sh0416/sst2-openai · Datasets at Hugging Face

label int64 0 1	sentence stringlengths 3 255
0	An unintentionally surreal kid's picture ... in which actors in bad bear suits enact a sort of inter-species parody of a VH1 Behind the Music episode.
1	Both damning and damned compelling.
0	It's not original enough.
1	Apart from anything else, this is one of the best-sustained ideas I have ever seen on the screen.
0	The Adventures of Pluto Nash is a whole lot of nada.
1	A meditation on faith and madness, Frailty is blood-curdling stuff.
1	He's one of the few 'cool' actors who never seems aware of his own coolness.
0	This 100-minute movie only has about 25 minutes of decent material.
1	A serious movie with serious ideas.
0	Attal's hang-ups surrounding infidelity are so old-fashioned and, dare I say, outdated, it's a wonder that he couldn't have brought something fresher to the proceedings simply by accident.
0	Plot, characters, drama, emotions, ideas -- all are irrelevant to the experience of seeing The Scorpion King.
0	Stripped almost entirely of such tools as nudity, profanity and violence, LaBute does manage to make a few points about modern man and his problematic quest for human connection.
1	It's the cute frissons of discovery and humor between Chaplin and Kidman that keep this nicely wound clock not just ticking, but humming.
1	Leave it to the French to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller, a dumb comedy or a sappy melodrama.
1	Beautiful to watch and holds a certain charm.
1	Campbell Scott finds the ideal outlet for his flick-knife diction in the role of Roger Swanson.
1	Then you'd do well to check this one out because it's straight up Twin Peaks action...
0	That neither protagonist has a distinguishable condition hardly matters because both are just actory concoctions, defined by childlike dimness and a handful of quirks.
1	Land, people and narrative flow together in a stark portrait of motherhood deferred and desire explored.
0	Barney's ideas about creation and identity don't really seem all that profound, at least by way of what can be gleaned from this three-hour endurance test built around an hour's worth of actual material.
0	Build some robots, haul 'em to the theatre with you for the late show, and put on your own Mystery Science Theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year.
1	Cineasts will revel in those visual in-jokes, as in the film's verbal pokes at everything from the likes of Miramax chief Harvey Weinstein's bluff personal style to the stylistic rigors of Denmark's Dogma movement.
0	Bottom-rung New Jack City wannabe.
0	Despite the fact that this film wasn't as bad as I thought it was going to be, it's still not a good movie
0	But this time, the old MIB label stands for Milder Isn't Better.
0	Forget the misleading title, what's with the unexplained baboon cameo?
0	It's clotted with heavy-handed symbolism, dime-store psychology and endless scenic shots that make 105 minutes seem twice as long.
1	What's surprising about this traditional thriller, moderately successful but not completely satisfying, is exactly how genteel and unsurprising the execution turns out to be.
0	Yet another entry in the sentimental oh-those-wacky-Brits genre that was ushered in by The Full Monty and is still straining to produce another smash hit.
0	Every conceivable mistake a director could make in filming opera has been perpetrated here.
0	The film's desire to be liked sometimes undermines the possibility for an exploration of the thornier aspects of the nature/nurture argument in regards to homosexuality.
0	A standard police-oriented drama that, were it not for De Niro's participation, would have likely wound up a TNT Original.
1	With Notorious C.H.O. Cho proves she has the stuff to stand tall with Pryor, Carlin and Murphy.
1	Watching this film, one is left with the inescapable conclusion that Hitchens' obsession with Kissinger is, at bottom, a sophisticated flower child's desire to purge the world of the tooth and claw of human power.
1	E.T. works because its flabbergasting principals, 14-year-old Robert MacNaughton, 6-year-old Drew Barrymore and 10-year-old Henry Thomas, convince us of the existence of the wise, wizened visitor from a faraway planet.
1	Yes, it's as good as you remember.
1	For VeggieTales fans, this is more appetizing than a side dish of asparagus.
1	Full of detail about the man and his country, and is well worth seeing.
0	Little more than a well-mounted history lesson.
1	Peter Jackson and company once again dazzle and delight us, fulfilling practically every expectation either a longtime Tolkien fan or a movie-going neophyte could want.
0	This tale has been told and retold; the races and rackets change, but the song remains the same.
1	a joyous occasion
1	("Take Care of My Cat") is an honestly nice little film that takes us on an examination of young adult life in urban South Korea through the hearts and minds of the five principals.
0	Novak contemplates a heartland so overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama.
1	One-of-a-kind near-masterpiece.
0	Trying to figure out the rules of the Country Bear universe -- when are bears bears and when are they like humans, only hairier -- would tax Einstein's brain.
