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Produced by Jo Churcher REWARDS AND FAIRIES By Rudyard Kipling Contents A Charm Introduction Cold Iron Cold Iron Gloriana The Two Cousins The Looking-Glass The Wrong Thing A Truthful Song King Henry VII and the Shipwrights Marklake Witches The Way through the Woods Brookland Road The Knife and the Naked Chalk The Run of the Downs Song of the Men's Side Brother Square-Toes Philadelphia If-- Rs 'A Priest in Spite of Himself' A St Helena Lullaby 'Poor Honest Men' The Conversion of St Wilfrid Eddi's Service Song of the Red War-Boat A Doctor of Medicine An Astrologer's Song 'Our Fathers of Old' Simple Simon The Thousandth Man Frankie's Trade The Tree of Justice The Ballad of Minepit Shaw A Carol A Charm Take of English earth as much As either hand may rightly clutch. In the taking of it breathe Prayer for all who lie beneath-- Not the great nor well-bespoke, But the mere uncounted folk Of whose life and death is none Report or lamentation. Lay that earth upon thy heart, And thy sickness shall depart! It shall sweeten and make whole Fevered breath and festered soul; It shall mightily restrain Over-busy hand and brain; it shall ease thy mortal strife 'Gainst the immortal woe of life, Till thyself restored shall prove By what grace the Heavens do move. Take of English flowers these-- Spring's full-faced primroses, Summer's wild wide-hearted rose, Autumn's wall-flower of the close, And, thy darkness to illume, Winter's bee-thronged ivy-bloom. Seek and serve them where they bide From Candlemas to Christmas-tide, For these simples used aright Shall restore a failing sight. These shall cleanse and purify Webbed and inward-turning eye; These shall show thee treasure hid, Thy familiar fields amid, At thy threshold, on thy hearth, Or about thy daily path; And reveal (which is thy need) Every man a King indeed! Introduction Once upon a time, Dan and Una, brother and sister, living in the English country, had the good fortune to meet with Puck, alias Robin Goodfellow, alias Nick o' Lincoln, alias Lob-lie-by-the-Fire, the last survivor in England of those whom mortals call Fairies. Their proper name, of course, is 'The People of the Hills'. This Puck, by means of the magic of Oak, Ash, and Thorn, gave the children power To see what they should see and hear what they should hear, Though it should have happened three thousand year. The result was that from time to time, and in different places on the farm and in the fields and in the country about, they saw and talked to some rather interesting people. One of these, for instance, was a Knight of the Norman Conquest, another a young Centurion of a Roman Legion stationed in England, another a builder and decorator of King Henry VII's time; and so on and so forth; as I have tried to explain in a book called PUCK OF POOK'S HILL. A year or so later, the children met Puck once more, and though they were then older and wiser, and wore boots regularly instead of going barefooted when they got the chance, Puck was as kind to them as ever, and introduced them to more people of the old days. He was careful, of course, to take away their memory of their walks and conversations afterwards, but otherwise he did not interfere; and Dan and Una would find the strangest sort of persons in their gardens or woods. In the stories that follow I am trying to tell something about those people. COLD IRON When Dan and Una had arranged to go out before breakfast, they did not remember that it was Midsummer Morning. They only wanted to see the otter which, old Hobden said, had been fishing their brook for weeks; and early morning was the time to surprise him. As they tiptoed out of the house into the wonderful stillness, the church clock struck five. Dan took a few steps across the dew-blobbed lawn, and looked at his black footprints. 'I think we ought to be kind to our poor boots,' he said. 'They'll get horrid wet.' It was their first summer in boots, and they hated them, so they took them off, and slung them round their necks, and paddled joyfully over the dripping turf where the shadows lay the wrong way, like evening in the East. The sun was well up and warm, but by the brook the last of the night mist still fumed off the water. They picked up the chain of otter's footprints on the mud, and followed it from the bank, between the weeds and the drenched mowing, while the birds shouted with surprise. Then the track left the brook and became a smear, as though a log had been dragged along. They traced it into Three Cows meadow, over the mill-sluice to the Forge, round Hobden's garden, and then up the <DW72> till it ran out on the short turf and fern of Pook's Hill, and they heard the cock-pheasants crowing in the woods behind them. 'No use!' said Dan, questing like a puzzled hound. 'The dew's drying off, and old Hobden says otters'll travel for miles.' 'I'm sure we've travelled miles.' Una fanned herself with her hat. 'How still it is! It's going to be a regular roaster.' She looked down the valley, where no chimney yet smoked. 'Hobden's up!' Dan pointed to the open door of the Forge cottage. 'What d'you suppose he has for breakfast?' 'One of them. He says they eat good all times of the year,' Una jerked her head at some stately pheasants going down to the brook for a drink. A few steps farther on a fox broke almost under their bare feet, yapped, and trotted off. 'Ah, Mus' Reynolds--Mus' Reynolds'--Dan was quoting from old Hobden,--'if I knowed all you knowed, I'd know something.' [See 'The Winged Hats' in PUCK OF POOK'S HILL.] I say,'--Una lowered her voice--'you know that funny feeling of things having happened before. I felt it when you said "Mus' Reynolds."' 'So did I,' Dan began. 'What is it?' They faced each other, stammering with excitement. 'Wait a shake! I'll remember in a minute. Wasn't it something about a fox--last year? Oh, I nearly had it then!' Dan cried. 'Be quiet!' said Una, prancing excitedly. 'There was something happened before we met the fox last year. Hills! Broken Hills--the play at the theatre--see what you see--' 'I remember now,' Dan shouted. 'It's as plain as the nose on your face--Pook's Hill--Puck's Hill--Puck!' 'I remember, too,' said Una. 'And it's Midsummer Day again!' The young fern on a knoll rustled, and Puck walked out, chewing a green-topped rush. 'Good Midsummer Morning to you! Here's a happy meeting,' said he. They shook hands all round, and asked questions. 'You've wintered well,' he said after a while, and looked them up and down. 'Nothing much wrong with you, seemingly.' 'They've put us into boots,' said Una. 'Look at my feet--they're all pale white, and my toes are squidged together awfully.' 'Yes--boots make a difference.' Puck wriggled his brown, square, hairy foot, and cropped a dandelion flower between the big toe and the next. 'I could do that--last year,' Dan said dismally, as he tried and failed. 'And boots simply ruin one's climbing.' 'There must be some advantage to them, I suppose,'said Puck, or folk wouldn't wear them. Shall we come this way?' They sauntered along side by side till they reached the gate at the far end of the hillside. Here they halted just like cattle, and let the sun warm their backs while they listened to the flies in the wood. 'Little Lindens is awake,' said Una, as she hung with her chin on the top rail. 'See the chimney smoke?' 'Today's Thursday, isn't it?' Puck turned to look at the old pink farmhouse across the little valley. 'Mrs Vincey's baking day. Bread should rise well this weather.' He yawned, and that set them both yawning. The bracken about rustled and ticked and shook in every direction. They felt that little crowds were stealing past. 'Doesn't that sound like--er--the People of the Hills?'said Una. 'It's the birds and wild things drawing up to the woods before people get about,' said Puck, as though he were Ridley the keeper. 'Oh, we know that. I only said it sounded like.' 'As I remember 'em, the People of the Hills used to make more noise. They'd settle down for the day rather like small birds settling down for the night. But that was in the days when they carried the high hand. Oh, me! The deeds that I've had act and part in, you'd scarcely believe!' 'I like that!' said Dan. 'After all you told us last year, too!' 'Only, the minute you went away, you made us forget everything,' said Una. Puck laughed and shook his head. 'I shall this year, too. I've given you seizin of Old England, and I've taken away your Doubt and Fear, but your memory and remembrance between whiles I'll keep where old Billy Trott kept his night-lines--and that's where he could draw 'em up and hide 'em at need. Does that suit?' He twinkled mischievously. 'It's got to suit,'said Una, and laughed. 'We Can't magic back at you.' She folded her arms and leaned against the gate. 'Suppose, now, you wanted to magic me into something--an otter? Could you?' 'Not with those boots round your neck.' 'I'll take them off.' She threw them on the turf. Dan's followed immediately. 'Now!' she said. 'Less than ever now you've trusted me. Where there's true faith, there's no call for magic.' Puck's slow smile broadened all over his face. 'But what have boots to do with it?' said Una, perching on the gate. 'There's Cold Iron in them,' said Puck, and settled beside her. 'Nails in the soles, I mean. It makes a difference.' 'How?' 'Can't you feel it does? You wouldn't like to go back to bare feet again, same as last year, would you? Not really?' 'No-o. I suppose I shouldn't--not for always. I'm growing up, you know,' said Una. 'But you told us last year, in the Long Slip--at the theatre--that you didn't mind Cold Iron,'said Dan. 'I don't; but folks in housen, as the People of the Hills call them, must be ruled by Cold Iron. Folk in housen are born on the near side of Cold Iron--there's iron 'in every man's house, isn't there? They handle Cold Iron every day of their lives, and their fortune's made or spoilt by Cold Iron in some shape or other. That's how it goes with Flesh and Blood, and one can't prevent it.' 'I don't quite see. How do you mean?'said Dan. 'It would take me some time to tell you.' 'Oh, it's ever so long to breakfast,' said Dan. 'We looked in the larder before we came out.' He unpocketed one big hunk of bread and Una another, which they shared with Puck. 'That's Little Lindens' baking,' he said, as his white teeth sunk in it. 'I know Mrs Vincey's hand.' He ate with a slow sideways thrust and grind, just like old Hobden, and, like Hobden, hardly dropped a crumb. The sun flashed on Little Lindens' windows, and the cloudless sky grew stiller and hotter in the valley. 'AH--Cold Iron,' he said at last to the impatient children. 'Folk in housen, as the People of the Hills say, grow careless about Cold Iron. They'll nail the Horseshoe over the front door, and forget to put it over the back. Then, some time or other, the People of the Hills slip in, find the cradle-babe in the corner, and--' 'Oh, I know. Steal it and leave a changeling,'Una cried. 'No,' said Puck firmly. 'All that talk of changelings is people's excuse for their own neglect. Never believe 'em. I'd whip 'em at the cart-tail through three parishes if I had my way.' 'But they don't do it now,' said Una. 'Whip, or neglect children? Umm! Some folks and some fields never alter. But the People of the Hills didn't work any changeling tricks. They'd tiptoe in and whisper and weave round the cradle-babe in the chimney-corner--a fag-end of a charm here, or half a spell there--like kettles singing; but when the babe's mind came to bud out afterwards, it would act differently from other people in its station. That's no advantage to man or maid. So I wouldn't allow it with my folks' babies here. I told Sir Huon so once.' 'Who was Sir Huon?' Dan asked, and Puck turned on him in quiet astonishment. 'Sir Huon of Bordeaux--he succeeded King Oberon. He had been a bold knight once, but he was lost on the road to Babylon, a long while back. Have you ever heard "How many miles to Babylon?"?' 'Of course,' said Dan, flushing. 'Well, Sir Huon was young when that song was new. But about tricks on mortal babies. I said to Sir Huon in the fern here, on just such a morning as this: "If you crave to act and influence on folk in housen, which I know is your desire, why don't you take some human cradle-babe by fair dealing, and bring him up among yourselves on the far side of Cold Iron--as Oberon did in time past? Then you could make him a splendid fortune, and send him out into the world." '"Time past is past time," says Sir Huon. "I doubt if we could do it. For one thing, the babe would have to be taken without wronging man, woman, or child. For another, he'd have to be born on the far side of Cold Iron--in some house where no Cold Iron ever stood; and for yet the third, he'd have to be kept from Cold Iron all his days till we let him find his fortune. No, it's not easy," he said, and he rode off, thinking. You see, Sir Huon had been a man once. 'I happened to attend Lewes Market next Woden's Day even, and watched the slaves being sold there--same as pigs are sold at Robertsbridge Market nowadays. Only, the pigs have rings on their noses, and the slaves had rings round their necks.' 'What sort of rings?' said Dan. 'A ring of Cold Iron, four fingers wide, and a thumb thick, just like a quoit, but with a snap to it for to snap round the slave's neck. They used to do a big trade in slave-rings at the Forge here, and ship them to all parts of Old England, packed in oak sawdust. But, as I was saying, there was a farmer out of the Weald who had bought a woman with a babe in her arms, and he didn't want any encumbrances to her driving his beasts home for him.' 'Beast himself!' said Una, and kicked her bare heel on the gate. 'So he blamed the auctioneer. "It's none o' my baby," the wench puts in. "I took it off a woman in our gang who died on Terrible Down yesterday." "I'll take it off to the church then," says the farmer. "Mother Church'll make a monk of it, and we'll step along home." 'It was dusk then. He slipped down to St Pancras' Church, and laid the babe at the cold chapel door. I breathed on the back of his stooping neck--and--I've heard he never could be warm at any fire afterwards. I should have been surprised if he could! Then I whipped up the babe, and came flying home here like a bat to his belfry. 'On the dewy break of morning of Thor's own day--just such a day as this--I laid the babe outside the Hill here, and the People flocked up and wondered at the sight. '"You've brought him, then?" Sir Huon said, staring like any mortal man. '"Yes, and he's brought his mouth with him, too," I said. The babe was crying loud for his breakfast. '"What is he?" says Sir Huon, when the womenfolk had drawn him under to feed him. '"Full Moon and Morning Star may know," I says. "I don't. By what I could make out of him in the moonlight, he's without brand or blemish. I'll answer for it that he's born on the far side of Cold Iron, for he was born under a shaw on Terrible Down, and I've wronged neither man, woman, nor child in taking him, for he is the son of a dead slave-woman." '"All to the good, Robin," Sir Huon said. "He'll be the less anxious to leave us. Oh, we'll give him a splendid fortune, and we shall act and influence on folk in housen as we have always craved." His Lady came up then, and drew him under to watch the babe's wonderful doings.' 'Who was his Lady?'said Dan. 'The Lady Esclairmonde. She had been a woman once, till she followed Sir Huon across the fern, as we say. Babies are no special treat to me--I've watched too many of them--so I stayed on the Hill. Presently I heard hammering down at the Forge there.'Puck pointed towards Hobden's cottage. 'It was too early for any workmen, but it passed through my mind that the breaking day was Thor's own day. A slow north-east wind blew up and set the oaks sawing and fretting in a way I remembered; so I slipped over to see what I could see.' 'And what did you see?' 'A smith forging something or other out of Cold Iron. When it was finished, he weighed it in his hand (his back was towards me), and tossed it from him a longish quoit-throw down the valley. I saw Cold Iron flash in the sun, but I couldn't quite make out where it fell. That didn't trouble me. I knew it would be found sooner or later by someone.' 'How did you know?'Dan went on. 'Because I knew the Smith that made it,' said Puck quietly. 'Wayland Smith?' Una suggested. [See 'Weland's Sword' in PUCK OF POOK'S HILL.] 'No. I should have passed the time o' day with Wayland Smith, of course. This other was different. So'--Puck made a queer crescent in the air with his finger--'I counted the blades of grass under my nose till the wind dropped and he had gone--he and his Hammer.' 'Was it Thor then?' Una murmured under her breath. 'Who else? It was Thor's own day.' Puck repeated the sign. 'I didn't tell Sir Huon or his Lady what I'd seen. Borrow trouble for yourself if that's your nature, but don't lend it to your neighbours. Moreover, I might have been mistaken about the Smith's work. He might have been making things for mere amusement, though it wasn't like him, or he might have thrown away an old piece of made iron. One can never be sure. So I held my tongue and enjoyed the babe. He was a wonderful child--and the People of the Hills were so set on him, they wouldn't have believed me. He took to me wonderfully. As soon as he could walk he'd putter forth with me all about my Hill here. Fern makes soft falling! He knew when day broke on earth above, for he'd thump, thump, thump, like an old buck-rabbit in a bury, and I'd hear him say "Opy!" till some one who knew the Charm let him out, and then it would be "Robin! Robin!" all round Robin Hood's barn, as we say, till he'd found me.' 'The dear!' said Una. 'I'd like to have seen him!' 'Yes, he was a boy. And when it came to learning his words--spells and such-like--he'd sit on the Hill in the long shadows, worrying out bits of charms to try on passersby. And when the bird flew to him, or the tree bowed to him for pure love's
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This eBook was produced by Andrew Sly. THE BRITISH NORTH AMERICA ACT, 1867. 30 VICTORIA, CHAPTER 3. An Act for the Union of Canada, Nova Scotia, and New Brunswick, and the Government thereof; and for Purposes connected therewith. [29th March, 1867.] Whereas the Provinces of Canada, Nova Scotia, and New Brunswick have expressed their Desire to be federally united into One Dominion under the Crown of the United Kingdom of Great Britain and Ireland, with a Constitution similar in Principle to that of the United Kingdom: And whereas such a Union would conduce to the Welfare of the Provinces and promote the Interests of the British Empire: And whereas on the Establishment of the Union by Authority of Parliament it is expedient, not only that the Constitution of the Legislative Authority in the Dominion be provided for, but also that the Nature of the Executive Government therein be declared: And whereas it is expedient that Provision be made for the eventual Admission into the Union of other Parts of British North America: Be it therefore enacted and declared by the Queen's most Excellent Majesty, by and with the Advice and Consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament assembled, and by the Authority of the same, as follows: I.--PRELIMINARY. 1. [Short Title.] This Act may be cited as The British North America Act, 1867. 2. [Application of Provisions referring to the Queen.] The Provisions of this Act referring to Her Majesty the Queen extend also to the Heirs and Successors of Her Majesty, Kings and Queens of the United Kingdom of Great Britain and Ireland. II.--UNION. 3. [Declaration of Union] It shall be lawful for the Queen, by and with the Advice of Her Majesty's Most Honourable Privy Council, to declare by Proclamation that, on and after a Day therein appointed, not being more than Six Months after the passing of this Act, the Provinces of Canada, Nova Scotia, and New Brunswick shall form and be One Dominion under the Name of Canada; and on and after that Day those Three Provinces shall form and be One Dominion under that Name accordingly. 4. [Construction of subsequent Provisions of Act.] The subsequent Provisions of this Act shall, unless it is otherwise expressed or implied, commence and have effect on and after the Union, that is to say, on and after the Day appointed for the Union taking effect in the Queen's Proclamation; and in the same Provisions, unless it is otherwise expressed or implied, the Name Canada shall be taken to mean Canada as constituted under this Act. 5. [Four Provinces.] Canada shall be divided into Four Provinces, named Ontario, Quebec, Nova Scotia, and New Brunswick. 6. [Provinces of Ontario and Quebec.] The Parts of the Province of Canada (as it exists at the passing of this Act) which formerly constituted respectively the Provinces of Upper Canada and Lower Canada shall be deemed to be severed, and shall form two separate Provinces. The Part which formerly constituted the Province of Upper Canada shall constitute the Province of Ontario; and the Part which formerly constituted the Province of Lower Canada shall constitute the Province of Quebec. 7. [Provinces of Nova Scotia and New Brunswick.] The Provinces of Nova Scotia and New Brunswick shall have the same Limits as at the passing of this Act. 8. [Decennial Census.] In the general Census of the Population of Canada which is hereby required to be taken in the Year One thousand eight hundred and seventy-one, and in every Tenth Year thereafter, the respective Populations of the Four Provinces shall be distinguished. III.--EXECUTIVE POWER. 9. [Declaration of Executive Power in the Queen.] The Executive Government and Authority of and over Canada is hereby declared to continue and be vested in the Queen. 10. [Application of Provisions referring to Governor General.] The Provisions of this Act referring to the Governor General extend and apply to the Governor General for the Time being of Canada, or other the Chief Executive Officer or Administrator for the Time being carrying on
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Produced by Julia Miller and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from scans of public domain material produced by Microsoft for their Live Search Books site.) Transcriber's Note A number of typographical errors and inconsistencies have been maintained in this version of this book. They have been marked with a [TN-#], which refers to a description in the complete list found at the end of the text. Oe ligatures have been expanded. [Illustration: Fig. 1.--Gateway at Labna. [See p. 144.] ANCIENT AMERICA, IN NOTES ON AMERICAN ARCHAEOLOGY. BY JOHN D. BALDWIN, A.M., AUTHOR OF "PRE-HISTORIC NATIONS." _WITH ILLUSTRATIONS._ NEW YORK: HARPER & BROTHERS, PUBLISHERS, FRANKLIN SQUARE. Entered according to Act of Congress, in the year 1871, by JOHN D. BALDWIN, In the Office of the Librarian of Congress, at Washington. PREFACE. The purpose of this volume is to give a summary of what is known of American Antiquities, with some thoughts and suggestions relative to their significance. It aims at nothing more. No similar work, I believe, has been published in English or in any other language. What is known of American Archaeology is recorded in a great many volumes, English, French, Spanish, and German, each work being confined to some particular department of the subject, or containing only an intelligent traveler's brief sketches of what he saw as he went through some of the districts where the old ruins are found. Many of the more important of these works are either in French or
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Produced by Jonathan Ingram, Turgut Dincer and the Online Distributed Proofreading Team at http://www.pgdp.net +----------------------------------------------------------+ | Transcriber's note: | | | | The combination "vv" which occurs at some places for | | "w" and the word "Jonick" used sometimes for "Ionick" | | has been kept to conserve the original appearance of the | | book. No changes have been made in the text except the | | correction of obvious typos. | +----------------------------------------------------------+ [Illustration: ARCHITECTVRE 1692] AN ABRIDGMENT OF THE ARCHITECTURE OF VITRUVIUS. CONTAINING A System of the whole WORKS of that Author. Illustrated with divers Copper Plates, curiously engraved; with a Table of Explanation, To which is added in this Edition The Etymology and Derivation of the Terms used in _Architecture_. First done in _French_ by Monsr _Perrault_, of the Academy of _Paris_, and now _Englished_, with Additions. _LONDON_: Printed for _Abel Small_ and _T. Child_, at the _Unicorn_ in St. _Paul_'s Church-yard. 1692. A TABLE OF THE CHAPTERS. The Introduction. Article 1. _Of the great merits of_ Vitruvius, _and the Excellencies of his Works_. Page 1. Art. 2. _Of the method of the Works of_ Vitruvius, _with short Arguments of every Book_. 9
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Produced by Richard Tonsing and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) LADIES MANUAL OF ART OR PROFIT AND PASTIME. A SELF TEACHER IN All Branches of Decorative Art, EMBRACING EVERY VARIETY OF PAINTING AND DRAWING On China, Glass, Velvet, Canvas, Paper and Wood THE SECRET OF ALL _GLASS TRANSPARENCIES, SKETCHING FROM NATURE. PASTEL AND CRAYON DRAWING, TAXIDERMY, Etc._ [Illustration] CHICAGO: DONOHUE, HENNEBERRY & CO. 407–425 DEARBORN STREET 1890 [Illustration: COPYRIGHT,] ------------------------------------------------------------------------ PREFACE [Illustration] In presenting to the public and our artistically inclined people our “Art Manual” we should do so with some trepidation had we not the assurance, in placing before them this work, that it would instantly win its way into their favor by its merits. Most books produced by the press of the present day are novels, compilations, scientific and theological ones, meeting as they do only certain classes, and are subjects which have been constantly before the people. We present you a “new book” in every sense of the word. We propose entering with our readers into the beautiful realms of Art, than which there is no more interesting subject; our object being its promotion and dissemination. We want to see the great majority of our refined, educated, but needy women embrace it as a source of profit as well as pleasure, many of whom with an intellect for greater things, but incapable of muscular labor or exposure, can, by applying themselves energetically to this occupation, earn a good livelihood and famous name, and assist in disseminating its beauties everywhere. Many homes are there in our land, which they can ornament, and embellish to their profit, and the pleasure of others. Those comfortably situated in life, whose home decorations they prefer to be the product of their own hands, will hail our “Manual” as “a friend indeed.” To the child in whom is observed traits of genius it will be of invaluable assistance in developing those traits. Our aim is to combine in this work all the different methods of producing portraits, landscapes, painting on canvas, wood, china, etc., etc., to furnish to all lovers of the useful and beautiful in art a true teacher, making every instruction so plain and comprehensive, that a child can grasp the meaning. In thus combining all these arts in one volume, we save the learner the expense of purchasing a large number of books at a cost which effectually precludes the possibility of many engaging in this profitable and pleasant occupation. Then, to those whose tastes are artistically inclined, and who find it most inconvenient to obtain instructions in all the branches desired; to those in whom genius lies dormant and whom necessity compels to earn their own livelihood; to those who desire to combine pastime with pleasure, and to those who have the means, tastes and desire but not the necessary assistance at hand to ornament their homes, we respectfully dedicate our “Art Manual.” THE PUBLISHERS. [Illustration] INTRODUCTORY REMARKS. In learning the art of drawing or writing, like all other Arts and Sciences, there are certain first and fixed principles to be observed as a foundation upon which the whole is built. A right understanding of these is absolutely necessary that we may become masters of that art which we undertake to learn. A neglect of these first principles is the reason why so many who have spent time sufficient to become accomplished artists, are, after all their pains and loss of time, incapable of producing even fair work; and are often at a loss to know how to begin. Many commence by copying the work of others, and are surprised to find how little such ability avails them when attempting to make sketches from nature. The instruction for those who intend prosecuting this delightful study, is prepared with great care by the author, who has had very many years of experience in landscape drawing. ’Tis true that much of his ability has been attained by years of patient industry and practice. Yet time might have been saved by little earlier attention to principles and study of works on the subject, prepared by experts. The best advice to those contemplating a study of the art—who possess any degree of skill in the use of the pencil, is to go out into the field, with the “instructor” in one hand and your sketch-book in the other, select some object of interest, and “take it in.” If not satisfactory, try again—be not too easily discouraged. You will find the study of nature a source of pleasure, objects of interest will appear on every hand, in the valleys, on the mountains, the lakes, or by the river side, and as you become familiar with the scenes in nature, difficulties will disappear, and you are happy in the thought that sketching from nature is truly one of the most pure and refined of intellectual pleasures and professions, and the sketch-book with you, as with the writer, will ever be a chosen companion. When this branch of the work has been completed, and the landscape transferred to paper and shaded up, the most difficult part of the task is accomplished. The next essential element in the advancement of the picture, and that which renders it more beautiful to the eye, is color. ’Tis well to turn aside from your unfinished landscape or portrait, and study the colors in nature, the mixing of tints, and how to apply them, as shown on a subsequent page of this book. To become an artist requires only a love for the art, a good eye, and an abundance of continuity. [Illustration] CONTENTS [Illustration] =Sketching from Nature.=—How to Make a Drawing—Linear Perspective—Materials—Terms in a Picture—Lines in Nature—Line of Beauty—Landscapes—Selecting a Position—Lights and Shades 9 =Colors in Nature.=—Primary Colors—Advantages of Colors—Colors of a Spectrum—Mixtures of Colors—Transmission of Light—Pure White, Black, Gray, Green—Neutralization of Colors 23 =Pen and Pencil Drawing.=—Paper Used for Transferring—Preparation of Paper—Method of Transferring—Shading by Pen—Pentagraph—How to Use it—Copying with Transparent Paper 27 =Pastel Painting.=—C
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Produced by Jayam Subramanian and PG Distributed Proofreaders [Illustration: IN THE DESERT SUNRISE] A RIDE TO INDIA ACROSS PERSIA AND BALUCHISTAN. BY HARRY DE WINDT, F.R.G.S., AUTHOR OF "FROM PEKIN TO CALAIS BY LAND," ETC. WITH ILLUSTRATIONS BY HERBERT WALKER _FROM SKETCHES BY THE AUTHOR_. 1891. TO AUDLEY LOVELL, ESQUIRE, COLDSTREAM GUARDS, THIS VOLUME IS DEDICATED. CONTENTS CHAPTER I. TIFLIS--BAKU II. THE CASPIAN--ASTARA--RESHT III. RESHT--PATCHINAR IV. PATCHINAR--TEHERAN V. TEHERAN VI. TEHERAN--ISPAHAN VII. ISPAHAN--SHIRAZ VIII. SHIRAZ--BUSHIRE IX. BALUCHISTAN--BEILA X. BALUCHISTAN--GWARJAK XI. KELAT--QUETTA--BOMBAY APPENDIX MAP LIST OF ILLUSTRATIONS. * * * * * IN THE DESERT SUNRISE TIFLIS A DIRTY NIGHT IN THE CASPIAN ASTARA, RUSSO-PERSIAN FRONTIER CROSSING THE KHARZAN TEHERAN PERSIAN DANCING-GIRL POST-HOUSE AT KUSHKU BAIRA A CORPSE CARAVAN A DAY IN THE SNOW A FAMILY PARTY YEZDI-GHAZT THE CARAVANSERAI, MEYUN KOTAL
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Produced by David Edwards, Linda Hamilton and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: "In that instant the grateful Black rushed on like lightning to assist him, and assailing the bull with a weighty stick that he held in his hand, compelled him to turn his rage upon a new object." _P. 349._] THE HISTORY OF SANDFORD AND MERTON. BY THOMAS DAY. =Six Engravings on Steel.= =Philadelphia:= J. B. LIPPINCOTT & CO. MDCCCLXVIII. CONTENTS. CHAPTER I. PAGE Description of Harry Sandford and Tommy Merton--Adventure with the Snake--Harry in Mr Merton's house--Mr Barlow undertakes the education of Tommy--The first day at Mr Barlow's--Story of the Flies and the Ants--Harry rescues a Chicken from a Kite--Story of the Gentleman and the Basket-maker--Tommy learns to read--Story of the two dogs, 1 CHAPTER II. Tommy and the Ragged Boy--Story of Androcles and the Lion--Conversation on Slavery--Conversation about an Ass--Tommy's Present and its consequences--The Story of Cyrus--Squire Chase beats Harry--Harry saves the Squire's life--Making Bread--Story of the Two Brothers--Story of the Sailors on the Island of Spitzbergen, 47 CHAPTER III. Harry's Chicken--Tommy tries kindness on the Pig--Account of the Elephant--Story of the Elephant and the Tailor--Story of the Elephant and the Child--Stories of the Good Natured Boy and the Ill Natured Boy--The Boys determine to Build a House--Story of the Grateful Turk--The Boys' House blown down--They rebuild it stronger--The Roof lets in the Rain--At last is made Water-tight, 95 CHAPTER IV. The Boys' Garden--The Crocodile--The Farmer's Wife--How to make Cider--The Bailiffs take possession of the Farmer's Furniture--Tommy pays the Farmer's Debt--Conclusion of the Story of the Grateful Turk--The three Bears--Tommy and the Monkey--Habits of the Monkey--Tommy's Robin Redbreast--Is killed by a Cat--The Cat punished--The Laplanders--Story of a Cure of the Gout, 185 CHAPTER V. Lost in the Snow--Jack Smithers' Home--Talk about the Stars--Harry's pursuit of The Will-o'-the-Wisp--Story of the Avalanche--Town and Country compared--The Power of the Lever--The Balance--The Wheel and Axle--Arithmetic--Buying a Horse--History of Agesilaus--History of Leonidas, 197 CHAPTER VI. The Constellations--Distance from the Earth--The Magnet and its Powers--The Compass--The Greenlanders and their Customs--The Telescope--The Magic Lantern--Story of the African Prince and the Telescope--Mr Barlow's Poor Parishioners--His Annual Dinner--Tommy attempts Sledge Driving--His mishap in the Pond--His Anger, 255 CHAPTER VII. Tommy and Harry visit Home--The Fashionable Guests--Miss Simmons takes notice of Harry--Harry's Troubles--Master Compton and Mash--Estrangement of Tommy--Visit to the Theatre--Misbehaviour there--Card Playing--The Ball--Harry Dancing a Minuet--Story of Sir Philip Sidney--Master Mash insults Harry--The Fight in the Drawing-room--The Bull-baiting--Tommy strikes Harry--Master Mash's Combat with Harry--Tommy's Narrow Escape from the Bull--The Grateful Black, 298 CHAPTER VIII. Arrival of Mr Barlow
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A Plain Introduction to the Criticism of the New Testament For the Use of Biblical Students By The Late Frederick Henry Ambrose Scrivener M.A., D.C.L., LL.D. Prebendary of Exeter, Vicar of Hendon Fourth Edition, Edited by The Rev. Edward Miller, M.A. Formerly Fellow and Tutor of New College, Oxford Vol. I. George Bell & Sons, York Street, Covent Garden Londo, New York, and Cambridge 1894 CONTENTS Preface To Fourth Edition. Description Of The Contents Of The Lithographed Plates. Addenda Et Corrigenda. Chapter I. Preliminary Considerations. Chapter II. General Character Of The Greek Manuscripts Of The New Testament. Chapter III. Divisions Of The Text, And Other Particulars. Appendix To Chapter III. Synaxarion And Eclogadion Of The Gospels And Apostolic Writings Daily Throughout The Year. Chapter IV. The Larger Uncial Manuscripts Of The Greek Testament. Chapter V. Uncial Manuscripts Of The Gospels. Chapter VI. Uncial Manuscripts Of The Acts And Catholic Epistles, Of St. Paul's Epistles, And Of The Apocalypse. Chapter VII. Cursive Manuscripts Of The Gospels. Part I. Chapter VIII. Cursive Manuscripts Of The Gospels. Part II. Chapter IX. Cursive Manuscripts Of The Gospels. Part III. Chapter X. Cursive Manuscripts Of The Acts And Catholic Epistles. Chapter XI. Cursive Manuscripts Of St. Paul's Epistles. Chapter XII. Cursive Manuscripts Of The Apocalypse. Chapter XIII. Evangelistaries, Or Manuscript Service-Books Of The Gospels. Chapter XIV. Lectionaries Containing The Apostolos Or Praxapostolos. Appendix A. Chief Authorities. Appendix B. On Facsimiles. Appendix C. On Dating By Indiction. Appendix D. On The {~GREEK SMALL LETTER RHO WITH DASIA~}{~GREEK SMALL LETTER ETA~}{~GREEK SMALL LETTER MU~}{~GREEK SMALL LETTER ALPHA~}{~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER ALPHA~}. Appendix E. Table Of Differences Between The Fourth Edition Of Dr. Scrivener's Plain Introduction And Dr. Gregory's Prolegomena. Index I. Of Greek Manuscripts. Index II. Of Writers, Past Owners, And Collators Of Mss. Footnotes [Illustration.] Frederick Henry Ambrose Scrivener In templo Dei offert unusquisque quod potest: alii aurum, argentum, et lapides pretiosos: alii byssum et purpuram et coccum offerunt et hyacinthum. Nobiscum bene agitur, si obtulerimus pelles et caprarum pilos. Et tamen Apostolus contemtibiliora nostra magis necessaria judicat. HIERONYMI _Prologus Galeatus_. Dedication [In The Third Edition] _To His Grace_ _Edward, Lord Archbishop of Canterbury_. MY LORD ARCHBISHOP, Nearly forty years ago, under encouragement from your venerated predecessor Archbishop Howley, and with the friendly help of his Librarian Dr. Maitland, I entered upon the work of collating manuscripts of the Greek New Testament by examining the copies brought from the East by Professor Carlyle, and purchased for the Lambeth Library in 1805. I was soon called away from this employment--{~GREEK SMALL LETTER EPSILON WITH DASIA~}{~GREEK SMALL LETTER KAPPA~}{~GREEK SMALL LETTER OMEGA WITH VARIA~}{~GREEK SMALL LETTER NU~} {~GREEK SMALL LETTER ALPHA WITH PSILI~}{~GREEK SMALL LETTER EPSILON WITH OXIA~}{~GREEK SMALL LETTER KAPPA~}{~GREEK SMALL LETTER OMICRON~}{~GREEK SMALL LETTER NU~}{~GREEK SMALL LETTER TAU~}{~GREEK SMALL LETTER IOTA WITH OXIA~} {~GREEK SMALL LETTER GAMMA~}{~GREEK SMALL LETTER EPSILON~} {~GREEK SMALL LETTER THETA~}{~GREEK SMALL LETTER UPSILON~}{~GREEK SMALL LETTER MU~}{~GREEK SMALL LETTER OMEGA WITH PERISPOMENI AND YPOGEGRAMMENI~}--to less congenial duties in that remote county, wherein long after it was your Grace's happy privilege to refresh the spirits of Churchmen and Churchwomen, by giving them pious work to do, and an example in the doing of it. What I have since been able to accomplish in the pursuits of sacred criticism, although very much less than I once anticipated, has proved, I would fain hope, not without its use to those who love Holy Scripture, and the studies which help to the understanding of the same. Among the scholars whose sympathy cheered and aided my Biblical labours from time to time, I have had the honour of including your Grace; yet it would be at once unseemly and fallacious to assume from that circumstance, that the principles of textual criticism which I have consistently advocated have approved themselves to your judgement. All that I can look for or desire in this respect is that I may seem to you to have stated my case fairly and temperately, in earnest controversy with opponents far my superiors in learning and dialectic power, and for whom, in spite of literary differences, I entertain deep respect and true regard. My Lord, you have been called by Divine Providence to the first place in our Communion, and have entered upon your great office attended by the applauses, the hopeful wishes, and the hearty prayers of the whole Church. May it please God to endow you richly with the Christian gifts as well of wisdom as of courage: for indeed the highest minister of the Church of England, no less than the humblest, will need courage in the coming time, now that faith is waxing cold and adversaries are many. I am, my Lord Archbishop, Your obliged and faithful servant, F. H. A. Scrivener. HENDON VICARAGE, _Whitsuntide_, 1883. PREFACE TO FOURTH EDITION. At the time of the lamented death of Dr. Scrivener a new edition of his standard work was called for, and it was supposed that the great Master of Textual Criticism had himself made sufficient corrections and additions for the purpose in the margin of his copy. When the publishers committed to me the task of preparation, I was fully aware of the absolute necessity of going far beyond the materials placed at my disposal, if the book were to be really useful as being abreast of the very great progress accomplished in the last ten years. But it was not till I had laboured with absolute loyalty for some months that I discovered from my own observation, and from the advice of some of the first textual critics, how much alteration must at once be made. Dr. Scrivener evidently prepared the Third Edition under great disadvantage. He had a parish of more than 5,500 inhabitants upon his hands, with the necessity of making provision for increase in the population. The result was that after adding 125 pages to his book he had an attack of paralysis, and so it is not surprising that his work was not wholly conducted upon the high level of his previous publications. The book has also laboured under another and greater disadvantage of too rapid, though unavoidable, growth. The 506 pages of the First Edition have been successively expanded into 626 pages in the Second, 751 in the Third, and 874 in the Fourth; while the framework originally adopted, consisting only of nine chapters, was manifestly inadequate to the mass of material ultimately gathered. It has therefore been found necessary, as the work proceeded, to do violence, amidst much delicate embarrassment, to feelings of loyalty to the author forbidding alteration. The chief changes that have been made are as follows:-- The first intention of keeping the materials within the compass of one volume has been abandoned, and it has been divided into two volumes, with an increase of chapters in each. Instead of 2,094 manuscripts, as reckoned in the third edition under the six classes, no less than 3,791 have been recorded in this edition, being an increase of 236 beyond the 3,555 of Dr. Gregory, without counting the numerous vacant places which have been filled up. Most of the accounts of ancient versions have been rewritten by distinguished scholars, who are leaders in their several departments. The early part of Volume I has been enriched from the admirable book on "Greek and Latin Palaeography," by Mr. E. Maunde Thompson, who with great kindness placed the proof-sheets at my disposal before publication. Changes have been made in the headlines, the indexes, and in the printing, and sometimes in the arrangement, which will, I trust, enable the reader to find his way more easily about the treatise. And many corrections suggested by eminent scholars have been introduced in different places all through the work. A most pleasing duty now is to tender my best thanks to the Right Reverend the Lord Bishop of Salisbury and the Rev. H. J. White, M.A., for the rewriting of the chapter on Latin Versions by the latter under Dr. John Wordsworth's supervision, with help from M. Samuel Berger; to the Rev. G. H. Gwilliam, B.D., Fellow of Hertford College, now editing the Peshitto for the University of Oxford, for the improvement of the passages upon the Peshitto and the Curetonian; the Rev. H. Deane, B.D., for additions to the treatment of the Harkleian; and the Rev. Dr. Walker, Principal of St. John's Hall, Highbury, for the results of a collation of the Peshitto and Curetonian; to the Rev. A. C. Headlam, M.A., Fellow of All Souls College, for a revision of the long chapter upon Egyptian Versions; to F. C. Conybeare, Esq., M.A., late Fellow of University College, for rewriting the sections on the Armenian and Georgian Versions; to Professor Margoliouth, M.A., Fellow of New College, for rewriting the sections on the Arabic and Ethiopic Versions; to the Rev. Ll. J. M. Bebb, M.A., Fellow of Brasenose College, for rewriting the section upon the Slavonic Version; to Dr. James W. Bright, Assistant-Professor in the Johns Hopkins University, for rewriting the section on the Anglo-Saxon Version, through Mr. White's kind offices; to E. Maunde Thompson, Esq., D.C.L., LL.D., F.S.A., &c., for kindness already mentioned, and other help, and to G. F. Warner, Esq., M.A., of the Manuscript Department of the British Museum, for correction of some of the notices of cursive MSS. belonging to the
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Produced by Marius Masi, Don Kretz and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's notes: (1) Numbers following letters (without space) like C2 were originally printed in subscript. Letter subscripts are preceded by an underscore, like C_n. (2) Characters following a carat (^) were printed in superscript. (3) Side-notes were relocated to function as titles of their respective paragraphs. (4) Macrons and breves above letters and dots below letters were not inserted. (5) [int] stands for the integral symbol; [alpha], [beta], etc. for greek letters and [oo] for infinity. (6) The following typographical errors have been corrected: ARTICLE FORESTS AND FORESTRY: "These trees will all be of increasing importance." 'will' amended from 'wil'. ARTICLE FORM : "All perception is necessarily conditioned by pure 'forms of sensibility,' i.e. space and time: whatever is perceived is perceived as having spacial and temporal relations (see SPACE AND TIME; KANT)."'spacial' amended from'special'. ARTICLE FORMOSA: "The vegetation of the island is characterized by tropical luxuriance,--the mountainous regions being clad with dense forest, in which various species of palms, the camphor-tree (Laurus Camphora), and the aloe are conspicuous."'mountainous' amended from'moutainous'. ARTICLE FORMOSA: "... in 1624 they built a fort, Zelandia, on the east coast, where subsequently rose the town of Taiwan, and the settlement was maintained for thirty-seven years." 'thirty' amended from 'thrity'. ARTICLE FORSTER, JOHANN GEORG ADAM: "At Cassel Forster formed an intimate friendship with the great anatomist Sommerring, and about the same time made the acquaintance of Jacobi, who gave him a leaning towards mysticism from which he subsequently emancipated himself."'subsequently' amended from'subequently'. ARTICLE FORTIFICATION AND SIEGECRAFT: "At the sieges of Tyre and Jerusalem by Nebuchadnezzar in 587 B.C. we first find mention of the ram and of movable towers placed on mounds to overlook the walls." 'Nebuchadnezzar' amended from 'Nebuchadrezzar'. ARTICLE FORTIFICATION AND SIEGECRAFT: "The Germanic Confederation reinforced Mainz with improved works, and reorganized entirely Rastatt and Ulm." 'entirely' amended from 'enentirely'. ARTICLE FORTIFICATION AND SIEGECRAFT: "For the fate of the fortress must depend ultimately on the result of the operations of the active armies." 'ultimately' amended from 'utlimately'. ARTICLE FOSCOLO, UGO: "... found their final resting-place beside the monuments of Machiavelli and Alfieri, of Michelangelo and Galileo, in Italy's Westminster Abbey, the church of Santa Croce." 'Machiavelli' amended from 'Macchiavelli'. ARTICLE FOSSANO: "It appears as a commune in 1237, but in 1251 had to yield to Asti. It finally surrendered in 1314 to Filippo d'Acaia, whose successor handed it over to the house of Savoy." 'Filippo' amended from 'Fillippo'. ARTICLE FOURIER'S SERIES: "Besides Dini's treatise already referred to, there is a lucid treatment of the subject from an elementary point of view in C. Neumann's treatise, Uber die nach Kreis-, Kugel- und Cylinder-Functionen fortschreitenden Entwickelungen." 'subject' amended from'subejct'. ENCYCLOPAEDIA BRITANNICA A DICTIONARY OF ARTS, SCIENCES, LITERATURE AND GENERAL INFORMATION ELEVENTH EDITION VOLUME X, SLICE VI Foraminifera to Fox, Edward ARTICLES IN THIS SLICE: FORAMINIFERA FORT LEE FORBACH FORT MADISON FORBES, ALEXANDER PENROSE FORTROSE FORBES, ARCHIBALD FORT SCOTT FORBES, DAVID FORT SMITH FORBES, DUNCAN FORTUNA FORBES, EDWARD FORTUNATIANUS, ATILIUS FORBES, JAMES DAVID
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Produced by David Widger HUCKLEBERRY FINN By Mark Twain Part 4. CHAPTER XVI. WE slept most all day, and started out at night, a little ways behind a monstrous long raft that was as long going by as a procession. She had four long sweeps at each end, so we judged she carried as many as thirty men, likely. She had five big wigwams aboard, wide apart, and an open camp fire in the middle, and a tall flag-pole at each end. There was a power of style about her. It AMOUNTED to something being a raftsman on such a craft as that. We went drifting down into a big bend, and the night clouded up and got hot. The river was very wide, and was walled with solid timber on both sides; you couldn't see a break in it hardly ever, or a light. We talked about Cairo, and wondered whether we would know it when we got to it. I said likely we wouldn't, because I had heard say there warn't but about a dozen houses there, and if they didn't happen to have them lit up, how was we going to know we was passing a town? Jim said if the two big rivers joined together there, that would show. But I said maybe we might think we was passing the foot of an island and coming into the same old river again. That disturbed Jim--and me too. So the question was, what to do? I said, paddle ashore the first time a light showed, and tell them pap was behind, coming along with a trading-scow, and was a green hand at the business, and wanted to know how far it was to Cairo. Jim thought it was a good idea, so we took a smoke on it and waited. There warn't nothing to do now but to look out sharp for the town, and not pass it without seeing it. He said he'd be mighty sure to see it, because he'd be a free man the minute he seen it, but if he missed it he'd be in a slave country again and no more show for freedom. Every little while he jumps up and says: "Dah she is?" But it warn't. It was Jack-o'-lanterns, or lightning bugs; so he set down again, and went to watching, same as before. Jim said it made him all over trembly and feverish to be so close to freedom. Well, I can tell you it made me all over trembly and feverish, too, to hear him, because I begun to get it through my head that he WAS most free--and who was to blame for it? Why, ME. I couldn't get that out of my conscience, no how nor no way. It got to troubling me so I couldn't rest; I couldn't stay still in one place. It hadn't ever come home to me before, what this thing was that I was doing. But now it did; and it stayed with me, and scorched me more and more. I tried to make out to myself that I warn't to blame, because I didn't run Jim off from his rightful owner; but it warn't no use, conscience up and says, every time, "But you knowed he was running for his freedom, and you could a paddled ashore and told somebody." That was so--I couldn't get around that noway. That was where it pinched. Conscience says to me, "What had poor Miss Watson done to you that you could see her <DW65> go off right under your eyes and never say one single word? What did that poor old woman do to you that you could treat her so mean? Why, she tried to learn you your book, she tried to learn you your manners, she tried to be good to you every way she knowed how. THAT'S what she done." I got to feeling so mean and so miserable I most wished I was dead. I fidgeted up and down the raft, abusing myself to myself, and Jim was fidgeting up and down past me. We neither of us could keep still. Every time he danced around and says, "Dah's Cairo!" it went through me like a shot, and I thought if it WAS Cairo I reckoned I would die of miserableness. Jim talked out loud all the time while I was talking to myself. He was saying how the first thing he would do when he got to a free State he would go to saving up money and never spend a single cent, and when he got enough he would buy his wife, which was owned on a farm close to where Miss Watson lived; and then they would both work to buy the two children, and if their master wouldn't sell them, they'd get an Ab'litionist to go and steal them. It most froze me to hear such talk. He wouldn't ever dared to talk such talk in his life before. Just see what a difference it made in him the minute he judged he was about free. It was according to the old saying, "Give a <DW65> an inch and he'll take an ell." Thinks I, this is what comes of my not thinking. Here was this <DW65>, which I had as good as helped to run away, coming right out flat-footed and saying he would steal his children--children that belonged to a man I didn't even know; a man that hadn't ever done me no harm. I was sorry to hear Jim say that, it was such a lowering of him. My conscience got to stirring me up hotter than ever, until at last I says to it, "Let up on me--it ain't too late yet--I'll paddle ashore at the first light and tell." I felt easy and happy and light as a feather right off. All my troubles was gone. I went to looking out sharp for a light, and sort of singing to myself. By and by one showed. Jim sings out: "We's safe, Huck, we's safe! Jump up and crack yo' heels! Dat's de good ole Cairo at las', I jis knows it!" I says: "I'll take the canoe and go and see, Jim. It mightn't be, you know." He jumped and got the canoe ready, and put his old coat in the bottom for me to set on, and give me the paddle; and as I shoved off, he says: "Pooty soon I'll be a-shout'n' for joy, en I'll say, it's all on accounts o' Huck; I's a free man, en I couldn't ever ben free ef it hadn' ben for Huck; Huck done it. Jim won't ever forgit you, Huck; you's de bes' fren' Jim's ever had; en you's de ONLY fren' ole Jim's got now." I was paddling off, all in a sweat to tell on him; but when he says this, it seemed to kind of take the tuck all out of me. I went along slow then, and I warn't right down certain whether I was glad I started or whether I warn't. When I was fifty yards off, Jim says: "Dah you goes, de ole true Huck; de on'y white genlman dat ever kep' his promise to ole Jim." Well, I just felt sick. But I says, I GOT to do it--I can't get OUT of it. Right then along comes a skiff with two men in it with guns, and they stopped and I stopped. One of them says: "What's that yonder?" "A piece of a raft," I says. "Do you belong on it?" "Yes, sir." "Any men on it?" "Only one, sir." "Well, there's five <DW65>s run off to-night up yonder, above the head of the bend. Is your man white or black?" I didn't answer up prompt. I tried to, but the words wouldn't come. I tried for a second or two to brace up and out with it, but I warn't man enough--hadn't the spunk of a rabbit. I see I was weakening; so I just give up trying, and up and says: "He's white." "I reckon we'll go and see for ourselves." "I wish you would," says I, "because it's pap that's there, and maybe you'd help me tow the raft ashore where the light is. He's sick--and so is mam and Mary Ann." "Oh, the devil! we're in a hurry, boy. But I s'pose we've got to. Come, buckle to your paddle, and let's get along." I buckled to my paddle and they laid to their oars. When we had made a stroke or two, I says: "Pap'll be mighty much obleeged to you, I can tell you. Everybody goes away when I want them to help me tow the raft ashore, and I can't do it by myself." "Well, that's infernal mean. Odd, too. Say, boy, what's the matter with your father?" "It's the--a--the--well, it ain't anything much." They stopped pulling. It warn't but a mighty little ways to the raft now. One says: "Boy, that's a lie. What IS the matter with your pap? Answer up square now, and it'll be the better for you." "I will, sir, I will, honest--but don't leave us, please. It's the--the --Gentlemen, if you'll only pull ahead, and let me heave you the headline, you won't have to come a-near the raft--please do." "Set her back, John, set her back!" says one. They backed water. "Keep away, boy--keep to looard. Confound it, I just expect the wind has blowed it to us. Your pap's got the small-pox, and you know it precious well. Why didn't you come out and say so? Do you want to spread it all over?" "Well," says I, a-blubbering, "I've told everybody before, and they just went away and left us." "Poor devil, there's something in that. We are right down sorry for you, but we--well, hang it, we don't want the small-pox, you see. Look here, I'll tell you what to do. Don't you try to land by yourself, or you'll smash everything to pieces. You float along down about twenty miles, and you'll come to a town on the left-hand side of the river. It will be long after sun-up then, and when you ask for help you tell them your folks are all down with chills and fever. Don't be a fool again, and let people guess what is the matter. Now we're trying to do you a kindness; so you just put twenty miles between us, that's a good boy. It wouldn't do any good to land yonder where the light is--it's only a wood-yard. Say, I reckon your father's poor, and I'm bound to say he's in pretty hard luck. Here, I'll put a twenty-dollar gold piece on this board, and you get it when it floats by. I feel mighty mean to leave you; but my kingdom! it won't do to fool with small-pox, don't you see?" "Hold on, Parker," says the other man, "here's a twenty to put on the board for me. Good-bye, boy; you do as Mr. Parker told you, and you'll be all right." "That's so, my boy--good-bye, good-bye. If you see any runaway <DW65>s you get help and nab them, and you can make some money by it." "Good-bye, sir," says I; "I won't let no runaway <DW65>s get by me if I can help it." They went off and I got aboard the raft, feeling bad and low, because I knowed very well I had done wrong, and I see it warn't no use for me to try to learn to do right; a body that don't get STARTED right when he's little ain't got no show--when the pinch comes there ain't nothing to back him up and keep him to his work, and so he gets beat. Then I thought a minute, and says to myself, hold on; s'pose you'd a done right and give Jim up, would you felt better than what you do now? No, says I, I'd feel bad--I'd feel just the same way I do now. Well, then, says I, what's the use you learning to do right when it's troublesome to do right and ain't no trouble to do wrong, and the wages is just the same? I was stuck. I couldn't answer that. So I reckoned I wouldn't bother no more about it, but after this always do whichever come handiest at the time. I went into the wigwam; Jim warn't there. I looked all around; he warn't anywhere. I says: "Jim!" "Here I is, Huck. Is dey out o' sight yit? Don't talk loud." He was in the river under the stern oar, with just his nose out. I told him they were out of sight, so he come aboard. He says: "I was a-listenin' to all de talk, en I slips into de river en was gwyne to shove for sho' if dey come aboard. Den I was gwyne to swim to de raf' agin when dey was gone. But lawsy, how you did fool 'em, Huck! Dat WUZ de smartes' dodge! I tell you, chile, I'spec it save' ole Jim--ole Jim ain't going to forgit you for dat, honey." Then we talked about the money. It was a pretty good raise--twenty dollars apiece. Jim said we could take deck passage on a steamboat now, and the money would last us as far as we wanted to go in the free States. He said twenty mile more warn't far for the raft to go, but he wished we was already there. Towards daybreak we tied up, and Jim was mighty particular about hiding the raft good. Then he worked all day fixing things in bundles, and getting all ready to quit rafting. That night about ten we hove in sight of the lights of a town away down in a left-hand bend. I went off in the canoe to ask about it. Pretty soon I found a man out in the river with a skiff, setting a trot-line. I ranged up and says: "Mister, is that town Cairo?" "Cairo? no. You must be a blame' fool." "What town is it, mister?" "If you want to know, go and find out. If you stay here botherin' around me for about a half a minute longer you'll get something you won't want." I paddled to the raft. Jim was awful disappointed, but I said never mind, Cairo would be the next place, I reckoned. We passed another town before daylight, and I was going out again; but it was high ground, so I didn't go. No high ground about Cairo, Jim said. I had forgot it. We laid up for the day on a towhead tolerable close to the left-hand bank. I begun to suspicion something. So did Jim. I says: "Maybe we went by Cairo in the fog that night." He says: "Doan' le's talk about it, Huck. Po' <DW65>s can't have no luck. I awluz'spected dat rattlesnake-skin warn't done wid its work." "I wish I'd never seen that snake-skin, Jim--I do wish I'd never laid eyes on it." "It ain't yo' fault, Huck; you didn' know. Don't you blame yo'self 'bout it." When it was daylight, here was the clear Ohio water inshore, sure enough, and outside was the old regular Muddy! So it was all up with Cairo. We talked it all over. It wouldn't do to take to the shore; we couldn't take the raft up the stream, of course. There warn't no way but to wait for dark, and start back in the canoe and take the chances. So we slept all day amongst the cottonwood thicket, so as to be fresh for the work, and when we went back to the raft about dark the canoe was gone! We didn't say a word for a good while. There warn't anything to say. We both knowed well enough it was some more work of the rattlesnake-skin; so what was the use to talk about it? It would only look like we was finding fault, and that would be bound to fetch more bad luck--and keep on fetching it, too, till we knowed enough to keep still. By and by we talked about what we better do, and found there warn't no way but just to go along down with the raft till we got a chance to buy a canoe to go back in. We warn't going to borrow it when there warn't anybody around, the way pap would do, for that might set people after us. So we shoved out after dark on the raft. Anybody that don't believe yet that it's foolishness to handle a snake-skin, after all that that snake-skin done for us, will believe it now if they read on and see what more it done for us. The place to buy canoes is off of rafts laying up at shore. But we didn't see no rafts laying up; so we went along during three hours and more. Well, the night got gray and ruther thick, which is the next meanest thing to fog. You can't tell the shape of the river, and you can't see no distance. It got to be very late and still, and then along comes a steamboat up the river. We lit the lantern, and judged she would see it. Up-stream boats didn't generly come close to us; they go out and follow the bars and hunt for easy water under the reefs; but nights like this they bull right up the channel against the whole river. We could hear her pounding along, but we didn't see her good till she was close. She aimed right for us. Often they do that and try to see how close they can come without touching; sometimes the wheel bites off a sweep, and then the pilot sticks his head out and laughs, and thinks he's mighty smart. Well, here she comes, and we said she was going to try and shave us; but she didn't seem to be sheering off a bit. She was a big one, and she was coming in a hurry, too, looking like a black cloud with rows of glow-worms around it; but all of a sudden she bulged out, big and scary, with a long row of wide-open furnace doors shining like red-hot teeth, and her monstrous bows and guards hanging right over us. There was a yell at us, and a jingling of bells to stop the engines, a powwow of cussing, and whistling of steam--and as Jim went overboard on one side and I on the other, she come smashing straight through the raft. I dived--and I aimed to find the bottom, too, for a thirty-foot wheel had got to go over me, and I wanted it to have plenty of room. I could always stay under water a minute; this time I reckon I stayed under a minute and a half. Then I bounced for the top in a hurry, for I was nearly busting. I popped out to my armpits and blowed the water out of my nose, and puffed a bit. Of course there was a booming current; and of course that boat started her engines again ten seconds after she stopped them, for they never cared much for raftsmen; so now she was churning along up the river, out of sight in the thick weather, though I could hear her. I sung out for Jim about a dozen times, but I didn't get any answer; so I grabbed a plank that touched me while I was "treading water," and struck out for shore, shoving it ahead of me. But I made out to see that the drift of the current was towards the left-hand shore, which meant that I was in a crossing; so I changed off and went that way. It was one of these long, slanting, two-mile crossings; so I was a good long time in getting over. I made a safe landing, and clumb up the bank. I couldn't see but a little ways, but I went poking along over rough ground for a quarter of a mile or more, and then I run across a big old-fashioned double log-house before I noticed it. I was going to rush by and get away, but a lot of dogs jumped out and went to howling and barking at me, and I knowed better than to move another peg. CHAPTER XVII. IN about a minute somebody spoke out of a window without putting his head out, and says: "Be done, boys! Who's there?" I says: "It's me." "Who's me?" "George Jackson, sir." "What do you want?" "I don't want nothing, sir. I only want to go along by, but the dogs won't let me." "What are you prowling around here this time of night for--hey?" "I warn't prowling around, sir, I fell overboard off of the steamboat." "Oh, you did, did you? Strike a light there, somebody. What did you say your name was?" "George Jackson, sir. I'm only a boy." "Look here, if you're telling the truth you needn't be afraid--nobody'll hurt you. But don't try to budge; stand right where you are. Rouse out Bob and Tom, some of you, and fetch the guns. George Jackson, is there anybody with you?" "No, sir, nobody." I heard the people stirring around in the house now, and see a light. The man sung out: "Snatch that light away, Betsy, you old fool--ain't you got any sense? Put it on the floor behind the front door. Bob, if you and Tom are ready, take your places." "All ready." "Now, George Jackson, do you know the Shepherdsons?" "No, sir; I never heard of them." "Well, that may be so, and it mayn't. Now, all ready. Step forward, George Jackson. And mind, don't you hurry--come mighty slow. If there's anybody with you, let him keep back--if he shows himself he'll be shot. Come along now. Come slow; push the door open yourself--just enough to squeeze in, d' you hear?" I didn't hurry; I couldn't if I'd a wanted to. I took one slow step at a time and there warn't a sound, only I thought I could hear my heart. The dogs were as still as the humans, but they followed a little behind me. When I got to the three log doorsteps I heard them unlocking and unbarring and unbolting. I put my hand on the door and pushed it a little and a little more till somebody said, "There, that's enough--put your head in." I done it, but I judged they would take it off. The candle was on the floor, and there they all was, looking at me, and me at them, for about a quarter of a minute: Three big men with guns pointed at me, which made me wince, I tell you; the oldest, gray and about sixty, the other two thirty or more--all of them fine and handsome --and the sweetest old gray-headed lady, and back of her two young women which I couldn't see right well. The old gentleman says: "There; I reckon it's all right. Come in." As soon as I was in the old gentleman he locked the door and barred it and bolted it, and told the young men to come in with their guns, and they all went in a big parlor that had a new rag carpet on the floor, and got together in a corner that was out of the range of the front windows --there warn't none on the side. They held the candle, and took a good look at me, and all said, "Why, HE ain't a Shepherdson--no, there ain't any Shepherdson about him." Then the old man said he hoped I wouldn't mind being searched for arms, because he didn't mean no harm by it--it was only to make sure. So he didn't pry into my pockets, but only felt outside with his hands, and said it was all right. He told me to make myself easy and at home, and tell all about myself; but the old lady says: "Why, bless you, Saul, the poor thing's as wet as he can be; and don't you reckon it may be he's hungry?" "True for you, Rachel--I forgot." So the old lady says: "Betsy" (this was a <DW65> woman), "you fly around and get him something to eat as quick as you can, poor thing; and one of you girls go and wake up Buck and tell him--oh, here he is himself. Buck, take this little stranger and get the wet clothes off from him and dress him up in some of yours that's dry." Buck looked about as old as me--thirteen or fourteen or along there, though he was a little bigger than me. He hadn't on anything but a shirt, and he was very frowzy-headed. He came in gaping and digging one fist into his eyes, and he was dragging a gun along with the other one. He says: "Ain't they no Shepherdsons around?" They said, no, 'twas a false alarm. "Well," he says, "if they'd a ben some, I reckon I'd a got one."
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Produced by Louise Hope, Chris Curnow, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net [This text is intended for users whose text readers cannot use the "real" (Unicode/UTF-8) version of the file. The "oe" ligature has been "unpacked" to separate letters. Transliterated Greek is shown between +marks+, and Hebrew between #marks#. Roman (emphatic) type within italic body text is shown in =marks=. Unless otherwise noted, spelling, punctuation and capitalization in the primary text are unchanged. The distinction between u (vowel) and v (consonant) is as in the original. Typographical errors are listed at the end of the e-text. The General Interpretation ("Interp. Gen.") referenced in the Particular Interpretation is not part of this text.] The Augustan Reprint Society HENRY MORE _Democritus Platonissans_ (1646) _Introduction by_ P. G. STANWOOD Publication Number 130 WILLIAM ANDREWS CLARK MEMORIAL LIBRARY University of California, Los Angeles 1968 GENERAL EDITORS George Robert Guffey, _University of California, Los Angeles_ Maximillian E. Novak, _University of California, Los Angeles_ Robert Vosper, _William Andrews Clark Memorial Library_ ADVISORY EDITORS Richard C. Boys, _University of Michigan_ James L. Clifford, _Columbia University_ Ralph Cohen, _University of Virginia_ Vinton A. Dearing, _University of California, Los Angeles_ Arthur Friedman, _University of Chicago_ Louis A. Landa, _Princeton University_ Earl Miner, _University of California, Los Angeles_ Samuel H. Monk, _University of Minnesota_ Everett T. Moore, _University of California, Los Angeles_ Lawrence Clark Powell, _William Andrews Clark Memorial Library_ James Sutherland, _University College, London_ H. T. Swedenberg, Jr., _University of California, Los Angeles_ CORRESPONDING SECRETARY Edna C. Davis, _William Andrews Clark Memorial Library_ INTRODUCTION Henry More (1614-1687), the most interesting member of that group traditionally known as the Cambridge Platonists, lived conscientiously and well. Having early set out on one course, he never thought to change it; he devoted his whole life to the joy of celebrating, again and again, "a firm and unshaken Belief of the Existence of GOD..., a God infinitely Good, as well as infinitely Great...."[1] Such faith was for More the starting point of his rational understanding: "with the most fervent Prayers" he beseeched God, in his autobiographical "Praefatio Generalissima," "to set me free from the dark Chains, and this so sordid Captivity of my own Will." More offered to faith all which his reason could know, and so it happened that he "was got into a most Joyous and Lucid State of Mind," something quite ineffable; to preserve these "Sensations and Experiences of my own Soul," he wrote "a pretty full Poem call'd _Psychozoia_" (or _A Christiano-Platonicall display of Life_), an exercise begun about 1640 and designed for no audience but himself. There were times, More continued in his autobiographical remarks, when he thought of destroying _Psychozoia_ because its style is rough and its language filled with archaisms. His principal purpose in that poem was to demonstrate in detail the spiritual foundation of all existence; Psyche, his heroine, is the daughter of the Absolute, the general Soul who holds together the metaphysical universe, against whom he sees reflected his own soul's mystical progress. More must, nevertheless, have been pleased with his labor, for he next wrote _Psychathanasia Platonica: or Platonicall Poem of the
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Produced by Eric Eldred, Jerry Fairbanks, and the Online Distributed Proofreading Team BY-WAYS OF BOMBAY. BY S. M. EDWARDES, C.V.O. PREFACE TO THE FIRST EDITION. The various chapters of this book originally appeared under the _nom-de-plume_ of "Etonensis" in the _Times of India_, to the proprietors of which journal I am indebted for permission to publish them in book-form, They cannot claim to be considered critical studies, but are merely a brief record of persons whom I have met and of things that I have seen during several years' service as a Government official in Bombay. In placing them before the public in their present form, I can only hope that they will be found of brief interest by those unacquainted with the inner life of the City of Bombay. HEAD POLICE OFFICE, BOMBAY, _June 1912_. S. M. E. PREFACE TO THE SECOND EDITION. The first edition of "By-ways of Bombay" having been sold out within a month, Messrs Taraporevala Sons and Co. have interested themselves in publishing the present edition which includes several illustrations by Mr. M. V. Dhurandhar and an additional article on the Tilak Riots which appeared in the _Bombay Gazette_ in August, 1908. My acknowledgments are due to the Editor for permission to republish this article. HEAD POLICE OFFICE, BOMBAY. _November, 1912_. S. M. EDWARDES. CONTENTS I. The Spirit of Chandrabai II. Bombay Scenes III. Shadows of Night IV. The Birthplace of Shivaji V. The Story of Imtiazan VI. The Bombay Mohurrum VII. The Possession of Afiza VIII. A Kasumba Den IX. The Ganesh Caves X. A Bhandari Mystery XI. Scenes in Bombay XII. Citizens of Bombay XIII. The Sidis of Bombay XIV. A Konkan Legend XV. Nur Jan XVI. Governor and Koli XVII. The Tribe Errant XVIII. The Pandu-Lena Caves XIX. Fateh Muhammad XX. The Tilak Riots ILLUSTRATIONS. 1. Spirit of Chandrabai 2. A Mill-hand 3. A Marwari selling Batasa 4. The seller of "Malpurwa Jaleibi" 5. A Koli woman 6. The "Pan" Seller 7. An Opium Club 8. A "Madak-khana" 9. Imtiazan 10. The Possession of Afiza 11. A Bhandari Mystery 12. An Arab 13. A Bombay Memon 14. Sidis of Bombay 15. The Parshurama and the Chitpavans 16. Nur Jan 17. A Koli 18. A Deccani Fruit-seller 19. The Coffee-seller 20. Fateh Muhammad [Illustration: The Spirit of Chandrabai] I. THE SPIRIT OF CHANDRABAI. A STUDY IN PROTECTIVE MAGIC. Fear reigned in the house of Vishnu the fisherman: for, but a week before, his wife Chandra had died in giving birth to a child who survived his mother but a few hours, and during those seven days all the elders and the wise women of the community came one after another unto Vishnu and, impressing upon him the malignant influence of such untimely deaths, bade him for the sake of himself and his family do all in his power to lay the spirit of his dead wife. So on a certain night early in December Vishnu called all his caste-brethren into the room where Chandra had died, having first arranged there a brass salver containing a ball of flour loosely encased in thread, a miniature cot with the legs fashioned out of the berries of the "bhendi," and several small silver rings and bangles, a coral necklace and a quaint silver chain, which were destined to be hung in due season upon the wooden peg symbolical of his dead wife's spirit in the "devaghar," or gods' room, of his house. And he called thither also Rama the "Gondhali," master of occult ceremonies, Vishram, his disciple, and Krishna the "Bhagat" or medium, who is beloved of the ghosts of the departed and often bears their messages unto the living. When all are assembled, the women of the community raise the brass salver and head a procession to the seashore, none being left in the dead woman's room save Krishna the medium who sits motionless in the centre thereof; and on the dry shingle the women place the salver and two brass "lotas" filled with milk and water, while the company ranges itself in a semi-circle around Rama the Gondhali, squatting directly in front of the platter. For a moment he sits wrapped in thought, and then commences a weird chant of invocation to the spirit of the dead woman, during which her relations in turn drop a copper coin into the salver. "Chandrabai," he wails "take this thy husband's gift of sorrow;" and as the company echoes his lament, Vishnu rises and drops his coin into the plate. Then her four brothers drop a coin apiece; her sister-in-law, whispering "It is for food" does likewise; also her mother with the words "choli patal" or "Tis a robe and bodice for thee";--and so on until all the relatives have cast down their offerings,--one promising a fair couch, another an umbrella, a third a pair of shoes, and little Moti, the dead woman's eldest child, "a pair of bangles for my mother," until in truth all the small luxuries that the dead woman may require in the life beyond have been granted. Meanwhile the strange invocation proceeds. All the dead ancestors of the family, who are represented by the quaint ghost-pegs in the gods' room of Vishnu's home, are solemnly addressed and besought to receive the dead woman in kindly fashion; and as each copper coin tinkles in the salver, Rama cries, "Receive this, Chandrabai, and hie thee to thy last resting-place." When the last offering has been made, the women again raise the salver and the party fares back to Vishnu's house, where a rude shrine of Satvai (the Sixth Mother) has been prepared. "For," whispers our guide, "Chandrabai died without worshipping Satvai and her spirit must perforce fulfil those rites." Close to the shrine sits a midwife keeping guard over a new gauze cloth, a sari and a bodice, purchased for the spirit of Chandrabai; and on a plate close at hand are vermilion for her brow, antimony for her eyes, a nose-ring, a comb, bangles and sweetmeats, such as she liked during her life-time. When the shrine is reached, one of the brothers steps forward with a winnowing-fan, the edge of which is plastered with ghi and supports a lighted wick; and as he steps up to the shrine, the relations and friends of the deceased again press forward and place offerings of fruit and flowers in the fan. There he stands, holding the gifts towards the amorphous simulacrum of the primeval Mother, while Rama the hierophant beseeches her to send the spirit of the dead Chandrabai into the winnowing-fan. And lo! on a sudden the ghostly flame on the lip of the fan dies out! The spirit of Chandrabai has come! Straightway Rama seizes the fan and followed by the rest dashes into the room where Krishna the medium is still sitting. Four or five men commence a wild refrain to the accompaniment of brazen cymbals, and Rama passes the winnowing-fan, containing the dead woman's spirit, over the head of the medium. "Let the spirit appear" shrieks Rama amid the clashing of the cymbals. "Let the spirit appear" he cries, as he blows a cloud of incense into Krishna's face. The medium quivers like an aspen leaf; the dead woman's brothers crawl forward and lay their foreheads upon his feet; he shakes more violently as the spirit takes firmer hold upon him; and then with a wild shriek he rolls upon the ground and lies, rent with paroxysms, his face stretched upwards to the winnowing-fan. Louder and louder crash the cymbals; louder rises the chant. "Who art thou?" cries Rama. "I am Chandrabai," comes the answer. "Hast thou any wish unfulfilled?" asks the midwife. "Nay, all my wishes have been met," cries the spirit through the lips of the medium, "I am in very truth Chandrabai, who was, but am not now, of this world." As the last words die away the men dash forward, twist Krishna's hair into a knot behind, dress him, as he struggles, in the female attire which the midwife has been guarding, and place in his hand a wooden slab rudely carved into the semblance of a woman and child. "Away, away to the underworld" chant the singers; and at the command Krishna wrenches himself free from the men who are holding him and dashes out with a yell into the night. Straight as an arrow he heads for the seashore, his hands clutching the air convulsively, his'sari' streaming in the night-breeze; and behind, like hounds on the trail of the deer, come Rama, the brethren, the sisters, and rest of the community. Over the shingle they stream and down on to the hard wet sand. Some one digs a hole; another produces a black cock; and Rama with a knife cuts its throat over the hole, imploring the spirit's departure, at the very moment that Krishna with a final shriek plunges into the sea. They follow him, carry him out of danger, and lay him, stark and speechless, upon the margin of the waves. Thence, after a pause and a final prayer, they bear him homeward, as men bear a corpse, nor leave him until he has regained consciousness and his very self. For with that last shrill cry the ghost of Chandrabai fled across the waste waters to meet the pale ancestral dead and dwell with them for evermore: and the house of Vishnu the fisherman was freed from the curse of her vagrant and unpropitiated spirit. "She has never troubled me since that day," says Vishnu; "but at times when I am out in my fishing-boat and the wind blows softly from the west, I hear her voice calling to me across the waters. And one day, if the gods are kind, I shall sail westward to meet her!" * * * * * II. BOMBAY SCENES. MORNING. "Binishin bar sari juyo guzari umr bibin kin isharat zi jahani guzeran mara bas." So wrote the great poet of Persia: "Sit thou on the bank of a stream and in the flow of its waters watch the passing of thy life. Than this a vain and fleeting world can grant thee no higher lesson." Of the human tides which roll through the streets of the cities of the world, none are brighter or more varied than that which fills the streets of Bombay. Here are Memon and Khoja women in shirt and trousers ("kur
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Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) {401} NOTES AND QUERIES: A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC. "When found, make a note of."--CAPTAIN CUTTLE. * * * * * No. 82.] SATURDAY, MAY 24. 1851. [Price Threepence. Stamped Edition 4d. CONTENTS. NOTES:-- Page Note upon a Passage in "Measure for Measure" 401 Rhyming Latin Version of the Song on Robin Goodfellow, by S. W. Singer 402 Folk Lore:--Devonshire Folk Lore: 1. Storms from Conjuring; 2. The Heath-hounds; 3. Cock scares the Fiend; 4. Cranmere Pool--St. Uncumber and the offering of Oats--"Similia similibus curantur"--Cure of large Neck 404 Dibdin's Library Companion 405 Minor Notes:--A Note on Dress--Curious Omen at Marriage--Ventriloquist Hoax--Barker, the original Panorama Painter 406 QUERIES:-- Minor Queries:--Vegetable Sympathy--Court Dress--Dieu et mon Droit--Cachecope Bell--The Image of both Churches--Double Names--"If this fair Flower," &c.--Hugh Peachell--Sir John Marsham--Legend represented in Frettenham Church--King of Nineveh burns himself in his Palace--Butchers not Jurymen--Redwing's Nest--Earth thrown upon the Coffin--Family of Rowe--Portus Canum--Arms of Sir John Davies--William Penn--Who were the Writers in the North Briton? 407 MINOR QUERIES ANSWERED:--"Many a Word"--Roman Catholic Church--Tick--Hylles' Arithmetic 409 REPLIES:-- Villenage 410 Maclean not Junius 411 Replies to Minor Queries:--The Ten Commandments-- Mounds, Munts, Mounts--San Graal--Epitaph on the Countess of Pembroke 412 MISCELLANEOUS:-- Notes on Books, Sales, Catalogues, &c. 414 Books and Odd Volumes wanted 414 Notices to Correspondents 414 Advertisements 415 * * * * * Notes. NOTE UPON A PASSAGE IN "MEASURE FOR MEASURE." The Third Act of _Measure for Measure_ opens with Isabella's visit to her brother (Claudio) in the dungeon, where he lies under sentence of death. In accordance with Claudio's earnest entreaty, she has sued for mercy to Angelo, the sanctimonious deputy, and in the course of her allusion to the only terms upon which Angelo is willing to remit the sentence, she informs him that he "must die," and then continues: "This outward-sainted deputy,-- Whose settled visage and deliberate word Nips youth i' the head, and follies doth emmew, As falcon doth the fowl,--is yet a devil; His filth within being cast, he would appear A pond as deep as hell." Whereupon (according to the reading of the folio of 1623) Claudio, who is aware of Angelo's reputation for sanctity, exclaims in astonishment: "The _prenzie_ Angelo?" To which Isabella replies (according to the reading of the same edition): "O, 'tis the cunning livery of hell, The damned'st body to invest and cover In _prenzie_ guards! Dost thou think, Claudio, If I would yield him my virginity, Thou might'st be freed?" Claudio, still incredulous, rejoins: "O, heavens! it cannot be." The word _prenzie_ has given rise to much annotation, and it seems to be universally agreed that the word is a misprint. The question is, what was the word actually written, or intended, by Shakspeare? Steevens and Malone suggested "princely;" Warburton, "priestly;" and Tieck, "prec
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Produced by Nick Hodson of London, England Whoso Findeth a Wife, by William Le Queux. ________________________________________________________________________ ________________________________________________________________________ WHOSO FINDETH A WIFE, BY WILLIAM LE QUEUX. CHAPTER ONE. A STATE SECRET. "_Whoso findeth a wife findeth a good thing, and obtaineth favour of the Lord_."--Proverbs xviii, 22. "Have those urgent dispatches come in from Berlin, Deedes?" "Captain Hammerton has not yet arrived," I answered. "Eleven o'clock! Tut, tut! Every moment's delay means greater risk," and the Earl of Warnham, Her Majesty's Principal Secretary of State for Foreign Affairs, strode up and down his private room, with his hat still on, impatiently snapping his bony fingers in agitation quite unusual to him. "Hammerton wired from Berlin yesterday, when on the point of leaving," I observed, taking a telegram from the table before me. "In cipher?" "Yes." "No accident is reported in the papers, I suppose?" "Nothing in the _Times_," I replied. "Strange, very strange, that he should be so long overdue," the Earl said, at last casting himself into his padded chair, and lounging back, his hands thrust deep into his pockets as he stared thoughtfully into space. I resumed my writing, puzzled at the cause of the chief's excited demeanour, but a few moments later sharp footsteps sounded outside in the corridor, followed by a loud rapping, and there entered the messenger, clad in his heavy fur-lined travelling coat, although a July morning, and carrying a well-worn leather dispatch-box, which he placed upon my table. "Late, Hammerton. Very late," snapped the Earl, glancing at his watch. "There's a dense fog in the Channel, your Lordship, and we were compelled to come across dead slow the whole distance. I've driven straight from the station," the Captain answered good-humouredly, looking so spruce and well-groomed that few would credit he had been travelling for nearly twenty-four hours. "Go and rest. You must return to-night," his Lordship said testily. "At seven-thirty?" "Yes, at my house in Berkeley Square." Then, taking up the receipt I had signed for the dispatch-box, the messenger, to whom a journey to Constantinople or St Petersburg was about as fatiguing as a ride on the Underground Railway is to ordinary persons, walked jauntily out, wishing us both good-day. When the door had closed, Lord Warnham quickly opened the outer case with his key, and drew forth a second box, covered with red morocco, and securely sealed. This he also opened, and, after rummaging for some moments among a quantity of papers, exclaimed, in a tone of satisfaction,-- "Ah! Here it is. Good! Seals not tampered with." Withdrawing from the box a large official envelope, doubly secured with the seal of the British Embassy at Berlin, and endorsed by Sir Philip Emden, our Ambassador, he walked hastily to one of the long windows overlooking the paved courtyard of the Foreign Office, and for some moments closely scrutinised both seals and signature. "Did you fear that the papers might have been examined in transit?" I inquired of my grave-faced chief in surprise. "No, Deedes, no. Not at all," he answered, returning to his table, cutting open the envelope, and giving a rapid glance at its contents to assure himself that it was the same document he had sent to the German capital a week before. "Hammerton is trustworthy, and while dispatches are in his care I have no fear. The only apprehension I had was that an attempt might possibly have been made to ascertain the nature of this treaty," the great statesman added, indicating the document beneath his hand. "The result would be detrimental?" I hazarded. "Detrimental!" he cried. "If the clauses of this secret defensive alliance became known to our enemies war would be inevitable. Russia and France would combine, and the whole of the Powers would become embroiled within a week. Exposure of these secret negotiations would be absolutely disastrous. It would, I verily believe, mean irretrievable ruin to England's prestige and perhaps to her power." He uttered the ominous words slowly and distinctly, then carefully refolding the precious document, with its string of sprawly signatures, he placed it in another envelope, sealing it with his own private seal. The great statesman, the greatest Foreign Minister of his time, upon whose tact, judgment and forethought the peace and prosperity of England mainly depended, was tall and thin, with scanty, white hair, a pale, refined face, slightly wizened by age, deep-sunken, steely eyes, shaggy brows, a sharp, straight nose, and a breadth of forehead indicating indomitable perseverance and an iron will. His reputation as brilliant orator and shrewd and skilful diplomat was a household word throughout the civilised world, whilst in our own land confidence always increased when he was at the head of Foreign Affairs. As his confidential private secretary, I, Geoffrey Deedes, had daily opportunities of observing how conscientiously he served his Sovereign and his country, and how amazing was his capacity for work. With him, duty was always of paramount consideration; he worked night and day to sustain England's honour and welfare, for times without number I had gone to his great gloomy house in Berkeley Square in the middle of the night and roused him from his bed to attend to urgent dispatches. Although a perfect martinet towards many in the various departments of the Foreign Office, he was to me always kind and generous. My father, Sir Reginald Deedes, had, as many will doubtless remember, represented Her Majesty at the Netherlands Court for fifteen years until his death. He was thus an old friend of the Earl, and it was this friendship that caused him to appoint me five years ago his private secretary, and, much to the chagrin of young Lord Gaysford, the Under Secretary, repose such implicit confidence in me that very frequently he entrusted to my care the keys of the ponderous safe wherein were deposited the State secrets of the nation. "You'd better register this, and we'll lock it away from prying eyes at once," Lord Warnham said a few moments later, handing me the envelope after he had sealed it. Taking it, I went straight to my own room across the corridor at the head of the fine central staircase. It was part of my duty to receive the more important dispatches, number those which were sealed, and prior to depositing them in the safe, register the number in my book, stating the source whence they came, the date received, and the name of the messenger who brought them. Alone in my room, I closed the door, took the register from my own small safe, numbered the precious envelope with the designation "B27,893," and carefully made an entry in the book. Having finished, a clerk brought me two letters from other Departments, both of which needed immediate replies, therefore I sat down and scribbled them while he waited. Then, having been absent from the Chief's room nearly a quarter of an hour, I went back with the dispatch in my hand. In the room I found Lord Gaysford, who, in reply to my question, stated that the Earl had been compelled to leave in order to attend a meeting of the Cabinet, which he believed would be a protracted one. To me this was provoking, for the great statesman had taken with him the key of the safe; thus was I left with this important document in my possession. But I said nothing of the matter to the Under Secretary, and returning to my room placed the dispatch in my inner pocket for greater security, determined to keep it there until his Lordship returned. I feared to lock it away in my own safe lest anyone else might possess a key, and felt that in the circumstances my own pocket was the safest place. For nearly two hours I continued my work, it being Friday, an unusually busy day, until, just as the clock at the Horse Guards chimed one o'clock, a clerk entered with the card of Dudley Ogle, my college chum, with whom I was now sharing, during the summer months, a cottage close to the Thames at Shepperton. On the card was the pencilled query, "Can you come and lunch with me?" For a few moments I hesitated. I was busy, and I was compelled to deliver the dispatch in my pocket to Lord Warnham before he left for home. I knew, however, that the meeting of the Cabinet must be a long one, and recognising the fact that I must lunch somewhere, I gave the clerk a message that I would join Mr Ogle in the waiting-room in a few moments. Then, locking my safe, I assured myself that the dispatch was still in my pocket, brushed my hat, and joined my friend. Dudley Ogle was the best of good fellows. After a rather wild college career, it had been his fancy to roam for about two years on the Continent, and on his return, his father, with whom he was not on the best of terms, conveniently died, leaving him possessor of about twenty thousand pounds. By this time he had, however, sown his wild oats, and instead of spending his money as most young men of his age would have done, he invested it, and now lived a careless, indolent existence, travelling where he pleased, and getting as much enjoyment out of life as was possible. He was about my own age--twenty-eight, well set-up, smart-looking, with rather aquiline features, dark hair, and a pair of merry eyes that were an index to a contented mind. "Didn't expect me, I suppose, old fellow?" he exclaimed breezily, when we met. "I found after you'd left this morning that I was compelled to come up to town, and having nothing to do for an hour or so, it occurred to me that we might lunch together." "I thought you intended to pull up as far as `The Nook,'" I said, laughing. "So I did, but I received a wire calling me to town on some rather urgent business. Where shall we lunch?" In descending the stairs and turning into Downing Street we discussed the merits of various restaurants, and finally decided upon a small, old-fashioned, unpretentious, but well-known place a few doors from Charing Cross, in the direction of Whitehall, known as "The Ship." Here we ate our meal, spent an hour together, and then parted, he leaving to return to Shepperton, I to finish my work
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Produced by readbueno and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) A TOUR UP THE STRAITS, FROM GIBRALTAR TO CONSTANTINOPLE. WITH THE LEADING EVENTS IN THE PRESENT WAR BETWEEN THE AUSTRIANS, RUSSIANS, AND THE TURKS, TO THE COMMENCEMENT OF THE YEAR 1789. _By_ CAPTAIN SUTHERLAND, OF THE 25^{TH} REGIMENT. LONDON: PRINTED FOR THE AUTHOR; AND SOLD BY J. JOHNSON, N^O 72, ST. PAUL'S CHURCHYARD. M.DCC.XC. ------------------------------------------------------------------------ TO THE RIGHT HONORABLE LADY LOUISA LENNOX, THIS VOLUME IS MOST RESPECTFULLY INSCRIBED, BY HER LADYSHIP's MOST OBLIGED, MOST FAITHFUL, AND MOST OBEDIENT SERVANT, D. SUTHERLAND. INTRODUCTION. The Commander in Chief of the garrison of Gibraltar having indulged the Author of the following pages with leave of absence, he accepted an invitation from an amiable Friend, to accompany him on a Voyage to the Levant. It was with the most heart-felt satisfaction, that he found himself enabled to profit by so favorable an opportunity of visiting a country, not only interesting from the precious remains of antiquity with which it is still adorned, but from the critical state into which it was thrown by the war already began, which threatened, sooner or later, to involve in it many of the Powers of Europe, and to call forth the just arm of Great Britain, to check the haughty usurpations of the ambitious Court of Russia. The Author's friends saw his happiness in embarking on such a Tour; and, that they might, in some degree, partake of it, one of them insisted that he should keep, and transmit him, a regular Journal. This promise the Author readily gave, and faithfully observed. The compliments paid to this little work, first gave him the idea of appearing in print. Aware, however, that the ground he had travelled over, had often been treated upon by much more able pens, he for some time suppressed his hopes of becoming a candidate for fame in the literary world: but, after the general encouragement he met, he would have been guilty of injustice to himself, and of want of confidence in his friends, had he any longer hesitated to appear before the Public. CONTENTS. LETTER I. Page _CEUTA--Goths and Saracens--Almeria--Rocks of Abibo_ 1 LETTER II. _Carthagena--War of the Succession_ 12 LETTER III. _Reception at Cagliari--Lucilla_ 24 LETTER IV. _Churches--Ball at the Palace--Trade, &c. of Sardinia_ 37 LETTER V. _Island of Capria--Tiberius--Malonia_ 46 LETTER VI. _Excursion to Baia_ 49 LETTER VII. _Mount Vesuvius--The Hermit--Bay of Naples_ 64 LETTER VIII. _Capo de Monte--Portici--Herculaneum--Pompeia_ 75 LETTER IX. _Casertta--St. Januarius--Opera--Government_ 86 LETTER X. _Visit to the King of Naples at Castello Mare--The Queen--Coast of Salerno--Pestum_ 97 LETTER XI. _Lipari Islands--Volcano of Strombolo_ 106 LETTER XII. _Messina--Earthquake--Scylla and Charybdis--Sir George Byng--Commodore Walton_ 112 LETTER XIII. _A fireball--Zante--Ithaca--Promontory of Leucate--Turks and Greeks_ 124 LETTER XIV. _Pirates--Milo--Paros--Attica--Sunium_ 139 LETTER XV. _Smyrna--Great Advantages to be derived from the Turkey Trade--Necessity of a regular Lazaretto in England_ 158 LETTER XVI. _Cause of the War--The Russian Minister is sent to the Seven Towers--Turkish Manifesto--Attempt on Kimbourn--A Russian Ship of sixty-four guns gives herself up to the Turks--Ambitious Views of the two Imperial Courts--The Interest of England greatly endangered by them--Necessity of our opposing the Empress_ 169 LETTER XVII. _Journey to Ephesus--The poor Girl--Caravansera--Temple of Diana--Character of the Turkish Ministers--The Vice-Admiral of the Porte beheaded_ 189 LETTER XVIII. _Scyros--Idra--History of Athens_ 209 LETTER XIX. _Present State of Athens--Battle of Marathon_ 225 LETTER XX. _Greek and Mahometan Religion_ 241 LETTER XXI. _Voyage from Athens to Leghorn_ 258 LETTER XXII. _Journey from Leghorn to Florence--Government of Peter Leopold--Public Ornaments--Palaces, Ricardi and Gerrini_ 263 LETTER XXIII. _Gallery of Florence_ 275 LETTER XXIV. _Island of Elba--Mount Vesuvius_ 292 LETTER XXV. _Voyage to Palermo--Grotesque Statues--Funeral of Prince Patagonia_ 297 LETTER XXVI. _Attempt upon Belgrade--The Emperor declares War--Operations in Croatia--Prince Lichtenstein defeated by the Turks--The Emperor takes the Field in Person--The Prince of Moldavia deserts from the Turks_ 307 LETTER XXVII. _The Prince of Saxe Cobourg invests Choczim--Siege of Oczakow--Marshal Laudohn--Political Observations--Meadia taken by the Turks--The Grand Vizir defeats the Emperor_ 325 LETTER XXVIII. _Passage through the Dardanelles--Constantinople_ 346 LETTER XXIX. _Conclusion of the Campaign 1788_ 360 _Advertisement_ 369 A TOUR FROM GIBRALTAR TO CONSTANTINOPLE. * * * * * LETTER I. TO CAPTAIN SMITH. Carthagena, August 14th. MY DEAR FRIEND, In compliance with your request, I I have kept a regular Journal of my Voyage, which I now inclose you: Tuesday, August 7th, Noon. At eight o'clock, yesterday morning, we left Gibraltar, with a contrary wind; and, on the first tack, we passed Ceuta, a place of no great intrinsic value, but an indifferent port. It is situated on a peninsula of Africa, which, with Gibraltar, Spartel and Trafalgar, forms the Straits, and is so strongly fortified by Nature, that, although the Moors have often besieged it, it has withstood all their efforts. Count Julian was Governor of this place, at the time Roderigo ravished his daughter, the beautiful _Cava_. The Count, inflamed with rage at the dishonor perpetrated on his family, and distracted at the ruin of his own child, forgot his duty to his country, which no private injuries can excuse, and engaged to put the Moors in possession of Spain, if they would revenge him on his abandoned Monarch. It is not easy to determine who were the first inhabitants of Spain. We know that it was subdued by the Carthaginians before the Christian æra, and that they were conquered by the Romans; who, in their turn, yielded to the Goths, from whom Roderigo was descended. At this time, the Saracens (the name the followers of Mahomet assumed) emigrating from Arabia, had overrun the neighbouring parts of Africa, which they have kept possession of ever since. To these people, Count Julian, with great truth, represented Roderic as a Prince universally detested, and whose tyranny promised a general insurrection among the Goths. The Saracen Chief at first doubted the Count's sincerity, but at last sent over a large army, which gained a [Sidenote: A. D. 712] complete victory over Roderigo, who was killed in the action; and the whole country submitted to the Moors. Divisions arising among the conquerors, the natives, in less than six years, again appeared in arms, and the Saracens gradually declined for near two centuries. Almanzor then arose, and, by his repeated victories, revived the affairs of his countrymen: But, on the death of this great General, the Christians again made head, and reduced the Moors to such straits, that, although Mahomet Ben Joseph, Sovereign of Barbary, came over to their assistance with all his forces, he was entirely defeated. A. D. 1212. The same dissensions, however, which had ruined the Saracens, now broke out among the Christians, and enabled the former to shelter themselves in Grenada, the only province now remaining to them in Spain. Here they continued till the different monarchies which had been erected on their ruin, were all, except Navarre, united under [Sidenote: A. D. 1492.] Ferdinand and Isabella. Grenadawas then taken; but the Moors were allowed to remain in the country, as subjects, till the reign of Philip the Third, who, in apprehension of an insurrection, banished them entirely [Sidenote: A. D. 1602.] from out of his kingdom. The depopulation which this measure occasioned, is sensibly felt to the present day. Count Julian was himself put to death by the Moors, on a suspicion that he intended to desert their cause. His fate afforded us an ample field for reflection. We continued our course along the Barbary shore till midnight. We were then obliged to tack, and are now opposite Malaga, twenty leagues from Gibraltar. This, considering that the wind has been constantly easterly, is no bad specimen of our sailing. On the spot we are passing, Sir George Rooke, soon after he had taken Gibraltar, engaged the Grand Fleet of France, consisting of fifty-two sail of the line. The English and Dutch had as many ships; but the French, being later from port, were much better manned, and in superior [Sidenote: August 13, 1704.] condition. The battle lasted all the day. Both sides suffered a very severe loss in men; but not one vessel was taken or destroyed. Each claimed the victory; but the French Admirals took care not to face us again during the whole of the war. August 8th and 9th. Calms and light easterly winds. The sea, for several miles round us, is entirely covered with the spawn of fish. Philosophers have not been able to determine how these animals are engendered: I will therefore pass them over. The Grenada mountains rise to a stupendous height on our left, and, even at this late season, their heads are covered with snow. August 10th, Noon. We have been, all this morning, in sight of Almeria. The more, for two or three leagues on each side, is almost flat, with a very fine beach; but the town itself displays all the variety of hill, dale and water. It stands on a river, whose banks seem in high cultivation, and are over-hung by prodigious mountains; whilst the low ground, particularly to the east, rises in a gradual <DW72>, covered with groves and avenues of olive, and cork-trees, interspersed with vines and green canes. This beautiful spot forms a kind of amphitheatre, enclosed by the Grenadines, whose rugged summits appear almost inaccessible. On a steep ascent, at the West end of the town, stands a large Moorish castle, in very good repair. At present it is only respectable for its antiquity; but, in 1147, it made a most vigorous defence against Conrad the Third, assisted by the French, Genoese, and Pisans; and, after a glorious resistance, it was taken by assault, and all the Moors most inhumanly put to death. Vast riches were found in the place, particularly the famous Agate ship, which is still shewn by the Genoese, as one of the most valuable curiosities in Genoa. The castle of Almeria is an exact copy of that at Gibraltar, and, like it, is commanded by an height immediately above it. Dusk. Early in the afternoon, a breeze sprang up, and we are now off Cape de Gatt, about six leagues from Almeria, and fifty-two from Gibraltar. On the point
