subset
stringclasses 6
values | context
stringlengths 16
17.7k
| context_tokens
sequence | qid
stringlengths 32
32
| question
stringlengths 1
717
| question_tokens
sequence | detected_answers
sequence | answers
sequencelengths 1
25
|
---|---|---|---|---|---|---|---|
SQuAD | In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over. | {
"tokens": [
"In",
"1836",
",",
"at",
"a",
"party",
"hosted",
"by",
"Marie",
"d'Agoult",
",",
"Chopin",
"met",
"the",
"French",
"author",
"George",
"Sand",
"(",
"born",
"[",
"Amantine",
"]",
"Aurore",
"[",
"Lucile",
"]",
"Dupin",
")",
".",
"Short",
"(",
"under",
"five",
"feet",
",",
"or",
"152",
"cm",
")",
",",
"dark",
",",
"big",
"-",
"eyed",
"and",
"a",
"cigar",
"smoker",
",",
"she",
"initially",
"repelled",
"Chopin",
",",
"who",
"remarked",
",",
"\"",
"What",
"an",
"unattractive",
"person",
"la",
"Sand",
"is",
".",
"Is",
"she",
"really",
"a",
"woman",
"?",
"\"",
"However",
",",
"by",
"early",
"1837",
"Maria",
"Wodzińska",
"'s",
"mother",
"had",
"made",
"it",
"clear",
"to",
"Chopin",
"in",
"correspondence",
"that",
"a",
"marriage",
"with",
"her",
"daughter",
"was",
"unlikely",
"to",
"proceed",
".",
"It",
"is",
"thought",
"that",
"she",
"was",
"influenced",
"by",
"his",
"poor",
"health",
"and",
"possibly",
"also",
"by",
"rumours",
"about",
"his",
"associations",
"with",
"women",
"such",
"as",
"d'Agoult",
"and",
"Sand",
".",
"Chopin",
"finally",
"placed",
"the",
"letters",
"from",
"Maria",
"and",
"her",
"mother",
"in",
"a",
"package",
"on",
"which",
"he",
"wrote",
",",
"in",
"Polish",
",",
"\"",
"My",
"tragedy",
"\"",
".",
"Sand",
",",
"in",
"a",
"letter",
"to",
"Grzymała",
"of",
"June",
"1838",
",",
"admitted",
"strong",
"feelings",
"for",
"the",
"composer",
"and",
"debated",
"whether",
"to",
"abandon",
"a",
"current",
"affair",
"in",
"order",
"to",
"begin",
"a",
"relationship",
"with",
"Chopin",
";",
"she",
"asked",
"Grzymała",
"to",
"assess",
"Chopin",
"'s",
"relationship",
"with",
"Maria",
"Wodzińska",
",",
"without",
"realising",
"that",
"the",
"affair",
",",
"at",
"least",
"from",
"Maria",
"'s",
"side",
",",
"was",
"over",
"."
],
"offsets": [
0,
3,
7,
9,
12,
14,
20,
27,
30,
36,
44,
46,
53,
57,
61,
68,
75,
82,
87,
88,
93,
94,
102,
104,
111,
112,
118,
120,
125,
126,
128,
134,
135,
141,
146,
150,
152,
155,
159,
161,
162,
164,
168,
170,
173,
174,
179,
183,
185,
191,
197,
199,
203,
213,
222,
228,
230,
234,
242,
244,
245,
250,
253,
266,
273,
276,
281,
283,
285,
288,
292,
299,
301,
306,
307,
309,
316,
318,
321,
327,
332,
338,
347,
350,
357,
361,
366,
369,
375,
378,
385,
388,
403,
408,
410,
419,
424,
428,
437,
441,
450,
453,
460,
462,
465,
468,
476,
481,
485,
489,
500,
503,
507,
512,
519,
523,
532,
537,
540,
548,
554,
558,
571,
576,
582,
587,
590,
599,
603,
607,
609,
616,
624,
631,
635,
643,
648,
654,
658,
662,
669,
672,
674,
682,
685,
691,
694,
699,
701,
704,
710,
712,
713,
716,
723,
724,
726,
730,
732,
735,
737,
744,
747,
756,
759,
764,
768,
770,
779,
786,
795,
799,
803,
812,
816,
824,
832,
835,
843,
845,
853,
860,
863,
869,
872,
878,
880,
893,
898,
904,
906,
910,
916,
925,
928,
935,
941,
944,
957,
962,
968,
977,
979,
987,
997,
1002,
1006,
1012,
1014,
1017,
1023,
1028,
1033,
1036,
1040,
1042,
1046,
1050
]
} | 4821a26c682a429ab0fab56917fee01e | Who did George Sand write to when admitting having a strong affection for Frédéric? | {
"tokens": [
"Who",
"did",
"George",
"Sand",
"write",
"to",
"when",
"admitting",
"having",
"a",
"strong",
"affection",
"for",
"Frédéric",
"?"
],
"offsets": [
0,
4,
8,
15,
20,
26,
29,
34,
44,
51,
53,
60,
70,
74,
82
]
} | {
"text": [
"Grzymała"
],
"char_spans": [
{
"start": [
747
],
"end": [
754
]
}
],
"token_spans": [
{
"start": [
162
],
"end": [
162
]
}
]
} | [
"Grzymała"
] |
SQuAD | In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over. | {
"tokens": [
"In",
"1836",
",",
"at",
"a",
"party",
"hosted",
"by",
"Marie",
"d'Agoult",
",",
"Chopin",
"met",
"the",
"French",
"author",
"George",
"Sand",
"(",
"born",
"[",
"Amantine",
"]",
"Aurore",
"[",
"Lucile",
"]",
"Dupin",
")",
".",
"Short",
"(",
"under",
"five",
"feet",
",",
"or",
"152",
"cm",
")",
",",
"dark",
",",
"big",
"-",
"eyed",
"and",
"a",
"cigar",
"smoker",
",",
"she",
"initially",
"repelled",
"Chopin",
",",
"who",
"remarked",
",",
"\"",
"What",
"an",
"unattractive",
"person",
"la",
"Sand",
"is",
".",
"Is",
"she",
"really",
"a",
"woman",
"?",
"\"",
"However",
",",
"by",
"early",
"1837",
"Maria",
"Wodzińska",
"'s",
"mother",
"had",
"made",
"it",
"clear",
"to",
"Chopin",
"in",
"correspondence",
"that",
"a",
"marriage",
"with",
"her",
"daughter",
"was",
"unlikely",
"to",
"proceed",
".",
"It",
"is",
"thought",
"that",
"she",
"was",
"influenced",
"by",
"his",
"poor",
"health",
"and",
"possibly",
"also",
"by",
"rumours",
"about",
"his",
"associations",
"with",
"women",
"such",
"as",
"d'Agoult",
"and",
"Sand",
".",
"Chopin",
"finally",
"placed",
"the",
"letters",
"from",
"Maria",
"and",
"her",
"mother",
"in",
"a",
"package",
"on",
"which",
"he",
"wrote",
",",
"in",
"Polish",
",",
"\"",
"My",
"tragedy",
"\"",
".",
"Sand",
",",
"in",
"a",
"letter",
"to",
"Grzymała",
"of",
"June",
"1838",
",",
"admitted",
"strong",
"feelings",
"for",
"the",
"composer",
"and",
"debated",
"whether",
"to",
"abandon",
"a",
"current",
"affair",
"in",
"order",
"to",
"begin",
"a",
"relationship",
"with",
"Chopin",
";",
"she",
"asked",
"Grzymała",
"to",
"assess",
"Chopin",
"'s",
"relationship",
"with",
"Maria",
"Wodzińska",
",",
"without",
"realising",
"that",
"the",
"affair",
",",
"at",
"least",
"from",
"Maria",
"'s",
"side",
",",
"was",
"over",
"."
],
"offsets": [
0,
3,
7,
9,
12,
14,
20,
27,
30,
36,
44,
46,
53,
57,
61,
68,
75,
82,
87,
88,
93,
94,
102,
104,
111,
112,
118,
120,
125,
126,
128,
134,
135,
141,
146,
150,
152,
155,
159,
161,
162,
164,
168,
170,
173,
174,
179,
183,
185,
191,
197,
199,
203,
213,
222,
228,
230,
234,
242,
244,
245,
250,
253,
266,
273,
276,
281,
283,
285,
288,
292,
299,
301,
306,
307,
309,
316,
318,
321,
327,
332,
338,
347,
350,
357,
361,
366,
369,
375,
378,
385,
388,
403,
408,
410,
419,
424,
428,
437,
441,
450,
453,
460,
462,
465,
468,
476,
481,
485,
489,
500,
503,
507,
512,
519,
523,
532,
537,
540,
548,
554,
558,
571,
576,
582,
587,
590,
599,
603,
607,
609,
616,
624,
631,
635,
643,
648,
654,
658,
662,
669,
672,
674,
682,
685,
691,
694,
699,
701,
704,
710,
712,
713,
716,
723,
724,
726,
730,
732,
735,
737,
744,
747,
756,
759,
764,
768,
770,
779,
786,
795,
799,
803,
812,
816,
824,
832,
835,
843,
845,
853,
860,
863,
869,
872,
878,
880,
893,
898,
904,
906,
910,
916,
925,
928,
935,
941,
944,
957,
962,
968,
977,
979,
987,
997,
1002,
1006,
1012,
1014,
1017,
1023,
1028,
1033,
1036,
1040,
1042,
1046,
1050
]
} | 2d8d4dd0c2784e538ea7ef009e88f386 | What is the name of the author Chopin met at a gathering put on by Marie d'Agoult? | {
"tokens": [
"What",
"is",
"the",
"name",
"of",
"the",
"author",
"Chopin",
"met",
"at",
"a",
"gathering",
"put",
"on",
"by",
"Marie",
"d'Agoult",
"?"
],
"offsets": [
0,
5,
8,
12,
17,
20,
24,
31,
38,
42,
45,
47,
57,
61,
64,
67,
73,
81
]
} | {
"text": [
"George Sand"
],
"char_spans": [
{
"start": [
75
],
"end": [
85
]
}
],
"token_spans": [
{
"start": [
16
],
"end": [
17
]
}
]
} | [
"George Sand"
] |
SQuAD | In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over. | {
"tokens": [
"In",
"1836",
",",
"at",
"a",
"party",
"hosted",
"by",
"Marie",
"d'Agoult",
",",
"Chopin",
"met",
"the",
"French",
"author",
"George",
"Sand",
"(",
"born",
"[",
"Amantine",
"]",
"Aurore",
"[",
"Lucile",
"]",
"Dupin",
")",
".",
"Short",
"(",
"under",
"five",
"feet",
",",
"or",
"152",
"cm",
")",
",",
"dark",
",",
"big",
"-",
"eyed",
"and",
"a",
"cigar",
"smoker",
",",
"she",
"initially",
"repelled",
"Chopin",
",",
"who",
"remarked",
",",
"\"",
"What",
"an",
"unattractive",
"person",
"la",
"Sand",
"is",
".",
"Is",
"she",
"really",
"a",
"woman",
"?",
"\"",
"However",
",",
"by",
"early",
"1837",
"Maria",
"Wodzińska",
"'s",
"mother",
"had",
"made",
"it",
"clear",
"to",
"Chopin",
"in",
"correspondence",
"that",
"a",
"marriage",
"with",
"her",
"daughter",
"was",
"unlikely",
"to",
"proceed",
".",
"It",
"is",
"thought",
"that",
"she",
"was",
"influenced",
"by",
"his",
"poor",
"health",
"and",
"possibly",
"also",
"by",
"rumours",
"about",
"his",
"associations",
"with",
"women",
"such",
"as",
"d'Agoult",
"and",
"Sand",
".",
"Chopin",
"finally",
"placed",
"the",
"letters",
"from",
"Maria",
"and",
"her",
"mother",
"in",
"a",
"package",
"on",
"which",
"he",
"wrote",
",",
"in",
"Polish",
",",
"\"",
"My",
"tragedy",
"\"",
".",
"Sand",
",",
"in",
"a",
"letter",
"to",
"Grzymała",
"of",
"June",
"1838",
",",
"admitted",
"strong",
"feelings",
"for",
"the",
"composer",
"and",
"debated",
"whether",
"to",
"abandon",
"a",
"current",
"affair",
"in",
"order",
"to",
"begin",
"a",
"relationship",
"with",
"Chopin",
";",
"she",
"asked",
"Grzymała",
"to",
"assess",
"Chopin",
"'s",
"relationship",
"with",
"Maria",
"Wodzińska",
",",
"without",
"realising",
"that",
"the",
"affair",
",",
"at",
"least",
"from",
"Maria",
"'s",
"side",
",",
"was",
"over",
"."
],
"offsets": [
0,
3,
7,
9,
12,
14,
20,
27,
30,
36,
44,
46,
53,
57,
61,
68,
75,
82,
87,
88,
93,
94,
102,
104,
111,
112,
118,
120,
125,
126,
128,
134,
135,
141,
146,
150,
152,
155,
159,
161,
162,
164,
168,
170,
173,
174,
179,
183,
185,
191,
197,
199,
203,
213,
222,
228,
230,
234,
242,
244,
245,
250,
253,
266,
273,
276,
281,
283,
285,
288,
292,
299,
301,
306,
307,
309,
316,
318,
321,
327,
332,
338,
347,
350,
357,
361,
366,
369,
375,
378,
385,
388,
403,
408,
410,
419,
424,
428,
437,
441,
450,
453,
460,
462,
465,
468,
476,
481,
485,
489,
500,
503,
507,
512,
519,
523,
532,
537,
540,
548,
554,
558,
571,
576,
582,
587,
590,
599,
603,
607,
609,
616,
624,
631,
635,
643,
648,
654,
658,
662,
669,
672,
674,
682,
685,
691,
694,
699,
701,
704,
710,
712,
713,
716,
723,
724,
726,
730,
732,
735,
737,
744,
747,
756,
759,
764,
768,
770,
779,
786,
795,
799,
803,
812,
816,
824,
832,
835,
843,
845,
853,
860,
863,
869,
872,
878,
880,
893,
898,
904,
906,
910,
916,
925,
928,
935,
941,
944,
957,
962,
968,
977,
979,
987,
997,
1002,
1006,
1012,
1014,
1017,
1023,
1028,
1033,
1036,
1040,
1042,
1046,
1050
]
} | d583da4884244a3a9cc212f0bd00b37f | What was a possible reason for Chopin's failed engagement to Maria Wodzińska? | {
"tokens": [
"What",
"was",
"a",
"possible",
"reason",
"for",
"Chopin",
"'s",
"failed",
"engagement",
"to",
"Maria",
"Wodzińska",
"?"
],
"offsets": [
0,
5,
9,
11,
20,
27,
31,
37,
40,
47,
58,
61,
67,
76
]
} | {
"text": [
"his poor health"
],
"char_spans": [
{
"start": [
503
],
"end": [
517
]
}
],
"token_spans": [
{
"start": [
111
],
"end": [
113
]
}
]
} | [
"his poor health"
] |
SQuAD | In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over. | {
"tokens": [
"In",
"1836",
",",
"at",
"a",
"party",
"hosted",
"by",
"Marie",
"d'Agoult",
",",
"Chopin",
"met",
"the",
"French",
"author",
"George",
"Sand",
"(",
"born",
"[",
"Amantine",
"]",
"Aurore",
"[",
"Lucile",
"]",
"Dupin",
")",
".",
"Short",
"(",
"under",
"five",
"feet",
",",
"or",
"152",
"cm",
")",
",",
"dark",
",",
"big",
"-",
"eyed",
"and",
"a",
"cigar",
"smoker",
",",
"she",
"initially",
"repelled",
"Chopin",
",",
"who",
"remarked",
",",
"\"",
"What",
"an",
"unattractive",
"person",
"la",
"Sand",
"is",
".",
"Is",
"she",
"really",
"a",
"woman",
"?",
"\"",
"However",
",",
"by",
"early",
"1837",
"Maria",
"Wodzińska",
"'s",
"mother",
"had",
"made",
"it",
"clear",
"to",
"Chopin",
"in",
"correspondence",
"that",
"a",
"marriage",
"with",
"her",
"daughter",
"was",
"unlikely",
"to",
"proceed",
".",
"It",
"is",
"thought",
"that",
"she",
"was",
"influenced",
"by",
"his",
"poor",
"health",
"and",
"possibly",
"also",
"by",
"rumours",
"about",
"his",
"associations",
"with",
"women",
"such",
"as",
"d'Agoult",
"and",
"Sand",
".",
"Chopin",
"finally",
"placed",
"the",
"letters",
"from",
"Maria",
"and",
"her",
"mother",
"in",
"a",
"package",
"on",
"which",
"he",
"wrote",
",",
"in",
"Polish",
",",
"\"",
"My",
"tragedy",
"\"",
".",
"Sand",
",",
"in",
"a",
"letter",
"to",
"Grzymała",
"of",
"June",
"1838",
",",
"admitted",
"strong",
"feelings",
"for",
"the",
"composer",
"and",
"debated",
"whether",
"to",
"abandon",
"a",
"current",
"affair",
"in",
"order",
"to",
"begin",
"a",
"relationship",
"with",
"Chopin",
";",
"she",
"asked",
"Grzymała",
"to",
"assess",
"Chopin",
"'s",
"relationship",
"with",
"Maria",
"Wodzińska",
",",
"without",
"realising",
"that",
"the",
"affair",
",",
"at",
"least",
"from",
"Maria",
"'s",
"side",
",",
"was",
"over",
"."
],
"offsets": [
0,
3,
7,
9,
12,
14,
20,
27,
30,
36,
44,
46,
53,
57,
61,
68,
75,
82,
87,
88,
93,
94,
102,
104,
111,
112,
118,
120,
125,
126,
128,
134,
135,
141,
146,
150,
152,
155,
159,
161,
162,
164,
168,
170,
173,
174,
179,
183,
185,
191,
197,
199,
203,
213,
222,
228,
230,
234,
242,
244,
245,
250,
253,
266,
273,
276,
281,
283,
285,
288,
292,
299,
301,
306,
307,
309,
316,
318,
321,
327,
332,
338,
347,
350,
357,
361,
366,
369,
375,
378,
385,
388,
403,
408,
410,
419,
424,
428,
437,
441,
450,
453,
460,
462,
465,
468,
476,
481,
485,
489,
500,
503,
507,
512,
519,
523,
532,
537,
540,
548,
554,
558,
571,
576,
582,
587,
590,
599,
603,
607,
609,
616,
624,
631,
635,
643,
648,
654,
658,
662,
669,
672,
674,
682,
685,
691,
694,
699,
701,
704,
710,
712,
713,
716,
723,
724,
726,
730,
732,
735,
737,
744,
747,
756,
759,
764,
768,
770,
779,
786,
795,
799,
803,
812,
816,
824,
832,
835,
843,
845,
853,
860,
863,
869,
872,
878,
880,
893,
898,
904,
906,
910,
916,
925,
928,
935,
941,
944,
957,
962,
968,
977,
979,
987,
997,
1002,
1006,
1012,
1014,
1017,
1023,
1028,
1033,
1036,
1040,
1042,
1046,
1050
]
} | 72c054fa22584d43a916c955dd0758db | What did Chopin write on the box of letters from Maria and her mother? | {
"tokens": [
"What",
"did",
"Chopin",
"write",
"on",
"the",
"box",
"of",
"letters",
"from",
"Maria",
"and",
"her",
"mother",
"?"
],
"offsets": [
0,
5,
9,
16,
22,
25,
29,
33,
36,
44,
49,
55,
59,
63,
69
]
} | {
"text": [
"My tragedy"
],
"char_spans": [
{
"start": [
713
],
"end": [
722
]
}
],
"token_spans": [
{
"start": [
152
],
"end": [
153
]
}
]
} | [
"My tragedy"
] |
SQuAD | In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over. | {
"tokens": [
"In",
"1836",
",",
"at",
"a",
"party",
"hosted",
"by",
"Marie",
"d'Agoult",
",",
"Chopin",
"met",
"the",
"French",
"author",
"George",
"Sand",
"(",
"born",
"[",
"Amantine",
"]",
"Aurore",
"[",
"Lucile",
"]",
"Dupin",
")",
".",
"Short",
"(",
"under",
"five",
"feet",
",",
"or",
"152",
"cm",
")",
",",
"dark",
",",
"big",
"-",
"eyed",
"and",
"a",
"cigar",
"smoker",
",",
"she",
"initially",
"repelled",
"Chopin",
",",
"who",
"remarked",
",",
"\"",
"What",
"an",
"unattractive",
"person",
"la",
"Sand",
"is",
".",
"Is",
"she",
"really",
"a",
"woman",
"?",
"\"",
"However",
",",
"by",
"early",
"1837",
"Maria",
"Wodzińska",
"'s",
"mother",
"had",
"made",
"it",
"clear",
"to",
"Chopin",
"in",
"correspondence",
"that",
"a",
"marriage",
"with",
"her",
"daughter",
"was",
"unlikely",
"to",
"proceed",
".",
"It",
"is",
"thought",
"that",
"she",
"was",
"influenced",
"by",
"his",
"poor",
"health",
"and",
"possibly",
"also",
"by",
"rumours",
"about",
"his",
"associations",
"with",
"women",
"such",
"as",
"d'Agoult",
"and",
"Sand",
".",
"Chopin",
"finally",
"placed",
"the",
"letters",
"from",
"Maria",
"and",
"her",
"mother",
"in",
"a",
"package",
"on",
"which",
"he",
"wrote",
",",
"in",
"Polish",
",",
"\"",
"My",
"tragedy",
"\"",
".",
"Sand",
",",
"in",
"a",
"letter",
"to",
"Grzymała",
"of",
"June",
"1838",
",",
"admitted",
"strong",
"feelings",
"for",
"the",
"composer",
"and",
"debated",
"whether",
"to",
"abandon",
"a",
"current",
"affair",
"in",
"order",
"to",
"begin",
"a",
"relationship",
"with",
"Chopin",
";",
"she",
"asked",
"Grzymała",
"to",
"assess",
"Chopin",
"'s",
"relationship",
"with",
"Maria",
"Wodzińska",
",",
"without",
"realising",
"that",
"the",
"affair",
",",
"at",
"least",
"from",
"Maria",
"'s",
"side",
",",
"was",
"over",
"."
],
"offsets": [
0,
3,
7,
9,
12,
14,
20,
27,
30,
36,
44,
46,
53,
57,
61,
68,
75,
82,
87,
88,
93,
94,
102,
104,
111,
112,
118,
120,
125,
126,
128,
134,
135,
141,
146,
150,
152,
155,
159,
161,
162,
164,
168,
170,
173,
174,
179,
183,
185,
191,
197,
199,
203,
213,
222,
228,
230,
234,
242,
244,
245,
250,
253,
266,
273,
276,
281,
283,
285,
288,
292,
299,
301,
306,
307,
309,
316,
318,
321,
327,
332,
338,
347,
350,
357,
361,
366,
369,
375,
378,
385,
388,
403,
408,
410,
419,
424,
428,
437,
441,
450,
453,
460,
462,
465,
468,
476,
481,
485,
489,
500,
503,
507,
512,
519,
523,
532,
537,
540,
548,
554,
558,
571,
576,
582,
587,
590,
599,
603,
607,
609,
616,
624,
631,
635,
643,
648,
654,
658,
662,
669,
672,
674,
682,
685,
691,
694,
699,
701,
704,
710,
712,
713,
716,
723,
724,
726,
730,
732,
735,
737,
744,
747,
756,
759,
764,
768,
770,
779,
786,
795,
799,
803,
812,
816,
824,
832,
835,
843,
845,
853,
860,
863,
869,
872,
878,
880,
893,
898,
904,
906,
910,
916,
925,
928,
935,
941,
944,
957,
962,
968,
977,
979,
987,
997,
1002,
1006,
1012,
1014,
1017,
1023,
1028,
1033,
1036,
1040,
1042,
1046,
1050
]
} | 1d81ec7d4e1e43358ae0ac7bea4b5cd4 | Who hosted the party whre Chopin met George Sand? | {
"tokens": [
"Who",
"hosted",
"the",
"party",
"whre",
"Chopin",
"met",
"George",
"Sand",
"?"
],
"offsets": [
0,
4,
11,
15,
21,
26,
33,
37,
44,
48
]
} | {
"text": [
"Marie d'Agoult"
],
"char_spans": [
{
"start": [
30
],
"end": [
43
]
}
],
"token_spans": [
{
"start": [
8
],
"end": [
9
]
}
]
} | [
"Marie d'Agoult"
] |
SQuAD | In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over. | {
"tokens": [
"In",
"1836",
",",
"at",
"a",
"party",
"hosted",
"by",
"Marie",
"d'Agoult",
",",
"Chopin",
"met",
"the",
"French",
"author",
"George",
"Sand",
"(",
"born",
"[",
"Amantine",
"]",
"Aurore",
"[",
"Lucile",
"]",
"Dupin",
")",
".",
"Short",
"(",
"under",
"five",
"feet",
",",
"or",
"152",
"cm",
")",
",",
"dark",
",",
"big",
"-",
"eyed",
"and",
"a",
"cigar",
"smoker",
",",
"she",
"initially",
"repelled",
"Chopin",
",",
"who",
"remarked",
",",
"\"",
"What",
"an",
"unattractive",
"person",
"la",
"Sand",
"is",
".",
"Is",
"she",
"really",
"a",
"woman",
"?",
"\"",
"However",
",",
"by",
"early",
"1837",
"Maria",
"Wodzińska",
"'s",
"mother",
"had",
"made",
"it",
"clear",
"to",
"Chopin",
"in",
"correspondence",
"that",
"a",
"marriage",
"with",
"her",
"daughter",
"was",
"unlikely",
"to",
"proceed",
".",
"It",
"is",
"thought",
"that",
"she",
"was",
"influenced",
"by",
"his",
"poor",
"health",
"and",
"possibly",
"also",
"by",
"rumours",
"about",
"his",
"associations",
"with",
"women",
"such",
"as",
"d'Agoult",
"and",
"Sand",
".",
"Chopin",
"finally",
"placed",
"the",
"letters",
"from",
"Maria",
"and",
"her",
"mother",
"in",
"a",
"package",
"on",
"which",
"he",
"wrote",
",",
"in",
"Polish",
",",
"\"",
"My",
"tragedy",
"\"",
".",
"Sand",
",",
"in",
"a",
"letter",
"to",
"Grzymała",
"of",
"June",
"1838",
",",
"admitted",
"strong",
"feelings",
"for",
"the",
"composer",
"and",
"debated",
"whether",
"to",
"abandon",
"a",
"current",
"affair",
"in",
"order",
"to",
"begin",
"a",
"relationship",
"with",
"Chopin",
";",
"she",
"asked",
"Grzymała",
"to",
"assess",
"Chopin",
"'s",
"relationship",
"with",
"Maria",
"Wodzińska",
",",
"without",
"realising",
"that",
"the",
"affair",
",",
"at",
"least",
"from",
"Maria",
"'s",
"side",
",",
"was",
"over",
"."
],
"offsets": [
0,
3,
7,
9,
12,
14,
20,
27,
30,
36,
44,
46,
53,
57,
61,
68,
75,
82,
87,
88,
93,
94,
102,
104,
111,
112,
118,
120,
125,
126,
128,
134,
135,
141,
146,
150,
152,
155,
159,
161,
162,
164,
168,
170,
173,
174,
179,
183,
185,
191,
197,
199,
203,
213,
222,
228,
230,
234,
242,
244,
245,
250,
253,
266,
273,
276,
281,
283,
285,
288,
292,
299,
301,
306,
307,
309,
316,
318,
321,
327,
332,
338,
347,
350,
357,
361,
366,
369,
375,
378,
385,
388,
403,
408,
410,
419,
424,
428,
437,
441,
450,
453,
460,
462,
465,
468,
476,
481,
485,
489,
500,
503,
507,
512,
519,
523,
532,
537,
540,
548,
554,
558,
571,
576,
582,
587,
590,
599,
603,
607,
609,
616,
624,
631,
635,
643,
648,
654,
658,
662,
669,
672,
674,
682,
685,
691,
694,
699,
701,
704,
710,
712,
713,
716,
723,
724,
726,
730,
732,
735,
737,
744,
747,
756,
759,
764,
768,
770,
779,
786,
795,
799,
803,
812,
816,
824,
832,
835,
843,
845,
853,
860,
863,
869,
872,
878,
880,
893,
898,
904,
906,
910,
916,
925,
928,
935,
941,
944,
957,
962,
968,
977,
979,
987,
997,
1002,
1006,
1012,
1014,
1017,
1023,
1028,
1033,
1036,
1040,
1042,
1046,
1050
]
} | 809e0949046741a1aaa06580cb57c3de | What year did Maria Wodzińska's mother tell Chopin that he likely would not marry her daughter? | {
"tokens": [
"What",
"year",
"did",
"Maria",
"Wodzińska",
"'s",
"mother",
"tell",
"Chopin",
"that",
"he",
"likely",
"would",
"not",
"marry",
"her",
"daughter",
"?"
],
"offsets": [
0,
5,
10,
14,
20,
29,
32,
39,
44,
51,
56,
59,
66,
72,
76,
82,
86,
94
]
} | {
"text": [
"1837"
],
"char_spans": [
{
"start": [
327
],
"end": [
330
]
}
],
"token_spans": [
{
"start": [
79
],
"end": [
79
]
}
]
} | [
"1837"
] |
SQuAD | In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over. | {
"tokens": [
"In",
"1836",
",",
"at",
"a",
"party",
"hosted",
"by",
"Marie",
"d'Agoult",
",",
"Chopin",
"met",
"the",
"French",
"author",
"George",
"Sand",
"(",
"born",
"[",
"Amantine",
"]",
"Aurore",
"[",
"Lucile",
"]",
"Dupin",
")",
".",
"Short",
"(",
"under",
"five",
"feet",
",",
"or",
"152",
"cm",
")",
",",
"dark",
",",
"big",
"-",
"eyed",
"and",
"a",
"cigar",
"smoker",
",",
"she",
"initially",
"repelled",
"Chopin",
",",
"who",
"remarked",
",",
"\"",
"What",
"an",
"unattractive",
"person",
"la",
"Sand",
"is",
".",
"Is",
"she",
"really",
"a",
"woman",
"?",
"\"",
"However",
",",
"by",
"early",
"1837",
"Maria",
"Wodzińska",
"'s",
"mother",
"had",
"made",
"it",
"clear",
"to",
"Chopin",
"in",
"correspondence",
"that",
"a",
"marriage",
"with",
"her",
"daughter",
"was",
"unlikely",
"to",
"proceed",
".",
"It",
"is",
"thought",
"that",
"she",
"was",
"influenced",
"by",
"his",
"poor",
"health",
"and",
"possibly",
"also",
"by",
"rumours",
"about",
"his",
"associations",
"with",
"women",
"such",
"as",
"d'Agoult",
"and",
"Sand",
".",
"Chopin",
"finally",
"placed",
"the",
"letters",
"from",
"Maria",
"and",
"her",
"mother",
"in",
"a",
"package",
"on",
"which",
"he",
"wrote",
",",
"in",
"Polish",
",",
"\"",
"My",
"tragedy",
"\"",
".",
"Sand",
",",
"in",
"a",
"letter",
"to",
"Grzymała",
"of",
"June",
"1838",
",",
"admitted",
"strong",
"feelings",
"for",
"the",
"composer",
"and",
"debated",
"whether",
"to",
"abandon",
"a",
"current",
"affair",
"in",
"order",
"to",
"begin",
"a",
"relationship",
"with",
"Chopin",
";",
"she",
"asked",
"Grzymała",
"to",
"assess",
"Chopin",
"'s",
"relationship",
"with",
"Maria",
"Wodzińska",
",",
"without",
"realising",
"that",
"the",
"affair",
",",
"at",
"least",
"from",
"Maria",
"'s",
"side",
",",
"was",
"over",
"."
],
"offsets": [
0,
3,
7,
9,
12,
14,
20,
27,
30,
36,
44,
46,
53,
57,
61,
68,
75,
82,
87,
88,
93,
94,
102,
104,
111,
112,
118,
120,
125,
126,
128,
134,
135,
141,
146,
150,
152,
155,
159,
161,
162,
164,
168,
170,
173,
174,
179,
183,
185,
191,
197,
199,
203,
213,
222,
228,
230,
234,
242,
244,
245,
250,
253,
266,
273,
276,
281,
283,
285,
288,
292,
299,
301,
306,
307,
309,
316,
318,
321,
327,
332,
338,
347,
350,
357,
361,
366,
369,
375,
378,
385,
388,
403,
408,
410,
419,
424,
428,
437,
441,
450,
453,
460,
462,
465,
468,
476,
481,
485,
489,
500,
503,
507,
512,
519,
523,
532,
537,
540,
548,
554,
558,
571,
576,
582,
587,
590,
599,
603,
607,
609,
616,
624,
631,
635,
643,
648,
654,
658,
662,
669,
672,
674,
682,
685,
691,
694,
699,
701,
704,
710,
712,
713,
716,
723,
724,
726,
730,
732,
735,
737,
744,
747,
756,
759,
764,
768,
770,
779,
786,
795,
799,
803,
812,
816,
824,
832,
835,
843,
845,
853,
860,
863,
869,
872,
878,
880,
893,
898,
904,
906,
910,
916,
925,
928,
935,
941,
944,
957,
962,
968,
977,
979,
987,
997,
1002,
1006,
1012,
1014,
1017,
1023,
1028,
1033,
1036,
1040,
1042,
1046,
1050
]
} | 79628a692f0c4282be66e8a190679580 | What did Chopin write on the package that contained letters from Maria and her mother? | {
"tokens": [
"What",
"did",
"Chopin",
"write",
"on",
"the",
"package",
"that",
"contained",
"letters",
"from",
"Maria",
"and",
"her",
"mother",
"?"
],
"offsets": [
0,
5,
9,
16,
22,
25,
29,
37,
42,
52,
60,
65,
71,
75,
79,
85
]
} | {
"text": [
"My tragedy"
],
"char_spans": [
{
"start": [
713
],
"end": [
722
]
}
],
"token_spans": [
{
"start": [
152
],
"end": [
153
]
}
]
} | [
"My tragedy"
] |
SQuAD | In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumours about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realising that the affair, at least from Maria's side, was over. | {
"tokens": [
"In",
"1836",
",",
"at",
"a",
"party",
"hosted",
"by",
"Marie",
"d'Agoult",
",",
"Chopin",
"met",
"the",
"French",
"author",
"George",
"Sand",
"(",
"born",
"[",
"Amantine",
"]",
"Aurore",
"[",
"Lucile",
"]",
"Dupin",
")",
".",
"Short",
"(",
"under",
"five",
"feet",
",",
"or",
"152",
"cm",
")",
",",
"dark",
",",
"big",
"-",
"eyed",
"and",
"a",
"cigar",
"smoker",
",",
"she",
"initially",
"repelled",
"Chopin",
",",
"who",
"remarked",
",",
"\"",
"What",
"an",
"unattractive",
"person",
"la",
"Sand",
"is",
".",
"Is",
"she",
"really",
"a",
"woman",
"?",
"\"",
"However",
",",
"by",
"early",
"1837",
"Maria",
"Wodzińska",
"'s",
"mother",
"had",
"made",
"it",
"clear",
"to",
"Chopin",
"in",
"correspondence",
"that",
"a",
"marriage",
"with",
"her",
"daughter",
"was",
"unlikely",
"to",
"proceed",
".",
"It",
"is",
"thought",
"that",
"she",
"was",
"influenced",
"by",
"his",
"poor",
"health",
"and",
"possibly",
"also",
"by",
"rumours",
"about",
"his",
"associations",
"with",
"women",
"such",
"as",
"d'Agoult",
"and",
"Sand",
".",
"Chopin",
"finally",
"placed",
"the",
"letters",
"from",
"Maria",
"and",
"her",
"mother",
"in",
"a",
"package",
"on",
"which",
"he",
"wrote",
",",
"in",
"Polish",
",",
"\"",
"My",
"tragedy",
"\"",
".",
"Sand",
",",
"in",
"a",
"letter",
"to",
"Grzymała",
"of",
"June",
"1838",
",",
"admitted",
"strong",
"feelings",
"for",
"the",
"composer",
"and",
"debated",
"whether",
"to",
"abandon",
"a",
"current",
"affair",
"in",
"order",
"to",
"begin",
"a",
"relationship",
"with",
"Chopin",
";",
"she",
"asked",
"Grzymała",
"to",
"assess",
"Chopin",
"'s",
"relationship",
"with",
"Maria",
"Wodzińska",
",",
"without",
"realising",
"that",
"the",
"affair",
",",
"at",
"least",
"from",
"Maria",
"'s",
"side",
",",
"was",
"over",
"."
],
"offsets": [
0,
3,
7,
9,
12,
14,
20,
27,
30,
36,
44,
46,
53,
57,
61,
68,
75,
82,
87,
88,
93,
94,
102,
104,
111,
112,
118,
120,
125,
126,
128,
134,
135,
141,
146,
150,
152,
155,
159,
161,
162,
164,
168,
170,
173,
174,
179,
183,
185,
191,
197,
199,
203,
213,
222,
228,
230,
234,
242,
244,
245,
250,
253,
266,
273,
276,
281,
283,
285,
288,
292,
299,
301,
306,
307,
309,
316,
318,
321,
327,
332,
338,
347,
350,
357,
361,
366,
369,
375,
378,
385,
388,
403,
408,
410,
419,
424,
428,
437,
441,
450,
453,
460,
462,
465,
468,
476,
481,
485,
489,
500,
503,
507,
512,
519,
523,
532,
537,
540,
548,
554,
558,
571,
576,
582,
587,
590,
599,
603,
607,
609,
616,
624,
631,
635,
643,
648,
654,
658,
662,
669,
672,
674,
682,
685,
691,
694,
699,
701,
704,
710,
712,
713,
716,
723,
724,
726,
730,
732,
735,
737,
744,
747,
756,
759,
764,
768,
770,
779,
786,
795,
799,
803,
812,
816,
824,
832,
835,
843,
845,
853,
860,
863,
869,
872,
878,
880,
893,
898,
904,
906,
910,
916,
925,
928,
935,
941,
944,
957,
962,
968,
977,
979,
987,
997,
1002,
1006,
1012,
1014,
1017,
1023,
1028,
1033,
1036,
1040,
1042,
1046,
1050
]
} | db0f10f4d09b4ec2802100263f31f425 | Who did Sand confide to in a letter about her feelings for Chopin in June, 1838? | {
"tokens": [
"Who",
"did",
"Sand",
"confide",
"to",
"in",
"a",
"letter",
"about",
"her",
"feelings",
"for",
"Chopin",
"in",
"June",
",",
"1838",
"?"
],
"offsets": [
0,
4,
8,
13,
21,
24,
27,
29,
36,
42,
46,
55,
59,
66,
69,
73,
75,
79
]
} | {
"text": [
"Grzymała"
],
"char_spans": [
{
"start": [
747
],
"end": [
754
]
}
],
"token_spans": [
{
"start": [
162
],
"end": [
162
]
}
]
} | [
"Grzymała"
] |
SQuAD | Chopin has figured extensively in Polish literature, both in serious critical studies of his life and music and in fictional treatments. The earliest manifestation was probably an 1830 sonnet on Chopin by Leon Ulrich. French writers on Chopin (apart from Sand) have included Marcel Proust and André Gide; and he has also featured in works of Gottfried Benn and Boris Pasternak. There are numerous biographies of Chopin in English (see bibliography for some of these). | {
"tokens": [
"Chopin",
"has",
"figured",
"extensively",
"in",
"Polish",
"literature",
",",
"both",
"in",
"serious",
"critical",
"studies",
"of",
"his",
"life",
"and",
"music",
"and",
"in",
"fictional",
"treatments",
".",
"The",
"earliest",
"manifestation",
"was",
"probably",
"an",
"1830",
"sonnet",
"on",
"Chopin",
"by",
"Leon",
"Ulrich",
".",
"French",
"writers",
"on",
"Chopin",
"(",
"apart",
"from",
"Sand",
")",
"have",
"included",
"Marcel",
"Proust",
"and",
"André",
"Gide",
";",
"and",
"he",
"has",
"also",
"featured",
"in",
"works",
"of",
"Gottfried",
"Benn",
"and",
"Boris",
"Pasternak",
".",
"There",
"are",
"numerous",
"biographies",
"of",
"Chopin",
"in",
"English",
"(",
"see",
"bibliography",
"for",
"some",
"of",
"these",
")",
"."
],
"offsets": [
0,
7,
11,
19,
31,
34,
41,
51,
53,
58,
61,
69,
78,
86,
89,
93,
98,
102,
108,
112,
115,
125,
135,
137,
141,
150,
164,
168,
177,
180,
185,
192,
195,
202,
205,
210,
216,
218,
225,
233,
236,
243,
244,
250,
255,
259,
261,
266,
275,
282,
289,
293,
299,
303,
305,
309,
312,
316,
321,
330,
333,
339,
342,
352,
357,
361,
367,
376,
378,
384,
388,
397,
409,
412,
419,
422,
430,
431,
435,
448,
452,
457,
460,
465,
466
]
} | 036012fad0c24c859f19055793f04a51 | An 1830 sonnet was written about Chopin by what man? | {
"tokens": [
"An",
"1830",
"sonnet",
"was",
"written",
"about",
"Chopin",
"by",
"what",
"man",
"?"
],
"offsets": [
0,
3,
8,
15,
19,
27,
33,
40,
43,
48,
51
]
} | {
"text": [
"Leon Ulrich"
],
"char_spans": [
{
"start": [
205
],
"end": [
215
]
}
],
"token_spans": [
{
"start": [
34
],
"end": [
35
]
}
]
} | [
"Leon Ulrich"
] |
SQuAD | Chopin has figured extensively in Polish literature, both in serious critical studies of his life and music and in fictional treatments. The earliest manifestation was probably an 1830 sonnet on Chopin by Leon Ulrich. French writers on Chopin (apart from Sand) have included Marcel Proust and André Gide; and he has also featured in works of Gottfried Benn and Boris Pasternak. There are numerous biographies of Chopin in English (see bibliography for some of these). | {
"tokens": [
"Chopin",
"has",
"figured",
"extensively",
"in",
"Polish",
"literature",
",",
"both",
"in",
"serious",
"critical",
"studies",
"of",
"his",
"life",
"and",
"music",
"and",
"in",
"fictional",
"treatments",
".",
"The",
"earliest",
"manifestation",
"was",
"probably",
"an",
"1830",
"sonnet",
"on",
"Chopin",
"by",
"Leon",
"Ulrich",
".",
"French",
"writers",
"on",
"Chopin",
"(",
"apart",
"from",
"Sand",
")",
"have",
"included",
"Marcel",
"Proust",
"and",
"André",
"Gide",
";",
"and",
"he",
"has",
"also",
"featured",
"in",
"works",
"of",
"Gottfried",
"Benn",
"and",
"Boris",
"Pasternak",
".",
"There",
"are",
"numerous",
"biographies",
"of",
"Chopin",
"in",
"English",
"(",
"see",
"bibliography",
"for",
"some",
"of",
"these",
")",
"."
],
"offsets": [
0,
7,
11,
19,
31,
34,
41,
51,
53,
58,
61,
69,
78,
86,
89,
93,
98,
102,
108,
112,
115,
125,
135,
137,
141,
150,
164,
168,
177,
180,
185,
192,
195,
202,
205,
210,
216,
218,
225,
233,
236,
243,
244,
250,
255,
259,
261,
266,
275,
282,
289,
293,
299,
303,
305,
309,
312,
316,
321,
330,
333,
339,
342,
352,
357,
361,
367,
376,
378,
384,
388,
397,
409,
412,
419,
422,
430,
431,
435,
448,
452,
457,
460,
465,
466
]
} | 8b0f34c86d4d48e69a62858532e35aa5 | Aside from George Sands what two French authors have written about Chopin? | {
"tokens": [
"Aside",
"from",
"George",
"Sands",
"what",
"two",
"French",
"authors",
"have",
"written",
"about",
"Chopin",
"?"
],
"offsets": [
0,
6,
11,
18,
24,
29,
33,
40,
48,
53,
61,
67,
73
]
} | {
"text": [
"Marcel Proust and André Gide"
],
"char_spans": [
{
"start": [
275
],
"end": [
302
]
}
],
"token_spans": [
{
"start": [
48
],
"end": [
52
]
}
]
} | [
"Marcel Proust and André Gide"
] |
SQuAD | Chopin has figured extensively in Polish literature, both in serious critical studies of his life and music and in fictional treatments. The earliest manifestation was probably an 1830 sonnet on Chopin by Leon Ulrich. French writers on Chopin (apart from Sand) have included Marcel Proust and André Gide; and he has also featured in works of Gottfried Benn and Boris Pasternak. There are numerous biographies of Chopin in English (see bibliography for some of these). | {
"tokens": [
"Chopin",
"has",
"figured",
"extensively",
"in",
"Polish",
"literature",
",",
"both",
"in",
"serious",
"critical",
"studies",
"of",
"his",
"life",
"and",
"music",
"and",
"in",
"fictional",
"treatments",
".",
"The",
"earliest",
"manifestation",
"was",
"probably",
"an",
"1830",
"sonnet",
"on",
"Chopin",
"by",
"Leon",
"Ulrich",
".",
"French",
"writers",
"on",
"Chopin",
"(",
"apart",
"from",
"Sand",
")",
"have",
"included",
"Marcel",
"Proust",
"and",
"André",
"Gide",
";",
"and",
"he",
"has",
"also",
"featured",
"in",
"works",
"of",
"Gottfried",
"Benn",
"and",
"Boris",
"Pasternak",
".",
"There",
"are",
"numerous",
"biographies",
"of",
"Chopin",
"in",
"English",
"(",
"see",
"bibliography",
"for",
"some",
"of",
"these",
")",
"."