1	A thoroughly engaging, surprisingly touching British comedy.
0	You have no affinity for most of the characters.
0	Its salient points are simultaneously buried, drowned and smothered in the excesses of writer-director Roger Avary.
1	Whether or not you buy Mr. Broomfield's findings, the film acquires an undeniable entertainment value as the slight, pale Mr. Broomfield continues to force himself on people and into situations that would make lesser men run for cover.
0	A relentless, bombastic and ultimately empty World War II action flick.
1	Charlotte Sometimes is a brilliant movie.
1	Move over Bond; this girl deserves a sequel.
0	An exceptionally dreary and overwrought bit of work, every bit as imperious as Katzenberg's The Prince of Egypt from 1998.
0	For a story set at sea, Ghost Ship is pretty landbound, with its leaden acting, dull exposition and telegraphed 'surprises.'
1	Congrats Disney on a job well done, I enjoyed it just as much!
0	A muddy psychological thriller rife with miscalculations.
0	Is it possible for a documentary to be utterly entranced by its subject and still show virtually no understanding of it?
1	It's a piece of handiwork that shows its indie tatters and self-conscious seams in places, but has some quietly moving moments and an intelligent subtlety.
0	The movie's plot is almost entirely witless and inane, carrying every gag two or three times beyond its limit to sustain a laugh.
0	In between all the emotional seesawing, it's hard to figure the depth of these two literary figures, and even the times in which they lived.
1	Expect no major discoveries, nor any stylish sizzle, but the film sits with square conviction and touching good sense on the experience of its women.
0	An EXIT sign, that is.
1	Beautifully crafted and brutally honest, Promises offers an unexpected window into the complexities of the Middle East struggle and into the humanity of its people.
1	Entirely suspenseful, extremely well-paced and ultimately... dare I say, entertaining!
0	Just dreadful.
1	Bill Morrison's Decasia is uncompromising, difficult and unbearably beautiful.
1	A superlative B movie -- funny, sexy, and rousing.
0	The advantage of a postapocalyptic setting is that it can be made on the cheap.
0	Yet another genre exercise, Gangster No. 1 is as generic as its title.
0	Before it collapses into exactly the kind of buddy cop comedy it set out to lampoon, anyway.
0	...while Dark Water isn't a complete wash (no pun intended), watched side-by-side with Ringu, it ultimately comes off as a pale successor.
1	Plays out with a dogged and eventually winning squareness that would make it the darling of many a kids-and-family-oriented cable channel.
1	One feels the dimming of a certain ambition, but in its place a sweetness, clarity and emotional openness that recalls the classics of early Italian neorealism.
0	The script's judgment and sense of weight is way, way off.
0	Despite its dry wit and compassion, the film suffers from a philosophical emptiness and maddeningly sedate pacing.
0	is a mess.
0	Adroit but finally a trifle flat, Mad Love doesn't galvanize its outrage the way, say, Jane Campion might have done, but at least it possesses some.
1	...quite endearing.
0	Hip-hop prison thriller of stupefying absurdity.
0	A domestic melodrama with weak dialogue and biopic cliches.
1	A little better than Sorcerer's Stone.
1	Nothing short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between good and evil.
0	Almost as offensive as "Freddy Got Fingered."
0	Imagine Susan Sontag falling in love with Howard Stern.
0	There's no point of view, no contemporary interpretation of Joan's prefeminist plight, so we're left thinking the only reason to make the movie is because present standards allow for plenty of nudity.
0	A listless sci-fi comedy in which Eddie Murphy deploys two guises and elaborate futuristic sets to no particularly memorable effect.
1	Renner carries much of the film with a creepy and dead-on performance.
1	The film fits into a genre that has been overexposed, redolent of a thousand cliches, and yet remains uniquely itself, vibrant with originality.
0	The sequel plays out like a flimsy excuse to give Blade fans another look at Wesley Snipes' iconic hero doing battle with dozens of bad guys -- at once.
0	Wendigo wants to be a monster movie for the art-house crowd, but it falls into the trap of pretention almost every time.
0	Steven Soderbergh doesn't remake Andrei Tarkovsky's Solaris so much as distill it.
1	A compelling yarn, but not quite a ripping one.
0	If routine action and jokes like this are your cup of tea, then pay your $8 and get ready for the big shear.
0	tale will be all too familiar for anyone who's seen George Roy Hill's 1973 film, "The Sting."
1	Warm and exotic.
0	The movie's blatant derivativeness is one reason it's so lackluster.
1	Rehearsals are frequently more fascinating than the results.
0	Like a grinning Jack O' Lantern, its apparent glee is derived from a lobotomy, having had all its vital essence scooped out and discarded.
1	A dazzling thing to behold -- as long as you're wearing the somewhat cumbersome 3D goggles the theater provides.

