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Produced by David Widger THE HERMIT OF ------ STREET. By Anna Katharine Green (Mrs. Charles Rohlfs) Copyright, 1898, by Anna Katharine Rohlfs CHAPTER I. I COMMIT AN INDISCRETION. I should have kept my eyes for the many brilliant and interesting sights constantly offered me. Another girl would have done so. I myself might have done so, had I been over eighteen, or, had I not come from the country, where my natural love of romance had been fostered by uncongenial surroundings and a repressed life under the eyes of a severe and unsympathetic maiden aunt. I was visiting in a house where fashionable people made life a perpetual holiday. Yet of all the pleasures which followed so rapidly, one upon another, that I have difficulty now in separating them into distinct impressions, the greatest, the only one I never confounded with any other, was the hour I spent in my window after the day's dissipations were all over, watching--what? Truth and the necessities of my story oblige me to say--a man's face, a man's handsome but preoccupied face, bending night after night over a study-table in the lower room of the great house in our rear. I had been in the city three weeks, and I had already received--pardon the seeming egotism of the confession--four offers, which, considering I had no fortune and but little education or knowledge of the great world, speaks well for something: I leave you to judge what. All of these offers were from young men; one of them from a very desirable young man, but I had listened to no one's addresses, because, after accepting them,
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Produced by Dianna Adair, Marilynda Fraser-Cunliffe, Eleni Christofaki and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was made using scans of public domain works from the University of Michigan Digital Libraries.) Transcriber's Note. A list of the changes made can be found at the end of the book. Mark-up: _italic_ =bold= +spaced+ ==blackletter== Woodward's Historical Series. No. V. THE ==Witchcraft Delusion== IN NEW ENGLAND: ITS RISE, PROGRESS, AND TERMINATION, AS EXHIBITED BY Dr. COTTON MATHER, IN _THE WONDERS OF THE INVISIBLE WORLD;_ AND BY Mr. ROBERT CALEF, IN HIS _MORE WONDERS OF THE INVISIBLE WORLD_. WITH A ==Preface, Introduction, and Notes==, BY SAMUEL G. DRAKE. IN THREE VOLUMES. VOL. I. _The Wonders of the Invisible World._ PRINTED FOR W. ELLIOT WOODWARD, ROXBURY, MASS. MDCCCLXVI. No. 103 Entered according to Act of Congress in the Year 1865, By SAMUEL G. DRAKE, in the Clerk's Office of the District Court of the United States for the District of Massachusetts. EDITION IN THIS SIZE 280 COPIES. MUNSELL, PRINTER. TO MY MORE THAN BROTHER, HARLOW ROYS, WHO AT ALL TIMES ALIKE IN PROSPERITY AND AD
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Produced by Darleen Dove, Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net JOAN OF ARC The Warrior Maid By Lucy Foster Madison author of "The Peggy Owen Books" With Illustrations & Decorations by Frank E Schoonover The Penn Publishing Company Philadelphia 1919 COPYRIGHT 1918 BY THE PENN PUBLISHING COMPANY Joan of Arc [Illustration: THE WARRIOR MAID] INTRODUCTION In presenting this story for the young the writer has endeavored to give a vivid and accurate life of Jeanne D'Arc (Joan of Arc) as simply told as possible. There has been no pretence toward keeping to the speech of the Fifteenth Century, which is too archaic to be rendered literally for young readers, although for the most part the words of the Maid have been given verbatim. The name of this wonderful girl has been variously written. In the Fifteenth Century the name of the beloved disciple was preferred for children above all others; so we find numerous Jeans and Jeannes. To render these holy names more in keeping with the helplessness of little ones the diminutive forms of Jeannot and Jeannette were given them. So this girl was named Jeannette, or Jehannette in the old spelling, and so she was called in her native village. By her own account this was changed to Jeanne when she came into France. The English translation of Jeanne D'Arc is Joan of Arc; more properly it should be Joanna. Because it seems more beautiful to her than the others the writer has retained the name of Jeanne in her narrative. It is a mooted question which form of the name of Jeanne's father is correct: D'Arc or Darc. It is the writer's belief that D'Arc was the original writing, when it would follow that Jacques D'Arc would be James of the Bow or James Bowman, as he would have been called had he been an English peasant. For this reason the Maid's surname has been given as D'Arc; though there are many who claim that Darc is the nearest the truth. Acknowledgments are due to the following authorities into the fruit of whose labours the writer has entered: M. Jules Quicherat, "Condamnation et Rehabilitation de Jeanne d'Arc"; H. A. Wallon, "Jeanne d'Arc"; M. Simeon Luce, "Jeanne d'Arc a Domremy"; M. Anatole France, "Jeanne d'Arc"; Jules Michelet, "Jeanne d'Arc"; Monstrelet's "Chronicles"; Andrew Lang, "The Maid of France"; Lord Ronald Gower, "Joan of Arc"; F. C. Lowell, "Joan of Arc"; Mark Twain, "Joan of Arc"; Mrs. Oliphant, "Jeanne D'Arc"; Mrs. M. R. Bangs, "Jeanne D'Arc"; Janet Tuckey, "Joan of Arc, the Maid," and many others. The thanks of the writer are also due to the librarians of New York City, Albany and Glens Falls who kindly aided her in obtaining books and information. Thanks are also due to the Rev. Matthew Fortier, S. J., Dean of Fordham University, New York City, for information upon a point for which search had been vainly made. That this book may make a little niche for itself among other books upon the most marvellous girl the world has ever known, is the wish of THE WRITER. CONTENTS CHAPTER PAGE I A CHILDREN'S FESTIVAL 11 II THE KNIGHT'S STORY 23 III THE WAVES OF WAR REACH DOMREMY 35 IV THE AFTERMATH 43 V JEANNE'S VISION 53 VI JEANNE'S HARSH WORDS
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Produced by Suzanne L. Shell, Charles Franks and Distributed Proofreaders RUGGLES of RED GAP By Harry Leon Wilson 1915 {Illustration: "I TAKE IT YOU FAILED TO WIN THE HUNDRED POUNDS, SIR?"} {Dedication} TO HELEN COOKE WILSON CHAPTER ONE At 6:30 in our Paris apartment I had finished the Honour
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Produced by Al Haines [Illustration: Cover art] [Frontispiece: ALONE IN THE VAST SOLITUDE.] A CLAIM ON KLONDIKE A Romance OF THE ARCTIC EL DORADO BY EDWARD ROPER, F.R.G.S. AUTHOR OF 'BY TRACK AND TRAIL THROUGH CANADA,' ETC., ETC. _WITH ILLUSTR
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Produced by Norbert H. Langkau, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE BAYEUX TAPESTRY ELUCIDATED JOHN COLLINGWOOD BRUCE, LL.D., F.S.A. LONDON, J. RUSSELL SMITH. [Illustration: PLATE XVII.] THE BAYEUX TAPESTRY ELUCIDATED. BY REV. JOHN COLLINGWOOD BRUCE, LL.D., F.S.A., CORRESPONDING MEMBER OF THE SOCIETY OF ANTIQUARIES OF SCOTLAND, OF THE IMPERIAL SOCIETY OF ANTIQUARIES OF FRANCE, AND OF THE SOCIETY OF ANTIQUARIES OF NORMANDY; ONE OF THE COUNCIL OF THE SOCIETY OF ANTIQUARIES OF NEWCASTLE-UPON-TYNE; AN HONORARY MEMBER OF THE SURREY ARCHÆOLOGICAL SOCIETY; AND ONE OF THE COMMITTEE OF THE LITERARY AND PHILOSOPHICAL SOCIETY OF NEWCASTLE-UPON-TYNE. “...They burning both with fervent fire Their countrey’s auncestry to understond.” _Spenser._ LONDON: JOHN RUSSELL SMITH, 36, SOHO SQUARE. M.DCCC.LVI. NEWCASTLE-UPON-TYNE: PRINTED BY J. G. FORSTER AND CO., CLAYTON STREET. [I
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Produced by Josep Cols Canals, Les Galloway and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) PROTESTANTISM AND CATHOLICITY COMPARED IN THEIR EFFECTS ON THE CIVILIZATION OF EUROPE. WRITTEN IN SPANISH BY THE REV. J. BALMES. TRANSLATED FROM THE FRENCH. Second Edition. BALTIMORE: PUBLISHED BY JOHN MURPHY & CO. No. 178 MARKET STREET. PITTSBURG: GEORGE QUIGLEY. _Sold by Booksellers generally._ 1851. ENTERED, according to the Act of Congress, in the year eighteen hundred and fifty, by JOHN MURPHY & CO., in the Clerk's Office of the District Court of Maryland. AUTHOR'S PREFACE. Among the many and important evils which have been the necessary result of the profound revolutions of modern times, there appears a good extremely valuable to science, and which will probably have a beneficial influence on the human race,--I mean the love of studies having for their object man and society. The shocks have been so rude, that the earth has, as it were, opened under our feet; and the human mind, which, full of pride and haughtiness, but lately advanced on a triumphal car amid acclamations and cries of victory, has been alarmed and stopped in its career. Absorbed by an important thought, overcome by a profound reflection, it has asked itself, "What am I? whence do I come? what is my destination?" Religious questions have regained their high importance; and when they might have been supposed to have been scattered by the breath of indifference, or almost annihilated by the astonishing development of material interests, by the progress of the natural and exact sciences, by the continually increasing ardour of political debates,--we have seen that, so far from having been stifled by the immense weight which seemed to have overwhelmed them, they have reappeared on a sudden in all their magnitude, in their gigantic form, predominant over society, and reaching from the heavens to the abyss. This disposition of men's minds naturally drew their attention to the religious revolution of the sixteenth century; it was natural that they should ask what this revolution had done to promote the interests of humanity. Unhappily, great mistakes have been made in this inquiry. Either because they have looked at the facts through the distorted medium of sectarian prejudice, or because they have only considered them superficially, men have arrived at the conclusion, that the reformers of the sixteenth century conferred a signal benefit on the nations of Europe, by contributing to the development of science, of the arts, of human liberty, and of every thing which is comprised in the word _civilization_. What do history and philosophy say on this subject? How has man, either individually or collectively, considered in a religious, social, political, or literary point of view, been benefited by the reform of the sixteenth century? Did Europe, under the exclusive influence of Catholicity, pursue a prosperous career? Did Catholicity impose a single fetter on the movements of civilization? This is the examination which I propose to make in this work. Every age has its peculiar wants; and it is much to be wished that all Catholic writers were convinced, that the complete examination of these questions is one of the most urgent necessities of the times in which we live. Bellarmine and Bossuet have done what was required for their times; we ought to do the same for ours. I am fully aware of the immense extent of the questions I have adverted to, and I do not flatter myself that I shall be able to elucidate them as they deserve; but, however this may be, I promise to enter on my task with the courage which is inspired by a love of truth; and when my strength shall be exhausted, I shall sit down with tranquillity of mind, in expectation that another, more vigorous than myself, will carry into effect so important an enterprise. PREFACE TO THE AMERICAN EDITION. The work of Balmes on the comparative influence of Protestantism and Catholicity on European civilization, which is now presented to the American public, was written in Spanish, and won for the author among his own countrymen a very high reputation. A French edition was published simultaneously with the Spanish, and the work has since been translated into the Italian and English languages, and been widely circulated as one of the most learned productions of the age, and most admirably suited to the exigencies of our times. When Protestantism could no longer maintain its position in the field of theology, compelling its votaries by its endless variations to espouse open infidelity, or to fall back upon the ancient church, it adopted a new mode of defence, in pointing to its pretended achievements as the liberator of the human mind, the friend of civil and religious freedom, the patron of science and the arts; in a word, the active element in all social ameliorations. This is the cherished idea and boasted argument of those who attempt to uphold Protestantism as a system. They claim for it the merit of having freed the intellect of man from a degrading bondage, given a nobler impulse to enterprise and industry, and sown in every direction the seed of national and individual prosperity. Looking at facts superficially, or through the distorted medium of prejudice, they tell us that the reformers of the 16th century contributed much to the development of science and the arts, of human liberty, and of every thing which is comprised in the word _civilization_. To combat this delusion, so well calculated to ensnare the minds of men in this materialistic and utilitarian age, the author undertook
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Produced by Adrian Mastronardi, Eric Skeet, The Philatelic Digital Library Project at http://www.tpdlp.net and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Transcriber's Notes: (1) Obvious spelling, punctuation, and typographical errors have been corrected. (2) Italic text is denoted by _underscores_. (3) Table V in the Appendix has been split into two parts (Scotland and Ireland), in view of its page width. ____________________________________________ THE HISTORY OF THE BRITISH POST OFFICE BY J. C. HEMMEON, PH.D. _PUBLISHED FROM THE INCOME OF THE WILLIAM H. BALDWIN, JR., 1885, FUND_ [Illustration] CAMBRIDGE HARVARD UNIVERSITY 1912 COPYRIGHT, 1912, BY THE PRESIDENT AND FELLOWS OF HARVARD COLLEGE ALL RIGHTS RESERVED _Published January 1912_ PREFACE In justice to those principles which influenced the policy of the Post Office before the introduction of penny postage, it is perhaps unnecessary to call attention to the fact that no opinion as to their desirability or otherwise is justifiable which does not take into consideration the conditions and prejudices which then prevailed. Some of the earlier writers on the Post Office have made the mistake of condemning everything which has not satisfied the measure of their own particular rule. If there is anything that the historical treatment of a subject teaches the investigator it is an appreciation of the fact that different conditions call for different methods of treatment. For example, the introduction of cheap postage
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Produced by Ted Garvin, Ben Courtney and the Online Distributed Proofreading Team DIO'S ROME AN HISTORICAL NARRATIVE ORIGINALLY COMPOSED IN GREEK DURING THE REIGNS OF SEPTIMIUS SEVERUS, GETA AND CARACALLA, MACRINUS, ELAGABALUS AND ALEXANDER SEVERUS: AND NOW PRESENTED IN ENGLISH FORM BY HERBERT BALDWIN FOSTER, A.B. (Harvard), Ph.D. (Johns Hopkins), Acting Professor of Greek in Lehigh University _FIFTH VOLUME: Extant Books 61-76 (A.D. 54-211)._ 1906 * * * * * VOLUME CONTENTS * * * * * Book Sixty-one Book Sixty-two Book Sixty-three Book Sixty-four Book Sixty-five Book Sixty-six Book Sixty-seven Book Six
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Produced by Robert Cicconetti, Cathy Maxam, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) MISSY _A Novel_ BY THE AUTHOR OF "RUTLEDGE" "THE SUTHERLANDS," "LOUIE'S LAST TERM AT ST. MARY'S," "FRANK WARRINGTON," "RICHARD VANDERMARCK," "ST. PHILIP'S," "A PERFECT ADONIS," ETC., ETC., ETC. [Illustration] BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge Copyright, 1880, BY G. W. CARLETON & CO. CONTENTS. CHAPTER PAGE I. Yellowcoats 9 II
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The Project Gutenberg Etext of The Future of the <DW52> Race in America by William Aikman Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this. This should be the first thing seen when anyone opens the book. Do not change or edit it without written permission. The words are carefully chosen to provide users with the information they need about what they can legally do with the texts. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *****These Etexts Are Prepared By Thousands of Volunteers!***** Information on contacting Project Gutenberg to get Etexts, and further information is included below, including for donations. The Project Gutenberg Literary Archive Foundation is a 501(c)(3) organization with EIN [Employee Identification Number] 64-6221541 Title: The Future of the <DW52> Race in America Author: William Aikman Release Date: May, 2003 [Etext #4055] [Yes, we are about one year ahead of schedule] [The actual date this file first posted = 10/24/01] Edition: 10 Language: English The Project Gutenberg Etext of The Future of the <DW52> Race in America by William Aikman ******This file should be named 4055.txt or 4055.zip****** Produced by William Fishburne ([email protected]) Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United
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Produced by David Starner, Marlo Dianne, Charles Franks, and the Online Distributed Proofreading Team CERTAIN NOBLE PLAYS OF JAPAN: From The Manuscripts Of Ernest Fenollosa, Chosen And Finished By Ezra Pound With An Introduction By William Butler Yeats INTRODUCTION I In the series of books I edit for my sister I confine myself to those that have I believe some special value to Ireland, now or in the future. I have asked Mr. Pound for these beautiful plays because I think they will help me to explain a certain possibility of the Irish dramatic movement. I am writing these words with my imagination stirred by a visit to the studio of Mr. Dulac, the distinguished illustrator of the Arabian Nights. I saw there the mask and head-dress to be worn in a play of mine by the player who will speak the part of Cuchulain, and who wearing this noble half-Greek half-Asiatic face will appear perhaps like an image seen in revery by some Orphic worshipper. I hope to have attained the distance from life which can make credible strange events, elaborate words. I have written a little play that can be played in a room for so little money that forty or fifty readers of poetry can pay the price. There will be no scenery, for three musicians, whose seeming sun-burned faces will I hope suggest that they have wandered from village to village in some country of our dreams, can describe place and weather, and at moments action, and accompany it all by drum and gong or flute and dulcimer. Instead of the players working themselves into a violence of passion indecorous in our sitting-room, the music, the beauty of form and voice all come to climax in pantomimic dance.
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E-text prepared by Giovanni Fini, David Edwards, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Images of the original pages are available through Internet Archive. See https://archive.org/details/prideofjennicobe00castrich Transcriber’s note: Text enclosed by underscores is in italics (_italics_). Text enclosed by equal signs is in bold face (=bold=). THE PRIDE OF JENNICO [Illustration: logo] THE PRIDE OF JENNICO Being a Memoir of Captain Basil Jennico by AGNES AND EGERTON CASTLE New York The Macmillan Company London: Macmillan & Co., Ltd. 1899 All rights reserved Copyright, 1897, 1898, By The Macmillan Company. Set up and electrotyped February, 1898. Reprinted February, April, June three times, July, September, October, December, twice, 1898. Norwood Press J. S. Cushing & Co.—Berwick & Smith Norwood, Mass. U.S.A. CONTENTS PART I Page CHAPTER I. MEMOIR OF CAPTAIN BASIL JENNICO (BEGUN, APPARENTLY IN GREAT TROUBLE AND STRESS OF MIND, AT THE CASTLE OF TOLLENDHAL, IN MORAVIA, ON THE THIRD DAY OF THE GREAT STORM, LATE IN THE YEAR 1771) 1 CHAPTER II. BASIL JENNICO’S MEMOIR CONTINUED 23 CHAPTER III. 45 CHAPTER IV. 59 CHAPTER V. 72 CHAPTER VI. 90 CHAPTER VII. 101 CHAPTER VIII. 113 CHAPTER IX. 124 PART II CHAPTER I. MEMOIR OF CAPTAIN BASIL JENNICO (A PORTION, WRITTEN EARLY IN THE YEAR 1772, IN HIS ROOMS AT GRIFFIN’S, CUR ZON STREET) 143 CHAPTER II. CAPTAIN BASIL JENNICO’S MEMOIR CONTINUED 173 CHAPTER III. CAPTAIN BASIL JENNICO’S MEMOIR, RESUMED THREE MONTHS LATER, AT FARRINGDON DANE 183 CHAPTER IV. NARRATIVE OF AN EPISODE AT WHITE’S CLUB, IN WHICH CAPTAIN JENNICO WAS CONCERNED, SET FORTH FROM CONTEMPORARY ACCOUNTS 201 CHAPTER V. NARRATIVE OF AN EPISODE AT WHITE’S CONTINUED 218 PART III CHAPTER I. MEMOIR OF CAPTAIN BASIL JENNICO (RESUMED IN THE SPRING OF THE YEAR 1773) 230 CHAPTER II. 252 CHAPTER III. 266 CHAPTER IV. 287 CHAPTER V. 306 CHAPTER VI. 319 CHAPTER VII. 332 THE PRIDE OF JENNICO PART I CHAPTER I MEMOIR OF CAPTAIN BASIL JENNICO (BEGUN, APPARENTLY IN GREAT TROUBLE AND STRESS OF MIND, AT THE CASTLE OF TOLLENDHAL, IN MORAVIA, ON THE THIRD DAY OF THE GREAT STORM, LATE IN THE YEAR 1771) AS the wind rattles the casements with impotent clutch, howls down the stair-turret with the voice of a despairing soul, creeps in long irregular waves between the tapestries and the granite walls of my chamber and wantons with the flames of logs and candles; knowing, as I do, that outside the snow is driven relentlessly by the gale, and that I can hope for no relief from the company of my wretched self,—for they who have learnt the temper of these wild mountain winds tell me the storm must last at least three days more in its fury,—I have bethought me, to keep from going melancholy crazed altogether, to set me some regular task to do. And what can more fitly occupy my poor mind than the setting forth, as clearly as may be, the divers events that have brought me to this strange plight in this strange place? although, I fear me, it may not in the end be over-clear, for in sooth I cannot even yet see a way through the confusion of my thoughts. Nay, I could at times howl in unison with yonder dismal wind for mad regret; and at times again rage and hiss and break myself, like the fitful gale, against the walls of this desolate house for anger at my fate and my folly! But since I can no more keep my thoughts from wandering to her and wondering upon her than I can keep my hot blood from running—running with such swiftness that here, alone in the wide vaulted room, with blasts from the four corners of the earth playing a very demon’s dance around me, I am yet all of a fever heat—I will try whether, by laying bare to myself all I know of her and of myself, all I surmise and guess of the parts we acted towards each other in this business, I may not at least come to some understanding, some decision, concerning the manner in which, as a man, I should comport myself in my most singular position. Having reached thus far in his writing, the scribe after shaking the golden dust of the pounce box over his page paused, musing for a moment, loosening with unconscious fingers the collar of his coat from his neck and gazing with wide grey eyes at the dancing flames of the logs,
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Produced by Charles Bowen from page scans provided by the Hathi Trust (The Ohio State University) Transcriber's Notes: 1. Page scan source: https://babel.hathitrust.org/cgi/pt?id=osu.32435001496009; (The Ohio State University) THE SILVER BULLET --------------------------- BY THE SAME AUTHOR THE SILENT HOUSE IN PIMLICO THE BISHOP'S SECRET THE CRIMSON CRYPTOGRAM THE GOLDEN WANG-HO THE TURNPIKE HOUSE A TRAITOR IN LONDON WOMAN--THE SPHINX THE JADE EYE ---------------------------- John Long, Publisher, London THE SILVER BULLET BY FERGUS HUME London John Long 13 & 14 Norris Street, Haymarket THE SILVER BULLET CHAPTER I THE HOUSE IN THE PINE WOOD "We had better lie down and die," said Robin peevishly. "I can't go a step further," and to emphasise his words he deliberately sat. "Infernal little duffer," growled Herrick. "Huh! Might have guessed you would Joyce." He threw himself down beside his companion and continued grumbling. "You have tobacco, a fine night, and a heather couch of the finest, yet you talk as though the world were coming to an end." "I'm sure this moor never will," sighed Joyce, reminded of his cigarettes, "we have been trudging it since eight in the morning, yet it still stretches to the back-of-beyond. Hai!" The pedestrians were pronouncedly isolated. A moonless sky thickly jewelled with stars, arched over a treeless moor, far-stretching as the plain of Shinar. In the luminous summer twilight, the eye could see for a moderate distance, but to no clearly defined horizon; and the verge of sight was limited by vague shadows, hardly definite enough to be mists. The moor exhaled the noonday heats in thin white vapour, which shut out from the external world those who nestled to its bosom. A sense of solitude, the brooding silence, the formless surroundings, and above all, the insistence of the infinite, would have appealed on ordinary occasions to the poetical and superstitious side of Robin's nature. But at the moment, his nerves were uppermost. He was worn-out, fractious as a child, and in his helplessness could have cried like one. Herrick knew his friend's frail physique and inherited neurosis: therefore he forebore to make bad worse by ill advised sympathy. Judiciously waiting until Joyce had in some degree soothed himself with tobacco, he talked of the common-place. "Nine o'clock," said he peering at his watch; "thirteen hour's walking. Nothing to me Robin, but a goodish stretch to you. However we are within hail of civilization, and in England. A few miles further we'll pick up a village of sorts no doubt. One would think you were exploiting Africa the way you howl." He spoke thus callously, in order to brace his friend; but Joyce resented the tone with that exaggerated sense of injury peculiar to the neurotic. "I am no Hercules like you Jim," he protested sullenly; "all your finer feelings have been blunted by beef and beer. You can't feel things as I do. Also," continued Robin still more querulously, "it seems to have escaped your memory, that I returned only last night from a two day's visit to Town." "If you _will_ break up your holiday into fragments, you must not expect to receive the benefit its enjoyment as a whole would give you. It was jolly enough last week sauntering through the Midlands, till you larked up to London, and fagged yourself with its detestable civilization." Joyce threw aside his cigarette and nervously began to roll another. "It was no lark which took me up Jim. The letter that came to the Southberry Inn was about--her business." "Sorry old man. I keep forgetting your troubles. Heat and the want of food make me savage. We'll rest here for a time, and then push on. Not that a night in the open would matter to me." Joyce made no reply but lying full length on the dry herbage, stared at the scintillating sky. At his elbow, Herrick, cross-legged like a fakir, gave himself up to the enjoyment of a disreputable pipe. The more highly-strung man considered the circumstances which had placed him where he was. Two months previously, Robin Joyce had lost his mother, to whom he had been devotedly attached: and the consequent grief had made a wreck of him. For weeks he had shut himself up in the flat once brightened by her presence to luxuriate in woe. He possessed in a large degree that instinct for martyrdom, latent in many people, which searches for sorrow, as a more joyous nature hunts for pleasure. The blow of Mrs. Joyce's death had fallen unexpectedly, but it brought home to Robin, the knowledge--strange as it may sound--that a mental pleasure can be plucked from misfortune. He locked himself in his room, wept much, and ate little; neglected his business of contributor to several newspapers, and his personal appearance. Thus the pain of his loss merged itself in that delight of self-mortification, which must have been experienced by the hermits of the Thebiad. Not entirely from religious motives was the desert made populous with hermits in the days of Cyril and Hypatia. Herrick did not realize this transcendental indulgence, nor would he have understood it, had he done so. Emphatically a sane man, he would have deemed it a weakness degrading to the will, if not a species of lunacy. As it was, he merely saw that Robin yielded to an unrestrained grief detrimental to his health, and insisted upon carrying him off for a spell in the open air. With less trouble than he anticipated, Robin's consent was obtained. The mourner threw himself with ardour into the scheme, selected the county of Berks as the most inviting for a ramble; and when fairly started, showed a power of endurance amazing in one so frail. Jim however being a doctor, was less astonished than a layman would have been. He knew that in Joyce a tremendous nerve power dominated the feebler muscular force, and that the man would go on like a blood-horse until he dropped from sheer exhaustion. The collapse on the moor did not surprise him. He only wondered that Robin had held out for so many days. "But I wish you had not gone to London," said Herrick pursuing aloud this train of thought. "I had to go," replied Joyce not troubling to query the remark. "The lawyer wrote about my poor mother's property. In my sorrow, I had neglected to look after it, but at Southberry Junction feeling better, thanks to your open air cure, I thought it wise to attend to the matter." Then Joyce went on to state with much detail, how he had caught the Paddington express at Marleigh--their last stopping place--and had seen his lawyer. The business took some time to settle; but it resulted in the knowledge that Joyce found himself possessed of five hundred a year in Consols. "Also the flat and the furniture," said Robin, "so I am not so badly off. I can devote myself wholly to novels now, and shall not have to rack my brains for newspaper articles." Herrick nodded over a newly-filled pipe. "Did you sleep at the flat?" "No, I went up on Tuesday as you know, and slept that night at the Hull Hotel, a small house in one of the Strand side streets. Last night, I joined you at Southberry." "And it is now Thursday," said Herrick laughing. "How particular you are as to detail Robin. Well, Southberry is a goodish way behind us now and Saxham is our next resting place. Feel better?" "Yes, thanks. In another quarter of an hour, I shall make the attempt to reach Saxham. But we are so late, I fear no bed----" "Oh, that's alright. We can wake the landlord, I calculate we have only three miles." "Quite enough too. By the way Jim, what did you do, when I left you?" In the semi-darkness Herrick chuckled. "Fell in love!" said he. "H'm! You lost no time about it. And she?" "A daughter of the gods, divinely tall; dark hair, creamy skin, sea-blue eyes the figure and gait of Diana, and--" "More of the Celt than the Greek," interrupted Joyce, "blue eyes, black hair, that is the Irish type. Where did you see her?" "In Southberry Church, talking to a puny curate, who did not deserve such a companion. Oh, Robin, her voice! like an Eolian harp." "It must possess a variety of tones then Jim. Did she see you?" Herrick nodded and laughed again. "She looked and blushed. Beauty drew me with a single hair, therefore I thrilled responsive. Love at first sight Robin. Heigh-ho! never again shall I see this Helen of Marleigh." "Live in hope," said Joyce, springing to his feet. "Allons, mon ami." The more leisurely Herrick rose, markedly surprised at this sudden recuperation. "Wonderful man. One minute you are dying, the next skipping like a two year old. Hysterical all the same," he added as Joyce laughed. "Those three miles," explained the other feverishly, "I feel that I have to walk them, and my determination is braced to breaking point." "That means you'll collapse half way," retorted the doctor unstrapping his knapsack. "Light a match. Valerian for you my man." Robin made no objection. He knew the value of Valerian for those unruly nerves of
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Produced by David Widger SAILORS' KNOTS By W.W. Jacobs 1909 SELF-HELP The night-watchman sat brooding darkly over life and its troubles. A shooting corn on the little toe of his left foot, and a touch of liver, due, he was convinced, to the unlawful cellar work of the landlord of the Queen's Head, had induced in him a vein of profound depression. A discarded boot stood by his side, and his gray-stockinged foot protruded over the edge of the jetty until a passing waterman gave it a playful rap with his oar. A subsequent inquiry as to the price of pigs' trotters fell on ears rendered deaf by suffering. "I might 'ave expected it," said the watchman, at last. "I done that man--if you can call him a man--a kindness once, and this is my reward for it. Do a man a kindness, and years arterwards 'e comes along and hits you over your tenderest corn with a oar." [Illustration: "''E comes along and hits you over your tenderest corn with a oar.'"] He took up his boot, and, inserting his foot with loving care, stooped down and fastened the laces. Do a man a kindness, he continued, assuming a safer posture, and 'e tries to borrow money off of you; do a woman a kindness and she thinks you want tr marry 'er; do an animal a kindness and it tries to bite you--same as a horse bit a sailorman I knew once, when 'e sat on its head to 'elp it get up. He sat too far for'ard, pore chap. Kindness never gets any thanks. I
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E-text prepared by Sankar Viswanathan, David Edwards, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the lovely original illustrations. See 48537-h.htm or 48537-h.zip: (http://www.gutenberg.org/files/48537/48537-h/48537-h.htm) or (http://www.gutenberg.org/files/48537/48537-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/billybounce00dens [Illustration: _"Why it_ is, _a large fried egg," said Billy, excitedly_.--Page 47. Frontispiece.] BILLY BOUNCE by W. W. DENSLOW and DUDLEY A. BRAGDON Pictures by Denslow G. W. Dillingham Co. Publishers New York Copyright 1906 by W. W. Denslow All rights reserved. Issued September, 1906. To "Pete" and "Ponsie" List of Chapters. CHAPTER PAGE I. DARK PLOT OF NICKEL PLATE, THE POLISHED VILLAIN 9 II. A JUMP TO SHAMVILLE 22 III. BILLY IS CAPTURED BY TOMATO 34 IV. ADVENTURES IN EGGS-AGGERATION 47 V. PEASE PORRIDGE HOT 63 VI. BLIND MAN'S BUFF 77 VII. THE WISHING BOTTLE 88 VIII. GAMMON AND SPINACH 97 IX.
