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But unless you're an absolute raving Star Wars junkie, it isn't much fun.
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Promises is one film that's truly deserving of its Oscar nomination.
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Impossible as it may sound, this film's heart is even more embracing than Monty, if only because it accepts nasty behavior and severe flaws as part of the human condition.
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It's the brilliant surfing photography bringing you right inside the massive waves that lifts Blue Crush into one of the summer's most pleasurable movies.
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A powerful, inflammatory film about religion that dares to question an ancient faith, and about hatred that offers no easy, comfortable resolution.
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Fessenden has nurtured his metaphors at the expense of his narrative, but he does display an original talent.
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To honestly address the flaws inherent in how medical aid is made available to American workers, a more balanced or fair portrayal of both sides will be needed.
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Halfway through, however, having sucked dry the undead action flick formula, Blade II mutates into a gross-out monster movie with effects that are more silly than scary.
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The otherwise good-naturedness of Mr. Deeds, with its embrace of sheer goofiness and cameos of less- than-likely New York celebrities ... certainly raises the film above anything Sandler's been attached to before.
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All the pieces fall together without much surprise, but little moments give it a boost.
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To get at the root psychology of this film would require many sessions on the couch of Dr. Freud.
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A remarkable film by Bernard Rose.
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Overly long and worshipful bio-doc.
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It's the sweet Cinderella story that "Pretty Woman" wanted to be.
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A delicious, quirky movie with a terrific screenplay and fanciful direction by Michael Gondry.
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It appears to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept.
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A tone of rueful compassion ... reverberates throughout this film, whose meaning and impact is sadly heightened by current world events.
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A mechanical action-comedy whose seeming purpose is to market the charismatic Jackie Chan to even younger audiences.
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It desperately wants to be a wacky, screwball comedy, but the most screwy thing here is how so many talented people were convinced to waste their time.
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Both Grant and Hoult carry the movie because they are believable as people -- flawed, assured of the wrong things, and scared to admit how much they may really need the company of others.
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I liked the movie, but I know I would have liked it more if it had just gone that one step further.
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Wonder of wonders -- a teen movie with a humanistic message.
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The threat implied in the title Pokémon 4ever is terrifying – like locusts in a horde these things will keep coming.
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Flashy gadgets and whirling fight sequences may look cool, but they can't distract from the flawed support structure holding Equilibrium up.
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Mr. Wollter and Ms. Seldhal give strong and convincing performances, but neither reaches into the deepest recesses of the character to unearth the quaking essence of passion, grief and fear.
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A moving story of determination and the human spirit.
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There is greatness here.
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Lovely and Amazing is Holofcener's deep, uncompromising curtsy to women she knows, and very likely is.
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I liked this film a lot...
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Demonstrates the unusual power of thoughtful, subjective filmmaking.
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Although the sequel has all the outward elements of the original, the first film's lovely flakiness is gone, replaced by the forced funniness found in the dullest kiddie flicks.
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But they lack their idol's energy and passion for detail.
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a screenplay more ingeniously constructed than "Memento"
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Those with a modicum of patience will find in these characters' foibles a timeless and unique perspective.
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On that score, the film certainly doesn't disappoint.
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The movie's vision of a white American zealously spreading a Puritanical brand of Christianity to South Seas islanders is one only a true believer could relish.
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It asks nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up.
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You can almost see Mendes and company getting together before a single frame had been shot and collectively vowing, 'This is going to be something really good.'
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A negligible British comedy.
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Great fun both for sports aficionados and for ordinary louts whose idea of exercise is climbing the steps of a stadium-seat megaplex.
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Beautifully crafted and cooly unsettling...recreates the atmosphere of the crime expertly.
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, is a temporal inquiry that shoulders its philosophical burden lightly.
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There has been a string of ensemble cast romances recently ... but Peter Mattei's Love in the Time of Money sets itself apart by forming a chain of relationships that come full circle to end on a positive (if tragic) note.
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Children and adults enamored of all things Pokemon won't be disappointed.
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You'll find yourself wishing that you and they were in another movie.
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Little more than a stylish exercise in revisionism whose point ... is no doubt true, but serves as a rather thin moral to such a knowing fable.
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Like Edward Norton in American History X, Ryan Gosling (Murder By Numbers) delivers a magnetic performance.
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Despite bearing the Paramount imprint, it's a bargain-basement European pickup.
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By the time you reach the finale, you're likely wondering why you've been watching all this strutting and posturing.
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A predictable, manipulative stinker.
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...post-September 11, "The Sum Of All Fears" seems more tacky and reprehensible, manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves.
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A solid, psychological action film from Hong Kong.