0

An unintentionally surreal kid's picture ... in which actors in bad bear suits enact a sort of inter-species parody of a VH1 Behind the Music episode.

1

Both damning and damned compelling.

0

It's not original enough.

1

Apart from anything else, this is one of the best-sustained ideas I have ever seen on the screen.

0

The Adventures of Pluto Nash is a whole lot of nada.

1

A meditation on faith and madness, Frailty is blood-curdling stuff.

1

He's one of the few 'cool' actors who never seems aware of his own coolness.

0

This 100-minute movie only has about 25 minutes of decent material.

1

A serious movie with serious ideas.

0

Attal's hang-ups surrounding infidelity are so old-fashioned and, dare I say, outdated, it's a wonder that he couldn't have brought something fresher to the proceedings simply by accident.

0

Plot, characters, drama, emotions, ideas -- all are irrelevant to the experience of seeing The Scorpion King.

0

Stripped almost entirely of such tools as nudity, profanity and violence, LaBute does manage to make a few points about modern man and his problematic quest for human connection.

1

It's the cute frissons of discovery and humor between Chaplin and Kidman that keep this nicely wound clock not just ticking, but humming.

1

Leave it to the French to truly capture the terrifying angst of the modern working man without turning the film into a cheap thriller, a dumb comedy or a sappy melodrama.

1

Beautiful to watch and holds a certain charm.

1

Campbell Scott finds the ideal outlet for his flick-knife diction in the role of Roger Swanson.

1

Then you'd do well to check this one out because it's straight up Twin Peaks action...

0

That neither protagonist has a distinguishable condition hardly matters because both are just actory concoctions, defined by childlike dimness and a handful of quirks.

1

Land, people and narrative flow together in a stark portrait of motherhood deferred and desire explored.

0

Barney's ideas about creation and identity don't really seem all that profound, at least by way of what can be gleaned from this three-hour endurance test built around an hour's worth of actual material.

0

Build some robots, haul 'em to the theatre with you for the late show, and put on your own Mystery Science Theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year.

1

Cineasts will revel in those visual in-jokes, as in the film's verbal pokes at everything from the likes of Miramax chief Harvey Weinstein's bluff personal style to the stylistic rigors of Denmark's Dogma movement.

0

Bottom-rung New Jack City wannabe.

0

Despite the fact that this film wasn't as bad as I thought it was going to be, it's still not a good movie

0

But this time, the old MIB label stands for Milder Isn't Better.

0

Forget the misleading title, what's with the unexplained baboon cameo?

0

It's clotted with heavy-handed symbolism, dime-store psychology and endless scenic shots that make 105 minutes seem twice as long.

1

What's surprising about this traditional thriller, moderately successful but not completely satisfying, is exactly how genteel and unsurprising the execution turns out to be.

0

Yet another entry in the sentimental oh-those-wacky-Brits genre that was ushered in by The Full Monty and is still straining to produce another smash hit.

0

Every conceivable mistake a director could make in filming opera has been perpetrated here.

0

The film's desire to be liked sometimes undermines the possibility for an exploration of the thornier aspects of the nature/nurture argument in regards to homosexuality.

0

A standard police-oriented drama that, were it not for De Niro's participation, would have likely wound up a TNT Original.

1

With Notorious C.H.O. Cho proves she has the stuff to stand tall with Pryor, Carlin and Murphy.

1

Watching this film, one is left with the inescapable conclusion that Hitchens' obsession with Kissinger is, at bottom, a sophisticated flower child's desire to purge the world of the tooth and claw of human power.

1

E.T. works because its flabbergasting principals, 14-year-old Robert MacNaughton, 6-year-old Drew Barrymore and 10-year-old Henry Thomas, convince us of the existence of the wise, wizened visitor from a faraway planet.

1

Yes, it's as good as you remember.

1

For VeggieTales fans, this is more appetizing than a side dish of asparagus.

1

Full of detail about the man and his country, and is well worth seeing.

0

Little more than a well-mounted history lesson.

1

Peter Jackson and company once again dazzle and delight us, fulfilling practically every expectation either a longtime Tolkien fan or a movie-going neophyte could want.

0

This tale has been told and retold; the races and rackets change, but the song remains the same.

1

a joyous occasion

1

("Take Care of My Cat") is an honestly nice little film that takes us on an examination of young adult life in urban South Korea through the hearts and minds of the five principals.

0

Novak contemplates a heartland so overwhelmed by its lack of purpose that it seeks excitement in manufactured high drama.

1

One-of-a-kind near-masterpiece.

0

Trying to figure out the rules of the Country Bear universe -- when are bears bears and when are they like humans, only hairier -- would tax Einstein's brain.

1

A thoroughly engaging, surprisingly touching British comedy.

0

You have no affinity for most of the characters.