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Produced by David Widger from page images generously provided by the Internet Archive THE BRIDE OF THE SUN By Gaston Leroux 1915, McBride, Nabt & Co. BOOK I--THE GOLDEN SUN BRACELET I As the liner steamed into Callao Roads, and long before it had anchored, it was surrounded by a flotilla of small boats. A moment later, deck, saloons and cabins were invaded by a host of gesticulating and strong-minded boatmen, whose badges attested that they
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Produced by Julio Reis, Moises S. Gomes, Julia Neufeld and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's note: Text enclosed by underscores is in italics (_italics_). Small capital text has been replaced with all capitals. Text enclosed by equal signs is in bold face (=bold=). * * * * * [Illustration: coverpage] [Illustration: titlepage] _The World's Great Sermons_ VOLUME IX CUYLER TO VAN <DW18> THE WORLD'S GREAT SERMONS COMPILED BY GRENVILLE KLEISER Formerly of Yale Divinity School Faculty; Author of "How to Speak in Public," Etc. With Assistance from Many of the Foremost Living Preachers and Other Theologians INTRODUCTION BY LEWIS O. BRASTOW, D.D. Professor Emeritus of Practical Theology in Yale University IN TEN VOLUMES VOLUME IX--CUYLER TO VAN <DW18> FUNK & WAGNALLS COMPANY NEW YORK and LONDON COPYRIGHT, 1908, BY FUNK & WAGNALLS COMPANY _Printed in the United States of America_ CONTENTS VOLUME IX CUYLER (Born in 1822). Page The Value of Life 1 BROADUS (1827-1895). Let us Have Peace With God 19 WILBERFORCE (Born in 1840
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Produced by Julie C. Sparks CLARISSA HARLOWE or the HISTORY OF A YOUNG LADY Nine Volumes Volume I. Comprehending The most Important Concerns of Private Life. And particularly shewing, The Distresses that may attend the Misconduct Both of Parents and Children, In Relation to Marriage. PREFACE The following History is given in a series of letters, written Principally in a double yet separate correspondence; Between two young ladies of virtue and honor, bearing an inviolable friendship for each other, and writing not merely for amusement, but upon the most interesting subjects; in which every private family, more or less, may find itself concerned; and, Between two gentlemen of free lives; one of them glorying in his talents for stratagem and invention, and communicating to the other, in confidence, all the secret purposes of an intriguing head
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Produced by Andrea Ball & Marc D'Hooghe at http://www.freeliterature.org (From images generously made available by the Internet Archive.) LOVE, WORSHIP AND DEATH Some renderings from the Greek Anthology BY SIR RENNELL RODD AUTHOR OF 'BALLADS OF THE FLEET' 'THE VIOLET CROWN,' ETC. LONDON EDWARD ARNOLD 1916 INTRODUCTION Among the many diverse forms of expression in which the Greek genius has been revealed to us, that which is preserved in the lyrics of the anthology most typically reflects the familiar life of men, the thought and feeling of every day in the lost ancient world. These little flowers of song reveal, as does no other phase of that great literature, a personal outlook on life, kindly, direct and simple, the tenderness which characterised family relations, the reciprocal affection of master and slave, sympathy with the domestic animals, a generous sense of the obligations of friendship, a gentle piety and a close intimacy with the nature gods, of whose presence, malignant or benign, the Greek was ever sensitively conscious. For these reasons they still make so vivid an appeal to us after a long silence of many centuries. To myself who have lived for some years in that enchanted world of Greece, and have sailed from island to island of its haunted seas, the shores have seemed still quick with the voices of those gracious presences who gave exquisite form to their thoughts on life and death, their sense of awe and beauty and love. There indeed poetry seems the appropriate expression of the environment, and there even still to-day, more than anywhere else in the world, the correlation of our life with nature may be felt instinctively; the human soul seems nearest to the soul of the world. The poems, of which some renderings are here offered to those who cannot read the originals, cover a period of about a thousand years, broken by one interval during which the lesser lyre is silent. The poets of the _elegy_ and the _melos_ appear in due succession after those of the _epic_ and, significant perhaps of the transition, there are found in the first great period of the lyric the names of two women, Sappho of <DW26>s, acknowledged by the unanimous voice of antiquity, which is confirmed by the quality of a few remaining fragments, to be among the greatest poets of all times, and Corinna of Tanagra, who contended with Pindar and rivalled Sappho's mastery. The canon of Alexandria does not include among the nine greater lyrists the name of Erinna of Rhodes, who died too young, in the maiden glory of her youth and fame. The earlier poets of the _melos_ were for the most part natives of 'the sprinkled isles, Lily on lily that overlace the sea.' Theirs is the age of the austerer mood, when the clean-cut marble outlines of a great language matured in its noblest expression. Then a century of song is followed by the period of the dramatists during which the lyric muse is almost silent, in an age of political and intellectual intensity. A new epoch of lyrical revival is inaugurated by the advent of Alexander, and the wide extension of Hellenic culture to more distant areas of the Mediterranean. Then follows the long succession of poets who may generally be classified as of the school of Alexandria. Among them are three other women singers of high renown, Anyte of Tegea, Nossis of Locri in southern Italy, and Moero of Byzantium. The later writers of this period had lost the graver purity of the first lyric outburst, but they had gained by a wider range of sympathy and a closer touch with nature. This group may be said to close with Meleager, who was born in Syria and educated at Tyre, whose contact with the eastern world explains a certain suggestive and exotic fascination in his poetry which is not strictly Greek. The Alexandrian is followed by the Roman period, and the Roman by the Byzantine, in which the spirit of the muse of Hellas expires reluctantly in an atmosphere of bureaucratic and religious pedantry. These few words of introduction should suffice, since the development of the lyric poetry of Greece and the characteristics of its successive exponents have been made familiar to English readers in the admirable work of my friend J.W. Mackail. A reference to his _Select Epigrams from the Greek Anthology_ suggests one plea of justification for the present little collection of renderings, since the greater number of them have been by him translated incomparably well into prose. Of the quality of verse translation there are many tests: the closeness with which the intention and atmosphere of the original has been maintained; the absence of extraneous additions; the omission of no essential feature, and the interpretation, by such equivalent as most adequately corresponds, of individualities of style and assonances of language. But not the least essential justification of poetical translation is that the version should constitute a poem on its own account, worthy to stand by itself on its own merits if the reader were unaware that it was a translation. It is to this test especially that renderings in verse too often fail to conform. I have discarded not a few because they seemed too obviously to bear the forced expression which the effort to interpret is apt to induce. Of those that remain some at least I hope approach the desired standard, failing to achieve which they would undoubtedly be better expressed in simple prose. And yet there is a value in rendering rhythm by rhythm where it is possible, and if any success has been attained, such translations probably convey more of the spirit of the original, which meant verse, with all which that implies, and not prose. The arrangement in this little volume is approximately chronological in sequence. This should serve to illustrate the severe and restrained simplicity of the earlier writers as contrasted with the more complex and conscious thought, and the more elaborate expression of later centuries when the horizons of Hellenism had been vastly extended. The interpretation of these
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GIRL*** This eBook was prepared by Stewart A. Levin. A LITTLE COOK-BOOK FOR A LITTLE GIRL by CAROLINE FRENCH BENTON Author of ``Gala Day Luncheons'' Boston, The Page Company, Publishers Copyright, 1905 by Dana Estes & Company For Katherine, Monica and Betty Three Little Girls Who Love To Do ``Little Girl Cooking'' Thanks are due to the editor of Good Housekeeping for permission to reproduce the greater part of this book from that magazine. INTRODUCTION Once upon a time there was a little girl named Margaret, and she wanted to cook, so she went into the kitchen and tried and tried, but she could not understand the cook-books, and she made dreadful messes, and spoiled her frocks and burned her fingers till she just had to cry. One day she went to her
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Produced by Katie Hernandez, Jason Isbell and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was made using scans of public domain works in the International Children's Digital Library.) Transcriber's Note: This book is heavily illustrated. The illustrations that do not have captions have been removed in the text version; they are retained in the HTML version. Marys Little Lamb A PICTURE GUESSING STORY FOR LITTLE CHILDREN BY EDITH FRANCIS FOSTER WITH 500 PICTURES BY THE AUTHOR [Illustration] SALEM MASS SAMUEL EDSON CASSINO CONTENTS FRONTISPIECE DEDICATION HOW MARY FOUND HIM 9 HOW THEY
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E-text prepared by Brian Coe, Chris Pinfield, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original map. See 53093-h.htm or 53093-h.zip: (http://www.gutenberg.org/files/53093/53093-h/53093-h.htm) or (http://www.gutenberg.org/files/53093/53093-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/TheDefenceOfLucknow Transcriber's note: Text enclosed by underscores is in italics (_italics_). Small capitals have been replaced by full capitals. [Illustration: PLAN OF THE ENTRENCHED POSITION OF THE BRITISH GARRISON AT LUCKNOW. 1857. Published by Smith, Elder & Co., Cornhill London 1858.] THE DEFENCE OF LUCKNOW. A Diary Recording the Daily Events during the Siege of the European Residency From 31st May to 25th September, 1857. BY A STAFF OFFICER With a Plan of the Residency. SECOND EDITION. London: Smith, Elder, and Co., 65 Cornhill. 1858. The right of translation is reserved. London Printed by Spottiswoode and Co. New-Street Square. ADVERTISEMENT. The Author of this work desiring, for military reasons, to withhold his name, the Publishers feel it due to the public to vouch for the authenticity of the "Diary," by stating that the Author is an officer of the Staff of
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Produced by Andrea Ball, Christine Bell & Marc D'Hooghe at http://www.freeliterature.org (From images generously made available by the Internet Archive.) A PHILOSOPHICAL DICTIONARY VOLUME IV By VOLTAIRE EDITION DE LA PACIFICATION THE WORKS OF VOLTAIRE A CONTEMPORARY VERSION With Notes by Tobias Smollett, Revised and Modernized New Translations by William F. Fleming, and an Introduction by Oliver H.G. Leigh A CRITIQUE AND BIOGRAPHY BY THE RT. HON. JOHN MORLEY FORTY-THREE VOLUMES One hundred and sixty-eight designs, comprising reproductions of rare old engravings, steel plates, photogravures, and curious fac-similes VOLUME VIII E.R. DuMONT PARIS--LONDON--NEW YORK--CHICAGO 1901 _The WORKS of VOLTAIRE_ _"Between two servants of Humanity, who appeared eighteen hundred years apart, there is a mysterious relation. * * * * Let us say it with a sentiment of profound respect: JESUS WEPT: VOLTAIRE SMILED. Of that divine tear and of that human smile is composed the sweetness of the present civilization."_ _VICTOR HUGO._ LIST OF PLATES--VOL. IV VOLTAIRE'S ARREST AT FRANKFORT _Frontispiece_ OLIVER CROMWELL TIME MAKES TRUTH TRIUMPHANT FRANCIS I. AND HIS SISTER [Illustration: Voltaire's arrest at Frankfort.] * * * * * VOLTAIRE A PHILOSOPHICAL DICTIONARY IN TEN VOLUMES VOL. IV. COUNTRY--FALSITY * * * * * COUNTRY. SECTION I According to our custom, we confine ourselves on this subject to the statement of a few queries which we cannot resolve. Has a Jew a country? If he is born at Coimbra, it is in the midst of a crowd of ignorant and absurd persons, who will dispute with him, and to whom he makes foolish answers, if he dare reply at all. He is surrounded by inquisitors, who would burn him if they knew that he declined to eat bacon, and all his wealth would belong to them. Is Coimbra _his_ country? Can he exclaim, like the Horatii in Corneille: _Mourir pour la patrie est un si digne sort_ _Qu'on briguerait en foule, une si belle mort._ So high his meed who for his country dies, Men should contend to gain the glorious prize. He might as well exclaim, "fiddlestick!" Again! is Jerusalem his country? He has probably heard of his ancestors of old; that they had formerly inhabited a sterile and stony country, which is bordered by a horrible desert, of which little country the Turks are at present masters, but derive little or nothing from it. Jerusalem is, therefore, not his country. In short, he has no country: there is not a square foot of land on the globe which belongs to him. The Gueber, more ancient, and a hundred times more respectable than the Jew, a slave of the Turks, the Persians, or the Great Mogul, can he regard as his country the fire-altars which he raises in secret among the mountains? The Banian, the Armenian, who pass their lives in wandering through all the east, in the capacity of money-brokers, can they exclaim, "My dear country, my dear country"--who have no other country than their purses and their account-books? Among the nations of Europe, all those cut-throats who let out their services to hire, and sell their blood to the first king who will purchase it--have they a country? Not so much so as a bird of prey, who returns every evening to the hollow of the rock where its mother built its nest! The monks--will they venture to say that they have a country? It is in heaven, they say. All in good time; but in this world I know nothing about one. This expression, "my country," how sounds it from the mouth of a Greek, who, altogether ignorant of the previous existence of a Miltiades, an Agesilaus, only knows that he is the slave of a janissary, who is the slave of an aga, who is the slave of a pasha, who is the slave of a vizier, who is the slave of an individual whom we call, in Paris, the Grand Turk? What, then, is country?--Is it not, probably, a good piece of ground, in the midst of which the owner, residing in a well-built and commodious house, may say: "This field which I cultivate, this house which I have built, is my own; I live under the protection of laws which no tyrant can infringe. When those who, like me, possess fields and houses assemble for their common interests, I have a voice in such assembly. I am a part of the whole, one of the community, a portion of the sovereignty: behold my country!" What cannot be included in this description too often amounts to little beyond studs of horses under the command of a groom, who employs the whip at his pleasure. People may have a country under a good king, but never under a bad one. SECTION II. A young pastry-cook who had been to college, and who had mustered some phrases from Cicero, gave himself airs one day about loving his country. "What dost thou mean by country?" said a neighbor to him. "Is it thy oven? Is it the village where thou wast born, which thou hast never seen, and to which thou wilt never return? Is it the street in which thy father and mother reside? Is it the town hall, where thou wilt never become so much as a clerk or an alderman? Is it the church of Notre Dame, in which thou hast not been able to obtain a place among the boys of the choir, although a very silly person, who is archbishop and duke, obtains from it an annual income of twenty-four thousand louis d'or?" The young pastry-cook knew not how to reply; and a person of reflection, who overheard the conversation, was led to infer that a country of moderate extent may contain many millions of men who have no country at all. And thou, voluptuous Parisian, who hast never made a longer voyage than to Dieppe, to feed upon fresh sea-fish--who art acquainted only with thy splendid town-house, thy pretty villa in the country, thy box at that opera which all the world makes it a point to feel tiresome but thyself--who speakest thy own language agreeably enough, because thou art ignorant of every other; thou lovest all this, no doubt, as well as thy brilliant champagne from Rheims, and thy rents, payable every six months; and loving these, thou dwellest upon thy love for thy country. Speaking conscientiously, can a financier cordially love his country? Where was the country of the duke of Guise, surnamed Balafre--at Nancy, at Paris, at Madrid, or at Rome? What country had your cardinals Balue, Duprat, Lorraine, and Mazarin? Where was the country of Attila situated, or that of a hundred other heroes of the same kind, who, although eternally travelling, make themselves always at home? I should be much obliged to any one who would acquaint me with the country of Abraham. The first who observed that every land is our country in which we "do well," was, I believe, Euripides, in his "_Phaedo_": [Greek: "Os pantakoos ge patris boskousa gei."] The first man, however, who left the place of his birth to seek a greater share of welfare in another, said it before him. SECTION III. A country is a composition of many families; and as a family is commonly supported on the principle of self-love, when, by an opposing interest, the same self-love extends to our town, our province, or our nation, it is called love of country. The greater a country becomes, the less we love it; for love is weakened by diffusion. It is impossible to love a family so numerous that all the members can scarcely be known. He who is burning with ambition to be edile, tribune, praetor, consul, or dictator, exclaims that he loves his country, while he loves only himself. Every man wishes to possess the power of sleeping quietly at home, and of preventing any other man from possessing the power of sending him to sleep elsewhere. Every one would be certain of his property and his life. Thus, all forming the same wishes, the particular becomes the general interest. The welfare of the republic is spoken of, while all that is signified is love of self. It is impossible that a state was ever formed on earth, which was not governed in the first instance as a republic: it is the natural march of human nature. On the discovery of America, all the people were found divided into republics; there were but two kingdoms in all that part of the world. Of a thousand nations, but two were found subjugated. It was the same in the ancient world; all was republican in Europe before the little kinglings of Etruria and of Rome. There are yet republics in Africa: the Hottentots, towards the south, still live as people are said to have lived in the first ages of the world--free, equal, without masters, without subjects, without money, and almost without wants. The flesh of their sheep feeds them; they are clothed with their skins; huts of wood and clay form their habitations. They are the most dirty of all men, but they feel it not, but live and die more easily than we do. There remain eight republics in Europe without monarchs--Venice, Holland, Switzerland, Genoa, Lucca, Ragusa, Geneva, and San Marino. Poland, Sweden, and England may be regarded as republics under a king, but Poland is the only one of them which takes the name. But which of the two is to be preferred for a country--a monarchy or a republic? The question has been agitated for four thousand years. Ask the rich, and they will tell you an aristocracy; ask the people, and they will reply a democracy; kings alone prefer royalty. Why, then, is almost all the earth governed by monarchs? Put that question to the rats who proposed to hang a bell around the cat's neck. In truth, the genuine reason is, because men are rarely worthy of governing themselves. It is lamentable, that to be a good patriot we must become the enemy of the rest of mankind. That good citizen, the ancient Cato, always gave it as his opinion, that Carthage must be destroyed: "_Delenda est Carthago_." To be a good patriot is to wish our own country enriched by commerce, and powerful by arms; but such is the condition of mankind, that to wish the greatness of our own country is often to wish evil to our neighbors. He who could bring himself to wish that his country should always remain as it is, would be a citizen of the universe. CRIMES OR OFFENCES. _Of Time and Place._ A Roman in Egypt very unfortunately killed a consecrated cat, and the infuriated people punished this sacrilege by tearing him to pieces. If this Roman had been carried before the tribunal, and the judges had possessed common sense, he would have been condemned to ask pardon of the Egyptians and the cats, and to pay a heavy fine, either in money or mice. They would have told him that he ought to respect the follies of the people, since he was not strong enough to correct them. The venerable chief justice should have spoken to him in this manner: "Every country has its legal impertinences, and its offences of time and place. If in your Rome, which has become the sovereign of Europe, Africa, and Asia Minor, you were to kill a sacred fowl, at the precise time that you give it grain in order to ascertain the just will of the gods, you would be severely punished. We believe that you have only killed our cat accidentally. The court admonishes you. Go in peace, and be more circumspect in future." It seems a very indifferent thing to have a statue in our hall; but if, when Octavius, surnamed Augustus, was absolute master, a Roman had placed in his house the statue of Brutus, he would have been punished as seditious. If a citizen, under a reigning emperor, had the statue of the competitor to the empire, it is said that it was accounted a crime of high treason. An Englishman, having nothing to do, went to Rome, where he met Prince Charles Edward at the house of a cardinal. Pleased at the incident, on his return he drank in a tavern to the health of Prince Charles Edward, and was immediately accused of high treason. But whom did he highly betray in wishing the prince well? If he had conspired to place him on the throne, then he would have been guilty towards the nation; but I do not see that the most rigid justice of parliament could require more from him than to drink four cups to the health of the house of Hanover, supposing he had drunk two to the house of Stuart. _Of Crimes of Time and Place, which Ought to Be Concealed._ It is well known how much our Lady of Loretto ought to be respected in the March of Ancona. Three young people happened to be joking on the house of our lady, which has travelled through the air to Dalmatia; which has two or three times changed its situation, and has only found itself comfortable at Loretto. Our three scatterbrains sang a song at supper, formerly made by a Huguenot, in ridicule of the translation of the _santa casa_ of Jerusalem to the end of the Adriatic Gulf. A fanatic, having heard by chance what passed at their supper, made strict inquiries, sought witnesses, and engaged a magistrate to issue a summons. This proceeding alarmed all consciences. Every one trembled in speaking of it. Chambermaids, vergers, inn-keepers, lackeys, servants, all heard what was never said, and saw what was never done: there was an uproar, a horrible scandal throughout the whole March of Ancona. It was said, half a league from Loretto, that these youths had killed our lady; and a league farther, that they had thrown the _santa casa_ into the sea. In short, they were condemned. The sentence was, that their hands should be cut off, and their tongues be torn out; after which they were to be put to the torture, to learn--at least by signs--how many couplets there were in the song. Finally, they were to be burnt to death by a slow fire. An advocate of Milan, who happened to be at Loretto at this time, asked the principal judge to what he would have condemned these boys if they had violated their mother, and afterwards killed and eaten her? "Oh!" replied the judge, "there is a great deal of difference; to assassinate and devour their father and mother is only a crime against men." "Have you an express law," said the Milanese, "which obliges you to put young people scarcely out of their nurseries to such a horrible death, for having indiscreetly made game of the _santa casa,_ which is contemptuously laughed at all over the world, except in the March of Ancona?" "No," said the judge, "the wisdom of our jurisprudence leaves all to our discretion." "Very well, you ought to have discretion enough to remember that one of these children is the grandson of a general who has shed his blood for his country, and the nephew of an amiable and respectable abbess; the youth and his companions are giddy boys, who deserve paternal correction. You tear citizens from the state, who might one day serve it; you imbrue yourself in innocent blood, and are more cruel than cannibals. You will render yourselves execrable to posterity. What motive has been powerful enough, thus to extinguish reason, justice, and humanity in your minds, and to change you into ferocious beasts?" The unhappy judge at last replied: "We have been quarrelling with the clergy of Ancona; they accuse us of being too zealous for the liberties of the Lombard Church, and consequently of having no religion." "I understand, then," said the Milanese, "that you have made yourselves assassins to appear Christians." At these words the judge fell to the ground, as if struck by a thunderbolt; and his brother judges having been since deprived of office, they cry out that injustice is done them. They forget what they have done, and perceive not that the hand of God is upon them. For seven persons legally to amuse themselves by making an eighth perish on a public scaffold by blows from iron bars; take a secret and malignant pleasure in witnessing his torments; speak of it afterwards at table with their wives and neighbors; for the executioners to perform this office gaily, and joyously anticipate their reward; for the public to run to this spectacle as to a fair--all this requires that a crime merit this horrid punishment in the opinion of all well-governed nations, and, as we here treat of universal humanity, that it is necessary to the well-being of society. Above all, the actual perpetration should be demonstrated beyond contradiction. If against a hundred thousand probabilities that the accused be guilty there is a single one that he is innocent, that alone should balance all the rest. _Query: Are Two Witnesses Enough to Condemn a Man to be Hanged?_ It has been for a long time imagined, and the proverb assures us, that two witnesses are enough to hang a man, with a safe conscience. Another ambiguity! The world, then
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) OXFORD AND ITS STORY [Illustration: OXFORD CASTLE (_Photogravure_)] OXFORD AND ITS STORY BY CECIL HEADLAM, M.A. AUTHOR OF "NUREMBERG," "CHARTRES," ETC. ETC. [Illustration] WITH TWENTY-FOUR LITHOGRAPHS AND OTHER ILLUSTRATIONS BY HERBERT RAILTON THE LITHOGRAPHS BEING TINTED BY FANNY RAILTON 1912 LONDON J. M. DENT & SONS, LTD. NEW YORK: E. P. DUTTON & CO. _First Edition_, 1904 _Second and Cheaper Edition_, 1912 _All rights reserved_ ALMAE MATRI FILIUS INDIGNUS HAUD INGRATUS PREFACE The Story of Oxford touches the History of England, social and political, mental and architectural, at so many points, that it is impossible to deal with it fully even in so large a volume as the present. Even as it is, I have been unavoidably compelled to save space by omitting much that I had written and practically all my references and acknowledgments. Yet, where one has gathered so much honey from other men's flowers not to acknowledge the debt in detail appears discourteous and ungrateful; and not to give chapter and verse jars also upon the historical conscience. I can only say that, very gratefully, _J'ai pris mon bien ou je l'ai trouve_, whether in the forty odd volumes of the Oxford Historical Society, the twenty volumes of the College Histories, the accurate and erudite monographs of Dr Rashdall ("Mediaeval Universities") and Sir Henry Maxwell Lyte ("History of the University of Oxford to the year 1530") or innumerable other works. Where so much has been so well done by others in the way of dealing with periods and sections of my whole subject, my chief business has been to read, mark, digest, and then to arrange my story. But to do that thoroughly has been no light task. Whether it be well done or ill-done, the story now told has the great merit of providing an occasion, excuse was never needed, for the display of Mr Herbert Railton's art. CONTENTS .....PAGE PREFACE.....vii LIST OF ILLUSTRATIONS.....xi CHAPTER I ST FRIDESWIDE AND THE CATHEDRAL.....1 CHAPTER II THE MOUND, THE CASTLE AND SOME CHURCHES.....22 CHAPTER III THE ORIGIN OF THE UNIVERSITY.....61 CHAPTER IV THE COMING OF THE FRIARS.....93 CHAPTER V THE MEDIAEVAL STUDENT.....148 CHAPTER VI OXFORD AND THE REFORMATION.....240 CHAPTER VII THE OXFORD MARTYRS.....276 CHAPTER VIII ELIZABETH, BODLEY AND LAUD.....291 CHAPTER IX THE ROYALIST CAPITAL.....312 CHAPTER X JACOBITE OXFORD--AND AFTER.....349 INDEX.....357 LIST OF ILLUSTRATIONS OXFORD CASTLE (_Photogravure_)..... _Frontispiece_ _TINTED LITHOGRAPHS_ MAGDALEN TOWER FROM THE WATER WALKS....._Facing page...4_ CHRIST CHURCH....."...20 CORNMARKET STREET....."...26 ENTRANCE FRONT, PEMBROKE COLLEGE....."...46 ARCHWAY AND TURRET, MERTON COLLEGE....."...62 UNIVERSITY COLLEGE....."...78 GARDEN FRONT, S. JOHN'S COLLEGE....."...90 WADHAM COLLEGE, FROM THE GARDENS....."...104 ORIEL COLLEGE AND MERTON TOWER....."...122 BALLIOL COLLEGE....."...130 S. MARY'S PORCH....."...148 S. ALBAN HALL, MERTON COLLEGE....."...174 QUADRANGLE, BRASENOSE COLLEGE....."...202 BELL TOWER AND CLOISTERS, NEW COLLEGE....."...220 THE FOUNDER'S TOWER, MAGDALEN COLLEGE....."...230 FRONT QUADRANGLE, CORPUS CHRISTI COLLEGE....."...250 CLOISTERS, CHRIST CHURCH....."...262 GRAMMAR HALL, MAGDALEN COLLEGE....."...274 PRESIDENT'S LODGE, TRINITY COLLEGE....."...286 QUADRANGLE, JESUS COLLEGE....."...294 THE GARDENS, EXETER COLLEGE....."...302 ORIEL WINDOW, S. JOHN'S COLLEGE....."...308 THE CLOISTERS, NEW COLLEGE....."...330 QUADRANGLE AND LIBRARY, ALL SOULS' COLLEGE....."...340 LIST OF ILLUSTRATIONS _BLACK AND WHITE ILLUSTRATIONS_ .....PAGE OXFORD CATHEDRAL (INTERIOR)....._Facing 8_ OXFORD CATHEDRAL (EXTERIOR).....13 HALL STAIRWAY, CHRIST CHURCH.....17 ABINGDON ABBEY.....24 THE BASTION AND RAMPARTS IN NEW COLLEGE....._Facing 30_ CITY WALLS.....31 CHAPEL OF OUR LADY.....32 BIRD'S-EYE VIEW OF OXFORD (1578)....._Facing 32_ OXFORD CASTLE.....35 S. PETER'S IN THE EAST....._Facing 42_ THE "BISHOP'S PALACE," S. ALDATE'S.....50 THE RADCLIFFE LIBRARY, FROM BRASENOSE COLLEGE.....85 GABLES IN WORCESTER COLLEGE.....103 GATEWAY, WORCESTER GARDENS.....106 ORIEL COLLEGE....._Facing 108_ DOORWAY, REWLEY ABBEY.....109 OLD GATEWAY, MERTON COLLEGE.....117 MONASTIC BUILDINGS, WORCESTER COLLEGE.....127 ORIEL WINDOW, LINCOLN COLLEGE.....147 THE HIGH STREET.....151 S. MARY'S SPIRE FROM GROVE LANE.....155 GABLES AND TOWER, MAGDALEN COLLEGE.....195 OPEN AIR PULPIT, MAGDALEN COLLEGE.....199 MAGDALEN COLLEGE....._Facing 210_ IN NEW COLLEGE.....223 KEMP HALL....._Facing 228_ MAGDALEN BRIDGE AND TOWER.....233 NICHE AND SUNDIAL, CORPUS CHRISTI COLLEGE.....248 SOUTH VIEW OF BOCARDO.....281 CHAPEL IN JESUS.....298 COOKS BUILDINGS, S. JOHN'S....._Facing 300_ FROM THE HIGH STREET.....314 COURTYARD TO PALACE....._Facing 320_ VIEW FROM THE SHELDONIAN THEATRE.....337 ORIEL WINDOW, QUEEN'S LANE.....342 OXFORD & ITS STORY CHAPTER I S. FRIDESWIDE AND THE CATHEDRAL "He that hath Oxford seen, for beauty, grace And healthiness, ne'er saw a better place. If God Himself on earth abode would make He Oxford, sure, would for His dwelling take." DAN ROGERS, _Clerk to the Council of Queen Elizabeth_. "Vetera majestas quaedam et (ut sic dixerim) religio commendat." QUINTILIAN. It is with cities as with men. The manner of our meeting some men, and the moment, impress them upon our minds beyond the ordinary. And the chance of our approach to a city is full also of significance. London approached by the Thames on an ocean-going steamer is resonant of the romance of commerce, and the smoke-haze from her factories hangs about her like folds of the imperial purple. But approach her by rail and it is a tale of mean streets that you read, a tale made yet more sad by the sight of the pale, drawn faces of her street-bred people. Calcutta is the London of the East, but Venice, whether you view her first from the sea, enthroned on the Adriatic, or step at dawn from the train into the silent gondola, is always different yet ever the same, the Enchanted City, Queen of the Seas. And many other ports there are which live in the memory by virtue of the beauty of the approach to them: Lisbon, with the scar of her earthquake across her face, looking upon the full broad tide of the Tagus, from the vantage ground of her seven hills; Cadiz, lying in the sea like a silver cup embossed with a thousand watch towers; Naples, the Siren City; Sidney and Constantinople; Hong-Kong and, above all, Rio de Janeiro. But among inland towns I know none that can surpass Oxford in the beauty of its approach. Beautiful as youth and venerable as age, she lies in a purple cup of the low hills, and the water-meads of Isis and the gentle <DW72>s beyond are besprent with her grey "steeple towers, and spires whose silent finger points to heaven." And all around her the country is a harmony in green--the deep, cool greens of the lush grass, the green of famous woods, the soft, juicy landscapes of the Thames Valley. You may approach Oxford in summer by road, or rail, or river. Most wise and most fortunate perhaps is he who can obtain his first view of Oxford from Headington Hill, her Fiesole. From Headington has been quarried much of the stone of which the buildings of Oxford, and especially her colleges, have been constructed. Oxford owes much of her beauty to the humidity of the atmosphere, for the Thames Valley is generally humid, and when the floods are out, and that is not seldom, Oxford rises from the flooded meadows like some superb Venice of the North, centred in a vast lagoon. And just as the beauty of Venice is the beauty of marbles blending with the ever-changing colour of water and water-laden air, so, to a large extent, the beauty of Oxford is due to this soft stone of Headington, which blends with the soft humid atmosphere in ever fresh and tender harmonies, in ever-changing tones of purple and grey. By virtue of its fortunate softness this stone ages with remarkable rapidity, flakes off and grows discoloured, and soon lends to quite new buildings a deceptive but charming appearance of antiquity. Arriving, then, at the top of Headington Hill, let the traveller turn aside, and, pausing awhile by "Joe Pullen's" tree, gaze down at the beautiful city which lies at his feet. Her sombre domes, her dreaming spires rise above the tinted haze, which hangs about her like a delicate drapery and hides from the traveller's gaze the grey walls and purple shadows, the groves and cloisters of Academe. For a moment he will summon up remembrance of things past; he will fancy that so, and from this spot, many a mediaeval student, hurrying to learn from the lips of some famous scholar, first beheld the scene of his future studies; this, he will remember