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A retread of material already thoroughly plumbed by Martin Scorsese.
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It's a perfect show of respect to just one of those underrated professionals who deserve but rarely receive it.
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A bad movie that happened to good actors.
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Plays like John Le Carré with a couple of burnt-out cylinders.
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...a rather bland affair.
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Spielberg has managed to marry science fiction with film noir and action flicks with philosophical inquiry.
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By the standards of knucklehead swill, The Hot Chick is pretty damned funny.
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Despite engaging offbeat touches, Knockaround Guys rarely seems interested in kicking around a raison d'etre that's as fresh-faced as its young-guns cast.
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As action-adventure, this space-based homage to Robert Louis Stevenson's Treasure Island fires on all plasma conduits.
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It's funny.
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What an embarrassment.
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I hate the feeling of having been slimed in the name of High Art.
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What makes Esther Kahn so demanding is that it progresses in such a low-key manner that it risks monotony.
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That old adage about women being unknowable gets an exhilarating new interpretation in Morvern Callar.
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Without resorting to camp or parody, Haynes (like Sirk, but differently) has transformed the rhetoric of Hollywood melodrama into something provocative, rich, and strange.
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A thoroughly enjoyable, heartfelt coming-of-age comedy.
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This is a film tailor-made for those who when they were in high school would choose the Cliff-Notes over reading a full-length classic.
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Jacobi, the most fluent of actors, is given relatively dry material from Nijinsky's writings to perform, and the visuals, even erotically frank ones, become dullingly repetitive.
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It just didn't mean much to me and played too skewed to ever get a hold on (or be entertained by).
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Although largely a heavy-handed indictment of parental failings and the indifference of Spanish social workers and legal system towards child abuse, the film retains ambiguities that make it well worth watching.
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Sweet Home Alabama certainly won't be remembered as one of (Witherspoon's) better films.
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The film is all over the place, really.
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Has all the values of a straight-to-video movie, but because it has a bigger-name cast, it gets a full theatrical release.
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...this isn't even a movie we can enjoy as mild escapism; it is one in which fear and frustration are provoked to intolerable levels.
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Don't even bother to rent this on video.
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If only Merchant paid more attention the story.
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It's a glorious spectacle like those D.W. Griffith made in the early days of silent film.
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The colorful Masseur wastes its time on mood rather than riding with the inherent absurdity of Ganesh's rise up the social ladder.
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(A) painfully flat gross-out comedy ...
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Richly entertaining and suggestive of any number of metaphorical readings.
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Shunji Iwai's All About Lily Chou Chou is a beautifully shot, but ultimately flawed film about growing up in Japan.
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It is not the first time that director Sara Sugarman stoops to having characters drop their pants for laughs and not the last time she fails to provoke them.
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Maybe not a classic, but a movie the kids will want to see over and over again.
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Hugely entertaining from start to finish, featuring a fall from grace that still leaves shockwaves, it will gratify anyone who has ever suspected Hollywood of being overrun by corrupt and hedonistic weasels.
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Franco is an excellent choice for the walled-off but combustible hustler, but he does not give the transcendent performance SONNY needs to overcome gaps in character development and story logic.
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Even though the film doesn't manage to hit all of its marks, it's still entertaining to watch the target practice.
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Fans of the modern day Hong Kong action film finally have the worthy successor to A Better Tomorrow and The Killer which they have been patiently waiting for.
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This is not an easy film.
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A spooky yarn of demonic doings on the high seas that works better the less the brain is engaged.
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Some writer dude, I think his name was, uh, Michael Zaidan, was supposed to have like written the screenplay or something, but, dude, the only thing that I ever saw that was written down were the zeroes on my paycheck.
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It challenges, this nervy oddity, like modern art should.
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While obviously aimed at kids, The Country Bears ... should keep parents amused with its low groan-to-guffaw ratio.
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The following things are not at all entertaining: The bad sound, the lack of climax and, worst of all, watching Seinfeld (who is also one of the film's producers) do everything he can to look like a good guy.
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In its chicken heart, Crush goes to absurd lengths to duck the very issues it raises.
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A heady, biting, be-bop ride through nighttime Manhattan, a loquacious videologue of the modern male and the lengths to which he'll go to weave a protective cocoon around his own ego.
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Squandering his opportunity to make absurdist observations, Burns gets caught up in the rush of slapstick thoroughfare.
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Skin Of Man gets a few cheap shocks from its kids-in-peril theatrics, but it also taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults.
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As satisfyingly odd and intriguing a tale as it was a century and a half ago...has a delightfully dour, deadpan tone and stylistic consistency.