like one hurt. Then I confessed my suspicions. "O, You're foolish," she exclaimed softly, appearing relieved. "Besides," she went on brightly "Jessie isn't a spoiled girl, you wait until you meet her." And in spite of my protests she sent the landlady's little girl off for Miss Rooks. She came over in about an hour and I found her to be demure and thoughtful, as well as pretty. She was small of stature, had dark eyes and beautiful wavy, black hair, and an olive complexion. She wouldn't allow me to look into her eyes but continued to cast them downward, sitting with folded hands and answering when spoken to in a tiny voice quite in keeping with her small person. During the afternoon I mentioned that I was going to Chicago, "Now Oscar, you've got no business in Chicago," my sister spoke up with a touch of authority. "You're too young, and besides," she asked "do you know whether W.O. wants you?" W.O. was our oldest brother and was then making Chicago his home. "Huh!" I snorted "I'm going on my own hook," and drawing up to my full six feet I tried to look brave, which seemed to have the desired effect on my sister. "Well" she said resignedly, "you must be careful and not get into bad company--be good and try to make a man of yourself." CHAPTER III CHICAGO, CHASING A WILL-O-THE-WISP That was on Sunday morning three hundred miles south of Chicago, and at nine-forty that night I stepped off the New Orleans and Chicago fast mail into a different world. It was, I believe, the coldest night that I had ever experienced. The city was new and strange to me and I wandered here and there for hours before I finally found my brother's address on Armour Avenue. But the wandering and anxiety mattered little, for I was in the great city where I intended beginning my career, and felt that bigger things were in store for me. The next day my brother's landlady appeared to take a good deal of interest in me and encouraged me so that I became quite confidential, and told her of my ambitions for the future and that it was my intention to work, save my money and eventually become a property owner. I was rather chagrined later, however, to find that she had repeated all this to my brother and he gave me a good round scolding, accompanied by the unsolicited advice that if I would keep my mouth shut people wouldn't know I was so green. He had been traveling as a waiter on an eastern railroad dining car, but in a fit of independence--which had always been characteristic of him--had quit, and now in mid-winter, was out of a job. He was not enthusiastic concerning my presence in the city and I had found him broke, but with a lot of fine clothes and a diamond or two. Most folks from the country don't value good clothes and diamonds in the way city folks do and I, for one, didn't think much of his finery. I was greatly disappointed, for I had anticipated that my big brother would have accumulated some property or become master of a bank account during these five or six years he had been away from home. He seemed to sense this disappointment and became more irritated at my presence and finally wrote home to my parents--who had recently moved to Kansas--charging me with the crime of being a big, awkward, ignorant kid, unsophisticated in the ways of the world, and especially of the city; that I was likely to end my "career" by running over a street car and permitting the city to irretrievably lose me, or something equally as bad. When I heard from my mother she was worried and begged me to come home. I knew the folks at home shared my brother's opinion of me and believed all he had told them, so I had a good laugh all to myself in spite of the depressing effect it had on me. However, there was the reaction, and when it set in I became heartsick and discouraged and then and there became personally acquainted with the "blues", who gave me their undivided attention for some time after that. The following Sunday I expected him to take me to church with him, but he didn't. He went alone, wearing his five dollar hat, fifteen dollar made-to-measure shoes, forty-five dollar coat and vest, eleven dollar trousers, fifty dollar tweed overcoat and his diamonds. I found my way to church alone and when I saw him sitting reservedly in an opposite pew, I felt snubbed and my heart sank. However, only momentarily, for a new light dawned upon me and I saw the snobbery and folly of it all and resolved that some day I would rise head and shoulders above that foolish, four-flushing brother of mine in real and material success. I finally secured irregular employment at the Union Stock Yards. The wages at that time were not the best. Common labor a dollar-fifty per day and the hours very irregular. Some days I was called for duty at five in the morning and laid off at three in the afternoon or called again at eight in the evening to work until nine the same evening. I soon found the mere getting of jobs to be quite easy. It was getting a desirable one that gave me trouble. However, when I first went to the yards and looked at the crowds waiting before the office in quest of employment, I must confess I felt rather discouraged, but my new surroundings and that indefinable interesting feature about these crowds with their diversity of nationalities and ambitions, made me forget my own little disappointments. Most all new arrivals, whether skilled or unskilled workmen, seeking "jobs" in the city find their way to the yards. Thousands of unskilled laborers are employed here and it seems to be the Mecca for the down-and-out who wander thither in a last effort to obtain employment. The people with whom I stopped belonged to the servant class and lived neatly in their Armour Avenue flat. The different classes of people who make up the population of a great city are segregated more by their occupations than anything else. The laborers usually live in a laborer's neighborhood. Tradesmen find it more agreeable among their fellow
918.036644
2023-11-16 18:32:22.0360520
303
13
E-text prepared by the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://archive.org/) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 41546-h.htm or 41546-h.zip: (http://www.gutenberg.org/files/41546/41546-h/41546-h.htm) or (http://www.gutenberg.org/files/41546/41546-h.zip) Images of the original pages are available through Internet Archive. See http://archive.org/details/curiositiesofold00inbari Transcriber's note: Text enclosed by underscores is in italics (_italics_). The original text includes Greek characters that have been replaced with transliterations in this text version. The original text includes a dagger symbol that is represented as [dagger] in this text version. The original text includes a cross symbol that is represented as [cross] in this text version. The original text includes the prescription symbol that is represented as [Rx.] in this text version. The original text includes the section sign that is represented as [S] in this text version. The original text includes the paragraph sign that is represented as [P] in this text version. CURIOS
918.056092
2023-11-16 18:32:22.1182700
820
274
Produced by Christine Aldridge and the Online Distributed Proofreading Team at http://www.pgdp.net Transcribers Notes: 1. Passages in italics are surrounded by _underscores_. 2. 4 minor spelling corrections have been made. See list at end of text. Edition d'Elite Historical Tales The Romance of Reality By CHARLES MORRIS _Author of "Half-Hours with the Best American Authors," "Tales from the Dramatists," etc._ IN FIFTEEN VOLUMES Volume XII Japanese and Chinese J. B. LIPPINCOTT COMPANY PHILADELPHIA AND LONDON Copyright, 1898, by J. B. LIPPINCOTT COMPANY. Copyright, 1904, by J. B. LIPPINCOTT COMPANY. Copyright, 1908, by J. B. LIPPINCOTT COMPANY. [Illustration: GREAT GATE NIKKO.] _CONTENTS._ PAGE THE FIRST OF THE MIKADOS 5 HOW CIVILIZATION CAME TO JAPAN 12 YAMATO-DAKE, A HERO OF ROMANCE 19 JINGU, THE AMAZON OF JAPAN 27 THE DECLINE OF THE MIKADOS 35 HOW THE TAIRA AND THE MINAMOTO FOUGHT FOR POWER 41 THE BAYARD OF JAPAN 51 THE HOJO TYRANNY 59 THE TARTAR INVASION OF JAPAN 67 NOBUNAGA AND THE FALL OF THE BUDDHISTS 73 HOW A PEASANT BOY BECAME PREMIER 80 THE FOUNDER OF YEDO AND OF MODERN FEUDALISM 86 THE PROGRESS OF CHRISTIANITY IN JAPAN 97 THE DECLINE AND FALL OF CHRISTIANITY IN JAPAN 106 THE CAPTIVITY OF CAPTAIN GOLOWNIN 113 THE OPENING OF JAPAN 123 THE MIKADO COMES TO HIS OWN AGAIN 133 HOW THE EMPIRE OF CHINA AROSE AND GREW 142 CONFUCIUS, THE CHINESE SAGE 150 THE FOUNDER OF THE CHINESE EMPIRE 156 KAOTSOU AND THE DYNASTY OF THE HANS 172 THE EMPRESS POISONER OF CHINA 180 THE INVASION OF THE TARTAR STEPPES 186 THE "CRIMSON EYEBROWS" 192 THE CONQUEST OF CENTRAL ASIA 197 THE SIEGE OF SINCHING 202 FROM THE SHOEMAKER'S BENCH TO THE THRONE 205 THREE NOTABLE WOMEN 212 THE REIGN OF TAITSONG THE GREAT 217 A FEMALE RICHELIEU 223 THE TARTARS AND GENGHIS KHAN 228 HOW THE FRIARS FARED AMONG THE TARTARS 236 THE SIEGE OF SIANYANG 242 THE DEATH-STRUGGLE OF CHINA 249 THE PALACE OF KUBLAI KHAN 255 THE EXPULSION OF THE MONGOLS 264 THE RISE OF THE MANCHUS 272 THE MANCHU CONQUEST OF CHINA 281 THE
918.13831
2023-11-16 18:32:22.1271820
1,864
190
Produced by Emmy, Marilynda Fraser-Cunliffe and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the University of Florida Digital Collections.) [Illustration: "She was very pleased to have her mug filled--the mug which she had brought on purpose."] [Illustration: New York. Sheldon & Company.] LITTLE ROSY'S TRAVELS. SIX VOLUMES. ON THE JOURNEY. A WALK AND A DRIVE. THE DUCKS AND PIGS. THE WOUNDED BIRD. A SAD ADVENTURE. THE DOCTOR'S VISIT. Little Rosy's Travels. A WALK AND A DRIVE. ILLUSTRATED. New York: SHELDON AND COMPANY. 1870. Entered, according to Act of Congress, in the year 1868, By SHELDON AND COMPANY, In the Clerk's Office of the District Court of the Southern District of New York. Electrotyped at the BOSTON STEREOTYPE FOUNDRY, No. 19 Spring Lane. A Walk and a Drive. VISIT TO THE DAIRY. WHEN Rosy opened her eyes the next morning the sun was shining so brightly that she was obliged to shut them again. But a great many thoughts came into her little head, and she was in a great hurry to get up. Nurse said it was not time yet, and that she was very sleepy; but when the little girl had climbed into her bed, and given her a great many soft kisses, and told her how much she wanted to take a walk before breakfast, the kind nursey first rubbed her eyes, then opened them, and then got out of bed. While she was dressing, Rosy began to put on her own shoes and stockings and some of her clothes; for she had already learnt to do a great deal for herself. She peeped out of window to look for the birds, but for some time she could not see any. Rosy thought this very strange, for she remembered how she used to hear the dear little birdies sing when she had been in the country in England; but nurse could not explain the puzzle; so Rosy settled that it was to be a question for her papa. Of course he would know; he always knew everything. When they were quite ready, nurse said,-- "Now, my darling, if you like, we will go and get your milk for breakfast; for I know where it is to be had, and nice, new, good milk I hope it may be, to make my little Trotty very fat." "Is not Rosy fat now?" asked the little girl, in surprise, and feeling first her plump cheeks and then her round arms with her stumpy little fingers. "O, pretty well," said nurse laughing, "but you may be fatter yet, and I like fat little girls." They had not to walk far before they came to the place where the milk was sold. It was called a farm; and nurse took Rosy in, and said she should see the dairy if the good woman would let her. Rosy did not know what a dairy meant; but she supposed that it was something curious, and tripped merrily along, wondering what she should see, till they came to a room which had a floor made of red tiles, on which stood at least ten or twelve large open bowls full of new milk. Now Rosy happened to be very fond of milk; and as she was just then quite ready for her breakfast, she was very pleased to have her mug filled,--the mug which she had brought on purpose, as nurse told her,--and then take a good drink. "Ah, nurse, how good it is!" she cried; "but what is all this sticking to my lips? It is not white like our milk. See, there is something on the top of it!" and she held out her mug to show her. "Ah, that's cream, good cream. We did not get milk like this in Paris," said nurse; "and I'm sure we don't in London. There's no water here, is there, madame?" But madame did not understand English; so nurse was obliged, by looking very pleased, to make her see that she thought her milk very good. "But it's very bad of the other people to put water in my milk," said Rosy, frowning. "I shall ask my papa to scold them when we go home; and I shall take a great mugful of this nice milk to show my grandmamma." "Well, now say good by prettily in French, as your papa teaches you," said nurse, "and then we'll go home, and I dare say we shall find some more milk there." "Adieu, madame," said the little girl, and off she trotted again, as ready to go as she had been to come. They say "madame" to every one in France, you know, and not to rich ladies only. Now there are beautiful hills all round the back of Cannes, and a little way up one of these was the house where Rosy was going to live. She did so like running up and down hills! and there were two or three little ones between the farm and this house, which was called a villa. When she got on to the top of one, she cried out,-- "Ah, there's the sea, I do declare! and there's a boat on it with a white sail! Shall we go in a boat some day?" "I don't know," said nurse, "you must ask your mamma; but you don't want to be sick, do you?" "I won't be sick," cried the little girl. "Rosy is never sick in a beau'ful boat like that. I'll ask my mamma," and she bustled on. "Stay, stay!" cried nurse, "you're going too far, my pet; this is the way; look, who stands up there?" Rosy looked up, and there was the villa with its green blinds high up over her head; and some one stood outside the door calling her by name. O, what a number of steps there were for those little legs to climb before she reached her papa! They went up by the side of a garden, which was itself like a lot of wide steps, and on each step there was a row of vines, not trained against a wall as we train our vines in England, but growing on the ground like bean plants. Rosy saw lots of such nice grapes that her little mouth quite watered, and she would have liked to have stopped to pick some; but then she knew that would be stealing, because they were not hers. And I hope that Rosy would not have stolen even if nurse had not been following her, or her papa watching her. She got the grapes, too, without picking them; for when she had climbed up to the very top, there was papa waiting for her with a beautiful bunch in his hand. And he said,-- "Come in, Rosy; mamma wants her breakfast very badly. See, mamma, what a pair of roses your little girl has been getting already!" Rosy knew very well what that meant, for she rubbed her cheeks with her little fat hands, and then tumbled her merry little head about her mamma's lap to "roll the roses off," as she said. But that little head was too full of thoughts to stay there long. There was so much to tell and to talk about, and that dairy took a long time to describe. Then when papa asked if she had seen the dear cows that gave the milk, she thought that that would be a capital little jaunt for to-morrow, and clapped her hands with glee. "So you are going to find some new pets, Rosy," he said, "to do instead of Mr. Tommy and the kittens?" "Ah, papa, but there are no dickies here--I mean, hardly any," she answered. "We looked so for the birdies all, all the time; but only two came, and went away again directly." "We must go out and see the reason of that," said papa, smiling,--"you and I, Rosy, directly after breakfast. We must go and tell the dear birds that Rosy has come." [Illustration]
918.147222
2023-11-16 18:32:22.1489730
2,417
9
Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net THE GIRL FROM SUNSET RANCH ------------------------------------------------------------------------ BOOKS FOR GIRLS By AMY BELL MARLOWE 12mo. Cloth. Illustrated. THE OLDEST OF FOUR Or Natalie's Way Out THE GIRLS OF HILLCREST FARM Or The Secret of the Rocks A LITTLE MISS NOBODY Or With the Girls of Pinewood Hall THE GIRL FROM SUNSET RANCH Or Alone in a Great City WYN'S CAMPING DAYS Or The Outing of the Go-Ahead Club FRANCES OF THE RANGES Or The Old Ranchman's Treasure THE GIRLS OF RIVERCLIFF SCHOOL Or Beth Baldwin's Resolve THE ORIOLE BOOKS WHEN ORIOLE CAME TO HARBOR LIGHT WHEN ORIOLE TRAVELED WESTWARD (Other volumes in preparation) GROSSET & DUNLAP PUBLISHERS--NEW YORK ------------------------------------------------------------------------ [Illustration: "CAB, MISS? TAKE YOU ANYWHERE YOU SAY." Frontispiece (Page 67).] ------------------------------------------------------------------------ THE GIRL FROM SUNSET RANCH OR ALONE IN A GREAT CITY BY AMY BELL MARLOWE AUTHOR OF THE OLDEST OF FOUR, THE GIRLS OF HILLCREST FARM, WYN'S CAMPING DAYS, ETC. Illustrated NEW YORK GROSSET & DUNLAP PUBLISHERS Made in the United States of America ------------------------------------------------------------------------ Copyright, 1914, by GROSSET & DUNLAP The Girl from Sunset Ranch ------------------------------------------------------------------------ CONTENTS CHAPTER PAGE I. "Snuggy" and the Rose Pony 1 II. Dudley Stone 14 III. The Mistress Of Sunset Ranch 26 IV. Headed East 36 V. At Both Ends Of The Route 45 VI. Across The Continent 56 VII. The Great City 65 VIII. The Welcome 72 IX. The Ghost Walk 83 X. Morning 92 XI. Living Up To One's Reputation 102 XII. "I Must Learn The Truth" 111 XIII. Sadie Again 128 XIV. A New World 142 XV. "Step--Put; Step--Put" 152 XVI. Forgotten 164 XVII. A Distinct Shock 176 XVIII. Probing For Facts 196 XIX. "Jones" 204 XX. Out Of Step With The Times 216 XXI. Breaking The Ice 227 XXII. In The Saddle 238 XXIII. My Lady Bountiful 252 XXIV. The Hat Shop 262 XXV. The Missing Link 271 XXVI. Their Eyes Are Opened 279 XXVII. The Party 287 XXVIII. A Statement Of Fact 304 XXIX. "The Whip Hand" 311 XXX. Headed West 317 ------------------------------------------------------------------------ THE GIRL FROM SUNSET RANCH CHAPTER I "SNUGGY" AND THE ROSE PONY "Hi, Rose! Up, girl! There's another party making for the View by the far path. Get a move on, Rosie." The strawberry roan tossed her cropped mane and her dainty little hoofs clattered more quickly over the rocky path which led up from the far-reaching grazing lands of Sunset Ranch to the summit of the rocky eminence that bounded the valley upon the east. To the west lay a great, rolling plain, covered with buffalo grass and sage; and dropping down the arc of the sky was the setting sun, ruddy-countenanced, whose almost level rays played full upon the face of the bluff up which the pony climbed so nimbly. "On, Rosie, girl!" repeated the rider. "Don't let him get to the View before us. I don't see why anybody would wish to go there," she added, with a jealous pang, "for it was father's favorite outlook. None of our boys, I am sure, would come up here at this hour." Helen Morrell was secure in this final opinion. It was but a short month since Prince Morrell had gone down under the hoofs of the steers in an unfortunate stampede that had cost the Sunset Ranch much beside the life of its well-liked owner. The View--a flat table of rock on the summit overlooking the valley--had become almost sacred in the eyes of the punchers of Sunset Ranch since Mr. Morrell's death. For it was to that spot the ranchman had betaken himself--usually with his daughter--on almost every fair evening, to overlook the valley and count the roaming herds which grazed under his brand. Helen, who was sixteen and of sturdy build, could see the nearer herds now dotting the plain. She had her father's glasses slung over her shoulder, and she had come to-night partly for the purpose of spying out the strays along the watercourses or hiding in the distant _coulees_. But mainly her visit to the View was because her father had loved to ride here. She could think about him here undisturbed by the confusion and bustle at the ranch-house. And there were some things--things about her father and the sad conversation they had had together before his taking away--that Helen wanted to speculate upon alone. The boys had picked him up after the accident and brought him home; and doctors had been brought all the way from Helena to do what they could for him. But Mr. Morrell had suffered many bruises and broken bones, and there had been no hope for him from the first. He was not, however, always unconscious. He was a masterful man and he refused to take drugs to deaden the pain. "Let me know what I am about until I meet death," he had whispered. "I--am--not--afraid." And yet, there was one thing of which he had been sorely afraid. It was the thought of leaving his daughter alone. "Oh, Snuggy!" he groaned, clinging to the girl's plump hand with his own weak one. "If there were some of your own kind to--to leave you with. A girl like you needs women about--good women, and refined women. Squaws, and Greasers, and half-breeds aren't the kind of women-folk your mother was brought up among. "I don't know but I've done wrong these past few years--since your mother died, anyway. I've been making money here, and it's all for you, Snuggy. That's fixed by the lawyer in Elberon. "Big Hen Billings is executor and guardian of you and the ranch. I know I can trust him. But there ought to be nice women and girls for you to live with--like those girls who went to school with you the four years you were in Denver. "Yet, this is your home. And your money is going to be made here. It would be a crime to sell out now. "Ah, Snuggy! Snuggy! If your mother had only lived!" groaned Mr. Morrell. "A woman knows what's right for a girl better than a man. This is a rough place out here. And even the best of our friends and neighbors are crude. You want refinement, and pretty dresses, and soft beds, and fine furniture----" "No, no, Father! I love Sunset Ranch just as it is," Helen declared, wiping away her tears. "Aye. 'Tis a beauty spot--the beauty spot of all Montana, I believe," agreed the dying man. "But you need something more than a beautiful landscape." "But there are true hearts here--all our friends!" cried Helen. "And so they are--God bless them!" responded Prince Morrell, fervently. "But, Snuggy, you were born to something better than being a 'cowgirl.' Your mother was a refined woman. I have forgotten most of my college education; but I had it once. "_This_ was not our original environment. It was not meant that we should be shut away from all the gentler things of life, and live rudely as we have. Unhappy circumstances did that for us." He was silent for a moment, his face working with suppressed emotion. Suddenly his grasp tightened on the girl's hand and he continued: "Snuggy! I'm going to tell you something. It's something you ought to know, I believe. Your mother was made unhappy by it, and I wouldn't want a knowledge of it to come upon you unaware, in the after time when you are alone. Let me tell you with my own lips, girl." "Why, Father, what is it?" "Your father's name is under a cloud. There is a smirch on my reputation. I--I ran away from New York to escape arrest, and I have lived here in the wilderness, without communicating with old friends and associates, because I did not want the matter stirred up." "Afraid of arrest, Father?" gasped Helen. "For your mother's sake, and for yours," he said. "She couldn't have borne it. It would have killed her." "But you were not guilty, Father!" cried Helen. "How do you know I wasn't?" "Why, Father, you could never have done anything dishonorable or mean--I know you could not!" "Thank you, Snuggy!" the dying man replied, with a smile hovering about his pain-drawn lips. "You've been the greatest comfort a father ever had, ever since you was a little, cuddly baby, and liked to snuggle up against father under the blankets. "That was before the big ranch-house was built, and we lived in a shack. I don't know how your mother managed to stand it, winters. _You_ just snuggled into my arms under the blankets--that's how we came to call you 'Snuggy.'" "'Snuggy' is a good name, Dad," she declared. "I love it, because _you_ love it. And I know I gave you comfort when I was little." "Indeed, yes! _What_ a comfort you were after your poor mother died, Snuggy! Ah, well! you shall have your reward, dear. I am sure of that. Only I am worried that you should be left alone now." "Big Hen and the boys will take care of me," Helen said, stifling her sobs. "Nay, but you need women-folk about. Your mother's sister, now--The Starkweathers, if they knew, might offer you a home." "That is,
918.169013
2023-11-16 18:32:22.1498110
1,739
46
Produced by Juliet Sutherland, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: THE MEETING OF SIEGFRIED AND MIMI] Stories of the Nibelungen _for_ Young People _Arranged by_ Gertrude R. Schottenfels Chicago Public Schools Illustrated Chicago A. Flanagan Company COPYRIGHT, 1905 BY A. FLANAGAN COMPANY STORIES OF THE NIBELUNGEN I. YOUNG SIEGFRIED 7 II. MIMI'S STORY 21 III. SIEGFRIED'S SWORD 34 IV. THE DEATH OF THE DRAGON 43 V. THE STORY OF BRUNHILDA 53 VI. GUNTHER AND KRIEMHILD 61 VII. SIEGFRIED'S RETURN TO IRELAND 72 VIII. HOW GUNTHER WON HIS BRIDE 81 IX. KRIEMHILD AND BRUNHILDA'S QUARREL 91 X. KRIEMHILD'S REVENGE 112 PRONOUNCING VOCABULARY Transcriber's note: The following notation is used to show the pronunciation symbols used in this text. An image of this page may be found in the HTML edition. [=x] = macron above a letter [)x] = breve above a letter [.x] = dot above a letter [x.] = dot below a letter [+x] = tack above a letter ['x] = accent above a letter NIBELUNGEN n[=e]'b[)e]-l[u.]ng-[+e]n SANTUM s[)a]n't[)u]m SIEGMUND s[=e]g'm[u.]nd NIEDERLAND n[=e]'der-l[)a]nd SIEGELINDA s[=e]-[+g][)e]l-in'd[)a] SIEGFRIED s[=e]g'frid MIMI m[=e]'m[=e] FAFNER f[)a]f'ner ALBERICH [)a]l'ber-[)i]ck WOTAN w[=o]'t[)a]n LOKI l[=o]'k[=e] BRUNHILDA br[u.]n-h[=i]l'd[)a] ISENHEIM [=e]'s[)e]n-h[=i]me GUNTHER g[)u]n'ter HAGEN hae'gen UOTA [=u]-[=o]'t[)a] KRIEMHILD kr[=e]m'h[=i]ld GISELHERR ['g][=e]'s[)e]l-hare GERNOT g[=e]r'n[=o] ETZEL et'z[)e]l ORTLIEB ort'l[=e]b RUDIGER ru'd[)i]g-er BECHLARN b[)e]ck'laern DIETRICH d[=e]t'r[=i]ck ETZELBURG [)e]t'z[)e]l-berg DANKWART daenk'wert WALKYRIE w[)o]l-k[=i]r'[=i] Stories of the Nibelungen I YOUNG SIEGFRIED IN THE good old days of Long Ago, when kings had absolute power over all their subjects, even in the matter of life and death, there dwelt in the city of Santum, on the beautiful Rhine River, a great and good king named Siegmund. He was very powerful, and ruled over the kingdom of Niederland so wisely and so well that he was loved and honored by all his people. He shared his throne with Siegelinda, his beautiful wife, who also was noble and kind of heart. Siegmund and Siegelinda had one son, called Siegfried--a handsome, well-built lad, with eyes as blue and sunny as the sky above on a fair spring morning. He was the only child of the king and queen, but he was more of a sorrow than a joy to them, for he was as willful and disobedient as he was beautiful. He could not bear to be crossed in any way, and wished that he were a man, so that he might do exactly as he pleased. Siegfried's parents loved him dearly in spite of his faults and all the sorrow his wild ways caused them. But one fine morning, while the king and queen were still asleep, he quietly took his hat, and stole out of the castle, for he had made up his mind to go out into the wide world to seek his fortune. Siegfried walked through the beautiful city, and then for some time followed a winding country road, until at length he found himself in the midst of a dense forest. But he was not afraid; he could hear the birds singing and calling to one another in the green trees overhead, and now and then a rabbit or a timid squirrel ran across his pathway, and disappeared in the bushes. So he wandered along, quite happy. Sometimes he would come to a little brook, winding its way through the trees and grass, and babbling and singing among its pebbles. Across the stream he would leap, as lightly as a hare. Thus the day wore on, and as twilight gathered, he began to feel very tired and hungry. He was just beginning to wonder what he should do, when he noticed that he was nearing the edge of the forest, and a little farther on what should he see but a blacksmith's shop among the bushes. In the doorway stood the smith himself in his leathern apron--a little, odd, misshapen dwarf named Mimi. He looked in wonder at the beautiful boy, who smiled upon him in a friendly way, and said: "Good-evening. I am almost dead with thirst and hunger; will you not take me in, and let me be your helper?" Mimi was about to say no, when he chanced to look at Siegfried the second time. He noticed how strong and well built the boy was; so he said: "I am not really in need of a helper, for in this out-of-the-way place there is very little work to be done; but if you wish to learn my trade, I am willing to give you a trial." Siegfried was happy to hear this, and with a hearty relish he ate the coarse brown bread and bowl of milk which Mimi brought to him. The next morning the blacksmith showed Siegfried how to blow the bellows, and swing the sledge-hammer, and also how to shape a horseshoe. "Now, you try it," he said, laying a red-hot piece of iron on the anvil. Siegfried was eager to try. He raised the hammer above his head, and brought it down with such force that the iron flew to pieces and the anvil was buried in the ground. Mimi was very angry. He gave the boy a box on the ear that nearly knocked him over. Now, Siegfried was a king's son, and never before in all his life had any one but
918.169851
2023-11-16 18:32:22.2286970
772
9
Produced by David Widger from page images generously provided by the Internet Archive Transcriber's Note: Page numbers, ie: {20}, are included in this utf-8 text file. For those wishing to use a text file unencumbered with page numbers open or download the Latin-1 file 58585-8.txt. THE PROPHET By Kahlil Gibran New York: Alfred A. Knopf 1923 _The Twelve Illustrations In This Volume Are Reproduced From Original Drawings By The Author_ “His power came from some great reservoir of spiritual life else it could not have been so universal and so potent, but the majesty and beauty of the language with which he clothed it were all his own?” --Claude Bragdon THE BOOKS OF KAHLIL GIBRAN The Madman. 1918 Twenty Drawings. 1919 The Forerunner. 1920 The Prophet. 1923 Sand and Foam. 1926 Jesus the Son of Man. 1928 The Forth Gods. 1931 The Wanderer. 1932 The Garden of the Prophet 1933 Prose Poems. 1934 Nymphs of the Valley. 1948 CONTENTS The Coming of the Ship.......7 On Love.....................15 On Marriage.................19 On Children.................21 On Giving...................23 On Eating and Drinking......27 On Work.....................31 On Joy and Sorrow...........33 On Houses...................37 On Clothes..................41 On Buying and Selling.......43 On Crime and Punishment.....45 On Laws.....................51 On Freedom..................55 On Reason and Passion.......57 On Pain.....................60 On Self-Knowledge...........62 On Teaching.................64 On Friendship...............66 On Talking..................68 On Time.....................70 On Good and Evil............72 On Prayer...................76 On Pleasure.................79 On Beauty...................83 On Religion.................87 On Death....................90 The Farewell................92 THE PROPHET |Almustafa, the{7} chosen and the beloved, who was a dawn unto his own day, had waited twelve years in the city of Orphalese for his ship that was to return and bear him back to the isle of his birth. And in the twelfth year, on the seventh day of Ielool, the month of reaping, he climbed the hill without the city walls and looked seaward; and he beheld his ship coming with the mist. Then the gates of his heart were flung open, and his joy flew far over the sea. And he closed his eyes and prayed in the silences of his soul. ***** But as he descended the hill, a sadness came upon him, and he thought in his heart: How shall I go in peace and without sorrow? Nay, not without a wound in the spirit shall I leave this city. {8}Long were the days of pain I have spent within its walls, and long were the nights of aloneness; and who can depart from his pain and his aloneness without regret? Too many fragments of the spirit have I scattered in these streets, and too many are the children of my
918.248737
2023-11-16 18:32:22.3157650
3,841
6
Produced by Chuck Greif, Jana Srna, Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Biodiversity Heritage Library.) [Illustration: Asa Gray] LETTERS OF ASA GRAY EDITED BY JANE LORING GRAY IN TWO VOLUMES VOL. II. [Illustration] BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1894 Copyright, 1893, BY JANE LORING GRAY. _All rights reserved._ CONTENTS. PAGE V. SECOND JOURNEY IN EUROPE.--CORRESPONDENCE. 1830-1859 369 VI. LETTERS TO DARWIN AND OTHERS. 1800-1868 454 VII. TRAVEL IN EUROPE AND AMERICA. 1808-1880 565 VIII. FINAL JOURNEYS AND WORK. 1880-1888 701 NOTE ON THE ILLUSTRATIONS. The frontispiece portrait of Dr. Gray is a photogravure from a photograph taken in 1880. The plate of Dr. Gray in his study, facing page 529, is from a photograph taken in 1879. The view of the present Range of Buildings in the Botanic Garden, facing page 614, is from a photograph taken for this work. LETTERS OF ASA GRAY. CHAPTER V. SECOND JOURNEY IN EUROPE.--CORRESPONDENCE. 1850-1859. Dr. Gray sailed for England with Mrs. Gray in a sailing packet June 11, 1850. The steamers made regular trips, but the fine packets were still running, and it was thought desirable to try the longer voyage for Mrs. Gray’s health. Dr. Gray renewed acquaintance with his old friends, and made many new ones, meeting at his friend Mr. Ward’s, where they first stayed, many of the younger men, Henfrey, Forbes, etc., who had become known in science since his former visit in 1839. TO JOHN TORREY. GHENT, BELGIUM, July 16, 1850. I surely meant that you should have heard of us long ere this. But there seemed not to be a moment of time during the fortnight we spent in England; Mr. Ward kept us so busy with every sort of engagement and sight-seeing that J. could enjoy. I meant to have written at Dover last evening; but it was not convenient, so now that we are for the first night in a strange country (which England is not) I must tell you, what I trust you have learned from Carey (to whom I had occasion to write hurriedly, last mail), that we had a very pleasant voyage of seventeen and a half days and came near making it in fourteen, as we made land early on the morning of the twelfth day out, no storms, but gentle favoring breezes till we made the Irish coast; and then, to our disappointment, we had head winds to beat against all the way up to Holyhead, and reached Liverpool Saturday morning.... On Monday we left Liverpool, which has vastly improved since you saw it; stopping at Coventry and turning off to Leamington to see, at Darlington’s desire, the descendants of old Peter Collinson,[1] and deliver some books and letters from him, which I did. Mrs. Collinson was ill with a severe fall, but her daughter received the things I brought, and showed me a portrait of Peter. Then Mrs. Gray and I made an excursion to Warwick Castle, the fine ruins of Kenilworth, and Stoneleigh Abbey, driving through six or seven miles of fine park. The next day on to London, to Ward, who had insisted on our visiting him. He lives three and a half miles out of London, in a pleasant and quiet suburban house; his son being established in Wellclose Square. Boott I saw the same evening I arrived, and two days later, with J., but not later. He has been quite sick with an influenza, and a slight but not altogether pleasant inflammation of the lungs. To Hooker I went at once also, and got your kind letter there, and saw Kew. Hooker is quite well; but Lady H. is very poorly.... She inquired most particularly and affectionately after yourself, and asked about all your family.... On Monday I made another visit to Kew Gardens, (a grand affair) to show the lions of the place to four or five young Americans I knew, one of them young Brace,[2] J.’s cousin, who is making with two friends a pleasant and profitable pedestrian excursion in England.[3] I cannot begin to tell you the half we have done and seen in England, but we were most busy: Saturday, conversazione of Royal Botanical Society in Regent’s Park. Wednesday, excursion with Linnæan Club to Hertford; saw a great Pinetum, 600 species of Coniferæ, etc., and the Panshanger Oak. (I wrote Carey a few words of this.) Thursday, a most pleasant day with Hooker. Miss Hooker looks quite well; all send their love to you, all most kind and sweet to us. Hooker has altered little, but looks older. Brown looks older perhaps, but decidedly stronger, is as healthy as possible and very lively. In talking with him and showing him about it he gave up about Krameria, and said I must be right. He formerly unequivocally referred it to Polygalaceæ. Bennett is large and fat. I fear he does not work hard enough. Yesterday we came down to Dover early in the afternoon (a striking place), and embarked late in the evening on steamer for Ostend, which we reached early this morning; came right on to Bruges, which listless and very curious old-world town, and its curiosities, we have all day been exploring, till six o’clock, when we came on twenty-eight miles further by railway to the famous and more lively town of Ghent,--where I have been running about till the dusk arrived, and must now to bed, as we have to finish Ghent to-morrow before dinner, and go on to Antwerp afterwards, thence to Cologne. I think we shall cut Brussels. At Ghent saw the Belfry and the strange old Town Hall.... I went to the Botanic Garden (did not find Professor Kickx),--hardly as large as ours at Cambridge, and by no means so rich or half so well kept, though said to be the best in Belgium; explored the university library, and strolled through the streets and along the canals.... Antwerp.--Imagine us settled comfortably at Hotel du Parc, Wednesday evening, overlooking the Place Verte, our windows commanding a near and most advantageous view of the finest cathedral in Belgium, with light enough still to see pretty well against the sky the graceful outlines and much of the light tracery and Gothic work of this gem of a steeple, one of the loftiest in the world (403 feet, 7 inches) and probably unsurpassed by any for lightness, grace, and the elaborateness of the carved work. Napoleon compared it to Mechlin lace. And such sweet chimes, every fifteen minutes! The chime at the beginning of the hour still rings in our ears. We have never tired of listening to it.... BONN, July 22. We drove through the city (Cologne) to the station of the Bonn railroad. But on the way the driver, of his own motion, stopped at the door of the cathedral. Finding that we had time enough to take a good look before the train left, we could not resist, and saw this wonder and masterpiece of true Gothic architecture; which by the united efforts of most North German powers is going on toward completion, in the style and plan on which it was commenced seven hundred or eight hundred years ago, and in which the choir was finished, and the transepts and nave commenced. It is most grand; the grandest thing we ever saw, though the nave bears only a temporary roof, at thirty or forty feet less than the full height. The ancient stained glass comes fully up to one’s expectation. I have never seen the like. We went up to Poppelsdorf; such charming and picturesque view of the Siebengebirge (seven mountains) and the Godesberg, etc., from the professor’s windows and the Botanic Garden; the museums rich and curious, and parts of the old château in which they are (now surrendered to the university) not less so. The botanical professors, Treviranus[4] and Dr. Roemer, very kind; some collections to be made ready here for me to examine when we come back, so that I must then spend a day here.... TO GEORGE ENGELMANN. GENEVA, August 16, 1850. We went up the Rhine to Coblenz, Bingen, and Mayence; thence to Frankfort. By some mistake in the post office in giving me the address, your letter to Dr. Fresenius[5] I took to a law-doctor Fresenius, who was away in Switzerland. So I gave up all hopes of seeing him, and we fell to seeing the sights by ourselves, when, a few hours before we had arranged to go to Heidelberg, the true Dr. Fresenius came in. We may see him again on our way back. We went to Heidelberg, for an hour or two only.... It is now the 20th,--time passed fast. I work to-day in herbariums De Candolle and Boissier, and to-morrow morning we go to Freiburg and Berne and the Bernese Oberland. We cannot be back now in England so early as we expected; but still hope to be there by the 20th September.... Thursday morning, after an early breakfast, went on by railroad to Kehl; left our luggage and took a carriage over the bridge of boats, across the lines of the French republic (?) into Strasburg. Saw Schimper;[6] then we went to the cathedral, viewed the grand front of this imposing structure, and the wonderful spire, the tallest in the world; were much struck with the grandeur of the interior, wholly lighted by stained glass, the greater part of it 400 or 500 years old. After visiting the Museum of Natural History, and arranging with Schimper to meet him in Switzerland, where he is to pass with his wife (a Swiss lady) a long vacation, we took our carriage and returned to the Baden side of the river, and came on to Freiburg (in the Breisgau) that evening, reaching it in the rain.... Professor Braun,[7] the brother of the first Mrs. Agassiz, was very kind to us. He is a very interesting man, of charming manners; his wife very sweet and charming, his children most engaging. Saturday afternoon we took a carriage, and with Professor Braun rode up a beautiful valley to the Höllenthal (French, Vallée d’Enfer), a rocky and wooded gorge of very striking scenery; wild and majestic, rather than terrible, as its name imports.... In the afternoon visited the cathedral, one of the finest and oldest in Europe, that is well preserved. Here nearly every part, and all the stained glass, of a most curious kind, is perfectly preserved; and the spire, though not so high as that of Strasburg, is as elaborate and light,--as it were of woven stone thread,--and even more beautiful.... Tuesday we rode from Bâle to Bienne (fifty-six miles) in a diligence, from eight A.M. to five P.M., through the Münster Thal, the grandest and most picturesque scenery of the Jura. Wednesday, a ride of three hours along lakes of Bienne and Neuchâtel brought us to Neuchâtel at eleven o’clock A.M.... Professor Godet,[8] who received me most cordially, took me (with Mr. Coulon) up the Chaumont, 2,500 feet; but the Alps were obscured by clouds, at least the higher Alps, and we had no fine view of them; otherwise the view was very fine. We returned by the great boulder Pierre à Bot. All asked after Agassiz with much interest. Excursions are planned for us when we return.... * * * * * Dr. Gray enjoyed the visit to Geneva, where he renewed his friendship with MM. Alphonse De Candolle and Boissier, accomplishing some useful work, and having pleasant social meetings and excursions. He went to Chamouni and the Bernese Oberland; then to Munich, especially to meet again Martius, with whom he had been in constant correspondence, and who made the journey from Tyrol to greet his old friend. Their few days together were greatly enjoyed. He returned to England, going down the Neckar by steamboat to Heidelberg, then down the Rhine, and through Holland, where he saw Miquel[9] in Amsterdam, rambling with him on a fête-day through the streets at evening, enjoying the queer sights; went to Leyden, meeting De Vriese,[10] with whom was R. Brown (then staying in Leyden for a few days), and seeing the Botanic Garden, one of the oldest in Europe, and well known to Linnæus. Blume[11] he missed, but he saw Siebold’s[12] collection of Japanese curios, then most rare. He took steamer from Rotterdam to London, and after a few days went down to Mr. Bentham’s, in Herefordshire. Here were spent two months of very hard work with Mr. Bentham, who most kindly went over with him the plants of the United States Exploring Expedition, which had been brought over the Atlantic for the purpose. Pontrilas is in a pretty, hilly country on the border of Wales, with many old churches, almost of Saxon time, in the neighborhood, to give interest to walks, and very interesting, agreeable neighbors for a day or two’s visiting, among them the authoress, Mrs. Archer Clive, who was very kind. He left Pontrilas early in December to make a visit, at Dublin, to his friend Professor Harvey, to stay in the family of Mr. and Mrs. Todhunter, Dr. Harvey’s sister. Going on board the steamer at ten in the evening, he met with the severe accident of which he gives an account in his letters. Dr. Harvey came from Dublin to help in nursing him. His vigor and elasticity helped him to a speedy recovery, but it increased a general tendency to stoop, and he was never so erect afterwards. He was able to get to Kew the last of December, and spent the winter in hard work in Sir William Hooker’s herbarium, which was then in his house at West Park. TO A. DE CANDOLLE. CUMBERLAND PLACE, KEW, December 28, 1850. Your kind favor of December 6th, forwarded to me by Bentham, to Dublin, would have been sooner acknowledged, but that it found me an invalid. On our way from Hereford to Dublin I had just gone on board a steamer at Holyhead, early in the evening; had left Mrs. Gray in the ladies’ cabin, when, coming on deck again, I stepped over an open hatchway which had been left for the moment very carelessly unguarded and unlighted. I fell full eighteen feet, they say, to the bottom of the hold, striking partly on my right hand and the side of my right leg, bruising and straining both, but principally on my right side against a timber projecting from the floor, fracturing two of my ribs. It is truly wonderful that I was not more seriously and permanently injured. I was taken on shore at once and had good medical attendance. I recovered so rapidly that in a week I was comfortably taken across to Dublin, where I was kindly cared for by good friends; in two weeks more I left for London, able to walk without difficulty; and to-day, just four weeks after the accident, I have begun to work at plants again, in Sir William Hooker’s herbarium. But my side is still tender, and my strength is not great. Having said thus much of my bodily condition, let me no longer delay to thank you heartily for the very unexpected compliment that you have caused to be paid me, and to ask you to convey, in fitting terms, my grateful acknowledgments to the Société de Physique et d’Histoire Naturelle, for the honor they have conferred upon me in choosing me as one of their corresponding members. I was not aware that I had rendered any particular services to your society, but I shall be very glad to do so if any opportunity offers. Although, generally, I am far from coveting compliments of this kind, I assure you I am much pleased to be
918.335805
2023-11-16 18:32:22.3158980
1,033
6
Produced by Charles Aldarondo, Charles Franks and the Online Distributed Proofreading Team. HTML version by Al Haines. THE SEABOARD PARISH BY GEORGE MAC DONALD, LL.D. VOL. II. CONTENTS OF VOL. II. I. ANOTHER SUNDAY EVENING II. NICEBOOTS III. THE BLACKSMITH IV. THE LIFE-BOAT V. MR. PERCIVALE VI. THE SHADOW OF DEATH VII. AT THE FARM VIII. THE KEEVE IX. THE WALK TO CHURCH X. THE OLD CASTLE XI. JOE AND HIS TROUBLE XII. A SMALL ADVENTURE XIII. THE HARVEST CHAPTER I. ANOTHER SUNDAY EVENING. In the evening we met in Connie's room, as usual, to have our talk. And this is what came out of it. The window was open. The sun was in the west. We sat a little aside out of the course of his radiance, and let him look full into the room. Only Wynnie sat back in a dark corner, as if she would get out of his way. Below him the sea lay bluer than you could believe even when you saw it--blue with a delicate yet deep silky blue, the exquisiteness of which was thrown up by the brilliant white lines of its lapping on the high coast, to the northward. We had just sat down, when Dora broke out with-- "I saw Niceboots at church. He did stare at you, papa, as if he had never heard a sermon before." "I daresay he never heard such a sermon before!" said Connie, with the perfect confidence of inexperience and partiality--not to say ignorance, seeing she had not heard the sermon herself. Here Wynnie spoke from her dark corner, apparently forcing herself to speak, and thereby giving what seemed an unpleasant tone to what she said. "Well, papa, I don't know what to think. You are always telling us to trust in Him; but how can we, if we are not good?" "The first good thing you can do is to look up to him. That is the beginning of trust in him, and the most sensible thing that it is possible for us to do. That is faith." "But it's no use sometimes." "How do you know that?" "Because you--I mean I--can't feel good, or care about it at all." "But is that any ground for saying that it is no use--that he does not heed you? that he disregards the look cast up to him? that, till the heart goes with the will, he who made himself strong to be the helper of the weak, who pities most those who are most destitute--and who so destitute as those who do not love what they want to love--except, indeed, those who don't want to love?--that, till you are well on towards all right by earnestly seeking it, he won't help you? You are to judge him from yourself, are you?--forgetting that all the misery in you is just because you have not got his grand presence with you?" I spoke so earnestly as to be somewhat incoherent in words. But my reader will understand. Wynnie was silent. Connie, as if partly to help her sister, followed on the same side. "I don't know exactly how to say what I mean, papa, but I wish I could get this lovely afternoon, all full of sunshine and blue, into unity with all that you teach us about Jesus Christ. I wish this beautiful day came in with my thought of him, like the frame--gold and red and blue--that you have to that picture of him at home. Why doesn't it?" "Just because you have not enough of faith in him, my dear. You do not know him well enough yet. You do not yet believe that he means you all gladness, heartily, honestly, thoroughly." "And no suffering, papa?" "I did not say that, my dear. There you are on your couch and can't move. But he does mean you such gladness, such a full sunny air and blue sea of blessedness that this suffering shall count for little in it; nay more, shall be taken in for part, and, like the rocks that interfere with the roll of the sea, flash out the white that glorifies and intensifies the whole--to pass away by and by, I trust, none the less. What a chance you have, my Connie, of believing in him, of
918.335938
2023-11-16 18:32:22.4169010
1,738
9
Produced by David McClamrock MEMOIR OF QUEEN ADELAIDE, CONSORT OF KING WILLIAM IV. BY DR. DORAN, AUTHOR OF "LIVES OF THE QUEENS OF ENGLAND OF THE HOUSE OF HANOVER," ETC. LONDON: RICHARD BENTLEY, NEW BURLINGTON STREET. 1861. [The right of Translation is reserved.] LONDON: PRINTED BY G. PHIPPS, 13 & 14, TOTHILL STREET, WESTMINSTER. ADELAIDE OF SAXE-MEINENGEN. Und ich an meinem Abend, wollte, Ich haette, diesem Weibe gleich, Erfuellt was ich erfuellen sollte In meinen Graenzen und Bereich. A. VON CHAMISSO. The pocket Duchy--Old customs--Early training--The Father of the Princess Adelaide--Social life at the ducal court--Training of the Princess Adelaide--Marriage preliminaries--English parliament--The Duke of Clarence--Arrival in London of the Princess--Quaint royal weddings--At home and abroad--Duke and Duchess of Clarence at Bushey--"State and Dirt" at St. James's--William IV. and Queen Adelaide--Course of life of the new Queen Consort--King's gallantry to an old love--Royal simplicity--The Sovereigns and the Sovereign people--Court anecdotes--Drawing rooms--Princess Victoria--The coronation--Incidents of the day--Coronation finery of George IV.--Princess Victoria not present--Revolutionary period--Reform question--Unpopularity of the Queen--Attacks against her on the part of the press--Violence of party-spirit--Friends and foes--Bearing of the King and Queen--Duchess of Augouleme--King a republican--His indiscretion--Want of temper--Continental press adverse to the Queen--King's declining health--Conduct of Queen Adelaide--King William's death--Declining health of the Queen--Her travels in search of health--Her last illness--Her will--Death--And funeral. THE little Duchy of Saxe-Meinengen was once a portion of the inheritance of the princely Franconian house of Henneberg. The failure of the male line transferred it, in 1583, to the family of reigning Saxon princes. In 1680, it fell to the third son of the Saxon Duke, Ernest the Pious. The name of this son was Bernard. This Duke is looked upon as the founder of the House of Meinengen. He was much devoted to the study of Alchemy, and was of a pious turn, like his father, as far, as may be judged by the volumes of manuscript notes he left behind him--which he had made on the sermons of his various court-preachers. The law of primogeniture was not yet in force when Duke Bernard died, in 1706. One consequence was, that Bernard's three sons, with Bernard's brother, ruled the little domain in common. In 1746, the sole surviving brother, Antony Ulrich, the luckiest of this ducal Tontine, was monarch of all he surveyed, within a limited space. The conglomerate ducal sovereigns were plain men, formal, much given to ceremony, and not much embarrassed by intellect. There was one man, however, who had enough for them all: namely, George Spanginburg, brother of the Moravian bishop of the latter name, and who was, for some time, the Secretary of State at the court of Saxe-Meinengen. Antony Ulrich reigned alone from 1746 to 1763. He was of a more enlightened character than any of the preceding princes, had a taste for the arts, when he could procure pictures cheaply, and strong inclination towards pretty living pictures, which led to lively rather than pleasant controversies at court. His own marriage with Madame Scharmann disgusted the young ladies of princely houses in Germany, and especially exasperated the aristocracy of Meinengen. They were scarcely pacified by the fact, that the issue of the marriage was declared incapable of succeeding to the inheritance. The latter fell in 1763 to two young brothers, kinsfolk of Antony, and sons of the late Duke of Gotha, who reigned for some years together. The elder, Charles, died in 1782. From that period till 1803, the other brother, George, reigned alone. He had no sooner become sole sovereign, than he married the Princess Louisa of Hohenlohe Langenburg. At the end of ten years, the first child of this marriage was born, namely Adelaide, the future Queen of England. Eight years later, in the last year of the last century A.D. 1800, a male heir to the pocket-duchy was born, and then was introduced into Meinengen the law which fixed the succession in the eldest male heir only. Saxe-Meinengen was the last country in Europe in which this law was established. The father of the Princess Adelaide, like his brother Charles, was a man of no mean powers. Both were condescending enough to visit even the burgher families of Saxe-Meinengen; and Charles had so little respect for vice in high places, that when a German prince acted contrary to the rights of his people, the offender found himself soundly lashed in paper and pamphlet, the pseudonymous signature to which could not conceal the person of the writer--the hasty Duke Charles. If this sometimes made him unpopular over the frontier, he was beloved within it. How could the people but love a sovereign Duke who, when a child was born to him, asked citizens of good repute rather than of high rank to come and be gossips? In the revolutionary war, Duke George fought like a hero. At home, he afforded refuge to bold but honest writers, driven from more mighty states. He beautified his city, improved the country; and, without being of great mental cultivation himself, he loved to collect around him, scholars, philosophers, artists, authors, gentlemen. With these he lived on the most familiar terms, and when I say that Schiller and John Paul Richter were of the number, I afford some idea of the society which Duke George cared chiefly to cultivate. He buried his own mother in the common church-yard, because she was worthy, he said, of lying among her own subjects. The majority of these were country folk, but George esteemed the country folk, and at rustic festivals he was not unwilling to share a jug of beer with any of them. Perhaps the rustics loved him more truly than the sages, to whom he proved, occasionally, something wearisome. But these were often hard to please. All, however, felt an honest grief, when, on the Christmas night, of 1803, Duke George died, after a brief illness, caused, it is said, by a neglected cold, and the rage at an urgent demand from the Kaiser, of 60,000 florins, fine-money for knightly orders, ducally declined. The Duke left a young family, Adelaide, Ida, and his son and successor, Bernard, then only three years of age. The mother of these fatherless children took upon herself the office of guardian, with that of Regent of the duchy. The duties of both were performed with rare judgment and firmness, during a time of much trouble and peril, especially when the French armies were overrunning and devastating Germany. On the young ladies, gently and wisely reared in this little court, Queen Charlotte had begun to look with the foresight of a mother who had elderly and wayward sons to marry. When the
918.436941
2023-11-16 18:32:22.5155460
3,054
14