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Produced by S.D., and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) A LETTER TO _THE LORD CHANCELLOR_. A LETTER TO THE RIGHT HONORABLE THE LORD CHANCELLOR, ON THE NATURE AND INTERPRETATION OF UNSOUNDNESS OF MIND, AND _IMBECILITY OF INTELLECT_. BY JOHN HASLAM, M.D. LATE OF PEMBROKE HALL, CAMBRIDGE. _LONDON:_ PUBLISHED BY R. HUNTER, ST. PAUL'S CHURCH YARD. *** 1823. PRINTED BY G. HAYDEN, Little College Street, Westminster. A LETTER. MY LORD, THE present address originates in an anxious wish for the advancement of medical knowledge, where
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Produced by MWS, Graeme Mackreth and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: THE IDOL OF BUDDHA] THE ROMANCE OF THE HAREM. BY MRS. ANNA H. LEONOWENS, AUTHOR OF "THE ENGLISH GOVERNESS AT THE SIAMESE COURT." Illustrated. [Illustration: THE EMERALD IDOL.] B
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The Project Gutenberg Etext of Love or Fame; and Other Poems by Fannie Isabelle Sherrick Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Love or Fame; and Other Poems by Fannie Isabelle Sherrick February, 2001 [Etext #2491] The Project Gutenberg Etext of Love or Fame; and Other Poems by Fannie Isabelle Sherrick ******This file should be named 2491.txt or 2491.zip****** This etext was produced by Brett Fishburne ([email protected]) Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT keep any of these books in compliance with any particular paper edition. We are now trying to release all our books one month in advance of the official release dates, leaving time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version
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Produced by Nick Hodson of London, England Yankee Girls in Zulu Land By Louise Vescelius-Sheldon Illustrations by G.E. Graves Published by Worthington Co, New York. This edition dated 1888. Yankee Girls in Zulu Land, by Louise Vescelius-Sheldon. ________________________________________________________________________ ________________________________________________________________________ YANKEE GIRLS IN ZULU LAND, BY LOUISE VESCELIUS-SHELDON. CHAPTER ONE. New York City, _November_, 18--. My Dear Children: Your Affectionate Mother. P.S. George wants to know what has set you thinking of going to South Africa, where there are only Zulus and missionaries. Of course if the physician orders it for Frank's health, you know what is best. CHAPTER TWO. Well, it had rained, and snowed, and "fogged" for six months during the year we were in London, and we had seen the sun only on ten separate days during that period. The doctor ordered a change of climate for Frank, to a land of heat and sunshine, and advised us to go to South Africa, that land of "Zulus and missionaries." The old strain ran through my head, "From Greenland's icy mountains, From India's coral strands, Where Afric's sunny fountains," etc, and as anything that suggested sunshine, even if it were in a diluted state, was what we wanted, we considered that a health excursion to the antipodes was worth a trial, if it wrought the desired effect. There lived in the house with us an African lady who had recently come "home" for a trip to see the wonders of a civilised world. You must not imagine that by African I mean a Zulu or a <DW5> or Hottentot. Oh, dear, no! The lady in question was as white as we, and very much more fashionable. She never tired of expatiating on the glories of her country, its marvellous fertility, its thousands of miles of grasslands, its myriads of birds of dazzling plumage and bewitching song, its flocks of sheep, flocks so large that even their owners could only approximately count their numbers, its mighty rivers, and above all, its immense wealth in gold and diamonds. Then the hospitality of the farmers, the way in which they welcomed strangers and treated them to the best of everything, was quite beyond the conception of any one who had not visited this wonderful country. These descriptions, tallying with the doctor's directions, decided us, and having counted up our pounds, shillings, and pence, we made adieus, packed our Saratogas, and took passage on board the mail steamer _Trojan_, Captain Lamar, sailing from the London Docks. We had left ourselves so very little time to make our final arrangements that, as soon as the cab started, there commenced a running fire of questions. "Did you pack the gloves in the big box?" "Did you put the thin dresses on top, for we shall want them in the tropics," etc, when all of a sudden Louise sprang up with a gasp and a shout: "Stop the cab! stop the cab!" "What for?" "Stop the cab, I say!" "She must be ill," we cried. "Stop the cab!" and an unharmonious trio immediately assailed the ears of the driver: "Stop the cab!" The cab stopped. "What's up anyhow?" inquired the London Jehu. "I have left my diary on the dressing-table!" ------------------------------------------------------------------------ If any of you have kept a diary you will understand the dread horror that overwhelmed us all at this awful announcement: one gasp, one moment of terrible silence, and then--action. "I must go back for it at once. You go on. I will take a hansom and gallop all the way. If I miss the boat, I will catch you at Dartmouth. I would sooner die than have that diary read! Hi, driver! Montague Place, Kensington! A half-sovereign if you drive as fast as you can." Bang! slam! a rush! a roar! and Louise is whirled away in the hansom cab, with the white-horse and the dashing-looking driver, with a flower in his button-hole. How the horse flew! What short cuts the driver took, darting across street-corners, shaving lamp-posts and imperilling the lives of small boys and old women selling apples, as only a London hansom-cab driver can! Everybody turns around as the white horse with the short tail, dragging the cab with its pale-faced occupant, dashes down the street, through the squares, across the park, round the crescent, where the policeman looks almost inclined to stop it, until he sees the anxious look of the girl inside; up the terrace, down two more streets, and finally, with a clatter, rattle, bang, a plunge and a bump, horse, cab, and "fare" come to a standstill at Montague Place. The door is thrown open by the servant-girl. "Have you seen a red-covered book with a brass lock that I left on the dressing-table in my room?" "No, miss." "Very well, where is Mrs--Oh! there you are! Oh! please, have you seen a brass book with a red lock, that I left on the--Why, there it is in your hand! Oh, thank you ever so much! I know you were going to bring it to me. Good-bye! I shall be just in time. "London Docks! Cabman, quick! Catch the _Trojan_ before she leaves." "All right, miss!" A twist, a plunge, a flick with the whip, and the bob-tailed nag is half-way down Oxford Street before the astonished landlady can realise the fact that her chance of finding out all the secrets of Miss Louise is gone forever. Meanwhile Eva and Frank are anxiously awaiting her arrival on board the ship: they have visited their state-room and seen their luggage carefully stored away, and are now left with nothing to do but speculate as to the result of Louise's expedition. Presently the clanging of the bell on the bridge gives warning that the warps are to be cast off, there is a rush to the gangway of the weeping friends of the passengers, and the hoarse cry passes along the quay: "Ease her off gently there! Forward! Stand by the cast-off!" The two girls are almost in despair, and have resigned themselves to the possible postponement of the journey, for Louise's catching the boat at Dartmouth seems to them only a bare possibility; when the people idling on the quay suddenly part from side to side, and a hansom cab with the self-same short-tailed "white" horse and knowing-looking driver dash triumphantly up the gangway, already in course of being drawn from the ship, and deposit the diary (for that seems to be for the moment of the most importance) and Louise into the arms of the quartermaster. Blessings on that London hansom cab, its horse, and knowing driver. They had nobly done their duty and at 11:29, one minute before the ship casts off to drop down the river, the three sisters with the recovered diary are safe on board the steamer. ------------------------------------------------------------------------ Moral: Don't keep a diary. CHAPTER THREE. Soon after nightfall the lights along the coast began to fade slowly out of sight, at length entirely disappearing, and we were left in our little world bounded by the bulwarks of the ship, with the ocean on all sides, and the star-studded heaven above, sailing out into that "summer voyage of the world," as it is called. Certainly to us the recollection of it is like a long, happy summer's dream, passed under the bluest of skies by day, and the brightest of stars by night. On the sixth day after leaving Dartmouth (a long passage, we were told) we sighted the beautiful Island of Madeira. The weather had cleared, the air was deliciously fresh and balmy, the sea calm; and every one on deck to view the purple cloud slowly rising from the sea, which, they informed us, was Madeira. Gradually the cloud assumed shape, then deeper shadows appeared here and there, till at last we could discern the graceful uplands, the mountain island, and the fantastically formed rocks strewn along the coast, with the sea breaking into foam on the picturesque beach. For half an hour we skirted along the coast, seeing no other signs of human habitation than an occasional hut among the boulders on the cliffs, until, rounding a point, we came suddenly upon the beautiful village of Funchal, which is built on the beach of a romantic bay, with the verdant hills rising in grassy terraces in every direction. Low, white stone buildings peeped out from small forests, and the air was soft and balmy as it gently fanned the cheek, giving one a delicious sense of rest and warmth, only to be felt and appreciated on the borders of the tropics after a cold, damp, cheerless English winter. Scarcely had we dropped anchor ere the deck of the ship was swarming with men and women from the shore, offering for sale native work of every description, wicker basket chairs, sofas, tables, inlaid work-boxes, feather flowers, parrots, canaries, such lovely embroidery, and, what was most acceptable to many of us, the varied fruits of the island. Whilst feasting ourselves with bananas, mangoes, oranges, etc, we had an opportunity of observing the strange jumble of humanity on our decks, and surrounding the ship in row-boats of all sizes and shapes. Scores of half-nude, dark-skinned boys were in the boats chattering and tempting passengers to throw coins into the water for them to dive after, and the amount of dexterity they displayed in diving after a sixpence, catching it before it had sunk apparently more than five or six feet, sometimes bringing it up between their toes, was truly remarkable. On the deck everything was noise and confusion; the sailors at work unloading cargo were hustling the swarthy half-breed Portuguese peddlers out of their way, while they, with one eye on their customers and another on their wares (for Mr Jack Tar is not at all particular about throwing overboard anything that happens to be in his way), were chattering away in a polyglot tongue half English and half Portuguese, praising their own goods and deprecating their neighbours'. They will take generally before they leave the ship less than one-half what they ask for their goods when they first come aboard, and we noticed that passengers who had been to Madeira before did not attempt to make a bargain until the vessel was just about to start. As we were to remain at anchor five or six hours we wished to take a run on shore, and, together with a married lady and her husband, chartered one of the queer cheese-box-looking boats for the expedition. All appears delightfully clear while in the distance: the convent on the <DW72>, and the green hill itself, form an agreeable background; but ashore the prospect changed, and the streets
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Produced by StevenGibbs, Linda Hamilton and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: Father Ohrwalder, The Sisters Catterina Chincarini and Elisabetta Venturini and The Slave girl Adila From a photograph by Stromeyer & Heyman, Cairo. Sampson Low, Marston & Co. Ltd.] TEN
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Produced by David Widger A LOVER'S DIARY, Complete By Gilbert Parker CONTENTS Volume 1. THE VISION ABOVE THE DIN LOVE'S COURAGE LOVE'S LANGUAGE ASPIRATION THE MEETING THE NEST PISGAH LOVE IS ENOUGH AT THE PLAY SO CALM THE WORLD THE WELCOME THE SHRINE THE TORCH IN ARMOUR IN THEE MY ART DENIAL TESTAMENT CAPTIVITY O MYSTIC WINGS WAS IT THY FACE? A WOMAN'S HAND ONE FACE I SEE MOTHER WHEN FIRST I SAW THEE THE FATES LAUGH AS ONE WHO WAITETH THE SEALING THE PLEDGE LOVE'S TRIBUTARIES THE CHOICE RECOGNITION THE WAY OF DREAMS THE ACCOLADE FALLEN IDOLS TENNYSON THE ANOINTED Volume 2. DREAMS THE BRIDE THE WRAITH SURRENDER THE CITADEL MALFEASANCE ANNUNCIATION VANISHED DREAMS INTO THY LAND DIVIDED WE MUST LIVE ON YET LIFE IS SWEET LOST FOOTSTEPS THE CLOSED DOOR THE CHALICE MIO DESTINO I HAVE BEHELD TOO SOON AWAY THE TREASURE DAHIN LOVE'S USURY THE DECREE 'TIS MORNING NOW SACRIFICE SHINE ON SO, THOU ART GONE THE THOUSAND THINGS ONES THE SEA THE CHART REVEALING OVERCOMING WHITHER NOW ARARAT AS LIGHT LEAPS UP THE DARKENED WAY REUNITED SONG WAS GONE FROM ME GOOD WAS THE FIGHT UNCHANGED ABSOLVO TE BENEDICTUS THE MESSAGE UNAVAILING YOU SHALL LIVE ON "VEX NOT THIS GHOST" THE MEMORY THE PASSING ENVOY INTRODUCTION 'A Lover's Diary' has not the same modest history as 'Embers'. As far back as 1894 it was given to the public without any apology or excuse, but I have been apologising for it ever since, in one way--without avail. I wished that at least one-fifth of it had not been published; but my apology was never heard till now as I withdraw from this edition of A Lover's Diary some twenty-five sonnets representing fully one-fifth of the original edition. As it now stands the faint thread of narrative is more distinct, and redundancy of sentiment and words is modified to some extent at any rate. Such material story as there is, apart from the spiritual history embodied in the sonnets, seems more visible now, and the reader has a clearer revelation of a young, aspiring, candid mind shadowed by stern conventions of thought, dogma, and formula, but breaking loose from the environment which smothered it. The price it pays for the revelation is a hopeless love informed by temptation, but lifted away from ruinous elements by self-renunciation, to end with the inevitable parting, poignant and permanent, a task of the soul finished and the toll of the journey of understanding paid. The six sonnets in italics, beginning with 'The Bride', and ending with 'Annunciation', have nothing to do with the story further than to show two phases of the youth's mind before it was shaken by speculation, plunged into the sadness of doubt and apprehension, and before it had found the love which was to reveal it to itself, transform the character, and give new impulse and direction to personal force and individual sense. These were written when I was twenty and twenty-one years of age, and the sonnet sequence of 'A Lover's Diary' was begun when I was twenty-three. They were continued over seven years in varying quantity. Sometimes two or three were written in a week, and then no more would be written for several weeks or maybe months, and it is clearly to be seen from the text, from the change in style, and above all in the nature of the thought that between 'The Darkened Way', which ends one epoch, and 'Reunited', which begins another and the last epoch, were intervening years. The sonnet which begins the book and particularly that which ends the book have been very widely quoted, and 'Envoy' has been set to music by more than one celebrated musician. Whatever the monotony of a sonnet sequence (and it is a form which I should not have chosen if I had been older and wiser) there has been a continuous, if limited, demand for the little book. As Edmund Clarence Stedman said in a review, it was a book which had to be written. It was an impulse, a vision, and a revealing, and, in his own words in a letter to me, "It was to be done whether you willed it or no, and there it is a truthful thing of which you shall be glad in spite of what you say." These last words of the great critic were in response to the sudden repentance and despair I felt after Messrs. Stone and Kimball had published the book in exquisite form with a beautiful frontispiece by Will H. Low. In any case, it is now too late to try and disabuse the minds of those who care for the little piece of artistry, and since 1894, when it was published, I have matured sufficiently in life's academy not to be too unduly sensitive either as to the merit or demerit of my work. There is, after all, an unlovable kind of vanity in acute self-criticism --as though it mattered deeply to the world whether one ever wrote anything; or, having written, as though it mattered to the world enough to stir it in its course by one vibration. The world has drunk deep of wonderful literature, and all that I can do is make a small brew with a little flavour of my own; but it still could get on very well indeed with the old staple and matured vintages were I never to write at all. The King--Whence art thou, sir? Gilfaron--My Lord, I know not well. Indeed, I am a townsman of the world. For once my mother told me that she saw The Angel of the Cross Roads lead me out, And point to every corner of the sky, And say, "Thy feet shall follow in the trail Of every tribe; and thou shalt pitch thy tent Wherever thou shalt see a human face Which hath thereon the alphabet of life; Yea, thou shalt spell it out e'en as a child: And therein wisdom find." The King--Art thou wise? Gilfaron--Only according to the Signs. The King--What signs? Gilfaron--The first--the language of the Garden, sire, When man spoke with the naked searching thought, Unlacquered of the world. The King--Speak so forthwith; come, show us to be wise. Gilfaron--The Angel of the Cross Roads to me said: "And wisdom comes by looking eye to eye, Each seeing his own soul as in a glass; For ye shall find the Lodges of the Wise, The farthest Camp of the Delightful Fires, By marching two by two, not one by one." --The King's Daughter. THE VISION As one would stand who saw a sudden light Flood down the world, and so encompass him And in that world illumined Seraphim Brooded above and gladdened to his sight; So stand I in the flame of one great thought, That broadens to my soul from where she waits, Who, yesterday, drew wide the inner gates Of all my being to the hopes I sought. Her words come to me like a summer-song, Blown from the throat of some sweet nightingale; I stand within her light the whole day long, And think upon her till the white stars fail: I lift my head towards all that makes life wise, And see no farther than my lady's eyes. ABOVE THE DIN Silence sits often on me as I touch Her presence; I am like a bird that hears A note diviner than it knows, and fears To share the larger harmony too much. My soul leaps up, as to a sudden sound A long-lost traveller, when, by her grace, I learn of her life's sweetness face to face, And sweep the chords of sympathies profound. Her regal nature calmly holds its height Above life's din, while moving in its maze. Unworthy thoughts would die within her sight, And mean deeds creep to darkness from her gaze. Yet only in my dreams can I set down The word that gives her nobleness a crown. LOVE'S COURAGE Courage have I to face all bitter things, That start out darkly from the rugged path, Leading to life's achievement; not God's wrath Would sit so heavy when my lady sings. I did not know what life meant till I felt Her hand clasp mine in compact to the end; Till her dear voice said, "See, I am your friend!" And at her feet, amazed, my spirit knelt. And yet I spoke but hoarsely then my thought, I groped amid a thousand forces there; Her understanding all my meaning caught, It was illumined in her atmosphere. She read it line by line, and then there fell The curtain on the shrine-and it is well. LOVE'S LANGUAGE Just now a wave of perfume floated up To greet my senses as I broke the seal Of her short letter; and I still can feel It stir me as a saint the holy cup. The missive lies there,--but a few plain words: A thought about a song, a note of praise, And social duties such as fill the days Of women; then a thing that undergirds The phrases like a psalm: a line that reads-- "I wish that you were coming!" Why, it lies Upon my heart like blossoms on the skies, Like breath of balm upon the clover meads. The perfumed words soothe me into a dream; My thoughts float to her on the scented stream. ASPIRATION None ever climbed to mountain heights of song, But felt the touch of some good woman's palm; None ever reached God's altitude of calm, But heard one voice cry, "Follow!" from the throng. I would not place her as an image high Above my reach, cold, in some dim recess, Where never she should feel a warm caress Of this my hand that serves her till I die. I would not set her higher than my heart,-- Though she is nobler than I e'er can be; Because she placed me from the crowd apart, And with her tenderness she honoured me. Because of this, I hold me worthier To be her kinsman, while I worship her. THE MEETING O marvel of our nature, that one life Strikes through the thousand lives that fold it round, To find another, even as a sound Sweeps to a song through elemental strife! Through cycles infinite the forces wait, Which destiny has set for union here; No circumstance can warp them from their sphere; They meet sometime; and this is God and Fate. And God is Law, and Fate is Law in use, And we are acted on by some deep cause, Which sanctifies "I will" and "I refuse," When Love speaks--Love, the peaceful end of Laws. And I, from many conflicts over-past, Find here Love, Law, and God, at last. THE NEST High as the eagle builds his lonely nest Above the sea, above the paths of man, And makes the elements his barbican, That none may break the mother-eagle's rest; So build I far above all human eyes My nest of love; Heaven's face alone bends down To give it sunlight, starlight; while is blown A wind upon it out of Paradise. None shall affright, no harm may come to her, Whom I have set there in that lofty home: Love's eye is sleepless; I could feel the stir E'en of God's cohorts, if they chanced to come. I am her shield; I would that I might prove How dear I hold the lady of my love. WHEN thou makest a voyage to the stars, go thou blindfolded; and carry not a sword, but the sandals of thy youth. --Egyptian Proverb. SEEK thou the Angel of the Cross Roads ere thou goest upon a journey, and she will give thee wisdom at the Four Corners. --Egyptian Proverb. PISGAH Behold, now, I have touched the highest point In my existence. When I turn my eyes Backward to scan my outlived agonies, I feel God's finger touch me, to anoint With this sweet Present the ungenerous Past, With love the wounds that struck stark in my soul; With hope life's aching restlessness and dole; To show me place to anchor in at last. Like to a mother bending o'er the bed Where sleeps, death-silent, one that left her side Ere he had reached the flow of manhood's tide, So stood I by my life whence Life had fled. But Life came back at Love's clear trumpet-call, And at Love's feet I cast the useless pall. LOVE IS ENOUGH It is enough that in this burdened time The soul sees all its purposes aright. The rest--what does it matter? Soon the night Will come to whelm us, then the morning chime. What does it matter, if but in the way One hand clasps ours, one heart believes us true; One understands the work we try to do, And strives through Love to teach us what to say? Between me and the chilly outer air Which blows in from the world, there standeth one Who draws Love's curtains closely everywhere, As God folds down the banners of the sun. Warm is my place about me, and above Where was the raven, I behold the dove. AT THE PLAY I felt her fan my shoulder touch to-night. Soft act, faint touch, no meaning did it bear To any save myself, who felt the air Of a new feeling cross my soul's clear sight. To me what matter that the players played! They grew upon the instant like the toys Which dance before the sight of idle boys; I could not hear the laughter that they made. Swept was I on that breath her hand had drawn, Through the dull air, into a mountain-space, Where shafts of the bright sun-god interlace, Making the promise of a golden dawn. And straightway crying, "O my heart, rejoice!" It found its music in my lady's voice. SO CALM THE WORLD Far up the sky the sunset glamour spreads, Far off the city lies in golden mist; The sea grows calm, the waves the sun has kissed Strike white hands softly 'gainst the rocky heads. So calm the world, so still the city lies, So warm the haze that spreads o'er everything; And yet where, there, Peace sits as Lord and King, Havoc will reign when next the sun shall rise. The wheels pause only for a little space, And in the pause they gather strength again. 'Tis but the veil drawn over Labour's face, O'er strife, derision, and the sin of men. My heart with a sweet inner joy o'erflows To nature's peace, and a kind silence knows. THE WELCOME But see: my lady comes. I hear her feet Upon the sward; she standeth by my side. Just such a face Raphael had deified, If in his day they two had chanced to meet. And I, tossed by the tide of circumstance, Lifting weak hands against a host of swords, Paused suddenly to hear her gentle words Making powerless the lightnings of mischance. I, who was but a maker of poor songs, That one might sing behind his prison bars, I, who it seemed fate singled out for wrongs-- She smiled on me as smile the nearest stars. From her deep soul I draw my peace, and thus, One wreath of rhyme I weave for both of us. THE SHRINE Were I but as the master souls who move In their high place, immortal on the earth, My song might be a thing to crown her worth,-- 'Tis but a pathway for the feet of Love. But since she walks where I am fain to sing, Since she has said, "I listen, O my friend!" There is a glory lent the song I send, And I am proud, yes, prouder than a king. I grow to nobler use beneath her eyes-- Eyes that smile on me so serenely, will They smile a welcome though my best hope dies, And greet me at the summit of the hill? Will she, for whom my heart has built a shrine, Take from me all that makes this world divine? THE TORCH Art's use what is it but to touch the springs Of nature? But to hold a torch up for Humanity in Life's large corridor, To guide the feet of peasants and of kings! What is it but to carry union through Thoughts alien to thoughts
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Produced by Joshua Hutchinson, Anne Storer and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Cornell University Digital Collections) Transcriber's Note: Table of Contents / Illustrations added. * * * * * TRINITY COLLEGE, HARTFORD. BY SAMUEL HART, D.D., PROFESSOR OF LATIN. Illustrations: Trinity College In 1869. T. C. Brownell. Trinity College In 1828. J. Williams. Statue Of Bishop Brownell, On The Campus. Proposed New College Buildings. Geo Williamson Smith. James Williams, Forty Years Janitor Of Trinity College. Bishop Seabury's Mitre, In The Library. Chair Of Gov
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Produced by David Edwards, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) LESLIE BROOKE'S A NURSERY RHYME [Illustration] PICTURE BOOK NUMBER ONE CHILDREN'S BOOKS A NURSERY RHYME PICTURE BOOK [Illustration] A NURSERY RHYME PICTURE BOOK WITH DRAWINGS IN COLOUR AND BLACK AND WHITE BY L. LESLIE BROOKE [Illustration] LONDON FREDERICK WARNE & CO. LTD. AND NEW YORK [Illustration] [Illustration] [Illustration] THE MAN IN THE MOON
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Produced by sp1nd, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) KING ROBERT THE BRUCE: FAMOUS SCOTS SERIES _The following Volumes are now ready_:-- THOMAS CARLYLE. By HECTOR C. MacPHERSON. ALLAN RAMSAY. By OLIPHANT SMEATON. HUGH MILLER. By W. KEITH LEASK. JOHN KNOX. By A. TAYLOR INNES. ROBERT BURNS. By GABRIEL SETOUN. THE BALLADISTS. By JOHN GEDDIE. RICHARD CAMERON. By PROFESSOR HERKLESS. SIR JAMES Y. SIMPSON. By EVE BLANTYRE SIMPSON. TH
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Produced by Marilynda Fraser-Cunliffe, Chuck Greif and the Online Distributed Proofreading Team at DP Europe (http://dp.rastko.net); produced from images of the Bibliothèque nationale de France (BNF/Gallica) at http://gallica.bnf.fr A HISTORY OF THE INQUISITION VOL. I. A HISTORY OF THE INQUISITION OF THE MIDDLE AGES. BY HENRY CHARLES LEA, AUTHOR OF "AN HISTORICAL SKETCH OF SACERDOTAL CELIBACY," "SUPERSTITION AND FORCE," "STUDIES IN CHURCH HISTORY." _IN THREE VOLUMES_. VOL. I. NEW YORK: HARPER & BROTHERS, FRANKLIN SQUARE. Copyright, 1887, by HARPER & BROTHERS. _All rights reserved._ PREFACE. The history of the Inquisition naturally divides itself into two portions, each of which may be considered as a whole. The Reformation is the boundary-line between them, except in Spain, where the New Inquisition was founded by Ferdinand and Isabella. In the present work I have sought to present an impartial account of the institution as it existed during the earlier period. For the second portion I have made large collections of material, through which I hope in due time to continue the history to its end. The Inquisition was not an organization arbitrarily devised and imposed upon the judicial system of Christendom by the ambition or fanaticism of the Church. It was rather a natural--one may almost say an inevitable--evolution of the forces at work in the thirteenth century, and no one can rightly appreciate the process of its development and the results of its activity without a somewhat minute consideration of the f
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Produced by Chuck Greif & The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) HEART OF EUROPE [Illustration: _The Cathedral of Reims_] HEART OF EUROPE BY RALPH ADAMS CRAM, LITT.D., LL.D. F.A.I.A., A.N.A., F.R.G.S. ILLUSTRATED NEW YORK CHARLES SCRIBNER’S SONS
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**The Project Gutenberg Etext of "The Poems of Sidney Lanier"** Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Poems of Sidney Lanier. July, 1996 [Etext #579] **The Project Gutenberg Etext of Poems of Sidney Lanier** **This file should be named 579.txt or 579.zip*** Etext by A. Light <al
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Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) A PROPOSAL For the better Supplying of CHURCHES IN OUR _Foreign Plantations_, AND FOR Converting the Savage _Americans_ to CHRISTIANITY, By a COLLEGE to be erected in the _Summer Islands_, otherwise called the Isles of _Bermuda_. _The harvest is truly great, but the labourers are few_, Luke c. 10. v. 2. _LONDON_, Printed by H. WOODFALL, at _Elzevir's-Head_ without _Temple-Bar_: And sold by J. ROBERTS, near the _Oxford-Arms_ in _Warwick-Lane_, 1725. (Price Sixpence.) _A PROPOSAL for the better Supply
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Produced by Dagny and Marc D'Hooghe at Free Literature (online soon in an extended version,also linking to free sources for education worldwide... MOOC's, educational materials,...) Images generously made available by the Internet Archive.) WORK [TRAVAIL] BY ÉMILE ZOLA TRANSLATED BY ERNEST ALFRED VIZETELLY LONDON CHATTO & WINDUS 1901 PREFACE 'Work' is the second book of the new series which M. Zola began with 'Fruitfulness,' and which he hopes to complete with 'Truth' and 'Justice.' I should much have liked to discuss here in some detail several of the matters which M. Zola brings forward in this instalment of his literary testament, but unfortunately the latter part of the present translation has been made by me in the midst of great bodily suffering, and I have not now the strength to do as I desired. I will only say, therefore, that 'Work' embraces many features. It is, first, an exposition of M. Zola's gospel of work, as the duty of every man born into the world and the sovereign cure for many ills--a gospel which he has set forth more than once in the course of his numerous writings, and which will be found synthetised, so to say, in a paper called 'Life and Labour' translated by me for the 'New Review' some years ago.[1] Secondly, 'Work' deals with the present-day conditions of society so far as those conditions are affected by Capital and Labour. And, thirdly and particularly, it embraces a scheme of social reorganisation and regeneration in which the ideas of Charles Fourier, the eminent philosopher, are taken as a basis and broadened and adapted to the needs of a new century. Some may regard this scheme as being merely the splendid dream of a poet (the book certainly abounds in symbolism), but all must
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Produced by Greg Bergquist, JoAnn Greenwood, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by Biodiversity Heritage Library.) Established by Edward L. Youmans APPLETONS' POPULAR SCIENCE MONTHLY EDITED BY WILLIAM JAY YOUMANS VOL. LIV NOVEMBER, 1898, TO APRIL, 1899 NEW YORK D. APPLETON AND COMPANY 1899 COPYRIGHT, 1899, BY D. APPLETON AND COMPANY. VOL. LIV. ESTABLISHED BY EDWARD L. YOUMANS. NO. 2. APPLETONS' POPULAR SCIENCE MONTHLY.