],
"offsets": [
0,
7,
11,
19,
31,
34,
41,
51,
53,
58,
61,
69,
78,
86,
89,
93,
98,
102,
108,
112,
115,
125,
135,
137,
141,
150,
164,
168,
177,
180,
185,
192,
195,
202,
205,
210,
216,
218,
225,
233,
236,
243,
244,
250,
255,
259,
261,
266,
275,
282,
289,
293,
299,
303,
305,
309,
312,
316,
321,
330,
333,
339,
342,
352,
357,
361,
367,
376,
378,
384,
388,
397,
409,
412,
419,
422,
430,
431,
435,
448,
452,
457,
460,
465,
466
]
} | efafac299b744ec198aeb9bc74d69288 | Leon Ulrich wrote about Chopin in what format? | {
"tokens": [
"Leon",
"Ulrich",
"wrote",
"about",
"Chopin",
"in",
"what",
"format",
"?"
],
"offsets": [
0,
5,
12,
18,
24,
31,
34,
39,
45
]
} | {
"text": [
"sonnet"
],
"char_spans": [
{
"start": [
185
],
"end": [
190
]
}
],
"token_spans": [
{
"start": [
30
],
"end": [
30
]
}
]
} | [
"sonnet"
] |
SQuAD | Chopin has figured extensively in Polish literature, both in serious critical studies of his life and music and in fictional treatments. The earliest manifestation was probably an 1830 sonnet on Chopin by Leon Ulrich. French writers on Chopin (apart from Sand) have included Marcel Proust and André Gide; and he has also featured in works of Gottfried Benn and Boris Pasternak. There are numerous biographies of Chopin in English (see bibliography for some of these). | {
"tokens": [
"Chopin",
"has",
"figured",
"extensively",
"in",
"Polish",
"literature",
",",
"both",
"in",
"serious",
"critical",
"studies",
"of",
"his",
"life",
"and",
"music",
"and",
"in",
"fictional",
"treatments",
".",
"The",
"earliest",
"manifestation",
"was",
"probably",
"an",
"1830",
"sonnet",
"on",
"Chopin",
"by",
"Leon",
"Ulrich",
".",
"French",
"writers",
"on",
"Chopin",
"(",
"apart",
"from",
"Sand",
")",
"have",
"included",
"Marcel",
"Proust",
"and",
"André",
"Gide",
";",
"and",
"he",
"has",
"also",
"featured",
"in",
"works",
"of",
"Gottfried",
"Benn",
"and",
"Boris",
"Pasternak",
".",
"There",
"are",
"numerous",
"biographies",
"of",
"Chopin",
"in",
"English",
"(",
"see",
"bibliography",
"for",
"some",
"of",
"these",
")",
"."
],
"offsets": [
0,
7,
11,
19,
31,
34,
41,
51,
53,
58,
61,
69,
78,
86,
89,
93,
98,
102,
108,
112,
115,
125,
135,
137,
141,
150,
164,
168,
177,
180,
185,
192,
195,
202,
205,
210,
216,
218,
225,
233,
236,
243,
244,
250,
255,
259,
261,
266,
275,
282,
289,
293,
299,
303,
305,
309,
312,
316,
321,
330,
333,
339,
342,
352,
357,
361,
367,
376,
378,
384,
388,
397,
409,
412,
419,
422,
430,
431,
435,
448,
452,
457,
460,
465,
466
]
} | 931656b5df2a41e78d93432c3e510be6 | What is the earliest sighting of Chopin in Polish Literature? | {
"tokens": [
"What",
"is",
"the",
"earliest",
"sighting",
"of",
"Chopin",
"in",
"Polish",
"Literature",
"?"
],
"offsets": [
0,
5,
8,
12,
21,
30,
33,
40,
43,
50,
60
]
} | {
"text": [
"sonnet on Chopin by Leon Ulrich"
],
"char_spans": [
{
"start": [
185
],
"end": [
215
]
}
],
"token_spans": [
{
"start": [
30
],
"end": [
35
]
}
]
} | [
"sonnet on Chopin by Leon Ulrich"
] |
SQuAD | Chopin has figured extensively in Polish literature, both in serious critical studies of his life and music and in fictional treatments. The earliest manifestation was probably an 1830 sonnet on Chopin by Leon Ulrich. French writers on Chopin (apart from Sand) have included Marcel Proust and André Gide; and he has also featured in works of Gottfried Benn and Boris Pasternak. There are numerous biographies of Chopin in English (see bibliography for some of these). | {
"tokens": [
"Chopin",
"has",
"figured",
"extensively",
"in",
"Polish",
"literature",
",",
"both",
"in",
"serious",
"critical",
"studies",
"of",
"his",
"life",
"and",
"music",
"and",
"in",
"fictional",
"treatments",
".",
"The",
"earliest",
"manifestation",
"was",
"probably",
"an",
"1830",
"sonnet",
"on",
"Chopin",
"by",
"Leon",
"Ulrich",
".",
"French",
"writers",
"on",
"Chopin",
"(",
"apart",
"from",
"Sand",
")",
"have",
"included",
"Marcel",
"Proust",
"and",
"André",
"Gide",
";",
"and",
"he",
"has",
"also",
"featured",
"in",
"works",
"of",
"Gottfried",
"Benn",
"and",
"Boris",
"Pasternak",
".",
"There",
"are",
"numerous",
"biographies",
"of",
"Chopin",
"in",
"English",
"(",
"see",
"bibliography",
"for",
"some",
"of",
"these",
")",
"."
],
"offsets": [
0,
7,
11,
19,
31,
34,
41,
51,
53,
58,
61,
69,
78,
86,
89,
93,
98,
102,
108,
112,
115,
125,
135,
137,
141,
150,
164,
168,
177,
180,
185,
192,
195,
202,
205,
210,
216,
218,
225,
233,
236,
243,
244,
250,
255,
259,
261,
266,
275,
282,
289,
293,
299,
303,
305,
309,
312,
316,
321,
330,
333,
339,
342,
352,
357,
361,
367,
376,
378,
384,
388,
397,
409,
412,
419,
422,
430,
431,
435,
448,
452,
457,
460,
465,
466
]
} | b9c6bd37e96f4b518b06f3a2eb76e11a | When did Ulrich do his sonnet on Chopin? | {
"tokens": [
"When",
"did",
"Ulrich",
"do",
"his",
"sonnet",
"on",
"Chopin",
"?"
],
"offsets": [
0,
5,
9,
16,
19,
23,
30,
33,
39
]
} | {
"text": [
"1830"
],
"char_spans": [
{
"start": [
180
],
"end": [
183
]
}
],
"token_spans": [
{
"start": [
29
],
"end": [
29
]
}
]
} | [
"1830"
] |
SQuAD | Chopin has figured extensively in Polish literature, both in serious critical studies of his life and music and in fictional treatments. The earliest manifestation was probably an 1830 sonnet on Chopin by Leon Ulrich. French writers on Chopin (apart from Sand) have included Marcel Proust and André Gide; and he has also featured in works of Gottfried Benn and Boris Pasternak. There are numerous biographies of Chopin in English (see bibliography for some of these). | {
"tokens": [
"Chopin",
"has",
"figured",
"extensively",
"in",
"Polish",
"literature",
",",
"both",
"in",
"serious",
"critical",
"studies",
"of",
"his",
"life",
"and",
"music",
"and",
"in",
"fictional",
"treatments",
".",
"The",
"earliest",
"manifestation",
"was",
"probably",
"an",
"1830",
"sonnet",
"on",
"Chopin",
"by",
"Leon",
"Ulrich",
".",
"French",
"writers",
"on",
"Chopin",
"(",
"apart",
"from",
"Sand",
")",
"have",
"included",
"Marcel",
"Proust",
"and",
"André",
"Gide",
";",
"and",
"he",
"has",
"also",
"featured",
"in",
"works",
"of",
"Gottfried",
"Benn",
"and",
"Boris",
"Pasternak",
".",
"There",
"are",
"numerous",
"biographies",
"of",
"Chopin",
"in",
"English",
"(",
"see",
"bibliography",
"for",
"some",
"of",
"these",
")",
"."
],
"offsets": [
0,
7,
11,
19,
31,
34,
41,
51,
53,
58,
61,
69,
78,
86,
89,
93,
98,
102,
108,
112,
115,
125,
135,
137,
141,
150,
164,
168,
177,
180,
185,
192,
195,
202,
205,
210,
216,
218,
225,
233,
236,
243,
244,
250,
255,
259,
261,
266,
275,
282,
289,
293,
299,
303,
305,
309,
312,
316,
321,
330,
333,
339,
342,
352,
357,
361,
367,
376,
378,
384,
388,
397,
409,
412,
419,
422,
430,
431,
435,
448,
452,
457,
460,
465,
466
]
} | 70000d96e94c411dbf4a7ec2a465de09 | In addition to Polish and French, what other language has numerous biogrpahies of Chopin? | {
"tokens": [
"In",
"addition",
"to",
"Polish",
"and",
"French",
",",
"what",
"other",
"language",
"has",
"numerous",
"biogrpahies",
"of",
"Chopin",
"?"
],
"offsets": [
0,
3,
12,
15,
22,
26,
32,
34,
39,
45,
54,
58,
67,
79,
82,
88
]
} | {
"text": [
"English"
],
"char_spans": [
{
"start": [
422
],
"end": [
428
]
}
],
"token_spans": [
{
"start": [
75
],
"end": [
75
]
}
]
} | [
"English"
] |
SQuAD | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | {
"tokens": [
"Four",
"boarders",
"at",
"his",
"parents",
"'",
"apartments",
"became",
"Chopin",
"'s",
"intimates",
":",
"Tytus",
"Woyciechowski",
",",
"Jan",
"Nepomucen",
"Białobłocki",
",",
"Jan",
"Matuszyński",
"and",
"Julian",
"Fontana",
";",
"the",
"latter",
"two",
"would",
"become",
"part",
"of",
"his",
"Paris",
"milieu",
".",
"He",
"was",
"friendly",
"with",
"members",
"of",
"Warsaw",
"'s",
"young",
"artistic",
"and",
"intellectual",
"world",
",",
"including",
"Fontana",
",",
"Józef",
"Bohdan",
"Zaleski",
"and",
"Stefan",
"Witwicki",
".",
"He",
"was",
"also",
"attracted",
"to",
"the",
"singing",
"student",
"Konstancja",
"Gładkowska",
".",
"In",
"letters",
"to",
"Woyciechowski",
",",
"he",
"indicated",
"which",
"of",
"his",
"works",
",",
"and",
"even",
"which",
"of",
"their",
"passages",
",",
"were",
"influenced",
"by",
"his",
"fascination",
"with",
"her",
";",
"his",
"letter",
"of",
"15",
"May",
"1830",
"revealed",
"that",
"the",
"slow",
"movement",
"(",
"Larghetto",
")",
"of",
"his",
"Piano",
"Concerto",
"No",
".",
"1",
"(",
"in",
"E",
"minor",
")",
"was",
"secretly",
"dedicated",
"to",
"her",
"–",
"\"",
"It",
"should",
"be",
"like",
"dreaming",
"in",
"beautiful",
"springtime",
"–",
"by",
"moonlight",
".",
"\"",
"His",
"final",
"Conservatory",
"report",
"(",
"July",
"1829",
")",
"read",
":",
"\"",
"Chopin",
"F.",
",",
"third",
"-",
"year",
"student",
",",
"exceptional",
"talent",
",",
"musical",
"genius",
".",
"\""
],
"offsets": [
0,
5,
14,
17,
21,
28,
30,
41,
48,
54,
57,
66,
68,
74,
87,
89,
93,
103,
114,
116,
120,
132,
136,
143,
150,
152,
156,
163,
167,
173,
180,
185,
188,
192,
198,
204,
206,
209,
213,
222,
227,
235,
238,
244,
247,
253,
262,
266,
279,
284,
286,
296,
303,
305,
311,
318,
326,
330,
337,
345,
347,
350,
354,
359,
369,
372,
376,
384,
392,
403,
413,
415,
418,
426,
429,
442,
444,
447,
457,
463,
466,
470,
475,
477,
481,
486,
492,
495,
501,
509,
511,
516,
527,
530,
534,
546,
551,
554,
556,
560,
567,
570,
573,
577,
582,
591,
596,
600,
605,
614,
615,
624,
626,
629,
633,
639,
648,
650,
652,
654,
655,
658,
660,
665,
667,
671,
680,
690,
693,
697,
699,
700,
703,
710,
713,
718,
727,
730,
740,
751,
753,
756,
765,
766,
768,
772,
778,
791,
798,
799,
804,
808,
810,
814,
816,
817,
824,
826,
828,
833,
834,
839,
846,
848,
860,
866,
868,
876,
882,
883
]
} | 03228f07b1434f7a839d0c516619f892 | Of the individuals that became intimate with Frédéric during their stay at the family apartments, which two became part of Frédéric's social environment in Paris? | {
"tokens": [
"Of",
"the",
"individuals",
"that",
"became",
"intimate",
"with",
"Frédéric",
"during",
"their",
"stay",
"at",
"the",
"family",
"apartments",
",",
"which",
"two",
"became",
"part",
"of",
"Frédéric",
"'s",
"social",
"environment",
"in",
"Paris",
"?"
],
"offsets": [
0,
3,
7,
19,
24,
31,
40,
45,
54,
61,
67,
72,
75,
79,
86,
96,
98,
104,
108,
115,
120,
123,
131,
134,
141,
153,
156,
161
]
} | {
"text": [
"Jan Matuszyński and Julian Fontana"
],
"char_spans": [
{
"start": [
116
],
"end": [
149
]
}
],
"token_spans": [
{
"start": [
19
],
"end": [
23
]
}
]
} | [
"Jan Matuszyński and Julian Fontana"
] |
SQuAD | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | {
"tokens": [
"Four",
"boarders",
"at",
"his",
"parents",
"'",
"apartments",
"became",
"Chopin",
"'s",
"intimates",
":",
"Tytus",
"Woyciechowski",
",",
"Jan",
"Nepomucen",
"Białobłocki",
",",
"Jan",
"Matuszyński",
"and",
"Julian",
"Fontana",
";",
"the",
"latter",
"two",
"would",
"become",
"part",
"of",
"his",
"Paris",
"milieu",
".",
"He",
"was",
"friendly",
"with",
"members",
"of",
"Warsaw",
"'s",
"young",
"artistic",
"and",
"intellectual",
"world",
",",
"including",
"Fontana",
",",
"Józef",
"Bohdan",
"Zaleski",
"and",
"Stefan",
"Witwicki",
".",
"He",
"was",
"also",
"attracted",
"to",
"the",
"singing",
"student",
"Konstancja",
"Gładkowska",
".",
"In",
"letters",
"to",
"Woyciechowski",
",",
"he",
"indicated",
"which",
"of",
"his",
"works",
",",
"and",
"even",
"which",
"of",
"their",
"passages",
",",
"were",
"influenced",
"by",
"his",
"fascination",
"with",
"her",
";",
"his",
"letter",
"of",
"15",
"May",
"1830",
"revealed",
"that",
"the",
"slow",
"movement",
"(",
"Larghetto",
")",
"of",
"his",
"Piano",
"Concerto",
"No",
".",
"1",
"(",
"in",
"E",
"minor",
")",
"was",
"secretly",
"dedicated",
"to",
"her",
"–",
"\"",
"It",
"should",
"be",
"like",
"dreaming",
"in",
"beautiful",
"springtime",
"–",
"by",
"moonlight",
".",
"\"",
"His",
"final",
"Conservatory",
"report",
"(",
"July",
"1829",
")",
"read",
":",
"\"",
"Chopin",
"F.",
",",
"third",
"-",
"year",
"student",
",",
"exceptional",
"talent",
",",
"musical",
"genius",
".",
"\""
],
"offsets": [
0,
5,
14,
17,
21,
28,
30,
41,
48,
54,
57,
66,
68,
74,
87,
89,
93,
103,
114,
116,
120,
132,
136,
143,
150,
152,
156,
163,
167,
173,
180,
185,
188,
192,
198,
204,
206,
209,
213,
222,
227,
235,
238,
244,
247,
253,
262,
266,
279,
284,
286,
296,
303,
305,
311,
318,
326,
330,
337,
345,
347,
350,
354,
359,
369,
372,
376,
384,
392,
403,
413,
415,
418,
426,
429,
442,
444,
447,
457,
463,
466,
470,
475,
477,
481,
486,
492,
495,
501,
509,
511,
516,
527,
530,
534,
546,
551,
554,
556,
560,
567,
570,
573,
577,
582,
591,
596,
600,
605,
614,
615,
624,
626,
629,
633,
639,
648,
650,
652,
654,
655,
658,
660,
665,
667,
671,
680,
690,
693,
697,
699,
700,
703,
710,
713,
718,
727,
730,
740,
751,
753,
756,
765,
766,
768,
772,
778,
791,
798,
799,
804,
808,
810,
814,
816,
817,
824,
826,
828,
833,
834,
839,
846,
848,
860,
866,
868,
876,
882,
883
]
} | 459590e7a026496696561e1c00b89733 | Which singer was cited specifically as someone Frédéric was attracted to? | {
"tokens": [
"Which",
"singer",
"was",
"cited",
"specifically",
"as",
"someone",
"Frédéric",
"was",
"attracted",
"to",
"?"
],
"offsets": [
0,
6,
13,
17,
23,
36,
39,
47,
56,
60,
70,
72
]
} | {
"text": [
"Konstancja Gładkowska"
],
"char_spans": [
{
"start": [
392
],
"end": [
412
]
}
],
"token_spans": [
{
"start": [
68
],
"end": [
69
]
}
]
} | [
"Konstancja Gładkowska"
] |
SQuAD | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | {
"tokens": [
"Four",
"boarders",
"at",
"his",
"parents",
"'",
"apartments",
"became",
"Chopin",
"'s",
"intimates",
":",
"Tytus",
"Woyciechowski",
",",
"Jan",
"Nepomucen",
"Białobłocki",
",",
"Jan",
"Matuszyński",
"and",
"Julian",
"Fontana",
";",
"the",
"latter",
"two",
"would",
"become",
"part",
"of",
"his",
"Paris",
"milieu",
".",
"He",
"was",
"friendly",
"with",
"members",
"of",
"Warsaw",
"'s",
"young",
"artistic",
"and",
"intellectual",
"world",
",",
"including",
"Fontana",
",",
"Józef",
"Bohdan",
"Zaleski",
"and",
"Stefan",
"Witwicki",
".",
"He",
"was",
"also",
"attracted",
"to",
"the",
"singing",
"student",
"Konstancja",
"Gładkowska",
".",
"In",
"letters",
"to",
"Woyciechowski",
",",
"he",
"indicated",
"which",
"of",
"his",
"works",
",",
"and",
"even",
"which",
"of",
"their",
"passages",
",",
"were",
"influenced",
"by",
"his",
"fascination",
"with",
"her",
";",
"his",
"letter",
"of",
"15",
"May",
"1830",
"revealed",
"that",
"the",
"slow",
"movement",
"(",
"Larghetto",
")",
"of",
"his",
"Piano",
"Concerto",
"No",
".",
"1",
"(",
"in",
"E",
"minor",
")",
"was",
"secretly",
"dedicated",
"to",
"her",
"–",
"\"",
"It",
"should",
"be",
"like",
"dreaming",
"in",
"beautiful",
"springtime",
"–",
"by",
"moonlight",
".",
"\"",
"His",
"final",
"Conservatory",
"report",
"(",
"July",
"1829",
")",
"read",
":",
"\"",
"Chopin",
"F.",
",",
"third",
"-",
"year",
"student",
",",
"exceptional",
"talent",
",",
"musical",
"genius",
".",
"\""
],
"offsets": [
0,
5,
14,
17,
21,
28,
30,
41,
48,
54,
57,
66,
68,
74,
87,
89,
93,
103,
114,
116,
120,
132,
136,
143,
150,
152,
156,
163,
167,
173,
180,
185,
188,
192,
198,
204,
206,
209,
213,
222,
227,
235,
238,
244,
247,
253,
262,
266,
279,
284,
286,
296,
303,
305,
311,
318,
326,
330,
337,
345,
347,
350,
354,
359,
369,
372,
376,
384,
392,
403,
413,
415,
418,
426,
429,
442,
444,
447,
457,
463,
466,
470,
475,
477,
481,
486,
492,
495,
501,
509,
511,
516,
527,
530,
534,
546,
551,
554,
556,
560,
567,
570,
573,
577,
582,
591,
596,
600,
605,
614,
615,
624,
626,
629,
633,
639,
648,
650,
652,
654,
655,
658,
660,
665,
667,
671,
680,
690,
693,
697,
699,
700,
703,
710,
713,
718,
727,
730,
740,
751,
753,
756,
765,
766,
768,
772,
778,
791,
798,
799,
804,
808,
810,
814,
816,
817,
824,
826,
828,
833,
834,
839,
846,
848,
860,
866,
868,
876,
882,
883
]
} | 1b09dc79480c48fc909d7c60a3313e17 | What four boys from his family's boarding house became friends with Chopin? | {
"tokens": [
"What",
"four",
"boys",
"from",
"his",
"family",
"'s",
"boarding",
"house",
"became",
"friends",
"with",
"Chopin",
"?"
],
"offsets": [
0,
5,
10,
15,
20,
24,
30,
33,
42,
48,
55,
63,
68,
74
]
} | {
"text": [
"Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana"
],
"char_spans": [
{
"start": [
68
],
"end": [
149
]
}
],
"token_spans": [
{
"start": [
12
],
"end": [
23
]
}
]
} | [
"Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana"
] |
SQuAD | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | {
"tokens": [
"Four",
"boarders",
"at",
"his",
"parents",
"'",
"apartments",
"became",
"Chopin",
"'s",
"intimates",
":",
"Tytus",
"Woyciechowski",
",",
"Jan",
"Nepomucen",
"Białobłocki",
",",
"Jan",
"Matuszyński",
"and",
"Julian",
"Fontana",
";",
"the",
"latter",
"two",
"would",
"become",
"part",
"of",
"his",
"Paris",
"milieu",
".",
"He",
"was",
"friendly",
"with",
"members",
"of",
"Warsaw",
"'s",
"young",
"artistic",
"and",
"intellectual",
"world",
",",
"including",
"Fontana",
",",
"Józef",
"Bohdan",
"Zaleski",
"and",
"Stefan",
"Witwicki",
".",
"He",
"was",
"also",
"attracted",
"to",
"the",
"singing",
"student",
"Konstancja",
"Gładkowska",
".",
"In",
"letters",
"to",
"Woyciechowski",
",",
"he",
"indicated",
"which",
"of",
"his",
"works",
",",
"and",
"even",
"which",
"of",
"their",
"passages",
",",
"were",
"influenced",
"by",
"his",
"fascination",
"with",
"her",
";",
"his",
"letter",
"of",
"15",
"May",
"1830",
"revealed",
"that",
"the",
"slow",
"movement",
"(",
"Larghetto",
")",
"of",
"his",
"Piano",
"Concerto",
"No",
".",
"1",
"(",
"in",
"E",
"minor",
")",
"was",
"secretly",
"dedicated",
"to",
"her",
"–",
"\"",
"It",
"should",
"be",
"like",
"dreaming",
"in",
"beautiful",
"springtime",
"–",
"by",
"moonlight",
".",
"\"",
"His",
"final",
"Conservatory",
"report",
"(",
"July",
"1829",
")",
"read",
":",
"\"",
"Chopin",
"F.",
",",
"third",
"-",
"year",
"student",
",",
"exceptional",
"talent",
",",
"musical",
"genius",
".",
"\""
],
"offsets": [
0,
5,
14,
17,
21,
28,
30,
41,
48,
54,
57,
66,
68,
74,
87,
89,
93,
103,
114,
116,
120,
132,
136,
143,
150,
152,
156,
163,
167,
173,
180,
185,
188,
192,
198,
204,
206,
209,
213,
222,
227,
235,
238,
244,
247,
253,
262,
266,
279,
284,
286,
296,
303,
305,
311,
318,
326,
330,
337,
345,
347,
350,
354,
359,
369,
372,
376,
384,
392,
403,
413,
415,
418,
426,
429,
442,
444,
447,
457,
463,
466,
470,
475,
477,
481,
486,
492,
495,
501,
509,
511,
516,
527,
530,
534,
546,
551,
554,
556,
560,
567,
570,
573,
577,
582,
591,
596,
600,
605,
614,
615,
624,
626,
629,
633,
639,
648,
650,
652,
654,
655,
658,
660,
665,
667,
671,
680,
690,
693,
697,
699,
700,
703,
710,
713,
718,
727,
730,
740,
751,
753,
756,
765,
766,
768,
772,
778,
791,
798,
799,
804,
808,
810,
814,
816,
817,
824,
826,
828,
833,
834,
839,
846,
848,
860,
866,
868,
876,
882,
883
]
} | 64f2173d21d74a9e95b934cad689a433 | Which singer did Chopin become fascinated with? | {
"tokens": [
"Which",
"singer",
"did",
"Chopin",
"become",
"fascinated",
"with",
"?"
],
"offsets": [
0,
6,
13,
17,
24,
31,
42,
46
]
} | {
"text": [
"Konstancja Gładkowska"
],
"char_spans": [
{
"start": [
392
],
"end": [
412
]
}
],
"token_spans": [
{
"start": [
68
],
"end": [
69
]
}
]
} | [
"Konstancja Gładkowska"
] |
SQuAD | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | {
"tokens": [
"Four",
"boarders",
"at",
"his",
"parents",
"'",
"apartments",
"became",
"Chopin",
"'s",
"intimates",
":",
"Tytus",
"Woyciechowski",
",",
"Jan",
"Nepomucen",
"Białobłocki",
",",
"Jan",
"Matuszyński",
"and",
"Julian",
"Fontana",
";",
"the",
"latter",
"two",
"would",
"become",
"part",
"of",
"his",
"Paris",
"milieu",
".",
"He",
"was",
"friendly",
"with",
"members",
"of",
"Warsaw",
"'s",
"young",
"artistic",
"and",
"intellectual",
"world",
",",
"including",
"Fontana",
",",
"Józef",
"Bohdan",
"Zaleski",
"and",
"Stefan",
"Witwicki",
".",
"He",
"was",
"also",
"attracted",
"to",
"the",
"singing",
"student",
"Konstancja",
"Gładkowska",
".",
"In",
"letters",
"to",
"Woyciechowski",
",",
"he",
"indicated",
"which",
"of",
"his",
"works",
",",
"and",
"even",
"which",
"of",
"their",
"passages",
",",
"were",
"influenced",
"by",
"his",
"fascination",
"with",
"her",
";",
"his",
"letter",
"of",
"15",
"May",
"1830",
"revealed",
"that",
"the",
"slow",
"movement",
"(",
"Larghetto",
")",
"of",
"his",
"Piano",
"Concerto",
"No",
".",
"1",
"(",
"in",
"E",
"minor",
")",
"was",
"secretly",
"dedicated",
"to",
"her",
"–",
"\"",
"It",
"should",
"be",
"like",
"dreaming",
"in",
"beautiful",
"springtime",
"–",
"by",
"moonlight",
".",
"\"",
"His",
"final",
"Conservatory",
"report",
"(",
"July",
"1829",
")",
"read",
":",
"\"",
"Chopin",
"F.",
",",
"third",
"-",
"year",
"student",
",",
"exceptional",
"talent",
",",
"musical",
"genius",
".",
"\""
],
"offsets": [
0,
5,
14,
17,
21,
28,
30,
41,
48,
54,
57,
66,
68,
74,
87,
89,
93,
103,
114,
116,
120,
132,
136,
143,
150,
152,
156,
163,
167,
173,
180,
185,
188,
192,
198,
204,
206,
209,
213,
222,
227,
235,
238,
244,
247,
253,
262,
266,
279,
284,
286,
296,
303,
305,
311,
318,
326,
330,
337,
345,
347,
350,
354,
359,
369,
372,
376,
384,
392,
403,
413,
415,
418,
426,
429,
442,
444,
447,
457,
463,
466,
470,
475,
477,
481,
486,
492,
495,
501,
509,
511,
516,
527,
530,
534,
546,
551,
554,
556,
560,
567,
570,
573,
577,
582,
591,
596,
600,
605,
614,
615,
624,
626,
629,
633,
639,
648,
650,
652,
654,
655,
658,
660,
665,
667,
671,
680,
690,
693,
697,
699,
700,
703,
710,
713,
718,
727,
730,
740,
751,
753,
756,
765,
766,
768,
772,
778,
791,
798,
799,
804,
808,
810,
814,
816,
817,
824,
826,
828,
833,
834,
839,
846,
848,
860,
866,
868,
876,
882,
883
]
} | 45dc3cf2503b4acdab74a601b8acc6ec | Which of Chopin's works was unknowingly dedicated to Gladkowska? | {
"tokens": [
"Which",
"of",
"Chopin",
"'s",
"works",
"was",
"unknowingly",
"dedicated",
"to",
"Gladkowska",
"?"
],
"offsets": [
0,
6,
9,
15,
18,
24,
28,
40,
50,
53,
63
]
} | {
"text": [
"Piano Concerto No. 1 (in E minor)"
],
"char_spans": [
{
"start": [
633
],
"end": [
665
]
}
],
"token_spans": [
{
"start": [
114
],
"end": [
123
]
}
]
} | [
"Piano Concerto No. 1 (in E minor)"
] |
SQuAD | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | {
"tokens": [
"Four",
"boarders",
"at",
"his",
"parents",
"'",
"apartments",
"became",
"Chopin",
"'s",
"intimates",
":",
"Tytus",
"Woyciechowski",
",",
"Jan",
"Nepomucen",
"Białobłocki",
",",
"Jan",
"Matuszyński",
"and",
"Julian",
"Fontana",
";",
"the",
"latter",
"two",
"would",
"become",
"part",
"of",
"his",
"Paris",
"milieu",
".",
"He",
"was",
"friendly",
"with",
"members",
"of",
"Warsaw",
"'s",
"young",
"artistic",
"and",
"intellectual",
"world",
",",
"including",
"Fontana",
",",
"Józef",
"Bohdan",
"Zaleski",
"and",
"Stefan",
"Witwicki",
".",
"He",
"was",
"also",
"attracted",
"to",
"the",
"singing",
"student",
"Konstancja",
"Gładkowska",
".",
"In",
"letters",
"to",
"Woyciechowski",
",",
"he",
"indicated",
"which",
"of",
"his",
"works",
",",
"and",
"even",
"which",
"of",
"their",
"passages",
",",
"were",
"influenced",
"by",
"his",
"fascination",
"with",
"her",
";",
"his",
"letter",
"of",
"15",
"May",
"1830",
"revealed",
"that",
"the",
"slow",
"movement",
"(",
"Larghetto",
")",
"of",
"his",
"Piano",
"Concerto",
"No",
".",
"1",
"(",
"in",
"E",
"minor",
")",
"was",
"secretly",
"dedicated",
"to",
"her",
"–",
"\"",
"It",
"should",
"be",
"like",
"dreaming",
"in",
"beautiful",
"springtime",
"–",
"by",
"moonlight",
".",
"\"",
"His",
"final",
"Conservatory",
"report",
"(",
"July",
"1829",
")",
"read",
":",
"\"",
"Chopin",
"F.",
",",
"third",
"-",
"year",
"student",
",",
"exceptional",
"talent",
",",
"musical",
"genius",
".",
"\""
],
"offsets": [
0,
5,
14,
17,
21,
28,
30,
41,
48,
54,
57,
66,
68,
74,
87,
89,
93,
103,
114,
116,
120,
132,
136,
143,
150,
152,
156,
163,
167,
173,
180,
185,
188,
192,
198,
204,
206,
209,
213,
222,
227,
235,
238,
244,
247,
253,
262,
266,
279,
284,
286,
296,
303,
305,
311,
318,
326,
330,
337,
345,
347,
350,
354,
359,
369,
372,
376,
384,
392,
403,
413,
415,
418,
426,
429,
442,
444,
447,
457,
463,
466,
470,
475,
477,
481,
486,
492,
495,
501,
509,
511,
516,
527,
530,
534,
546,
551,
554,
556,
560,
567,
570,
573,
577,
582,
591,
596,
600,
605,
614,
615,
624,
626,
629,
633,
639,
648,
650,
652,
654,
655,
658,
660,
665,
667,
671,
680,
690,
693,
697,
699,
700,
703,
710,
713,
718,
727,
730,
740,
751,
753,
756,
765,
766,
768,
772,
778,
791,
798,
799,
804,
808,
810,
814,
816,
817,
824,
826,
828,
833,
834,
839,
846,
848,
860,
866,
868,
876,
882,
883
]
} | accf7755549a465699729753dbe3f1fd | When did Chopin receive his last Conservatory report? | {
"tokens": [
"When",
"did",
"Chopin",
"receive",
"his",
"last",
"Conservatory",
"report",
"?"
],
"offsets": [
0,
5,
9,
16,
24,
28,
33,
46,
52
]
} | {
"text": [
"July 1829"
],
"char_spans": [
{
"start": [
799
],
"end": [
807
]
}
],
"token_spans": [
{
"start": [
149
],
"end": [
150
]
}
]
} | [
"July 1829"
] |
SQuAD | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | {
"tokens": [
"Four",
"boarders",
"at",
"his",
"parents",
"'",
"apartments",
"became",
"Chopin",
"'s",
"intimates",
":",
"Tytus",
"Woyciechowski",
",",
"Jan",
"Nepomucen",
"Białobłocki",
",",
"Jan",
"Matuszyński",
"and",
"Julian",
"Fontana",
";",
"the",
"latter",
"two",
"would",
"become",
"part",
"of",
"his",
"Paris",
"milieu",
".",
"He",
"was",
"friendly",
"with",
"members",
"of",
"Warsaw",
"'s",
"young",
"artistic",
"and",
"intellectual",
"world",
",",
"including",
"Fontana",
",",
"Józef",
"Bohdan",
"Zaleski",
"and",
"Stefan",
"Witwicki",
".",
"He",
"was",
"also",
"attracted",
"to",
"the",
"singing",
"student",
"Konstancja",
"Gładkowska",
".",
"In",
"letters",
"to",
"Woyciechowski",
",",
"he",
"indicated",
"which",
"of",
"his",
"works",
",",
"and",
"even",
"which",
"of",
"their",
"passages",
",",
"were",
"influenced",
"by",
"his",
"fascination",
"with",
"her",
";",
"his",
"letter",
"of",
"15",
"May",
"1830",
"revealed",
"that",
"the",
"slow",
"movement",
"(",
"Larghetto",
")",
"of",
"his",
"Piano",
"Concerto",
"No",
".",
"1",
"(",
"in",
"E",
"minor",
")",
"was",
"secretly",
"dedicated",
"to",
"her",
"–",
"\"",
"It",
"should",
"be",
"like",
"dreaming",
"in",
"beautiful",
"springtime",
"–",
"by",
"moonlight",
".",
"\"",
"His",
"final",
"Conservatory",
"report",
"(",
"July",
"1829",
")",
"read",
":",
"\"",
"Chopin",
"F.",
",",
"third",
"-",
"year",
"student",
",",
"exceptional",
"talent",
",",
"musical",
"genius",
".",
"\""
],
"offsets": [
0,
5,
14,
17,
21,
28,
30,
41,
48,
54,
57,
66,
68,
74,
87,
89,
93,
103,
114,
116,
120,
132,
136,
143,
150,
152,
156,
163,
167,
173,
180,
185,
188,
192,
198,
204,
206,
209,
213,
222,
227,
235,
238,
244,
247,
253,
262,
266,
279,
284,
286,
296,
303,
305,
311,
318,
326,
330,
337,
345,
347,
350,
354,
359,
369,
372,
376,
384,
392,
403,
413,
415,
418,
426,
429,
442,
444,
447,
457,
463,
466,
470,
475,
477,
481,
486,
492,
495,
501,
509,
511,
516,
527,
530,
534,
546,
551,
554,
556,
560,
567,
570,
573,
577,
582,
591,
596,
600,
605,
614,
615,
624,
626,
629,
633,
639,
648,
650,
652,
654,
655,
658,
660,
665,
667,
671,
680,
690,
693,
697,
699,
700,
703,
710,
713,
718,
727,
730,
740,
751,
753,
756,
765,
766,
768,
772,
778,
791,
798,
799,
804,
808,
810,
814,
816,
817,
824,
826,
828,
833,
834,
839,
846,
848,
860,
866,
868,
876,
882,
883
]
} | cead01550e4244ddb8e3796e8a03e099 | Which two of Chopin's friends became part of his Paris milieu? | {
"tokens": [
"Which",
"two",
"of",
"Chopin",
"'s",
"friends",
"became",
"part",
"of",
"his",
"Paris",
"milieu",
"?"
],
"offsets": [
0,
6,
10,
13,
19,
22,
30,
37,
42,
45,
49,
55,
61
]
} | {
"text": [
"Jan Matuszyński and Julian Fontana"
],
"char_spans": [
{
"start": [
116
],
"end": [
149
]
}
],
"token_spans": [
{
"start": [
19
],
"end": [
23
]
}
]
} | [
"Jan Matuszyński and Julian Fontana"
] |
SQuAD | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | {
"tokens": [
"Four",
"boarders",
"at",
"his",
"parents",
"'",
"apartments",
"became",
"Chopin",
"'s",
"intimates",
":",
"Tytus",
"Woyciechowski",
",",
"Jan",
"Nepomucen",
"Białobłocki",
",",
"Jan",
"Matuszyński",
"and",
"Julian",
"Fontana",
";",
"the",
"latter",
"two",
"would",
"become",
"part",
"of",
"his",
"Paris",
"milieu",
".",
"He",
"was",
"friendly",
"with",
"members",
"of",
"Warsaw",
"'s",
"young",
"artistic",
"and",
"intellectual",
"world",
",",
"including",
"Fontana",
",",
"Józef",
"Bohdan",
"Zaleski",
"and",
"Stefan",
"Witwicki",
".",
"He",
"was",
"also",
"attracted",
"to",
"the",
"singing",
"student",
"Konstancja",
"Gładkowska",
".",
"In",
"letters",
"to",
"Woyciechowski",
",",
"he",
"indicated",
"which",
"of",
"his",
"works",
",",
"and",
"even",
"which",
"of",
"their",
"passages",
",",
"were",
"influenced",
"by",
"his",
"fascination",
"with",
"her",
";",
"his",
"letter",
"of",
"15",
"May",
"1830",
"revealed",
"that",
"the",
"slow",
"movement",
"(",
"Larghetto",
")",
"of",
"his",
"Piano",
"Concerto",
"No",
".",
"1",
"(",
"in",
"E",
"minor",
")",
"was",
"secretly",
"dedicated",
"to",
"her",
"–",
"\"",
"It",
"should",
"be",
"like",
"dreaming",
"in",
"beautiful",
"springtime",
"–",
"by",
"moonlight",
".",
"\"",
"His",
"final",
"Conservatory",
"report",
"(",
"July",
"1829",
")",
"read",
":",
"\"",
"Chopin",
"F.",
",",
"third",
"-",
"year",
"student",
",",
"exceptional",
"talent",
",",
"musical",
"genius",
".",
"\""
],
"offsets": [
0,
5,
14,
17,
21,
28,
30,
41,
48,
54,
57,
66,
68,
74,
87,
89,
93,
103,
114,
116,
120,
132,
136,
143,
150,
152,
156,
163,
167,
173,
180,
185,
188,
192,
198,
204,
206,
209,
213,
222,
227,
235,
238,
244,
247,
253,
262,
266,
279,
284,
286,
296,
303,
305,
311,
318,
326,
330,
337,
345,
347,
350,
354,
359,
369,
372,
376,
384,
392,
403,
413,
415,
418,
426,
429,
442,
444,
447,
457,
463,
466,
470,
475,
477,
481,
486,
492,
495,
501,
509,
511,
516,
527,
530,
534,
546,
551,
554,
556,
560,
567,
570,
573,
577,
582,
591,
596,
600,
605,
614,
615,
624,
626,
629,
633,
639,
648,
650,
652,
654,
655,
658,
660,
665,
667,
671,
680,
690,
693,
697,
699,
700,
703,
710,
713,
718,
727,
730,
740,
751,
753,
756,
765,
766,
768,
772,
778,
791,
798,
799,
804,
808,
810,
814,
816,
817,
824,
826,
828,
833,
834,
839,
846,
848,
860,
866,
868,
876,
882,
883
]
} | c82c68b38dc5497ebae7b6e2d91be502 | What was the name of the singing student Chopin was attracted to? | {
"tokens": [
"What",
"was",
"the",
"name",
"of",
"the",
"singing",
"student",
"Chopin",
"was",
"attracted",
"to",
"?"
],
"offsets": [
0,
5,
9,
13,
18,
21,
25,
33,
41,
48,
52,
62,
64
]
} | {
"text": [
"Konstancja Gładkowska"
],
"char_spans": [
{
"start": [
392
],
"end": [
412
]
}
],
"token_spans": [
{
"start": [
68
],
"end": [
69
]
}
]
} | [
"Konstancja Gładkowska"
] |
SQuAD | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | {
"tokens": [
"Four",
"boarders",
"at",
"his",
"parents",
"'",
"apartments",
"became",
"Chopin",
"'s",
"intimates",
":",
"Tytus",
"Woyciechowski",
",",
"Jan",
"Nepomucen",
"Białobłocki",
",",
"Jan",
"Matuszyński",
"and",
"Julian",
"Fontana",
";",
"the",
"latter",
"two",
"would",
"become",
"part",
"of",
"his",
"Paris",
"milieu",
".",
"He",
"was",
"friendly",
"with",
"members",
"of",
"Warsaw",
"'s",
"young",
"artistic",
"and",
"intellectual",
"world",
",",
"including",
"Fontana",
",",
"Józef",
"Bohdan",
"Zaleski",
"and",
"Stefan",
"Witwicki",
".",
"He",
"was",
"also",
"attracted",
"to",
"the",
"singing",
"student",
"Konstancja",
"Gładkowska",
".",
"In",
"letters",
"to",
"Woyciechowski",
",",
"he",
"indicated",
"which",
"of",
"his",
"works",
",",
"and",
"even",
"which",
"of",
"their",
"passages",
",",
"were",
"influenced",
"by",
"his",
"fascination",
"with",
"her",
";",
"his",
"letter",
"of",
"15",
"May",
"1830",
"revealed",
"that",
"the",
"slow",
"movement",
"(",
"Larghetto",
")",
"of",
"his",
"Piano",
"Concerto",
"No",
".",
"1",
"(",
"in",
"E",
"minor",
")",
"was",
"secretly",
"dedicated",
"to",
"her",
"–",
"\"",
"It",
"should",
"be",
"like",
"dreaming",
"in",
"beautiful",
"springtime",
"–",
"by",
"moonlight",
".",
"\"",
"His",
"final",
"Conservatory",
"report",
"(",
"July",
"1829",
")",
"read",
":",
"\"",
"Chopin",
"F.",
",",
"third",
"-",
"year",
"student",
",",
"exceptional",
"talent",
",",
"musical",
"genius",
".",
"\""
],
"offsets": [
0,
5,
14,
17,
21,
28,
30,
41,
48,
54,
57,
66,
68,
74,
87,
89,
93,
103,
114,
116,
120,
132,
136,
143,
150,
152,
156,
163,
167,
173,
180,
185,
188,
192,
198,
204,
206,
209,
213,
222,
227,
235,
238,
244,
247,
253,
262,
266,
279,
284,
286,
296,
303,
305,
311,
318,
326,
330,
337,
345,
347,
350,
354,
359,
369,
372,
376,
384,
392,
403,
413,
415,
418,
426,
429,
442,
444,
447,
457,
463,
466,
470,
475,
477,
481,
486,
492,
495,
501,
509,
511,
516,
527,
530,
534,
546,
551,
554,
556,
560,
567,
570,
573,
577,
582,
591,
596,
600,
605,
614,
615,
624,
626,
629,
633,
639,
648,
650,
652,
654,
655,
658,
660,
665,
667,
671,
680,
690,
693,
697,
699,
700,
703,
710,
713,
718,
727,
730,
740,
751,
753,
756,
765,
766,
768,
772,
778,
791,
798,
799,
804,
808,
810,
814,
816,
817,
824,
826,
828,
833,
834,
839,
846,
848,
860,
866,
868,
876,
882,
883
]
} | bf1b045f35214a66aed7d34ec999ad95 | To whom did Chopin reveal in letters which parts of his work were about the singing student he was infatuated with? | {
"tokens": [
"To",
"whom",
"did",
"Chopin",
"reveal",
"in",
"letters",
"which",
"parts",
"of",
"his",
"work",
"were",
"about",
"the",
"singing",
"student",
"he",
"was",
"infatuated",
"with",
"?"
