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Sleeping
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so you've seen the insane text to video | |
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AI models coming out open AI Sora was | |
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probably the best looking one yet but | |
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not available to the public another next | |
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gen model that made its appearance was | |
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called cing but we had to have a Chinese | |
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mobile number to use it so I think a lot | |
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of us assume that we're not going to see | |
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the top-of-the-line AI video models | |
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anytime soon at least ones that we can | |
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get a Hands-On ones we can | |
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use but Lumi makes an appearance and | |
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it's good really good but most | |
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importantly it's available to use now | |
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well it looks like everyone on the | |
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planet is trying it out right now so the | |
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demand is SK High it took me oh about 3 | |
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hours to generate this one prompt so | |
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expect to give it a day or two before it | |
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can start generating stuff on the fly | |
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but let me show you some stuff it can do | |
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some of this stuff will be somewhat not | |
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safe for work if you know what I mean | |
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and the last one will be straight up | |
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scary like horror movie scary it's | |
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called the tales from the other side | |
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I'll leave that one for last in case | |
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you're watching this alone at night in | |
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the dark because I'm going to say it now | |
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ai generated horror fakes have the | |
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potential to be the scariest things | |
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we've ever seen here's another YouTube | |
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Creator in the AI space his channel is | |
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theoretically media and he got Early | |
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Access to this I'll leave a link to his | |
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video down below but he was able to do | |
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some image to video so for example | |
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creating an image in mid journey and | |
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then animating that with Luma Ai and he | |
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was also able to create some scenes from | |
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his own prompts so this I think is a | |
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really good non cherry-picked example of | |
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what Luma AI can do here it is if you | |
Early Access Showcase | |
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ever played Hitman this is your chance | |
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to recreate that as your very own movie | |
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Very Dynamic very action-packed the | |
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second version from that same prompt um | |
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you know obviously per prompt you get | |
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two generations uh yielded this as a | |
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result and yes while there is some | |
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decoherence and so each time it | |
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generates two different ones so I got to | |
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say that first one is very very good I | |
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mean the fingers right the hands are a | |
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nightmare but I mean it does look like | |
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he's looking down the sights of the gun | |
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that he's shooting in the prompt they St | |
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that the Assassin should be bald which | |
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it nailed I got to say it's pretty good | |
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there it is he's shooting the gun | |
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leaning around the corners I love it | |
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next is Pirates of the Caribbean or | |
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something like it right so some sort of | |
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a adventure on a pirate | |
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ship pretty cool and this is possibly | |
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one of my favorites so this is uh an | |
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image that he made so he made a static | |
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image I'm not sure if it was mid Journey | |
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but taking that image and adding it into | |
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Luma Ai and the dream machine is what | |
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this thing is called so Luma AI is the | |
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company this is the dream machine this | |
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is what it does so you can you can see | |
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here it animates the movements she's | |
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looking kind of keeping eyes on the | |
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camera and one thing that's very | |
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interesting is that you're able to add | |
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certain prompts to make it for example | |
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for her to change positions so here's | |
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one with her hands | |
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folded that's what that looks like so | |
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her folding her hands across her body | |
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again the arms and everything else looks | |
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insane and not very good but I got to | |
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say the fact that you can say what the | |
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position should be what the movement | |
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should be and that gets animated from a | |
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static image that's pretty exciting | |
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right so I'll put the links down below | |
Dream Machine Features | |
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so you can try this for yourself and in | |
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a minute I'll show you the best of luma | |
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Labs like the best Generations that it | |
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can make so you can see what it's | |
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capable of at if you're picking the best | |
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examples so of course as you're | |
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generating various examples various | |
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samples some of them will be good some | |
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of them will be bad so often times | |
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picking the best shot will come down to | |
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generating 100 shots with maybe slightly | |
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different prompts and then picking out | |
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the best ones that's similar to how we | |
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often times approach mid journey and | |
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these other things like magnific | |
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upscaler you do multiple variations with | |
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different parameters different settings | |
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different prompts to hopefully capture | |
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that perfect thing which is not too | |
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dissimilar to how for example some | |
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photographers approach photo shoots | |
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right sometimes if you've ever seen a | |
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professional photo shoot the | |
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photographer will point the camera hold | |
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down the button you hear that rapid | |
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machine fire click that super fast | |
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clicking of the camera as it's taking | |
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dozens and dozens of shots and then | |
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afterwards they go through it one by one | |
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picking out the best ones some of the | |
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newest phone cameras also do the same | |
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thing right they take a little clip and | |
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you can pick out the best the perfect | |
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sort of still moment within that shot | |
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and the reason that's important to | |
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understand is because if you're trying | |
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to produce something that's like | |
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cinematic something that's like movie | |
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quality yeah you might have to produce | |
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hundreds of shots thousands perhaps have | |
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some sort of a filtering process maybe | |
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even do a little touch-ups here and | |
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there but then once you put it together | |
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the results can be stunning so let's | |
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take a look at this and in a second I'll | |
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show you what's possible if you're | |
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willing to go through and find the best | |
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shots so Luma labs and this is their | |
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dream machine which is an AI model that | |
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makes high quality realistic videos fast | |
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from text and images So currently it's | |
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taking they say 120 seconds to generate | |
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One Clip but right now there's a huge CU | |
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for how there a huge cue so it's taking | |
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hours but you can see when it's in Q so | |
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before it starts processing and they're | |
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saying that it's a highly scalable and | |
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efficient Transformer model train Direct | |
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on videos making capable of generating | |
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physically accurate consistent and | |
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eventful shots and it sounds like they | |
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will have more and more abilities to | |
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customize the thing that you're trying | |
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to capture as this thing gets rolled out | |
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to more users they're going to be adding | |
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these functionalities and it sounds like | |
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there's a bit of a trade-off between how | |
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eventful a shot will be versus | |
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consistency versus how custom you want | |