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) Every attempt has been made to replicate the original as printed. No attempt has been made to correct or normalize the spelling of non-English words. Some typographical errors have been corrected; a list follows the text. The Illustrations have been moved from mid-paragraph for ease of reading. (etext transcriber's note) THE LIFE & LETTERS OF PETER ILICH TCHAIKOVSKY THE LIFE & LETTERS OF PETER ILICH TCHAIKOVSKY BY MODESTE TCHAIKOVSKY EDITED FROM THE RUSSIAN WITH AN INTRODUCTION BY ROSA NEWMARCH: ILLUSTRATED LONDON : JOHN LANE THE BODLEY HEAD NEW YORK : JOHN LANE COMPANY : MCMVI WILLIAM BRENDON AND SON, LIMITED, PRINTERS, PLYMOUTH TO SERGEÏ IVANOVICH TANEIEV AND TO ALL WHO STILL CHERISH THE MEMORY OF PETER ILICH TCHAIKOVSKY I DEDICATE THIS WORK INTRODUCTION In offering to English and American readers this abridged edition of _The Life and Letters of Peter Ilich Tchaikovsky_, my introduction must of necessity take the form of some justification of my curtailments and excisions. The motives which led to this undertaking, and the reasons for my mode of procedure, may be stated in a few words. In 1900 I published a volume dealing with Tchaikovsky,[1] which was, I believe, the first attempt to embody in book form all the literature--scattered through the byways of Russian journalism--concerning the composer of the Pathetic Symphony. In the course of a year or two--the book having sold out in England and America--a proposal was made to me to prepare a new edition. Meanwhile, however, the authorised _Life and Letters_, compiled and edited by the composer’s brother, Modeste Ilich Tchaikovsky, was being issued in twenty-five parts by P. I. Jurgenson, of Moscow.[2] This original Russian edition was followed almost immediately by a German translation, published in Leipzig by the same firm.[3] In November, 1901, the late P. I. Jurgenson approached me on the subject of a translation, but his negotiations with an American firm eventually fell through. He then requested me to find, if possible, an English publisher willing to take up the book. Both in England and America the public interest in Tchaikovsky seemed to be steadily increasing. Frequent calls for copies of my small book--by this time out of print--testified that this was actually the case. An alternative course now lay before me: to revise my own book, with the help of the material furnished by the authorised _Life and Letters_, or to take in hand an English translation of the latter. The first would have been the less arduous and exacting task; on the other hand, there was no doubt in my mind as to the greater value and importance of Modeste Tchaikovsky’s work. The simplest--and in many ways most satisfactory--course seemed at first to be the translation of the Russian edition in its entirety. Closer examination, however, revealed the fact that out of the 3,000 letters included in this book a large proportion were addressed to persons quite unknown to the English and American publics; while at the same time it contained a mass of minute and almost _local_ particulars which could have very little significance for readers unversed in every detail of Russian musical life. Another practical question confronted me. What publisher would venture upon launching this biographical three-decker, with its freight of 3,000 letters, amounting to nearly 2,000 pages of closely printed matter? Such colossal biographies, however valuable as sources of information to the specialist, are quite beyond all possibility of purchase or perusal by the general public. That the author himself realised this, seems evident from the fact that the German edition was lightened of about a third of the original contents. Following the lines of these authorised abridgments, while using my own judgment as to the retention of some portions of the Russian text omitted in the German edition, I have condensed the work still further. It may be true, as Carlyle has said, that mankind takes “an unspeakable delight in biography”; but it is equally certain that these “headlong days” which have witnessed the extinction of the three-volume novel are absolutely unfavourable to the success of the three-volume biography. While admiring the patient and pious industry which has raised so colossal a monument to Tchaikovsky’s memory, I cannot but feel that it would be unreasonable to expect of any nation but his own a hero-worship so devout that it could assimilate a _Tchaikovskiad_ of such prodigious dimensions. The present volume is the result of a careful selection of material. The leading idea which I have kept in view throughout the fulfilment of my task has been to preserve as far as possible the _autobiographical_ character of the book. Wherever feasible, I have preferred to let Tchaikovsky himself tell the story of his life. For this reason the proportion of letters to the additional biographical matter is even greater in my version than in the German edition. When two or three letters of only moderate interest have followed in immediate succession, I have frequently condensed their contents into a single paragraph, keeping as closely as possible to the phraseology of the composer himself. In one respect the present edition shows a clear improvement upon the German. In the latter the dates have been given throughout in the Old Style, thereby frequently causing confusion in the minds of Western readers. In the English version--with a few unimportant exceptions--the dates are given according to both calendars. The most romantic episode of Tchaikovsky’s life--his friendship extending over thirteen years with a woman to whom he never addressed a direct personal greeting--is told in a series of intimate letters. In these I have spared all but the most necessary abridgements. The account of his tour in America, which takes the form of a diary kept for the benefit of his near relatives, cannot fail to amuse and interest all those who remember the favourable impression created by his appearance at the inauguration of the Carnegie Hall, New York, in May, 1891. The illustrations are the same as those published in the Russian and German publications, with two notable additions: the photograph of Tchaikovsky and Siloti, and the fine portrait by Kouznietsov. My thanks are due to Mr. Grant Richards for permission to republish the facsimile from the score of the Overture “_1812_”; also to Mr. W. W. Manning and Mr. Adolf Brodsky for the kind loan of autographs. In conclusion, let me say that in planning and carrying out this work it is not so much the needs of the specialist I have kept most constantly in view, as those of that large section of the musical public whose interest in Tchaikovsky has been awakened by the sincerely emotional and human elements of his music. ROSA NEWMARCH CONTENTS PAGE PART I. CHAPTERS I.-V. 1840-1861 1 PART II. CHAPTERS I.-VII. 1861-1866 30 PART III. CHAPTERS I.-XIII. 1866-1877 64 PART IV. CHAPTERS I.-VIII. 1877-1878 204 PART V. CHAPTERS I.-XX. 1878-1885 318 PART VI. CHAPTERS I.-XIII. 1885-1888 468 PART VII. CHAPTERS I.-XIX. 1888-1893 539 APPENDICES--A, B, C 726 ALPHABETICAL INDEX OF NAMES 773 ALPHABETICAL INDEX OF MUSICAL WORKS 779 ILLUSTRATIONS 1. TCHAIKOVSKY IN 1893, FROM A PORTRAIT BY KOUZNIETSOV _Frontispiece_ TO FACE PAGE 2. ILIA PETROVICH TCHAIKOVSKY, THE COMPOSER’S FATHER, IN 1860 4 3. THE HOUSE IN WHICH TCHAIKOVSKY WAS BORN, AT VOTINSK 8 4. THE TCHAIKOVSKY FAMILY IN 1848, FROM A DAGUERROTYPE 14 5. ALEXANDRA ANDREIEVNA TCHAIKOVSKY, THE COMPOSER’S MOTHER, IN 1848 20 6. TCHAIKOVSKY IN 1859 (VIGNETTE) 26 7. THE COMPOSER’S FATHER, WITH HIS TWIN SONS MODESTE AND ANATOL 34 8. TCHAIKOVSKY IN 1859 (CARTE DE VISITE) 42 9. TCHAIKOVSKY IN 1863 56 10. TCHAIKOVSKY IN 1867, IN WINTER DRESS 78 11. TCHAIKOVSKY IN 1868 102 12. TCHAIKOVSKY IN 1873 132 13. TCHAIKOVSKY IN 1874 150 14. TCHAIKOVSKY IN 1877 214 15. FRAGMENT FROM A LETTER, WITH SKETCH FOR A THEME FOR “THE ENCHANTRESS” 482 16. TCHAIKOVSKY IN 1888 540 17. TCHAIKOVSKY AND SILOTI 550 18. TCHAIKOVSKY’S HOUSE AT FROLOVSKOE 560 19. THE HOUSE IN WHICH TCHAIKOVSKY LIVED AT KLIN 680 20. TCHAIKOVSKY’S BEDROOM AT KLIN 694 21. SITTING-ROOM AT KLIN 700 22. TCHAIKOVSKY IN 1893 (TAKEN IN LONDON) 708 “To regret the past, to hope in the future, and never to be satisfied with the present--this is my life.”--P. TCHAIKOVSKY (_Extract from a letter_) THE LIFE & LETTERS OF PETER ILICH TCHAIKOVSKY PART I I One of the most characteristic traits of Peter Ilich Tchaikovsky was his ironical attitude towards his family’s traditions of noble descent. He never lost an opportunity of making fun of their armorial bearings, which he regarded as “imaginary,” and clung obstinately to the plebeian origin of the Tchaikovskys. This was not merely the outcome of his democratic convictions, but had its origin, partly in the pride which lay at the very root of his nature, and partly in his excessive conscientiousness. He would not consider himself a scion of the aristocracy, because his nearest ancestors could not boast of one _boyar_, nor one owner of patrimonial estates. His father was the sole serf-owner in the family, and _he_ possessed a cook with a numerous progeny--ten souls in all. But if he was unconcerned as to family descent, he was far from indifferent as to nationality. The aristocratic pretensions of his relatives aroused his mockery, but the mere suggestion of their Polish origin stirred him to instant wrath. Love of Russia and all things Russian was so deeply rooted in him that, while he cared nothing for questions of pedigree, he rejoiced to discover among his earliest ancestors on his father’s side one orthodox Russian from the district of Kremenschug. Tracing back Tchaikovsky’s pedigree, we do not find a single name connected with music. There is not one instance of a professional musician, and only three can be considered amateurs--his mother’s
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Produced by Charles Franks, Christopher Lund and the Online Distributed Proofreading Team JACK OF THE PONY EXPRESS Or The Young Rider of the Mountain Trails By FRANK V. WEBSTER CONTENTS CHAPTER I. JACK IN THE SADDLE II. POSTMISTRESS JENNIE III. A NARROW ESCAPE IV. IMPORTANT LETTERS V. JUST IN TIME VI. THE SECRET MINE VII. THE STRANGERS AGAIN VIII. A NIGHT ATTACK IX. IN BONDS X. A QUEER DISCOVERY XI. DUMMY LETTERS XII. A RIDE FOR LIFE XIII. THE INSPECTOR XIV. THE CHASE XV. A CAUTION XVI. SUNGER GOES LAME XVII. AN INVIT
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Produced by Stacy Brown, Thierry Alberto and the Online Distributed Proofreading Team at http://www.pgdp.net THOMAS CARLYLE'S COLLECTED WORKS. LIBRARY EDITION. _IN THIRTY VOLUMES._ VOL. XIII. PAST AND PRESENT. LONDON: CHAPMAN AND HALL (LIMITED), 11 HENRIETTA STREET, COVENT GARDEN. PAST AND PRESENT. BY THOMAS CARLYLE. Ernst ist das Leben. SCHILLER. [1843.] CONTENTS. BOOK I. PROEM. CHAP. PAGE I. Midas 3 II. The Sphinx 10 III. Manchester Insurrection 19 IV. Morrison's Pill 29 V. Aristocracy of Talent 34 VI. Hero-Worship 41 BOOK II. THE ANCIENT MONK. I. Jocelin of Brakelond 51 II. St. Edmundsbury 60 III. Landlord Edmund 65 IV. Abbot Hugo 73 V. Twelfth Century 79 VI. Monk Samson 84 VII. The Canvassing 92 VIII. The Election 96 IX. Abbot Samson 105 X. Government 112 XI. The Abbot's Ways 117 XII. The Abbot's Troubles 124 XIII. In Parliament 131 XIV. Henry of Essex 134 XV. Practical-Devotional 139 XVI. St. Edmund 148 XVII. The Beginnings 157 BOOK III. THE MODERN WORKER. I. Phenomena 171 II. Gospel of Mammonism 181 III. Gospel of Dilettantism 188 IV. Happy 192 V. The English 197 VI. Two Centuries 208 VII. Over-Production 213 VIII. Unworking Aristocracy 218 IX. Working Aristocracy 228 X. Plugson of Undershot 235 XI. Labour 244 XII. Reward 250 XIII. Democracy 260 XIV. Sir Jabesh Windbag 275 XV. Morrison again 280 BOOK IV. HOROSCOPE. I. Aristocracies 297 II. Bribery Committee 312 III. The One Institution 318 IV. Captains of Industry 333 V. Permanence 341 VI. The Landed 348 VII. The Gifted 355 VIII. The Didactic 361 Summary and Index 371, 383 BOOK I. PROEM CHAPTER I. MIDAS. The condition of England, on which many pamphlets are now in the course of publication, and many thoughts unpublished are going on in every reflective head, is justly regarded as one of the most ominous, and withal one of the strangest, ever seen in this world. England is full of wealth, of multifarious produce, supply for human want in every kind; yet England is dying of inanition. With unabated bounty the land of England blooms and grows; waving with yellow harvests; thick-studded with workshops, industrial implements, with fifteen millions of workers, understood to be the strongest, the cunningest and the willingest our Earth ever had; these men are here; the work they have done, the fruit they have realised is here, abundant, exuberant on every hand of us: and behold, some baleful fiat as of Enchantment has gone forth, saying, "Touch it not, ye workers, ye master-workers, ye master-idlers; none of you can touch it, no man of you shall be the better for it; this is enchanted fruit!" On the poor workers such fiat falls first, in its rudest shape; but on the rich master-workers too it falls; neither can the rich master-idlers, nor any richest or highest man escape, but all are like to be brought low with it, and made 'poor' enough, in the money sense or a far fataler one. Of these successful skilful workers some two millions it is now counted, sit in Workhouses, Poor-law Prisons; or have 'out-door relief' flung over the wall to them,--the workhouse Bastille being filled to bursting, and the strong Poor-law broken asunder by a stronger.[1] They sit there, these many months now; their hope of deliverance as yet small. In workhouses, pleasantly so-named, because work cannot be done in them. Twelve-hundred-thousand workers in England alone; their cunning right-hand lamed, lying idle in their sorrowful bosom; their hopes, outlooks, share of this fair world, shut-in by narrow walls. They sit there, pent up, as in a kind of horrid enchantment; glad to be imprisoned and enchanted, that they may not perish starved. The picturesque Tourist, in a sunny autumn day, through this bounteous realm of England, descries the Union Workhouse on his path. 'Passing by the Workhouse of St. Ives in Huntingdonshire, on a bright day last autumn,' says the picturesque Tourist, 'I saw sitting on wooden benches, in front of their Bastille and within their ring-wall and its railings, some half-hundred or more of these men. Tall robust figures, young mostly or of middle age; of honest countenance, many of them thoughtful and even intelligent-looking men. They sat there, near by one another; but in a kind of torpor, especially in a silence, which was very striking. In silence: for, alas, what word was to be said? An Earth all lying round, crying, Come and till me, come and reap me;--yet we here sit enchanted! In the eyes and brows of these men hung the gloomiest expression, not of anger, but of grief and shame and manifold inarticulate distress and weariness; they returned my glance with a glance that seemed to say, "Do not look at us. We sit enchanted here, we know not why. The Sun shines and the Earth calls; and, by the governing Powers and Impotences of this England, we are forbidden to obey. It is impossible, they tell us!" There was something that reminded me of Dante's Hell in the look of all this; and I rode swiftly away.' So many hundred thousands sit in workhouses: and other hundred thousands have not yet got even workhouses; and in thrifty Scotland itself, in Glasgow or Edinburgh City, in their dark lanes, hidden from all but the eye of God, and of rare Benevolence the minister of God, there are scenes of woe and destitution and desolation, such as, one may hope, the Sun never saw before in the most barbarous regions where men dwelt. Competent witnesses, the brave and humane Dr. Alison, who speaks what he knows, whose noble Healing Art in his charitable hands becomes once more a truly sacred one, report these things for us: these things are not of this year, or of last year, have no reference to our present state of commercial stagnation, but only to the common state. Not in sharp fever-fits, but in chronic gangrene of this kind is Scotland suffering. A Poor-law, any and every Poor-law, it may be observed, is but a temporary measure; an anodyne, not a remedy: Rich and Poor, when once the naked facts of their condition have come into collision, cannot long subsist together on a mere Poor-law. True enough:--and yet, human beings cannot be left to die! Scotland too, till something better come, must have a Poor-law, if Scotland is not to be a byword among the nations. O, what a waste is there; of noble and thrice-noble national virtues; peasant Stoicisms, Heroisms; valiant manful habits, soul of a Nation's worth,--which all the metal of Potosi cannot purchase back; to which the metal of Potosi, and all you can buy with _it_, is dross and dust! Why dwell on this aspect of the matter? It is too indisputable, not doubtful now to any one. Descend where you will into the lower class, in Town or Country, by what avenue you will, by Factory Inquiries, Agricultural Inquiries, by Revenue Returns, by Mining-Labourer Committees, by opening your own eyes and looking, the same sorrowful result discloses itself: you have to admit that the working body of this rich English Nation has sunk or is fast sinking into a state, to which, all sides of it considered, there was literally never any parallel. At Stockport Assizes,--and this too has no reference to the present state of trade, being of date prior to that,--a Mother and a Father are arraigned and found guilty of poisoning three of their children, to defraud a 'burial-society' of some _3l. 8s._ due on the death of each child: they are arraigned, found guilty; and the official authorities, it is whispered, hint that perhaps the case is not solitary, that perhaps you had better not probe farther into that department of things. This is in the autumn of 1841; the crime itself is of the previous year or season. "Brutal savages, degraded Irish," mutters the idle reader of Newspapers; hardly lingering on this incident. Yet it is an incident worth lingering on; the depravity, savagery and degraded Irishism being never so well admitted. In the British land, a human Mother and Father, of white skin and professing the Christian religion, had done this thing; they, with their Irishism and necessity and savagery, had been driven to do it. Such instances are like the highest mountain apex emerged into view; under which lies a whole mountain region and land, not yet emerged. A human Mother and Father had said to themselves, What shall we do to escape starvation? We are deep sunk here, in our dark cellar; and help is far.--Yes, in the Ugolino Hungertower stern things happen; best-loved little Gaddo fallen dead on his Father's knees!--The Stockport Mother and Father think and hint: Our poor little starveling Tom, who cries all day for victuals, who will see only evil and not good in this world: if he were out of misery at once; he well dead, and the rest of us perhaps kept alive? It is thought, and hinted; at last it is done. And now Tom being killed, and all spent and eaten, Is it poor little starveling Jack that must go, or poor little starveling Will?--What a committee of ways and means! In starved sieged cities, in the uttermost doomed ruin of old Jerusalem fallen under the wrath of God, it was prophesied and said, 'The hands of the pitiful women have sodden their own children.' The stern Hebrew imagination could conceive no blacker gulf of wretchedness; that was the ultimatum of degraded god-punished man. And we here, in modern England, exuberant with supply of all kinds, besieged by nothing if it be not by invisible Enchantments, are we reaching that?--How come these things? Wherefore are they, wherefore should they be? * * * * * Nor are they of the St. Ives workhouses, of the Glasgow lanes, and Stockport cellars, the only unblessed among us. This successful industry of England, with its plethoric wealth, has as yet made nobody rich; it is an enchanted wealth, and belongs yet to nobody. We might ask, Which of us has it enriched? We can spend thousands where we once spent hundreds; but can purchase nothing good with them. In Poor and Rich, instead of noble thrift and plenty, there is idle luxury alternating with mean scarcity and inability. We have sumptuous garnitures for our Life, but have forgotten to _live_ in the middle of them. It is an enchanted wealth; no man of us can yet touch it. The class of men who feel that they are truly better off by means of it, let them give us their name! Many men eat finer cookery, drink dearer liquors,--with what advantage they can report, and their Doctors can: but in the heart of them, if we go out of the dyspeptic stomach, what increase of blessedness is there? Are they better, beautifuler, stronger, braver? Are they even what they call 'happier'? Do they look with satisfaction on more things and human faces in this God's-Earth; do more things and human faces look with satisfaction on them? Not so. Human faces gloom discordantly, disloyally on one another. Things, if it be not mere cotton and iron things, are growing disobedient to man. The Master Worker is enchanted, for the present, like his Workhouse Workman, clamours, in vain hitherto, for a very simple sort of 'Liberty:' the liberty 'to buy where he finds it cheapest, to sell where he finds it dearest.' With guineas jingling in every pocket, he was no whit richer; but now, the very guineas threatening to vanish, he feels that he is poor indeed. Poor Master Worker! And the Master Unworker, is not he in a still fataler situation? Pausing amid his game-preserves, with awful eye,--as he well may! Coercing fifty-pound tenants; coercing, bribing, cajoling; 'doing what he likes with his own.' His mouth full of loud futilities, and arguments to prove the excellence of his Corn-law; and in his heart the blackest misgiving, a desperate half-consciousness that his excellent Corn-law is _in_defensible, that his loud arguments for it are of a kind to strike men too literally _dumb_. To whom, then, is this wealth of England wealth? Who is it that it blesses; makes happier, wiser, beautifuler, in any way better? Who has got hold of it, to make it fetch and carry for him, like a true servant, not like a false mock-servant; to do him any real service whatsoever? As yet no one. We have more riches than any Nation ever had before; we have less good of them than any Nation ever had before. Our successful industry is hitherto unsuccessful; a strange success, if we stop here! In the midst of plethoric plenty, the people perish; with gold walls, and full barns, no man feels himself safe or satisfied. Workers, Master Workers, Unworkers, all men, come to a pause; stand fixed, and cannot farther. Fatal paralysis spreading inwards, from the extremities, in St. Ives workhouses, in Stockport cellars, through all limbs, as if towards the heart itself. Have we actually got enchanted, then; accursed by some god?-- * * * * * Midas longed for gold, and insulted the Olympians. He got gold, so that whatsoever he touched became gold,--and he, with his long ears, was little the better for it. Midas had misjudged the celestial music-tones; Midas had insulted Apollo and the gods: the gods gave him his wish, and a pair of long ears, which also were a good appendage to it. What a truth in these old Fables! FOOTNOTES: [1] The Return of Paupers for England and Wales, at Ladyday 1842, is, 'In-door 221,687, Out-door 1,207,402, Total 1,429,089.' _Official Report._ CHAPTER II. THE SPHINX. How true, for example, is that other old F
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Produced by Keith G. Richardson The Lord of Glory MEDITATIONS ON THE PERSON, THE WORK AND GLORY OF OUR LORD JESUS CHRIST BY A. C. GAEBELEIN PUBLICATION OFFICE OF "OUR HOPE," 456 Fourth Avenue, New York, N. Y. PICKERING & INGLIS, L. S. HAYNES, GLASGOW, 502 Yonge Street, SCOTLAND TORONTO, CANADA Copyright 1910 by A. C. Gaebelein. Printing by Francis Emory Fitch of New York Contents Preface Dedication The Lord of Glory Jehovah. The "I am" That Worthy Name The Doctrine of Christ The Pre-eminence of the Lord Jesus Christ Ye are Christ's--Christ is God's The Wonderful Honor and Glory unto Him Christ's Resurrection Song The Glory Song The Firstborn The Waiting Christ A Vision of the King The Fellowship of His Son Jesus Christ our Lord Out of His Fulness, The Twenty-second Psalm The Exalted One A Glorious Vision My Brethren The Patience of Christ He Shall Not Keep Silent The Love of Christ The Joy of the Lord This same Jesus The Wondrous Cross His Legacy What Have I to do with Idols The Never Changing One Be of Good Cheer Make Haste Preface. For a number of years the first pages of each issue of "Our Hope" have been devoted to brief meditations on the Person and Glory of our adorable Lord Jesus Christ. Three reasons led the Editor to do this: 1. He is worthy of all honor and glory, worthy to have the first place in all things. 2. The great need of His people to have His blessed Person, His past and present work, His power and glory, His future manifestation constantly brought before their hearts. 3. There is an ever increasing denial of the Person of our Lord. In the most subtle way His Glory has been denied. It is therefore eminently necessary for those who know Him to tell out His worth. Long and learned discussions on the Person of the Lord have been written in the past, but are not much read in these days. We felt that short and simple meditations on Himself would be welcomed by all believers. All these brief articles were written with much prayer and often under deep soul exercise. It has pleased the Holy Spirit to own them in a most blessed way. Hundreds of letters were received telling of the great blessing these meditations have been and what refreshing they brought to the hearts of His people. Weary and tired ones were cheered, wandering ones restored and erring ones set right. Many wrote us or told us personally that the Lord Jesus Christ has become a greater reality and power in their lives after following this monthly testimony. Suggestions were made to issue some of these notes in book form so that these blessed truths may be preserved in a more permanent form. We have done so and send this volume forth with the prayer that the Holy Spirit, who is here to glorify Christ, may use it to the praise and glory of His worthy Name. We are confident that such will be the case. A. C. G. New York City, October 1, 1910. Dedication. "Unto Him who loveth us and washed us from our sins in His own blood, and hath made us kings and priests unto God His Father; to Him be glory and dominion forever."--Rev. i: 5-6. "Worthy is the Lamb that was slain to receive power, and riches, and wisdom, and strength, and honor, and glory, and blessing."--Rev. v: 12. "Then they that feared the Lord spake one to another: and the Lord hearkened and heard it, and a book of remembrance was written before Him for them that feared the Lord and that _thought upon His Name_." --Mal. iii: 16. "Let us go forth, therefore, unto Him without the camp bearing His reproach. For here we have no continuing city, but we seek one to come. By Him, therefore, let us offer the sacrifice of praise to God continually, that is the fruit of our lips, _confessing His Name_." --Hebrews xiii: 13-15. "Surely I come quickly. Amen. Even so. Come Lord Jesus."--Rev. xxii: 20. The Lord of Glory. 1 Cor. ii:8. OUR ever blessed Lord, who died for us, to whom we belong, with whom we shall be forever, is the Lord of Glory. Thus He is called in 1 Cor. ii:8, "for had they known they would not have crucified the _Lord of Glory_." Eternally He is this because He is "the express image of God, the brightness of His Glory" (Heb. i:3). He possessed Glory with the Father before the world was (John xvii:5). This Glory was beheld by the prophets, for we read that Isaiah "saw His Glory and spake of Him" (John xii:41). All the glorious manifestations of Jehovah recorded in the Word of God are the manifestations of "the Lord of Glory," who created all things that are in heaven, and that are in earth, visible and invisible, who is before all things and by whom all things consist. He appeared as the God of Glory to Abraham (Acts vii:1); Isaac and Jacob were face to face with Him. Moses beheld His Glory. He saw His Glory on the mountain. The Lord of Glory descended in the cloud and stood with him there (Exod. xxxiv:5). How often the Glory of the Lord appeared in the midst of Israel. And what more could we say of Joshua, David, Daniel, Ezekiel, who all beheld His Glory and stood in the presence of that Lord of Glory. In the fulness of time He appeared on earth "God manifested in the flesh." Though He made of Himself no reputation and left His unspeakable Glory behind, yet He was the Lord of Glory, and as such He manifested His Glory. In incarnation in His holy, spotless life He revealed His moral Glory; what perfection and loveliness we find here! We have the testimony of His own "We beheld His Glory, the Glory as of the only begotten of the Father" (John i:14). "They saw His Glory" (Luke ix:32) when they were with Him in the holy mountain. They heard, they saw with their eyes, they looked upon, their hands handled the Word of life, the life that was manifested (1 John i:1-2). In His mighty miracles the Lord of Glory manifested His Glory, for it is written "this beginning of miracles did Jesus in Cana of Galilee and manifested forth His Glory" (John i:11). And this Lord of Glory died. The focus of His Glory is the cross. He was obedient unto death, the death of the cross. He gave Himself for us. Without following here all the precious truths connected with that which is the foundation of our salvation and our hope, that the Lord of Glory, Christ died for our sins, we remember that God "raised Him up from the dead and _gave Him Glory_" (1 Pet. i:21). He was "received up into Glory" (1 Tim. iii:16). "Ought not Christ to have suffered these things and to enter into _His Glory_" (Luke xxiv:26). The risen Lord of Glory said: "I ascend unto my Father and your Father; to my God and your God." He is now in the presence of God, the Man in Glory, seated in the highest place of the heaven of heavens "at the right hand of the Majesty on high." He is there "far above all principality, and power, and might, and dominion, and every name that is named, not only in this world, but also in that which is to come" (Eph. i:21). He is highly exalted, the heir of all things. In that Glory He was beheld by human, mortal eyes. Stephen being full of the Holy Spirit "looked up steadfastly into heaven and saw the _Glory of God_, and Jesus standing on the right hand of God" (Acts vii:55). This was the dying testimony of the first Christian martyr. Saul of Tarsus saw this Glory; he "could not see for the Glory of that light" (Acts xxii:11). John beheld Him and fell at His feet as dead. And we see Him with the eye of faith. "But we see Jesus, who was made a little lower than the angels for the suffering of death _crowned with Glory and Honor_" (Heb. ii:9). But this is not all. The unseen Glory of the Lord and the unseen Lord of Glory will some day be visible, not to a few, but to the whole universe. He will come in the Glory of His Father and the holy angels with Him (Matt. xvi:27). The Lord of Glory will be "revealed from heaven with His mighty angels" (2 Thess. i:7). He will come in power and Glory, come in His own Glory (Luke ix:26) and sit on the throne of His Glory (Matt. xxv:31). His Glory then will cover the heavens (Hab. iii:3) and "the earth will be filled with the knowledge of the Glory of the Lord, as the waters cover the sea" (Hab. ii:14). The heavens cannot be silent forever and He who now is the object of the faith of believers, and the One whom the world has rejected, will come forth in all His Majesty and Glory and every eye shall see Him. Then every knee must bow at the name of Jesus and every tongue confess Him as Lord. In that manifestation of the Lord of Glory and the Glory of the Lord we His redeemed will be manifested in Glory. He will then be glorified in His saints and admired in all them that believed (2 Thess. i:10). He will bring His many sons to Glory (Heb. ii:10). We are "partakers of the Glory that shall be revealed" (1 Pet. v:1). The God of all Grace hath indeed called us unto His eternal Glory by Jesus Christ. "And when the chief Shepherd shall appear, ye shall receive a crown of Glory that fadeth not away" (1 Pet. v:4). "But rejoice inasmuch as ye are partakers of Christ's sufferings, that when His Glory shall be revealed, ye may be glad also with exceeding joy" (1 Pet. iv:13). But ere this visible Glory is manifested over the earth and on the earth and He comes forth as the King of kings and Lord of lords His own will be gathered unto Him and be caught up in clouds to meet Him in the air. Then we shall see Him as He is and be like Him. The Glory which the Father has given Him as the head of the body will be bestowed upon the whole body; for thus He prayed "the Glory, which thou hast given me I have given to them" (John xvii:22). And in the Father's house where He is, in the Holy of Holies we shall behold His Glory. We shall be changed into the same image "that He might be the first born among many brethren" (Rom. viii:29). And now, dear reader, joint heir with the Lord of Glory, called by God unto the fellowship of His Son, in meditating on these wonderful facts given to us by revelation, does not your heart burn within you? What a blessing, what a place, what a future is ours linked with the Lord of Glory, one with Him! What a stupendous thought that He came from Glory to die for us so that He might have us with Him in Glory! And these blessed truths concerning the Lord of Glory and the Glory of the Lord we need to hold ever before our hearts in these dreary days when darkest night is fast approaching. To walk worthy of the Lord, to be faithful to the Lord, to render true service, to be more like Him and show forth His excellencies, we but need one thing, to know Him better and to behold the Glory of the Lord. It is written "But we all, with open face beholding as in a glass the Glory of the Lord, are changed into the same image from glory to glory, even as by the Spirit of the Lord." Guided by the Spirit we can look on the Lord of Glory and His Glory, mirrored in all parts of the Word of God. And then as we look on this wonderful person and His relation to us and ours to Him, as we behold His glory both moral and literal, in humiliation and exaltation, past, present and future, we are changed into the same image. Our path will be from Glory to Glory! And some day there will come that supreme moment when we shall be _suddenly_ changed "in a moment, the twinkling of an eye." Oh child of God see your need! It is Christ, the Lord of Glory set before your heart; all worldly mindedness, all insincerity, all discouragement, all unbelief, all unfaithfulness must flee when we follow on to know the Lord and daily behold "as in a glass the Glory of the Lord." "Now unto Him that is able to keep you from falling, and to present you faultless _before the presence of His Glory_ with exceeding joy, to the only wise God our Saviour, be glory and majesty, dominion and power, both now and ever. Amen." Jehovah. The "I Am." WHEN Moses in the desert beheld the burning bush God answered his question by the revelation of His name as the "I Am." "And God said unto Moses, I am, that I am: and He said, Thus shalt thou say unto the children of Israel, I AM hath sent me unto you" (Exod. iii:14). He who spake thus out of the bush to Moses was the same who in the fullness of time appeared upon the earth in the form of man. Our Lord Jesus Christ is no less person, than the I AM. If we turn to the fourth Gospel in which the Holy Spirit pictures Him as the Son of God, one with the Father, we find His glorious title there as the I AM. In the eighth chapter of that blessed Gospel we read that He said to the Jews, "Verily, verily, I say unto you, Before Abraham was, I am" (v:58). And the Jews took stones to cast them upon Him. In the fifth chapter we read that they wanted to kill Him, not only because He had violated the Sabbath, but also said that God was His Father, making Himself equal with God (v:18). They wanted to stone Him because in saying that word "Before Abraham was, I am" He had claimed that holy name for Himself, which was revealed to Moses. The Jews then, as the orthodox Jews do still, reverenced that name to such a degree that they did not even pronounce it, but substituted in its place the word "Adonai." Little did they realize that the same "I am" who spoke to Moses out of the bush, saying, "I am;" who descended before Moses later in a cloud and proclaimed the name of the Lord (Exod. xxxiv) was standing in their midst in the form of man. And this is not the only time He used this word. We find it in the xviii chapter of John. When the band and officers of the chief priests and Pharisees came with lanterns, torches and weapons, Jesus stepped majestically into their presence with the calm question: "Whom seek ye?" When they had stated that they were seeking Jesus the Nazarene He answered them with one word "I AM." What happened? They went backward and fell to the ground. What a spectacle that must have been. The dark night, a company of people, all on the same satanic errand, with their lanterns, torches and different kinds of weapons. And then the object of their hatred steps before them and utters one word and they fall helpless to the ground. What warning it should have been to them. Once more He asks the question; again He answers with the "I am" and with the understanding that His own should be free, He allows Himself to be bound. He likewise called Himself "I am" in talking with the Samaritan woman. In John iv:26 we read, "Jesus saith unto her, I that speak unto thee am he." This does, however, not express the original. This reads as follows: "I AM that speaks to thee." After this mighty word had come from His lips the woman had nothing more to say, but left her waterpot and went her way back to the city. The I AM had spoken to her. In chapters vi:20 and viii:28 we find Him using the same "I am" again. In the former passage "It is I" should read "I am." Besides these passages in which He speaks of Himself as the self-existing Jehovah, the great "I am," He saith seven times in this Gospel what He is to His own. I am the Bread of life (chapter vi:35.) I am the Light of the world (chapter ix:5). I am the Door (chapter x:7). I am the Good Shepherd (chapter x:11). I am the Resurrection and the Life (chapter xi:25). I am the Way, the Truth and the Life (chapter xvi:6); and I am the true Vine (chapter xv:1). But this does not exhaust at all what He is and will be now and forever to those who belong to Him. In the Old Testament there are seven great names of the "I AM" which are deep and significant. In them we can trace His rich and wonderful Grace. _Jehovah.--Jireh_ --The Lord provides. The lamb provided (Genesis xxii). _Jehovah Rophecah_--I am the Lord that healeth thee (Exodus xv). _Jehovah --Nissi_--The Lord is my banner, He giveth the Victory (Exod. xvii). _Jehovah shalom_, the Lord is Peace. He is our Peace (Judges vi). _Jehovah Roi_--The Lord is my shepherd, I shall not want (Psalm xxiii). _Jehovah-Tsidkenu_, the Lord is our righteousness (Jeremiah xxiii). _Jehovah shammah_, the Lord is there (Ezek. xlviii). But this does not exhaust what He is. I AM--what? Anything and everything what we need in time and eternity. "When God would teach mankind His name He called Himself the great, I AM, And leaves a blank--believers may Supply those things for which they pray." Happy indeed are we, beloved reader, if we know Him, who died for us as the I AM, if we learn more and more to trust Him as the all sufficient One and know that the I AM will supply all our need. In these days in which the person of Christ is so much belittled, attacked; He as the Holy One, the great Jehovah rejected, not by the outside world alone, but by those who call themselves after His own blessed name, let us have for an answer to all these attacks of the enemy a closer walk with Him, a more intimate fellowship with the I AM; a better acquaintance with our Jehovah-Jesus, our gracious Lord. Oh what a union is ours, One with Him the I AM, what a happy, glorious lot. Hallelujah. I am Alpha and Omega, the beginning and the ending, saith the Lord, which is, and which was, and which is to come (Rev. ii:8). I am the bright and morning star (Rev. xxii: 16). What, oh what will He be for His own in all eternity! That Worthy Name. James ii:7. IN the second chapter of the Epistle of James the Holy Spirit speaks of our ever blessed Lord as "that worthy Name." Precious Word! precious to every heart that knows Him and delights to exalt His glorious and worthy Name. His Name is "far above every Name that is named, not only in this world, but also in that which is to come." (Ephes. i:21.) It is "as ointment poured forth" (Song of Sol. i:3); yea, His Name alone is excellent (Psalm cxlviii:13). But according to His worth that blessed Name is far from being fully known and uttered by the Saints of God. "Thou art worthy" and "Worthy is the Lamb" shall some day burst from the glorified lips of redeemed sinners, brought home to be with Him. In that blessed day when at last we see Him face to face, forever with the Lord, we shall begin to learn the full worth and glory of that Name, the Name of the Lord Jesus Christ. In a feeble way here below we get glimpses of His precious, worthy Name, of His beauty and loveliness, and then only through the power of the Holy Spirit. The aim of the Spirit of God dwelling in our hearts will always be to tell us more of Himself. Like Abraham's servant who had so much to say to the elect bride about Isaac, so the Holy Spirit ever delights to show us more of Christ, the Christ of God. Oh! how He is eager to tell us more of His worth, of His glory, of His grace and of all He is and all He has. How it grieves Him when our hearts do not respond to the great message He has for us and when instead we turn to something else to give us joy and comfort. Only Christ can give joy and comfort, peace and rest to the hearts of those who are His. The days are evil and the time is short. Is your heart increasingly attracted to that worthy Name? Do you have a greater burning desire in your heart for Himself? Does He, that worthy Name, become more and more day by day the absorbing object of your heart and life? Do you often weep over your coldheartedness, your lack of real devotion to Him and communion with your Lord? Do you appreciate Him more than ever before? Is the Apostle's longing cry "that I might know Him" coming also from your heart? Dear reader, these are searching questions. A better knowledge of our blessed Lord, a deeper acquaintance with that worthy Name and greater devotion to Him, is the only true spiritual progress which counts. If you live but little in the reality of all this you lack that joy and rest which is true Christian happiness and the Spirit is grieved. Oh let Him unfold to your heart that worthy name and show you from His Word, His wonderful person, then His power will attract your heart more and more. This is what all God's people need. "That worthy Name," the Lord in all His blessed fulness and glorious reality is what we need. And what the written Word has to tell us of "that worthy Name"! Oh, the titles, the attributes, the names, the glories, the beauties of Himself. And we have discovered but so few of these blessed things. Perhaps a few hundred of the descriptions of that worthy Name are known to God's Saints; but there are hundreds, still hidden, we have never touched. Yes, God's Spirit is ever willing to make them known to our hearts. Just for a few moments think of some of the familiar titles and names of that Name which is above every other name. How these titles of our blessed Lord, what He is and what we have in Him should fill our hearts with praise and our lips with outbursts of praise, lift us above present day conditions and give us courage and boldness. "That worthy Name"; who is He? The Son of God, the Only Begotten of the Father, the living God, the eternal Life; Emmanuel, the God of Glory, the Holy One; Jehovah, the everlasting God, the Lord strong and mighty, the Lord of Peace, the Lord our righteousness, the Upholder of all things, the Creator, the Alpha and Omega, the express image of God. He is the Word, the Word of God, the Word of Life, the Wisdom of God, the Angel of the Lord, the Mediator of the better covenant. The good Shepherd, the great Shepherd, the chief Shepherd, the Door, the Way, the Root and offspring of David, the Branch of Righteousness, the Rose of Sharon, the Lily of the valley, the true Vine, the Corn of Wheat, the Bread of God, the true Bread from heaven. He is also the Light of the world, the Day dawn, the Star out of Jacob, Sun and Shield, the Bright and Morningstar, the Sun of Righteousness. Thus we read of that worthy Name, that He is, the Great High-priest, the Daysman, the Advocate, Intercessor, Surety, Mercy Seat, the Forerunner, the Rock of Salvation, the Refuge, the Tower, a strong Tower, the Rock of Ages, the Hope of Glory, the Hope of His people, a living Stone. And what else? the Gift of God, the Beloved, the Fountain of Life, Shiloh, He is our Peace, our Redeemer, He is precious, the Amen, the Just Lord, the Bridegroom, the Firstborn from the Dead, Head over all, Head of all principality and power, Heir of all things. He is Captain of the Lord's Host, Captain of their salvation, Chiefest among Ten Thousand, the Leader, the Counsellor, the Lion of the tribe of Judah, the Governor, Prince of Peace, the Prince of Life, the Prince of the Kings of the earth, the Judge, the King, the King of Israel, King of Saints, King of Glory, King over all the earth, King in His Beauty, King of Kings and Lord of lords. All these names and attributes of that worthy Name are familiar. What dignity, what power, what grace and blessing for us for whom He died and shed His precious blood they express. Who can fathom these names? Who can tell out His worth? And hundreds more could be added, and many, many more, which are still undiscovered in the Word of God. What a Lord He is! We worship and adore Thee, Thou worthy One. Draw us O Lord and we will run after Thee. What a joy and delight it ought to be to follow Him, to exalt Him, to be devoted to such a One! Oh! our failures! And still He carries us in kindness and patience. And He also has a Name, which expresses the fulness of His work and glory. No one knows what _that_ is. "He had a name written, that no man knew, but He Himself" (Rev. xix:12). That unknown Name may never be made known. But oh! the blessedness which is before us His redeemed people. Of us it is written "They shall see _His face_": That blessed, blessed face of that worthy Name, we shall behold at last. We shall see His face! Oh the rapture which fills the heart in the anticipation of that soon coming event. "And His Name shall be on their foreheads" (Rev. xxii:4). We shall be like Him, we shall be a perfect reflection of Himself. The Doctrine of Christ. 2 John 9-11. "
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Produced by An Anonymous Volunteer and David Widger MRS WARREN'S PROFESSION by George Bernard Shaw 1894 With The Author's Apology (1902) THE AUTHOR'S APOLOGY Mrs Warren's Profession has been performed at last, after a delay of only eight years; and I have once more shared with Ibsen the triumphant
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Produced by John Bechard ROBERT FALCONER By George Macdonald Note from electronic text creator: I have compiled a glossary with definitions of most of the Scottish words found in this work and placed it at the end of this electronic text. This glossary does not belong to the original work, but is designed to help with the conversations and references in Broad Scots found in this work. A further explanation of this list can be found towards the end of this document, preceding the glossary. Any notes that I have made in the text (e.g. relating to Greek words in the text) have been enclosed in {} brackets. TO THE MEMORY OF THE MAN WHO STANDS HIGHEST IN THE ORATORY OF MY MEMORY, ALEXANDER JOHN SCOTT, I, DARING, PRESUME TO DEDICATE THIS BOOK. PART I.--HIS BOYHOOD. CHAPTER I. A RECOLLECTION. Robert Falconer, school-boy, aged fourteen, thought he had never seen his father; that is, thought he had no recollection of having ever seen him. But the moment when my story begins, he had begun to doubt whether his belief in the matter was correct. And, as he went on thinking, he became more and more assured that he had seen his father somewhere about six years before, as near as a thoughtful boy of his age could judge of the lapse of a period that would form half of that portion of his existence which was bound into one by the reticulations of memory. For there dawned upon his mind the vision of one Sunday afternoon. Betty had gone to church, and he was alone with his grandmother, reading The Pilgrim's Progress to her, when, just as Christian knocked at the wicket-gate, a tap came to the street door, and he went to open it. There he saw a tall, somewhat haggard-looking man, in a shabby black coat (the vision gradually dawned upon him till it reached the minuteness of all these particulars), his hat pulled down on to his projecting eyebrows, and his shoes very dusty, as with a long journey on foot--it was a hot Sunday, he remembered that--who looked at him very strangely, and without a word pushed him aside, and went straight into his grandmother's parlour, shutting the door behind him. He followed, not doubting that the man must have a right to go there, but questioning very much his right to shut him out. When he reached the door, however, he found it bolted; and outside he had to stay all alone, in the desolate remainder of the house, till Betty came home from church. He could even recall, as he thought about it, how drearily the afternoon had passed. First he had opened the street door, and stood in it. There was nothing alive to be seen, except a sparrow picking up crumbs, and he would not stop till he was tired of him. The Royal Oak, down the street to the right, had not even a horseless gig or cart standing before it; and King Charles, grinning awfully in its branches on the signboard, was invisible from the distance at which he stood. In at the other end of the empty street, looked the distant uplands, whose waving corn and grass were likewise invisible, and beyond them rose one blue truncated peak in the distance, all of them wearily at rest this weary Sabbath day. However, there was one thing than which this was better, and that was being at church, which, to this boy at least, was the very fifth essence of dreariness. He closed the door and went into the kitchen. That was nearly as bad. The kettle was on the fire, to be sure, in anticipation of tea; but the coals under it were black on the top, and it made only faint efforts, after immeasurable intervals of silence, to break into a song, giving a hum like that of a bee a mile off, and then relapsing into hopeless inactivity. Having just had his dinner, he was not hungry enough to find any resource in the drawer where the oatcakes lay, and, unfortunately, the old wooden clock in the corner was going, else there would have been some amusement in trying to torment it into demonstrations of life, as he had often done in less desperate circumstances than the present. At last he went up-stairs to the very room in which he now was, and sat down upon the floor, just as he was sitting now. He had not even brought his Pilgrim's Progress with him from his grandmother's room. But, searching about in all holes and corners, he at length found Klopstock's Messiah translated into English, and took refuge there till Betty came home. Nor did he go down till she called him to tea, when, expecting to join his grandmother and the stranger, he found, on the contrary, that he was to have his tea with Betty in the kitchen, after which he again took refuge with Klopstock in the garret, and remained there till it grew dark, when Betty came in search of him, and put him to bed in the gable-room, and not in his usual chamber. In the morning, every trace of the visitor had vanished, even to the thorn stick which he had set down behind the door as he entered. All this Robert Falconer saw slowly revive on the palimpsest of his memory, as he washed it with the vivifying waters of recollection. CHAPTER II. A VISITOR. It was a very bare little room in which the boy sat, but it was his favourite retreat. Behind the door, in a recess, stood an empty bedstead, without even a mattress upon it. This was the only piece of furniture in the room, unless some shelves crowded with papers tied up in bundles, and a cupboard in the wall, likewise filled with papers, could be called furniture. There was no carpet on the floor, no windows in the walls. The only light came from the door, and from a small skylight in the sloping roof, which showed that it was a garret-room. Nor did much light come from the open door, for there was no window on the walled stair to which it opened; only opposite the door a few steps led up into another garret, larger, but with a lower roof, unceiled, and perforated with two or three holes, the panes of glass filling which were no larger than the small blue slates which covered the roof: from these panes a little dim brown light tumbled into the room where the boy sat on the floor, with his head almost between his knees, thinking. But there was less light than usual in the room now, though it was only half-past two o'clock, and the sun would not set for more than half-an-hour yet; for if Robert had lifted his head and looked up, it would have been at, not through, the skylight. No sky was to be seen. A thick covering of snow lay over the glass. A partial thaw, followed by frost, had fixed it there--a mass of imperfect cells and confused crystals. It was a cold place to sit in, but the boy had some faculty for enduring cold when it was the price to be paid for solitude. And besides, when he fell into one of his thinking moods, he forgot, for a season, cold and everything else but what he was thinking about--a faculty for which he was to be envied. If he had gone down the stair, which described half the turn of a screw in its descent, and had crossed the landing to which it brought him, he could have entered another bedroom, called the gable or rather ga'le room, equally at his service for retirement; but, though carpeted and comfortably furnished, and having two windows at right angles, commanding two streets, for it was a corner house, the boy preferred the garret-room--he could not tell why. Possibly, windows to the streets were not congenial to the meditations in which, even now, as I have said, the boy indulged. These meditations, however, though sometimes as abstruse, if not so continuous, as those of a metaphysician--for boys are not unfrequently more given to metaphysics than older people are able or, perhaps, willing to believe--were not by any means confined to such subjects: castle-building had its full share in the occupation of those lonely hours; and for this exercise of the constructive faculty, what he knew, or rather what he did not know, of his own history gave him scope enough, nor was his brain slow in supplying him with material corresponding in quantity to the space afforded. His mother had been dead for so many years that he had only the vaguest recollections of her tenderness, and none of her person. All he was told of his father was that he had gone abroad. His grandmother would never talk about him, although he was her own son. When the boy ventured to ask a question about where he was, or when he would return, she always replied--'Bairns suld haud their tongues.' Nor would she vouchsafe another answer to any question that seemed to her from the farthest distance to bear down upon that subject. 'Bairns maun learn to haud their tongues,' was the sole variation of which the response admitted. And the boy did learn to hold his tongue. Perhaps he would have thought less about his father if he had had brothers or sisters, or even if the nature of his grandmother had been such as to admit of their relationship being drawn closer--into personal confidence, or some measure of familiarity. How they stood with regard to each other will soon appear. Whether the visions vanished from his brain because of the thickening of his blood with cold, or he merely acted from one of those undefined and inexplicable impulses which occasion not a few of our actions, I cannot tell, but all at once Robert started to his feet and hurried from the room. At the foot of
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Transcribed from the 1906 Caradoc Press edition by David Price, email [email protected]. SONNETS FROM THE PORTUGUESE INDEX OF FIRST LINES I I thought once how Theocritus had sung II But only three in all God's universe III Unlike are we, unlike, O princely Heart! IV Thou hast thy calling to some palace-floor V I lift my heavy heart up solemnly VI Go from me. Yet I feel that I shall stand VII The face of all the world is changed, I think VIII What can I give thee back, O liberal IX Can it be right to give what I can give? X Yet, love, mere love, is beautiful indeed XI And therefore if to love can be desert XII Indeed this very love which is my boast XIII And wilt thou have me fashion into speech XIV If thou must love me, let it be for nought XV Accuse me not, beseech thee, that I wear XVI And yet, because thou overcomest so XVII My poet thou canst touch on all the notes XVIII I never gave a lock of hair away XIX The soul's Rialto hath its merchandize XX Beloved, my beloved, when I think XXI Say over again, and yet once over again XXII When our two souls stand up erect and strong XXIII Is it indeed so? If I lay here dead XXIV Let the world's sharpness like a clasping knife XXV A heavy heart, Beloved, have I borne XXVI I lived with visions for my company XXVII My own Beloved, who hast lifted me XXVIII My letters! all dead paper, mute and white! XXIX I think of thee!--my thoughts do twine and bud XXX I see thine image through my tears to-night XXXI Thou comest! all is said without a word XXXII The first time that the sun rose on thine oath XXXIII Yes, call me by my pet-name! let me hear XXXIV With the same heart, I said, I'll answer thee XXXV If I leave all for thee, wilt thou exchange XXXVI When we met first and loved, I did not build XXXVII Pardon, oh, pardon, that my soul should make XXXVIII First time he kissed me, he but only kissed XXXIX Because thou hast the power and own'st the grace XL Oh, yes! they love through all this world of ours! XLI I thank all who have loved me in their hearts XLII My future will not copy fair my past XLIII How do I love thee? Let me count the ways XLIV Beloved, thou hast brought me many flowers I I thought once how Theocritus had sung Of the sweet years, the dear and wished-for years, Who each one in a gracious hand appears To bear a gift for mortals, old or young: And, as I mused it in his antique tongue, I saw, in gradual vision through my tears, The sweet, sad years, the melancholy years, Those of my own life, who by turns had flung A shadow across me. Straightway I was 'ware, So weeping, how a mystic Shape did move Behind me, and drew me backward by the hair; And a voice said in mastery, while I strove,-- "Guess now who holds thee!"--"Death," I said, But, there, The silver answer rang, "Not Death, but Love." II But only three in all God's universe Have heard this word thou hast said,--Himself, beside Thee speaking, and me listening! and replied One of us... that was God,... and laid the curse So darkly on my eyelids, as to amerce My sight from seeing thee,--that if I had died, The death-weights, placed there, would have signified Less absolute exclusion. "Nay" is worse From God than from all others, O my friend! Men could not part us with their worldly jars, Nor the seas change us, nor the tempests bend; Our hands would touch for all the mountain-bars: And, heaven being rolled between us at the end, We should but vow the faster for the stars. III Unlike are we, unlike, O princely Heart! Unlike our uses and our destinies. Our ministering two angels look surprise On one another, as they strike athwart Their wings in passing. Thou, bethink thee, art A guest for queens to social pageantries, With gages from a hundred brighter eyes Than tears even can make mine, to play
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Produced by Al Haines. [Illustration: Cover] THE HUMAN BOY AND THE WAR BY New York THE MACMILLAN COMPANY 1916 _All rights reserved_ Copyright 1916 BY THE MACMILLAN COMPANY Set up and electrotyped. Published June, 1916 Reprinted October, 1916. CONTENTS The Battle of the Sand-Pit The Mystery of Fortescue The Countryman of Kant Travers Minor, Scout The Hutchings Testimonial The Fight Percy Minimus and His Tommy The Prize Poem The Revenge The "Turbot's" Aunt Cornwallis and Me and Fate For the Red Cross The Last of Mitchell THE HUMAN BOY AND THE WAR THE BATTLE OF THE SAND-PIT After the war had fairly got going, naturally we thought a good deal about it, and it was explained to us by Fortescue that, behind the theory of Germany licking us, or us licking Germany, as the case might be, there were two great psychical ideas. As I was going to be a soldier myself, the actual fighting interested me most, but the psychical ideas were also interesting, because Fortescue said that often the cause won the battle. Therefore it was better to have a good psychical idea behind you, like us, than a rotten one, like Germany. I always thought the best men and the best ships and the best brains and the most money were simply bound to come out top in the long run; but Fortescue said that a bad psychical idea behind these things often wrecks the whole show. And so I asked him if we had got a good psychical idea behind us, and he said we had a champion one, whereas the Germans were trusting to a perfectly deadly psychical idea, which was bound to have wrecked them in any case--even if they'd had twenty million men instead of ten. So that was all right, though, no doubt, the Germans think their idea of being top dog of the whole world is really finer than ours, which is "Live and let live." And, as I pointed out to Fortescue, no doubt if we had such a fearfully fine opinion of ourselves as the Germans have, then we also should want to be top dog of the world. And Fortescue said:-- "That's just it, Travers major. Thanks to our sane policy of respecting the rights of all men, and never setting ourselves up as the only nation that counts, we do count--first and foremost; but if we'd gone out into the whole earth and bawled that we were going to make it Anglo-Saxon, then we should have been laughed at, as the Germans are now; and we should dismally have failed as colonists, just as they have." So, of course, I saw all he meant by his psychical idea, and no doubt it was a jolly fine thought; and most, though not all, of the Sixth saw it also. But the Fifth saw it less, and the Fourth didn't see it at all. The Fourth were, in fact, rather an earthy lot about this time, and they seemed to have a foggy sort of notion that might is right; or, if it isn't, it generally comes out right, which to the minds of the Fourth amounted to the same thing. The war naturally had a large effect upon us, and according as we looked at the war, so you could judge of our opinions in general. I and my brother, Travers minor, and Briggs and Saunders--though Briggs and Travers minor were themselves in the Lower Fourth--were interested in the strategy and higher command. We foretold what was going to happen next, and were sometimes quite right; whereas chaps like Abbott and Blades and Mitchell and Pegram and Rice were only interested in the brutal part, and the bloodshed and the grim particulars about the enemy's trenches after a sortie, and so on. In time, curiously enough, there got to be two war parties in the school. Of course they both wanted England to win, but we took a higher line about it, and looked on to the end, and argued about the division of the spoil, and the general improvement of Europe, and the new map, and the advancement of better ideas, and so on; while Rice and Pegram and such-like took the "horrible slaughter" line, and rejoiced to hear of parties surrounded, and Uhlans who had been eating hay for a week before they were captured, and the decks of battleships just before they sank, and such-like necessary but very unfortunate things. I said to Mitchell-- "It may interest you to know that real soldiers never talk about the hideous side of war; and it would be a good deal more classy if you chaps tried to understand the meaning of it all, instead of wallowing in the dreadful details." And Mitchell answered-- "The details bring it home to us and make us see red." And I replied to Mitchell-- "What the dickens d'you want to see red for?" And he said-- "Everybody ought to at a time like this." Of course, with such ignorance you can't argue, any more than you could with Rice, when he swore that he'd give up his home and family gladly in exchange for the heavenly joy of putting a bayonet through a German officer. It wasn't the spirit of war, and I told him so, and he called me "von Travers," and said that as I was going to be a soldier, he hoped, for the sake of the United Kingdom in general, there would be no war while I was in command of anybody. Gradually there got to be a bit of feeling in the air, and we gave out that we stood for tactics and strategy and brain-power, and Rice and his lot gave out that they stood for hacking their way through. And as for strategy, they had the cheek to say that, if it came to actual battle, the Fourth would back its strategy against the Sixth every time. It was a sort of challenge, in fact, and rested chiefly on their complete ignorance of what strategy really meant. When I asked Mitchell who were the strategists of the Fourth, he gave it away by saying-- "Me and Pegram." Well, he and Pegram were merely cunning--nothing more. Mitchell was a good mathematician, and in money matters he excelled on a low plane; while Pegram was admitted to be a master in the art of cribbing, but no other. His bent of mind had been attracted to the subject of cribbing from the first, and while I hated him, and knew that he could never come to much good, I was bound to admit the stories told about his cribbing exploits showed great ingenuity combined with nerve. By a bitter irony, theology was his best subject, but only thanks to the possession of a Bible one inch square. He had found it when doing Christmas shopping with his aunt, who was his only relation, owing to his being an orphan, and when he asked her to buy it for him as one of his Christmas presents, she did so with pleasure and surprise, little dreaming of what was passing in his mind. I never saw the book, nor wished to see it, but Briggs, who did, told me it contained everything, only in such frightfully small print that you wanted a magnifying glass to read it. Needless to say, Pegram had the magnifying glass. And, thus armed, he naturally did Scripture papers second to none. He also manipulated a catapult for the benefit of his friends in the Lower Fourth, of whom he had a great many, and with this instrument, such was his delicacy of aim, he could send answers to questions in an examination through the air to other chaps, in the shape of paper pillets. He could also hurl insults in this way, or, in fact, anything. Once he actually fired his Bible across three rows of forms to Abbott. It flew through the air and fell at Abbott's feet, who instantly put one on it. But Brown, who was the master in command on the occasion, looked up at the critical moment and saw a strange object passing through the air. Only he failed to mark it down. "What was that?" said Brown to Rice, who sat three chaps off Abbott. "A moth, I think, sir," said Rice. "Extraordinary time for a moth to be flying," said Brown. "Very, sir," said Rice. "Don't let it occur again, anyway," said Brown, who never investigated anything, but always ordered that it shouldn't occur again. "No, sir," said Rice. Then Abbott bent down to scratch his ankle, and all was well. And this Pegram was supposed to have strategy as good as ours! I never thought a real chance of a conflict would come, but it actually did in a most unexpected manner just before the holidays. The weather turned cold for a week, and then, after about three frosts, we had a big snow, and in about a day and a night there was nearly a foot of it. And, walking through the West Wood with Blades, I pointed out that the sand-pit, under the edge of the fir trees, would be a very fine spot for a battle on a small scale. I said-- "If one army was above the sand-pit, and another army was down here, trying to storm the position, there would be an opportunity for a remarkably good fight and plenty of strategy; and if I led the Fifth and Sixth against the sand-pit, or if I defended the sand-pit against attacks by the Upper and Lower Fourth, the result would be very interesting." And Blades agreed with me. He said he believed that it would give the Upper and Lower Fourth frightful pleasure to have a battle, and he was certain they would be exceedingly pleased at the idea. In fact, he went off at once to find Pegram and, if possible, Rice and Mitchell. The school was taking a walk that afternoon, as the football ground was eight inches under snow; and some were digging in the snow for eating chestnuts, of which a good many were to be found in West Wood, and others were scattered about. So Blades went to find Mitchell, Rice, and Pegram, and I considered the situation. The edge of the sand-pit was about eight feet high, and a frontal attack would have been very difficult, if not impossible; but there was an approach on the left--a gradual <DW72>, fairly easy--and another on the right, rather difficult, as it consisted of loose stones and tree roots. On the whole, I thought I would rather defend than attack; but as, if anything came of it, I should be the challenger, I felt it would be more sporting to let the foe choose. Then Rice and Mitchell came back with Blades, and they said that nothing would give them greater pleasure than a fight. They had heard my idea, and thought exceedingly well of it. They examined the spot and pretended to consider strategy, but, of course, they knew nothing about the possibilities of defence and attack. What they really wanted to know was how many troops they would have, and how many we should. We counted up and found that in the Fifth and Sixth, leaving out about four who were useless, and Perkins, who would have been valuable, but was crocked at footer for the moment, we should number thirty-one, while the Upper and Lower Fourth would have thirty-eight. I agreed to that, and Rice made the rather good suggestion that we should each have ten kids behind the fighting line to make ammunition. And I said I hoped there would be no stones in the snowballs, and Mitchell said the Fourth didn't consist of Germans, and I might be sure they would fight as fair as we did, if not fairer. So it was settled for the next Saturday, and Brown and Fortescue consented to umpire the battle, and Fortescue showed great interest in it. There were a good many preliminaries to decide, and I asked Mitchell what chap was to be general-in-chief for the Fourth, and, much to my surprise, he said that Pegram was. And, still more to my surprise, he said that Pegram wished to attack and not defend. This alone showed how little they knew about strategy; but I only said "All right," and Mitchell actually said that Pegram backed the Fourth to take the sand-pit inside an hour! And I said that pride generally went before a fall. Then I saw Pegram--which was at a meeting of the commanders-in-chief--and we arranged all the details. He asked about the fallen, and I said that nobody would fall; but he said he thought some very likely would; and he also said that it would be more like the real thing and more a reward for strategy if, when anybody was fairly bowled over in the battle and prevented from continuing without a rest, that that soldier was considered as a casualty and taken to the rear. This was pretty good for Pegram; but as our superior position on the top of the sand-pit was bound to make our fire more severe than his, and put more of his men out of action, I pointed that out. But he said that if I thought our fire would be more severe than his, I was much mistaken. He said the volume of his fire would be greater, which was true. So I let him have his way, and we each selected ten kids for the ammunition. Travers minor didn't much like fighting against me, but, of course, he had to, though it was rather typical of Mitchell and Pegram that they were very suspicious of him before the battle, and wouldn't tell him any of the strategy, or give him a command in their army, for fear of his being a traitor. And they felt the same to Briggs, though, of course, Briggs and Travers minor were really just as keen about victory for the Fourth as anybody else in it. And the only reason why my brother didn't like fighting against me was that, with my strategy, he felt pretty sure I must win. The generals--Pegram and I--visited the battlefield twice more, and arranged where the wounded were to lie and where the umpires were to stand, in comparative safety behind a tree on the right wing; but, of course, we didn't discuss tactics or say a word about our battle plans. The fight was to last one hour, and if at the end of that time we still held the sand-pit, we were the victors. And for half an hour before the battle began, we were to make ammunition and pile snow and do what we liked to increase the chances of victory. I, of course, led the Fifth and Sixth, and under me I had Saunders, as general of the Sixth, and Norris, as general of the Fifth. As for the enemy, Pegram was generalissimo, to use his own word, and Rice and Abbott and Mitchell and Blades were his captains. It got jolly interesting just before the battle, and everybody was frightfully keen, and the kids who were not doing orderly and red-cross work, were allowed to stand on a slight hill fifty yards from the sand-pit and watch the struggle. And on the morning of the great day, happening to meet Rice and Mitchell, I asked them what was the psychical idea behind the attack of the Fourth; and Rice said his psychical idea was to give the Sixth about the worst time it had ever had; and Mitchell said his psychical idea was to make the Sixth wish it had never been born. They meant it, too, for there was a lot of bitter feeling against us, and I realised that we were in for a real battle, though there could only be one end, of course. They had thirty-eight fighters to our thirty-one, and they had rather the best of the weight and size; but in the Sixth we had Forbes and Forrester, both of the first eleven and hard chuckers; and we had three other hard chuckers and first eleven men in the Fifth, besides Williams, who was the champion long-distance cricket ball thrower in the school. We had all practised a good deal, and also instructed the kids in the art of making snowballs hard and solid. The general feeling with us was that we had the brains and the strategy, while the Fourth had rather the heavier metal, but would not apply it so well as us. When a man fell, the ambulance, in the shape of two red-cross kids, was to conduct him to a place safe from fire in the rear; and when he was being taken from the firing-line, he was not to be fired at, but the battle was to go on, though the red-cross kids were to be respected. I should like to draw a diagram of the field, like the diagrams in the newspapers, but that I cannot do. I can, however, explain that, when the great moment arrived, I manned the top of the sand-pit with my army, and during the half hour of preparation threw up a wall of snow all along the front of the sand-pit nearly three feet high. And along this wall I arranged the Fifth, led by Norris, on the right wing. Five men, commanded by Saunders, specially guarded the incline on the left, which was our weak spot, and the remaining ten men, all from the Sixth, took up a position five yards to the rear and above the front line, in such a position that they could drop curtain fire freely over the Fifth. I, being the Grand Staff, took up a position on the right wing on a small elevation above the army, from which I could see the battle in every particular; and Thwaites, of the Sixth, who was too small and weak to be of any use in the fighting lines, was my adjutant to run messages and take any necessary orders to the wings. As for the enemy, they made no entrenchments or anything of the kind, though they watched our dispositions with a great deal of interest. Pegram studied the incline on our wing, and evidently had some ideas about a frontal attack also, which would certainly mean ruin for him if he tried it, as it would have been impossible to rush the sand-pit from the front. They made an enormous amount of ammunition, and as they piled it within thirty yards of our parapet, they evidently meant to come to close quarters from the first. I was pleased to observe this. They arranged their line rather well, in a crescent converging upon our wings; but there was no rearguard and no reserve, so it was clear everybody was going into action at once. The officers were distinguished by wearing white footer shirts, which made them far too conspicuous objects, and it was clear that Pegram was not going to regard himself as a Grand Staff, but just fight with the rest. Needless to say, I was prepared to do the same, and throw myself into the thickest of it if the battle needed me and things got critical. But I felt, somehow, from the first that we were impregnable. Well, the battle began by Fortescue blowing a referee's football whistle, and instantly the strategy of the enemy was made apparent. They opened a terrific fire, and their one idea evidently was to annihilate the Sixth. They ignored the Fifth, but poured their entire fire upon the Sixth; and a special firing-party of about six or seven chosen shots, or sharpshooters, poured their entire fire on me, where I stood alone. About ten snowballs hit me the moment Fortescue's whistle went, and the position at once became untenable and also dangerous. So I retired to the Sixth, and sent word to the Fifth by Thwaites to very much increase the rapidity of their fire. Which they did; and Pegram appealed that I was out of action, but Fortescue said I was not. It was exceedingly like the Great War in a way, and the Fourth evidently felt to the Fifth and Sixth what the Germans felt to the French and English. They merely hated the Fifth, but they fairly loathed the Sixth, and wanted to put them all out of action in the first five minutes of the battle. Needless to say, they failed; but we lost Saunders, who somehow caught it so hot, guarding the <DW72>, that he got winded and his nose began to bleed at the same moment, which was a weakness of his, brought on suddenly by a snowball at rather close range. So he fell, and the red-cross kids took him out of danger. This infuriated us, and, keeping our nerve well, we concentrated our fire on Mitchell, who had come far too close after the success with Saunders. A fair avalanche of snowballs battered him, and he went down; and though he got up instantly, it was only to fall again. And Fortescue gave him out, and he was conducted to a ruined cowshed, where the enemy's ambulance stood in the rear of their lines. I had already ordered the Sixth to take open formation and scatter through the Fifth; and this undoubtedly saved them, for though we lost my aide-de-camp, Thwaites, who was no fighter and nearly fainted, and was jolly glad to be numbered with those out of action, for some time afterwards we lost nobody, and held our own with ease. Once or twice I took a hand, but it wasn't necessary, and when we fairly settled to work, we made them see they couldn't live within fifteen yards of us. They made several rushes, however, but, by a happy strategy, I always directed our fire on the individual when he came in, and thus got two out of action, including Rice. He was a great fighter, and I was surprised he threw up the sponge so soon; but after a regular battering and blinding, he said he'd "got it in the neck," and fell and was put out with one eye bunged. Travers minor also fell, rather to my regret; and what struck me was that, considering all their brag, the Fourth were not such good plucked ones when it came to the business of real war, as we were. It made a difference finishing off Rice, for he had fought well, and his fire was very accurate, as several of us knew to our cost. I felt now that if we could concentrate on Pegram and Blades, who were firing magnificently, the battle would be practically over. But Blades, owing to his great powers, could do execution and still keep out of range. He was, in fact, their seventeen-inch gun, you might say; and though Williams on our side could throw further, he proved in action rather feeble and not a born fighter by any means. As for Pegram, he always seemed to be behind somebody else, which, knowing his character, you would have expected. At last, however, he led a storming party to the <DW72>, and, leaving the bulk of my forces to guard the front, I led seven to stem his attack. For the first time since the beginning of the battle, it was hand-to-hand; but we had the advantage of position, and were never in real danger. I had the great satisfaction of hurling Pegram over the <DW72> into his own lines, and he fell on his shoulder and went down and out. He was led away holding his elbow and also limping; but his loss did not knock the fight out of the Fourth, though in the same charge they lost Preston and we nearly lost Bassett. But he got his second wind and was saved to us, though only for a time, for Blades, who had a private hate of Bassett, came close and scorned the fire, and got three hard ones in on Bassett from three yards; and Fortescue had to say Bassett was done. Blades, however, was also done, and there was a brief armistice while they were taken away. We now suddenly concentrated on Mitchell, who was tiring and had got into range. I think he was fed up with the battle, for, after a feeble return, he went down when about ten well-directed snowballs took him simultaneously on the face and chest, and then he chucked it and went to the ambulance. At the same moment one of their chaps, called Sutherland, did for Norris. Norris had been getting giddy for some time, and he also feared that he was frost-bitten, and when Sutherland, creeping right under him, got him well between the eyes with a hard one, he was fairly blinded, though very sorry to join our casualties. I had a touch of cramp at the same moment, but it passed off. We'd had about half an hour now, and five of the ammunition kids were out of action with frozen hands. Then we got one more of the enemy, in the shape of Sutherland, and their _moral_ ought to have begun to get bad; but it did not. Though all their leaders were now down, they stuck it well, while we simply held them with ease, and repelled two more attempts on the <DW72>. In fact, Williams wanted to go down and make a sortie, and get a few more out of action; but this I would not permit for another five minutes, though during those exciting moments we prepared for the sortie, and knocked out Abbott, who, much to my surprise, had fought magnificently and covered himself with glory, though lame. On their side they got MacAndrew, owing to an accident. In fact, he slipped over the edge of the sand-pit, and was taken prisoner before he could get back, and we were sorry to lose him, not so much for his own sake, as because his capture bucked up the Fourth to make fresh efforts. And then came the critical moment of the battle, and a most unexpected thing happened. With victory in our grasp, and a decimated opposition, a frightful surprise occurred, and the most unsporting thing was done by the Fourth that you could find in the gory annals of war. It was really all over, bar victory, and we were rearranging ourselves under a very much weakened fire, when we heard a shout in the woods behind us, and the shout was evidently a signal. For the whole of the Fourth still in action made one simultaneous rush for the <DW72>, and of course we concentrated to fling them back. But then, with a wild shriek, there suddenly burst upon us from the rear the whole of their casualties! Mitchell and Rice and Pegram came first, followed by Travers minor and Preston and Blades and Sutherland and Abbott. They had rested and refreshed themselves with two lemons and other commissariat, and then, taking a circuitous track from behind their ambulance, had got exactly behind us through the wood. And now, uttering the yells that the regular Tommies always utter when charging, they were on us with frightful impetus, just while we were repelling the frontal attack on the <DW72>, and before we had time to divide to meet them. In fact, they threw the whole weight of a very fine charge on to us and fairly mowed us down. There was about a minute of real fighting on the <DW72>, and blood flowed freely. We got back into the fort, so to say; but the advancing Fourth came back, too, and the casualties took us in the rear. Then, unfortunately for us, I was hurled over the sand-pit, and three chaps--all defenders--came on top of me, and half the snow-bank we had built came on top of them. With the snowbank gone, it was all up. I tried fearfully hard to get back, but of course the Fourth had guarded the <DW72> when they took it, and in about two minutes from the time I fell out of our ruined fortifications, all was over. In fact, the Fourth was now on the top of the sand-pit and the shattered Fifth and Sixth were down below. One by one our men were flung, or fell, over, and then Fortescue advanced from cover with Brown and blew his whistle, and the battle was done. We appealed; but Pegram said all was fair in war, and Fortescue upheld him; and in a moment of rage I told Pegram and Mitchell they had behaved like dirty Germans, and Mitchell said they might, or they might not, but war was war, anyway. And he also said that the first thing to do in the case of a battle is to win it. And if you win, then what the losers say about your manners and tactics doesn't matter a button, because the rest of civilisation will instantly come over to your side. And Blades said the Sixth had still a bit to learn about strategy, apparently, and Pegram--showing what he was to a beaten foe--offered to give me some tips! Mind you, I'm not pretending we were not beaten, because we were; and the victors fought quite as well as we did; but I shall always say that, with another referee than Fortescue, they might have lost on a foul. No doubt they thought it was magnificent, but it certainly wasn't war--at least, not what I call war. We challenged them to a return battle the next Saturday, and Pegram said, as a rule, you don't have return battles in warfare, but that he should be delighted to lick us again, with other strategies, of which he still had dozens at his disposal. Only Pegram feared the snow would unfortunately all be gone by next Saturday; and the wretched chap was quite right--it had. Mitchell, by the way, got congestion of his lungs two days after the battle, showing how sickness always follows warfare sooner or later. But he recovered without difficulty. THE MYSTERY OF FORTESCUE My name is Abbott, and I came to Merivale two years ago. I have got one leg an inch and three-quarters shorter than the other, but I make nothing of it. A nurse dropped me on a fender when I was just born, owing to a mouse suddenly running across her foot. It was more a misfortune than anything, and my mother forgave her freely. When I was old enough I also forgave her. In fact, I only mention it to explain why I am not going into the Army. All Abbotts do so, and it will be almost a record my going into something else. Many chaps have no fighting spirit, and, as a rule, it is not strong in schoolmasters; yet when the call came for men, three out of our five answered it and went. Two, who were well up in the Terriers, got commissions, and the other enlisted, so we were only left with Brown, who can't see further than a pink-eyed rat and isn't five foot three in his socks, though in his high-heeled boots he may be, and Fortescue. You will say this must have had a pretty bright side for us, and, at first sight, no doubt it looks hopeful. In fact, we took a very cheerful view of it, because you can do what you like with Brown, and Fortescue only teaches the Fifth and Sixth. On the day that Hutchings cleared out to join the Army, and we were only left with Fortescue, Brown, and the Doctor, we were confronted with serious news. In fact, after chapel on that day, we heard, much to our anxiety, that old Dunston himself was going to fill the breach. Those were his very words. He talked with a sort of ghastly funniness and used military terms. He said-- "Now that our valued and honoured friends, Mr. Hutchings, Mr. Manwaring, and Mr. Meadows have answered their nation's call, with a loyalty to King and Country inevitable in men who know the demands as well as the privileges of Empire, it behoves us, as we can and how we can, to fill their places. This, then, in my contribution to the Great War. I shall fight in no foreign trenches, but labour here, sleeplessly if need be, and undertake willingly, proudly, the arduous task that they have left behind. I shall confront no cannon, but I shall face the Lower School. Henceforth, after that amalgamation of class and class which will be necessary, you may count upon your head master to answer the trumpet call and fill the breach. But I do not disguise from myself that such labours must prove no sinecure, and I trust the least, as well as the greatest, to do their part and aid me with good sense and intelligence." Well, there it was; and we saw in a moment that you can't escape the horrors of war, even though you are on an island with the Grand Fleet between
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Produced by Roberta Staehlin, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE CAVALIERS OF VIRGINIA, OR, THE RECLUSE OF JAMESTOWN. AN HISTORICAL ROMANCE OF THE OLD DOMINION. BY WILLIAM A. CARUTHERS THE AUTHOR OF "THE KENTUCKIAN IN NEW-YORK." IN TWO VOLUMES. VOL. I. NEW-YORK: PUBLISHED BY HARPER & BROTHERS, NO. 82 CLIFF-STREET, AND SOLD BY THE PRINCIPAL BOOKSELLERS THROUGHOUT THE UNITED STATES. 1834. Entered according to the Act of Congress, in the year 1834, by HARPER & BROTHERS, in the Clerk's Office of the District Court of the Southern District of New-York. THE CAVALIERS OF VIRGINIA. CHAPTER I. The romance of history pertains to no human annals more strikingly than to the early settlement of Virginia. The mind of the reader at once reverts to the names of Raleigh, Smith, and Pocahontas. The traveller's memory pictures in a moment the ivy-mantled ruin of old Jamestown. About the year 16--, the city of Jamestown, then the capital of Virginia, was by no means an unapt representation of the British metropolis; both being torn by contending factions, and alternately subjected to the sway of the Roundheads and Royalists. First came the Cavaliers who fled hither after the decapitation of their royal master and the dispersion of his army, many of whom became permanent settlers in the town or colony, and ever afterwards influenced the character of the state. These were the first founders of the aristocracy which prevails in Virginia to this day; these were the immediate ancestors of that generous, fox-hunting, wine-drinking, duelling and reckless race of men, which gives so distinct a character to Virginians wherever they may be found. A whole generation of these Cavaliers had grown up in the colony during the interregnum, and, throughout that long period, were tolerated by those in authority as a class of probationers. The Restoration was no sooner announced, however, than they changed places with their late superiors in authority. That stout old Cavalier and former governor, Sir William Berkley (who had retired to the shades of Accomack,) was now called by the unanimous voice of the people, to reascend the vice-regal chair. Soon after his second installation came another class of refugees, in the persons of Cromwell's veteran soldiers themselves, a few of whom fled hither on account of the distance from the court and the magnitude of their offences against the reigning powers. It will readily be perceived even by those not conversant with the primitive history of the Ancient Dominion, that these heterogeneous materials of Roundheads and Cavaliers were not the best calculated in the world to amalgamate in the social circles. Our story commences a short time after the death of Cromwell and his son, and the restoration of Charles the Second to the throne of his fathers. The city of Jamestown was situated upon an island in the Powhatan, about twenty leagues from where that noble river empties its waters into those of the Chesapeake Bay. This island is long, flat on its surface, and presents a semicircular margin to the view of one approaching from the southeast; indeed it can scarcely be seen that it is an island from the side facing the river--the little branch which separates it from the main land having doubtless worn its way around by a long and gradual process. At the period of which we write, the city presented a very imposing and romantic appearance, the landscape on that side of the river being shaded in the back ground by the deep green foliage of impenetrable forests standing in bold relief for many a mile against the sky. Near the centre of the stream, and nearly opposite the one just mentioned, stands another piece of land surrounded by water, known to this day by the very unromantic name of Hog Island, and looking for all the world like a nest for pirates, so impenetrable are the trees, undergrowth, and shrubbery with which it is thickly covered. To prevent the sudden incursions of the treacherous savage, the city was surrounded with a wall or palisade, from the outside of which, at the northwestern end, was thrown a wooden bridge, so as to connect the first mentioned island with the main land. A single street ran nearly parallel with the river, extending over the upper half of the island and divided in the centre by the public square. On this were situated the Governor's mansion, state house, church, and other public buildings. Near where the line was broken by the space just mentioned, stood two spacious tenements, facing each other from opposite sides of the street. These were the rival hotels of the ancient city; and, after the fashion of that day, both had towering signposts erected before their respective doors, shaped something like a gibbet, upon which swung monotonously in the wind two huge painted sign-boards. These stood confronting each other like two angry rivals--one bearing the insignia of the Berkley arms, by which name it was designated,--and the other the Cross Keys, from which it also received its cognomen. The Berkley Arms was the rendezvous of all the Cavaliers of the colony, both old and young, and but a short time preceding the date of our story, was honoured as the place of assembly for the House of Burgesses. The opposite and rival establishment received its patronage from the independent or republican faction. It was late in the month of May, and towards the hour of twilight; the sun was just sinking behind the long line of blue hills which form the southwestern bank of the Powhatan, and the red horizontal rays fell along the rich volume of swelling waters dividing the city of Jamestown from the hills beyond with a line of dazzling yet not oppressive brilliance. As the rich tints upon the water gradually faded away, their place was supplied in some small degree from large lanterns which now might be seen running half way up the signposts of the two hotels before mentioned, together with many lights of less magnitude visible in the windows of the same establishments and the various other houses within reflecting distance of the scene. The melancholy monotony of the rippling and murmuring waters against the long graduated beach now also began to give place to louder and more turbulent sounds, as the <DW64>s collected from their work to gossip in the streets--Indians put off from the shore in their canoes, or the young Cavaliers collected in the Berkley Arms to discuss the news of the day or perhaps a few bottles of the landlord's best. On this occasion the long, well-scrubbed oaken table in the centre of the "News Room" was graced by the presence of some half dozen of the principal youths of the city. In the centre of the table stood the half-emptied bottle, and by each guest a full bumper of wine, and all were eager to be heard as the wine brightened their ideas and the company received fresh accessions from without. "Oh, here comes one who can give us some news from the Governor's," said the speaker _pro tempore_, as a handsome and high-born youth of twenty-one entered the room with a proud step and haughty mien, and seated himself at the table as a matter of course, calling for and filling up a wine glass, and leisurely and carelessly throwing his cap upon the seat and his arm over the back of the next vacant chair, as he replied--"No, I bring no news from the Governor's, but I mistake the signs of the times if we do not soon hear news in this quarter." All eyes were now turned upon the youth as he tossed off his wine. He was generally known among his companions by the familiar name of Frank Beverly, and was a distant kinsman and adopted son of the Governor, Sir William Berkley. News was no sooner mentioned than our host, turning a chair upon its balance, and resting his chin upon his hand, was all attention. "What is it, Frank?" inquired Philip Ludwell, his most intimate friend and companion. "Some mischief is brewing at the Cross Keys to-night," replied Frank, as the landlord moved up his chair nearer to the table, more than ever on the _qui vive_, when the Cross Keys became the subject of discussion. "There is no one in the Tap of the Keys, as I can see from here," said another of the party, "and there is no light in any other portion of the house except the apartments of the family." "They hide their lights under a bushel," continued Frank, with an affected nasal twang and a smile of contempt. Taking his nearest companion by the lappel of his doublet, and drawing him gently to where the rival establishment was visible through the door--"Do you not see a line of light just perceptible along the margin of the upper window? and if you will observe steadily for a moment, you will see numerous dim shadows of moving figures upon the almost impenetrable curtain which is drawn over it." "Master Beverly is right, by old Noll's nose," said the landlord, as they all grouped together to catch a glimpse of the objects mentioned. "You may well swear by Noll's nose in this case," returned Frank, "for unless I am much mistaken, those motions and gestures proceed from some of his late followers; indeed I know it. I was accidentally coming up the alley-way between the Keys and the next house, when I saw four or five of them cross the fence into the yard, and from thence enter the house by the back door." "That's true, I'll swear," said the host, "for there they are, some dozen of them at least, and I'm a Rumper if a soul has darkened his front door this night. But couldn't you, Master Beverly, or one of the other young gentry, just step to the stout Sir William's, and make an affidavy to the facts? My word for it, he'd soon be down upon 'em with a fiery facias or a capias, or some such or another invention of the law." The youths all burst into a loud cachinnation at the zeal of the landlord to unmask his rival, and reseating themselves, called for another bottle, which our friend of the Arms was not slow to produce, by way of covering his retreat and hiding his disinterested zeal. As they all refilled their glasses, Frank waved his hand for silence. "Has any gentleman here seen Mr. Nathaniel Bacon very lately?" "I have not--I have not," replied each of the party, and the interrogator then continued, "I would give the best pair of spurs that ever graced a Cavalier's heels to know whether his long absence has had any thing to do with the getting up of yonder dark conclave?" Whether any of the party were Bacon's immediate friends, or whether they suspected Frank's motives in the case, we shall not undertake to determine at present; but certain it is they were all silent on the point except his intimate friend Ludwell, who replied--"By St. George, Beverly, I believe you are jealous of Bacon on account of the favourable light in which he is said to stand in the eyes of your fair little mistress." "If I thought that Virginia Fairfax would entertain a moment's consideration for a person of such doubtful parentage and more doubtful principles as Mr. Nathaniel Bacon, the ill-advised protege of her father, I would forswear her for ever, and dash this glass against the floor, with which I now invite you all to join me in pledging her,--What say you? Will you join me, one and all?" All rose at the invitation, and while standing with glasses suspended midway to their lips, Ludwell added the name of "the pretty Harriet Harrison." It was drunk with three times three, and then the landlord was brought up by the collar of his jerken between two of the liveliest of the party, and made to tell the reckoning upon the table with his well-worn chalk. Having settled the score, they proceeded to decant full half the remaining bottle into one of his own pint flagons, seized from his shelves for that purpose. "Mine host" made sundry equivocal contortions of the countenance, and practised by anticipation several downward motions of the muscles of deglutition, and then swallowed the enormous potation without a groan. "There now," said Ludwell, "bear it always in your remembrance that a like fate awaits you, whenever your wine bears evidence of having passed rather far into the state of acetous fermentation." As the party were now leaving the room in pairs, linked arm in arm, "Stop! stop!" cried Beverly; "I have one proposition to make before we separate. It is this. You know that there is to be a grand celebration the day after to-morrow, which is the anniversary of the restoration. The whole to conclude with a ball at the Governor's, to which I feel myself authorized to say that you will all be invited. Now I propose that we all go at different hours to-morrow and engage the hand of the fair Virginia for the first, second, third, fourth, fifth, and sixth sets. So that when Mr. Nathaniel Bacon returns, as he assuredly will, to claim her hand, to which he seems to think he has a prescriptive right, he will find no less than six different successful competitors. What say you, gentlemen?" The proposition was instantly acceded to by all the party, and then the landlord of the Arms was left to digest the pint of his own sour wine in solitude, as he leaned his overgrown person against the casings of the door and watched the youths as they departed one by one in different directions to their respective places of abode. "Natty Bacon is a goodly youth, however," he muttered in soliloquy; "ha, ha, ha; but he shall know of the plot if I can only clap eyes on him before they see the young lady. Let me see; can it be possible that Natty can have any thing to do with yonder dark meeting of Noll's men? I'll not believe it; he is too good a youth to meddle with such a canting, snivelling set as are congregated there. He always pays his reckoning like any gentleman's son of them all; and a gentleman's son I'll warrant he is, for all that no one knows his father but Mr. Gideon Fairfax." The Cromwellians alluded to, who were supposed by the youths to be assembled at the Cross Keys, were a few of the late Protector's veteran soldiers, and were the most desperate, reckless and restless of the republicans who, as has been already mentioned, had fled to Jamestown after the restoration. These soldiers were unfitted for any kind of business, and generally lived upon the precarious hospitality of those of their own party who had settled themselves as industrious citizens of the new community. The names of the leaders of these veteran soldiers and furious bigots were Berkinhead, Worley, Goodenough and Proudfit; and of these the reader will hear more anon. CHAPTER II. Late in the afternoon of the day succeeding the one designated in the last chapter, towards the southwestern extremity of the beach and outside of the palisade, a young and gentle creature, of most surpassing loveliness, moved thoughtfully along the sandy shore, every now and then casting a wistful glance over the water, and as often heaving a gentle sigh, as a shade of girlish disappointment settled upon her blooming face. Her dress was simple, tasteful, and exquisitely appropriate to her style of beauty. She had apparently scarce passed her sixteenth birthday; and of course her figure was not yet rounded out to its full perfection of female loveliness. So much of her neck as was visible above a rather high and close cut dress, was of that pure, chaste and lovely white which gives such an air of heavenly innocence to the budding girl of that delightful age. The face although exceeding the neck in the height, variety and richness of its colouring, was not disfigured by a single freckle, scar or blemish. The features were generally well proportioned and suited to each other, the lips full and gently pouting, with a margin of as luxurious tinting as that with which nature ever adorned the first budding rose of spring, and when parted, as they often were, by the most gentle and _naive_ laughter, displayed a set of teeth beautifully white and regular. Yet one could scarcely fasten the eye upon them for the admiration excited by the exquisite expression of the dimpled mouth, ever varying, and as it seemed, more lovely with each succeeding change. The motion of her eyes was so rapid that it was difficult to ascertain their colour; but certain it is they were soft and brilliant, the latter effect produced in no small degree by long fair dewy lashes which rose and fell over the picture, as lights and shadows fall from the pencil of an inspired painter. The fair flaxen ringlets fell beneath the small gipsey hat in short thick curls, and were clustered around her brow, so as to form the most natural and appropriate shade imaginable to a forehead of polished ivory. She was about the medium height, symmetrically proportioned, with an exquisitely turned ankle and little foot, which _now_ bounded over the beach with an impatience only surpassed by her own impetuous thoughts, as her eyes became intently riveted upon a moving speck upon the distant waters. The wild and startled expression, excited in the first moment of surprise, might now be seen merging into one of perfect satisfaction, as the distant object began to grow into distinct outlines at every plunge of the buoyant waves; her heart heaving its own little current to her face in perfect unison with their boisterous movements. A beautifully painted canoe soon ran its curled and fantastic head right under the bank upon which she stood, and in the next moment a gallant and manly youth leaped upon the shore by her side, and taking her unresisting hand, gently removed the gipsey hat so as to bring into view a certain crimsoning of the neck and half averted face. Nathaniel Bacon, the youth just landed, was about twenty-one, and altogether presented an appearance of the most attractive and commanding character. He wore a green hunting jerken, buttoned close up to his throat so as to show off to the best advantage a broad and manly chest. Upon his head was a broad brimmed unstiffened castor, falling over his shoulders behind, and looped up in front by a curiously wrought broach. A small brass hunting horn swung beneath one shoulder, while to the other was suspended a short cut and thrust sword. In his hand he bore a fishing rod and tackle. Few as evidently were his years, much painful thought had already shadowed his handsome and commanding features with a somewhat precocious maturity. It was obviously, however, not the natural temperament of the man which now shone out in his features, after the subsiding of the first glow of delighted feeling visible for an instant as he watched the heightened bloom on the countenance of the maiden. "You were not irreconcilably offended then at my rash and disrespectful behaviour to your father at our last meeting?" "Certainly not irreconcilably so, Nathaniel, if offended at all; but I will confess to you candidly, that I was hurt and mortified, as much on your own, as on my father's account." "You are always kind, considerate and forgiving, Virginia, and it behooves me in presence of so much gentleness, to ease my conscience in some measure by a confession. You have sometimes, but I have never, forgotten that I was thrown upon your father's hospitality an orphan and an outcast. This fact constantly dwells upon my mind, and sometimes harrows up my feelings to such a degree that I am scarcely conscious of my words or actions. It was so on the occasion alluded to. I forgot your presence, the respect due to your father and my benefactor, as well as what was due to myself. I had been endeavouring to revive some of the drunken reminiscences of that eccentric fellow who sits in the canoe there, but they tended only to inflame my ardent desire to know something more of myself. Certainly some allowances must be made for me, Virginia, under the mortifying circumstances in which I am placed. I thought your father could and ought to relieve this cruel suspense!" "He will if he can, Nathaniel; and that he does not do so immediately, is the best evidence to my mind either that he knows nothing on the subject, or that some powerful reason exists why he should not disclose his knowledge at present. Come, then, return with me to our house; my father will take no notice of your absence or its cause, unless to jest with you upon your want of success in your fishing expedition, which it seems was the ostensible motive of your absence." "It was my purpose to return, but I had not so amiably settled the how and the when; indeed the objects I had in view were so urgent that I determined to brave even your father's continued anger in order to obtain an interview with you." "With me, Nathaniel!" "Ay, with you, Virginia! You know that