],
"offsets": [
0,
3,
8,
12,
19,
26,
29,
37,
43,
49,
52,
56,
61,
66,
72,
76,
84,
92,
95,
99,
110,
114
]
} | {
"text": [
"Tytus Woyciechowski"
],
"char_spans": [
{
"start": [
68
],
"end": [
86
]
}
],
"token_spans": [
{
"start": [
12
],
"end": [
13
]
}
]
} | [
"Tytus Woyciechowski"
] |
SQuAD | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | {
"tokens": [
"Four",
"boarders",
"at",
"his",
"parents",
"'",
"apartments",
"became",
"Chopin",
"'s",
"intimates",
":",
"Tytus",
"Woyciechowski",
",",
"Jan",
"Nepomucen",
"Białobłocki",
",",
"Jan",
"Matuszyński",
"and",
"Julian",
"Fontana",
";",
"the",
"latter",
"two",
"would",
"become",
"part",
"of",
"his",
"Paris",
"milieu",
".",
"He",
"was",
"friendly",
"with",
"members",
"of",
"Warsaw",
"'s",
"young",
"artistic",
"and",
"intellectual",
"world",
",",
"including",
"Fontana",
",",
"Józef",
"Bohdan",
"Zaleski",
"and",
"Stefan",
"Witwicki",
".",
"He",
"was",
"also",
"attracted",
"to",
"the",
"singing",
"student",
"Konstancja",
"Gładkowska",
".",
"In",
"letters",
"to",
"Woyciechowski",
",",
"he",
"indicated",
"which",
"of",
"his",
"works",
",",
"and",
"even",
"which",
"of",
"their",
"passages",
",",
"were",
"influenced",
"by",
"his",
"fascination",
"with",
"her",
";",
"his",
"letter",
"of",
"15",
"May",
"1830",
"revealed",
"that",
"the",
"slow",
"movement",
"(",
"Larghetto",
")",
"of",
"his",
"Piano",
"Concerto",
"No",
".",
"1",
"(",
"in",
"E",
"minor",
")",
"was",
"secretly",
"dedicated",
"to",
"her",
"–",
"\"",
"It",
"should",
"be",
"like",
"dreaming",
"in",
"beautiful",
"springtime",
"–",
"by",
"moonlight",
".",
"\"",
"His",
"final",
"Conservatory",
"report",
"(",
"July",
"1829",
")",
"read",
":",
"\"",
"Chopin",
"F.",
",",
"third",
"-",
"year",
"student",
",",
"exceptional",
"talent",
",",
"musical",
"genius",
".",
"\""
],
"offsets": [
0,
5,
14,
17,
21,
28,
30,
41,
48,
54,
57,
66,
68,
74,
87,
89,
93,
103,
114,
116,
120,
132,
136,
143,
150,
152,
156,
163,
167,
173,
180,
185,
188,
192,
198,
204,
206,
209,
213,
222,
227,
235,
238,
244,
247,
253,
262,
266,
279,
284,
286,
296,
303,
305,
311,
318,
326,
330,
337,
345,
347,
350,
354,
359,
369,
372,
376,
384,
392,
403,
413,
415,
418,
426,
429,
442,
444,
447,
457,
463,
466,
470,
475,
477,
481,
486,
492,
495,
501,
509,
511,
516,
527,
530,
534,
546,
551,
554,
556,
560,
567,
570,
573,
577,
582,
591,
596,
600,
605,
614,
615,
624,
626,
629,
633,
639,
648,
650,
652,
654,
655,
658,
660,
665,
667,
671,
680,
690,
693,
697,
699,
700,
703,
710,
713,
718,
727,
730,
740,
751,
753,
756,
765,
766,
768,
772,
778,
791,
798,
799,
804,
808,
810,
814,
816,
817,
824,
826,
828,
833,
834,
839,
846,
848,
860,
866,
868,
876,
882,
883
]
} | b99297686b774ab9a5b93ede8366799c | What musical piece had a Larghetto dedicated to the female singing student Chopin was infatuated with? | {
"tokens": [
"What",
"musical",
"piece",
"had",
"a",
"Larghetto",
"dedicated",
"to",
"the",
"female",
"singing",
"student",
"Chopin",
"was",
"infatuated",
"with",
"?"
],
"offsets": [
0,
5,
13,
19,
23,
25,
35,
45,
48,
52,
59,
67,
75,
82,
86,
97,
101
]
} | {
"text": [
"Piano Concerto No. 1 (in E minor)"
],
"char_spans": [
{
"start": [
633
],
"end": [
665
]
}
],
"token_spans": [
{
"start": [
114
],
"end": [
123
]
}
]
} | [
"Piano Concerto No. 1 (in E minor)"
] |
SQuAD | Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius." | {
"tokens": [
"Four",
"boarders",
"at",
"his",
"parents",
"'",
"apartments",
"became",
"Chopin",
"'s",
"intimates",
":",
"Tytus",
"Woyciechowski",
",",
"Jan",
"Nepomucen",
"Białobłocki",
",",
"Jan",
"Matuszyński",
"and",
"Julian",
"Fontana",
";",
"the",
"latter",
"two",
"would",
"become",
"part",
"of",
"his",
"Paris",
"milieu",
".",
"He",
"was",
"friendly",
"with",
"members",
"of",
"Warsaw",
"'s",
"young",
"artistic",
"and",
"intellectual",
"world",
",",
"including",
"Fontana",
",",
"Józef",
"Bohdan",
"Zaleski",
"and",
"Stefan",
"Witwicki",
".",
"He",
"was",
"also",
"attracted",
"to",
"the",
"singing",
"student",
"Konstancja",
"Gładkowska",
".",
"In",
"letters",
"to",
"Woyciechowski",
",",
"he",
"indicated",
"which",
"of",
"his",
"works",
",",
"and",
"even",
"which",
"of",
"their",
"passages",
",",
"were",
"influenced",
"by",
"his",
"fascination",
"with",
"her",
";",
"his",
"letter",
"of",
"15",
"May",
"1830",
"revealed",
"that",
"the",
"slow",
"movement",
"(",
"Larghetto",
")",
"of",
"his",
"Piano",
"Concerto",
"No",
".",
"1",
"(",
"in",
"E",
"minor",
")",
"was",
"secretly",
"dedicated",
"to",
"her",
"–",
"\"",
"It",
"should",
"be",
"like",
"dreaming",
"in",
"beautiful",
"springtime",
"–",
"by",
"moonlight",
".",
"\"",
"His",
"final",
"Conservatory",
"report",
"(",
"July",
"1829",
")",
"read",
":",
"\"",
"Chopin",
"F.",
",",
"third",
"-",
"year",
"student",
",",
"exceptional",
"talent",
",",
"musical",
"genius",
".",
"\""
],
"offsets": [
0,
5,
14,
17,
21,
28,
30,
41,
48,
54,
57,
66,
68,
74,
87,
89,
93,
103,
114,
116,
120,
132,
136,
143,
150,
152,
156,
163,
167,
173,
180,
185,
188,
192,
198,
204,
206,
209,
213,
222,
227,
235,
238,
244,
247,
253,
262,
266,
279,
284,
286,
296,
303,
305,
311,
318,
326,
330,
337,
345,
347,
350,
354,
359,
369,
372,
376,
384,
392,
403,
413,
415,
418,
426,
429,
442,
444,
447,
457,
463,
466,
470,
475,
477,
481,
486,
492,
495,
501,
509,
511,
516,
527,
530,
534,
546,
551,
554,
556,
560,
567,
570,
573,
577,
582,
591,
596,
600,
605,
614,
615,
624,
626,
629,
633,
639,
648,
650,
652,
654,
655,
658,
660,
665,
667,
671,
680,
690,
693,
697,
699,
700,
703,
710,
713,
718,
727,
730,
740,
751,
753,
756,
765,
766,
768,
772,
778,
791,
798,
799,
804,
808,
810,
814,
816,
817,
824,
826,
828,
833,
834,
839,
846,
848,
860,
866,
868,
876,
882,
883
]
} | cf6bcc9d26a045939a518cfd31e69741 | How many boarders of his family's boarding house became intimate friends with Chopin? | {
"tokens": [
"How",
"many",
"boarders",
"of",
"his",
"family",
"'s",
"boarding",
"house",
"became",
"intimate",
"friends",
"with",
"Chopin",
"?"
],
"offsets": [
0,
4,
9,
18,
21,
25,
31,
34,
43,
49,
56,
65,
73,
78,
84
]
} | {
"text": [
"Four"
],
"char_spans": [
{
"start": [
0
],
"end": [
3
]
}
],
"token_spans": [
{
"start": [
0
],
"end": [
0
]
}
]
} | [
"Four"
] |
SQuAD | The British Library notes that "Chopin's works have been recorded by all the great pianists of the recording era." The earliest recording was an 1895 performance by Paul Pabst of the Nocturne in E major Op. 62 No. 2. The British Library site makes available a number of historic recordings, including some by Alfred Cortot, Ignaz Friedman, Vladimir Horowitz, Benno Moiseiwitsch, Paderewski, Arthur Rubinstein, Xaver Scharwenka and many others. A select discography of recordings of Chopin works by pianists representing the various pedagogic traditions stemming from Chopin is given by Methuen-Campbell in his work tracing the lineage and character of those traditions. | {
"tokens": [
"The",
"British",
"Library",
"notes",
"that",
"\"",
"Chopin",
"'s",
"works",
"have",
"been",
"recorded",
"by",
"all",
"the",
"great",
"pianists",
"of",
"the",
"recording",
"era",
".",
"\"",
"The",
"earliest",
"recording",
"was",
"an",
"1895",
"performance",
"by",
"Paul",
"Pabst",
"of",
"the",
"Nocturne",
"in",
"E",
"major",
"Op",
".",
"62",
"No",
".",
"2",
".",
"The",
"British",
"Library",
"site",
"makes",
"available",
"a",
"number",
"of",
"historic",
"recordings",
",",
"including",
"some",
"by",
"Alfred",
"Cortot",
",",
"Ignaz",
"Friedman",
",",
"Vladimir",
"Horowitz",
",",
"Benno",
"Moiseiwitsch",
",",
"Paderewski",
",",
"Arthur",
"Rubinstein",
",",
"Xaver",
"Scharwenka",
"and",
"many",
"others",
".",
"A",
"select",
"discography",
"of",
"recordings",
"of",
"Chopin",
"works",
"by",
"pianists",
"representing",
"the",
"various",
"pedagogic",
"traditions",
"stemming",
"from",
"Chopin",
"is",
"given",
"by",
"Methuen",
"-",
"Campbell",
"in",
"his",
"work",
"tracing",
"the",
"lineage",
"and",
"character",
"of",
"those",
"traditions",
"."
],
"offsets": [
0,
4,
12,
20,
26,
31,
32,
38,
41,
47,
52,
57,
66,
69,
73,
77,
83,
92,
95,
99,
109,
112,
113,
115,
119,
128,
138,
142,
145,
150,
162,
165,
170,
176,
179,
183,
192,
195,
197,
203,
205,
207,
210,
212,
214,
215,
217,
221,
229,
237,
242,
248,
258,
260,
267,
270,
279,
289,
291,
301,
306,
309,
316,
322,
324,
330,
338,
340,
349,
357,
359,
365,
377,
379,
389,
391,
398,
408,
410,
416,
427,
431,
436,
442,
444,
446,
453,
465,
468,
479,
482,
489,
495,
498,
507,
520,
524,
532,
542,
553,
562,
567,
574,
577,
583,
586,
593,
594,
603,
606,
610,
615,
623,
627,
635,
639,
649,
652,
658,
668
]
} | ace97fe1ff6846509080da93b992382c | What year was the earliest Chopin recording created? | {
"tokens": [
"What",
"year",
"was",
"the",
"earliest",
"Chopin",
"recording",
"created",
"?"
],
"offsets": [
0,
5,
10,
14,
18,
27,
34,
44,
51
]
} | {
"text": [
"1895"
],
"char_spans": [
{
"start": [
145
],
"end": [
148
]
}
],
"token_spans": [
{
"start": [
28
],
"end": [
28
]
}
]
} | [
"1895"
] |
SQuAD | The British Library notes that "Chopin's works have been recorded by all the great pianists of the recording era." The earliest recording was an 1895 performance by Paul Pabst of the Nocturne in E major Op. 62 No. 2. The British Library site makes available a number of historic recordings, including some by Alfred Cortot, Ignaz Friedman, Vladimir Horowitz, Benno Moiseiwitsch, Paderewski, Arthur Rubinstein, Xaver Scharwenka and many others. A select discography of recordings of Chopin works by pianists representing the various pedagogic traditions stemming from Chopin is given by Methuen-Campbell in his work tracing the lineage and character of those traditions. | {
"tokens": [
"The",
"British",
"Library",
"notes",
"that",
"\"",
"Chopin",
"'s",
"works",
"have",
"been",
"recorded",
"by",
"all",
"the",
"great",
"pianists",
"of",
"the",
"recording",
"era",
".",
"\"",
"The",
"earliest",
"recording",
"was",
"an",
"1895",
"performance",
"by",
"Paul",
"Pabst",
"of",
"the",
"Nocturne",
"in",
"E",
"major",
"Op",
".",
"62",
"No",
".",
"2",
".",
"The",
"British",
"Library",
"site",
"makes",
"available",
"a",
"number",
"of",
"historic",
"recordings",
",",
"including",
"some",
"by",
"Alfred",
"Cortot",
",",
"Ignaz",
"Friedman",
",",
"Vladimir",
"Horowitz",
",",
"Benno",
"Moiseiwitsch",
",",
"Paderewski",
",",
"Arthur",
"Rubinstein",
",",
"Xaver",
"Scharwenka",
"and",
"many",
"others",
".",
"A",
"select",
"discography",
"of",
"recordings",
"of",
"Chopin",
"works",
"by",
"pianists",
"representing",
"the",
"various",
"pedagogic",
"traditions",
"stemming",
"from",
"Chopin",
"is",
"given",
"by",
"Methuen",
"-",
"Campbell",
"in",
"his",
"work",
"tracing",
"the",
"lineage",
"and",
"character",
"of",
"those",
"traditions",
"."
],
"offsets": [
0,
4,
12,
20,
26,
31,
32,
38,
41,
47,
52,
57,
66,
69,
73,
77,
83,
92,
95,
99,
109,
112,
113,
115,
119,
128,
138,
142,
145,
150,
162,
165,
170,
176,
179,
183,
192,
195,
197,
203,
205,
207,
210,
212,
214,
215,
217,
221,
229,
237,
242,
248,
258,
260,
267,
270,
279,
289,
291,
301,
306,
309,
316,
322,
324,
330,
338,
340,
349,
357,
359,
365,
377,
379,
389,
391,
398,
408,
410,
416,
427,
431,
436,
442,
444,
446,
453,
465,
468,
479,
482,
489,
495,
498,
507,
520,
524,
532,
542,
553,
562,
567,
574,
577,
583,
586,
593,
594,
603,
606,
610,
615,
623,
627,
635,
639,
649,
652,
658,
668
]
} | 70ac6af48f1247feb4799224dcca1bdf | What is the title of the earliest known recording of Chopin's work? | {
"tokens": [
"What",
"is",
"the",
"title",
"of",
"the",
"earliest",
"known",
"recording",
"of",
"Chopin",
"'s",
"work",
"?"
],
"offsets": [
0,
5,
8,
12,
18,
21,
25,
34,
40,
50,
53,
59,
62,
66
]
} | {
"text": [
"Nocturne in E major Op. 62 No. 2"
],
"char_spans": [
{
"start": [
183
],
"end": [
214
]
}
],
"token_spans": [
{
"start": [
35
],
"end": [
44
]
}
]
} | [
"Nocturne in E major Op. 62 No. 2"
] |
SQuAD | The British Library notes that "Chopin's works have been recorded by all the great pianists of the recording era." The earliest recording was an 1895 performance by Paul Pabst of the Nocturne in E major Op. 62 No. 2. The British Library site makes available a number of historic recordings, including some by Alfred Cortot, Ignaz Friedman, Vladimir Horowitz, Benno Moiseiwitsch, Paderewski, Arthur Rubinstein, Xaver Scharwenka and many others. A select discography of recordings of Chopin works by pianists representing the various pedagogic traditions stemming from Chopin is given by Methuen-Campbell in his work tracing the lineage and character of those traditions. | {
"tokens": [
"The",
"British",
"Library",
"notes",
"that",
"\"",
"Chopin",
"'s",
"works",
"have",
"been",
"recorded",
"by",
"all",
"the",
"great",
"pianists",
"of",
"the",
"recording",
"era",
".",
"\"",
"The",
"earliest",
"recording",
"was",
"an",
"1895",
"performance",
"by",
"Paul",
"Pabst",
"of",
"the",
"Nocturne",
"in",
"E",
"major",
"Op",
".",
"62",
"No",
".",
"2",
".",
"The",
"British",
"Library",
"site",
"makes",
"available",
"a",
"number",
"of",
"historic",
"recordings",
",",
"including",
"some",
"by",
"Alfred",
"Cortot",
",",
"Ignaz",
"Friedman",
",",
"Vladimir",
"Horowitz",
",",
"Benno",
"Moiseiwitsch",
",",
"Paderewski",
",",
"Arthur",
"Rubinstein",
",",
"Xaver",
"Scharwenka",
"and",
"many",
"others",
".",
"A",
"select",
"discography",
"of",
"recordings",
"of",
"Chopin",
"works",
"by",
"pianists",
"representing",
"the",
"various",
"pedagogic",
"traditions",
"stemming",
"from",
"Chopin",
"is",
"given",
"by",
"Methuen",
"-",
"Campbell",
"in",
"his",
"work",
"tracing",
"the",
"lineage",
"and",
"character",
"of",
"those",
"traditions",
"."
],
"offsets": [
0,
4,
12,
20,
26,
31,
32,
38,
41,
47,
52,
57,
66,
69,
73,
77,
83,
92,
95,
99,
109,
112,
113,
115,
119,
128,
138,
142,
145,
150,
162,
165,
170,
176,
179,
183,
192,
195,
197,
203,
205,
207,
210,
212,
214,
215,
217,
221,
229,
237,
242,
248,
258,
260,
267,
270,
279,
289,
291,
301,
306,
309,
316,
322,
324,
330,
338,
340,
349,
357,
359,
365,
377,
379,
389,
391,
398,
408,
410,
416,
427,
431,
436,
442,
444,
446,
453,
465,
468,
479,
482,
489,
495,
498,
507,
520,
524,
532,
542,
553,
562,
567,
574,
577,
583,
586,
593,
594,
603,
606,
610,
615,
623,
627,
635,
639,
649,
652,
658,
668
]
} | 98a345573bc545458388cf9c3a9ea278 | Who played the earlier known recording of Chopin's work? | {
"tokens": [
"Who",
"played",
"the",
"earlier",
"known",
"recording",
"of",
"Chopin",
"'s",
"work",
"?"
],
"offsets": [
0,
4,
11,
15,
23,
29,
39,
42,
48,
51,
55
]
} | {
"text": [
"Paul Pabst"
],
"char_spans": [
{
"start": [
165
],
"end": [
174
]
}
],
"token_spans": [
{
"start": [
31
],
"end": [
32
]
}
]
} | [
"Paul Pabst"
] |
SQuAD | The British Library notes that "Chopin's works have been recorded by all the great pianists of the recording era." The earliest recording was an 1895 performance by Paul Pabst of the Nocturne in E major Op. 62 No. 2. The British Library site makes available a number of historic recordings, including some by Alfred Cortot, Ignaz Friedman, Vladimir Horowitz, Benno Moiseiwitsch, Paderewski, Arthur Rubinstein, Xaver Scharwenka and many others. A select discography of recordings of Chopin works by pianists representing the various pedagogic traditions stemming from Chopin is given by Methuen-Campbell in his work tracing the lineage and character of those traditions. | {
"tokens": [
"The",
"British",
"Library",
"notes",
"that",
"\"",
"Chopin",
"'s",
"works",
"have",
"been",
"recorded",
"by",
"all",
"the",
"great",
"pianists",
"of",
"the",
"recording",
"era",
".",
"\"",
"The",
"earliest",
"recording",
"was",
"an",
"1895",
"performance",
"by",
"Paul",
"Pabst",
"of",
"the",
"Nocturne",
"in",
"E",
"major",
"Op",
".",
"62",
"No",
".",
"2",
".",
"The",
"British",
"Library",
"site",
"makes",
"available",
"a",
"number",
"of",
"historic",
"recordings",
",",
"including",
"some",
"by",
"Alfred",
"Cortot",
",",
"Ignaz",
"Friedman",
",",
"Vladimir",
"Horowitz",
",",
"Benno",
"Moiseiwitsch",
",",
"Paderewski",
",",
"Arthur",
"Rubinstein",
",",
"Xaver",
"Scharwenka",
"and",
"many",
"others",
".",
"A",
"select",
"discography",
"of",
"recordings",
"of",
"Chopin",
"works",
"by",
"pianists",
"representing",
"the",
"various",
"pedagogic",
"traditions",
"stemming",
"from",
"Chopin",
"is",
"given",
"by",
"Methuen",
"-",
"Campbell",
"in",
"his",
"work",
"tracing",
"the",
"lineage",
"and",
"character",
"of",
"those",
"traditions",
"."
],
"offsets": [
0,
4,
12,
20,
26,
31,
32,
38,
41,
47,
52,
57,
66,
69,
73,
77,
83,
92,
95,
99,
109,
112,
113,
115,
119,
128,
138,
142,
145,
150,
162,
165,
170,
176,
179,
183,
192,
195,
197,
203,
205,
207,
210,
212,
214,
215,
217,
221,
229,
237,
242,
248,
258,
260,
267,
270,
279,
289,
291,
301,
306,
309,
316,
322,
324,
330,
338,
340,
349,
357,
359,
365,
377,
379,
389,
391,
398,
408,
410,
416,
427,
431,
436,
442,
444,
446,
453,
465,
468,
479,
482,
489,
495,
498,
507,
520,
524,
532,
542,
553,
562,
567,
574,
577,
583,
586,
593,
594,
603,
606,
610,
615,
623,
627,
635,
639,
649,
652,
658,
668
]
} | 652ec54526a64d4b80f5fb147b748de4 | What has stated that every pianist in the recording era has used Chopin's music? | {
"tokens": [
"What",
"has",
"stated",
"that",
"every",
"pianist",
"in",
"the",
"recording",
"era",
"has",
"used",
"Chopin",
"'s",
"music",
"?"
],
"offsets": [
0,
5,
9,
16,
21,
27,
35,
38,
42,
52,
56,
60,
65,
71,
74,
79
]
} | {
"text": [
"The British Library"
],
"char_spans": [
{
"start": [
4,
221
],
"end": [
18,
235
]
}
],
"token_spans": [
{
"start": [
1,
47
],
"end": [
2,
48
]
}
]
} | [
"The British Library"
] |
SQuAD | The British Library notes that "Chopin's works have been recorded by all the great pianists of the recording era." The earliest recording was an 1895 performance by Paul Pabst of the Nocturne in E major Op. 62 No. 2. The British Library site makes available a number of historic recordings, including some by Alfred Cortot, Ignaz Friedman, Vladimir Horowitz, Benno Moiseiwitsch, Paderewski, Arthur Rubinstein, Xaver Scharwenka and many others. A select discography of recordings of Chopin works by pianists representing the various pedagogic traditions stemming from Chopin is given by Methuen-Campbell in his work tracing the lineage and character of those traditions. | {
"tokens": [
"The",
"British",
"Library",
"notes",
"that",
"\"",
"Chopin",
"'s",
"works",
"have",
"been",
"recorded",
"by",
"all",
"the",
"great",
"pianists",
"of",
"the",
"recording",
"era",
".",
"\"",
"The",
"earliest",
"recording",
"was",
"an",
"1895",
"performance",
"by",
"Paul",
"Pabst",
"of",
"the",
"Nocturne",
"in",
"E",
"major",
"Op",
".",
"62",
"No",
".",
"2",
".",
"The",
"British",
"Library",
"site",
"makes",
"available",
"a",
"number",
"of",
"historic",
"recordings",
",",
"including",
"some",
"by",
"Alfred",
"Cortot",
",",
"Ignaz",
"Friedman",
",",
"Vladimir",
"Horowitz",
",",
"Benno",
"Moiseiwitsch",
",",
"Paderewski",
",",
"Arthur",
"Rubinstein",
",",
"Xaver",
"Scharwenka",
"and",
"many",
"others",
".",
"A",
"select",
"discography",
"of",
"recordings",
"of",
"Chopin",
"works",
"by",
"pianists",
"representing",
"the",
"various",
"pedagogic",
"traditions",
"stemming",
"from",
"Chopin",
"is",
"given",
"by",
"Methuen",
"-",
"Campbell",
"in",
"his",
"work",
"tracing",
"the",
"lineage",
"and",
"character",
"of",
"those",
"traditions",
"."
],
"offsets": [
0,
4,
12,
20,
26,
31,
32,
38,
41,
47,
52,
57,
66,
69,
73,
77,
83,
92,
95,
99,
109,
112,
113,
115,
119,
128,
138,
142,
145,
150,
162,
165,
170,
176,
179,
183,
192,
195,
197,
203,
205,
207,
210,
212,
214,
215,
217,
221,
229,
237,
242,
248,
258,
260,
267,
270,
279,
289,
291,
301,
306,
309,
316,
322,
324,
330,
338,
340,
349,
357,
359,
365,
377,
379,
389,
391,
398,
408,
410,
416,
427,
431,
436,
442,
444,
446,
453,
465,
468,
479,
482,
489,
495,
498,
507,
520,
524,
532,
542,
553,
562,
567,
574,
577,
583,
586,
593,
594,
603,
606,
610,
615,
623,
627,
635,
639,
649,
652,
658,
668
]
} | 51faece786b84b36ba6838ad00b3cec9 | When did Pabst record his Chopin performance? | {
"tokens": [
"When",
"did",
"Pabst",
"record",
"his",
"Chopin",
"performance",
"?"
],
"offsets": [
0,
5,
9,
15,
22,
26,
33,
44
]
} | {
"text": [
"1895"
],
"char_spans": [
{
"start": [
145
],
"end": [
148
]
}
],
"token_spans": [
{
"start": [
28
],
"end": [
28
]
}
]
} | [
"1895"
] |
SQuAD | The British Library notes that "Chopin's works have been recorded by all the great pianists of the recording era." The earliest recording was an 1895 performance by Paul Pabst of the Nocturne in E major Op. 62 No. 2. The British Library site makes available a number of historic recordings, including some by Alfred Cortot, Ignaz Friedman, Vladimir Horowitz, Benno Moiseiwitsch, Paderewski, Arthur Rubinstein, Xaver Scharwenka and many others. A select discography of recordings of Chopin works by pianists representing the various pedagogic traditions stemming from Chopin is given by Methuen-Campbell in his work tracing the lineage and character of those traditions. | {
"tokens": [
"The",
"British",
"Library",
"notes",
"that",
"\"",
"Chopin",
"'s",
"works",
"have",
"been",
"recorded",
"by",
"all",
"the",
"great",
"pianists",
"of",
"the",
"recording",
"era",
".",
"\"",
"The",
"earliest",
"recording",
"was",
"an",
"1895",
"performance",
"by",
"Paul",
"Pabst",
"of",
"the",
"Nocturne",
"in",
"E",
"major",
"Op",
".",
"62",
"No",
".",
"2",
".",
"The",
"British",
"Library",
"site",
"makes",
"available",
"a",
"number",
"of",
"historic",
"recordings",
",",
"including",
"some",
"by",
"Alfred",
"Cortot",
",",
"Ignaz",
"Friedman",
",",
"Vladimir",
"Horowitz",
",",
"Benno",
"Moiseiwitsch",
",",
"Paderewski",
",",
"Arthur",
"Rubinstein",
",",
"Xaver",
"Scharwenka",
"and",
"many",
"others",
".",
"A",
"select",
"discography",
"of",
"recordings",
"of",
"Chopin",
"works",
"by",
"pianists",
"representing",
"the",
"various",
"pedagogic",
"traditions",
"stemming",
"from",
"Chopin",
"is",
"given",
"by",
"Methuen",
"-",
"Campbell",
"in",
"his",
"work",
"tracing",
"the",
"lineage",
"and",
"character",
"of",
"those",
"traditions",
"."
],
"offsets": [
0,
4,
12,
20,
26,
31,
32,
38,
41,
47,
52,
57,
66,
69,
73,
77,
83,
92,
95,
99,
109,
112,
113,
115,
119,
128,
138,
142,
145,
150,
162,
165,
170,
176,
179,
183,
192,
195,
197,
203,
205,
207,
210,
212,
214,
215,
217,
221,
229,
237,
242,
248,
258,
260,
267,
270,
279,
289,
291,
301,
306,
309,
316,
322,
324,
330,
338,
340,
349,
357,
359,
365,
377,
379,
389,
391,
398,
408,
410,
416,
427,
431,
436,
442,
444,
446,
453,
465,
468,
479,
482,
489,
495,
498,
507,
520,
524,
532,
542,
553,
562,
567,
574,
577,
583,
586,
593,
594,
603,
606,
610,
615,
623,
627,
635,
639,
649,
652,
658,
668
]
} | 840de11cbdc04e31ae3f1f954b7c9b2b | Who has given a discography of pianists' representation of Chopin's pedagogic style? | {
"tokens": [
"Who",
"has",
"given",
"a",
"discography",
"of",
"pianists",
"'",
"representation",
"of",
"Chopin",
"'s",
"pedagogic",
"style",
"?"
],
"offsets": [
0,
4,
8,
14,
16,
28,
31,
39,
41,
56,
59,
65,
68,
78,
83
]
} | {
"text": [
"Methuen-Campbell"
],
"char_spans": [
{
"start": [
586
],
"end": [
601
]
}
],
"token_spans": [
{
"start": [
105
],
"end": [
107
]
}
]
} | [
"Methuen-Campbell"
] |
SQuAD | During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842: | {
"tokens": [
"During",
"the",
"summers",
"at",
"Nohant",
",",
"particularly",
"in",
"the",
"years",
"1839–43",
",",
"Chopin",
"found",
"quiet",
",",
"productive",
"days",
"during",
"which",
"he",
"composed",
"many",
"works",
",",
"including",
"his",
"Polonaise",
"in",
"A",
"-",
"flat",
"major",
",",
"Op",
".",
"53",
".",
"Among",
"the",
"visitors",
"to",
"Nohant",
"were",
"Delacroix",
"and",
"the",
"mezzo",
"-",
"soprano",
"Pauline",
"Viardot",
",",
"whom",
"Chopin",
"had",
"advised",
"on",
"piano",
"technique",
"and",
"composition",
".",
"Delacroix",
"gives",
"an",
"account",
"of",
"staying",
"at",
"Nohant",
"in",
"a",
"letter",
"of",
"7",
"June",
"1842",
":"
],
"offsets": [
0,
7,
11,
19,
22,
28,
30,
43,
46,
50,
56,
63,
65,
72,
78,
83,
85,
96,
101,
108,
114,
117,
126,
131,
136,
138,
148,
152,
162,
165,
166,
167,
172,
177,
179,
181,
183,
185,
187,
193,
197,
206,
209,
216,
221,
231,
235,
239,
244,
245,
253,
261,
268,
270,
275,
282,
286,
294,
297,
303,
313,
317,
328,
330,
340,
346,
349,
357,
360,
368,
371,
378,
381,
383,
390,
393,
395,
400,
404
]
} | 5da721f7dbad4e1dad9f868fda8a7812 | What is the example given of a work produced by Frédéric during calm summers at Nohant? | {
"tokens": [
"What",
"is",
"the",
"example",
"given",
"of",
"a",
"work",
"produced",
"by",
"Frédéric",
"during",
"calm",
"summers",
"at",
"Nohant",
"?"
],
"offsets": [
0,
5,
8,
12,
20,
26,
29,
31,
36,
45,
48,
57,
64,
69,
77,
80,
86
]
} | {
"text": [
"Polonaise in A-flat major, Op. 53"
],
"char_spans": [
{
"start": [
152
],
"end": [
184
]
}
],
"token_spans": [
{
"start": [
27
],
"end": [
36
]
}
]
} | [
"Polonaise in A-flat major, Op. 53"
] |
SQuAD | During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842: | {
"tokens": [
"During",
"the",
"summers",
"at",
"Nohant",
",",
"particularly",
"in",
"the",
"years",
"1839–43",
",",
"Chopin",
"found",
"quiet",
",",
"productive",
"days",
"during",
"which",
"he",
"composed",
"many",
"works",
",",
"including",
"his",
"Polonaise",
"in",
"A",
"-",
"flat",
"major",
",",
"Op",
".",
"53",
".",
"Among",
"the",
"visitors",
"to",
"Nohant",
"were",
"Delacroix",
"and",
"the",
"mezzo",
"-",
"soprano",
"Pauline",
"Viardot",
",",
"whom",
"Chopin",
"had",
"advised",
"on",
"piano",
"technique",
"and",
"composition",
".",
"Delacroix",
"gives",
"an",
"account",
"of",
"staying",
"at",
"Nohant",
"in",
"a",
"letter",
"of",
"7",
"June",
"1842",
":"
],
"offsets": [
0,
7,
11,
19,
22,
28,
30,
43,
46,
50,
56,
63,
65,
72,
78,
83,
85,
96,
101,
108,
114,
117,
126,
131,
136,
138,
148,
152,
162,
165,
166,
167,
172,
177,
179,
181,
183,
185,
187,
193,
197,
206,
209,
216,
221,
231,
235,
239,
244,
245,
253,
261,
268,
270,
275,
282,
286,
294,
297,
303,
313,
317,
328,
330,
340,
346,
349,
357,
360,
368,
371,
378,
381,
383,
390,
393,
395,
400,
404
]
} | 10e684a6ab86416ab2d5f4828490bbd5 | Which of the two people that visited Chopin were tutored by him on piano? | {
"tokens": [
"Which",
"of",
"the",
"two",
"people",
"that",
"visited",
"Chopin",
"were",
"tutored",
"by",
"him",
"on",
"piano",
"?"
],
"offsets": [
0,
6,
9,
13,
17,
24,
29,
37,
44,
49,
57,
60,
64,
67,
72
]
} | {
"text": [
"Pauline Viardot"
],
"char_spans": [
{
"start": [
253
],
"end": [
267
]
}
],
"token_spans": [
{
"start": [
50
],
"end": [
51
]
}
]
} | [
"Pauline Viardot"
] |
SQuAD | During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842: | {
"tokens": [
"During",
"the",
"summers",
"at",
"Nohant",
",",
"particularly",
"in",
"the",
"years",
"1839–43",
",",
"Chopin",
"found",
"quiet",
",",
"productive",
"days",
"during",
"which",
"he",
"composed",
"many",
"works",
",",
"including",
"his",
"Polonaise",
"in",
"A",
"-",
"flat",
"major",
",",
"Op",
".",
"53",
".",
"Among",
"the",
"visitors",
"to",
"Nohant",
"were",
"Delacroix",
"and",
"the",
"mezzo",
"-",
"soprano",
"Pauline",
"Viardot",
",",
"whom",
"Chopin",
"had",
"advised",
"on",
"piano",
"technique",
"and",
"composition",
".",
"Delacroix",
"gives",
"an",
"account",
"of",
"staying",
"at",
"Nohant",
"in",
"a",
"letter",
"of",
"7",
"June",
"1842",
":"
],
"offsets": [
0,
7,
11,
19,
22,
28,
30,
43,
46,
50,
56,
63,
65,
72,
78,
83,
85,
96,
101,
108,
114,
117,
126,
131,
136,
138,
148,
152,
162,
165,
166,
167,
172,
177,
179,
181,
183,
185,
187,
193,
197,
206,
209,
216,
221,
231,
235,
239,
244,
245,
253,
261,
268,
270,
275,
282,
286,
294,
297,
303,
313,
317,
328,
330,
340,
346,
349,
357,
360,
368,
371,
378,
381,
383,
390,
393,
395,
400,
404
]
} | f231fb375567430cbfde8c9f7734284c | On what date did Delacroix write a letter based on his visit at Nohant? | {
"tokens": [
"On",
"what",
"date",
"did",
"Delacroix",
"write",
"a",
"letter",
"based",
"on",
"his",
"visit",
"at",
"Nohant",
"?"
],
"offsets": [
0,
3,
8,
13,
17,
27,
33,
35,
42,
48,
51,
55,
61,
64,
70
]
} | {
"text": [
"7 June 1842"
],
"char_spans": [
{
"start": [
393
],
"end": [
403
]
}
],
"token_spans": [
{
"start": [
75
],
"end": [
77
]
}
]
} | [
"7 June 1842"
] |
SQuAD | During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842: | {
"tokens": [
"During",
"the",
"summers",
"at",
"Nohant",
",",
"particularly",
"in",
"the",
"years",
"1839–43",
",",
"Chopin",
"found",
"quiet",
",",
"productive",
"days",
"during",
"which",
"he",
"composed",
"many",
"works",
",",
"including",
"his",
"Polonaise",
"in",
"A",
"-",
"flat",
"major",
",",
"Op",
".",
"53",
".",
"Among",
"the",
"visitors",
"to",
"Nohant",
"were",
"Delacroix",
"and",
"the",
"mezzo",
"-",
"soprano",
"Pauline",
"Viardot",
",",
"whom",
"Chopin",
"had",
"advised",
"on",
"piano",
"technique",
"and",
"composition",
".",
"Delacroix",
"gives",
"an",
"account",
"of",
"staying",
"at",
"Nohant",
"in",
"a",
"letter",
"of",
"7",
"June",
"1842",
":"
],
"offsets": [
0,
7,
11,
19,
22,
28,
30,
43,
46,
50,
56,
63,
65,
72,
78,
83,
85,
96,
101,
108,
114,
117,
126,
131,
136,
138,
148,
152,
162,
165,
166,
167,
172,
177,
179,
181,
183,
185,
187,
193,
197,
206,
209,
216,
221,
231,
235,
239,
244,
245,
253,
261,
268,
270,
275,
282,
286,
294,
297,
303,
313,
317,
328,
330,
340,
346,
349,
357,
360,
368,
371,
378,
381,
383,
390,
393,
395,
400,
404
]
} | faf426f3d73748abb75e5adedc24f1a5 | What did Chopin help Pauline Viardot with? | {
"tokens": [
"What",
"did",
"Chopin",
"help",
"Pauline",
"Viardot",
"with",
"?"
],
"offsets": [
0,
5,
9,
16,
21,
29,
37,
41
]
} | {
"text": [
"piano technique and composition"
],
"char_spans": [
{
"start": [
297
],
"end": [
327
]
}
],
"token_spans": [
{
"start": [
58
],
"end": [
61
]
}
]
} | [
"piano technique and composition"
] |
SQuAD | During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842: | {
"tokens": [
"During",
"the",
"summers",
"at",
"Nohant",
",",
"particularly",
"in",
"the",
"years",
"1839–43",
",",
"Chopin",
"found",
"quiet",
",",
"productive",
"days",
"during",
"which",
"he",
"composed",
"many",
"works",
",",
"including",
"his",
"Polonaise",
"in",
"A",
"-",
"flat",
"major",
",",
"Op",
".",
"53",
".",
"Among",
"the",
"visitors",
"to",
"Nohant",
"were",
"Delacroix",
"and",
"the",
"mezzo",
"-",
"soprano",
"Pauline",
"Viardot",
",",
"whom",
"Chopin",
"had",
"advised",
"on",
"piano",
"technique",
"and",
"composition",
".",
"Delacroix",
"gives",
"an",
"account",
"of",
"staying",
"at",
"Nohant",
"in",
"a",
"letter",
"of",
"7",
"June",
"1842",
":"
],
"offsets": [
0,
7,
11,
19,
22,
28,
30,
43,
46,
50,
56,
63,
65,
72,
78,
83,
85,
96,
101,
108,
114,
117,
126,
131,
136,
138,
148,
152,
162,
165,
166,
167,
172,
177,
179,
181,
183,
185,
187,
193,
197,
206,
209,
216,
221,
231,
235,
239,
244,
245,
253,
261,
268,
270,
275,
282,
286,
294,
297,
303,
313,
317,
328,
330,
340,
346,
349,
357,
360,
368,
371,
378,
381,
383,
390,
393,
395,
400,
404
]
} | 5003379547f84f18999f7a3aecde7d89 | Who were two visitors to Chopin while in Nohant? | {
"tokens": [
"Who",
"were",
"two",
"visitors",
"to",
"Chopin",
"while",
"in",
"Nohant",
"?"
],
"offsets": [
0,
4,
9,
13,
22,
25,
32,
38,
41,
47
]
} | {
"text": [
"Delacroix and the mezzo-soprano Pauline Viardot"
],
"char_spans": [
{
"start": [
221
],
"end": [
267
]
}
],
"token_spans": [
{
"start": [
44
],
"end": [
51
]
}
]
} | [
"Delacroix and the mezzo-soprano Pauline Viardot"
] |
SQuAD | During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842: | {
"tokens": [
"During",
"the",
"summers",
"at",
"Nohant",
",",
"particularly",
"in",
"the",
"years",
"1839–43",
",",
"Chopin",
"found",
"quiet",
",",
"productive",
"days",
"during",
"which",
"he",
"composed",
"many",
"works",
",",
"including",
"his",
"Polonaise",
"in",
"A",
"-",
"flat",
"major",
",",
"Op",
".",
"53",
".",
"Among",
"the",
"visitors",
"to",
"Nohant",
"were",
"Delacroix",
"and",
"the",
"mezzo",
"-",
"soprano",
"Pauline",
"Viardot",
",",
"whom",
"Chopin",
"had",
"advised",
"on",
"piano",
"technique",
"and",
"composition",
".",
"Delacroix",
"gives",
"an",
"account",
"of",
"staying",
"at",
"Nohant",
"in",
"a",
"letter",
"of",
"7",
"June",
"1842",
":"
],
"offsets": [
0,
7,
11,
19,
22,
28,
30,
43,
46,
50,
56,
63,
65,
72,
78,
83,
85,
96,
101,
108,
114,
117,
126,
131,
136,
138,
148,
152,
162,
165,
166,
167,
172,
177,
179,
181,
183,
185,
187,
193,
197,
206,
209,
216,
221,
231,
235,
239,
244,
245,
253,
261,
268,
270,
275,
282,
286,
294,
297,
303,
313,
317,
328,
330,
340,
346,
349,
357,
360,
368,
371,
378,
381,
383,
390,
393,
395,
400,
404
]
} | 05a511abc4f84449abc1db830995d718 | What two things did Chopin advise Viardot on? | {
"tokens": [
"What",
"two",
"things",
"did",
"Chopin",
"advise",
"Viardot",
"on",
"?"
],
"offsets": [
0,
5,
9,
16,
20,
27,
34,
42,
44
]
} | {
"text": [
"piano technique and composition."
],
"char_spans": [
{
"start": [
297
],
"end": [
328
]
}
],
"token_spans": [
{
"start": [
58
],
"end": [
62
]
}
]
} | [
"piano technique and composition."
] |
SQuAD | During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842: | {
"tokens": [
"During",
"the",
"summers",
"at",
"Nohant",
",",
"particularly",
"in",
"the",
"years",
"1839–43",
",",
"Chopin",
"found",
"quiet",
",",
"productive",
"days",
"during",
"which",
"he",
"composed",
"many",
"works",
",",
"including",
"his",
"Polonaise",
"in",
"A",
"-",
"flat",
"major",
",",
"Op",
".",
"53",
".",
"Among",
"the",
"visitors",
"to",
"Nohant",
"were",
"Delacroix",
"and",
"the",
"mezzo",
"-",
"soprano",
"Pauline",
"Viardot",
",",
"whom",
"Chopin",
"had",
"advised",
"on",
"piano",
"technique",
"and",
"composition",
".",
"Delacroix",
"gives",
"an",
"account",
"of",
"staying",
"at",
"Nohant",
"in",
"a",
"letter",
"of",
"7",
"June",
"1842",
":"
],
"offsets": [
0,
7,
11,
19,
22,
28,
30,
43,
46,
50,
56,
63,
65,
72,
78,
83,
85,
96,
101,
108,
114,
117,
126,
131,
136,
138,
148,
152,
162,
165,
166,
167,
172,
177,
179,
181,
183,
185,
187,
193,
197,
206,
209,
216,
221,
231,
235,
239,
244,
245,
253,
261,
268,
270,
275,
282,
286,
294,
297,
303,
313,
317,
328,
330,
340,
346,
349,
357,
360,
368,
371,
378,
381,
383,
390,
393,
395,
400,
404
]
} | bbae3d51da284895b67f9f4d44ee057f | Who wrote a letter on June 7, 1842 about a stay in Nohant? | {
"tokens": [
"Who",
"wrote",
"a",
"letter",
"on",
"June",
"7",
",",
"1842",
"about",
"a",
"stay",
"in",
"Nohant",
"?"