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it to be so if you want a long shot with | |
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very specific things in it then it might | |
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approach a point where the character on | |
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the shot is not really doing anything | |
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just standing still whereas if you let | |
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it be a little bit creative I can go and | |
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generate something with a lot of action | |
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so there's a little bit of a trade-off | |
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happening there we talked about this it | |
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can create high quality video from both | |
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text and images so you can upload your | |
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favorite image and then have that be | |
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brought to life so things incredibly | |
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fast 120 frames in 120 seconds and here | |
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they're talking about consistent | |
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characters and this is something that I | |
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did notice about the videos the | |
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characters stay consistent dealing with | |
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some of the previous text to video | |
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models throughout the shop the character | |
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can morph into something completely | |
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different here whatever else you can say | |
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I got to say they stay pretty consistent | |
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there's still some glitches with the | |
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fingers and hands but the character | |
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doesn't like fundamentally flip and turn | |
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into something completely different they | |
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can also do a lot of the different | |
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camera movements Zoom pan rotate Etc | |
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that's going to be able to create a lot | |
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of really stunning cinematic shots and | |
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some like dramatic close-ups Etc the | |
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fact that they can go from underwater to | |
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above water with this little bear here | |
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is uh pretty cool I got to say and I got | |
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to give them credit for doing this so | |
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they spell out their current limitations | |
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right so they're saying what are we bad | |
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at what is this model currently what | |
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doesn't it do pretty well so morphing so | |
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if a car has to morph into a different | |
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color or a different car they're not | |
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doing that too well quite yet movement | |
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so this dog gliding along the the ground | |
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so maybe if there's some sort of a | |
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background foreground type of thing | |
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maybe it's not that good text is | |
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notoriously difficult to do for these | |
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both image models and video models | |
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and then Janis which I don't know what | |
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that is I looked it up Janus it could be | |
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referring to a god with two faces so | |
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some sort of a two-faced deity so here | |
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as you can see here's a polar bear maybe | |
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the prompt was for it to have two front | |
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ends two faces and basically I think | |
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what you got to think of is like what | |
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these models are trained on so if they | |
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see tons of hours of footage of polar | |
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bears they can reproduce a polar bear | |
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how many hours of footage of two-headed | |
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polar bears are there in the wild | |
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probably not as many but the big message | |
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here I think is that when Sora came out | |
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there wasn't anything quite like it we | |
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had pabs we had Runway ml they were good | |
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but they weren't still a inspiring they | |
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were they had that AI generated look so | |
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you could make some cool things with it | |
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some of the best stuff that I saw with | |
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it lean more towards like mystical and | |
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horror because just how weird the video | |
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looked here I think we're definitely at | |
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a point where a lot more thing SC be | |
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done do you want something that's a | |
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little bit more romantic do you want a | |
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cinematic shot do you want an action | |
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shot do you want like this whatever this | |
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bear and Swine things are over here some | |
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sort of a leather clawed badasses that | |
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are walking away from an explosion like | |
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you want to do that you can do that and | |
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now we saw this sort of next step in in | |
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these AI video models not just from Sora | |
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which we couldn't get a hands- on | |
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although people in the Hollywood have | |
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been apparently have early access to it | |
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and then we had cing which you had to | |
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have a Chinese mobile number to use and | |
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now finally this which now everyone can | |
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use now you're limited to a certain | |
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amount of generations here's the pricing | |
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by the way so you get 3 free Generations | |
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per month so each generation is two | |
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different shots so two samples and you | |
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can upgrade to have 120 Generations at | |
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30 per month 400 at 100 bucks a month | |
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and 2,000 Generations if you're willing | |
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to Shell out 500 per month which again | |
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if you're using this to create some sort | |
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of features movies you're probably going | |
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to need need that but with that said let | |
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me show you some of the best of things | |
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that people have created using this Luma | |
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Labs dream machine if this was | |
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interesting please make sure you're | |
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subscribed because we're going to be | |
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covering this in depth as soon as the | |
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traffic demand dies down a little bit | |
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and it's possible to generate these | |
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videos we're going to be doing a deep | |
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dive and seeing what's possible with | |
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something like this seeing is it | |
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possible to create our very own movie or | |
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cartoon or anime of some sort so stay | |
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tuned lots more than coming make sure | |
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you're subscribed and enjoy | |
Demos and Showcases | |
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[Music] | |
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at this point life seemed to be a | |
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NeverEnding | |
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Circle again and | |
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again I did the same | |
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routine like that auto taxi that flies | |
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round and round all changed when I met | |
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her Yuki the shrin keeper she was trying | |
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to stop the robot sent to destroy the | |
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Tor I felt the urge to help her and | |
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deactivated the | |
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bot she thanked me and showed around the | |
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shrine's | |
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garden I knew the corporation would send | |
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more Bots but at that moment nothing | |
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else mattered only the shrine only Yuki | |
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[Music] | |
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[Applause] | |
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[Music] | |
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[Music] | |
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[Music] | |
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me | |
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[Music] | |
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[Music] | |
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close your | |
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eyes count | |
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think of | |
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home and | |
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[Music] | |
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open you're | |
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never | |
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[Music] | |
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never coming home again | |
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it's passed | |
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[Music] | |
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away it's gone | |
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away it's | |
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pass | |
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[Music] | |
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away it's | |
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[Music] | |
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gone hey my name is Abel and let me tell | |
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you the story of | |
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[Music] | |
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f on the other side the other side you | |
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never know | |
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desperate wondering soul will come my | |
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friend | |
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for | |
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the you never | |
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[Music] | |
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[Music] | |