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Produced by MWS, Adrian Mastronardi, Les Galloway and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Transcriber’s Notes Obvious typographical errors have been silently corrected. Variations in hyphenation have been standardised but all other spelling and punctuation remains unchanged. Footnotes are at the end of Chapters. Italics are represented thus _italic_. INTRODUCTION TO THE SCIENTIFIC STUDY OF EDUCATION BY CHARLES HUBBARD JUDD PROFESSOR OF EDUCATION AND DIRECTOR OF THE SCHOOL OF EDUCATION OF THE UNIVERSITY OF CHICAGO GINN AND COMPANY BOSTON · NEW YORK · CHICAGO · LONDON ATLANTA · DALLAS · COLUMBUS · SAN
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Produced by Emmy, MFR and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) YOUNG AMERICAN READERS OUR HOME AND PERSONAL DUTY BY JANE EAYRE FRYER AUTHOR OF “THE MARY FRANCES STORY-INSTRUCTION BOOKS” ILLUSTRATIONS BY EDNA A. COOKE AND FROM PHOTOGRAPHS [Illustration] _In these vital tasks of acquiring a broader view of human possibilities the common school must have a large part. I urge that teachers and other school officers increase materially the time and attention devoted to instruction bearing directly on the problems of community and national life._—WOODROW WILSON. THE JOHN C. WINSTON COMPANY, PUBLISHERS
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Produced by Gregory Walker, for the Digital Daguerreian Archive Project. This etext was created by Gregory Walker, in Austin, Texas, for the Digital Daguerreian Archive Project--electronic texts from the dawn of photography. Internet: [email protected] CompuServe: 73577,677 The location of the illustrations in the text are marked by "[hipho_##.gif]" on a separate line. I hope this etext inspires a wider interest in the origins of photography and in the modern practice of the Daguerreian Art. THE HISTORY AND PRACTICE OF THE ART OF PHOTOGRAPHY; OR THE PRODUCTION OF PICTURES THROUGH THE AGENCY OF LIGHT. CONTAINING ALL THE INSTRUCTIONS NECESSARY FOR THE COMPLETE PRACTICE OF THE DAGUERREAN AND PHOTOGENIC ART, BOTH ON METALLIC PLATES AND ON PAPER. By HENRY H. SNELLING. ILLUSTRATED WITH WOOD CUTS. New York: PUBLISHED BY G. P. PUTNAM, 155 Broadway, 1849. Entered according to act of Congress in the year 1849, by H. H. Snelling, in the Clerk's office, of the District Court of the Southern District of New York. New York: PRINTED BY BUSTEED & McCOY, 163 Fulton Street. TO EDWARD ANTHONY, ESQ., AN ESTEEMED FRIEND. Whose gentlemanly deportment, liberal feelings, and strict integrity have secured him a large circle of friends, this work is Respectfully Dedicated By the AUTHOR. PREFACE. The object of this little work is to fill a void much complained of by Daguerreotypists--particularly young beginners. The author has waited a long time in hopes that some more able pen would be devoted to the subject, but the wants of the numerous, and constantly increasing, class, just mentioned, induces him to wait no longer. All the English works on the subject--particularly on the practical application, of Photogenic drawing--are deficient in many minute details, which are essential to a complete understanding of the art. Many of their methods of operating are entirely different from, and much inferior to, those practised in the United States: their apparatus, also, cannot compare with ours for completeness, utility or simplicity. I shall, therefore, confine myself principally--so far as Photogenic drawing upon metalic plates is concerned--to the methods practised by the most celebrated and experienced operators, drawing upon French and English authority only in cases where I find it essential to the purpose for which I design my work, namely: furnishing a complete system of Photography; such an one as will enable any gentleman, or lady, who may wish to practise the art, for profit or amusement, to do so without the trouble and expense of seeking instruction from professors, which in many cases within my own knowledge has prevented persons from embracing the profession. To English authors I am principally indebted for that portion of my work relating to Photogenic drawing on paper. To them we owe nearly all the most important improvements in that branch of the art. Besides, it has been but seldom attempted in the United States, and then without any decided success. Of these attempts I shall speak further in the Historical portion of this volume. Every thing essential, therefore, to a complete knowledge of the whole art, comprising all the most recent discoveries and improvements down to the day of publication will be found herein laid down. CONTENTS I. A BRIEF HISTORY OF THE ART. II. THE THEORY ON LIGHT.--THE PHOTOGRAPHIC PRINCIPLE III. SYNOPSIS OF MR. HUNT'S TREATISE ON "THE INFLUENCE OF THE SOLAR RAYS ON COMPOUND BODIES, WITH ESPECIAL REFERENCE TO THEIR PHOTOGRAPHIC APPLICATION." IV. A FEW HINTS AND SUGGESTIONS TO DAGUERREOTYPISTS. V. DAGUERREOTYPE APPARATUS. VI. THE DAGUERREOTYPE PROCESS. VII. PAPER DAGUERREOTYPES.--ETCHING DAGUERREOTYPES. VIII. PHOTOGENIC DRAWING ON PAPER. IX. CALOTYPE AND CHRYSOTYPE. X. CYANOTYPE--ENERGIATYPE--CHROMATYPE--ANTHOTYPE--AMPHITYPE AND "CRAYON DAGUERREOTYPE." XI. ON THE PROBABILITY OF PRODUCING COLORED PICTURES BY THE SOLAR RADIATIONS--PHOTOGRAPHIC DEVIATIONS--LUNAR PICTURES--DRUMMOND LIGHT. XII. ON COLORING DAGUERREOTYPES. XIII. THE PHOTOGRAPHOMETER. INDEX. INTRODUCTION New York, January 27, 1849. E. ANTHONY, ESQ. Dear Sir,--In submitting the accompanying "History and Practice of Photography" to your perusal, and for your approbation, I do so with the utmost confidence in your ability as a practical man, long engaged in the science of which it treats, as well as your knowledge of the sciences generally; as well as your regard for candor. To you, therefore, I leave the decision whether or no I have accomplished my purpose, and produced a work which may not only be of practical benefit to the Daguerrean artist, but of general interest to the reading public, and your decision will influence me in offering it for, or withholding it from, publication. If it meets your approbation, I would most respectfully ask permission to dedicate it to you, subscribing myself, With esteem, Ever truly yours, HENRY H. SNELLING New York, February 1st, 1849. Mr. H. H. SNELLING. Dear Sir--Your note of January 27th, requesting permission to dedicate to me your "History and Practice of Photography," I esteem a high compliment, particularly since I have read the manuscript of your work. Such a treatise has long been needed, and the manner in which you have handled the subject will make the book as interesting to the reading public as it is valuable to the Daguerrean artist, or the amateur dabbler in Photography. I have read nearly all of the many works upon this art that have emanated from the London and Paris presses, and I think the reader will find in yours the pith of them all, with much practical and useful information that I do not remember to have seen communicated elsewhere. There is much in it to arouse the reflective and inventive faculties of our Daguerreotypists. They have heretofore stumbled along with very little knowledge of the true theory of their art, and yet the quality of their productions is far in advance of those of the French and English artists, most of whose establishments I have had the pleasure of visiting I feel therefore, that when a sufficient amount of theoretic knowledge shall have been added to this practical skill on the part of our operators, and when they shall have been made fully acquainted with what has been attained or attempted by others, a still greater advance in the art will be manifested. A GOOD Daguerreotypist is by no means a mere machine following a certain set of fixed rules. Success in this art requires personal skill and artistic taste to a much greater degree than the unthinking public generally imagine; in fact more than is imagined by nine-tenths of the Daguerreotypists themselves. And we see as a natural result, that while the business numbers its thousands of votaries, but few rise to any degree of eminence. It is because they look upon their business as a mere mechanical operation, and having no aim or pride beyond the earning of their daily bread, they calculate what will be a fair per centage on the cost of their plate, case, and chemicals, leaving MIND, which is as much CAPITAL as anything else (where it is exercised,) entirely out of the question. The art of taking photographs on PAPER, of which your work treats at considerable length, has as yet attracted but little attention in this country, though destined, as I fully believe, to attain an importance far superior to that to which the Daguerreotype has risen. The American mind needs a waking up upon the subject, and I think your book will give a powerful impulse in this direction. In Germany a high degree of perfection has been reached, and I hope your countrymen will not be slow to follow. Your interesting account of the experiments of Mr. Wattles was entirely new to me, and is another among the many evidences that when the age is fully ripe for any great discovery, it is rare that it does not occur to more than a single mind. Trusting that your work will meet with the encouragement which your trouble in preparing it deserves, and with gratitude for the undeserved compliment paid to me in its dedication, I remain, very sincerely, Your friend and well wisher, E. ANTHONY. PHOTOGRAPHY. CHAP. I. A BRIEF HISTORY OF THE ART. As in all cases of great and valuable inventions in science and art the English lay claim to the honor of having first discovered that of Photogenic drawing. But we shall see in the progress of this history, that like many other assumptions of their authors, priority in this is no more due them, then the invention of steamboats, or the cotton gin. This claim is founded upon the fact that in 1802 Mr. Wedgwood recorded an experiment in the Journal of the Royal Institution of the following nature. "A piece of paper, or other convenient material, was placed upon a frame and sponged over with a solution of nitrate of silver; it was then placed behind a painting on glass and the light traversing the painting produced a kind of copy upon the prepared paper, those parts in which the rays were least intercepted being of the darkest hues. Here, however, terminated the experiment; for although both Mr. Wedgwood and Sir Humphry Davey experimented carefully, for the purpose of endeavoring to fix the drawings thus obtained, yet the object could not be accomplished, and the whole ended in failure." This, by their own showing, was the earliest attempt of the English savans. But this much of the principle was known to the Alchemists at an early date--although practically produced in another way--as the following experiment, to be found in old books, amply proves. "Dissolve chalk in aquafortis to the consistence of milk, and add to it a strong solution of silver; keep this liquor in a glass bottle well stopped; then cutting out from a piece of paper the letters you would have appear, paste it on the decanter, and lay it in the sun's rays in such a manner that the rays may pass through the spaces cut out of the paper and fall on the surface of the liquor the part of the glass through which the rays pass will be turned black, while that under the paper remains white; but particular care must be observed that the bottle be not moved during the operation." Had not the alchemists been so intent upon the desire to discover the far famed philosopher's stone, as to make them unmindful of the accidental dawnings of more valuable discoveries, this little experiment in chemistry might have induced them to prosecute a more thorough search into the principle, and Photogenic art would not now, as it is, be a new one. It is even asserted that the Jugglers of India were for many ages in possession of a secret by which they were enabled, in a brief space, to copy the likeness of any individual by the action of light. This fact, if fact it be, may account for the celebrated magic mirrors said to be possessed by these jugglers, and probable cause of their power over the people. However, as early as 1556 the fact was established that a combination of chloride and silver, called, from its appearance, horn silver, was blackened by the sun's rays; and in the latter part of the last century Mrs. Fulhame published an experiment by which a change of color was effected in the chloride of gold by the agency of light; and gave it as her opinion that words might be written in this way. These incidents are considered as the first steps towards the discovery of the Photogenic art. Mr. Wedgwood's experiments can scarcely be said to be any improvement on them since he failed to bring them to practical usefulness, and his countrymen will have to be satisfied with awarding the honor of its complete adaptation to practical purposes, to MM. Niepce and Daguerre of France, and to Professors Draper, and Morse of New-York. These gentlemen--MM. Niepce and Daguerre--pursued the subject simultaneously, without either, however being aware of the experiments of his colleague in science. For several years, each pursued his researches individually until chance made them acquainted, when they entered into co-partnership, and conjointly brought the art almost to perfection. M. Niepce presented his first paper on the subject to the Royal Society in 1827, naming his discovery Heliography. What led him to the study of the principles of the art I have no means, at present, of knowing, but it was probably owing to the facts recorded by the Alchemists, Mrs. Fulhame and others, already mentioned. But M. Daguerre, who is a celebrated dioramic painter, being desirous of employing some of the singularly changeable salts of silver to produce a peculiar class of effects in his paintings, was led to pursue an investigation which resulted in the discovery of the Daguerreotype, or Photogenic drawing on plates of copper coated with silver. To this gentleman--to his liberality--are we Americans indebted for the free use of his invention; and the large and increasing class of Daguerrean artists of this country should hold him in the most profound respect for it. He was not willing that it should be confined to a few individuals who might monopolise the benefits to be derived from its practice, and shut out all chance of improvement. Like a true, noble hearted French gentleman he desired that his invention should spread freely throughout the whole world. With these views he opened negociations with the French government which were concluded most favorably to both the inventors, and France has the "glory of endowing the whole world of science and art with one of the most surprising discoveries that honor the land." Notwithstanding this, it has been patented in England and the result is what might have been expected: English pictures are far below the standard of excellence of those taken by American artists. I have seen some medium portraits, for which a guinea each had been paid, and taken too, by a celebrated artist, that our poorest Daguerreotypists would be ashamed to show to a second person, much less suffer to leave their rooms. CALOTYPE, the name given to one of the methods of Photogenic drawing on paper, discovered, and perfected by Mr. Fox Talbot of England, is precisely in the same predicament, not only in that country but in the United States, Mr. Talbot being patentee in both. He is a man of some wealth, I believe, but he demands so high a price for a single right in this country, that none can be found who have the temerity to purchase. The execution of his pictures is also inferior to those taken by the German artists, and I would remark en passant, that the Messrs. Mead exhibited at the last fair of the American Institute, (of 1848,) four Calotypes, which one of the firm brought from Germany last Spring, that for beauty, depth of tone and excellence of execution surpass the finest steel engraving. When Mr. Talbot's patent for the United States expires and our ingenious Yankee boys have the opportunity, I have not the slightest doubt of the Calotype, in their hands, entirely superceding the Daguerreotype. Let them, therefore, study the principles of the art as laid down in this little work, experiment, practice and perfect themselves in it, and when that time does arrive be prepared to produce that degree of excellence in Calotype they have already obtained in Daguerreotype. It is to Professor Samuel F. B. Morse, the distinguished inventor of the Magnetic Telegraph, of New York, that we are indebted for the application of Photography, to portrait taking. He was in Paris, for the purpose of presenting to the scientific world his Electro-Magnetic Telegraph, at the time, (1838,) M. Daguerre announced his splendid discovery, and its astounding results having an important bearing on the arts of design arrested his attention. In his letter to me on the subject, the Professor gives the following interesting facts. "The process was a secret, and negociations were then in progress, for the disclosure of it to the public between the French government and the distinguished discoverer. M. Daguerre had shown his results to the king, and to a few only of the distinguished savans, and by the advice of M. Arago, had determined to wait the action of the French Chambers, before showing them to any other persons. I was exceedingly desirous of seeing them, but knew not how to approach M. Daguerre who was a stranger to me. On mentioning my desire to Robert Walsh, Esq., our worthy Consul, he said to me;'state that you are an American, the inventor of the Telegraph, request to see them, and invite him in turn to see the Telegraph, and I know enough of the urbanity and liberal feelings of the French, to insure you an invitation.' I was successfull in my application, and with a young friend, since deceased, the promising son of Edward Delevan, Esq., I passed a most delightful hour with M. Daguerre, and his enchanting sun-pictures. My letter containing an account of this visit, and these pictures, was the first announcement
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Produced by Irma Spehar, Barbara Kosker and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) LATIN AMERICA AND THE UNITED STATES ADDRESSES BY ELIHU ROOT COLLECTED AND EDITED BY ROBERT BACON
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Produced by David Widger THE POETICAL WORKS OF OLIVER WENDELL HOLMES [Volume 3 of the 1893 three volume set] VERSES FROM THE OLDEST PORTFOLIO FROM THE "COLLEGIAN," 1830, ILLUSTRATED ANNUALS, ETC. FIRST VERSES: TRANSLATION FROM THE THE MEETING OF THE DRYADS THE MYSTERIOUS VISITOR THE TOADSTOOL THE SPECTRE PIG TO A CAGED LION THE STAR AND THE WATER-LILY ILLUSTRATION OF A PICTURE: "A SPANISH GIRL REVERIE" A ROMAN AQUEDUCT FROM A BACHELOR'S PRIVATE JOURNAL LA GRISETTE OUR YANKEE GIRLS L'INCONNUE STANZAS LINES BY A CLERK THE PHILOSOPHER TO HIS LOVE THE POET'S LOT TO A BLANK SHEET OF PAPER TO THE PORTRAIT OF "A GENTLEMAN" IN THE ATHENAEUM GALLERY THE BALLAD OF THE OYSTERMAN A NOONTIDE LYRIC THE HOT SEASON A PORTRAIT AN EVENING THOUGHT. WRITTEN AT SEA THE WASP AND THE HORNET "QUI VIVE?" VERSES FROM THE OLDEST PORTFOLIO Nescit vox missa reverti.--Horat. Ars Poetica. Ab lis qua non adjuvant quam mollissime oportet pedem referre.-- Quintillian, L. VI. C. 4. These verses have always been printed in my collected poems, and as the best of them may bear a single reading, I allow them to appear, but in a less conspicuous position than the other productions. A chick, before his shell is off his back, is hardly a fair subject for severe criticism. If one has written anything worth preserving, his first efforts may be objects of interest and curiosity. Other young authors may take encouragement from seeing how tame, how feeble, how commonplace were the rudimentary attempts of the half-fledged poet. If the boy or youth had anything in him, there will probably be some sign of it in the midst of his imitative mediocrities and ambitious failures. These "first verses" of mine, written before I was sixteen, have little beyond a common academy boy's ordinary performance. Yet a kindly critic said there was one line which showed a poetical quality:-- "The boiling ocean trembled into calm." One of these poems--the reader may guess which--won fair words from Thackeray. The Spectre Pig was a wicked suggestion which came into my head after reading Dana's Buccaneer. Nobody seemed to find it out, and I never mentioned it to the venerable poet, who might not have been pleased with the parody. This is enough to say of these unvalued copies of verses. FIRST VERSES PHILLIPS ACADEMY, ANDOVER, MASS., 1824 OR 1825 TRANSLATION FROM THE ENEID, BOOK I. THE god looked out upon the troubled deep Waked into tumult from its placid sleep; The flame of anger kindles in his eye As the wild waves ascend the lowering sky; He lifts his head above their awful height And to the distant fleet directs his sight, Now borne aloft upon the billow's crest, Struck by the bolt or by the winds oppressed, And well he knew that Juno's vengeful ire Frowned from those clouds and sparkled in that fire. On rapid pinions as they whistled by He calls swift Zephyrus and Eurus nigh Is this your glory in a noble line To leave your confines and to ravage mine? Whom I--but let these troubled waves subside-- Another tempest and I'll quell your pride! Go--bear our message to your master's ear, That wide as ocean I am despot here; Let him sit monarch in his barren caves, I wield the trident and control the waves He said, and as the gathered vapors break The swelling ocean seemed a peaceful lake; To lift their ships the graceful nymphs essayed And the strong trident lent its powerful aid; The dangerous banks are sunk beneath the main, And the light chariot skims the unruffled plain. As when sedition fires the public mind, And maddening fury leads the rabble blind, The blazing torch lights up the dread alarm, Rage points the steel and fury nerves the arm, Then, if some reverend Sage appear in sight, They stand--they gaze, and check their headlong flight,-- He turns the current of each wandering breast And hushes every passion into rest,-- Thus by the
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Produced by R.G.P.M. van Giesen THE YOUNG CAVALIER [Frontispiece: _The next instant a pair of hands grasped the gunwale, and the dripping head of a man appeared over the side._] THE YOUNG CAVALIER A STORY OF THE CIVIL WARS BY PERCY F. WESTERMAN Author of "'Midst Arctic Perils," "Clinton's Quest" "The Nameless Island," "The Young Cavalier" "The Treasure of the Sacred Lake," etc. ILLUSTRATED BY GORDON BROWNE, R.I. London C. Arthur Pearson Ltd. Henrietta Street PRINTED IN GREAT BRITAIN BY MORRISON AND GIBB LTD., LONDON AND EDINBURGH CONTENTS CHAPTER I. THE OUTBREAK OF CIVIL WAR II. COLONEL NICHOLAS FIRESTONE III. FRIEND OR FOE? IV. THROUGH THE REBEL LINES V. CONVOYING THE TREASURE VI. EDGEHILL VII. FACE TO FACE WITH DEATH VIII. OUR ADVENTURE IN LOSTWITHIEL CHURCH IX. MY MEETING WITH AN OLD FOE X. ON BOARD THE "EMMA FARLEIGH" XI. THE "HAPPY ADVENTURE" XII. THE POWDER MINE XIII. THE SIEGE OF ASHLEY CASTLE XIV. SPIKING THE GUNS XV. THE SECRET PASSAGE XVI. WITHOUT THE WALLS OF CARISBROOKE XVII. EXILED LIST OF ILLUSTRATIONS The next instant a pair of hands
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Produced by Jonathan Ingram, Tapio Riikonen and PG Distributed Proofreaders A SELECT COLLECTION OF OLD ENGLISH PLAYS, VOL. IX Originally published by Robert Dodsley in the Year 1744. Fourth Edition, Now first chronologically arranged, revised and enlarged with the Notes of all the Commentators, and new Notes By W. CAREW HAZLITT. 1874-76. CONTENTS: How a Man May Choose a Good Wife from a Bad The Return from Parnassus Wily Beguiled Lingua The Miseries of Enforced Marriage HOW A MAN MAY CHOOSE A GOOD WIFE FROM A BAD. _EDITION A Pleasant conceited Comedie, Wherein is shewed how a man may chuse a good Wife from a bad. As it hath bene sundry times Acted by the Earle of Worcesters Seruants. London Printed for Mathew Lawe, and are to be solde at his shop in Paules Church-yard, neare unto S. Augustines gate, at the signe of the Foxe_. 1602. 4to. [There were editions in 1605, 1608, 1614, 1621, 1630, 1634, all in 4to. It is not improbable that the author was Joshua Cooke, to whom, in an old hand on the title of edit. 1602 in the Museum, it is attributed.] [PREFACE TO THE FORMER EDITION.[1]] This play agrees perfectly with the description given of it in the title; it is certainly a most pleasant conceited comedy, rich in humour, and written altogether in a right merry vein. The humour is broad and strongly marked, and at the same time of the most diverting kind; the characters are excellent, and admirably discriminated; the comic parts of the
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Produced by Clarity, RichardW, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) _The WORKS of VOLTAIRE_ _EDITION DE LA PACIFICATION_ _Limited to one thousand sets for America and Great Britain._ “_Between two servants of Humanity, who appeared eighteen hundred years apart, there is a mysterious relation. *    *    *    *    *    Let us say it with a sentiment of profound respect: JESUS WEPT: VOLTAIRE SMILED. Of that divine tear and of that human smile is composed the sweetness of the present civilization._” _VICTOR HUGO._ [Illustration: AT THIS INTERESTING MOMENT, AS MAY EASILY BE IMAGINED
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Produced by Charles Bowen from page scans provided by Google Books (Princeton University) Transcriber's Notes: 1. Page scan source: https://books.google.com/books?id=K8IsAAAAYAAJ (Princeton University) [Front cover] _The Crimson_ CRYPTOGRAM A Detective Story By FERGUS HUME _Author of "The Mystery of a Hansom Cab," "The Dwarf's Chamber," Etc_. New Amsterdam Book Company 156 Fifth Avenue: New York: 1902 CONTENTS CHAP. I. A Midnight Surprise. II. The Writing in Blood. III. An Open Verdict. IV. The Reading of the Blood Signs. V. Mrs. Moxton seeks Counsel. VI. A Fresh Discovery. VII. What the Cabman knew. VIII. A Music-Hall Star. IX. The
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Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by Cornell University Digital Collections.) THE ATLANTIC MONTHLY. _A Magazine of Literature, Art, and Politics._ VOL. XV.--JUNE, 1865.--NO. XCII. Entered according to Act of Congress, in the year 1865, by TICKNOR AND FIELDS, in the Clerk's Office of the District Court of the District of Massachusetts. A LETTER ABOUT ENGLAND. Dear Mr. Editor,--The name of your magazine shall not deter me from sending you my slight reflections But you have been across, and will agree with me that it is the great misfortune of this earth that so much salt-water is still lying around between its various countries. The steam-condenser is supposed to diminish its bulk by short
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Produced by Richard Tonsing, David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) STANDARD ELOCUTIONARY BOOKS =FIVE-MINUTE READINGS
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Produced by Sonya Schermann, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) THE ARCHITECTURE OF PROVENCE AND THE RIVIERA _Printed by George Waterston & Sons_ FOR DAVID DOUGLAS, EDINBURGH. LONDON HAMILTON, ADAMS, AND CO. CAMBRIDGE MACMILLAN AND BOWES. GLASGOW JAMES MACLEHOSE AND SONS. THE ARCHITECTURE OF PROVENCE AND THE RIVIERA BY DAVID MACGIBBON AUTHOR OF “THE CASTELLATED AND DOMESTIC ARCHITECTURE OF SCOTLAND.” [Illustration] EDINBURGH: DAVID DOUGLAS 1888. [_All rights reserved._] PREFACE. Having been called on, a few years ago, to make frequent journeys between this country and the Riviera, the author was greatly impressed with the extraordinary variety and abundance of the ancient architectural monuments of Provence. This country was found to contain not only special styles of Mediæval Art peculiar to itself, but likewise an epitome of all the styles which have prevailed in Southern Europe from the time of the Romans. It proved to be especially prolific in examples of Roman Art from the age of Augustus till the fall of the Empire. It also comprises a valuable series of buildings illustrative of the transition from Classic to Mediæval times. These are succeeded by a rich and florid development of Romanesque, accompanied by a plain style which existed parallel with it--both being peculiar to this locality. The remains of the Castellated Architecture are also especially grand and well preserved; while the picturesque towns, monasteries, and other structures of the Riviera have a peculiar charm and attraction of their own. These Architectural treasures being comparatively unknown, it is
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Produced by Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [Illustration: Frederick A. Cook] _Press Edition_ MY ATTAINMENT OF THE POLE _Being the Record of the Expedition that First Reached the Boreal Center, 1907-1909. With the Final Summary of the Polar Controversy_ _By_ DR. FREDERICK A. COOK THIRD PRINTING, 60TH THOUSAND [Illustration] NEW YORK AND LONDON MITCHELL KENNERLEY MCMXIII By Special arrangements this edition is marketed by The Polar Publishing Co., 601 Steinway Hall, Chicago COPYRIGHT 1913 BY DR. FREDERICK A. COOK _OTHER BOOKS BY DR. COOK_ Through the First Antarctic Night A Narrative of the Belgian South Polar Expedition. To the Top of the Continent Exploration in Sub-Arctic Alaska--The First Ascent of Mt. McKinley My Attainment of the Pole Edition de Luxe Each of above series will be sent post paid for $5.00. All to one address for $14.00. Address: THE POLAR PUBLISHING CO. 601 Steinway Hall, Chicago _To the Pathfinders_ To the Indian who invented pemmican and snowshoes; To the Eskimo who gave the art of sled traveling; To this twin family of wild folk who have no flag Goes the first credit. To the forgotten trail makers whose book of experience has been a guide; To the fallen victors whose bleached bones mark steps in the ascent of the ladder of latitudes; To these, the pathfinders--past, present and future--I inscribe the first page. In the ultimate success there is glory enough To go to the graves of the dead and to the heads of the living. THE PRESENT STATUS OF THE POLAR CONTROVERSY DR. COOK IS VINDICATED. HIS DISCOVERY OF THE NORTH POLE IS ENDORSED BY THE EXPLORERS OF ALL THE WORLD. In placing Dr. Cook on the Chautauqua platform as a lecturer, we have been compelled to study the statements issued for and against the rival polar claims with special reference to the facts bearing upon the present status of the Polar Controversy. Though the question has been argued during four years, we find that it is almost the unanimous opinion of arctic explorers today, that Dr. Cook reached the North Pole on April 21, 1909. With officer Peary's first announcement he chose to force a press campaign to deny Dr. Cook's success and to proclaim himself as the sole Polar Victor. Peary aimed to be retired as a Rear-Admiral on a pension of $6,000 per year. This ambition was granted; but the American Congress rejected his claim for priority by eliminating from the pension bill the words "Discovery of the Pole." The European geographical societies, forced under diplomatic pressure to honor Peary, have also refused him the title of "Discoverer." By a final verdict of the American government and of the highest European authorities, Peary is therefore denied the assumption of being the discoverer of the Pole, though his claim as a re-discoverer is allowed. The evasive inscriptions on the Peary medals prove this statement. Following the acute excitement of the first announcement, it seemed to be desirable to bring the question to a focus by submitting to some authoritative body for decision. Such an institution, however, did not exist. Previously, explorers had been rated by the slow process of historic digestion and assimilation of the facts offered, but it was thought that an academic examination would meet the demands. Officer Peary first submitted his case to a commission appointed by the National Geographical Society of Washington, D. C. This jury promptly said that in their "opinion" Peary reached the Pole on April 6, 1909; but a year later in congress the same men unwillingly admitted that in the Peary proofs there was no positive proof. Dr. Cook's data was sent to a commission appointed by the University of Copenhagen. The Danes reported that the material presented was incomplete and did not constitute positive proof. This verdict, however, did not carry the interpretation that the Pole had not been reached. The Danes have never said, as they have been quoted by the press, that Dr. Cook did not reach the Pole; quite to the contrary, the University of Copenhagen conferred the degree of Ph. D. and the Royal Danish Geographical Society gave a gold medal, both in recognition of the merits of the Polar effort. This early examination was based mostly upon the nautical calculations for position, and both verdicts when analyzed gave the version that in such observations there was no positive proof. The Washington jury ventured an opinion. The Danes refused to give an opinion, but showed their belief in Dr. Cook's success by conferring honorary degrees. It is the unfair interpretation of the respective verdicts by the newspapers which has precipitated the turbulent air of distrust which previously rested over the entire Polar achievement. All this, however, has now been cleared by the final word of fifty of the foremost Polar explorers and scientific experts. In so far as they were able to judge from all the data presented in the final books of both claimants the following experts have given it as their opinion that Dr. Cook reached the Pole, and that officer Peary's similar report coming later is supplementary proof of the first victory: General A. W. Greely, U. S. A., commander of the Lady Franklin Bay Expedition, who spent four years in the region under discussion. Rear Admiral W. S. Schley, U. S. N., commander of the Greely Relief Expedition. Capt. Otto Sverdrup, discoverer of the land over
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Produced by Al Haines [Illustration: Cover art] [Frontispiece: "She was aware instantly that the strangers were speaking of her"] THE LADY EVELYN _A Story of To-day_ By MAX PEMBERTON _Author of "The Hundred Days," "Doctor Xavier," "A Gentleman's Gentleman," "A Puritan's Wife," Etc._ New York CUPPLES & LEON COMPANY Publishers _Copyright 1906 by Max Pemberton_ _Entered at Stationers' Hall_ _All rights reserved_ CONTENTS BOOK I.--THE ESCAPADE. CHAPTER Prologue. The Face in the River I. A Telegram to Bukharest II. Etta Romney is Presented III. Success and Afterwards IV. Two Personalities V. The Letter VI. Strangers in the House VII. The Nonagenarian VIII. Lady Evelyn Returns IX. The Third Earl of Melbourne X. The Accident Upon the Road XI. A Race for Life XII. The Unspoken Accusation XIII. The Interview XIV. Inheritance XV. The Price of Salvation XVI. A Game of Golf BOOK II.--THE ENGLISHMAN. XVII. Gavin Ord Begins His Work XVIII. A Duel over the Teacups XIX. From the Belfry Tower XX. Lovers XXI. Zallony's Son XXII. A Spy from Bukharest BOOK III.--THE LIGHT. XXIII. Bukharest XXIV. The Price Of Wisdom XXV. The House Above the Torrent XXVI. Through a Woman's Heart XXVII. Etta Romney's Return XXVIII. The Impresario's Prayer XXIX. The Prisoners at Setchevo XXX. There is no News of Gavin Ord XXXI. The House at Hampstead XXXII. A Shot in the Hills XXXIII. Djala XXXIV. The Shadow of the River Epilogue. The Doctor Drinks a Toast LIST OF ILLUSTRATIONS "She was aware instantly that the strangers were speaking of her" - - - - - - - - - - - - - - - - - - _Frontispiece_ "Oh, please let me go; your hands hurt me" "As you came in folly, so shall you go----" "Evelyn, beloved, I am here as you wish" [Illustration: (Facsimile Page of Manuscript from THE LADY EVELYN)] THE LADY EVELYN PROLOGUE THE FACE IN THE RIVER The porter did not know; the station-master was not sure; but both were agreed that it was a "good step to the 'all"--by which they signified the Derbyshire mansion of the third Earl of Melbourne. "Might be you'd get a cab, might be you wouldn't," said the porter somewhat loftily--for here was a passenger who had spoken of walking over: "that'll depend on Jacob Price and the beer he's drunk this night. Some nights he can drive a man and some nights he can't. I'm not here to speak for him more than any other." The station-master, who had been giving the whole weight of his intelligence to a brown paper parcel with no address upon it, here chimed in to ask a question in that patronizing manner peculiar to station-masters. "Did his lordship expect you, sir?" he asked with some emphasis; as though, had it been the case, he certainly should have been informed of it. The reply found him all civility. "I should have been here by the train arriving at half-past six," said Gavin Ord, the passenger in question--"it is my fault, certainly. No doub
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Produced by Rene Anderson Benitz, Adrian Mastronardi, and the Online Distributed Proofreading Team at http://www.pgdp.net A FIVE YEARS' RESIDENCE IN BUENOS AYRES, DURING THE YEARS 1820 to 1825: CONTAINING REMARKS ON THE COUNTRY AND INHABITANTS; AND A VISIT TO COLONIA DEL SACRAMENTO. BY AN ENGLISHMAN. _WITH AN APPENDIX_, CONTAINING RULES AND POLICE OF THE PORT OF BUENOS AYRES, NAVIGATION OF THE RIVER PLATE, &c. &c. _SECOND EDITION._ LONDON: PUBLISHED BY G. HEBERT, 88, CHEAPSIDE. 1827. LONDON Stirling, Printer, 20 Ironmonger Lane, Cheapside. PREFACE. At a time when the rich and fertile provinces of South America are daily becoming increased objects of commercial consideration--when their riches and advantages are constantly forming the bases of fresh speculations--and when, under the security offered to person and property by the liberal institutions of a free and independent government, communication with them is every hour becoming more extended,--an illustration of their local affairs, customs, manners, and people, cannot but be interesting. Of these provinces, the one which forms the subject of the following Remarks is far from being the least important. Without adverting to the fertility of the soil, and the general healthiness of the climate, the prospects which Buenos Ayres presents in a mercantile point of view,
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The Project Gutenberg Etext of The Future of the <DW52> Race in America by William Aikman Copyright laws are changing all over the world, be sure to check the laws for your country before redistributing these files!!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Please do not remove this