],
"offsets": [
0,
4,
10,
12,
19,
22,
27,
28,
30,
35,
41,
43,
48,
51,
57
]
} | {
"text": [
"Delacroix"
],
"char_spans": [
{
"start": [
221
],
"end": [
229
]
}
],
"token_spans": [
{
"start": [
44
],
"end": [
44
]
}
]
} | [
"Delacroix"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | aab365a089324d40b14ec563fb722387 | What is stated as having a negative effect on Frédéric's health during this productive time? | {
"tokens": [
"What",
"is",
"stated",
"as",
"having",
"a",
"negative",
"effect",
"on",
"Frédéric",
"'s",
"health",
"during",
"this",
"productive",
"time",
"?"
],
"offsets": [
0,
5,
8,
15,
18,
25,
27,
36,
43,
46,
54,
57,
64,
71,
76,
87,
91
]
} | {
"text": [
"bad weather"
],
"char_spans": [
{
"start": [
46
],
"end": [
56
]
}
],
"token_spans": [
{
"start": [
8
],
"end": [
9
]
}
]
} | [
"bad weather"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | d3b47176d531464c9970143be2cba3e9 | What city did the group travel to in order to help Frédéric recover? | {
"tokens": [
"What",
"city",
"did",
"the",
"group",
"travel",
"to",
"in",
"order",
"to",
"help",
"Frédéric",
"recover",
"?"
],
"offsets": [
0,
5,
10,
14,
18,
24,
31,
34,
37,
43,
46,
51,
60,
67
]
} | {
"text": [
"Marseilles"
],
"char_spans": [
{
"start": [
292
],
"end": [
301
]
}
],
"token_spans": [
{
"start": [
56
],
"end": [
56
]
}
]
} | [
"Marseilles"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | 435b6bb67b0c46149bb6d0019de0d6fd | Where was Sand's estate located where they stayed for the summers until 1846? | {
"tokens": [
"Where",
"was",
"Sand",
"'s",
"estate",
"located",
"where",
"they",
"stayed",
"for",
"the",
"summers",
"until",
"1846",
"?"
],
"offsets": [
0,
6,
10,
14,
17,
24,
32,
38,
43,
50,
54,
58,
66,
72,
76
]
} | {
"text": [
"Nohant"
],
"char_spans": [
{
"start": [
424
],
"end": [
429
]
}
],
"token_spans": [
{
"start": [
82
],
"end": [
82
]
}
]
} | [
"Nohant"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | 9e52d1a8c0eb4a34b71000cd9164b0da | Where did Frédéric and Sand move to in 1842 in buildings next to each other? | {
"tokens": [
"Where",
"did",
"Frédéric",
"and",
"Sand",
"move",
"to",
"in",
"1842",
"in",
"buildings",
"next",
"to",
"each",
"other",
"?"
],
"offsets": [
0,
6,
10,
19,
23,
28,
33,
36,
39,
44,
47,
57,
62,
65,
70,
75
]
} | {
"text": [
"Square d'Orléans"
],
"char_spans": [
{
"start": [
726
],
"end": [
741
]
}
],
"token_spans": [
{
"start": [
141
],
"end": [
142
]
}
]
} | [
"Square d'Orléans"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | dac2dde916e8473fb1a775c698db1c47 | Where did the group travel to after Barcelona? | {
"tokens": [
"Where",
"did",
"the",
"group",
"travel",
"to",
"after",
"Barcelona",
"?"
],
"offsets": [
0,
6,
10,
14,
20,
27,
30,
36,
45
]
} | {
"text": [
"Marseilles"
],
"char_spans": [
{
"start": [
292
],
"end": [
301
]
}
],
"token_spans": [
{
"start": [
56
],
"end": [
56
]
}
]
} | [
"Marseilles"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | 4841bd2712e8411aa20e6e7a8b311546 | Where was Sand's home? | {
"tokens": [
"Where",
"was",
"Sand",
"'s",
"home",
"?"
],
"offsets": [
0,
6,
10,
14,
17,
21
]
} | {
"text": [
"Nohant"
],
"char_spans": [
{
"start": [
424
],
"end": [
429
]
}
],
"token_spans": [
{
"start": [
82
],
"end": [
82
]
}
]
} | [
"Nohant"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | eab11fd602b24ff7816495cd3599cc03 | After returning to Paris where was Chopin's apartment? | {
"tokens": [
"After",
"returning",
"to",
"Paris",
"where",
"was",
"Chopin",
"'s",
"apartment",
"?"
],
"offsets": [
0,
6,
16,
19,
25,
31,
35,
41,
44,
53
]
} | {
"text": [
"5 rue Tronchet"
],
"char_spans": [
{
"start": [
536
],
"end": [
549
]
}
],
"token_spans": [
{
"start": [
104
],
"end": [
106
]
}
]
} | [
"5 rue Tronchet"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | e873314d5613449c93c5c87ef03ab411 | In 1842 where did Chopin and Sand move? | {
"tokens": [
"In",
"1842",
"where",
"did",
"Chopin",
"and",
"Sand",
"move",
"?"
],
"offsets": [
0,
3,
8,
14,
18,
25,
29,
34,
38
]
} | {
"text": [
"Square d'Orléans"
],
"char_spans": [
{
"start": [
726
],
"end": [
741
]
}
],
"token_spans": [
{
"start": [
141
],
"end": [
142
]
}
]
} | [
"Square d'Orléans"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | a80927eb141648d598346f42daa0cfc0 | What had a negative effect on Chopin's health? | {
"tokens": [
"What",
"had",
"a",
"negative",
"effect",
"on",
"Chopin",
"'s",
"health",
"?"
],
"offsets": [
0,
5,
9,
11,
20,
27,
30,
36,
39,
45
]
} | {
"text": [
"the bad weather"
],
"char_spans": [
{
"start": [
42
],
"end": [
56
]
}
],
"token_spans": [
{
"start": [
7
],
"end": [
9
]
}
]
} | [
"the bad weather"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | a02100c8f39945beaf4b7a74b18110b0 | Where did they travel after leaving Barcelona? | {
"tokens": [
"Where",
"did",
"they",
"travel",
"after",
"leaving",
"Barcelona",
"?"
],
"offsets": [
0,
6,
10,
15,
22,
28,
36,
45
]
} | {
"text": [
"Marseilles"
],
"char_spans": [
{
"start": [
292
],
"end": [
301
]
}
],
"token_spans": [
{
"start": [
56
],
"end": [
56
]
}
]
} | [
"Marseilles"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | a9af39c0691449c1b37be7203fdf65d0 | Where did Chopin and Sand move to in 1842? | {
"tokens": [
"Where",
"did",
"Chopin",
"and",
"Sand",
"move",
"to",
"in",
"1842",
"?"
],
"offsets": [
0,
6,
10,
17,
21,
26,
31,
34,
37,
41
]
} | {
"text": [
"Square d'Orléans"
],
"char_spans": [
{
"start": [
726
],
"end": [
741
]
}
],
"token_spans": [
{
"start": [
141
],
"end": [
142
]
}
]
} | [
"Square d'Orléans"
] |
SQuAD | Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts.[n 8] The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. In May 1839 they headed for the summer to Sand's estate at Nohant, where they spent most summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation at the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings. | {
"tokens": [
"Although",
"this",
"period",
"had",
"been",
"productive",
",",
"the",
"bad",
"weather",
"had",
"such",
"a",
"detrimental",
"effect",
"on",
"Chopin",
"'s",
"health",
"that",
"Sand",
"determined",
"to",
"leave",
"the",
"island",
".",
"To",
"avoid",
"further",
"customs",
"duties",
",",
"Sand",
"sold",
"the",
"piano",
"to",
"a",
"local",
"French",
"couple",
",",
"the",
"Canuts.[n",
"8",
"]",
"The",
"group",
"traveled",
"first",
"to",
"Barcelona",
",",
"then",
"to",
"Marseilles",
",",
"where",
"they",
"stayed",
"for",
"a",
"few",
"months",
"while",
"Chopin",
"convalesced",
".",
"In",
"May",
"1839",
"they",
"headed",
"for",
"the",
"summer",
"to",
"Sand",
"'s",
"estate",
"at",
"Nohant",
",",
"where",
"they",
"spent",
"most",
"summers",
"until",
"1846",
".",
"In",
"autumn",
"they",
"returned",
"to",
"Paris",
",",
"where",
"Chopin",
"'s",
"apartment",
"at",
"5",
"rue",
"Tronchet",
"was",
"close",
"to",
"Sand",
"'s",
"rented",
"accommodation",
"at",
"the",
"rue",
"Pigalle",
".",
"He",
"frequently",
"visited",
"Sand",
"in",
"the",
"evenings",
",",
"but",
"both",
"retained",
"some",
"independence",
".",
"In",
"1842",
"he",
"and",
"Sand",
"moved",
"to",
"the",
"Square",
"d'Orléans",
",",
"living",
"in",
"adjacent",
"buildings",
"."
],
"offsets": [
0,
9,
14,
21,
25,
30,
40,
42,
46,
50,
58,
62,
67,
69,
81,
88,
91,
97,
100,
107,
112,
117,
128,
131,
137,
141,
147,
149,
152,
158,
166,
174,
180,
182,
187,
192,
196,
202,
205,
207,
213,
220,
226,
228,
232,
242,
243,
245,
249,
255,
264,
270,
273,
282,
284,
289,
292,
302,
304,
310,
315,
322,
326,
328,
332,
339,
345,
352,
363,
365,
368,
372,
377,
382,
389,
393,
397,
404,
407,
411,
414,
421,
424,
430,
432,
438,
443,
449,
454,
462,
468,
472,
474,
477,
484,
489,
498,
501,
506,
508,
514,
520,
523,
533,
536,
538,
542,
551,
555,
561,
564,
568,
571,
578,
592,
595,
599,
603,
610,
612,
615,
626,
634,
639,
642,
646,
654,
656,
660,
665,
674,
679,
691,
693,
696,
701,
704,
708,
713,
719,
722,
726,
733,
742,
744,
751,
754,
763,
772
]
} | ea6085f5035d42d398c10bad675ba9ea | Where did they spend most summers until 1846? | {
"tokens": [
"Where",
"did",
"they",
"spend",
"most",
"summers",
"until",
"1846",
"?"
],
"offsets": [
0,
6,
10,
15,
21,
26,
34,
40,
44
]
} | {
"text": [
"Nohant"
],
"char_spans": [
{
"start": [
424
],
"end": [
429
]
}
],
"token_spans": [
{
"start": [
82
],
"end": [
82
]
}
]
} | [
"Nohant"
] |
SQuAD | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associations to the listener; the names by which many of his pieces are known were invented by others. There is no evidence to suggest that the Revolutionary Étude was written with the failed Polish uprising against Russia in mind; it merely appeared at that time. The Funeral March, the third movement of his Sonata No. 2 (Op. 35), the one case where he did give a title, was written before the rest of the sonata, but no specific event or death is known to have inspired it. | {
"tokens": [
"Some",
"of",
"Chopin",
"'s",
"well",
"-",
"known",
"pieces",
"have",
"acquired",
"descriptive",
"titles",
",",
"such",
"as",
"the",
"Revolutionary",
"Étude",
"(",
"Op",
".",
"10",
",",
"No",
".",
"12",
")",
",",
"and",
"the",
"Minute",
"Waltz",
"(",
"Op",
".",
"64",
",",
"No",
".",
"1",
")",
".",
"However",
",",
"with",
"the",
"exception",
"of",
"his",
"Funeral",
"March",
",",
"the",
"composer",
"never",
"named",
"an",
"instrumental",
"work",
"beyond",
"genre",
"and",
"number",
",",
"leaving",
"all",
"potential",
"extramusical",
"associations",
"to",
"the",
"listener",
";",
"the",
"names",
"by",
"which",
"many",
"of",
"his",
"pieces",
"are",
"known",
"were",
"invented",
"by",
"others",
".",
"There",
"is",
"no",
"evidence",
"to",
"suggest",
"that",
"the",
"Revolutionary",
"Étude",
"was",
"written",
"with",
"the",
"failed",
"Polish",
"uprising",
"against",
"Russia",
"in",
"mind",
";",
"it",
"merely",
"appeared",
"at",
"that",
"time",
".",
"The",
"Funeral",
"March",
",",
"the",
"third",
"movement",
"of",
"his",
"Sonata",
"No",
".",
"2",
"(",
"Op",
".",
"35",
")",
",",
"the",
"one",
"case",
"where",
"he",
"did",
"give",
"a",
"title",
",",
"was",
"written",
"before",
"the",
"rest",
"of",
"the",
"sonata",
",",
"but",
"no",
"specific",
"event",
"or",
"death",
"is",
"known",
"to",
"have",
"inspired",
"it",
"."
],
"offsets": [
0,
5,
8,
14,
17,
21,
22,
28,
35,
40,
49,
61,
67,
69,
74,
77,
81,
95,
101,
102,
104,
106,
108,
110,
112,
114,
116,
117,
119,
123,
127,
134,
140,
141,
143,
145,
147,
149,
151,
153,
154,
155,
157,
164,
166,
171,
175,
185,
188,
192,
200,
205,
207,
211,
220,
226,
232,
235,
248,
253,
260,
266,
270,
276,
278,
286,
290,
300,
313,
326,
329,
333,
341,
343,
347,
353,
356,
362,
367,
370,
374,
381,
385,
391,
396,
405,
408,
414,
416,
422,
425,
428,
437,
440,
448,
453,
457,
471,
477,
481,
489,
494,
498,
505,
512,
521,
529,
536,
539,
543,
545,
548,
555,
564,
567,
572,
576,
578,
582,
590,
595,
597,
601,
607,
616,
619,
623,
630,
632,
634,
636,
637,
639,
641,
643,
644,
646,
650,
654,
659,
665,
668,
672,
677,
679,
684,
686,
690,
698,
705,
709,
714,
717,
721,
727,
729,
733,
736,
745,
751,
754,
760,
763,
769,
772,
777,
786,
788
]
} | 5428229289bf4a10ada4adf49f567fd7 | What is another title Op. 10, No. 12 has garnered? | {
"tokens": [
"What",
"is",
"another",
"title",
"Op",
".",
"10",
",",
"No",
".",
"12",
"has",
"garnered",
"?"
],
"offsets": [
0,
5,
8,
16,
22,
24,
26,
28,
30,
32,
34,
37,
41,
49
]
} | {
"text": [
"the Revolutionary Étude"
],
"char_spans": [
{
"start": [
77
],
"end": [
99
]
}
],
"token_spans": [
{
"start": [
15
],
"end": [
17
]
}
]
} | [
"the Revolutionary Étude"
] |
SQuAD | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associations to the listener; the names by which many of his pieces are known were invented by others. There is no evidence to suggest that the Revolutionary Étude was written with the failed Polish uprising against Russia in mind; it merely appeared at that time. The Funeral March, the third movement of his Sonata No. 2 (Op. 35), the one case where he did give a title, was written before the rest of the sonata, but no specific event or death is known to have inspired it. | {
"tokens": [
"Some",
"of",
"Chopin",
"'s",
"well",
"-",
"known",
"pieces",
"have",
"acquired",
"descriptive",
"titles",
",",
"such",
"as",
"the",
"Revolutionary",
"Étude",
"(",
"Op",
".",
"10",
",",
"No",
".",
"12",
")",
",",
"and",
"the",
"Minute",
"Waltz",
"(",
"Op",
".",
"64",
",",
"No",
".",
"1",
")",
".",
"However",
",",
"with",
"the",
"exception",
"of",
"his",
"Funeral",
"March",
",",
"the",
"composer",
"never",
"named",
"an",
"instrumental",
"work",
"beyond",
"genre",
"and",
"number",
",",
"leaving",
"all",
"potential",
"extramusical",
"associations",
"to",
"the",
"listener",
";",
"the",
"names",
"by",
"which",
"many",
"of",
"his",
"pieces",
"are",
"known",
"were",
"invented",
"by",
"others",
".",
"There",
"is",
"no",
"evidence",
"to",
"suggest",
"that",
"the",
"Revolutionary",
"Étude",
"was",
"written",
"with",
"the",
"failed",
"Polish",
"uprising",
"against",
"Russia",
"in",
"mind",
";",
"it",
"merely",
"appeared",
"at",
"that",
"time",
".",
"The",
"Funeral",
"March",
",",
"the",
"third",
"movement",
"of",
"his",
"Sonata",
"No",
".",
"2",
"(",
"Op",
".",
"35",
")",
",",
"the",
"one",
"case",
"where",
"he",
"did",
"give",
"a",
"title",
",",
"was",
"written",
"before",
"the",
"rest",
"of",
"the",
"sonata",
",",
"but",
"no",
"specific",
"event",
"or",
"death",
"is",
"known",
"to",
"have",
"inspired",
"it",
"."
],
"offsets": [
0,
5,
8,
14,
17,
21,
22,
28,
35,
40,
49,
61,
67,
69,
74,
77,
81,
95,
101,
102,
104,
106,
108,
110,
112,
114,
116,
117,
119,
123,
127,
134,
140,
141,
143,
145,
147,
149,
151,
153,
154,
155,
157,
164,
166,
171,
175,
185,
188,
192,
200,
205,
207,
211,
220,
226,
232,
235,
248,
253,
260,
266,
270,
276,
278,
286,
290,
300,
313,
326,
329,
333,
341,
343,
347,
353,
356,
362,
367,
370,
374,
381,
385,
391,
396,
405,
408,
414,
416,
422,
425,
428,
437,
440,
448,
453,
457,
471,
477,
481,
489,
494,
498,
505,
512,
521,
529,
536,
539,
543,
545,
548,
555,
564,
567,
572,
576,
578,
582,
590,
595,
597,
601,
607,
616,
619,
623,
630,
632,
634,
636,
637,
639,
641,
643,
644,
646,
650,
654,
659,
665,
668,
672,
677,
679,
684,
686,
690,
698,
705,
709,
714,
717,
721,
727,
729,
733,
736,
745,
751,
754,
760,
763,
769,
772,
777,
786,
788
]
} | 0c93aa89be4a4d7c95e07411e654dc8b | What is the only piece Chopin gave an actual title to? | {
"tokens": [
"What",
"is",
"the",
"only",
"piece",
"Chopin",
"gave",
"an",
"actual",
"title",
"to",
"?"
],
"offsets": [
0,
5,
8,
12,
17,
23,
30,
35,
38,
45,
51,
53
]
} | {
"text": [
"Funeral March"
],
"char_spans": [
{
"start": [
192
],
"end": [
204
]
}
],
"token_spans": [
{
"start": [
49
],
"end": [
50
]
}
]
} | [
"Funeral March"
] |
SQuAD | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associations to the listener; the names by which many of his pieces are known were invented by others. There is no evidence to suggest that the Revolutionary Étude was written with the failed Polish uprising against Russia in mind; it merely appeared at that time. The Funeral March, the third movement of his Sonata No. 2 (Op. 35), the one case where he did give a title, was written before the rest of the sonata, but no specific event or death is known to have inspired it. | {
"tokens": [
"Some",
"of",
"Chopin",
"'s",
"well",
"-",
"known",
"pieces",
"have",
"acquired",
"descriptive",
"titles",
",",
"such",
"as",
"the",
"Revolutionary",
"Étude",
"(",
"Op",
".",
"10",
",",
"No",
".",
"12",
")",
",",
"and",
"the",
"Minute",
"Waltz",
"(",
"Op",
".",
"64",
",",
"No",
".",
"1",
")",
".",
"However",
",",
"with",
"the",
"exception",
"of",
"his",
"Funeral",
"March",
",",
"the",
"composer",
"never",
"named",
"an",
"instrumental",
"work",
"beyond",
"genre",
"and",
"number",
",",
"leaving",
"all",
"potential",
"extramusical",
"associations",
"to",
"the",
"listener",
";",
"the",
"names",
"by",
"which",
"many",
"of",
"his",
"pieces",
"are",
"known",
"were",
"invented",
"by",
"others",
".",
"There",
"is",
"no",
"evidence",
"to",
"suggest",
"that",
"the",
"Revolutionary",
"Étude",
"was",
"written",
"with",
"the",
"failed",
"Polish",
"uprising",
"against",
"Russia",
"in",
"mind",
";",
"it",
"merely",
"appeared",
"at",
"that",
"time",
".",
"The",
"Funeral",
"March",
",",
"the",
"third",
"movement",
"of",
"his",
"Sonata",
"No",
".",
"2",
"(",
"Op",
".",
"35",
")",
",",
"the",
"one",
"case",
"where",
"he",
"did",
"give",
"a",
"title",
",",
"was",
"written",
"before",
"the",
"rest",
"of",
"the",
"sonata",
",",
"but",
"no",
"specific",
"event",
"or",
"death",
"is",
"known",
"to",
"have",
"inspired",
"it",
"."
],
"offsets": [
0,
5,
8,
14,
17,
21,
22,
28,
35,
40,
49,
61,
67,
69,
74,
77,
81,
95,
101,
102,
104,
106,
108,
110,
112,
114,
116,
117,
119,
123,
127,
134,
140,
141,
143,
145,
147,
149,
151,
153,
154,
155,
157,
164,
166,
171,
175,
185,
188,
192,
200,
205,
207,
211,
220,
226,
232,
235,
248,
253,
260,
266,
270,
276,
278,
286,
290,
300,
313,
326,
329,
333,
341,
343,
347,
353,
356,
362,
367,
370,
374,
381,
385,
391,
396,
405,
408,
414,
416,
422,
425,
428,
437,
440,
448,
453,
457,
471,
477,
481,
489,
494,
498,
505,
512,
521,
529,
536,
539,
543,
545,
548,
555,
564,
567,
572,
576,
578,
582,
590,
595,
597,
601,
607,
616,
619,
623,
630,
632,
634,
636,
637,
639,
641,
643,
644,
646,
650,
654,
659,
665,
668,
672,
677,
679,
684,
686,
690,
698,
705,
709,
714,
717,
721,
727,
729,
733,
736,
745,
751,
754,
760,
763,
769,
772,
777,
786,
788
]
} | f3db28f4f59f4933874435fa0ac7b0a5 | The Funeral March was written as part of what piece? | {
"tokens": [
"The",
"Funeral",
"March",
"was",
"written",
"as",
"part",
"of",
"what",
"piece",
"?"
],
"offsets": [
0,
4,
12,
18,
22,
30,
33,
38,
41,
46,
51
]
} | {
"text": [
"Sonata No. 2"
],
"char_spans": [
{
"start": [
623
],
"end": [
634
]
}
],
"token_spans": [
{
"start": [
126
],
"end": [
129
]
}
]
} | [
"Sonata No. 2"
] |
SQuAD | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associations to the listener; the names by which many of his pieces are known were invented by others. There is no evidence to suggest that the Revolutionary Étude was written with the failed Polish uprising against Russia in mind; it merely appeared at that time. The Funeral March, the third movement of his Sonata No. 2 (Op. 35), the one case where he did give a title, was written before the rest of the sonata, but no specific event or death is known to have inspired it. | {
"tokens": [
"Some",
"of",
"Chopin",
"'s",
"well",
"-",
"known",
"pieces",
"have",
"acquired",
"descriptive",
"titles",
",",
"such",
"as",
"the",
"Revolutionary",
"Étude",
"(",
"Op",
".",
"10",
",",
"No",
".",
"12",
")",
",",
"and",
"the",
"Minute",
"Waltz",
"(",
"Op",
".",
"64",
",",
"No",
".",
"1",
")",
".",
"However",
",",
"with",
"the",
"exception",
"of",
"his",
"Funeral",
"March",
",",
"the",
"composer",
"never",
"named",
"an",
"instrumental",
"work",
"beyond",
"genre",
"and",
"number",
",",
"leaving",
"all",
"potential",
"extramusical",
"associations",
"to",
"the",
"listener",
";",
"the",
"names",
"by",
"which",
"many",
"of",
"his",
"pieces",
"are",
"known",
"were",
"invented",
"by",
"others",
".",
"There",
"is",
"no",
"evidence",
"to",
"suggest",
"that",
"the",
"Revolutionary",
"Étude",
"was",
"written",
"with",
"the",
"failed",
"Polish",
"uprising",
"against",
"Russia",
"in",
"mind",
";",
"it",
"merely",
"appeared",
"at",
"that",
"time",
".",
"The",
"Funeral",
"March",
",",
"the",
"third",
"movement",
"of",
"his",
"Sonata",
"No",
".",
"2",
"(",
"Op",
".",
"35",
")",
",",
"the",
"one",
"case",
"where",
"he",
"did",
"give",
"a",
"title",
",",
"was",
"written",
"before",
"the",
"rest",
"of",
"the",
"sonata",
",",
"but",
"no",
"specific",
"event",
"or",
"death",
"is",
"known",
"to",
"have",
"inspired",
"it",
"."
],
"offsets": [
0,
5,
8,
14,
17,
21,
22,
28,
35,
40,
49,
61,
67,
69,
74,
77,
81,
95,
101,
102,
104,
106,
108,
110,
112,
114,
116,
117,
119,
123,
127,
134,
140,
141,
143,
145,
147,
149,
151,
153,
154,
155,
157,
164,
166,
171,
175,
185,
188,
192,
200,
205,
207,
211,
220,
226,
232,
235,
248,
253,
260,
266,
270,
276,
278,
286,
290,
300,
313,
326,
329,
333,
341,
343,
347,
353,
356,
362,
367,
370,
374,
381,
385,
391,
396,
405,
408,
414,
416,
422,
425,
428,
437,
440,
448,
453,
457,
471,
477,
481,
489,
494,
498,
505,
512,
521,
529,
536,
539,
543,
545,
548,
555,
564,
567,
572,
576,
578,
582,
590,
595,
597,
601,
607,
616,
619,
623,
630,
632,
634,
636,
637,
639,
641,
643,
644,
646,
650,
654,
659,
665,
668,
672,
677,
679,
684,
686,
690,
698,
705,
709,
714,
717,
721,
727,
729,
733,
736,
745,
751,
754,
760,
763,
769,
772,
777,
786,
788
]
} | 17a8dda28cdb401f8dc8c9b6ee625d21 | How many instrumental works did Chopin give a descriptive name to? | {
"tokens": [
"How",
"many",
"instrumental",
"works",
"did",
"Chopin",
"give",
"a",
"descriptive",
"name",
"to",
"?"
],
"offsets": [
0,
4,
9,
22,
28,
32,
39,
44,
46,
58,
63,
65
]
} | {
"text": [
"one"
],
"char_spans": [
{
"start": [
650
],
"end": [
652
]
}
],
"token_spans": [
{
"start": [
137
],
"end": [
137
]
}
]
} | [
"one"
] |
SQuAD | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associations to the listener; the names by which many of his pieces are known were invented by others. There is no evidence to suggest that the Revolutionary Étude was written with the failed Polish uprising against Russia in mind; it merely appeared at that time. The Funeral March, the third movement of his Sonata No. 2 (Op. 35), the one case where he did give a title, was written before the rest of the sonata, but no specific event or death is known to have inspired it. | {
"tokens": [
"Some",
"of",
"Chopin",
"'s",
"well",
"-",
"known",
"pieces",
"have",
"acquired",
"descriptive",
"titles",
",",
"such",
"as",
"the",
"Revolutionary",
"Étude",
"(",
"Op",
".",
"10",
",",
"No",
".",
"12",
")",
",",
"and",
"the",
"Minute",
"Waltz",
"(",
"Op",
".",
"64",
",",
"No",
".",
"1",
")",
".",
"However",
",",
"with",
"the",
"exception",
"of",
"his",
"Funeral",
"March",
",",
"the",
"composer",
"never",
"named",
"an",
"instrumental",
"work",
"beyond",
"genre",
"and",
"number",
",",
"leaving",
"all",
"potential",
"extramusical",
"associations",
"to",
"the",
"listener",
";",
"the",
"names",
"by",
"which",
"many",
"of",
"his",
"pieces",
"are",
"known",
"were",
"invented",
"by",
"others",
".",
"There",
"is",
"no",
"evidence",
"to",
"suggest",
"that",
"the",
"Revolutionary",
"Étude",
"was",
"written",
"with",
"the",
"failed",
"Polish",
"uprising",
"against",
"Russia",
"in",
"mind",
";",
"it",
"merely",
"appeared",
"at",
"that",
"time",
".",
"The",
"Funeral",
"March",
",",
"the",
"third",
"movement",
"of",
"his",
"Sonata",
"No",
".",
"2",
"(",
"Op",
".",
"35",
")",
",",
"the",
"one",
"case",
"where",
"he",
"did",
"give",
"a",
"title",
",",
"was",
"written",
"before",
"the",
"rest",
"of",
"the",
"sonata",
",",
"but",
"no",
"specific",
"event",
"or",
"death",
"is",
"known",
"to",
"have",
"inspired",
"it",
"."
],
"offsets": [
0,
5,
8,
14,
17,
21,
22,
28,
35,
40,
49,
61,
67,
69,
74,
77,
81,
95,
101,
102,
104,
106,
108,
110,
112,
114,
116,
117,
119,
123,
127,
134,
140,
141,
143,
145,
147,
149,
151,
153,
154,
155,
157,
164,
166,
171,
175,
185,
188,
192,
200,
205,
207,
211,
220,
226,
232,
235,
248,
253,
260,
266,
270,
276,
278,
286,
290,
300,
313,
326,
329,
333,
341,
343,
347,
353,
356,
362,
367,
370,
374,
381,
385,
391,
396,
405,
408,
414,
416,
422,
425,
428,
437,
440,
448,
453,
457,
471,
477,
481,
489,
494,
498,
505,
512,
521,
529,
536,
539,
543,
545,
548,
555,
564,
567,
572,
576,
578,
582,
590,
595,
597,
601,
607,
616,
619,
623,
630,
632,
634,
636,
637,
639,
641,
643,
644,
646,
650,
654,
659,
665,
668,
672,
677,
679,
684,
686,
690,
698,
705,
709,
714,
717,
721,
727,
729,
733,
736,
745,
751,
754,
760,
763,
769,
772,
777,
786,
788
]
} | 3cc2be551373445baa8d641488a7224c | What descriptive name was Op. 10, No. 12 given? | {
"tokens": [
"What",
"descriptive",
"name",
"was",
"Op",
".",
"10",
",",
"No",
".",
"12",
"given",
"?"
],
"offsets": [
0,
5,
17,
22,
26,
28,
30,
32,
34,
36,
38,
41,
46
]
} | {
"text": [
"Revolutionary Étude"
],
"char_spans": [
{
"start": [
81
],
"end": [
99
]
}
],
"token_spans": [
{
"start": [
16
],
"end": [
17
]
}
]
} | [
"Revolutionary Étude"
] |
SQuAD | Some of Chopin's well-known pieces have acquired descriptive titles, such as the Revolutionary Étude (Op. 10, No. 12), and the Minute Waltz (Op. 64, No. 1). However, with the exception of his Funeral March, the composer never named an instrumental work beyond genre and number, leaving all potential extramusical associations to the listener; the names by which many of his pieces are known were invented by others. There is no evidence to suggest that the Revolutionary Étude was written with the failed Polish uprising against Russia in mind; it merely appeared at that time. The Funeral March, the third movement of his Sonata No. 2 (Op. 35), the one case where he did give a title, was written before the rest of the sonata, but no specific event or death is known to have inspired it. | {
"tokens": [
"Some",
"of",
"Chopin",
"'s",
"well",
"-",
"known",
"pieces",
"have",
"acquired",
"descriptive",
"titles",
",",
"such",
"as",
"the",
"Revolutionary",
"Étude",
"(",
"Op",
".",
"10",
",",
"No",
".",
"12",
")",
",",
"and",
"the",
"Minute",
"Waltz",
"(",
"Op",
".",
"64",
",",
"No",
".",
"1",
")",
".",
"However",
",",
"with",
"the",
"exception",
"of",
"his",
"Funeral",
"March",
",",
"the",
"composer",
"never",
"named",
"an",
"instrumental",
"work",
"beyond",
"genre",
"and",
"number",
",",
"leaving",
"all",
"potential",
"extramusical",
"associations",
"to",
"the",
"listener",
";",
"the",
"names",
"by",
"which",
"many",
"of",
"his",
"pieces",
"are",
"known",
"were",
"invented",
"by",
"others",
".",
"There",
"is",
"no",
"evidence",
"to",
"suggest",
"that",
"the",
"Revolutionary",
"Étude",
"was",
"written",
"with",
"the",
"failed",
"Polish",
"uprising",
"against",
"Russia",
"in",
"mind",
";",
"it",
"merely",
"appeared",
"at",
"that",
"time",
".",
"The",
"Funeral",
"March",
",",
"the",
"third",
"movement",
"of",
"his",
"Sonata",
"No",
".",
"2",
"(",
"Op",
".",
"35",
")",
",",
"the",
"one",
"case",
"where",
"he",
"did",
"give",
"a",
"title",
",",
"was",
"written",
"before",
"the",
"rest",
"of",
"the",
"sonata",
",",
"but",
"no",
"specific",
"event",
"or",
"death",
"is",
"known",
"to",
"have",
"inspired",
"it",
"."
],
"offsets": [
0,
5,
8,
14,
17,
21,
22,
28,
35,
40,
49,
61,
67,
69,
74,
77,
81,
95,
101,
102,
104,
106,
108,
110,
112,
114,
116,
117,
119,
123,
127,
134,
140,
141,
143,
145,
147,
149,
151,
153,
154,
155,
157,
164,
166,
171,
175,
185,
188,
192,
200,
205,
207,
211,
220,
226,
232,
235,
248,
253,
260,
266,
270,
276,
278,
286,
290,
300,
313,
326,
329,
333,
341,
343,
347,
353,
356,
362,
367,
370,
374,
381,
385,
391,
396,
405,
408,
414,
416,
422,
425,
428,
437,
440,
448,
453,
457,
471,
477,
481,
489,
494,
498,
505,
512,
521,
529,
536,
539,
543,
545,
548,
555,
564,
567,
572,
576,
578,
582,
590,
595,
597,
601,
607,
616,
619,
623,
630,
632,
634,
636,
637,
639,
641,
643,
644,
646,
650,
654,
659,
665,
668,
672,
677,
679,
684,
686,
690,
698,
705,
709,
714,
717,
721,
727,
729,
733,
736,
745,
751,
754,
760,
763,
769,
772,
777,
786,
788
]
} | 2c228615b7ea44aab1dfe3220a8178ae | What descriptive name was Op. 64, No. 1 given? | {
"tokens": [
"What",
"descriptive",
"name",
"was",
"Op",
".",
"64",
",",
"No",
".",
"1",
"given",
"?"
],
"offsets": [
0,
5,
17,
22,
26,
28,
30,
32,
34,
36,
38,
40,
45
]
} | {
"text": [
"Minute Waltz"
],
"char_spans": [
{
"start": [
127
],
"end": [
138
]
}
],
"token_spans": [
{
"start": [
30
],
"end": [
31
]
}
]
} | [
"Minute Waltz"
] |
SQuAD | At the end of November, Chopin returned to Paris. He passed the winter in unremitting illness, but gave occasional lessons and was visited by friends, including Delacroix and Franchomme. Occasionally he played, or accompanied the singing of Delfina Potocka, for his friends. During the summer of 1849, his friends found him an apartment in Chaillot, out of the centre of the city, for which the rent was secretly subsidised by an admirer, Princess Obreskoff. Here in June 1849 he was visited by Jenny Lind. | {
"tokens": [
"At",
"the",
"end",
"of",
"November",
",",
"Chopin",
"returned",
"to",
"Paris",
".",
"He",
"passed",
"the",
"winter",
"in",
"unremitting",
"illness",
",",
"but",
"gave",
"occasional",
"lessons",
"and",
"was",
"visited",
"by",
"friends",
",",
"including",
"Delacroix",
"and",
"Franchomme",
".",
"Occasionally",
"he",
"played",
",",
"or",
"accompanied",
"the",
"singing",
"of",
"Delfina",
"Potocka",
",",
"for",
"his",
"friends",
".",
"During",
"the",
"summer",
"of",
"1849",
",",
"his",
"friends",
"found",
"him",
"an",
"apartment",
"in",
"Chaillot",
",",
"out",
"of",
"the",
"centre",
"of",
"the",
"city",
",",
"for",
"which",
"the",
"rent",
"was",
"secretly",
"subsidised",
"by",
"an",
"admirer",
",",
"Princess",
"Obreskoff",
".",
"Here",
"in",
"June",
"1849",
"he",
"was",
"visited",
"by",
"Jenny",
"Lind",
"."
],
"offsets": [
0,
3,
7,
11,
14,
22,
24,
31,
40,
43,
48,
50,
53,
60,
64,
71,
74,
86,
93,
95,
99,
104,
115,
123,
127,
131,
139,
142,
149,
151,
161,
171,
175,
185,
187,
200,
203,
209,
211,
214,
226,
230,
238,
241,
249,
256,
258,
262,
266,
273,
275,
282,
286,
293,
296,
300,
302,
306,
314,
320,
324,
327,
337,
340,
348,
350,
354,
357,
361,
368,
371,
375,
379,
381,
385,
391,
395,
400,
404,
413,
424,
427,
430,
437,
439,
448,
457,
459,
464,
467,
472,
477,
480,
484,
492,
495,
501,
505
]
} | 0efe09cf1c6e4a2c88b45a2faf63f62d | Who did Chopin play for while she sang? | {
"tokens": [
"Who",
"did",
"Chopin",
"play",
"for",
"while",
"she",
"sang",
"?"
],
"offsets": [
0,
4,
8,
15,
20,
24,
30,
34,
38
]
} | {
"text": [
"Delfina Potocka"
],
"char_spans": [
{
"start": [
241
],
"end": [
255
]
}
],
"token_spans": [
{
"start": [
43
],
"end": [
44
]
}
]
} | [
"Delfina Potocka"
] |
SQuAD | At the end of November, Chopin returned to Paris. He passed the winter in unremitting illness, but gave occasional lessons and was visited by friends, including Delacroix and Franchomme. Occasionally he played, or accompanied the singing of Delfina Potocka, for his friends. During the summer of 1849, his friends found him an apartment in Chaillot, out of the centre of the city, for which the rent was secretly subsidised by an admirer, Princess Obreskoff. Here in June 1849 he was visited by Jenny Lind. | {
"tokens": [
"At",
"the",
"end",
"of",
"November",
",",
"Chopin",
"returned",
"to",
"Paris",
".",
"He",
"passed",
"the",
"winter",
"in",
"unremitting",
"illness",
",",
"but",
"gave",
"occasional",
"lessons",
"and",
"was",
"visited",
"by",
"friends",
",",
"including",
"Delacroix",
"and",
"Franchomme",
".",
"Occasionally",
"he",
"played",
",",
"or",
"accompanied",
"the",
"singing",
"of",
"Delfina",
"Potocka",
",",
"for",
"his",
"friends",
".",
"During",
"the",
"summer",
"of",
"1849",
",",
"his",
"friends",
"found",
"him",
"an",
"apartment",
"in",
"Chaillot",
",",
"out",
"of",
"the",
"centre",
"of",
"the",
"city",
",",
"for",
"which",
"the",
"rent",
"was",
"secretly",
"subsidised",
"by",
"an",
"admirer",
",",
"Princess",
"Obreskoff",
".",
"Here",
"in",
"June",
"1849",
"he",
"was",
"visited",
"by",
"Jenny",
"Lind",
"."
],
"offsets": [
0,
3,
7,
11,
14,
22,
24,
31,
40,
43,
48,
50,
53,
60,
64,
71,
74,
86,
93,
95,
99,
104,
115,
123,
127,
131,
139,
142,
149,
151,
161,
171,
175,
185,
187,
200,
203,
209,
211,
214,
226,
230,
238,
241,
249,
256,
258,
262,
266,
273,
275,
282,
286,
293,
296,
300,
302,
306,
314,
320,
324,
327,
337,
340,
348,
350,
354,
357,
361,
368,
371,
375,
379,
381,
385,
391,
395,
400,
404,
413,
424,
427,
430,
437,
439,
448,
457,
459,
464,
467,
472,
477,
480,
484,
492,
495,
501,
505
]
} | 29dac4a9450041e5bc8dd490b5306bbc | In 1849 where did Chopin live? | {
"tokens": [
"In",
"1849",
"where",
"did",
"Chopin",
"live",
"?"
],
"offsets": [
0,
3,
8,
14,
18,
25,
29
]
} | {
"text": [
"Chaillot"
],
"char_spans": [
{
"start": [
340
],
"end": [
347
]
}
],
"token_spans": [
{
"start": [
63
],
"end": [
63
]
}
]
} | [
"Chaillot"
] |
SQuAD | At the end of November, Chopin returned to Paris. He passed the winter in unremitting illness, but gave occasional lessons and was visited by friends, including Delacroix and Franchomme. Occasionally he played, or accompanied the singing of Delfina Potocka, for his friends. During the summer of 1849, his friends found him an apartment in Chaillot, out of the centre of the city, for which the rent was secretly subsidised by an admirer, Princess Obreskoff. Here in June 1849 he was visited by Jenny Lind. | {
"tokens": [
"At",
"the",
"end",
"of",
"November",
",",
"Chopin",
"returned",
"to",
"Paris",
".",
"He",
"passed",
"the",
"winter",
"in",
"unremitting",
"illness",
",",
"but",
"gave",
"occasional",
"lessons",
"and",
"was",
"visited",
"by",
"friends",
",",
"including",
"Delacroix",
"and",
"Franchomme",
".",
"Occasionally",
"he",
"played",
",",
"or",
"accompanied",
"the",
"singing",
"of",
"Delfina",
"Potocka",
",",
"for",
"his",
"friends",
".",
"During",
"the",
"summer",
"of",
"1849",
",",
"his",
"friends",
"found",
"him",
"an",
"apartment",
"in",
"Chaillot",
",",
"out",
"of",
"the",
"centre",
"of",
"the",
"city",
",",
"for",
"which",
"the",
"rent",
"was",
"secretly",
"subsidised",
"by",
"an",
"admirer",
",",
"Princess",
"Obreskoff",
".",
"Here",
"in",
"June",
"1849",
"he",
"was",
"visited",
"by",
"Jenny",
"Lind",
"."
],
"offsets": [
0,
3,
7,
11,
14,
22,
24,
31,
40,
43,
48,
50,
53,
60,
64,
71,
74,
86,
93,
95,
99,
104,
115,
123,
127,
131,
139,
142,
149,
151,
161,
171,
175,
185,
187,
200,
203,
209,
211,
214,
226,
230,
238,
241,
249,
256,
258,
262,
266,
273,
275,
282,
286,
293,
296,
300,
302,
306,
314,
320,
324,
327,
337,
340,
348,
350,
354,
357,
361,
368,
371,
375,
379,
381,
385,
391,
395,
400,
404,
413,
424,
427,
430,
437,
439,
448,
457,
459,
464,
467,
472,
477,
480,
484,
492,
495,
501,
505
]
} | 7c15a7392a1245d3bd21db96dbcb7d7d | Who was anonymously paying for Chopin's apartment? | {
"tokens": [
"Who",
"was",
"anonymously",
"paying",
"for",
"Chopin",
"'s",
"apartment",
"?"
],
"offsets": [
0,
4,
8,
20,
27,
31,
37,
40,
49
]
} | {
"text": [
"Princess Obreskoff"
],
"char_spans": [
{
"start": [
439
],
"end": [
456
]
}
],
"token_spans": [
{
"start": [
84
],
"end": [
85
]
}
]
} | [
"Princess Obreskoff"
] |
SQuAD | At the end of November, Chopin returned to Paris. He passed the winter in unremitting illness, but gave occasional lessons and was visited by friends, including Delacroix and Franchomme. Occasionally he played, or accompanied the singing of Delfina Potocka, for his friends. During the summer of 1849, his friends found him an apartment in Chaillot, out of the centre of the city, for which the rent was secretly subsidised by an admirer, Princess Obreskoff. Here in June 1849 he was visited by Jenny Lind. | {
"tokens": [
"At",
"the",
"end",
"of",
"November",
",",
"Chopin",
"returned",
"to",
"Paris",
".",
"He",
"passed",
"the",
"winter",
"in",
"unremitting",
"illness",
",",
"but",
"gave",
"occasional",
"lessons",
"and",
"was",
"visited",
"by",
"friends",
",",
"including",
"Delacroix",
"and",
"Franchomme",
".",
"Occasionally",
"he",
"played",
",",
"or",
"accompanied",
"the",
"singing",
"of",
"Delfina",
"Potocka",
",",
"for",
"his",
"friends",
".",
"During",
"the",
"summer",
"of",
"1849",
",",
"his",
"friends",
"found",
"him",
"an",
"apartment",
"in",
"Chaillot",
",",
"out",
"of",
"the",
"centre",
"of",
"the",
"city",
",",
"for",
"which",
"the",
"rent",
"was",
"secretly",
"subsidised",
"by",
"an",
"admirer",
",",
"Princess",
"Obreskoff",
".",
"Here",
"in",
"June",
"1849",
"he",
"was",
"visited",
"by",
"Jenny",
"Lind",
"."