Produced by Richard Tonsing, Donald Cummings, Adrian Mastronardi and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: Dr. Gunning's House, overlooking the Valley of Macacos] BRAZIL AND THE RIVER PLATE IN 1868: BY WILLIAM HADFIELD, SHOWING THE PROGRESS OF THOSE COUNTRIES SINCE HIS FORMER VISIT IN 1853. [Illustration] LONDON: BATES, HENDY AND CO., 4, OLD JEWRY, E.C. 1869. ENT. STA. HALL. DUNLOP & CO., PRINTERS, King's Head Court, Shoe Lane, E.C. CONTENTS. THE VOYAGE OUT 9 THE CITY OF MONTE VIDEO 25 THE CITY OF RIO DE JANEIRO 31 THE WAR IN PARAGUAY 45 THE PROVINCE OF SAN PAULO 51 THE SAN PAULO RAILWAY 55 THE CITY OF SAN PAULO 66 SAN PAULO TO SANTOS AND RIO DE JANEIRO 83 TRIP TO JUIZ DE FORA.—THE DON PEDRO SEGUNDO RAILWAY 86 RIO DE JANEIRO TO THE RIVER PLATE, SECOND TRIP 99 CITY OF BUENOS AYRES 103 BUENOS AYRES TO COLONIA—ESTANZUELLA 107 TRIP ON THE CENTRAL ARGENTINE RAILWAY 112 THE WESTERN RAILWAY OF BUENOS AYRES 125 BUENOS AYRES—SECOND NOTICE 131 PROGRESS OF STEAM NAVIGATION ON LA PLATA 142 RAILWAYS IN THE RIVER PLATE 146 EMIGRATION TO BRAZIL 154 EMIGRATION TO THE RIVER PLATE 158 RAILWAYS IN BRAZIL 164 COMMERCE OF BRAZIL AND THE RIVER PLATE 173 THE RIVER AMAZON 185 TELEGRAPHIC COMMUNICATIONS 197 RELIGIOUS INSTITUTIONS 200 THE AFFLUENTS OF LA PLATA 203 THE REPUBLIC OF PARAGUAY 206 BRAZILIAN CURRENCY 217 ARGENTINE FINANCES 231 THE PORT AND HARBOUR OF SANTOS 239 THE VOYAGE HOME 245 APPENDIX OF OFFICIAL AND OTHER DOCUMENTS 253 ERRATA. Page 132.—For Club “El Temple” read “Del Parque.” Page 167.—Transpose in table words “Revenue” and “Working.” Page 169.—For “£150,000” read “£15,000.” PREFACE. This work makes no pretentions to literary merit, but, as its title indicates, is simply a narrative descriptive of the progress of the countries specially referred to, which, though England has long maintained intimate commercial relations with them, are still but very imperfectly known to the British public. In the Old World generations follow each other without any very perceptible alteration being observable in the characteristic surroundings, but in the New World, as America is still termed, a few years often effect changes of the most important and striking description. This is notably the case as respects Brazil and the River Plate, the growth of which has been very remarkable. Since the year 1854, when my former work was published, a large amount of English capital has been invested in various enterprises connected with Brazil and the River Plate, and particularly for the construction of railways, the formation of banks, and the promotion of steam navigation on the great Rivers communicating with the interior. If the results have not, in several instances, proved wholly satisfactory as regards the distribution of dividends, the fact is in a considerable degree, if not entirely, owing to mismanagement of some kind or other; and I think there can be no doubt that a prosperous future yet lies before all the companies in question. On the other hand, large gains have been secured, showing that those regions present a profitable and wide field for the further employment of our surplus capital. The commercial tendencies of Brazil and the Platine States are most liberal, and their policy is the very opposite of that pursued under the exclusive domination of Portugal and Spain. The Empire, not long since, received the approval of all civilised nations for its decree opening up the waters of the noble Amazon to free commerce, and the unrestricted navigation of the upper riverine streams will be one of the chief advantages the victory of the allies in the present war will confer upon mankind. The extent of territory embraced within the limits of Brazil, and what are commonly called the Platine States, cannot easily be realised by those who have never travelled out of Europe; and it is equally difficult to convey any adequate idea of their wonderful fertility and productiveness. Nature has blessed them with her choicest gifts, and, to take the highest rank amongst the nations, their sole want is increased population; and this is precisely what overcrowded Europe can very well spare. I am glad to be able to state that the respective Governments are fully impressed with the necessity of adopting comprehensive and effective measures with a view to attracting emigrants to their shores. My intended movements during my visit were much interfered with by the cholera in the Plate and the protracted duration of hostilities in Paraguay, but I was enabled to satisfy myself of the complete realisation in 1868 of my most sanguine predictions in 1853. BRAZIL AND THE RIVER PLATE IN 1868. THE VOYAGE OUT. A beaten track does not present the same novelty as a fresh one, except in the case of countries in what is still termed the New World, and which are again about to be described. It was in 1853 I last visited Brazil and the River Plate, and published my observations upon them. An interval of fifteen years has wrought many changes and produced wonderful progress there, and if the Southern portion of the American Continent has not kept pace with the Northern it may be chiefly ascribed to the continued great influx of emigrant population to the latter from all parts of Europe, but consisting chiefly of the Anglo-Saxon race. From this cause, even the loss of at least a million of American citizens by the great civil war has caused no perceptible diminution in the American census, because it is constantly replenished from Europe. The African race has, however, come to the surface in a most unlooked-for manner, their shackles having been removed by a violent shock, which has, for a time at least, caused great social disturbance, and left the Southern States more or less at the mercy of the “<DW65>s,” as the blacks are generally termed. What may be the ultimate result, or how things will “settle down,” is yet a problem to be solved. Meantime, slavery in Brazil remains a domestic institution, but it is doomed to inevitable extinction. The process of emancipation will be watched with much interest by all who desire to see the Brazilian Empire rise to the position it is capable of attaining. The tide of emigration to Brazil, spite of this disadvantage, has, however, fairly set in, and the subject will be treated of in its proper place. Happily, in the River Plate there exists no such hindrance to the development of free labour, for which it also presents a boundless field, and it will be the study of the writer to show how a portion, at all events, of the surplus population of Europe can be located there, to the great advantage of those who embrace the opening as well as of the country itself, whose chief and most urgent want is labour. The Paraguayan war and the terrible ravages of the cholera have been a great drawback to internal improvement in the Argentine Republic, but it is gratifying to think that the encouraging picture drawn by the writer on his first visit to the Plate has been more than realised—the motto of the Platine States should now be “_Peace and Progress_.” The “log” of an outward-bound passenger on board an ocean steamer now possesses but little interest; still, a record of the changes which have taken place in the means of transit since my last voyage, made fifteen years ago, may be worthy of notice, and will also afford information to those who contemplate a trip to Brazil or the River Plate. Success does not always attend even the best organised and most promising enterprises, but all experience had even then proved that there was ample scope for the employment of capital in promoting intercourse by means of steam with those countries that can only be reached by crossing the ocean. The South American Company, with which at that time I was connected, started under unfortunate circumstances. Ships were high in price, and rates of fuel were exorbitant by reason of the Crimean War. They lost in addition two of their steamers in a most unlooked-for manner, which sadly deranged their operations; but emphatically the two grave errors committed by the company were, first, in building more ships than they could raise capital to pay for; and, secondly, in abandoning the line after their experience had thus been paid for, and at the very moment when the traffic was becoming lucrative; for there can be no question that had they continued to run their steamers, instead of being seduced by the tempting terms of charter offered by Government, they would now have been in existence as a powerful company, paying good dividends. This was not to be however, and on the abandonment of the line, the Royal Mail Company was left without a competitor, and so enabled to realise large profits. Had this latter company read rightly the signs of the times, or met the requirements of _commerce_ by despatching a steamer once a month from Liverpool, alternately with their regular mail from Southampton, they would not only have made more money, but to a considerable extent rendered themselves independent of Government subsidies. Their monopoly was exercised injuriously for the interests of the countries they were trading to, of which the French Emperor had the sagacity to take advantage, by subsidizing a company from Bordeaux, which has continued a most successful career, for it cannot be disputed that French steam navigation and the development of French commerce are almost entirely due to his Imperial Majesty's remarkable prescience. As a natural consequence of increased facilities the passenger traffic with Brazil and the River Plate has wonderfully increased, and at times both lines are inconveniently crowded, the French one being for some reason preferred by South Americans and foreigners. Subsequently some unsuccessful attempts were made to establish other steam lines to Brazil. What was termed the Brokers' line was started from Liverpool to the River Plate, but it was not until Messrs. Lamport and Holt took the business in hand that private steam navigation was established on a firm basis from that port, and the fine fleet of the astronomical line now supersedes to a considerable extent the use of sailing ships. They have also entered into a contract with the British Government to despatch a mail steamer on the 20th of every month, the first (the Hipparchus) having left Liverpool on the 20th August last. Last on the list comes what is now generally known as “Tait's” line, on board one of the steamers of which, the City of Limerick, I am now embarked. They are fine steamers, with superior accommodation for first-class passengers at very moderate rates. A line from London, calling at Falmouth, has long been a favourite project, which Messrs. Tait have at length carried into effect with every prospect of success. They have wisely appreciated the growing requirements of population in Brazil and the River Plate, and are preparing to convey a number of third-class passengers by their steamers at a cheap rate. By confining their operations to Rio de Janeiro and the River Plate they are enabled to land goods and passengers at Monte Video and Buenos Ayres under 30 days. The importance of this line has been greatly enhanced by the contract entered into with the Belgian Government, under which the steamers are to call at Antwerp on their way out and home, the latter after landing passengers at Falmouth.[1] This brief reference to the progress of steam navigation to Brazil and the River Plate will show the growth of passenger traffic during the last few years, and sufficiently indicate the great increase of commerce with these countries, not only as regards Great Britain, but also as respects continental ports, which will be more clearly illustrated in later portions of this volume; meantime, as an index to passenger traffic, it is my intention to obtain statistics from the different companies, and to present them in a table which will speak for itself. I may further remark that a steam company has been formed to run from Marseilles to the River Plate, and another between the United States and Brazil, the latter with a subsidy from these two Governments, which cannot fail to be mutually advantageous, and to promote the great object of emigration. Altogether a very large amount of capital is employed in linking this portion of the old world and the new by means of steam navigation. That it will further increase no one can doubt, particularly should the tide of emigration from Europe set in freely towards those countries, as I firmly believe will soon be the case. And now we are moving along towards St
918.535586
2023-11-16 18:32:22.5217450
2,454
8
Produced by Sandra Laythorpe. HTML version by Al Haines. LADY HESTER; OR, URSULA'S NARRATIVE. by CHARLOTTE M. YONGE CONTENTS. CHAPTER I. SAULT ST. PIERRE CHAPTER II. TREVORSHAM CHAPTER III. THE PEERAGE CASE CHAPTER IV. SKIMPING'S FARM CHAPTER V. SPINNEY LAWN CHAPTER VI. THE WHITE DOE'S WARNING CHAPTER VII. HUNTING CHAPTER VIII. DUCK SHOOTING CHAPTER IX. TREVOR'S LEGACY CHAPTER I. SAULT ST. PIERRE. I write this by desire of my brothers and sisters, that if any reports of our strange family history should come down to after generations the thing may be properly understood. The old times at Trevorsham seem to me so remote, that I can hardly believe that we are the same who were so happy then. Nay, Jaquetta laughs, and declares that it is not possible to be happier than we have been since, and Fulk would have me remember that all was not always smooth even in those days. Perhaps not--for him, at least, dear fellow, in those latter times; but when I think of the old home, the worst troubles that rise before me are those of the back-board and the stocks, French in the school-room, and Miss Simmonds' "Lady Ursula, think of your position!" And as to Jaquetta, she was born under a more benignant star. Nobody could have put a back-board on her any more than on a kitten. Our mother had died (oh! how happily for herself!) when Jaquetta was a baby, and Miss Simmonds most carefully ruled not only over us, but over Adela Brainerd, my father's ward, who was brought up with us because she had no other relation in the world. Besides, my father wished her to marry one of my brothers. It would have done very well for either Torwood or Bertram, but unluckily, as it seemed, neither of them could take to the notion. She was a dear little thing, to be sure, and we were all very fond of her; but, as Bertram said, it would have been like marrying Jaquetta, and Torwood had other views, to which my father would not then listen. Then Bertram's regiment was ordered to Canada, and that was the real cause of it all, though we did not know it till long after. Bertram was starting out on a sporting expedition with a Canadian gentleman, when about ten miles from Montreal they halted at a farm with a good well-built house, named Sault St. Pierre, all looking prosperous and comfortable, and a young farmer, American in his ways--free-spoken, familiar, and blunt--but very kindly and friendly, was at work there with some French-Canadian labourers. Bertram's friend knew him and often halted there on hunting expeditions, so they went into the house--very nicely furnished, a pretty parlour with muslin curtains, a piano, and everything pleasant; and Joel Lea called his wife, a handsome, fair young woman. Bertram says from the first she put him in mind of some one, and he was trying to make out who it could be. Then came the wife's mother, a neat little delicate, bent woman, with dark eyes, that looked, Bertram said, as if they had had some great fright and never recovered it. They called her Mrs. Dayman. She was silent at first, and only helped her daughter and the maid to get the dinner, and an excellent dinner it was; but she kept on looking at Bertram, and she quite started when she heard him called Mr. Trevor. When they were just rising up, and going to take leave, she came up to him in a frightened agitated manner, as if she could not help it, and said-- "Sir, you are so like a gentleman I once knew. Was any relation of yours ever in Canada?" "My father was in Canada," answered Bertram. "Oh no," she said then, very much affected, "the Captain Trevor I knew was killed in the Lake Campaign in 1814. It must be a mistake, yet you put me in mind of him so strangely." Then Bertram protested that she must mean my father, for that he had been a captain in the --th, and had been stationed at York (as Toronto was then called), but was badly wounded in repulsing the American attack on the Lakes in 1814. "Not dead?" she asked, with her cheeks getting pale, and a sort of excitement about her, that made Bertram wonder, at the moment, if there could have been any old attachment between them, and he explained how my father was shipped off from England between life and death; and how, when he recovered, he found his uncle dying, and the title and property coming to him. "And he married!" she said, with a bewildered look; and Bertram told her that he had married Lady Mary Lupton--as his uncle and father had wished--and how we four were their children. I can fancy how kindly and tenderly Bertram would speak when he saw that she was anxious and pained; and she took hold of his hand and held him, and when he said something of mentioning that he had seen her, she cried out with a sort of terror, "Oh no, no, Mr. Trevor, I beg you will not. Let him think me dead, as I thought him." And then she drew down Bertram's tall head to her, and fairly kissed his forehead, adding, "I could not help it, sir; an old woman's kiss will do you no harm!" Then he went away. He never did tell us of the meeting till long after. He was not a great letter writer, and, besides, he thought my father might not wish to have the flirtations of his youth brought up against him. So we little knew! But it seems that the daughter and son-in-law were just as much amazed as Bertram, and when he was gone, and the poor old lady sank into her chair and burst out crying, and as they came and asked who or what this was, she sobbed out, "Your brother Hester! Oh! so like him--my husband!" or something to that effect, as unawares. She wanted to take it back again, but of course Hester would not let her, and made her tell the whole. It seems that her name was Faith Le Blanc; she was half English, half French-Canadian, and lived in a village in a very unsettled part, where Captain Trevor used to come to hunt, and where he made love to her, and ended by marrying her--with the knowledge of her family and his brother officers, but not of his family--just before he was ordered to the Lake frontier. The war had stirred up the Indians to acts of violence they had not committed for many years, and a tribe of them came down on the village, plundering, burning, killing, and torturing those whom they had known in friendly intercourse. Faith Le Blanc had once given some milk to a papoose upon its mother's back, and perhaps for this reason she was spared, but everyone belonging to her was, she believed, destroyed, and she was carried away by the tribe, who wanted to make her one of themselves; and she knew that if she offended them, such horrors as she had seen practised on others would come on her. However, they had gone to another resort of theirs, where there was a young hunter who often visited them, and was on friendly terms. When he found that there was a white woman living as a captive among them, he spared no effort to rescue her. Both he and she were often in exceeding danger; but he contrived her escape at last, and brought her through the woods to a place of safety, and there her child was born. It was over the American frontier, and it was long before she could write to her husband. She never knew what became of her letter, but the hunter friend, Piers Dayman, showed her an American paper which mentioned Captain Trevor among the officers killed in their attack. Dayman was devoted to her, and insisted on marrying her, and bringing up her daughter as his own. I fancy she was a woman of gentle passive temper, and had been crushed and terrified by all she had gone through, so as to have little instinct left but that of clinging to the protector who had taken her up when she had lost everything else; and she married him. Nor did Hester guess till that very day that Piers Dayman was not her father! There were other children, sons who have given themselves to hunting and trapping in the Hudson's Bay Company's territory; but Hester remained the only daughter, and they educated her well, sending her to a convent at Montreal, where she learnt a good many accomplishments. They were not Roman Catholics; but it was the only way of getting an education. Dayman must have been a warm-hearted, tenderly affectionate person. Hester loved him very much. But he had lived a wild sportsman's life, and never was happy at rest. They changed home often; and at last he was snowed up and frozen to death, with one of his boys, on a bear hunting expedition. Not very long after, Hester married this sturdy American, Joel Lea, who had bought some land on the Canadian side of the border, and her mother came home to live with them. They had been married four or five years, but none of their children had lived. So it was when the discovery came upon poor old Mrs. Dayman (I do not know what else to call her), that Fulk Torwood Trevor, the husband of her youth, was not dead, but was Earl of Trevorsham; married, and the father of four children in England. Poor old thing! She would have buried her secret to the last, as much in pity and love to him as in shame and grief for herself; and consideration, too, for the sons, for whom the discovery was only less bad than for us, as they had less to lose. Hester herself hardly fully understood what it all involved, and it only gradually grew on her. That winter her mother fell ill, and Mr. Lea felt it right that the small property she had had for her life should be properly secured to her sons, according to the division their father had intended. So a lawyer was brought from Montreal and her will was made. Thus another person knew about it, and he was much struck, and explained to Hester that she was really a lady of rank, and probably the only child of her father who had any legal claim to his estates. Lea, with a good deal of the old American Republican temper, would not be stirred up. He desp
918.541785
2023-11-16 18:32:22.7182250
2,150
19
E-text prepared by Mary Glenn Krause, Martin Pettit, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 58369-h.htm or 58369-h.zip: (http://www.gutenberg.org/files/58369/58369-h/58369-h.htm) or (http://www.gutenberg.org/files/58369/58369-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/tuenslaveempress00nelsrich TUEN, SLAVE AND EMPRESS by KATHLEEN GRAY NELSON Illustrations by William M. Cary [Illustration: TUEN AT WORK ON THE TUNIC.--_Page 65_] New York Copyright by E. P. Dutton & Company 31 West Twenty-Third Street 1898 [Illustration: _Frontispiece._ THE BIRTHDAY PRESENT. Page 190.] PREFACE. This story is founded upon facts in the life of the Empress-dowager of China, the mother of the present Emperor. She was sold as a slave by her father to a renowned government official, who after a few years adopted her as his daughter, and afterwards presented her to the Emperor. The Emperor was altogether charmed with the gift. In a few years the slave girl became the wife of the Emperor, second in rank only to the Empress. From this time she was a power at the Imperial Court. Her administrative ability in governmental affairs became invaluable to the Emperor. After the death of the Empress, and the death of the Emperor and eldest son, she became Empress-dowager of China, and reigned as regent during the minority of her son, who is the present Emperor of China, now about twenty-four years of age. Bishop Galloway tells us this wonderful woman's sixtieth birthday, celebrated last year, "was to have been the greatest event in Chinese history for a century or more." The war, however, prevented this display. He says, too: "It is significant that in this country, in which women are at a discount, are secluded and kept in ignorance, are protested against at birth, and regarded as a calamity in youth, the ruling spirit in all national affairs is a woman." ILLUSTRATIONS. PAGE NIU TSANG AND FAMILY 2 THE VICEROY AND NIU TSANG 24 TUEN AND WANG 43 TUEN AT WORK ON THE TUNIC (_on title-page_) 65 "I WOULD LIKE TO LEARN TO READ" 78 THE SAIL UP THE RIVER 159 THE BIRTHDAY PRESENT (_frontispiece_) 190 TUEN, SLAVE AND EMPRESS. CHAPTER I. The sun had set in the land where the dragon reigns, and darkness and silence and rest and sleep, the ministers of the night, waited to come to their own. But their presence was not needed in the eastern portion of the province of Hunan, for a wonderful stillness hung over all the barren landscape, and there was no sign of life. On the banks of the streams the patient buffalo no longer went his ceaseless rounds, working the pumps that sent water over the thirsty earth; the shrill cries of the boatmen that were wont to echo on the river were hushed; not even a bird crossed the quiet sky; and where the waving rice-fields had once stretched out proud and green under the summer sun, was now but a lonely waste that gave no hope of harvest, for man and beast had either perished or fled. The great Tai-ping rebellion had stirred this peaceful country to its very centre, and war and war's grim follower, famine, had swept through this once fertile province, and naught was left to tell of what had been, save a few scattered ruins. [Illustration: NIU TSANG AND FAMILY. Page 2.] Suddenly, against the purplish shadows of the distant mountains, a little group could be seen moving slowly along, the only living things in all this vast solitude. On they came over the parched levels, but the man who was leading the way walked with bowed head, as one that saw not, but only went forward because he must. He was small in stature, and thin and lithe, while his complexion showed through its dark, the pallor of the student. His face was of the Oriental type peculiar to the Chinese Empire, and his carefully braided cue also indicated his nationality. He had dark, sloping eyes that you might have thought sleepy if you had not seen them light up as he talked, his forehead was low and broad, his mouth large, and most amiable in its expression, and when the long sleeves of his tunic fell back, they disclosed soft, delicate hands, unused to toil. His costume consisted of an outer tunic of worn and faded silk, girded at the waist with a sash, from which hung a bag containing flint and steel for lighting his pipe, a soiled pouch that had once held tobacco, but was now empty, another bag for his pipe, and a satin case shaped like the sheath for a short sword, from which protruded nothing more formidable, however, than the handle of a fan. His loose pantaloons, dust-stained and frayed, were met below the knees by cloth stockings, once white, but now dyed with mud, and his shoes of embroidered felt, the toes of which curled up in a curious fashion, showed many gaping holes. Upon his head he wore a cone-shaped hat of bamboo, the peak at the top adorned with a blue button from which fell a blue silk fringe, and his tunic being cut low at the neck and buttoned diagonally across his breast, left exposed his slender bronzed neck. He was followed by a woman whose dress was similar to his own, and also much the worse for wear, who led by the hand a little boy about four years old, while on her other side was a daughter, now almost as tall as her mother. But as the father walked slowly, even majestically, at the head of his little family, bearing on a pole thrown across his shoulders, all his worldly goods, there was an independence in his carriage, a pride in his mien, that told of better days not yet forgotten, and made the evident poverty of his appearance seem of but little moment. A learned man once advanced the theory that in the olden days the children of Abraham and Keturah, driven forth by unkind kinsmen, wandered on until they reached the flowery Kingdom, and there the family of the old patriarch multiplied as the stars of heaven, as the sand upon the sea-shore, and became a mighty nation. But the centuries came and went in silence, and man kept no record of their flight; and of the early settlers of this, one of the first countries inhabited by human beings, history can tell us nothing. The sons of Han have lived their lives calmly, borrowing nothing from other nations, asking nothing of the outside world, caring naught for what lay beyond their vast borders, and change has been an unknown word in their shut-in kingdom. Progress, the daring child of modern times, has not found entrance there, and the Niu Tsang of to-day, leading his family through the forsaken country, was but a repetition of his long dead forefathers. That was the reason why, even now, as he toiled wearily along, his mind left the scenes of the present, so full of sorrow and suffering, and dwelt in placid contemplation on the events of the past. He was musing on the wisdom of the sages, on the maxims of Confucius, when, chancing to raise his head, he saw in the distance the dim outlines of a building. "It is the temple of Buddha," he cried, joyfully, turning to his wife. "There we shall find food and shelter for the night." She made a gesture of assent, but her pale lips framed no word, and they pressed hurriedly forward. When they came nearer the temple, he noticed the traces of many footsteps, as if a great throng had entered there, but the same mysterious silence reigned everywhere. There was no murmur of voices raised in chants of praise, no priests waiting at the entrance, no din of gongs and drums, not even a sound from the consecrated animals that had once waited within the enclosure in pampered stupidity for release from their beastly forms. Bewildered, oppressed by a nameless fear, Niu Tsang ran past the open portal, and there he stopped, dismayed at the scene before him, for the rebels, drunk with success, had in their wild zeal turned against the dumb gods of the land, and wrought havoc in the temple. Gilded and painted fragments of helpless idols strewed the floor, the great stone altar, carved in writhing dragons, had been broken into many pieces, and incense vases of priceless porcelain, candlesticks of richest cloisonne, tables of carved ebony, stands of polished jade, and rosaries torn from the hands of frightened priests, had been ruthlessly destroyed, and now lay in great heaps of rubbish. The guardians of the temple had fled before the wrath of the rebel reformers, and the dead gods were left alone in their temple. Niu Tsang made his way sadly through these ruins of the
918.738265
2023-11-16 18:32:22.7351030
2,687
13
Produced by Meredith Bach, RichardW, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) The Sowdone of Babylone. Early English Text Society. Extra Series. No. XXXVIII. 1881. BERLIN: ASHER & CO., 13, UNTER DEN LINDEN. NEW YORK: C. SCRIBNER & CO.; LEYPOLDT & HOLT. PHILADELPHIA: J. B. LIPPINCOTT & CO. THE ENGLISH CHARLEMAGNE ROMANCES. PART V. The Romaunce of The Sowdone of Babylone and of Ferumbras his Sone who conquerede Rome. RE-EDITED FROM THE UNIQUE MS. OF THE LATE SIR THOMAS PHILLIPPS, with Introduction, Notes, and Glossary, BY EMIL HAUSKNECHT, PH. D. LONDON: PUBLISHED FOR THE EARLY ENGLISH TEXT SOCIETY BY KEGAN PAUL, TRENCH, TRÜBNER & Co., PATERNOSTER HOUSE, CHARING-CROSS ROAD, W.C. MDCCCLXXXI. [«Reprinted 1891, 1898.»] Extra Series, XXXVIII. RICHARD CLAY & SONS, LIMITED, LONDON & BUNGAY. CONTENTS. INTRODUCTION … v Popularity of the Carlovingian Romances … v Popularity of the Ferumbras Poem … vi The Provençal Ferabras … ix The Fierabras Poem an Enlarged and Recast Portion of the Old Balan Romance … xi The Poem of the Destruction de Rome … xiii MSS. of the French Fierabras … xv The English Sir Ferumbras, its Source, etc. … xvi The Poem of the Sowdan of Babylon, its Sources, its Differences from the Original Balan Romance and from the Ashmolean Ferumbras … xxii Dialect of the Sowdan … xxxiv Metre and Rhymes of the Sowdan … xl Date and Author of the Sowdan … xlv MS. of the Sowdan … xlvii Roxburghe Club Edition of the Sowdan … xlviii ADDITIONS … xlix The Hanover MS. of the French Fierabras Compared With the Sowdan … xlix The Hanover Version Compared With Sir Ferumbras … lii SKETCH OF THE STORY … liv THE ROMAUNCE OF THE SOWDONE OF BABYLONE AND OF FERUMBRAS HIS SONE WHO CONQUEREDE ROME … 1 NOTES … 95 GLOSSARIAL INDEX … 133 INDEX OF NAMES … 141 [p-v] INTRODUCTION. The exploits of Charles the Great, who by his achievements as conqueror and legislator, as reformer of learning and missionary, so deeply changed the face of Western Europe, who during a reign of nearly half a century maintained, by his armies, the authority of his powerful sceptre, from the southern countries of Spain and Italy to the more northern regions of Denmark, Poland, and Hungary, must have made a profound and unalterable impression in the minds of his contemporaries, so that for centuries afterwards they continued to live in the memory of the people. Evidence of this high pitch of popularity is given by the numerous «chansons de geste» or romances, which celebrate the deeds, or are connected with the name, of the great and valiant champion of Christendom. It is true that the sublime figure of Charlemagne, who with his imaginary twelve peers perpetually warred against all heathenish or Saracen people, in the romances of a later period, has been considerably divested of that nimbus of majestic grandeur, which the composers of the earlier poems take pains to diffuse around him. Whereas, in the latter, the person of the Emperor appears adorned with high corporeal, intellectual, and warlike gifts, and possessed of all royal qualities; the former show us the splendour of Royalty tarnished and debased, and the power of the feodal vassals enlarged to the prejudice of the royal authority. Roland, in speaking of Charlemagne, says, in the «Chanson de Roland», l. 376:— “Jamais n’iert hum qui encuntre lui vaillet,” and again the same Roland says of the Emperor, in «Guy de Bourgoyne», l. 1061:— “Laissomes ce viellart qui tous est assotez.” [p-vi] This glorification of the great Christian hero took its rise in France, but soon spread into the neighbouring countries, and before long Charlemagne was celebrated in song by almost all European nations. Indeed, there are translations, reproductions, compilations of French Charlemagne romances to be met with in Italy, Spain, and Portugal, as well as in Scandinavia and Iceland. Even in Hungary and Russia these «chansons» of the Charlemagne cycle seem to have been known.[1] A full account of almost all Charlemagne romances will be found in Gaston Paris’s exhaustive work of the «Histoire poétique de Charlemagne» (Paris, 1865), and in Léon Gautier’s «Epopées françaises» (Paris, 1867). Of all the Charlemagne romances, that of Fierabras or Ferumbras has certainly obtained the highest degree of popularity, as is shown by the numerous versions and reproductions of this romance, from the 13th century down to the present day. When the art of printing first became general, the first romance that was printed was a prose version of «Fierabras»; and when the study of mediæval metrical romances was revived in this century, the «Fierabras» poem was the first to be re-edited.[2] The balm of Fierabras especially seems to have been celebrated for its immediately curing any wound; we find it referred to and minutely described in Florian’s «Don Quichotte», I. chap. 10. The scene of Fierabras challenging to a combat the twelve peers of France, and of his vaunting offer to fight at once with six (or twelve) of them,[3] must also have been pretty familiar to French readers, as the name of Fierabras is met with in the sense of a simple common noun, signifying “a bragging bully or swaggering hector.”[4] Rabelais[5] also alludes to Fierabras, thinking him renowned enough as to figure in the pedigree of Pantagruel. In 1833, on a tour made through the Pyrenees, M. Jomard witnessed [p-vii] a kind of historical drama, represented by villagers, in which Fierabras and Balan were the principal characters.[6] That in our own days, the tradition of Fierabras continues to live, is evident from the fact, that copies of the Fierabras story, in the edition of the «Bibliothèque Bleue», still circulate amongst the country people of France.[7] There is even an illustrated edition, published in 1861, the pictures of which have been executed by no less an artist than Gustave Doré. And like Oberon, that other mediæval hero of popular celebrity,[8] Fierabras has become the subject of a musical composition. There is an Opera «Fierabras» composed by Franz Schubert (words by Joseph Kupelwieser) in 1823, the overture of which has been arranged for the piano in 1827, by Carl Czerny.[9] The different versions and the popularity of the present romance in France, Italy, Spain, and Germany, having been treated in the Introduction to «Sir Ferumbras», we need not repeat it again here.[10] As to the popularity of the «Fierabras» romance in the Netherlands, the following passage from Hoffmann, «Horæ Belgicæ» (Vratislaviæ, 1830), I. 50, may be quoted here[11]:— “Quam notæ Belgis, sec. xiii. et xiv., variæ variarum nationum fabulæ fuerint, quæ ex Gallia septemtrionali, ubi originem ceperunt, translatæ sunt, pauca hæc testimonia demonstrabunt:— . . . . in exordio Sidraci:—[12] ‘Dickent hebbic de gone ghescouden, die hem an boeken houden daer si clene oerbare in leren, also sijn jeesten van heeren, van Paerthenopeuse, van Amidase, van Troijen ende van «Fierabrase», ende van menighen boeken, die men mint ende daer men litel oerbaren in vint, [p-viii] ende dat als leghene es ende mere, ende anders en hebben ghene lere, danne vechten ende vrowen minnen ende lant ende steden winnen . . . . . .’— “Nec rarius tanguntur fabulæ de Carolo Magno, «Speculum Historiale», IV. 1. xxix (cf. Bilderdijk, «Verscheidenh», I. D. bl. 161–2):— ‘Carel es menichwaerf beloghen in groten boerden ende in hoghen, alse boerders doen ende oec dwase, diene beloghen van «Fierabrase», dat nie ghesciede noch en was . . . . die scone walsce valsce poeten, die mer rimen dan si weten, belieghen groten Caerle vele in sconen worden ende bispele van «Fierabrase van Alisandre», van «Pont Mautrible» ende andre, dat algader niet en was . .   . .’” That the «Fierabras» romance must have been well known and highly popular in England and Scotland, may be gathered from the numerous references to this poem in various Middle English works. Thus the whole subject of the «Fierabras» romance is found in the following passage, taken from «Barbour’s Bruce», ed. Skeat, 3, 435 ss., where the King is described as relating to his followers:— “Romanys off worthi Ferambrace, That worthily our-commyn was Throw the rycht douchty Olywer; And how the duz Peris wer Assegyt intill Egrymor, Quhar King Lawyne lay thaim befor With may thowsandis then I can say, And bot elewyn within war thai, And a woman; and wa sa stad, That thai na mete thar within had, Bot as thai fra thair fayis wan. Y heyte, sua contenyt thai thaim than; That thai the tour held manlily, Till that Rychard off Normandy, Magre his fayis, warnyt the king, That wes joyfull off this tithing: For he wend, thai had all bene slayne, Tharfor he turnyt in hy agayne, And wan Mantrybill and passit Flagot; And syne Lawyne and all his flot Dispitusly discumfyt he: And deliueryt his men all fre, And wan the «naylis», and the «sper», And the croune that Ihesu couth ber; [p-ix] And off the «croice» a gret party He wan throw his chew
918.755143
2023-11-16 18:32:22.8273210
1,690
58
Produced by Mark C. Orton, Barbara Kosker, Linda McKeown and the Online Distributed Proofreading Team at http://www.pgdp.net TWO ARROWS HARPER'S YOUNG PEOPLE'S SERIES NEW LARGE-TYPE EDITION TOBY TYLER James Otis MR. STUBBS'S BROTHER James Otis TIM AND TIP James Otis RAISING THE "PEARL" James Otis ADVENTURES OF BUFFALO BILL W. F. Cody DIDDIE, DUMPS AND TOT Mrs. L. C. Pyrnelle MUSIC AND MUSICIANS Lucy C. Lillie THE CRUISE OF THE CANOE CLUB W. L. Alden THE CRUISE OF THE "GHOST" W. L. Alden MORAL PIRATES W. L. Alden A NEW ROBINSON CRUSOE W. L. Alden PRINCE LAZYBONES Mrs. W. J. Hays THE FLAMINGO FEATHER Kirk Munroe DERRICK STERLING Kirk Munroe CHRYSTAL, JACK & CO. Kirk Munroe WAKULLA Kirk Munroe THE ICE QUEEN Ernest Ingersoll THE RED MUSTANG W. O. Stoddard THE TALKING LEAVES W. O. Stoddard TWO ARROWS W. O. Stoddard HARPER & BROTHERS PUBLISHERS [Illustration: TWO ARROWS EXPLORES THE RUINS] TWO ARROWS A STORY OF RED AND WHITE BY WILLIAM O. STODDARD Author of "THE TALKING LEAVES" ILLUSTRATED [Illustration] NEW YORK AND LONDON HARPER & BROTHERS PUBLISHERS COPYRIGHT, 1886, BY HARPER & BROTHERS COPYRIGHT, 1914, BY WILLIAM O. STODDARD F.-Y. CONTENTS CHAPTER PAGE I. THE HUNGRY CAMP 1 II. A YOUNG HERO 9 III. A BRAVE NAME 17 IV. THE MINING EXPEDITION 24 V. A VERY OLD TRAIL 32 VI. A THIRSTY MARCH 40 VII. THE GREAT CANON 48 VIII. WATER! WATER! 56 IX. INTO A NEW WORLD 64 X. SILE'S POCKET 71 XI. A TRAPPED BOY 80 XII. THE ERRAND OF ONE-EYE 88 XIII. GREAT SCOUTING 96 XIV. A WRESTLING MATCH 103 XV. A GREAT CAPTAIN 111 XVI. VISITING 117 XVII. MORE FUN 126 XVIII. TWO WAR-PARTIES 136 XIX. WONDERFUL FISHING 146 XX. A FULL CORRAL 157 XXI. THE GOLD MINE 166 XXII. A NEW SETTLEMENT 174 XXIII. DANGER 182 XXIV. SILE'S VICTORY 191 XXV. A MIDNIGHT MARCH 199 XXVI. PREPARING FOR AN ATTACK 207 XXVII. FROM BOW TO RIFLE 216 XXVIII. THE APACHES HAVE COME 224 XXIX. STIRRING TIMES 232 XXX. A DARING RIDE 239 ILLUSTRATIONS "Two arrows explores the ruins" _Frontispiece_ "Not a boy or girl among them had such a treasure as that mirror" _Facing p._ 120 "The midnight march of the Nez Perces" " 206 "His right hand with his palm up to show that he was peaceful" " 230 TWO ARROWS TWO ARROWS A STORY OF RED AND WHITE CHAPTER I THE HUNGRY CAMP The mountain countries of all the earth have always been wonder-lands. The oldest and best known of them are to this day full of things that nobody has found out. That is the reason why people are always exploring them, but they keep their secrets remarkably well, particularly the great secret of how they happened to get there in that shape. The great western mountain country of the United States is made up of range after range of wonderful peaks and ridges, and men have peered in among them here and there, but for all the peering and searching nothing of the wonder to speak of has been rubbed away. Right in the eastern, edge of one of these mountain ridges, one warm September morning, not long ago, a band of Nez Perce Indians were encamped. It was in what is commonly called "the Far West," because always when you get there the West is as far away as ever. The camp was in a sort of nook, and it was not easy to say whether a spur of the mountain jutted out into the plain, or whether a spur of the plain made a dent in the ragged line of the mountains. More than a dozen "lodges," made of skins upheld by poles, were scattered around on the smoother spots, not far from a bubbling spring of water. There were some trees and bushes and patches of grass near the spring, but the little brook which trickled away from it did not travel a great way into the world, from the place where it was born, before it was soaked up and disappeared among the sand and gravel. Up and beyond the spring, the farther one chose to look, the rockier and the ruggeder everything seemed to be. Take it all together, it was a forlorn looking, hot, dried-up, and uncomfortable sort of place. The very lodges themselves, and the human beings around them, made it appear pitifully desolate. The spring was the only visible thing that seemed to be alive and cheerful and at work. There were Indians and squaws to be seen, a number of them, and boys and girls of all sizes, and some of the squaws carried pappooses, but they all looked as if they had given up entirely and did not expect to live any longer. Even some of the largest men had an air of not caring much, really, whether they lived or not; but that was the only regular and dignified way for a Nez Perce or any other Indian warrior to take a thing he can't help or is too lazy to fight with. The women showed more signs of life than the men, for some of them were moving about among the children, and one poor, old, withered, ragged squaw sat in the door of her lodge, with her gray hair all down over her face, rocking backward and forward, and singing a sort of droning chant. There was not one quadruped of any kind to be seen in or about that camp. Behind this fact was the secret of the whole matter. Those Indians were starving! Days and days before that they had been away out upon the plains to the eastward, hunting for buffalo. They had not found any, but they
918.847361
2023-11-16 18:32:22.8274960
101
9
Produced by Andrew Sly and the Online Distributed Proofreading Team at http://www.pgdp.net, produced from scans provided by Al Haines. CAPRICIOUS CAROLINE BY THE SAME AUTHOR Susannah and One Other Love and Louisa Peter a Parasite The Blunder of an Innocent CAPRICIOUS CAROLINE BY E. MARIA ALBANESI "GOD HAS A FE
918.847536
2023-11-16 18:32:22.8275140
772
7
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Digital & Multimedia Center, Michigan State University Libraries.) ROMANTIC SPAIN: A Record of Personal Experiences. BY JOHN AUGUSTUS O'SHEA, AUTHOR OF "LEAVES FROM THE LIFE or A SPECIAL CORRESPONDENT," "AN IRON-BOUND CITY," ETC. "Oh, lovely Spain! renowned, romantic land!" CHILDE HAROLD. IN TWO VOLUMES. VOL. I. LONDON: WARD AND DOWNEY, 12, YORK STREET, COVENT GARDEN, W.C. 1887. [_All Rights Reserved._] TO WILFRID SCAWEN BLUNT, ESQ., IN TOKEN OF ESTEEM FOR HIS BOLD AND TRUTHFUL CHARACTER, AND OF GLADNESS THAT WE HAVE SO MANY KINDRED SYMPATHIES, This Book is Enscribed BY THE WRITER. PREFACE. This simple recital of personal haps and mishaps in perturbed Spain from the abdication of Amadeus to the entry of Don Carlos, puts forward no claim to the didactic or dogmatic. Its chief aim is to amuse. Of course, if I succeed in conveying knowledge and dispelling illusions--in Tasso's words, if I administer a pill under a coating of jam--I shall be cock-a-hoop with delight. But I warn the reader I am not an unprejudiced witness. I am passionately fond of Spain and her people. Although years have elapsed since the events dealt with occurred, I fancy the narrative will not be hackneyed, for in Spain public life repeats itself with a fidelity which is never monotonous. I do not pretend to cast the horoscope of the poor little monarch who is in the nurse's arms, but Heaven guard him! 'Twere better for him that he had been born in a Highland shieling. Should there be much individualism in these pages, it is intentional, and to be ascribed to the instance of friends. They said, "Bother history; give us plenty of your own experiences." It is to be hoped they have not led me astray by their well-meant advice. CONTENTS OF VOL. I. CHAPTER I. PAGE Which, being non-essential, treats partly of Spain, but principally of the Writer 1-23 CHAPTER II. The Old-Fashioned Invocation--"Them 'ere Spanish Kings!"--Candidates for a Throne--_En Voyage_--Bordeaux and the Back-ache--An Unmannerly Alsatian--The Patriot gets a Roland for his Oliver--Small Change for a Hot Bath--Plan for Universal Coinage--Daughters of Israel--The Jews Diagnosed--Across the Border--The Writer is Saluted "Caballero"--Bugaboo Santa Cruz--Over a Brasero 24-42 CHAPTER III. A Make-Believe Spain--The Mountain Convoy--A Tough Road to Travel--Spanish Superiority in Blasphemy--Short Essay on Oaths--The Basque Peasants--Carlism under a Cloak--How Guerilla-Fighting is Conducted--A Hyperborean Landscape--A Mysterious Grandee--An Adventurous Frenchman--The Shebeen on the Summit--Armed Alsasua--Base Coin 43-60 CHAPTER IV.
918.847554
2023-11-16 18:32:22.8307600
3,220
52
The Project Gutenberg Etext of The 1913 Webster Unabridged Dictionary Version 0.50 Letters M, N & O: #665 in our series, by MICRA, Inc. Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The 1913 Webster Unabridged Dictionary: Letters M, N &amp; O February, 1999 [Etext #665] The Project Gutenberg Etext of The 1913 Webster Unabridged Dictionary ******This file should be named 665.txt or 665.zip****** This etext was prepared by MICRA, INc. of Plainfield, NJ. See below for contact information. Portions of the text have been proof-read and supplemented by volunteers, who have helped greatly to improve the accuracy of this electronic version. Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we do usually do NOT! keep these books in compliance with any particular paper edition. We are now trying to release all our books one month in advance of the official release dates, leaving time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month. Since our ftp program has a bug in it that scrambles the date [tried to fix and failed] a look at the file size will have to do, but we will try to see a new copy has at least one byte more or less. Information about Project Gutenberg (one page) We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any etext selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. This projected audience is one hundred million readers. If our value per text is nominally estimated at one dollar then we produce $2 million dollars per hour this year as we release thirty-six text files per month, or 432 more Etexts in 1999 for a total of 2000+ If these reach just 10% of the computerized population, then the total should reach over 200 billion Etexts given away this year. The Goal of Project Gutenberg is to Give Away One Trillion Etext Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion] This is ten thousand titles each to one hundred million readers, which is only ~5% of the present number of computer users. At our revised rates of production, we will reach only one-third of that goal by the end of 2001, or about 3,333 Etexts unless we manage to get some real funding; currently our funding is mostly from Michael Hart's salary at Carnegie-Mellon University, and an assortment of sporadic gifts; this salary is only good for a few more years, so we are looking for something to replace it, as we don't want Project Gutenberg to be so dependent on one person. We need your donations more than ever! All donations should be made to "Project Gutenberg/CMU": and are tax deductible to the extent allowable by law. (CMU = Carnegie- Mellon University). For these and other matters, please mail to: Project Gutenberg P. O. Box 2782 Champaign, IL 61825 When all other email fails...try our Executive Director: Michael S. Hart [email protected] forwards to [email protected] and archive.org if your mail bounces from archive.org, I will still see it, if it bounces from prairienet.org, better resend later on.... We would prefer to send you this information by email. ****** To access Project Gutenberg etexts, use any Web browser to view http://promo.net/pg. This site lists Etexts by author and by title, and includes information about how to get involved with Project Gutenberg. You could also download our past Newsletters, or subscribe here. This is one of our major sites, please email [email protected], for a more complete list of our various sites. To go directly to the etext collections, use FTP or any Web browser to visit a Project Gutenberg mirror (mirror sites are available on 7 continents; mirrors are listed at http://promo.net/pg). Mac users, do NOT point and click, typing works better. Example FTP session: ftp sunsite.unc.edu login: anonymous password: your@login cd pub/docs/books/gutenberg cd etext90 through etext99 dir [to see files] get or mget [to get files...set bin for zip files] GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99] GET GUTINDEX.ALL [to get a listing of ALL books] *** **Information prepared by the Project Gutenberg legal advisor** (Three Pages) ***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START*** Why is this "Small Print!" statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this etext, even if you got it for free from someone other than us, and even if what's wrong is not our fault. So, among other things, this "Small Print!" statement disclaims most of our liability to you. It also tells you how you can distribute copies of this etext if you want to. *BEFORE!* YOU USE OR READ THIS ETEXT By using or reading any part of this PROJECT GUTENBERG-tm etext, you indicate that you understand, agree to and accept this "Small Print!" statement. If you do not, you can receive a refund of the money (if any) you paid for this etext by sending a request within 30 days of receiving it to the person you got it from. If you received this etext on a physical medium (such as a disk), you must return it with your request. ABOUT PROJECT GUTENBERG-TM ETEXTS This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG- tm etexts, is a "public domain" work distributed by Professor Michael S. Hart through the Project Gutenberg Association at Carnegie-Mellon University (the "Project"). Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this etext under the Project's "PROJECT GUTENBERG" trademark. To create these etexts, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's etexts and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other etext medium, a computer virus, or computer codes that damage or cannot be read by your equipment. LIMITED WARRANTY; DISCLAIMER OF DAMAGES But for the "Right of Replacement or Refund" described below, [1] the Project (and any other party you may receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims all liability to you for damages, costs and expenses, including legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES. If you discover a Defect in this etext within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically. THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights. INDEMNITY You will indemnify and hold the Project, its directors, officers, members and agents harmless from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect. DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" You may distribute copies of this etext electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project Gutenberg, or: [1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word pro- cessing or hypertext software, but only so long as *EITHER*: [*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR [*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR [*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form). [2] Honor the etext refund and replacement provisions of this "Small Print!" statement. [3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return. WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University". *END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END* =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= Begin file 6 of 11: M, N and O. (Version 0.50) of An electronic field-marked version of: Webster's Revised Unabridged Dictionary Version published 1913 by the C. &amp; G. Merriam Co. Springfield, Mass. Under the direction of Noah Porter, D.D., LL.D. This electronic version was prepared by MICRA, Inc. of Plainfield, NJ. Last edit February 11, 1999. MICRA, Inc. makes no proprietary claims on this version of the 1913 Webster dictionary. If the original printed edition of the 1913 Webster is in the public domain, this version may also be considered as public domain. This version is only a first typing, and has numerous typographic errors, including errors in the field-marks. Assistance in bringing this dictionary to a more accurate and useful state will be greatly appreciated. This electronic dictionary is made available as a potential starting point for development of a modern on-line comprehensive encyclopedic dictionary, by the efforts of all individuals willing to help build a large and freely available knowledge base. Anyone willing to assist in any way in constructing such a knowledge base should contact: Patrick Cassidy [email protected] 735 Belvidere Ave. Office: (908)668-5252 Plainfield, NJ 07062 (908) 561-3416 M. M (m). 1. M, the thirteenth letter of the English alphabet, is a vocal consonant, and from the manner of its formation, is called the labio-nasal consonant. See
918.8508
2023-11-16 18:32:22.8367740
2,086
7
Produced by Annie R. McGuire [Illustration: HARPER'S YOUNG PEOPLE] * * * * * VOL. II--NO. 82. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, May 24, 1881. Copyright, 1881, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration: THE DEATH OF CARUS.] A STORY OF THE COLOSSEUM. BY MRS. LIZZIE W. CHAMPNEY. In the days of the Emperor Caracalla the Colosseum had ceased to be used for terrible conflicts between man and beast. But the young student Valentinian could not forget that eighty thousand spectators at a time had looked down from its seats, only a few years before, to see Christian martyrs given to the lions to be torn in pieces. And Valentinian was a Christian. The persecutions had ceased. No more cruel Emperor than Caracalla had ever occupied the throne of Rome; but his cruelty found its victims in his own family and among his political enemies, and the Christians were overlooked and forgotten. Even Caracalla may have been sick of the blood spilled in assassinations, executions, and battle; and so, as a mere change of scene, ordered that the sports at the Colosseum should be of a bloodless character. At any rate, chariot races were now the vogue, the population of Rome were now all "horsy" men, and betting was the popular way of gaining or losing their fortunes. The Emperor, as reigning over and above all like the air, chose white to mark his horses; the steeds of the soldiers were designated by red badges and trappings--red, the appropriate color of Mars, of blood and flame; the sailors of course chose blue; and the landed proprietors, farmers, citizens, etc., grouped under green. When the enthusiasm extended thus to all classes, it was impossible that Valentinian should not feel it too. He was a soldier's son, and though he felt that it would be a crime even to enter the building in which the martyrs had been murdered, he could not repress a throb of exultation when the scarlet-spangled horses were led out with shoutings as victors in the race. Valentinian loved a fine horse, and, boy though he was, he owned one that had long been the envy and admiration of the different racing fraternities of Rome. Those who knew the animal's history did not wonder that Valentinian and his mother, the stately lady Placidia, had refused a noble's ransom for the magnificent creature. It was the beginning of the warm season, and Placidia had removed to her summer villa in shady Præneste. Valentinian still remained in Rome to prosecute his studies, but in the cool of the evening the youth would frequently drive out to see his mother, and the horse on every such visit was certain of being decorated with garlands by the fair hand of its mistress. On one of these occasions Rufinus accompanied his friend. Valentinian knew that the visit was not prompted by any fondness for his mother, for the lady Placidia did not regard Rufinus as a sufficiently refined companion for her son, and the dislike was mutual. He gave Rufinus credit for a feeling of good-fellowship toward himself, and for an appreciation of a moonlight ride to Rome. But Rufinus had a deeper motive on this occasion; he had determined to persuade Valentinian to join in the races, and he thought wisely that the long, solitary ride would give him a good opportunity for persuasion. He began skillfully by praising his friend's horse, and then spoke with some surprise of the affection that Placidia lavished upon it. Valentinian replied that Carus deserved all the love and distinction that he received, for he was indeed a hero; and then he told how as a war-horse he had followed the Roman standards with honor throughout all the late disastrous campaign in Britain, and though he had fled with the legions from the battle on the river Carun, where Fingal and his Caledonian troops sang their exultant chant of victory in the ears of the cowardly Caracalla, it was not his fault, for he was only a horse. When Carus had felt his master, Valentinian's father, fall wounded upon his neck, the feeble hands entwined in his mane, and the warm life-blood bathing his glossy side, the faithful animal, who until then had rushed on inflamed with all the fury of conflict, joined the general retreat, and paced swiftly but carefully from the battle-field. The Captain of the Legion, whose stiffening fingers were tangled in Carus's mane, did not hear the loud boast of the Britons, and when Carus knelt at the door of his tent, and other soldiers of the great "King of the World" (as Ossian calls the Roman Emperor) lifted the rider from the steed, the Roman heart had poured out all its blood on British soil; the brave Centurion was dead. At the death of his father, the Emperor Severus, Caracalla gave up the war in Britain, and, impatient to assume his new dignities, hurried back to Rome. The war-horse Carus was brought back too, and entered the imperial city marching riderless at the head of its dead master's troop. As the army approached the gates of Rome, the broad imperial highway became more and more crowded. The return of the army was known, and the citizens of Rome, small and great, swarmed out in vehicles, on horses, or on foot, soldiers and slaves, the aristocracy and the beggars, old families of Rome and foreigners. Painfully the army forced its way through the surging crowd, attending Caracalla, who so little deserved this enthusiastic welcome, to the porch of the imperial palace "the house of Cæsar." Then the cohorts, with the exception of the imperial body-guard, returned to the great Prætorium camp outside, the city walls. One knight, a member of the Equites that the master of Carus had so lately commanded, led the Centurion's horse to the aristocratic street of the Carinæ, which ran along the <DW72> of the Esquiline Hill, until he reached a house whose portal was decorated with laurel, and where, from the swarms of entering guests, pastry-cooks, and musicians, one might judge a feast was in progress. As the knight paused at the door, a boy bounded into the street, and sprang upon the back of the war-horse, lavishing upon the noble creature the most eager caresses. At the same moment a stately Roman matron appeared at the door, and greeted the knight, while a glad eager light shone in her eyes. "Welcome, my good Galerius," said the lady. "Where is my husband? Is he detained at the palace with the young Emperor?" "Nay, madam," replied the knight, gravely, "thy husband was happy in knowing no Emperor but Severus." Then the unhappy lady knew that her husband would never come to the welcoming feast which she had prepared, and the young Valentinian slipped from his father's horse to hide the tears which would come, but which he as a Roman felt were womanish and shameful. Rufinus, though a mere cub of a young man, with very little susceptibility, seemed touched by this story. "Where did your father get Carus?" he asked. "He is certainly not of the common Italian breed, neither does he resemble the light, swift African barbs." "No," replied Valentinian. "He is a much heavier and more powerful animal. My father captured him from a Goth at the battle of Lyons, where his own horse had been killed under him. Some of our Roman jockeys affect to despise the Gothic horses as big and lumpish, but they are swift." "They are the best horses for chariots," replied Rufinus. "The Equites have one set of four which they will enter for the next race. They are black as night, like Carus there, and are, so far as I know, the only other Gothic horses in Rome. How fine they will look in their red trappings! They are sure of winning. I have invested all my ready money in bets, and I shall quadruple them all." A few days later the following note was handed to Valentinian: "LOVED VALENTINIAN,--I am ruined. The races are lost beforehand. One of the Gothic horses has fallen lame. The team is pledged for the race; we can only supply its place with a Roman beast, for we know not of another Gothic horse to be obtained in Rome, and there is no time to send to the provinces, else would we do it, for the entire military order are interested; some, like myself, have staked their all, and now see ruin stare them in the face. We have sent in a petition, through the Empress Julia, to have the races postponed until we can obtain another horse from Gaul, but there
918.856814
2023-11-16 18:32:22.9152720
2,037
9