0

Its salient points are simultaneously buried, drowned and smothered in the excesses of writer-director Roger Avary.

1

Whether or not you buy Mr. Broomfield's findings, the film acquires an undeniable entertainment value as the slight, pale Mr. Broomfield continues to force himself on people and into situations that would make lesser men run for cover.

0

A relentless, bombastic and ultimately empty World War II action flick.

1

Charlotte Sometimes is a brilliant movie.

1

Move over Bond; this girl deserves a sequel.

0

An exceptionally dreary and overwrought bit of work, every bit as imperious as Katzenberg's The Prince of Egypt from 1998.

0

For a story set at sea, Ghost Ship is pretty landbound, with its leaden acting, dull exposition and telegraphed 'surprises.'

1

Congrats Disney on a job well done, I enjoyed it just as much!

0

A muddy psychological thriller rife with miscalculations.

0

Is it possible for a documentary to be utterly entranced by its subject and still show virtually no understanding of it?

1

It's a piece of handiwork that shows its indie tatters and self-conscious seams in places, but has some quietly moving moments and an intelligent subtlety.

0

The movie's plot is almost entirely witless and inane, carrying every gag two or three times beyond its limit to sustain a laugh.

0

In between all the emotional seesawing, it's hard to figure the depth of these two literary figures, and even the times in which they lived.

1

Expect no major discoveries, nor any stylish sizzle, but the film sits with square conviction and touching good sense on the experience of its women.

0

An EXIT sign, that is.

1

Beautifully crafted and brutally honest, Promises offers an unexpected window into the complexities of the Middle East struggle and into the humanity of its people.

1

Entirely suspenseful, extremely well-paced and ultimately... dare I say, entertaining!

0

Just dreadful.

1

Bill Morrison's Decasia is uncompromising, difficult and unbearably beautiful.

1

A superlative B movie -- funny, sexy, and rousing.

0

The advantage of a postapocalyptic setting is that it can be made on the cheap.

0

Yet another genre exercise, Gangster No. 1 is as generic as its title.

0

Before it collapses into exactly the kind of buddy cop comedy it set out to lampoon, anyway.

0

...while Dark Water isn't a complete wash (no pun intended), watched side-by-side with Ringu, it ultimately comes off as a pale successor.

1

Plays out with a dogged and eventually winning squareness that would make it the darling of many a kids-and-family-oriented cable channel.

1

One feels the dimming of a certain ambition, but in its place a sweetness, clarity and emotional openness that recalls the classics of early Italian neorealism.

0

The script's judgment and sense of weight is way, way off.

0

Despite its dry wit and compassion, the film suffers from a philosophical emptiness and maddeningly sedate pacing.

0

is a mess.

0

Adroit but finally a trifle flat, Mad Love doesn't galvanize its outrage the way, say, Jane Campion might have done, but at least it possesses some.

1

...quite endearing.

0

Hip-hop prison thriller of stupefying absurdity.

0

A domestic melodrama with weak dialogue and biopic cliches.

1

A little better than Sorcerer's Stone.

1

Nothing short of wonderful with its ten-year-old female protagonist and its steadfast refusal to set up a dualistic battle between good and evil.

0

Almost as offensive as "Freddy Got Fingered."

0

Imagine Susan Sontag falling in love with Howard Stern.

0

There's no point of view, no contemporary interpretation of Joan's prefeminist plight, so we're left thinking the only reason to make the movie is because present standards allow for plenty of nudity.

0

A listless sci-fi comedy in which Eddie Murphy deploys two guises and elaborate futuristic sets to no particularly memorable effect.

1

Renner carries much of the film with a creepy and dead-on performance.

1

The film fits into a genre that has been overexposed, redolent of a thousand cliches, and yet remains uniquely itself, vibrant with originality.

0

The sequel plays out like a flimsy excuse to give Blade fans another look at Wesley Snipes' iconic hero doing battle with dozens of bad guys -- at once.

0

Wendigo wants to be a monster movie for the art-house crowd, but it falls into the trap of pretention almost every time.

0

Steven Soderbergh doesn't remake Andrei Tarkovsky's Solaris so much as distill it.

1

A compelling yarn, but not quite a ripping one.

0

If routine action and jokes like this are your cup of tea, then pay your $8 and get ready for the big shear.

0

tale will be all too familiar for anyone who's seen George Roy Hill's 1973 film, "The Sting."

1

Warm and exotic.

0

The movie's blatant derivativeness is one reason it's so lackluster.

1

Rehearsals are frequently more fascinating than the results.

0

Like a grinning Jack O' Lantern, its apparent glee is derived from a lobotomy, having had all its vital essence scooped out and discarded.

1

A dazzling thing to behold -- as long as you're wearing the somewhat cumbersome 3D goggles the theater provides.