],
"offsets": [
0,
3,
7,
11,
14,
22,
24,
31,
40,
43,
48,
50,
53,
60,
64,
71,
74,
86,
93,
95,
99,
104,
115,
123,
127,
131,
139,
142,
149,
151,
161,
171,
175,
185,
187,
200,
203,
209,
211,
214,
226,
230,
238,
241,
249,
256,
258,
262,
266,
273,
275,
282,
286,
293,
296,
300,
302,
306,
314,
320,
324,
327,
337,
340,
348,
350,
354,
357,
361,
368,
371,
375,
379,
381,
385,
391,
395,
400,
404,
413,
424,
427,
430,
437,
439,
448,
457,
459,
464,
467,
472,
477,
480,
484,
492,
495,
501,
505
]
} | 7125b4fa095f46998da8c575d78b83d7 | When did Chopin return to Paris? | {
"tokens": [
"When",
"did",
"Chopin",
"return",
"to",
"Paris",
"?"
],
"offsets": [
0,
5,
9,
16,
23,
26,
31
]
} | {
"text": [
"November"
],
"char_spans": [
{
"start": [
14
],
"end": [
21
]
}
],
"token_spans": [
{
"start": [
4
],
"end": [
4
]
}
]
} | [
"November"
] |
SQuAD | At the end of November, Chopin returned to Paris. He passed the winter in unremitting illness, but gave occasional lessons and was visited by friends, including Delacroix and Franchomme. Occasionally he played, or accompanied the singing of Delfina Potocka, for his friends. During the summer of 1849, his friends found him an apartment in Chaillot, out of the centre of the city, for which the rent was secretly subsidised by an admirer, Princess Obreskoff. Here in June 1849 he was visited by Jenny Lind. | {
"tokens": [
"At",
"the",
"end",
"of",
"November",
",",
"Chopin",
"returned",
"to",
"Paris",
".",
"He",
"passed",
"the",
"winter",
"in",
"unremitting",
"illness",
",",
"but",
"gave",
"occasional",
"lessons",
"and",
"was",
"visited",
"by",
"friends",
",",
"including",
"Delacroix",
"and",
"Franchomme",
".",
"Occasionally",
"he",
"played",
",",
"or",
"accompanied",
"the",
"singing",
"of",
"Delfina",
"Potocka",
",",
"for",
"his",
"friends",
".",
"During",
"the",
"summer",
"of",
"1849",
",",
"his",
"friends",
"found",
"him",
"an",
"apartment",
"in",
"Chaillot",
",",
"out",
"of",
"the",
"centre",
"of",
"the",
"city",
",",
"for",
"which",
"the",
"rent",
"was",
"secretly",
"subsidised",
"by",
"an",
"admirer",
",",
"Princess",
"Obreskoff",
".",
"Here",
"in",
"June",
"1849",
"he",
"was",
"visited",
"by",
"Jenny",
"Lind",
"."
],
"offsets": [
0,
3,
7,
11,
14,
22,
24,
31,
40,
43,
48,
50,
53,
60,
64,
71,
74,
86,
93,
95,
99,
104,
115,
123,
127,
131,
139,
142,
149,
151,
161,
171,
175,
185,
187,
200,
203,
209,
211,
214,
226,
230,
238,
241,
249,
256,
258,
262,
266,
273,
275,
282,
286,
293,
296,
300,
302,
306,
314,
320,
324,
327,
337,
340,
348,
350,
354,
357,
361,
368,
371,
375,
379,
381,
385,
391,
395,
400,
404,
413,
424,
427,
430,
437,
439,
448,
457,
459,
464,
467,
472,
477,
480,
484,
492,
495,
501,
505
]
} | c338dcbe72aa42c7ba05b6a7ff24e3a7 | Chopin accompanied which singer for friends? | {
"tokens": [
"Chopin",
"accompanied",
"which",
"singer",
"for",
"friends",
"?"
],
"offsets": [
0,
7,
19,
25,
32,
36,
43
]
} | {
"text": [
"Delfina Potocka"
],
"char_spans": [
{
"start": [
241
],
"end": [
255
]
}
],
"token_spans": [
{
"start": [
43
],
"end": [
44
]
}
]
} | [
"Delfina Potocka"
] |
SQuAD | At the end of November, Chopin returned to Paris. He passed the winter in unremitting illness, but gave occasional lessons and was visited by friends, including Delacroix and Franchomme. Occasionally he played, or accompanied the singing of Delfina Potocka, for his friends. During the summer of 1849, his friends found him an apartment in Chaillot, out of the centre of the city, for which the rent was secretly subsidised by an admirer, Princess Obreskoff. Here in June 1849 he was visited by Jenny Lind. | {
"tokens": [
"At",
"the",
"end",
"of",
"November",
",",
"Chopin",
"returned",
"to",
"Paris",
".",
"He",
"passed",
"the",
"winter",
"in",
"unremitting",
"illness",
",",
"but",
"gave",
"occasional",
"lessons",
"and",
"was",
"visited",
"by",
"friends",
",",
"including",
"Delacroix",
"and",
"Franchomme",
".",
"Occasionally",
"he",
"played",
",",
"or",
"accompanied",
"the",
"singing",
"of",
"Delfina",
"Potocka",
",",
"for",
"his",
"friends",
".",
"During",
"the",
"summer",
"of",
"1849",
",",
"his",
"friends",
"found",
"him",
"an",
"apartment",
"in",
"Chaillot",
",",
"out",
"of",
"the",
"centre",
"of",
"the",
"city",
",",
"for",
"which",
"the",
"rent",
"was",
"secretly",
"subsidised",
"by",
"an",
"admirer",
",",
"Princess",
"Obreskoff",
".",
"Here",
"in",
"June",
"1849",
"he",
"was",
"visited",
"by",
"Jenny",
"Lind",
"."
],
"offsets": [
0,
3,
7,
11,
14,
22,
24,
31,
40,
43,
48,
50,
53,
60,
64,
71,
74,
86,
93,
95,
99,
104,
115,
123,
127,
131,
139,
142,
149,
151,
161,
171,
175,
185,
187,
200,
203,
209,
211,
214,
226,
230,
238,
241,
249,
256,
258,
262,
266,
273,
275,
282,
286,
293,
296,
300,
302,
306,
314,
320,
324,
327,
337,
340,
348,
350,
354,
357,
361,
368,
371,
375,
379,
381,
385,
391,
395,
400,
404,
413,
424,
427,
430,
437,
439,
448,
457,
459,
464,
467,
472,
477,
480,
484,
492,
495,
501,
505
]
} | 202a79e0f2e84032bd9bb351985ca155 | Where did his friends found Chopin an apartment in 1849? | {
"tokens": [
"Where",
"did",
"his",
"friends",
"found",
"Chopin",
"an",
"apartment",
"in",
"1849",
"?"
],
"offsets": [
0,
6,
10,
14,
22,
28,
35,
38,
48,
51,
55
]
} | {
"text": [
"Chaillot"
],
"char_spans": [
{
"start": [
340
],
"end": [
347
]
}
],
"token_spans": [
{
"start": [
63
],
"end": [
63
]
}
]
} | [
"Chaillot"
] |
SQuAD | At the end of November, Chopin returned to Paris. He passed the winter in unremitting illness, but gave occasional lessons and was visited by friends, including Delacroix and Franchomme. Occasionally he played, or accompanied the singing of Delfina Potocka, for his friends. During the summer of 1849, his friends found him an apartment in Chaillot, out of the centre of the city, for which the rent was secretly subsidised by an admirer, Princess Obreskoff. Here in June 1849 he was visited by Jenny Lind. | {
"tokens": [
"At",
"the",
"end",
"of",
"November",
",",
"Chopin",
"returned",
"to",
"Paris",
".",
"He",
"passed",
"the",
"winter",
"in",
"unremitting",
"illness",
",",
"but",
"gave",
"occasional",
"lessons",
"and",
"was",
"visited",
"by",
"friends",
",",
"including",
"Delacroix",
"and",
"Franchomme",
".",
"Occasionally",
"he",
"played",
",",
"or",
"accompanied",
"the",
"singing",
"of",
"Delfina",
"Potocka",
",",
"for",
"his",
"friends",
".",
"During",
"the",
"summer",
"of",
"1849",
",",
"his",
"friends",
"found",
"him",
"an",
"apartment",
"in",
"Chaillot",
",",
"out",
"of",
"the",
"centre",
"of",
"the",
"city",
",",
"for",
"which",
"the",
"rent",
"was",
"secretly",
"subsidised",
"by",
"an",
"admirer",
",",
"Princess",
"Obreskoff",
".",
"Here",
"in",
"June",
"1849",
"he",
"was",
"visited",
"by",
"Jenny",
"Lind",
"."
],
"offsets": [
0,
3,
7,
11,
14,
22,
24,
31,
40,
43,
48,
50,
53,
60,
64,
71,
74,
86,
93,
95,
99,
104,
115,
123,
127,
131,
139,
142,
149,
151,
161,
171,
175,
185,
187,
200,
203,
209,
211,
214,
226,
230,
238,
241,
249,
256,
258,
262,
266,
273,
275,
282,
286,
293,
296,
300,
302,
306,
314,
320,
324,
327,
337,
340,
348,
350,
354,
357,
361,
368,
371,
375,
379,
381,
385,
391,
395,
400,
404,
413,
424,
427,
430,
437,
439,
448,
457,
459,
464,
467,
472,
477,
480,
484,
492,
495,
501,
505
]
} | 79848a7bb2c1488d98beed529d11c2ea | Who paid for Chopin's apartment in Chaillot? | {
"tokens": [
"Who",
"paid",
"for",
"Chopin",
"'s",
"apartment",
"in",
"Chaillot",
"?"
],
"offsets": [
0,
4,
9,
13,
19,
22,
32,
35,
43
]
} | {
"text": [
"Princess Obreskoff."
],
"char_spans": [
{
"start": [
439
],
"end": [
457
]
}
],
"token_spans": [
{
"start": [
84
],
"end": [
86
]
}
]
} | [
"Princess Obreskoff."
] |
SQuAD | At the end of November, Chopin returned to Paris. He passed the winter in unremitting illness, but gave occasional lessons and was visited by friends, including Delacroix and Franchomme. Occasionally he played, or accompanied the singing of Delfina Potocka, for his friends. During the summer of 1849, his friends found him an apartment in Chaillot, out of the centre of the city, for which the rent was secretly subsidised by an admirer, Princess Obreskoff. Here in June 1849 he was visited by Jenny Lind. | {
"tokens": [
"At",
"the",
"end",
"of",
"November",
",",
"Chopin",
"returned",
"to",
"Paris",
".",
"He",
"passed",
"the",
"winter",
"in",
"unremitting",
"illness",
",",
"but",
"gave",
"occasional",
"lessons",
"and",
"was",
"visited",
"by",
"friends",
",",
"including",
"Delacroix",
"and",
"Franchomme",
".",
"Occasionally",
"he",
"played",
",",
"or",
"accompanied",
"the",
"singing",
"of",
"Delfina",
"Potocka",
",",
"for",
"his",
"friends",
".",
"During",
"the",
"summer",
"of",
"1849",
",",
"his",
"friends",
"found",
"him",
"an",
"apartment",
"in",
"Chaillot",
",",
"out",
"of",
"the",
"centre",
"of",
"the",
"city",
",",
"for",
"which",
"the",
"rent",
"was",
"secretly",
"subsidised",
"by",
"an",
"admirer",
",",
"Princess",
"Obreskoff",
".",
"Here",
"in",
"June",
"1849",
"he",
"was",
"visited",
"by",
"Jenny",
"Lind",
"."
],
"offsets": [
0,
3,
7,
11,
14,
22,
24,
31,
40,
43,
48,
50,
53,
60,
64,
71,
74,
86,
93,
95,
99,
104,
115,
123,
127,
131,
139,
142,
149,
151,
161,
171,
175,
185,
187,
200,
203,
209,
211,
214,
226,
230,
238,
241,
249,
256,
258,
262,
266,
273,
275,
282,
286,
293,
296,
300,
302,
306,
314,
320,
324,
327,
337,
340,
348,
350,
354,
357,
361,
368,
371,
375,
379,
381,
385,
391,
395,
400,
404,
413,
424,
427,
430,
437,
439,
448,
457,
459,
464,
467,
472,
477,
480,
484,
492,
495,
501,
505
]
} | 86ceb716ab13485695cab969e89a322b | When did Jenny Lind visit Chopin? | {
"tokens": [
"When",
"did",
"Jenny",
"Lind",
"visit",
"Chopin",
"?"
],
"offsets": [
0,
5,
9,
15,
20,
26,
32
]
} | {
"text": [
"June 1849"
],
"char_spans": [
{
"start": [
467
],
"end": [
475
]
}
],
"token_spans": [
{
"start": [
89
],
"end": [
90
]
}
]
} | [
"June 1849"
] |
SQuAD | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | {
"tokens": [
"With",
"his",
"health",
"further",
"deteriorating",
",",
"Chopin",
"desired",
"to",
"have",
"a",
"family",
"member",
"with",
"him",
".",
"In",
"June",
"1849",
"his",
"sister",
"Ludwika",
"came",
"to",
"Paris",
"with",
"her",
"husband",
"and",
"daughter",
",",
"and",
"in",
"September",
",",
"supported",
"by",
"a",
"loan",
"from",
"Jane",
"Stirling",
",",
"he",
"took",
"an",
"apartment",
"at",
"Place",
"Vendôme",
"12",
".",
"After",
"15",
"October",
",",
"when",
"his",
"condition",
"took",
"a",
"marked",
"turn",
"for",
"the",
"worse",
",",
"only",
"a",
"handful",
"of",
"his",
"closest",
"friends",
"remained",
"with",
"him",
",",
"although",
"Viardot",
"remarked",
"sardonically",
"that",
"\"",
"all",
"the",
"grand",
"Parisian",
"ladies",
"considered",
"it",
"de",
"rigueur",
"to",
"faint",
"in",
"his",
"room",
".",
"\""
],
"offsets": [
0,
5,
9,
16,
24,
37,
39,
46,
54,
57,
62,
64,
71,
78,
83,
86,
88,
91,
96,
101,
105,
112,
120,
125,
128,
134,
139,
143,
151,
155,
163,
165,
169,
172,
181,
183,
193,
196,
198,
203,
208,
213,
221,
223,
226,
231,
234,
244,
247,
253,
261,
263,
265,
271,
274,
281,
283,
288,
292,
302,
307,
309,
316,
321,
325,
329,
334,
336,
341,
343,
351,
354,
358,
366,
374,
383,
388,
391,
393,
402,
410,
419,
432,
437,
438,
442,
446,
452,
461,
468,
479,
482,
485,
493,
496,
502,
505,
509,
513,
514
]
} | d7c20b4c212b4d30871d55bf596528a2 | When did his sister come to stay with Chopin? | {
"tokens": [
"When",
"did",
"his",
"sister",
"come",
"to",
"stay",
"with",
"Chopin",
"?"
],
"offsets": [
0,
5,
9,
13,
20,
25,
28,
33,
38,
44
]
} | {
"text": [
"June 1849"
],
"char_spans": [
{
"start": [
91
],
"end": [
99
]
}
],
"token_spans": [
{
"start": [
17
],
"end": [
18
]
}
]
} | [
"June 1849"
] |
SQuAD | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | {
"tokens": [
"With",
"his",
"health",
"further",
"deteriorating",
",",
"Chopin",
"desired",
"to",
"have",
"a",
"family",
"member",
"with",
"him",
".",
"In",
"June",
"1849",
"his",
"sister",
"Ludwika",
"came",
"to",
"Paris",
"with",
"her",
"husband",
"and",
"daughter",
",",
"and",
"in",
"September",
",",
"supported",
"by",
"a",
"loan",
"from",
"Jane",
"Stirling",
",",
"he",
"took",
"an",
"apartment",
"at",
"Place",
"Vendôme",
"12",
".",
"After",
"15",
"October",
",",
"when",
"his",
"condition",
"took",
"a",
"marked",
"turn",
"for",
"the",
"worse",
",",
"only",
"a",
"handful",
"of",
"his",
"closest",
"friends",
"remained",
"with",
"him",
",",
"although",
"Viardot",
"remarked",
"sardonically",
"that",
"\"",
"all",
"the",
"grand",
"Parisian",
"ladies",
"considered",
"it",
"de",
"rigueur",
"to",
"faint",
"in",
"his",
"room",
".",
"\""
],
"offsets": [
0,
5,
9,
16,
24,
37,
39,
46,
54,
57,
62,
64,
71,
78,
83,
86,
88,
91,
96,
101,
105,
112,
120,
125,
128,
134,
139,
143,
151,
155,
163,
165,
169,
172,
181,
183,
193,
196,
198,
203,
208,
213,
221,
223,
226,
231,
234,
244,
247,
253,
261,
263,
265,
271,
274,
281,
283,
288,
292,
302,
307,
309,
316,
321,
325,
329,
334,
336,
341,
343,
351,
354,
358,
366,
374,
383,
388,
391,
393,
402,
410,
419,
432,
437,
438,
442,
446,
452,
461,
468,
479,
482,
485,
493,
496,
502,
505,
509,
513,
514
]
} | 4a1ad16bda004569a10cb66091ffc285 | In September 1849 where did Chopin take up residence? | {
"tokens": [
"In",
"September",
"1849",
"where",
"did",
"Chopin",
"take",
"up",
"residence",
"?"
],
"offsets": [
0,
3,
13,
18,
24,
28,
35,
40,
43,
52
]
} | {
"text": [
"Place Vendôme 12"
],
"char_spans": [
{
"start": [
247
],
"end": [
262
]
}
],
"token_spans": [
{
"start": [
48
],
"end": [
50
]
}
]
} | [
"Place Vendôme 12"
] |
SQuAD | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | {
"tokens": [
"With",
"his",
"health",
"further",
"deteriorating",
",",
"Chopin",
"desired",
"to",
"have",
"a",
"family",
"member",
"with",
"him",
".",
"In",
"June",
"1849",
"his",
"sister",
"Ludwika",
"came",
"to",
"Paris",
"with",
"her",
"husband",
"and",
"daughter",
",",
"and",
"in",
"September",
",",
"supported",
"by",
"a",
"loan",
"from",
"Jane",
"Stirling",
",",
"he",
"took",
"an",
"apartment",
"at",
"Place",
"Vendôme",
"12",
".",
"After",
"15",
"October",
",",
"when",
"his",
"condition",
"took",
"a",
"marked",
"turn",
"for",
"the",
"worse",
",",
"only",
"a",
"handful",
"of",
"his",
"closest",
"friends",
"remained",
"with",
"him",
",",
"although",
"Viardot",
"remarked",
"sardonically",
"that",
"\"",
"all",
"the",
"grand",
"Parisian",
"ladies",
"considered",
"it",
"de",
"rigueur",
"to",
"faint",
"in",
"his",
"room",
".",
"\""
],
"offsets": [
0,
5,
9,
16,
24,
37,
39,
46,
54,
57,
62,
64,
71,
78,
83,
86,
88,
91,
96,
101,
105,
112,
120,
125,
128,
134,
139,
143,
151,
155,
163,
165,
169,
172,
181,
183,
193,
196,
198,
203,
208,
213,
221,
223,
226,
231,
234,
244,
247,
253,
261,
263,
265,
271,
274,
281,
283,
288,
292,
302,
307,
309,
316,
321,
325,
329,
334,
336,
341,
343,
351,
354,
358,
366,
374,
383,
388,
391,
393,
402,
410,
419,
432,
437,
438,
442,
446,
452,
461,
468,
479,
482,
485,
493,
496,
502,
505,
509,
513,
514
]
} | cc41821179f44ce6ba32820379464e1d | Which family member came to Paris in June 1849? | {
"tokens": [
"Which",
"family",
"member",
"came",
"to",
"Paris",
"in",
"June",
"1849",
"?"
],
"offsets": [
0,
6,
13,
20,
25,
28,
34,
37,
42,
46
]
} | {
"text": [
"his sister"
],
"char_spans": [
{
"start": [
101
],
"end": [
110
]
}
],
"token_spans": [
{
"start": [
19
],
"end": [
20
]
}
]
} | [
"his sister"
] |
SQuAD | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | {
"tokens": [
"With",
"his",
"health",
"further",
"deteriorating",
",",
"Chopin",
"desired",
"to",
"have",
"a",
"family",
"member",
"with",
"him",
".",
"In",
"June",
"1849",
"his",
"sister",
"Ludwika",
"came",
"to",
"Paris",
"with",
"her",
"husband",
"and",
"daughter",
",",
"and",
"in",
"September",
",",
"supported",
"by",
"a",
"loan",
"from",
"Jane",
"Stirling",
",",
"he",
"took",
"an",
"apartment",
"at",
"Place",
"Vendôme",
"12",
".",
"After",
"15",
"October",
",",
"when",
"his",
"condition",
"took",
"a",
"marked",
"turn",
"for",
"the",
"worse",
",",
"only",
"a",
"handful",
"of",
"his",
"closest",
"friends",
"remained",
"with",
"him",
",",
"although",
"Viardot",
"remarked",
"sardonically",
"that",
"\"",
"all",
"the",
"grand",
"Parisian",
"ladies",
"considered",
"it",
"de",
"rigueur",
"to",
"faint",
"in",
"his",
"room",
".",
"\""
],
"offsets": [
0,
5,
9,
16,
24,
37,
39,
46,
54,
57,
62,
64,
71,
78,
83,
86,
88,
91,
96,
101,
105,
112,
120,
125,
128,
134,
139,
143,
151,
155,
163,
165,
169,
172,
181,
183,
193,
196,
198,
203,
208,
213,
221,
223,
226,
231,
234,
244,
247,
253,
261,
263,
265,
271,
274,
281,
283,
288,
292,
302,
307,
309,
316,
321,
325,
329,
334,
336,
341,
343,
351,
354,
358,
366,
374,
383,
388,
391,
393,
402,
410,
419,
432,
437,
438,
442,
446,
452,
461,
468,
479,
482,
485,
493,
496,
502,
505,
509,
513,
514
]
} | c7022267aeb349a1a9fa52b3802ad933 | Who accompanied Chopin's sister to Paris? | {
"tokens": [
"Who",
"accompanied",
"Chopin",
"'s",
"sister",
"to",
"Paris",
"?"
],
"offsets": [
0,
4,
16,
22,
25,
32,
35,
40
]
} | {
"text": [
"her husband and daughter"
],
"char_spans": [
{
"start": [
139
],
"end": [
162
]
}
],
"token_spans": [
{
"start": [
26
],
"end": [
29
]
}
]
} | [
"her husband and daughter"
] |
SQuAD | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | {
"tokens": [
"With",
"his",
"health",
"further",
"deteriorating",
",",
"Chopin",
"desired",
"to",
"have",
"a",
"family",
"member",
"with",
"him",
".",
"In",
"June",
"1849",
"his",
"sister",
"Ludwika",
"came",
"to",
"Paris",
"with",
"her",
"husband",
"and",
"daughter",
",",
"and",
"in",
"September",
",",
"supported",
"by",
"a",
"loan",
"from",
"Jane",
"Stirling",
",",
"he",
"took",
"an",
"apartment",
"at",
"Place",
"Vendôme",
"12",
".",
"After",
"15",
"October",
",",
"when",
"his",
"condition",
"took",
"a",
"marked",
"turn",
"for",
"the",
"worse",
",",
"only",
"a",
"handful",
"of",
"his",
"closest",
"friends",
"remained",
"with",
"him",
",",
"although",
"Viardot",
"remarked",
"sardonically",
"that",
"\"",
"all",
"the",
"grand",
"Parisian",
"ladies",
"considered",
"it",
"de",
"rigueur",
"to",
"faint",
"in",
"his",
"room",
".",
"\""
],
"offsets": [
0,
5,
9,
16,
24,
37,
39,
46,
54,
57,
62,
64,
71,
78,
83,
86,
88,
91,
96,
101,
105,
112,
120,
125,
128,
134,
139,
143,
151,
155,
163,
165,
169,
172,
181,
183,
193,
196,
198,
203,
208,
213,
221,
223,
226,
231,
234,
244,
247,
253,
261,
263,
265,
271,
274,
281,
283,
288,
292,
302,
307,
309,
316,
321,
325,
329,
334,
336,
341,
343,
351,
354,
358,
366,
374,
383,
388,
391,
393,
402,
410,
419,
432,
437,
438,
442,
446,
452,
461,
468,
479,
482,
485,
493,
496,
502,
505,
509,
513,
514
]
} | f890362578f54f73aba36a64c82a09f5 | Who gave Chopin a loan in September for an apartment? | {
"tokens": [
"Who",
"gave",
"Chopin",
"a",
"loan",
"in",
"September",
"for",
"an",
"apartment",
"?"
],
"offsets": [
0,
4,
9,
16,
18,
23,
26,
36,
40,
43,
52
]
} | {
"text": [
"Jane Stirling"
],
"char_spans": [
{
"start": [
208
],
"end": [
220
]
}
],
"token_spans": [
{
"start": [
40
],
"end": [
41
]
}
]
} | [
"Jane Stirling"
] |
SQuAD | With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him, although Viardot remarked sardonically that "all the grand Parisian ladies considered it de rigueur to faint in his room." | {
"tokens": [
"With",
"his",
"health",
"further",
"deteriorating",
",",
"Chopin",
"desired",
"to",
"have",
"a",
"family",
"member",
"with",
"him",
".",
"In",
"June",
"1849",
"his",
"sister",
"Ludwika",
"came",
"to",
"Paris",
"with",
"her",
"husband",
"and",
"daughter",
",",
"and",
"in",
"September",
",",
"supported",
"by",
"a",
"loan",
"from",
"Jane",
"Stirling",
",",
"he",
"took",
"an",
"apartment",
"at",
"Place",
"Vendôme",
"12",
".",
"After",
"15",
"October",
",",
"when",
"his",
"condition",
"took",
"a",
"marked",
"turn",
"for",
"the",
"worse",
",",
"only",
"a",
"handful",
"of",
"his",
"closest",
"friends",
"remained",
"with",
"him",
",",
"although",
"Viardot",
"remarked",
"sardonically",
"that",
"\"",
"all",
"the",
"grand",
"Parisian",
"ladies",
"considered",
"it",
"de",
"rigueur",
"to",
"faint",
"in",
"his",
"room",
".",
"\""
],
"offsets": [
0,
5,
9,
16,
24,
37,
39,
46,
54,
57,
62,
64,
71,
78,
83,
86,
88,
91,
96,
101,
105,
112,
120,
125,
128,
134,
139,
143,
151,
155,
163,
165,
169,
172,
181,
183,
193,
196,
198,
203,
208,
213,
221,
223,
226,
231,
234,
244,
247,
253,
261,
263,
265,
271,
274,
281,
283,
288,
292,
302,
307,
309,
316,
321,
325,
329,
334,
336,
341,
343,
351,
354,
358,
366,
374,
383,
388,
391,
393,
402,
410,
419,
432,
437,
438,
442,
446,
452,
461,
468,
479,
482,
485,
493,
496,
502,
505,
509,
513,
514
]
} | 5d3577e9e34b4317b46ac9d0d16ffcb5 | What did Parisian ladies consider proper etiquette when in Chopin's room? | {
"tokens": [
"What",
"did",
"Parisian",
"ladies",
"consider",
"proper",
"etiquette",
"when",
"in",
"Chopin",
"'s",
"room",
"?"
],
"offsets": [
0,
5,
9,
18,
25,
34,
41,
51,
56,
59,
65,
68,
72
]
} | {
"text": [
"to faint"
],
"char_spans": [
{
"start": [
493
],
"end": [
500
]
}
],
"token_spans": [
{
"start": [
93
],
"end": [
94
]
}
]
} | [
"to faint"
] |
SQuAD | Chopin's études are largely in straightforward ternary form. He used them to teach his own technique of piano playing—for instance playing double thirds (Op. 25, No. 6), playing in octaves (Op. 25, No. 10), and playing repeated notes (Op. 10, No. 7). | {
"tokens": [
"Chopin",
"'s",
"études",
"are",
"largely",
"in",
"straightforward",
"ternary",
"form",
".",
"He",
"used",
"them",
"to",
"teach",
"his",
"own",
"technique",
"of",
"piano",
"playing",
"—",
"for",
"instance",
"playing",
"double",
"thirds",
"(",
"Op",
".",
"25",
",",
"No",
".",
"6",
")",
",",
"playing",
"in",
"octaves",
"(",
"Op",
".",
"25",
",",
"No",
".",
"10",
")",
",",
"and",
"playing",
"repeated",
"notes",
"(",
"Op",
".",
"10",
",",
"No",
".",
"7",
")",
"."
],
"offsets": [
0,
6,
9,
16,
20,
28,
31,
47,
55,
59,
61,
64,
69,
74,
77,
83,
87,
91,
101,
104,
110,
117,
118,
122,
131,
139,
146,
153,
154,
156,
158,
160,
162,
164,
166,
167,
168,
170,
178,
181,
189,
190,
192,
194,
196,
198,
200,
202,
204,
205,
207,
211,
219,
228,
234,
235,
237,
239,
241,
243,
245,
248,
249,
250
]
} | bf83d91894d34525911d969fe84d6bcf | What pieces of his did Chopin use to teach his technique? | {
"tokens": [
"What",
"pieces",
"of",
"his",
"did",
"Chopin",
"use",
"to",
"teach",
"his",
"technique",
"?"
],
"offsets": [
0,
5,
12,
15,
19,
23,
30,
34,
37,
43,
47,
56
]
} | {
"text": [
"études"
],
"char_spans": [
{
"start": [
9
],
"end": [
14
]
}
],
"token_spans": [
{
"start": [
2
],
"end": [
2
]
}
]
} | [
"études"
] |
SQuAD | Chopin's études are largely in straightforward ternary form. He used them to teach his own technique of piano playing—for instance playing double thirds (Op. 25, No. 6), playing in octaves (Op. 25, No. 10), and playing repeated notes (Op. 10, No. 7). | {
"tokens": [
"Chopin",
"'s",
"études",
"are",
"largely",
"in",
"straightforward",
"ternary",
"form",
".",
"He",
"used",
"them",
"to",
"teach",
"his",
"own",
"technique",
"of",
"piano",
"playing",
"—",
"for",
"instance",
"playing",
"double",
"thirds",
"(",
"Op",
".",
"25",
",",
"No",
".",
"6",
")",
",",
"playing",
"in",
"octaves",
"(",
"Op",
".",
"25",
",",
"No",
".",
"10",
")",
",",
"and",
"playing",
"repeated",
"notes",
"(",
"Op",
".",
"10",
",",
"No",
".",
"7",
")",
"."
],
"offsets": [
0,
6,
9,
16,
20,
28,
31,
47,
55,
59,
61,
64,
69,
74,
77,
83,
87,
91,
101,
104,
110,
117,
118,
122,
131,
139,
146,
153,
154,
156,
158,
160,
162,
164,
166,
167,
168,
170,
178,
181,
189,
190,
192,
194,
196,
198,
200,
202,
204,
205,
207,
211,
219,
228,
234,
235,
237,
239,
241,
243,
245,
248,
249,
250
]
} | 6e906d2a7781408ab72e94549f280b91 | What form are most of Chopin's études in? | {
"tokens": [
"What",
"form",
"are",
"most",
"of",
"Chopin",
"'s",
"études",
"in",
"?"
],
"offsets": [
0,
5,
10,
14,
19,
22,
28,
31,
38,
40
]
} | {
"text": [
"straightforward ternary"
],
"char_spans": [
{
"start": [
31
],
"end": [
53
]
}
],
"token_spans": [
{
"start": [
6
],
"end": [
7
]
}
]
} | [
"straightforward ternary"
] |
SQuAD | Chopin's études are largely in straightforward ternary form. He used them to teach his own technique of piano playing—for instance playing double thirds (Op. 25, No. 6), playing in octaves (Op. 25, No. 10), and playing repeated notes (Op. 10, No. 7). | {
"tokens": [
"Chopin",
"'s",
"études",
"are",
"largely",
"in",
"straightforward",
"ternary",
"form",
".",
"He",
"used",
"them",
"to",
"teach",
"his",
"own",
"technique",
"of",
"piano",
"playing",
"—",
"for",
"instance",
"playing",
"double",
"thirds",
"(",
"Op",
".",
"25",
",",
"No",
".",
"6",
")",
",",
"playing",
"in",
"octaves",
"(",
"Op",
".",
"25",
",",
"No",
".",
"10",
")",
",",
"and",
"playing",
"repeated",
"notes",
"(",
"Op",
".",
"10",
",",
"No",
".",
"7",
")",
"."
],
"offsets": [
0,
6,
9,
16,
20,
28,
31,
47,
55,
59,
61,
64,
69,
74,
77,
83,
87,
91,
101,
104,
110,
117,
118,
122,
131,
139,
146,
153,
154,
156,
158,
160,
162,
164,
166,
167,
168,
170,
178,
181,
189,
190,
192,
194,
196,
198,
200,
202,
204,
205,
207,
211,
219,
228,
234,
235,
237,
239,
241,
243,
245,
248,
249,
250
]
} | e8d025ce399a42e2afb7d40002f9703f | Chopin often taught his piano technique using what form of music he wrote? | {
"tokens": [
"Chopin",
"often",
"taught",
"his",
"piano",
"technique",
"using",
"what",
"form",
"of",
"music",
"he",
"wrote",
"?"
],
"offsets": [
0,
7,
13,
20,
24,
30,
40,
46,
51,
56,
59,
65,
68,
73
]
} | {
"text": [
"études"
],
"char_spans": [
{
"start": [
9
],
"end": [
14
]
}
],
"token_spans": [
{
"start": [
2
],
"end": [
2
]
}
]
} | [
"études"
] |
SQuAD | Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons, but preferred playing at his own Paris apartment for small groups of friends. The musicologist Arthur Hedley has observed that "As a pianist Chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances—few more than thirty in the course of his lifetime." The list of musicians who took part in some of his concerts provides an indication of the richness of Parisian artistic life during this period. Examples include a concert on 23 March 1833, in which Chopin, Liszt and Hiller performed (on pianos) a concerto by J.S. Bach for three keyboards; and, on 3 March 1838, a concert in which Chopin, his pupil Adolphe Gutmann, Charles-Valentin Alkan, and Alkan's teacher Joseph Zimmermann performed Alkan's arrangement, for eight hands, of two movements from Beethoven's 7th symphony. Chopin was also involved in the composition of Liszt's Hexameron; he wrote the sixth (and final) variation on Bellini's theme. Chopin's music soon found success with publishers, and in 1833 he contracted with Maurice Schlesinger, who arranged for it to be published not only in France but, through his family connections, also in Germany and England. | {
"tokens": [
"Chopin",
"seldom",
"performed",
"publicly",
"in",
"Paris",
".",
"In",
"later",
"years",
"he",
"generally",
"gave",
"a",
"single",
"annual",
"concert",
"at",
"the",
"Salle",
"Pleyel",
",",
"a",
"venue",
"that",
"seated",
"three",
"hundred",
".",
"He",
"played",
"more",
"frequently",
"at",
"salons",
",",
"but",
"preferred",
"playing",
"at",
"his",
"own",
"Paris",
"apartment",
"for",
"small",
"groups",
"of",
"friends",
".",
"The",
"musicologist",
"Arthur",
"Hedley",
"has",
"observed",
"that",
"\"",
"As",
"a",
"pianist",
"Chopin",
"was",
"unique",
"in",
"acquiring",
"a",
"reputation",
"of",
"the",
"highest",
"order",
"on",
"the",
"basis",
"of",
"a",
"minimum",
"of",
"public",
"appearances",
"—",
"few",
"more",
"than",
"thirty",
"in",
"the",
"course",
"of",
"his",
"lifetime",
".",
"\"",
"The",
"list",
"of",
"musicians",
"who",
"took",
"part",
"in",
"some",
"of",
"his",
"concerts",
"provides",
"an",
"indication",
"of",
"the",
"richness",
"of",
"Parisian",
"artistic",
"life",
"during",
"this",
"period",
".",
"Examples",
"include",
"a",
"concert",
"on",
"23",
"March",
"1833",
",",
"in",
"which",
"Chopin",
",",
"Liszt",
"and",
"Hiller",
"performed",
"(",
"on",
"pianos",
")",
"a",
"concerto",
"by",
"J.S.",
"Bach",
"for",
"three",
"keyboards",
";",
"and",
",",
"on",
"3",
"March",
"1838",
",",
"a",
"concert",
"in",
"which",
"Chopin",
",",
"his",
"pupil",
"Adolphe",
"Gutmann",
",",
"Charles",
"-",
"Valentin",
"Alkan",
",",
"and",
"Alkan",
"'s",
"teacher",
"Joseph",
"Zimmermann",
"performed",
"Alkan",
"'s",
"arrangement",
",",
"for",
"eight",
"hands",
",",
"of",
"two",
"movements",
"from",
"Beethoven",
"'s",
"7th",
"symphony",
".",
"Chopin",
"was",
"also",
"involved",
"in",
"the",
"composition",
"of",
"Liszt",
"'s",
"Hexameron",
";",
"he",
"wrote",
"the",
"sixth",
"(",
"and",
"final",
")",
"variation",
"on",
"Bellini",
"'s",
"theme",
".",
"Chopin",
"'s",
"music",
"soon",
"found",
"success",
"with",
"publishers",
",",
"and",
"in",
"1833",
"he",
"contracted",
"with",
"Maurice",
"Schlesinger",
",",
"who",
"arranged",
"for",
"it",
"to",
"be",
"published",
"not",
"only",
"in",
"France",
"but",
",",
"through",
"his",
"family",
"connections",
",",
"also",
"in",
"Germany",
"and",
"England",
"."
],
"offsets": [
0,
7,
14,
24,
33,
36,
41,
43,
46,
52,
58,
61,
71,
76,
78,
85,
92,
100,
103,
107,
113,
119,
121,
123,
129,
134,
141,
147,
154,
156,
159,
166,
171,
182,
185,
191,
193,
197,
207,
215,
218,
222,
226,
232,
242,
246,
252,
259,
262,
269,
271,
275,
288,
295,
302,
306,
315,
320,
321,
324,
326,
334,
341,
345,
352,
355,
365,
367,
378,
381,
385,
393,
399,
402,
406,
412,
415,
417,
425,
428,
435,
446,
447,
451,
456,
461,
468,
471,
475,
482,
485,
489,
497,
498,
500,
504,
509,
512,
522,
526,
531,
536,
539,
544,
547,
551,
560,
569,
572,
583,
586,
590,
599,
602,
611,
620,
625,
632,
637,
643,
645,
654,
662,
664,
672,
675,
678,
684,
688,
690,
693,
699,
705,
707,
713,
717,
724,
734,
735,
738,
744,
746,
748,
757,
760,
765,
770,
774,
780,
789,
791,
794,
796,
799,
801,
807,
811,
813,
815,
823,
826,
832,
838,
840,
844,
850,
858,
865,
867,
874,
875,
884,
889,
891,
895,
900,
903,
911,
918,
929,
939,
944,
947,
958,
960,
964,
970,
975,
977,
980,
984,
994,
999,
1008,
1011,
1015,
1023,
1025,
1032,
1036,
1041,
1050,
1053,
1057,
1069,
1072,
1077,
1080,
1089,
1091,
1094,
1100,
1104,
1110,
1111,
1115,
1120,
1122,
1132,
1135,
1142,
1145,
1150,
1152,
1158,
1161,
1167,
1172,
1178,
1186,
1191,
1201,
1203,
1207,
1210,
1215,
1218,
1229,
1234,
1242,
1253,
1255,
1259,
1268,
1272,
1275,
1278,
1281,
1291,
1295,
1300,
1303,
1310,
1313,
1315,
1323,
1327,
1334,
1345,
1347,
1352,
1355,
1363,
1367,
1374
]
} | 60e253e9ba194f7bbe7f50ad797c620b | What was Frédéric's favorite environment to perform in? | {
"tokens": [
"What",
"was",
"Frédéric",
"'s",
"favorite",
"environment",
"to",
"perform",
"in",
"?"
],
"offsets": [
0,
5,
9,
17,
20,
29,
41,
44,
52,
54
]
} | {
"text": [
"his own Paris apartment for small groups of friends"
],
"char_spans": [
{
"start": [
218
],
"end": [
268
]
}
],
"token_spans": [
{
"start": [
40
],
"end": [
48
]
}
]
} | [
"his own Paris apartment for small groups of friends"
] |
SQuAD | Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons, but preferred playing at his own Paris apartment for small groups of friends. The musicologist Arthur Hedley has observed that "As a pianist Chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances—few more than thirty in the course of his lifetime." The list of musicians who took part in some of his concerts provides an indication of the richness of Parisian artistic life during this period. Examples include a concert on 23 March 1833, in which Chopin, Liszt and Hiller performed (on pianos) a concerto by J.S. Bach for three keyboards; and, on 3 March 1838, a concert in which Chopin, his pupil Adolphe Gutmann, Charles-Valentin Alkan, and Alkan's teacher Joseph Zimmermann performed Alkan's arrangement, for eight hands, of two movements from Beethoven's 7th symphony. Chopin was also involved in the composition of Liszt's Hexameron; he wrote the sixth (and final) variation on Bellini's theme. Chopin's music soon found success with publishers, and in 1833 he contracted with Maurice Schlesinger, who arranged for it to be published not only in France but, through his family connections, also in Germany and England. | {
"tokens": [
"Chopin",
"seldom",
"performed",
"publicly",
"in",
"Paris",
".",
"In",
"later",
"years",
"he",
"generally",
"gave",
"a",
"single",
"annual",
"concert",
"at",
"the",
"Salle",
"Pleyel",
",",
"a",
"venue",
"that",
"seated",
"three",
"hundred",
".",
"He",
"played",
"more",
"frequently",
"at",
"salons",
",",
"but",
"preferred",
"playing",
"at",
"his",
"own",
"Paris",
"apartment",
"for",
"small",
"groups",
"of",
"friends",
".",
"The",
"musicologist",
"Arthur",
"Hedley",
"has",
"observed",
"that",
"\"",
"As",
"a",
"pianist",
"Chopin",
"was",
"unique",
"in",
"acquiring",
"a",
"reputation",
"of",
"the",
"highest",
"order",
"on",
"the",
"basis",
"of",
"a",
"minimum",
"of",
"public",
"appearances",
"—",
"few",
"more",
"than",
"thirty",
"in",
"the",
"course",
"of",
"his",
"lifetime",
".",
"\"",
"The",
"list",
"of",
"musicians",
"who",
"took",
"part",
"in",
"some",
"of",
"his",
"concerts",
"provides",
"an",
"indication",
"of",
"the",
"richness",
"of",
"Parisian",
"artistic",
"life",
"during",
"this",
"period",
".",
"Examples",
"include",
"a",
"concert",
"on",
"23",
"March",
"1833",
",",
"in",
"which",
"Chopin",
",",
"Liszt",
"and",
"Hiller",
"performed",
"(",
"on",
"pianos",
")",
"a",
"concerto",
"by",
"J.S.",
"Bach",
"for",
"three",
"keyboards",
";",
"and",
",",
"on",
"3",
"March",
"1838",
",",
"a",
"concert",
"in",
"which",
"Chopin",
",",
"his",
"pupil",
"Adolphe",
"Gutmann",
",",
"Charles",
"-",
"Valentin",
"Alkan",
",",
"and",
"Alkan",
"'s",
"teacher",
"Joseph",
"Zimmermann",
"performed",
"Alkan",
"'s",
"arrangement",
",",
"for",
"eight",
"hands",
",",
"of",
"two",
"movements",
"from",
"Beethoven",
"'s",
"7th",
"symphony",
".",
"Chopin",
"was",
"also",
"involved",
"in",
"the",
"composition",
"of",
"Liszt",
"'s",
"Hexameron",
";",
"he",
"wrote",
"the",
"sixth",
"(",
"and",
"final",
")",
"variation",
"on",
"Bellini",
"'s",
"theme",
".",
"Chopin",
"'s",
"music",
"soon",
"found",
"success",
"with",
"publishers",
",",
"and",
"in",
"1833",
"he",
"contracted",
"with",
"Maurice",
"Schlesinger",
",",
"who",
"arranged",
"for",
"it",
"to",
"be",
"published",
"not",
"only",
"in",
"France",
"but",
",",
"through",
"his",
"family",
"connections",
",",
"also",
"in",
"Germany",
"and",
"England",
"."