Produced by Jonathan Ingram, Tapio Riikonen and Distributed Proofreaders BECKET AND OTHER PLAYS BY ALFRED LORD TENNYSON, POET LAUREATE CONTENTS BECKET THE CUP THE FALCON THE PROMISE OF MAY BECKET TO THE LORD CHANCELLOR, THE RIGHT HONOURABLE EARL OF SELBORNE. MY DEAR SELBORNE, _To you, the honoured Chancellor of our own day, I dedicate this dramatic memorial of your great predecessor;--which, altho' not intended in its present form to meet the exigencies of our modern theatre, has nevertheless--for so you have assured me--won your approbation. Ever yours_, TENNYSON. _DRAMATIS PERSONAE_. HENRY II. (_son of the Earl of Anjou_). THOMAS BECKET, _Chancellor of England, afterwards Archbishop of Canterbury_. GILBERT FOLIOT, _Bishop of London_. ROGER, _Archbishop of York_. _Bishop of Hereford_. HILARY, _Bishop of Chichester_. JOCELYN, _Bishop of Salisbury_. JOHN OF SALISBURY | HERBERT OF BOSHAM | _friends of Becket_. WALTER MAP, _reputed author of 'Golias,' Latin poems against the priesthood_. KING LOUIS OF FRANCE. GEOFFREY, _son of Rosamund and Henry_. GRIM, _a monk of Cambridge_. SIR REGINALD FITZURSE | SIR RICHARD DE BRITO | _the four knights of the King's_ SIR WILLIAM DE TRACY | _household, enemies of Becket_. SIR HUGH DE MORVILLE | DE BROC OF SALTWOOD CASTLE. LORD LEICESTER. PHILIP DE ELEEMOSYNA. TWO KNIGHT TEMPLARS. JOHN OF OXFORD (_called the Swearer_). ELEANOR OF AQUITAINE, _Queen of England (divorced from Louis of France)_. ROSAMUND DE CLIFFORD. MARGERY. _Knights, Monks, Beggars, etc_. PROLOGUE. _A Castle in Normandy. Interior of the Hall. Roofs of a City seen thro' Windows_. HENRY _and_ BECKET _at chess_. HENRY. So then our good Archbishop Theobald Lies dying. BECKET. I am grieved to know as much. HENRY. But we must have a mightier man than he For his successor. BECKET. Have you thought of one? HENRY. A cleric lately poison'd his own mother, And being brought before the courts of the Church, They but degraded him. I hope they whipt him. I would have hang'd him. BECKET. It is your move. HENRY. Well--there. [_Moves_. The Church in the pell-mell of Stephen's time Hath climb'd the throne and almost clutch'd the crown; But by the royal customs of our realm The Church should hold her baronies of me, Like other lords amenable to law. I'll have them written down and made the law. BECKET. My liege, I move my bishop. HENRY. And if I live, No man without my leave shall excommunicate My tenants or my household. BECKET. Look to your king. HENRY. No man without my leave shall cross the seas To set the Pope against me--I pray your pardon. BECKET. Well--will you move? HENRY. There. [_Moves_. BECKET. Check--you move so wildly. HENRY. There then! [_Moves_. BECKET. Why--there then, for you see my bishop Hath brought your king to a standstill. You are beaten. HENRY (_kicks over the board_). Why, there then--down go bishop and king together. I loathe being beaten; had I fixt my fancy Upon the game I should have beaten thee, But that was vagabond. BECKET. Where, my liege? With Phryne, Or Lais, or thy Rosamund, or another? HENRY. My Rosamund is no Lais, Thomas Becket; And yet she plagues me too--no fault in her-- But that I fear the Queen would have her life. BECKET. Put her away, put her away, my liege! Put her away into a nunnery! Safe enough there from her to whom thou art bound By Holy Church. And wherefore should she seek The life of Rosamund de Clifford more Than that of other paramours of thine? HENRY. How dost thou know I am not wedded to her? BECKET. How should I know? HENRY. That is my secret, Thomas. BECKET. State secrets should be patent to the statesman Who serves and loves his king, and whom the king Loves not as statesman, but true lover and friend. HENRY. Come, come, thou art but deacon, not yet bishop, No, nor archbishop, nor my confessor yet. I would to God thou wert, for I should find An easy father confessor in thee. BECKET. St. Denis, that thou shouldst not. I should beat Thy kingship as my bishop hath beaten it. HENRY. Hell take thy bishop then, and my kingship too! Come, come, I love thee and I know thee, I know thee, A doter on white pheasant-flesh at feasts, A sauce-deviser for thy days of fish, A dish-designer, and most amorous Of good old red sound liberal Gascon wine: Will not thy body rebel, man, if thou flatter it? BECKET. That palate is insane which cannot tell A good dish from a bad, new wine from old. HENRY. Well, who loves wine loves woman. BECKET. So I do. Men are God's trees, and women are God's flowers; And when the Gascon wine mounts to my head, The trees are all the statelier, and the flowers Are all the fairer. HENRY. And thy thoughts, thy fancies? BECKET. Good dogs, my liege, well train'd, and easily call'd Off from the game. HENRY. Save for some once or twice, When they ran down the game and worried it. BECKET. No, my liege, no!--not once--in God's name, no! HENRY. Nay, then, I take thee at thy word--believe thee The veriest Galahad of old Arthur's hall. And so this Rosamund, my true heart-wife, Not Eleanor--she whom I love indeed As a woman should be loved--Why dost thou smile So dolorously? BECKET. My good liege, if a man Wastes himself among women, how should he love A woman, as a woman should be loved? HENRY. How shouldst thou know that never hast loved one? Come, I would give her to thy care in England When I am out in Normandy or Anjou. BECKET. My lord, I am your subject, not your-- HENRY. Pander. God's eyes! I know all that--not my purveyor Of pleasures, but to save a life--her life; Ay, and the soul of Eleanor from hell-fire. I have built a secret bower in England, Thomas, A nest in a bush. BECKET. And where, my liege? HENRY (_whispers_). Thine ear. BECKET. That's lone enough. HENRY (_laying paper on table_). This chart here mark'd '_Her Bower_,' Take, keep it, friend. See, first, a circling wood, A hundred pathways running everyway, And then a brook, a bridge; and after that This labyrinthine brickwork maze in maze, And then another wood, and in the midst A garden and my Rosamund. Look, this line-- The rest you see is colour'd green--but this Draws thro' the chart to her. BECKET. This blood-red line? HENRY. Ay! blood, perchance, except thou see to her. BECKET. And where is she? There in her English nest? HENRY. Would God she were--no, here within the city. We take her from her secret bower in Anjou And pass her to her secret bower in England. She is ignorant of all but that I love her. BECKET. My liege, I pray thee let me hence: a widow And orphan child, whom one of thy wild barons-- HENRY. Ay, ay, but swear to see to her in England. BECKET. Well, well, I swear, but not to please myself. HENRY. Whatever come between us? BECKET. What should come Between us, Henry? HENRY. Nay--I know not, Thomas. BECKET. What need then? Well--whatever come between us. [_Going_. HENRY. A moment! thou didst help me to my throne In Theob
918.935312
2023-11-16 18:32:22.9163620
718
8
Produced by Tor Martin Kristiansen, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: "THEY SAILED ON, IN THE MOONLIGHT" (See page 297)] The Sandman: His Sea Stories By William J. Hopkins Author of "The Sandman: His Farm Stories," "The Sandman: More Farm Stories," "The Sandman: His Ship Stories," etc. With Forty Illustrations by Diantha W. Horne This special edition is published by arrangement with the publisher of the regular edition, The Page Company. CADMUS BOOKS E. M. HALE AND COMPANY CHICAGO _Copyright, 1908_ BY THE PAGE COMPANY _All rights reserved_ Made in U.S.A. CONTENTS PAGE THE SEPTEMBER-GALE STORY 1 THE FIRE STORY 31 THE PORPOISE STORY 44 THE SEAWEED STORY 57 THE FLYING-FISH STORY 74 THE LOG-BOOK STORY 85 THE SHARK STORY 102 THE CHRISTMAS STORY 120 THE SOUNDING STORY 139 THE TEAK-WOOD STORY 153 THE STOWAWAY STORY 171 THE ALBATROSS STORY 185 THE DERELICT STORY 194 THE LIGHTHOUSE STORY 210 THE RUNAWAY STORY 222 THE TRAFALGAR STORY 243 THE CARGO STORY 253 THE PRIVATEER STORY 270 THE RACE STORY 291 THE PILOT STORY 310 THE DRIFTWOOD STORY 325 LIST OF ILLUSTRATIONS "They sailed on, in the moonlight." (See page 297) _Frontispiece_ "Sometimes he had to hold on to the fences" 11 "They saw all sorts of things going up the river" 23 "A great tree that was blown down" 29 "It floated, burning, for a few minutes" 42 "They swam in a funny sort of way" 48 "They had more porpoises on deck than you would have thought that they could possibly use" 55 "The surface of the sea seemed covered with them" 65 "They amused themselves for a long time" 72 "A school of fish suddenly leaped out of the water" 78 "The sailors were having a good time" 81 The Hour Glass 90 "Little Jacob liked to watch Captain Solomon" 93 "'Right there,' he said, 'you can see his back fin'" 109 The Shark 114 "'Yes, little lad,' he said. 'For you--if you want it'" 129 Christmas Island, 1st View, bearing N by E 132 Christmas Island, 2nd View, bearing SW 133
918.936402
2023-11-16 18:32:22.9431140
1,967
361
Produced by Chuck Greif, Broward County Libraries and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: George William Curtis] FROM THE EASY CHAIR BY GEORGE WILLIAM CURTIS _THIRD SERIES_ [Illustration] NEW YORK HARPER AND BROTHERS MDCCCXCIV Copyright, 1894, by HARPER & BROTHERS. _All rights reserved._ CONTENTS PAGE HAWTHORNE AND BROOK FARM 1 BEECHER IN HIS PULPIT AFTER THE DEATH OF LINCOLN 20 KILLING DEER 28 AUTUMN DAYS 37 FROM COMO TO MILAN DURING THE WAR OF 1848 43 HERBERT SPENCER ON THE YANKEE 56 HONOR 65 JOSEPH WESLEY HARPER 72 REVIEW OF UNION TROOPS, 1865 78 APRIL, 1865 88 WASHINGTON IN 1867 94 RECEPTION TO THE JAPANESE AMBASSADORS AT THE WHITE HOUSE 102 THE MAID AND THE WIT 112 THE DEPARTURE OF THE _GREAT EASTERN_ 120 CHURCH STREET 127 HISTORIC BUILDINGS 140 THE BOSTON MUSIC HALL 151 PUBLIC BENEFACTORS 162 MR. TIBBINS'S NEW-YEAR'S CALL 169 THE NEW ENGLAND SABBATH 178 THE REUNION OF ANTISLAVERY VETERANS, 1884 185 REFORM CHARITY 193 BICYCLE RIDING FOR CHILDREN 204 THE DEAD BIRD UPON CYRILLA'S HAT AN ENCOURAGEMENT OF "SLARTER" 210 CHEAPENING HIS NAME 214 CLERGYMEN'S SALARIES 221 HAWTHORNE AND BROOK FARM In his preface to the _Marble Faun_, as before in that to _The Blithedale Romance_, Hawthorne complained that there was no romantic element in American life; or, as he expressed it, "There is as yet no such Faery-land so like the real world that, in a suitable remoteness, one cannot tell the difference, but with an atmosphere of strange enchantment, beheld through which the inhabitants have a propriety of their own." This he says in _The Blithedale_ preface, and then adds that, to obviate this difficulty and supply a proper scene for his figures, "the author has ventured to make free with his old and affectionately remembered home at Brook Farm as being certainly the most romantic episode of his own life, essentially a day-dream, and yet a fact, and thus offering an available foothold between fiction and reality." Probably a genuine Brook-Farmer doubts whether Hawthorne remembered the place and his life there very affectionately, in the usual sense of that word, and although in sending the book to one of them, at least, he said that it was not to be considered a picture of actual life or character. "Do not read it as if it had anything to do with Brook Farm [which essentially it has not], but merely for its own story and characters," yet it is plain that it is a very faithful picture of the kind of impression that the enterprise made upon him. Strangely enough, Hawthorne is likely to be the chief future authority upon "the romantic episode" of Brook Farm. Those who had it at heart more than he whose faith and hope and energy were all devoted to its development, and many of whom have every ability to make a permanent record, have never done so, and it is already so much of a thing of the past that it will probably never be done. But the memory of the place and of the time has been recently pleasantly refreshed by the lecture of Mr. Emerson and the _Note-Book_ of Hawthorne. Mr. Emerson, whose mind and heart are ever hospitable, was one of the chief, indeed the chiefest, figure in this country of the famous intellectual "Renaissance" of twenty-five years ago, which, as is generally the case, is historically known by its nickname of "Transcendentalism," a spiritual fermentation from which some of the best modern influences of this country have proceeded. In his late lecture upon the general subject, Mr. Emerson says that the mental excitement began to take practical form nearly thirty years ago, when Dr. Channing counselled with George Ripley upon the practicability of bringing thoughtful and cultivated people together and forming a society that should be satisfactory. "That good attempt," says Emerson, with a sly smile, "ended in an oyster supper with excellent wines." But a little later it was revived under better auspices, and as Brook Farm made a name which will not be forgotten. Mr. Emerson was never a resident, but he was sometimes a visitor and guest, and the more ardent minds of the romantic colony were always much under his influence. With his sensitively humorous eye he seizes upon some of the ludicrous aspects of the scene and reports them with arch gravity. "The ladies again," he says, "took cold on washing-days, and it was ordained that the gentlemen shepherds should hang out the clothes, which they punctually did; but a great anachronism followed in the evening, for when they began to dance the clothes-pins dropped plentifully from their pockets." And again: "One hears the frequent statement of the country members that one man was ploughing all day and another was looking out of the window all day--perhaps drawing his picture, and they both received the same wages." In Hawthorne's just published _Note-Book_ he records a great deal of his daily experience at Brook Farm. But he was never truly at home there. Hawthorne lived in the very centre of the Transcendental revival, and he was the friend of many of its leaders, but he was never touched by its spirit. He seems to have been as little affected by the great intellectual influences of his time as Charles Lamb in England. The Custom-house had become intolerable to him. He was obliged to do something. The enterprise at Brook Farm seemed to him to promise Arcadia. But he forgot that the kingdom of heaven is within you, and when he went to the tranquil banks of the Charles he found himself in a barn-yard shovelling manure, and not at all in Arcadia. "Before breakfast I went out to the barn and began to chop hay for the cattle, and with such 'righteous vehemence,' as Mr. Ripley says, did I labor, that in the space of ten minutes I broke the machine. Then I brought wood and replenished the fires, and finally went down to breakfast and ate up a huge mound of buckwheat cakes. After breakfast Mr. Ripley put a four-pronged instrument into my hands, which he gave me to understand was called a pitchfork, and he and Mr. Farley being armed with similar weapons, we all three commenced a gallant attack upon a heap of manure." Hawthorne was a sturdy and resolute man, and any heap of manure that he attacked must yield; but he had not come to Arcadia to sweat and blister his hands, and his blank and amused disappointment is evident. He had a subtle and pervasive humor, but no spirits. He sees the pleasantness of the place and the beauty of the crops, having knowledge of them and a new interest in them; and he has a quiet conscience because he feels that he is really doing some of the manual work of the world; but he is always a spectator, a critic. He went to Brook Farm as he might have gone to an anchorite's cell; but the fervor that warms and adorns the cold bare rock he does not have, and the mere consciousness of well-doing is a chilly abstraction. "I do not believe that I should be patient here if I were not engaged in a righteous and heaven-blessed way of life. I fear it is time for me, sod-compelling as I am, to take the field again. Even my Custom-house experience was not such a thraldom and weariness; my mind and heart were free. Oh, labor is the curse of the world, and nobody can meddle with it without becoming proportionally brutified!" Very soon, of course, the pilgrim to Arcadia escapes from the manure-yard, and declares as he runs that it was not he, it was a spectre of him
918.963154
2023-11-16 18:32:23.1254870
772
9
Produced by Nick Hodson of London, England Hunting the Skipper, by George Manville Fenn. CHAPTER ONE. H.M.S. "SEAFOWL." "Dicky, dear boy, it's my impression that we shall see no blackbird's cage to-day." "And it's my impression, Frank Murray, that if you call me Dicky again I shall punch your head." "Poor fellow! Liver, decidedly," said the first speaker, in a mock sympathetic tone. "Look here, old chap, if I were you, I'd go and ask Jones to give me a blue pill, to be followed eight hours later by one of his delicious liqueurs, all syrup of senna." "Ugh!" came in a grunt of disgust, followed by a shudder. "Look here, Frank, if you can't speak sense, have the goodness to hold your tongue." The speakers were two manly looking lads in the uniform of midshipmen of the Royal Navy, each furnished with a telescope, through which he had been trying to pierce the hot thick haze which pretty well shut them in, while as they leaned over the side of Her Majesty's ship _Seafowl_, her sails seemed to be as sleepy as the generally smart-looking crew, the light wind which filled them one minute gliding off the next, and leaving them to flap idly as they apparently dozed off into a heavy sleep. "There, don't be rusty, old fellow," said the first speaker. "Then don't call me by that absurd name--_Dicky_--as if I were a bird!" "Ha, ha! Why not?" said Frank merrily. "You wouldn't have minded if I had said `old cock.'" "Humph! Perhaps not," said the young man sourly. "There, I don't wonder at your being upset; this heat somehow seems to soak into a fellow and melt all the go out of one. I'm as soft as one of those medusae--jellyfish--what do you call them?--that float by opening and shutting themselves, all of a wet gasp, as one might say." "It's horrible," said the other, speaking now more sociably. "Horrible it is, sir, as our fellows say. Well, live and learn, and I've learned one thing, and that is if I retire from the service as Captain--no, I'll be modest--Commander Murray, R.N., I shall not come and settle on the West Coast of Africa." "Settle on the West Coast of Africa, with its fevers and horrors? I should think not!" said the other. "Phew! How hot it is! Bah!" he half snorted angrily. "What's the matter now?" "That brass rail. I placed my hand upon it--regularly burned me." "Mem for you, old chap--don't do it again. But, I say, what is the good of our hanging about here? We shall do no good, and it's completely spoiling the skipper's temper." "Nonsense! Can't be done." "Oh, can't it, Ricardo!" "There you go again." "_Pardon, mon ami_! Forgot myself. Plain Richard--there. But that's wrong. One can't call you plain Richard, because you're such a good-looking chap." "Bah!" in a deep angry growl. "What's that wrong too? Oh, what an unlucky beggar I
919.145527
2023-11-16 18:32:23.2255000
1,791
8
Produced by James Wright and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net (This book was created from images of public domain material made available by the University of Toronto Libraries (http://link.library.utoronto.ca/booksonline/).) [Illustration: MAJOR-GENERAL BROCK. (_From miniature painting by J. Hudson._) Copyrighted in the U. S. A. and Canada. --From Nursey's "Story of Isaac Brock" (Briggs).] BROCK CENTENARY 1812-1912 ACCOUNT OF THE CELEBRATION AT QUEENSTON HEIGHTS, ONTARIO, ON THE 12th OCTOBER, 1912 ALEXANDER FRASER, LL.D. Editor TORONTO PRINTED AND PUBLISHED FOR THE COMMITTEE BY WILLIAM BRIGGS 1913 DEDICATED TO THE DESCENDANTS OF THE DEFENDERS Copyright, Canada, 1913, by ALEXANDER FRASER PREFATORY NOTE The object of this publication is to preserve an account of the Celebration, at Queenston Heights, of the Brock Centenary, in a more convenient and permanent form than that afforded by the reports (admirable as they are) in the local newspapers. Celebrations were held in several places in Ontario, notably at St. Thomas, where Dr. J. H. Coyne delivered a fervently patriotic address. Had reports of these been available, extended reference would have been gladly and properly accorded to them in this book. Considerable effort, involving delay in publication, was made to secure the name of every person who attended at Queenston Heights in a representative capacity, and the list is probably complete. For valuable assistance acknowledgment is due to Colonel Ryerson, Chairman of the General and Executive Committees; to Miss Helen M. Merrill, Honorary Secretary, and to Mr. Angus Claude Macdonell, K.C., M.P., Toronto. Also to Mr. Walter R. Nursey, for the use of the pictures of General Brock, Col. Macdonell, and Brock's Monument, from his interesting work: "The Story of Brock," in the Canadian Heroes Series; and to the Ontario Archives, Toronto, for the use of the picture of the first monument erected to Brock on Queenston Heights. ALEXANDER FRASER. [Illustration: From a Silhouette in possession of John Alexander Macdonnell, K.C., Alexandria. LIEUTENANT-COLONEL JOHN MACDONELL. Provincial Aide-de-Camp to Major-General Sir Isaac Brock; M.P. for Glengarry; Attorney-General of Upper Canada. --From Nursey's "Story of Isaac Brock" (Briggs).] CONTENTS PAGE Prefatory Note 3 Introduction--J. Stewart Carstairs, B.A. 9 Preliminary Steps 21 General Committee Formed 25 Programme Adopted 26 Reports of Committees 29 Celebrating the Day 32 At Queenston Heights-- Representatives Present 34 Floral Decorations 40 A Unique Scene 42 Historic Flags and Relics 43 Letters of Regret for Absence 44 The Speeches-- Colonel G. Sterling Ryerson 45 Mr. Angus Claude Macdonell, M.P. 50 Hon. Dr. R. A. Pyne, M.P.P. 55 Colonel George T. Denison 58 Mr. J. A. Macdonell, K.C. 61 Dr. James L. Hughes 67 Chief A. G. Smith 71 Warrior F. Onondeyoh Loft 74 Mr. Charles R. McCullough 75 Appendix I.--Highland Heroes in the War of 1812-14 --Dr. Alexander Fraser 77 Appendix II.--Programme of Toronto Garrison Service in Massey Hall 82 Appendix III.--Indian Contributions to the Reconstruction of Brock's Monument 88 Appendix IV.--Meetings of the Executive Committee subsequent to the Celebration 91 Appendix V.--Captain Joseph Birney 93 ILLUSTRATIONS PAGE Major-General Brock _Frontispiece_ Lieutenant-Colonel John Macdonell, Provincial Aide-de-Camp to Major-General Sir Isaac Brock 5 Executive Committee 28 First Monument to General Brock at Queenston Heights 33 Brock's Monument 34 Central section of a panoramic picture of the gathering at Queenston Heights 36 Floral Tribute placed on Cenotaph, where Brock fell, by the Guernsey Society, Toronto 38 Brock Centenary Celebration at Queenston Heights 38 Memorial Wreaths placed on the Tombs, at Queenston Heights, of Major-General Sir Isaac Brock, Kt., and Colonel John Macdonell, P.A.D.C., Attorney-General of Upper Canada 41 Wreath placed on Brock's Monument in St. Paul's Cathedral, London, Eng., by the Government of Canada 42 Wreath placed on Brock's Monument, Queenston Heights, by the Imperial Order of the Daughters of the Empire 42 Conferring Tribal Membership on Miss Helen M. Merrill 43 Six Nation Indians celebrating Brock's Centenary at Queenston Heights 44 Colonel George Sterling Ryerson, Chairman of Committee 45 Angus Claude Macdonell, K.C., M.P., addressing the gathering 51 Hon. R. A. Pyne, M.D., M.P.P., Minister of Education of Ontario 58 James L. Hughes, LL.D., Chief Inspector of Schools, Toronto 58 Colonel George T. Denison, Toronto 58 J. A. Macdonell, K.C., Glengarry, addressing the gathering 61 Chief A. G. Smith, Six Nation Indians, Grand River Reserve 71 Captain Charles R. McCullough, Hamilton, Ont. 71 Warrior F. Onondeyoh Loft, Six Nation Indians, Toronto 71 Members of Committee at Queenston Heights 77 Group of Indians (Grand River Reserve) celebrating Brock's Centenary at Queenston Heights 88 Captain Joseph Birnie 93 INTRODUCTION BROCK AND QUEENSTON By John Stewart Carstairs, B.A., Toronto Brock's fame and Brock's name will never die in our history. The past one hundred years have settled that. And in this glory the craggy heights of Queenston, where in their splendid mausoleum Brock and Macdonell sleep side by side their last sleep, will always have its share. Strangely enough, who ever associates Brock's name with Detroit? Yet, here was a marvellous achievement: the left wing of the enemy's army annihilated, its eloquent and grandiose leader captured and two thousand five hundred men and abundant military stores, with the State of Michigan thrown in! But Britain in those days was so busy doing things that we a hundred years later can scarcely realize them. However, so much of our historic perspective has been settled during the past hundred years. Perhaps in another hundred years, when other generations come together to commemorate the efforts of these men that with Brock and Macdonell strove to seek and find and do and not to yield, the skirmish at Queenston may be viewed in a different light. Perhaps then the British Constitution will have bridged the oceans and the "Seven Seas"; perhaps then Canada will be more British than Britain itself--the very core, the centre, the heart of the Empire in territory and population, in wealth and in influence, in spirit and in vital activities. Then Queenston Heights may be regarded not merely as a victory that encouraged
919.24554
2023-11-16 18:32:23.2262880
2,980
7
Produced by Distributed Proofreaders How To Do It. By Edward Everett Hale. Contents. Chapter I. Introductory.--How We Met Chapter II. How To Talk Chapter III. Talk Chapter IV. How To Write Chapter V. How To Read. I. Chapter VI. How To Read. II. Chapter VII. How To Go Into Society Chapter VIII. How To Travel Chapter IX. Life At School Chapter X. Life In Vacation Chapter XI. Life Alone Chapter XII. Habits In Church Chapter XIII. Life With Children Chapter XIV. Life With Your Elders Chapter XV. Habits Of Reading Chapter XVI. Getting Ready How To Do It. Chapter I. Introductory.--How We Met. The papers which are here collected enter in some detail into the success and failure of a large number of young people of my acquaintance, who are here named as Alice Faulconbridge, Bob Edmeston, Clara, Clem Waters, Edward Holiday, Ellen Liston, Emma Fortinbras, Enoch Putnam, _brother of_ Horace, Esther, Fanchon, Fanny, _cousin to_ Hatty Fielding Florence, Frank, George Ferguson (Asaph Ferguson's _brother_), Hatty Fielding, Herbert, Horace Putnam, Horace Felltham (_a very different person_), Jane Smith, Jo Gresham, Laura Walter, Maud Ingletree, Oliver Ferguson, _brother to_ Asaph _and_ George, Pauline, Rachel, Robert, Sarah Clavers, Stephen, Sybil, Theodora, Tom Rising, Walter, William Hackmatack, William Withers. It may be observed that there are thirty-four of them. They make up a very nice set, or would do so if they belonged together. But, in truth, they live in many regions, not to say countries. None of them are too bright or too stupid, only one of them is really selfish, all but one or two are thoroughly sorry for their faults when they commit them, and all of them who are good for anything think of themselves very little. There are a few who are approved members of the Harry Wadsworth Club. That means that they "look up and not down," they "look forward and not back," they "look out and not in," and they "lend a hand." These papers were first published, much as they are now collected, in the magazine "Our Young Folks," and in that admirable weekly paper "The Youth's Companion," which is held in grateful remembrance by a generation now tottering off the stage, and welcomed, as I see, with equal interest by the grandchildren as they totter on. From time to time, therefore, as the different series have gone on, I have received pleasant notes from other young people, whose acquaintance I have thus made with real pleasure, who have asked more explanation as to the points involved. I have thus been told that my friend, Mr. Henry Ward Beecher, is not governed by all my rules for young people's composition, and that Miss Throckmorton, the governess, does not believe Archbishop Whately is infallible. I have once and again been asked how I made the acquaintance of such a nice set of children. And I can well believe that many of my young correspondents would in that matter be glad to be as fortunate as I. Perhaps, then, I shall do something to make the little book more intelligible, and to connect its parts, if in this introduction I tell of the one occasion when the _dramatis personae_ met each other; and in order to that, if I tell how they all met me. First of all, then, my dear young friends, I began active life, as soon as I had left college, as I can well wish all of you might do. I began in keeping school. Not that I want to have any of you do this long, unless an evident fitness or "manifest destiny" appear so to order. But you may be sure that, for a year or two of the start of life, there is nothing that will teach you your own ignorance so well as having to teach children the few things you know, and to answer, as best you can, their questions on all grounds. There was poor Jane, on the first day of that charming visit at the Penroses, who was betrayed by the simplicity and cordiality of the dinner-table--where she was the youngest of ten or twelve strangers--into taking a protective lead of all the conversation, till at the very last I heard her explaining to dear Mr. Tom Coram himself,--a gentleman who had lived in Java ten years,--that coffee-berries were red when they were ripe. I was sadly mortified for my poor Jane as Tom's eyes twinkled. She would never have got into that rattletrap way of talking if she had kept school for two years. Here, again, is a capital letter from Oliver Ferguson, Asaph's younger brother, describing his life on the Island at Paris all through the siege. I should have sent it yesterday to Mr. Osgood, who would be delighted to print it in the Atlantic Monthly, but that the spelling is disgraceful. Mr. Osgood and Mr. Howells would think Oliver a fool before they had read down the first page. "L-i-n, lin, n-e-n, nen, linen." Think of that! Oliver would never have spelled "linen" like that if he had been two years a teacher. You can go through four years at Harvard College spelling so, but you cannot go through two years as a schoolmaster. Well, I say I was fortunate enough to spend two years as an assistant schoolmaster at the old Boston Latin School,--the oldest institution of learning, as we are fond of saying, in the United States. And there first I made my manhood's acquaintance with boys. "Do you think," said dear Dr. Malone to me one day, "that my son Robert will be too young to enter college next August?" "How old will he be?" said I, and I was told. Then as Robert was at that moment just six months younger than I, who had already graduated, I said wisely, that I thought he would do, and Dr. Malone chuckled, I doubt not, as I did certainly, at the gravity of my answer. A nice set of boys I had. I had above me two of the most loyal and honorable of gentlemen, who screened me from all reproof for my blunders. My discipline was not of the best, but my purposes were; and I and the boys got along admirably. It was the old schoolhouse. I believe I shall explain in another place, in this volume, that it stood where Parker's Hotel stands, and my room occupied the spot in space where you, Florence, and you, Theodora, dined with your aunt Dorcas last Wednesday before you took the cars for Andover,--the ladies' dining-room looking on what was then Cook's Court, and is now Chapman Place. Who Cook was I know not. The "Province Street" of to-day was then much more fitly called "Governor's Alley." For boys do not know that that minstrel-saloon so long known as "Ordway's," just now changed into Sargent's Hotel, was for a century, more or less, the official residence of the Governor of Massachusetts. It was the "Province House." On the top of it, for a weathercock, was the large mechanical brazen Indian, who, whenever he heard the Old South clock strike twelve, shot off his brazen arrow. The little boys used to hope to see this. But just as twelve came was the bustle of dismissal, and I have never seen one who did see him, though for myself I know he did as was said, and have never questioned it. That opportunity, however, was up stairs, in Mr. Dixwell's room. In my room, in the basement, we had no such opportunity. The glory of our room was that it was supposed, rightly or not, that a part of it was included in the old schoolhouse which was there before the Revolution. There were old men still living who remembered the troublous times, the times that stirred boys' souls, as the struggle for independence began. I have myself talked with Jonathan Darby Robbins, who was himself one of the committee who waited on the British general to demand that their coasting should not be obstructed. There is a reading piece about it in one of the school-books. This general was not Gage, as he is said to be in the histories, but General Haldimand; and his quarters were at the house which stood nearly where Franklin's statue stands now, just below King's Chapel. His servant had put ashes on the coast which the boys had made, on the sidewalk which passes the Chapel as you go down School Street. When the boys remonstrated, the servant ridiculed them,--he was not going to mind a gang of rebel boys. So the boys, who were much of their fathers' minds, appointed a committee, of whom my friend was one, to wait on General Haldimand himself. They called on him, and they told him that coasting was one of their inalienable rights and that he must not take it away. The General knew too well that the people of the town must not be irritated to take up his servant's quarrel, and he told the boys that their coast should not be interfered with. So they carried their point. The story-book says that he clasped his hands and said, "Heavens! Liberty is in the very air! Even these boys speak of their rights as do their patriot sires!" But of this Mr. Robbins told me nothing, and as Haldimand was a Hessian, of no great enthusiasm for liberty, I do not, for my part, believe it. The morning of April 19, 1775, Harrison Gray Otis, then a little boy of eight years old, came down Beacon Street to school, and found a brigade of red-coats in line along Common Street,--as Tremont Street was then called,--so that he could not cross into School Street. They were Earl Percy's brigade. Class in history, where did Percy's brigade go that day, and what became of them before night? A red-coat corporal told the Otis boy to walk along Common Street, and not try to cross the line. So he did. He went as far as Scollay's Building before he could turn their flank, then he went down to what you call Washington Street, and came up to school,--late. Whether his excuse would have been sufficient I do not know. He was never asked for it. He came into school just in time to hear old Lovel, the Tory schoolmaster, say, "War's begun and school's done. _Dimittite libros_"--which means, "Put away your books." They put them away, and had a vacation of a year and nine months thereafter, before the school was open again. Well, in this old school I had spent four years of my boyhood, and here, as I say, my manhood's acquaintance with boys began. I taught them Latin, and sometimes mathematics. Some of them will remember a famous Latin poem we wrote about Pocahontas and John Smith. All of them will remember how they capped Latin verses against the master, twenty against one, and put him down. These boys used to cluster round my table at recess and talk. Danforth Newcomb, a lovely, gentle, accurate boy, almost always at the head of his class,--he died young. Shang-hae, San Francisco, Berlin, Paris, Australia,--I don't know what cities, towns, and countries have the rest of them. And when they carry home this book for their own boys to read, they will find some of their boy-stories here. Then there was Mrs. Merriam's boarding-school. If you will read the chapter on travelling you will find about one of the vacations of her girls. Mrs. Merriam was one of Mr. Ingham's old friends,--and he is a man with whom I have had a great deal to do. Mrs. Merriam opened a school for twelve girls. I knew her very well, and so it came that I knew her ways with them. Though it was a boarding-school, still the girls had just as "good a time" as they had at home, and when I found that some of them asked leave to spend vacation with her I knew they had better times. I remember perfectly the day when Mrs. Phillips asked them down to the old mansion-house, which seems so like home to me, to eat peaches. And it was determined that the girls should not think they were under any "company" restraint, so no person but themselves was present when the peaches were served, and every girl ate as many as for herself she determined best. When they all rode horseback, Mrs. Merriam and I used to ride together with these young folks
919.246328
2023-11-16 18:32:23.2587850
2,975
6
Produced by John Bilderback, Eric Eldred, Charles Franks and the Online Distributed Proofreading Team. MEN, WOMEN, AND BOATS By Stephen Crane Edited With an Introduction by Vincent Starrett NOTE A Number of the tales and sketches here brought together appear now for the first time between covers; others for the first time between covers in this country. All have been gathered from out-of-print volumes and old magazine files. "The Open Boat," one of Stephen Crane's finest stories, is used with the courteous permission of Doubleday, Page & Co., holders of the copyright. Its companion masterpiece, "The Blue Hotel," because of copyright complications, has had to be omitted, greatly to the regret of the editor. After the death of Stephen Crane, a haphazard and undiscriminating gathering of his earlier tales and sketches appeared in London under the misleading title, "Last Words." From this volume, now rarely met with, a number of characteristic minor works have been selected, and these will be new to Crane's American admirers; as follows: "The Reluctant Voyagers," "The End of the Battle," "The Upturned Face," "An Episode of War," "A Desertion," "Four Men in a Cave," "The Mesmeric Mountain," "London Impressions," "The Snake." Three of our present collection, printed by arrangement, appeared in the London (1898) edition of "The Open Boat and Other Stories," published by William Heinemann, but did not occur in the American volume of that title. They are "An Experiment in Misery," "The Duel that was not Fought," and "The Pace of Youth." For the rest, "A Dark Brown Dog," "A Tent in Agony," and "The Scotch Express," are here printed for the first time in a book. For the general title of the present collection, the editor alone is responsible. V. S. MEN, WOMEN AND BOATS CONTENTS STEPHEN CRANE: _An Estimate_ THE OPEN BOAT THE RELUCTANT VOYAGERS THE END OF THE BATTLE THE UPTURNED FACE AN EPISODE OF WAR AN EXPERIMENT IN MISERY THE DUEL THAT WAS NOT FOUGHT A DESERTION THE DARK-BROWN DOG THE PACE OF YOUTH SULLIVAN COUNTY SKETCHES A TENT IN AGONY FOUR MEN IN A CAVE THE MESMERIC MOUNTAIN THE SNAKE LONDON IMPRESSIONS THE SCOTCH EXPRESS STEPHEN CRANE: _AN ESTIMATE_ It hardly profits us to conjecture what Stephen Crane might have written about the World War had he lived. Certainly, he would have been in it, in one capacity or another. No man had a greater talent for war and personal adventure, nor a finer art in describing it. Few writers of recent times could so well describe the poetry of motion as manifested in the surge and flow of battle, or so well depict the isolated deed of heroism in its stark simplicity and terror. To such an undertaking as Henri Barbusse's "Under Fire," that powerful, brutal book, Crane would have brought an analytical genius almost clairvoyant. He possessed an uncanny vision; a descriptive ability photographic in its clarity and its care for minutiae--yet unphotographic in that the big central thing often is omitted, to be felt rather than seen in the occult suggestion of detail. Crane would have seen and depicted the grisly horror of it all, as did Barbusse, but also he would have seen the glory and the ecstasy and the wonder of it, and over that his poetry would have been spread. While Stephen Crane was an excellent psychologist, he was also a true poet. Frequently his prose was finer poetry than his deliberate essays in poesy. His most famous book, "The Red Badge of Courage," is essentially a psychological study, a delicate clinical dissection of the soul of a recruit, but it is also a _tour de force_ of the imagination. When he wrote the book he had never seen a battle: he had to place himself in the situation of another. Years later, when he came out of the Greco-Turkish _fracas_, he remarked to a friend: "'The Red Badge' is all right." Written by a youth who had scarcely passed his majority, this book has been compared with Tolstoy's "Sebastopol" and Zola's "La Debacle," and with some of the short stories of Ambrose Bierce. The comparison with Bierce's work is legitimate; with the other books, I think, less so. Tolstoy and Zola see none of the traditional beauty of battle; they apply themselves to a devoted--almost obscene--study of corpses and carnage generally; and they lack the American's instinct for the rowdy commonplace, the natural, the irreverent, which so materially aids his realism. In "The Red Badge of Courage" invariably the tone is kept down where one expects a height: the most heroic deeds are accomplished with studied awkwardness. Crane was an obscure free-lance when he wrote this book. The effort, he says, somewhere, "was born of pain--despair, almost." It was a better piece of work, however, for that very reason, as Crane knew. It is far from flawless. It has been remarked that it bristles with as many grammatical errors as with bayonets; but it is a big canvas, and I am certain that many of Crane's deviations from the rules of polite rhetoric were deliberate experiments, looking to effect--effect which, frequently, he gained. Stephen Crane "arrived" with this book. There are, of course, many who never have heard of him, to this day, but there was a time when he was very much talked of. That was in the middle nineties, following publication of "The Red Badge of Courage," although even before that he had occasioned a brief flurry with his weird collection of poems called "The Black Riders and Other Lines." He was highly praised, and highly abused and laughed at; but he seemed to be "made." We have largely forgotten since. It is a way we have. Personally, I prefer his short stories to his novels and his poems; those, for instance, contained in "The Open Boat," in "Wounds in the Rain," and in "The Monster." The title-story in that first collection is perhaps his finest piece of work. Yet what is it? A truthful record of an adventure of his own in the filibustering days that preceded our war with Spain; the faithful narrative of the voyage of an open boat, manned by a handful of shipwrecked men. But Captain Bligh's account of _his_ small boat journey, after he had been sent adrift by the mutineers of the _Bounty_, seems tame in comparison, although of the two the English sailor's voyage was the more perilous. In "The Open Boat" Crane again gains his effects by keeping down the tone where another writer might have attempted "fine writing" and have been lost. In it perhaps is most strikingly evident the poetic cadences of his prose: its rhythmic, monotonous flow is the flow of the gray water that laps at the sides of the boat, that rises and recedes in cruel waves, "like little pointed rocks." It is a desolate picture, and the tale is one of our greatest short stories. In the other tales that go to make up the volume are wild, exotic glimpses of Latin-America. I doubt whether the color and spirit of that region have been better rendered than in Stephen Crane's curious, distorted, staccato sentences. "War Stories" is the laconic sub-title of "Wounds in the Rain." It was not war on a grand scale that Crane saw in the Spanish-American complication, in which he participated as a war correspondent; no such war as the recent horror. But the occasions for personal heroism were no fewer than always, and the opportunities for the exercise of such powers of trained and appreciative understanding and sympathy as Crane possessed, were abundant. For the most part, these tales are episodic, reports of isolated instances--the profanely humorous experiences of correspondents, the magnificent courage of signalmen under fire, the forgotten adventure of a converted yacht--but all are instinct with the red fever of war, and are backgrounded with the choking smoke of battle. Never again did Crane attempt the large canvas of "The Red Badge of Courage." Before he had seen war, he imagined its immensity and painted it with the fury and fidelity of a Verestchagin; when he was its familiar, he singled out its minor, crimson passages for briefer but no less careful delineation. In this book, again, his sense of the poetry of motion is vividly evident. We see men going into action, wave on wave, or in scattering charges; we hear the clink of their accoutrements and their breath whistling through their teeth. They are not men going into action at all, but men going about their business, which at the moment happens to be the capture of a trench. They are neither heroes nor cowards. Their faces reflect no particular emotion save, perhaps, a desire to get somewhere. They are a line of men running for a train, or following a fire engine, or charging a trench. It is a relentless picture, ever changing, ever the same. But it contains poetry, too, in rich, memorable passages. In "The Monster and Other Stories," there is a tale called "The Blue Hotel". A Swede, its central figure, toward the end manages to get himself murdered. Crane's description of it is just as casual as that. The story fills a dozen pages of the book; but the social injustice of the whole world is hinted in that space; the upside-downness of creation, right prostrate, wrong triumphant,--a mad, crazy world. The incident of the murdered Swede is just part of the backwash of it all, but it is an illuminating fragment. The Swede was slain, not by the gambler whose knife pierced his thick hide: he was the victim of a condition for which he was no more to blame than the man who stabbed him. Stephen Crane thus speaks through the lips of one of the characters:-- "We are all in it! This poor gambler isn't even a noun. He is a kind of an adverb. Every sin is the result of a collaboration. We, five of us, have collaborated in the murder of this Swede. Usually there are from a dozen to forty women really involved in every murder, but in this case it seems to be only five men--you, I, Johnnie, Old Scully, and that fool of an unfortunate gambler came merely as a culmination, the apex of a human movement, and gets all the punishment." And then this typical and arresting piece of irony:-- "The corpse of the Swede, alone in the saloon, had its eyes fixed upon a dreadful legend that dwelt atop of the cash-machine: 'This registers the amount of your purchase.'" In "The Monster," the ignorance, prejudice and cruelty of an entire community are sharply focussed. The realism is painful; one blushes for mankind. But while this story really belongs in the volume called "Whilomville Stories," it is properly left out of that series. The Whilomville stories are pure comedy, and "The Monster" is a hideous tragedy. Whilomville is any obscure little village one may happen to think of. To write of it with such sympathy and understanding, Crane must have done some remarkable listening in Boyville. The truth is, of course, he was a boy himself--"a wonderful boy," somebody called him--and was possessed of the boy mind. These tales are chiefly funny because they are so true--boy stories written for adults; a child, I suppose, would find them dull. In none of his tales is his curious understanding of human moods and emotions better shown. A stupid critic once pointed out that Crane, in his search for striking effects, had been led into "frequent neglect of the time-hallowed rights of certain words," and that in his pursuit of color he "falls occasionally into almost ludicrous mishap." The smug pedantry of the quoted lines is sufficient answer to the charges, but in support of these assertions the critic quoted certain passages and phrases. He objected to cheeks "scarred" by tears, to "dauntless" statues, and to "terror-stricken" wagons. The very touches of poetic impressionism that largely make for Crane's greatness, are cited to prove him an ignoramus. There is the finest of poetic imagery in the suggestions subtly conveyed by Crane's tricky adjectives, the use of which was as deliberate with him as his choice of a subject. But Crane was an imagist before our modern imagists were known. This unconventional use of adjectives is marked in the Whilomville tales. In one of them Crane refers to the "solemn odor of burning turnips." It is the most nearly perfect characterization of burning turnips conceivable: can anyone improve upon that "solemn odor"? Stephen Crane's first venture was "
919.278825
2023-11-16 18:32:23.4146810
2,358
8
Produced by Lewis Jones The Project Gutenberg EBook of _Harris's List of Covent-Garden Ladies for the Year 1788_ by Anonymous. This eBook was produced by Lewis Jones. HARRIS's LIST OF COVENT-GARDEN LADIES: OR, MAN OF PLEASURE's KALENDER, For the YEAR, 1788. CONTAINING The Histories and some Curious Anec- dotes of the most celebrated Ladies now on the Town, or in keeping, and also many of their Keepers. ___________________________________ LONDON: Printed for H. RANGER, (formerly at No. 23. _Fleet-Street_,) at No. 9, _Little Bridge-Street_, near _Drury-Lane Play-House_ Where may be had, The separate LISTS of many preceding Years ___________________________________ ___________________________________ Transcriber's Note. Words in italics in the book are enclosed between underscores in this ebook. The original capitalisation, italics, spellings, line breaks, hyphenation and (as far as possible) page layout, are retained; the aim thereby is to convey more accurately the flavour of the original. Most errors (for example inconsistent use of round and square brackets, and the misnumbering of page 17 as page 71) have also been kept. However, a small number of corrections have been made for the convenience of the reader (where, for example, there are no spaces between words). ___________________________________ ___________________________________ CONTENTS. A Antr*b*s, Mrs--Page 126 B B*nd, Miss--49 B*lt*n, Miss--36 Br*wn, Miss--46 Bl*ke, Miss--54 Betsy--78 Br*wn, Miss--94 B*r*n, Miss Phoebe--113 B*rn, Miss--22 C Cr*sb*y, Mrs.--25 C*rt*n*y ( vi ) C*rtn**, Miss Fanny--33 Cl*nt*n, Miss--42 Cl*rk, Miss Betsy--43 Ch*sh*line, Mrs.--62 C*p*r, Miss--70 Ch*ld, Miss--96 C*sd*l, Miss Charlotte--103 C*p, Miss--104 C*tt*n, Miss Charlotte--115 Cl*rk, Miss--117 C*rb*t, Miss--122 D D*d, Mrs.--52 D*v*p*rt, Miss--38 D*g*ss, Miss--44 D*f*ld Mrs.--47 D*v*nsh*re, Miss--91 D*v*s, Miss Nancy--106 D*rl*z, Madam--129 E Emmey--111 Ell*t, Miss Emma--131 F Fr*s*r, Mrs.--99 F*n*, Mrs. Charlotte--139 Gr*n, ( vii ) G Gr*n, Miss--51 G**g*, Miss--41 Gr*c*r, Miss--86 G*rdn*r, Miss--123 Gr*ff*n, Mrs.--141 H H*ds*n, Miss Betse--45 H*rv*y, Mrs.--60 H*ll*ngb*rg, Mrs.--73 H**d, Mrs.--72 H*st**ng, Miss Betsy--89 H*ll*n, Miss--128 H*nl*y, Miss Fann--137 H*ll*nd, Miss--17 H*rd*y, Miss--21 J J*n*s, Miss Harriet--27 J*hn*t*n, Miss--68 J*n*s, Miss--101 J*ns*n, Miss--19 K K*n, Miss--58 K*lp*n, Miss--107 K*bb*rd, Miss Jenny--138 L L*nds*y, Miss--75 L*ws, Mrs.--77 Ll*d Miss Harriet--82 L*st*r, ( viii ) L*st*r, Miss--15 L*ns*y, Miss--20 L*c*s, Miss--24 M M*rt*n, Miss Sophia--31 M*nt*n, Miss--57 M*rr*s, Miss--63 M*lt*n, Miss--85 M*lsw*rth, Miss--88 M*ns*n, Miss Louisa--124 N N*ble, Miss--31 N*t*n, Mrs.--92 P P*mbr*k*, Miss--80 Du Par Mademoiselle--143 R R*ss, Miss--34 R*b*ns*n, Mrs.--74 R*l*ns, Miss Betsy--66 R*ch*rds*n, Miss--23 S*ms ( ix ) S S*ms, Miss--35 S*tt*n, Mrs.--69 S*dd*ns, Miss Sarah--83 Sp*ns*r, Mrs.--35 T T*wnsd*n, Miss--97 T*s*n, Miss--133 T*rb*t, Mrs--22 W W*lkins*n, Miss--29 W*d, Miss--32 W*tk*ns, Miss Elizabeth--64 W*rd, Mrs.--100 W*d, Mrs.--67 W*ls*n, Miss--113 W*bst*r, Mrs.--119 W*ll*ms, Miss--135 W*rp*l, Mrs.--140 W*rn*r, Miss--144 ERRATA, ( x ) ERRATA. In page 42, Miss Cl--nt--n, at No. 17, _read_ -------- Street. Page 72 _read_ No. 4, _instead_ of No. 14. Page 77, _read_ Mrs L--w--s, at No. 68. ___________________________________ ___________________________________ INTRODUCTION. Again the coral berry'd holly glads the eye, The ivy green again each window decks, And mistletoe, kind friend to _Bassia_'s cause, Under each merry roof invites the kiss; Come then, my friends, ye friends to _Harris_ come, And more than kisses share, drink love supreme From his ambrosial cup, tho' oft replete Satiety ne'er gives, but leaves the ravish'd sense Supremely blest, and ever craving more. Come ye gay sons of pleasure, come and feast Your _every_ sense, and lave your souls in love, Fearless advance, nor think of ills to come; Here taste variety, of love's sweet gifts, Pure and unstain'd as at kind nature's birth. THE parterre of Venus was never more elegantly filled, never did the loves and graces shine, with more splendor than at present; Marylebone, the now grand paradise of love, and Covent Garden, her elder born, beam with uncommon ardor; nor is our antient Drury unfrequented; no sooner do the stars above shed their benign in- fluence, but our more attracting ones below [ 14 ] below bespangle every walk, and make a heaven on earth; Bagnigge, St. George's Spa, with all their sister shops, deal out each night their choiceft gifts of love; nor with the sons of pleasure be dis- appointed should they extend their travels still farther east, and visit the purlieus of White Chapel. The Royalty is over full, and Wapping, Shadwell, and the neighbouring _fields_ lend all their lovely train to glad each night; these then shall be our walks; from these gay spots of pleasure shall we call love's purest sweets, And without thorn the rose. By thus extending our researches we shall be able to suit every constitution, and every pocket, every whim and fancy that the most extravagant sensua- list can desire. Here may they learn to shun the dreadful quicksands of pain and mortification, and land safe on the terra firma of delight and love. ___________________________________ ___________________________________ HARRIS's LIST OF COVENT-GARDEN LADIES ___________________________________ Miss L--st--r, No. 6, _Union-Street, Oxford-Road_. Oh, pleasing talk, to paint the ripen'd charms Of youth untutor'd in the female arts; To see instinctively desire blaze out, And warm the mind with all its burning joys. The _tell-tale eyes_ in liquid pools sustain'd, The throbbing breast now rising, now suppress't; The _thrilling bliss_ quick darting thro' the frame, The _short fetch'd sighs_, the snow white twining limbs, The sudden gush, and the extatic oh. SUCH our all pleasing L--st--r leads the train, and, smiling like the morn, unfolds her heaven of beauties. Oh, for a _Guido's touch_, or _Thomson's thought_, ( 16 ) thought_, to paint the richness of her unequall'd charms; every perfection that can possibly adorn the face and mind of Woman seem centered in this be- witching girl; hither resort then, ye genuine lovers of beauty and good sense; here, whilst _Plutus_ reigns, may you revel nor know satiety; here feast the longing appetite, and return with fresh _vigor_ to every _attack_. Now arrived at the tempting age of nineteen, her ima- gination is filled with every luscious idea, _refined_ sensibiiity, and _fierce desire_ can unite, her form is majestic, tall, and elegant; her make truly genteel, her complexion -----As April's lily fair, And blooming as June's brightest rose. Painted by the masterly hand of nature, shaded by tresses of the darkest brown, and enlivened by two stars that swim in all the essence of unsatiated love. Her pouting lips distil nectarious balm, And thro' the frame its thrilling transports dart; which, when parted, display a casket of snow white pearls, ranged in the nicest regularity, the _neighbouring hills_ below full ( 71 ) full ripe for manual pressure, firm, and elastic, and heave at every touch. The
919.434721
2023-11-16 18:32:23.4280710
2,445
14
Produced by Ron Swanson (This file was produced from images generously made available by The Internet Archive/American Libraries) VASSALL MORTON. A Novel. BY FRANCIS PARKMAN, AUTHOR OF "HISTORY OF THE CONSPIRACY OF PONTIAC," AND "PRAIRIE AND ROCKY MOUNTAIN LIFE." Ecrive qui voudra! Chacun a ce metier, Peut perdre impunement de l'encre et du papier. BOILEAU. BOSTON: PHILLIPS, SAMPSON AND COMPANY. 1856. Entered, according to Act of Congress, in the Year 1856, by PHILLIPS, SAMPSON AND COMPANY, In the Clerk's Office of the District Court of the District of Massachusetts. STEREOTYPED AT THE BOSTON STEREOTYPE FOUNDRY. Vassall Morton. CHAPTER I. Remote from towns he ran his godly race.--_Goldsmith_. "Macknight on the Epistles,--that's the name of the book?" "Yes, sir, if you please. I am desirous of consulting it with a view--" "Well, this way, Mr. Jacobs. Here's the librarian. Mr. Stillingfleet, let me introduce my friend, the Reverend Mr. Jacobs, of West Weathersfield." "I am proud to make your acquaintance, sir," said Mr. Jacobs, taking the librarian's hand with an air of diffident veneration. "Mr. Jacobs wishes to consult Mackwright on the Epistles." "Macknight, if you please, Dr. Steele." "O, Macknight. Will you be so kind as to let him have the use of it in my name?" "If you will go with Mr. Rubens, sir," said the librarian, "he will show you the book." "Thank you, sir," replied Mr. Jacobs, to whom the words were addressed; and he followed the assistant among the alcoves in a timid, tiptoe progress, for, to him, the very air he breathed seemed redolent of learning, and the dust beneath his feet consecrated to science. Dr. Steele remained behind, conversing with the librarian. "My friend has something of the ancient apostolic simplicity hanging about him still. He looks with as much awe at Harvard College library as I did myself forty-five years ago, when I came down from Steuben to join the freshman class." "So you came from Steuben! Did not old John Morton come from the same place?" "To be sure he did. He was the glory of the town. He pulled down the old clapboard meeting house that his father used to preach in, and built a new one for him: besides giving a start in business to half the young men of the village." "Do you see that undergraduate at the end of the hall, standing by the last alcove, reading?" "Yes; what about him? He seems a hardy, good-looking young fellow enough." "He is John Morton's son." "Is it possible? I remember him when he was a child, but have not seen him for these ten years. After his father's death, his mother took him to Europe, to be educated; but she never came back; she died in Paris." "He is Mr. Morton's only child--is he not?" "Yes; his first wife had no children; and after he had buried her,--which, by the way, I believe was the happiest hour of his life,--he married a very different sort of person, Margaret Vassall, this boy's mother." "What, one of the old Vassall race?" "Exactly; and, I suppose, the last survivor. I used to know her. She was a handsome woman, and, bating her family pride, altogether a very fine character. She managed her husband admirably." "Why, what need had John Morton of being managed?" "O, Morton was a noble old gentleman, a merchant of the old school, and generous as the day; but he had his faults. He made nothing of his three bottles of Madeira at dinner, and besides-- Ah, Mr. Jacobs, so you have found Macknight." "Yes, sir," said Mr. Jacobs, coming up, "I have the volumes." "See that young man, yonder. That's the son of your old friend, Mr. Morton." "Really! upon my word! Ah! Mr. Morton _was_ a friend to me, sir--a very kind friend." And, in the simplicity of his heart, Mr. Jacobs glided up to the student, and blandly accosted him. "How do you do, young gentleman? I knew your worthy father. I knew him well. I have often sat at his hospitable board on anniversary week." Thus addressed, Vassall Morton looked up from his book,--it was Froissart's Chronicle,--inclined his head in acknowledgment, and waited to hear more. "Ahem!" coughed Mr. Jacobs, a little embarrassed: "your father was a most worthy and estimable gentleman: a true friend of the feeble and destitute. Ahem!--what class are you in, Mr. Morton?" "The junior class," said the young man, a suppressed smile flickering at the corner of his mouth. "Ahem! I hope, sir, that, like your father, you will long live to be an honor to your native town." "Thank you, sir." "I wish you good morning." "Good morning, sir," said Morton, divided between an inclination to smile at the odd, humble little figure before him, and an unwillingness to wound the other's feelings. "Are you ready to go, Mr. Jacobs?" said Dr. Steele. "If you please, sir, we will now take our departure;"--gathering the four volumes of Macknight on the Epistles under his arm;--"Good morning, Mr. Stillingfleet; good morning, Mr. Rubens. I am indebted to your kindness, gentlemen--ahem!" "This is the way out, Mr. Jacobs," said Steele to his diffident friend from West Weathersfield, who, in his embarrassment, was going out at the wrong door. "I beg your pardon, sir--ahem!" replied Mr. Jacobs, with a bashful smile. And Dr. Steele, pointing to the true exit, ushered his rustic and reverend protege from the sacred precinct of learning. CHAPTER II. Richt hardie baith in ernist and play.--_Sir David Lyndsay_. "Morton, what was the little old fogy in the white cravat saying to you just now in the library?" "Telling me that my father was a worthy man, and that he hoped I should make just such another." "Ah, that was kind of him." "What a pile of books you are lugging! Here, let me take half a dozen of them for you. You look as if you were training to be a hotel porter." "I am laying in for vacation." "What sense is there in that? Let alone your Latin, Greek, and mathematics; what the deuse is vacation made for? Take to the woods, as I do, breathe the fresh air, and see the world at large." "Do you call it seeing the world at large, to go off into some barbarous, uninhabitable place, among mosquitoes, snakes, wolves, bears, and catamounts? What sense is there in that? What can you do when you get there?" "Shoot muskrats, and fish for mudpouts. Will you go with me?" "Thank you, no. There's no one in the class featherwitted enough to go with you, except Meredith, and he ought to know better." "Stay at home, then, and improve your mind. I shall be off to-morrow." "Alone?" "Yes." Mr. Horace Vinal shrugged his shoulders, a movement which caused Sophocles and Seneca to escape from under his arm. Morton gathered them out of the mud, and thrusting them back again into their place, left his burdened fellow-student to make the best of his way towards his den in Stoughton Hall. CHAPTER III. O, love, in such a wilderness as this!--_Gertrude of Wyoming_. Morton, _en route_ for the barbarous districts of which Vinal had expressed his disapproval, stopped by the way at a spot which, though wild enough at that time, had ceased to be a wilderness. This was the Notch of the White Mountains, perverted, since, into a resort of _quasi_ fashion. Here, arriving late at the lonely hostelry of one Tom Crawford, he learned from that worthy person, to whom his face was well known, that other guests, from Boston, like himself, were seated at the tea table. Accordingly, descending thither, he saw four persons. The first was a quiet-looking man, with the air of a gentleman, and something in his appearance which seemed to indicate military habits and training. Morton remembered to have seen him before. At his side, and under his tutelary care, sat two personages, who, from their dimensions, must have been boys of some seven years old, but from the solemnity of their countenances, might have passed for a brace of ancient philosophers. They looked so much alike that Morton thought he saw double. Each was seated on a volume of Clark's Commentaries, to raise his chin to the needful height above the table cloth. Both were encased in tunics, strapped about them with shining morocco belts. Their small persons were terminated at one end by morocco shoes of somewhat infantile pattern, and at the other by enormous heads, with chalky complexions, pale, dilated eyes, wrinkled foreheads, and mouths pursed up with an expression of anxious care, abstruse meditation, and the most experienced wisdom. In amazement at these phenomena, Morton turned next towards the fourth member of the party; and here he encountered a new emotion, of a kind quite different. Hitherto, in his college seclusion, he had not very often met, except in imagination, with that union of beauty, breeding, and refinement which belongs to the best life of cities, and which he now saw in the person of a young lady, a year or two his junior. He longed for a pretext to address her, but found none; when her father--for such he seemed--broke silence, and accosted him. "I beg your pardon; is it possible that you are the son of John Morton?" "Yes." "He was my father's old friend. I thought I could scarcely mistake your likeness to your mother." "I believe I have the pleasure of speaking to Colonel Leslie." Leslie inclined his head. "My title clings to me, I find, though I have no right to it now." He had left the army long before, exchanging the rough frontier service for pursuits more to his taste. "Upon my word," pursued Leslie, after conversing for some time with the new comer on the scenery and game of the mountains