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Produced by Howard Sauertieg THE INSTITUTES OF JUSTINIAN Translated into English by J. B. Moyle, D.C.L. of Lincoln's Inn, Barrister-at-Law, Fellow and Late Tutor of New College, Oxford Fifth Edition (1913) PROOEMIVM In the name of Our Lord, Jesus Christ. The Emperor Caesar Flavius Justinian, conqueror of the Alamanni, the Goths, the Franks, the Germans, the Antes, the Alani, the Vandals, the Africans, pious, prosperous, renowned, victorious, and triumphant, ever august, To the youth desirous of studying the law: The imperial majesty should be armed with laws as well as glorified with arms, that there may be good government in times both of war and of peace, and the ruler of Rome may not only be victorious over his enemies, but may show himself as scrupulously regardful of justice as triumphant over his conquered foes. With deepest application and forethought, and by the blessing of God, we have attained both of these objects. The barbarian nations which we have subjugated know our valour, Africa and other provinces without number being once more, after so long an interval, reduced beneath the sway of Rome by victories granted by Heaven, and themselves bearing witness to our dominion. All peoples too are ruled by laws which we have either enacted or arranged. Having removed every inconsistency from the sacred constitutions, hitherto inharmonious and confused, we extended our care to the immense volumes of the older jurisprudence; and, like sailors crossing the mid-ocean, by the favour of Heaven have now completed a work of which we once despaired. When this, with God's blessing, had been done, we called together that distinguished man Tribonian, master and exquaestor of our sacred palace, and the illustrious Theophilus and Dorotheus, professors of law, of whose ability, legal knowledge, and trusty observance of our orders we have received many and genuine proofs, and especially commissioned them to compose by our authority and advice a book of Institutes, whereby you may be enabled to learn your first lessons in law no longer from ancient fables, but to grasp them by the brilliant light of imperial learning, and that your ears and minds may receive nothing useless or incorrect, but only what holds good in actual fact. And thus whereas in past time even the foremost of you were unable to read the imperial constitutions until after four years, you, who have been so honoured and fortunate as to receive both the beginning and the end of your legal teaching from the mouth of the Emperor, can now enter on the study of them without delay. After the completion therefore of the fifty books of the Digest or Pandects, in which all the earlier law has been collected by the aid of the said distinguished Tribonian and other illustrious and most able men, we directed the division of these same Institutes into four books, comprising the first elements of the whole science of law. In these the law previously obtaining has been briefly stated, as well as that which after becoming disused has been again brought to light by our imperial aid. Compiled from all the Institutes of our ancient jurists, and in particular from the commentaries of our Gaius on both the Institutes and the common cases, and from many other legal works, these Institutes were submitted to us by the three learned men aforesaid, and after reading and examining them we have given them the fullest force of our constitutions. Receive then these laws with your best powers and with the eagerness of study, and show yourselves so learned as to be encouraged to hope that when you have compassed the whole field of law you may have ability to govern such portion of the state as may be entrusted to you. Given at Constantinople the 21st day of November, in the third consulate of the Emperor Justinian, Father of his Country, ever august. BOOK I. TITLES I. Of Justice and Law II. Of the law of nature, the law of nations, and the civil law III. Of the law of persons IV. Of men free born V. Of freedmen VI. Of persons unable to manumit, and the causes of their incapacity VII. Of the repeal of the lex Fufia Caninia VIII. Of persons independent or dependent IX. Of paternal power X. Of marriage XI. Of adoptions XII. Of the modes in which paternal power is extinguished XIII. Of guardianships XIV. Who can be appointed guardians by will XV. Of the statutory guardianship of agnates XVI. Of loss of status XVII. Of the statutory guardianship of patrons XVIII. Of the statutory guardianship of parents XIX. Of fiduciary guardianship XX. Of Atilian guardians, and those appointed under the lex Iulia et Titia XXI. Of the authority of guardians XXII. Of the modes in which guardianship is terminated XXIII. Of curators XXIV. Of the security to be given by guardians and curators XXV. Of guardians' and curators' grounds of exemption XXVI. Of guardians or curators who are suspected TITLE I. OF JUSTICE AND LAW Justice is the set and constant purpose which gives to every man his due. 1 Jurisprudence is the knowledge of things divine and human, the science of the just and the unjust. 2 Having laid down these general definitions, and our object being the exposition of the law of the Roman people, we think that the most advantageous plan will be to commence with an easy and simple path, and then to proceed to details with a most careful and scrupulous exactness of interpretation. Otherwise, if we begin by burdening the student's memory, as yet weak and untrained, with a multitude and variety of matters, one of two things will happen: either we shall cause him wholly to desert the study of law, or else we shall bring him at last, after great labour, and often, too, distrustful of his own powers (the commonest cause, among the young, of ill-success), to a point which he might have reached earlier, without such labour and confident in himself, had he been led along a smoother path. 3 The precepts of the law are these: to live honestly, to injure no one, and to give every man his due. 4 The study of law consists of two branches, law public, and law private. The former relates to the welfare of the Roman State; the latter to the advantage of the individual citizen. Of private law then we may say that it is of threefold origin, being collected from the precepts of nature, from those of the law of nations, or from those of the civil law of Rome. TITLE II. OF THE LAW OF NATURE, THE LAW OF NATIONS, AND THE CIVIL LAW 1 The law of nature is that which she has taught all animals; a law not peculiar to the human race, but shared by all living creatures, whether denizens of the air, the dry land, or the sea. Hence comes the union of male and female, which we call marriage; hence the procreation and rearing of children, for this is a law by the knowledge of which we see even the lower animals are distinguished. The civil law of Rome, and the law of all nations, differ from each other thus. The laws of every people governed by statutes and customs are partly peculiar to itself, partly common to all mankind. Those rules which a state enacts for its own members are peculiar to itself, and are called civil law: those rules prescribed by natural reason for all men are observed by all peoples alike, and are called the law of nations. Thus the laws of the Roman people are partly peculiar to itself, partly common to all nations; a distinction of which we shall take notice as occasion offers. 2 Civil law takes its name from the state wherein it binds; for instance, the civil law of Athens, it being quite correct to speak thus of the enactments of Solon or Draco. So too we call the law of the Roman people the civil law of the Romans, or the law of the Quirites; the law, that is to say, which they observe, the Romans being called Quirites after Quirinus. Whenever we speak, however, of civil law, without any qualification, we mean our own; exactly as, when 'the poet' is spoken of, without addition or qualification, the Greeks understand the great Homer, and we understand Vergil. But the law of nations is common to the whole human race; for nations have settled certain things for themselves as occasion and the necessities of human life required. For instance, wars arose, and then followed captivity and slavery, which are contrary to the law of nature; for by the law of nature all men from the beginning were born free. The law of nations again is the source of almost all contracts; for instance, sale, hire, partnership, deposit, loan for consumption, and very many others. 3 Our law is partly written, partly unwritten, as among the Greeks. The written law consists of statutes, plebiscites, senatusconsults, enactments of the Emperors, edicts of the magistrates, and answers of those learned in the law. 4 A statute is an enactment of the Roman people, which it used to make on the motion of a senatorial magistrate, as for instance a consul. A plebiscite is an enactment of the commonalty, such as was made on the motion of one of their own magistrates, as a tribune. The commonalty differs from the people as a species from its genus; for 'the people' includes the whole aggregate of citizens, among them patricians and senators, while the term 'commonalty' embraces only such citizens as are not patricians or senators. After the passing, however, of the statute called the lex Hortensia, plebiscites acquired for the first time the force of statutes. 5 A senatusconsult is a command and ordinance of the senate, for when the Roman people had been so increased that it was difficult to assemble it together for the purpose of enacting statutes, it seemed right that the senate should be consulted instead of the people. 6 Again, what the Emperor determines has the force of a statute, the people having conferred on him all their authority and power by the 'lex regia,' which was passed concerning his office and authority. Consequently, whatever the Emperor settles by rescript, or decides in his judicial capacity, or ordains by edicts, is clearly a statute: and these are what are called constitutions. Some of these of course are personal, and not to be followed as precedents, since this is not the Emperor's will; for a favour bestowed on individual merit, or a penalty inflicted for individual wrongdoing, or relief given without a precedent, do not go beyond the particular person: though others are general, and bind all beyond a doubt. 7 The edicts of the praetors too have no small legal authority, and these we are used to call the 'ius honorarium,' because those who occupy posts of honour in the state, in other words the magistrates, have given authority to this branch of law. The curule aediles also used to issue an edict relating to certain matters, which forms part of the ius honorarium. 8 The answers of those learned in the law are the opinions and views of persons authorized to determine and expound the law; for it was of old provided that certain persons should publicly interpret the laws, who were called jurisconsults, and whom the Emperor privileged to give formal answers. If they were unanimous the judge was forbidden by imperial constitution to depart from their opinion, so great was its authority. 9 The unwritten law is that which usage has approved: for ancient customs, when approved by consent of those who follow them, are like statute. 10 And this division of the civil law into two kinds seems not inappropriate, for it appears to have originated in the institutions of two states, namely Athens and Lacedaemon; it having been usual in the latter to commit to memory what was observed as law, while the Athenians observed only what they had made permanent in written statutes. 11 But the laws of nature, which are observed by all nations alike, are established, as it were, by divine providence, and remain ever fixed and immutable: but the municipal laws of each individual state are subject to frequent change, either by the tacit consent of the people, or by the subsequent enactment of another statute. 12 The whole of the law which we observe relates either to persons, or to things, or to actions. And first let us speak of persons: for it is useless to know the law without knowing the persons for whose sake it was established. TITLE III. OF THE LAW OF PERSONS In the law of persons, then, the first division is into free men and slaves. 1 Freedom, from which men are called free, is a man's natural power of doing what he pleases, so far as he is not prevented by force or law: 2 slavery is an institution of the law of nations, against nature subjecting one man to the dominion of another. 3 The name'slave' is derived from the practice of generals to order the preservation and sale of captives, instead of killing them; hence they are also called mancipia, because they are taken from the enemy by the strong hand. 4 Slaves are either born so, their mothers being slaves themselves; or they become so, and this either by the law of nations, that is to say by capture in war, or by the civil law, as when a free man, over twenty years of age, collusively allows himself to be sold in order that he may share the purchase money. 5 The condition of all slaves is one and the same: in the conditions of free men there are many distinctions; to begin with, they are either free born, or made free. TITLE IV. OF MEN FREE BORN A freeborn man is one free from his birth, being the offspring of parents united in wedlock, whether both be free born or both made free, or one made free and the other free born. He is also free born if his mother be free even though his father be a slave, and so also is he whose paternity is uncertain, being the offspring of promiscuous intercourse, but whose mother is free. It is enough if the mother be free at the moment of birth, though a slave at that of conception: and conversely if she be free at the time of conception, and then becomes a slave before the birth of the child, the latter is held to be free born, on the ground that an unborn child ought not to be prejudiced by the mother's misfortune. Hence arose the question of whether the child of a woman is born free, or a slave, who, while pregnant, is manumitted, and then becomes a slave again before delivery. Marcellus thinks he is born free, for it is enough if the mother of an unborn infant is free at any moment between conception and delivery: and this view is right. 1 The status of a man born free is not prejudiced by his being placed in the position of a slave and then being manumitted: for it has been decided that manumission cannot stand in the way of rights acquired by birth. TITLE V. OF FREEDMEN Those are freedmen, or made free, who have been manumitted from legal slavery. Manumission is the giving of freedom; for while a man is in slavery he is subject to the power once known as'manus'; and from that power he is set free by manumission. All this originated in the law of nations; for by natural law all men were born free--slavery, and by consequence manumission, being unknown. But afterwards slavery came in by the law of nations; and was followed by the boon of manumission; so that though we are all known by the common name of'man,' three classes of men came into existence with the law of nations, namely men free born, slaves, and thirdly freedmen who had ceased to be slaves. 1 Manumission may take place in various ways; either in the holy church, according to the sacred constitutions, or by default in a fictitious vindication, or before friends, or by letter, or by testament or any other expression of a man's last will: and indeed there are many other modes in which freedom may be acquired, introduced by the constitutions of earlier emperors as well as by our own. 2 It is usual for slaves to be manumitted by their masters at any time, even when the magistrate is merely passing by, as for instance while the praetor or proconsul or governor of a province is going to the baths or the theatre. 3 Of freedmen there were formerly three grades; for those who were manumitted sometimes obtained a higher freedom fully recognised by the laws, and became Roman citizens; sometimes a lower form, becoming by the lex Iunia Norbana Latins; and sometimes finally a liberty still more circumscribed, being placed by the lex Aelia Sentia on the footing of enemies surrendered at discretion. This last and lowest class, however, has long ceased to exist, and the title of Latin also had become rare: and so in our goodness, which desires to raise and improve in every matter, we have amended this in two constitutions, and reintroduced the earlier usage; for in the earliest infancy of Rome there was but one simple type of liberty, namely that possessed by the manumitter, the only distinction possible being that the latter was free born, while the manumitted slave became a freedman. We have abolished the class of 'dediticii,' or enemies surrendered at discretion, by our constitution, published among those our decisions, by which, at the suggestion of the eminent Tribonian, our quaestor, we have set at rest the disputes of the older law. By another constitution, which shines brightly among the imperial enactments, and suggested by the same quaestor, we have altered the position of the 'Latini Iuniani,' and dispensed with all the rules relating to their condition; and have endowed with the citizenship of Rome all freedmen alike, without regard to the age of the person manuumitted, and nature of the master's ownership, or the mode of manumission, in accordance with the earlier usage; with the addition of many new modes in which freedom coupled with the Roman citizenship, the only kind of freedom now known may be bestowed on slaves. TITLE VI. OF PERSONS UNABLE TO MANUMIT, AND THE CAUSES OF THEIR INCAPACITY In some cases, however, manumission is not permitted; for an owner who would defraud his creditors by an intended manumission attempts in vain to manumit, the act being made of no effect by the lex Aelia Sentia. 1 A master, however, who is insolvent may institute one of his slaves heir in his will, conferring freedom on him at the same time, so that he may become free and his sole and necessary heir, provided no one else takes as heir under the will, either because no one else was instituted at all, or because the person instituted for some reason or other does not take the inheritance. And this was a judicious provision of the lex Aelia Sentia, for it was most desirable that persons in embarrassed circumstances, who could get no other heir, should have a slave as necessary heir to satisfy their creditors' claims, or that at least (if he did not do this) the creditors might sell the estate in the slave's name, so as to save the memory of the deceased from disrepute. 2 The law is the same if a slave be instituted heir without liberty being expressly given him, this being enacted by our constitution in all cases, and not merely where the master is insolvent; so that in accordance with the modern spirit of humanity, institution will be equivalent to a gift of liberty; for it is unlikely, in spite of the omission of the grant of freedom, that one should have wished the person whom one has chosen as one's heir to remain a slave, so that one should have no heir at all. 3 If a person is insolvent at the time of a manumission, or becomes so by the manumission itself, this is manumission in fraud of creditors. It is, however, now settled law, that the gift of liberty is not avoided unless the intention of the manumitter was fraudulent, even though his property is in fact insufficient to meet his creditors' claims; for men often hope and believe that they are better off than they really are. Consequently, we understand a gift of liberty to be avoided only when the creditors are defrauded both by the intention of the manumitter, and in fact: that is to say, by his property being insufficient to meet their claims. 4 The same lex Aelia Sentia makes it unlawful for a master under twenty years of age to manumit, except in the mode of fictitious vindication, preceded by proof of some legitimate motive before the council. 5 It is a legitimate motive of manumission if the slave to be manumitted be, for instance, the father or mother of the manumitter, or his son or daughter, or his natural brother or sister, or governor or nurse or teacher, or fosterson or fosterdaughter or fosterbrother, or a slave whom he wishes to make his agent, or a female slave whom he intends to marry; provided he marry her within six months, and provided that the slave intended as an agent is not less than seventeen years of age at the time of manumission. 6 When a motive for manumission, whether true or false, has once been proved, the council cannot withdraw its sanction. 7 Thus the lex Aelia Sentia having prescribed a certain mode of manumission for owners under twenty, it followed that though a person fourteen years of age could make a will, and therein institute an heir and leave legacies, yet he could not confer liberty on a slave until he had completed his twentieth year. But it seemed an intolerable hardship that a man who had the power of disposing freely of all his property by will should not be allowed to give his freedom to a single slave: wherefore we allow him to deal in his last will as he pleases with his slaves as with the rest of his property, and even to give them their liberty if he will. But liberty being a boon beyond price, for which very reason the power of manumission was denied by the older law to owners under twenty years of age, we have as it were selected a middle course, and permitted persons under twenty years of age to manumit their slaves by will, but not until they have completed their seventeenth and entered on their eighteenth year. For when ancient custom allowed persons of this age to plead on behalf of others, why should not their judgement be deemed sound enough to enable them to use discretion in giving freedom to their own slaves? TITLE VII. OF THE REPEAL OF THE LEX FUFIA CANINIA Moreover, by the lex Fufia Caninia a limit was placed on the number of slaves who could be manumitted by their master's testament: but this law we have thought fit to repeal, as an obstacle to freedom and to some extent invidious, for it was certainly inhuman to take away from a man on his deathbed the right of liberating the whole of his slaves, which he could have exercised at any moment during his lifetime, unless there were some other obstacle to the act of manumission. TITLE VIII. OF PERSONS INDEPENDENT OR DEPENDENT Another division of the law relating to persons classifies them as either independent or dependent. Those again who are dependent are in the power either of parents or of masters. Let us first then consider those who are dependent, for by learning who these are we shall at the same time learn who are independent. And first let us look at those who are in the power of masters. 1 Now slaves are in the power of masters, a power recognised by the law of all nations, for all nations present the spectacle of masters invested with power of life and death over slaves; and to whatever is acquired through a slave his owner is entitled. 2 But in the present day no one under our sway is permitted to indulge in excessive harshness towards his slaves, without
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Produced by JoAnn Greenwood and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) DOMESTIC FOLK-LORE. BY REV. T. F. THISELTON DYER, M.A., OXON., _Author of "British Popular Customs" and "English Folk-lore."_ CASSELL, PETTER, GALPIN & CO.: _LONDON, PARIS & NEW YORK._ [ALL RIGHTS RESERVED.] PREFACE. For the name "Folk-lore" in its present signification, embracing the Popular Traditions, Proverbial Sayings, Superstitions, and Customs of the people, we are in a great measure indebted to the late editor of _Notes and Queries_--Mr. W. J. Thoms--who, in an anonymous contribution to the _Athenaeum_ of 22nd August, 1846, very aptly suggested this comprehensive term, which has since been adopted as the recognised title of what has now become an important branch of antiquarian research. The study of Folk-lore is year by year receiving greater attention, its object being to collect, classify, and preserve survivals of popular belief, and to trace them as far as possible to their original source. This task is no easy one, as school-boards and railways are fast sweeping away every vestige of the old beliefs and customs which, in days gone by, held such a prominent place in social and domestic life. The Folk-lorist has, also, to deal with remote periods, and to examine the history of tales and traditions which have been handed down from the distant past and have lost much of their meaning in the lapse of years. But, as a writer in the _Standard_ has pointed out, Folk-lore students tread on no man's toes. "They take up points of history which the historian despises, and deal with monuments more intangible but infinitely more ancient than those about which Sir John Lubbock is so solicitous. They prosper and are happy on the crumbs dropped from the tables of the learned, and grow scientifically rich on the refuse which less skilful craftsmen toss aside as useless. The tales with which the nurse wiles her charge asleep provide for the Folk-lore student a succulent banquet--for he knows that there is scarcely a child's story or a vain thought that may not be traced back to the boyhood of the world, and to those primitive races from which so many polished nations have sprung." The field of research, too, in which the Folk-lorist is engaged is a most extensive one, supplying materials for investigation of a widespread character. Thus he recognises and, as far as he possibly can, explains the smallest item of superstition wherever found, not limiting his inquiries to any one subject. This, therefore, whilst enhancing the value of Folk-lore as a study, in the same degree increases its interest, since with a perfect impartiality it lays bare superstition as it exists among all classes of society. Whilst condemning, it may be, the uneducated peasant who places credence in the village fortune-teller or "cunning man," we are apt to forget how oftentimes persons belonging to the higher classes are found consulting with equal faith some clairvoyant or spirit-medium. Hence, however reluctant the intelligent part of the community may be to own the fact, it must be admitted that superstition, in one form or another, dwells beneath the surface of most human hearts, although it may frequently display itself in the most disguised or refined form. Among the lower orders, as a writer has observed, "it wears its old fashions, in the higher it changes with the rapidity of modes in fashionable circles." Indeed, it is no matter of surprise that superstition prevails among the poor and ignorant, when we find the affluent and enlightened in many cases quite as ready to repose their belief in the most illogical ideas. In conclusion, we would only add that the present little volume has been written with a view of showing how this rule applies even to the daily routine of Domestic Life, every department of which, as will be seen in the following pages, has its own Folk-lore. T. F. THISELTON DYER. _Brighton, May, 1881._ CONTENTS. CHAPTER I. BIRTH AND INFANCY. PAGE Value of Superstitions--Lucky Days and Hours of Birth--The Caul--The Changeling--The Evil Eye--"Up and not Down"--Rocking the Empty Cradle--Teeth, Nails, and Hands--The Maple and the Ash--Unchristened Children 1 CHAPTER II. CHILDHOOD. Nursery Literature--The Power of Baptism--Confirmation--Popular Prayers--Weather Rhymes--School Superstitions--Barring out 16 CHAPTER III. LOVE AND COURTSHIP. Love-tests--Plants used in Love-charms--The Lady-bird--The Snail--St. Valentine's Day--Midsummer Eve--Hallowe'en--Omens on Friday 23 CHAPTER IV. MARRIAGE. Seasons and Days propitious to Marriage--Superstitions connected with the Bride--Meeting a Funeral--Robbing the Bride of Pins--Dancing in a Hog's Trough--The Wedding-cake--The Ring 36 CHAPTER V. DEATH AND BURIAL. Warnings of Death--The Howling of Dogs--A Cow in the Garden--Death-presaging Birds--Plants--The Will-o'-the-Wisp--The Sympathy between Two Personalities--Prophecy--Dying Hardly--The Last Act--Place and Position of the Grave 48 CHAPTER VI. THE HUMAN BODY. Superstitions about Deformity, Moles, &c.--Tingling of the Ear--The Nose--The Eye--The Teeth--The Hair--The Hand--Dead Man's Hand--The Feet 65 CHAPTER VII. ARTICLES OF DRESS. New Clothes at Easter and Whitsuntide--Wearing of Clothes--The Clothes of the Dead--The Apron, Stockings, Garters, &c.--The Shoe--The Glove--The Ring--Pins 81 CHAPTER VIII. TABLE SUPERSTITIONS. Thirteen at Table--Salt-spilling--The
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Produced by Charlene Taylor, Carol Brown, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) TRANSCRIBER'S NOTE: This text includes characters that require UTF-8 (Unicode) file encoding: œ (oe ligature) διορθῶσαι (Greek) ° (degree sign; temperature, latitude and longitude) “ ” (curly quotes) If any of these characters do not display properly--in particular, if the diacritic does not appear directly above the letter--or if the apostrophes and quotation marks in this paragraph appear as garbage, make sure your text reader’s “character set” or “file encoding” is set to Unicode (UTF-8). You may also need to change the default font. Additional notes are at the end of the book. _THE WORKS OF HENRY HALLAM._ INTRODUCTION TO THE LITERATURE OF EUROPE IN THE FIFTEENTH, SIXTEENTH, AND SEVENTEENTH CENTURIES. BY HENRY HALLAM, F.R.A.S., CORRESPONDING MEMBER OF THE ACADEMY OF MORAL AND POLITICAL SCIENCES IN THE FRENCH INSTITUTE. _VOLUME II._ WARD, LOCK & CO., LONDON: WARWICK HOUSE, SALISBURY SQUARE, E.C. NEW YORK: BOND STREET. CONTENTS. CHAPTER I. ON THE GENERAL STATE OF LITERATURE IN THE MIDDLE AGES TO THE END OF THE FOURTEENTH CENTURY. Page Retrospect of Learning in Middle Ages Necessary 1 Loss of learning in Fall of Roman Empire 1 Boethius--his Consolation of Philosophy 1 Rapid Decline of Learning in Sixth Century 2 A Portion remains in the Church 2 Prejudices of the Clergy against Profane Learning 2 Their Uselessness in preserving it 3 First Appearances of reviving Learning in Ireland and England 3 Few Schools before the Age of Charlemagne 3 Beneficial Effects of those Established by him 4 The Tenth Century more progressive than usually supposed 4 Want of Genius in the Dark Ages 5 Prevalence of bad Taste 5 Deficiency of poetical Talent 5 Imperfect State of Language may account for this 6 Improvement at beginning of Twelfth Century 6 Leading Circumstances in Progress of Learning 6 Origin of the University of Paris 6 Modes of treating the Science of Theology 6 Scholastic Philosophy--its Origin 7 Roscelin 7 Progress of Scholasticism; Increase of University of Paris 8 Universities founded 8 Oxford 8 Collegiate Foundations not derived from the Saracens 9 Scholastic Philosophy promoted by Mendicant Friars 9 Character of this Philosophy 10 It prevails least in Italy 10 Literature in Modern Languages 10 Origin of the French, Spanish, and Italian Languages 10 Corruption of colloquial Latin in the Lower Empire 11 Continuance of Latin in Seventh Century 12 It is changed to a new Language in Eighth and Ninth 12 Early Specimens of French 13 Poem on Boethius 13 Provençal Grammar 14 Latin retained in use longer in Italy 14 French of Eleventh Century 14 Metres of Modern Languages 15 Origin of Rhyme in Latin 16 Provençal and French Poetry 16 Metrical Romances--Havelok the Dane 18 Diffusion of French Language 19 German Poetry of Swabian Period 19 Decline of German Poetry 20 Poetry of France and Spain 21 Early Italian Language 22 Dante and Petrarch 22 Change of Anglo-Saxon to English 22 Layamon 23 Progress of English Language 23 English of the Fourteenth Century--Chaucer, Gower 24 General Disuse of French in England 24 State of European Languages about 1400 25 Ignorance of Reading and Writing in darker Ages 25 Reasons for supposing this to have diminished after 1100 26 Increased Knowledge of Writing in Fourteenth Century 27 Average State of Knowledge in England 27 Invention of Paper 28 Linen Paper when first used 28 Cotton Paper 28 Linen Paper as old as 1100 28 Known to Peter of Clugni 29 And in Twelfth and Thirteenth Century 29 Paper of mixed Materials 29 Invention of Paper placed by some too low 29 Not at first very important 30 Importance of Legal Studies 30 Roman Laws never wholly unknown 31 Irnerius--his first Successors 31 Their Glosses 31 Abridgements of Law--Accursius’s Corpus Glossatum 31 Character of early Jurists 32 Decline of Jurists after Accursius 32 Respect paid to him at Bologna 33 Scholastic Jurists--Bartolus 33 Inferiority of Jurists in Fourteenth and Fifteenth Centuries 34 Classical Literature and Taste in dark Ages 34 Improvement in Tenth and Eleventh Centuries 34 Lanfranc and his Schools 35 Italy--Vocabulary of Papias 36 Influence of Italy upon Europe 36 Increased copying of Manuscripts 36 John of Salisbury 36 Improvement of Classical Taste in Twelfth Century 37 Influence of increased Number of Clergy 38 Decline of Classical Literature in Thirteenth Century 38 Relapse into Barbarism 38 No Improvement in Fourteenth Century--Richard of Bury 39 Library formed by Charles V. at Paris 39 Some Improvement in Italy during Thirteenth Century 40 Catholicon of Balbi 40 Imperfection of early Dictionaries 40 Restoration of Letters due to Petrarch 40 Character of his Style 41 His Latin Poetry 41 John of Ravenna 41 Gasparin of Barziza 42 CHAPTER II. ON THE LITERATURE OF EUROPE FROM 1400 TO 1440. Zeal for Classical Literature in Italy 42 Poggio Bracciolini 42 Latin Style of that Age indifferent 43 Gasparin of Barziza 43 Merits of his Style 43 Victorin of Feltre 44 Leonard Aretin 44 Revival of Greek Language in Italy 44 Early Greek Scholars of Europe 44 Under Charlemagne and his Successors 45 In the Tenth and Eleventh Centuries 45 In the Twelfth 46 In the Thirteenth 46 Little Appearance of it in the Fourteenth Century 47 Some Traces of Greek in Italy 47 Corruption of Greek Language itself 47 Character of Byzantine Literature 48 Petrarch and Boccace learn Greek 48 Few acquainted with the Language in their Time 49 It is taught by Chrysoloras about 1395 49 His Disciples 49 Translations from Greek into Latin 50 Public Encouragement delayed 51 But fully accorded before 1440 51 Emigration of learned Greeks to Italy 52 Causes of Enthusiasm for Antiquity in Italy 52 Advanced State of Society 52 Exclusive Study of Antiquity 53 Classical Learning in France low 53 Much more so in England 53 Library of Duke of Gloucester 54 Gerard Groot’s College at Deventer 54 Physical Sciences in Middle Ages 55 Arabian Numerals and Method 55 Proofs of them in Thirteenth Century 56 Mathematical Treatises 56 Roger Bacon 57 His Resemblance to Lord Bacon 57 English Mathematicians of Fourteenth Century 57 Astronomy 58 Alchemy 58 Medicine 58 Anatomy 58 Encyclopædic Works of Middle Ages 58 Vincent of Beauvais 59 Berchorius 59 Spanish Ballads 59 Metres of Spanish Poetry 60 Consonant and assonant Rhymes 60 Nature of the Glosa 61 The Cancionero General 61 Bouterwek’s Character of Spanish Songs 61 John II. 62 Poets of his Court 62 Charles, Duke of Orleans 62 English Poetry 62 Lydgate 63 James I. of Scotland 63 Restoration of Classical Learning due to Italy 63 Character of Classical Poetry lost in Middle Ages 64 New School of Criticism in Modern Languages 64 Effect of Chivalry on Poetry 64 Effect of Gallantry towards Women 64 Its probable Origin 64 It is shown in old Teutonic Poetry; but appears in the Stories of Arthur 65 Romances of Chivalry of two Kinds 65 Effect of Difference of Religion upon Poetry 66 General Tone of Romance 66 Popular Moral Fictions 66 Exclusion of Politics from Literature 67 Religious Opinions 67 Attacks on the Church 67 Three Lines of Religious Opinions in Fifteenth Century 67 Treatise de Imitatione Christi 68 Scepticism--Defences of Christianity 69 Raimond de Sebonde 69 His Views misunderstood 69 His real Object 70 Nature of his Arguments 70 CHAPTER III. ON THE LITERATURE OF EUROPE FROM 1440 TO THE CLOSE OF THE FIFTEENTH CENTURY. The year 1440 not chosen as an Epoch 71 Continual Progress of Learning 71 Nicolas V. 71 Justice due to his Character 72 Poggio on the Ruins of Rome 72 Account of the East, by Conti 72 Laurentius Valla 72 His Attack on the Court of Rome 72 His Treatise on the Latin Language 73 Its Defects 73 Heeren’s Praise of it 73 Valla’s Annotations on the New Testament 73 Fresh Arrival of Greeks in Italy 74 Platonists and Aristotelians 74 Their Controversy 74 Marsilius Ficinus 75 Invention of Printing 75 Block Books 75 Gutenberg and Costar’s Claims 75 Progress of the Invention 76 First printed Bible 76 Beauty of the Book 77 Early printed Sheets 77 Psalter of 1547--Other early Books 77 Bible of Pfister 77 Greek first taught at Paris 78 Leave unwillingly granted 78 Purbach--his Mathematical Discoveries 78 Other Mathematicians 78 Progress of Printing in Germany 79 Introduced into France 79 Caxton’s first Works 79 Printing exercised in Italy 79 Lorenzo de’ Medici 80 Italian Poetry of Fifteenth Century 80 Italian Prose of same Age 80 Giostra of Politian 80 Paul II. persecutes the Learned 81 Mathias Corvinus 81 His Library 81 Slight Signs of Literature in England 81 Paston Letters 82 Low Condition of Public Libraries 83 Rowley 83 Clotilde de Surville 83 Number of Books printed in Italy 83 First Greek printed 84 Study of Antiquities 84 Works on that Subject 84 Publications in Germany 85 In France 85 In England, by Caxton 85 In Spain 85 Translations of Scripture 85 Revival of Literature in Spain 86 Character of Labrixa 86 Library of Lorenzo 87 Classics corrected and explained 87 Character of Lorenzo 87 Prospect from his Villa at Fiesole 87 Platonic Academy 88 Disputationes Camaldulenses of Landino 88 Philosophical Dialogues 89 Paulus Cortesius 89 Schools in Germany 89 Study of Greek at Paris 91 Controversy of Realists and Nominalists 91 Scotus 91 Ockham 92 Nominalists in University of Paris 92 Low State of Learning in England 92 Mathematics 93 Regiomontanus 93 Arts of Delineation 93 Maps 94 Geography 94 Greek printed in Italy 94 Hebrew printed 95 Miscellanies of Politian 95 Their Character, by Heeren 95 His Version of Herodian 96 Cornucopia of Perotti 96 Latin Poetry of Politian 96 Italian Poetry of Lorenzo 97 Pulci 97 Character of Morgante Maggiore 97 Platonic Theology of Ficinus 98 Doctrine of Averroes on the Soul 98 Opposed by Ficinus 99 Desire of Man to explore Mysteries 99 Various Methods employed 99 Reason and Inspiration 99 Extended Inferences from Sacred Books 99 Confidence in Traditions 100 Confidence in Individuals as inspired 100 Jewish Cabbala 100 Picus of Mirandola 101 His Credulity in the Cabbala 101 His Literary Performances 102 State of Learning in Germany 102 Agricola 103 Renish Academy 103 Reuchlin 104 French Language and Poetry 104 European Drama 104 Latin 104 Orfeo of Politian 105 Origin of Dramatic Mysteries 105 Their early Stage 105 Extant English Mysteries 105 First French Theatre 106 Theatrical Machinery 107 Italian Religious Dramas 107 Moralities 107 Farces 107 Mathematical Works 107 Leo Baptista Alberti 108 Lionardo da Vinci 108 Aldine Greek Editions 109 Decline of Learning in Italy 110 Hermolaus Barbarus 111 Mantuan 111 Pontanus 111 Neapolitan Academy 112 Boiardo 112 Francesco Bello 113 Italian Poetry near the End of the Century 113 Progress of Learning in France and Germany 113 Erasmus--his Diligence 114 Budæus--his early Studies 114 Latin not well written in France 115 Dawn of Greek Learning in England 115 Erasmus comes to England 116 He publishes his Adages 116 Romantic Ballads of Spain 116 Pastoral Romances 117 Portuguese Lyric Poetry 117 German popular Books 117 Historical Works 118 Philip de Comines 118 Algebra 118 Events from 1490 to 1500 119 Close of Fifteenth Century 119 Its Literature nearly neglected 119 Summary of its Acquisitions 119 Their Imperfection 120 Number of Books printed 120 Advantages already reaped from Printing 120 Trade of Bookselling 121 Books sold by Printers 121 Price of Books 122 Form of Books 122 Exclusive Privileges 122 Power of Universities over Bookselling 123 Restraints on Sale of Printed Books 124 Effect of Printing on the Reformation 124 CHAPTER IV. ON THE LITERATURE OF EUROPE FROM 1500 TO 1520. Decline of Learning in Italy 125 Press of Aldus 125 His Academy 126 Dictionary of Calepio 126 Books printed in Germany 126 First Greek Press at Paris 126 Early Studies of Melanchthon 127 Learning in England 127 Erasmus and Budæus 128 Study of Eastern Languages 128 Dramatic Works 128 Calisto and Melibœa 128 Its Character 129 Juan de la Enzina 129 Arcadia of Sanazzaro 129 Asolani of Bembo 130 Dunbar 130 Anatomy of Zerbi 130 Voyages of Cadamosto 130 Leo X., his Patronage of Letters 131 Roman Gymnasium 131 Latin Poetry 132 Italian Tragedy 132 Sophonisba of Trissino 132 Rosmunda of Rucellai 132 Comedies of Ariosto 132 Books printed in Italy 133 Cælius Rhodiginus 133 Greek printed in France and Germany 133 Greek Scholars in these Countries 134 College at Alcala and Louvain 134 Latin Style in France 135 Greek Scholars in England 135 Mode of Teaching in Schools 136 Few Classical Works printed here 137 State of Learning in Scotland 137 Utopia of More 137 Inconsistency in his Opinions 138 Learning restored in France 138 Jealousy of Erasmus and Budæus 138 Character of Erasmus 139 His Adages severe on Kings 139 Instances in illustration 140 His Greek Testament 142 Patrons of Letters in Germany 142 Resistance to Learning 143 Unpopularity of the Monks 145 The Book excites Odium 145 Erasmus attacks the Monks 145 Their Contention with Reuchlin 145 Origin of the Reformation 146 Popularity of Luther 147 Simultaneous Reform by Zwingle 147 Reformation prepared beforehand 147 Dangerous Tenets of Luther 148 Real Explanation of them 149 Orlando Furioso 150 Its Popularity 150 Want of Seriousness 150 A Continuation of Boiardo 150 In some Points inferior 151 Beauties of its Style 151 Accompanied with Faults 151 Its Place as a Poem 152 Amadis de Gaul 152 Gringore 152 Hans Sachs 152 Stephen Hawes 153 Change in English Language 153 Skelton 154 Oriental Languages 154 Pomponatius 155 Raymond Lully 155 His Method 155 Peter Martyr’s Epistles 156 CHAPTER V. HISTORY OF ANCIENT LITERATURE IN EUROPE FROM 1520 TO 1550. Superiority of Italy in Taste 157 Admiration of Antiquity 158 Sadolet 158 Bembo 159 Ciceronianus of Erasmus 159 Scaliger’s Invective against it 160 Editions of Cicero 160 Alexander ab Alexandro 160 Works on Roman Antiquities 161 Greek less Studied in Italy 161 Schools of Classical Learning 161 Budæus--his Commentaries on Greek 161 Their Character 162 Greek Grammars and Lexicons 162 Editions of Greek Authors 163 Latin Thesaurus of R. Stephens 163 Progress of Learning in France 164 Learning in Spain 165 Effects of Reformation on Learning 165 Sturm’s Account of German Schools 165 Learning in Germany 166 In England--Linacre 166 Lectures in the Universities 166 Greek perhaps Taught to Boys 167 Teaching of Smith at Cambridge 167 Succeeded by Cheke 168 Ascham’s Character of Cambridge 168 Wood’s Account of Oxford 168 Education of Edward and his Sisters 169 The Progress of Learning is still slow 169 Want of Books and Public Libraries 169 Destruction of Monasteries no Injury to Learning 169 Ravisius Textor 170 Conrad Gesner 170 CHAPTER VI. HISTORY OF THEOLOGICAL LITERATURE IN EUROPE FROM 1520 TO 1550. Progress of the Reformation 171 Interference of Civil Power 171 Excitement of Revolutionary Spirit 172 Growth of Fanaticism 172 Differences of Luther and Zwingle 172 Confession of Augsburg 173 Conduct of Erasmus 173 Estimate of it 174 His Controversy with Luther 174 Character of his Epistles 176 His Alienation from the Reformers increases 176 Appeal of the Reformers to the Ignorant 176 Parallel of those Times with the Present 177 Calvin 177 His Institutes 177 Increased Differences among Reformers 178 Reformed Tenets spread in England 178 In Italy 178 Italian Heterodoxy 179 Its Progress in the Literary Classes 180 Servetus 180 Arianism in Italy 181 Protestants in Spain and Low Countries 181 Order of Jesuits 181 Their Popularity 181 Council of Trent 182 Its Chief Difficulties 182 Character of Luther 182 Theological Writings--Erasmus 183 Melanchthon--Romish Writers 183 This Literature nearly forgotten 184 Sermons 184 Spirit of the Reformation 184 Limits of Private Judgment 185 Passions instrumental in Reformation 185 Establishment of new Dogmatism 186 Editions of Scripture 186 Translations of Scripture 186 In English 187 In Italy and Low Countries 187 Latin Translations 187 French Translations 188 CHAPTER VII. HISTORY OF SPECULATIVE, MORAL, AND POLITICAL PHILOSOPHY, AND OF JURISPRUDENCE, IN EUROPE, FROM 1520 TO 1550. Logic included under this head 188 Slow Defeat of Scholastic Philosophy 188 It is sustained by the Universities and Regulars 188 Commentators on Aristotle 188 Attack of Vives on Scholastics 189 Contempt of them in England 189 Veneration for Aristotle 189 Melanchthon countenances him 189 His own Philosophical Treatises 190 Aristotelians of Italy 190 University of Paris 190 New Logic of Ramus 190 It meets with unfair treatment 191 Its Merits and Character 191 Buhle’s account of it 191 Paracelsus 191 His Impostures 192 And Extravagancies 192 Cornelius Agrippa 192 His pretended Philosophy 193 His Sceptical Treatise 193 Cardan 193 Influence of Moral Writers 194 Cortegiano of Castiglione 194 Marco Aurelio of Guevara 194 His Menosprecio di Corte 194 Perez d’Oliva 195 Ethical Writings of Erasmus and Melanchthon 195 Sir T. Elyot’s Governor 195 Severity of Education 196 He seems to avoid Politics 196 Nicholas Machiavel 196 His motives in writing the Prince 197 Some of his Rules not immoral 197 But many dangerous 197 Its only Palliation 198 His Discourses on Livy 198 Their leading Principles 198 Their Use and Influence 199 His History of Florence 199 Treatises on Venetian Government 199 Calvin’s Political Principles 199 Jurisprudence confined to Roman Law 200 The Laws not well arranged 200 Adoption of the entire System 200 Utility of General Learning to Lawyers 200 Alciati--his Reform of Law 201 Opposition to him 201 Agustino 201 CHAPTER VIII. HISTORY OF THE LITERATURE OF TASTE IN EUROPE FROM 1520 TO 1550. Poetry of Bembo 201 Its Beauties and Defects 202 Character of Italian Poetry 202 Alamanni 202 Vittoria Colonna 202 Satires of Ariosto and Alamanni 203 Alamanni
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Produced by Bryan Ness, Markus Brenner and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) RULES AND REGULATIONS OF THE INSANE ASYLUM OF CALIFORNIA. PRESCRIBED BY THE RESIDENT PHYSICIAN, AUGUST 1, 1861. STOCKTON: ARMOR & CLAYES, PRINTERS. 1861. RESIDENT PHYSICIAN. The Resident Physician, who shall also be the Superintendent, shall be the chief executive officer of the Asylum; he shall have the general superintendence of the buildings, grounds, and property, subject to the laws and regulations of the Trustees; he shall have the sole control and management of the patients; he shall ascertain their condition, daily prescribe their treatment, and adopt such sanitary measures as he may think best; he shall appoint, with the approval of the Trustees, so many attendants and assistants as he may think proper and necessary for the economical and efficient performance of the business of the Asylum, prescribe their several duties and places;--he shall, also, from time to time, give such orders and instructions as he may judge best calculated to insure good conduct, fidelity and economy in every department of labor and expense; and he is authorized and enjoined to maintain salutary discipline among all who are employed by the Institution, and uniform obedience to all the rules and regulations of the Asylum.--[_State Law of 1858._ ASSISTANT PHYSICIAN. FIRST. "The Assistant Physician shall perform" the "duties, and be subject to the responsibility of the Superintendent, in his sickness or absence, and" he "may call to his aid, for the time being, such medical assistance, as he may deem necessary"--"and perform such other duties as may be directed by the Superintendent and prescribed by the By-Laws."--[_State Law of 1858._ SECOND. He shall prepare and superintend the administration of medicines, visit the wards frequently, and carefully note the condition and progress of individual cases; see that the directions of the Superintendent are faithfully executed, and promptly report any case of neglect or abuse that may come under his observation, or of which he may be informed. THIRD. He shall assist in devising employment and recreation for the patients, and endeavor in every way to promote their comfort and recovery; keep such records of cases as the Superintendent may direct, assist in preparing statistics, and conducting correspondence, and he shall perform such other duties of his office as properly belong thereto. GENERAL RULES. 1. Persons employed in the service of the Asylum will learn that character, proper deportment, and faithfulness to duty, will alone keep them in the situations in which they are placed; and they should consider well, before entering upon service, whether they are prepared to devote all their time, talents, and efforts, in the discharge of the duties assigned to them. The Institution will deal in strict good faith with its employees, and it will expect, in return, prompt, faithful, and self-denying service. 2. No one can justly take offense when respectfully informed by the Superintendent, that his or her temperament is better adapted to some other employment; and those receiving such information should regard it as kindly given, that they may have opportunity to avoid the unpleasantness of being discharged. 3. Those employed at the Asylum be expected to hold themselves in readiness for duty when directed by its officers; and the neglect of any labor, or duty, on the ground that laboring hours are over, or to hesitate, after proper direction, on such pretexts, will be regarded as evidence against the fitness of the employee for the place he or she may hold. 4. It must be remembered by all the employees, that their duties are peculiar and confidential, and that there is an obvious impropriety in disclosing the names, peculiarities, or acts of the inmates. It should never be forgotten that the most cruel wounds may, by imprudent disclosures, be inflicted on those whose conduct and language, during their misfortune, should be covered with the veil of deepest secrecy. Conversations, in relation to the Asylum and its inmates, sought by the idle and mischievous, should be studiously avoided. 5. All persons employed in the Asylum are required to cultivate a calm and deliberate method of performing their daily duties--carelessness and precipitation being never more out of place than in an insane asylum. Loud talking, hurrying up and down stairs, rude forms of address to one another, and unsightly styles of dress, are wholly misplaced where everything should be strictly decorous and orderly. 6. In the management of patients, unvarying kindness must be strictly observed by all. When spoken to, mild, pleasant and persuasive language must never give place to authoritative expressions of any kind. All threats, taunts, or other kinds of abuse in language, are expressly forbidden. A blow, kick, or any other kind of physical abuse, inflicted on a patient, will be immediately followed by the dismissal of the person so offending. 7. Employees having charge of patients outside of the wards, whether for labor or exercise, will be held responsible for their safe return, unless, by the direction of an officer they shall be transferred to the charge of some other person; and when patients employed out of doors become excited, they must be immediately returned to the wards whence they were taken, and the fact reported at the office. 8. It will be expected of all employed in or about the Asylum, to check, as far as possible, all conversations or allusions, on the part of patients, to subjects of an obscene or improper nature, and remove, when in their power, false impressions on their minds, respecting their confinement or management; and any person who shall discover a patient devising plans for escape, suicide, or violence to others, is enjoined to report it to an officer without delay. 9. The place of duty of those having charge of patients is in the wards, or in the yards, or in the garden with the patients. During the day and while the patients are out of their sleeping apartments, they have no business in their rooms, except for a momentary errand to adjust their own clothing; and any employee who shall enter his or her room, and engage in reading, writing, entertaining visitors, or be otherwise off duty, will be acting in violation of rule. 10. The employees are not permitted to correspond with the friends of patients; and all letters or packages to, or from, patients, must pass through the hands of the Superintendent or Assistant Physician. All making of dresses, working of embroidery, or any mechanism, for the use of employees, is prohibited, unless by the special permission of the Superintendent; and no employee of the Institution shall ever make any bargain with any patient, or his or her friends, or accept of any fee, reward or gratuity from any patient, or his or her friends, without the Superintendent's consent. 11. Employees will not be permitted to leave the Asylum without the consent of the Superintendent or Assistant Physician, and, when allowed to leave, they will be expected to return by 9 o'clock P. M.--unless expressly permitted to remain out longer. Before leaving they must hang up their keys in the place, in the office, provided for that purpose. Non-residents will not be permitted to remain in the Institution at night without the knowledge and consent of the Superintendent or Assistant Physician. 12. No person will be employed in or about the Asylum who is intemperate in habits, or who engages in gambling or any other immoral or disreputable practice; and as the patients are not allowed the use of tobacco, within the Asylum, the employees are expected not to use it, in any form, in their presence. 13. While employees are not prohibited from _occasionally_ visiting each other in their wards, it should never become a habit, and the indulgence is only allowed in view of the spirit of emulation, which may thus be encouraged by sometimes inspecting each other's sphere of duty. When it is discovered that the permission is abused, or that visits are being spent in idle conversation, it will be held as a violation of rule. 14. The two departments of the Institution--male and female--must always be separate to its employees, and no person, whose post of duty is exclusively in the one, shall ever be permitted to enter the other, unless some express or proper occasion shall demand it; and any one who shall discover, and not disclose, or who shall in any way encourage, an acquaintance between two patients, of opposite sex, will be held highly culpable for such misdemeanor, and will be forthwith dismissed from service. 15. No employee will be permitted to appropriate to his or her use any article belonging to the Asylum, or purchased for the use of the patients, however small or comparatively valueless it may be. From the salary of the person so offending, the cost of the article will be deducted, and he or she dismissed from service. STEWARD. 1. The Steward shall have a general oversight of the business of the farm, garden, grounds, fences and buildings; he shall assist in maintaining the police regulations of the Asylum, observe the deportment of those employed in subordinate positions, see that they do their duty, and report to the Superintendent any instance of neglect or misconduct, that he may observe, or of which he may be informed; he shall see to the opening and closing of the house; that the employees rise and commence their duties at the ringing of the bell, and return at proper season at night; that the bell is rung promptly at such hours as may be designated, from time to time, by the Superintendent. He shall have a general care of the male patients, see that they are kindly treated, that their clothes are taken care of, that their food is properly cooked, served and distributed, that the rooms, passages and other apartments are kept clean and properly warmed and ventilated, and that every thing pertaining to the Asylum property is kept in order and in good repair. 2. The Steward shall receive and store all provisions, fuel, clothing, etc. provided by contracts, and, also, all supplies purchased under the direction of the Superintendent, and he will be held responsible for the safe-keeping and economical distribution of the same. 3. He shall keep just, accurate and methodical accounts of all articles received, and all articles purchased by him, together with all distributions of supplies to the several departments of the Institution--each and every day's accounts exhibiting, in detail, the number, quantity weight or measurement, as the nature of the case may be, of each and every article received, and from whom, and distributed, and to whom. 4. On the receipt of supplies, whether obtained under contract, or purchased by order of the Superintendent, the Steward shall require a bill or invoice of the same, and if, upon a careful examination of the quality, quantity, weight or measurement of the article or articles, they shall be found to correspond with the item or items of the bill, he shall enter the aggregate amount, with the date and number of the invoice, in a book provided for that purpose, after which he shall endorse the bill _correct_, and file it, together with an abstract of his daily disbursements, in the office of the Superintendent. 5. The Steward will be expected to devote his whole time to the interests of the Institution, assist, in every way in his power, to preserve order in the house, and faithfulness among the employees, and see that all the rules and regulations of the Asylum are fully observed. MATRON. 1. The Matron shall have charge of the female department of the Asylum. It will be expected of her to be with the female patients, in all the wards, as much as possible; see that they are kindly treated; that their food is properly cooked, served and distributed; that their apartments are kept clean and in good order, and properly warmed and ventilated; that the female employees attend to their duties in all respects, and report to the Superintendent any departure, on their part, from the rules and regulations of the Institution. 2. The bedding, table linen, napkins, and drapery furniture, carpets, table covers, and all similar property of the female department, as well as the clothing of the female patients, shall be under her general care and supervision. She shall direct the employment and amusements of all the inmates of the female wards; in short, it will be expected of her to look frequently and carefully into every interest connected with her department; and thus
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Produced by Mary Glenn Krause, Barry Abrahamsen, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE HONORABLE MISS MOONLIGHT ------------------------------------------------------------------------ [Illustration: Frontispiece] ------------------------------------------------------------------------ THE HONORABLE MISS MOONLIGHT BY ONOTO WATANNA AUTHOR OF “A JAPANESE NIGHTINGALE” “TAMA” ETC. [Illustration: Publisher’s Logo] HARPER & BROTHERS PUBLISHERS NEW YORK AND LONDON M C M X I I ------------------------------------------------------------------------ BOOKS BY ONOTO WATANNA THE HONORABLE MISS MOONLIGHT. Post 8vo net $1.00 A JAPANESE NIGHTINGALE. Illustrated. Crown 8vo net 2.00 A JAPANESE BLOSSOM. Illustrated in color. 8vo net 2.00 THE WOOING OF WISTARIA. Illustrated. Post 8vo net 1.50 THE HEART OF HYACINTH. Illustrated in color. Crown 8vo net 2.00 TAMA. Illustrated. Japan tint paper. Crown 8vo net 1.60 HARPER & BROTHERS, NEW YORK COPYRIGHT, 1912, BY HARPER & BROTHERS ------- PRINTED IN THE UNITED STATES OF AMERICA PUBLISHED SEPTEMBER, 1912 H-M ------------------------------------------------------------------------ TO J. W., L. W., AND E. McK. IN REMEMBRANCE OF KIND WORDS ------------------------------------------------------------------------ THE HONORABLE MISS MOONLIGHT ------------------------------------------------------------------------ THE HONORABLE MISS MOONLIGHT CHAPTER I THE day had been long and sultry. It was the season of little heat, when an all-encompassing humidity seemed suspended over the land. Sky and earth were of one monotonous color, a dim blue, which faded to shadowy grayness at the fall of the twilight. With the approach of evening, a soothing breeze crept up from the river. Its faint movement brought a measure of relief, and nature took on a more animated aspect. Up through the narrow, twisting roads, in and out of the never-ending paths, the lights of countless jinrikishas twinkled, bound for the Houses of Pleasure. Revelers called to each other out of the balmy darkness. Under the quivering light of a lifted lantern, suspended for an instant, faces gleamed out, then disappeared back into the darkness. To the young Lord Saito Gonji the night seemed to speak with myriad tongues. Like some finely tuned instrument whose slenderest string must vibrate if touched by a breath, so the heart of the youth was stirred by every appeal of the night. He heard nothing of the chatter and laughter of those about him. For the time at least, he had put behind him that sickening, deadening thought that had borne him company now for so long. He was giving himself up entirely to the brief hour of joy, which had been agreeably extended to him in extenuation of the long life of thralldom yet to come. It was in his sole honor that the many relatives and connections of his family had assembled, joyously to celebrate the fleeting hours of youth. For within a week the Lord Saito Gonji was to marry. Upon this pale and dreamy youth the hopes of the illustrious house of Saito depended. To him the august ancestors looked for the propagating of their honorable seed. He was the last of a great family, and had been cherished and nurtured for one purpose only. With almost as rigid care as would have been bestowed upon a novitiate priest, Gonji had been educated. “Send the child you love upon a journey,” admonished the stern-hearted Lady Saito Ichigo to her husband; and so at the early age of five the little Gonji was sent to Kummumotta, there to be trained under the strictest discipline known to the samourai. Here he developed in strength and grace of body; but, seemingly caught in some intangible web, the mind of the youth awoke not from its dreams. His arm had the strength of the samourai, said his teachers, but his spirit and his heart were those of the poet. There came a period when he was placed in the Imperial University, and a new life opened to the wondering youth. New laws, new modes of
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Produced by David Widger BIBLE STUDIES ESSAYS ON PHALLIC WORSHIP AND OTHER CURIOUS RITES AND CUSTOMS By J. M. Wheeler "There is nothing unclean of itself: but to him that esteemeth anything to be unclean, to him it is unclean." --Paul (Romans xiv. 14). 1892. Printed and Published By G. W. Foote PREFACE. My old friend Mr. Wheeler asks me to launch this little craft, and I do so with great pleasure. She is not a thunderous ironclad, nor a gigantic ocean liner; but she is stoutly built, well fitted, and calculated to weather all the storms of criticism. My only fear is that she will not encounter them. During the sixteen years of my friend's collaboration with me in many enterprises for the spread of Freethought and the destruction of Superstition, he has written a vast variety of articles, all possessing distinctive merit, and some extremely valuable. From these he and I have made the following selection. The articles included deal with the Bible from a special standpoint; the standpoint of an Evolutionist, who reads the Jewish Scriptures in the light of anthropology, and finds infinite illustrations in them of the savage origin of religion. Literary and scientific criticism of the Old Testament have their numerous votaries. Mr. Wheeler's mind is given to a different study of the older half of the Bible. He is bent on showing what it really contains; what religious ideas, rites, and customs prevailed among the ancient Jews and find expression in their Scriptures. This is a fruitful method, especially in _our_ country, if it be true, as Dr. Tylor observes, that "the English mind, not readily swayed by rhetoric, moves freely under the pressure of facts." Careful readers of this little book will find it full of precious information. Mr. Wheeler has a peculiarly wide acquaintance with the literature of these subjects. He has gathered from far and wide, like the summer bee, and what he yields is not an undigested mass of facts, but the pure honey of truth. Many readers will be astonished at what Mr. Wheeler tells them. We have read the Bible, they will say, and never saw these things. That is because they read it without knowledge, or without attention. Reading is not done with the eyes only, but also with the brain; and the same sentences will make various impressions, according as the brain is rich or poor in facts and principles. Even the great, strong mind of Darwin had to be plentifully stored with biological knowledge before he could see the meaning of certain simple facts, and discover the wonderful law of Natural Selection. Those who have studied the works of Spencer, Tylor, Lubbock, Frazer, and such authors, will _not_ be astonished at the contents of this volume. But they will probably find some points they had overlooked; some familiar points presented with new force; and some fresh views, whose novelty is not their only virtue: for Mr. Wheeler is not a slavish follower of even the greatest teachers, he thinks for himself, and shows others what he has seen with his own eyes. I hope this little volume will find many readers. Its doing so will please the author, for every writer wishes to be read; why else, indeed, should he write? Only less will be the pleasure of his friend who pens this Preface. I am sure the book will be instructive to most of those into whose hands it falls; to the rest, the few who really study and reflect, it will be stimulating and suggestive. Greater praise the author would not desire; so much praise cannot often be given with sincerity. G. W. Foote. PHALLIC WORSHIP AMONG THE JEWS. "The hatred of indecency, which appears to us so natural as to be thought innate, and which is so valuable an aid to chastity, is a modern virtue, appertaining exclusively, as Sir G. Staunton remarks, to civilised life. This is shown by the ancient religious rites of various nations, by the drawings on the walls of Pompeii, and by the practices of many savages."--C. Darwin, "Descent of Man" pt. 1, chap. iv., vol. i., p. 182; 1888. The study of religions is a department of anthropology, and nowhere is it more important to remember the maxim of the pagan Terence, _Homo sum, nihil humani a me alienum puto_. It is impossible to dive deep into any ancient faiths without coming across a deal of mud. Man has often been defined as a religious animal. He might as justly be termed a dirty and foolish animal. His religions have been growths of earth, not gifts from heaven, and they usually bear strong marks of their clayey origin.* * The Contemporary Review for June 1888, says (p. 804) "when Lord Dalhousie passed an Act intended to repress obscenity (in India), a special clause in it exempted all temples and religious emblems from its operation." I am not one of those who find in phallicism the key to all the mysteries of mythology. All the striking phenomena of nature--the alternations of light and darkness, sun and moon, the terrors of the thunderstorm, and of pain, disease and death, together with his own dreams and imaginations--contributed to evoke the wonder and superstition of early man. But investigation of early religion shows it often nucleated around the phenomena of generation. The first and final problem of religion concerns the production of things. Man's own body was always nearer to him than sun, moon, and stars; and early man, thinking not in words but in things, had to express the very idea of creation or production in terms of his own body. It was so in Egypt, where the symbol, from being the sign of production, became also the sign of life, and of regeneration and resurrection. It was so in Babylonia and Assyria, as in ancient Greece and Troy, and is so till this day in India. Montaigne says: "Fifty severall deities were in times past allotted to this office. And there hath beene a nation found which to allay and coole the lustful concupiscence of such as came for devotion, kept wenches of purpose in their temples to be used; for it was a point of religion to deale with them before one went to prayers. _Nimirum propter continentiam incontinentia neces-saria est, incendium ignibus extinguitur_: 'Belike we must be incontinent that we may be continent, burning is quenched by fire.' In most places of the world that part of our body was deified. In that same province some flead it to offer, and consecrated a peece thereof; others offered and consecrated their seed." It is in India that this early worship maybe best studied at the present day. The worshippers of Siva identify their great god, Maha Deva, with the linga, and wear on their left arm a bracelet containing the linga and yoni. The rival sect of followers of Vishnu have also a phallic significance in their symbolism. The linga yoni (fig. 1) is indeed one of the commonest of religious symbols in India. Its use extends from the Himalayas to Cape Comorin. Major-General Forlong says the ordinary Maha Deva of Northern India is the simple arrangement shown in fig. 2, in which we see "what was I suspect the first Delphic tripod supporting a vase of water over the Linga in Yona. Such may be counted by scores in a day's march over Northern India, and especially at ghats or river ferries, or crossings of any streams or roads; for are they not Hermae?" The Linga Purana tells us that the linga was a pillar of fire in which Siva was present. This reminds one of Jahveh appearing as a pillar of cloud by day and a pillar of fire by night. [Illustration: Fig. 1.--The Hindu Maha Deva, or Linga-Yoni] So astounded have been many writers at the phenomena presented by phallic worship that they have sought to explain it, not only by the story of the fall and the belief in original sin, but by the direct agency of devils.* Yet it may be wrong to associate the origin of phallic worship with obscenity. Early man was rather unmoral than immoral. Obliged to think in things, it was to him no perversion to mentally associate with his own person the awe of the mysterious power of production. The sense of pleasure and the desire for progeny of course contributed. The worship was indeed both natural and inevitable in the evolution of man from savagery. When, however, phallic worship was established, it naturally led to practices such as those which Herodotus, Diodorus, and Lucian tell us took place in the Egyptian, Babylonian, and Syrian religions. * See Gougenot des Mousseaux's curious work Dieu et les Dieux, Paris, 1854. When the Luxor monument was erected in Rome, Pope Sixtus V. deliberately exorcised the devils out of possession of it. [Illustration: Fig. 2.--Rural Hindu Lingam.] Hume's observation that polytheism invariably preceded monotheism has been confirmed by all subsequent investigation. The belief in one god or supreme spirit springs out of the belief in many gods or spirits. That this was so with the Jews there is sufficient evidence in the Bible, despite the fact that the documents so called have been frequently "redacted," that is corrected, and the evidence in large part erased. An instance of this falsification may be found in Judges xviii. 30 (see Revised Version), where "Manasseh" has been piously substituted for Moses, in order to conceal the fact that the direct descendants of Moses were image worshippers down till the time of the captivity. The Rabbis gave what Milton calls "this insulse rule out of their Talmud; 'That all words, which in the Law are written obscenely, must be changed to more civil words.' Fools who would teach men to read more decently than God thought good to write."* Instances of euphemisms may be traced in the case of the "feet" (Judges iii. 24, Song v. 3, Isaiah vii* 20); "thigh" (Num. v. 24); "heel" (Gen, iii. 15); "heels" (Jer. xiii. 22); and "hand" (Isaiah lvii. 7). This last verse is translated by Dr. Cheyne, "and behind the door and the post hast thou placed thy memorial, for apart from me thou hast uncovered and gone up; thou hast enlarged thy bed, and obtained a contract from them (?); thou hast loved their bed; thou hast beheld the phallus." In his note Dr. Cheyne gives the view of the Targum and Jerome "that'memorial' = idol (or rather idolatrous symbol--the phallus)." * "Apology for Smectymnus," Works, p.84. The priests, whose policy it was to keep the nation isolated, did their best to destroy the evidence that the Jews shared in the idolatrous beliefs and practices of the nations around them. In particular the cult of Baal and Asherah, which we shall see was a form of phallic worship, became obnoxious, and the evidence of its existence was sought to be obliterated. The worship, moreover, became an esoteric one, known only to the priestly caste, as it still is among Roman Catholic initiates, and the priestly caste were naturally desirous that the ordinary worshipper should not become "as one of us." It is unquestionable that in the earliest times the Hebrews worshipped Baal. In proof there is the direct assertion of Jahveh himself (Hosea ii. 16) that "thou shalt call me _Ishi_ [my husband] and shalt call me no more _Baali_." The evidence of names, too, is decisive. Gideon's other name, Jerubbaal (Jud. vi. 32, and 1 Sam. xii. 11), was evidently the true one, for in 2 Sam. xi. 21, the name Jerubbesheth is substituted. Eshbaal (1 Chron. viii. 33) is called Ishbosheth (2 Sam. ii. 8, 10). Meribbaal (1 Chron. viii. 34) is Mephibosheth (2 Sam. iv. 4).* Now _bosheth_ means v "shame," or "shameful thing," and as Dr. Donaldson points out, in especial, "sexual shame," as in Gen. ii. 25. In the Septuagint version of 1 Kings xviii. 25, the prophets of Baal are called "the prophets of that shame." Hosea ix. 10 says "they went to Baal-peor and consecrated themselves to Bosheth and became abominable like that they loved." Micah i. 11 "having thy Bosheth naked." Jeremiah xi. 5, "For according to the number of thy cities were thy gods, O Judah; and according to the number of the streets of Jerusalem have ye set up altars to Bosheth, altars to burn incense unto Baal." * So Baaljadah [1 Chron. xiv. 7] is Eliada [2 Sam. v. 161.] In 1 Chron. xii. 6, we have the curious combination, Baaljah, i.e. Baal is Jah, as the name of one of David's heroes. The place where the ark stood, known afterwards as Kirjath-jearim, was formerly named Baalah, or place of Baal (I Chron. xiii. 6). The change of name took place after David's time, since the writer of 2 Sam. vi. 2 says merely that David went with the ark from "Baale of Judah."* Colenso notices that when the four hundred and fifty prophets of Baal are said to have been destroyed by Elijah, nothing is said of the four hundred prophets of the Asherah. "Also these same '400 prophets,' apparently, are called together by Ahab as prophets of JHVH, and they reply in the name of JHVH, 1 Kings xxii. 5-6." That phallicism was an important element in Baal and Asherah worship is well known to scholars, and will be made clear to discerning readers. The frequent allusion to "groves" in the Authorised Version must have puzzled many a simple student. The natural but erroneous suggestion of "tree worship" does not fit in very well with the important statement (2 Kings xxiii. 6) that Josiah "brought out the grove from the house of the Lord."** A reference to the Revised Version will show that this misleading word is intended to conceal the real nature of the worship of Asherah. The door of life, the conventional form of the Asherah with its thirteen flowers or measurements of time, is given in fig. 3. * The "Baal" was afterwards taken out of all such names of places, and instead of Baal Peor, Baal Meon, Baal Tamar, Baal Shalisha, etc., we find Beth Peor, Beth Meon, Beth Tamar, etc. ** Verse vii. says, "he brake down the houses of the sodomites that were by the house of the Lord, where the women wove hangings for the grove." A reference to the Revised Version shows that it was "in the house of the Lord, where the women wove hangings [or tents] for the Asherah." See also Ezek. xvi. 16. This worship certainly lasted from the earliest historic times until the seventeenth year of Josiah, B.C. 624. We read how in the days of the Judges they "served Baalim and the groves" (R.V., "the Asheroth"; Judges iii, 7; see ii. 12, "Baal and Ash-taroth.) We find that Solomon himself "went after Ashtoreth (1 Kings xi. 5) and that he builded the mount of corruption (margin, i.e., the mount of Olives) for that "abomination of the Zidonians" (2 Kings xxiii. 13). All the distinctive features of Solomon's Temple were Phoenician in character. What the Phoenician temples were like Lucian tells us in his treatise on the goddess of Syria. The great pillars Jachin, "the establisher," and Boaz, "strength"; the ornamentation of palm trees, pomegranates, and lotus work; are all Phoenician and all phallic. The bells and pomegranates on the priests' garment were emblematic of the paps and full womb. The palm-tree, which appears both in Solomon's temple and in Ezekiel's vision, was symbolical, as may be seen in the Assyrian monument (fig. 4), and which finds a place in Eastern Christian symbolism, with the mystic alpha and omega (fig. 5). The worship of Astoreth, the Assyrian Ishtar, and Greek Astarte, was widespread. The Phoenicians took it with them to Cyprus and Carthage. In the days of Abraham there was a town called after her (Gen. xiv. 5), and to this day her name is preserved in Esther. [Illustration: Fig. 3.--Asherah.] It is she who is called the Queen of Heaven, to whom the women made moon-shaped cakes and poured libations (Jer. vii. 18, xliv. 17.) Baal represented the generative, Astoreth the productive power. The pillars and asherah, so often alluded to in the Bible, were the palm-tree, with male and female animals frolicking around the tree of life, the female near the fleur de lis and the male near the yoni. Tall and straight trees, especially the palm, were reverenced as symbols. Palm branches carried in procession were signs of fruitfulness and joy. [Illustration: Fig. 4.--From Layard, Culte de Venus, plate I, fig. 20, depicts the mystic signs of their worship, and Dr. Oort* says of the name Ashera, "This word expressed originally a pillar on, or near--not only the altars of Baal--but also the altars of JHVH."] Bishop Colenso in his notes to Dr. Oort's work remarks, "It seems plain that the Ashera (from _ashar_, be straight, erect) was in reality a phallus, like the _Linga_ or _Lingam_ of the Hindoos, the sign of the male organ of generation."** * The Worship of Baalim and Israel, p. 46. ** Asher was the tutelary god of Assyria. His emblem was the winged circle. [Illustration: Fig. 5.--The Eastern Christian palm, on which is placed the cross and banners with the Alpha and Omega.] There can be little doubt on the matter in the mind of anyone acquainted with ancient faiths and the inevitable phases of human evolution, We read (1 Kings xv. 13, Revised Version), that Maachah, the queen mother of Asa, "made an abominable image for an Asherah." This the Vulgate translates "Priape" and Movers _pudendum_. Jeremiah, who alludes to the same thing (x. 5), tells that the people said, "to a stock, Thou art my father, and to a stone, Thou hast brought me forth" (ii. 27), that they "defiled the land and committed adultery with stones and with stocks" (iii. 9), playing the harlot "under every green tree" (ii. 20, iii. 6, 13; see also Hosea iv. 13). Isaiah xvii. 8, alludes to the Asherim as existing in his own days, and alludes to these religions in plain terms (lvii. 5--8). Micah also prophesies against the "pillars" and "Asherim" (v. 13, 14). Ezekiel xvi. 17, says "Thou hast also taken thy fair jewels, of my gold and of silver, which I have given thee, and madest to thyself images of men, and didst commit whoredom with them." The margin more properly reads images "Heb. of a male" [tsalmi zachar], a male here being an euphemism. As Gesenius says of the metaphor in Numbers xxiv. 7 these things are "ex nostra sensu obscoena, sed Orientalibus familiaria." These images are alluded to and prohibited in Deut. iv. 16. It is thus evident that some form of phallic worship lasted among the Jews-from the earliest times until their captivity in Babylon. It is a most significant fact that the Jews used one and the same word to signify both "harlot" and "holy." "There shall be no _kedeshah_ of the daughters of Israel" (Deut. xxiii. 17) means no female consecrated to the temple worship. Kuenen says "it is natural to assume that this impurity was practised in the worship of Jahveh, however much soever the lawgiver abhors it." It must be noticed, too, that there is no absolute prohibition. It only insists that the slaves of desire shall not be of the house of Israel, and stipulates that the money so obtained shall not be dedicated to Jahveh. That this was the custom both in Samaria and Jerusalem, as in Babylon, may be gathered from Micah i. 7, and Hosea iv. 14. Dr. Kalisch, by birth a Jew and one of the most fair-minded of biblical scholars, says in his note on Leviticus xix. 29: "The unchaste worship of Ashtarte, known also as Beltis and Tanais, Ishtar, Mylitta, and Anaitis, Asherah and Ashtaroth, flourished among the Hebrews at all times, both in the kingdom of Judah and Israel; it consisted in presenting to the goddess, who was revered as the female principle of conception and birth, the virginity of maidens as a first-fruit offering; and it was associated with the utmost licentiousness. This-degrading service took such deep root, that in the Assyrian period it was even extended by the adoption of new rites borrowed from Eastern Asia, and described by the name of 'Tents of the Maidens' (Succoth Benoth); and it left its mark in the Hebrew language itself, which ordinarily expressed the notion courtesan by 'a consecrated woman' (Kadeshah), and that of sodomite by 'consecrated man' (Kadesh)." The Succoth Benoth in 2 Kings xvii. 30, may be freely rendered Tabernacles of Venus. Venus is plausibly derived from Benoth, whose worship was at an early time disseminated from Carthage and other parts of Africa to the shores of Italy. The merriest festival among the Jews was the Feast of Tabernacles. Plutarch (who suggests that the pig was originally worshipped by the Jews, a position endorsed by Mr. J. G. Frazer, in his _Golden Bough_, vol. ii., pp. 52, 53) says the Jewish feast of Tabernacles "is exactly agreeable to the holy rites of Bacchus."* He adds, "What they do within I know not, but it is very probable that they perform the rites of Bacchus." * Symposiacs, bk. iv., queat. 6, p. 310, vol. iii., Plutarch's Morals, 1870. Dr. Adam Clarke, in his Commentary on 2 Kings xvii. 30, gives the following:--"Succoth-benoth maybe literally translated, _The Tabernacle of the Daughters, or Young Women_; or if _Benoth_ be taken as the name of a female idol, from birth, _to build up, procreate, children_, then the words will express the tabernacles sacred to the productive powers feminine. And, agreeably to this latter exposition, the rabbins say that the emblem was a hen and chickens. But however this may be, there is no room to doubt that these _succoth_ were _tabernacles_, wherein young women exposed themselves to prostitution in honor of the Babylon goddess Melitta." Herodotus (lib. i., c. 199; Rawlinson) says: "Every woman born in the country must once in her life go and sit down in the precinct of Venus, and there consort with a stranger. Many of the wealthier sort, who are too proud to mix with the others, drive in covered carriages to the precinct, followed by a goodly train of attendants, and there take their station. But the larger number seat themselves within the holy enclosure with wreaths of string about their heads; and here there is always a great crowd, some coming and others going; lines of cord mark out paths in all directions among the women, and the strangers pass along them to make their choice. A woman who has once taken her seat is not allowed to return home till one of the strangers throws a silver coin into her lap, and takes her with him beyond the holy ground. When he throws the coin he says these words--'The goddess Mylitta prosper thee" (Venus is called Mylitta by the Assyrians). The silver coin may be of any size; it cannot be refused, for that is forbidden by the law, since once thrown it is sacred. The woman goes with the first man who throws her money, and rejects no one. When she has gone with him, and so satisfied the goddess, she returns home, and from that time forth no gift, however great, will prevail with her. Such of the women as are tall and beautiful are soon released, but others who are ugly have to stay a long time before they can fulfil the law. Some have waited three or four years in the precinct. A custom very much like this is also found in certain parts of the island of Cyprus." This custom is alluded to in the Apocryphal Epistle of Jeremy (Barch vi. 43): "The women also with cords about them sitting in the ways, burnt bran for perfume; but if any of them, drawn by some that passeth by, lie with him, she reproacheth her fellow, that she was not thought as worthy as herself, nor her cord broken." The Commentary published by the S. P. C. K. says, "Women with cords about them," the token that they were devotees of Mylitta, the Babylonian Venus, called in 2 Kings xvii. 30, 'Succoth-benoth,' the ropes denoting the obligation of the vow which they had taken upon themselves." Valerius Maximus speaks of a temple of Sicca Venus in Africa, where a similar custom obtained. Strabo also mentions the custom (lib. xvi., c. i., 20), and says, "The money is considered as consecrated to Venus." In book xi., c. xiv., 16, Strabo says the Armenians pay particular reverence to Anaites. "They dedicate there to her service male and female slaves; in this there is nothing remarkable, but it is surprising that persons of the highest rank in the nation consecrate their virgin daughters to the goddess. It is customary for these women, after being prostituted a long period at the temple of Anaites, to be disposed of in marriage, no one disdaining a connection with such persons. Herodotus mentions something similar respecting the Lydian women, all of whom prostitute themselves." Of the temple of Venus at Corinth, Strabo says "it had more than a thousand women consecrated to the service of the goddess, courtesans, whom men and women had dedicated as offerings to the goddess"; and of Comana, in Cappadocia, he has a similar relation (bk. xii., c. iii., 36). Dr. Kalisch also says Baal Peor "was probably the principle of generation _par excellence_, and at his festivals virgins were accustomed to yield themselves in his honor. To this disgraceful idolatry the Hebrews were addicted from very early times; they are related to have already been smitten on account of it by a fearful plague which destroyed 24,000 worshippers, and they seem to have clung to its shameful practices in later periods."* Jerome says plainly that Baal-Peor was Priapus, which some derive from Peor Apis. Hosea says (ix. 10, Revised Version) "they came to Baal-Peor and consecrated themselves unto the shameful thing, and became abominable like that which they loved"; see, too, Num. xxvi. 1, 3. Amos (ii. 7,8) says a son and a father go in unto the same maid in the house of God to profane Jahveh's holy name, so that it appears this "maid" was regarded as in the service of Jahveh. Maimonides says it was known that the worship of Baal-Peor was by uncovering of the nakedness; and this he makes the reason why God commanded the priests to make themselves breeches to wear at the time of service, and why they might not go up to the altar by steps that their nakedness might not be discovered.** Jules Soury says*** "The tents of the sacred prostitutes were generally erected on the high places." * Leviticus, p. 364. ** That even more shameful practices were once common is evident from the narratives in Genesis xix. and Judges xix. *** Religion of Israel chap. ix., p. 71. **** Leviticus, part i., p. 383. Kork, Die Gotter Syrian, p. 103, says the pillars and Asherah stood in the adytum, that is the holy of holies, which represented the genetrix. In the temple at Jerusalem the women wove hangings for the Asherah (2 Kings xxiii. 7), that is for concealment in the worship of the genetrix, and in the same precincts were the houses of prostitute priests (see also 1 Kings xiv. 24; xv. 12; xxii. 46. Luther translates "_Hurer_"). Although Josiah destroyed these, B.C. 624, Kalisch says "The image of Ashtarte was probably erected again in the inner court (Jer. xxxii. 34; Ezek. viii. 6)." Ezekiel says (xvi. 16), "And of thy garments thou didst take, and deckedst thy high places with divers colors and playedst the harlot thereupon," and (v. 24) "Thou hast also built unto thee an eminent place, and hast made thee a high place in every street," which is
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Produced by Emmy, Beth Baran and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) Our Little Swedish Cousin The Little Cousin Series [Illustration] Each volume illustrated with six or more full-page plates in tint. Cloth, 12mo, with decorative cover, per volume, 60 cents. [Illustration] LIST OF TITLES BY MARY HAZELTON WADE (unless otherwise indicated) =Our Little African Cousin= =Our Little Armenian Cousin= =Our Little Brown Cousin= =Our Little Canadian Cousin= By Elizabeth R. Macdonald =Our Little Chinese Cousin= By Isaac Taylor Headland =Our Little Cuban Cousin= =Our Little Dutch Cousin= By Blanche McManus =Our Little English Cousin= By Blanche McManus =Our Little Eskimo Cousin= =Our Little French Cousin= By Blanche McManus =Our Little German Cousin= =Our Little Hawaiian Cousin= =Our Little Indian Cousin= =Our Little Irish Cousin= =Our Little Italian Cousin= =Our Little Japanese Cousin= =Our Little Jewish Cousin= =Our Little Korean Cousin= By H. Lee M. Pike =Our Little Mexican Cousin= By Edward C. Butler =Our Little Norwegian Cousin= =Our Little Panama Cousin= By H. Lee M. Pike =Our Little Philippine Cousin= =Our Little Porto Rican Cousin= =Our Little Russian Cousin= =Our Little Scotch Cousin= By Blanche McMan
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Produced by Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note Bold text is indicated with ~tildes~, italic text is indicated with _underscores_. MYTHS AND FOLK-TALES OF THE RUSSIANS, WESTERN SLAVS, AND MAGYARS By JEREMIAH CURTIN BOSTON LITTLE, BROWN, AND COMPANY 1890 _Copyright, 1890_ By Jeremiah Curtin University Press John Wilson and Son, Cambridge To FRANCIS JAMES CHILD, PH.D., LL.D. _Professor of English in Harvard University, Cambridge, Mass._ My dear Professor Child,-- It is more than a quarter of a century since you began for Harvard that collection of myths, folk-tales, and ballads, in all European languages, which has grown under your hand to such proportions that it is now, perhaps, the most complete of its kind in either hemisphere. This work was begun by you through a clear perception of what was needed for laborers in a most important field of inquiry, and achieved by tireless and patient care in seeking and finding. Your labors as a scholar are honored abroad as at home, and your work on English and Scottish ballads will endure as a monument of skill and devotion. During your career as Professor you have been true to the ideals of Harvard scholarship and life, adding to them meanwhile something of your own. Whoso adds to or freshens the spirit of our revered Alma Mater deserves well of the country; for Harvard, now in the second half of the third century of her existence, is the oldest witness and, so far, the most eloquent that we have to the collective and continuous striving of Americans towards a higher life. To you,--the distinguished Professor, the earnest scholar, the faithful friend,--I, one of thousands who have listened to your instruction, dedicate this volume, gathered from a field in which you take so much delight. Jeremiah Curtin. Smithsonian Institution, Bureau of Ethnology. Washington D. C. October 23, 1890. CONTENTS. Page Introduction vii RUSSIAN MYTHS AND FOLK-TALES. The Three Kingdoms,--The Copper, the Silver, and the Golden 1 Ivan Tsarevich, The Fire-Bird, and the Gray Wolf 20 Ivan the Peasant's Son and the Little Man Himself One-finger Tall, his Mustache Seven Versts in Length 37 The Feather of Bright Finist the Falcon 47 The Pig with Gold Bristles, the Deer with Golden Horns, and the Golden-Maned Steed with Golden Tail 59 Water of Youth, Water of Life, and Water of Death 72 The Footless and Blind Champions 82 The Three Kingdoms 97 Koshchéi Without-Death 106 Vassilissa Golden Tress, Bareheaded Beauty 124 The Ring with Twelve Screws 137 The Footless and the Blind 149 Koshchéi Without-Death 165 Go to the Verge of Destruction and Bring Back Shmat-Razum 179 Marya Morevna 203 Variant of the Rescue of Ivan Tsarevich and the Winning of the Colt 217 Yelena the Wise 218 The Seven Simeons, Full Brothers 228 The Enchanted Princess 238 Vassilissa the Cunning, and the Tsar of the Sea 249 CHEKH MYTHS AND FOLK-TALES. Boyislav, Youngest of Twelve 273 The Table, the Pack, and the Bag 295 The King of the Toads 311
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Produced by Roger Frank, David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: OCCASIONALLY A DARTING AIRPLANE ATTRACTED HER TO THE WINDOW.] Ruth Fielding In the Red Cross OR DOING HER BEST FOR UNCLE SAM BY ALICE B. EMERSON
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Produced by Irma Spehar, Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Transcriber's Note. Bold text is indicated with =equals signs=. Italic text is indicated with _underscores_. Further transcriber's notes may be found at the end of the book. QUEENS OF THE RENAISSANCE BY M. BERESFORD RYLEY WITH TWENTY-FOUR ILLUSTRATIONS METHUEN & CO. 36 ESSEX STREET W.C. LONDON _First Published in 1907_ [Illustration: BEATRICE AND LUDOVICO KNEELING ALTAR-PIECE BY ZENALE] To B---- CONTENTS PAGE PREFACE ix CATHERINE OF SIENA 1 BEATRICE D'ESTE 53 ANNE OF BRITTANY 104 LUCREZIA BORGIA 150 MARGARET D'ANGOULÊME 202 RENÉE, DUCHESS OF FERRARA 251 PREFACE There are no two people who see with the same kind of vision. It is for this reason that, though twenty lives of the six women chosen for this book had been written previously, there would still, it seems to me, be room for a twenty-first. For though the facts might remain identical, there is no possible reiteration of another mind's exact outlook. Hence I have not scrupled to add these six character studies to the many volumes similar in scope and subject. The book is called "Queens of the Renaissance," but Catherine of Siena lived before the Renaissance surged into being, and Anne of Brittany, though her two husbands brought its spirit into France, had not herself a hint of its lovely, penetrating eagerness. They are included because they help, nevertheless, to create continuity and coherence of impression, and the six leading, as they do naturally, one to the other, convey, in the mass, some co-ordinated notion of the Renaissance spirit. The main object, perhaps, in writing at all lies in the intrinsic interest of any real life lived before us. For every existence is a _parti pris_ towards existence; every character is a personal opinion upon the value of character, feeling, virtue, many things. No personality repeats another, no human drama renews just the same intricate complications of other dramas. In every life and in every person there is some element of uniqueness, some touch of speciality. Because of this even the dullest individuality becomes quickening in biography. It has, if no more, the pathos of its dulness, the didactic warnings of its refusals, the surprise of its individualizing blunders. All the following lives convey inevitably and unconsciously some statement concerning the opportunity offered by existence. To one, it seemed a place for an ecstasy of joy, success, gratification; to another, a great educational establishment for the soul; to a third, an admirable groundwork for practical domestic arrangements and routine; to Renée of Ferrara, a bewildering, weary accumulation of difficulties and distress; to her more charming relative, an enigma shadowed always by the still greater and grimmer enigma of mortality. And lastly, for the strange, elusive Lucrezia, it is difficult to conceive what it must have meant at all, unless a sequence of circumstances never, under any conditions, to be dwelt upon in their annihilating entirety, but just to be taken piecemeal day by day, reduced and simplified by the littleness of separate hours and moments. In a book of this kind, where the intention is mainly concerned with character, and for which the reading was inevitably full of bypaths and excursions, a complete bibliography would merely fill many pages, while seeming to a great extent to touch but remotely upon the ladies referred to, but among recent authors a deep debt of gratitude for information received is due to the following: Jacob Burckhardt, Julia Cartwright, Augusta Drane, Ferdinand Gregorovius, R. Luzio, E. Renier, E. Rodoconarchi, and J. Addington Symonds. Finally, in reference to the portraits included in the life of Beatrice D'Este, a brief statement is necessary. For not only that of Bianca, wife of Giangaleazzo, but also those of Il Moro's two mistresses, Cecilia Gallerani and Lucrezia Crivelli, are regrettably dubious. The picture of Bianca, however, by Ambrogio da Predis, is more than likely genuinely that of Bianca, though some writers still regard it as a likeness of Beatrice herself. It is to be wished that it were; her prettiness then would have been incontestable and delicious. But in reality there is no hope. One has but to look at the other known portraits of Beatrice to see that her face was podgy, or nearly so, and that her charm came entirely and illusively from personal intelligence. It evaporated the moment one came to fix her appearance in sculpture or on canvas. Nature had not really done much for her. There was no outline, no striking feature, no ravishing freshness of colouring. On a stupid woman Beatrice's face would have been absolutely ugly. But she, through sheer "aliveness," sheer buoyant trickery of expression, conveyed in actuality the equivalent of prettiness. But it was all unconscious conjuring,--in reality Beatrice was a plain woman, with sufficient delightfulness to seem a pretty one, while the portrait of Bianca is unmistakably and lovingly good-looking. As regards the portraits, again, of Il Moro's two mistresses, Cecilia Gallerani and Lucrezia Crivelli, there is no absolute certainty. The portrait facing page 6 in the life of Beatrice has been recently discovered in the collection of the Right Hon. the Earl of Roden, and in an article published by the _Burlington Magazine_ it has been tentatively looked upon as that of Lucrezia Crivelli. This does not, however, appear probable, because Lucrezia, at the time of Il Moro's infatuation, was a young girl, and the picture by Ambrogio da Predis is certainly that of a woman, and a woman, moreover, whose experiences have brought her perilously near the verge of cynicism. At the same time, the portrait is not only beyond doubt that of a woman loved by Il Moro, but was presumably painted while his affection for her still continued, as not only are the little heart-shaped ornaments holding together the webs of her net thought to represent Il Moro's badge of a mulberry-leaf, but painted exquisitely in a space of ⅜ by ⅝ inch upon the plaque at the waistbelt is a Moor's head, another of Ludovico's badges, while the letters L. O. are placed on either side of it, and the two Sforza S. S. at the back. A discarded mistress, if Ambrogio--one of Il Moro's court painters--had painted her at all, would have had the discretion not to wear symbols obviously intended only for one beloved at that moment. There seems--speculatively--every reason to suppose that the picture represents Cecilia Gallerani, who was already beyond the charm of youth before Ludovico reluctantly discarded her, and whom he not only cared for very greatly, but for quite a number of years. Cecilia Gallerani, besides, to strengthen the supposition, was an exceptionally intellectual woman, and the portrait in the possession of the Earl of Roden expresses above everything to an almost disheartened intelligence. To think deeply while in the position of _any_ man's mistress must leave embittering traces, and Cecilia became famous less even for physical attractions than because her mind was so intensely rich and receptive. The other two--the pictures of "La Belle Ferronière" and the "Woman with the Weasel,"--by Leonardo da Vinci, have both a contested identity. But since the first is now almost universally looked upon as being the portrait of Lucrezia Crivelli, the second must surely represent her also. For in both there is the same beautiful oval, the same youth, the same unfathomable eyes and gentle deceit of expression. Both, besides, represent to perfection the kind of beautiful girl likely to have drawn Ludovico into passionate admiration. He was no longer young when he cared for Lucrezia, and if Leonardo's paintings are really portraits of her, she was like some emblematical figure of perfect youthfulness,--unique and unrepeatable. M. B. R. LIST OF ILLUSTRATIONS TO FACE PAGE BEATRICE AND LUDOVICO KNEELING. ALTAR PIECE BY ZENALE AT BRERA _Frontispiece_ _From a Photograph by Messrs. Anderson_ STATUE IN WOOD OF ST. CATHERINE, BY NEROCCIO LANDI 2 _From a Photograph by Messrs. Lombardi_ ST. CATHERINE'S HOUSE AT SIENA 16 _From a Photograph by Messrs. Lombardi_ CATHERINE PRAYING AT AN EXECUTION. FRESCO BY SODOMA 18 THE BRIDGE AT PAVIA 61 BEATRICE D'ESTE. BUST IN THE LOUVRE 64 _From a Photograph by Messrs. Levy_ PORTRAIT, PROBABLY OF CECILIA GALLERANI, SAID TO BE BY AMBROGIO DA PREDIS 90 _From the Collection of the Earl of Roden_ LUCREZIA CRIVELLI, BY LEONARDO DA VINCI 96 _From a Photograph by Messrs. Mansell_ PROBABLE PORTRAIT OF BIANCA SFORZA, WIFE OF GALEAZZO SANSEVERINO 98 _From a Photograph by Messrs. Mansell_ CHURCH OF ST. MARIA DELLE GRAZIE AT MILAN 100 _From a Photograph by Messrs. Brogi_ EFFIGY OF BEATRICE D'ESTE AT SOUTH KENSINGTON MUSEUM 102 FROM THE CALENDRIER, IN ANNE'S BOOK OF HOURS IN THE BIBLIOTHÈQUE NATIONALE, PARIS 120 _From a Photograph by Messrs. Berthaud_ ANNE KNEELING. FROM THE BOOK OF HOURS IN THE BIB
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Produced by David Widger from page images generously provided by the Internet Archive THE DELECTABLE MOUNTAINS By Arthur Colton Charles Scribner's Sons 1901 DEDICATED TO THE MEMORY OF MY SISTER, MABEL COLTON |So they went up to the Mountains, to behold the Gardens, and Orchards, the Vineyards, and Fountains of water.... Now there was on the tops of these Mountains, Shepherds feeding their flocks, and they stood by the high-way side. The Pilgrims therefore went to them, and leaning upon their staves, (as is common with weary Pilgrims, when they stand to talk with any by the way,) they asked, Whose delectable Mountains are these?... When the Shepherds perceived that they were way-faring men, they also put questions to them, as, Whence came you? and, How got you into the way? and, By what means have you so persevered therein?... Then said the Shepherds one to another, Let us here shew to the Pilgrims the Gates of the Coelestial City, if they have skill to look through our Perspective Glass.... Then they essayed to look, but... they could not look steadily through the Glass; yet they thought they saw something like the Gate. _The Pilgrim's Progress_. CONTENTS: 1. The Place of Abandoned Gods 2. The Leather Hermit 3. Black Pond Clearing 4. Joppa 5. The Elders' Seat 6. The Romance of the Institute 7. Nausicaa 8. Sanderson of Back Meadows 9. Two Roads that meet in Salem 10. A Visible Judgment 11. The Emigrant East 12. Tobin's Monument THE PLACE OF THE ABANDONED GODS |The hut was built two sides and the roof of sodded poles; the roof had new clapboards of birch bark, but the rest had once belonged to a charcoal burner; the front side was partly poled and partly open, the back was the under-<DW72> of a rock. For it stood by a cliff, one of the many that show their lonely faces all over the Cattle Ridge, except that this was more tumultuous than most, and full of caves made by the clumsy leaning bowlders; and all about were slim young birch trees in white and green, like the demoiselles at Camelot. Old pines stood above the cliff, making a soft, sad noise in the wind. In one of the caves above the leafage of the birches we kept the idols, especially Baal, whom we thought the most energetic; and in front of the cave was the altar-stone that served them all, a great flat rock and thick with moss, where ears of com were sacrificed, or peas or turnips, the first-fruits of the field; or of course, if you shot a chipmunk or a rabbit, you could have a burnt offering of that kind. Also the altar-stone was a council chamber and an outlook. It was all a secret place on the north side of the Cattle Ridge, with cliffs above and cliffs below. Eastward half a mile lay the Cattle Ridge Road, and beyond that the Ridge ran on indefinitely; southward, three miles down, the road took you into Hagar; westward the Ridge, after all its leagues of length and rigor of form, broke down hurriedly to the Wyantenaug River, at a place called the Haunted Water, where stood the Leather Hermit's hut and beyond which were Bazilloa Armitage's bottom-lands and the Preston Plains railroad station. The road from the station across the bridge came through Sanderson Hollow, where the fields were all over cattle and lively horses, and met the Cattle Ridge Road to Hagar. And last, if you looked north from the altar-stone, you saw a long, downward sweep of woodland, and on and on miles and miles to the meadows and ploughed lands toward Wimberton, with a glimpse of the Wyantenaug far away to the left. Such were the surroundings of the place of abandoned gods. No one but ourselves came there, unless possibly the Hermit. If any one had come it was thought that Baal would pitch him over the cliffs in some manner, mystically. We got down on our hands and knees, and said, “O Baal!” He was painted green, on a shingle; but his eyes were red. The place was reached from the Cattle Ridge Road by trail, for the old wood-road below was grown up to blackberry brambles, which made one scratched and bloody and out of patience, unless it were blackberry time. And on the bank, where the trail drops into the climbing highway, there Aaron and Silvia were sitting in the June afternoon, hand in hand, with the filtered green light of the woods about them. We came up from Hagar, the three of us, and found them. They were strangers, so far as we knew. Strangers or townsmen, we never took the trail with any one in sight; it was an item in the Vows. But we ranged up before them and stared candidly. There was nothing against that. Her eyes were nice and blue, and at the time they contained tears. Her cheeks were dimpled and pink, her brown dress dusty, and her round straw hat cocked a bit over one tearful blue eye. He seemed like one who had been growing fast of late. His arms swung loosely as if fastened to his shoulders with strings. The hand that held her small hand was too large for its wrist, the wrist too large for the arm, the arm too long for the shoulder. He had the first growth of a downy mustache, a feeble chin, a humorous eye, and wore a broad-brimmed straw hat and a faded black coat, loose and flopping to his knees. A carpet bag lay at his feet, only half full and fallen over with an air of depression. He seemed depressed in the same way. “What's she crying for?” asked Moses Durfey, stolidly. Aaron peered around at her shyly. “She's scared to go home. I ain't, but I mote be 'fore I got there.” “What's your name?” “We-ell--” He hesitated. Then, with loud defiance: “It's Mr. and Mrs. Bees.” A red squirrel clambered down a low-hanging branch overhead, and chattered sharply, scattering flakes of bark. Aaron, still holding Silvia's hand, leaned back on the bank and looked up. All lines of trouble faded quickly from his face. He smiled, so that his two front teeth stood out startlingly, and held up a long forefinger. “Cherky little cuss, ain't he?” The squirrel became more excited. Aaron's finger seemed to draw him like a loadstone. He slid down nearer and nearer, as far as the branch allowed, to a foot or two away, chattering his teeth fearfully. We knew that any one who could magnetize so flighty and malicious a person as a red squirrel, must be a magician, however simple he might be otherwise. Aaron snapped his finger and the squirrel fled. “We'd better be movin', Silvy.” Silvia's tears flowed the faster, and the lines of trouble returned to Aaron's face. “Why don't she want to go home?” persisted Moses, stolidly. We drew close beside them now and sat on the bank, Moses and I by Aaron, Chub Leroy by Silvia. Chub was thoughtful. Silvia dried her eyes and said with a gulp: “It's pa.” “That's it.” Aaron nodded and rubbed his sharp nose. “Old man Kincard, it's him.” They both looked at us trustfully. Moses saw no light in the matter. “Who's he?” “He's my father-in-law. He ain't goin' to like it. He's a sneezer. What he don't like generally gets out of the way. My snakes! He 'll put Silvy up the chimney and me in the stove, and he 'll light the fire.” He chuckled and then relapsed into trouble. His emotions seemed to flit across his face like sunbeams and shadows on a wall, leaving no trace behind them, or each wiped out by the next. “Snakes! We might just as well sit here.” Silvia wept again. Moses's face admitted a certain surprise. “What'll he do that for?” While Aaron told their story, Silvia sometimes commented tearfully on his left, Moses stolidly on his right, and the red squirrel with excitement overhead; Chub and I were silent; the woods for the most part kept still and listened too, with only a little sympathetic murmur of leaves and tremble of sunbeam and shadow. The Kincard place, it seemed, lay five miles away, down the north side till you cleared the woods, and then eastward among the foothills. Old Kincard's first name was James. And directly across the road stood the four-roomed house where the Bees family once lived. It was “rickety now and rented to rats.” The Bees family had always been absent-minded, given to dying off and leaving things lying around. In that way Aaron had begun early to be an orphan and to live with the Kincards. He was supposed to own the old house and the dooryard in front of it, but the rats never paid their rent, unless they paid it to the old man or the cat; and Mr. Kincard had a low opinion of Aaron, as being a Bees, and because he was built lengthwise instead of sidewise and knew more about foxes than cows. It seemed to Aaron that a fox was in himself a more interesting person; that this raising more potatoes than you could eat, more tobacco than you could smoke, this making butter and cheese and taking them to Wimberton weekly, and buying little except mortgages and bank accounts, somewhere involved a mistake. A mortgage was an arrangement by which you established strained relations with a neighbor, a bank account something that made you suspicious of the bank. Now in the woods one dealt for direct usefulness, comfort, and freedom of mind. If a man liked to collect mortgages rather than fox-skins, it was the virtue of the woods to teach tolerance; but Mr. Kincard's opinion of Aaron was low and active. There was that difference between a Kincard and a Bees point of view. Aaron and Silvia grew up a few years apart on the old spread-out farm, with the wooded mountainside heaving on the south and stretching east and west. It was a neighborhood of few neighbors, and no village within many miles, and the old man was not talkative commonly, though he'd open up sometimes. Aaron and Silvia had always classed themselves together in subdued opposition to their grim ruler of destiny. To each other they called him “the old man,” and expressed by it a reverential but opposed state of mind. To Aaron the undoubted parts of life were the mountain-side of his pleasures and the level fields of his toil. Wimberton was but a troubled glimpse now and then, an improbable memory of more people and houses than seemed natural. Silvia tended to see things first through Aaron's eyes, though she kept a basal judgment of her own in reserve. “He always licked us together since we was little,” said Aaron, looking at Silvia with softly reminiscent eye. “It was two licks to me for Silvy's one. That was square enough, and the old man thought so. When he got set in a habit he'd never change. It was two to me for Silvy's one.” Aaron told him, but a week now gone, that himself and Silvia would wish to be married, and he seemed surprised. In fact he came at Aaron with the hoe-handle, but could not catch him, any more than a lonesome rabbit. Then he opened up astonishingly, and told Aaron of his low opinion of him, which was more spread-out and full of details than you'd expect. He wasn't going to give Aaron any such “holt on him as that,” with a guaranty deed, whatever that was, on eternity to loaf in, and he set him the end of the week to clear out, to go elsewhere forever. To Aaron's mind that was an absurd proposal. He wasn't going to do any such foolishness. The rather he sold his collection of skins to a farmer named Shore, and one morning borrowed a carpet bag and came over the Cattle Ridge hand in hand with Silvia. From Preston