],
"offsets": [
0,
7,
14,
24,
33,
36,
41,
43,
46,
52,
58,
61,
71,
76,
78,
85,
92,
100,
103,
107,
113,
119,
121,
123,
129,
134,
141,
147,
154,
156,
159,
166,
171,
182,
185,
191,
193,
197,
207,
215,
218,
222,
226,
232,
242,
246,
252,
259,
262,
269,
271,
275,
288,
295,
302,
306,
315,
320,
321,
324,
326,
334,
341,
345,
352,
355,
365,
367,
378,
381,
385,
393,
399,
402,
406,
412,
415,
417,
425,
428,
435,
446,
447,
451,
456,
461,
468,
471,
475,
482,
485,
489,
497,
498,
500,
504,
509,
512,
522,
526,
531,
536,
539,
544,
547,
551,
560,
569,
572,
583,
586,
590,
599,
602,
611,
620,
625,
632,
637,
643,
645,
654,
662,
664,
672,
675,
678,
684,
688,
690,
693,
699,
705,
707,
713,
717,
724,
734,
735,
738,
744,
746,
748,
757,
760,
765,
770,
774,
780,
789,
791,
794,
796,
799,
801,
807,
811,
813,
815,
823,
826,
832,
838,
840,
844,
850,
858,
865,
867,
874,
875,
884,
889,
891,
895,
900,
903,
911,
918,
929,
939,
944,
947,
958,
960,
964,
970,
975,
977,
980,
984,
994,
999,
1008,
1011,
1015,
1023,
1025,
1032,
1036,
1041,
1050,
1053,
1057,
1069,
1072,
1077,
1080,
1089,
1091,
1094,
1100,
1104,
1110,
1111,
1115,
1120,
1122,
1132,
1135,
1142,
1145,
1150,
1152,
1158,
1161,
1167,
1172,
1178,
1186,
1191,
1201,
1203,
1207,
1210,
1215,
1218,
1229,
1234,
1242,
1253,
1255,
1259,
1268,
1272,
1275,
1278,
1281,
1291,
1295,
1300,
1303,
1310,
1313,
1315,
1323,
1327,
1334,
1345,
1347,
1352,
1355,
1363,
1367,
1374
]
} | c859974c12c74b42ad7e6930cb07118b | What instrument did Frédéric play in a performance on 23 March 1833? | {
"tokens": [
"What",
"instrument",
"did",
"Frédéric",
"play",
"in",
"a",
"performance",
"on",
"23",
"March",
"1833",
"?"
],
"offsets": [
0,
5,
16,
20,
29,
34,
37,
39,
51,
54,
57,
63,
67
]
} | {
"text": [
"pianos"
],
"char_spans": [
{
"start": [
738
],
"end": [
743
]
}
],
"token_spans": [
{
"start": [
139
],
"end": [
139
]
}
]
} | [
"pianos"
] |
SQuAD | Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons, but preferred playing at his own Paris apartment for small groups of friends. The musicologist Arthur Hedley has observed that "As a pianist Chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances—few more than thirty in the course of his lifetime." The list of musicians who took part in some of his concerts provides an indication of the richness of Parisian artistic life during this period. Examples include a concert on 23 March 1833, in which Chopin, Liszt and Hiller performed (on pianos) a concerto by J.S. Bach for three keyboards; and, on 3 March 1838, a concert in which Chopin, his pupil Adolphe Gutmann, Charles-Valentin Alkan, and Alkan's teacher Joseph Zimmermann performed Alkan's arrangement, for eight hands, of two movements from Beethoven's 7th symphony. Chopin was also involved in the composition of Liszt's Hexameron; he wrote the sixth (and final) variation on Bellini's theme. Chopin's music soon found success with publishers, and in 1833 he contracted with Maurice Schlesinger, who arranged for it to be published not only in France but, through his family connections, also in Germany and England. | {
"tokens": [
"Chopin",
"seldom",
"performed",
"publicly",
"in",
"Paris",
".",
"In",
"later",
"years",
"he",
"generally",
"gave",
"a",
"single",
"annual",
"concert",
"at",
"the",
"Salle",
"Pleyel",
",",
"a",
"venue",
"that",
"seated",
"three",
"hundred",
".",
"He",
"played",
"more",
"frequently",
"at",
"salons",
",",
"but",
"preferred",
"playing",
"at",
"his",
"own",
"Paris",
"apartment",
"for",
"small",
"groups",
"of",
"friends",
".",
"The",
"musicologist",
"Arthur",
"Hedley",
"has",
"observed",
"that",
"\"",
"As",
"a",
"pianist",
"Chopin",
"was",
"unique",
"in",
"acquiring",
"a",
"reputation",
"of",
"the",
"highest",
"order",
"on",
"the",
"basis",
"of",
"a",
"minimum",
"of",
"public",
"appearances",
"—",
"few",
"more",
"than",
"thirty",
"in",
"the",
"course",
"of",
"his",
"lifetime",
".",
"\"",
"The",
"list",
"of",
"musicians",
"who",
"took",
"part",
"in",
"some",
"of",
"his",
"concerts",
"provides",
"an",
"indication",
"of",
"the",
"richness",
"of",
"Parisian",
"artistic",
"life",
"during",
"this",
"period",
".",
"Examples",
"include",
"a",
"concert",
"on",
"23",
"March",
"1833",
",",
"in",
"which",
"Chopin",
",",
"Liszt",
"and",
"Hiller",
"performed",
"(",
"on",
"pianos",
")",
"a",
"concerto",
"by",
"J.S.",
"Bach",
"for",
"three",
"keyboards",
";",
"and",
",",
"on",
"3",
"March",
"1838",
",",
"a",
"concert",
"in",
"which",
"Chopin",
",",
"his",
"pupil",
"Adolphe",
"Gutmann",
",",
"Charles",
"-",
"Valentin",
"Alkan",
",",
"and",
"Alkan",
"'s",
"teacher",
"Joseph",
"Zimmermann",
"performed",
"Alkan",
"'s",
"arrangement",
",",
"for",
"eight",
"hands",
",",
"of",
"two",
"movements",
"from",
"Beethoven",
"'s",
"7th",
"symphony",
".",
"Chopin",
"was",
"also",
"involved",
"in",
"the",
"composition",
"of",
"Liszt",
"'s",
"Hexameron",
";",
"he",
"wrote",
"the",
"sixth",
"(",
"and",
"final",
")",
"variation",
"on",
"Bellini",
"'s",
"theme",
".",
"Chopin",
"'s",
"music",
"soon",
"found",
"success",
"with",
"publishers",
",",
"and",
"in",
"1833",
"he",
"contracted",
"with",
"Maurice",
"Schlesinger",
",",
"who",
"arranged",
"for",
"it",
"to",
"be",
"published",
"not",
"only",
"in",
"France",
"but",
",",
"through",
"his",
"family",
"connections",
",",
"also",
"in",
"Germany",
"and",
"England",
"."
],
"offsets": [
0,
7,
14,
24,
33,
36,
41,
43,
46,
52,
58,
61,
71,
76,
78,
85,
92,
100,
103,
107,
113,
119,
121,
123,
129,
134,
141,
147,
154,
156,
159,
166,
171,
182,
185,
191,
193,
197,
207,
215,
218,
222,
226,
232,
242,
246,
252,
259,
262,
269,
271,
275,
288,
295,
302,
306,
315,
320,
321,
324,
326,
334,
341,
345,
352,
355,
365,
367,
378,
381,
385,
393,
399,
402,
406,
412,
415,
417,
425,
428,
435,
446,
447,
451,
456,
461,
468,
471,
475,
482,
485,
489,
497,
498,
500,
504,
509,
512,
522,
526,
531,
536,
539,
544,
547,
551,
560,
569,
572,
583,
586,
590,
599,
602,
611,
620,
625,
632,
637,
643,
645,
654,
662,
664,
672,
675,
678,
684,
688,
690,
693,
699,
705,
707,
713,
717,
724,
734,
735,
738,
744,
746,
748,
757,
760,
765,
770,
774,
780,
789,
791,
794,
796,
799,
801,
807,
811,
813,
815,
823,
826,
832,
838,
840,
844,
850,
858,
865,
867,
874,
875,
884,
889,
891,
895,
900,
903,
911,
918,
929,
939,
944,
947,
958,
960,
964,
970,
975,
977,
980,
984,
994,
999,
1008,
1011,
1015,
1023,
1025,
1032,
1036,
1041,
1050,
1053,
1057,
1069,
1072,
1077,
1080,
1089,
1091,
1094,
1100,
1104,
1110,
1111,
1115,
1120,
1122,
1132,
1135,
1142,
1145,
1150,
1152,
1158,
1161,
1167,
1172,
1178,
1186,
1191,
1201,
1203,
1207,
1210,
1215,
1218,
1229,
1234,
1242,
1253,
1255,
1259,
1268,
1272,
1275,
1278,
1281,
1291,
1295,
1300,
1303,
1310,
1313,
1315,
1323,
1327,
1334,
1345,
1347,
1352,
1355,
1363,
1367,
1374
]
} | 6f61eda9bfbe4e9d88f2e61871a8ae24 | Chopin gave a yearly performance where? | {
"tokens": [
"Chopin",
"gave",
"a",
"yearly",
"performance",
"where",
"?"
],
"offsets": [
0,
7,
12,
14,
21,
33,
38
]
} | {
"text": [
"Salle Pleyel"
],
"char_spans": [
{
"start": [
107
],
"end": [
118
]
}
],
"token_spans": [
{
"start": [
19
],
"end": [
20
]
}
]
} | [
"Salle Pleyel"
] |
SQuAD | Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons, but preferred playing at his own Paris apartment for small groups of friends. The musicologist Arthur Hedley has observed that "As a pianist Chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances—few more than thirty in the course of his lifetime." The list of musicians who took part in some of his concerts provides an indication of the richness of Parisian artistic life during this period. Examples include a concert on 23 March 1833, in which Chopin, Liszt and Hiller performed (on pianos) a concerto by J.S. Bach for three keyboards; and, on 3 March 1838, a concert in which Chopin, his pupil Adolphe Gutmann, Charles-Valentin Alkan, and Alkan's teacher Joseph Zimmermann performed Alkan's arrangement, for eight hands, of two movements from Beethoven's 7th symphony. Chopin was also involved in the composition of Liszt's Hexameron; he wrote the sixth (and final) variation on Bellini's theme. Chopin's music soon found success with publishers, and in 1833 he contracted with Maurice Schlesinger, who arranged for it to be published not only in France but, through his family connections, also in Germany and England. | {
"tokens": [
"Chopin",
"seldom",
"performed",
"publicly",
"in",
"Paris",
".",
"In",
"later",
"years",
"he",
"generally",
"gave",
"a",
"single",
"annual",
"concert",
"at",
"the",
"Salle",
"Pleyel",
",",
"a",
"venue",
"that",
"seated",
"three",
"hundred",
".",
"He",
"played",
"more",
"frequently",
"at",
"salons",
",",
"but",
"preferred",
"playing",
"at",
"his",
"own",
"Paris",
"apartment",
"for",
"small",
"groups",
"of",
"friends",
".",
"The",
"musicologist",
"Arthur",
"Hedley",
"has",
"observed",
"that",
"\"",
"As",
"a",
"pianist",
"Chopin",
"was",
"unique",
"in",
"acquiring",
"a",
"reputation",
"of",
"the",
"highest",
"order",
"on",
"the",
"basis",
"of",
"a",
"minimum",
"of",
"public",
"appearances",
"—",
"few",
"more",
"than",
"thirty",
"in",
"the",
"course",
"of",
"his",
"lifetime",
".",
"\"",
"The",
"list",
"of",
"musicians",
"who",
"took",
"part",
"in",
"some",
"of",
"his",
"concerts",
"provides",
"an",
"indication",
"of",
"the",
"richness",
"of",
"Parisian",
"artistic",
"life",
"during",
"this",
"period",
".",
"Examples",
"include",
"a",
"concert",
"on",
"23",
"March",
"1833",
",",
"in",
"which",
"Chopin",
",",
"Liszt",
"and",
"Hiller",
"performed",
"(",
"on",
"pianos",
")",
"a",
"concerto",
"by",
"J.S.",
"Bach",
"for",
"three",
"keyboards",
";",
"and",
",",
"on",
"3",
"March",
"1838",
",",
"a",
"concert",
"in",
"which",
"Chopin",
",",
"his",
"pupil",
"Adolphe",
"Gutmann",
",",
"Charles",
"-",
"Valentin",
"Alkan",
",",
"and",
"Alkan",
"'s",
"teacher",
"Joseph",
"Zimmermann",
"performed",
"Alkan",
"'s",
"arrangement",
",",
"for",
"eight",
"hands",
",",
"of",
"two",
"movements",
"from",
"Beethoven",
"'s",
"7th",
"symphony",
".",
"Chopin",
"was",
"also",
"involved",
"in",
"the",
"composition",
"of",
"Liszt",
"'s",
"Hexameron",
";",
"he",
"wrote",
"the",
"sixth",
"(",
"and",
"final",
")",
"variation",
"on",
"Bellini",
"'s",
"theme",
".",
"Chopin",
"'s",
"music",
"soon",
"found",
"success",
"with",
"publishers",
",",
"and",
"in",
"1833",
"he",
"contracted",
"with",
"Maurice",
"Schlesinger",
",",
"who",
"arranged",
"for",
"it",
"to",
"be",
"published",
"not",
"only",
"in",
"France",
"but",
",",
"through",
"his",
"family",
"connections",
",",
"also",
"in",
"Germany",
"and",
"England",
"."
],
"offsets": [
0,
7,
14,
24,
33,
36,
41,
43,
46,
52,
58,
61,
71,
76,
78,
85,
92,
100,
103,
107,
113,
119,
121,
123,
129,
134,
141,
147,
154,
156,
159,
166,
171,
182,
185,
191,
193,
197,
207,
215,
218,
222,
226,
232,
242,
246,
252,
259,
262,
269,
271,
275,
288,
295,
302,
306,
315,
320,
321,
324,
326,
334,
341,
345,
352,
355,
365,
367,
378,
381,
385,
393,
399,
402,
406,
412,
415,
417,
425,
428,
435,
446,
447,
451,
456,
461,
468,
471,
475,
482,
485,
489,
497,
498,
500,
504,
509,
512,
522,
526,
531,
536,
539,
544,
547,
551,
560,
569,
572,
583,
586,
590,
599,
602,
611,
620,
625,
632,
637,
643,
645,
654,
662,
664,
672,
675,
678,
684,
688,
690,
693,
699,
705,
707,
713,
717,
724,
734,
735,
738,
744,
746,
748,
757,
760,
765,
770,
774,
780,
789,
791,
794,
796,
799,
801,
807,
811,
813,
815,
823,
826,
832,
838,
840,
844,
850,
858,
865,
867,
874,
875,
884,
889,
891,
895,
900,
903,
911,
918,
929,
939,
944,
947,
958,
960,
964,
970,
975,
977,
980,
984,
994,
999,
1008,
1011,
1015,
1023,
1025,
1032,
1036,
1041,
1050,
1053,
1057,
1069,
1072,
1077,
1080,
1089,
1091,
1094,
1100,
1104,
1110,
1111,
1115,
1120,
1122,
1132,
1135,
1142,
1145,
1150,
1152,
1158,
1161,
1167,
1172,
1178,
1186,
1191,
1201,
1203,
1207,
1210,
1215,
1218,
1229,
1234,
1242,
1253,
1255,
1259,
1268,
1272,
1275,
1278,
1281,
1291,
1295,
1300,
1303,
1310,
1313,
1315,
1323,
1327,
1334,
1345,
1347,
1352,
1355,
1363,
1367,
1374
]
} | e9a7f5f3ef3f4324aaacb7e5e670f7e6 | Chopin worked with Liszt on what piece? | {
"tokens": [
"Chopin",
"worked",
"with",
"Liszt",
"on",
"what",
"piece",
"?"
],
"offsets": [
0,
7,
14,
19,
25,
28,
33,
38
]
} | {
"text": [
"Hexameron"
],
"char_spans": [
{
"start": [
1080
],
"end": [
1088
]
}
],
"token_spans": [
{
"start": [
207
],
"end": [
207
]
}
]
} | [
"Hexameron"
] |
SQuAD | Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons, but preferred playing at his own Paris apartment for small groups of friends. The musicologist Arthur Hedley has observed that "As a pianist Chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances—few more than thirty in the course of his lifetime." The list of musicians who took part in some of his concerts provides an indication of the richness of Parisian artistic life during this period. Examples include a concert on 23 March 1833, in which Chopin, Liszt and Hiller performed (on pianos) a concerto by J.S. Bach for three keyboards; and, on 3 March 1838, a concert in which Chopin, his pupil Adolphe Gutmann, Charles-Valentin Alkan, and Alkan's teacher Joseph Zimmermann performed Alkan's arrangement, for eight hands, of two movements from Beethoven's 7th symphony. Chopin was also involved in the composition of Liszt's Hexameron; he wrote the sixth (and final) variation on Bellini's theme. Chopin's music soon found success with publishers, and in 1833 he contracted with Maurice Schlesinger, who arranged for it to be published not only in France but, through his family connections, also in Germany and England. | {
"tokens": [
"Chopin",
"seldom",
"performed",
"publicly",
"in",
"Paris",
".",
"In",
"later",
"years",
"he",
"generally",
"gave",
"a",
"single",
"annual",
"concert",
"at",
"the",
"Salle",
"Pleyel",
",",
"a",
"venue",
"that",
"seated",
"three",
"hundred",
".",
"He",
"played",
"more",
"frequently",
"at",
"salons",
",",
"but",
"preferred",
"playing",
"at",
"his",
"own",
"Paris",
"apartment",
"for",
"small",
"groups",
"of",
"friends",
".",
"The",
"musicologist",
"Arthur",
"Hedley",
"has",
"observed",
"that",
"\"",
"As",
"a",
"pianist",
"Chopin",
"was",
"unique",
"in",
"acquiring",
"a",
"reputation",
"of",
"the",
"highest",
"order",
"on",
"the",
"basis",
"of",
"a",
"minimum",
"of",
"public",
"appearances",
"—",
"few",
"more",
"than",
"thirty",
"in",
"the",
"course",
"of",
"his",
"lifetime",
".",
"\"",
"The",
"list",
"of",
"musicians",
"who",
"took",
"part",
"in",
"some",
"of",
"his",
"concerts",
"provides",
"an",
"indication",
"of",
"the",
"richness",
"of",
"Parisian",
"artistic",
"life",
"during",
"this",
"period",
".",
"Examples",
"include",
"a",
"concert",
"on",
"23",
"March",
"1833",
",",
"in",
"which",
"Chopin",
",",
"Liszt",
"and",
"Hiller",
"performed",
"(",
"on",
"pianos",
")",
"a",
"concerto",
"by",
"J.S.",
"Bach",
"for",
"three",
"keyboards",
";",
"and",
",",
"on",
"3",
"March",
"1838",
",",
"a",
"concert",
"in",
"which",
"Chopin",
",",
"his",
"pupil",
"Adolphe",
"Gutmann",
",",
"Charles",
"-",
"Valentin",
"Alkan",
",",
"and",
"Alkan",
"'s",
"teacher",
"Joseph",
"Zimmermann",
"performed",
"Alkan",
"'s",
"arrangement",
",",
"for",
"eight",
"hands",
",",
"of",
"two",
"movements",
"from",
"Beethoven",
"'s",
"7th",
"symphony",
".",
"Chopin",
"was",
"also",
"involved",
"in",
"the",
"composition",
"of",
"Liszt",
"'s",
"Hexameron",
";",
"he",
"wrote",
"the",
"sixth",
"(",
"and",
"final",
")",
"variation",
"on",
"Bellini",
"'s",
"theme",
".",
"Chopin",
"'s",
"music",
"soon",
"found",
"success",
"with",
"publishers",
",",
"and",
"in",
"1833",
"he",
"contracted",
"with",
"Maurice",
"Schlesinger",
",",
"who",
"arranged",
"for",
"it",
"to",
"be",
"published",
"not",
"only",
"in",
"France",
"but",
",",
"through",
"his",
"family",
"connections",
",",
"also",
"in",
"Germany",
"and",
"England",
"."
],
"offsets": [
0,
7,
14,
24,
33,
36,
41,
43,
46,
52,
58,
61,
71,
76,
78,
85,
92,
100,
103,
107,
113,
119,
121,
123,
129,
134,
141,
147,
154,
156,
159,
166,
171,
182,
185,
191,
193,
197,
207,
215,
218,
222,
226,
232,
242,
246,
252,
259,
262,
269,
271,
275,
288,
295,
302,
306,
315,
320,
321,
324,
326,
334,
341,
345,
352,
355,
365,
367,
378,
381,
385,
393,
399,
402,
406,
412,
415,
417,
425,
428,
435,
446,
447,
451,
456,
461,
468,
471,
475,
482,
485,
489,
497,
498,
500,
504,
509,
512,
522,
526,
531,
536,
539,
544,
547,
551,
560,
569,
572,
583,
586,
590,
599,
602,
611,
620,
625,
632,
637,
643,
645,
654,
662,
664,
672,
675,
678,
684,
688,
690,
693,
699,
705,
707,
713,
717,
724,
734,
735,
738,
744,
746,
748,
757,
760,
765,
770,
774,
780,
789,
791,
794,
796,
799,
801,
807,
811,
813,
815,
823,
826,
832,
838,
840,
844,
850,
858,
865,
867,
874,
875,
884,
889,
891,
895,
900,
903,
911,
918,
929,
939,
944,
947,
958,
960,
964,
970,
975,
977,
980,
984,
994,
999,
1008,
1011,
1015,
1023,
1025,
1032,
1036,
1041,
1050,
1053,
1057,
1069,
1072,
1077,
1080,
1089,
1091,
1094,
1100,
1104,
1110,
1111,
1115,
1120,
1122,
1132,
1135,
1142,
1145,
1150,
1152,
1158,
1161,
1167,
1172,
1178,
1186,
1191,
1201,
1203,
1207,
1210,
1215,
1218,
1229,
1234,
1242,
1253,
1255,
1259,
1268,
1272,
1275,
1278,
1281,
1291,
1295,
1300,
1303,
1310,
1313,
1315,
1323,
1327,
1334,
1345,
1347,
1352,
1355,
1363,
1367,
1374
]
} | 10e605c5b7e64a038411745297958a88 | In 1833 with whom with Chopin work to get his music published? | {
"tokens": [
"In",
"1833",
"with",
"whom",
"with",
"Chopin",
"work",
"to",
"get",
"his",
"music",
"published",
"?"
],
"offsets": [
0,
3,
8,
13,
18,
23,
30,
35,
38,
42,
46,
52,
61
]
} | {
"text": [
"Maurice Schlesinger"
],
"char_spans": [
{
"start": [
1234
],
"end": [
1252
]
}
],
"token_spans": [
{
"start": [
238
],
"end": [
239
]
}
]
} | [
"Maurice Schlesinger"
] |
SQuAD | Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons, but preferred playing at his own Paris apartment for small groups of friends. The musicologist Arthur Hedley has observed that "As a pianist Chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances—few more than thirty in the course of his lifetime." The list of musicians who took part in some of his concerts provides an indication of the richness of Parisian artistic life during this period. Examples include a concert on 23 March 1833, in which Chopin, Liszt and Hiller performed (on pianos) a concerto by J.S. Bach for three keyboards; and, on 3 March 1838, a concert in which Chopin, his pupil Adolphe Gutmann, Charles-Valentin Alkan, and Alkan's teacher Joseph Zimmermann performed Alkan's arrangement, for eight hands, of two movements from Beethoven's 7th symphony. Chopin was also involved in the composition of Liszt's Hexameron; he wrote the sixth (and final) variation on Bellini's theme. Chopin's music soon found success with publishers, and in 1833 he contracted with Maurice Schlesinger, who arranged for it to be published not only in France but, through his family connections, also in Germany and England. | {
"tokens": [
"Chopin",
"seldom",
"performed",
"publicly",
"in",
"Paris",
".",
"In",
"later",
"years",
"he",
"generally",
"gave",
"a",
"single",
"annual",
"concert",
"at",
"the",
"Salle",
"Pleyel",
",",
"a",
"venue",
"that",
"seated",
"three",
"hundred",
".",
"He",
"played",
"more",
"frequently",
"at",
"salons",
",",
"but",
"preferred",
"playing",
"at",
"his",
"own",
"Paris",
"apartment",
"for",
"small",
"groups",
"of",
"friends",
".",
"The",
"musicologist",
"Arthur",
"Hedley",
"has",
"observed",
"that",
"\"",
"As",
"a",
"pianist",
"Chopin",
"was",
"unique",
"in",
"acquiring",
"a",
"reputation",
"of",
"the",
"highest",
"order",
"on",
"the",
"basis",
"of",
"a",
"minimum",
"of",
"public",
"appearances",
"—",
"few",
"more",
"than",
"thirty",
"in",
"the",
"course",
"of",
"his",
"lifetime",
".",
"\"",
"The",
"list",
"of",
"musicians",
"who",
"took",
"part",
"in",
"some",
"of",
"his",
"concerts",
"provides",
"an",
"indication",
"of",
"the",
"richness",
"of",
"Parisian",
"artistic",
"life",
"during",
"this",
"period",
".",
"Examples",
"include",
"a",
"concert",
"on",
"23",
"March",
"1833",
",",
"in",
"which",
"Chopin",
",",
"Liszt",
"and",
"Hiller",
"performed",
"(",
"on",
"pianos",
")",
"a",
"concerto",
"by",
"J.S.",
"Bach",
"for",
"three",
"keyboards",
";",
"and",
",",
"on",
"3",
"March",
"1838",
",",
"a",
"concert",
"in",
"which",
"Chopin",
",",
"his",
"pupil",
"Adolphe",
"Gutmann",
",",
"Charles",
"-",
"Valentin",
"Alkan",
",",
"and",
"Alkan",
"'s",
"teacher",
"Joseph",
"Zimmermann",
"performed",
"Alkan",
"'s",
"arrangement",
",",
"for",
"eight",
"hands",
",",
"of",
"two",
"movements",
"from",
"Beethoven",
"'s",
"7th",
"symphony",
".",
"Chopin",
"was",
"also",
"involved",
"in",
"the",
"composition",
"of",
"Liszt",
"'s",
"Hexameron",
";",
"he",
"wrote",
"the",
"sixth",
"(",
"and",
"final",
")",
"variation",
"on",
"Bellini",
"'s",
"theme",
".",
"Chopin",
"'s",
"music",
"soon",
"found",
"success",
"with",
"publishers",
",",
"and",
"in",
"1833",
"he",
"contracted",
"with",
"Maurice",
"Schlesinger",
",",
"who",
"arranged",
"for",
"it",
"to",
"be",
"published",
"not",
"only",
"in",
"France",
"but",
",",
"through",
"his",
"family",
"connections",
",",
"also",
"in",
"Germany",
"and",
"England",
"."
],
"offsets": [
0,
7,
14,
24,
33,
36,
41,
43,
46,
52,
58,
61,
71,
76,
78,
85,
92,
100,
103,
107,
113,
119,
121,
123,
129,
134,
141,
147,
154,
156,
159,
166,
171,
182,
185,
191,
193,
197,
207,
215,
218,
222,
226,
232,
242,
246,
252,
259,
262,
269,
271,
275,
288,
295,
302,
306,
315,
320,
321,
324,
326,
334,
341,
345,
352,
355,
365,
367,
378,
381,
385,
393,
399,
402,
406,
412,
415,
417,
425,
428,
435,
446,
447,
451,
456,
461,
468,
471,
475,
482,
485,
489,
497,
498,
500,
504,
509,
512,
522,
526,
531,
536,
539,
544,
547,
551,
560,
569,
572,
583,
586,
590,
599,
602,
611,
620,
625,
632,
637,
643,
645,
654,
662,
664,
672,
675,
678,
684,
688,
690,
693,
699,
705,
707,
713,
717,
724,
734,
735,
738,
744,
746,
748,
757,
760,
765,
770,
774,
780,
789,
791,
794,
796,
799,
801,
807,
811,
813,
815,
823,
826,
832,
838,
840,
844,
850,
858,
865,
867,
874,
875,
884,
889,
891,
895,
900,
903,
911,
918,
929,
939,
944,
947,
958,
960,
964,
970,
975,
977,
980,
984,
994,
999,
1008,
1011,
1015,
1023,
1025,
1032,
1036,
1041,
1050,
1053,
1057,
1069,
1072,
1077,
1080,
1089,
1091,
1094,
1100,
1104,
1110,
1111,
1115,
1120,
1122,
1132,
1135,
1142,
1145,
1150,
1152,
1158,
1161,
1167,
1172,
1178,
1186,
1191,
1201,
1203,
1207,
1210,
1215,
1218,
1229,
1234,
1242,
1253,
1255,
1259,
1268,
1272,
1275,
1278,
1281,
1291,
1295,
1300,
1303,
1310,
1313,
1315,
1323,
1327,
1334,
1345,
1347,
1352,
1355,
1363,
1367,
1374
]
} | 887018c1d76640a59fd0de4608e1797f | What is the name of Chopin's pupil who performed with him? | {
"tokens": [
"What",
"is",
"the",
"name",
"of",
"Chopin",
"'s",
"pupil",
"who",
"performed",
"with",
"him",
"?"
],
"offsets": [
0,
5,
8,
12,
17,
20,
26,
29,
35,
39,
49,
54,
57
]
} | {
"text": [
"Adolphe Gutmann"
],
"char_spans": [
{
"start": [
850
],
"end": [
864
]
}
],
"token_spans": [
{
"start": [
165
],
"end": [
166
]
}
]
} | [
"Adolphe Gutmann"
] |
SQuAD | Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons, but preferred playing at his own Paris apartment for small groups of friends. The musicologist Arthur Hedley has observed that "As a pianist Chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances—few more than thirty in the course of his lifetime." The list of musicians who took part in some of his concerts provides an indication of the richness of Parisian artistic life during this period. Examples include a concert on 23 March 1833, in which Chopin, Liszt and Hiller performed (on pianos) a concerto by J.S. Bach for three keyboards; and, on 3 March 1838, a concert in which Chopin, his pupil Adolphe Gutmann, Charles-Valentin Alkan, and Alkan's teacher Joseph Zimmermann performed Alkan's arrangement, for eight hands, of two movements from Beethoven's 7th symphony. Chopin was also involved in the composition of Liszt's Hexameron; he wrote the sixth (and final) variation on Bellini's theme. Chopin's music soon found success with publishers, and in 1833 he contracted with Maurice Schlesinger, who arranged for it to be published not only in France but, through his family connections, also in Germany and England. | {
"tokens": [
"Chopin",
"seldom",
"performed",
"publicly",
"in",
"Paris",
".",
"In",
"later",
"years",
"he",
"generally",
"gave",
"a",
"single",
"annual",
"concert",
"at",
"the",
"Salle",
"Pleyel",
",",
"a",
"venue",
"that",
"seated",
"three",
"hundred",
".",
"He",
"played",
"more",
"frequently",
"at",
"salons",
",",
"but",
"preferred",
"playing",
"at",
"his",
"own",
"Paris",
"apartment",
"for",
"small",
"groups",
"of",
"friends",
".",
"The",
"musicologist",
"Arthur",
"Hedley",
"has",
"observed",
"that",
"\"",
"As",
"a",
"pianist",
"Chopin",
"was",
"unique",
"in",
"acquiring",
"a",
"reputation",
"of",
"the",
"highest",
"order",
"on",
"the",
"basis",
"of",
"a",
"minimum",
"of",
"public",
"appearances",
"—",
"few",
"more",
"than",
"thirty",
"in",
"the",
"course",
"of",
"his",
"lifetime",
".",
"\"",
"The",
"list",
"of",
"musicians",
"who",
"took",
"part",
"in",
"some",
"of",
"his",
"concerts",
"provides",
"an",
"indication",
"of",
"the",
"richness",
"of",
"Parisian",
"artistic",
"life",
"during",
"this",
"period",
".",
"Examples",
"include",
"a",
"concert",
"on",
"23",
"March",
"1833",
",",
"in",
"which",
"Chopin",
",",
"Liszt",
"and",
"Hiller",
"performed",
"(",
"on",
"pianos",
")",
"a",
"concerto",
"by",
"J.S.",
"Bach",
"for",
"three",
"keyboards",
";",
"and",
",",
"on",
"3",
"March",
"1838",
",",
"a",
"concert",
"in",
"which",
"Chopin",
",",
"his",
"pupil",
"Adolphe",
"Gutmann",
",",
"Charles",
"-",
"Valentin",
"Alkan",
",",
"and",
"Alkan",
"'s",
"teacher",
"Joseph",
"Zimmermann",
"performed",
"Alkan",
"'s",
"arrangement",
",",
"for",
"eight",
"hands",
",",
"of",
"two",
"movements",
"from",
"Beethoven",
"'s",
"7th",
"symphony",
".",
"Chopin",
"was",
"also",
"involved",
"in",
"the",
"composition",
"of",
"Liszt",
"'s",
"Hexameron",
";",
"he",
"wrote",
"the",
"sixth",
"(",
"and",
"final",
")",
"variation",
"on",
"Bellini",
"'s",
"theme",
".",
"Chopin",
"'s",
"music",
"soon",
"found",
"success",
"with",
"publishers",
",",
"and",
"in",
"1833",
"he",
"contracted",
"with",
"Maurice",
"Schlesinger",
",",
"who",
"arranged",
"for",
"it",
"to",
"be",
"published",
"not",
"only",
"in",
"France",
"but",
",",
"through",
"his",
"family",
"connections",
",",
"also",
"in",
"Germany",
"and",
"England",
"."
],
"offsets": [
0,
7,
14,
24,
33,
36,
41,
43,
46,
52,
58,
61,
71,
76,
78,
85,
92,
100,
103,
107,
113,
119,
121,
123,
129,
134,
141,
147,
154,
156,
159,
166,
171,
182,
185,
191,
193,
197,
207,
215,
218,
222,
226,
232,
242,
246,
252,
259,
262,
269,
271,
275,
288,
295,
302,
306,
315,
320,
321,
324,
326,
334,
341,
345,
352,
355,
365,
367,
378,
381,
385,
393,
399,
402,
406,
412,
415,
417,
425,
428,
435,
446,
447,
451,
456,
461,
468,
471,
475,
482,
485,
489,
497,
498,
500,
504,
509,
512,
522,
526,
531,
536,
539,
544,
547,
551,
560,
569,
572,
583,
586,
590,
599,
602,
611,
620,
625,
632,
637,
643,
645,
654,
662,
664,
672,
675,
678,
684,
688,
690,
693,
699,
705,
707,
713,
717,
724,
734,
735,
738,
744,
746,
748,
757,
760,
765,
770,
774,
780,
789,
791,
794,
796,
799,
801,
807,
811,
813,
815,
823,
826,
832,
838,
840,
844,
850,
858,
865,
867,
874,
875,
884,
889,
891,
895,
900,
903,
911,
918,
929,
939,
944,
947,
958,
960,
964,
970,
975,
977,
980,
984,
994,
999,
1008,
1011,
1015,
1023,
1025,
1032,
1036,
1041,
1050,
1053,
1057,
1069,
1072,
1077,
1080,
1089,
1091,
1094,
1100,
1104,
1110,
1111,
1115,
1120,
1122,
1132,
1135,
1142,
1145,
1150,
1152,
1158,
1161,
1167,
1172,
1178,
1186,
1191,
1201,
1203,
1207,
1210,
1215,
1218,
1229,
1234,
1242,
1253,
1255,
1259,
1268,
1272,
1275,
1278,
1281,
1291,
1295,
1300,
1303,
1310,
1313,
1315,
1323,
1327,
1334,
1345,
1347,
1352,
1355,
1363,
1367,
1374
]
} | b6544ce21c2f4a6d89535ead63ad50a5 | Where did Chopin prefer to play for people? | {
"tokens": [
"Where",
"did",
"Chopin",
"prefer",
"to",
"play",
"for",
"people",
"?"
],
"offsets": [
0,
6,
10,
17,
24,
27,
32,
36,
42
]
} | {
"text": [
"apartment"
],
"char_spans": [
{
"start": [
232
],
"end": [
240
]
}
],
"token_spans": [
{
"start": [
43
],
"end": [
43
]
}
]
} | [
"apartment"
] |
SQuAD | Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons, but preferred playing at his own Paris apartment for small groups of friends. The musicologist Arthur Hedley has observed that "As a pianist Chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances—few more than thirty in the course of his lifetime." The list of musicians who took part in some of his concerts provides an indication of the richness of Parisian artistic life during this period. Examples include a concert on 23 March 1833, in which Chopin, Liszt and Hiller performed (on pianos) a concerto by J.S. Bach for three keyboards; and, on 3 March 1838, a concert in which Chopin, his pupil Adolphe Gutmann, Charles-Valentin Alkan, and Alkan's teacher Joseph Zimmermann performed Alkan's arrangement, for eight hands, of two movements from Beethoven's 7th symphony. Chopin was also involved in the composition of Liszt's Hexameron; he wrote the sixth (and final) variation on Bellini's theme. Chopin's music soon found success with publishers, and in 1833 he contracted with Maurice Schlesinger, who arranged for it to be published not only in France but, through his family connections, also in Germany and England. | {
"tokens": [
"Chopin",
"seldom",
"performed",
"publicly",
"in",
"Paris",
".",
"In",
"later",
"years",
"he",
"generally",
"gave",
"a",
"single",
"annual",
"concert",
"at",
"the",
"Salle",
"Pleyel",
",",
"a",
"venue",
"that",
"seated",
"three",
"hundred",
".",
"He",
"played",
"more",
"frequently",
"at",
"salons",
",",
"but",
"preferred",
"playing",
"at",
"his",
"own",
"Paris",
"apartment",
"for",
"small",
"groups",
"of",
"friends",
".",
"The",
"musicologist",
"Arthur",
"Hedley",
"has",
"observed",
"that",
"\"",
"As",
"a",
"pianist",
"Chopin",
"was",
"unique",
"in",
"acquiring",
"a",
"reputation",
"of",
"the",
"highest",
"order",
"on",
"the",
"basis",
"of",
"a",
"minimum",
"of",
"public",
"appearances",
"—",
"few",
"more",
"than",
"thirty",
"in",
"the",
"course",
"of",
"his",
"lifetime",
".",
"\"",
"The",
"list",
"of",
"musicians",
"who",
"took",
"part",
"in",
"some",
"of",
"his",
"concerts",
"provides",
"an",
"indication",
"of",
"the",
"richness",
"of",
"Parisian",
"artistic",
"life",
"during",
"this",
"period",
".",
"Examples",
"include",
"a",
"concert",
"on",
"23",
"March",
"1833",
",",
"in",
"which",
"Chopin",
",",
"Liszt",
"and",
"Hiller",
"performed",
"(",
"on",
"pianos",
")",
"a",
"concerto",
"by",
"J.S.",
"Bach",
"for",
"three",
"keyboards",
";",
"and",
",",
"on",
"3",
"March",
"1838",
",",
"a",
"concert",
"in",
"which",
"Chopin",
",",
"his",
"pupil",
"Adolphe",
"Gutmann",
",",
"Charles",
"-",
"Valentin",
"Alkan",
",",
"and",
"Alkan",
"'s",
"teacher",
"Joseph",
"Zimmermann",
"performed",
"Alkan",
"'s",
"arrangement",
",",
"for",
"eight",
"hands",
",",
"of",
"two",
"movements",
"from",
"Beethoven",
"'s",
"7th",
"symphony",
".",
"Chopin",
"was",
"also",
"involved",
"in",
"the",
"composition",
"of",
"Liszt",
"'s",
"Hexameron",
";",
"he",
"wrote",
"the",
"sixth",
"(",
"and",
"final",
")",
"variation",
"on",
"Bellini",
"'s",
"theme",
".",
"Chopin",
"'s",
"music",
"soon",
"found",
"success",
"with",
"publishers",
",",
"and",
"in",
"1833",
"he",
"contracted",
"with",
"Maurice",
"Schlesinger",
",",
"who",
"arranged",
"for",
"it",
"to",
"be",
"published",
"not",
"only",
"in",
"France",
"but",
",",
"through",
"his",
"family",
"connections",
",",
"also",
"in",
"Germany",
"and",
"England",
"."
],
"offsets": [
0,
7,
14,
24,
33,
36,
41,
43,
46,
52,
58,
61,
71,
76,
78,
85,
92,
100,
103,
107,
113,
119,
121,
123,
129,
134,
141,
147,
154,
156,
159,
166,
171,
182,
185,
191,
193,
197,
207,
215,
218,
222,
226,
232,
242,
246,
252,
259,
262,
269,
271,
275,
288,
295,
302,
306,
315,
320,
321,
324,
326,
334,
341,
345,
352,
355,
365,
367,
378,
381,
385,
393,
399,
402,
406,
412,
415,
417,
425,
428,
435,
446,
447,
451,
456,
461,
468,
471,
475,
482,
485,
489,
497,
498,
500,
504,
509,
512,
522,
526,
531,
536,
539,
544,
547,
551,
560,
569,
572,
583,
586,
590,
599,
602,
611,
620,
625,
632,
637,
643,
645,
654,
662,
664,
672,
675,
678,
684,
688,
690,
693,
699,
705,
707,
713,
717,
724,
734,
735,
738,
744,
746,
748,
757,
760,
765,
770,
774,
780,
789,
791,
794,
796,
799,
801,
807,
811,
813,
815,
823,
826,
832,
838,
840,
844,
850,
858,
865,
867,
874,
875,
884,
889,
891,
895,
900,
903,
911,
918,
929,
939,
944,
947,
958,
960,
964,
970,
975,
977,
980,
984,
994,
999,
1008,
1011,
1015,
1023,
1025,
1032,
1036,
1041,
1050,
1053,
1057,
1069,
1072,
1077,
1080,
1089,
1091,
1094,
1100,
1104,
1110,
1111,
1115,
1120,
1122,
1132,
1135,
1142,
1145,
1150,
1152,
1158,
1161,
1167,
1172,
1178,
1186,
1191,
1201,
1203,
1207,
1210,
1215,
1218,
1229,
1234,
1242,
1253,
1255,
1259,
1268,
1272,
1275,
1278,
1281,
1291,
1295,
1300,
1303,
1310,
1313,
1315,
1323,
1327,
1334,
1345,
1347,
1352,
1355,
1363,
1367,
1374
]
} | 288822b59a434f41b4586f7bd5391c9e | On March 23, 1833, who headlined and performed with Chopin at a concert? | {
"tokens": [
"On",
"March",
"23",
",",
"1833",
",",
"who",
"headlined",
"and",
"performed",
"with",
"Chopin",
"at",
"a",
"concert",
"?"
],
"offsets": [
0,
3,
9,
11,
13,
17,
19,
23,
33,
37,
47,
52,
59,
62,
64,
71
]
} | {
"text": [
"Liszt and Hiller"
],
"char_spans": [
{
"start": [
707
],
"end": [
722
]
}
],
"token_spans": [
{
"start": [
133
],
"end": [
135
]
}
]
} | [
"Liszt and Hiller"
] |
SQuAD | Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons, but preferred playing at his own Paris apartment for small groups of friends. The musicologist Arthur Hedley has observed that "As a pianist Chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances—few more than thirty in the course of his lifetime." The list of musicians who took part in some of his concerts provides an indication of the richness of Parisian artistic life during this period. Examples include a concert on 23 March 1833, in which Chopin, Liszt and Hiller performed (on pianos) a concerto by J.S. Bach for three keyboards; and, on 3 March 1838, a concert in which Chopin, his pupil Adolphe Gutmann, Charles-Valentin Alkan, and Alkan's teacher Joseph Zimmermann performed Alkan's arrangement, for eight hands, of two movements from Beethoven's 7th symphony. Chopin was also involved in the composition of Liszt's Hexameron; he wrote the sixth (and final) variation on Bellini's theme. Chopin's music soon found success with publishers, and in 1833 he contracted with Maurice Schlesinger, who arranged for it to be published not only in France but, through his family connections, also in Germany and England. | {
"tokens": [
"Chopin",
"seldom",
"performed",
"publicly",
"in",
"Paris",
".",
"In",
"later",
"years",
"he",
"generally",
"gave",
"a",
"single",
"annual",
"concert",
"at",
"the",
"Salle",
"Pleyel",
",",
"a",
"venue",
"that",
"seated",
"three",
"hundred",
".",
"He",
"played",
"more",
"frequently",
"at",
"salons",
",",
"but",
"preferred",
"playing",
"at",
"his",
"own",
"Paris",
"apartment",
"for",
"small",
"groups",
"of",
"friends",
".",
"The",
"musicologist",
"Arthur",
"Hedley",
"has",
"observed",
"that",
"\"",
"As",
"a",
"pianist",
"Chopin",
"was",
"unique",
"in",
"acquiring",
"a",
"reputation",
"of",
"the",
"highest",
"order",
"on",
"the",
"basis",
"of",
"a",
"minimum",
"of",
"public",
"appearances",
"—",
"few",
"more",
"than",
"thirty",
"in",
"the",
"course",
"of",
"his",
"lifetime",
".",
"\"",
"The",
"list",
"of",
"musicians",
"who",
"took",
"part",
"in",
"some",
"of",
"his",
"concerts",
"provides",
"an",
"indication",
"of",
"the",
"richness",
"of",
"Parisian",
"artistic",
"life",
"during",
"this",
"period",
".",
"Examples",
"include",
"a",
"concert",
"on",
"23",
"March",
"1833",
",",
"in",
"which",
"Chopin",
",",
"Liszt",
"and",
"Hiller",
"performed",
"(",
"on",
"pianos",
")",
"a",
"concerto",
"by",
"J.S.",
"Bach",
"for",
"three",
"keyboards",
";",
"and",
",",
"on",
"3",
"March",
"1838",
",",
"a",
"concert",
"in",
"which",
"Chopin",
",",
"his",
"pupil",
"Adolphe",
"Gutmann",
",",
"Charles",
"-",
"Valentin",
"Alkan",
",",
"and",
"Alkan",
"'s",
"teacher",
"Joseph",
"Zimmermann",
"performed",
"Alkan",
"'s",
"arrangement",
",",
"for",
"eight",
"hands",
",",
"of",
"two",
"movements",
"from",
"Beethoven",
"'s",
"7th",
"symphony",
".",
"Chopin",
"was",
"also",
"involved",
"in",
"the",
"composition",
"of",
"Liszt",
"'s",
"Hexameron",
";",
"he",
"wrote",
"the",
"sixth",
"(",
"and",
"final",
")",
"variation",
"on",
"Bellini",
"'s",
"theme",
".",
"Chopin",
"'s",
"music",
"soon",
"found",
"success",
"with",
"publishers",
",",
"and",
"in",
"1833",
"he",
"contracted",
"with",
"Maurice",
"Schlesinger",
",",
"who",
"arranged",
"for",
"it",
"to",
"be",
"published",
"not",
"only",
"in",
"France",
"but",
",",
"through",
"his",
"family",
"connections",
",",
"also",
"in",
"Germany",
"and",
"England",
"."