919.448111
2023-11-16 18:32:23.5303640
2,687
13
Produced by Chris Curnow, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: CHELMSFORD HIGH STREET IN 1762. (_Reduced by Photography from the Larger Engraving by J. Ryland._)] THE TRADE SIGNS OF ESSEX: A Popular Account OF THE ORIGIN AND MEANINGS OF THE Public House & Other Signs NOW OR FORMERLY Found in the County of Essex. BY MILLER CHRISTY, _Author of “Manitoba Described,” “The Genus Primula in Essex,” “Our Empire,” &c._ WITH ILLUSTRATIONS. Chelmsford: EDMUND DURRANT & CO., 90, HIGH STREET. London: GRIFFITH, FARRAN, OKEDEN, AND WELSH, WEST CORNER ST. PAUL’S CHURCHYARD. MDCCCLXXXVII. [Illustration] PREFACE. “Prefaces to books [says a learned author] are like signs to public-houses. They are intended to give one an idea of the kind of entertainment to be found within.” A student of the ancient and peculiarly interesting Art of Heraldry can hardly fail, at an early period in his researches, to be struck with the idea that some connection obviously exists between the various “charges,” “crests,” “badges,” and “supporters” with which he is familiar, and the curious designs now to be seen upon the sign-boards of many of our roadside inns, and which were formerly displayed by most other houses of business. On first noticing this relationship when commencing the study of Heraldry, somewhere about the year 1879, it occurred to me that the subject was well worth following up. It seemed to me that much interesting information would probably be brought to light by a careful examination of the numerous signs of my native county of Essex. Still more desirable did this appear when, after careful inquiry, I found that (so far as I was able to discover) no more than three systematic treatises upon the subject had ever been published. First and foremost among these stands Messrs. Larwood and Hotten’s _History of Sign-boards_,[1] a standard work which is evidently the result of a very large amount of labour and research. I do not wish to conceal the extent to which I am indebted to it. It is, however, to be regretted that the authors should have paid so much attention to London signs, to the partial neglect of those in other parts of the country, and that they should not have provided a more complete index; but it is significant of the completeness of their work that the other two writers upon the subject have been able to add very little that is new, beside mere local details. A second dissertation upon the origin and use of trade-signs is to be found in a most interesting series of articles upon the signs of the Town of Derby, contributed to the _Reliquary_[2] in 1867 by the late Mr. Llewellyn Jewitt, F.S.A., the editor of that magazine; while the third and last source of information is to be found in a lengthy pamphlet by Mr. Wm. Pengelly, F.R.S., treating in detail of the Devonshire signs.[3] On the Continent the literature of signs is much more voluminous. Among the chief works may be mentioned Mons. J. D. Blavignac’s _Histoire des Enseignes d’Hôtelleries, d’Auberges, et de Cabarets_;[4] Mons. Edouard Fournier’s _Histoire des Enseignes de Paris_;[5] and Mons. Eustache de La Quérière’s _Recherches Historiques sur les Enseignes des Maisons Particulières_.[6] It should be pointed out here that, although in what follows a good deal has been said as to the age and past history of many of the best-known Essex inns, this is, strictly speaking, a treatise on Signs and Sign-boards only. The two subjects are, however, so closely connected that I have found it best to treat them as one. There will, doubtless, be many who will say that much of what I have hereafter advanced is of too speculative a nature to be of real value. They will declare, too, that I have shown far too great a readiness to ascribe to an heraldic origin, signs which are at least as likely to have been derived from some other source. To these objections I may fairly reply that as, in most cases, no means now exist of discovering the precise mode of origination, centuries ago, of many of our modern signs, it is impossible to do much more than speculate as to their derivation; and the fact that it has been found possible to ascribe such large numbers to a probable heraldic origin affords, to my thinking, all the excuse that is needed for so many attempts having been made to show that others have been derived from the same source. No one is more fully aware than I am of the incompleteness of my work. Many very interesting facts relating to Essex inns and their signs have unquestionably been omitted. But the search after all such facts is practically an endless one. If, for instance, I had been able to state the history of all the inns and their signs in every town and village in the county with the completeness with which (thanks to Mr. H. W. King) I have been enabled to treat those of Leigh, I should have swelled my book to encyclopædic dimensions, and should have had to ask for it a prohibitory price. In a treatise involving such an immense amount of minute detail, it is impossible to avoid some errors. My hope is, however, that these are not many. I shall always be glad to have pointed out to me any oversights which may be detected, and I shall be not less glad at all times to receive any additional facts which my readers may be kind enough to send me. I regret that it has been necessary to make use of some old heraldic terms which the general reader will probably not at first understand. This, however, was quite unavoidable. The meaning of these terms will be at once made clear on reference to the Glossary given at the end of the work, as an Appendix. According to the list given in the last edition of the _Essex Post Office Directory_ there are now existing in the county no less than one thousand, three hundred and fifty-five inns and public-houses. The signs of all these have been classified, arranged under various headings, and treated of in turn, together with a very large number of others which have existed in the county during the last two centuries and a half, but have now disappeared. Information as to these has been collected by means of a careful examination of the trade-tokens of the seventeenth century, old Essex Directories, early books and pamphlets relating to the county, old deeds and records, the early issues of the _Chelmsford Chronicle_ (now the _Essex County Chronicle_), and other newspapers, &c., &c. Altogether it will be found I have been able to enumerate no less than 693 distinct signs as now or formerly occurring in Essex. I am indebted to a large number of gentlemen who have most kindly assisted me by supplying me with information, suggestions, &c., during the eight years I have been gathering material for the present book. First and foremost among these I must mention Mr. H. W. King of Leigh, Hon. Secretary to the Essex Archæological Society, who, as he says, “knows the descent of nearly every house and plot of ground in the parish for two or three generations, and the name of every owner.” Among other gentlemen to whom I am indebted in varying degrees, I may mention Mr. G. F. Beaumont, Mr. Fred. Chancellor, that veteran Essex archæologist Mr. Joseph Clarke, F.S.A., Mr. Wm. Cole, F.E.S., Hon. Secretary of the Essex Field Club, Mr. Thos. B. Daniell, the Rev. H. L. Elliot, Mr. C. K. Probert, Mr. G. N. Maynard, Mr. H. Ecroyd Smith, and others, I have also to express my thanks to the following gentlemen, magistrates’ clerks to the various Petty Sessional Divisions of Essex, who have most kindly supplied me with lists of such beer-houses as have signs in their respective divisions:--Messrs. A. J. Arthy (Rochford), Jos. Beaumont (Dengie), W. Bindon Blood (Witham), J. and J. T. Collin (Saffron Walden), G. Creed (Epping and Harlow), Augustus Cunnington (Freshwell and South Hinckford), W. W. Duffield (Chelmsford), H. S. Haynes (Havering), A. H. Hunt (Orsett), and Chas. Smith (Ongar). I have also to thank the Essex Archæological Society for the use of the four blocks of the De Vere badges appearing on p. 70; the Essex Field Club for that of the Rose Inn, Peldon, on p. 118; Messrs. Chambers & Sons of 22, Wilson Street, Finsbury, for that of the Brewers’ Arms on p. 32; Messrs. Couchman & Co. of 14, Throgmorton Street, E.C., for that of the Drapers’ Arms on p. 40; and the Brewers’, Drapers’ and Butchers’ Companies for kindly allowing me to insert cuts of their arms. To my cousin, Miss S. Christy, I am indebted for kindly drawing the illustrations appearing on pp. 87 and 140. Portions of the Introduction and other parts of the book have already appeared in an altered form in _Chambers’s Journal_ (Jan., 1887, p. 785), and I am indebted to the editor for permission to reprint. Finally, I have to thank the Subscribers, who, by kindly ordering copies, have diminished the loss which almost invariably attends the publication of works of this nature. As the book has already extended to considerably more space than was originally intended, I trust the Subscribers will excuse the omission of the customary list. [Illustration: signature of _Miller Christy_] CHELMSFORD, _February 1, 1887_. [Illustration] [Illustration] CONTENTS. CHAPTER I. PAGE INTRODUCTION 1 CHAPTER II. HERALDIC SIGNS 29 CHAPTER III. MAMMALIAN SIGNS 46 CHAPTER IV. ORNITHOLOGICAL SIGNS 91 CHAPTER V. PISCATORY, INSECT, AND REPTILIAN SIGNS 103 CHAPTER VI. BOTANICAL SIGNS 107 CHAPTER VII. HUMAN SIGNS 120 CHAPTER VIII. NAUTICAL SIGNS 134 CHAPTER IX. ASTRONOMICAL SIGNS 148 CHAPTER X. MISCELLANEOUS SIGNS 153 GLOSSARY OF HERALDIC TERMS USED 176 INDEX TO NAMES OF SIGNS, &C. 177 [Illustration] The Trade Signs of Essex. CHAPTER I. _INTRODUCTION._ “The county god,... Whose blazing wyvern weather-cocked the spire, Stood from his walls, and winged his entry-gates, And swang besides on many a windy sign.” TENNYSON: _Aylmer’s Field_. The use of signs as a means of distinguishing different houses of business, is a custom which has come down to us from times of great antiquity. Nevertheless,
919.550404
2023-11-16 18:32:23.6312060
189
9
Produced by Jonathan Ingram, Turgut Dincer and the Online Distributed Proofreading Team at http://www.pgdp.net +----------------------------------------------------------+ | Transcriber's note: | | | | The combination "vv" which occurs at some places for | | "w" and the word "Jonick" used sometimes for "Ionick" | | has been kept to conserve the original appearance of the | | book. No changes have been made in the text except the | | correction of obvious typos. | +----------------------------------------------------------+ [Illustration: ARCHITECTVRE 1692] AN ABRIDGMENT OF THE ARCHITECTURE OF VITRUVIUS. CONTAINING A System of the whole WORKS
919.651246
2023-11-16 18:32:23.7461430
2,980
7
Produced by Al Haines. MATINS Francis Sherman [Illustration: Title page decoration] BOSTON COPELAND AND DAY MDCCCXCVI COPYRIGHT 1896 BY COPELAND AND DAY TO MY FATHER CONTENTS At the Gate A Life At Matins Ave The Foreigner Cadences Easter-Song The Rain A Memory Among the Hills To Summer The Path The Last Flower After Harvest Heat in September On the Hillside Summer Dying A November Vigil Nunc Dimittis Between the Battles The Quiet Valley The Kingfisher The Conqueror The King's Hostel Between the Winter and the Spring The Mother The Window of Dreams The Relief of Wet Willows The Builder Te Deum Laudamus AT THE GATE Swing open wide, O Gate, That I may enter in And see what lies in wait For me who have been born! Her word I only scorn Who spake of death and sin. I know what is behind Your heavy brazen bars; I heard it of the wind Where I dwelt yesterday: The wind that blows alway Among the ancient stars. Life is the chiefest thing The wind brought knowledge of, As it passed, murmuring: Life, with its infinite strength, And undiminished length Of years fulfilled with love. The wind spake not of sin That blows among the stars; And so I enter in (Swing open wide, O Gate!) Fearless of what may wait Behind your heavy bars. A LIFE I. _Let us rise up and live!_ Behold, each thing Is ready for the moulding of our hand. Long have they all awaited our command; None other will they ever own for king. Until we come no bird dare try to sing, Nor any sea its power may understand; No buds are on the trees; in every land Year asketh year some tidings of some Spring. Yea, it is time,--high time we were awake! Simple indeed shall life be unto us. What part is ours?--To take what all things give; To feel the whole world growing for our sake; To have sure knowledge of the marvellous; To laugh and love.--_Let us rise up and live!_ II. _Let us rule well and long_. We will build here Our city in the pathway of the sun. On this side shall this mighty river run; Along its course well-laden ships shall steer. Beyond, great mountains shall their crests uprear, That from their sides our jewels may be won. Let all you toil! Behold, it is well done; Under our sway all far things fall and near! All time is ours! _Let us rule long and well!_ So we have reigned for many a long, long day. No change can come.... What hath that slave to tell, Who dares to stop us on our royal way? "O King, last night within thy garden fell, From thine own tree, a rose whose leaves were gray." III. _Let us lie down and sleep!_ All things are still, And everywhere doth rest alone seem sweet. No more is heard the sound of hurrying feet Athrough the land their echoes once did fill. Even the wind knows not its ancient will, For each ship floats with undisturbed sheet: Naught stirs except the Sun, who hastes to greet His handmaiden, the utmost western hill. Ah, there the glory is! O west of gold! Once seemed our life to us as glad and fair; We knew nor pain nor sorrow anywhere! O crimson clouds! O mountains autumn-stoled! Across even you long shadows soon must sweep. We too have lived. _Let us lie down and sleep!_ IV. _Nay, let us kneel and pray!_ The fault was ours, O Lord! No other ones have sinned as we. The Spring was with us and we praised not thee; We gave no thanks for Summer's strangest flowers. We built us many ships, and mighty towers, And held awhile the whole broad world in fee: Yea, and it sometime writhed at our decree! The stars, the winds,--all they were subject-powers. All things we had for slave. We knew no God; We saw no place on earth where His feet trod-- This earth, where now the Winter hath full sway, Well shrouded under cold white snows and deep. We rose and lived; we ruled; yet, ere we sleep, O Unknown God,--_Let us kneel down and pray!_ AT MATINS Because I ever have gone down Thy ways With joyous heart and undivided praise, I pray Thee, Lord, of Thy great loving-kindness, Thou'lt make to-day even as my yesterdays!" (At the edge of the yellow dawn I saw them stand, Body and Soul; and they were hand-in-hand: The Soul looked backward where the last night's blindness Lay still upon the unawakened land; But the Body, in the sun's light well arrayed, Fronted the east, grandly and unafraid: I knew that it was one might never falter Although the Soul seemed shaken as it prayed.) "O Lord" (the Soul said), "I would ask one thing: Send out Thy rapid messengers to bring Me to the shadows which about Thine altar Are ever born and always gathering. "For I am weary now, and would lie dead Where I may not behold my old days shed Like withered leaves around me and above me; Hear me, O Lord, and I am comforted!" "O Lord, because I ever deemed Thee kind" (The Body's words were borne in on the wind); "Because I knew that Thou wouldst ever love me Although I sin, and lead me who am blind; Because of all these things, hear me who pray! Lord, grant me of Thy bounty one more day To worship Thee, and thank Thee I am living. Yet if Thou callest now, I will obey." (The Body's hand tightly the Soul did hold; And over them both was shed the sun's red gold; And though I knew this day had in its giving Unnumbered wrongs and sorrows manifold, I counted it a sad and bitter thing That this weak, drifting Soul must alway cling Unto this Body--wrought in such a fashion It must have set the gods, even, marvelling. And, thinking so, I heard the Soul's loud cries, As it turned round and saw the eastern skies) "O Lord, destroy in me this new-born passion For this that has grown perfect in mine eyes! "O Lord, let me not see this thing is fair, This Body Thou hast given me to wear,-- Lest I fall out of love with death and dying, And deem the old, strange life not hard to bear! "Yea, now, even now, I love this Body so-- O Lord, on me Thy longest days bestow! O Lord, forget the words I have been crying, And lead me where Thou thinkest I should go!" (At the edge of the open dawn I saw them stand, Body and Soul, together, hand-in-hand, Fulfilled, as I, with strong desire and wonder As they beheld the glorious eastern land; I saw them, in the strong light of the sun, Go down into the day that had begun; I knew, as they, that night might never sunder This Body from the Soul that it had won.) AVE! To-morrow, and a year is born again! (To-day the first bud wakened 'neath the snow.) Will it bring joys the old year did not know, Or will it burthen us with the old pain? Shall we seek out the Spring--to see it slain? Summer,--and learn all flowers have ceased to grow? Autumn,--and find it overswift to go? (The memories of the old year yet remain.) To-morrow, and another year is born! (Love liveth yet, O Love, we deemed was dead!) Let us go forth and welcome in the morn, Following bravely on where Hope hath led. (O Time, how great a thing thou art to scorn!) O Love, we shall not be uncomforted! THE FOREIGNER He walked by me with open eyes, And wondered that I loved it so; Above us stretched the gray, gray skies; Behind us, foot-prints on the snow. Before us slept a dark, dark wood. Hemlocks were there, and little pines Also; and solemn cedars stood In even and uneven lines. The branches of each silent tree Bent downward, for the snow's hard weight Was pressing on them heavily; They had not known the sun of late. (Except when it was afternoon, And then a sickly sun peered in A little while; it vanished soon And then they were as they had been.) There was no sound (I thought I heard The axe of some man far away) There was no sound of bee, or bird, Or chattering squirrel at its play. And so he wondered I was glad. --There was one thing he could not see; Beneath the look these dead things had I saw Spring eyes agaze at me. CADENCES (Mid-Lent) The low, gray sky curveth from hill to hill, Silent and all untenanted; From the trees also all glad sound hath fled, Save for the little wind that moaneth still Because it deemeth Earth is surely dead. For many days no woman hath gone by, Her gold hair knowing, as of old, The wind's caresses and the sun's kind gold; --Perchance even she hath thought it best to die Because all things are sad things to behold. (Easter Morning) She cometh now, with the sun's splendid shine On face and limbs and hair! Ye who are watching, have ye seen so fair A Lady ever as this one is of mine? Have ye beheld her likeness anywhere? See, as she cometh unrestrained and fleet Past the thrush-haunted trees, How glad the lilies are that touch her knees! How glad the grasses underneath her feet! And how even I am yet more glad than these! EASTER-SONG Maiden, awake! For Christ is born again! And let your feet disdain The paths whereby of late they have been led. Now Death itself is dead, And Love hath birth, And all things mournful find no place on earth. This morn ye all must go another way Than ye went yesterday. Not with sad faces shall ye silent go Where He hath suffered so; But where there be Full many flowers shall ye wend joyfully. Moreover, too, ye must be clad in white, As if the ended night Were but your bridal-morn's foreshadowing. And ye must also sing In angel-wise: So shall ye be most worthy in His eyes. Maidens, arise! I know where many flowers Have grown these many hours To make more perfect this glad Easter-day; Where tall white lilies sway On slender stem, Waiting for you to come and garner them; Where banks of mayflowers are, all pink and white, Which will Him well delight; And yellow buttercups, and growing grass Through which the Spring winds pass; And mosses wet, Well strown with many a new-born violet. All these and every other flower are here. Will ye not draw anear And gather them for Him, and in His name, Whom all men now proclaim Their living King? Behold how all these wait your harvesting! Moreover, see the darkness of His house! Think ye that He allows Such glory of glad color and perfume, But to destroy the gloom That hath held fast His altar-place these many days gone past? For this alone these blossoms had their birth,-- To show His perfect worth! Therefore, O Maidens, ye must go apace To that strange garden-place And gather all These living flowers for His high festival. For now hath come the long-desired day, Wherein Love hath full sway! Open the gates, O ye who guard His home, His handmaidens are come! Open them wide, That all may enter in this Easter-tide! Then, maidens, come, with song and lute-playing, And all your wild flowers bring And strew them on His altar; while the sun-- Seeing what hath been done-- Shines
919.766183
2023-11-16 18:32:23.7817120
1,206
14
Produced by Shaun Pinder, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) KIT AND KITTY LONDON: PRINTED BY GILBERT AND RIVINGTON, LD., ST. JOHN’S HOUSE, CLERKENWELL ROAD, E.C. KIT AND KITTY A Story of West Middlesex BY R. D. BLACKMORE AUTHOR OF LORNA DOONE, SPRINGHAVEN, CHRISTOWELL, ETC. “Si tu Caia, ego Caius.” _NEW AND CHEAPER EDITION_ LONDON SAMPSON LOW, MARSTON & COMPANY _Limited_ St. Dunstan’s House FETTER LANE, FLEET STREET, E.C. 1894 [_All rights reserved_] BY THE SAME AUTHOR. _Crown 8vo. 6s. each in handsome uniform cloth binding._ ALICE LORRAINE.* CLARA VAUGHAN.* LORNA DOONE.* CHRISTOWELL.* CRADOCK NOWELL.* CRIPPS THE CARRIER.* MARY ANERLEY.* TOMMY UPMORE. SPRINGHAVEN. KIT AND KITTY. _Volumes marked * can be had in boards, 2s.; cloth, 2s. 6d. each._ Crown 4to. about 530 pp., with very numerous full-page and other Illustrations, cloth extra, gilt edges, 31_s._ 6_d._, very handsomely bound in vellum, 35_s._, an _Edition de Luxe_ of LORNA DOONE. Beautifully illustrated Edition. (A choice presentation volume.) SPRINGHAVEN: a Tale of the Great War. By R. D. BLACKMORE, author of ‘Lorna Doone.’ With 64 Illustrations by ALFRED PARSONS and F. BARNARD. Square demy 8vo. cloth extra, gilt edges, price 12_s._ and 7_s._ 6_d._ LONDON: SAMPSON LOW, MARSTON & COMPANY, _Limited_, St. Dunstan’s House, Fetter Lane, Fleet Street, E.C. CONTENTS. CHAPTER PAGE I.—UNCLE CORNY 1 II.—MY KITTY 3 III.—THE TIMBER-BRIDGE 7 IV.—PEACHES, AND PEACHING 12 V.—A LITTLE TIFF 18 VI.—THE BEAUTIES OF NATURE 22 VII.—DE GUSTIBUS 29 VIII.—BAD COUNSEL 37 IX.—A DOG VIOLATE 42 X.—AN UPWARD STROKE 50 XI.—THE FINE ARTS 55 XII.—AN EMPTY PILE 61 XIII.—MY UNCLE BEGINS 67 XIV.—AND ENDS WITH A MORAL 74 XV.—MORAL SUPPORT 82 XVI.—TRUE LOVE 89 XVII.—TRUE FATHER 96 XVIII.—FALSE MOTHER 102 XIX.—DOE DEM. ROE 109 XX.—AUNT PARSLOW 115 XXI.—A TULIP BLOOM 122 XXII.—COLDPEPPER HALL 128 XXIII.—AT BAY, AND IN THE BAY 135 XXIV.—HARO! 141 XXV.—ON THE SHELF 149 XXVI.—A DOWNY COVE 155 XXVII.—OFF THE SHELF 162 XXVIII.—OUT OF ALL REASON 168 XXIX.—A FINE TIP 175 XXX.—BASKETS 183 XXXI.—THE GIANT OF THE HEATH 189 XXXII.—A DREAM 199 XXXIII.—URGENT MEASURES 206 XXXIV.—TWO TO ONE 214 XXXV.—UNDER THE GARDEN WALL 216 XXXVI.—FROST IN MAY 229 XXXVII.—COLD COMFORT 233 XXXVIII.—NONE 241 XXXIX.—ON TWO CHAIRS 248 XL.—JOB’S COMFORT 256 XLI.—TRUE COMFORT 262 XLII.—BEHIND THE FIDDLE 268 XLIII.—THE GREAT LADY 275 XLIV.—MET AGAIN 282 XLV.—ROGUES FALL OUT 288 XLVI.—TONY TONKS 296 XLVII.—TOADSTOOLS 303 XLVIII.—THE DUCHESS 310 XLIX.—CRAFTY, AND SIMPLE 317 L.—A POCKETFUL OF MONEY 325 LI.—NOT IN A HURRY 332 LII.—A WANDERING GLEAM 338 LIII.—A BAD
919.801752
2023-11-16 18:32:23.8274710
4,019
6
Produced by David Widger HISTORY OF FRIEDRICH II. OF PRUSSIA FREDERICK THE GREAT By Thomas Carlyle TABLE OF CONTENTS BOOKS CHAPTERS 22 VOLUMES Project Gutenberg Editor's Note Reproofing this old Project Gutenberg edition of the History of Frederick the Great has been both rewarding and disappointing. Each of the first 21 original volumes had many hundreds of errors corrected--many remain. The editor was fortunate to have a good printed set of all 22 volumes available for reference when there were questions in the etext. The original PG edition had some severe basic problems: two of the most important were first, that the etext was posted in the ASCII character set--a heavy defect in books full of words in German; and second, the footnotes were not marked as such in the etext but rather the footnote material was simply inserted into the main text making it impossible most of the time to tell what is text and what footnote. Another of the peculiarities in this set: many words are a combination of lower and upper case--likely done in the original contributor's print copy for emphasis of certain syllables. In spite of the many months taken in correcting the 22 volumes, they are reposted with regret they are not better and with the realization the renovated edition is a poor representation of this great work. This reposting I consider an interim step, with the hope another volunteer will someday produce a new PG edition from new scans saved in unicode or Latin-1 with linked footnotes--a project I am unlikely to have time to accomplish. David Widger June 12, 2008 BOOKS BOOK I. -- BIRTH AND PARENTAGE. - 1712. BOOK II. -- OF BRANDENBURG AND THE HOHENZOLLERNS. - 928-1417. BOOK III. -- THE HOHENZOLLERNS IN BRANDENBURG. - 1412-1718 BOOK IV. -- FRIEDRICH'S APPRENTICESHIP, FIRST STAGE. - 1713-1728. BOOK V. -- DOUBLE-MARRIAGE PROJECT, AND WHAT ELEMENT IT FELL INTO. - 1723-1726. BOOK VI. -- DOUBLE-MARRIAGE PROJECT, AND CROWN-PRINCE, GOING ADRIFT UNDER THE STORM-WINDS. - 1727-1730. BOOK VII. -- FEARFUL SHIPWRECK OF THE DOUBLE-MARRIAGE PROJECT. - Feb.- Nov., 1730. BOOK VIII. -- CROWN-PRINCE REPRIEVED: LIFE AT CUSTRIN - Nov. 1730- February, 1732. BOOK IX. -- LAST STAGE OF FRIEDRICH'S APPRENTICESHIP: LIFE IN RUPPIN. - 1732-1736. BOOK X. -- AT REINSBERG. - 1736-1740. BOOK XI. -- FRIEDRICH TAKES THE REINS IN HAND. -- June-December, 1740. BOOK XII. -- FIRST SILESIAN WAR, AWAKENING A GENERAL EUROPEAN ONE, BEGINS. -- December, 1740-May, 1741. BOOK XIII. -- FIRST SILESIAN WAR, LEAVING THE GENERAL EUROPEAN ONE ABLAZE ALL ROUND, GETS ENDED. -- May, 1741-July, 1742. TABLE OF CONTENTS OF ALL CHAPTERS BOOK I. -- BIRTH AND PARENTAGE. -- 1712. Chapter I. -- PROEM: FRIEDRICH'S HISTORY FROM THE DISTANCE WE ARE AT. 1. FRIEDRICH THEN, AND FRIEDRICH NOW. 2. EIGHTEENTH CENTURY. 3. ENGLISH PREPOSSESSIONS. 4. ENCOURAGEMENTS, DISCOURAGEMENTS. Chapter II. -- FRIEDRICH'S BIRTH. Chapter III. -- FATHER AND MOTHER: THE HANOVERIAN CONNECTION. Chapter IV. -- FATHER'S MOTHER. Chapter V. -- KING FRIEDRICH I. BOOK II. -- OF BRANDENBURG AND THE HOHENZOLLERNS. - 928-1417. Chapter I. -- BRANNIBOR: HENRY THE FOWLER. Chapter II. -- PREUSSEN: SAINT ADALBERT. Chapter III. -- MARKGRAVES OF BRANDENBURG. END OF THE FIRST SHADOWY LINE. SECOND SHADOWY LINE. SUBSTANTIAL MARKGRAVES: GLIMPSE OF THE CONTEMPORARY KAISERS. Chapter IV. -- ALBERT THE BEAR. Chapter V. -- CONRAD OF HOHENZOLLERN; AND KAISER BARBAROSSA. CONRAD HAS BECOME BURGGRAF OF NURNBERG (A.D. 1170). OF THE HOHENZOLLERN BURGGRAVES GENERALLY. Chapter VI. -- THE TEUTSCH RITTERS OR TEUTONIC ORDER. HEAD OF TEUTSCH ORDER MOVES TO VENICE. TEUTSCH ORDER ITSELF GOES TO PREUSSEN. THE STUFF TEUTSCH RITTERS WERE MADE OF CONRAD OF THURINGEN: SAINT ELIZABETH; TOWN OF MARBURG. Chapter VII. -- MARGRAVIATE OF CULMBACH: BAIREUTH, ANSPACH. BURGGRAF FRIEDRICH III.; AND THE ANARCHY OF NINETEEN YEARS. KAISER RUDOLF AND BURGGRAF FRIEDRICH III. Chapter VIII. -- ASCANIER MARKGRAVES IN BRANDENBURG. OF BERLIN CITY. MARKGRAF OTTO IV., OR OTTO WITH THE ARROW Chapter IX. -- BURGGRAF FRIEDRICH IV. CONTESTED ELECTIONS IN THE REICH: KAISER ALBERT I.; AFTER WHOM SIX NON-HAPSBURG KAISERS. OF KAISER HENRY VII. AND THE LUXEMBURG KAISERS. HENRY'S SON JOHANN IS KING OF BOHEMIA; AND LUDWIG THE BAVARIAN, WITH A CONTESTED ELECTION, IS KAISER. Chapter X. -- BRANDENBURG LAPSES TO THE KAISER. Chapter XI. -- BAYARIAN KURFURSTS IN BRANDENBURG. A RESUSCITATED ASCANIER; THE FALSE WALDEMAR. MARGARET WITH THE POUCH-MOUTH. Chapter XII. -- BRANDENBURG IN KAISER KARL'S TIME; END OF THE BAVARIAN KURFURSTS. END OF RESUSCITATED WALDEMAR; KURFURST LUDWIG SELLS OUT. SECOND, AND THEN THIRD AND LAST, OF THE BAVARIAN KURFURSTS IN BRANDENBURG. Chapter XIII. -- LUXEMBURG KURFURSTS IN BRANDENBURG. Chapter XIV. -- BURGGRAF FRIEDRICH VI. SIGISMUND IS KURFURST OF BRANDENBURG, BUT IS KING OF HUNGARY ALSO. COUSIN JOBST HAS BRANDENBURG IN PAWN. BRANDENBURG IN THE HANDS OF THE PAWNBROKERS; RUPERT OF THE PFALZ IS KAISER. SIGISMUND, WITH A STRUGGLE, BECOMES KAISER. BRANDENBURG IS PAWNED FOR THE LAST TIME. THE SEVEN INTERCALARY OR NON-HAPSBURG KAISERS. BOOK III. -- THE HOHENZOLLERNS IN BRANDENBURG. - 1412-1718 Chapter I. -- KURFURST FRIEDRICH I. Chapter II. -- MATINEES DU ROI DE PRUSSE. Chapter III. -- KURFURST FRIEDRICH II. Chapter IV. -- KURFURST ALBERT ACHILLES, AND HIS SUCCESSOR. JOHANN THE CICERO IS FOURTH KURFURST, AND LEAVES TWO NOTABLE SONS. Chapter V. -- OF THE BAIREUTH-ANSPACH BRANCH. TWO LINES IN CULMBACH OR BAIREUTH-ANSPACH: THE GERA BOND OF 1598. THE ELDER LINE OF CULMBACH: FRIEDRICH AND HIS THREE NOTABLE SONS THERE. FRIEDRICH'S SECOND SON, MARGRAF GEORGE OF ANSPACH. Chapter VI. -- HOCHMEISTER ALBERT, THIRD NOTABLE SON OF FRIEDRICH. Chapter VII. -- ALBERT ALCIBIADES. Chapter VIII. -- HISTORICAL MEANING OF THE REFORMATION. Chapter IX. -- KURFURST JOACHIM I. Chapter X. -- KURFURST JOACHIM II. JOACHIM GETS CO-INVESTMENT IN PREUSSEN. JOACHIM MAKES "HERITAGE-BROTHERHOOD" WITH THE DUKE OF LIEGNITZ. Chapter XI. -- SEVENTH KURFURST, JOHANN GEORGE. Chapter XII. -- OF ALBERT FRIEDRICH, THE SECOND DUKE OF PREUSSEN. OF DUKE ALBERT FRIEDRICH'S MARRIAGE: WHO HIS WIFE WAS, AND WHAT HER POSSIBLE DOWRY. MARGRAF GEORGE FRIEDRICH COMES TO PREUSSEN TO ADMINISTER. Chapter XIII. -- NINTH KURFURST, JOHANN SIGISMUND. HOW THE CLEVE HERITAGE DROPPED, AND MANY SPRANG TO PICK IT UP. THE KAISER'S THOUGHTS ABOUT IT, AND THE WORLD'S. Chapter XIV. -- SYMPTOMS OF A GREAT WAR COMING. FIRST SYMPTOM; DONAUWORTH, 1608. SYMPTOM THIRD: A DINNER-SCENE AT DUSSELDORF, 1613: SPANIARDS AND DUTCH SHOULDER ARMS IN CLEVE. SYMPTOM FOURTH, AND CATASTROPHE UPON THE HEELS OF IT. WHAT BECAME OF THE CLEVE-JULICH HERITAGE, AND OF THE PREUSSEN ONE. Chapter XV. -- TENTH KURFURST, GEORGE WILHELM. Chapter XVI. -- THIRTY-YEARS WAR. SECOND ACT, OR EPOCH, 1624-1629. A SECOND UNCLE PUT TO THE BAN, AND POMMERN SNATCHED AWAY. THIRD ACT, AND WHAT THE KURFURST SUFFERED IN IT. Chapter XVII. -- DUCHY OF JAGERNDORF. DUKE OF JAGERNDORF, ELECTOR'S UNCLE, IS PUT UNDER BAN. Chapter XVIII. -- FRIEDRICH WILHELM, THE GREAT KURFURST, ELEVENTH OF THE SERIES. WHAT BECAME OF POMMERN AT THE PEACE; FINAL GLANCE INTO CLEVE- JULICH. THE GREAT KURFURST'S WARS: WHAT HE ACHIEVED IN WAR AND PEACE. Chapter XIX. -- KING FRIEDRICH I. AGAIN. HOW AUSTRIA SETTLED THE SILESIAN CLAIMS. HIS REAL CHARACTER. Chapter XX. -- DEATH OF KING FRIEDRICH I. THE TWELVE HOHENZOLLERN ELECTORS. GENEALOGICAL DIAGRAM: THE TWO CULMBACH LINES. BOOK IV. -- FRIEDRICH'S APPRENTICESHIP, FIRST STAGE. - 1713-1728. Chapter I. -- CHILDHOOD: DOUBLE EDUCATIONAL ELEMENT. FIRST EDUCATIONAL ELEMENT, THE FRENCH ONE. Chapter II. -- THE GERMAN ELEMENT. OF THE DESSAUER, NOT YET "OLD." Chapter III. -- FRIEDRICH WILHELM IS KING. Chapter IV. -- HIS MAJESTY'S WAYS. Chapter V. -- FRIEDRICH WILHELM'S ONE WAR. THE DEVIL IN HARNESS: CREUTZ THE FINANCE-MINISTER. Chapter VI. -- THE LITTLE DRUMMER. Chapter VII. -- TRANSIT OF CZAR PETER. Chapter VIII. -- THE CROWN-PRINCE IS PUT TO HIS SCHOOLING. Chapter IX. -- WUSTERHAUSEN. Chapter X. -- THE HEIDELBERG PROTESTANTS. OF KUR-PFALZ KARL PHILIP: HOW HE GOT A WIFE LONG SINCE, AND DID FEATS IN THE WORLD. KARL PHILIP AND HIS HEIDELBERG PROTESTANTS. FRIEDRICH WILHELM'S METHOD;--PROVES REMEDIAL IN HEIDELBERG. PRUSSIAN MAJESTY HAS DISPLEASED THE KAISER AND THE KING OF POLAND. Chapter XI. -- ON THE CROWN-PRINCE'S PROGRESS IN HIS SCHOOLING. THE NOLTENIUS-AND-PANZENDORF DRILL-EXERCISE. Chapter XII. -- CROWN-PRINCE FALLS INTO DISFAVOR WITH PAPA. Chapter XIII. -- RESULTS OF THE CROWN-PRINCE'S SCHOOLING. BOOK V. -- DOUBLE-MARRIAGE PROJECT, AND WHAT ELEMENT IT FELL INTO. -- 1723-1726. Chapter I. -- DOUBLE-MARRIAGE IS DECIDED ON. QUEEN SOPHIE DOROTHEE HAS TAKEN TIME BY THE FORELOCK. PRINCESS AMELIA COMES INTO THE WORLD. FRIEDRICH WILHELM'S TEN CHILDREN. Chapter II. -- A KAISER HUNTING SHADOWS. IMPERIAL MAJESTY ON THE TREATY OF UTRECHT. IMPERIAL MAJESTY HAS GOT HAPPILY WEDDED. IMPERIAL MAJESTY AND THE TERMAGANT OF SPAIN. IMPERIAL MAJESTY'S PRAGMATIC SANCTION. THIRD SHADOW: IMPERIAL MAJESTY'S OSTEND COMPANY. Chapter III. -- THE SEVEN CRISES OR EUROPEAN TRAVAIL-THROES. CONGRESS OF CAMBRAI. CONGRESS OF CAMBRAI GETS THE FLOOR PULLED FROM UNDER IT. FRANCE AND THE BRITANNIC MAJESTY TRIM THE SHIP AGAIN: HOW FRIEDRICH WILHELM CAME INTO IT. TREATY OF HANOVER, 1725. TRAVAIL-THROES OF NATURE FOR BABY CARLOS'S ITALIAN APANAGE; SEVEN IN NUMBER. Chapter IV. -- DOUBLE-MARRIAGE TREATY CANNOT BE SIGNED. Chapter V. -- CROWN-PRINCE GOES INTO THE POTSDAM GUARDS. OF THE POTSDAM GIANTS, AS A FACT. FRIEDRICH WILHELM'S RECRUITING DIFFICULTIES. QUEEN SOPHIE'S TROUBLES: GRUMKOW WITH THE OLD DESSAUER, AND GRUMKOW WITHOUT HIM. Chapter VI. -- ORDNANCE-MASTER SECKENDORF CROSSES THE PALACE ESPLANADE. Chapter VII. -- TOBACCO-PARLIAMENT. OF GUNDLING, AND THE LITERARY MEN IN TOBACCO-PARLIAMENT. Chapter VIII. -- SECKENDORF'S RETORT TO HER MAJESTY. BOOK VI. -- DOUBLE-MARRIAGE PROJECT, AND CROWN-PRINCE, GOING ADRIFT UNDER THE STORM-WINDS. -- 1727-1730. Chapter I. -- FIFTH CRISIS IN THE KAISER'S SPECTRE-HUNT. CROWN-PRINCE SEEN IN DRYASDUST'S GLASS, DARKLY. Chapter II. -- DEATH OF GEORGE I. HIS PRUSSIAN MAJESTY FALLS INTO ONE OF HIS HYPOCHONDRIACAL FITS. Chapter III. -- VISIT TO DRESDEN. THE PHYSICALLY STRONG PAYS HIS COUNTER-VISIT. OF PRINCESS WHILHELMINA'S FOUR KINGS AND OTHER INEFFECTUAL SUITORS. Chapter IV. -- DOUBLE-MARRIAGE PROJECT IS NOT DEAD. CROWN-PRINCE FRIEDRICH WRITES CERTAIN LETTERS. DOUBLE-MARRIAGE PROJECT RE-EMERGES IN AN OFFICIAL SHAPE. HIS MAJESTY SLAUGHTERS 3,602 HEAD OF WILD SWINE. FALLS ILL, IN CONSEQUENCE; AND THE DOUBLE-MARRIAGE CANNOT GET FORWARD. Chapter V. -- CONGRESS OF SOISSONS, SIXTH CRISIS IN THE SPECTRE-HUNT. Chapter VI. -- IMMINENCY OF WAR OR DUEL BETWEEN THE BRITANNIC AND PRUSSIAN MAJESTIES. CAUSE FIRST: THE HANOVER JOINT-HERITAGES, WHICH ARE NOT IN A LIQUID STATE. CAUSE SECOND: THE TROUBLES OF MECKLENBURG. CAUSES THIRD AND FOURTH:--AND CAUSE FIFTH, WORTH ALL THE OTHERS. TROUBLES OF MECKLENBURG, FOR THE LAST TIME. ONE NUSSLER SETTLES THE AHLDEN HERITAGES; SENDS THE MONEY HOME IN BOXES. Chapter VII. -- A MARRIAGE: NOT THE DOUBLE-MARRIAGE: CROWN-PRINCE DEEP IN TROUBLE. CROWN-PRINCE'S DOMESTICITIES SEEN IN A FLASH OF LIGHTNING. Chapter VIII. -- CROWN-PRINCE GETTING BEYOND HIS DEPTH IN TROUBLE. Chapter IX. -- DOUBLE-MARRIAGE SHALL BE OR SHALL NOT BE. WILHELMINA TO BE MARRIED OUT OF HAND. CRISIS FIRST: ENGLAND SHALL SAY YES OR SAY NO. DUBOURGAY STRIKES A LIGHT FOR THE ENGLISH COURT. WILHELMINA TO BE
919.847511
2023-11-16 18:32:23.8289200
2,357
7
This etext was prepared by Christopher Hapka, Sunnyvale, California Digital Editor's Note: Italics are represented in the text with _underscores_. In the interest of readability, where italics are used to indicate non-English words, I have silently omitted them or replaced them with quotation marks. Haggard's spelling, especially of Zulu terms, is wildly inconsistent; likewise his capitalization, especially of Zulu terms. For example, Masapo is the chief of the Amansomi until chapter IX; thereafter his tribe is consistently referred to as the "Amasomi". In general, I have retained Haggard's spellings. Some obvious spelling mistakes (as "Quartermain" for "Quatermain" in one instance) have been silently corrected. Some diacriticals in the text could not be represented in 7-bit ASCII text and have been approximated here. To restore all formatting, do the following throughout the text: Replace the pound symbol "#" with the English pound symbol Place an acute accent over the "e" in "Nombe", "acces", "Amawombe", and "fiance", and the first "e" in "Bayete" Place a circumflex accent over the "u" in "Harut" and the "o" in "role" Place a grave accent over the "a" and circumflex accents over the first and third "e" in "tete-a-tete" Replace "oe" with the oe ligature in "manoeuvring" FINISHED by H. RIDER HAGGARD DEDICATION Ditchingham House, Norfolk, May, 1917. My dear Roosevelt,-- You are, I know, a lover of old Allan Quatermain, one who understands and appreciates the views of life and the aspirations that underlie and inform his manifold adventures. Therefore, since such is your kind wish, in memory of certain hours wherein both of us found true refreshment and companionship amidst the terrible anxieties of the World's journey along that bloodstained road by which alone, so it is decreed, the pure Peak of Freedom must be scaled, I dedicate to you this tale telling of the events and experiences of my youth. Your sincere friend, H. RIDER HAGGARD. To COLONEL THEODORE ROOSEVELT, Sagamore Hill, U.S.A. CONTENTS: I. ALLAN QUATERMAIN MEETS ANSCOMBE II. MR. MARNHAM III. THE HUNTERS HUNTED IV. DOCTOR RODD V. A GAME OF CARDS VI. MISS HEDA VII. THE STOEP VIII. RODD'S LAST CARD IX. FLIGHT X. NOMBE XI. ZIKALI XII. TRAPPED XIII. CETEWAYO XIV. THE VALLEY OF BONES XV. THE GREAT COUNCIL XVI. WAR XVII. KAATJE BRINGS NEWS XVIII. ISANDHLWANA XIX. ALLAN AWAKES XX. HEDA'S TALE XXI. THE KING VISITS ZIKALI XXII. THE MADNESS OF NOMBE XXIII. THE KRAAL JAZI INTRODUCTION This book, although it can be read as a separate story, is the third of the trilogy of which _Marie_ and _Child of Storm_ are the first two parts. It narrates, through the mouth of Allan Quatermain, the consummation of the vengeance of the wizard Zikali, alias The Opener of Roads, or "The-Thing-that-should-never-have-been-born," upon the royal Zulu House of which Senzangacona was the founder and Cetewayo, our enemy in the war of 1879, the last representative who ruled as a king. Although, of course, much is added for the purposes of romance, the main facts of history have been adhered to with some faithfulness. With these the author became acquainted a full generation ago, Fortune having given him a part in the events that preceded the Zulu War. Indeed he believes that with the exception of Colonel Phillips, who, as a lieutenant, commanded the famous escort of twenty-five policemen, he is now the last survivor of the party who, under the leadership of Sir Theophilus Shepstone, or Sompseu as the natives called him from the Zambesi to the Cape, were concerned in the annexation of the Transvaal in 1877. Recently also he has been called upon as a public servant to revisit South Africa and took the opportunity to travel through Zululand, in order to refresh his knowledge of its people, their customs, their mysteries, and better to prepare himself for the writing of this book. Here he stood by the fatal Mount of Isandhlawana which, with some details of the battle, is described in these pages, among the graves of many whom once he knew, Colonels Durnford, Pulleine and others. Also he saw Ulundi's plain where the traces of war still lie thick, and talked with an old Zulu who fought in the attacking Impi until it crumbled away before the fire of the Martinis and shells from the heavy guns. The battle of the Wall of Sheet Iron, he called it, perhaps because of the flashing fence of bayonets. Lastly, in a mealie patch, he found the spot on which the corn grows thin, where King Cetewayo breathed his last, poisoned without a doubt, as he has known for many years. It is to be seen at the Kraal, ominously named Jazi or, translated into English, "Finished." The tragedy happened long ago, but even now the quiet-faced Zulu who told the tale, looking about him as he spoke, would not tell it all. "Yes, as a young man, I was there at the time, but I do not remember, I do not know--the Inkoosi Lundanda (i.e., this Chronicler, so named in past years by the Zulus) stands on the very place where the king died--His bed was on the left of the door-hole of the hut," and so forth, but no certain word as to the exact reason of this sudden and violent death or by whom it was caused. The name of that destroyer of a king is for ever hid. In this story the actual and immediate cause of the declaration of war against the British Power is represented as the appearance of the white goddess, or spirit of the Zulus, who is, or was, called Nomkubulwana or Inkosazana-y-Zulu, i.e., the Princess of Heaven. The exact circumstances which led to this decision are not now ascertainable, though it is known that there was much difference of opinion among the Zulu Indunas or great captains, and like the writer, many believe that King Cetewayo was personally averse to war against his old allies, the English. The author's friend, Mr. J. Y. Gibson, at present the representative of the Union in Zululand, writes in his admirable history: "There was a good deal of discussion amongst the assembled Zulu notables at Ulundi, but of how counsel was swayed it is not possible now to obtain a reliable account." The late Mr. F. B. Fynney, F.R.G.S., who also was his friend in days bygone, and, with the exception of Sir Theophilus Shepstone, who perhaps knew the Zulus and their language better than any other official of his day, speaking of this fabled goddess wrote: "I remember that just before the Zulu War Nomkubulwana appeared revealing something or other which had a great effect throughout the land." The use made of this strange traditional Guardian Angel in the following tale is not therefore an unsupported flight of fancy, and the same may be said of many other incidents, such as the account of the reading of the proclamation annexing the Transvaal at Pretoria in 1877, which have been introduced to serve the purposes of the romance. Mameena, who haunts its pages, in a literal as well as figurative sense, is the heroine of _Child of Storm,_ a book to which she gave her own poetic title. 1916. THE AUTHOR. CHAPTER I ALLAN QUATERMAIN MEETS ANSCOMBE You, my friend, into whose hand, if you live, I hope these scribblings of mine will pass one day, must well remember the 12th of April of the year 1877 at Pretoria. Sir Theophilus Shepstone, or Sompseu, for I prefer to call him by his native name, having investigated the affairs of the Transvaal for a couple of months or so, had made up his mind to annex that country to the British Crown. It so happened that I, Allan Quatermain, had been on a shooting and trading expedition at the back of the Lydenburg district where there was plenty of game to be killed in those times. Hearing that great events were toward I made up my mind, curiosity being one of my weaknesses, to come round by Pretoria, which after all was not very far out of my way, instead of striking straight back to Natal. As it chanced I reached the town about eleven o'clock on this very morning of the 12th of April and, trekking to the Church Square, proceeded to outspan there, as was usual in the Seventies. The place was full of people, English and Dutch together, and I noted that the former seemed very elated and were talking excitedly, while the latter for the most part appeared to be sullen and depressed. Presently I saw a man I knew, a tall, dark man, a very good fellow and an excellent shot, named Robinson. By the way you knew him also, for afterwards he was an officer in the Pretoria Horse at the time of the Zulu war, the corps in which you held a commission. I called to him and asked what was up. "A good deal, Allan," he said as he shook my hand. "Indeed we shall be lucky if all isn't up, or something like it, before the day is over. Shepstone's Proclamation annexing the Transvaal is going to be read presently." I whistled and asked, "How will our Bo
919.84896
2023-11-16 18:32:23.8986220
2,548
9
Produced by Lisa Bennett A STRANGE DISAPPEARANCE By Anna Katharine Green OTHER BOOKS BY THIS AUTHOR The House of the Whispering Pines Miss Hurd. An Enigma Leavenworth Case That Affair Next Door Strange Disappearance Lost Man's Lane Sword of Damocles Agatha Webb Hand and Ring One of My Sons The Mill Mystery Defence of the Bride, Behind Closed Doors and Other Poems Cynthia Wakeham's Money Risifi's Daughter. A Drama Marked "Personal" The Golden Slipper To the Minute CONTENTS CHAPTER I A NOVEL CASE CHAPTER II A FEW POINTS CHAPTER III THE CONTENTS OF A BUREAU DRAWER CHAPTER IV THOMPSON'S STORY CHAPTER V A NEW YORK BELLE CHAPTER VI A BIT OF CALICO CHAPTER VII THE HOUSE AT THE GRANBY CROSS ROADS CHAPTER VIII A WORD OVERHEARD CHAPTER IX A FEW GOLDEN HAIRS CHAPTER X THE SECRET OF MR. BLAKE'S STUDIO CHAPTER XI LUTTRA CHAPTER XII A WOMAN'S LOVE CHAPTER XIII A MAN'S HEART CHAPTER XIV MRS. DANIELS CHAPTER XV A CONFAB CHAPTER XVI THE MARK OF THE RED CROSS CHAPTER XVII THE CAPTURE CHAPTER XVIII LOVE AND DUTY CHAPTER XIX EXPLANATIONS CHAPTER XX THE BOND THAT UNITES A STRANGE DISAPPEARANCE CHAPTER I. A NOVEL CASE "Talking of sudden disappearances the one you mention of Hannah in that Leavenworth case of ours, is not the only remarkable one which has come under my direct notice. Indeed, I know of another that in some respects, at least, surpasses that in points of interest, and if you will promise not to inquire into the real names of the parties concerned, as the affair is a secret, I will relate you my experience regarding it." The speaker was Q, the rising young detective, universally acknowledged by us of the force as the most astute man for mysterious and unprecedented cases, then in the bureau, always and of course excepting Mr. Gryce; and such a statement from him could not but arouse our deepest curiosity. Drawing up, then, to the stove around which we were sitting in lazy enjoyment of one of those off-hours so dear to a detective's heart, we gave with alacrity the required promise; and settling himself back with the satisfied air of a man who has a good story to tell that does not entirely lack certain points redounding to his own credit, he began: I was one Sunday morning loitering at the ----- Precinct Station, when the door opened and a respectable-looking middle-aged woman came in, whose agitated air at once attracted my attention. Going up to her, I asked her what she wanted. "A detective," she replied, glancing cautiously about on the faces of the various men scattered through the room. "I don't wish anything said about it, but a girl disappeared from our house last night, and"--she stopped here, her emotion seeming to choke her--"and I want some one to look her up," she went on at last with the most intense emphasis. "A girl? what kind of a girl; and what house do you mean when you say our house?" She looked at me keenly before replying. "You are a young man," said she; "isn't there some one here more responsible than yourself that I can talk to?" I shrugged my shoulders and beckoned to Mr. Gryce who was just then passing. She at once seemed to put confidence in him. Drawing him aside, she whispered a few low eager words which I could not hear. He listened nonchalantly for a moment but suddenly made a move which I knew indicated strong and surprised interest, though from his face--but you know what Gryce's face is. I was about to walk off, convinced he had got hold of something he would prefer to manage himself, when the Superintendent came in. "Where is Gryce?" asked he; "tell him I want him." Mr. Gryce heard him and hastened forward. As he passed me, he whispered, "Take a man and go with this woman; look into matters and send me word if you want me; I will be here for two hours." I did not need a second permission. Beckoning to Harris, I reapproached the woman. "Where do you come from," said I, "I am to go back with you and investigate the affair it seems." "Did he say so?" she asked, pointing to Mr. Gryce who now stood with his back to us busily talking with the Superintendent. I nodded, and she at once moved towards the door. "I come from No.---- Second Avenue: Mr. Blake's house," she whispered, uttering a name so well known, I at once understood Mr. Gryce's movement of sudden interest "A girl--one who sewed for us--disappeared last night in a way to alarm us very much. She was taken from her room--" "Yes," she cried vehemently, seeing my look of sarcastic incredulity, "taken from her room; she never went of her own accord; and she must be found if I spend every dollar of the pittance I have laid up in the bank against my old age." Her manner was so intense, her tone so marked and her words so vehement, I at once and naturally asked if the girl was a relative of hers that she felt her abduction so keenly. "No," she replied, "not a relative, but," she went on, looking every way but in my face, "a very dear friend--a--a--protegee, I think they call it, of mine; I--I--She must be found," she again reiterated. We were by this time in the street. "Nothing must be said about it," she now whispered, catching me by the arm. "I told him so," nodding back to the building from which we had just issued, "and he promised secrecy. It can be done without folks knowing anything about it, can't it?" "What?" I asked. "Finding the girl." "Well," said I, "we can tell you better about that when we know a few more of the facts. What is the girl's name and what makes you think she didn't go out of the house-door of her own accord?" "Why, why, everything. She wasn't the person to do it; then the looks of her room, and--They all got out of the window," she cried suddenly, "and went away by the side gate into ------ Street." "They? Who do you mean by they?" "Why, whoever they were who carried her off." I could not suppress the "bah!" that rose to my lips. Mr. Gryce might have been able to, but I am not Gryce. "You don't believe," said she, "that she was carried off?" "Well, no," said I, "not in the sense you mean." She gave another nod back to the police station now a block or so distant. "He did'nt seem to doubt it at all." I laughed. "Did you tell him you thought she had been taken off in this way?" "Yes, and he said, 'Very likely.' And well he might, for I heard the men talking in her room, and--" "You heard men talking in her room--when?" "O, it must have been as late as half-past twelve. I had been asleep and the noise they made whispering, woke me." "Wait," I said, "tell me where her room is, hers and yours." "Hers is the third story back, mine the front one on the same floor." "Who are you?" I now inquired. "What position do you occupy in Mr. Blake's house?" "I am the housekeeper." Mr. Blake was a bachelor. "And you were wakened last night by hearing whispering which seemed to come from this girl's room." "Yes, I at first thought it was the folks next door,--we often hear them when they are unusually noisy,--but soon I became assured it came from her room; and more astonished than I could say,--She is a good girl," she broke in, suddenly looking at me with hotly indignant eyes, "a--a--as good a girl as this whole city can show; don't you dare, any of you, to hint at anything else o--" "Come, come," I said soothingly, a little ashamed of my too communicative face, "I haven't said anything, we will take it for granted she is as good as gold, go on." The woman wiped her forehead with a hand that trembled like a leaf. "Where was I?" said she. "O, I heard voices and was surprised and got up and went to her door. The noise I made unlocking my own must have startled her, for all was perfectly quiet when I got there. I waited a moment, then I turned the knob and called her: she did not reply and I called again. Then she came to the door, but did not unlock it. 'What is it?' she asked. 'O,' said I, 'I thought I heard talking here and I was frightened,' 'It must have been next door,' said she. I begged pardon and went back to my room. There was no more noise, but when in the morning we broke into her room and found her gone, the window open and signs of distress and struggle around, I knew I had not been mistaken; that there were men with her when I went to her door, and that they had carried her off--" This time I could not restrain myself. "Did they drop her out of the window?" I inquired. "O," said she, "we are building an extension, and there is a ladder running up to the third floor, and it was by means of that they took her." "Indeed! she seems at least to have been a willing victim," I remarked. The woman clutched my arm with a grip like iron. "Don't you believe it," gasped she, stopping me in the street where we were. "I tell you if what I say is true, and these burglars or whatever they were, did carry her off, it was an agony to her, an awful, awful thing that will kill her if it has not done so already. You don't know what you are talking about, you never saw her--" "Was she pretty," I asked, hurrying the woman along, for more than one passer-by had turned their heads to look at us. The question seemed in some way to give her a shock. "Ah, I don't know," she muttered; "some might not think so, I always did; it depended upon the way you looked at her." For the first time I felt a thrill of anticipation shoot through my veins. Why, I could not say. Her tone was peculiar, and she spoke in a sort of brooding way as though she were weighing something in her own mind; but then her manner had been peculiar throughout. Whatever it was that aroused my suspicion, I determined henceforth to keep a very sharp eye upon her ladyship. Levelling a straight glance at her face, I asked her how it was that she came to be the one to inform the authorities of the girl's
919.918662
2023-11-16 18:32:23.9277380
1,379
126
Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: For a beginner that's the best schedule I ever saw.] RALPH, THE TRAIN DISPATCHER OR THE MYSTERY OF THE PAY CAR BY ALLEN CHAPMAN AUTHOR OF "RALPH OF THE ROUNDHOUSE," "RALPH IN THE SWITCH TOWER," "RALPH ON THE ENGINE," ETC. ILLUSTRATED NEW YORK GROSSET & DUNLAP PUBLISHERS Made in the United States of America THE RAILROAD SERIES By Allen Chapman Cloth. 12mo. Illustrated RALPH OF THE ROUNDHOUSE Or, Bound to Become a Railroad Man RALPH IN THE SWITCH TOWER Or, Clearing the Track RALPH ON THE ENGINE Or, The Young Fireman of the Limited Mail RALPH ON THE OVERLAND EXPRESS Or, The Trials and Triumphs of a Young Engineer RALPH, THE TRAIN DISPATCHER Or, The Mystery of the Pay Car GROSSET & DUNLAP, Publishers, New York Copyright, 1911 by GROSSET & DUNLAP Ralph, the Train Dispatcher CONTENTS CHAPTER I--THE OVERLAND EXPRESS CHAPTER II--THE WRECK CHAPTER III--TROUBLE BREWING CHAPTER IV--THE WIRE TAPPERS CHAPTER V--IKE SLUMP CHAPTER VI--IN THE TUNNEL CHAPTER VII--DANGER SIGNALS CHAPTER VIII--THE OLD SWITCH SHANTY CHAPTER IX--A SUSPICIOUS DISCOVERY CHAPTER X--THE TRAIN DISPATCHER CHAPTER XI--MAKING A SCHEDULE CHAPTER XII--AT THE RELAY STATION CHAPTER XIII--"HOLD THE LIMITED MAIL!" CHAPTER XIV--OLD 93 CHAPTER XV--CHASING A RUNAWAY CHAPTER XVI--THE WRECK CHAPTER XVII--A STRANGE MESSAGE CHAPTER XVIII--THE SLUMP "SECRET" CHAPTER XIX--ON THE LOOKOUT CHAPTER XX--A TRUSTY FRIEND CHAPTER XXI--A DASTARDLY PLOT CHAPTER XXII--HOLDING THE FORT CHAPTER XXIII--ONE MINUTE AFTER TWELVE CHAPTER XXIV--THE BATTLE OF WITS CHAPTER XXV--A WILD NIGHT CHAPTER XXVI--AN AMAZING ANNOUNCEMENT CHAPTER XXVII--THE STOLEN PAY CAR CHAPTER XXVIII--THE "TEST" SPECIAL CHAPTER XXIX--"CRACK THE WHIP!" CHAPTER XXX--THE PAY CAR ROBBER CHAPTER XXXI--QUICK WORK CHAPTER XXXII--CONCLUSION CHAPTER I THE OVERLAND EXPRESS "Those men will bear watching--they are up to some mischief, Fairbanks." "I thought so myself, Mr. Fogg. I have been watching them for some time." "I thought you would notice them--you generally do notice things." The speaker with these words bestowed a glance of genuine pride and approbation upon his companion, Ralph Fairbanks. They were a great pair, these two, a friendly, loyal pair, the grizzled old veteran fireman, Lemuel Fogg, and the clear-eyed, steady-handed young fellow who had risen from roundhouse wiper to switchtower service, then to fireman, then to engineer, and who now pulled the lever on the crack racer of the Great Northern Railroad, the Overland express. Ralph sat with his hand on the throttle waiting for the signal to pull out of Boydsville Tracks. Ahead were clear, as he well knew, and his eyes were fixed on three men who had just passed down the platform with a scrutinizing glance at the locomotive and its crew. Fogg had watched them for some few minutes with an ominous eye. He had snorted in his characteristic, suspicious way, as the trio lounged around the end of the little depot. "Good day," he now said with fine sarcasm in his tone, "hope I see you again--know I'll see you again. They're up to tricks, Fairbanks, and don't you forget it." "Gone, have they?" piped in a new voice, and a brakeman craned his neck from his position on the reverse step of the locomotive. "Say, who are they, anyway?" "Do you know?" inquired the fireman, facing the intruder sharply. "I'd like to. They got on three stations back. The conductor spotted them as odd fish from the start. Two of them are disguised, that's sure--the mustache of one of them went sideways. The old man, the mild-looking, placid old gentleman they had in tow, is a telegrapher." "How do you know that?" asked Ralph, becoming interested. "That's easy. I caught him strumming on the car window sill, and I have had an apprenticeship in the wire line long enough to guess what he was tapping out. On his mind, see--force of habit and all that. The two with him, though, looked like jail birds." "What struck me," interposed Fogg, "was the way they snooked around the train at the two last stops. They looked us over as if they were planning a holdup." "Yes, and they pumped the train hands dry all about your schedule," declared the brakeman. "Cottoned to me, but I cut them short. Seemed mightily interested in the pay car routine, by the way." "Did, eh," bristled up Fogg. "Say, tell us about that." "Why, you see--There goes the starting signal. See you again." The brakeman dropped back to duty, and the depot and the three men who had caused a brief ripple in the monotony of a routine run were lost in the distance. For a few minutes the fireman had his hands full feeding the fire, and Ralph, eyes, ears and all his senses on the alert, got in perfect touch with throttle, air gauge and exhaust valve. Ralph glanced at the clock and took an easy position on his cushioned seat. Everything was in order for a smooth run to twenty miles away.