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Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) {93} NOTES AND QUERIES: A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC. "When found, make a note of."--CAPTAIN CUTTLE. * * * * * No. 196.] SATURDAY, JULY 30. 1853.. [Price Fourpence. Stamped Edition 5d. * * * * * CONTENTS. NOTES:-- Page Books chained to Desks in Churches: Font Inscription: Parochial Libraries, by W. Sparrow Simpson, B.A. 93 Real Signatures _versus_ Pseudo-names, by the Rev. James Graves 94 Popular Stories of the English Peasantry, by Vincent T. Sternberg 94 Shakspeare Correspondence, by Cecil Harbottle, &c. 95 Epitaph and Monuments in Wingfield Church, Suffolk 98 Original Royal Letters to the Grand Masters of Malta 99 MINOR NOTES:--Meaning of "Clipper"--Anathema, Maran-atha--Convocation and the Society for the Propagation of the Gospel in Foreign Parts--Pigs said to see the Wind--Anecdote of the Duke of Gloucester 100 QUERIES:-- Lord William Russell 100 Ancient Furniture--Prie-Dieu 101 MINOR QUERIES:--Reynolds' Nephew--Sir Isaac Newton--Limerick, Dublin, and Cork--Praying to the West--Mulciber--Captain Booth of Stockport--"A saint in crape"--French Abbes--What Day is it at our Antipodes?--"Spendthrift"--Second Growth of Grass-- The Laird of Brodie--Mrs. Tighe, Author of "Psyche"-- Bishop Ferrar--Sir Thomas de Longueville--Quotations wanted--Symon Patrick, Bishop of Ely: Durham: Weston: Jephson--The Heveninghams of Suffolk and Norfolk-- Lady Percy, Wife of Hotspur (Daughter of Edmund Mortimer, Earl of March)--Shape of Coffins--St. George Family Pictures--Caley (John), "Ecclesiastical Survey of the Possessions, &c. of the Bishop of St. David's," &c.--Adamson's "Lusitania Illustrata"--Blotting-paper-- Poetical Versions of the Fragments in Athenaeus 102 REPLIES:-- Robert Drury 104 The Termination -by 105 The Rosicrucians, by William Bates 106 Inscriptions on Bells, by W. Sparrow Simpson, B.A. 108 Was Cook the Discoverer of the Sandwich Islands? by C. E. Bagot 108 Megatherium Americanum, by W. Pinkerton 109 Photographic Correspondence:--Stereoscopic Angles--Yellow Bottles for Photographic Chemicals 109 REPLIES TO MINOR QUERIES:--Earth upon Earth, &c.--Picalyly--Mr. Justice Newton--Manners of the Irish--Arms of the See of York--"Up, Guards, and at 'em!"--Coleridge's Christabel: the 3rd Part--Mitigation of Capital Punishment--The Man with the Iron Mask-- Gentleman executed for Murder of a Slave--Jahn's Jahrbuch--Character of the Song of the Nightingale, &c. 110 MISCELLANEOUS:-- Books and Odd Volumes wanted 114 Notices to Correspondents 114 Advertisements 115 * * * * * Notes. BOOKS CHAINED TO DESKS IN CHURCHES: FONT INSCRIPTION: PAROCHIAL LIBRARIES. It would be interesting to have a complete list of the various books still to be found chained to desks in our ancient churches. The "Bible of the largest volume," the "Books of Homilies allowed by authority," and the Book of Common Prayer, are ordered by Canon 80. to be provided for every church. In some places this regulation is still complied with: at Oakington, Cambridgeshire, a copy of a recent (1825) edition of the Homilies lies on a small desk in the nave. But besides these authoritative works, other books are found _chained_ to their ancient desks: at Impington, Cambridgeshire are, or were, "three black-letter volumes of Fox's _Martyrs_ chained to a stall in the chancel." (Paley's _Ecclesiologist's Guide, &c._) At St. Nicholas, Rochester, chained to a small bracket desk at the south side of the west door, is a copy of _A Collection of Cases and other Discourses to recover Dissenters to the Church of England_, small 8vo., 1718. The _Paraphrase_ of Erasmus may probably be added to the list (see Professor Blunt's _Sketch of the History of the Reformation_, 10th edit., p. 130.), though I cannot call to mind any church in which a copy of this work may now be found. In the noble minster church at Wimborne, Dorsetshire, is a rather large collection of books, comprising some old and valuable editions: all these books were, and many still are, chained to their shelves; an iron rod runs along the front of each shelf, on which rings attached to the chains fastened to the covers of the works have free play; these volumes are preserved in an upper chamber on the south side of the chancel. The parochial library at St. Margaret's, Lynn, Norfolk, is one of considerable interest and importance; amongst other treasures are a curious little manuscript of the New Testament very neatly written, a (mutilated) black-letter copy of the _Sarum Missal_, and many fine copies of the works of the Fathers, and also of the Reformers; these are preserved in the south aisle of the chancel, which is fitted up as a library, and are in very good order. At Margate Church are a few volumes, of what kind my note-book does {94} not inform me. I may also mention, in connexion with St. Nicholas, Rochester, that the font is octagonal, and inscribed with the following capital letters, the first surmounted by a crown: C. R. I. *. *. *. A. N. The large panel on each side contains one of the letters; the font is placed close to the wall, so that the remaining letters, indicated by asterisks, cannot now be read: the sexton said that the whole word was supposed to be "Christian," or rather "Cristian." Beside the font is a very quaint iron bracket-stand, painted blue and gold, "constructed to carry" two candles. W. SPARROW SIMPSON. P. S.--Permit me to correct an error of the press in my communication at p. 8. of your present volume, col. 1. l. 10. from bottom; for "worn," read "won." * * * * * REAL SIGNATURES VERSUS PSEUDO-NAMES. It is pleasant to see so many of the correspondents of "N. & Q." joining in the remonstrance against the anonymous system. Were one to set about accumulating the reasons for the abandonment of pseudo-names and initials, many of the valuable columns of this periodical might be easily filled; such an essay it is not, however, my intention to inflict on its readers, who by a little thought can easily do for themselves more than a large effusion of ink on the part of any correspondent could effect. I shall content myself with recounting the good which, in one instance, has resulted from a knowledge of the real name and address of a contributor. The REV. H. T. ELLACOMBE (one of the first to raise his voice against the use of pseudo-names) having observed in "N. & Q." many communications evincing no ordinary acquaintance with the national Records of Ireland, and wishing to enter into direct communication with the writer (who merely signed himself J. F. F.), put a Query in the "Notices to Correspondents," begging J. F. F. to communicate his real name and address. There in all probability the matter would have ended, as J. F. F. did not happen to take "N. & Q.," but that the writer of these lines chanced to be aware, that under the above given initials lurked the name of the worthy, the courteous, the erudite, and, yet more strange still, the _unpaid_ guardian of the Irish Exchequer Records--James Frederick Ferguson,--a name which many a student of Irish history will recognise with warm gratitude and unfeigned respect. Now it had so happened that by a strange fortune MR. ELLACOMBE was the repository of information as to the whereabouts of certain of the ancient Records of Ireland (see MR. ELLACOMBE'S notice of the matter, Vol. viii., p. 5.), abstracted at some former period from the "legal custody" of some heedless keeper, and sold by a Jew to a German gentleman, and the result of his communicating this knowledge to Mr. Ferguson, has been the latter gentleman's "chivalrous" and successful expedition for their recovery. The _English Quarterly Review_ (not _Magazine_, as MR. ELLACOMBE inadvertently writes), in a forthcoming article on the Records of Ireland, will, it is to be hoped, give the full details of this exciting record hunt, and thus exemplify the _great utility_, not to speak of the _manliness_, of real names and addresses, _versus_ false names and equally Will-o'-the-Wisp initials. JAMES GRAVES. Kilkenny. * * * * * POPULAR STORIES OF THE ENGLISH PEASANTRY. (Vol. v., p. 363. &c.) Will you allow me, through the medium of "N. & Q.," to say how much obliged I should be for any communications on this subject. Since I last addressed you (about a year ago) I have received many interesting contributions towards my proposed collection; but not, I regret to say, quite to the extent I had anticipated. My own researches have been principally confined to the midland counties, and I have very little from the north or east. Such a large field requires many gleaners, and I hope your correspondents learned in Folklore will not be backward in lending their aid to complete a work which Scott, Southey, and a host of illustrious names, have considered a desideratum in our national antiquities. I propose to divide the tales into three classes--Mythological, Humorous, and Nurse-tales. Of the mythological I have already given several specimens in your journal, but I will give the following, as it illustrates another link in the transmission of MR. KEIGHTLEY'S Hindustani legend, which appeared in a recent Number. It is from Northamptonshire. _The Bogie and the Farmer._ Once upon a time a Bogie asserted a claim to a field which had been hitherto in the possession of a farmer; and after a great deal of disputing, they came to an arrangement by agreeing to divide its produce between them. At seed time, the farmer asks the Bogie what part of the crop he will have, "tops or bottoms." "Bottoms," said the spirit: upon which the crafty farmer sows the field with wheat, so that when harvest arrives the corn falls to his share, while the poor Bogie is obliged to content himself with the stubble. Next year the spirit, finding he had made such an unfortunate selection in the bottoms, chose the tops; whereupon cunning Hodge set the field with turnips, thus again outwitting the simple {95} claimant. Tired of this unprofitable farming, the Bogie agrees to hazard his claims on a mowing-match, thinking that his supernatural strength would give him an easy victory; but before the day of meeting, the cunning earth-tiller procures a number of iron bars which he stows among the grass to be mown by his opponent; and when the trial commences, the unsuspecting goblin finds his progress retarded by his scythe coming into contact with these obstacles, which he takes to be some very hard--very hard--species of dock. "Mortal hard docks, these," said he; "Nation hard docks!" His blunted scythe soon brings him to a stand still, and as, in such cases, it is not allowed for one to sharpen without the other, he turns to his antagonist, now far ahead, and inquires, in a tone of despair, "When d'ye wiffle-waffle (whet), mate?" "Waffle!" said the farmer, with a well-feigned stare of amazement, "O, about noon mebby." "Then," said the despairing spirit, "That thief of a Christian has done me;" and so saying, he disappeared and was never heard of more. Under _Nurse-tales_, I include the extremely puerile stories of the nursery, often (as in the German ones) interlaced with rhymes. The following, from the banks of the Avon, sounds like an echo from a German story-book. _Little Elly._ In the old time, a certain good king laid all the ghosts, and hanged all the witches and wizards save one, who fell into a bad way, and kept a school in a small village. One day Little Elly looked through a chink-hole, and saw him eating man's flesh and drinking man's blood; but Little Elly kept it all to herself, and went to school as before. And when school was over the Ogee fixed his eyes upon her, and said-- "All go home but Elly, And Elly come to me." And when they were gone he said, "What did you see me eat, Elly?" "O something did I see, But nothing will I tell, Unto my dying day." And so he pulled off her shoes, and whipped her till she bled (this repeated three days); and the third day he took her up, and put her into a rose-bush, where the rain rained, and the snow snowed, and the hail hailed, and the wind blew upon her all night. Quickly her tiny spirit crept out of her tiny body and hovered round the bed of her parents, where it sung in mournful voice for evermore-- "Dark, weary, and cold am I, Little knoweth Gammie where am I." Of the Humorous stories I have already given a specimen in Vol. v., p. 363. Any notes of legends, or suggestions of any kind, forwarded to my address as below, will be thankfully received and acknowledged. VINCENT T. STERNBERG. 15. Store Street, Bedford Square. * * * * * SHAKSPEARE CORRESPONDENCE. _The old Corrector on "The Winter's Tale."_--I am glad to find that you have another correspondent, and a very able one too, under the signature of A. E. B., who takes the same view of "Aristotle's checks" as I have done; though I think he might have paid me the compliment of _just_ noticing my prior remonstrance on this subject. It is to be lamented, that MR. COLLIER should have hurried out his new edition of Shakspeare, adopting all the sweeping
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Produced by David Widger from page images generously provided by the Internet Archive BLACK IS WHITE By George Barr Mccutcheon Author Of “Graustark,” “Brewster's Millions,” “Truxton King,” “Rose In The Ring,” “Mary Midthorne,” Etc. London Everett & Co., Ltd. 1915
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Produced by David Widger GALSWORTHY PLAYS SECOND SERIES--NO. 1 THE ELDEST SON By John Galsworthy PERSONS OF THE PLAY SIR WILLIAM CHESHIRE, a baronet LADY CHESHIRE, his wife BILL, their eldest son HAROLD, their second son RONALD KEITH(in the Lancers), their son-in-law CHRISTINE (his wife), their eldest daughter DOT, their second daughter JOAN, their third daughter MABEL LANFARNE, their guest THE REVEREND JOHN LATTER, engaged to Joan OLD STUDDENHAM, the head-keeper FREDA STUDDENHAM, the lady's-maid YOUNG DUNNING, the under-keeper ROSE TAYLOR, a village girl JACKSON, the butler CHARLES, a footman TIME: The present. The action passes on December 7 and 8 at the Cheshires' country house, in one of the shires. ACT I SCENE I. The hall; before dinner. SCENE II. The hall; after dinner. ACT II. Lady Cheshire's morning room; after breakfast. ACT III. The smoking-room; tea-time. A night elapses between Acts I. and II. ACT I SCENE I The scene is a well-lighted, and large, oak-panelled hall, with an air of being lived in, and a broad, oak staircase. The dining-room, drawing-room, billiard-room, all open into it; and under the staircase a door leads to the servants' quarters. In a huge fireplace a log fire is burning. There are tiger-skins on the floor, horns on the walls; and a writing-table against the wall opposite the fireplace. FREDA STUDDENHAM, a pretty, pale girl with dark eyes, in the black dress of a lady's-maid, is standing at the foot of the staircase with a bunch of white roses in one hand, and a bunch of yellow roses in the other. A door closes above, and SIR WILLIAM CHESHIRE, in evening dress, comes downstairs. He is perhaps fifty-eight, of strong build, rather bull-necked, with grey eyes, and a well-<DW52> face, whose choleric autocracy is veiled by a thin urbanity. He speaks before he reaches the bottom. SIR WILLIAM. Well, Freda! Nice roses. Who are they for? FREDA. My lady told me to give the yellow to Mrs. Keith, Sir William, and the white to Miss Lanfarne, for their first evening. SIR WILLIAM. Capital. [Passing on towards the drawing-room] Your father coming up to-night? FREDA. Yes. SIR WILLIAM. Be good enough to tell him I specially want to see him here after dinner, will you? FREDA. Yes, Sir William. SIR WILLIAM. By the way, just ask him to bring the game-book in, if he's got it. He goes out into the drawing-room; and FREDA stands restlessly tapping her foot against the bottom stair. With a flutter of skirts CHRISTINE KEITH comes rapidly down. She is a nice-looking, fresh- young woman in a low-necked dress. CHRISTINE. Hullo, Freda! How are YOU? FREDA. Quite well, thank you, Miss Christine--Mrs. Keith, I mean. My lady told me to give you these. CHRISTINE. [Taking the roses] Oh! Thanks! How sweet of mother! FREDA. [In a quick, toneless voice] The others are for Miss Lanfarne. My lady thought white would suit her better. CHRISTINE. They suit you in that black dress. [FREDA lowers the roses quickly.] What do you think of Joan's engagement? FREDA. It's very nice for her. CHRISTINE. I say, Freda, have they been going hard at rehearsals? FREDA. Every day. Miss Dot gets very cross, stage-managing. CHRISTINE. I do hate learning a part. Thanks awfully for unpacking. Any news? FREDA. [In the same quick, dull voice] The under-keeper, Dunning, won't marry Rose Taylor, after all. CHRISTINE. What a shame! But I say that's serious. I thought there was--she was--I mean---- FREDA. He's taken up with another girl, they say. CHRISTINE. Too bad! [Pinning the roses] D'you know if Mr. Bill's come? FREDA. [With a swift upward look] Yes, by the six-forty. RONALD KEITH comes slowly down, a weathered firm-lipped man, in evening dress, with eyelids half drawn over his keen eyes, and the air of a horseman. KEITH. Hallo! Roses in December. I say, Freda, your father missed a wigging this morning when they drew blank at Warnham's spinney. Where's that litter of little foxes? FREDA. [Smiling faintly] I expect father knows, Captain Keith. KEITH. You bet he does. Emigration? Or thin air? What? CHRISTINE. Studdenham'd never shoot a fox, Ronny. He's been here since the flood. KEITH. There's more ways of killing a cat--eh, Freda? CHRISTINE. [Moving with her husband towards the drawing-room] Young Dunning won't marry that girl, Ronny. KEITH. Phew! Wouldn't be in his shoes, then! Sir William'll never keep a servant who's made a scandal in the village, old girl. Bill come? As they disappear from the hall, JOHN LATTER in a clergyman's evening dress, comes sedately downstairs, a tall, rather pale young man, with something in him, as it were, both of heaven, and a drawing-room. He passes FREDA with a formal little nod. HAROLD, a fresh-cheeked, cheery-looking youth, comes down, three steps at a time. HAROLD. Hallo, Freda! Patience on the monument. Let's have a sniff! For Miss Lanfarne? Bill come down yet? FREDA. No, Mr. Harold. HAROLD crosses the hall, whistling, and follows LATTER into the drawing-room. There is the sound of a scuffle above, and a voice crying: "Shut up, Dot!" And JOAN comes down screwing her head back. She is pretty and small, with large clinging eyes. JOAN. Am I all right behind, Freda? That beast, Dot! FREDA. Quite, Miss Joan. DOT's face, like a full moon, appears over the upper banisters. She too comes running down, a frank figure, with the face of a rebel. DOT. You little being! JOAN. [Flying towards the drawing-roam, is overtaken at the door] Oh! Dot! You're pinching! As they disappear into the drawing-room, MABEL LANFARNE, a tall girl with a rather charming Irish face, comes slowly down. And at sight of her FREDA's whole figure becomes set and meaningfull. FREDA. For you, Miss Lanfarne, from my lady. MABEL. [In whose speech is a touch of wilful Irishry] How sweet! [Fastening the roses] And how are you, Freda? FREDA. Very well, thank you. MABEL. And your father? Hope he's going to let me come out with the guns again. FREDA. [Stolidly] He'll be delighted, I'm sure. MABEL. Ye-es! I haven't forgotten his face-last time. FREDA. You stood with Mr. Bill. He's better to stand with than Mr. Harold, or Captain Keith? MABEL. He didn't touch a feather, that day. FREDA. People don't when they're anxious to do their best. A gong sounds. And MABEL LANFARNE, giving FREDA a rather inquisitive stare, moves on to the drawing-room. Left alone without the roses, FREDA still lingers. At the slamming of a door above, and hasty footsteps, she shrinks back against the stairs. BILL runs down, and comes on her suddenly. He is a tall, good-looking edition of his father, with the same stubborn look of veiled choler. BILL. Freda! [And as she shrinks still further back] what's the matter? [Then at some sound he looks round uneasily and draws away from her] Aren't you glad to see me? FREDA. I've something to say to you, Mr. Bill. After dinner. BILL. Mister----? She passes him, and rushes away upstairs. And BILL, who stands frowning and looking after her, recovers himself sharply as the drawing-room door is opened, and SIR WILLIAM and MISS LANFARNE come forth, followed by KEITH, DOT, HAROLD, CHRISTINE, LATTER, and JOAN, all leaning across each other, and talking. By herself, behind them, comes LADY CHESHIRE, a refined-looking woman of fifty, with silvery dark hair, and an expression at once gentle, and ironic. They move across the hall towards the dining-room. SIR WILLIAM. Ah! Bill. MABEL. How do you do? KEITH. How are you, old chap? DOT. [gloomily] Do you know your part? HAROLD. Hallo, old man! CHRISTINE gives her brother a flying kiss. JOAN and LATTER pause and look at him shyly without speech. BILL. [Putting his hand on JOAN's shoulder] Good luck, you two! Well mother? LADY CHESHIRE. Well, my dear boy! Nice to see you at last. What a long time! She draws his arm through hers, and they move towards the dining-room. The curtain falls. The curtain rises again at once. SCENE II CHRISTINE, LADY CHESHIRE, DOT, MABEL LANFARNE, and JOAN, are returning to the hall after dinner. CHRISTINE. [in a low voice] Mother, is it true about young Dunning and Rose Taylor? LADY CHESHIRE. I'm afraid so, dear. CHRISTINE. But can't they be---- DOT. Ah! ah-h! [CHRISTINE and her mother are silent.] My child, I'm not the young person. CHRISTINE. No, of course not--only--[nodding towards JOAN and Mable]. DOT. Look here! This is just an instance of what I hate. LADY CHESHIRE. My dear? Another one? DOT. Yes, mother, and don't you pretend you don't understand, because you know you do. CHRISTINE. Instance? Of what? JOAN and MABEL have ceased talking, and listen, still at the fire. DOT. Humbug, of course. Why should you want them to marry, if he's tired of her? CHRISTINE. [Ironically] Well! If your imagination doesn't carry you as far as that! DOT. When people marry, do you believe they ought to be in love with each other? CHRISTINE. [With a shrug] That's not the point. DOT. Oh? Were you in love with Ronny? CHRISTINE. Don't be idiotic! DOT. Would you have married him if you hadn't been? CHRISTINE. Of course not! JOAN. Dot! You are!---- DOT. Hallo! my little snipe! LADY CHESHIRE. Dot, dear! DOT. Don't shut me up, mother! [To JOAN.] Are you in love with John? [JOAN turns hurriedly to the fire.] Would you be going to marry him if you were not? CHRISTINE. You are a brute, Dot. DOT. Is Mabel in love with--whoever she is in love with? MABEL. And I wonder who that is. DOT. Well, would you marry him if you weren't? MABEL. No, I would not. DOT. Now, mother; did you love father? CHRISTINE. Dot, you really are awful. DOT. [Rueful and detached] Well, it is a bit too thick, perhaps. JOAN. Dot! DOT. Well, mother, did you--I mean quite calmly? LADY CHESHIRE. Yes, dear, quite calmly. DOT. Would you have married him if you hadn't? [LADY CHESHIRE shakes her head] Then we're all agreed! MABEL. Except yourself. DOT. [Grimly] Even if I loved him, he might think himself lucky if I married him. MABEL. Indeed, and I'm not so sure. DOT. [Making a face at her] What I was going to---- LADY CHESHIRE. But don't you think, dear, you'd better not? DOT. Well, I won't say what I was going to say, but what I do say is--Why the devil---- LADY CHESHIRE. Quite so, Dot! DOT. [A little disconcerted.] If they're tired of each other, they ought not to marry, and if father's going to make them---- CHRISTINE. You don't understand in the least. It's for the sake of the---- DOT. Out with it, Old Sweetness! The approaching infant! God bless it! There is a sudden silence, for KEITH and LATTER are seen coming from the dining-room. LATTER. That must be so, Ronny. KEITH. No, John; not a bit of it! LATTER. You don't think! KEITH. Good Gad, who wants to think after dinner! DOT. Come on! Let's play pool. [She turns at the billiard-room door.] Look here! Rehearsal to-morrow is directly after breakfast; from "Eccles enters breathless" to the end. MABEL. Whatever made you choose "Caste," DOT? You know it's awfully difficult. DOT. Because it's the only play that's not too advanced. [The girls all go into the billiard-room.] LADY CHESHIRE. Where's Bill, Ronny? KEITH. [With a grimace] I rather think Sir William and he are in Committee of Supply--Mem-Sahib. LADY CHESHIRE. Oh! She looks uneasily at the dining-room; then follows the girls out. LATTER. [In the tone of one resuming an argument] There can't be two opinions about it, Ronny. Young Dunning's refusal is simply indefensible. KEITH. I don't agree a bit, John. LATTER. Of course, if you won't listen. KEITH. [Clipping a cigar] Draw it mild, my dear chap. We've had the whole thing over twice at least. LATTER. My point is this---- KEITH. [Regarding LATTER quizzically with his halfclosed eyes] I know--I know--but the point is, how far your point is simply professional. LATTER. If a man wrongs a woman, he ought to right her again. There's no answer to that. KEITH. It all depends. LATTER. That's rank opportunism. KEITH. Rats! Look here--Oh! hang it, John, one can't argue this out with a parson. LATTER. [Frigidly] Why not? HAROLD. [Who has entered from the dining-room] Pull devil, pull baker! KEITH. Shut up, Harold! LATTER. "To play the game" is the religion even of the Army. KEITH. Exactly, but what is the game? LATTER. What else can it be in this case? KEITH. You're too puritanical, young John. You can't help it--line of country laid down for you. All drag-huntin'! What! LATTER. [With concentration] Look here! HAROLD. [Imitating the action of a man pulling at a horse's head] 'Come hup, I say, you hugly beast!' KEITH. [To LATTER] You're not going to draw me, old chap. You don't see where you'd land us all. [He smokes calmly] LATTER. How do you imagine vice takes its rise? From precisely this sort of thing of young Dunning's. KEITH. From human nature, I should have thought, John. I admit that I don't like a fellow's leavin' a girl in the lurch; but I don't see the use in drawin' hard and fast rules. You only have to break 'em. Sir William and you would just tie Dunning and the girl up together, willy-nilly, to save appearances, and ten to one but there'll be the deuce to pay in a year's time. You can take a horse to the water, you can't make him drink. LATTER. I entirely and absolutely disagree with you. HAROLD. Good old John! LATTER. At all events we know where your principles take you. KEITH. [Rather dangerously] Where, please? [HAROLD turns up his eyes, and points downwards] Dry up, Harold! LATTER. Did you ever hear the story of Faust? KEITH. Now look here, John; with all due respect to your cloth, and all the politeness in the world, you may go to-blazes. LATTER. Well, I must say, Ronny--of all the rude boors----[He turns towards the billiard-room.] KEITH. Sorry I smashed the glass, old chap. LATTER passes out. There comes a mingled sound through the opened door, of female voices, laughter, and the click of billiard balls, dipped of by the sudden closing of the door. KEITH. [Impersonally] Deuced odd, the way a parson puts one's back up! Because you know I agree with him really; young Dunning ought to play the game; and I hope Sir William'll make him. The butler JACKSON has entered from the door under the stairs followed by the keeper STUDDENHAM, a man between fifty and sixty, in a full-skirted coat with big pockets, cord breeches, and gaiters; he has a steady self respecting weathered face, with blue eyes and a short grey beard, which has obviously once been red. KEITH. Hullo! Studdenham! STUDDENHAM. [Touching his forehead] Evenin', Captain Keith. JACKSON. Sir William still in the dining-room with Mr. Bill, sir? HAROLD. [With a grimace] He is, Jackson. JACKSON goes out to the dining-room. KEITH. You've shot no pheasants yet, Studdenham? STUDDENHAM. No, Sir. Only birds. We'll be doin' the spinneys and the home covert while you're down. KEITH. I say, talkin' of spinneys---- He breaks off sharply, and goes out with HAROLD into the billiard-room. SIR WILLIAM enters from the dining-room, applying a gold toothpick to his front teeth. SIR WILLIAM. Ah! Studdenham. Bad business this, about young Dunning! STUDDENHAM. Yes, Sir William. SIR WILLIAM. He definitely refuses to marry her? STUDDENHAM. He does that. SIR WILLIAM. That won't do, you know. What reason does he give? STUDDENHAM. Won't say other than that he don't want no more to do with her. SIR WILLIAM. God bless me! That's not a reason. I can't have a keeper of mine playing fast and loose in the village like this. [Turning to LADY CHESHIRE, who has come in from the billiard-room] That affair of young Dunning's, my dear. LADY CHESHIRE. Oh! Yes! I'm so sorry, Studdenham. The poor girl! STUDDENHAM. [Respectfully] Fancy he's got a feeling she's not his equal, now, my lady. LADY CHESHIRE. [To herself] Yes, I suppose he has made her his superior. SIR WILLIAM. What? Eh! Quite! Quite! I was just telling Studdenham the fellow must set the matter straight. We can't have open scandals in the village. If he wants to keep his place he must marry her at once. LADY CHESHIRE. [To her husband in a low voice] Is it right to force them? Do you know what the girl wishes, Studdenham? STUDDENHAM. Shows a spirit, my lady--says she'll have him--willin' or not. LADY CHESHIRE. A spirit? I see. If they marry like that they're sure to be miserable. SIR WILLIAM. What! Doesn't follow at all. Besides, my dear, you ought to know by this time, there's an unwritten law in these matters. They're perfectly well aware that when there are consequences, they have to take them. STUDDENHAM. Some o' these young people, my lady, they don't put two and two together no more than an old cock pheasant. SIR WILLIAM. I'll give him till to-morrow. If he remains obstinate, he'll have to go; he'll get no character, Studdenham. Let him know what I've said. I like the fellow, he's a good keeper. I don't want to lose him. But this sort of thing I won't have. He must toe the mark or take himself off. Is he up here to-night? STUDDENHAM. Hangin' partridges, Sir William. Will you have him in? SIR WILLIAM. [Hesitating] Yes--yes. I'll see him. STUDDENHAM. Good-night to you, my lady. LADY CHESHIRE. Freda's not looking well, Studdenham. STUDDENHAM. She's a bit pernickitty with her food, that's where it is. LADY CHESHIRE. I must try and make her eat. SIR WILLIAM. Oh! Studdenham. We'll shoot the home covert first. What did we get last year? STUDDENHAM. [Producing the game-book; but without reference to it] Two hundred and fifty-three pheasants, eleven hares, fifty-two rabbits, three woodcock, sundry. SIR WILLIAM. Sundry? Didn't include a fox did it? [Gravely] I was seriously upset this morning at Warnham's spinney---- SUDDENHAM. [Very gravely] You don't say, Sir William; that four-year-old he du look a handful! SIR WILLIAM. [With a sharp look] You know well enough what I mean. STUDDEN
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Produced by D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) BILL NYE'S CORDWOOD COPYRIGHT. 1887 CHICAGO: RHODES & MCCLURE PUBLISHING CO. 1887. [Illustration: Bill Nye] Transcriber's note: There was no Contents list in the original, one has been placed in this ebook for ease of navigation. Bill Nye on the Cow Industry. A New Biography of Galileo. Methuselah. Notes on Some Spring Styles. Hunting an Ichthyosaurus. True Merit Rewarded. Bill Nye condoles with Cleveland. No Doubt as to His Condition. Cyclones. The Earth. Francisco Pizarro's Career. Bill Nye "Incubates." Bill Nye on Tobacco.--A Discourager of Cannibalism. Bill Nye's Arctic-le. Bill Nye's Answers to Correspondents. Bill Nye Preparing A Political Speech in Advance for a Time of Need. Bill Nye on Railroads. Bill Nye's Letter. Favored a Higher Fine. How Bill Nye Failed to Make the Amende Honorable--A Pathetic Incident. Seeing a Saw Mill. How A Chinaman Rides the Untamed Broncho. Bill Nye Wants to Know How to Preserve Game. Bill Nye Attends Booth's "Hamlet." Bill Nye's Advice A Would-be Hostelry. Bill Nye's Hornets. A Tragedy. The Bronco Cow. Autumn Thoughts. Bill Nye's Advice Bag. Mr. Sweeney's Cat. Bill Nye's Letter. Declined with Thanks. BILL NYE'S CORDWOOD. BILL NYE ON THE COW INDUSTRY. A COWBOY COLLEGE NEEDED TO EDUCATE YOUNG MEN TO THIS PROFESSION. No one can go through the wide territory of Montana to-day without being strongly impressed with
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Produced by Jonathan Ingram, Steven desJardins, and Distributed Proofreaders Bullets & Billets By Bruce Bairnsfather 1916 TO MY OLD PALS, "BILL," "BERT," AND "ALF," WHO HAVE SAT IN THE MUD WITH ME CONTENTS CHAPTER I Landing at Havre--Tortoni's--Follow the tram lines--Orders for the Front. CHAPTER II Tortuous travelling--Clippers and tablets--Dumped at a siding--I join my Battalion. CHAPTER III Those Plugstreet trenches--Mud and rain--Flooded out--A hopeless dawn. CHAPTER IV More mud--Rain and bullets--A bit of cake--"Wind up"--Night rounds. CHAPTER V My man Friday--"Chuck us the biscuits"--Relieved--Billets. CHAPTER VI The Transport Farm--Fleeced by the Flemish--Riding--Nearing Christmas. CHAPTER VII A projected attack---Digging a sap--An 'ell of a night--The attack--Puncturing Prussians. CHAPTER VIII Christmas Eve--A lull in hate--Briton cum Boche. CHAPTER IX Souvenirs--A ride to Nieppe--Tea at H.Q.--Trenches once more. CHAPTER X My partial escape from the mud--The deserted village--My "cottage." CHAPTER XI Stocktaking--Fortifying--Nebulous Fragments. CHAPTER XII A brain wave--Making a "funk hole"--Plugstreet Wood--Sniping. CHAPTER XIII Robinson Crusoe--That turbulent table. CHAPTER XIV The Amphibians--Fed-up, but determined--The gun parapet. CHAPTER XV Arrival of the "Johnsons"--"Where did that one go?"--The First Fragment dispatched--The exodus--Where? CHAPTER XVI New trenches--The night inspection--Letter from the _Bystander_. CHAPTER XVII Wulverghem--The Douve--Corduroy boards--Back at our farm. CHAPTER XVIII The painter and decorator--Fragments forming--Night on the mud prairie. CHAPTER XIX Visions of leave--Dick Turpin--Leave! CHAPTER XX That Leave train--My old pal--London and home--The call of the wild. CHAPTER XXI Back from leave--That "blinkin' moon"--Johnson 'oles--Tommy and "frightfulness"--Exploring expedition. CHAPTER XXII A daylight stalk--The disused trench--"Did they see me?"--A good sniping position. CHAPTER XXIII Our moated farm--Wulverghem--The Cure's house--A shattered Church--More "heavies"--A farm on fire. CHAPTER XXIV That ration fatigue--Sketches in request--Bailleul--Baths and lunatics--How to conduct a war. CHAPTER XXV Getting stale--Longing for change--We leave the Douve--On the march--Spotted fever--Ten days' rest. CHAPTER XXVI A pleasant change--Suzette, Berthe and Marthe--"La jeune fille farouche"--Andre. CHAPTER XXVII Getting fit--Caricaturing the Cure--"Dirty work ahead"--A projected attack--Unlooked-for orders. CHAPTER XXVIII We march for Ypres--Halt at Locre--A bleak camp and meagre fare--Signs of battle--First view of Ypres. CHAPTER XXIX Getting nearer--A lugubrious party--Still nearer--Blazing Ypres--Orders for attack. CHAPTER XXX Rain and mud--A trying march--In the thick of it--A wounded officer--Heavy shelling--I get my "quietus!" CHAPTER XXXI Slowly recovering--Field hospital--Ambulance train--Back in England. LIST OF ILLUSTRATIONS Bruce Bairnsfather: a photograph The Birth of "Fragments": Scribbles on the farmhouse walls That Astronomical Annoyance, the Star Shell "Plugstreet Wood" A Hopeless Dawn The usual line in Billeting Farms "Chuck us the biscuits, Bill. The fire wants mendin'" "Shut that blinkin' door. There's a 'ell of a draught in 'ere" A Memory of Christmas, 1914 The Sentry A Messines Memory: "'Ow about shiftin' a bit further down the road, Fred?" "Old soldiers never die" Photograph of the Author. St. Yvon, Christmas Day, 1914 Off "in" again "Poor old Maggie! She seems to be 'avin' it dreadful wet at 'ome!" The Tin-opener "They're devils to snipe, ain't they, Bill?" Old Bill FOREWORD _Down South, in the Valley of the Somme, far from the spots recorded in this book, I began to write this story._ _In billets it was. I strolled across the old farmyard and into the wood beyond. Sitting by a gurgling little stream, I began, with the aid of a notebook and a pencil, to record the joys and sorrows of my first six months in France._ _I do not claim any unique quality for these experiences. Many thousands have had the same. I have merely, by request, made a record of my times out there, in the way that they appeared to me_. BRUCE BAIRNSFATHER. CHAPTER I LANDING AT HAVRE--TORTONI'S--FOLLOW THE TRAM LINES--ORDERS FOR THE FRONT [Illustration: G] Gliding up the Seine, on a transport crammed to the lid with troops, in the still, cold hours of a November morning, was my debut into the war. It was about 6 a.m. when our boat silently slipped along past the great wooden sheds, posts and complications of Havre Harbour. I had spent most of the twelve-hour trip down somewhere in the depths of the ship, dealing out rations to the hundred men that I had brought with me from Plymouth. This sounds a comparatively simple process, but not a bit of it. To begin with, the ship was filled with troops to bursting point, and the mere matter of proceeding from one deck to another was about as difficult as trying to get round to see a friend at the other side of the ground at a Crystal Palace Cup final. I stood in a queue of Gordons, Seaforths, Worcesters, etc., slowly moving up one, until, finally arriving at the companion (nearly said staircase), I tobogganed down into the hold, and spent what was left of the night dealing out those rations. Having finished at last, I came to the surface again, and now, as the transport glided along through the dirty waters of the river, and as I gazed at the motley collection of Frenchmen on the various wharves, and saw a variety of soldiery, and a host of other warlike "props,"
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Produced by RichardW and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Library of Congress) HOCUS POCUS; OR THE WHOLE ART OF LEGERDEMAIN, IN PERFECTION. BY HENRY DEAN. [Illustration: Strange feats are herein taught by slight of hand, With which you may amuse yourself and friend, The like in print was never seen before, And so you’ll say when once you’ve read it o’er. ] HOCUS POCUS; OR THE WHOLE ART OF _LEGERDEMAIN_, IN PERFECTION. By which the meaneſt capacity may perform the whole without the help of a teacher. _Together with the Uſe of all the Inſtruments_ _belonging thereto._ TO WHICH IS NOW ADDED, Abundance of New and Rare Inventions. BY HENRY DEAN. _The ELEVENTH EDITION, with large_ _Additions and Amendments._ PHILADELPHIA: PRINTED FOR MATHEW CAREY, NO. 118, MARKET-STREET. 1795. THE PREFACE TO THE READER. KIND READER, Having _in my former_ book _of_ LEGERDEMAIN, _promiſed you farther improvements, accordingly I have diſcovered herein to you the greateſt and moſt wonderful ſecrets of this_ ART, _never written or publiſhed by any man before: therefore I do not doubt but herein you will find pleaſure to your full ſatisfaction; which is all my deſire_. HENRY DEAN. The Whole ART of LEGERDEMAIN; OR, HOCUS POCUS IN PERFECTION, &c. Legerdemain is an operation whereby one may seem to work wonderful, impossible, and incredible things, by agility, nimbleness, and slight of hand. The parts of this ingenious art, are principally four. First, In conveyance of balls. Secondly, In conveyance of money
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Produced by Jason Isbell, Stacy Brown Thellend and the Online Distributed Proofreading Team at http://www.pgdp.net Merged with an earlier text produced by Juliet Sutherland, Thomas Hutchinson and the Online Distributed Proofreading Team [Illustration] TALES OF DARING AND DANGER. [Illustration] [Illustration: SIGHTING THE WRECK OF THE STEAMER.] TALES OF DARING AND DANGER. BY G.A. HENTY, Author of "Yarns on the Beach;" "Sturdy and Strong;" "Facing Death;" "By Sheer Pluck;" "With Clive in India;" &c. _ILLUSTRATED._ [Illustration] LONDON: BLACKIE & SON, 49 & 50 OLD BAILEY, E.C. GLASGOW, EDIN
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Produced by Robert Rowe, Charles Franks and the Online Distributed Proofreading Team. HTML version by Al Haines. FAMOUS AFFINITIES OF HISTORY THE ROMANCE OF DEVOTION BY LYNDON ORR VOLUME I OF IV. CONTENTS THE STORY OF ANTONY AND CLEOPATRA ABELARD AND HELOISE QUEEN ELIZABETH AND THE EARL OF LEICESTER MARY QUEEN OF SCOTS AND LORD BOTHWELL QUEEN CHRISTINA OF SWEDEN AND THE MARQUIS MONALDESCHI KING CHARLES II. AND NELL GWYN MAURICE OF SAXONY AND ADRIENNE LECOUVREUR THE STORY OF PRINCE CHARLES EDWARD STUART THE STORY OF ANTONY AND CLEOPATRA Of all love stories that are known to human history, the love story of Antony and Cleopatra has been for nineteen centuries the most remarkable. It has tasked the resources of the plastic and the graphic arts. It has been made the theme of poets and of prose narrators. It has appeared and reappeared in a thousand forms, and it appeals as much to the imagination to-day as it did when Antony deserted his almost victorious troops and hastened in a swift galley from Actium in pursuit of Cleopatra. The wonder of the story is explained by its extraordinary nature. Many men in private life have lost fortune and fame for the love of woman. Kings have incurred the odium of their people, and have cared nothing for it in comparison with the joys of sense that come from the lingering caresses and clinging kisses. Cold-blooded statesmen, such as Parnell, have lost the leadership of their party and have gone down in history with a clouded name because of the fascination exercised upon them by some woman, often far from beautiful, and yet possessing the mysterious power which makes the triumphs of statesmanship seem slight in comparison with the swiftly flying hours of pleasure. But in the case of Antony and Cleopatra alone do we find a man flinging away not merely the triumphs of civic honors or the headship of a state, but much more than these--the mastery of what was practically the world--in answer to the promptings of a woman's will. Hence the story of the Roman triumvir and the Egyptian queen is not like any other story that has yet been told. The sacrifice involved in it was so overwhelming, so instantaneous, and so complete as to set this narrative above all others. Shakespeare's genius has touched it with the glory of a great imagination. Dryden, using it in the finest of his plays, expressed its nature in the title "All for Love." The distinguished Italian historian, Signor Ferrero, the author of many books, has tried hard to eliminate nearly all the romantic elements from the tale, and to have us see in it not the triumph of love, but the blindness of ambition. Under his handling it becomes almost a sordid drama of man's pursuit of power and of woman's selfishness. Let us review the story as it remains, even after we have taken full account of Ferrero's criticism. Has the world for nineteen hundred years been blinded by a show of sentiment? Has it so absolutely been misled by those who lived and wrote in the days which followed closely on the events that make up this extraordinary narrative? In answering these questions we must consider, in the first place, the scene, and, in the second place, the psychology of the two central characters who for so long a time have been regarded as the very embodiment of unchecked passion. As to the scene, it must be remembered that the Egypt of those days was not Egyptian as we understand the word, but rather Greek. Cleopatra herself was of Greek descent. The kingdom of Egypt had been created by a general of Alexander the Great after that splendid warrior's death. Its capital, the most brilliant city of the Greco-Roman world, had been founded by Alexander himself, who gave to it his name. With his own hands he traced out the limits of the city and issued the most peremptory orders that it should be made the metropolis of the entire world. The orders of a king cannot give enduring greatness to a city; but Alexander's keen eye and marvelous brain saw at once that the site of Alexandria was such that a great commercial community planted there would live and flourish throughout out succeeding ages. He was right; for within a century this new capital of Egypt leaped to the forefront among the exchanges of the world's commerce, while everything that art could do was lavished on its embellishment. Alexandria lay upon a projecting tongue of land so situated that the whole trade of the Mediterranean centered there. Down the Nile there floated to its gates the barbaric wealth of Africa. To it came the treasures of the East, brought from afar by caravans--silks from China, spices and pearls from India, and enormous masses of gold and silver from lands scarcely known. In its harbor were the vessels of every country, from Asia in the East to Spain and Gaul and even Britain in the West. When Cleopatra, a young girl of seventeen, succeeded to the throne of Egypt the population of Alexandria amounted to a million souls. The customs duties collected at the port would, in terms of modern money, amount each year to more than thirty million dollars, even though the imposts were not heavy. The people, who may be described as Greek at the top and Oriental at the bottom, were boisterous and pleasure-loving, devoted to splendid spectacles, with horse-racing, gambling, and dissipation; yet at the same time they were an artistic people, loving music passionately, and by no means idle, since one part of the city was devoted to large and prosperous manufactories of linen, paper, glass, and muslin. To the outward eye Alexandria was extremely beautiful. Through its entire length ran two great boulevards, shaded and diversified by mighty trees and parterres of multicolored flowers, amid which fountains plashed and costly marbles gleamed. One-fifth of the whole city was known as the Royal Residence. In it were the palaces of the reigning family, the great museum, and the famous library which the Arabs later burned. There were parks and gardens brilliant with tropical foliage and adorned with the masterpieces of Grecian sculpture, while sphinxes and obelisks gave a suggestion of Oriental strangeness. As one looked seaward his eye beheld over the blue water the snow-white rocks of the sheltering island, Pharos, on which was reared a lighthouse four hundred feet in height and justly numbered among the seven wonders of the world. Altogether, Alexandria was a city of wealth, of beauty, of stirring life, of excitement, and of pleasure. Ferrero has aptly likened it to Paris--not so much the Paris of to-day as the Paris of forty years ago, when the Second Empire flourished in all its splendor as the home of joy and strange delights. Over the country of which Alexandria was the capital Cleopatra came to reign at seventeen. Following the odd custom which the Greek dynasty of the Ptolemies had inherited from their Egyptian predecessors, she was betrothed to her own brother. He, however, was a mere child of less than twelve, and was under the control of evil counselors, who, in his name, gained control of the capital and drove Cleopatra into exile. Until then she had been a mere girl; but now the spirit of a woman who was wronged blazed up in her and called out all her latent powers. Hastening to Syria, she gathered about herself an army and led it against her foes. But meanwhile Julius Caesar, the greatest man of ancient times, had arrived at Alexandria backed by an army of his veterans. Against him no resistance would avail. Then came a brief moment during which the Egyptian king and the Egyptian queen each strove to win the favor of the Roman imperator. The king and his advisers had many arts, and so had Cleopatra. One thing, however, she possessed which struck the balance in her favor, and this was a woman's fascination. According to the story, Caesar was unwilling to receive her. There came into his presence, as he sat in the palace, a group of slaves bearing a long roll of matting, bound carefully and seeming to contain some precious work of art. The slaves made signs that they were bearing a gift to Caesar. The master of Egypt bade them unwrap the gift that he might see it. They did so, and out of the wrapping came Cleopatra--a radiant vision, appealing, irresistible. Next morning it became known everywhere that Cleopatra had remained in Caesar's quarters through the night and that her enemies were now his enemies. In desperation they rushed upon his legions, casting aside all pretense of amity. There ensued a fierce contest, but the revolt was quenched in blood. This was a crucial moment in Cleopatra's life. She had sacrificed all that a woman has to give; but she had not done so from any love of pleasure or from wantonness. She was queen of Egypt, and she had redeemed her kingdom and kept it by her sacrifice. One should not condemn her too severely. In a sense, her act was one of heroism like that of Judith in the tent of Holofernes. But beyond all question it changed her character. It taught her the secret of her own great power. Henceforth she was no longer a mere girl, nor a woman of the ordinary type. Her contact with so great a mind as Caesar's quickened her intellect. Her knowledge that, by the charms of sense, she had mastered even him transformed her into a strange and wonderful creature. She learned to study the weaknesses of men, to play on their emotions, to appeal to every subtle taste and fancy. In her were blended mental power and that illusive, indefinable gift which is called charm. For Cleopatra was never beautiful. Signor Ferrero seems to think this fact to be discovery of his own, but it was set down by Plutarch in a very striking passage written less than a century after Cleopatra and Antony died. We may quote here what the Greek historian said of her: Her actual beauty was far from being so remarkable that none could be compared with her, nor was it such that it would strike your fancy when you saw her first. Yet the influence of her presence, if you lingered near her, was irresistible. Her attractive personality, joined with the charm of her conversation, and the individual touch that she gave to everything she said or did, were utterly bewitching. It was delightful merely to hear the music of her voice, with which, like an instrument of many strings, she could pass from one language to another. Ca
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Produced by Nick Hodson of London, England Eunice By Margaret Murray Robertson Published by Hodder and Stoughton, 27 Paternoster Row, London. This edition dated 1890. Eunice, by Margaret Murray Robertson. ________________________________________________________________________ ________________________________________________________________________ EUNICE, BY MARGARET MURRAY ROBERTSON. CHAPTER ONE. GOING HOME. One fair morning, a good many years ago, a number of schoolgirls were waiting at a little wayside station on the banks of the Connecticut River. They had crossed the river in a ferry-boat and were waiting for more of their number who were coming after them. They were waiting patiently enough. It was a good place in which to wait, for the scene around them was very lovely. They were standing at the foot of Mount Tom, glorious in the morning sunshine, and looking over on the shadows which still lingered on the face of Mount Holyoke. From the far north flows the Connecticut River broadening on its way, as Green Mountain and White send down on either hand, from melting snow-drifts and hidden springs, their tribute to its waters. Through forests and broken hill country, through meadows, sometimes broad and sometimes narrow, past town and village and lonely farmhouse, it flows before it makes a bend to pass between Mounts Tom and Holyoke, but in all its course it flows through no fairer landscape than that which spreads itself around the base of these two historic mountains. Over all the land lay the promise of spring in the glory of cloudless sunshine. Only the promise as yet. The mountains were still bare and brown, with patches of snow lingering in hollow and crevice; and the great elms that were everywhere--in the village streets, along the roads that wound between the hills, and around the white farmhouses--showed no tinge of green as yet, but their brown buds were ready and waiting to burst; the meadows were growing green and the catkins were large and full on the willows by the brooks that hastened through them to the river. There was a soft tinge, half green, half golden, on earlier trees growing in sheltered places; and the promise of the spring was everywhere--more joyfully welcomed after a long winter than spring in the full glory of leaf and blossom. They were thinking and speaking of other things--these waiting schoolgirls. Some of them walked about, softly speaking last words to each other, and some of them were watching the coming of the boat over the swollen waters of the river. But the beauty around them, the sweetness of the spring morning, the restful quiet on mountain and valley, were present with them all. "Nellie Austin," said a voice from the group that watched the boat, "do you see? Your `Faithful' is coming after all." "My Faithful!"--and a young girl sprang forward as the boat touched the bank. A slender girl, very plainly dressed, stepped out first--a girl with grave dark eyes and a firm mouth, which yet trembled a little as she answered her companion's greeting. "Faithful! my Faithful! you are coming home with me after all?" "No, dear; I am going home to my Eunice. I thought I had better." "Have you heard again? Is she not well?" "I have not heard again; but she is not very well, I am afraid. I must go and see." "But you will come back again? You will never, never think of not coming back!" "Oh, yes, I hope so! I think so--unless she is really sick." "Oh, she is not so very sick, or you would have heard! What should I ever do without you? Now you must sit with me as far as I go. Here are the cars!" There was no time to lose. The "cars" had come which were to carry the schoolgirls home for a fortnight's rest and holiday. From the windows a good many people looked out with interest on the group of girls, and one said to his friend-- "They are from the seminary over the river yonder. We saw it as we came on." "Schoolgirls? No; they don't look like schoolgirls. The greater part of them must be out of their teens, I should say." "Possibly, but all the same they are schoolgirls, though there may be a teacher or two among them." "Well, friend, after all that you have been telling me about your wonderful common school system, I should have supposed that the education of these sedate young persons might have been finished before the age of twenty." "Oh, I have no doubt that these young persons have had the benefit of common school and high school too, before they aspired to a place in the seminary over yonder; and the chances are that some of them since then have earned, either with hands or head, the means to carry them further on; and for these there can be no better place than the plain brick seminary on the other side of the river!" "Well," said his friend, "I can only repeat what I have said to you more than once already--you are a curious people in some ways--with your boys who are men, and your prim grave-faced young women who are schoolgirls. I should like to put a question or two to some of them, if I might." His friend shook his head. "You may have a chance to do so before you leave the country, but not to-day, I think. You have no grown-up schoolgirls in _Old_ England? Out of _New_ England I don't suppose we have so very many even in this country; and there are probably more in the seminary over there than in schools generally among us. It was built by special means for a special purpose. A woman built it--a woman who never owned a dollar that she had not first earned--a great and good woman. She gave herself, body, soul, and spirit, to the work of helping her countrywomen--her sisters, she called them all--who were hungering and thirsting, as she herself in her youth had hungered and thirsted, for knowledge." "With a view to making learned ladies of them all?" "Learned ladies? Well, yes, perhaps--as a means to an end. You may think it strange, as others have thought; but this woman really believed His word who said, `Ye are not your own. Ye are bought with a price.' `None of us liveth to himself.'" "In a way, we all believe them, I suppose." "Yes, in a way. Well, she believed them in another way. She believed them and lived them all her life long. Learned ladies! Yes; but the keynote of all her teaching was this: `Not your own, but His who bought you. His for service or for suffering, for watching or warfare, for life or death.'" "Well?" said his friend, as the speaker paused. "Well, she is dead, and `her works do follow her.'" There was no time for more. The train stopped, and several of the "schoolgirls" rose to leave. The travellers heard one "Good-bye" spoken. "Oh, if you would come with me even yet, dear Faithful!" "Another time I hope to go with you; but not this time." "Well, good-bye, my Faithful, good-bye. No, I am not going to cry, but I _will_ kiss you, whatever any one may think about it." And then the speaker was gone. No one saw her companion's face for some time after that. Nor did she see the receding mountains on which she seemed to be gazing. Her eyes were dim with tears which must not be allowed to fall. "Fidelia Marsh," said her companion at last, "what are you thinking about? Not little Nellie Austin all this time, surely?" The young girl turned round. "I was trying to think how it would seem if I were never to see her or any of you all again;" and then she turned her face to the window, and sat silent till her turn had come to say "Good-bye." "Yes, this is my stopping-place." She smiled and nodded to those who were not within reach of her hand, and seemed to be cheerful enough in her good-bye, but she did not linger near the window when she reached the platform, as Nellie Austin and her friend had done. It was a dreary little station, standing at the foot of a broken stony <DW72>, with only one unfurnished house in sight. One lank official moved about at his leisure, and one embryo trader hastened to display his boxes of lozenges, and his basket of unwholesome peanuts and last year's apples. There were doubtless prosperous villages along the wide road that crossed the railway, and pleasant farmhouses amid the high pastures and moist meadow lands hid away among the hills beyond; but the dingy house and the dull little station were all that could be seen from the windows of the cars, and Fidelia's companions said to one another that the place looked forlorn. "And poor dear Fidelia! Does she not look forlorn as well?" They had time to watch her as she went to claim her trunk, and they saw her shake hands with the leisurely official, who was evidently an acquaintance. But when she turned at last to the window she did not look "forlorn." A beautiful face looked up from under a big bonnet--a rarely beautiful face, delicate yet strong. There were slight hollows and a darkened shade beneath the lovely grey eyes set wide apart under a low broad forehead, and the pale rose-tint on her cheeks might have been deeper with advantage. The look of delicacy was due to the hard work she had been doing, but the strength was real, and she would last through harder work than ever she was likely to have at school. Forlorn? No. Her face was radiant! The solemn-looking station-master had wrought the change. "Well, Fidelia, you've got home, haven't you? Folks don't expect you, do they?" "I didn't write that I was coming. I was not sure till the last minute. Are they all well about here?" "Yes, I guess so. Eunice is well, any way. She was to meeting Sunday; and seems to me Lucinda said she was at the sewing-circle at the doctor's the other day. She'll be glad to see _you_, sick or well." "I'm glad and thankful that she is well," said Fidelia softly. "I must say good-bye to the girls." She turned quickly towards the faces at the windows. "Have you heard good news, Fidelia?" called some one. There was no time for words, but the joy on the girl's upturned face was better than any last words could have been, even though her lips trembled and her eyes were dim with tears. And then the train swept on among the hills, and she who had been called "Faithful" turned her face toward her home, to get the first glimpse of the work which awaited her there. Not the work which she had been planning for herself during the last year, but her work all the same-- the work which God had appointed her to do. Declining the station-master's invitation to "go in and see Lucinda and wait for a chance to ride home," she went on her way with a cheerful heart. She followed the wide road, leading westward, only a little way. Then she went in at an open gate, and across a stony pasture, till she came to a narrow road leading at first through a thicket of spruce and cedar, where it was necessary carefully to pick her steps over the wet moss and stones, and over the network of brown roots which the spring freshets had laid bare. After a while the road began to ascend, and then the cedars and spruces were left behind, and birch and poplar and dogwood, but chiefly great maple trees, with branches high above all the rest, covered the hillside. It was up hill and down again all the way after that till the journey was done. But she did not mind the hills or the roughness of the way. The fresh air and the free movement were delightful to her in her new freedom, and everything about her seemed beautiful. She caught sight of many a green thing growing among the dead leaves; and more than once she paused and stopped as if she would have liked to pick them. But her hands were full, and the nearer she drew to her home the more eager she grew to reach it. "I'll come again," she murmured. "Oh, I am so glad that Eunice is well!" She reached the top of a hill steeper and higher than the rest, at a point from which could be seen a few miles of the railway, passing along the valley. Her thoughts came back to her companions, and she sighed, and all at once began to feel tired; and then she sat down to rest, and, as she rested, she took a book from the bag which she had been carrying in her hand. "I am so glad that Eunice is well," she said to herself as she turned over the leaves. "She was at meeting, he said, and at the sewing-circle. Well, I am glad I came home all the same. And I can do something at `The Evidences' while I am here." She glanced on a page or two, and in her interest in them she might have forgotten her haste, and lingered, had not the sound of approaching wheels disturbed the silence a little. She rose in time to see the leisurely approach of an old grey horse and an old-fashioned weather-stained chaise. They were familiar objects to her, and some of the pleasantest associations of her life were connected with them; but her heart beat hard and her face grew pale as she watched their slow approach. "Dr Everett," said she, "are you going to see Eunice?" "Is it you, Fidelia? Are you just come home? No, I am not going to see Eunice. Is she not well? She'll be glad to see _you_, sick or well," added the doctor, as her other friend had done. He was out of the chaise by this time, and offering his hand to help her over the crooked fence. But, instead of taking it, she gave one glance in the kind good face, and laid her own down on the rough bark of the cedar rail and burst out crying. "It was full time for you to come home, I think, if that is the best greeting you have to give your friends. You've been overdoing, and have got nervous, I guess," said the doctor, moving aside first one rail and then another from the fence, to make it easier for her to get over. "Oh, no, Dr Everett, it is not that! Nervous indeed! I don't know what it means. Only I'm so glad to get home, and--so glad that Eunice is well--" If she had said another word she must have cried again. "Well, never mind. Get into the chaise, and I'll drive you home; and then I'll see about Eunice and you too." It was ridiculous, Fidelia told herself. It had never happened in all her life before. But it was more than she could do for awhile to command her voice or stop her tears. The doctor made himself busy with the harness for a little, and, having left his whip behind him, he cut a switch from a hickory-tree beside the road; and by the time he was ready to get into the chaise Fidelia was herself again. "Have you been having a good time?" asked the doctor presently. "Yes, indeed! I have enjoyed every minute of it. And I have been perfectly well, Dr Everett. I have never lost one recitation." "I suppose you have been at the head of the class and have got the medal." Fidelia laughed. "I'm not the best scholar by a good many. But I have got on pretty well." "Well, you have got up a step, I hear." "I have been taking some of the studies of the second year. My Latin helped me on, and--other things. And--I mean to graduate next year." "Do in two years what other girls are expected to do in three or four, and injure your health for life doing it? That would be a poor kind of wisdom, little girl." "Oh, I haven't been doing too much, and I don't mean to! But you know, two years means more to Eunice and me than it does to most people. Oh, it will be all easy enough! I was well prepared. You see Eunice knew just what was needed." "Yes, and Eunice is a good teacher." "Isn't she?" said Fidelia eagerly. "I haven't seen one yet to compare with her. Oh, if Eunice had only had my chance!" "Softly, little girl! Your chance, indeed! Dear Eunice is far beyond all that sort of thing. She has had better teaching." "Yes; but Eunice would have liked it. You know she was at the seminary one of its first years. And she would have gone on. She told me the last night I was at home that it was years before she could quite give up the hope of going there again. And I don't see why she shouldn't. She is not thirty-two years old yet; and it was not just for young girls that the seminary was built; and--" "My dear, Eunice has got past the need of all that. It would be like sending you and Susie back again to the old red schoolhouse, to send Eunice there." The doctor had cut his hickory stick, but he had not used it, and old Grey had been moving on but slowly. There was still a long hill to climb before they reached the spot where Fidelia could catch a first glimpse of home. Old Grey moved slowly still, but neither of them spoke another word till he stood still at the door. It was a low wooden house, which had once been painted brown; but the weather-stains on the walls, and the green moss and the lichens on the roof, made its only colouring now. It had wide eaves, and many small-paned windows, and a broad porch before the door. A wild vine covered the porch and one of the windows, and the buds were beginning to show green upon it. The house stood in a large garden, which might be a pretty garden in the summer-time, but nothing had been done to it yet. The sunshine was on it, however, and it was beautiful in Fidelia's eyes. She had lived in this old brown house more than half of the eighteen years of her life; she had been faithfully cared for and dearly loved; and there were tears in her eyes, though her face was bright, as she went in at the door. "You are coming in, Dr Everett?" said she. "Yes, I am coming in. Do you suppose Eunice has a glass of buttermilk for me this morning?" "If she has not, she has got cream for you, I am quite sure," said she, laughing. Then they went in, and, finding no one, they went through the house to the garden beyond, where a woman with a large white sun-bonnet on her head was stooping over some budding thing at her feet. She raised herself up in a little, and came towards them, closely examining something which she held in her hand. So she did not see them till she came near the door where they stood. As she glanced up and saw them a shadow seemed to pass over her face. The doctor saw it; but Fidelia only saw the smile that chased it away. "My little girl!" said Eunice softly. Fidelia hid her face on her sister's shoulder, and no word was spoken for a minute or two. Then they went into the house, and Fidelia said, with a little laugh,-- "I got homesick at the last minute, dear, and so I came home." "All right, dear. If you could spare the time, it was right to come. I am very glad." The doctor got his buttermilk and cream as well, but he sat still, seeming in no hurry to go away. He listened, and put in a word now and then, but listened chiefly. He lost no tone or movement of either; and when Fidelia went, at her sister's bidding, to take off her bonnet and shawl, he rose and took the elder sister's hand, putting his finger on her pulse. "Are you as well as usual these days, Eunice?" said he. For an instant she seemed to shrink away from him, and would not meet his eye. Then she said, speaking very slowly and gently,-- "I cannot say that I am quite as well as usual. I meant to see you in a day or two. Now I will wait a little longer." "Had you better wait?" "Yes, I think so. I am not going to spoil Fidelia's pleasure, now that she is at home for a few days, and I will wait. It won't really make any difference." "Eunice," said the doctor gravely, "are you afraid of--anything?" A sudden wave of colour made her face for the moment beautiful. Tears came into her eyes, but she smiled as she said,-- "No, not afraid; I hope I should not be afraid even if I should be going to suffer all that I saw her suffer." "Eunice, why have you not told me before? It was hardly friendly to be silent with any such thought in your mind." "Well, it is as I said. A little sooner or later could make no difference." "And because you did not like to make your friends unhappy you ran this risk." The doctor was standing with his face to the door at which Fidelia at the moment entered, and his tone changed. "Well, to-morrow you must send your little girl down to see my little girls, unless they should hear of her home-coming, and be up here this afternoon. No; they shall not come, nor any one else. You shall have this day to yourselves. And mind one thing--there must be no school-books about during vacation time. Miss Eunice, I will trust to you to see to that." And then he went away. CHAPTER TWO. THE SISTERS. "Are you really well, Eunice? You don't look very well," said Fidelia, kneeling down beside her sister, and looking wistfully into her face. "Are you sure that you are well?" "I am pretty well, dear. I have been about all the winter pretty much as usual. Who has been telling that I have not been well?" "No one has written, in so many words, that you were sick. But you don't seem to have been about among the neighbours as much as usual, and you have given up your class in the Sunday school." "Yes, I gave it up for a while, but I have taken it again. I thought I had better give it up in the beginning of the winter, as I could not be quite regular, because of the bad roads. And Mr Fuller--the new teacher--could take it as well as not. He was glad to take it; and he is a born teacher. He has done good work among the boys on Sundays and week-days too. But he has gone away, and I have my class again. Was it because you thought I was sick that you came home, dear?" "Well, I wanted to be sure about you. And I got homesick when I saw the other girls going. I am glad I came: I can help in the garden." "Yes; and ten days in the garden will do more good to your summer work than ten days at your books could do. I am very glad you have come home." "I only brought one book. I must take a little time for it. Now I will get dinner if you will tell me what to do. I am hungry." "Of course you are. And I can scarcely wait to hear all you have to tell me." She did not need to wait. Fidelia laid the table, talking all the time as she went from pantry to cupboard; and Eunice listened as she prepared the dinner with her own hands--as she did every day, for there was no "help" in the house. It was a very simple meal, and it was spread in the room in which it was prepared. It was the winter kitchen and the summer dining-room--a beautiful room, perfect in neatness and simplicity, and in the tasteful arrangement of its old-fashioned furniture. There was a "secretary" of dark wood, which might have "come over in the _Mayflower_" between the windows, with a bookcase above it; there were a tall clock and two carved armchairs, a chintz-covered sofa which looked new beside the rest of the things, and a rocking-chair or two. There were pretty muslin curtains on the windows, and pictures on the walls; and except for the stove that stood against the chimney-place one might easily have mistaken the room, and called it the parlour, for there was no trace of kitchen utensil or kitchen soil to be seen. The utensils were all in the "sink room" which opened near the back door, and the soil was nowhere. All the house was beautiful in its perfect neatness. Everything in it was old, and some of the things were ancient, and had a history. A story could be told of oak chest and bookcase and bureau. Some association, sad or sweet, clung to every old-fashioned ornament and to every picture on the wall. "I don't believe there is so pleasant a house in all the state as this is," said Fidelia gravely. Her sister smiled. "You have not seen many of the houses in the state," said she. "But I have seen several. And I think I know." They had the long afternoon to themselves. The elder sister had something to tell about the quiet winter days, many of which she had spent alone. She said nothing of loneliness, however; she called it restful quiet. She had had visitors enough, and every one had been mindful and kind, from Judge Leonard, who had sent his sleigh to take her to church on stormy Sundays, to Jabez Ainsworth, who had shovelled her paths and fed her hens and cow all the winter, and left her nothing troublesome or toilsome to do. She told of the work which had occupied her, the books she had read, and the letters she had received and written, and enlarged on several items of neighbourhood news which she had only had time to mention in her letter. Then Fidelia had her turn: nothing that she could tell could fail to interest her sister as to the months in which they had been separated. Her studies, her friends, her room-mate, little Nellie Austin, the youngest pupil in the school; the teachers, the school routine, household affairs--all were full of interest to Eunice, who had been a pupil herself long ago; but she listened in silence to it all. Even when Fidelia began to plan
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Transcribed from the 1815 R. Thomas edition by David Price, email [email protected] [Picture: Public domain book cover] THE _SPEEDY APPEARANCE_ OF CHRIST DESIRED BY THE CHURCH. _BEING THE SUBSTANCE OF A_ Sermon, PREACHED ON THE DEATH OF A FRIEND, _August_ 27, 1815. * * * * * BY J. CHURCH, MINISTER OF THE GOSPEL, SURREY TABERNACLE. [Picture: Decorative divider] It shall be said in that day, lo, we have waited for him, he will save us.—_Isaiah_ xxv, 9. Even so come, LORD JESUS—Rev. xxii, 20. * * * * * Southwark: PRINTED BY R. THOMAS, RED LION STREET, BOROUGH. * * * * * A SERMON. SOL. SONG, 8th Chap. last Verse. _Make haste_, _my Beloved_, _and be thou like to a Roe_, _or a young_ _Hart upon the Mountains of Spices_. THIS divine Poem, is designed by the Holy Spirit, to exhibit the love of God our dear Saviour, to his chosen people, with all the happy consequences of that eternal affection. The whole book is full of Christ, as the all in all of the Church, which he has purchased with his blood—the union subsisting between the elect head and chosen body. What Christ is to them, and they are to him, is strikingly set forth by many well-known metaphors. Perhaps there is nothing of greater importance in the Bible than the Union subsisting between Jesus and his Church, the whole Scriptures are full of it; all our salvation depends upon it. The highest idea of Union is that glorious oneness in the three Persons the adorable Trinity; that though they are distinct in Persons, Names and Offices, yet they are one in the divine incomprehensible Essence. The next idea of Union is the hypostatical Union of God in our Nature: the Word made Flesh and dwelling among us. This is the mystery of Godliness. The Union between the head and members is the principal subject of this Song. That Christ and his People are one, is an everlasting truth, the date of it is eternal, it is indissolvable, it is mysterious, it is perfect, and will endure to all eternity. Hence it is compared to the Union that subsists between the foundation of a building and its superstructure. Christ is the foundation stone, the corner stone, the tried stone, and will be the top stone. This Union is set forth by the metaphor of the head and the body, while the love that united both is set forth in this song, by the neck. The self-moving love of God will keep this body and head in eternal Union. This is also represented by the Vine and the Branches. _I am the Vine_, _ye are the Branches_. All our fruit depends on Union with this Vine—_In me is thy fruit found_. The scriptures shew this doctrine by the Union that subsists between the Husband and his Wife: this says the Apostle _is a great mystery_; _but I speak concerning Christ and his Church_. In consequence of this Union with Christ and his People, they become partakers of the same Spirit with him. He that is joined to the Lord is one spirit. He took our nature, we take his spirit, and like the men of Judah, we have two parts in David. We are bone of bone, and flesh of his flesh; and the Apostle tells us, _we are members of his body_, _of his flesh_, _and of his bones_. Christ being united to his Church, beholds it with admiration; highly commends her, and to shew how dear she is to him, he laid down his life for her, in the set time, to favor our souls. He subdues our enmity, melts our hearts, reconciles our wills, draws our affections to himself, and leads our faith to admire him, believe in him, rest on him, and be satisfied with him. He loves us, we love him; he chose us, we chuse him; he is delighted in us, we in him; he sought us, we seek him; he commands us, we commend him; he draws near to us, we draw near to him; he loves the company of his people, they desire his; he invites them to his arms, his house, his table, and to holy familiarity with him. His people seeing his glory, beauty, suitableness, and love, intreat him to visit them, to meet them, to abide with them, to be in them, walk with them, talk with them, and indulge them with his company. Thus the Union is mutual, and sweet communion is the blessed effect of it. The Saviour must see of the travail of his soul, in their complete conversion. He longs for their coming home, and they long to get home to see him, who is the brightness of the Father’s glory, and the express image of his Person. Under this sweet influence of the spirit of love, the Church breathes forth her earnest desires—_Make haste my beloved_, _and be thou like to a Roe_, _or a young Hart upon the mountains of spices_. The first petition in this song is for clear manifestations of his love. _Let him kiss me with the kisses of his mouth_. And the last petition is the language of the text, the earnest desire to see his face. This is the Alpha and Omega of the Spirit’s teaching. We shall first consider the object desired.—_My beloved_. Secondly, Her earnest request, _Make haste_. And thirdly, The metaphor here made use of, _Be thou like a Roe_, _or a young Hart upon the mountains of spices_. First—The glorious object of the desire of every one taught of God, emphatically stiled _My beloved_. This title is given to Jesus, nineteen or twenty times in this book; and no doubt is intended to point out the high esteem the church has of her Saviour; the clearest, the sweetest evidence of a person’s interest in Christ, is love to the dear God-Man Mediator. This principle is shed abroad in the heart; it is always in the believer as a principle; but it is not always shed abroad in the feeling sense of it, we wish it was, as it is calculated carry us above the love of sin, the love of self, the love of the creature, and the love of the world. Christ as the Christ of God, is the darling of heaven; the Father loves him, and is well pleased with him. The Holy Spirit’s principal aim in all his operations is to glorify him; the holy angels admire and adore him, as their elect head; the spirits of just men, made perfect, look on him with holy wonder, with rapture, and joy; while every poor, tried, humble believer, trusts in him, leans upon him, hopes in him, and sincerely desires to love him above all things else. And if I know any thing of experience, I must say in the behalf of the church, it is our principal grief we think on him so little, trust him so little, admire and adore him so little. This is a lamentation, and must be so to the end of our days. But our days of mourning on this subject will have an end—and Till then I would thy love proclaim, With every feeling breath; And may the music of thy name, Refresh my soul in death. Christ is the beloved of his church for what is in himself, as God-Man Mediator. Secondly, Christ is beloved of his church for what he has done, and is now doing in heaven. If we view him as God, possessing all divine perfections, and these harmonizing and engaged in our salvation, O! how glorious do they all appear! Divine sovereignty chose us to salvation; loved moved him to make this choice; wisdom drew the wonderous plan; power executed it; goodness made provision for us; truth makes us free; faithfulness is engaged to make good his promises; pity redeemed us; compassion leads us to repentance; holiness makes him all-glorious to us; righteousness justifies; justice forgives us; and perfection renders us compleat in Christ. Thus all his sublime attributes center in our salvation, and render Jesus as equal with the Father, beloved to us, if we view him as Man and Mediator. _There is_, says the Apostle to us, _One God and one Mediator_, _the Man_, (i.e. _the God Man_) _Christ Jesus_. In this human nature he is the perfection of beauty; the Holy Spirit formed it, the Father provided it, and the eternal Son of God appeared in it as our Day’s Man. It was filled with the Holy Ghost—it was a sacred Temple, the residence of Deity. _The word was made flesh_—_the word was God_. All things were made by him. This human nature was holy, harmless, undefiled, and separated from sinners; and such an High Priest became us. And by virtue of the Union of the Godhead; this dear God-Man is the Beloved of the whole Church. If we consider him in his Mediatorial capacity, sustaining his glorious offices, as Prophet, Priest, and King. These offices no doubt he refers to when he said I am the way, and the truth, and the life; to these he was called. These he executes in the church, and in the hearts of all believers. He enlightens us as a Prophet, he intercedes as a Priest, and he reigns as a King. He teaches the way to heaven as a Prophet, he opens the way as a Priest, and he brings into the way as a King. He preached glad tidings to the meek as a Prophet, he binds up the broken-hearted as a Priest, and he opens the prison doors as a king. These glorious offices he exercises in the souls of his children, and viwing him faithful in his house, he is truly lovely to his church. If we view him in his glorious titles, it appears the Holy Ghost has ransacked all the endearing ties of nature, and all the lovely instances of his creative power, to set him forth—the affectionate Husband, the constant Friend, the skilful Physician, the tender Father, the able Counsellor, the sympathizing Mother and Nurse, the wise Law-giver, the lovely Prince
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) _PRICE TWENTY-FIVE CENTS._ THE LIFE OF HENRIETTE SONTAG, COUNTESS DE ROSSI. [Illustration: portrait of Henriette Sontag] NEW YORK: STRINGER & TOWNSEND, 222 BROADWAY 1852 Now Ready--Third Edition of "The Heirs of Randolph Abbey." Price 25 cents. Second Edition of "The Upper Ten Thousand." Price 50 cents. And Nearly Ready--"The Adventures of Lilly Dawson." Price 25 cents. "DAGUERREOTYPE VIEWS OF UPPERTENDOM" THE UPPER TEN THOUSAND: Sketches of American Society. By C. ASTOR BRISTED. SECOND EDITION REVISED. [Illustration] With ORIGINAL ILLUSTRATIONS. Price 50 cents in paper; cloth, 75 cents. Opinions of the Press. "NEW-YORK LIFE, by a New-Yorker, clever, sparkling, and life-like. A set of daguerreotypes, in which figure the drawing-rooms of the Avenue and Union Place--the most noted _salons_ of the town--the butterfly crowds of the watering-places, and pre-eminently--the Course. The hero of the book, a modern fast young man, who has in a measure outgrown his fastness, and looks patronizingly on the aspiring efforts of a very young New-Yorker, cicerones you about, showing up the lions of town and country, and all with a cool _blase_ sort of air that is wondrously telling. With a stroke of the pen he annihilates the huge pretensions of some _parvenu_ or bestows the final stab on the waning virtue of some dashing belle. In the same moment giving a pithy _rationale_ of American Society, and the best _recipe_ for concocting a sherry cobbler; discussing, in the same breath, the popular theology of the town, and the winning pacer on the Long Island course. Throughout, quietly satirical yet seldom exaggerated. Looking at American life and manners from no distant point, but as one who has been in, and of, and through it all, pausing now and then to take down a jotting here, put in a bit of shadow there, making more of life than 'John Timon;' not mere squints through a _Lorgnette_, but broad, steady stares with the naked eye, with now and then the help of a quizzing-glass."--_New-York Evening Mirror._ "They are sufficiently sprinkled with local satire, on a ground of a pervading egotism, to be attractive in a book--in which capacity they will hold their own with such memorable local effusions as IRVING and PAULDING'S _Salmagundi_, HALLECK'S _Croakers_, and MITCHELL'S _Lorgnette_."--_Literary World._ "We are glad to see these brilliant 'Sketches of American Society,' incorporated into an elegant and portable volume, for they are unquestionably the most veritable pictures of certain classes of New-York society that have been written; we do not except even the equally graphic portraits of 'The Lorgnette.' The great charm of Mr. Bristed's sketches is the life-like characters he introduces as illustrations of the varied phases of American society. These sketches have been read with avidity as they appeared in the serial form, and will doubtless form an inseparable travelling companion to our tourists in their present compact shape, for they possess the interest of a novel, with the piquancy and truthfulness of a personal narrative."--MORRIS & WILLIS'S _Home Journal_. "We must say that this little volume contains some true and vivid sketches of men and manners, and that, notwithstanding its tone of levity, it has within it a good moral. The moral is applicable in all highly-civilized communities, and is simply this--when fashion is made the _exclusive_ rule of life, one may search in vain for a man or woman worth more than a moment's passing glance. All that is manly and intelligent in the one sex, all that is feminine and lovely in the other, gives place to a tasteless coating clumsily laid over a worthless substance."--_New-York Albion._ "These sketches are lively, and adorned with characters whose types, we may safely say whose originals, can be found in New-York in any winter, and in Saratoga and Newport every summer. Mr. BRISTED'S descriptions of gay life in those places certainly gave the English readers of _Fraser's Magazine_ a very truthful and amusing picture of the trifling, bustling existence of the New-Yorker's whose days and nights are passed in the struggle for social notoriety. The book might better be styled, _Germanics_ Sketches of the Ever-striving-to-let-you-see-that-they-the-Upper-Ten-Thousand-are."--_New-York Courier and Enquirer._ "These sketches contain much truthful sarcasm and quiet stabs at vulgarism among the 'upper ten,' all under the garb of pictures of American society in New-York, or 'Sketches of American Society,' as they were called. Written in a rapid and pleasing style, and by a man who had few prejudices against the Americans, they may be considered a pretty fair expose of the ridiculous follies of the American people, while at the same time their many excellent qualities are placed prominently before the reader."--_Rough Notes._ Published by STRINGER & TOWNSEND, 222 Broadway, N. Y. [Illustration: HENRIETTE SONTAG, COUNTESS DE ROSSI.] LIFE OF HENRIETTE SONTAG, COUNTESS DE ROSSI. WITH INTERESTING SKETCHES BY SCUDO, HECTOR BERLIOZ, LOUIS BOERNE, ADOLPHE ADAM, MARIE AYCARD, JULIE DE MARGUERITTE, PRINCE PUCKLER-MUSKAU, AND THEOPHILE GAUTIER. NEW YORK: STRINGER & TOWNSEND, 222 BROADWAY. 1852. ENTERED, according to Act of Congress, in the year 1852, by STRINGER AND TOWNSEND, in the Clerk's Office of the District Court of the Southern District of New York. _B. CRAIGHEAD, Printer and Stereotyper, 53 Vesey Street._ CONTENTS. LIFE OF THE COUNTESS DE ROSSI, 5 PEN AND INK PORTRAIT, BY _Marie Aycard_, 37 HENRIETTE SONTAG, BY _M. Scudo_, 39 HENRIETTE SONTAG IN FRANCFORT, BY _Louis Boerne_, 46 PAST AND PRESENT, BY _Theophile Gautier_, 51 HOW SONTAG SINGS, BY _Hector Berlioz_, 53 THE PRIMA DONNA AND THE COUNTESS, BY " " 53 IS IT THE MOTHER OR THE DAUGHTER? BY _Adolphe Adam_, 57 SOUVENIR OF THE OPERA, BY _Julie de Margueritte_, 59 SONTAG AND THE EMPEROR OF RUSSIA, BY _Prince Puckler-Muskau_, 64 MEMOIR OF THE COUNTESS DE ROSSI. WHETHER in rapid memoir or in ponderous biography, the life-sketcher or the chronicler must always fain behold the object before him as a model endowed not only with surpassing moral and physical beauties, but with that individuality of genius, and that peculiar destiny, which separate the few from the crowd. To the readers remains the duty of acting as those did who were wont to attend the triumphs of Roman conquerors, and urge the deduction of their mistakes and misdeeds--or, as the "Satanic advocate" in the process of canonization in the Pope's court, show how much more of a sinner than of a saint was the mortal about to pass into the heaven of human invention. Although, thus, well aware of how much our trifling office here is prone to exaggeration, we feel that there is no fear of transgressing in the present case, and that the readers will rather feel how much below than above the truth we remain. The Countess Rossi is as clearly fitted to be the heroine of a memoir of real life, as she is of being the heroine of a lyrical drama on the fictive scene. Those who will read this sketch will, we think, behold in her all the characteristics of a special and elevated nature--one marked amongst mankind, framed for its admiration and for its model. We have the striking attributes of a special nature manifest and effulgent even in infancy; we see them defying the obstacles of fortune, and constantly rising in power. We behold them in their utmost effulgence--first on the stage, and next in the highest regions of society, and, ultimately, tried by adversity. From beginning to end, the power and the effulgence remain ever the same, fitted for all positions: wherever it is placed, it continues unsullied and undiminished. Having set forth our claims to the attention of those to whom we address ourselves, we shall now rapidly trace the outline of the singularly eventful career of Countess Rossi. The interest its moving incidents, so singularly varied, have always inspired, are now increased tenfold by new features, totally unparalleled in the history of the lyrical stage. To behold this distinguished lady return to the stage, after enjoying undisturbed for many years, and in the most exalted rank, the love and esteem of the greatest personages of Europe, is a truly singular and affecting event; but to behold her return, after this lapse of time, with all her powers not only unimpaired, but improved by taste, study, and observation, is an event without an example. If, to take the exact measure of this phenomenon by comparison, we turn to the very few who were her contemporaries on the stage, what do we behold? If asked how so extraordinary a fact happens to exist, those who have had the good fortune to know the Countess Rossi will readily explain it. The first reason and first cause are, that this lady possesses a remarkably well regulated mind--gentle in all things, ever resigned, and possessed of unruffled patience; and her feelings, controlled by the most virtuous sense of right, have never been agitated by those passions which most of all beset stages and courts, and are the most insidious and dangerous assailants of those who are the constant objects of adoration. To these might be added other aiding causes, but of no little potency. For the sake of brevity, we shall only mention two: the first is, that the Countess Rossi's voice is a pure and perfect soprano, of the highest register, from the first settlement of her voices--it is "to the manner born." Thus she has never been compelled to superadd to her studies of vocal science those efforts by which most of the greatest vocalists have been obliged to transmute their contralto or mezzo soprano tones, to polish their guttural or husky tones, and--almost all of them--extend artificially their register. On the other hand, during her long secession from the stage, the love of musical art has always remained predominant, and its science been constantly cultivated, without the necessity of taxing her powers, without the exhausting exertions of other singers; whilst her style of singing is that of the high classical Italian school, the only one that nurses the voice, whilst it displays all its melodic power. Had not the Countess Rossi yielded up the German school--had she not resorted to the Italian school to modify her singing--as her great countryman Mozart did, to modify the form his inspirations assumed--her voice would no doubt have been injured, and she would have lost that marvellous power of overflowing richness of embellishment, requiring purity of tone, agility, and elegance, in which she is unquestionably unrivalled. HENRIETTE SONTAG was born of a respectable family of artists, of limited means, at Coblentz, Kingdom of Prussia. The old saying of the poet, "_nascitur, non fit_," is singularly
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Produced by Neville Allen, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI. VOLUME 93. AUGUST 6, 1887. * * * * * ALL IN PLAY. DEAR MR. PUNCH, Now that your own particular theatrical adviser and follower, Mr. NIBBS, has left London for a trip abroad, I venture to address you on matters dramatic. I am the more desirous of so doing because, although the Season is nearly over, two very important additions have been made to the London playhouse programme--two additions that have hitherto escaped your eagle glance. I refer, Sir, to _The Doctor_ at the Globe, and _The Colonel_ at the Comedy--both from the pen of a gentleman who (while I am writing this in London) is partaking of the waters at Royat. Mr. BURNAND is to be congratulated upon the success that has attended both productions. I had heard rumours that _The Doctor_ had found some difficulty in establishing himself (or rather herself, because I am talking of a lady) satisfactorily in Newcastle Street, Strand. It was said that she required practice, but when I attended her consulting-room the other evening, I found the theatre full of patients, who were undergoing a treatment that may be described (without any particular reference to marriages or "the United States") as "a merry cure." I was accompanied by a young gentleman fresh from school, and at first felt some alarm on his account, as his appreciation of the witty dialogue with which the piece abounds was so intense that he threatened more than once to die of laughing. [Illustration: "How happy could he be with either."] I have never seen a play "go" better--rarely so well. The heroine--the "_Doctoresse_"--was played with much effect and discretion by Miss ENSON, a lady for whom I prophesy a bright future. Mr. PENLEY was excellent in a part that fitted him to perfection. Both Miss VICTOR, as a "strong woman," and Mr. HILL, as--well, himself,--kept the pit in roars. The piece is more than a farce. The first two Acts are certainly farcical, but there is a touch of pathos in the last scene which reminds one that there is a close relationship between smiles and tears. And here let me note that the company in the private boxes, even when most heartily laughing, were still in tiers. As a rule the Doctor is not a popular person, but at the Globe she is sure to be always welcome. Any one suffering from that very distressing and prevalent malady, "the Doleful Dumps," cannot do better than go to Newcastle Street for a speedy cure. The _Colonel_ at the Comedy is equally at home, and, on the occasion of his revival, was received with enthusiasm. Mr. BRUCE has succeeded Mr. COGHLAN in the title _role_, and plays just as well as his predecessor. Mr. HERBERT is the original _Forester_, and the rest of the _dramatis personae_ are worthy of the applause bestowed upon them. To judge from the laughter that followed every attack upon the aesthetic fad, the "Greenery Yallery Gallery" is as much to the front as ever--a fact, by the way, that was amply demonstrated at the _Soiree_ of the Royal Academy, where "passionate Brompton" was numerously represented. [Illustration: The Colonel.] _The Bells of Hazlemere_ seem to be ringing in large audiences at the Adelphi, although the piece is not violently novel in its plot or characters. Mrs. BERNARD-BEERE ceases to die "every evening" at the end of this week at the Opera Comique until November. I peeped in, a few days since, just before the last scene of _As in a Looking-Glass_, and found the talented lady on the point of committing her nightly suicide. Somehow I missed the commencement of the self-murder, and thus could not satisfactorily account for her dying until I noticed that a double-bass was moaning piteously. Possibly this double-bass made Mrs. BERNARD-BEERE wish to die--it certainly created the same desire on my part. Believe me, yours sincerely, ONE WHO HAS GONE TO PIECES. * * * * * OUR EXCHANGE AND MART. HOLIDAY INQUIRIES. ELIGIBLE CONTINENTAL TRAVELLING COMPANION.--A D.C.L., B.M., and R.S.V.P. of an Irish University, is desirous of meeting with one or two Young English Dukes who contemplating, as a preliminary to their taking their seats in the House of Lords, passing a season at Monaco, would consider the advertiser's society and personal charge, together with his acquaintance with a system of his own calculated to realise a substantial financial profit from any lengthened stay in the locality, an equivalent for the payment of his hotel, travelling, and other incidental expenses. Highest references given and expected. Apply to "MASTER OF ARTS." Blindhooky. County Cork. * * * * * INVALID OUTING. EXCEPTIONAL ADVANTAGES.--A confirmed Invalid, formerly an active member of the Alpine Club, who has temporarily lost the use of his legs, and has in consequence hired a Steam-traction engine attached to which, in a bath-chair, he proposes making a prolonged excursion through the most mountainous districts of Wales, is anxious to meet with five other paralytics who will join him in his contemplated undertaking, and bear a portion of the expense. As he will take in tow two furniture vans containing respectively a Cottage-Hospital and a Turkish-bath, and be accompanied by three doctors, and a German Band, it is scarcely necessary for him to point out that the details of the trip will be carried out with a due regard to the necessities of health and recreation. While the fact that a highly respectable firm of Solicitors will join him _en route_, will be a guarantee that any vexatious litigation instituted against him by local boroughs for the crushing and otherwise damaging their gas and water-mains, or running into their lamp-posts will, if it occur, be jealously watched and effectually dealt with. In the not unforeseen, though by no means expected event of the Traction Engine becoming by some accident permanently wedged in and unable to move from some inaccessible pass, it is understood that the party shall separate, and that each member shall be at liberty to return home by any _route_ he may select for himself as most convenient and available for the purpose. For all further particulars apply to X. X. X., Struggle-on-the-Limp, Lame End, Beds. * * * * * LIFE IN THE COUNTRY. RARE OPPORTUNITY.--An impecunious Nobleman, whose income has been seriously reduced owing to the prevailing agricultural depression, would be willing to let his Family Mansion to a considerate tenant at a comparatively low rental. As half the furniture has been seized under a distress-warrant, and as a man in possession is permanently installed, under a bill of sale, in charge of the rest, a recluse of aesthetic tastes, to whom a series of rooms entirely devoid of furniture would present a distinct attraction, and who would find a little friendly social intercourse not an altogether disagreeable experience, might discover in the above an eligible opportunity. Some excellent fishing can be had on the sly in the small hours of the morning by dodging the local Middle-man to whom it has been let. Capital rat-shooting over nearly an eighth of an acre of wild farm-yard buildings. Address, "MARQUIS." Spillover. Herts. * * * * * THE BEST PART OF HALF A PACK OF HOUNDS FOR SALE.--A Midland County Squire, who, through having come into a Suburban Omnibus business, is about to relinquish his