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Produced by David Garcia, Julia Neufeld and the Online Distributed Proofreading Team at http://www.pgdp.net See the transcriber's note at the end of the book. * * * * * BY PROF. CHARLES FOSTER KENT THE SHORTER BIBLE--THE NEW TESTAMENT. THE SHORTER BIBLE--THE OLD TESTAMENT. THE SOCIAL TEACHINGS OF THE PROPHETS AND JESUS. BIBLICAL GEOGRAPHY AND HISTORY. THE ORIGIN AND PERMANENT VALUE OF THE OLD TESTAMENT. HISTORY OF THE HEBREW PEOPLE. From the Settlement in Canaan to the Fall of Jerusalem in 586 B.C. 2 vols. HISTORY OF THE JEWISH PEOPLE. The Babylonian, Persian and Greek Periods. THE HISTORICAL BIBLE. With Maps. 6 vols. STUDENT'S OLD TESTAMENT. Logically and Chronologically Arranged and Translated. With Maps. 6 vols. THE MESSAGES OF ISRAEL'S LAW-GIVERS. THE MESSAGES OF THE EARLIER PROPHETS. THE MESSAGES OF THE LATER PROPHETS. CHARLES SCRIBNER'S SONS [Illustration: Modern Palestine, With Ancient Towns and Highways] BIBLICAL GEOGRAPHY AND HISTORY BY CHARLES FOSTER KENT, PH.D. WOOLSEY PROFESSOR OF BIBLICAL LITERATURE IN YALE UNIVERSITY NEW YORK CHARLES SCRIBNER'S SONS 1926 COPYRIGHT, 1911, BY CHARLES SCRIBNER'S SONS Printed in the United States of America Published April, 1911 PREFACE Geography has within the past few years won a new place among the sciences. It is no longer regarded as simply a description of the earth's surface, but as the foundation of all historical study. Only in the light of their physical setting can the great characters, movements, and events of human history be rightly understood and appreciated. Moreover, geography is now defined as a description not only of the earth and of its influence upon man's development, but also of the solar, atmospheric, and geological forces which throughout millions of years have given the earth its present form. Hence, in its deeper meaning, geography is a description of the divine character and purpose expressing itself through natural forces, in the physical contour of the earth, in the animate world, and, above all, in the life and activities of man. Biblical geography, therefore, is the first and in many ways the most important chapter in that divine revelation which was perfected through the Hebrew race and recorded in the Bible. Thus interpreted it has a profound religious meaning, for through the plains and mountains, the rivers and seas, the climate and flora of the biblical world the Almighty spoke to men as plainly and unmistakably as he did through the voices of his inspired seers and sages. No other commentary upon the literature of the Bible is so practical and luminous as biblical geography. Throughout their long history the Hebrews were keenly attentive to the voice of the Eternal speaking to them through nature. Their writings abound in references and figures taken from the picturesque scenes and peculiar life of Palestine. The grim encircling desert, the strange water-courses, losing themselves at times in their rocky beds, fertile Carmel and snow-clad Hermon, the resounding sea and the storm-lashed waters of Galilee are but a few of the many physical characteristics of Palestine that have left their indelible marks upon the Jewish and Christian Scriptures. The same is true of Israel's unique faith and institutions. Biblical geography, therefore, is not a study by itself, but the natural introduction to all other biblical studies. In his _Historical Geography of the Holy Land_ and in the two volumes on _Jerusalem_, Principal George Adam Smith, of Aberdeen, has given a brilliant and luminous sketch of the geographical divisions and cities of Palestine, tracing their history from the earliest times to the present. Every writer on Palestine owes him a great debt. The keenness and accuracy of his observations, are confirmed at every point by the traveller. At the present time, the need of a more compact manual, to present first the physical geography of the biblical lands and then to trace in broad outlines the history of Israel and of early Christianity in close conjunction with their geographical background, has long been recognized. In the present work unimportant details have been omitted that the vital facts may stand out clearly and in their true significance. The aim has been to furnish the information that every Bible teacher should possess in order to do the most effective work, and the geographical data with which every student of the Bible should be familiar, in order intelligently to interpret and fully appreciate the ancient Scriptures. This volume embodies the results of many delightful months spent in the lands of the eastern Mediterranean, and especially in Palestine, during the years 1892 and 1910. Owing to improved conditions in the Turkish Empire it is now possible, with the proper camp equipment, to travel safely through the remotest places east of the Jordan and to visit Petra, that most fascinating of Eastern cities. By securing his equipment at Beirut the traveller may cross northern Galilee and then, with comfort, go southward in the early spring through ancient Bashan, Gilead, Moab, and Edom. Thence, with great economy of time and effort, he may return through central Palestine, making frequent detours to points of interest. In this way he will find the quaint, fascinating old Palestine that has escaped the invasions of the railroads and western tourists, and he will bear away exact and vivid impressions of the land as it really was and still is. The difficulties and expense of Palestine travel, however, render such a journey impossible for the majority of Bible students. Fortunately, the marvellous development of that most valuable aid to modern education, the stereoscope and the stereograph, make it possible for every one at a comparatively small expense to visit Palestine and to gain under expert guidance in many ways a clearer and more exact knowledge of the background of biblical history and literature than he would through months of travel. Through the courtesy of my publishers and the co-operation of the well-known firm of Underwood & Underwood, of New York and London, I have been able to realize an ideal that I have long cherished, and to place at the disposal of the readers of this volume one hundred and forty stereographs (or, if preferred for class and lecture use, stereopticon slides) that illustrate the most important events of biblical geography and history. They have been selected from over five hundred views taken especially for this purpose, and enable the student to gain, as he alone can through the stereoscope, the distinct state of consciousness of being in scores of historic places rarely visited even by the most venturesome travellers. Numbers referring to these stereographs (or stereopticon slides) have been inserted in the body of the text. In Appendix II the titles corresponding to each number are given. The large debt that I owe to the valiant army of pioneers and explorers who have penetrated every part of the biblical world and given us the results of their observations and study is suggested by the selected bibliography in Appendix I. I am under especial obligations to the officers of the Palestine Exploration Fund, who kindly placed their library and maps in London at my service and have also permitted me to use in reduced form their Photo-Relief Map of Palestine. C. F. K. YALE UNIVERSITY, _January, 1911_. CONTENTS PART I--PHYSICAL GEOGRAPHY PAGE I. THE GENERAL CHARACTERISTICS OF THE BIBLICAL WORLD 3 Extent of the Biblical World.--Conditions Favorable to Early Civilizations.--Egypt's Climate and Resources.--Its Isolation and Limitations.--Conditions in the Tigris-Euphrates Valley.--Forces Developing Its Civilization.--Civilization of Arabia.--Physical Characteristics of Syria and Palestine.--Their Central Position and Lack of Unity.--Asia Minor.--Mycenae.--Greece.--Italy.--Situation of Rome.--Reason Why Rome Went Forth to Conquer.--_Resume._ II. THE GENERAL CHARACTERISTICS OF PALESTINE 13 History of the Terms Palestine and Canaan.--Bounds of Palestine.--Geological History.--Alluvial and Sand Deposits.--General Divisions.--Variety in Physical Contour.--Effects of This Variety.--Openness to the Arabian Desert.--Absence of Navigable Rivers and Good Harbors.--Incentives to Industry.--Incentives to Faith and Moral Culture.--Central and Exposed to Attack on Every Side.--Significance of Palestine's Characteristics. III. THE COAST PLAINS 21 Extent and Character.--Fertility.--Divisions.--Plain of Tyre.--The Plain of Acre.--Carmel.--Plain of Sharon.--The Philistine Plain.--The Shephelah or Lowland. IV. THE PLATEAU OF GALILEE AND THE PLAIN OF ESDRAELON 27 Physical and Political Significance of the Central Plateau.--Natural and Political Bounds.--Its Extent and Natural Divisions.--Physical Characteristics of Upper Galilee.--Its Fertility.--Characteristics of Lower Galilee.--Situation and Bounds of the Plain of Esdraelon.--Plain of Jezreel.--Water Supply and Fertility of Plain of Esdraelon.--Central and Commanding Position.--Importance of the Plain in Palestinian History. V. THE HILLS OF SAMARIA AND JUDAH 34 Character of the Hills of Samaria.--Northeastern Samaria.--Northwestern Samaria.--The View from Mount Ebal.--Bounds and General Characteristics of Southern Samaria.--Southwestern Samaria.--The Central Heights of Judah.--Lack of Water Supply.--Wilderness of Judea.--Western Judah.--Valley of Ajalon.--Wady Ali.--Valley of Sorek.--Valley of Elah.--Valley of Zephathah.--Wady el-Jizair.--Significance of These Valleys.--The South Country.--Its Northern and Western Divisions.--Its Central and Eastern Divisions.--The Striking Contrasts between Judah and Samaria.--Effect upon Their Inhabitants. VI. THE JORDAN AND DEAD SEA VALLEY 45 Geological History.--Evidences of Volcanic Action.--Natural Divisions.--Mount Hermon.--Source of the Jordan at Banias.--At Tell el-Kadi.--The Two Western Confluents.--The Upper Jordan Valley.--The Rapid Descent to the Sea of Galilee.--The Sea of Galilee.--Its Shores.--From the Sea of Galilee to the Dead Sea.--Character of the Valley.--The Jordan Itself.--Fords of the Lower Jordan.--Ancient Names of the Dead Sea.--Its Unique Characteristics.--Its Eastern Bank.--The Southern End.--The Western Shores.--Grim Associations of the Dead Sea. VII. THE EAST-JORDAN LAND 55 Form and Climate of the East-Jordan Land.--Well-Watered and Fertile.--The Four Great Natural Divisions.--Characteristics of the Northern and Western Jaulan.--Southern and Eastern Jaulan.--Character of the Hauran.--Borderland of the Hauran.--Gilead.--The Jabbok and Jebel Osha.--Southern Gilead.--Character of the Plateau of Moab.--Its Fertility and Water Supply.--Its Mountains.--Its Views.--The Arnon.--Southern Moab and Edom.--Significance of the East-Jordan Land. VIII. THE TWO CAPITALS: JERUSALEM AND SAMARIA 64 Importance of Jerusalem and Samaria.--Site of Jerusalem.--The Kidron Valley.--The Tyropoeon Valley.--The Original City.--Its Extent.--The Western Hill.--The Northern Extension of the City.--Josephus's Description of Jerusalem.--The Geological Formation.--The Water Supply.--Jerusalem's Military Strength.--Strength of Its Position.--Samaria's Name.--Its Situation.--Its Military Strength.--Its Beauty and Prosperity. IX. THE GREAT HIGHWAYS OF THE BIBLICAL WORLD 73 Importance of the Highways.--Lack of the Road-building Instincts among the Semites.--Evidence that Modern Roads Follow the Old Ways.--Ordinary Palestinian Roads.--Evidence that the Hebrews Built Roads.--The Four Roads from Egypt.--Trails into Palestine from the South.--Highway Through Moab.--The Great Desert Highway.--Character of the Southern Approaches to Palestine.--The Coast Road.--The "Way of the Sea."--Its Commercial and Strategic Importance.--The Central Road and Its Cross-roads in the South.--In the North.--The Road Along the Jordan.--Roads Eastward from Damascus.--The Highway from Antioch to Ephesus.--The Road from Asia Minor to Rome.--From Ephesus to Rome.--From Syria to Rome by Sea.--From Alexandria to Rome by Sea.--Significance of the Great Highways. PART II--HISTORICAL GEOGRAPHY X. EARLY PALESTINE 87 The Aim and Value of Historical Geography.--Sources of Information Regarding Ancient Palestine.--Evidence of the Excavations.--The Oldest Inhabitants of Palestine.--The Semitic Invasions from the Desert.--Influence of the Early Amorite Civilization Upon Babylonia.--Probable Site of the Oldest Semitic Civilization.--Remains of the Old Amorite Civilization.--Babylonian Influence in Palestine.--Egyptian Influence in the Cities of the Plain.--Different Types of Civilization in Palestine.--Conditions Leading to the Hyksos Invasion of Egypt.--Fortunes of the Invaders.--The One Natural Site in Syria for a Great Empire.--Influences of the Land Upon the Early Forms of Worship.--Upon the Beliefs of Its Inhabitants. XI. PALESTINE UNDER THE RULE OF EGYPT 97 Reasons why Egypt Conquered Palestine.--Commanding Position of Megiddo.--Its Military Strength.--Thotmose III's Advance Against Megiddo.--The Decisive Battle.--Capture of Megiddo.--The Cities of Palestine.--Disastrous Effects of Egyptian Rule.--Lack of Union in Palestine.--Exposure to Invasions from the Desert.--Advance of the Habiri.--Rise of the Hittite Power.--Palestine between 1270 and 1170 B.C.--The Epoch-making Twelfth Century. XII. THE NOMADIC AND EGYPTIAN PERIOD OF HEBREW HISTORY 106 The Entrance of the Forefathers of the Hebrews Into Canaan.--References to Israelites During the Egyptian Period.--The Habiri in Eastern and Central Palestine.--The Trend Toward Egypt.--The Land of Goshen.--The Wady Tumilat.--Ramses II's Policy.--Building the Store Cities of Ramses and Pithom.--Condition of the Hebrew Serfs.--Training of Moses.--The Historical Facts Underlying the Plague Stories.--Method of Travel in the Desert.--Moses' Equipment as a Leader.--The Scene of the Exodus.--Probability that the Passage was at Lake Timsah. XIII. THE HEBREWS IN THE WILDERNESS AND EAST OF THE JORDAN 115 Identification of Mount Sinai.--Lateness of the Traditional Identification.--Probable Route of the Hebrews.--Kadesh-barnea.--Effect of the Wilderness upon the Life of the Hebrews.--Evidence that the Hebrews Aimed to Enter Canaan from the South.--Reasons Why They Did Not Succeed.--Tribes that Probably Entered Canaan from the South.--The Journey to the East of the Jordan.--Stations on the Way.--Conquests East of the Dead Sea.--Situation of Heshbon.--Sojourn of the Hebrews East of the Jordan.--Its Significance. XIV. THE SETTLEMENT IN CANAAN 124 The Approach to the Jordan.--Crossing the Jordan.--Strategic Importance of Jericho.--Results of Recent Excavations.--Capture of Jericho.--Evidence that the Hebrews Were Still Nomads.--Roads Leading Westward from Jericho.--Conquests In the South.--Conquest of Ai and Bethel.--Incompleteness of the Initial Conquest.--Migration of the Danites.--The Moabite Invasion.--The Rally of the Hebrews Against the Canaanites.--The Battle-field.--Effect of a Storm Upon the Plain.--Results of the Victory.--The East-Jordan Tribes.--The Tribes in Southern Canaan.--The Tribes in the North.--Effects of the Settlement Upon the Hebrews. XV. THE FORCES THAT LED TO THE ESTABLISHMENT OF THE HEBREW KINGDOM 136 The Lack of Unity Among the Hebrew Tribes.--The Scenes of Gideon's Exploits.--Gideon's Kingdom.--Reasons for the Superiority of the Philistines.--Scenes of the Samson Stories.--The Decisive Battle-field.--Fortunes of the Ark.--The Sanctuary at Shiloh.--Samuel's Home at Ramah.--The Site of Gibeah.--Situation of Jabesh-Gilead.--The Sanctuary at Gilgal.--The Philistine Advance.--The Pass of Michmash.--The Great Victory Over the Philistines.--Saul's Wars. XVI. THE SCENES OF DAVID'S EXPLOITS 147 David's Home at Bethlehem.--The Contest in the Valley of Elah.--Situation of Nob.--The Stronghold of Adullam.--Keilah.--Scenes of David's Outlaw Life In Southeastern Jud
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Produced by David Widger THE WORKS OF EDGAR ALLAN POE IN FIVE VOLUMES The Raven Edition CONTENTS: Philosophy of Furniture A Tale of Jerusalem The Sphinx Hop Frog The Man of the Crowd Never Bet the Devill Your Head Thou Art the Man Why the Little Frenchman Wears his Hand in a Sling Bon-Bon Some words with a Mummy The Poetic Principle Old English Poetry POEMS: Dedication Preface Poems of Later Life The Raven The Bells Ulalume To Helen Annabel Lee A Valentine An Enigma To my Mother For Annie To F---- To Frances S. Osgood Eldorado Eulalie A Dream within a Dream To Marie Louise (Shew) To the Same The City in the Sea The Sleeper Bridal Ballad Notes Poems of Manhood Lenore To One in Paradise The Coliseum The Haunted Palace The Conqueror Worm Silence Dreamland Hymn To Zante Scenes from "Politian" Note Poems of Youth Introduction (1831) Sonnet--To Science Al Aaraaf Tamerlane To Helen The Valley of Unrest Israfel To -- ("The Bowers Whereat, in Dreams I See") To -- ("I Heed not That my Earthly Lot") To the River -- Song A Dream Romance
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This ebook was transcribed by Les Bowler. VATHEK; AN ARABIAN TALE, * * * * * BY WILLIAM BECKFORD, ESQ. * * * * * WITH NOTES, CRITICAL AND EXPLANATORY. * * * * * LONDON: GEORGE SLATER, 252, STRAND. * * * * * 1849. MEMOIR. BY WILLIAM NORTH. WILLIAM BECKFORD, the author of the following celebrated Eastern tale, was born in 1760, and died in the spring of 1844, at the advanced age of eighty-four years. It is to be regretted, that a man of so remarkable a character, did not leave the world some record of a life offering points of interest different from that of any of his contemporaries, from the peculiarly studious retirement and eccentric avocations in which it was
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Produced by Emmy, MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) A DOG OF FLANDERS THE NÜRNBERG STOVE AND OTHER STORIES ELEVENTH IMPRESSION “Stories All Children Love” A SET OF CHILDREN’S CLASSICS THAT SHOULD BE IN EVERY WINTER HOME AND SUMMER COTTAGE Mäzli BY JOHANNA SPYRI Translated by ELISABETH P. STORK Cornelli BY JOHANNA SPYRI Translated by ELISABETH P. STORK A Child’s Garden of Verses BY ROBERT LOUIS STEVENSON The Little Lame Prince and Other Stories BY MISS MULOCK Gulliver’s Travels BY JONATHAN SWIFT The Water Babies BY CHARLES KINGSLEY Pinocchio BY C. COLLODI Robinson Crusoe BY DANIEL DEFOE Heidi BY JOHANNA SPYRI Translated by ELISABETH P. STORK The Cuckoo Clock BY MRS. MOLESWORTH The Swiss Family Robinson EDITED BY G. E. MITTON The Princess and Curdie BY GEORGE MACDONALD The Princess and the Goblin BY GEORGE MACDONALD At the Back of the North Wind BY GEORGE MACDONALD A Dog of Flanders BY “OUIDA” Bimbi BY “OUIDA” Mopsa, the Fairy BY JEAN INGELOW Tales of Fairyland BY FERGUS HUME Hans Andersen’s Fairy Tales _Each Volume Beautifully Illustrated in Color. Decorated Cloth. Other Books in This Set are in Preparation._ [Illustration: THEN LITTLE NELLO TOOK HIS PLACE BESIDE THE CART] A DOG OF FLANDERS THE NÜRNBERG STOVE AND OTHER STORIES BY LOUISA DE LA RAMÉ (OUIDA) _WITH ILLUSTRATIONS IN COLOR BY_ MARIA L. KIRK [Illustration] PHILADELPHIA J. B. LIPPINCOTT COMPANY COPYRIGHT, 1909, BY J. B. LIPPINCOTT COMPANY _Printed by J. B. Lippincott Company The Washington Square Press, Philadelphia, U. S. A._ CONTENTS PAGE A DOG OF FLANDERS 9 THE NÜRNBERG STOVE 61 IN THE APPLE-COUNTRY 131 THE LITTLE EARL 171 LIST OF ILLUSTRATIONS PAGE THEN LITTLE NELLO TOOK HIS PLACE BESIDE THE CART _Frontispiece_ NELLO DREW THEIR LIKENESS WITH A STICK OF CHARCOAL 31 “IT IS A SIN; IT IS A THEFT; IT IS AN INFAMY,” HE SAID 83 AUGUST OPENED THE WINDOW, CRAMMED THE SNOW INTO HIS MOUTH AGAIN AND AGAIN 98 “LET US REST A LITTLE AND EAT” 133 SHE ONLY RAN ON, STUMBLING OFTEN AND FEELING FOR THE MATCHES IN THE BOSOM OF HER UGLY GRAY COTTON FROCK 159 “LITTLE GIRL, WHY DO YOU CRY?” HE SAID 196 HE SHARED IT WILLINGLY 221 A DOG OF FLANDERS A STORY OF NOËL. NELLO and Patrasche were left all alone in the world. They were friends in a friendship closer than brotherhood. Nello was a little Ardennois—Patrasche was a big Fleming. They were both of the same age by length of years, yet one was still young, and the other was already old. They had dwelt together almost all their days: both were orphaned and destitute, and owed their lives to the same hand. It had been the beginning of the tie between them, their first bond of sympathy; and it had strengthened day by day, and had grown with their growth, firm and indissoluble, until they loved one another very greatly. Their home was a little hut on the edge of a little village—a Flemish village a league from Antwerp, set amidst flat breadths of pasture and corn-lands, with long lines of poplars and of alders bending in the breeze on the edge of the great canal which ran
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Produced by Bryan Ness, David Garcia and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) THE IRISH ECCLESIASTICAL RECORD MARCH, 1865. THE CATHOLIC CHURCH AND THE BIBLE. There are few so foolish as to close their eyes against the brilliant rays of the mid-day sun, and, at the same time, to assert deliberately that the sun is not yet risen, and that the world is still enveloped in darkness. Nevertheless, something like this has been done quite recently by an estimable Protestant nobleman, who has assured his Irish fellow-countrymen that the Catholic Church, before the Reformation, "neither furthered the interests of science nor disseminated the knowledge of God's written word".[1] There was a time, indeed, when such a calumny would have been received by the British public with applause, and when it would have been echoed from Protestant pulpits by the predecessors of Colenso, and by the ancestors of many who now hold a place in the councils of her Majesty. But that calumny has been long since abandoned, even by the enemies of our holy faith. Our assailants have laid aside the mask, and revealed to the world the important fact, that whilst they clamoured for the Bible, they were themselves its true enemies; and that, combating the Church, their secret aim was to sap the foundations of inspired truth, and thus undermine the very citadel which they pretended to defend. It is not in England alone, but in France and Italy, and throughout the whole continent, that this striking fact is seen. Everywhere society presents the singular phenomenon of a sifting of its elements; and whilst all that aspires to the supernatural life,
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IV (OF 8)*** E-text prepared by Charlene Taylor, Christine P. Travers, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://www.archive.org) and digitized by Google Books Library Project (http://books.google.com/intl/en/googlebooks/library.html) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 29340-h.htm or 29340-h.zip: (http://www.gutenberg.org/files/29340/29340-h/29340-h.htm) or (http://www.gutenberg.org/files/29340/29340-h.zip) Images of the original pages are available through Internet Archive or Google books. See http://www.archive.org/details/storygreatwar01ruhlgoog or http://books.google.com/books?id=PV4PAAAAYAAJ&oe=UTF-8 Transcriber's note: Obvious printer's errors have been corrected. Hyphenation and accentuation have been made consistent. All other inconsistencies are as in the original. The author's spelling has been retained. THE STORY OF THE GREAT WAR History of the European War from Official Sources Complete Historical Records of Events to Date, Illustrated with Drawings, Maps, and Photographs Prefaced by What the War Means to America Major General Leonard Wood, U.S.A. Naval Lessons of the War Rear Admiral Austin M. Knight, U.S.N. The World's War Frederick Palmer Theatres of the War's Campaigns Frank H. Simonds The War Correspondent Arthur Ruhl Edited by Francis J. Reynolds Former Reference Librarian of Congress Allen L
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Produced by Greg Bergquist and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) By Enos A. Mills THE SPELL OF THE ROCKIES. Illustrated. WILD LIFE ON THE ROCKIES. Illustrated. HOUGHTON MIFFLIN COMPANY BOSTON AND NEW YORK The Spell of the Rockies [Illustration: THE HOME OF THE WHIRLWIND (p. 78)] The Spell of the Rockies By Enos A. Mills With Illustrations from Photographs by the Author [Illustration] Boston and New York Houghton Mifflin Company The Riverside Press Cambridge 1911 COPYRIGHT, 1911, BY ENOS A. MILLS ALL RIGHTS RESERVED _Published November 1911_ To B. W. Preface Although I have been alone by a camp-fire in every State and Territory in the Union, with the exception of Rhode Island, the matter in this book is drawn almost entirely from my experiences in the Rocky Mountain region. Some of the chapters have already appeared in magazines, and I am indebted to The Curtis Publishing Company, Doubleday, Page and Company, "Suburban Life," and "Recreation" for allowing me to reprint the papers which they have published. "Country Life in America" published "Racing an Avalanche," "Alone with a Landslide," and "A Rainy Day at the Stream's Source,"--the two last under the titles of "Alone with a Crumbling Mountain" and "At the Stream's Source." The "Saturday Evening Post" published "Little Conservationists," "Mountain-Top Weather," "The Forest Fire," "Insects in the Forest," "Doctor Woodpecker," and "The Fate of a Tree Seed." "Suburban Life" published "Rob of the Rockies" and "Little Boy Grizzly"; and "Recreation" "Harvest Time with Beavers." E. A. M. Contents Racing an Avalanche 1 Little Conservationists 17 Harvest Time with Beavers 49 Mountain-Top Weather 69 Rob of the Rockies 91 Sierra Blanca 107 The Wealth of the Woods 121 The Forest Fire 137 Insects in the Forest 171 Dr. Woodpecker, Tree-Surgeon 191 Little Boy Grizzly 205 Alone with a Landslide 221 The Maker of Scenery and Soil 245 A Rainy Day at the Stream's Source 265 The Fate of a Tree Seed 289 In a Mountain Blizzard 307 A <DW40> in Fur 321 The Estes Park Region 335 Index 351 Illustrations _The Home of the Whirlwind_ (page 78) _Frontispiece_ _Near the top of Long's Peak._ _A Snow-Slide Region_ 6 _Near Telluride, Colorado._ _Mt. Meeker_ 20 _A Beaver House in Winter_ 38 _Lily Lake, Estes Park._ _A Beaver Canal_ 56 _Length, 334 feet; average width, 26 inches; average depth, 15 inches._ _Aspens cut by Beaver_ 64 _On <DW72> of Mt. Meeker._ _Wind-blown Trees at Timber-Line_ 76 _Long's Peak._ _Sierra Blanca in Winter_ 110 _Spanish Moss_ 124 _Lake Charles, Louisiana._ _A Forest Fire on the Grand River_ 140 _Near Grand Lake, Colorado._ _A Yellow Pine, Forty-Seven Years after it had been killed by Fire_ 154 _Estes Park._ _A Tree killed by Mistletoe and Beetles_ 184 _Estes Park._ _Woodpecker Holes in a Pine injured by Lightning_ 198 _Estes Park._ _Johnny and Jenny_ 210 _Near the Top of Mt. Coxcomb_ 228 _Court-House Rock_ 242 _The Hallett Glacier_ 250 _A Crevasse_ 260 _Hallett Glacier._ _Among the Clouds_
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Produced by Brian Foley and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) BYGONE CUMBERLAND AND WESTMORLAND. [Illustration: THE LEPERS' SQUINT, ST. MICHAEL'S CHURCH, BROUGH-UNDER-STAINMORE. _From a Photo by Mr. George Arkwright, Beatrice, Nebraska, U.S.A._] Bygone Cumberland and Westmorland By Daniel Scott LONDON: WILLIAM ANDREWS & CO., 5, FARRINGDON AVENUE, E.C. 1899. TO EMMA. Preface. The information contained in the following pages has been derived from many sources during the last twenty years, and in a considerable number of cases I have examined old registers and other documents without being then aware that some of their contents had already been published. Few districts in the United Kingdom have been more thoroughly "worked" for antiquarian and archaeological purposes than have Cumberland and Westmorland. The Antiquarian Society and the numerous Literary and Scientific Societies have, during the last thirty years, been responsible for a great amount of research. I have endeavoured to acknowledge each source--not only as a token of my own obligation, but as a means of directing others wishing further information on the various points. I also desire to acknowledge the help received in various ways from numerous friends in the two counties. DANIEL SCOTT. PENRITH, _June 1st, 1899_. Contents. PAGE AN UNPARALLELED SHERIFFWICK 1 WATCH AND WARD 9 FIGHTING BISHOPS AND FORTIFIED CHURCHES 22 SOME CHURCH CURIOSITIES 38 MANORIAL LAWS AND CURIOSITIES OF TENURES 64 OLD-TIME PUNISHMENTS 91 SOME LEGENDS AND SUPERSTITIONS 130 FOUR LUCKS 148 SOME OLD TRADING LAWS AND CUSTOMS 155 OLD-TIME HOME LIFE 169 SPORTS AND FESTIVITIES 188 ON THE ROAD 209 OLD CUSTOMS 223 OLD SCHOOL CUSTOMS 240 INDEX 257 Bygone Cumberland and Westmorland. An Unparalleled Sheriffwick. For a period of 645 years--from 1204 to 1849--Westmorland, unlike other counties in England (excluding, of course, the counties Palatine), had no Sheriff other than the one who held the office by hereditary right. The first Sheriff of the county is mentioned in 1160, and nine or ten other names occur at subsequent periods, until in 1202, the fourth year of the reign of King John, came Robert de Vetripont. Very soon afterwards the office was made hereditary in his family "to have and to hold of the King and his heirs." The honour and privileges were possessed by no less than twenty-two of Robert's descendants. Their occupation of the office covers some very exciting periods of county history, the tasks committed to the Sheriffs in former centuries being frequently of an arduous as well as dangerous character. The Sheriff had very important duties of a military character to carry out. Thus in the sixth year of Henry the Third we have the command from the King to the Sheriff of Westmorland that without any delay he should summon the earls, barons, knights, and freeholders of his bailiwick, and that he should hasten to Cockermouth and besiege the castle there, afterwards destroying it to its very foundations. This order was a duplicate of one sent to the Sheriff of Yorkshire concerning Skipton Castle and other places. It is not known, however, whether the instructions respecting Cockermouth were carried out or not. The powers of Sheriff not being confined to the male members of the family, the histories of Westmorland contain the unusual information that at least two women occupied, by right of office, seats on the bench alongside the Judges. The first of these was Isabella de Clifford, widow of Robert, and, wrote the historian Machell, "
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Produced by Chris Curnow, Paul Marshall and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Notes: Underscores "_" before and after a word or phrase indicate _italics_ in the original text. Equal signs "=" before and after a word or phrase indicate =bold= in the original text. Small capitals have been converted to SOLID capitals. Illustrations have been moved so they do not break up paragraphs. Typographical errors have been silently corrected but other variations in spelling and punctuation remain unaltered. FORTUNES AND DREAMS [Illustration: HOROSCOPE] FORTUNES AND DREAMS A PRACTICAL MANUAL OF FORTUNE TELLING, DIVINATION AND THE INTERPRETATION OF DREAMS,
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Produced by David McClamrock THE INQUISITION A CRITICAL AND HISTORICAL STUDY OF THE COERCIVE POWER OF THE CHURCH BY E. VACANDARD TRANSLATED FROM THE SECOND EDITION BY BERTRAND L. CONWAY, C.S.P. NEW EDITION LONGMANS, GREEN, AND CO. FOURTH AVENUE & 30TH STREET, NEW YORK LONDON, BOMBAY, CALCUTTA AND MADRAS 1915 Nihil Obstat. THOMAS J. SHAHAN, S.T.D. Imprimatur. + JOHN M. FARLEY, D.D Archbishop of New York. NEW YORK, June 24, 1907. Copyright, 1907, by BERTRAND L. CONWAY All Rights Reserved First Edition, February, 1908 Registered, May, 1908 New and Cheaper Edition, September, 1915 NOTE TO THIS ELECTRONIC EDITION In the print edition of this book, footnote numbers began with 1 on each page, and the footnotes appeared at the bottom of each page. In this electronic edition, the footnotes have been re-numbered beginning with 1 for each paragraph, and they appear directly below the paragraph that refers to them. A very few ascertainable errors have been caught and corrected. All else is intended to correspond as closely as possible to the contents of the print edition. PREFACE THERE are very few Catholic apologists who feel inclined to boast of the annals of the Inquisition. The boldest of them defend this institution against the attacks of modern liberalism, as if they distrusted the force of their own arguments. Indeed they have hardly answered the first objection of their opponents, when they instantly endeavor to prove that the Protestant and Rationalistic critics of the Inquisition have themselves been guilty of heinous crimes. "Why," they ask, "do you denounce our Inquisition, when you are responsible for Inquisitions of your own?" No good can be accomplished by such a false method of reasoning. It seems practically to admit that the cause of the Church cannot be defended. The accusation of wrongdoing made against the enemies they are trying to reduce to silence comes back with equal force against the friends they are trying to defend. It does not follow that because the Inquisition of Calvin and the French Revolutionists merits the reprobation of mankind, the Inquisition of the Catholic Church must needs escape all censure. On the contrary, the unfortunate comparison made between them naturally leads one to think that both deserve equal blame. To our mind, there is only one way of defending the attitude of the Catholic Church in the Middle Ages toward the Inquisition. We must examine and judge this institution objectively, from the standpoint of morality, justice, and religion, instead of comparing its excesses with the blameworthy actions of other tribunals. No historian worthy of the name has as yet undertaken to treat the Inquisition from this objective standpoint. In the seventeenth century, a scholarly priest, Jacques Marsollier, canon of the Uzes, published at Cologne (Paris), in 1693, a _Histoire de l'Inquisition et de son Origine_. But his work, as a critic has pointed out, is "not so much a history of the Inquisition, as a thesis written with a strong Gallican bias, which details with evident delight the cruelties of the Holy Office." The illustrations are taken from Philip Limborch's _Historia Inquisitionis_.[1] [1] Paul Fredericq, _Historiographie de l'Inquisition_, p. xiv. Introduction to the French translation of Lea's book on the Inquisition. Henry Charles Lea, already known by his other works on religious history, published in New York, in 1888, three large volumes entitled _A History of the Inquisition of the Middle Ages._ This work has received as a rule a most flattering reception at the hands of the European press, and has been translated into French.[1] One can say
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E-text prepared by David Wilson and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) AUSTRALIAN WRITERS by DESMOND BYRNE London Richard Bentley and Son Publishers in Ordinary to Her Majesty the Queen 1896 [All rights reserved] CONTENTS. PAGE INTRODUCTION 1 MARCUS CLARKE 29 HENRY KINGSLEY 90 ADA CAMBRIDGE 131 ADAM LINDSAY GORDON 159 ROLF BOLDREWOOD 189 MRS. CAMPBELL PRAED 229 TASMA 260 INTRODUCTION. Any survey of the work done by Australian authors suggests a question as to what length of
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Produced by David Widger THE ADVENTURES OF TOM SAWYER BY MARK TWAIN (Samuel Langhorne Clemens) Part 3 CHAPTER VIII TOM dodged hither and thither through lanes until he was well out of the track of returning scholars, and then fell into a moody jog. He crossed a small "branch" two or three times, because of a prevailing juvenile superstition that to cross water baffled pursuit. Half an hour later he was disappearing behind the Douglas mansion on the summit of Cardiff Hill, and the schoolhouse was hardly distinguishable away off in the valley behind him. He entered a dense wood, picked his pathless way to the centre of it, and sat down on a mossy spot under a spreading oak. There was not even a zephyr stirring; the dead noonday heat had even stilled the songs of the birds; nature lay in a trance that was broken by no sound but the occasional far-off hammering of a woodpecker, and this seemed to render the pervading silence and sense of loneliness the more profound. The boy's soul was steeped in melancholy; his feelings were in happy accord with his surroundings. He sat long with his elbows on his knees and his chin in his hands, meditating. It seemed to him that life was but a trouble, at best, and he more than half envied Jimmy Hodges
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Produced by Brownfox and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) IRELAND UNDER THE STUARTS VOL. II. _By the same Author_ IRELAND UNDER THE TUDORS Vols. I. and II.--From the First Invasion of the Northmen to the year 1578. 8vo. 32_s._ Vol. III.--1578-1603. 8vo. 18_s._ LONGMANS, GREEN, & CO. London, New York, Bombay, and Calcutta IRELAND UNDER THE STUARTS AND DURING THE INTERREGNUM BY RICHARD BAGWELL, M.A. AUTHOR OF 'IRELAND UNDER THE TUDORS' VOL. II. 1642-1660 _WITH MAP_ LONGMANS, GREEN, AND CO. 39 PATERNOSTER ROW, LONDON NEW YORK, BOMBAY, AND CALCUTTA 1909 All rights reserved CONTENTS OF THE SECOND VOLUME CHAPTER XXI MUNSTER AND CONNAUGHT, 1641-1642 PAGE The rebellion spreads to Munster 1 The King's proclamation 3 St. Leger, Cork, and Inchiquin 3 State of Connaught 5 Massacre at Shrule 6 Clanricarde at Galway 7 Weakness of the English party 8 State of Clare--Ballyallia 10 Cork and St. Leger 12 CHAPTER XXII THE WAR TO THE BATTLE OF ROSS, 1642-1643 Scots army in Ulster--Monro 14 Strongholds preserved in Ulster 16 Ormonde in the Pale 17 Battle of Kilrush 18 The Catholic Confederation 19 Owen Roe O'Neill 20 Thomas Preston 21 Loss of Limerick, St. Leger dies 22 Battle of Liscarrol 23 Fighting in Ulster 23 General Assembly at Kilkenny 25 The Supreme Council--foreign support 27 Fighting in Leinster--Timahoe 29 Parliamentary agents in Dublin 29 Siege of New Ross 31 Battle of Ross 32 A papal nuncio talked of 34 CHAPTER XXIII THE WAR TO THE FIRST CESSATION, 1642-1643 The Adventurers for land--Lord Forbes 36 Forbes at Galway and elsewhere 38 A pragmatic chaplain, Hugh Peters 40 Forbes repulsed from Galway 41 A useless expedition 42 Siege and capture of Galway fort 43 O'Neill, Leven, and Monro 44 The King will negotiate 46 Dismissal of Parsons 47 Vavasour and Castlehaven 48 The King presses for a truce 48 Scarampi and Bellings 49 A cessation of arms, but no peace 50 Ormonde made Lord Lieutenant 51 CHAPTER XXIV AFTER THE CESSATION, 1643-1644 The cessation condemned by Parliament 53 The rout at Nantwich 54 Monck advises the King 55 The Solemn League and Covenant 55 The Covenant taken in Ulster 57 Monro seizes Belfast 59 Dissensions between Leinster and Ulster 60 Failure of Castlehaven's expedition 60 Antrim and Montrose 61 The Irish under Montrose--Alaster MacDonnell 62 Rival diplomatists at Oxford 64 Violence of both parties 66 Failure of the Oxford negotiations 68 Inchiquin supports the Parliament 69 CHAPTER XXV INCHIQUIN, ORMONDE, AND GLAMORGAN, 1644-1645 The no quarter ordinance 72 Roman Catholics expelled from Cork, Youghal, and Kinsale 73 The Covenant in Munster 74 Negotiations for peace 75 Bellings at Paris and Rome 76 Recruits for France and Spain 77 Irish appeals for foreign help 78 Siege of Duncannon Fort 80 Mission of Glamorgan with extraordinary powers 84 Glamorgan in Ireland 87 The Glamorgan treaty 88 CHAPTER XXVI FIGHTING NORTH AND SOUTH--RINUCCINI, 1645 Castlehaven in Munster 90 Fall of