919.947778
2023-11-16 18:32:24.0149890
398
10
Produced by Charlene Taylor, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Every attempt has been made to replicate the original, printed. Some typographical errors have been corrected; a list follows the text. Some illustrations have been moved from mid-paragraph for ease of reading. (etext transcriber's note) THE EMPRESS FREDERICK [Illustration] The Empress Frederick A MEMOIR _WITH ILLUSTRATIONS_ [Illustration] NEW YORK Dodd, Mead and Company 1914 COPYRIGHT, 1913, BY DODD, MEAD AND COMPANY PREFACE Memoirs of Royal personages form not the least interesting part of the whole vast field of biography, in spite of the fact that such memoirs differ from the lives of most persons in a private station because of the reticence and discretion which are necessary, especially in regard to affairs of State and political characters. It is often not until a whole generation has passed that it is possible to publish a full biography of a member of a Royal House, and in the meantime the exalted rank of the subject operates both to enhance and to diminish the interest of the memoir. This is also true in a modified degree of statesmen, of whom full and frank biographies are seldom possible until their political associates and rivals have alike disappeared from the scene. This necessary delay is a test of the subject's greatness, for it has sometimes happened that by the time a full memoir can be published the public interest in the individual has waned. By heredity, by training, by all the circumstances of
920.035029
2023-11-16 18:32:24.0255140
1,241
19
BOOKS*** Transcribed from the 1896 Chatto & Windus edition by David Price, email [email protected] FAMILIAR STUDIES OF MEN AND BOOKS BY ROBERT LOUIS STEVENSON [Picture: Decorative graphic] _ELEVENTH EDITION_ * * * * * London CHATTO & WINDUS, PICADILLY 1896 * * * * * TO THOMAS STEVENSON CIVIL ENGINEER BY WHOSE DEVICES THE GREAT SEA LIGHTS IN EVERY QUARTER OF THE WORLD NOW SHINE MORE BRIGHTLY THIS VOLUME IS IN LOVE AND GRATITUDE DEDICATED BY HIS SON THE AUTHOR PREFACE BY WAY OF CRITICISM. THESE studies are collected from the monthly press. One appeared in the _New Quarterly_, one in _Macmillan’s_, and the rest in the _Cornhill Magazine_. To the _Cornhill_ I owe a double debt of thanks; first, that I was received there in the very best society, and under the eye of the very best of editors; and second, that the proprietors have allowed me to republish so considerable an amount of copy. These nine worthies have been brought together from many different ages and countries. Not the most erudite of men could be perfectly prepared to deal with so many and such various sides of human life and manners. To pass a true judgment upon Knox and Burns implies a grasp upon the very deepest strain of thought in Scotland,—a country far more essentially different from England than many parts of America; for, in a sense, the first of these men re-created Scotland, and the second is its most essentially national production. To treat fitly of Hugo and Villon would involve yet wider knowledge, not only of a country foreign to the author by race, history, and religion, but of the growth and liberties of art. Of the two Americans, Whitman and Thoreau, each is the type of something not so much realised as widely sought after among the late generations of their countrymen; and to see them clearly in a nice relation to the society that brought them forth, an author would require a large habit of life among modern Americans. As for Yoshida, I have already disclaimed responsibility; it was but my hand that held the pen. In truth, these are but the readings of a literary vagrant. One book led to another, one study to another. The first was published with trepidation. Since no bones were broken, the second was launched with greater confidence. So, by insensible degrees, a young man of our generation acquires, in his own eyes, a kind of roving judicial commission through the ages; and, having once escaped the perils of the Freemans and the Furnivalls, sets himself up to right the wrongs of universal history and criticism. Now, it is one thing to write with enjoyment on a subject while the story is hot in your mind from recent reading, with recent prejudice; and it is quite another business to put these writings coldly forth again in a bound volume. We are most of us attached to our opinions; that is one of the “natural affections” of which we hear so much in youth; but few of us are altogether free from paralysing doubts and scruples. For my part, I have a small idea of the degree of accuracy possible to man, and I feel sure these studies teem with error. One and all were written with genuine interest in the subject; many, however, have been conceived and finished with imperfect knowledge; and all have lain, from beginning to end, under the disadvantages inherent in this style of writing. Of these disadvantages a word must here be said. The writer of short studies, having to condense in a few pages the events of a whole lifetime, and the effect on his own mind of many various volumes, is bound, above all things, to make that condensation logical and striking. For the only justification of his writing at all is that he shall present a brief, reasoned, and memorable view. By the necessity of the case, all the more neutral circumstances are omitted from his narrative; and that of itself, by the negative exaggeration of which I have spoken in the text, lends to the matter in hand a certain false and specious glitter. By the necessity of the case, again, he is forced to view his subject throughout in a particular illumination, like a studio artifice. Like Hales with Pepys, he must nearly break his sitter’s neck to get the proper shadows on the portrait. It is from one side only that he has time to represent his subject. The side selected will either be the one most striking to himself, or the one most obscured by controversy; and in both cases that will be the one most liable to strained and sophisticated reading. In a biography, this and that is displayed; the hero is seen at home, playing the flute; the different tendencies of his work come, one after another, into notice; and thus something like a true, general impression of the subject may at last be struck. But in the short study, the writer, having seized his “point of view,” must keep his eye steadily to that. He seeks, perhaps, rather to differentiate than truly to characterise. The proportions of the sitter must be sacrificed to the proportions of the portrait;
920.045554
2023-11-16 18:32:24.1283810
5,591
37
Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: There was a sudden blinding flash from the instruments and a blaze of blue, hissing fire filled the room.] THE OCEAN WIRELESS BOYS AND THE LOST LINER BY CAPTAIN WILBUR LAWTON AUTHOR OF "THE BOY AVIATORS' SERIES," "THE DREADNOUGHT BOYS' SERIES," "THE OCEAN WIRELESS BOYS ON THE ATLANTIC," ETC. WITH ILLUSTRATIONS BY CHARLES L. WRENN NEW YORK HURST & COMPANY PUBLISHERS Copyright, 1914 BY HURST & COMPANY CONTENTS CHAPTER I--AT SEA ONCE MORE CHAPTER II--WIRELESS CONVERSATIONS CHAPTER III--A STRANGE REQUEST CHAPTER IV--A PECULIAR COINCIDENCE CHAPTER V--THE INTERRUPTED MESSAGE CHAPTER VI--A DARING FEAT CHAPTER VII--QUARTERMASTER SCHULTZ VOLUNTEERS CHAPTER VIII--SAFE ONCE MORE CHAPTER IX--THE MIDNIGHT INTRUDER CHAPTER X--A MESSAGE IN SECRET CODE CHAPTER XI--WHAT SAM HEARD CHAPTER XII--A SUDDEN ALARM CHAPTER XIII--A DOSE OF SLEEPING POWDER CHAPTER XIV--THE WINKING EYE CHAPTER XV--SECRET SIGNALS AT DAWN CHAPTER XVI--S. O. S. CHAPTER XVII--A DERELICT OF THE SKIES CHAPTER XVIII--A LEAP FOR A LIFE CHAPTER XIX--A CALL IN THE NIGHT CHAPTER XX--TO THE RESCUE CHAPTER XXI--A TALE OF THE SEA CHAPTER XXII--A DECOY MESSAGE CHAPTER XXIII--FALSE FRIENDSHIP CHAPTER XXIV--KIDNAPPED CHAPTER XXV--SAM, A TRUE FRIEND CHAPTER XXVI--A WICKED PLAN CHAPTER XXVII--IN THE LION'S MOUTH CHAPTER XXVIII--A CLIMB FOR LIFE CHAPTER XXIX--FREEDOM ONCE MORE CHAPTER XXX--IN SEARCH FOR A CLEW CHAPTER XXXI--LOOK FOR A WHITE HORSE CHAPTER XXXII--A BOLD ROBBERY CHAPTER XXXIII--JARROLD AGAIN CHAPTER XXXIV--BAD NEWS FOR THE COLONEL CHAPTER XXXV--JARROLD GETS FRANTIC CHAPTER XXXVI--ADRIFT CHAPTER XXXVII--THE IRONY OF FATE CHAPTER XXXVIII--A BOLT FROM THE BLUE CHAPTER XXXIX--JACK'S RADIO CHAPTER XL--THE ANSWER TO THE WIRELESS CALL CHAPTER I AT SEA ONCE MORE The West Indian liner, _Tropic Queen_, one of the great vessels owned by the big shipping combine at whose head was Jacob Jukes, the New York millionaire, was plunging southward through a rolling green sea about two hundred miles to the east of Hatteras. It was evening and the bugle had just sounded for dinner. The decks were, therefore, deserted; the long rows of lounging chairs were vacant, while the passengers, many of them tourists on pleasure bent, were below in the dining saloon appeasing the keen appetites engendered by the brisk wind that was blowing off shore. In a small steel structure perched high on the boat deck, between the two funnels of the _Tropic Queen_, sat a bright-faced lad reading intently a text-book on Wireless Telegraphy. Although not much more than a schoolboy, he was assistant wireless man of the _Queen_. His name was Sam Smalley, and he had obtained his position on the ship--the crack vessel of the West Indies and Panama line--through his chum, Jack Ready, head operator of the craft. To readers of the first volume of this series, "The Ocean Wireless Boys on the Atlantic," Jack Ready needs no introduction. Here he comes into the wireless room where his assistant sits reading in front of the gleaming instruments and great coherers. Jack has been off watch, lying down and taking a nap in the small sleeping cabin that, equipped with two berths, opens off the wireless room proper, thus dividing the steel structure into two parts. "Hello, chief," said Sam Smalley, with a laugh, as Jack appeared; "glad you're going to give me a chance to get to dinner at last. I'm so hungry I could eat a coherer." "Skip along then," grinned Jack; "but it's nothing unusual for you to be hungry. I'll hold down the job till you get through, but leave something for me." "I'll try to," chuckled Sam, as he hurried down the steep flight of steps leading from the wireless station up on the boat deck to the main saloon. "Well, this is certainly a different berth from the one I had on the old _Ajax_," mused Jack, as he looked about him at the well-equipped wireless room; "still, somehow, I like to look back at those days. But yet this is a long step ahead for me. Chief wireless operator of the _Tropic Queen_! Lucky for me that the uncle of the fellow who held down the job before me left him all that money. Otherwise I might have been booked for another cruise on the _Ajax_, although Mr. Jukes promised to give me as rapid promotion as he could." Readers of the first volume, dealing with Jack Ready and his friends, will recall how he lived in a queer, floating home with his uncle, Cap'n Toby. They will also recollect that Jack, who had studied wireless day and night, was coming home late one afternoon, despondent from a fruitless hunt for a job, when he was enabled to save the little daughter of Mr. Jukes from drowning. The millionaire's gratitude was deep, and Jack could have had anything he wanted from him. All he asked, though, was a chance to demonstrate his ability as a wireless man on the _Ajax_, a big oil tanker which had just been equipped with such an outfit. He got the job, and then followed many stirring adventures. He took part in a great rescue at sea, and was able to frustrate the schemes of some tobacco smugglers who formed part of the crew of the "tanker." This task, however, exposed him to grave danger and almost resulted in his death. At sea once more, after the smugglers had been apprehended and locked up, Jack's keen wireless sense enabled him to solve a problem in surgery. The _Ajax_ carried no doctor, and when one of the men in the fireroom was injured, and it appeared that a limb would have to be amputated, a serious question confronted the captain, who, like most of his class, possessed a little knowledge of surgery, but not enough to perform an operation that required so much skill. The injured man was a chum of Jack's, and he did not want to see him lose a limb if it could be helped, or have his life imperiled by unskillful methods. Yet what was he to do? Finally an idea struck him. He knew that the big passenger liners all carried doctors. He raised one by means of the wireless and explained the case. The injured man was carried into the wireless cabin and laid close to the table. Then, while the liner's doctor flung instructions through space, Jack translated them to the captain. The result was that the man was soon out of danger, but Jack kept in touch with doctors of other liners till everything was all right beyond the shadow of a doubt. This feat gained him no little commendation from his captain and the owners. Next he was instrumental in saving Mr. Jukes' yacht which was on fire at sea. In the panic Mr. Jukes' son Tom, who was the apple of the ship-owning millionaire's eye, was lost. By means of wireless, Jack located him and reunited father and son. His promotion was the result, when the regular operator of the _Tropic Queen_ went west to receive a big legacy left him. As the services of the retiring operator's assistant had been unsatisfactory, Jack was asked to find a successor to him. He selected an old school chum, Sam Smalley, who had owned and operated a small station in Brooklyn and was an expert in theory and practice. The ship had now been at sea two days, and Sam had shown that he was quite capable of the duties of his new job. An old quartermaster passed the door of the wireless cabin. He poked his head in. "Goot efenings, Yack," he said, with easy familiarity. "How iss der birdt cage vurking?" This was Quartermaster Schultz's term for the tenuous aerials swung far aloft to catch wide-flung, whispered space messages and relay them to the operator's listening ears. "The bird cage is all right," laughed Jack. "Dandy weather, eh?" The old man, weather-beaten and bronzed by the storms and burning suns of the seven seas, shook his head. "Idt is nice now, all righdt," he said, "but you ought to see der glass." "The barometer? What is the matter with it?" "Py gollys, I dink der bottom drop oudt off idt. You may have vurk aheadt of you to-night." "You mean that we are in for a big storm?" "I sure do dot same. Undt ven it comes idt be a lollerpaloozitz. Take my vurd for dat. Hark!" The old quartermaster held up a finger. Far above him in the aerials could be heard a sound like the moaning bass string of a violin as the wind swept among the copper wires. "Dot's der langwitch of Davy Chones," declared Schultz. "Idt says, 'Look oudt. Someding didding.' I'fe heardt idt pefore, undt I know." The old man hurried off on his way forward, and Jack emitted a long whistle. "My, won't there be a lot of seasick passengers aboard to-night! The company will save money on breakfast to-morrow." Just then Sam came back from dinner and Jack was free to go below to his meal. He was about to relinquish the instruments when there came a sudden call. "To all ships within three hundred miles of Hatteras: Watch out for storm of hurricane violence. "Briggs, Operator Neptune Beach U. S. Wireless Service." CHAPTER II WIRELESS CONVERSATIONS Sam was looking over Jack's shoulder as the young wireless chief of the _Tropic Queen_ rapidly transcribed the message on a blank. "Phew! Trouble on the way, eh?" he asked. "Looks like it. But we need not worry, with a craft like this under our feet." But Sam looked apprehensive. "What is the trouble? Not scared, are you?" asked Jack, who knew that, excellent operator though he had shown himself to be, this was Sam's first deep-sea voyage. "N-no. Not that," hesitated Sam, "but seasickness, you know. And I ate an awful big dinner." "Well, don't bother about that now. Lots of fellows who have never been to sea before don't get sick." "I hope that will be my case," Sam replied, without much assurance in his voice. "Here, take this to the captain; hurry it along now," said Jack, handing him the dispatch. "I guess he'll be interested. Wait a minute," he added suddenly. "There's the _Tennyson_ of the Lamport & Holt line talking to the _Dorothea_ of the United Fruit, and the battleship _Iowa_ is cutting in. All talking weather." It was true. From ship to ship, borne on soundless waves, the news was being eagerly discussed. "Big storm on the way," announced the _Tennyson_. "We should worry," came flippantly through the ether from the _Dorothea_. "You little fellows better take in your sky-sails and furl your funnels; you'll be blown about like chicken feathers in a gale of wind," came majestically from Uncle Sam's big warship. Then the air was filled with a clamor for more news from the Neptune Beach operator. "You fellows give me a pain," he flashed out, depressing and releasing his key snappily. "I've sent out all I can. Don't you think I know my job?" "Let us know at once when you get anything more," came commandingly from the battleship. "Oh, you _Iowa_, boss of the job, aren't you?" remarked the flippant _Dorothea_. "M-M-M!" (laughter) in the wireless man's code came from all the others, Jack included. The air was vibrant with silent chuckles. "Say, you fellows, what is going on?" came a fresh voice. Oh, yes, every wireless operator has a "voice." No two men in the world send alike. "Hello, who are you?" snapped out Neptune Beach. "_British King_, of the King Line, Liverpool for Philadelphia. Let us in on this, will you? What you got?" "Big storm. Affect all vessels within three hundred miles of Hatteras. This is Neptune Beach." "Thanks, old chap. Won't bother us, don't you know," came back from the _British King_, whose operator was English. "Kind regards to you fellows. Hope you don't get too jolly well bunged up if it hits you." "Thanks, Johnny Bull," from the _Dorothea_. "I reckon we can stand anything your old steam tea-kettle can." The wireless chat ceased. Sam hastened forward to the sacred precincts of the captain's cabin, while Jack went below to his belated dinner. As he went he noticed that the sea was beginning to heave as the dusk settled down, and the ship was plunging heavily. The wind, too, was rising. The social hall was brilliantly lighted. From within came strains of music from the ship's orchestra. Through the ports, as he passed along to the saloon companionway, Jack could see men and women in evening clothes, and could catch snatches of gay conversation and laughter. "Humph," he thought, "if you'd just heard what I have, a whole lot of you would be getting the doctor to fix you up seasick remedies." In the meantime Sam, cap in hand, presented the message to the captain. The great man took it and read it attentively. "This isn't a surprise to me," said Captain McDonald, "the glass has been falling since mid-afternoon. Stand by your instruments, lad, and let me know everything of importance that you catch." "Very well, sir." Sam, who stood in great awe of the captain, touched his cap and hastened back. He adjusted his "ear muffs," but could catch no floating message. The air was silent. He sent a call for Neptune Beach, but the operator there told him indignantly not to plague him with questions. "I'll send out anything new when I get it," he said. "Gimme a chance to eat. I'm no weather prophet, anyhow. I only relay reports from the government sharps, and they're wrong half the time. Crack!" Sam could sense the big spark that crashed across the instruments at Neptune Beach as the indignant and hungry operator there, harassed by half a dozen ships for more news, smashed down his sending key. CHAPTER III A STRANGE REQUEST When Jack came on deck again, he thought to himself that it was entirely likely that the warning sent through space from Neptune Beach would be verified to the full by midnight. The merriment in the saloon appeared to be much subdued. The crowd had thinned out perceptibly and hardly anybody was dancing. The ship was rolling and plunging like a porpoise in great swells that ran alongside like mountains of green water. Although it was dark by this time, the gleam of the lights from the brilliantly illuminated decks and saloon showed the white tops of the billows racing by. Just as Jack passed the door leading from the social hall to the deck, a masculine figure emerged. At the same instant, with a shuddering, sidelong motion, the _Tropic Queen_ slid down the side of a big sea. The man who had just come on deck lost his balance and went staggering toward the rail. The young wireless man caught and steadied him. In the light that streamed from the door that the man had neglected to close, Jack saw that he was a thickset personage of about forty, black-haired and blue-chinned, with an aggressive cast of countenance. "What the dickens----" he began angrily, and then broke off short. "Oh! It's you, is it? The wireless man?" "The same," assented Jack. "Well, this is luck. I was on my way up to your station. On the boat deck, I believe it is. This will save me trouble." The man's manner was patronizing and offensive. Jack felt his pride bridling, but fought the feeling back. "What can I do for you, Mr.--Mr.----" "Jarrold's the name; James Jarrold of New York. Have you had any messages from a yacht--the _Endymion_--for me?" "Why, no, Mr. Jarrold," replied Jack wonderingly. "Is she anywhere about these waters?" "If she isn't, she ought to be. How late do you stay on watch?" "Till midnight. Then my assistant relieves me till eight bells of the morning watch." Mr. Jarrold suddenly changed the subject as they stood at the rail on the plunging, heaving deck. Somebody had closed the door that he had left open in his abrupt exit, and Jack could not see his face. "We're going to have bad weather to-night?" he asked. "So it appears. A warning has been sent out to that effect, and the sea is getting up every moment." Mr. Jarrold of New York made a surprising answer to this bit of information. "So much the better," he half muttered. "You are, of course, on duty every second till midnight?" "Yes, I'm on the job till my assistant relieves me," responded the young wireless chief of the _Tropic Queen_. "Do you want to make some money?" "Well, that all depends," began Jack doubtfully. "You see, I----" He paused for words. He didn't want to offend this man Jarrold, who, after all, was a first-cabin passenger, while he was only a wireless operator. Yet somehow the man's manner had conveyed to Jack's mind that there was something in his proposal that implied dishonesty to his employers. Except vaguely, however, he could not have explained why he felt that way. He only knew that it was so. Jarrold appeared to read his thoughts. "You think that I am asking you to undertake something outside your line of duty?" "Why, yes. I--must confess I don't quite understand." "Then I shall try to make myself clear." "That will be good of you." The man's next words almost took Jack off his feet. "When you hear from the _Endymion_, let me know at once. That is all I ask you." "Then you are expecting to hear from the yacht to-night?" asked Jack wonderingly. It was an unfathomable puzzle to him that this somewhat sinister-looking passenger should have so accurate a knowledge of the yacht's whereabouts; providing, of course, that he was as certain as he seemed. "I am expecting to hear from her to-night. Should have heard before, in fact," was the brief rejoinder. "There are friends of yours on board?" asked Jack. "Never mind that. If you do as I say--notify me the instant you get word from her, you will be no loser by it." "Very well, then," rejoined Jack. "I'll see that you get first word after the captain." Jarrold took a step forward and thrust his face close to the boy's. "The captain must not know of it till I say so. That is the condition of the reward I'll give you for obeying my instructions. When you bring me word that the _Endymion_ is calling the _Tropic Queen_, I shall probably have some messages to send before the captain of this ship is aroused and blocks the wire with inquiries." "What sort of messages?" asked Jack, his curiosity aroused to the utmost. He was now almost sure that his first impression that Jarrold was playing some game far beyond the young operator's ken was correct. Jarrold tapped him on the shoulder in a familiar way. "Let's understand each other," he said. "I know you wireless men don't get any too big money. Well, there's big coin for you to-night if you do what I say when the _Endymion_ calls. I want to talk to her before anyone else has a chance. As I said, I want to send her some messages." "And as I said, what sort of messages?" said Jack, drawing away. "Cipher messages," was the reply, as Jarrold glanced cautiously around over his shoulder. The door behind them had opened and a stout, middle-aged man of military bearing had emerged. He had a gray mustache and iron-gray hair, and wore a loose tweed coat suitable for the night. Jack recognized him as a Colonel Minturn, who had been pointed out to him as a celebrity the day the ship sailed. Colonel Minturn, it was reported, was at the head of the military branch of the government attending to the fortifications of the Panama Canal. The colonel, with a firm stride, despite the heavy pitching of the _Tropic Queen_, walked toward the bow, puffing at a fragrant cigar. When Jack turned again to look for Jarrold, he had gone. CHAPTER IV A PECULIAR COINCIDENCE But the young wireless boy had no time right then to waste in speculation over the man's strange conduct. It was his duty to relieve Sam, who would not come on watch again till midnight. As he mounted the steep ladder leading to the "Wireless Hutch," he could feel the ship leaping and rolling under his feet like a live thing. Every now and then a mighty sea would crash against the bow and shake the stout steel fabric of the _Tropic Queen_ from stem to stern. The wind, too, was shrieking and screaming through the rigging and up among the aerials. Jack involuntarily glanced upward, although it was too dark to see the antennae swaying far aloft between the masts. "I hope to goodness they hold," he caught himself thinking, and then recalled that, in the hurry of departure from New York, he had not had a chance to go aloft and examine the insulation or the security of their fastenings himself. In the wireless room he found Sam with the "helmet" on his head. The boy was plainly making a struggle to stick it out bravely, but his face was pale. "Anything come in?" asked Jack. "Not a thing." "Caught anything at all from any other ship?" Sam's answer was to tug the helmet hastily from his head. He hurriedly handed it to Jack, and then bolted out of the place without a word. "Poor old Sam," grinned Jack, as he sat down at the instruments and adjusted the helmet that Sam had just discarded; "he's got his, all right, and he'll get it worse before morning." Sam came back after a while. He was deathly pale and threw himself down on his bunk in the inner room with a groan. He refused to let Jack send for a steward. "Just leave me alone," he moaned. "Oh-h, I wish I'd stayed home in Brooklyn! Do you think I'm going to die, Jack?" "Not this trip, son," laughed Jack. "Why, to-morrow you will feel like a two-year-old." "Yes, I will--not," sputtered the invalid. "Gracious, I wish the ship would sink!" After a while Sam sank into a sort of doze, and Jack, helmet on head and book in hand, sat at the instruments, keeping his vigil through the long night hours, while the storm shrieked and rioted about the ship. The boy had been through too much rough weather on the _Ajax_ to pay much attention to the storm. But as it increased in violence, it attracted even his attention. Every now and then a big sea would hit the ship with a thundering buffet that sent the spray flying as high as the loftily perched wireless station. The wind, too, was blowing as if it meant to blow the ship out of the water. Every now and then there would come a lambent flash of lightning. "It's a Hatteras hummer for sure," mused the boy. The night wore on till the clock hands above the instruments pointed to twelve. Above the
920.148421
2023-11-16 18:32:24.1284690
1,865
12
Produced by David Widger from page images generously provided by the Internet Archive THE NEW BOOK OF NONSENSE By Anonymous Contribution to the Great Central Fair In Aid of the Sanitary Commission Asmead and Evans 1864 [Illustration: 0001] A dandy came on from New York, As pompous and stiff as a stork, When he said, "if you dont know how to get up a show," They just raffled a dandy from York. [Illustration: 0002] There lived and Old Maid in the city of Trenton, who to marry a youth, all her faculties bent on, She essay'd every art, to inveigle the heart of every young Dandy in Trenton. [Illustration: 0003] There was an old King of Dahomey, Whose realm was more sterile than loamy; So he bagged little "<DW65>s" Which he sold at high Jiggers, To the Yankees who trade at Dahomey. [Illustration: 0004] There was a young person of Boston, And the vaguest of doubts she was tossed on. Of effect and of cause She discoursed without pause: Remarkable person of Boston! [Illustration: 0005] There was a young lady who said "I seldom wear hair on my head; I carry my locks about in a box, For such is the fashion" she said. [Illustration: 0006] There was ol young lass of Kentucky, Who tho' little was loyal and plucky: When her spark turned secesh Though dear as her flesh. She drummed him herself from Kentucky. [Illustration: 0007] There was a young lady of Cork, Who partook of her soup with a fork, "If I eat it like that I shall never get fat!" Said this clever young lady of Cork. [Illustration: 0008] There was a young lady of Georgia, Who always admired Lou Borgia, So she punished her slaves And danced over their graves, And was publicly thanked throughout Georgia. [Illustration: 0009] There was an old man of the plains, Who said, "I believe that it rains So he buttoned his coat, and got into a boat To wait for a flood on the plains. [Illustration: 0010] There was a young Croesus said, "I Will, whatever you offer me buy" When a thousand he'd spent, to his banker he went, And came back with a large supply. [Illustration: 0011] There was a young girl who wore bows Who said, 'if you choose to suppose This hair is all mine You are wrong I opine, And you can't see the length of your nose." [Illustration: 0012] There was a young Lady of Lynn, Who was nothing but bones except skin So she Wore a false bust, For says she "well I must," This degraded young creature of Lynn. [Illustration: 0013] A fine noble fellow is "Bull," Of courage and energy full; But easily led By a slight cotton thread, So gentle and mild is our Bull. [Illustration: 0014] There was a dear lady of Eden, Who on apples was quite, fond of feedin, So she gave one to Adam, Who said, "thank you madam." And so they both skedaddled from Eden. [Illustration: 0015] There was an old miser who said, "why Do you still importune me to buy?" Because its so funny to handle your money, That's why we importune you to buy. [Illustration: 0016] There was a young female of Zab, Who was cursed, with the gift of gab, With her husband she wrangled, And he had her strangled By the conjugal custom of Zab. [Illustration: 0017] There was an odd man of Woonsocket, who carried bomb-shells in his pocket; Endeavoring to cough one day-they went off, and of course, up he went like a rocket. [Illustration: 0018] There was a young girl of Quebec, Who dressed very low in the neck, Her friends said, "that's not decent," "Oh! the fashion's quite recent Said this vulgar young girl of Quebec. [Illustration: 0019] An innocent stranger asked, "where Is the funiest place in the fair." "Where the Nonsense Book lies" the committee replied, Is the funniest place in the Fair. [Illustration: 0020] There once was a small girl of Chilka, who ran at a cow and would milk her; But it kicked up its heels and said, "see how it feels! You meddlesome Matty of Chilka. [Illustration: 0021] There was a young man of Calcutta, who eat at his meals too much butter; Till a very kind niece boiled him down into grease: Which dissolved this young man of Calcutta. [Illustration: 0022] There was an old lady of Norfolk, who always was saying before folk, I to a mean yankee will never say "thankee," this civil old lady of Norfolk. [Illustration: 0023] There was a young person in Maine, who, although undeniably plain, Was possessed of such "chic," that before she could speak, "she did for" the "male sect in Maine. [Illustration: 0024] There was a young man of Lancaster, who walked ever faster and faster, Till though he began by 'walking, he ran and galloped all over Lancaster. [Illustration: 0025] There was an old party in Rome, Who kept a house in a very fine dome, With a spavined old bull That no longer could pull The coach of this party in Rome. [Illustration: 0026] There was a young man with a rose, who said to his girl, "I suppose This gift is as pretty as my love she is witty-" So she courtesied, and forthwith arose. [Illustration: 0027] There came a young lady, from Hayti, whose complexion was rather too slaty Whose hair was too curled, and yet the gay world, paid court to this lady from Hayti. [Illustration: 0028] There once were five women of Wells, who thought themselves terrible belles; They never could wald, but the people would talk, And dilate on these beauties of Wells. [Illustration: 0029] There was an old lady of Venezuela, So ill that no physician could heal her, She called her kind "nuss" "A sleepy old cuss," This morbid old lady of Venezuela. [Illustration: 0030] There was an old man and his wife, who lived in the bitterest strife; He opened the stove, and pushed her in with a shove, And cried, "there! you pest of my life." [Illustration: 0031] There was a young student at Yale, Who became thin, abstracted and pale; His friends said it was drinking, He declared it was thinking, But one can't believe students at Yale. [Illustration: 0032] There was a young woman of Zug, who said "do I see a huge bug? With my heel will I try to make this thing die, Which might sting all my kinsman of Zug." [Illustration: 0033] There was a fine lady of Metz, continually surrounded by pets: Two cats very small, and three dogs rather tall, With which she would walk about Metz. [Illustration: 0034] There was an old man of the Niger, who was sav
920.148509
2023-11-16 18:32:24.1368510
2,385
23
Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) The Missioner BY E. PHILLIPS OPPENHEIM Author of "Anna, the Adventuress," "A Prince of Sinners," "The Master Mummer," etc. WITH ILLUSTRATIONS BY FRED PEGRAM A. L. BURT COMPANY PUBLISHERS NEW YORK _Copyright, 1907,_ BY THE PEARSON PUBLISHING COMPANY. _Copyright, 1907,_ BY LITTLE, BROWN, AND COMPANY. _All rights reserved._ Published January, 1909. Fourth Printing [ Illustration: "DO YOU MIND EXPLAINING YOURSELF?" SHE ASKED. [Page 23.] FRONTISPIECE.] CONTENTS BOOK I CHAPTER PAGE I MISTRESS AND AGENT 1 II THE HUNTER AND HIS QUARRY 13 III FIRST BLOOD 22 IV BEATING HER WINGS 32 V EVICTED 41 VI CRICKET AND PHILOSOPHY 52 VII AN UNDERNOTE OF MUSIC 61 VIII ROSES 70 IX SUMMER LIGHTNING 78 X THE STILL FIGURE IN THE CHAIR 85 XI THE BAYING OF THE HOUNDS 93 XII RETREAT 100 XIII A CREATURE OF IMPULSE 105 XIV SEARCHING THE PAPERS 114 XV ON THE SPREE 121 XVI THE NIGHT SIDE OF LONDON 129 XVII THE VICTIMS OF SOCIETY 138 XVIII LETTY'S DILEMMA 147 XIX A REPORT FROM PARIS 155 XX LIKE A TRAPPED ANIMAL 162 BOOK II CHAPTER PAGE I RATHER A GHASTLY PART 172 II PLAYING WITH FIRE 180 III MONSIEUR S'AMUSE 188 IV AT THE "DEAD RAT" 196 V THE AWAKENING 204 VI THE ECHO OF A CRIME 210 VII A COUNTRY WALK 218 VIII THE MISSING LETTY 227 IX FOILED! 235 X MYSTERIES IN MAYFAIR 244 XI THE WAY OF SALVATION 253 XII JEAN LE ROI 262 XIII THE KING OF THE APACHES 271 XIV BEHIND THE PALM TREES 281 XV THE ONLY WAY 289 XVI MAN TO MAN 296 XVII LORD AND LADY BOUNTIFUL 304 THE MISSIONER BOOK I CHAPTER I MISTRESS AND AGENT The lady of Thorpe was bored. These details as to leases and repairs were wearisome. The phrases and verbiage confused her. She felt obliged to take them in some measure for granted; to accept without question the calmly offered advice of the man who stood so respectfully at the right hand of her chair. "This agreement with Philip Crooks," he remarked, "is a somewhat important document. With your permission, madam, I will read it to you." She signified her assent, and leaned wearily back in her chair. The agent began to read. His mistress watched him through half closed eyes. His voice, notwithstanding its strong country dialect, had a sort of sing-song intonation. He read earnestly and without removing his eyes from the document. His listener made no attempt to arrive at the sense of the string of words which flowed so monotonously from his lips. She was occupied in making a study of the man. Sturdy and weather-beaten, neatly dressed in country clothes, with a somewhat old-fashioned stock, with trim grey side-whiskers, and a mouth which reminded her somehow of a well-bred foxhound's, he represented to her, in his clearly cut personality, the changeless side of life, the side of life which she associated with the mighty oaks in her park, and the prehistoric rocks which had become engrafted with the soil of the hills beyond. As she saw him now, so had he seemed to her fifteen years ago. Only what a difference! A volume to her--a paragraph to him! She had gone out into the world--rich, intellectually inquisitive, possessing most of the subtler gifts with which her sex is endowed; and wherever the passionate current of life had flown the swiftest, she had been there, a leader always, seeking ever to satisfy the unquenchable thirst for new experiences and new joys. She had passed from girlhood to womanhood with every nerve of her body strained to catch the emotion of the moment. Always her fingers had been tearing at the cells of life--and one by one they had fallen away. This morning, in the bright sunshine which flooded the great room, she felt somehow tired--tired and withered. Her maid was a fool! The two hours spent at her toilette had been wasted! She felt that her eyes were hollow, her cheeks pale! Fifteen years, and the man had not changed a jot. She doubted whether he had ever passed the confines of her estate. She doubted whether he had even had the desire. Wind and sun had tanned his cheeks, his eyes were clear, his slight stoop was the stoop of the horseman rather than of age. He had the air of a man satisfied with life and his place in it--an attitude which puzzled her. No one of her world was like that! Was it some inborn gift, she wondered, which he possessed, some antidote to the world's restlessness which he carried with him, or was it merely lack of intelligence? He finished reading and folded up the pages, to find her regarding him still with that air of careful attention with which she had listened to his monotonous flow of words. He found her interest surprising. It did not occur to him to invest it with any personal element. "The agreement upon the whole," he remarked, "is, I believe, a fair one. You are perhaps thinking that those clauses----" "If the agreement is satisfactory to you," she interrupted, "I will confirm it." He bowed slightly and glanced through the pile of papers upon the table. "I do not think that there is anything else with which I need trouble you, madam," he remarked. She nodded imperiously. "Sit down for a moment, Mr. Hurd," she said. If he felt any surprise, he did not show it. He drew one of the high-backed chairs away from the table, and with that slight air of deliberation which characterized all his movements, seated himself. He was in no way disquieted to find her dark, tired eyes still studying him. "How old are you, Mr. Hurd?" she asked. "I am sixty-three, madam," he answered. Her eyebrows were gently raised. To her it seemed incredible. She thought of the men of sixty-three or thereabouts whom she knew, and her lips parted in one of those faint, rare smiles of genuine amusement, which smoothed out all the lines of her tired face. Visions of the promenade at Marienbad and Carlsbad, the Kursaal at Homburg, floated before her. She saw them all, the men whom she knew, with the story of their lives written so plainly in their faces, babbling of nerves and tonics and cures, the newest physician, the latest fad. Defaulters all of them, unwilling to pay the great debt--seeking always a way out! Here, at least, this man scored! "You enjoy good health?" she remarked. "I never have anything the matter with me," he answered simply. "I suppose," he added, as though by an afterthought, "the life is a healthy one." "You find it--satisfying?" she asked. He seemed puzzled. "I have never attempted anything else," he answered. "It seems to be what I am suited for." She attempted to abandon the _role_ of questioner--to give a more natural turn to the conversation. "It is always," she remarked, "such a relief to get down into the country at the end of the season. I wonder I don't spend more time here. I daresay one could amuse oneself?" she added carelessly. Mr. Hurd considered for a few moments. "There are croquet and archery and tennis in the neighbourhood," he remarked. "The golf course on the Park hills is supposed to be excellent. A great many people come over to play." She affected to be considering the question seriously. An intimate friend would not have been deceived by her air of attention. Mr. Hurd knew nothing of this. He, on his part, however, was capable of a little gentle irony. "It might amuse you," he remarked, "to make a tour of your estate. There are some of the outlying portions which I think that I should have the honour of showing you for the first time." "I might find that interesting," she admitted. "By the bye, Mr. Hurd, what sort of a landlord am I? Am I easy, or do I exact my last pound of flesh? One likes to know these things." "It depends upon the tenant," the agent answered. "There is not one of your farms upon which, if a man works, he cannot make a living. On the other hand, there is not one of them on which a man can make a living unless he works. It is upon this principle that your rents have been adjusted. The tenants of the home lands have been most carefully chosen, and Thorpe itself is spoken of everywhere as a model village." "It is very charming to look at," its mistress admitted. "The flowers and thatched roofs are so picturesque. 'Quite a pastoral idyll,' my guests tell me. The people one sees about seem contented and respectful, too." "They should be, madam," Mr. Hurd answered drily. "The villagers have had a good many privileges from your family for generations." The lady inclined her head thoughtfully. "You think, then," she remarked, "that if anything should happen in England, like the French Revolution, I should not find unexpected thoughts and discontent smouldering amongst them? You believe that they are really contented?" Mr. Hurd knew nothing about revolutions, and he was utterly unable to follow the trend of her thoughts. "If they were not, madam," he declared, "they would deserve to be in the workhouse--and I should
920.156891
2023-11-16 18:32:24.1646480
1,740
14
Produced by Pat Castevans and David Widger LORD ORMONT AND HIS AMINTA, COMPLETE By George Meredith CONTENTS. BOOK 1. I. LOVE AT A SCHOOL II. LADY CHARLOTTE III. THE TUTOR IV. RECOGNITION V. IN WHICH THE SHADES OF BROWNY AND MATEY ADVANCE AND RETIRE BOOK 2. VI. IN A MOOD OF LANGUOR VII. EXHIBITS EFFECTS OF A PRATTLER'S DOSES VIII. MRS. LAWRENCE FINCHLEY IX. A FLASH OF THE BRUISED WARRIOR X. A SHORT PASSAGE IN THE GAME PLAYED BY TWO XI. THE SECRETARY TAKEN AS AN ANTIDOTE BOOK 3. XII. MORE OF CUPER'S BOYS XIII. WAR AT OLMER XIV. OLD LOVERS NEW FRIENDS XV. SHOWING A SECRET FISHED WITHOUT ANGLING XVI. ALONG TWO ROADS TO STEIGNTON BOOK 4. XVII. LADY CHARLOTTE'S TRIUMPH XVIII. A SCENE ON THE ROAD BACK XIX. THE PURSUERS XX. AT THE SIGN OF THE JOLLY CRICKETERS XXI. UNDER-CURRENTS IN THE MINDS OF LADY CHARLOTTE AND LORD ORMONT XXII. TREATS OF THE FIRST DAY OF THE CONTENTION OF BROTHER AND SISTER XXIII. THE ORMONT JEWELS BOOK 5. XXIV. LOVERS MATED XXXV. PREPARATIONS FOR A RESOLVE XXVI. VISITS OF FAREWELL XXVII. A MARINE DUET XXVIII. THE PLIGHTING XXIX. AMINTA TO HER LORD XXX. CONCLUSION CHAPTER I. LOVE AT A SCHOOL A procession of schoolboys having to meet a procession of schoolgirls on the Sunday's dead march, called a walk, round the park, could hardly go by without dropping to a hum in its chatter, and the shot of incurious half-eyes the petticoated creatures--all so much of a swarm unless you stare at them like lanterns. The boys cast glance because it relieved their heaviness; things were lumpish and gloomy that day of the week. The girls, who sped their peep of inquisition before the moment of transit, let it be seen that they had minds occupied with thoughts of their own. Our gallant fellows forgot the intrusion of the foreign as soon as it had passed. A sarcastic discharge was jerked by chance at the usher and the governess--at the old game, it seemed; or why did they keep steering columns to meet? There was no fun in meeting; it would never be happening every other Sunday, and oftener, by sheer toss-penny accident. They were moved like pieces for the pleasure of these two. Sometimes the meeting occurred twice during the stupid march-out, when it became so nearly vexatious to boys almost biliously oppressed by the tedium of a day merely allowing them to shove the legs along, ironically naming it animal excise, that some among them pronounced the sham variation of monotony to be a bothering nuisance if it was going to happen every Sunday, though Sunday required diversions. They hated the absurdity in this meeting and meeting; for they were obliged to anticipate it, as a part of their ignominious weekly performance; and they could not avoid reflecting on it, as a thing done over again: it had them in front and in rear; and it was a kind of broadside mirror, flashing at them the exact opposite of themselves in an identically similar situation, that forced a resemblance. Touching the old game, Cuper's fold was a healthy school, owing to the good lead of the head boy, Matey Weyburn, a lad with a heart for games to bring renown, and no thought about girls. His emulation, the fellows fancied, was for getting the school into a journal of the Sports. He used to read one sent him by a sporting officer of his name, and talk enviously of public schools, printed whatever they did--a privilege and dignity of which, they had unrivalled enjoyment in the past, days, when wealth was more jealously exclusive; and he was always prompting for challenges and saving up to pay expenses; and the fellows were to laugh at kicks and learn the art of self-defence--train to rejoice in whipcord muscles. The son of a tradesman, if a boy fell under the imputation, was worthy of honour with him, let the fellow but show grip and toughness. He loathed a skulker, and his face was known for any boy who would own to fatigue or confess himself beaten. "Go to bed," was one of his terrible stings. Matey was good at lessons, too--liked them; liked Latin and Greek; would help a poor stumbler. Where he did such good work was in sharpening the fellows to excel. He kept them to the grindstone, so that they had no time for rusty brooding; and it was fit done by exhortations off a pedestal, like St. Paul at the Athenians, it breathed out of him every day of the week. He carried a light for followers. Whatever he demanded of them, he himself did it easily. He would say to boys, "You're going to be men," meaning something better than women. There was a notion that Matey despised girls. Consequently, never much esteemed, they were in disfavour. The old game was mentioned only because of a tradition of an usher and governess leering sick eyes until they slunk away round a corner and married, and set up a school for themselves--an emasculate ending. Comment on it came of a design to show that the whole game had been examined dismissed as uninteresting and profitless. One of the boys alluded in Matey's presence to their general view upon the part played by womankind on the stage, confident of a backing; and he had it, in a way: their noble chief whisked the subject, as not worth a discussion; but he turned to a younger chap, who said he detested girls, and asked him how about a sister at home; and the youngster , and Matey took him and spun him round, with a friendly tap on the shoulder. Odd remarks at intervals caused it to be suspected that he had ideas concerning girls. They were high as his head above the school; and there they were left, with Algebra and Homer, for they were not of a sort to inflame; until the boys noticed how he gave up speaking, and fell to hard looking, though she was dark enough to get herself named Browny. In the absence of a fair girl of equal height to set beside her, Browny shone. She had a nice mouth, ready for a smile at the corners, or so it was before Matey let her see that she was his mark. Now she kept her mouth asleep and her eyes half down, up to the moment of her nearing to pass, when the girl opened on him, as if lifting her eyelids from sleep to the window, a full side--look, like a throb, and no disguise--no slyness or boldness either, not a bit of languishing. You might think her heart came quietly out. The look was like the fall of light on the hills from the first of morning. It lasted half a minute, and left a ruffle for a good
920.184688
2023-11-16 18:32:24.3164460
950
22
E-text prepared by Delphine Lettau, Clive Pickton, and the Project Gutenberg Online Distributed Proofreading Canada Team (http://www.pgdpcanada.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 29380-h.htm or 29380-h.zip: (http://www.gutenberg.org/files/29380/29380-h/29380-h.htm) or (http://www.gutenberg.org/files/29380/29380-h.zip) THE ADVENTURES OF HERR BABY by MRS. MOLESWORTH Author of 'Carrots,' 'Us,' Etc. 'I have a boy of five years old: His face is fair and fresh to see.' WORDSWORTH Illustrated by Walter Crane [Illustration: There was Baby, seated on the grass, one arm fondly clasping Minet's neck, while with the other he firmly held the famous money-box.--P. 138.] London Macmillan and Co. and New York 1895 First printed (4to) 1881 Reprinted (Globe 8vo) 1886, 1887, 1890, 1892, 1895 CONTENTS CHAPTER I. FOUR YEARS OLD 1 CHAPTER II. INSIDE A TRUNK 20 CHAPTER III. UP IN THE MORNING EARLY 41 CHAPTER IV. GOING AWAY 60 CHAPTER V. BY LAND AND SEA 81 CHAPTER VI. AN OLD SHOP AND AN OGRE 101 CHAPTER VII. BABY'S SECRET 125 CHAPTER VIII. FOUND 145 CHAPTER IX. "EAST OR WEST, HAME IS BEST" 163 LIST OF ILLUSTRATIONS "OH LOOK, LOOK, BABY'S MADE PEEPY-SNOOZLE INTO 'THE PARSON IN THE PULPIT THAT COULDN'T SAY HIS PRAYERS,'" CRIED DENNY 6 HE SAT WITH ONE ARM PROPPED ON THE TABLE, AND HIS ROUND HEAD LEANING ON HIS HAND, WHILE THE OTHER HELD THE PIECE OF BREAD AND BUTTER--BUTTER DOWNWARDS, OF COURSE 16 THERE WAS ONE TRUNK WHICH TOOK MY FANCY MORE THAN ALL THE OTHERS 30 FOR A MINUTE OR TWO BABY COULD NOT MAKE OUT WHAT HAD HAPPENED 50 "ZOU WILL P'OMISE, BETSY, P'OMISE CERTAIN SURE, NEBBER TO FORGET" 61 POOR LITTLE BOYS, FOR, AFTER ALL, FRITZ HIMSELF WASN'T VERY BIG! THEY STOOD TOGETHER HAND IN HAND ON THE STATION PLATFORM, LOOKING, AND FEELING, RATHER DESOLATE 84 "ARE THAT JOGRAPHY?" HE SAID 94 "OH AUNTIE," HE SAID, "P'EASE 'TOP ONE MINUTE. HIM SEES SHINY GLASS JUGS LIKE DEAR LITTLE MOTHER'S. OH, DO 'TOP" 106 BABY VENTURED TO PEEP ROUND. THE LITTLE BLACK-EYED WHITE-CAPPED MAN CAME TOWARDS THEM SMILING 121 THERE WAS BABY, SEATED ON THE GRASS, ONE ARM FONDLY CLASPING MINET'S NECK, WHILE WITH THE OTHER HE FIRMLY HELD THE FAMOUS MONEY-BOX 138 AUNTIE STOOD STILL A MOMENT TO LISTEN 155 FORGETTING ALL ABOUT EVERYTHING, EXCEPT THAT HER BABY WAS FOUND, UP JUMPED MOTHER 170 THE ADVENTURES OF HERR BABY CHAPTER I. FOUR YEARS OLD "I was four yesterday; when I'm quite old I'll have a cricket-ball made of pure gold; I'll never stand up to show that I'm grown; I'll go at liberty upstairs or down." He trotted upstairs. Perhaps trotting is not quite the right word, but I can't find a better. It wasn't at all like a horse or pony trotting, for he went one foot at a time,
920.336486
2023-11-16 18:32:24.4154520
2,345
13
Transcribed from the 1914 Thomas J. Wise pamphlet by David Price, email [email protected] TORD OF HAFSBOROUGH AND OTHER BALLADS BY GEORGE BORROW LONDON: PRINTED FOR PRIVATE CIRCULATION 1914 _Copyright in the United States of America_ _by Houghton_, _Mifflin and Co. for Clement Shorter_. TORD OF HAFSBOROUGH It was Tord of Hafsborough, O'er the verdant wold would ride, And there he lost his hammer of gold, 'Twas lost for so long a tide. It was Tord of Hafsborough, His brother he addressed: "Thou shalt away to the Norland hills, My hammer be thy quest." It was Lokke Leyemand, A feather robe o'er him drew; And away to the Norland mountains high O'er the briny sea he flew. In the midst of the castle yard He smoothed his array; Then straight he took to the castle hall, To the carlish Count his way. "Be welcome, Lokke Leyemand, Be welcome my castle to; Say! how fare things in Hafsborough? With the land how does it go?" "O, well fare things in Hafsborough, And well in the country all; Tord has his golden hammer lost, Therefore seek I your hall." "Tord he shall not his hammer get, Thou back may'st carry him word; Full five-and-ninety fathoms deep It lies in the earth interred. "Tord he shall not his hammer get, To thee I vow and swear, Save he give me Damsel Fridleifsborg, With all his goods and gear." It was Lokke Leyemand, O'er himself the feather robe drew; And with his answer back amain O'er the briny sea he flew. "Thou never wilt get thy hammer of gold, Upon that thou may'st rely, Unless he have Damsel Fridleifsborg, And all our property." Then answered straight the proud Damsel, Upon the bench as she sate: "Ye'd better give me a Christian man, Than the laidly trold for mate. "But we will take our old father, And deck so fine his head, And we'll carry him to the Northern hills, To stand for bride in my stead." And now to the house of the merry bridegroom They the young old bride convey; Upon her dress no gold was spared, For a verity I say. And so they took the lovely bride, On the bride-bench placed her frame; And to skink before the bride himself The carlish Count he came. Then she ate six oxen bodies, And three fat swine beside; Loaves seven hundred were her meal, Ere for a draught she cried. Before her thirst she could assuage She drank ten casks of ale; She set the can once more to her mouth And to hickuping then she fell. The carlish Count strode up and down, And wrung his hands so sore: "O whence can this young bride be come? She does so much devour!" The Count he called to his Botelere: "Thou hadst better broach away, For we have here such a wondrous bride, She'll drink for ever and aye." Answered then Lokke Leyemand, 'Neath his sleeve he laughed with glee: "For full eight days she has not ate. She longed so much for thee." Outspake the laidly carlish Count, And thus the Count did cry: "O, call ye in my serving swains, Bid them come instantly. "Go, fetch me hither the hammer of gold, Glad I'll surrender it; If I can either in honour or shame, Of such a young bride be quit." The Kempions eight in number were, Who the hammer brought on a tree; They laid it down so courteously Across the young bride's knee. It was then the youthful bride Took up the hammer big; I tell to ye for a verity She swung it like a twig. First she slew the carlish count, That throld both laid and tall; And then as they strove to'scape through the door, She slew the little trolds all. The guests and the Norland men each one So downcast were of mood; Blows from the hand of the bride they got That robbed their cheeks of blood. It was Lokke Leyemand, He opened his mouth in game: "Now we will fare to our country home, And our sire a widow proclaim." FROM THE ARABIC O thou who fain would'st wisdom gain, Live night and day untired; For by repeated toil and pain It is alone acquired. THORVALD _Svend Tveskjeg havde sig en Maud_ Swayne Tveskieg did a man possess, Sir Thorvald hight; Though fierce in war, kind acts in peace Were his delight. From port to port his vessels fast Sailed wide around, And made, where'er they anchor cast, His name renown'd. _But Thorvald has freed his King_. Prisoners he bought--clothes, liberty, On them bestowed, And sent men home from slavery To their abode. And many an old man got his boy, His age's stay; And many a maid her youth's sole joy, Her lover gay. _But Thorvald has freed his King_. A brave fight Thorvald loved full dear, For brave his mood; But never did he dip his spear In feeble blood. He followed Swayne to many a fray With war-shield bright, And his mere presence scar'd away Foul deeds of might. _But Thorvald has freed his King_. They hoist sail on the lofty mast, It was King Swayne, He o'er the bluey billows pass'd With armed train. His mind to harry Bretland {13a} boiled; He leapt on shore And every, every thing recoiled His might before. _But Thorvald has freed his King_. Yet slept not Bretland's chieftain good; He speedily Collected a host in the dark wood Of cavalry. And evil through that subtle plan Befell the Dane; They were ta'en prisoners every man, And last King Swayne. _But Thorvald has freed his King_. "Now hear thou prison-foogd! {13b} and pray My message heed; Unto the castle take thy way, Thence Thorvald lead! Prison and chains become him not, Whose gallant hand So many a handsome lad has brought From slavery's band." _But Thorvald has freed his King_. The man brought this intelligence To the bower's door, But Thorvald, with loud vehemence, "I'll not go," swore. "What--go, and leave my sovereign here, In durance sore? No! Thorvald then ne'er worthy were To lift shield more." _But Thorvald has freed his King_. What cannot noble souls effect? Both freedom gain Through Thorvald's prayer, and the respect His deeds obtain. And from that hour unto his grave, Swayne ever show'd Towards his youth's friend, so true and brave, Fit gratitude. _But Thorvald has freed his King_. Swayne Tveskieg sat with kings one tide, O'er mead and beer, The cushion soft he stroaked and cried, "Sit, Thorvald, here. Thy father ne'er rul'd land like me And my compeers! But yarl and nobleman is he Whose fame thine nears. _For Thorvald has freed his King_." PETER COLBIORNSEN 'Fore Fredereksteen King Carl he lay With mighty host; But Frederekshal from day to day, Much trouble cost. To seize the sword each citizen His tools let fall, And valiant Peter Colbiornsen Was first of all. _Thus for Norroway fight the Norsemen_. 'Gainst Frederekshal so fierce and grim Turned Carl his might, The citizens encountered him In numbers slight, But ah, they fought like Northern men, For much loved land, And it was Peter Colbiornsen That led the band. _Thus for Norroway fight the Norsemen_. Such heavy blows the Norsemen deal Amid the foe, Like ripe corn 'fore the reaper's steel The Swedes sink low. But sturdiest reaper weary will, So happ'd it here; Though many the Norwegians kill, More, more appear. _Thus for Norroway fight the Norsemen_. Before superior force they flew, As Norsemen fly, They but retired, the fight anew Unawed to ply. Now o'er the bodies of his slain His way Carl makes; He thinks he has the city ta'en, But he mistakes. _Thus for Norroway fight the Norsemen_. A speedy death his soldiers found Where'er they came; For Norse were posted all around, And greeted them; Then Carl he sent, but sorely vext, To Fredereksteen, And begg'd that he might bury next His slaughtered men. _Thus for Norroway fight the Norsemen_. "No time, no time to squander e'er Have Norsemen bold, He came self-bidden'mongst us here," Thus Carl was told; "If we can drive him back agen, We now must try!" And it was Peter Colbiornsen Made that reply. _Thus for Norroway fight the Norsemen_. Lo! from the town the flames outburst, High-minded men! And he who fired his house the first Was Colbiornsen. Eager to quench the fire, the foes Make quick resort, But bullets fell as fast as snows Down from the fort. _Thus for Norroway fight
920.435492
2023-11-16 18:32:24.4376050
2,687
23
Produced by Marius Masi, Don Kretz and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's notes: (1) Numbers following letters (without space) like C2 were originally printed in subscript. Letter subscripts are preceded by an underscore, like C_n. (2) Characters following a carat (^) were printed in superscript. (3) Side-notes were relocated to function as titles of their respective paragraphs. (4) Macrons and breves above letters and dots below letters were not inserted. (5) dP stands for the partial-derivative symbol, or curled 'd'. (6) [oo] stands for the infinity symbol, and [int] for the integral symbol. (7) The following typographical errors have been corrected: ARTICLE EKATERINOSLAV: "Nearly 40,000 persons find occupation in factories, the most important being iron-works and agricultural machinery works, though there are also tobacco... " 'important' amended from 'imporant'. ARTICLE ELASTICITY: "The limits of perfect elasticity as regards change of shape, on the other hand, are very low, if they exist at all, for glasses and other hard, brittle solids; but a class of metals including copper, brass, steel, and platinum are very perfectly elastic as regards distortion, provided that the distortion is not too great." Missing 'and' after'steel'. ARTICLE ELASTICITY: "The parts of the radii vectors within the sphere..."'vectors' amended from'vectores'. ARTICLE ELBE: "Its total length is 725 m., of which 190 are in Bohemia, 77 in the kingdom of Saxony, and 350 in Prussia, the remaining 108 being in Hamburg and other states of Germany." 'Its' amended from 'it'. ARTICLE ELBE: "Finally, in 1870, 1,000,000 thalers were paid to Mecklenburg and 85,000 thalers to Anhalt, which thereupon abandoned all claims to levy tolls upon the Elbe shipping, and thus navigation on the river became at last entirely free. 'Anhalt' amended from 'Anhal'. ARTICLE ELBE: "... after driving back at Lobositz the Austrian forces which were hastening to their assistance; but only nine months later he lost his reputation for "invincibility" by his crushing defeat at Kolin..." 'assistance' amended from 'asistance'. ARTICLE ELECTRICITY: "De la Rive reviews the subject in his large Treatise on Electricity and Magnetism, vol. ii. ch. iii. The writer made a contribution to the discussion in 1874..." 'Magnetism' amended from 'Magnestism'. ARTICLE ELECTRICITY SUPPLY: "... or by means of overhead wires within restricted areas, but the limitations proved uneconomical and the installations were for the most part merged into larger undertakings sanctioned by parliamentary powers." 'limitations' amended from 'limitatons'. ARTICLE ELECTROKINETICS: "A vector can most conveniently be represented by a symbol such as a + ib, where a stands for any length of a units measured horizontally and b for a length b units measured vertically, and the symbol i is a sign of perpendicularity ..."'symbol' amended from'smybol'. ARTICLE ELECTROSCOPE: "The collapse of the gold-leaf is observed through an aperture in the case by a microscope, and the time taken by the gold-leaf to fall over a certain distance is proportional to the ionizing current, that is, to the intensity of the radioactivity of the substance.'microscope' amended from 'miscroscope'. ENCYCLOPAEDIA BRITANNICA A DICTIONARY OF ARTS, SCIENCES, LITERATURE AND GENERAL INFORMATION ELEVENTH EDITION VOLUME IX, SLICE II Ehud to Electroscope ARTICLES IN THIS SLICE: EHUD ELBERFELD EIBENSTOCK ELBEUF EICHBERG, JULIUS ELBING EICHENDORFF, JOSEPH, FREIHERR VON ELBOW EICHHORN, JOHANN GOTTFRIED ELBURZ EICHHORN, KARL FRIEDRICH ELCHE EICHSTATT ELCHINGEN EICHWALD, KARL EDUARD VON ELDAD BEN MAHLI EIDER (river of Prussia) ELDER (ruler or officer) EIDER (duck) ELDER (shrubs and trees) EIFEL ELDON, JOHN SCOTT EIFFEL TOWER EL DORADO EILDON HILLS ELDUAYEN, JOSE DE EILENBURG ELEANOR OF AQUITAINE EINBECK ELEATIC SCHOOL EINDHOVEN ELECAMPANE EINHARD ELECTION (politics) EINHORN, DAVID ELECTION (English law choice) EINSIEDELN ELECTORAL COMMISSION EISENACH ELECTORS EISENBERG ELECTRA EISENERZ ELECTRICAL MACHINE EISLEBEN ELECTRIC EEL EISTEDDFOD ELECTRICITY EJECTMENT ELECTRICITY SUPPLY EKATERINBURG ELECTRIC WAVES EKATERINODAR ELECTROCHEMISTRY EKATERINOSLAV (Russian government) ELECTROCUTION EKATERINOSLAV (Russian town) ELECTROKINETICS EKHOF, KONRAD ELECTROLIER EKRON ELECTROLYSIS ELABUGA ELECTROMAGNETISM ELAM ELECTROMETALLURGY ELAND ELECTROMETER ELASTICITY ELECTRON ELATERITE ELECTROPHORUS ELATERIUM ELECTROPLATING ELBA ELECTROSCOPE ELBE EHUD, in the Bible, a "judge" who delivered Israel from the Moabites (Judg. iii. 12-30). He was sent from Ephraim to bear tribute to Eglon king of Moab, who had crossed over the Jordan and seized the district around Jericho. Being, like the Benjamites, left-handed (cf. xx. 16), he was able to conceal a dagger and strike down the king before his intentions were suspected. He locked Eglon in his chamber and escaped. The men from Mt Ephraim collected under his leadership and by seizing the fords of the Jordan were able to cut off the Moabites. He is called the son of Gera a Benjamite, but since both Ehud and Gera are tribal names (2 Sam. xvi. 5, 1 Chron. viii. 3, 5 sq.) it has been thought that this notice is not genuine. The tribe of Benjamin rarely appears in the old history of the Hebrews before the time of Saul. See further BENJAMIN; JUDGES. EIBENSTOCK, a town of Germany, in the kingdom of Saxony, near the Mulde, on the borders of Bohemia, 17 m. by rail S.S.E. of Zwickau. Pop. (1905) 7460. It is a principal seat of the tambour embroidery which was introduced in 1775 by Clara Angermann. It possesses chemical and tobacco manufactories, and tin and iron works. It has also a large cattle market. Eibenstock, together with Schwarzenberg, was acquired by purchase in 1533 by Saxony and was granted municipal rights in the following year. EICHBERG, JULIUS (1824-1893), German musical composer, was born at Dusseldorf on the 13th of June 1824. When he was nineteen he entered the Brussels Conservatoire, where he took first prizes for violin-playing and composition. For eleven years he occupied the post of professor in the Conservatoire of Geneva. In 1857 he went to the United States, staying two years in New York and then proceeding to Boston, where he became director of the orchestra at the Boston Museum. In 1867 he founded the Boston Conservatory of Music. Eichberg published several educational works on music; and his four operettas, _The Doctor of Alcantara_, _The Rose of Tyrol_, _The Two Cadis_ and _A Night in Rome_, were highly popular. He died in Boston on the 18th of January 1893. EICHENDORFF, JOSEPH, FREIHERR VON (1788-1857), German poet and romance-writer, was born at Lubowitz, near Ratibor, in Silesia, on the 10th of March 1788. He studied law at Halle and Heidelberg from 1805 to 1808. After a visit to Paris he went to Vienna, where he resided until 1813, when he joined the Prussian army as a volunteer in the famous Lutzow corps. When peace was concluded in 1815, he left the army, and in the following year he was appointed to a judicial office at Breslau. He subsequently held similar offices at Danzig, Konigsberg and Berlin. Retiring from public service in 1844, he lived successively in Danzig, Vienna, Dresden and Berlin. He died at Neisse on the 26th of November 1857. Eichendorff was one of the most distinguished of the later members of the German romantic school. His genius was essentially lyrical. Thus he is most successful in his shorter romances and dramas, where constructive power is least called for. His first work, written in 1811, was a romance, _Ahnung und Gegenwart_ (1815). This was followed at short intervals by several others, among which the foremost place is by general consent assigned to _Aus dem Leben eines Taugenichts_ (1826), which has often been reprinted. Of his dramas may be mentioned _Ezzelin von Romano_ (1828); and _Der letzte Held von Marienburg_ (1830), both tragedies; and a comedy, _Die Freier_ (1833). He also translated several of Calderon's religious dramas (_Geistliche Schauspiele_, 1846). It is, however, through his lyrics (_Gedichte_, first collected 1837) that Eichendorff is best known; he is the greatest lyric poet of the romantic movement. No one has given more beautiful expression than he to the poetry of a wandering life; often, again, his lyrics are exquisite word pictures interpreting the mystic meaning of the moods of nature, as in _Nachts_, or the old-time mystery which yet haunts the twilight forests and feudal castles of Germany, as in the dramatic lyric _Waldesgesprach_ or _Auf einer Burg_. Their language is simple and musical, which makes them very suitable for singing, and they have been often set, notably by Schubert and Schumann. In the later years of his life Eichendorff published several works on subjects in literary history and criticism such as _Uber die ethische und religiose Bedeutung der neuen romantischen Poesie in Deutschland_ (1847), _Der deutsche Roman des 18. Jahrhunderts in seinem Verhaltniss zum Christenthum_ (1851), and _Geschichte der poetischen Litteratur Deutschlands_ (1856), but the value of these works is impaired by the author's reactionary standpoint. An edition of his collected works in
920.457645
2023-11-16 18:32:24.5675700
1,865
14