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Produced by deaurider, Dianne Nolan and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) TRANSCRIBER'S NOTES: Italics are indicated by _underscores_. Hyphenation inconsistencies: both Bald-headed and Baldheaded are used. The Theatrical Primer BY HAROLD ACTON VIVIAN _Illustrations by FRANCIS P. SAGERSON_ G. W. DILLINGHAM COMPANY PUBLISHERS NEW YORK COPYRIGHT, 1903, BY H. A. VIVIAN COPYRIGHT, 1904, BY G. W. DILLINGHAM COMPANY _The Theatrical Primer_ The Theatrical Primer 1 Here, children, is a Theatre. A Theatre is a big Playhouse where actors Act--sometimes. It is a pretty building, is it Not? It costs two big Dollars to get into a Theatre but People are always in a Great Hurry to get out. This is right, as it Helps the actors to act. When you go to a theatre you should always Cry as Loud and as Long as you can. It gives great Pleasure to all the People, and makes your Mother feel Good. 2 Oh, see the Press Agent! Is he not a wonderful Thing? Next to the Theatre, he is the most Important Thing in the Business. He is much Greater than the Manager, but he does not get so much Money. The Press Agent always tells the Truth, and loves to give away Free Tickets. Do not offer him a Drink or a Cigar, because he will surely refuse, and then You will feel Badly. 3 The Man looks Anxious. He is a Manager, and he thinks the Treasurer is Swiping his Money. Fie on the Treasurer! The Poor Manager has so little money that He can only take one Drink at a Time. Ask the Manager for tickets. He will pay for them out of his own Pocket. He is such a Charitable man. Try to be like the Manager, little children, and when you grow Up, you will always be without Money. Money is a great Curse. 4 This is a Chappie. No, it is not an animal; it is a human Being. Its real name is E. Z. Thing. What do you think the Chappie is Good for--Nothing? Oh, fie, it is surely good for Something. Yes; it is Good to buy suppers for Chorus Girls. Sometimes it buys Flowers Also, and has them Charged to Papa. Papa is sometimes a Chappie himself. That is right; yell "Chappie" as Loud as you can. It is not Vulgar to Yell on the Street, and the man likes to be called by such a nice name. 5 Here we see an Actor. No; do not Touch him or you will soil his Clothes. Are not his Clothes wonderful? And just Think, they are all Paid for! He wears his Hair long because the Barber shops are Closed on Sunday. He is Very busy all the week, you know. He has to walk up and down Broadway several Times every day. Actors are very Nice men. They always say good Things about other Actors, and never talk of Themselves. No; none of them wears corsets. 6 Isn't that dog Tiny? It's the Leading lady's pet Poodle. Oh, see how nicely it snaps at Everything! The Leading lady has Taught it to do that; Snaps are right in her line. Everyone loves the Little Dog. It is so Gentle and Loving. Kick the Dog in the Ribs, Johnny. It will please the lady if you do--and the Dog--and the Manager. See the Manager laugh. 7 Here we see a Lobster. The Lobster is going to Buy a Ticket from the Speculator. Will they let the Lobster into the Theatre? Oh, I guess Yes. See; the Speculator has put the Money in his Pocket. Will he give the Treasurer some of the Dough? Perhaps; if he is a very Kind Speculator. How fortunate for the Speculator that there are Lobsters. 8 Do you see the Clever Usher? He has Sold two seats in the Front Row. What will he do when the man who Bought the Seats at the box office comes in? He will say that there is a Mistake, and the Man will sit in the Sixth Row. The Man is from the Country. All ushers are clever. They need the Money to buy clean Shirts. 9 Come, children, we will Leave now. The last Act is not Over, but the Audience would sooner see your Clothes than the Play. Run out in the Aisle and make a Noise. The People will be glad; they are Tired and do not want to hear the rest of the Play. People do not go to the Theatre to Hear the Play. What a foolish idea! 10 See the Leading Lady. She is the Greatest Actress in the World. Oh, no; she does Not think so. She is Modest and Unassuming. She does not like the Star Dressing Room, but the Manager makes her take it. What a Cruel Manager! Poor Lady, she has to wear her nice stage Clothes on the Street. Do not Rubber at her. She does not Like being Rubbered at. How fond the Leading Lady is of the Leading Man! Last night she embraced him so Fervently that the Powder came off Her Arms on his Coat. He likes such Things. They are marks of Affection. 11 Here is a Programme. Is it not a Pretty Book? What lovely pictures of Corsets and False Teeth. Do not look for Cast of the Play. We will find that Next Week. The Advertisements are much More Interesting. It would be Foolish to Print the Cast in Large type, because then We could See it. How Artistic is the Cover of the Programme! Does it not remind you of the Delirium Tremens? 12 Oh, see; there is a Chorus Girl. What a beautiful Complexion she has. And what very White Shoulders. No; of course she cannot sing. But what a cunning Wink she is making at her Baldheaded Father in the Front Row. She will meet Him after the Show and take him Riding in her Automobile. Then they will have Supper in a lovely Restaurant. Father will pay for the Supper, just like he pays for the Auto. Is he not a good Father to the Poor Hard-working Chorus Girl? The Chorus Girl is a much better actress than the Leading Lady, but she is not jealous of the Leading Lady's success. Not a bit. 13 What a funny little Man that is. He is a Big part of the Syndicate. He is a very Big Bug, and so kind to Actors. He just Loves to Pay them Money. But he does Not like to make them work Hard. Oh, No; they just do what They want to. By and By they Will get too old to Work, and then he will Buy them a House to live in. All the other Managers love the Big Bug, because he does not try to Hog the Whole thing. 14 Do you see the Man with the Bald Head in the Second Row? He is a Great Critic. He gets a Million Dollars for every day that He works. He Knows all About every Show that will Ever be written. He is good to the Actors, and will tell Them how to Act Properly. The Actors and Actresses just Love to read what he Writes. When you Grow up, little Children, you should try and be Critics, and when you Die you will go to a place where there are lots of Actors, and they will Give you a Hot time. 15 Here we have the Little Comedienne. Isn't she the Real Thing? Only think, she used to be in the Chorus! But she had a very beautiful Voice, and now she owns the Whole Show. The Police will not let You walk on the same side of the Street with Her, and the Manager says no one Else in the Company must Give Pictures to the Papers. She is very Kind to the Others, and they love her. By and By she will be a Has-been, and then the other girls will send her Part of their Salary. It always pays to be Kind, little Children. 16 What do we see here? Oh, this is a Playwright. He has Written a Play. Will the Manager accept the Play? Oh, no; the Manager could not do that. It is a Good play, but the Playwright Has not Got a Reputation. If he should Kill a man he would get a Reputation and then his Play would be accepted. Perhaps he will go to England and Sell the Play. Then it will be a Great Success, and the Cruel Manager will be sorry because he has Missed a chance to Make Money. 17 This is another Playwright. He is a very successful one Because he Works very Hard. He writes a Dozen plays every year. If one is Good he Gets Paid for All the rest. Of course he has a Reputation. He made it by Knitting Socks. 18 What a Large Chest that man has. Yes; he is a Star. He is the only actor who can Play Hamlet. Did you Know that he Owns a Large part of Broadway? What is he Saying? He says that he is Not a great Actor. He thinks the Juvenile plays his Part very Well. He does not Like to be Applauded. Did he say he got a Hundred Dollars a week? That must be a Mistake. All stars get at Least Five Hundred. Modesty is a great virtue, Children. You should Try and be as Modest as the Star. 19 Here we have a Four Hundredth Performance. How young it looks. Has the Play run a Year? Oh, dear, No. But then there are Matinees, you know. And Rehearsals. The Piece has played Four Hundred Times. The Press Agent and the Manager say so. Of Course they ought to Know, and They always tell the Truth. What pretty Souvenirs! They are Real Gold and cost More than the Theatre Tickets. How Charitable of the Management to give them Away. 20 See the Fat Policeman. He walks right past the Doorkeeper. Has he got a Ticket? No, he has a shield. Why do they Let him in Free? Because he is a Policeman. Will he make the standees, settees? Of course not. He will Watch the Show, and if he Likes it He will ask for Two tickets. Will he pay for them? Don't ask foolish questions, you silly boy. 21 Watch the Pretty lady buy two Fifty-cent tickets. She wants to know if they are Down stairs. No, they are in the Gallery. In the front row? Yes. Has the man nothing further in Front? she asks. The Poor lady would like them in the Centre. Yes, those would do. But are they on the Aisle? No, there is no Centre Aisle. She says it is not a nice Theatre, but she Supposes she Must take the Tickets. Are they for Thursday night? Yes. Oh, that is too bad. She is going to Play cards on Thursday night, and she wants the Tickets for Friday night. Now she Will pay for them. How careful she is with her money! She has opened Her little Bag, and Taken out her Pocket book. Now she has closed the Bag. She has taken a Two-Dollar Bill out of the Pocket book and laid it down. She opens the Bag and puts the pocket book back. There; she has Closed the bag. Now she has got the Tickets. She has opened the Bag again and put the Tickets inside. The Bag is Closed again now. The man is Giving her her change. She has opened the Bag, taken out the Pocket book, closed the Bag, opened the Pocket book, put in the change, closed the Pocket book, opened the Bag, put in the Pocket book, and Closed the Bag. How quickly she does not do it. Are there other People waiting to buy seats? Oh, a few Dozen. 22 Here we have a Box party. Isn't it nice of Them to Come Late, that Many people can see Them? No, Johnny, they Do not come to Show off Their clothes. How happy they are. How Mirthful. You can hear them laugh right Across the Theatre. The Girl in the pink crêpe de Chine is saying that Pickles do Not Agree with her. Isn't that too bad? The man is telling her a Story. Pretty soon they Will Laugh out Loud again. See, the Lovely lady with The Charming manners is looking through her opera glasses at a Man in the Front Row. Does she Know him? Of course not, or she wouldn't look at him. When the Curtain goes down, the Men will Go out on Important Business Matters and the Women will stroll up and down so That other Women can See their Dresses. Do not try to Watch the Play, children. The Box party is much more fun. 23 What is this? A Matinée Idol. What a Meek man he is. He says he is Not handsome. That is not True. The Girls all adore him. How careless he is with his Clothes. His Pants have not been Pressed in Fifteen minutes. He is going to Have his picture taken. He had some Taken yesterday, but They did not Do him Justice. Is the Idol married? Hist! children, some things are Sacred. Whose little boy is that Following him? That is a Messenger boy; he reminds the Idol of His dates. 24 Let us steal into the dressing room. See what a cute little place It is. The leading Juvenile and the Comedian dress here. They like a small room; it is So easy to make a quick change in One. The management wanted to Make the Dressing room Larger but there was Not enough lumber. See; in his hurry, the Actor has left a pair of shoes in Front of that Chair. Put them behind the Trunk, Clara, and the Actor will thank you. 25 This is a stick of Grease paint. The Leading lady uses it to Make herself look beautiful. In this way she can make many dates. The leading lady is very fond of Dates. Her friends say she always has dates for Supper. Hold the Grease paint in the Gas flame, Johnny, and see it Fizzle. Now rub the wet paint on the Looking Glass. Put some in the Powder box. The Leading lady always uses powder after Paint; now she can Use both together. Let us hide the Grease paint in the Slipper. The leading lady will Think it a Great joke. 26 Here we have the Property man. He is making a Ship. Will the ship go? No. But it will _look_ Real. What a Dusty room this is. Let's dust the Things off and arrange them. How glad the Property man will be To-night when he has to Get ready for the First act in a hurry. Oh, here is the property Man back again. Clara, help Johnny up! The Property man Wears pointed Shoes. 27 See the Man who was once a Great Actor! He says he is too Good for the Managers now. His was a Great Hamlet. Does he mean the hamlet where he was Born? Why does he Not go to work? He will soon Go to work his friends. He has a very good memory. He remembers ----. Some time, children, we will take a Month off, and then He will tell us What he remembers. 28 Look at the Man in the Front row. He has a Clean shave on the back of his Head. See how hard he laughs. Does he enjoy the jokes? No; he has seen the Show seven times. What large opera glasses he has. Yes, he is very short-sighted. The show is a Burlesque. The Soubrette winks at him. That is because he is Old--and Easy. Will he go on to a Club after the Show? No; he will go on a Bat. 29 Here we have the Soubrette. No; she is not seventy-seven, she is only seventeen. Her father was a Blacksmith, and she is very clever with the Hammer herself. Hasn't she a lovely Shape? It is all her own, too. The Bill says she Paid twenty-five Dollars for it. She is talking to the chorus girl. She says she had a Lobster at dinner. Soubrettes are very Fond of Lobsters. There is an Old saying: "Wherever the Soubrette is, there will the Lobsters be found also." 30 The programme says the Ushers must not be Tipped. It hurts an usher's Feelings to be Given money. If we were to give an usher Money he would give up his Job. You would not Like to see the poor man out of a Job, would you? All his wants Are provided for by the Management and he Has no need of money. He gets a very Fat salary and his Family live in Elegance. How kind of the management to Treat the usher so well! Of course we will not give the usher money as the Management does not wish us to. It would be cruel, and Besides we would get very little in Return. 31 Let us listen to the Manager talking to the actor. The Manager says it is a fine day. That is not so, for it is Raining. The Actor says he would Like his Salary. Why does the Manager laugh and say next Tuesday? The actor tells the manager to go to Yuma, Arizona. Will the manager go? No, but the Actor will soon begin Counting railroad Neckwear. 32 Children, observe the Bouncer. He is a kind and Gentle man, and carries a Stick to protect Himself. He is very weak. Clara, yell as loud as you can. Now, Johnny, whistle on Your fingers. Will the Bouncer tell you to Stop? Bang! The hospital is just round the Corner. The children will Come again and see the rest of the Show. 33 Here we see a Poster. The poster says there are Three hundred people on the Stage. Are there three hundred people on the Stage? Oh! no; not to-night. One of the Ladies is sick, and Two hundred of the Others are nursing her. Call the Manager a Liar, Johnny. There! Now we know why the manager Carries a Cane. 34 Oh! see the Lady crying. She is very Young to be so Tearful. She is a Matinée girl. Why does she Cry? Is it because the Lovely heroine is in Distress? No; it is because the Leading man has had His hair cut. She wanted a Lock of his Lovely hair to Stuff a cushion With. What will she Do now? She will have to go to Another theatre until the Hair grows again. 35 This is a Vaudeville joke. How tired it Looks! Yes, it is Worn out. It has been doing Two a day for Nineteen Years. Once it was nearly Murdered by a Mean audience. Luckily it Changed its disguise. Will it ever Die? No; it will Get a Shave and a New disguise, and will go on working forever. How cruel to treat a good Joke so. What is the name of the Joke? It is the Mother-in-law joke. 36 Oh, see the Hat. It is a Stovepipe hat, and Belongs to the Manager. That is, he Wore it until last night. Now he will Have to buy Another hat. But this hat is good. It Cost Five dollars, and has been Worn only a Month. Yes, children, but there are other Points about the hat besides Wear. The size must be considered. Last night a great star, whom the Manager had Discovered, made a Hit. The Manager's head is Bigger now, and he must Have a new Hat. Let us take this one and put a Brick in It. Then when some other manager Cops the Star this manager can Kick the Hat. 37 Here we have the leading Lady's gown. It cost one Hundred and eighty Dollars. The leading lady Said so. How pretty and Fluffy it is. Is the Fluff chiffon or Organdie? The Leading Lady says it is French chiffon, but the Chorus Girls say it is Organdie from an old Summer gown. How mean of the Chorus girls! How economic of the Leading lady! Johnny, tread on the train of the Gown, and we can all see the Fireworks. 38 Are you Cold, children? See, the Snow is Falling. It is very Realistic, this Snow. It looks like the Real thing, and Makes you shiver. Do not be Afraid, we will not Freeze to Death. The show is a Frost, but the Manager is hot. The Snow is made from the Passes taken in last night. It will not Hurt you. If the Snow keeps up it will be so cold the Poor ghost will not Be able to Walk. Let us Pray that the Snow will Stop, so the Hungry actors may see the Ghost walk. 39 Is this a New kind of Music? No; it is a Baby crying. How kind of its Mother to bring it Out on a Night like this. Babies should Always be brought to the Theatre. They do so much to Amuse an audience. This is a very Noisy baby. Perhaps it has Ideas about the Show. That's right, Harry; get out Your bean shooter and Hit the Baby on the Nut. That will amuse the Child and perhaps it will Sing for us. If the Mother were not so big we would Soak her, too. 40 Here we have a Real sword. It is Carried by the Hero. He is a Brave man, and the sword is very Sharp. Johnny, try and Shave Harry with the Sword. Try hard! Now Clara, get a Mop, and wipe Up the Blood before the Stage manager returns. Johnny, hit Harry on the Head with a Hammer. He should not Make so Much noise. Little children should be Seen and not Heard. Stick him in the Ribs with the sword. 41 This Man is the Man who has seen the Show. Are you not glad that it is raining, so that you can Hear him Swear? No; he did not have an Umbrella when he went in, but he has one Now. He Found it. He is saying that the Show was Rotten. That is because the Girl who sat next to him got Mad when he Squeezed her Hand when it was Dark. Of course he Thought he was Squeezing his wife's hand. Always squeeze hands when You go to the theatre. It will keep you Warm. 42 How pompous is the Orchestra leader! Do you notice his white gloves? How they add to his appearance. Perhaps his appearance needs adding to. Watch him lean over the footlights. See the funny little bald spot on his head. How commanding he is; all the musicians are afraid of him he is so fierce. But why the bald spot? S-h-h-h, children, that is where his little wife pulled the hair out last night. 43 Shades of Napoleon, what have we here? Can you not Guess? Look very carefully. Ah, it is the uniform that The actor wears. What a shame! The beautiful Silk that we saw from the Audience last night has All been taken off and Turkey-red put on Instead. And the silver braid! Somebody must have Stolen it and put Common rope with Silver paper round it in Its place. Johnny, run quickly and Get the scissors and we will Cut off all this make-believe Finery so that the Actor can put on the Real thing more easily. When the Actor comes he will give Us his blessing for What we have done. 44 Let us get a Bag of Peanuts. Eat all you want to, children. They will make you grow. Throw the shells on the floor, and then Step on them. What a Pretty noise they make! See who can hit the Bald-headed man with a Peanut. Now the Man is mad. How strange. 45 Let us listen to the actor Make a speech. He is a Great actor, and will Make a Great Speech. He says he Thanks us for our Kindness. Perhaps he will lend us a Dollar. He says New York is the Only place. That is because the hens had stopped laying before he got to Philadelphia. What a Happy expression the Actor wears, and How glad he is To see us. If we do Not applaud the Rest of the Piece he will say that We are a lot of Slobs. But there are Other Actors in the show Besides this one. Yes; one of them Wrote the Speech. 46 This is the professional début of the Great amateur. She is a Pretty girl, and Her friends say she is very, Very clever. How Gracefully she Bows. Just like a Subway derrick. Her voice is like a Bell. Johnny, do you Remember the Bells on the Cows up country? You naughty boy, she does Not resemble the Cow! See; she has just come in out of the Rain. She says it is Bitt-e-r cold. She lays her Wraps before the Fire. Why does she not Shut the Window? Now she is going Out again. But why does she leave her Wraps behind? Perhaps she is going to Commit Suicide. In the Morning, when she sees the Papers, she will wish she Had. The world is very C-r-u-e-l. So are the Other papers. 47 Here we have the House manager. He says he Is being robbed. While he is in Business, he will not be lonely if that is true. He is counting up with the Show Manager. The Show manager also says he is being robbed. Why don't they go To the Police? The Show manager says there Were Nineteen tickets in the Box. The house manager says there were only Seventeen. One of the men is Lying; which one is it? Let us count the tickets and See. Oh! there are eighteen. Then they were both lying. Well, they are both Managers. 48 Now we see the Heavy lady. The manager says she is a Light weight. He calls her that Because she has asked For her Salary Twice in Two days. Will she get her Salary? No; we do not think she will. To-night she will do a Shrieking stunt on the stage. To-morrow she will Do a serio-comic on the Hotel man, and then she will Have a walking part all the way back to Broadway. 49 Here we have the First-nighter. He comes to the First performance always. The fifth row Back for his. The manager Knows him. He knows all the actors and Calls them by their first names. He would like to belong to the Lambs' Club. After the Show is over he will tell the Manager, confidentially, just what he thinks about it. The Manager will listen very carefully and then Forget. Managers have excellent forgetories. But no Play ever succeeds unless it has the approbation of the first Nighter. One of them Told me that, confidentially, so it must be so. 50 The Table is Loaded. There is a real Fowl and a Roast. It is a Banquet scene. How the actors will enjoy a square meal; they will Think they have just got their back Salaries. Listen; the leading man says it is his Birthday feast. He has a Birthday every night and twice on Saturday. Now he is carving the fowl. Oh! Oh! it is a Pasteboard chicken! The roast is all wood and paint. But the wine; that looks very real. Oh, woe! the wine is Naught but Cold tea! How cruel of the manager to Fool the actors so. The Table is loaded, but Not so the Actors. At least, not at
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Transcribed from the 1844 edition by David Price, email [email protected]. Many thanks to the Royal Borough of Kensington and Chelsea Libraries, Local Studies, for allowing their copy to be used for this transcription. [Picture: Decorative title page] THE FORLORN HOPE: A STORY OF OLD CHELSEA. BY Mrs. S. C. HALL. [Picture: Chelsea from the Thames] CHELSEA Hospital, or, as the old soldiers prefer to call it, “Chelsea College,” appears much the same at all seasons of the year; its simple, dignified, and, if the phrase may be permitted, healthful and useful, style of architecture, suggests the same ideas, under the hot sun of June and amid the snows of bleak December; bringing conviction that the venerable structure is a safe, suitable, comfortable, and happy, as well as honourable, retreat for the brave men who have so effectually “kept the foreigner from fooling us.” The simple story I have to tell, commences with a morning in April, 1838. It was a warm, soft morning, of the first spring month; the sun shone along the colonnade of “the Royal College.” Some of the veterans—who, fearing rheumatism more than they ever feared cold steel or leaden bullet, had kept close quarters all the winter, in their comfortable nooks up stairs—were now slowly pacing beside the stately pillars of their own palace, inhaling the refreshing breeze that crossed the water-garden from the Thames, and talking cheerfully of the coming summer. Truly the “pensioners” seem, to the full, aware of their privileges, and of their claims—far less upon our sympathies than upon our gratitude and respect. The college is THEIRS; they look, walk, and talk, in perfect and indisputable consciousness that it is their house, and that those who cross its courts, loiter in its gardens, or view its halls, chapel, and dormitories, are but visitors—graciously admitted, and generously instructed by them. And who will dare to question their right? [Picture: The Summer House] The veterans are, as they may well be, proud of their country and their hospital; they are too natural to disguise the feeling that they love a good listener; to such they will tell how Madam Gwyn asked the king—the second Charles—to endow a last earthly home for his brave soldiers; and how rejoiced she was to have it built at Chelsea, because she was born there, for that all human souls love the places where they were born! They point to the tattered flags in the noble hall and sacred chapel, as if the trophies were actually won by their own hands; they will digress from them to Sir Christopher Wren, not seeming to know very clearly whether the great architect or Charles the Second planned the structure—they are apt to confound Henry the Eighth with the second James, who presented to their church such splendid communion plate; but make no mistake at all about Queen Victoria, who came herself to see them—“God bless her Majesty!” I never met one who was not proud of his quarters; they praise the freshness and sweetness of the air, the liberality of the treatment, and point out, with gratitude, their little gardens which occupy the site of the famous Ranelagh of fashionable memory, where they can follow their own fancies, cultivating, in their plots of ground, the flowers, or herbs, or shrubs that please them best; THE SUMMER-HOUSE, which they say Lord John Russell built for them, occupies a prominent position there; it was worthy a descendant of the noble house of Bedford to care for brave soldiers in the evening of their days. If you have patience, and feel interested in the cheerful garrulities of age, they will hint that they fear the new embankment of “The Thames” will still more dry up the land-springs, and injure their fine old trees. Some can describe the ancient conduit which supplied Winchester Palace and Beaufort House with water, and point out (if you will extend your walk so far) the various sites of houses in the immediate vicinity, where dwelt the great men of old times,—chiefest among them all, the wise Sir Thomas More, Lord High Chancellor of England, who lived “hard by,” and had for his near neighbours the Earl of Essex, the Princess Elizabeth; and, farther down, at Old Brompton, Oliver Cromwell and Lord Burleigh. But those who would know more than the pensioners can tell them concerning Chelsea, and its neighbourhood—that suburb of London most rich in honourable and interesting associations with the past—may consult good Mr. Faulkner, the accurate and pains-taking Historian of the district, who lives in a small book-shop near at hand, flourishing, as he ought to, in the very centre of places he has so effectually aided to commemorate. [Picture: Nell Gwyn and Charles] The story of “Mistress Nelly’s” prayer that an asylum might be provided for aged veterans, “whose work was done,” rests mainly on tradition; but there is nothing of improbability about it. Her influence over the voluptuous monarch, “Who never said a foolish thing And never did a wise one,” was, at one period, unbounded. It was in this instance, at least, exerted in the cause of mercy and virtue, as well as gratitude; the College remains a lasting contradiction to the memorable epigram I have quoted; inasmuch as a “wiser thing” than its foundation, to say nothing of its justice, is not recorded in the chronicles of the reign of any British sovereign. Many a victory has been won for these kingdoms by the knowledge that the maimed soldier will not be a deserted beggar—by the certainty that honourable “scars” will be healed by other ointment than that of mere pity! Chelsea and Greenwich are enduring monuments to prove that a Nation knows how to be grateful. The brave men who pace along these corridors may “talk o’er their wounds,” and while shouldering their crutches, to “show how fields were won,” point to the recompense as a stimulus to younger candidates for glory. Who can sufficiently estimate the value of this reward? Let us ask what it has done for our country; but let us ask it on the battle fields, where French eagles were taken: eagles, a score of which are now the trophies of our triumphs, in the very halls which the veterans, who won them, tread up and down. The pensioners—though, as human beings, each may have a distinctive character—are, to a certain degree, alike; clean and orderly, erect in their carriage for a much longer period than civilians of equal ages, and disputing all the encroachments of time, inch by inch—fighting with as much determination for life as formerly they did for glory. When they die, they die
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Produced by Marcia Brooks, Ross Cooling and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) ON CANADA'S FRONTIER Sketches OF HISTORY, SPORT, AND ADVENTURE AND OF THE INDIANS, MISSIONARIES FUR-TRADERS, AND NEWER SETTLERS OF WESTERN CANADA BY JULIAN RALPH ILLUSTRATED [Illustration] NEW YORK HARPER & BROTHERS, FRANKLIN SQUARE 1892 Copyright, 1892, by Harper & Brothers. _All rights reserved_. TO THE PEOPLE OF CANADA THIS BOOK IS GRATEFULLY DEDICATED BY THE AUTHOR WHO, DURING MANY LONG JOURNEYS IN THE CANADIAN WEST WAS ALWAYS AND EVERYWHERE TREATED WITH AN EXTREME FRIENDLINESS TO WHICH HE HERE TESTIFIES BUT WHICH HE CANNOT EASILY RETURN IN EQUAL MEASURE PREFACE If all those into whose hands this book may fall were as well informed upon the Dominion of Canada as are the people of the United States, there would not be needed a word of explanation of the title of this volume. Yet to those who might otherwise infer that what is here related applies equally to all parts of Canada, it is necessary to explain that the work deals solely with scenes and phases of life in the newer, and mainly the western, parts of that country. The great English colony which stirs the pages of more than two centuries of history has for its capitals such proud and notable cities as Montreal, Quebec, Toronto, Halifax, and
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Produced by Sam W. and the Online Distributed Proofreading Team at http://www.pgdp.net WINTERSLOW ESSAYS AND CHARACTERS WRITTEN THERE BY WILLIAM HAZLITT [Decoration] LONDON GRANT RICHARDS 48 LEICESTER SQUARE 1902 The World's Classics XXV THE WORKS OF WILLIAM HAZLITT--III WINTERSLOW ESSAYS AND CHARACTERS WRITTEN THERE _These Essays were first published collectively in the year 1839. In 'The World's Classics' they were first published in 1902._ Edinburgh: Printed by T. and A. Constable The World's Classics I. JANE EYRE. By Charlotte Bronte. [_Second Impression._ II. THE ESSAYS OF ELIA. By Charles Lamb. [_Second Impression._ III. THE POEMS OF ALFRED, LORD TENNYSON, 1830-1858. [_Second Impression._ IV. THE VICAR OF WAKEFIELD. By Oliver Goldsmith. V. TABLE-TALK: Essays on Men and Manners. By William Hazlitt. [_Second Impression._ VI. ESSAYS. By Ralph Waldo Emerson. [_Second Impression._ VII. THE POETICAL WORKS OF JOHN KEATS. [_Second Impression._ VIII. OLIVER TWIST. By Charles Dickens. IX. THE INGOLDSBY LEGENDS. By Thomas Ingoldsby. [_Second Impression._ X. WUTHERING HEIGHTS. By Emily Bronte. XI. ON THE ORIGIN OF SPECIES. By Charles Darwin. [_Second Impression._ XII. THE PILGRIM'S PROGRESS. By John Bunyan. XIII. ENGLISH SONGS AND BALLADS. Selected by T. W. H. Crosland. XIV. SHIRLEY. By Charlotte Bronte. XV. SKETCHES AND ESSAYS. By William Hazlitt. XVI. THE POEMS OF ROBERT HERRICK. XVII. ROBINSON CRUSOE. By Daniel Defoe. XVIII. HOMER'S ILIAD. Translated by Alexander Pope. XIX. SARTOR RESARTUS. By Thomas Carlyle. XX. GULLIVER'S TRAVELS. By Jonathan Swift. XXI. TALES OF MYSTERY AND IMAGINATION. By Edgar Allan Poe. XXII. NATURAL HISTORY OF SELBORNE. By Gilbert White. XXIII. CONFESSIONS OF AN ENGLISH OPIUM EATER. By T. De Quincey. XXIV. BACON'S ESSAYS. XXV. WINTERSLOW. By William Hazlitt. XXVI. THE SCARLET LETTER. By Nathaniel Hawthorne. XXVII. LAYS OF ANCIENT ROME. By Lord Macaulay. XXVIII. HENRY ESMOND. By W. M. Thackeray. XXIX. IVANHOE. By Sir Walter Scott. _Other volumes in preparation._ Pott 8vo. Cloth, 1s. net. Leather, 2s. net. PREFACE TO THE EDITION OF 1850 Winterslow is a village of Wiltshire, between Salisbury and Andover, where my father, during a considerable portion of his life, spent several months of each year, latterly, at an ancient inn on the Great Western Road, called Winterslow Hut. One of his chief attractions hither were the noble woods of Tytherleigh or Tudorleigh, round Norman Court, the seat of Mr. Baring Wall, M.P., whose proffered kindness to my father, on a critical occasion, was thoroughly appreciated by the very sensitiveness which declined its acceptance, and will always be gratefully remembered by myself. Another feature was Clarendon Wood--whence the noble family of Clarendon derived their title--famous besides for the Constitutions signed in the palace which once rose proudly amongst its stately trees, but of which scarce a vestige remains. In another direction, within easy distance, gloams Stonehenge, visited by my father, less perhaps for its historical associations than for its appeal to the imagination, the upright stones seeming in the dim twilight, or in the drizzling mist, almost continuous in the locality, so many spectre-Druids, moaning over the past, and over their brethren prostrate about them. At no great distance, in another direction, are the fine pictures of Lord Radnor, and somewhat further, those of Wilton House. But the chief happiness was the thorough quiet of the place, the sole interruption of which was the passage, to and fro, of the London mails. The Hut stands in a valley, equidistant about a mile from two tolerably high hills, at the summit of which, on their approach either way, the guards used to blow forth their admonition to the hostler. The sound, coming through the clear, pure air, was another agreeable feature in the day, reminiscentiary of the great city that my father so loved and so loathed. In olden times, when we lived in the village itself--a mile up the hill opposite--behind the Hut, Salisbury Plain stretches away mile after mile of open space--the reminiscence of the metropolis would be, from time to time, furnished in the pleasantest of ways by the presence of some London friends; among these, dearly loved and honoured there, as everywhere else, Charles and Mary Lamb paid us frequent visits, rambling about all the time, thorough Londoners in a thoroughly country place, delighted and wondering and wondered at. For such reasons, and for the other reason, which I mention incidentally, that Winterslow is my own native place, I have given its name to this collection of 'Essays and Characters written there'; as, indeed, practically were very many of his works, for it was there that most of his thinking was done. William Hazlitt. Chelsea, _Jan. 1850_. CONTENTS PAGE I. MY FIRST ACQUAINTANCE WITH POETS 1 II. OF PERSONS ONE WOULD WISH TO HAVE SEEN 24 III. ON PARTY SPIRIT 40 IV. ON THE FEELING OF IMMORTALITY IN YOUTH 45 V. ON PUBLIC OPINION 53 VI. ON PERSONAL IDENTITY 67 VII. MIND AND MOTIVE 82 VIII. ON MEANS AND ENDS 97 IX. MATTER AND MANNER 108 X. ON CONSISTENCY OF OPINION 115 XI. PROJECT FOR A NEW THEORY OF CIVIL AND CRIMINAL LEGISLATION 130 XII. ON THE CHARACTER OF BURKE 155 XIII. ON THE CHARACTER OF FOX 173 XIV. ON THE CHARACTER OF MR. PITT 185 XV. ON THE CHARACTER OF LORD CHATHAM 191 XVI. BELIEF, WHETHER VOLUNTARY? 196 XVII. A FAREWELL TO ESSAY-WRITING 205 HAZLITT'S ESSAYS ESSAY I MY FIRST ACQUAINTANCE WITH POETS My father was a Dissenting Minister, at Wem, in Shropshire; and in the year 1798 (the figures that compose the date are to me like the 'dreaded name of Demogorgon') Mr. Coleridge came to Shrewsbury, to succeed Mr. Rowe in the spiritual charge of a Unitarian Congregation there. He did not come till late on the Saturday afternoon before he was to preach; and Mr. Rowe, who himself went down to the coach, in a state of anxiety and expectation, to look for the arrival of his successor, could find no one at all answering the description but a round-faced man, in a short black coat (like a shooting-jacket) which hardly seemed to have been made for him, but who seemed to be talking at a great rate to his fellow passengers. Mr. Rowe had scarce returned to give an account of his disappointment when the round-faced man in black entered, and dissipated all doubts on the subject by beginning to talk. He did not cease while he stayed; nor has he since, that I know of. He held the good town of Shrewsbury in delightful suspense for three weeks that he remained there, 'fluttering the _proud Salopians_, like an eagle in a dove-cote'; and the Welch mountains that skirt the horizon with their tempestuous confusion, agree to have heard no such mystic sounds since the days of 'High-born Hoel's harp or soft Llewellyn's lay.' As we passed along between Wem and Shrewsbury, and I eyed their blue tops seen through the wintry branches, or the red rustling leaves of the sturdy oak-trees by the road-side, a sound was in my ears as of a Syren's song; I was stunned, startled with it, as from deep sleep; but I had no notion then that I should ever be able to express my admiration to others in motley imagery or quaint allusion, till the light of his genius shone into my soul, like the sun's rays glittering in the puddles of the road. I was at that time dumb, inarticulate, helpless, like a worm by the way-side, crushed, bleeding, lifeless; but now, bursting the deadly bands that bound them, 'With Styx nine times round them,' my ideas float on winged words, and as they expand their plumes, catch the golden light of other years. My soul has indeed remained in its original bondage, dark, obscure, with longings infinite and unsatisfied; my heart, shut up in the prison-house of this rude clay, has never found, nor will it ever find, a heart to speak to; but that my understanding also did not remain dumb and brutish, or at length found a language to express itself, I owe to Coleridge. But this is not to my purpose. My father lived ten miles from Shrewsbury, and was in the habit of exchanging visits with Mr. Rowe, and with Mr. Jenkins of Whitchurch (nine miles farther on), according to the custom of Dissenting Ministers in each other's neighbourhood. A line of communication is thus established, by which the flame of civil and religious liberty is kept alive, and nourishes its smouldering fire unquenchable, like the fires in the _Agamemnon_ of AEschylus, placed at different stations, that waited for ten long years to announce with their blazing pyramids the destruction of Troy. Coleridge had agreed to come over and see my father, according to the courtesy of the country, as Mr. Rowe's probable successor; but in the meantime, I had gone to hear him preach the Sunday after his arrival. A poet and a philosopher getting up into a Unitarian pulpit to preach the gospel, was a romance in these degenerate days, a sort of revival of the primitive spirit of Christianity, which was not to be resisted. It was in January of 1798, that I rose one morning before daylight, to walk ten miles in the mud, to hear this celebrated person preach. Never, the longest day I have to live, shall I have such another walk as this cold, raw, comfortless one, in the winter of the year 1798. _Il y a des impressions que ni le tems ni les circonstances peuvent effacer. Dusse-je vivre des siecles entiers, le doux tems de ma jeunesse ne peut renaitre pour moi, ni s'effacer jamais dans ma memoire._ When I got there, the organ was playing the 100th Psalm, and when it was done, Mr. Coleridge rose and gave out his text, 'And he went up into the mountain to pray, HIMSELF, ALONE.' As he gave out this text, his voice 'rose like a steam of rich distilled perfumes,' and when he came to the two last words, which he pronounced loud, deep, and distinct, it seemed to me, who was then young, as if the sounds had echoed from the bottom of the human heart, and as if that prayer might have floated in solemn silence through the universe. The idea of St. John came into my mind, 'of one crying in the wilderness, who had his loins girt about, and whose food was locusts and wild honey.' The preacher then launched into his subject, like an eagle dallying with the wind. The sermon was upon peace and war; upon church and state--not their alliance but their separation--on the spirit of the world and the spirit of Christianity, not as the same, but as opposed to one another. He talked of those who had 'inscribed the cross of Christ on banners dripping with human gore.' He made a poetical and pastoral excursion--and to show the fatal effects of war, drew a striking contrast between the simple shepherd-boy, driving his team afield, or sitting under the hawthorn, piping to his flock, 'as though he should never be old.' and the same poor country lad, crimped, kidnapped, brought into town, made drunk at an alehouse, turned into a wretched drummer-boy, with his hair sticking on end with powder and pomatum, a long cue at his back, and tricked out in the loathsome finery of the profession of blood: 'Such were the notes our once-loved poet sung.' And for myself, I could not have been more delighted if I had heard the music of the spheres. Poetry and Philosophy had met together. Truth and Genius had embraced, under the eye and with the sanction of Religion. This was even beyond my hopes. I returned home well satisfied. The sun that was still labouring pale and wan through the sky, obscured by thick mists, seemed an emblem of the _good cause_; and the cold dank drops of dew, that hung half melted on the beard of the thistle, had something genial and refreshing in them; for there was a spirit of hope and youth in all nature, that turned everything into good. The face of nature had not then the brand of JUS DIVINUM on it: 'Like to that sanguine flower inscrib'd with woe.' On the Tuesday following, the half-inspired speaker came. I was called down into the room where he was, and went half-hoping, half-afraid. He received me very graciously, and I listened for a long time without uttering a word. I did not suffer in his opinion by my silence. 'For those two hours,' he afterwards was pleased to say, 'he was conversing with William Hazlitt's forehead!' His appearance was different from what I had anticipated from seeing him before. At a distance, and in the dim light of the chapel, there was to me a strange wildness in his aspect, a dusky obscurity, and I thought him pitted with the small-pox. His complexion was at that time clear, and even bright-- 'As are the children of yon azure sheen.' His forehead was broad and high, light as if built of ivory, with large projecting eyebrows, and his eyes rolling beneath them, like a sea with darkened lustre. 'A certain tender bloom his face o'erspread,' a purple tinge as we see it in the pale thoughtful complexions of the Spanish portrait-painters, Murillo and Valasquez. His mouth was gross, voluptuous, open, eloquent; his chin good-humoured and round; but his nose, the rudder of the face, the index of the will, was small, feeble, nothing--like what he has done. It might seem that the genius of his face as from a height surveyed and projected him (with sufficient capacity and huge aspiration) into the world unknown of thought and imagination, with nothing to support or guide his veering purpose, as if Columbus had launched his adventurous course for the New World in a scallop, without oars or compass. So, at least, I comment on it after the event. Coleridge, in his person, was rather above the common size, inclining to the corpulent, or like Lord Hamlet,'somewhat fat and pursy.' His hair (now, alas! grey) was then black and glossy as the raven's, and fell in smooth masses over his forehead. This long pendulous hair is peculiar to enthusiasts, to those whose minds tend heavenward; and is traditionally inseparable (though of a different colour) from the pictures of Christ. It ought to belong, as a character, to all who preach _Christ crucified_, and Coleridge was at that time one of those! It was curious to observe the contrast between him and my father, who was a veteran in the cause, and then declining into the vale of years. He had been a poor Irish lad, carefully brought up by his parents, and sent to the University of Glasgow (where he studied under Adam Smith) to prepare him for his future destination. It was his mother's proudest wish to see her son a Dissenting Minister. So, if we look back to past generations (as far as eye can reach), we see the same hopes, fears, wishes, followed by the same disappointments, throbbing in the human heart; and so we may see them (if we look forward) rising up for ever, and disappearing, like vapourish bubbles, in the human breast! After being tossed about from congregation to congregation in the heats of the Unitarian controversy, and squabbles about the American war, he had been relegated to an obscure village, where he was to spend the last thirty years of his life, far from the only converse that he loved, the talk about disputed texts of Scripture, and the cause of civil and religious liberty. Here he passed his days, repining, but resigned, in the study of the Bible, and the perusal of the Commentators--huge folios, not easily got through, one of which would outlast a winter! Why did he pore on these from morn to night (with the exception of a walk in the fields or a turn in the garden to gather broccoli-plants or kidney beans of his own rearing, with no small degree of pride and pleasure)? Here were 'no figures nor no fantasies'--neither poetry nor philosophy--nothing to dazzle, nothing to excite modern curiosity; but to his lack-lustre eyes there appeared within the pages of the ponderous, unwieldy, neglected tomes, the sacred name of JEHOVAH in Hebrew capitals: pressed down by the weight of the style, worn to the last fading thinness of the understanding, there were glimpses, glimmering notions of the patriarchal wanderings, with palm-trees hovering in the horizon, and processions of camels at the distance of three thousand years; there was Moses with the Burning Bush, the number of the Twelve Tribes, types, shadows, glosses on the law and the prophets; there were discussions (dull enough) on the age of Methuselah, a mighty speculation! there were outlines, rude guesses at the shape of Noah's Ark and of the riches of Solomon's Temple; questions as to the date of the creation, predictions of the end of all things; the great lapses of time, the strange mutations of the globe were unfolded with the voluminous leaf, as it turned over; and though the soul might slumber with an hieroglyphic veil of inscrutable mysteries drawn over it, yet it was in a slumber ill-exchanged for all the sharpened realities of sense, wit, fancy, or reason. My father's life was comparatively a dream; but it was a dream of infinity and eternity, of death, the resurrection, and a judgment to come! No two individuals were ever more unlike than were the host and his guest. A poet was to my father a sort of nondescript; yet whatever added grace to the Unitarian cause was to him welcome. He could hardly have been more surprised or pleased, if our visitor had worn wings. Indeed, his thoughts had wings: and as the silken sounds rustled round our little wainscoted parlour, my father threw back his spectacles over his forehead, his white hairs mixing with its sanguine hue; and a smile of delight beamed across his rugged, cordial face, to think that Truth had found a new ally in Fancy![1] Besides, Coleridge seemed to take considerable notice of me, and that of itself was enough. He talked very familiarly, but agreeably, and glanced over a variety of subjects. At dinner-time he grew more animated, and dilated in a very edifying manner on Mary Wolstonecraft and Mackintosh. The last, he said, he considered (on my father's speaking of his _Vindiciae Gallicae_ as a capital performance) as a clever, scholastic man--a master of the topics--or, as the ready warehouseman of letters, who knew exactly where to lay his hand on what he wanted, though the goods were not his own. He thought him no match for Burke, either in style or matter. Burke was a metaphysician, Mackintosh a mere logician. Burke was an orator (almost a poet) who reasoned in figures, because he had an eye for nature: Mackintosh, on the other hand, was a rhetorician, who had only an eye to commonplaces. On this I ventured to say that I had always entertained a great opinion of Burke, and that (as far as I could find) the speaking of him with contempt might be made the test of a vulgar, democratical mind. This was the first observation I ever made to Coleridge, and he said it was a very just and striking one. I remember the leg of Welsh mutton and the turnips on the table that day had the finest flavour imaginable. Coleridge added that Mackintosh and Tom Wedgwood (of whom, however, he spoke highly) had expressed a very indifferent opinion of his friend Mr. Wordsworth, on which he remarked to them--'He strides on so far before you, that he dwindles in the distance!' Godwin had once boasted to him of having carried on an argument with Mackintosh for three hours with dubious success; Coleridge told him--'If there had been a man of genius in the room he would have settled the question in five minutes.' He asked me if I had ever seen Mary Wolstonecraft, and I said, I had once for a few moments, and that she seemed to me to turn off Godwin's objections to something she advanced with quite a playful, easy air. He replied, that 'this was only one instance of the ascendency which people of imagination exercised over those of mere intellect.' He did not rate Godwin very high[2] (this was caprice or prejudice, real or affected), but he had a great idea of Mrs. Wolstonecraft's powers of conversation; none at all of her talent for bookmaking. We talked a little about Holcroft. He had been asked if he was not much struck _with_ him, and he said, he thought himself in more danger of being struck _by_ him. I complained that he would not let me get on at all, for he required a definition of every the commonest word, exclaiming, 'What do you mean by a _sensation_, Sir? What do you mean by an _idea_?' This, Coleridge said, was barricadoing the road to truth; it was setting up a turnpike-gate at every step we took. I forget a great number of things, many more than I remember; but the day passed off pleasantly, and the next morning Mr. Coleridge was to return to Shrewsbury. When I came down to breakfast, I found that he had just received a letter from his friend, T. Wedgwood, making him an offer of 150_l._ a year if he chose to waive his present pursuit, and devote himself entirely to the study of poetry and philosophy. Coleridge seemed to make up his mind to close with this proposal in the act of tying on one of his shoes. It threw an additional damp on his departure. It took the wayward enthusiast quite from us to cast him into Deva's winding vales, or by the shores of old romance. Instead of living at ten miles' distance, of being the pastor of a Dissenting congregation at Shrewsbury, he was henceforth to inhabit the Hill of Parnassus, to be a Shepherd on the Delectable Mountains. Alas! I knew not the way thither, and felt very little gratitude for Mr. Wedgwood's bounty. I was presently relieved from this dilemma; for Mr. Coleridge, asking for a pen and ink, and going to a table to write something on a bit of card, advanced towards me with undulating step, and giving me the precious document, said that that was his address, _Mr. Coleridge, Nether-Stowey, Somersetshire_; and that he should be glad to see me there in a few weeks' time, and, if I chose, would come half-way to meet me. I was not less surprised than the shepherd-boy (this simile is to be found in _Cassandra_), when he sees a thunderbolt fall close at his feet. I stammered out my acknowledgments and acceptance of this offer (I thought Mr. Wedgwood's annuity a trifle to it) as well as I could; and this mighty business being settled, the poet preacher took leave, and I accompanied him six miles on the road. It was a fine morning in the middle of winter, and he talked the whole way. The scholar in Chaucer is described as going ----'Sounding on his way.' So Coleridge went on his. In digressing, in dilating, in passing from subject to subject, he appeared to me to float in air, to slide on ice. He told me in confidence (going along) that he should have preached two sermons before he accepted the situation at Shrewsbury, one on Infant Baptism, the other on the Lord's Supper, showing that he could not administer either, which would have effectually disqualified him for the object in view. I observed that he continually crossed me on the way by shifting from one side of the footpath to the other. This struck me as an odd movement; but I did not at that time connect it with any instability of purpose or involuntary change of principle, as I have done since. He seemed unable to keep on in a straight line. He spoke slightingly of Hume (whose _Essay on Miracles_ he said was stolen from an objection started in one of South's sermons--_Credat Judaeus Appella!_) I was not very much pleased at this account of Hume, for I had just been reading, with infinite relish, that completest of all metaphysical _chokepears_, his _Treatise on Human Nature_, to which the _Essays_ in point of scholastic subtility and close reasoning, are mere elegant trifling, light summer reading. Coleridge even denied the excellence of Hume's general style, which I think betray
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Produced by Elizaveta Shevyakhova, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Castles and Chateaux of Old Touraine and the Loire Country _WORKS OF FRANCIS MILTOUN_ _The following, each 1 vol., library 12mo, cloth, gilt top, profusely illustrated, $2.50_ _Rambles on the Riviera_ _Rambles in Normandy_ _Rambles in Brittany_ _The Cathedrals and Churches of the Rhine_ _The Cathedrals of Northern France_
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Produced by David Widger THE IMMORTAL; OR, ONE OF THE "FORTY." (L'IMMORTEL.) By Alphonse Daudet, Translated From The French By A. W. Verrall And Margaret D. G. Verrall Rand, McNally & Company, Publishers - 1889 IMMORTAL; OR, THE "FORTY." (L'IMMORTEL) CHAPTER I. In the 1880 edition of Men of the Day, under the heading _Astier-Rehu_, may be read the following notice:-- Astier, commonly called Astier-Rehu (Pierre Alexandre Leonard), Member of the Academie Francaise, was born in 1816 at Sauvagnat (Puy-de-Dome). His parents belonged to the class of small farmers. He displayed from his earliest years a remarkable aptitude for the study of history. His education, begun at Riom and continued at Louis-le-Grand, where he was afterwards to re-appear as professor, was more sound than is now fashionable, and secured his admission to the Ecole Normale Superieure, from which he went to the Chair of History at the Lycee of Mende. It was here that he wrote the Essay on Marcus Aurelius, crowned by the Academie Francaise. Called to Paris the following year by M. de Salvandy, the young and brilliant professor showed his sense of the discerning favour extended to him by publishing, in rapid succession, The Great Ministers of Louis XIV. (crowned by the Academie Francaise), Bonaparte and the Concordat (crowned by the Academie Francaise), and the admirable Introduction to the History of the House of Orleans, a magnificent prologue to the work which was to occupy twenty years of his life. This time the Academie, having no more crowns to offer him, gave him a seat among its members. He could scarcely be called a stranger there, having married Mlle. Rehu, daughter of the lamented Paulin Rehu, the celebrated architect, member of the Academie des Inscriptions et Belles-Lettres, and granddaughter of the highly respected Jean Rehu, the father of the Academie Francaise, the elegant translator of Ovid and author of the Letters to Urania, whose hale old age is the miracle of the Institute. By his friend and colleague M. Thiers Leonard Astier-Rehu was called to the post of Keeper of the Archives of Foreign Affairs. It is well known that, with a noble disregard of his interests, he resigned, some years later (1878), rather than that the impartial pen of history should stoop to the demands of our present rulers. But deprived of his beloved archives, the author has turned his leisure to good account. In two years he has given us the last three volumes of his history, and announces shortly New Lights on Galileo, based upon documents extremely curious and absolutely unpublished. All the works of Astier-Rehu may be had of Petit-Sequard, Bookseller to the Academie. As the publisher of this book of reference entrusts to each person concerned the task of telling his own story, no doubt can possibly be thrown upon the authenticity of these biographical notes. But why must it be asserted that Leonard Astier-Rehu resigned his post as Keeper of the Archives? Every one knows that he was dismissed, sent away with no more ceremony than a hackney-cabman, because of an imprudent phrase let slip by the historian of the House of Orleans, vol. v. p. 327: 'Then, as to-day, France, overwhelmed by the flood of demagogy, etc.' Who can see the end of a metaphor? His salary of five hundred pounds a year, his rooms in the Quai d'Orsay (with coals and gas) and, besides, that wonderful treasure of historic documents, which had supplied the sap of his books, all this had been carried away from him by this unlucky 'flood,' all by his own flood! The poor man could not get over it. Even after the lapse of two years, regret for the ease and the honours of his office gnawed at his heart, and gnawed with a sharper tooth on certain dates, certain days of the month or the week, and above all on 'Teyssedre's Wednesdays.' Teyssedre was the man who polished the floors. He came to the Astiers' regularly every Wednesday. On the afternoon of that day Madame Astier was at home to her friends in her husband's study, this being the only presentable apartment of their third floor in the Rue de Beaune, the remains of a grand house, terribly inconvenient in spite of its magnificent ceiling. The disturbance caused to the illustrious historian by this 'Wednesday,' recurring every week and interrupting his industrious and methodical labours, may easily be conceived. He had come to hate the rubber of floor, a man from his own country, with a face as yellow, close, and hard as his own cake of beeswax. He hated Teyssedre, who, proud of coming from Riom, while 'Meuchieu Achtier came only from Chauvagnat,' had no scruple in pushing about the heavy table covered with pamphlets, notes, and reports, and hunted the illustrious victim from room to room till he was driven to seek refuge in a kind of pigeon-hole over the study, where, though not a big man, he must sit for want of room to get up. This lumber-closet, which was furnished with an old damask chair, an aged card-table and a stand of drawers, looked out on the courtyard through the upper circle of the great window belonging to the room below. Through this opening, much resembling the low glass door of an orangery, the travailing historian might be seen from head to foot, miserably doubled up like Cardinal La Balue in his cage. It was here that he was sitting one morning with his eyes upon an ancient scrawl, having been already expelled from the lower room by the bang-bang-bang of Teyssedre, when he heard the sound of the front door bell. 'Is that you, Fage?' asked the Academician in his deep and resonant bass. 'No, _Meuchieu Achtier_. It is the young gentleman.' On Wednesday mornings the polisher opened the door, because Corentine was dressing her mistress. 'How's _The Master?_' cried Paul Astier, hurrying by to his mother's room. The Academician did not answer. His son's habit of using ironically a title generally bestowed upon him as a compliment was always offensive to him. 'M. Fage is to be shown up as soon as he comes,' he said, not addressing himself directly to the polisher. 'Yes, _Meuchieu Achtier_.' And the bang-bang-bang began again. 'Good morning, mamma.' 'Why, it's Paul! Come in. Mind the folds, Corentine.' Madame Astier was putting on a skirt before the looking-glass. She was tall, slender, and still good-looking in spite of her worn features and her too delicate skin. She did not move, but held out to him a cheek with a velvet surface of powder. He touched it with his fair pointed beard. The son was as little demonstrative as the mother. 'Will M. Paul stay to breakfast?' asked Corentine. She was a stout countrywoman of an oily complexion, pitted with smallpox. She was sitting on the carpet like a shepherdess in the fields, and was about to repair, at the hem of the skirt, her mistress's old black dress. Her tone and her attitude showed the objectionable familiarity of the under-paid maid-of-all-work. No, Paul would not stay to breakfast. He was expected elsewhere. He had his buggy below; he had only come to say a word to his mother. 'Your new English cart? Let me look,' said Madame Astier. She went to the open window, and parted the Venetian blinds, on which the bright May sunlight lay in stripes, just far enough to see the neat little vehicle, shining with new leather and polished pinewood, and the servant in spotless livery standing at the horse's head. 'Oh, ma'am, how beautiful!' murmured Coren-tine, who was also at the window. 'How nice M. Paul must look in it!' The mother's face shone. But windows were opening opposite, and people were stopping before the equipage, which was creating quite a sensation at this end of the Rue de Beaune. Madame Astier sent away the servant, seated herself on the edge of a folding-chair, and finished mending her skirt for herself, while she waited for what her son had to say to her, not without a suspicion what it would be, though her attention seemed to be absorbed in her sewing. Paul Astier was equally silent. He leaned back in an arm-chair and played with an ivory fan, an old thing which he had known for his mother's ever since he was born. Seen thus, the likeness between them was striking; the same Creole skin, pink over a delicate duskiness, the same supple figure, the same impenetrable grey eye, and in both faces a slight defect hardly to be noticed; the finely-cut nose was a little out of line, giving an expression of slyness, of something not to be trusted. While each watched and waited for the other, the pause was filled by the distant brushing of Teyssedre. 'Rather good, that,' said Paul. His mother looked up. 'What is rather good?' He raised the fan and pointed, like an artist, at the bare arms and the line of the falling shoulders under the fine cambric bodice. She began to laugh. 'Yes, but look here.' She pointed to her long neck, where the fine wrinkles marked her age. 'But after all,'... you have the good looks, so what does it matter? Such was her thought, but she did not express it. A brilliant talker, perfectly trained in the fibs and commonplaces of society, a perfect adept in expression and suggestion, she was left without words for the only real feeling which she had ever experienced. And indeed she really was not one of those women who cannot make up their minds to grow old. Long before the hour of curfew--though indeed there had perhaps never been much fire in her to put out--all her coquetry, all her feminine eagerness to captivate and charm, all her aspirations towards fame or fashion or social success had been transferred to the account of her son, this tall, good-looking young fellow in the correct attire of the modern artist, with his slight beard and close-cut hair, who showed in mien and bearing that soldierly grace which our young men of the day get from their service as volunteers. 'Is your first floor let?' asked the mother at last. 'Let! let! Not a sign of it! All the bills and advertisements no go! "I don't know what is the matter with them; but they don't come," as Vedrine said at his private exhibition.' He laughed quietly, at an inward vision of Vedrine among his enamels and his sculptures, calm, proud, and self-assured, wondering without anger at the non-appearance of the public. But Madame Astier did not laugh. That splendid first floor empty for the last two years! In the Rue Fortuny! A magnificent situation--a house in the style of Louis XII.--a house built by her son! Why, what did people want? The same people, doubtless, who did not go to Vedrine. Biting off the thread with which she had been sewing, she said: 'And it is worth taking, too!' 'Quite; but it would want money to keep it up.' The people at the Credit Foncier would not be satisfied. And the contractors were upon him--four hundred pounds for carpenter's work due at the end of the month, and he hadn't a penny of it. The mother, who was putting on the bodice of her dress before the looking-glass, grew pale and saw that she did so. It was the shiver that you feel in a duel, when your adversary raises his pistol to take aim. 'You have had the money for the restorations at Mousseaux?' 'Mousseaux! Long ago.' 'And the Rosen tomb?' 'Can't get on. Vedrine still at his statue.' 'Yes, and why must you have Vedrine? Your father warned you against him.' 'Oh, I know. They can't bear him at the Institute.' He rose and walked about the room. 'You know me, come. I am a practical man. If I took him and not some one else to do my statue, you may suppose that I had a reason.' Then suddenly, turning to his mother: 'You could not let me have four hundred pounds, I suppose?' She had been waiting for this ever since he came in; he never came to see her for anything else. 'Four hundred pounds? How can you think----' She said no more; but the pained expression of her mouth and eyes said clearly enough: 'You know that I have given you everything--that I am dressed in clothes fit for the rag-bag--that I have not bought a bonnet for three years--that Corentine washes my linen in the kitchen because I should blush to give such rubbish to the laundress; and you know also that my worst misery is to refuse what you ask. Then why do you ask?' And this mute address of his mother's was so eloquent that Paul Astier answered it aloud: 'Of course I was not thinking of your having it yourself. By Jove, if you had, it would be the better for me. But,' he continued,
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Produced by StevenGibbs and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: REV. PATRICK BRONTE.] CHARLOTTE BRONTE. A Monograph. BY T. WEMYSS REID. _WITH ILLUSTRATIONS._ London: MACMILLAN AND CO. 1877. [_All Rights Reserved._] _THIRD EDITION._ CHARLES DICKENS AND EVANS, CRYSTAL PALACE PRESS. TO THE RIGHT HONOURABLE THE LORD HOUGHTON, D.C.L. F.R.S. &c. THIS MEMORIAL OF A LIFE WHICH HAS ADDED A NEW GLORY TO THE LITERARY HISTORY OF YORKSHIRE IS RESPECTFULLY INSCRIBED BY HIS GRATEFUL FRIEND THE AUTHOR. PREFACE. I have spoken so freely in the opening chapter of this Monograph of the circumstances under which it has been written, that very little need be said by way of introduction here. This attempt to throw some fresh light upon the character of one of the most remarkable women of our age has not been a task lightly taken up, or hastily performed. The life and genius of Charlotte Bronte had long engaged my attention before I undertook, at the request of the lady to whom I am indebted for most of the original materials I have employed in these pages, the work which I have now completed. In executing that work I have had ample reason to feel and acknowledge my own deficiencies. With the knowledge that I was treading in the footsteps of so consummate a literary
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Produced by Brian Coe, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) BARRACKS BIVOUACS AND BATTLES BARRACKS BIVOUACS AND BATTLES BY ARCHIBALD FORBES, LL.D. London MACMILLAN AND CO. AND NEW YORK 1891 _All rights reserved_ All the pieces in this little volume are reprints. I have to express my obligations to the proprietors and editors of the periodicals to which they were originally contributed, for the permission to reproduce them. A. F. CONTENTS PAGE HOW “THE CRAYTURE” GOT ON THE STRENGTH 1 THE FATE OF “NANA SAHIB’S ENGLISHMAN” 31 THE OLD SERGEANT 56 THE GENTLEMAN PRIVATE OF THE “SKILAMALINKS” 72 JELLYPOD; ALIAS THE MULETEER 89 THE DOUBLE COUP DE GRÂCE 112 BILL BERESFORD AND HIS VICTORIA CROSS 129 LA BELLE HÉLÈNE OF ALEXINATZ 151 AN OUTPOST ADVENTURE 175 THE DIVINE FIGURE FROM THE NORTH 190 A YARN OF THE “PRESIDENT” FRIGATE 206 FIRE-DISCIPLINE 218 A CHRISTMAS DINNER DE PROFUNDIS 242 ABSIT OMEN! 251 A FORGOTTEN REBELLION 291 MY CAMPAIGN IN PALL MALL 307 HOW “THE CRAYTURE” GOT ON THE STRENGTH Mick Sullivan was a private soldier in G troop, 30th Light Dragoons, of some six years’ service. Since the day old Sergeant Denny Lee ’listed him in Charles Street, just outside the Cheshire Cheese, close by where the Council door of the India Office now is, Mick had never been anything else than a private soldier, and never hoped or needed hope to be anything else if he served out his full twenty-four years, for he could neither read nor write, and his regimental defaulter sheet was much fuller of “marks” than the most lavish barrack-room pudding is of raisins. Nevertheless the Queen had a very good bargain in honest Mick, although that was scarcely the opinion of the adjutant, who was a “jumped-up” youngster, and had not been in the Crimea with the regiment. The grizzled captain of G troop, who was a non-purchase man, and had been soldiering for well on to twenty years, understood and appreciated Mick better. Captain Coleman knew that he had come limping up out of that crazy gallop along “the valley of death” with a sword red from hilt to point, a lance-thrust through the calf of his leg, and a wounded comrade on his back. He had heard Mick’s gay laugh and cheery jest during that dreary time in the hollow inland from Varna, when cholera was decimating the troop, and the hearts of brave men were in their boots. He remembered how Mick was the life and soul of the gaunt sorry squad inside the flimsy tent on the bleak <DW72> of Kadikoi during that terrible Crimean winter, when men were turning their toes up to the daisies by sections, and when the living crawled about half frozen, half sodden. Mick’s old chestnut mare (G 11) was the only horse of the troop that survived the winter, kept alive by her owner’s patient and unremitting care: if it was true, as fellows swore who found her cruelly rough--she was known by the name of the “Dislocator,” given to her by a much-chafed recruit, whose anatomy her trot had wholly disorganised--if it was true that in that hard winter she had frozen quite hard, and had never since come properly thawed, it was to Mick’s credit that she was still saving the country the price of a remount. There was no smarter man or cleaner soldier in all the corps than the harum-scarum Tipperary man; he had a brogue that you could cut with a knife; and there was nothing he would not do for whisky but shirk his turn of duty and hear his regiment belittled without promptly engaging in single combat with the disparager of the “Ould Strawboots.” Mick did a good deal of punishment drill at varying intervals, and his hair was occasionally abnormally short as a result of that species of infliction known as “seven days’ cells.” He had seldom any other crime than “absent without leave,” and he had never been tried by court-martial, although more than once he had had a very narrow squeak, especially once when he was brought into barracks by a picket after a three days’ absence, with a newspaper round his shoulders instead of stable jacket and shirt. No doubt he had drunk those articles of attire, but the plea that they had been stolen saved him from the charge of making away with “regimental necessaries,” which is a court-martial offence. The 30th Light, just home from the Crimea, were quartered at York; and Mick, after two or three escapades which were the pardonable result of his popularity as one of the heroes of the Light Cavalry charge, had settled down into unwonted steadiness. He went out alone every evening, and at length his chum took him to task for his unsociality, and threatened to “cut the loaf.” “Arrah now,” was Mick’s indignant reply, “it’s a silly spalpeen ye are to go for to think such a thing. Sure if it hadn’t been a great saycret intirely, ye’d have known all about it long ago. I’ve been coortin’, ye divil! Sure an’ she’s the purtiest crayture that iver ye clapt yer two eyes upon, aye, an’ a prudent girl too. So that’s the saycret, chum; an’ now come on up to the canteen, an’ bedad we’ll drink luck an’ joy to the wooin’!” Over their pot of beer Mick told his comrade the simple story of his love. His sweetheart, it seemed, was the daughter of a small shopkeeper in the outskirts of the city, and, as Mick was most emphatic in claiming, a young woman of quite exemplary character. Thus far, then, everything was satisfactory; but the obvious rock ahead was the all but certainty that Mick would be refused leave to marry. He had not exactly the character entitling him to such a privilege, and the troop already had its full complement of married people. But if the commanding officer should say him nay, then “Sure,” Mick doughtily protested, “I’ll marry the darlint widout lave; in spite of the colonel, an’ the gineral, and the commander-in-chief himself, bedad!” Next morning Mick formed up to the adjutant and asked permission to see the colonel. The adjutant, after the manner of his kind, tried to extract from him for what purpose the request was made, but Mick was old soldier enough to know how far an adjutant’s ill word carries, and resolutely declined to divulge his intent. After the commanding officer had disposed of what are called at the police-courts the “charges of the night,” Mick was marched into the presence by the regimental sergeant-major; and as he stood there at rigid attention, the nature of his business was demanded in the curt hard tone which the colonel with a proper sense of the fitness of things uses when addressing the private soldier. “Plase yer honour, sor, I want to get--to get married,” blurted Mick, for the moment in some confusion now that the crisis had come. “And, plase yer honour, Mr. Sullivan,” retorted the chief with sour pleasantry, “I’ll see you d--d first!” “Och, sor, an’ how can ye be so cruel at all, at all?” pleaded Mick, who had recovered from his confusion, and thought a touch of the blarney might come in useful. “Why, what the deuce do you want with a wife?” asked the colonel angrily. “Sure, sor, an’ pwhat does any man want wid a wife?” The regimental sergeant-major grinned behind his hand, the adjutant burst into a splutter of laughter at the back of the colonel’s chair, and that stern officer himself found his gravity severely strained. But he was firm in his refusal to grant the indulgence, and Mick went forth from the presence in a very doleful frame of mind. At “watch-setting” the same night Mr. Sullivan was reported absent, nor did he come into barracks in the course of the night. The regimental sergeant-major was a very old bird, and straightway communicated to the adjutant his ideas as to the nature of Mick’s little game. Then the pair concerted a scheme whereby they might baulk him at the very moment when his cup of bliss should be at his lips. At nine in the morning about a dozen corporals and as many files of men paraded outside the orderly-room door. To each of the likeliest religious edifices licensed for the celebration of marriages a corporal and a file were told off, with instructions to watch outside, and intercept Sullivan if he should appear in the capacity of a bridegroom. Clever as was the device, it came very near failing. The picket charged with the duty of watching an obscure suburban chapel, regarding it as extremely improbable that such a place would be selected, betook themselves to the taproom of an adjacent public-house, where they chanced on some good company, and had soon all but forgotten the duty to which they had been detailed. It was, however, suddenly recalled to them. A native who dropped in for a pint of half-and-half, casually observed that “a sojer were bein’ spliced across the road.” The moment was a critical one, but the corporal rose to the occasion. Hastily leading out his men, he stationed them at the door, while he himself entered, and stealing up to the marriage party unobserved, clapped his hand on Sullivan’s shoulder just as the latter was fumbling for the ring. The bride shrieked, the priest talked about sacrilege, and the bride’s mother made a gallant assault on the corporal with her umbrella; but the non-commissioned officer was firm, and Mick, whose sense of discipline was very strong, merely remarked, “Be jabers, corporal, an’ in another minute ye would have been too late!” He was summarily marched off into barracks, looking rather rueful at being thus torn from the very horns of the altar. Next morning he paid another visit to the orderly-room, this time as a prisoner, when the commanding officer, radiant at the seeming success of the plot to baulk Mr. Sullivan’s matrimonial intentions, let him off with fourteen days’ pack drill. Having done that punishment, he was again free to go out of barracks, but only in the evening, so that he could not get married unless by special license, a luxury to which a private dragoon’s pay does not run. Nevertheless he cherished his design, and presently the old adage, “Where there’s a will there’s a way,” had yet another confirmation. One fine morning the regiment rode out in “watering order.” About a mile outside the town, poor Mick was suddenly taken very ill. So serious appeared his condition that the troop sergeant-major directed him to ride straight back into barracks, giving him strict orders to go to hospital the moment he arrived. Presently, Mick’s horse, indeed, cantered through the barrack gate, but there was no rider on its back. The sentry gave the alarm, and the guard, imagining Mick to have been thrown, made a search for him along the road outside; but they did not find him, for the reason that at the time he was being thus searched for he was being married. The ceremony was this time accomplished without interruption; but the hymeneal festivities were rudely broken in upon by a picket from the barracks, who tore the bridegroom ruthlessly from the arms of the bride, and escorted him to durance in the guard-room. Mick had seven days’ cells for this escapade, and when he next saw his bride, he had not a hair on his head a quarter of an inch long, the provost-sergeant’s shears having gone very close to the scalp. He had a wife, it was true; but matrimonial felicity seemed a far-off dream. Mick had married without leave, and there was no place in barracks for his little wife. Indeed, in further punishment of Mick, her name was “put upon the gate,” which means that the sentry was charged to prohibit her entrance. Mick could get no leave; so he could enjoy the society of his spouse only between evening stables and watch-setting; and on the whole he might just as well have been single--indeed better, if the wife’s welfare be taken into consideration. Only neither husband nor wife was of this opinion, and hoped cheerily for better things. But worse, not better, was to befall the pair. That cruellest of all blows which can befall the couple married without leave, suddenly struck them; the regiment was ordered on foreign service. It was to march to the south of England, give over its horses at Canterbury, Christchurch, and elsewhere, and then embark at Southampton for India. Next to a campaign, the brightest joy in the life of the cavalry soldier is going on “the line of march,” from one home station to another. For him it is a glorious interlude to the dull restrained monotony of his barrack-room life, and the weary routine of mounted and dismounted drill. “Boots and saddles” sounds early on the line of march. The troopers from their scattered billets concentrate in front of the principal hotel of the town where the detachment quarters for the night, and form up in the street or the market-place, while as yet the shutters are fast on the front of the earliest-opening shop. The officers emerge from the hotel, mount, and inspect the parade; the order “Threes right!” is given, and the day’s march has begun. The morning sun flashes on the sword-scabbards and accoutrements, as the quiet street echoes to the clink of the horse-hoofs on the cobblestones. Presently the town is left behind, and the detachment is out into the country. There had been a shower as the sun rose--the “pride of the morning” the soldiers call the sprinkle--just sufficient to lay the dust, and evoke from every growing thing its sweetest scent. The fresh crisp morning air is laden with perfume; the wild rose, the jessamine, the eglantine, and the “morning glory” entwine themselves about the gnarled thorn of the hedgerows, and send their tangled feelers straggling up the ivy-clad trunks of the great elms and oaks, through whose foliage the sunbeams are shooting. From the valley rises a feathery haze broken into gossamer-like patches of diverse hues; and here and there the blue smoke of some early-lit cottage fire ascends in a languid straightness through the still atmosphere. The hind yoking his plough in the adjacent field chants a rude ditty, while his driver is blowing his first cloud, the scent of which comes sluggishly drifting across the road with that peculiarly fresh odour only belonging to tobacco-smoke in the early morning. As the rise is crowned, a fair and fertile expanse of country lies stretched out below--shaggy woods and cornfields, and red-roofed homesteads, and long reaches of still water, and the square tower of the venerable church showing over the foliage that overhangs the hamlet and the graveyard. Then the command “Trot!” is passed along from the front, and away go the troopers bumping merrily, their accoutrements jingling and clanking, their horses feeling the bit lightly, tossing their heads, arching their necks, and stepping out gallantly, in token that they too take delight in being on the road. Three miles of a steady trot; then a five minutes’ halt to tighten girths and “look round” equipments; then up into the saddle again. The word comes back along the files, “Singers to the front!” whereupon every fellow who has, or thinks he has, a voice, presses forward till the two front ranks are some six abreast across the road. Now the premier vocalist--self-constituted or acclaimed--strikes up a solo whose principal attribute is unlimited chorus; and so to the lusty strain the detachment marches through the next village, bringing all the natives to their doors, and attracting much attention and commendation, especially from the fair sex. The day’s march half over, there is a longer halt; and the kindly officers send on a corporal to the little wayside beerhouse just ahead, whence he speedily returns, accompanied by the landlord, stepping carefully between a couple of pailsful of foaming beer. Each man receives his pint, the officers’ “treat”; and then, all hands in the highest spirits, the journey is resumed; trot and walk alternate, the men riding “at ease,” until the verge is reached of the town in which the detachment is to be billeted for the night. Then “Attention!” is called, swords are drawn, the files close up, and the little array marches right gallantly through the streets to the principal hotel. Here the “billeting sergeant,” who is always a day’s march ahead, distributes the billets, each for a couple of troopers, and chums are allowed to share the same billet. A willing urchin shows the way to the Wheatsheaf, whose hearty landlord forthwith comes out with a frank welcome, and a brown jug in hand. Horses cleaned and bedded down, accoutrements freed from the soil of the road, dinner--and a right good dinner--is served, the troopers sitting down to table with their host and hostess. The worthy Boniface and his genial spouse have none of your cockney contempt for the soldier, but consider him not only their equal, but a welcome guest; and the soldier, if he is worth his salt, does his best to conduct himself so as not to tarnish the credit of his cloth. Than Mick Sullivan no soldier of the gay 30th Light Dragoons was wont to enjoy himself more on the line of march. But now the honest Irishman was silent and depressed. He was a married man. That of itself did not sadden him; he did not repent his act, rash as it had been. But he had married without leave, and his little wife was entitled to no privileges--she was not “on the strength.” Mick had prayed her to remain at home with her father, for he could not afford her travelling expenses, and even if he could, he knew, and he had to tell her, that they must part at the port of embarkation. But “the Crayture,” as Mick called her, was resolute to go thus far. Poll Tudor and Bess Bowles, accredited spouses, “married women on the strength,” took train at Government expense, and knew their berths on the troopship were assured. But for “the Crayture” there was no railway warrant, far less any berth aboard. March for march, with weary feet and swelling heart, the poor little woman made with the detachment, tramping the long miles between York and Southampton. Mostly the kind souls where Mick was billeted gave her bite and sup and her bed; now and then the hayloft was her portion. Ah me! in the old days such woful journeys were often made; I believe that nowadays the canteen fund helps on their way soldiers’ wives married without leave. The troopship, with her steam up, was lying alongside the jetty in Southampton Dock, and troop by troop as they quitted the train, the men of the 30th Light were being marched aboard. Mick had bidden “the Crayture” farewell, and had drowned his grief in drink; as they marched toward the jetty, his chum reproached him on account of his unsoldierly condition. “Arrah now,” wailed Mick piteously, “sure, an’ if it wor yersilf lavin’ the darlint av a young wife behind ye, glad an’ fain ye would be to take a dhrap to deaden yer sorrow. Whin I sed good-bye to the Crayture this mornin’ I thought she’d have died outright wid the sobs from the heart av her. Och, chum, the purty, beautiful crayture that I love so, an’ that loves me, an’ me lavin’ her to the hard wurrld! Be gorra, an’ there she stands!” Sure enough, standing there in the crowd, weeping as if she would break her heart, was Mick’s poor little wife. “Hould me carabine, chum, just for a moment, till I be givin’ her just wan last kiss!” pleaded the poor fellow, and with a sudden spring he was out of the ranks unobserved, and hidden in the crowd that opened to receive him. His chum tramped on, but he reached the main-deck of the troopship still carrying two carbines, for as yet Mick had not re-appeared. The comrade’s anxious eyes searched the crowded jetty in vain. But they scanned a scene of singular pathos. The grizzled old quarter-master was wiping his shaggy eyelashes furtively as he turned away from the children he was leaving behind. There were poor wretches of wives who had been married without leave, as “the Crayture” had been--some with babes in their arms, weeping hopelessly as they thought of the thousands of miles that were to part them from the men of their hearts. And there were weeping women there also who had not even the sorrowful consolation of being entitled to call themselves wives; and boys were cheering, and the band was playing “The Girl I left behind me,” and non-commissioned officers were swearing, and some half-drunk recruit-soldiers were singing a dirty ditty, and heart-strings were being torn, and the work of embarkation was steadily and relentlessly progressing. The embarkation completed, the shore-goers having been cleared out of the ship and the gangway drawn, there was a muster on deck, and the roll of each troop was called. In G troop one man was missing, and that man was Mick Sullivan. The muster had barely broken off, when a wild shout from the jetty was heard. There stood Mick very limp and staggery, “the Crayture” clinging convulsively round his neck, and he hailing the ship over her shoulder. Behind the forlorn couple was a sympathising crowd of females sobbing in unmelodious concert, with here and there a wilder screech of woe from the throat of some tender-hearted country-woman of Mr. Sullivan. After some delay, Mick was brought on to the upper deck of the trooper, where he stood before the lieutenant of his troop in an attitude meant to represent the rigidity of military attention, contrasting vividly with his tear-stained face, his inability to refrain from a frequent hiccough, and an obvious difficulty in overcoming the propensity of his knee-joints to serve their owner treacherously. “Well, Sullivan,” said the young officer, with an affectation of sternness which under the circumstances was most praiseworthy, “what do you mean by this conduct?” “Plase, sor, an’ beg yer parrdon, sor, but I didn’t mane only to fall out just for wan last worrd. It wasn’t the dhrink at all, at all, sor; it’s the grief that kilt me intirely. Ah, sure, sor,” added Mick insinuatingly, “it’s y
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Produced by Sharon Joiner, Bryan Ness and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) PRIVATE LETTERS OF EDWARD GIBBON. [Illustration: SILHOUETTE PORTRAIT OF EDWARD GIBBON. _Frontispiece, Vol. II._] PRIVATE LETTERS OF EDWARD GIBBON (1753-1794). WITH AN INTRODUCTION BY THE EARL OF SHEFFIELD. EDITED BY ROWLAND E. PROTHERO, BARRISTER-AT-LAW, SOME-TIME FELLOW OF ALL SOULS' COLLEGE, OXFORD. VOL. II. LONDON: JOHN MURRAY, ALBEMARLE STREET. 1896. LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED. STAMFORD STREET AND CHARING CROSS. GIBBON'S CORRESPONDENCE. 1753-1794. 418. _To his Stepmother._ Bentinck Street, July 3rd, 1781. DEAR MADAM, Though your kind impatience might make the time appear tedious, there has been no other delay in my business, than the necessary forms of Election. My new constituents of Lymington obligingly chose me in my absence. I took my seat last Wednesday, and am now so old a member that I begin to complain of the heat and length of the Session. So much for Parliament. With regard to the board of trade, I am ignorant of your friend's meaning, and possibly she may be so herself. There has not been (to my knowledge) the most distant idea of my leaving it, and indeed there are few places within the compass of any rational ambition that I should like so well. In a few days, as soon as we are relieved from public business, I shall go down to my Country house for the summer. Do not stare. I say my Country house. Notwithstanding Caplin's very diligent enquiries, I have not been able to please myself with anything in the neighbourhood of London, and have therefore hired for three months a small pleasant house at Brighthelmstone. I flatter myself that in that admirable sea-air, with the vicinity of Sheffield place, and a proper mixture of light study in the morning and good company in the evening, the summer may roll away not disagreably.--As I know your tender apprehensions, I promise you not to bathe in the sea without due preparation and advice. Mrs. Porten has chosen, not for health but pleasure, a different sea-shore: she has been some weeks at Margate, and will scarcely return to town before my departure. I sincerely sympathize in all the melancholy scenes which have afflicted your sensibility, and am more particularly concerned about poor Miss Gould, to whom I wish to express the thoughts and hopes of friendship on this melancholy occasion. Lady Miller's[1] sudden death has excited some attention even in this busy World, her foibles are mentioned with general regard. Adieu, Dear Madam, and do not let Mrs. Ravaud tempt you into Elysium: we are tolerably well here. I am Ever yours, E. GIBBON. [1] Anna, Lady Miller (1741-1781), author of _Letters from Italy, by an Englishwoman_ (1776), a verse-writer and a well-known character at Bath, held a literary salon at her villa at Batheaston. She held, writes Walpole, January 15, 1775, "a Parnassus-fair every Thursday, gives out rhymes and themes, and all the flux of quality at Bath contend for the prizes." An antique vase, purchased in Italy, was placed on a modern altar decorated with laurel, and each guest was invited to place in the urn an original composition in verse. The author of the one declared to be the best was crowned by Lady Miller with a wreath of myrtle. Selections from these compositions were published at intervals. "Nothing here," said Miss Burney in 1780, "is more tonish than to visit Lady Miller." Lady Miller died suddenly at Bristol Hot Wells on June 24, 1781. Her husband, Sir John Riggs Miller, died in 1798. 419. _To his Stepmother._ Bentinck Street, July 9th, 1781. Dear Madam, Nothing but my absence (on a visit to Mr. Jenkinson[2] in Surrey) should have prevented me from writing by the _first_ post to remove those fears which could be suggested only by too exquisite a sensibility. I am well and happy; the modest expression of _tolerably_ was intended to express a very high degree of content, and I most sincerely assure you that my journey to Brighthelmstone is in search not of health but of amusement and society. I am, Dear Madam, Ever yours, E. GIBBON. [2] Probably C. Jenkinson, M.P. for Saltash and Secretary at War; afterwards Earl of Liverpool. 420. _To his Stepmother._ Brighthelmstone, July 26th, 1781. DEAR MADAM, [Sidenote: HIS HOUSE AT BRIGHTON.] After a short visit to Sheffield I came to this place last Sunday evening, and think it will answer my expectations. My house, which is not much bigger than yours, has a full prospect of the sea and enjoys a temperate climate in the most sultry days. The air gives health, spirits and a ravenous appetite. I walk sufficiently morning and evening, lounge in the middle of the day on the Steyne, booksellers' shops, &c., and by the help of a pair of horses can make more distant excursions. The society is good and easy, and though I have a large provision of books for my amusement, I shall not undertake any deep studies or laborious compositions this summer. You will rejoyce, I am sure, in hearing so favourable an account of my situation, and I wish I could propose to you to share it with me. I am, Dear Madam, Most truly yours, E. GIBBON. 421. _To his Stepmother._ Brighthelmstone, August 24th, 1781. DEAR MADAM, Of all mortals I have the least right to complain of a friend's silence, but yours has been so _long_ and so _unnatural_ that I am seriously alarmed. If you can assure me by a line that it does not proceed from want of health or spirits, I shall be perfectly at ease. Notwithstanding our princely visitors (the Cumberlands) who are troublesome, I like the air and society so well that I shall certainly stay here at least till the end of September. Adieu. I am, Dear Madam, Ever yours, E. G. 422. _To Lord Sheffield._ Brooke's, Thursday Evening, 1781. What I _hear_ would fill volumes, what I _know_ does not amount to half a line.--All is expectation: but I fear that our enemies are more active than our friend. _He_[3] is still at Bushy; a meeting is held next Saturday morn at eleven o'clock, but I think you need not hurry yourself. According to Louisa's phrase, I will be your grandfather. The black Patriot[4] is now walking and declaiming in this room with a train at his heels. Adieu. No news. E. G. If there is another meeting Sunday evening you shall find a note. I have not seen Lord Loughborough, but understand he has preached war and any coalition against the Minister. [3] Lord North resided at Bushy, Lady North having been appointed in July, 1771, Keeper and Ranger of Bushy Park. [4] Probably C. J. Fox. 423. _To Lord Sheffield._ 1781. Mrs. Williams, No. 8, Downing Street, will embrace Lord S., Mr. Purden and Co. for two Guineas and a half per week. The stables and _Coach houses_ will be empty, and Mr. Collier will provide the needful refreshments.--Sir R[ichard] W[orsley] has opened the trenches in Doctors Commons, and cryed down his wife's credit with tradesmen, &c. I supped last night at Lord L[oughborough]'s with Mrs. Abingdon,[5]--a judge and an actress; what would Sir Roger Hill[6] say? Dinner will be on table at five o'clock next Monday in Bentinck Street. Saturday night. Brookes's absolutely alone. The town even yet very empty. [5] Fanny Barton, Mrs. Abington, first appeared on the stage at the Haymarket in 1755. Her great success was, however, gained at Drury Lane, after her return from Dublin, from 1764 onwards. She was the first Lady Teazle, and acted Ophelia to Garrick's Hamlet. She died in 1815. [6] Sir Roger Hill was a Baron of the Court of Exchequer at the time of the Commonwealth, and therefore, it is suggested, would have shrunk from contact with a player. He was an ancestor of Lady Sheffield. 424. _To Lord Sheffield._ Friday, two o'clock, 7th Sept., 1781. [Sidenote: FRENCH AND SPANISH FLEETS IN THE CHANNEL.] Lord Hillsborough[7] tells me that himself and Co. believe that the combined fleets are gone into Brest. Expresses that left Bristol yesterday, and Plymouth, Wednesday, cannot give the least account of them, and a Portuguese ship from Lisbon the 23rd last month, beat several days between Scilly and the Land's end without seeing or hearing of them. However, at all events more than twenty-five swift sailing vessels had been sent out to meet and warn the West India fleets. Adieu. We shall meet at Brighton on Monday. E. G. [7] Wills Hill, second Viscount Hillsborough, in 1789 created first Marquis of Downshire (1718-1793). In November, 1779, he succeeded Lord Weymouth as Secretary of State for the northern department, and held that office till the resignation of the Government in March, 1782. Walpole, writing on September 11, says the combined French and Spanish fleets were at the entrance of the Channel, "where they certainly will not venture to stay long." 425. _To Lady Sheffield._ Bentinck Street, Friday evening, ten o'clock, 1781. *Oh, ho! I have given you the slip; saved thirty miles, by proceeding directly this day from Eartham to town, and am now _comfortably_ seated in my library, in _my own_ easy chair, and before _my own_ fire; a style which you understand, though it is unintelligible to your Lord. The town is empty; but I am surrounded with a thousand old acquaintance of all ages and characters, who are ready to answer a thousand questions which I am impatient to ask. I shall not easily be tired of their Company; yet I still remember, and will honourably execute, my promise of visiting you at Brighton about the middle of next month. I have seen nobody, nor learned anything, in four hours of a town life; but I can inform you, that Lady * * * [erased] is now the declared mistress of Prince Henry of Prussia, whom she encountered at Spa; and that the Emperor has invited this amiable Couple to pass the winter at Vienna; fine encouragement for married women who behave themselves properly! I spent a very pleasant day in the little paradise of Eartham, and the hermit expressed a desire (no vulgar compliment) to see and to know Lord S. Adieu. I cordially embrace, &c.* 426. _To his Stepmother._ Bentinck Street, October 6th, 1781. DEAR MADAM, I have meditated a letter many posts, and the bell of Saturday evening now admonishes or rather reproaches. Allow me only to say that I am perfectly well, and expect very soon some more
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Produced by Al Haines PATRICIA BRENT, SPINSTER BY HERBERT JENKINS HERBERT JENKINS LIMITED 3 YORK STREET, LONDON S.W.1 1918 A HERBERT JENKINS' BOOK _Fifteenth printing completing 153,658 copies_ MADE AND PRINTED IN GREAT BRITAIN BY PURNELL AND SONS, PAULTON (SOMERSET) AND LONDON CONTENTS CHAPTER I. PATRICIA'S INDISCRETION II. THE BONSOR-TRIGGS' MENAGE III. THE ADVENTURE AT THE QUADRANT GRILL-ROOM IV. THE MADNESS OF LORD PETER BOWEN V. PATRICIA'S REVENGE VI. THE INTERVENTION OF AUNT ADELAIDE VII. LORD PETER PROMISES A SOLUTION VIII. LORD PETER'S S.O.S. IX. LADY TANAGRA TAKES A HAND X. MISS BRENT'S STRATEGY XI. THE DEFECTION OF MR. TRIGGS XII. A BOMBSHELL XIII. A TACTICAL BLUNDER XIV. GALVIN HOUSE MEETS A LORD XV. MR. TRIGGS TAKES TEA IN KENSINGTON GARDENS XVI. PATRICIA'S INCONSTANCY XVII. LADY PEGGY MAKES A FRIEND XVIII. THE AIR RAID XIX. GALVIN HOUSE AFTER THE RAID XX. A RACE WITH SPINSTERHOOD XXI. THE GREATEST INDISCRETION WHAT THIS STORY IS ABOUT Patricia Brent is a "paying guest" at the Galvin House Residential Hotel. One day she overhears two of her fellow "guests" pitying her because she "never has a nice young man to take her out." In a thoughtless moment of anger she announced that on the following night she is dining at the Quadrant with her fiance. When in due course she enters the grill-room, she finds some of Galvin Houseites there to watch her. Rendered reckless by the thought of the humiliation of being found out, she goes up to a young staff-officer, and asks him to help her by "playing up." This is how she meets Lt.-Col. Lord Peter Bowen, D.S.O. The story is a comedy concerned with the complications that ensue from Patricia's thoughtless act. PATRICIA BRENT, SPINSTER CHAPTER I PATRICIA'S INDISCRETION "She never has anyone to take her out, and goes nowhere, and yet she can't be more than twenty-seven, and really she's not bad-looking." "It's not looks that attract men," there was a note of finality in the voice; "it's something else." The speaker snapped off her words in a tone that marked extreme disapproval. "What else?" enquired the other voice. "Oh, it's--well, it's something not quite nice," replied the other voice darkly, "the French call it being _tres femme_. However, she hasn't got it." "Well, I feel very sorry for her and her loneliness. I am sure she would be much happier if she had a nice young man of her own class to take her about." Patricia Brent listened with flaming cheeks. She felt as if someone had struck her. She recognised herself as the object of the speakers' comments. She could not laugh at the words, because they were true. She _was_ lonely, she had no men friends to take her about, and yet, and yet---- "Twenty-seven," she muttered indignantly, "and I was only twenty-four last November." She identified the two speakers as Miss Elizabeth Wangle and Mrs. Mosscrop-Smythe. Miss Wangle was the great-niece of a bishop, and to have a bishop in heaven is a great social asset on earth. This ecclesiastical distinction seemed to give her the right of leadership at the Galvin House Residential Hotel. Whenever a new boarder arrived, the unfortunate bishop was disinterred and brandished before his eyes. One facetious young man in the "commercial line" had dubbed her "the body-snatcher," and, being inordinately proud of his _jeu d'esprit_, he had worn it threadbare, and Miss Wangle had got to know of
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Produced by Carla Foust, Tor Martin Kristiansen and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) Transcriber's note Minor punctuation errors have been changed without notice. Printer errors have been changed and are listed at the end. All other inconsistencies are as in the original. Characters that could not be displayed directly in Latin-1 are transcribed as follows: _ - Italics ^ - superscript DOROTHY PAYNE _QUAKERESS_ [Illustration: Dorothy Payne Todd. Courtesy of Miss Lucia B. Cutts.] Dorothy Payne, Quakeress _A Side-Light upon the Career of "Dolly" Madison_ By ELLA KENT BARNARD Philadelphia: FERRIS & LEACH 29 SOUTH SEVENTH ST. 1909 Dedicated to ANNIE MATTHEWS KENT FOREWORD There is little time in this busy world of ours for reading,--little, indeed, for thinking;--and there are already many books; but perhaps these few additional pages relating to Dolly Madison, who was loved and honored during so many years by our people, may be not altogether amiss. During eleven administrations she was the intimate friend of our presidents and their families. What a rare privilege was hers--to be at home in the families of Washington, of Jefferson, of Madison, of Monroe; to know intimately Hamilton and Burr and Clay and Webster; to live so close, during her long life, to the heart of our nation; to be swayed by each pulsation of our national life;--to be indeed a part and parcel of it all, loved,
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Produced by Al Haines. IN MEMORABILIA MORTIS BY FRANCIS SHERMAN [Illustration: Decoration] M DCCC XCVI "BUT YE--SHALL I BEHOLD YOU WHEN LEAVES FALL, IN SOME SAD EVENING OP THE AUTUMN-TIDE?" IN MEMORABILIA MORTIS I I marked the slow withdrawal of the year, Out on the hills the scarlet maples shone-- The glad, first herald of triumphant dawn. A robin's song fell through the silence--clear As long ago it rang when June was here. Then, suddenly, a few grey clouds were drawn Across the sky; and all the song was gone, And all the gold was quick to disappear, That day the sun seemed loth to come again; And all day long the low wind spoke of rain, Far off, beyond the hills; and moaned, like one Wounded, among the pines: as though the Earth, Knowing some giant grief had come to birth, Had wearied of the Summer and the Sun. II I watched the slow oncoming of the Fall. Slowly the leaves fell from the elms, and lay Along the roadside; and the wind's strange way Was their way, when they heard the wind's far call. The crimson vines that clung along the wall Grew thin as snow that lives on into May; Grey dawn, grey noon,--all things and hours were grey, When quietly the darkness covered all. And while no sunset flamed across the west, And no great moon rose where the hills were low, The day passed out as if it had not been: And so it seemed the year sank to its rest, Remembering naught, desiring naught,--as though Early in Spring its young leaves were not green. III A little while before the Fall was done A day came when the frail year paused and said: "Behold! a little while and I am dead; Wilt thou not choose, of all the old dreams, one?" Then dwelt I in a garden, where the sun Shone always, and the roses all were red; Far off, the great sea slept, and overhead, Among the robins, matins had begun. And I knew not at all it was a dream Only, and that the year was near its close; Garden and sunshine, robin-song and rose, The half-heard murmur and the distant gleam Of all the unvext sea, a little space Were as a mist above the Autumn's face. IV And in this garden sloping to the sea I dwelt (it seemed) to watch a pageant pass,-- Great Kings, their armour strong with iron and brass, Young Queens, with yellow hair bound wonderfully. For love's sake, and because of love's decree, Most went, I knew; and so the flowers and grass Knew my steps also: yet I wept Alas, Deeming the garden surely lost to me. But as the days went over, and still our feet Trod the warm, even places, I knew well (For I, as they, followed the close-heard beat Of Love's wide wings who was her sentinel) That here had Beauty built her citadel And only we should reach her mercy-seat. V And ye, are ye not with me now alway?-- Thy raiment, Glauce, shall be my attire! East of the Sun I, too, seek my desire! My kisses, also, quicken the well-wrought clay! And thou, Alcestis, lest my little day Be done, art glad to die! Upon my pyre, O Brynhild, let thine ashes feed the fire! And, O thou Wood Sun, pray for me, I pray! Yea, ye are mine! Yet there remaineth one Who maketh Summer-time of all the year, Whose glory darkeneth the very sun. For thee my sword was sharpened and my spear, For thee my least poor deed was dreamed and done, O Love, O Queen, O Golden Guenevere! VI Then,
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E-text prepared by Paul L'Allier, Suzanne Shell, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (https://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 48642-h.htm or 48642-h.zip: (http://www.gutenberg.org/files/48642/48642-h/48642-h.htm) or (http://www.gutenberg.org/files/48642/48642-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See https://archive.org/details/servantofpublic00hope A SERVANT OF THE PUBLIC * * * * * * BY THE SAME AUTHOR A MAN OF MARK MR. WITT'S WIDOW FATHER STAFFORD A CHANGE OF AIR HALF A HERO THE PRISONER OF ZENDA THE GOD IN THE CAR THE DOLLY DIALOGUES COMEDIES OF COURTSHIP THE CHRONICLES OF COUNT ANTONIO
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Produced by Julia Miller, John Campbell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) TRANSCRIBER NOTE Italic text is denoted by _underscores_. The 'pointing hand' symbols have been replaced by ==> or <==. Obvious typographical errors and punctuation errors have been corrected after careful comparison with other occurrences within the text and consultation of external sources. More detail can be found at the end of the book. MRS. HALE'S RECEIPTS FOR THE MILLION: CONTAINING FOUR THOUSAND FIVE HUNDRED AND FORTY-FIVE Receipts, Facts, Directions, etc. IN THE USEFUL, ORNAMENTAL, AND DOMESTIC ARTS, AND IN THE CONDUCT OF LIFE. BEING A COMPLETE FAMILY DIRECTORY. RELATIVE TO Accomplishments,|Economy, |Ladies' Work, |Phrenology, | | | Amusements, |Etching, |Feather Work, |Potichomanie, | | | Beauty, |Etiquette, |Manners, |Poultry, | | | Birds, |Flowers, |Marriage, |Riding, | | | Building, |Gardening, |Medicines, |Swimming, | | | Children, |Grecian Painting,|Needlework, |Surgery, Domestic | | | Cookery, |Health, |Nursing, |Temperance, | | | Courtship, |Home, |Out-Door Work,|Trees, etc. | | | Dress, etc. |Housekeeping, |Painting, |Women's Duties, Words of Washington, etc. BY MRS. SARAH JOSEPHA HALE. Philadelphia: T. B. PETERSON, NO. 306 CHESTNUT STREET. Entered according to Act of Congress, in the year 1857, by SARAH JOSEPHA HALE, In the Clerk's Office of the District Court of the United States, in and for the Eastern District of Pennsylvania. PREFACE. "_All the labor of man is for his mouth,_" says Solomon. If this proverb be understood, as it was undoubtedly meant--that the chief aim and purpose of all human labor are to make the homes of mankind places of enjoyment, we see how important the art of household management becomes. While preparing my "New Cook Book," I was naturally led to examine the subject, and the result was a deep conviction of the need of another work on domestic economy, or directions how to guide the house. This led me to prepare the present treatise, embodying rules and receipts, such as never before have been brought together for the help and instruction of a household. "_Knowledge is power_" always; knowledge used for good purposes is wisdom. Knowledge, like gold, must be gained by personal effort; and usually, in small quantities, and by continued exertions, both wisdom and gold are accumulated. It has been by washing the sands of common experience and gathering the small bits of science and art found here and there on the mining ground of common knowledge, that this large work, containing the pure gold of truth, applicable to all the needs of common life, has been made. A few _nuggets_ will be seen, such as the collected maxims of Franklin, and the "Words of Washington," never before placed within the reach of the popular mind. In the economy and well-being of the family, personally and individually, improvement should be sedulously kept in view. It is not enough that woman understands the art of cookery and of managing her house: she must also take care of herself; of children; of all who will be dependent on her for direction, for health, for happiness. Personal appearance is important; the art of beautifying a home is important; the knowledge of ways and means by which the clothing of a family may be kept in good order, with the least expense of time and money, is important; some knowledge of plants, flowers, gardening, and of domestic animals, is of much benefit, particularly to those who live in the country; and more important than all, is a knowledge of the best means of preserving or restoring health.