],
"offsets": [
0,
7,
14,
24,
33,
36,
41,
43,
46,
52,
58,
61,
71,
76,
78,
85,
92,
100,
103,
107,
113,
119,
121,
123,
129,
134,
141,
147,
154,
156,
159,
166,
171,
182,
185,
191,
193,
197,
207,
215,
218,
222,
226,
232,
242,
246,
252,
259,
262,
269,
271,
275,
288,
295,
302,
306,
315,
320,
321,
324,
326,
334,
341,
345,
352,
355,
365,
367,
378,
381,
385,
393,
399,
402,
406,
412,
415,
417,
425,
428,
435,
446,
447,
451,
456,
461,
468,
471,
475,
482,
485,
489,
497,
498,
500,
504,
509,
512,
522,
526,
531,
536,
539,
544,
547,
551,
560,
569,
572,
583,
586,
590,
599,
602,
611,
620,
625,
632,
637,
643,
645,
654,
662,
664,
672,
675,
678,
684,
688,
690,
693,
699,
705,
707,
713,
717,
724,
734,
735,
738,
744,
746,
748,
757,
760,
765,
770,
774,
780,
789,
791,
794,
796,
799,
801,
807,
811,
813,
815,
823,
826,
832,
838,
840,
844,
850,
858,
865,
867,
874,
875,
884,
889,
891,
895,
900,
903,
911,
918,
929,
939,
944,
947,
958,
960,
964,
970,
975,
977,
980,
984,
994,
999,
1008,
1011,
1015,
1023,
1025,
1032,
1036,
1041,
1050,
1053,
1057,
1069,
1072,
1077,
1080,
1089,
1091,
1094,
1100,
1104,
1110,
1111,
1115,
1120,
1122,
1132,
1135,
1142,
1145,
1150,
1152,
1158,
1161,
1167,
1172,
1178,
1186,
1191,
1201,
1203,
1207,
1210,
1215,
1218,
1229,
1234,
1242,
1253,
1255,
1259,
1268,
1272,
1275,
1278,
1281,
1291,
1295,
1300,
1303,
1310,
1313,
1315,
1323,
1327,
1334,
1345,
1347,
1352,
1355,
1363,
1367,
1374
]
} | cee46304093f471dacc41a15c11510a1 | Who did Chopin contract with for publishing his music? | {
"tokens": [
"Who",
"did",
"Chopin",
"contract",
"with",
"for",
"publishing",
"his",
"music",
"?"
],
"offsets": [
0,
4,
8,
15,
24,
29,
33,
44,
48,
53
]
} | {
"text": [
"Maurice Schlesinger"
],
"char_spans": [
{
"start": [
1234
],
"end": [
1252
]
}
],
"token_spans": [
{
"start": [
238
],
"end": [
239
]
}
]
} | [
"Maurice Schlesinger"
] |
SQuAD | Over 230 works of Chopin survive; some compositions from early childhood have been lost. All his known works involve the piano, and only a few range beyond solo piano music, as either piano concertos, songs or chamber music. | {
"tokens": [
"Over",
"230",
"works",
"of",
"Chopin",
"survive",
";",
"some",
"compositions",
"from",
"early",
"childhood",
"have",
"been",
"lost",
".",
"All",
"his",
"known",
"works",
"involve",
"the",
"piano",
",",
"and",
"only",
"a",
"few",
"range",
"beyond",
"solo",
"piano",
"music",
",",
"as",
"either",
"piano",
"concertos",
",",
"songs",
"or",
"chamber",
"music",
"."
],
"offsets": [
0,
5,
9,
15,
18,
25,
32,
34,
39,
52,
57,
63,
73,
78,
83,
87,
89,
93,
97,
103,
109,
117,
121,
126,
128,
132,
137,
139,
143,
149,
156,
161,
167,
172,
174,
177,
184,
190,
199,
201,
207,
210,
218,
223
]
} | 28aa246a206347f1b5124dc10797073e | How many of Chopin's works still exist? | {
"tokens": [
"How",
"many",
"of",
"Chopin",
"'s",
"works",
"still",
"exist",
"?"
],
"offsets": [
0,
4,
9,
12,
18,
21,
27,
33,
38
]
} | {
"text": [
"Over 230"
],
"char_spans": [
{
"start": [
0
],
"end": [
7
]
}
],
"token_spans": [
{
"start": [
0
],
"end": [
1
]
}
]
} | [
"Over 230"
] |
SQuAD | Over 230 works of Chopin survive; some compositions from early childhood have been lost. All his known works involve the piano, and only a few range beyond solo piano music, as either piano concertos, songs or chamber music. | {
"tokens": [
"Over",
"230",
"works",
"of",
"Chopin",
"survive",
";",
"some",
"compositions",
"from",
"early",
"childhood",
"have",
"been",
"lost",
".",
"All",
"his",
"known",
"works",
"involve",
"the",
"piano",
",",
"and",
"only",
"a",
"few",
"range",
"beyond",
"solo",
"piano",
"music",
",",
"as",
"either",
"piano",
"concertos",
",",
"songs",
"or",
"chamber",
"music",
"."
],
"offsets": [
0,
5,
9,
15,
18,
25,
32,
34,
39,
52,
57,
63,
73,
78,
83,
87,
89,
93,
97,
103,
109,
117,
121,
126,
128,
132,
137,
139,
143,
149,
156,
161,
167,
172,
174,
177,
184,
190,
199,
201,
207,
210,
218,
223
]
} | 17bf6716b8754c2981db5b3f20c1b977 | All of his pieces include what instrument? | {
"tokens": [
"All",
"of",
"his",
"pieces",
"include",
"what",
"instrument",
"?"
],
"offsets": [
0,
4,
7,
11,
18,
26,
31,
41
]
} | {
"text": [
"piano"
],
"char_spans": [
{
"start": [
121
],
"end": [
125
]
}
],
"token_spans": [
{
"start": [
22
],
"end": [
22
]
}
]
} | [
"piano"
] |
SQuAD | Over 230 works of Chopin survive; some compositions from early childhood have been lost. All his known works involve the piano, and only a few range beyond solo piano music, as either piano concertos, songs or chamber music. | {
"tokens": [
"Over",
"230",
"works",
"of",
"Chopin",
"survive",
";",
"some",
"compositions",
"from",
"early",
"childhood",
"have",
"been",
"lost",
".",
"All",
"his",
"known",
"works",
"involve",
"the",
"piano",
",",
"and",
"only",
"a",
"few",
"range",
"beyond",
"solo",
"piano",
"music",
",",
"as",
"either",
"piano",
"concertos",
",",
"songs",
"or",
"chamber",
"music",
"."
],
"offsets": [
0,
5,
9,
15,
18,
25,
32,
34,
39,
52,
57,
63,
73,
78,
83,
87,
89,
93,
97,
103,
109,
117,
121,
126,
128,
132,
137,
139,
143,
149,
156,
161,
167,
172,
174,
177,
184,
190,
199,
201,
207,
210,
218,
223
]
} | 951c2840aea645fe82245899a1d2c542 | How many Chopin pieces are known to have survived? | {
"tokens": [
"How",
"many",
"Chopin",
"pieces",
"are",
"known",
"to",
"have",
"survived",
"?"
],
"offsets": [
0,
4,
9,
16,
23,
27,
33,
36,
41,
49
]
} | {
"text": [
"Over 230"
],
"char_spans": [
{
"start": [
0
],
"end": [
7
]
}
],
"token_spans": [
{
"start": [
0
],
"end": [
1
]
}
]
} | [
"Over 230"
] |
SQuAD | Over 230 works of Chopin survive; some compositions from early childhood have been lost. All his known works involve the piano, and only a few range beyond solo piano music, as either piano concertos, songs or chamber music. | {
"tokens": [
"Over",
"230",
"works",
"of",
"Chopin",
"survive",
";",
"some",
"compositions",
"from",
"early",
"childhood",
"have",
"been",
"lost",
".",
"All",
"his",
"known",
"works",
"involve",
"the",
"piano",
",",
"and",
"only",
"a",
"few",
"range",
"beyond",
"solo",
"piano",
"music",
",",
"as",
"either",
"piano",
"concertos",
",",
"songs",
"or",
"chamber",
"music",
"."
],
"offsets": [
0,
5,
9,
15,
18,
25,
32,
34,
39,
52,
57,
63,
73,
78,
83,
87,
89,
93,
97,
103,
109,
117,
121,
126,
128,
132,
137,
139,
143,
149,
156,
161,
167,
172,
174,
177,
184,
190,
199,
201,
207,
210,
218,
223
]
} | 7a57f5a2eadd4705a9af7ea616d48f77 | Only a few of Chopin's pieces involve more than the piano, including piano concertos, songs and what? | {
"tokens": [
"Only",
"a",
"few",
"of",
"Chopin",
"'s",
"pieces",
"involve",
"more",
"than",
"the",
"piano",
",",
"including",
"piano",
"concertos",
",",
"songs",
"and",
"what",
"?"
],
"offsets": [
0,
5,
7,
11,
14,
20,
23,
30,
38,
43,
48,
52,
57,
59,
69,
75,
84,
86,
92,
96,
100
]
} | {
"text": [
"chamber music."
],
"char_spans": [
{
"start": [
210
],
"end": [
223
]
}
],
"token_spans": [
{
"start": [
41
],
"end": [
43
]
}
]
} | [
"chamber music."
] |
SQuAD | At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked. | {
"tokens": [
"At",
"the",
"end",
"of",
"1831",
",",
"Chopin",
"received",
"the",
"first",
"major",
"endorsement",
"from",
"an",
"outstanding",
"contemporary",
"when",
"Robert",
"Schumann",
",",
"reviewing",
"the",
"Op",
".",
"2",
"Variations",
"in",
"the",
"Allgemeine",
"musikalische",
"Zeitung",
"(",
"his",
"first",
"published",
"article",
"on",
"music",
")",
",",
"declared",
":",
"\"",
"Hats",
"off",
",",
"gentlemen",
"!",
"A",
"genius",
".",
"\"",
"On",
"26",
"February",
"1832",
"Chopin",
"gave",
"a",
"debut",
"Paris",
"concert",
"at",
"the",
"Salle",
"Pleyel",
"which",
"drew",
"universal",
"admiration",
".",
"The",
"critic",
"François",
"-",
"Joseph",
"Fétis",
"wrote",
"in",
"the",
"Revue",
"et",
"gazette",
"musicale",
":",
"\"",
"Here",
"is",
"a",
"young",
"man",
"who",
"...",
"taking",
"no",
"model",
",",
"has",
"found",
",",
"if",
"not",
"a",
"complete",
"renewal",
"of",
"piano",
"music",
",",
"...",
"an",
"abundance",
"of",
"original",
"ideas",
"of",
"a",
"kind",
"to",
"be",
"found",
"nowhere",
"else",
"...",
"\"",
"After",
"this",
"concert",
",",
"Chopin",
"realized",
"that",
"his",
"essentially",
"intimate",
"keyboard",
"technique",
"was",
"not",
"optimal",
"for",
"large",
"concert",
"spaces",
".",
"Later",
"that",
"year",
"he",
"was",
"introduced",
"to",
"the",
"wealthy",
"Rothschild",
"banking",
"family",
",",
"whose",
"patronage",
"also",
"opened",
"doors",
"for",
"him",
"to",
"other",
"private",
"salons",
"(",
"social",
"gatherings",
"of",
"the",
"aristocracy",
"and",
"artistic",
"and",
"literary",
"elite",
")",
".",
"By",
"the",
"end",
"of",
"1832",
"Chopin",
"had",
"established",
"himself",
"among",
"the",
"Parisian",
"musical",
"elite",
",",
"and",
"had",
"earned",
"the",
"respect",
"of",
"his",
"peers",
"such",
"as",
"Hiller",
",",
"Liszt",
",",
"and",
"Berlioz",
".",
"He",
"no",
"longer",
"depended",
"financially",
"upon",
"his",
"father",
",",
"and",
"in",
"the",
"winter",
"of",
"1832",
"he",
"began",
"earning",
"a",
"handsome",
"income",
"from",
"publishing",
"his",
"works",
"and",
"teaching",
"piano",
"to",
"affluent",
"students",
"from",
"all",
"over",
"Europe",
".",
"This",
"freed",
"him",
"from",
"the",
"strains",
"of",
"public",
"concert",
"-",
"giving",
",",
"which",
"he",
"disliked",
"."
],
"offsets": [
0,
3,
7,
11,
14,
18,
20,
27,
36,
40,
46,
52,
64,
69,
72,
84,
97,
102,
109,
117,
119,
129,
133,
135,
137,
139,
150,
153,
157,
168,
181,
189,
190,
194,
200,
210,
218,
221,
226,
227,
229,
237,
239,
240,
245,
248,
250,
259,
261,
263,
269,
270,
272,
275,
278,
287,
292,
299,
304,
306,
312,
318,
326,
329,
333,
339,
346,
352,
357,
367,
377,
379,
383,
390,
398,
399,
406,
412,
418,
421,
425,
431,
434,
442,
450,
452,
453,
458,
461,
463,
469,
473,
477,
481,
488,
491,
496,
498,
502,
507,
509,
512,
516,
518,
527,
535,
538,
544,
549,
551,
555,
558,
568,
571,
580,
586,
589,
591,
596,
599,
602,
608,
616,
621,
624,
626,
632,
637,
644,
646,
653,
662,
667,
671,
683,
692,
701,
711,
715,
719,
727,
731,
737,
745,
751,
753,
759,
764,
769,
772,
776,
787,
790,
794,
802,
813,
821,
827,
829,
835,
845,
850,
857,
863,
867,
871,
874,
880,
888,
895,
896,
903,
914,
917,
921,
933,
937,
946,
950,
959,
964,
965,
967,
970,
974,
978,
981,
986,
993,
997,
1009,
1017,
1023,
1027,
1036,
1044,
1049,
1051,
1055,
1059,
1066,
1070,
1078,
1081,
1085,
1091,
1096,
1099,
1105,
1107,
1112,
1114,
1118,
1125,
1127,
1130,
1133,
1140,
1149,
1161,
1166,
1170,
1176,
1178,
1182,
1185,
1189,
1196,
1199,
1204,
1207,
1213,
1221,
1223,
1232,
1239,
1244,
1255,
1259,
1265,
1269,
1278,
1284,
1287,
1296,
1305,
1310,
1314,
1319,
1325,
1327,
1332,
1338,
1342,
1347,
1351,
1359,
1362,
1369,
1376,
1377,
1383,
1385,
1391,
1394,
1402
]
} | 0089da4fe0064735813867fbee3190a6 | Who gave Frédéric his first significant public approval in regards to his compositions? | {
"tokens": [
"Who",
"gave",
"Frédéric",
"his",
"first",
"significant",
"public",
"approval",
"in",
"regards",
"to",
"his",
"compositions",
"?"
],
"offsets": [
0,
4,
9,
18,
22,
28,
40,
47,
56,
59,
67,
70,
74,
86
]
} | {
"text": [
"Robert Schumann"
],
"char_spans": [
{
"start": [
102
],
"end": [
116
]
}
],
"token_spans": [
{
"start": [
17
],
"end": [
18
]
}
]
} | [
"Robert Schumann"
] |
SQuAD | At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked. | {
"tokens": [
"At",
"the",
"end",
"of",
"1831",
",",
"Chopin",
"received",
"the",
"first",
"major",
"endorsement",
"from",
"an",
"outstanding",
"contemporary",
"when",
"Robert",
"Schumann",
",",
"reviewing",
"the",
"Op",
".",
"2",
"Variations",
"in",
"the",
"Allgemeine",
"musikalische",
"Zeitung",
"(",
"his",
"first",
"published",
"article",
"on",
"music",
")",
",",
"declared",
":",
"\"",
"Hats",
"off",
",",
"gentlemen",
"!",
"A",
"genius",
".",
"\"",
"On",
"26",
"February",
"1832",
"Chopin",
"gave",
"a",
"debut",
"Paris",
"concert",
"at",
"the",
"Salle",
"Pleyel",
"which",
"drew",
"universal",
"admiration",
".",
"The",
"critic",
"François",
"-",
"Joseph",
"Fétis",
"wrote",
"in",
"the",
"Revue",
"et",
"gazette",
"musicale",
":",
"\"",
"Here",
"is",
"a",
"young",
"man",
"who",
"...",
"taking",
"no",
"model",
",",
"has",
"found",
",",
"if",
"not",
"a",
"complete",
"renewal",
"of",
"piano",
"music",
",",
"...",
"an",
"abundance",
"of",
"original",
"ideas",
"of",
"a",
"kind",
"to",
"be",
"found",
"nowhere",
"else",
"...",
"\"",
"After",
"this",
"concert",
",",
"Chopin",
"realized",
"that",
"his",
"essentially",
"intimate",
"keyboard",
"technique",
"was",
"not",
"optimal",
"for",
"large",
"concert",
"spaces",
".",
"Later",
"that",
"year",
"he",
"was",
"introduced",
"to",
"the",
"wealthy",
"Rothschild",
"banking",
"family",
",",
"whose",
"patronage",
"also",
"opened",
"doors",
"for",
"him",
"to",
"other",
"private",
"salons",
"(",
"social",
"gatherings",
"of",
"the",
"aristocracy",
"and",
"artistic",
"and",
"literary",
"elite",
")",
".",
"By",
"the",
"end",
"of",
"1832",
"Chopin",
"had",
"established",
"himself",
"among",
"the",
"Parisian",
"musical",
"elite",
",",
"and",
"had",
"earned",
"the",
"respect",
"of",
"his",
"peers",
"such",
"as",
"Hiller",
",",
"Liszt",
",",
"and",
"Berlioz",
".",
"He",
"no",
"longer",
"depended",
"financially",
"upon",
"his",
"father",
",",
"and",
"in",
"the",
"winter",
"of",
"1832",
"he",
"began",
"earning",
"a",
"handsome",
"income",
"from",
"publishing",
"his",
"works",
"and",
"teaching",
"piano",
"to",
"affluent",
"students",
"from",
"all",
"over",
"Europe",
".",
"This",
"freed",
"him",
"from",
"the",
"strains",
"of",
"public",
"concert",
"-",
"giving",
",",
"which",
"he",
"disliked",
"."
],
"offsets": [
0,
3,
7,
11,
14,
18,
20,
27,
36,
40,
46,
52,
64,
69,
72,
84,
97,
102,
109,
117,
119,
129,
133,
135,
137,
139,
150,
153,
157,
168,
181,
189,
190,
194,
200,
210,
218,
221,
226,
227,
229,
237,
239,
240,
245,
248,
250,
259,
261,
263,
269,
270,
272,
275,
278,
287,
292,
299,
304,
306,
312,
318,
326,
329,
333,
339,
346,
352,
357,
367,
377,
379,
383,
390,
398,
399,
406,
412,
418,
421,
425,
431,
434,
442,
450,
452,
453,
458,
461,
463,
469,
473,
477,
481,
488,
491,
496,
498,
502,
507,
509,
512,
516,
518,
527,
535,
538,
544,
549,
551,
555,
558,
568,
571,
580,
586,
589,
591,
596,
599,
602,
608,
616,
621,
624,
626,
632,
637,
644,
646,
653,
662,
667,
671,
683,
692,
701,
711,
715,
719,
727,
731,
737,
745,
751,
753,
759,
764,
769,
772,
776,
787,
790,
794,
802,
813,
821,
827,
829,
835,
845,
850,
857,
863,
867,
871,
874,
880,
888,
895,
896,
903,
914,
917,
921,
933,
937,
946,
950,
959,
964,
965,
967,
970,
974,
978,
981,
986,
993,
997,
1009,
1017,
1023,
1027,
1036,
1044,
1049,
1051,
1055,
1059,
1066,
1070,
1078,
1081,
1085,
1091,
1096,
1099,
1105,
1107,
1112,
1114,
1118,
1125,
1127,
1130,
1133,
1140,
1149,
1161,
1166,
1170,
1176,
1178,
1182,
1185,
1189,
1196,
1199,
1204,
1207,
1213,
1221,
1223,
1232,
1239,
1244,
1255,
1259,
1265,
1269,
1278,
1284,
1287,
1296,
1305,
1310,
1314,
1319,
1325,
1327,
1332,
1338,
1342,
1347,
1351,
1359,
1362,
1369,
1376,
1377,
1383,
1385,
1391,
1394,
1402
]
} | 80706322d52b473e81f227941fdb3247 | On what date did Frédéric give his first performance at the Salle Pleyel? | {
"tokens": [
"On",
"what",
"date",
"did",
"Frédéric",
"give",
"his",
"first",
"performance",
"at",
"the",
"Salle",
"Pleyel",
"?"
],
"offsets": [
0,
3,
8,
13,
17,
26,
31,
35,
41,
53,
56,
60,
66,
72
]
} | {
"text": [
"26 February 1832"
],
"char_spans": [
{
"start": [
275
],
"end": [
290
]
}
],
"token_spans": [
{
"start": [
53
],
"end": [
55
]
}
]
} | [
"26 February 1832"
] |
SQuAD | At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked. | {
"tokens": [
"At",
"the",
"end",
"of",
"1831",
",",
"Chopin",
"received",
"the",
"first",
"major",
"endorsement",
"from",
"an",
"outstanding",
"contemporary",
"when",
"Robert",
"Schumann",
",",
"reviewing",
"the",
"Op",
".",
"2",
"Variations",
"in",
"the",
"Allgemeine",
"musikalische",
"Zeitung",
"(",
"his",
"first",
"published",
"article",
"on",
"music",
")",
",",
"declared",
":",
"\"",
"Hats",
"off",
",",
"gentlemen",
"!",
"A",
"genius",
".",
"\"",
"On",
"26",
"February",
"1832",
"Chopin",
"gave",
"a",
"debut",
"Paris",
"concert",
"at",
"the",
"Salle",
"Pleyel",
"which",
"drew",
"universal",
"admiration",
".",
"The",
"critic",
"François",
"-",
"Joseph",
"Fétis",
"wrote",
"in",
"the",
"Revue",
"et",
"gazette",
"musicale",
":",
"\"",
"Here",
"is",
"a",
"young",
"man",
"who",
"...",
"taking",
"no",
"model",
",",
"has",
"found",
",",
"if",
"not",
"a",
"complete",
"renewal",
"of",
"piano",
"music",
",",
"...",
"an",
"abundance",
"of",
"original",
"ideas",
"of",
"a",
"kind",
"to",
"be",
"found",
"nowhere",
"else",
"...",
"\"",
"After",
"this",
"concert",
",",
"Chopin",
"realized",
"that",
"his",
"essentially",
"intimate",
"keyboard",
"technique",
"was",
"not",
"optimal",
"for",
"large",
"concert",
"spaces",
".",
"Later",
"that",
"year",
"he",
"was",
"introduced",
"to",
"the",
"wealthy",
"Rothschild",
"banking",
"family",
",",
"whose",
"patronage",
"also",
"opened",
"doors",
"for",
"him",
"to",
"other",
"private",
"salons",
"(",
"social",
"gatherings",
"of",
"the",
"aristocracy",
"and",
"artistic",
"and",
"literary",
"elite",
")",
".",
"By",
"the",
"end",
"of",
"1832",
"Chopin",
"had",
"established",
"himself",
"among",
"the",
"Parisian",
"musical",
"elite",
",",
"and",
"had",
"earned",
"the",
"respect",
"of",
"his",
"peers",
"such",
"as",
"Hiller",
",",
"Liszt",
",",
"and",
"Berlioz",
".",
"He",
"no",
"longer",
"depended",
"financially",
"upon",
"his",
"father",
",",
"and",
"in",
"the",
"winter",
"of",
"1832",
"he",
"began",
"earning",
"a",
"handsome",
"income",
"from",
"publishing",
"his",
"works",
"and",
"teaching",
"piano",
"to",
"affluent",
"students",
"from",
"all",
"over",
"Europe",
".",
"This",
"freed",
"him",
"from",
"the",
"strains",
"of",
"public",
"concert",
"-",
"giving",
",",
"which",
"he",
"disliked",
"."
],
"offsets": [
0,
3,
7,
11,
14,
18,
20,
27,
36,
40,
46,
52,
64,
69,
72,
84,
97,
102,
109,
117,
119,
129,
133,
135,
137,
139,
150,
153,
157,
168,
181,
189,
190,
194,
200,
210,
218,
221,
226,
227,
229,
237,
239,
240,
245,
248,
250,
259,
261,
263,
269,
270,
272,
275,
278,
287,
292,
299,
304,
306,
312,
318,
326,
329,
333,
339,
346,
352,
357,
367,
377,
379,
383,
390,
398,
399,
406,
412,
418,
421,
425,
431,
434,
442,
450,
452,
453,
458,
461,
463,
469,
473,
477,
481,
488,
491,
496,
498,
502,
507,
509,
512,
516,
518,
527,
535,
538,
544,
549,
551,
555,
558,
568,
571,
580,
586,
589,
591,
596,
599,
602,
608,
616,
621,
624,
626,
632,
637,
644,
646,
653,
662,
667,
671,
683,
692,
701,
711,
715,
719,
727,
731,
737,
745,
751,
753,
759,
764,
769,
772,
776,
787,
790,
794,
802,
813,
821,
827,
829,
835,
845,
850,
857,
863,
867,
871,
874,
880,
888,
895,
896,
903,
914,
917,
921,
933,
937,
946,
950,
959,
964,
965,
967,
970,
974,
978,
981,
986,
993,
997,
1009,
1017,
1023,
1027,
1036,
1044,
1049,
1051,
1055,
1059,
1066,
1070,
1078,
1081,
1085,
1091,
1096,
1099,
1105,
1107,
1112,
1114,
1118,
1125,
1127,
1130,
1133,
1140,
1149,
1161,
1166,
1170,
1176,
1178,
1182,
1185,
1189,
1196,
1199,
1204,
1207,
1213,
1221,
1223,
1232,
1239,
1244,
1255,
1259,
1265,
1269,
1278,
1284,
1287,
1296,
1305,
1310,
1314,
1319,
1325,
1327,
1332,
1338,
1342,
1347,
1351,
1359,
1362,
1369,
1376,
1377,
1383,
1385,
1391,
1394,
1402
]
} | a5070f550fd04f44ba23836408c0e1b7 | What is stated as a hindrance for Frédéric's ability to perform in large concert spaces? | {
"tokens": [
"What",
"is",
"stated",
"as",
"a",
"hindrance",
"for",
"Frédéric",
"'s",
"ability",
"to",
"perform",
"in",
"large",
"concert",
"spaces",
"?"
],
"offsets": [
0,
5,
8,
15,
18,
20,
30,
34,
42,
45,
53,
56,
64,
67,
73,
81,
87
]
} | {
"text": [
"intimate keyboard technique"
],
"char_spans": [
{
"start": [
683
],
"end": [
709
]
}
],
"token_spans": [
{
"start": [
134
],
"end": [
136
]
}
]
} | [
"intimate keyboard technique"
] |
SQuAD | At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked. | {
"tokens": [
"At",
"the",
"end",
"of",
"1831",
",",
"Chopin",
"received",
"the",
"first",
"major",
"endorsement",
"from",
"an",
"outstanding",
"contemporary",
"when",
"Robert",
"Schumann",
",",
"reviewing",
"the",
"Op",
".",
"2",
"Variations",
"in",
"the",
"Allgemeine",
"musikalische",
"Zeitung",
"(",
"his",
"first",
"published",
"article",
"on",
"music",
")",
",",
"declared",
":",
"\"",
"Hats",
"off",
",",
"gentlemen",
"!",
"A",
"genius",
".",
"\"",
"On",
"26",
"February",
"1832",
"Chopin",
"gave",
"a",
"debut",
"Paris",
"concert",
"at",
"the",
"Salle",
"Pleyel",
"which",
"drew",
"universal",
"admiration",
".",
"The",
"critic",
"François",
"-",
"Joseph",
"Fétis",
"wrote",
"in",
"the",
"Revue",
"et",
"gazette",
"musicale",
":",
"\"",
"Here",
"is",
"a",
"young",
"man",
"who",
"...",
"taking",
"no",
"model",
",",
"has",
"found",
",",
"if",
"not",
"a",
"complete",
"renewal",
"of",
"piano",
"music",
",",
"...",
"an",
"abundance",
"of",
"original",
"ideas",
"of",
"a",
"kind",
"to",
"be",
"found",
"nowhere",
"else",
"...",
"\"",
"After",
"this",
"concert",
",",
"Chopin",
"realized",
"that",
"his",
"essentially",
"intimate",
"keyboard",
"technique",
"was",
"not",
"optimal",
"for",
"large",
"concert",
"spaces",
".",
"Later",
"that",
"year",
"he",
"was",
"introduced",
"to",
"the",
"wealthy",
"Rothschild",
"banking",
"family",
",",
"whose",
"patronage",
"also",
"opened",
"doors",
"for",
"him",
"to",
"other",
"private",
"salons",
"(",
"social",
"gatherings",
"of",
"the",
"aristocracy",
"and",
"artistic",
"and",
"literary",
"elite",
")",
".",
"By",
"the",
"end",
"of",
"1832",
"Chopin",
"had",
"established",
"himself",
"among",
"the",
"Parisian",
"musical",
"elite",
",",
"and",
"had",
"earned",
"the",
"respect",
"of",
"his",
"peers",
"such",
"as",
"Hiller",
",",
"Liszt",
",",
"and",
"Berlioz",
".",
"He",
"no",
"longer",
"depended",
"financially",
"upon",
"his",
"father",
",",
"and",
"in",
"the",
"winter",
"of",
"1832",
"he",
"began",
"earning",
"a",
"handsome",
"income",
"from",
"publishing",
"his",
"works",
"and",
"teaching",
"piano",
"to",
"affluent",
"students",
"from",
"all",
"over",
"Europe",
".",
"This",
"freed",
"him",
"from",
"the",
"strains",
"of",
"public",
"concert",
"-",
"giving",
",",
"which",
"he",
"disliked",
"."
],
"offsets": [
0,
3,
7,
11,
14,
18,
20,
27,
36,
40,
46,
52,
64,
69,
72,
84,
97,
102,
109,
117,
119,
129,
133,
135,
137,
139,
150,
153,
157,
168,
181,
189,
190,
194,
200,
210,
218,
221,
226,
227,
229,
237,
239,
240,
245,
248,
250,
259,
261,
263,
269,
270,
272,
275,
278,
287,
292,
299,
304,
306,
312,
318,
326,
329,
333,
339,
346,
352,
357,
367,
377,
379,
383,
390,
398,
399,
406,
412,
418,
421,
425,
431,
434,
442,
450,
452,
453,
458,
461,
463,
469,
473,
477,
481,
488,
491,
496,
498,
502,
507,
509,
512,
516,
518,
527,
535,
538,
544,
549,
551,
555,
558,
568,
571,
580,
586,
589,
591,
596,
599,
602,
608,
616,
621,
624,
626,
632,
637,
644,
646,
653,
662,
667,
671,
683,
692,
701,
711,
715,
719,
727,
731,
737,
745,
751,
753,
759,
764,
769,
772,
776,
787,
790,
794,
802,
813,
821,
827,
829,
835,
845,
850,
857,
863,
867,
871,
874,
880,
888,
895,
896,
903,
914,
917,
921,
933,
937,
946,
950,
959,
964,
965,
967,
970,
974,
978,
981,
986,
993,
997,
1009,
1017,
1023,
1027,
1036,
1044,
1049,
1051,
1055,
1059,
1066,
1070,
1078,
1081,
1085,
1091,
1096,
1099,
1105,
1107,
1112,
1114,
1118,
1125,
1127,
1130,
1133,
1140,
1149,
1161,
1166,
1170,
1176,
1178,
1182,
1185,
1189,
1196,
1199,
1204,
1207,
1213,
1221,
1223,
1232,
1239,
1244,
1255,
1259,
1265,
1269,
1278,
1284,
1287,
1296,
1305,
1310,
1314,
1319,
1325,
1327,
1332,
1338,
1342,
1347,
1351,
1359,
1362,
1369,
1376,
1377,
1383,
1385,
1391,
1394,
1402
]
} | a636ad48bd3e440490645a3c219f771b | Who did Frédéric rely upon financially before earning a great income from his works? | {
"tokens": [
"Who",
"did",
"Frédéric",
"rely",
"upon",
"financially",
"before",
"earning",
"a",
"great",
"income",
"from",
"his",
"works",
"?"
],
"offsets": [
0,
4,
8,
17,
22,
27,
39,
46,
54,
56,
62,
69,
74,
78,
83
]
} | {
"text": [
"his father"
],
"char_spans": [
{
"start": [
1166
],
"end": [
1175
]
}
],
"token_spans": [
{
"start": [
220
],
"end": [
221
]
}
]
} | [
"his father"
] |
SQuAD | At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked. | {
"tokens": [
"At",
"the",
"end",
"of",
"1831",
",",
"Chopin",
"received",
"the",
"first",
"major",
"endorsement",
"from",
"an",
"outstanding",
"contemporary",
"when",
"Robert",
"Schumann",
",",
"reviewing",
"the",
"Op",
".",
"2",
"Variations",
"in",
"the",
"Allgemeine",
"musikalische",
"Zeitung",
"(",
"his",
"first",
"published",
"article",
"on",
"music",
")",
",",
"declared",
":",
"\"",
"Hats",
"off",
",",
"gentlemen",
"!",
"A",
"genius",
".",
"\"",
"On",
"26",
"February",
"1832",
"Chopin",
"gave",
"a",
"debut",
"Paris",
"concert",
"at",
"the",
"Salle",
"Pleyel",
"which",
"drew",
"universal",
"admiration",
".",
"The",
"critic",
"François",
"-",
"Joseph",
"Fétis",
"wrote",
"in",
"the",
"Revue",
"et",
"gazette",
"musicale",
":",
"\"",
"Here",
"is",
"a",
"young",
"man",
"who",
"...",
"taking",
"no",
"model",
",",
"has",
"found",
",",
"if",
"not",
"a",
"complete",
"renewal",
"of",
"piano",
"music",
",",
"...",
"an",
"abundance",
"of",
"original",
"ideas",
"of",
"a",
"kind",
"to",
"be",
"found",
"nowhere",
"else",
"...",
"\"",
"After",
"this",
"concert",
",",
"Chopin",
"realized",
"that",
"his",
"essentially",
"intimate",
"keyboard",
"technique",
"was",
"not",
"optimal",
"for",
"large",
"concert",
"spaces",
".",
"Later",
"that",
"year",
"he",
"was",
"introduced",
"to",
"the",
"wealthy",
"Rothschild",
"banking",
"family",
",",
"whose",
"patronage",
"also",
"opened",
"doors",
"for",
"him",
"to",
"other",
"private",
"salons",
"(",
"social",
"gatherings",
"of",
"the",
"aristocracy",
"and",
"artistic",
"and",
"literary",
"elite",
")",
".",
"By",
"the",
"end",
"of",
"1832",
"Chopin",
"had",
"established",
"himself",
"among",
"the",
"Parisian",
"musical",
"elite",
",",
"and",
"had",
"earned",
"the",
"respect",
"of",
"his",
"peers",
"such",
"as",
"Hiller",
",",
"Liszt",
",",
"and",
"Berlioz",
".",
"He",
"no",
"longer",
"depended",
"financially",
"upon",
"his",
"father",
",",
"and",
"in",
"the",
"winter",
"of",
"1832",
"he",
"began",
"earning",
"a",
"handsome",
"income",
"from",
"publishing",
"his",
"works",
"and",
"teaching",
"piano",
"to",
"affluent",
"students",
"from",
"all",
"over",
"Europe",
".",
"This",
"freed",
"him",
"from",
"the",
"strains",
"of",
"public",
"concert",
"-",
"giving",
",",
"which",
"he",
"disliked",
"."
],
"offsets": [
0,
3,
7,
11,
14,
18,
20,
27,
36,
40,
46,
52,
64,
69,
72,
84,
97,
102,
109,
117,
119,
129,
133,
135,
137,
139,
150,
153,
157,
168,
181,
189,
190,
194,
200,
210,
218,
221,
226,
227,
229,
237,
239,
240,
245,
248,
250,
259,
261,
263,
269,
270,
272,
275,
278,
287,
292,
299,
304,
306,
312,
318,
326,
329,
333,
339,
346,
352,
357,
367,
377,
379,
383,
390,
398,
399,
406,
412,
418,
421,
425,
431,
434,
442,
450,
452,
453,
458,
461,
463,
469,
473,
477,
481,
488,
491,
496,
498,
502,
507,
509,
512,
516,
518,
527,
535,
538,
544,
549,
551,
555,
558,
568,
571,
580,
586,
589,
591,
596,
599,
602,
608,
616,
621,
624,
626,
632,
637,
644,
646,
653,
662,
667,
671,
683,
692,
701,
711,
715,
719,
727,
731,
737,
745,
751,
753,
759,
764,
769,
772,
776,
787,
790,
794,
802,
813,
821,
827,
829,
835,
845,
850,
857,
863,
867,
871,
874,
880,
888,
895,
896,
903,
914,
917,
921,
933,
937,
946,
950,
959,
964,
965,
967,
970,
974,
978,
981,
986,
993,
997,
1009,
1017,
1023,
1027,
1036,
1044,
1049,
1051,
1055,
1059,
1066,
1070,
1078,
1081,
1085,
1091,
1096,
1099,
1105,
1107,
1112,
1114,
1118,
1125,
1127,
1130,
1133,
1140,
1149,
1161,
1166,
1170,
1176,
1178,
1182,
1185,
1189,
1196,
1199,
1204,
1207,
1213,
1221,
1223,
1232,
1239,
1244,
1255,
1259,
1265,
1269,
1278,
1284,
1287,
1296,
1305,
1310,
1314,
1319,
1325,
1327,
1332,
1338,
1342,
1347,
1351,
1359,
1362,
1369,
1376,
1377,
1383,
1385,
1391,
1394,
1402
]
} | a00be1c628e34faa911d7bd984b39ed7 | From whom did Chopin receive his first big endorsement? | {
"tokens": [
"From",
"whom",
"did",
"Chopin",
"receive",
"his",
"first",
"big",
"endorsement",
"?"
],
"offsets": [
0,
5,
10,
14,
21,
29,
33,
39,
43,
54
]
} | {
"text": [
"Robert Schumann"
],
"char_spans": [
{
"start": [
102
],
"end": [
116
]
}
],
"token_spans": [
{
"start": [
17
],
"end": [
18
]
}
]
} | [
"Robert Schumann"
] |
SQuAD | At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked. | {
"tokens": [
"At",
"the",
"end",
"of",
"1831",
",",
"Chopin",
"received",
"the",
"first",
"major",
"endorsement",
"from",
"an",
"outstanding",
"contemporary",
"when",
"Robert",
"Schumann",
",",
"reviewing",
"the",
"Op",
".",
"2",
"Variations",
"in",
"the",
"Allgemeine",
"musikalische",
"Zeitung",
"(",
"his",
"first",
"published",
"article",
"on",
"music",
")",
",",
"declared",
":",
"\"",
"Hats",
"off",
",",
"gentlemen",
"!",
"A",
"genius",
".",
"\"",
"On",
"26",
"February",
"1832",
"Chopin",
"gave",
"a",
"debut",
"Paris",
"concert",
"at",
"the",
"Salle",
"Pleyel",
"which",
"drew",
"universal",
"admiration",
".",
"The",
"critic",
"François",
"-",
"Joseph",
"Fétis",
"wrote",
"in",
"the",
"Revue",
"et",
"gazette",
"musicale",
":",
"\"",
"Here",
"is",
"a",
"young",
"man",
"who",
"...",
"taking",
"no",
"model",
",",
"has",
"found",
",",
"if",
"not",
"a",
"complete",
"renewal",
"of",
"piano",
"music",
",",
"...",
"an",
"abundance",
"of",
"original",
"ideas",
"of",
"a",
"kind",
"to",
"be",
"found",
"nowhere",
"else",
"...",
"\"",
"After",
"this",
"concert",
",",
"Chopin",
"realized",
"that",
"his",
"essentially",
"intimate",
"keyboard",
"technique",
"was",
"not",
"optimal",
"for",
"large",
"concert",
"spaces",
".",
"Later",
"that",
"year",
"he",
"was",
"introduced",
"to",
"the",
"wealthy",
"Rothschild",
"banking",
"family",
",",
"whose",
"patronage",
"also",
"opened",
"doors",
"for",
"him",
"to",
"other",
"private",
"salons",
"(",
"social",
"gatherings",
"of",
"the",
"aristocracy",
"and",
"artistic",
"and",
"literary",
"elite",
")",
".",
"By",
"the",
"end",
"of",
"1832",
"Chopin",
"had",
"established",
"himself",
"among",
"the",
"Parisian",
"musical",
"elite",
",",
"and",
"had",
"earned",
"the",
"respect",
"of",
"his",
"peers",
"such",
"as",
"Hiller",
",",
"Liszt",
",",
"and",
"Berlioz",
".",
"He",
"no",
"longer",
"depended",
"financially",
"upon",
"his",
"father",
",",
"and",
"in",
"the",
"winter",
"of",
"1832",
"he",
"began",
"earning",
"a",
"handsome",
"income",
"from",
"publishing",
"his",
"works",
"and",
"teaching",
"piano",
"to",
"affluent",
"students",
"from",
"all",
"over",
"Europe",
".",
"This",
"freed",
"him",
"from",
"the",
"strains",
"of",
"public",
"concert",
"-",
"giving",
",",
"which",
"he",
"disliked",
"."
],
"offsets": [
0,
3,
7,
11,
14,
18,
20,
27,
36,
40,
46,
52,
64,
69,
72,
84,
97,
102,
109,
117,
119,
129,
133,
135,
137,
139,
150,
153,
157,
168,
181,
189,
190,
194,
200,
210,
218,
221,
226,
227,
229,
237,
239,
240,
245,
248,
250,
259,
261,
263,
269,
270,
272,
275,
278,
287,
292,
299,
304,
306,
312,
318,
326,
329,
333,
339,
346,
352,
357,
367,
377,
379,
383,
390,
398,
399,
406,
412,
418,
421,
425,
431,
434,
442,
450,
452,
453,
458,
461,
463,
469,
473,
477,
481,
488,
491,
496,
498,
502,
507,
509,
512,
516,
518,
527,
535,
538,
544,
549,
551,
555,
558,
568,
571,
580,
586,
589,
591,
596,
599,
602,
608,
616,
621,
624,
626,
632,
637,
644,
646,
653,
662,
667,
671,
683,
692,
701,
711,
715,
719,
727,
731,
737,
745,
751,
753,
759,
764,
769,
772,
776,
787,
790,
794,
802,
813,
821,
827,
829,
835,
845,
850,
857,
863,
867,
871,
874,
880,
888,
895,
896,
903,
914,
917,
921,
933,
937,
946,
950,
959,
964,
965,
967,
970,
974,
978,
981,
986,
993,
997,
1009,
1017,
1023,
1027,
1036,
1044,
1049,
1051,
1055,
1059,
1066,
1070,
1078,
1081,
1085,
1091,
1096,
1099,
1105,
1107,
1112,
1114,
1118,
1125,
1127,
1130,
1133,
1140,
1149,
1161,
1166,
1170,
1176,
1178,
1182,
1185,
1189,
1196,
1199,
1204,
1207,
1213,
1221,
1223,
1232,
1239,
1244,
1255,
1259,
1265,
1269,
1278,
1284,
1287,
1296,
1305,
1310,
1314,
1319,
1325,
1327,
1332,
1338,
1342,
1347,
1351,
1359,
1362,
1369,
1376,
1377,
1383,
1385,
1391,
1394,
1402
]
} | 7c54cb14ed0e4fb6888364ec1430ab76 | When did Chopin debut at Salle Pleyel ? | {
"tokens": [
"When",
"did",
"Chopin",
"debut",
"at",
"Salle",
"Pleyel",
"?"