Produced by Annie McGuire Two Little Women Carolyn Wells BY THE SAME AUTHOR * * * * * PATTY SERIES PATTY FAIRFIELD PATTY AT HOME PATTY IN THE CITY PATTY'S SUMMER DAYS PATTY IN PARIS PATTY'S FRIENDS PATTY'S PLEASURE TRIP PATTY'S SUCCESS PATTY'S MOTOR CAR PATTY'S BUTTERFLY DAYS PATTY'S SOCIAL SEASON PATTY'S SUITORS PATTY'S ROMANCE MARJORIE SERIES MARJORIE'S VACATION MARJORIE'S BUSY DAYS MARJORIE'S NEW FRIEND MARJORIE IN COMMAND MARJORIE'S MAYTIME MARJORIE AT SEACOTE * * * * * [Illustration: IT TOOK A LONG TIME TO SATISFY THE BOYS' APPETITES.--_Page_ 199] TWO LITTLE WOMEN BY CAROLYN WELLS AUTHOR OF THE PATTY BOOKS, THE MARJORIE BOOKS, ETC. ILLUSTRATIONS BY E. C. CASWELL GROSSET & DUNLAP PUBLISHERS NEW YORK COPYRIGHT, 1915 BY DODD, MEAD & COMPANY CONTENTS CHAPTER PAGE I THE GIRL NEXT DOOR 1 II DOTTY ROSE AND DOLLY FAYRE 15 III THE NEW ROOMS 29 IV THE BIRTHDAY MORNING 43 V THE DOUBLE PARTY 57 VI ROLLER SKATING 71 VII TWO BIG BROTHERS 87 VIII CROSSTREES CAMP 103 IX DOLLY'S ESCAPE 118 X HIDDEN TREASURE 133 XI A THRILLING EXPERIENCE 150 XII WHO WAS THE TALL PHANTOM? 167 XIII THAT LUNCHEON 186 XIV THE CAKE CONTEST 201 XV WHO WON THE PRIZE? 215 XVI A WALK IN THE WOODS 231 XVII SURFWOOD 250 XVIII DOLL OVERBOARD! 260 XIX SPENDING THE PRIZE MONEY 276 XX GOOD-BYE, SUMMER! 288 CHAPTER I THE GIRL NEXT DOOR Summit Avenue was the prettiest street in Berwick. Spacious and comfortable-looking homes stood on either side of it, each in its setting of lawn and shade trees. Most of these showed no dividing fences or hedges, and boundaries were indiscernible in the green velvety sward that swept in a gentle <DW72> to the sidewalk. Of two neighbouring houses, the side windows faced each other across two hundred feet of intervening turf. The windows of one house were duly fitted with window-screens, holland shades and clean, fresh white curtains; for it was May, and Berwick ladies were rarely dilatory with their "Spring-cleaning." But the other house showed no window dressings, and the sashes were flung open to the sunny breeze, which, entering, found rugless floors and pictureless walls. But at the open front doors other things were entering; beds, chairs, tables, boxes and barrels, all the contents of the great moving vans that stood out at the curb. Strong men carried incredibly heavy burdens of furniture, or carefully manoeuvred glass cabinets or potted palms. From behind the lace curtains of the other house people were watching. This was in no way a breach of good manners, for in Berwick the unwritten law of neighbours' rights freely permitted the inspection of the arriving household gods of a new family. But etiquette demanded that the observers discreetly veil themselves behind the sheltering films of their own curtains. And so the Fayres, mother and two daughters, watched with interest the coming of the Roses. "Rose! what a funny name," commented Dolly Fayre, the younger of the sisters; "do you s'pose they name the children Moss, and Tea and things like that?" "Yes, and Killarney and Sunburst and Prince Camille de Rohan," said Trudy, who had been studying Florists' catalogues of late. "Their library furniture is mission; there goes the table," and Mrs. Fayre noted details with a housekeeper's eye. "And here comes the piano. I can't bear to see men move a piano; I always think it's going to fall on them." "I'm tired of seeing furniture go in, anyway," and Dolly jumped up from her kneeling position. "I'd rather see the people. Do you s'pose there's anybody 'bout my age, Mums?" "I don't know, Dolly. Your father only said their name was Rose, and not another word about them." "There's a little girl, anyway," asserted Trudy; "they took in a big doll's carriage some time ago." Trudy was nineteen and Dolly not quite fifteen, so the girls, while chummy as sisters, had few interests in common. Dolly wandered away, leaving the other two to continue their appraisal of the new neighbours. She went to her own room, which also looked out toward the Roses' house. Idly glancing that way from her window, she saw a girl's face in a window next door. She seemed about Dolly's age, and she had a pretty bright face with a mop of curly black hair. She wore a red dress and a red hair-ribbon, and she made a vivid picture, framed in the open window. Dolly looked through the scrim of her bedroom curtain, and then to see better, moved the curtain aside, and watched the black-haired girl. Dolly, herself, could not be seen, because of the dark wire window screen, and she looked at the stranger with increasing interest. At last the new girl put one foot over the window sill and then the other, and sat with her feet crossed and kicking against the side of the house. It was a first floor window, and there was little danger of her falling out, but she stretched out her arms and held the window frame on either side. Dolly judged the girl must be about her own age, for she looked so, and too, her dress came nearly but not quite to her shoetops, which was the prescribed length of Dolly's own. It was a pleasant outlook. If this new neighbour should be a nice girl, Dolly foresaw lots of good times. For most of her girl friends lived at some distance; the nearest, several blocks away. And to have a chum next door would be fine! But was she a nice girl? Dolly had been punctiliously brought up, and a girl who sat in a window, and swung her feet over the sill, was a bit unconventional in Berwick. Dolly was seized with a strong desire to meet this girl, to see her nearer by and to talk with her. But Dolly was timid. Beside her careful education in deportment, she was naturally shy and reticent. She was sure she never could make any advances to become acquainted with this new girl, and yet, she did want to know her. She went back to her mother and sister. "There's an awful big picture," Trudy was saying; "it's all burlapped up, so you can't tell what it is. It's easy to judge people from their pictures." Trudy had graduated the year before from a large and fine girls' school and she knew all about pictures. "I think you can tell more by chairs," Mrs. Fayre said; "their easy chairs are very good ones. I think they're very nice people." "Have you seen the girl in the window?" asked Dolly. "She's just about my size." "So she is," said Mrs. Fayre, glancing at Dolly, and then returning to her study of the chairs. "When can I go to see her, Mother?" "Oh, Trudy and I will call there in a fortnight or so, and after that you can go to see the little girl
920.58761
2023-11-16 18:32:24.5779370
1,693
6
Produced by David Edwards, Marcia Brooks and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) CREATURES OF THE NIGHT _By the same Author._ IANTO THE FISHERMAN AND OTHER SKETCHES OF COUNTRY LIFE. _Illustrated with Photogravures. Large Crown 8vo._ _The Times._--"The quality which perhaps most gives its individuality to the book is distinctive of Celtic genius.... The characters... are touched with a reality that implies genuine literary skill." _The Standard._--"Mr Rees has taken a place which is all his own in the great succession of writers who have made Nature their theme." _The Guardian._--"We can remember nothing in recent books on natural history which can compare with the first part of this book... surprising insight into the life of field, and moor, and river." _The Outlook._--"This book--we speak in deliberate superlative--is the best essay in what may be called natural history biography that we have ever read." LONDON JOHN MURRAY, ALBEMARLE STREET [Illustration: "THE BROAD RIVER, IN WHICH SHE HAD SPENT HER EARLY LIFE." (_See_ p. 50.) _Frontispiece._] [Illustration: Decoration] CREATURES OF THE NIGHT A BOOK OF WILD LIFE IN WESTERN BRITAIN BY ALFRED W. REES AUTHOR OF "IANTO THE FISHERMAN" WITH ILLUSTRATIONS LONDON JOHN MURRAY, ALBEMARLE STREET 1905 TO MYFANWY AND MORGAN "All life is seed, dropped in Time's yawning furrow, Which, with slow sprout and shoot, In the revolving world's unfathomed morrow, Will blossom and bear fruit." MATHILDE BLIND. PREFACE. The Editors of _The Standard_ have kindly permitted me to republish the contents of this book, and I tender them my thanks. The original form of these Studies of animal life has been extensively altered, and, in some instances, the titles have been changed. I am again greatly indebted to my brother, R. Wilkins Rees. His wide and accurate knowledge has been constantly at my disposal, and in the preparation of these Studies he has given me much indispensable advice and assistance. Similarity in the habits of some of the animals described has made a slight similarity of treatment unavoidable in certain chapters. I may also remark that, in unfrequented districts where beasts and birds of prey are not destroyed by gamekeepers, the hare is as much a creature of the night as is the badger or the fox. ALFRED W. REES. [Transcriber's Note: Obvious typographical errors have been corrected, and standardized the hyphenations, otherwise the text has been left as the original] CONTENTS. THE OTTER. I. THE HOLT AMONG THE ALDERS. PAGE Late fishing--A summer night--River voices--A master-fisher-- The old mansion--Lingering beauty--The otters' "oven"--Observant youngsters--Careful motherhood--The meadow playground--Falling leaves--A swollen river--Dabchick's oar-like wings--Mysterious proceedings--Migrating salmon--Hoar-fringed river-banks--An adventure with a sheep-dog--Slip-shod builders--Signs of spring--A change of diet--Fattening trout--The capture of a "kelt"--"The otter's bite"--Lone wanderings. 1-23 II. THE POOL BENEATH THE FARMSTEAD. A song of autumn--The salmon pool--Angling difficulties--Bullying a sportive fish--An absent-minded fisherman--At dawn and nightfall--A deserted home--Practical joking--A moorhen's fate--Playfulness of youth--The torrent below the fall--The garden ponds--Feasting on frogs--A watcher of the night--Hounds and hunters--Lutra's discretion--The spell of fear 24-40 III. THE GORGE OF ALLTYCAFN. The Hunt again--Fury of despair--A "strong place"--The terrier's discomfiture--Lutra's widowhood--Summer drought--Life at the estuary--Returning to the river--Scarce provender--A rare and unexpected sight--The blacksmith's baited trap--The Rock of Gwion--Peace 41-50 THE WATER-VOLE. I. OUR VILLAGE HOUNDS. Quiet life--Leisure hours--A winter pastime--A miscellaneous pack--The bobtail, and his fight with an otter--The terrier, and his friendship with fishermen--A family party--Expert diving--Hunt membership, and the landlord as huntsman--Fast and furious fun--A rival Hunt--The bobtail's death--The terrier's eccentricities--A pleasant study begins--Brown rats--Yellow ants--Brighteye's peculiarities--Evening sport 51-67 II. THE BURROW IN THE RIVER BANK. At dusk--A picturesque home--Main roads and lanes of the riverside people--A heron's alertness--A rabbit's danger signal--The reed-bed--The vole in fear--The wildest of the wild--Tell-tale footprints--The significance of a blood-stain--A weasel's ferocity--Maternal warnings--A rat-hunting spaniel--An invaded sanctuary--The terrier's opportunity--The water-vole chatters and sings--A gladsome life--Dangers sharpen intellect 68-82 III. WILD HUNTING. An otter-hunt--Fading afterglow--Spiritual influence of night--Lutra and Brighteye--Brighteye's song--Chill waters--A beacon in the gloom--A squirrel's derision--A silvery phantom--An old, lean trout--Restless salmon--Change of quarters--Brighteye's encounter with a "red" fish 83-98 IV. SAVED BY AN ENEMY. The "redd" in the gravel--In company with a water-shrew--Ravenous trout--The salmon's attack--An otter appears--Brighteye's bewilderment--Increasing vigilance--Playful minnows--A new water-entrance--The winter granary--Careful harvesting--The dipper's winter carol--The robin and the wren at vespers--Unsafe quarters--Rats on the move--A sequestered pool--Icebound haunts 99-115 V. THE COURAGE OF FEAR. The dawn--Restlessness of spring--A bold adventurer--A sharp fight--Cleared pathways--Differences of opinion--A tight snuggery--In defence of home--A monster rat--Temporary refuge--The voles and the cannibal trout--Family troubles--A winter evening in the village 116-129 THE FIELD-VOLE. I. HIDDEN PATHWAYS IN THE GRASS. A pleasant wilderness--Pitying Nature--Hed
920.597977
2023-11-16 18:32:24.7153310
2,039
7
Produced by David Clarke, Linda Hamilton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: SHE GLIDED AND WHIRLED IN THE MOONLIGHT, GRACEFUL AS A WIND-BLOWN ROSE. _PAGE 284_] WHEN DREAMS COME TRUE BY RITTER BROWN AUTHOR OF "MAN'S BIRTHRIGHT" ILLUSTRATED BY W. M. BERGER New York Desmond FitzGerald, Inc. Copyright, 1912 By Desmond FitzGerald, Inc. TO MY SON ILLUSTRATIONS "She glided and whirled in the moonlight, graceful as a wind-blown rose" _Frontispiece_ FACING PAGE "The picture which she presented was one he carried with him for many a day" 130 "Instinctively he raised the casket with both hands" 272 "'Madre! Madre _mia_!' she cried and flung herself into Chiquita's arms" 292 "They were startled by a low moan and saw Blanch sink slowly to the bench" 330 There is a tradition extant among the Indians of the Southwest, extending from Arizona to the Isthmus of Panama, to the effect that, Montezuma will one day return on the back of an eagle, wearing a golden crown, and rule the land once more; typifying the return of the Messiah and the rebirth and renewal of the race. WHEN DREAMS COME TRUE I The beauty of midsummer lay upon the land--the mountains and plains of Chihuahua. It was August, the month of melons and ripening corn. High aloft in the pale blue vault of heaven, a solitary eagle soared in ever widening circles in its flight toward the sun. Far out upon the plains the lone wolf skulked among the sage and cactus in search of the rabbit and antelope, or lay panting in the scanty shade of the yucca. By most persons this little known land of the great Southwest is regarded as the one which God forgot. But to those who are familiar with its vast expanse of plain and horizon, its rugged sierras, its wild desolate _mesas_ and solitary peaks of half-decayed mountains--its tawny stretches of desert marked with the occasional skeletons of animal and human remains--its golden wealth of sunshine and opalescent skies, and have felt the brooding death-like silence which seems to hold as in a spell all things living as well as dead, this land becomes one of mystery and enchantment--a mute witness of some unknown or forgotten past when the children of men were young, whose secrets it still withholds, and with whose dust is mingled not only that of unnumbered and unknown generations of men, but that of Montezuma and the hardy daring _Conquistadores_ of old Spain. But whatever may be the general consensus of opinion concerning this land, such at least was the light in which it was viewed by Captain Forest, as he and his Indian attendant, Jose, drew rein on the rim of a broken, wind-swept _mesa_ in the heart of the Chihuahuan desert, a full day's ride from Santa Fe whither they were bound, to witness the _Fiesta_, the Feast of the Corn, which was celebrated annually at this season. The point where they halted commanded a sweeping view of the surrounding country. Just opposite, some five leagues distant, on the farther side of the valley which lay below them, towered the sharp ragged crest of the Mexican Sierras; their sides and foothills clothed in a thin growth of chaparral, pine and juniper and other low-growing bushes. Deep, rugged _arroyos_, the work of the rain and mountain torrents, cut and scarred the foothills which descended in precipitous <DW72>s to the valley and plains below. Solitary giant cactus dotted the landscape, adding to the general desolation of the scene, relieved only by the glitter of the silvery sage, white poppy and yucca, and yellow and scarlet cactus bloom which glistened in the slanting rays of the afternoon sun and the intense radiation of heat in which was mirrored the distant mirage; transforming the desert into wonderful lakes of limpid waters that faded in turn on the ever receding horizon. Below them numerous Indian encampments of some half-wild hill tribe straggled along the banks of the almost dry stream which wound through the valley until lost in the thirsty sands of the desert beyond. "'Tis the very spot, _Capitan_--the place of the skull!" ejaculated Jose, the first to break the silence. "See--yonder it lies just as we left it!" and he pointed toward the foot of the _mesa_ where a spring trickled from the rock, a short distance from which lay a human skull bleached white by long exposure to the sun. Instinctively the Captain's thoughts reverted to the incidents of the previous year when he lay in the desert sick unto death with fever and his horse, Starlight, had stood over his prostrate body and fought the wolves and vultures for a whole day and night until Jose returned with help from the Indian _pueblo_, La Guna. Involuntarily his hand slipped caressingly to the animal's neck, a chestnut with four white feet and a white mane and tail that swept the ground and a forelock that hung to his nostrils, concealing the star on his forehead; a magnificent animal, lithe and graceful as a lady's silken scarf, untiring and enduring as a Damascus blade. A horse that comes but once during twenty generations of Spanish-Arabian stock, and then is rare, and which, through some trick of nature or reversion, blossoms forth in all the beauty of an original type, taking upon himself the color and markings of some shy, wild-eyed dam, the pride of the Bedouin tribe and is known as the "Pearl of the Desert." The type of horse that bore Alexander and Jenghis Khan and the Prophet's War Chieftains to victory. As a colt he had escaped the _rodeo_. No mark of the branding-irons scarred his shoulder or thin transparent flanks. Again the Captain's thoughts traveled backward and he beheld a band of wild horses driven past him in review by a troup of Mexican _vaqueros_, and the beautiful chestnut stallion emerge from the cloud of dust on their rim and tossing his great white mane in the breeze, neigh loudly and defiantly as he swept by lithe and supple of limb. "Bring me that horse!" he had cried. "That horse? _Jose y Maria, Capitan!_ He cannot be broken. Besides, it will take ten men to tie him." "Then let ten men tie him!" he had replied, flinging a handful of golden eagles among them. Many attempts had been made to steal the Arab since he had come into the Captain's possession. It was a dangerous undertaking, for the horse had the naive habit of relegating man to his proper place, either by ignoring his presence, or by quietly kicking him into eternity with the same indifference that he would switch a fly with his tail. Jose might feed and groom and saddle him, but not mount him. To one only would he submit; to him to whom a common destiny had linked him--his master. "_Sangre de Dios, Capitan!_" began Jose again, breaking in upon the latter's musings. "Is it not better that we rest yonder by the spring than sit here in this infernal sun, gazing at nothing? 'Tis hot as the breath of hell where the Padres tell us all heretics will go after death!" The grim expression of the Captain's face relaxed for a moment and he turned toward him with a laugh. "Aye, who knows," he replied, "we too, may go there some day," and dismounting, he began to loosen his saddle girths. "The gods forbid!" answered Jose, making the sign of the cross, as if to ward off the influence of some evil spell. "I do not understand you _Americanos_," he continued, also dismounting and untying a small pack at the back of his saddle. "You are strange--you are ever gay when you should be sober. You laugh at the gods and the saints and frown at the _corridos_, and yet toss alms to the most worthless beggar." The foregoing conversation was carried on in Spanish. Although Jose had acquired a liberal smattering of English during his service with the Captain, he nevertheless detested it; obstinately adhering to Spanish which, though only his mother-tongue by adoption, was in his estimation at least a language for _Caballeros_. The two men were
920.735371
2023-11-16 18:32:24.7213930
1,740
7
Produced by Ralph, Joshua Hutchinson, KarenD and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections) VOL. XXXII. No. 12. THE AMERICAN MISSIONARY. * * * * * “To the Poor the Gospel is Preached.” * * * * * DECEMBER, 1878. _CONTENTS_: EDITORIAL. ABSTRACT OF THE REPORT OF THE EXECUTIVE COMMITTEE OF THE A. M. A. 353 ANNIVERSARY OF THE AMERICAN MISSIONARY ASSOCIATION 356 ADDRESS OF REV. SYLVANUS HEYWOOD 371 ADDRESS ON CHINESE MISSIONS IN AMERICA: Rev. E. S. Atwood 373 ADDRESS UPON THE AFRICAN MISSION: REV. G. D. Pike 377 THE ANNUAL MEETING 379 PARAGRAPHS 381 ITEMS FROM SCHOOLS AND CHURCHES 382 THE FREEDMEN. ATLANTA, GA.--Students’ Reports of Summer Work: Mrs. T. N. Chase 383 TENNESSEE.--Woman’s Work among Women: Miss Hattie Milton 385 NORTH CAROLINA.--Students Want to “Batch”: Rev. Alfred Connett 387 TALLADEGA, ALABAMA.--The Story of Ambrose Headen 388 A GRATEFUL WARD 389 AFRICA. THE MENDI MISSION: Rev. A. E. Jackson 389 THE INDIANS. SISSETON AGENCY: E. H. C. Hooper, Agent 392 RECEIPTS 394 * * * * * NEW YORK: Published by the American Missionary Association, ROOMS, 56 READE STREET. * * * * * Price, 50 Cents a Year, in advance. * * * * * A. Anderson, Printer, 23 to 27 Vandewater St. _American Missionary Association_, 56 READE STREET, N. Y. * * * * * PRESIDENT. HON. E. S. TOBEY, Boston. VICE PRESIDENTS. Hon. F. D. PARISH, Ohio. Rev. JONATHAN BLANCHARD, Ill. Hon. E. D. HOLTON, Wis. Hon. WILLIAM CLAFLIN, Mass. Rev. STEPHEN THURSTON, D. D., Me. Rev. SAMUEL HARRIS, D. D., Ct. Rev. SILAS MCKEEN, D. D., Vt. WM. C. CHAPIN, Esq., R. I. Rev. W. T. EUSTIS, Mass. Hon. A. C. BARSTOW, R. I. Rev. THATCHER THAYER, D. D., R. I. Rev. RAY PALMER, D. D., N. Y. Rev. J. M. STURTEVANT, D. D., Ill. Rev. W. W. PATTON, D. D., D. C. Hon. SEYMOUR STRAIGHT, La. Rev. D. M. GRAHAM, D. D., Mich. HORACE HALLOCK, Esq., Mich. Rev. CYRUS W. WALLACE, D. D., N. H. Rev. EDWARD HAWES, Ct. DOUGLAS PUTNAM, Esq., Ohio. Hon. THADDEUS FAIRBANKS, Vt. SAMUEL D. PORTER, Esq., N. Y. Rev. M. M. G. DANA, D. D., Ct. Rev. H. W. BEECHER, N. Y. Gen. O. O. HOWARD, Oregon. Rev. EDWARD L. CLARK, N. Y. Rev. G. F. MAGOUN, D. D., Iowa Col. C. G. HAMMOND, Ill. EDWARD SPAULDING, M. D., N. H. DAVID RIPLEY, Esq., N. J. Rev. WM. M. BARBOUR, D. D., Ct. Rev. W. L. GAGE, Ct. A. S. HATCH, Esq., N. Y. Rev. J. H. FAIRCHILD, D. D., Ohio. Rev. H. A. STIMSON, Minn. Rev. J. W. STRONG, D. D., Minn. Rev. GEORGE THACHER, LL. D., Iowa. Rev. A. L. STONE, D. D., California. Rev. G. H. ATKINSON, D. D., Oregon. Rev. J. E. RANKIN, D. D., D. C. Rev. A. L. CHAPIN, D. D., Wis. S. D. SMITH, Esq., Mass. Rev. H. M. PARSONS, N. Y. PETER SMITH, Esq., Mass. Dea. JOHN WHITING, Mass. Rev. WM. PATTON, D. D., Ct. Hon. J. B. GRINNELL, Iowa. Rev. WM. T. CARR, Ct. Rev. HORACE WINSLOW, Ct. Sir PETER COATS, Scotland. Rev. HENRY ALLON, D. D., London, Eng. WM. E. WHITING, Esq., N. Y. J. M. PINKERTON, Esq., Mass. CORRESPONDING SECRETARY. REV. M. E. STRIEBY, _56 Reade Street, N. Y._ DISTRICT SECRETARIES. REV. C. L. WOODWORTH, _Boston_. REV. G. D. PIKE, _New York_. REV. JAS. POWELL, _Chicago, Ill._ EDGAR KETCHUM, ESQ., _Treasurer, N. Y._ H. W. HUBBARD, ESQ., _Assistant Treasurer, N. Y._ REV. M. E. STRIEBY, _Recording Secretary_. EXECUTIVE COMMITTEE. ALONZO S. BALL, A. S. BARNES, EDWARD BEECHER, GEO. M. BOYNTON, WM. B. BROWN, CLINTON B. FISK, A. P. FOSTER, E. A. GRAVES, S. B. HALLIDAY, SAM’L HOLMES, S. S. JOCELYN, ANDREW LESTER, CHAS. L. MEAD, JOHN H. WASHBURN, G. B. WILLCOX. COMMUNICATIONS relating to the business of the Association may be addressed to either of the Secretaries as above. DONATIONS AND SUBSCRIPTIONS may be sent to H. W. Hubbard, 56 Reade Street, New York, or, when more convenient, to either of the branch offices, 21 Congregational House, Boston, Mass., 112 West Washington Street, Chicago, Ill. Drafts or checks sent to Mr. Hubbard should be made payable to his order as _Assistant Treasurer_. A payment of thirty dollars at one
920.741433
2023-11-16 18:32:24.9146640
2,603
6
Produced by Chris Curnow, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Transcriber's Notes: Small-capped text within the stories is surrounded by +plus signs+ to separate it from the ALL-CAPPED text. Italic text is surrounded by _underscores_.] Mother’s Nursery Tales [Illustration] MOTHER’S NURSERY TALES _TOLD AND ILLUSTRATED_ _BY_ _KATHARINE PYLE_ [Illustration] NEW YORK E. P. DUTTON & COMPANY 681 FIFTH AVENUE COPYRIGHT, 1918 BY E. P. DUTTON & COMPANY _All Rights Reserved_ _Printed in the United States of America_ [Illustration] CONTENTS PAGE The Sleeping Beauty 1 Jack and the Bean Stalk 13 Beauty and the Beast 31 Jack-the-Giant-Killer 47 The Three Wishes 71 The Goose Girl 75 The Little Old Woman and Her Pig 92 The White Cat 100 Brittle-Legs 115 “I Went Up One Pair of Stairs,” etc. 124 The Straw, the Coal, and the Bean 128 The Water-Sprite 132 Star Jewels 139 Sweet Porridge 146 Chicken-Diddle 152 A Pack of Ragamuffins 157 The Frog Prince 165 The Wolf and the Five Little Goats 174 The Golden Goose 183 The Three Spinners 199 Goldilocks and the Three Bears 207 The Three Little Pigs 215 The Golden Key 229 Mother Hulda 232 The Six Companions 241 The Golden Bird 256 The Nail 281 Little Red Riding-Hood 284 Aladdin, or the Magic Lamp 291 The Cobbler and the Fairies 323 Cinderella 328 Jack in Luck 345 Puss in Boots 356 The Town Musicians 369 ILLUSTRATIONS COLOR PLATES PAGE Goldilocks and the Three Bears _Frontispiece_ Beauty and the Beast 31 Brittle-Legs 115 The Water-Sprite 132 The Three Spinners 199 Mother Hulda 232 Little Red Riding-Hood 284 BLACK AND WHITE Contents (_Headband_) v Introduction (_Headband_) ix The Sleeping Beauty 10 Jack and the Beanstalk (_Half title_) 13 Beauty and the Beast (_Tailpiece_) 46 The Three Wishes (_Headband_) 71 The Goose Girl (_Half title_) 75 The Goose Girl (_Tailpiece_) 91 “The Pig would not go over the Stile” 94 The White Cat 105 The Straw, the Coal, and the Bean (_Headband_) 128 The Straw, the Coal, and the Bean (_Tailpiece_) 131 Star Jewels (_Half title_) 139 Sweet Porridge (_Headband_) 146 “Come little Pot” 150 A Pack of Ragamuffins (_Headband_) 157 The Frog Prince (_Headband_) 165 The Frog with the Ball 167 The Wolf and the Five Little Goats (_Tailpiece_) 182 The Golden Goose (_Headband_) 183 The Three Little Pigs (_Half title_) 215 The Three Little Pigs (_Tailpiece_) 227 The Golden Key (_Headband_) 229 Mother Hulda (_Tailpiece_) 240 The Six Companions (_Half title_) 241 The Golden Bird (_Headband_) 256 The Golden Bird (_Tailpiece_) 280 Aladdin, or the Magic Lamp (_Half title_) 291 The Cobbler and the Fairies (_Headband_) 323 Cinderella (_Headband_) 328 Cinderella and the Prince 335 Cinderella (_Tailpiece_) 344 Puss in Boots 363 The Town Musicians (_Tailpiece_) 376 [Illustration] INTRODUCTION These are not new fairy-tales, the ones in this book that has been newly made for you and placed in your hands. They are old fairy-tales gathered together, some from one country, and some from another. They are old, old, old. As old as the hills or the human race,—as old as truth itself. Long ago, even so long ago as when your grandmother’s grandmother’s grandmother was a little rosy-cheeked girl, and your grandfather’s grandfather’s grandfather was a noisy shouting little boy, these stories were old. No one knows who first told them, nor where nor when. Perhaps none of them was told by any one particular person. Perhaps they just grew upon the Tree of Wisdom when the world was young, like shining fruit, and our wise and simple first parents plucked them, and gave them to their children to play with, and to taste. They could not harm the children, these fruits from the tree of wisdom, for each one was a lovely globe of truth, rich and wholesome to the taste. Magic fruit, for one could eat and eat, and still the fruit was there as perfect as ever to be handed down through generations, until at last it comes to you, as beautiful as in those days of long ago. Perhaps you did not know that fairy tales were ever truths, but they are—the best and oldest of them. That does not mean they are facts like the things you see around you or learn from history books. Facts and truths are as different as the body and the spirit. Facts are like the body that we can see and touch and measure; we cannot see or measure the Spirit, but it is there. We can think of these truths as of different shapes and colors, like pears and apples, and plums and other fruits, each with a different taste and color. But there is one great truth that flows through them all, and you know very well what it is:—evil in the end must always defeat itself, and in the end good always triumphs. The bad magician is tripped up by his own tricks, and the true prince marries the princess and inherits the kingdom. If any one of these stories had told it otherwise, that story would have died and withered away. So take this book and read, being very sure that only good will come to you however often you read them over and over and over again. KATHARINE PYLE. Mother’s Nursery Tales THE SLEEPING BEAUTY There were once a King and Queen who had no children, though they had been married for many years. At last, however, a little daughter was born to them, and this was a matter of great rejoicing through all the kingdom. When the time came for the little Princess to be christened, a grand feast was prepared, and six powerful fairies were asked to stand as her godmothers. Unfortunately the Queen forgot to invite the seventh fairy, who was the most powerful of them all, and was also very wicked and malicious. On the day of the christening the six good fairies came early, in chariots drawn by butterflies, or by doves or wrens or other birds. They were made welcome by the King and Queen, and after some talk they were led to the hall where the feast had been set out. Everything there was very magnificent. There were delicious fruits and meats and pastries and game and everything that could be thought of. The dishes were all of gold, and for each fairy there was a goblet cut from a single precious stone. One was a diamond, one a sapphire, one a ruby, one an emerald, one an amethyst, and one a topaz. The fairies were delighted with the beauty of everything. Even in their own fairy palaces they had no such goblets as those the King had had made for them. They were just about to take their places at the table when a great noise was heard outside on the terrace. The Queen looked from the window and almost fainted at the sight she saw. The bad fairy had arrived. She had come uninvited, and the Queen guessed that it was for no good that she came. Her chariot was of black iron, and was drawn by four dragons with flaming eyes and brass scales. The fairy sprang from her chariot in haste, and came tapping into the hall with her staff in her hand. “How is this? How is this?” she cried to the Queen. “Here all my sisters have been invited to come and bring their gifts to the Princess, and I alone have been forgotten.” The Queen did not know what to answer. She was frightened. However, she tried to hide her fear, and made the seventh fairy as welcome as the others. A place was set for her at the King’s right hand, and he and the Queen tried to pretend they had expected her to come. But for her there was no precious goblet, and when she saw the ones that had been given to the six other fairies her face grew green with envy, and her eyes flashed fire. She ate and drank, but she said never a word. After the feast the little Princess was brought into the room, and she smiled so sweetly and looked so innocent that only a wicked heart could have planned evil against her. The first fairy took the child in her arms and said, “My gift to the Princess shall be that of contentment, for contentment is better than gold.” “Yet gold is good,” said the second fairy, “and I will give her the gift of wealth.” “Health shall be hers,” said the third, “for wealth is of little use without it.” “And I,” said the fourth, “will gift her with beauty to win all hearts.” “And wit to charm all ears,” said the fifth. “That is my gift to her.” The sixth fairy hesitated, and in that moment the wicked one stepped forward. While the others had spoken she had been swelling with spite like a toad. “And I say,” cried she, “that in her seventeenth year she shall prick her finger with a spindle and fall dead.” When the Queen heard this she shrieked aloud, and the King grew as pale as death. But the sixth fairy stepped forward. “Wait a bit,” said she. “I have not spoken yet. I cannot undo what our sister has done, but I say that the Princess shall not really die. She shall fall into a deep sleep that shall last a hundred years, and all in the castle shall sleep with her. At the end of that time she shall be awakened by a kiss.” When the wicked fairy heard this she was filled with rage, but she had already spoken; she could do no more. She rushed out of the castle and jumped into her chariot, and the dragons carried her away, and where she went no one either knew nor cared. The other fairies also went away, and they were sad because of what was to happen to the Princess.
920.934704
2023-11-16 18:32:25.0168350
2,087
13
Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) COLLECTION OF BRITISH AUTHORS TAUCHNITZ EDITION. VOL. 1091. SALEM CHAPEL BY MRS. OLIPHANT. IN TWO VOLUMES. VOL. I. TAUCHNITZ EDITION. By the same Author, THE LAST OF THE MORTIMERS 2 vols. MARGARET MAITLAND 1 vol. AGNES 2 vols. MADONNA MARY 2 vols. THE MINISTER'S WIFE 2 vols. THE RECTOR AND THE DOCTOR'S FAMILY 1 vol. Chronicles of Carlingford SALEM CHAPEL BY MRS. OLIPHANT. _COPYRIGHT EDITION._ IN TWO VOLUMES. VOL. I. LEIPZIG BERNHARD TAUCHNITZ 1870. _The Right of Translation is reserved._ SALEM CHAPEL. CHAPTER I. Towards the west end of Grove Street, in Carlingford, on the shabby side of the street, stood a red brick building, presenting a pinched gable terminated by a curious little belfry, not intended for any bell, and looking not unlike a handle to lift up the edifice by to the public observation. This was Salem Chapel, the only Dissenting place of worship in Carlingford. It stood in a narrow strip of ground, just as the little houses which flanked it on either side stood in their gardens, except that the enclosure of the chapel was flowerless and sombre, and showed at the farther end a few sparsely-scattered tombstones--unmeaning slabs, such as the English mourner loves to inscribe his sorrow on. On either side of this little tabernacle were the humble houses--little detached boxes, each two storeys high, each fronted by a little flower-plot--clean, respectable, meagre, little habitations, which contributed most largely to the ranks of the congregation in the Chapel. The big houses opposite, which turned their backs and staircase windows to the street, took little notice of the humble Dissenting community. Twice in the winter, perhaps, the Miss Hemmings, mild evangelical women, on whom the late rector--the Low-Church rector, who reigned before the brief and exceptional incumbency of the Rev. Mr. Proctor--had bestowed much of his confidence, would cross the street, when other profitable occupations failed them, to hear a special sermon on a Sunday evening. But the Miss Hemmings were the only representatives of anything which could, by the utmost stretch, be called Society, who ever patronised the Dissenting interest in the town of Carlingford. Nobody from Grange Lane had ever been seen so much as in Grove Street on a Sunday, far less in the chapel. Greengrocers, dealers in cheese and bacon, milkmen, with some dressmakers of inferior pretensions, and teachers of day-schools of similar humble character, formed the _elite_ of the congregation. It is not to be supposed, however, on this account, that a prevailing aspect of shabbiness was upon this little community; on the contrary, the grim pews of Salem Chapel blushed with bright colours, and contained both dresses and faces on the summer Sundays which the Church itself could scarcely have surpassed. Nor did those unadorned walls form a centre of asceticism and gloomy religiousness in the cheerful little town. Tea-meetings were not uncommon occurrences in Salem--tea-meetings which made the little tabernacle festive, in which cakes and oranges were diffused among the pews, and funny speeches made from the little platform underneath the pulpit, which woke the unconsecrated echoes with hearty outbreaks of laughter. Then the young people had their singing-class, at which they practised hymns, and did not despise a little flirtation; and charitable societies and missionary auxiliaries diversified the congregational routine, and kept up a brisk succession of "Chapel business," mightily like the Church business which occupied Mr. Wentworth and his Sisters of Mercy at St. Roque's. To name the two communities, however, in the same breath, would have been accounted little short of sacrilege in Carlingford. The names which figured highest in the benevolent lists of Salem Chapel, were known to society only as appearing, in gold letters, upon the backs of those mystic tradesmen's books, which were deposited every Monday in little heaps at every house in Grange Lane. The Dissenters, on their part, aspired to no conquests in the unattainable territory of high life, as it existed in Carlingford. They were content to keep their privileges among themselves, and to enjoy their superior preaching and purity with a compassionate complacence. While Mr. Proctor was rector, indeed, Mr. Tozer, the butterman, who was senior deacon, found it difficult to refrain from an audible expression of pity for the "Church folks" who knew no better; but, as a general rule, the congregation of Salem kept by itself, gleaning new adherents by times at an "anniversary" or the coming of a new minister, but knowing and keeping "its own place" in a manner edifying to behold. Such was the state of affairs when old Mr. Tufton declined in popularity, and impressed upon the minds of his hearers those now-established principles about the unfitness of old men for any important post, and the urgent necessity and duty incumbent upon old clergymen, old generals, old admirals, &c.--every aged functionary, indeed, except old statesmen--to resign in favour of younger men, which have been, within recent years, so much enforced upon the world. To communicate this opinion to the old minister was perhaps less difficult to Mr. Tozer and his brethren than it might have been to men more refined and less practical; but it was an undeniable relief to the managers of the chapel when grim Paralysis came mildly in and gave the intimation in the manner least calculated to wound the sufferer's feelings. Mild but distinct was that undeniable warning. The poor old minister retired, accordingly, with a purse and a presentation, and young Arthur Vincent, fresh from Homerton, in the bloom of hope and intellectualism, a young man of the newest school, was recognised as pastor in his stead. A greater change could not possibly have happened. When the interesting figure of the young minister went up the homely pulpit-stairs, and appeared, white-browed, white-handed, in snowy linen and glossy clerical apparel, where old Mr. Tufton, spiritual but homely, had been wont to impend over the desk and exhort his beloved brethren, it was natural that a slight rustle of expectation should run audibly through the audience. Mr. Tozer looked round him proudly to note the sensation, and see if the Miss Hemmings, sole representatives of a cold and unfeeling aristocracy, were there. The fact was, that few of the auditors were more impressed than the Miss Hemmings, who _were_ there, and who talked all the evening after about the young minister. What a sermon it was! not much in it about the beloved brethren; nothing very stimulating, indeed, to the sentiments and affections, except in the youth and good looks of the preacher, which naturally made a more distinct impression upon the female portion of his hearers than on the stronger sex. But then what eloquence! what an amount of thought! what an honest entrance into all the difficulties of the subject! Mr. Tozer remarked afterwards that such preaching was food for _men_. It was too closely reasoned out, said the excellent butterman, to please women or weak-minded persons: but he did not doubt, for his part, that soon the young men of Carlingford, the hope of the country, would find their way to Salem. Under such prognostications, it was fortunate that the young minister possessed something else besides close reasoning and Homerton eloquence to propitiate the women too. Mr. Vincent arrived at Carlingford in the beginning of winter, when society in that town was reassembling, or at least reappearing, after the temporary summer seclusion. The young man knew very little of the community which he had assumed the spiritual charge of. He was almost as particular as the Rev. Mr. Wentworth of St. Roque's about the cut of his coat and the precision of his costume, and decidedly preferred the word clergyman to the word minister, which latter was universally used by his flock; but notwithstanding these trifling predilections, Mr. Vincent, who had been brought up upon the 'Nonconformist' and the 'Eclectic Review,' was strongly impressed with the idea that the Church Establishment, though outwardly prosperous, was in reality a profoundly rotten institution; that the Nonconforming portion of the English public was the party of progress; that the eyes of the world were turned upon the Dissenting interest; and that his
921.036875
2023-11-16 18:32:25.2181970
2,361
8
Produced by Greg Bergquist, Paul Clark and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible. "Reverend Herr Doktor Konsistorialat D. Vorwerk" has been changed to "Reverend Herr Doktor Konsistorialrat D. Vorwerk" Italic text has been marked with _underscores_. "Speaking of Prussians--" BY IRVIN S. COBB FICTION THOSE TIMES AND THESE LOCAL COLOR OLD JUDGE PRIEST FIBBLE, D. D. BACK HOME THE ESCAPE OF MR. TRIMM WIT AND HUMOR "SPEAKING OF OPERATIONS----" EUROPE REVISED ROUGHING IT DE LUXE COBB'S BILL OF FARE COBB'S ANATOMY MISCELLANY "SPEAKING OF PRUSSIANS----" PATHS OF GLORY GEORGE H. DORAN COMPANY NEW YORK [Illustration: TURNING THE EAGLE LOOSE] "_Speaking of Prussians----_" _By_ _Irvin S. Cobb_ _Author of "Back Home," "Europe Revised," "Speaking of Operations----", Etc._ [Illustration] _New York George H. Doran Company_ COPYRIGHT, 1917, BY GEORGE H. DORAN COMPANY COPYRIGHT, 1917, BY THE CURTIS PUBLISHING COMPANY PRINTED IN THE UNITED STATES OF AMERICA DEDICATED BY PERMISSION TO WOODROW WILSON PRESIDENT OF THE UNITED STATES "_Speaking of Prussians--_" I I believe it to be my patriotic duty as an American citizen to write what I am writing, and after it is written to endeavour to give to it as wide a circulation in the United States as it is possible to find. In making this statement, though, I am not setting myself up as a teacher or a preacher; neither am I going upon the assumption that, because I am a fairly frequent contributor to American magazines, people will be the readier or should be the readier to read what I have to say. Aside from a natural desire to do my own little bit, my chief reason is this: Largely by chance and by accident, I happened to be one of four or five American newspaper men who witnessed at first hand the German invasion of Belgium and one of three who, a little later, witnessed some of the results of the Germanic subjugation of the northern part of France. I was inside Germany at the time the rush upon Paris was checked and the retreat from the Marne took place, thereby having opportunity to take cognisance of the feelings and sentiments and the impulses which controlled the German populace in a period of victory and in a period of reversals. I am in the advantageous position, therefore, of being able to recount as an eyewitness--and, as I hope, an honest one--something of what war means in its effects upon the civilian populace of a country caught unawares and in a measure unprepared; and, more than that, what war particularly and especially means when it is waged under the direction of officers trained in the Prussian school. Having seen these things, I hate war with all my heart. I am sure that I hate it with a hatred deeper than the hate of you, reader, who never saw its actual workings and its garnered fruitage. For, you see, I saw the physical side of it; and, having seen it, I want to tell you that I have no words with which halfway adequately to describe it for you, so that you may have in your mind the pictures I have in mine. It is the most obscene, the most hideous, the most brutal, the most malignant--and sometimes the most necessary--spectacle, I veritably believe, that ever the eye of mortal man has rested on since the world began, and I do hate it. But if war had to come--war for the preservation of our national honour and our national integrity; war for the defence of our flag and our people and our soil; war for the preservation of the principles of representative government among the nations of the earth--I would rather that it came now than that it came later. I have a child. I would rather that child, in her maturity, might be assured of living in a peace guaranteed by the sacrifices and the devotion of the men and women of this generation, than that her father should live on in a precarious peace, bought and paid for with cowardice and national dishonour. II A few days before war was declared, an antimilitarist mass meeting was held in New York. It was variously addressed by a number of well-known gentlemen regarding whose purity of motive there could be no question, but regarding whose judgment a great majority of us have an opinion that cannot be printed without the use of asterisks. And it was attended by a very large representation of peace-loving citizens, including a numerous contingent of those peculiar patriots who, for the past two years, have been so very distressed if any suggestion of hostilities with the Central Powers was offered, but so agreeably reconciled if a break with the Allies, or any one of them, seemed a contingency. It may have been only a coincidence, but it struck some of us as a significant fact that, from the time of the dismissal of Count Von Bernstorff onward, the average pro-peace meeting was pretty sure to resolve itself into something rather closely resembling a pro-German demonstration before the evening was over. Persons who hissed the name of our President behaved with respectful decorum when mention was made of a certain Kaiser. However, I am not now concerned with these weird Americans, some of whom part their Americanism in the middle with a hyphen. Some of them were in jail before this little book was printed. I am thinking now of those national advocates of the policy of the turned cheek; those professional pacificists; those wavers of the olive branch--who addressed this particular meeting and similar meetings that preceded it--little brothers to the worm and the sheep and the guinea pig, all of them--who preached not defence, but submission; not a firm stand, but a complete surrender; not action, but words, words, words. III Every right-thinking man, I take it, believes in universal peace and realises, too, that we shall have universal peace in that fair day when three human attributes, now reasonably common among individuals and among nations, have been eliminated out of this world, these three being greed, jealousy and evil temper. Every sane American hopes for the time of universal disarmament, and meantime indulges in one mental reservation: He wants all the nations to put aside their arms; but he hopes his own nation will be the last to put aside hers. But not every American--thanks be to God!--has in these months and years of our campaign for preparedness favoured leaving his country in a state where she might be likened to a large, fat, rich, flabby oyster, without any shell, in a sea full of potential or actual enemies, all clawed, all toothed, all hungry. The oyster may be the more popular, but it is the hard-shelled crab that makes the best life-insurance risk. And when I read the utterances of those conscientious gentlemen, who could not be brought to bear the idea of going to war with any nation for any reason, I wished with all my soul they might have stood with me in Belgium on that August day, when I and the rest of the party to which I belonged saw the German legions come pouring down, a cloud of smoke by day and a pillar of fire by night, with terror riding before them as their herald, and death and destruction and devastation in the tracks their war-shod feet left upon a smiling and a fecund little land. Because I am firmly of the opinion that their sentiments would then have undergone the same instantaneous transformation which the feelings of each member of my group underwent. Speaking for myself, I confess that, until that summer day of the year 1914, I had thought--such infrequent times as I gave the subject any thought at all--that for us to spend our money on heavy guns and an augmented navy, for us to dream of compulsory military training and a larger standing army, would be the concentrated essence of economic and national folly. I remember when Colonel Roosevelt--then, I believe, President Roosevelt--delivered himself of the doctrine of the Big Stick, I, being a good Democrat, regarded him as an incendiary who would provoke the ill will of great Powers, which had for us only kindly feeling, by the shaking in their faces of an armed fist. I remember I had said to myself, as, no doubt, most Americans had said to themselves: "We are a peaceful nation; not concerned with dreams of conquest. We have the Atlantic and the Pacific Oceans for our protection. We are not going to make war on anybody else. Nobody else is going to make war on us. War is going out of fashion all over the planet. A passion for peace is coming to be the fashion of the world. The lion and the lamb lie down together." Well, the lion and the lamb did lie down together--over there in Europe; and when the lion rose, a raging lion, he had the mangled carcass of the lamb beneath his bloodied paws. And it was on the day when I first saw the lion, with his jaws adrip, coming down the highroads, typified in half a million fighting men--men whose sole business in life was to fight, and who knew their business as no other people ever have known it--that in one flash of time I decided I wanted my country to quit being lamb-like, not because the lion was a pleasing figure before mine eyes, but because for the first time I realised that, so long as there are lions, sooner or later must come oppression and annihilation for the nation which persists in being one of the lambs. As though it happened yesterday, instead of thirty months ago, I can recreate in my mind the physical and the mental stage settings of that moment. I can shut my eyes and see the German firing squad shooting two Belgian civilians against a brick wall. I can smell the odours of the burning houses. Yes, and the smell of the burning flesh of the dead men who were in those
921.238237
2023-11-16 18:32:25.4144930
1,473
10
Produced by Chris Curnow, Joseph Cooper, Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note The punctuation and spelling from the original text have been faithfully preserved. Only obvious typographical errors have been corrected. THE CRITICAL PERIOD OF AMERICAN HISTORY 1783-1789 BY JOHN FISKE "I am uneasy and apprehensive, more so than during the war." JAY TO WASHINGTON, _June_ 27, 1786. [Illustration] BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge Copyright, 1888, BY JOHN FISKE. _All rights reserved._ _The Riverside Press, Cambridge, Mass., U.S.A._ Electrotyped and Printed by H.O. Houghton & Co. To MY DEAR CLASSMATES, FRANCIS LEE HIGGINSON AND CHARLES CABOT JACKSON, _I DEDICATE THIS BOOK._ PREFACE. This book contains the substance of the course of lectures given in the Old South Meeting-House in Boston in December, 1884, at the Washington University in St. Louis in May, 1885, and in the theatre of the University Club in New York in March, 1886. In its present shape it may serve as a sketch of the political history of the United States from the end of the Revolutionary War to the adoption of the Federal Constitution. It makes no pretensions to completeness, either as a summary of the events of that period or as a discussion of the political questions involved in them. I have aimed especially at grouping facts in such a way as to bring out and emphasize their causal sequence, and it is accordingly hoped that the book may prove useful to the student of American history. My title was suggested by the fact of Thomas Paine's stopping the publication of the "Crisis," on hearing the news of the treaty of 1783, with the remark, "The times that tried men's souls are over." Commenting upon this, on page 55 of the present work, I observed that so far from the crisis being over in 1783, the next five years were to be the most critical time of all. I had not then seen Mr. Trescot's "Diplomatic History of the Administrations of Washington and Adams," on page 9 of which he uses almost the same words: "It must not be supposed that the treaty of peace secured the national life. Indeed, it would be more correct to say that the most critical period of the country's history embraced the time between 1783 and the adoption of the Constitution in 1788." That period was preeminently the turning-point in the development of political society in the western hemisphere. Though small in their mere dimensions, the events here summarized were in a remarkable degree germinal events, fraught with more tremendous alternatives of future welfare or misery for mankind than it is easy for the imagination to grasp. As we now stand upon the threshold of that mighty future, in the light of which all events of the past are clearly destined to seem dwindled in dimensions and significant only in the ratio of their potency as causes; as we discern how large a part of that future must be the outcome of the creative work, for good or ill, of men of English speech; we are put into the proper mood for estimating the significance of the causes which determined a century ago that the continent of North America should be dominated by a single powerful and pacific federal nation instead of being parcelled out among forty or fifty small communities, wasting their strength and lowering their moral tone by perpetual warfare, like the states of ancient Greece, or by perpetual preparation for warfare, like the nations of modern Europe. In my book entitled "American Political Ideas, viewed from the Standpoint of Universal History," I have tried to indicate the pacific influence likely to be exerted upon the world by the creation and maintenance of such a political structure as our Federal Union. The present narrative may serve as a commentary upon what I had in mind on page 133 of that book, in speaking of the work of our Federal Convention as "the finest specimen of constructive statesmanship that the world has ever seen." On such a point it is pleasant to find one's self in accord with a statesman so wise and noble as Mr. Gladstone, whose opinion is here quoted on page 223. To some persons it may seem as if the years 1861-65 were of more cardinal importance than the years 1783-89. Our civil war was indeed an event of prodigious magnitude, as measured by any standard that history affords; and there can be little doubt as to its decisiveness. The measure of that decisiveness is to be found in the completeness of the reconciliation that has already, despite the feeble wails of unscrupulous place-hunters and unteachable bigots, cemented the Federal Union so powerfully that all likelihood of its disruption may be said to have disappeared forever. When we consider this wonderful harmony which so soon has followed the deadly struggle, we may well believe it to be the index of such a stride toward the ultimate pacification of mankind as was never made before. But it was the work done in the years 1783-89 that created a federal nation capable of enduring the storm and stress of the years 1861-65. It was in the earlier crisis that the pliant twig was bent; and as it was bent, so has it grown; until it has become indeed a goodly and a sturdy tree. CAMBRIDGE, October 10, 1888. CONTENTS. CHAPTER I. RESULTS OF YORKTOWN. PAGE Fall of Lord North's ministry 1 Sympathy between British Whigs and the revolutionary party in America 2 It weakened the Whig party in England 3 Character of Lord Shelburne 4 Political instability of the Rockingham ministry 5, 6 Obstacles in the way of a treaty of peace 7, 8 Oswald talks with Franklin 9-11 Grenville has an interview with Vergennes 12 Effects of Rodney's victory 13 Misunderstanding between Fox and Shelburne 14 Fall of the Rockingham ministry 15 Shelburne becomes prime minister 16 Defeat of the Spaniards and French at Gibraltar 17 French policy opposed to American interests 18 The valley of the
921.434533
2023-11-16 18:32:25.5199860
688
28
E-text prepared by David Clarke, Barbara Tozier, and the Project Gutenberg Online Distributed Proofreading Team http://www.pgdp.net) THE ROUGH ROAD by WILLIAM J. LOCKE First Edition... September 1918 John Lane The Bodley Head Ltd TO SHEILA THIS LITTLE TALE OF THE GREAT WAR AS A MEMORY FOR AFTER YEARS THE ROUGH ROAD CHAPTER I This is the story of Doggie Trevor. It tells of his doings and of a girl in England and a girl in France. Chiefly it is concerned with the influences that enabled him to win through the war. Doggie Trevor did not get the Victoria Cross. He got no cross or distinction whatever. He did not even attain the sorrowful glory of a little white cross above his grave on the Western Front. Doggie was no hero of romance, ancient or modern. But he went through with it and is alive to tell the tale. The brutal of his acquaintance gave him the name of "Doggie" years before the war was ever thought of, because he had been brought up from babyhood like a toy Pom. The almost freak offspring of elderly parents, he had the rough world against him from birth. His father died before he had cut a tooth. His mother was old enough to be his grandmother. She had the intense maternal instinct and the brain, such as it is, of an earwig. She wrapped Doggie--his real name was James Marmaduke--in cotton-wool, and kept him so until he was almost a grown man. Doggie had never a chance. She brought him up like a toy Pom until he was twenty-one--and then she died. Doggie being comfortably off, continued the maternal tradition and kept on bringing himself up like a toy Pom. He did not know what else to do. Then, when he was five-and-twenty, he found himself at the edge of the world gazing in timorous starkness down into the abyss of the Great War. Something kicked him over the brink and sent him sprawling into the thick of it. * * * * * That the world knows little of its greatest men is a commonplace among silly aphorisms. With far more justice it may be stated that of its least men the world knows nothing and cares less. Yet the Doggies of the War, who on the cry of "Havoc!" have been let loose, much to their own and everybody else's stupefaction, deserve the passing tribute sometimes, poor fellows, of a sigh, sometimes of a smile, often of a cheer. Very few of them--very few, at any rate, of the English Doggies--have tucked their little tails between their legs and run away. Once a brawny humorist wrote to Doggie Trevor "_Sursum cauda._" Doggie happened to be at the time in a water-logged front trench in Flanders and the writer basking in the mild sunshine of Simla with his Territorial regiment. Doggie, bidden by the Hedonist of circumstance to up with
921.540026
2023-11-16 18:32:25.6201020
992
12
Produced by Cindy Horton, Brian Coe, and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) THE JUDGEMENT OF VALHALLA BY GILBERT FRANKAU NEW YORK FEDERAL PRINTING COMPANY 1918 Copyright, 1918 GILBERT FRANKAU _All rights reserved_ The Judgement of Valhalla BY GILBERT FRANKAU _THE DESERTER_ “I’m sorry I done it, Major.” We bandaged the livid face; And led him out, ere the wan sun rose, To die his death of disgrace. The bolt-heads locked to the cartridge; The rifles steadied to rest, As cold stock nestled at colder cheek And foresight lined on the breast. “_Fire!_” called the Sergeant-Major. The muzzles flamed as he spoke: And the shameless soul of a nameless man Went up in the cordite-smoke. _THE EYE AND THE TRUTH_ Up from the fret of the earth-world, through the Seven Circles of Flame, With the seven holes in Its tunic for sign of the death-in-shame, To the little gate of Valhalla the coward-spirit came. Cold, It crouched in the man-strong wind that sweeps Valhalla’s floor; Weak, It pawed and scratched on the wood; and howled, like a dog, at the Door Which is shut to the souls who are sped in shame, for ever and evermore: For It snuffed the Meat of the Banquet-boards where the Threefold Killers sit, Where the Free Beer foams to the tankard-rim, and the Endless Smokes are lit.... And It saw the Nakéd Eye come out above the lintel-slit. And now It quailed at Nakéd Eye which judges the naked dead; And now It snarled at Nakéd Truth that broodeth overhead; And now It looked to the earth below where the gun-flames flickered red. It muttered words It had learned on earth, the words of a black-coat priest Who had bade It pray to a pulpit god--but ever Eye’s Wrath increased; And It knew that Its words were empty words, and It whined like a homeless beast: Till, black above the lintel-slit, the Nakéd Eye went out; Till, loud across the Killer-Feasts, It heard the Killer-Shout-- The three-fold song of them that slew, and died... and had no doubt. _THE SONG OF THE RED-EDGED STEEL_ _Below your black priest’s heaven, Above his tinselled hell, Beyond the Circles Seven, The Red-Steel Killers dwell-- The men who drave, to blade-ring home, behind the marching shell._ We knew not good nor evil, Save only right of blade; Yet neither god nor devil Could hold us from our trade, When once we watched the barrage lift, and splendidly afraid Came scrambling out of cover, And staggered up the hill.... The bullets whistled over; Our sudden dead lay still; And the mad machine-gun chatter drove us fighting-wild to kill. Then the death-light lit our faces, And the death-mist floated red O’er the crimson cratered places Where his outposts crouched in dread.... And we stabbed or clubbed them as they crouched; and shot them as they fled; And floundered, torn and bleeding, Over trenches, through the wire, With the shrapnel-barrage leading To the prey of our desire-- To the men who rose to meet us from the blood-soaked battle-mire; Met them; gave and asked no quarter; But, where we saw the Gray, Plunged the edged steel of slaughter, Stabbed home, and wrenched away.... Till red wrists tired of killing-work, and none were left to slay. Now--while his fresh battalions Moved up to the attack-- Screaming like angry stallions, His shells came charging back, And stamped the ground with thunder-ho
921.640142
2023-11-16 18:32:25.6517420
4,420
20
Produced by Mark C. Orton, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net THE FRONTIER BY MAURICE LEBLANC AUTHOR OF "ARSENE LUPIN," "813," ETC. TRANSLATED BY ALEXANDER TEIXEIRA DE MATTOS [Illustration: Publisher's logo] HODDER & STOUGHTON NEW YORK GEORGE H. DORAN COMPANY Copyright, 1912, By Maurice Leblanc Copyright, 1912, By George H. Doran Company CONTENTS PART I CHAPTER PAGE I A HEAD BETWEEN THE BUSHES 3 II THE GIRL WITH THE BARE ARMS 17 III THE VIOLET PAMPHLET 30 IV PHILIPPE AND HIS WIFE 46 V THE SHEET OF NOTE-PAPER 58 VI THE PLASTER STATUE 66 VII EVE TRIUMPHANT 76 VIII THE TRAP 94 PART II I THE TWO WOMEN 107 II PHILIPPE TELLS A LIE 118 III FATHER AND SON 133 IV THE ENQUIRIES 150 V THE THUNDERCLAP 164 VI THE BUTTE-AUX-LOUPS 177 VII MARTHE ASKS A QUESTION 195 VIII THE STAGES TO CALVARY 208 PART III I THE ARMED VIGIL 233 II THEY WHO GO TO THEIR DEATH 249 III IDEAS AND FACTS 268 IV THE SACRED SOIL 281 THE FRONTIER PART I CHAPTER I A HEAD BETWEEN THE BUSHES "They've done it!" "What?" "The German frontier-post... at the circus of the Butte-aux-Loups." "What about it?" "Knocked down." "Nonsense!" "See for yourself." Old Morestal stepped aside. His wife came out of the drawing-room and went and stood by the telescope, on its tripod, at the end of the terrace. "I can see nothing," she said, presently. "Don't you see a tree standing out above the others, with lighter foliage?" "Yes." "And, to the right of that tree, a little lower down, an empty space surrounded by fir-trees?" "Yes." "That's the circus of the Butte-aux-Loups and it marks the frontier at that spot." "Ah, I've got it!... There it is!... You mean on the ground, don't you? Lying flat on the grass, exactly as if it had been rooted up by last night's storm...." "What are you talking about? It has been fairly felled with an axe: you can see the gash from here." "So I can... so I can...." She stood up and shook her head: "That makes the third time this year.... It will mean more unpleasantness." "Fiddle-de-dee!" he exclaimed. "All they've got to do is to put up a solid post, instead of their old bit of wood." And he added, in a tone of pride, "The French post, two yards off, doesn't budge, you know!" "Well, of course not! It's made of cast-iron and cemented into the stone." "Let them do as much then! It's not money they're wanting... when you think of the five thousand millions they robbed us of!... No, but, I say ... three of them in eight months!... How will the people take it, on the other side of the Vosges?" He could not hide the sort of gay and sarcastic feeling of content that filled his whole being and he walked up and down the terrace, stamping his feet as hard as he could on the ground. But, suddenly going to his wife, he seized her by the arm and said, in a hollow voice: "Would you like to know what I really think?" "Yes." "Well, all this will lead to trouble." "No," said the old lady, quietly. "How do you mean, no?" "We've been married five-and-thirty years; and, for five-and-thirty years, you've told me, week after week, that we shall have trouble. So, you see...." She turned away from him and went back to the drawing-room again, where she began to dust the furniture with a feather-broom. He shrugged his shoulders, as he followed her indoors: "Oh, yes, you're the placid mother, of course! Nothing excites you. As long as your cupboards are tidy, your linen all complete and your jams potted, you don't care!... Still, you ought not to forget that they killed your poor father." "I don't forget it... only, what's the good? It's more than forty years ago...." "It was yesterday," he said, sinking his voice, "yesterday, no longer ago than yesterday...." "Ah, there's the postman!" she said, hurrying to change the conversation. She heard a heavy footstep outside the windows opening on the garden. There was a rap at the knocker on the front-door. A minute later, Victor, the man-servant, brought in the letters. "Oh!" said Mme. Morestal. "A letter from the boy.... Open it, will you? I haven't my spectacles.... I expect it's to say that he will arrive this evening: he was to have left Paris this morning." "Not at all!" cried M. Morestal, glancing over the letter. "Philippe and his wife have taken their two boys to some friends at Versailles and started with the intention of sleeping last night at the Ballon de Colnard, seeing the sunrise and doing the rest of the journey on foot, with their knapsacks on their backs. They will be here by twelve." She at once lost her head: "And the storm! What about last night's storm?" "My son doesn't care about the storm! It won't be the first that the fellow's been through. It's eleven o'clock. He will be with us in an hour." "But that will never do! There's nothing ready for them!" She at once went to work, like the active little old woman that she was, a little too fat, a little tired, but wide-awake still and so methodical, so orderly in her ways that she never made a superfluous movement or one that was not calculated to bring her an immediate advantage. As for him, he resumed his walk between the terrace and the drawing-room. He strode with long, even steps, holding his body erect, his chest flung out and his hands in the pockets of his jacket, a blue-drill gardening-jacket, with the point of a pruning-shears and the stem of a pipe sticking out of it. He was tall and broad-shouldered; and his fresh-<DW52> face seemed young still, in spite of the fringe of white beard in which it was framed. "Ah," he exclaimed, "what a treat to set eyes upon our dear Philippe again! It must be three years since we saw him last. Yes, of course, not since his appointment as professor of history in Paris. By Jove, the chap has made his way in the world! What a time we shall give him during the fortnight that he's with us! Walking... exercise.... He's all for the open-air life, like old Morestal!" He began to laugh: "Shall I tell you what would be the thing for him? Six months in camp between this and Berlin!" "I'm not afraid," she declared. "He's been through the Normal School. The professors keep to their garrisons in time of war." "What nonsense are you talking now?" "The school-master told me so." He gave a start: "What! Do you mean to say you still speak to that dastard?" "He's quite a decent man," she replied. "He! A decent man! With theories like his!" She hurried from the room, to escape the explosion. But Morestal was fairly started: "Yes, yes, theories! I insist upon the word: theories! As a district-councillor, as Mayor of Saint-Elophe, I have the right to be present at his lessons. Oh, you have no idea of his way of teaching the history of France!... In my time, the heroes were the Chevalier d'Assas, Bayard, La Tour d'Auvergne, all those beggars who shed lustre on our country. Nowadays, it's Mossieu Etienne Marcel, Mossieu Dolet.... Oh, a nice set of theories, theirs!" He barred the way to his wife, as she entered the room again, and roared in her face: "Do you know why Napoleon lost the battle of Waterloo?" "I can't find that large breakfast-cup anywhere," said Mme. Morestal, engrossed in her occupation. "Well, just ask your school-master; he'll give you the latest up-to-date theories about Napoleon." "I put it down here, on this chest, with my own hand." "But there, they're doing all they can to distort the children's minds." "It spoils my set." "Oh, I swear to you, in the old days, we'd have ducked our school-master in the horse-pond, if he had dared.... But, by Jove, France had a place of her own in the world then! And such a place! ... That was the time of Solferino!... Of Magenta!... We weren't satisfied with chucking down frontier-posts in those days: we crossed the frontiers... and at the double, believe me...." He stopped, hesitating, pricking up his ears. Trumpet-blasts sounded in the distance, ringing from valley to valley, echoing and re-echoing against the obstacles formed by the great granite rocks and dying away to right and left, as though stifled by the shadow of the forests. He whispered, excitedly: "The French bugle...." "Are you sure?" "Yes, there are troops of Alpines manoeuvring... a company from Noirmont.... Listen... listen.... What gaiety!... What swagger!... I tell you, close to the frontier like this, it takes such an air...." She listened too, seized with the same excitement, and asked, anxiously: "Do you really think that war is possible?" "Yes," he replied, "I do." They were silent for a moment. And Morestal continued: "It's a presentiment with me.... We shall have it all over again, as in 1870.... And, mark you, I hope that this time..." She put down her breakfast-cup, which she had found in a cupboard, and, leaning on her husband's arm: "I say, the boy's coming... with his wife. She's a dear girl and we're very fond of her.... I want the house to look nice for them, bright and full of flowers.... Go and pick the best you have in your garden." He smiled: "That's another way of saying that I'm boring you, eh? I can't help it. I shall be just the same to my dying day. The wound is too deep ever to heal." They looked at each other for a while with a great gentleness, like two old travelling-companions, who, from time to time, for no particular reason, stop, exchange glances or thoughts and then resume their journey. He asked: "Must I cut my roses? My Gloires de Dijon?" "Yes." "Come along then! I'll be a hero!" * * * Morestal, the son and grandson of well-to-do farmers, had increased his fathers' fortune tenfold by setting up a mechanical saw-yard at Saint-Elophe, the big neighbouring village. He was a plain, blunt man, as he himself used to say, "with no false bottom, nothing in my hands, nothing up my sleeves;" just a few moral ideas to guide his course through life, ideas as old and simple as could be. And those few ideas themselves were subject to a principle that governed his whole existence and ruled all his actions, the love of his country, which, in Morestal, stood for regret for the past, hatred of the present and, especially, the bitter recollection of defeat. Elected Mayor of Saint-Elophe and a district-councillor, he sold his works and built, within view of the frontier, on the site of a ruined mill, a large house designed after his own plans and constructed, so to speak, under his own eyes. The Morestals had lived here for the last ten years, with their two servants: Victor, a decent, stout, jolly-faced man, and Catherine, a Breton woman who had nursed Philippe as a baby. They saw but few people, outside a small number of friends, of whom the most frequent visitors were the special commissary of the government, Jorance, and his daughter Suzanne. The Old Mill occupied the round summit of a hill with <DW72>s shelving down in a series of fairly large gardens, which Morestal cultivated with genuine enthusiasm. The property was surrounded by a high wall, the top of which was finished off with an iron trellis bristling with spikes. A spring leapt from place to place and fell in cascades to the bottom of the rocks decked with wild flowers, moss, lichen and maiden-hair ferns. * * * Morestal picked a great armful of flowers, laid waste his rose-garden, sacrificed all the Gloires de Dijon of which he was so proud and returned to the drawing-room, where he himself arranged the bunches in large glass vases. The room, a sort of hall occupying the centre of the house, with beams of timber showing and a huge chimney covered with gleaming brasses, the room was bright and cheerful and open at both fronts: to the east, on the terrace, by a long bay; to the west, by two windows, on the garden, which it overlooked from the height of a first floor. The walls were covered with War Office maps, Home Office maps, district maps. There was an oak gun-rack with twelve rifles, all alike and of the latest pattern. Beside it, nailed flat to the wall and roughly stitched together, were three dirty, worn, tattered strips of bunting, blue, white and red. "They look very well: what do you say?" he asked, when he had finished arranging the flowers, as though his wife had been in the room. "And now, I think, a good pipe..." He took out his tobacco-pouch and matches and, crossing the terrace, went and leant against the stone balustrade that edged it. Hills and valleys mingled in harmonious curves, all green, in places, with the glad green of the meadows, all dark, in others, with the melancholy green of the firs and larches. At thirty or forty feet below him ran the road that leads from Saint-Elophe up to the Old Mill. It skirted the walls and then dipped down again to the Etang-des-Moines, or Monks' Pool, of which it followed the left bank. Breaking off suddenly, it narrowed into a rugged path which could be seen in the distance, standing like a ladder against a rampart, and which plunged into a narrow pass between two mountains wilder in appearance and rougher in outline than the ordinary Vosges landscape. This was the Col du Diable, or Devil's Pass, situated at a distance of sixteen hundred yards from the Old Mill, on the same level. A few buildings clung to one of the sides of the pass: these belonged to Saboureux's Farm. From Saboureux's Farm to the Butte-aux-Loups, or Wolves' Knoll, which you saw on the left, you could make out or imagine the frontier by following a line of which Morestal knew every guiding-mark, every turn, every acclivity and every descent. "The frontier!" he muttered. "The frontier here... at twenty-five miles from the Rhine... the frontier in the very heart of France!" Every day and ten times a day, he tortured himself in this manner, gazing at that painful and relentless line; and, beyond it, through vistas which his imagination contrived as it were to carve out of the Vosges, he conjured up a vision of the German plain on the misty horizon. And this too he repeated to himself; and he did so this time as at every other time, with a bitterness which the years that passed did nothing to allay: "The German plain... the German hills... all that land of Alsace in which I used to wander as a boy.... The French Rhine, which was my river and the river of my fathers.... And now _Deutschland_... _Deutsches Rhein_...." A faint whistle made him start. He leant over towards the staircase that climbed the terrace, a staircase cut out of the rock, by which people coming from the side of the frontier often entered his grounds so as to avoid the bend of the road. There was nobody there nor anybody opposite, on the roadside <DW72> all tangled with shrubs and ferns. And the sound was renewed, discreetly, stealthily, with the same modulations as before. "It's he... it's he..." thought M. Morestal, with an uncomfortable feeling of embarrassment. A head popped from between the bushes, a head in which all the bones stood out, joined by prominent muscles, which gave it the look of the head of an anatomical model. On the bridge of the nose, a pair of copper-rimmed spectacles. Across the face, like a gash, the toothless, grinning mouth. "You again, Dourlowski...." "Can I come?" asked the man. "No... no... you're mad...." "It's urgent." "Impossible.... And besides, you know, I don't want any more of it. I've told you so before...." But the man insisted: "It's for this evening, for to-night.... It's a soldier of the Boersweilen garrison.... He says he's sick of wearing the German uniform." "A deserter.... I've had enough of them.... Shut up and clear out!" "Now don't be nasty, M. Morestal.... Just think it over.... Look here, let's meet at four o'clock, in the pass, near Saboureux's Farm... like last time.... I shall expect you.... We'll have a talk... and I shall be surprised if..." "Hold your tongue!" said Morestal. A voice cried from the drawing-room: "Here they come, sir, here they come!" It was the man-servant; and Mme. Morestal also ran out and said: "What are you doing here? Whom were you talking to?" "Nobody." "Why, I heard you!..." "No, I assure you...." "Well, I must have imagined it.... I say you were quite right. It's twelve o'clock and they are here, the two of them." "Philippe and Marthe?" "Yes, they are coming. They are close to the garden-entrance. Let's hurry down and meet them...." CHAPTER II THE GIRL WITH THE BARE ARMS "He hasn't changed a bit.... His complexion is as fresh as ever.... The eyes are a little tired, perhaps... but he's looking very well...." "When you've finished picking me to pieces, between you!" said Philippe, laughing. "What an inspection! Why don't you give my wife a kiss? That's more to the point!" Marthe flung herself into Mme. Morestal's arms and into her father-in-law's and was examined from head to foot in her turn. "I say, I say, we're thinner in the face than we were!... We want picking up