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Produced by G. Graustein and PG Distributed Proofreaders SERMONS TO THE NATURAL MAN. BY WILLIAM G. T. SHEDD, D. D., AUTHOR OF "A HISTORY OF CHRISTIAN DOCTRINE," "HOMILETICS AND PASTORAL. THEOLOGY," "DISCOURSES AND ESSAYS," "PHILOSOPHY OF HISTORY," ETC. NEW YORK: CHARLES SCRIBNER & CO., 654 BROADWAY. 1871. PREFACE. It is with a
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Produced by Larry B. Harrison, Delphine Lettau, Suzanne Shell and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration: THEN HE GRIPPED HIS WEAPON BY THE MUZZLE, AND SPRANG STRAIGHT FOR THE PACK. _See page 175._ ] THE FIERY TOTEM A TALE OF ADVENTURE IN THE CANADIAN NORTH-WEST BY ARGYLL SAXBY, M.A., F.R.G.S. AUTHOR OF "BRAVES, WHITE AND RED" "COMRADES THREE!" "TANGLED TRAILS" ETC. ETC. _SECOND IMPRESSION_ LONDON THE RELIGIOUS TRACT SOCIETY 4 BOUVERIE STREET AND 65 ST. PAUL'S CHURCHYARD CONTENTS CHAPTER PAGE I. A PERILOUS PASSAGE 5 II. DEER-STALKING 14 III. THE LONELY CAMP 22 IV. FRIENDS OR FOES? 33 V. LOST IN THE FOREST 41 VI. THE MEDICINE MAN 53 VII. THE FRIEND IN NEED 67 VIII. NIGHT IN THE WIGWAM 83 IX. THE TEMPTATION 96 X. A DEATH-TRAP 104 XI. TO THE RESCUE! 115 XII. CRAFTY TACTICS 130 XIII. THE PRICE OF A ROBE 142 XIV. THE BATTLE OF WITS 151 XV. OFF! 165 XVI. A NIGHT'S TERROR 172 XVII. THE FATE OF RED FOX 181 XVIII. HOT ON THE TRAIL 191 XIX. THUNDER-MAKER'S DOWNFALL 205 XX. THE FIERY TOTEM 217 THE FIERY TOTEM CHAPTER I A PERILOUS PASSAGE "Well, good-bye, boys! You won't go far from camp before we return, will you?" The speaker was one of two men seated in an Indian canoe. He gripped the forward paddle, while his companion at the stern added cheerfully-- "The backwoods is not the City of London. There are no policemen to appeal to if you lose your way. Besides, we hope to find dinner waiting for our return. Hunting lost sons is not the same sport as hunting moose." Both the boys laughed at the elder man's remark, and one--Bob Arnold by name--answered-- "Don't worry about us, father. Alf and I can take care of ourselves for half a day. Can't we, Alf?" "Rather," the younger chum replied. "It's our respected parents who'll need to take care of themselves in unknown waters in that cockleshell." Then he called out merrily, imitating the tone of the first speaker--his father: "Take care of yourselves, dads! Remember the Athabasca River is not Regent Street!" "Cheeky youngster!" returned the elder man banteringly, as he struck the forward paddle into the water. "There's not much of the invalid left about you after three months' camping." Then with waving hands and pleasant chaffing, that showed what real good chums the quartette were, the men struck out for the centre of the river, leaving their sons watching from the strand before the camp that was pitched beneath the shadow of the great pine trees. It was a glorious morning--just the right sort for a hunting-expedition. The air was just chilly enough to render paddling a welcome exercise, and just warm enough to allow intervals of pleasant drifting in the centre of the current when there were no shoals or driftwood to be avoided. "Yes," remarked Holden, the younger of the two men, as the rhythm of the dripping paddles murmured pleasantly with Nature's music heard from leafy bough and bush; "yes, Alf's a different boy now. Who would have believed that these three short months would have changed a fever-wasted body into such a sturdy frame?" "It looks like a miracle," returned the other man. "It was a great idea, that of a six months' trapping in the backwoods. When we get back to England we'll all four look as healthy as savages. My Bob is the colour of a redskin." "It was a great blessing that you were able to bring him. It wouldn't have been half as enjoyable for Alf, not having a chum." The elder man laughed softly as he turned a look of good-comradeship towards his companion. "That's just as it ought to be, Holden," he said. "You and I were chums at school, chums at college, and now chums in business. It's the right thing that our sons should follow our good example. At least, that's my opinion." "And you know it's mine," was the response. "But, I say! Do you think we are wise to keep quite in the centre of the current? It seems to be driving pretty hard, and we don't know the course. We might wish to land if we saw rapids." "I dare say you are right," replied Arnold. "We'll steer straight across that bend ahead of us. After that we can keep well under the shadow of the willows--or near them. We will look for a good landing spot and strike inwards. There ought to be moose or some equally good sport among those bluffs and clearings." It is one thing to make plans; it is quite another matter to carry them out. Especially is this the case when strangers are travelling in strange country. Of course the present mode of travel was no novelty to either of the men. Their youth had been passed in Western Canada (though not in the
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E-text prepared by David Ceponis Note: A compilation of all five volumes of this work is also available individually in the Project Gutenberg library. See http://www.gutenberg.org/etext/10706 The original German version of this work, Roemische Geschichte, Drittes Buch: von der Einigung Italiens bis auf die Unterwerfung Karthagos und der griechischen Staaten, is in the Project Gutenberg E-Library as E-book #3062. See http://www.gutenberg.org/etext/3062 THE HISTORY OF ROME, BOOK III From the Union of Italy to the Subjugation of Carthage and the Greek States by THEODOR MOMMSEN Translated with the Sanction of the Author By William Purdie Dickson, D.D., LL.D. Professor of Divinity in the University of Glasgow A New Edition Revised Throughout and Embodying Recent Additions Preparer's Note This work contains many literal citations of and references to foreign words, sounds, and alphabetic symbols drawn from many languages, including Gothic and Phoenician, but chiefly Latin and Greek. This English Gutenberg edition, constrained to the characters of 7-bit ASCII code, adopts the following orthographic conventions: 1) Except for Greek, all literally cited non-English words that do not refer to texts cited as academic references, words that in the source manuscript appear italicized, are rendered with a single preceding, and a single following dash; thus, -xxxx-. 2) Greek words, first transliterated into Roman alphabetic equivalents, are rendered with a preceding and a following double- dash; thus, --xxxx--. Note that in some cases the root word itself is a compound form such as xxx-xxxx, and is rendered as --xxx-xxx-- 3) Simple unideographic references to vocalic sounds, single letters, or alphabeic dipthongs; and prefixes, suffixes, and syllabic references are represented by a single preceding dash; thus, -x, or -xxx. 4) Ideographic references, referring to signs of representation rather than to content, are represented as -"id:xxxx"-. "id:" stands for "ideograph", and indicates that the reader should form a picture based on the following "xxxx"; which may be a single symbol, a word, or an attempt at a picture composed of ASCII characters. For example, --"id:GAMMA gamma"-- indicates an uppercase Greek gamma-form followed by the form in lowercase. Some such exotic parsing as this is necessary to explain alphabetic development because a single symbol may have been used for a number of sounds in a number of languages, or even for a number of sounds in the same language at different times. Thus, "-id:GAMMA gamma" might very well refer to a Phoenician construct that in appearance resembles the form that eventually stabilized as an uppercase Greek "gamma" juxtaposed to one of lowercase. Also, a construct such as --"id:E" indicates a symbol that with ASCII resembles most closely a Roman uppercase "E", but, in fact, is actually drawn more crudely. 5) Dr. Mommsen has given his dates in terms of Roman usage, A.U.C.; that is, from the founding of Rome, conventionally taken to be 753 B. C. The preparer of this document, has appended to the end of each volume a table of conversion between the two systems. CONTENTS BOOK III: From the Union of Italy to the Subjugation of Carthage and the Greek States CHAPTER I. Carthage II. The War between Rome and Carthage Concerning Sicily III. The Extension of Italy to Its Natural Boundaries IV. Hamilcar and Hannibal V. The War under Hannibal to the Battle of Cannae VI. The War under Hannibal from Cannae to Zama VII. The West from the Peace of Hannibal to the Close of the Third Period VIII. The Eastern States and the Second Macedonian War IX. The War with Antiochus of Asia X. The Third Macedonian War XI. The Government and the Governed XII. The Management of Land and of Capital XIII. Faith and Manners XIV. Literature and Art BOOK THIRD From the Union of Italy to the Subjugation of Carthage and the Greek States Arduum res gestas scribere. --Sallust. Chapter I Carthage The Phoenicians The Semitic stock occupied a place amidst, and yet aloof from, the nations of the ancient classical world. The true centre of the former lay in the east, that of the latter in the region of the Mediterranean; and, however wars and migrations may have altered the line of demarcation and thrown the races across each other, a deep sense of
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Produced by eagkw, Robert Cicconetti and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) GREAT PORTER SQUARE: A MYSTERY. BY B. L. FARJEON, _Author of "Grif," "London's Heart," "The House of White Shadows," etc._ _IN THREE VOLUMES._ VOLUME III. LONDON: WARD AND DOWNEY, 12, YORK STREET, COVENT GARDEN. 1885. [ALL RIGHTS RESERVED.] PRINTED BY KELLY AND CO., GATE STREET, LINCOLN'S INN FIELDS AND KINGSTON-ON-THAMES. CONTENTS. CHAP. PAGE XXXI.--Becky gives a description of an interview between herself and Richard Manx 1 XXXII.--In which Becky narrates how Fanny became acquainted with Mrs. Lydia Holdfast 15 XXXIII.--In which Becky narrates how Fanny became acquainted with Mrs. Lydia Holdfast (concluded) 24 XXXIV.--Mr. Pelham makes his appearance once more 31 XXXV.--Fanny discovers who Richard Manx is 45 XXXVI.--Becky and Fanny on the watch 55 XXXVII.--No. 119 Great Porter Square is let to a new Tenant 71 XXXVIII.--The new Tenant takes possession of No. 119 Great Porter Square 87 XXXIX.--Mrs. Holdfast insists on becoming an active partner 113 XL.--Mrs. Holdfast insists on becoming an active partner
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Produced by Richard Tonsing, Adrian Mastronardi and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) PAPERS AND PROCEEDINGS OF THE THIRTY-FOURTH ANNUAL MEETING OF THE AMERICAN LIBRARY ASSOCIATION HELD AT OTTAWA, CANADA JUNE 26-JULY 2, 1912 AMERICAN LIBRARY ASSOCIATION 78 E. WASHINGTON STREET CHICAGO, ILL. 1912 CONTENTS General sessions: PAGE Addresses of welcome and response 57 Address Herbert Putnam 59 President's address: The public library: a leaven'd and prepared choice Mrs. H. L. Elmendorf 67 Publicity for the sake of information: The public's point of view W. H. Hatton 72 Secretary's report George B. Utley 75 Treasurer's report Carl B. Roden 81 Reports of boards and committees: Finance committee C. W. Andrews 81 A. L. A. Publishing Board Henry E. Legler 83 Trustees of endowment funds W. C. Kimball 91 Bookbinding A. L. Bailey 93 Bookbuying W. L. Brown 95 Co-ordination C. H. Gould 96 Co-operation with the N. E. A M. E. Ahern 101 Federal and state relations B. C. Steiner 102 Library administration A. E. Bostwick 102 Library training A. S. Root 113 Library work with the blind Emma N. Delfino 114 Public documents George S. Godard 115 Preservation of newspapers Frank P. Hill 116 Publicity for the sake of support Carl H. Milam 120 Breadth and limitations of bookbuying W. L. Brown 124 Open door through the book and the library C. E. McLenegan 127 What do the people want? Jessie Welles 132 Assistant and the book Mary E. Hazeltine 134 Type of assistants Edith Tobitt 138 Efficiency of the library staff and scientific management Adam Strohm 143 What library schools can do for the profession Chalmers Hadley 147 Address Sir Wilfrid Laurier 159 Conservation of character J. W. Robertson 161 Address George E. Vincent 170 Book advertising: information as to subject and scope of books Carl B. Roden 181 Book advertising: illumination as to the attractions of real books Grace Miller 187 Report of Executive Board 192 Report of Council 195 Report of resolutions committee 201 Memorial to Frederick Morgan Crunden 203 Report of tellers of election 204 Social side of the conference R. G. Thwaites 205 Day in Toronto M. E. Ahern 208 Day in Montreal Carl B. Roden 209 Post-conference trip Julia Ideson 211 Sections: Agricultural libraries 213 Catalog 227 Children's librarians' 247 College and reference 268 Professional training 295 Trustees' 302 Public documents round table 307 Affiliated organizations: American association of law libraries 312 League of library commissions 316 Special libraries association 329 Attendance summaries 354 Attendance register 355 Index 367 Note: The minutes of the National association of state libraries have not been received in time to be included in this volume. They will be separately printed by that association. OTTAWA CONFERENCE JUNE 26-JULY 2, 1912 PRELIMINARY SESSION (Wednesday evening, June 26, 1912, Russell Theatre) The association convened in a preliminary session on Wednesday evening, June 26, with Dr. James W. Robertson, C. M. G., chairman of the Canadian royal commission on industrial training and technical education, presiding as acting chairman of the Ottawa local committee. Hon. George H. Perley, acting
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AMERICA, VOL. II (OF 8)*** E-text prepared by Giovanni Fini, Dianna Adair, Bryan Ness, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (https://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the more than 300 original illustrations. See 50883-h.htm or 50883-h.zip: (http://www.gutenberg.org/files/50883/50883-h/50883-h.htm) or (http://www.gutenberg.org/files/50883/50883-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See https://archive.org/details/narrcrithistamerica02winsrich Transcriber’s note: Text enclosed by underscores is in it
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Produced by Chris Curnow, Paul Marshall and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) YALE UNIVERSITY MRS. HEPSA ELY SILLIMAN MEMORIAL LECTURES PROBLEMS OF GENETICS SILLIMAN MEMORIAL LECTURES PUBLISHED BY YALE UNIVERSITY PRESS ELECTRICITY AND MATTER. _By_ JOSEPH JOHN THOMSON, D.SC., LL.D., PH.D., F.R.S., _Fellow of Trinity College, Cambridge, Cavendish Professor of Experimental Physics, Cambridge_. _Price $1.25 net; postage 10 cents extra._ THE INTEGRATIVE ACTION OF THE NERVOUS SYSTEM. _By_ CHARLES S. SHERRINGTON, D.SC., M.D., HON. LL.D., TOR., F.R.S., _Holt Professor of Physiology in the University of Liverpool_. _Price $3.50 net; postage 25 cents extra._ RADIOACTIVE TRANSFORMATIONS. _By_ ERNEST RUTHERFORD, D.SC., LL.D., F.R.S., _Macdonald Professor of Physics, McGill University_. _Price $3.50 net; postage 22 cents extra._ EXPERIMENTAL AND THEORETICAL APPLICATIONS OF THERMODYNAMICS TO CHEMISTRY. _By_ DR. WALTHER NERNST, _Professor and Director of the Institute of Physical Chemistry in the University of Berlin_. _Price $1.25 net; postage 10 cents extra._ THE PROBLEMS OF GENETICS. _By_ WILLIAM BATESON, M.A., F.R.S., _Director of the John Innes Horticultural Institution, Merton Park, Surrey, England_. _Price $4.00 net; postage 25 cents extra._ STELLAR MOTIONS. WITH SPECIAL REFERENCE TO MOTIONS DETERMINED BY MEANS OF THE SPECTROGRAPH. _By_ WILLIAM WALLACE CAMPBELL, SC.D., LL.D., _Director of the Lick Observatory, University of California_. _Price $4.00 net; postage 30 cents extra._ THEORIES OF SOLUTIONS. _By_ SVANTE AUGUST ARRHENIUS, PH.D., SC.D., M.D., _Director of the Physico-Chemical Department of the Nobel Institute, Stockholm, Sweden_. _Price $2.25 net; postage 15 cents extra._ IRRITABILITY. A PHYSIOLOGICAL ANALYSIS OF THE GENERAL EFFECT OF STIMULI IN LIVING SUBSTANCES. _By_ MAX VERWORN, _Professor at Bonn Physiological Institute_. _Price $3.50 net; postage 20 cents extra._ THE EVOLUTION OF MODERN MEDICINE. _By_ SIR WILLIAM OSLER, BART., M.D., LL.D., SC.D., _Regius Professor of Medicine, Oxford University_. _Price $3.00 net; postage 40 cents extra._ PROBLEMS OF GENETICS BY WILLIAM BATESON, M.A., F.R.S. DIRECTOR OF THE JOHN INNES HORTICULTURAL INSTITUTION, HON. FELLOW OF ST. JOHN'S COLLEGE, CAMBRIDGE, AND FORMERLY PROFESSOR OF BIOLOGY IN THE UNIVERSITY _WITH ILLUSTRATIONS_ [Illustration] NEW HAVEN: YALE UNIVERSITY PRESS LONDON: HUMPHREY MILFORD OXFORD UNIVERSITY PRESS MCMXIII Copyright, 1913 By YALE UNIVERSITY First printed August, 1913, 1000 copies [** Transcriber's Note: Underscores "_" before and after a word or phrase indicate ITALICS in the original text. Hyphenation was used inconsistently by the author and has been left as in the original text. ] THE SILLIMAN FOUNDATION In the year 1883 a legacy of about eighty-five thousand dollars was left to the President and Fellows of Yale College in the city of New Haven, to be held in trust, as a gift from her children, in memory of their beloved and honored mother, Mrs. Hepsa Ely Silliman. On this foundation Yale College was requested and directed to establish an annual course of lectures designed to illustrate the presence and providence, the wisdom and goodness of God, as manifested in the natural and moral world. These were to be designated as the Mrs. Hepsa Ely Silliman Memorial Lectures. It was the belief of the testator that any orderly presentation of the facts of nature or history contributed to the end of this foundation more effectively than any attempt to emphasize the elements of doctrine or of creed; and he therefore provided that lectures on dogmatic or polemical theology should be excluded from the scope of this foundation, and that the subjects should be selected rather from the domains of natural science and history, giving special prominence to astronomy, chemistry, geology, and anatomy. It was further directed that each annual course should be made the basis of a volume to form part of a series constituting a memorial to Mrs. Silliman. The memorial fund came into the possession of the Corporation of Yale University in the year 1901; and the present volume constitutes the fifth of the series of memorial lectures. PREFACE This book gives the substance of a series of lectures delivered in Yale University, where I had the privilege of holding the office of Silliman Lecturer in 1907. The delay in publication was brought about by a variety of causes. Inasmuch as the purpose of the lectures is to discuss some of the wider
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Produced by Chris Curnow, Harry Lamé and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s Notes Text between _underscores_ and =equal signs= represents text printed in italics and bold face, respectively. Small capitals have been changed to ALL CAPITALS. More transcriber’s notes may be found at the end of this text. REPORTS RELATING TO THE SANITARY CONDITION OF THE CITY OF LONDON. BY JOHN SIMON, F.R.S. SURGEON TO ST. THOMAS’S HOSPITAL, AND OFFICER OF HEALTH TO THE CITY. LONDON: JOHN W. PARKER AND SON, WEST STRAND. MDCCCLIV. LONDON: SAVILL AND EDWARDS, PRINTERS, CHANDOS STREET, COVENT GARDEN. TO LOUIS MICHAEL SIMON, OF THE STOCK EXCHANGE, LONDON, AND OF THE PARAGON, BLACKHEATH, I DEDICATE THIS REPRINT OF MY REPORTS: LOOKING LESS TO WHAT LITTLE INTRINSIC MERIT THEY MAY HAVE, THAN TO THE YEARS OF ANXIOUS LABOUR THEY REPRESENT: DEEMING IT FIT TO ASSOCIATE MY FATHER’S NAME WITH A RECORD OF ENDEAVOURS TO DO MY DUTY: BECAUSE IN THIS HE HAS BEEN MY BEST EXAMPLE; AND BECAUSE I COUNT IT THE HAPPIEST INFLUENCE IN MY LOT, THAT, BOUND TO HIM BY EVERY TIE OF GRATEFUL AFFECTION, I HAVE LIKEWISE BEEN ABLE, FROM MY EARLIEST CHILDHOOD TILL NOW--THE EVENING OF HIS LIFE, TO REGARD HIM WITH UNQUALIFIED AND INCREASING RESPECT. CONTENTS. Page DEDICATION iii PREFACE vii FIRST ANNUAL REPORT 1 FURTHER REMARKS ON WATER-SUPPLY 72 SECOND ANNUAL REPORT 77 THIRD ANNUAL REPORT 177 FOURTH ANNUAL REPORT 211 FIFTH ANNUAL REPORT 213 APPENDIX OF TABLES ILLUSTRATING THE SANITARY CONDITION OF THE CITY OF LONDON. 264 REPORT ON CITY BURIAL-GROUNDS 280 REPORT ON EXTRAMURAL INTERMENTS 285 PREFACE. The following Reports, officially addressed to the Commissioners of Sewers of the City of London, were originally printed only for the use of the Corporation; and although, to my very great pleasure, they have been extensively circulated through the medium of the daily press, there has continued so frequent an application for separate copies that the surplus-stock at Guildhall has long been exhausted. Under these circumstances--believing the Reports may have some future interest, as belonging to an important educational period in the matters to which they refer, I have requested the Commission to allow their collective reprint and publication; and this indulgence having been kindly accorded me, I have gathered into the present volume all my Annual Reports, together with a special Report suggesting arrangements for extramural burial. From the nature of the work, I have not considered myself at liberty to make those extensive alterations of text which usually belong to a second edition. I have restricted myself to a few verbal corrections, and to rectifying or omitting some unimportant paragraph, here or there, in case its matter has been more fully or more correctly stated in parts of a subsequent Report. Frequently, where I have wished to explain or qualify passages in the text, I have added foot-notes; but these are distinguished as interpolations by the mark--J. S., 1854. My Reports lay no claim to the merit of scientific discovery. Rather, they deal with things already notorious to Science; and, in writing them, my hopes have tended chiefly towards winning for such doctrines more general and more practical reception. It has seemed to me no unworthy object, that, confining myself often to almost indisputable topics--to truths bordering on truism, I should labour to make trite knowledge bear fruit in common application. Nor in any degree do they profess to be cyclopædic in the subject of Preventive Medicine; for it is but a small part of this science that hitherto is recognised by the law; and that--so far as the metropolis is concerned, scarcely beyond the confines of the City. It would have been an idle sort of industry, to say much of places or of
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SCIENCE*** E-text prepared by Charlene Taylor, Paul Clark, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 40706-h.htm or 40706-h.zip: (http://www.gutenberg.org/files/40706/40706-h/40706-h.htm) or (http://www.gutenberg.org/files/40706/40706-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://archive.org/details/introductiontohi00libb Transcriber's note: Every effort has been made to replicate this text as faithfully as possible. Some changes have been made. They are listed at the end of the text, apart from some changes of puctuation in the Index. Text enclosed by underscores is in italics (_italics_). Characters enclosed by curly braces are subscripts (example: H{2}O). Dalton's symbols for the elements have been represented as follows: White circle ( ) Hydrogen Circle with vertical bar (|) Nitrogen Circle with central dot (.) Oxygen Black cirle (*) Carbon AN INTRODUCTION TO THE HISTORY OF SCIENCE by WALTER LIBBY, M.A., Ph.D. Professor of the History of Science in the Carnegie Institute of Technology [Illustration] Boston New York Chicago Houghton Mifflin Company The Riverside Press Cambridge
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Produced by Neville Allen, Hagay Giller, Malcolm Farmer and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE LONDON CHARIVARI. VOLUME 147 July 8, 1914 CHARIVARIA. LORD BRASSEY is said to be annoyed at the way in which his recent adventure at Kiel was exaggerated. He landed, it seems, on the mole of the Kaiser Dockyard, not noticing a warning to trespassers--and certain of our newspapers proceeded at once to make a mountain out of the mole. * * * Mr. ROOSEVELT'S American physician, Dr. ALEXANDER LAMBERT, has confirmed the advice of his European physicians that the EX-PRESIDENT must have four months' rest and must keep out of politics absolutely for that period; and it is said that President WILSON is also of the opinion that the distinguished invalid owes it to his country to keep quiet for a time. * * * At the farewell banquet to Lord GLADSTONE members of the Labour Unions surrounded the hotel and booed loudly with a view to making the speeches inaudible. As the first serious attempt to protect diners from an orgy of oratory this incident deserves recording. * * * There appear to have been some amusing misfits in the distribution of prizes at the recent Midnight Ball. For example a young lady of pronounced sobriety, according to _The Daily Chronicle_, secured a case of whisky and went about asking if she could get it changed for perfume. Whisky is, of course, essentially a man's perfume. * * * There are One Woman Shows as well as One Man Shows in these days. An invitation to be present at a certain function in connection with a certain charitable institution announces:-- "ATHLETIC SPORTS AND DISTRIBUTION OF PRIZES by LADY ---- ----." * * * Some surprise is being expressed in non-legal circles that the actress who lost the case which she brought against SANDOW, LIMITED, for depicting her as wearing one of their corsets, did not apply for stays of execution. * * * Quite a number of our picture galleries are now closed, and it has been suggested that, with the idea of reconciling the public to this state of affairs, there shall be displayed conspicuously at the entrance to the buildings the reminder, "_Ars est celare artem_." * * * _The Gentlewoman_, by the way, which is publishing a series of articles entitled "Woman's Work at the 1914 Academy," omits to show us photos of Mr. SARGENT'S and Mr. CLAUSEN'S paintings after certain women had worked upon them. * * * The Admiralty dismisses as "a silly rumour" the report that one of our new first-class destroyers is to be named _The Suffragette_. * * * In Mr. STEPHEN PHILLIPS' play, _The Sin of David_, we are to see Cavaliers and Roundheads. This will be a welcome change, for in most of the theatres nowadays one sees a preponderance of Deadheads. * * * The intrepid photographer again! _The Illustrated London News_ advertises:-- PHOTOGRAVURE PRESENTATION PLATE OF GENERAL BOOTH AND MRS. BRAMWELL BOOTH LIONS PHOTOGRAPHED AT 5 YARDS' DISTANCE. * * * Once upon a time Red Indians used to kidnap Whites. Last week, Mrs. W. BOWMAN CUTTER, a wealthy widow of seventy, living at Boston, Massachusetts, eloped with her 21-year-old Red-skin chauffeur. * * * A memorial to a prize-fighter who was beaten by TOM SAYERS was unveiled at Nottingham last week. Should this idea of doing honour to defeated British heroes spread to those of to-day our sculptors should have a busy time. * * * A visitor to Scarborough nearly lost his motor-car in the sands at Filey last week: it sank up to the bonnet and was washed by the sea before it was hauled to safety by four horses. Neptune is said to have been not a little annoyed at the car's escape, as he realises that his old chariot drawn by sea-horses is now sadly _demode_. * * * A new organisation, called "The League of Wayfarers," has been formed. Its members apparently consist of "child policemen," who undertake to protect wild flowers. How it is going to be done we do not quite understand. Presumably, small boys will hide behind, say, dandelions, and emit a loud roar when anyone tries to pluck the tender plant. * * * * * Illustration: A MESSAGE FROM THE SEA. _Romantic Tripper._ "TELL ME, HAVE YOU EVER PICKED UP ANY BOTTLES ON THE BEACH?" _Boatman._ "WERRY OFTEN, MISS!" _Romantic Tripper._ "AND HAVE YOU FOUND ANYTHING IN THEM?" _Boatman._ "NOT A BLESSED DROP, MISS!" * * * * * When _The Yorkshire Post_ and _The Hull Daily Mail_ differ, who shall decide between them? _The Hull Daily Mail_ asserts positively that A. PAPAZONGLON won the long jump at the Bridlington Grammar School sports and that C. PAPAZONGLON was second in the 100 yards and High Jump. Its contemporary, however, unhesitatingly awards these positions to C. PAPAZONGLOU, C. PAPAZONGA and G. PAPAZAGLOU respectively. But it gives the "Victor Ludorum" cup to a new competitor, C. PAPAZOUGLOU, and again differs from _The Hull Daily Mail_, which knows for a fact that it was won by C. PPAZONGLON. Whom shall we believe? * * * * * "ASQUITH DENIES MILITANT PLEA. Receives Working Women but Won't Introduce Bill."--_New York Evening Sun._ We are left with the uneasy impression that William is a snob. * * * * * "On a divan the motion for rejection was carried by 178 to 136."--_Daily Chronicle._ Our politicians are right to take it easy this hot weather. * * * * * A PATRIOT UNDER FIRE. (_Observed during the recent heat wave._) Philip, I note with unaffected awe How, with the glass at 90 in the cool, You still obey inflexibly the law That governs manners of the British school; How, in a climate where the sweltering air Seems to be wafted from a kitchen copper, You still refuse to lay aside your wear Of sable (proper). The Civil Service which you so adorn Would lose its prestige, visibly grown slack, And all its lofty pledges be forsworn Were you to deviate from your boots of black; Were you to shed that coat of sombre dye, That ebon brain-box (imitation beaver) Whose torrid aspect strikes the passer-by With tertian fever. As something far beyond me I respect The virtue, equal to the stiffest crux, Which thus forbids your costume to deflect Into the primrose path of straw and ducks; I praise that fine regard for red-hot tape Which calmly and without an eyelid's flutter Suffers the maddening noon to melt your nape As it were butter. "His clothes are not the man," I freely own, Yet often they express the stuff they hide, As yours, I like to fancy, take their tone From stern, ascetic qualities inside; Just as the soldier's heavy marching-gear Conceals a heart of high determination, Too big, in any temperature, to fear Nervous prostration. I cite the warrior's case who goes through fire; For you, no less a patriot, face your risk When in your country's service you perspire In blacks that snort at Phoebus' flaming disc; So, till a medal (justly made of jet) Records your grit and pluck for all to know 'em, I on your chest with safety-pins will set This inky poem. O. S. * * * * * "THE PURPLE LIE." "Arabella," I said, examining the fuzzy part of her which projected above the dome of the coffee-pot, "I perceive that you mope. That being so, I am glad to be able to tell you that I have been presented with two tickets for _The Purple Lie_ to-morrow evening." "Sorry," she replied, "but it's off." "Off!" I exclaimed indignantly, "when the box-office is being besieged all day by a howling mob, and armoured commissionaires are constantly being put into commission to defend it. Off!" "What I mean to say is," said Arabella, "that we're dining with the Messington-Smiths to-morrow evening." I bowed my head above the marmalade and wept. "Arabella," I groaned, looking up at last, "what have we done that these people should continue to supply us with food? We do not love them, and they do not love us. The woman is a bromide. Her husband is even worse. He is a phenacetin. I shall fall asleep in the middle of the asparagus and butter myself badly. Think, moreover, of the distance to Morpheus Avenue. Remember that I have been palpitating to see _The Purple Lie_ for weeks." "So have I," said Arabella. "It's sickening, but I am afraid we must pass those tickets on." I happened that day to be lunching with my friend Charles. "The last thing in the world I want to do," I said to him, "is to oblige you in any way, but I chance to have--ahem!--purchased two stalls for _The Purple Lie_ which I cannot make use of. I had forgotten that I am dining with some very important and--er--influential people to-morrow night. When a man moves as I do amid a constant whirl of gilt-edged engagements----" "Ass!" said Charles, and pocketed the tickets. On the following morning I perceived a large crinkly frown at the opposite end of the breakfast table, and, rightly divining that Arabella was behind it, asked her what the trouble was. "It's the Messington-Smiths," she complained. "They can't have us to dinner after all. It seems that Mrs. Messington-Smith has a bad sore throat." "Any throat would be sore," I replied, "that had Mrs. Messington-Smith talking through it. I wonder whether Charles is using those tickets." "You might ring up and see." To step lightly to the telephone, ask for Charles's number, get the wrong one, ask again, find that he had gone to his office, ring him up there and get through to him, was the work of scarcely fifteen minutes. "Charles," I said, "are you using those two stalls of mine to-day?" "Awfully sorry," he replied, "but I can't go myself. I gave them away yesterday evening." "Wurzel!" I said. "Who to?" "To whom," he corrected gently. "To a dull man I met in the City named Messington-Smith." "Named _what_?" I shrieked. "Messington-Smith. _M_ for Mpret, _E_ for Eiderdown----" "Where does he live?" "21, Morpheus Avenue." For a moment the room seemed to spin round me. I put down the transmitter and pressed my hand to my forehead. Then in a shaking voice I continued--"Of all the double-barrelled, unmitigated, blue-faced----" "What number, please?" sang a sweet soprano voice. I rang off, and went to break the news to Arabella. She was silent for a few moments, and then asked me suddenly, "Whereabouts in the stalls were those seats of ours?" "Almost in the middle of the third row," I replied mournfully. Arabella said no more, but with a rather disdainful smile on her face walked firmly to her little escritoire, sat down, wrote a note, and addressed it to Mrs. Messington-Smith. "What have you said?" I asked, as she stamped her letter with a rather vicious jab on KING GEORGE'S left eye. "Just that I am sorry about her old sore throat," she replied. "And then I went on, that wasn't it funny by the same post we had been given two stalls for _The Purple Lie_ to-night in a very good place in the middle of the third row? She will get the letter by lunch-time," she added pensively, "and it will be so nice for her to know that we shall be sitting almost next to them." "But we aren't going to _The Purple Lie_ at all," I protested. "No," she said, "and as a matter of fact I don't suppose the Messington-Smiths are either--now." I left Arabella smiling triumphantly through her tears, but when I returned in the evening the breakfast-time frown had reappeared with even crinklier ramifications. "Why," I asked, "are you looking like a tube map?" "Mrs. Messington-Smith," she answered with a slight catch in her voice, "has just been telephoning." "I thought the receiver looked a bit played out," I said. "What does she want with us now?" "Well, she _has_ got a sore throat after all. You could tell that from her voice. And she isn't going to _The Purple Lie_ either. She never even meant to." "But the tickets," I gasped. "She and her husband quite forgot about them till to-day," said Arabella. "And now they have given them away to some friends. But they weren't given away at all till this afternoon, and----" She broke off and gave a lachrymose little sniff. "And what?" "And she knew, of course, that we're disengaged to-night, and when she got my letter she was just going to send them round to us." * * * * * Illustration: BEATEN ON POINTS. L.C.C. TRAM. "HARD LINES ON ME!" MOTOR-'BUS. "YES, IT'S ALWAYS HARD LINES WITH YOU, MY BOY. THAT'S WHAT'S THE MATTER; YOU CAN'T SIDE-STEP." * * * * * Illustration: "WHO'S THE LITTLE MAN HOLDING HIS RACKET THAT FUNNY WAY?" "OH, THAT'S MR. BINKS. HE TAKES THE PLATE ROUND IN CHURCH, YOU KNOW." * * * * * Commercial Candour. From a testimonial:-- "I have had this cover on the rear wheel of my 3-1/2 h.p. Humber Motor Cycle and have ridden same 7,000 miles, six of these without a puncture."--_Advt. in "Motor Cycle."_ * * * * * "MRD. CPL., temporary."--_Advt. in "Daily Mail."_ When we tell you that the mystic letters mean "married couple," you will share our horror. * * * * * WOMAN AT THE FIGHT. In ancient unsophisticated days Women were valued for their cloistered ways. And won at Rome encouragement from man Only because they stayed at home and span; While PERICLES in Attic Greek expressed The view that those least talked about were best. There were exceptions, but the normal Greek Regarded SAPPHO as a dangerous freak, And CLYTEMNESTRA for three thousand years Was pelted with unmitigated sneers, Till RICHARD STRAUSS and HOFMANNSTHAL combined To prove that she was very much maligned. But now at last these cloistered days are o'er And woman, breaking down her prison door, Is free to take the middle of the floor. No more for her indomitable soul The meekly ministering angel _role_; No more the darner of her husband's socks, She takes delight in watching champions box, Finds respite from the carking cares that vex us In cheering blows that reach the solar plexus, Joins in the loud and patriotic shout While beaten BELL is being counted out, And--joy that makes all other joys seem nil-- Writes her impressions for _The Daily Thrill_. * * * * * ONCE UPON A TIME. THE SUSCEPTIBLE AMERICAN. Once upon a time there was a beautiful singer named Miss Iris Bewlay. Every now and then she gave a recital, and it was always crowded. She was chosen to sing "God save the King" at bazaars and Primrose League meetings; her rendering of "Home, Sweet Home" moistened every eye. Hostesses wishing to be really in the swim engaged her to sing during after-dinner conversation for enormous fees. When Miss Iris Bewlay was approaching the forties and adding every day to her wealth, another Miss Bewlay--not Iris, but Gladys, and no relation whatever--was gradually improving her gift of song with a well-known teacher, for it was Miss Gladys Bewlay's intention, with her parents' strong approval, to become a professional. She had not, it is true, her illustrious namesake's commanding presence or powerful register, but her voice was sweet and refined and she might easily have a future. It happened that a susceptible music-loving American staying in London for a short time was taken by some English friends to a concert at which Miss Iris Bewlay was singing, and he fell at once a victim to her tones. Never before had he heard a voice which so thrilled and moved him. He returned to his hotel enraptured, and awoke with but one desire and that was to hear Miss Bewlay again.