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Produced by Brendan OConnor, Ron Stephens, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.) BLACKWOOD'S EDINBURGH MAGAZINE. NO. CCCLXXIII. NOVEMBER, 1846. VOL. LX. CONTENTS. MARLBOROUGH'S DISPATCHES. 1710-1711, 517 MOHAN LAL IN AFGHANISTAN, 539 ON THE OPERATION OF THE ENGLISH POOR-LAWS, 555 PRUSSIAN MILITARY MEMOIRS, 572 ADVICE TO AN INTENDING SERIALIST, 590 A NEW SENTIMENTAL JOURNEY, 606 HONOUR TO THE PLOUGH, 613 LUIGIA DE' MEDICI, 614 THINGS IN GENERAL, 625 EDINBURGH: WILLIAM BLACKWOOD AND SONS, 45, GEORGE STREET; AND 37, PATERNOSTER ROW, LONDON. _To whom all Communications (post paid) must be addressed._ SOLD BY ALL THE BOOKSELLERS IN THE UNITED KINGDOM. PRINTED BY BALLANTYNE AND HUGHES, EDINBURGH. BLACKWOOD'S EDINBURGH MAGAZINE. No. CCCLXXIII. NOVEMBER, 1846. VOL. LX. MARLBOROUGH'S DISPATCHES. 1710-1711. Louis XIV. was one of the most remarkable sovereigns who ever sat upon the throne of France. Yet there is none of whose character, even at this comparatively remote period, it is more difficult to form a just estimate. Beyond measure eulogised by the poets, orators, and annalists of his own age, who lived on his bounty, or were flattered by his address, he has been proportionally vilified by the historians, both foreign and national, of subsequent times. The Roman Catholic writers, with some truth, represent him as the champion of their faith, the sovereign who extirpated the demon of heresy in his dominions, and restored to the church in undivided unity the realm of France. The Protestant authors, with not less reason, regard him as the deadliest enemy of their religion, and the cruellest foe of those who had embraced it; as a faithless tyrant, who scrupled not, at the bidding of bigoted priests, to violate the national faith plighted by the Edict of Nantes, and persecute, with unrelenting severity, the unhappy people who, from conscientious motives, had broken off from the Church of Rome. One set of writers paint him as a magnanimous monarch, whose mind, set on great things, and swayed by lofty desires, foreshadowed those vast designs which Napoleon, armed with the forces of the Revolution, afterwards for a brief space realised. Another set dwell on the foibles or the vices of his private character--depict him as alternately swayed by priests, or influenced by women; selfish in his desires, relentless in his hatred; and sacrificing the peace of Europe, and endangering the independence of France, for the gratification of personal vanity, or from the thirst of unbounded ambition. It is the fate of all men who have made a great and durable impression on human affairs, and powerfully affected the interests, or thwarted the opinion of large bodies of men, to be represented in these opposite colours to future times. The party, whether in church or state, which they have elevated, the nation whose power or glory they have augmented, praise, as much as those whom they have oppressed and injured, whether at home or abroad, strive to vilify their memory. But in the case of Louis XIV., this general propensity has been greatly increased by the opposite, and, at first sight, inconsistent features of his character. There is almost equal truth in the magniloquent eulogies of his admirers, as in the impassioned invectives of his enemies. He was not less great and magnanimous than he is represented by the elegant flattery of Racine or Corneille, nor less cruel and hard-hearted than he is painted by the austere justice of Sismondi or D'Aubigne. Like many other men, but more than most, he was made up of lofty and elevated, and selfish and frivolous qualities. He could alternately boast, with truth, that there were no longer any Pyrenees, and rival his youngest courtiers in frivolous and often heartless gallantry. In his younger years he was equally assiduous in his application to business, and engrossed with personal vanity. When he ascended the throne, his first words were: "I intend that every paper, from a diplomatic dispatch to a private petition, shall be submitted to me;" and his vast powers of application enabled him to compass the task. Yet, at the same time, he deserted his queen for Madame la Valliere, and soon after broke La Valliere's heart by his desertion of her for Madame de Montespan. In mature life, his ambition to extend the bounds and enhance the glory of France, was equalled by his desire to win the admiration or gain the favour of the fair sex. In his later days, he alternately engaged in devout austerities with Madame de Maintenon, and, with mournful resolution, asserted the independence of France against Europe in arms. Never was evinced a more striking exemplification of the saying, so well known among men of the world, that no one is a hero to his valet-de-chambre; nor a more remarkable confirmation of the truth, so often proclaimed by divines, that characters of imperfect goodness constitute the great majority of mankind. That he was a great man, as well as a successful sovereign, is decisively demonstrated by the mighty changes which he effected in his own realm, as well as in the neighbouring states of Europe. When he ascended the throne, France, though it contained the elements of greatness, had never yet become great. It had been alternately wasted by the ravages of the English, and torn by the fury of the religious wars. The insurrection of the Fronde had shortly before involved the capital in all the horrors of civil conflict;--barricades had been erected in its streets; alternate victory and defeat had by turns elevated and depressed the rival faction. Turenne and Conde had displayed their consummate talents in miniature warfare within sight of Notre-Dame. Never had the monarchy been depressed to a greater pitch of weakness than during the reign of Louis XIII. and the minority of Louis XIV. But from the time the latter sovereign ascended the throne, order seemed to arise out of chaos. The ascendancy of a great mind made itself felt in every department. Civil war ceased; the rival faction disappeared; even the bitterness of religious hatred seemed for a time to be stilled by the influence of patriotic feeling. The energies of France, drawn
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Produced by Joseph R. Hauser, Ross Wilburn and the Online Distributed Proofreading Team at http://www.pgdp.net MECHANICAL DRAWING SELF-TAUGHT: COMPRISING INSTRUCTIONS IN THE SELECTION AND PREPARATION OF DRAWING INSTRUMENTS, _ELEMENTARY INSTRUCTION IN PRACTICAL MECHANICAL DRAWING_; TOGETHER WITH EXAMPLES IN SIMPLE GEOMETRY AND ELEMENTARY MECHANISM, INCLUDING SCREW THREADS, GEAR WHEELS, MECHANICAL MOTIONS, ENGINES AND BOILERS. BY JOSHUA ROSE, M.E., AUTHOR OF "THE COMPLETE PRACTICAL MACHINIST," "THE PATTERN MAKER'S ASSISTANT," "THE SLIDE VALVE" ILLUSTRATED BY THREE HUNDRED AND THIRTY ENGRAVINGS. PHILADELPHIA: HENRY CAREY BAIRD & CO., INDUSTRIAL PUBLISHERS, BOOKSELLERS AND IMPORTERS, 810 WALNUT STREET. LONDON: SAMPSON LOW, MARSTON, SEARLE & RIVINGTON, CROWN BUILDINGS, 188 FLEET STREET. 1887. Copyright by JOSHUA ROSE. 1883. PHILADELPHIA. COLLINS, PRINTER PREFACE. The object of this book is to enable the beginner to learn to make simple mechanical drawings without the aid of an instructor, and to create an interest in the subject by giving examples such as the machinist meets with in his every-day workshop practice. The plan of representing in many examples the pencil lines, and numbering the order in which they are marked, the author believes to possess great advantages for the learner, since it is the producing of the pencil lines that really proves the study, the inking in being merely a curtailed repetition of the pencilling. Similarly when the drawing of a piece, such, for example, as a fully developed screw thread, is shown fully developed from end to end, even though the pencil lines were all shown, yet the process of construction will be less clear than if the process of development be shown gradually along the drawing. Thus beginning at an end of the example the first pencil lines only may be shown, and as the pencilling progresses to the right-hand, the development may progress so that at the other or left-hand end, the finished inked in and shaded thread may be shown, and between these two ends will be found a part showing each stage of development of the thread, all the lines being numbered in the order in which they were marked. This prevents a confusion of lines, and makes it more easy to follow or to copy the drawing. It is the numerous inquiries from working machinists for a book of this kind that have led the author to its production, which he hopes and believes will meet the want thus indicated, giving to the learner a sufficiently practical knowledge of mechanical drawing to enable him to proceed further by copying such drawings as he may be able to obtain, or by the aid of some of the more expensive and elaborate books already published on the subject. He believes that in learning mechanical drawing without the aid of an instructor the chief difficulty is overcome when the learner has become sufficiently familiar with the instruments to be enabled to use them without hesitation or difficulty, and it is to attain this end that the chapter on plotting mechanical motions and the succeeding examples have been introduced; these forming studies that are easily followed by the beginner; while sufficiently interesting to afford to the student pleasure as well as profit. NEW YORK, _February, 1883_. CONTENTS. CHAPTER I. THE DRAWING BOARD. The T square 18 The triangles 19 Curves 21 Selecting and testing drawing instruments 22 Lead pencils 23 Mixing India ink 25 The drawing paper 26 Tracing paper 29 The ink 30 Testing and selecting India ink 30 Draftsmen's measuring rules 33 CHAPTER II. THE PREPARATION AND USE OF THE INSTRUMENTS. Preparing the lining pen for use 34 The shapes of the lining pen points 35 Oil stoning pen points 36 Preparing the circle pen for use 38 The shape for circle pen points 38 Shaping circle pens for very small circles 39 A form of pen point recently introduced; forming the pen point 39 The method of oil-stoning circle pen points 40 The needle point and pen point 42 How to use the circle pen 43 German instrument to avoid slipping of a needle point 44 How to use the lining pen 45 Applying the ink to the bow-pen 46 Using a straight line or lining pen with a T square 47 CHAPTER III. LINES AND CURVES. Explanation of simple geometrical terms; radius; explanation of conventional dotted lines 48 A line at a right angle to another; a point; parallel lines 49 A line produced; a line bisected; a line bounding a circle; an arc of a circle; segments of a circle; the chord of an arc; a quadrant of a circle 50 A sector of a circle; a line tangent to a circle; a semicircle; centre of a circle; axis of a cylinder; to draw a circle that shall pass through three given points 51 To find the centre from which an arc of a circle has been struck; the degrees of a circle 52 The protractor 53 To find the angle of one line to another 54 To find the angles of three lines one to the other 55 Acute angles and obtuse angles 57 Triangles; right angle triangle; obtuse angle triangle; equilateral triangle; isosceles triangle 58 Scalene triangle; a quadrangle; quadrilateral or tetragon 59 Rhomboid; trapezoid; trapezium 60 The construction of polygons 61 The names of regular polygons 62 The angles of regular polygons; the ellipse 63 Form of a true ellipse 69 The use of a trammel for drawing an ellipse 72 To draw a parabola mechanically 73 To draw a parabola by lines 74 To draw a heart cam 75 CHAPTER IV. SHADOW LINES AND LINE-SHADING. Section lining or cross-hatching 77 To represent cylindrical pieces one within the other; to represent a number of pieces one within the other 78 To represent pieces put together and having slots or keyways through them. 79 Effects of shading or cross-hatching 80 Lines in sectional shading or cross-hatching made to denote the material of which the piece is composed--lead, wood, steel, brass, wrought iron, cast iron 81 Line-shading 82 The shade line to indicate the shape of piece; representation of a washer 83 A key drawn with a shade line; shade line applied to a nut; a German pen regulated to draw lines of various breadths 84 Example of line-shading in perspective drawing, shown in a pipe threading stock and die 85 A cylindrical pin line-shaded; two cylindrical pieces that join each other; a lathe centre; a piece having a curved outline 86 Line-shading applied to a ball or sphere; applied to a pin in a socket shown in section 87 A piece of tube, where the thickness of the tube is shown; where the hollow or hole is seen, the piece shown in section; where the body is bell-mouthed and the hollow curve shown by shading 88 Example of line-shading to denote the relative distances of various surfaces from the eye 89 Line-shading to denote that the piece represented is of wood; shade-lines being regular or irregular 90 CHAPTER V. MARKING DIMENSIONS. Examples in marking dimensions 91 CHAPTER VI. THE ARRANGEMENT OF DIFFERENT VIEWS. The different views of a mechanical drawing; elevation; plan; general view; a figure to represent a solid cylinder 94 To represent the different sides of a cube; the use of a cross to denote a square 95 A triangular piece requires two or three views 96 To represent a ring having hexagon cross section; examples; a rectangular piece in two views 98 The position of the piece when in its place determines the name of the view in the drawing 103 View of a lever 105 Best method of projecting one view from another; the two systems of different views of a piece 106 CHAPTER VII. EXAMPLES IN BOLTS, NUTS AND POLYGONS. To represent the thread of a small screw 112 A bolt with a hexagon head 113 United States standard sizes for forged or unfinished bolts and nuts 116 The basis of the Franklin Institute or United States standard for bolts and nuts; hexagonal or hexagon heads of bolts 118 Comparison of hexagon and square heads of bolts; chamfers 120 Without chamfer; best plan for view of both square and hexagon heads 123 Drawing different views of hexagon heads 125 To draw a square-headed bolt; to draw the end view of a hexagon head 125 Use of the triangle to divide circles 129 Scales giving the length of the sides of polygons 135 To find what a square body which measures one inch on each side measures across the corners; to find what diameter a cylindrical piece of wood must be turned to which is to be squared, and each side of which square must measure an inch 136 To find a radius across corners of a hexagon or a six sided figure, the length of a side being an inch 138 To draw a stud 142 To pencil in a cap nut; pencilling for a link having the hubs on one side only 145 Link with hubs on both sides; pencil lines for a double eye or a knuckle joint 146 Double eye or knuckle joint with an offset; a connecting rod end 147 A rod end with a round stem 148 A bolt with a square under the head 149 Example in which the corner where the round stem meets the square under the head is sharp; a centre punch giving an example in which the flat sides gradually run out upon a circle, the edges forming curves 150 CHAPTER VIII. SCREW THREADS AND SPIRALS. Screw threads for small bolts with the angles of the thread drawn in, and the method of doing this 152 A double thread; a round top and bottom thread such as the Whitworth thread; a left hand thread; to draw screw threads of a large diameter 156 Drawing the curves for screw threads 157 To draw the United States standard thread 160 To draw a square thread 162 Form of template for drawing the curves of threads 165 To show the thread depth in a top or end view of a nut; to draw a spiral spring 166 To obtain an accurate division of the lines that divide the pitch 167 CHAPTER IX. EXAMPLES FOR PRACTICE. A locomotive spring; a stuffing box and gland; working drawings of a coupling rod; dimensions and directions marked; a connecting rod drawn and put together as it would be for the lathe, vise, or erecting shop 169 Drawings for the blacksmith 172 A locomotive frame 174 Reducing scales 175 Making a drawing to scale 177 CHAPTER X. PROJECTIONS. A spiral wound around a cylinder whose end is cut off at an angle 178 A cylindrical body joining another at a right-angle; a Tee for example 180 Other examples of Tees 181 Example of a cylinder intersecting a cone 186 A cylindrical body whose top face if viewed from one point would appear as a straight line, or from another a circle 188 CHAPTER XI. DRAWING GEAR WHEELS. Names of the curves and lines of gear teeth 193 How to draw spur wheel teeth 194 Professor Willis' scale of tooth proportions 195 The application of the scale 197 How to find the curve for the tooth face 198 To trace hypocycloides for the flanks of teeth 200 Sectional view of a section of a wheel for showing the dimensions through the arms and hub 202 To draw an edge view of a wheel; rules for drawing the teeth of wheels; bevel gear wheels 203 The construction to find the curves 204 To draw the arcs for the teeth 205 To draw the pitch circle of the inner and small end of the pinion teeth 206 One-half of a bevel gear and an edge view projected from the same 207 A pair of bevel wheels shown in section; drawing of a part of an Ames lathe feed motion; small bevel gears 208 Example in which part of the gear is shown with teeth in, and the remainder illustrated by circles; drawings of part of the feed motion of a Niles horizontal tool work boring mill 209 Three bevel gears, one of which is line-shaded; the construction of oval gearing; Professor Rankine's process for rectifying and subdividing circular arcs 210 Various examples of laying out gear wheels 214 CHAPTER XII. PLOTTING MECHANICAL MOTIONS. To find how much motion an eccentric will give to its rod 223 To find how much a given amount of motion of a long arm will move the short arm of a lever 224 Example of the end of a lever acting directly on a shoe; a short arm having a roller acting upon a larger roller 225 A link introduced in the place of the roller to find the amount of motion of the rod; a lever actuating a plunger in a vertical line, to find how much a given amount of motion of the long arm will actuate the plunger 226 Two levers upon their axles or shafts, the arms connected by a link and one arm connected to a rod 227 A lever arm and cam in one piece on a shaft, a shoe sliding on the line, and held against the cam face by the rod, to find the position of the face of the shoe against the cam 228 To find the amount of motion imparted in a straight line to a rod, attached to an eccentric strap 229 Examples in drawing the cut off cams employed instead of eccentrics on river steamboats in the Western and Southern States. Different views of a pair of cams 232 The object of using a cam instead of an eccentric 234 Method of drawing or marking out a full stroke cam 237 Illustration of the lines embracing cut off cams of varying limits of cut-off 240 Part played by the stroke of the engine in determining the conformation of cut-off cams; manner of finding essential points of drawings of cutoff cams 241 A cam designed to cut off the steam at five-eighths of the piston stroke 244 Three-fourths and seven-eighths cams 246 Necessary imperfections in the operations of cut-off cams 247 Drawing representing the motion which a crank imparts to a connecting rod 249 Plotting out the motion of a shaper link quick return 250 Plotting out the Whitworth quick return motion employed in machines 253 Finding the curves for moulding cutters 257 CHAPTER XIII. EXAMPLES IN LINE-SHADING AND DRAWING FOR LINE-SHADED ENGRAVINGS. Arrangement of idle pulleys to guide bolts from one pulley to another; representation of a cutting tool for a planing machine 264 Drawings for photo-engraving 267 Drawing for an engraver in wood; drawings for engravings by the wax process 268 Engraving made by the wax process from a print from a wood engraving; engravings of a boiler drilling machine 269 CHAPTER XIV. SHADING AND COLORING DRAWINGS. Coloring the journals of shafts; simple shading; drawing cast-iron, wrought iron, steel and copper 277 Points to be observed in coloring and shading; drawings to be glued around their edges to the drawing board; to maintain an even shade of color; mixing colors 278 To graduate the depth of tint for a cylindrical surface 279 The size and use of brushes; light in shading; example for shading a Medart pulley 280 Brush shading 281 To show by the shading that the surfaces are highly polished; representation of an oil cup; representation of an iron planing machine 282 Example in shading of Blake's patent direct acting steam pump 284 Example of shading an independent condenser 288 CHAPTER XV. EXAMPLES OF ENGINE WORK. Drawings of an automatic high speed engine; side and end views of the engine; vertical section of the cylinder through the valve face 289 Valve motion; governor 292 Pillow box, block crank-pin, wheel and main journal 294 Side and edge view of the connecting rod 295 A two hundred horse power horizontal steam boiler for a stationary engine; cross sectional view of the boiler shell 296 Side elevation, end view of the boiler, and setting 297 Working drawings of a one hundred horse power engine; plan and side view of the bed plate, with the main bearing and guide bars; cross sections of the bed plate; side elevation of the cylinder, with end view of the same 299 Steam chest side and horizontal cross section of the cylinder; steam chest and the valves; cam wrist plate and cut-off mechanism; shaft for the cam plate; cross head; side view and section through the centre of the eccentric and strap 301 Construction of the connecting rod 303 INDEX 305 +-----------------------------------------------------------------------+ |Transcriber's note: In this text $T$ indicates a larger capital letter.| +-----------------------------------------------------------------------+ MECHANICAL DRAWING SELF-TAUGHT. CHAPTER I. _THE DRAWING BOARD._ A Drawing Board should be of soft pine and free from knots, so that it will easily receive the pins or tacks used to fasten down the paper. Its surface should be flat and level, or a little rounding, so that the paper shall lie close to its surface, which is one of the first requisites in making a good drawing. Its edges should be straight and at a right angle one to the other, and the ends of the battens B B in Figure 1 should fall a little short of the edge A of the board, so that if the latter shrinks they will not protrude. The size of the board of course depends upon the size of the paper, hence it is best to obtain a board as small as will answer for the size of paper it is intended to use. The student will find it most convenient as well as cheapest to learn on small drawings rather than large ones, since they take less time to make, and cost less for paper; and although they require more skill to make, yet are preferable for the beginner, because he does not require to reach so far over the board, and furthermore, they teach him more quickly and effectively. He who can make a fair drawing having short lines and small curves can make a better one if it has large curves, etc., because it is easier to draw a large than a very small circle or curve. It is unnecessary to enter into a description of the various kinds of drawing boards in use, because if the student purchases one he will be duly informed of the kinds and their special features, while if he intends to make one the sketch in Figure 1 will give him all the information he requires, save that, as before noted, the wood must be soft pine, well seasoned and free from knots, while the battens B should be dovetailed in and the face of the board trued after they are glued and driven in. To true the edges square, it is best to make the two longest edges parallel and straight, and then the ends may be squared from those long edges. [Illustration: Fig. 1.] THE $T$ SQUARE. Drawing squares or T squares, as they are termed, are made of wood, of hard rubber and of steel. There are several kinds of T squares; in one the blade is solid, as it is shown in Figure 5 on page 20; in another the back of the square is pivoted, so that the blade can be set to draw lines at an angle as well as across the board, which is often very convenient, although this double back prevents the triangles, when used in some positions, from coming close enough to the left hand side of the board. In an improved form of steel square, with pivoted blade, shown in Figure 2, the back is provided with a half circle divided into the degrees of a circle, so that the blade can be set to any required degree of angle at once. [Illustration: Fig. 2.] [Illustration: Fig. 3.] [Illustration: Fig. 4.] THE TRIANGLES. [Illustration: Fig. 5.] Two triangles are all that are absolutely necessary for a beginner. The first is that shown in Figure 3, which is called a triangle of 45 degrees, because its edge A is at that angle to edges B and C. That in Figure 4 is called a triangle of 60 degrees, its edge A being at 60 degrees to B, and at 30 degrees to C. The edges P and C are at a right angle or an angle of 90 degrees in both figures; hence they are in this respect alike. By means of these triangles alone, a great many straight line drawings may be made with ease without the use of a drawing square; but it is better for the beginner to use the square at first. The manner of using these triangles with the square is shown in Figure 5, in which the triangle, Figure 3, is shown in three positions marked D E F, and that shown in Figure 4 is shown in three positions, marked respectively G H and I. It is obvious, however, that by turning I over, end for end, another position is attained. The usefulness in these particular triangles is because in the various positions shown they are capable of use for drawing a very large proportion of the lines that occur in mechanical drawing. The principal requirement in their use is to hold them firmly to the square-blade without moving it, and without permitting them to move upon it. The learner will find that this is best attained by so regulating the height of the square-blade that the line to be drawn does not come down too near the bottom of the triangle or edge of the square-blade, nor too high on the triangle; that is to say, too near its uppermost point. It is the left-hand edge of the triangle that is used, whenever it can be done, to produce the required line. [Illustration: Fig. 6.] CURVES. To draw curves that are not formed of arcs or parts of circles, templates called curves are provided, examples of these forms being given in Figure 6. They are made in wood and in hard rubber, the latter being most durable; their uses are so obvious as to require no explanation. It may be remarked, however, that the use of curves gives excellent practice, because they must be adjusted very accurately to produce good results, and the drawing pen must be held in the same vertical plane, or the curve drawn will not be true in its outline. DRAWING INSTRUMENTS. It is not intended or necessary to enter into an elaborate discussion of the various kinds of drawing instruments, since the purchaser can obtain a good set of drawing instruments from a reputable dealer by paying a proportionate price, and must _per force_ learn to use such as his means enable him to purchase. It is recommended that the beginner purchase as good a set of instruments as his means will permit, and that if his means are limited he purchase less than a full set of instruments, having the same of good quality. All the instruments that need be used in the examples of this book are as follows: A small spring bow-pen for circles, a lining pen or pen for straight lines, a small spring bow-pencil for circles, a large bow-pen with a removable leg to replace by a divider leg or a pencil leg, and having an extension piece to increase its capacity. The spring bow-pen should have a stiff spring, and should be opened out to its full capacity to see that the spring acts well when so opened out, keeping the legs stiff when opened for the larger diameters. The purchaser should see that the joint for opening and closing the legs is an easy but not a loose fit on the screw, and that the legs will not move sideways. To test this latter, which is of great importance in the spring bow-pencil as well as in the pen, it is well to close the legs nearly together and taking one leg in one hand and the other leg in the other hand (between the forefinger and thumb), pushing and pulling them sideways, any motion in that direction being sufficient to condemn the instrument. It is safest and best to have the two legs of the bow-pen and pencil made from one piece of metal, and not of two separate pieces screwed together at the top, as the screw will rarely hold them firmly together. The points should be long and fine, and as round as possible. In very small instruments separate points that are fastened with a screw are objectionable, because, in very small circles, they hide the point and make it difficult to apply the instrument to the exact proper point or spot on the drawing. The joints of the large bow or circle-pen should also be somewhat stiff, and quite free from side motion, and the extension piece should be rigidly secured when held by the screw. It is a good plan in purchasing to put in the extension piece, open the joint and the pen to their fullest, and draw a circle, moving the pen in one direction, and then redraw it, moving it in the other direction, and if one line only appears and that not thickened by the second drawing, the pen is a good one. The lead pencil should be of hard lead, and it is recommended that they be of the H, H, H, H, H, H, in the English grades, which corresponds to the V, V, H, of the Dixon grade. The pencil lines should be made as lightly as possible; first, because the presence of the lead on the paper tends to prevent the ink from passing to the paper; and, secondly, because in rubbing out the pencil lines the ink lines are reduced in blackness and the surface of the paper becomes roughened, so that it will soil easier and be harder to clean. In order to produce fine pencil lines without requiring a very frequent sharpening of the pencil it is best to sharpen the pencil as in Figures 7 and 8, so that the edge shall be long in the direction in which it is moved, which is denoted by the arrow in Figure 7. But when very fine work is to be done, as in the case of Patent Office drawings, a long, round point is preferable, because the eye can see plainer just where the pencil will begin to mark and leave off; hence the pencil lines will not be so liable to overrun. [Illustration: Fig. 7.] [Illustration: Fig. 8.] In place of the ordinary wood-covered lead pencils there may be obtained at the drawing material
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Produced by David Widger. HTML version by Al Haines. MOSSES FROM AN OLD MANSE By Nathaniel Hawthorne A SELECT PARTY The man of fancy made an entertainment at one of his castles in the air, and invited a select number of distinguished personages to favor him with their presence. The mansion, though less splendid than many that have been situated in the same region, was nevertheless of a magnificence such as is seldom witnessed by those acquainted only with terrestrial architecture. Its strong foundations and massive walls were quarried out of a ledge of heavy and sombre clouds which had hung brooding over the earth, apparently as dense and ponderous as its own granite, throughout a whole autumnal day. Perceiving that the general effect was gloomy,--so that the airy castle looked like a feudal fortress, or a monastery of the Middle Ages, or a state prison of our own times, rather than the home of pleasure and repose which he intended it to be,--the owner, regardless of expense, resolved to gild the exterior from top to bottom. Fortunately, there was just then a flood of evening sunshine in the air. This being gathered up and poured abundantly upon the roof and walls, imbued them with a kind of solemn cheerfulness; while the cupolas and pinnacles were made to glitter with the purest gold, and all the hundred windows gleamed with a glad light, as if the edifice itself were rejoicing in its heart. And now, if the people of the lower world chanced to be looking upward out of the turmoil of their petty perplexities, they probably mistook the castle in the air for a heap of sunset clouds, to which the magic of light and shade had imparted the aspect
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Produced by Annie McGuire [Illustration: HARPER'S YOUNG PEOPLE AN ILLUSTRATED WEEKLY.] * * * * * VOL. I.--NO. 3. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, November 18, 1879. Copyright, 1879, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration: THE TOURNAMENT.--DRAWN BY JAMES E. KELLY.] THE TOURNAMENT. Great rivalry arose once between James and Henry, two school-mates and warm friends, and all on account of a pretty girl who went to the same school. Each one wanted to walk with her,
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Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net ------------------------------------------------------------------------ CAPS AND CAPERS ------------------------------------------------------------------------ [Illustration: _Frontispiece--Caps and Capers_. "NOW, GIRLS, COME ON! LET'S EAT OUR CREAM." See p. 92.] ------------------------------------------------------------------------ CAPS and CAPERS A Story of Boarding-School Life by GABRIELLE E. JACKSON Author of "Pretty Polly Perkins," "Denise and Ned Toodles," "By Love's Sweet Rule," "The Colburn Prize," etc., etc. With illustrations by C. M. Relyea PHILADELPHIA HENRY ALTEMUS COMPANY ------------------------------------------------------------------------ Copyright, 1901, by Henry Altemus ------------------------------------------------------------------------ To the dear girls of "Dwight School," who, by their sweet friendship, have unconsciously helped to make this winter one of the happiest she has ever known, this little story is most affectionately inscribed by the AUTHOR. ------------------------------------------------------------------------ CONTENTS CHAPTER PAGE I. Which Shall It Be? 13 II. "A Touch Can Make or a Touch Can Mar" 21 III. "A Feeling of Sadness and Longing" 29 IV. New Experiences 41 V. Two Sides of a Question 53 VI. Dull and Prosy 63 VII. The P. U. L. 71 VIII. Caps and Capers 81 IX. A Modern Diogenes 89 X. "They Could Never Deceive Me" 97 XI. "La Somnambula" 107 XII. "Have You Not Been Deceived This Time?" 119 XIII. English as She is Spelled 127 XIV. "Jingle Bells, Jingle Bells" 135 XV. "Pride Goeth Before a Fall" 143 XVI. Letters 153 XVII. "Haf Anybody Seen My Umbrel?" 161 XVIII. The Little Hinge 169 XIX. "Fatal or Fated are Moments" 179 XX. "Now Tread We a Measure." 187 XXI. Conspirators 197 XXII. "We've Got 'em! We've Got 'em!" 205 XXIII. A Camera's Capers. 213 XXIV. Whispers 225 XXV. "What Are You Doing Up this Time of Night?" 233 XXVI. "Love (and Schoolgirls) Laugh at Locksmiths" 243 XXVII. Ariadne's Clue 253 XXVIII. "When Buds And Blossoms Burst" 261 XXIX. Commencement 271 XXX. "O Fortunate, O Happy Day" 279 ------------------------------------------------------------------------ ILLUSTRATIONS PAGE "Now, girls, come on! let's eat our cream." Frontispiece "You could have popped me over from ambush." 37 "Do you wish to join the P. U. L.?" 71 "Go, tell Mrs. Stone she isn't up to snuff." 109 "Sthick to yer horses, Moik." 141 "Let us begin a brand new leaf to-day." 165 "I feel so sort of grown up and grand." 181 "An' have ye been in there all this time?" 207 "Away went Marie, vanishing bit by bit." 231 "Her hand resting lightly on the arm of her friend." 267 ------------------------------------------------------------------------ CHAPTER I WHICH SHALL IT BE? "And now that I have them, how am I to decide? That is the question?" The speaker was a fine-looking man about thirty-five years of age, seated before a large writing-table in a handsomely appointed library. It was littered with catalogues, pamphlets, letters and papers sent from dozens of schools, and from the quantity of them one would fancy that every school in the country was represented. This was the result of an advertisement in the "Times" for a school in which young children are received, carefully trained, thoroughly taught, and which can furnish unquestionable references regarding its social standing and other qualifications. It was a handsome, but seriously perplexed, face which bent over the letters, and more than once the shapely hand was raised to the puckered forehead and the fingers thrust impatiently through the golden brown hair
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Produced by Ted Garvin, William Flis and the Online Distributed Proofreading Team TOASTS AND FORMS OF PUBLIC ADDRESS FOR THOSE WHO WISH TO SAY THE RIGHT THING IN THE RIGHT WAY BY WILLIAM PITTENGER CONTENTS INTRODUCTION AFTER-DINNER SPEECHES--ANCIENT AND MODERN VALUE OF A GOOD STORY AND HOW TO INTRODUCE IT PURPOSE OF AFTER-DINNER SPEAKING SOME A B C DIRECTIONS FOR MAKING SPEECHES, TOASTS, AND RESPONSES HOLIDAY SPEECHES Fourth of July Memorial Day Washington's Birthday Christmas Thanksgiving PRESENTATION ADDRESSES ADDRESSES OF WELCOME WEDDING AND OTHER ANNIVERSARIES TOASTS Sentiments Suggested by a Toast Miscellaneous Toasts Humorous Toasts MISCELLANEOUS ADDRESSES Centennial or Semi-Centennial Dedication of a Monument or Unveiling a Statue Birthday Celebration Reception Responses to Toasts at a Dinner Responses to Toasts to The Navy Responses to Toasts to General Jackson Responses to Toasts to The Workingman Nominating a Candidate Accepting a Nomination Speech in a Political Canvass Speech after a Political Victory Speech after a Political Defeat A Chairman's or President's Speech For Any Occasion ILLUSTRATIVE AND HUMOROUS
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Produced by Mirjam, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) TRANSCRIBER NOTE: Words that were printed in italics are marked with _ _. Obvious inconsistencies, printing and spelling errors in the original have been corrected. THE Weird of the Wentworths; A TALE OF GEORGE IV.'S TIME. BY JOHANNES SCOTUS. All nations have their omens drear. Their legends wild of woe and fear. SIR WALTER SCOTT. [Illustration: SANS CHANGER] IN TWO VOLUMES.--VOL. I. LONDON: SAUNDERS, OTLEY, AND CO., 66 BROOK STREET, HANOVER SQUARE 1862. LONDON: PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET AND CHARING CROSS. PREFACE. The objection may be raised that, as the major part of this Romance takes place during the Regency, such a title as:--"The Weird of the Wentworths; _a Tale of George IV.'s Time_,"--is inappropriate. When, however, it is considered that the Regent was king in all but name, and the manners, customs, and habits differed little after his accession, the inadvertency will be explained. In case of exception being taken to the language and sentiments of some characters introduced into the tale, the Author thinks it sufficient to say _he utterly repudiates them_! Oaths and ribaldry are, unfortunately, the concomitants of a depraved mind; and, in delineating faithfully the darker side of human nature, the Author felt himself compelled to sketch much that has passed under his own observation, and much that he has gleaned from the treatment of such characters by many distinguished novelists, not omitting our northern luminary, Sir Walter Scott. The moral of the Romance being the triumph of virtue over vice, and truth over falsehood, he trusts that those fair readers, who may indulge his work with a perusal, will avoid the dark, and embrace the bright traits of the other sex; and, marking the gradual development of rectitude in the character of his heroine, magnify their own by adhering fixedly to the path of duty and moral conduct, amid all temptations to swerve from it. The Author trusts that those noble families, whose names he has chosen as his _beaux ideals_, will kindly dismiss all personal associations from their minds, and simply give to the synonyms (which his not unpardonable preference led him to select) that weight which will ever attach itself in the eyes of the world, to the great, when also good. There is one more point which may give rise to discussion--the rapid and violent deaths occurring in _one_ family. The WEIRD, which, though kept in the background, is the mainspring of the tale, might explain this; but that such catastrophes are not beyond the region of possibility, the Author begs to remind his readers that in more than one family of rank, whose names both his sympathy and delicacy forbid any allusion to, such misfortunes and fates have actually happened. Some of the death-scenes, and very many of the traditions and incidents embodied in the work, are taken from real life, which often far surpasses fiction. _Portobello, near_ EDINBURGH. _June 19th, 1862._ THE WEIRD OF THE WENTWORTHS; A TALE OF GEORGE IV.'s TIME. CHAPTER I. "And a magic voice and verse Hath baptized thee with a curse."--_Manfred._ The extent of parents' influence on their offspring has long been a matter of dispute; yet the fact remains incontestable that children _do_ suffer for their parents' faults, that the sins of the father _are_ visited not only to the third and fourth generation, but often to a distance that can scarcely be conceived. The leprosy of Naaman cleaved to Gehazi's seed _for ever_, and it is said many of these unhappy sufferers still trace their misery to their ancestor's mendacity. We read in Grecian history how Myrtilus, as he sank, cursed the faithless Pelops and his race for ever; and we see its dire effects in the misfortunes of Agamemnon and Iphigenia:-- "Atoning for her father's sin, A joyless sacrifice." We might cite the
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Produced by Steven desJardins and the Online Distributed Proofreading Team at http://www.pgdp.net Buffalo Bill's Spy Trailer OR, THE STRANGER IN CAMP By Colonel Prentiss Ingraham Author of the celebrated "Buffalo Bill" stories published in the BORDER STORIES. For other titles see catalogue. [Illustration] STREET & SMITH CORPORATION PUBLISHERS 79-89 Seventh Avenue, New York Copyright, 1908 By STREET & SMITH Buffalo Bill's Spy Trailer All rights reserved, including that of translation into foreign languages, including the Scandinavian. IN APPRECIATION OF WILLIAM F. CODY (BUFFALO BILL). It is now some generations since Josh Billings, Ned Buntline, and Colonel Prentiss Ingraham, intimate friends of Colonel William F. Cody, used to forgather in the office of Francis S. Smith, then proprietor of the _New York Weekly_. It was a dingy little office on Rose Street, New York, but the breath of the great outdoors stirred there when these old-timers got together. As a result of these conversations, Colonel Ingraham and Ned Buntline began to write of the adventures of Buffalo Bill for Street & Smith. Colonel Cody was born in Scott County, Iowa, February 26, 1846. Before he had reached his teens, his father, Isaac Cody, with his mother and two sisters, migrated to Kansas, which at that time was little more than a wilderness. When the elder Cody was killed shortly afterward in the Kansas "Border War," young Bill assumed the difficult role of family breadwinner. During 1860, and until the outbreak of the Civil War, Cody lived the arduous life of a pony-express rider. Cody volunteered his services as government scout and guide and served throughout the Civil War with Generals McNeil and A. J. Smith. He was a distinguished member of the Seventh Kansas Cavalry. During the Civil War, while riding through the streets of St. Louis, Cody rescued a frightened schoolgirl from a band of annoyers. In true romantic style, Cody and Louisa Federci, the girl, were married March 6, 1866. In 1867 Cody was employed to furnish a specified amount of buffalo meat to the construction men at work on the Kansas Pacific Railroad. It was in this period that he received the sobriquet "Buffalo Bill." In 1868 and for four years thereafter Colonel Cody served as scout and guide in campaigns against the Sioux and Cheyenne Indians. It was General Sheridan who conferred on Cody the honor of chief of scouts of the command. After completing a period of service in the Nebraska legislature, Cody joined the Fifth Cavalry in 1876, and was again appointed chief of scouts. Colonel Cody's fame had reached the East long before, and a great many New Yorkers went out to see him and join in his buffalo hunts, including such men as August Belmont, James Gordon Bennett, Anson Stager, and J. G. Heckscher. In entertaining these visitors at Fort McPherson, Cody was accustomed to arrange wild-West exhibitions. In return his friends invited him to visit New York. It was upon seeing his first play in the metropolis that Cody conceived the idea of going into the show business. Assisted by Ned Buntline, novelist, and Colonel Ingraham, he started his "Wild West" show, which later developed and expanded into "A Congress of the Rough-riders of the World," first presented at Omaha, Nebraska. In time it became a familiar yearly entertainment in the great cities of this country and Europe. Many famous personages attended the performances, and became his warm friends, including Mr. Gladstone, the Marquis of Lorne, King Edward, Queen Victoria, and the Prince of Wales, now King of England. At the outbreak of the Sioux, in 1890 and 1891, Colonel Cody served at the head of the Nebraska National Guard. In 1895 Cody took up the development of Wyoming Valley by introducing irrigation. Not long afterward he became judge advocate general of the Wyoming National Guard. Colonel Cody (Buffalo Bill) died in Denver, Colorado, on January 10, 1917. His legacy to a grateful world was a large share in the development of the West, and a multitude of achievements in horsemanship, marksmanship, and endurance that will live for ages. His life will continue to be a leading example of the manliness, courage, and devotion to duty that belonged to a picturesque phase of American life now passed, like the great patriot whose career it typified, into the Great Beyond. TABLE OF CONTENTS I. THE HERMIT OF THE GRAND CANYON 5 II. THE MINER'S SECRET 14 III.
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The Project Gutenberg Etext of Active Service, by Stephen Crane #3 in our series by Stephen Crane Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World
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E-text prepared by Juliet Sutherland, David Cortesi, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 28152-h.htm or 28152-h.zip: (http://www.gutenberg.net/dirs/2/8/1/5/28152/28152-h/28152-h.htm) or (http://www.gutenberg.net/dirs/2/8/1/5/28152/28152-h.zip) Transcriber's note: Several minor typographical errors have been corrected in transcribing this work: contineu, secresy, bubling, reconnoissance, cotemporary, delived (should be delivered), eat (ate), Alleghany, amendmet, lage (large). Otherwise the text is original and retains some inconsistent or outdated spellings. The original contains two lengthy addenda supplied by the publisher which were not named in the Table of Contents. Entries for these have been added to the Contents for the convenience of the reader. Despite the many testimonials in this book, as of 2008, the source of the Mississippi is considered to be Lake Itasca. Following a five-month investigation in 1891 it was decided that the stream from Elk Lake (the body that Glazier would have called Lake Glazier) into Itasca is too insignificant to be deemed the river's source. Both lakes can be seen, looking much as they do in the maps in this book, by directing any online mapping service to 47 deg.11'N, 95 deg.14'W. SWORD AND PEN * * * * * POPULAR WORKS OF Captain Willard Glazier. THE SOLDIER-AUTHOR. I. Soldiers of the Saddle. II. Capture, Prison-Pen, and Escape. III. Battles for the Union. IV. Heroes of Three Wars. V. Peculiarities of American Cities. VI. Down the Great River. Captain Glazier's works are growing more and more popular every day. Their delineations of military life, constantly varying scenes, and deeply interesting stories, combine to place their writer in the front rank of American authors. SOLD ONLY BY SUBSCRIPTION. PERSONS DESIRING AGENCIES FOR ANY OF CAPTAIN GLAZIER'S BOOKS SHOULD ADDRESS THE PUBLISHERS * * * * * [Illustration: (signed) Willard Glazier] SWORD AND PEN; or, Ventures and Adventures of WILLARD GLAZIER, (The Soldier-Author,) In War and Literature: Comprising Incidents and Reminiscences of His Childhood; His Chequered Life As a Student and Teacher; and His Remarkable Career As a Soldier and Author; Embracing Also the Story of His Unprecedented Journey from Ocean to Ocean on Horseback; and an Account of His Discovery of the True Source of the Mississippi River, and Canoe Voyage Thence to the Gulf of Mexico. by JOHN ALGERNON OWENS. Illustrated. Philadelphia: P. W. Ziegler &. Company, Publishers, 720 Chestnut Street. 1890. Entered according to Act of Congress, in the year 1880, by John Algernon Owens, In the Office of the Librarian of Congress, at Washington, D.C. PREFACE. No apology will be required from the author for presenting to the public some episodes in the useful career of a self-made man; and while the spirit of patriotism continues to animate the sturdy sons of America, the story of one of them who has exemplified this national trait in a conspicuous measure, will be deemed not unworthy of record. The lessons it teaches, more especially to the young, are those of uncompromising _duty_ in every relation of life--self-denial, perseverance and "pluck;" while the successive stages of a course which led ultimately to a brilliant success, may be studied with some advantage by those just entering upon the business of life. As a soldier, Willard Glazier was "without fear and without reproach." As an author, it is sufficient to say, he is appreciated by his _contemporaries_--than which, on a literary man, no higher encomium can be passed. The sale of nearly half a million copies of one of his productions is no slight testimony to its value. Biography, to be interesting, must be a transcript of an eventful, as well as a remarkable career; and to be instructive, its subject should be exemplary in his aims, and in his mode of attaining them. The hero of this story comes fully up to the standard thus indicated. His career has been a romance. Born of parents of small means but of excellent character and repute; and bred and nurtured in the midst of some of the wildest and grandest scenery in the rugged county of St. Lawrence, close by the "Thousand Isles," where New York best proves her right to be called the Empire State through the stamp of royalty on her hills and streams--under the shadow of such surroundings as these, my subject attained maturity, with no opportunities for culture except those he made for himself. Yet he became possessed of an education eminently useful, essentially practical and calculated to establish just such habits of self-reliance and decision as afterwards proved chiefly instrumental in his success. Glazier had a fixed ambition to rise. He felt that the task would be difficult of accomplishment--that he must be not only the architect, but the builder of his own fortunes; and, as the statue grows beneath the sculptor's hand to perfect contour from the unshapely block of marble, so prosperity came to Captain Glazier only after he had cut and chiseled away at the hard surface of inexorable circumstance, and moulded therefrom the statue of his destiny. J. A. O. Philadelphia, _June 14th_, 1880. * * * * * TO THE MEMORY OF ULYSSES SIMPSON GRANT, WHOSE SWORD, AND TO THAT OF HENRY WADSWORTH LONGFELLOW, WHOSE PEN, Have so Nobly Illustrated the Valor and Genius of their Country: THE AUTHOR, In a Spirit of Profound Admiration for THE RENOWNED SOLDIER, And of Measureless Gratitude to THE IMMORTAL WRITER, Dedicates This Book. * * * * * CONTENTS. CHAPTER I. ORIGIN OF THE GLAZIER FAMILY. Lineage of Willard Glazier.--A good stock.--Oliver Glazier at the Battle of Bunker Hill.--The home of honest industry.--The Coronet of Pembroke.--The "Homestead Farm."--Mehitable Bolton.--Her New England home.--Her marriage to Ward Glazier.--The wild "North Woods."--The mother
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Produced by An Anonymous Project Gutenberg Volunteer THE GOLD BAG By Carolyn Wells CONTENTS CHAPTER I. THE CRIME IN WEST SEDGWICK II. THE CRAWFORD HOUSE III. THE CORONER'S JURY IV. THE INQUEST V. FLORENCE LLOYD VI. THE GOLD BAG VII. YELLOW ROSES VIII. FURTHER INQUIRY IX. THE TWELFTH ROSE X. THE WILL XI. LOUIS'S STORY XII. LOUIS'S CONFESSION XIII. MISS LLOYD'S CONFIDENCE XIV. MR. PORTER'S VIEWS. XV. THE PHOTOGRAPH EXPLAINED XVI. A CALL ON MRS. PURVIS XVII. THE OWNER OF THE GOLD BAG XVIII. IN MR. GOODRICH'S OFFICE XIX. THE MIDNIGHT TRAIN XX. FLEMING STONE XXI. THE DISCLOSURE THE GOLD BAG I. THE CRIME IN WEST SEDGWICK Though a young detective, I am not entirely an inexperienced one, and I have several fairly successful investigations to my credit on the records of the Central Office. The Chief said to me one day: "Burroughs, if there's a mystery to be unravelled; I'd rather put it in your hands than to trust it to any other man on the force. "Because," he went on, "you go about it scientifically, and you never jump at conclusions, or accept them, until they're indubitably warranted." I declared myself duly grateful for the Chief's kind words, but I was secretly a bit chagrined. A detective's ambition is to be, considered capable of jumping at conclusions, only the conclusions must always prove to be correct ones. But though I am an earnest and painstaking worker, though my habits are methodical and systematic, and though I am indefatigably patient and persevering, I can never make those brilliant deductions from seemingly unimportant clues that Fleming Stone can. He holds that it is nothing but observation and logical inference, but to me it is little short of clairvoyance. The smallest detail in the way of evidence immediately connotes in his mind some important fact that is indisputable, but which would never have occurred to me. I suppose this is largely a natural bent of his brain, for I have not yet been able to achieve it, either by study or experience. Of course I can deduce some facts, and my colleagues often say I am rather clever at it, but they don't know Fleming Stone as well as I do, and don't realize that by comparison with his talent mine is insignificant. And so, it is both by way of entertainment, and in hope of learning from him, that I am with him whenever possible, and often ask him to "deduce" for me, even at risk of boring him, as, unless he is in the right mood, my requests sometimes do. I met him accidentally one morning when we both chanced to go into a basement of the Metropolis Hotel in New York to have our shoes shined. It was about half-past nine, and as I like to get to my office by ten o'clock, I looked forward to a pleasant half-hour's chat with him. While waiting our turn to get a chair, we stood talking, and, seeing a pair of shoes standing on a table, evidently there to be cleaned, I said banteringly: "Now, I suppose, Stone, from looking at those shoes, you can deduce all there is to know about the owner of them." I remember that Sherlock Holmes wrote once, "From a drop of water, a logician could infer the possibility of an Atlantic or a Niagara without having seen or heard of one or the other," but when I heard Fleming Stone's reply to my half-laughing challenge, I felt that he had outdone the mythical logician. With a mild twinkle in his eye, but with a perfectly grave face, he said slowly, "Those shoes belong to a young man, five feet eight inches high. He does not live in New York, but is here to visit his sweetheart. She lives in Brooklyn, is five feet nine inches tall, and is deaf in her left ear. They went to the theatre last night, and neither was in evening dress." "Oh, pshaw!" said I, "as you are acquainted with this man, and know how he spent last evening, your relation of the story doesn't interest me." "I don't know him," Stone returned; "I've no idea what his name is, I've never seen him, and except what I can read from these shoes I know nothing about him." I stared at him incredulously, as I always did when confronted by his astonishing "ded
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Produced by Brian Foley, Diane Monico, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) A LIST OF _KEGAN PAUL, TRENCH & CO.'S PUBLICATIONS_. _1, Paternoster Square, London_. A LIST OF KEGAN PAUL, TRENCH & CO.'S PUBLICATIONS. CONTENTS. PAGE GENERAL LITERATURE 2 PARCHMENT LIBRARY 18 PULPIT COMMENTARY 21 INTERNATIONAL SCIENTIFIC SERIES 30 MILITARY WORKS 33 POETRY 35 NOVELS AND TALES 41 BOOKS FOR THE YOUNG 43 GENERAL LITERATURE. _A. K. H. B._--From a Quiet Place. A Volume of Sermons. Crown 8vo, 5_s._ _ALEXANDER, William, D.D., Bishop of Derry._--The Great Question, and other Sermons. Crown 8vo, 6_s._ _ALLIES, T. W., M.A._--Per Crucem ad Lucem. The Result of a Life. 2 vols. Demy 8vo, 25_s._ A Life's Decision. Crown 8vo, 7_s._ 6_d._ _AMHERST, Rev. W. J._--The History of Catholic Emancipation and the Progress of the Catholic Church in the British Isles (chiefly in England) from 1771-1820. 2 vols. Demy 8vo, 24_s._ _AMOS, Professor Sheldon._--The History and Principles of the Civil Law of Rome. An aid to the Study of Scientific and Comparative Jurisprudence. Demy 8vo, 16_s._ Ancient and Modern Britons. A Retrospect. 2 vols. Demy 8vo, 24_s._ _ARISTOTLE._--The Nicomachean Ethics of Aristotle. Translated by F. H. Peters, M.A. Third Edition. Crown 8vo, 6_s._ _AUBERTIN, J. J._--A Flight to Mexico. With 7 full-page Illustrations and a Railway Map of Mexico. Crown 8vo, 7_s._ 6_d._ Six Months in Cape Colony and Natal. With Illustrations and Map. Crown 8vo, 6_s._ Aucassin and Nicolette. Edited in Old French and rendered in Modern English by F. W. BOURDILLON. Fcap 8vo, 7_s._ 6_d._ _AUCHMUTY, A. C._--Dives and Pauper, and other Sermons. Crown 8vo, 3_s._ 6_d._ _AZARIUS, Brother._--Aristotle and the Christian Church. Small crown 8vo, 3_s._ 6_d._ _BADGER, George Percy, D.C.L._--An English-Arabic Lexicon. In which the equivalent for English Words and Idiomatic Sentences are rendered into literary and colloquial Arabic. Royal 4to, 80_s._ _BAGEHOT, Walter._--The English Constitution. Fourth Edition. Crown 8vo, 7_s._ 6_d._ Lombard Street. A Description of the Money Market. Eighth Edition. Crown 8vo, 7_s._ 6_d._ Essays on Parliamentary Reform. Crown 8vo, 5_s._ Some Articles on the Depreciation of Silver, and Topics connected with it. Demy 8vo, 5_s._ _BAGOT, Alan, C.E._--Accidents in Mines: their Causes and Prevention. Crown 8vo, 6_s._ The Principles of Colliery Ventilation. Second Edition, greatly enlarged. Crown 8vo, 5_s._ The Principles of Civil Engineering as applied to Agriculture and Estate Management. Crown 8vo, 7_s._ 6_d._ _BAIRD, Henry M._--The Huguenots and Henry of Navarre. 2 vols. With Maps. 8vo, 24_s._ _BALDWIN, Capt. J. H._--The Large and Small Game of Bengal and the North-Western Provinces of India. With 20 Illustrations. New and Cheaper Edition. Small 4to, 10_s._ 6_d._ _BALL, John, F.R.S._--Notes of a Naturalist in South America. With Map. Crown 8vo, 8_s._ 6_d._ _BALLIN, Ada S. and F. L._--A Hebrew Grammar. With Exercises selected from the Bible. Crown 8vo, 7_s._ 6_d._ _BARCLAY, Edgar._--Mountain Life in Algeria. With numerous Illustrations by Photogravure. Crown 4to, 16_s._ _BASU, K. P., M.A._--Students' Mathematical Companion. Containing problems in Arithmetic, Algebra, Geometry, and Mensuration, for Students of the Indian Universities. Crown 8vo, 6_s._ _BAUR, Ferdinand, Dr. Ph._--A Philological Introduction to Greek and Latin for Students. Translated and adapted from the German, by C. KEGAN PAUL, M.A., and E. D. STONE, M.A. Third Edition. Crown 8vo, 6_s._ _BAYLY, Capt. George._--Sea Life Sixty Years Ago. A Record of Adventures which led up to the Discovery of the Relics of the long-missing Expedition commanded by the Comte de la Perouse. Crown 8vo, 3_s._ 6_d._ _BENSON, A. C._--William Laud, sometime Archbishop of Canterbury. A Study. With Portrait. Crown 8vo, 6_s._ _BIRD, Charles, F.G.S._--Higher Education in Germany and England. Small crown 8vo, 2_s._ 6_d._ Birth and Growth of Religion. A Book for Workers. Crown 8vo, cloth, 2_s._; paper covers, 1_s._ _BLACKBURN, Mrs. Hugh._--Bible Beasts and Birds. 22 Illustrations of Scripture photographed from the Original. 4to, 42_s._ _BLECKLY, Henry._--Socrates and the Athenians: An Apology. Crown 8vo, 2_s._ 6_d._ _BLOOMFIELD, The Lady._--Reminiscences of Court and Diplomatic Life. New and Cheaper Edition. With Frontispiece. Crown 8vo, 6_s._ _BLUNT, The Ven. Archdeacon._--The Divine Patriot, and other Sermons. Preached in Scarborough and in Cannes. New and Cheaper Edition. Crown 8vo, 4_s._ 6_d._ _BLUNT, Wilfrid S._--The Future of Islam. Crown 8vo, 6_s._ Ideas about India. Crown 8vo. Cloth, 6_s._ _BODDY, Alexander A._--To Kairwan the Holy. Scenes in Muhammedan Africa. With Route Map, and Eight Illustrations by A. F. JACASSEY. Crown 8vo, 6_s._ _BOSANQUET, Bernard._--Knowledge and Reality. A Criticism of Mr. F. H. Bradley's "Principles of Logic." Crown 8vo, 9_s._ _BOUVERIE-PUSE
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Produced by Sue Asscher, Robert Prince and David Widger THE GEOLOGICAL EVIDENCE OF THE ANTIQUITY OF MAN By Sir Charles Lyell, BT., F.R.S., Etc. London: Published By J.M. Dent & Sons Ltd. And In New York By E.P. Dutton & Co. With Introduction And Notes By R.H. Rastall, M.A., F.G.S. EVERYMAN I WILL GO WITH THEE & BE THY GUIDE IN THY MOST NEED TO GO BY THY SIDE. EVERYMAN'S LIBRARY EDITED BY ERNEST RHYS. SCIENCE. HOC SOLUM SCIO QUOD NIHIL SCIO. INTRODUCTION. The "Antiquity of Man" was published in 1863, and ran into a third edition in the course of that year. The cause of this is not far to seek. Darwin's "Origin of Species" appeared in 1859, only four years earlier, and rapidly had its effect in drawing attention to the great problem of the origin of living beings. The theories of Darwin and Wallace brought to a head and presented in a concrete shape the somewhat vague speculations as to development and evolution which had long been floating in the minds of naturalists. In the actual working out of Darwin's great theory it is impossible to overestimate the influence of Lyell. This is made abundantly clear in Darwin's letters, and it must never be forgotten that Darwin himself was a geologist. His training in this science enabled him to grasp the import of the facts so ably marshalled by Lyell in the "Principles of Geology," a work which, as Professor Judd has clearly shown,* contributed greatly to the advancement of evolutionary theory in general. (* Judd "The Coming of Evolution" ("Cambridge Manuals of Science and Literature") Cambridge 1910 chapters 6 and 7.) From a study of the evolution of plants and of the lower animals it was an easy and obvious transition to man, and this step was soon taken. Since in his physical structure man shows so close a resemblance to the higher animals it was a natural conclusion that the laws governing the development of the one should apply also to the other, in spite of preconceived opinions derived from authority. Unfortunately the times were then hardly ripe for a calm and logical treatment of this question: prejudice in many cases took the place of argument, and the result was too often an undignified squabble instead of a scientific discussion. However, the dogmatism was not by any means all on one side. The disciples as usual went farther than the master, and their teaching when pushed to extremities resulted in a peculiarly dreary kind of materialism, a mental attitude which still survives to a certain extent among scientific and pseudo-scientific men of the old school. In more Recent times this dogmatic agnosticism of the middle Victorian period has been gradually replaced by speculations of a more positive type, such as those of the Mendelian school in biology and the doctrines of Bergson on the philosophical side. With these later developments we are not here concerned. In dealing with the evolution and history of man as with that of any other animal, the first step is undoubtedly to collect the facts, and this is precisely what Lyell set out to do in the "Antiquity of Man." The first nineteen chapters of the book are purely an empirical statement of the evidence then available as to the existence of man in pre-historic times: the rest of the book is devoted to a consideration of the connection between the facts previously stated and Darwin's theory of the origin of species by variation and natural selection. The keynote of Lyell's work, throughout his life, was observation. Lyell was no cabinet geologist; he went to nature and studied phenomena at first hand. Possessed of abundant leisure and ample means he travelled far and wide, patiently collecting material and building up the modern science of physical geology, whose foundations had been laid by Hutton and Playfair. From the facts thus collected he drew his inferences, and if later researches showed these inferences to be wrong, unlike some of his contemporaries, he never hesitated to say so. Thus and thus only is true progress in science attained. Lyell is universally recognised as the leader of the Uniformitarian school of geologists, and it will be well to consider briefly what is implied in this term. The principles of Uniformitarianism may be summed up thus: THE PRESENT IS THE KEY TO THE PAST. That is to say, the processes which have gone on in the past were the same in general character as those now seen in operation, though probably differing in degree. This theory is in direct opposition to the ideas of the CATASTROPHIC school, which were dominant at the beginning of the nineteenth century. The catastrophists attributed all past changes to sudden and violent convulsions of nature, by which all living beings were destroyed, to be replaced by a fresh creation. At least such were the tenets of the extremists. In opposition to these views the school of Hutton and Lyell introduced the principle of continuity and development. There is no discrepancy between Uniformitarianism and evolution. The idea of Uniformitarianism does not imply that things have always been the same; only that they were similar, and between these two terms there is a wide distinction. Evolution of any kind whatever naturally implies continuity, and this is the fundamental idea of Lyellian geology. In spite, however, of this clear and definite conception of natural and organic evolution, in all those parts of his works dealing with earth-history, with the stratified rocks and with the organisms entombed in them, Lyell adopted a plan which has now been universally abandoned. He began with the most Recent formations and worked backwards from the known to the unknown. To modern readers this is perhaps the greatest drawback to his work, since it renders difficult the study of events in their actual sequence. However, it must be admitted that, taking into account the state of geological knowledge before his time, this course was almost inevitable. The succession of the later rocks was fairly well known, thanks to the labours of William Smith and others, but in the lower part of the sequence of stratified rocks there were many gaps, and more important still, there was no definite base. Although this want of a starting point has been largely supplied by the labours of Sedgwick, Murchison, De la Beche, Ramsay, and a host of followers, still considerable doubt prevails as to which constitutes the oldest truly stratified series, and the difficulty has only been partially circumvented by the adoption of an arbitrary base-line, from which the succession is worked out both upwards and downwards. So the problem is only removed a stage further back. In the study of human origins a similar difficulty is felt with special acuteness; the beginnings must of necessity be vague and uncertain, and the farther back we go the fainter will naturally be the traces of human handiwork and the more primitive and doubtful those traces when discovered. The reprinting of the "Antiquity of Man" is particularly appropriate at the present time, owing to the increased attention drawn to the subject by recent discoveries. Ever since the publication of the "Origin of Species" and the discussions that resulted from that publication, the popular imagination has been much exercised by the possible existence of forms intermediate between the apes and man; the so-called "Missing Link." Much has been written on this subject, some of it well-founded and some very much the reverse. The discovery of the Neanderthal skull is fully described in this volume, and this skull is certainly of a low type, but it is more human than ape-like. The same
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OF SINGING*** E-text prepared by Chuck Greif and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 20069-h.htm or 20069-h.zip: (http://www.gutenberg.net/dirs/2/0/0/6/20069/20069-h/20069-h.htm) or (http://www.gutenberg.net/dirs/2/0/0/6/20069/20069-h.zip) CARUSO AND TETRAZZINI ON THE ART OF SINGING by ENRICO CARUSO and LUISA TETRAZZINI Metropolitan Company, Publishers, New York, 1909. PREFACE In offering this work to the public the publishers wish to lay before those who sing or who are about to study singing, the simple, fundamental rules of the art based on common sense. The two greatest living exponents of the art of singing--Luisa Tetrazzini and Enrico Caruso--have been chosen as examples, and their talks on singing have additional weight from the fact that what they have to say has been printed exactly as it was uttered, the truths they expound are driven home forcefully, and what they relate so simply is backed by years of experience and emphasized by the results they have achieved as the two greatest artists in the world. Much has been said about the Italian Method of Singing. It is a question whether anyone really knows what the phrase means. After all, if there be a right way to sing, then all other ways must be wrong. Books have been written on breathing, tone production and what singers should eat and wear, etc., etc., all tending to make the singer self-conscious and to sing with the brain rather than with the heart. To quote Mme. Tetrazzini: "You can train the voice, you can take a raw material and make it a finished production; not so with the heart." The country is overrun with inferior teachers of singing; men and women who have failed to get before the public, turn to teaching without any practical experience, and, armed only with a few methods, teach these alike to all pupils, ruining many good voices. Should these pupils change teachers, even for the better, then begins the weary undoing of the false method, often with no better result. To these unfortunate pupils this book is of inestimable value. He or she could not consistently choose such teachers after reading its pages. Again the simple rules laid down and tersely and interestingly set forth not only carry conviction with them, but tear away the veil of mystery that so often is thrown about the divine art. Luisa Tetrazzini and Enrico Caruso show what not to do, as well as what to do, and bring the pupil back to first principles--the art of singing naturally. THE ART OF SINGING By Luisa Tetrazzini [Illustration: LUISA TETRAZZINI] LUISA TETRAZZINI INTRODUCTORY SKETCH OF THE CAREER OF THE WORLD-FAMOUS PRIMA DONNA Luisa Tetrazzini, the most famous Italian coloratura soprano of the day, declares that she began to sing before she learned to talk. Her parents were not musical, but her elder sister, now the wife of the eminent conductor Cleofante Campanini, was a public singer of established reputation, and her success roused her young sister's ambition to become a great artist. Her parents were well to do, her father having a large army furnishing store in Florence, and they did not encourage her in her determination to become a prima donna. One prima donna, said her father, was enough for any family. Luisa did not agree with him. If one prima donna is good, she argued, why would not two be better? So she never desisted from her importunity until she was permitted to become a pupil of Professor Coccherani, vocal instructor at the Lycee. At this time she had committed to memory more than a dozen grand opera roles, and at the end of six months the professor confessed that he could do nothing more for her voice; that she was ready for a career. She made her bow to the Florentine opera going public, one of the most critical in Italy, as Inez, in Meyerbeer's "L'Africaine," and her success was so pronounced that she was engaged at a salary of $100 a month, a phenomenal beginning for a young singer. Queen Margherita was present on the occasion and complimented her highly and prophesied for her a great career. She asked the trembling debutante how old she was, and in the embarrassment of the moment Luisa made herself six years older than she really was. This is one noteworthy instance in which a public singer failed to discount her age. Fame came speedily, but for a long time it was confined to Europe and Latin America. She sang seven seasons in St. Petersburg, three in Mexico, two in Madrid, four in Buenos Aires, and even on the Pacific coast of America before she appeared in New York. She had sung Lucia more than 200 times before her first appearance at Covent Garden, and the twenty curtain calls she received on that occasion came as the greatest surprise of her career. She had begun to believe that she could never be appreciated by English-speaking audiences and the ovation almost overcame her. It was by the merest chance that Mme. Tetrazzini ever came to the Manhattan Opera House in New York. The diva's own account of her engagement is as follows: "I was in London, and for a wonder I had a week, a wet week, on my hands. You know people will do anything in a wet week in London. "There were contracts from all over the Continent and South America pending. There was much discussion naturally in regard to settlements and arrangements of one kind and another. "Suddenly, just like that"--she makes a butterfly gesture--"M. Hammerstein came, and just like that"--a duplicate gesture--"I made up my mind that I would come here. If his offer to me had been seven days later I should not have signed, and if I had not I should undoubtedly never have come, for a contract that I might have signed to go elsewhere would probably have been for a number of years." Voice experts confess that they are not able to solve the mystery of Mme. Tetrazzini's wonderful management of her breathing. "It is perfectly natural," she says. "I breathe low down in the diaphragm, not, as some do, high up in the upper part of the chest. I always hold some breath in reserve for the crescendos, employing only what is absolutely necessary, and I renew the breath wherever it is easiest. "In breathing I find, as in other matters pertaining to singing, that as one goes on and practices, no matter how long one may have been singing, there are constantly new surprises awaiting one. You may have been accustomed for years to take a note in a certain way, and after a long while you discover that, while it is a very good way, there is a better." Breath Control The Foundation of Singing There is only one way to sing correctly, and that is to sing naturally, easily, comfortably. The height of vocal art is to have no apparent method, but to be able to sing with perfect facility
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Produced by Melissa McDaniel and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Inconsistent hyphenation and spelling in the original book have been preserved. Obvious typographical errors have been corrected. The book frequently omits punctuation before quotes. The punctuation has been retained as in the original. The length and spacing of ellipses (...) has also been retained as printed. There is no Chapter IV. Italic text is denoted by _underscores_. [Illustration: _Elizabeth_.] THE ORDEAL OF ELIZABETH NEW YORK GROSSET & DUNLAP PUBLISHERS COPYRIGHT, 1901, BY J. F. TAYLOR AND COMPANY, NEW YORK THE ORDEAL OF ELIZABETH _Chapter I_ The Van Vorst Homestead stands close to the road-side; a dark, low-built, gloomy old place. The horse-shoe on the door, testifies to its age, and the devout superstition of the Van Vorst who built it. However effectual against witches, the horse-shoe cannot be said to have brought much luck otherwise. The Van Vorsts who lived there, a junior branch of the old colonial house, did not prosper in worldly matters, but sank more and more as time went on, in general respect and consideration. There was a break in the deterioration, and apparently a revival of old glories, when Peter Van Vorst married his cousin, a brilliant beauty from town, who had refused, as tradition asserts, half the eligible men of her day, and accepted Peter for what seemed a sudden and mysterious caprice. The marriage was a nine days' wonder; but whatever the reasons that prompted her strange choice--whether love, indifference, or some feeling more complicated and subtle; Elizabeth Van Vorst made no effort to avert its consequences, but settled down in silence to a life of monotonous poverty. She did not even try, as less favored women have done under harder circumstances, to keep in touch with the world she had given up. She never wrote to her old friends, never recalled herself, by her presence in town, to her former admirers. As for the Homestead, it wore, under the inert indifference of her rule, the same neglected look which had prevailed for years. The foliage grew in rank profusion about the house till it shut out not only the sunlight, but all view of the river. Perhaps Madam Van Vorst, as people called her, disliked the idea of change; or perhaps she grudged the cost of a day's labor to cut the trees; or it might be that she liked the gloom and the feeling of confinement, and had no desire to feast her eyes on the river, after the fashion of the Neighborhood. It reminded her too much, perhaps, of the outside world. She was a stately, handsome old lady, and made an imposing appearance when she came into church on Sunday, in the black silk gown which rustled with an old-time dignity, and her puffs of snow-white hair standing out against the rim of her widow's bonnet. Her daughters, following timidly behind her, seemed to belong to a different sphere; dull, faded women, in shabby gowns which the village girls would have disdained. If you spoke to them after church, when the whole Neighborhood exchanges greetings and discusses the news of the week, they would answer you shyly, in embarrassed monosyllables. Still, in some intangible way, you felt the innate breeding, which lurked behind all the uncouthness of voice and manner. Their life, under their mother's training, had been one long lesson in self-effacement; they never even drove to the village without consulting her, or bought a spool of cotton without her permission. The stress of poverty, as time went on, grew less stringent at the Homestead; but with Madam Van Vorst the penury which had been first the result of necessity, had grown to be second nature. She let the money accumulate and made no change in their manner of life. Her daughters had no books, no teachers; no occupation but house-work; no interest beyond the petty gossip of the country-side. With Peter, the son, the downward process was more evident and had taken deeper root. His voice was more uncouth than that of his sisters and his manner less refined; it was hard to distinguish him if you saw him in church, from any farmer, ill at ease in his Sunday clothes. He spent his days at work on the farm, and his evenings, more often than his mother dreamed of, at the bar in the village. Like his sisters, he bowed beneath her iron rod and lived in mortal fear of her displeasure. Yet he had his plans, well defined, and frequently boasted (at least at the village bar) of what he should do when he became his own master. With the sisters a certain inborn delicacy of feeling prevented them from formulating, even to themselves, those hopes and aspirations which, nevertheless, lay dormant, needing only a sudden shock to call them into life. When that shock came, and it was known all over the Neighborhood that Madam Van Vorst was dead, the news brought a mild sense of loss, the feeling of a landmark removed; and people hastened at once to the Homestead with sincere condolences and offers of assistance to the daughters. Cornelia and Joanna were stunned, but not entirely with sorrow; rather with the sort of feeling that a prisoner might experience, who finds himself by a sudden blow, released from a chain which habit has rendered bearable, and almost second nature, yet none the less a chain. It was not till the evening after the funeral that this stifled feeling found expression. The day had been fraught with a ghastly excitement that seemed to give for the moment to these poor crushed beings a fictitious importance. All the Neighborhood had come to the funeral; some grand relations even had journeyed up from town to do honor to the woman whom they had ignored in her lifetime; these last lingered for a solemn meal at the Homestead. The whole affair seemed to bring the Van Vorst women more in contact with the outside world than any event since their father's death, many years before. Sitting that evening, talking it all over, it might have been some festivity that they were discussing, were it not for their crape-laden gowns, and the tears they were still shedding half mechanically, though with no conscious insincerity. "It was kind of the Schuyler Van Vorsts to come up," said Cornelia, wistfully. "I thought they had quite forgotten us--they are such fine people, you know--but they were really very kind, quite as if they took an interest." "I'm glad the cake was so good," said the practical Joanna. "I took special pains with it, for I thought some of them might stay." "It went off very nicely," said Cornelia, tearfully, "very nicely indeed. Mrs. Schuyler Van Vorst spoke of the cream being so good." "She ate a good deal of it, I noticed." "One thing I was sorry for," said Cornelia, reluctantly. "I saw her looking at the furniture. You know poor Mamma never would have anything done to it." The sisters looked mechanically about the familiar room whose deficiencies had never been so glaringly apparent. The Homestead drawing-room had been re-furnished, with strict regard to
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Produced by Annie R. McGuire [Illustration: HARPER'S YOUNG PEOPLE] * * * * * VOL. II.--NO. 97. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR CENTS. Tuesday, September 6, 1881. Copyright, 1881, by HARPER & BROTHERS. $1.50 per Year, in Advance. * * * * * [Illustration: THE SMALL PASSENGER WITH THE LARGE VALISE.] [Begun in No. 92 of HARPER'S YOUNG PEOPLE, August 2] TIM AND TIP; OR, THE ADVENTURES OF A BOY AND A DOG BY JAMES OTIS. CHAPTER VI. TIM MAKES AN ACQUAINTANCE. When Tim left old Mose's kitchen it was nearly time for the steamer to start on her regular trip, and the passengers were coming on board quite fast. The bustle and excitement which always attend the sailing of steamers, even though the trip be a short one, were all so new and strange to Tim that he forgot his own troubles in watching the scene around him. He saw Mr. Rankin near the kitchen, and was told by him that he could remain on deck until the Captain should ring his bell, when he would let him know of it. Therefore Tim had an opportunity to take in all the details of the interesting scene. The deck hands were scurrying to and fro, wheeling in freight or baggage on funny little trucks with very small wheels and very long handles; passengers were running around excitedly, as if they thought they ought to attend to matters which did not concern them; newsboys were crying the latest editions of the papers; old women were trying to sell fruit that did not look very fresh, and everything appeared to be in the greatest confusion. While Tim was leaning on the after-rail of the main-deck, his attention was attracted by a very small boy, who was trying to get himself and a large valise on board at the same time. The valise was several sizes too large for the boy, and some one of the four corners would persist in hitting against his legs each time he stepped, and then, swinging around, would almost throw him off his feet. Twice the boy started to go on board, and each time the valise grew unruly, frightening him from continuing the attempt lest he should be thrown into the water. Then he stood still and gazed longingly at the plank upon which he did not dare to venture. It was a comical sight, and Tim laughed at it until he saw the boy was really in distress, when he started to aid him. "Let me help you carry your valise," he said to the small passenger, as he darted across the narrow plank, and took hold of one side of the offending baggage. "Two can lug it better'n one." The boy looked up as if surprised that a stranger should offer to help him, and then gave up one-half the burden to this welcome aid. This time the journey was made successfully; and as the valise was deposited on the steamer's deck, the little passenger gave a deep sigh of relief. "So much done!" he said, in a satisfied way, as he took off his hat and wiped his forehead with a handkerchief that did not look much larger than a postage stamp. "Where are you goin'?" he then asked, turning to Tim. "Why, I ain't goin' anywhere," replied the Captain's boy, not fully understanding the other's question. "Oh!"--and the boy's face grew troubled--"I thought maybe you was goin' in the boat." "So I am," answered Tim, now understanding the question. "I work here." "Now that's nice;" and the little fellow sat down on his valise contentedly. "You may think so; but if you knew Captain Pratt, you'd talk different." "Why?" "Perhaps you'll find out if you come on this boat much; but I guess I'd better not tell you." The boy was silent for a moment, as if he was trying to understand what Tim meant, and then he said, abruptly: "Look here, I live down on Minchen's Island, an' I come up here to see my aunt. I'm goin' home on this boat, an' I want you to show me where I can get a ticket. If you will, I'll show you lots of things I've got in this valise." "I don't know where it is myself, 'cause I ain't been on the boat only two days; but if
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***The Project Gutenberg Etext of The Diary of Samuel Pepys*** Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need about what they can legally do with the texts. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 As of 12/12/00 contributions are only being solicited from people in: Colorado, Connecticut, Idaho, Indiana, Iowa, Kentucky, Louisiana, Massachusetts, Montana, Nevada, Oklahoma, South Carolina, South Dakota, Texas, Vermont, and Wyoming. As the requirements for other states are met, additions to this list will be made and fund raising will begin in the additional states. Please feel free
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Produced by Donald Lainson A FIRST FAMILY OF TASAJARA By Bret Harte CHAPTER I. "It blows," said Joe Wingate. As if to accent the words of the speaker a heavy gust of wind at that moment shook the long light wooden structure which served as the general store of Sidon settlement, in Contra Costa. Even after it had passed a prolonged whistle came through the keyhole, sides, and openings of the closed glass front doors, that served equally for windows, and filled the canvas ceiling which hid the roof above like a bellying sail. A wave of enthusiastic emotion seemed to be communicated to a line of straw hats and sou-westers suspended from a cross-beam, and swung them with every appearance of festive rejoicing, while a few dusters, overcoats, and "hickory" shirts hanging on the side walls exhibited such marked though idiotic animation that it had the effect of a satirical comment on the lazy, purposeless figures of the four living inmates of the store. Ned Billings momentarily raised his head and shoulders depressed in the back of his wooden armchair, glanced wearily around, said, "You bet, it's no slouch of a storm," and then lapsed again with further extended legs and an added sense of comfort. Here the third figure, which had been leaning listlessly against the shelves, putting aside the arm of a swaying overcoat that seemed to be emptily embracing him, walked slowly from behind the counter to the door, examined its fastenings, and gazed at the prospect. He was the owner of the store, and the view was a familiar one,--a long stretch of treeless waste before him meeting an equal stretch of dreary sky above, and night hovering somewhere between the two. This was indicated by splashes of darker shadow as if washed in with india ink, and a lighter low-lying streak that might have been the horizon, but was not. To the right, on a line with the front door of the store, were several scattered, widely dispersed objects, that, although vague in outline, were rigid enough in angles to suggest sheds or barns, but certainly not trees. "There's a heap more wet to come afore the wind goes down," he said, glancing at the sky. "Hark to that, now!" They listened lazily. There was a faint murmur from the shingles above; then suddenly the whole window was filmed and blurred as if the entire prospect had been wiped out with a damp sponge. The man turned listlessly away. "That's the kind that soaks in; thar won't be much teamin' over Tasajara for the next two weeks, I reckon," said the fourth lounger, who, seated on a high barrel, was nibbling--albeit critically and fastidiously--biscuits and dried apples alternately from open boxes on the counter. "It's lucky you've got in your winter stock, Harkutt." The shrewd eyes of Mr. Harkutt, proprietor, glanced at the occupation of the speaker as if even his foresight might have its possible drawbacks, but he said nothing. "There'll be no show for Sidon until you've got a wagon road from here to the creek," said Billings languidly, from the depths of his chair. "But what's the use o' talkin'? Thar ain't energy enough in all Tasajara to build it. A God-forsaken place, that two months of the year can only be reached by a mail-rider once a week, don't look ez if it was goin' to break its back haulin' in goods and settlers. I tell ye what, gentlemen, it makes me sick!" And apparently it had enfeebled him to the extent of interfering with his aim in that expectoration of disgust against the stove with which he concluded his sentence. "Why don't YOU build it?" asked Wingate, carelessly. "I wouldn't on principle," said Billings. "It
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Produced by Col Choat. HTML version by Al Haines. DOT AND THE KANGAROO by Ethel C. Pedley To the children of Australia in the hope of enlisting their sympathies for the many beautiful, amiable, and frolicsome creatures of their fair land, whose extinction, through ruthless destruction, is being surely accomplished CHAPTER I. Little Dot had lost her way in the bush. She knew it, and was very frightened. She was too frightened in fact to cry, but stood in the middle of a little dry, bare space, looking around her at the scraggy growths of prickly shrubs that had torn her little dress to rags, scratched her bare legs and feet till they bled, and pricked her hands and arms as she had pushed madly through the bushes, for hours, seeking her home. Sometimes she looked up to the sky. But little of it could be seen because of the great tall trees that seemed to her to be trying to reach heaven with their far-off crooked branches. She could see little patches of blue sky between the tangled tufts of her way in the and was very drooping leaves, and, as the dazzling sunlight had faded, she began to think it was getting late, and that very soon it would be night. The thought of being lost and alone in the wild bush at night, took her breath away with fear, and made her tired little legs tremble under her. She gave up all hope of finding her home, and sat down at the foot of the biggest blackbutt tree, with her face buried in her hands and knees, and thought of all that had happened, and what might happen yet. It seemed such a long, long time since her mother had told her that she might gather some bush flowers while she cooked the dinner, and Dot recollected how she was bid not to go out of sight of the cottage. How she wished now she had remembered this sooner! But whilst she was picking the pretty flowers, a hare suddenly started at her feet and sprang away into the bush, and she had run after it. When she found that she could not catch the hare, she discovered that she could no longer see the cottage. After wandering for a while she got frightened and ran, and ran, little knowing that she was going further away from her home at every step. Where she was sitting under the blackbutt tree, she was miles away from her father's selection, and it would be very difficult for anyone to find her. She felt that she was a long way off, and she began to think of what was happening at home. She remembered how, not very long ago, a neighbour's little boy had been lost, and how his mother had come to their cottage for help to find him, and that her father had ridden off on the big bay horse to bring men from all the selections around to help in the search. She remembered their coming back in the darkness; numbers of strange men she had never seen before. Old men, young men, and boys, all on their rough-coated horses, and how they came indoors, and what a noise they made all talking together in their big deep voices. They looked terrible men, so tall and brown and fierce, with their rough bristly beards; and they all spoke in such funny tones to her, as if they were trying to make their voices small. During many days, these men came and went, and every time they were more sad, and less noisy. The little boy's mother used to come and stay, crying, whilst the men were searching the bush for her little son. Then, one evening, Dot's father came home alone, and both her mother and the little boy's mother went away in a great hurry. Then, very late, her mother came back crying, and her father sat smoking by the fire looking very sad, and she never saw that little boy again, although he had been found. She wondered now if all these rough, big men were riding into the bush to find her, and if, after many days, they would find her, and no one ever see her again. She seemed to see her mother crying, and her father very sad, and all the men very solemn. These thoughts made her so miserable that she began to cry herself. Dot does not know how long she was sobbing in loneliness and fear, with her head on her knees, and with her little hands covering her eyes so as not to see the cruel wild bush in which she was lost. It seemed a long time before she summoned up courage to uncover her weeping eyes, and look once
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) PROOF OF AUTHENTICITY. This is to certify that I, the undersigned, am personally acquainted with Samuel S. Hildebrand (better known as “Sam Hildebrand, the Missouri Bushwhacker,” etc.,) and have known him from boyhood; that during the war, and on several occasions since its termination, he promised to give me a full and complete history of his whole war record; that on the night of January 28th, 1870, he came to my house at Big River Mills, in St. Francois county, Missouri, in company with Charles Burks, and gave his consent that I and Charles Burks, in conjunction, might have his confession whenever we were prepared to meet him at a certain place for that purpose; that in the latter part of March, 1870, in the presence of Sam Hildebrand alone, I did write out his confession as he gave it to me, then and there, until the same was completed; and that afterwards James W. Evans and myself, from the material I thus obtained, compiled and completed the said confession, which is now presented to the public as his Autobiography. A. WENDELL KEITH, M. D. * * * * * STATE OF MISSOURI, } COUNTY OF STE. GENEVIEVE. } On this, 14th day of June, 1870, before me, Henry Herter, a Notary Public within and for said county, personally appeared W. H. Couzens, J. N. Burks and G. W. Murphy of the above county and State, and on being duly sworn they stated that they were well acquainted with Charles Burks of the aforesaid county, and A. Wendell Keith, M. D., of St. Francois county, Missouri, and to their certain knowledge the facts set forth in the foregoing certificate are true and correct, and that Samuel S. Hildebrand also acknowledged to them afterwards that he had made to them his complete confession. WM. H. COUZENS, MAJOR C. S. A., J. N. BURKS, G. W. MURPHY. Subscribed and sworn to before me, this 14th day of June, 1870. HENRY HERTER, _Notary Public_. * * * * * The Statement made by A. Wendell Keith, M. D., is entitled to credit from the fact of his well-known veracity and standing in society. HON. ELLIS G. EVANS, Senator, Rolla District. HON. E. C. SEBASTIAN, Representative, St. Francois county. HON. MILTON P. CAYCE, Farmington, Missouri. FRANKLIN MURPHY, Sheriff St. Francois county. WILLIAM R. TAYLOR, Clerk St. Francois county. HON. JOSEPH BOGY, Representative Ste. Genevieve county. CHARLES ROZIER, Clerk Ste. Genevieve county. * * * * * EXECUTIVE OFFICE, JEFFERSON CITY, MO.,} June 22, 1870. } I hereby certify that the persons whose official signatures appear above have been commissioned for the offices indicated; and my personal acquaintance with Dr. Keith, Honorables Evans, Sebastian, Cayce, Bogy and Sheriff Murphy is such that I say without hesitation their statements are entitled to full faith and credit. J. W. McCLURG, _Governor of Missouri_. [Illustration: HILDEBRAND DRIVEN FROM HOME.] AUTOBIOGRAPHY OF SAMUEL S. HILDEBRAND, THE RENOWNED MISSOURI “BUSHWHACKER” AND UNCONQUERABLE ROB ROY OF AMERICA; BEING HIS COMPLETE CONFESSION RECENTLY MADE TO THE WRITERS, AND CAREFULLY COMPILED BY JAMES W. EVANS AND A. WENDELL KEITH, M. D., OF ST. FRANCOIS COUNTY, MO.; TOGETHER WITH ALL THE FACTS CONNECTED WITH HIS EARLY HISTORY. JEFFERSON CITY, MO.: STATE TIMES BOOK AND JOB PRINTING HOUSE, MADISON STREET. 1870. LIST OF ILLUSTRATIONS. SAM HILDEBRAND DRIVEN FROM HOME _Frontispiece._ FRANK HILDEBRAND HUNG BY THE MOB 45 SAM HILDEBRAND KILLING MCILVAINE 61 THE MURDER OF WASH. HILDEBRAND AND LANDUSKY 69 STAMPEDE OF FEDERAL SOLDIERS 139 SAM HILDEBRAND BETRAYED BY COOTS 179 SAM HILDEBRAND‘S LAST BATTLE 297 COL. BOWEN CAPTURES HILDEBRAND‘S CAVE 303 Entered according to act of Congress in the year 1870, by JAMES W. EVANS and A. WENDELL KEITH, M. D., in the Clerk‘s Office of the District Court of the United States for the Eastern District of Missouri. CONTENTS. CHAPTER I. Introduction.—Yankee fiction.—Reasons for making a full confession. 25 CHAPTER II. Early history of the Hildebrand family.—Their settlement in St. Francois county, Mo.—Sam Hildebrand born.—Troublesome neighbors.—Union sentiments. 29 CHAPTER III. Determination to take no part in the war.—Mr. Ringer killed by Rebels.—The cunning device of Allen Roan.—Vigilance Committee organized.—The baseness of Mobocracy.—Attacked by the mob.—Escape to Flat Woods. 35 CHAPTER IV. McIlvaine‘s Vigilance mob.—Treachery of Castleman.—Frank Hildebrand hung by the mob.—Organization of the mob into a Militia company. 42 CHAPTER V. His house at Flat Woods attacked by eighty soldiers.—Miraculous escape.—Capt. Bolin.—Flight to Green county, Arkansas. 48 CHAPTER VI. Interview with Gen. Jeff Thompson.—Receives a Major‘s Commission.—Interview with Capt. Bolin.—Joins the Bushwhacking Department. 54 CHAPTER VII. First trip to Missouri.—Killed George Cornecious for reporting him.—Killed Firman McIlvaine, captain of the mob.—Attempt to kill McGahan and House.—Return to Arkansas. 58 CHAPTER VIII. Vigilance mob drives his mother from home.—Three companies of troops sent to Big river.—Capt. Flanche murders Washington Hildebrand and Landusky.—Capt. Esroger murders John Roan.—Capt. Adolph burns the Hildebrand homestead and murders Henry Hildebrand. 66 CHAPTER IX. Trip with Burlap and Cato.—Killed a spy near Bloomfield.—Visits his mother on Dry Creek.—Interview with his uncle.—Sees the burning of the homestead at a distance. 75 CHAPTER X. Trip with two men.—Killed Stokes for informing on him.—Secreted in a cave on Big river.—Vows of vengeance.—Watched for McGahan.—Tom Haile pleads for Franklin Murphy.—Tongue-lashed and whipped out by a woman. 84 CHAPTER XI. Trip to Missouri with three men.—Fight near Fredericktown.—Killed four soldiers.—Went to their camp and stole four horses.—Flight toward the South.—Robbed “Old Crusty”. 91 CHAPTER XII. Trip with three men.—Captured a spy and shot him.—Shot Mr. Scaggs.—Charged a Federal camp at night and killed nine men.—Came near shooting James Craig.—Robbed Bean‘s store and returned to Arkansas. 96 CHAPTER XIII. The Militia mob robs the Hildebrand estate.—Trip to Missouri with ten men.—Attacks a government train with an escort of twenty men.—Killed two and put the others to flight. 102 CHAPTER XIV. Federal cruelty.—A defense of Bushwhacking.—Trip with Capt. Bolin and nine men.—Fight at West Prairie.—Started with two men to St. Francois county.—Killed a Federal soldier.—Killed Addison Cunningham.—Capt. Walker kills Capt. Barnes, and Hildebrand kills Capt. Walker. 106 CHAPTER XV. Started alone to Missouri.—Rode off a bluff and killed his horse.—Fell in with twenty-five Rebels under Lieut. Childs.—Went with them.—Attacked 150 Federals at Bollinger‘s Mill.— Henry Resinger killed.—William Cato.—Went back to Fredericktown.—Killed one man.—Robbed Abright‘s store. 114 CHAPTER XVI. Started to Bloomfield with three men.—Fight at St. Francis river.—Goes from there alone.—Meets his wife and family, who had been ordered off from Bloomfield.—Capture and release of Mrs. Hildebrand.—Fight in Stoddard county.—Arrival in Arkansas. 121 CHAPTER XVII. Put in a crop.—Took another trip to Missouri with six men.—Surrounded in a tobacco barn.—Killed two men in making his escape.—Killed Wammack for informing on him.—Captured some Federals and released them on certain conditions.—Went to Big River Mills.—Robbed Highley‘s and Bean‘s stores. 128 CHAPTER XVIII. Selected seven men and went to <DW64> Wool Swamp.—Attacked fifteen Federals—A running fight.—Killed three men.—Killed Mr. Crane.—Betrayed by a Dutchman, and surrounded in a house by Federals.—Escaped, killed eight Federals, recaptured the horses, and hung the Dutchman. 136 CHAPTER XIX. Went with eight men.—Attacked a Federal camp near Bollinger‘s Mill.—Got defeated.—Men returned to Arkansas.—Went alone to St. Francois county.—Watched for R. M. Cole.—Killed Capt. Hicks. 147 CHAPTER XX. Trip to Hamburg with fifteen men.—Hung a Dutchman and shot another.—Attacked some Federals in Hamburg but got gloriously whipped.—Retreated to <DW53> Island.—Killed Oller at Flat Woods.—Robbed Bean‘s store at Irondale. 153 CHAPTER XXI. Started with six men on a trip to Springfield, Missouri.—Deceived by a Federal spy in the Irish Wilderness—Captured through mistake by Rebels.—Routed on Panther creek.—Returned home on foot. 159 CHAPTER XXII. Started with four men.—Surrounded in a thicket near Fredericktown.—Escaped with the loss of three horses.—Stole horses from the Federals at night.—Killed two soldiers.—Suffered from hunger.—Killed Fowler.—Took a horse from G. W. Murphy.—Went to Mingo Swamp.—Killed Coots for betraying him.—Killed a Federal and lost two men. 168 CHAPTER XXIII. Went to Mingo Swamp with ten men.—Went to Castor creek.—Attacked two companies of Federals under Capt. Cawhorn and Capt. Rhoder.—Bushwhacked them seven nights.—Went with Capt. Reed‘s men.—Attacked Capt. Leeper‘s company.—Killed fourteen, captured forty horses, forty-four guns, sixty pistols, and everything else they had. 182 CHAPTER XXIV. Took a trip with fifteen men.—Captured a squad of Federals.—Reception of “Uncle Bill.”—Hung all the prisoners.—Captured five more and hung one. 187 CHAPTER XXV. Put in a crop.—Started to Missouri with nine men.—Killed a soldier near Dallas.—Went to St. Francois county and watched for Walls and Baker.—Watched near Big River Mills for McGahan.—Narrow escape of William Sharp.—Robbed Burges, Hughes and Kelley of their horses.—Robbed Abright‘s store.—Captured some Federals on White Water. 195 CHAPTER XXVI. Started to St. Francois county, Missouri, with eight men.—Hung Vogus and Zimmer.—Hung George Hart.—Robbed Lepp‘s store.—Concealed in Pike Run hills.—Started back.—Hung Mr. Mett‘s <DW64>, “Old Isaac.”—Hung another <DW64>.—Took two deserters back and hung them. 205 CHAPTER XXVII. Started with nine men to St. Francois county.—Stopped in Pike Run hills.—Robbed the store of Christopher Lepp.—Hung Mr. Kinder‘s <DW64>.—Attacked by Federals.—Killed two men and lost one.—Shot two soldiers on a furlough.—Enters a mysterious camp. 212 CHAPTER XXVIII. Capt. John and a company of Federals destroy the Bushwhackers‘ Headquarters in Green county, Arkansas.—He is bushwhacked, routed and killed.—Raid into Washington county with fourteen men.—Attacked by twenty Federals.—Killed the man who piloted Capt. John. 219 CHAPTER XXIX. Took a raid into Missouri with four men.—Killed a Federal.—Killed two of Capt. Milks‘ men.—Started to De Soto.—Routed by the Federals.—Adventure with a German.—Killed three Federals on Black river. 228 CHAPTER XXX. Commanded the advance guard on Price‘s raid.—The Federals burn Doniphan.—Routed the Federals completely.—Captured several at Patterson.—Killed Abright at Farmington.—Left Price‘s army.—Killed four Federals.—Major Montgomery storms Big River Mills.—Narrow escape from capture. 237 CHAPTER XXXI. Selected three men and went to Missouri to avenge the death of Rev. William Polk.—Got ammunition in Fredericktown.—Killed the German who informed on Polk.—Return to Arkansas. 244 CHAPTER XXXII. Started with eight men on a trip to Arkansas river.—Hung a “Scallawag” on White river.—Went into Conway county.—Treachery of a <DW64> on Point Remove.—“Foot-burning” atrocities.—Started back and hung a renegade. 250 CHAPTER XXXIII. Gloomy prospects for the South.—Takes a trip to Missouri with four men.—Saved from capture by a woman.—Visits his mother on Big river.—Robs the store of J. V. Tyler at Big River Mills—Escapes to Arkansas. 257 CHAPTER XXXIV. Started to Missouri with three men.—Surrounded at night near Fredericktown.—Narrow escape by a cunning device.—Retired to Simms‘ Mountain.—Swapped horses with Robert Hill, and captured some more.—Killed Free Jim and kidnapped a <DW64> boy. 264 CHAPTER XXXV. Trip to Missouri with four men.—Attempt to rob Taylor‘s store.—Fight with Lieut. Brown and his soldiers.—Killed Miller and Johnson at Flat Woods.—Return home from his last raid.—The war is pronounced to be at an end.—Reflections on the termination of the war.—Mrs. Hildebrand‘s advice.—The parole at Jacksonport. 275 CHAPTER XXXVI. Imprisoned in Jacksonport jail.—Mrs. Hildebrand returns to Missouri.—Escape from prison.—Final settlement in Ste. Genevieve county.—St. Louis detectives make their first trip.—The Governor‘s reward.—Wounded by Peterson.—Removed to his uncle‘s.—Fight at John Williams‘.—Kills James McLaine.—Hides in a cave. 286 CHAPTER XXXVII. Military operations for his capture.—Col. Bowen captures the Cave.—Progress of the campaign.—Advent of Governor McClurg.—The Militia called out.—Don Quixote affair at the Brick Church.—The campaign ended.—Mrs. Hildebrand escapes to Illinois.—“Sam” leaves Missouri.—His final proclamation. 300 PREFACE. The public having been grossly imposed upon by several spurious productions purporting to be the “Life of Sam Hildebrand,” we have no apology to offer for presenting the reader with his authentic narrative. His confession was faithfully written down from his own lips, as the foregoing certificates abundantly prove. From this copious manuscript we have prepared his autobiography for the press, with a scrupulous care to give it literally, so far as the arbitrary rules of language would permit. Sam Hildebrand and the authors of this work were raised up from boyhood together, in the same neighborhood, and we are confident that no material facts have been suppressed by Hildebrand in his confession. The whole narrative is given to the reader without any effort upon our part either to justify or condemn his acts. Our design was to give the genuine autobiography of Sam Hildebrand; this we have done. The book, as a record of bloody deeds, dare-devil exploits and thrilling adventures, will have no rival in the catalogue of wonders; for it at once unfolds, with minute accuracy, the exploits of Hildebrand, of which one-half had never yet been told. Without this record the world would forever remain in ignorance of the _night history_ of his astounding audacity. We here tender our thanks to those of our friends who have kindly assisted us in this work, prominent among whom is Miss Hilda F. Sharp, of Jefferson City, Mo., who furnished us with those beautiful pencil sketches from which our engravings were made. JAMES W. EVANS, A. WENDELL KEITH, M. D. BIG RIVER MILLS, MO., June, 1870. INTRODUCTION. THE ORIGIN AND HISTORY OF THE HILDEBRAND FAMILY. Before proceeding with the Autobiography of Samuel S. Hildebrand, we would call the attention of the reader to the fact, that since notoriety has been thrust upon the subject of these memoirs, public attention has been pointed to the fact, that in German history, the Hildebrands occupy a very prominent position. The authors of this work, by a diligent research into ancient German literature, have been able to trace the origin and history of the Hildebrand family, with tolerable accuracy, to the beginning of the ninth century. The name Hildebrand or Hildebrandt is as old as the German language. Hilde, in ancient German, signified a “Hero,” and brand, a “blaze or flame.” It is thought by some writers that the name doubtless signified a “flaming hero.” Whether this is the case or not, it matters but little, as the fact remains clearly defined that the first man of that name known to history was a hero in every sense of the word. The “Heldenbuch” or Book of Heroes, in its original form, dates back to the eighth century. It is a beautiful collection of poems relative to Dietrich or Theodoric. It was written down from memory by the Hessian monks on the outer pages of an old Latin manuscript, and was first published by Eccard in prose, but it was afterwards discovered that the songs were originally in rhyme. The poem treats of the expulsion of Dietrich of Vaum out of his dominions by Ermenrick, his escape to Attila and his return after an adventurous exile of thirty years. Hildebrand (the old Dietrich) encounters his son, whom he left at home in his flight, in a terrible encounter without knowing who he was. We will present the reader with Das Hildebrands lied (The song of Hildebrand), not on account of any literary merit it may possess, but because of its great antiquity and its popularity among the German people at one time, and by whom it was dramatized. The Song of Hildebrand. “I must be up and riding,” spoke Master Hildebrand, “’Tis long since I have greeted the distant Berner land; For many a pleasant summer in foreign lands we‘ve been, But thirty years have vanished since I my wife have seen.” “Wilt thou be up and riding?” outspoke Duke Amelung; “Beware! since _one_ should meet thee—a rider brave and young. Right by the Berner market—the brave Sir Alebrand; If twelve men‘s strength were in thee, he‘d throw thee to the sand!” “And doth he scorn the country in such a haughty mood? I‘ll cleave in twain his buckler—‘twill do him little good; I‘ll cleave in twain his armor with a resistless blow, Which for a long year after shall cause his mother woe.” Outspoke of Bern, Sir Dietrich, “now let that counsel be, And slay him not, old hero, but take advice from me: Speak gently to the Ritter, a kind word soonest mends; And let your path be peaceful, so shall ye both be friends!” And as he reached the garden, right by the mart of Berne; There came against him riding, a warrior fierce and stern. A brave young knight in armor, against Sir Hildebrand; “What seekest thou, old Ritter, in this, thy father‘s land?” “Thou bearest splendid armor, like one of royal kind; So bright thy glit‘ering corselet, mine eyes are stricken blind; Thou, who at home should‘st rest thee, and shun a warrior‘s stroke, And slumber by the fireside,” the old man laughed and spoke. “Should _I_ at firesides rest me, and nurse me well at home, Full many a fight awaits me, to many a field I‘ll come. In many a rattling foray, shall I be known and feared; Believe my word, thou youngster, ’twas thus I blanched my beard.” “That beard will I tear from thee, though great may be thy pain. Until the blood-drops trickling, have sprinkled all the plain; Thy fair green shield and armor, must thou resign to me, Than seek the town, contented my prisoner to be. “My armor and my fair green shield have warded many a blow; I trust that God in Heaven still will guard me from my foe.” No more they spoke together, but grasped their weapons keen, And what the two most longed for, soon came to pass, I ween! With glittering sword, the younger struck such a sudden blow, That with its force the warrior, Sir Hildebrand, bent low; The youth in haste recoiling, sprang twelve good steps behind, “Such leaps,” exclaimed the gray-beard, “were learned of womankind.” “Had I learned ought of woman, it were to me a shame, Within my father‘s castle are many knights of fame; Full many knights and riders about my father throng, And what as yet, I know not, I trust to learn ere long.” Sir Hildebrand was cunning, the old gray bearded man, For when the youth uplifted, beneath his sword he ran; Around the Ritter‘s girdle his arms he tightly bound, And on the ground he cast him—there lies he on the ground! “Who rubs against the kittles, may spotless keep who can— How fares it now, young hero, against the _old gray man_? Now quickly speak and shrive thee, for I thy priest will be; Say, art thou a young Wolfing? perhaps I‘ll let thee free.” “Like wolves are all the Wolfing, they ran wild in the wood, But I‘m a Grecian warrior, a rider brave and good; Frau Ute is my mother, she dwelleth near this spot, And _Hildebrand_, my father, albeit he knows us not!” “Is Ute then thy mother, that monarch‘s daughter free? Seekest thou thy father, Hildebrand? then know that _I_ am he!” Uplifted he his golden helm, and kissed him on the mouth; Now God be praised that both are safe! the old man and the youth. “Oh, father dear, those bloody wounds!” ’twas thus the young knight said: “Now would I three times rather bear those blows upon my head.” “Be still, be still, my own dear son! the wounds will soon be past; And God in Heaven above be praised, that we have met at last!” This lasted from the noonday well to the vesper tide, Then back into the city Sir Alebrand did ride. What bears he on his helmet? a little cross of gold; Who is he that rides beside him? his own dear father old. And with him to his castle, old Hildebrand he bore, And with his own hands served him—the mother grieved full sore— “Ah, son, my ever dearest son, the cause I fain would know, Why a strange prisoner, like this, should e‘er be honored so?” “Now, silence, dearest mother, and list to what I say! He almost slew me on the heath in open light to-day; He ne‘er shall wear, good mother, a prisoner‘s attire, ‘Tis Hildebrand, the valient, thy husband and my sire! Oh, mother, dearest mother, do him all honor now;” Then flew she to her husband, and served him well, I trow; What holds the brave old father? a glittering ring of gold; He drops it in the wine cup—it is her husband old! We congratulate our readers on having survived the reading of the above poem, written a thousand years ago, about old Dietrich, the “father Abraham” of all the Hildebrands; but he must not forget that he is subject to a relapse, for here are two verses not taken from the “Book of Heroes,” but from an old popular song in use to this day among the peasantry in South Germany: Hildebrand and his son Hudebrand. Hildebrand and his son Hudebrand—Alebrand, Rode off together with sword in hand—sword in hand— To make fierce war on Venice; Hildebrand and his son Hudebrand—Alebrand, Never could find the Venetian land—‘netian land. With flaming swords to menace! Hildebrand and his son Hudebrand—Alebrand, Got drunk as pigs with a jolly band—jolly band, All the while swearing and bawling; Hildebrand and his son Hudebrand—Alebrand, Drank till they could neither walk nor stand—walk nor stand, Home on all fours they went a crawling. The reader will perceive that the peasantry are disposed to “poke fun” at the great ancestor of the Hildebrand family; this, however, we will
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Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net THE LADY OF THE FOREST. A STORY FOR GIRLS. By L. T. MEADE Author of "The Little Princess of Tower Hill," "A Sweet Girl Graduate," "The Palace Beautiful," "Polly," "A World of Girls," etc., etc. "Tyde what may betyde, Lovel shall dwell at Avonsyde."