921.671782
2023-11-16 18:32:25.7443120
840
16
Produced by Levent Kurnaz and Jose Menendez The Fall of the House of Usher Son coeur est un luth suspendu; Sitot qu'on le touche il resonne. DE BERANGER. During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was--but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasureable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me--upon the mere house, and the simple landscape features of the domain--upon the bleak walls--upon the vacant eye-like windows--upon a few rank sedges--and upon a few white trunks of decayed trees--with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium--the bitter lapse into everyday life--the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart--an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it--I paused to think--what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down--but with a shudder even more thrilling than before--upon the remodelled and inverted images of the grey sedge, and the ghastly tree-stems, and the vacant and eye-like windows. Nevertheless, in this mansion of gloom I now proposed to myself a sojourn of some weeks. Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country--a letter from him--which, in its wildly importunate nature, had admitted of no other than a personal reply. The MS gave evidence of nervous agitation. The writer spoke of acute bodily illness--of a mental disorder which oppressed him--and of an earnest desire to see me, as his best, and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady. It was the manner in which all this, and much more, was said--it was the apparent heart that went with his request--which
921.764352
2023-11-16 18:32:25.8150120
719
10
Produced by Annie R. McGuire [Illustration: HARPER'S ROUND TABLE] Copyright, 1896, by HARPER & BROTHERS. All Rights Reserved. * * * * * PUBLISHED WEEKLY. NEW YORK, TUESDAY, JANUARY 7, 1896. FIVE CENTS A COPY. VOL. XVII.--NO. 845. TWO DOLLARS A YEAR. * * * * * [Illustration] CRESSY'S NEW-YEAR'S RENT. BY L. A. TEREBEL. Fred Hallowell was sitting at his desk in the _Gazette_ office, looking listlessly out into the City Hall Park, where the biting wind was making the snowflakes dance madly around the leafless trees and in the empty fountain, and he was almost wishing that there would be so few assignments to cover as to allow him an afternoon in-doors to write "specials." The storm was the worst of the season, and as this was the last day of December, it looked as if the old year were going out with a tumultuous train of sleet and snow. But if he had seriously entertained any hopes of enjoying a quiet day, these were dispelled by an office-boy who summoned him to the city desk. "Good-morning, Mr. Hallowell," said the city editor, cheerfully. "Here is a clipping from an afternoon paper which says that a French family in Houston Street has been dispossessed and is in want. Mr. Wilson called my attention to it because he thinks, from the number given, the house belongs to old Q. C. Baggold. We don't like Baggold, you know, and if you find he is treating his tenants unfairly we can let you have all the space you want to show him up. At any rate, go over there and see what the trouble is; there is not much going on to-day." Fred took the clipping and read it as he walked back to his desk. It was very short--five or six lines only--and the facts stated were about as the city editor had said. The young man got into his overcoat and wrapped himself up warmly, and in a few moments was himself battling against the little blizzard with the other pedestrians whom he had been watching in the City Hall Park from the office windows. When he reached Houston Street he travelled westward for several blocks, until he came into a very poor district crowded with dingy tenement-houses that leaned against one another in an uneven sort of way, as if they were tired of the sad kind of life they had been witnessing for so many years. The snow that had piled up on the window-sills and over the copings seemed to brighten up the general aspect of the quarter, because it filled in the cracks and chinks of material misery, and made the buildings look at least temporarily picturesque, just as paint and powder for a time may hide the traces of old age and sorrow. Fred found the number 179 painted on a piece of tin that had become bent and rusty from long service over a narrow doorway, and as he stood there comparing it with the number given in his clipping, a little girl
921.835052
2023-11-16 18:32:25.8150340
1,986
6
Produced by Marc D'Hooghe at http://www.freeliterature.org (Images generously made available by the Hathi Trust) METHOD IN THE STUDY OF TOTEMISM BY ANDREW LANG GLASGOW Printed at the University Press by ROBERT MACLEHOSE & CO. LTD. 1911 METHOD IN THE STUDY OF TOTEMISM Is there any human institution which can be safely called "Totemism"? Is there any possibility of defining, or even describing Totemism? Is it legitimate--is it even possible, with due regard for "methodology" and logic--to seek for the "normal" form of Totemism, and to trace it through many Protean changes, produced by various causes, social and speculative? I think it possible to discern the main type of Totemism, and to account for divergences. Quite the opposite opinion appears to be held by Mr. H. H. Goldenweizer in his "Totemism, an Analytic Study."[1] This treatise is acutely critical and very welcome, as it enables British inquirers about totemism to see themselves as they appear "in larger other eyes than ours." Our common error, we learn, is this: "A feature salient in the totemic life of some community is seized upon only to be projected into the life of the remote past, and to be made the starting-point of the totemic process. The intermediary stages and secondary features are supplied from local evidence, by analogy with other communities, or 'in accordance with recognised principles of evolution' [what are they?] and of logic. The origin and development, thus arrived at, are then used as principles of interpretation of the present conditions. Not one step in the above method of attacking the problem of totemism is logically justifiable."[2] As I am the unjustifiable sinner quoted in this extract,[3] I may observe that my words are cited from a harmless statement to the effect that a self-consistent "hypothesis," or "set of guesses," which colligates all the known facts in a problem, is better than a self-contradictory hypothesis which does not colligate the facts. Now the "feature salient in the totemic life of some communities," which I "project into the life of the remote past," and "make the starting-point of the totemic process" is the totemic name, animal, vegetable, or what not, of the totem-kin. In an attempt to construct a theory of the origin of totemism, the choice of the totemic name as a starting-point is logically justifiable, because the possession of a totemic name is, _universally_, the mark of a totem-kin; or, as most writers prefer to say, "clan." How can you know that a clan is totemic, if it is not called by a totemic name? The second salient feature in the totemic life of some communities which I select as even prior to the totemic name, is the exogamy of the "clans" now bearing totemic names. To these remarks Mr. Goldenweizer would reply (I put his ideas briefly) there are (1) exogamous clans without totemic names; and there are (2) clans with totemic names, but without exogamy. To this I answer (1) that if his exogamous clan has not a totemic name, I do not quite see why it should be discussed in connection with totemism; but that many exogamous sets, bearing _not_ totemic names, but local names or nicknames, can be proved to have at one time borne totemic names. Such exogamous sets, therefore, no longer bearing totemic names, are often demonstrably variations from the totemic type; and are not proofs that there is no such thing as a totemic type. Secondly, I answer, in the almost unique case of "clans" bearing totemic names without being exogamous, that these "clans" have previously been exogamous, and have, under ascertained conditions, shuffled off exogamy. They are deviations from the prevalent type of clans with totemic names _plus_ exogamy. They are exceptions to the rule, and, as such, they prove the rule. They are divergences from the type, and, as such, they prove the existence of the type from which they have diverged. So far I can defend my own method: it starts from features that are universal, or demonstrably have been universal in totemism. There _is_ "an organic unity of the features of totemism,"--of these two features, the essential features. Lastly, Mr. Goldenweizer accuses us "Britishers," as he calls us, of neglecting in our speculations the effects of "borrowing and diffusion, of assimilation and secondary associations of cultural elements, in primitive societies."[4] This charge I do not understand. There has been much discussion of possibilities of the borrowing and diffusion and assimilation of phratries, exogamy, and of totemic institutions; and of "ethnic influences," influences of races, in Australia. But the absence of historical information, the almost purely mythical character of tribal legends (in North-West America going back to the Flood, in Australia, to the "Dream Time"), with our ignorance of Australian philology, prevent us in this field from reaching conclusions. (Possibly philologists may yet cast some light on "ethnic influences" in Australia. The learned editor of _Anthropos_, Pere Schmidt, tells me that he has made a study of Australian languages and believes that he has arrived at interesting results.) Mr. Goldenweizer represents, though unofficially, the studies of many earnest inquirers of North America, whether British subjects, like Mr. Hill Tout, or American citizens such as Dr. Boas. They vary, to be sure, among themselves, as to theories, but they vary also from British speculators. They have personally and laboriously explored and loyally reported on totemism among the tribes of the north-west Pacific coast and _Hinterland_; totemism among these tribes has especially occupied them; whereas British anthropologists have chiefly, though by no means solely, devoted themselves to the many varieties of totemism exhibited by the natives of Australia. These Australian tribes are certainly on perhaps the lowest known human level of physical culture, whereas the tribes of British Columbia possess wealth, "towns," a currency (in blankets), rank (noble, free, unfree), realistic art, and heraldry as a mark of rank, and of degrees of wealth. Mr. Goldenweizer's method is to contrast the North-Western American form of totemism with that prevalent in Central Australia, and to ask,--how, among so many differences, can you discover a type, an original norm? I answer that both in North-Western America and in Central Australia, we find differences which can be proved to arise from changes in physical and "cultural" conditions and from speculative ideas. I have said that in British Columbia the tribes are in a much more advanced state of culture than any Australian peoples, and their culture has affected their society and their totemism. Wealth, distinctions of rank, realistic art, with its result in heraldry as a mark of rank, and fixed residence in groups of houses are conditions unknown to the Australian tribes, and have necessarily provided divergences in totemic institutions. Mr. Goldenweizer replies "that the American conditions are due to the fact that the tribes of British Columbia are 'advanced' cannot be admitted."[5] But, admitted or not, it can be proved, as I hope to demonstrate. [1] _Journal of American Folk-Lore_, April-June, 1910. [2] _J. A. F._ p. 280 [3] _Secret of the Totem_, p. 28. [4] _J. A. F._ p. 281. [5] _J. A. F._ p. 287. II. Mr. Goldenweizer gives what he supposes some of us to regard as "essential characteristics" or "symptoms" of totemism. He numbers five of these "symptoms." 1. An exogamous clan. 2. A clan name derived from the totem. 3. A religious attitude towards the totem, as a "friend," "brother," "protector," &c. 4. Taboos or restrictions against the killing, eating (sometimes touching, seeing) of the totem. 5. A belief in descent from the totem. Mr. Goldenweizer next, by drawing a contrast between British Columbian and Central Australian totemism, tries to prove, if I understand him, that "the various features of totemism," are, or may be "essentially
921.835074
2023-11-16 18:32:25.8188240
2,088
13
E-text prepared by Donald Cummings, Adrian Mastronardi, Les Galloway, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (https://archive.org/details/toronto) Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 50086-h.htm or 50086-h.zip: (http://www.gutenberg.org/files/50086/50086-h/50086-h.htm) or (http://www.gutenberg.org/files/50086/50086-h.zip) Images of the original pages are available through Internet Archive/Canadian Libraries. See https://archive.org/details/creationorevolut00curtuoft Transcriber's note: Text enclosed by underscores is in italics (_italics_). Text enclosed by equal signs is in bold face (=bold=). CREATION OR EVOLUTION? A Philosophical Inquiry. by GEORGE TICKNOR CURTIS. New York: D. Appleton and Company, 1, 3, And 5 Bond Street. 1887. Copyright, 1887. by George Ticknor Curtis. TO LEWIS A. SAYRE, M. D., WHOSE PROFESSIONAL EMINENCE IS RECOGNIZED IN BOTH HEMISPHERES, WHOSE SKILL AS A SURGEON SUFFERING HUMANITY GRATEFULLY ACKNOWLEDGES, TO WHOSE ANATOMICAL LEARNING THE AUTHOR IS LARGELY INDEBTED, AND OF WHOSE FRIENDSHIP HE IS PROUD, This Book IS AFFECTIONATELY INSCRIBED. "_Dost thou not know, my new astronomer! Earth, turning from the sun, brings night to man? Man, turning from his God, brings endless night; Where thou canst read no morals, find no friend, Amend no manners, and expect no peace._" _YOUNG'S NIGHT THOUGHTS._ PREFACE. Perhaps it is expected of a writer who steps out of the sphere of his ordinary pursuits, and deals with such a subject as that which is treated in this work, that he will account for his so doing. It is not necessary for me to say that no class of men can have a monopoly in any subject. But I am quite willing to take my readers into my confidence so far as to state how I came to write this book. Most men, who have a special pursuit, find the necessity for recreation of some kind. Some take it in one way, and some in another. It has been my habit through life to seek occasional relief from the monotony of professional vocations in intellectual pursuits of another character. Having this habit--which I have found by experience has no tendency to lessen one's capacity for the duties of a profession, or one's relish of its occupations--I some years ago took up the study of the modern doctrine of animal evolution. Until after the death of the late Mr. Charles Darwin, I had not given a very close attention to this subject. The honors paid to his memory, and due to his indefatigable research and extensive knowledge, led me to examine his "Descent of Man" and his "Origin of Species," both of which I studied with care, and I trust with candor. I was next induced to examine the writings of Mr. Herbert Spencer on the subject of evolution, with which I had also been previously unacquainted except in a general way. I was a good deal surprised at the extent of Mr. Spencer's reputation as a thinker, and by the currency which his peculiar philosophy has had in this country, where it has led, among the young and inexperienced, as well as among older persons, to very incorrect habits of reasoning on subjects of the highest importance. The result of my studies of these writers is the present book. I have written it because I have seen, or believe that I have seen, where the conflict arises between some of the deductions of modern science and the principles which ought to regulate not only religious belief, but belief in anything that is not open to the direct observation of our senses. But I trust that I shall not be understood as having written for the purpose of specially defending the foundations of religious belief. This is no official duty of mine. How theologians manage, or ought to manage, the argument which is to convince men of the existence and methods of God, it is not for me to say. But a careful examination of the new philosophy has convinced me that those who are the special teachers of religious truth have need of great caution in the admissions or concessions which they make, when they undertake to reconcile some of the conclusions of modern scientists with belief in a Creator. I do not here speak of the Biblical account of the creation, but I speak of that belief in a Creator which is to be deduced from the phenomena of nature. While there are naturalists, scientists, and philosophers at the present day, whose speculations do not exclude the idea of a Supreme Being, there are others whose theories are entirely inconsistent with a belief in a personal God, the Creator and Governor of the universe. Moreover, although there are great differences in this respect between the different persons who accept evolution in some form, the whole doctrine of the development of distinct species out of other species makes demands upon our credulity which are irreconcilable with the principles of belief by which we regulate, or ought to regulate, our acceptance of any new matter of belief. The principles of belief which we apply in the ordinary affairs of life are those which should be applied to scientific or philosophical theories; and inasmuch as the judicial method of reasoning upon facts is at once the most satisfactory and the most in accordance with common sense, I have here undertaken to apply it to the evidence which is supposed to establish the hypothesis of animal evolution, in contrast with the hypothesis of special creations. I am no ecclesiastic. I advance no arguments in favor of one or another interpretation of the Scriptures about which there is controversy among Christians. While I firmly believe that God exists, and that he has made a revelation to mankind, whereby he has given us direct assurance of immortality, I do not know that this belief disqualifies me from judging, upon proper principles of evidence, of the soundness of a theory which denies that he specially created either the body or the mind of man. How far the hypothesis of evolution, by destroying our belief that God specially created us, tends to negative any purpose for which we can suppose him to have made to us a revelation of our immortality, it is for the theologian to consider. For myself, I am not conscious that in examining the theory of evolution I have been influenced by my belief in what is called revealed religion. I have, at all events, studiously excluded from the argument all that has been inculcated by the Hebrew or the Christian records as authorized or inspired teachings, and have treated the Mosaic account of the creation like any other hypothesis of the origin of man and the other animals. The result of my study of the hypothesis of evolution is, that it is an ingenious but delusive mode of accounting for the existence of either the body or the mind of man; and that it employs a kind of reasoning which no person of sound judgment would apply to anything that might affect his welfare, his happiness, his estate, or his conduct in the practical affairs of life. He who would truly know what the doctrine of evolution is, and to what it leads, must literally begin at the beginning. He must free his mind from the cant of agnosticism and from the cant of belief. He must refuse to accept dogmas on the authority of any one, be they the dogmas of the scientist, or of the theologian. He must learn that his mental nature is placed under certain laws, as surely as his corporeal structure; and he must cheerfully obey the necessities which compel him to accept some conclusions and to reject others. Keeping his reasoning powers in a well-balanced condition, he must prove all things, holding fast to that which is in conformity with sound deduction, and to that alone. But all persons may not be able to afford the time to pursue truth in this way, or may not have the facilities for the requisite research. It seemed to me, therefore, that an effort to do for them what they can not do for themselves would be acceptable to a great many people. It may be objected that the imaginary philosopher whom I have introduced in some of my chapters under the name of Sophereus, or the searcher after wisdom, debating the doctrines of evolution with a supposed disciple of that school, whom I have named Kosmicos, is an impossible person. It may perhaps be said that the conception of a man absolutely free from all dogmatic religious teaching, from all bias to any kind of belief, and yet having as much knowledge of various systems of belief as I have imputed to this imaginary person, would in modern society be the conception of an unattainable character. My answer to this criticism would be that I felt myself at liberty to imagine any kind of character that would suit my purpose. How successfully I have carried out the idea of a man in mature life entirely free from all preconceived opinions, and forming his beliefs upon principles of pure reason, it is for my readers to judge. With regard
921.838864
2023-11-16 18:32:25.8308990
2,563
6
Produced by Nick Hodson of London, England The Induna's Wife, by Bertram Mitford. ________________________________________________________________________ ________________________________________________________________________ THE INDUNA'S WIFE, BY BERTRAM MITFORD. PROLOGUE. Twilight was fast closing in upon the desolate site of the old Kambula Camp, and the short, sharp thunderstorm which at the moment of outspanning had effectually drenched the scant supply of fuel, rendering that evening's repast, of necessity, cold commons, had left in its wake a thin but steady downpour. Already the line of low hills hard by was indistinct in the growing gloom, and a far-reaching expanse of cold and treeless plains made up a surrounding as mournful and depressing as could be. The waggon stood outspanned in the tall grass, which, waist high, was about as pleasant to stand in as the drift of a river. Just above, the conical ridge, once crested with fort and waggon laagers, and swarming with busy life, and the stir and hum of troops on hard active service, now desolate and abandoned--the site, indeed, still discernible if only by ancient tins, and much fragmentary residue of the ubiquitous British bottle. Below, several dark patches in the grass marked the resting-place of hundreds of Zulu dead--fiery, intrepid warriors--mown down in foil and sweeping rush, with lips still framing the war cry of their king, fierce resolute hands still gripping the deadly charging spear. Now a silent and spectral peace rested upon this erewhile scene of fierce and furious war, a peace that in the gathering gloom had in it something that was weird, boding, oppressive. Even my natives, usually prone to laughter and cheery spirits, seemed subdued, as though loth to pass the night upon this actual site of vast and tolerably recent bloodshed; and the waggon leader, a smart but unimaginative lad, showed a suspicious alacrity in driving back the span from drinking at the adjacent water-hole. Yes! It is going to be a detestable night. Hard biscuit and canned jam are but a poor substitute for fizzling rashers and wheaten cakes, white as snow within and hot from the gridiron; yet there is a worse one, and that is no biscuit at all. Moreover, there is plenty of whisky, and with that and a pipe I proceed to make myself as snug as may be within the waggon, which is not saying much, for the tent leaks abominably. But life in the Veldt accustoms one to such little inconveniences, and soon, although the night is yet young--has hardly begun, in fact--I find myself nodding, and becoming rapidly and blissfully oblivious to cold splashes dropping incontinently from new and unexpected quarters. The oxen are not yet made fast to the disselboom for the night, and one of my natives is away to collect them. The others, rolled in their blankets beneath the waggon, are becoming more and more drowsy in the hum of their conversation. Suddenly this becomes wide-awake and alert. They are sitting up, and are, I gather from their remarks, listening to the approach of something or somebody. Who--what is it? There are no wild animals to reckon with in that part of the country, save for a stray leopard or so, and Zulus have a wholesome shrinking from moving abroad at night, let alone on such a night as this. Yet on peering forth, a few seconds reveal the approach of somebody. A tall form starts out of the darkness and the long wet grass, and from it the deep bass tones of the familiar Zulu greeting: "Nkose!" Stay! Can it be? I ought indeed to know that voice; yet what does its owner here thus and at such an hour? This last, however, is its said owner's business exclusively. "Greeting, Untuswa! Welcome, old friend," I answered. "Here is no fire to sit by, but the inside of the waggon is fairly dry; at any rate not so wet as outside. And there is a dry blanket or two and a measure of strong _tywala_ to restore warmth, likewise snuff in abundance. So climb up here, winner of the King's Assegai, holder of the White Shield, and make thyself snug, for the night is vile." Now, as this fine old warrior was in the act of climbing up into the waggon, there came a sound of trampling and the clash of horns, causing him to turn his head. The waggon leader, having collected the span, was bringing it in to attach to the yokes for the night, for it promised soon to be pitch dark, and now the heads of the oxen looked spectral in the mist. One especially, a great black one, with wide branching horns rising above the fast gathering sea of vapour, seemed to float upon the latter--a vast head without a trunk. The sight drew from Untuswa a shake of the head and a few quick muttered words of wonderment. That was all then, but when snug out of the drizzling rain, warmed by a measure of whisky, and squatting happy and comfortable in a dry blanket, snuff-box in hand, he began a story, and I--well, I thought I was in luck's way, for a wet and cheerless and lonely evening stood to lose all its depression and discomfort if spent in listening to one of old Untuswa's stories. CHAPTER ONE. THE TALE OF THE RED DEATH. There was that about the look of your oxen just now, _Nkose_--shadowed like black ghosts against the mist--that brought back to my old mind a strange and wonderful time. And the night is yet young. Nor will that tale take very long in telling, unless--ah, that tale is but the door opening into a still greater one; but of that we shall see--yes, we shall see. I have already unfolded to you, _Nkose_, all that befell at the Place of the Three Rifts, and how at that place we met in fierce battle and rolled back the might of Dingane and thus saved the Amandebeli as a nation. Also have I told the tale of how I gained the White Shield by saving the life of a king, and how it in turn saved the life of a nation. Further have I told how I took for principal wife Lalusini, the sorceress, in whose veins ran the full blood of the House of Senzangakona, the royal House of Zululand, and whom I had first found making strange and powerful _muti_ among the Bakoni, that disobedient people whom we stamped flat. For long after these events there was peace in our land. The arm of Dingane was stretched out against us no more, and Umzilikazi, our king, who had meditated moving farther northward, had decided to sit still in the great kraal, Kwa'zingwenya, yet a little longer. But though we had peace from our more powerful enemies, the King would not suffer the might of our nation to grow soft and weak for lack of practice in the arts of war--oh, no. The enrolling of warriors was kept up with unabated vigour, and the young men thus armed were despatched at once to try their strength upon tribes within striking distance, and even far beyond the limits of the same. Many of these were mountain tribes, small in numbers, but brave and fierce, and gave our fiery youths just as much fighting as they could manage ere wetting their victorious spears in blood. Now, although we had peace from our more formidable foes, yet the mind of the King seemed not much easier on that account, for all fears as to disturbance from without being removed, it seemed that Umzilikazi was not wholly free from dread of conspiracy within. And, indeed, I have observed that it is ever so, _Nkose_. When the greater troubles which beset a man, and which he did not create, beset him no longer, does he not at once look around to see what troubles he can create for himself? _Whau_! I am old. I have seen. So it was with Umzilikazi. The fear of Dingane removed, the recollection of the conspiracy of Tyuyumane and the others returned-- that conspiracy to hand over our new nation to the invading Amabuna-- that conspiracy which so nearly succeeded, and, indeed, would have completely, but for the watchfulness and craft of the old Mosutu witch doctor. Wherefore, with this suspicion ever in the King's mind we, _izinduna_, seemed to have fallen upon uneasy times. Yet the principal object of dislike and distrust to the Great Great One was not, in the first place, one of ourselves. No councillor or fighting man was it, but a woman--and that woman Lalusini, my principal wife. "Ha, Untuswa!" would the King say, talking dark, but his tone full of gloomy meaning. "Ha, Untuswa, but thine _amahlose_ [Tutelary spirits] watch over thee well. Tell me, now, where is there a man the might of whose spear and the terror of whose name sweeps the world--whose slumbers are lulled by the magic of the mighty, and who is greater even than kings? Tell me, Untuswa, where is such a man?" "I think such is to be found not far hence, Great Great One. Even in this house," I answered easily, yet with a sinking fear of evil at heart, for his words were plain in their meaning; my successes in war surpassed by none; my beautiful wife, the great sorceress of the Bakoni, the wandering daughter of Tshaka the Terrible. And his tone--ah, that, too, spoke. "Even in this house! _Yeh bo_! Untuswa--thou sayest well," went on the King softly, his head on one side, and peering at me with an expression that boded no good. "Even in this house! Ha! Name him, Untuswa. Name him." "Who am I that I should sport with the majesty of the King's name?" I answered. "Is not the son of Matyobane--the Founder of Mighty Nations-- the Elephant of the Amandebeli--such a man? Doth not his spear rule the world, and the terror of his name--_au_!--who would hear it and laugh? And is not the bearer of that name greater than other kings--greater even than the mighty one of the root of Senzangakona--whose might has fled before the brightness of the great king's head-ring? And again, who sleeps within the shadow of powerful and propitious magic but the Father and Founder of this great nation?" "Very good, Untuswa. Very good. Yet it may be that the man of whom I was speaking is no king at all--great, but no king." "No king at all! _Hau_! I know not such a man, Father of the World," I answered readily.
921.850939
2023-11-16 18:32:25.8397980
2,687
54
Transcribed from the 1896 “Lizzie Leigh and Other Tales” Macmillan and Co. edition. Scanned and proofed by David Price, email [email protected] THE DOOM OF THE GRIFFITHS. CHAPTER I. I HAVE always been much interested by the traditions which are scattered up and down North Wales relating to Owen Glendower (Owain Glendwr is the national spelling of the name), and I fully enter into the feeling which makes the Welsh peasant still look upon him as the hero of his country. There was great joy among many of the inhabitants of the principality, when the subject of the Welsh prize poem at Oxford, some fifteen or sixteen years ago, was announced to be “Owain Glendwr.” It was the most proudly national subject that had been given for years. Perhaps, some may not be aware that this redoubted chieftain is, even in the present days of enlightenment, as famous among his illiterate countrymen for his magical powers as for his patriotism. He says himself—or Shakespeare says it for him, which is much the same thing— ‘At my nativity The front of heaven was full of fiery shapes Of burning cressets... ... I can call spirits from the vasty deep.’ And few among the lower orders in the principality would think of asking Hotspur’s irreverent question in reply. Among other traditions preserved relative to this part of the Welsh hero’s character, is the old family prophecy which gives title to this tale. When Sir David Gam, “as black a traitor as if he had been born in Builth,” sought to murder Owen at Machynlleth, there was one with him whose name Glendwr little dreamed of having associated with his enemies. Rhys ap Gryfydd, his “old familiar friend,” his relation, his more than brother, had consented unto his blood. Sir David Gam might be forgiven, but one whom he had loved, and who had betrayed him, could never be forgiven. Glendwr was too deeply read in the human heart to kill him. No, he let him live on, the loathing and scorn of his compatriots, and the victim of bitter remorse. The mark of Cain was upon him. But before he went forth—while he yet stood a prisoner, cowering beneath his conscience before Owain Glendwr—that chieftain passed a doom upon him and his race: “I doom thee to live, because I know thou wilt pray for death. Thou shalt live on beyond the natural term of the life of man, the scorn of all good men. The very children shall point to thee with hissing tongue, and say, ‘There goes one who would have shed a brother’s blood!’ For I loved thee more than a brother, oh Rhys ap Gryfydd! Thou shalt live on to see all of thy house, except the weakling in arms, perish by the sword. Thy race shall be accursed. Each generation shall see their lands melt away like snow; yea their wealth shall vanish, though they may labour night and day to heap up gold. And when nine generations have passed from the face of the earth, thy blood shall no longer flow in the veins of any human being. In those days the last male of thy race shall avenge me. The son shall slay the father.” Such was the traditionary account of Owain Glendwr’s speech to his once-trusted friend. And it was declared that the doom had been fulfilled in all things; that live in as miserly a manner as they would, the Griffiths never were wealthy and prosperous—indeed that their worldly stock diminished without any visible cause. But the lapse of many years had almost deadened the wonder-inspiring power of the whole curse. It was only brought forth from the hoards of Memory when some untoward event happened to the Griffiths family; and in the eighth generation the faith in the prophecy was nearly destroyed, by the marriage of the Griffiths of that day, to a Miss Owen, who, unexpectedly, by the death of a brother, became an heiress—to no considerable amount, to be sure, but enough to make the prophecy appear reversed. The heiress and her husband removed from his small patrimonial estate in Merionethshire, to her heritage in Caernarvonshire, and for a time the prophecy lay dormant. If you go from Tremadoc to Criccaeth, you pass by the parochial church of Ynysynhanarn, situated in a boggy valley running from the mountains, which shoulder up to the Rivals, down to Cardigan Bay. This tract of land has every appearance of having been redeemed at no distant period of time from the sea, and has all the desolate rankness often attendant upon such marshes. But the valley beyond, similar in character, had yet more of gloom at the time of which I write. In the higher part there were large plantations of firs, set too closely to attain any size, and remaining stunted in height and scrubby in appearance. Indeed, many of the smaller and more weakly had died, and the bark had fallen down on the brown soil neglected and unnoticed. These trees had a ghastly appearance, with their white trunks, seen by the dim light which struggled through the thick boughs above. Nearer to the sea, the valley assumed a more open, though hardly a more cheerful character; it looked dark and overhung by sea-fog through the greater part of the year, and even a farm-house, which usually imparts something of cheerfulness to a landscape, failed to do so here. This valley formed the greater part of the estate to which Owen Griffiths became entitled by right of his wife. In the higher part of the valley was situated the family mansion, or rather dwelling-house, for “mansion” is too grand a word to apply to the clumsy, but substantially-built Bodowen. It was square and heavy-looking, with just that much pretension to ornament necessary to distinguish it from the mere farm-house. In this dwelling Mrs. Owen Griffiths bore her husband two sons—Llewellyn, the future Squire, and Robert, who was early destined for the Church. The only difference in their situation, up to the time when Robert was entered at Jesus College, was, that the elder was invariably indulged by all around him, while Robert was thwarted and indulged by turns; that Llewellyn never learned anything from the poor Welsh parson, who was nominally his private tutor; while occasionally Squire Griffiths made a great point of enforcing Robert’s diligence, telling him that, as he had his bread to earn, he must pay attention to his learning. There is no knowing how far the very irregular education he had received would have carried Robert through his college examinations; but, luckily for him in this respect, before such a trial of his learning came round, he heard of the death of his elder brother, after a short illness, brought on by a hard drinking-bout. Of course, Robert was summoned home, and it seemed quite as much of course, now that there was no necessity for him to “earn his bread by his learning,” that he should not return to Oxford. So the half-educated, but not unintelligent, young man continued at home, during the short remainder of his parent’s lifetime. His was not an uncommon character. In general he was mild, indolent, and easily managed; but once thoroughly roused, his passions were vehement and fearful. He seemed, indeed, almost afraid of himself, and in common hardly dared to give way to justifiable anger—so much did he dread losing his self-control. Had he been judiciously educated, he would, probably, have distinguished himself in those branches of literature which call for taste and imagination, rather than any exertion of reflection or judgment. As it was, his literary taste showed itself in making collections of Cambrian antiquities of every description, till his stock of Welsh MSS. would have excited the envy of Dr. Pugh himself, had he been alive at the time of which I write. There is one characteristic of Robert Griffiths which I have omitted to note, and which was peculiar among his class. He was no hard drinker; whether it was that his head was easily affected, or that his partially-refined taste led him to dislike intoxication and its attendant circumstances, I cannot say; but at five-and-twenty Robert Griffiths was habitually sober—a thing so rare in Llyn, that he was almost shunned as a churlish, unsociable being, and paused much of his time in solitude. About this time, he had to appear in some case that was tried at the Caernarvon assizes; and while there, was a guest at the house of his agent, a shrewd, sensible Welsh attorney, with one daughter, who had charms enough to captivate Robert Griffiths. Though he remained only a few days at her father’s house, they were sufficient to decide his affections, and short was the period allowed to elapse before he brought home a mistress to Bodowen. The new Mrs. Griffiths was a gentle, yielding person, full of love toward her husband, of whom, nevertheless, she stood something in awe, partly arising from the difference in their ages, partly from his devoting much time to studies of which she could understand nothing. She soon made him the father of a blooming little daughter, called Augharad after her mother. Then there came several uneventful years in the household of Bodowen; and when the old women had one and all declared that the cradle would not rock again, Mrs. Griffiths bore the son and heir. His birth was soon followed by his mother’s death: she had been ailing and low-spirited during her pregnancy, and she seemed to lack the buoyancy of body and mind requisite to bring her round after her time of trial. Her husband, who loved her all the more from having few other claims on his affections, was deeply grieved by her early death, and his only comforter was the sweet little boy whom she had left behind. That part of the squire’s character, which was so tender, and almost feminine, seemed called forth by the helpless situation of the little infant, who stretched out his arms to his father with the same earnest cooing that happier children make use of to their mother alone. Augharad was almost neglected, while the little Owen was king of the house; still next to his father, none tended him so lovingly as his sister. She was so accustomed to give way to him that it was no longer a hardship. By night and by day Owen was the constant companion of his father, and increasing years seemed only to confirm the custom. It was an unnatural life for the child, seeing no bright little faces peering into his own (for Augharad was, as I said before, five or six years older, and her face, poor motherless girl! was often anything but bright), hearing no din of clear ringing voices, but day after day sharing the otherwise solitary hours of his father, whether in the dim room, surrounded by wizard-like antiquities, or pattering his little feet to keep up with his “tada” in his mountain rambles or shooting excursions. When the pair came to some little foaming brook, where the stepping-stones were far and wide, the father carried his little boy across with the tenderest care; when the lad was weary, they rested, he cradled in his father’s arms, or the Squire would lift him up and carry him to his home again. The boy was indulged (for his father felt flattered by the desire) in his wish of sharing his meals and
921.859838
2023-11-16 18:32:25.9256100
104
76
Produced by Al Haines [Frontispiece: NELLY'S HOSPITAL.--PAGE 54] AUNT JO's SCRAP-BAG. Volume III. CUPID AND CHOW-CHOW, ETC. [Illustration: Scrap Bag Vol. III] BY LOUISA M. ALCOTT, AUTHOR OF "LITTLE WOMEN," "AN OLD-FASHIONED GIRL," "LITTLE MEN," "H
921.94565
2023-11-16 18:32:26.0142610
1,064
10
Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE FLAGS OF OUR FIGHTING ARMY [Illustration: =1.= Second Troop of Horse Guards, 1687. ] [Illustration: =2.= 5th Dragoon Guards, 1687. ] [Illustration] [Illustration: =3.= and =4.= 2nd Dragoon Guards, 1742. ] [Illustration: =5.= General Grove’s Regiment (10th Foot), 1726. ] [Illustration: =6.= 27th Inniskilling Regiment, 1747. ] [Illustration: =7.= 103rd Regiment, 1780. ] [Illustration: =8.= 14th Regiment (Second Battalion), 1812. ] PLATE 1. EARLY REGIMENTAL COLOURS AND STANDARDS THE FLAGS OF OUR FIGHTING ARMY INCLUDING STANDARDS, GUIDONS, COLOURS AND DRUM BANNERS BY STANLEY C. JOHNSON, M.A., D.Sc., F.R.E.S. Author of “The Medals of Our Fighting Men,” “Peeps at Postage Stamps,” etc. WITH EIGHT FULL-PAGE PLATES IN COLOUR A. & C. BLACK, LTD. 4, 5 & 6 SOHO SQUARE, LONDON, W. 1 TO MY BROTHER IN THE ROYAL GARRISON ARTILLERY. A UNIT OF THE ARMY IN WHICH THE GUNS SERVE THE PURPOSE OF REGIMENTAL STANDARDS. Published, 1918. ------------------------------------------------------------------------ PREFACE Very little has been written in the past dealing with the subject of the standards, guidons, colours, etc., of the British Army. Scattered amongst Regimental histories, biographies of illustrious soldiers, and military periodicals, a fair amount of information may be discovered, but it is, of necessity, disjointed and difficult of viewing in proper perspective. Many years ago, a capital book was written by the late Mr. S. M. Milne, entitled “Standards and Colours of the British Army.” Unfortunately, this work was published privately and, accordingly, did not receive the full measure of appreciation which it merited. Students of Army Flags should consult this book whenever possible; also “Ranks and Badges of the Army and Navy,” by Mr. O. L. Perry; and the articles which appeared in _The Regiment_ during the latter weeks of 1916. Messrs. Gale & Polden’s folders dealing with Army Flags are also instructive. The author wishes to acknowledge his indebtedness to Mr. Milne, Mr. O. L. Perry, and the Editor of _The Regiment_. He is also very grateful for the assistance extended to him by Lieutenant J. Harold Watkins and Lieutenant C. H. Hastings, Officers in charge of the Canadian War Records. CONTENTS CHAPTER PAGE I.— INTRODUCTION 1 II.— A HISTORY OF MILITARY COLOURS 6 III.— STANDARDS, GUIDONS AND DRUM BANNERS OF THE HOUSEHOLD 36 CAVALRY, DRAGOON GUARDS AND CAVALRY OF THE LINE IV.— YEOMANRY GUIDONS AND DRUM BANNERS 47 V.— THE COLOURS OF THE FOOT GUARDS 54 VI.— THE COLOURS OF THE INFANTRY 64 VII.— COLOURS OF OUR OVERSEAS DOMINIONS 115 VIII.— MISCELLANEOUS COLOURS 121 IX.— BATTLE HONOURS 124 Appendix.— REGIMENTAL COLOURS OF CANADIAN INFANTRY BATTALIONS 139 INDEX 147 LIST OF ILLUSTRATIONS IN COLOUR 1.—EARLY REGIMENTAL COLOURS AND STANDARDS _Frontispiece._ FACING PAGE 2.—CAVALRY STANDARDS, GUIDONS AND DRUM BANNERS 36 3.—COLOURS OF THE FOOT GUARDS 54 4.—SAVING THE COLOURS OF THE BUFFS AT ALBUHERA 68 5.—COLOURS OF THE INFANTRY OF THE LINE (REGULAR 80 BATTALIONS) 6.—REGIMENTAL COLOURS OF THE TERRITORIAL FORCE 98 7.—
922.034301
2023-11-16 18:32:26.0853890
244
16
Produced by David Starner, Louise Pryor and the Online Distributed Proofreading Team at http://www.pgdp.net {Transcriber's note: Some books have no price listed in the original, and some publishers have no address listed. These are indicated by {no price} and {no address} respectively. A few typographical errors have been corrected. They are listed, and other possible errors noted, at the end of the etext.} THE _Annual Catalogue_: (NUMB. II.) Or, A new and compleat LIST of ALL THE NEW BOOKS, New Editions of BOOKS, PAMPHLETS, PRINTS, _&c._ PUBLISH'D In History, Divinity, Law, Poetry, Plays, Novels, Painting, Architecture, and all other Sciences, from _January_ the First, 1737, to _January_ the First, 1738. Giving an Account of the Prices they sell for, also a List of the Names and Places of Abode of the several Booksellers, _&c._ whom printed by. Useful to all
922.105429
2023-11-16 18:32:26.1256670
1,792
6
Produced by Henry Gardiner, Geetu Melwani, Kathryn Lybarger, Nick Wall and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries.) * * * * * Transcriber's Note: The original publication has been replicated faithfully except as shown in the TRANSCRIBER'S AMENDMENTS near the end of the text. To preserve the alignment of tables and headers, this etext presumes a mono-spaced font on the user's device, such as Courier New. Words in italics are indicated like _this_. * * * * * [Illustration] [Illustration: COLUMBIA PRESENTING STANLEY TO EUROPEAN SOVEREIGNS.] STANLEY IN AFRICA. THE WONDERFUL DISCOVERIES AND THRILLING ADVENTURES OF THE GREAT AFRICAN EXPLORER AND OTHER TRAVELERS, PIONEERS AND MISSIONARIES. BEAUTIFULLY AND ELABORATELY ILLUSTRATED WITH ENGRAVINGS, PLATES AND MAPS BY JAMES P. BOYD, A.M. Author of "Political History of the United States" and "Life of Gen. U. S. Grant," etc. ROSE PUBLISHING CO., TORONTO, CANADA. Copyright, 1889 BY JAMES P. BOYD. INTRODUCTION. A volume of travel, exploration and adventure is never without instruction and fascination for old and young. There is that within us all which ever seeks for the mysteries which are bidden behind mountains, closeted in forests, concealed by earth or sea, in a word, which are enwrapped by Nature. And there is equally that within us which is touched most sensitively and stirred most deeply by the heroism which has characterized the pioneer of all ages of the world and in every field of adventure. How like enchantment is the story of that revelation which the New America furnished the Old World! What a spirit of inquiry and exploit it opened! How unprecedented and startling, adventure of every kind became! What thrilling volumes tell of the hardships of daring navigators or of the perils of brave and dashing landsmen! Later on, who fails to read with the keenest emotion of those dangers, trials and escapes which enveloped the intrepid searchers after the icy secrets of the Poles, or confronted those who would unfold the tale of the older civilizations and of the ocean's island spaces. Though the directions of pioneering enterprise change, yet more and more man searches for the new. To follow him, is to write of the wonderful. Again, to follow him is to read of the surprising and the thrilling. No prior history of discovery has ever exceeded in vigorous entertainment and startling interest that which centers in "The Dark Continent" and has for its most distinguished hero, Henry M. Stanley. His coming and going in the untrodden and hostile wilds of Africa, now to rescue the stranded pioneers of other nationalities, now to explore the unknown waters of a mighty and unique system, now to teach cannibal tribes respect for decency and law, and now to map for the first time with any degree of accuracy, the limits of new dynasties, make up a volume of surpassing moment and peculiar fascination. All the world now turns to Africa as the scene of those adventures which possess such a weird and startling interest for readers of every class, and which invite to heroic exertion on the part of pioneers. It is the one dark, mysterious spot, strangely made up of massive mountains, lofty and extended plateaus, salt and sandy deserts, immense fertile stretches, climates of death and balm, spacious lakes, gigantic rivers, dense forests, numerous, grotesque and savage peoples, and an animal life of fierce mien, enormous strength and endless variety. It is the country of the marvelous, yet none of its marvels exceed its realities. And each exploration, each pioneering exploit, each history of adventure into its mysterious depths, but intensifies the world's view of it and enhances human interest in it, for it is there the civilized nations are soon to set metes and bounds to their grandest acquisitions--perhaps in peace, perhaps in war. It is there that white colonization shall try its boldest problems. It is there that Christianity shall engage in one of its hardest contests. Victor Hugo says, that "Africa will be the continent of the twentieth century." Already the nations are struggling to possess it. Stanley's explorations proved the majesty and efficacy of equipment and force amid these dusky peoples and through the awful mazes of the unknown. Empires watched with eager eye the progress of his last daring journey. Science and civilization stood ready to welcome its results. He comes to light again, having escaped ambush, flood, the wild beast and disease, and his revelations set the world aglow. He is greeted by kings, hailed by savants, and looked to by the colonizing nations as the future pioneer of political power and commercial enterprise in their behalf, as he has been the most redoubtable leader of adventure in the past. This miraculous journey of the dashing and intrepid explorer, completed against obstacles which all believed to be insurmountable, safely ended after opinion had given him up as dead, together with its bearings on the fortunes of those nations who are casting anew the chart of Africa, and upon the native peoples who are to be revolutionized or exterminated by the last grand surges of progress, all these render a volume dedicated to travel and discovery, especially in the realm of "The Dark Continent," surprisingly agreeable and useful at this time. [Illustration: MARCHING THROUGH EQUATORIAL AFRICA.] CONTENTS. HENRY M. STANLEY, 19 Stanley is safe; the world's rejoicings; a new volume in African annals; who is "this wizard of travel?" story of Stanley's life; a poor Welsh boy; a work-house pupil; teaching school; a sailor boy; in a New Orleans counting-house; an adopted child; bereft and penniless; a soldier of the South; captured and a prisoner; in the Federal Navy; the brilliant correspondent; love of travel and adventure; dauntless amid danger; in Asia-Minor and Abyssinia; at the court of Spain; in search of Livingstone; at Ujiji on Tanganyika; the lost found; across the "dark continent;" down the dashing Congo; boldest of all marches; acclaim of the world. THE CONGO FREE STATE, 27 A Congo's empire; Stanley's grand conception; European ambitions; the International Association; Stanley off for Zanzibar; enlists his carriers; at the mouth of the Congo; preparing to ascend the river; his force and equipments; the river and river towns; hippopotamus hunting; the big chiefs of Vivi; the "rock-breaker;" founding stations; making treaties; tribal characteristics; Congo scenes; elephants, buffaloes and water-buck; building houses and planting gardens; making roads; rounding the portages; river crocodiles and the steamers; foraging in the wilderness; products of the country; the king and the gong; no more war fetish; above the cataracts; Stanley Pool and Leopoldville; comparison of Congo with other rivers; exploration of the Kwa; Stanley sick; his return to Europe; further plans for his "Free State;" again on the Congo; Bolobo and its chiefs; medicine for wealth; a free river, but no land; scenery on the upper Congo; the Watwa dwarfs; the lion and his prey; war at Bolobo; the Equator station; a long voyage ahead; a modern Hercules;
922.145707
2023-11-16 18:32:26.2279290
15
21
Produced by Chris Curnow, Joseph Cooper and the Online
922.247969
2023-11-16 18:32:26.3164780
228
11
Produced by David Widger from page images generously provided by Google Books THE GOLDEN FLOOD By Edwin Lefevre Illustrated By W. R. Leigh New York McClure, Phillips & Co. 1905 TO DANIEL GRAY REID PART ONE: THE FLOOD The president looked up from the underwriters’ plan of the latest “Industrial” consolidation capital stock, $100,000,000; assets, for publication, $100,000,000 which the syndicate’s lawyers had pronounced perfectly legal. Judiciously advertised, the stock probably would be oversubscribed. The profits ought to be enormous. He was one of the underwriters. “What is it?” he asked. He did not frown, but his voice was as though hung with icicles. The assistant cashier, an imaginative man in the wrong place, shivered. “This gentleman,” he said, giving a card to the president, “wishes to make a deposit of one hundred thousand dollars.” The president looked at the
922.336518
2023-11-16 18:32:26.3165190
720
8
Produced by K Nordquist, Jacqueline Jeremy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE INNOCENTS BOOKS BY SINCLAIR LEWIS THE INNOCENTS THE JOB THE TRAIL OF THE HAWK OUR MR. WRENN HARPER & BROTHERS, NEW YORK [ESTABLISHED 1817] [Illustration: THE INNOCENTS] THE INNOCENTS A STORY FOR LOVERS BY SINCLAIR LEWIS AUTHOR OF "THE TRAIL OF THE HAWK" "THE JOB" ETC. HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON THE INNOCENTS Copyright, 1917, by Harper & Brothers Printed in the United States of America Published October, 1917 F-R A DEDICATORY INTRODUCTION If this were a ponderous work of realism, such as the author has attempted to write, and will doubtless essay again, it would be perilous to dedicate it to the splendid assembly of young British writers, lest the critics search for Influences and Imitations. But since this is a flagrant excursion, a tale for people who still read Dickens and clip out spring poetry and love old people and children, it may safely confess the writer's strident admiration for Compton Mackenzie, Hugh Walpole, Oliver Onions, D. H. Lawrence, J. D. Beresford, Gilbert Cannan, Patrick MacGill, and their peers, whose novels are the histories of our contemporaneous Golden Age. Nor may these be mentioned without a yet more enthusiastic tribute to their master and teacher (he probably abominates being called either a master or a teacher), H. G. Wells. THE INNOCENTS CHAPTER I Mr. and Mrs. Seth Appleby were almost old. They called each other "Father" and "Mother." But frequently they were guilty of holding hands, or of cuddling together in corners, and Father was a person of stubborn youthfulness. For something over forty years Mother had been trying to make him stop smoking, yet every time her back was turned he would sneak out his amber cigarette-holder and puff a cheap cigarette, winking at the shocked crochet tidy on the patent rocker. Mother sniffed at him and said that he acted like a young smart Aleck, but he would merely grin in answer and coax her out for a walk. As they paraded, the sun shone through the fuzzy, silver hair that puffed out round Father's crab-apple face, and an echo of delicate silver was on Mother's rose-leaf cheeks. They were rustic as a meadow-ringed orchard, yet Father and Mother had been born in New York City, and there lived for more than sixty years. Father was a perfectly able clerk in Pilkings's shoe-store on Sixth Avenue, and Pilkings was so much older than Father that he still called him, "Hey you, Seth!" and still gave him advice about handling lady customers. For
922.336559
2023-11-16 18:32:26.3257280
1,105
25
Produced by David Edwards, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: [_To face the Title._] CAPTAIN SWORD AND CAPTAIN PEN. =A Poem.= BY LEIGH HUNT. WITH SOME REMARKS ON WAR AND MILITARY STATESMEN. --If there be in glory aught of good, It may by means far different be attained, Without ambition, war, or violence.--MILTON. LONDON: CHARLES KNIGHT, LUDGATE STREET. 1835. TO THE RIGHT HONOURABLE THE LORD BROUGHAM AND VAUX, WITH WHOM THE WRITER HUMBLY DIFFERS ON SOME POINTS, BUT DEEPLY RESPECTS FOR HIS MOTIVES ON ALL; GREAT IN OFFICE FOR WHAT HE DID FOR THE WORLD, GREATER OUT OF IT IN CALMLY AWAITING HIS TIME TO DO MORE; THE PROMOTER OF EDUCATION; THE EXPEDITER OF JUSTICE; THE LIBERATOR FROM SLAVERY; AND (WHAT IS THE RAREST VIRTUE IN A STATESMAN) ALWAYS A DENOUNCER OF WAR, =These Pages are Inscribed= BY HIS EVER AFFECTIONATE SERVANT, Jan. 30, 1835. LEIGH HUNT. ADVERTISEMENT. This Poem is the result of a sense of duty, which has taken the Author from quieter studies during a great public crisis. He obeyed the impulse with joy, because it took the shape of verse; but with more pain, on some accounts, than he chooses to express. However, he has done what he conceived himself bound to do; and if every zealous lover of his species were to express his feelings in like manner, to the best of his ability, individual opinions, little in themselves, would soon amount to an overwhelming authority, and hasten the day of reason and beneficence. The measure is regular with an irregular aspect,--four accents in a verse,--like that of Christabel, or some of the poems of Sir Walter Scott: Captain Sword got up one day-- And the flag full of honour, as though it could feel-- He mentions this, not, of course, for readers in general, but for the sake of those daily acceders to the list of the reading public, whose knowledge of books is not yet equal to their love of them. [Illustration: STEPPING IN MUSIC AND THUNDER SWEET, WHICH HIS DRUMS SENT BEFORE HIM INTO THE STREET. _Canto_ I. _p._ 1.] CAPTAIN SWORD AND CAPTAIN PEN. I. HOW CAPTAIN SWORD MARCHED TO WAR. Captain Sword got up one day, Over the hills to march away, Over the hills and through the towns, They heard him coming across the downs, Stepping in music and thunder sweet, Which his drums sent before him into the street. And lo! 'twas a beautiful sight in the sun; For first came his foot, all marching like one, With tranquil faces, and bristling steel, And the flag full of honour as though it could feel, And the officers gentle, the sword that hold 'Gainst the shoulder heavy with trembling gold, And the massy tread, that in passing is heard, Though the drums and the music say never a word. And then came his horse, a clustering sound Of shapely potency, forward bound, Glossy black steeds, and riders tall, Rank after rank, each looking like all, Midst moving repose and a threatening charm, With mortal sharpness at each right arm, And hues that painters and ladies love, And ever the small flag blush'd above. And ever and anon the kettle-drums beat Hasty power midst order meet; And ever and anon the drums and fifes Came like motion's voice, and life's; Or into the golden grandeurs fell Of deeper instruments, mingling well, Burdens of beauty for winds to bear; And the cymbals kiss'd in the shining air, And the trumpets their visible voices rear'd, Each looking forth with its tapestried beard, Bidding the heavens and earth make way For Captain Sword and his battle-array. He, nevertheless, rode indifferent-eyed, As if pomp were a toy to his manly pride, Whilst the ladies lov'd him the more for his scorn, And thought him the noblest man ever was born, And tears came into the bravest eyes, And hearts swell'd after him double their size, And all that was weak, and all that was strong, Seem'd to think wrong's self in him could not be wrong; Such love, though with bosom about to be gored, Did sympathy
922.345768
2023-11-16 18:32:26.3277990
1,609
15
E-text prepared by D Alexander and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://archive.org/details/toronto) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 41397-h.htm or 41397-h.zip: (http://www.gutenberg.org/files/41397/41397-h/41397-h.htm) or (http://www.gutenberg.org/files/41397/41397-h.zip) Images of the original pages are available through Internet Archive/Canadian Libraries. See http://archive.org/details/unclewaltwaltma00maso UNCLE WALT [Illustration: To George Matthew Adams From his Accomplice Walt Mason] UNCLE WALT [WALT MASON] [Illustration] The Poet Philosopher Chicago George Matthew Adams 1910 Copyright, 1910, by George Matthew Adams. Registered in Canada in accordance with the copyright law. Entered at Stationers' Hall, London. All rights reserved. Contents A Glance at History 17 Longfellow 18 In Politics 19 The Human Head 20 The Universal Help 21 Little Sunbeam 22 The Flag 23 Doc Jonnesco 24 Little Girl 25 The Landlady 26 Twilight Reveries 27 King and Kid 28 Little Green Tents 29 Geronimo Aloft 31 The Venerable Excuse 32 Silver Threads 33 The Poet Balks 34 The Penny Saved 35 Home Life 36 Eagles and Hens 37 The Sunday Paper 38 The Nation's Hope 39 Football 40 Health Food 41 Physical Culture 43 The Nine Kings 44 The Eyes of Lincoln 45 The Better Land 46 Knowledge Is Power 47 The Pie Eaters 48 The Sexton's Inn 49 He Who Forgets 50 Poor Father 51 The Idle Question 52 Politeness 53 Little Pilgrims 55 The Wooden Indian 56 Home and Mother 57 E. Phillips Oppenheim 58 Better than Boodle 59 The Famous Four 60 Niagara 61 A Rainy Night 62 The Wireless 63 Helpful Mr. Bok 64 Beryl's Boudoir 65 Post-Mortem Honors 67 After A While 68 Pretty Good Schemes 69 Knowledge by Mail 70 Duke and Plumber 71 Human Hands 72 The Lost Pipe 73 Thanksgiving 74 Sir Walter Raleigh 75 The Country Editor 76 Useless Griefs 77 Fairbanks' Whiskers 78 Letting It Alone 79 The End of the Road 80 The Dying Fisherman 81 George Meredith 82 The Smart Children 83 The Journey 85 Times Have Changed 86 My Little Dog "Dot" 87 Harry Thurston Peck 88 Tired Man's Sleep 89 Tomorrow 90 Toothache 91 Auf Wiedersehen 92 After the Game 93 Nero's Fiddle 94 The Real Terror 95 The Talksmiths 96 Woman's Progress 97 The Magic Mirror 99 The Misfit Face 100 A Dog Story 101 The Pitcher 102 Lions and Ants 103 The Nameless Dead 104 Ambition 105 Night's Illusions 106 Before and After 107 Luther Burbank 108 Governed Too Much 109 Success in Life 110 The Hookworm Victim 111 Alfred Austin 112 Weary Old Age 113 Lullaby 114 The School Marm 115 Poe 116 Gay Parents 117 Dad 118 John Bunyan 119 A Near Anthem 121 The Yellow Cord 122 The Important Man 123 Toddling Home 124 Trifling Things 125 Trusty Dobbin 126 The High Prices 127 Omar Khayyam 128 The Grouch 129 The Pole 130 Wilhelmina 131 Wilbur Wright 132 The Broncho 133 Schubert's Serenade 135 Mazeppa 136 Fashion's Devotee 137 Christmas 138 The Tightwad 139 Blue Blood 140 The Cave Man 141 Rudyard Kipling 142 In Indiana 143 The Colonel at Home 144 The June Bride 145 At The Theatre 146 Club Day Dirge 147 Washington 149 Hours and Ponies 150 The Optimist 151 A Few Remarks 152 Little Things 153 The Umpire 154 Sherlock Holmes 155 The Sanctuary 156 The Newspaper Graveyard 157 My Lady's Hair 158 The Sick Minstrel 159 The Beggar 160 Looking Forward 161 The Depot Loafers 162 The Foolish Husband 163 Halloween 165 Rienzi To The Romans 166 The Sorrel Colt 167 Plutocrat and Poet 168 Mail Order Clothes 169 Evening 170 They All Come Back 171 The Cussing Habit 172 John Bull 173 An Oversight 174 The Traveler 175 Saturday Night 176 Lady Nicotine 177 Up-To-Date Serenade 179 The Consumer 180 Advice To A Damsel 181 The New Year Vow 182 The Stricken Toiler 183 The Law Books 184 Sleuths of Fiction 185 Put It On Ice 186 The Philanthropist 187 Other Days 188 The Passing Year 189 List of
922.347839
2023-11-16 18:32:26.3343060
132
37
Produced by Olaf Voss, Don Kretz, Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team. [Illustration] SCIENTIFIC AMERICAN SUPPLEMENT NO. 288 NEW YORK, JULY 9, 1881 Scientific American Supplement. Vol. XI, No. 288. Scientific American established 1845 Scientific American Supplement, $5 a year. Scientific American and Supplement, $7 a year. * * * * * TABLE OF CONTENTS. I. ENGINEERING AND MECHANICS--Dry Air
922.354346
2023-11-16 18:32:26.3786800
244
6
Produced by Kevin Handy, Sue Fleming, John Hagerson and the Online Distributed Proofreading Team at http://www.pgdp.net Trancribers Note. Text appearing in italic and bold font in the original publication are shown inside _..._ and =...= markup respectively. Some whole numbers and fractional parts are displayed as 10-2/3. GETTING & GOLD. GRIFFIN’S STANDARD PUBLICATIONS. Fourth Edition, Revised. Fully Illustrated. 21s. =THE METALLURGY OF GOLD=. By T. KIRKE ROSE, D.Sc. Lond., Assoc. R.S.M., Chemist and Assayer to the Royal Mint. “Adapted for all who are interested in the Gold Mining Industry, being free from technicalities as far as possible, but is more particularly of value to those engaged in the industry.”--_Cape Times._ “A Comprehensive Practical Treatise on this important subject.”--_The Times._ * * * * * Medium 8vo. With numerous Plates, Maps,
922.39872
2023-11-16 18:32:26.9260850
2,689
13