],
"offsets": [
0,
5,
9,
16,
22,
25,
31,
38
]
} | {
"text": [
"26 February 1832"
],
"char_spans": [
{
"start": [
275
],
"end": [
290
]
}
],
"token_spans": [
{
"start": [
53
],
"end": [
55
]
}
]
} | [
"26 February 1832"
] |
SQuAD | At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked. | {
"tokens": [
"At",
"the",
"end",
"of",
"1831",
",",
"Chopin",
"received",
"the",
"first",
"major",
"endorsement",
"from",
"an",
"outstanding",
"contemporary",
"when",
"Robert",
"Schumann",
",",
"reviewing",
"the",
"Op",
".",
"2",
"Variations",
"in",
"the",
"Allgemeine",
"musikalische",
"Zeitung",
"(",
"his",
"first",
"published",
"article",
"on",
"music",
")",
",",
"declared",
":",
"\"",
"Hats",
"off",
",",
"gentlemen",
"!",
"A",
"genius",
".",
"\"",
"On",
"26",
"February",
"1832",
"Chopin",
"gave",
"a",
"debut",
"Paris",
"concert",
"at",
"the",
"Salle",
"Pleyel",
"which",
"drew",
"universal",
"admiration",
".",
"The",
"critic",
"François",
"-",
"Joseph",
"Fétis",
"wrote",
"in",
"the",
"Revue",
"et",
"gazette",
"musicale",
":",
"\"",
"Here",
"is",
"a",
"young",
"man",
"who",
"...",
"taking",
"no",
"model",
",",
"has",
"found",
",",
"if",
"not",
"a",
"complete",
"renewal",
"of",
"piano",
"music",
",",
"...",
"an",
"abundance",
"of",
"original",
"ideas",
"of",
"a",
"kind",
"to",
"be",
"found",
"nowhere",
"else",
"...",
"\"",
"After",
"this",
"concert",
",",
"Chopin",
"realized",
"that",
"his",
"essentially",
"intimate",
"keyboard",
"technique",
"was",
"not",
"optimal",
"for",
"large",
"concert",
"spaces",
".",
"Later",
"that",
"year",
"he",
"was",
"introduced",
"to",
"the",
"wealthy",
"Rothschild",
"banking",
"family",
",",
"whose",
"patronage",
"also",
"opened",
"doors",
"for",
"him",
"to",
"other",
"private",
"salons",
"(",
"social",
"gatherings",
"of",
"the",
"aristocracy",
"and",
"artistic",
"and",
"literary",
"elite",
")",
".",
"By",
"the",
"end",
"of",
"1832",
"Chopin",
"had",
"established",
"himself",
"among",
"the",
"Parisian",
"musical",
"elite",
",",
"and",
"had",
"earned",
"the",
"respect",
"of",
"his",
"peers",
"such",
"as",
"Hiller",
",",
"Liszt",
",",
"and",
"Berlioz",
".",
"He",
"no",
"longer",
"depended",
"financially",
"upon",
"his",
"father",
",",
"and",
"in",
"the",
"winter",
"of",
"1832",
"he",
"began",
"earning",
"a",
"handsome",
"income",
"from",
"publishing",
"his",
"works",
"and",
"teaching",
"piano",
"to",
"affluent",
"students",
"from",
"all",
"over",
"Europe",
".",
"This",
"freed",
"him",
"from",
"the",
"strains",
"of",
"public",
"concert",
"-",
"giving",
",",
"which",
"he",
"disliked",
"."
],
"offsets": [
0,
3,
7,
11,
14,
18,
20,
27,
36,
40,
46,
52,
64,
69,
72,
84,
97,
102,
109,
117,
119,
129,
133,
135,
137,
139,
150,
153,
157,
168,
181,
189,
190,
194,
200,
210,
218,
221,
226,
227,
229,
237,
239,
240,
245,
248,
250,
259,
261,
263,
269,
270,
272,
275,
278,
287,
292,
299,
304,
306,
312,
318,
326,
329,
333,
339,
346,
352,
357,
367,
377,
379,
383,
390,
398,
399,
406,
412,
418,
421,
425,
431,
434,
442,
450,
452,
453,
458,
461,
463,
469,
473,
477,
481,
488,
491,
496,
498,
502,
507,
509,
512,
516,
518,
527,
535,
538,
544,
549,
551,
555,
558,
568,
571,
580,
586,
589,
591,
596,
599,
602,
608,
616,
621,
624,
626,
632,
637,
644,
646,
653,
662,
667,
671,
683,
692,
701,
711,
715,
719,
727,
731,
737,
745,
751,
753,
759,
764,
769,
772,
776,
787,
790,
794,
802,
813,
821,
827,
829,
835,
845,
850,
857,
863,
867,
871,
874,
880,
888,
895,
896,
903,
914,
917,
921,
933,
937,
946,
950,
959,
964,
965,
967,
970,
974,
978,
981,
986,
993,
997,
1009,
1017,
1023,
1027,
1036,
1044,
1049,
1051,
1055,
1059,
1066,
1070,
1078,
1081,
1085,
1091,
1096,
1099,
1105,
1107,
1112,
1114,
1118,
1125,
1127,
1130,
1133,
1140,
1149,
1161,
1166,
1170,
1176,
1178,
1182,
1185,
1189,
1196,
1199,
1204,
1207,
1213,
1221,
1223,
1232,
1239,
1244,
1255,
1259,
1265,
1269,
1278,
1284,
1287,
1296,
1305,
1310,
1314,
1319,
1325,
1327,
1332,
1338,
1342,
1347,
1351,
1359,
1362,
1369,
1376,
1377,
1383,
1385,
1391,
1394,
1402
]
} | 0055be793e1b45ed8d660664bef6aabd | What affluent family did Chopin gain a patronage from? | {
"tokens": [
"What",
"affluent",
"family",
"did",
"Chopin",
"gain",
"a",
"patronage",
"from",
"?"
],
"offsets": [
0,
5,
14,
21,
25,
32,
37,
39,
49,
53
]
} | {
"text": [
"Rothschild"
],
"char_spans": [
{
"start": [
802
],
"end": [
811
]
}
],
"token_spans": [
{
"start": [
154
],
"end": [
154
]
}
]
} | [
"Rothschild"
] |
SQuAD | At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked. | {
"tokens": [
"At",
"the",
"end",
"of",
"1831",
",",
"Chopin",
"received",
"the",
"first",
"major",
"endorsement",
"from",
"an",
"outstanding",
"contemporary",
"when",
"Robert",
"Schumann",
",",
"reviewing",
"the",
"Op",
".",
"2",
"Variations",
"in",
"the",
"Allgemeine",
"musikalische",
"Zeitung",
"(",
"his",
"first",
"published",
"article",
"on",
"music",
")",
",",
"declared",
":",
"\"",
"Hats",
"off",
",",
"gentlemen",
"!",
"A",
"genius",
".",
"\"",
"On",
"26",
"February",
"1832",
"Chopin",
"gave",
"a",
"debut",
"Paris",
"concert",
"at",
"the",
"Salle",
"Pleyel",
"which",
"drew",
"universal",
"admiration",
".",
"The",
"critic",
"François",
"-",
"Joseph",
"Fétis",
"wrote",
"in",
"the",
"Revue",
"et",
"gazette",
"musicale",
":",
"\"",
"Here",
"is",
"a",
"young",
"man",
"who",
"...",
"taking",
"no",
"model",
",",
"has",
"found",
",",
"if",
"not",
"a",
"complete",
"renewal",
"of",
"piano",
"music",
",",
"...",
"an",
"abundance",
"of",
"original",
"ideas",
"of",
"a",
"kind",
"to",
"be",
"found",
"nowhere",
"else",
"...",
"\"",
"After",
"this",
"concert",
",",
"Chopin",
"realized",
"that",
"his",
"essentially",
"intimate",
"keyboard",
"technique",
"was",
"not",
"optimal",
"for",
"large",
"concert",
"spaces",
".",
"Later",
"that",
"year",
"he",
"was",
"introduced",
"to",
"the",
"wealthy",
"Rothschild",
"banking",
"family",
",",
"whose",
"patronage",
"also",
"opened",
"doors",
"for",
"him",
"to",
"other",
"private",
"salons",
"(",
"social",
"gatherings",
"of",
"the",
"aristocracy",
"and",
"artistic",
"and",
"literary",
"elite",
")",
".",
"By",
"the",
"end",
"of",
"1832",
"Chopin",
"had",
"established",
"himself",
"among",
"the",
"Parisian",
"musical",
"elite",
",",
"and",
"had",
"earned",
"the",
"respect",
"of",
"his",
"peers",
"such",
"as",
"Hiller",
",",
"Liszt",
",",
"and",
"Berlioz",
".",
"He",
"no",
"longer",
"depended",
"financially",
"upon",
"his",
"father",
",",
"and",
"in",
"the",
"winter",
"of",
"1832",
"he",
"began",
"earning",
"a",
"handsome",
"income",
"from",
"publishing",
"his",
"works",
"and",
"teaching",
"piano",
"to",
"affluent",
"students",
"from",
"all",
"over",
"Europe",
".",
"This",
"freed",
"him",
"from",
"the",
"strains",
"of",
"public",
"concert",
"-",
"giving",
",",
"which",
"he",
"disliked",
"."
],
"offsets": [
0,
3,
7,
11,
14,
18,
20,
27,
36,
40,
46,
52,
64,
69,
72,
84,
97,
102,
109,
117,
119,
129,
133,
135,
137,
139,
150,
153,
157,
168,
181,
189,
190,
194,
200,
210,
218,
221,
226,
227,
229,
237,
239,
240,
245,
248,
250,
259,
261,
263,
269,
270,
272,
275,
278,
287,
292,
299,
304,
306,
312,
318,
326,
329,
333,
339,
346,
352,
357,
367,
377,
379,
383,
390,
398,
399,
406,
412,
418,
421,
425,
431,
434,
442,
450,
452,
453,
458,
461,
463,
469,
473,
477,
481,
488,
491,
496,
498,
502,
507,
509,
512,
516,
518,
527,
535,
538,
544,
549,
551,
555,
558,
568,
571,
580,
586,
589,
591,
596,
599,
602,
608,
616,
621,
624,
626,
632,
637,
644,
646,
653,
662,
667,
671,
683,
692,
701,
711,
715,
719,
727,
731,
737,
745,
751,
753,
759,
764,
769,
772,
776,
787,
790,
794,
802,
813,
821,
827,
829,
835,
845,
850,
857,
863,
867,
871,
874,
880,
888,
895,
896,
903,
914,
917,
921,
933,
937,
946,
950,
959,
964,
965,
967,
970,
974,
978,
981,
986,
993,
997,
1009,
1017,
1023,
1027,
1036,
1044,
1049,
1051,
1055,
1059,
1066,
1070,
1078,
1081,
1085,
1091,
1096,
1099,
1105,
1107,
1112,
1114,
1118,
1125,
1127,
1130,
1133,
1140,
1149,
1161,
1166,
1170,
1176,
1178,
1182,
1185,
1189,
1196,
1199,
1204,
1207,
1213,
1221,
1223,
1232,
1239,
1244,
1255,
1259,
1265,
1269,
1278,
1284,
1287,
1296,
1305,
1310,
1314,
1319,
1325,
1327,
1332,
1338,
1342,
1347,
1351,
1359,
1362,
1369,
1376,
1377,
1383,
1385,
1391,
1394,
1402
]
} | 77762b0c03af47f789d66ed8f3bee228 | When did Chopin receive his first major endorsement from Robert Schumann? | {
"tokens": [
"When",
"did",
"Chopin",
"receive",
"his",
"first",
"major",
"endorsement",
"from",
"Robert",
"Schumann",
"?"
],
"offsets": [
0,
5,
9,
16,
24,
28,
34,
40,
52,
57,
64,
72
]
} | {
"text": [
"1831"
],
"char_spans": [
{
"start": [
14
],
"end": [
17
]
}
],
"token_spans": [
{
"start": [
4
],
"end": [
4
]
}
]
} | [
"1831"
] |
SQuAD | At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked. | {
"tokens": [
"At",
"the",
"end",
"of",
"1831",
",",
"Chopin",
"received",
"the",
"first",
"major",
"endorsement",
"from",
"an",
"outstanding",
"contemporary",
"when",
"Robert",
"Schumann",
",",
"reviewing",
"the",
"Op",
".",
"2",
"Variations",
"in",
"the",
"Allgemeine",
"musikalische",
"Zeitung",
"(",
"his",
"first",
"published",
"article",
"on",
"music",
")",
",",
"declared",
":",
"\"",
"Hats",
"off",
",",
"gentlemen",
"!",
"A",
"genius",
".",
"\"",
"On",
"26",
"February",
"1832",
"Chopin",
"gave",
"a",
"debut",
"Paris",
"concert",
"at",
"the",
"Salle",
"Pleyel",
"which",
"drew",
"universal",
"admiration",
".",
"The",
"critic",
"François",
"-",
"Joseph",
"Fétis",
"wrote",
"in",
"the",
"Revue",
"et",
"gazette",
"musicale",
":",
"\"",
"Here",
"is",
"a",
"young",
"man",
"who",
"...",
"taking",
"no",
"model",
",",
"has",
"found",
",",
"if",
"not",
"a",
"complete",
"renewal",
"of",
"piano",
"music",
",",
"...",
"an",
"abundance",
"of",
"original",
"ideas",
"of",
"a",
"kind",
"to",
"be",
"found",
"nowhere",
"else",
"...",
"\"",
"After",
"this",
"concert",
",",
"Chopin",
"realized",
"that",
"his",
"essentially",
"intimate",
"keyboard",
"technique",
"was",
"not",
"optimal",
"for",
"large",
"concert",
"spaces",
".",
"Later",
"that",
"year",
"he",
"was",
"introduced",
"to",
"the",
"wealthy",
"Rothschild",
"banking",
"family",
",",
"whose",
"patronage",
"also",
"opened",
"doors",
"for",
"him",
"to",
"other",
"private",
"salons",
"(",
"social",
"gatherings",
"of",
"the",
"aristocracy",
"and",
"artistic",
"and",
"literary",
"elite",
")",
".",
"By",
"the",
"end",
"of",
"1832",
"Chopin",
"had",
"established",
"himself",
"among",
"the",
"Parisian",
"musical",
"elite",
",",
"and",
"had",
"earned",
"the",
"respect",
"of",
"his",
"peers",
"such",
"as",
"Hiller",
",",
"Liszt",
",",
"and",
"Berlioz",
".",
"He",
"no",
"longer",
"depended",
"financially",
"upon",
"his",
"father",
",",
"and",
"in",
"the",
"winter",
"of",
"1832",
"he",
"began",
"earning",
"a",
"handsome",
"income",
"from",
"publishing",
"his",
"works",
"and",
"teaching",
"piano",
"to",
"affluent",
"students",
"from",
"all",
"over",
"Europe",
".",
"This",
"freed",
"him",
"from",
"the",
"strains",
"of",
"public",
"concert",
"-",
"giving",
",",
"which",
"he",
"disliked",
"."
],
"offsets": [
0,
3,
7,
11,
14,
18,
20,
27,
36,
40,
46,
52,
64,
69,
72,
84,
97,
102,
109,
117,
119,
129,
133,
135,
137,
139,
150,
153,
157,
168,
181,
189,
190,
194,
200,
210,
218,
221,
226,
227,
229,
237,
239,
240,
245,
248,
250,
259,
261,
263,
269,
270,
272,
275,
278,
287,
292,
299,
304,
306,
312,
318,
326,
329,
333,
339,
346,
352,
357,
367,
377,
379,
383,
390,
398,
399,
406,
412,
418,
421,
425,
431,
434,
442,
450,
452,
453,
458,
461,
463,
469,
473,
477,
481,
488,
491,
496,
498,
502,
507,
509,
512,
516,
518,
527,
535,
538,
544,
549,
551,
555,
558,
568,
571,
580,
586,
589,
591,
596,
599,
602,
608,
616,
621,
624,
626,
632,
637,
644,
646,
653,
662,
667,
671,
683,
692,
701,
711,
715,
719,
727,
731,
737,
745,
751,
753,
759,
764,
769,
772,
776,
787,
790,
794,
802,
813,
821,
827,
829,
835,
845,
850,
857,
863,
867,
871,
874,
880,
888,
895,
896,
903,
914,
917,
921,
933,
937,
946,
950,
959,
964,
965,
967,
970,
974,
978,
981,
986,
993,
997,
1009,
1017,
1023,
1027,
1036,
1044,
1049,
1051,
1055,
1059,
1066,
1070,
1078,
1081,
1085,
1091,
1096,
1099,
1105,
1107,
1112,
1114,
1118,
1125,
1127,
1130,
1133,
1140,
1149,
1161,
1166,
1170,
1176,
1178,
1182,
1185,
1189,
1196,
1199,
1204,
1207,
1213,
1221,
1223,
1232,
1239,
1244,
1255,
1259,
1265,
1269,
1278,
1284,
1287,
1296,
1305,
1310,
1314,
1319,
1325,
1327,
1332,
1338,
1342,
1347,
1351,
1359,
1362,
1369,
1376,
1377,
1383,
1385,
1391,
1394,
1402
]
} | eb57102266144c809e8e5d6e2a816177 | What did Chopin realize was not ideal for larger spaces after his first successful concert in Paris? | {
"tokens": [
"What",
"did",
"Chopin",
"realize",
"was",
"not",
"ideal",
"for",
"larger",
"spaces",
"after",
"his",
"first",
"successful",
"concert",
"in",
"Paris",
"?"
],
"offsets": [
0,
5,
9,
16,
24,
28,
32,
38,
42,
49,
56,
62,
66,
72,
83,
91,
94,
99
]
} | {
"text": [
"keyboard technique"
],
"char_spans": [
{
"start": [
692
],
"end": [
709
]
}
],
"token_spans": [
{
"start": [
135
],
"end": [
136
]
}
]
} | [
"keyboard technique"
] |
SQuAD | At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 26 February 1832 Chopin gave a debut Paris concert at the Salle Pleyel which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832 Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832 he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked. | {
"tokens": [
"At",
"the",
"end",
"of",
"1831",
",",
"Chopin",
"received",
"the",
"first",
"major",
"endorsement",
"from",
"an",
"outstanding",
"contemporary",
"when",
"Robert",
"Schumann",
",",
"reviewing",
"the",
"Op",
".",
"2",
"Variations",
"in",
"the",
"Allgemeine",
"musikalische",
"Zeitung",
"(",
"his",
"first",
"published",
"article",
"on",
"music",
")",
",",
"declared",
":",
"\"",
"Hats",
"off",
",",
"gentlemen",
"!",
"A",
"genius",
".",
"\"",
"On",
"26",
"February",
"1832",
"Chopin",
"gave",
"a",
"debut",
"Paris",
"concert",
"at",
"the",
"Salle",
"Pleyel",
"which",
"drew",
"universal",
"admiration",
".",
"The",
"critic",
"François",
"-",
"Joseph",
"Fétis",
"wrote",
"in",
"the",
"Revue",
"et",
"gazette",
"musicale",
":",
"\"",
"Here",
"is",
"a",
"young",
"man",
"who",
"...",
"taking",
"no",
"model",
",",
"has",
"found",
",",
"if",
"not",
"a",
"complete",
"renewal",
"of",
"piano",
"music",
",",
"...",
"an",
"abundance",
"of",
"original",
"ideas",
"of",
"a",
"kind",
"to",
"be",
"found",
"nowhere",
"else",
"...",
"\"",
"After",
"this",
"concert",
",",
"Chopin",
"realized",
"that",
"his",
"essentially",
"intimate",
"keyboard",
"technique",
"was",
"not",
"optimal",
"for",
"large",
"concert",
"spaces",
".",
"Later",
"that",
"year",
"he",
"was",
"introduced",
"to",
"the",
"wealthy",
"Rothschild",
"banking",
"family",
",",
"whose",
"patronage",
"also",
"opened",
"doors",
"for",
"him",
"to",
"other",
"private",
"salons",
"(",
"social",
"gatherings",
"of",
"the",
"aristocracy",
"and",
"artistic",
"and",
"literary",
"elite",
")",
".",
"By",
"the",
"end",
"of",
"1832",
"Chopin",
"had",
"established",
"himself",
"among",
"the",
"Parisian",
"musical",
"elite",
",",
"and",
"had",
"earned",
"the",
"respect",
"of",
"his",
"peers",
"such",
"as",
"Hiller",
",",
"Liszt",
",",
"and",
"Berlioz",
".",
"He",
"no",
"longer",
"depended",
"financially",
"upon",
"his",
"father",
",",
"and",
"in",
"the",
"winter",
"of",
"1832",
"he",
"began",
"earning",
"a",
"handsome",
"income",
"from",
"publishing",
"his",
"works",
"and",
"teaching",
"piano",
"to",
"affluent",
"students",
"from",
"all",
"over",
"Europe",
".",
"This",
"freed",
"him",
"from",
"the",
"strains",
"of",
"public",
"concert",
"-",
"giving",
",",
"which",
"he",
"disliked",
"."
],
"offsets": [
0,
3,
7,
11,
14,
18,
20,
27,
36,
40,
46,
52,
64,
69,
72,
84,
97,
102,
109,
117,
119,
129,
133,
135,
137,
139,
150,
153,
157,
168,
181,
189,
190,
194,
200,
210,
218,
221,
226,
227,
229,
237,
239,
240,
245,
248,
250,
259,
261,
263,
269,
270,
272,
275,
278,
287,
292,
299,
304,
306,
312,
318,
326,
329,
333,
339,
346,
352,
357,
367,
377,
379,
383,
390,
398,
399,
406,
412,
418,
421,
425,
431,
434,
442,
450,
452,
453,
458,
461,
463,
469,
473,
477,
481,
488,
491,
496,
498,
502,
507,
509,
512,
516,
518,
527,
535,
538,
544,
549,
551,
555,
558,
568,
571,
580,
586,
589,
591,
596,
599,
602,
608,
616,
621,
624,
626,
632,
637,
644,
646,
653,
662,
667,
671,
683,
692,
701,
711,
715,
719,
727,
731,
737,
745,
751,
753,
759,
764,
769,
772,
776,
787,
790,
794,
802,
813,
821,
827,
829,
835,
845,
850,
857,
863,
867,
871,
874,
880,
888,
895,
896,
903,
914,
917,
921,
933,
937,
946,
950,
959,
964,
965,
967,
970,
974,
978,
981,
986,
993,
997,
1009,
1017,
1023,
1027,
1036,
1044,
1049,
1051,
1055,
1059,
1066,
1070,
1078,
1081,
1085,
1091,
1096,
1099,
1105,
1107,
1112,
1114,
1118,
1125,
1127,
1130,
1133,
1140,
1149,
1161,
1166,
1170,
1176,
1178,
1182,
1185,
1189,
1196,
1199,
1204,
1207,
1213,
1221,
1223,
1232,
1239,
1244,
1255,
1259,
1265,
1269,
1278,
1284,
1287,
1296,
1305,
1310,
1314,
1319,
1325,
1327,
1332,
1338,
1342,
1347,
1351,
1359,
1362,
1369,
1376,
1377,
1383,
1385,
1391,
1394,
1402
]
} | 348b6bf5411442c78c01d18c8582244c | Once Chopin stopped performing concerts, how did he earn his income? | {
"tokens": [
"Once",
"Chopin",
"stopped",
"performing",
"concerts",
",",
"how",
"did",
"he",
"earn",
"his",
"income",
"?"
],
"offsets": [
0,
5,
12,
20,
31,
39,
41,
45,
49,
52,
57,
61,
67
]
} | {
"text": [
"publishing his works and teaching piano to affluent students"
],
"char_spans": [
{
"start": [
1244
],
"end": [
1303
]
}
],
"token_spans": [
{
"start": [
236
],
"end": [
244
]
}
]
} | [
"publishing his works and teaching piano to affluent students"
] |
SQuAD | In late summer he was invited by Jane Stirling to visit Scotland, where he stayed at Calder House near Edinburgh and at Johnstone Castle in Renfrewshire, both owned by members of Stirling's family. She clearly had a notion of going beyond mere friendship, and Chopin was obliged to make it clear to her that this could not be so. He wrote at this time to Grzymała "My Scottish ladies are kind, but such bores", and responding to a rumour about his involvement, answered that he was "closer to the grave than the nuptial bed." He gave a public concert in Glasgow on 27 September, and another in Edinburgh, at the Hopetoun Rooms on Queen Street (now Erskine House) on 4 October. In late October 1848, while staying at 10 Warriston Crescent in Edinburgh with the Polish physician Adam Łyszczyński, he wrote out his last will and testament—"a kind of disposition to be made of my stuff in the future, if I should drop dead somewhere", he wrote to Grzymała. | {
"tokens": [
"In",
"late",
"summer",
"he",
"was",
"invited",
"by",
"Jane",
"Stirling",
"to",
"visit",
"Scotland",
",",
"where",
"he",
"stayed",
"at",
"Calder",
"House",
"near",
"Edinburgh",
"and",
"at",
"Johnstone",
"Castle",
"in",
"Renfrewshire",
",",
"both",
"owned",
"by",
"members",
"of",
"Stirling",
"'s",
"family",
".",
"She",
"clearly",
"had",
"a",
"notion",
"of",
"going",
"beyond",
"mere",
"friendship",
",",
"and",
"Chopin",
"was",
"obliged",
"to",
"make",
"it",
"clear",
"to",
"her",
"that",
"this",
"could",
"not",
"be",
"so",
".",
"He",
"wrote",
"at",
"this",
"time",
"to",
"Grzymała",
"\"",
"My",
"Scottish",
"ladies",
"are",
"kind",
",",
"but",
"such",
"bores",
"\"",
",",
"and",
"responding",
"to",
"a",
"rumour",
"about",
"his",
"involvement",
",",
"answered",
"that",
"he",
"was",
"\"",
"closer",
"to",
"the",
"grave",
"than",
"the",
"nuptial",
"bed",
".",
"\"",
"He",
"gave",
"a",
"public",
"concert",
"in",
"Glasgow",
"on",
"27",
"September",
",",
"and",
"another",
"in",
"Edinburgh",
",",
"at",
"the",
"Hopetoun",
"Rooms",
"on",
"Queen",
"Street",
"(",
"now",
"Erskine",
"House",
")",
"on",
"4",
"October",
".",
"In",
"late",
"October",
"1848",
",",
"while",
"staying",
"at",
"10",
"Warriston",
"Crescent",
"in",
"Edinburgh",
"with",
"the",
"Polish",
"physician",
"Adam",
"Łyszczyński",
",",
"he",
"wrote",
"out",
"his",
"last",
"will",
"and",
"testament—\"a",
"kind",
"of",
"disposition",
"to",
"be",
"made",
"of",
"my",
"stuff",
"in",
"the",
"future",
",",
"if",
"I",
"should",
"drop",
"dead",
"somewhere",
"\"",
",",
"he",
"wrote",
"to",
"Grzymała",
"."
],
"offsets": [
0,
3,
8,
15,
18,
22,
30,
33,
38,
47,
50,
56,
64,
66,
72,
75,
82,
85,
92,
98,
103,
113,
117,
120,
130,
137,
140,
152,
154,
159,
165,
168,
176,
179,
187,
190,
196,
198,
202,
210,
214,
216,
223,
226,
232,
239,
244,
254,
256,
260,
267,
271,
279,
282,
287,
290,
296,
299,
303,
308,
313,
319,
323,
326,
328,
330,
333,
339,
342,
347,
352,
355,
364,
365,
368,
377,
384,
388,
392,
394,
398,
403,
408,
409,
411,
415,
426,
429,
431,
438,
444,
448,
459,
461,
470,
475,
478,
482,
483,
490,
493,
497,
503,
508,
512,
520,
523,
524,
526,
529,
534,
536,
543,
551,
554,
562,
565,
568,
577,
579,
583,
591,
594,
603,
605,
608,
612,
621,
627,
630,
636,
643,
644,
648,
656,
661,
663,
666,
668,
675,
677,
680,
685,
693,
697,
699,
705,
713,
716,
719,
729,
738,
741,
751,
756,
760,
767,
777,
782,
793,
795,
798,
804,
808,
812,
817,
822,
826,
839,
844,
847,
859,
862,
865,
870,
873,
876,
882,
885,
889,
895,
897,
900,
902,
909,
914,
919,
928,
929,
931,
934,
940,
943,
951
]
} | c49bfab6b0c44938862acd727633ac86 | Where did Jane Stirling invite Chopin? | {
"tokens": [
"Where",
"did",
"Jane",
"Stirling",
"invite",
"Chopin",
"?"
],
"offsets": [
0,
6,
10,
15,
24,
31,
37
]
} | {
"text": [
"Scotland"
],
"char_spans": [
{
"start": [
56
],
"end": [
63
]
}
],
"token_spans": [
{
"start": [
11
],
"end": [
11
]
}
]
} | [
"Scotland"
] |
SQuAD | In late summer he was invited by Jane Stirling to visit Scotland, where he stayed at Calder House near Edinburgh and at Johnstone Castle in Renfrewshire, both owned by members of Stirling's family. She clearly had a notion of going beyond mere friendship, and Chopin was obliged to make it clear to her that this could not be so. He wrote at this time to Grzymała "My Scottish ladies are kind, but such bores", and responding to a rumour about his involvement, answered that he was "closer to the grave than the nuptial bed." He gave a public concert in Glasgow on 27 September, and another in Edinburgh, at the Hopetoun Rooms on Queen Street (now Erskine House) on 4 October. In late October 1848, while staying at 10 Warriston Crescent in Edinburgh with the Polish physician Adam Łyszczyński, he wrote out his last will and testament—"a kind of disposition to be made of my stuff in the future, if I should drop dead somewhere", he wrote to Grzymała. | {
"tokens": [
"In",
"late",
"summer",
"he",
"was",
"invited",
"by",
"Jane",
"Stirling",
"to",
"visit",
"Scotland",
",",
"where",
"he",
"stayed",
"at",
"Calder",
"House",
"near",
"Edinburgh",
"and",
"at",
"Johnstone",
"Castle",
"in",
"Renfrewshire",
",",
"both",
"owned",
"by",
"members",
"of",
"Stirling",
"'s",
"family",
".",
"She",
"clearly",
"had",
"a",
"notion",
"of",
"going",
"beyond",
"mere",
"friendship",
",",
"and",
"Chopin",
"was",
"obliged",
"to",
"make",
"it",
"clear",
"to",
"her",
"that",
"this",
"could",
"not",
"be",
"so",
".",
"He",
"wrote",
"at",
"this",
"time",
"to",
"Grzymała",
"\"",
"My",
"Scottish",
"ladies",
"are",
"kind",
",",
"but",
"such",
"bores",
"\"",
",",
"and",
"responding",
"to",
"a",
"rumour",
"about",
"his",
"involvement",
",",
"answered",
"that",
"he",
"was",
"\"",
"closer",
"to",
"the",
"grave",
"than",
"the",
"nuptial",
"bed",
".",
"\"",
"He",
"gave",
"a",
"public",
"concert",
"in",
"Glasgow",
"on",
"27",
"September",
",",
"and",
"another",
"in",
"Edinburgh",
",",
"at",
"the",
"Hopetoun",
"Rooms",
"on",
"Queen",
"Street",
"(",
"now",
"Erskine",
"House",
")",
"on",
"4",
"October",
".",
"In",
"late",
"October",
"1848",
",",
"while",
"staying",
"at",
"10",
"Warriston",
"Crescent",
"in",
"Edinburgh",
"with",
"the",
"Polish",
"physician",
"Adam",
"Łyszczyński",
",",
"he",
"wrote",
"out",
"his",
"last",
"will",
"and",
"testament—\"a",
"kind",
"of",
"disposition",
"to",
"be",
"made",
"of",
"my",
"stuff",
"in",
"the",
"future",
",",
"if",
"I",
"should",
"drop",
"dead",
"somewhere",
"\"",
",",
"he",
"wrote",
"to",
"Grzymała",
"."
],
"offsets": [
0,
3,
8,
15,
18,
22,
30,
33,
38,
47,
50,
56,
64,
66,
72,
75,
82,
85,
92,
98,
103,
113,
117,
120,
130,
137,
140,
152,
154,
159,
165,
168,
176,
179,
187,
190,
196,
198,
202,
210,
214,
216,
223,
226,
232,
239,
244,
254,
256,
260,
267,
271,
279,
282,
287,
290,
296,
299,
303,
308,
313,
319,
323,
326,
328,
330,
333,
339,
342,
347,
352,
355,
364,
365,
368,
377,
384,
388,
392,
394,
398,
403,
408,
409,
411,
415,
426,
429,
431,
438,
444,
448,
459,
461,
470,
475,
478,
482,
483,
490,
493,
497,
503,
508,
512,
520,
523,
524,
526,
529,
534,
536,
543,
551,
554,
562,
565,
568,
577,
579,
583,
591,
594,
603,
605,
608,
612,
621,
627,
630,
636,
643,
644,
648,
656,
661,
663,
666,
668,
675,
677,
680,
685,
693,
697,
699,
705,
713,
716,
719,
729,
738,
741,
751,
756,
760,
767,
777,
782,
793,
795,
798,
804,
808,
812,
817,
822,
826,
839,
844,
847,
859,
862,
865,
870,
873,
876,
882,
885,
889,
895,
897,
900,
902,
909,
914,
919,
928,
929,
931,
934,
940,
943,
951
]
} | 63e07ea331fb40c99942872397d02f86 | What doctor was with Chopin when he wrote out his will? | {
"tokens": [
"What",
"doctor",
"was",
"with",
"Chopin",
"when",
"he",
"wrote",
"out",
"his",
"will",
"?"
],
"offsets": [
0,
5,
12,
16,
21,
28,
33,
36,
42,
46,
50,
54
]
} | {
"text": [
"Adam Łyszczyński"
],
"char_spans": [
{
"start": [
777
],
"end": [
792
]
}
],
"token_spans": [
{
"start": [
157
],
"end": [
158
]
}
]
} | [
"Adam Łyszczyński"
] |
SQuAD | In late summer he was invited by Jane Stirling to visit Scotland, where he stayed at Calder House near Edinburgh and at Johnstone Castle in Renfrewshire, both owned by members of Stirling's family. She clearly had a notion of going beyond mere friendship, and Chopin was obliged to make it clear to her that this could not be so. He wrote at this time to Grzymała "My Scottish ladies are kind, but such bores", and responding to a rumour about his involvement, answered that he was "closer to the grave than the nuptial bed." He gave a public concert in Glasgow on 27 September, and another in Edinburgh, at the Hopetoun Rooms on Queen Street (now Erskine House) on 4 October. In late October 1848, while staying at 10 Warriston Crescent in Edinburgh with the Polish physician Adam Łyszczyński, he wrote out his last will and testament—"a kind of disposition to be made of my stuff in the future, if I should drop dead somewhere", he wrote to Grzymała. | {
"tokens": [
"In",
"late",
"summer",
"he",
"was",
"invited",
"by",
"Jane",
"Stirling",
"to",
"visit",
"Scotland",
",",
"where",
"he",
"stayed",
"at",
"Calder",
"House",
"near",
"Edinburgh",
"and",
"at",
"Johnstone",
"Castle",
"in",
"Renfrewshire",
",",
"both",
"owned",
"by",
"members",
"of",
"Stirling",
"'s",
"family",
".",
"She",
"clearly",
"had",
"a",
"notion",
"of",
"going",
"beyond",
"mere",
"friendship",
",",
"and",
"Chopin",
"was",
"obliged",
"to",
"make",
"it",
"clear",
"to",
"her",
"that",
"this",
"could",
"not",
"be",
"so",
".",
"He",
"wrote",
"at",
"this",
"time",
"to",
"Grzymała",
"\"",
"My",
"Scottish",
"ladies",
"are",
"kind",
",",
"but",
"such",
"bores",
"\"",
",",
"and",
"responding",
"to",
"a",
"rumour",
"about",
"his",
"involvement",
",",
"answered",
"that",
"he",
"was",
"\"",
"closer",
"to",
"the",
"grave",
"than",
"the",
"nuptial",
"bed",
".",
"\"",
"He",
"gave",
"a",
"public",
"concert",
"in",
"Glasgow",
"on",
"27",
"September",
",",
"and",
"another",
"in",
"Edinburgh",
",",
"at",
"the",
"Hopetoun",
"Rooms",
"on",
"Queen",
"Street",
"(",
"now",
"Erskine",
"House",
")",
"on",
"4",
"October",
".",
"In",
"late",
"October",
"1848",
",",
"while",
"staying",
"at",
"10",
"Warriston",
"Crescent",
"in",
"Edinburgh",
"with",
"the",
"Polish",
"physician",
"Adam",
"Łyszczyński",
",",
"he",
"wrote",
"out",
"his",
"last",
"will",
"and",
"testament—\"a",
"kind",
"of",
"disposition",
"to",
"be",
"made",
"of",
"my",
"stuff",
"in",
"the",
"future",
",",
"if",
"I",
"should",
"drop",
"dead",
"somewhere",
"\"",
",",
"he",
"wrote",
"to",
"Grzymała",
"."
],
"offsets": [
0,
3,
8,
15,
18,
22,
30,
33,
38,
47,
50,
56,
64,
66,
72,
75,
82,
85,
92,
98,
103,
113,
117,
120,
130,
137,
140,
152,
154,
159,
165,
168,
176,
179,
187,
190,
196,
198,
202,
210,
214,
216,
223,
226,
232,
239,
244,
254,
256,
260,
267,
271,
279,
282,
287,
290,
296,
299,
303,
308,
313,
319,
323,
326,
328,
330,
333,
339,
342,
347,
352,
355,
364,
365,
368,
377,
384,
388,
392,
394,
398,
403,
408,
409,
411,
415,
426,
429,
431,
438,
444,
448,
459,
461,
470,
475,
478,
482,
483,
490,
493,
497,
503,
508,
512,
520,
523,
524,
526,
529,
534,
536,
543,
551,
554,
562,
565,
568,
577,
579,
583,
591,
594,
603,
605,
608,
612,
621,
627,
630,
636,
643,
644,
648,
656,
661,
663,
666,
668,
675,
677,
680,
685,
693,
697,
699,
705,
713,
716,
719,
729,
738,
741,
751,
756,
760,
767,
777,
782,
793,
795,
798,
804,
808,
812,
817,
822,
826,
839,
844,
847,
859,
862,
865,
870,
873,
876,
882,
885,
889,
895,
897,
900,
902,
909,
914,
919,
928,
929,
931,
934,
940,
943,
951
]
} | 190dd77c2cdb4df5a6fa03cf13025126 | Where was Chopin invited to in late summer? | {
"tokens": [
"Where",
"was",
"Chopin",
"invited",
"to",
"in",
"late",
"summer",
"?"
],
"offsets": [
0,
6,
10,
17,
25,
28,
31,
36,
42
]
} | {
"text": [
"Scotland"
],
"char_spans": [
{
"start": [
56
],
"end": [
63
]
}
],
"token_spans": [
{
"start": [
11
],
"end": [
11
]
}
]
} | [
"Scotland"
] |
SQuAD | In late summer he was invited by Jane Stirling to visit Scotland, where he stayed at Calder House near Edinburgh and at Johnstone Castle in Renfrewshire, both owned by members of Stirling's family. She clearly had a notion of going beyond mere friendship, and Chopin was obliged to make it clear to her that this could not be so. He wrote at this time to Grzymała "My Scottish ladies are kind, but such bores", and responding to a rumour about his involvement, answered that he was "closer to the grave than the nuptial bed." He gave a public concert in Glasgow on 27 September, and another in Edinburgh, at the Hopetoun Rooms on Queen Street (now Erskine House) on 4 October. In late October 1848, while staying at 10 Warriston Crescent in Edinburgh with the Polish physician Adam Łyszczyński, he wrote out his last will and testament—"a kind of disposition to be made of my stuff in the future, if I should drop dead somewhere", he wrote to Grzymała. | {
"tokens": [
"In",
"late",
"summer",
"he",
"was",
"invited",
"by",
"Jane",
"Stirling",
"to",
"visit",
"Scotland",
",",
"where",
"he",
"stayed",
"at",
"Calder",
"House",
"near",
"Edinburgh",
"and",
"at",
"Johnstone",
"Castle",
"in",
"Renfrewshire",
",",
"both",
"owned",
"by",
"members",
"of",
"Stirling",
"'s",
"family",
".",
"She",
"clearly",
"had",
"a",
"notion",
"of",
"going",
"beyond",
"mere",
"friendship",
",",
"and",
"Chopin",
"was",
"obliged",
"to",
"make",
"it",
"clear",
"to",
"her",
"that",
"this",
"could",
"not",
"be",
"so",
".",
"He",
"wrote",
"at",
"this",
"time",
"to",
"Grzymała",
"\"",
"My",
"Scottish",
"ladies",
"are",
"kind",
",",
"but",
"such",
"bores",
"\"",
",",
"and",
"responding",
"to",
"a",
"rumour",
"about",
"his",
"involvement",
",",
"answered",
"that",
"he",
"was",
"\"",
"closer",
"to",
"the",
"grave",
"than",
"the",
"nuptial",
"bed",
".",
"\"",
"He",
"gave",
"a",
"public",
"concert",
"in",
"Glasgow",
"on",
"27",
"September",
",",
"and",
"another",
"in",
"Edinburgh",
",",
"at",
"the",
"Hopetoun",
"Rooms",
"on",
"Queen",
"Street",
"(",
"now",
"Erskine",
"House",
")",
"on",
"4",
"October",
".",
"In",
"late",
"October",
"1848",
",",
"while",
"staying",
"at",
"10",
"Warriston",
"Crescent",
"in",
"Edinburgh",
"with",
"the",
"Polish",
"physician",
"Adam",
"Łyszczyński",
",",
"he",
"wrote",
"out",
"his",
"last",
"will",
"and",
"testament—\"a",
"kind",
"of",
"disposition",
"to",
"be",
"made",
"of",
"my",
"stuff",
"in",
"the",
"future",
",",
"if",
"I",
"should",
"drop",
"dead",
"somewhere",
"\"",
",",
"he",
"wrote",
"to",
"Grzymała",
"."
],
"offsets": [
0,
3,
8,
15,
18,
22,
30,
33,
38,
47,
50,
56,
64,
66,
72,
75,
82,
85,
92,
98,
103,
113,
117,
120,
130,
137,
140,
152,
154,
159,
165,
168,
176,
179,
187,
190,
196,
198,
202,
210,
214,
216,
223,
226,
232,
239,
244,
254,
256,
260,
267,
271,
279,
282,
287,
290,
296,
299,
303,
308,
313,
319,
323,
326,
328,
330,
333,
339,
342,
347,
352,
355,
364,
365,
368,
377,
384,
388,
392,
394,
398,
403,
408,
409,
411,
415,
426,
429,
431,
438,
444,
448,
459,
461,
470,
475,
478,
482,
483,
490,
493,
497,
503,
508,
512,
520,
523,
524,
526,
529,
534,
536,
543,
551,
554,
562,
565,
568,
577,
579,
583,
591,
594,
603,
605,
608,
612,
621,
627,
630,
636,
643,
644,
648,
656,
661,
663,
666,
668,
675,
677,
680,
685,
693,
697,
699,
705,
713,
716,
719,
729,
738,
741,
751,
756,
760,
767,
777,
782,
793,
795,
798,
804,
808,
812,
817,
822,
826,
839,
844,
847,
859,
862,
865,
870,
873,
876,
882,
885,
889,
895,
897,
900,
902,
909,
914,
919,
928,
929,
931,
934,
940,
943,
951
]
} | 76bf242d36b64f09b979bcaa0378dede | What city did Chopin perform at on September 27? | {
"tokens": [
"What",
"city",
"did",
"Chopin",
"perform",
"at",
"on",
"September",
"27",
"?"
],
"offsets": [
0,
5,
10,
14,
21,
29,
32,
35,
45,
47
]
} | {
"text": [
"Glasgow"
],
"char_spans": [
{
"start": [
554
],
"end": [
560
]
}
],
"token_spans": [
{
"start": [
114
],
"end": [
114
]
}
]
} | [
"Glasgow"
] |
Subsets and Splits
No saved queries yet
Save your SQL queries to embed, download, and access them later. Queries will appear here once saved.