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Produced by Bryan Ness, Iris Schimandle, Brownfox and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's Note: ae character replaced with ae. Accents have been removed. The degree symbol has been replaced with ^o. The times symbol has been replaced with lowercase x. The symbol mu/micro has been replaced with lowercase u. [Illustration: Some early medical entomology. Athanasius Kircher's illustration of the Italian tarantula and the music prescribed as an antidote for the poison of its bite. (1643).] HANDBOOK OF MEDICAL ENTOMOLOGY WM. A. RILEY, PH.D. Professor of Insect Morphology and Parasitology, Cornell University and O. A. JOHANNSEN, PH.D. Professor of Biology, Cornell University [Illustration] ITHACA, NEW YORK THE COMSTOCK PUBLISHING COMPANY 1915 COPYRIGHT, 1915 BY THE COMSTOCK PUBLISHING COMPANY, ITHACA, N. Y. Press of W. F. Humphrey Geneva, N. Y. PREFACE The Handbook of Medical Entomology is the outgrowth of a course of lectures along the lines of insect transmission and dissemination of diseases of man given by the senior author in the Department of Entomology of Cornell University during the past six years. More specifically it is an illustrated revision and elaboration of his "Notes on the Relation of Insects to Disease" published January, 1912. Its object is to afford a general survey of the field, and primarily to put the student of medicine and entomology in touch with the discoveries and theories which underlie some of the most important modern work in preventive medicine. At the same time the older phases of the subject--the consideration of poisonous and parasitic forms--have not been ignored. Considering the rapid shifts in viewpoint, and the development of the subject within recent years, the authors do not indulge in any hopes that the present text will exactly meet the needs of every one specializing in the field,--still less do they regard it as complete or final. The fact that the enormous literature of isolated articles is to be found principally in foreign periodicals and is therefore difficult of access to many American workers, has led the authors to hope that a summary of the important advances, in the form of a reference book may not prove unwelcome to physicians, sanitarians and working entomologists, and to teachers as a text supplementing lecture work in the subject. Lengthy as is the bibliography, it covers but a very small fraction of the important contributions to the subject. It will serve only to put those interested in touch with original sources and to open up the field. Of the more general works, special acknowledgment should be made to those of Banks, Brumpt, Castellani and Chalmers, Comstock, Hewitt, Howard, Manson, Mense, Neveau-Lemaire, Nuttall, and Stiles. To the many who have aided the authors in the years past, by suggestions and by sending specimens and other materials, sincerest thanks is tendered. This is especially due to their colleagues in the Department of Entomology of Cornell University, and to Professor Charles W. Howard, Dr. John Uri Lloyd, Mr. A. H. Ritchie, Dr. I. M. Unger, and Dr. Luzerne Coville. They wish to express indebtedness to the authors and publishers who have so willingly given permission to use certain illustrations. Especially is this acknowledgment due to Professor John Henry Comstock, Dr. L. O. Howard, Dr. Graham-Smith, and Professor G. H. T. Nuttall. Professor Comstock not only authorized the use of departmental negatives by the late Professor M. V. Slingerland (credited as M. V. S.), but generously put at their disposal the illustrations from the MANUAL FOR THE STUDY OF INSECTS and from the SPIDER BOOK. Figures 5 and 111 are from Peter's "Der Arzt und die Heilkunst in der deutschen Vergangenheit." It should be noted that on examining the original, it is found that Gottfried's figure relates to an event antedating the typical epidemic of dancing mania. WM. A. RILEY. O. A. JOHANNSEN
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Produced by Geoff Palmer A MINSTREL IN FRANCE BY HARRY LAUDER [ILLUSTRATION: _frontispiece_ Harry Lauder and his son, Captain John Lauder. (see Lauder01.jpg)] TO THE MEMORY OF MY BELOVED SON CAPTAIN JOHN LAUDER First 8th, Argyle and Sutherland Highlanders Killed in France, December 28, 1916 Oh, there's sometimes I am lonely And I'm weary a' the day To see the face and clasp the hand Of him who is away. The only one God gave me, My one and only joy, My life and love were centered on My one and only boy. I saw him in his infant days Grow up from year to year, That he would some day be a man I never had a fear. His mother watched his every step, 'Twas our united joy To think that he might be one day My one and only boy. When war broke out he buckled on His sword, and said, "Good-bye. For I must do my duty, Dad; Tell Mother not to cry, Tell her that I'll come back again." What happiness and joy! But no, he died for Liberty, My one and only boy. The days are long, the nights are drear, The anguish breaks my heart, But oh! I'm proud my one and only Laddie played his part. For God knows best, His will be done, His grace does me employ. I do believe I'll meet again My one and only boy. by Harry Lauder LIST OF ILLUSTRATIONS Harry Lauder and His Son, Captain John Lauder "I did not stop at sending out my recruiting band. I went out myself" "'Carry On!' were the last words of my boy, Captain John Lauder, to his men, but he would mean them for me, too" "Bang! Went Sixpence" "Harry Lauder preserves the bonnet of his son, brought to him from where the lad fell, 'The memory of his boy, it is almost his religion.'--A tatter of plaid of the Black Watch. on a wire of a German entanglement barely suggests the hell the Scotch troops have gone through" "Captain John Lauder and Comrades Before the Trenches in France" "Make us laugh again, Harry!' Though I remember my son and want to join the ranks, I have obeyed" "Harry Lauder, 'Laird of Dunoon.'" --Medal struck off by Germany when _Lusitania_ was sunk" CHAPTER I Yon days! Yon palmy, peaceful days! I go back to them, and they are as a dream. I go back to them again and again, and live them over. Yon days of another age, the age of peace, when no man dared even to dream of such times as have come upon us. It was in November of 1913, and I was setting forth upon a great journey, that was to take me to the other side of the world before I came back again to my wee hoose amang the heather at Dunoon. My wife was going with me, and my brother-in-law, Tom Valiance, for they go everywhere with me. But my son John was coming with us only to Glasgow, and then, when we set out for Liverpool and the steamer that was to bring us to America he was to go back to Cambridge. He was near done there, the bonnie laddie. He had taken his degree as Bachelor of Arts, and was to set out soon upon a trip around the world. Was that no a fine plan I had made for my son? That great voyage he was to have, to see the world and all its peoples! It was proud I was that I could give it to him. He was--but it may be I'll tell you more of John later in this book! My pen runs awa' with me, and my tongue, too, when I think of my boy John. We came to the pier at Dunoon, and there she lay, the little ferry steamer, the black smoke curling from her stack straight up to God. Ah, the braw day it was! There was a frosty sheen upon the heather, and the Clyde was calm as glass. The tops of the hills were coated with snow, and they stood out against the horizon like great big sugar loaves. We were a' happy that day! There was a crowd to see us off. They had come to bid me farewell and godspeed, all my friends and my relations, and I went among them, shaking them by the hand and thinking of the long whiles before I'd be seeing them again. And then all my goodbys were said, and we went aboard, and my voyage had begun. I looked back at the hills and the heather, and I thought of all I was to do and see before I saw those hills again. I was going half way round the world and back again. I was going to wonderful places to see wonderful things and curious faces. But oftenest the thought came to me, as I looked at my son, that him I would see again before I saw the heather and the hills and all the friends and the relations I was leaving behind me. For on his trip around the world he was to meet us in Australia! It was easier to leave him, easier to set out, knowing that, thinking of that! Wonderful places I went to, surely. And wonderful things I saw and heard. But the most wonderful thing of all that I was to see or hear upon that voyage I did not dream of nor foresee. How was a mortal man to foresee? How was he to dream of it? Could I guess that the very next time I set out from Dunoon pier the peaceful Clyde would be dotted with patrol boats, dashing hither and thither! Could I guess that everywhere there would be boys in khaki, and women weeping, and that my boy, John----! Ah, but I'll not tell you of that now. Peaceful the Clyde had been, and peaceful was the Mersey when we sailed from Liverpool for New York. I look back on yon voyage--the last I took that way in days of peace. Next time! Destroyers to guard us from the Hun and his submarines, and to lay us a safe course through the mines. And sailor boys, about their guns, watching, sweeping the sea every minute for the flash of a sneaking pirate's periscope showing for a second above a wave! But then! It was a quiet trip, with none but the ups and doons of every Atlantic crossing--more ups than doons, I'm telling you! I was glad to be in America again, glad to see once more the friends I'd made. They turned out to meet me and to greet me in New York, and as I travelled across the continent to San Francisco it was the same. Everywhere I had friends; everywhere they came crowding to shake me by the hand with a "How are you the day, Harry?" It was a long trip, but it was a happy one. How long ago it seems now, as I write, in this new day of war! How far away are all the common, kindly things that then I did not notice, and that now I would give the world and a' to have back again! Then, everywhere I went, they pressed their dainties upon me whenever I sat down for a sup and a bite. The board groaned with plenty. I was in a rich country, a country where there was enough for all, and to spare. And now, as I am writing I am travelling again across America. And there is not enough. When I
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Produced by Robert Connal, Linda Cantoni, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliotheque nationale de France (BnF/Gallica) [Transcriber's Note: This book was published in 1800 and contains some inconsistent spelling, capitalization, hyphenation, and punctuation typical of that era. These have been retained as they appear in the original, including the inconsistent use of a period after the pound symbol (e.g., L.100 and L100). Inconsistent italicizing of _l._, _s._, and _d._ has been normalized to italics. Long-s has been normalized to s. The pointing hand symbol has been rendered as [-->]. Printer errors have been resolved with reference to a later and apparently corrected printing of the same edition, available at the Internet Archive, http://www.archive.org/details/atreatiseonpoli03colqgoog. Unresolved printer errors have been noted with a [Transcriber's Note].] A TREATISE ON THE POLICE OF THE METROPOLIS; CONTAINING A DETAIL OF THE VARIOUS CRIMES AND MISDEMEANORS _By which Public and Private Property and Security are, at present, injured and endangered:_ AND SUGGESTING REMEDIES FOR THEIR PREVENTION. THE SIXTH EDITION, CORRECTED AND CONSIDERABLY ENLARGED. BY P. COLQUHOUN, LL.D. _Acting as a Magistrate for the Counties of Middlesex, Surry, Kent, and Essex.--For the City and Liberty of Westminster, and for the Liberty of the Tower of London._ Meminerint legum conditores, illas ad proximum hunc finem accommodare; Scelera videlicet arcenda, refraenandaque vitia ac morum pravitatem. Judices pariter leges illas cum vigore, aequitate, integritate, publicaeque utilitatis amore curent exequi; ut justitia etvirtus omnes societatis ordines pervadant. Industriaque simul et Temperantia inertiae locum assumant et prodigalitatis. _LONDON:_ PRINTED BY H. BALDWIN AND SON, NEW BRIDGE-STREET, BLACKFRIARS; FOR JOSEPH MAWMAN, IN THE POULTRY, SUCCESSOR TO MR. DILLY. M.DCCC. TO THE SOVEREIGN, _Who has graciously condescended to approve of the Author's Efforts "To establish a System of Morality and good Order in The Metropolis:"_ AND TO HIS PEOPLE; _In every Part of the British Dominions; whose favourable Reception of these Labours, for the Good of their Country, has contributed, in a considerable degree, to the Progress which has been already made, towards the Adoption of the Remedies proposed for the Prevention of Crimes, the Comfort of Society, and the Security of the Peaceful Subject:_ This Improved and Enlarged Edition of THE TREATISE ON THE POLICE OF THE METROPOLIS, _is humbly_ _and respectfully_ DEDICATED. LONDON, Jan. 1, 1800. ADVERTISEMENT. Occupied in a variety of laborious pursuits, which afford little time either for study or recreation, the Author once more presents this Work to the Public with an unfeigned Diffidence, arising from his consciousness, that under such circumstances it must require their indulgence. This, he trusts, will be granted when it is considered, that his employments are of a nature unfriendly to that critical accuracy and precision, the necessity of which is impressed on his mind, not less by a sense of his own personal character, than of his obligations to the long-experienced candour and liberality of his readers. In the present Edition much new matter has been brought forward, and considerable improvements have been attempted by the introduction of official facts, and authentic details calculated to elucidate and explain the general system first placed by the Author under the review of the Public. Their extensive approbation (although his only reward) is of a nature which can never be too highly estimated. That approbation has not only been confirmed by many of the first and most respectable characters in these kingdoms, not less conspicuous for talents and abilities than for that genuine patriotism which distinguishes the good subject, and the valuable member of Society; but also by several Foreigners eminent for learning and virtue. While we deplore the miserable condition of those numerous delinquents who have unfortunately multiplied with the same rapidity that the great wealth of the Metropolis has increased: while their errors and their crimes are exposed only for the purpose of amendment: while the tear of pity is due to their forlorn state, a prospect happily opens through the medium of _the Report of the_ SELECT COMMITTEE _of the_ HOUSE _of_ COMMONS, for the adoption of those remedies which will unquestionably give a seasonable check to immorality and delinquency; so as by their prevention not only to protect the rights of innocence, but also increase the number of the useful members of the community, and render punishments less frequent and necessary. To witness the ultimate completion of legislative arrangements, operating so favourably to the immediate advantage and security of the Metropolis, and extending also similar benefits to the country at large, will prove to the Author of this Work a very great and genuine source of happiness. To the Public, therefore, in general, and to the Legislature in particular, does he look forward with confidence for that singular gratification which, by giving effect to his well-meant endeavours for the prevention of Crimes, will ultimately crown with success the exertions he has used in the course of a very intricate and laborious investigation, in which his only object has been the good of his country. LONDON, _1st January_, 1800. PREFACE. Police in this Country may be considered as a _new Science_; the properties of which consist not in the Judicial Powers which lead to _Punishment_, and which belong to Magistrates alone; but in the PREVENTION and DETECTION OF CRIMES, and in those other Functions which relate to INTERNAL REGULATIONS for the well ordering and comfort of Civil Society. THE POLICE OF THE METROPOLIS, in every point of view, is a subject of great importance to be known and understood; since every innocent and useful Member of the Community has a particular interest in the correct administration of whatever relates to the Morals of the People, and to the protection of the Public against Fraud and Depredation. Under the present circumstances of insecurity, with respect to property and even life itself, this is a subject which cannot fail to force itself upon the attention of all:--All are equally concerned in the Information which this Work conveys; the chief part of the details in which are entirely novel, not to be found in books, and never laid before the Public through the medium of the Press, previous to the first Publication of this Treatise. It may naturally be imagined, that such an accumulation of delinquency systematically detailed, and placed in so prominent a point of view, must excite a considerable degree of astonishment in the minds of those Readers who have not been familiar with subjects of this nature; and hence a desire may be excited to investigate how far the amazing extent of the Depredations upon the Public here related, can be reconciled to reason and possibility. Four years have, however, elapsed, since these details have been before the Public, and they still stand on their original ground, without any attempt which has come to the Author's knowledge, to question the magnitude or the extent of the evil.--On the contrary, new sources of Fraud and Depredation have been brought forward, tending greatly to increase the general mass of Delinquency.[1] [Footnote 1: See Mr. Middleton's interesting Report on the County of Middlesex, and the extracts from thence in Chapter III. of this Work.] In revising the present Edition, the Author felt a strong impulse to reduce his estimates; but after an attentive review of the whole, excepting in the instances of the Depredations on Commercial Property, (which have been greatly diminished by the establishment of a _Marine Police_, applicable to that particular object,) he was unable to perceive any ground for materially altering his original calculations.--If some classes of Theft, Robbery, and Depredation, have been reduced, others have been augmented; still leaving the aggregate nearly as before. The causes of these extensive and accumulated wrongs being fully explained, and accounted for, in various parts of the Work; a very short recapitulation of them is, therefore, all that is necessary in this Preface. The enlarged state of Society, the vast extent of moving property, and the unexampled wealth of the Metropolis, joined to the depraved habits and loose conduct of a great proportion of the lower classes of the people; and above all, the want of an appropriate Police applicable to the object of prevention, will, after a careful perusal of this work, reconcile the attentive mind to a belief of the actual existence of evils which could not otherwise have been credited.--Let it be remembered also, that this Metropolis is unquestionably not only the greatest Manufacturing and Commercial City in the world, but also the general receptacle for the idle and depraved of almost every country; particularly from every quarter of the dominions of the Crown--Where the temptations and resources for criminal pleasures--Gambling, Fraud and Depredation almost exceed imagination; since besides being the seat of Government it is the centre of _fashion, amusements, dissipation and folly_. Under such peculiar circumstances, while immorality, licentiousness and crimes are known to advance in proportion to the excessive accumulation of wealth, it cannot fail to be a matter of deep regret, that in the progressive increase of the latter the means of checking the rapid strides of the former have not been sooner discovered and effectually applied. It is, however, earnestly to be hoped that it is not yet too late.--Patriots and Philanthropists who love their country, and glory in its prosperity, will rejoice with the Author in the prospect, that the great leading features of improvement suggested and matured in the present Edition of this Work will ultimately receive the sanction of the Legislature. May the Author be allowed to express his conviction that the former Editions of this book tended in no small degree, to remove various misconceptions on the subject of Police: and at the same time evidently excited in the public mind a desire to see such remedies applied as should contribute to the improvement of the Morals of the People, and to the removal of the danger and insecurity which were universally felt to exist? An impression it is to be hoped is generally felt from the example of the Roman Government, when enveloped in riches and luxury, that National prosperity must be of short duration when public Morals are too long neglected, and no effectual measures adopted for the purpose either of checking the alarming growth of depravity, or of guarding the rising generation against evil examples. It is by the general influence of good Laws, aided by the regulations of an energetic Police, that the blessings of true Liberty, and the undisturbed enjoyment of Property are secured. The sole object of the Author in pointing out the accumulated wrongs which have tended in so great a degree to abridge this Liberty, is to pave the way for the adoption of those practical remedies which he has suggested, in conformity with the spirit of the Laws, and the Constitution of the Country, for the purpose of bettering the state of Society, and improving the condition of human life. If in the accomplishment of this object the Morals of the People shall undergo a favourable change, and that species of comfort and security be extended to the inhabitants of this great Metropolis, which has not heretofore been experienced, while many evils are prevented, which in their consequences threaten to be productive of the most serious mischief, the Author of this Work will feel himself amply rewarded in the benefits which the System he has proposed shall be found to confer upon the Capital of the British Dominions, and on the Nation at large. _Preparing for the Press, by the Author of this Work._ A TREATISE ON _THE COMMERCE AND POLICE_ OF THE RIVER THAMES: CONTAINING AN HISTORICAL VIEW OF _THE TRADE OF THE PORT OF LONDON;_ THE DEPREDATIONS COMMITTED ON ALL PROPERTY IMPORTED AND EXPORTED THERE; THE REMEDIES HITHERTO APPLIED; AND THE MEANS OF FUTURE PREVENTION, BY A COMPLETE SYSTEM OF _RIVER-POLICE;_ WITH AN ACCOUNT OF _THE FUNCTIONS OF THE VARIOUS MAGISTRATES AND OTHERS_ EXERCISING OR CLAIMING JURISDICTION ON THE RIVER; AND OF THE _PENAL STATUTES AGAINST MARITIME OFFENCES_ OF EVERY DESCRIPTION. [_The above will be published in the course of the Spring, by_ JOS. MAWMAN, _in the Poultry._] _CONTENTS._ CHAP. I. GENERAL VIEW OF EXISTING EVILS. PAGE _Ineffective System of Criminal Jurisprudence.--Facility of eluding Justice.--Severity and inequality of Punishments.--Necessity of revising our Penal Code.--Certain dangerous Offences not punishable.--Receivers of Stolen Property.--Extent of Plunder in the Metropolis, &c.--Proposed Restrictions on Receivers.--Coiners and Utterers of Base Money; the extent of their crimes.--Defects in the mode of prosecuting Offenders.--Pardons.--Periodical Discharges of Prisoners.--Summary of the causes of the present inefficacy of the Police, under nine different heads._ 1 CHAP. II. ON THE SYSTEM OF PUNISHMENTS: THEORETICALLY CONSIDERED. _The mode of ascertaining the Degrees of Punishment.--The object to be considered in inflicting Punishments--Amendment, Example, and Retribution.--In order to render Criminal Laws perfect, prevention ought to be the great object of the Legislature.--General Rules suggested for attaining this object.--Reflections on the Punishments authorised by the English Laws, and their disproportion.--The necessity of enforcing the observance of religious and moral Virtue.--The leading Offences made Capital by the Laws of England considered, with the Punishments allotted to each; compared with, and illustrated by, the Custom of other Countries; with Reflections.--The Code of the Emperor_ JOSEPH _the Second, shortly detailed.--Reflections thereon._ 29 [Transcriber's Note: should be p. 28] CHAP. III. THE CAUSE AND PROGRESS OF SMALL THEFTS. _The numerous Receivers of Stolen Goods, under the denomination of Dealers in Rags, Old Iron, and other Metals.--The great Increase of these Dealers of late years.--Their evil tendency, and the absolute necessity of restraining them by Law.--Petty Thefts in the Country round the Metropolis.--Workhouses the causes of Idleness.--Commons.--Cottagers.--Gypsies.--Labourers and Servants.--Thefts in Fields and Gardens.--Frauds in the Sale and Adulteration of Milk._ 74 CHAP. IV. ON BURGLARIES AND HIGHWAY ROBBERIES. _These Crimes more peculiar to England than to Holland and Flanders, &c.--A General View of the various classes of Criminals engaged in these pursuits, and with those discharged from Prisons and the Hulks, without the means of support.--The necessity of some antidote previous to the return of Peace.--Observations on the stealing Cattle, Sheep, Corn, &c.--Receivers of Stolen Goods, the nourishers of every description of Thieves.--Remedies suggested, by means of detection and prevention._ 93 CHAP. V. ON CHEATS AND SWINDLERS. _A considerable check already given to the higher class of Forgeries, by shutting out all hopes of Royal Mercy.--Petty Forgeries have, however, encreased.--The qualifications of a Cheat, Swindler and Gambler.--The Common and Statute Law applicable to Offences of this nature, explained.--Eighteen different classes of Cheats and Swindlers, and the various tricks and devices they pursue.--Remedies proposed._ 110 CHAP. VI. ON GAMING AND THE LOTTERY. _The great anxiety of the Legislature to suppress these Evils, which are however encouraged by high sounding names, whose houses are opened for purposes odious and unlawful.--The civil Magistrate called upon to suppress such mischiefs.--The danger arising from such Seminaries.--The evil tendency of such examples to Servants and others.--A particular statement of the proceedings of a confederacy of Persons who have set up Gaming-Houses as regular Partnership-Concerns, and of the Evils resulting therefrom.--Of Lottery Insurers of the higher class.--Of Lottery Offices opened for Insurance.--Proposed Remedies.--Three Plans for drawing the Lottery so as to prevent all Insurance._ 133 CHAP. VII. ON THE COINAGE OF COUNTERFEIT MONEY. _The Causes of the enormous increase of this Evil of late years.--The different kinds of false coin detailed.--The process in fabricating each Species.--The immense profits arising therefrom.--The extensive Trade in sending base Coin to the Country.--Its universal circulation in the Metropolis.--The great grievance arising from it to Brewers, Distillers, Grocers, and all Retail Dealers, as well as to the Labouring Poor.--Counterfeit Foreign Money extremely productive to the Dealers.--A summary View of the Causes of the Mischief.--The Defects in the present Laws explained:--And a Detail of the Remedies proposed to be provided by the Legislature._ 171 CHAP. VIII. ON RIVER PLUNDER. _The magnitude of the Plunder of Merchandize and Naval Stores on the River Thames.--The wonderful extent and value of the Floating Property, laden and unladen, in the Port of London in the course of a year.--The modes heretofore pursued in committing depredations through the medium of various classes of Criminals, denominated River Pirates:--Night Plunderers:--Light Horsemen:--Heavy Horsemen:--Game Watermen:--Game Lightermen:--Mudlarks:--Game Officers of the Revenue:--And Copemen, or Receivers of Stolen Property.--The effects of the Marine Police Institution in checking these Depredations.--The advantages which have already resulted to Trade and the Revenue from this system partially tried.--The further benefits to be expected from Legislative Regulations, extending the System to the whole Trade of the River._ 213 CHAP. IX. ON PLUNDER IN THE DOCK-YARDS, &C. _Reflections on the causes of this Evil.--Summary view of the means employed in its perpetration.--Estimate of the Public Property exposed to Hazard.--A Statement of the Laws at present in force for its protection:--Proofs adduced of their deficiency.--Remedies proposed and detailed, viz:--1st. A Central Board of Police.--2d. A Local Police for the Dock-yards.--3d. Legislative Regulations in aid thereof.--4th. Regulations respecting the sale of Old Stores.--5th. The Abolition of the Perquisite of Chips.--6th. The Abolition of Fees and Perquisites, and liberal Salaries in lieu thereof.--7th. An improved Mode of keeping Accounts.--8th. An annual Inventory of Stores in hand.--Concluding Observations._ 249 CHAP. X. ON THE RECEIVERS OF STOLEN GOODS. _Receivers more mischievous than Thieves.--The increase of their number to be attributed to the imperfection of the Laws, and to the disjointed state of the Police of the Metropolis.--Thieves in many instances, settle with Receivers before they commit Robberies--Receivers always benefit more than Thieves:--Their profit immense:--They are divided into two Classes:--The immediate Receivers connected with Thieves, and those who keep shops and purchase from Pilferers in the way of Trade:--The latter are extremely numerous.--The Laws are insufficient effectually to reach either class.--The existing statutes against Receivers examined and briefly detailed, with Observations thereon.--Amendments and Improvements suggested with means to ensure their due execution._ 288 CHAP. XI. ON THE ORIGIN OF CRIMINAL OFFENCES. _The increase of Crimes imputed to deficient Laws and an ill-regulated Police:--To the habits of the Lower Orders in feeding their families in Alehouses:--To the bad Education of Apprentices:--To the want of Industry:--To idle and profligate menial Servants out of Place:--To the Lower Orders of the Jews, of the Dutch and German Synagogues; To the depraved Morals of aquatic Labourers:--To the Dealers in Old Metals, Furniture, Clothes, &c.--To disreputable Pawnbrokers:--And finally, to ill-regulated Public Houses.--Concluding Reflections._ 310 CHAP. XII. THE ORIGIN OF CRIMES CONTINUED: FEMALE PROSTITUTION. _The pitiable condition of the unhappy Females, who support themselves by Prostitution:--The progress from Innocence to Profligacy.--The morals of Youth corrupted by the multitude of Prostitutes in the streets.--The impossibility of preventing the existence of Prostitution in a great Metropolis.--The Propriety of lessening the Evil, by stripping it of its Indecency and much of its immoral tendency.--The advantages of the measure in reducing the mass of Turpitude.--Reasons offered why the interests of Morality and Religion will thus be promoted.--The example of Holland, Italy, and the East-Indies quoted.--Strictures on the offensive manners of the Company who frequent Public Tea Gardens:--These places under a proper Police might be rendered beneficial to the State.--Ballad-Singers--Immoral Books and Songs--Necessity of Responsibility for the execution of the Laws attaching somewhere._ 334 [Transcriber's Note: should be p. 333] CHAP. XIII. THE ORIGIN OF CRIMES CONTINUED: STATE OF THE POOR. _The System with respect to the Casual Poor erroneous.--The effect of Indigence on the Offspring of the Sufferers.--Estimate of the private and public Benevolence amounting to 850,000l. a year.--The deplorable state of the Lower Ranks, attributed to the present System of the Poor Laws.--An Institution to inquire into the cause of Mendicity in the Metropolis explained.--A new System of Relief proposed with respect to Casual Poor, and Vagrants in the Metropolis.--The distinction between Poverty and Indigence.--The Poor divided into five classes, with suggestions applicable to each.--The evil Examples in Work-Houses.--The stat. of 43 Eliz. considered.--The defective system of Execution exposed.--A Public Institution recommended in the nature of a Pauper Police, under the direction of three Commissioners:--Their Functions.--A proposition for raising a fund of 5230l. from the Parishes for the support of the Institution, and to relieve them from the Casual Poor.--Reasons why the experiment should be tried.--Assistance which might be obtained from Gentlemen who have considered this subject fully._ 351 CHAP. XIV. ON THE DETECTION OF OFFENDERS. _The present state of the Police on this subject explained.--The necessity of having recourse to known Receivers.--The great utility of Officers of Justice.--The advantages of rendering them respectable in the opinion of the Public.--Their powers by the common and statute Law.--Rewards granted to Officers in certain cases of Conviction.--The Statutes quoted, applicable to such rewards.--The utility of parochial Constables, under a well-organized Police.--A Fund for this purpose might arise from the reduction of the expences of the Police, by the diminution of Crimes.--The necessity of a competent Fund.--A new System for prevention and detection of Crimes proposed.--The functions of the different classes of Officers.--Salaries necessary to all.--Improvements in the system of Rewards suggested.--1040 Peace-Officers in the Metropolis and its vicinity, of whom only 90 are stipendiary Constables.--Defects and abuses in the system of the Watch explained.--A general Plan of Superintendance suggested.--A view of the Magistracy of the Metropolis.--The inconvenience of the present System._ 381 CHAP. XV. ON THE PROSECUTION OF OFFENDERS. _The prevailing Practice when Offenders are brought before Magistrates.--The duty of Magistrates in such cases.--Professed Thieves seldom intimidated when put upon their Trial, from the many chances they have of escaping.--These Chances shortly detailed.--Reflections on false Humanity towards Prisoners.--The delays and expences of Prosecutions a great discouragement to Prosecutors.--An account of the different Courts of Justice, for the trial of Offences committed in the Metropolis.--Five inferior and two superior Courts.--A statement of Prisoners convicted and discharged in one year.--Reflections thereon.--The advantage which would arise from the appointment of a Public Prosecutor, in remedying Abuses in the Trial of Offenders.--From 2500 to 3000 Persons committed for trial, by Magistrates, in the course of a year.--The chief part afterwards returned upon Society._ 422 [Transcriber's Note: should be p. 421] CHAP. XVI. ON THE SYSTEM OF PUNISHMENTS: CONSIDERED PRACTICALLY. _The mode authorised by the Ancient Laws.--The period when Transportation commenced.--The principal Crimes enumerated which are punishable with Death.--Those punishable by Transportation and Imprisonment.--Number of Persons tried compared with those discharged.--The system of Pardons examined; and Regulations suggested.--An historical Account of the rise and progress of Transportation.--The system of the Hulks; and the Laws as to provincial and national Penitentiary Houses.--Number of the Convicts confined in the Hulks for twenty-two
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Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: Josh Billings at home.--Preparing his new Lecture.] JOSH BILLINGS, Hiz Sayings. WITH COMIC ILLUSTRATIONS. [Illustration] NEW YORK: _Carleton, Publisher, Madison Square._ LONDON: S. LOW, SON & CO. M DCCC LXX. Entered according to Act of Congress, in the year 1865, by G. W. CARLETON, In the Clerk's Office of the District Court of the Southern District of New York TO DEAKON URIAH BILLINGS, (A man ov menny virtues, and sum vices) this book iz completely dedikated--and may he hav the strength tew stand it. Hiz own nephew, JOSHUA BILLINGS Tred litely, dear reader, for the ^way iz ruff. This book waz got up tew sell, but if it don't prove tew be a sell, I shan't worry about it. J. BILLINGS. CONTENTS. Page. I. JOSH BILLINGS ON THE MULE. 13 II. JOSH BILLINGS INSURES HIS LIFE. 15 III. REMARKS. 17 IV. ANSWERS TO CORRESPONDENTS. 19 V. A TABLOWS IN 4 ACKS. 22 VI. FEMALE EDDIKASHUN. 25 VII. DEPOZETIONS. 28 VIII. WAR AND ARMY PHRAZES. 31 IX. PASHUNCE OV JOB. 34 X. FRIENDLY LETTER. 35 XI. AFFURISIMS. 37 XII. JOSH BILLINGS ON CATS. 40 XIII. REMARKS. 43 XIV. JOSH BILLINGS ADDRESSES THE BILLINGSVILLE SOWING SOSIETY. 45 XV. NOSHUNS. 47 XVI. SAYINS. 51 XVII. REMARKS. 53 XVIII. THE DEVIL'S PUTTY AND VARNISH. 56 XIX. MANIFEST DESTINY 59 XX. ANSWERS TO CONTRIBUTORS. 62 XXI. ON DOGS. 64 XXII. SAYINGS OF JOSH BILLINGS. 67 XXIII. FASHION. 70 XXIV. REMARKS. 73 XXV. PROVERBIAL PIG. 75 XXVI. PROVERBS. 77 XXVII. ANSWERS TO CORRESPONDENTS. 79 XXVIII. PROVERBS OF THE BILLINGS FAMILY. 82 XXIX. A FU REMARKS. 85 XXX. A LEKTURE TEW MALE YUNG MEN ONLY. 87 XXXI. CLEVER FELLOWS. 90 XXXII. AFFERISIMS. 92 XXXIII. ANSWERS TO CONTRIBUTORS. 94 XXXIV. A SHORT AND VERY AFFEKTING ESSA ON MAN. 97 XXXV. THE RASE KOARSE. 100 XXXVI. "GIV THE DEVIL HIZ DUE." 106 XXXVII. WATCH DOGS. 108 XXXVIII. ANSWERS TO CONTRIBUTORS. 110 XXXIX. REMARKS. 113 XL. AN ESSA ONTO MUSIK. 117 XLI. "MAN WAZ MADE TEW MOURN." 120 XLII. PROVERBS. 122 XLIII. KISSING CONSIDERED. 124 XLIV. FOR A FU MINNITS AMONG THE SPEERITS. 128 XLV. SAYINGS. 131 XLVI. JOSH GOES TO LONG BRANCH. 133 XLVII. TO MY LADY CORRESPONDENTS. 137 XLVIII. ON WIDDERS. 140 XLIX. THINGS THAT I DON'T HANKER AFTER TO SEE. 143 L. ON COURTING. 145 LI. REMARKS. 149 LII. THE FAULT FINDER. 152 LIII. PROVERBS. 154 LIV. KOLIDING. 156 LV. ON SNAIKS AND MUDTURKLES. 157 LVI. TRUE BILLS. 161 LVII. NARRATIF. 163 LVIII. PHOTOGRAPHS. 167 LIX. AFFERISIMS. 169 LX. JOSH GITS ORFULLY BIT. 172 LXI. THINGS THAT SUIT ME. 174 LXII. MY FIRST GONG. 176 LXIII. PROVERBS. 178 LXIV. DISIPLIN IZ EVRATHING--IN 2 PARTS. 181 LXV. CORRESPONDENTS. 183 LXVI. JOSH BILLINGS AT SARATOGA SPRINGS. 186 LXVII. NOT ENNY SHANGHI FOR ME. 189 LXVIII. IS DISPOSING OF THINGS FOR CHARITABLE PURPOSES BI "LOT" A SIN. 191 LXIX. ADVERTIZEMENT. 193
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Produced by Al Haines [Illustration: Cover art] [Frontispiece: Knox Magee] WITH RING OF SHIELD "_On he came, and, to my great surprise and pleasure, struck he my shield with the sharp point of his lance_. "_Ah! my brave sons, ye all do know the pleasure 'tis when, with ring of shield, ye are informed an enemy hath come to do ye battle_." BY KNOX MAGEE _Illustrated by_ F. A. CARTER GEORGE J. McLEOD _PUBLISHER ---- TORONTO_ COPYRIGHT, 1900 BY R. F. FENNO & COMPANY CONTENTS I. Sir Frederick Harleston II. The Maidens III. A First Brush with the Enemy IV. The Taking of Berwick V. From Berwick to Windsor VI. The King's Gifts VII. The Ball at the Castle VIII. The Duel IX. The King's Death X. I am Sent to Ludlow XI. Some Happenings at Windsor XII. Gloucester Shows his Hand XIII. The Flight from the Palace XIV. I Reach Westminster XV. Michael and Catesby XVI. My Dangerous Position XVII. At the Sanctuary XVIII. Richard Triumphs XIX. A Message is Sent to Richmond XX. Before the Tournament XXI. The Tournament XXII. A Midnight Adventure XXIII. The Arrest XXIV. In the Tower XXV. Michael and I XXVI. The House with the Flag XXVII. The Field of Bosworth XXVIII. Conclusion Illustrations Knox Magee...................... _Frontispiece_ "Both our lances flew into a thousand pieces." "The signal was then given." "I am to blame, and I alone should suffer." "Always remember thy mother and this, her advice." "Ha, thou blond varmint." "I climbed wearily to the top." "Come on, ye pack of cowards." With Ring of Shield CHAPTER I SIR FREDERICK HARLESTON In these days, when the air is filled with the irritating, peevish sounds of chattering gossips, which tell of naught but the scandals of a court, where Queens are as faithless as are their lives brief, methinks it will not be amiss for me to tell a story of more martial days, when gossips told of armies marching and great battles fought, with pointed lance, and with the bright swords' flash, and with the lusty ring of shield. Now, my friend Harleston doth contend, that peace and quiet, without the disturbing clamour of war's dread alarms, do help to improve the mind, and thus the power of thought is added unto. This, I doubt not, is correct in the cases of some men; but there are others, to whom peace and quiet do but bring a lack of their appreciation. I grant that to such a mind as Harleston's, peaceful and undisturbed meditation are the fields in which they love to stroll, and pluck, with tender hand, and thought-bowed head, the most beautiful and most rare of flowers: but then, such even-balanced brains as his are few and far between; and even he, so fond of thought and study, did love to dash, with levelled lance and waving plumes, against the best opponent, and hurl him from his saddle. And there is Michael, which ever thinks the same as do myself, and longs for fresh obstacles to lay his mighty hand upon and crush,
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Produced by Jane Robins and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) ELLEN TERRY AND HER SISTERS [Illustration: _Photographed by_ _Window & Grove._ ELLEN TERRY AS PORTIA. _She first appeared in this part, one of the greatest of her Shakespearean creations, at the old Prince of Wales's Theatre in 1875, and resumed it at the Lyceum in 1879._ _Frontispiece._] ELLEN TERRY AND HER SISTERS BY T. EDGAR PEMBERTON AUTHOR OF "THE KENDALS;" "A MEMOIR OF E.