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Produced by Shaun Pinder, Paul Clark and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible, including some inconsistent hyphenation. Some minor corrections of spelling and punctuation have been made. Italic text has been marked with _underscores_. The Romance of Modern Sieges [Illustration: THE SALLY FROM THE FORT AT KUMASSI Led by Capt. Armitage, some two hundred loyal natives sallied forth. At their head marched the native chiefs, prominent amongst whom was the young king of Aguna. He was covered back and front with fetish charms, and on his feet were boots, and where these ended his black legs began.] THE ROMANCE OF MODERN SIEGES DESCRIBING THE PERSONAL ADVENTURES, RESOURCE AND DARING OF BESIEGERS AND BESIEGED IN ALL PARTS OF THE WORLD BY EDWARD GILLIAT, M.A. SOMETIME MASTER AT HARROW SCHOOL AUTHOR OF “FOREST OUTLAWS,” “IN LINCOLN GREEN,” _&c._, _&c._ WITH SIXTEEN ILLUSTRATIONS PHILADELPHIA J. B. LIPPINCOTT COMPANY LONDON: SEELEY & CO. LIMITED 1908 PREFACE These chapters are not histories of sieges, but narratives of such incidents as occur in beleaguered cities, and illustrate human nature in some of its strangest moods. That “facts are stranger than fiction” these stories go to prove: such unexpected issues, such improbable interpositions meet us in the pages of history. What writer of fiction would dare to throw down battlements and walls by an earthquake, and represent besiegers as paralysed by religious fear? These tales are full, indeed, of all the elements of romance, from the heroism and self-devotion of the brave and the patient suffering of the wounded, to the generosity of mortal foes and the kindliness and humour which gleam even on the battle-field and in the hospital. But the realities of war have not been kept out of sight; now and then the veil has been lifted, and the reader has been shown a glimpse of those awful scenes which haunt the memory of even the stoutest veteran. We cannot realize fully the life that a soldier lives unless we see both sides of that life. We cannot feel the gratitude that we ought to feel unless we know the strain and suspense, the agony and endurance, that go to make up victory or defeat. In time of war we are full of admiration for our soldiers and sailors, but in the past they have been too often forgotten or slighted when peace has ensued. Not to keep in memory the great deeds of our countrymen is mere ingratitude. Hearty acknowledgments are due to the authors and publishers who have so kindly permitted quotation from their books. Every such permission is more particularly mentioned in its place. The writer has also had many a talk with men who have fought in the Crimea, in India, in France, and in South Africa, and is indebted to them for some little personal touches such as give life and colour to a narrative. CONTENTS CHAPTER I SIEGE OF GIBRALTAR (1779-1782) PAGES The position of the Rock--State of defence--Food-supply--Rodney brings relief--Fire-ships sent in--A convoy in a fog--Heavy guns bombard the town--Watching the cannon-ball--Catalina gets no gift--One against fourteen--Red-hot shot save the day--Lord Howe to the rescue 17-27 CHAPTER II DEFENCE OF ACRE (1799) Jaffa stormed by Napoleon--Sir Sidney Smith hurries to Acre--Takes a convoy--How the French procured cannon-balls--The Turks fear the mines--A noisy sortie--Fourteen assaults--A Damascus blade--Seventy shells explode--Napoleon nearly killed--The siege raised--A painful retreat 28-36 CHAPTER III THE WOUNDED CAPTAIN IN TALAVERA (1809) Talavera between two fires--Captain Boothby wounded--Brought into Talavera--The fear of the citizens--The surgeons’ delay--Operations without chloroform--The English retire--French troops arrive--Plunder--French officers kind, and protect Boothby--A private bent on loot beats a hasty retreat 37-52 CHAPTER IV THE CAPTURE OF CIUDAD RODRIGO (1812) A night march--Waiting for scaling-ladders--The assault--Ladders break--Shells and grenades--A magazine explodes--Street fighting--Drink brings disorder and plunder--Great spoil 53-61 CHAPTER V THE STORMING
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E-text prepared by Giovanni Fini and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 46092-h.htm or 46092-h.zip: (http://www.gutenberg.org/files/46092/46092-h/46092-h.htm) or (http://www.gutenberg.org/files/46092/46092-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/littlepilgrimage00pottuoft A LITTLE PILGRIMAGE IN ITALY [Illustration: PERUGIA: LOOKING TOWARDS ASSISI.] A LITTLE PILGRIMAGE IN ITALY by OLAVE M. POTTER Author of 'The Colour of Rome.' With 8 Plates and Illustrations by Yoshio Markino Toronto The Musson Book Company Limited First Published November 1911 Cheap Re-Issue 1913 Edinburgh: T. and A. Constable, Printers to His Majesty FOREWORD One morning of high summer three pilgrims met together in the City of Genoa to sally forth in search of sunshine and the Middle Ages. At least that was what the Poet said, for sunshine and Ancient Stones were the passions of the Poet's life. The Philosopher insisted that we went in search of Happiness. It is no matter. But in fact we did meet one July day of sweltering sunshine in Genoa, the Western Gate of Italy, which is a city of grateful shadows, whose narrow streets defy the brilliant sun. This is a book of simple delights, a chronicle of little pleasures, so I shall not talk much of Genoa, although to my mind she is the most Italian of all the great cities of Italy. Nor shall I speak of Florence, or Naples, or Venice, or Rome. Doubtless, like me, you have loved them all. [Illustration: A STREET IN GENOA.] If you come with me I shall take you away from the great cities where your feet are bruised on the stony streets and never feel the soft warm earth beneath their soles, where mountainous walls of brick limit your vision to smoke-clouded strips of sky, where you never smell the fragrance of the night. If you come with me I shall take you to the hills, the deep-bosomed rolling hills, with their valleys and their plains and with towered cities riding on their crests. You will lie with me under the olives and stone-pines, where the warm earth cushions your limbs in luxury, and the sunlight flickering in the green shadows lights on a wealth of flowers. Then, if you will, come back to your haunted streets. But I am persuaded that if you go there you will find a great content among the little cities of great memories which stand knee-deep in flowers upon the hills of Italy, or in those nobler towns,--Siena, who belongs to the Madonna, and Perugia, whose name is as a torch to light your feet into the Valleys of Romance. In their streets you are seldom shut away from the mountains and the sky; and little gracious weeds and grasses have spread a web among their stones as though an elfin world sought to entrap a monster and pull him down to ruin. Our little pilgrimage took us to many shrines, and haunts of peace and beauty. We made our discoveries, saw much, learned not a little philosophy. And, most of all, we caught a glimpse of the heart of Umbria--Umbria of the saints. We watched the gathering of the golden maize in the plain below Assisi while we walked with St. Francis among the vines and olives; we saw the vintage being brought home with song and thanksgiving at Orvieto and Viterbo. We dwelt among beautiful simple-hearted men and women, living in little farms far from the toil of the modern world, who still worship God in the gladness of their hearts and the spirit of the ardent thirteenth century; who toil and spin and bear children and lie down to die, not with the stupidity of animals or the self-satisfaction of the bourgeoisie, but full of a beautiful content, moved by a beautiful faith. We dipped into Tuscany too, into Lombardy, into the March of Ancona, into Lazio, but nowhere else was the world as perfect, as unspoiled as in Umbria. If you are travel-stained with life, if the sweat of a work-a-day world still clings about you, if you have lost your saints and almost forgotten your Gods, you will cure the sickness of your soul in
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Produced by Nick Hodson of London, England Old Hendrik's Tales, by Captain Arthur Owen Vaughan. ________________________________________________________________________ ________________________________________________________________________ OLD HENDRIK'S TALES, BY CAPTAIN ARTHUR OWEN VAUGHAN. CHAPTER ONE. WHY OLD BABOON HAS THAT KINK IN HIS TAIL. The day was hot, and the koppies simmered blue and brown along the Vaal River. Noon had come, dinner was done. "Allah Mattie!" said the grey old kitchen boy to himself, as he stretched to sleep in the shade of the mimosa behind the house. "Allah Mattie! but it near break my back in dem tobacco lands dis mawnin'. I sleep now." He stretched himself with a slow groan of pleasure, settling his face upon his hands as he lay, soaking in comfort. In three minutes he was asleep. But round the corner of the house came the three children, the eldest a ten-year-old, the youngest six. With a whoop and a dash the eldest flung himself astride the old Hottentot's back, the youngest rode the legs behind, while the girl, the eight-year-old with the yellow hair and the blue eyes, darted to the old man's head and caught him fast with both hands. "Ou' Ta'! Ou' Ta'!" she cried. "Now you're Ou' Jackalse and we're Ou' Wolf, and we've got you this time at last." She wanted to dance in the triumph of it, could she have done it without letting go. Old Hendrik woke between a grunt and a groan, but the merry clamour of the little girl would have none of that. "Now we've got you, Ou' Jackalse," cried she again. The old man's yellow face looked up in a sly grin. "Ah, Anniekye," said he unctuously; "but Ou' Wolf never did ketch Ou' Jackalse. He ain't never bin slim enough yet. He make a big ole try dat time when he got Oom Baviyaan to help him; but all dey got was dat kink in Ou' Baviyaan's tail--you can see it yet." "But how _did_ old Bobbyjohn get that kink in his tail? You never told us that, Ou' Ta'," protested Annie. The old Hottentot smiled to the little girl, and then straightway sighed to himself. "If you little folks only knowed de Taal," said he plaintively. "It don't soun' de same in you' Englis' somehow." He shook his head sadly over English as the language for a Hottentot story handed down in the Boer tongue. He had been long enough in the service of this "English" family (an American father and Australian mother) to know enough of the language for bald use; though, being a Hottentot, he had never mastered the "th," as a Basuto or other Bantu might have done, and was otherwise uncertain also--the pronunciation of a word often depending upon that of the words next before and after it. But English was not fond enough, nor had diminutives enough, for a kitchen tale as a house Kaffir loves to tell it. None the less, his eyes brightened till the smile danced in his face as his words began. "Ou' Wolf--well, Ou' Wolf, he'd a seen a lot less trouble if he ha'n't had sich a wife, for Ou' Missis Wolf she yust had a temper like a meer-cat. Folks use' to won'er how Ou' Wolf manage' wid her, an' Ou' Jackalse use' to say to him, `Allah man! if she was on'y my wife for about five minutes she'd fin' out enough to tink on as long's she keep a-livin'.' An' den Ou' Jackalse, he'd hit 'is hat back on to de back of his head an' he'd step slouchin' an' fair snort agen a-grinnin'. "But Ou' Wolf ud look behind to see if his missis was hearin', an' den he'd shake his head, an' stick his hands in his pockets an' walk off an tink. He'd see some mighty tall tinkin' yust up over his head, but he couldn' somehow seem to get a-hold of it. "Well, one mawnin' Missis Wolf she get up, an' she look on de hooks an' dere ain't no meat, an' she look in de pot an' dere ain't no mealies. `Allah Crachty!' says she, `but dat Ou' Wolf is about de laziest skellum ever any woman wore herse'f out wid. I'll ketch my deat' of him afore I's done.' "Den she look outside, an' dere she seen Ou' Wolf a-settin' on de stoop in de sun. He was yust a-waitin', sort o' quiet an' patient, for his breakfas', never dreamin' nothin' about bein' banged about de yead wid a mealie ladle, when out flops Missis Wolf, an' fair bangs him a biff on one side his head wid de long spoon. `You lazy skellum!' ses she, an' bash she lams him on his t'other year. `Where's darie [that there] meat for de breakfas' I don' know?' ses she, an' whack she smack him right on top his head. `Off you go an' fetch some dis ver' minute,' ses she, an' Ou' Wolf he don' say no moh, but he yust offs, an' he offs wid a yump too, I can tell you. "Ou' Wolf as he go he won'er how he's goin' to get dat meat quick enough. `I tink I'll get Ou' Jackalse to come along a-huntin' too,' ses he. `He's mighty slim when he ain't no need to be, an' p'raps if he'd be slim a-huntin' dis mawnin' we'd ketch somet'in' quicker.' An' Ou' Wolf rub his head in two-t'ree places as he tink of it. "Now Ou' Jackalse, he was a-sittin' in de sun agen de wall of his house, a-won'erin' where he's gun' to get breakfas', 'cause he feel dat hungry an' yet he feel dat lazy dat he wish de grass was sheep so he could lie down to it. But grass ain't sheep till it's inside one, an' so Missis Jackalse, inside a-spankin' little Ainkye, was a-won'erin' where she's gun' to get some breakfas' to stop it a-squallin'. `I yust wish you' daddy 'ud tink a bit oftener where I's gun' to get bones for you,' ses she. "Little Ainkye, she stop an' listen to dat, an' den she tink awhile, but she fin' she don't get no fatter on on'y talk about bones, an' fus' t'ing her mammy know she puts her two han's up to her eyes an' fair dives into squallin' agen. "Missis Jackalse she ketches hold o' Ainkye an' gives her such a shakin' till her eyes fly wide open. `I's yust about tired o' hearin' all dat row,' ses she. An' while Ainkye's quiet considerin' dat, Missis Jackalse she hear Ou' Wolf come along outside, axin' her Ou' Baas ain't he comin' huntin' dis mawnin'? Den she hear Ou' Jackalse answer back, sort o' tired like. `But I cahnt come. I's sick.' "Den Ainkye lets out a squall fit to split, an' her mammy she biffs her a bash dat s'prise her quite quiet, before she stick her head out o de doh an' say, mighty tremblin' like--`I don't tink we got no meat fo' breakfas' at all, Ou' Man'. "But Ou' Jackalse he ain't a troublin' hisse'f about no women's talk. He don't turn his 'ead nor not'in'. He yust hutch hisse'f closer to de wall to bake hisse'f some more, an' he say agen--`I tell you I's sick, an' I cahnt go huntin' dis mawnin', nohow'. "Missis Jackalse she pop her head inside agen mighty quick at dat, an' Ou' Wolf he sling off down de spruit wid his back up. Ou' Jackalse he yust sit still in de sun an' watch him go, an' he ses to hisse'f ses he: `Now dat's big ole luck fo' me. If he ha'n't a come along like dat I don' know but I'd a had to go an' ketch somet'in' myse'f, I'm dat 'ongry. But now it'll be all right when he come back wid some sort o' buck.' "Den he turn his head to de doh. `_Frowickie_,' ses he to his missis inside, soft an' chucklin', `tell Ainkye to stop dat squallin' an' bawlin'. Ou' Wolf's gone huntin', an' yust as sure as he come back we'll have all de breakfas' we want. Tell 'er if she don't stop anyhow I'll come inside to her.' "Missis Jackalse she frown at Ainkye. `You hear dat now,' ses she, `an' you better be quiet now 'less you want to have you' daddy come in to you.' An' Ainkye she say, `Well, will you le' me play wid your tail den?' An' her mammy she say, `All right,' an' dey 'gun a-laughin' an' a-goin' on in whispers. But Ou' Jackalse he yust sit an' keep on bakin' hisse'f in de sun by de wall. "By'n'by here comes Ou' Wolf back agen, an' a big fat Eland on his back, an' de sweat yust a-drippin' off him. An' when he comes past de house he look up an' dere he see Ou' Jackalse yust a-settin' an' a-bakin', an' a-makin' slow marks in de dust wid his toes now an' agen, an' lookin' might comfy. An' Ou' Wolf he feel darie big fat Eland more bigger an heavier dan ever on his back, an he feel dat savage at Ou' Jackalse dat he had to look toder way, for fear he'd let out all his bad words _Kerblob_ in one big splosh on darie Ou' Jackalse head. But Ou' Jackalse he say nawt'in'; he yust sit an' bake. But he tink inside hisse'f, an' his eye kind o' 'gun to shine behind in his head as he watch darie meat go past an' go on, an' he feel his mouf run all water. "But he ha'n't watched dat breakfas' out o' sight, an' he ha'n't quite settle hisse'f yust how he's goin' to get his share, when up hops Klein Hahsie--what you call Little Hare. "`Mawnin', Klein Hahsie,' ses Ou' Jackalse, but yust so high an' mighty's he know how, 'cause little Hahsie he's de runner for Big Baas King Lion, an Ou' Jackalse he tink he'll show him dat oder folks ain't no chicken feed, too. "`Mawnin', Ou' Jackalse,' ses Little Hahsie, kind o' considerin' him slow out of his big shiny eyes. Den he make a grab at one of his own long years as if it tickle him, an' when he turn his face to look at de tip o' darie year he sorto' wunk at it, kind o' slow and solemn. `Darie ou' year o' mine!' ses he to Ou' Jackalse. "Den he sort o' remember what he come for, an' he speak out mighty quick. `You yust better get a wiggle on you mighty sudden,' ses he. `Ou' King Lion he's a roarin' for darie Ou' Jackalse fit to tear up de bushes. "Where's darie Ou' Jackalse? If he don't get here mighty quick he'll know all about it," roars he. "What's de use o' me makin' him my doctor if he ain't here when he's wanted? Dis claw I neah tore out killin' a Koodoo yeste'day--he'd better be yust lively now a-gittin' here to doctor dat. Fetch him!" roars he, an' here I am, an' I tell you you yust better git a move on you,' ses Hahsie. "Ou' Jackalse he tink, but he don't let on nawthin' but what he's yust so sick as to split. `I's dat bad I cahnt har'ly crawl,' ses he--`but you go 'long an' tell King Lion I's a-comin' as soon's ever I get some medicine mix'.' "`Well, I tol' you--you better be quicker'n blue lightnin' all de same,' ses Hahsie, an' off he flicks, as if he's sort o' considerin' what's de matter wid Ou' Jackalse. "Well, Ou' Jackalse he tink, an' he tink, an' he know he'd better be gettin' along to King Lion, but yet he ain't a-goin' to give in about darie breakfas'. He ain't a-movin' mighty fast about it, but he goes into de woods an' he gets some leaves off o' one bush, an' some roots off'n anoder, an' yust when he tink dat's about all he want, who should he see but Ou' Wolf, kind o' saunterin' along an' lookin' yust good an' full o' breakfas', an' chock full o' feelin' fine all inside him. "Dat stir Ou' Jackalse where he's so empty in his tummy, an' dat make it strike him what to do. He comes along to Ou' Wolf lookin' like he's in a desprit rush an' yust in de worst kind of a tight place. `Here, Ou' Wolf,' ses he in a hustle, `you's yust him I was tinkin' on. Hyer's King Lion about half crazy wid a pain, an' he's roarin' for me, an' I set off wid a yump, an' I got all de stuff for de medicine, but all de time I clean forgot de book to mix it by. Now you yust do me a good turn, like a good chap, an' you rush off to King Lion wid dis hyer medicine, while I streaks back for de book. You does dis foh me an' I ain't a-goin' to fo'get what I owe you for it.' "Ou' Wolf he's quite took off his feet an' out o' breaf on it all. `Why, o' course,' ses he. `You gi' me darie medicine an' I offs right away. A good yob I had breakfas' a'ready,' an' he fair seizes darie medicine an' he offs. "Ou' Jackalse lie right down where he's standin' an' he fair roll an' kick hisse'f wid laughin'. `A good yob I _ar'n't_ had my breakfas',' ses he. `I'd a lost a deal more'n meat if I had a done,' ses he agen, an' den he ups an' he offs back to Ou' Wolf's house. "All de way back he kep' on a-smilin' to hisse'f, an' every once in a while he'd give a skip an' a dance to tink what a high ole time he was a-havin'. Den by'n'by he picks up a piece o' paper. `Yust de t'ing I's wantin',' ses he. "Well, he come to Ou' Wolf's house an dere was Missis Wolf a-sittin' out on de stoop an' a pullin' down de flaps of her cappie to keep de flies off'n her nose. `Mawnin', Cousin,' ses Ou' Jackalse; fair as polite as honey wouldn't run down his t'roat if you let him hold it in his mouf. "`Mawnin',' ses she, an' she ain't a-singin' it out like a Halleloolya needer, an' she don't stir from where she's a-settin', an' she don't say how-dy-do. She yust look at him like she's seen him befo'e, an' like she ain't a breakin' her neck if she don't never see him agen. "But Ou' Jackalse he ain't a-seein' nawtin' but what she's yust as glad to see him as if he was a predicant. `I's got a bit of a note here from your man,' ses he. `P'r'aps you don't mind readin' it an' den you'll know,' ses he. "Missis Wolf she cock her nose down at dat note, an' den Missis Wolf
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E-text prepared by Fritz Ohrenschall, Martin Pettit, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes images of the pages of the original book. See 23574-h.htm or 23574-h.zip: (http://www.gutenberg.net/dirs/2/3/5/7/23574/23574-h/23574-h.htm) or (http://www.gutenberg.net/dirs/2/3/5/7/23574/23574-h.zip) SOCIALISM: POSITIVE AND NEGATIVE by ROBERT RIVES LA MONTE "I will make a man more precious than fine gold; even a man than the golden wedge of Ophir." --_Isaiah xiii, 12._ Chicago Charles H. Kerr & Company 1907 Copyright 1907 by Charles H. Kerr & Company [Illustration: logo] Press of John F. Higgins Chicago TO M. E. M. AND L. H. M. PREFACE Of the papers in this little volume two have appeared in print before: "Science and Socialism" in the International Socialist Review for September, 1900, and "Marxism and Ethics" in Wilshire's Magazine for November, 1905. My thanks are due to the publishers of those periodicals for their kind permission to re-print those articles here. The other papers appear here for the first time. There is an obvious inconsistency between the treatment of Materialism in "Science and Socialism" and its treatment in "The Nihilism of Socialism." I would point out that seven years elapsed between the composition of the former and that of the latter essay. Whether the inconsistency be a sign of mental growth or deterioration my readers must judge for themselves. I will merely say here that the man or woman, whose views remain absolutely fixed and stereotyped for seven years, is cheating the undertaker. What I conceive the true significance of this particular change in opinions to be is set forth in the essay on "The Biogenetic Law." Some Socialists will deprecate what may seem to them the unwise frankness of the paper on "The Nihilism of Socialism." To them I can only say that to me Socialism has always been essentially a revolutionary movement. Revolutionists, who attempt to maintain a distinction between their exoteric and their esoteric teachings, only succeed in making themselves ridiculous. But, even were the maintenance of such a distinction practicable, it would, in my judgment, be highly inexpedient. As a mere matter of policy, ever since I first entered the Socialist Movement, I have been a firm believer in the tactics admirably summed up in Danton's "_De l'audace! Puis de l'audace! Et toujours de l'audace!_" Should any reader find himself repelled by "The Nihilism of Socialism," let me beg that he will not put the book aside until he has read the essay on "The Biogenetic Law." I do not send forth this little book with any ambitious hope that it will be widely read, or even that it will convert any one to Socialism. My hope is far more modest. It is that this book may be of some real service, as a labor-saving device, to the thinking men and women who have felt the lure of Socialism, and are trying to discover just what is meant by the oft-used words 'Marxian Socialism,' Should it prove of material aid to even _one_ such man or woman, I would feel that I had been repaid a hundred-fold for my labor in writing it. ROBERT RIVES LA MONTE. Feb. 7, 1907. TABLE OF CONTENTS PAGE SCIENCE AND SOCIALISM 15 I. THE MATERIALISTIC CONCEPTION OF HISTORY 25 II. THE LAW OF SURPLUS-VALUE 34 III. THE CLASS STRUGGLE 46 MARXISM AND ETHICS 57 INSTEAD OF A FOOTNOTE 75 THE NIHILISM OF SOCIALISM 81 THE BIOGENETIC LAW 131 KISMET 143 SCIENCE AND SOCIALISM[1] (International Socialist Review, September, 1900.) Until the middle of this (the nineteenth) century the favorite theory with those who attempted to explain the phenomena of History was the Great-Man-Theory. This theory was that once in a while through infinite mercy a great man was sent to the earth who yanked humanity up a notch or two higher, and then we went along in a humdrum way on that level, or even sank back till another great man was vouchsafed to us. Possibly the finest flower of this school of thought is Carlyle's Heroes and Hero Worship. Unscientific as this theory was, it had its beneficent effects, for those heroes or great men served as ideals, and the human mind requires an unattainable ideal. No man can be or do the best he is capable of unless he is ever reaching out toward an ideal that lies beyond his grasp. Tennyson put this truth in the mouth of the ancient sage who tells the youthful and ambitious Gareth who is eager to enter into the service of King Arthur of the Table Round: "-----------the King Will bind thee by such vows as is a shame
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TIBER*** E-text prepared by Frank van Drogen, Greg Bergquist, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Transcriber's note: The punctuation and spelling from the original text have been preserved faithfully. Only obvious typographical errors have been corrected. PILGRIMAGE FROM THE ALPS TO THE TIBER. Or The Influence of Romanism on Trade, Justice, and Knowledge. by REV. J.A. WYLIE, LL.D. Author of "The Papacy," &c. &.c. Edinburgh Shepherd & Elliot, 15, Princes Street. London: Hamilton, Adams, & Co. MDCCCLV. CONTENTS. CHAPTER I. PAGE THE INTRODUCTION, 1 CHAPTER II. THE PASSAGE OF THE ALPS, 8 CHAPTER III. RISE AND PROGRESS OF CONSTITUTIONALISM IN PIEDMONT, 23 CHAPTER IV. STRUCTURE AND CHARACTERISTICS OF THE VAUDOIS VALLEYS, 43 CHAPTER V. STATE AND PROSPECTS OF THE VAUDOIS CHURCH, 62 CHAPTER VI. FROM TURIN TO NOVARA--PLAIN OF LOMBARDY, 83 CHAPTER VII. FROM NOVARA TO MILAN--DOGANA--CHAIN OF THE ALPS, 94 CHAPTER VIII. CITY AND PEOPLE OF MILAN, 105 CHAPTER IX. ARCO DELLA PACE--ST AMBROSE, 119 CHAPTER X. THE DUOMO OF MILAN, 126 CHAPTER XI. MILAN TO BRESCIA--THE REFORMERS, 137 CHAPTER XII. THE PRESENT THE IMAGE OF THE PAST, 152 CHAPTER XIII. SCENERY OF LAKE GARDA--PESCHIERA--VERONA, 158 CHAPTER XIV. FROM VERONA TO VENICE--THE TYROLESE ALPS, 168 CHAPTER XV. VENICE--DEATH OF NATIONS, 178 CHAPTER XVI. PADUA--ST ANTONY--THE PO--ARREST, 198 CHAPTER XVII. FERRARA--RENEE AND OLYMPIA MORATA, 209 CHAPTER XVIII. BOLOGNA AND THE APENNINES, 216 CHAPTER XIX. FLORENCE AND ITS YOUNG EVANGELISM, 237 CHAPTER XX. FROM LEGHORN TO ROME--CIVITA VECCHIA, 262 CHAPTER XXI. MODERN ROME, 276 CHAPTER XXII. ANCIENT ROME--THE SEVEN HILLS, 289 CHAPTER XXIII. SIGHTS IN ROME--CATACOMBS--PILATE'S STAIRS--PIO NONO, &C., 302 CHAPTER XXIV. INFLUENCE OF ROMANISM ON TRADE, 333 CHAPTER XXV. INFLUENCE OF ROMANISM ON TRADE--(CONTINUED), 352 CHAPTER XXVI. JUSTICE AND LIBERTY IN THE PAPAL STATES, 366 CHAPTER XXVII. EDUCATION AND KNOWLEDGE IN THE PAPAL STATES, 401 CHAPTER XXVIII. MENTAL STATE OF THE PRIESTHOOD IN ITALY, 415 CHAPTER XXIX. SOCIAL AND DOMESTIC CUSTOMS OF THE ROMANS, 430 CHAPTER XXX. THE ARGUMENT FROM THE WHOLE, OR, ROME HER OWN WITNESS, 447 ROME, AND THE WORKINGS OF ROMANISM IN ITALY. CHAPTER I. THE INTRODUCTION. I did not go to Rome to seek for condemnatory matter against the Pope's government. Had this been my only object, I should not have deemed it necessary to undertake so long a journey. I could have found materials on which to construct a charge in but too great abundance nearer home. The cry of the Papal States had waxed great, and there was no need to go down into those unhappy regions to satisfy one's self that the oppression was "altogether according to the cry of it." I had other objects to serve by my journey. There is one other country which has still more deeply influenced the condition of the race, and towards which one is even more powerfully drawn, namely, Judea. But Italy is entitled to the next place, as respects the desire which one must naturally feel to visit it, and the instruction one may expect to reap from so doing. Some of the greatest minds which the pagan world has produced have appeared in Italy. In that land those events were accomplished which have given to modern history its form and colour; and those ideas elaborated, the impress of which may still be traced upon the opinions, the institutions, and the creeds of Europe. In Italy, too, empire has left her ineffaceable traces, and art her glorious footsteps. There is, all will admit, a peculiar and exquisite pleasure in visiting such spots: nor is there pleasure only, but profit also. One's taste may be corrected
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Produced by An Anonymous Volunteer and David Widger THE JUNGLE BOOK By Rudyard Kipling Contents Mowgli's Brothers Hunting-Song of the Seeonee Pack Kaa's Hunting Road-Song of the Bandar-Log "Tiger! Tiger!" Mowgli's Song The White Seal Lukannon "Rikki-Tikki-Tavi" Darzee's Chant Toomai of the Elephants Shiv and the Grasshopper Her Majesty's Servants Parade Song of the Camp Animals Mowgli's Brothers Now Rann the Kite brings home the night That Mang the Bat sets free-- The herds are shut in byre and hut For loosed till dawn are we. This is the hour of pride and power, Talon and tush and claw. Oh, hear the call!--Good hunting all That keep the Jungle Law! Night-Song in the Jungle It was seven o'clock of a very warm evening in the Seeonee hills when Father Wolf woke up from his day's rest, scratched himself, yawned, and spread out his paws one after the other to get rid of the sleepy feeling in their tips. Mother Wolf lay with her big gray nose dropped across her four tumbling, squealing cubs, and the moon shone into the mouth of the cave where they all lived. "Augrh!" said Father Wolf. "It is time to hunt again." He was going to spring down hill when a little shadow with a bushy tail crossed the threshold and whined: "Good luck go with you, O Chief of the Wolves. And good
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Produced by David Widger from page images generously provided by Google Books COWARDICE COURT By George Barr McCutcheon Illustrated by Harrison Fisher [Illustration: 0007] [Illustration: 0008] [Illustration: 0012] COWARDICE COURT CHAPTER I--IN WHICH A YOUNG MAN TRESPASSES “He's just an infernal dude, your lordship, and I 'll throw him in the river if he says a word too much.” “He has already said too much, Tompkins, confound him, don't you know.” “Then I'm to throw him in whether he says anything or not, sir?” “Have you seen him?” “No, your lordship, but James has. James says he wears a red coat and--” “Never mind, Tompkins. He has no right to fish on this side of that log. The insufferable ass may own the land on the opposite side, but, confound his impertinence, I own it on this side.” This concluding assertion of the usually placid but now irate Lord Bazelhurst was not quite as momentous as it sounded. As a matter of fact, the title to the land was vested entirely in his young American wife; his sole possession, according to report, being a title much less substantial but a great deal more picturesque than the large, much-handled piece of paper down in the safety deposit vault--lying close and crumpled among a million sordid, homely little slips called coupons. It requires no great stretch of imagination to understand that Lord Bazelhurst had an undesirable neighbour. That neighbour was young Mr. Shaw--Randolph Shaw, heir to the Randolph fortune. It may be fair to state that Mr. Shaw also considered himself to be possessed of an odious neighbour. In other words, although neither had seen the other, there was a feud between the owners of the two estates that had all the earmarks of an ancient romance. Lady Bazelhurst was the daughter of a New York millionaire; she was young, beautiful, and arrogant. Nature gave her youth and beauty; marriage gave her the remaining quality. Was she not Lady Bazelhurst? What odds if Lord Bazelhurst happened to be a middle-aged, addle-pated ass? So much the better. Bazelhurst castle and the Bazelhurst estates (heavily encumbered before her father came to the rescue) were among the oldest and most coveted in the English market. Her mother noted, with unctuous joy, that the present Lady Bazelhurst in babyhood had extreme difficulty in mastering the eighth letter of the alphabet, certainly a most flattering sign of natal superiority, notwithstanding the fact that her father was plain old John Banks (deceased), formerly of Jersey City, more latterly of Wall street and St. Thomas's. Bazelhurst was a great catch, but Banks was a good name to conjure with, so he capitulated with a willingness that savoured somewhat of suspended animation (so fearful was he that he might do something to disturb the dream before it came true). That was two years ago. With exquisite irony, Lady Bazelhurst decided to have a country-place in America. Her agents discovered a glorious section of woodland in the Adirondacks, teeming with trout streams, game haunts, unparalleled scenery; her ladyship instructed them to buy without delay. It was just here that young Mr. Shaw came into prominence. His grandfather had left him a fortune and he was looking about for ways in which to spend a portion of it. College, travel, and society having palled on him, he hied himself into the big hills west of Lake Champlain, searching for beauty, solitude, and life as he imagined it should be lived. He found and bought five hundred acres of the most beautiful bit of wilderness in the mountains. The same streams coursed through his hills and dales that ran through those of Lady Bazelhurst, the only distinction being that his portion was the more desirable. When her ladyship's agents came leisurely up to close their deal, they discovered that Mr. Shaw had snatched up this choice five hundred acres of the original tract intended for their client. At least one thousand acres were left for the young lady, but she was petulant enough to covet all of it. Overtures were made to Mr. Shaw, but he would not sell. He was preparing to erect a handsome country-place, and he did not want to alter his plans. Courteously at first, then somewhat scathingly he declined to discuss the proposition with her agents. After two months of pressure of the most tiresome persistency, he lost his temper and sent a message to his inquisitors that suddenly terminated all negotiations. Afterwards, when he learned that their client was a lady, he wrote a conditional note of apology, but, if he expected a response, he was disappointed. A year went by, and now, with the beginning of this narrative, two newly completed country homes glowered at each other from separate hillsides, one envious and spiteful, the other defiant and a bit satirical. Bazelhurst