THE PARASITE A Story BY A. CONAN DOYLE AUTHOR OF "THE REFUGEES" "MICAH CLARKE" ETC. 1894 THE PARASITE I March 24. The spring is fairly with us now. Outside my laboratory window the great chestnut-tree is all covered with the big, glutinous, gummy buds, some of which have already begun to break into little green shuttlecocks. As you walk down the lanes you are conscious of the rich, silent forces of nature working all around you. The wet earth smells fruitful and luscious. Green shoots are peeping out everywhere. The twigs are stiff with their sap; and the moist, heavy English air is laden with a faintly resinous perfume. Buds in the hedges, lambs beneath them--everywhere the work of reproduction going forward! I can see it without, and I can feel it within. We also have our spring when the little arterioles dilate, the lymph flows in a brisker stream, the glands work harder, winnowing and straining. Every year nature readjusts the whole machine. I can feel the ferment in my blood at this very moment, and as the cool sunshine pours through my window I could dance about in it like a gnat. So I should, only that Charles Sadler would rush upstairs to know what was the matter. Besides, I must remember that I am Professor Gilroy. An old professor may afford to be natural, but when fortune has given one of the first chairs in the university to a man of four-and-thirty he must try and act the part consistently. What a fellow Wilson is! If I could only throw the same enthusiasm into physiology that he does into psychology, I should become a Claude Bernard at the least. His whole life and soul and energy work to one end. He drops to sleep collating his results of the past day, and he wakes to plan his researches for the coming one. And yet, outside the narrow circle who follow his proceedings, he gets so little credit for it. Physiology is a recognized science. If I add even a brick to the edifice, every one sees and applauds it. But Wilson is trying to dig the foundations for a science of the future. His work is underground and does not show. Yet he goes on uncomplainingly, corresponding with a hundred semi-maniacs in the hope of finding one reliable witness, sifting a hundred lies on the chance of gaining one little speck of truth, collating old books, devouring new ones, experimenting, lecturing, trying to light up in others the fiery interest which is consuming him. I am filled with wonder and admiration when I think of him, and yet, when he asks me to associate myself with his researches, I am compelled to tell him that, in their present state, they offer little attraction to a man who is devoted to exact science. If he could show me something positive and objective, I might then be tempted to approach the question from its physiological side. So long as half his subjects are tainted with charlatanerie and the other half with hysteria we physiologists must content ourselves with the body and leave the mind to our descendants. No doubt I am a materialist. Agatha says that I am a rank one. I tell her that is an excellent reason for shortening our engagement, since I am in such urgent need of her spirituality. And yet I may claim to be a curious example of the effect of education upon temperament, for by nature I am, unless I deceive myself, a highly psychic man. I was a nervous, sensitive boy, a dreamer, a somnambulist, full of impressions and intuitions. My black hair, my dark eyes, my thin, olive face, my tapering fingers, are all characteristic of my real temperament, and cause experts like Wilson to claim me as their own. But my brain is soaked with exact knowledge. I have trained myself to deal only with fact and with proof. Surmise and fancy have no place in my scheme of thought. Show me what I can see with my microscope, cut with my scalpel, weigh in my balance, and I will devote a lifetime to its investigation. But when you ask me to study feelings, impressions, suggestions, you ask me to do what is distasteful and even demoralizing. A departure from pure reason affects me like an evil smell or a musical discord. Which is a very sufficient reason why I am a little loath to go to Professor Wilson's tonight. Still I feel that I could hardly get out of the invitation without positive rudeness; and, now that Mrs. Marden and Agatha are going, of course I would not if I could. But I had rather meet them anywhere else. I know that Wilson would draw me into this nebulous semi-science of his if he could. In his enthusiasm he is perfectly impervious to hints or remonstrances. Nothing short of a positive quarrel will make him realize my aversion to the whole business. I have no doubt that he has some new mesmerist or clairvoyant or medium or trickster of some sort whom he is going to exhibit to us, for even his entertainments bear upon his hobby. Well, it will be a treat for Agatha, at any rate. She is interested in it, as woman usually is in whatever is vague and mystical and indefinite. 10.50 P. M. This diary-keeping of mine is, I fancy, the outcome of that scientific habit of mind about which I wrote this morning. I like to register impressions while they are fresh. Once a day at least I endeavor to define my own mental position. It is a useful piece of self-analysis, and has, I fancy, a steadying effect upon the character. Frankly, I must confess that my own needs what stiffening I can give it. I fear that, after all, much of my neurotic temperament survives, and that I am far from that cool, calm precision which characterizes Murdoch or Pratt-Haldane. Otherwise, why should the tomfoolery which I have witnessed this evening have set my nerves thrilling so that even now I am all unstrung? My only comfort is that neither Wilson nor Miss Penclosa nor even Agatha could have possibly known my weakness. And what in the world was there to excite me? Nothing, or so little that it will seem ludicrous when I set it down. The Mardens got to Wilson's before me. In fact, I was one of the last to arrive and found the room crowded. I had hardly time to say a word to Mrs. Marden and to Agatha, who was looking charming in white and pink, with glittering wheat-ears in her hair, when Wilson came twitching at my sleeve. "You want something positive, Gilroy," said he, drawing me apart into a corner. "My dear fellow, I have a phenomenon--a phenomenon!" I should have been more impressed had I not heard the same before. His sanguine spirit turns every fire-fly into a star. "No possible question about the bona fides this time," said he, in answer, perhaps, to some little gleam of amusement in my eyes. "My wife has known her for many years. They both come from Trinidad, you know. Miss Penclosa has only been in England a month or two, and knows no one outside the university circle, but I assure you that the things she has told us suffice in themselves to establish clairvoyance upon an absolutely scientific basis. There is nothing like her, amateur or professional. Come and be introduced!" I like none of these mystery-mongers, but the amateur least of all. With the paid performer you may pounce upon him and expose him the instant that you have seen through his trick. He is there to deceive you, and you are there to find him out. But what are you to do with the friend of your host's wife? Are you to turn on a light suddenly and expose her slapping a surreptitious banjo? Or are you to hurl cochineal over her evening frock when she steals round with her phosphorus bottle and her supernatural platitude? There would be a scene, and you would be looked upon as a brute. So you have your choice of being that or a dupe. I was in no very good humor as I followed Wilson to the lady. Any one less like my idea of a West Indian could not be imagined. She was a small, frail creature, well over forty, I should say, with a pale, peaky face, and hair of a very light shade of chestnut. Her presence was insignificant and her manner retiring. In any group of ten women she would have been the last whom one would have picked out. Her eyes were perhaps her most remarkable, and also, I am compelled to say, her least pleasant, feature. They were gray in color,--gray with a shade of green,--and their expression struck me as being decidedly furtive. I wonder if furtive is the word, or should I have said fierce? On second thoughts, feline would have expressed it better. A crutch leaning against the wall told me what was painfully evident when she rose: that one of her legs was crippled. So I was introduced to Miss Penclosa, and it did not escape me that as my name was mentioned she glanced across at Agatha. Wilson had evidently been talking. And presently, no doubt, thought I, she will inform me by occult means that I am engaged to a young lady with wheat-ears in her hair. I wondered how much more Wilson had been telling her about me. "Professor Gilroy is a terrible sceptic," said he; "I hope, Miss Penclosa, that you will be able to convert him." She looked keenly up at me. "Professor Gilroy is quite right to be sceptical if he has not seen any thing convincing," said she. "I should have thought," she added, "that you would yourself have been an excellent subject." "For what, may I ask?" said I. "Well, for mesmerism, for example." "My experience has been that mesmerists go for their subjects to those who are mentally unsound. All their results are vitiated, as it seems to me, by the fact that they are dealing with abnormal organisms." "Which of these ladies would you say possessed a normal organism?" she asked. "I should like you to select the one who seems to you to have the best balanced mind. Should we say the girl in pink and white?--Miss Agatha Marden, I think the name is." "Yes, I should attach weight to any results from her." "I have never tried how far she is impressionable. Of course some people respond much more rapidly than others. May I ask how far your scepticism extends? I suppose that you admit the mesmeric sleep and the power of suggestion." "I admit nothing, Miss Penclosa." "Dear me, I thought science had got further than that. Of course I know nothing about the scientific side of it. I only know what I can do. You see the girl in red, for example, over near the Japanese jar. I shall will that she come across to us." She bent forward as she spoke and dropped her fan upon the floor. The girl whisked round and came straight toward us, with an enquiring look upon her face, as if some one had called her. "What do you think of that, Gilroy?" cried Wilson, in a kind of ecstasy. I did not dare to tell him what I thought of it. To me it was the most barefaced, shameless piece of imposture that I had ever
922.946125
2023-11-16 18:32:27.0254870
103
74
Produced by Al Haines [Frontispiece: "Cats for the cats' home!" said Sir Maurice Falconer.] THE TERRIBLE TWINS By EDGAR JEPSON Author of The Admirable Tinker, Pollyooly, etc. WITH ILLUSTRATIONS BY HANSON BOOTH INDIANAPOLIS THE BOBBS-MERRILL COMPANY PUBLISHERS COPYRIGHT 1913 THE BO
923.045527
2023-11-16 18:32:27.0669310
4,820
39
Produced by David Edwards, Linda Hamilton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: "In that instant the grateful Black rushed on like lightning to assist him, and assailing the bull with a weighty stick that he held in his hand, compelled him to turn his rage upon a new object." _P. 349._] THE HISTORY OF SANDFORD AND MERTON. BY THOMAS DAY. =Six Engravings on Steel.= =Philadelphia:= J. B. LIPPINCOTT & CO. MDCCCLXVIII. CONTENTS. CHAPTER I. PAGE Description of Harry Sandford and Tommy Merton--Adventure with the Snake--Harry in Mr Merton's house--Mr Barlow undertakes the education of Tommy--The first day at Mr Barlow's--Story of the Flies and the Ants--Harry rescues a Chicken from a Kite--Story of the Gentleman and the Basket-maker--Tommy learns to read--Story of the two dogs, 1 CHAPTER II. Tommy and the Ragged Boy--Story of Androcles and the Lion--Conversation on Slavery--Conversation about an Ass--Tommy's Present and its consequences--The Story of Cyrus--Squire Chase beats Harry--Harry saves the Squire's life--Making Bread--Story of the Two Brothers--Story of the Sailors on the Island of Spitzbergen, 47 CHAPTER III. Harry's Chicken--Tommy tries kindness on the Pig--Account of the Elephant--Story of the Elephant and the Tailor--Story of the Elephant and the Child--Stories of the Good Natured Boy and the Ill Natured Boy--The Boys determine to Build a House--Story of the Grateful Turk--The Boys' House blown down--They rebuild it stronger--The Roof lets in the Rain--At last is made Water-tight, 95 CHAPTER IV. The Boys' Garden--The Crocodile--The Farmer's Wife--How to make Cider--The Bailiffs take possession of the Farmer's Furniture--Tommy pays the Farmer's Debt--Conclusion of the Story of the Grateful Turk--The three Bears--Tommy and the Monkey--Habits of the Monkey--Tommy's Robin Redbreast--Is killed by a Cat--The Cat punished--The Laplanders--Story of a Cure of the Gout, 185 CHAPTER V. Lost in the Snow--Jack Smithers' Home--Talk about the Stars--Harry's pursuit of The Will-o'-the-Wisp--Story of the Avalanche--Town and Country compared--The Power of the Lever--The Balance--The Wheel and Axle--Arithmetic--Buying a Horse--History of Agesilaus--History of Leonidas, 197 CHAPTER VI. The Constellations--Distance from the Earth--The Magnet and its Powers--The Compass--The Greenlanders and their Customs--The Telescope--The Magic Lantern--Story of the African Prince and the Telescope--Mr Barlow's Poor Parishioners--His Annual Dinner--Tommy attempts Sledge Driving--His mishap in the Pond--His Anger, 255 CHAPTER VII. Tommy and Harry visit Home--The Fashionable Guests--Miss Simmons takes notice of Harry--Harry's Troubles--Master Compton and Mash--Estrangement of Tommy--Visit to the Theatre--Misbehaviour there--Card Playing--The Ball--Harry Dancing a Minuet--Story of Sir Philip Sidney--Master Mash insults Harry--The Fight in the Drawing-room--The Bull-baiting--Tommy strikes Harry--Master Mash's Combat with Harry--Tommy's Narrow Escape from the Bull--The Grateful Black, 298 CHAPTER VIII. Arrival of Mr Barlow--Story of Polemo--Tommy's repentance--Story of Sophron and Tigranes--Tommy as an Arabian Horseman--His Mishap--Tommy's intrepidity--The Poor Highlander's story--Tommy's Sorrow for his conduct to Harry--Conclusion of the Story of Sophron and Tigranes--Tommy's resolution to study nothing but "reason and philosophy"--Visits Harry and begs his forgiveness--The Grateful Black's Story--Tommy takes up his abode at Farmer Sandford's--The Grateful Black's account of himself--Mr Merton's visit to the Farm--The unexpected present--Conclusion, 355 THE HISTORY OF SANDFORD AND MERTON. CHAPTER I. Description of Harry Sandford and Tommy Merton--Adventure with the Snake--Harry in Mr Merton's house--Mr Barlow undertakes the education of Tommy--The first day at Mr Barlow's--Story of the Flies and the Ants--Harry rescues a Chicken from a Kite--Story of the Gentleman and the Basket-maker--Tommy learns to read--Story of the two dogs. In the western part of England lived a gentleman of great fortune, whose name was Merton. He had a large estate in the Island of Jamaica, where he had passed the greater part of his life, and was master of many servants, who cultivated sugar and other valuable things for his advantage. He had only one son, of whom he was excessively fond; and to educate this child properly was the reason of his determining to stay some years in England. Tommy Merton, who, at the time he came from Jamaica, was only six years old, was naturally a very good-tempered boy, but unfortunately had been spoiled by too much indulgence. While he lived in Jamaica, he had several black servants to wait upon him, who were forbidden upon any account to contradict him. If he walked, there always went two <DW64>s with him; one of whom carried a large umbrella to keep the sun from him, and the other was to carry him in his arms whenever he was tired. Besides this, he was always dressed in silk or laced clothes, and had a fine gilded carriage, which was borne upon men's shoulders, in which he made visits to his play-fellows. His mother was so excessively fond of him that she gave him everything he cried for, and would never let him learn to read because he complained that it made his head ache. The consequence of this was, that, though Master Merton had everything he wanted, he became very fretful and unhappy. Sometimes he ate sweetmeats till he made himself sick, and then he suffered a great deal of pain, because he would not take bitter physic to make him well. Sometimes he cried for things that it was impossible to give him, and then, as he had never been used to be contradicted, it was many hours before he could be pacified. When any company came to dine at the house, he was always to be helped first, and to have the most delicate parts of the meat, otherwise he would make such a noise as disturbed the whole company. When his father and mother were sitting at the tea-table with their friends, instead of waiting till they were at leisure to attend him, he would scramble upon the table, seize the cake and bread and butter, and frequently overset the tea-cups. By these pranks he not only made himself disagreeable to everybody else, but often met with very dangerous accidents. Frequently did he cut himself with knives, at other times throw heavy things upon his head, and once he narrowly escaped being scalded to death by a kettle of boiling water. He was also so delicately brought up, that he was perpetually ill; the least wind or rain gave him a cold, and the least sun was sure to throw him into a fever. Instead of playing about, and jumping, and running like other children, he was taught to sit still for fear of spoiling his clothes, and to stay in the house for fear of injuring his complexion. By this kind of education, when Master Merton came over to England he could neither write nor read, nor cipher; he could use none of his limbs with ease, nor bear any degree of fatigue; but he was very proud, fretful, and impatient. Very near to Mr Merton's seat lived a plain, honest farmer, whose name was Sandford. This man had, like Mr Merton, an only son, not much older than Master Merton, whose name was Harry. Harry, as he had been always accustomed to run about in the fields, to follow the labourers while they were ploughing, and to drive the sheep to their pasture, was active, strong, hardy, and fresh-. He was neither so fair, nor so delicately shaped as Master Merton; but he had an honest good-natured countenance, which made everybody love him; was never out of humour, and took the greatest pleasure in obliging everybody. If little Harry saw a poor wretch who wanted victuals, while he was eating his dinner, he was sure to give him half, and sometimes the whole: nay, so very good-natured was he to everything, that he would never go into the fields to take the eggs of poor birds, or their young ones, nor practise any other kind of sport which gave pain to poor animals, who are as capable of feeling as we ourselves, though they have no words to express their sufferings. Once, indeed, Harry was caught twirling a cock-chafer round, which he had fastened by a crooked pin to a long piece of thread: but then this was through ignorance and want of thought; for, as soon as his father told him that the poor helpless insect felt as much, or more than he would do, were a knife thrust through his hand, he burst into tears, and took the poor animal home, where he fed him during a fortnight upon fresh leaves; and when he was perfectly recovered, turned him out to enjoy liberty and fresh air. Ever since that time, Harry was so careful and considerate, that he would step out of the way for fear of hurting a worm, and employed himself in doing kind offices to all the animals in the neighbourhood. He used to stroke the horses as they were at work, and fill his pockets with acorns for the pigs; if he walked in the fields, he was sure to gather green boughs for the sheep, who were so fond of him that they followed him wherever he went. In the winter time, when the ground was covered with frost and snow, and the poor little birds could get at no food, he would often go supperless to bed, that he might feed the robin-redbreasts; even toads, and frogs, and spiders, and such kinds of disagreeable animals, which most people destroy wherever they find them, were perfectly safe with Harry; he used to say, they had a right to live as well as we, and that it was cruel and unjust to kill creatures, only because we did not like them. These sentiments made little Harry a great favourite with everybody, particularly with the clergyman of the parish, who became so fond of him that he taught him to read and write, and had him almost always with him. Indeed, it was not surprising that Mr Barlow showed so particular an affection for him; for besides learning, with the greatest readiness, everything that was taught him, little Harry was the most honest, obliging creature in the world. He was never discontented, nor did he ever grumble, whatever he was desired to do. And then you might believe Harry in everything he said; for though he could have gained a plum-cake by telling an untruth, and was sure that speaking the truth would expose him to a severe whipping, he never hesitated in declaring it. Nor was he like many other children, who place their whole happiness in eating: for give him but a morsel of dry bread for his dinner, and he would be satisfied, though you placed sweetmeats and fruit, and every other nicety, in his way. With this little boy did Master Merton become acquainted in the following manner:--As he and the maid were once walking in the fields on a fine summer's morning, diverting themselves with gathering different kinds of wild flowers, and running after butterflies, a large snake, on a sudden, started up from among some long grass, and coiled itself round little Tommy's leg. You may imagine the fright they were both in at this accident; the maid ran away shrieking for help, while the child, who was in an agony of terror, did not dare to stir from the place where he was standing. Harry, who happened to be walking near the place, came running up, and asked what was the matter. Tommy, who was sobbing most piteously, could not find words to tell him, but pointed to his leg, and made Harry sensible of what had happened. Harry, who, though young, was a boy of a most courageous spirit, told him not to be frightened; and instantly seizing the snake by the neck, with as much dexterity as resolution, tore him from Tommy's leg, and threw him to a great distance off. [Illustration: "Harry, instantly seizing the snake by the neck, with as much dexterity as resolution, tore him from Tommy's leg and threw him to a great distance off." _P. 6._] Just as this happened, Mrs Merton and all the family, alarmed by the servant's cries, came running breathless to the place, as Tommy was recovering his spirits, and thanking his brave little deliverer. Her first emotions were to catch her darling up in her arms, and, after giving him a thousand kisses, to ask him whether he had received any hurt. "No," said Tommy, "indeed I have not, mamma; but I believe that nasty ugly beast would have bitten me, if that little boy had not come and pulled him off." "And who are you, my dear," said she, "to whom we are all so obliged?" "Harry Sandford, madam." "Well, my child, you are a dear, brave little creature, and you shall go home and dine with us." "No, thank you, madam; my father will want me." "And who is your father, my sweet boy?" "Farmer Sandford, madam, that lives at the bottom of the hill." "Well, my dear, you shall be my child henceforth; will you?" "If you please, madam, if I may have my own father and mother, too." Mrs Merton instantly despatched a servant to the farmer's; and, taking little Harry by the hand, she led him to the mansion-house, where she found Mr Merton whom she entertained with a long account of Tommy's danger and Harry's bravery. Harry was now in a new scene of life. He was carried through costly apartments, where everything that could please the eye, or contribute to convenience, was assembled. He saw large looking-glasses in gilded frames, carved tables and chairs, curtains made of the finest silk, and the very plates and knives and forks were of silver. At dinner he was placed close to Mrs Merton, who took care to supply him with the choicest bits, and engaged him to eat, with the most endearing kindness; but, to the astonishment of everybody, he neither appeared pleased nor surprised at anything he saw. Mrs Merton could not conceal her disappointment; for, as she had always been used to a great degree of finery herself, she had expected it should make the same impression upon everybody else. At last, seeing him eye a small silver cup with great attention, out of which he had been drinking, she asked him whether he should not like to have such a fine thing to drink out of; and added, that, though it was Tommy's cup, she was sure he would with great pleasure, give it to his little friend. "Yes, that I will," says Tommy; "for you know, mamma, I have a much finer one than that, made of gold, besides two large ones made of silver." "Thank you with all my heart," said little Harry; "but I will not rob you of it, for I have a much better one at home." "How!" said Mrs Merton, "does your father eat and drink out of silver?" "I don't know, madam, what you call this; but we drink at home out of long things made of horn, just such as the cows wear upon their heads." "The child is a simpleton, I think," said Mrs Merton: "and why is that better than silver ones?" "Because," said Harry, "they never make us uneasy." "Make you uneasy, my child!" said Mrs Merton, "what do you mean?" "Why, madam, when the man threw that great thing down, which looks just like this, I saw that you were very sorry about it, and looked as if you had been just ready to drop. Now, ours at home are thrown about by all the family, and nobody minds it." "I protest," said Mrs Merton to her husband, "I do not know what to say to this boy, he makes such strange observations." The fact was, that during dinner, one of the servants had thrown down a large piece of plate, which, as it was very valuable, had made Mrs Merton not only look very uneasy, but give the man a very severe scolding for his carelessness. After dinner, Mrs Merton filled a large glass of wine, and giving it to Harry, bade him drink it up, but he thanked her, and said he was not dry. "But, my dear," said she, "this is very sweet and pleasant, and as you are a good boy, you may drink it up." "Ay, but, madam, Mr Barlow says that we must only eat when we are hungry, and drink when we are dry: and that we must only eat and drink such things are as easily met with; otherwise we shall grow peevish and vexed when we can't get them. And this was the way that the Apostles did, who were all very good men." Mr Merton laughed at this. "And pray," said he, "little man, do you know who the Apostles were?" "Oh! yes, to be sure I do." "And who were they?" "Why, sir, there was a time when people were grown so very wicked, that they did not care what they did; and the great folks were all proud, and minded nothing but eating and drinking and sleeping, and amusing themselves; and took no care of the poor, and would not give a morsel of bread to hinder a beggar from starving; and the poor were all lazy, and loved to be idle better than to work; and little boys were disobedient to their parents, and their parents took no care to teach them anything that was good; and all the world was very bad, very bad indeed. And then there came from Heaven the Son of God, whose name was Christ; and He went about doing good to everybody, and curing people of all sorts of diseases, and taught them what they ought to do; and He chose out twelve other very good men, and called them Apostles; and these Apostles went about the world doing as He did, and teaching people as He taught them. And they never minded what they did eat or drink, but lived upon dry bread and water; and when anybody offered them money, they would not take it, but told them to be good, and give it to the poor and sick: and so they made the world a great deal better. And therefore it is not fit to mind what we live upon, but we should take what we can get, and be contented; just as the beasts and birds do, who lodge in the open air, and live upon herbs, and drink nothing but water; and yet they are strong, and active, and healthy." "Upon my word," said Mr Merton, "this little man is a great philosopher; and we should be much obliged to Mr Barlow if he would take our Tommy under his care; for he grows a great boy, and it is time that he should know something. What say you, Tommy, should you like to be a philosopher?" "Indeed, papa, I don't know what a philosopher is; but I should like to be a king, because he's finer and richer than anybody else, and has nothing to do, and everybody waits upon him, and is afraid of him." "Well said, my dear," replied Mrs Merton; and rose and kissed him; "and a king you deserve to be with such a spirit; and here's a glass of wine for you for making such a pretty answer. And should you not like to be a king too, little Harry?" "Indeed, madam, I don't know what that is; but I hope I shall soon be big enough to go to plough, and get my own living; and then I shall want nobody to wait upon me." "What a difference between the children of farmers and gentlemen!" whispered Mrs Merton to her husband, looking rather contemptuously upon Harry. "I am not sure," said Mr Merton, "that for this time the advantage is on the side of our son:--But should you not like to be rich, my
923.086971
2023-11-16 18:32:27.1254910
1,834
25
Produced by Charles Bowen from page images provided by the National Library of Australia Transcriber's Notes: 1. Page scan source: http://nla.gov.au/nla.obj-90469872 (National Library of Australia) THE RED-HEADED MAN BY THE SAME AUTHOR. CLAUDE DUVAL OF '95 _A ROMANCE OF THE ROAD_ Some Press Opinions Athenæm.--"The book is cleverly written and will interest the reader who can forget its impossibilities." Academy.--"The book is a story of modern highway robbery by a lady instead of a gentleman of the road." Scotsman.--"A capital story of mystery, and unravelled with an entertaining thought." Pall Mall Gazette.--"Mr. Fergus Hume has shown his wonted skill in steering his reader plausibly through the pitfalls of a tangled plot in his 'Claude Duval of Ninety-Five.' The conception of a mounted and masked highwayman in our own day is daring and original and is worked out with great ingenuity." Daily Graphic.--"Mr. Fergus Hume starts with a good idea in his tale of a modern highwayman and he has crowded a variety of incidents into the pages of his book. The story opens dramatically and with some novelty." Whitehall Review.--"A rattling romance of the road, well written, well conceived and capitally told. The present book is one of absorbing interest and it is impossible to put it aside until the last line is reached." Black and White.--"There is abundant action and a well-sustained mystery in Mr. Fergus Hume's 'Claude Duval of '95." Morning Post.--"Less characteristic than the majority of Mr. Hume's stories this 'Romance of the Road' is one of the most entertaining among them." Gentlewoman.--"Mr. Hume's latest contribution to fiction 'Claude Duval of Ninety-Five' is a good honest tale of adventure which you cannot easily put by when you take it up." Westminster Gazette.--"'Claude Duval of '95' is an excellent story." Manchester Guardian.--"A female highwayman is a somewhat daring variety in fiction of which crime and audacity is the chief merit of Mr. Fergus Hume's latest work. Mr. Hume is a clever writer in a very fertile vein." Literary World.--"In 'Claude Duval of Ninety-Five' we have a recendesence of highway robbery very skilfully contrived." Weekly Sun.--"The plot is very cleverly worked out. The book is to be heartily commended as one of its author's masterpieces." Literature.--"The story is novel, and is worked out into a present day environment with real dexterity." Yorkshire Post.--"An entertaining romance which should agree with the prevailing mood of the libraries." Observer.--"Mr. Hume's story will rank among the best of its type." DIGBY, LONG & CO., PUBLISHERS, LONDON. THE RED-HEADED MAN BY FERGUS HUME AUTHOR OF "_The Mystery of a Hansom Cab_," "_Claude Duval of '95_," "_A Masquerade Mystery_," "_The Rainbow Feather_," _etc._ London DIGBY, LONG & CO. 18 Bouverie Street, Fleet Street, E.C. 1899 CONTENTS CHAP. I. AN EXTRAORDINARY CRIME II. THE BLONDE LADY III. MR. TORRY'S THEORY IV. THE DEAD MAN'S NAME V. "DE MORTIUS NIL NISI BONUM" VI. THE SECRETARY VII. EVIDENCE AT THE INQUEST VIII. THE ROBBERY IX. CAPTAIN MANUEL X. DONNA MARIA XI. UNEXPECTED EVIDENCE XII. A CHANCE MEETING XIII. A SOLDIER OF FORTUNE XIV. THE SECRET SOCIETY XV. A WOMAN SCORNED XVI. THE TURQUOISE RING XVII. MORE MYSTERIES XVIII. A STRANGE OCCURRENCE XIX. ANOTHER PUZZLE XX. THE UNEXPECTED HAPPENS XXI. DONNA MARIA EXPLAINS XXII. THE LOCKET XXIII. A CONFESSION XXIV. A QUEER MESSAGE XXV. THE MEETING IN HYDE PARK XXVI. CONCLUSION THE RED-HEADED MAN CHAPTER I AN EXTRAORDINARY CRIME Frank Darrel was a young man of twenty-five, with a sufficiency of good looks, and a comfortable income of five hundred a year. Also by way of employing his spare time, he was a realistic novelist of a particularly new school, founded on the axiom that fact invariably poaches on the domain of fiction. He neither conceived nor adopted, but set down actual details of the life around him, with so rigid an adherence to the truth that his published works read like police reports re-written in decent English. In a word, he held the mirror up to nature, and presented the reflection, beautiful or ugly, to the criticism of the British public. To preach thoroughly his gospel of art, as he conceived it, Darrel lived in London, that microcosm of life in all its phases, good, bad, and indifferent. Usually he worked in the morning, slept in the afternoon, amused himself in the evening, and devoted the night from twelve to five to exploring the deeps of the metropolitan ocean. In a disguise of decent poverty more threadbare than ragged, this enthusiast would exploit the dark corners of the Strand, penetrate into Whitechapel slums, and explore the least-known recesses of the City. On occasion he would view the West End and its civilised vices by gaslight, make expeditions into suburbs of known respectability, and, when weary of observing middle class virtue, would haunt less reputable districts in search of character and adventure. All his gleanings were then transmuted into vigorous prose, and figured, under picturesque titles, as novels of fact improved into fiction. This method of shifting the commonplace into romance was adopted by one Honoré de Balzac, with a result known to all the intellectual world. Darrel, with less genius than persevering observation, was a disciple of that great man. One evening late in the summer of last year, Darrel, disguised as a respectable mechanic, found himself observing humanity within the narrow limits of Drury-lane. The hour of midnight had just boomed in twelve strokes from the towers of near churches, and the ragged, hoarse-voiced crowd was beginning to thin into scattered groups. Vendors of various wares had extinguished their flaring lights, and had wheeled home their barrows. Playgoers, chattering about their evening's pleasure, were disappearing into side streets; shops were being closed; hotel-keepers were driving forth late customers more or less intoxicated; and the whole machinery of the quarter's civilisation was running down rapidly, to stop altogether somewhere about the small hours of the morning. Frank, with a short pipe in his mouth, and a keen eye in his head, stood observingly at a corner, and took note of this slackening. It was at this moment that his attention was attracted to a red-headed man. This individual was tall and stout. He was dressed in a seedy suit of greasy broadcloth; and his hair and beard were a violent red. He seemed restless and ill at ease, passed and re-passed young Darrel, looked into the window of a still open shop, glanced at a near policeman with obvious nervousness, and conducted himself so uncomfortably that the novelist began to watch him. "That fellow wants to do something," he thought, "and can't make up his mind to take the first step. I'll bet a criminal matter occupies his thoughts. I'll keep my eye on him." Shortly the red-headed man walked past Frank with a resolute air, and dis
923.145531
2023-11-16 18:32:27.2329360
1,793
10
Produced by Ted Garvin and the Online Distributed Proofreading Team at http://www.pgdp.net BOHN’S CLASSICAL LIBRARY DIOGENES LAËRTIUS G. BELL AND SONS, LTD. LONDON: PORTUGAL ST., KINGSWAY CAMBRIDGE: DEIGHTON, BELL AND CO. NEW YORK: THE MACMILLAN CO. BOMBAY: A. H. WHEELER AND CO. THE LIVES AND OPINIONS OF EMINENT PHILOSOPHERS BY DIOGENES LAËRTIUS. LITERALLY TRANSLATED BY C. D. YONGE, M.A., _Fellow of the Royal University of London; Regius Professor of English Literature and Modern History, Queen’s College, Belfast._ [Illustration] LONDON G. BELL AND SONS, LTD 1915 [_Reprinted from Stereotype plates._] CONTENTS. PAGE. PREFACE 1 BOOK I. INTRODUCTION 3 THALES 14 SOLON 23 CHILO 32 PITTACUS 35 BIAS 38 CLEOBULUS 41 PERIANDER 43 ANACHARSIS, THE SCYTHIAN 46 MYSON 49 EPIMENIDES 50 PHERECYDES 53 BOOK II. ANAXIMANDER 57 ANAXIMENES 57 ARCHELAUS 62 SOCRATES 63 XENOPHON 75 ÆSCHINES 79 ARISTIPPUS 81 PHÆDO 96 EUCLIDES 97 STILPO 100 CRITO 103 SIMON 104 GLAUCO 104 SIMIAS 105 CEBES 105 MENEDEMUS 105 BOOK III. PLATO 113 BOOK IV. SPEUSIPPUS 152 XENOCRATES 154 POLEMO 158 CRATES 160 CRANTOR 161 ARCESILAUS 163 BION 171 LACYDES 176 CARNEADES 177 CLITOMACHUS 178 BOOK V. ARISTOTLE 181 THEOPHRASTUS 194 STRATO 202 LYCON 205 DEMETRIUS 209 HERACLIDES 213 BOOK VI. ANTISTHENES 217 DIOGENES 224 MONIMUS 248 ONESICRITUS 249 CRATES 249 METROCLES 253 HIPPARCHIA 254 MENIPPUS 256 MENEDEMUS 257 BOOK VII. ZENO 259 ARISTON 318 HERILLUS 320 DIONYSIUS 321 CLEANTHES 322 SPHÆRUS 326 CHRYSIPPUS 327 BOOK VIII. PYTHAGORAS 338 EMPEDOCLES 359 EPICHARMUS 368 ARCHYTAS 369 ALCMÆON 371 HIPPASUS 371 PHILOLAUS 372 EUDOXUS 372 BOOK IX. HERACLITUS 376 XENOPHANES 382 PARMENIDES 384 MELISSUS 386 ZENO, THE ELEATIC 386 LEUCIPPUS 388 DEMOCRITUS 390 PROTAGORAS 397 DIOGENES, OF APOLLONIA 400 ANAXARCHUS 400 PYRRHO 402 TIMON 420 BOOK X. EPICURUS 424 PREFACE. Diogenes, the author of the following work, was a native (as is generally believed) of Laërte, in Cilicia, from which circumstance he derived the cognomen of Laërtius. Little is known of him personally, nor is even the age in which he lived very clearly ascertained. But as Plutarch, Sextus Empiricus, and Saturninus are among the writers whom he quotes, he is generally believed to have lived near the end of the second century of our era: although some place him in the time of Alexander Severus, and others as late as Constantine. His work consists of ten books, variously called: The Lives of Philosophers, A History of Philosophy, and The Lives of Sophists. From internal evidence (iii. 47, 29), we learn that he wrote it for a noble lady (according to some, Arria; according to others, Julia, the Empress of Severus), who occupied herself with the study of philosophy, and especially of Plato. Diogenes Laërtius divides the philosophy of the Greeks into the Ionic, beginning with Anaximander, and ending with Theophrastus (in which class, he includes the Socratic philosophy and all its various ramifications); and the Italian, beginning with Pythagoras, and ending with Epicurus, in which he includes the Eleatics, as also Heraclitus and the Sceptics. From the minute consideration which he devotes to Epicurus and his system, it has been supposed that he himself belonged to that school. His work is the chief source of information we possess concerning the history of Greek philosophy, and is the foundation of nearly all the modern treatises on that subject; some of the most important of which are little more than translations or amplifications of it. It is valuable, as containing a copious collection of anecdotes illustrative of the life and manners of the Greeks; but he has not always been very careful in his selection, and in some parts there is a confusion in his statements that makes them scarcely intelligible. These faults have led some critics to consider the work as it now exists merely a mutilated abridgment of the original. Breslæus, who in the thirteenth century, wrote a Treatise on the Lives and Manners of the Philosophers, quotes many anecdotes and sayings, which seem to be derived from Diogenes, but which are not to be found in our present text; whence Schneider concludes that he had a very different and far more complete copy than has come down to us. The text used in the following translation is chiefly that of Huebner, as published at Leipsic, A.D. 1828. LIVES AND OPINIONS OF EMINENT PHILOSOPHERS. BOOK I. INTRODUCTION. I. Some say that the study of philosophy originated with the barbarians. In that among the Persians there existed the Magi,[1] and among the Babylonians or Assyrians the Chaldæi,[2] among the Indians the Gymnosophistæ,[3] and among the Celts and Gauls men who were called Druids[4] and Semnothei, as Aristotle relates in his book on Magic, and Sotion in the twenty-third book of his Succession of Philosophers. Besides those men there were the Phœnician Ochus, the Thracian Zamolxis,[5] and the Libyan Atlas. For the Egyptians say that Vulcan was the son of Nilus, and that he was the author of philosophy, in which those who were especially eminent
923.252976
2023-11-16 18:32:27.2338510
2,189
9
Produced by James Simmons VIDYĀPATI VIDYĀPATI: BANGĪYA PADĀBALI SONGS OF THE LOVE OF RĀDHĀ AND KRISHNA TRANSLATED INTO ENGLISH BY ANANDA COOMARASWAMY AND ARUN SEN WITH INTRODUCTION AND NOTES AND ILLUSTRATIONS FROM INDIAN PAINTINGS LONDON: THE OLD BOURNE PRESS, 15 HOLBORN, E.C. 1915. The whole creation will be consumed and appear infinite and holy, whereas it now appears finite and corrupt. This will come to pass by an improvement of sensual enjoyment. --_William Blake._ Be drunken with love, for love is all that exists. --_Shamsi Tabrīz._ TABLE OF CONTENTS INTRODUCTION KRISHNA PŪRBBARĀGA: The First Passion of Krishna RĀDHĀ BAYAHSANDI: The Growing-up of Rādhā RĀDHĀ PŪRBBARĀGA: The First Passion of Rādhā SAKHĪ-SHIKSHĀ-BACANĀDI: The Counsel of Girl-friends (Sakhīs) PRATHAMA MILNA: First Meetings ABHISĀRA: (Rādhā's) Going-forth (to visit Krishna) VASANTA LĪLA: Dalliance in Spring MĀNA: Wilfulness MĀNĀNTE MILNA: Reunion after Wilfulness ĀKSHEPA ANUYOGA O VIRAHA: Reproaches, Lack and Longing PUNARMILNA O RASODGĀRA: Reunion and the Flow of Nectar NOTES ELUCIDATIONS BIRDS, FLOWERS AND TREES ILLUSTRATIONS TEXTS CORRIGENDA INTRODUCTION. VIDYĀPATI THĀKUR is one of the most renowned of the Vaishnava poets of Hindustān. Before him there had been the great Jāyadeva, with his Gītā Govinda made in Sanskrit; and it is to this tradition Vidyāpati belongs, rather than to that of Rāmānanda, Kabīr, and Tul'si Dās, who sang of Rāma and Sītā. Vidyāpati's fame, though he also wrote in Sanskrit, depends upon the wreath of songs (_pada_) in which he describes the courtship of God and the Soul, under the names of Krishna and Rādhā. These were written in Maithilī, his mother-tongue, a dialect intermediate between Bengālī and Hindī, but nearer to the former. His position as a poet and maker of language is analogous to that of Dante in Italy and Chaucer in England. He did not disdain to use the folk-speech and folk-thought for the expression of the highest matters. Just as Dante was blamed by the classical scholars of Italy, so Vidyāpati was blamed by the pandits: he knew better, however, than they, and has well earned the title of Father of Bengali literature. Little is known of Vidyāpati's life[1]. Two other great Vaishnava poets, Chandī Dās and Umāpati, were his contempories. His patron Rājā Shivasimha Rūpanārāyana, when heir-apparent, gave the village of Bisapī as a rent-free gift to the poet in the year 1400 A.D. (the original deed is extant). This shows that in 1400 the poet was already a man of distinction. His patron appears to have died in 1449, before which date the songs here translated must have been written. Further, there still exists a manuscript of the Bhāgavata Purāna in the poet's handwriting, dated 1456. It is thus evident that he lived to a good age, for it is hardly likely that he was under twenty in the year 1400. The following is the legend of his death: Feeling his end approaching, he set out to die on the banks of Gangā. But remembering that she was the child of the faithful, he summoned her to himself: and the great river divided herself in three streams, spreading her waters as far as the very place where Vidyāpati sat. There and then he laid himself, it is said down and died. Where his funeral pyre was, sprang up a Shiva lingam, which exists to this day, as well as the marks of the flood. This place is near the town of Bāzitpur, in the district of Darbhangā. Vidyāpati's Vaishnava _padas_ are at once folk and cultivated art--just like the finest of the Pahārī paintings, where every episode of which he sings finds exquisite illustration. The poems are not, like many ballads, of unknown authorship and perhaps the work of many hands, but they are due to the folk in the sense that folk-life is glorified and popular thought is reflected. The songs as we have them are entirely the work of one supreme genius; but this genius did not stand alone, as that of modern poets must--on the contrary, its roots lay deep in the common life of fields and villages, and above all, in common faiths and superstitions. These were days when peasants yet spoke as elegantly as courtiers, and kings and cultivators shared one faith and a common view of life--conditions where all things are possible to art. It is little wonder that Vidyāpati's influence on the literature of Eastern Hindustān has been profound, and that his songs became the household poetry of Bengal and Behar. His poems were adopted and constantly sung by the great Hindū lover, Cāitanya, in the sixteenth century, and they have been adapted and handed down in many dialects, above all in Bengālī, in the Vaishnava tradition, of which the last representative is Rabindranāth Tagore. A poem by the latter well resumes and explains the theory of the Vaishnava lovers:[2] _Not my way of Salvation, to surrender the world!_ _Rather for me the taste of Infinite Freedom,_ _While yet I am bound by a thousand bonds to the wheel:_ _In each glory of sound and sight and smell_ _I shall find Thy Infinite Joy abiding:_ _My passion shall burn as the flame of Salvation,_ _The flower of my love shall become the ripe fruit of Devotion._ This leads us to the subject of the true significance of poems such as Vidyāpati's. It is quite true, as Mr. Nicholson says, that students of oriental poetry have sometimes to ask themselves, 'Is this a love-poem disguised as a mystical ode, or a mystical ode expressed in the language of human love?' Very often this question cannot be answered with a definite 'Yes' or 'No': not because the poet's meaning is vague, but because the two ideas are not at all mutually exclusive. All the manifestations of Kama on earth are images of Pursuit or Return. As Vidyāpati himself says (No. LXIII): _The same flower that you cast away, the same you use in prayer._ _And with the same you string the bow._ It is quite certain that many poems of Vidyāpati have an almost wholly spiritually significance.[3] If some others seem very obviously secular, let us remember that we have no right to detach such poems from their context in books and still less any right to divorce them from their context in life. We may illustrate this point by a comparison with poetry of Western Europe. Take for example a poem such as the following, with a purely secular significance (if any true art can be said to be secular): _Oh! the handsome lad frae Skye_ _That's lifted a' the cattle, a'oor kye._ _He's t'aen the dun, the black, the white._ _And I hae mickle fear_ _He's t'aen my heart forbye._ Had this been current in fifteenth century Bengal, every Vaishnava would have understood the song to speak as much of God and the Soul as of man and maid, and to many the former meaning would have been the more obvious. On the other hand, there are many early medieval Western hymns in which the language of human love is deliberately adapted to religious uses, for example: _When y se blosmes springe,_ _And here foules songe,_ _A suete love-longynge_ _Myn herte thourh out stong;_ _Al for a love newe,_ _That is so suete and trewe._ _That gladieth al mi song._ Here the 'new love' is Christ. Finally, there are other Western lyrics, and very exquisite ones, that could equally be claimed as religious or secular, for example: _Long ago to thee I gave_ _Body, soul and all I have--_ _Nothing in the world I keep._ [4] The Western critic who would enquire what such a poem meant to its maker and his hearers must be qualified by spiritual kinship with him and with them. Let us demand a similar qualification from those who propose to speak of Oriental poetry: _Wer den Dichter will verstehen._ _Muss in Dichter's Lande gehen,--_ if not in physical presence, at least in spirit. In ecstasy, man
923.253891
2023-11-16 18:32:27.2338580
941
9
THE FAR EAST, VOL. II (OF 2)*** E-text prepared by Brian Coe, Graeme Mackreth, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/militaryservicea02cavauoft Project Gutenberg has the other volume of this work. Volume I: see http://www.gutenberg.org/ebooks/55844 MILITARY SERVICE AND ADVENTURES IN THE FAR EAST: Including Sketches of the Campaigns Against the Afghans in 1839, and the Sikhs in 1845-6. BY A CAVALRY OFFICER. In Two Volumes. VOL. II. London: Charles Ollier, Southampton Street, Strand. 1847. CONTENTS OF VOL. II. CHAPTER I. The commander-in-chief returns to England--Disastrous insurrection throughout Afghanistan--Jellalabad holds out, and General Pollock advances upon Caubul p. 1 CHAPTER II. Visit to Agra--Journey through Central India via Gwalior and Indore to Bombay 16 CHAPTER III. Arrival in Calcutta--Departure for the south-western frontier--Arrival at Merut--State of affairs on the north-western frontier--The Sikh military establishment--The British position 37 CHAPTER IV. The British forces--The Sikh army cross the Sutlej--The battle of Moodkee--Position and operations considered 65 CHAPTER V. The army advance to attack the Sikhs in their entrenched camp at Ferozeshuhur--The actions of the 21st and 22nd of December--Sikhs retreat behind the Sutlej--Observations 91 CHAPTER VI. Assemblage of the British forces on the Sutlej--Sikhs threaten to recross--Sir Harry Smith detached towards Loodiana--Skirmish near Buddewal 133 CHAPTER VII. Sir Harry Smith advances to attack the Sikhs in their camp--The battle of Aliwal--The enemy defeated and driven across the river--Observations 163 CHAPTER VIII. Sir Harry Smith's division march to rejoin the head-quarters of the army--Preparations to eject the enemy from their position on the British side of the river 207 CHAPTER IX. The battle of Sobraon--The enemy defeated and driven across the river with enormous loss 223 CHAPTER X. The British forces cross the Sutlej, and are concentrated at Kussoor--Visit of Ghoolab Singh and Dhuleep Singh to the Governor-general--The army advance to Lahore--The Sikh army disperse, and surrender their guns 249 CHAPTER XI. Ratification of the treaty--Observations on the effects likely to be produced thereby--Conclusion 269 MILITARY SERVICE IN THE FAR EAST. CHAPTER I. THE COMMANDER-IN-CHIEF RETURNS TO ENGLAND--DISASTROUS INSURRECTION THROUGHOUT AFGHANISTAN--JELLALABAD HOLDS OUT, AND GENERAL POLLOCK ADVANCES UPON CAUBUL. After the breaking up of the army of the Indus, Sir John Keane proceeded down the Indus, and shortly afterwards embarked for England, where those honours, titles, and pecuniary rewards awaited him, which would have entitled him to the appellation of one of the most fortunate soldiers who ever acquired laurels in India--had he survived long to enjoy the distinction. Fortunate, indeed, may Sir John Keane be termed, in having brought to an apparently successful conclusion a campaign which was founded in error and injustice, and placed in the hands of the commander-in-chief with the fullest assurance of the directing arm of Providence leading the small band through a country of which the little that was known should have induced a supposition that an army provided with an insufficient amount of supplies must meet with enormous difficulties. By some
923.253898
2023-11-16 18:32:27.2340150
189
109
Produced by Al Haines. *THE POST-GIRL* BY *EDWARD C. BOOTH* New York GROSSET & DUNLAP Publishers Copyright, 1908, by THE CENTURY Co. _Published, June, 1908_ *THE POST-GIRL* *CHAPTER I* When summer comes Mrs. Gatheredge talks of repapering her parlor, and Ginger gets him ready to sleep in the scullery at a night's notice, but the letting of lodgings is not a staple industry in this quarter of Yorkshire, and folks would fare ill on it who knew nothing of the art of keeping a pig or growing their own potatoes in the bit of garden at the back. Visitors pass through, indeed, in large enough numbers
923.254055
2023-11-16 18:32:27.4150680
720
9
JUST DAVID BY ELEANOR H. (HODGMAN) PORTER AUTHOR POLLYANNA, MISS BILLY MARRIED, ETC. TO MY FRIEND Mrs. James Harness CONTENTS I. THE MOUNTAIN HOME II. THE TRAIL III. THE VALLEY IV. TWO LETTERS V. DISCORDS VI. NUISANCES, NECESSARY AND OTHERWISE VII. "YOU'RE WANTED--YOU'RE WANTED!" VIII. THE PUZZLING "DOS" AND "DON'TS" IX. JOE X. THE LADY OF THE ROSES XI. JACK AND JILL XII. ANSWERS THAT DID NOT ANSWER XIII. A SURPRISE FOR MR. JACK XIV. THE TOWER WINDOW XV. SECRETS XVI. DAVID'S CASTLE IN SPAIN XVII. "THE PRINCESS AND THE PAUPER" XVIII. DAVID TO THE RESCUE XIX. THE UNBEAUTIFUL WORLD XX. THE UNFAMILIAR WAY XXI. HEAVY HEARTS XXII. AS PERRY SAW IT XXIII. PUZZLES XXIV. A STORY REMODELED XXV. THE BEAUTIFUL WORLD CHAPTER I THE MOUNTAIN HOME Far up on the mountain-side the little shack stood alone in the clearing. It was roughly yet warmly built. Behind it jagged cliffs broke the north wind, and towered gray-white in the sunshine. Before it a tiny expanse of green sloped gently away to a point where the mountain dropped in another sharp descent, wooded with scrubby firs and pines. At the left a footpath led into the cool depths of the forest. But at the right the mountain fell away again and disclosed to view the picture David loved the best of all: the far-reaching valley; the silver pool of the lake with its ribbon of a river flung far out; and above it the grays and greens and purples of the mountains that climbed one upon another's shoulders until the topmost thrust their heads into the wide dome of the sky itself. There was no road, apparently, leading away from the cabin. There was only the footpath that disappeared into the forest. Neither, anywhere, was there a house in sight nearer than the white specks far down in the valley by the river. Within the shack a wide fireplace dominated one side of the main room. It was June now, and the ashes lay cold on the hearth; but from the tiny lean-to in the rear came the smell and the sputter of bacon sizzling over a blaze. The furnishings of the room were simple, yet, in a way, out of the common. There were two bunks, a few rude but comfortable chairs, a table, two music-racks, two violins with their cases, and everywhere books, and scattered sheets of music. Nowhere was there cushion, curtain, or knickknack that told of a woman's
923.435108
2023-11-16 18:32:27.4152630
2,363
6
The Wonderful Wizard of Oz by L. Frank Baum Contents Introduction 1. The Cyclone 2. The Council with the Munchkins 3. How Dorothy Saved the Scarecrow 4. The Road Through the Forest 5. The Rescue of the Tin Woodman 6. The Cowardly Lion 7. The Journey to the Great Oz 8. The Deadly Poppy Field 9. The Queen of the Field Mice 10. The Guardian of the Gates 11. The Emerald City of Oz 12. The Search for the Wicked Witch 13. The Rescue 14. The Winged Monkeys 15. The Discovery of Oz the Terrible 16. The Magic Art of the Great Humbug 17. How the Balloon Was Launched 18. Away to the South 19. Attacked by the Fighting Trees 20. The Dainty China Country 21. The Lion Becomes the King of Beasts 22. The Country of the Quadlings 23. Glinda The Good Witch Grants Dorothy's Wish 24. Home Again Introduction Folklore, legends, myths and fairy tales have followed childhood through the ages, for every healthy youngster has a wholesome and instinctive love for stories fantastic, marvelous and manifestly unreal. The winged fairies of Grimm and Andersen have brought more happiness to childish hearts than all other human creations. Yet the old time fairy tale, having served for generations, may now be classed as "historical" in the children's library; for the time has come for a series of newer "wonder tales" in which the stereotyped genie, dwarf and fairy are eliminated, together with all the horrible and blood-curdling incidents devised by their authors to point a fearsome moral to each tale. Modern education includes morality; therefore the modern child seeks only entertainment in its wonder tales and gladly dispenses with all disagreeable incident. Having this thought in mind, the story of "The Wonderful Wizard of Oz" was written solely to please children of today. It aspires to being a modernized fairy tale, in which the wonderment and joy are retained and the heartaches and nightmares are left out. L. Frank Baum Chicago, April, 1900. THE WONDERFUL WIZARD OF OZ 1. The Cyclone Dorothy lived in the midst of the great Kansas prairies, with Uncle Henry, who was a farmer, and Aunt Em, who was the farmer's wife. Their house was small, for the lumber to build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar--except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole. When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached to the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere. Once the house had been painted, but the sun blistered the paint and the rains washed it away, and now the house was as dull and gray as everything else. When Aunt Em came there to live she was a young, pretty wife. The sun and wind had changed her, too. They had taken the sparkle from her eyes and left them a sober gray; they had taken the red from her cheeks and lips, and they were gray also. She was thin and gaunt, and never smiled now. When Dorothy, who was an orphan, first came to her, Aunt Em had been so startled by the child's laughter that she would scream and press her hand upon her heart whenever Dorothy's merry voice reached her ears; and she still looked at the little girl with wonder that she could find anything to laugh at. Uncle Henry never laughed. He worked hard from morning till night and did not know what joy was. He was gray also, from his long beard to his rough boots, and he looked stern and solemn, and rarely spoke. It was Toto that made Dorothy laugh, and saved her from growing as gray as her other surroundings. Toto was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose. Toto played all day long, and Dorothy played with him, and loved him dearly. Today, however, they were not playing. Uncle Henry sat upon the doorstep and looked anxiously at the sky, which was even grayer than usual. Dorothy stood in the door with Toto in her arms, and looked at the sky too. Aunt Em was washing the dishes. From the far north they heard a low wail of the wind, and Uncle Henry and Dorothy could see where the long grass bowed in waves before the coming storm. There now came a sharp whistling in the air from the south, and as they turned their eyes that way they saw ripples in the grass coming from that direction also. Suddenly Uncle Henry stood up. "There's a cyclone coming, Em," he called to his wife. "I'll go look after the stock." Then he ran toward the sheds where the cows and horses were kept. Aunt Em dropped her work and came to the door. One glance told her of the danger close at hand. "Quick, Dorothy!" she screamed. "Run for the cellar!" Toto jumped out of Dorothy's arms and hid under the bed, and the girl started to get him. Aunt Em, badly frightened, threw open the trap door in the floor and climbed down the ladder into the small, dark hole. Dorothy caught Toto at last and started to follow her aunt. When she was halfway across the room there came a great shriek from the wind, and the house shook so hard that she lost her footing and sat down suddenly upon the floor. Then a strange thing happened. The house whirled around two or three times and rose slowly through the air. Dorothy felt as if she were going up in a balloon. The north and south winds met where the house stood, and made it the exact center of the cyclone. In the middle of a cyclone the air is generally still, but the great pressure of the wind on every side of the house raised it up higher and higher, until it was at the very top of the cyclone; and there it remained and was carried miles and miles away as easily as you could carry a feather. It was very dark, and the wind howled horribly around her, but Dorothy found she was riding quite easily. After the first few whirls around, and one other time when the house tipped badly, she felt as if she were being rocked gently, like a baby in a cradle. Toto did not like it. He ran about the room, now here, now there, barking loudly; but Dorothy sat quite still on the floor and waited to see what would happen. Once Toto got too near the open trap door, and fell in; and at first the little girl thought she had lost him. But soon she saw one of his ears sticking up through the hole, for the strong pressure of the air was keeping him up so that he could not fall. She crept to the hole, caught Toto by the ear, and dragged him into the room again, afterward closing the trap door so that no more accidents could happen. Hour after hour passed away, and slowly Dorothy got over her fright; but she felt quite lonely, and the wind shrieked so loudly all about her that she nearly became deaf. At first she had wondered if she would be dashed to pieces when the house fell again; but as the hours passed and nothing terrible happened, she stopped worrying and resolved to wait calmly and see what the future would bring. At last she crawled over the swaying floor to her bed, and lay down upon it; and Toto followed and lay down beside her. In spite of the swaying of the house and the wailing of the wind, Dorothy soon closed her eyes and fell fast asleep. 2. The Council with the Munchkins She was awakened by a shock, so sudden and severe that if Dorothy had not been lying on the soft bed she might have been hurt. As it was, the jar made her catch her breath and wonder what had happened; and Toto put his cold little nose into her face and whined dismally. Dorothy sat up and noticed that the house was not moving; nor was it dark, for the bright sunshine came in at the window, flooding the little room. She sprang from her bed and with Toto at her heels ran and opened the door. The little girl gave a cry of amazement and looked about her, her eyes growing bigger and bigger at the wonderful sights she saw. The cyclone had set the house down very gently--for a cyclone--in the midst of a country of marvelous beauty. There were lovely patches of greensward all about, with stately trees bearing rich and luscious fruits. Banks of gorgeous flowers were on every hand, and birds with rare and brilliant plumage sang and fluttered in the trees and bushes. A little way off was a small brook, rushing and sparkling along between green banks, and murmuring in a voice very grateful to a little girl who had lived so long on the dry, gray prairies. While she stood looking eagerly at the strange and beautiful sights, she noticed coming toward her a group of the queerest people she had ever seen.
923.435303
2023-11-16 18:32:27.4829330
1,697
11
E-text prepared by Giovanni Fini, David Edwards, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/prideofjennicobe00castrich Transcriber’s note: Text enclosed by underscores is in italics (_italics_). Text enclosed by equal signs is in bold face (=bold=). THE PRIDE OF JENNICO [Illustration: logo] THE PRIDE OF JENNICO Being a Memoir of Captain Basil Jennico by AGNES AND EGERTON CASTLE New York The Macmillan Company London: Macmillan & Co., Ltd. 1899 All rights reserved Copyright, 1897, 1898, By The Macmillan Company. Set up and electrotyped February, 1898. Reprinted February, April, June three times, July, September, October, December, twice, 1898. Norwood Press J. S. Cushing & Co.—Berwick & Smith Norwood, Mass. U.S.A. CONTENTS PART I Page CHAPTER I. MEMOIR OF CAPTAIN BASIL JENNICO (BEGUN, APPARENTLY IN GREAT TROUBLE AND STRESS OF MIND, AT THE CASTLE OF TOLLENDHAL, IN MORAVIA, ON THE THIRD DAY OF THE GREAT STORM, LATE IN THE YEAR 1771) 1 CHAPTER II. BASIL JENNICO’S MEMOIR CONTINUED 23 CHAPTER III. 45 CHAPTER IV. 59 CHAPTER V. 72 CHAPTER VI. 90 CHAPTER VII. 101 CHAPTER VIII. 113 CHAPTER IX. 124 PART II CHAPTER I. MEMOIR OF CAPTAIN BASIL JENNICO (A PORTION, WRITTEN EARLY IN THE YEAR 1772, IN HIS ROOMS AT GRIFFIN’S, CUR ZON STREET) 143 CHAPTER II. CAPTAIN BASIL JENNICO’S MEMOIR CONTINUED 173 CHAPTER III. CAPTAIN BASIL JENNICO’S MEMOIR, RESUMED THREE MONTHS LATER, AT FARRINGDON DANE 183 CHAPTER IV. NARRATIVE OF AN EPISODE AT WHITE’S CLUB, IN WHICH CAPTAIN JENNICO WAS CONCERNED, SET FORTH FROM CONTEMPORARY ACCOUNTS 201 CHAPTER V. NARRATIVE OF AN EPISODE AT WHITE’S CONTINUED 218 PART III CHAPTER I. MEMOIR OF CAPTAIN BASIL JENNICO (RESUMED IN THE SPRING OF THE YEAR 1773) 230 CHAPTER II. 252 CHAPTER III. 266 CHAPTER IV. 287 CHAPTER V. 306 CHAPTER VI. 319 CHAPTER VII. 332 THE PRIDE OF JENNICO PART I CHAPTER I MEMOIR OF CAPTAIN BASIL JENNICO (BEGUN, APPARENTLY IN GREAT TROUBLE AND STRESS OF MIND, AT THE CASTLE OF TOLLENDHAL, IN MORAVIA, ON THE THIRD DAY OF THE GREAT STORM, LATE IN THE YEAR 1771) AS the wind rattles the casements with impotent clutch, howls down the stair-turret with the voice of a despairing soul, creeps in long irregular waves between the tapestries and the granite walls of my chamber and wantons with the flames of logs and candles; knowing, as I do, that outside the snow is driven relentlessly by the gale, and that I can hope for no relief from the company of my wretched self,—for they who have learnt the temper of these wild mountain winds tell me the storm must last at least three days more in its fury,—I have bethought me, to keep from going melancholy crazed altogether, to set me some regular task to do. And what can more fitly occupy my poor mind than the setting forth, as clearly as may be, the divers events that have brought me to this strange plight in this strange place? although, I fear me, it may not in the end be over-clear, for in sooth I cannot even yet see a way through the confusion of my thoughts. Nay, I could at times howl in unison with yonder dismal wind for mad regret; and at times again rage and hiss and break myself, like the fitful gale, against the walls of this desolate house for anger at my fate and my folly! But since I can no more keep my thoughts from wandering to her and wondering upon her than I can keep my hot blood from running—running with such swiftness that here, alone in the wide vaulted room, with blasts from the four corners of the earth playing a very demon’s dance around me, I am yet all of a fever heat—I will try whether, by laying bare to myself all I know of her and of myself, all I surmise and guess of the parts we acted towards each other in this business, I may not at least come to some understanding, some decision, concerning the manner in which, as a man, I should comport myself in my most singular position. Having reached thus far in his writing, the scribe after shaking the golden dust of the pounce box over his page paused, musing for a moment, loosening with unconscious fingers the collar of his coat from his neck and gazing with wide grey eyes at the dancing flames of the logs, and the little clouds of ash that ever and anon burst from the hearth with a spirt when particles of driven snow found their way down the chimney. Presently the pen resumed its travels: * * * * * Everything began, of course, through my great-uncle Jennico’s legacy. Do I regret it? I have sometimes cursed it. Nevertheless, although tossed between conflicting regrets and yearnings, I cannot in conscience wish it had not come to pass. Let me be frank. Bitter and troubling is my lot in the midst of my lonely splendour; but through the mist which seems in my memory to separate the old life from the new, those days of yesteryear (for all their carelessness and fancy-freedom) seem now strangely dull. Yes, it is almost a year already that it came, this legacy, by which a young Englishman, serving in his Royal and Imperial Majesty’s Chevau-Legers, was suddenly transformed, from an obscure Rittmeister with little more worldly goods than his pay, into one of the richest landowners in the broad Empire, the master of an historic castle on the Bohemian Marches. It was indeed an odd turn of fortune’s wheel. But doubtless there is a predestination in such things, unknown to man. My great-uncle had always taken a peculiar interest in me. Some fifty years before my birth, precluded by the religion of our family from any hope of advancement in the army of our own country, he had himself entered the Imperial service; and when I had reached the age of manhood, he insisted on my being sent to him in Vienna to enter upon the same career. To him I owe my rapid promotion after the Turkish campaign
923.502973
2023-11-16 18:32:27.5152110
690
17
Produced by Wayne Hammond and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) PRESIDENTIAL PROBLEMS BY GROVER CLEVELAND [Illustration] NEW YORK THE CENTURY CO. 1904 Copyright, 1904, by THE CENTURY CO. Copyright, 1900, 1901, by GROVER CLEVELAND Copyright, 1904, by THE S. S. MCCLURE CO. Copyright, 1904, by THE CURTIS PUBLISHING COMPANY _Published October, 1904_ THE DE VINNE PRESS PUBLISHER’S NOTE Of the four essays comprised in this volume, two were originally delivered as addresses at Princeton University. The other two appeared first in the magazines. All have now been revised thoroughly by Mr. Cleveland, in preparation for their appearance in book form. CONTENTS CHAPTER PAGE I THE INDEPENDENCE OF THE EXECUTIVE 3 II THE GOVERNMENT IN THE CHICAGO STRIKE OF 1894 79 III THE BOND ISSUES 121 IV THE VENEZUELAN BOUNDARY CONTROVERSY 173 PREFACE In considering the propriety of publishing this book, the fact has not been overlooked that the push and activity of our people’s life lead them more often to the anticipation of new happenings than to a review of events which have already become a part of the nation’s history. This condition is so naturally the result of an immense development of American enterprise that it should not occasion astonishment, and perhaps should not be greatly deprecated, so long as a mad rush for wealth and individual advantage does not stifle our good citizenship nor weaken the patriotic sentiment which values the integrity of our Government and the success of its mission immeasurably above all other worldly possessions. The belief that, notwithstanding the overweening desire among our people for personal and selfish rewards of effort, there still exists, underneath it all, a sedate and unimpaired interest in the things that illustrate the design, the traditions, and the power of our Government, has induced me to present in this volume the details of certain incidents of national administration concerning which I have the knowledge of a prominent participant. These incidents brought as separate topics to the foreground of agitation and discussion the relations between the Chief Executive and the Senate in making appointments to office, the vindication and enforcement of the Monroe Doctrine, the protection of the soundness and integrity of our finances and currency, and the right of the general Government to overcome all obstructions to the exercise of its functions in every part of our national domain. Those of our people whose interest in the general features of the incidents referred to was actively aroused at the time of their occurrence will perhaps find the following pages of some value for reference or as a means of more complete information. I shall do no more in advocacy of the merits of this book than to say
923.535251