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net Aside from the correction of obvious typographical errors, the text has not been modernized; the original (some archaic) spellings have been retained (Maderia for Madiera; marjorem for marjoram; Marsilles for Marsailles; horison for horizon). [Note of etext transcriber.] MEMORANDA ON TOURS, TOURAINE AND CENTRAL FRANCE. Tours.--Printed by A. MAME and Co. MEMORANDA ON TOURS AND TOURAINE INCLUDING REMARKS ON THE CLIMATE with a sketch OF THE BOTANY AND GEOLOGY OF THE PROVINCE ALSO ON THE WINES AND MINERAL WATERS OF FRANCE The maladies to which they are applicable, and their effects upon the constitution. To which is added an appendix containing a variety of useful information to THE TOURIST BY J. H. HOLDSWORTH, M. D. TOURS, A. AIGRE, rue Royale. Messrs. CALIGNANIS, No 18, rue Vivienne, PARIS; HENRY RENSHAW, No 356, Strand, LONDON; And all other Booksellers. 1842 "Thou, nature, art my Goddess; to thy law my
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Produced by Stephen Hutcheson, Rick Morris and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: There was a sudden flash of flame and the roar of an explosion.—_Page_ 52.] ------------------------------------------------------------------------ THE MOTOR RANGERS’ WIRELESS STATION BY MARVIN WEST AUTHOR OF “THE MOTOR RANGERS’ LOST MINE,” “THE MOTOR RANGERS THROUGH THE SIERRAS,” “THE MOTOR RANGERS ON BLUE WATER,” “THE MOTOR RANGERS’ CLOUD CRUISER,” ETC., ETC. _WITH ILLUSTRATIONS BY CHARLES L. WRENN_ NEW YORK HURST & COMPANY PUBLISHERS ------------------------------------------------------------------------ Copyright, 1913 BY HURST & COMPANY ------------------------------------------------------------------------ CONTENTS CHAPTER PAGE I. THE WIRELESS ISLAND 5 II. A PASSENGER FOR THE SHORE 15 III. IN THE GRIP OF THE STORM 28 IV. WHEN THE ENGINE FAILED 36 V. NAT TO THE RESCUE 48 VI. SAVED FROM THE SEA 56 VII. ON “WIRELESS ISLAND” 65 VIII. AN AERIAL APPEAL 78 IX. A STERN CHASE 91 X. MORE BAD LUCK 100 XI. “THERE’S MANY A SLIP” 108 XII. THE SMUGGLER AT BAY 117 XIII. TRAPPED! 125 XIV. NAT A PRISONER 134 XV. UNDER THE EARTH 145 XVI. DRIFTING THROUGH THE NIGHT 153 XVII. ABOARD THE LIGHTSHIP 164 XVIII. JOE RECEIVES VISITORS 176 XIX. AND ALSO GETS A SURPRISE 187 XX. HANK EXPLAINS 201 XXI. IN THE MIDST OF ALARMS 213 XXII. AN UNEXPECTED STUDENT 221 XXIII. A CALL FROM THE SHORE 229 XXIV. WHAT JOE DID 239 XXV. LIKE A THIEF IN THE NIGHT 247 XXVI. DING-DONG’S CLUE 256 XXVII. A LONELY TRAIL 265 XXVIII. AT THE OLD MISSION 276 XXIX. CORNERED AT LAST 291 ------------------------------------------------------------------------ THE MOTOR RANGERS’ WIRELESS STATION CHAPTER I. THE WIRELESS ISLAND. The drowsy calm of a balmy afternoon at the Motor Rangers’ wireless camp on Goat Island was abruptly shattered by a raucous, insistent clangor from the alarm-bell of the wireless outfit. Nat Trevor, Joe Hartley and Ding-dong Bell, who had been pretending to read but were in reality dozing on the porch of a small portable wood and canvas house, galvanized into the full tide of life and activity usually theirs. “Something doing at last!” cried Nat. “It began to look as if there wouldn’t be much for us on the island but a fine vacation, lots of sea-breeze and coats of tan like old russet shoes.” “I ter-told you there’d be ser-ser-something coming over the a-a-a-a-aerials before long,” sputtered Ding-dong Bell triumphantly, athrill with excitement. “What do you suppose it is?” queried Joe Hartley, his red, good-natured face aglow. “Don’t go up in the air, Joe,” cautioned Nat, “it’s probably nothing more thrilling than a weather report from one of the chain of coast stations to another.” “Get busy, Ding-dong, and find out,” urged Joe Hartley; “let’s see what sort of a message you can corral out of the air.” But young Bell was already plodding across the sand toward a small timber structure about fifty yards distant from the Motor Rangers’ camp. Above the shack stretched, between two lofty poles, the antennæ of the wireless station. Against these the electric waves from out of space were beating and sounding the wireless “alarm-clock,” an invention of Ding-dong’s of which he was not a little proud. Ding-dong had become inoculated with the wireless fever as a result of the trip east which the Motor Rangers had taken following their stirring adventures in the Bolivian Andes in Professor Grigg’s air-ship—which experiences were related in the fourth volume of this series, The Motor Rangers’ Cloud Cruiser. On their return to California—where all three boys lived, in the coast resort of Santa Barbara—nothing would suit Ding-dong but that they take a vacation on Goat Island and set up a wireless plant for experimental purposes. “I want to try it and away from home where a bunch of fellows won’t be hanging about and joking me if I make a fizzle,” he explained. As the lads while in the east had done a lot of business, some of it connected with Nat’s gold mine in Lower California and some with interests of Professor Griggs, they decided that they were entitled to at least a short period of inactivity, and Ding-dong’s idea was hailed as a good one. Goat Island, a rugged, isolated spot of land shaped like a splash of gravy on a plate, was selected as an ideal camping place. The wireless appliances, shipped from San Francisco, were conveyed to the island on board the Rangers’ sturdy cabin cruiser _Nomad_, and three busy, happy weeks had been devoted to putting it in working order. Since the day that it had been declared “O. K.” by Ding-dong, the lads had been crazy for the “wireless alarm” to ring in, and when it failed to do so Ding-dong came in for a lot of good-natured joshing. For some further account of the three chums, we must
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Produced by Julia Miller, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Internet Archive/American Libraries.) SPEECHES, ADDRESSES, AND OCCASIONAL SERMONS, BY THEODORE PARKER, MINISTER OF THE TWENTY-EIGHTH CONGREGATIONAL CHURCH IN BOSTON. IN THREE VOLUMES. VOL. II. BOSTON: HORACE B. FULLER, (SUCCESSOR TO WALKER, FULLER, AND COMPANY,) 245, WASHINGTON STREET. 1867. Entered according to Act of Congress, in the year 1855, by THEODORE PARKER, In the Clerk's Office of the District Court of the District of Massachusetts. CONTENTS OF VOLUME II. I. A SERMON OF THE SPIRITUAL CONDITION OF BOSTON.--Preached at the Melodeon, on Sunday, February 18, 1849 PAGE 1 II. SOME THOUGHTS ON THE MOST CHRISTIAN USE OF THE SUNDAY.--A Sermon preached at the Melodeon, on Sunday, January 30, 1848 56 III. A SERMON OF IMMORTAL LIFE.--Preached at the Melodeon on Sunday, September 20, 1846 105 IV. THE PUBLIC EDUCATION OF THE PEOPLE.--An Address delivered before the Onondaga Teachers' Institute at Syracuse, New York, October 4, 1849 139 V. THE POLITICAL DESTINATION OF AMERICA, AND THE SIGNS OF THE TIMES.--An Address delivered before several literary Societies in 1848 198 VI. A DISCOURSE OCCASIONED BY THE DEATH OF JOHN QUINCY ADAMS.--Delivered at the Melodeon, on Sunday, March 5, 1848 252 VII. A SPEECH AT A MEETING OF THE AMERICAN ANTI-SLAVERY SOCIETY, TO CELEBRATE THE ABOLITION OF SLAVERY BY THE FRENCH REPUBLIC, April 6, 1848 331 VIII. A SPEECH AT FANEUIL HALL, BEFORE THE NEW ENGLAND ANTI-SLAVERY CONVENTION, May 31, 1848 344 IX. SOME THOUGHTS ON THE FREE SOIL PARTY, AND THE ELECTION OF GENERAL TAYLOR, December, 1848 360 A SERMON OF THE SPIRITUAL CONDITION OF BOSTON.--PREACHED AT THE MELODEON, ON SUNDAY, FEBRUARY 18, 1849. MATTHEW VIII. 20. By their fruits ye shall know them. Last Sunday I said something of the moral condition of Boston; to-day I ask your attention to a Sermon of the Spiritual Condition of Boston. I use the word spiritual in its narrower sense, and speak of the condition of this town in respect to piety. A little while since, in a sermon of piety, I tried to show that love of God lay at the foundation of all manly excellence, and was the condition of all noble, manly development; that love of truth, love of justice, love of love, were respectively the condition of intellectual, moral, and affectional development, and that they were also respectively the intellectual, moral, and affectional forms of piety; that the love of God as the Infinite Father, the totality of truth, justice, and love was the general condition of the total development of man's spiritual powers. But I showed, that sometimes this piety, intellectual, moral, affectional or total, did not arrive at self-consciousness; the man only unconsciously loving the Infinite in one or all these modes, and in such cases the man was a loser by frustrating his piety, and allowing it to stop in the truncated form of unconsciousness. Now what is in you will appear out of you; if piety be there in any of these forms, in either mode, it will come out; if not there, its fruits cannot appear. You may reason forward or backward: if you know piety exists, you may foretell its appearance; if you find fruits thereof, you may reason back and be sure of its existence. Piety is love of God as God, and as we only love what we are like, and in that degree, so it is also a likeness to God. Now it is a general doctrine in Christendom that divinity must manifest itself; and, in assuming the highest form of manifestation known to us, divinity becomes humanity. However, that doctrine is commonly taught in the specific and not generic form, and is enforced by an historical and concrete example, but not by way of a universal thesis. It appears thus: The Christ was God; as such He must manifest himself; the form of manifestation was that of a complete and perfect man. I reject the concrete example, but accept the universal doctrine on which the special dogma of the Trinity is erected. From that I deduce this as a general rule: If you follow the law of your nature, and are simple and true to that, as much of godhead as there is in you, so much of manhood will come out of you, and, as much of manhood comes out of you, so much of godhead was there within you; as much subjective divinity, so much objective humanity. Such being the case, the demands you can make on a man for manliness must depend for their answer on the amount of piety on deposit in his character; so it becomes important to know the condition of this town in respect of piety, for if this be not right in the above sense, nothing else is right; or, to speak more clerically, "Unless the Lord keep the city, the watchman waketh but in vain," and unless piety be developed or a-developing in men, it is vain for the minister to sit up late of a Saturday night to concoct his sermon, and to rise up early of a Sunday morning to preach the same; he fights but as one that beateth the air, and spends his strength for that which is nought. They are in the right, therefore, who first of all things demand piety: so let us see what signs or proof we have, and of what amount of piety in Boston. To determine this, we must have some test by which to judge of the quality, distinguishing piety from impiety, and some standard whereby to measure the quantity thereof; for though you may know what piety is in you, I what is in me, and God what is in both and in all the rest of us, it is plain that we can only judge of the existence of piety in other men, and measure its quantity by an outward manifestation thereof, in some form which shall serve at once as a trial test and a standard measure. Now, then, as I mentioned in that former sermon, it is on various sides alleged that there are two outward manifestations of piety, a good deal unlike: each is claimed by some men as the exclusive trial test and standard measure. Let me say a word of each. I. Some contend for what I call the conventional standard; that is, the manifestation of piety by means of certain prescribed forms. Of these forms there are three modes or degrees: namely, first, the form of bodily attendance on public worship; second, the belief in certain doctrines, not barely because they are proven true, or known without proof, but because they are taught with authority; and third, a passive acquiescence in certain forms and ceremonies, or an active performance thereof. II. The other I call the natural standard; that is, the manifestation of piety in the natural form of morality in its various degrees and modes of action. * * * * * It is plain, that the amount of piety in a man or a town, will appear very different when tested by one or the other of these standards. It may be that very little water runs through the wooden trough which feeds the saw-mill at Niagara, and yet a good deal, blue and bounding, may leap over the rock, adown its natural channel. In a matter of this importance, when taking account of a stock so precious as piety, it is but fair to try it by both standards. * * * * * Let us begin with the conventional standard, and examine piety by its manifestation in the ecclesiastical forms. Here is a difficulty at the outset, in determining upon the measure, for there is no one and general ecclesiastical standard, common to all parties of Christians, from the Catholic to the Quaker; each measures by its own standard, but denies the correctness of all the others. It is as if a foot were declared the unit of long measure, and then the actual foot of the chief justice of a State, were taken as the rule by which to correct all measurements; then the foot would vary as you went from North Carolina to South, and, in any one State, would vary with the health of the judge. However, to do what can be done with a measure thus uncertain, it is plain, that, estimated by any ecclesiastical standard, the amount of piety is small. There is, as men often say, "A general decline of piety;" that is a common complaint, recorded and registered. But what makes the matter worse to the ecclesiastical philosopher, and more appalling to the complainers, is this: it is a decline of long standing. The disease which is thus lamented is said to be acute, but is proved to be chronic also; only it would seem, from the lamentations of some modern Jeremiahs, that the decline went on with accelerated velocity, and, the more chronic the disease was, the acuter it also became. Tried by this standard, things seem discouraging. To get a clearer view, let us look a little beyond our own borders, at first, and then come nearer home. The Catholic church complains of a general defection. The majority of the Christian church confesses that the Protestant Reformation was not a revival of religion, not a "Great awakening," but a great falling to sleep; the faith of Luther and Calvin was a great decline of religion--a decline of piety in the ecclesiastical form; that modern philosophy, the physics of Galileo and Newton, the metaphysics of Descartes and of Kant, mark another decline of religion--a decline of piety in the philosophical form; that all the modern democracy of the eighteenth and nineteenth centuries, marks a yet further decline of religion--a decline of piety in the political form; that all the modern secular societies, for removing the evils of men and their sins, mark a yet fourth decline of religion--a decline of piety in the philanthropic form. Certainly, when measured by the mediaeval standard of Catholicism, these mark four great declensions of piety, for, in all four, the old principle of subordination to an external and personal authority is set aside. All over Europe this decline is still going on; ecclesiastical establishments are breaking down; other establishments are a-building up. Pius the Ninth seems likely to fulfil his own prophecy, and be the last of the Popes; I mean the last with temporal power. There is a great schism in the north of Europe; the Germans will be Catholics, but no longer Roman. The old forms of piety, such as service in Latin, the withholding of the Bible from the people, compulsory confession, the ungrateful celibacy of a reluctant priesthood--all these are protested against. It is of no avail that the holy coat of Jesus, at Treves, works greater miracles than the apostolical napkins and aprons; of no avail that the Virgin Mary appeared on the nineteenth of September, 1846, to two shepherd-children, at La Salette, in France. What are such things to Ronge and Wessenberg? Neither the miraculous coat, nor the miraculous mother, avails aught against this untoward generation, charm they never so wisely. The decline of piety goes on. By the new Constitution of France, all forms of religion are equal; the Catholic and the Protestant, the Mahometan and the Jew, are equally sheltered under the broad shield of the law. Even Spain, the fortress walled and moated about, whither the spirit of the middle ages retired and shut herself up long since, womanning her walls with unmanly priests and kings, with unfeminine queens and nuns--even Spain fails with the general failure. British capitalists buy up her convents and nunneries, to turn them into woollen mills. Monks and nuns forget their beads in some new handicraft; sister Mary, who sat still in the house, is now also busy with serving, careful, indeed, about more things than formerly, but not cumbered nor troubled as before. Meditative Rachels, and Hannahs, long unblest, who sat in solitude, have now become like practical Dorcas, making garments for the poor; the Bank is become more important than the Inquisition. The order of St. Francis d'Assisi, of St. Benedict, even of St. Dominic himself, is giving way before the new order of Arkwright, Watt, and Fulton,--the order of the spinning jenny and the power-loom. It is no longer books on the miraculous conception, or meditations on the five wounds of the Saviour, or commentaries on the song of songs which is Solomon's, that get printed there: but fiery novels of Eugene Sue, and George Sand; and so extremes meet. Protestant establishments share the same peril. A new sect of Protestants rises up in Germany, who dissent as much from the letter and spirit of Protestantism, as the Protestants from Catholicism; men that will not believe the infallibility of the Bible, the doctrine of the Trinity, the depravity of man, the eternity of future punishment, nor justification by faith--a justification before God, for mere belief before men. The new spirit gets possession of new men, who cannot be written down, nor even howled down. Excommunication or abuse does no good on such men as Bauer, Strauss, and Schwegler; and it answers none of their questions. It seems pretty clear, that in all the north of Germany, within twenty years, there will be entire freedom of worship, for all sects, Protestant and Catholic. In England, Protestantism has done its work less faithfully than in Germany. The Protestant spirit of England came here two hundred years ago, so that new and Protestant England is on the west of the ocean; in England, an established church lies there still, an iceberg in the national garden. But even there, the decline of the ecclesiastical form of piety is apparent: the new bishops must not sit in the House of Lords, till the old ones die out, for the number of lords spiritual must not increase, though the temporal may; the new attempt, at Oxford and elsewhere, to restore the Middle Ages, will not prosper. Bring back all the old rites and forms into Leeds and Manchester; teach men the theology of Thomas Aquinas, or of St. Bernard; bid them adore the uplifted wafer, as the very God, men who toil all day with iron mills, who ride in steam-drawn coaches, and talk by lightning in a whisper, from the Irk to the Thames,--they will not consent to the philosophy or the theology of the Middle Ages, nor be satisfied with the old forms of piety, which, though too elevated for their fathers in the time of Elizabeth, are yet too low for them, at least too antiquated. Dissenters have got into the House of Commons; the test-act is repealed, and a man can be a captain in the army, or a postmaster in a village, without first taking the Lord's Supper, after the fashion of the Church of England. Some men demand the abandonment of tithes, the entire separation of Church and State, the return to "The voluntary principle" in religion. "The battering ram which levelled old Sarum," and other boroughs as corrupt, now beats on the church, and the "Church is in danger." Men complain of the decline of piety in England. An intelligent and very serious writer, not long ago, lamenting this decline, in proof thereof, relates, that formerly men began their last wills, "In the name of God, Amen;" and headed bills of lading with, "Shipped in good order, by the grace of God;" that indictments for capital crimes charged the culprit with committing felony, "At the instigation of the devil," and now, he complains, these forms have gone out of use. In America, in New England, in Boston, when measured by that standard, the same decline of piety is apparent. It is often said that our material condition is better than our moral; that in advance of our spiritual condition. There is a common clerical complaint of a certain thinness in the churches; men do not give their bodily attendance, as once they did; they are ready enough to attend lectures, two or three in a week, no matter how scientific and abstract, or how little connected with their daily work, yet they cannot come to the church without teasing beforehand, nor keep awake while there. It is said the minister is not respected as formerly. True, a man of power is respected, heard, sought, and followed, but it is for his power, for his words of grace and truth, not for his place in a pulpit; he may have more influence as a man, but less as a clergyman. Ministers lament a prevalent disbelief of their venerable doctrines; that there is a concealed skepticism in regard to them, often not concealed. This, also, is a well-founded complaint; the well-known dogmas of theology were never in worse repute; there was never so large a portion of the community in New England who were doubtful of the Trinity, of eternal damnation, of total depravity, of the atonement, of the Godhead of Jesus, of the miracles of the New Testament, and of the truth of every word of the Bible. A complaint is made, that the rites and forms which are sometimes called "the ordinances of religion," are neglected; that few men join the church, and though the old hedge is broken down before the altar, yet the number of communicants diminishes, and it is no longer able-headed men, the leaders of society, who come; that the ordinances seem haggard and ghastly to young men, who cannot feed their hungry souls on such a thin pittance of spiritual aliment as these afford; that the children are not baptized. These things are so; so in Europe, Catholic and Protestant; so in America, so in Boston. Notwithstanding the well-founded complaint that our modern churches are too costly for the times, we do not build temples which bear so high a proportion to our wealth as the early churches of Boston; the attendance at meeting does not increase as the population; the ministers are not prominent, as in the days of Wilson, of Cotton, and of Norton; their education is not now in the same proportion to the general culture of the times. Harvard College, dedicated to "Christ and the Church," designed at first chiefly for the education of the clergy, graduates few ministers; theological literature no longer overawes all other. The number of church members was never so small in proportion to the voters as now; the number of Protestant births never so much exceeded the number of Protestant baptisms. Young men of superior ability and superior education have little affection for the ministry; take little interest in the welfare of the church. Nay, youths descended from a wealthy family seldom look that way. It is poor men's sons, men of obscure family, who fill the pulpits; often, likewise, men of slender ability, eked out with an education proportionately scant. The most active members of the churches are similar in position, ability, and culture. These are undeniable facts. They are not peculiar to New England. You find them wherever the voluntary principle is resorted to. In England, in Catholic countries, you find the old historic names in the Established Church; there is no lack of aristocratic blood in clerical veins; but there and everywhere the church seems falling astern of all other craft which can keep the sea. Since these things are so, men who have only the conventional standard wherewith to measure the amount of piety, only that test to prove its existence by, think we are rapidly going to decay; that the tabernacle is fallen down, and no man rises to set it up. They complain that Zion is in distress; theological newspapers lament that there are no revivals to report; that "The Lord has withheld His arm," and does not "pour out His Spirit upon the churches." Ghastly meetings are held by men with sincere and noble heart, but saddened face; speeches are made which seem a groan of linked wailings long drawn out. Men mourn at the infidelity of the times, at the coldness of some, at the deadness of others. All the sects complain of this, yet each loves to attribute the deadness of the rival sects to their special theology; it is Unitarianism which is choking the Unitarians, say their foes, and the Unitarians know how to retort after the same fashion. The less enlightened put the blame of this misfortune on the good God who has somehow "withheld His hand," or omitted to "pour out His Spirit,"--the people perishing for want of the open vision. Others put the blame on mankind; some on "poor human nature," which is not what might have been expected, not perceiving that if the fault be there it is not for us to remedy, and if God made man a bramble-bush, that no wailing will make him bear figs. Yet others refer this condition to the use made of human nature, which certainly is a more philosophical way of looking at the matter. Now there is one sect which has done great service in former days, which is, I think, still doing something to enlighten and liberalize the land, and, I trust, will yet do more, more even than it consciously intends. The name of Unitarian is deservedly dear to many of us, who yet will not be shackled by any denominational fetters. This sect has always been remarkable for a certain gentlemanly reserve about all that pertained to the inward part of religion; other faults it might have, but it did not incur the reproach of excessive enthusiasm, or a spirituality too sublimated and transcendental for daily use. This sect has long been a speckled bird among the denominations, each of which has pecked at her, or at least cawed with most unmelodious croak against this new-fledged sect. It was said the Unitarians had "denied the Lord that bought them;" that theirs was the church of unbelief--not the church of Christ, but of No-Christ; that they had a Bible of their own, and a thin, poor Bible, too; that their ways were ways of destruction; "Touch not, taste not, handle not," was to be written on their doctrines; that they had not even the grace of lukewarmness, but were moral and stone-cold; that they looked fair on the side turned towards man, but on the Godward side it was a blank wall with no gate, nor window, nor loop-hole, nor eyelet for the Holy Ghost to come through; that their prayers were only a show of devotion to cover up the hard rock of the flinty heart, or the frozen ground of morality. Their faith, it was said, was only a conviction after the case was proven by unimpeachable evidence, and good for nothing; while belief without evidence, or against proof, seems to be the right ecclesiastical talisman. For a long time the Unitarian sect did not grumble unduly, but set itself to promote the cultivation of reason and apply that to religion; to cultivate morality and apply it to life; and to demand the most entire personal freedom for all men in all matters pertaining to religion. Hence came its merits; they were very great merits, too, and not at all the merits of the times, held in common with the other sects. I need not dwell on this, and the good works of Unitarianism, in this the most Unitarian city in the world; but as a general thing the Unitarians, it seems to me, did neglect the culture of piety; and of course their morality, while it lasted, would be unsatisfactory, and in time would wither and dry up because it had no deepness of earth to grow out of. The Unitarians, as a general thing, began outside, and sought to work inward, proceeding from the special to the general, by what might be called the inductive mode of religious culture; that was the form adopted in pulpits, and in families so far as there was any religious education attempted in private. That is not the method of nature, where all growth is the development of a living germ, which by an inward power appropriates the outward things it needs, and grows thereby. Hence came the defects of Unitarianism, and they were certainly very great defects; but they came almost unavoidably from the circumstances of the times. The sensational philosophy was the only philosophy that prevailed; the Orthodox sects had always rejected a part of that philosophy, not in the name of science, but of piety, and they supplied its place not with a better philosophy, but with tradition, speaking with an authority which claimed to be above human nature. It was not in the name of reason that they rejected a false philosophy, but in the name of religion often denounced all philosophy and the reason which demanded it. The Unitarians rejected that portion of Orthodoxy, became more consistent sensationalists, and arrived at results which we know. Now it is easy to see their error; not difficult to avoid it; but forty or fifty years ago it was almost impossible not to fall into this mistake. Sometimes it seems as if the Unitarians were half conscious of this defect, and so dared not be original, but borrowed Orthodox weapons, or continued to use Trinitarian phrases long after they had blunted those weapons of their point, and emptied the phrases of their former sense. In the controversy between the Orthodox and Unitarians, neither party was wholly right: the Unitarians had reason to charge the Orthodox with debasing man's nature, and representing God as not only unworthy, but unjust, and somewhat odious; the Trinitarians were mainly right in charging us with want of conscious piety, with beginning to work at the wrong end; but at the same time it must be remembered, that, in proportion to their numbers, the Unitarians have furnished far more philanthropists and reformers than any of the other sects. It is time to confess this on both sides. For a long time the Unitarian sect did not complain much of the decline of piety; it did not care to have an organization, loving personal freedom too well for that, and it had not much denominational feeling; indeed, its members were kept together, not so much by an agreement and unity of opinion among themselves, as by a unity of opposition from without; it was not the hooks on their shields that held the legion together with even front, but the pressure of hostile shields crowded upon them from all sides. They did not believe in spasmodic action; if a body was dead, they gave it burial,
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Produced by Al Haines [Frontispiece: The Empress of Russia and Queen Alexandra] RUSSIAN MEMORIES BY MADAME OLGA NOVIKOFF "O.K." WITH AN INTRODUCTION BY STEPHEN GRAHAM AND FIFTEEN ILLUSTRATIONS HERBERT JENKINS LIMITED 12 ARUNDEL PLACE HAYMARKET LONDON S.W. MCMXVII WILLIAM BRENDON AND SON, LTD., PRINTERS, PLYMOUTH, ENGLAND {1} INTRODUCTION BY STEPHEN GRAHAM It is perhaps a little superfluous for one of my years to write an introduction for one so well known and so much esteemed and admired as Madame Novikoff. And yet it may seem just, if it does not seem vain, that a full-hearted tribute should come to her from this generation which profits by the result of her life and her work--the great new friendship between England and Russia. She is one of the most interesting women in European diplomatic circles. She is a picturesque personality, but more than that she is one who has really done a great deal in her life. You cannot say of her, as of so many brilliant women, "She was born, she was admired, she passed!" Destiny used her to accomplish great ends. For many in our society life, she stood for Russia, was Russia. For the poor people of England Russia was represented by the filth of the Ghetto and the crimes of the so-called "political" refugees; for the middle classes who read Seton Merriman, Russia was a fantastic country of revolutionaries and bloodthirsty police; but fortunately the ruling and upper classes always have had some better vision, they have had the means of travel, they have seen real representative Russians in their midst. {2} "They are barbarians, these Russians!" says someone to his friend. But the friend turns a deaf ear. "I happen to know one of them," says he. A beautiful and clever woman always charms, whatever her nationality may be, and it is possible for her to make conquests that predicate nothing of the nation to which she belongs. That is true, and therein lay the true grace and genius of Madame Novikoff. She was not merely a clever and charming woman, she was Russia herself. Russia lent her charm. Thus her friends were drawn from serious and vital England. Gladstone learned from her what Russia was. The great Liberal, the man who, whatever his virtues, and despite his high religious fervour, yet committed Liberalism to anti-clericalism and secularism, learned from her to pronounce the phrase, "Holy Russia." He esteemed her. With his whole spiritual nature he exalted her. She was his Beatrice, and to her more than to anyone in his life he brought flowers. Morley has somehow omitted this in his biography of Gladstone. Like so many intellectual Radicals he is afraid of idealism. But in truth the key to the more beautiful side of Gladstone's character might have been found in his relationship to Madame Novikoff. And possibly that friendship laid the real foundation of the understanding between the two nations. Incidentally let me remark the growing friendliness towards Russia which is noticeable in the work of Carlyle at that time. A tendency towards friendship came thus into the air far back in the Victorian era. {3} Another most intimate friendship was that of Kinglake and Madame Novikoff, where again was real appreciation of a fine woman. Anthony Froude worshipped at the same shrine, and W. T. Stead with many another in whose heart and hand was the making of modern England. A marvellously generous and unselfish nature, incapacity to be dull or feel dull or think that life is dull--a delicious sense of the humorous, an ingenious mind, a courtliness, and with all this something of the goddess. She had a presence into which people came. And then she had a visible Russian soul. There was in her features that unfamiliar gleam which we are all pursuing now, through opera, literature and art--the Russian genius. Madame Novikoff was useful to Russia, it has been reproachfully said. Yes, she was useful in promoting peace between the two Empires, she was worth an army in the field to Russia. Yes, and now it may be said she has been worth an army in the field to us. When Stead went down on the _Titanic_ one of the last of the great men who worshipped at her shrine had died. Be it remarked how great was Stead's faith in Russia, and especially in the Russia of the Tsar and the Church. And it is well to remember that Madame Novikoff belongs to orthodox Russia and has never had any sympathy whatever with revolutionary Russia. This has obtained for her not a few enemies. There are many Russians with strong political views, estimable but misguided men, who have issued in the past such harmful rubbish as _Darkest Russia_, journals and pamphlets wherein {4} systematically everything to the discredit of the Tsar and his Government, every ugly scandal or enigmatical happening in Russian contemporary life was written up and then sent post free to our clergy, etc. To them Madame Novikoff is naturally distasteful. But as English people we ask, who has helped us to understand "Brightest Russia"--the Russia in arms to-day? And the praise and the thanks are to her. STEPHEN GRAHAM. Moscow, 27_th August_, 1916. {5} EDITOR'S PREFACE The late W. T. Stead in saying to Madame Novikoff, "When you die, what an obituary I will write of you," was paying her a great compliment; just as was Disraeli, although unconsciously, in referring to her as "the M.P. for Russia in England." With that consummate tact which never fails her, Madame Novikoff has evaded the compliment and justified the sarcasm. Disraeli might with justice have added that she was also "M.P. for England in Russia"; for if she has appeared pro-Russian in England, she has many times been reproached in Russia as pro-English. Of few women have such contradictory things been said and written, things that clearly show the gradual change in the political barometer; but her most severe critics indirectly paid tribute to her remarkable personality by fearing the influence she possessed. In the dark days when Great Britain and Russia were thinking of each other only as potential antagonists, she was regarded in this country as a Russian agent, whose every action was a subject for suspicious speculation, a national danger, a syren whose object it was to entice British {6} politicians from their allegiance. Wherever she went it was, according to public opinion, with some fell purpose in view. If she came to London for the simple purpose of improving her English, it meant to a certain section of the Press Russian "diplomatic activity." The Tsar was told by an English journalist that he ought to "be very proud of her," as she succeeded where "Russian papers, Ambassadors and Envoys failed"; another said that she was "worth an army of 100,000 men to her country"; a third that she was a "stormy petrel." She was, in fact, everything from a Russian agent to a national danger, everything in short but the one thing she professed to be, a Russian woman anxious for her country's peace and progress. In Serbia there is a little village whose name commemorates the death of a Russian hero, Nicolas Kiréef, Madame Novikoff's brother. In his death lay the seed of the Anglo-Russian Alliance. Distraught with grief, Madame Novikoff blamed Great Britain for her loss. She argued that, had this country refused to countenance the unspeakableness of the Turk in 1876, there would have been no atrocities, no Russian Volunteers, and no war. From that date she determined to do everything that lay in her power to bring about a better understanding between Great Britain and Russia. For years she has never relaxed her efforts, and she has lived to see what is perhaps the greatest monument ever erected by a sister to a brother's memory--the Anglo-Russian Alliance. {7} Nothing discouraged her, and at times, when war seemed inevitable, she redoubled her efforts. In all her work, she had chiefly to depend on her own ardour and sincerity. It
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Produced by David Edwards, Ryan Cowell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) BOOKS BY ELSIE SINGMASTER When Sarah Saved the Day When Sarah Went to School Gettysburg Katy Gaumer Emmeline The Long Journey The Life of Martin Luther John Baring's House Basil Everman Ellen Levis Bennett Malin The Hidden Road A Boy at Gettysburg Bred in the Bone Keller's Anna Ruth 'Sewing Susie' What Everybody Wanted Virginia's Bandit You Make Your Own Luck A Little Money Ahead WHEN SARAH SAVED THE DAY [Illustration: SARAH DID NOT SPEAK, SHE ONLY HID HER EYES (page 126)] WHEN SARAH SAVED THE DAY BY ELSIE SINGMASTER WITH ILLUSTRATIONS [Illustration] BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge COPYRIGHT, 1909, BY ELSIE SINGMASTER ALL RIGHTS RESERVED INCLUDING THE RIGHT TO REPRODUCE THIS BOOK OR PARTS THEREOF IN ANY FORM _Published October 1909_ PRINTED IN THE U.S.A. TO CAROLINE HOOPES SINGMASTER CONTENTS I. Uncle Daniel's Offer 1 II. The Rebels take to Arms 24 III. Uncle Daniel steals a March 44 IV. There is Company to Supper 62 V. The Blow falls 79 VI. The Orphans' Court 97 VII. "And now We will go Home" 116 ILLUSTRATIONS SARAH DID NOT SPEAK, SHE ONLY HID HER EYES (Page 126) _Frontispiece_ GO AWAY AND LEAVE ME WITH MY CHILDREN 20 THE STATION AGENT LOOKED AT THEM CURIOUSLY 94 UNCLE DANIEL SMILED AND DREW OUT TWO SHINING DOLLARS 112 WHEN SARAH SAVED THE DAY CHAPTER I UNCLE DANIEL'S OFFER Sarah Wenner, who was fifteen years old, but who did not look more than twelve, hesitated in the doorway between the kitchen and the best room, a great tray of tumblers and cups in her hands. "Those knives and forks we keep always in here, Aunt Mena. We do not use them for every day." Her aunt, Mena Illick, lifted the knives from the drawer where she had laid them. One could see from her snapping black eyes that she did not enjoy being directed by Sarah. But order was order, and no one ever justly accused a Pennsylvania German housewife of not putting things where they belonged. She laid the knives on the table for Sarah to put away. The kitchen seemed strangely lonely and empty that evening, in spite of the number of persons who were there. Besides little Sarah, who was the head of the Wenner household, now that the father was dead and the oldest son had gone away, and her Aunt Mena, who had driven thither for the funeral that afternoon, there was an uncle, Daniel Swartz, and his wife Eliza, who was just then wringing out the tea-towels from a pan of scalding suds, and the Swartzes' hired man, Jacob Kalb, short and stout, with a smooth-shaven face and tiny black eyes. Daniel Swartz sat beside the wide table, the hired man by his side. On chairs against the wall, sitting now upright, now leaning against each other when sleep overpowered them, were the Wenner twins, Louisa Ellen and Ellen Louisa, whose combination of excessive slenderness and appearance of good health could be due only to constant activity. In their waking moments they looked not unlike eager little grasshoppers, ready for a spring. The last member of the party lay peacefully sleeping on the deep settle before the fireplace. His wide blue eyes were closed, his chubby arms thrown above his head. Worn with the excitement of the day, too young to realize that the cheerful, merry father whom they had carried away that afternoon would never return, he slept on, the only one entirely at ease. Daniel Swartz rose every few minutes to cover him more thoroughly. Aunt 'Liza and Aunt Mena watched Uncle Daniel, the eyes of the twins rested with scornful disfavor upon Jacob Kalb, and Sarah watched them all. Her tired eyes widened with apprehension when she saw her uncle bend over Albert as if he were his own, and she bit her lips when she saw Aunt 'Liza and Aunt Mena whispering together. Returning with the empty tray, she moved swiftly across the kitchen to where the twins were sitting. At that moment they were awake and engaged in their favorite pastime of teasing Jacob Kalb. Jacob had an intense desire to be considered English, and in an unfortunate moment had translated his name, not realizing how much worse its English equivalent, "Calf," would sound to English ears than the uncomprehended German "Kalb." It was the twins' older brother, William, who had now been away from home so long that they had almost forgotten him, who had heard Jacob telling his new name to some strangers. "Ach, no, I cannot speak German very good. I am not German. My name is Jacob Calf." He saw in their faces that he had made a mistake, but it was too late to retract. Besides, William Wenner, whom he hated, and who had been to the Normal School, had heard, and as long as Jacob lived the name would cling to him. Ellen Louisa and Louisa Ellen, accustomed to shout it at him from a safe vantage-ground on their own side of the fence, called it softly now when the older people were talking, "Jacob Calf! Jacob Calf!" Then, suddenly, each twin found her arm clutched as though in a vise. "Ellen Louisa and Louisa Ellen, be still. Not a word! Not a word!" "But--" began the twins together. Sarah had always aided and abetted them. It was Sarah who had invented such brilliant rhymes as, Jacob Calf, You make me laugh. Sarah's nonsense had amused the father and delighted the children for many weary months. Why had she suddenly become so strange and solemn? To the twins death had as yet no very terrible meaning, and they knew nothing of care and responsibility. Each jerked her arm irritably away from Sarah's hand. Why didn't she tell the aunts and uncle to go home and let them go to bed? And why was Jacob Kalb there in the kitchen? Why--But the twins were too drowsy to worry very long. Leaning comfortably against each other, they fell asleep once more. Sarah continued her journey across the room to gather up a pile of plates. She sympathized thoroughly with the twins in their hatred for the hired man. He had no business there. If the uncle and aunts wished to discuss their plans, they should do it alone, and not in the presence of this outsider. But he knew all Uncle Daniel's affairs, and was now too important a person to be teased. Sarah put the plates into the corner-cupboard, arranging them in their accustomed places along the back. She had seen Aunt Eliza's and Aunt Mena's eyes glitter as they washed them. "It ain't one of them even a little bit cracked," said Aunt 'Liza. "They should have gone all along to pop and not to Ellie Wenner." "And the homespun shall come to me," said Aunt Mena. Sarah had been ready with a sharp reply, but had checked it on her lips. "Pop" and Aunt Mena, indeed! She thought of their well-stocked houses. Her mother had had few enough of the family treasures. She stopped for a moment to wipe her eyes before she went back to the kitchen, standing by the window and looking out over the dark fields. There was no lingering sunset glow to brighten the sky, but Sarah's eyes seemed to pierce the gloom, as though she would follow the sun to that distant country where her brother had vanished. Two hundred years before, their ancestors had come from the Fatherland, and ever since, adventurous souls had insisted upon leaving this safe haven to penetrate still farther into the enchanted West. Whole families had gone; in Ohio were towns and counties whose people bore the familiar Pennsylvania German names, Yeager, Miller, Wagner, Swartz, Schwenk, Gaumer. Dozens of young men had gone to California in '49. Some had returned, some were never heard of again. Fifty years later, the rumor of gold drew young men away once more, this time into the bitter cold of the far Northwest. William's indulgent father had let him go almost without a word of objection. He knew what _wanderlust_ was. And for some reason William had seemed suddenly to become unhappy. The farm was small, too small to support them all; there were four younger children, and William, to his father's and mother's secret delight, had declined his Uncle Daniel's offer of adoption. They had let him take his choice between the straitened, simple life at home and the prospect of ease and wealth at Uncle Daniel's. Uncle Daniel had never forgiven them or him. William's success at the Normal School, where, with great sacrifice, he was sent, irritated him; William's election as a township school director made him furious. It is safe to say that Daniel Swartz and Jacob Kalb were the only persons in Upper Shamrock township who did not like William. Even Miss Miflin, the pretty school-teacher, went riding with him in his buggy, and all the farmers and the farmers' wives were fond of him. "His learning doesn't spoil him," said Mrs. Ebert, who lived on the next farm. "He is just so nice and common as when he went away." And then he had gone away again, not to the Normal School, but to Alaska. Sarah remembered dimly how he and his father had pored over the old atlas after the twins had been put, protesting, to bed, and the mother had sat with Albert in her arms, and, when the men were not watching her, with a sad, frightened look in her eyes. Sarah could understand both her brother's eagerness and her mother's sadness. Little did any of them foresee what the next few years were to bring. The little mother went first, with messages for William on her last breath, and now the dear, cheerful father. Surely, if William could have guessed, he would never have gone so far away. But for two years they had had no word. At first there had been frequent letters. When he reached Seattle, it had been too late for him to go north, and he waited for spring. Then it was difficult to get passage, and there was another delay. After that the letters grew fewer and fewer, and finally ceased. Meanwhile, a strange shadow had crept over William's name and William's memory. Pretty Miss Miflin asked no more about him, Uncle Daniel came and spoke sharply to Sarah's father and mother and then they talked about him in whispers when they thought Sarah did not hear. Once she caught an unguarded sentence:-- "I have written again. If he does not answer, he is dishonest or--" "No!" her mother had answered sharply. "No! William will come home, and then he will tell us!" But William had neither come nor written. So far as they knew he had not heard of his mother's death, and there was no telling whether the announcement of his father's death would reach him. Perhaps he, too, might be-- But that thought Sarah would not admit for the fragment of a second to her burdened mind. She wiped away her tears once more, and then she almost succeeded in smiling. The black clouds in the west were parting. Here and there a star peeped through. She knew a few of them by name. There was Venus,--Sarah, whose English was none of the best, would have called it "Wenus,"--her father had loved it. Often he had watched it from this window. Perhaps William saw it, too, in that mysterious night in which he lived. Ah, what tales there would be to tell when William came home! Her father's death had meant the giving up of all Sarah's dreams and hopes. Three years before, they had driven one day to a neighboring town. Drives were not frequent in that busy household. Sarah remembered yet how fine Dan and Bill had looked in their newly blackened harness, and how proud she had felt, sitting with her father on the front seat. They had seen many wonderful things: a paint-mill, a low, long building, covered, inside and out, with thick layers of red powder; and the ore mines, great holes in the yellow soil, where the ore needed only to be dug out from the surface; and they had stopped to watch a cast at a blast-furnace. But most wonderful of all was the "Normal." Sarah had seen the slender tower of the main building against the sky. "What is then that?" she had asked. "That is the Normal, where William went to school." "Ach, yes, of course!" cried Sarah. All the delightful things in the world were connected with William. Her father looked down at the sparkling eyes in the eager little face. He had had little education himself, but he knew its value. "Would you like, then, to come here to school?" Sarah's face grew a deep crimson. She looked at the trees, the wide lawns, the young people at play in the tennis-courts. "I? To school? Here?" "Of course. Wouldn't you like to be such a teacher like Miss Miflin?" Sarah's face grew almost white. It was as though he had said, "Would you like to be President of the United States?" "_I!_ Like Miss Miflin! Ach, pop, do you surely mean it? But I am too dumb." Her father laughed. "No, you are not dumb. If you are good, and if you study, you dare come here." Ah, but how could one study with a sick mother, and then a sick father and a baby to look after, and twins like Ellen Louisa and Louisa Ellen to bring up, and-- Sarah went slowly back to the kitchen. It was like going into church, all was so still and solemn. Albert and the twins slept, Aunt 'Liza and Aunt Mena had taken their places on the opposite side of the table from Uncle Daniel and Jacob Kalb. "Come, come," cried Uncle Daniel impatiently. He did not like black-eyed little Sarah. She looked too much like her father, whom his sister had married against his will. "We must get this fixed up. Sit down, once." Sarah sat down on the nearest seat, which was the lower end of the settle on which Albert lay. She wiped her hot face on her gingham apron, then laid her hand on Albert's stubby little shoes, as though she needed something to hold to. "Don't," commanded Uncle Daniel. "You wake him up if you don't look a little out." Sarah's eyes flashed. As though she would wake him, her own baby, whom she had tended for three years! She wanted to tell them to go, to leave her alone with her children. But again she was wisely silent. She did not know yet what it was that her uncle meant to "fix up." Swartz pulled his chair a little closer to the table. He looked uncomfortable in his black suit and his stiff collar. Occasionally he slipped his finger behind it and pulled it away from his throat, as though it were too tight. It seemed as if his remarks were for the benefit of Sarah alone, even though he did not look at her, for Aunt Mena and Aunt 'Liza and the hired man helped him out with an occasional word as if they knew beforehand what
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Produced by Juliet Sutherland, Melissa McDaniel, and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note: Inconsistent hyphenation and spelling in the original document have been preserved. Obvious typographical errors have been corrected. Italic text is denoted by _underscores_. LEARN ONE THING EVERY DAY SEPTEMBER 15 1916 SERIAL NO. 115 THE MENTOR WALTER SCOTT By HAMILTON W. MABIE Author and Editor DEPARTMENT OF LITERATURE VOLUME 4 NUMBER 15 FIFTEEN CENTS A COPY The Wizard of the North [Illustration] The causes of Sir Walter Scott's ascendancy are to be found in the goodness of his heart, the integrity of his conduct, the romantic and picturesque accessories and atmosphere of his life, the fertile brilliancy of his literary execution, the charm that he exercises, both as man and artist, over the imagination, the serene, tranquilizing spirit of his works, and, above all, the buoyancy, the happy freedom of his genius. [Illustration] He was not simply an intellectual power, he was also a human and gentle comforter. He wielded an immense mental force, but he always wielded it for good, and always with tenderness. It is impossible to conceive of his ever having done a wrong act, or of any contact with his influence that would not inspire the wish to be virtuous and noble. The scope of his sympathy was as broad as are the weakness and need of the human race. He understood the hardship in the moral condition of mankind and he wished and tried to relieve it. [Illustration] His writings are full of sweetness and cheer, and they contain nothing that is morbid--nothing that tends toward surrender or misery. He did not sequester himself in mental pride, but simply and sturdily, through years of conscientious toil, he employed the faculties of a strong, tender, gracious genius for the good of his fellow-creatures. The world loves him because he is worthy to be loved, and because he has lightened the burden of its care and augmented the sum of its happiness. From "Over the Border" by William Winter [Illustration: FLORA MACIVOR--"WAVERLEY" COURTESY, THE PAGE COMPANY FROM A DRAWING BY R. W. MACBETH] Waverley ONE "Waverley" is a story of the rebellion of the chevalier Prince Charles Edward, in Scotland, in 1745. Edward Waverley, the central figure of the tale, was a captain of dragoons in the English army. He obtained a leave of absence from his regiment and went to Scotland for a rest, staying at the home of Baron Bradwardine. During his stay a band of Highlanders drove off the Baron's cattle, and Waverley offered his assistance in recovering them. Fergus MacIvor was the chief of the band which stole the cattle. Waverley met his sister, Flora, and fell in love with her, but she discouraged him. Later Waverley was wounded by a stag; and the rebellion having started in the meanwhile, one of the Highlanders, assuming Waverley to be a sympathizer, used his name and seal to start a mutiny in Waverley's troop. For this reason Waverley was dismissed from his regiment for desertion and treason. Indignant at this unjust treatment, Waverley joined the rebellion, first, however, returning home in an attempt to justify himself. On this trip he was arrested for treason, but was rescued by the Highlanders when on his way to the dungeon of Stirling Castle. Waverley served in the war, and when the rebellion was crushed he escaped, and later made his way to London. There his name was cleared from the false charges, and a pardon obtained for both himself and Baron Bradwardine. Flora's brother was executed, and she herself retired to a convent at Paris. Waverley married Rose, the beautiful daughter of Baron Bradwardine. One of the most charming scenes in the story took place shortly after Waverley met Flora at the home of her brother. Flora had promised to sing a Gaelic song for him in one of her favorite haunts. One of the attendants guided him to a beautiful waterfall in the neighborhood, and there he saw Flora. "Here, like one of those lovely forms which decorate the landscapes of Poussin, Waverley found Flora gazing on the waterfall. Two paces farther back stood Cathleen, holding a small Scottish harp, the use of which had been taught to Flora by Rory Dall, one of the last harpers of the western Highlands. The sun, now stooping in the west, gave a rich and varied tinge to all the objects which surrounded Waverley, and seemed to add more than human brilliancy to the full, expressive darkness of Flora's eye, exalted the richness and purity of her complexion, and enhanced the dignity and grace of her beautiful form. Edward thought he had never, even in his wildest dreams, imagined a figure of such exquisite and interesting loveliness. The wild beauty of the retreat, bursting upon him as if by magic, augmented the mingled feelings of delight and awe with which he approached her, like a fair enchantress of Boiardo or Ariosto, by whose nod the scenery around seemed to have been created--an Eden in the wilderness. "Flora, like every beautiful woman, was conscious of her own power, and pleased with its effects, which she could easily discern from the respectful yet confused address of the young soldier. But as she possessed excellent sense, she gave the romance of the scene and other accidental circumstance full weight in appreciating the feelings with which Waverley seemed obviously to be impressed; and unacquainted with the fanciful and susceptible peculiarities of his character, considered his homage as the passing tribute which a woman of even inferior charms might have expected in such a situation. She therefore quietly led the way to a spot at such a distance from the cascade that its sound should rather accompany than interrupt that of her voice and instrument, and sitting down upon a mossy fragment of rock, she took the harp from Cathleen." "Waverley" was the first of the world-famous series of romances to which it gives the title. It was published anonymously in 1814. Although the authorship of the series was generally accredited to Scott, it was never formally acknowledged until business conditions necessitated it in 1826. [Illustration: MEG MERRILIES DIRECTS BERTRAM TO THE CAVE--"GUY MANNERING" COURTESY, THE PAGE COMPANY FROM AN ETCHING BY C. O. MURRAY] Guy Mannering TWO Guy Mannering, a young Englishman traveling through Scotland, stopped one night at the home of the Laird of Ellangowan. When the Laird learned that the young man had studied astrology, he begged him to cast the horoscope of his son, who had been born that night. What was Mannering's dismay to find that two catastrophes overhung the lad, one at his fifth, and the other at his twenty-first year! He told the father, however, that he might be warned; and later went his way. The fortunes of the Laird of Ellangowan, Godfrey Bertram, waned rapidly. In addition to this, his son, Harry, at the age of five, was kidnapped. It was impossible to learn whether the child was alive or dead. The boy's mother died from the shock; and some years later the Laird himself followed her, leaving his daughter Lucy penniless. In the meanwhile, Guy Mannering had become Colonel Mannering. He had married and had a daughter, Julia. She had fallen in love with a young officer, named Vanbeest Brown, who had served in India under Colonel Mannering. The colonel objected to him as a suitor, because of the obscurity of his birth. When things were at their worst for Lucy Bertram, Colonel Mannering returned to England. Accidentally hearing of the straits to which she had been reduced, he at once invited her and her guardian to make their home with him and his daughter Julia. Captain Brown followed the Mannerings to England; and finally he proved to be the long lost Harry Bertram, brother of
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Produced by Julio Reis and the Online Distributed Proofreading Team at http://www.pgdp.net TRANSCRIBER'S NOTES: This work has no errata. The following typos were corrected: * p. 82: chesnuts -> chestnuts In this text-only version, italic was marked with _, and text in small capitals was converted to uppercase. [Illustration: Cover] Olive Leaves [Illustration: The Indian Chief.--_P._ 229.] OLIVE LEAVES. OR, SKETCHES OF CHARACTER. BY MRS. L. H. SIGOURNEY. GALL & INGLIS. London: 25 PATERNOSTER SQUARE. Edinburgh: 20 BERNARD TERRACE. PREFACE. An Olive Leaf was the first gift of the Earth after the Flood, to the sole survivors of a buried race. It was borne by the Dove, spreading a timid wing over the surging waters, so lately without a shore. The plant thus honoured, as the love-token of a World, rising in freshness from the wrecks of the Deluge, has long been a consecrated emblem of peace. It then brought the joyful tidings to the voyagers in the lonely Ark, of a home once more upon the green earth; and has since cheered many a Christian heart, with the assurance that the bitter waters of strife had abated. These, my simple "Olive Leaves," would fain be love-tokens to you, sweet young friends, who may chance to take them in your hand. Buds of the olive and of the rose, are ye: pour forth the spirit of peace and love, as ye unfold and ripen on the pilgrimage of life, that you may be gathered at its close, where their bloom is eternal. L. H. S. _Hartford, Connecticut._ CONTENTS. Page PREFACE, 3 THE LOST AND FOUND, 9 CHILDHOOD'S PIETY, 18 FRANK LUDLOW, 19 VICTORY, 35 SILENT PEOPLE, 37 LAURA BRIDGMAN, 53 HUMBLE FRIENDS, 55 BUTTERFLY IN A SCHOOL-ROOM, 61 A BRAVE BOY, 63 MAY MORNING, 66 THE HUGUENOT GRANDFATHER'S TALE, 67 THE OLD WATCH, 86 ENTERTAINING BOOKS, 88 THE NEW YEAR, 91 CYRUS, 93 ROME AND ITS RULERS, 97 THE PLOUGHING OF THE SWORD, 105 THE GOOD AND BAD EMPEROR, 108 BONAPARTE AT ST. HELENA, 120 POLYCARP, 124 CHRISTMAS HYMN, 127 THE FRIVOLOUS KING, 128 TO A PUPIL LEAVING SCHOOL, 131 PIOUS PRINCES, 132 EVILS OF WAR, 138 THE LIBERATED FLY, 143 THE GOOD BROTHER AND SISTER, 146 THE WAITING CHILD, 155 THE ADOPTED NIECE, 156 THE ORPHAN, 160 THE ONLY SON, 163 LIFE, 175 A REMARKABLE CHILD, 177 THE DYING SUNDAY SCHOOL BOY, 187 THE PRECOCIOUS INFANT, 189 THE LAST ROSE BUD, 195 THE CHERUB'S WELCOME, 197 THE BABE, AND THE FORGET-ME-NOT, 199 TREATMENT OF ANIMALS, 201 THE TREMBLING EYELID, 207 PEACEFUL DISPOSITIONS, 213 JOHN AND JAMES WILLIAMS, 220 THE INDIAN KING, 227 THE DOVES, 232 THE WAR-SPIRIT, 236 EARLY RECOLLECTIONS, 238 HUGUENOT FORT, 243 I HAVE SEEN AN END OF ALL PERFECTION, 252 OLIVE LEAVES. The Lost and Found. I have something to say to the young, about the advantage, as well as duty of obeying their parents. My story will be of an interesting boy, by the name of Charles Morton. He had a pleasant temper, and almost always wore a smile. He ardently loved his sister Caroline, who was several years younger than himself; and whenever he came from school, would ask for her, and take her in his arms, or guide her tottering footsteps. But Charles, with all his kindness of heart, had a sad fault. He would sometimes disobey his parents, when he was out of their sight. He did not remember that the Eye of God always saw him, both in darkness and in light, and would take note of the sin that he committed, though his parents knew it not. At a short distance from his home, was a beautiful river, broad and deep. His parents had strictly charged him never to venture in, and had explained to him the danger which a boy of eight years old would incur, in a tide so strong. Notwithstanding this, he would sometimes seek a spot where the banks, or the trees upon the shore, concealed him, and take off his shoes, and step into the water. He grew fond of wading, and would occasionally stay in the water a long time. Then, he greatly desired to swim. He frequently saw larger boys amusing themselves in this way, and longed to join them. But he feared lest they might mention it to his father, and determined to go alone. Here was the sin of the little boy, not only in continuing to disobey, but in studying how to deceive his kind parents. One fine afternoon in summer, school was dismissed at an earlier hour than usual. Now, thought Charles, I can make a trial at swimming, and get home, before my mother misses me. He sought a retired spot, where he had never seen his companions go, and hastened to throw off his clothes, and plunge into the water. He did not imagine that it was so deep there, and that the current was so exceedingly swift. He struggled with all his might, but was borne farther and farther from the shore. The sea was not a great distance from the mouth of the river, and the tide was driving on violently, and what could he do? Nothing, but to exhaust his feeble strength, and then give up, and be carried onwards. He became weary of beating the water with his feet and hands to no purpose, and his throat was dry with crying, and so he floated along, like a poor, uprooted weed. It was fearful to him to be hurried away so, with the waters roaring in his ears. He gave up all hope of seeing his dear home again, and dreaded the thought of being drowned, and devoured by monstrous fishes. How he wished that he had not disobeyed his good parents; and he earnestly prayed God to forgive him, and have mercy upon his soul. At Charles Morton's home, his mother had prepared a bowl of bread and milk for him, because he usually was hungry when he came from school. At length she began to look from the window, and to feel uneasy. Little Caroline crept to the door, and continually called "Tarle, Tarle!" But when the sun disappeared, and Mr. Morton returned, and nothing had been seen of the dear boy, they were greatly alarmed. They searched the places where he had been accustomed to play, and questioned his companions, but in vain. The neighbours collected, and attended the father in pursuit of his lost son. What was their distress, at finding his clothes in a remote recess, near the river's brink! They immediately gave him up as drowned, and commenced the search for his body. There was bitter mourning in his once happy home, that night. Many weeks elapsed, ere little Caroline ceased calling for her "_dear Tarle_," or the sad parents could be comforted. And it was remembered amid their affliction, that the beloved child whom they had endeavoured to teach the fear of God, had forgotten that All-seeing Eye, when he disobeyed his parents. But while they were lamenting their lost son, he was not dead. While faintly struggling on the river, he had been discovered, and taken up by an Indian canoe. He had been borne by the swift current far from the place where he first went into the water. And it was very long after he was rescued, before he came to his senses, so as to give any connected account of himself. Then, he was greatly shocked at finding himself in a boat, with two huge Indians. He shrieked, and begged to be taken to his father's house; but they paid no attention to his cries, and silently proceeded on their voyage. They wrapped a blanket around him, because he had no clothes, and offered him some parched corn, but he had no heart to eat. By the rough tossing of the boat, he discovered that they were upon the deep sea, and the broad moon rose high, and shone long, ere they drew near to land. Stupefied with terror, one of the Indians carried him in his arms to a rude hut, and gave him to his wife. "What have you brought?" said she, as she loosened the blanket, and discovered the dripping locks and shivering form of the affrighted child. "A white pappoose," answered the hoarse voice of the husband. Poor Charles looked up with a cry of horror and despair. The woman regarded him earnestly for a moment. "He is like my son that I buried," said she, and she folded her dark arms around him, and wept. She kindled a fire to warm him, and pressed food upon him, but he was sick at heart. She laid him in the rude bed of her dead child, and he sobbed himself into a deep, long sleep. It was late in the morning when he opened his eyes. Who can describe his distress! No kind parent to speak to him, no little sister to twine her arms around his neck. Nothing but a dark hovel, and strange Indian faces. The woman, with her husband and father, were the sole inhabitants of the hut, and of this lone, sea-girt island. A dreadful feeling of desolation came over him, and he laid down his head, and mourned bitterly. The red-browed woman pitied him, and adopted him into her heart, in place of the child she had lost. She brought him the coarse garments of her dead son, and he was obliged to put them on, for he had no other. His heart sunk within him, when on going out of the door, he could see no roof save the one where he had lodged. Some little rocky islands were in sight, but none of them inhabited. He felt as if he was alone in the world, and said, "This is the punishment of my disobedience." Continually he was begging with tears, to be taken to his home, and the men promised "when we go so far again in the boat, we will carry you." But their manners were so stern, that he began to fear to urge them as much as he wished. So every night, when he had retired to sleep, the woman said to her husband, "We will keep him. He will be contented. His beautiful blue eye is not so wild and strained, as when you brought him. My heart yearns towards him, as it did over the one that shall wake no more." She took him with her to gather the rushes, with which she platted mats and baskets, and showed him where the solitary bittern made her nest, and how to trace the swift steps of the heron, as with whirring wing half spread it hasted through the marshes to the sea. And she taught him to dig roots, which contain the spirit of health, and to know the herbs that bring sleep to the sick, and staunch the flowing blood: for she trusted that in industry, and the simple knowledge of nature, he would find content. At first, she brought him wild flowers, but she perceived that they always made him weep, for he had been accustomed to gather them for his little Caroline. So she passed them by, blooming in their wild recesses, and instructed him how to climb the trees where the grape-vine hung its airy clusters. And she gave him a choice bow and arrow, ornamented with brilliant feathers, and encouraged him to take aim at the birds that sang among the low branches. But he shrank back at the thought of hurting the warbler, and she said silently, "Surely, the babe of the white woman is not in spirit like his red brother. He who sleeps in the grave was happy when he bent the bow and followed his father to the chase." Little Charles spent a part of each day in watching the sails, as they glided along on the broad sea. For a long time, he would stand as near the shore as possible, and make signs, and shout, hoping they might be induced to come and take him to his home. But an object so diminutive, attracted no attention, and the small island, with its neighbouring group of rocks, looked so desolate, and the channel so obstructed and dangerous, that vessels had no motive to approach it. When the chill of early autumn was in the air, the Indian woman invited him to assist her in gathering the golden ears of the maize, and in separating them from their investing sheath. But he worked sorrowfully, for he was ever thinking of his own dear home. Once the men permitted him to accompany them, when they went on a short fishing excursion; but he wept and implored so violently to be taken to his parents, that they frowned, and forbade him to go any more in the boat. They told him, that twice or thrice in the year they performed a long voyage, and went up the river, to dispose of the articles of their manufacture and purchase some necessary stores. They should go when spring returned, and would then carry him to his parents. So the poor little boy perceived that he must try to be patient and quiet, through the long, dreary winter, in an Indian hut. The red-browed woman ever looked smilingly upon him, and spoke to him with a sweet, fond tone. She wished him to call her mother, and was always trying to promote his comfort. After Charles had obtained the promise of her husband and father, to take him home in the spring, his mind was more at rest. He worked diligently as his strength and skill would permit, on the baskets, mats, and brooms, with which the boat was to be freighted. He took pleasure in painting with the bright colours which they obtained from plants, two baskets, which were intended as presents for his mother and Caroline. The Indian woman often entertained him with stories of her ancestors. She spoke of their dexterity in the chase, of their valour in battle. She described their war-dances, and the feathery lightness of their canoes upon the wave. She told of the gravity of their chiefs, the eloquence of their orators, the respect of the young men for those of hoary hairs. She related instances of the firmness of their friendship, and the terror of their revenge. "Once the whole land was theirs, said she, and no white man dwelt in it, or had discovered it. Now, our race are few and feeble, they are driven away and perish. They leave their fathers' graves, and hide among the forests. The forests fall before the axe of the white man, and they are again driven out, we know not where. No voice asks after them. They fade away like a mist, and are forgotten." The little boy wept at the plaintive tone in which she spoke of the sorrows of her people, and said, "_I_ will pity and love the Indians, as long as I live." Sometimes, during the long storms of winter, he would tell them of the Bible, in which he had loved to read, and would repeat the hymns and chapters which he had learned at the Sabbath school. And then he regretted that he had not exerted himself to learn more when it was in his power, and that he had ever grieved his teachers. He found that these Indians were not able to read, and said, "Oh that I had now but _one_ of those books, which I used to prize so little when I was at home, and had so many." They listened attentively to all that he said. Sometimes he told them what he had learned of God, and added, "He is a good God, and a God of truth, but I displeased him when I was disobedient to my parents." At length, Spring appeared. The heart of little Charles leaped for joy, when he heard the sweet song of the earliest bird. Every morning he rose early, and went forth to see if the grass had not become greener during the night. Every hour, he desired to remind them of the long-treasured promise. But he saw that the men looked grave if he was impatient, and the brow of his Indian mother became each day more sad. The appointed period arrived. The boat was laden with the products of their industry. All was ready for departure. Charles wept when he was about to take leave of his kind Indian nurse. "I will go also," said she; and they made room for her in the boat. The bright sun was rising gloriously in the east, as they left the desolate island. Through the whole voyage she held the boy near her, or in her arms, but spoke not. Birds were winging their way over the blue sea, and, after they entered the river, poured forth the clearest melodies from shore and tree, but still she spoke not. There seemed a sorrow at her breast, which made her lip tremble, yet her eye was tearless. Charles refrained to utter the joy which swelled in his bosom, for he saw she was unhappy. He put his arm round her neck, and leaned his head on her shoulder. As evening approached, they drew near the spot, where she understood she must part from him. Then Charles said eagerly to her, "Oh, go home with me to my father's house. Yes, yes, come all of you with me, my dear, good people, that all of us may thank you together for having saved my life." "No," she answered sorrowfully: "I could not bear to see thy mother fold thee in her arms, and to know that thou wert mine no more. Since thou hast told me of thy God, and that he listened to prayer, my prayer has been lifted up to Him night and day, that thy heart might find rest in an Indian home. But this is over. Henceforth, my path and my soul are desolate. Yet go thy way, to thy mother, that she may have joy when she rises up in the morning, and at night goes to rest." Her tears fell down like rain, as she embraced him, and they lifted him upon the bank. And eager as he was to meet his parents, and his beloved sister, he lingered to watch the boat as it glided away. He saw that she raised not her head, nor uncovered her face. He remembered her long and true kindness, and asked God to bless and reward her, as he hastened over the well known space that divided him from his native village. His heart beat so thick as almost to suffocate him, when he saw his father's roof. It was twilight, and the trees where he used to gather apples, were in full and fragrant bloom. Half breathless, he rushed in at the door. His father was reading in the parlour, and rose coldly to meet him. So changed was his person, and dress, that he did not know his son. But the mother shrieked. She knew the blue eye, that no misery of garb could change. She sprang to embrace him, and fainted. It was a keen anguish to him, that his mother thus should suffer. Little Caroline clung around his neck, and as he kissed her, he whispered "Remember, God sees, and punishes the disobedient." His pale mother lifted up her head, and drew him from his father's arms, upon the bed, beside her. "Father, Mother," said the delighted boy, "forgive me." They both assured him of their love, and his father looking upward said, "My God, I thank thee! for this my son was dead, and is alive again; and was lost, and is found." Childhood's Piety. If the meek faith that Jesus taught, Admission fail to gain Neath domes with wealth and splendour fraught, Where dwell a haughty train, Turn to the humble hearth and see The Mother's tender care, Luring the nursling on her knee To link the words of prayer: Or to the little bed, where kneels The child with heaven-raised eye, And all its guileless soul reveals To Him who rules the sky; Where the young babe's first lispings keep So bright the parents tear, The "_Now, I lay me down to sleep_," That angels love to hear. Frank Ludlow. "It is time Frank and Edward were at home," said Mrs. Ludlow. So she stirred and replenished the fire, for it was a cold winter's evening. "Mother, you gave them liberty to stay and play after school," said little Eliza. "Yes, my daughter, but the time is expired. I wish my children to come home at the appointed time, as well as to obey me in all other things. The stars are already shining, and they are not allowed to stay out so late." "Dear mother, I think I hear their voices now." Little Eliza climbed into a chair, and drawing aside the window-curtain, said joyfully, "O yes, they are just coming into the piazza." Mrs. Ludlow told her to go to the kitchen, and see that the bread was toasted nice and warm, for their bowls of milk which had been some time ready. Frank and Edward Ludlow were fine boys, of eleven and nine years old. They returned in high spirits, from their sport on the frozen pond. They hung up their skates in the proper place, and then hastened to kiss their mother. "We have stayed longer at play than we ought, my dear mother," said Edward. "You are nearly an hour beyond the time," said Mrs. Ludlow. "Edward reminded me twice," said Frank, "that we ought to go home. But O, it was such excellent skating, that I could not help going round the pond a few times more. We left all the boys there when we came away. The next time, we will try to be as true as the town-clock. And it is not Edward's fault now, mother." "My sons, I always expect you to leave your sports, at the time that I appoint. I know that you do not intend to disobey, or to give me anxiety. But you must take pains to be punctual. When you become men, it will be of great importance that you observe your engagements. Unless you perform what is expected of you, at the proper time, people will cease to have confidence in you." The boys promised to be punctual and obedient, and their mother assured them, that they were not often forgetful of these important duties. Eliza came in with the bread nicely toasted, for their supper. "What a good little one, to be thinking of her brothers, when they are away. Come, sweet sister, sit between us." Eliza felt very happy, when her brothers each gave her a kiss, and she looked up in their faces, with a sweet smile. The evening meal was a pleasant one. The mother and her children talked cheerfully together. Each had some little agreeable circumstance to relate, and they felt how happy it is for a family to live in love. After supper, books and maps were laid on the table, and Mrs. Ludlow said, "Come boys, you go to school every day, and your sister does not. It is but fair that you should teach her something. First examine her in the lessons she has learned with me, and then you may add some gift of knowledge from your own store." So Frank overlooked her geography, and asked her a few questions on the map; and Edward explained to her a little arithmetic, and told a story from the history of England, with which she was much pleased. Soon she grew sleepy, and kissing her brothers, wished them an affectionate good-night. Her mother went with her, to see her laid comfortably in bed, and to hear her repeat her evening hymns, and thank her Father in heaven, for his care of her through the day. When Mrs. Ludlow returned to the parlour, she found her sons busily employed in studying their lessons for the following day. She sat down beside them with her work, and when they now and then looked up from their books, they saw that their diligence was rewarded by her approving eye. When they had completed their studies, they replaced the books which they had used, in the bookcase, and drew their chairs nearer to the fire. The kind mother joined them, with a basket of fruit, and while they partook of it, they had the following conversation. _Mrs. Ludlow._ "I should like to hear, my dear boys, more of what you have learned to-day." _Frank._ "I have been much pleased with a book that I borrowed of one of the boys. Indeed, I have hardly thought of any thing else. I must confess that I put it inside of my geography, and read it while the master thought I was studying." _Mrs. Ludlow._ "I am truly sorry, Frank, that you should be willing to deceive. What are called _boy's tricks_, too often lead to falsehood, and end in disgrace. On this occasion you cheated yourself also. You lost the knowledge which you might have gained, for the sake of what, I suppose, was only some book of amusement." _Frank._ "Mother, it was the life of Charles the XII. of Sweden. You know that he was the bravest soldier of his times. He beat the king of Denmark, when he was only eighteen years old. Then he defeated the Russians, at the battle of Narva, though they had 80,000 soldiers, and he had not a quarter of that number." _Mrs. Ludlow._ "How did he die?" _Frank._ "He went to make war in Norway. It was a terribly severe winter, but he feared no hardship. The cold was so great, that his sentinels were often found frozen to death at their posts. He was besieging a town called Frederickshall. It was about the middle of December. He gave orders that they should continue to work on the trenches, though the feet of the soldiers were benumbed, and their hands froze to the tools. He got up very early one morning, to see if they were at their work. The stars shone clear and bright on the snow that covered every thing. Sometimes a firing was heard from the enemy. But he was too courageous to mind that. Suddenly, a cannon-shot struck him, and he fell. When they took him up, his forehead was beat in, but his right hand still strongly grasped the sword. Mother, was not that dying like a brave man?" _Mrs. Ludlow._ "I should think there was more of rashness than bravery in thus exposing himself, for no better reason. Do you not feel that it was cruel to force his soldiers to such labours in that dreadful climate, and to make war when it was not necessary? The historians say that he undertook it, only to fill up an interval of time, until he could be prepared for his great campaign in Poland. So, to amuse his restless mind, he was willing to destroy his own soldiers, willing to see even his most faithful friends frozen every morning into statues. Edward, tell me what you remember." _Edward._ "My lesson in the history of Rome, was the character of Antoninus Pius. He was one of the best of the Roman Emperors. While he was young, he paid great respect to the aged, and when he grew rich he gave liberally to the poor. He greatly disliked war. He said he had 'rather save the life of one subject, than destroy a thousand enemies.' Rome was prosperous and happy, under his government. He reigned 22 years, and died, with many friends surrounding his bed, at the age of 74." _Mrs. Ludlow._ "Was he not beloved by the people whom he ruled? I have read that they all mourned at his death, as if they had lost a father. Was it not better to be thus lamented, than to be remembered only by the numbers he had slain, and the miseries he had caused?" _Frank._ "But mother, the glory of Charles the XII. of Sweden, was certainly greater than that of a quiet old man, who, I dare say, was afraid to fight. Antoninus Pius was clever enough, but you cannot deny that Alexander, and Caesar, and Bonaparte, had far greater talents. They will be called heroes and praised, as long as the world stands." _Mrs. Ludlow._ "My dear children, those talents should be most admired, which produce the greatest good. That fame is the highest, which best agrees with our duty to God and man. Do not be dazzled by the false glory that surrounds the hero. Consider it your glory to live in peace, and to make others happy. Believe me, when you come to your death-beds, and oh, how soon will that be, for the longest life is short, it will give you more comfort to reflect that you have healed one broken heart, given one poor child the means of education, or sent to one heathen the book of salvation, than that you lifted your hand to destroy your fellow-creatures, and wrung forth the tears of widows and of orphans." The hour of rest had come, and the mother opened the large family Bible, that they might together remember and thank Him, who had preserved them through the day. When Frank and Edward took leave of her for the night, they were grieved to see that there were tears in her eyes. They lingered by her side, hoping she would tell them if any thing had troubled her. But she only said, "My sons, my dear sons, before you sleep, pray to God for a heart to love peace." After they had retired, Frank said to his brother, "I cannot feel that it is wrong to be a soldier. Was not our father one? I shall never forget the fine stories he used to tell me about battles, when I was almost a baby. I remember that I used to climb up on his knee, and put my face close to his. Then I used to dream of prancing horses, and glittering swords, and sounding trumpets, and wake up and wish I was a soldier. Indeed, Edward, I wish so now. But I cannot tell dear mother what is in my heart, for it would grieve her." "No, no, don't tell her so, dear Frank, and pray, never be a soldier. I have heard her say, that father's ill health, and most of his troubles, came from the life that he led in camps. He said on his death-bed, that if he could live his youth over again, he would be a meek follower of the Saviour, and not a man of blood." "Edward, our father was engaged in the war of the Revolution, without which we should all have been slaves. Do you pretend to say that it was not a holy war?" "I pretend to say nothing, brother, only what the Bible says, Render to no man evil for evil, but follow after the things that make for peace." The boys had frequent conversations on the subject of war and peace. Their opinions still continued to differ. Their love for their mother, prevented their holding these discourses often in her presence; for they perceived that Frank's admiration of martial renown gave her increased pain. She devoted her life to the education and happiness of her children. She secured for them every opportunity in her power, for the acquisition of useful knowledge, and both by precept and example urged them to add to their "knowledge, temperance, and to temperance, brotherly kindness, and to brotherly kindness, charity." This little family were models of kindness and affection among themselves. Each strove to make the others happy. Their fire-side was always cheerful, and the summer evening walks which the mother took with her children were sources both
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Produced by Adrian Mastronardi, Eric Skeet, The Philatelic Digital Library Project at http://www.tpdlp.net and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE ROYAL MAIL [Illustration: MAIL-COACH ACCIDENT NEAR ELVANFOOT, LANARKSHIRE.] THE ROYAL MAIL ITS CURIOSITIES AND ROMANCE BY JAMES WILSON HYDE SUPERINTENDENT IN THE GENERAL POST-OFFICE, EDINBURGH THIRD EDITION LONDON SIMPKIN, MARSHALL AND CO. MDCCCLXXXIX. _All Rights reserved._ NOTE.--It is of melancholy interest that Mr Fawcett's death occurred within a month from the date on which he accepted the following Dedication, and before the issue of the Work. TO THE RIGHT HONOURABLE HENRY FAWCETT, M. P. HER MAJESTY'S POSTMASTER-GENERAL, THE FOLLOWING PAGES ARE, BY PERMISSION, RESPECTFULLY DEDICATED. PREFACE TO THIRD EDITION. The second edition of 'The Royal Mail' having been sold out some eighteen months ago, and being still in demand, the Author has arranged for the publication of a further edition. Some additional particulars of an interesting kind have been incorporated in the work; and these, together with a number of fresh illustrations, should render 'The Royal Mail' still more attractive than hitherto. The modern statistics have not been brought down to date; and it will be understood that these, and other matters (such as the circulation of letters), which are subject to change, remain in the work as set forth in the first edition. EDINBURGH, _February 1889_. PREFACE TO SECOND EDITION. The favour with which 'The Royal Mail' has been received by the public, as evinced by the rapid sale of the first issue, has induced the Author to arrange for the publication of a second edition. This edition has been revised and slightly enlarged; the new matter consisting of two additional illustrations, contributions to the chapters on "Mail Packets," "How Letters are Lost," and "Singular Coincidences," and a fresh chapter on the subject of Postmasters. The Author ventures to hope that the generous appreciation which has been accorded to the first edition may be extended to the work in its revised form. EDINBURGH, _June 1885_. INTRODUCTION. Of all institutions of modern times, there is, perhaps, none so pre-eminently a people's institution as is the Post-office. Not only does it carry letters and newspapers everywhere, both within and without the kingdom, but it is the transmitter of messages by telegraph, a vast banker for the savings of the working classes, an insurer of lives, a carrier of parcels, and a distributor of various kinds of Government licences. Its services are claimed exclusively or mainly by no one class; the rich, the poor, the educated, and the illiterate, and indeed, the young as well as the old,--all have dealings with the Post-office. Yet it may seem strange that an institution which is familiar by its operations to all classes alike, should be so little known by its internal management and organisation. A few persons, no doubt, have been privileged to see the interior working of some important Post-office, but it is the bare truth to say that _the people_ know nothing of what goes on within the doors of that ubiquitous establishment. When it is remembered that the metropolitan offices of London, Edinburgh, and Dublin have to maintain touch with every petty office and every one of their servants scattered throughout England, Scotland, and Ireland; that discipline has to be exercised everywhere; that a system of accounting must necessarily be maintained, reaching to the remotest corners; and that the whole threads have to be gathered up and made answerable to the great head, which is London,--some vague idea may be formed of what must come within the view of whoever pretends to a knowledge of Post-office work. But intimately connected with that which was the original work of the Post-office, and is still the main work--the conveyance of letters--there is the subject of circulation, the simple yet complex scheme under which letters flow from each individual centre to every other part of the country. Circulation as a system is the outcome of planning, devising, and scheming by many heads during a long series of years--its object, of course, being to bring letters to their destinations in the shortest possible time. So intricate and delicate is the fabric, that by interference an unskilled hand could not fail to produce an effect upon the structure analogous to that which would certainly follow any rude treatment applied to a house built of cards. These various subjects, especially when they have become settled into the routine state, might be considered as affording a poor soil for the growth of anything of interest--that is, of curious interest--apart from that which duty calls upon a man to find in his proper work. Yet the Post-office is not without its veins of humour, though the metal to be extracted may perhaps be scanty as compared with the vast extent of the mine from which it has to be taken. The compiler of the following pages has held an appointment in the Post-office for a period of twenty-five years--the best, perhaps, of his life; and during that term it has been his practice to note and collect facts connected with the Department whenever they appeared of a curious, interesting, or amusing character. While making use of such notes in connection with this work, he has had recourse to the Post-office Annual Reports, to old official documents, to books on various subjects, and to newspapers, all of which have been laid under contribution to furnish material for these pages. The work is in no sense a historical work: it deals with the lighter features of a plain, matter-of-fact department; and though some of the incidents mentioned may be deemed of trivial account, they will be found, it is thought, to have at least a curious or amusing side. The author desires to mention that he has received valuable help from several of his brother officers, who have supplied him with facts or anecdotes; and to these, as well as to gentlemen who have lent him books or given him access to files of old newspapers, he expresses his grateful acknowledgments. He also tenders his sincere and respectful thanks to the Postmaster-General for permission granted to make extracts from official papers. The Post-office renders an unpretending yet most important service to commerce and to society; and it will be a source of deep gratification to the author if what he has written should inspire in the reader a new and unexpected interest in "the hundred-handed giant who keeps up the intercourse between the different parts of the country, and wafts a sigh from Indus to the Pole." CONTENTS. CHAP. PAGE I. OLD ROADS, 1 II. POSTBOYS, 11 III. STAGE AND MAIL COACHES, 24 IV. FOOT-POSTS, 61 V. MAIL-PACKETS, 68 VI. SHIPWRECKED MAILS, 82 VII. AMOUNT OF WORK, 84 VIII. GROWTH OF CERTAIN POST-OFFICES, 95 IX. CLAIMS FOR POST-OFFICE SERVICE, 104 X. THE TRAVELLING POST-OFFICE, 116 XI. SORTERS AND CIRCULATION, 124 XII. PIGEON-POST, 135 XIII. ABUSE OF THE FRANKING PRIVILEGE, AND OTHER PETTY FRAUDS, 140 XIV. STRANGE ADDRESSES, 153 XV. POST-OFFICE ROBBERIES, 170 XVI. TELEGRAPHIC BLUNDERS, 200 XVII. HOW LETTERS ARE LOST, 204 XVIII. ODD COMPLAINTS, 239 XIX. CURIOUS LETTERS ADDRESSED TO THE POST-OFFICE, 245 XX. SINGULAR COINCIDENCES, 262 XXI. SAVINGS-BANK CURIOSITIES, 269 XXII. REPLIES TO MEDICAL INQUIRIES, 275 XXIII. VARIOUS, 277 XXIV. ABOUT POSTMASTERS, 292 XXV. RED TAPE, 303 ILLUSTRATIONS. MAIL-COACH ACCIDENT AT ELVANFOOT, _Frontispiece_ CAUTION TO POSTBOYS, _Page_ 19 ROTHBURY AND MORPETH MAIL-DRIVER, " 23 EWENNY BRIDGE OUTRAGE--NOTICE OF, " 37 HOLYHEAD AND CHESTER MAILS SNOWED UP NEAR DUNSTABLE--26TH DEC. 1836. (_From an old Print_) " 39 DEVONPORT MAIL-COACH FORCING ITS WAY THROUGH A SNOWDRIFT NEAR AMESBURY--27TH DEC. 1836. (_From an old Print_), " 43 NOCTURNAL REFRESHMENT, " 55 ST MARTIN'S-LE-GRAND IN THE COACHING DAYS, " 59 'LADY HOBART' MAIL PACKET, " 76 POSTBOY JACK, " 78 STEAMSHIP 'AMERICA,' " 80 TRAVELLING POST-OFFICE, " 117 DELIVERING ARM, SHOWING HOW THE POUCH IS SUSPENDED, " 121 CAUTION AGAINST LETTER CARRYING, " 147 STRANGE ADDRESSES, " 158-169 FALSTAFF AS A HIGHWAYMAN, " 172 GRIZEL COCHRANE AND POSTBOY, " 174 SELBY MAIL-BAG, " 182 LETTER-BOX TAKEN POSSESSION OF BY TOMTITS, " 211 THE MULREADY ENVELOPE, " 285 INTERIOR OF AN OLD POST-OFFICE, " 295 THE POSTMISTRESS OF WATFORD, " 299 FORM OF POSTMASTER'S APPOINTMENT, " 301 THE ROYAL MAIL. CHAPTER I. OLD ROADS. The present generation, who are accustomed to see the streets of our cities paved with wood or stone, or otherwise so laid out as to provide a hard and even surface suited to the locomotion of wheeled vehicles, or who by business or pleasure have been led to journey over the principal highways intersecting the kingdom in every direction, can form no idea of the state of the roads in this country during the earlier years of the Post-office--or even in times comparatively recent--unless their reading has led them to the perusal of accounts written by travellers of the periods we now refer to. The highways of the present day, radiating from London and the other large centres of industry, and extending their arms to every corner of the land, are wellnigh perfect in their kind, and present a picture of careful and efficient maintenance. Whether we look, for example, at the great north road leading from London, the Carlisle to Glasgow road, or the Highland road passing through Dunkeld, we find the roads have certain features in common: a broad hard roadway for vehicles; a neatly kept footpath where required; limits strictly defined by trim hedges, stone walls, or palings; and means provided for carrying off surface-water. The picture will, of course, vary as the traveller proceeds, flat country alternating with undulating country, and wood or moorland with cultivated fields; but the chief characteristics remain the same, constituting the roads as worthy of the age we live in. How the people managed to get from place to place before the Post-office had a history, or indeed for long after the birth of that institution, it is hard to conceive. Then, the roads were little better than tracks worn out of the surface of the virgin land,--proceeding in some cases in a manner approaching to a right line, over hills, down valleys, through forests, and the like; in others following the natural features of the country, but giving evidence that they had never been systematically made, being rather the outcome of a mere habit of travel, just as sheep-tracks are produced on a mountain-side. Such roads in winter weather, or in rainy seasons, became terrible to the traveller: yet the only repairs that were vouchsafed consisted in filling up some of the larger holes with rude stones; and when this method of keeping up repairs no longer availed, another track was formed by bringing under foot a fresh strip of the adjoining land (generally unenclosed), and thus creating a wholly new road in place of the old one. Smiles, in his 'Lives of the Engineers,' thus describes certain of the English roads: "In some of the older settled districts of England, the old roads are still to be traced in the hollow ways or lanes, which are met with, in some places, eight and ten feet deep. Horse-tracks in summer and rivulets in winter, the earth became gradually worn into these deep furrows, many of which in Wilts, Somerset, and Devon, represent the tracks of roads as old as, if not older than, the Conquest." And again: "Similar roads existed until recently in the immediate neighbourhood of Birmingham, long the centre of considerable traffic. The sandy soil was sawn through, as it were, by generation after generation of human feet, and by pack-horses, helped by the rains, until in some places the tracks were as much as from twelve to fourteen yards deep." In the year 1690, Chancellor Cowper, who was then a barrister on circuit, thus wrote to his wife: "The Sussex ways are bad and ruinous beyond imagination. I vow 'tis melancholy consideration that mankind will inhabit such a heap of dirt for a poor livelihood. The country is a sink of about fourteen miles broad, which receives all the water that falls from two long ranges of hills on both sides of it, and not being furnished with convenient draining, is kept moist and soft by the water till the middle of a dry summer, which is only able to make it tolerable to ride for a short time." In Scotland, about the same time, the roads were no better. The first four miles out of Edinburgh, on the road towards London, were described in the Privy Council Record of 1680 to have been in so wretched a state that passengers were in danger of their lives, "either by their coaches overturning, their horse falling, their carts breaking, their loads casting and horse stumbling, the poor people with the burdens on their backs sorely grieved and discouraged; moreover, strangers do often exclaim thereat." Nor does there appear to have been any considerable improvement in the state of the roads in the northern kingdom for long afterwards, as we find that in 1750, according to Lang's 'Historical Summary of the Post-office in Scotland,' "the channel of the river Gala, which ran for some distance parallel with the road, was, when not flooded, the track chosen as the most level and the easiest to travel in." The common carrier from Edinburgh to Selkirk, a distance of thirty-eight miles, required a fortnight for the journey, going and returning; and the stage-coach from Edinburgh to Glasgow took a day and a half for the journey. A Yorkshire squire, Thomas Kirke, who travelled in Scotland in 1679, gave a better account of the roads; but his opinion may have been merely relative, for travelling showmen to this day prefer the roads in the south of Scotland to those in the north of England, on account of their greater hardness; and this derives, no doubt, from the more adamantine material used in the repair of the Scotch roads. This traveller wrote: "The highways in Scotland are tolerably good, which is the greatest comfort a traveller meets with amongst them. The Scotch gentry generally travel from one friend's house to another; so seldom require a change-house (inn). Their way is to hire a horse and a man for twopence a mile; they ride on the horse thirty or forty miles a-day, and the man who is his guide foots it beside him, and carries his luggage to boot." Another visitor to Scotland in 1702, named Morer, thus describes the roads: "The truth is, the roads will hardly allow these conveniences" (meaning stage-coaches, which did not as yet exist in Scotland), "which is the reason that the gentry, men and women, choose rather to use their horses. However, their great men often travel with coach-and-six, but with so little caution, that, besides their other attendance, they have a lusty running footman on each side of the coach, to manage and keep it up in rough places."[1] It might be supposed that the roads leading from Windsor, where one of the royal residences was, would have been kept in a tolerable state, so as to secure the Sovereign some comfort in travelling. But their condition seems to have been no better than that of roads elsewhere. An account of a journey made in 1703 by Prince George of Denmark, the husband of Queen Anne, from Windsor to Petworth, runs as follows:--"The length of way was only forty miles, but fourteen hours were consumed in traversing it; while almost every mile was signalised by the overturn of a carriage, or its temporary swamping in the mire. Even the royal chariot would have fared no better than the rest had it not been for the relays of peasants who poised and kept it erect by strength of arm, and shouldered it forward the last nine miles, in which tedious operation six good hours were consumed." [1] In the north of Scotland a similar account was given of the roads there about the year 1730. The writer of 'Letters from a Gentleman in the North of Scotland' stated that "the Highlands are but little known even to the inhabitants of the low country of Scotland, for they have ever dreaded the difficulties and dangers of travelling among the mountains; and when some extraordinary occasion has obliged any one of them to such a progress, he has, generally speaking, made his testament before he set out, as though he were entering upon a long and dangerous sea-voyage, wherein it was very doubtful if he should ever return." Yet later still, and in close proximity to London, a royal party had a most unsatisfactory journey, owing to the miserable state of the roads. It happened that in 1727 George II. and Queen Caroline were proceeding from the palace at Kew to that at St James's, when they had to spend a whole night upon the way; and between Hammersmith and Fulham they were overturned, the royal occupants of the coach being landed in a quagmire. A year or two after this, Lord Hervey wrote that "the road between this place [Kensington] and London is grown so infamously bad, that we live here in the same solitude as we would do if cast on a rock in the middle of the ocean; and all the Londoners tell us that there is between them and us an impassable gulf of mud." No part of the country could boast of a satisfactory condition of the roads, these being everywhere in the same neglected and wretched state, and travellers who had the misfortune to use them have recorded their ideas on the subject in no gentle terms. Arthur Young, who travelled much in the middle of last century, thus alludes to a road in Essex: "Of all the cursed roads that ever disgraced this kingdom in the very ages of barbarism, none ever equalled that from Billericay to the King's Head at Tilbury. It is for near twelve miles so narrow that a mouse cannot pass by any carriage. I saw a fellow creep under his waggon to assist me to lift, if possible, my chaise over a hedge. To add to all the infamous circumstances which concur to plague a traveller, I must not forget the eternally meeting with chalk-waggons, themselves frequently stuck fast, till a collection of them are in the same situation, and twenty or thirty horses may be tacked to each to draw them out one by one." In a somewhat similar way he describes the road from Bury to Sudbury in Suffolk. Here, he says, "I was forced to move as slow in it as in any unmended lane in Wales. For ponds of liquid dirt, and a scattering of loose flints just sufficient to lame every horse that moves near them, with the addition of cutting vile grips across the road under the pretence of letting the water off, but without effect, altogether render at least twelve out of these sixteen miles as infamous a turnpike as ever was beheld." In one of his journeys, Young proceeded to the north by the great north road, thence making branch trips to the various agricultural districts. Of many of these roads he gives a sorry account. Thus: "To Wakefield, indifferent; through the town of Wakefield so bad that it ought to be indicted. To Castle Howard, infamous; I was near being swallowed up in a slough. From Newton to Stokesley in Cleveland, execrably bad. You are obliged to cross the moors they call Black Hambledon, over which the road runs in narrow hollows that admit a south-country chaise with such difficulty, that I reckon this part of the journey made at the hazard of my neck. The going down into Cleveland is beyond all description terrible; for you go through such steep, rough, narrow, rocky precipices, that I would sincerely advise any friend to go a hundred miles to escape it. The name of this path is very judicious, _Scarthneck_--that is, _Scare-Nick_, or frighten the devil. "From Richmond to Darlington, part of the great north road; execrably broke into holes like an old pavement, sufficient to dislocate one's bones." "To Morpeth; a pavement a mile or two out of Newcastle; all the rest _vile_. "To Carlisle; cut up by innumerable little paltry one-horse carts." One more instance from the pen of Young and we leave him. In the course of one of his journeys, he makes his way into Wales, where he finds his _bete noire_ in the roads, and freely expresses himself thereupon in his usual forcible style: "But, my dear sir, what am I to say of the roads in this country? the turnpikes, as they have the assurance to call them, and the hardiness to make one pay for? From Chepstow to the half-way house between Newport and Cardiff they continue mere rocky lanes, full of hugeous stones as big as one's horse, and abominable holes. The first six miles from Newport they were so detestable, and without either direction-posts or milestones, that I could not well persuade myself I was on the turnpike, but had mistook the road, and therefore asked every one I met, who answered me, to my astonishment, 'Ya-as.' Whatever business carries you into this country, avoid it, at least till they have good roads; if they were good, travelling would be very pleasant." The necessity for a better class of road cannot but have forced itself upon the Government of the country from time to time, if not for the benefit of travellers and to encourage trade, at any rate to secure a rapid movement of troops in times of disturbance or rebellion; yet we find the state of streets in the metropolis, and roads in the country, as in 1750, thus described in Blackie's 'Comprehensive History of England': "When the only public approaches to Parliament were King Street and Union Street, these were so wretchedly paved, that when the King went in state to the House, the ruts had to be filled up with bundles of fagots to allow the royal coach a safe transit. While the art of street-paving was thus so imperfect, that of road-making was equally defective, so that the country visitor to the metropolis, and its dangers of coach-driving, had generally a sufficient preparative for the worst during his journey to town. This may easily be understood from the fact that, so late as 1754, few turnpikes were to be seen after leaving the vicinity of London, for 200 miles together, although it had been made felony to pull them down. These roads, indeed, were merely the produce of compulsory pauper labour, contributed by the different parishes; and, like all such work, it was performed in a very perfunctory manner." The same authority gives a further picture of the state of the highways some twenty years later, when apparently little improvement had taken place in their condition: "Notwithstanding the numerous Acts of Parliament, of which no less than 452 were emitted between the years 1760 and 1764, for the improvement of the principal highways, they still continued narrow, darkened with trees, and intersected with ruts and miry swamps, through which the progress of a waggon was a work of difficulty and danger. One of these--the turnpike road from Preston to Wigan--is thus described by an angry tourist in 1770, and the picture seems to have been too generally realised over the whole kingdom: "To look over a map, and perceive that it is a principal one, not only to some towns, but even whole counties, one would naturally conclude it to be at least decent; but let me most seriously caution all travellers who may accidentally purpose to travel this terrible country, to avoid it as they would the devil; for a thousand to one but they break their necks or their limbs by overthrows or breakings down. They will here meet with ruts, which I actually measured, four feet deep, and floating with mud only from a wet summer; what, therefore, must they be after a winter? The only mending it receives is the tumbling in some loose stones, which serve no other purpose but jolting a carriage in the most intolerable manner. These are not merely opinions, but facts; for I actually passed three carts broken down in these eighteen miles, of execrable memory." Obvious as it must be to every mind capable of apprehending ordinary matters in the present day, that the opening up of the country by the laying down of good roads would encourage trade, promote social intercourse, knit together the whole kingdom, and render its government the more easy and effective; yet it is a fact that the improvement of the roads in various parts of the country, both in England and Scotland, was stoutly opposed by the people, even in certain places entailing riot and bloodshed. So strong were the prejudices against the improved roads, that the country people would not use them after being made. This bias may perhaps have partaken largely of that unreasoning conservatism which is always prone to pronounce that that which _is_ is best, and opposes change on principle--an example of which is afforded by the conduct of the driver of the Marlborough coach, who, when the new Bath road was opened, obstinately refused to travel by it, and stuck to
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Produced by Brian Coe, Graeme Mackreth and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.) INSTRUCTIONS FOR OFFICERS AND NON-COMMISSIONED OFFICERS OF CAVALRY, ON OUTPOST DUTY; BY LIEUT.-COLONEL VON ARENTSCHILDT, First Hussars King's German Legion: WITH AN ABRIDGMENT OF THEM BY LIEUT.-COLONEL THE HON. F. PONSONBY, Twelfth Light Dragoons. J.W. RANDOLPH: 121 MAIN STREET, RICHMOND, VA. 1861. THIS VALUABLE DIGEST OF INSTRUCTIONS FOR OFFICERS AND NON-COMMISSIONED OFFICERS OF CAVALRY ON OUTPOST DUTY, IS REPRINTED FROM THE LONDON EDITION BY ORDER OF BRIG'R GENERAL PHILIP ST. GEO. COCKE, WHILST COMMANDING POTOMAC MILITARY DEPARTMENT OF VIRGINIA, AND DEDICATED BY HIM TO CAPTAIN LAY AND HIS "POWHATAN TROOP" OF CAVALRY. * * * * * THIS DIGEST IS EARNESTLY COMMENDED TO THE ATTENTION OF THE OFFICERS AND NON-COMMISSIONED OFFICERS OF CAVALRY OF VIRGINIA, AND OF THE CONFEDERATE STATES. OUTPOST DUTY. I. INSTRUCTIONS FOR OFFICERS AND NON-COMMISSIONED OFFICERS: BY LIEUT.-COLONEL VON ARENTSCHILDT. II. AN ABRIDGMENT OF THE SAME: BY LIEUTENANT-COLONEL THE HON. F. PONSONBY. LIEUTENANT-COLONEL VON ARENTSCHILDT'S INSTRUCTIONS ON OUTPOST DUTY. INSTRUCTIONS FOR OFFICERS AND NON-COMMISSIONED OFFICERS ON OUTPOST DUTY. I. ON THE CONDUCT TO BE HELD BY AN OFFICER, OR NON-COMMISSIONED OFFICER, ON PICQUET. SECTION I. PARADING THE PICQUET. The Commanding Officer of a Picquet, as soon as the same has been given up to him, should take care to have the names of his men written down, as well as the Regiment and Troop they belong to; inspect their ammunition and fire arms; and order them to load. He likewise should inquire if the men are provided with provisions and forage, and in case they are not, it must be reported to the Regiment, in order that supplies may be sent after them. Inquiries are likewise to be made where the reports are to be sent to. SECTION II. MARCHING FOR HIS DESTINATION. On the march to the spot where the Picquet is to be placed, the Officer must pay great attention in examining the country, and particularly observe the places where he would make a stand in case the Picquet should be attacked by the Enemy: for instance, behind a bridge, a ravine, between bogs, &c., in order to keep off the enemy as long as possible. This is of the utmost importance to give the Corps time to turn out. The Commander of a Picquet who retires with his men at full speed, and the Enemy at his heels, deserves the severest punishment; he must retire as slow as possible, and constantly skirmish. SECTION III. IF NO PICQUET WAS ON THE SPOT BEFORE. _By Day._ Being arrived at the spot chosen by himself, or pointed out to him, he forms his Picquet, and takes out as many men as he thinks he has occasion for as Videttes. To fix upon the number of Videttes, is much facilitated by riding on the top of a hill, and observing the number of roads and hills in front. With these Videttes he goes on, and places them in such a manner that every one of them is able to see individually what is coming towards the Picquet, as well as the neighbouring Videttes. The remainder of the Picquet dismounts in the mean time, with the exception of one Sentry, who is to be placed a little in advance. The bridles are not to be taken off. In placing the Videttes the Officer will have acquired a sufficient knowledge of the country to be able to judge whether any of them are superfluous, (which is much to be avoided, as men and horses are unnecessarily fatigued by it,) or whether there ought to be more. Two-thirds of the Picquet now unbridle: it is to be recollected that the whole of a Picquet should never unbridle. The Officer then reconnoitres the country. Every one ambitious to do his duty well will make a little sketch, in which the following are to be marked; 1. Roads; 2. Rivers; 3. Bridges and Fords; 4. Morasses, cavities, hollow roads, and mountains; 5. Wood; 6. Towns, Villages and their distances. If the Officer does not acquire such an exact knowledge of the country, he cannot be responsible for the security of his Picquet, and of the corps to which he belongs. By this time he will have had opportunity to fix upon the spot where his Picquet and Videttes ought to be placed at night. _By Night._ It is impossible to lay down any fixed, principles on this subject; but the general rules are, to advance the Picquet at least two or three English miles in front of the main body: to place it behind a bridge, ravine, wood, or bog through which the road passes, in order to be enabled to make a stand immediately on being attacked, and to place Videttes in front and flanks. Small Patrols of two or three men in front, and flanks at half an hour's interval, and constantly kept in motion, will give perfect security, particularly if one of the men sometimes dismounts, and listens with his ear on the ground: he will hear the march of troops at a great distance. This precaution is indispensable in stormy weather. Upon coming by night to a new spot, particularly in a mountainous or woody country, small Patrols must be pushed forward immediately in all the roads, &c., to secure in the first instance the placing of Videttes, &c., &c. If the enemy is near, no fire is to be lighted, and the spot where the Picquet stands should be changed very often; one-half of the Picquet should be mounted, the other stand with the bridles in their hands. SECTION IV. RELIEVING ANOTHER PICQUET. Great part of what is said in sections I. and II. is likewise to be applied here. As soon as the Officer is arrived at the Picquet that is to be relieved, he forms at its left flank, or behind it, as the nature of the ground requires, draws out a non-commissioned officer, and as many Videttes as he has to relieve, (the remainder dismounts,) and proceeds with the Officer commanding the old Picquet and his own non-commissioned Officer to relieve the Videttes. The Officers should be very particular in delivering the detail of their duties, and the following is to be observed on such occasions. 1. All written orders or instructions must be delivered, and the verbal orders written down and signed by the Officer who is relieved. 2. The outlines of the sketch belonging to the Officer commanding the old Picquet are to be copied and filled up afterwards-- 3. To whom the reports are to be sent. 4. Where the Picquets on the flanks are stationed; what roads lead to them; how often Patrols are exchanged between them in the night. In case the roads to them are little known, or difficult to be found, the Non-commissioned Officer of the old Picquet must show them to that of the new one, who takes another man with him. 5. Inquiries must be made as to the knowledge the Officer has of the enemy, particularly where he patrols to; whether he thinks that the Picquet has been well posted, at night as well as in the day, or whether improvements can be made. If such an improvement is found to be necessary by placing one or two more Videttes, they ought to be posted immediately, but the same is to be reported without delay. At the relief
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Produced by Chris Curnow, Ritu Aggarwal, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net. TRANSCRIBER'S NOTES Passages in italics are indicated by _underscore_. The words phoebe, manoeuvre, manoeuvring, Pooecetes and phoeniceus use "oe" ligature in the original text. The printer's inconsistencies in spelling, punctuation, hyphenation, and ligature usage have been retained. WAYS OF NATURE [Illustration: A BIRD IN SIGHT] WAYS OF NATURE BY JOHN BURROUGHS BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge COPYRIGHT 1905 BY JOHN BURROUGHS ALL RIGHTS RESERVED _Published October 1905_ PREFACE My reader will find this volume quite a departure in certain ways from the tone and spirit of my previous books, especially in regard to the subject of animal intelligence. Heretofore I have made the most of every gleam of intelligence of bird or four-footed beast that came under my observation, often, I fancy, making too much of it, and giving the wild creatures credit for more "sense" than they really possessed. The nature lover is always tempted to do this very thing; his tendency is to humanize the wild life about him, and to read his own traits and moods into whatever he looks upon. I have never consciously done this myself, at least to the extent of willfully misleading my reader. But some of our later nature writers have been guilty of this fault, and have so grossly exaggerated and misrepresented the every-day wild life of our fields and woods that their example has caused a strong reaction to take place in my own mind, and has led me to set about examining the whole subject of animal life and instinct in a way I have never done before. In March, 1903, I contributed to "The Atlantic Monthly" a paper called "Real and Sham Natural History," which was as vigorous a protest as I could make against the growing tendency to humanize the lower animals. The paper was widely read and discussed, and bore fruit in many ways, much of it good and wholesome fruit, but a little of it bitter and acrid. For obvious reasons that paper is not included in this collection. But I have given all the essays that were the outcome of the currents of thought and inquiry that it set going in my mind, and I have given them nearly in the order in which they were written, so that the reader may see the growth of my own mind and opinions in relation to the subject. I confess I have not been fully able to persuade myself that the lower animals ever show anything more than a faint gleam of what we call thought and reflection,--the power to evolve ideas from sense impressions,--except feebly in the case of the dog and the apes, and possibly the elephant. Nearly all the animal behavior that the credulous public looks upon as the outcome of reason is simply the result of the adaptiveness and plasticity of instinct. The animal has impulses and impressions where we have ideas and concepts. Of our faculties I concede to them perception, sense memory, and association of memories, and little else. Without these it would be impossible for their lives to go on. I am aware that there is much repetition in this volume, and that the names of several of the separate chapters differ much more than do the subjects discussed in them. When I was a boy on the farm, we used to thrash our grain with the hand-flail. Our custom was to thrash a flooring of sheaves on one side, then turn the sheaves over and thrash them on the other, then unbind them and thrash the loosened straw again, and then finish by turning the whole over and thrashing it once more. I suspect my reader will feel that I have followed the same method in many of these papers. I have thrashed the same straw several times, but I have turned it each time, and I trust have been rewarded by a few additional grains of truth. Let me hope that the result of the discussion or thrashing will not be to make the reader love the animals less, but rather to love the truth more. June, 1905. CONTENTS PAGE I. WAYS OF NATURE 1 II. BIRD-SONGS 29 III. NATURE WITH CLOSED DOORS 47 IV. THE WIT OF A DUCK 53 V. FACTORS IN ANIMAL LIFE 59 VI. ANIMAL COMMUNICATION 87 VII. DEVIOUS PATHS 109 VIII. WHAT DO ANIMALS KNOW? 123 IX. DO ANIMALS THINK AND REFLECT? 151 X. A PINCH OF SALT 173 XI. THE LITERARY TREATMENT OF NATURE 191 XII. A BEAVER'S REASON 209 XIII. READING THE BOOK OF NATURE 231 XIV. GATHERED BY THE WAY I. THE TRAINING OF WILD ANIMALS 239 II. AN ASTONISHED PORCUPINE 242 III. BIRDS AND STRINGS 246 IV. MIMICRY 248 V. THE COLORS OF FRUITS 251 VI. INSTINCT 254 VII. THE ROBIN 261 VIII. THE CROW 265 INDEX 273 I WAYS OF NATURE I was much amused lately by a half-dozen or more letters that came to me from some Californian schoolchildren, who wrote to ask if I would please tell them whether or not birds have sense. One little girl said: "I would be pleased if you would write and tell me if birds have sense. I wanted to see if I couldn't be the first one to know." I felt obliged to reply to the children that we ourselves do not have sense enough to know just how much sense the birds and other wild creatures do have, and that they do appear to have some, though their actions are probably the result of what we call instinct, or natural prompting, like that of the bean-stalk when it climbs the pole. Yet a bean-stalk will sometimes show a kind of perversity or depravity that looks like the result of deliberate choice. Each season, among my dozen or more hills of pole-beans, there are usually two or three low-minded plants that will not climb the poles, but go groveling upon the ground, wandering off among the potato-vines or cucumbers, departing utterly from the traditions of their race, becoming shiftless and vagrant. When I lift them up and wind them around the poles and tie them with a wisp of grass, they rarely stay. In some way they seem to get a wrong start in life, or else are degenerates from the first. I have never known anything like this among the wild creatures, though it happens often enough among our own kind. The trouble with the bean is doubtless this: the Lima bean is of South American origin, and in the Southern Hemisphere, beans, it seems, go the other way around the pole; that is, from right to left. When transferred north of the equator, it takes them some time to learn the new way, or from left to right, and a few of them are always backsliding, or departing from the new way and vaguely seeking the old; and not finding this, they become vagabonds. How much or how little sense or judgment our wild neighbors have is hard to determine. The crows and other birds that carry shell-fish high in the air and then let them drop upon the rocks to break the shell show something very much like reason, or a knowledge of the relation of cause and effect, though it is probably an unthinking habit formed in their ancestors under the pressure of hunger. Froude tells of some species of bird that he saw in South Africa flying amid the swarm of migrating locusts and clipping off the wings of the insects so that they would drop to the earth, where the birds could devour them at their leisure. Our squirrels will cut off the chestnut burs before they have opened, allowing them to fall to the ground, where, as they seem to know, the burs soon dry open. Feed a caged <DW53> soiled food,--a piece of bread or meat rolled on the ground,--and before he eats it he will put it in his dish of water and wash it off. The author of "Wild Life Near Home" says that muskrats "will wash what they eat, whether washing is needed or not." If the <DW53> washes his food only when it needs washing, and not in every individual instance, then the proceeding looks like an act of judgment; the same with the muskrat. But if they always wash their food, whether soiled or not, the act looks more like instinct or an inherited habit, the origin of which is obscure. Birds and animals probably think without knowing that they think; that is, they have not self-consciousness. Only man seems to be endowed with this faculty; he alone develops disinterested intelligence,--intelligence that is not primarily concerned with his own safety and well-being, but that looks abroad upon things. The wit of the lower animals seems all to have been developed by the struggle for existence, and it rarely gets beyond the prudential stage. The sharper the struggle, the sharper the wit. Our porcupine, for instance, is probably the most stupid of animals and has the least speed; it has little use for either wit or celerity of movement. It carries a death-dealing armor to protect it from its enemies, and it can climb the nearest hemlock tree and live on the bark all winter. The skunk, too, pays for its terrible weapon by dull wits. But think of the wit of the much-hunted fox, the much-hunted otter, the much-sought beaver! Even the grouse, when often fired at, learns, when it is started in the open, to fly with a corkscrew motion to avoid the shot. Fear, love, and hunger were the agents that developed the wits of the lower animals, as they were, of course, the prime factors in developing the intelligence of man. But man has gone on, while the animals have stopped at these fundamental wants,--the need of safety, of offspring, of food. Probably in a state of wild nature birds never make mistakes, but where they come in contact with our civilization and are confronted by new conditions, they very naturally make mistakes. For instance, their cunning in nest-building sometimes deserts them. The art of the bird is to conceal its nest both as to position and as to material, but now and then it is betrayed into weaving into its structure showy and bizarre bits of this or that, which give its secret away, and which seem to violate all the traditions of its kind. I have the picture of a robin's nest before me, upon the outside of which are stuck a muslin flower, a leaf from a small calendar, and a photograph of a local celebrity. A more incongruous use of material in bird architecture it would be hard to find. I have been told of another robin's nest upon the outside of which the bird had fastened a wooden label from a near-by flower-bed, marked "Wake Robin." Still another nest I have seen built upon a large, showy foundation of the paper-like flowers of antennaria, or everlasting. The wood thrush frequently weaves a fragment of newspaper or a white rag into the foundation of its nest. "Evil communications corrupt good manners." The newspaper and the rag-bag unsettle the wits of the birds. The phoebe-bird is capable of this kind of mistake or indiscretion. All the past generations of her tribe have built upon natural and, therefore, neutral sites, usually under shelving and overhanging rocks, and the art of adapting the nest to its surroundings, blending it with them, has been highly developed. But phoebe now frequently builds under our sheds and porches, where, so far as concealment is concerned, a change of material, say from moss to dry grass or shreds of bark, would be an advantage to her; but she departs not a bit from the family traditions; she uses the same woodsy mosses, which in some cases, especially when the nest is placed upon newly sawed timber, make her secret an open one to all eyes. It does indeed often look as if the birds had very little sense. Think of a bluebird, or an oriole, or a robin, or a jay, fighting for hours at a time its own image as reflected in a pane of glass; quite exhausting itself in its fury to demolish its supposed rival! Yet I have often witnessed this little comedy. It is another instance of how the arts of our civilization corrupt and confuse the birds. It may be that in the course of many generations the knowledge of glass will get into their blood, and they will cease to be fooled by it, as they may also in time learn what a poor foundation the newspaper is to build upon. The ant or the bee could not be fooled by the glass in that way for a moment. _Have_ the birds and our other wild neighbors sense, as distinguished from instinct? Is a change of habits to meet new conditions, or the taking advantage of accidental circumstances, an evidence of sense? How many birds appear to have taken advantage of the protection afforded by man in building their nests! How many of them build near paths and along roadsides, to say nothing of those that come close to our dwellings! Even the quail seems to prefer the borders of the highway to the open fields. I have chanced upon only three quails' nests, and these were all by the roadside. One season a scarlet tanager that had failed with her first nest in the woods came to try again in a little cherry tree that stood in the open, a few feet from my cabin, where I could almost touch the nest with my hand as I passed. But in my absence she again came to grief, some marauder, probably a red squirrel, taking her eggs. Will her failure in this case cause her to lose faith in the protective influence of the shadow of a human dwelling? I hope not. I have known the turtle dove to make a similar move, occupying an old robin's nest near my neighbor's cottage. The timid rabbit will sometimes come up from the bushy fields and excavate a place for her nest in the lawn a few feet from the house. All such things look like acts of judgment, though they may be only the result of a greater fear overcoming a lesser fear. It is in the preservation of their lives and of their young that the wild creatures come the nearest to showing what we call sense or reason. The boys tell me that a rabbit that has been driven from her hole a couple of times by a ferret will not again run into it when pursued. The tragedy of a rabbit pursued by a mink or a weasel may often be read upon our winter snows. The rabbit does not take to her hole; it would be fatal. And yet, though capable of far greater speed, so far as I have observed, she does not escape the mink; he very soon pulls her down. It would look as though a fatal paralysis, the paralysis of utter fear, fell upon the poor creature as soon as she found herself hunted by this subtle, bloodthirsty enemy. I have seen upon the snow where her jumps had become shorter and shorter, with tufts of fur marking each stride, till the bloodstains, and then her half-devoured body, told the whole tragic story. There is probably nothing in human
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Produced by Eric Eldred, David Garcia, Charles Franks, and the Online Distributed Proofreading Team A SHEPHERD'S LIFE IMPRESSIONS OF THE SOUTH WILTSHIRE DOWNS BY W. H. HUDSON NOTE I an obliged to Messrs. Longmans, Green, & Co. for permission to make use of an article entitled "A Shepherd of the Downs," which appeared in the October and November numbers of _Longmans' Magazine_ in 1902. With the exception of that article, portions of which I have incorporated in different chapters, the whole of the matter contained in this work now appears for the first time. CONTENTS Chapter. I. SALISBURY PLAIN II. SALISBURY AS I SEE IT III. WINTERBOURNE BISHOP IV. A SHEPHERD OF THE DOWNS V. EARLY MEMORIES VI. SHEPHERD ISAAC BAWCOMBE VII. THE DEER-STEALERS VIII. SHEPHERDS AND POACHING IX. THE SHEPHERD ON FOXES X. BIRD LIFE ON THE DOWNS XI. STARLINGS AND SHEEP-BELLS XII. THE SHEPHERD AND THE BIBLE XIII. VALE OF THE WYLYE XIV. A SHEEP-DOG'S LIFE XV. THE ELLERBYS OF DOVETON XVI. OLD WILTSHIRE DAYS XVII. OLD WILTSHIRE DAYS (_continued_) XVIII. THE SHEPHERD'S RETURN XIX. THE DARK PEOPLE OF THE VILLAGE XX. SOME SHEEP-DOGS XXI. THE SHEPHERD AS NATURALIST XXII. THE MASTER OF THE VILLAGE XXIII. ISAAC'S CHILDREN XXIV. LIVING IN THE PAST A SHEPHERD'S LIFE SALISBURY PLAIN CHAPTER I Introductory remarks--Wiltshire little favoured by tourists--Aspect of the downs--Bad weather--Desolate aspect--The bird-scarer--Fascination of the downs--The larger Salisbury Plain--Effect of the military occupation--A century's changes--Birds--Old Wiltshire sheep--Sheep-horns in a well--Changes wrought by cultivation--Rabbit-warrens on the downs--Barrows obliterated by the plough and by rabbits Wiltshire looks large on the map of England, a great green county, yet it never appears to be a favourite one to those who go on rambles in the land. At all events I am unable to bring to mind an instance of a lover of Wiltshire who was not a native or a resident, or had not been to Marlborough and loved the country on account of early associations. Nor can I regard myself as an exception, since, owing to a certain kind of adaptiveness in me, a sense of being at home wherever grass grows, I am in a way a native too. Again, listen to any half-dozen of your friends discussing the places they have visited, or intend visiting, comparing notes about the counties, towns, churches, castles, scenery--all that draws them and satisfies their nature, and the chances are that they will not even mention Wiltshire. They all know it "in a way"; they have seen Salisbury Cathedral and Stonehenge, which everybody must go to look at once in his life; and they have also viewed the country from the windows of a railroad carriage as they passed through on their flight to Bath and to Wales with its mountains, and to the west country, which many of us love best of all--Somerset, Devon, and Cornwall. For there is nothing striking in Wiltshire, at all events to those who love nature first; nor mountains, nor sea, nor anything to compare with the places they are hastening to, west or north. The downs! Yes, the downs are there, full in sight of your window, in their flowing forms resembling vast, pale green waves, wave beyond wave, "in fluctuation fixed"; a fine country to walk on in fine weather for all those who regard the mere exercise of walking as sufficient pleasure. But to those who wish for something more, these downs may be neglected, since, if downs are wanted, there is the higher, nobler Sussex range within an hour of London. There are others on whom the naked aspect of the downs has a repelling effect. Like Gilpin they love not an undecorated earth; and false and ridiculous as Gilpin's taste may seem to me and to all those who love the chalk, which "spoils everything" as Gilpin said, he certainly expresses a feeling common to those who are unaccustomed to the emptiness and silence of these great spaces. As to walking on the downs, one remembers that the fine days are not so many, even in the season when they are looked for--they have certainly been few during this wet and discomfortable one of 1909. It is indeed only on the chalk hills that I ever feel disposed to quarrel with this English climate, for all weathers are good to those who love the open air, and have their special attractions. What a pleasure it is to be out in rough weather in October when the equinoctial gales are on, "the wind Euroclydon," to listen to its roaring in the bending trees, to watch the dead leaves flying, the pestilence-stricken multitudes, yellow and black and red, whirled away in flight on flight before the volleying blast, and to hear and see and feel the tempests of rain, the big silver-grey drops that smite you like hail! And what pleasure too, in the still grey November weather, the time of suspense and melancholy before winter, a strange quietude, like a sense of apprehension in nature! And so on through the revolving year, in all places in all weathers, there is pleasure in the open air, except on these chalk hills because of their bleak nakedness. There the wind and driving rain are not for but against you, and may overcome you with misery. One feels their loneliness, monotony, and desolation on many days, sometimes even when it is not wet, and I here recall an amusing encounter with a bird-scarer during one of these dreary spells. It was in March, bitterly cold, with an east wind which had been blowing many days, and overhead the sky was of a hard, steely grey. I was cycling along the valley of the Ebble, and finally leaving it pushed up a long steep <DW72> and set off over the high plain by a dusty road with the wind hard against me. A more desolate scene than the one before me it would be hard to imagine, for the land was all ploughed and stretched away before me, an endless succession of vast grey fields, divided by wire fences. On all that space there was but one living thing in sight, a human form, a boy, far away on the left side, standing in the middle of a big field with something which looked like a gun in his hand. Immediately after I saw him he, too, appeared to have caught sight of me, for turning he set off running as fast as he could over the ploughed ground towards the road, as if intending to speak to me. The distance he would have to run was about a quarter of a mile and I doubted that he would be there in time to catch me, but he ran fast and the wind was against me, and he arrived at the road just as I got to that point. There by the side of the fence he stood, panting from his race, his handsome face glowing with colour, a boy about twelve or thirteen, with a fine strong figure, remarkably well dressed for a bird-scarer. For that was what he was, and he carried a queer, heavy-looking old gun. I got off my wheel and waited for him to speak, but he was silent, and continued regarding me with the smiling countenance of one well pleased with himself. "Well?" I said, but there was no answer; he only kept on smiling. "What did you want?" I demanded impatiently. "I didn't want anything." "But you started running here as fast as you could the moment you caught sight of me." "Yes, I did." "Well, what did you do it for--what was your object in running here?" "Just to see you pass," he answered. It was a little ridiculous and vexed me at first
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