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Produced by Punch, or the London Charivari, Malcolm Farmer, Ernest Schaal and the Online Distributed Proofreading Team at http://www.pgdp.net PUNCH, OR THE
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Produced by KD Weeks, David Garcia, D Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Transcriber’s Note: Minor errors in punctuation and formatting have been silently corrected. Please see the transcriber’s note at the end of this text for details regarding the handling of any textual issues encountered during its preparation. This version of the text cannot represent certain typographical effects. Italics are delimited with the ‘_’ character as _italic_. The full-page illustrations are referred to, in the list provided, by a quote from the text, and the page reference is to the quote, rather than the position of the illustration in the text. In some cases, these were re-positioned to fall nearer the scene referenced. These illustrations also had no captions. They are distinguished, here, by the first few words of the quoted text. The Travelling Thirds By Gertrude Atherton Author of “Rulers of Kings” “The Conqueror” “The Bell in the Fog” etc. [Illustration] LONDON AND NEW YORK HARPER & BROTHERS PUBLISHERS 1905 Copyright, 1905, by HARPER & BROTHERS. _All rights reserved._ Published October, 1905. ------------------------------------------------------------------------ The Travelling Thirds I The California cousin of the Lyman T. Moultons—a name too famous to be shorn——stood apart from the perturbed group, her feet boyishly asunder, her head thrown back. Above her hung the thick white clusters of the acacia,[1] drooping abundantly, opaque and luminous in the soft masses of green, heavy with perfume. All Lyons seemed to have yielded itself to the intoxicating fragrance of its favorite tree. Footnote 1: The acacia of Europe is identical with the American locust. In the Place Carnot, at least, there was not a murmur. The Moultons had hushed in thought their four variations on the aggressive American key, although perhaps insensible to the voluptuous offering of the grove. Mrs. Moulton, had her senses responded to the sweet and drowsy afternoon, would have resented the experience as immoral; and as it was her pale-blue gaze rested disapprovingly on the rapt figure of her husband’s second cousin. The short skirt and the covert coat of ungraceful length, its low pockets always inviting the hands of its owner, had roused more than once her futile protest, and to-day they seemed to hang limp with a sense of incongruity beneath the half-closed eyes and expanded nostrils of the young Californian. It was not possible for nature to struggle triumphant through the disguise this beneficiary chose to assume, but there was an unwilling conviction in the Moulton family that when Catalina arrayed herself as other women she would blossom forth into something of a beauty. Even her stiff hat half covered her brow and rich brown hair, but her eyes, long and dark and far apart, rarely failed to arrest other eyes, immobile as was their common expression. Always independent of her fellow-mortals, and peculiarly of her present companions, she was a happy pagan at the moment, and meditating a solitary retreat to another grove of acacias down by the Saône, when her attention was claimed by Mr. Moulton. “Would you mind coming here a moment, Catalina?” he asked, in a voice whose roll and cadence told that he had led in family prayers these many years, if not in meeting. “After all, it is your suggestion, and I think you should present the case. I have done it very badly, and they don’t seem inclined to listen to me.” He smiled apologetically, but there was a faint twinkle in his eye which palliated the somewhat sanctimonious expression of the lower part of his face. Blond and cherubic in youth, his countenance had grown in dignity as time changed its tints to drab and gray, reclaimed the superfluous flesh of his face, and drew the strong lines that are the half of a man’s good looks. He, too, had his hands in his pockets, and he stood in front of his wife and daughters, who sat on a bench in the perfumed shade of the acacias. His cousin once removed dragged down her eyes and scowled, without attempt at dissimulation. In a moment, however, she came forward with a manifest attempt to be human and normal. Mrs. Moulton stiffened her spine as if awaiting an assault, and her oldest daughter, a shade more formal and correct, more afraid of doing the wrong thing, fixed a cold and absent eye upon the statue to liberty in the centre of the Place. Only the second daughter, Lydia, just departing from her first quarter-century, turned to the alien relative with a sparkle in her eye. She was a girl about whose pink-and-white-and-golden prettiness there was neither question nor enthusiasm, and her thin, graceful figure and alertly poised head received such enhancement as her slender purse afforded. She wore—need I record it?—a travelling-suit of dark-blue brilliantine, short—but at least three inches longer than Catalina’s—and a large hat about whose brim fluttered a blue veil. She admired and a little feared the recent acquisition from California, experiencing for the first time in her life a pleasing suspense in the vagaries of an unusual character. She and all that hitherto pertained to her belonged to that highly refined middle class nowhere so formal and exacting as in the land of the free. Catalina, who never permitted her relatives to suspect that she was shy, assumed her most stolid expression and abrupt tones. “It is simple enough. We can go to Spain if we travel third class, and we can’t if we don’t. I want to see Spain more than any country in Europe. I have heard you say more than once that you were wild to see it—the Alhambra and all that—well, anxious, then,” as Mrs. Moulton raised a protesting eyebrow. “I’m wild, if you like. I’d walk, go on mule-back; in short, I’ll go alone if you won’t take me.” “You will do what?” The color came into Mrs. Moulton’s faded cheek, and she squared herself as for an encounter. Open friction was infrequent, for Mrs. Moulton was nothing if not diplomatic, and Catalina was indifferent. Nevertheless, encounters there had been, and at the finish the Californian had invariably held the middle of the field, insolent and victorious; and Mrs. Moulton had registered a vow that sooner or later she would wave the colors over the prostrate foe. For thirty-two years she had merged, submerged, her individuality, but in these last four months she had been possessed by a waxing revolt, of an almost passionate desire for a victorious moment. It was her first trip abroad, and she had followed where her energetic husband and daughters listed. Hardly once had she been consulted. Perhaps, removed for the first time from the stultifying environment of habit, she had come to realize what slight rewards are the woman’s who flings her very soul at the feet of others. It was too late to attempt to be an individual in her own family; even did she find the courage she must continue to accept their excessive care—she had a mild form of invalidism—and endeavor to feel grateful that she was owned by the kindest of husbands, and daughters no more selfish than the average; but since the advent of Catalina all the rebellion left in her had become compact and alert. Here was an utterly antagonistic temperament, one beyond her comprehension, individual in a fashion that offended every sensibility; cool, wary, insolently suggesting that she purposed to stalk through life in that hideous get-up, pursuing the unorthodox. She was not only indomitable youth but indomitable savagery, and Mrs. Moulton, of the old and cold Eastern civilization, bristled with a thrill that was almost rapture whenever this unwelcome relative of her husband stared at her in contemptuous silence. “You will do what? The suggestion that we travel third class is offensive enough—but are you aware that Spanish women never travel even first class alone?” “I don’t see what that has to do with me. I’m not Spanish; they would assume that I was ‘no lady’ and take no further notice of me; or, if they did—well, I can take care of myself. As for travelling third class, I can’t see that it is any more undignified than travelling second, and its chief recommendations, after its cheapness, are that it won’t be so deadly respectable as second, and that we’ll meet nice, dirty, picturesque, excitable peasants instead of dowdy middle-class people who want all the windows shut. The third-class carriages are generally big, open cars like ours, with wooden seats—no microbes—and at this time of the year all the windows will be open. Now, you can think it over. I am going to invest twenty francs in a Baedeker and study my route.” She nodded to Mr. Moulton, dropped an almost imperceptible eyelash at Lydia, and, ignoring the others, strode off belligerently towards the Place Bellecour. Mrs. Moulton turned white. She set her lips. “I shall not go,” she announced. “My love,” protested her husband, mildly, “I am afraid she has placed us in a position where we shall have to go.” He was secretly delighted. “Spain, as you justly remarked, is the most impossible country in Europe for the woman alone, and she is the child of my dead cousin and old college chum. When we are safely home again I shall have a long talk with her and arrive at a definite understanding of this singular character, but over here I cannot permit her to make herself—and us—notorious. I am sure you will agree with me, my love. My only fear is that you may find the slow trains and wooden seats fatiguing—although I shall buy an extra supply of air-cushions, and we will get off whenever you feel tired.” “Do say yes, mother,” pleaded her youngest born. “It will almost be an adventure, and I’ve never had anything approaching an adventure in my life. I’m sure even Jane will enjoy it.” “I loathe travelling,” said the elder Miss Moulton, with energy. “It’s nothing but reading Baedeker, stalking through churches and picture-galleries, and rushing for trains, loaded down with hand-baggage. I feel as if I never wanted to see another thing in my life. Of course I’m glad I’ve seen London and Paris and Rome, but the discomforts and privations of travel far outweigh the advantages. I haven’t the slightest desire to see Spain, or any more down-at-the-heel European countries; America will satisfy me for the rest of my life. As for travelling third class—the very idea is low and horrid. It is bad enough to travel second, and if we did think so little of ourselves as to travel third—just think of its being found out! Where would our social position be—father’s great influence? As for that California savage, the mere fact that she makes a suggestion—” “My dear,” remonstrated her father, “Catalina is a
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Produced by Adrian Mastronardi, Jana Srna and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [ Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible, including inconsistencies in spelling and hyphenation; changes (corrections of spelling and punctuation) made to the original text are listed at the end of this file. Italic text has been marked with _underscores_. Bold text has been marked with =equals signs=. Greek text has been transliterated and marked with +plus signs+. ] THE STORY OF BOOKS The Useful Knowledge Library PLANT LIFE. By Grant Allen. ARCHITECTURE. By P. L. Waterhouse. THE STARS. By G. F. Chambers, F.R.A.S. THE SOLAR SYSTEM. By George F. Chambers, F.R.A.S. FOREST AND STREAM. By James Rodway. THE MIND. By Prof. J. M. Baldwin. THE RELIGIONS OF THE WORLD. By the Rev. E. D. Price, F.G.S. EXTINCT CIVILIZATIONS OF THE EAST. By Robert E. Anderson, M.A., F.A.S. THE CHEMICAL ELEMENTS. By M. M. Pattison Muir, M.A. A PIECE OF COAL. By E. A. Martin. THE EARTH IN PAST AGES. By H. G. Seeley, F.R.S. BIRD-LIFE. By W. P. Pycraft. GEOGRAPHICAL DISCOVERY. By Joseph Jacobs. PRIMITIVE MAN. By Edward Clodd. THOUGHT AND FEELING. By Frederick Ryland, M.A. THE BRITISH RACE. By John Munro. GERM LIFE. By H. W. Conn. ANIMAL LIFE. By B. Lindsay. COTTON PLANT. By F. Wilkinson, F.G.S. ECLIPSES. By G. F. Chambers, F.R.A.S. ELECTRICITY. By J. Munro. WEATHER. By G. F. Chambers, F.R.A.S. WILD FLOWERS. By Rev. Prof. Henslow. LONDON: HODDER AND STOUGHTON [Illustration: EARLY PRINTERS AT WORK.] THE STORY OF BOOKS BY GERTRUDE BURFORD RAWLINGS Author of "The Story of the British Coinage" HODDER AND STOUGHTON PUBLISHERS, LONDON CONTENTS CHAP. PAGE I. Introductory 9 II. The Preservation of Literature 13 III. Books and Libraries in Classical Times 26 IV. Books in Mediæval Times 36 V. Libraries in Mediæval Times 56 VI. The Beginning of Printing 70 VII. Who Invented Moveable Types? 81 VIII. Gutenberg and the Mentz Press 89 IX. Early Printing 103 X. Early Printing in Italy and some other Countries 110 XI. Early Printing in England 118 XII. Early Printing in Scotland 131 XIII. Early Printing in Ireland 138 XIV. Book Bindings 144 XV. How a Modern Book is Produced 159 Postscript 164 Index 166 ILLUSTRATIONS Early Printers at Work Frontispiece PAGE Page from the Book of Kells 38 Part of Page from the Book of Kells 39 Page from the Lindisfarne Gospels 44 Page from the Biblia Pauperum 76 Type of the Mentz Indulgence 95 Page from the Mazarin Bible 98 Type of the Mazarin Bible 99 Type of the Subiaco Lactantius 111 Type of the Aldine Virgil, 1501 114 Type of Caxton's Dictes or Sayengis of the Philosophres, Westminster, 1477 123 Boys Learning Grammar 125 Caxton's Device 127 Type of Wynkyn de Worde's Higden's Polychronicon, London, 1495 129 Myllar's Device 132 Title Page of O'Kearney's Irish Alphabet and Catechism 140 Upper Cover of Melissenda's Psalter 149 THE STORY OF BOOKS CHAPTER I INTRODUCTORY The book family is a very old and a very noble one, and has rendered great service to mankind, although, as with other great houses, all its members are not of equal worth and distinction. But since books are so common nowadays as to be taken quite as matters of course, probably few people give any thought to the long chain of events which, reaching from the dim past up to our own day, has
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Produced by Sigal Alon, Marcia Brooks, Fox in the Stars and the Online Distributed Proofreading Team at http://www.pgdp.net LITTLE MASTERPIECES OF SCIENCE [Illustration: Louis Pasteur.] Little Masterpieces of Science Edited by George Iles HEALTH AND HEALING _By_ Sir James Paget, M.D. Patrick Geddes and Sir J. R. Bennett, M.D. J. Arthur Thomson T. M. Prudden, M.D. B.
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Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive) AMERICAN BOOKPLATES [Illustration] AMERICAN BOOK-PLATES (EX-LIBRIS) [Illustration] [Illustration] American Book-Plates A Guide to their Study with Examples By Charles Dexter Allen Member Ex-Libris Society London · Member Grolier Club New York Member Connecticut Historical Society Hartford With a Bibliography by Eben Newell Hewins Member Ex-Libris Society Illustrated with many reproductions of rare and interesting book-plates and in the finer editions with many prints from the original coppers both old and recent [Illustration] New York · Macmillan and Co. · London Mdcccxciv COPYRIGHT, 1894, BY MACMILLAN AND CO. Norwood Press: J. S. Cushing & Co.--Berwick & Smith. Boston, Mass., U.S.A. PREFACE. [Illustration: I]n a few years Book-plate literature will have a place in the catalogues of the Libraries, as it now has in those of the dealers in books. The works of the Hon. J. Leicester Warren (Lord de Tabley), Mr. Egerton Castle, and Mr. W. J. Hardy on the English plates, Mr. Walter Hamilton, M. Henri Bouchot, and M. Poulet-Malassis on the French, Herr Warnecke on the German, and M. Carlander on the Swedish, are all the work of master hands, and are recognized as authorities. In our own country the lists and essays of Mr. Richard C. Lichtenstein and Mr. Laurence Hutton have long been of invaluable service, and occupy a position both at home and
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Produced by Richard J. Shiffer and the Online Distributed Proofreading Team at http://www.pgdp.net [Transcriber's Note: Every effort has been made to replicate this text as faithfully as possible, including obsolete and variant spellings and other inconsistencies. Text that has been changed to correct an obvious error is noted at the end of this ebook. Also, many occurrences of mismatched single and double quotes remain as they were in the original.] [Illustration: Susan B. Anthony. (Signed: Affectionately Yours Susan B. Anthony)] THE HISTORY OF WOMAN SUFFRAGE EDITED BY SUSAN B. ANTHONY & IDA HUSTED HARPER ILLUSTRATED WITH COPPERPLATE AND PHOTOGRAVURE ENGRAVINGS _IN FOUR VOLUMES_ VOL. IV. 1883-1900 "PERFECT EQUALITY OF RIGHTS FOR WOMAN, CIVIL, LEGAL AND POLITICAL" SUSAN B. ANTHONY 17 MADISON STREET, ROCHESTER, N. Y. COPYRIGHT, 1902, BY SUSAN B. ANTHONY THE HOLLENBECK PRESS INDIANAPOLIS * * * * Make me respect my material so much that I dare not slight my work. Help me to deal very honestly with words and with people, because they are both alive. Show me that, as in a river, so in writing, clearness is the best quality, and a little that is pure is worth more than much that is mixed. Teach me to see the local color without being blind to the inner light. Give me an ideal that will stand the strain of weaving into human stuff on the loom of the real. Keep me from caring more for books than for folks, for art than for life. Steady me to do my full stint of work as well as I can, and when that is done, stop me, pay me what wages thou wilt, and help me to say from a quiet heart a grateful Amen. HENRY VAN <DW18>. PREFACE After the movement for woman suffrage, which commenced about the middle of the nineteenth century, had continued for twenty-five years, the feeling became strongly impressed upon its active promoters, Miss Susan B. Anthony and Mrs. Elizabeth Cady Stanton, that the records connected with it should be secured to posterity. With Miss Anthony, indeed, the idea had been ever present, and from the beginning she had carefully preserved as far as possible the letters, speeches and newspaper clippings, accounts of conventions and legislative and congressional reports. By 1876 they were convinced through various circumstances that the time had come for writing the history. So little did they foresee the magnitude which this labor would assume that they made a mutual agreement to accept no engagements for four months, expecting to finish it within that time, as they contemplated nothing more than a small volume, probably a pamphlet of a few hundred pages. Miss Anthony packed in trunks and boxes the accumulations of the years and shipped them to Mrs. Stanton's home in Tenafly, N. J., where the two women went cheerfully to work. Mrs. Stanton was the matchless writer, Miss Anthony the collector of material, the searcher of statistics, the business manager, the keen critic, the detector of omissions, chronological flaws and discrepancies in statement such as are unavoidable even with the most careful historian. On many occasions they called to their aid for historical facts Mrs. Matilda Joslyn Gage, one of the most logical, scientific and fearless writers of her day. To Mrs. Gage Vol. I of the History of Woman Suffrage is wholly indebted for the first two chapters--Preceding Causes and Woman in Newspapers, and for the last chapter--Woman, Church and State, which she later amplified in a book; and Vol. II for the first chapter--Woman's Patriotism in the Civil War. When the allotted time had expired the work had far exceeded its original limits and yet seemed hardly begun. Its authors were amazed at the amount of history which already had been made and still more deeply impressed with the desirability of preserving the story of the early struggle, but both were in the regular employ of lecture bureaus and henceforth could give only vacations to the task. They were entirely without the assistance of stenographers and typewriters, who at the present day relieve brain workers of so large a part of the physical strain. A labor which was to consume four months eventually extended through ten years and was not completed until the closing days of 1885. The pamphlet of a few hundred pages had expanded into three great volumes of 1,000 pages each, and enough material remained unused to fill another.[1] It was almost wholly due to Miss Anthony's clear foresight and painstaking habits that the materials were gathered and preserved during all the years, and it was entirely owing to
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ON THE DECAY OF THE ART OF LYING by Mark Twain [Sameul Clemens] ESSAY, FOR DISCUSSION, READ AT A MEETING OF THE HISTORICAL AND ANTIQUARIAN CLUB OF HARTFORD, AND OFFERED FOR THE THIRTY-DOLLAR PRIZE.[*] [*] Did not take the prize. Observe, I do not mean to suggest that the _custom_ of lying has suffered any decay or interruption--no, for the Lie, as a Virtue, A Principle, is eternal; the Lie, as a recreation, a solace, a refuge in time of need, the fourth Grace, the tenth Muse, man's best and surest friend, is immortal, and cannot perish from the earth while this club remains. My complaint simply concerns the decay of the _art_ of lying. No high-minded man, no man of right feeling, can
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Produced by Richard Hulse, Charlie Howard, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Illustration: Painted by Tho. Cole. Engraved by Geo. W. Hatch. ] “FATHER CLARK,” OR The Pioneer Preacher. SKETCHES AND INCIDENTS OF REV. JOHN CLARK, BY AN OLD PIONEER. NEW YORK: SHELDON, LAMPORT & BLAKEMAN, No. 115 NASSAU STREET. 1855. Entered according to Act of Congress, in the year 1855, by SHELDON, LAMPORT & BLAKEMAN, In the Clerk’s Office of the District Court of the United States for the Southern District of New York. JOHN J. REED, _Stereotyper and Printer_, 16 Spruce street. INTRODUCTION. The incidents, manners and customs of frontier life in the country once called the “Far West,”--now the valley of the Mississippi, are interesting to all classes. The religious events and labors of good men in “works of faith and labors of love” among the early pioneers of this valley, cannot fail to attract the attention of young persons in the family circle, and children in Sabbath schools. The author of this work, as the commencement of a series of PIONEER BOOKS, has chosen for a theme a man of singularly benevolent and philanthropic feelings; peculiarly amiable in manners and social intercourse; with habits of great self-denial; unusually disinterested in his labors, and the first preacher of the gospel who ventured to carry the
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Produced by Emmy, Dianna Adair and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) [Transcriber's Note: Bold text is surrounded by =equal signs= and italic text is surrounded by _underscores_.] TESSA Our Little Italian Cousin THE Little Cousin Series (TRADE MARK) Each volume illustrated with six or more full-page plates in tint. Cloth, 12mo, with decorative cover, per volume, 60 cents LIST OF TITLES BY MARY HAZELTON WADE (unless otherwise indicated) =Our Little African Cousin= =Our Little Alaskan Cousin= By Mary F. Nixon-Roulet =Our Little Arabian Cousin= By Blanche McManus =Our Little Armenian Cousin= =Our Little Australian Cousin= By Mary F. Nixon-Roulet =Our Little Brazilian Cousin= By Mary F. Nixon-Roulet =Our Little Brown Cousin= =Our Little Canadian Cousin= By Elizabeth R. MacDonald =Our Little Chinese Cousin= By Isaac Taylor Headland =Our Little Cuban Cousin= =Our Little Dutch Cousin= By Blanche McManus =Our Little Egyptian Cousin= By Blanche McManus =Our Little English Cousin= By Blanche McManus =Our Little Eskimo Cousin= =Our Little French Cousin= By Blanche McManus =Our Little German Cousin= =Our Little Greek Cousin= By Mary F. Nixon-Roulet =Our Little Hawaiian Cousin= =Our Little Hindu Cousin= By Blanche McManus =Our Little Hungarian Cousin= By Mary F. Nixon-Roulet =Our Little Indian Cousin= =Our Little Irish Cousin= =Our Little Italian Cousin= =Our Little Japanese Cousin= =Our Little Jewish Cousin= =Our Little Korean Cousin= By H. Lee M. Pike =Our Little Mexican Cousin= By Edward C. Butler =Our Little Norwegian Cousin= =Our Little Panama Cousin= By H. Lee M. Pike =Our Little Persian Cousin= By E. C. Shedd =Our Little Philippine Cousin= =Our Little Porto Rican Cousin= =Our Little Russian Cousin= =Our Little Scotch Cousin= By Blanche McManus =Our Little Siamese Cousin= =Our Little Spanish Cousin= By Mary F. Nixon-Roulet =Our Little Swedish Cousin= By Claire M. Coburn =Our Little Swiss Cousin= =Our Little Turkish Cousin= L. C. PAGE & COMPANY New England Building, Boston, Mass. [Illustration: TESSA] TESSA Our Little Italian Cousin By Mary Hazelton Wade _Illustrated by_ L. J. Bridgman [Illustration] Boston L. C. Page & Company _PUBLISHERS_ _Copyright, 1903_ BY L. C. PAGE & COMPANY (INCORPORATED) _All rights reserved_ THE LITTLE COUSIN SERIES (_Trade Mark_) Published, July, 1903 Fifth Impression, June, 1908 Sixth Impression, November, 1909 Seventh Impression, August, 1910 Preface MANY people from other lands have crossed the ocean to make a new home for themselves in America. They love its freedom. They are happy here under its kindly rule. They suffer less from want and hunger than in the country of their birthplace. Their children are blessed with the privilege of attending fine schools and with the right to learn about this wonderful world, side by side with the sons and daughters of our most successful and wisest people. Among these newer-comers to America are the Italians, many of whom will never again see their own country, of which they are still so justly proud. They will tell you it is a land of wonderful beauty; that it has sunsets so glorious that both artists and poets try to picture them for us again and again; that its history is that of a strong and mighty people who once held rule over all the civilized world; that thousands of travellers visit its shores every year to look upon its paintings and its statues, for it may truly be called the art treasure-house of the world. When you meet your little Italian cousins, with their big brown eyes and olive skins, whether it be in school or on the street, perhaps you will feel a little nearer and more friendly if you turn your attention for a while to their home, and the home of the brave and wise Columbus who left it that he might find for you in the far West your own loved country, your great
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Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net THE BROWN MOUSE By HERBERT QUICK Author of Aladdin & Company, The Broken Lance On Board the Good Ship Earth, Etc. INDIANAPOLIS THE BOBBS-MERRILL COMPANY PUBLISHERS Copyright 1915 The Bobbs-Merrill Company Printed in the United States of America PRESS OF BRAUNWORTH & CO. BOOK MANUFACTURERS BROOKLYN, N. Y. CONTENTS CHAPTER I A Maiden's "Humph" 1 II Reversed Unanimity 24 III What Is a Brown Mouse 38 IV The First Day of School 48 V The Promotion of Jennie 55 VI Jim Talks the Weather Cold 65 VII The New Wine 75 VIII And the Old Bottles 89 IX Jennie Arranges a Christmas Party 99 X How Jim Was Lined Up 111 XI The Mouse Escapes 122 XII Facing Trial 132 XIII Fame or Notoriety 147 XIV The Colonel Takes the Field 164 XV A Minor Casts Half a Vote 188 XVI The Glorious Fourth 203 XVII A Trouble Shooter 218 XVIII Jim Goes to Ames 235 XIX Jim's World Widens 242 XX Think of It 248 XXI A School District Held Up 258 XXII An Embassy From Dixie 277 XXIII And So They Lived---- 295 THE BROWN MOUSE CHAPTER I A MAIDEN'S "HUMPH" A Farm-hand nodded in answer to a question asked him by Napoleon on the morning of Waterloo. The nod was false, or the emperor misunderstood--and Waterloo was lost. On the nod of a farm-hand rested the fate of Europe. This story may not be so important as the battle of Waterloo--and it may be. I think that Napoleon was sure to lose to Wellington sooner or later, and therefore the words "fate of Europe" in the last paragraph should be understood as modified by "for a while." But this story may change the world permanently. We will not discuss that, if you please. What I am endeavoring to make plain is that this history would never have been written if a farmer's daughter had not said "Humph!" to her father's hired man. Of course she never said it as it is printed. People never say "Humph!" in that way. She just closed her lips tight in the manner of people who have a great deal to say and prefer not to say it, and--I dislike to record this of a young lady who has been "off to school," but truthfulness compels--she grunted through her little nose the ordinary "Humph!" of conversational commerce, which was accepted at its face value by the farm-hand as an evidence of displeasure, disapproval, and even of contempt. Things then began to happen as they never would have done if the maiden hadn't "Humphed!" and this is a history of those happenings. As I have said, it may be more important than Waterloo. _Uncle Tom's Cabin_ was, and I hope--I am just beginning, you know--to make this a much greater book than _Uncle Tom's Cabin_. And it all rests on a "Humph!" Holmes says, "Soft is the breath of a maiden's 'Yes,' Not the light gossamer stirs with less." but what bard shall rightly sing the importance of a maiden's "H
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Produced by Lynn Hill. HTML version by Al Haines. To all friends of the brave children of France Map of the Voyage THE FRENCH TWINS by Lucy Fitch Perkins CONTENTS I. THE CHURCH AND THE PEOPLE II. ON THE WAY HOME III. THE COMING OF THE GERMANS IV. THE RETURN OF THE FRENCH V. AT MADAME COUDERT'S VI. THE BURNING OF THE CATHEDRAL VII. HOME AGAIN VIII. REFUGEES IX. THE FOREIGN LEGION X. FONTANELLE XI. A SURPRISE XII. MORNING IN THE MEADOW XIII. CHILDREN OF THE LEGION I. THE CHURCH AND THE PEOPLE The sunlight of the clear September afternoon shone across the roofs of the City of Rheims, and fell in a yellow flood upon the towers of the most beautiful cathedral in the world, turning them into two shining golden pillars against the deep blue of the eastern sky. The streets below were already in shadow, but the sunshine still poured through the great rose window above the western portal, lighting the dim interior of the church with long shafts of brilliant reds, blues, and greens, and falling at last in a shower of broken color upon the steps of the high altar. Somewhere in the mysterious shadows an unseen musician touched the keys of the great organ, and the voice of the Cathedral throbbed through its echoing aisles in tremulous waves of sound. Above the deep tones of the bass notes a delicate melody floated, like a lark singing above the surf. Though the great church seemed empty but for sound and color, there lingered among its shadows a few persons who loved it well. There were priests and a few worshipers. There was also Father Varennes, the Verger, and far away in one of the small chapels opening from the apse in the eastern end good Mother Meraut was down upon her knees, not praying as you might suppose, but scrubbing the stone floor. Mother Meraut was a wise woman; she knew when to pray and when to scrub, and upon occasion did both with equal energy to the glory of God and the service of his Church. Today it was her task to make the little chapel clean and sweet, for was not the Abbe coming to examine the Confirmation Class in its catechism, and were not her own two children, Pierre and Pierette, in the class? In time to the heart-beats of the organ, Mother Meraut swept her brush back and forth, and it was already near the hour for the class to assemble when at last she set aside her scrubbing-pail, wiped her hands upon her apron, and began to dust the chairs which had been standing outside the arched entrance, and to place them in orderly rows within the chapel. She had nearly completed her task, when there was a tap-tapping upon the stone floor, and down the long aisle, leaning upon his crutch, came Father Varennes. He stopped near the chapel and watched her as she whisked the last chair into place and then paused with her hands upon her hips to make a final inspection of her work. "Bonjour, Antoinette," said the Verger. Mother Meraut turned her round, cheerful face toward him. "Ah, it is you, Henri," she cried, "come, no doubt, to see if the chapel is clean enough for the Abbe! Well, behold." The Verger peered through the arched opening, and sniffed the wet, soapy smell which pervaded the air. "One might even eat from your clean floor, Antoinette," he said, smiling, "and taste nothing worse with his food than a bit of soap. Truly the chapel is as clean as a
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